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+The Project Gutenberg EBook of The Depot Master, by Joseph C. Lincoln
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Depot Master
+
+Author: Joseph C. Lincoln
+
+Release Date: May 16, 2006 [EBook #2307]
+Last Updated: March 5, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DEPOT MASTER ***
+
+
+
+
+Produced by Donald Lainson
+
+
+
+
+
+THE DEPOT MASTER
+
+By Joseph C. Lincoln
+
+
+
+
+CONTENTS
+
+
+CHAPTER
+
+I.-- AT THE DEPOT
+
+II.-- SUPPLY AND DEMAND
+
+III.-- “STINGY GABE”
+
+IV.-- THE MAJOR
+
+V.-- A BABY AND A ROBBERY
+
+VI.-- AVIATION AND AVARICE
+
+VII.-- CAPTAIN SOL DECIDES TO MOVE
+
+VIII.--THE OBLIGATIONS OF A GENTLEMAN
+
+IX.-- THE WIDOW BASSETT
+
+X.-- CAPTAIN JONADAB GOES
+
+XI.-- THE GREAT METROPOLIS
+
+XII.-- A VISION SENT
+
+XIII.--DUSENBERRY'S BIRTHDAY
+
+XIV.-- EFFIE'S FATE
+
+XV.-- THE “HERO” AND THE COWBOY
+
+XVI.-- THE CRUISE OF THE RED CAR
+
+XVII.--ISSY'S REVENGE
+
+XVIII. THE MOUNTAIN AND MAHOMET
+
+
+
+
+THE DEPOT MASTER
+
+
+
+
+CHAPTER I
+
+AT THE DEPOT
+
+
+Mr. Simeon Phinney emerged from the side door of his residence and
+paused a moment to light his pipe in the lee of the lilac bushes. Mr.
+Phinney was a man of various and sundry occupations, and his sign,
+nailed to the big silver-leaf in the front yard, enumerated a few of
+them. “Carpenter, Well Driver, Building Mover, Cranberry Bogs Seen to
+with Care and Dispatch, etc., etc.,” so read the sign. The house was
+situated in “Phinney's Lane,” the crooked little byway off “Cross
+Street,” between the “Shore Road” at the foot of the slope and the “Hill
+Boulevard”--formerly “Higgins's Roost”--at the top. From the Phinney
+gate the view was extensive and, for the most part, wet. The hill
+descended sharply, past the “Shore Road,” over the barren fields and
+knolls covered with bayberry bushes and “poverty grass,” to the yellow
+sand of the beach and the gray, weather-beaten fish-houses scattered
+along it. Beyond was the bay, a glimmer in the sunset light.
+
+Mrs. Phinney, in the kitchen, was busy with the supper dishes. Her
+husband, wheezing comfortably at his musical pipe, drew an ancient
+silver watch from his pocket and looked at its dial. Quarter past six.
+Time to be getting down to the depot and the post office. At least a
+dozen male citizens of East Harniss were thinking that very thing at
+that very moment. It was a community habit of long standing to see the
+train come in and go after the mail. The facts that the train bore no
+passengers in whom you were intimately interested, and that you expected
+no mail made little difference. If you were a man of thirty or older,
+you went to the depot or the “club,” just as your wife or sisters went
+to the sewing circle, for sociability and mild excitement. If you were
+a single young man you went to the post office for the same reason that
+you attended prayer meeting. If you were a single young lady you went
+to the post office and prayer meeting to furnish a reason for the young
+man.
+
+Mr. Phinney, replacing his watch in his pocket, meandered to the
+sidewalk and looked down the hill and along the length of the “Shore
+Road.” Beside the latter highway stood a little house, painted a
+spotless white, its window blinds a vivid green. In that house dwelt,
+and dwelt alone, Captain Solomon Berry, Sim Phinney's particular
+friend. Captain Sol was the East Harniss depot master and, from long
+acquaintance, Mr. Phinney knew that he should be through supper and
+ready to return to the depot, by this time. The pair usually walked
+thither together when the evening meal was over.
+
+But, except for the smoke curling lazily from the kitchen chimney,
+there was no sign of life about the Berry house. Either Captain Sol had
+already gone, or he was not yet ready to go. So Mr. Phinney decided that
+waiting was chancey, and set out alone.
+
+He climbed Cross Street to where the “Hill Boulevard,” abiding place of
+East Harniss's summer aristocracy, bisected it, and there, standing on
+the corner, and consciously patronizing the spot where he so stood, was
+Mr. Ogden Hapworth Williams, no less.
+
+Mr. Williams was the village millionaire, patron, and, in a gentlemanly
+way, “boomer.” His estate on the Boulevard was the finest in the county,
+and he, more than any one else, was responsible for the “buying up”
+ by wealthy people from the city of the town's best building sites, the
+spots commanding “fine marine sea views,” to quote from Abner Payne,
+local real estate and insurance agent. His own estate was fine enough to
+be talked about from one end of the Cape to the other and he had bought
+the empty lot opposite and made it into a miniature park, with flower
+beds and gravel walks, though no one but he or his might pick the
+flowers or tread the walks. He had brought on a wealthy friend from New
+York and a cousin from Chicago, and they, too, had bought acres on the
+Boulevard and erected palatial “cottages” where once were the houses of
+country people. Local cynics suggested that the sign on the East Harniss
+railroad station should be changed to read “Williamsburg.” “He owns the
+place, body and soul,” said they.
+
+As Sim Phinney climbed the hill the magnate, pompous, portly, and
+imposing, held up a signaling finger. “Just as if he was hailin' a horse
+car,” described Simeon afterward.
+
+“Phinney,” he said, “come here, I want to speak to you.”
+
+The man of many trades obediently approached.
+
+“Good evenin', Mr. Williams,” he ventured.
+
+“Phinney,” went on the great man briskly, “I want you to give me your
+figures on a house moving deal. I have bought a house on the Shore Road,
+the one that used to belong to the--er--Smalleys, I believe.”
+
+Simeon was surprised. “What, the old Smalley house?” he exclaimed. “You
+don't tell me!”
+
+“Yes, it's a fine specimen--so my wife says--of the pure Colonial,
+whatever that is, and I intend moving it to the Boulevard. I want your
+figures for the job.”
+
+The building mover looked puzzled. “To the Boulevard?” he said. “Why, I
+didn't know there was a vacant lot on the Boulevard, Mr. Williams.”
+
+“There isn't now, but there will be soon. I have got hold of the hundred
+feet left from the old Seabury estate.”
+
+Mr. Phinney drew a long breath. “Why!” he stammered, “that's where Olive
+Edwards--her that was Olive Seabury--lives, ain't it?”
+
+“Yes,” was the rather impatient answer. “She has been living there. But
+the place was mortgaged up to the handle and--ahem--the mortgage is mine
+now.”
+
+For an instant Simeon did not reply. He was gazing, not up the Boulevard
+in the direction of the “Seabury place” but across the slope of the
+hill toward the home of Captain Sol Berry, the depot master. There was a
+troubled look on his face.
+
+“Well?” inquired Williams briskly, “when can you give me the figures?
+They must be low, mind. No country skin games, you understand.”
+
+“Hey?” Phinney came out of his momentary trance. “Yes, yes, Mr.
+Williams. They'll be low enough. Times is kind of dull now and I'd
+like a movin' job first-rate. I'll give 'em to you to-morrer. But--but
+Olive'll have to move, won't she? And where's she goin'?”
+
+“She'll have to move, sure. And the eyesore on that lot now will come
+down.”
+
+The “eyesore” was the four room building, combined dwelling and shop of
+Mrs. Olive Edwards, widow of “Bill Edwards,” once a promising young man,
+later town drunkard and ne'er-do-well, dead these five years, luckily
+for himself and luckier--in a way--for the wife who had stuck by him
+while he wasted her inheritance in a losing battle with John Barleycorn.
+At his death the fine old Seabury place had dwindled to a lone hundred
+feet of land, the little house, and a mortgage on both. Olive had opened
+a “notion store” in her front parlor and had fought on, proudly refusing
+aid and trying to earn a living. She had failed. Again Phinney stared
+thoughtfully at the distant house of Captain Sol.
+
+“But Olive,” he said, slowly. “She ain't got no folks, has she? What'll
+become of her? Where'll she move to?”
+
+“That,” said Mr. Williams, with a wave of a fat hand, “is not my
+business. I am sorry for her, if she's hard up. But I can't be
+responsible if men will drink up their wives' money. Look out for number
+one; that's business. I sha'n't be unreasonable with her. She can stay
+where she is until the new house I've bought is moved to that lot. Then
+she must clear out. I've told her that. She knows all about it. Well,
+good-by, Phinney. I shall expect your bid to-morrow. And, mind, don't
+try to get the best of me, because you can't do it.”
+
+He turned and strutted back up the Boulevard. Sim Phinney, pondering
+deeply and very grave, continued on his way, down Cross Street
+to Main--naming the village roads was another of the Williams'
+“improvements”--and along that to the crossing, East Harniss's business
+and social center at train times.
+
+The station--everyone called it “deepo,” of course--was then a small red
+building, old and out of date, but scrupulously neat because of Captain
+Berry's rigid surveillance. Close beside it was the “Boston Grocery,
+Dry Goods and General Store,” Mr. Beriah Higgins, proprietor. Beriah
+was postmaster and the post office was in his store. The male citizen
+of middle age or over, seeking opportunity for companionship and chat,
+usually went first to the depot, sat about in the waiting room until the
+train came in, superintended that function, then sojourned to the post
+office until the mail was sorted, returning later, if he happened to be
+a particular friend of the depot master, to sit and smoke and yarn until
+Captain Sol announced that it was time to “turn in.”
+
+When Mr. Phinney entered the little waiting room he found it already
+tenanted. Captain Sol had not yet arrived, but official authority was
+represented by “Issy” McKay--his full name was Issachar Ulysses Grant
+McKay--a long-legged, freckled-faced, tow-headed youth of twenty, who,
+as usual, was sprawled along the settee by the wall, engrossed in
+a paper covered dime novel. “Issy” was a lover of certain kinds of
+literature and reveled in lurid fiction. As a youngster he had, at
+the age of thirteen, after a course of reading in the “Deadwood Dick
+Library,” started on a pedestrian journey to the Far West, where,
+being armed with home-made tomahawk and scalping knife, he contemplated
+extermination of the noble red man. A wrathful pursuing parent had
+collared the exterminator at the Bayport station, to the huge delight of
+East Harniss, young and old. Since this adventure Issy had been famous,
+in a way.
+
+He was Captain Sol Berry's assistant at the depot. Why an assistant
+was needed was a much discussed question. Why Captain Sol, a retired
+seafaring man with money in the bank, should care to be depot master
+at ten dollars a week was another. The Captain himself said he took the
+place because he wanted to do something that was “half way between a
+loaf and a job.” He employed an assistant at his own expense because
+he “might want to stretch the loafin' half.” And he hired Issy
+because--well, because “most folks in East Harniss are alike and you can
+always tell about what they'll say or do. Now Issy's different. The Lord
+only knows what HE'S likely to do, and that makes him interestin' as a
+conundrum, to guess at. He kind of keeps my sense of responsibility from
+gettin' mossy, Issy does.”
+
+“Issy,” hailed Mr. Phinney, “has the Cap'n got here yet?”
+
+Issy answered not. The villainous floorwalker had just proffered
+matrimony or summary discharge to “Flora, the Beautiful Shop Girl,” and
+pending her answer, the McKay mind had no room for trifles.
+
+“Issy!” shouted Simeon. “I say, Is', Wake up, you foolhead! Has Cap'n
+Sol--”
+
+“No, he ain't, Sim,” volunteered Ed Crocker. He and his chum, Cornelius
+Rowe, were seated in two of the waiting room chairs, their feet on two
+others. “He ain't got here yet. We was just talkin' about him. You've
+heard about Olive Edwards, I s'pose likely, ain't you?”
+
+Phinney nodded gloomily.
+
+“Yes,” he said, “I've heard.”
+
+“Well, it's too bad,” continued Crocker. “But, after all, it's Olive's
+own fault. She'd ought to have married Sol Berry when she had the
+chance. What she ever gave him the go-by for, after the years they was
+keepin' comp'ny, is more'n I can understand.”
+
+Cornelius Rowe shook his head, with an air of wisdom. Captain Sol,
+himself, remarked once: “I wonder sometimes the Almighty ain't jealous
+of Cornelius, he knows so much and is so responsible for the runnin' of
+all creation.”
+
+“Humph!” grunted Mr. Rowe. “There's more to that business than you folks
+think. Olive didn't notice Bill Edwards till Sol went off to sea and
+stayed two years and over. How do you know she shook Sol? You might just
+as well say he shook her. He always was stubborn as an off ox and cranky
+as a windlass. I wonder how he feels now, when she's lost her last red
+and is goin' to be drove out of house and home. And all on account of
+that fool 'mountain and Mahomet' business.”
+
+“WHICH?” asked Mr. Crocker.
+
+“Never mind that, Cornelius,” put in Phinney, sharply. “Why don't you
+let other folks' affairs alone? That was a secret that Olive told your
+sister and you've got no right to go blabbin'.”
+
+“Aw, hush up, Sim! I ain't tellin' no secrets to anybody but Ed here,
+and he ain't lived in East Harniss long or he'd know it already. The
+mountain and Mahomet? Why, them was the last words Sol and Olive had.
+'Twas Sol's stubbornness that was most to blame. That was his one bad
+fault. He would have his own way and he wouldn't change. Olive had set
+her heart on goin' to Washin'ton for their weddin' tower. Sol wanted
+to go to Niagara. They argued a long time, and finally Olive says, 'No,
+Solomon, I'm not goin' to give in this time. I have all the others, but
+it's not fair and it's not right, and no married life can be happy where
+one does all the sacrificin'. If you care for me you'll do as I want
+now.'
+
+“And he laughs and says, 'All right, I'll sacrifice after this, but you
+and me must see Niagara.' And she was sot and he was sotter, and at last
+they quarreled. He marches out of the door and says: 'Very good. When
+you're ready to be sensible and change your mind, you can come to me.
+And says Olive, pretty white but firm: 'No, Solomon, I'm right and
+you're not. I'm afraid this time the mountain must come to Mahomet.'
+That ended it. He went away and never come back, and after a long spell
+she give in to her dad and married Bill Edwards. Foolish? 'Well, now,
+WA'N'T it!”
+
+“Humph!” grunted Crocker. “She must have been a born gump to let a smart
+man like him get away just for that.”
+
+“There's a good many born gumps not so far from here as her house,”
+ interjected Phinney. “You remember that next time you look in the glass,
+Ed Crocker. And--and--well, there's no better friend of Sol Berry's on
+earth than I am, but, so fur as their quarrel was concerned, if you ask
+me I'd have to say Olive was pretty nigh right.”
+
+“Maybe--maybe,” declared the allwise Cornelius, “but just the same if I
+was Sol Berry, and knew my old girl was likely to go to the poorhouse,
+I'll bet my conscience--”
+
+“S-ssh!” hissed Crocker, frantically. Cornelius stopped in the middle
+of his sentence, whirled in his chair, and looked up. Behind him in the
+doorway of the station stood Captain Sol himself. The blue cap he always
+wore was set back on his head, a cigar tipped upward from the corner
+of his mouth, and there was a grim look in his eye and about the smooth
+shaven lips above the short, grayish-brown beard.
+
+“Issy” sprang from his settee and jammed the paper novel into his
+pocket. Ed Crocker's sunburned face turned redder yet. Sim Phinney
+grinned at Mr. Rowe, who was very much embarrassed.
+
+“Er--er--evenin', Cap'n Sol,” he stammered. “Nice, seasonable weather,
+ain't it? Been a nice day.”
+
+“Um,” grunted the depot master, knocking the ashes from his cigar.
+
+“Just right for workin' outdoor,” continued Cornelius.
+
+“I guess it must be. I saw your wife rakin' the yard this mornin'.”
+
+Phinney doubled up with a chuckle. Mr. Rowe swallowed hard. “I--I TOLD
+her I'd rake it myself soon's I got time,” he sputtered.
+
+“Um. Well, I s'pose she realized your time was precious. Evenin', Sim,
+glad to see you.”
+
+He held out his hand and Phinney grasped it.
+
+“Issy,” said Captain Sol, “you'd better get busy with the broom, hadn't
+you. It's standin' over in that corner and I wouldn't wonder if it
+needed exercise. Sim, the train ain't due for twenty minutes yet. That
+gives us at least three quarters of an hour afore it gets here. Come
+outside a spell. I want to talk to you.”
+
+He led the way to the platform, around the corner of the station, and
+seated himself on the baggage truck. That side of the building, being
+furthest from the street, was out of view from the post office and
+“general store.”
+
+“What was it you wanted to talk about, Sol?” asked Simeon, sitting down
+beside his friend on the truck.
+
+The Captain smoked in silence for a moment. Then he asked a question in
+return.
+
+“Sim,” he said, “have you heard anything about Williams buying the
+Smalley house? Is it true?”
+
+Phinney nodded. “Yup,” he answered, “it's true. Williams was just
+talkin' to me and I know all about his buyin' it and where it's goin'.”
+
+He repeated the conversation with the great man. Captain Sol did
+not interrupt. He smoked on, and a frown gathered and deepened as he
+listened.
+
+“Humph!” he said, when his friend had concluded. “Humph! Sim, do you
+have any idea what--what Olive Seabury will do when she has to go?”
+
+Phinney glanced at him. It was the first time in twenty years that he
+had heard Solomon Berry mention the name of his former sweetheart. And
+even now he did not call her by her married name, the name of her late
+husband.
+
+“No,” replied Simeon. “No, Sol, I ain't got the least idea. Poor thing!”
+
+Another interval. Then: “Well, Sim, find out if you can, and let me
+know. And,” turning his head and speaking quietly but firmly, “don't let
+anybody ELSE know I asked.”
+
+“Course I won't, Sol, you know that. But don't it seem awful mean
+turnin' her out so? I wouldn't think Mr. Williams would do such a
+thing.”
+
+His companion smiled grimly; “I would,” he said. “'Business is
+business,' that's his motto. That and 'Look out for number one.'”
+
+“Yes, he said somethin' to me about lookin' out for number one.”
+
+“Did he? Humph!” The Captain's smile lost a little of its bitterness
+and broadened. He seemed to be thinking and to find amusement in the
+process.
+
+“What you grinnin' at?” demanded Phinney.
+
+“Oh, I was just rememberin' how he looked out for number one the
+first--no, the second time I met him. I don't believe he's forgot it.
+Maybe that's why he ain't quite so high and mighty to me as he is to the
+rest of you fellers. Ha! ha! He tried to patronize me when I first came
+back here and took this depot and I just smiled and asked him what the
+market price of johnny-cake was these days. He got red clear up to the
+brim of his tall hat. Humph! 'TWAS funny.”
+
+“The market price of JOHNNY-CAKE! He must have thought you was loony.”
+
+“No. I'm the last man he'd think was loony. You see I met him a fore he
+came here to live at all.”
+
+“You did? Where?”
+
+“Oh, over to Wellmouth. 'Twas the year afore I come back to East
+Harniss, myself, after my long stretch away from it. I never intended to
+see the Cape again, but I couldn't stay away somehow. I've told you
+that much--how I went over to Wellmouth and boarded a spell, got sick
+of that, and, just to be doin' somethin' and not for the money, bought
+a catboat and took out sailin' parties from Wixon and Wingate's summer
+hotel.”
+
+“And you met Mr. Williams? Well, I snum! Was he at the hotel?”
+
+“No, not exactly. I met him sort of casual this second time.”
+
+“SECOND time? Had you met him afore that?”
+
+“Don't get ahead of the yarn, Sim. It happened this way: You see, I was
+comin' along the road between East Wellmouth and the Center when I run
+afoul of him. He was fat and shiny, and drivin' a skittish horse hitched
+to a fancy buggy. When he sighted me he hove to and hailed.
+
+“'Here you!' says he, in a voice as fat as the rest of him. 'Your name's
+Berry, ain't it.'
+
+“'Yup,' says I.
+
+“'Methusalum Berry or Jehoshaphat Berry or Sheba Berry, or somethin'
+like that? Hey?' he says.
+
+“'Well,' says I, 'the last shot you fired comes nighest the bull's eye.
+They christened me Solomon, but 'twa'n't my fault; I was young at the
+time and they took advantage.'
+
+“He grinned a kind of lopsided grin, like he had a lemon in his mouth,
+and commenced to cuss the horse for tryin' to climb a pine tree.
+
+“'I knew 'twas some Bible outrage or other,' he says. 'There's more
+Bible names in this forsaken sand heap than there is Christians, a good
+sight. When I meet a man with a Bible name and chin whiskers I hang on
+to my watch. The feller that sets out to do me has got to have a better
+make up than that, you bet your life. 'Well, see here, King Sol; can you
+run a gasoline launch?'
+
+“'Why, yes, I guess I can run 'most any of the everyday kinds,' says
+I, pullin' thoughtful at my own chin whiskers. This fat man had got me
+interested. He was so polite and folksy in his remarks. Didn't seem to
+stand on no ceremony, as you might say. Likewise there was a kind of
+familiar somethin' about his face. I knew mighty well I'd never met him
+afore, and yet I seemed to have a floatin' memory of him, same as a chap
+remembers the taste of the senna and salts his ma made him take when he
+was little.
+
+“'All right,' says he, sharp. 'Then you come around to my landin'
+to-morrer mornin' at eight o'clock prompt and take me out in my launch
+to the cod-fishin' grounds. I'll give you ten dollars to take me out
+there and back.'
+
+“'Well,' says I, 'ten dollars is a good price enough. Do I furnish--'
+
+“'You furnish nothin' except your grub,' he interrupts. 'The launch'll
+be ready and the lines and hooks and bait'll be ready. My own man was to
+do the job, but he and I had a heart-to-heart talk just now and I told
+him where he could go and go quick. No smart Alec gets the best of me,
+even if he has got a month's contract. You run that launch and put me on
+the fishin' grounds. I pay you for that and bringin' me back again. And
+I furnish my own extras and you can furnish yours. I don't want any of
+your Yankee bargainin'. See?'
+
+“I saw. There wa'n't no real reason why I couldn't take the job. 'Twas
+well along into September; the hotel was closed for the season; and
+about all I had on my hands just then was time.
+
+“'All right,' says I, 'it's a deal. If you'll guarantee to have your
+launch ready, I--'
+
+“'That's my business,' he says. 'It'll be ready. If it ain't you'll get
+your pay just the same. To-morrer mornin' at eight o'clock. And don't
+you forget and be late. Gid-dap, you blackguard!' says he to the horse.
+
+“'Hold on, just a minute,' I hollers, runnin' after him. 'I don't want
+to be curious nor nosey, you understand, but seems 's if it might help
+me to be on time if I knew where your launch was goin' to be and what
+your name was.'
+
+“He pulled up then. 'Humph!' he says, 'if you don't know my name and
+more about my private affairs than I do myself, you're the only one in
+this county that don't. My name's Williams, and I live in what you folks
+call the Lathrop place over here toward Trumet. The launch is at my
+landin' down in front of the house.'
+
+“He drove off then and I walked along thinkin'. I knew who he was
+now, of course. There was consider'ble talk when the Lathrop place was
+rented, and I gathered that the feller who hired it answered to the hail
+of Williams and was a retired banker, sufferin' from an enlarged income
+and the diseases that go along with it. He lived alone up there in the
+big house, except for a cranky housekeeper and two or three servants.
+This was afore he got married, Sim; his wife's tamed him a little. Then
+the yarns about his temper and language would have filled a log book.
+
+“But all this was way to one side of the mark-buoy, so fur as I was
+concerned. I'd cruised with cranks afore and I thought I could stand
+this one--ten dollars' worth of him, anyhow. Bluster and big talk may
+scare some folks, but to me they're like Aunt Hepsy Parker's false
+teeth, the further off you be from 'em the more real they look. So the
+next mornin' I was up bright and early and on my way over to the Lathrop
+landin'.
+
+“The launch was there, made fast alongside the little wharf. Nice,
+slick-lookin' craft she was, too, all varnish and gilt gorgeousness. I'd
+liked her better if she'd carried a sail, for it's my experience that
+canvas is a handy thing to have aboard in case of need; but she looked
+seaworthy enough and built for speed.
+
+“While I was standin' on the pier lookin' down at her I heard footsteps
+and brisk remarks from behind the bushes on the bank, and here comes
+Williams, puffin' and blowin', followed by a sulky-lookin' hired man
+totin' a deckload of sweaters and ileskins, with a lunch basket on top.
+Williams himself wan't carryin' anything but his temper, but he hadn't
+forgot none of that.
+
+“'Hello, Berry,' says he to me. 'You are on time, ain't you. Blessed if
+it ain't a comfort to find somebody who'll do what I tell 'em. Now you,'
+he says to the servant, 'put them things aboard and clear out as quick
+as you've a mind to. You and I are through; understand? Don't let me
+find you hangin' around the place when I get back. Cast off, Sol.'
+
+“The man dumped the dunnage into the launch, pretty average ugly, and me
+and the boss climbed aboard. I cast off.
+
+“'Mr. Williams,' says the man, kind of pleadin', 'ain't you goin' to pay
+me the rest of my month's wages?'
+
+“Williams told him he wa'n't, and added trimmin's to make it emphatic.
+
+“I started the engine and we moved out at a good clip. All at once that
+hired man runs to the end of the wharf and calls after us.
+
+“'All right for you, you fat-head!' he yells. 'You'll be sorry for what
+you done to me.'
+
+“I cal'late the boss would have liked to go back and lick him, but I
+was hired to go a-fishin', not to watch a one-sided prize fight, and I
+thought 'twas high time we started.
+
+“The name of that launch was the Shootin' Star, and she certainly
+lived up to it. 'Twas one of them slick, greasy days, with no sea worth
+mentionin' and we biled along fine. We had to, because the cod ledge is
+a good many mile away, 'round Sandy P'int out to sea, and, judgin' by
+what I'd seen of Fatty so fur, I wa'n't hankerin' to spend more time
+with him than was necessary. More'n that, there was fog signs showin'.
+
+“'When was you figgerin' on gettin' back, Mr. Williams?' I asked him.
+
+“'When I've caught as many fish as I want to,' he says. 'I told that
+housekeeper of mine that I'd be back when I got good and ready; it might
+be to-night and it might be ten days from now. “If I ain't back in a
+week you can hunt me up,” I told her; “but not before. And that goes.”
+ I've got HER trained all right. She knows me. It's a pity if a man can't
+be independent of females.'
+
+“I knew consider'ble many men that was subjects for pity, 'cordin' to
+that rule. But I wa'n't in for no week's cruise, and I told him so. He
+said of course not; we'd be home that evenin'.
+
+“The Shootin' Star kept slippin' along. 'Twas a beautiful mornin' and,
+after a spell, it had its effect, even on a crippled disposition like
+that banker man's. He lit up a cigar and begun to get more sociable, in
+his way. Commenced to ask me questions about myself.
+
+“By and by he says: 'Berry, I suppose you figger that it's a smart thing
+to get ten dollars out of me for a trip like this, hey?'
+
+“'Not if it's to last a week, I don't,' says I.
+
+“'It's your lookout if it does,' he says prompt. 'You get ten for takin'
+me out and back. If you ain't back on time 'tain't my fault.'
+
+“'Unless this craft breaks down,' I says.
+
+“''Twon't break down. I looked after that. My motto is to look out for
+number one every time, and it's a mighty good motto. At any rate, it's
+made my money for me.'
+
+“He went on, preachin' about business shrewdness and how it paid, and
+how mean and tricky in little deals we Rubes was, and yet we didn't
+appreciate how to manage big things, till I got kind of sick of it.
+
+“'Look here, Mr. Williams,' says I, 'you know how I make my money--what
+little I do make--or you say you do. Now, if it ain't a sassy question,
+how did you make yours?'
+
+“Well, he made his by bein' shrewd and careful and always lookin' out
+for number one. 'Number one' was his hobby. I gathered that the heft of
+his spare change had come from dickers in stocks and bonds.
+
+“'Humph!' says I. 'Well, speakin' of tricks and meanness, I've allers
+heard tell that there was some of them things hitched to the tail of
+the stock market. What makes the stock market price of--well, of wheat,
+we'll say?'
+
+“That was regulated, so he said, by the law of supply and demand. If a
+feller had all the wheat there was and another chap had to have some or
+starve, why, the first one had a right to gouge t'other chap's last cent
+away from him afore he let it go.
+
+“'That's legitimate,' he says. 'That's cornerin' the market. Law of
+supply and demand exemplified.'
+
+“''Cordin' to that law,' says I, 'when you was so set on fishin' to-day
+and hunted me up to run your boat here--'cause I was about the only chap
+who could run it and wa'n't otherwise busy--I'd ought to have charged
+you twenty dollars instead of ten.'
+
+“'Sure you had,' he says, grinnin'. 'But you weren't shrewd enough to
+grasp the situation and do it. Now the deal's closed and it's too late.'
+
+“He went on talkin' about 'pools' and deals' and such. How prices of
+this stock and that was shoved up a-purpose till a lot of folks had
+put their money in it and then was smashed flat so's all hands but the
+'poolers' would be what he called 'squeezed out,' and the gang would get
+their cash. That was legitimate, too--'high finance,' he said.
+
+“'But how about the poor folks that had their savin's in them stocks,'
+I asks, 'and don't know high financin'? Where's the law of supply and
+demand come in for them?'
+
+“He laughed. 'They supply the suckers and the demand for money,' says
+he.
+
+“By eleven we was well out toward the fishin' grounds. 'Twas the bad
+season now; the big fish had struck off still further and there wa'n't
+another boat in sight. The land was just a yeller and green smooch along
+the sky line and the waves was runnin' bigger. The Shootin' Star was
+seaworthy, though, and I wa'n't worried about her. The only thing that
+troubled me was the fog, and that was pilin' up to wind'ard. I'd called
+Fatty's attention to it when we fust started, but he said he didn't care
+a red for fog. Well, I didn't much care nuther, for we had a compass
+aboard and the engine was runnin' fine. What wind there was was blowin'
+offshore.
+
+“And then, all to once, the engine STOPPED runnin'. I give the wheel a
+whirl, but she only coughed, consumptive-like, and quit again. I went
+for'ard to inspect, and, if you'll believe it, there wa'n't a drop of
+gasoline left in the tank. The spare cans had ought to have been full,
+and they was--but 'twas water they was filled with.
+
+“'Is THIS the way you have your boat ready for me?' I remarks,
+sarcastic.
+
+“'That--that man of mine told me he had everything filled,' he stammers,
+lookin' scart.
+
+“'Yes,' says I, 'and I heard him hint likewise that he was goin' to make
+you sorry. I guess he's done it.'
+
+“Well, sir! the brimstone names that Fatty called that man was somethin'
+surprisin' to hear. When he'd used up all he had in stock he invented
+new ones. When the praise service was over he turns to me and says: 'But
+what are we goin' to do?'
+
+“'Do?' says I. 'That's easy. We're goin' to drift.'
+
+“And that's what we done. I tried to anchor, but we wa'n't over the
+ledge and the iron wouldn't reach bottom by a mile, more or less. I
+rigged up a sail out of the oar and the canvas spray shield, but there
+wa'n't wind enough to give us steerageway. So we drifted and drifted,
+out to sea. And by and by the fog come down and shut us in, and that
+fixed what little hope I had of bein' seen by the life patrol on shore.
+
+“The breeze died out flat about three o'clock. In one way this was a
+good thing. In another it wa'n't, because we was well out in deep water,
+and when the wind did come it was likely to come harder'n we needed.
+However, there wa'n't nothin' to do but wait and hope for the best, as
+the feller said when his wife's mother was sick.
+
+“It was gettin' pretty well along toward the edge of the evenin' when
+I smelt the wind a-comin'. It came in puffs at fust, and every puff was
+healthier than the one previous. Inside of ten minutes it was blowin'
+hard, and the seas were beginnin' to kick up. I got up my jury rig--the
+oar and the spray shield--and took the helm. There wa'n't nothin' to
+do but run afore it, and the land knows where we would fetch up. At any
+rate, if the compass was right, we was drivin' back into the bay again,
+for the wind had hauled clear around.
+
+“The Shootin' Star jumped and sloshed. Fatty had on all the ileskins and
+sweaters, but he was shakin' like a custard pie.
+
+“'Oh, oh, heavens!' he chatters. 'What will we do? Will we drown?'
+
+“'Don't know,' says I, tuggin' at the wheel and tryin' to sight the
+compass. 'You've got the best chance of the two of us, if it's true that
+fat floats.'
+
+“I thought that might cheer him up some, but it didn't. A big wave
+heeled us over then and a keg or two of salt water poured over the
+gunwale. He give a yell and jumped up.
+
+“'My Lord!' he screams. 'We're sinkin'. Help! help!'
+
+“'Set down!' I roared. 'Thought you knew how to act in a boat. Set down!
+d'you hear me? SET DOWN AND SET STILL!'
+
+“He set. Likewise he shivered and groaned. It got darker all the time
+and the wind freshened every minute. I expected to see that jury mast go
+by the board at any time. Lucky for us it held.
+
+“No use tellin' about the next couple of hours. 'Cordin' to my reckonin'
+they was years and we'd ought to have sailed plumb through the broadside
+of the Cape, and be makin' a quick run for Africy. But at last we got
+into smoother water, and then, right acrost our bows, showed up a white
+strip. The fog had pretty well blowed clear and I could see it.
+
+“'Land, ho!' I yells. 'Stand by! WE'RE goin' to bump.'”
+
+Captain Sol stopped short and listened. Mr. Phinney grasped his arm.
+
+“For the dear land sakes, Sol,” he exclaimed, “don't leave me hangin' in
+them breakers no longer'n you can help! Heave ahead! DID you bump?”
+
+The depot master chuckled.
+
+“DID we?” he repeated. “Well, I'll tell you that by and by. Here comes
+the train and I better take charge of the ship. Anything so responsible
+as seein' the cars come in without me to help would give Issy the
+jumpin' heart disease.”
+
+He sprang from the truck and hastened toward the door of the station.
+Phinney, rising to follow him, saw, over the dark green of the swamp
+cedars at the head of the track, an advancing column of smoke. A whistle
+sounded. The train was coming in.
+
+
+
+
+CHAPTER II
+
+SUPPLY AND DEMAND
+
+
+And now life in East Harniss became temporarily fevered. Issy McKay
+dashed out of the station and rushed importantly up and down the
+platform. Ed Crocker and Cornelius Rowe emerged and draped themselves
+in statuesque attitudes against the side of the building. Obed Gott came
+hurrying from his paint and oil shop, which was next to the “general
+store.” Mr. Higgins, proprietor of the latter, sauntered easily across
+to receive, in his official capacity as postmaster, the mail bag. Ten or
+more citizens, of both sexes, and of various ages, gathered in groups to
+inspect and supervise.
+
+The locomotive pulled its string of cars, a “baggage,” a “smoker,”
+ and two “passengers,” alongside the platform. The sliding door of the
+baggage car was pushed back and the baggage master appeared in the
+opening. “Hi! Cap'n!” he shouted. “Hi, Cap'n Sol! Here's some express
+for you.”
+
+But unfortunately the Captain was in conversation with the conductor at
+the other end of the train. Issy, willing and officious, sprang forward.
+“I'll take it, Bill,” he volunteered. “Here, give it to me.”
+
+The baggage master handed down the package, a good sized one marked
+“Glass. With Care.” Issy received it, clutched it to his bosom, turned
+and saw Gertie Higgins, pretty daughter of Beriah Higgins, stepping from
+the first car to the platform. Gertie had been staying with an aunt in
+Trumet and was now returning home for a day or two.
+
+Issy stopped short and gazed at her. He saw her meet and kiss her
+father, and the sight roused turbulent emotions in his bosom. He saw her
+nod and smile at acquaintances whom she passed. She approached, noticed
+him, and--oh, rapture!--said laughingly, “Hello, Is.” Before he could
+recover his senses and remember to do more than grin she had disappeared
+around the corner of the station. Therefore he did not see the young man
+who stepped forward to shake her hand and whisper in her ear. This young
+man was Sam Bartlett, and, as a “city dude,” Issy loathed and hated him.
+
+No, Issy did not see the hurried and brief meeting between Bartlett and
+Gertie Higgins, but he had seen enough to cause forgetfulness of mundane
+things. For an instant he stared after the vanished vision. Then he
+stepped blindly forward, tripped over something--“his off hind leg,” so
+Captain Sol afterwards vowed--and fell sprawling, the express package
+beneath him.
+
+The crash of glass reached the ears of the depot master. He broke away
+from the conductor and ran toward his prostrate “assistant.” Pushing
+aside the delighted and uproarious bystanders, he forcibly helped the
+young man to rise.
+
+“What in time?” he demanded.
+
+Issy agonizingly held the package to his ear and shook it.
+
+“I--I'm afraid somethin's cracked,” he faltered.
+
+The crowd set up a whoop. Ed Crocker appeared to be in danger of
+strangling.
+
+“Cracked!” repeated Captain Sol. “Cracked!” he smiled, in spite of
+himself. “Yes, somethin's cracked. It's that head of yours, Issy. Here,
+let's see!”
+
+He snatched the package from the McKay hands and inspected it.
+
+“Smashed to thunder!” he declared. “Who's the lucky one it belongs to?
+Humph!” He read the inscription aloud, “Major Cuthbertson S. Hardee. The
+Major, hey! . . . Well, Is, you take the remains inside and you and I'll
+hold services over it later.”
+
+“I--I didn't go to do it,” protested the frightened Issy.
+
+“Course you didn't. If you had you wouldn't. You're like the feller
+in Scriptur', you leave undone the things you ought to do and do them
+that--All right, Jim! Let her go! Cast off!”
+
+The conductor waved his hand, the engine puffed, the bell rang, and
+the train moved onward. For another twelve hours East Harniss was left
+marooned by the outside world.
+
+Beriah Higgins and the mail bag were already in the post office. Thither
+went the crowd to await the sorting and ultimate distribution. A short,
+fat little man lingered and, walking up to the depot master, extended
+his hand.
+
+“Hello, Sol!” he said, smiling. “Thought I'd stop long enough to say
+'Howdy,' anyhow.”
+
+“Why, Bailey Stitt!” cried the Captain. “How are you? Glad to see you.
+Thought you was down to South Orham, takin' out seasick parties for the
+Ocean House, same kind of a job I used to have in Wellmouth.”
+
+“I am,” replied Captain Stitt. “That is, I was. Just now I've run over
+here to see about contractin' for a supply of clams and quahaugs for our
+boarders. You never see such a gang to eat as them summer folks, in your
+life. Barzilla Wingate, he says the same about his crowd. He's comin' on
+the mornin' train from Wellmouth.”
+
+“You don't tell me. I ain't seen Barzilla for a long spell. Where you
+stoppin'? Come up to the house, won't you?”
+
+“Can't. I'm goin' to put up over to Obed Gott's. His sister, Polena
+Ginn, is a relation of mine by marriage. So long! Obed's gone on ahead
+to tell Polena to put the kettle on. Maybe Obed and I'll be back again
+after I've had supper.”
+
+“Do. I'll be round here for two or three hours yet.”
+
+He entered the depot. Except the forlorn Issy, who sat in a corner,
+holding the express package in his lap, Simeon Phinney was the only
+person in the waiting room.
+
+“Come on now, Sol!” pleaded Sim. “I want to hear the rest of that about
+you and Williams. You left off in the most ticklish place possible,
+out of spite, I do believe. I'm hangin' on to that boat in the breakers
+until I declare I believe I'm catchin' cold just from imagination.”
+
+“Wait a minute, Sim,” said the depot master. Then he turned to his
+assistant.
+
+“Issy,” he said, “this is about the nineteenth time you've done just
+this sort of thing. You're no earthly use and I ought to give you your
+clearance papers. But I can't, you're too--well--ornamental. You've
+got to be punished somehow and I guess the best way will be to send you
+right up to Major Hardee's and let you give him the remnants. He'll
+want to know how it happened, and you tell him the truth. The TRUTH,
+understand? If you invent any fairy tales out of those novels of yours
+I'll know it by and by and--well, YOU'LL know I know. No remarks,
+please. Git!”
+
+Issy hesitated, seemed about to speak, thought better of it, took up
+package and cap, and “got.”
+
+“Let's see,” said the Captain, sitting down in one of the station chairs
+and lighting a fresh cigar; “where was Williams and I in that yarn of
+mine? Oh, yes, I could see land and cal'lated we was goin' to bump.
+Well, we did. Steerin' anyways but dead ahead was out of the question,
+and all I could do was set my teeth and trust in my bein' a member
+of the church. The Shootin' Star hit that beach like she was the real
+article. Overboard went oar and canvas and grub pails, and everything
+else that wa'n't nailed down, includin' Fatty and me. I grabbed him by
+the collar and wallowed ashore.
+
+“'Awk! hawk!' he gasps, chokin', 'I'm drownded.'
+
+“I let him BE drownded, for the minute. I had the launch to think of,
+and somehow or 'nother I got hold of her rodin' and hauled the anchor up
+above tide mark. Then I attended to my passenger.
+
+“'Where are we?' he asks.
+
+“I looked around. Close by was nothin' but beach-grass and seaweed and
+sand. A little ways off was a clump of scrub pines and bayberry bushes
+that looked sort of familiar. And back of them was a little board shanty
+that looked more familiar still. I rubbed the salt out of my eyes.
+
+“'WELL!' says I. 'I swan to man!'
+
+“'What is it?' he says. 'Do you know where we are? Whose house is that?'
+
+“I looked hard at the shanty.
+
+“'Humph!' I grunted. 'I do declare! Talk about a feller's comin' back to
+his own. Whose shanty is that? Well, it's mine, if you want to know.
+The power that looks out for the lame and the lazy has hove us ashore on
+Woodchuck Island, and that's a piece of real estate I own.'
+
+“It sounds crazy enough, that's a fact; but it was true. Woodchuck
+Island is a little mite of a sand heap off in the bay, two mile from
+shore and ten from the nighest town. I'd bought it and put up a shanty
+for a gunnin' shack; took city gunners down there, once in a while,
+the fall before. That summer I'd leased it to a friend of mine, name of
+Darius Baker, who used it while he was lobsterin'. The gale had driven
+us straight in from sea, 'way past Sandy P'int and on to the island.
+'Twas like hittin' a nail head in a board fence, but we'd done it. Shows
+what Providence can do when it sets out.
+
+“I explained some of this to Williams as we waded through the sand to
+the shanty.
+
+“'But is this Baker chap here now?' he asks.
+
+“'I'm afraid not,' says I. 'The lobster season's about over, and he was
+goin' South on a yacht this week. Still, he wa'n't to go till Saturday
+and perhaps--'
+
+“But the shanty was empty when we got there. I fumbled around in the tin
+matchbox and lit the kerosene lamp in the bracket on the wall. Then I
+turned to Williams.
+
+“'Well,' says I, 'we're lucky for once in--'
+
+“Then I stopped. When he went overboard the water had washed off
+his hat. Likewise it had washed off his long black hair--which was a
+wig--and his head was all round and shiny and bald, like a gull's egg
+out in a rain storm.”
+
+“I knew he wore a wig,” interrupted Phinney.
+
+“Of course you do. Everybody does now. But he wa'n't such a prophet in
+Israel then as he's come to be since, and folks wa'n't acquainted with
+his personal beauties.
+
+“'What are you starin' at?' he asks.
+
+“I fetched a long breath. 'Nothin',' says I. 'Nothin'.'
+
+“But for the rest of that next ha'f hour I went around in a kind of
+daze, as if MY wig had gone and part of my head with it. When a feller
+has been doin' a puzzle it kind of satisfies him to find out the answer.
+And I'd done my puzzle.
+
+“I knew where I'd met Mr. Williams afore.”
+
+“You did?” cried Simeon.
+
+“Um-hm. Wait a while. Well, Fatty went to bed, in one of the hay bunks,
+pretty soon after that. He stripped to his underclothes and turned in
+under the patchwork comforters. He was too beat out to want any supper,
+even if there'd been any in sight. I built a fire in the rusty cook
+stove and dried his duds and mine. Then I set down in the busted chair
+and begun to think. After a spell I got up and took account of stock, as
+you might say, of the eatables in the shanty. Darius had carted off his
+own grub and what there was on hand was mine, left over from the gunnin'
+season--a hunk of salt pork in the pickle tub, some corn meal in a tin
+pail, some musty white flour in another pail, a little coffee, a little
+sugar and salt, and a can of condensed milk. I took these things out of
+the locker they was in, looked 'em over, put 'em back again and sprung
+the padlock. Then I put the key into my pocket and went back to my chair
+to do some more thinkin'.
+
+“Next mornin' I was up early and when the banker turned out I was fryin'
+a couple of slices of the pork and had some coffee b'ilin'. Likewise
+there was a pan of johnnycake in the oven. The wind had gone down
+consider'ble, but 'twas foggy and thick again, which was a pleasin'
+state of things for yours truly.
+
+“Williams smelt the cookin' almost afore he got his eyes open.
+
+“'Hurry up with that breakfast,' he says to me. 'I'm hungry as a wolf.'
+
+“I didn't say nothin' then; just went ahead with my cookin'. He got into
+his clothes and went outdoor. Pretty soon he comes back, cussin' the
+weather.
+
+“'See here, Mr. Williams,' says I, 'how about them orders to your
+housekeeper? Are they straight? Won't she have you hunted up for a
+week?'
+
+“He colored pretty red, but from what he said I made out that she
+wouldn't. I gathered that him and the old lady wa'n't real chummy. She
+give him his grub and her services, and he give her the Old Harry and
+her wages. She wouldn't hunt for him, not until she was ordered to.
+She'd be only too glad to have him out of the way.
+
+“'Humph!' says I. 'Then I cal'late we'll enjoy the scenery on this
+garden spot of creation until the week's up.'
+
+“'What do you mean?' says he.
+
+“'Well,' I says, 'the launch is out of commission, unless it should
+rain gasoline, and at this time of year there ain't likely to be a boat
+within hailin' distance of this island; 'specially if the weather holds
+bad.'
+
+“He swore a blue streak, payin' partic'lar attention to the housekeeper
+for her general stupidness and to me because I'd got him, so he said,
+into this scrape. I didn't say nothin'; set the table, with one plate
+and one cup and sasser and knife and fork, hauled up a chair and set
+down to my breakfast. He hauled up a box and set down, too.
+
+“'Pass me that corn bread,' says he. 'And why didn't you fry more pork?'
+
+“He was reachin' out for the johnnycake, but I pulled it out of his way.
+
+“'Wait a minute, Mr. Williams,' says I. 'While you was snoozin' last
+night I made out a kind of manifest of the vittles aboard this shanty.
+'Cordin' to my figgerin' here's scursely enough to last one husky man
+a week, let along two husky ones. I paid consider'ble attention to your
+preachin' yesterday and the text seemed to be to look out for number
+one. Now in this case I'm the one and I've got to look out for myself.
+This is my shanty, my island, and my grub. So please keep your hands off
+that johnnycake.'
+
+“For a minute or so he set still and stared at me. Didn't seem to sense
+the situation, as you might say. Then the red biled up in his face and
+over his bald head like a Fundy tide.
+
+“'Why, you dummed villain!' he shouts. 'Do you mean to starve me?'
+
+“'You won't starve in a week,' says I, helpin' myself to pork. 'A feller
+named Tanner, that I read about years ago, lived for forty days on cold
+water and nothin' else. There's the pump right over in the corner. It's
+my pump, but I'll stretch a p'int and not charge for it this time.'
+
+“'You--you--' he stammers, shakin' all over, he was so mad. 'Didn't I
+hire you--'
+
+“'You hired me to take you out to the fishin' grounds and back, provided
+the launch was made ready by YOU. It wa'n't ready, so THAT contract's
+busted. And you was to furnish your extrys and I was to furnish mine.
+Here they be and I need 'em. It's as legitimate a deal as ever I see;
+perfect case of supply and demand--supply for one and demand for two. As
+I said afore, I'm the one.'
+
+“'By thunder!' he growls, standin' up, 'I'll show you--'
+
+“I stood up, too. He was fat and flabby and I was thin and wiry. We
+looked each other over.
+
+“'I wouldn't,' says I. 'You're under the doctor's care, you know.'
+
+“So he set down again, not havin' strength even to swear, and watched me
+eat my breakfast. And I ate it slow.
+
+“'Say,' he says, finally, 'you think you're mighty smart, don't you.
+Well, I'm It, I guess, for this time. I suppose you'll have no objection
+to SELLIN' me a breakfast?'
+
+“'No--o,' says I, 'not a mite of objection. I'll sell you a couple of
+slices of pork for five dollars a slice and--'
+
+“'FIVE DOLLARS a--!' His mouth dropped open like a main hatch.
+
+“'Sartin,' I says. 'And two slabs of johnnycake at five dollars a slab.
+And a cup of coffee at five dollars a cup. And--'
+
+“'You're crazy!' he sputters, jumpin' up.
+
+“'Not much, I ain't. I've been settin' at your feet larnin' high
+finance, that's all. You don't seem to be onto the real inwardness of
+this deal. I've got the grub market cornered, that's all. The market
+price of necessaries is five dollars each now; it's likely to rise at
+any time, but now it's five.'
+
+“He looked at me steady for at least two more minutes. Then he got up
+and banged out of that shanty. A little later I see him down at the end
+of the sand spit starin' out into the fog; lookin' for a sail, I presume
+likely.
+
+“I finished my breakfast and washed up the dishes. He come in by and by.
+He hadn't had no dinner nor supper, you see, and the salt air gives most
+folks an almighty appetite.
+
+“'Say,' he says, 'I've been thinkin'. It's usual in the stock and
+provision market to deal on a margin. Suppose I pay you a one per cent
+margin now and--'
+
+“'All right,' says I, cheerful. 'Then I'll give you a slip of paper
+sayin' that you've bought such and such slices of pork and hunks of
+johnnycake and I'm carryin' 'em for you on a margin. Of course there
+ain't no delivery of the goods now because--'
+
+“'Humph!' he interrupts, sour. 'You seem to know more'n I thought you
+did. Now are you goin' to be decent and make me a fair price or ain't
+you?'
+
+“'Can't sell under the latest quotations,' says I. 'That's five now; and
+spot cash.'
+
+“'But hang it all!' he says, 'I haven't got money enough with me. Think
+I carry a national bank around in my clothes?'
+
+“'You carry a Wellmouth Bank check book,' says I, 'because I see it in
+your jacket pocket last night when I was dryin' your duds. I'll take a
+check.'
+
+“He started to say somethin' and then stopped. After a spell he seemed
+to give in all to once.
+
+“'Very good,' he says. 'You get my breakfast ready and I'll make out the
+check.'
+
+“That breakfast cost him twenty-five dollars; thirty really, because he
+added another five for an extry cup of coffee. I told him to make the
+check payable to 'Bearer,' as 'twas quicker to write than 'Solomon.'
+
+“He had two more meals that day and at bedtime I had his checks
+amountin' to ninety-five dollars. The fog stayed with us all the time
+and nobody come to pick us up. And the next mornin's outlook was just as
+bad, bein' a drizzlin' rain and a high wind. The mainland beach was in
+sight but that's all except salt water and rain.
+
+“He was surprisin'ly cheerful all that day, eatin' like a horse
+and givin' up his meal checks without a whimper. If things had been
+different from what they was I'd have felt like a mean sneak thief.
+BEIN' as they was, I counted up the hundred and ten I'd made that day
+without a pinch of conscience.
+
+“This was a Wednesday. On Thursday, the third day of our Robinson
+Crusoe business, the weather was still thick, though there was signs of
+clearin'. Fatty come to me after breakfast--which cost him thirty-five,
+payable, as usual, to 'Bearer'--with almost a grin on his big face.
+
+“'Berry,' he says, 'I owe you an apology. I thought you was a green
+Rube, like the rest down here, but you're as sharp as they make 'em. I
+ain't the man to squeal when I get let in on a bad deal, and the chap
+who can work me for a sucker is entitled to all he can make. But this
+pay-as-you-go business is too slow and troublesome. What'll you take for
+the rest of the grub in the locker there, spot cash? Be white, and make
+a fair price.'
+
+“I'd been expectin' somethin' like this, and I was ready for him.
+
+“'Two hundred and sixty-five dollars,' says I, prompt.
+
+“He done a little figgerin'. 'Well, allowin' that I have to put up on
+this heap of desolation for the better part of four days more, that's
+cheap, accordin' to your former rates,' he says. 'I'll go you. But why
+not make it two fifty, even?'
+
+“'Two hundred and sixty-five's my price,' says I. So he handed over
+another 'Bearer' check, and his board bill was paid for a week.
+
+“Friday was a fine day, clear as a bell. Me and Williams had a real
+picnicky, sociable time. Livin' outdoor this way had made him forget his
+diseases and the doctor, and he showed signs of bein' ha'fway decent. We
+loafed around and talked and dug clams to help out the pork--that is, I
+dug 'em and Fatty superintended. We see no less'n three sailin' craft
+go by down the bay and tried our best to signal 'em, but they didn't pay
+attention--thought we was gunners or somethin', I presume likely.
+
+“At breakfast on Saturday, Williams begun to ask questions again.
+
+“'Sol,' says he, 'it surprised me to find that you knew what a “margin”
+ was. You didn't get that from anything I said. Where did you get it?'
+
+“I leaned back on my box seat.
+
+“'Mr. Williams,' says I, 'I cal'late I'll tell you a little story, if
+you want to hear it. 'Tain't much of a yarn, as yarns go, but maybe
+it'll interest you. The start of it goes back to consider'ble many year
+ago, when I was poorer'n I be now, and a mighty sight younger. At that
+time me and another feller, a partner of mine, had a fish weir out in
+the bay here. The mackerel struck in and we done well, unusual well.
+At the end of the season, not countin' what we'd spent for livin' and
+expenses, we had a balance owin' us at our fish dealer's up to Boston
+of five hundred dollars--two fifty apiece. My partner was goin' to
+be married in the spring and was cal'latin' to use his share to buy
+furniture for the new house with. So we decided we'd take a trip up
+to Boston and collect the money, stick it into some savin's bank where
+'twould draw interest until spring and then haul it out and use it.
+'Twas about every cent we had in the world.
+
+“'So to Boston we went, collected our money, got the address of a safe
+bank and started out to find it. But on the way my partner's hat blowed
+off and the bank address, which was on a slip of paper inside of it, got
+lost. So we see a sign on a buildin', along with a lot of others, that
+kind of suggested bankin', and so we stepped into the buildin' and went
+upstairs to ask the way again.
+
+“'The place wa'n't very big, but 'twas fixed up fancy and there was a
+kind of blackboard along the end of the room where a boy was markin' up
+figgers in chalk. A nice, smilin' lookin' man met us and, when we told
+him what we wanted, he asked us to set down. Then, afore we knowed it
+almost, we'd told him the whole story--about the five hundred and all.
+The feller said to hold on a spell and he'd go along with us and show us
+where the savin's bank was himself.
+
+“'So we waited and all the time the figgers kept goin' up on the board,
+under signs of “Pork” and “Wheat” and “Cotton” and such, and we'd hear
+how so and so's account was makin' a thousand a day, and the like of
+that. After a while the nice man, who it turned out was one of the
+bosses of the concern, told us what it meant. Seemed there was a big
+“rise” in the market and them that bought now was bound to get rich
+quick. Consequent we said we wished we could buy and get rich, too. And
+the smilin' chap says, “Let's go have some lunch.”'
+
+“Williams laughed. 'Ho, ho!' says he. 'Expensive lunch, was it?'
+
+“'Most extravagant meal of vittles ever I got away with,' I says. 'Cost
+me and my partner two hundred and fifty apiece, that lunch did. We
+stayed in Boston two days, and on the afternoon of the second day we
+was on our way back totin' a couple of neat but expensive slips of paper
+signifyin' that we'd bought December and May wheat on a one per cent
+margin. We was a hundred ahead already, 'cordin' to the blackboard, and
+was figgerin' what sort of palaces we'd build when we cashed in.'
+
+“'Ain't no use preachin' a long sermon over the remains. 'Twas a simple
+funeral and nobody sent flowers. Inside of a month we was cleaned
+out and the wheat place had gone out of business--failed, busted, you
+understand. Our fish dealer friend asked some questions, and found out
+the shebang wa'n't a real stock dealer's at all. 'Twas what they call
+a “bucket shop,” and we'd bought nothin' but air, and paid a commission
+for buyin' it. And the smilin', nice man that run the swindle had been
+hangin' on the edge of bust for a long while and knowed 'twas comin'.
+Our five hundred had helped pay his way to a healthier climate, that's
+all.'
+
+“'Hold on a minute,' says Fatty, lookin' more interested. 'What was the
+name of the firm that took you greenhorns in?'
+
+“''Twas the Empire Bond, Stock and Grain Exchange,' says I. 'And 'twas
+on Derbyshire Street.'
+
+“He give a little jump. Then he says, slow, Hu-u-m! I--see.'
+
+“'Yes,' says I. 'I thought you would. You had a mustache then and your
+name was diff'rent, but you seemed familiar just the same. When your
+false hair got washed off I knew you right away.'
+
+“He took out his pocket pen and his check book and done a little
+figgerin'.
+
+“'Humph!' he says, again. 'You lost five hundred and I've paid you five
+hundred and five. What's the five for?'
+
+“'That's my commission on the sales,' I says.
+
+“And just then comes a hail from outside the shanty. Out we bolted
+and there was Sam Davis, just steppin' ashore from his power boat.
+Williams's housekeeper had strained a p'int and had shaded her orders by
+a couple of days.
+
+“Williams and Sam started for home right off. I followed in the Shootin'
+Star, havin' borrered gasoline enough for the run. I reached the dock
+ha'f an hour after they did, and there was Fatty waitin' for me.
+
+“'Berry,' says he, 'I've got a word or two to say to you. I ain't
+kickin' at your givin' me tit for tat, or tryin' to. Turn about's fair
+play, if you can call the turn. But it's against my principles to allow
+anybody to beat me on a business deal. Do you suppose,' he says, 'that
+I'd have paid your robber's prices without a word if I hadn't had
+somethin' up my sleeve? Why, man,' says he, 'I gave you my CHECKS, not
+cash. And I've just telephoned to the Wellmouth Bank to stop payment
+on those checks. They're no earthly use to you; see? There's one or two
+things about high finance that you don't know even yet. Ho, ho!'
+
+“And he rocked back and forth on his heels and laughed.
+
+“I held up my hand. 'Wait a jiffy, Mr. Williams,' says I. 'I guess these
+checks are all right. When we fust landed on Woodchuck, I judged by the
+looks of the shanty that Baker hadn't left it for good. I cal'lated
+he'd be back. And sure enough he come back, in his catboat, on Thursday
+evenin', after you'd turned in. Them checks was payable to “Bearer,”
+ you remember, so I give 'em to him. He was to cash 'em in the fust thing
+Friday mornin', and I guess you'll find he's done it.'”
+
+“Well, I swan to MAN!” interrupted the astonished and delighted Phinney.
+“So you had him after all! And I was scart you'd lost every cent.”
+
+Captain Sol chuckled. “Yes,” he went on, “I had him, and his eyes and
+mouth opened together.
+
+“'WHAT?' he bellers. 'Do you mean to say that a boat stopped at that
+dummed island and DIDN'T TAKE US OFF?'
+
+“'Oh,' says I, 'Darius didn't feel called on to take you off, not after
+I told him who you was. You see, Mr. Williams,' I says, 'Darius Baker
+was my partner in that wheat speculation I was tellin' you about.'”
+
+The Captain drew a long breath and re-lit his cigar, which had gone out.
+His friend pounded the settee ecstatically.
+
+“There!” he cried. “I knew the name 'Darius Baker' wa'n't so strange to
+me. When was you and him in partners, Sol?”
+
+“Oh, 'way back in the old days, afore I went to sea at all, and afore
+mother died. You wouldn't remember much about it. Mother and I was
+livin' in Trumet then and our house here was shut up. I was only a kid,
+or not much more, and Williams was young, too.”
+
+“And that's the way he made his money! HIM! Why, he's the most respected
+man in this neighborhood, and goes to church, and--”
+
+“Yes. Well, if you make money ENOUGH you can always be respected--by
+some kinds of people--and find some church that'll take you in. Ain't
+that so, Bailey?”
+
+Captain Stitt and his cousin, Obed Gott, the paint dealer, were standing
+in the doorway of the station. They now entered.
+
+“I guess it's so,” replied Stitt, pulling up a chair, “though I don't
+know what you was talkin' about. However, it's a pretty average safe bet
+that what you say is so, Sol, 'most any time. What's the special 'so,'
+this time?”
+
+“We was talkin' about Mr. Williams,” began Phinney.
+
+“The Grand Panjandrum of East Harniss,” broke in the depot master. “East
+Harniss is blessed with a great man, Bailey, and, like consider'ble many
+blessin's he ain't entirely unmixed.”
+
+Obed and Simeon looked puzzled, but Captain Stitt bounced in his chair
+like a good-natured rubber ball. “Ho! ho!” he chuckled, “you don't
+surprise me, Sol. We had a great man over to South Orham three years ago
+and he begun by blessin's and ended with--with t'other thing. Ho! ho!”
+
+“What do you mean?” demanded Sim.
+
+“Why, I mean Stingy Gabe. You've heard of Stingy Gabe, ain't you?”
+
+“I guess we've all heard somethin' about him,” laughed Captain Sol; “but
+we're willin' to hear more. He was a reformer, wa'n't he?”
+
+“He sartin was! Ho! ho!”
+
+“For the land sakes, tell it, Bailey,” demanded Mr. Gott impatiently.
+“Don't sit there bouncin' and gurglin' and gettin' purple in the face.
+Tell it, or you'll bust tryin' to keep it in.”
+
+“Oh, it's a great, long--” began Captain Bailey protestingly.
+
+“Go on,” urged Phinney. “We've got more time than anything else, the
+most of us. Who was this Stingy Gabe?”
+
+“Yes,” urged Gott, “and what did he reform?”
+
+Captain Stitt held up a compelling hand. “It's all of a piece,” he
+interrupted. “It takes in everything, like an eatin'-house stew. And,
+as usual in them cases, the feller that ordered it didn't know what was
+comin' to him.
+
+“Stingy Gabe was that feller. His Sunday name was Gabriel Atkinson
+Holway, and his dad used to peddle fish from Orham to Denboro and back.
+The old man was christened Gabriel, likewise. He owed 'most everybody,
+and, besides, was so mean that he kept the scales and trimmin's of the
+fish he sold to make chowder for himself and family. All hands called
+him 'Stingy Gabe,' and the boy inherited the name along with the
+fifteen hundred dollars that the old man left when he died. He cleared
+out--young Gabe did--soon as the will was settled and afore the
+outstandin' debts was, and nobody in this latitude see hide nor hair of
+him till three years ago this comin' spring.
+
+“Then, lo and behold you! he drops off the parlor car at the Orham
+station and cruises down to South Orham, bald-headed and bay-windowed,
+sufferin' from pomp and prosperity. Seems he'd been spendin' his life
+cornerin' copper out West and then copperin' the corners in Wall Street.
+The folks in his State couldn't put him in jail, so they sent him to
+Congress. Now, as the Honorable Atkinson Holway, he'd come back to the
+Cape to rest his wrist, which had writer's cramp from signin' stock
+certificates, and to ease his eyes with a sight of the dear old home of
+his boyhood.
+
+“Bill Nickerson comes postin' down to me with the news.
+
+“'Bailey,' says he, 'what do you think's happened? Stingy Gabe's struck
+the town.'
+
+“'For how much?' I asks, anxious. 'Don't let him have it, whatever
+'tis.'
+
+“Then he went on to explain. Gabe was rich as all get out, and 'twas
+his intention to buy back his old man's house and fix it up for a summer
+home. He was delighted to find how little change there was in South
+Orham.
+
+“'No matter if 'tain't but fifteen cents he'll get it, if the s'lectmen
+don't watch him,' I says; and the bills, too. I know HIS tribe.'
+
+“'You don't understand,' says Nickerson. 'He ain't no thief. He's rich,
+I tell you, and he's cal'latin' to do the town good.'
+
+“'Course he is,' I says. 'It runs in the family. His dad done it good,
+too--good as 'twas ever done, I guess.'
+
+“But next day Gabe himself happens along, and I see right off that I'd
+made a mistake in my reckonin'. The Honorable Atkinson Holway wa'n't
+figgerin' to borrow nothin'. When a chap has been skinnin' halibut,
+minnows are too small for him to bother with. Gabe was full of fried
+clams and philanthropy.
+
+“'By Jove! Stitt,' he says, 'livin' here has been the dream of my life.'
+
+“'You'll be glad to wake up, won't you?' says I. 'I wish I could.'
+
+“'I tell you,' he says, 'this little old village is all right! All it
+needs is a public-spirited resident to help it along. I propose to be
+the P. S. R.'
+
+“And on that program he started right in. Fust off he bought his dad's
+old place, built it over into the eight-sided palace that's there now,
+fetched down a small army of servants skippered by an old housekeeper,
+and commenced to live simple but complicated. Then, havin' provided
+the needful charity for himself, he's ready to scatter manna for the
+starvin' native.
+
+“He had a dozen schemes laid out. One was to build a free but expensive
+library; another was to pave the main road with brick; third was to give
+stained-glass windows and velvet cushions to the meetin' house, so's
+the congregation could sleep comfortable in a subdued light. The
+stained-glass idee put him in close touch with the minister, Reverend
+Edwin Fisher, and the minister suggested the men's club. And he took to
+that men's club scheme like an old maid to strong tea; the rest of the
+improvements went into dry dock to refit while Admiral Gabe got his
+men's club off the ways.
+
+“'Twas the billiard room that made the minister hanker for a men's club.
+That billiard room was the worry of his life. Old man Jotham Gale run
+it and had run it sence the Concord fight, in a way of speakin'. You
+remember his sign, maybe: 'Jotham W. Gale. Billiard, Pool, and Sipio
+Saloon. Cigars and Tobacco. Tonics and Pipes. Minors under Ten Years of
+Age not Admitted.' Jotham's customers was called, by the outsiders, 'the
+billiard-room gang.'
+
+“The billiard room gang wa'n't the best folks in town, I'll own right up
+to that. Still, they wa'n't so turrible wicked. Jotham never sold rum,
+and he'd never allow no rows in his place. But, just the same, his
+saloon was reckoned a bad influence. Young men hadn't ought to go
+there--most of us said that. If there was a nicer place TO go, argues
+the minister, 'twould help the moral tone of the community consider'ble.
+'Why not,' says he to Stingy Gabe, 'start a free club for men that'll
+make the billiard room look like the tail boat in a race?' And says
+Gabe: 'Bully! I'll do it.'”
+
+Captain Stitt paused long enough to enjoy a chuckle all by himself.
+Before he had quite finished his laugh, slow and reluctant steps were
+heard on the back platform and Issy appeared on the threshold. He was
+without the package, but did not look happy.
+
+“Well, Is,” inquired the depot master, “did you give the remains to the
+Major?”
+
+“Yes, sir,” answered Issy.
+
+“Did you tell him how the shockin' fatality happened? How the thing got
+broken?”
+
+“Yes, sir, I told him.”
+
+“What did he say? Didn't let his angry passions rise, did he?”
+
+“No-o; no, sir, he didn't rise nothin'. He didn't get mad neither. But
+you could see he felt pretty bad. Talked about 'old family glass' and
+'priceless airloons' or some such. Said much as he regretted to, he
+should feel it no more'n justice to have somebody pay damages.”
+
+“Humph!” Captain Sol looked very grave. “Issy, I can see your finish.
+You'll have to pay for somethin' that's priceless, and how are you goin'
+to do that? 'Old family glass,' hey? Hum! And I thought I saw the label
+of a Boston store on that package.”
+
+Obed Gott leaned forward eagerly.
+
+“Is that Major Hardee you're talkin' about?” he asked.
+
+“Yes, sir. He's the only Major we've got. Cap'ns are plenty as June
+bugs, but Majors and Gen'rals are scarce. Why?”
+
+“Oh, nothin'. Only--” Mr. Gott muttered the remainder of the sentence
+under his breath. However, the depot master heard it and his eye
+twinkled.
+
+“You're glad of it!” he exclaimed. “Why, Obed! Major Cuthbertson Scott
+Hardee! I'm surprised. Better not let the women folks hear you say
+that.”
+
+“Look here!” cried Captain Stitt, rather tartly, “am I goin' to finish
+that yarn of mine or don't you want to hear it?”
+
+“BEG your pardon, Bailey. Go on. The last thing you said was what Stingy
+Gabe said, and that was--”
+
+
+
+
+CHAPTER III
+
+“STINGY GABE”
+
+
+“And that,” said Captain Bailey, mollified by the renewed interest of
+his listeners, “was, 'Bully! I'll do it!'
+
+“So he calls a meetin' of everybody interested, at his new house. About
+every respectable man in town was there, includin' me. Most of the
+billiard-room gang was there, likewise. Jotham, of course, wa'n't
+invited.
+
+“Gabe calls the meetin' to order and the minister makes a speech tellin'
+about the scheme. 'Our generous and public-spirited citizen, Honorable
+Atkinson Holway,' had offered to build a suitable clubhouse, fix it up,
+and donate it to the club, them and their heirs forever, Amen. 'Twas to
+belong to the members to do what they pleased with--no strings tied to
+it at all. Dues would be merely nominal, a dollar a year or some such
+matter. Now, who favored such a club as that?
+
+“Well, 'most everybody did. Daniel Bassett, chronic politician, justice
+of the peace, and head of the 'Conservatives' at town meetin', he made
+a talk, and in comes him and his crew. Gaius Ellis, another chronic, who
+is postmaster and skipper of the 'Progressives,' had been fidgetin'
+in his seat, and now up he bobs and says he's for it; then every
+'Progressive' jines immediate. But the billiard-roomers; they didn't
+jine. They looked sort of sheepish, and set still. When Mr. Fisher begun
+to hint p'inted in their direction, they got up and slid outdoor. And
+right then I'd ought to have smelt trouble, but I didn't; had a cold in
+my head, I guess likely.
+
+“Next thing was to build the new clubhouse, and Gabe went at it hammer
+and tongs. He had a big passel of carpenters down from the city, and
+inside of three months the buildin' was up, and she was a daisy, now I
+tell you. There was a readin' room and a meetin' room and an 'amusement
+room.' The amusements was crokinole and parchesi and checkers and the
+like of that. Also there was a gymnasium and a place where you could
+play the pianner and sing--till the sufferin' got acute and somebody
+come along and abated you.
+
+“When I fust went inside that clubhouse I see 'twas bound to be
+'Good-by, Bill,' for Jotham. His customers would shake his ratty old
+shanty for sartin, soon's they see them elegant new rooms. I swan, if I
+didn't feel sorry for the old reprobate, and, thinks I, I'll drop around
+and sympathize a little. Sympathy don't cost nothin', and Jotham's
+pretty good company.
+
+“I found him settin' alongside the peanut roaster, watchin' a couple of
+patients cruelize the pool table.
+
+“'Hello, Bailey!' says he. 'You surprise me. Ain't you 'fraid of
+catchin' somethin' in this ha'nt of sin? Have a chair, anyhow. And a
+cigar, won't you?'
+
+“I took the chair, but I steered off from the cigar, havin' had
+experience. Told him I guessed I'd use my pipe. He chuckled.
+
+“'Fur be it from me to find fault with your judgment,' he says.
+'Terbacker does smoke better'n anything else, don't it.'
+
+“We set there and puffed for five minutes or so. Then he sort of jumped.
+
+“'What's up?' says I.
+
+“'Oh, nothin'!' he says. 'Bije Simmons got a ball in the pocket, that's
+all. Don't do that too often, Bije; I got a weak heart. Well, Bailey,'
+he adds, turnin' to me, 'Gabe's club's fixed up pretty fine, ain't it?'
+
+“'Why, yes,' I says; ''tis.'
+
+“'Finest ever I see,' says he. 'I told him so when I was in there.'
+
+“'What?' says I. 'You don't mean to say YOU'VE been in that clubroom?'
+
+“'Sartin. Why not? I want to take in all the shows there is--'specially
+the free ones. Make a good billiard room, that clubhouse would.'
+
+“I whistled. 'Whew!' says I. 'Didn't tell Gabe THAT, did you?'
+
+“He nodded. 'Yup,' says he. 'I told him.'
+
+“I whistled again. 'What answer did he make?' I asked.
+
+“'Oh, he wa'n't enthusiastic. Seemed to cal'late I'd better shut up my
+head and my shop along with it, afore he knocked off one and his club
+knocked out t'other.'
+
+“I pitied the old rascal; I couldn't help it.
+
+“'Jotham,' says I, 'I ain't the wust friend you've got in South Orham,
+even if I don't play pool much. If I was you I'd clear out of here and
+start somewheres else. You can't fight all the best folks in town.'
+
+“He didn't make no answer. Just kept on a-puffin'. I got up to go. Then
+he laid his hand on my sleeve.
+
+“'Bailey,' says he, 'when Betsy Mayo was ailin', her sister's tribe was
+all for the Faith Cure and her husband's relations was high for patent
+medicine. When the Faith Curists got to workin', in would come some of
+the patent mediciners and give 'em the bounce. And when THEY went home
+for the night, the Faithers would smash all the bottles. Finally they
+got so busy fightin' 'mong themselves that Betsy see she was gettin' no
+better fast, and sent for the reg'lar doctor. HE done the curin', and
+got the pay.'
+
+“'Well,' says I, 'what of it?'
+
+“'Nothin',' says he. 'Only I've been practisin' a considerable spell. So
+long. Come in again some time when it's dark and the respectable element
+can't see you.'
+
+“I went away thinkin' hard. And next mornin' I hunted up Gabe, and says
+I:
+
+“'Mr. Holway,' I says, 'what puzzles me is how you're goin' to elect the
+officers for the new club. Put up a Conservative and the Progressives
+resign. H'ist the Progressive ensign and the Conservatives'll mutiny. As
+for the billiard-roomers--providin' any jine--they've never been known
+to vote for anybody but themselves. I can't see no light yet--nothin'
+but fog.'
+
+“He winks, sly and profound. 'That's all right,' says he. 'Fisher and I
+have planned that. You watch!'
+
+“Sure enough, they had. The minister was mighty popular, so, when 'twas
+out that he was candidate to be fust president of the club, all hands
+was satisfied. Two vice presidents was named--one bein' Bassett and
+t'other Ellis. Secretary was a leadin' Conservative; treasurer a head
+Progressive. Officers and crew was happy and mutiny sunk ten fathoms.
+ONLY none of the billiard-room gang had jined, and they was the fish we
+was really tryin' for.
+
+“'Twas next March afore one of 'em did come into the net, though we'd
+have on all kinds of bait--suppers and free ice cream Saturday nights,
+and the like of that. And meantime things had been happenin'.
+
+“The fust thing of importance was Gabe's leavin' town. Our Cape winter
+weather was what fixed him. He stood the no'theasters and Scotch
+drizzles till January, and then he heads for Key West and comfort.
+Said his heart still beat warm for his native village, but his feet was
+froze--or words similar. He cal'lated to be back in the spring. Then
+the Reverend Fisher got a call to somewheres in York State, and felt
+he couldn't afford not to hear it. Nobody blamed him; the salary paid
+a minister in South Orham is enough to make any feller buy patent ear
+drums. But that left our men's club without either skipper or pilot, as
+you might say.
+
+“One week after the farewell sermon, Daniel Bassett drops in casual on
+me. He was passin' around smoking material lavish and regardless.
+
+“'Stitt,' says he, 'you've always voted for Conservatism in our local
+affairs, haven't you?'
+
+“'Well,' says I, 'I didn't vote to roof the town hall with a new
+mortgage, if that's what you mean.'
+
+“'Exactly,' he says. 'Now, our men's club, while not as yet the success
+we hoped for, has come to be a power for good in our community. It needs
+for its president a conservative, thoughtful man. Bailey,' he says, 'it
+has come to my ears that Gaius Ellis intends to run for that office. You
+know him. As a taxpayer, as a sober, thoughtful citizen, my gorge rises
+at such insolence. I protest, sir! I protest against--'
+
+“He was standin' up, makin' gestures with both arms, and he had his
+town-meetin' voice iled and runnin'. I was too busy to hanker for a
+stump speech, so I cut across his bows.
+
+“'All right, all right,' says I. 'I'll vote for you, Dan.'
+
+“He fetched a long breath. 'Thank you,' says he. 'Thank you. That makes
+ten. Ellis can count on no more than nine. My election is assured.'
+
+“Seein' that there wa'n't but nineteen reg'lar voters who come to the
+club meetin's, if Bassett had ten of 'em it sartin did look as if he'd
+get in. But on election night what does Gaius Ellis do but send a wagon
+after old man Solomon Peavey, who'd been dry docked with rheumatiz
+for three months, and Sol's vote evened her up. 'Twas ten to ten, a
+deadlock, and the election was postponed for another week.
+
+“This was of a Tuesday. On Wednesday I met Bije Simmons, the chap who
+was playin' pool at Jotham's.
+
+“'Hey, Bailey!' says he. 'Shake hands with a brother. I'm goin' to jine
+the men's club.'
+
+“'You BE?' says I, surprised enough, for Simmons was a billiard-roomer
+from 'way back.
+
+“'Yup,' he says. 'I'll be voted in at next meetin', sure. I'm studyin'
+up on parchesi now.'
+
+“'Hum!' I says, thinkin'. 'How you goin to vote?'
+
+“'Me?' says he. 'Me? Why, man, I wonder at you! Can't you see the
+fires of Conservatism blazin' in my eyes? I'm Conservative bred and
+Conservative born, and when I'm dead there'll be a Conservative gone.
+By, by. See you Tuesday night.'
+
+“He went off, stoppin' everybody he met to tell 'em the news. And on
+Thursday Ed Barnes dropped in to pay me the seventy-five cents he'd
+borrowed two years ago come Fourth of July. When I'd got over the
+fust shock and had counted the money three times, I commenced to ask
+questions.
+
+“'Somebody die and will you a million, Ed?' I wanted to know.
+
+“'No,' says he. 'It's the reward of virtue. I'm goin' to be a better
+man. I'm jinin' the men's club.'
+
+“'NO!' says I, for Ed was as strong a billiard-roomer as Bije.
+
+“'Sure!' he answers. 'I'm filled full of desires for crokinole and
+progressiveness. See you Tuesday night at the meetin'.'
+
+“And, would you b'lieve it, at that meetin' no less'n six confirmed
+members of the billiard-room gang was voted into the men's club. 'Twas
+a hallelujah gatherin'. I couldn't help thinkin' how glad and proud
+Gabe and Mr. Fisher would have been to see their dreams comin' true.
+But Bassett and Ellis looked more worried than glad, and when the votin'
+took place I understood the reason. Them new members had divided even,
+and the ballots stood Bassett thirteen and Ellis thirteen. The tie was
+still on and the election was put off for another week.
+
+“In that week, surprisin' as it may seem, two more billiard-roomers seen
+a light and jined with us. However, one was for Bassett and t'other for
+Ellis, so the deadlock wa'n't broken. Jotham had only a couple of his
+reg'lars left, and I swan to man if THEY didn't catch the disease inside
+of the follerin' fortni't and hand in their names. The 'Billiard, Pool,
+and Sipio Saloon,' from bein' the liveliest place in town, was now the
+deadest. Through the window you could see poor Jotham mopin' lonesome
+among his peanuts and cigars. The sayin' concernin' the hardness of
+the transgressor's sleddin' was workin' out for HIM, all right. But the
+conversions had come so sudden that I couldn't understand it, though I
+did have some suspicions.
+
+“'Look here, Dan,' says I to Bassett, 'are you goin' to keep this up
+till judgment? There ain't but thirty votin' names in this place--except
+the chaps off fishin', and they won't be back till fall. Fifteen is for
+you and fifteen for Gaius. Most astonishin' agreement of difference ever
+I see. We'll never have a president, at this rate.'
+
+“He winked. 'Won't, hey?' he says. 'Sure you've counted right? I make it
+thirty-one.'
+
+“'I don't see how,' says I, puzzled. 'Nobody's left outside the club but
+Jotham himself, and he--'
+
+“'That's all right,' he interrupts, winkin' again. 'You be on hand next
+Tuesday night. You can't always tell, maybe somethin'll happen.'
+
+“I was on hand, all right, and somethin' did happen, two somethin's, in
+fact. We hadn't much more'n got in our seats afore the door opened,
+and in walked Gaius Ellis, arm in arm with a man; and the man was the
+Honorable Stingy Gabe Atkinson Holway.
+
+“'Gentlemen,' sings out Gaius, bubblin' over with joy, 'I propose three
+cheers for our founder, who has returned to us after his long absence.'
+
+“We give the cheers--that is, some of the folks did. Bassett and our
+gang wa'n't cheerin' much; they looked as if somebody had passed 'em
+a counterfeit note. You see, Gabe Holway was one of the hide-boundest
+Progressives afloat, and a blind man could see who'd got him back again
+and which way he'd vote. It sartinly looked bad for Bassett now.
+
+“Gaius proposes that, out of compliment, as founder of the club, Mr.
+Holway be asked to preside. So he was asked, though the Conservatives
+wa'n't very enthusiastic. Gabe took the chair, preached a little sermon
+about bein' glad to see his native home once more, and raps for order.
+
+“'If there's no other business afore the meetin',' says he, 'we will
+proceed to ballot for president.'
+
+“But it turned out that there was other business. Dan Bassett riz to his
+feet and commenced one of the most feelin' addresses ever I listened to.
+
+“Fust he congratulated all hands upon the success of Mr. Holway's
+philanthropic scheme for the betterment of South Orham's male citizens.
+Jeered at at fust by the unregenerate, it had gone on, winnin' its way
+into the hearts of the people, until one by one the said unregenerate
+had regenerated, and now the club numbered thirty souls and the
+Honorable Atkinson.
+
+“'But,' says Dan, wavin' his arms, 'one man yet remains outside. One
+lone man! The chief sinner, you say? Yes, I admit it. But, gentlemen,
+a repentant sinner. Alone he sits amid the wreck of his business--a
+business wrecked by us, gentlemen--without a customer, without a friend.
+Shall it be said that the free and open-handed men's club of South Orham
+turned its back upon one man, merely because he HAS been what he was?
+Gentlemen, I have talked with Jotham Gale; he is old, he is friendless,
+he no longer has a means of livelihood--we have taken it from him. We
+have turned his followers' steps to better paths. Shall we not turn
+his, also? Gentlemen and friends, Jotham Gale is repentant, he feels
+his ostrichism'--whatever he meant by that--'he desires to become
+self-respecting, and he asks us to help him. He wishes to join this
+club. Gentlemen, I propose for membership in our association the name of
+Jotham W. Gale.'
+
+“He set down and mopped his face. And the powwow that broke loose was
+somethin' tremendous. Of course 'twas plain enough what Dan's game was.
+This was the 'somethin'' that was goin' to happen.
+
+“Ellis see the way the land lay, and he bounces up to protest. 'Twas
+an outrage; a scandal; ridiculous; and so forth, and so on. Poor Gabe
+didn't know what to do, and so he didn't do nothin'. A head Conservative
+seconds Jotham's nomination. 'Twas put to a vote and carried easy. Dan's
+speech had had its effect and a good many folks voted out of sympathy.
+How did I vote? I'LL never tell you.
+
+“And then Bassett gets up, smilin', goes to the outside door, opens it,
+and leads in the new member. He'd been waitin' on the steps, it turned
+out. Jotham looked mighty quiet and meek. I pitied the poor old codger
+more'n ever. Snaked in, he was, out of the wet, like a yeller dog, by
+the club that had kicked him out of his own shop.
+
+“Chairman Gabe pounds for order, and suggests that the votin' can go on.
+But Ellis jumps up, and says he:
+
+“'What's the sense of votin' now?' he asks sarcastic. 'Will the lost
+lamb we've just yanked into the fold have the face to stand up and bleat
+that he hasn't promised to vote Conservative? Dan Bassett, of all the
+contemptible tricks that ever--'
+
+“Bassett's face was redder'n a ripe tomatter. He shakes his fist in
+Gaius's face and yells opinions and comments.
+
+“'Don't you talk to me about tricks, you ward-heeler!' he hollers.
+'Why did you fetch Mr. Holway back home? Why did you, hey? That was the
+trickiest trick that I--'
+
+“Gabe pretty nigh broke his mallet thumpin'.
+
+“'Gentlemen! gentlemen!' says he. 'This is most unseemly. Sit down,
+if you PLEASE. Mr. Ellis, when the purpose of this association is
+considered, it seems to me very wrong to find fault because the chief of
+our former antagonists has seen the error of his ways and become one of
+us. Mr. Bassett, I do not understand your intimation concernin' myself.
+I shall adjourn this meetin' until next Friday evenin', gentlemen.
+Meanwhile, let us remember that we ARE gentlemen.'
+
+“He thumped the desk once, and parades out of the buildin', dignified
+as Julius Caesar. The rest of us toddled along after him, all talkin' at
+once. Bassett and Ellis glowered at each other and hove out hints about
+what would happen afore they got through. 'Twas half-past ten afore I
+got to bed that night, and Sarah J.--that's Mrs. Stitt--kept me awake
+another hour explainin' whys and wherefores.
+
+“For the next three days nobody done anything but knock off work and
+talk club politics. You'd see 'em on the corners and in the post office
+and camped on the meetin'-house steps, arguin' and jawin'. Dan and Gaius
+was hurryin' around, moppin' their foreheads and lookin' worried. On
+Thursday there was all sorts of rumors afloat. Finally they all simmered
+down to one, and that one was what made me stop Stingy Gabe on the
+street and ask for my bearin's.
+
+“'Mr. Holway,' says I, 'is it true that Dan and Gaius have resigned and
+agreed to vote for somebody else?'
+
+“He nodded, grand and complacent.
+
+“'Then who's the somebody?' says I. 'For the land sakes! tell me. It's
+as big a miracle as the prodigal son.'
+
+“I remember now that the prodigal son ain't a miracle, but I was excited
+then.
+
+“'Stitt,' says he, 'I am the “somebody,” as you call it. I have decided
+to let my own wishes and inclinations count for nothin' in this affair,
+and to accept the office of president myself. It will be announced at
+the meetin'.'
+
+“I whistled. 'By gum!' says I. 'You've got a great head, Mr. Holway, and
+I give you public credit for it. It's the only course that ain't full of
+breakers. Did you think of it yourself?'
+
+“He colored up a little. 'Why, no, not exactly,' he says. 'The fact is,
+the credit belongs to our new member, Mr. Gale.'
+
+“'To JOTHAM?' says I, astonished.
+
+“'Yes. He suggested my candidacy, as a compromise. Said that he, for
+one, would be proud to vote for me. Mr. Gale seems thoroughly repentant,
+a changed man. I am counting on him for great things in the future.'
+
+“So the fuss seemed settled, thanks to the last person on earth you'd
+expect would be peacemaker. But that afternoon I met Darius Tompkins,
+Bassett's right-hand man.
+
+“'Bailey,' says he, 'you're a Conservative, ain't you? You're for Dan
+through thick and thin?'
+
+“'Why!' says I, 'I understand Dan and Gaius are both out of it now, and
+it's settled on Holway. Dan's promised to vote for him.'
+
+“'HE has,' says Tompkins, with a wink, 'but the rest of us ain't. We
+pledged our votes to Dan Bassett, and we ain't the kind to go back on
+our word. Dan himself'll vote for Gabe; so'll Gaius and his reg'lar
+tribe. That'll make twelve, countin' Holway's own.'
+
+“'Make seventeen, you mean,' says I. 'Gaius and his crowd's fifteen and
+Dan's sixteen and Gabe's seven--'
+
+“He winked again, and interrupted me. 'You're countin' wrong, my boy,'
+says he. 'Five of Gaius's folks come from the old billiard-room gang.
+Just suppose somethin' happened to make that five vote, on the quiet,
+for Bassett. Then--'
+
+“A customer come in then, and Tompkins had to leave; but afore he went
+he got me to one side and whispers:
+
+“'Keep mum, old man, and vote straight for Dan. We'll show old Holway
+that we can't be led around by the nose.'
+
+“'Tompkins,' says I, 'I know your head well enough to be sartin that it
+didn't work this out by itself. And why are you so sure of the billiard
+roomers? Who put you up to this?'
+
+“He rapped the side of his nose. 'The smartest politician in this
+town,' says he, 'and the oldest--J. W. Gale, Esq.! S-s-sh-h! Don't say
+nothin'.'
+
+“I didn't say nothin'. I was past talk. And that evenin' as I went past
+the billiard room on my way home, who should come out of it but Gaius
+Ellis, and HE looked as happy as Tompkins had.
+
+“Friday night that clubroom was filled. Every member was there, and most
+of 'em had fetched their wives and families along to see the fun. There
+was whisperin' and secrecy everywheres. Honorable Gabe took the chair
+and makes announcements that the shebang is open for business.
+
+“Up gets Dave Bassett and all but sheds tears. He says that he made up
+his mind to vote, not for himself, but for the founder and patron of
+the club, the Honorable Atkinson Holway. He spread it over Gabe thick
+as sugar on a youngster's cake. And when he set down all hands applauded
+like fury. But I noticed that he hadn't spoke for nary Conservative but
+himself.
+
+“Then Gaius Ellis rises and sobs similar. He's stopped votin' for
+himself, too. His ballot is for that grand and good man, Gabriel
+Atkinson Holway, Esq. More applause and hurrahs.
+
+“And then who should get up but Jotham Gale. He talks humble, like a
+has-been that knows he's a back number, but he says it's his privilege
+to cast his fust vote in that club for Mr. Holway, South Orham's pride.
+Nobody was expectin' him to say anything, and the cheers pretty nigh
+broke the winders.
+
+“Gabe was turrible affected by the soft soap, you could see that. He
+fairly sobbed as he sprinkled gratitude and acceptances. When the agony
+was over, he says the votin' can begin.
+
+“I cal'lated he expected somebody'd move to make it unanimous, but they
+didn't. So the blank ballots was handed around, and the pencils got
+busy. Gabe app'ints three tellers, Bassett and Ellis, of course, for
+two--and the third, Jotham Gale.
+
+“'As a compliment to our newest member,' says the chairman, smilin'
+philanthropic.
+
+“When the votes was in the hat, the tellers retired to the amusement
+room to count up. It took a long time. I see the Conservatives and
+Progressives nudgin' each other and winkin' back and forth. Five
+minutes, then ten, then fifteen.
+
+“And all of a sudden the biggest row bu'st loose in that amusement room
+that ever you heard. Rattlety--bang! Biff! Smash! The door flew open,
+and in rolled Bassett and Ellis, all legs and arms. Gabe and some of the
+rest hauled 'em apart and held 'em so, but the language them two hove at
+each other was enough to bring down a judgment.
+
+“'Gentlemen! gentlemen!' hollers poor Gabe. 'What in the world? I am
+astounded! I--'
+
+“'You miserable traitor!' shrieks Gaius, wavin' a fist at Dan.
+
+“'You low-down hound!' whoops Dan back at him.
+
+“'Silence!' bellers Gabe, poundin' thunder storms on the desk. 'Will
+some one explain why these maniacs are--Ah, Mr. Gale--thank goodness,
+YOU at least are sane!'
+
+“Jotham walks to the front of the platform. He was holdin' the hat and a
+slip of paper with the result set down on it.
+
+“'Ladies and feller members,' says he, 'there's been some surprisin'
+votin' done in this election. Things ain't gone as we cal'lated they
+would, somehow. Mr. Holway, your election wa'n't unanimous, after all.'
+
+“The way he said it made most everybody think Gabe was elected, anyhow,
+and I guess Holway thought so himself, for he smiled forgivin' and says:
+
+“'Never mind, Mr. Gale,' says he. 'A unanimous vote was perhaps too much
+to expect. Go on.'
+
+“'Yes,' says Jotham. 'Well, here's the way it stands. I'll read it to
+you.'
+
+“He fixes his specs and reads like this:
+
+“'Number of votes cast, 32.'
+
+“'Honorable Atkinson Holway has 4.'
+
+“'WHAT?' gasps Stingy Gabe, fallin' into his chair.
+
+“'Yes, sir,' says Jotham. 'It's a shame, I know, but it looks as nobody
+voted for you, Mr. Holway, but yourself and me and Dan and Gaius. To
+proceed:
+
+“'Daniel Bassett has 9.'
+
+“The Conservatives and their women folks fairly groaned out loud.
+Tompkins jumped to his feet, but Jotham held up a hand.
+
+“'Just a moment, D'rius,' he says. 'I ain't through yet.'
+
+“'Gaius Ellis has 9.'
+
+“Then 'twas the Progressives' turn to groan. The racket and hubbub was
+gettin' louder all the time.
+
+“'There's ten votes left,' goes on Jotham, 'and they bear the name
+of Jotham W. Gale. I can't understand it, but it does appear that I'm
+elected president of this 'ere club. Gentlemen, I thank you for the
+honor, which is as great as 'tis unexpected.'
+
+“Gabe and the Progressives and the Conservatives set and looked at each
+other. And up jumps 'Bije Simmons, and calls for three cheers for the
+new president.
+
+“Nobody jined in them cheers but the old billiard room gang; they did,
+though, every one of 'em, and Jotham smiled fatherly down on his flock.
+
+“I s'pose there ain't no need of explainin'. Jotham had worked it all,
+from the very fust. When the tie business begun and Gaius and Dan was
+bribin' the billiard roomers to jine the club, 'twas him that fixed how
+they should vote so's to keep the deadlock goin'. 'Twas him that put
+Bassett up to proposin' him as a member. 'Twas him that suggested Gabe's
+comin' back to Gaius. 'Twas him that--But what's the use? 'Twas him all
+along. He was IT.
+
+“That night everybody but the billiard-room gang sent in their
+resignation to that club. We refused to be bossed by such people. Gabe
+resigned, too. He was disgusted with East Harniss and all hands in it.
+He'd have took back the clubhouse, but he couldn't, as the deed of gift
+was free and clear. But he swore he'd never give it another cent.
+
+“Folks thought that would end the thing, because it wouldn't be
+self-supportin', but Jotham had different idees. He simply moved his
+pool tables and truck up from the old shop, and now he's got the finest
+place of the kind on the Cape, rent free.
+
+“'I told you 'twould make a good billiard saloon, didn't I, Bailey?' he
+says, chucklin'.
+
+“'Jotham,' says I, 'of your kind you're a perfect wonder.'
+
+“'Well,' says he, 'I diagnosed that men's club as sufferin' from acute
+politics. I've been doctorin' that disease for a long time. The trouble
+with you reformers,' he adds, solemn, 'is that, when it comes to
+political doin's, you ain't practical.'
+
+“As for Stingy Gabe, he shut up his fine house and moved to New York.
+Said he was through with helpin' the moral tone.
+
+“'When I die,' he says to me, 'if I go to the bad place I may start in
+reformin' that. It don't need it no more'n South Orham does, but 'twill
+be enough sight easier job.'
+
+“And,” concluded Captain Stitt, as soon as he could be heard above the
+“Haw! haws!” caused by the Honorable Holway's final summing-up of his
+native town, “I ain't so sure that he was greatly mistook. What do you
+think, Sol?”
+
+The depot master shook his head. “Don't know, Bailey,” he answered,
+dryly. “I'll have to visit both places 'fore I give an opinion. I HAVE
+been to South Orham, but the neighborhood that your friend Gabe compared
+it to I ain't seen--yet. I put on that 'yet,'” he added, with a wink,
+“'cause I knew Sim Phinney would if I didn't.”
+
+Captain Bailey rose and covered a yawn with a plump hand.
+
+“I believe I'll go over to Obed's and turn in,” he said. “I'm sleepy as
+a minister's horse tonight. You don't mind, do you, Obed?”
+
+“No-o,” replied Mr. Gott, slowly. “No, I don't, 'special. I kind of
+thought I'd run into the club a few minutes and see some of the other
+fellers. But it ain't important--not very.”
+
+The “club” was one of the rooms over Mr. Higgins's store and post
+office. It had been recently fitted up with chairs and tables from
+its members' garrets and, when the depot and store were closed, was a
+favorite gathering place of those reckless ones who cared to “set up
+late”--that is, until eleven o'clock. Most of the men in town belonged,
+but many, Captain Berry among them, visited the room but seldom.
+
+“Checkers,” said the depot master, referring to the “club's” favorite
+game, “is too deliberately excitin' for me. To watch Beriah Higgins and
+Ezra Weeks fightin' out a game of checkers is like gettin' your feet
+froze in January and waitin' for spring to come and thaw 'em out. It's a
+numbin' kind of dissipation.”
+
+But Obed Gott was a regular attendant at the “club,” and to-night he
+had a particular reason for wishing to be there. His cousin noticed his
+hesitation and made haste to relieve his mind.
+
+“That's all right, Obed,” he said, “go to the club, by all means. I
+ain't such a stranger at your house that I can't find my way to bed
+without help. Good-night, Sim. Good-night, Issy. Cheer up; maybe the
+Major's glassware IS priceless. So long, Cap'n Sol. See you again some
+time tomorrer.”
+
+He and Mr. Gott departed. The depot master rose from his chair. “Issy,”
+ he commanded, “shut up shop.”
+
+Issy obeyed, closing the windows and locking the front door. Captain
+Sol himself locked the ticket case and put the cash till into the small
+safe.
+
+“That'll do, Is,” said the Captain. “Good-night. Don't worry too much
+over the Major's glass. I'll talk with him, myself. You dream about
+pleasanter things--your girl, if you've got one.”
+
+That was a chance shot, but it struck Issy in the heart. Even during
+his melancholy progress to and from Major Hardee's, the vision of Gertie
+Higgins had danced before his greenish-blue eyes. His freckles were
+engulfed in a surge of blushes as, with a stammered “Night, Cap'n
+Berry,” he hurried out into the moonlight.
+
+The depot master blew out the lamps. “Come on, Sim,” he said, briefly.
+“Goin' to walk up with me, or was YOU goin' to the club?”
+
+“Cal'late I'll trot along with you, if you don't mind. I'd just as soon
+get home early and wrastle with the figures on that Williams movin'
+job.”
+
+They left the depot, locked and dark, passed the “general store,” where
+Mr. Higgins was putting out his lights prior to adjournment to the
+“club” overhead, walked up Main Street to Cross Street, turned and began
+climbing the hill. Simeon spoke several times but his friend did not
+answer. A sudden change had come over him. The good spirits with which
+he told of his adventure with Williams and which had remained during
+Phinney's stay at the depot, were gone, apparently. His face, in the
+moonlight, was grave and he strode on, his hands in his pockets.
+
+At the crest of the hill he stopped.
+
+“Good-night, Sim,” he said, shortly, and, turning, walked off.
+
+The building mover gazed after him in surprise. The nearest way to the
+Berry home was straight down Cross Street, on the other side of the
+hill, to the Shore Road, and thence along that road for an eighth of
+a mile. The Captain's usual course was just that. But to-night he had
+taken the long route, the Hill Boulevard, which made a wide curve before
+it descended to the road below.
+
+Sim, who had had a shrewd suspicion concerning his friend's silence and
+evident mental disturbance, stood still, looking and wondering. Olive
+Edwards, Captain Berry's old sweetheart, lived on the Boulevard. She
+was in trouble and the Captain knew it. He had asked, that very evening,
+what she was going to do when forced to move. Phinney could not tell
+him. Had he gone to find out for himself? Was the mountain at last
+coming to Mohammed?
+
+For some minutes Simeon remained where he was, thinking and surmising.
+Then he, too, turned and walked cautiously up the Boulevard. He
+passed the Williams mansion, its library windows ablaze. He passed
+the twenty-five room “cottage” of the gentleman from Chicago. Then
+he halted. Opposite him was the little Edwards dwelling and shop. The
+curtains were up and there was a lamp burning on the small counter.
+Beside the lamp, in a rocking chair, sat Olive Edwards, the widow,
+sewing. As he gazed she dropped the sewing in her lap, and raised her
+head.
+
+Phinney saw how worn and sad she looked. And yet, how young, considering
+her forty years and all she had endured and must endure. She put her
+hand over her eyes, then removed it wearily. A lump came in Simeon's
+throat. If he might only help her; if SOME ONE might help her in her
+lonely misery.
+
+And then, from where he stood in the shadow of the Chicago gentleman's
+hedge, he saw a figure step from the shadows fifty feet farther on.
+It was Captain Solomon Berry. He walked to the middle of the road
+and halted, looking in at Olive. Phinney's heart gave a jump. Was the
+Captain going into that house, going to HER, after all these years? WAS
+the mountain--
+
+But no. For a full minute the depot master stood, looking in at the
+woman by the lamp. Then he jammed his hands into his pockets, wheeled,
+and tramped rapidly off toward his home. Simeon Phinney went home, also,
+but it was with a heavy heart that he sat down to figure the cost of
+moving the Williams “pure Colonial” to its destined location.
+
+
+
+
+CHAPTER IV
+
+THE MAJOR
+
+
+The depot master and his friend, Mr. Phinney, were not the only ones
+whose souls were troubled that evening. Obed Gott, as he stood at the
+foot of the stairs leading to the meeting place of the “club,” was vexed
+and worried. His cousin, Captain Stitt, had gone into the house and up
+to his room, and Obed, after seeing him safely on his way, had returned
+to the club. But, instead of entering immediately, he stood in the
+Higgins doorway, thinking, and frowning as he thought. And the subject
+of his thought was the idol of feminine East Harniss, the “old-school
+gentleman,” Major Cuthbertson Scott Hardee.
+
+The Major first came to East Harniss one balmy morning in March--came,
+and created an immediate sensation. “Redny” Blount, who drives the
+“depot wagon,” was wrestling with a sample trunk belonging to the
+traveling representative of Messrs. Braid & Gimp, of Boston, when he
+heard a voice--and such a voice--saying:
+
+“Pardon me, my dear sir, but may I trouble you for one moment?”
+
+Now “Redny” was not used to being addressed as “my dear sir.” He turned
+wonderingly, and saw the Major, in all his glory, standing beside him.
+“Redny's” gaze took in the tall, slim figure in the frock coat tightly
+buttoned; took in the white hair, worn just long enough to touch
+the collar of the frock coat; the long, drooping white mustache and
+imperial; the old-fashioned stock and open collar; the black and white
+checked trousers; the gaiters; and, last of all, the flat brimmed,
+carefully brushed, old-fashioned silk hat. Mr. Blount gasped.
+
+“Huh?” he said.
+
+“Pardon me, my dear sir,” repeated the Major, blandly, smoothly, and
+with an air of--well, not condescension, but gracious familiarity. “Will
+you be so extremely kind as to inform me concerning the most direct
+route to the hotel or boarding house?”
+
+The word “hotel” was the only part of this speech that struck home to
+“Redny's” awed mind.
+
+“Hotel?” he repeated, slowly. “Why, yes, sir. I'm goin' right that way.
+If you'll git right into my barge I'll fetch you there in ten minutes.”
+
+There was enough in this reply, and the manner in which it was
+delivered, to have furnished the station idlers, in the ordinary course
+of events, with matter for gossip and discussion for a week. Mr. Blount
+had not addressed a person as “sir” since he went to school. But no
+one thought of this; all were too much overcome by the splendor of the
+Major's presence.
+
+“Thank you,” replied the Major. “Thank you. I am obliged to you, sir.
+Augustus, you may place the baggage in this gentleman's conveyance.”
+
+Augustus was an elderly negro, very black as to face and a trifle shabby
+as to clothes, but with a shadow of his master's gentility, like a
+reflected luster, pervading his person. He bowed low, departed, and
+returned dragging a large, old style trunk, and carrying a plump valise.
+
+“Augustus,” said the Major, “you may sit upon the seat with the driver.
+That is,” he added, courteously, “if Mr.--Mr.--”
+
+“Blount,” prompted the gratified “Redny.”
+
+“If Mr. Blount will be good enough to permit you to do so.”
+
+“Why, sartin. Jump right up. Giddap, you!”
+
+There was but one passenger, besides the Major and Augustus, in the
+“depot wagon” that morning. This passenger was Mrs. Polena Ginn, who had
+been to Brockton on a visit. To Mrs. Polena the Major, raising his hat
+in a manner that no native of East Harniss could acquire by a lifetime
+of teaching, observed that it was a beautiful morning. The flustered
+widow replied that it “was so.” This was the beginning of a conversation
+that lasted until the “Central House” was reached, a conversation that
+left Polena impressed with the idea that her new acquaintance was as
+near the pink of perfection as mortal could be.
+
+“It wa'n't his clothes, nuther,” she told her brother, Obed Gott, as
+they sat at the dinner table. “I don't know what 'twas, but you could
+jest see that he was a gentleman all over. I wouldn't wonder if he was
+one of them New York millionaires, like Mr. Williams--but SO different.
+'Redny' Blount says he see his name onto the hotel register and 'twas
+'Cuthbertson Scott Hardee.' Ain't that a tony name for you? And his
+darky man called him 'Major.' I never see sech manners on a livin' soul!
+Obed, I DO wish you'd stop eatin' pie with a knife.”
+
+Under these pleasing circumstances did Major Cuthbertson Scott Hardee
+make his first appearance in East Harniss, and the reputation spread
+abroad by Mr. Blount and Mrs. Ginn was confirmed as other prominent
+citizens met him, and fell under the spell. In two short weeks he
+was the most popular and respected man in the village. The Methodist
+minister said, at the Thursday evening sociable, that “Major Hardee is
+a true type of the old-school gentleman,” whereupon Beriah Higgins, who
+was running for selectman, and therefore felt obliged to be interested
+in all educational matters, asked whereabouts that school was located,
+and who was teaching it now.
+
+It was a treat to see the Major stroll down Main Street to the post
+office every pleasant spring morning. Coat buttoned tight, silk hat the
+veriest trifle on one side, one glove on and its mate carried with
+the cane in the other hand, and the buttonhole bouquet--always the
+bouquet--as fresh and bright and jaunty as its wearer himself.
+
+It seemed that every housekeeper whose dwelling happened to be situated
+along that portion of the main road had business in the front yard at
+the time of the Major's passing. There were steps to be swept, or rugs
+to be shaken, or doorknobs to be polished just at that particular time.
+Dialogues like the following interrupted the triumphal progress at three
+minute intervals:
+
+“Good-morning, Mrs. Sogberry. GOOD-morning. A delightful morning. Busy
+as the proverbial bee once more, I see. I can never cease to admire the
+industry and model neatness of the Massachusetts housekeeper. And how is
+your charming daughter this morning? Better, I trust?”
+
+“Well, now, Major Hardee, I don't know. Abbie ain't so well's I wish she
+was. She set up a spell yesterday, but the doctor says she ain't gittin'
+along the way she'd ought to. I says to him, s'I, 'Abbie ain't never
+what you'd call a reel hearty eater, but, my land! when she don't eat
+NOTHIN',' I says--”
+
+And so on and so on, with the Major always willing to listen, always
+sympathetic, and always so charmingly courteous.
+
+The Central House, East Harniss's sole hotel, and a very small one at
+that, closed its doors on April 10th. Mr. Godfrey, its proprietor,
+had come to the country for his health. He had been inveigled, by an
+advertisement in a Boston paper, into buying the Central House at East
+Harniss. It would afford him, so he reasoned, light employment and a
+living. The employment was light enough, but the living was lighter. He
+kept the Central House for a year. Then he gave it up as a bad job and
+returned to the city. “I might keep my health if I stayed,” he admitted,
+in explaining his position to Captain Berry, “but if I want to keep
+to what little money I have left, I'd better go. Might as well die of
+disease as starvation.”
+
+Everyone expected that the “gentleman of the old school” would go also,
+but one evening Abner Payne, whose business is “real estate, fire and
+life insurance, justice of the peace, and houses to let and for sale,”
+ rushed into the post office to announce that the Major had leased the
+“Gorham place,” furnished, and intended to make East Harniss his home.
+
+“He likes the village so well he's goin' to stay here always,” explained
+Abner. “Says he's been all 'round the world, but he never see a place he
+liked so well's he does East Harniss. How's that for high, hey? And you
+callin' it a one-horse town, Obed Gott!”
+
+The Major moved into the “Gorham place” the next morning. It--the
+“place”--was an old-fashioned house on the hill, though not on Mr.
+Williams' “Boulevard.” It had been one of the finest mansions in town
+once on a time, but had deteriorated rapidly since old Captain Elijah
+Gorham died. Augustus carried the Major's baggage from the hotel to
+the house. This was done very early and none of the natives saw the
+transfer. There was some speculation as to how the darky managed to
+carry the big trunk single-handed; one of two persons asked Augustus
+this very question, but they received no satisfactory answer. Augustus
+was habitually close-mouthed. Mr. Godfrey left town that same morning on
+the first train.
+
+The Major christened his new home “Silver-leaf Hall,” because of two
+great “silver-leaf” trees that stood by the front door. He had some
+repairing, paper hanging and painting done, ordered a big stock of
+groceries from the local dealer, and showed by his every action that
+his stay in East Harniss was to be a lengthy one. He hired a pew in the
+Methodist church, and joined the “club.” Augustus did the marketing for
+“Silver-leaf Hall,” and had evidently been promoted to the position of
+housekeeper.
+
+The Major moved in April. It was now the third week in June and
+his popularity was, if possible, more pronounced than ever. On this
+particular, the evening of Captain Bailey Stitt's unexpected arrival,
+Obed had been sitting by the tea table in his dining room after supper,
+going over the account books of his paint, paper, and oil store. His
+sister, Mrs. Polena Ginn, was washing dishes in the kitchen.
+
+“Wat's that letter you're readin', Obed?” she called from her post by
+the sink.
+
+“Nothin',” said her brother, gruffly, crumpling up the sheet of note
+paper and jamming it into his pocket.
+
+“My sakes! you're shorter'n pie crust to-night. What's the matter?
+Anything gone wrong at the store?”
+
+“No.”
+
+Silence again, only broken by the clatter of dishes. Then Polena said:
+
+“Obed, when are you goin' to take me up to the clubroom so's I can see
+that picture of Major Hardee that he presented the club with? Everybody
+says it's just lovely. Sarah T. says it's perfectly elegant, only not
+quite so handsome as the Major reelly is. She says it don't flatter him
+none.”
+
+“Humph! Anybody'd think Hardee was some kind of a wonder, the way you
+women folks go on 'bout him. How do you know but what he might be a
+reg'lar fraud? Looks ain't everything.”
+
+“Well, I never! Obed Gott, I should think you'd be 'shamed of yourself,
+talkin' that way. I shan't speak another word to you to-night. I never
+see you act so unlikely. An old fraud! The idea! That grand, noble man!”
+
+Obed tried to make some sort of half-hearted apology, but his sister
+wouldn't listen to it. Polena's dignity was touched. She was a woman of
+consequence in East Harniss, was Polena. Her husband had, at his death,
+left her ten thousand dollars in her own right, and she owned bonds
+and had money in the Wellmouth Bank. Nobody, not even her brother, was
+allowed to talk to her in that fashion.
+
+To tell the truth, Obed was sorry he had offended his sister. He had
+been throwing out hints of late as to the necessity of building an
+addition to the paint and oil store, and had cast a longing look upon
+a portion of Polena's ten thousand. The lady had not promised to extend
+the financial aid, but she had gone so far as to say she would think
+about it. So Obed regretted his insinuations against the Major's
+integrity.
+
+After a while he threw the account books upon the top of the chest of
+drawers, put on his hat and coat and announced that he was going over
+to the depot for a “spell.” Polena did not deign to reply, so, after
+repeating the observation, he went out and slammed the door.
+
+Now, two hours later, as he stood in the doorway of the club, he was
+debating what he should do in a certain matter. That matter concerned
+Major Hardee and was, therefore, an extremely delicate one. At length
+Mr. Gott climbed the narrow stairs and entered the clubroom. It was blue
+with tobacco smoke.
+
+The six or eight members present hailed him absently and went on with
+their games of checkers or “seven-up.” He attempted a game of checkers
+and lost, which did not tend to make his temper any sweeter. His ill
+nature was so apparent that Beriah Higgins, who suffered from dyspepsia
+and consequent ill temper, finally commented upon it.
+
+“What's the matter with you, Obed?” he asked tartly. “Too much of
+P'lena's mince pie?”
+
+“No,” grunted Mr. Gott shortly.
+
+“What is it, then? Ain't paint sellin' well?”
+
+“Sellin' well 'nough. I could sell a hundred ton of paint to-morrow,
+more'n likely, but when it come to gittin' the money for it, that would
+be another story. If folks would pay their bills there wouldn't be no
+trouble.”
+
+“Who's stuck you now?”
+
+“I don't s'pose anybody has, but it's just as bad when they don't
+pay up. I've got to have money to keep a-goin' with. It don't make
+no diff'rence if it's as good a customer as Major Hardee; he ought to
+remember that we ain't all rich like him and--”
+
+A general movement among all the club members interrupted him. The
+checker players left their boards and came over; the “seven-up” devotees
+dropped their cards and joined the circle.
+
+“What was that you said?” asked Higgins, uneasily. “The Major owin' you
+money, was it?”
+
+“Oh, course I know he's all right and a fine man and all that,”
+ protested Obed, feeling himself put on the defensive. “But that ain't
+it. What's a feller goin' to do when he needs the money and gets a
+letter like that?”
+
+He drew the crumpled sheet of note paper from his pocket, and threw it
+on the table. Higgins picked it up and read it aloud, as follows:
+
+
+SILVERLEAF HALL, June 20th.
+
+MY DEAR MR. GOTT: I am in receipt of your courteous communication of
+recent date. I make it an unvarying rule to keep little ready money here
+in East Harniss, preferring rather to let it remain at interest in the
+financial institutions of the cities. Another rule of mine, peculiar,
+I dare say--even eccentric, if you like--is never to pay by check. I am
+expecting remittances from my attorneys, however, and will then bear you
+in mind. Again thanking you for your courtesy, and begging you to extend
+to your sister my kindest regards, I remain, my dear sir,
+
+Yours very respectfully,
+
+CUTHBERTSON SCOTT HARDEE.
+
+P. S.--I shall be delighted to have the pleasure of entertaining your
+sister and yourself at dinner at the hall on any date agreeable to you.
+Kindly let me hear from you regarding this at your earliest convenience.
+I must insist upon this privilege, so do not disappoint me, I beg.
+
+
+The reception accorded this most gentlemanly epistle was peculiar. Mr.
+Higgins laid it upon the table and put his hand into his own pocket. So
+did Ezra Weeks, the butcher; Caleb Small, the dry goods dealer; “Hen”
+ Leadbetter, the livery stable keeper; “Bash” Taylor, the milkman, and
+three or four others. And, wonder of wonders, each produced a sheet of
+note paper exactly like Obed's.
+
+They spread them out on the table. The dates were, of course, different,
+and they differed in other minor particulars, but in the main they were
+exactly alike. And each one of them ended with an invitation to dinner.
+
+The members of the club looked at each other in amazement. Higgins was
+the first to speak.
+
+“Godfrey mighty!” he exclaimed. “Say, this is funny, ain't it? It's
+more'n funny; it's queer! By jimmy, it's more'n that--it's serious! Look
+here, fellers; is there anybody in this crowd that the Major's paid for
+anything any time?”
+
+They waited. No one spoke. Then, with one impulse, every face swung
+about and looked up to where, upon the wall, hung the life-size
+photograph of the Major, dignified, gracious, and gilt-framed. It
+had been presented to the club two months before by Cuthbertson Scott
+Hardee, himself.
+
+“Ike--Ike Peters,” said Higgins. “Say, Ike--has he ever paid you for
+havin' that took?”
+
+Mr. Peters, who was the town photographer, reddened, hesitated, and then
+stammered, “Why, no, he ain't, yet.”
+
+“Humph!” grunted Higgins. No one else said anything. One or two took
+out pocket memorandum books and went over some figures entered therein.
+Judging by their faces the results of these calculations were not
+pleasing. Obed was the first to break the painful silence:
+
+“Well!” he exclaimed, sarcastically; “ain't nobody got nothin' to say?
+If they ain't, I have. Or, at any rate, I've got somethin' to do.” And
+he rose and started to put on his coat.
+
+“Hi! hold on a minute, Obed, you loon!” cried Higgins. “Where are you
+goin'?”
+
+“I'm goin' to put my bill in Squire Baker's hands for c'lection, and I'm
+goin' to do it tonight, too.”
+
+He was on his way to the door, but two or three ran to stop him.
+
+“Don't be a fool, Obed,” said Higgins. “Don't go off ha'f cocked. Maybe
+we're gittin' scared about nothin'. We don't know but we'll get every
+cent that's owed us.”
+
+“Don't KNOW! Well, I ain't goin' to wait to find out. What makes me
+b'ilin' is to think how we've set still and let a man that we never saw
+afore last March, and don't know one blessed thing about, run up bills
+and RUN 'em up. How we come to be such everlastin' fools I don't see!
+What did we let him have the stuff for? Why didn't we make him pay? I--”
+
+“Now see here, Obed Gott,” broke in Weeks, the butcher, “you know why
+just as well as we do. Why, blast it!” he added earnestly, “if he was to
+come into my shop to-morrow and tip that old high hat of his, and smile
+and say 'twas a fine mornin and 'How's the good lady to-day?' and all
+that, he'd get ha'f the meat there was in the place, and I wouldn't say
+'Boo'! I jest couldn't, that's all.”
+
+This frank statement was received with approving nods and a chorus of
+muttered “That's so's.”
+
+“It looks to me this way,” declared Higgins. “If the Major's all right,
+he's a mighty good customer for all of us. If he ain't all right, we've
+got to find it out, but we're in too deep to run resks of gettin' him
+mad 'fore we know for sure. Let's think it over for a week. Inside of
+that time some of us'll hint to him, polite but firm, you understand,
+that we've got to have something on account. A week from to-night we'll
+meet in the back room of my store, talk it over and decide what to do.
+What do you say?”
+
+Everybody but Obed agreed. He declared that he had lost money enough
+and wasn't going to be a fool any longer. The others argued with him
+patiently for a while and then Leadbetter, the livery stable keeper,
+said sharply:
+
+“See here, Obe! You ain't the only one in this. How much does the Major
+owe you?”
+
+“Pretty nigh twenty dollars.”
+
+“Humph! You're lucky. He owes me over thirty, and I guess Higgins is
+worse off than any of us. Ain't that so, Beriah?”
+
+“About seventy, even money,” answered the grocer, shortly. “No use,
+Obed, we've got to hang together. Wait a week and then see. And,
+fellers,” he added, “don't tell a soul about this business, 'specially
+the women folks. There ain't a woman nor girl in this town that don't
+think Major Hardee's an A1, gold-plated saint, and twouldn't be safe to
+break the spell on a guess.”
+
+Obed reached home even more disgruntled than when he left it. He sat up
+until after twelve, thinking and smoking, and when he went to bed he had
+a brilliant idea. The next morning he wrote a letter and posted it.
+
+
+
+
+CHAPTER V
+
+A BABY AND A ROBBERY
+
+
+The morning train for Boston, at that season of the year, reached East
+Harniss at five minutes to six, an “ungodly hour,” according to the
+irascible Mr. Ogden Williams, who, in company with some of his wealthy
+friends, the summer residents, was petitioning the railroad company for
+a change in the time-table. When Captain Sol Berry, the depot master,
+walked briskly down Main Street the morning following Mr. Gott's
+eventful evening at the club, the hands of the clock on the Methodist
+church tower indicated that the time was twenty minutes to six.
+
+Issy McKay was already at the depot, the doors of which were open.
+Captain Sol entered the waiting room and unlocked the ticket rack and
+the little safe. Issy, languidly toying with the broom on the front
+platform, paused in his pretense of sweeping and awaited permission to
+go home for breakfast. It came, in characteristic fashion.
+
+“How's the salt air affectin' your appetite, Is?” asked the Captain,
+casually.
+
+Issy, who, being intensely serious by nature, was uneasy when he
+suspected the presence of a joke, confusedly stammered that he cal'lated
+his appetite was all right.
+
+“Payin' for the Major's glass ain't kept you awake worryin', has it?”
+
+“No-o, sir. I--”
+
+“P'r'aps you thought he was the one to 'do the worryin', hey?”
+
+“I--I don't know.”
+
+“Well, what's your folks goin' to have to eat this mornin'?”
+
+Issy admitted his belief that fried clams were to be the breakfast.
+
+“So? Clams? Is, did you ever read the soap advertisement about not bein'
+a clam?”
+
+“I--I don't know's I ever did. No, sir.”
+
+“All right; I only called your attention to it as a warnin', that's all.
+When anybody eats as many clams as you do there's a fair chance of his
+turnin' into one. Now clear out, and don't stay so long at breakfast
+that you can't get back in time for dinner. Trot!”
+
+Issy trotted. The depot master seated himself by the door of the ticket
+office and fell into a reverie. It was interrupted by the entrance of
+Hiram Baker. Captain Hiram was an ex-fishing skipper, fifty-five years
+of age, who, with his wife, Sophronia, and their infant son, Hiram Joash
+Baker, lived in a small, old-fashioned house at the other end of the
+village, near the shore. Captain Hiram, having retired from the sea, got
+his living, such as it was, from his string of fish traps, or “weirs.”
+
+The depot master hailed the new arrival heartily.
+
+“Hello, there, Hiram!” he cried, rising from his chair. “Glad to see you
+once in a while. Ain't goin' to leave us, are you? Not goin' abroad for
+your health, or anything of that kind, hey?”
+
+Captain Baker laughed.
+
+“No,” he answered. “No further abroad than Hyannis. And I'll be back
+from there tonight, if the Lord's willin' and the cars don't get off the
+track. Give me a round trip ticket, will you, Sol?”
+
+The depot master retired to the office, returning with the desired
+ticket. Captain Hiram counted out the price from a confused mass of
+coppers and silver, emptied into his hand from a blackened leather
+purse, tied with a string.
+
+“How's Sophrony?” asked the depot master. “Pretty smart, I hope.”
+
+“Yup, she's smart. Has to be to keep up with the rest of the
+family--'specially the youngest.”
+
+He chuckled. His friend laughed in sympathy.
+
+“The youngest is the most important of all, I s'pose,” he observed. “How
+IS the junior partner of H. Baker and Son?”
+
+“He ain't a silent partner, I'll swear to that. Honest, Sol, I b'lieve
+my 'Dusenberry' is the cutest young one outside of a show. I said so
+only yesterday to Mr. Hilton, the minister. I did, and I meant it.”
+
+“Well, we're all gettin' ready to celebrate his birthday. Ho, ho!”
+
+This was a standard joke and was so recognized and honored. A baby born
+on the Fourth of July is sure of a national celebration of his birthday.
+And to Captain Baker and his wife, no celebration, however widespread,
+could do justice to the importance of the occasion. When, to answer the
+heart longings of the child-loving couple married many years, the baby
+came, he was accepted as a special dispensation of Providence and valued
+accordingly.
+
+“He's got a real nice voice, Hiram,” said Sophronia, gazing proudly
+at the prodigy, who, clutched gingerly in his father's big hands, was
+screaming his little red face black. “I shouldn't wonder if he grew up
+to sing in the choir.”
+
+“That's the kind of voice to make a fo'mast hand step lively!” declared
+Hiram. “You'll see this boy on the quarter deck of a clipper one of
+these days.”
+
+Naming him was a portentous proceeding and one not to be lightly gone
+about. Sophronia, who was a Methodist by descent and early confirmation,
+was of the opinion that the child should have a Bible name.
+
+The Captain respected his wife's wishes, but put in an ardent plea for
+his own name, Hiram.
+
+“There's been a Hiram Baker in our family ever since Noah h'isted
+the main-r'yal on the ark,” he declared. “I'd kinder like to keep the
+procession a-goin'.”
+
+They compromised by agreeing to make the baby's Christian name Hiram and
+to add a middle name selected at random from the Scriptures. The big,
+rickety family Bible was taken from the center table and opened with
+shaking fingers by Mrs. Baker. She read aloud the first sentence that
+met her eye: “The son of Joash.”
+
+“Joash!” sneered her husband. “You ain't goin' to cruelize him with that
+name, be you?”
+
+“Hiram Baker, do you dare to fly in the face of Scriptur'?”
+
+“All right! Have it your own way. Go to sleep now, Hiram Joash, while I
+sing 'Storm along, John,' to you.”
+
+Little Hiram Joash punched the minister's face with his fat fist when he
+was christened, to the great scandal of his mother and the ill-concealed
+delight of his father.
+
+“Can't blame the child none,” declared the Captain. “I'd punch anybody
+that christened a middle name like that onto me.”
+
+But, in spite of his name, the baby grew and prospered. He fell out of
+his crib, of course, the moment that he was able, and barked his shins
+over the big shells by the what-not in the parlor the first time that
+he essayed to creep. He teethed with more or less tribulation, and once
+upset the household by an attack of the croup.
+
+They gave up calling him by his first name, because of the Captain's
+invariably answering when the baby was wanted and not answering when he
+himself was wanted. Sophronia would have liked to call him Joash, but
+her husband wouldn't hear of it. At length the father took to calling
+him “Dusenberry,” and this nickname was adopted under protest.
+
+Captain Hiram sang the baby to sleep every night. There were three songs
+in the Captain's repertoire. The first was a chanty with a chorus of
+
+ John, storm along, storm along, John,
+ Ain't I glad my day's work's done.
+
+The second was the “Bowline Song.”
+
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline! the bowline HAUL!
+
+At the “haul!” the Captain's foot would come down with a thump. Almost
+the first word little Hiram Joash learned was “haul!” He used to shout
+it and kick his father vigorously in the vest.
+
+These were fair-weather songs. Captain Hiram sang them when everything
+was going smoothly. The “Bowline Song” indicated that he was feeling
+particularly jubilant. He had another that he sang when he was worried.
+It was a lugubrious ditty, with a refrain beginning:
+
+ Oh, sailor boy, sailor boy, 'neath the wild billow,
+ Thy grave is yawnin' and waitin' for thee.
+
+He sang this during the worst of the teething period, and, later, when
+the junior partner wrestled with the whooping cough. You could always
+tell the state of the baby's health by the Captain's choice of songs.
+
+Meanwhile Dusenberry grew and prospered. He learned to walk and to talk,
+after his own peculiar fashion, and, at the mature age of two years and
+six months, formally shipped as first mate aboard his father's dory. His
+duties in this responsible position were to sit in the stern, securely
+fastened by a strap, while the Captain and his two assistants rowed out
+over the bar to haul the nets of the deep water fish weir.
+
+The first mate gave the orders, “All hands on deck! 'Tand by to det ship
+under way!” There was no “sogerin'” aboard the Hiram Junior--that was
+the dory's name--while the first officer had command.
+
+Captain Hiram, always ready to talk of the wonderful baby, told the
+depot master of the youngster's latest achievement, which was to get the
+cover off the butter firkin in the pantry and cover himself with butter
+from head to heel.
+
+“Ho, ho, ho!” he roared, delightedly, “when Sophrony caught him at it,
+what do you s'pose he said? Said he was playin' he was a slice of bread
+and was spreadin' himself. Haw! haw!”
+
+Captain Sol laughed in sympathy.
+
+“But he didn't mean no harm by it,” explained the proud father. “He's
+got the tenderest little heart in the world. When he found his ma felt
+bad he bust out cryin' and said he'd scrape it all off again and when it
+come prayer time he'd tell God who did it, so He'd know 'twa'n't mother
+that wasted the nice butter. What do you think of that?”
+
+“No use talkin', Hiram,” said the depot master, “that's the kind of boy
+to have.”
+
+“You bet you! Hello! here's the train. On time, for a wonder. See you
+later, Sol. You take my advice, get married and have a boy of your own.
+Nothin' like one for solid comfort.”
+
+The train was coming and they went out to meet it. The only passenger
+to alight was Mr. Barzilla Wingate, whose arrival had been foretold
+by Bailey Stitt the previous evening. Barzilla was part owner of a
+good-sized summer hotel at Wellmouth Neck. He and the depot master were
+old friends.
+
+After the train had gone Wingate and Captain Sol entered the station
+together. The Captain had insisted that his friend come home with him to
+breakfast, instead of going to the hotel. After some persuasion Barzilla
+agreed. So they sat down to await Issy's arrival. The depot master could
+not leave the station until the “assistant” arrived.
+
+“Well, Barzilla,” asked Captain Sol, “what's the newest craze over to
+the hotel?”
+
+“The newest,” said Wingate, with a grin, “is automobiles.”
+
+“Automobiles? Why, I thought 'twas baseball.”
+
+“Baseball was last summer. We had a championship team then. Yes, sir, we
+won out, though for a spell it looked pretty dubious. But baseball's an
+old story. We've had football since, and now--”
+
+“Wait a minute! Football? Why, now I do remember. You had a football
+team there and--and wa'n't there somethin' queer, some sort of a--a
+robbery, or stealin', or swindlin' connected with it? Seems's if I'd
+heard somethin' like that.”
+
+Mr. Wingate looked his friend over, winked, and asked a question.
+
+“Sol,” he said, “you ain't forgot how to keep a secret?”
+
+The depot master smiled. “I guess not,” he said.
+
+“Well, then, I'm goin' to trust you with one. I'm goin' to tell you the
+whole business about that robbin'. It's all mixed up with football and
+millionaires and things--and it's a dead secret, the truth of it. So
+when I tell you it mustn't go no further.
+
+“You see,” he went on, “it was late into August when Peter T. was took
+down with the inspiration. Not that there was anything 'specially new
+in his bein' took. He was subject to them seizures, Peter was, and every
+time they broke out in a fresh place. The Old Home House itself was one
+of his inspirations, so was the hirin' of college waiters, the openin'
+of the two 'Annex' cottages, the South Shore Weather Bureau, and a whole
+lot more. Sometimes, as in the weather-bureau foolishness, the disease
+left him and t'other two patients--meanin' me and Cap'n Jonadab--pretty
+weak in the courage, and wasted in the pocketbook; but gen'rally they
+turned out good, and our systems and bank accounts was more healthy than
+normal. One of Peter T.'s inspirations was consider'ble like typhoid
+fever--if you did get over it, you felt better for havin' had it.
+
+“This time the attack was in the shape of a 'supplementary season.'
+'Twas Peter's idea that shuttin' up the Old Home the fust week in
+September was altogether too soon.
+
+“'What's the use of quittin',' says he, 'while there's bait left and the
+fish are bitin'? Why not keep her goin' through September and October?
+Two or three ads--MY ads--in the papers, hintin' that the ducks and wild
+geese are beginnin' to keep the boarders awake by roostin' in the
+back yard and hollerin' at night--two or three of them, and we'll have
+gunners here by the regiment. Other summer hotels do it, the Wapatomac
+House and the rest, so why not us? It hurts my conscience to see good
+money gettin' past the door 'count of the “Not at Home” sign hung on the
+knob. What d'you say, partners?' says he.
+
+“Well, we had consider'ble to say, partic'lar Cap'n Jonadab. 'Twas
+too risky and too expensive. Gunnin' was all right except for one
+thing--that is, that there wa'n't none wuth mentionin'.
+
+“'Ducks are scurser round here than Democrats in a Vermont
+town-meetin',' growled the Cap'n. 'And as for geese! How long has it
+been since you see a goose, Barzilla?'
+
+“'Land knows!' says I. 'I can remember as fur back as the fust time
+Washy Sparrow left off workin', but I can't--'
+
+“Brown told us to shut up. Did we cal'late he didn't know what he was
+talkin' about?
+
+“'I can see two geese right now,' he snaps; 'but they're so old and
+leather-headed you couldn't shoot an idea into their brains with a
+cannon. Gunnin' ain't the whole thing. My makin' a noise like a duck is
+only to get the would-be Teddy Roosevelts headed for this neck of the
+woods. After they get here, it's up to us to keep 'em. And I can think
+of as many ways to do that as the Cap'n can of savin' a quarter. Our
+baseball team's been a success, ain't it? Sure thing! Then why not a
+football team? Parker says he'll get it together, and coach and cap'n
+it, too. And Robinson and his daughter have agreed to stay till October
+fifteenth. So there's a start, anyhow.'
+
+“'Twas a start, and a pretty good one. The Robinsons had come to the Old
+Home about the fust of August, and they was our star boarders. 'G. W.
+Robinson' was the old man's name as entered on the hotel log, and his
+daughter answered to the hail of 'Grace'--that is, when she took
+a notion to answer at all. The Robinsons was what Peter T. called
+'exclusive.' They didn't mix much with the rest of the bunch, but
+kept to themselves in their rooms, partic'lar when a fresh net full of
+boarders was hauled aboard. Then they seemed to take an observation of
+every arrival afore they mingled; questioned the pedigree and statistics
+of all hands, and acted mighty suspicious.
+
+“The only thing that really stirred Papa Robinson up and got him excited
+and friendly was baseball and boat racin'. He was an old sport, that was
+plain, the only real plain thing about him; the rest was mystery. As
+for Grace, she wa'n't plain by a good sight, bein' what Brown called
+a 'peach.' She could have had every single male in tow if she'd wanted
+'em. Apparently she didn't want em, preferrin' to be lonesome and sad
+and interestin'. Yes, sir, there was a mystery about them Robinsons, and
+even Peter T. give in to that.
+
+“'If 'twas anybody else,' says he, 'I'd say the old man was a crook,
+down here hidin' from the police. But he's too rich for that, and always
+has been. He ain't any fly-by-night. I can tell the real article without
+lookin' for the “sterlin'” mark on the handle. But I'll bet all the
+cold-storage eggs in the hotel against the henyard--and that's big
+odds--that he wa'n't christened Robinson. And his face is familiar to
+me. I've seen it somewhere, either in print or in person. I wish I knew
+where.'
+
+“So if the Robinsons had agreed to stay--them and their two
+servants--that was a big help, as Brown said. And Parker would help,
+too, though we agreed there wa'n't no mystery about him. He was a big,
+broad-shouldered young feller just out of college somewheres, who had
+drifted our way the fortni't after the Robinsons came, with a reputation
+for athletics and a leanin' toward cigarettes and Miss Grace. She leaned
+a little, too, but hers wa'n't so much of a bend as his was. He was dead
+gone on her, and if she'd have decided to stay under water, he'd
+have ducked likewise. 'Twas easy enough to see why HE believed in a
+'supplementary season.'
+
+“Me and Jonadab argued it out with Peter, and finally we met halfway,
+so's to speak. We wouldn't keep the whole shebang open, but we'd shut
+up everything but one Annex cottage, and advertise that as a Gunner's
+Retreat. So we done it.
+
+“And it worked. Heavens to Betsy--yes! It worked so well that by the
+second week in September we had to open t'other Annex. The gunnin' was
+bad, but Peter's ads fetched the would-be's, and his 'excursions' and
+picnics and the football team held 'em. The football team especial.
+Parker cap'ned that, and, from the gunnin' crew and the waiters and some
+fishermen in the village, he dug up an eleven that showed symptoms of
+playin' the game. We played the Trumet High School, and beat it, thanks
+to Parker, and that tickled Pa Robinson so that he bought a two-handled
+silver soup tureen--'lovin' cup,' he called it--and agreed to give it to
+the team round about that won the most of the series. So the series was
+arranged, the Old Home House crowd and the Wapatomac House eleven and
+three high-school gangs bein' in it. And 'twas practice, practice,
+practice, from then on.
+
+“When we opened the second Annex, the question of help got serious. Most
+of our college waiters had gone back to school, and we was pretty shy
+of servants. So we put some extry advertisin' in the Cape weeklies, and
+trusted in Providence.
+
+“The evenin' followin' the ad in the weeklies, I was settin' smokin' on
+the back piazza of the shut-up main hotel, when I heard the gate click
+and somebody crunchin' along the clam-shell path. I sung out: 'Ahoy,
+there!' and the cruncher, whoever he was, come my way. Then I made out
+that he was a tall young chap, with his hands in his pockets.
+
+“'Good evenin',' says he. 'Is this Mr. Brown?'
+
+“'Thankin' you for the compliment, it ain't,' I says. 'My name's
+Wingate.'
+
+“'Oh!' says he. 'Is that so? I've heard father speak of you, Mr.
+Wingate. He is Solomon Bearse, of West Ostable. I think you know him
+slightly.'
+
+“Know him? Everybody on the Cape knows Sol Bearse; by reputation,
+anyhow. He's the richest, meanest old cranberry grower and
+coastin'-fleet owner in these parts.
+
+“'Is Sol Bearse your dad?' I asks, astonished. 'Why, then, you must be
+Gus?'
+
+“'No,' he says. 'I'm the other one--Fred.'
+
+“'Oh, the college one. The one who's goin' to be a lawyer.'
+
+“'Well, yes--and no,' says he. 'I WAS the college one, as you call it,
+but I'm not goin' to be a lawyer. Father and I have had some talk on
+that subject, and I think we've settled it. I--well, just at present,
+I'm not sure what I'm goin' to be. That's what I've come to you for. I
+saw your ad in the Item, and--I want a job.'
+
+“I was set all aback, and left with my canvas flappin', as you might
+say. Sol Bearse's boy huntin' a job in a hotel kitchen! Soon's I could
+fetch a whole breath, I wanted partic'lars. He give 'em to me.
+
+“Seems he'd been sent out to one of the colleges in the Middle West by
+his dad, who was dead set on havin' a lawyer in the family. But the more
+he studied, the less he hankered for law. What he wanted to be was a
+literature--a book-agent or a poet, or some such foolishness. Old Sol,
+havin' no more use for a poet than he had for a poor relation, was red
+hot in a minute. Was this what he'd been droppin' good money in the
+education collection box for? Was this--etcetery and so on. He'd
+be--what the church folks say he will be--if Fred don't go in for law.
+Fred, he comes back that he'll be the same if he does. So they disowned
+each other by mutual consent, as the Irishman said, and the boy marches
+out of the front door, bag and baggage. And, as the poetry market seemed
+to be sort of overly supplied at the present time, he decided he must
+do somethin' to earn a dollar, and, seein' our ad, he comes to Wellmouth
+Port and the Old Home.
+
+“'But look here,' says I, 'we ain't got no job for a literary. We need
+fellers to pass pie and wash dishes. And THAT ain't no poem.'
+
+“Well, he thought perhaps he could help make up advertisin'.
+
+“'You can't,' I told him. 'One time, when Peter T. Brown was away, me
+and Cap'n Jonadab cal'lated that a poetry advertisement would be a good
+idee and we managed to shake out ten lines or so. It begun:
+
+ “When you're feelin' tired and pale
+ To the Old Home House you ought to come without fail.”
+
+“'We thought 'twas pretty slick, but we never got but one answer, and
+that was a circular from one of them correspondence schools of authors,
+sayin' they'd let us in on a course at cut rates. And the next thing we
+knew we see that poem in the joke page of a Boston paper. I never--'
+
+“He laughed, quiet and sorrowful. He had the quietest way of speakin',
+anyhow, and his voice was a lovely tenor. To hear it purrin' out of his
+big, tall body was as unexpected as a hymn tune in a cent-in-the-slot
+talkin' machine.
+
+“'Too bad,' he says. 'As a waiter, I'm afraid--'
+
+“Just then the door of one of the Annex houses opened sudden, and there
+stood Grace Robinson. The light behind her showed her up plain as could
+be. I heard Fred Bearse make a kind of gaspin' noise in his throat.
+
+“'What a lovely night!' she says, half to herself. Then she calls:
+'Papa, dear, you really ought to see the stars.'
+
+“Old man Robinson, who I judged was in the settin' room, snarled out
+somethin' which wa'n't no compliment to the stars. Then he ordered
+her to come in afore she catched cold. She sighed and obeyed orders,
+shuttin' the door astern of her. Next thing I knew that literary tenor
+grabbed my arm--'twa'n't no canary-bird grip, neither.
+
+“'Who was that?' he whispers, eager.
+
+“I told him. 'That's the name they give,' says I, 'but we have doubts
+about its bein' the real one. You see, there's some mystery about them
+Robinsons, and--'
+
+“'I'll take that waiter's place,' he says, quick. 'Shall I go right in
+and begin now? Don't stop to argue, man; I say I'll take it.'
+
+“And he did take it by main strength, pretty nigh. Every time I'd open
+my mouth he'd shut it up, and at last I give in, and showed him where he
+could sleep.
+
+“'You turn out at five sharp,' I told him. 'And you needn't bother to
+write no poems while you're dressin', neither.'
+
+“'Good night,' he answers, brisk. 'Go, will you, please? I want to
+think.'
+
+“I went. 'Tain't until an hour later that I remembered he hadn't asked
+one word concernin' the wages. And next mornin' he comes to me and
+suggests that perhaps 'twould be as well if I didn't tell his real name.
+He was pretty sure he'd been away schoolin' so long that he wouldn't be
+recognized. 'And incognitos seem to be fashionable here,' he purrs, soft
+and gentle.
+
+“I wouldn't know an incognito if I stepped on one, but the tenor voice
+of him kind of made me sick.
+
+“'All right,' I snaps, sarcastic. 'Suppose I call you “Willie.” How'll
+that do?'
+
+“'Do as well as anything, I guess,' he says. Didn't make no odds to him.
+If I'd have called him 'Maud,' he'd have been satisfied.
+
+“He waited in Annex Number Two, which was skippered by Cap'n Jonadab.
+And, for a poet, he done pretty well, so the Cap'n said.
+
+“'But say, Barzilla,' asks Jonadab, 'does that Willie thing know the
+Robinsons?'
+
+“'Guess not,' I says. But, thinkin' of the way he'd acted when the girl
+come to the door: 'Why?'
+
+“'Oh, nothin' much. Only when he come in with the doughnuts the fust
+mornin' at breakfast, I thought Grace sort of jumped and looked funny.
+Anyhow, she didn't eat nothin' after that. P'r'aps that was on account
+of her bein' out sailin' the day afore, though.'
+
+“I said I cal'lated that was it, but all the same I was interested.
+And when, a day or so later, I see Grace and Willie talkin' together
+earnest, out back of the kitchen, I was more so. But I never said
+nothin'. I've been seafarin' long enough to know when to keep my main
+hatch closed.
+
+“The supplementary season dragged along, but it wa'n't quite the success
+it looked like at the start. The gunnin' that year was even worse than
+usual, and excursions and picnics in late September ain't all joy, by
+no manner of means. We shut up the second Annex at the end of the month,
+and transferred the help to Number One. Precious few new boarders come,
+and a good many of the old ones quit. Them that did stay, stayed on
+account of the football. We was edgin' up toward the end of the series,
+and our team and the Wapatomac crowd was neck and neck. It looked as if
+the final game between them and us, over on their grounds, would settle
+who'd have the soup tureen.
+
+“Pa Robinson and Parker had been quite interested in Willie when he
+fust come. They thought he might play with the eleven, you see. But he
+wouldn't. Set his foot right down.
+
+“'I don't care for athletics,' he says, mild but firm. 'They used to
+interest me somewhat, but not now.'
+
+“The old man was crazy. He'd heard about Willie's literature leanin's,
+and he give out that he'd never see a writer yet that wa'n't a 'sissy.'
+Wanted us to fire Bearse right off, but we kept him, thanks to me. If
+he'd seen the 'sissy' kick the ball once, same as I did, it might have
+changed his mind some. He was passin' along the end of the field when
+the gang was practicin', and the ball come his way. He caught it on the
+fly, and sent it back with his toe. It went a mile, seemed so, whirlin'
+and whizzin'. Willie never even looked to see where it went; just kept
+on his course for the kitchen.
+
+“The big sensation hit us on the fifth of October, right after supper.
+Me and Peter T. and Jonadab was in the office, when down comes Henry,
+old Robinson's man servant, white as a sheet and wringin' his hands
+distracted.
+
+“'Oh, I say, Mr. Brown!' says he, shakin' all over like a quicksand.
+'Oh, Mr. Brown, sir! Will you come right up to Mr. Sterz--I mean Mr.
+Robinson's room, please, sir! 'E wants to see you gentlemen special.
+'Urry, please! 'Urry!'
+
+“So we ''urried,' wonderin' what on earth was the matter. And when we
+got to the Robinson rooms, there was Grace, lookin' awful pale, and the
+old man himself ragin' up and down like a horse mack'rel in a fish weir.
+
+“Soon as papa sees us, he jumped up in the air, so's to speak, and when
+he lit 'twas right on our necks. His daughter, who seemed to be the
+sanest one in the lot, run and shut the door.
+
+“'Look here, you!' raved the old gent, shakin' both fists under Peter
+T.'s nose. 'Didn't you tell me this was a respectable hotel? And ain't
+we payin' for respectability?'
+
+“Peter admitted it, bein' too much set back to argue, I cal'late.
+
+“'Yes!' rages Robinson. 'We pay enough for all the respectability in
+this state. And yet, by the livin' Moses! I can't go out of my room
+to spoil my digestion with your cussed dried-apple pie, but what I'm
+robbed!'
+
+“'Robbed!' the three of us gurgles in chorus.
+
+“'Yes, sir! Robbed! Robbed! ROBBED! What do you think I came here for?
+And why do I stay here all this time? 'Cause I LIKE it? 'Cause I can't
+afford a better place? No, sir! By the great horn spoon! I come here
+because I thought in this forsaken hole I could get lost and be safe.
+And now--'
+
+“He tore around like a water spout, Grace trying to calm him, and
+Henry and Suzette, the maid, groanin' and sobbin' accompaniments in the
+corner. I looked at the dresser. There was silver-backed brushes and all
+sorts of expensive doodads spread out loose, and Miss Robinson's watch
+and a di'mond ring, and a few other knickknacks. I couldn't imagine a
+thief's leavin' all that truck, and I said so.
+
+“'Them?' sputters Pa, frantic. 'What the brimstone blazes do you think
+I care for them? I could buy that sort of stuff by the car-load, if I
+wanted to. But what's been stole is--Oh, get out and leave me alone!
+You're no good, the lot of you!'
+
+“'Father has had a valuable paper stolen from him,' explains Grace. 'A
+very valuable paper.'
+
+“'Valuable!' howls her dad. 'VALUABLE! Why, if Gordon and his gang get
+that paper, they've got ME, that's all. Their suit's as good as won, and
+I know it. And to think that I've kept it safe up to within a month
+of the trial, and now--Grace Sterzer, you stop pattin' my head. I'm no
+pussy-cat! By the--' And so on, indefinite.
+
+“When he called his daughter Sterzer, instead of Robinson, I cal'lated
+he was loony, sure enough. But Peter T. slapped his leg.
+
+“'Oh!' he says, as if he'd seen a light all to once. 'Ah, NOW I begin
+to get wise. I knew your face was--See here, Mr. Sterzer--Mr. Gabriel
+Sterzer--don't you think we'd better have a real, plain talk on this
+matter? Let's get down to tacks. Was the paper you lost something to do
+with the Sterzer-Gordon lawsuit? The Aluminum Trust case, you know?'
+
+“The old man stopped dancin', stared at him hard, and then set down and
+wiped his forehead.
+
+“'Something to DO with it?' he groans. 'Why, you idiot, it was IT!
+If Gordon's lawyers get that paper--and they've been after it for a
+year--then the fat's all in the fire. There's nothin' left for me to do
+but compromise.'
+
+“When Peter T. mentioned the name of Gabriel Sterzer, me and Jonadab
+begun to see a light, too. 'Course you remember the bust-up of the
+Aluminum Trust--everybody does. The papers was full of it. There'd
+been a row among the two leadin' stockholders, Gabe Sterzer and 'Major'
+Gordon. Them two double-back-action millionaires practically owned the
+trust, and the state 'twas in, and the politics of that state, and all
+the politicians. Each of 'em run three or four banks of their own, and
+a couple of newspapers, and other things, till you couldn't rest. Then
+they had the row, and Gabe had took his playthings and gone home, as
+you might say. Among the playthings was a majority of the stock, and the
+Major had sued for it. The suit, with pictures of the leadin'
+characters and the lawyers and all, had been spread-eagled in the papers
+everywheres. No wonder 'Robinson's' face was familiar.
+
+“But it seemed that Sterzer had held the trump card in the shape of the
+original agreement between him and Gordon. And he hung on to it like
+the Old Scratch to a fiddler. Gordon and his crowd had done everything,
+short of murder, to get it; hired folks to steal it, and so on, because,
+once they DID get it, Gabe hadn't a leg to stand on--he'd have to divide
+equal, which wa'n't his desires, by a good sight. The Sterzer lawyers
+had wanted him to leave it in their charge, but no--he knew too much for
+that. The pig-headed old fool had carted it with him wherever he went,
+and him and his daughter had come to the Old Home House because he
+figgered nobody would think of their bein' in such an out-of-the-way
+place as that. But they HAD thought of it. Anyhow, the paper was gone.
+
+“'But Mr. Robinzer--Sterson, I mean--' cut in Cap'n Jonadab, 'you could
+have 'em took up for stealin', couldn't you? They wouldn't dare--'
+
+“''Course they'd dare! S'pose they don't know I wouldn't have that
+agreement get in the papers? Dare! They'd dare anything. If they get
+away with it, by hook or crook, all I can do is haul in my horns and
+compromise. If they've got that paper, the suit never comes to trial.'
+
+“'Well, they ain't got it yet,' says Peter, decided. 'Whoever stole the
+thing is right here in this boardin'-house, and it's up to us to see
+that they stay here. Barzilla, you take care of the mail. No letters
+must go out to-night. Jonadab, you set up and watch all hands, help and
+all. Nobody must leave this place, if we have to tie em. And I'll keep a
+gen'ral overseein' of the whole thing, till we get a detective. And--if
+you'll stand the waybill, Mr. Sterzer--we'll have the best Pinkerton in
+Boston down here in three hours by special train. By the way, are you
+sure the thing IS lifted? Where was it?'
+
+“Old Gabe kind of colored up, and give in that 'twas under his pillow.
+He always kept it there after the beds was made.
+
+“'Humph!' grunts Brown. 'Why didn't you hang it on the door-knob? Under
+the pillow! If I was a sneak thief, the first place I'd look would be
+under the pillow; after that I'd tackle the jewelry box and the safe.'
+
+“There was consider'ble more talk. Seems the Sterzers had left Henry on
+guard, same as they always done, when they went to supper. They could
+trust him and Suzette absolute, they said. But Henry had gone down
+the hall after a drink of water, and when he had got back everything
+apparently was all right. 'Twa'n't till Gabe himself come up that he
+found the paper gone. I judged he'd made it interestin' for Henry; the
+poor critter looked that way.
+
+“All hands agreed to keep mum for the present and to watch. Peter
+hustled to the office and called up the Pinkertons over the long
+distance.”
+
+Mr. Wingate paused. Captain Sol was impatient.
+
+“Go on,” he said. “Don't stop now, I'm gettin' anxious.”
+
+Barzilla rose to his feet. “Here's your McKay man back again,” he said.
+“Let's go up to your house and have breakfast. We can talk while we're
+eatin'. I'm empty as a poorhouse boarder's pocketbook.”
+
+
+
+
+CHAPTER VI
+
+AVIATION AND AVARICE
+
+
+Breakfast at Capt. Sol Berry's was a bountiful meal. The depot master
+employed a middle-aged woman who came in each day, cooked his meals and
+did the housework, returning to her own home at night. After Mr. Wingate
+had mowed a clean swath through ham and eggs, cornbread and coffee,
+and had reached the cooky and doughnut stage, he condescended to speak
+further concerning the stolen paper.
+
+“Well,” he said, “Brown give me and Jonadab a serious talkin' to when he
+got us alone.”
+
+“'Now, fellers,' he says, 'we know what we've got to do. Nothin'll be
+too good for this shebang and us if we get that agreement back. Fust
+place, the thing was done a few minutes after the supper-bell rung.
+That is, unless that 'Enry is in on the deal, which ain't unlikely,
+considerin' the price he could get from the Gordon gang. Was anybody
+late at the tables?'
+
+“Why, yes; there were quite a few late. Two of the 'gunners,' who'd been
+on a forlorn-hope duck hunt; and a minister and his wife, out walkin'
+for their health; and Parker and two fellers from the football team,
+who'd been practicin'.
+
+“'Any of the waiters or the chambermaids?' asked Peter.
+
+“I'd been expectin' he'd ask that, and I hated to answer.
+
+“'One of the waiters was a little late,' says I. 'Willie wa'n't on hand
+immediate. Said he went to wash his hands.'
+
+“Now the help gen'rally washed in the fo'castle--the servants'
+quarters, I mean--but there was a wash room on the floor where the
+Sterzer-Robinsons roomed. Peter looked at Jonadab, and the two of 'em at
+me. And I had to own up that Willie had come downstairs from that wash
+room a few minutes after the bell rung.
+
+“'Hum!' says Peter T. 'Hum!' he says. 'Look here, Barzilla, didn't you
+tell me you knew that feller's real name, and that he had been studying
+law?'
+
+“'No,' says I, emphatic. 'I said 'twas law he was tryin' to get away
+from. His tastes run large to literation and poetry.'
+
+“'Hum!' says Peter again. 'All papers are more or less literary--even
+trust agreements. Hum!'
+
+“'All the same,' says I, 'I'll bet my Sunday beaver that HE never took
+it.'
+
+“They didn't answer, but looked solemn. Then the three of us went on
+watch.
+
+“Nobody made a move to go out that evenin'. I kept whatever mail was
+handed in, but there was nothin' that looked like any agreements,
+and nothin' addressed to Gordon or his lawyers. At twelve or so, the
+detective come. Peter drove up to the depot to meet the special. He told
+the whole yarn on the way down.
+
+“The detective was a nice enough chap, and we agreed he should be 'Mr.
+Snow,' of New York, gunnin' for health and ducks. He said the watch must
+be kept up all night, and in the mornin' he'd make his fust move. So
+said, so done.
+
+“And afore breakfast that next mornin' we called everybody into the
+dinin' room, boarders, help, stable hands, every last one. And Peter
+made a little speech. He said that a very valuable paper had been taken
+out of Mr. Robinson's room, and 'twas plain that it must be on the
+premises somewhere. 'Course, nobody was suspicioned, but, speakin'
+for himself, he'd feel better if his clothes and his room was searched
+through. How'd the rest feel about it?
+
+“Well, they felt diff'rent ways, but Parker spoke up like a brick, and
+said he wouldn't rest easy till HIS belongin's was pawed over, and then
+the rest fell in line. We went through everybody and every room on the
+place. Found nothin', of course. Snow--the detective--said he didn't
+expect to. But I tell you there was some talkin' goin' on, just the
+same. The minister, he hinted that he had some doubts about them
+dissipated gunners; and the gunners cal'lated they never see a parson
+yet wouldn't bear watchin'. As for me, I felt like a pickpocket, and,
+judgin' from Jonadab's face, he felt the same.
+
+“The detective man swooped around quiet, bobbin' up in unexpected
+places, like a porpoise, and askin' questions once in a while. He asked
+about most everybody, but about Willie, especial. I judged Peter T. had
+dropped a hint to him and to Gabe. Anyhow, the old critter give out
+that he wouldn't trust a poet with the silver handles on his grandmarm's
+coffin. As for Grace, she acted dreadful nervous and worried. Once I
+caught her swabbin' her eyes, as if she'd been cryin'; but I'd never
+seen her and Willie together but the one time I told you of.
+
+“Four days and nights crawled by. No symptoms yet. The Pinkertons was
+watchin' the Gordon lawyers' office in New York, and they reported
+that nothin' like that agreement had reached there. And our own
+man--Snow--said he'd go bail it hadn't been smuggled off the premises
+sense HE struck port. So 'twas safe so far; but where was it, and who
+had it?
+
+“The final football game, the one with Wapatomac, was to be played over
+on their grounds on the afternoon of the fifth day. Parker, cap'n of the
+eleven, give out that, considerin' everything, he didn't know but we'd
+better call it off. Old Robinson--Sterzer, of course--wouldn't hear of
+it.
+
+“'Not much,' says he. 'I wouldn't chance your losin' that game for forty
+papers. You sail in and lick 'em!' or words to that effect.
+
+“So the eleven was to cruise across the bay in the Greased Lightnin',
+Peter's little motor launch, and the rooters was to go by train later
+on. 'Twas Parker's idee, goin' in the launch. 'Twould be more quiet,
+less strain on the nerves of his men, and they could talk over plays and
+signals on the v'yage.
+
+“So at nine o'clock in the forenoon they was ready, the whole
+team--three waiters, two fishermen, one carpenter from up to Wellmouth
+Center, a stable hand, and Parker and three reg'lar boarders. These last
+three was friends of Parker's that he'd had come down some time afore.
+He knew they could play football, he said, and they'd come to oblige
+him.
+
+“The eleven gathered on the front porch, all in togs and sweaters,
+principally provided and paid for by Sterzer. Cap'n Parker had the ball
+under his arm, and the launch was waitin' ready at the landin'. All the
+boarders--except Grace, who was upstairs in her room--and most of the
+help was standin' round to say good luck and good-by.
+
+“Snow, the detective, was there, and I whispered in his ear.
+
+“'Say,' I says, 'do you realize that for the fust time since the robbery
+here's a lot of folks leavin' the house? How do you know but what--'
+
+“He winked and nodded brisk. 'I'll attend to that,' he says.
+
+“But he didn't have to. Parker spoke fust, and took the wind out of his
+sails.
+
+“'Gentlemen,' says he, 'I don't know how the rest of you feel, but, as
+for me, I don't start without clear skirts. I suggest that Mr. Brown and
+Mr. Wingate here search each one of us, thoroughly. Who knows,' says he,
+laughin', 'but what I've got that precious stolen paper tucked inside my
+sweater? Ha! ha! Come on, fellers! I'll be first.'
+
+“He tossed the ball into a chair and marched into the office, the
+rest of the players after him, takin' it as a big joke. And there the
+searchin' was done, and done thorough, 'cause Peter asked Mr. Snow to
+help, and he knew how. One thing was sure; Pa Gabe's agreement wa'n't
+hid about the persons of that football team. Everybody laughed--that is,
+all but the old man and the detective. Seemed to me that Snow was kind
+of disappointed, and I couldn't see why. 'Twa'n't likely any of THEM was
+thieves.
+
+“Cap'n Parker picked up his football and started off for the launch.
+He'd got about ha'fway to the shore when Willie--who'd been stand-in'
+with the rest of the help, lookin' on--stepped for'ard pretty brisk and
+whispered in the ear of the Pinkerton man. The detective jumped, sort
+of, and looked surprised and mighty interested.
+
+“'By George!' says he. 'I never thought of that.' Then he run to the
+edge of the piazza and called.
+
+“'Mr. Parker!' he sings out. 'Oh, Mr. Parker!'
+
+“Parker was at the top of the little rise that slopes away down to the
+landin'. The rest of the eleven was scattered from the shore to the
+hotel steps. He turns, without stoppin', and answers.
+
+“'What is it?' he sings out, kind of impatient.
+
+“'There's just one thing we forgot to look at,' shouts Snow. 'Merely a
+matter of form, but just bring that--Hey! Stop him! Stop him!'
+
+“For Parker, instead of comin' back, had turned and was leggin' it for
+the launch as fast as he could, and that was some.
+
+“'Stop!' roars the Pinkerton man, jumpin' down the steps. 'Stop, or--'
+
+“'Hold him, Jim!' screeched Parker, over his shoulder. One of the
+biggest men on the eleven--one of the three 'friends' who'd been so
+obligin' as to come down on purpose to play football--made a dive,
+caught the detective around the waist, and threw him flat.
+
+“'Go on, Ed!' he shouts. 'I've got him, all right.'
+
+“Ed--meanin' Parker--was goin' on, and goin' fast. All hands seemed
+to be frozen stiff, me and Jonadab and Peter T. included. As for me, I
+couldn't make head nor tail of the doin's; things was comin' too quick
+for MY understandin'.
+
+“But there was one on that piazza who wa'n't froze. Fur from it! Willie,
+the poet waiter, made a jump, swung his long legs over the porch-rail,
+hit the ground, and took after that Parker man like a cat after a field
+mouse.
+
+“Run! I never see such runnin'! He fairly flashed across that lawn and
+over the rise. Parker was almost to the landin'; two more jumps and he'd
+been aboard the launch. If he'd once got aboard, a turn of the switch
+and that electric craft would have had him out of danger in a shake. But
+them two jumps was two too many. Willie riz off the ground like a flyin'
+machine, turned his feet up and his head down, and lapped his arms
+around Parker's knees. Down the pair of 'em went 'Ker-wallop!' and the
+football flew out of Parker's arms.
+
+“In an eyewink that poet was up, grabs the ball, and comes tearin' back
+toward us.
+
+“'Stop him!' shrieks Parker from astern.
+
+“'Head him off! Tackle him!' bellers the big chap who was hangin' onto
+the detective.
+
+“They tell me that discipline and obeyin' orders is as much in football
+as 'tis aboard ship. If that's so, every one of the Old Home House
+eleven was onto their jobs. There was five men between Willie and the
+hotel, and they all bore down on him like bats on a June bug.
+
+“'Get him!' howls Parker, racin' to help.
+
+“'Down him!' chimes in big Jim, his knee in poor Snow's back.
+
+“'Run, Bearse! Run!' whoops the Pinkerton man, liftin' his mouth out of
+the sand.
+
+“He run--don't you worry about that! Likewise he dodged. One chap
+swooped at him, and he ducked under his arms. Another made a dive, and
+he jumped over him. The third one he pushed one side with his hand.
+'Pushed!' did I say? 'Knocked' would be better, for the feller--the
+carpenter 'twas--went over and over like a barrel rollin' down hill. But
+there was two more left, and one of 'em was bound to have him.
+
+“Then a window upstairs banged open.
+
+“'Oh, Mr. Bearse!' screamed a voice--Grace Sterzer's voice. 'Don't let
+them get you!'
+
+“We all heard her, in spite of the shoutin' and racket. Willie heard
+her, too. The two fellers, one at each side, was almost on him, when
+he stopped, looked up, jumped back, and, as cool as a rain barrel in
+January, he dropped that ball and kicked it.
+
+“I can see that picture now, like a tableau at a church sociable. The
+fellers that was runnin', the others on the ground, and that literary
+pie passer with his foot swung up to his chin.
+
+“And the ball! It sailed up and up in a long curve, began to drop,
+passed over the piazza roof, and out of sight.
+
+“'Lock your door, Miss Sterzer,' sung out Fred Bearse--'Willie' for
+short. 'Lock your door and keep that ball. I think your father's paper
+is inside it.'
+
+“As sure as my name is Barzilla Wingate, he had kicked that football
+straight through the open window into old Gabe's room.”
+
+The depot master whooped and slapped his knee. Mr. Wingate grinned
+delightedly and continued:
+
+“There!” he went on, “the cat's out of the bag, and there ain't much
+more to tell. Everybody made a bolt for the room, old Gabe and Peter
+T. in the lead. Grace let her dad in, and the ball was ripped open in a
+hurry. Sure enough! Inside, between the leather and the rubber, was
+the missin' agreement. Among the jubilations and praise services nobody
+thought of much else until Snow, the Pinkerton man, come upstairs, his
+clothes tore and his eyes and nose full of sand.
+
+“'Humph!' says he. 'You've got it, hey? Good! Well, you haven't got
+friend Parker. Look!'
+
+“Such of us as could looked out of the window. There was the launch,
+with Parker and his three 'friends' in it, headin' two-forty for blue
+water.
+
+“'Let 'em go,' says old Gabe, contented. 'I wouldn't arrest 'em if I
+could. This is no police-station job.'
+
+“It come out afterwards that Parker was a young chap just from law
+school, who had gone to work for the firm of shysters who was attendin'
+to the Gordon interests. They had tracked Sterzer to the Old Home House,
+and had put their new hand on the job of gettin' that agreement. Fust
+he'd tried to shine up to Grace, but the shine--her part of it--had wore
+off. Then he decided to steal it; and he done it, just how nobody knows.
+Snow, the detective, says he cal'lates Henry, the servant, is wiser'n
+most folks thinks, fur's that's concerned.
+
+“Snow had found out about Parker inside of two days. Soon's he got the
+report as to who he was, he was morally sartin that he was the thief.
+He'd looked up Willie's record, too, and that was clear. In fact, Willie
+helped him consider'ble. 'Twas him that recognized Parker, havin' seen
+him play on a law-school team. Also 'twas Willie who thought of the
+paper bein' in the football.
+
+“Land of love! What a hero they made of that waiter!
+
+“'By the livin' Moses!' bubbles old Gabe, shakin' both the boy's hands.
+'That was the finest run and tackle and the finest kick I ever saw
+anywhere. I've seen every big game for ten years, and I never saw
+anything half so good.'
+
+“The Pinkerton man laughed. 'There's only one chap on earth who can kick
+like that. Here he is,' layin' his hand on 'Willie's' shoulder. Bearse,
+the All-American half-back last year.'
+
+“Gabe's mouth fell open. 'Not “Bung” Bearse, of Yarvard!' he sings out.
+'Why! WHY!'
+
+“'Of course, father!' purrs his daughter, smilin' and happy. 'I knew
+him at once. He and I were--er--slightly acquainted when I was at
+Highcliffe.'
+
+“'But--but “Bung” Bearse!' gasps the old gent. 'Why, you rascal! I saw
+you kick the goal that beat Haleton. Your reputation is worldwide.'
+
+“Willie--Fred Bearse, that is--shook his head, sad and regretful.
+
+“'Thank you, Mr. Sterzer,' says he, in his gentle tenor. 'I have no
+desire to be famous in athletics. My aspirations now are entirely
+literary.'
+
+“Well, he's got his literary job at last, bein' engaged as sportin'
+editor on one of Gabe's papers. His dad, old Sol Bearse, seems to be
+pretty well satisfied, partic'lar as another engagement between the
+Bearse family and the Sterzers has just been given out.”
+
+Barzilla helped himself to another doughnut. His host leaned back in his
+chair and laughed uproariously.
+
+“Well, by the great and mighty!” he exclaimed, “that Willie chap
+certainly did fool you, didn't he. You can't always tell about these
+college critters. Sometimes they break out unexpected, like chickenpox
+in the 'Old Men's Home.' Ha! ha! Say, do you know Nate Scudder?”
+
+“Know him? Course I know him! The meanest man on the Cape, and livin'
+right in my own town, too! Well, if I didn't know him I might trust him,
+and that would be the beginnin' of the end--for me.”
+
+“It sartin would. But what made me think of him was what he told
+me about his nephew, who was a college chap, consider'ble like your
+'Willie,' I jedge. Nate and this nephew, Augustus Tolliver, was mixed up
+in that flyin'-machine business, you remember.”
+
+“I know they was. Mixed up with that Professor Dixland the papers are
+makin' such a fuss over. Wellmouth's been crazy over it all, but it
+happened a year ago and nobody that I know of has got the straight
+inside facts about it yet. Nate won't talk at all. Whenever you ask him
+he busts out swearin' and walks off. His wife's got such a temper that
+nobody dared ask her, except the minister. He tried it, and ain't been
+the same man since.”
+
+“Well,” the depot master smilingly scratched his chin, “I cal'late I've
+got those inside facts.”
+
+“You HAVE?”
+
+“Yes. Nate gave 'em to me, under protest. You see, I know Nate pretty
+well. I know some things about him that . . . but never mind that part.
+I asked him and, at last, he told me. I'll have to tell you in his
+words, 'cause half the fun was the way he told it and the way he looked
+at the whole business. So you can imagine I'm Nate, and--”
+
+“'Twill be a big strain on my imagination to b'lieve you're Nate
+Scudder, Sol Berry.”
+
+“Thanks. However, you'll have to do it for a spell. Well, Nate said that
+it really begun when the Professor and Olivia landed at the Wellmouth
+depot with the freight car full of junk. Of course, the actual
+beginnin' was further back than that, when that Harmon man come on from
+Philadelphy and hunted him up, makin' proclamation that a friend of
+his, a Mr. Van Brunt of New York, had said that Scudder had a nice quiet
+island to let and maybe he could hire it.
+
+“Course Nate had an island--that little sun-dried sandbank a mile or
+so off shore, abreast his house, which we used to call 'Horsefoot Bar.'
+That crazy Van Brunt and his chum, Hartley, who lived there along
+with Sol Pratt a year or so ago, re-christened it 'Ozone Island,' you
+remember. Nate was willin' to let it. He'd let Tophet, if he owned it,
+and a fool come along who wanted to hire it and could pay for the rent
+and heat.
+
+“So Nate and this Harmon feller rowed over to the Bar--to Ozone Island,
+I mean--and the desolation and loneliness of it seemed to suit him to
+perfection. So did the old house and big barn and all the tumbledown
+buildin's stuck there in the beach-grass and sand. Afore they'd left
+they made a dicker. He wa'n't the principal in it. He was the private
+secretary and fust mate of Mr. Professor Ansel Hobart Dixland, the
+scientist--perhaps Scudder'd heard of him?
+
+“Perhaps he had, but if so, Nate forgot it, though he didn't tell him
+that. Harmon ordered a fifteen-foot-high board fence built all around
+the house and barn, and made Nate swear not to tell a soul who was
+comin' nor anything. Dixland might want the island two months, he said,
+or he might want it two years. Nate didn't care. He was in for good
+pickin's, and begun to pick by slicin' a liberal commission off that
+fencebuildin' job. There was a whole passel of letters back and forth
+between Nate and Harmon, and finally Nate got word to meet the victims
+at the depot.
+
+“There was the professor himself, an old dried-up relic with whiskers
+and a temper; and there was Miss Olivia Dixland, his niece and
+housekeeper, a slim, plain lookin' girl, who wore eyeglasses and a
+straight up and down dress. And there was a freight car full of crates
+and boxes and land knows what all. But nary sign was there of a private
+secretary and assistant. The professor told Nate that Mr. Harmon's
+health had suddenly broke down and he'd had to be sent South.
+
+“'It's a calamity,' says he; 'a real calamity! Harmon has been with
+me in my work from the beginnin'; and now, just as it is approachin'
+completion, he is taken away. They say he may die. It is very annoyin'.'
+
+“'Humph!' says Nate. 'Well, maybe it annoys HIM some, too; you can't
+tell. What you goin' to do for a secretary?'
+
+“'I understand,' says the professor, 'that there is a person of
+consider'ble scientific attainment residin' with you, Mr. Scudder, at
+present. Harmon met him while he was here; they were in the same class
+at college. Harmon recommended him highly. Olivia,' he says to the
+niece, 'what was the name of the young man whom Harmon recommended?'
+
+“'Tolliver, Uncle Ansel,' answers the girl, lookin' kind of disdainful
+at Nate. Somehow he had the notion that she didn't take to him fust
+rate.
+
+“'Hey?' sings out Nate. 'Tolliver? Why, that's Augustus! AUGUSTUS! well,
+I'll be switched!'
+
+“Augustus Tolliver was Nate's nephew from up Boston way. Him and Nate
+was livin' together at that time. Huldy Ann, Mrs. Scudder, was out West,
+in Omaha, takin' care of a cousin of hers who was a chronic invalid and,
+what's more to the purpose, owned a lot of stock in copper mines.
+
+“Augustus was a freckle-faced, spindle-shanked little critter, with
+spectacles and a soft, polite way of speakin' that made you want to
+build a fire under him to see if he could swear like a Christian. He
+had a big head with consider'ble hair on the top of it and nothin'
+underneath but what he called 'science' and 'sociology.' His science
+wa'n't nothin' but tommy-rot to Nate, and the 'sociology' was some kind
+of drivel about everybody bein' equal to everybody else, or better.
+'Seemed to think 'twas wrong to get a good price for a thing when you
+found a feller soft enough to pay it. Did you ever hear the beat of that
+in your life?' says Nate.
+
+“However, Augustus had soaked so much science and sociology into that
+weak noddle of his that they kind of made him drunk, as you might say,
+and the doctor had sent him down to board with the Scudders and sleep it
+off. 'Nervous prostration' was the way he had his symptoms labeled, and
+the nerve part was all right, for if a hen flew at him he'd holler and
+run. Scart! you never see such a scart cat in your born days. Scart of a
+boat, scart of being seasick, scart of a gun, scart of everything! Most
+special he was scart of Uncle Nate. The said uncle kept him that way
+so's he wouldn't dast to kick at the grub him and Huldy Ann give him, I
+guess.
+
+“'Augustus Tolliver,' says old Dixland, noddin'. 'Yes, that is the name.
+Has he had a sound scientific trainin'?'
+
+“'Scientific trainin'!' says Nate. 'Scientific trainin'? Why, you bet
+he's had it! That's the only kind of trainin' he HAS had. He'll be just
+the feller for you, Mr. Dixland.'
+
+“So that was settled, all but notifyin' Augustus. But Scudder sighted
+another speculation in the offin', and hove alongside of it.
+
+“'Mr. Harmon, when he was here,' says he, 'he mentioned you needin'
+a nice, dependable man to live on the island and be sort of general
+roustabout. My wife bein' away just now, and all, it struck me that I
+might as well be that man. Maybe my terms'll seem a little high, at fust
+mention, but--'
+
+“'Very good,' says the professor, 'very good. I'm sure you'll be
+satisfactory. Now please see to the unloading of that car. And be
+careful, VERY careful.'
+
+“Nate broke the news to Augustus that afternoon. He had his nose stuck
+in a book, as usual, and never heard, so Nate yelled at him like a mate
+on a tramp steamer, just to keep in trainin'.
+
+“'Who? Who? Who? What? What?' squeals Augustus, jumpin' out of the
+chair as if there was pins in it. 'What is it? Who did it? Oh, my poor
+nerves!'
+
+“'Drat your poor nerves!' Nate says. 'I've got a good promisin' job for
+you. Listen to this.'
+
+“Then he told about the professor's wantin' Gus to be assistant and help
+do what the old man called 'experiments.'
+
+“'Dixland?' says Gus, 'Ansel Hobart Dixland, the great scientist! And
+I'm to be HIS assistant? Assistant to the man who discovered DIXIUM and
+invented--'
+
+“'Oh, belay there!' snorts Nate, impatient. Tell me this--he's awful
+rich, ain't he?'
+
+“'Why, I believe--yes, Harmon said he was. But to think of MY bein'--'
+
+“'Now, nephew,' Nate cut in, 'let me talk to you a minute. Me and your
+Aunt Huldy Ann have been mighty kind to you sence you've been here, and
+here's your chance to do us a good turn. You stick close to science and
+the professor and let me attend to the finances. If this family ain't
+well off pretty soon it won't be your Uncle Nate's fault. Only don't you
+put your oar in where 'tain't needed.'
+
+“Lord love you, Gus didn't care about finances. He was so full of joy at
+bein' made assistant to the great Ansel Whiskers Dixland that he forgot
+everything else, nerves and all.
+
+“So in another day the four of 'em was landed on Ozone Island and so was
+the freight-car load of crates and boxes. Grub and necessaries was to be
+provided by Scudder--for salary as stated and commission understood.
+
+“It took Nate less than a week to find out what old Dixland was up to.
+When he learned it, he set down in the sand and fairly snorted disgust.
+The old idiot was cal'latin' to FLY. Seems that for years he'd been
+experimentin' with what he called 'aeroplanes,' and now he'd reached the
+stage where he b'lieved he could flap his wings and soar. 'Thinks I,'
+says Nate, 'your life work's cut out for you, Nate Scudder. You'll spend
+the rest of your days as gen'ral provider for the Ozone private asylum.'
+Well, Scudder wa'n't complainin' none at the outlook. He couldn't make a
+good livin' no easier.
+
+“The aeroplane was in sections in them boxes and crates. Nate and
+Augustus and the professor got out the sections and fitted 'em together.
+The buildin's on Ozone was all joined together--first the house, then
+the ell, then the wash-rooms and big sheds, and, finally, the barn.
+There was doors connectin', and you could go from house to barn, both
+downstairs and up, without steppin' outside once.
+
+“'Twas in the barn that they built what Whiskers called the 'flyin'
+stage.' 'Twas a long chute arrangement on trestles, and the idea was
+that the aeroplane was to get her start by slidin' down the chute, out
+through the big doors and off by the atmosphere route to glory. I say
+that was the IDEA. In practice she worked different.
+
+“Twice the professor made proclamations that everything was ready, and
+twice they started that flyin' machine goin'. The fust time Dixland
+was at the helm, and him and the aeroplane dropped headfust into the
+sandbank just outside the barn. The machine was underneath, and the
+pieces of it acted as a fender, so all the professor fractured was his
+temper. But it took ten days to get the contraption ready for the next
+fizzle. Then poor, shaky, scart Augustus was pilot, and he went so deep
+into the bank that Nate says he wondered whether 'twas wuth while doin'
+anything but orderin' the gravestone. But they dug him out at last,
+whole, but frightened blue, and his nerves was worse than ever after
+that.
+
+“Then old Dixland announces that he has discovered somethin' wrong in
+the principle of the thing, and they had to wait while he ordered some
+new fittin's from Boston.
+
+“Meanwhile there was other complications settin' in. Scudder was kept
+busy providin' grub and such like and helpin' the niece, Olivia,
+with the housework. Likewise he had his hands full keepin' the
+folks alongshore from findin' out what was goin' on. All this flyin'
+foolishness had to be a dead secret.
+
+“But, busy as he was, he found time to notice the thick acquaintance
+that was developin' between Augustus and Olivia. Them two was what the
+minister calls 'kindred sperrits.' Seems she was sufferin' from science
+same as he was and, more'n that, she was loaded to the gunwale with
+'social reform.' To hear the pair of 'em go on about helpin' the poor
+and 'settlement work' and such was enough, accordin' to Nate, to make
+you leave the table. But there! He couldn't complain. Olivia was her
+uncle's only heir, and Nate could see a rainbow of promise ahead for the
+Scudder family.
+
+“The niece was a nice, quiet girl. The only thing Nate had against her,
+outside of the sociology craziness and her not seemin' to take a shine
+to him, was her confounded pets. Nate said he never had no use for
+pets--lazy critters, eatin' up the victuals and costin' money--but
+Olivia was dead gone on 'em. She adopted an old reprobate of a tom-cat,
+which she labeled 'Galileo,' after an Eyetalian who invented spyglasses
+or somethin' similar, and a great big ugly dog that answered to the hail
+of 'Phillips Brooks'; she named him that because she said the original
+Phillips was a distinguished parson and a great philanthropist.
+
+“That dog was a healthy philanthropist. When Nate kicked him the first
+time, he chased him the whole length of the barn. After that they had to
+keep him chained up. He was just pinin' for a chance to swaller Scudder
+whole, and he showed it.
+
+“Well, as time went on, Olivia and Augustus got chummier and chummier.
+Nate give 'em all the chance possible to be together, and as for old
+Professor Whiskers, all he thought of, anyway, was his blessed flyin'
+machine. So things was shapin' themselves well, 'cordin' to Scudder's
+notion.
+
+“One afternoon Nate come, unexpected, to the top of a sand hill at
+t'other end of the island, and there, below, set Olivia and Augustus.
+He had a clove hitch 'round her waist, and they was lookin' into each
+other's spectacles as if they was windows in the pearly gates. Thinks
+Nate: 'They've signed articles,' and he tiptoed away, feelin' that life
+wa'n't altogether an empty dream.
+
+“They was lively hours, them that followed. To begin with, when Nate got
+back to the barn he found the professor layin' on the floor, under the
+flyin' stage, groanin' soulful but dismal. He'd slipped off one of the
+braces of the trestles and sprained both wrists and bruised himself till
+he wa'n't much more than one big lump. He hadn't bruised his tongue
+none to speak of, though, and his language wa'n't sprained so that you'd
+notice it. What broke him up most of all was that he'd got his aeroplane
+ready to 'fly' again, and now he was knocked out so's he couldn't be
+aboard when she went off the ways.
+
+“'It is the irony of fate,' says he.
+
+“'I got it off the blacksmith over to Wellmouth Centre,' Nate told him;
+'but HE might have got it from Fate, or whoever you mean. 'Twas slippery
+iron, I know that, and I warned you against steppin' on it yesterday.'
+
+“The professor more'n hinted that Nate was a dunderhead idiot, and then
+he commenced to holler for Tolliver; he wanted to see Tolliver right
+off. Scudder thought he'd ought to see a doctor, but he wouldn't, so
+Nate plastered him up best he could, got him into the big chair in the
+front room, and went huntin' Augustus. Him and Olivia was still
+camped in the sand bank. Gus's right arm had got tired by this time, I
+cal'late, but he had a new hitch with his left. Likewise they was still
+starin' into each other's specs.
+
+“'Excuse me for interruptin' the mesmerism,' says Nate, 'but the
+professor wants to see you.'
+
+“They jumped and broke away. But it took more'n that to bring 'em down
+out of the clouds. They'd been flyin' a good sight higher than the old
+aeroplane had yet.
+
+“'Uncle Nathan,' says Augustus, gettin' up and shakin' hands, 'I have
+the most wonderful news for you. It's hardly believable. You'll never
+guess it.'
+
+“'Give me three guesses and I'll win on the fust,' says Nate. 'You two
+are engaged.'
+
+“They looked at him as if he'd done somethin' wonderful. 'But, Uncle,'
+says Gus, shakin' hands again, 'just think! she's actually consented to
+marry me.'
+
+“'Well, that's gen'rally understood to be a part of engagin', ain't
+it?' says Nate. 'I'm glad to hear it. Miss Dixland, I congratulate you.
+You've got a fine, promisin' young man.'
+
+“That, to Nate's notion, was about the biggest lie he ever told, but
+Olivia swallered it for gospel. She seemed to thaw toward Scudder a
+little mite, but 'twa'n't at a permanent melt, by no means.
+
+“'Thank you, Mr. Scudder,' says she, still pretty frosty. 'I am full
+aware of Mr. Tolliver's merits. I'm glad to learn that YOU recognize
+them. He has told some things concernin' his stay at your home which--'
+
+“'Yes, yes,' says Nate, kind of hurried. 'Well, I'm sorry to dump bad
+news into a puddle of happiness like this, but your Uncle Ansel, Miss
+Dixland, has been tryin' to fly without his machine, and he's sorry for
+it.'
+
+“Then he told what had happened to the professor, and Olivia started on
+the run for the house. Augustus was goin', too, but Nate held him back.
+
+“'Wait a minute, Gus,' says he. 'Walk along with me; I want to talk with
+you. Now, as an older man, your nighest relation, and one that's come to
+love you like a son--yes, sir, like a son--I think it's my duty just now
+to say a word of advice. You're goin' to marry a nice girl that's comin'
+in for a lot of money one of these days. The professor, he's kind of
+old, his roof leaks consider'ble, and this trouble is likely to hurry
+the end along.
+
+“'Now, then,' Nate goes on, 'Augustus, my boy, what are you and that
+simple, childlike girl goin' to do with all that money? How are you
+goin' to take care of it? You and 'Livia--you mustn't mind my callin'
+her that 'cause she's goin' to be one of the family so soon--you'll
+want to be fussin' with science and such, and you won't have no time
+to attend to the finances. You'll need a good, safe person to be your
+financial manager. Well, you know me and you know your Aunt Huldy Ann.
+WE know all about financin'; WE'VE had experience. You just let us
+handle the bonds and coupons and them trifles. We'll invest 'em for you.
+We'll be yours and 'Livia's financial managers. As for our wages, maybe
+they'll seem a little high, but that's easy arranged. And--'
+
+“Gus interrupted then. 'Oh, that's all settled,' he says. 'Olivia and I
+have planned all that. When we're married we shall devote our lives to
+social work--to settlement work. All the money we ever get we shall use
+to help the poor. WE don't want any of it. We shall live AMONG the poor,
+live just as frugally as they do. Our money we shall give--every cent of
+it--to charity and--'
+
+“'Lord sakes!' yells Nate, 'DON'T talk that way! Don't! Be you crazy,
+too? Why--'
+
+“But Gus went on, talkin' a steady streak about livin' in a little
+tenement in what he called the 'slums' and chuckin' the money to this
+tramp and that, till Nate's head was whirlin'. 'Twa'n't no joke. He
+meant it and so did she, and they was just the pair of loons to do it,
+too.
+
+“Afore Nate had a chance to think up anything sensible to say, Olivia
+comes hollerin' for Gus to hurry. Off he went, and Nate followed
+along, holdin' his head and staggerin' like a voter comin' home from a
+political candidate's picnic. All he could think of was: 'THIS the end
+of all my plannin'! What--WHAT'LL Huldy Ann say to THIS?'
+
+“Nate found the professor bolstered up in his chair, with the other
+two standin' alongside. He was layin' down the law about that blessed
+aeroplane.
+
+“'No! no! NO! I tell you!' he roars, 'I'll see no doctor. My invention
+is ready at last, and, if I'm goin' to die, I'll die successful.
+Tolliver, you've been a faithful worker with me, and yours shall be the
+privilege of makin' the first flight. Wheel me to the window, Olivia,
+and let me see my triumph.'
+
+“But Olivia didn't move. Instead, she looked at Augustus and he at her.
+'Wheel me to the window!' yells Dixland. 'Tolliver, what are you waitin'
+for? The doors are open, the aeroplane is ready. Go this instant and
+fly.'
+
+“Augustus was a bird all right, 'cordin' to Nate's opinion, but he
+didn't seem anxious to spread his wings. He was white, and them nerves
+of his was all in a twitter. If ever there was a scart critter, 'twas
+him then.
+
+“'Go out and fly,' says Nate to him, pretty average ugly. 'Don't you
+hear the boss's order? Here, professor, I'll push you to the window.'
+
+“'Thank you, Scudder,' says Dixland. And then turnin' to Gus: 'Well,
+sir, may I ask why you wait?'
+
+“'Twas Olivia that answered. 'Uncle Ansel,' says she, 'I must tell you
+somethin'. I should have preferred tellin' you privately,' she puts in,
+glarin' at Nate, 'but it seems I can't. Mr. Tolliver and I are engaged
+to be married.'
+
+“Old Whiskers didn't seem to care a continental. All he had in his
+addled head was that flyin' contraption.
+
+“'All right, all right,' he snaps, fretty, 'I'm satisfied. He appears to
+be a decent young man enough. But now I want him to start my aeroplane.'
+
+“'No, Uncle Ansel,' goes on Olivia, 'I cannot permit him to risk his
+life in that way. His nerves are not strong and neither is his heart.
+Besides, the aeroplane has failed twice. Luckily no one was killed in
+the other trials, but the chances are that the third time may prove
+fatal.'
+
+“'Fatal, you imbecile!' shrieks the professor. 'It's perfected, I tell
+you! I--'
+
+“'It makes no difference. No, uncle, Augustus and I have made up our
+minds. His life and health are too precious; he must be spared for the
+grand work that we are to do together. No, Uncle Ansel, he shall NOT
+fly.'
+
+“Did you ever see a cat in a fit? That was the professor just then, so
+Nate said. He tried to wave his sprained wrists and couldn't; tried to
+stamp his foot and found it too lame. But his eyeglasses flashed sparks
+and his tongue spit fire.
+
+“'Are you goin' to start that machine?' he screams at the blue-white,
+shaky Augustus.
+
+“'No, Professor Dixland,' stammers Gus. 'No, sir, I'm sorry, but--'
+
+“'Why don't you ask Mr. Scudder to make the experiment, uncle?' suggests
+that confounded niece, smilin' the spitefullest smile.
+
+“'Scudder,' says the professor, 'I'll give you five thousand dollars
+cash to start in that aeroplane this moment.'
+
+“For a jiffy Nate was staggered. Five thousand dollars CASH--whew! But
+then he thought of how deep Gus had been shoved into that sandbank.
+And there was a new and more powerful motor aboard the thing now. Five
+thousand dollars ain't much good to a telescoped corpse. He fetched a
+long breath.
+
+“'Well, now, Mr. Dixland,' he says, 'I'd like to, fust rate, but you see
+I don't know nothin' about mechanics.'
+
+“'Professor--' begins Augustus. 'Twas the final straw. Old Whiskers
+jumped out of the chair, lameness and all.
+
+“'Out of this house, you ingrate!' he bellers. 'Out this instant! I
+discharge you. Go! go!'
+
+“He was actually frothin' at the mouth. I cal'late Olivia thought he was
+goin' to die, for she run to him.
+
+“'You'd better go, I think,' says she to her shakin' beau. 'Go, dear,
+now. I must stay with him for the present, but we will see each other
+soon. Go now, and trust me.'
+
+“'I disown you, you ungrateful girl,' foams her uncle. 'Scudder, I order
+you to put that--that creature off this island.'
+
+“'Yes, sir,' says Nate, polite; 'in about two shakes of a heifer's
+tail.'
+
+“He started for Augustus, and Gus started for the door. I guess Olivia
+might have interfered, but just then the professor keels over in a kind
+of faint and she had to tend to him. Gus darts out of the door with Nate
+after him. Scudder reached the beach just as his nephew was shovin' off
+in the boat, bound for the mainland.
+
+“'Consarn your empty head!' Nate yelled after him. 'See what you get by
+not mindin' me, don't you? I'm runnin' things on this island after this.
+I'm boss here; understand? When you're ready to sign a paper deedin'
+over ha'f that money your wife's goin' to get to me and Huldy Ann, maybe
+I'll let you come back. And perhaps then I'll square things for you with
+Dixland. But if you dare to set foot on these premises until then I'll
+murder you; I'll drown you; I'll cut you up for bait; I'll feed you to
+the dog.'
+
+“He sculled off, his oars rattlin' 'Hark from the tomb' in the rowlocks.
+He b'lieved Nate meant it all. Oh, Scudder had HIM trained all right.”
+
+
+
+
+CHAPTER VII
+
+CAPTAIN SOL DECIDES TO MOVE
+
+
+“Trust Nate for that,” interrupted Wingate. “He's just as much a born
+bully as he is a cheat and a skinflint.”
+
+“Yup,” went on Captain Sol. “Well, when Nate got back to the house the
+professor was alone in the chair, lookin' sick and weak. Olivia was up
+in her room havin' a cryin' fit. Nate got the old man to bed, made him
+some clam soup and hot tea, and fetched and carried for him like he was
+a baby. The professor's talk was mainly about the ungrateful desertion,
+as he called it, of his assistant.
+
+“'Keep him away from this island,' he says. 'If he comes, I shall commit
+murder; I know it.'
+
+“Scudder promised that Augustus shouldn't come back. The professor
+wanted guard kept night and day. Nate said he didn't know's he could
+afford so much time, and Dixland doubled his wages on the spot. So Nate
+agreed to stand double watches, made him comfort'ble for the night, and
+left him.
+
+“Olivia didn't come downstairs again. She didn't seem to want any
+supper, but Nate did and had it, a good one. Galileo, the cat, came
+yowlin' around, and Nate kicked him under the sofy. Phillips Brooks
+was howlin' starvation in the woodshed, and Scudder let him howl. If
+he starved to death Nate wouldn't put no flowers on his grave. Take it
+altogether, he was havin' a fairly good time.
+
+“And when, later on, he set alone up in his room over the kitchen, he
+begun to have a better one. Prospects looked good. Maybe old Dixland
+WOULD disown his niece. If he did, Nate figgered he was as healthy a
+candidate for adoption as anybody. And Augustus would have to come to
+terms or stay single. That is, unless him and Olivia got married on
+nothin' a week, paid yearly. Nate guessed Huldy Ann would think he'd
+managed pretty well.
+
+“He set there for a long while, thinkin', and then he says he cal'lates
+he must have dozed off. At any rate, next thing he knew he was settin'
+up straight in his chair, listenin'. It seemed to him that he'd heard a
+sound in the kitchen underneath.
+
+“He looked out of the window, and right away he noticed somethin'. 'Twas
+a beautiful, clear moonlight night, and the high board fence around the
+buildin's showed black against the white sand. And in that white
+strip was a ten-foot white gape. Nate had shut that gate afore he went
+upstairs. Who'd opened it? Then he heard the noise in the kitchen again.
+Somebody was talkin' down there.
+
+“Nate got up and tiptoed acrost the room. He was in his stockin' feet,
+so he didn't make a sound. He reached into the corner and took out his
+old duck gun. It was loaded, both barrels. Nate cocked the gun and crept
+down the back stairs.
+
+“There was a lamp burnin' low on the kitchen table, and there, in a
+couple of chairs hauled as close together as they could be, set
+that Olivia niece and Augustus. They was in a clove hitch again and
+whisperin' soft and slushy.
+
+“My! but Scudder was b'ilin'! He give one jump and landed in the middle
+of that kitchen floor.
+
+“'You--you--you!' he yelled, wavin' the shotgun. 'You're back here, are
+you? You know what I told you I'd do to you? Well, now, I'll do it.'
+
+“The pair of 'em had jumped about as far as Nate had, only the opposite
+way. Augustus was a paralyzed statue, but Olivia had her senses with
+her.
+
+“'Run, Augustus!' she screamed. 'He'll shoot you. Run!'
+
+“And then, with a screech like a siren whistle, Augustus commenced to
+run. Nate was between him and the outside door, so he bolted headfirst
+into the dining room. And after him went Nate Scudder, so crazy mad he
+didn't know what he was doin'.
+
+“'Twas pitch dark in the dining room, but through it they went rattlety
+bang! dishes smashin', chairs upsettin' and 'hurrah, boys!' to pay
+gen'rally. Then through the best parlor and into the front hall.
+
+“I cal'late Nate would have had him at the foot of the front stairs if
+it hadn't been for Galileo. That cat had been asleep on the sofy, and
+the noise and hullabaloo had stirred him up till he was as crazy as the
+rest of 'em. He run right under Nate's feet and down went Nate sprawlin'
+and both barrels of the shotgun bust loose like a couple of cannon.
+
+“Galileo took for tall timber, whoopin' anthems. Up them front stairs
+went Augustus, screechin' shrill, like a woman; he was SURE Nate meant
+to murder him now. And after him his uncle went on all fours, swearin'
+tremendous.
+
+“Then 'twas through one bedroom after another, and each one more crowded
+with noisy, smashable things than that previous. Nate said he could
+remember the professor roarin' 'Fire!' and 'Help!' as the two of 'em
+bumped into his bed, but they didn't stop--they was too busy. The whole
+length of the house upstairs they traveled, then through the ell, then
+the woodshed loft, and finally out into the upper story of the barn. And
+there Nate knew he had him. The ladder was down.
+
+“'Now!' says Nate. 'Now, you long-legged villain, if I don't give you
+what's comin' to you, then--Oh, there ain't no use in your climbin' out
+there; you can't get down.'
+
+“The big barn doors was open, and, in the moonlight, Nate could see
+Gus scramblin' up and around on the flyin' stage where the professor's
+aeroplane was perched, lookin' like some kind of magnified June bug.
+
+“'Come back, you fool!' Scudder yelled at him. 'Come back and be
+butchered. You might as well; it's too high for you to drop. You won't?
+Then I'll come after you.'
+
+“Nate says he never shall forget Augustus's face in the blue light when
+he see his uncle climbin' out on that stage after him. He was simply
+desperate--that's it, desperate. And the next thing he did was jump into
+the saddle of the machine and pull the startin' lever.
+
+“There was the buzz of the electric motor, a slippery, slidin' sound,
+one awful hair-raisin' whoop from Augustus, and then--'F-s-s-s-t!'--down
+the flyin' stage whizzed that aeroplane and out through the doors.
+
+“Nate set down on the trestles and waited for the sound of the smash.
+I guess he actually felt conscience stricken. Of course, he'd only done
+his duty, and yet--
+
+“But no smash came. Instead, there was a long scream from the
+kitchen--Olivia's voice that was. And then another yell that for pure
+joy beat anything ever heard.
+
+“'It flies!' screamed Professor Ansel Hobart Whiskers Dixland, from his
+bedroom window. 'At last! At last! It FLIES!'
+
+“It took Nate some few minutes to paw his way back through the shed loft
+and the ell over the things him and Gus knocked down on the fust lap,
+until he got to his room where the trouble had started. Then he went
+down to the kitchen and outdoor.
+
+“Olivia, a heavenly sort of look on her face, was standin' in the
+moonlight, with her hands clasped, lookin' up at the sky.
+
+“'It flies!' says she, in a kind of whisper over and over again. 'Oh! it
+FLIES!'
+
+“Alongside of her was old Dixland, wrapped in a bedquilt, forgettin' all
+about sprains and lameness; and he likewise was staring at the sky and
+sayin' over and over:
+
+“'It flies! It really FLIES!'
+
+“And Nate looked up, and there, scootin' around in circles, now up high
+and now down low, tippin' this way and tippin' that, was that aeroplane.
+And in the stillness you could hear the buzz of the motor and the yells
+of Augustus.
+
+“Down flopped Scudder in the sand. 'Great land of love,' he says, 'it
+FLIES!'
+
+“Well, for five minutes or so they watched that thing swoop and duck and
+sail up there overhead. And then, slow and easy as a feather in a May
+breeze, down she flutters and lands soft on a hummock a little ways off.
+And that Augustus--a fool for luck--staggers out of it safe and sound,
+and sets down and begins to cry.
+
+“The fust thing to reach him was Olivia. She grabbed him around the
+neck, and you never heard such goin's on as them two had. Nate come
+hurryin' up.
+
+“'Here you!' he says, pullin' 'em apart. 'That's enough of this. And
+you,' he adds to Gus, 'clear right out off this island. I won't make
+shark bait of you this time, but--'
+
+“And then comes Dixland, hippity-hop over the hummocks. 'My noble boy!'
+he sings out, fallin' all of a heap onto Augustus's round shoulders. 'My
+noble boy! My hero!'
+
+“Nate looked on for a full minute with his mouth open. Olivia went away
+toward the house. The professor and Gus was sheddin' tears like a couple
+of waterin' pots.
+
+“'Come! come!' says Scudder finally; 'get up, Mr. Dixland; you'll catch
+cold. Now then, you Tolliver, toddle right along to your boat. Don't you
+worry, professor, I'll fix him so's he won't come here no more.'
+
+“But the professor turned on him like a flash.
+
+“'How dare you interfere?' says he. 'I forgive him everything. He is a
+hero. Why, man, he FLEW!'
+
+“Olivia came up behind and touched Nate on the shoulders. 'Don't
+you think you'd better go, Mr. Scudder?' she purred. 'I've unchained
+Phillips Brooks.'
+
+“Nate swears he never made better time than he done gettin' to the shore
+and the boat Augustus had come over in. But that philanthropist dog only
+missed the supper he'd been waitin' for by about a foot and a half, even
+as 'twas.
+
+“And that was the end of it, fur's Nate was concerned. Olivia was boss
+from then on, and Scudder wa'n't allowed to land on his own island. And
+pretty soon they all went away, flyin' machine and all, and now Gus and
+Olivia are married.”
+
+“Well, by gum!” cried Wingate. “Say, that must have broke Nate's heart
+completely. All that good money goin' to the poor. Ha! ha!”
+
+“Yes,” said Captain Sol, with a broad grin. “Nate told me that every
+time he realized that Gus's flyin' at all was due to his scarin' him
+into it, it fairly made him sick of life.”
+
+“What did Huldy Ann say? I'll bet the fur flew when SHE heard of it!”
+
+“I guess likely it did. Scudder says her jawin's was the worst of all.
+Her principal complaint was that he didn't take up with the professor's
+five-thousand offer and try to fly. 'What if 'twas risky?' she says.
+'If anything happened to you the five thousand would have come to your
+heirs, wouldn't it? But no! you never think of no one but yourself.'”
+
+Mr. Wingate glanced at his watch. “Good land!” he cried, “I didn't
+realize 'twas so late. I must trot along down and meet Stitt. He and I
+are goin' to corner the clam market.”
+
+“I must be goin', too,” said the depot master, rising and moving toward
+the door, picking up his cap on the way. He threw open the door and
+exclaimed, “Hello! here's Sim. What you got on your mind, Sim?”
+
+Mr. Phinney looked rather solemn. “I wanted to speak with you a minute,
+Sol,” he began. “Hello! Barzilla, I didn't know you was here.”
+
+“I shan't be here but one second longer,” replied Mr. Wingate, as he and
+Phinney shook hands. “I'm late already. Bailey'll think I ain't comin'.
+Good-by, boys. See you this afternoon, maybe.”
+
+“Yes, do,” cried Berry, as his guest hurried down to the gate. “I want
+to hear about those automobiles over your way. You ain't bought one,
+have you, Barzilla?”
+
+Wingate grinned over his shoulder. “No,” he called, “I ain't. But other
+folks you know have. It's the biggest joke on earth. You and Sim'll want
+to hear it.”
+
+He waved a big hand and walked briskly up the Shore Road. The depot
+master turned to his friend.
+
+“Well, Sim?” he asked.
+
+“Well, Sol,” answered the building mover gravely, “I've just met Mr.
+Hilton, the minister, and he told me somethin' about Olive Edwards,
+somethin' I thought you'd want to know. You said for me to find out what
+she was cal'latin' to do when she had to give up her home and--”
+
+“I know what I said,” interrupted the depot master rather sharply. “What
+did Hilton say?”
+
+“Mr. Hilton told me not to tell,” continued Phinney, “and I shan't tell
+nobody but you, Sol. I know you wont t mention it. The minister says
+that Olive's hard up as she can be. All she's got in the world is the
+little furniture and store stuff in her house. The store stuff don't
+amount to nothin', but the furniture belonged to her pa and ma, and she
+set a heap by it. Likewise, as everybody knows, she's awful proud and
+self-respectin'. Anything like charity would kill her. Now out West--in
+Omaha or somewheres--she's got a cousin who owed her dad money. Old
+Cap'n Seabury lent this Omaha man two or three thousand dollars and set
+him up in business. Course, the debt's outlawed, but Olive don't
+realize that, or, if she did, it wouldn't count with her. She couldn't
+understand how law would have any effect on payin' money you honestly
+owe. She's written to the Omaha cousin, tellin' him what a scrape she's
+in and askin' him to please, if convenient, let her have a thousand or
+so on account. She figgers if she gets that, she can go to Bayport or
+Orham or somewheres and open another notion store.”
+
+Captain Berry lit a cigar. “Hum!” he said, after a minute. “You say
+she's written to this chap. Has she got an answer yet?”
+
+“No, not any definite one. She heard from the man's wife sayin' that her
+husband--the cousin--had gone on a fishin' trip somewheres up in Canady
+and wouldn't be back afore the eighth of next month. Soon's he does come
+he'll write her. But Mr. Hilton thinks, and so do I--havin' heard a
+few things about this cousin--that it's mighty doubtful if he sends any
+money.”
+
+“Yes, I shouldn't wonder. Where's Olive goin' to stay while she's
+waitin' to hear?”
+
+“In her own house. Mr. Hilton went to Williams and pleaded with him, and
+he finally agreed to let her stay there until the 'Colonial' is moved
+onto the lot. Then the Edwardses house'll be tore down and Olive'll have
+to go, of course.”
+
+The depot master puffed thoughtfully at his cigar.
+
+“She won't hear before the tenth, at the earliest,” he said. “And if
+Williams begins to move his 'Colonial' at once, he'll get it to her lot
+by the seventh, sure. Have you given him your figures for the job?”
+
+“Handed 'em in this very mornin'. One of his high-and-mighty servants,
+all brass buttons and braid, like a feller playin' in the band, took my
+letter and condescended to say he'd pass it on to Williams. I'd liked
+to have kicked the critter, just to see if he COULD unbend; but I jedged
+'twouldn't be good business.”
+
+“Probably not. If the 'Colonial' gets to Olive's lot afore she hears
+from the Omaha man, what then?”
+
+“Well, that's the worst of it. The minister don't know what she'll do.
+There's plenty of places where she'd be more'n welcome to visit a spell,
+but she's too proud to accept. Mr. Hilton's afraid she'll start for
+Boston to hunt up a job, or somethin'. You know how much chance she
+stands of gettin' a job that's wuth anything.”
+
+Phinney paused, anxiously awaiting his companion's reply. When it came
+it was very unsatisfactory.
+
+“I'm goin' to the depot,” said the Captain, brusquely. “So long, Sim.”
+
+He slammed the door of the house behind him, strode to the gate, flung
+it open, and marched on. Simeon gazed in astonishment, then hurried
+to overtake him. Ranging alongside, he endeavored to reopen the
+conversation, but to no purpose. The depot master would not talk. They
+turned into Cross Street.
+
+“Well!” exclaimed Mr. Phinney, panting from his unaccustomed hurry,
+“what be we, runnin' a race? Why! . . . Oh, how d'ye do, Mr. Williams,
+sir? Want to see me, do you?”
+
+The magnate of East Harniss stepped forward.
+
+“Er--Phinney,” he said, “I want a moment of your time. Morning, Berry.”
+
+“Mornin', Williams,” observed Captain Sol brusquely. “All right, Sim.
+I'll wait for you farther on.”
+
+He continued his walk. The building mover stood still. Mr. Williams
+frowned with lofty indignation.
+
+“Phinney,” he said, “I've just looked over those figures of yours, your
+bid for moving my new house. The price is ridiculous.”
+
+Simeon attempted a pleasantry. “Yes,” he answered, “I thought 'twas
+ridic'lous myself; but I needed the money, so I thought I could afford
+to be funny.”
+
+The Williams frown deepened.
+
+“I didn't mean ridiculously low,” he snapped; “I meant ridiculously
+high. I'd rather help out you town fellows if I can, but you can't work
+me for a good thing. I've written to Colt and Adams, of Boston, and
+accepted their offer. You had your chance and didn't see fit to take it.
+That's all. I'm sorry.”
+
+Simeon was angry; also a trifle skeptical.
+
+“Mr. Williams,” he demanded, “do you mean to tell me that THEM people
+have agreed to move you cheaper'n I can?”
+
+“Their price--their actual price may be no lower; but considering their
+up-to-date outfit and--er--progressive methods, they're cheaper. Yes.
+Morning, Phinney.”
+
+He turned on his heel and walked off. Mr. Phinney, crestfallen and
+angrier than ever, moved on to where the depot master stood waiting for
+him. Captain Sol smiled grimly.
+
+“You don't look merry as a Christmas tree, Sim,” he observed. “What did
+his Majesty have to say to you?”
+
+Simeon related the talk with Williams. The depot master's grim smile
+grew broader.
+
+“Sim,” he asked, with quiet sarcasm, “don't you realize that progressive
+methods are necessary in movin' a house?”
+
+Phinney tried to smile in return, but the attempt was a failure.
+
+“Yes,” went on the Captain. “Well, if you can't take the Grand
+Panjandrum home, you can set on the fence and see him go by. That
+ought to be honor enough, hadn't it? However, I may need some of your
+ridiculous figgers on a movin' job of my own, pretty soon. Don't be TOO
+comical, will you?”
+
+“What do you mean by that, Sol Berry?”
+
+“I mean that I may decide to move my own house.”
+
+“Move your OWN house? Where to, for mercy sakes?”
+
+“To that lot on Main Street that belongs to Abner Payne. Abner has
+wanted to buy my lot here on the Shore Road for a long time. He knows
+it'll make a fine site for some rich bigbug's summer 'cottage.' He would
+have bought the house, too, but I think too much of that to sell it.
+Now Abner's come back with another offer. He'll swap my lot for the Main
+Street one, pay my movin' expenses and a fair 'boot' besides. He don't
+really care for my HOUSE, you understand; it's my LAND he's after.”
+
+“Are you goin' to take it up?”
+
+“I don't know. The Main Street lot's a good one, and my house'll look
+good on it. And I'll make money by the deal.”
+
+“Yes, but you've always swore by that saltwater view of yours. Told me
+yourself you never wanted to live anywheres else.”
+
+Captain Sol took the cigar from his lips, looked at it, then threw it
+violently into the gutter.
+
+“What difference does it make where I live?” he snarled. “Who in blazes
+cares where I live or whether I live at all?”
+
+“Sol Berry, what on airth--”
+
+“Shut up! Let me alone, Sim! I ain't fit company for anybody just now.
+Clear out, there's a good feller.”
+
+The next moment he was striding down the hill. Mr. Phinney drew a long
+breath, scratched his head and shook it solemnly. WHAT did it all mean?
+
+
+
+
+CHAPTER VIII
+
+THE OBLIGATIONS OF A GENTLEMAN
+
+
+The methods of Messrs. Colt and Adams, the Boston firm of building
+movers, were certainly progressive, if promptness in getting to work
+is any criterion. Two days after the acceptance of their terms by Mr.
+Williams, a freight car full of apparatus arrived at East Harniss. Then
+came a foreman and a gang of laborers. Horses were hired, and within a
+week the “pure Colonial” was off its foundations and on its way to the
+Edwards lot. The moving was no light task. The big house must be brought
+along the Shore Road to the junction with the Hill Boulevard, then swung
+into that aristocratic highway and carried up the long slope, around the
+wide curve, to its destination.
+
+Mr. Phinney, though he hated the whole operation, those having it in
+charge, and the mighty Williams especially, could not resist stealing
+down to see how his successful rivals were progressing with the work
+he had hoped to do. It caused him much chagrin to see that they were
+getting on so very well. One morning, after breakfast, as he stood at
+the corner of the Boulevard and the Shore Road, he found himself engaged
+in a mental calculation.
+
+Three days more and they would swing into the Boulevard; four or five
+days after that and they would be abreast the Edwards lot. Another day
+and . . . Poor Olive! She would be homeless. Where would she go? It
+was too early for a reply from the Omaha cousin, but Simeon, having
+questioned the minister, had little hope that that reply would be
+favorable. Still it was a chance, and if the money SHOULD come before
+the “pure Colonial” reached the Edwards lot, then the widow would at
+least not be driven penniless from her home. She would have to leave
+that home in any event, but she could carry out her project of opening
+another shop in one of the neighboring towns. Otherwise . . . Mr.
+Phinney swore aloud.
+
+“Humph!” said a voice behind him. “I agree with you, though I don't
+know what it's all about. I ain't heard anything better put for a long
+while.”
+
+Simeon spun around, as he said afterwards, “like a young one's
+pinwheel.” At his elbow stood Captain Berry, the depot master, hands
+in pockets, cigar in mouth, the personification of calmness and
+imperturbability. He had come out of his house, which stood close to the
+corner, and walked over to join his friend.
+
+“Land of love!” exclaimed Simeon. “Why don't you scare a fellow to
+death, tiptoein' around? I never see such a cat-foot critter!”
+
+Captain Sol smiled. “Jumpin' it, ain't they?” he said, nodding toward
+the “Colonial.” “Be there by the tenth, won't it?”
+
+“Tenth!” Mr. Phinney sniffed disgust. “It'll be there by the sixth, or I
+miss my guess.”
+
+“Yup. Say, Sim, how soon could you land that shanty of mine in the road
+if I give you the job to move it?”
+
+“I couldn't get it up to the Main Street lot inside of a fortnight,”
+ replied Sim, after a moment's reflection. “Fur's gettin' it in the road
+goes, I could have it here day after to-morrow if I had gang enough.”
+
+The depot master took the cigar out of his mouth and blew a ring of
+smoke. “All right,” he drawled, “get gang enough.”
+
+Phinney jumped. “You mean you've decided to take up with Payne's offer
+and swap your lot for his?” he gasped. “Why, only two or three days ago
+you said--”
+
+“Ya-as. That was two or three days ago, and I've been watchin' the
+'Colonial' since. I cal'late the movin' habit's catchin'. You have your
+gang here by noon to-day.”
+
+“Sol Berry, are you crazy? You ain't seen Abner Payne; he's out of
+town--”
+
+“Don't have to see him. He's made me an offer and I'll write and accept
+it.”
+
+“But you've got to have a selectmen's permit to move--”
+
+“Got it. I went up and saw the chairman an hour ago. He's a friend of
+mine. I nominated him town-meetin' day.”
+
+“But,” stammered Phinney, very much upset by the suddenness of it all,
+“you ain't got my price nor--”
+
+“Drat your price! Give it when I ask it. See here, Sim, are you goin' to
+have my house in the middle of the road by day after to-morrer? Or was
+that just talk?”
+
+“'Twa'n't talk. I can have it there, but--”
+
+“All right,” said Captain Sol coolly, “then have it.”
+
+Hands in pockets, he strolled away. Simeon sat down on a rock by the
+roadside and whistled.
+
+However, whistling was a luxurious and time-wasting method of expressing
+amazement, and Mr. Phinney could not afford luxuries just then. For the
+rest of that day he was a busy man. As Bailey Stitt expressed it, he
+“flew round like a sand flea in a mitten,” hiring laborers, engaging
+masons, and getting his materials ready. That very afternoon the masons
+began tearing down the chimneys of the little Berry house. Before the
+close of the following day it was on the rollers. By two of the day
+after that it was in the middle of the Shore Road, just when its mover
+had declared it should be. They were moving it, furniture and all,
+and Captain Sol was, as he said, going to “stay right aboard all the
+voyage.” No cooking could be done, of course, but the Captain arranged
+to eat at Mrs. Higgins's hospitable table during the transit. His sudden
+freak was furnishing material for gossip throughout the village, but he
+did not care. Gossip concerning his actions was the last thing in the
+world to trouble Captain Sol Berry.
+
+The Williams's “Colonial” was moving toward the corner at a rapid
+rate, and the foreman of the Boston moving firm walked over to see Mr.
+Phinney.
+
+“Say,” he observed to Simeon, who, the perspiration streaming down
+his face, was resting for a moment before recommencing his labor of
+arranging rollers; “say,” observed the foreman, “we'll be ready to turn
+into the Boulevard by tomorrer night and you're blockin' the way.”
+
+“That's all right,” said Simeon, “we'll be past the Boulevard corner by
+that time.”
+
+He thought he was speaking the truth, but next morning, before work
+began, Captain Berry appeared. He had had breakfast and strolled around
+to the scene of operations.
+
+“Well,” asked Phinney, “how'd it seem to sleep on wheels?”
+
+“Tiptop,” replied the depot master. “Like it fust rate. S'pose my next
+berth will be somewheres up there, won't it?”
+
+He was pointing around the corner instead of straight ahead. Simeon
+gaped, his mouth open.
+
+“Up THERE?” he cried. “Why, of course not. That's the Boulevard. We're
+goin' along the Shore Road.”
+
+“That so? I guess not. We're goin' by the Boulevard. Can go that way,
+can't we?”
+
+“Can?” repeated Simeon aghast. “Course we CAN! But it's like boxin' the
+whole compass backward to get ha'f a p'int east of no'th. It's way round
+Robin Hood's barn. It'll take twice as long and cost--”
+
+“That's good,” interrupted the Captain. “I like to travel, and I'm
+willin' to pay for it. Think of the view I'll get on the way.”
+
+“But your permit from the selectmen--” began Phinney. Berry held up his
+hand.
+
+“My permit never said nothin' about the course to take,” he answered,
+his eye twinkling just a little. “There, Sim, you're wastin' time. I
+move by the Hill Boulevard.”
+
+And into the Boulevard swung the Berry house. The Colt and Adams foreman
+was an angry man when he saw the beams laid in that direction. He rushed
+over and asked profane and pointed questions.
+
+“Thought you said you was goin' straight ahead?” he demanded.
+
+“Thought I was,” replied Simeon, “but, you see, I'm only navigator of
+this craft, not owner.”
+
+“Where is the blankety blank?” asked the foreman.
+
+“If you're referrin' to Cap'n Berry, I cal'late you'll find him at
+the depot,” answered Phinney. To the depot went the foreman. Receiving
+little satisfaction there, he hurried to the home of his employer, Mr.
+Williams. The magnate, red-faced and angry, returned with him to
+the station. Captain Sol received them blandly. Issy, who heard the
+interview which followed, declared that the depot master was so cool
+that “an iceberg was a bonfire 'longside of him.” Issy's description
+of this interview, given to a dozen townspeople within the next three
+hours, was as follows:
+
+“Mr. Williams,” said the wide-eyed Issy, “he comes postin' into the
+waitin' room, his foreman with him. Williams marches over to Cap'n Sol
+and he says, 'Berry,' he says, 'are you responsible for the way that
+house of yours is moved?'
+
+“Cap'n Sol bowed and smiled. 'Yes,' says he, sweet as a fresh scallop.
+
+“'You're movin' it to Main Street, aren't you? I so understood.'
+
+“'You understood correct. That's where she's bound.'
+
+“'Then what do you mean by turning out of your road and into mine?'
+
+“'Oh, I don't own any road. Have you bought the Boulevard? The selectmen
+ought to have told us that. I s'posed it was town thoroughfare.'
+
+“Mr. Williams colored up a little. 'I didn't mean my road in that
+sense,' he says. 'But the direct way to Main Street is along the
+shore, and everybody knows it. Now why do you turn from that into the
+Boulevard?'
+
+“Cap'n Sol took a cigar from his pocket. 'Have one?' says he, passin' it
+toward Mr. Williams. 'No? Too soon after breakfast, I s'pose. Why do
+I turn off?' he goes on. 'Well, I'll tell you. I'm goin' to stay right
+aboard my shack while it's movin', and it's so much pleasanter a ride up
+the hill that I thought I'd go that way. I always envied them who could
+afford a house on the Boulevard, and now I've got the chance to have one
+there--for a spell. I'm sartin I shall enjoy it.'
+
+“The foreman growled, disgusted. Mr. Williams got redder yet.
+
+“'Don't you understand?' he snorts. 'You're blockin' the way of the
+house I'M movin'. I have capable men with adequate apparatus to move
+it, and they would be able to go twice as fast as your one-horse country
+outfit. You're blockin' the road. Now they must follow you. It's an
+outrage!'
+
+“Cap'n Sol smiled once more. 'Too bad,' says he. 'It's a pity such
+a nice street ain't wider. If it was my street in my town--I b'lieve
+that's what you call East Harniss, ain't it?--seems to me I'd widen it.'
+
+“The boss of 'my town' ground his heel into the sand. 'Berry,' he snaps,
+'are you goin' to move that house over the Boulevard ahead of mine?'
+
+“The Cap'n looked him square in the eye. 'Williams,' says he, 'I am.'
+
+“The millionaire turned short and started to go.
+
+“'You'll pay for it,' he snarls, his temper gettin' free at last.
+
+“'I cal'late to,' purrs the Cap'n. 'I gen'rally do pay for what I want,
+and a fair price, at that. I never bought in cheap mortgages and held
+'em for clubs over poor folks, never in my life. Good mornin'.'
+
+“And right to Mr. Williams's own face, too,” concluded Issy. “WHAT do
+you think of that?”
+
+Here was defiance of authority and dignity, a sensation which should
+have racked East Harniss from end to end. But most of the men in the
+village, the tradespeople particularly, had another matter on their
+minds, namely, Major Cuthbertson Scott Hardee, of “Silverleaf Hall.” The
+Major and his debts were causing serious worriment.
+
+The creditors of the Major met, according to agreement, on the Monday
+evening following their previous gathering at the club. Obed Gott, one
+of the first to arrive, greeted his fellow members with an air of gloomy
+triumph and a sort of condescending pity.
+
+Higgins, the “general store” keeper, acting as self-appointed chairman,
+asked if anyone had anything to report. For himself, he had seen the
+Major and asked point-blank for payment of his bill. The Major had been
+very polite and was apparently much concerned that his fellow townsmen
+should have been inconvenienced by any neglect of his. He would write to
+his attorneys at once, so he said.
+
+“He said a whole lot more, too,” added Higgins. “Said he had never been
+better served than by the folks in this town, and that I kept a fine
+store, and so on and so forth. But I haven't got any money yet. Anybody
+else had any better luck?”
+
+No one had, although several had had similar interviews with the master
+of “Silverleaf Hall.”
+
+“Obed looks as if he knew somethin',” remarked Weeks. “What is it,
+Obed?”
+
+Mr. Gott scornfully waved his hand.
+
+“You fellers make me laugh,” he said. “You talk and talk, but you don't
+do nothin'. I b'lieve in doin', myself. When I went home t'other night,
+thinks I: 'There's one man that might know somethin' 'bout old Hardee,
+and that's Godfrey, the hotel man.' So I wrote to Godfrey up to Boston
+and I got a letter from him. Here 'tis.”
+
+He read the letter aloud. Mr. Godfrey wrote that he knew nothing about
+Major Hardee further than that he had been able to get nothing from him
+in payment for his board.
+
+“So I seized his trunk,” the letter concluded. “There was nothing in it
+worth mentioning, but I took it on principle. The Major told me a
+lot about writing to his attorneys for money, but I didn't pay much
+attention to that. I'm afraid he's an old fraud, but I can't help liking
+him, and if I had kept on running my hotel I guess he would have got
+away scot-free.”
+
+“There!” exclaimed the triumphant Obed, with a sneer, “I guess that
+settles it, don't it? Maybe you'd be willin' to turn your bills over to
+Squire Baker now.”
+
+But they were not willing. Higgins argued, and justly, that although the
+Major was in all probability a fraud, not even a lawyer could get water
+out of a stone, and that when a man had nothing, suing him was a waste
+of time and cash.
+
+“Besides,” he said, “there's just a chance that he may have attorneys
+and property somewheres else. Let's write him a letter and every one of
+us sign it, tellin' him that we'll call on him Tuesday night expectin'
+to be paid in full. If we call and don't get any satisfaction, why,
+we ain't any worse off, and then we can--well, run him out of town, if
+nothin' more.”
+
+So the letter was written and signed by every man there. It was a long
+list of signatures and an alarming total of indebtedness. The letter was
+posted that night.
+
+The days that followed seemed long to Obed. He was ill-natured at home
+and ugly at the shop, and Polena declared that he was “gettin' so a body
+couldn't live with him.” Her own spirits were remarkably high, and Obed
+noticed that, as the days went by, she seemed to be unusually excited.
+On Thursday she announced that she was going to Orham to visit her
+niece, one Sarah Emma Cahoon, and wouldn't be back right off. He knew
+better than to object, and so she went.
+
+That evening each of the signers of the letter to Major Hardee received
+a courteous note saying that the Major would be pleased to receive the
+gentlemen at the Hall. Nothing was said about payment.
+
+So, after some discussion, the creditors marched in procession across
+the fields and up to “Silverleaf Hall.”
+
+“Hardee's been to Orham to-day,” whispered the keeper of the livery
+stable, as they entered the yard. “He drove over this mornin' and come
+back to-night.”
+
+“DROVE over!” exclaimed Obed, halting in his tracks. “He did? Where'd he
+get the team? I'll bet five dollars you was soft enough to let him have
+it, and never said a word. Well, if you ain't--By jimmy! you wait till I
+get at him! I'll show you that he can't soft soap me.”
+
+Augustus met them at the door and ushered them into the old-fashioned
+parlor. The Major, calm, cool, and imperturbably polite, was waiting to
+receive them. He made some observation concerning the weather.
+
+“The day's fine enough,” interrupted Obed, pushing to the front, “but
+that ain't what we come here to talk about. Are you goin' to pay us what
+you owe? That's what we want to know.”
+
+The “gentleman of the old school” did not answer immediately. Instead he
+turned to the solemn servant at his elbow.
+
+“Augustus,” he said, “you may make ready.” Then, looking serenely at the
+irate Mr. Gott, whose clenched fist rested under the center table, which
+he had thumped to emphasize his demands, the Major asked:
+
+“I beg your pardon, my dear sir, but what is the total of my
+indebtedness to you?”
+
+“Nineteen dollars and twenty-eight cents, and I want you to understand
+that--”
+
+Major Hardee held up a slim, white hand.
+
+“One moment, if you please,” he said. “Now, Augustus.”
+
+Augustus opened the desk in the corner and produced an imposing stack of
+bank notes. Then he brought forth neat piles of halves, quarters, dimes,
+and pennies, and arranged the whole upon the table. Obed's mouth and
+those of his companions gaped in amazement.
+
+“Have you your bill with you, Mr. Gott?” inquired the Major.
+
+Dazedly Mr. Gott produced the required document.
+
+“Thank you. Augustus, nineteen twenty-eight to this gentleman. Kindly
+receipt the bill, Mr. Gott, if you please. A mere formality, of course,
+but it is well to be exact. Thank you, sir. And now, Mr. Higgins.”
+
+One by one the creditors shamefacedly stepped forward, received the
+amount due, receipted the bill, and stepped back again. Mr. Peters, the
+photographer, was the last to sign.
+
+“Gentlemen,” said the Major, “I am sorry that my carelessness in
+financial matters should have caused you this trouble, but now that you
+are here, a representative gathering of East Harniss's men of affairs,
+upon this night of all nights, it seems fitting that I should ask for
+your congratulations. Augustus.”
+
+The wooden-faced Augustus retired to the next room and reappeared
+carrying a tray upon which were a decanter and glasses.
+
+“Gentlemen,” continued the Major, “I have often testified to my
+admiration and regard for your--perhaps I may now say OUR--charming
+village. This admiration and regard has extended to the fair daughters
+of the township. It may be that some of you have conscientious scruples
+against the use of intoxicants. These scruples I respect, but I am sure
+that none of you will refuse to at least taste a glass of wine with me
+when I tell you that I have this day taken one of the fairest to love
+and cherish during life.”
+
+He stepped to the door of the dining room, opened it, and said quietly,
+“My dear, will you honor us with your presence?”
+
+There was a rustle of black silk and there came through the doorway the
+stately form of her who had been Mrs. Polena Ginn.
+
+“Gentlemen,” said the Major, “permit me to present to you my wife, the
+new mistress of 'Silverleaf Hall.'”
+
+The faces of the ex-creditors were pictures of astonishment. Mr. Gott's
+expressive countenance turned white, then red, and then settled to a
+mottled shade, almost as if he had the measles. Polena rushed to his
+side.
+
+“O Obed!” she exclaimed. “I know we'd ought to have told you, but 'twas
+only Tuesday the Major asked me, and we thought we'd keep it a secret
+so's to s'prise you. Mr. Langworthy over to Orham married us, and--”
+
+“My dear,” her husband blandly interrupted, “we will not intrude our
+private affairs upon the patience of these good friends. And now,
+gentlemen, let me propose a toast: To the health and happiness of the
+mistress of 'Silverleaf Hall'! Brother Obed, I--”
+
+The outside door closed with a slam; “Brother Obed” had fled.
+
+A little later, when the rest of the former creditors of the Major came
+out into the moonlight, they found their companion standing by the
+gate gazing stonily into vacancy. “Hen” Leadbetter, who, with Higgins,
+brought up the rear of the procession, said reflectively:
+
+“When he fust fetched out that stack of money I couldn't scarcely
+b'lieve my eyes. I begun to think that we fellers had put our foot in
+it for sartin, and had lost a mighty good customer; but, of course, it's
+all plain enough NOW.”
+
+“Yes,” remarked Weeks with a nod; “I allers heard that P'lena kept a
+mighty good balance in the bank.”
+
+“It looks to me,” said Higgins slyly, “as if we owed Obed here a vote of
+thanks. How 'bout that, Obed?”
+
+And then Major Hardee's new brother-in-law awoke with a jump.
+
+“Aw, you go to grass!” he snarled, and tramped savagely off down the
+hill.
+
+
+
+
+CHAPTER IX
+
+THE WIDOW BASSETT
+
+
+These developments, Major Hardee's marriage and Mr. Gott's discomfiture,
+overshadowed, for the time, local interest in the depot master's house
+moving. This was, in its way, rather fortunate, for those who took the
+trouble to walk down to the lower end of the Boulevard were astonished
+to see how very slowly the moving was progressing.
+
+“Only one horse, Sim?” asked Captain Hiram Baker. “Only one! Why, it'll
+take you forever to get through, won't it?”
+
+“I'm afraid it'll take quite a spell,” admitted Mr. Phinney.
+
+“Where's your other one, the white one?”
+
+“The white horse,” said Simeon slowly, “ain't feelin' just right and
+I've had to lay him off.”
+
+“Humph! that's too bad. How does Sol act about it? He's such a hustler,
+I should think--”
+
+“Sol,” interrupted Sim, “ain't unreasonable. He understands.”
+
+He chuckled inwardly as he said it. Captain Sol did understand. Also Mr.
+Phinney himself was beginning to understand a little.
+
+The very day on which Williams and his foreman had called on the depot
+master and been dismissed so unceremoniously, that official paid a short
+visit to his mover.
+
+“Sim,” he said, the twinkle still in his eye, “his Majesty, Williams
+the Conqueror, was in to see me just now and acted real peevish. He was
+pretty disrespectful to you, too. Called your outfit 'one horse.' That's
+a mistake, because you've got two horses at work right now. It seems a
+shame to make a great man like that lie. Hadn't you better lay off one
+of them horses?”
+
+“Lay one OFF?” exclaimed Simeon. “What for? Why, we'll be slow enough,
+as 'tis. With only one horse we wouldn't get through for I don't know
+how long.”
+
+“That's so,” murmured the Captain. “I s'pose with one horse you'd hardly
+reach the middle of the Boulevard by--well, before the tenth of the
+month. Hey?”
+
+The tenth of the month! The TENTH! Why, it was on the tenth that that
+Omaha cousin of Olive Edwards was to--Mr. Phinney began to see--to see
+and to grin, slow but expansive.
+
+“Hm-m-m!” he mused.
+
+“Yes,” observed Captain Sol. “That white horse of yours looks sort of
+ailin' to me, Sim. I think he needs a rest.”
+
+And, sure enough, next day the white horse was pronounced unfit and
+taken back to the stable. The depot master's dwelling moved, but that is
+all one could say truthfully concerning its progress.
+
+At the depot the Captain was quieter than usual. He joked with his
+assistant less than had been his custom, and for the omission Issy
+was duly grateful. Sometimes Captain Sol would sit for minutes without
+speaking. He seemed to be thinking and to be pondering some grave
+problem. When his friends, Mr. Wingate, Captain Stitt, Hiram Baker, and
+the rest, dropped in on him he cheered up and was as conversational as
+ever. After they had gone he relapsed into his former quiet mood.
+
+“He acts sort of blue, to me,” declared Issy, speaking from the depths
+of sensational-novel knowledge. “If he was a younger man I'd say he was
+most likely in love. Ah, hum! I s'pose bein' in love does get a feller
+mournful, don't it?”
+
+Issy made this declaration to his mother only. He knew better than to
+mention sentiment to male acquaintances. The latter were altogether too
+likely to ask embarrassing questions.
+
+Mr. Wingate and Captain Stitt were still in town, although their stay
+was drawing to a close. One afternoon they entered the station together.
+Captain Sol seemed glad to see them.
+
+“Set down, fellers,” he ordered. “I swan I'm glad to see you. I ain't
+fit company for myself these days.”
+
+“Ain't Betsy Higgins feedin' you up to the mark?” asked Stitt. “Or is
+house movin' gettin' on your vitals?”
+
+“No,” growled the depot master, “grub's all right and so's movin',
+I cal'late. I'm glad you fellers come in. What's the news to Orham,
+Barzilla? How's the Old Home House boarders standin' it? Hear from
+Jonadab regular, do you?”
+
+Mr. Wingate laughed. “Nothin' much,” he said. “Jonadab's too busy
+to write these days. Bein' a sport interferes with letter writing
+consider'ble.”
+
+“Sport!” exclaimed Captain Bailey. “Land of Goshen! Cap'n Jonadab is the
+last one I'd call a sport.”
+
+“That's 'cause you ain't a good judge of human nature, Bailey,” chuckled
+Barzilla. “When ancient plants like Jonadab Wixon DO bloom, they're gay
+old blossoms, I tell you!”
+
+“What do you mean?” asked the depot master.
+
+“I mean that Jonadab's been givin' me heart disease, that's what; givin'
+it to me in a good many diff'rent ways, too. We opened the Old Home
+House the middle of April this year, because Peter T. Brown thought we
+might catch some spring trade. We did catch a little, though whether it
+paid to open up so early's a question. But 'twas June 'fore Jonadab got
+his disease so awful bad. However, most any time in the last part of May
+the reg'lar programme of the male boarders was stirrin' him up.
+
+“Take it of a dull day, for instance. Sky overcast and the wind aidgin'
+round to the sou'east, so's you couldn't tell whether 'twould rain or
+fair off; too cold to go off to the ledge cod fishin' and too hot for
+billiards or bowlin'; a bunch of the younger women folks at one end
+of the piazza playin' bridge; half a dozen men, includin' me and Cap'n
+Jonadab, smokin' and tryin' to keep awake at t'other end; amidships a
+gang of females--all 'fresh air fiends'--and mainly widows or discards
+in the matrimony deal, doin' fancywork and gossip. That would be about
+the usual layout.
+
+“Conversation got to you in homeopath doses, somethin' like this:
+
+“'Did you say “Spades”? WELL! if I'd known you were going to make us
+lose our deal like that, I'd never have bridged it--not with THIS hand.'
+
+“'Oh, Miss Gabble, have you heard what people are sayin' about--' The
+rest of it whispers.
+
+“'A--oo--OW! By George, Bill! this is dead enough, isn't it? Shall we
+match for the cigars or are you too lazy?'
+
+“Then, from away off in the stillness would come a drawn-out 'Honk!
+honk!' like a wild goose with the asthma, and pretty soon up the road
+would come sailin' a big red automobile, loaded to the guards with
+goggles and grandeur, and whiz past the hotel in a hurricane of dust and
+smell. Then all hands would set up and look interested, and Bill would
+wink acrost at his chum and drawl:
+
+“'That's the way to get over the country! Why, a horse isn't
+one--two--three with that! Cap'n Wixon, I'm surprised that a sportin'
+man like you hasn't bought one of those things long afore this.'
+
+“For the next twenty minutes there wouldn't be any dullness. Jonadab
+would take care of that. He'd have the floor and be givin' his opinions
+of autos and them that owned and run 'em. And between the drops of his
+language shower you'd see them boarders nudgin' each other and rockin'
+back and forth contented and joyful.
+
+“It always worked. No matter what time of day or night, all you had to
+say was 'auto' and Cap'n Jonadab would sail up out of his chair like one
+of them hot-air balloons the youngsters nowadays have on Fourth of July.
+And he wouldn't come down till he was empty of remarks, nuther. You
+never see a man get so red faced and eloquent.
+
+“It wa'n't because he couldn't afford one himself. I know that's the
+usual reason for them kind of ascensions, but 'twa'n't his. No, sir!
+the summer hotel business has put a considerable number of dollars in
+Jonadab's hands, and the said hands are like a patent rat trap, a
+mighty sight easier to get into than out of. He could have bought three
+automobiles if he'd wanted to, but he didn't want to. And the reason he
+didn't was named Tobias Loveland and lived over to Orham.”
+
+“I know Tobias,” interrupted Captain Bailey Stitt.
+
+“Course you do,” continued Barzilla. “So does Sol, I guess. Well,
+anyhow, Tobias and Cap'n Jonadab never did hitch. When they was boys
+together at school they was always rowin' and fightin', and when they
+grew up to be thirty and courted the same girl--ten years younger than
+either of 'em, she was--twa'n't much better. Neither of 'em got her,
+as a matter of fact; she married a tin peddler named Bassett over to
+Hyannis. But both cal'lated they would have won if t'other hadn't been
+in the race, and consequently they loved each other with a love that
+passed understandin'. Tobias had got well to do in the cranberry-raisin'
+line and drove a fast horse. Jonadab, durin' the last prosperous year
+or two, had bought what he thought was some horse, likewise. They met
+on the road one day last spring and trotted alongside one another for a
+mile. At the end of that mile Jonadab's craft's jib boom was just astern
+of Tobias's rudder. Inside of that week the Cap'n had swapped his horse
+for one with a two-thirty record, and the next time they met Tobias was
+left with a beautiful, but dusty, view of Jonadab's back hair. So HE
+bought a new horse. And that was the beginnin'.
+
+“It went along that way for twelve months. Fust one feller's nag would
+come home freighted with perspiration and glory, and then t'other's. One
+week Jonadab would be so bloated with horse pride that he couldn't find
+room for his vittles, and the next he'd be out in the stable growlin'
+'cause it cost so much for hay to stuff an old hide rack that wa'n't
+fit to put in a museum. At last it got so that neither one could find a
+better horse on the Cape, and the two they had was practically an even
+match. I begun to have hopes that the foolishness was over. And then the
+tin peddler's widow drifts in to upset the whole calabash.
+
+“She made port at Orham fust, this Henrietta Bassett did, and the style
+she slung killed every female Goliath in the Orham sewin' circle dead.
+Seems her husband that was had been an inventor, as a sort of side line
+to peddlin' tinware, and all to once he invented somethin' that worked.
+He made money--nobody knew how much, though all hands had a guess--and
+pretty soon afterwards he made a will and Henrietta a widow. She'd been
+livin' in New York, so she said, and had come back to revisit the scenes
+of her childhood. She was a mighty well-preserved woman--artificial
+preservatives, I cal'late, like some kinds of tomatter ketchup--and her
+comin' stirred Orham way down to the burnt places on the bottom of the
+kettle.”
+
+“I guess I remember HER, too,” put in Captain Bailey.
+
+“Say!” queried Mr. Wingate snappishly, “do you want to tell about her?
+If you do, why--”
+
+“Belay, both of you!” ordered the depot master. “Heave ahead, Barzilla.”
+
+“The news of her got over to Wellmouth, and me and Jonadab heard of it.
+He was some subject to widows--most widower men are, I guess--but he
+didn't develop no alarmin' symptoms in this case and never even hinted
+that he'd like to see his old girl. Fact is, his newest horse trade had
+showed that it was afraid of automobiles, and he was beginnin' to get
+rabid along that line. Then come that afternoon when him and me was out
+drivin' together, and we--Well, I'll have to tell you about that.
+
+“We was over on the long stretch of wood road between Trumet and
+Denboro, nice hard macadam, the mare--her name was Celia, but Jonadab
+had re-christened her Bay Queen after a boat he used to own--skimmin'
+along at a smooth, easy gait, when, lo and behold you! we rounds a turn
+and there ahead of us is a light, rubber-tired wagon with a man and
+woman on the seat of it. I heard Jonadab give a kind of snort.
+
+“'What's the matter?' says I.
+
+“'Nothin',' says he, between his teeth. 'Only, if I ain't some mistaken,
+that's Tobe Loveland's rig. Wonder if he's got his spunk with him? The
+Queen's feelin' her oats to-day, and I cal'late I can show him a few
+things.'
+
+“'Rubbish!' says I, disgusted. 'Don't be foolish, Jonadab. I don't know
+nothin' about his spunk, but I do know there's a woman with him. 'Tain't
+likely he'll want to race you when he's got a passenger aboard.'
+
+“'Oh, I don't know!' says he. 'I've got you, Barzilla; so 'twill be two
+and two. Let's heave alongside and see.'
+
+“So he clucked to the Queen, and in a jiffy we was astern of t'other
+rig. Loveland looked back over his shoulder.
+
+“'Ugh!' he grunts, 'bout as cordial as a plate of ice cream. ''Lo,
+Wixon, that you?'
+
+“'Um-hm,' begins Jonadab. 'How's that crowbait of yours to-day, Tobe?
+Got any go in him? 'Cause if he has, I--'
+
+“He stopped short. The woman in Loveland's carriage had turned her head
+and was starin' hard.
+
+“'Why!' she gasps. 'I do believe--Why, Jonadab!'
+
+“'HETTIE!' says the Cap'n.
+
+“Well, after that 'twas pull up, of course, and shake hands and talk.
+The widow, she done most of the talkin'. She was SO glad to see him. How
+had he been all these years? She knew him instantly. He hadn't changed
+a mite--that is, not so VERY much. She was plannin' to come over to the
+Old Home House and stay a spell later on; but now she was havin' SUCH a
+good time in Orham, Tobias--Mr. Loveland--was makin' it SO pleasant for
+her. She did enjoy drivin' so much, and Mr. Loveland had the fastest
+horse in the county--did we know that?
+
+“Tobias and Jonadab glowered back and forth while all this gush was
+bein' turned loose, and hardly spoke to one another. But when 'twas over
+and we was ready to start again, the Cap'n says, says he:
+
+“'I'll be mighty glad to see you over to the hotel, when you're ready to
+come, Hettie. I can take you ridin', too. Fur's horse goes, I've got a
+pretty good one myself.'
+
+“'Oh!' squeals the widow. 'Really? Is that him? It's awful pretty, and
+he looks fast.'
+
+“'She is,' says Jonadab. 'There's nothin' round here can beat her.'
+
+“'Humph!' says Loveland. 'Git dap!'
+
+“'Git dap!' says Jonadab, agreein' with him for once.
+
+“Tobias started, and we started. Tobias makes his horse go a little
+faster, and Jonadab speeded up some likewise. I see how 'twas goin' to
+be, and therefore I wa'n't surprised to death when the next ten minutes
+found us sizzlin' down that road, neck and neck with Loveland, dust
+flyin', hoofs poundin', and the two drivers leanin' way for'ard over
+the dash, reins gripped and teeth sot. For a little ways 'twas an even
+thing, and then we commenced to pull ahead a little.
+
+“'Loveland,' yells Jonadab, out of the port corner of his mouth, 'if
+I ain't showin' you my tailboard by the time we pass the fust house in
+Denboro, I'll eat my Sunday hat.'
+
+“I cal'late he would 'a' beat, too. We was drawin' ahead all the time
+and had a three-quarter length lead when we swung clear of the woods and
+sighted Denboro village, quarter of a mile away. And up the road comes
+flyin' a big auto, goin' to beat the cars.
+
+“Let's forget the next few minutes; they wa'n't pleasant ones for me.
+Soon's the Bay Queen sot eyes on that auto, she stopped trottin' and
+commenced to hop; from hoppin' she changed to waltzin' and high jumpin'.
+When the smoke had cleared, the auto was out of sight and we was in the
+bushes alongside the road, with the Queen just gettin' ready to climb
+a tree. As for Tobias and Henrietta, they was roundin' the turn by the
+fust house in Denboro, wavin' by-bys to us over the back of the seat.
+
+“We went home then; and every foot of the way Cap'n Jonadab called an
+automobile a new kind of name, and none complimentary. The boarders,
+they got wind of what had happened and begun to rag him, and the more
+they ragged, the madder he got and the more down on autos.
+
+“And, to put a head on the whole business, I'm blessed if Tobias
+Loveland didn't get in with an automobile agent who was stoppin' in
+Orham and buy a fifteen-hundred-dollar machine off him. And the very
+next time Jonadab was out with the Queen on the Denboro road, Tobias
+and the widow whizzed past him in that car so fast he might as well have
+been hove to. And, by way of rubbin' it in, they come along back pretty
+soon and rolled alongside of him easy, while Henrietta gushed about Mr.
+Loveland's beautiful car and how nice it was to be able to go just as
+swift as you wanted to. Jonadab couldn't answer back, nuther, bein' too
+busy keepin' the Queen from turnin' herself into a flyin' machine.
+
+“'Twas then that he got himself swore in special constable to arrest
+auto drivers for overspeedin'; and for days he wandered round layin' for
+a chance to haul up Tobias and get him fined. He'd have had plenty of
+game if he'd been satisfied with strangers, but he didn't want them
+anyhow, and, besides, most of 'em was on their way to spend money at the
+Old Home House. 'Twould have been poor business to let any of THAT cash
+go for fines, and he realized it.
+
+“'Twas in early June, only a few weeks ago, that the widow come to our
+hotel. I never thought she meant it when she said she was comin', and so
+I didn't expect her. Fact is, I was expectin' to hear that she and Tobe
+Loveland was married or engaged. But there was a slip up somewheres, for
+all to once the depot wagon brings her to the Old Home House, she hires
+a room, and settles down to stay till the season closed, which would be
+in about a fortn't.
+
+“From the very fust she played her cards for Jonadab. He meant to be
+middlin' average frosty to her, I imagine--her bein' so thick with
+Tobias prejudiced him, I presume likely. But land sakes! she thawed
+him out like hot toddy thaws out some folks' tongues. She never took no
+notice of his coldness, but smiled and gushed and flattered, and looked
+her prettiest--which was more'n average, considerin' her age--and by the
+end of the third day he was hangin' round her like a cat round a cook.
+
+“It commenced to look serious to me. Jonadab was a pretty old fish to
+be caught with soft soap and a set of false crimps; but you can't
+never tell. When them old kind do bite, they gen'rally swallow hook and
+sinker, and he sartinly did act hungry. I wished more'n once that Peter
+T. Brown, our business manager, was aboard to help me with advice, but
+Peter is off tourin' the Yosemite with his wife and her relations, so
+whatever pilotin' there was I had to do. And every day fetched Jonadab's
+bows nigher the matrimonial rocks.
+
+“I'd about made up my mind to sound the fog horn by askin' him straight
+out what he was cal'latin' to do; but somethin' I heard one evenin', as
+I set alone in the hotel office, made me think I'd better wait a spell.
+
+“The office window was open and the curtain drawed down tight. I was
+settin' inside, smokin' and goin' over the situation, when footsteps
+sounded on the piazza and a couple come to anchor on the settee right by
+that window. Cap'n Jonadab and Henrietta! I sensed that immediate.
+
+“She was laughin' and actin' kind of queer, and he was talkin' mighty
+earnest.
+
+“'Oh, no, Cap'n! Oh, no!' she giggles. 'You mustn't be so serious on
+such a beautiful night as this. Let's talk about the moon.'
+
+“'Drat the moon!' says Jonadab. 'Hettie, I--'
+
+“'Oh, just see how beautiful the water looks! All shiny and--”
+
+“'Drat the water, too! Hettie, what's the reason you don't want to talk
+serious with me? If that Tobe Loveland--'
+
+“'Really, I don't see why you bring Mr. Loveland's name into the
+conversation. He is a perfect gentleman, generous and kind; and as for
+the way in which he runs that lovely car of his--'
+
+“The Cap'n interrupted her. He ripped out somethin' emphatic.
+
+“'Generous!' he snarls. ''Bout as generous as a hog in the feed trough,
+he is. And as for runnin' that pesky auto, if I'd demean myself to own
+one of them things, I'll bet my other suit I could run it better'n he
+does. If I couldn't, I'd tie myself to the anchor and jump overboard.'
+
+“The way she answered showed pretty plain that she didn't believe him.
+'Really?' she says. 'Do you think so? Good night, Jonadab.'
+
+“I could hear her walkin' off acrost the piazza. He went after her.
+'Hettie,' he says, 'you answer me one thing. Are you engaged to Tobe
+Loveland?'
+
+“She laughed again, sort of teasin' and slow. 'Really,' says she, 'you
+are--Why, no, I'm not.'
+
+“That was all, but it set me to thinkin' hard. She wa'n't engaged to
+Loveland; she said so, herself. And yet, if she wanted Jonadab, she was
+actin' mighty funny. I ain't had no experience, but it seemed to me that
+then was the time to bag him and she'd put him off on purpose. She was
+ages too ancient to be a flirt for the fun of it. What was her game?”
+
+
+
+
+CHAPTER X
+
+CAPTAIN JONADAB GOES
+
+
+Mr. Wingate stopped and roared a greeting to Captain Hiram Baker, who
+was passing the open door of the waiting room.
+
+“Hello, there, Hime!” he shouted. “Come up in here! What, are you too
+proud to speak to common folks?”
+
+Captain Hiram entered. “Hello!” he said. “You look like a busy gang, for
+sure. What you doin'--seatin' chairs?”
+
+“Just now we're automobilin',” observed Captain Sol. “Set down, Hiram.”
+
+“Automobilin'?” repeated the new arrival, evidently puzzled.
+
+“Sartin. Barzilla's takin' us out. Go on, Barzilla.”
+
+Mr. Wingate smiled broadly. “Well,” he began, “we HAVE just about
+reached the part where I went autoin'. The widow and me and Jonadab.”
+
+“Jonadab!” shouted Stitt. “I thought you said--”
+
+“I know what I said. But we went auto ridin' just the same.
+
+“'Twas Henry G. Bradbury that took us out, him and his bran-new big
+tourin' car. You see, he landed to board with us the next day after
+Henrietta come--this Henry G. did--and he was so quiet and easy spoken
+and run his car so slow that even a pizen auto hater like Jonadab
+couldn't take much offense at him. He wa'n't very well, he said, subject
+to some kind of heart attacks, and had come to the Old Home for rest.
+
+“Him and the Cap'n had great arguments about the sins of automobilin'.
+Jonadab was sot on the idee that nine folks out of ten hadn't machine
+sense enough to run a car. Bradbury, he declared that that was a fact
+with the majority of autos, but not with his. 'Why, a child could run
+it,' says he. 'Look here, Cap'n: To start it you just do this. To stop
+it you do so and so. To make her go slow you haul back on this lever. To
+make her go faster you shove down this one. And as for steerin'--well,
+a man that's handled the wheels of as many catboats as you have would
+simply have a picnic. I'm in entire sympathy with your feelin's against
+speeders and such--I'd be a constable if I was in your shoes--but this
+is a gentleman's car and runs like one.'
+
+“All Jonadab said was 'Bosh!' and 'Humph!' but he couldn't help actin'
+interested, particular as Mrs. Bassett kept him alongside of the machine
+and was so turrible interested herself. And when, this partic'lar
+afternoon, Henry G. invites us all to go out with him for a little 'roll
+around,' the widow was so tickled and insisted so that he just HAD to
+go; he didn't dast say no.
+
+“Somehow or 'nother--I ain't just sure yet how it happened--the seatin'
+arrangements was made like this: Jonadab and Bradbury on the front seat,
+and me and Henrietta in the stuffed cockpit astern. We rolled out and
+purred along the road, smooth as a cat trottin' to dinner. No speedin',
+no joltin', no nothin'. 'TWAS a 'gentleman's car'; there wa'n't no doubt
+about that.
+
+“We went 'way over to Bayport and Orham and beyond. And all the time
+Bradbury kept p'intin' out the diff'rent levers to Jonadab and tellin'
+him how to work 'em. Finally, after we'd headed back, he asked Jonadab
+to take the wheel and steer her a spell. Said his heart was feelin' sort
+of mean and 'twould do him good to rest.
+
+“Jonadab said no, emphatic and more'n average ugly, but Henry G. kept
+beggin' and pleadin', and pretty soon the widow put in her oar. He must
+do it, to please her. He had SAID he could do it--had told her so--and
+now he must make good. Why, when Mr. Loveland--
+
+“'All right,' snarls Jonadab. 'I'll try. But if ever--'
+
+“'Hold on!' says I. 'Here's where I get out.'
+
+“However, they wouldn't let me, and the Cap'n took the wheel. His jaw
+was set and his hands shakin', but he done it. Hettie had give her
+orders and she was skipper.
+
+“For a consider'ble spell we just crawled. Jonadab was steerin' less
+crooked every minute and it tickled him; you could see that.
+
+“'Answers her hellum tiptop, don't she?' he says.
+
+“'Bet your life!' says Bradbury. 'Better put on a little more speed,
+hadn't we?'”
+
+He put it on himself, afore the new pilot could stop him, and we
+commenced to move.
+
+“'When you want to make her jump,' he says, you press down on that with
+your foot, and you shove the spark back.'
+
+“'Shut up!' howls Jonadab. 'Belay! Don't you dast to touch that. I'm
+scart to death as 'tis. Here! you take this wheel.'
+
+“But he wouldn't, and we went on at a good clip. For a green hand the
+Cap'n was leavin' a pretty straight wake.
+
+“'Gosh!' he says, after a spell; 'I b'lieve I'm kind of gettin' the hang
+of the craft.'
+
+“'Course you are,' says Bradbury. 'I told--Oh!'
+
+“He straightens up, grabs at his vest, and slumps down against the back
+of the seat.
+
+“'What IS it?' screams the widow. 'Oh, what IS it, Mr. Bradbury?'
+
+“He answers, plucky, but toler'ble faintlike. My heart!' he gasps.
+'I--I'm afraid I'm goin' to have one of my attacks. I must get to a
+doctor quick.'
+
+“'Doctor!' I sings out. 'Great land of love! there ain't a doctor nigher
+than Denboro, and that's four mile astern.'
+
+“'Never mind,' cries the Bassett woman. 'We must go there, then. Turn
+around, Jonadab! Turn around at once! Mr. Bradbury--'
+
+“But poor Henry G. was curled up against the cushions and we couldn't
+get nothin' out of him but groans. And all the time we was sailin' along
+up the road.
+
+“'Turn around, Jonadab!' orders Henrietta. 'Turn around and go for the
+doctor!'
+
+“Jonadab's hands was clutched on that wheel, and his face was white as
+his rubber collar.
+
+“'Jerushy!' he groans desperate, 'I--I don't know HOW to turn around.'
+
+“'Then stop, you foolhead!' I bellers. 'Stop where you be!'
+
+“And he moans--almost cryin' he was: 'I--I've forgotten how to STOP.'
+
+“Talk about your situations! If we wa'n't in one then I miss my guess.
+Every minute we was sinkin' Denboro below the horizon.
+
+“'We MUST get to a doctor,' says the widow. 'Where is there another one,
+Mr. Wingate?'
+
+“'The next one's in Bayport,' says I, 'and that's ten mile ahead if it's
+a foot.'
+
+“However, there wa'n't nothin' else for it, so toward Bayport we put.
+Bradbury groaned once in a while, and Mrs. Bassett got nervous.
+
+“'We'll never get there at this rate,' says she. 'Go faster, Jonadab.
+Faster! Press down on--on that thing he told you to. Please! for MY
+sake.'
+
+“'Don't you--' I begun; but 'twas too late. He pressed, and away we
+went. We was eatin' up the road now, I tell you, and though I was
+expectin' every minute to be my next, I couldn't help admirin' the way
+the Cap'n steered. And, as for him, he was gettin' more and more set up
+and confident.
+
+“'She handles like a yacht, Barzilla,' he grunts, between his teeth.
+'See me put her around the next buoy ahead there. Hey! how's that?'
+
+“The next 'buoy' was a curve in the road, and we went around it
+beautiful. So with the next and the next and the next. Bayport wa'n't so
+very fur ahead. All to once another dreadful thought struck me.
+
+“'Look here!' I yells. 'How in time are we goin' to stop when we--OW!'
+
+“The Bassett woman had pinched my arm somethin' savage. I looked at her,
+and she was scowlin' and shakin' her head.
+
+“'S-sh-sh!' she whispers. 'Don't disturb him. He'll be frightened and--'
+
+“'Frightened! Good heavens to Betsy! I cal'late he won't be the only one
+that's fri--'
+
+“But she looked so ugly that I shut up prompt, though I done a heap of
+thinkin'. On we went and, as we turned the next 'buoy,' there, ahead of
+us, was another auto, somethin' like ours, with only one person in it, a
+man, and goin' in the same direction we was, though not quite so fast.
+
+“Then I WAS scart. 'Hi, Jonadab!' I sings out. 'Heave to! Come about!
+Shorten sail! Do you want to run him down? Look OUT!'
+
+“I might as well have saved my breath. Heavin' to and the rest of it
+wa'n't included in our pilot's education. On we went, same as ever. I
+don't know what might have happened if the widow hadn't kept her head.
+She leaned over the for'ard rail of the after cockpit and squeezed a
+rubber bag that was close to Jonadab's starboard arm. It was j'ined to
+the fog whistle, I cal'late, 'cause from under our bows sounded a beller
+like a bull afoul of a barb-wire fence.
+
+“The feller in t'other car turned his head and looked. Then he commenced
+to sheer off to wind'ard so's to let us pass. But all the time he kept
+lookin' back and starin' and, as we got nigher, and I could see him
+plainer through the dust, he looked more and more familiar. 'Twas
+somebody I knew.
+
+“Then I heard a little grunt, or gasp, from Cap'n Jonadab. He was
+leanin' for'ard over the wheel, starin' at the man in the other auto.
+The nigher we got, the harder he stared; and the man in front was
+actin' similar in regards to him. And, all to once, the head car stopped
+swingin' off to wind'ard, turned back toward the middle of the road, and
+begun to go like smoke. The next instant I felt our machine fairly jump
+beneath me. I looked at Jonadab's foot. 'Twas pressed hard down on the
+speed lever.
+
+“'You crazy loon!' I screeched. 'You--you--you--Stop it! Take your foot
+off that! Do you want to--!'
+
+“I was climbin' over the back of the front seat, my knee pretty nigh on
+Bradbury's head. But, would you believe it, that Jonadab man let go of
+the wheel with one hand--let GO of it, mind you--and give me a shove
+that sent me backward in Henrietta Bassett's lap.
+
+“'Barzilla!' he growled, between his teeth, 'you set where you be
+and keep off the quarterdeck. I'm runnin' this craft. I'll beat that
+Loveland this time or run him under, one or t'other!'
+
+“As sure as I'm alive this minute, the man in the front car was Tobias
+Loveland!
+
+“And from then on--Don't talk! I dream about it nights and wake up with
+my arms around the bedpost. I ain't real sure, but I kind of have an
+idee that the bedpost business comes from the fact that I was huggin'
+the widow some of the time. If I did, 'twa'n't knowin'ly, and she never
+mentioned it afterwards. All I can swear to is clouds of dust, and horns
+honkin', and telegraph poles lookin' like teeth in a comb, and Jonadab's
+face set as the Day of Judgment.
+
+“He kept his foot down on the speed place as if 'twas glued. He shoved
+the 'spark'--whatever that is--'way back. Every once in a while he
+yelled, yelled at the top of his lungs. What he yelled hadn't no sense
+to it. Sometimes you'd think that he was drivin' a horse and next that
+he was handlin' a schooner in a gale.
+
+“'Git dap!' he'd whoop. 'Go it, you cripples! Keep her nose right in the
+teeth of it! She's got the best of the water, so let her bile! Whe-E-E!'
+
+“We didn't stop at Bayport. Our skipper had made other arrangements.
+However, the way I figgered it, we was long past needin' a doctor, and
+you can get an undertaker 'most anywhere. We went through the village
+like a couple of shootin' stars, Tobias about a length ahead, his hat
+blowed off, his hair--what little he's got--streamin' out behind, and
+that blessed red buzz wagon of his fairly skimmin' the hummocks and
+jumpin' the smooth places. And right astern of him comes Jonadab,
+hangin' to the wheel, HIS hat gone, his mouth open, and fillin' the dust
+with yells and coughs.
+
+“You could see folks runnin' to doors and front gates; but you never saw
+'em reach where they was goin'--time they done that we was somewheres
+round the next bend. A pullet run over us once--yes, I mean just that.
+She clawed the top of the widow's bunnit as we slid underneath her, and
+by the time she lit we was so fur away she wa'n't visible to the
+naked eye. Bradbury--who'd got better remarkable sudden--was pawin' at
+Jonadab's arm, tryin' to make him ease up; but he might as well have
+pawed the wind. As for Henrietta Bassett, she was acrost the back of the
+front seat tootin' the horn for all she was wuth. And curled down in a
+heap on the cockpit floor was a fleshy, sea-farin' person by the name of
+Barzilla Wingate, sufferin' from chills and fever.
+
+“I think 'twas on the long stretch of the Trumet road that we beat
+Tobias. I know we passed somethin' then, though just what I ain't
+competent to testify. All I'm sure of is that, t'other side of Bayport
+village, the landscape got some less streaked and you could most
+gen'rally separate one house from the next.
+
+“Bradbury looked at Henrietta and smiled, a sort of sickly smile. She
+was pretty pale, but she managed to smile back. I got up off the floor
+and slumped on the cushions. As for Cap'n Jonadab Wixon, he'd stopped
+yellin', but his face was one broad, serene grin. His mouth, through
+the dust and the dirt caked around it, looked like a rain gully in a
+sand-bank. And, occasional, he crowed, hoarse but vainglorious.
+
+“'Did you see me?' he barked. 'Did you notice me lick him? He'll laugh
+at me, will he?--him and his one-horse tin cart! Ho! HO! Why, you'd
+think he was settin' down to rest! I've got him where I want him now!
+Ho, ho! Say, Henrietta, did you go swift as you--? Land sakes! Mr.
+Bradbury, I forgot all about you. And I--I guess we must have got a good
+ways past the doctor's place.'
+
+“Bradbury said never mind. He felt much better, and he cal'lated he'd do
+till we fetched the Old Home dock. He'd take the wheel, now, he guessed.
+
+“But, would you b'lieve it, that fool Jonadab wouldn't let him! He was
+used to the ship now, he said, and, if 'twas all the same to Henry G.
+and Hettie, he'd kind of like to run her into port.
+
+“'She answers her hellum fine,' he says. 'After a little practice I
+cal'late I could steer--'
+
+“'Steer!' sings out Bradbury. 'STEER! Great Caesar's ghost! I give you
+my word, Cap'n Wixon, I never saw such handlin' of a machine as you did
+goin' through Bayport, in my life. You're a wonder!'
+
+“'Um-hm,' says Jonadab contented. 'I've steered a good many vessels in
+my time, through traffic and amongst the shoals, and never run afoul
+of nothin' yet. I don't see much diff'rence on shore--'cept that it's a
+little easier.'
+
+“EASIER! Wouldn't that--Well, what's the use of talkin'?
+
+“We got to the Old Home House safe and sound; Jonadab, actin' under
+Bradbury's orders, run her into the yard, slowin' up and stoppin' at
+the front steps slick as grease. He got out, his chest swelled up like
+a puffin' pig, and went struttin' in to tell everybody what he'd done to
+Loveland. I don't know where Bradbury and the widow went. As for me, I
+went aloft and turned in. And 'twas two days and nights afore I got up
+again. I had a cold, anyway, and what I'd been through didn't help it
+none.
+
+“The afternoon of the second day, Bradbury come up to see me. He was
+dressed in his city clothes and looked as if he was goin' away. Sure
+enough, he was; goin' on the next train.
+
+“'Where's Jonadab?' says I.
+
+“'Oh, he's out in his car,' he says. 'Huntin' for Loveland again,
+maybe.'
+
+“'HIS car? You mean yours.'
+
+“'No, I mean his. I sold my car to him yesterday mornin' for twenty-five
+hundred dollars cash.'
+
+“I set up in bed. 'Go 'long!' I sings out. 'You didn't nuther!'
+
+“'Yes, I did. Sure thing. After that ride, you couldn't have separated
+him from that machine with blastin' powder. He paid over the money like
+a little man.'
+
+“I laid down again. Jonadab Wixon payin' twenty-five hundred dollars for
+a plaything! Not promisin', but actually PAYIN' it!
+
+“'Has--has the widow gone with him?' I asked, soon's I could get my
+breath.
+
+“He laughed sort of queer. 'No,' he says, 'she's gone out of town for
+a few days. Ha, ha! Well, between you and me, Wingate, I doubt if
+she comes back again. She and I have made all we're likely to in this
+neighborhood, and she's too good a business woman to waste her time.
+Good-by; glad to have met you.'
+
+“But I smelt rat strong and wouldn't let him go without seein' the
+critter.
+
+“'Hold on!' I says. 'There's somethin' underneath all this. Out with it.
+I won't let on to the Cap'n if you don't want me to.'
+
+“'Well,' says he, laughin' again, 'Mrs. Bassett WON'T come back and
+I know it. She and I have sold four cars on the Cape in the last five
+weeks, and the profits'll more'n pay vacation expenses. Two up in
+Wareham, one over in Orham, to Loveland--'
+
+“'Did YOU sell Tobias his?' I asks, settin' up again.
+
+“'Hettie and I did--yes. Soon's we landed him, we come over to bag old
+Wixon. I thought one time he'd kill us before we got him, but he didn't.
+How he did run that thing! He's a game sport.'
+
+“'See here!' says I. 'YOU and Hettie sold--What do you mean by that?'
+
+“'Mrs. Bassett is my backer in the auto business,' says he. 'She put in
+her money and I furnished the experience. We've got a big plant up in--'
+namin' a city in Connecticut.
+
+“I fetched a long breath. 'WELL!' says I. 'And all this makin' eyes at
+Tobe and Jonadab was just--just--'
+
+“'Just bait, that's all,' says he. 'I told you she was a good business
+woman.'
+
+“I let this sink in good. Then says I, 'Humph! I swan to man! And how's
+your heart actin' now?'
+
+“'Fine!' he says, winkin'. 'I had that attack so's the Cap'n would learn
+to run on his own hook. I didn't expect quite so much of a run, but
+I'm satisfied. Don't you worry about my heart disease. That twenty-five
+hundred cured it. 'Twas all in the way of business,' says Henry G.
+Bradbury.”
+
+“Whew!” whistled Captain Hiram as Barzilla reached into his pocket for
+pipe and tobacco. “Whew! I should say your partner had a narrer escape.
+Want to look out sharp for widders. They're dangerous, hey, Sol?”
+
+The depot master did not answer. Captain Hiram asked another question.
+“How'd Jonadab take Hettie's leavin'?” he inquired.
+
+“Oh,” said Barzilla, “I don't think he minded so much. He was too crazy
+about his new auto to care for anything else. Then, too, he was b'ilin'
+mad 'cause Loveland swore out a warrant against him for speedin'.
+
+“'Nice trick, ain't it?' he says. 'I knew Tobe was a poor loser, but
+I didn't think he'd be so low down as all that. Says I was goin' fifty
+mile an hour. He! he! Well, I WAS movin', that's a fact. I don't care.
+'Twas wuth the twenty-dollar fine.'
+
+“'Maybe so,' I says, 'but 'twon't look very pretty to have a special
+auto constable hauled up and fined for breakin' the law he's s'posed to
+protect.'
+
+“He hadn't thought of that. His face clouded over.
+
+“'No use, Barzilla,' says he; 'I'll have to give it up.'
+
+“'Guess you will,' says I. 'Automobilin' is--'
+
+“'I don't mean automobilin',' he snorts disgusted. 'Course not! I mean
+bein' constable.'
+
+“So there you are! From cussin' automobiles he's got so that he can't
+talk enough good about 'em. And every day sence then he's out on the
+road layin' for another chance at Tobias. I hope he gets that chance
+pretty soon, because--well, there's a rumor goin' round that Loveland is
+plannin' to swap his car for a bigger and faster one. If he does . . .”
+
+“If he does,” interrupted Captain Sol, “I hope you'll fix the next race
+for over here. I'd like to see you go by, Barzilla.”
+
+“Guess you'd have to look quick to see him,” laughed Stitt. “Speakin'
+about automobiles--”
+
+“By gum!” ejaculated Wingate, “you'd have to look somewheres else to
+find ME. I've got all the auto racin' I want!”
+
+“Speakin' of automobiles,” began Captain Bailey again. No one paid the
+slightest attention.
+
+“How's Dusenberry, your baby, Hiram?” asked the depot master, turning to
+Captain Baker. “His birthday's the Fourth, and that's only a couple of
+days off.”
+
+The proud parent grinned, then looked troubled.
+
+“Why, he ain't real fust-rate,” he said. “Seems to be some under
+the weather. Got a cold and kind of sore throat. Dr. Parker says he
+cal'lates it's a touch of tonsilitis. There's consider'ble fever, too.
+I was hopin' the doctor'd come again to-day, but he's gone away on
+a fishin' cruise. Won't be home till late to-morrer. I s'pose me and
+Sophrony hadn't ought to worry. Dr. Parker seems to know about the
+case.”
+
+“Humph!” grunted the depot master, “there's only two bein's in creation
+that know it all. One's the Almighty and t'other's young Parker. He's
+right out of medical school and is just as fresh as his diploma. He
+hadn't any business to go fishin' and leave his patients. We lost a
+good man when old Dr. Ryder died. He . . . Oh, well! you mustn't
+worry, Hiram. Dusenberry'll pull out in time for his birthday. Goin' to
+celebrate, was you?”
+
+Captain Baker nodded. “Um-hm,” he said. “Sophrony's goin' to bake a
+frosted cake and stick three candles on it--he's three year old, you
+know--and I've made him a 'twuly boat with sails,' that's what he's been
+beggin' for. Ho! ho! he's the cutest little shaver!”
+
+“Speakin' of automobiles,” began Bailey Stitt for the third time.
+
+“That youngster of yours, Hiram,” went on the depot master, “is the
+right kind. Compared with some of the summer young ones that strike this
+depot, he's a saint.”
+
+Captain Hiram grinned. “That's what I tell Sophrony,” he said.
+“Sometimes when Dusenberry gets to cuttin' up and she is sort of
+provoked, I say to her, 'Old lady,' I say, 'if you think THAT'S a
+naughty boy, you ought to have seen Archibald.'”
+
+“Who was Archibald?” asked Barzilla.
+
+“He was a young rip that Sim Phinney and I run across four years ago
+when we went on our New York cruise together. The weir business had been
+pretty good and Sim had been teasin' me to go on a vacation with him, so
+I went. Sim ain't stopped talkin' about our experiences yet. Ho! ho!”
+
+“You bet he ain't!” laughed the depot master. “One mix-up you had with
+a priest, and a love story, and land knows what. He talks about that to
+this day.”
+
+“What was it? He never told me,” said Wingate.
+
+“Why, it begun at the Golconda House, the hotel where Sim and I was
+stayin'. We--”
+
+“Did YOU put up at the Golconda?” interrupted Barzilla. “Why, Cap'n
+Jonadab and me stayed there when we went to New York.”
+
+“I know you did. Jonadab recommended it to Sim, and Sim took the
+recommendation. That Golconda House is the only grudge I've got against
+Jonadab Wixon. It sartin is a tough old tavern.”
+
+“I give in to that. Jonadab's so sot on it account of havin' stopped
+there on his honeymoon, years and years ago. He's too stubborn to
+own it's bad. It's a matter of principle with him, and he's sot on
+principle.”
+
+“Yes,” continued Baker. “Well, Sim and me had been at that Golconda
+three days and nights. Mornin' of the fourth day we walked out of the
+dinin' room after breakfast, feelin' pretty average chipper. Gettin'
+safe past another meal at that hotel was enough of itself to make a chap
+grateful.
+
+“We walked out of the dinin' room and into the office. And there, by the
+clerk's desk, was a big, tall man, dressed up in clothes that was loud
+enough to speak for themselves, and with a shiny new tall hat, set with
+a list to port, on his head. He was smooth-faced and pug-nosed, with an
+upper lip like a camel's.
+
+“He didn't pay much attention to us, nor to anybody else, for the matter
+of that. He was as mournful as a hearse, for all his joyful togs.
+
+“'Fine day, ain't it?' says Sim, social.
+
+“The tall chap looked up at him from under the deck of the beaver hat.
+
+“'Huh!' he growls out, and looks down again.
+
+“'I say it's a fine day,' said Phinney again.
+
+“'I was after hearin' yez say it,' says the man, and walks off, scowlin'
+like a meat ax. We looked after him.
+
+“'Who was that murderer?' asks Sim of the clerk. 'And when are they
+going to hang him?'
+
+“'S-sh-sh!' whispers the clerk, scart. ''Tis the boss. The bloke what
+runs the hotel. He's a fine man, but he has troubles. He's blue.'
+
+“'So that's the boss, hey?' says I. 'And he's blue. Well, he looks it.
+What's troublin' him? Ain't business good?'
+
+“'Never better. It ain't that. He has things on his mind. You see--'
+
+“I cal'late he'd have told us the yarn, only Sim wouldn't wait to hear
+it. We was goin' sight-seein' and we had 'aquarium' and 'Stock Exchange'
+on the list for that afternoon. The hotel clerk had made out a kind of
+schedule for us of things we'd ought to see while we was in New York,
+and so fur we'd took in the zoological menagerie and the picture museum,
+and Central Park and Brooklyn Bridge.
+
+“On the way downtown in the elevated railroad Sim done some preachin'.
+His text was took from the Golconda House sign, which had 'T. Dempsey,
+Proprietor,' painted on it.
+
+“'It's that Dempsey man's conscience that makes him so blue, Hiram,'
+says Sim. 'It's the way he makes his money. He sells liquor.'
+
+“'Oh!' says I. 'Is THAT it? I thought maybe he'd been sleepin' on one
+of his own hotel beds. THEY'RE enough to make any man blue--black and
+blue.'
+
+“The 'aquarium' wa'n't a success. Phinney was disgusted. He give one
+look around, grabbed me by the arm, and marched me out of that building
+same as Deacon Titcomb, of the Holiness Church at Denboro, marched his
+boy out of the Universalist sociable.
+
+“'It's nothin' but a whole passel of fish,' he snorts. 'The idea of
+sendin' two Cape Codders a couple of miles to look at FISH. I've looked
+at 'em and fished for 'em, and et 'em all the days of my life,' he says,
+'and when I'm on a vacation I want a change. I'd forgot that “aquarium”
+ meant fish, or you wouldn't have got me within smellin' distance of
+it. Necessity's one thing and pleasure's another, as the boy said about
+takin' his ma's spring bitters.'
+
+“So we headed for the Stock Exchange. We got our gallery tickets at the
+bank where the Golconda folks kept money, and in a little while we was
+leanin' over a kind of marble bulwarks and starin' down at a gang of men
+smokin' and foolin' and carryin' on. 'Twas a dull day, so we found out
+afterward, and I guess likely that was true. Anyway, I never see such
+grown-up men act so much like children. There was a lot of poles stuck
+up around with signs on 'em, and around every pole was a circle of
+bedlamites hollerin' like loons. Hollerin' was the nighest to work
+of anything I see them fellers do, unless 'twas tearin' up papers and
+shovin' the pieces down somebody's neck or throwin' 'em in the air like
+a play-actin' snowstorm.
+
+“'What's the matter with 'em?' says I. 'High finance taken away their
+brains?'
+
+“But Phinney was awful interested. He dumped some money in a mine once.
+The mine caved in on it, I guess, for not a red cent ever come to the
+top again, but he's been a kind of prophet concernin' finances ever
+sence.
+
+“'I want to see the big fellers,' says he. 'S'pose that fat one is
+Morgan?'
+
+“'I don't know,' says I. 'Me and Pierpont ain't met for ever so long.
+Don't lean over and point so; you're makin' a hit.'
+
+“He was, too. Some of the younger crew on the floor was lookin' up and
+grinnin', and more kept stoppin' and joinin' in all the time. I cal'late
+we looked kind of green and soft, hangin' over that marble rail, like
+posies on a tombstone; and green is the favorite color to a stockbroker,
+they tell me. Anyhow, we had a good-sized congregation under us in
+less than no time. Likewise, they got chatty, and commenced to unload
+remarks.
+
+“'Land sakes!' says one. 'How's punkins?'
+
+“'How's crops down your way?' says another.
+
+“Now there wa'n't nothin' real bright and funny about these
+questions--more fresh than new, they struck me--but you'd think they
+was gems from the comic almanac, jedgin' by the haw-haws. Next minute
+a little bald-headed smart Alec, with clothes that had a tailor's sign
+hull down and out of the race, steps to the front and commences to make
+a speech.
+
+“'Gosh t'mighty, gents,' says he. 'With your kind permission, I'll sing
+“When Reuben Comes to Town.”'
+
+“And he did sing it, too, in a voice that needed cultivatin' worse'n
+a sandy front yard. And with every verse the congregation whooped and
+laughed and cheered. When the anthem was concluded, all hands set up a
+yell and looked at us to see how we took it.
+
+“As for me, I was b'ilin' mad and mortified and redhot all over. But Sim
+Phinney was as cool as an October evenin'. Once in a while old Sim
+comes out right down brilliant, and he done it now. He smiled, kind
+of tolerant and easy, same as you might at the tricks of a hand-organ
+monkey. Then he claps his hands, applaudin' like, reaches into his
+pocket, brings up a couple of pennies, and tosses 'em down to little
+baldhead, who was standin' there blown up with pride.
+
+“For a minute the crowd was still. And THEN such a yell as went up! The
+whole floor went wild. Next thing I knew the gallery was filled with
+brokers, grabbin' us by the hands, poundin' us on the back, beggin' us
+to come have a drink, and generally goin' crazy. We was solid with the
+'system' for once in our lives. We could have had that whole buildin',
+from marble decks to gold maintruck, if we'd said the word. Fifty
+yellin' lunatics was on hand to give it to us; the other two hundred was
+joyfully mutilatin' the baldhead.
+
+“Well, I wanted to get away, and so did Sim, I guess; but the crowd
+wouldn't let us. We'd got to have a drink; hogsheads of drinks. That was
+the best joke on Eddie Lewisburg that ever was. Come on! We MUST come
+on! Whee! Wow!
+
+“I don't know how it would have ended if some one hadn't butted head
+first through the mob and grabbed me by the shoulder. I was ready to
+fight by this time, and maybe I'd have begun to fight if the chap who
+grabbed me hadn't been a few inches short of seven foot high. And,
+besides that, I knew him. 'Twas Sam Holden, a young feller I knew when
+he boarded here one summer. His wife boarded here, too, only she wa'n't
+his wife then. Her name was Grace Hargrave and she was a fine girl.
+Maybe you remember 'em, Sol?”
+
+The depot master nodded.
+
+“I remember 'em well,” he said. “Liked 'em both--everybody did.”
+
+“Yes. Well, he knew us and was glad to see us.
+
+“'It IS you!' he sings out. 'By George! I thought it was when I came on
+the floor just now. My! but I'm glad to see you. And Mr. Phinney, too!
+Bully! Clear out and let 'em alone, you Indians.'
+
+“The crowd didn't want to let us alone, but Sam got us clear somehow,
+and out of the Exchange Buildin' and into the back room of a kind of
+restaurant. Then he gets chairs for us, orders cigars, and shakes hands
+once more.
+
+“'To think of seein' you two in New York!' he says, wonderin'. 'What are
+you doin' here? When did you come? Tell us about it.'
+
+“So we told him about our pleasure cruise, and what had happened to us
+so fur. It seemed to tickle him 'most to death.
+
+“'Grace and I are keepin' house, in a modest way, uptown,' says Sam,
+'and she'll be as glad to see you as I am. You're comin' up to dinner
+with me to-night, and you're goin' to make us a visit, you know,' he
+says.
+
+“Well, if we didn't know it then, we learned it right away. Nothin'
+that me or Simeon could say would make him change the course a point. So
+Phinney went up to the Golconda House and got our bags, and at half-past
+four that afternoon the three of us was in a hired hack bound uptown.
+
+“On the way Sam was full of fun as ever. He laughed and joked, and asked
+questions about East Harniss till you couldn't rest. All of a sudden he
+slaps his knee and sings out:
+
+“'There! I knew I'd forgotten somethin'. Our butler left yesterday,
+and I was to call at the intelligence office on my way home and see if
+they'd scared up a new one.'
+
+“I looked at Simeon, and he at me.
+
+“'Hum!' says I, thinkin' about that 'modest' housekeepin'. 'Do you keep
+a butler?'
+
+“'Not long,' says he, dry as a salt codfish. And that's all we could get
+out of him.
+
+“I s'pose there's different kinds of modesty. We hadn't more'n got
+inside the gold-plated front door of that house when I decided that the
+Holden brand of housekeepin' wa'n't bashful enough to blush. If I'D been
+runnin' that kind of a place, the only time I'd felt shy and retirin'
+was when the landlord came for the rent.
+
+“One of the fo'mast hands--hired girls, I mean--went aloft to fetch Mrs.
+Holden, and when Grace came down she was just as nice and folksy and
+glad to see us as a body could be. But she looked sort of troubled, just
+the same.
+
+“'I'm ever so glad you're here,' says she to me and Simeon. 'But, oh,
+Sam! it's a shame the way things happen. Cousin Harriet and Archie came
+this afternoon to stay until to-morrow. They're on their way South.
+And I have promised that you and I shall take Harriet to see Marlowe
+to-night. Of course we won't do it now, under any consideration, but you
+know what she is.'
+
+“Sam seemed to know. He muttered somethin' that sounded like a Scripture
+text. Simeon spoke up prompt.
+
+“'Indeed you will,' says he, decided. 'Me and Hiram ain't that kind.
+We've got relations of our own, and we know what it means when they
+come a-visitin'. You and Mr. Holden'll take your comp'ny and go to
+see--whatever 'tis you want to see, and we'll make ourselves to home
+till you get back. Yes, you will, or we clear out this minute.'
+
+“They didn't want to, but we was sot, and so they give in finally. It
+seemed that this Cousin Harriet was a widow relation of the Holdens, who
+lived in a swell country house over in Connecticut somewhere, and was
+rich as the rest of the tribe. Archie was her son. 'Hers and the Evil
+One's,' Sam said.
+
+“We didn't realize how much truth there was in this last part until we
+run afoul of Archie and his ma at dinner time. Cousin Harriet was tall
+and middlin' slim, thirty-five years old, maybe, at a sale for
+taxes, but discounted to twenty at her own valuation. She was got up
+regardless, and had a kind of chronic, tired way of talkin', and a
+condescendin' look to her, as if she was on top of Bunker Hill monument,
+and all creation was on its knees down below. She didn't warm up to
+Simeon and me much; eyed us over through a pair of gilt spyglasses, and
+admitted that she was 'charmed, I'm sure.' Likewise, she was afflicted
+with 'nerves,' which must be a divil of a disease--for everybody but the
+patient, especial.
+
+“Archie--his ma hailed him as 'Archibald, dear'--showed up pretty
+soon in tow of his 'maid,' a sweet-faced, tired-out Irish girl named
+Margaret. 'Archibald, dear,' was five years old or so, sufferin' from
+curls and the lack of a lickin'. I never see a young one that needed a
+strap ile more.
+
+“'How d'ye do Archie?' says Simeon, holdin' out his hand.
+
+“Archie didn't take the hand. Instead of that he points at Phinney and
+commences to laugh.
+
+“'Ho, ho!' says he, dancin' and pointin'. 'Look at the funny whiskers.'
+
+“Sim wa'n't expectin' that, and it set him all aback, like he'd run into
+a head squall. He took hold of his beard and looked foolish. Sam and
+Grace looked ashamed and mad. Cousin Harriet laughed one of her lazy
+laughs.
+
+“'Archibald, de-ar,' she drawls, 'you mustn't speak that way. Now be
+nice, and play with Margaret durin' dinner, that's a good boy.'
+
+“'I won't,' remarks Archie, cheerful. 'I'm goin' to dine with you,
+mama.'
+
+“'Oh, no, you're not, dear. You'll have your own little table, and--'
+
+“Then 'twas' Hi, yi!' 'Bow, wow!' Archibald wa'n't hankerin' for little
+tables. He was goin' to eat with us, that's what. His ma, she argued
+with him and pleaded, and he yelled and stamped and hurrahed. When
+Margaret tried to soothe him he went at her like a wild-cat, and kicked
+and pounded her sinful. She tried to take him out of the room, and then
+Cousin Harriet come down on her like a scow load of brick.
+
+“'Haven't I told you,' says she, sharp and vinegary, 'not to oppose the
+child in that way? Archibald has such a sensitive nature,' she says to
+Grace, 'that opposition arouses him just as it did me at his age. Very
+well, dear; you MAY dine with us to-night, if you wish. Oh, my poor
+nerves! Margaret, why don't you place a chair for Master Archibald? The
+creature is absolutely stupid at times,' she says, talkin' about that
+poor maid afore her face with no more thought for her feelin's than
+if she was a wooden image. 'She has no tact whatever. I wouldn't have
+Archibald's spirit broken for anything.'
+
+“'Twas his neck that needed breakin' if you asked ME. That was a joyful
+meal, now I tell you.
+
+“There was more joy when 'twas over. Archie didn't want to go to bed,
+havin' desires to set up and torment Simeon with questions about his
+whiskers; askin' if they growed or was tied on, and things like that.
+Course he didn't know his ma was goin' to the show, or he wouldn't have
+let her. But finally he was coaxed upstairs by Margaret and a box of
+candy, and, word havin' been sent down that he was asleep, Sam got
+out his plug hat, and Grace and Cousin Harriet got on their fur-lined
+dolmans and knit clouds, and was ready for the hack.
+
+“'I feel mighty mean to go off and leave you this way,' says Sam to
+me and Simeon. 'But you make yourself at home, won't you? This is your
+house to-night, you know; servants and all.'
+
+“'How about that boy's wakin' up?' says I.
+
+“'Oh, his maid'll attend to him. If she needs any help you can give it
+to her,' he says, winkin' on the side.
+
+“But Cousin Harriet was right at his starboard beam, and she heard him.
+She flew up like a settin' hen.
+
+“'Indeed they will NOT!' she sings out. 'If anyone but Margaret was to
+attempt to control Archibald, I don't dare think what might happen.
+I shall not stir from this spot until these persons promise not to
+interfere in ANY way; Archibald, dear, is such a sensitive child.'
+
+“So we promised not to interfere, although Sim Phinney looked
+disappointed when he done it. I could see that he'd had hopes afore he
+give that promise.”
+
+
+
+
+CHAPTER XI
+
+IN THE GREAT METROPOLIS
+
+
+“So they left you and Sim Phinney to keep house, did they, Hiram?”
+ observed Wingate.
+
+“They did. And, for a spell, we figgered on bein' free from too much
+style.
+
+“After they'd gone we loafed into the settin' room or libr'ry, or
+whatever you call it, and come to anchor in a couple of big lazy chairs.
+
+“'Now,' says I, takin' off my coat, 'we can be comf'table.'
+
+“But we couldn't. In bobs a servant girl to know if we 'wanted
+anything.' We didn't, but she looked so shocked when she see me in my
+shirt sleeves that I put the coat on again, feelin' as if I'd ought
+to blush. And in a minute back she comes to find out if we was SURE we
+didn't want anything. Sim was hitchin' in his chair. Between 'nerves'
+and Archibald, his temper was raw on the edges.
+
+“'Say,' he bursts out, 'you look kind of pale to me. What you need is
+fresh air. Why don't you go take a walk?'
+
+“The girl looked at him with her mouth open.
+
+“'Oh,' says she, 'I couldn't do that, thank you, sir. That would leave
+no one but the cook and the kitchen girl. And the master said you was to
+be made perfectly comf'table, and--'
+
+“'Yes,' says Sim, dry, 'I heard him say it. And we can't be comf'table
+with you shut up in the house this nice evenin'. Go and take a walk, and
+take the cook and stewardess with you. Don't argue about it. I'm skipper
+here till the boss gets back. Go, the three of you, and go NOW. D'ye
+hear?'
+
+“There was a little more talk, but not much. In five minutes or so the
+downstairs front door banged, and there was gigglin' outside.
+
+“'There,' says Simeon, peelin' off HIS coat and throwin' himself back in
+one chair with his feet on another one. 'Now, by Judas, I'm goin' to be
+homey and happy like poor folks. I don't wonder that Harriet woman's got
+nerves. Darn style, anyhow! Pass over that cigar box, Hiram.'
+
+“'Twas half an hour later or so when Margaret, the nursemaid, came
+downstairs. I'd almost forgot her. We was tame and toler'ble contented
+by that time. Phinney called to her as she went by the door.
+
+“'Is that young one asleep?' he asked.
+
+“'Yes, sir,' says she, 'he is. Is there anything I can do? Did you want
+anything?'
+
+“Simeon looks at me. 'I swan to man, it's catchin'!' he says. 'They've
+all got it. No, we don't want anything, except--What's the matter? YOU
+don't need fresh air, do you?'
+
+“The girl looked as if she'd lost her last friend. Her pretty face was
+pale and her eyes was wet, as if she'd been cryin'.
+
+“'No, sir,' says she, puzzled. 'No, sir, thank you, sir.'
+
+“'She's tired out, that's all,' says I. I swan, I pitied the poor thing.
+'You go somewheres and take a nap,' I told her. 'Me and my friend won't
+tell.'
+
+“Oh, no, she couldn't do that. It wa'n't that she was tired--no more
+tired than usual--but she'd been that troubled in her mind lately,
+askin' our pardon, that she was near to crazy.
+
+“We was sorry for that, but it didn't seem to be none of our business,
+and she was turnin' away, when all at once she stops and turns back
+again.
+
+“'Might I ask you gintlemen a question?' she says, sort of pleadin'.
+'Sure I mane no harm by it. Do aither of you know a man be the name of
+Michael O'Shaughnessy?'
+
+“Me and Sim looked at each other. 'Which?' says I. 'Mike O' who?' says
+Simeon.
+
+“'Aw, don't you know him?' she begs. 'DON'T you know him? Sure I hoped
+you might. If you'd only tell me where he is I'd git on me knees and
+pray for you. O Mike, Mike! why did you leave me like this? What'll
+become of me?'
+
+“And she walks off down the hall, coverin' her face with her hands and
+cryin' as if her heart was broke.
+
+“'There! there!' says Simeon, runnin' after her, all shook up. He's a
+kind-hearted man--especially to nice-lookin' females. 'Don't act so,' he
+says. 'Be a good girl. Come right back into the settin' room and tell
+me all about it. Me and Cap'n Baker ain't got nerves, and we ain't rich,
+neither. You can talk to us. Come, come!'
+
+“She didn't know how to act, seemingly. She was like a dog that's been
+kicked so often he's suspicious of a pat on the head. And she was cryin'
+and sobbin' so, and askin' our pardon for doin' it, that it took a good
+while to get at the real yarn. But we did get it, after a spell.
+
+“It seems that the girl--her whole name was Margaret Sullivan--had
+been in this country but a month or so, havin' come from Ireland in a
+steamboat to meet the feller who'd kept comp'ny with her over there. His
+name was Michael O'Shaughnessy, and he'd been in America for four years
+or more, livin' with a cousin in Long Island City. And he'd got a good
+job at last, and he sent for her to come on and be married to him.
+And when she landed 'twas the cousin that met her. Mike had drawn a
+five-thousand-dollar prize in the Mexican lottery a week afore, and
+hadn't been seen sence.
+
+“So poor Margaret goes to the cousin's to stay. And she found them poor
+as Job's pet chicken, and havin' hardly grub enough aboard to feed the
+dozen or so little cousins, let alone free boarders like her. And so,
+havin' no money, she goes out one day to an intelligence office where
+they deal in help, and puts in a blank askin' for a job as servant girl.
+'Twas a swell place, where bigbugs done their tradin', and there she
+runs into Cousin Harriet, who was a chronic customer, always out of
+servants, owin' to the complications of Archibald and nerves. And
+Harriet hires her, because she was pretty and would work for a shavin'
+more'n nothin', and carts her right off to Connecticut. And when
+Margaret sets out to write for her trunk, and to tell where she is, she
+finds she's lost the cousin's address, and can't remember whether it's
+Umpty-eighth Street or Tin Can Avenue.
+
+“'And, oh,' says she, 'what SHALL I do? The mistress is that hard to
+please, and the child is that wicked till I want to die. And I have no
+money and no friends. O Mike! Mike!' she says. 'If you only knew you'd
+come to me. For it's a good heart he has, although the five thousand
+dollars carried away his head,' says she.
+
+“I don't believe I ever wanted to make a feller's acquaintance more than
+I done that O'Shaughnessy man's. The mean blackguard, to leave his girl
+that way. And 'twas easy to see what she'd been through with Cousin
+Harriet and that brat. We tried to comfort her all we could; promised to
+have a hunt through Long Island and the directory, and to help get her
+another place when she got back from the South, and so on. But 'twas
+kind of unsatisfactory. 'Twas her Mike she wanted.
+
+“'I told the Father about it at the church up there,' she says, 'and he
+wrote, but the letters was lost, I guess. And I thought if I might see
+a priest here in New York he might help me. But the mistress is to go at
+noon to-morrer, and I'll have no time. What SHALL I do?' says she, and
+commenced to cry again.
+
+“Then I had an idea. 'Priest?' says I. 'There's a fine big church, with
+a cross on the ridgepole of it, not five minutes' walk from this house.
+I see it as we was comin' up. Why don't you run down there this minute?'
+I says.
+
+“No, she didn't want to leave Archibald. Suppose he should wake up.
+
+“'All right,' says I. 'Then I'll go myself. And I'll fetch a priest up
+here if I have to tote him on my back, like the feller does the codfish
+in the advertisin' picture.'
+
+“I didn't have to tote him. He lived in a mighty fine house, hitched
+onto the church, and there was half a dozen assistant parsons to help
+him do his preachin'. But he was big and fat and gray-haired and as
+jolly and as kind-hearted a feller as you'd want to meet. He said he'd
+come right along; and he done it.
+
+“Phinney opened the door for us. 'What's the row?' says I, lookin' at
+his face.
+
+“'Row?' he snorts; 'there's row enough for six. That da--excuse me,
+mister--that cussed Archibald has woke up.'
+
+“He had; there wa'n't no doubt about it. And he was raisin' hob, too.
+The candy, mixed up with the dinner, had put his works in line with his
+disposition, and he was poundin' and yellin' upstairs enough to wake the
+dead. Margaret leaned over the balusters.
+
+“'Is it the Father?' she says. 'Oh, dear! what'll I do?'
+
+“'Send some of the other servants to the boy,' says the priest, 'and
+come down yourself.'
+
+“Simeon, lookin' kind of foolish, explained what had become of the other
+servants. Father McGrath--that was his name--laughed and shook all over.
+
+“'Very well,' says he. 'Then bring the young man down. Perhaps he'll be
+quiet here.'
+
+“So pretty soon down come Margaret with Archibald, full of the Old
+Scratch, as usual, dressed up gay in a kind of red blanket nighty, with
+a rope around the middle of it. The young one spotted Simeon, and set up
+a whoop.
+
+“'Oh! there's the funny whiskers,' he sings out.
+
+“'Good evenin', my son,' says the priest.
+
+“'Who's the fat man?' remarks Archibald, sociable. 'I never saw such a
+red fat man. What makes him so red and fat?'
+
+“These questions didn't make Father McGrath any paler. He laughed, of
+course, but not as if 'twas the funniest thing he ever heard.
+
+“'So you think I'm fat, do you, my boy?' says he.
+
+“'Yes, I do,' says Archibald. 'Fat and red and funny. Most as funny as
+the whisker man. I never saw such funny-lookin' people.'
+
+“He commenced to point and holler and laugh. Poor Margaret was so
+shocked and mortified she didn't know what to do.
+
+“'Stop your noise, sonny,' says I. 'This gentleman wants to talk to your
+nurse.'
+
+“The answer I got was some unexpected.
+
+“'What makes your feet so big?' says Archie, pointin' at my Sunday
+boots. 'Why do you wear shoes like that? Can't you help it? You're
+funny, too, aren't you? You're funnier than the rest of 'em.'
+
+“We all went into the library then, and Father McGrath tried to ask
+Margaret some questions. I'd told him the heft of the yarn on the way
+from the church, and he was interested. But the questionin' was mighty
+unsatisfyin'. Archibald was the whole team, and the rest of us was
+yeller dogs under the wagon.
+
+“'Can't you keep that child quiet?' asks the priest, at last, losin' his
+temper and speakin' pretty sharp.
+
+“'O Archie, dear! DO be a nice boy,' begs Margaret, for the eight
+hundredth time.
+
+“'Why don't you punish him as he deserves?'
+
+“'Father, dear, I can't. The mistress says he's so sensitive that he has
+to have his own way. I'd lose my place if I laid a hand on him.'
+
+“'Come on into the parlor and see the pictures, Archie,' says I.
+
+“'I won't,' says Archibald. 'I'm goin' to stay here and see the fat man
+make faces.'
+
+“'You see,' says Sim, apologizin' 'we can't touch him, 'cause we
+promised his ma not to interfere. And my right hand's got cramps in the
+palm of it this minute,' he adds, glarin' at the young one.
+
+“Father McGrath stood up and reached for his hat. Margaret began to cry.
+Archibald, dear, whooped and kicked the furniture. And just then the
+front-door bell rang.
+
+“For a minute I thought 'twas Cousin Harriet and the Holdens come back,
+but then I knew it was hours too early for that. Margaret was too much
+upset to be fit for company, so I answered the bell myself. And who in
+the world should be standin' on the steps but that big Dempsey man, the
+boss of the Golconda House, where me and Simeon had been stayin'; the
+feller we'd spoke to that very mornin'.
+
+“'Good evenin', sor,' says he, in a voice as deep as a well. 'I'm glad
+to find you to home, sor. There's a telegram come for you at my place,'
+he says, 'and as your friend lift the address when he come for the
+baggage this afternoon, I brought it along to yez. I was comin' this
+way, so 'twas no trouble.'
+
+“'That's real kind of you,' I says. 'Step inside a minute, won't you?'
+
+“So in he comes, and stands, holdin' his shiny beaver in his hand, while
+I tore open the telegram envelope. 'Twas a message from a feller I knew
+with the Clyde Line of steamboats. He had found out, somehow, that we
+was in New York, and the telegram was an order for us to come and make
+him a visit.
+
+“'I hope it's not bad news, sor,' says the big chap.
+
+“'No, no,' says I. 'Not a bit of it, Mr. Dempsey. Come on in and have a
+cigar, won't you?'
+
+“'Thank you, sor,' says he. 'I'm glad it's not the bad news. Sure, I ax
+you and your friend's pardon for bein' so short to yez this mornin', but
+I'm in that throuble lately that me timper is all but gone.'
+
+“'That so?' says I. 'Trouble's thick in this world, ain't it? Me and Mr.
+Phinney got a case of trouble on our hands now, Mr. Dempsey, and--'
+
+“'Excuse me, sor,' he says. 'My name's not Dempsey. I suppose you seen
+the sign with me partner's name on it. I only bought into the business
+a while ago, and the new sign's not ready yit. Me name is O'Shaughnessy,
+sor.'
+
+“'What?' says I. And then: 'WHAT?'
+
+“'O'Shaughnessy. Michael O'Shaughnessy. I--'
+
+“'Hold on!' I sung out. 'For the land sakes, hold on! WHAT'S your name?'
+
+“He bristled up like a cat.
+
+“'Michael O'Shaughnessy,' he roars, like the bull of Bashan. 'D'yez
+find any fault with it? 'Twas me father's before me--Michael Patrick
+O'Shaughnessy, of County Sligo. I'll have yez know--WHAT'S THAT?'
+
+“'Twas a scream from the libr'ry. Next thing I knew, Margaret, the nurse
+girl, was standin' in the hall, white as a Sunday shirt, and swingin'
+back and forth like a wild-carrot stalk in a gale.
+
+“'Mike!' says she, kind of low and faint. 'Mary be good to us! MIKE!'
+
+“And the big chap dropped his tall hat on the floor and turned as white
+as she was.
+
+“'MAGGIE!' he hollers. And then they closed in on one another.
+
+“Sim and the priest and Archie had followed the girl into the hall. Me
+and Phinney was too flabbergasted to do anything, but big Father McGrath
+was cool as an ice box. When Archibald, like the little imp he was, sets
+up a whoop and dives for them two, the priest grabs him by the rope of
+the blanket nighty and swings him into the libr'ry, and shuts the door
+on him.
+
+“'And now,' says he, takin' Sim and me by the arms and leadin' us to the
+parlor, 'we'll just step in here and wait a bit.'
+
+“We waited, maybe, ten minutes. Archibald, dear, shut up in the libr'ry,
+was howlin' blue murder, but nobody paid any attention to him. Then
+there was a knock on the door between us and the hall, and Father
+McGrath opened it. There they was, the two of 'em--Mike and
+Maggie--lookin' red and foolish--but happy, don't talk!
+
+“'You see, sor,' says the O'Shaughnessy man to me, ''twas the
+five-thousand-dollar prize that done it. I'd been workin' at me trade,
+sor--larnin' to tind bar it was--and I'd just got a new job where the
+pay was pretty good, and I'd sint over for Maggie, and was plannin' for
+the little flat we was to have, and the like of that, when I drew that
+prize. And the joy of it was like handin' me a jolt on the jaw. It put
+me out for two weeks, sor, and when I come to I was in Baltimore, where
+I'd gone to collect the money; and two thousand of the five was gone,
+and I knew me job in New York was gone, and I was that shamed and sick
+it took me three days more to make up me mind to come to me Cousin
+Tim's, where I knew Maggie'd be waitin' for me. And when I did come back
+she was gone, too.'
+
+“'And then,' says Father McGrath, sharp, 'I suppose you went on another
+spree, and spent the rest of the money.'
+
+“'I did not, sor--axin' your pardon for contradictin' your riverence.
+I signed the pledge, and I'll keep it, with Maggie to help me. I put
+me three thousand into a partnership with me friend Dempsey, who was
+runnin' the Golconda House--'tis over on the East Side, with a fine bar
+trade--and I'm doin' well, barrin' that I've been crazy for this poor
+girl, and advertisin' and--'
+
+“'And look at the clothes of him!' sings out Margaret, reverentlike.
+'And is that YOUR tall hat, Mike? To think of you with a tall hat! Sure
+it's a proud girl I am this day. Saints forgive me, I've forgot Archie!'
+
+“And afore we could stop her she'd run into the hall and unfastened
+the libr'ry door. It took her some time to smooth down the young one's
+sensitive feelin's, and while she was gone, me and Simeon told the
+O'Shaughnessy man a little of what his girl had had to put up with along
+of Cousin Harriet and Archibald. He was mad.
+
+“'Is that the little blackguard?' he asks, pointin' to Archibald, who
+had arrived by now.
+
+“'That's the one,' says I.
+
+“Archibald looked up at him and grinned, sassy as ever.
+
+“'Father McGrath,' asks O'Shaughnessy, determined like, 'can you marry
+us this night?'
+
+“'I can,' says the Father.
+
+“'And will yez?'
+
+“'I will, with pleasure.'
+
+“'Maggie,' says Mike, 'get your hat and jacket on and come with the
+Father and me this minute. These gintlemen here will explain to your
+lady when she comes back. But YOU'LL come back no more. We'll send for
+your trunk to-morrer.'
+
+“Even then the girl hesitated. She'd been so used to bein' a slave that
+I suppose she couldn't realize she was free at last.
+
+“'But, Mike, dear,' she says. 'I--oh, your lovely hat! Put it down,
+Archie, darlin'. Put it down!'
+
+“Archibald had been doin' a little cruisin' on his own hook, and he'd
+dug up Mike's shiny beaver where it had been dropped in the hall. Now he
+was dancin' round with it, bangin' it on the top as if it was a drum.
+
+“'Put it down, PLEASE!' pleads Margaret. 'Twas plain that that plug was
+a crown of glory to her.
+
+“'Drop it, you little thafe!' yells O'Shaughnessy, makin' a dive for the
+boy.
+
+“'I won't!' screams Archibald, and starts to run. He tripped over the
+corner of a mat, and fell flat. The plug hat was underneath him, and it
+fell flat, too.
+
+“'Oh! oh! oh!' wails Margaret, wringin' her hands. 'Your beautiful hat,
+Mike!'
+
+“Mike's face was like a sunset.
+
+“'Your reverence,' says he, 'tell me this; don't the wife promise to
+“obey” in the marriage service?'
+
+“'She does,' says Father McGrath.
+
+“'D'ye hear that, you that's to be Margaret O'Shaughnessy? You do? Well,
+then, as your husband that's to be in tin minutes, I order you to give
+that small divil what's comin' to him. D'ye hear me? Will yez obey me,
+or will yez not?'
+
+“She didn't know what to do. You could see she wanted to--her fingers
+was itchin' to do it, but--And then Archie held up the ruins of the hat
+and commenced to laugh.
+
+“That settled it. Next minute he was across her knee and gettin' what
+he'd been sufferin' for ever sence he was born; and gettin' all the back
+numbers along with it, too.
+
+“And in the midst of the performance Sim Phinney leans over to me with
+the most heavenly, resigned expression on his face, and says he:
+
+“'It ain't OUR fault, Hiram. We promised not to interfere.'”
+
+“What did Sam Holden and his wife say when they got home?” asked Captain
+Sol, when the triumphant whoops over Archibald's righteous chastisement
+had subsided.
+
+“We didn't give him much of a chance to say anything. I laid for him in
+the hall when he arrived and told him that Phinney had got a telegram
+and must leave immediate. He wanted to know why, and a whole lot more,
+but I told him we'd write it. Neither Sim nor me cared to face Cousin
+Harriet after her darlin' son had spun his yarn. Ha! ha! I'd like to
+have seen her face--from a safe distance.”
+
+Captain Bailey Stitt cleared his throat. “Referrin' to them
+automobiles,” he said, “I--”
+
+“Say, Sol,” interrupted Wingate, “did I ever tell you of Cap'n Jonadab's
+and my gettin' took up by the police when WE was in New York?”
+
+“No,” replied the astounded depot master. “Took up by the POLICE?”
+
+“Um--hm. Surprises you, don't it? Well, that whole trip was a surprise
+to me.
+
+“When Laban Thorp set out to thrash his son and the boy licked him
+instead, they found the old man settin' in the barnyard, holdin' on to
+his nose and grinnin' for pure joy.
+
+“'Hurt?' says he. 'Why, some. But think of it! Only think of it! I
+didn't believe Bill had it in him.'
+
+“Well, that's the way I felt when Cap'n Jonadab sprung the New York plan
+on to me. I was pretty nigh as much surprised as Labe. The idea of a man
+with a chronic case of lockjaw of the pocketbook, same as Jonadab had
+worried along under ever sence I knew him, suddenly breakin' loose with
+a notion to go to New York on a pleasure cruise! 'Twas too many for me.
+I set and looked at him.
+
+“'Oh, I mean it, Barzilla,' he says. 'I ain't been to New York sence I
+was mate on the Emma Snow, and that was 'way back in the eighties. That
+is, to stop I ain't. That time we went through on the way to Peter T.'s
+weddin' don't count, 'cause we only went in the front door and out the
+back, like Squealer Wixon went through high school. Let's you and me go
+and stay two or three days and have a real high old time,' says he.
+
+“I fetched a long breath. 'Jonadab,' I says, don't scare a feller this
+way; I've got a weak heart. If you're goin' to start in and be divilish
+in your old age, why, do it kind of gradual. Let's go over to the
+billiard room and have a bottle of sass'parilla and a five-cent cigar,
+just to break the ice.'
+
+“But that only made him mad.
+
+“'You talk like a fish,' he says. 'I mean it. Why can't we go? It's
+September, the Old Home House is shut up for the season, you and me's
+done well--fur's profits are concerned--and we ought to have a change,
+anyway. We've got to stay here in Orham all winter.'
+
+“'Have you figgered out how much it's goin' to cost?' I asked him.
+
+“Yes, he had. 'It won't be so awful expensive,' he says. 'I've got some
+stock in the railroad and that'll give me a pass fur's Fall River. And
+we can take a lunch to eat on the boat. And a stateroom's a dollar;
+that's fifty cents apiece. And my daughter's goin' to Denboro on a
+visit next week, so I'd have to pay board if I stayed to home. Come on,
+Barzilla! don't be so tight with your money.'
+
+“So I said I'd go, though I didn't have any pass, nor no daughter to
+feed me free gratis for nothin' when I got back. And when we started,
+on the followin' Monday, nothin' would do but we must be at the depot
+at two o'clock so's not to miss the train, which left at quarter past
+three.
+
+“I didn't sleep much that night on the boat. For one thing, our
+stateroom was a nice lively one, alongside of the paddle box and just
+under the fog whistle; and for another, the supper that Jonadab had
+brought, bein' mainly doughnuts and cheese, wa'n't the best cargo to
+take to bed with you. But it didn't make much diff'rence, 'cause we
+turned out at four, so's to see the scenery and git our money's worth.
+What was left of the doughnuts and cheese we had for breakfast.
+
+“We made the dock on time, and the next thing was to pick out a hotel.
+I was for cruisin' along some of the main streets until we hove in sight
+of a place that looked sociable and not too expensive. But no; Jonadab
+had it all settled for me. We was goin' to the 'Wayfarer's Inn,' a
+boardin' house where he'd put up once when he was mate of the Emma Snow.
+He said 'twas a fine place and you could git as good ham and eggs there
+as a body'd want to eat.
+
+“So we set sail for the 'Wayfarer's,' and of all the times gittin' to a
+place--don't talk! We asked no less than nine policemen and one hundred
+and two other folks, and it cost us thirty cents in car fares, which
+pretty nigh broke Jonadab's heart. However, we found it, finally, 'way
+off amongst a nest of brick houses and peddler carts and children, and
+it wa'n't the 'Wayfarer's Inn' no more, but was down in the shippin'
+list as the 'Golconda House.' Jonadab said the neighborhood had changed
+some sence he was there, but he guessed we'd better chance it, 'cause
+the board was cheap.
+
+“We had a nine-by-ten room up aloft somewheres, and there we set down on
+the edge of the bed and a chair to take account of stock, as you might
+say.
+
+“'Now, I tell you, Jonadab,' says I; 'we don't want to waste no time,
+and we've got the day afore us. What do you say if we cruise along
+the water front for a spell? There's ha'f a dozen Orham folks aboard
+diff'rent steamers that hail from this port, and 'twouldn't be no more'n
+neighborly to call on 'em. There's Silas Baker's boy, Asa--he's with the
+Savannah Line and he'd be mighty glad to see us. And there's--'
+
+“But Jonadab held up his hand. He'd been mysterious as a baker's mince
+pie ever sence we started, hintin' at somethin' he'd got to do when we'd
+got to New York. And now he out with it.
+
+“'Barzilla,' he says, 'I ain't sayin' but what I'd like to go to the
+wharves with you, first rate. And we will go, too. But afore we do
+anything else I've got an errand that must be attended to. 'Twas give
+to me by a dyin' man,' he says, 'and I promised him I'd do it. So that
+comes first of all.'
+
+“He got his wallet out of his inside vest pocket, where it had been
+pinned in tight to keep it safe from robbers, unwound a foot or so of
+leather strap, and dug up a yeller piece of paper that looked old enough
+to be Methusalem's will, pretty nigh.
+
+“'Do you remember Patrick Kelly in Orham?' he asks.
+
+“'Who?' says I. 'Pat Kelly, the Irishman, that lived in the little old
+shack back of your barn? Course I do. But he's been dead for I don't
+know how long.'
+
+“'I know he has. Do you remember his boy Jim that run away from home?'
+
+“'Let's see,' I says. 'Seems to me I do. Freckled, red-headed rooster,
+wa'n't he? And of all the imps of darkness that ever--'
+
+“'S-sh-sh!' he interrupted solemn. 'Don't say that now, Barzilla. Sounds
+kind of irreverent. Well, me and old Pat was pretty friendly, in a way,
+though he did owe me rent. When he was sick with the pleurisy he sends
+for me and he says, “Cap'n 'Wixon,” says he, “you're pretty close with
+the money,” he says--he was kind of out of his head at the time and
+liable to say foolish things--“you're pretty close,” he says, “but
+you're a man of your word. My boy Jimmie, that run away, was the apple
+of my eye.”'
+
+“'That's what he said about his girl Maggie that was took up for
+stealin' Mrs. Elkanah Higgins's spoons,' I says. 'He had a healthy crop
+of apples in HIS orchard.'
+
+“'S-sh-h! DON'T talk so! I feel as if the old man's spirit was with
+us this minute. “He's the apple of my eye,” he says, “and he run away,
+after me latherin' the life out of him with a wagon spoke. 'Twas all
+for his good, but he didn't understand, bein' but a child. And now I've
+heard,” he says, “that he's workin' at 116 East Blank Street in the city
+of New York. Cap'n Wixon, you're a man of money and a travelin' man,” he
+says (I was fishin' in them days). “When you go to New York,” he says,
+“I want you to promise me to go to the address on this paper and hunt
+up Jimmie. Tell him I forgive him for lickin' him,” he says, “and die
+happy. Will you promise me that, Cap'n, on your word as a gentleman?”
+ And I promised him. And he died in less than ten months afterwards, poor
+thing.'
+
+“'But that was sixteen--eighteen--nineteen years ago,' says I. 'And the
+boy run away three years afore that. You've been to New York in the past
+nineteen years, once anyhow.'
+
+“'I know it. But I forgot. I'm ashamed of it, but I forgot. And when
+I was goin' through the things up attic at my daughter's last Friday,
+seein' what I could find for the rummage sale at the church, I come
+across my old writin' desk, and in it was this very piece of paper with
+the address on it just as I wrote it down. And me startin' for New York
+in three days! Barzilla, I swan to man, I believe something SENT me to
+that attic.'
+
+“I knew what sent him there and so did the church folks, judgin' by
+their remarks when the contribution came in. But I was too much set back
+by the whole crazy business to say anything about that.
+
+“'Look here, Jonadab Wixon,' I sings out, 'do you mean to tell me that
+we've got to put in the whole forenoon ransackin' New York to find a boy
+that run off twenty-two years ago?'
+
+“'It won't take the forenoon,' he says. 'I've got the number, ain't I?'
+
+“'Yes, you've got the number where he WAS. If you want to know where I
+think he's likely to be now, I'd try the jail.'
+
+“But he said I was unfeelin' and disobligin' and lots more, so, to cut
+the argument short, I agreed to go. And off we put to hunt up 116
+East Blank Street. And when we located it, after a good hour of askin'
+questions, and payin' car fares and wearin' out shoe leather, 'twas a
+Chinese laundry.
+
+“'Well,' I says, sarcastic, 'here we be. Which one of the heathen do you
+think is Jimmie? If he had an inch or so more of upper lip, I'd gamble
+on that critter with the pink nighty and the baskets on his feet. He has
+a kind of familiar chicken-stealin' look in his eye. Oh, come down on
+the wharves, Jonadab, and be sensible.'
+
+“Would you believe it, he wa'n't satisfied. We must go into the wash
+shop and ask the Chinamen if they knew Jimmie Kelly. So we went in and
+the powwow begun.
+
+“'Twas a mighty unsatisfyin' interview. Jonadab's idea of talkin' to
+furriners is to yell at 'em as if they was stone deef. If they don't
+understand what you say, yell louder. So between his yells and the
+heathen's jabber and grunts the hullabaloo was worse than a cat in a hen
+yard. Folks begun to stop outside the door and listen and grin.
+
+“'What did he say?' asks the Cap'n, turnin' to me.
+
+“'I don't know,' says I, 'but I cal'late he's gettin' ready to send
+a note up to the crazy asylum. Come on out of here afore I go loony
+myself.'
+
+“So he done it, finally, cross as all get out, and swearin' that all
+Chinese was no good and oughtn't to be allowed in this country. But he
+wouldn't give up, not yet. He must scare up some of the neighbors and
+ask them. The fifth man that we asked was an old chap who remembered
+that there used to be a liquor saloon once where the laundry was now.
+But he didn't know who run it or what had become of him.
+
+“'Never mind,' I says. 'You're as warm as you're likely to be this trip.
+A rum shop is just about the place I'd expect that Kelly boy WOULD be
+in. And, if he's like the rest of his relations on his dad's side, he
+drank himself to death years ago. NOW will you head for the Savannah
+Line?'
+
+“Not much, he wouldn't. He had another notion. We'd look in the
+directory. That seemed to have a glimmer of sense somewheres in its
+neighborhood, so we found an apothecary store and the clerk handed us
+out a book once again as big as a church Bible.
+
+“'Kelly,' says Jonadab. 'Yes, here 'tis. Now, “James Kelly.” Land of
+Love! Barzilla, look here.'
+
+“I looked, and there wa'n't no less than a dozen pages of James Kellys
+beginning with fifty James A.'s and endin' with four James Z.'s. The Y
+in 'New York' ought to be a C, judgin' by that directory.
+
+“'Godfrey mighty!' I says. 'This ain't no forenoon's job, Jonadab. If
+you're goin' through that list you'll have to spend the rest of your
+life here. Only, unless you want to be lonesome, you'll have to change
+your name to Kelly.'
+
+“'If I'd only got his middle letter,' says he, mournful, ''twould have
+been easier. He had four middle names, if I remember right--the old man
+was great on names--and 'twas too much trouble to write 'em all down.
+Well, I've done my duty, anyhow. We'll go and call on Ase Baker.'
+
+“But 'twas after eleven o'clock then, and the doughnuts and cheese I
+had for breakfast was beginnin' to feel as if they wanted company. So we
+decided to go back to the Golconda and have some dinner first.
+
+“We had ham and eggs for dinner, some that was left over from the last
+time Jonadab stopped there, I cal'late. Lucky there was hot bread and
+coffee on the bill or we'd never got a square meal. Then we went up to
+our room and the Cap'n laid down on the bed. He was beat out, he said,
+and wanted to rest up a spell afore haulin' anchor for another cruise.”
+
+
+
+
+CHAPTER XII
+
+A VISION SENT
+
+
+“Where's the arrestin' come in?” demanded Stitt.
+
+“Comes quick now, Bailey. Plenty quick enough for me and Jonadab, I tell
+you that! After we got to our room the Cap'n went to sleep pretty soon
+and I set in the one chair, readin' the newspaper and wishin' I hadn't
+ate so many of the warm bricks that the Golconda folks hoped was
+biscuit. They made me feel like a schooner goin' home in ballast. I
+guess I was drowsin' off myself, but there comes a most unearthly yell
+from the bed and I jumped ha'f out of the chair. There was Jonadab
+settin' up and lookin' wild.
+
+“'What in the world?' says I.
+
+“'Oh! Ugh! My soul!' says he.
+
+“'Your soul, hey?' says I. 'Is that all? I thought mebbe you'd lost a
+quarter.'
+
+“'Barzilla,' he says, comin' to and starin' at me solemn, 'Barzilla,
+I've had a dream--a wonderful dream.'
+
+“'Well,' I says, 'I ain't surprised. A feller that h'isted in as much
+fried dough as you did ought to expect--'
+
+“'But I tell you 'twas a WONDERFUL dream,' he says. 'I dreamed I was on
+Blank Street, where we was this mornin', and Patrick Kelly comes to me
+and p'ints his finger right in my face. I see him as plain as I see
+you now. And he says to me--he said it over and over, two or three
+times--Seventeen,” says he, “Seventeen.” Now what do you think of that?'
+
+“'Humph!' I says. 'I ain't surprised. I think 'twas just seventeen
+of them biscuits that you got away with. Wonder to me you didn't see
+somebody worse'n old Pat.'
+
+“But he was past jokin'. You never see a man so shook up by the
+nightmare as he was by that one. He kept goin' over it and tellin' how
+natural old Kelly looked and how many times he said 'Seventeen' to him.
+
+“'Now what did he mean by it?' he says. 'Don't tell me that was a common
+dream, 'cause twa'n't. No, sir, 'twas a vision sent to me, and I know
+it. But what did he mean?'
+
+“'I think he meant you was seventeen kinds of an idiot,' I snorts,
+disgusted. 'Get up off that bed and stop wavin' your arms, will you?
+He didn't mean for you to turn yourself into a windmill, that's sartin
+sure.'
+
+“Then he hits his knee a slap that sounds like a window blind blowin'
+to. 'I've got it!' he sings out. 'He meant for me to go to number
+seventeen on that street. That's what he meant.'
+
+“I laughed and made fun of him, but I might as well have saved my
+breath. He was sure Pat Kelly's ghost had come hikin' back from the
+hereafter to tell him to go to 17 Blank Street and find his boy. 'Else
+why was he ON Blank Street?' he says. 'You tell me that.'
+
+“I couldn't tell him. It's enough for me to figger out what makes live
+folks act the way they do, let alone dead ones. And Cap'n Jonadab was a
+Spiritu'list on his mother's side. It ended by my agreein' to give the
+Jimmie chase one more try.
+
+“'But it's got to be the last,' I says. 'When you get to number
+seventeen don't you say you think the old man meant to say “seventy” and
+stuttered.'
+
+“Number 17 Blank Street was a little combination fruit and paper store
+run by an Eyetalian with curly hair and the complexion of a molasses
+cooky. His talk sounded as if it had been run through a meat chopper.
+All he could say was, 'Nica grape, genta'men? On'y fifteen cent a pound.
+Nica grape? Nica apple? Nica pear? Nica ploom?'
+
+“'Kelly?' says Jonadab, hollerin' as usual. 'Kelly! d'ye understand?
+K-E-L-Kel L-Y-ly, Kelly. YOU know, KELLY! We want to find him.'
+
+“And just then up steps a feller about six feet high and three foot
+through. He was dressed in checkerboard clothes, some gone to seed, and
+you could hardly see the blue tie he had on for the glass di'mond in
+it. Oh, he was a little wilted now--for the lack of water, I judge--but
+'twas plain that he'd been a sunflower in his time. He'd just come out
+of a liquor store next door to the fruit shop and was wipin' his mouth
+with the back of his hand.
+
+“'What's this I hear?' says he, fetchin' Jonadab a welt on the back like
+a mast goin' by the board. 'Is it me friend Kelly you're lookin' for?'
+
+“I was just goin' to tell him no, not likin' his looks, but Jonadab cut
+in ahead of me, out of breath from the earthquake the feller had landed
+him, but excited as could be.
+
+“'Yes, yes!' says he. 'It's Mr. Kelly we want. Do you know him?'
+
+“'Do I know him? Why, me bucko, 'tis me old college chum he is. Come on
+with me and we'll give him the glad hand.'
+
+“He grabs Jonadab by the arm and starts along the sidewalk, steerin' a
+toler'ble crooked course, but gainin' steady by jerks.
+
+“'I was on me way to Kelly's place now,' says he. 'And here it is. Sure
+didn't I bate the bookies blind on Rosebud but yesterday--or was it the
+day before? I don't know, but come on, me lads, and we'll do him again.'
+
+“He turned in at a little narrer entry-like, and went stumblin' up a
+flight of dirty stairs. I caught hold of Jonadab's coat tails and pulled
+him back.
+
+“'Where you goin', you crazy loon?' I whispered. 'Can't you see he's
+three sheets in the wind? And you haven't told him what Kelly you want,
+nor nothin'.'
+
+“But I might as well have hollered at a stone wall. 'I don't care if
+he's as fur gone in liquor as Belshazzer's goat,' sputters the Cap'n,
+all worked up. 'He's takin' us to a Kelly, ain't he? And is it likely
+there'd be another one within three doors of the number I dreamed
+about? Didn't I tell you that dream was a vision sent? Don't lay to NOW,
+Barzilla, for the land sakes! It's Providence a-workin'.'
+
+“'Cording to my notion the sunflower looked more like an agent from
+t'other end of the line than one from Providence, but just then he
+commenced to yell for us and upstairs we went, Jonadab first.
+
+“'Whisht!' says the checkerboard, holdin' on to Jonadab's collar and
+swingin' back and forth. 'Before we proceed to blow in on me friend
+Kelly, let us come to an understandin' concernin' and touchin'
+on--and--and--I don't know. But b'ys,' says he, solemn and confidential,
+'are you on the square? Are yez dead game sports, hey?'
+
+“'Yes, yes!' says Jonadab. 'Course we be. Mr. Kelly and us are old
+friends. We've come I don't know how fur on purpose to see him. Now
+where's--'
+
+“'Say no more,' hollers the feller. 'Say no more. Come on with yez.' And
+he marches down the dark hall to a door with a 'To let' sign on it and
+fetches it a bang with his fist. It opens a little ways and a face shows
+in the crack.
+
+“'Hello, Frank!' hails the sunflower, cheerful. 'Will you take that ugly
+mug of yours out of the gate and lave me friends in?'
+
+“'What's the matter wid you, Mike?' asks the chap at the door. 'Yer
+can't bring them two yaps in here and you know it. Gwan out of this.'
+
+“He tried to shut the door, but the checkerboard had his foot between it
+and the jamb. You might as well have tried to shove in the broadside of
+an ocean liner as to push against that foot.
+
+“'These gents are friends of mine,' says he. 'Frank, I'll do yez the
+honor of an introduction to Gin'ral Grant and Dan'l O'Connell. Open that
+door and compose your face before I'm obliged to break both of 'em.'
+
+“'But I tell you, Mike, I can't,' says the door man, lookin' scared.
+'The boss is out, and you know--'
+
+“'WILL you open that door?' roars the big chap. And with that he hove
+his shoulder against the panels and jammed the door open by main force,
+all but flattenin' the other feller behind it. 'Walk in, Gin'ral,' he
+says to Jonadab, and in we went, me wonderin' what was comin' next, and
+not darin' to guess.
+
+“There was a kind of partitioned off hallway inside, with another door
+in the partition. We opened that, and there was a good-sized room,
+filled with men, smokin' and standin' around. A high board fence was
+acrost one end of the room, and from behind it comes a jinglin' of
+telephone bells and the sounds of talk. The floor was covered with
+torn papers, the window blinds was shut, the gas was burnin' blue, and,
+between it and the smoke, the smells was as various as them in a fish
+glue factory. On the fence was a couple of blackboards with 'Belmont'
+and 'Brighton' and suchlike names in chalk wrote on 'em, and
+beneath that a whole mess in writin' and figures like, 'Red Tail
+4--Wt--108--Jock Smith--5--1,' 'Sourcrout 5--Wt--99--Jock Jones--20--5,'
+and similar rubbish. And the gang--a mighty mixed lot--was scribblin'
+in little books and watchin' each other as if they was afraid of havin'
+their pockets picked; though, to look at 'em, you'd have guessed the
+biggest part had nothin' in their pockets but holes.
+
+“The six-foot checkerboard--who, it turned out, answered to the hail of
+'Mike'--seemed to be right at home with the gang. He called most of 'em
+by their first names and went sasshayin' around, weltin' 'em on the back
+and tellin' 'em how he'd 'put crimps in the bookies rolls t'other day,'
+and a lot more stuff that they seemed to understand, but was hog Greek
+to me and Jonadab. He'd forgot us altogether which was a mercy the way I
+looked at it, and I steered the Cap'n over into a corner and we come to
+anchor on a couple of rickety chairs.
+
+“'What--why--what kind of a place IS this, Barzilla?' whispers Jonadab,
+scared.
+
+“'Sh-h-h!' says I. 'Land knows. Just set quiet and hang on to your
+watch.'
+
+“'But--but I want to find Kelly,' says he.
+
+“'I'd give somethin' to find a back door,' says I. 'Ain't this a
+collection of dock rats though! If this is a part of your dream,
+Jonadab, I wish you'd turn over and wake up. Oh land! here's one
+murderer headin' this way. Keep your change in your fist and keep the
+fist shut.'
+
+“A more'n average rusty peep, with a rubber collar on and no necktie,
+comes slinkin' over to us. He had a smile like a crack in a plate.
+
+“'Say, gents,' he says, 'have you made your bets yet? I've got a dead
+straight line on the handicap,' says he, 'and I'll put you next for a
+one spot. It's a sure t'ing at fifteen to three. What do you say?'
+
+“I didn't say nuthin'; but that fool dream was rattlin' round in
+Jonadab's skull like a bean in a blowgun, and he sees a chance for a
+shot.
+
+“'See here, mister,' he says. 'Can you tell me where to locate Mr.
+Kelly?'
+
+“'Who--Pete?' says the feller. 'Oh, he ain't in just now. But about that
+handicap. I like the looks of youse and I'll let youse in for a dollar.
+Or, seein' it's you, we'll say a half. Only fifty cents. I wouldn't do
+better for my own old man,' he says.
+
+“While the Cap'n was tryin' to unravel one end of this gibberish I spoke
+up prompt.
+
+“'Say,' says I, 'tell me this, will you? Is the Kelly who owns
+this--this palace, named Jimmie--James, I mean?'
+
+“'Naw,' says he. 'Sure he ain't. It's Pete Kelly, of course--Silver
+Pete. But what are you givin' us? Are you bettin' on the race, or ain't
+you?'
+
+“Well, Jonadab understood that. He bristled up like a brindled cat.
+If there's any one thing the Cap'n is down on, it's gamblin' and
+such--always exceptin' when he knows he's won already. You've seen that
+kind, maybe.
+
+“'Young feller,' he says, perkish, 'I want you to know that me and my
+friend ain't the bettin' kind. What sort of a hole IS this, anyway?'
+
+“The rubber collared critter backed off, lookin' worried. He goes acrost
+the room, and I see him talkin' to two or three other thieves as tough
+as himself. And they commenced to stare at us and scowl.
+
+“'Come on,' I whispered to Jonadab. 'Let's get out of this place while
+we can. There ain't no Jimmie Kelly here, or if there is you don't want
+to find him.'
+
+“He was as willin' to make tracks as I was, by this time, and we headed
+for the door in the partition. But Rubber Collar and some of the others
+got acrost our bows.
+
+“'Cut it out,' says one of 'em. 'You can't get away so easy. Hi, Frank!
+Frank! Who let these turnip pullers in here, anyhow? Who are they?'
+
+“The chap who was tendin' door comes out of his coop. 'You've got me,'
+he says. 'They come in with Big Mike, and he was loaded and scrappy and
+jammed 'em through. Said they was pals of his. Where is he?'
+
+“There was a hunt for Mike, and, when they got his bearin's, there
+he was keeled over on a bench, breathin' like an escape valve. And an
+admiral's salute wouldn't have woke him up. The whole crew was round us
+by this time, some ugly, and the rest laffin' and carryin' on.
+
+“'It's the Barkwurst gang,' says one.
+
+“'It's old Bark himself,' says another. 'Look at them lace curtains.'
+And he points to Jonadab's whiskers.
+
+“'This one's Jacobs in disguise,' sings out somebody else. 'You can tell
+him by the Rube get-up. Haw! haw!'
+
+“'Soak 'em! Do 'em up! Don't let 'em out!' hollers a ha'f dozen more.
+
+“Jonadab was game; I'll say that for him. And I hadn't been second mate
+in my time for nothin'.
+
+“'Take your hands off me!' yells the Cap'n. 'I come in here to find
+a man I'm lookin' for, James Kelly it was, and--You would, would you!
+Stand by, Barzilla!'
+
+“I stood by. Rubber Collar got one from me that made him remember home
+and mother, I'll bet. Anyhow, my knuckles ached for two days afterwards.
+And Jonadab was just as busy. But I cal'late we'd have been ready for
+the oven in another five minutes if the door hadn't bu'st open with a
+bang, and a loud dressed chap, with the sweat pourin' down his face,
+come tearin' in.
+
+“'Beat it, fellers!' he yells. 'The place is goin' to be pinched. I've
+just had the tip, and they're right on top of me.'
+
+“THEN there was times. Everybody was shoutin' and swearin' and fallin'
+over each other to get out. I was kind of lost in the shuffle, and
+the next thing I remember for sartin is settin' up on Rubber Collar's
+stomach and lookin' foggy at the door, where the loud dressed man was
+wrestlin' with a policeman. And there was police at the windows and all
+around.
+
+“Well, don't talk! I got up, resurrects Jonadab from under a heap of
+gamblers and furniture, and makes for harbor in our old corner. The
+police was mighty busy, especially a fat, round-faced, red-mustached
+man, with gold bands on his cap and arms, that the rest called 'Cap'n.'
+Him and the loud dressed chap who'd give the alarm was talkin' earnest
+close to us.
+
+“'I can't help it, Pete,' says the police cap'n. ''Twas me or the Vice
+Suppression crowd. They've been on to you for two weeks back. I only
+just got in ahead of 'em as it was. No, you'll have to go along with
+the rest and take your chances. Quiet now, everybody, or you'll get it
+harder,' he roars, givin' orders like the skipper of a passenger boat.
+'Stand in line and wait your turns for the wagon.'
+
+“Jonadab grabbed me by the wrist. He was pale and shakin' all over.
+
+“'Oh, Lordy!' says he, 'we're took up. Will we have to go to jail, do
+you think?'
+
+“'I don't know,' I says, disgusted. 'I presume likely we will. Did you
+dream anything like this? You'd better see if you can't dream yourself
+out now.' Twas rubbin' it in, but I was mad.
+
+“'Oh! oh!' says he, flappin' his hands. 'And me a deacon of the church!
+Will folks know it, do you think?'
+
+“'Will they know it! Sounds as if they knew it already. Just listen to
+that.'
+
+“The first wagon full of prizes was bein' loaded in down at the front
+door, and the crowd outside was cheerin' 'em. Judgin' by the whoops and
+hurrahs there wa'n't no less than a million folks at the show, and they
+was gettin' the wuth of admission.
+
+“'Oh, dear!' groans Jonadab. 'And it'll be in the papers and all! I
+can't stand this.'
+
+“And afore I could stop him he'd run over and tackled the head
+policeman.
+
+“'Mister--Mister Cap'n,' he says, pantin', 'there's been a mistake, an
+awful mis--take--'
+
+“'That's right,' says the police cap'n, 'there has. Six or eight of you
+tin horns got clear. But--' Then he noticed who was speakin' to him
+and his mouth dropped open like a hatch. 'Well, saints above!' he says.
+'Have the up-state delegates got to buckin' the ponies, too? Why ain't
+you back home killin' pertater bugs? You ought to be ashamed.'
+
+“'But we wa'n't gamblin'--me and my friend wa'n't. We was led in here
+by mistake. We was told that a feller named Kelly lived here and we're
+huntin' for a man of that name. I've got a message to him from his poor
+dead father back in Orham. We come all the way from Orham, Mass.--to
+find him and--'
+
+“The police cap'n turned around then and stared at him hard. 'Humph!'
+says he, after a spell. 'Go over there and set down till I want you. No,
+you'll go now and we'll waste no breath on it. Go on, do you hear!'
+
+“So we went, and there we set for ha'f an hour, while the rest of the
+gang and the blackboards and the paper slips and the telephones and Big
+Mike and his chair was bein' carted off to the wagon. Once, when one of
+the constables was beatin' acrost to get us, the police cap'n spoke to
+him.
+
+“'You can leave these two,' he says. 'I'll take care of them.'
+
+“So, finally, when there was nothin' left but the four walls and us and
+some of the police, he takes me and Jonadab by the elbows and heads for
+the door.
+
+“'Now,' says he, 'walk along quiet and peaceable and tell me all about
+it. Get out of this!' he shouts to the crowd of small boys and loafers
+on the sidewalk, 'or I'll take you, too.'
+
+“The outsiders fell astern, lookin' heartbroke and disapp'inted that we
+wa'n't hung on the spot, and the fat boss policeman and us two paraded
+along slow but grand. I felt like the feller that was caught robbin'
+the poorhouse, and I cal'late Jonadab felt the same, only he was so
+busy beggin' and pleadin' and explainin' that he couldn't stop to feel
+anything.
+
+“He told it all, the whole fool yarn from one end to t'other. How old
+Pat give him the message and how he went to the laundry, and about his
+ridiculous dream, every word. And the fat policeman shook all over, like
+a barrel of cod livers.
+
+“By and by we got to a corner of a street and hove to. I could see
+the station house loomin' up large ahead. Fatty took a card from his
+pocketbook, wrote on it with a pencil, and then hailed a hack, one of
+them stern-first kind where the driver sits up aloft 'way aft. He pushed
+back the cap with the gilt wreath on it, and I could see his red hair
+shinin' like a sunset.
+
+“'Here,' says he to the hack driver, 'take these--this pair of salads
+to the--what d'ye call it?--the Golconda House, wherever on top of the
+pavement that is. And mind you, deliver 'em safe and don't let the truck
+horses get a bite at 'em. And at half-past eight to-night you call for
+'em and bring 'em here,' handin' up the card he'd written on.
+
+“''Tis the address of my house, I'm givin',' he says, turnin' to
+Jonadab. 'I'll be off duty then and we'll have dinner and talk about old
+times. To think of you landin' in Silver Pete's pool room! Dear! dear!
+Why, Cap'n Wixon, barrin' that your whiskers are a bit longer and a
+taste grayer, I'd 'a' known you anywheres. Many's the time I've stole
+apples over your back fence. I'm Jimmie Kelly,' says he.”
+
+“Well, by mighty!” exclaimed the depot master, slapping his knee. “So HE
+was the Kelly man! Humph!”
+
+“Funny how it turned out, wa'n't it?” said Barzilla. “Course, Cap'n
+Jonadab was perfectly sat on spiritu'lism and signs and omens and such
+after that. He's had his fortune told no less'n eight times sence, and,
+nigh's I can find out, each time it's different. The amount of blondes
+and brunettes and widows and old maids that he's slated to marry,
+accordin' to them fortune tellers, is perfectly scandalous. If he lives
+up to the prophecies, Brigham Young wouldn't be a twospot 'longside of
+him.”
+
+“It's funny about dreams,” mused Captain Hiram. “Folks are always
+tellin' about their comin' true, but none of mine ever did. I used to
+dream I was goin' to be drowned, but I ain't been yet.”
+
+The depot master laughed. “Well,” he observed, “once, when I was a
+youngster, I dreamed two nights runnin' that I was bein' hung. I asked
+my Sunday school teacher if he believed dreams come true, and he said
+yes, sometimes. Then I told him my dream, and he said he believed in
+that one. I judged that any other finish for me would have surprised
+him. But, somehow or other, they haven't hung me yet.”
+
+“There was a hired girl over at the Old Home House who was sat on
+fortune tellin',” said Wingate. “Her name was Effie, and--”
+
+“Look here!” broke in Captain Bailey Stitt, righteous indignation in his
+tone, “I've started no less than nineteen different times to tell you
+about how I went sailin' in an automobile. Now do you want to hear it,
+or don't you?”
+
+“How you went SAILIN' in an auto?” repeated Barzilla. “Went ridin', you
+mean.”
+
+“I mean sailin'. I went ridin', too, but--”
+
+“You'll have to excuse me, Bailey,” interrupted Captain Hiram, rising
+and looking at his watch. “I've stayed here a good deal longer'n I
+ought to, already. I must be gettin' on home to see how poor little
+Dusenberry, my boy, is feelin'. I do hope he's better by now. I wish Dr.
+Parker hadn't gone out of town.”
+
+The depot master rose also. “And I'll have to be excused, too,” he
+declared. “It's most time for the up train. Good-by, Hiram. Give my
+regards to Sophrony, and if there's anything I can do to help, in case
+your baby should be sick, just sing out, won't you?”
+
+“But I want to tell about this automobilin' scrape,” protested Captain
+Bailey. “It was one of them things that don't happen every day.”
+
+“So was that fortune business of Effie's,” declared Wingate. “Honest,
+the way it worked out was queer enough.”
+
+But the train whistled just then and the group broke up. Captain Sol
+went out to the platform, where Cornelius Rowe, Ed Crocker, Beriah
+Higgins, Obed Gott, and other interested citizens had already assembled.
+Wingate and Stitt followed. As for Captain Hiram Baker, he hurried home,
+his conscience reproving him for remaining so long away from his wife
+and poor little Hiram Joash, more familiarly known as “Dusenberry.”
+
+
+
+
+CHAPTER XIII
+
+DUSENBERRY'S BIRTHDAY
+
+
+Mrs. Baker met her husband at the door.
+
+“How is he?” was the Captain's first question. “Better, hey?”
+
+“No,” was the nervous answer. “No, I don't think he is. His throat's
+terrible sore and the fever's just as bad.”
+
+Again Captain Hiram's conscience smote him.
+
+“Dear! dear!” he exclaimed. “And I've been loafin' around the depot
+with Sol Berry and the rest of 'em instead of stayin' home with you,
+Sophrony. I KNEW I was doin' wrong, but I didn't realize--”
+
+“Course you didn't, Hiram. I'm glad you got a few minutes' rest, after
+bein' up with him half the night. I do wish the doctor was home, though.
+When will he be back?”
+
+“Not until late to-morrer, if then. Did you keep on givin' the
+medicine?”
+
+“Yes, but it don't seem to do much good. You go and set with him now,
+Hiram. I must be seein' about supper.”
+
+So into the sick room went Captain Hiram to sit beside the crib and
+sing “Sailor boy, sailor boy, 'neath the wild billow,” as a lugubrious
+lullaby.
+
+Little Hiram Joash tossed and tumbled. He was in a fitful slumber when
+Mrs. Baker called her husband to supper. The meal was anything but
+a cheerful one. They talked but little. Over the home, ordinarily so
+cheerful, had settled a gloom that weighed upon them.
+
+“My! my!” sighed Captain Hiram, “how lonesome it seems without him
+chatterin' and racketin' sound. Seems darker'n usual, as if there was a
+shadow on the place.”
+
+“Hush, Hiram! don't talk that way. A shadow! Oh, WHAT made you say that?
+Sounds like a warnin', almost.”
+
+“Warnin'?”
+
+“Yes, a forewarnin', you know. 'The valley of the shadow--'”
+
+“HUSH!” Captain Baker's face paled under its sunburn. “Don't say such
+things, Sophrony. If that happened, the Lord help you and me. But it
+won't--it won't. We're nervous, that's all. We're always so careful of
+Dusenberry, as if he was made out of thin china, that we get fidgety
+when there's no need of it. We mustn't be foolish.”
+
+After supper Mrs. Baker tiptoed into the bedroom. She emerged with a
+very white face.
+
+“Hiram,” she whispered, “he acts dreadful queer. Come in and see him.”
+
+The “first mate” was tossing back and forth in the crib, making odd
+little choky noises in his swollen throat. When his father entered he
+opened his eyes, stared unmeaningly, and said: “'Tand by to det der ship
+under way.”
+
+“Good Lord! he's out of his head,” gasped the Captain. Sophronia and he
+stepped back into the sitting room and looked at each other, the same
+thought expressed in the face of each. Neither spoke for a moment, then
+Captain Hiram said:
+
+“Now don't you worry, Sophrony. The Doctor ain't home, but I'm goin' out
+to--to telegraph him, or somethin'. Keep a stiff upper lip. It'll be all
+right. God couldn't go back on you and me that way. He just couldn't.
+I'll be back in a little while.”
+
+“But, oh, Hiram! if he should--if he SHOULD be taken away, what WOULD we
+do?”
+
+She began to cry. Her husband laid a trembling hand on her shoulder.
+
+“But he won't,” he declared stoutly. “I tell you God wouldn't do such a
+thing. Good-by, old lady. I'll hurry fast as I can.”
+
+As he took up his cap and turned to the door he heard the voice of the
+weary little first mate chokily calling his crew to quarters. “All hands
+on deck!”
+
+The telegraph office was in Beriah Higgins's store. Thither ran the
+Captain. Pat Sharkey, Mr. Higgins's Irish helper, who acted as telegraph
+operator during Gertie Higgins's absence, gave Captain Hiram little
+satisfaction.
+
+“How can I get Dr. Parker?” asked Pat. “He's off on a cruise and land
+knows where I can reach him to-night. I'll do what I can, Cap, but it's
+ten chances out of nine against a wire gettin' to him.”
+
+Captain Hiram left the store, dodging questioners who were anxious to
+know what his trouble might be, and dazedly crossed Main Street, to the
+railway station. He thought of asking advice of his friend, the depot
+master.
+
+The evening train from Boston pulled out as he passed through the
+waiting room. One or two passengers were standing on the platform. One
+of these was a short, square-shouldered man with gray side whiskers and
+eyeglasses. The initials on his suit case were J. S. M., Boston, and
+they stood for John Spencer Morgan. If the bearer of the suit case had
+followed the fashion of the native princes of India and had emblazoned
+his titles upon his baggage, the commonplace name just quoted might have
+been followed by “M.D., LL.D., at Harvard and Oxford; vice president
+American Medical Society; corresponding secretary Associated Society of
+Surgeons; lecturer at Harvard Medical College; author of 'Diseases of
+the Throat and Lungs,' etc., etc.”
+
+But Dr. Morgan was not given to advertising either his titles or
+himself, and he was hurrying across the platform to Redny Blount's depot
+wagon when Captain Hiram touched him on the arm.
+
+“Why, hello, Captain Baker,” exclaimed the Doctor, “how do you do?”
+
+“Dr. Morgan,” said the Captain, “I--I hope you'll excuse my presumin' on
+you this way, but I want to ask a favor of you, a great favor. I want to
+ask if you'll come down to the house and see the boy; he's on the sick
+list.”
+
+“What, Dusenberry?”
+
+“Yes, sir. He's pretty bad, I'm 'fraid, and the old lady's considerable
+upsot about him. If you just come down and kind of take an observation,
+so's we could sort of get our bearin's, as you might say, 'twould be a
+mighty help to all hands.”
+
+“But where's your town physician? Hasn't he been called?”
+
+The Captain explained. He had inquired, and he had telegraphed, but
+could get no word of Dr. Parker's whereabouts.
+
+The great Boston specialist listened to Captain Hiram's story in an
+absent-minded way. Holidays were few and far between with him, and when
+he accepted the long-standing invitation of Mr. Ogden Williams to run
+down for the week end he determined to forget the science of medicine
+and all that pertained to it for the four days of his outing. But an
+exacting patient had detained him long enough to prevent his taking the
+train that morning, and now, on the moment of his belated arrival, he
+was asked to pay a professional call. He liked the Captain, who had
+taken him out fishing several times on his previous excursions to East
+Harniss, and he remembered Dusenberry as a happy little sea urchin, but
+he simply couldn't interrupt his pleasure trip to visit a sick baby.
+Besides, the child was Dr. Parker's patient, and professional ethics
+forbade interference.
+
+“Captain Hiram,” he said, “I am sorry to disappoint you, but it will
+be impossible for me to do what you ask. Mr. Williams expected me this
+morning, and I am late already. Dr. Parker will, no doubt, return soon.
+The baby cannot be dangerously ill or he would not have left him.”
+
+The Captain slowly turned away.
+
+“Thank you, Doctor,” he said huskily. “I knew I hadn't no right to ask.”
+
+He walked across the platform, abstractedly striking his right hand into
+his left. When he reached the ticket window he put one hand against the
+frame as if to steady himself, and stood there listlessly.
+
+The enterprising Mr. Blount had been hanging about the Doctor like a cat
+about the cream pitcher; now he rushed up, grasped the suit case, and
+officiously led the way toward the depot wagon. Dr. Morgan followed more
+slowly. As he passed the Captain he glanced up into the latter's face,
+lighted, as it was, by the lamp inside the window.
+
+The Doctor stopped and looked again. Then he took another step forward,
+hesitated, turned on his heel, and said:
+
+“Wait a moment, Blount. Captain Hiram, do you live far from here?”
+
+The Captain started. “No, sir, only a little ways.”
+
+“All right. I'll go down and look at this boy of yours. Mind you, I'll
+not take the case, simply give my opinion on it, that's all. Blount,
+take my grip to Mr. Williams's. I'm going to walk down with the
+Captain.”
+
+
+“Haul on ee bowline, ee bowline, haul!” muttered the first mate, as they
+came into the room. The lamp that Sophronia was holding shook, and the
+Captain hurriedly brushed his eyes with the back of his hand.
+
+Dr. Morgan started perceptibly as he bent forward to look at the little
+fevered face of Dusenberry. Graver and graver he became as he felt the
+pulse and peered into the swollen throat. At length he rose and led the
+way back into the sitting room.
+
+“Captain Baker,” he said simply, “I must ask you and your wife to be
+brave. The child has diphtheria and--”
+
+“Diphthery!” gasped Sophronia, as white as her best tablecloth.
+
+“Good Lord above!” cried the Captain.
+
+“Diphtheria,” repeated the Doctor; “and, although I dislike extremely to
+criticize a member of my own profession, I must say that any physician
+should have recognized it.”
+
+Sophronia groaned and covered her face with her apron.
+
+“Ain't there--ain't there no chance, Doctor?” gasped the Captain.
+
+“Certainly, there's a chance. If I could administer antitoxin by
+to-morrow noon the patient might recover. What time does the morning
+train from Boston arrive here?”
+
+“Ha'f-past ten or thereabouts.”
+
+Dr. Morgan took his notebook from his pocket and wrote a few lines in
+pencil on one of the pages. Then he tore out the leaf and handed it to
+the Captain.
+
+“Send that telegram immediately to my assistant in Boston,” he said.
+“It directs him to send the antitoxin by the early train. If nothing
+interferes it should be here in time.”
+
+Captain Hiram took the slip of paper and ran out at the door bareheaded.
+
+Dr. Morgan stood in the middle of the floor absent-mindedly looking at
+his watch. Sophronia was gazing at him appealingly. At length he put his
+watch in his pocket and said quietly:
+
+“Mrs. Baker, I must ask you to give me a room. I will take the case.”
+ Then he added mentally: “And that settles my vacation.”
+
+
+Dr. Morgan's assistant was a young man whom nature had supplied with a
+prematurely bald head, a flourishing beard, and a way of appearing ten
+years older than he really was. To these gifts, priceless to a young
+medical man, might be added boundless ambition and considerable common
+sense.
+
+The yellow envelope which contained the few lines meaning life or death
+to little Hiram Joash Baker was delivered at Dr. Morgan's Back Bay
+office at ten minutes past ten. Dr. Payson--that was the assistant's
+name--was out, but Jackson, the colored butler, took the telegram
+into his employer's office, laid it on the desk among the papers, and
+returned to the hall to finish his nap in the armchair. When Dr. Payson
+came in, at 11:30, the sleepy Jackson forgot to mention the dispatch.
+
+The next morning as Jackson was cleaning the professional boots in the
+kitchen and chatting with the cook, the thought of the yellow envelope
+came back to his brain. He went up the stairs with such precipitation
+that the cook screamed, thinking he had a fit.
+
+“Doctah! Doctah!” he exclaimed, opening the door of the assistant's
+chamber, “did you git dat telegraft I lef' on your desk las' night?”
+
+“What telegraph?” asked the assistant sleepily. By way of answer Jackson
+hurried out and returned with the yellow envelope. The assistant opened
+it and read as follows:
+
+
+Send 1,500 units Diphtheritic Serum to me by morning train. Don't fail.
+Utmost importance.
+
+J. S. MORGAN.
+
+
+Dr. Payson sprang out of bed, and running to the table took up the
+Railway Guide, turned to the pages devoted to the O. C. and C. C.
+Railroad and ran his finger down the printed tables. The morning train
+for Cape Cod left at 7:10. It was 6:45 at that moment. As has been said,
+the assistant had considerable common sense. He proved this by wasting
+no time in telling the forgetful Jackson what he thought of him. He sent
+the latter after a cab and proceeded to dress in double-quick time. Ten
+minutes later he was on his way to the station with the little wooden
+case containing the precious antitoxin, wrapped and addressed, in his
+pocket.
+
+It was seven by the Arlington Street Church clock as the cab rattled
+down Boylston Street. A tangle of a trolley car and a market wagon
+delayed it momentarily at Harrison Avenue and Essex Street. Dr. Payson,
+leaning out as the carriage swung into Dewey Square, saw by the big
+clock on the Union Station that it was 7:13. He had lost the train.
+
+Now, the assistant had been assistant long enough to know that
+excuses--in the ordinary sense of the word--did not pass current with
+Dr. Morgan. That gentleman had telegraphed for antitoxin, and said it
+was important that he should have it; therefore, antitoxin must be sent
+in spite of time-tables and forgetful butlers. Dr. Payson went into the
+waiting room and sat down to think. After a moment's deliberation he
+went over to the ticket office and asked:
+
+“What is the first stop of the Cape Cod express?”
+
+“Brockboro,” answered the ticket seller.
+
+“Is the train usually on time?”
+
+“Well, I should smile. That's Charlie Mills's train, and the old man
+ain't been conductor on this road twenty-two years for nothin'.”
+
+“Mills? Does he live on Shawmut Avenue?”
+
+“Dunno. Billy, where does Charlie Mills live?”
+
+“Somewhere at the South End. Shawmut Avenue, I think.”
+
+“Thank you,” said the assistant, and, helping himself to a time-table,
+he went back rejoicing to his seat in the waiting room. He had stumbled
+upon an unexpected bit of luck.
+
+There might be another story written in connection with this one; the
+story of a veteran railroad man whose daughter had been very, very ill
+with a dreaded disease of the lungs, and who, when other physicians
+had given up hope, had been brought back to health by a celebrated
+specialist of our acquaintance. But this story cannot be told just now;
+suffice it to say that Conductor Charlie Mills had vowed that he would
+put his neck beneath the wheels of his own express train, if by so doing
+he could confer a favor on Dr. John Spencer Morgan.
+
+The assistant saw by his time-table that the Cape Cod express reached
+Brockboro at 8:05. He went over to the telegraph office and wrote two
+telegrams. The first read like this:
+
+
+CALVIN S. WISE, The People's Drug Store, 28 Broad Street, Brockboro,
+Mass.:
+
+Send package 1,500 units Diphtheritic Serum marked with my name to
+station. Hand to Conductor Mills, Cape Cod express. Train will wait.
+Matter life and death.
+
+
+The second telegram was to Conductor Mills. It read:
+
+
+Hold train Brockboro to await arrival C. A. Wise. Great personal favor.
+Very important.
+
+
+Both of these dispatches were signed with the magic name, “J. S. Morgan,
+M.D.”
+
+“Well,” said the assistant as he rode back to his office, “I don't know
+whether Wise will get the stuff to the train in time, or whether Mills
+will wait for him, but at any rate I've done my part. I hope breakfast
+is ready, I'm hungry.”
+
+Mr. Wise, of “The People's Drug Store,” had exactly two minutes in which
+to cover the three-quarters of a mile to the station. As a matter of
+course, he was late. Inquiring for Conductor Mills, he was met by a
+red-faced man in uniform, who, watch in hand, demanded what in the vale
+of eternal torment he meant by keeping him waiting eight minutes.
+
+“Do you realize,” demanded the red-faced man, “that I'm liable to lose
+my job? I'll have you to understand that if any other man than Doc.
+Morgan asked me to hold up the Cape Cod express, I'd tell him to go
+right plumb to--”
+
+Here Mr. Wise interrupted to hand over the package and explain that it
+was a matter of life and death. Conductor Mills only grunted as he swung
+aboard the train.
+
+“Hump her, Jim,” he said to the engineer; “she's got to make up those
+eight minutes.”
+
+And Jim did.
+
+
+And so it happened that on the morning of the Fourth of July,
+Dusenberry's birthday, Captain Hiram Baker and his wife sat together in
+the sitting room, with very happy faces. The Captain had in his hands
+the “truly boat with sails,” which the little first mate had so ardently
+wished for.
+
+She was a wonder, that boat. Red hull, real lead on the keel, brass
+rings on the masts, reef points on the main and fore sail, jib,
+flying jib and topsails, all complete. And on the stern was the name,
+“Dusenberry. East Harniss.”
+
+Captain Hiram set her down in front of him on the floor.
+
+“Gee!” he exclaimed, “won't his eyes stick out when he sees that
+rig, hey? Wisht he would be well enough to see it to-day, same as we
+planned.”
+
+“Well, Hiram,” said Sophrony, “we hadn't ought to complain. We'd ought
+to be thankful he's goin' to get well at all. Dr. Morgan says, thanks to
+that blessed toxing stuff, he'll be up and around in a couple of weeks.”
+
+“Sophrony,” said her husband, “we'll have a special birthday celebration
+for him when he gets all well. You can bake the frosted cake and we'll
+have some of the other children in. I TOLD you God wouldn't be cruel
+enough to take him away.”
+
+And this is how Fate and the medical profession and the O. C. and C.
+C. Railroad combined to give little Hiram Joash Baker his birthday, and
+explains why, as he strolled down Main Street that afternoon, Captain
+Hiram was heard to sing heartily:
+
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline, the bowline, HAUL!
+
+
+
+
+CHAPTER XIV
+
+EFFIE'S FATE
+
+
+Surely, but very, very slowly, the little Berry house moved on its
+rollers up the Hill Boulevard. Right at its heels--if a house may be
+said to have heels--came the “pure Colonial,” under the guidance of the
+foreman with “progressive methods.” Groups of idlers, male and female,
+stood about and commented. Simeon Phinney smilingly replied to their
+questions. Captain Sol himself seemed little interested. He spent most
+of his daylight time at the depot, only going to the Higginses' house
+for his meals. At night, after the station was closed, he sought his own
+dwelling, climbed over the joist and rollers, entered, retired to his
+room, and went to bed.
+
+Each day also he grew more taciturn. Even with Simeon, his particular
+friend, he talked little.
+
+“What IS the matter with you, Sol?” asked Mr. Phinney. “You're as glum
+as a tongue-tied parrot. Ain't you satisfied with the way I'm doin' your
+movin'? The white horse can go back again if you say so.”
+
+“I'm satisfied,” grunted the depot master. “Let you know when I've
+got any fault to find. How soon will you get abreast the--abreast the
+Seabury lot?”
+
+“Let's see,” mused the building mover. “Today's the eighth. Well, I'll
+be there by the eleventh, SURE. Can't drag it out no longer, Sol,
+even if the other horse is took sick. 'Twon't do. Williams has been
+complainin' to the selectmen and they're beginnin' to pester me. As for
+that Colt and Adams foreman--whew!”
+
+He whistled. His companion smiled grimly.
+
+“Williams himself drops in to see me occasional,” he said. “Tells me
+what he thinks of me, with all the trimmin's added. I cal'late he gets
+as good as he sends. I'm always glad to see him; he keeps me cheered up,
+in his way.”
+
+“Ye-es, I shouldn't wonder. Was he in to-day?”
+
+“He was. And somethin' has pleased him, I guess. At any rate he was in
+better spirits. Asked me if I was goin' to move right onto that Main
+Street lot soon as my house got there.”
+
+“What did you say?”
+
+“I said I was cal'latin' to. Told him I hated to get out of the
+high-society circles I'd been livin' in lately, but that everyone had
+their comedowns in this world.”
+
+“Ho, ho! that was a good one. What answer did he make to that?”
+
+“Well, he said the 'high society' would miss me. Then he finished up
+with a piece of advice. 'Berry,' says he, 'don't move onto that lot TOO
+quick. I wouldn't if I was you.' Then he went away, chucklin'.”
+
+“Chucklin', hey? What made him so joyful?”
+
+“Don't know”--Captain Sol's face clouded once more--“and I care less,”
+ he added brusquely.
+
+Simeon pondered. “Have you heard from Abner Payne, Sol?” he asked. “Has
+Ab answered that letter you wrote sayin' you'd swap your lot for the
+Main Street one?”
+
+“No, he hasn't. I wrote him that day I told you to move me.”
+
+“Hum! that's kind of funny. You don't s'pose--”
+
+He stopped, noticing the expression on his friend's face. The depot
+master was looking out through the open door of the waiting room. On
+the opposite side of the road, just emerging from Mr. Higgins's “general
+store,” was Olive Edwards, the widow whose home was to be pulled down
+as soon as the “Colonial” reached its destination. She came out of
+the store and started up Main Street. Suddenly, and as if obeying an
+involuntary impulse, she turned her head. Her eyes met those of Captain
+Sol Berry, the depot master. For a brief instant their glance met, then
+Mrs. Edwards hurried on.
+
+Sim Phinney sighed pityingly. “Looks kind of tired and worried, don't
+she?” he ventured. His friend did not speak.
+
+“I say,” repeated Phinney, “that Olive looks sort of worn out and--”
+
+“Has she heard from the Omaha cousin yet?” interrupted the depot master.
+
+“No; Mr. Hilton says not. Sol, what DO you s'pose--”
+
+But Captain Sol had risen and gone into the ticket office. The door
+closed behind him. Mr. Phinney shook his head and walked out of the
+building. On his way back to the scene of the house moving he shook his
+head several times.
+
+On the afternoon of the ninth Captain Bailey Stitt and his friend
+Wingate came to say good-by. Stitt was going back to Orham on the “up”
+ train, due at 3:30. Barzilla would return to Wellmouth and the Old Home
+House on the evening (the “down”) train.
+
+“Hey, Sol!” shouted Wingate, as they entered the waiting room. “Sol!
+where be you?”
+
+The depot master came out of the ticket office. “Hello, boys!” he said
+shortly.
+
+“Hello, Sol!” hailed Stitt. “Barzilla and me have come to shed the
+farewell tear. As hirelin's of soulless corporations, meanin' the Old
+Home House at Wellmouth and the Ocean House at Orham, we've engaged all
+the shellfish along-shore and are goin' to clear out.”
+
+“Yes,” chimed in his fellow “hireling,” “and we thought the pleasantest
+place to put in our few remainin' hours--as the papers say when a
+feller's goin' to be hung--was with you.”
+
+“I thought so,” said Captain Bailey, with a wink. “We've been havin'
+more or less of an argument, Sol. Remember how Barzilla made fun of
+Jonadab Wixon for believin' in dreams? Yes, well that was only make
+believe. He believes in 'em himself.”
+
+“I don't either,” declared Wingate. “And I never said so. What I said
+was that sometimes it almost seemed as if there was somethin' IN fortune
+tellin' and such.”
+
+“There is,” chuckled Bailey with another wink at the depot master.
+“There's money in it--for the fortune tellers.”
+
+“I said--and I say again,” protested Barzilla, “that I knew a case at
+our hotel of a servant girl named Effie, and she--”
+
+“Oh, Heavens to Betsy! Here he goes again, I steered him in here on
+purpose, Sol, so's he'd get off that subject.”
+
+“You never neither. You said--”
+
+The depot master held up his hand. “Don't both talk at once,” he
+commanded. “Set down and be peaceful, can't you. That's right. What
+about this Effie, Barzilla?”
+
+“Now look here!” protested Stitt.
+
+“Shut up, Bailey! Who was Effie, Barzilla?”
+
+“She was third assistant roustabout and table girl at the Old Home
+House,” said Wingate triumphantly. “Got another cigar, Sol? Thanks. Yes,
+this Effie had never worked out afore and she was greener'n a mess of
+spinach; but she was kind of pretty to look at and--”
+
+“Ah, ha!” crowed Captain Bailey, “here comes the heart confessions. Want
+to look out for these old bachelors, Sol. Fire away, Barzilla; let us
+know the worst.”
+
+“I took a fancy to her, in a way. She got in the habit of tellin' me her
+troubles and secrets, me bein' old enough to be her dad--”
+
+“Aw, yes!” this from Stitt, the irrepressible. “That's an old gag. We
+know--”
+
+“WILL you shut up?” demanded Captain Sol. “Go on, Barzilla.”
+
+“Me bein' old enough to be her dad,” with a glare at Captain Bailey,
+“and not bein' too proud to talk with hired help. I never did have that
+high-toned notion. 'Twa'n't so long since I was a fo'mast hand.
+
+“So Effie told me a lot about herself. Seems she'd been over to the
+Cattle Show at Ostable one year, and she was loaded to the gunwale with
+some more or less facts that a fortune-tellin' specimen by the name of
+the 'Marvelous Oriental Seer' had handed her in exchange for a quarter.
+
+“'Yup,' says she, bobbin' her head so emphatic that the sky-blue ribbon
+pennants on her black hair flapped like a loose tops'l in a gale of
+wind. 'Yup,' says she, 'I b'lieve it just as much as I b'lieve anything.
+How could I help it when he told me so much that has come true already?
+He said I'd seen trouble, and the dear land knows that's so! and that I
+might see more, and I cal'late that's pretty average likely. And he said
+I hadn't been brought up in luxury--'
+
+“'Which wa'n't no exaggeration neither,' I put in, thinkin' of the shack
+over on the Neck Road where she and her folks used to live.
+
+“'No,' says she; 'and he told me I'd always had longin's for better and
+higher things and that my intellectuals was above my station. Well, ever
+sence I was knee high to a kitchen chair I'd ruther work upstairs than
+down, and as for intellectuals, ma always said I was the smartest
+young one she'd raised yet. So them statements give me consider'ble
+confidence. But he give out that I was to make a journey and get money,
+and when THAT come true I held up both hands and stood ready to swaller
+all the rest of it.'
+
+“'So it come true, did it?' says I.
+
+“'Um-hm,' says she, bouncin' her head again. 'Inside of four year I
+traveled 'way over to South Eastboro--'most twelve mile--to my Uncle
+Issy's fun'ral, and there I found that he'd left me nine hundred dollars
+for my very own. And down I flops on the parlor sofy and says I: “There!
+don't talk superstition to ME no more! A person that can foretell Uncle
+Issy's givin' anybody a cent, let alone nine hundred dollars, is a good
+enough prophet for ME to tie to. Now I KNOW that I'm going to marry the
+dark-complected man, and I'll be ready for him when he comes along.
+I never spent a quarter no better than when I handed it over to that
+Oriental Seer critter at the Cattle Show.” That's what I said then and I
+b'lieve it yet. Wouldn't you feel the same way?'
+
+“I said sure thing I would. I'd found out that the best way to keep
+Effie's talk shop runnin' was to agree with her. And I liked to hear her
+talk.
+
+“'Yup,' she went on, 'I give right in then. I'd traveled same as the
+fortune teller said, and I'd got more money'n I ever expected to see,
+let alone own. And ever sence I've been sartin as I'm alive that the
+feller I marry will be of a rank higher'n mine and dark complected and
+good-lookin' and distinguished, and that he'll be name of Butler.'
+
+“'Butler?' says I. 'What will he be named Butler for?'
+
+“''Cause the Seer critter said so. He said he could see the word Butler
+printed out over the top of my head in flamin' letters. Pa used to say
+'twas a wonder it never set fire to my crimps, but he was only foolin'.
+I know that it's all comin' out true. You ain't acquaintanced to any
+Butlers, are you?'
+
+“'No,' says I. 'I heard Ben Butler make a speech once when he was
+gov'nor, but he's dead now. There ain't no Butlers on the Old Home
+shippin' lists.'
+
+“'Oh, I know that!' she says. 'And everybody round here is homelier'n a
+moultin' pullet. There now! I didn't mean exactly EVERYbody, of course.
+But you ain't dark complected, you know, nor--'
+
+“'No,' says I, 'nor rank nor distinguished neither. Course the handsome
+part might fit me, but I'd have to pass on the rest of the hand. That's
+all right, Effie; my feelin's have got fire-proofed sence I've been
+in the summer hotel business. Now you'd better run along and report to
+Susannah. I hear her whoopin' for you, and she don't light like a canary
+bird on the party she's mad with.'
+
+“She didn't, that was a fact. Susannah Debs, who was housekeeper for us
+that year, was middlin' young and middlin' good-lookin', and couldn't
+forget it. Also and likewise, she had a suit for damages against the
+railroad, which she had hopes would fetch her money some day or other,
+and she couldn't forget that neither. She was skipper of all the hired
+hands and, bein' as Effie was prettier than she was, never lost a chance
+to lay the poor girl out. She put the other help up to pokin' fun at
+Effie's green ways and high-toned notions, and 'twas her that started
+'em callin' her 'Lady Evelyn' in the fo'castle--servants' quarters, I
+mean.
+
+“'I'm a-comin', 'screams Effie, startin' for the door. 'Susannah's in a
+tearin' hurry to get through early to-day,' she adds to me. 'She's got
+the afternoon off, and her beau's comin' to take her buggy ridin'.
+He's from over Harniss way somewheres and they say he's just lovely. My
+sakes! I wisht somebody'd take ME to ride. Ah hum! cal'late I'll have to
+wait for my Butler man. Say, Mr. Wingate, you won't mention my fortune
+to a soul, will you? I never told anybody but you.'
+
+“I promised to keep mum and she cleared out. After dinner, as I was
+smokin', along with Cap'n Jonadab, on the side piazza, a horse and
+buggy drove in at the back gate. A young chap with black curly hair was
+pilotin' the craft. He was a stranger to me, wore a checkerboard suit
+and a bonfire necktie, and had his hat twisted over one ear. Altogether
+he looked some like a sunflower goin' to seed.
+
+“'Who's that barber's sign when it's to home?' says I to Jonadab. He
+snorted contemptuous.
+
+“'That?' he says. 'Don't you know the cut of that critter's jib? He
+plays pool “for the house” in Web Saunders's place over to Orham. He's
+the housekeeper's steady comp'ny--steady by spells, if all I hear's
+true. Good-for-nothin' cub, I call him. Wisht I'd had him aboard a
+vessel of mine; I'd 'a' squared his yards for him. Look how he cants his
+hat to starboard so's to show them lovelocks. Bah!'
+
+“'What's his name?' I asks.
+
+“'Name? Name's Butler--Simeon Butler. Don't you remember . . . Hey? What
+in tunket . . .?'
+
+“Both of us had jumped as if somebody'd touched off a bombshell under
+our main hatches. The windows of the dining room was right astern of us.
+We whirled round, and there was Effie. She'd been clearin' off one of
+the tables and there she stood, with the smashed pieces of an ice-cream
+platter in front of her, the melted cream sloppin' over her shoes, and
+her face lookin' like the picture of Lot's wife just turnin' to salt.
+Only Effie looked as if she enjoyed the turnin'. She never spoke nor
+moved, just stared after that buggy with her black eyes sparklin' like
+burnt holes in a blanket.
+
+“I was too astonished to say anything, but Jonadab had his eye on that
+smashed platter and HE had things to say, plenty of 'em. I walked off
+and left Effie playin' congregation to a sermon on the text 'Crockery
+costs money.' You'd think that ice-cream dish was a genuine ugly, nicked
+'antique' wuth any city loon's ten dollars, instead of bein' only new
+and pretty fifty-cent china. I felt real sorry for the poor girl.
+
+“But I needn't have been. That evenin' I found her on the back steps,
+all Sunday duds and airs. Her hair had a wire friz on it, and her dress
+had Joseph's coat in Scriptur' lookin' like a mournin' rig. She'd have
+been real handsome--to a body that was color blind.
+
+“'My, Effie!' says I, 'you sartin do look fine to-night.'
+
+“'Yup,' she says, contented, 'I guess likely I do. Hope so, 'cause I'm
+wearin' all I've got. Say, Mr. Wingate,' says she, excited as a cat in a
+fit, 'did you see him?'
+
+“'Him?' says I. 'Who's him?'
+
+“'Why, HIM! The one the Seer said was comin'. The handsome,
+dark-complected feller I'm goin' to marry. The Butler one. That was him
+in the buggy this afternoon.'
+
+“I looked at her. I'd forgot all about the fool prophecy.
+
+“'Good land of love!' I says. 'You don't cal'late he's comin' to marry
+YOU, do you, just 'cause his name's Butler? There's ten thousand Butlers
+in the world. Besides, your particular one was slated to be high ranked
+and distinguished, and this specimen scrubs up the billiard-room floor
+and ain't no more distinguished than a poorhouse pig.'
+
+“'Ain't?' she sings out. 'Ain't distinguished? With all them beautiful
+curls, and rings on his fingers, and--'
+
+“'Bells on his toes? No!' says I, emphatic. 'Anyhow, he's signed for
+the v'yage already. He's Susannah Debs's steady, and they're off buggy
+ridin' together right now. And if she catches you makin' eyes at her
+best feller--Whew!'
+
+“Didn't make no difference. He was her Butler, sure. 'Twas Fate--that's
+what 'twas--Fate, just the same as in storybooks. She was sorry for poor
+Susannah and she wouldn't do nothin' mean nor underhanded; but couldn't
+I understand that 'twas all planned out for her by Providence and that
+everlastin' Seer? Just let me watch and see, that's all.
+
+“What can you do with an idiot like that? I walked off disgusted and
+left her. But I cal'lated to watch. I judged 'twould be more fun than
+any 'play-actin' show ever I took in.
+
+“And 'twas, in a way. Don't ask me how they got acquainted, 'cause I
+can't tell you for sartin. Nigh's I can learn, Susannah and Sim had some
+sort of lover's row durin' their buggy ride, and when they got back to
+the hotel they was scurcely on speakin' terms. And Sim, who always had a
+watch out for'ard for pretty girls, see Effie standin' on the servants'
+porch all togged up regardless and gay as a tea-store chromo, and
+nothin' to do but he must be introduced. One of the stable hands done
+the introducin', I b'lieve, and if he'd have been hung afterwards
+'twould have sarved him right.
+
+“Anyhow, inside of a week Butler come round again to take a lady friend
+drivin', but this time 'twas Effie, not the housekeeper, that was
+passenger. And Susannah glared after 'em like a cat after a sparrow,
+and the very next day she was for havin' Effie discharged for
+incompetentiveness. I give Jonadab the tip, though, so that didn't go
+through. But I cal'late there was a parrot and monkey time among the
+help from then on.
+
+“They all sided with Susannah, of course. She was their boss, for one
+thing, and 'Lady Evelyn's' high-minded notions wa'n't popular, for
+another. But Effie didn't care--bless you, no! She and that Butler sport
+was together more and more, and the next thing I heard was that they was
+engaged. I snum, if it didn't look as if the Oriental man knew his job
+after all.
+
+“I spoke to the stable hand about it.
+
+“'Look here,' says I, 'is this business betwixt that pool player and our
+Effie serious?'
+
+“He laughed. 'Serious enough, I guess,' he says. 'They're goin' to
+be married pretty soon, I hear. It's all 'cordin' to the law and the
+prophets. Ain't you heard about the fortune tellin' and how 'twas
+foretold she'd marry a Butler?'
+
+“I'd heard, but I didn't s'pose he had. However, it seemed that Effie
+hadn't been able to keep it to herself no longer. Soon as she'd hooked
+her man she'd blabbed the whole thing. The fo'mast hands wa'n't talkin'
+of nothin' else, so this feller said.
+
+“'Humph!' says I. 'Is it the prophecy that Butler's bankin' on?'
+
+“He laughed again. 'Not so much as on Lady Evelyn's nine hundred, I
+cal'late,' says he. Sim likes Susannah the best of the two, so we all
+reckon, but she ain't rich and Effie is. And yet, if the Debs woman
+should win that lawsuit of hers against the railroad she'd have pretty
+nigh twice as much. Butler's a fool not to wait, I think,' he says.
+
+“This was of a Monday. On Friday evenin' Effie comes around to see me. I
+was alone in the office.
+
+“'Mr. Wingate,' she says, 'I'm goin' to leave to-morrer night. I'm goin'
+to be married on Sunday.'
+
+“I'd been expecting it, but I couldn't help feelin' sorry for her.
+
+“'Don't do nothin' rash, Effie,' I told her. 'Are you sure that Butler
+critter cares anything about you and not your money?'
+
+“She flared up like a tar barrel. 'The idea!' she says, turnin' red. 'I
+just come in to give you warnin'. Good-by.'
+
+“'Hold on,' I sung out to her. 'Effie, I've thought consider'ble about
+you lately. I've been tryin' to help you a little on the sly. I realized
+that 'twa'n't pleasant for you workin' here under Susannah Debs, and
+I've been tryin' to find a nice place for you. I wrote about you to Bob
+Van Wedderburn; he's the rich banker chap who stopped here one summer.
+“Jonesy,” we used to call him. I know him and his wife fust rate, and
+he'd do 'most anything as a favor to me. I told him what a neat, handy
+girl you was, and he writes that he'll give you the job of second girl
+at his swell New York house, if you want it. Now you just hand that Sim
+Butler his clearance papers and go work for Bob's wife. The wages are
+double what you get here, and--'
+
+“She didn't wait to hear the rest. Just sailed out of the room with her
+nose in the air. In a minute, though, back she come and just put her
+head in the door.
+
+“'I'm much obliged to you, Mr. Wingate,' says she. 'I know you mean
+well. But you ain't had your fate foretold, same's I have. It's all
+been arranged for me, and I couldn't stop it no more'n Jonah could help
+swallerin' the whale. I--I kind of wish you'd be on hand at the back
+door on Sunday mornin' when Simeon comes to take me away. You--you're
+about the only real friend I've got,' she says.
+
+“And off she went, for good this time. I pitied her, in spite of her
+bein' such a dough head. I knew what sort of a husband that pool-room
+shark would make. However, there wa'n't nothin' to be done. And next day
+Cap'n Jonadab was round, madder'n a licked pup. Seems Susannah's lawyer
+at Orham had sent for her to come right off and see him. Somethin' about
+the suit, it was. And she was goin' in spite of everything. And with
+Effie's leavin' at the same time, what was we goin' to do over Sunday?
+and so forth and so on.
+
+“Well, we had to do the best we could, that's all. But that Saturday
+was busy, now I tell you. Sunday mornin' broke fine and clear and, after
+breakfast was over, I remembered Effie and that 'twas her weddin' day.
+On the back steps I found her, dressed in all her grandeur, with her
+packed trunk ready, waitin' for the bridegroom.
+
+“'Ain't come yet, hey, Effie?' says I.
+
+“'No,' says she, smilin' and radiant. 'It's a little early for him yet,
+I guess.'
+
+“I went off to 'tend to the boarders. At half past ten, when I made the
+back steps again, she was still there. T'other servants was peekin' out
+of the kitchen windows, grinnin' and passin' remarks.
+
+“'Hello!' I calls out. 'Not married yet? What's the matter?'
+
+“She'd stopped smilin', but she was as chipper as ever, to all
+appearances.
+
+“'I--I guess the horse has gone lame or somethin',' says she. 'He'll be
+here any time now.'
+
+“There was a cackle from the kitchen windows. I never said nothin'.
+She'd made her nest; now let her roost on it.
+
+“But at twelve Butler hadn't hove in sight. Every hand, male and female,
+on the place, that wa'n't busy, was hangin' around the back of the
+hotel, waitin' and watchin' and ridiculin' and havin' a high time. Them
+that had errands made it a p'int to cruise past that way. Lots of the
+boarders had got wind of the doin's, and they was there, too.
+
+“Effie was settin' on her trunk, tryin' hard to look brave. I went up
+and spoke to her.
+
+“'Come, my girl,' says I. 'Don't set here no longer. Come into the house
+and wait. Hadn't you better?'
+
+“'No!' says she, loud and defiant like. 'No, sir! It's all right. He's a
+little late, that's all. What do you s'pose I care for a lot of jealous
+folks like those up there?' wavin' her flipper scornful toward the
+kitchen.
+
+“And then, all to once, she kind of broke down, and says to me, with a
+pitiful sort of choke in her voice:
+
+“'Oh, Mr. Wingate! I can't stand this. Why DON'T he come?'
+
+“I tried hard to think of somethin' comfortin' to say, but afore I
+could h'ist a satisfyin' word out of my hatches I heard the noise of a
+carriage comin'. Effie heard it, too, and so did everybody else. We all
+looked toward the gate. 'Twas Sim Butler, sure enough, in his buggy and
+drivin' the same old horse; but settin' alongside of him on the seat was
+Susannah Debs, the housekeeper. And maybe she didn't look contented with
+things in gen'ral!
+
+“Butler pulled up his horse by the gate. Him and Susannah bowed to all
+hands. Nobody said anything for a minute. Then Effie bounced off the
+trunk and down them steps.
+
+“'Simmie' she sung out, breathless like, 'Simeon Butler, what does this
+mean?'
+
+“The Debs woman straightened up on the seat. 'Thank you, marm,' says
+she, chilly as the top section of an ice chest, 'I'll request you not to
+call my husband by his first name.'
+
+“It was so still you could have heard yourself grow. Effie turned white
+as a Sunday tablecloth.
+
+“'Your--husband?' she gasps. 'Your--your HUSBAND?'
+
+“'Yes, marm,' purrs the housekeeper. 'My husband was what I said. Mr.
+Butler and me have just been married.'
+
+“'Sorry, Effie, old girl,' puts in Butler, so sassy I'd love to have
+preached his fun'ral sermon. 'Too bad, but fust love's strongest, you
+know. Susie and me was engaged long afore you come to town.'
+
+“THEN such a haw-haw and whoop bust from the kitchen and fo'castle as
+you never heard. For a jiffy poor Effie wilted right down. Then she
+braced up and her black eyes snapped.
+
+“'I wish you joy of your bargain, marm,' says she to Susannah. 'You'd
+ought to be proud of it. And as for YOU,' she says, swingin' round
+toward the rest of the help, 'I--'
+
+“'How 'bout that prophet?' hollers somebody.
+
+“'Three cheers for the Oriental!' bellers somebody else.
+
+“'When you marry the right Butler fetch him along and let us see him!'
+whoops another.
+
+“She faced 'em all, and I gloried in her spunk.
+
+“'When I marry him I WILL come back,' says she. 'And when I do you'll
+have to get down on your knees and wait on me. You--and you--Yes, and
+YOU, too!'
+
+“The last two 'yous' was hove at Sim and Susannah. Then she turned and
+marched into the hotel. And the way them hired hands carried on was
+somethin' scandalous--till I stepped in and took charge of the deck.
+
+“That very afternoon I put Effie and her trunk aboard the train. I
+paid her fare to New York and give her directions how to locate the Van
+Wedderburns.
+
+“'So long, Effie,' says I to her. 'It's all right. You're enough sight
+better off. All you want to do now is to work hard and forget all that
+fortune-tellin' foolishness.'
+
+“She whirled on me like a top.
+
+“'Forget it!' she says. 'I GUESS I shan't forget it! It's comin' true,
+I tell you--same as all the rest come true. You said yourself there was
+ten thousand Butlers in the world. Some day the right one--the handsome,
+high-ranked, distinguished one--will come along, and I'll get him. You
+wait and see, Mr. Wingate--just you wait and see.'”
+
+
+
+
+CHAPTER XV
+
+THE “HERO” AND THE COWBOY
+
+
+“So that was the end of it, hey?” said Captain Bailey. “Well, it's what
+you might expect, but it wa'n't much to be so anxious to tell; and as
+for PROVIN' anything about fortune tellin'--why--”
+
+“It AIN'T the end,” shouted the exasperated Barzilla. “Not nigh the end.
+'Twas the beginnin'. The housekeeper left us that day, of course, and
+for the rest of that summer the servant question kept me and Jonadab
+from thinkin' of other things. Course, the reason for the Butler scamp's
+sudden switch was plain enough. Susannah's lawyer had settled the case
+with the railroad and, even after his fee was subtracted, there was
+fifteen hundred left. That was enough sight better'n nine hundred, so
+Sim figgered when he heard of it; and he hustled to make up with his old
+girl.
+
+“Fifteen hundred dollars doesn't last long with some folks. At the
+beginnin' of the next spring season both of 'em was round huntin' jobs.
+Susannah was a fust-rate waitress, so we hired her for that--no more
+housekeeper for hers, and served her right. As for her husband, we took
+him on in the stable. He wouldn't have been wuth his salt if it hadn't
+been for her. She said she'd keep him movin' and she did. She nagged and
+henpecked him till I'd have been sorry if 'twas anybody else; as 'twas,
+I got consider'ble satisfaction out of it.
+
+“I got one letter from Effie pretty soon after she left, sayin' she
+liked her new job and that the Van Wedderburns liked her. And that's all
+I did hear, though Bob himself wrote me in May, sayin' him and
+Mabel, his wife, had bought a summer cottage in Wapatomac, and me and
+Jonadab--especially me--must be sure and come to see it and them. He
+never mentioned his second girl, and I almost forgot her myself.
+
+“But one afternoon in early July a big six-cylinder automobile come
+sailin' down the road and into the Old Home House yard. A shofer--I
+b'lieve that's what they call the tribe--was at the helm of it, and on
+the back seat, lollin' luxurious against the upholstery, was a man and
+a woman, got up regardless in silk dusters and goggles and veils and
+prosperity. I never expect to see the Prince of Wales and his wife, but
+I know how they'd look--after seein' them two.
+
+“Jonadab was at the bottom step to welcome 'em, bowin' and scrapin' as
+if his middle j'int had just been iled. I wa'n't fur astern, and every
+boarder on deck was all eyes and envy.
+
+“The shofer opens the door of the after cockpit of the machine, and the
+man gets out fust, treadin' gingerly but grand, as if he was doin' the
+ground a condescension by steppin' on it. Then he turns to the woman and
+she slides out, her duds rustlin' like the wind in a scrub oak. The pair
+sails up the steps, Jonadab and me backin' and fillin' in front of 'em.
+All the help that could get to a window to peek had knocked off work to
+do it.
+
+“'Ahem!' says the man, pompous as Julius Caesar--he was big and
+straight and fine lookin' and had black side whiskers half mast on his
+cheeks--ahem!' says he. 'I say, good people, may we have dinner here?'
+
+“Well, they tell us time and tide waits for no man, but prob'ly that
+don't include the nobility. Anyhow, although 'twas long past our reg'lar
+dinner time, I heard Jonadab tellin' 'em sure and sartin they could. If
+they wouldn't mind settin' on the piazza or in the front parlor for a
+spell, he'd have somethin' prepared in a jiffy. So up to the piazza they
+paraded and come to anchor in a couple of chairs.
+
+“'You can have your automobile put right into the barn,' I says, 'if you
+want to.'
+
+“'I don't know as it will be necessary--' began the big feller, but the
+woman interrupted him. She was starin' through her thick veil at the
+barn door. Sim Butler, in his overalls and ragged shirt sleeves, was
+leanin' against that door, interested as the rest of us in what was
+goin' on.
+
+“'I would have it put there, I think,' says the woman, lofty and
+superior. 'It is rather dusty, and I think the wheels ought to be
+washed. Can that man be trusted to wash 'em?' she asks, pointin' kind of
+scornful at Simeon.
+
+“'Yes, marm, I cal'late so,' I says. 'Here, Sim!' I sung out, callin'
+Butler over to the steps. 'Can you wash the dust off them wheels?'
+
+“He said course he could, but he didn't act joyful over the job. The
+woman seemed some doubtful.
+
+“'He looks like a very ignorant, common person,' says she, loud and
+clear, so that everybody, includin' the 'ignorant person' himself, could
+hear her. 'However, James'll superintend. James,' she orders the shofer,
+'you see that it is well done, won't you? Make him be very careful.'
+
+“James looked Butler over from head to foot. 'Humph!' he sniffs,
+contemptuous, with a kind of half grin on his face. 'Yes, marm, I'll
+'tend to it.'
+
+“So he steered the auto into the barn, and Simeon got busy. Judgin' by
+the sharp language that drifted out through the door, 'twas plain that
+the shofer was superintendin' all right.
+
+“Jonadab heaves in sight, bowin', and makes proclamation that dinner
+is served. The pair riz up majestic and headed for the dinin' room. The
+woman was a little astern of her man, and in the hall she turns brisk to
+me.
+
+“'Mr. Wingate,' she whispers, 'Mr. Wingate.'
+
+“I stared at her. Her voice had sounded sort of familiar ever sence I
+heard it, but the veil kept a body from seein' what she looked like.
+
+“'Hey?' I sings out. 'Have I ever--'
+
+“'S-s-h-h!' she whispers. 'Say, Mr. Wingate, that--that Susannah thing
+is here, ain't she? Have her wait on us, will you, please?'
+
+“And she swept the veil off her face. I choked up and staggered bang!
+against the wall. I swan to man if it wa'n't Effie! EFFIE, in silks and
+automobiles and gorgeousness!
+
+“Afore I could come to myself the two of 'em marched into that dining
+room. I heard a grunt and a 'Land of love!' from just ahead of me. That
+was Jonadab. And from all around that dinin' room come a sort of gasp
+and then the sound of whisperin'. That was the help.
+
+“They took a table by the window, which had been made ready. Down they
+set like a king and a queen perchin' on thrones. One of the waiter girls
+went over to em.
+
+“But I'd come out of my trance a little mite. The situation was miles
+ahead of my brain, goodness knows, but the joke of it all was gettin' a
+grip on me. I remembered what Effie had asked and I spoke up prompt.
+
+“'Susannah,' says I, 'this is a particular job and we're anxious to
+please. You'd better do the waitin' yourself.'
+
+“I wish you could have seen the glare that ex-housekeeper give me. For
+a second I thought we'd have open mutiny. But her place wa'n't any too
+sartin and she didn't dare risk it. Over she walked to that table, and
+the fun began.
+
+“Jonadab had laid himself out to make that meal a success, but they ate
+it as if 'twas pretty poor stuff and not by no means what they fed on
+every day. They found fault with 'most everything, but most especial
+with Susannah's waitin'. My! how they did order her around--a mate on a
+cattle boat wa'n't nothin' to it. And when 'twas all over and they got
+up to go, Effie says, so's all hands can hear:
+
+“'The food here is not so bad, but the service--oh, horrors! However,
+Albert,' says she to the side-whiskered man, 'you had better give the
+girl our usual tip. She looks as if she needed it, poor thing!'
+
+“Then they paraded out of the room, and I see Susannah sling the half
+dollar the man had left on the table clear to Jericho, it seemed like.
+
+“The auto was waitin' by the piazza steps. The shofer and Butler was
+standin' by it. And when Sim see Effie with her veil throwed back he
+pretty nigh fell under the wheels he'd been washin' so hard. And he
+looked as if he wisht they'd run over him.
+
+“'Oh, dear!' sighs Effie, lookin' scornful at the wheels. 'Not half
+clean, just as I expected. I knew by the looks of that--that PERSON that
+he wouldn't do it well. Don't give him much, Albert; he ain't earned
+it.'
+
+“They climbed into the cockpit, the shofer took the helm, and they was
+ready to start. But I couldn't let 'em go that way. Out I run.
+
+“'Say--say, Effie!' I whispers, eager. 'For the goodness' sakes, what's
+all this mean? Is that your--your--'
+
+“'My husband? Yup,' she whispers back, her eyes shinin'. 'Didn't I tell
+you to look out for my prophecy? Ain't he handsome and distinguished,
+just as I said? Good-by, Mr. Wingate; maybe I'll see you again some
+day.'
+
+“The machinery barked and they got under way. I run along for two steps
+more.
+
+“'But, Effie,' says I, 'tell me--is his name--?'
+
+“She didn't answer. She was watchin' Sim Butler and his wife. Sim had
+stooped to pick up the quarter the Prince of Wales had hove at him. And
+that was too much for Susannah, who was watchin' from the window.
+
+“'Don't you touch that money!' she screams. 'Don't you lay a finger on
+it! Ain't you got any self-respect at all, you miser'ble, low-lived--'
+and so forth and so on. All the way to the front gate I see Effie
+leanin' out, lookin' and listenin' and smilin'.
+
+“Then the machine buzzed off in a typhoon of dust and I went back to
+Jonadab, who was a livin' catechism of questions which neither one of us
+could answer.”
+
+“So THAT'S the end!” exclaimed Captain Bailey. “Well--”
+
+“No, it ain't the end--not even yet. Maybe it ought to be, but it ain't.
+There's a little more of it.
+
+“A fortni't later I took a couple of days off and went up to Wapatomac
+to visit the Van Wedderburns, same as I'd promised. Their 'cottage' was
+pretty nigh big enough for a hotel, and was so grand that I, even if I
+did have on my Sunday frills, was 'most ashamed to ring the doorbell.
+
+“But I did ring it, and the feller that opened the door was big and
+solemn and fine lookin' and had side whiskers. Only this time he wore a
+tail coat with brass buttons on it.
+
+“How do you do, Mr. Wingate?' says he. Step right in, sir, if you
+please. Mr. and Mrs. Van Wedderburn are out in the auto, but they'll be
+back shortly, and very glad to see you, sir, I'm sure. Let me take
+your grip and hat. Step right into the reception room and wait, if you
+please, sir. Perhaps,' he says, and there was a twinkle in his port eye,
+though the rest of his face was sober as the front door of a church,
+'perhaps,' says he, 'you might wish to speak with my wife a moment. I'll
+take the liberty of sendin' her to you, sir.'
+
+“So, as I sat on the gunwale of a blue and gold chair, tryin' to settle
+whether I was really crazy or only just dreamin', in bounces Effie,
+rigged up in a servant's cap and apron. She looked polite and demure,
+but I could see she was just bubblin' with the joy of the whole
+bus'ness.
+
+“'Effie,' says I, 'Effie, what--what in the world--?'
+
+“She giggled. 'Yup,' she says, 'I'm chambermaid here and they treat me
+fine. Thank you very much for gettin' me the situation.'
+
+“'But--but them doin's the other day? That automobile--and them silks
+and satins--and--?'
+
+“'Mr. Van Wedderburn lent 'em to me,' she said, 'him an' his wife. And
+he lent us the auto and the shofer, too. I told him about my troubles
+at the Old Home House and he thought 'twould be a great joke for me
+to travel back there like a lady. He's awful fond of a joke--Mr. Van
+Wedderburn is.'
+
+“'But that man?' I gasps. 'Your husband? That's what you said he was.'
+
+“'Yes,' says she, 'he is. We've been married 'most six months now. My
+prophecy's all come true. And DIDN'T I rub it in on that Susannah Debs
+and her scamp of a Sim? Ho! ho!'
+
+“She clapped her hands and pretty nigh danced a jig, she was so tickled.
+
+“'But is he a Butler?' I asks.
+
+“'Yup,' she nods, with another giggle. 'He's A butler, though his name's
+Jenkins; and a butler's high rank--higher than chambermaid, anyhow. You
+see, Mr. Wingate,' she adds, ''twas all my fault. When that Oriental
+Seer man at the show said I was to marry a butler, I forgot to ask him
+whether you spelt it with a big B or a little one.'”
+
+The unexpected manner in which Effie's pet prophecy had been fulfilled
+amused Captain Sol immensely. He laughed so heartily that Issy McKay
+looked in at the door with an expression of alarm on his face. The
+depot master had laughed little during the past few days, and Issy was
+surprised.
+
+But Captain Stitt was ready with a denial. He claimed that the prophecy
+was NOT fulfilled and therefore all fortune telling was fraudulent.
+Barzilla retorted hotly, and the argument began again. The two were
+shouting at each other. Captain Sol stood it for a while and then
+commanded silence.
+
+“Stop your yellin'!” he ordered. “What ails you fellers? Think you can
+prove it better by screechin'? They can hear you half a mile. There's
+Cornelius Rowe standin' gawpin' on the other side of the street this
+minute. He thinks there's a fire or a riot, one or t'other. Let's change
+the subject. See here, Bailey, didn't you start to tell us somethin'
+last time you was in here about your ridin' in an automobile?”
+
+“I started to--yes. But nobody'd listen. I rode in one and I sailed in
+one. You see--”
+
+“I'm goin' outdoor,” declared Barzilla.
+
+“No, you're not. Bailey listened to you. Now you do as much for him. I
+heard a little somethin' about the affair at the time it happened and
+I'd like to hear the rest of it. How was it, Bailey?”
+
+Captain Stitt knocked the ashes from his pipe.
+
+“Well,” he began, “I didn't know the critter was weak in his top riggin'
+or I wouldn't have gone with him in the fust place. And he wa'n't
+real loony, nuther. 'Twas only when he got aboard that--that ungodly,
+kerosene-smellin', tootin', buzzin', Old Harry's gocart of his that the
+craziness begun to show. There's so many of them weak-minded city folks
+from the Ocean House comes perusin' 'round summers, nowadays, that
+I cal'lated he was just an average specimen, and never examined him
+close.”
+
+“Are all the Ocean House boarders weak-minded nowadays?” asked the depot
+master.
+
+Mr. Wingate answered the question.
+
+“My land!” he snapped; “would they board at the Ocean House if they
+WA'N'T weak-minded?”
+
+Captain Bailey did not deign to reply to this jibe. He continued calmly:
+
+“This feller wa'n't an Ocean Houser, though. He was young Stumpton's
+automobile skipper-shover, or shofer, or somethin' they called him. He
+answered to the hail of Billings, and his home port was the Stumpton
+ranch, 'way out in Montana. He'd been here in Orham only a couple of
+weeks, havin' come plumb across the United States to fetch his boss the
+new automobile. You see, 'twas early October. The Stumptons had left
+their summer place on the Cliff Road, and was on their way South for
+the winter. Young Stumpton was up to Boston, but he was comin' back in
+a couple of days, and then him and the shover was goin' automobilin' to
+Florida. To Florida, mind you! In that thing! If it was me I'd buy my
+ticket to Tophet direct and save time and money.
+
+“Well, anyhow, this critter Billings, he ain't never smelt salt water
+afore, and he don't like the smell. He makes proclamations that Orham is
+nothin' but sand, slush, and soft drinks. He won't sail, he can't
+swim, he won't fish; but he's hankerin' to shoot somethin', havin' been
+brought up in a place where if you don't shoot some of the neighbors
+every day or so folks think you're stuck up and dissociable. Then
+somebody tells him it's the duckin' season down to Setuckit P'int, and
+he says he'll spend his day off, while the boss is away, massycreein'
+the coots there. This same somebody whispers that I know so much about
+ducks that I quack when I talk, and he comes cruisin' over in the buzz
+cart to hire me for guide. And--would you b'lieve it?--it turns out that
+he's cal'latin' to make his duckin' v'yage in that very cart. I was for
+makin' the trip in a boat, like a sensible man, but he wouldn't hear of
+it.
+
+“'Land of love!' says I. 'Go to Setuckit in a automobile?'
+
+“'Why not?' he says. 'The biscuit shooter up at the hotel tells me
+there's a smart chance of folks goes there a-horseback. And where a hoss
+can travel I reckon the old gal here'--slappin' the thwart of the auto
+alongside of him--'can go, too!'
+
+“'But there's the Cut-through,' says I.
+
+“''Tain't nothin' but a creek when the freshet's over, they tell me,'
+says he. 'And me and the boss have forded four foot of river in this
+very machine.'
+
+“By the 'freshet' bein' over I judged he meant the tide bein' out. And
+the Cut-through ain't but a little trickle then, though it's a quarter
+mile wide and deep enough to float a schooner at high water. It's the
+strip of channel that makes Setuckit Beach an island, you know. The
+gov'ment has had engineers down dredgin' of it out, and pretty soon fish
+boats'll be able to save the twenty-mile sail around the P'int and into
+Orham Harbor at all hours.
+
+“Well, to make a long story short, I agreed to let him cart me to
+Setuckit P'int in that everlastin' gas carryall. We was to start at four
+o'clock in the afternoon, 'cause the tide at the Cut-through would be
+dead low at half-past four. We'd stay overnight at my shanty at the
+P'int, get up airly, shoot all day, and come back the next afternoon.
+
+“At four prompt he was on hand, ready for me. I loaded in the guns and
+grub and one thing or 'nother, and then 'twas time for me to get aboard
+myself.
+
+“'You'll set in the tonneau,' says he, indicatin' the upholstered after
+cockpit of the concern. I opened up the shiny hatch, under orders from
+him, and climbed in among the upholstery. 'Twas soft as a feather bed.
+
+“'Jerushy!' says I, lollin' back luxurious. This is fine, ain't it?'
+
+“'Cost seventy-five hundred to build,' he says casual. 'Made to order
+for the boss. Lightest car of her speed ever turned out.'
+
+“'Go 'way! How you talk! Seventy-five hundred what? Not dollars?'
+
+“'Sure,' he says. Then he turns round--he was in the bow, hangin' on to
+the steerin' wheel--and looks me over, kind of interested, but superior.
+'Say,' he says, 'I've been hearin' things about you. You're a hero,
+ain't you?'
+
+“Durn them Orham gabblers! Ever sence I hauled that crew of seasick
+summer boarders out of the drink a couple of years ago and the gov'ment
+gave me a medal, the minister and some more of his gang have painted out
+the name I was launched under and had me entered on the shippin' list
+as 'The Hero.' I've licked two or three for callin' me that, but I can't
+lick a parson, and he was the one that told Billings.
+
+“'Oh, I don't know!' I answers pretty sharp. 'Get her under way, why
+don't you?'
+
+“All he done was look me over some more and grin.
+
+“'A hero! A real live gov'ment-branded hero!' he says. 'Ain't scared of
+nothin', I reckon--hey?'
+
+“I never made no answer. There's some things that's too fresh to eat
+without salt, and I didn't have a pickle tub handy.
+
+“'Hum!' he says again, reverend-like. 'A sure hero; scared of nothin'!
+Never rode in an auto afore, did you?'
+
+“'No,' says I, peppery; 'and I don't see no present symptom of ridin' in
+one now. Cast off, won't you?'
+
+“He cast off. That is to say, he hauled a nickel-plated marlinespike
+thing toward him, shoved another one away from him, took a twist on the
+steerin' wheel, the gocart coughed like a horse with the heaves, started
+up some sort of buzz-planer underneath, and then we begun to move.
+
+“From the time we left my shanty at South Orham till we passed the pines
+at Herrin' Neck I laid back in that stuffed cockpit, feelin' as grand
+and tainted as old John D. himself. The automobile rolled along smooth
+but swift, and it seemed to me I had never known what easy trav'lin' was
+afore. As we rounded the bend by the pines and opened up the twelve-mile
+narrow white stretch of Setuckit Beach ahead of us, with the ocean on
+one side and the bay on t'other, I looked at my watch. We'd come that
+fur in thirteen minutes.
+
+“'Land sakes!' I says. 'This is what I call movin' right along!'
+
+“He turned round and sized me up again, like he was surprised.
+
+“'Movin'?' says he. 'Movin'? Why, pard, we've been settin' down to rest!
+Out our way, if a lynchin' party didn't move faster than we've done so
+fur, the center of attraction would die on the road of old age. Now, my
+heroic college chum,' he goes on, callin' me out of my name, as usual,
+'will you be so condescendin' as to indicate how we hit the trail?'
+
+“'Hit--hit which? Don't hit nothin', for goodness' sake! Goin' the way
+we be, it would--'
+
+“'Which way do we go?'
+
+“'Right straight ahead. Keep on the ocean side, 'cause there's more hard
+sand there, and--hold on! Don't do that! Stop it, I tell you!'
+
+“Them was the last rememberable words said by me durin' the next quarter
+of an hour. That shover man let out a hair-raisin' yell, hauled the
+nickel marlinespike over in its rack, and squeezed a rubber bag that was
+spliced to the steerin' wheel. There was a half dozen toots or howls or
+honks from under our bows somewheres, and then that automobile hopped
+off the ground and commenced to fly. The fust hop landed me on my knees
+in the cockpit, and there I stayed. 'Twas the most fittin' position
+fur my frame of mind and chimed in fust-rate with the general religious
+drift of my thoughts.
+
+“The Cut-through is two mile or more from Herrin' Neck. 'Cordin' to my
+count we hit terra cotta just three times in them two miles. The fust
+hit knocked my hat off. The second one chucked me up so high I looked
+back for the hat, and though we was a half mile away from it, it hadn't
+had time to git to the ground. And all the while the horn was a-honkin',
+and Billings was a-screechin, and the sand was a-flyin'. Sand! Why,
+say! Do you see that extra bald place on the back of my head? Yes? Well,
+there was a two-inch thatch of hair there afore that sand blast ground
+it off.
+
+“When I went up on the third jounce I noticed the Cut-through just
+ahead. Billings see it, too, and--would you b'lieve it?--the lunatic
+stood up, let go of the wheel with one hand, takes off his hat and waves
+it, and we charge down across them wet tide flats like death on the
+woolly horse, in Scriptur'.
+
+“'Hi, yah! Yip!' whoops Billings. 'Come on in, fellers! The water's
+fine! Yow! Y-e-e-e! Yip!'
+
+“For a second it left off rainin' sand, and there was a typhoon of
+mud and spray. I see a million of the prettiest rainbows--that is, I
+cal'lated there was a million; it's awful hard to count when you're
+bouncin' and prayin' and drowndin' all to once. Then we sizzed out of
+the channel, over the flats on t'other side, and on toward Setuckit.
+
+“Never mind the rest of the ride. 'Twas all a sort of constant changin'
+sameness. I remember passin' a blurred life-savin' station, with
+three--or maybe thirty--blurred men jumpin' and laughin' and hollerin'.
+I found out afterwards that they'd been on the lookout for the bombshell
+for half an hour. Billings had told around town what he was goin' to
+do to me, and some kind friend had telephoned it to the station. So the
+life-savers was full of anticipations. I hope they were satisfied. I
+hadn't rehearsed my part of the show none, but I feel what the parson
+calls a consciousness of havin' done my best.
+
+“'Whoa, gal!' says Billings, calm and easy, puttin' the helm hard down.
+The auto was standin' still at last. Part of me was hangin' over the lee
+rail. I could see out of the part, so I knew 'twas my head. And there
+alongside was my fish shanty at the P'int, goin' round and round in
+circles.
+
+“I undid the hatch of the cockpit and fell out on the sand. Then I
+scrambled up and caught hold of the shanty as it went past me. That fool
+shover watched me, seemin'ly interested.
+
+“'Why, pard,' says he, 'what's the matter? Do you feel pale? Are you
+nervous? It ain't possible that you're scared? Honest, now, pard, if it
+weren't that I knew you were a genuine gold-mounted hero I'd sure think
+you was a scared man.'
+
+“I never said nothin'. The scenery and me was just turnin' the mark buoy
+on our fourth lap.
+
+“'Dear me, pard!' continues Billings. 'I sure hope I ain't scared you
+none. We come down a little slow this evenin', but to-morrow night, when
+I take you back home, I'll let the old girl out a little.'
+
+“I sensed some of that. And as the shanty had about come to anchor, I
+answered and spoke my mind.
+
+“'When you take me back home!' I says. 'When you do! Why, you
+crack-brained, murderin' lunatic, I wouldn't cruise in that hell wagon
+of yours again for the skipper's wages on a Cunarder. No, nor the mate's
+hove in!'
+
+“And that shover he put his head back and laughed and laughed and
+laughed.”
+
+
+
+
+CHAPTER XVI
+
+THE CRUISE OF THE RED CAR
+
+
+“I don't wonder he laughed,” observed Wingate, who seemed to enjoy
+irritating his friend. “You must have been good as a circus.”
+
+“Humph!” grunted the depot master. “If I remember right you said YOU
+wa'n't any ten-cent side show under similar circumstances, Barzilla.
+Heave ahead, Bailey!”
+
+Captain Stitt, unruffled, resumed:
+
+“I tell you, I had to take it that evenin',” he said. “All the time I
+was cookin' and while he was eatin' supper, Billings was rubbin' it
+into me about my bein' scared. Called me all the saltwater-hero names
+he could think of--'Hobson' and 'Dewey' and the like of that, usin' em
+sarcastic, of course. Finally, he said he remembered readin' in school,
+when he was little, about a girl hero, name of Grace Darlin'. Said he
+cal'lated, if I didn't mind, he'd call me Grace, 'cause it was heroic
+and yet kind of fitted in with my partic'lar brand of bravery. I didn't
+answer much; he had me down, and I knew it. Likewise I judged he was
+more or less out of his head; no sane man would yell the way he done
+aboard that automobile.
+
+“Then he commenced to spin yarns about himself and his doin's, and
+pretty soon it come out that he'd been a cowboy afore young Stumpton
+give up ranchin' and took to automobilin'. That cleared the sky line
+some, of course; I'd read consider'ble about cowboys in the ten-cent
+books my nephew fetched home when he was away to school. I see right off
+that Billings was the livin' image of Deadwood Dick and Wild Bill and
+the rest in them books; they yelled and howled and hadn't no regard for
+life and property any more'n he had. No, sir! He wa'n't no crazier'n
+they was; it was in the breed, I judged.
+
+“'I sure wish I had you on the ranch, Grace,' says he. 'Why don't you
+come West some day? That's where a hero like you would show up strong.'
+
+“'Godfrey mighty!' I sings out. 'I wouldn't come nigh such a nest of
+crazy murderers as that fur no money! I'd sooner ride in that automobile
+of yours, and St. Peter himself couldn't coax me into THAT again, not if
+'twas fur a cruise plumb up the middle of the golden street!'
+
+“I meant it, too, and the next afternoon when it come time to start
+for home he found out that I meant it. We'd shot a lot of ducks, and
+Billings was havin' such a good time that I had to coax and tease him
+as if he was a young one afore he'd think of quittin'. It was quarter
+of six when he backed the gas cart out of the shed. I was uneasy, 'cause
+'twas past low-water time, and there was fog comin' on.
+
+“'Brace up, Dewey!' says he. 'Get in.'
+
+“'No, Mr. Billings,' says I. 'I ain't goin' to get in. You take that
+craft of yourn home, and I'll sail up alongside in my dory.'
+
+“'In your which?' says he.
+
+“'In my dory,' I says. 'That's her hauled up on the beach abreast the
+shanty.'
+
+“He looked at the dory and then at me.
+
+“'Go on!' says he. 'You ain't goin' to pack yourself twelve mile on THAT
+SHINGLE?'
+
+“'Sartin I am! says I. 'I ain't takin' no more chances.'
+
+“Do you know, he actually seemed to think I was crazy then. Seemed to
+figger that the dory wa'n't big enough; and she's carried five easy
+afore now. We had an argument that lasted twenty minutes more, and the
+fog driftin' in nigher all the time. At last he got sick of arguin',
+ripped out somethin' brisk and personal, and got his tin shop to movin'.
+
+“'You want to cross over to the ocean side,' I called after him. 'The
+Cut-through's been dredged at the bay end, remember.'
+
+“'Be hanged!' he yells, or more emphatic. And off he whizzed. I see him
+go, and fetched a long breath. Thanks to a merciful Providence, I'd come
+so fur without bein' buttered on the undercrust of that automobile or
+scalped with its crazy shover's bowie knife.
+
+“Ten minutes later I was beatin' out into the bay in my dory. All
+around was the fog, thin as poorhouse gruel so fur, but thickenin' every
+minute. I was worried; not for myself, you understand, but for that
+cowboy shover. I was afraid he wouldn't fetch t'other side of the
+Cut-through. There wa'n't much wind, and I had to make long tacks. I
+took the inshore channel, and kept listenin' all the time. And at last,
+when 'twas pretty dark and I was cal'latin' to be about abreast of the
+bay end of the Cut-through, I heard from somewheres ashore a dismal
+honkin' kind of noise, same as a wild goose might make if 'twas chokin'
+to death and not resigned to the worst.
+
+“'My land!' says I. 'It's happened!' And I come about and headed
+straight in for the beach. I struck it just alongside the gov'ment
+shanty. The engineers had knocked off work for the week, waitin' for
+supplies, but they hadn't took away their dunnage.
+
+“'Hi!' I yells, as I hauled up the dory. 'Hi-i-i! Billings, where be
+you?'
+
+“The honkin' stopped and back comes the answer; there was joy in it.
+
+“'What? Is that Cap'n Stitt?'
+
+“'Yes,' I sings out. 'Where be you?'
+
+“'I'm stuck out here in the middle of the crick. And there's a flood on.
+Help me, can't you?'
+
+“Next minute I was aboard the dory, rowin' her against the tide up the
+channel. Pretty quick I got where I could see him through the fog and
+dark. The auto was on the flat in the middle of the Cut-through, and
+the water was hub high already. Billings was standin' up on the for'ard
+thwart, makin' wet footmarks all over them expensive cushions.
+
+“'Lord,' says he, 'I sure am glad to see you, pard! Can we get to land,
+do you think?'
+
+“'Land?' says I, makin' the dory fast alongside and hoppin' out into the
+drink. ''Course we can land! What's the matter with your old derelict?
+Sprung a leak, has it?'
+
+“He went on to explain that the automobile had broke down when he struck
+the flat, and he couldn't get no farther. He'd been honkin' and howlin'
+for ten year at least, so he reckoned.
+
+“'Why in time,' says I, 'didn't you mind me and go up the ocean side?
+And why in nation didn't you go ashore and--But never mind that now. Let
+me think. Here! You set where you be.'
+
+“As I shoved off in the dory again he turned loose a distress signal.
+
+“'Where you goin'?' he yells. 'Say, pard, you ain't goin' to leave me
+here, are you?'
+
+“'I'll be back in a shake,' says I, layin' to my oars. 'Don't holler so!
+You'll have the life-savers down here, and then the joke'll be on us.
+Hush, can't you? I'll be right back!'
+
+“I rowed up channel a little ways, and then I sighted the place I
+was bound for. Them gov'ment folks had another shanty farther up the
+Cut-through. Moored out in front of it was a couple of big floats, for
+their stone sloops to tie up to at high water. The floats were made of
+empty kerosene barrels and planks, and they'd have held up a house easy.
+I run alongside the fust one, cut the anchor cable with my jackknife,
+and next minute I was navigatin' that float down channel, steerin' it
+with my oar and towin' the dory astern.
+
+“'Twas no slouch of a job, pilotin' that big float, but part by steerin'
+and part by polin' I managed to land her broadside on to the auto. I
+made her fast with the cable ends and went back after the other float.
+This one was a bigger job than the fust, but by and by that gas wagon,
+with planks under her and cable lashin's holdin' her firm, was restin'
+easy as a settin' hen between them two floats. I unshipped my mast,
+fetched it aboard the nighest float, and spread the sail over the
+biggest part of the brasswork and upholstery.
+
+“'There,' says I, 'if it rains durin' the night she'll keep pretty
+dry. Now I'll take the dory and row back to the shanty after some spare
+anchors there is there.'
+
+“'But what's it fur, pard?' asks Billings for the nine hundred and
+ninety-ninth time. 'Why don't we go where it's dry? The flood's risin'
+all the time.'
+
+“'Let it rise,' I says. 'I cal'late when it gets high enough them
+floats'll rise with it and lift the automobile up, too. If she's
+anchored bow and stern she'll hold, unless it comes on to blow a gale,
+and to-morrow mornin' at low tide maybe you can tinker her up so she'll
+go.'
+
+“'Go?' says he, like he was astonished. 'Do you mean to say you're
+reckonin' to save the CAR?'
+
+“'Good land!' I says, starin' at him. 'What else d'you s'pose? Think I'd
+let seventy-five hundred dollars' wuth of gilt-edged extravagance go to
+the bottom? What did you cal'late I was tryin' to save--the clam flat?
+Give me that dory rope; I'm goin' after them anchors. Sufferin' snakes!
+Where IS the dory? What have you done with it?'
+
+“He'd been holdin' the bight of the dory rodin'. I handed it to him so's
+he'd have somethin' to take up his mind. And, by time, he'd forgot all
+about it and let it drop! And the dory had gone adrift and was out of
+sight.
+
+“'Gosh!' says he, astonished-like. 'Pard, the son of a gun has slipped
+his halter!'
+
+“I was pretty mad--dories don't grow on every beach plum bush--but there
+wa'n't nothin' to say that fitted the case, so I didn't try.
+
+“'Humph!' says I. 'Well, I'll have to swim ashore, that's all, and go up
+to the station inlet after another boat. You stand by the ship. If she
+gets afloat afore I come back you honk and holler and I'll row after
+you. I'll fetch the anchors and we'll moor her wherever she happens to
+be. If she shouldn't float on an even keel, or goes to capsize, you jump
+overboard and swim ashore. I'll--'
+
+“'Swim?' says he, with a shake in his voice. 'Why, pard, I can't swim!'
+
+“I turned and looked at him. Shover of a two-mile-a-minute gold-plated
+butcher cart like that, a cowboy murderer that et his friends for
+breakfast--and couldn't swim! I fetched a kind of combination groan and
+sigh, turned back the sail, climbed aboard the automobile, and lit up my
+pipe.
+
+“'What are you settin' there for?' says he. 'What are you goin' to do?'
+
+“'Do?' says I. 'Wait, that's all--wait and smoke. We won't have to wait
+long.'
+
+“My prophesyin' was good. We didn't have to wait very long. It was pitch
+dark, foggy as ever, and the tide a-risin' fast. The floats got to be
+a-wash. I shinned out onto 'em, picked up the oar that had been left
+there, and took my seat again. Billings climbed in, too, only--and
+it kind of shows the change sence the previous evenin'--he was in the
+passenger cockpit astern, and I was for'ard in the pilot house. For a
+reckless daredevil he was actin' mighty fidgety.
+
+“And at last one of the floats swung off the sand. The automobile tipped
+scandalous. It looked as if we was goin' on our beam ends. Billings let
+out an awful yell. Then t'other float bobbed up and the whole shebang,
+car and all, drifted out and down the channel.
+
+“My lashin's held--I cal'lated they would. Soon's I was sure of that I
+grabbed up the oar and shoved it over the stern between the floats. I
+hoped I could round her to after we passed the mouth of the Cut-through,
+and make port on the inside beach. But not in that tide. Inside of five
+minutes I see 'twas no use; we was bound across the bay.
+
+“And now commenced a v'yage that beat any ever took sence Noah's time,
+I cal'late; and even Noah never went to sea in an automobile, though
+the one animal I had along was as much trouble as his whole menagerie.
+Billings was howlin' blue murder.
+
+“'Stop that bellerin'!' I ordered. 'Quit it, d'you hear! You'll have the
+station crew out after us, and they'll guy me till I can't rest. Shut
+up! If you don't, I'll--I'll swim ashore and leave you.'
+
+“I was takin' big chances, as I look at it now. He might have drawed a
+bowie knife or a lasso on me; 'cordin' to his yarns he'd butchered folks
+for a good sight less'n that. But he kept quiet this time, only gurglin'
+some when the ark tilted. I had time to think of another idee. You
+remember the dory sail, mast and all, was alongside that cart. I clewed
+up the canvas well as I could and managed to lash the mast up straight
+over the auto's bows. Then I shook out the sail.
+
+“'Here!' says I, turnin' to Billings. 'You hang on to that sheet. No,
+you needn't nuther. Make it fast to that cleat alongside.'
+
+“I couldn't see his face plain, but his voice had a funny tremble to it;
+reminded me of my own when I climbed out of that very cart after he'd
+jounced me down to Setuckit the day before.
+
+“'What?' he says. 'Wh-what? What sheet? I don't see any sheet. What do
+you want me to do?'
+
+“'Tie this line to that cleat. That cleat there! CLEAT, you lubber!
+CLEAT! That knob! MAKE IT FAST! Oh, my gosh t'mighty! Get out of my
+way!'
+
+“The critter had tied the sheet to the handle of the door instead of the
+one I meant, and the pull of the sail hauled the door open and pretty
+nigh ripped it off the hinges. I had to climb into the cockpit and
+straighten out the mess. I was losin' my temper; I do hate bunglin'
+seamanship aboard a craft of mine.
+
+“'But what'll become of us?' begs Billings. 'Will we drown?'
+
+“'What in tunket do we want to drown for? Ain't we got a good sailin'
+breeze and the whole bay to stay on top of--fifty foot of water and
+more?'
+
+“'Fifty foot!' he yells. 'Is there fifty foot of water underneath us
+now? Pard, you don't mean it!'
+
+“'Course I mean it. Good thing, too!'
+
+“'But fifty foot! It's enough to drown in ten times over!'
+
+“'Can't drown but once, can you? And I'd just as soon drown in fifty
+foot as four--ruther, 'cause 'twouldn't take so long.'
+
+“He didn't answer out loud; but I heard him talkin' to himself pretty
+constant.
+
+“We was well out in the bay by now, and the seas was a little mite more
+rugged--nothin' to hurt, you understand, but the floats was all foam,
+and once in a while we'd ship a little spray. And every time that
+happened Billings would jump and grab for somethin' solid--sometimes
+'twas the upholstery and sometimes 'twas me. He wa'n't on the thwart,
+but down in a heap on the cockpit floor.
+
+“'Let go of my leg!' I sings out, after we'd hit a high wave and that
+shover had made a more'n ordinary savage claw at my underpinnin'. 'You
+make me nervous. Drat this everlastin' fog! somethin'll bump into us if
+we don't look out. Here, you go for'ard and light them cruisin' lights.
+They ain't colored 'cordin' to regulations, but they'll have to do. Go
+for'ard! What you waitin' for?'
+
+“Well, it turned out that he didn't like to leave that cockpit. I was
+mad.
+
+“'Go for'ard there and light them lights!' I yelled, hangin' to the
+steerin' oar and keepin' the ark runnin' afore the wind.
+
+“'I won't!' he says, loud and emphatic. 'Think I'm a blame fool? I sure
+would be a jack rabbit to climb over them seats the way they're buckin'
+and light them lamps. You're talkin' through your hat!'
+
+“Well, I hadn't no business to do it, but, you see, I was on salt water,
+and skipper, as you might say, of the junk we was afloat in; and if
+there's one thing I never would stand it's mutiny. I hauled in the oar,
+jumped over the cockpit rail, and went for him. He see me comin', stood
+up, tried to get out of the way, and fell overboard backwards. Part of
+him lit on one of the floats, but the biggest part trailed in the water
+between the two. He clawed with his hands, but the planks was slippery,
+and he slid astern fast. Just as he reached the last plank and slid off
+and under I jumped after him and got him by the scruff of the neck. I
+had hold of the lashin' end with one hand, and we tailed out behind the
+ark, which was sloppin' along, graceful as an elephant on skates.
+
+“I was pretty well beat out when I yanked him into that cockpit
+again. Neither of us said anything for a spell, breath bein' scurce as
+di'monds. But when he'd collected some of his, he spoke.
+
+“'Pard,' he says, puffin', 'I'm much obleeged to you. I reckon I sure
+ain't treated you right. If it hadn't been for you that time I'd--'
+
+“But I was b'ilin' over. I whirled on him like a teetotum.
+
+“'Drat your hide!' I says. 'When you speak to your officer you say sir!
+And now you go for'ard and light them lights. Don't you answer back!
+If you do I'll fix you so's you'll never ship aboard another vessel!
+For'ard there! Lively, you lubber, lively!'
+
+“He went for'ard, takin' consider'ble time and hangin' on for dear life.
+But somehow or 'nuther he got the lights to goin'; and all the time
+I hazed him terrible. I was mate on an Australian packet afore I went
+fishin' to the Banks, and I can haze some. I blackguarded that shover
+awful.
+
+“'Ripperty-rip your everlastin' blankety-blanked dough head!' I roared
+at him. 'You ain't wuth the weight to sink you. For'ard there and get
+that fog horn to goin'! And keep it goin'! Lively, you sculpin! Don't
+you open your mouth to me!'
+
+“Well, all night we sloshed along, straight acrost the bay. We must
+have been a curious sight to look at. The floats was awash, so that the
+automobile looked like she was ridin' the waves all by her lonesome; the
+lamps was blazin' at either side of the bow; Billings was a-tootin'
+the rubber fog horn as if he was wound up; and I was standin' on the
+cushions amidships, keepin' the whole calabash afore the wind.
+
+“We never met another craft the whole night through. Yes, we did meet
+one. Old Ezra Cahoon, of Harniss, was out in his dory stealin' quahaugs
+from Seth Andrews's bed over nigh the Wapatomac shore. Ezra stayed long
+enough to get one good glimpse of us as we bust through the fog; then he
+cut his rodin' and laid to his oars, bound for home and mother. We could
+hear him screech for half an hour after he left us.
+
+“Ez told next day that the devil had come ridin' acrost the bay after
+him in a chariot of fire. Said he could smell the brimstone and hear
+the trumpet callin' him to judgment. Likewise he hove in a lot of
+particulars concernin' the personal appearance of the Old Boy himself,
+who, he said, was standin' up wavin' a red-hot pitchfork. Some folks
+might have been flattered at bein' took for such a famous character; but
+I wa'n't; I'm retirin' by nature, and besides, Ez's description
+wa'n't cal'lated to bust a body's vanity b'iler. I was prouder of the
+consequences, the same bein' that Ezra signed the Good Templars' pledge
+that afternoon, and kept it for three whole months, just sixty-nine days
+longer than any previous attack within the memory of man had lasted.
+
+“And finally, just as mornin' was breakin', the bows of the floats slid
+easy and slick up on a hard, sandy beach. Then the sun riz and the
+fog lifted, and there we was within sight of the South Ostable
+meetin'-house. We'd sailed eighteen miles in that ark and made a better
+landin' blindfold than we ever could have made on purpose.
+
+“I hauled down the sail, unshipped the mast, and jumped ashore to find
+a rock big enough to use for a makeshift anchor. It wa'n't more'n three
+minutes after we fust struck afore my boots hit dry ground, but Billings
+beat me one hundred and seventy seconds, at that. When I had time to
+look at that shover man he was a cable's length from high-tide mark,
+settin' down and grippin' a bunch of beach grass as if he was afeard the
+sand was goin' to slide from under him; and you never seen a yallerer,
+more upset critter in your born days.
+
+“Well, I got the ark anchored, after a fashion, and then we walked up to
+the South Ostable tavern. Peleg Small, who runs the place, he knows me,
+so he let me have a room and I turned in for a nap. I slept about three
+hours. When I woke up I started out to hunt the automobile and Billings.
+Both of 'em looked consider'ble better than they had when I see 'em
+last. The shover had got a gang of men and they'd got the gas cart
+ashore, and Billings and a blacksmith was workin' over--or rather
+under--the clockwork.
+
+“'Hello!' I hails, comin' alongside.
+
+“Billings sticks his head out from under the tinware.
+
+“'Hi, pard!' says he. I noticed he hadn't called me 'Grace' nor 'Dewey'
+for a long spell. Hi, pard,' he says, gettin' to his feet, 'the old gal
+ain't hurt a hair. She'll be good as ever in a couple of hours. Then you
+and me can start for Orham.'
+
+“'In HER?' says I.
+
+“'Sure,' he says.
+
+“'Not by a jugful!' says I, emphatic. 'I'll borrer a boat to get to
+Orham in, when I'm ready to go. You won't ketch me in that man killer
+again; and you can call me a coward all you want to!'
+
+“'A coward?' says he. 'You a coward? And--Why, you was in that car all
+night!'
+
+“'Oh!' I says. 'Last night was diff'rent. The thing was on water then,
+and when I've got enough water underneath me I know I'm safe.'
+
+“'Safe!' he sings out. 'SAFE! Well, by--gosh! Pard, I hate to say it,
+but it's the Lord's truth--you had me doin' my “Now I lay me's”!'
+
+“For a minute we looked at each other. Then says I, sort of thinkin' out
+loud, 'I cal'late,' I says, 'that whether a man's brave or not depends
+consider'ble on whether he's used to his latitude. It's all accordin'.
+It lays in the bringin' up, as the duck said when the hen tried to
+swim.'
+
+“He nodded solemn. 'Pard,' says he, 'I sure reckon you've called the
+turn. Let's shake hands on it.'
+
+“So we shook; and . . .”
+
+Captain Bailey stopped short and sprang from his chair. “There's my
+train comin',” he shouted. “Good-by, Sol! So long, Barzilla! Keep away
+from fortune tellers and pretty servant girls or YOU'LL be gettin'
+married pretty soon. Good-by.”
+
+He darted out of the waiting room and his companions followed. Mr.
+Wingate, having a few final calls to make, left the station soon
+afterwards and did not return until evening. And that evening he heard
+news which surprised him.
+
+As he and Captain Sol were exchanging a last handshake on the platform,
+Barzilla said:
+
+“Well, Sol, I've enjoyed loafin' around here and yarnin' with you, same
+as I always do. I'll be over again in a month or so and we'll have some
+more.”
+
+The Captain shook his head. “I may not be here then, Barzilla,” he
+observed.
+
+“May not be here? What do you mean by that?”
+
+“I mean that I don't know exactly where I shall be. I shan't be depot
+master, anyway.”
+
+“Shan't be depot master? YOU won't? Why, what on airth--”
+
+“I sent in my resignation four days ago. Nobody knows it, except you,
+not even Issy, but the new depot master for East Harniss will be here to
+take my place on the mornin' of the twelfth, that's two days off.”
+
+“Why! Why! SOL!”
+
+“Yes. Keep mum about it. I'll--I'll let you know what I decide to do. I
+ain't settled it myself yet. Good-by, Barzilla.”
+
+
+
+
+CHAPTER XVII
+
+ISSY'S REVENGE
+
+
+The following morning, at nine o'clock, Issy McKay sat upon the heap of
+rusty chain cable outside the blacksmith's shop at Denboro, reading,
+as usual, a love story. Issy was taking a “day off.” He had begged
+permission of Captain Sol Berry, the permission had been granted,
+and Issy had come over to Denboro, the village eight miles above East
+Harniss, in his “power dory,” or gasoline boat, the Lady May. The Lady
+May was a relic of the time before Issy was assistant depot master, when
+he gained a precarious living by quahauging, separating the reluctant
+bivalve from its muddy house on the bay bottom with an iron rake, the
+handle of which was forty feet long. Issy had been seized with a desire
+to try quahauging once more, hence his holiday. The rake was broken
+and he had put in at Denboro to have it fixed. While the blacksmith was
+busy, Issy laboriously spelled out the harrowing chapters of “Vivian,
+the Shop Girl; or Lord Lyndhurst's Lowly Love.”
+
+A grinning, freckled face peered cautiously around the corner of the
+blacksmith's front fence. Then an overripe potato whizzed through the
+air and burst against the shop wall a few inches from the reader's head.
+Issy jumped.
+
+“You--you everlastin' young ones, you!” he shouted fiercely. “If I
+git my hands onto you, you'll wish you'd--I see you hidin' behind that
+fence.”
+
+Two barefooted little figures danced provokingly in the roadway and two
+shrill voices chanted in derision:
+
+ “Is McKay--Is McKay--
+ Makes the Injuns run away!
+
+“Scalped anybody lately, Issy?”
+
+Alas for the indiscretions of youth! The tale of Issy's early expedition
+in search of scalps and glory was known from one end of Ostable County
+to the other. It had made him famous, in a way.
+
+“If I git a-holt of you kids, I'll bet there'll be some scalpin' done,”
+ retorted the persecuted one, rising from the heap of cable.
+
+A second potato burst like a bombshell on the shingles behind him.
+McKay was a good general, in that he knew when it was wisest to retreat.
+Shoving the paper novel into his overalls pocket, he entered the shop.
+
+“What's the matter, Is?” inquired the grinning blacksmith. Most people
+grinned when they spoke to Issy. “Gittin' too hot outside there, was it?
+Why don't you tomahawk 'em and have 'em for supper?”
+
+“Humph!” grunted the offended quahauger. “Don't git gay now, Jake
+Larkin. You hurry up with that rake.”
+
+“Oh, all right, Is. Don't sculp ME; I ain't done nothin'. What's the
+news over to East Harniss?”
+
+“Oh, I don't know. Not much. Sam Bartlett, he started for Boston this
+mornin'.”
+
+“Who? Sam Bartlett? I want to know! Thought he was down for six weeks.
+You sure about that, Is?”
+
+“Course I'm sure. I was up to the depot and see him buy his ticket and
+git on the cars.”
+
+“Did, hey? Humph! So Sam's gone. Gertie Higgins still over to her Aunt
+Hannah's at Trumet?”
+
+Issy looked at his questioner. “Why, yes,” he said suspiciously.
+“I s'pose she's there. Fact, I know she is. Pat Starkey's doin' the
+telegraphin' while she's away. What made you ask that?”
+
+The blacksmith chuckled. “Oh, nothin',” he said. “How's her dad's
+dyspepsy? Had any more of them sudden attacks of his? I cal'late they'll
+take the old man off some of these days, won't they? I hear the doctor
+thinks there's more heart than stomach in them attacks.”
+
+But the skipper of the Lady May was not to be put off thus. “What you
+drivin' at, Jake?” he demanded. “What's Sam Bartlett's goin' away got to
+do with Gertie Higgins?”
+
+In his eagerness he stepped to Mr. Larkin's side. The blacksmith caught
+sight of the novel in his customer's pocket. He snatched it forth.
+
+“What you readin' now, Is?” he demanded. “More blood and brimstone?
+'Vivy Ann, the Shop Girl!' Gee! Wow!”
+
+“You gimme that book, Jake Larkin! Gimme it now!”
+
+Fending the frantic quahauger off with one mighty arm, the blacksmith
+proceeded to read aloud:
+
+“'Darlin',' cried Lord Lyndhurst, strainin' the beautiful and blushin'
+maid to his manly bosom, 'you are mine at last. Mine! No--' Jerushy! a
+love story! Why, Issy! I didn't know you was in love. Who's the lucky
+girl? Send me an invite to your weddin', won't you?”
+
+Issy's face was a fiery red. He tore the precious volume from its
+desecrator's hand, losing the pictured cover in the struggle.
+
+“You--you pesky fool!” he shouted. “You mind your own business.”
+
+The blacksmith roared in glee. “Oh, ho!” he cried. “Issy's in love and
+I never guessed it. Aw, say, Is, don't be mean! Who is she? Have you
+strained her to your manly bosom yit? What's her name?”
+
+“Shut up!” shrieked Issy, and strode out of the shop. His tormentor
+begged him not to “go off mad,” and shouted sarcastic sympathy after
+him. But Mr. McKay heeded not. He stalked angrily along the sidewalk.
+Then espying just ahead of him the boys who had thrown the potatoes,
+he paused, turned, and walking down the carriageway at the side of the
+blacksmith's place of business, sat down upon a sawhorse under one of
+its rear windows. He could, at least, be alone here and think; and he
+wanted to think.
+
+For Issy--although he didn't look it--was deeply interested in another
+love story as well as that in his pocket. This one was printed upon
+his heart's pages, and in it he was the hero, while the heroine--the
+unsuspecting heroine--was Gertie Higgins, daughter of Beriah Higgins,
+once a fisherman, now the crotchety and dyspeptic proprietor of the
+“general store” and postmaster at East Harniss.
+
+This story began when Issy first acquired the Lady May. The Higgins home
+stood on the slope close to the boat landing, and when Issy came in from
+quahauging, Gertie was likely to be in the back yard, hanging out the
+clothes or watering the flower garden. Sometimes she spoke to him of her
+own accord, concerning the weather or other important topics. Once
+she even asked him if he were going to the Fourth of July ball at the
+town-hall. It took him until the next morning--like other warriors, Issy
+was cursed with shyness--to summon courage enough to ask her to go to
+the ball with him. Then he found it was too late; she was going with
+her cousin, Lennie Bloomer. But he felt that she had offered him the
+opportunity, and was happy and hopeful accordingly.
+
+This, however, was before she went to Boston to study telegraphy. When
+she returned, with a picture hat and a Boston accent, it was to preside
+at the telegraph instrument in the little room adjoining the post office
+at her father's store. When Issy bowed blushingly outside the window
+of the telegraph room, he received only the airiest of frigid nods. Was
+there what Lord Lyndhurst would have called “another”? It would seem
+not. Old Mr. Higgins, her father, encouraged no bows nor attentions from
+young men, and Gertie herself did not appear to desire them. So Issy
+gave up his tales of savage butchery for those of love and blisses,
+adored in silence, and hoped--always hoped.
+
+But why had the blacksmith seemed surprised at the departure of Sam
+Bartlett, the “dudey” vacationist from the city, whose father had, years
+ago, been Beriah Higgins's partner in the fish business? And why had he
+coupled the Bartlett name with that of Gertie, who had been visiting her
+father's maiden sister at Trumet, the village next below East Harniss,
+as Denboro is the next above it? Issy's suspicions were aroused, and he
+wondered.
+
+Suddenly he heard voices in the shop above him. The window was open and
+he heard them plainly.
+
+“Well! WELL!” It was the blacksmith who uttered the exclamation. “Why,
+Bartlett, how be you? What you doin' over here? Thought you'd gone back
+to Boston. I heard you had.”
+
+Slowly, cautiously, the astonished quahauger rose from the sawhorse and
+peered over the window sill. There were two visitors in the shop. One
+was Ed Burns, proprietor of the Denboro Hotel and livery stable. The
+other was Sam Bartlett, the very same who had left East Harniss that
+morning, bound, ostensibly, for Boston. Issy sank back again and
+listened.
+
+“Yes, yes!” he heard Sam say impatiently; “I know, but--see here, Jake,
+where can I hire a horse in this God-forsaken town?”
+
+“Well, well, Sam!” continued Larkin. “I was just figurin' that Beriah
+had got the best of you after all, and you'd had to give it up for this
+time. Thinks I, it's too bad! Just because your dad and Beriah Higgins
+had such a deuce of a row when they bust up in the fish trade, it's a
+shame that he won't hark to your keepin' comp'ny with Gertie. And you
+doin' so well; makin' twenty dollars a week up to the city--Ed told me
+that--and--”
+
+“Yes, yes! But never mind that. Where can I get a horse? I've got to be
+in Trumet by eight to-night sure.”
+
+“Trumet? Why, that's where Gertie is, ain't it?”
+
+“Look a-here, Jake,” broke in the livery-stable keeper. “I'll tell you
+how 'tis. Oh, it's all right, Sam! Jake knows the most of it; I told
+him. He can keep his mouth shut, and he don't like old crank Higgins any
+better'n you and me do. Jake, Sam here and Gertie had fixed it up to run
+off and git married to-night. He was to pretend to start for Boston this
+mornin'. Bought a ticket and all, so's to throw Beriah off the scent.
+He was to get off the train here at Denboro and I was to let him have a
+horse 'n' buggy. Then, this afternoon, he was goin' to drive through the
+wood roads around to Trumet and be at the Baptist Church there at eight
+to-night sharp. Gertie's Aunt Hannah, she's had her orders, and bein' as
+big a crank as her brother, she don't let the girl out of her sight. But
+there's a fair at the church and Auntie's tendin' a table. Gertie, she
+steps out to the cloak room to git a handkerchief which she's forgot;
+see? And she hops into Sam's buggy and away they go to the minister's.
+After they're once hitched Old Dyspepsy can go to pot and see the kittle
+bile.”
+
+“Bully! By gum, that's fine! Won't Beriah rip some, hey?”
+
+“Yes, but there's the dickens to pay. I've only got two horses in the
+stable to-day. The rest are let. And the two I've got--one's old Bill,
+and he couldn't go twenty mile to save his hide. And t'other's the gray
+mare, and blamed if she didn't git cast last night and use up her off
+hind leg so's she can't step. And Sam's GOT to have a horse. Where can I
+git one?”
+
+“Hum! Have you tried Haynes's?”
+
+“Yes, yes! And Lathrop's and Eldredge's. Can't git a team for love nor
+money.”
+
+“Sho! And he can't go by train?”
+
+“What? With Beriah postmaster at East Harniss and always nosin' through
+every train that stops there? You can't fetch Trumet by train without
+stoppin' at East Harniss and--What was that?”
+
+“I don't know. What was it?”
+
+“Sounded like somethin' outside that back winder.”
+
+The two ran to the window and looked out. All they saw was an overturned
+sawhorse and two or three hens scratching vigorously.
+
+“Guess 'twas the chickens, most likely,” observed the blacksmith. Then,
+striking his blackened palms together, he exclaimed:
+
+“By time! I've thought of somethin'! Is McKay is in town to-day. Come
+over in the Lady May. She's a gasoline boat. Is would take Sam to Trumet
+for two or three dollars, I'll bet. And he's such a fool head that he
+wouldn't ask questions nor suspicion nothin'. 'Twould be faster'n a
+horse and enough sight less risky.”
+
+And just then the “fool head,” his brain whirling under its carroty
+thatch, was hurrying blindly up the main street, bound somewhere, he
+wasn't certain where.
+
+A mushy apple exploded between his shoulders, but he did not even turn
+around. So THIS was what the blacksmith meant! This was why Mr. Higgins
+watched his daughter so closely. This was why Gertie had been sent off
+to Trumet. She had met the Bartlett miscreant in Boston; they had been
+together there; had fallen in love and--He gritted his teeth and shook
+his fists almost in the face of old Deacon Pratt, who, knowing the
+McKay penchant for slaughter, had serious thoughts of sending for the
+constable.
+
+Beriah Higgins must be warned, of course, but how? To telegraph was
+to put Pat Starkey in possession of the secret, and Pat was too good a
+friend of Gertie's to be trusted. There was no telephone at the store.
+Issy entered the combination grocery store and post office.
+
+“Has the down mail closed yet?” he panted.
+
+The postmaster looked out of his little window.
+
+“Yes,” he replied. “Why? Got a letter you want to go? Take it up to the
+depot. The train's due, but 'tain't here yit. If you run you can make
+it.”
+
+Issy took a card from his pocket. It was the business card of the firm
+to whom he sold his quahaugs. On the back of the card he wrote in pencil
+as follows:
+
+“Mr. Beriah Higgins, your daughter Gertrude is going to meet Sam'l
+Bartlett at the Baptist Church in Trumet at 8 P.M. to-night and get
+married to him. LOOK OUT!!!”
+
+After an instant's consideration he signed it “A True Friend,” this
+being in emulation of certain heroes of the Deadwood Dick variety. Then
+he put the card into an envelope and ran at top speed to the railway
+station. The train came in as he reached the platform. The baggage
+master was standing in the door of his car.
+
+“Here, mister!” panted Issy. “Jest hand this letter to Beriah Higgins
+when he takes the mail bag at East Harniss, won't you? It's mighty
+important. Don't forgit. Thanks.”
+
+The train moved off. Issy stared after it, grinning malevolently.
+Higgins would get that note in ample time to send word to the watchful
+Aunt Hannah. When the unsuspecting eloper reached the Trumet church, it
+would be the aunt, not the niece, who awaited him. Still grinning, Mr.
+McKay walked off the platform, and into the arms of Ed Burns, the stable
+keeper, and Sam Bartlett, his loathed and favored rival.
+
+“Here he is!” shouted Burns. “Now we've got him.”
+
+The foiler of the plot turned pale. Was his secret discovered? But no;
+his captors began talking eagerly, and gradually the sense of their
+pleadings became plain. They wanted him--HIM, of all people--to convey
+Bartlett to Trumet in the Lady May.
+
+“You see, it's a business meetin',” urged Burns. “Sam's got to be there
+by ha'f past seven or he'll--he won't win on the deal, will you, Sam?
+Say yes, Issy; that's a good feller. He'll give you--I don't know's he
+won't give you five dollars.”
+
+“Ten,” cried Bartlett. “And I'll never forget it, either. Will you, Is?”
+
+A mighty “No!” was trembling on Issy's tongue. But before it was uttered
+Burns spoke again.
+
+“McKay's got the best boat in these parts,” he urged. “She's got a
+tiptop engine in her, and--”
+
+The word “engine” dropped into the whirlpool of Issy's thoughts with a
+familiar sound. In the chapter of “Vivian” that he had just finished,
+the beautiful shopgirl was imprisoned on board the yacht of the
+millionaire kidnaper, while the hero, in his own yacht, was miles
+astern. But the hero's faithful friend, disguised as a stoker, was
+tampering with the villain's engine. A vague idea began to form in
+Issy's brain. Once get the would-be eloper aboard the Lady May, and,
+even though the warning note should remain undelivered, he--
+
+Issy smiled, and the ghastliness of that smile was unnoticed by his
+companions.
+
+“I--I'll do it,” he cried. “By mighty! I WILL do it. You be at the wharf
+here at four o'clock. I wouldn't do it for everybody, Sam Bartlett, but
+for you I'd do consider'ble, just now. And I don't want your ten dollars
+nuther.”
+
+
+Doctoring an engine may be easy enough--in stories. But to doctor a
+gasoline engine so that it will run for a certain length of time and
+THEN break down is not so easy. Three o'clock came and the problem was
+still unsolved. Issy, the perspiration running down his face, stood
+up in the Lady May's cockpit and looked out across the bay, smooth and
+glassy in the afternoon sun.
+
+The sky overhead was clear and blue, but along the eastern and southern
+horizon was a gray bank of cloud, heaped in tumbled masses.
+
+A sunburned lobsterman in rubber boots and a sou'wester was smoking on
+the wharf.
+
+“What time you goin' to start for home, Is?” he asked.
+
+“Oh, in an hour or so,” was the absent-minded reply.
+
+“Humph! You'd better cast off afore that or you'll be fog bound. It'll
+be thicker'n dock mud toward sundown, and you'll fetch up in Waptomac
+'stead of East Harniss, 'thout you've got a good compass.”
+
+“Oh, my compass is all right,” began Issy, and stopped short.
+The lobsterman made other attempts at conversation, but they were
+unproductive. McKay was gazing at the growing fog bank and thinking
+hard. To doctor an engine may be difficult, but to get lost in a fog--He
+took the compass from the glass-lidded binnacle by the wheel, and
+carrying it into the little cabin, placed it in the cuddy forward.
+
+It was nearer five than four when the Lady May, her engine barking
+aggressively, moved out of Denboro Harbor. Mr. Bartlett, the passenger,
+had been on time and had fumed and fretted at the delay. But Issy was
+deliberation itself. He had forgotten his quahaug rake, and the lapse
+of memory entailed a trip to the blacksmith's. Then the gasoline tank
+needed filling and the battery had to be overhauled.
+
+“Are you sure you can make it?” queried Sam anxiously. “It's important,
+I tell you. Mighty important.”
+
+The skipper snorted in disgust. “Make it?” he repeated. “If the Lady May
+can't make fourteen mile in two hours--let alone two'n a ha'f--then I
+don't know her. She's one of them boats you read about, she is.”
+
+The Cape makes a wide bend between Denboro and Trumet. The distance
+between these towns is twenty long, curved miles over the road; by water
+it is reduced to a straight fourteen. And midway between the two, at the
+center of the curve, is East Harniss.
+
+The Lady May coughed briskly on. There was no sea, and she sent long,
+widening ripples from each side of her bow. Bartlett, leaning over the
+rail, gazed impatiently ahead. Issy, sprawled on the bench by the wheel,
+was muttering to himself. Occasionally he glanced toward the east. The
+gray fog bank was now half way to the zenith and approaching rapidly.
+The eastern shore had disappeared.
+
+“Is! Hi, Is! What are you doing? Don't kill him before my eyes.”
+
+Issy came out of his trance with a start.
+
+“What--what's that?” he asked. His passenger was grinning broadly.
+
+“What? Kill who?”
+
+“Why, the big chief, or whoever you had under your knee just then.
+You've been rolling your eyes and punching air with your fist for the
+last five minutes. I was getting scared. You're an unmerciful sinner
+when you get started, ain't you, Is? Who was the victim that time? 'Man
+Afraid of Hot Water'? or who?”
+
+The skipper scowled. He shoved the fist into his pocket.
+
+“Naw,” he growled. “'Twa'n't.”
+
+“So? Not an Indian? Then it must have been a white man. Some fellow
+after your girl, perhaps. Hey?”
+
+The disconcerted Issy was speechless. His companion's chance shot had
+scored a bull's-eye. Sam whooped.
+
+“That's it!” he crowed. “Sure thing! Give it to him, Is! Don't spare
+him.”
+
+Mr. McKay chokingly admitted that he “wa'n't goin' to.”
+
+“Ho, ho! That's the stuff! But who's SHE, Is? When are you going to
+marry her?”
+
+Issy grunted spitefully. “You ain't married yourself--not yit,” he
+observed, with concealed sarcasm.
+
+The unsuspecting Bartlett laughed in triumph. “No,” he said. “I'm not,
+that's a fact; but maybe I'm going to be some of these days. It looked
+pretty dubious for a while, but now it's all right.”
+
+“'Tis, hey? You're sure about that, be you?”
+
+“Guess I am. Great Scott! what's that? Fog?”
+
+A damp breath blew across the boat. The clouds covered the sky overhead
+and the bay to port. The fog was pouring like smoke across the water.
+
+“Fog, by thunder!” exclaimed Bartlett.
+
+Issy smiled. “Hum! Yes, 'tis fog, ain't it?” he observed.
+
+“But what'll we do? It'll be here in a minute, won't it?”
+
+“Shouldn't be a mite surprised. Looks 's if twas here now.”
+
+The fog came on. It reached the Lady May, passed over her, and shut her
+within gray, wet walls. It was impossible to see a length from her side.
+Sam swore emphatically. The skipper was provokingly calm. He stepped to
+the engine, bent over it, and then returned to the wheel.
+
+“What are you doing?” demanded Bartlett.
+
+“Slowin' down, of course. Can't run more'n ha'f speed in a fog like
+this. 'Tain't safe.”
+
+“Safe! What do I care? I want to get to Trumet.”
+
+“Yes? Well, maybe we'll git there if we have luck.”
+
+“You idiot! We've GOT to get there. How can you tell which way to steer?
+Get your compass, man! get your compass!”
+
+“Ain't got no compass,” was the sulky answer. “Left it to home.”
+
+“Why, no, you didn't. I--”
+
+“I tell you I did. 'Twas careless of me, I know, but--”
+
+“But I say you didn't. When you went uptown after that quahaug rake I
+explored this craft of yours some. The compass is in that little closet
+at the end of the cabin. I'll get it.”
+
+He rose to his feet. Issy sprang forward and seized him by the arm.
+
+“Set down!” he yelled. “Who's runnin' this boat, you or me?”
+
+The astounded passenger stared at his companion.
+
+“Why, you are,” he replied. “But that's no reason--What's the matter
+with you, anyway? Have your dime novels driven you loony?”
+
+Issy hesitated. For a moment chagrin and rage at this sudden upset of
+his schemes had gotten the better of his prudence. But Bartlett was
+taller than he and broad in proportion. And valor--except of the
+imaginative brand--was not Issy's strong point.
+
+“There, there, Sam!” he explained, smiling crookedly. “You mustn't mind
+me. I'm sort of nervous, I guess. And you mustn't hop up and down in a
+boat that way. You set still and I'll fetch the compass.”
+
+He stumbled across the cockpit and disappeared in the dusk of the cabin.
+Finding that compass took a long time. Sam lost patience.
+
+“What's the matter?” he demanded. “Can't you find it? Shall I come?”
+
+“No, no!” screamed Issy vehemently. “Stay where you be. Catch a-holt of
+that wheel. We'll be spinnin' circles if you don't. I'm a-comin'.”
+
+But it was another five minutes before he emerged from the cabin,
+carrying the compass box very carefully with both hands. He placed it in
+the binnacle and closed the glass lid.
+
+“'Twas catched in a bluefish line,” he explained. “All snarled up,
+'twas.”
+
+Sam peered through the glass at the compass.
+
+“Thunder!” he exclaimed. “I should say we had spun around. Instead of
+north being off here where I thought it was, it's 'way out to the right.
+Queer how fog'll mix a fellow up. Trumet's about northeast, isn't it?”
+
+“No'theast by no'th's the course. Keep her just there.”
+
+The Lady May, still at half speed, kept on through the mist. Time
+passed. The twilight, made darker still by the fog, deepened. They lit
+the lantern in order to see the compass card. Issy had the wheel now.
+Sam was forward, keeping a lookout and fretting at the delay.
+
+“It's seven o'clock already,” he cried. “For Heaven's sake, how late
+will you be? I've got to be there by quarter of eight. D'you hear? I've
+GOT to.”
+
+“Well, we're gittin' there. Can't expect to travel so fast with part of
+the power off. You'll be where you're goin' full as soon as you want to
+be, I cal'late.”
+
+And he chuckled.
+
+Another half hour and, through the wet dimness, a light flashed,
+vanished, and flashed again. Issy saw it and smiled grimly. Bartlett saw
+it and shouted.
+
+“'What's that light?” he cried. “Did you see it? There it is, off
+there.”
+
+“I see it. There's a light at Trumet Neck, ain't there?”
+
+“Humph! It's been years since I was there, but I thought Trumet light
+was steady. However--”
+
+“Ain't that the wharf ahead?”
+
+Sure enough, out of the dark loomed the bulk of a small wharf, with
+catboats at anchor near it. Higher up, somewhere on the shore, were the
+lighted windows of a building.
+
+“By thunder, we're here!” exclaimed Sam, and drew a long breath.
+
+Issy shut off the power altogether, and the Lady May slid easily up to
+the wharf. Feverishly her skipper made her fast.
+
+“Yes, sir!” he cried exultantly. “We're here. And no Black Rover nor
+anybody else ever done a better piece of steerin' than that, nuther.”
+
+He clambered over the stringpiece, right at the heels of his impatient
+but grateful passenger. Sam's thanks were profuse and sincere.
+
+“I'll never forget it, Is,” he declared. “I'll never forget it. And
+you'll have to let me pay you the--What makes you shake so?”
+
+Issy pulled his arm away and stepped back.
+
+“I'll never forget it, Is,” continued Sam. “I--Why! What--?”
+
+He was standing at the shore end of the wharf, gazing up at the lighted
+windows. They were those of a dwelling house--an old-fashioned house
+with a back yard sloping down to the landing.
+
+And then Issy McKay leaned forward and spoke in his ear.
+
+“You bet you won't forgit it, Sam Bartlett!” he crowed, in trembling but
+delicious triumph. “You bet you won't! I've fixed you just the same as
+the Black Rover fixed the mutineers. Run off with my girl, will ye? And
+marry her, will ye? I--”
+
+Sam interrupted him. “Why! WHY!” he cried. “That's--that's Gertie's
+house! This isn't Trumet! IT'S EAST HARNISS!”
+
+The next moment he was seized from behind. The skipper's arms were
+around his waist and the skipper's thin legs twisted about his own. They
+fell together upon the sand and, as they rolled and struggled, Issy's
+yells rose loud and high.
+
+“Mr. Higgins!” he shrieked. “Mr. Higgins! Come on! I've got him! I've
+got the feller that's tryin' to steal your daughter! Come on! I've got
+him! I'm hangin' to him!”
+
+A door banged open. Some one rushed down the walk. And then a girl's
+voice cried in alarm:
+
+“What is it? Who is it? What IS the matter?”
+
+And from the bundle of legs and arms on the ground two voices exclaimed:
+“GERTIE!”
+
+“But where IS your father?” asked Sam. Issy asked nothing. He merely sat
+still and listened.
+
+“Why, he's at Trumet. At least I suppose he is. Mrs. Jones--she's gone
+to telephone to him now--says that he came home this morning with one
+of those dreadful 'attacks' of his. And after dinner he seemed so sick
+that, when she went for the doctor, she wired me at Auntie's to come
+home. I didn't want to come--you know why--but I COULDN'T let him die
+alone. And so I caught the three o'clock train and came. I knew you'd
+forgive me. But it seems that when Mrs. Jones came back with the doctor
+they found father up and dressed and storming like a crazy man. He had
+received some sort of a letter; he wouldn't say what. And, in spite of
+all they could do, he insisted on going out. And Cap'n Berry--the depot
+master--says he went to Trumet on the afternoon freight. We must have
+passed each other on the way. And I'm so--But why are you HERE? And what
+were you and Issy doing? And--”
+
+Her lover broke in eagerly. “Then you're alone now?” he asked.
+
+“Yes, but--”
+
+“Good! Your father can't get a train back from Trumet before to-morrow
+morning. I don't know what this letter was--but never mind. Perhaps
+friend McKay knows more about it. It may be that Mr. Higgins is waiting
+now outside the Baptist church. Gertie, now's our chance. You come with
+me right up to the minister's. He's a friend of mine. He understands.
+He'll marry us, I know. Come! We mustn't lose a minute. Your dad may
+take a notion to drive back.”
+
+He led her off up the lane, she protesting, he urging. At the corner of
+the house he turned.
+
+“I say, Is!” he called. “Don't you want to come to the wedding? Seems
+to me we owe you that, considering all you've done to help it along. Or
+perhaps you want to stay and fix that compass of yours.”
+
+Issy didn't answer. Some time after they had gone he arose from the
+ground and stumbled home. That night he put a paper novel into the
+stove. Next morning, before going to the depot, he removed an iron spike
+from the Lady May's compass box. The needle swung back to its proper
+position.
+
+
+
+
+CHAPTER XVIII
+
+THE MOUNTAIN AND MAHOMET
+
+
+The eleventh of July. The little Berry house stood high on its joists
+and rollers, in the middle of the Hill Boulevard, directly opposite
+the Edwards lot. Close behind it loomed the big “Colonial.” Another
+twenty-four hours, and, even at its one-horse gait, the depot master's
+dwelling would be beyond the strip of Edwards fence. The “Colonial”
+ would be ready to move on the lot, and Olive Edwards, the widow, would
+be obliged to leave her home. In fact, Mr. Williams had notified
+her that she and her few belongings must be off the premises by the
+afternoon of the twelfth.
+
+The great Williams was in high good-humor. He chuckled as he talked with
+his foreman, and the foreman chuckled in return. Simeon Phinney did
+not chuckle. He was anxious and worried, and even the news of Gertie
+Higgins's runaway marriage, brought to him by Obed Gott, who--having
+been so recently the victim of another unexpected matrimonial
+alliance--was wickedly happy over the postmaster's discomfiture, did not
+interest him greatly.
+
+“Well, I wonder who'll be the next couple,” speculated Obed. “First
+Polena and old Hardee, then Gertie Higgins and Sam Bartlett! I declare,
+Sim, gettin' married unbeknownst to anybody must be catchin', like the
+measles. Nobody's safe unless they've got a wife or husband livin'. Me
+and Sol Berry are old baches--we'd better get vaccinated or WE may come
+down with the disease. Ho! ho!”
+
+After dinner Mr. Phinney went from his home to the depot. Captain Sol
+was sitting in the ticket office, with the door shut. On the platform,
+forlornly sprawled upon the baggage truck, was Issy McKay, the picture
+of desolation. He started nervously when he heard Simeon's step. As
+yet Issy's part in the Bartlett-Higgins episode was unknown to the
+townspeople. Sam and Gertie had considerately kept silence. Beriah had
+not learned who sent him the warning note, the unlucky missive which had
+brought his troubles to a climax. But he was bound to learn it, he would
+find out soon, and then--No wonder Issy groaned.
+
+“Come in here, Sim,” said the depot master. Phinney entered the ticket
+office.
+
+“Shut the door,” commanded the Captain. The order was obeyed. “Well,
+what is it?” asked Berry.
+
+“Why, I just run in to see you a minute, Sol, that's all. What are you
+shut up in here all alone for?”
+
+“'Cause I want to be alone. There's been more than a thousand folks in
+this depot so far to-day, seems so, and they all wanted to talk. I don't
+feel like talkin'.”
+
+“Heard about Gertie Higgins and--”
+
+“Yes.”
+
+“Who told you?”
+
+“Hiram Baker told me first. He's a fine feller and he's so tickled, now
+that his youngster's 'most well, that he cruises around spoutin' talk
+and joy same as a steamer's stack spouts cinders. He told me. Then Obed
+Gott and Cornelius Rowe and Redny Blount and Pat Starkey, and land knows
+how many more, came to tell me. I cut 'em short. Why, even the Major
+himself condescended to march in, grand and imposin' as a procession, to
+make proclamations about love laughin' at locksmiths, and so on. Since
+he got Polena and her bank account he's a bigger man than the President,
+in his own estimate.”
+
+“Humph! Well, he better make the best of it while it lasts. P'lena ain't
+Hetty Green, and her money won't hold out forever.”
+
+“That's a fact. Still Polena's got sense. She'll hold Hardee in check,
+I cal'late. I wouldn't wonder if it ended by her bossin' things and the
+Major actin' as a sort of pet poodle dog--nice and pretty to walk out
+with, but always kept at the end of a string.”
+
+“You didn't go to Higgins's for dinner to-day, did you?”
+
+“No. Nor I shan't go for supper. Beriah's bad enough when he's got
+nothin' the matter with him but dyspepsy. Now that his sufferin's are
+complicated with elopements, I don't want to eat with him.”
+
+“Come and have supper with us.”
+
+“I guess not, thank you, Sim. I'll get some crackers and cheese and such
+at the store. I--I ain't very hungry these days.”
+
+He turned his head and looked out of the window. Simeon fidgeted.
+
+“Sol,” he said, after a pause, “we'll be past Olive's by to-morrer
+night.”
+
+No answer. Sim repeated his remark.
+
+“I know it,” was the short reply.
+
+“Yes--yes, I s'posed you did, but--”
+
+“Sim, don't bother me now. This is my last day here at the depot, and
+I've got things to do.”
+
+“Your last day? Why, what--?”
+
+Captain Sol told briefly of his resignation and of the coming of the new
+depot master.
+
+“But you givin' up your job!” gasped Phinney. “YOU! Why, what for?”
+
+“For instance, I guess. I ain't dependent on the wages, and I'm sick of
+the whole thing.”
+
+“But what'll you do?”
+
+“Don't know.”
+
+“You--you won't leave town, will you? Lawsy mercy, I hope not!”
+
+“Don't know. Maybe I'll know better by and by. I've got to think things
+out. Run along now, like a good feller. Don't say nothin' about my
+quittin'. All hands'll know it to-morrow, and that's soon enough.”
+
+Simeon departed, his brain in a whirl. Captain Solomon Berry no longer
+depot master! The world must be coming to an end.
+
+He remained at his work until supper time. During the meal he ate and
+said so little that his wife wondered and asked questions. To avoid
+answering them he hurried out. When he returned, about ten o'clock, he
+was a changed man. His eyes shone and he fairly danced with excitement.
+
+“Emeline!” he shouted, as he burst into the sitting room. “What do you
+think? I've got the everlastin'est news to tell!”
+
+“Good or bad?” asked the practical Mrs. Phinney.
+
+“Good! So good that--There! let me tell you. When I left here I went
+down to the store and hung around till the mail was sorted. Pat Starkey
+was doin' the sortin', Beriah bein' too upsot by Gertie's gettin'
+married to attend to anything. Pat called me to the mail window and
+handed me a letter.
+
+“'It's for Olive Edwards,' he says. 'She's been expectin' one for a
+consider'ble spell, she told me, and maybe this is it. P'r'aps you'd
+just as soon go round by her shop and leave it.'
+
+“I took the letter and looked at it. Up in one corner was the printed
+name of an Omaha firm. I never said nothin', but I sartinly hustled on
+my way up the hill.
+
+“Olive was in her little settin' room back of the shop. She was pretty
+pale, and her eyes looked as if she hadn't been doin' much sleepin'
+lately. Likewise I noticed--and it give me a queer feelin' inside--that
+her trunk was standin', partly packed, in the corner.”
+
+“The poor woman!” exclaimed Mrs. Phinney.
+
+“Yes,” went on her husband. “Well, I handed over the letter and started
+to go, but she told me to set down and rest, 'cause I was so out of
+breath. To tell you the truth, I was crazy to find out what was in that
+envelope and, being as she'd give me the excuse, I set.
+
+“She took the letter over to the lamp and looked at it for much as
+a minute, as if she was afraid to open it. But at last, and with her
+fingers shakin' like the palsy, she fetched a long breath and tore off
+the end of the envelope. It was a pretty long letter, and she read it
+through. I see her face gettin' whiter and whiter and, when she reached
+the bottom of the last page, the letter fell onto the floor. Down went
+her head on her arms, and she cried as if her heart would break. I never
+felt so sorry for anybody in my life.
+
+“'Don't, Mrs. Edwards,' I says. 'Please don't. That cousin of yours is
+a darn ungrateful scamp, and I'd like to have my claws on his neck this
+minute.'
+
+“She never even asked me how I knew about the cousin. She was too much
+upset for that.
+
+“'Oh! oh!' she sobs. 'What SHALL I do? Where shall I go? I haven't got a
+friend in the world!'
+
+“I couldn't stand that. I went acrost and laid my hand on her shoulder.
+
+“'Mrs. Edwards,' says I, 'you mustn't say that. You've got lots of
+friends. I'm your friend. Mr. Hilton's your friend. Yes, and there's
+another, the best friend of all. If it weren't for him, you'd have been
+turned out into the street long before this.'”
+
+Mrs. Phinney nodded. “I'm glad you told her!” she exclaimed. “She'd
+ought to know.”
+
+“That's what I thought,” said Simeon.
+
+“Well, she raised her head then and looked at me.
+
+“'You mean Mr. Williams?' she asks.
+
+“That riled me up. 'Williams nothin'!' says I. 'Williams let you stay
+here 'cause he could just as well as not. If he'd known that this other
+friend was keepin' him from gettin' here, just on your account, he'd
+have chucked you to glory, promise or no promise. But this friend, this
+real friend, he don't count cost, nor trouble, nor inconvenience. Hikes
+his house--the house he lives in--right out into the road, moves it to a
+place where he don't want to go, and--'
+
+“'Mr. Phinney,' she sighs out, 'what do you mean?'
+
+“And then I told her. She listened without sayin' a word, but her eyes
+kept gettin' brighter and brighter and she breathed short.
+
+“'Oh!' she says, when I'd finished. 'Did he--did he--do that for ME?'
+
+“'You bet!' says I. 'He didn't tell me what he was doin' it for--that
+ain't Sol's style; but I'm arithmetiker enough to put two and two
+together and make four. He did it for you, you can bet your last red on
+that.'
+
+“She stood up. 'Oh!' she breathes. 'I--I must go and thank him. I--'
+
+“But, knowin' Sol, I was afraid. Fust place, there was no tellin' how
+he'd act, and, besides, he might not take it kindly that I'd told her.
+
+“'Wait a jiffy,' I says. 'I'll go out and see if he's home. You stay
+here. I'll be back right off.'
+
+“Out I put, and over to the Berry house, standin' on its rollers in the
+middle of the Boulevard. And, just as I got to it, somebody says:
+
+“'Ahoy, Sim! What's the hurry? Anybody on fire?'
+
+“'Twas the Cap'n himself, settin' on a pile of movin' joist and smokin'
+as usual. I didn't waste no time.
+
+“'Sol,' says I, 'I've just come from Olive's. She's got that letter from
+the Omaha man. Poor thing! all alone there--'
+
+“He interrupted me sharp. 'Well?' he snaps. 'What's it say? Will the
+cousin help her?'
+
+“'No,' I says, 'drat him, he won't!'
+
+“The answer I got surprised me more'n anything I ever heard or ever will
+hear.
+
+“'Thank God!' says Sol Berry. 'That settles it.'
+
+“And I swan to man if he didn't climb down off them timbers and march
+straight across the street, over to the door of Olive Edwards's home,
+open it, and go in! I leaned against the joist he'd left, and swabbed my
+forehead with my sleeve.”
+
+“He went to HER!” gasped Mrs. Phinney.
+
+“Wait,” continued her husband. “I must have stood there twenty minutes
+when I heard somebody hurryin' down the Boulevard. 'Twas Cornelius Rowe,
+all red-faced and het up, but bu'stin' with news.
+
+“''Lo, Sim!' says he to me. 'Is Cap'n Sol home? Does he know?'
+
+“'Know? Know what?” says I.
+
+“'Why, the trick Mr. Williams put up on him? Hey? You ain't heard? Well,
+Mr. Williams's fixed him nice, HE has! Seems Abner Payne hadn't answered
+Sol's letter tellin' him he'd accept the offer to swap lots, and
+Williams went up to Wareham where Payne's been stayin' and offered him a
+thumpin' price for the land on Main Street, and took it. The deed's all
+made out. Cap'n Sol can't move where he was goin' to, and he's left with
+his house on the town, as you might say. Ain't it a joke, though? Where
+is Sol? I want to be the fust to tell him and see how he acts. Is he to
+home?'
+
+“I was shook pretty nigh to pieces, but I had some sense left.
+
+“'No, he ain't,' says I. 'I see him go up street a spell ago.'”
+
+“Why, Simeon!” interrupted Mrs. Phinney once more. “Was that true? How
+COULD you see him when--”
+
+“Be still! S'pose I was goin' to tell him where Sol HAD gone? I'd have
+lied myself blue fust. However, Cornelius was satisfied.
+
+“'That so?' he grunts. 'By jings! I'm goin' to find him.'
+
+“Off he went, and the next thing I knew the Edwards door opened, and
+I heard somebody callin' my name. I went acrost, walkin' in a kind of
+daze, and there, in the doorway, with the lamp shinin' on 'em, was Cap'n
+Sol and Olive. The tears was wet on her cheeks, but she was smilin' in
+a kind of shy, half-believin' sort of way, and as for Sol, he was one
+broad, satisfied grin.
+
+“'Cap'n,' I begun, 'I just heard the everlastin'est news that--'
+
+“'Shut up, Sim!' he orders, cheerful. 'You've been a mighty good friend
+to both of us, and I want you to be the fust to shake hands.'
+
+“'Shake hands?' I stammers, lookin' at 'em. 'WHAT? You don't mean--'
+
+“'I mean shake hands. Don't you want to?'
+
+“Want to! I give 'em both one more look, and then we shook, up to the
+elbows; and my grin had the Cap'n's beat holler.
+
+“'Sim,' he says, after I'd cackled a few minutes, 'I cal'late maybe that
+white horse is well by this time. P'r'aps we might move a little faster.
+I'm kind of anxious to get to Main Street.'
+
+“Then I remembered. 'Great gosh all fish-hooks!' I sings out. 'Main
+Street? Why, there AIN'T no Main Street!'
+
+“And I gives 'em Cornelius's news. The widow's smile faded out.
+
+“'Oh!' says she. 'O Solomon! And I got you into all this trouble!'
+
+“Cap'n Sol didn't stop grinnin', but he scratched his head. 'Huh!' says
+he. 'Mark one up for King Williams the Great. Humph!'
+
+“He thought for a minute and then he laughed out loud. 'Olive,' he says,
+'if I remember right, you and I always figgered to live on the Shore
+Road. It's the best site in town. Sim, I guess if that white horse IS
+well, you can move that shanty of mine right to Cross Street, down that,
+and back along the Shore Road to the place where it come from. THAT
+land's mine yet,' says he.
+
+“If that wa'n't him all over! I couldn't think what to say, except that
+folks would laugh some, I cal'lated.
+
+“'Not at us, they won't,' says he. 'We'll clear out till the laughin' is
+over. Olive, to-morrer mornin' we'll call on Parson Hilton and then take
+the ten o'clock train. I feel's if a trip to Washin'ton would be about
+right just now.'
+
+“She started and blushed and then looked up into his face. 'Solomon,'
+she says, low, 'I really would like to go to Niagara.'
+
+“He shook his head. 'Old lady,' says he, 'I guess you don't quite
+understand this thing. See here'--p'intin' to his house loomin' big and
+black in the roadway--'see! the mountain has come to Mahomet.'”
+
+Mrs. Phinney had heard enough. She sprang from her chair and seized her
+husband's hands.
+
+“Splendid!” she cried, her face beaming. “Oh, AIN'T it lovely! Ain't you
+glad for 'em, Simeon?”
+
+“Glad! Say, Emeline; there's some of that wild-cherry bounce down
+cellar, ain't there? Let's break our teetotalism for once and drink a
+glass to Cap'n and Mrs. Solomon Berry. Jerushy! I got to do SOMETHIN' to
+celebrate.”
+
+
+On the Hill Boulevard the summer wind stirred the silverleaf poplars.
+The thick, black shadows along the sidewalks were heavy with the perfume
+of flowers. Captain Sol, ex-depot master of East Harniss, strolled on
+in the dark, under the stars, his hands in his pockets, and in his heart
+happiness complete and absolute.
+
+Behind him twinkled the lamp in the window of the Edwards house, so soon
+to be torn down. Before him, over the barberry hedge, blazed the windows
+of the mansion the owner of which was responsible for it all. The
+windows were open, and through them sounded the voices of the mighty
+Ogden Hapworth Williams and his wife, engaged in a lively altercation.
+It was an open secret that their married life was anything but peaceful.
+
+“What are you grumbling about now?” demanded 'Williams. “Don't I give
+you more money than--”
+
+“Nonsense!” sneered Mrs. Williams, in scornful derision. “Nonsense,
+I say! Money is all there is to you, Ogden. In other things, the real
+things of this world, those you can't buy with money, you're a perfect
+imbecile. You know nothing whatever about them.”
+
+Captain Sol, alone on the walk by the hedge, glanced in the direction
+of the shrill voice, then back at the lamp in Olive's window. And he
+laughed aloud.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Depot Master, by Joseph C. Lincoln
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+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <title>
+ The Depot Master, by Joseph C. Lincoln
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
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+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
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+<pre xml:space="preserve">
+4The Project Gutenberg EBook of The Depot Master, by Joseph C. Lincoln
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Depot Master
+
+Author: Joseph C. Lincoln
+
+Release Date: May 16, 2006 [EBook #2307]
+Last Updated: March 5, 2019
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DEPOT MASTER ***
+
+
+
+
+Produced by Donald Lainson; David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <h1>
+ THE DEPOT MASTER
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By Joseph C. Lincoln
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br /> <a href="#link2H_4_0001"> <big><b>THE DEPOT MASTER</b></big> </a> -- <br /><br /><br />
+ <a href="#link2HCH0001"> CHAPTER I </a> -- AT THE DEPOT<br /><br /> <a href="#link2HCH0002">
+ CHAPTER II </a> -- SUPPLY AND DEMAND<br /><br /> <a href="#link2HCH0003"> CHAPTER III </a> -- “STINGY GABE”<br /><br />
+ <a href="#link2HCH0004"> CHAPTER IV </a> -- THE MAJOR<br /><br /> <a
+ href="#link2HCH0005"> CHAPTER V </a> -- A BABY AND A ROBBERY<br /><br /> <a href="#link2HCH0006">
+ CHAPTER VI </a> -- AVIATION AND AVARICE<br /><br /> <a href="#link2HCH0007"> CHAPTER VII </a> -- CAPTAIN SOL DECIDES TO MOVE<br /><br />
+ <a href="#link2HCH0008"> CHAPTER VIII </a> -- THE OBLIGATIONS OF A GENTLEMAN<br /><br /> <a
+ href="#link2HCH0009"> CHAPTER IX </a> -- THE WIDOW BASSETT<br /><br /> <a href="#link2HCH0010">
+ CHAPTER X </a> -- CAPTAIN JONADAB GOES<br /><br /> <a href="#link2HCH0011"> CHAPTER XI </a> -- IN THE GREAT METROPOLIS<br /><br />
+ <a href="#link2HCH0012"> CHAPTER XII </a> -- A VISION SENT<br /><br /> <a
+ href="#link2HCH0013"> CHAPTER XIII </a> -- DUSENBERRY'S BIRTHDAY<br /><br /> <a href="#link2HCH0014">
+ CHAPTER XIV </a> -- EFFIE'S FATE<br /><br /> <a href="#link2HCH0015"> CHAPTER XV </a> -- THE “HERO” AND THE COWBOY<br /><br />
+ <a href="#link2HCH0016"> CHAPTER XVI </a> -- THE CRUISE OF THE RED CAR<br /><br /> <a
+ href="#link2HCH0017"> CHAPTER XVII </a> -- ISSY'S REVENGE<br /><br /> <a href="#link2HCH0018">
+ CHAPTER XVIII </a> -- THE MOUNTAIN AND MAHOMET&nbsp;&nbsp;&nbsp;
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a> <br /> <br />
+ </p>
+ <h2>
+ THE DEPOT MASTER
+ </h2>
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I
+ </h2>
+ <h3>
+ AT THE DEPOT
+ </h3>
+ <p>
+ Mr. Simeon Phinney emerged from the side door of his residence and paused
+ a moment to light his pipe in the lee of the lilac bushes. Mr. Phinney was
+ a man of various and sundry occupations, and his sign, nailed to the big
+ silver-leaf in the front yard, enumerated a few of them. &ldquo;Carpenter, Well
+ Driver, Building Mover, Cranberry Bogs Seen to with Care and Dispatch,
+ etc., etc.,&rdquo; so read the sign. The house was situated in &ldquo;Phinney's Lane,&rdquo;
+ the crooked little byway off &ldquo;Cross Street,&rdquo; between the &ldquo;Shore Road&rdquo; at
+ the foot of the slope and the &ldquo;Hill Boulevard&rdquo;&mdash;formerly &ldquo;Higgins's
+ Roost&rdquo;&mdash;at the top. From the Phinney gate the view was extensive and,
+ for the most part, wet. The hill descended sharply, past the &ldquo;Shore Road,&rdquo;
+ over the barren fields and knolls covered with bayberry bushes and
+ &ldquo;poverty grass,&rdquo; to the yellow sand of the beach and the gray,
+ weather-beaten fish-houses scattered along it. Beyond was the bay, a
+ glimmer in the sunset light.
+ </p>
+ <p>
+ Mrs. Phinney, in the kitchen, was busy with the supper dishes. Her
+ husband, wheezing comfortably at his musical pipe, drew an ancient silver
+ watch from his pocket and looked at its dial. Quarter past six. Time to be
+ getting down to the depot and the post office. At least a dozen male
+ citizens of East Harniss were thinking that very thing at that very
+ moment. It was a community habit of long standing to see the train come in
+ and go after the mail. The facts that the train bore no passengers in whom
+ you were intimately interested, and that you expected no mail made little
+ difference. If you were a man of thirty or older, you went to the depot or
+ the &ldquo;club,&rdquo; just as your wife or sisters went to the sewing circle, for
+ sociability and mild excitement. If you were a single young man you went
+ to the post office for the same reason that you attended prayer meeting.
+ If you were a single young lady you went to the post office and prayer
+ meeting to furnish a reason for the young man.
+ </p>
+ <p>
+ Mr. Phinney, replacing his watch in his pocket, meandered to the sidewalk
+ and looked down the hill and along the length of the &ldquo;Shore Road.&rdquo; Beside
+ the latter highway stood a little house, painted a spotless white, its
+ window blinds a vivid green. In that house dwelt, and dwelt alone, Captain
+ Solomon Berry, Sim Phinney's particular friend. Captain Sol was the East
+ Harniss depot master and, from long acquaintance, Mr. Phinney knew that he
+ should be through supper and ready to return to the depot, by this time.
+ The pair usually walked thither together when the evening meal was over.
+ </p>
+ <p>
+ But, except for the smoke curling lazily from the kitchen chimney, there
+ was no sign of life about the Berry house. Either Captain Sol had already
+ gone, or he was not yet ready to go. So Mr. Phinney decided that waiting
+ was chancey, and set out alone.
+ </p>
+ <p>
+ He climbed Cross Street to where the &ldquo;Hill Boulevard,&rdquo; abiding place of
+ East Harniss's summer aristocracy, bisected it, and there, standing on the
+ corner, and consciously patronizing the spot where he so stood, was Mr.
+ Ogden Hapworth Williams, no less.
+ </p>
+ <p>
+ Mr. Williams was the village millionaire, patron, and, in a gentlemanly
+ way, &ldquo;boomer.&rdquo; His estate on the Boulevard was the finest in the county,
+ and he, more than any one else, was responsible for the &ldquo;buying up&rdquo; by
+ wealthy people from the city of the town's best building sites, the spots
+ commanding &ldquo;fine marine sea views,&rdquo; to quote from Abner Payne, local real
+ estate and insurance agent. His own estate was fine enough to be talked
+ about from one end of the Cape to the other and he had bought the empty
+ lot opposite and made it into a miniature park, with flower beds and
+ gravel walks, though no one but he or his might pick the flowers or tread
+ the walks. He had brought on a wealthy friend from New York and a cousin
+ from Chicago, and they, too, had bought acres on the Boulevard and erected
+ palatial &ldquo;cottages&rdquo; where once were the houses of country people. Local
+ cynics suggested that the sign on the East Harniss railroad station should
+ be changed to read &ldquo;Williamsburg.&rdquo; &ldquo;He owns the place, body and soul,&rdquo;
+ said they.
+ </p>
+ <p>
+ As Sim Phinney climbed the hill the magnate, pompous, portly, and
+ imposing, held up a signaling finger. &ldquo;Just as if he was hailin' a horse
+ car,&rdquo; described Simeon afterward.
+ </p>
+ <p>
+ &ldquo;Phinney,&rdquo; he said, &ldquo;come here, I want to speak to you.&rdquo;
+ </p>
+ <p>
+ The man of many trades obediently approached.
+ </p>
+ <p>
+ &ldquo;Good evenin', Mr. Williams,&rdquo; he ventured.
+ </p>
+ <p>
+ &ldquo;Phinney,&rdquo; went on the great man briskly, &ldquo;I want you to give me your
+ figures on a house moving deal. I have bought a house on the Shore Road,
+ the one that used to belong to the&mdash;er&mdash;Smalleys, I believe.&rdquo;
+ </p>
+ <p>
+ Simeon was surprised. &ldquo;What, the old Smalley house?&rdquo; he exclaimed. &ldquo;You
+ don't tell me!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it's a fine specimen&mdash;so my wife says&mdash;of the pure
+ Colonial, whatever that is, and I intend moving it to the Boulevard. I
+ want your figures for the job.&rdquo;
+ </p>
+ <p>
+ The building mover looked puzzled. &ldquo;To the Boulevard?&rdquo; he said. &ldquo;Why, I
+ didn't know there was a vacant lot on the Boulevard, Mr. Williams.&rdquo;
+ </p>
+ <p>
+ &ldquo;There isn't now, but there will be soon. I have got hold of the hundred
+ feet left from the old Seabury estate.&rdquo;
+ </p>
+ <p>
+ Mr. Phinney drew a long breath. &ldquo;Why!&rdquo; he stammered, &ldquo;that's where Olive
+ Edwards&mdash;her that was Olive Seabury&mdash;lives, ain't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; was the rather impatient answer. &ldquo;She has been living there. But
+ the place was mortgaged up to the handle and&mdash;ahem&mdash;the mortgage
+ is mine now.&rdquo;
+ </p>
+ <p>
+ For an instant Simeon did not reply. He was gazing, not up the Boulevard
+ in the direction of the &ldquo;Seabury place&rdquo; but across the slope of the hill
+ toward the home of Captain Sol Berry, the depot master. There was a
+ troubled look on his face.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; inquired Williams briskly, &ldquo;when can you give me the figures? They
+ must be low, mind. No country skin games, you understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hey?&rdquo; Phinney came out of his momentary trance. &ldquo;Yes, yes, Mr. Williams.
+ They'll be low enough. Times is kind of dull now and I'd like a movin' job
+ first-rate. I'll give 'em to you to-morrer. But&mdash;but Olive'll have to
+ move, won't she? And where's she goin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;She'll have to move, sure. And the eyesore on that lot now will come
+ down.&rdquo;
+ </p>
+ <p>
+ The &ldquo;eyesore&rdquo; was the four room building, combined dwelling and shop of
+ Mrs. Olive Edwards, widow of &ldquo;Bill Edwards,&rdquo; once a promising young man,
+ later town drunkard and ne'er-do-well, dead these five years, luckily for
+ himself and luckier&mdash;in a way&mdash;for the wife who had stuck by him
+ while he wasted her inheritance in a losing battle with John Barleycorn.
+ At his death the fine old Seabury place had dwindled to a lone hundred
+ feet of land, the little house, and a mortgage on both. Olive had opened a
+ &ldquo;notion store&rdquo; in her front parlor and had fought on, proudly refusing aid
+ and trying to earn a living. She had failed. Again Phinney stared
+ thoughtfully at the distant house of Captain Sol.
+ </p>
+ <p>
+ &ldquo;But Olive,&rdquo; he said, slowly. &ldquo;She ain't got no folks, has she? What'll
+ become of her? Where'll she move to?&rdquo;
+ </p>
+ <p>
+ &ldquo;That,&rdquo; said Mr. Williams, with a wave of a fat hand, &ldquo;is not my business.
+ I am sorry for her, if she's hard up. But I can't be responsible if men
+ will drink up their wives' money. Look out for number one; that's
+ business. I sha'n't be unreasonable with her. She can stay where she is
+ until the new house I've bought is moved to that lot. Then she must clear
+ out. I've told her that. She knows all about it. Well, good-by, Phinney. I
+ shall expect your bid to-morrow. And, mind, don't try to get the best of
+ me, because you can't do it.&rdquo;
+ </p>
+ <p>
+ He turned and strutted back up the Boulevard. Sim Phinney, pondering
+ deeply and very grave, continued on his way, down Cross Street to Main&mdash;naming
+ the village roads was another of the Williams' &ldquo;improvements&rdquo;&mdash;and
+ along that to the crossing, East Harniss's business and social center at
+ train times.
+ </p>
+ <p>
+ The station&mdash;everyone called it &ldquo;deepo,&rdquo; of course&mdash;was then a
+ small red building, old and out of date, but scrupulously neat because of
+ Captain Berry's rigid surveillance. Close beside it was the &ldquo;Boston
+ Grocery, Dry Goods and General Store,&rdquo; Mr. Beriah Higgins, proprietor.
+ Beriah was postmaster and the post office was in his store. The male
+ citizen of middle age or over, seeking opportunity for companionship and
+ chat, usually went first to the depot, sat about in the waiting room until
+ the train came in, superintended that function, then sojourned to the post
+ office until the mail was sorted, returning later, if he happened to be a
+ particular friend of the depot master, to sit and smoke and yarn until
+ Captain Sol announced that it was time to &ldquo;turn in.&rdquo;
+ </p>
+ <p>
+ When Mr. Phinney entered the little waiting room he found it already
+ tenanted. Captain Sol had not yet arrived, but official authority was
+ represented by &ldquo;Issy&rdquo; McKay&mdash;his full name was Issachar Ulysses Grant
+ McKay&mdash;a long-legged, freckled-faced, tow-headed youth of twenty,
+ who, as usual, was sprawled along the settee by the wall, engrossed in a
+ paper covered dime novel. &ldquo;Issy&rdquo; was a lover of certain kinds of
+ literature and reveled in lurid fiction. As a youngster he had, at the age
+ of thirteen, after a course of reading in the &ldquo;Deadwood Dick Library,&rdquo;
+ started on a pedestrian journey to the Far West, where, being armed with
+ home-made tomahawk and scalping knife, he contemplated extermination of
+ the noble red man. A wrathful pursuing parent had collared the
+ exterminator at the Bayport station, to the huge delight of East Harniss,
+ young and old. Since this adventure Issy had been famous, in a way.
+ </p>
+ <p>
+ He was Captain Sol Berry's assistant at the depot. Why an assistant was
+ needed was a much discussed question. Why Captain Sol, a retired seafaring
+ man with money in the bank, should care to be depot master at ten dollars
+ a week was another. The Captain himself said he took the place because he
+ wanted to do something that was &ldquo;half way between a loaf and a job.&rdquo; He
+ employed an assistant at his own expense because he &ldquo;might want to stretch
+ the loafin' half.&rdquo; And he hired Issy because&mdash;well, because &ldquo;most
+ folks in East Harniss are alike and you can always tell about what they'll
+ say or do. Now Issy's different. The Lord only knows what HE'S likely to
+ do, and that makes him interestin' as a conundrum, to guess at. He kind of
+ keeps my sense of responsibility from gettin' mossy, Issy does.&rdquo;
+ </p>
+ <p>
+ &ldquo;Issy,&rdquo; hailed Mr. Phinney, &ldquo;has the Cap'n got here yet?&rdquo;
+ </p>
+ <p>
+ Issy answered not. The villainous floorwalker had just proffered matrimony
+ or summary discharge to &ldquo;Flora, the Beautiful Shop Girl,&rdquo; and pending her
+ answer, the McKay mind had no room for trifles.
+ </p>
+ <p>
+ &ldquo;Issy!&rdquo; shouted Simeon. &ldquo;I say, Is', Wake up, you foolhead! Has Cap'n Sol&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he ain't, Sim,&rdquo; volunteered Ed Crocker. He and his chum, Cornelius
+ Rowe, were seated in two of the waiting room chairs, their feet on two
+ others. &ldquo;He ain't got here yet. We was just talkin' about him. You've
+ heard about Olive Edwards, I s'pose likely, ain't you?&rdquo;
+ </p>
+ <p>
+ Phinney nodded gloomily.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, &ldquo;I've heard.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it's too bad,&rdquo; continued Crocker. &ldquo;But, after all, it's Olive's own
+ fault. She'd ought to have married Sol Berry when she had the chance. What
+ she ever gave him the go-by for, after the years they was keepin' comp'ny,
+ is more'n I can understand.&rdquo;
+ </p>
+ <p>
+ Cornelius Rowe shook his head, with an air of wisdom. Captain Sol,
+ himself, remarked once: &ldquo;I wonder sometimes the Almighty ain't jealous of
+ Cornelius, he knows so much and is so responsible for the runnin' of all
+ creation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted Mr. Rowe. &ldquo;There's more to that business than you folks
+ think. Olive didn't notice Bill Edwards till Sol went off to sea and
+ stayed two years and over. How do you know she shook Sol? You might just
+ as well say he shook her. He always was stubborn as an off ox and cranky
+ as a windlass. I wonder how he feels now, when she's lost her last red and
+ is goin' to be drove out of house and home. And all on account of that
+ fool 'mountain and Mahomet' business.&rdquo;
+ </p>
+ <p>
+ &ldquo;WHICH?&rdquo; asked Mr. Crocker.
+ </p>
+ <p>
+ &ldquo;Never mind that, Cornelius,&rdquo; put in Phinney, sharply. &ldquo;Why don't you let
+ other folks' affairs alone? That was a secret that Olive told your sister
+ and you've got no right to go blabbin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Aw, hush up, Sim! I ain't tellin' no secrets to anybody but Ed here, and
+ he ain't lived in East Harniss long or he'd know it already. The mountain
+ and Mahomet? Why, them was the last words Sol and Olive had. 'Twas Sol's
+ stubbornness that was most to blame. That was his one bad fault. He would
+ have his own way and he wouldn't change. Olive had set her heart on goin'
+ to Washin'ton for their weddin' tower. Sol wanted to go to Niagara. They
+ argued a long time, and finally Olive says, 'No, Solomon, I'm not goin' to
+ give in this time. I have all the others, but it's not fair and it's not
+ right, and no married life can be happy where one does all the
+ sacrificin'. If you care for me you'll do as I want now.'
+ </p>
+ <p>
+ &ldquo;And he laughs and says, 'All right, I'll sacrifice after this, but you
+ and me must see Niagara.' And she was sot and he was sotter, and at last
+ they quarreled. He marches out of the door and says: 'Very good. When
+ you're ready to be sensible and change your mind, you can come to me. And
+ says Olive, pretty white but firm: 'No, Solomon, I'm right and you're not.
+ I'm afraid this time the mountain must come to Mahomet.' That ended it. He
+ went away and never come back, and after a long spell she give in to her
+ dad and married Bill Edwards. Foolish? 'Well, now, WA'N'T it!&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted Crocker. &ldquo;She must have been a born gump to let a smart
+ man like him get away just for that.&rdquo;
+ </p>
+ <p>
+ &ldquo;There's a good many born gumps not so far from here as her house,&rdquo;
+ interjected Phinney. &ldquo;You remember that next time you look in the glass,
+ Ed Crocker. And&mdash;and&mdash;well, there's no better friend of Sol
+ Berry's on earth than I am, but, so fur as their quarrel was concerned, if
+ you ask me I'd have to say Olive was pretty nigh right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Maybe&mdash;maybe,&rdquo; declared the allwise Cornelius, &ldquo;but just the same if
+ I was Sol Berry, and knew my old girl was likely to go to the poorhouse,
+ I'll bet my conscience&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;S-ssh!&rdquo; hissed Crocker, frantically. Cornelius stopped in the middle of
+ his sentence, whirled in his chair, and looked up. Behind him in the
+ doorway of the station stood Captain Sol himself. The blue cap he always
+ wore was set back on his head, a cigar tipped upward from the corner of
+ his mouth, and there was a grim look in his eye and about the smooth
+ shaven lips above the short, grayish-brown beard.
+ </p>
+ <p>
+ &ldquo;Issy&rdquo; sprang from his settee and jammed the paper novel into his pocket.
+ Ed Crocker's sunburned face turned redder yet. Sim Phinney grinned at Mr.
+ Rowe, who was very much embarrassed.
+ </p>
+ <p>
+ &ldquo;Er&mdash;er&mdash;evenin', Cap'n Sol,&rdquo; he stammered. &ldquo;Nice, seasonable
+ weather, ain't it? Been a nice day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Um,&rdquo; grunted the depot master, knocking the ashes from his cigar.
+ </p>
+ <p>
+ &ldquo;Just right for workin' outdoor,&rdquo; continued Cornelius.
+ </p>
+ <p>
+ &ldquo;I guess it must be. I saw your wife rakin' the yard this mornin'.&rdquo;
+ </p>
+ <p>
+ Phinney doubled up with a chuckle. Mr. Rowe swallowed hard. &ldquo;I&mdash;I
+ TOLD her I'd rake it myself soon's I got time,&rdquo; he sputtered.
+ </p>
+ <p>
+ &ldquo;Um. Well, I s'pose she realized your time was precious. Evenin', Sim,
+ glad to see you.&rdquo;
+ </p>
+ <p>
+ He held out his hand and Phinney grasped it.
+ </p>
+ <p>
+ &ldquo;Issy,&rdquo; said Captain Sol, &ldquo;you'd better get busy with the broom, hadn't
+ you. It's standin' over in that corner and I wouldn't wonder if it needed
+ exercise. Sim, the train ain't due for twenty minutes yet. That gives us
+ at least three quarters of an hour afore it gets here. Come outside a
+ spell. I want to talk to you.&rdquo;
+ </p>
+ <p>
+ He led the way to the platform, around the corner of the station, and
+ seated himself on the baggage truck. That side of the building, being
+ furthest from the street, was out of view from the post office and
+ &ldquo;general store.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was it you wanted to talk about, Sol?&rdquo; asked Simeon, sitting down
+ beside his friend on the truck.
+ </p>
+ <p>
+ The Captain smoked in silence for a moment. Then he asked a question in
+ return.
+ </p>
+ <p>
+ &ldquo;Sim,&rdquo; he said, &ldquo;have you heard anything about Williams buying the Smalley
+ house? Is it true?&rdquo;
+ </p>
+ <p>
+ Phinney nodded. &ldquo;Yup,&rdquo; he answered, &ldquo;it's true. Williams was just talkin'
+ to me and I know all about his buyin' it and where it's goin'.&rdquo;
+ </p>
+ <p>
+ He repeated the conversation with the great man. Captain Sol did not
+ interrupt. He smoked on, and a frown gathered and deepened as he listened.
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; he said, when his friend had concluded. &ldquo;Humph! Sim, do you have
+ any idea what&mdash;what Olive Seabury will do when she has to go?&rdquo;
+ </p>
+ <p>
+ Phinney glanced at him. It was the first time in twenty years that he had
+ heard Solomon Berry mention the name of his former sweetheart. And even
+ now he did not call her by her married name, the name of her late husband.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied Simeon. &ldquo;No, Sol, I ain't got the least idea. Poor thing!&rdquo;
+ </p>
+ <p>
+ Another interval. Then: &ldquo;Well, Sim, find out if you can, and let me know.
+ And,&rdquo; turning his head and speaking quietly but firmly, &ldquo;don't let anybody
+ ELSE know I asked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Course I won't, Sol, you know that. But don't it seem awful mean turnin'
+ her out so? I wouldn't think Mr. Williams would do such a thing.&rdquo;
+ </p>
+ <p>
+ His companion smiled grimly; &ldquo;I would,&rdquo; he said. &ldquo;'Business is business,'
+ that's his motto. That and 'Look out for number one.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, he said somethin' to me about lookin' out for number one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he? Humph!&rdquo; The Captain's smile lost a little of its bitterness and
+ broadened. He seemed to be thinking and to find amusement in the process.
+ </p>
+ <p>
+ &ldquo;What you grinnin' at?&rdquo; demanded Phinney.
+ </p>
+ <p>
+ &ldquo;Oh, I was just rememberin' how he looked out for number one the first&mdash;no,
+ the second time I met him. I don't believe he's forgot it. Maybe that's
+ why he ain't quite so high and mighty to me as he is to the rest of you
+ fellers. Ha! ha! He tried to patronize me when I first came back here and
+ took this depot and I just smiled and asked him what the market price of
+ johnny-cake was these days. He got red clear up to the brim of his tall
+ hat. Humph! 'TWAS funny.&rdquo;
+ </p>
+ <p>
+ &ldquo;The market price of JOHNNY-CAKE! He must have thought you was loony.&rdquo;
+ </p>
+ <p>
+ &ldquo;No. I'm the last man he'd think was loony. You see I met him a fore he
+ came here to live at all.&rdquo;
+ </p>
+ <p>
+ &ldquo;You did? Where?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, over to Wellmouth. 'Twas the year afore I come back to East Harniss,
+ myself, after my long stretch away from it. I never intended to see the
+ Cape again, but I couldn't stay away somehow. I've told you that much&mdash;how
+ I went over to Wellmouth and boarded a spell, got sick of that, and, just
+ to be doin' somethin' and not for the money, bought a catboat and took out
+ sailin' parties from Wixon and Wingate's summer hotel.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you met Mr. Williams? Well, I snum! Was he at the hotel?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not exactly. I met him sort of casual this second time.&rdquo;
+ </p>
+ <p>
+ &ldquo;SECOND time? Had you met him afore that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't get ahead of the yarn, Sim. It happened this way: You see, I was
+ comin' along the road between East Wellmouth and the Center when I run
+ afoul of him. He was fat and shiny, and drivin' a skittish horse hitched
+ to a fancy buggy. When he sighted me he hove to and hailed.
+ </p>
+ <p>
+ &ldquo;'Here you!' says he, in a voice as fat as the rest of him. 'Your name's
+ Berry, ain't it.'
+ </p>
+ <p>
+ &ldquo;'Yup,' says I.
+ </p>
+ <p>
+ &ldquo;'Methusalum Berry or Jehoshaphat Berry or Sheba Berry, or somethin' like
+ that? Hey?' he says.
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'the last shot you fired comes nighest the bull's eye.
+ They christened me Solomon, but 'twa'n't my fault; I was young at the time
+ and they took advantage.'
+ </p>
+ <p>
+ &ldquo;He grinned a kind of lopsided grin, like he had a lemon in his mouth, and
+ commenced to cuss the horse for tryin' to climb a pine tree.
+ </p>
+ <p>
+ &ldquo;'I knew 'twas some Bible outrage or other,' he says. 'There's more Bible
+ names in this forsaken sand heap than there is Christians, a good sight.
+ When I meet a man with a Bible name and chin whiskers I hang on to my
+ watch. The feller that sets out to do me has got to have a better make up
+ than that, you bet your life. 'Well, see here, King Sol; can you run a
+ gasoline launch?'
+ </p>
+ <p>
+ &ldquo;'Why, yes, I guess I can run 'most any of the everyday kinds,' says I,
+ pullin' thoughtful at my own chin whiskers. This fat man had got me
+ interested. He was so polite and folksy in his remarks. Didn't seem to
+ stand on no ceremony, as you might say. Likewise there was a kind of
+ familiar somethin' about his face. I knew mighty well I'd never met him
+ afore, and yet I seemed to have a floatin' memory of him, same as a chap
+ remembers the taste of the senna and salts his ma made him take when he
+ was little.
+ </p>
+ <p>
+ &ldquo;'All right,' says he, sharp. 'Then you come around to my landin'
+ to-morrer mornin' at eight o'clock prompt and take me out in my launch to
+ the cod-fishin' grounds. I'll give you ten dollars to take me out there
+ and back.'
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'ten dollars is a good price enough. Do I furnish&mdash;'
+ </p>
+ <p>
+ &ldquo;'You furnish nothin' except your grub,' he interrupts. 'The launch'll be
+ ready and the lines and hooks and bait'll be ready. My own man was to do
+ the job, but he and I had a heart-to-heart talk just now and I told him
+ where he could go and go quick. No smart Alec gets the best of me, even if
+ he has got a month's contract. You run that launch and put me on the
+ fishin' grounds. I pay you for that and bringin' me back again. And I
+ furnish my own extras and you can furnish yours. I don't want any of your
+ Yankee bargainin'. See?'
+ </p>
+ <p>
+ &ldquo;I saw. There wa'n't no real reason why I couldn't take the job. 'Twas
+ well along into September; the hotel was closed for the season; and about
+ all I had on my hands just then was time.
+ </p>
+ <p>
+ &ldquo;'All right,' says I, 'it's a deal. If you'll guarantee to have your
+ launch ready, I&mdash;'
+ </p>
+ <p>
+ &ldquo;'That's my business,' he says. 'It'll be ready. If it ain't you'll get
+ your pay just the same. To-morrer mornin' at eight o'clock. And don't you
+ forget and be late. Gid-dap, you blackguard!' says he to the horse.
+ </p>
+ <p>
+ &ldquo;'Hold on, just a minute,' I hollers, runnin' after him. 'I don't want to
+ be curious nor nosey, you understand, but seems 's if it might help me to
+ be on time if I knew where your launch was goin' to be and what your name
+ was.'
+ </p>
+ <p>
+ &ldquo;He pulled up then. 'Humph!' he says, 'if you don't know my name and more
+ about my private affairs than I do myself, you're the only one in this
+ county that don't. My name's Williams, and I live in what you folks call
+ the Lathrop place over here toward Trumet. The launch is at my landin'
+ down in front of the house.'
+ </p>
+ <p>
+ &ldquo;He drove off then and I walked along thinkin'. I knew who he was now, of
+ course. There was consider'ble talk when the Lathrop place was rented, and
+ I gathered that the feller who hired it answered to the hail of Williams
+ and was a retired banker, sufferin' from an enlarged income and the
+ diseases that go along with it. He lived alone up there in the big house,
+ except for a cranky housekeeper and two or three servants. This was afore
+ he got married, Sim; his wife's tamed him a little. Then the yarns about
+ his temper and language would have filled a log book.
+ </p>
+ <p>
+ &ldquo;But all this was way to one side of the mark-buoy, so fur as I was
+ concerned. I'd cruised with cranks afore and I thought I could stand this
+ one&mdash;ten dollars' worth of him, anyhow. Bluster and big talk may
+ scare some folks, but to me they're like Aunt Hepsy Parker's false teeth,
+ the further off you be from 'em the more real they look. So the next
+ mornin' I was up bright and early and on my way over to the Lathrop
+ landin'.
+ </p>
+ <p>
+ &ldquo;The launch was there, made fast alongside the little wharf. Nice,
+ slick-lookin' craft she was, too, all varnish and gilt gorgeousness. I'd
+ liked her better if she'd carried a sail, for it's my experience that
+ canvas is a handy thing to have aboard in case of need; but she looked
+ seaworthy enough and built for speed.
+ </p>
+ <p>
+ &ldquo;While I was standin' on the pier lookin' down at her I heard footsteps
+ and brisk remarks from behind the bushes on the bank, and here comes
+ Williams, puffin' and blowin', followed by a sulky-lookin' hired man
+ totin' a deckload of sweaters and ileskins, with a lunch basket on top.
+ Williams himself wan't carryin' anything but his temper, but he hadn't
+ forgot none of that.
+ </p>
+ <p>
+ &ldquo;'Hello, Berry,' says he to me. 'You are on time, ain't you. Blessed if it
+ ain't a comfort to find somebody who'll do what I tell 'em. Now you,' he
+ says to the servant, 'put them things aboard and clear out as quick as
+ you've a mind to. You and I are through; understand? Don't let me find you
+ hangin' around the place when I get back. Cast off, Sol.'
+ </p>
+ <p>
+ &ldquo;The man dumped the dunnage into the launch, pretty average ugly, and me
+ and the boss climbed aboard. I cast off.
+ </p>
+ <p>
+ &ldquo;'Mr. Williams,' says the man, kind of pleadin', 'ain't you goin' to pay
+ me the rest of my month's wages?'
+ </p>
+ <p>
+ &ldquo;Williams told him he wa'n't, and added trimmin's to make it emphatic.
+ </p>
+ <p>
+ &ldquo;I started the engine and we moved out at a good clip. All at once that
+ hired man runs to the end of the wharf and calls after us.
+ </p>
+ <p>
+ &ldquo;'All right for you, you fat-head!' he yells. 'You'll be sorry for what
+ you done to me.'
+ </p>
+ <p>
+ &ldquo;I cal'late the boss would have liked to go back and lick him, but I was
+ hired to go a-fishin', not to watch a one-sided prize fight, and I thought
+ 'twas high time we started.
+ </p>
+ <p>
+ &ldquo;The name of that launch was the Shootin' Star, and she certainly lived up
+ to it. 'Twas one of them slick, greasy days, with no sea worth mentionin'
+ and we biled along fine. We had to, because the cod ledge is a good many
+ mile away, 'round Sandy P'int out to sea, and, judgin' by what I'd seen of
+ Fatty so fur, I wa'n't hankerin' to spend more time with him than was
+ necessary. More'n that, there was fog signs showin'.
+ </p>
+ <p>
+ &ldquo;'When was you figgerin' on gettin' back, Mr. Williams?' I asked him.
+ </p>
+ <p>
+ &ldquo;'When I've caught as many fish as I want to,' he says. 'I told that
+ housekeeper of mine that I'd be back when I got good and ready; it might
+ be to-night and it might be ten days from now. &ldquo;If I ain't back in a week
+ you can hunt me up,&rdquo; I told her; &ldquo;but not before. And that goes.&rdquo; I've got
+ HER trained all right. She knows me. It's a pity if a man can't be
+ independent of females.'
+ </p>
+ <p>
+ &ldquo;I knew consider'ble many men that was subjects for pity, 'cordin' to that
+ rule. But I wa'n't in for no week's cruise, and I told him so. He said of
+ course not; we'd be home that evenin'.
+ </p>
+ <p>
+ &ldquo;The Shootin' Star kept slippin' along. 'Twas a beautiful mornin' and,
+ after a spell, it had its effect, even on a crippled disposition like that
+ banker man's. He lit up a cigar and begun to get more sociable, in his
+ way. Commenced to ask me questions about myself.
+ </p>
+ <p>
+ &ldquo;By and by he says: 'Berry, I suppose you figger that it's a smart thing
+ to get ten dollars out of me for a trip like this, hey?'
+ </p>
+ <p>
+ &ldquo;'Not if it's to last a week, I don't,' says I.
+ </p>
+ <p>
+ &ldquo;'It's your lookout if it does,' he says prompt. 'You get ten for takin'
+ me out and back. If you ain't back on time 'tain't my fault.'
+ </p>
+ <p>
+ &ldquo;'Unless this craft breaks down,' I says.
+ </p>
+ <p>
+ &ldquo;''Twon't break down. I looked after that. My motto is to look out for
+ number one every time, and it's a mighty good motto. At any rate, it's
+ made my money for me.'
+ </p>
+ <p>
+ &ldquo;He went on, preachin' about business shrewdness and how it paid, and how
+ mean and tricky in little deals we Rubes was, and yet we didn't appreciate
+ how to manage big things, till I got kind of sick of it.
+ </p>
+ <p>
+ &ldquo;'Look here, Mr. Williams,' says I, 'you know how I make my money&mdash;what
+ little I do make&mdash;or you say you do. Now, if it ain't a sassy
+ question, how did you make yours?'
+ </p>
+ <p>
+ &ldquo;Well, he made his by bein' shrewd and careful and always lookin' out for
+ number one. 'Number one' was his hobby. I gathered that the heft of his
+ spare change had come from dickers in stocks and bonds.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Well, speakin' of tricks and meanness, I've allers
+ heard tell that there was some of them things hitched to the tail of the
+ stock market. What makes the stock market price of&mdash;well, of wheat,
+ we'll say?'
+ </p>
+ <p>
+ &ldquo;That was regulated, so he said, by the law of supply and demand. If a
+ feller had all the wheat there was and another chap had to have some or
+ starve, why, the first one had a right to gouge t'other chap's last cent
+ away from him afore he let it go.
+ </p>
+ <p>
+ &ldquo;'That's legitimate,' he says. 'That's cornerin' the market. Law of supply
+ and demand exemplified.'
+ </p>
+ <p>
+ &ldquo;''Cordin' to that law,' says I, 'when you was so set on fishin' to-day
+ and hunted me up to run your boat here&mdash;'cause I was about the only
+ chap who could run it and wa'n't otherwise busy&mdash;I'd ought to have
+ charged you twenty dollars instead of ten.'
+ </p>
+ <p>
+ &ldquo;'Sure you had,' he says, grinnin'. 'But you weren't shrewd enough to
+ grasp the situation and do it. Now the deal's closed and it's too late.'
+ </p>
+ <p>
+ &ldquo;He went on talkin' about 'pools' and deals' and such. How prices of this
+ stock and that was shoved up a-purpose till a lot of folks had put their
+ money in it and then was smashed flat so's all hands but the 'poolers'
+ would be what he called 'squeezed out,' and the gang would get their cash.
+ That was legitimate, too&mdash;'high finance,' he said.
+ </p>
+ <p>
+ &ldquo;'But how about the poor folks that had their savin's in them stocks,' I
+ asks, 'and don't know high financin'? Where's the law of supply and demand
+ come in for them?'
+ </p>
+ <p>
+ &ldquo;He laughed. 'They supply the suckers and the demand for money,' says he.
+ </p>
+ <p>
+ &ldquo;By eleven we was well out toward the fishin' grounds. 'Twas the bad
+ season now; the big fish had struck off still further and there wa'n't
+ another boat in sight. The land was just a yeller and green smooch along
+ the sky line and the waves was runnin' bigger. The Shootin' Star was
+ seaworthy, though, and I wa'n't worried about her. The only thing that
+ troubled me was the fog, and that was pilin' up to wind'ard. I'd called
+ Fatty's attention to it when we fust started, but he said he didn't care a
+ red for fog. Well, I didn't much care nuther, for we had a compass aboard
+ and the engine was runnin' fine. What wind there was was blowin' offshore.
+ </p>
+ <p>
+ &ldquo;And then, all to once, the engine STOPPED runnin'. I give the wheel a
+ whirl, but she only coughed, consumptive-like, and quit again. I went
+ for'ard to inspect, and, if you'll believe it, there wa'n't a drop of
+ gasoline left in the tank. The spare cans had ought to have been full, and
+ they was&mdash;but 'twas water they was filled with.
+ </p>
+ <p>
+ &ldquo;'Is THIS the way you have your boat ready for me?' I remarks, sarcastic.
+ </p>
+ <p>
+ &ldquo;'That&mdash;that man of mine told me he had everything filled,' he
+ stammers, lookin' scart.
+ </p>
+ <p>
+ &ldquo;'Yes,' says I, 'and I heard him hint likewise that he was goin' to make
+ you sorry. I guess he's done it.'
+ </p>
+ <p>
+ &ldquo;Well, sir! the brimstone names that Fatty called that man was somethin'
+ surprisin' to hear. When he'd used up all he had in stock he invented new
+ ones. When the praise service was over he turns to me and says: 'But what
+ are we goin' to do?'
+ </p>
+ <p>
+ &ldquo;'Do?' says I. 'That's easy. We're goin' to drift.'
+ </p>
+ <p>
+ &ldquo;And that's what we done. I tried to anchor, but we wa'n't over the ledge
+ and the iron wouldn't reach bottom by a mile, more or less. I rigged up a
+ sail out of the oar and the canvas spray shield, but there wa'n't wind
+ enough to give us steerageway. So we drifted and drifted, out to sea. And
+ by and by the fog come down and shut us in, and that fixed what little
+ hope I had of bein' seen by the life patrol on shore.
+ </p>
+ <p>
+ &ldquo;The breeze died out flat about three o'clock. In one way this was a good
+ thing. In another it wa'n't, because we was well out in deep water, and
+ when the wind did come it was likely to come harder'n we needed. However,
+ there wa'n't nothin' to do but wait and hope for the best, as the feller
+ said when his wife's mother was sick.
+ </p>
+ <p>
+ &ldquo;It was gettin' pretty well along toward the edge of the evenin' when I
+ smelt the wind a-comin'. It came in puffs at fust, and every puff was
+ healthier than the one previous. Inside of ten minutes it was blowin'
+ hard, and the seas were beginnin' to kick up. I got up my jury rig&mdash;the
+ oar and the spray shield&mdash;and took the helm. There wa'n't nothin' to
+ do but run afore it, and the land knows where we would fetch up. At any
+ rate, if the compass was right, we was drivin' back into the bay again,
+ for the wind had hauled clear around.
+ </p>
+ <p>
+ &ldquo;The Shootin' Star jumped and sloshed. Fatty had on all the ileskins and
+ sweaters, but he was shakin' like a custard pie.
+ </p>
+ <p>
+ &ldquo;'Oh, oh, heavens!' he chatters. 'What will we do? Will we drown?'
+ </p>
+ <p>
+ &ldquo;'Don't know,' says I, tuggin' at the wheel and tryin' to sight the
+ compass. 'You've got the best chance of the two of us, if it's true that
+ fat floats.'
+ </p>
+ <p>
+ &ldquo;I thought that might cheer him up some, but it didn't. A big wave heeled
+ us over then and a keg or two of salt water poured over the gunwale. He
+ give a yell and jumped up.
+ </p>
+ <p>
+ &ldquo;'My Lord!' he screams. 'We're sinkin'. Help! help!'
+ </p>
+ <p>
+ &ldquo;'Set down!' I roared. 'Thought you knew how to act in a boat. Set down!
+ d'you hear me? SET DOWN AND SET STILL!'
+ </p>
+ <p>
+ &ldquo;He set. Likewise he shivered and groaned. It got darker all the time and
+ the wind freshened every minute. I expected to see that jury mast go by
+ the board at any time. Lucky for us it held.
+ </p>
+ <p>
+ &ldquo;No use tellin' about the next couple of hours. 'Cordin' to my reckonin'
+ they was years and we'd ought to have sailed plumb through the broadside
+ of the Cape, and be makin' a quick run for Africy. But at last we got into
+ smoother water, and then, right acrost our bows, showed up a white strip.
+ The fog had pretty well blowed clear and I could see it.
+ </p>
+ <p>
+ &ldquo;'Land, ho!' I yells. 'Stand by! WE'RE goin' to bump.'&rdquo;
+ </p>
+ <p>
+ Captain Sol stopped short and listened. Mr. Phinney grasped his arm.
+ </p>
+ <p>
+ &ldquo;For the dear land sakes, Sol,&rdquo; he exclaimed, &ldquo;don't leave me hangin' in
+ them breakers no longer'n you can help! Heave ahead! DID you bump?&rdquo;
+ </p>
+ <p>
+ The depot master chuckled.
+ </p>
+ <p>
+ &ldquo;DID we?&rdquo; he repeated. &ldquo;Well, I'll tell you that by and by. Here comes the
+ train and I better take charge of the ship. Anything so responsible as
+ seein' the cars come in without me to help would give Issy the jumpin'
+ heart disease.&rdquo;
+ </p>
+ <p>
+ He sprang from the truck and hastened toward the door of the station.
+ Phinney, rising to follow him, saw, over the dark green of the swamp
+ cedars at the head of the track, an advancing column of smoke. A whistle
+ sounded. The train was coming in.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II
+ </h2>
+ <h3>
+ SUPPLY AND DEMAND
+ </h3>
+ <p>
+ And now life in East Harniss became temporarily fevered. Issy McKay dashed
+ out of the station and rushed importantly up and down the platform. Ed
+ Crocker and Cornelius Rowe emerged and draped themselves in statuesque
+ attitudes against the side of the building. Obed Gott came hurrying from
+ his paint and oil shop, which was next to the &ldquo;general store.&rdquo; Mr.
+ Higgins, proprietor of the latter, sauntered easily across to receive, in
+ his official capacity as postmaster, the mail bag. Ten or more citizens,
+ of both sexes, and of various ages, gathered in groups to inspect and
+ supervise.
+ </p>
+ <p>
+ The locomotive pulled its string of cars, a &ldquo;baggage,&rdquo; a &ldquo;smoker,&rdquo; and two
+ &ldquo;passengers,&rdquo; alongside the platform. The sliding door of the baggage car
+ was pushed back and the baggage master appeared in the opening. &ldquo;Hi!
+ Cap'n!&rdquo; he shouted. &ldquo;Hi, Cap'n Sol! Here's some express for you.&rdquo;
+ </p>
+ <p>
+ But unfortunately the Captain was in conversation with the conductor at
+ the other end of the train. Issy, willing and officious, sprang forward.
+ &ldquo;I'll take it, Bill,&rdquo; he volunteered. &ldquo;Here, give it to me.&rdquo;
+ </p>
+ <p>
+ The baggage master handed down the package, a good sized one marked
+ &ldquo;Glass. With Care.&rdquo; Issy received it, clutched it to his bosom, turned and
+ saw Gertie Higgins, pretty daughter of Beriah Higgins, stepping from the
+ first car to the platform. Gertie had been staying with an aunt in Trumet
+ and was now returning home for a day or two.
+ </p>
+ <p>
+ Issy stopped short and gazed at her. He saw her meet and kiss her father,
+ and the sight roused turbulent emotions in his bosom. He saw her nod and
+ smile at acquaintances whom she passed. She approached, noticed him, and&mdash;oh,
+ rapture!&mdash;said laughingly, &ldquo;Hello, Is.&rdquo; Before he could recover his
+ senses and remember to do more than grin she had disappeared around the
+ corner of the station. Therefore he did not see the young man who stepped
+ forward to shake her hand and whisper in her ear. This young man was Sam
+ Bartlett, and, as a &ldquo;city dude,&rdquo; Issy loathed and hated him.
+ </p>
+ <p>
+ No, Issy did not see the hurried and brief meeting between Bartlett and
+ Gertie Higgins, but he had seen enough to cause forgetfulness of mundane
+ things. For an instant he stared after the vanished vision. Then he
+ stepped blindly forward, tripped over something&mdash;&ldquo;his off hind leg,&rdquo;
+ so Captain Sol afterwards vowed&mdash;and fell sprawling, the express
+ package beneath him.
+ </p>
+ <p>
+ The crash of glass reached the ears of the depot master. He broke away
+ from the conductor and ran toward his prostrate &ldquo;assistant.&rdquo; Pushing aside
+ the delighted and uproarious bystanders, he forcibly helped the young man
+ to rise.
+ </p>
+ <p>
+ &ldquo;What in time?&rdquo; he demanded.
+ </p>
+ <p>
+ Issy agonizingly held the package to his ear and shook it.
+ </p>
+ <p>
+ &ldquo;I&mdash;I'm afraid somethin's cracked,&rdquo; he faltered.
+ </p>
+ <p>
+ The crowd set up a whoop. Ed Crocker appeared to be in danger of
+ strangling.
+ </p>
+ <p>
+ &ldquo;Cracked!&rdquo; repeated Captain Sol. &ldquo;Cracked!&rdquo; he smiled, in spite of
+ himself. &ldquo;Yes, somethin's cracked. It's that head of yours, Issy. Here,
+ let's see!&rdquo;
+ </p>
+ <p>
+ He snatched the package from the McKay hands and inspected it.
+ </p>
+ <p>
+ &ldquo;Smashed to thunder!&rdquo; he declared. &ldquo;Who's the lucky one it belongs to?
+ Humph!&rdquo; He read the inscription aloud, &ldquo;Major Cuthbertson S. Hardee. The
+ Major, hey! . . . Well, Is, you take the remains inside and you and I'll
+ hold services over it later.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I didn't go to do it,&rdquo; protested the frightened Issy.
+ </p>
+ <p>
+ &ldquo;Course you didn't. If you had you wouldn't. You're like the feller in
+ Scriptur', you leave undone the things you ought to do and do them that&mdash;All
+ right, Jim! Let her go! Cast off!&rdquo;
+ </p>
+ <p>
+ The conductor waved his hand, the engine puffed, the bell rang, and the
+ train moved onward. For another twelve hours East Harniss was left
+ marooned by the outside world.
+ </p>
+ <p>
+ Beriah Higgins and the mail bag were already in the post office. Thither
+ went the crowd to await the sorting and ultimate distribution. A short,
+ fat little man lingered and, walking up to the depot master, extended his
+ hand.
+ </p>
+ <p>
+ &ldquo;Hello, Sol!&rdquo; he said, smiling. &ldquo;Thought I'd stop long enough to say
+ 'Howdy,' anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, Bailey Stitt!&rdquo; cried the Captain. &ldquo;How are you? Glad to see you.
+ Thought you was down to South Orham, takin' out seasick parties for the
+ Ocean House, same kind of a job I used to have in Wellmouth.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am,&rdquo; replied Captain Stitt. &ldquo;That is, I was. Just now I've run over
+ here to see about contractin' for a supply of clams and quahaugs for our
+ boarders. You never see such a gang to eat as them summer folks, in your
+ life. Barzilla Wingate, he says the same about his crowd. He's comin' on
+ the mornin' train from Wellmouth.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don't tell me. I ain't seen Barzilla for a long spell. Where you
+ stoppin'? Come up to the house, won't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Can't. I'm goin' to put up over to Obed Gott's. His sister, Polena Ginn,
+ is a relation of mine by marriage. So long! Obed's gone on ahead to tell
+ Polena to put the kettle on. Maybe Obed and I'll be back again after I've
+ had supper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do. I'll be round here for two or three hours yet.&rdquo;
+ </p>
+ <p>
+ He entered the depot. Except the forlorn Issy, who sat in a corner,
+ holding the express package in his lap, Simeon Phinney was the only person
+ in the waiting room.
+ </p>
+ <p>
+ &ldquo;Come on now, Sol!&rdquo; pleaded Sim. &ldquo;I want to hear the rest of that about
+ you and Williams. You left off in the most ticklish place possible, out of
+ spite, I do believe. I'm hangin' on to that boat in the breakers until I
+ declare I believe I'm catchin' cold just from imagination.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wait a minute, Sim,&rdquo; said the depot master. Then he turned to his
+ assistant.
+ </p>
+ <p>
+ &ldquo;Issy,&rdquo; he said, &ldquo;this is about the nineteenth time you've done just this
+ sort of thing. You're no earthly use and I ought to give you your
+ clearance papers. But I can't, you're too&mdash;well&mdash;ornamental.
+ You've got to be punished somehow and I guess the best way will be to send
+ you right up to Major Hardee's and let you give him the remnants. He'll
+ want to know how it happened, and you tell him the truth. The TRUTH,
+ understand? If you invent any fairy tales out of those novels of yours
+ I'll know it by and by and&mdash;well, YOU'LL know I know. No remarks,
+ please. Git!&rdquo;
+ </p>
+ <p>
+ Issy hesitated, seemed about to speak, thought better of it, took up
+ package and cap, and &ldquo;got.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let's see,&rdquo; said the Captain, sitting down in one of the station chairs
+ and lighting a fresh cigar; &ldquo;where was Williams and I in that yarn of
+ mine? Oh, yes, I could see land and cal'lated we was goin' to bump. Well,
+ we did. Steerin' anyways but dead ahead was out of the question, and all I
+ could do was set my teeth and trust in my bein' a member of the church.
+ The Shootin' Star hit that beach like she was the real article. Overboard
+ went oar and canvas and grub pails, and everything else that wa'n't nailed
+ down, includin' Fatty and me. I grabbed him by the collar and wallowed
+ ashore.
+ </p>
+ <p>
+ &ldquo;'Awk! hawk!' he gasps, chokin', 'I'm drownded.'
+ </p>
+ <p>
+ &ldquo;I let him BE drownded, for the minute. I had the launch to think of, and
+ somehow or 'nother I got hold of her rodin' and hauled the anchor up above
+ tide mark. Then I attended to my passenger.
+ </p>
+ <p>
+ &ldquo;'Where are we?' he asks.
+ </p>
+ <p>
+ &ldquo;I looked around. Close by was nothin' but beach-grass and seaweed and
+ sand. A little ways off was a clump of scrub pines and bayberry bushes
+ that looked sort of familiar. And back of them was a little board shanty
+ that looked more familiar still. I rubbed the salt out of my eyes.
+ </p>
+ <p>
+ &ldquo;'WELL!' says I. 'I swan to man!'
+ </p>
+ <p>
+ &ldquo;'What is it?' he says. 'Do you know where we are? Whose house is that?'
+ </p>
+ <p>
+ &ldquo;I looked hard at the shanty.
+ </p>
+ <p>
+ &ldquo;'Humph!' I grunted. 'I do declare! Talk about a feller's comin' back to
+ his own. Whose shanty is that? Well, it's mine, if you want to know. The
+ power that looks out for the lame and the lazy has hove us ashore on
+ Woodchuck Island, and that's a piece of real estate I own.'
+ </p>
+ <p>
+ &ldquo;It sounds crazy enough, that's a fact; but it was true. Woodchuck Island
+ is a little mite of a sand heap off in the bay, two mile from shore and
+ ten from the nighest town. I'd bought it and put up a shanty for a gunnin'
+ shack; took city gunners down there, once in a while, the fall before.
+ That summer I'd leased it to a friend of mine, name of Darius Baker, who
+ used it while he was lobsterin'. The gale had driven us straight in from
+ sea, 'way past Sandy P'int and on to the island. 'Twas like hittin' a nail
+ head in a board fence, but we'd done it. Shows what Providence can do when
+ it sets out.
+ </p>
+ <p>
+ &ldquo;I explained some of this to Williams as we waded through the sand to the
+ shanty.
+ </p>
+ <p>
+ &ldquo;'But is this Baker chap here now?' he asks.
+ </p>
+ <p>
+ &ldquo;'I'm afraid not,' says I. 'The lobster season's about over, and he was
+ goin' South on a yacht this week. Still, he wa'n't to go till Saturday and
+ perhaps&mdash;'
+ </p>
+ <p>
+ &ldquo;But the shanty was empty when we got there. I fumbled around in the tin
+ matchbox and lit the kerosene lamp in the bracket on the wall. Then I
+ turned to Williams.
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'we're lucky for once in&mdash;'
+ </p>
+ <p>
+ &ldquo;Then I stopped. When he went overboard the water had washed off his hat.
+ Likewise it had washed off his long black hair&mdash;which was a wig&mdash;and
+ his head was all round and shiny and bald, like a gull's egg out in a rain
+ storm.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew he wore a wig,&rdquo; interrupted Phinney.
+ </p>
+ <p>
+ &ldquo;Of course you do. Everybody does now. But he wa'n't such a prophet in
+ Israel then as he's come to be since, and folks wa'n't acquainted with his
+ personal beauties.
+ </p>
+ <p>
+ &ldquo;'What are you starin' at?' he asks.
+ </p>
+ <p>
+ &ldquo;I fetched a long breath. 'Nothin',' says I. 'Nothin'.'
+ </p>
+ <p>
+ &ldquo;But for the rest of that next ha'f hour I went around in a kind of daze,
+ as if MY wig had gone and part of my head with it. When a feller has been
+ doin' a puzzle it kind of satisfies him to find out the answer. And I'd
+ done my puzzle.
+ </p>
+ <p>
+ &ldquo;I knew where I'd met Mr. Williams afore.&rdquo;
+ </p>
+ <p>
+ &ldquo;You did?&rdquo; cried Simeon.
+ </p>
+ <p>
+ &ldquo;Um-hm. Wait a while. Well, Fatty went to bed, in one of the hay bunks,
+ pretty soon after that. He stripped to his underclothes and turned in
+ under the patchwork comforters. He was too beat out to want any supper,
+ even if there'd been any in sight. I built a fire in the rusty cook stove
+ and dried his duds and mine. Then I set down in the busted chair and begun
+ to think. After a spell I got up and took account of stock, as you might
+ say, of the eatables in the shanty. Darius had carted off his own grub and
+ what there was on hand was mine, left over from the gunnin' season&mdash;a
+ hunk of salt pork in the pickle tub, some corn meal in a tin pail, some
+ musty white flour in another pail, a little coffee, a little sugar and
+ salt, and a can of condensed milk. I took these things out of the locker
+ they was in, looked 'em over, put 'em back again and sprung the padlock.
+ Then I put the key into my pocket and went back to my chair to do some
+ more thinkin'.
+ </p>
+ <p>
+ &ldquo;Next mornin' I was up early and when the banker turned out I was fryin' a
+ couple of slices of the pork and had some coffee b'ilin'. Likewise there
+ was a pan of johnnycake in the oven. The wind had gone down consider'ble,
+ but 'twas foggy and thick again, which was a pleasin' state of things for
+ yours truly.
+ </p>
+ <p>
+ &ldquo;Williams smelt the cookin' almost afore he got his eyes open.
+ </p>
+ <p>
+ &ldquo;'Hurry up with that breakfast,' he says to me. 'I'm hungry as a wolf.'
+ </p>
+ <p>
+ &ldquo;I didn't say nothin' then; just went ahead with my cookin'. He got into
+ his clothes and went outdoor. Pretty soon he comes back, cussin' the
+ weather.
+ </p>
+ <p>
+ &ldquo;'See here, Mr. Williams,' says I, 'how about them orders to your
+ housekeeper? Are they straight? Won't she have you hunted up for a week?'
+ </p>
+ <p>
+ &ldquo;He colored pretty red, but from what he said I made out that she
+ wouldn't. I gathered that him and the old lady wa'n't real chummy. She
+ give him his grub and her services, and he give her the Old Harry and her
+ wages. She wouldn't hunt for him, not until she was ordered to. She'd be
+ only too glad to have him out of the way.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Then I cal'late we'll enjoy the scenery on this garden
+ spot of creation until the week's up.'
+ </p>
+ <p>
+ &ldquo;'What do you mean?' says he.
+ </p>
+ <p>
+ &ldquo;'Well,' I says, 'the launch is out of commission, unless it should rain
+ gasoline, and at this time of year there ain't likely to be a boat within
+ hailin' distance of this island; 'specially if the weather holds bad.'
+ </p>
+ <p>
+ &ldquo;He swore a blue streak, payin' partic'lar attention to the housekeeper
+ for her general stupidness and to me because I'd got him, so he said, into
+ this scrape. I didn't say nothin'; set the table, with one plate and one
+ cup and sasser and knife and fork, hauled up a chair and set down to my
+ breakfast. He hauled up a box and set down, too.
+ </p>
+ <p>
+ &ldquo;'Pass me that corn bread,' says he. 'And why didn't you fry more pork?'
+ </p>
+ <p>
+ &ldquo;He was reachin' out for the johnnycake, but I pulled it out of his way.
+ </p>
+ <p>
+ &ldquo;'Wait a minute, Mr. Williams,' says I. 'While you was snoozin' last night
+ I made out a kind of manifest of the vittles aboard this shanty. 'Cordin'
+ to my figgerin' here's scursely enough to last one husky man a week, let
+ along two husky ones. I paid consider'ble attention to your preachin'
+ yesterday and the text seemed to be to look out for number one. Now in
+ this case I'm the one and I've got to look out for myself. This is my
+ shanty, my island, and my grub. So please keep your hands off that
+ johnnycake.'
+ </p>
+ <p>
+ &ldquo;For a minute or so he set still and stared at me. Didn't seem to sense
+ the situation, as you might say. Then the red biled up in his face and
+ over his bald head like a Fundy tide.
+ </p>
+ <p>
+ &ldquo;'Why, you dummed villain!' he shouts. 'Do you mean to starve me?'
+ </p>
+ <p>
+ &ldquo;'You won't starve in a week,' says I, helpin' myself to pork. 'A feller
+ named Tanner, that I read about years ago, lived for forty days on cold
+ water and nothin' else. There's the pump right over in the corner. It's my
+ pump, but I'll stretch a p'int and not charge for it this time.'
+ </p>
+ <p>
+ &ldquo;'You&mdash;you&mdash;' he stammers, shakin' all over, he was so mad.
+ 'Didn't I hire you&mdash;'
+ </p>
+ <p>
+ &ldquo;'You hired me to take you out to the fishin' grounds and back, provided
+ the launch was made ready by YOU. It wa'n't ready, so THAT contract's
+ busted. And you was to furnish your extrys and I was to furnish mine. Here
+ they be and I need 'em. It's as legitimate a deal as ever I see; perfect
+ case of supply and demand&mdash;supply for one and demand for two. As I
+ said afore, I'm the one.'
+ </p>
+ <p>
+ &ldquo;'By thunder!' he growls, standin' up, 'I'll show you&mdash;'
+ </p>
+ <p>
+ &ldquo;I stood up, too. He was fat and flabby and I was thin and wiry. We looked
+ each other over.
+ </p>
+ <p>
+ &ldquo;'I wouldn't,' says I. 'You're under the doctor's care, you know.'
+ </p>
+ <p>
+ &ldquo;So he set down again, not havin' strength even to swear, and watched me
+ eat my breakfast. And I ate it slow.
+ </p>
+ <p>
+ &ldquo;'Say,' he says, finally, 'you think you're mighty smart, don't you. Well,
+ I'm It, I guess, for this time. I suppose you'll have no objection to
+ SELLIN' me a breakfast?'
+ </p>
+ <p>
+ &ldquo;'No&mdash;o,' says I, 'not a mite of objection. I'll sell you a couple of
+ slices of pork for five dollars a slice and&mdash;'
+ </p>
+ <p>
+ &ldquo;'FIVE DOLLARS a&mdash;!' His mouth dropped open like a main hatch.
+ </p>
+ <p>
+ &ldquo;'Sartin,' I says. 'And two slabs of johnnycake at five dollars a slab.
+ And a cup of coffee at five dollars a cup. And&mdash;'
+ </p>
+ <p>
+ &ldquo;'You're crazy!' he sputters, jumpin' up.
+ </p>
+ <p>
+ &ldquo;'Not much, I ain't. I've been settin' at your feet larnin' high finance,
+ that's all. You don't seem to be onto the real inwardness of this deal.
+ I've got the grub market cornered, that's all. The market price of
+ necessaries is five dollars each now; it's likely to rise at any time, but
+ now it's five.'
+ </p>
+ <p>
+ &ldquo;He looked at me steady for at least two more minutes. Then he got up and
+ banged out of that shanty. A little later I see him down at the end of the
+ sand spit starin' out into the fog; lookin' for a sail, I presume likely.
+ </p>
+ <p>
+ &ldquo;I finished my breakfast and washed up the dishes. He come in by and by.
+ He hadn't had no dinner nor supper, you see, and the salt air gives most
+ folks an almighty appetite.
+ </p>
+ <p>
+ &ldquo;'Say,' he says, 'I've been thinkin'. It's usual in the stock and
+ provision market to deal on a margin. Suppose I pay you a one per cent
+ margin now and&mdash;'
+ </p>
+ <p>
+ &ldquo;'All right,' says I, cheerful. 'Then I'll give you a slip of paper sayin'
+ that you've bought such and such slices of pork and hunks of johnnycake
+ and I'm carryin' 'em for you on a margin. Of course there ain't no
+ delivery of the goods now because&mdash;'
+ </p>
+ <p>
+ &ldquo;'Humph!' he interrupts, sour. 'You seem to know more'n I thought you did.
+ Now are you goin' to be decent and make me a fair price or ain't you?'
+ </p>
+ <p>
+ &ldquo;'Can't sell under the latest quotations,' says I. 'That's five now; and
+ spot cash.'
+ </p>
+ <p>
+ &ldquo;'But hang it all!' he says, 'I haven't got money enough with me. Think I
+ carry a national bank around in my clothes?'
+ </p>
+ <p>
+ &ldquo;'You carry a Wellmouth Bank check book,' says I, 'because I see it in
+ your jacket pocket last night when I was dryin' your duds. I'll take a
+ check.'
+ </p>
+ <p>
+ &ldquo;He started to say somethin' and then stopped. After a spell he seemed to
+ give in all to once.
+ </p>
+ <p>
+ &ldquo;'Very good,' he says. 'You get my breakfast ready and I'll make out the
+ check.'
+ </p>
+ <p>
+ &ldquo;That breakfast cost him twenty-five dollars; thirty really, because he
+ added another five for an extry cup of coffee. I told him to make the
+ check payable to 'Bearer,' as 'twas quicker to write than 'Solomon.'
+ </p>
+ <p>
+ &ldquo;He had two more meals that day and at bedtime I had his checks amountin'
+ to ninety-five dollars. The fog stayed with us all the time and nobody
+ come to pick us up. And the next mornin's outlook was just as bad, bein' a
+ drizzlin' rain and a high wind. The mainland beach was in sight but that's
+ all except salt water and rain.
+ </p>
+ <p>
+ &ldquo;He was surprisin'ly cheerful all that day, eatin' like a horse and givin'
+ up his meal checks without a whimper. If things had been different from
+ what they was I'd have felt like a mean sneak thief. BEIN' as they was, I
+ counted up the hundred and ten I'd made that day without a pinch of
+ conscience.
+ </p>
+ <p>
+ &ldquo;This was a Wednesday. On Thursday, the third day of our Robinson Crusoe
+ business, the weather was still thick, though there was signs of clearin'.
+ Fatty come to me after breakfast&mdash;which cost him thirty-five,
+ payable, as usual, to 'Bearer'&mdash;with almost a grin on his big face.
+ </p>
+ <p>
+ &ldquo;'Berry,' he says, 'I owe you an apology. I thought you was a green Rube,
+ like the rest down here, but you're as sharp as they make 'em. I ain't the
+ man to squeal when I get let in on a bad deal, and the chap who can work
+ me for a sucker is entitled to all he can make. But this pay-as-you-go
+ business is too slow and troublesome. What'll you take for the rest of the
+ grub in the locker there, spot cash? Be white, and make a fair price.'
+ </p>
+ <p>
+ &ldquo;I'd been expectin' somethin' like this, and I was ready for him.
+ </p>
+ <p>
+ &ldquo;'Two hundred and sixty-five dollars,' says I, prompt.
+ </p>
+ <p>
+ &ldquo;He done a little figgerin'. 'Well, allowin' that I have to put up on this
+ heap of desolation for the better part of four days more, that's cheap,
+ accordin' to your former rates,' he says. 'I'll go you. But why not make
+ it two fifty, even?'
+ </p>
+ <p>
+ &ldquo;'Two hundred and sixty-five's my price,' says I. So he handed over
+ another 'Bearer' check, and his board bill was paid for a week.
+ </p>
+ <p>
+ &ldquo;Friday was a fine day, clear as a bell. Me and Williams had a real
+ picnicky, sociable time. Livin' outdoor this way had made him forget his
+ diseases and the doctor, and he showed signs of bein' ha'fway decent. We
+ loafed around and talked and dug clams to help out the pork&mdash;that is,
+ I dug 'em and Fatty superintended. We see no less'n three sailin' craft go
+ by down the bay and tried our best to signal 'em, but they didn't pay
+ attention&mdash;thought we was gunners or somethin', I presume likely.
+ </p>
+ <p>
+ &ldquo;At breakfast on Saturday, Williams begun to ask questions again.
+ </p>
+ <p>
+ &ldquo;'Sol,' says he, 'it surprised me to find that you knew what a &ldquo;margin&rdquo;
+ was. You didn't get that from anything I said. Where did you get it?'
+ </p>
+ <p>
+ &ldquo;I leaned back on my box seat.
+ </p>
+ <p>
+ &ldquo;'Mr. Williams,' says I, 'I cal'late I'll tell you a little story, if you
+ want to hear it. 'Tain't much of a yarn, as yarns go, but maybe it'll
+ interest you. The start of it goes back to consider'ble many year ago,
+ when I was poorer'n I be now, and a mighty sight younger. At that time me
+ and another feller, a partner of mine, had a fish weir out in the bay
+ here. The mackerel struck in and we done well, unusual well. At the end of
+ the season, not countin' what we'd spent for livin' and expenses, we had a
+ balance owin' us at our fish dealer's up to Boston of five hundred dollars&mdash;two
+ fifty apiece. My partner was goin' to be married in the spring and was
+ cal'latin' to use his share to buy furniture for the new house with. So we
+ decided we'd take a trip up to Boston and collect the money, stick it into
+ some savin's bank where 'twould draw interest until spring and then haul
+ it out and use it. 'Twas about every cent we had in the world.
+ </p>
+ <p>
+ &ldquo;'So to Boston we went, collected our money, got the address of a safe
+ bank and started out to find it. But on the way my partner's hat blowed
+ off and the bank address, which was on a slip of paper inside of it, got
+ lost. So we see a sign on a buildin', along with a lot of others, that
+ kind of suggested bankin', and so we stepped into the buildin' and went
+ upstairs to ask the way again.
+ </p>
+ <p>
+ &ldquo;'The place wa'n't very big, but 'twas fixed up fancy and there was a kind
+ of blackboard along the end of the room where a boy was markin' up figgers
+ in chalk. A nice, smilin' lookin' man met us and, when we told him what we
+ wanted, he asked us to set down. Then, afore we knowed it almost, we'd
+ told him the whole story&mdash;about the five hundred and all. The feller
+ said to hold on a spell and he'd go along with us and show us where the
+ savin's bank was himself.
+ </p>
+ <p>
+ &ldquo;'So we waited and all the time the figgers kept goin' up on the board,
+ under signs of &ldquo;Pork&rdquo; and &ldquo;Wheat&rdquo; and &ldquo;Cotton&rdquo; and such, and we'd hear how
+ so and so's account was makin' a thousand a day, and the like of that.
+ After a while the nice man, who it turned out was one of the bosses of the
+ concern, told us what it meant. Seemed there was a big &ldquo;rise&rdquo; in the
+ market and them that bought now was bound to get rich quick. Consequent we
+ said we wished we could buy and get rich, too. And the smilin' chap says,
+ &ldquo;Let's go have some lunch.&rdquo;'
+ </p>
+ <p>
+ &ldquo;Williams laughed. 'Ho, ho!' says he. 'Expensive lunch, was it?'
+ </p>
+ <p>
+ &ldquo;'Most extravagant meal of vittles ever I got away with,' I says. 'Cost me
+ and my partner two hundred and fifty apiece, that lunch did. We stayed in
+ Boston two days, and on the afternoon of the second day we was on our way
+ back totin' a couple of neat but expensive slips of paper signifyin' that
+ we'd bought December and May wheat on a one per cent margin. We was a
+ hundred ahead already, 'cordin' to the blackboard, and was figgerin' what
+ sort of palaces we'd build when we cashed in.'
+ </p>
+ <p>
+ &ldquo;'Ain't no use preachin' a long sermon over the remains. 'Twas a simple
+ funeral and nobody sent flowers. Inside of a month we was cleaned out and
+ the wheat place had gone out of business&mdash;failed, busted, you
+ understand. Our fish dealer friend asked some questions, and found out the
+ shebang wa'n't a real stock dealer's at all. 'Twas what they call a
+ &ldquo;bucket shop,&rdquo; and we'd bought nothin' but air, and paid a commission for
+ buyin' it. And the smilin', nice man that run the swindle had been hangin'
+ on the edge of bust for a long while and knowed 'twas comin'. Our five
+ hundred had helped pay his way to a healthier climate, that's all.'
+ </p>
+ <p>
+ &ldquo;'Hold on a minute,' says Fatty, lookin' more interested. 'What was the
+ name of the firm that took you greenhorns in?'
+ </p>
+ <p>
+ &ldquo;''Twas the Empire Bond, Stock and Grain Exchange,' says I. 'And 'twas on
+ Derbyshire Street.'
+ </p>
+ <p>
+ &ldquo;He give a little jump. Then he says, slow, Hu-u-m! I&mdash;see.'
+ </p>
+ <p>
+ &ldquo;'Yes,' says I. 'I thought you would. You had a mustache then and your
+ name was diff'rent, but you seemed familiar just the same. When your false
+ hair got washed off I knew you right away.'
+ </p>
+ <p>
+ &ldquo;He took out his pocket pen and his check book and done a little
+ figgerin'.
+ </p>
+ <p>
+ &ldquo;'Humph!' he says, again. 'You lost five hundred and I've paid you five
+ hundred and five. What's the five for?'
+ </p>
+ <p>
+ &ldquo;'That's my commission on the sales,' I says.
+ </p>
+ <p>
+ &ldquo;And just then comes a hail from outside the shanty. Out we bolted and
+ there was Sam Davis, just steppin' ashore from his power boat. Williams's
+ housekeeper had strained a p'int and had shaded her orders by a couple of
+ days.
+ </p>
+ <p>
+ &ldquo;Williams and Sam started for home right off. I followed in the Shootin'
+ Star, havin' borrered gasoline enough for the run. I reached the dock ha'f
+ an hour after they did, and there was Fatty waitin' for me.
+ </p>
+ <p>
+ &ldquo;'Berry,' says he, 'I've got a word or two to say to you. I ain't kickin'
+ at your givin' me tit for tat, or tryin' to. Turn about's fair play, if
+ you can call the turn. But it's against my principles to allow anybody to
+ beat me on a business deal. Do you suppose,' he says, 'that I'd have paid
+ your robber's prices without a word if I hadn't had somethin' up my
+ sleeve? Why, man,' says he, 'I gave you my CHECKS, not cash. And I've just
+ telephoned to the Wellmouth Bank to stop payment on those checks. They're
+ no earthly use to you; see? There's one or two things about high finance
+ that you don't know even yet. Ho, ho!'
+ </p>
+ <p>
+ &ldquo;And he rocked back and forth on his heels and laughed.
+ </p>
+ <p>
+ &ldquo;I held up my hand. 'Wait a jiffy, Mr. Williams,' says I. 'I guess these
+ checks are all right. When we fust landed on Woodchuck, I judged by the
+ looks of the shanty that Baker hadn't left it for good. I cal'lated he'd
+ be back. And sure enough he come back, in his catboat, on Thursday
+ evenin', after you'd turned in. Them checks was payable to &ldquo;Bearer,&rdquo; you
+ remember, so I give 'em to him. He was to cash 'em in the fust thing
+ Friday mornin', and I guess you'll find he's done it.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I swan to MAN!&rdquo; interrupted the astonished and delighted Phinney.
+ &ldquo;So you had him after all! And I was scart you'd lost every cent.&rdquo;
+ </p>
+ <p>
+ Captain Sol chuckled. &ldquo;Yes,&rdquo; he went on, &ldquo;I had him, and his eyes and
+ mouth opened together.
+ </p>
+ <p>
+ &ldquo;'WHAT?' he bellers. 'Do you mean to say that a boat stopped at that
+ dummed island and DIDN'T TAKE US OFF?'
+ </p>
+ <p>
+ &ldquo;'Oh,' says I, 'Darius didn't feel called on to take you off, not after I
+ told him who you was. You see, Mr. Williams,' I says, 'Darius Baker was my
+ partner in that wheat speculation I was tellin' you about.'&rdquo;
+ </p>
+ <p>
+ The Captain drew a long breath and re-lit his cigar, which had gone out.
+ His friend pounded the settee ecstatically.
+ </p>
+ <p>
+ &ldquo;There!&rdquo; he cried. &ldquo;I knew the name 'Darius Baker' wa'n't so strange to
+ me. When was you and him in partners, Sol?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, 'way back in the old days, afore I went to sea at all, and afore
+ mother died. You wouldn't remember much about it. Mother and I was livin'
+ in Trumet then and our house here was shut up. I was only a kid, or not
+ much more, and Williams was young, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that's the way he made his money! HIM! Why, he's the most respected
+ man in this neighborhood, and goes to church, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Well, if you make money ENOUGH you can always be respected&mdash;by
+ some kinds of people&mdash;and find some church that'll take you in. Ain't
+ that so, Bailey?&rdquo;
+ </p>
+ <p>
+ Captain Stitt and his cousin, Obed Gott, the paint dealer, were standing
+ in the doorway of the station. They now entered.
+ </p>
+ <p>
+ &ldquo;I guess it's so,&rdquo; replied Stitt, pulling up a chair, &ldquo;though I don't know
+ what you was talkin' about. However, it's a pretty average safe bet that
+ what you say is so, Sol, 'most any time. What's the special 'so,' this
+ time?&rdquo;
+ </p>
+ <p>
+ &ldquo;We was talkin' about Mr. Williams,&rdquo; began Phinney.
+ </p>
+ <p>
+ &ldquo;The Grand Panjandrum of East Harniss,&rdquo; broke in the depot master. &ldquo;East
+ Harniss is blessed with a great man, Bailey, and, like consider'ble many
+ blessin's he ain't entirely unmixed.&rdquo;
+ </p>
+ <p>
+ Obed and Simeon looked puzzled, but Captain Stitt bounced in his chair
+ like a good-natured rubber ball. &ldquo;Ho! ho!&rdquo; he chuckled, &ldquo;you don't
+ surprise me, Sol. We had a great man over to South Orham three years ago
+ and he begun by blessin's and ended with&mdash;with t'other thing. Ho!
+ ho!&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; demanded Sim.
+ </p>
+ <p>
+ &ldquo;Why, I mean Stingy Gabe. You've heard of Stingy Gabe, ain't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess we've all heard somethin' about him,&rdquo; laughed Captain Sol; &ldquo;but
+ we're willin' to hear more. He was a reformer, wa'n't he?&rdquo;
+ </p>
+ <p>
+ &ldquo;He sartin was! Ho! ho!&rdquo;
+ </p>
+ <p>
+ &ldquo;For the land sakes, tell it, Bailey,&rdquo; demanded Mr. Gott impatiently.
+ &ldquo;Don't sit there bouncin' and gurglin' and gettin' purple in the face.
+ Tell it, or you'll bust tryin' to keep it in.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, it's a great, long&mdash;&rdquo; began Captain Bailey protestingly.
+ </p>
+ <p>
+ &ldquo;Go on,&rdquo; urged Phinney. &ldquo;We've got more time than anything else, the most
+ of us. Who was this Stingy Gabe?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; urged Gott, &ldquo;and what did he reform?&rdquo;
+ </p>
+ <p>
+ Captain Stitt held up a compelling hand. &ldquo;It's all of a piece,&rdquo; he
+ interrupted. &ldquo;It takes in everything, like an eatin'-house stew. And, as
+ usual in them cases, the feller that ordered it didn't know what was
+ comin' to him.
+ </p>
+ <p>
+ &ldquo;Stingy Gabe was that feller. His Sunday name was Gabriel Atkinson Holway,
+ and his dad used to peddle fish from Orham to Denboro and back. The old
+ man was christened Gabriel, likewise. He owed 'most everybody, and,
+ besides, was so mean that he kept the scales and trimmin's of the fish he
+ sold to make chowder for himself and family. All hands called him 'Stingy
+ Gabe,' and the boy inherited the name along with the fifteen hundred
+ dollars that the old man left when he died. He cleared out&mdash;young
+ Gabe did&mdash;soon as the will was settled and afore the outstandin'
+ debts was, and nobody in this latitude see hide nor hair of him till three
+ years ago this comin' spring.
+ </p>
+ <p>
+ &ldquo;Then, lo and behold you! he drops off the parlor car at the Orham station
+ and cruises down to South Orham, bald-headed and bay-windowed, sufferin'
+ from pomp and prosperity. Seems he'd been spendin' his life cornerin'
+ copper out West and then copperin' the corners in Wall Street. The folks
+ in his State couldn't put him in jail, so they sent him to Congress. Now,
+ as the Honorable Atkinson Holway, he'd come back to the Cape to rest his
+ wrist, which had writer's cramp from signin' stock certificates, and to
+ ease his eyes with a sight of the dear old home of his boyhood.
+ </p>
+ <p>
+ &ldquo;Bill Nickerson comes postin' down to me with the news.
+ </p>
+ <p>
+ &ldquo;'Bailey,' says he, 'what do you think's happened? Stingy Gabe's struck
+ the town.'
+ </p>
+ <p>
+ &ldquo;'For how much?' I asks, anxious. 'Don't let him have it, whatever 'tis.'
+ </p>
+ <p>
+ &ldquo;Then he went on to explain. Gabe was rich as all get out, and 'twas his
+ intention to buy back his old man's house and fix it up for a summer home.
+ He was delighted to find how little change there was in South Orham.
+ </p>
+ <p>
+ &ldquo;'No matter if 'tain't but fifteen cents he'll get it, if the s'lectmen
+ don't watch him,' I says; and the bills, too. I know HIS tribe.'
+ </p>
+ <p>
+ &ldquo;'You don't understand,' says Nickerson. 'He ain't no thief. He's rich, I
+ tell you, and he's cal'latin' to do the town good.'
+ </p>
+ <p>
+ &ldquo;'Course he is,' I says. 'It runs in the family. His dad done it good, too&mdash;good
+ as 'twas ever done, I guess.'
+ </p>
+ <p>
+ &ldquo;But next day Gabe himself happens along, and I see right off that I'd
+ made a mistake in my reckonin'. The Honorable Atkinson Holway wa'n't
+ figgerin' to borrow nothin'. When a chap has been skinnin' halibut,
+ minnows are too small for him to bother with. Gabe was full of fried clams
+ and philanthropy.
+ </p>
+ <p>
+ &ldquo;'By Jove! Stitt,' he says, 'livin' here has been the dream of my life.'
+ </p>
+ <p>
+ &ldquo;'You'll be glad to wake up, won't you?' says I. 'I wish I could.'
+ </p>
+ <p>
+ &ldquo;'I tell you,' he says, 'this little old village is all right! All it
+ needs is a public-spirited resident to help it along. I propose to be the
+ P. S. R.'
+ </p>
+ <p>
+ &ldquo;And on that program he started right in. Fust off he bought his dad's old
+ place, built it over into the eight-sided palace that's there now, fetched
+ down a small army of servants skippered by an old housekeeper, and
+ commenced to live simple but complicated. Then, havin' provided the
+ needful charity for himself, he's ready to scatter manna for the starvin'
+ native.
+ </p>
+ <p>
+ &ldquo;He had a dozen schemes laid out. One was to build a free but expensive
+ library; another was to pave the main road with brick; third was to give
+ stained-glass windows and velvet cushions to the meetin' house, so's the
+ congregation could sleep comfortable in a subdued light. The stained-glass
+ idee put him in close touch with the minister, Reverend Edwin Fisher, and
+ the minister suggested the men's club. And he took to that men's club
+ scheme like an old maid to strong tea; the rest of the improvements went
+ into dry dock to refit while Admiral Gabe got his men's club off the ways.
+ </p>
+ <p>
+ &ldquo;'Twas the billiard room that made the minister hanker for a men's club.
+ That billiard room was the worry of his life. Old man Jotham Gale run it
+ and had run it sence the Concord fight, in a way of speakin'. You remember
+ his sign, maybe: 'Jotham W. Gale. Billiard, Pool, and Sipio Saloon. Cigars
+ and Tobacco. Tonics and Pipes. Minors under Ten Years of Age not
+ Admitted.' Jotham's customers was called, by the outsiders, 'the
+ billiard-room gang.'
+ </p>
+ <p>
+ &ldquo;The billiard room gang wa'n't the best folks in town, I'll own right up
+ to that. Still, they wa'n't so turrible wicked. Jotham never sold rum, and
+ he'd never allow no rows in his place. But, just the same, his saloon was
+ reckoned a bad influence. Young men hadn't ought to go there&mdash;most of
+ us said that. If there was a nicer place TO go, argues the minister,
+ 'twould help the moral tone of the community consider'ble. 'Why not,' says
+ he to Stingy Gabe, 'start a free club for men that'll make the billiard
+ room look like the tail boat in a race?' And says Gabe: 'Bully! I'll do
+ it.'&rdquo;
+ </p>
+ <p>
+ Captain Stitt paused long enough to enjoy a chuckle all by himself. Before
+ he had quite finished his laugh, slow and reluctant steps were heard on
+ the back platform and Issy appeared on the threshold. He was without the
+ package, but did not look happy.
+ </p>
+ <p>
+ &ldquo;Well, Is,&rdquo; inquired the depot master, &ldquo;did you give the remains to the
+ Major?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir,&rdquo; answered Issy.
+ </p>
+ <p>
+ &ldquo;Did you tell him how the shockin' fatality happened? How the thing got
+ broken?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir, I told him.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did he say? Didn't let his angry passions rise, did he?&rdquo;
+ </p>
+ <p>
+ &ldquo;No-o; no, sir, he didn't rise nothin'. He didn't get mad neither. But you
+ could see he felt pretty bad. Talked about 'old family glass' and
+ 'priceless airloons' or some such. Said much as he regretted to, he should
+ feel it no more'n justice to have somebody pay damages.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; Captain Sol looked very grave. &ldquo;Issy, I can see your finish.
+ You'll have to pay for somethin' that's priceless, and how are you goin'
+ to do that? 'Old family glass,' hey? Hum! And I thought I saw the label of
+ a Boston store on that package.&rdquo;
+ </p>
+ <p>
+ Obed Gott leaned forward eagerly.
+ </p>
+ <p>
+ &ldquo;Is that Major Hardee you're talkin' about?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Yes, sir. He's the only Major we've got. Cap'ns are plenty as June bugs,
+ but Majors and Gen'rals are scarce. Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, nothin'. Only&mdash;&rdquo; Mr. Gott muttered the remainder of the sentence
+ under his breath. However, the depot master heard it and his eye twinkled.
+ </p>
+ <p>
+ &ldquo;You're glad of it!&rdquo; he exclaimed. &ldquo;Why, Obed! Major Cuthbertson Scott
+ Hardee! I'm surprised. Better not let the women folks hear you say that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here!&rdquo; cried Captain Stitt, rather tartly, &ldquo;am I goin' to finish
+ that yarn of mine or don't you want to hear it?&rdquo;
+ </p>
+ <p>
+ &ldquo;BEG your pardon, Bailey. Go on. The last thing you said was what Stingy
+ Gabe said, and that was&mdash;&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III
+ </h2>
+ <h3>
+ &ldquo;STINGY GABE&rdquo;
+ </h3>
+ <p>
+ &ldquo;And that,&rdquo; said Captain Bailey, mollified by the renewed interest of his
+ listeners, &ldquo;was, 'Bully! I'll do it!'
+ </p>
+ <p>
+ &ldquo;So he calls a meetin' of everybody interested, at his new house. About
+ every respectable man in town was there, includin' me. Most of the
+ billiard-room gang was there, likewise. Jotham, of course, wa'n't invited.
+ </p>
+ <p>
+ &ldquo;Gabe calls the meetin' to order and the minister makes a speech tellin'
+ about the scheme. 'Our generous and public-spirited citizen, Honorable
+ Atkinson Holway,' had offered to build a suitable clubhouse, fix it up,
+ and donate it to the club, them and their heirs forever, Amen. 'Twas to
+ belong to the members to do what they pleased with&mdash;no strings tied
+ to it at all. Dues would be merely nominal, a dollar a year or some such
+ matter. Now, who favored such a club as that?
+ </p>
+ <p>
+ &ldquo;Well, 'most everybody did. Daniel Bassett, chronic politician, justice of
+ the peace, and head of the 'Conservatives' at town meetin', he made a
+ talk, and in comes him and his crew. Gaius Ellis, another chronic, who is
+ postmaster and skipper of the 'Progressives,' had been fidgetin' in his
+ seat, and now up he bobs and says he's for it; then every 'Progressive'
+ jines immediate. But the billiard-roomers; they didn't jine. They looked
+ sort of sheepish, and set still. When Mr. Fisher begun to hint p'inted in
+ their direction, they got up and slid outdoor. And right then I'd ought to
+ have smelt trouble, but I didn't; had a cold in my head, I guess likely.
+ </p>
+ <p>
+ &ldquo;Next thing was to build the new clubhouse, and Gabe went at it hammer and
+ tongs. He had a big passel of carpenters down from the city, and inside of
+ three months the buildin' was up, and she was a daisy, now I tell you.
+ There was a readin' room and a meetin' room and an 'amusement room.' The
+ amusements was crokinole and parchesi and checkers and the like of that.
+ Also there was a gymnasium and a place where you could play the pianner
+ and sing&mdash;till the sufferin' got acute and somebody come along and
+ abated you.
+ </p>
+ <p>
+ &ldquo;When I fust went inside that clubhouse I see 'twas bound to be 'Good-by,
+ Bill,' for Jotham. His customers would shake his ratty old shanty for
+ sartin, soon's they see them elegant new rooms. I swan, if I didn't feel
+ sorry for the old reprobate, and, thinks I, I'll drop around and
+ sympathize a little. Sympathy don't cost nothin', and Jotham's pretty good
+ company.
+ </p>
+ <p>
+ &ldquo;I found him settin' alongside the peanut roaster, watchin' a couple of
+ patients cruelize the pool table.
+ </p>
+ <p>
+ &ldquo;'Hello, Bailey!' says he. 'You surprise me. Ain't you 'fraid of catchin'
+ somethin' in this ha'nt of sin? Have a chair, anyhow. And a cigar, won't
+ you?'
+ </p>
+ <p>
+ &ldquo;I took the chair, but I steered off from the cigar, havin' had
+ experience. Told him I guessed I'd use my pipe. He chuckled.
+ </p>
+ <p>
+ &ldquo;'Fur be it from me to find fault with your judgment,' he says. 'Terbacker
+ does smoke better'n anything else, don't it.'
+ </p>
+ <p>
+ &ldquo;We set there and puffed for five minutes or so. Then he sort of jumped.
+ </p>
+ <p>
+ &ldquo;'What's up?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh, nothin'!' he says. 'Bije Simmons got a ball in the pocket, that's
+ all. Don't do that too often, Bije; I got a weak heart. Well, Bailey,' he
+ adds, turnin' to me, 'Gabe's club's fixed up pretty fine, ain't it?'
+ </p>
+ <p>
+ &ldquo;'Why, yes,' I says; ''tis.'
+ </p>
+ <p>
+ &ldquo;'Finest ever I see,' says he. 'I told him so when I was in there.'
+ </p>
+ <p>
+ &ldquo;'What?' says I. 'You don't mean to say YOU'VE been in that clubroom?'
+ </p>
+ <p>
+ &ldquo;'Sartin. Why not? I want to take in all the shows there is&mdash;'specially
+ the free ones. Make a good billiard room, that clubhouse would.'
+ </p>
+ <p>
+ &ldquo;I whistled. 'Whew!' says I. 'Didn't tell Gabe THAT, did you?'
+ </p>
+ <p>
+ &ldquo;He nodded. 'Yup,' says he. 'I told him.'
+ </p>
+ <p>
+ &ldquo;I whistled again. 'What answer did he make?' I asked.
+ </p>
+ <p>
+ &ldquo;'Oh, he wa'n't enthusiastic. Seemed to cal'late I'd better shut up my
+ head and my shop along with it, afore he knocked off one and his club
+ knocked out t'other.'
+ </p>
+ <p>
+ &ldquo;I pitied the old rascal; I couldn't help it.
+ </p>
+ <p>
+ &ldquo;'Jotham,' says I, 'I ain't the wust friend you've got in South Orham,
+ even if I don't play pool much. If I was you I'd clear out of here and
+ start somewheres else. You can't fight all the best folks in town.'
+ </p>
+ <p>
+ &ldquo;He didn't make no answer. Just kept on a-puffin'. I got up to go. Then he
+ laid his hand on my sleeve.
+ </p>
+ <p>
+ &ldquo;'Bailey,' says he, 'when Betsy Mayo was ailin', her sister's tribe was
+ all for the Faith Cure and her husband's relations was high for patent
+ medicine. When the Faith Curists got to workin', in would come some of the
+ patent mediciners and give 'em the bounce. And when THEY went home for the
+ night, the Faithers would smash all the bottles. Finally they got so busy
+ fightin' 'mong themselves that Betsy see she was gettin' no better fast,
+ and sent for the reg'lar doctor. HE done the curin', and got the pay.'
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'what of it?'
+ </p>
+ <p>
+ &ldquo;'Nothin',' says he. 'Only I've been practisin' a considerable spell. So
+ long. Come in again some time when it's dark and the respectable element
+ can't see you.'
+ </p>
+ <p>
+ &ldquo;I went away thinkin' hard. And next mornin' I hunted up Gabe, and says I:
+ </p>
+ <p>
+ &ldquo;'Mr. Holway,' I says, 'what puzzles me is how you're goin' to elect the
+ officers for the new club. Put up a Conservative and the Progressives
+ resign. H'ist the Progressive ensign and the Conservatives'll mutiny. As
+ for the billiard-roomers&mdash;providin' any jine&mdash;they've never been
+ known to vote for anybody but themselves. I can't see no light yet&mdash;nothin'
+ but fog.'
+ </p>
+ <p>
+ &ldquo;He winks, sly and profound. 'That's all right,' says he. 'Fisher and I
+ have planned that. You watch!'
+ </p>
+ <p>
+ &ldquo;Sure enough, they had. The minister was mighty popular, so, when 'twas
+ out that he was candidate to be fust president of the club, all hands was
+ satisfied. Two vice presidents was named&mdash;one bein' Bassett and
+ t'other Ellis. Secretary was a leadin' Conservative; treasurer a head
+ Progressive. Officers and crew was happy and mutiny sunk ten fathoms. ONLY
+ none of the billiard-room gang had jined, and they was the fish we was
+ really tryin' for.
+ </p>
+ <p>
+ &ldquo;'Twas next March afore one of 'em did come into the net, though we'd have
+ on all kinds of bait&mdash;suppers and free ice cream Saturday nights, and
+ the like of that. And meantime things had been happenin'.
+ </p>
+ <p>
+ &ldquo;The fust thing of importance was Gabe's leavin' town. Our Cape winter
+ weather was what fixed him. He stood the no'theasters and Scotch drizzles
+ till January, and then he heads for Key West and comfort. Said his heart
+ still beat warm for his native village, but his feet was froze&mdash;or
+ words similar. He cal'lated to be back in the spring. Then the Reverend
+ Fisher got a call to somewheres in York State, and felt he couldn't afford
+ not to hear it. Nobody blamed him; the salary paid a minister in South
+ Orham is enough to make any feller buy patent ear drums. But that left our
+ men's club without either skipper or pilot, as you might say.
+ </p>
+ <p>
+ &ldquo;One week after the farewell sermon, Daniel Bassett drops in casual on me.
+ He was passin' around smoking material lavish and regardless.
+ </p>
+ <p>
+ &ldquo;'Stitt,' says he, 'you've always voted for Conservatism in our local
+ affairs, haven't you?'
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'I didn't vote to roof the town hall with a new mortgage,
+ if that's what you mean.'
+ </p>
+ <p>
+ &ldquo;'Exactly,' he says. 'Now, our men's club, while not as yet the success we
+ hoped for, has come to be a power for good in our community. It needs for
+ its president a conservative, thoughtful man. Bailey,' he says, 'it has
+ come to my ears that Gaius Ellis intends to run for that office. You know
+ him. As a taxpayer, as a sober, thoughtful citizen, my gorge rises at such
+ insolence. I protest, sir! I protest against&mdash;'
+ </p>
+ <p>
+ &ldquo;He was standin' up, makin' gestures with both arms, and he had his
+ town-meetin' voice iled and runnin'. I was too busy to hanker for a stump
+ speech, so I cut across his bows.
+ </p>
+ <p>
+ &ldquo;'All right, all right,' says I. 'I'll vote for you, Dan.'
+ </p>
+ <p>
+ &ldquo;He fetched a long breath. 'Thank you,' says he. 'Thank you. That makes
+ ten. Ellis can count on no more than nine. My election is assured.'
+ </p>
+ <p>
+ &ldquo;Seein' that there wa'n't but nineteen reg'lar voters who come to the club
+ meetin's, if Bassett had ten of 'em it sartin did look as if he'd get in.
+ But on election night what does Gaius Ellis do but send a wagon after old
+ man Solomon Peavey, who'd been dry docked with rheumatiz for three months,
+ and Sol's vote evened her up. 'Twas ten to ten, a deadlock, and the
+ election was postponed for another week.
+ </p>
+ <p>
+ &ldquo;This was of a Tuesday. On Wednesday I met Bije Simmons, the chap who was
+ playin' pool at Jotham's.
+ </p>
+ <p>
+ &ldquo;'Hey, Bailey!' says he. 'Shake hands with a brother. I'm goin' to jine
+ the men's club.'
+ </p>
+ <p>
+ &ldquo;'You BE?' says I, surprised enough, for Simmons was a billiard-roomer
+ from 'way back.
+ </p>
+ <p>
+ &ldquo;'Yup,' he says. 'I'll be voted in at next meetin', sure. I'm studyin' up
+ on parchesi now.'
+ </p>
+ <p>
+ &ldquo;'Hum!' I says, thinkin'. 'How you goin to vote?'
+ </p>
+ <p>
+ &ldquo;'Me?' says he. 'Me? Why, man, I wonder at you! Can't you see the fires of
+ Conservatism blazin' in my eyes? I'm Conservative bred and Conservative
+ born, and when I'm dead there'll be a Conservative gone. By, by. See you
+ Tuesday night.'
+ </p>
+ <p>
+ &ldquo;He went off, stoppin' everybody he met to tell 'em the news. And on
+ Thursday Ed Barnes dropped in to pay me the seventy-five cents he'd
+ borrowed two years ago come Fourth of July. When I'd got over the fust
+ shock and had counted the money three times, I commenced to ask questions.
+ </p>
+ <p>
+ &ldquo;'Somebody die and will you a million, Ed?' I wanted to know.
+ </p>
+ <p>
+ &ldquo;'No,' says he. 'It's the reward of virtue. I'm goin' to be a better man.
+ I'm jinin' the men's club.'
+ </p>
+ <p>
+ &ldquo;'NO!' says I, for Ed was as strong a billiard-roomer as Bije.
+ </p>
+ <p>
+ &ldquo;'Sure!' he answers. 'I'm filled full of desires for crokinole and
+ progressiveness. See you Tuesday night at the meetin'.'
+ </p>
+ <p>
+ &ldquo;And, would you b'lieve it, at that meetin' no less'n six confirmed
+ members of the billiard-room gang was voted into the men's club. 'Twas a
+ hallelujah gatherin'. I couldn't help thinkin' how glad and proud Gabe and
+ Mr. Fisher would have been to see their dreams comin' true. But Bassett
+ and Ellis looked more worried than glad, and when the votin' took place I
+ understood the reason. Them new members had divided even, and the ballots
+ stood Bassett thirteen and Ellis thirteen. The tie was still on and the
+ election was put off for another week.
+ </p>
+ <p>
+ &ldquo;In that week, surprisin' as it may seem, two more billiard-roomers seen a
+ light and jined with us. However, one was for Bassett and t'other for
+ Ellis, so the deadlock wa'n't broken. Jotham had only a couple of his
+ reg'lars left, and I swan to man if THEY didn't catch the disease inside
+ of the follerin' fortni't and hand in their names. The 'Billiard, Pool,
+ and Sipio Saloon,' from bein' the liveliest place in town, was now the
+ deadest. Through the window you could see poor Jotham mopin' lonesome
+ among his peanuts and cigars. The sayin' concernin' the hardness of the
+ transgressor's sleddin' was workin' out for HIM, all right. But the
+ conversions had come so sudden that I couldn't understand it, though I did
+ have some suspicions.
+ </p>
+ <p>
+ &ldquo;'Look here, Dan,' says I to Bassett, 'are you goin' to keep this up till
+ judgment? There ain't but thirty votin' names in this place&mdash;except
+ the chaps off fishin', and they won't be back till fall. Fifteen is for
+ you and fifteen for Gaius. Most astonishin' agreement of difference ever I
+ see. We'll never have a president, at this rate.'
+ </p>
+ <p>
+ &ldquo;He winked. 'Won't, hey?' he says. 'Sure you've counted right? I make it
+ thirty-one.'
+ </p>
+ <p>
+ &ldquo;'I don't see how,' says I, puzzled. 'Nobody's left outside the club but
+ Jotham himself, and he&mdash;'
+ </p>
+ <p>
+ &ldquo;'That's all right,' he interrupts, winkin' again. 'You be on hand next
+ Tuesday night. You can't always tell, maybe somethin'll happen.'
+ </p>
+ <p>
+ &ldquo;I was on hand, all right, and somethin' did happen, two somethin's, in
+ fact. We hadn't much more'n got in our seats afore the door opened, and in
+ walked Gaius Ellis, arm in arm with a man; and the man was the Honorable
+ Stingy Gabe Atkinson Holway.
+ </p>
+ <p>
+ &ldquo;'Gentlemen,' sings out Gaius, bubblin' over with joy, 'I propose three
+ cheers for our founder, who has returned to us after his long absence.'
+ </p>
+ <p>
+ &ldquo;We give the cheers&mdash;that is, some of the folks did. Bassett and our
+ gang wa'n't cheerin' much; they looked as if somebody had passed 'em a
+ counterfeit note. You see, Gabe Holway was one of the hide-boundest
+ Progressives afloat, and a blind man could see who'd got him back again
+ and which way he'd vote. It sartinly looked bad for Bassett now.
+ </p>
+ <p>
+ &ldquo;Gaius proposes that, out of compliment, as founder of the club, Mr.
+ Holway be asked to preside. So he was asked, though the Conservatives
+ wa'n't very enthusiastic. Gabe took the chair, preached a little sermon
+ about bein' glad to see his native home once more, and raps for order.
+ </p>
+ <p>
+ &ldquo;'If there's no other business afore the meetin',' says he, 'we will
+ proceed to ballot for president.'
+ </p>
+ <p>
+ &ldquo;But it turned out that there was other business. Dan Bassett riz to his
+ feet and commenced one of the most feelin' addresses ever I listened to.
+ </p>
+ <p>
+ &ldquo;Fust he congratulated all hands upon the success of Mr. Holway's
+ philanthropic scheme for the betterment of South Orham's male citizens.
+ Jeered at at fust by the unregenerate, it had gone on, winnin' its way
+ into the hearts of the people, until one by one the said unregenerate had
+ regenerated, and now the club numbered thirty souls and the Honorable
+ Atkinson.
+ </p>
+ <p>
+ &ldquo;'But,' says Dan, wavin' his arms, 'one man yet remains outside. One lone
+ man! The chief sinner, you say? Yes, I admit it. But, gentlemen, a
+ repentant sinner. Alone he sits amid the wreck of his business&mdash;a
+ business wrecked by us, gentlemen&mdash;without a customer, without a
+ friend. Shall it be said that the free and open-handed men's club of South
+ Orham turned its back upon one man, merely because he HAS been what he
+ was? Gentlemen, I have talked with Jotham Gale; he is old, he is
+ friendless, he no longer has a means of livelihood&mdash;we have taken it
+ from him. We have turned his followers' steps to better paths. Shall we
+ not turn his, also? Gentlemen and friends, Jotham Gale is repentant, he
+ feels his ostrichism'&mdash;whatever he meant by that&mdash;'he desires to
+ become self-respecting, and he asks us to help him. He wishes to join this
+ club. Gentlemen, I propose for membership in our association the name of
+ Jotham W. Gale.'
+ </p>
+ <p>
+ &ldquo;He set down and mopped his face. And the powwow that broke loose was
+ somethin' tremendous. Of course 'twas plain enough what Dan's game was.
+ This was the 'somethin'' that was goin' to happen.
+ </p>
+ <p>
+ &ldquo;Ellis see the way the land lay, and he bounces up to protest. 'Twas an
+ outrage; a scandal; ridiculous; and so forth, and so on. Poor Gabe didn't
+ know what to do, and so he didn't do nothin'. A head Conservative seconds
+ Jotham's nomination. 'Twas put to a vote and carried easy. Dan's speech
+ had had its effect and a good many folks voted out of sympathy. How did I
+ vote? I'LL never tell you.
+ </p>
+ <p>
+ &ldquo;And then Bassett gets up, smilin', goes to the outside door, opens it,
+ and leads in the new member. He'd been waitin' on the steps, it turned
+ out. Jotham looked mighty quiet and meek. I pitied the poor old codger
+ more'n ever. Snaked in, he was, out of the wet, like a yeller dog, by the
+ club that had kicked him out of his own shop.
+ </p>
+ <p>
+ &ldquo;Chairman Gabe pounds for order, and suggests that the votin' can go on.
+ But Ellis jumps up, and says he:
+ </p>
+ <p>
+ &ldquo;'What's the sense of votin' now?' he asks sarcastic. 'Will the lost lamb
+ we've just yanked into the fold have the face to stand up and bleat that
+ he hasn't promised to vote Conservative? Dan Bassett, of all the
+ contemptible tricks that ever&mdash;'
+ </p>
+ <p>
+ &ldquo;Bassett's face was redder'n a ripe tomatter. He shakes his fist in
+ Gaius's face and yells opinions and comments.
+ </p>
+ <p>
+ &ldquo;'Don't you talk to me about tricks, you ward-heeler!' he hollers. 'Why
+ did you fetch Mr. Holway back home? Why did you, hey? That was the
+ trickiest trick that I&mdash;'
+ </p>
+ <p>
+ &ldquo;Gabe pretty nigh broke his mallet thumpin'.
+ </p>
+ <p>
+ &ldquo;'Gentlemen! gentlemen!' says he. 'This is most unseemly. Sit down, if you
+ PLEASE. Mr. Ellis, when the purpose of this association is considered, it
+ seems to me very wrong to find fault because the chief of our former
+ antagonists has seen the error of his ways and become one of us. Mr.
+ Bassett, I do not understand your intimation concernin' myself. I shall
+ adjourn this meetin' until next Friday evenin', gentlemen. Meanwhile, let
+ us remember that we ARE gentlemen.'
+ </p>
+ <p>
+ &ldquo;He thumped the desk once, and parades out of the buildin', dignified as
+ Julius Caesar. The rest of us toddled along after him, all talkin' at
+ once. Bassett and Ellis glowered at each other and hove out hints about
+ what would happen afore they got through. 'Twas half-past ten afore I got
+ to bed that night, and Sarah J.&mdash;that's Mrs. Stitt&mdash;kept me
+ awake another hour explainin' whys and wherefores.
+ </p>
+ <p>
+ &ldquo;For the next three days nobody done anything but knock off work and talk
+ club politics. You'd see 'em on the corners and in the post office and
+ camped on the meetin'-house steps, arguin' and jawin'. Dan and Gaius was
+ hurryin' around, moppin' their foreheads and lookin' worried. On Thursday
+ there was all sorts of rumors afloat. Finally they all simmered down to
+ one, and that one was what made me stop Stingy Gabe on the street and ask
+ for my bearin's.
+ </p>
+ <p>
+ &ldquo;'Mr. Holway,' says I, 'is it true that Dan and Gaius have resigned and
+ agreed to vote for somebody else?'
+ </p>
+ <p>
+ &ldquo;He nodded, grand and complacent.
+ </p>
+ <p>
+ &ldquo;'Then who's the somebody?' says I. 'For the land sakes! tell me. It's as
+ big a miracle as the prodigal son.'
+ </p>
+ <p>
+ &ldquo;I remember now that the prodigal son ain't a miracle, but I was excited
+ then.
+ </p>
+ <p>
+ &ldquo;'Stitt,' says he, 'I am the &ldquo;somebody,&rdquo; as you call it. I have decided to
+ let my own wishes and inclinations count for nothin' in this affair, and
+ to accept the office of president myself. It will be announced at the
+ meetin'.'
+ </p>
+ <p>
+ &ldquo;I whistled. 'By gum!' says I. 'You've got a great head, Mr. Holway, and I
+ give you public credit for it. It's the only course that ain't full of
+ breakers. Did you think of it yourself?'
+ </p>
+ <p>
+ &ldquo;He colored up a little. 'Why, no, not exactly,' he says. 'The fact is,
+ the credit belongs to our new member, Mr. Gale.'
+ </p>
+ <p>
+ &ldquo;'To JOTHAM?' says I, astonished.
+ </p>
+ <p>
+ &ldquo;'Yes. He suggested my candidacy, as a compromise. Said that he, for one,
+ would be proud to vote for me. Mr. Gale seems thoroughly repentant, a
+ changed man. I am counting on him for great things in the future.'
+ </p>
+ <p>
+ &ldquo;So the fuss seemed settled, thanks to the last person on earth you'd
+ expect would be peacemaker. But that afternoon I met Darius Tompkins,
+ Bassett's right-hand man.
+ </p>
+ <p>
+ &ldquo;'Bailey,' says he, 'you're a Conservative, ain't you? You're for Dan
+ through thick and thin?'
+ </p>
+ <p>
+ &ldquo;'Why!' says I, 'I understand Dan and Gaius are both out of it now, and
+ it's settled on Holway. Dan's promised to vote for him.'
+ </p>
+ <p>
+ &ldquo;'HE has,' says Tompkins, with a wink, 'but the rest of us ain't. We
+ pledged our votes to Dan Bassett, and we ain't the kind to go back on our
+ word. Dan himself'll vote for Gabe; so'll Gaius and his reg'lar tribe.
+ That'll make twelve, countin' Holway's own.'
+ </p>
+ <p>
+ &ldquo;'Make seventeen, you mean,' says I. 'Gaius and his crowd's fifteen and
+ Dan's sixteen and Gabe's seven&mdash;'
+ </p>
+ <p>
+ &ldquo;He winked again, and interrupted me. 'You're countin' wrong, my boy,'
+ says he. 'Five of Gaius's folks come from the old billiard-room gang. Just
+ suppose somethin' happened to make that five vote, on the quiet, for
+ Bassett. Then&mdash;'
+ </p>
+ <p>
+ &ldquo;A customer come in then, and Tompkins had to leave; but afore he went he
+ got me to one side and whispers:
+ </p>
+ <p>
+ &ldquo;'Keep mum, old man, and vote straight for Dan. We'll show old Holway that
+ we can't be led around by the nose.'
+ </p>
+ <p>
+ &ldquo;'Tompkins,' says I, 'I know your head well enough to be sartin that it
+ didn't work this out by itself. And why are you so sure of the billiard
+ roomers? Who put you up to this?'
+ </p>
+ <p>
+ &ldquo;He rapped the side of his nose. 'The smartest politician in this town,'
+ says he, 'and the oldest&mdash;J. W. Gale, Esq.! S-s-sh-h! Don't say
+ nothin'.'
+ </p>
+ <p>
+ &ldquo;I didn't say nothin'. I was past talk. And that evenin' as I went past
+ the billiard room on my way home, who should come out of it but Gaius
+ Ellis, and HE looked as happy as Tompkins had.
+ </p>
+ <p>
+ &ldquo;Friday night that clubroom was filled. Every member was there, and most
+ of 'em had fetched their wives and families along to see the fun. There
+ was whisperin' and secrecy everywheres. Honorable Gabe took the chair and
+ makes announcements that the shebang is open for business.
+ </p>
+ <p>
+ &ldquo;Up gets Dave Bassett and all but sheds tears. He says that he made up his
+ mind to vote, not for himself, but for the founder and patron of the club,
+ the Honorable Atkinson Holway. He spread it over Gabe thick as sugar on a
+ youngster's cake. And when he set down all hands applauded like fury. But
+ I noticed that he hadn't spoke for nary Conservative but himself.
+ </p>
+ <p>
+ &ldquo;Then Gaius Ellis rises and sobs similar. He's stopped votin' for himself,
+ too. His ballot is for that grand and good man, Gabriel Atkinson Holway,
+ Esq. More applause and hurrahs.
+ </p>
+ <p>
+ &ldquo;And then who should get up but Jotham Gale. He talks humble, like a
+ has-been that knows he's a back number, but he says it's his privilege to
+ cast his fust vote in that club for Mr. Holway, South Orham's pride.
+ Nobody was expectin' him to say anything, and the cheers pretty nigh broke
+ the winders.
+ </p>
+ <p>
+ &ldquo;Gabe was turrible affected by the soft soap, you could see that. He
+ fairly sobbed as he sprinkled gratitude and acceptances. When the agony
+ was over, he says the votin' can begin.
+ </p>
+ <p>
+ &ldquo;I cal'lated he expected somebody'd move to make it unanimous, but they
+ didn't. So the blank ballots was handed around, and the pencils got busy.
+ Gabe app'ints three tellers, Bassett and Ellis, of course, for two&mdash;and
+ the third, Jotham Gale.
+ </p>
+ <p>
+ &ldquo;'As a compliment to our newest member,' says the chairman, smilin'
+ philanthropic.
+ </p>
+ <p>
+ &ldquo;When the votes was in the hat, the tellers retired to the amusement room
+ to count up. It took a long time. I see the Conservatives and Progressives
+ nudgin' each other and winkin' back and forth. Five minutes, then ten,
+ then fifteen.
+ </p>
+ <p>
+ &ldquo;And all of a sudden the biggest row bu'st loose in that amusement room
+ that ever you heard. Rattlety&mdash;bang! Biff! Smash! The door flew open,
+ and in rolled Bassett and Ellis, all legs and arms. Gabe and some of the
+ rest hauled 'em apart and held 'em so, but the language them two hove at
+ each other was enough to bring down a judgment.
+ </p>
+ <p>
+ &ldquo;'Gentlemen! gentlemen!' hollers poor Gabe. 'What in the world? I am
+ astounded! I&mdash;'
+ </p>
+ <p>
+ &ldquo;'You miserable traitor!' shrieks Gaius, wavin' a fist at Dan.
+ </p>
+ <p>
+ &ldquo;'You low-down hound!' whoops Dan back at him.
+ </p>
+ <p>
+ &ldquo;'Silence!' bellers Gabe, poundin' thunder storms on the desk. 'Will some
+ one explain why these maniacs are&mdash;Ah, Mr. Gale&mdash;thank goodness,
+ YOU at least are sane!'
+ </p>
+ <p>
+ &ldquo;Jotham walks to the front of the platform. He was holdin' the hat and a
+ slip of paper with the result set down on it.
+ </p>
+ <p>
+ &ldquo;'Ladies and feller members,' says he, 'there's been some surprisin'
+ votin' done in this election. Things ain't gone as we cal'lated they
+ would, somehow. Mr. Holway, your election wa'n't unanimous, after all.'
+ </p>
+ <p>
+ &ldquo;The way he said it made most everybody think Gabe was elected, anyhow,
+ and I guess Holway thought so himself, for he smiled forgivin' and says:
+ </p>
+ <p>
+ &ldquo;'Never mind, Mr. Gale,' says he. 'A unanimous vote was perhaps too much
+ to expect. Go on.'
+ </p>
+ <p>
+ &ldquo;'Yes,' says Jotham. 'Well, here's the way it stands. I'll read it to
+ you.'
+ </p>
+ <p>
+ &ldquo;He fixes his specs and reads like this:
+ </p>
+ <p>
+ &ldquo;'Number of votes cast, 32.'
+ </p>
+ <p>
+ &ldquo;'Honorable Atkinson Holway has 4.'
+ </p>
+ <p>
+ &ldquo;'WHAT?' gasps Stingy Gabe, fallin' into his chair.
+ </p>
+ <p>
+ &ldquo;'Yes, sir,' says Jotham. 'It's a shame, I know, but it looks as nobody
+ voted for you, Mr. Holway, but yourself and me and Dan and Gaius. To
+ proceed:
+ </p>
+ <p>
+ &ldquo;'Daniel Bassett has 9.'
+ </p>
+ <p>
+ &ldquo;The Conservatives and their women folks fairly groaned out loud. Tompkins
+ jumped to his feet, but Jotham held up a hand.
+ </p>
+ <p>
+ &ldquo;'Just a moment, D'rius,' he says. 'I ain't through yet.'
+ </p>
+ <p>
+ &ldquo;'Gaius Ellis has 9.'
+ </p>
+ <p>
+ &ldquo;Then 'twas the Progressives' turn to groan. The racket and hubbub was
+ gettin' louder all the time.
+ </p>
+ <p>
+ &ldquo;'There's ten votes left,' goes on Jotham, 'and they bear the name of
+ Jotham W. Gale. I can't understand it, but it does appear that I'm elected
+ president of this 'ere club. Gentlemen, I thank you for the honor, which
+ is as great as 'tis unexpected.'
+ </p>
+ <p>
+ &ldquo;Gabe and the Progressives and the Conservatives set and looked at each
+ other. And up jumps 'Bije Simmons, and calls for three cheers for the new
+ president.
+ </p>
+ <p>
+ &ldquo;Nobody jined in them cheers but the old billiard room gang; they did,
+ though, every one of 'em, and Jotham smiled fatherly down on his flock.
+ </p>
+ <p>
+ &ldquo;I s'pose there ain't no need of explainin'. Jotham had worked it all,
+ from the very fust. When the tie business begun and Gaius and Dan was
+ bribin' the billiard roomers to jine the club, 'twas him that fixed how
+ they should vote so's to keep the deadlock goin'. 'Twas him that put
+ Bassett up to proposin' him as a member. 'Twas him that suggested Gabe's
+ comin' back to Gaius. 'Twas him that&mdash;But what's the use? 'Twas him
+ all along. He was IT.
+ </p>
+ <p>
+ &ldquo;That night everybody but the billiard-room gang sent in their resignation
+ to that club. We refused to be bossed by such people. Gabe resigned, too.
+ He was disgusted with East Harniss and all hands in it. He'd have took
+ back the clubhouse, but he couldn't, as the deed of gift was free and
+ clear. But he swore he'd never give it another cent.
+ </p>
+ <p>
+ &ldquo;Folks thought that would end the thing, because it wouldn't be
+ self-supportin', but Jotham had different idees. He simply moved his pool
+ tables and truck up from the old shop, and now he's got the finest place
+ of the kind on the Cape, rent free.
+ </p>
+ <p>
+ &ldquo;'I told you 'twould make a good billiard saloon, didn't I, Bailey?' he
+ says, chucklin'.
+ </p>
+ <p>
+ &ldquo;'Jotham,' says I, 'of your kind you're a perfect wonder.'
+ </p>
+ <p>
+ &ldquo;'Well,' says he, 'I diagnosed that men's club as sufferin' from acute
+ politics. I've been doctorin' that disease for a long time. The trouble
+ with you reformers,' he adds, solemn, 'is that, when it comes to political
+ doin's, you ain't practical.'
+ </p>
+ <p>
+ &ldquo;As for Stingy Gabe, he shut up his fine house and moved to New York. Said
+ he was through with helpin' the moral tone.
+ </p>
+ <p>
+ &ldquo;'When I die,' he says to me, 'if I go to the bad place I may start in
+ reformin' that. It don't need it no more'n South Orham does, but 'twill be
+ enough sight easier job.'
+ </p>
+ <p>
+ &ldquo;And,&rdquo; concluded Captain Stitt, as soon as he could be heard above the
+ &ldquo;Haw! haws!&rdquo; caused by the Honorable Holway's final summing-up of his
+ native town, &ldquo;I ain't so sure that he was greatly mistook. What do you
+ think, Sol?&rdquo;
+ </p>
+ <p>
+ The depot master shook his head. &ldquo;Don't know, Bailey,&rdquo; he answered, dryly.
+ &ldquo;I'll have to visit both places 'fore I give an opinion. I HAVE been to
+ South Orham, but the neighborhood that your friend Gabe compared it to I
+ ain't seen&mdash;yet. I put on that 'yet,'&rdquo; he added, with a wink, &ldquo;'cause
+ I knew Sim Phinney would if I didn't.&rdquo;
+ </p>
+ <p>
+ Captain Bailey rose and covered a yawn with a plump hand.
+ </p>
+ <p>
+ &ldquo;I believe I'll go over to Obed's and turn in,&rdquo; he said. &ldquo;I'm sleepy as a
+ minister's horse tonight. You don't mind, do you, Obed?&rdquo;
+ </p>
+ <p>
+ &ldquo;No-o,&rdquo; replied Mr. Gott, slowly. &ldquo;No, I don't, 'special. I kind of
+ thought I'd run into the club a few minutes and see some of the other
+ fellers. But it ain't important&mdash;not very.&rdquo;
+ </p>
+ <p>
+ The &ldquo;club&rdquo; was one of the rooms over Mr. Higgins's store and post office.
+ It had been recently fitted up with chairs and tables from its members'
+ garrets and, when the depot and store were closed, was a favorite
+ gathering place of those reckless ones who cared to &ldquo;set up late&rdquo;&mdash;that
+ is, until eleven o'clock. Most of the men in town belonged, but many,
+ Captain Berry among them, visited the room but seldom.
+ </p>
+ <p>
+ &ldquo;Checkers,&rdquo; said the depot master, referring to the &ldquo;club's&rdquo; favorite
+ game, &ldquo;is too deliberately excitin' for me. To watch Beriah Higgins and
+ Ezra Weeks fightin' out a game of checkers is like gettin' your feet froze
+ in January and waitin' for spring to come and thaw 'em out. It's a numbin'
+ kind of dissipation.&rdquo;
+ </p>
+ <p>
+ But Obed Gott was a regular attendant at the &ldquo;club,&rdquo; and to-night he had a
+ particular reason for wishing to be there. His cousin noticed his
+ hesitation and made haste to relieve his mind.
+ </p>
+ <p>
+ &ldquo;That's all right, Obed,&rdquo; he said, &ldquo;go to the club, by all means. I ain't
+ such a stranger at your house that I can't find my way to bed without
+ help. Good-night, Sim. Good-night, Issy. Cheer up; maybe the Major's
+ glassware IS priceless. So long, Cap'n Sol. See you again some time
+ tomorrer.&rdquo;
+ </p>
+ <p>
+ He and Mr. Gott departed. The depot master rose from his chair. &ldquo;Issy,&rdquo; he
+ commanded, &ldquo;shut up shop.&rdquo;
+ </p>
+ <p>
+ Issy obeyed, closing the windows and locking the front door. Captain Sol
+ himself locked the ticket case and put the cash till into the small safe.
+ </p>
+ <p>
+ &ldquo;That'll do, Is,&rdquo; said the Captain. &ldquo;Good-night. Don't worry too much over
+ the Major's glass. I'll talk with him, myself. You dream about pleasanter
+ things&mdash;your girl, if you've got one.&rdquo;
+ </p>
+ <p>
+ That was a chance shot, but it struck Issy in the heart. Even during his
+ melancholy progress to and from Major Hardee's, the vision of Gertie
+ Higgins had danced before his greenish-blue eyes. His freckles were
+ engulfed in a surge of blushes as, with a stammered &ldquo;Night, Cap'n Berry,&rdquo;
+ he hurried out into the moonlight.
+ </p>
+ <p>
+ The depot master blew out the lamps. &ldquo;Come on, Sim,&rdquo; he said, briefly.
+ &ldquo;Goin' to walk up with me, or was YOU goin' to the club?&rdquo;
+ </p>
+ <p>
+ &ldquo;Cal'late I'll trot along with you, if you don't mind. I'd just as soon
+ get home early and wrastle with the figures on that Williams movin' job.&rdquo;
+ </p>
+ <p>
+ They left the depot, locked and dark, passed the &ldquo;general store,&rdquo; where
+ Mr. Higgins was putting out his lights prior to adjournment to the &ldquo;club&rdquo;
+ overhead, walked up Main Street to Cross Street, turned and began climbing
+ the hill. Simeon spoke several times but his friend did not answer. A
+ sudden change had come over him. The good spirits with which he told of
+ his adventure with Williams and which had remained during Phinney's stay
+ at the depot, were gone, apparently. His face, in the moonlight, was grave
+ and he strode on, his hands in his pockets.
+ </p>
+ <p>
+ At the crest of the hill he stopped.
+ </p>
+ <p>
+ &ldquo;Good-night, Sim,&rdquo; he said, shortly, and, turning, walked off.
+ </p>
+ <p>
+ The building mover gazed after him in surprise. The nearest way to the
+ Berry home was straight down Cross Street, on the other side of the hill,
+ to the Shore Road, and thence along that road for an eighth of a mile. The
+ Captain's usual course was just that. But to-night he had taken the long
+ route, the Hill Boulevard, which made a wide curve before it descended to
+ the road below.
+ </p>
+ <p>
+ Sim, who had had a shrewd suspicion concerning his friend's silence and
+ evident mental disturbance, stood still, looking and wondering. Olive
+ Edwards, Captain Berry's old sweetheart, lived on the Boulevard. She was
+ in trouble and the Captain knew it. He had asked, that very evening, what
+ she was going to do when forced to move. Phinney could not tell him. Had
+ he gone to find out for himself? Was the mountain at last coming to
+ Mohammed?
+ </p>
+ <p>
+ For some minutes Simeon remained where he was, thinking and surmising.
+ Then he, too, turned and walked cautiously up the Boulevard. He passed the
+ Williams mansion, its library windows ablaze. He passed the twenty-five
+ room &ldquo;cottage&rdquo; of the gentleman from Chicago. Then he halted. Opposite him
+ was the little Edwards dwelling and shop. The curtains were up and there
+ was a lamp burning on the small counter. Beside the lamp, in a rocking
+ chair, sat Olive Edwards, the widow, sewing. As he gazed she dropped the
+ sewing in her lap, and raised her head.
+ </p>
+ <p>
+ Phinney saw how worn and sad she looked. And yet, how young, considering
+ her forty years and all she had endured and must endure. She put her hand
+ over her eyes, then removed it wearily. A lump came in Simeon's throat. If
+ he might only help her; if SOME ONE might help her in her lonely misery.
+ </p>
+ <p>
+ And then, from where he stood in the shadow of the Chicago gentleman's
+ hedge, he saw a figure step from the shadows fifty feet farther on. It was
+ Captain Solomon Berry. He walked to the middle of the road and halted,
+ looking in at Olive. Phinney's heart gave a jump. Was the Captain going
+ into that house, going to HER, after all these years? WAS the mountain&mdash;
+ </p>
+ <p>
+ But no. For a full minute the depot master stood, looking in at the woman
+ by the lamp. Then he jammed his hands into his pockets, wheeled, and
+ tramped rapidly off toward his home. Simeon Phinney went home, also, but
+ it was with a heavy heart that he sat down to figure the cost of moving
+ the Williams &ldquo;pure Colonial&rdquo; to its destined location.
+ </p>
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV
+ </h2>
+ <h3>
+ THE MAJOR
+ </h3>
+ <p>
+ The depot master and his friend, Mr. Phinney, were not the only ones whose
+ souls were troubled that evening. Obed Gott, as he stood at the foot of
+ the stairs leading to the meeting place of the &ldquo;club,&rdquo; was vexed and
+ worried. His cousin, Captain Stitt, had gone into the house and up to his
+ room, and Obed, after seeing him safely on his way, had returned to the
+ club. But, instead of entering immediately, he stood in the Higgins
+ doorway, thinking, and frowning as he thought. And the subject of his
+ thought was the idol of feminine East Harniss, the &ldquo;old-school gentleman,&rdquo;
+ Major Cuthbertson Scott Hardee.
+ </p>
+ <p>
+ The Major first came to East Harniss one balmy morning in March&mdash;came,
+ and created an immediate sensation. &ldquo;Redny&rdquo; Blount, who drives the &ldquo;depot
+ wagon,&rdquo; was wrestling with a sample trunk belonging to the traveling
+ representative of Messrs. Braid &amp; Gimp, of Boston, when he heard a
+ voice&mdash;and such a voice&mdash;saying:
+ </p>
+ <p>
+ &ldquo;Pardon me, my dear sir, but may I trouble you for one moment?&rdquo;
+ </p>
+ <p>
+ Now &ldquo;Redny&rdquo; was not used to being addressed as &ldquo;my dear sir.&rdquo; He turned
+ wonderingly, and saw the Major, in all his glory, standing beside him.
+ &ldquo;Redny's&rdquo; gaze took in the tall, slim figure in the frock coat tightly
+ buttoned; took in the white hair, worn just long enough to touch the
+ collar of the frock coat; the long, drooping white mustache and imperial;
+ the old-fashioned stock and open collar; the black and white checked
+ trousers; the gaiters; and, last of all, the flat brimmed, carefully
+ brushed, old-fashioned silk hat. Mr. Blount gasped.
+ </p>
+ <p>
+ &ldquo;Huh?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Pardon me, my dear sir,&rdquo; repeated the Major, blandly, smoothly, and with
+ an air of&mdash;well, not condescension, but gracious familiarity. &ldquo;Will
+ you be so extremely kind as to inform me concerning the most direct route
+ to the hotel or boarding house?&rdquo;
+ </p>
+ <p>
+ The word &ldquo;hotel&rdquo; was the only part of this speech that struck home to
+ &ldquo;Redny's&rdquo; awed mind.
+ </p>
+ <p>
+ &ldquo;Hotel?&rdquo; he repeated, slowly. &ldquo;Why, yes, sir. I'm goin' right that way. If
+ you'll git right into my barge I'll fetch you there in ten minutes.&rdquo;
+ </p>
+ <p>
+ There was enough in this reply, and the manner in which it was delivered,
+ to have furnished the station idlers, in the ordinary course of events,
+ with matter for gossip and discussion for a week. Mr. Blount had not
+ addressed a person as &ldquo;sir&rdquo; since he went to school. But no one thought of
+ this; all were too much overcome by the splendor of the Major's presence.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; replied the Major. &ldquo;Thank you. I am obliged to you, sir.
+ Augustus, you may place the baggage in this gentleman's conveyance.&rdquo;
+ </p>
+ <p>
+ Augustus was an elderly negro, very black as to face and a trifle shabby
+ as to clothes, but with a shadow of his master's gentility, like a
+ reflected luster, pervading his person. He bowed low, departed, and
+ returned dragging a large, old style trunk, and carrying a plump valise.
+ </p>
+ <p>
+ &ldquo;Augustus,&rdquo; said the Major, &ldquo;you may sit upon the seat with the driver.
+ That is,&rdquo; he added, courteously, &ldquo;if Mr.&mdash;Mr.&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Blount,&rdquo; prompted the gratified &ldquo;Redny.&rdquo;
+ </p>
+ <p>
+ &ldquo;If Mr. Blount will be good enough to permit you to do so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, sartin. Jump right up. Giddap, you!&rdquo;
+ </p>
+ <p>
+ There was but one passenger, besides the Major and Augustus, in the &ldquo;depot
+ wagon&rdquo; that morning. This passenger was Mrs. Polena Ginn, who had been to
+ Brockton on a visit. To Mrs. Polena the Major, raising his hat in a manner
+ that no native of East Harniss could acquire by a lifetime of teaching,
+ observed that it was a beautiful morning. The flustered widow replied that
+ it &ldquo;was so.&rdquo; This was the beginning of a conversation that lasted until
+ the &ldquo;Central House&rdquo; was reached, a conversation that left Polena impressed
+ with the idea that her new acquaintance was as near the pink of perfection
+ as mortal could be.
+ </p>
+ <p>
+ &ldquo;It wa'n't his clothes, nuther,&rdquo; she told her brother, Obed Gott, as they
+ sat at the dinner table. &ldquo;I don't know what 'twas, but you could jest see
+ that he was a gentleman all over. I wouldn't wonder if he was one of them
+ New York millionaires, like Mr. Williams&mdash;but SO different. 'Redny'
+ Blount says he see his name onto the hotel register and 'twas 'Cuthbertson
+ Scott Hardee.' Ain't that a tony name for you? And his darky man called
+ him 'Major.' I never see sech manners on a livin' soul! Obed, I DO wish
+ you'd stop eatin' pie with a knife.&rdquo;
+ </p>
+ <p>
+ Under these pleasing circumstances did Major Cuthbertson Scott Hardee make
+ his first appearance in East Harniss, and the reputation spread abroad by
+ Mr. Blount and Mrs. Ginn was confirmed as other prominent citizens met
+ him, and fell under the spell. In two short weeks he was the most popular
+ and respected man in the village. The Methodist minister said, at the
+ Thursday evening sociable, that &ldquo;Major Hardee is a true type of the
+ old-school gentleman,&rdquo; whereupon Beriah Higgins, who was running for
+ selectman, and therefore felt obliged to be interested in all educational
+ matters, asked whereabouts that school was located, and who was teaching
+ it now.
+ </p>
+ <p>
+ It was a treat to see the Major stroll down Main Street to the post office
+ every pleasant spring morning. Coat buttoned tight, silk hat the veriest
+ trifle on one side, one glove on and its mate carried with the cane in the
+ other hand, and the buttonhole bouquet&mdash;always the bouquet&mdash;as
+ fresh and bright and jaunty as its wearer himself.
+ </p>
+ <p>
+ It seemed that every housekeeper whose dwelling happened to be situated
+ along that portion of the main road had business in the front yard at the
+ time of the Major's passing. There were steps to be swept, or rugs to be
+ shaken, or doorknobs to be polished just at that particular time.
+ Dialogues like the following interrupted the triumphal progress at three
+ minute intervals:
+ </p>
+ <p>
+ &ldquo;Good-morning, Mrs. Sogberry. GOOD-morning. A delightful morning. Busy as
+ the proverbial bee once more, I see. I can never cease to admire the
+ industry and model neatness of the Massachusetts housekeeper. And how is
+ your charming daughter this morning? Better, I trust?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, now, Major Hardee, I don't know. Abbie ain't so well's I wish she
+ was. She set up a spell yesterday, but the doctor says she ain't gittin'
+ along the way she'd ought to. I says to him, s'I, 'Abbie ain't never what
+ you'd call a reel hearty eater, but, my land! when she don't eat NOTHIN','
+ I says&mdash;&rdquo;
+ </p>
+ <p>
+ And so on and so on, with the Major always willing to listen, always
+ sympathetic, and always so charmingly courteous.
+ </p>
+ <p>
+ The Central House, East Harniss's sole hotel, and a very small one at
+ that, closed its doors on April 10th. Mr. Godfrey, its proprietor, had
+ come to the country for his health. He had been inveigled, by an
+ advertisement in a Boston paper, into buying the Central House at East
+ Harniss. It would afford him, so he reasoned, light employment and a
+ living. The employment was light enough, but the living was lighter. He
+ kept the Central House for a year. Then he gave it up as a bad job and
+ returned to the city. &ldquo;I might keep my health if I stayed,&rdquo; he admitted,
+ in explaining his position to Captain Berry, &ldquo;but if I want to keep to
+ what little money I have left, I'd better go. Might as well die of disease
+ as starvation.&rdquo;
+ </p>
+ <p>
+ Everyone expected that the &ldquo;gentleman of the old school&rdquo; would go also,
+ but one evening Abner Payne, whose business is &ldquo;real estate, fire and life
+ insurance, justice of the peace, and houses to let and for sale,&rdquo; rushed
+ into the post office to announce that the Major had leased the &ldquo;Gorham
+ place,&rdquo; furnished, and intended to make East Harniss his home.
+ </p>
+ <p>
+ &ldquo;He likes the village so well he's goin' to stay here always,&rdquo; explained
+ Abner. &ldquo;Says he's been all 'round the world, but he never see a place he
+ liked so well's he does East Harniss. How's that for high, hey? And you
+ callin' it a one-horse town, Obed Gott!&rdquo;
+ </p>
+ <p>
+ The Major moved into the &ldquo;Gorham place&rdquo; the next morning. It&mdash;the
+ &ldquo;place&rdquo;&mdash;was an old-fashioned house on the hill, though not on Mr.
+ Williams' &ldquo;Boulevard.&rdquo; It had been one of the finest mansions in town once
+ on a time, but had deteriorated rapidly since old Captain Elijah Gorham
+ died. Augustus carried the Major's baggage from the hotel to the house.
+ This was done very early and none of the natives saw the transfer. There
+ was some speculation as to how the darky managed to carry the big trunk
+ single-handed; one of two persons asked Augustus this very question, but
+ they received no satisfactory answer. Augustus was habitually
+ close-mouthed. Mr. Godfrey left town that same morning on the first train.
+ </p>
+ <p>
+ The Major christened his new home &ldquo;Silver-leaf Hall,&rdquo; because of two great
+ &ldquo;silver-leaf&rdquo; trees that stood by the front door. He had some repairing,
+ paper hanging and painting done, ordered a big stock of groceries from the
+ local dealer, and showed by his every action that his stay in East Harniss
+ was to be a lengthy one. He hired a pew in the Methodist church, and
+ joined the &ldquo;club.&rdquo; Augustus did the marketing for &ldquo;Silver-leaf Hall,&rdquo; and
+ had evidently been promoted to the position of housekeeper.
+ </p>
+ <p>
+ The Major moved in April. It was now the third week in June and his
+ popularity was, if possible, more pronounced than ever. On this
+ particular, the evening of Captain Bailey Stitt's unexpected arrival, Obed
+ had been sitting by the tea table in his dining room after supper, going
+ over the account books of his paint, paper, and oil store. His sister,
+ Mrs. Polena Ginn, was washing dishes in the kitchen.
+ </p>
+ <p>
+ &ldquo;Wat's that letter you're readin', Obed?&rdquo; she called from her post by the
+ sink.
+ </p>
+ <p>
+ &ldquo;Nothin',&rdquo; said her brother, gruffly, crumpling up the sheet of note paper
+ and jamming it into his pocket.
+ </p>
+ <p>
+ &ldquo;My sakes! you're shorter'n pie crust to-night. What's the matter?
+ Anything gone wrong at the store?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ Silence again, only broken by the clatter of dishes. Then Polena said:
+ </p>
+ <p>
+ &ldquo;Obed, when are you goin' to take me up to the clubroom so's I can see
+ that picture of Major Hardee that he presented the club with? Everybody
+ says it's just lovely. Sarah T. says it's perfectly elegant, only not
+ quite so handsome as the Major reelly is. She says it don't flatter him
+ none.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! Anybody'd think Hardee was some kind of a wonder, the way you
+ women folks go on 'bout him. How do you know but what he might be a
+ reg'lar fraud? Looks ain't everything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I never! Obed Gott, I should think you'd be 'shamed of yourself,
+ talkin' that way. I shan't speak another word to you to-night. I never see
+ you act so unlikely. An old fraud! The idea! That grand, noble man!&rdquo;
+ </p>
+ <p>
+ Obed tried to make some sort of half-hearted apology, but his sister
+ wouldn't listen to it. Polena's dignity was touched. She was a woman of
+ consequence in East Harniss, was Polena. Her husband had, at his death,
+ left her ten thousand dollars in her own right, and she owned bonds and
+ had money in the Wellmouth Bank. Nobody, not even her brother, was allowed
+ to talk to her in that fashion.
+ </p>
+ <p>
+ To tell the truth, Obed was sorry he had offended his sister. He had been
+ throwing out hints of late as to the necessity of building an addition to
+ the paint and oil store, and had cast a longing look upon a portion of
+ Polena's ten thousand. The lady had not promised to extend the financial
+ aid, but she had gone so far as to say she would think about it. So Obed
+ regretted his insinuations against the Major's integrity.
+ </p>
+ <p>
+ After a while he threw the account books upon the top of the chest of
+ drawers, put on his hat and coat and announced that he was going over to
+ the depot for a &ldquo;spell.&rdquo; Polena did not deign to reply, so, after
+ repeating the observation, he went out and slammed the door.
+ </p>
+ <p>
+ Now, two hours later, as he stood in the doorway of the club, he was
+ debating what he should do in a certain matter. That matter concerned
+ Major Hardee and was, therefore, an extremely delicate one. At length Mr.
+ Gott climbed the narrow stairs and entered the clubroom. It was blue with
+ tobacco smoke.
+ </p>
+ <p>
+ The six or eight members present hailed him absently and went on with
+ their games of checkers or &ldquo;seven-up.&rdquo; He attempted a game of checkers and
+ lost, which did not tend to make his temper any sweeter. His ill nature
+ was so apparent that Beriah Higgins, who suffered from dyspepsia and
+ consequent ill temper, finally commented upon it.
+ </p>
+ <p>
+ &ldquo;What's the matter with you, Obed?&rdquo; he asked tartly. &ldquo;Too much of P'lena's
+ mince pie?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; grunted Mr. Gott shortly.
+ </p>
+ <p>
+ &ldquo;What is it, then? Ain't paint sellin' well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sellin' well 'nough. I could sell a hundred ton of paint to-morrow,
+ more'n likely, but when it come to gittin' the money for it, that would be
+ another story. If folks would pay their bills there wouldn't be no
+ trouble.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who's stuck you now?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't s'pose anybody has, but it's just as bad when they don't pay up.
+ I've got to have money to keep a-goin' with. It don't make no diff'rence
+ if it's as good a customer as Major Hardee; he ought to remember that we
+ ain't all rich like him and&mdash;&rdquo;
+ </p>
+ <p>
+ A general movement among all the club members interrupted him. The checker
+ players left their boards and came over; the &ldquo;seven-up&rdquo; devotees dropped
+ their cards and joined the circle.
+ </p>
+ <p>
+ &ldquo;What was that you said?&rdquo; asked Higgins, uneasily. &ldquo;The Major owin' you
+ money, was it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, course I know he's all right and a fine man and all that,&rdquo; protested
+ Obed, feeling himself put on the defensive. &ldquo;But that ain't it. What's a
+ feller goin' to do when he needs the money and gets a letter like that?&rdquo;
+ </p>
+ <p>
+ He drew the crumpled sheet of note paper from his pocket, and threw it on
+ the table. Higgins picked it up and read it aloud, as follows:
+ </p>
+ <p>
+ SILVERLEAF HALL, June 20th.
+ </p>
+ <p>
+ MY DEAR MR. GOTT: I am in receipt of your courteous communication of
+ recent date. I make it an unvarying rule to keep little ready money here
+ in East Harniss, preferring rather to let it remain at interest in the
+ financial institutions of the cities. Another rule of mine, peculiar, I
+ dare say&mdash;even eccentric, if you like&mdash;is never to pay by check.
+ I am expecting remittances from my attorneys, however, and will then bear
+ you in mind. Again thanking you for your courtesy, and begging you to
+ extend to your sister my kindest regards, I remain, my dear sir,
+ </p>
+ <p>
+ Yours very respectfully,
+ </p>
+ <p>
+ CUTHBERTSON SCOTT HARDEE.
+ </p>
+ <p>
+ P. S.&mdash;I shall be delighted to have the pleasure of entertaining your
+ sister and yourself at dinner at the hall on any date agreeable to you.
+ Kindly let me hear from you regarding this at your earliest convenience. I
+ must insist upon this privilege, so do not disappoint me, I beg.
+ </p>
+ <p>
+ The reception accorded this most gentlemanly epistle was peculiar. Mr.
+ Higgins laid it upon the table and put his hand into his own pocket. So
+ did Ezra Weeks, the butcher; Caleb Small, the dry goods dealer; &ldquo;Hen&rdquo;
+ Leadbetter, the livery stable keeper; &ldquo;Bash&rdquo; Taylor, the milkman, and
+ three or four others. And, wonder of wonders, each produced a sheet of
+ note paper exactly like Obed's.
+ </p>
+ <p>
+ They spread them out on the table. The dates were, of course, different,
+ and they differed in other minor particulars, but in the main they were
+ exactly alike. And each one of them ended with an invitation to dinner.
+ </p>
+ <p>
+ The members of the club looked at each other in amazement. Higgins was the
+ first to speak.
+ </p>
+ <p>
+ &ldquo;Godfrey mighty!&rdquo; he exclaimed. &ldquo;Say, this is funny, ain't it? It's more'n
+ funny; it's queer! By jimmy, it's more'n that&mdash;it's serious! Look
+ here, fellers; is there anybody in this crowd that the Major's paid for
+ anything any time?&rdquo;
+ </p>
+ <p>
+ They waited. No one spoke. Then, with one impulse, every face swung about
+ and looked up to where, upon the wall, hung the life-size photograph of
+ the Major, dignified, gracious, and gilt-framed. It had been presented to
+ the club two months before by Cuthbertson Scott Hardee, himself.
+ </p>
+ <p>
+ &ldquo;Ike&mdash;Ike Peters,&rdquo; said Higgins. &ldquo;Say, Ike&mdash;has he ever paid you
+ for havin' that took?&rdquo;
+ </p>
+ <p>
+ Mr. Peters, who was the town photographer, reddened, hesitated, and then
+ stammered, &ldquo;Why, no, he ain't, yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted Higgins. No one else said anything. One or two took out
+ pocket memorandum books and went over some figures entered therein.
+ Judging by their faces the results of these calculations were not
+ pleasing. Obed was the first to break the painful silence:
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; he exclaimed, sarcastically; &ldquo;ain't nobody got nothin' to say? If
+ they ain't, I have. Or, at any rate, I've got somethin' to do.&rdquo; And he
+ rose and started to put on his coat.
+ </p>
+ <p>
+ &ldquo;Hi! hold on a minute, Obed, you loon!&rdquo; cried Higgins. &ldquo;Where are you
+ goin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm goin' to put my bill in Squire Baker's hands for c'lection, and I'm
+ goin' to do it tonight, too.&rdquo;
+ </p>
+ <p>
+ He was on his way to the door, but two or three ran to stop him.
+ </p>
+ <p>
+ &ldquo;Don't be a fool, Obed,&rdquo; said Higgins. &ldquo;Don't go off ha'f cocked. Maybe
+ we're gittin' scared about nothin'. We don't know but we'll get every cent
+ that's owed us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't KNOW! Well, I ain't goin' to wait to find out. What makes me
+ b'ilin' is to think how we've set still and let a man that we never saw
+ afore last March, and don't know one blessed thing about, run up bills and
+ RUN 'em up. How we come to be such everlastin' fools I don't see! What did
+ we let him have the stuff for? Why didn't we make him pay? I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Now see here, Obed Gott,&rdquo; broke in Weeks, the butcher, &ldquo;you know why just
+ as well as we do. Why, blast it!&rdquo; he added earnestly, &ldquo;if he was to come
+ into my shop to-morrow and tip that old high hat of his, and smile and say
+ 'twas a fine mornin and 'How's the good lady to-day?' and all that, he'd
+ get ha'f the meat there was in the place, and I wouldn't say 'Boo'! I jest
+ couldn't, that's all.&rdquo;
+ </p>
+ <p>
+ This frank statement was received with approving nods and a chorus of
+ muttered &ldquo;That's so's.&rdquo;
+ </p>
+ <p>
+ &ldquo;It looks to me this way,&rdquo; declared Higgins. &ldquo;If the Major's all right,
+ he's a mighty good customer for all of us. If he ain't all right, we've
+ got to find it out, but we're in too deep to run resks of gettin' him mad
+ 'fore we know for sure. Let's think it over for a week. Inside of that
+ time some of us'll hint to him, polite but firm, you understand, that
+ we've got to have something on account. A week from to-night we'll meet in
+ the back room of my store, talk it over and decide what to do. What do you
+ say?&rdquo;
+ </p>
+ <p>
+ Everybody but Obed agreed. He declared that he had lost money enough and
+ wasn't going to be a fool any longer. The others argued with him patiently
+ for a while and then Leadbetter, the livery stable keeper, said sharply:
+ </p>
+ <p>
+ &ldquo;See here, Obe! You ain't the only one in this. How much does the Major
+ owe you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Pretty nigh twenty dollars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! You're lucky. He owes me over thirty, and I guess Higgins is worse
+ off than any of us. Ain't that so, Beriah?&rdquo;
+ </p>
+ <p>
+ &ldquo;About seventy, even money,&rdquo; answered the grocer, shortly. &ldquo;No use, Obed,
+ we've got to hang together. Wait a week and then see. And, fellers,&rdquo; he
+ added, &ldquo;don't tell a soul about this business, 'specially the women folks.
+ There ain't a woman nor girl in this town that don't think Major Hardee's
+ an A1, gold-plated saint, and twouldn't be safe to break the spell on a
+ guess.&rdquo;
+ </p>
+ <p>
+ Obed reached home even more disgruntled than when he left it. He sat up
+ until after twelve, thinking and smoking, and when he went to bed he had a
+ brilliant idea. The next morning he wrote a letter and posted it.
+ </p>
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V
+ </h2>
+ <h3>
+ A BABY AND A ROBBERY
+ </h3>
+ <p>
+ The morning train for Boston, at that season of the year, reached East
+ Harniss at five minutes to six, an &ldquo;ungodly hour,&rdquo; according to the
+ irascible Mr. Ogden Williams, who, in company with some of his wealthy
+ friends, the summer residents, was petitioning the railroad company for a
+ change in the time-table. When Captain Sol Berry, the depot master, walked
+ briskly down Main Street the morning following Mr. Gott's eventful evening
+ at the club, the hands of the clock on the Methodist church tower
+ indicated that the time was twenty minutes to six.
+ </p>
+ <p>
+ Issy McKay was already at the depot, the doors of which were open. Captain
+ Sol entered the waiting room and unlocked the ticket rack and the little
+ safe. Issy, languidly toying with the broom on the front platform, paused
+ in his pretense of sweeping and awaited permission to go home for
+ breakfast. It came, in characteristic fashion.
+ </p>
+ <p>
+ &ldquo;How's the salt air affectin' your appetite, Is?&rdquo; asked the Captain,
+ casually.
+ </p>
+ <p>
+ Issy, who, being intensely serious by nature, was uneasy when he suspected
+ the presence of a joke, confusedly stammered that he cal'lated his
+ appetite was all right.
+ </p>
+ <p>
+ &ldquo;Payin' for the Major's glass ain't kept you awake worryin', has it?&rdquo;
+ </p>
+ <p>
+ &ldquo;No-o, sir. I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;P'r'aps you thought he was the one to 'do the worryin', hey?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I don't know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, what's your folks goin' to have to eat this mornin'?&rdquo;
+ </p>
+ <p>
+ Issy admitted his belief that fried clams were to be the breakfast.
+ </p>
+ <p>
+ &ldquo;So? Clams? Is, did you ever read the soap advertisement about not bein' a
+ clam?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I don't know's I ever did. No, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right; I only called your attention to it as a warnin', that's all.
+ When anybody eats as many clams as you do there's a fair chance of his
+ turnin' into one. Now clear out, and don't stay so long at breakfast that
+ you can't get back in time for dinner. Trot!&rdquo;
+ </p>
+ <p>
+ Issy trotted. The depot master seated himself by the door of the ticket
+ office and fell into a reverie. It was interrupted by the entrance of
+ Hiram Baker. Captain Hiram was an ex-fishing skipper, fifty-five years of
+ age, who, with his wife, Sophronia, and their infant son, Hiram Joash
+ Baker, lived in a small, old-fashioned house at the other end of the
+ village, near the shore. Captain Hiram, having retired from the sea, got
+ his living, such as it was, from his string of fish traps, or &ldquo;weirs.&rdquo;
+ </p>
+ <p>
+ The depot master hailed the new arrival heartily.
+ </p>
+ <p>
+ &ldquo;Hello, there, Hiram!&rdquo; he cried, rising from his chair. &ldquo;Glad to see you
+ once in a while. Ain't goin' to leave us, are you? Not goin' abroad for
+ your health, or anything of that kind, hey?&rdquo;
+ </p>
+ <p>
+ Captain Baker laughed.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he answered. &ldquo;No further abroad than Hyannis. And I'll be back from
+ there tonight, if the Lord's willin' and the cars don't get off the track.
+ Give me a round trip ticket, will you, Sol?&rdquo;
+ </p>
+ <p>
+ The depot master retired to the office, returning with the desired ticket.
+ Captain Hiram counted out the price from a confused mass of coppers and
+ silver, emptied into his hand from a blackened leather purse, tied with a
+ string.
+ </p>
+ <p>
+ &ldquo;How's Sophrony?&rdquo; asked the depot master. &ldquo;Pretty smart, I hope.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yup, she's smart. Has to be to keep up with the rest of the family&mdash;'specially
+ the youngest.&rdquo;
+ </p>
+ <p>
+ He chuckled. His friend laughed in sympathy.
+ </p>
+ <p>
+ &ldquo;The youngest is the most important of all, I s'pose,&rdquo; he observed. &ldquo;How
+ IS the junior partner of H. Baker and Son?&rdquo;
+ </p>
+ <p>
+ &ldquo;He ain't a silent partner, I'll swear to that. Honest, Sol, I b'lieve my
+ 'Dusenberry' is the cutest young one outside of a show. I said so only
+ yesterday to Mr. Hilton, the minister. I did, and I meant it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we're all gettin' ready to celebrate his birthday. Ho, ho!&rdquo;
+ </p>
+ <p>
+ This was a standard joke and was so recognized and honored. A baby born on
+ the Fourth of July is sure of a national celebration of his birthday. And
+ to Captain Baker and his wife, no celebration, however widespread, could
+ do justice to the importance of the occasion. When, to answer the heart
+ longings of the child-loving couple married many years, the baby came, he
+ was accepted as a special dispensation of Providence and valued
+ accordingly.
+ </p>
+ <p>
+ &ldquo;He's got a real nice voice, Hiram,&rdquo; said Sophronia, gazing proudly at the
+ prodigy, who, clutched gingerly in his father's big hands, was screaming
+ his little red face black. &ldquo;I shouldn't wonder if he grew up to sing in
+ the choir.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's the kind of voice to make a fo'mast hand step lively!&rdquo; declared
+ Hiram. &ldquo;You'll see this boy on the quarter deck of a clipper one of these
+ days.&rdquo;
+ </p>
+ <p>
+ Naming him was a portentous proceeding and one not to be lightly gone
+ about. Sophronia, who was a Methodist by descent and early confirmation,
+ was of the opinion that the child should have a Bible name.
+ </p>
+ <p>
+ The Captain respected his wife's wishes, but put in an ardent plea for his
+ own name, Hiram.
+ </p>
+ <p>
+ &ldquo;There's been a Hiram Baker in our family ever since Noah h'isted the
+ main-r'yal on the ark,&rdquo; he declared. &ldquo;I'd kinder like to keep the
+ procession a-goin'.&rdquo;
+ </p>
+ <p>
+ They compromised by agreeing to make the baby's Christian name Hiram and
+ to add a middle name selected at random from the Scriptures. The big,
+ rickety family Bible was taken from the center table and opened with
+ shaking fingers by Mrs. Baker. She read aloud the first sentence that met
+ her eye: &ldquo;The son of Joash.&rdquo;
+ </p>
+ <p>
+ &ldquo;Joash!&rdquo; sneered her husband. &ldquo;You ain't goin' to cruelize him with that
+ name, be you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hiram Baker, do you dare to fly in the face of Scriptur'?&rdquo;
+ </p>
+ <p>
+ &ldquo;All right! Have it your own way. Go to sleep now, Hiram Joash, while I
+ sing 'Storm along, John,' to you.&rdquo;
+ </p>
+ <p>
+ Little Hiram Joash punched the minister's face with his fat fist when he
+ was christened, to the great scandal of his mother and the ill-concealed
+ delight of his father.
+ </p>
+ <p>
+ &ldquo;Can't blame the child none,&rdquo; declared the Captain. &ldquo;I'd punch anybody
+ that christened a middle name like that onto me.&rdquo;
+ </p>
+ <p>
+ But, in spite of his name, the baby grew and prospered. He fell out of his
+ crib, of course, the moment that he was able, and barked his shins over
+ the big shells by the what-not in the parlor the first time that he
+ essayed to creep. He teethed with more or less tribulation, and once upset
+ the household by an attack of the croup.
+ </p>
+ <p>
+ They gave up calling him by his first name, because of the Captain's
+ invariably answering when the baby was wanted and not answering when he
+ himself was wanted. Sophronia would have liked to call him Joash, but her
+ husband wouldn't hear of it. At length the father took to calling him
+ &ldquo;Dusenberry,&rdquo; and this nickname was adopted under protest.
+ </p>
+ <p>
+ Captain Hiram sang the baby to sleep every night. There were three songs
+ in the Captain's repertoire. The first was a chanty with a chorus of
+ </p>
+<pre xml:space="preserve">
+ John, storm along, storm along, John,
+ Ain't I glad my day's work's done.
+</pre>
+ <p>
+ The second was the &ldquo;Bowline Song.&rdquo;
+ </p>
+<pre xml:space="preserve">
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline! the bowline HAUL!
+</pre>
+ <p>
+ At the &ldquo;haul!&rdquo; the Captain's foot would come down with a thump. Almost the
+ first word little Hiram Joash learned was &ldquo;haul!&rdquo; He used to shout it and
+ kick his father vigorously in the vest.
+ </p>
+ <p>
+ These were fair-weather songs. Captain Hiram sang them when everything was
+ going smoothly. The &ldquo;Bowline Song&rdquo; indicated that he was feeling
+ particularly jubilant. He had another that he sang when he was worried. It
+ was a lugubrious ditty, with a refrain beginning:
+ </p>
+<pre xml:space="preserve">
+ Oh, sailor boy, sailor boy, 'neath the wild billow,
+ Thy grave is yawnin' and waitin' for thee.
+</pre>
+ <p>
+ He sang this during the worst of the teething period, and, later, when the
+ junior partner wrestled with the whooping cough. You could always tell the
+ state of the baby's health by the Captain's choice of songs.
+ </p>
+ <p>
+ Meanwhile Dusenberry grew and prospered. He learned to walk and to talk,
+ after his own peculiar fashion, and, at the mature age of two years and
+ six months, formally shipped as first mate aboard his father's dory. His
+ duties in this responsible position were to sit in the stern, securely
+ fastened by a strap, while the Captain and his two assistants rowed out
+ over the bar to haul the nets of the deep water fish weir.
+ </p>
+ <p>
+ The first mate gave the orders, &ldquo;All hands on deck! 'Tand by to det ship
+ under way!&rdquo; There was no &ldquo;sogerin'&rdquo; aboard the Hiram Junior&mdash;that was
+ the dory's name&mdash;while the first officer had command.
+ </p>
+ <p>
+ Captain Hiram, always ready to talk of the wonderful baby, told the depot
+ master of the youngster's latest achievement, which was to get the cover
+ off the butter firkin in the pantry and cover himself with butter from
+ head to heel.
+ </p>
+ <p>
+ &ldquo;Ho, ho, ho!&rdquo; he roared, delightedly, &ldquo;when Sophrony caught him at it,
+ what do you s'pose he said? Said he was playin' he was a slice of bread
+ and was spreadin' himself. Haw! haw!&rdquo;
+ </p>
+ <p>
+ Captain Sol laughed in sympathy.
+ </p>
+ <p>
+ &ldquo;But he didn't mean no harm by it,&rdquo; explained the proud father. &ldquo;He's got
+ the tenderest little heart in the world. When he found his ma felt bad he
+ bust out cryin' and said he'd scrape it all off again and when it come
+ prayer time he'd tell God who did it, so He'd know 'twa'n't mother that
+ wasted the nice butter. What do you think of that?&rdquo;
+ </p>
+ <p>
+ &ldquo;No use talkin', Hiram,&rdquo; said the depot master, &ldquo;that's the kind of boy to
+ have.&rdquo;
+ </p>
+ <p>
+ &ldquo;You bet you! Hello! here's the train. On time, for a wonder. See you
+ later, Sol. You take my advice, get married and have a boy of your own.
+ Nothin' like one for solid comfort.&rdquo;
+ </p>
+ <p>
+ The train was coming and they went out to meet it. The only passenger to
+ alight was Mr. Barzilla Wingate, whose arrival had been foretold by Bailey
+ Stitt the previous evening. Barzilla was part owner of a good-sized summer
+ hotel at Wellmouth Neck. He and the depot master were old friends.
+ </p>
+ <p>
+ After the train had gone Wingate and Captain Sol entered the station
+ together. The Captain had insisted that his friend come home with him to
+ breakfast, instead of going to the hotel. After some persuasion Barzilla
+ agreed. So they sat down to await Issy's arrival. The depot master could
+ not leave the station until the &ldquo;assistant&rdquo; arrived.
+ </p>
+ <p>
+ &ldquo;Well, Barzilla,&rdquo; asked Captain Sol, &ldquo;what's the newest craze over to the
+ hotel?&rdquo;
+ </p>
+ <p>
+ &ldquo;The newest,&rdquo; said Wingate, with a grin, &ldquo;is automobiles.&rdquo;
+ </p>
+ <p>
+ &ldquo;Automobiles? Why, I thought 'twas baseball.&rdquo;
+ </p>
+ <p>
+ &ldquo;Baseball was last summer. We had a championship team then. Yes, sir, we
+ won out, though for a spell it looked pretty dubious. But baseball's an
+ old story. We've had football since, and now&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Wait a minute! Football? Why, now I do remember. You had a football team
+ there and&mdash;and wa'n't there somethin' queer, some sort of a&mdash;a
+ robbery, or stealin', or swindlin' connected with it? Seems's if I'd heard
+ somethin' like that.&rdquo;
+ </p>
+ <p>
+ Mr. Wingate looked his friend over, winked, and asked a question.
+ </p>
+ <p>
+ &ldquo;Sol,&rdquo; he said, &ldquo;you ain't forgot how to keep a secret?&rdquo;
+ </p>
+ <p>
+ The depot master smiled. &ldquo;I guess not,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Well, then, I'm goin' to trust you with one. I'm goin' to tell you the
+ whole business about that robbin'. It's all mixed up with football and
+ millionaires and things&mdash;and it's a dead secret, the truth of it. So
+ when I tell you it mustn't go no further.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; he went on, &ldquo;it was late into August when Peter T. was took
+ down with the inspiration. Not that there was anything 'specially new in
+ his bein' took. He was subject to them seizures, Peter was, and every time
+ they broke out in a fresh place. The Old Home House itself was one of his
+ inspirations, so was the hirin' of college waiters, the openin' of the two
+ 'Annex' cottages, the South Shore Weather Bureau, and a whole lot more.
+ Sometimes, as in the weather-bureau foolishness, the disease left him and
+ t'other two patients&mdash;meanin' me and Cap'n Jonadab&mdash;pretty weak
+ in the courage, and wasted in the pocketbook; but gen'rally they turned
+ out good, and our systems and bank accounts was more healthy than normal.
+ One of Peter T.'s inspirations was consider'ble like typhoid fever&mdash;if
+ you did get over it, you felt better for havin' had it.
+ </p>
+ <p>
+ &ldquo;This time the attack was in the shape of a 'supplementary season.' 'Twas
+ Peter's idea that shuttin' up the Old Home the fust week in September was
+ altogether too soon.
+ </p>
+ <p>
+ &ldquo;'What's the use of quittin',' says he, 'while there's bait left and the
+ fish are bitin'? Why not keep her goin' through September and October? Two
+ or three ads&mdash;MY ads&mdash;in the papers, hintin' that the ducks and
+ wild geese are beginnin' to keep the boarders awake by roostin' in the
+ back yard and hollerin' at night&mdash;two or three of them, and we'll
+ have gunners here by the regiment. Other summer hotels do it, the
+ Wapatomac House and the rest, so why not us? It hurts my conscience to see
+ good money gettin' past the door 'count of the &ldquo;Not at Home&rdquo; sign hung on
+ the knob. What d'you say, partners?' says he.
+ </p>
+ <p>
+ &ldquo;Well, we had consider'ble to say, partic'lar Cap'n Jonadab. 'Twas too
+ risky and too expensive. Gunnin' was all right except for one thing&mdash;that
+ is, that there wa'n't none wuth mentionin'.
+ </p>
+ <p>
+ &ldquo;'Ducks are scurser round here than Democrats in a Vermont town-meetin','
+ growled the Cap'n. 'And as for geese! How long has it been since you see a
+ goose, Barzilla?'
+ </p>
+ <p>
+ &ldquo;'Land knows!' says I. 'I can remember as fur back as the fust time Washy
+ Sparrow left off workin', but I can't&mdash;'
+ </p>
+ <p>
+ &ldquo;Brown told us to shut up. Did we cal'late he didn't know what he was
+ talkin' about?
+ </p>
+ <p>
+ &ldquo;'I can see two geese right now,' he snaps; 'but they're so old and
+ leather-headed you couldn't shoot an idea into their brains with a cannon.
+ Gunnin' ain't the whole thing. My makin' a noise like a duck is only to
+ get the would-be Teddy Roosevelts headed for this neck of the woods. After
+ they get here, it's up to us to keep 'em. And I can think of as many ways
+ to do that as the Cap'n can of savin' a quarter. Our baseball team's been
+ a success, ain't it? Sure thing! Then why not a football team? Parker says
+ he'll get it together, and coach and cap'n it, too. And Robinson and his
+ daughter have agreed to stay till October fifteenth. So there's a start,
+ anyhow.'
+ </p>
+ <p>
+ &ldquo;'Twas a start, and a pretty good one. The Robinsons had come to the Old
+ Home about the fust of August, and they was our star boarders. 'G. W.
+ Robinson' was the old man's name as entered on the hotel log, and his
+ daughter answered to the hail of 'Grace'&mdash;that is, when she took a
+ notion to answer at all. The Robinsons was what Peter T. called
+ 'exclusive.' They didn't mix much with the rest of the bunch, but kept to
+ themselves in their rooms, partic'lar when a fresh net full of boarders
+ was hauled aboard. Then they seemed to take an observation of every
+ arrival afore they mingled; questioned the pedigree and statistics of all
+ hands, and acted mighty suspicious.
+ </p>
+ <p>
+ &ldquo;The only thing that really stirred Papa Robinson up and got him excited
+ and friendly was baseball and boat racin'. He was an old sport, that was
+ plain, the only real plain thing about him; the rest was mystery. As for
+ Grace, she wa'n't plain by a good sight, bein' what Brown called a
+ 'peach.' She could have had every single male in tow if she'd wanted 'em.
+ Apparently she didn't want em, preferrin' to be lonesome and sad and
+ interestin'. Yes, sir, there was a mystery about them Robinsons, and even
+ Peter T. give in to that.
+ </p>
+ <p>
+ &ldquo;'If 'twas anybody else,' says he, 'I'd say the old man was a crook, down
+ here hidin' from the police. But he's too rich for that, and always has
+ been. He ain't any fly-by-night. I can tell the real article without
+ lookin' for the &ldquo;sterlin'&rdquo; mark on the handle. But I'll bet all the
+ cold-storage eggs in the hotel against the henyard&mdash;and that's big
+ odds&mdash;that he wa'n't christened Robinson. And his face is familiar to
+ me. I've seen it somewhere, either in print or in person. I wish I knew
+ where.'
+ </p>
+ <p>
+ &ldquo;So if the Robinsons had agreed to stay&mdash;them and their two servants&mdash;that
+ was a big help, as Brown said. And Parker would help, too, though we
+ agreed there wa'n't no mystery about him. He was a big, broad-shouldered
+ young feller just out of college somewheres, who had drifted our way the
+ fortni't after the Robinsons came, with a reputation for athletics and a
+ leanin' toward cigarettes and Miss Grace. She leaned a little, too, but
+ hers wa'n't so much of a bend as his was. He was dead gone on her, and if
+ she'd have decided to stay under water, he'd have ducked likewise. 'Twas
+ easy enough to see why HE believed in a 'supplementary season.'
+ </p>
+ <p>
+ &ldquo;Me and Jonadab argued it out with Peter, and finally we met halfway, so's
+ to speak. We wouldn't keep the whole shebang open, but we'd shut up
+ everything but one Annex cottage, and advertise that as a Gunner's
+ Retreat. So we done it.
+ </p>
+ <p>
+ &ldquo;And it worked. Heavens to Betsy&mdash;yes! It worked so well that by the
+ second week in September we had to open t'other Annex. The gunnin' was
+ bad, but Peter's ads fetched the would-be's, and his 'excursions' and
+ picnics and the football team held 'em. The football team especial. Parker
+ cap'ned that, and, from the gunnin' crew and the waiters and some
+ fishermen in the village, he dug up an eleven that showed symptoms of
+ playin' the game. We played the Trumet High School, and beat it, thanks to
+ Parker, and that tickled Pa Robinson so that he bought a two-handled
+ silver soup tureen&mdash;'lovin' cup,' he called it&mdash;and agreed to
+ give it to the team round about that won the most of the series. So the
+ series was arranged, the Old Home House crowd and the Wapatomac House
+ eleven and three high-school gangs bein' in it. And 'twas practice,
+ practice, practice, from then on.
+ </p>
+ <p>
+ &ldquo;When we opened the second Annex, the question of help got serious. Most
+ of our college waiters had gone back to school, and we was pretty shy of
+ servants. So we put some extry advertisin' in the Cape weeklies, and
+ trusted in Providence.
+ </p>
+ <p>
+ &ldquo;The evenin' followin' the ad in the weeklies, I was settin' smokin' on
+ the back piazza of the shut-up main hotel, when I heard the gate click and
+ somebody crunchin' along the clam-shell path. I sung out: 'Ahoy, there!'
+ and the cruncher, whoever he was, come my way. Then I made out that he was
+ a tall young chap, with his hands in his pockets.
+ </p>
+ <p>
+ &ldquo;'Good evenin',' says he. 'Is this Mr. Brown?'
+ </p>
+ <p>
+ &ldquo;'Thankin' you for the compliment, it ain't,' I says. 'My name's Wingate.'
+ </p>
+ <p>
+ &ldquo;'Oh!' says he. 'Is that so? I've heard father speak of you, Mr. Wingate.
+ He is Solomon Bearse, of West Ostable. I think you know him slightly.'
+ </p>
+ <p>
+ &ldquo;Know him? Everybody on the Cape knows Sol Bearse; by reputation, anyhow.
+ He's the richest, meanest old cranberry grower and coastin'-fleet owner in
+ these parts.
+ </p>
+ <p>
+ &ldquo;'Is Sol Bearse your dad?' I asks, astonished. 'Why, then, you must be
+ Gus?'
+ </p>
+ <p>
+ &ldquo;'No,' he says. 'I'm the other one&mdash;Fred.'
+ </p>
+ <p>
+ &ldquo;'Oh, the college one. The one who's goin' to be a lawyer.'
+ </p>
+ <p>
+ &ldquo;'Well, yes&mdash;and no,' says he. 'I WAS the college one, as you call
+ it, but I'm not goin' to be a lawyer. Father and I have had some talk on
+ that subject, and I think we've settled it. I&mdash;well, just at present,
+ I'm not sure what I'm goin' to be. That's what I've come to you for. I saw
+ your ad in the Item, and&mdash;I want a job.'
+ </p>
+ <p>
+ &ldquo;I was set all aback, and left with my canvas flappin', as you might say.
+ Sol Bearse's boy huntin' a job in a hotel kitchen! Soon's I could fetch a
+ whole breath, I wanted partic'lars. He give 'em to me.
+ </p>
+ <p>
+ &ldquo;Seems he'd been sent out to one of the colleges in the Middle West by his
+ dad, who was dead set on havin' a lawyer in the family. But the more he
+ studied, the less he hankered for law. What he wanted to be was a
+ literature&mdash;a book-agent or a poet, or some such foolishness. Old
+ Sol, havin' no more use for a poet than he had for a poor relation, was
+ red hot in a minute. Was this what he'd been droppin' good money in the
+ education collection box for? Was this&mdash;etcetery and so on. He'd be&mdash;what
+ the church folks say he will be&mdash;if Fred don't go in for law. Fred,
+ he comes back that he'll be the same if he does. So they disowned each
+ other by mutual consent, as the Irishman said, and the boy marches out of
+ the front door, bag and baggage. And, as the poetry market seemed to be
+ sort of overly supplied at the present time, he decided he must do
+ somethin' to earn a dollar, and, seein' our ad, he comes to Wellmouth Port
+ and the Old Home.
+ </p>
+ <p>
+ &ldquo;'But look here,' says I, 'we ain't got no job for a literary. We need
+ fellers to pass pie and wash dishes. And THAT ain't no poem.'
+ </p>
+ <p>
+ &ldquo;Well, he thought perhaps he could help make up advertisin'.
+ </p>
+ <p>
+ &ldquo;'You can't,' I told him. 'One time, when Peter T. Brown was away, me and
+ Cap'n Jonadab cal'lated that a poetry advertisement would be a good idee
+ and we managed to shake out ten lines or so. It begun:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;When you're feelin' tired and pale
+ To the Old Home House you ought to come without fail.&rdquo;
+ </pre>
+ <p>
+ &ldquo;'We thought 'twas pretty slick, but we never got but one answer, and that
+ was a circular from one of them correspondence schools of authors, sayin'
+ they'd let us in on a course at cut rates. And the next thing we knew we
+ see that poem in the joke page of a Boston paper. I never&mdash;'
+ </p>
+ <p>
+ &ldquo;He laughed, quiet and sorrowful. He had the quietest way of speakin',
+ anyhow, and his voice was a lovely tenor. To hear it purrin' out of his
+ big, tall body was as unexpected as a hymn tune in a cent-in-the-slot
+ talkin' machine.
+ </p>
+ <p>
+ &ldquo;'Too bad,' he says. 'As a waiter, I'm afraid&mdash;'
+ </p>
+ <p>
+ &ldquo;Just then the door of one of the Annex houses opened sudden, and there
+ stood Grace Robinson. The light behind her showed her up plain as could
+ be. I heard Fred Bearse make a kind of gaspin' noise in his throat.
+ </p>
+ <p>
+ &ldquo;'What a lovely night!' she says, half to herself. Then she calls: 'Papa,
+ dear, you really ought to see the stars.'
+ </p>
+ <p>
+ &ldquo;Old man Robinson, who I judged was in the settin' room, snarled out
+ somethin' which wa'n't no compliment to the stars. Then he ordered her to
+ come in afore she catched cold. She sighed and obeyed orders, shuttin' the
+ door astern of her. Next thing I knew that literary tenor grabbed my arm&mdash;'twa'n't
+ no canary-bird grip, neither.
+ </p>
+ <p>
+ &ldquo;'Who was that?' he whispers, eager.
+ </p>
+ <p>
+ &ldquo;I told him. 'That's the name they give,' says I, 'but we have doubts
+ about its bein' the real one. You see, there's some mystery about them
+ Robinsons, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'I'll take that waiter's place,' he says, quick. 'Shall I go right in and
+ begin now? Don't stop to argue, man; I say I'll take it.'
+ </p>
+ <p>
+ &ldquo;And he did take it by main strength, pretty nigh. Every time I'd open my
+ mouth he'd shut it up, and at last I give in, and showed him where he
+ could sleep.
+ </p>
+ <p>
+ &ldquo;'You turn out at five sharp,' I told him. 'And you needn't bother to
+ write no poems while you're dressin', neither.'
+ </p>
+ <p>
+ &ldquo;'Good night,' he answers, brisk. 'Go, will you, please? I want to think.'
+ </p>
+ <p>
+ &ldquo;I went. 'Tain't until an hour later that I remembered he hadn't asked one
+ word concernin' the wages. And next mornin' he comes to me and suggests
+ that perhaps 'twould be as well if I didn't tell his real name. He was
+ pretty sure he'd been away schoolin' so long that he wouldn't be
+ recognized. 'And incognitos seem to be fashionable here,' he purrs, soft
+ and gentle.
+ </p>
+ <p>
+ &ldquo;I wouldn't know an incognito if I stepped on one, but the tenor voice of
+ him kind of made me sick.
+ </p>
+ <p>
+ &ldquo;'All right,' I snaps, sarcastic. 'Suppose I call you &ldquo;Willie.&rdquo; How'll
+ that do?'
+ </p>
+ <p>
+ &ldquo;'Do as well as anything, I guess,' he says. Didn't make no odds to him.
+ If I'd have called him 'Maud,' he'd have been satisfied.
+ </p>
+ <p>
+ &ldquo;He waited in Annex Number Two, which was skippered by Cap'n Jonadab. And,
+ for a poet, he done pretty well, so the Cap'n said.
+ </p>
+ <p>
+ &ldquo;'But say, Barzilla,' asks Jonadab, 'does that Willie thing know the
+ Robinsons?'
+ </p>
+ <p>
+ &ldquo;'Guess not,' I says. But, thinkin' of the way he'd acted when the girl
+ come to the door: 'Why?'
+ </p>
+ <p>
+ &ldquo;'Oh, nothin' much. Only when he come in with the doughnuts the fust
+ mornin' at breakfast, I thought Grace sort of jumped and looked funny.
+ Anyhow, she didn't eat nothin' after that. P'r'aps that was on account of
+ her bein' out sailin' the day afore, though.'
+ </p>
+ <p>
+ &ldquo;I said I cal'lated that was it, but all the same I was interested. And
+ when, a day or so later, I see Grace and Willie talkin' together earnest,
+ out back of the kitchen, I was more so. But I never said nothin'. I've
+ been seafarin' long enough to know when to keep my main hatch closed.
+ </p>
+ <p>
+ &ldquo;The supplementary season dragged along, but it wa'n't quite the success
+ it looked like at the start. The gunnin' that year was even worse than
+ usual, and excursions and picnics in late September ain't all joy, by no
+ manner of means. We shut up the second Annex at the end of the month, and
+ transferred the help to Number One. Precious few new boarders come, and a
+ good many of the old ones quit. Them that did stay, stayed on account of
+ the football. We was edgin' up toward the end of the series, and our team
+ and the Wapatomac crowd was neck and neck. It looked as if the final game
+ between them and us, over on their grounds, would settle who'd have the
+ soup tureen.
+ </p>
+ <p>
+ &ldquo;Pa Robinson and Parker had been quite interested in Willie when he fust
+ come. They thought he might play with the eleven, you see. But he
+ wouldn't. Set his foot right down.
+ </p>
+ <p>
+ &ldquo;'I don't care for athletics,' he says, mild but firm. 'They used to
+ interest me somewhat, but not now.'
+ </p>
+ <p>
+ &ldquo;The old man was crazy. He'd heard about Willie's literature leanin's, and
+ he give out that he'd never see a writer yet that wa'n't a 'sissy.' Wanted
+ us to fire Bearse right off, but we kept him, thanks to me. If he'd seen
+ the 'sissy' kick the ball once, same as I did, it might have changed his
+ mind some. He was passin' along the end of the field when the gang was
+ practicin', and the ball come his way. He caught it on the fly, and sent
+ it back with his toe. It went a mile, seemed so, whirlin' and whizzin'.
+ Willie never even looked to see where it went; just kept on his course for
+ the kitchen.
+ </p>
+ <p>
+ &ldquo;The big sensation hit us on the fifth of October, right after supper. Me
+ and Peter T. and Jonadab was in the office, when down comes Henry, old
+ Robinson's man servant, white as a sheet and wringin' his hands
+ distracted.
+ </p>
+ <p>
+ &ldquo;'Oh, I say, Mr. Brown!' says he, shakin' all over like a quicksand. 'Oh,
+ Mr. Brown, sir! Will you come right up to Mr. Sterz&mdash;I mean Mr.
+ Robinson's room, please, sir! 'E wants to see you gentlemen special.
+ 'Urry, please! 'Urry!'
+ </p>
+ <p>
+ &ldquo;So we ''urried,' wonderin' what on earth was the matter. And when we got
+ to the Robinson rooms, there was Grace, lookin' awful pale, and the old
+ man himself ragin' up and down like a horse mack'rel in a fish weir.
+ </p>
+ <p>
+ &ldquo;Soon as papa sees us, he jumped up in the air, so's to speak, and when he
+ lit 'twas right on our necks. His daughter, who seemed to be the sanest
+ one in the lot, run and shut the door.
+ </p>
+ <p>
+ &ldquo;'Look here, you!' raved the old gent, shakin' both fists under Peter T.'s
+ nose. 'Didn't you tell me this was a respectable hotel? And ain't we
+ payin' for respectability?'
+ </p>
+ <p>
+ &ldquo;Peter admitted it, bein' too much set back to argue, I cal'late.
+ </p>
+ <p>
+ &ldquo;'Yes!' rages Robinson. 'We pay enough for all the respectability in this
+ state. And yet, by the livin' Moses! I can't go out of my room to spoil my
+ digestion with your cussed dried-apple pie, but what I'm robbed!'
+ </p>
+ <p>
+ &ldquo;'Robbed!' the three of us gurgles in chorus.
+ </p>
+ <p>
+ &ldquo;'Yes, sir! Robbed! Robbed! ROBBED! What do you think I came here for? And
+ why do I stay here all this time? 'Cause I LIKE it? 'Cause I can't afford
+ a better place? No, sir! By the great horn spoon! I come here because I
+ thought in this forsaken hole I could get lost and be safe. And now&mdash;'
+ </p>
+ <p>
+ &ldquo;He tore around like a water spout, Grace trying to calm him, and Henry
+ and Suzette, the maid, groanin' and sobbin' accompaniments in the corner.
+ I looked at the dresser. There was silver-backed brushes and all sorts of
+ expensive doodads spread out loose, and Miss Robinson's watch and a
+ di'mond ring, and a few other knickknacks. I couldn't imagine a thief's
+ leavin' all that truck, and I said so.
+ </p>
+ <p>
+ &ldquo;'Them?' sputters Pa, frantic. 'What the brimstone blazes do you think I
+ care for them? I could buy that sort of stuff by the car-load, if I wanted
+ to. But what's been stole is&mdash;Oh, get out and leave me alone! You're
+ no good, the lot of you!'
+ </p>
+ <p>
+ &ldquo;'Father has had a valuable paper stolen from him,' explains Grace. 'A
+ very valuable paper.'
+ </p>
+ <p>
+ &ldquo;'Valuable!' howls her dad. 'VALUABLE! Why, if Gordon and his gang get
+ that paper, they've got ME, that's all. Their suit's as good as won, and I
+ know it. And to think that I've kept it safe up to within a month of the
+ trial, and now&mdash;Grace Sterzer, you stop pattin' my head. I'm no
+ pussy-cat! By the&mdash;' And so on, indefinite.
+ </p>
+ <p>
+ &ldquo;When he called his daughter Sterzer, instead of Robinson, I cal'lated he
+ was loony, sure enough. But Peter T. slapped his leg.
+ </p>
+ <p>
+ &ldquo;'Oh!' he says, as if he'd seen a light all to once. 'Ah, NOW I begin to
+ get wise. I knew your face was&mdash;See here, Mr. Sterzer&mdash;Mr.
+ Gabriel Sterzer&mdash;don't you think we'd better have a real, plain talk
+ on this matter? Let's get down to tacks. Was the paper you lost something
+ to do with the Sterzer-Gordon lawsuit? The Aluminum Trust case, you know?'
+ </p>
+ <p>
+ &ldquo;The old man stopped dancin', stared at him hard, and then set down and
+ wiped his forehead.
+ </p>
+ <p>
+ &ldquo;'Something to DO with it?' he groans. 'Why, you idiot, it was IT! If
+ Gordon's lawyers get that paper&mdash;and they've been after it for a year&mdash;then
+ the fat's all in the fire. There's nothin' left for me to do but
+ compromise.'
+ </p>
+ <p>
+ &ldquo;When Peter T. mentioned the name of Gabriel Sterzer, me and Jonadab begun
+ to see a light, too. 'Course you remember the bust-up of the Aluminum
+ Trust&mdash;everybody does. The papers was full of it. There'd been a row
+ among the two leadin' stockholders, Gabe Sterzer and 'Major' Gordon. Them
+ two double-back-action millionaires practically owned the trust, and the
+ state 'twas in, and the politics of that state, and all the politicians.
+ Each of 'em run three or four banks of their own, and a couple of
+ newspapers, and other things, till you couldn't rest. Then they had the
+ row, and Gabe had took his playthings and gone home, as you might say.
+ Among the playthings was a majority of the stock, and the Major had sued
+ for it. The suit, with pictures of the leadin' characters and the lawyers
+ and all, had been spread-eagled in the papers everywheres. No wonder
+ 'Robinson's' face was familiar.
+ </p>
+ <p>
+ &ldquo;But it seemed that Sterzer had held the trump card in the shape of the
+ original agreement between him and Gordon. And he hung on to it like the
+ Old Scratch to a fiddler. Gordon and his crowd had done everything, short
+ of murder, to get it; hired folks to steal it, and so on, because, once
+ they DID get it, Gabe hadn't a leg to stand on&mdash;he'd have to divide
+ equal, which wa'n't his desires, by a good sight. The Sterzer lawyers had
+ wanted him to leave it in their charge, but no&mdash;he knew too much for
+ that. The pig-headed old fool had carted it with him wherever he went, and
+ him and his daughter had come to the Old Home House because he figgered
+ nobody would think of their bein' in such an out-of-the-way place as that.
+ But they HAD thought of it. Anyhow, the paper was gone.
+ </p>
+ <p>
+ &ldquo;'But Mr. Robinzer&mdash;Sterson, I mean&mdash;' cut in Cap'n Jonadab,
+ 'you could have 'em took up for stealin', couldn't you? They wouldn't dare&mdash;'
+ </p>
+ <p>
+ &ldquo;''Course they'd dare! S'pose they don't know I wouldn't have that
+ agreement get in the papers? Dare! They'd dare anything. If they get away
+ with it, by hook or crook, all I can do is haul in my horns and
+ compromise. If they've got that paper, the suit never comes to trial.'
+ </p>
+ <p>
+ &ldquo;'Well, they ain't got it yet,' says Peter, decided. 'Whoever stole the
+ thing is right here in this boardin'-house, and it's up to us to see that
+ they stay here. Barzilla, you take care of the mail. No letters must go
+ out to-night. Jonadab, you set up and watch all hands, help and all.
+ Nobody must leave this place, if we have to tie em. And I'll keep a
+ gen'ral overseein' of the whole thing, till we get a detective. And&mdash;if
+ you'll stand the waybill, Mr. Sterzer&mdash;we'll have the best Pinkerton
+ in Boston down here in three hours by special train. By the way, are you
+ sure the thing IS lifted? Where was it?'
+ </p>
+ <p>
+ &ldquo;Old Gabe kind of colored up, and give in that 'twas under his pillow. He
+ always kept it there after the beds was made.
+ </p>
+ <p>
+ &ldquo;'Humph!' grunts Brown. 'Why didn't you hang it on the door-knob? Under
+ the pillow! If I was a sneak thief, the first place I'd look would be
+ under the pillow; after that I'd tackle the jewelry box and the safe.'
+ </p>
+ <p>
+ &ldquo;There was consider'ble more talk. Seems the Sterzers had left Henry on
+ guard, same as they always done, when they went to supper. They could
+ trust him and Suzette absolute, they said. But Henry had gone down the
+ hall after a drink of water, and when he had got back everything
+ apparently was all right. 'Twa'n't till Gabe himself come up that he found
+ the paper gone. I judged he'd made it interestin' for Henry; the poor
+ critter looked that way.
+ </p>
+ <p>
+ &ldquo;All hands agreed to keep mum for the present and to watch. Peter hustled
+ to the office and called up the Pinkertons over the long distance.&rdquo;
+ </p>
+ <p>
+ Mr. Wingate paused. Captain Sol was impatient.
+ </p>
+ <p>
+ &ldquo;Go on,&rdquo; he said. &ldquo;Don't stop now, I'm gettin' anxious.&rdquo;
+ </p>
+ <p>
+ Barzilla rose to his feet. &ldquo;Here's your McKay man back again,&rdquo; he said.
+ &ldquo;Let's go up to your house and have breakfast. We can talk while we're
+ eatin'. I'm empty as a poorhouse boarder's pocketbook.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI
+ </h2>
+ <h3>
+ AVIATION AND AVARICE
+ </h3>
+ <p>
+ Breakfast at Capt. Sol Berry's was a bountiful meal. The depot master
+ employed a middle-aged woman who came in each day, cooked his meals and
+ did the housework, returning to her own home at night. After Mr. Wingate
+ had mowed a clean swath through ham and eggs, cornbread and coffee, and
+ had reached the cooky and doughnut stage, he condescended to speak further
+ concerning the stolen paper.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he said, &ldquo;Brown give me and Jonadab a serious talkin' to when he
+ got us alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;'Now, fellers,' he says, 'we know what we've got to do. Nothin'll be too
+ good for this shebang and us if we get that agreement back. Fust place,
+ the thing was done a few minutes after the supper-bell rung. That is,
+ unless that 'Enry is in on the deal, which ain't unlikely, considerin' the
+ price he could get from the Gordon gang. Was anybody late at the tables?'
+ </p>
+ <p>
+ &ldquo;Why, yes; there were quite a few late. Two of the 'gunners,' who'd been
+ on a forlorn-hope duck hunt; and a minister and his wife, out walkin' for
+ their health; and Parker and two fellers from the football team, who'd
+ been practicin'.
+ </p>
+ <p>
+ &ldquo;'Any of the waiters or the chambermaids?' asked Peter.
+ </p>
+ <p>
+ &ldquo;I'd been expectin' he'd ask that, and I hated to answer.
+ </p>
+ <p>
+ &ldquo;'One of the waiters was a little late,' says I. 'Willie wa'n't on hand
+ immediate. Said he went to wash his hands.'
+ </p>
+ <p>
+ &ldquo;Now the help gen'rally washed in the fo'castle&mdash;the servants'
+ quarters, I mean&mdash;but there was a wash room on the floor where the
+ Sterzer-Robinsons roomed. Peter looked at Jonadab, and the two of 'em at
+ me. And I had to own up that Willie had come downstairs from that wash
+ room a few minutes after the bell rung.
+ </p>
+ <p>
+ &ldquo;'Hum!' says Peter T. 'Hum!' he says. 'Look here, Barzilla, didn't you
+ tell me you knew that feller's real name, and that he had been studying
+ law?'
+ </p>
+ <p>
+ &ldquo;'No,' says I, emphatic. 'I said 'twas law he was tryin' to get away from.
+ His tastes run large to literation and poetry.'
+ </p>
+ <p>
+ &ldquo;'Hum!' says Peter again. 'All papers are more or less literary&mdash;even
+ trust agreements. Hum!'
+ </p>
+ <p>
+ &ldquo;'All the same,' says I, 'I'll bet my Sunday beaver that HE never took
+ it.'
+ </p>
+ <p>
+ &ldquo;They didn't answer, but looked solemn. Then the three of us went on
+ watch.
+ </p>
+ <p>
+ &ldquo;Nobody made a move to go out that evenin'. I kept whatever mail was
+ handed in, but there was nothin' that looked like any agreements, and
+ nothin' addressed to Gordon or his lawyers. At twelve or so, the detective
+ come. Peter drove up to the depot to meet the special. He told the whole
+ yarn on the way down.
+ </p>
+ <p>
+ &ldquo;The detective was a nice enough chap, and we agreed he should be 'Mr.
+ Snow,' of New York, gunnin' for health and ducks. He said the watch must
+ be kept up all night, and in the mornin' he'd make his fust move. So said,
+ so done.
+ </p>
+ <p>
+ &ldquo;And afore breakfast that next mornin' we called everybody into the dinin'
+ room, boarders, help, stable hands, every last one. And Peter made a
+ little speech. He said that a very valuable paper had been taken out of
+ Mr. Robinson's room, and 'twas plain that it must be on the premises
+ somewhere. 'Course, nobody was suspicioned, but, speakin' for himself,
+ he'd feel better if his clothes and his room was searched through. How'd
+ the rest feel about it?
+ </p>
+ <p>
+ &ldquo;Well, they felt diff'rent ways, but Parker spoke up like a brick, and
+ said he wouldn't rest easy till HIS belongin's was pawed over, and then
+ the rest fell in line. We went through everybody and every room on the
+ place. Found nothin', of course. Snow&mdash;the detective&mdash;said he
+ didn't expect to. But I tell you there was some talkin' goin' on, just the
+ same. The minister, he hinted that he had some doubts about them
+ dissipated gunners; and the gunners cal'lated they never see a parson yet
+ wouldn't bear watchin'. As for me, I felt like a pickpocket, and, judgin'
+ from Jonadab's face, he felt the same.
+ </p>
+ <p>
+ &ldquo;The detective man swooped around quiet, bobbin' up in unexpected places,
+ like a porpoise, and askin' questions once in a while. He asked about most
+ everybody, but about Willie, especial. I judged Peter T. had dropped a
+ hint to him and to Gabe. Anyhow, the old critter give out that he wouldn't
+ trust a poet with the silver handles on his grandmarm's coffin. As for
+ Grace, she acted dreadful nervous and worried. Once I caught her swabbin'
+ her eyes, as if she'd been cryin'; but I'd never seen her and Willie
+ together but the one time I told you of.
+ </p>
+ <p>
+ &ldquo;Four days and nights crawled by. No symptoms yet. The Pinkertons was
+ watchin' the Gordon lawyers' office in New York, and they reported that
+ nothin' like that agreement had reached there. And our own man&mdash;Snow&mdash;said
+ he'd go bail it hadn't been smuggled off the premises sense HE struck
+ port. So 'twas safe so far; but where was it, and who had it?
+ </p>
+ <p>
+ &ldquo;The final football game, the one with Wapatomac, was to be played over on
+ their grounds on the afternoon of the fifth day. Parker, cap'n of the
+ eleven, give out that, considerin' everything, he didn't know but we'd
+ better call it off. Old Robinson&mdash;Sterzer, of course&mdash;wouldn't
+ hear of it.
+ </p>
+ <p>
+ &ldquo;'Not much,' says he. 'I wouldn't chance your losin' that game for forty
+ papers. You sail in and lick 'em!' or words to that effect.
+ </p>
+ <p>
+ &ldquo;So the eleven was to cruise across the bay in the Greased Lightnin',
+ Peter's little motor launch, and the rooters was to go by train later on.
+ 'Twas Parker's idee, goin' in the launch. 'Twould be more quiet, less
+ strain on the nerves of his men, and they could talk over plays and
+ signals on the v'yage.
+ </p>
+ <p>
+ &ldquo;So at nine o'clock in the forenoon they was ready, the whole team&mdash;three
+ waiters, two fishermen, one carpenter from up to Wellmouth Center, a
+ stable hand, and Parker and three reg'lar boarders. These last three was
+ friends of Parker's that he'd had come down some time afore. He knew they
+ could play football, he said, and they'd come to oblige him.
+ </p>
+ <p>
+ &ldquo;The eleven gathered on the front porch, all in togs and sweaters,
+ principally provided and paid for by Sterzer. Cap'n Parker had the ball
+ under his arm, and the launch was waitin' ready at the landin'. All the
+ boarders&mdash;except Grace, who was upstairs in her room&mdash;and most
+ of the help was standin' round to say good luck and good-by.
+ </p>
+ <p>
+ &ldquo;Snow, the detective, was there, and I whispered in his ear.
+ </p>
+ <p>
+ &ldquo;'Say,' I says, 'do you realize that for the fust time since the robbery
+ here's a lot of folks leavin' the house? How do you know but what&mdash;'
+ </p>
+ <p>
+ &ldquo;He winked and nodded brisk. 'I'll attend to that,' he says.
+ </p>
+ <p>
+ &ldquo;But he didn't have to. Parker spoke fust, and took the wind out of his
+ sails.
+ </p>
+ <p>
+ &ldquo;'Gentlemen,' says he, 'I don't know how the rest of you feel, but, as for
+ me, I don't start without clear skirts. I suggest that Mr. Brown and Mr.
+ Wingate here search each one of us, thoroughly. Who knows,' says he,
+ laughin', 'but what I've got that precious stolen paper tucked inside my
+ sweater? Ha! ha! Come on, fellers! I'll be first.'
+ </p>
+ <p>
+ &ldquo;He tossed the ball into a chair and marched into the office, the rest of
+ the players after him, takin' it as a big joke. And there the searchin'
+ was done, and done thorough, 'cause Peter asked Mr. Snow to help, and he
+ knew how. One thing was sure; Pa Gabe's agreement wa'n't hid about the
+ persons of that football team. Everybody laughed&mdash;that is, all but
+ the old man and the detective. Seemed to me that Snow was kind of
+ disappointed, and I couldn't see why. 'Twa'n't likely any of THEM was
+ thieves.
+ </p>
+ <p>
+ &ldquo;Cap'n Parker picked up his football and started off for the launch. He'd
+ got about ha'fway to the shore when Willie&mdash;who'd been stand-in' with
+ the rest of the help, lookin' on&mdash;stepped for'ard pretty brisk and
+ whispered in the ear of the Pinkerton man. The detective jumped, sort of,
+ and looked surprised and mighty interested.
+ </p>
+ <p>
+ &ldquo;'By George!' says he. 'I never thought of that.' Then he run to the edge
+ of the piazza and called.
+ </p>
+ <p>
+ &ldquo;'Mr. Parker!' he sings out. 'Oh, Mr. Parker!'
+ </p>
+ <p>
+ &ldquo;Parker was at the top of the little rise that slopes away down to the
+ landin'. The rest of the eleven was scattered from the shore to the hotel
+ steps. He turns, without stoppin', and answers.
+ </p>
+ <p>
+ &ldquo;'What is it?' he sings out, kind of impatient.
+ </p>
+ <p>
+ &ldquo;'There's just one thing we forgot to look at,' shouts Snow. 'Merely a
+ matter of form, but just bring that&mdash;Hey! Stop him! Stop him!'
+ </p>
+ <p>
+ &ldquo;For Parker, instead of comin' back, had turned and was leggin' it for the
+ launch as fast as he could, and that was some.
+ </p>
+ <p>
+ &ldquo;'Stop!' roars the Pinkerton man, jumpin' down the steps. 'Stop, or&mdash;'
+ </p>
+ <p>
+ &ldquo;'Hold him, Jim!' screeched Parker, over his shoulder. One of the biggest
+ men on the eleven&mdash;one of the three 'friends' who'd been so obligin'
+ as to come down on purpose to play football&mdash;made a dive, caught the
+ detective around the waist, and threw him flat.
+ </p>
+ <p>
+ &ldquo;'Go on, Ed!' he shouts. 'I've got him, all right.'
+ </p>
+ <p>
+ &ldquo;Ed&mdash;meanin' Parker&mdash;was goin' on, and goin' fast. All hands
+ seemed to be frozen stiff, me and Jonadab and Peter T. included. As for
+ me, I couldn't make head nor tail of the doin's; things was comin' too
+ quick for MY understandin'.
+ </p>
+ <p>
+ &ldquo;But there was one on that piazza who wa'n't froze. Fur from it! Willie,
+ the poet waiter, made a jump, swung his long legs over the porch-rail, hit
+ the ground, and took after that Parker man like a cat after a field mouse.
+ </p>
+ <p>
+ &ldquo;Run! I never see such runnin'! He fairly flashed across that lawn and
+ over the rise. Parker was almost to the landin'; two more jumps and he'd
+ been aboard the launch. If he'd once got aboard, a turn of the switch and
+ that electric craft would have had him out of danger in a shake. But them
+ two jumps was two too many. Willie riz off the ground like a flyin'
+ machine, turned his feet up and his head down, and lapped his arms around
+ Parker's knees. Down the pair of 'em went 'Ker-wallop!' and the football
+ flew out of Parker's arms.
+ </p>
+ <p>
+ &ldquo;In an eyewink that poet was up, grabs the ball, and comes tearin' back
+ toward us.
+ </p>
+ <p>
+ &ldquo;'Stop him!' shrieks Parker from astern.
+ </p>
+ <p>
+ &ldquo;'Head him off! Tackle him!' bellers the big chap who was hangin' onto the
+ detective.
+ </p>
+ <p>
+ &ldquo;They tell me that discipline and obeyin' orders is as much in football as
+ 'tis aboard ship. If that's so, every one of the Old Home House eleven was
+ onto their jobs. There was five men between Willie and the hotel, and they
+ all bore down on him like bats on a June bug.
+ </p>
+ <p>
+ &ldquo;'Get him!' howls Parker, racin' to help.
+ </p>
+ <p>
+ &ldquo;'Down him!' chimes in big Jim, his knee in poor Snow's back.
+ </p>
+ <p>
+ &ldquo;'Run, Bearse! Run!' whoops the Pinkerton man, liftin' his mouth out of
+ the sand.
+ </p>
+ <p>
+ &ldquo;He run&mdash;don't you worry about that! Likewise he dodged. One chap
+ swooped at him, and he ducked under his arms. Another made a dive, and he
+ jumped over him. The third one he pushed one side with his hand. 'Pushed!'
+ did I say? 'Knocked' would be better, for the feller&mdash;the carpenter
+ 'twas&mdash;went over and over like a barrel rollin' down hill. But there
+ was two more left, and one of 'em was bound to have him.
+ </p>
+ <p>
+ &ldquo;Then a window upstairs banged open.
+ </p>
+ <p>
+ &ldquo;'Oh, Mr. Bearse!' screamed a voice&mdash;Grace Sterzer's voice. 'Don't
+ let them get you!'
+ </p>
+ <p>
+ &ldquo;We all heard her, in spite of the shoutin' and racket. Willie heard her,
+ too. The two fellers, one at each side, was almost on him, when he
+ stopped, looked up, jumped back, and, as cool as a rain barrel in January,
+ he dropped that ball and kicked it.
+ </p>
+ <p>
+ &ldquo;I can see that picture now, like a tableau at a church sociable. The
+ fellers that was runnin', the others on the ground, and that literary pie
+ passer with his foot swung up to his chin.
+ </p>
+ <p>
+ &ldquo;And the ball! It sailed up and up in a long curve, began to drop, passed
+ over the piazza roof, and out of sight.
+ </p>
+ <p>
+ &ldquo;'Lock your door, Miss Sterzer,' sung out Fred Bearse&mdash;'Willie' for
+ short. 'Lock your door and keep that ball. I think your father's paper is
+ inside it.'
+ </p>
+ <p>
+ &ldquo;As sure as my name is Barzilla Wingate, he had kicked that football
+ straight through the open window into old Gabe's room.&rdquo;
+ </p>
+ <p>
+ The depot master whooped and slapped his knee. Mr. Wingate grinned
+ delightedly and continued:
+ </p>
+ <p>
+ &ldquo;There!&rdquo; he went on, &ldquo;the cat's out of the bag, and there ain't much more
+ to tell. Everybody made a bolt for the room, old Gabe and Peter T. in the
+ lead. Grace let her dad in, and the ball was ripped open in a hurry. Sure
+ enough! Inside, between the leather and the rubber, was the missin'
+ agreement. Among the jubilations and praise services nobody thought of
+ much else until Snow, the Pinkerton man, come upstairs, his clothes tore
+ and his eyes and nose full of sand.
+ </p>
+ <p>
+ &ldquo;'Humph!' says he. 'You've got it, hey? Good! Well, you haven't got friend
+ Parker. Look!'
+ </p>
+ <p>
+ &ldquo;Such of us as could looked out of the window. There was the launch, with
+ Parker and his three 'friends' in it, headin' two-forty for blue water.
+ </p>
+ <p>
+ &ldquo;'Let 'em go,' says old Gabe, contented. 'I wouldn't arrest 'em if I
+ could. This is no police-station job.'
+ </p>
+ <p>
+ &ldquo;It come out afterwards that Parker was a young chap just from law school,
+ who had gone to work for the firm of shysters who was attendin' to the
+ Gordon interests. They had tracked Sterzer to the Old Home House, and had
+ put their new hand on the job of gettin' that agreement. Fust he'd tried
+ to shine up to Grace, but the shine&mdash;her part of it&mdash;had wore
+ off. Then he decided to steal it; and he done it, just how nobody knows.
+ Snow, the detective, says he cal'lates Henry, the servant, is wiser'n most
+ folks thinks, fur's that's concerned.
+ </p>
+ <p>
+ &ldquo;Snow had found out about Parker inside of two days. Soon's he got the
+ report as to who he was, he was morally sartin that he was the thief. He'd
+ looked up Willie's record, too, and that was clear. In fact, Willie helped
+ him consider'ble. 'Twas him that recognized Parker, havin' seen him play
+ on a law-school team. Also 'twas Willie who thought of the paper bein' in
+ the football.
+ </p>
+ <p>
+ &ldquo;Land of love! What a hero they made of that waiter!
+ </p>
+ <p>
+ &ldquo;'By the livin' Moses!' bubbles old Gabe, shakin' both the boy's hands.
+ 'That was the finest run and tackle and the finest kick I ever saw
+ anywhere. I've seen every big game for ten years, and I never saw anything
+ half so good.'
+ </p>
+ <p>
+ &ldquo;The Pinkerton man laughed. 'There's only one chap on earth who can kick
+ like that. Here he is,' layin' his hand on 'Willie's' shoulder. Bearse,
+ the All-American half-back last year.'
+ </p>
+ <p>
+ &ldquo;Gabe's mouth fell open. 'Not &ldquo;Bung&rdquo; Bearse, of Yarvard!' he sings out.
+ 'Why! WHY!'
+ </p>
+ <p>
+ &ldquo;'Of course, father!' purrs his daughter, smilin' and happy. 'I knew him
+ at once. He and I were&mdash;er&mdash;slightly acquainted when I was at
+ Highcliffe.'
+ </p>
+ <p>
+ &ldquo;'But&mdash;but &ldquo;Bung&rdquo; Bearse!' gasps the old gent. 'Why, you rascal! I
+ saw you kick the goal that beat Haleton. Your reputation is worldwide.'
+ </p>
+ <p>
+ &ldquo;Willie&mdash;Fred Bearse, that is&mdash;shook his head, sad and
+ regretful.
+ </p>
+ <p>
+ &ldquo;'Thank you, Mr. Sterzer,' says he, in his gentle tenor. 'I have no desire
+ to be famous in athletics. My aspirations now are entirely literary.'
+ </p>
+ <p>
+ &ldquo;Well, he's got his literary job at last, bein' engaged as sportin' editor
+ on one of Gabe's papers. His dad, old Sol Bearse, seems to be pretty well
+ satisfied, partic'lar as another engagement between the Bearse family and
+ the Sterzers has just been given out.&rdquo;
+ </p>
+ <p>
+ Barzilla helped himself to another doughnut. His host leaned back in his
+ chair and laughed uproariously.
+ </p>
+ <p>
+ &ldquo;Well, by the great and mighty!&rdquo; he exclaimed, &ldquo;that Willie chap certainly
+ did fool you, didn't he. You can't always tell about these college
+ critters. Sometimes they break out unexpected, like chickenpox in the 'Old
+ Men's Home.' Ha! ha! Say, do you know Nate Scudder?&rdquo;
+ </p>
+ <p>
+ &ldquo;Know him? Course I know him! The meanest man on the Cape, and livin'
+ right in my own town, too! Well, if I didn't know him I might trust him,
+ and that would be the beginnin' of the end&mdash;for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;It sartin would. But what made me think of him was what he told me about
+ his nephew, who was a college chap, consider'ble like your 'Willie,' I
+ jedge. Nate and this nephew, Augustus Tolliver, was mixed up in that
+ flyin'-machine business, you remember.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know they was. Mixed up with that Professor Dixland the papers are
+ makin' such a fuss over. Wellmouth's been crazy over it all, but it
+ happened a year ago and nobody that I know of has got the straight inside
+ facts about it yet. Nate won't talk at all. Whenever you ask him he busts
+ out swearin' and walks off. His wife's got such a temper that nobody dared
+ ask her, except the minister. He tried it, and ain't been the same man
+ since.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; the depot master smilingly scratched his chin, &ldquo;I cal'late I've
+ got those inside facts.&rdquo;
+ </p>
+ <p>
+ &ldquo;You HAVE?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Nate gave 'em to me, under protest. You see, I know Nate pretty
+ well. I know some things about him that . . . but never mind that part. I
+ asked him and, at last, he told me. I'll have to tell you in his words,
+ 'cause half the fun was the way he told it and the way he looked at the
+ whole business. So you can imagine I'm Nate, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;'Twill be a big strain on my imagination to b'lieve you're Nate Scudder,
+ Sol Berry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks. However, you'll have to do it for a spell. Well, Nate said that
+ it really begun when the Professor and Olivia landed at the Wellmouth
+ depot with the freight car full of junk. Of course, the actual beginnin'
+ was further back than that, when that Harmon man come on from Philadelphy
+ and hunted him up, makin' proclamation that a friend of his, a Mr. Van
+ Brunt of New York, had said that Scudder had a nice quiet island to let
+ and maybe he could hire it.
+ </p>
+ <p>
+ &ldquo;Course Nate had an island&mdash;that little sun-dried sandbank a mile or
+ so off shore, abreast his house, which we used to call 'Horsefoot Bar.'
+ That crazy Van Brunt and his chum, Hartley, who lived there along with Sol
+ Pratt a year or so ago, re-christened it 'Ozone Island,' you remember.
+ Nate was willin' to let it. He'd let Tophet, if he owned it, and a fool
+ come along who wanted to hire it and could pay for the rent and heat.
+ </p>
+ <p>
+ &ldquo;So Nate and this Harmon feller rowed over to the Bar&mdash;to Ozone
+ Island, I mean&mdash;and the desolation and loneliness of it seemed to
+ suit him to perfection. So did the old house and big barn and all the
+ tumbledown buildin's stuck there in the beach-grass and sand. Afore they'd
+ left they made a dicker. He wa'n't the principal in it. He was the private
+ secretary and fust mate of Mr. Professor Ansel Hobart Dixland, the
+ scientist&mdash;perhaps Scudder'd heard of him?
+ </p>
+ <p>
+ &ldquo;Perhaps he had, but if so, Nate forgot it, though he didn't tell him
+ that. Harmon ordered a fifteen-foot-high board fence built all around the
+ house and barn, and made Nate swear not to tell a soul who was comin' nor
+ anything. Dixland might want the island two months, he said, or he might
+ want it two years. Nate didn't care. He was in for good pickin's, and
+ begun to pick by slicin' a liberal commission off that fencebuildin' job.
+ There was a whole passel of letters back and forth between Nate and
+ Harmon, and finally Nate got word to meet the victims at the depot.
+ </p>
+ <p>
+ &ldquo;There was the professor himself, an old dried-up relic with whiskers and
+ a temper; and there was Miss Olivia Dixland, his niece and housekeeper, a
+ slim, plain lookin' girl, who wore eyeglasses and a straight up and down
+ dress. And there was a freight car full of crates and boxes and land knows
+ what all. But nary sign was there of a private secretary and assistant.
+ The professor told Nate that Mr. Harmon's health had suddenly broke down
+ and he'd had to be sent South.
+ </p>
+ <p>
+ &ldquo;'It's a calamity,' says he; 'a real calamity! Harmon has been with me in
+ my work from the beginnin'; and now, just as it is approachin' completion,
+ he is taken away. They say he may die. It is very annoyin'.'
+ </p>
+ <p>
+ &ldquo;'Humph!' says Nate. 'Well, maybe it annoys HIM some, too; you can't tell.
+ What you goin' to do for a secretary?'
+ </p>
+ <p>
+ &ldquo;'I understand,' says the professor, 'that there is a person of
+ consider'ble scientific attainment residin' with you, Mr. Scudder, at
+ present. Harmon met him while he was here; they were in the same class at
+ college. Harmon recommended him highly. Olivia,' he says to the niece,
+ 'what was the name of the young man whom Harmon recommended?'
+ </p>
+ <p>
+ &ldquo;'Tolliver, Uncle Ansel,' answers the girl, lookin' kind of disdainful at
+ Nate. Somehow he had the notion that she didn't take to him fust rate.
+ </p>
+ <p>
+ &ldquo;'Hey?' sings out Nate. 'Tolliver? Why, that's Augustus! AUGUSTUS! well,
+ I'll be switched!'
+ </p>
+ <p>
+ &ldquo;Augustus Tolliver was Nate's nephew from up Boston way. Him and Nate was
+ livin' together at that time. Huldy Ann, Mrs. Scudder, was out West, in
+ Omaha, takin' care of a cousin of hers who was a chronic invalid and,
+ what's more to the purpose, owned a lot of stock in copper mines.
+ </p>
+ <p>
+ &ldquo;Augustus was a freckle-faced, spindle-shanked little critter, with
+ spectacles and a soft, polite way of speakin' that made you want to build
+ a fire under him to see if he could swear like a Christian. He had a big
+ head with consider'ble hair on the top of it and nothin' underneath but
+ what he called 'science' and 'sociology.' His science wa'n't nothin' but
+ tommy-rot to Nate, and the 'sociology' was some kind of drivel about
+ everybody bein' equal to everybody else, or better. 'Seemed to think 'twas
+ wrong to get a good price for a thing when you found a feller soft enough
+ to pay it. Did you ever hear the beat of that in your life?' says Nate.
+ </p>
+ <p>
+ &ldquo;However, Augustus had soaked so much science and sociology into that weak
+ noddle of his that they kind of made him drunk, as you might say, and the
+ doctor had sent him down to board with the Scudders and sleep it off.
+ 'Nervous prostration' was the way he had his symptoms labeled, and the
+ nerve part was all right, for if a hen flew at him he'd holler and run.
+ Scart! you never see such a scart cat in your born days. Scart of a boat,
+ scart of being seasick, scart of a gun, scart of everything! Most special
+ he was scart of Uncle Nate. The said uncle kept him that way so's he
+ wouldn't dast to kick at the grub him and Huldy Ann give him, I guess.
+ </p>
+ <p>
+ &ldquo;'Augustus Tolliver,' says old Dixland, noddin'. 'Yes, that is the name.
+ Has he had a sound scientific trainin'?'
+ </p>
+ <p>
+ &ldquo;'Scientific trainin'!' says Nate. 'Scientific trainin'? Why, you bet he's
+ had it! That's the only kind of trainin' he HAS had. He'll be just the
+ feller for you, Mr. Dixland.'
+ </p>
+ <p>
+ &ldquo;So that was settled, all but notifyin' Augustus. But Scudder sighted
+ another speculation in the offin', and hove alongside of it.
+ </p>
+ <p>
+ &ldquo;'Mr. Harmon, when he was here,' says he, 'he mentioned you needin' a
+ nice, dependable man to live on the island and be sort of general
+ roustabout. My wife bein' away just now, and all, it struck me that I
+ might as well be that man. Maybe my terms'll seem a little high, at fust
+ mention, but&mdash;'
+ </p>
+ <p>
+ &ldquo;'Very good,' says the professor, 'very good. I'm sure you'll be
+ satisfactory. Now please see to the unloading of that car. And be careful,
+ VERY careful.'
+ </p>
+ <p>
+ &ldquo;Nate broke the news to Augustus that afternoon. He had his nose stuck in
+ a book, as usual, and never heard, so Nate yelled at him like a mate on a
+ tramp steamer, just to keep in trainin'.
+ </p>
+ <p>
+ &ldquo;'Who? Who? Who? What? What?' squeals Augustus, jumpin' out of the chair
+ as if there was pins in it. 'What is it? Who did it? Oh, my poor nerves!'
+ </p>
+ <p>
+ &ldquo;'Drat your poor nerves!' Nate says. 'I've got a good promisin' job for
+ you. Listen to this.'
+ </p>
+ <p>
+ &ldquo;Then he told about the professor's wantin' Gus to be assistant and help
+ do what the old man called 'experiments.'
+ </p>
+ <p>
+ &ldquo;'Dixland?' says Gus, 'Ansel Hobart Dixland, the great scientist! And I'm
+ to be HIS assistant? Assistant to the man who discovered DIXIUM and
+ invented&mdash;'
+ </p>
+ <p>
+ &ldquo;'Oh, belay there!' snorts Nate, impatient. Tell me this&mdash;he's awful
+ rich, ain't he?'
+ </p>
+ <p>
+ &ldquo;'Why, I believe&mdash;yes, Harmon said he was. But to think of MY bein'&mdash;'
+ </p>
+ <p>
+ &ldquo;'Now, nephew,' Nate cut in, 'let me talk to you a minute. Me and your
+ Aunt Huldy Ann have been mighty kind to you sence you've been here, and
+ here's your chance to do us a good turn. You stick close to science and
+ the professor and let me attend to the finances. If this family ain't well
+ off pretty soon it won't be your Uncle Nate's fault. Only don't you put
+ your oar in where 'tain't needed.'
+ </p>
+ <p>
+ &ldquo;Lord love you, Gus didn't care about finances. He was so full of joy at
+ bein' made assistant to the great Ansel Whiskers Dixland that he forgot
+ everything else, nerves and all.
+ </p>
+ <p>
+ &ldquo;So in another day the four of 'em was landed on Ozone Island and so was
+ the freight-car load of crates and boxes. Grub and necessaries was to be
+ provided by Scudder&mdash;for salary as stated and commission understood.
+ </p>
+ <p>
+ &ldquo;It took Nate less than a week to find out what old Dixland was up to.
+ When he learned it, he set down in the sand and fairly snorted disgust.
+ The old idiot was cal'latin' to FLY. Seems that for years he'd been
+ experimentin' with what he called 'aeroplanes,' and now he'd reached the
+ stage where he b'lieved he could flap his wings and soar. 'Thinks I,' says
+ Nate, 'your life work's cut out for you, Nate Scudder. You'll spend the
+ rest of your days as gen'ral provider for the Ozone private asylum.' Well,
+ Scudder wa'n't complainin' none at the outlook. He couldn't make a good
+ livin' no easier.
+ </p>
+ <p>
+ &ldquo;The aeroplane was in sections in them boxes and crates. Nate and Augustus
+ and the professor got out the sections and fitted 'em together. The
+ buildin's on Ozone was all joined together&mdash;first the house, then the
+ ell, then the wash-rooms and big sheds, and, finally, the barn. There was
+ doors connectin', and you could go from house to barn, both downstairs and
+ up, without steppin' outside once.
+ </p>
+ <p>
+ &ldquo;'Twas in the barn that they built what Whiskers called the 'flyin'
+ stage.' 'Twas a long chute arrangement on trestles, and the idea was that
+ the aeroplane was to get her start by slidin' down the chute, out through
+ the big doors and off by the atmosphere route to glory. I say that was the
+ IDEA. In practice she worked different.
+ </p>
+ <p>
+ &ldquo;Twice the professor made proclamations that everything was ready, and
+ twice they started that flyin' machine goin'. The fust time Dixland was at
+ the helm, and him and the aeroplane dropped headfust into the sandbank
+ just outside the barn. The machine was underneath, and the pieces of it
+ acted as a fender, so all the professor fractured was his temper. But it
+ took ten days to get the contraption ready for the next fizzle. Then poor,
+ shaky, scart Augustus was pilot, and he went so deep into the bank that
+ Nate says he wondered whether 'twas wuth while doin' anything but orderin'
+ the gravestone. But they dug him out at last, whole, but frightened blue,
+ and his nerves was worse than ever after that.
+ </p>
+ <p>
+ &ldquo;Then old Dixland announces that he has discovered somethin' wrong in the
+ principle of the thing, and they had to wait while he ordered some new
+ fittin's from Boston.
+ </p>
+ <p>
+ &ldquo;Meanwhile there was other complications settin' in. Scudder was kept busy
+ providin' grub and such like and helpin' the niece, Olivia, with the
+ housework. Likewise he had his hands full keepin' the folks alongshore
+ from findin' out what was goin' on. All this flyin' foolishness had to be
+ a dead secret.
+ </p>
+ <p>
+ &ldquo;But, busy as he was, he found time to notice the thick acquaintance that
+ was developin' between Augustus and Olivia. Them two was what the minister
+ calls 'kindred sperrits.' Seems she was sufferin' from science same as he
+ was and, more'n that, she was loaded to the gunwale with 'social reform.'
+ To hear the pair of 'em go on about helpin' the poor and 'settlement work'
+ and such was enough, accordin' to Nate, to make you leave the table. But
+ there! He couldn't complain. Olivia was her uncle's only heir, and Nate
+ could see a rainbow of promise ahead for the Scudder family.
+ </p>
+ <p>
+ &ldquo;The niece was a nice, quiet girl. The only thing Nate had against her,
+ outside of the sociology craziness and her not seemin' to take a shine to
+ him, was her confounded pets. Nate said he never had no use for pets&mdash;lazy
+ critters, eatin' up the victuals and costin' money&mdash;but Olivia was
+ dead gone on 'em. She adopted an old reprobate of a tom-cat, which she
+ labeled 'Galileo,' after an Eyetalian who invented spyglasses or somethin'
+ similar, and a great big ugly dog that answered to the hail of 'Phillips
+ Brooks'; she named him that because she said the original Phillips was a
+ distinguished parson and a great philanthropist.
+ </p>
+ <p>
+ &ldquo;That dog was a healthy philanthropist. When Nate kicked him the first
+ time, he chased him the whole length of the barn. After that they had to
+ keep him chained up. He was just pinin' for a chance to swaller Scudder
+ whole, and he showed it.
+ </p>
+ <p>
+ &ldquo;Well, as time went on, Olivia and Augustus got chummier and chummier.
+ Nate give 'em all the chance possible to be together, and as for old
+ Professor Whiskers, all he thought of, anyway, was his blessed flyin'
+ machine. So things was shapin' themselves well, 'cordin' to Scudder's
+ notion.
+ </p>
+ <p>
+ &ldquo;One afternoon Nate come, unexpected, to the top of a sand hill at t'other
+ end of the island, and there, below, set Olivia and Augustus. He had a
+ clove hitch 'round her waist, and they was lookin' into each other's
+ spectacles as if they was windows in the pearly gates. Thinks Nate:
+ 'They've signed articles,' and he tiptoed away, feelin' that life wa'n't
+ altogether an empty dream.
+ </p>
+ <p>
+ &ldquo;They was lively hours, them that followed. To begin with, when Nate got
+ back to the barn he found the professor layin' on the floor, under the
+ flyin' stage, groanin' soulful but dismal. He'd slipped off one of the
+ braces of the trestles and sprained both wrists and bruised himself till
+ he wa'n't much more than one big lump. He hadn't bruised his tongue none
+ to speak of, though, and his language wa'n't sprained so that you'd notice
+ it. What broke him up most of all was that he'd got his aeroplane ready to
+ 'fly' again, and now he was knocked out so's he couldn't be aboard when
+ she went off the ways.
+ </p>
+ <p>
+ &ldquo;'It is the irony of fate,' says he.
+ </p>
+ <p>
+ &ldquo;'I got it off the blacksmith over to Wellmouth Centre,' Nate told him;
+ 'but HE might have got it from Fate, or whoever you mean. 'Twas slippery
+ iron, I know that, and I warned you against steppin' on it yesterday.'
+ </p>
+ <p>
+ &ldquo;The professor more'n hinted that Nate was a dunderhead idiot, and then he
+ commenced to holler for Tolliver; he wanted to see Tolliver right off.
+ Scudder thought he'd ought to see a doctor, but he wouldn't, so Nate
+ plastered him up best he could, got him into the big chair in the front
+ room, and went huntin' Augustus. Him and Olivia was still camped in the
+ sand bank. Gus's right arm had got tired by this time, I cal'late, but he
+ had a new hitch with his left. Likewise they was still starin' into each
+ other's specs.
+ </p>
+ <p>
+ &ldquo;'Excuse me for interruptin' the mesmerism,' says Nate, 'but the professor
+ wants to see you.'
+ </p>
+ <p>
+ &ldquo;They jumped and broke away. But it took more'n that to bring 'em down out
+ of the clouds. They'd been flyin' a good sight higher than the old
+ aeroplane had yet.
+ </p>
+ <p>
+ &ldquo;'Uncle Nathan,' says Augustus, gettin' up and shakin' hands, 'I have the
+ most wonderful news for you. It's hardly believable. You'll never guess
+ it.'
+ </p>
+ <p>
+ &ldquo;'Give me three guesses and I'll win on the fust,' says Nate. 'You two are
+ engaged.'
+ </p>
+ <p>
+ &ldquo;They looked at him as if he'd done somethin' wonderful. 'But, Uncle,'
+ says Gus, shakin' hands again, 'just think! she's actually consented to
+ marry me.'
+ </p>
+ <p>
+ &ldquo;'Well, that's gen'rally understood to be a part of engagin', ain't it?'
+ says Nate. 'I'm glad to hear it. Miss Dixland, I congratulate you. You've
+ got a fine, promisin' young man.'
+ </p>
+ <p>
+ &ldquo;That, to Nate's notion, was about the biggest lie he ever told, but
+ Olivia swallered it for gospel. She seemed to thaw toward Scudder a little
+ mite, but 'twa'n't at a permanent melt, by no means.
+ </p>
+ <p>
+ &ldquo;'Thank you, Mr. Scudder,' says she, still pretty frosty. 'I am full aware
+ of Mr. Tolliver's merits. I'm glad to learn that YOU recognize them. He
+ has told some things concernin' his stay at your home which&mdash;'
+ </p>
+ <p>
+ &ldquo;'Yes, yes,' says Nate, kind of hurried. 'Well, I'm sorry to dump bad news
+ into a puddle of happiness like this, but your Uncle Ansel, Miss Dixland,
+ has been tryin' to fly without his machine, and he's sorry for it.'
+ </p>
+ <p>
+ &ldquo;Then he told what had happened to the professor, and Olivia started on
+ the run for the house. Augustus was goin', too, but Nate held him back.
+ </p>
+ <p>
+ &ldquo;'Wait a minute, Gus,' says he. 'Walk along with me; I want to talk with
+ you. Now, as an older man, your nighest relation, and one that's come to
+ love you like a son&mdash;yes, sir, like a son&mdash;I think it's my duty
+ just now to say a word of advice. You're goin' to marry a nice girl that's
+ comin' in for a lot of money one of these days. The professor, he's kind
+ of old, his roof leaks consider'ble, and this trouble is likely to hurry
+ the end along.
+ </p>
+ <p>
+ &ldquo;'Now, then,' Nate goes on, 'Augustus, my boy, what are you and that
+ simple, childlike girl goin' to do with all that money? How are you goin'
+ to take care of it? You and 'Livia&mdash;you mustn't mind my callin' her
+ that 'cause she's goin' to be one of the family so soon&mdash;you'll want
+ to be fussin' with science and such, and you won't have no time to attend
+ to the finances. You'll need a good, safe person to be your financial
+ manager. Well, you know me and you know your Aunt Huldy Ann. WE know all
+ about financin'; WE'VE had experience. You just let us handle the bonds
+ and coupons and them trifles. We'll invest 'em for you. We'll be yours and
+ 'Livia's financial managers. As for our wages, maybe they'll seem a little
+ high, but that's easy arranged. And&mdash;'
+ </p>
+ <p>
+ &ldquo;Gus interrupted then. 'Oh, that's all settled,' he says. 'Olivia and I
+ have planned all that. When we're married we shall devote our lives to
+ social work&mdash;to settlement work. All the money we ever get we shall
+ use to help the poor. WE don't want any of it. We shall live AMONG the
+ poor, live just as frugally as they do. Our money we shall give&mdash;every
+ cent of it&mdash;to charity and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Lord sakes!' yells Nate, 'DON'T talk that way! Don't! Be you crazy, too?
+ Why&mdash;'
+ </p>
+ <p>
+ &ldquo;But Gus went on, talkin' a steady streak about livin' in a little
+ tenement in what he called the 'slums' and chuckin' the money to this
+ tramp and that, till Nate's head was whirlin'. 'Twa'n't no joke. He meant
+ it and so did she, and they was just the pair of loons to do it, too.
+ </p>
+ <p>
+ &ldquo;Afore Nate had a chance to think up anything sensible to say, Olivia
+ comes hollerin' for Gus to hurry. Off he went, and Nate followed along,
+ holdin' his head and staggerin' like a voter comin' home from a political
+ candidate's picnic. All he could think of was: 'THIS the end of all my
+ plannin'! What&mdash;WHAT'LL Huldy Ann say to THIS?'
+ </p>
+ <p>
+ &ldquo;Nate found the professor bolstered up in his chair, with the other two
+ standin' alongside. He was layin' down the law about that blessed
+ aeroplane.
+ </p>
+ <p>
+ &ldquo;'No! no! NO! I tell you!' he roars, 'I'll see no doctor. My invention is
+ ready at last, and, if I'm goin' to die, I'll die successful. Tolliver,
+ you've been a faithful worker with me, and yours shall be the privilege of
+ makin' the first flight. Wheel me to the window, Olivia, and let me see my
+ triumph.'
+ </p>
+ <p>
+ &ldquo;But Olivia didn't move. Instead, she looked at Augustus and he at her.
+ 'Wheel me to the window!' yells Dixland. 'Tolliver, what are you waitin' for?
+ The doors are open, the aeroplane is ready. Go this instant and fly.'
+ </p>
+ <p>
+ &ldquo;Augustus was a bird all right, 'cordin' to Nate's opinion, but he didn't
+ seem anxious to spread his wings. He was white, and them nerves of his was
+ all in a twitter. If ever there was a scart critter, 'twas him then.
+ </p>
+ <p>
+ &ldquo;'Go out and fly,' says Nate to him, pretty average ugly. 'Don't you hear
+ the boss's order? Here, professor, I'll push you to the window.'
+ </p>
+ <p>
+ &ldquo;'Thank you, Scudder,' says Dixland. And then turnin' to Gus: 'Well, sir,
+ may I ask why you wait?'
+ </p>
+ <p>
+ &ldquo;'Twas Olivia that answered. 'Uncle Ansel,' says she, 'I must tell you
+ somethin'. I should have preferred tellin' you privately,' she puts in,
+ glarin' at Nate, 'but it seems I can't. Mr. Tolliver and I are engaged to
+ be married.'
+ </p>
+ <p>
+ &ldquo;Old Whiskers didn't seem to care a continental. All he had in his addled
+ head was that flyin' contraption.
+ </p>
+ <p>
+ &ldquo;'All right, all right,' he snaps, fretty, 'I'm satisfied. He appears to
+ be a decent young man enough. But now I want him to start my aeroplane.'
+ </p>
+ <p>
+ &ldquo;'No, Uncle Ansel,' goes on Olivia, 'I cannot permit him to risk his life
+ in that way. His nerves are not strong and neither is his heart. Besides,
+ the aeroplane has failed twice. Luckily no one was killed in the other
+ trials, but the chances are that the third time may prove fatal.'
+ </p>
+ <p>
+ &ldquo;'Fatal, you imbecile!' shrieks the professor. 'It's perfected, I tell
+ you! I&mdash;'
+ </p>
+ <p>
+ &ldquo;'It makes no difference. No, uncle, Augustus and I have made up our
+ minds. His life and health are too precious; he must be spared for the
+ grand work that we are to do together. No, Uncle Ansel, he shall NOT fly.'
+ </p>
+ <p>
+ &ldquo;Did you ever see a cat in a fit? That was the professor just then, so
+ Nate said. He tried to wave his sprained wrists and couldn't; tried to
+ stamp his foot and found it too lame. But his eyeglasses flashed sparks
+ and his tongue spit fire.
+ </p>
+ <p>
+ &ldquo;'Are you goin' to start that machine?' he screams at the blue-white,
+ shaky Augustus.
+ </p>
+ <p>
+ &ldquo;'No, Professor Dixland,' stammers Gus. 'No, sir, I'm sorry, but&mdash;'
+ </p>
+ <p>
+ &ldquo;'Why don't you ask Mr. Scudder to make the experiment, uncle?' suggests
+ that confounded niece, smilin' the spitefullest smile.
+ </p>
+ <p>
+ &ldquo;'Scudder,' says the professor, 'I'll give you five thousand dollars cash
+ to start in that aeroplane this moment.'
+ </p>
+ <p>
+ &ldquo;For a jiffy Nate was staggered. Five thousand dollars CASH&mdash;whew!
+ But then he thought of how deep Gus had been shoved into that sandbank.
+ And there was a new and more powerful motor aboard the thing now. Five
+ thousand dollars ain't much good to a telescoped corpse. He fetched a long
+ breath.
+ </p>
+ <p>
+ &ldquo;'Well, now, Mr. Dixland,' he says, 'I'd like to, fust rate, but you see I
+ don't know nothin' about mechanics.'
+ </p>
+ <p>
+ &ldquo;'Professor&mdash;' begins Augustus. 'Twas the final straw. Old Whiskers
+ jumped out of the chair, lameness and all.
+ </p>
+ <p>
+ &ldquo;'Out of this house, you ingrate!' he bellers. 'Out this instant! I
+ discharge you. Go! go!'
+ </p>
+ <p>
+ &ldquo;He was actually frothin' at the mouth. I cal'late Olivia thought he was
+ goin' to die, for she run to him.
+ </p>
+ <p>
+ &ldquo;'You'd better go, I think,' says she to her shakin' beau. 'Go, dear, now.
+ I must stay with him for the present, but we will see each other soon. Go
+ now, and trust me.'
+ </p>
+ <p>
+ &ldquo;'I disown you, you ungrateful girl,' foams her uncle. 'Scudder, I order
+ you to put that&mdash;that creature off this island.'
+ </p>
+ <p>
+ &ldquo;'Yes, sir,' says Nate, polite; 'in about two shakes of a heifer's tail.'
+ </p>
+ <p>
+ &ldquo;He started for Augustus, and Gus started for the door. I guess Olivia
+ might have interfered, but just then the professor keels over in a kind of
+ faint and she had to tend to him. Gus darts out of the door with Nate
+ after him. Scudder reached the beach just as his nephew was shovin' off in
+ the boat, bound for the mainland.
+ </p>
+ <p>
+ &ldquo;'Consarn your empty head!' Nate yelled after him. 'See what you get by
+ not mindin' me, don't you? I'm runnin' things on this island after this.
+ I'm boss here; understand? When you're ready to sign a paper deedin' over
+ ha'f that money your wife's goin' to get to me and Huldy Ann, maybe I'll
+ let you come back. And perhaps then I'll square things for you with
+ Dixland. But if you dare to set foot on these premises until then I'll
+ murder you; I'll drown you; I'll cut you up for bait; I'll feed you to the
+ dog.'
+ </p>
+ <p>
+ &ldquo;He sculled off, his oars rattlin' 'Hark from the tomb' in the rowlocks.
+ He b'lieved Nate meant it all. Oh, Scudder had HIM trained all right.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VII
+ </h2>
+ <h3>
+ CAPTAIN SOL DECIDES TO MOVE
+ </h3>
+ <p>
+ &ldquo;Trust Nate for that,&rdquo; interrupted Wingate. &ldquo;He's just as much a born
+ bully as he is a cheat and a skinflint.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yup,&rdquo; went on Captain Sol. &ldquo;Well, when Nate got back to the house the
+ professor was alone in the chair, lookin' sick and weak. Olivia was up in
+ her room havin' a cryin' fit. Nate got the old man to bed, made him some
+ clam soup and hot tea, and fetched and carried for him like he was a baby.
+ The professor's talk was mainly about the ungrateful desertion, as he
+ called it, of his assistant.
+ </p>
+ <p>
+ &ldquo;'Keep him away from this island,' he says. 'If he comes, I shall commit
+ murder; I know it.'
+ </p>
+ <p>
+ &ldquo;Scudder promised that Augustus shouldn't come back. The professor wanted
+ guard kept night and day. Nate said he didn't know's he could afford so
+ much time, and Dixland doubled his wages on the spot. So Nate agreed to
+ stand double watches, made him comfort'ble for the night, and left him.
+ </p>
+ <p>
+ &ldquo;Olivia didn't come downstairs again. She didn't seem to want any supper,
+ but Nate did and had it, a good one. Galileo, the cat, came yowlin'
+ around, and Nate kicked him under the sofy. Phillips Brooks was howlin'
+ starvation in the woodshed, and Scudder let him howl. If he starved to
+ death Nate wouldn't put no flowers on his grave. Take it altogether, he
+ was havin' a fairly good time.
+ </p>
+ <p>
+ &ldquo;And when, later on, he set alone up in his room over the kitchen, he
+ begun to have a better one. Prospects looked good. Maybe old Dixland WOULD
+ disown his niece. If he did, Nate figgered he was as healthy a candidate
+ for adoption as anybody. And Augustus would have to come to terms or stay
+ single. That is, unless him and Olivia got married on nothin' a week, paid
+ yearly. Nate guessed Huldy Ann would think he'd managed pretty well.
+ </p>
+ <p>
+ &ldquo;He set there for a long while, thinkin', and then he says he cal'lates he
+ must have dozed off. At any rate, next thing he knew he was settin' up
+ straight in his chair, listenin'. It seemed to him that he'd heard a sound
+ in the kitchen underneath.
+ </p>
+ <p>
+ &ldquo;He looked out of the window, and right away he noticed somethin'. 'Twas a
+ beautiful, clear moonlight night, and the high board fence around the
+ buildin's showed black against the white sand. And in that white strip was
+ a ten-foot white gape. Nate had shut that gate afore he went upstairs.
+ Who'd opened it? Then he heard the noise in the kitchen again. Somebody
+ was talkin' down there.
+ </p>
+ <p>
+ &ldquo;Nate got up and tiptoed acrost the room. He was in his stockin' feet, so
+ he didn't make a sound. He reached into the corner and took out his old
+ duck gun. It was loaded, both barrels. Nate cocked the gun and crept down
+ the back stairs.
+ </p>
+ <p>
+ &ldquo;There was a lamp burnin' low on the kitchen table, and there, in a couple
+ of chairs hauled as close together as they could be, set that Olivia niece
+ and Augustus. They was in a clove hitch again and whisperin' soft and
+ slushy.
+ </p>
+ <p>
+ &ldquo;My! but Scudder was b'ilin'! He give one jump and landed in the middle of
+ that kitchen floor.
+ </p>
+ <p>
+ &ldquo;'You&mdash;you&mdash;you!' he yelled, wavin' the shotgun. 'You're back
+ here, are you? You know what I told you I'd do to you? Well, now, I'll do
+ it.'
+ </p>
+ <p>
+ &ldquo;The pair of 'em had jumped about as far as Nate had, only the opposite
+ way. Augustus was a paralyzed statue, but Olivia had her senses with her.
+ </p>
+ <p>
+ &ldquo;'Run, Augustus!' she screamed. 'He'll shoot you. Run!'
+ </p>
+ <p>
+ &ldquo;And then, with a screech like a siren whistle, Augustus commenced to run.
+ Nate was between him and the outside door, so he bolted headfirst into the
+ dining room. And after him went Nate Scudder, so crazy mad he didn't know
+ what he was doin'.
+ </p>
+ <p>
+ &ldquo;'Twas pitch dark in the dining room, but through it they went rattlety
+ bang! dishes smashin', chairs upsettin' and 'hurrah, boys!' to pay
+ gen'rally. Then through the best parlor and into the front hall.
+ </p>
+ <p>
+ &ldquo;I cal'late Nate would have had him at the foot of the front stairs if it
+ hadn't been for Galileo. That cat had been asleep on the sofy, and the
+ noise and hullabaloo had stirred him up till he was as crazy as the rest
+ of 'em. He run right under Nate's feet and down went Nate sprawlin' and
+ both barrels of the shotgun bust loose like a couple of cannon.
+ </p>
+ <p>
+ &ldquo;Galileo took for tall timber, whoopin' anthems. Up them front stairs went
+ Augustus, screechin' shrill, like a woman; he was SURE Nate meant to
+ murder him now. And after him his uncle went on all fours, swearin'
+ tremendous.
+ </p>
+ <p>
+ &ldquo;Then 'twas through one bedroom after another, and each one more crowded
+ with noisy, smashable things than that previous. Nate said he could
+ remember the professor roarin' 'Fire!' and 'Help!' as the two of 'em
+ bumped into his bed, but they didn't stop&mdash;they was too busy. The
+ whole length of the house upstairs they traveled, then through the ell,
+ then the woodshed loft, and finally out into the upper story of the barn.
+ And there Nate knew he had him. The ladder was down.
+ </p>
+ <p>
+ &ldquo;'Now!' says Nate. 'Now, you long-legged villain, if I don't give you
+ what's comin' to you, then&mdash;Oh, there ain't no use in your climbin'
+ out there; you can't get down.'
+ </p>
+ <p>
+ &ldquo;The big barn doors was open, and, in the moonlight, Nate could see Gus
+ scramblin' up and around on the flyin' stage where the professor's
+ aeroplane was perched, lookin' like some kind of magnified June bug.
+ </p>
+ <p>
+ &ldquo;'Come back, you fool!' Scudder yelled at him. 'Come back and be
+ butchered. You might as well; it's too high for you to drop. You won't?
+ Then I'll come after you.'
+ </p>
+ <p>
+ &ldquo;Nate says he never shall forget Augustus's face in the blue light when he
+ see his uncle climbin' out on that stage after him. He was simply
+ desperate&mdash;that's it, desperate. And the next thing he did was jump
+ into the saddle of the machine and pull the startin' lever.
+ </p>
+ <p>
+ &ldquo;There was the buzz of the electric motor, a slippery, slidin' sound, one
+ awful hair-raisin' whoop from Augustus, and then&mdash;'F-s-s-s-t!'&mdash;down
+ the flyin' stage whizzed that aeroplane and out through the doors.
+ </p>
+ <p>
+ &ldquo;Nate set down on the trestles and waited for the sound of the smash. I
+ guess he actually felt conscience stricken. Of course, he'd only done his
+ duty, and yet&mdash;
+ </p>
+ <p>
+ &ldquo;But no smash came. Instead, there was a long scream from the kitchen&mdash;Olivia's
+ voice that was. And then another yell that for pure joy beat anything ever
+ heard.
+ </p>
+ <p>
+ &ldquo;'It flies!' screamed Professor Ansel Hobart Whiskers Dixland, from his
+ bedroom window. 'At last! At last! It FLIES!'
+ </p>
+ <p>
+ &ldquo;It took Nate some few minutes to paw his way back through the shed loft
+ and the ell over the things him and Gus knocked down on the fust lap,
+ until he got to his room where the trouble had started. Then he went down
+ to the kitchen and outdoor.
+ </p>
+ <p>
+ &ldquo;Olivia, a heavenly sort of look on her face, was standin' in the
+ moonlight, with her hands clasped, lookin' up at the sky.
+ </p>
+ <p>
+ &ldquo;'It flies!' says she, in a kind of whisper over and over again. 'Oh! it
+ FLIES!'
+ </p>
+ <p>
+ &ldquo;Alongside of her was old Dixland, wrapped in a bedquilt, forgettin' all
+ about sprains and lameness; and he likewise was staring at the sky and
+ sayin' over and over:
+ </p>
+ <p>
+ &ldquo;'It flies! It really FLIES!'
+ </p>
+ <p>
+ &ldquo;And Nate looked up, and there, scootin' around in circles, now up high
+ and now down low, tippin' this way and tippin' that, was that aeroplane.
+ And in the stillness you could hear the buzz of the motor and the yells of
+ Augustus.
+ </p>
+ <p>
+ &ldquo;Down flopped Scudder in the sand. 'Great land of love,' he says, 'it
+ FLIES!'
+ </p>
+ <p>
+ &ldquo;Well, for five minutes or so they watched that thing swoop and duck and
+ sail up there overhead. And then, slow and easy as a feather in a May
+ breeze, down she flutters and lands soft on a hummock a little ways off.
+ And that Augustus&mdash;a fool for luck&mdash;staggers out of it safe and
+ sound, and sets down and begins to cry.
+ </p>
+ <p>
+ &ldquo;The fust thing to reach him was Olivia. She grabbed him around the neck,
+ and you never heard such goin's on as them two had. Nate come hurryin' up.
+ </p>
+ <p>
+ &ldquo;'Here you!' he says, pullin' 'em apart. 'That's enough of this. And you,'
+ he adds to Gus, 'clear right out off this island. I won't make shark bait
+ of you this time, but&mdash;'
+ </p>
+ <p>
+ &ldquo;And then comes Dixland, hippity-hop over the hummocks. 'My noble boy!' he
+ sings out, fallin' all of a heap onto Augustus's round shoulders. 'My
+ noble boy! My hero!'
+ </p>
+ <p>
+ &ldquo;Nate looked on for a full minute with his mouth open. Olivia went away
+ toward the house. The professor and Gus was sheddin' tears like a couple
+ of waterin' pots.
+ </p>
+ <p>
+ &ldquo;'Come! come!' says Scudder finally; 'get up, Mr. Dixland; you'll catch
+ cold. Now then, you Tolliver, toddle right along to your boat. Don't you
+ worry, professor, I'll fix him so's he won't come here no more.'
+ </p>
+ <p>
+ &ldquo;But the professor turned on him like a flash.
+ </p>
+ <p>
+ &ldquo;'How dare you interfere?' says he. 'I forgive him everything. He is a
+ hero. Why, man, he FLEW!'
+ </p>
+ <p>
+ &ldquo;Olivia came up behind and touched Nate on the shoulders. 'Don't you think
+ you'd better go, Mr. Scudder?' she purred. 'I've unchained Phillips
+ Brooks.'
+ </p>
+ <p>
+ &ldquo;Nate swears he never made better time than he done gettin' to the shore
+ and the boat Augustus had come over in. But that philanthropist dog only
+ missed the supper he'd been waitin' for by about a foot and a half, even
+ as 'twas.
+ </p>
+ <p>
+ &ldquo;And that was the end of it, fur's Nate was concerned. Olivia was boss
+ from then on, and Scudder wa'n't allowed to land on his own island. And
+ pretty soon they all went away, flyin' machine and all, and now Gus and
+ Olivia are married.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, by gum!&rdquo; cried Wingate. &ldquo;Say, that must have broke Nate's heart
+ completely. All that good money goin' to the poor. Ha! ha!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Captain Sol, with a broad grin. &ldquo;Nate told me that every time
+ he realized that Gus's flyin' at all was due to his scarin' him into it,
+ it fairly made him sick of life.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did Huldy Ann say? I'll bet the fur flew when SHE heard of it!&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess likely it did. Scudder says her jawin's was the worst of all. Her
+ principal complaint was that he didn't take up with the professor's
+ five-thousand offer and try to fly. 'What if 'twas risky?' she says. 'If
+ anything happened to you the five thousand would have come to your heirs,
+ wouldn't it? But no! you never think of no one but yourself.'&rdquo;
+ </p>
+ <p>
+ Mr. Wingate glanced at his watch. &ldquo;Good land!&rdquo; he cried, &ldquo;I didn't realize
+ 'twas so late. I must trot along down and meet Stitt. He and I are goin'
+ to corner the clam market.&rdquo;
+ </p>
+ <p>
+ &ldquo;I must be goin', too,&rdquo; said the depot master, rising and moving toward
+ the door, picking up his cap on the way. He threw open the door and
+ exclaimed, &ldquo;Hello! here's Sim. What you got on your mind, Sim?&rdquo;
+ </p>
+ <p>
+ Mr. Phinney looked rather solemn. &ldquo;I wanted to speak with you a minute,
+ Sol,&rdquo; he began. &ldquo;Hello! Barzilla, I didn't know you was here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shan't be here but one second longer,&rdquo; replied Mr. Wingate, as he and
+ Phinney shook hands. &ldquo;I'm late already. Bailey'll think I ain't comin'.
+ Good-by, boys. See you this afternoon, maybe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, do,&rdquo; cried Berry, as his guest hurried down to the gate. &ldquo;I want to
+ hear about those automobiles over your way. You ain't bought one, have
+ you, Barzilla?&rdquo;
+ </p>
+ <p>
+ Wingate grinned over his shoulder. &ldquo;No,&rdquo; he called, &ldquo;I ain't. But other
+ folks you know have. It's the biggest joke on earth. You and Sim'll want
+ to hear it.&rdquo;
+ </p>
+ <p>
+ He waved a big hand and walked briskly up the Shore Road. The depot master
+ turned to his friend.
+ </p>
+ <p>
+ &ldquo;Well, Sim?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Well, Sol,&rdquo; answered the building mover gravely, &ldquo;I've just met Mr.
+ Hilton, the minister, and he told me somethin' about Olive Edwards,
+ somethin' I thought you'd want to know. You said for me to find out what
+ she was cal'latin' to do when she had to give up her home and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know what I said,&rdquo; interrupted the depot master rather sharply. &ldquo;What
+ did Hilton say?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Hilton told me not to tell,&rdquo; continued Phinney, &ldquo;and I shan't tell
+ nobody but you, Sol. I know you wont t mention it. The minister says that
+ Olive's hard up as she can be. All she's got in the world is the little
+ furniture and store stuff in her house. The store stuff don't amount to
+ nothin', but the furniture belonged to her pa and ma, and she set a heap
+ by it. Likewise, as everybody knows, she's awful proud and
+ self-respectin'. Anything like charity would kill her. Now out West&mdash;in
+ Omaha or somewheres&mdash;she's got a cousin who owed her dad money. Old
+ Cap'n Seabury lent this Omaha man two or three thousand dollars and set
+ him up in business. Course, the debt's outlawed, but Olive don't realize
+ that, or, if she did, it wouldn't count with her. She couldn't understand
+ how law would have any effect on payin' money you honestly owe. She's
+ written to the Omaha cousin, tellin' him what a scrape she's in and askin'
+ him to please, if convenient, let her have a thousand or so on account.
+ She figgers if she gets that, she can go to Bayport or Orham or somewheres
+ and open another notion store.&rdquo;
+ </p>
+ <p>
+ Captain Berry lit a cigar. &ldquo;Hum!&rdquo; he said, after a minute. &ldquo;You say she's
+ written to this chap. Has she got an answer yet?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not any definite one. She heard from the man's wife sayin' that her
+ husband&mdash;the cousin&mdash;had gone on a fishin' trip somewheres up in
+ Canady and wouldn't be back afore the eighth of next month. Soon's he does
+ come he'll write her. But Mr. Hilton thinks, and so do I&mdash;havin'
+ heard a few things about this cousin&mdash;that it's mighty doubtful if he
+ sends any money.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I shouldn't wonder. Where's Olive goin' to stay while she's waitin'
+ to hear?&rdquo;
+ </p>
+ <p>
+ &ldquo;In her own house. Mr. Hilton went to Williams and pleaded with him, and
+ he finally agreed to let her stay there until the 'Colonial' is moved onto
+ the lot. Then the Edwardses house'll be tore down and Olive'll have to go,
+ of course.&rdquo;
+ </p>
+ <p>
+ The depot master puffed thoughtfully at his cigar.
+ </p>
+ <p>
+ &ldquo;She won't hear before the tenth, at the earliest,&rdquo; he said. &ldquo;And if
+ Williams begins to move his 'Colonial' at once, he'll get it to her lot by
+ the seventh, sure. Have you given him your figures for the job?&rdquo;
+ </p>
+ <p>
+ &ldquo;Handed 'em in this very mornin'. One of his high-and-mighty servants, all
+ brass buttons and braid, like a feller playin' in the band, took my letter
+ and condescended to say he'd pass it on to Williams. I'd liked to have
+ kicked the critter, just to see if he COULD unbend; but I jedged
+ 'twouldn't be good business.&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably not. If the 'Colonial' gets to Olive's lot afore she hears from
+ the Omaha man, what then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, that's the worst of it. The minister don't know what she'll do.
+ There's plenty of places where she'd be more'n welcome to visit a spell,
+ but she's too proud to accept. Mr. Hilton's afraid she'll start for Boston
+ to hunt up a job, or somethin'. You know how much chance she stands of
+ gettin' a job that's wuth anything.&rdquo;
+ </p>
+ <p>
+ Phinney paused, anxiously awaiting his companion's reply. When it came it
+ was very unsatisfactory.
+ </p>
+ <p>
+ &ldquo;I'm goin' to the depot,&rdquo; said the Captain, brusquely. &ldquo;So long, Sim.&rdquo;
+ </p>
+ <p>
+ He slammed the door of the house behind him, strode to the gate, flung it
+ open, and marched on. Simeon gazed in astonishment, then hurried to
+ overtake him. Ranging alongside, he endeavored to reopen the conversation,
+ but to no purpose. The depot master would not talk. They turned into Cross
+ Street.
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; exclaimed Mr. Phinney, panting from his unaccustomed hurry, &ldquo;what
+ be we, runnin' a race? Why! . . . Oh, how d'ye do, Mr. Williams, sir? Want
+ to see me, do you?&rdquo;
+ </p>
+ <p>
+ The magnate of East Harniss stepped forward.
+ </p>
+ <p>
+ &ldquo;Er&mdash;Phinney,&rdquo; he said, &ldquo;I want a moment of your time. Morning,
+ Berry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mornin', Williams,&rdquo; observed Captain Sol brusquely. &ldquo;All right, Sim. I'll
+ wait for you farther on.&rdquo;
+ </p>
+ <p>
+ He continued his walk. The building mover stood still. Mr. Williams
+ frowned with lofty indignation.
+ </p>
+ <p>
+ &ldquo;Phinney,&rdquo; he said, &ldquo;I've just looked over those figures of yours, your
+ bid for moving my new house. The price is ridiculous.&rdquo;
+ </p>
+ <p>
+ Simeon attempted a pleasantry. &ldquo;Yes,&rdquo; he answered, &ldquo;I thought 'twas
+ ridic'lous myself; but I needed the money, so I thought I could afford to
+ be funny.&rdquo;
+ </p>
+ <p>
+ The Williams frown deepened.
+ </p>
+ <p>
+ &ldquo;I didn't mean ridiculously low,&rdquo; he snapped; &ldquo;I meant ridiculously high.
+ I'd rather help out you town fellows if I can, but you can't work me for a
+ good thing. I've written to Colt and Adams, of Boston, and accepted their
+ offer. You had your chance and didn't see fit to take it. That's all. I'm
+ sorry.&rdquo;
+ </p>
+ <p>
+ Simeon was angry; also a trifle skeptical.
+ </p>
+ <p>
+ &ldquo;Mr. Williams,&rdquo; he demanded, &ldquo;do you mean to tell me that THEM people have
+ agreed to move you cheaper'n I can?&rdquo;
+ </p>
+ <p>
+ &ldquo;Their price&mdash;their actual price may be no lower; but considering
+ their up-to-date outfit and&mdash;er&mdash;progressive methods, they're
+ cheaper. Yes. Morning, Phinney.&rdquo;
+ </p>
+ <p>
+ He turned on his heel and walked off. Mr. Phinney, crestfallen and angrier
+ than ever, moved on to where the depot master stood waiting for him.
+ Captain Sol smiled grimly.
+ </p>
+ <p>
+ &ldquo;You don't look merry as a Christmas tree, Sim,&rdquo; he observed. &ldquo;What did
+ his Majesty have to say to you?&rdquo;
+ </p>
+ <p>
+ Simeon related the talk with Williams. The depot master's grim smile grew
+ broader.
+ </p>
+ <p>
+ &ldquo;Sim,&rdquo; he asked, with quiet sarcasm, &ldquo;don't you realize that progressive
+ methods are necessary in movin' a house?&rdquo;
+ </p>
+ <p>
+ Phinney tried to smile in return, but the attempt was a failure.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; went on the Captain. &ldquo;Well, if you can't take the Grand Panjandrum
+ home, you can set on the fence and see him go by. That ought to be honor
+ enough, hadn't it? However, I may need some of your ridiculous figgers on
+ a movin' job of my own, pretty soon. Don't be TOO comical, will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean by that, Sol Berry?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that I may decide to move my own house.&rdquo;
+ </p>
+ <p>
+ &ldquo;Move your OWN house? Where to, for mercy sakes?&rdquo;
+ </p>
+ <p>
+ &ldquo;To that lot on Main Street that belongs to Abner Payne. Abner has wanted
+ to buy my lot here on the Shore Road for a long time. He knows it'll make
+ a fine site for some rich bigbug's summer 'cottage.' He would have bought
+ the house, too, but I think too much of that to sell it. Now Abner's come
+ back with another offer. He'll swap my lot for the Main Street one, pay my
+ movin' expenses and a fair 'boot' besides. He don't really care for my
+ HOUSE, you understand; it's my LAND he's after.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you goin' to take it up?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know. The Main Street lot's a good one, and my house'll look good
+ on it. And I'll make money by the deal.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but you've always swore by that saltwater view of yours. Told me
+ yourself you never wanted to live anywheres else.&rdquo;
+ </p>
+ <p>
+ Captain Sol took the cigar from his lips, looked at it, then threw it
+ violently into the gutter.
+ </p>
+ <p>
+ &ldquo;What difference does it make where I live?&rdquo; he snarled. &ldquo;Who in blazes
+ cares where I live or whether I live at all?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sol Berry, what on airth&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Shut up! Let me alone, Sim! I ain't fit company for anybody just now.
+ Clear out, there's a good feller.&rdquo;
+ </p>
+ <p>
+ The next moment he was striding down the hill. Mr. Phinney drew a long
+ breath, scratched his head and shook it solemnly. WHAT did it all mean?
+ </p>
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VIII
+ </h2>
+ <h3>
+ THE OBLIGATIONS OF A GENTLEMAN
+ </h3>
+ <p>
+ The methods of Messrs. Colt and Adams, the Boston firm of building movers,
+ were certainly progressive, if promptness in getting to work is any
+ criterion. Two days after the acceptance of their terms by Mr. Williams, a
+ freight car full of apparatus arrived at East Harniss. Then came a foreman
+ and a gang of laborers. Horses were hired, and within a week the &ldquo;pure
+ Colonial&rdquo; was off its foundations and on its way to the Edwards lot. The
+ moving was no light task. The big house must be brought along the Shore
+ Road to the junction with the Hill Boulevard, then swung into that
+ aristocratic highway and carried up the long slope, around the wide curve,
+ to its destination.
+ </p>
+ <p>
+ Mr. Phinney, though he hated the whole operation, those having it in
+ charge, and the mighty Williams especially, could not resist stealing down
+ to see how his successful rivals were progressing with the work he had
+ hoped to do. It caused him much chagrin to see that they were getting on
+ so very well. One morning, after breakfast, as he stood at the corner of
+ the Boulevard and the Shore Road, he found himself engaged in a mental
+ calculation.
+ </p>
+ <p>
+ Three days more and they would swing into the Boulevard; four or five days
+ after that and they would be abreast the Edwards lot. Another day and . .
+ . Poor Olive! She would be homeless. Where would she go? It was too early
+ for a reply from the Omaha cousin, but Simeon, having questioned the
+ minister, had little hope that that reply would be favorable. Still it was
+ a chance, and if the money SHOULD come before the &ldquo;pure Colonial&rdquo; reached
+ the Edwards lot, then the widow would at least not be driven penniless
+ from her home. She would have to leave that home in any event, but she
+ could carry out her project of opening another shop in one of the
+ neighboring towns. Otherwise . . . Mr. Phinney swore aloud.
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; said a voice behind him. &ldquo;I agree with you, though I don't know
+ what it's all about. I ain't heard anything better put for a long while.&rdquo;
+ </p>
+ <p>
+ Simeon spun around, as he said afterwards, &ldquo;like a young one's pinwheel.&rdquo;
+ At his elbow stood Captain Berry, the depot master, hands in pockets,
+ cigar in mouth, the personification of calmness and imperturbability. He
+ had come out of his house, which stood close to the corner, and walked
+ over to join his friend.
+ </p>
+ <p>
+ &ldquo;Land of love!&rdquo; exclaimed Simeon. &ldquo;Why don't you scare a fellow to death,
+ tiptoein' around? I never see such a cat-foot critter!&rdquo;
+ </p>
+ <p>
+ Captain Sol smiled. &ldquo;Jumpin' it, ain't they?&rdquo; he said, nodding toward the
+ &ldquo;Colonial.&rdquo; &ldquo;Be there by the tenth, won't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Tenth!&rdquo; Mr. Phinney sniffed disgust. &ldquo;It'll be there by the sixth, or I
+ miss my guess.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yup. Say, Sim, how soon could you land that shanty of mine in the road if
+ I give you the job to move it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I couldn't get it up to the Main Street lot inside of a fortnight,&rdquo;
+ replied Sim, after a moment's reflection. &ldquo;Fur's gettin' it in the road
+ goes, I could have it here day after to-morrow if I had gang enough.&rdquo;
+ </p>
+ <p>
+ The depot master took the cigar out of his mouth and blew a ring of smoke.
+ &ldquo;All right,&rdquo; he drawled, &ldquo;get gang enough.&rdquo;
+ </p>
+ <p>
+ Phinney jumped. &ldquo;You mean you've decided to take up with Payne's offer and
+ swap your lot for his?&rdquo; he gasped. &ldquo;Why, only two or three days ago you
+ said&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ya-as. That was two or three days ago, and I've been watchin' the
+ 'Colonial' since. I cal'late the movin' habit's catchin'. You have your
+ gang here by noon to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sol Berry, are you crazy? You ain't seen Abner Payne; he's out of town&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't have to see him. He's made me an offer and I'll write and accept
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you've got to have a selectmen's permit to move&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Got it. I went up and saw the chairman an hour ago. He's a friend of
+ mine. I nominated him town-meetin' day.&rdquo;
+ </p>
+ <p>
+ &ldquo;But,&rdquo; stammered Phinney, very much upset by the suddenness of it all,
+ &ldquo;you ain't got my price nor&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Drat your price! Give it when I ask it. See here, Sim, are you goin' to
+ have my house in the middle of the road by day after to-morrer? Or was
+ that just talk?&rdquo;
+ </p>
+ <p>
+ &ldquo;'Twa'n't talk. I can have it there, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; said Captain Sol coolly, &ldquo;then have it.&rdquo;
+ </p>
+ <p>
+ Hands in pockets, he strolled away. Simeon sat down on a rock by the
+ roadside and whistled.
+ </p>
+ <p>
+ However, whistling was a luxurious and time-wasting method of expressing
+ amazement, and Mr. Phinney could not afford luxuries just then. For the
+ rest of that day he was a busy man. As Bailey Stitt expressed it, he &ldquo;flew
+ round like a sand flea in a mitten,&rdquo; hiring laborers, engaging masons, and
+ getting his materials ready. That very afternoon the masons began tearing
+ down the chimneys of the little Berry house. Before the close of the
+ following day it was on the rollers. By two of the day after that it was
+ in the middle of the Shore Road, just when its mover had declared it
+ should be. They were moving it, furniture and all, and Captain Sol was, as
+ he said, going to &ldquo;stay right aboard all the voyage.&rdquo; No cooking could be
+ done, of course, but the Captain arranged to eat at Mrs. Higgins's
+ hospitable table during the transit. His sudden freak was furnishing
+ material for gossip throughout the village, but he did not care. Gossip
+ concerning his actions was the last thing in the world to trouble Captain
+ Sol Berry.
+ </p>
+ <p>
+ The Williams's &ldquo;Colonial&rdquo; was moving toward the corner at a rapid rate,
+ and the foreman of the Boston moving firm walked over to see Mr. Phinney.
+ </p>
+ <p>
+ &ldquo;Say,&rdquo; he observed to Simeon, who, the perspiration streaming down his
+ face, was resting for a moment before recommencing his labor of arranging
+ rollers; &ldquo;say,&rdquo; observed the foreman, &ldquo;we'll be ready to turn into the
+ Boulevard by tomorrer night and you're blockin' the way.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's all right,&rdquo; said Simeon, &ldquo;we'll be past the Boulevard corner by
+ that time.&rdquo;
+ </p>
+ <p>
+ He thought he was speaking the truth, but next morning, before work began,
+ Captain Berry appeared. He had had breakfast and strolled around to the
+ scene of operations.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; asked Phinney, &ldquo;how'd it seem to sleep on wheels?&rdquo;
+ </p>
+ <p>
+ &ldquo;Tiptop,&rdquo; replied the depot master. &ldquo;Like it fust rate. S'pose my next
+ berth will be somewheres up there, won't it?&rdquo;
+ </p>
+ <p>
+ He was pointing around the corner instead of straight ahead. Simeon gaped,
+ his mouth open.
+ </p>
+ <p>
+ &ldquo;Up THERE?&rdquo; he cried. &ldquo;Why, of course not. That's the Boulevard. We're
+ goin' along the Shore Road.&rdquo;
+ </p>
+ <p>
+ &ldquo;That so? I guess not. We're goin' by the Boulevard. Can go that way,
+ can't we?&rdquo;
+ </p>
+ <p>
+ &ldquo;Can?&rdquo; repeated Simeon aghast. &ldquo;Course we CAN! But it's like boxin' the
+ whole compass backward to get ha'f a p'int east of no'th. It's way round
+ Robin Hood's barn. It'll take twice as long and cost&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That's good,&rdquo; interrupted the Captain. &ldquo;I like to travel, and I'm willin'
+ to pay for it. Think of the view I'll get on the way.&rdquo;
+ </p>
+ <p>
+ &ldquo;But your permit from the selectmen&mdash;&rdquo; began Phinney. Berry held up
+ his hand.
+ </p>
+ <p>
+ &ldquo;My permit never said nothin' about the course to take,&rdquo; he answered, his
+ eye twinkling just a little. &ldquo;There, Sim, you're wastin' time. I move by
+ the Hill Boulevard.&rdquo;
+ </p>
+ <p>
+ And into the Boulevard swung the Berry house. The Colt and Adams foreman
+ was an angry man when he saw the beams laid in that direction. He rushed
+ over and asked profane and pointed questions.
+ </p>
+ <p>
+ &ldquo;Thought you said you was goin' straight ahead?&rdquo; he demanded.
+ </p>
+ <p>
+ &ldquo;Thought I was,&rdquo; replied Simeon, &ldquo;but, you see, I'm only navigator of this
+ craft, not owner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is the blankety blank?&rdquo; asked the foreman.
+ </p>
+ <p>
+ &ldquo;If you're referrin' to Cap'n Berry, I cal'late you'll find him at the
+ depot,&rdquo; answered Phinney. To the depot went the foreman. Receiving little
+ satisfaction there, he hurried to the home of his employer, Mr. Williams.
+ The magnate, red-faced and angry, returned with him to the station.
+ Captain Sol received them blandly. Issy, who heard the interview which
+ followed, declared that the depot master was so cool that &ldquo;an iceberg was
+ a bonfire 'longside of him.&rdquo; Issy's description of this interview, given
+ to a dozen townspeople within the next three hours, was as follows:
+ </p>
+ <p>
+ &ldquo;Mr. Williams,&rdquo; said the wide-eyed Issy, &ldquo;he comes postin' into the
+ waitin' room, his foreman with him. Williams marches over to Cap'n Sol and
+ he says, 'Berry,' he says, 'are you responsible for the way that house of
+ yours is moved?'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol bowed and smiled. 'Yes,' says he, sweet as a fresh scallop.
+ </p>
+ <p>
+ &ldquo;'You're movin' it to Main Street, aren't you? I so understood.'
+ </p>
+ <p>
+ &ldquo;'You understood correct. That's where she's bound.'
+ </p>
+ <p>
+ &ldquo;'Then what do you mean by turning out of your road and into mine?'
+ </p>
+ <p>
+ &ldquo;'Oh, I don't own any road. Have you bought the Boulevard? The selectmen
+ ought to have told us that. I s'posed it was town thoroughfare.'
+ </p>
+ <p>
+ &ldquo;Mr. Williams colored up a little. 'I didn't mean my road in that sense,'
+ he says. 'But the direct way to Main Street is along the shore, and
+ everybody knows it. Now why do you turn from that into the Boulevard?'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol took a cigar from his pocket. 'Have one?' says he, passin' it
+ toward Mr. Williams. 'No? Too soon after breakfast, I s'pose. Why do I
+ turn off?' he goes on. 'Well, I'll tell you. I'm goin' to stay right
+ aboard my shack while it's movin', and it's so much pleasanter a ride up
+ the hill that I thought I'd go that way. I always envied them who could
+ afford a house on the Boulevard, and now I've got the chance to have one
+ there&mdash;for a spell. I'm sartin I shall enjoy it.'
+ </p>
+ <p>
+ &ldquo;The foreman growled, disgusted. Mr. Williams got redder yet.
+ </p>
+ <p>
+ &ldquo;'Don't you understand?' he snorts. 'You're blockin' the way of the house
+ I'M movin'. I have capable men with adequate apparatus to move it, and
+ they would be able to go twice as fast as your one-horse country outfit.
+ You're blockin' the road. Now they must follow you. It's an outrage!'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol smiled once more. 'Too bad,' says he. 'It's a pity such a nice
+ street ain't wider. If it was my street in my town&mdash;I b'lieve that's
+ what you call East Harniss, ain't it?&mdash;seems to me I'd widen it.'
+ </p>
+ <p>
+ &ldquo;The boss of 'my town' ground his heel into the sand. 'Berry,' he snaps,
+ 'are you goin' to move that house over the Boulevard ahead of mine?'
+ </p>
+ <p>
+ &ldquo;The Cap'n looked him square in the eye. 'Williams,' says he, 'I am.'
+ </p>
+ <p>
+ &ldquo;The millionaire turned short and started to go.
+ </p>
+ <p>
+ &ldquo;'You'll pay for it,' he snarls, his temper gettin' free at last.
+ </p>
+ <p>
+ &ldquo;'I cal'late to,' purrs the Cap'n. 'I gen'rally do pay for what I want,
+ and a fair price, at that. I never bought in cheap mortgages and held 'em
+ for clubs over poor folks, never in my life. Good mornin'.'
+ </p>
+ <p>
+ &ldquo;And right to Mr. Williams's own face, too,&rdquo; concluded Issy. &ldquo;WHAT do you
+ think of that?&rdquo;
+ </p>
+ <p>
+ Here was defiance of authority and dignity, a sensation which should have
+ racked East Harniss from end to end. But most of the men in the village,
+ the tradespeople particularly, had another matter on their minds, namely,
+ Major Cuthbertson Scott Hardee, of &ldquo;Silverleaf Hall.&rdquo; The Major and his
+ debts were causing serious worriment.
+ </p>
+ <p>
+ The creditors of the Major met, according to agreement, on the Monday
+ evening following their previous gathering at the club. Obed Gott, one of
+ the first to arrive, greeted his fellow members with an air of gloomy
+ triumph and a sort of condescending pity.
+ </p>
+ <p>
+ Higgins, the &ldquo;general store&rdquo; keeper, acting as self-appointed chairman,
+ asked if anyone had anything to report. For himself, he had seen the Major
+ and asked point-blank for payment of his bill. The Major had been very
+ polite and was apparently much concerned that his fellow townsmen should
+ have been inconvenienced by any neglect of his. He would write to his
+ attorneys at once, so he said.
+ </p>
+ <p>
+ &ldquo;He said a whole lot more, too,&rdquo; added Higgins. &ldquo;Said he had never been
+ better served than by the folks in this town, and that I kept a fine
+ store, and so on and so forth. But I haven't got any money yet. Anybody
+ else had any better luck?&rdquo;
+ </p>
+ <p>
+ No one had, although several had had similar interviews with the master of
+ &ldquo;Silverleaf Hall.&rdquo;
+ </p>
+ <p>
+ &ldquo;Obed looks as if he knew somethin',&rdquo; remarked Weeks. &ldquo;What is it, Obed?&rdquo;
+ </p>
+ <p>
+ Mr. Gott scornfully waved his hand.
+ </p>
+ <p>
+ &ldquo;You fellers make me laugh,&rdquo; he said. &ldquo;You talk and talk, but you don't do
+ nothin'. I b'lieve in doin', myself. When I went home t'other night,
+ thinks I: 'There's one man that might know somethin' 'bout old Hardee, and
+ that's Godfrey, the hotel man.' So I wrote to Godfrey up to Boston and I
+ got a letter from him. Here 'tis.&rdquo;
+ </p>
+ <p>
+ He read the letter aloud. Mr. Godfrey wrote that he knew nothing about
+ Major Hardee further than that he had been able to get nothing from him in
+ payment for his board.
+ </p>
+ <p>
+ &ldquo;So I seized his trunk,&rdquo; the letter concluded. &ldquo;There was nothing in it
+ worth mentioning, but I took it on principle. The Major told me a lot
+ about writing to his attorneys for money, but I didn't pay much attention
+ to that. I'm afraid he's an old fraud, but I can't help liking him, and if
+ I had kept on running my hotel I guess he would have got away scot-free.&rdquo;
+ </p>
+ <p>
+ &ldquo;There!&rdquo; exclaimed the triumphant Obed, with a sneer, &ldquo;I guess that
+ settles it, don't it? Maybe you'd be willin' to turn your bills over to
+ Squire Baker now.&rdquo;
+ </p>
+ <p>
+ But they were not willing. Higgins argued, and justly, that although the
+ Major was in all probability a fraud, not even a lawyer could get water
+ out of a stone, and that when a man had nothing, suing him was a waste of
+ time and cash.
+ </p>
+ <p>
+ &ldquo;Besides,&rdquo; he said, &ldquo;there's just a chance that he may have attorneys and
+ property somewheres else. Let's write him a letter and every one of us
+ sign it, tellin' him that we'll call on him Tuesday night expectin' to be
+ paid in full. If we call and don't get any satisfaction, why, we ain't any
+ worse off, and then we can&mdash;well, run him out of town, if nothin'
+ more.&rdquo;
+ </p>
+ <p>
+ So the letter was written and signed by every man there. It was a long
+ list of signatures and an alarming total of indebtedness. The letter was
+ posted that night.
+ </p>
+ <p>
+ The days that followed seemed long to Obed. He was ill-natured at home and
+ ugly at the shop, and Polena declared that he was &ldquo;gettin' so a body
+ couldn't live with him.&rdquo; Her own spirits were remarkably high, and Obed
+ noticed that, as the days went by, she seemed to be unusually excited. On
+ Thursday she announced that she was going to Orham to visit her niece, one
+ Sarah Emma Cahoon, and wouldn't be back right off. He knew better than to
+ object, and so she went.
+ </p>
+ <p>
+ That evening each of the signers of the letter to Major Hardee received a
+ courteous note saying that the Major would be pleased to receive the
+ gentlemen at the Hall. Nothing was said about payment.
+ </p>
+ <p>
+ So, after some discussion, the creditors marched in procession across the
+ fields and up to &ldquo;Silverleaf Hall.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hardee's been to Orham to-day,&rdquo; whispered the keeper of the livery
+ stable, as they entered the yard. &ldquo;He drove over this mornin' and come
+ back to-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;DROVE over!&rdquo; exclaimed Obed, halting in his tracks. &ldquo;He did? Where'd he
+ get the team? I'll bet five dollars you was soft enough to let him have
+ it, and never said a word. Well, if you ain't&mdash;By jimmy! you wait
+ till I get at him! I'll show you that he can't soft soap me.&rdquo;
+ </p>
+ <p>
+ Augustus met them at the door and ushered them into the old-fashioned
+ parlor. The Major, calm, cool, and imperturbably polite, was waiting to
+ receive them. He made some observation concerning the weather.
+ </p>
+ <p>
+ &ldquo;The day's fine enough,&rdquo; interrupted Obed, pushing to the front, &ldquo;but that
+ ain't what we come here to talk about. Are you goin' to pay us what you
+ owe? That's what we want to know.&rdquo;
+ </p>
+ <p>
+ The &ldquo;gentleman of the old school&rdquo; did not answer immediately. Instead he
+ turned to the solemn servant at his elbow.
+ </p>
+ <p>
+ &ldquo;Augustus,&rdquo; he said, &ldquo;you may make ready.&rdquo; Then, looking serenely at the
+ irate Mr. Gott, whose clenched fist rested under the center table, which
+ he had thumped to emphasize his demands, the Major asked:
+ </p>
+ <p>
+ &ldquo;I beg your pardon, my dear sir, but what is the total of my indebtedness
+ to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nineteen dollars and twenty-eight cents, and I want you to understand
+ that&mdash;&rdquo;
+ </p>
+ <p>
+ Major Hardee held up a slim, white hand.
+ </p>
+ <p>
+ &ldquo;One moment, if you please,&rdquo; he said. &ldquo;Now, Augustus.&rdquo;
+ </p>
+ <p>
+ Augustus opened the desk in the corner and produced an imposing stack of
+ bank notes. Then he brought forth neat piles of halves, quarters, dimes,
+ and pennies, and arranged the whole upon the table. Obed's mouth and those
+ of his companions gaped in amazement.
+ </p>
+ <p>
+ &ldquo;Have you your bill with you, Mr. Gott?&rdquo; inquired the Major.
+ </p>
+ <p>
+ Dazedly Mr. Gott produced the required document.
+ </p>
+ <p>
+ &ldquo;Thank you. Augustus, nineteen twenty-eight to this gentleman. Kindly
+ receipt the bill, Mr. Gott, if you please. A mere formality, of course,
+ but it is well to be exact. Thank you, sir. And now, Mr. Higgins.&rdquo;
+ </p>
+ <p>
+ One by one the creditors shamefacedly stepped forward, received the amount
+ due, receipted the bill, and stepped back again. Mr. Peters, the
+ photographer, was the last to sign.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; said the Major, &ldquo;I am sorry that my carelessness in financial
+ matters should have caused you this trouble, but now that you are here, a
+ representative gathering of East Harniss's men of affairs, upon this night
+ of all nights, it seems fitting that I should ask for your
+ congratulations. Augustus.&rdquo;
+ </p>
+ <p>
+ The wooden-faced Augustus retired to the next room and reappeared carrying
+ a tray upon which were a decanter and glasses.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; continued the Major, &ldquo;I have often testified to my admiration
+ and regard for your&mdash;perhaps I may now say OUR&mdash;charming
+ village. This admiration and regard has extended to the fair daughters of
+ the township. It may be that some of you have conscientious scruples
+ against the use of intoxicants. These scruples I respect, but I am sure
+ that none of you will refuse to at least taste a glass of wine with me
+ when I tell you that I have this day taken one of the fairest to love and
+ cherish during life.&rdquo;
+ </p>
+ <p>
+ He stepped to the door of the dining room, opened it, and said quietly,
+ &ldquo;My dear, will you honor us with your presence?&rdquo;
+ </p>
+ <p>
+ There was a rustle of black silk and there came through the doorway the
+ stately form of her who had been Mrs. Polena Ginn.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; said the Major, &ldquo;permit me to present to you my wife, the new
+ mistress of 'Silverleaf Hall.'&rdquo;
+ </p>
+ <p>
+ The faces of the ex-creditors were pictures of astonishment. Mr. Gott's
+ expressive countenance turned white, then red, and then settled to a
+ mottled shade, almost as if he had the measles. Polena rushed to his side.
+ </p>
+ <p>
+ &ldquo;O Obed!&rdquo; she exclaimed. &ldquo;I know we'd ought to have told you, but 'twas
+ only Tuesday the Major asked me, and we thought we'd keep it a secret so's
+ to s'prise you. Mr. Langworthy over to Orham married us, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear,&rdquo; her husband blandly interrupted, &ldquo;we will not intrude our
+ private affairs upon the patience of these good friends. And now,
+ gentlemen, let me propose a toast: To the health and happiness of the
+ mistress of 'Silverleaf Hall'! Brother Obed, I&mdash;&rdquo;
+ </p>
+ <p>
+ The outside door closed with a slam; &ldquo;Brother Obed&rdquo; had fled.
+ </p>
+ <p>
+ A little later, when the rest of the former creditors of the Major came
+ out into the moonlight, they found their companion standing by the gate
+ gazing stonily into vacancy. &ldquo;Hen&rdquo; Leadbetter, who, with Higgins, brought
+ up the rear of the procession, said reflectively:
+ </p>
+ <p>
+ &ldquo;When he fust fetched out that stack of money I couldn't scarcely b'lieve
+ my eyes. I begun to think that we fellers had put our foot in it for
+ sartin, and had lost a mighty good customer; but, of course, it's all
+ plain enough NOW.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; remarked Weeks with a nod; &ldquo;I allers heard that P'lena kept a
+ mighty good balance in the bank.&rdquo;
+ </p>
+ <p>
+ &ldquo;It looks to me,&rdquo; said Higgins slyly, &ldquo;as if we owed Obed here a vote of
+ thanks. How 'bout that, Obed?&rdquo;
+ </p>
+ <p>
+ And then Major Hardee's new brother-in-law awoke with a jump.
+ </p>
+ <p>
+ &ldquo;Aw, you go to grass!&rdquo; he snarled, and tramped savagely off down the hill.
+ </p>
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IX
+ </h2>
+ <h3>
+ THE WIDOW BASSETT
+ </h3>
+ <p>
+ These developments, Major Hardee's marriage and Mr. Gott's discomfiture,
+ overshadowed, for the time, local interest in the depot master's house
+ moving. This was, in its way, rather fortunate, for those who took the
+ trouble to walk down to the lower end of the Boulevard were astonished to
+ see how very slowly the moving was progressing.
+ </p>
+ <p>
+ &ldquo;Only one horse, Sim?&rdquo; asked Captain Hiram Baker. &ldquo;Only one! Why, it'll
+ take you forever to get through, won't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm afraid it'll take quite a spell,&rdquo; admitted Mr. Phinney.
+ </p>
+ <p>
+ &ldquo;Where's your other one, the white one?&rdquo;
+ </p>
+ <p>
+ &ldquo;The white horse,&rdquo; said Simeon slowly, &ldquo;ain't feelin' just right and I've
+ had to lay him off.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! that's too bad. How does Sol act about it? He's such a hustler, I
+ should think&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Sol,&rdquo; interrupted Sim, &ldquo;ain't unreasonable. He understands.&rdquo;
+ </p>
+ <p>
+ He chuckled inwardly as he said it. Captain Sol did understand. Also Mr.
+ Phinney himself was beginning to understand a little.
+ </p>
+ <p>
+ The very day on which Williams and his foreman had called on the depot
+ master and been dismissed so unceremoniously, that official paid a short
+ visit to his mover.
+ </p>
+ <p>
+ &ldquo;Sim,&rdquo; he said, the twinkle still in his eye, &ldquo;his Majesty, Williams the
+ Conqueror, was in to see me just now and acted real peevish. He was pretty
+ disrespectful to you, too. Called your outfit 'one horse.' That's a
+ mistake, because you've got two horses at work right now. It seems a shame
+ to make a great man like that lie. Hadn't you better lay off one of them
+ horses?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lay one OFF?&rdquo; exclaimed Simeon. &ldquo;What for? Why, we'll be slow enough, as
+ 'tis. With only one horse we wouldn't get through for I don't know how
+ long.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's so,&rdquo; murmured the Captain. &ldquo;I s'pose with one horse you'd hardly
+ reach the middle of the Boulevard by&mdash;well, before the tenth of the
+ month. Hey?&rdquo;
+ </p>
+ <p>
+ The tenth of the month! The TENTH! Why, it was on the tenth that that
+ Omaha cousin of Olive Edwards was to&mdash;Mr. Phinney began to see&mdash;to
+ see and to grin, slow but expansive.
+ </p>
+ <p>
+ &ldquo;Hm-m-m!&rdquo; he mused.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; observed Captain Sol. &ldquo;That white horse of yours looks sort of
+ ailin' to me, Sim. I think he needs a rest.&rdquo;
+ </p>
+ <p>
+ And, sure enough, next day the white horse was pronounced unfit and taken
+ back to the stable. The depot master's dwelling moved, but that is all one
+ could say truthfully concerning its progress.
+ </p>
+ <p>
+ At the depot the Captain was quieter than usual. He joked with his
+ assistant less than had been his custom, and for the omission Issy was
+ duly grateful. Sometimes Captain Sol would sit for minutes without
+ speaking. He seemed to be thinking and to be pondering some grave problem.
+ When his friends, Mr. Wingate, Captain Stitt, Hiram Baker, and the rest,
+ dropped in on him he cheered up and was as conversational as ever. After
+ they had gone he relapsed into his former quiet mood.
+ </p>
+ <p>
+ &ldquo;He acts sort of blue, to me,&rdquo; declared Issy, speaking from the depths of
+ sensational-novel knowledge. &ldquo;If he was a younger man I'd say he was most
+ likely in love. Ah, hum! I s'pose bein' in love does get a feller
+ mournful, don't it?&rdquo;
+ </p>
+ <p>
+ Issy made this declaration to his mother only. He knew better than to
+ mention sentiment to male acquaintances. The latter were altogether too
+ likely to ask embarrassing questions.
+ </p>
+ <p>
+ Mr. Wingate and Captain Stitt were still in town, although their stay was
+ drawing to a close. One afternoon they entered the station together.
+ Captain Sol seemed glad to see them.
+ </p>
+ <p>
+ &ldquo;Set down, fellers,&rdquo; he ordered. &ldquo;I swan I'm glad to see you. I ain't fit
+ company for myself these days.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't Betsy Higgins feedin' you up to the mark?&rdquo; asked Stitt. &ldquo;Or is
+ house movin' gettin' on your vitals?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; growled the depot master, &ldquo;grub's all right and so's movin', I
+ cal'late. I'm glad you fellers come in. What's the news to Orham,
+ Barzilla? How's the Old Home House boarders standin' it? Hear from Jonadab
+ regular, do you?&rdquo;
+ </p>
+ <p>
+ Mr. Wingate laughed. &ldquo;Nothin' much,&rdquo; he said. &ldquo;Jonadab's too busy to write
+ these days. Bein' a sport interferes with letter writing consider'ble.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sport!&rdquo; exclaimed Captain Bailey. &ldquo;Land of Goshen! Cap'n Jonadab is the
+ last one I'd call a sport.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's 'cause you ain't a good judge of human nature, Bailey,&rdquo; chuckled
+ Barzilla. &ldquo;When ancient plants like Jonadab Wixon DO bloom, they're gay
+ old blossoms, I tell you!&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked the depot master.
+ </p>
+ <p>
+ &ldquo;I mean that Jonadab's been givin' me heart disease, that's what; givin'
+ it to me in a good many diff'rent ways, too. We opened the Old Home House
+ the middle of April this year, because Peter T. Brown thought we might
+ catch some spring trade. We did catch a little, though whether it paid to
+ open up so early's a question. But 'twas June 'fore Jonadab got his
+ disease so awful bad. However, most any time in the last part of May the
+ reg'lar programme of the male boarders was stirrin' him up.
+ </p>
+ <p>
+ &ldquo;Take it of a dull day, for instance. Sky overcast and the wind aidgin'
+ round to the sou'east, so's you couldn't tell whether 'twould rain or fair
+ off; too cold to go off to the ledge cod fishin' and too hot for billiards
+ or bowlin'; a bunch of the younger women folks at one end of the piazza
+ playin' bridge; half a dozen men, includin' me and Cap'n Jonadab, smokin'
+ and tryin' to keep awake at t'other end; amidships a gang of females&mdash;all
+ 'fresh air fiends'&mdash;and mainly widows or discards in the matrimony
+ deal, doin' fancywork and gossip. That would be about the usual layout.
+ </p>
+ <p>
+ &ldquo;Conversation got to you in homeopath doses, somethin' like this:
+ </p>
+ <p>
+ &ldquo;'Did you say &ldquo;Spades&rdquo;? WELL! if I'd known you were going to make us lose
+ our deal like that, I'd never have bridged it&mdash;not with THIS hand.'
+ </p>
+ <p>
+ &ldquo;'Oh, Miss Gabble, have you heard what people are sayin' about&mdash;' The
+ rest of it whispers.
+ </p>
+ <p>
+ &ldquo;'A&mdash;oo&mdash;OW! By George, Bill! this is dead enough, isn't it?
+ Shall we match for the cigars or are you too lazy?'
+ </p>
+ <p>
+ &ldquo;Then, from away off in the stillness would come a drawn-out 'Honk! honk!'
+ like a wild goose with the asthma, and pretty soon up the road would come
+ sailin' a big red automobile, loaded to the guards with goggles and
+ grandeur, and whiz past the hotel in a hurricane of dust and smell. Then
+ all hands would set up and look interested, and Bill would wink acrost at
+ his chum and drawl:
+ </p>
+ <p>
+ &ldquo;'That's the way to get over the country! Why, a horse isn't one&mdash;two&mdash;three
+ with that! Cap'n Wixon, I'm surprised that a sportin' man like you hasn't
+ bought one of those things long afore this.'
+ </p>
+ <p>
+ &ldquo;For the next twenty minutes there wouldn't be any dullness. Jonadab would
+ take care of that. He'd have the floor and be givin' his opinions of autos
+ and them that owned and run 'em. And between the drops of his language
+ shower you'd see them boarders nudgin' each other and rockin' back and
+ forth contented and joyful.
+ </p>
+ <p>
+ &ldquo;It always worked. No matter what time of day or night, all you had to say
+ was 'auto' and Cap'n Jonadab would sail up out of his chair like one of
+ them hot-air balloons the youngsters nowadays have on Fourth of July. And
+ he wouldn't come down till he was empty of remarks, nuther. You never see
+ a man get so red faced and eloquent.
+ </p>
+ <p>
+ &ldquo;It wa'n't because he couldn't afford one himself. I know that's the usual
+ reason for them kind of ascensions, but 'twa'n't his. No, sir! the summer
+ hotel business has put a considerable number of dollars in Jonadab's
+ hands, and the said hands are like a patent rat trap, a mighty sight
+ easier to get into than out of. He could have bought three automobiles if
+ he'd wanted to, but he didn't want to. And the reason he didn't was named
+ Tobias Loveland and lived over to Orham.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know Tobias,&rdquo; interrupted Captain Bailey Stitt.
+ </p>
+ <p>
+ &ldquo;Course you do,&rdquo; continued Barzilla. &ldquo;So does Sol, I guess. Well, anyhow,
+ Tobias and Cap'n Jonadab never did hitch. When they was boys together at
+ school they was always rowin' and fightin', and when they grew up to be
+ thirty and courted the same girl&mdash;ten years younger than either of
+ 'em, she was&mdash;twa'n't much better. Neither of 'em got her, as a
+ matter of fact; she married a tin peddler named Bassett over to Hyannis.
+ But both cal'lated they would have won if t'other hadn't been in the race,
+ and consequently they loved each other with a love that passed
+ understandin'. Tobias had got well to do in the cranberry-raisin' line and
+ drove a fast horse. Jonadab, durin' the last prosperous year or two, had
+ bought what he thought was some horse, likewise. They met on the road one
+ day last spring and trotted alongside one another for a mile. At the end
+ of that mile Jonadab's craft's jib boom was just astern of Tobias's
+ rudder. Inside of that week the Cap'n had swapped his horse for one with a
+ two-thirty record, and the next time they met Tobias was left with a
+ beautiful, but dusty, view of Jonadab's back hair. So HE bought a new
+ horse. And that was the beginnin'.
+ </p>
+ <p>
+ &ldquo;It went along that way for twelve months. Fust one feller's nag would
+ come home freighted with perspiration and glory, and then t'other's. One
+ week Jonadab would be so bloated with horse pride that he couldn't find
+ room for his vittles, and the next he'd be out in the stable growlin'
+ 'cause it cost so much for hay to stuff an old hide rack that wa'n't fit
+ to put in a museum. At last it got so that neither one could find a better
+ horse on the Cape, and the two they had was practically an even match. I
+ begun to have hopes that the foolishness was over. And then the tin
+ peddler's widow drifts in to upset the whole calabash.
+ </p>
+ <p>
+ &ldquo;She made port at Orham fust, this Henrietta Bassett did, and the style
+ she slung killed every female Goliath in the Orham sewin' circle dead.
+ Seems her husband that was had been an inventor, as a sort of side line to
+ peddlin' tinware, and all to once he invented somethin' that worked. He
+ made money&mdash;nobody knew how much, though all hands had a guess&mdash;and
+ pretty soon afterwards he made a will and Henrietta a widow. She'd been
+ livin' in New York, so she said, and had come back to revisit the scenes
+ of her childhood. She was a mighty well-preserved woman&mdash;artificial
+ preservatives, I cal'late, like some kinds of tomatter ketchup&mdash;and
+ her comin' stirred Orham way down to the burnt places on the bottom of the
+ kettle.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess I remember HER, too,&rdquo; put in Captain Bailey.
+ </p>
+ <p>
+ &ldquo;Say!&rdquo; queried Mr. Wingate snappishly, &ldquo;do you want to tell about her? If
+ you do, why&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Belay, both of you!&rdquo; ordered the depot master. &ldquo;Heave ahead, Barzilla.&rdquo;
+ </p>
+ <p>
+ &ldquo;The news of her got over to Wellmouth, and me and Jonadab heard of it. He
+ was some subject to widows&mdash;most widower men are, I guess&mdash;but
+ he didn't develop no alarmin' symptoms in this case and never even hinted
+ that he'd like to see his old girl. Fact is, his newest horse trade had
+ showed that it was afraid of automobiles, and he was beginnin' to get
+ rabid along that line. Then come that afternoon when him and me was out
+ drivin' together, and we&mdash;Well, I'll have to tell you about that.
+ </p>
+ <p>
+ &ldquo;We was over on the long stretch of wood road between Trumet and Denboro,
+ nice hard macadam, the mare&mdash;her name was Celia, but Jonadab had
+ re-christened her Bay Queen after a boat he used to own&mdash;skimmin'
+ along at a smooth, easy gait, when, lo and behold you! we rounds a turn
+ and there ahead of us is a light, rubber-tired wagon with a man and woman
+ on the seat of it. I heard Jonadab give a kind of snort.
+ </p>
+ <p>
+ &ldquo;'What's the matter?' says I.
+ </p>
+ <p>
+ &ldquo;'Nothin',' says he, between his teeth. 'Only, if I ain't some mistaken,
+ that's Tobe Loveland's rig. Wonder if he's got his spunk with him? The
+ Queen's feelin' her oats to-day, and I cal'late I can show him a few
+ things.'
+ </p>
+ <p>
+ &ldquo;'Rubbish!' says I, disgusted. 'Don't be foolish, Jonadab. I don't know
+ nothin' about his spunk, but I do know there's a woman with him. 'Tain't
+ likely he'll want to race you when he's got a passenger aboard.'
+ </p>
+ <p>
+ &ldquo;'Oh, I don't know!' says he. 'I've got you, Barzilla; so 'twill be two
+ and two. Let's heave alongside and see.'
+ </p>
+ <p>
+ &ldquo;So he clucked to the Queen, and in a jiffy we was astern of t'other rig.
+ Loveland looked back over his shoulder.
+ </p>
+ <p>
+ &ldquo;'Ugh!' he grunts, 'bout as cordial as a plate of ice cream. ''Lo, Wixon,
+ that you?'
+ </p>
+ <p>
+ &ldquo;'Um-hm,' begins Jonadab. 'How's that crowbait of yours to-day, Tobe? Got
+ any go in him? 'Cause if he has, I&mdash;'
+ </p>
+ <p>
+ &ldquo;He stopped short. The woman in Loveland's carriage had turned her head
+ and was starin' hard.
+ </p>
+ <p>
+ &ldquo;'Why!' she gasps. 'I do believe&mdash;Why, Jonadab!'
+ </p>
+ <p>
+ &ldquo;'HETTIE!' says the Cap'n.
+ </p>
+ <p>
+ &ldquo;Well, after that 'twas pull up, of course, and shake hands and talk. The
+ widow, she done most of the talkin'. She was SO glad to see him. How had
+ he been all these years? She knew him instantly. He hadn't changed a mite&mdash;that
+ is, not so VERY much. She was plannin' to come over to the Old Home House
+ and stay a spell later on; but now she was havin' SUCH a good time in
+ Orham, Tobias&mdash;Mr. Loveland&mdash;was makin' it SO pleasant for her.
+ She did enjoy drivin' so much, and Mr. Loveland had the fastest horse in
+ the county&mdash;did we know that?
+ </p>
+ <p>
+ &ldquo;Tobias and Jonadab glowered back and forth while all this gush was bein'
+ turned loose, and hardly spoke to one another. But when 'twas over and we
+ was ready to start again, the Cap'n says, says he:
+ </p>
+ <p>
+ &ldquo;'I'll be mighty glad to see you over to the hotel, when you're ready to
+ come, Hettie. I can take you ridin', too. Fur's horse goes, I've got a
+ pretty good one myself.'
+ </p>
+ <p>
+ &ldquo;'Oh!' squeals the widow. 'Really? Is that him? It's awful pretty, and he
+ looks fast.'
+ </p>
+ <p>
+ &ldquo;'She is,' says Jonadab. 'There's nothin' round here can beat her.'
+ </p>
+ <p>
+ &ldquo;'Humph!' says Loveland. 'Git dap!'
+ </p>
+ <p>
+ &ldquo;'Git dap!' says Jonadab, agreein' with him for once.
+ </p>
+ <p>
+ &ldquo;Tobias started, and we started. Tobias makes his horse go a little
+ faster, and Jonadab speeded up some likewise. I see how 'twas goin' to be,
+ and therefore I wa'n't surprised to death when the next ten minutes found
+ us sizzlin' down that road, neck and neck with Loveland, dust flyin',
+ hoofs poundin', and the two drivers leanin' way for'ard over the dash,
+ reins gripped and teeth sot. For a little ways 'twas an even thing, and
+ then we commenced to pull ahead a little.
+ </p>
+ <p>
+ &ldquo;'Loveland,' yells Jonadab, out of the port corner of his mouth, 'if I
+ ain't showin' you my tailboard by the time we pass the fust house in
+ Denboro, I'll eat my Sunday hat.'
+ </p>
+ <p>
+ &ldquo;I cal'late he would 'a' beat, too. We was drawin' ahead all the time and
+ had a three-quarter length lead when we swung clear of the woods and
+ sighted Denboro village, quarter of a mile away. And up the road comes
+ flyin' a big auto, goin' to beat the cars.
+ </p>
+ <p>
+ &ldquo;Let's forget the next few minutes; they wa'n't pleasant ones for me.
+ Soon's the Bay Queen sot eyes on that auto, she stopped trottin' and
+ commenced to hop; from hoppin' she changed to waltzin' and high jumpin'.
+ When the smoke had cleared, the auto was out of sight and we was in the
+ bushes alongside the road, with the Queen just gettin' ready to climb a
+ tree. As for Tobias and Henrietta, they was roundin' the turn by the fust
+ house in Denboro, wavin' by-bys to us over the back of the seat.
+ </p>
+ <p>
+ &ldquo;We went home then; and every foot of the way Cap'n Jonadab called an
+ automobile a new kind of name, and none complimentary. The boarders, they
+ got wind of what had happened and begun to rag him, and the more they
+ ragged, the madder he got and the more down on autos.
+ </p>
+ <p>
+ &ldquo;And, to put a head on the whole business, I'm blessed if Tobias Loveland
+ didn't get in with an automobile agent who was stoppin' in Orham and buy a
+ fifteen-hundred-dollar machine off him. And the very next time Jonadab was
+ out with the Queen on the Denboro road, Tobias and the widow whizzed past
+ him in that car so fast he might as well have been hove to. And, by way of
+ rubbin' it in, they come along back pretty soon and rolled alongside of
+ him easy, while Henrietta gushed about Mr. Loveland's beautiful car and
+ how nice it was to be able to go just as swift as you wanted to. Jonadab
+ couldn't answer back, nuther, bein' too busy keepin' the Queen from
+ turnin' herself into a flyin' machine.
+ </p>
+ <p>
+ &ldquo;'Twas then that he got himself swore in special constable to arrest auto
+ drivers for overspeedin'; and for days he wandered round layin' for a
+ chance to haul up Tobias and get him fined. He'd have had plenty of game
+ if he'd been satisfied with strangers, but he didn't want them anyhow,
+ and, besides, most of 'em was on their way to spend money at the Old Home
+ House. 'Twould have been poor business to let any of THAT cash go for
+ fines, and he realized it.
+ </p>
+ <p>
+ &ldquo;'Twas in early June, only a few weeks ago, that the widow come to our
+ hotel. I never thought she meant it when she said she was comin', and so I
+ didn't expect her. Fact is, I was expectin' to hear that she and Tobe
+ Loveland was married or engaged. But there was a slip up somewheres, for
+ all to once the depot wagon brings her to the Old Home House, she hires a
+ room, and settles down to stay till the season closed, which would be in
+ about a fortn't.
+ </p>
+ <p>
+ &ldquo;From the very fust she played her cards for Jonadab. He meant to be
+ middlin' average frosty to her, I imagine&mdash;her bein' so thick with
+ Tobias prejudiced him, I presume likely. But land sakes! she thawed him
+ out like hot toddy thaws out some folks' tongues. She never took no notice
+ of his coldness, but smiled and gushed and flattered, and looked her
+ prettiest&mdash;which was more'n average, considerin' her age&mdash;and by
+ the end of the third day he was hangin' round her like a cat round a cook.
+ </p>
+ <p>
+ &ldquo;It commenced to look serious to me. Jonadab was a pretty old fish to be
+ caught with soft soap and a set of false crimps; but you can't never tell.
+ When them old kind do bite, they gen'rally swallow hook and sinker, and he
+ sartinly did act hungry. I wished more'n once that Peter T. Brown, our
+ business manager, was aboard to help me with advice, but Peter is off
+ tourin' the Yosemite with his wife and her relations, so whatever pilotin'
+ there was I had to do. And every day fetched Jonadab's bows nigher the
+ matrimonial rocks.
+ </p>
+ <p>
+ &ldquo;I'd about made up my mind to sound the fog horn by askin' him straight
+ out what he was cal'latin' to do; but somethin' I heard one evenin', as I
+ set alone in the hotel office, made me think I'd better wait a spell.
+ </p>
+ <p>
+ &ldquo;The office window was open and the curtain drawed down tight. I was
+ settin' inside, smokin' and goin' over the situation, when footsteps
+ sounded on the piazza and a couple come to anchor on the settee right by
+ that window. Cap'n Jonadab and Henrietta! I sensed that immediate.
+ </p>
+ <p>
+ &ldquo;She was laughin' and actin' kind of queer, and he was talkin' mighty
+ earnest.
+ </p>
+ <p>
+ &ldquo;'Oh, no, Cap'n! Oh, no!' she giggles. 'You mustn't be so serious on such
+ a beautiful night as this. Let's talk about the moon.'
+ </p>
+ <p>
+ &ldquo;'Drat the moon!' says Jonadab. 'Hettie, I&mdash;'
+ </p>
+ <p>
+ &ldquo;'Oh, just see how beautiful the water looks! All shiny and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;'Drat the water, too! Hettie, what's the reason you don't want to talk
+ serious with me? If that Tobe Loveland&mdash;'
+ </p>
+ <p>
+ &ldquo;'Really, I don't see why you bring Mr. Loveland's name into the
+ conversation. He is a perfect gentleman, generous and kind; and as for the
+ way in which he runs that lovely car of his&mdash;'
+ </p>
+ <p>
+ &ldquo;The Cap'n interrupted her. He ripped out somethin' emphatic.
+ </p>
+ <p>
+ &ldquo;'Generous!' he snarls. ''Bout as generous as a hog in the feed trough, he
+ is. And as for runnin' that pesky auto, if I'd demean myself to own one of
+ them things, I'll bet my other suit I could run it better'n he does. If I
+ couldn't, I'd tie myself to the anchor and jump overboard.'
+ </p>
+ <p>
+ &ldquo;The way she answered showed pretty plain that she didn't believe him.
+ 'Really?' she says. 'Do you think so? Good night, Jonadab.'
+ </p>
+ <p>
+ &ldquo;I could hear her walkin' off acrost the piazza. He went after her.
+ 'Hettie,' he says, 'you answer me one thing. Are you engaged to Tobe
+ Loveland?'
+ </p>
+ <p>
+ &ldquo;She laughed again, sort of teasin' and slow. 'Really,' says she, 'you are&mdash;Why,
+ no, I'm not.'
+ </p>
+ <p>
+ &ldquo;That was all, but it set me to thinkin' hard. She wa'n't engaged to
+ Loveland; she said so, herself. And yet, if she wanted Jonadab, she was
+ actin' mighty funny. I ain't had no experience, but it seemed to me that
+ then was the time to bag him and she'd put him off on purpose. She was
+ ages too ancient to be a flirt for the fun of it. What was her game?&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0010" id="link2HCH0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER X
+ </h2>
+ <h3>
+ CAPTAIN JONADAB GOES
+ </h3>
+ <p>
+ Mr. Wingate stopped and roared a greeting to Captain Hiram Baker, who was
+ passing the open door of the waiting room.
+ </p>
+ <p>
+ &ldquo;Hello, there, Hime!&rdquo; he shouted. &ldquo;Come up in here! What, are you too
+ proud to speak to common folks?&rdquo;
+ </p>
+ <p>
+ Captain Hiram entered. &ldquo;Hello!&rdquo; he said. &ldquo;You look like a busy gang, for
+ sure. What you doin'&mdash;seatin' chairs?&rdquo;
+ </p>
+ <p>
+ &ldquo;Just now we're automobilin',&rdquo; observed Captain Sol. &ldquo;Set down, Hiram.&rdquo;
+ </p>
+ <p>
+ &ldquo;Automobilin'?&rdquo; repeated the new arrival, evidently puzzled.
+ </p>
+ <p>
+ &ldquo;Sartin. Barzilla's takin' us out. Go on, Barzilla.&rdquo;
+ </p>
+ <p>
+ Mr. Wingate smiled broadly. &ldquo;Well,&rdquo; he began, &ldquo;we HAVE just about reached
+ the part where I went autoin'. The widow and me and Jonadab.&rdquo;
+ </p>
+ <p>
+ &ldquo;Jonadab!&rdquo; shouted Stitt. &ldquo;I thought you said&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know what I said. But we went auto ridin' just the same.
+ </p>
+ <p>
+ &ldquo;'Twas Henry G. Bradbury that took us out, him and his bran-new big
+ tourin' car. You see, he landed to board with us the next day after
+ Henrietta come&mdash;this Henry G. did&mdash;and he was so quiet and easy
+ spoken and run his car so slow that even a pizen auto hater like Jonadab
+ couldn't take much offense at him. He wa'n't very well, he said, subject
+ to some kind of heart attacks, and had come to the Old Home for rest.
+ </p>
+ <p>
+ &ldquo;Him and the Cap'n had great arguments about the sins of automobilin'.
+ Jonadab was sot on the idee that nine folks out of ten hadn't machine
+ sense enough to run a car. Bradbury, he declared that that was a fact with
+ the majority of autos, but not with his. 'Why, a child could run it,' says
+ he. 'Look here, Cap'n: To start it you just do this. To stop it you do so
+ and so. To make her go slow you haul back on this lever. To make her go
+ faster you shove down this one. And as for steerin'&mdash;well, a man
+ that's handled the wheels of as many catboats as you have would simply
+ have a picnic. I'm in entire sympathy with your feelin's against speeders
+ and such&mdash;I'd be a constable if I was in your shoes&mdash;but this is
+ a gentleman's car and runs like one.'
+ </p>
+ <p>
+ &ldquo;All Jonadab said was 'Bosh!' and 'Humph!' but he couldn't help actin'
+ interested, particular as Mrs. Bassett kept him alongside of the machine
+ and was so turrible interested herself. And when, this partic'lar
+ afternoon, Henry G. invites us all to go out with him for a little 'roll
+ around,' the widow was so tickled and insisted so that he just HAD to go;
+ he didn't dast say no.
+ </p>
+ <p>
+ &ldquo;Somehow or 'nother&mdash;I ain't just sure yet how it happened&mdash;the
+ seatin' arrangements was made like this: Jonadab and Bradbury on the front
+ seat, and me and Henrietta in the stuffed cockpit astern. We rolled out
+ and purred along the road, smooth as a cat trottin' to dinner. No
+ speedin', no joltin', no nothin'. 'TWAS a 'gentleman's car'; there wa'n't
+ no doubt about that.
+ </p>
+ <p>
+ &ldquo;We went 'way over to Bayport and Orham and beyond. And all the time
+ Bradbury kept p'intin' out the diff'rent levers to Jonadab and tellin' him
+ how to work 'em. Finally, after we'd headed back, he asked Jonadab to take
+ the wheel and steer her a spell. Said his heart was feelin' sort of mean
+ and 'twould do him good to rest.
+ </p>
+ <p>
+ &ldquo;Jonadab said no, emphatic and more'n average ugly, but Henry G. kept
+ beggin' and pleadin', and pretty soon the widow put in her oar. He must do
+ it, to please her. He had SAID he could do it&mdash;had told her so&mdash;and
+ now he must make good. Why, when Mr. Loveland&mdash;
+ </p>
+ <p>
+ &ldquo;'All right,' snarls Jonadab. 'I'll try. But if ever&mdash;'
+ </p>
+ <p>
+ &ldquo;'Hold on!' says I. 'Here's where I get out.'
+ </p>
+ <p>
+ &ldquo;However, they wouldn't let me, and the Cap'n took the wheel. His jaw was
+ set and his hands shakin', but he done it. Hettie had give her orders and
+ she was skipper.
+ </p>
+ <p>
+ &ldquo;For a consider'ble spell we just crawled. Jonadab was steerin' less
+ crooked every minute and it tickled him; you could see that.
+ </p>
+ <p>
+ &ldquo;'Answers her hellum tiptop, don't she?' he says.
+ </p>
+ <p>
+ &ldquo;'Bet your life!' says Bradbury. 'Better put on a little more speed,
+ hadn't we?'&rdquo;
+ </p>
+ <p>
+ He put it on himself, afore the new pilot could stop him, and we commenced
+ to move.
+ </p>
+ <p>
+ &ldquo;'When you want to make her jump,' he says, you press down on that with
+ your foot, and you shove the spark back.'
+ </p>
+ <p>
+ &ldquo;'Shut up!' howls Jonadab. 'Belay! Don't you dast to touch that. I'm scart
+ to death as 'tis. Here! you take this wheel.'
+ </p>
+ <p>
+ &ldquo;But he wouldn't, and we went on at a good clip. For a green hand the
+ Cap'n was leavin' a pretty straight wake.
+ </p>
+ <p>
+ &ldquo;'Gosh!' he says, after a spell; 'I b'lieve I'm kind of gettin' the hang
+ of the craft.'
+ </p>
+ <p>
+ &ldquo;'Course you are,' says Bradbury. 'I told&mdash;Oh!'
+ </p>
+ <p>
+ &ldquo;He straightens up, grabs at his vest, and slumps down against the back of
+ the seat.
+ </p>
+ <p>
+ &ldquo;'What IS it?' screams the widow. 'Oh, what IS it, Mr. Bradbury?'
+ </p>
+ <p>
+ &ldquo;He answers, plucky, but toler'ble faintlike. My heart!' he gasps. 'I&mdash;I'm
+ afraid I'm goin' to have one of my attacks. I must get to a doctor quick.'
+ </p>
+ <p>
+ &ldquo;'Doctor!' I sings out. 'Great land of love! there ain't a doctor nigher
+ than Denboro, and that's four mile astern.'
+ </p>
+ <p>
+ &ldquo;'Never mind,' cries the Bassett woman. 'We must go there, then. Turn
+ around, Jonadab! Turn around at once! Mr. Bradbury&mdash;'
+ </p>
+ <p>
+ &ldquo;But poor Henry G. was curled up against the cushions and we couldn't get
+ nothin' out of him but groans. And all the time we was sailin' along up
+ the road.
+ </p>
+ <p>
+ &ldquo;'Turn around, Jonadab!' orders Henrietta. 'Turn around and go for the
+ doctor!'
+ </p>
+ <p>
+ &ldquo;Jonadab's hands was clutched on that wheel, and his face was white as his
+ rubber collar.
+ </p>
+ <p>
+ &ldquo;'Jerushy!' he groans desperate, 'I&mdash;I don't know HOW to turn
+ around.'
+ </p>
+ <p>
+ &ldquo;'Then stop, you foolhead!' I bellers. 'Stop where you be!'
+ </p>
+ <p>
+ &ldquo;And he moans&mdash;almost cryin' he was: 'I&mdash;I've forgotten how to
+ STOP.'
+ </p>
+ <p>
+ &ldquo;Talk about your situations! If we wa'n't in one then I miss my guess.
+ Every minute we was sinkin' Denboro below the horizon.
+ </p>
+ <p>
+ &ldquo;'We MUST get to a doctor,' says the widow. 'Where is there another one,
+ Mr. Wingate?'
+ </p>
+ <p>
+ &ldquo;'The next one's in Bayport,' says I, 'and that's ten mile ahead if it's a
+ foot.'
+ </p>
+ <p>
+ &ldquo;However, there wa'n't nothin' else for it, so toward Bayport we put.
+ Bradbury groaned once in a while, and Mrs. Bassett got nervous.
+ </p>
+ <p>
+ &ldquo;'We'll never get there at this rate,' says she. 'Go faster, Jonadab.
+ Faster! Press down on&mdash;on that thing he told you to. Please! for MY
+ sake.'
+ </p>
+ <p>
+ &ldquo;'Don't you&mdash;' I begun; but 'twas too late. He pressed, and away we
+ went. We was eatin' up the road now, I tell you, and though I was
+ expectin' every minute to be my next, I couldn't help admirin' the way the
+ Cap'n steered. And, as for him, he was gettin' more and more set up and
+ confident.
+ </p>
+ <p>
+ &ldquo;'She handles like a yacht, Barzilla,' he grunts, between his teeth. 'See
+ me put her around the next buoy ahead there. Hey! how's that?'
+ </p>
+ <p>
+ &ldquo;The next 'buoy' was a curve in the road, and we went around it beautiful.
+ So with the next and the next and the next. Bayport wa'n't so very fur
+ ahead. All to once another dreadful thought struck me.
+ </p>
+ <p>
+ &ldquo;'Look here!' I yells. 'How in time are we goin' to stop when we&mdash;OW!'
+ </p>
+ <p>
+ &ldquo;The Bassett woman had pinched my arm somethin' savage. I looked at her,
+ and she was scowlin' and shakin' her head.
+ </p>
+ <p>
+ &ldquo;'S-sh-sh!' she whispers. 'Don't disturb him. He'll be frightened and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Frightened! Good heavens to Betsy! I cal'late he won't be the only one
+ that's fri&mdash;'
+ </p>
+ <p>
+ &ldquo;But she looked so ugly that I shut up prompt, though I done a heap of
+ thinkin'. On we went and, as we turned the next 'buoy,' there, ahead of
+ us, was another auto, somethin' like ours, with only one person in it, a
+ man, and goin' in the same direction we was, though not quite so fast.
+ </p>
+ <p>
+ &ldquo;Then I WAS scart. 'Hi, Jonadab!' I sings out. 'Heave to! Come about!
+ Shorten sail! Do you want to run him down? Look OUT!'
+ </p>
+ <p>
+ &ldquo;I might as well have saved my breath. Heavin' to and the rest of it
+ wa'n't included in our pilot's education. On we went, same as ever. I
+ don't know what might have happened if the widow hadn't kept her head. She
+ leaned over the for'ard rail of the after cockpit and squeezed a rubber
+ bag that was close to Jonadab's starboard arm. It was j'ined to the fog
+ whistle, I cal'late, 'cause from under our bows sounded a beller like a
+ bull afoul of a barb-wire fence.
+ </p>
+ <p>
+ &ldquo;The feller in t'other car turned his head and looked. Then he commenced
+ to sheer off to wind'ard so's to let us pass. But all the time he kept
+ lookin' back and starin' and, as we got nigher, and I could see him
+ plainer through the dust, he looked more and more familiar. 'Twas somebody
+ I knew.
+ </p>
+ <p>
+ &ldquo;Then I heard a little grunt, or gasp, from Cap'n Jonadab. He was leanin'
+ for'ard over the wheel, starin' at the man in the other auto. The nigher
+ we got, the harder he stared; and the man in front was actin' similar in
+ regards to him. And, all to once, the head car stopped swingin' off to
+ wind'ard, turned back toward the middle of the road, and begun to go like
+ smoke. The next instant I felt our machine fairly jump beneath me. I
+ looked at Jonadab's foot. 'Twas pressed hard down on the speed lever.
+ </p>
+ <p>
+ &ldquo;'You crazy loon!' I screeched. 'You&mdash;you&mdash;you&mdash;Stop it!
+ Take your foot off that! Do you want to&mdash;!'
+ </p>
+ <p>
+ &ldquo;I was climbin' over the back of the front seat, my knee pretty nigh on
+ Bradbury's head. But, would you believe it, that Jonadab man let go of the
+ wheel with one hand&mdash;let GO of it, mind you&mdash;and give me a shove
+ that sent me backward in Henrietta Bassett's lap.
+ </p>
+ <p>
+ &ldquo;'Barzilla!' he growled, between his teeth, 'you set where you be and keep
+ off the quarterdeck. I'm runnin' this craft. I'll beat that Loveland this
+ time or run him under, one or t'other!'
+ </p>
+ <p>
+ &ldquo;As sure as I'm alive this minute, the man in the front car was Tobias
+ Loveland!
+ </p>
+ <p>
+ &ldquo;And from then on&mdash;Don't talk! I dream about it nights and wake up
+ with my arms around the bedpost. I ain't real sure, but I kind of have an
+ idee that the bedpost business comes from the fact that I was huggin' the
+ widow some of the time. If I did, 'twa'n't knowin'ly, and she never
+ mentioned it afterwards. All I can swear to is clouds of dust, and horns
+ honkin', and telegraph poles lookin' like teeth in a comb, and Jonadab's
+ face set as the Day of Judgment.
+ </p>
+ <p>
+ &ldquo;He kept his foot down on the speed place as if 'twas glued. He shoved the
+ 'spark'&mdash;whatever that is&mdash;'way back. Every once in a while he
+ yelled, yelled at the top of his lungs. What he yelled hadn't no sense to
+ it. Sometimes you'd think that he was drivin' a horse and next that he was
+ handlin' a schooner in a gale.
+ </p>
+ <p>
+ &ldquo;'Git dap!' he'd whoop. 'Go it, you cripples! Keep her nose right in the
+ teeth of it! She's got the best of the water, so let her bile! Whe-E-E!'
+ </p>
+ <p>
+ &ldquo;We didn't stop at Bayport. Our skipper had made other arrangements.
+ However, the way I figgered it, we was long past needin' a doctor, and you
+ can get an undertaker 'most anywhere. We went through the village like a
+ couple of shootin' stars, Tobias about a length ahead, his hat blowed off,
+ his hair&mdash;what little he's got&mdash;streamin' out behind, and that
+ blessed red buzz wagon of his fairly skimmin' the hummocks and jumpin' the
+ smooth places. And right astern of him comes Jonadab, hangin' to the
+ wheel, HIS hat gone, his mouth open, and fillin' the dust with yells and
+ coughs.
+ </p>
+ <p>
+ &ldquo;You could see folks runnin' to doors and front gates; but you never saw
+ 'em reach where they was goin'&mdash;time they done that we was somewheres
+ round the next bend. A pullet run over us once&mdash;yes, I mean just
+ that. She clawed the top of the widow's bunnit as we slid underneath her,
+ and by the time she lit we was so fur away she wa'n't visible to the naked
+ eye. Bradbury&mdash;who'd got better remarkable sudden&mdash;was pawin' at
+ Jonadab's arm, tryin' to make him ease up; but he might as well have pawed
+ the wind. As for Henrietta Bassett, she was acrost the back of the front
+ seat tootin' the horn for all she was wuth. And curled down in a heap on
+ the cockpit floor was a fleshy, sea-farin' person by the name of Barzilla
+ Wingate, sufferin' from chills and fever.
+ </p>
+ <p>
+ &ldquo;I think 'twas on the long stretch of the Trumet road that we beat Tobias.
+ I know we passed somethin' then, though just what I ain't competent to
+ testify. All I'm sure of is that, t'other side of Bayport village, the
+ landscape got some less streaked and you could most gen'rally separate one
+ house from the next.
+ </p>
+ <p>
+ &ldquo;Bradbury looked at Henrietta and smiled, a sort of sickly smile. She was
+ pretty pale, but she managed to smile back. I got up off the floor and
+ slumped on the cushions. As for Cap'n Jonadab Wixon, he'd stopped yellin',
+ but his face was one broad, serene grin. His mouth, through the dust and
+ the dirt caked around it, looked like a rain gully in a sand-bank. And,
+ occasional, he crowed, hoarse but vainglorious.
+ </p>
+ <p>
+ &ldquo;'Did you see me?' he barked. 'Did you notice me lick him? He'll laugh at
+ me, will he?&mdash;him and his one-horse tin cart! Ho! HO! Why, you'd
+ think he was settin' down to rest! I've got him where I want him now! Ho,
+ ho! Say, Henrietta, did you go swift as you&mdash;? Land sakes! Mr.
+ Bradbury, I forgot all about you. And I&mdash;I guess we must have got a
+ good ways past the doctor's place.'
+ </p>
+ <p>
+ &ldquo;Bradbury said never mind. He felt much better, and he cal'lated he'd do
+ till we fetched the Old Home dock. He'd take the wheel, now, he guessed.
+ </p>
+ <p>
+ &ldquo;But, would you b'lieve it, that fool Jonadab wouldn't let him! He was
+ used to the ship now, he said, and, if 'twas all the same to Henry G. and
+ Hettie, he'd kind of like to run her into port.
+ </p>
+ <p>
+ &ldquo;'She answers her hellum fine,' he says. 'After a little practice I
+ cal'late I could steer&mdash;'
+ </p>
+ <p>
+ &ldquo;'Steer!' sings out Bradbury. 'STEER! Great Caesar's ghost! I give you my
+ word, Cap'n Wixon, I never saw such handlin' of a machine as you did goin'
+ through Bayport, in my life. You're a wonder!'
+ </p>
+ <p>
+ &ldquo;'Um-hm,' says Jonadab contented. 'I've steered a good many vessels in my
+ time, through traffic and amongst the shoals, and never run afoul of
+ nothin' yet. I don't see much diff'rence on shore&mdash;'cept that it's a
+ little easier.'
+ </p>
+ <p>
+ &ldquo;EASIER! Wouldn't that&mdash;Well, what's the use of talkin'?
+ </p>
+ <p>
+ &ldquo;We got to the Old Home House safe and sound; Jonadab, actin' under
+ Bradbury's orders, run her into the yard, slowin' up and stoppin' at the
+ front steps slick as grease. He got out, his chest swelled up like a
+ puffin' pig, and went struttin' in to tell everybody what he'd done to
+ Loveland. I don't know where Bradbury and the widow went. As for me, I
+ went aloft and turned in. And 'twas two days and nights afore I got up
+ again. I had a cold, anyway, and what I'd been through didn't help it
+ none.
+ </p>
+ <p>
+ &ldquo;The afternoon of the second day, Bradbury come up to see me. He was
+ dressed in his city clothes and looked as if he was goin' away. Sure
+ enough, he was; goin' on the next train.
+ </p>
+ <p>
+ &ldquo;'Where's Jonadab?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh, he's out in his car,' he says. 'Huntin' for Loveland again, maybe.'
+ </p>
+ <p>
+ &ldquo;'HIS car? You mean yours.'
+ </p>
+ <p>
+ &ldquo;'No, I mean his. I sold my car to him yesterday mornin' for twenty-five
+ hundred dollars cash.'
+ </p>
+ <p>
+ &ldquo;I set up in bed. 'Go 'long!' I sings out. 'You didn't nuther!'
+ </p>
+ <p>
+ &ldquo;'Yes, I did. Sure thing. After that ride, you couldn't have separated him
+ from that machine with blastin' powder. He paid over the money like a
+ little man.'
+ </p>
+ <p>
+ &ldquo;I laid down again. Jonadab Wixon payin' twenty-five hundred dollars for a
+ plaything! Not promisin', but actually PAYIN' it!
+ </p>
+ <p>
+ &ldquo;'Has&mdash;has the widow gone with him?' I asked, soon's I could get my
+ breath.
+ </p>
+ <p>
+ &ldquo;He laughed sort of queer. 'No,' he says, 'she's gone out of town for a
+ few days. Ha, ha! Well, between you and me, Wingate, I doubt if she comes
+ back again. She and I have made all we're likely to in this neighborhood,
+ and she's too good a business woman to waste her time. Good-by; glad to
+ have met you.'
+ </p>
+ <p>
+ &ldquo;But I smelt rat strong and wouldn't let him go without seein' the
+ critter.
+ </p>
+ <p>
+ &ldquo;'Hold on!' I says. 'There's somethin' underneath all this. Out with it. I
+ won't let on to the Cap'n if you don't want me to.'
+ </p>
+ <p>
+ &ldquo;'Well,' says he, laughin' again, 'Mrs. Bassett WON'T come back and I know
+ it. She and I have sold four cars on the Cape in the last five weeks, and
+ the profits'll more'n pay vacation expenses. Two up in Wareham, one over
+ in Orham, to Loveland&mdash;'
+ </p>
+ <p>
+ &ldquo;'Did YOU sell Tobias his?' I asks, settin' up again.
+ </p>
+ <p>
+ &ldquo;'Hettie and I did&mdash;yes. Soon's we landed him, we come over to bag
+ old Wixon. I thought one time he'd kill us before we got him, but he
+ didn't. How he did run that thing! He's a game sport.'
+ </p>
+ <p>
+ &ldquo;'See here!' says I. 'YOU and Hettie sold&mdash;What do you mean by that?'
+ </p>
+ <p>
+ &ldquo;'Mrs. Bassett is my backer in the auto business,' says he. 'She put in
+ her money and I furnished the experience. We've got a big plant up in&mdash;'
+ namin' a city in Connecticut.
+ </p>
+ <p>
+ &ldquo;I fetched a long breath. 'WELL!' says I. 'And all this makin' eyes at
+ Tobe and Jonadab was just&mdash;just&mdash;'
+ </p>
+ <p>
+ &ldquo;'Just bait, that's all,' says he. 'I told you she was a good business
+ woman.'
+ </p>
+ <p>
+ &ldquo;I let this sink in good. Then says I, 'Humph! I swan to man! And how's
+ your heart actin' now?'
+ </p>
+ <p>
+ &ldquo;'Fine!' he says, winkin'. 'I had that attack so's the Cap'n would learn
+ to run on his own hook. I didn't expect quite so much of a run, but I'm
+ satisfied. Don't you worry about my heart disease. That twenty-five
+ hundred cured it. 'Twas all in the way of business,' says Henry G.
+ Bradbury.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whew!&rdquo; whistled Captain Hiram as Barzilla reached into his pocket for
+ pipe and tobacco. &ldquo;Whew! I should say your partner had a narrer escape.
+ Want to look out sharp for widders. They're dangerous, hey, Sol?&rdquo;
+ </p>
+ <p>
+ The depot master did not answer. Captain Hiram asked another question.
+ &ldquo;How'd Jonadab take Hettie's leavin'?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; said Barzilla, &ldquo;I don't think he minded so much. He was too crazy
+ about his new auto to care for anything else. Then, too, he was b'ilin'
+ mad 'cause Loveland swore out a warrant against him for speedin'.
+ </p>
+ <p>
+ &ldquo;'Nice trick, ain't it?' he says. 'I knew Tobe was a poor loser, but I
+ didn't think he'd be so low down as all that. Says I was goin' fifty mile
+ an hour. He! he! Well, I WAS movin', that's a fact. I don't care. 'Twas
+ wuth the twenty-dollar fine.'
+ </p>
+ <p>
+ &ldquo;'Maybe so,' I says, 'but 'twon't look very pretty to have a special auto
+ constable hauled up and fined for breakin' the law he's s'posed to
+ protect.'
+ </p>
+ <p>
+ &ldquo;He hadn't thought of that. His face clouded over.
+ </p>
+ <p>
+ &ldquo;'No use, Barzilla,' says he; 'I'll have to give it up.'
+ </p>
+ <p>
+ &ldquo;'Guess you will,' says I. 'Automobilin' is&mdash;'
+ </p>
+ <p>
+ &ldquo;'I don't mean automobilin',' he snorts disgusted. 'Course not! I mean
+ bein' constable.'
+ </p>
+ <p>
+ &ldquo;So there you are! From cussin' automobiles he's got so that he can't talk
+ enough good about 'em. And every day sence then he's out on the road
+ layin' for another chance at Tobias. I hope he gets that chance pretty
+ soon, because&mdash;well, there's a rumor goin' round that Loveland is
+ plannin' to swap his car for a bigger and faster one. If he does . . .&rdquo;
+ </p>
+ <p>
+ &ldquo;If he does,&rdquo; interrupted Captain Sol, &ldquo;I hope you'll fix the next race
+ for over here. I'd like to see you go by, Barzilla.&rdquo;
+ </p>
+ <p>
+ &ldquo;Guess you'd have to look quick to see him,&rdquo; laughed Stitt. &ldquo;Speakin'
+ about automobiles&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;By gum!&rdquo; ejaculated Wingate, &ldquo;you'd have to look somewheres else to find
+ ME. I've got all the auto racin' I want!&rdquo;
+ </p>
+ <p>
+ &ldquo;Speakin' of automobiles,&rdquo; began Captain Bailey again. No one paid the
+ slightest attention.
+ </p>
+ <p>
+ &ldquo;How's Dusenberry, your baby, Hiram?&rdquo; asked the depot master, turning to
+ Captain Baker. &ldquo;His birthday's the Fourth, and that's only a couple of
+ days off.&rdquo;
+ </p>
+ <p>
+ The proud parent grinned, then looked troubled.
+ </p>
+ <p>
+ &ldquo;Why, he ain't real fust-rate,&rdquo; he said. &ldquo;Seems to be some under the
+ weather. Got a cold and kind of sore throat. Dr. Parker says he cal'lates
+ it's a touch of tonsilitis. There's consider'ble fever, too. I was hopin'
+ the doctor'd come again to-day, but he's gone away on a fishin' cruise.
+ Won't be home till late to-morrer. I s'pose me and Sophrony hadn't ought
+ to worry. Dr. Parker seems to know about the case.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted the depot master, &ldquo;there's only two bein's in creation
+ that know it all. One's the Almighty and t'other's young Parker. He's
+ right out of medical school and is just as fresh as his diploma. He hadn't
+ any business to go fishin' and leave his patients. We lost a good man when
+ old Dr. Ryder died. He . . . Oh, well! you mustn't worry, Hiram.
+ Dusenberry'll pull out in time for his birthday. Goin' to celebrate, was
+ you?&rdquo;
+ </p>
+ <p>
+ Captain Baker nodded. &ldquo;Um-hm,&rdquo; he said. &ldquo;Sophrony's goin' to bake a
+ frosted cake and stick three candles on it&mdash;he's three year old, you
+ know&mdash;and I've made him a 'twuly boat with sails,' that's what he's
+ been beggin' for. Ho! ho! he's the cutest little shaver!&rdquo;
+ </p>
+ <p>
+ &ldquo;Speakin' of automobiles,&rdquo; began Bailey Stitt for the third time.
+ </p>
+ <p>
+ &ldquo;That youngster of yours, Hiram,&rdquo; went on the depot master, &ldquo;is the right
+ kind. Compared with some of the summer young ones that strike this depot,
+ he's a saint.&rdquo;
+ </p>
+ <p>
+ Captain Hiram grinned. &ldquo;That's what I tell Sophrony,&rdquo; he said. &ldquo;Sometimes
+ when Dusenberry gets to cuttin' up and she is sort of provoked, I say to
+ her, 'Old lady,' I say, 'if you think THAT'S a naughty boy, you ought to
+ have seen Archibald.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Who was Archibald?&rdquo; asked Barzilla.
+ </p>
+ <p>
+ &ldquo;He was a young rip that Sim Phinney and I run across four years ago when
+ we went on our New York cruise together. The weir business had been pretty
+ good and Sim had been teasin' me to go on a vacation with him, so I went.
+ Sim ain't stopped talkin' about our experiences yet. Ho! ho!&rdquo;
+ </p>
+ <p>
+ &ldquo;You bet he ain't!&rdquo; laughed the depot master. &ldquo;One mix-up you had with a
+ priest, and a love story, and land knows what. He talks about that to this
+ day.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was it? He never told me,&rdquo; said Wingate.
+ </p>
+ <p>
+ &ldquo;Why, it begun at the Golconda House, the hotel where Sim and I was
+ stayin'. We&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Did YOU put up at the Golconda?&rdquo; interrupted Barzilla. &ldquo;Why, Cap'n
+ Jonadab and me stayed there when we went to New York.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know you did. Jonadab recommended it to Sim, and Sim took the
+ recommendation. That Golconda House is the only grudge I've got against
+ Jonadab Wixon. It sartin is a tough old tavern.&rdquo;
+ </p>
+ <p>
+ &ldquo;I give in to that. Jonadab's so sot on it account of havin' stopped there
+ on his honeymoon, years and years ago. He's too stubborn to own it's bad.
+ It's a matter of principle with him, and he's sot on principle.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; continued Baker. &ldquo;Well, Sim and me had been at that Golconda three
+ days and nights. Mornin' of the fourth day we walked out of the dinin'
+ room after breakfast, feelin' pretty average chipper. Gettin' safe past
+ another meal at that hotel was enough of itself to make a chap grateful.
+ </p>
+ <p>
+ &ldquo;We walked out of the dinin' room and into the office. And there, by the
+ clerk's desk, was a big, tall man, dressed up in clothes that was loud
+ enough to speak for themselves, and with a shiny new tall hat, set with a
+ list to port, on his head. He was smooth-faced and pug-nosed, with an
+ upper lip like a camel's.
+ </p>
+ <p>
+ &ldquo;He didn't pay much attention to us, nor to anybody else, for the matter
+ of that. He was as mournful as a hearse, for all his joyful togs.
+ </p>
+ <p>
+ &ldquo;'Fine day, ain't it?' says Sim, social.
+ </p>
+ <p>
+ &ldquo;The tall chap looked up at him from under the deck of the beaver hat.
+ </p>
+ <p>
+ &ldquo;'Huh!' he growls out, and looks down again.
+ </p>
+ <p>
+ &ldquo;'I say it's a fine day,' said Phinney again.
+ </p>
+ <p>
+ &ldquo;'I was after hearin' yez say it,' says the man, and walks off, scowlin'
+ like a meat ax. We looked after him.
+ </p>
+ <p>
+ &ldquo;'Who was that murderer?' asks Sim of the clerk. 'And when are they going
+ to hang him?'
+ </p>
+ <p>
+ &ldquo;'S-sh-sh!' whispers the clerk, scart. ''Tis the boss. The bloke what runs
+ the hotel. He's a fine man, but he has troubles. He's blue.'
+ </p>
+ <p>
+ &ldquo;'So that's the boss, hey?' says I. 'And he's blue. Well, he looks it.
+ What's troublin' him? Ain't business good?'
+ </p>
+ <p>
+ &ldquo;'Never better. It ain't that. He has things on his mind. You see&mdash;'
+ </p>
+ <p>
+ &ldquo;I cal'late he'd have told us the yarn, only Sim wouldn't wait to hear it.
+ We was goin' sight-seein' and we had 'aquarium' and 'Stock Exchange' on
+ the list for that afternoon. The hotel clerk had made out a kind of
+ schedule for us of things we'd ought to see while we was in New York, and
+ so fur we'd took in the zoological menagerie and the picture museum, and
+ Central Park and Brooklyn Bridge.
+ </p>
+ <p>
+ &ldquo;On the way downtown in the elevated railroad Sim done some preachin'. His
+ text was took from the Golconda House sign, which had 'T. Dempsey,
+ Proprietor,' painted on it.
+ </p>
+ <p>
+ &ldquo;'It's that Dempsey man's conscience that makes him so blue, Hiram,' says
+ Sim. 'It's the way he makes his money. He sells liquor.'
+ </p>
+ <p>
+ &ldquo;'Oh!' says I. 'Is THAT it? I thought maybe he'd been sleepin' on one of
+ his own hotel beds. THEY'RE enough to make any man blue&mdash;black and
+ blue.'
+ </p>
+ <p>
+ &ldquo;The 'aquarium' wa'n't a success. Phinney was disgusted. He give one look
+ around, grabbed me by the arm, and marched me out of that building same as
+ Deacon Titcomb, of the Holiness Church at Denboro, marched his boy out of
+ the Universalist sociable.
+ </p>
+ <p>
+ &ldquo;'It's nothin' but a whole passel of fish,' he snorts. 'The idea of
+ sendin' two Cape Codders a couple of miles to look at FISH. I've looked at
+ 'em and fished for 'em, and et 'em all the days of my life,' he says, 'and
+ when I'm on a vacation I want a change. I'd forgot that &ldquo;aquarium&rdquo; meant
+ fish, or you wouldn't have got me within smellin' distance of it.
+ Necessity's one thing and pleasure's another, as the boy said about takin'
+ his ma's spring bitters.'
+ </p>
+ <p>
+ &ldquo;So we headed for the Stock Exchange. We got our gallery tickets at the
+ bank where the Golconda folks kept money, and in a little while we was
+ leanin' over a kind of marble bulwarks and starin' down at a gang of men
+ smokin' and foolin' and carryin' on. 'Twas a dull day, so we found out
+ afterward, and I guess likely that was true. Anyway, I never see such
+ grown-up men act so much like children. There was a lot of poles stuck up
+ around with signs on 'em, and around every pole was a circle of bedlamites
+ hollerin' like loons. Hollerin' was the nighest to work of anything I see
+ them fellers do, unless 'twas tearin' up papers and shovin' the pieces
+ down somebody's neck or throwin' 'em in the air like a play-actin'
+ snowstorm.
+ </p>
+ <p>
+ &ldquo;'What's the matter with 'em?' says I. 'High finance taken away their
+ brains?'
+ </p>
+ <p>
+ &ldquo;But Phinney was awful interested. He dumped some money in a mine once.
+ The mine caved in on it, I guess, for not a red cent ever come to the top
+ again, but he's been a kind of prophet concernin' finances ever sence.
+ </p>
+ <p>
+ &ldquo;'I want to see the big fellers,' says he. 'S'pose that fat one is
+ Morgan?'
+ </p>
+ <p>
+ &ldquo;'I don't know,' says I. 'Me and Pierpont ain't met for ever so long.
+ Don't lean over and point so; you're makin' a hit.'
+ </p>
+ <p>
+ &ldquo;He was, too. Some of the younger crew on the floor was lookin' up and
+ grinnin', and more kept stoppin' and joinin' in all the time. I cal'late
+ we looked kind of green and soft, hangin' over that marble rail, like
+ posies on a tombstone; and green is the favorite color to a stockbroker,
+ they tell me. Anyhow, we had a good-sized congregation under us in less
+ than no time. Likewise, they got chatty, and commenced to unload remarks.
+ </p>
+ <p>
+ &ldquo;'Land sakes!' says one. 'How's punkins?'
+ </p>
+ <p>
+ &ldquo;'How's crops down your way?' says another.
+ </p>
+ <p>
+ &ldquo;Now there wa'n't nothin' real bright and funny about these questions&mdash;more
+ fresh than new, they struck me&mdash;but you'd think they was gems from
+ the comic almanac, jedgin' by the haw-haws. Next minute a little
+ bald-headed smart Alec, with clothes that had a tailor's sign hull down
+ and out of the race, steps to the front and commences to make a speech.
+ </p>
+ <p>
+ &ldquo;'Gosh t'mighty, gents,' says he. 'With your kind permission, I'll sing
+ &ldquo;When Reuben Comes to Town.&rdquo;'
+ </p>
+ <p>
+ &ldquo;And he did sing it, too, in a voice that needed cultivatin' worse'n a
+ sandy front yard. And with every verse the congregation whooped and
+ laughed and cheered. When the anthem was concluded, all hands set up a
+ yell and looked at us to see how we took it.
+ </p>
+ <p>
+ &ldquo;As for me, I was b'ilin' mad and mortified and redhot all over. But Sim
+ Phinney was as cool as an October evenin'. Once in a while old Sim comes
+ out right down brilliant, and he done it now. He smiled, kind of tolerant
+ and easy, same as you might at the tricks of a hand-organ monkey. Then he
+ claps his hands, applaudin' like, reaches into his pocket, brings up a
+ couple of pennies, and tosses 'em down to little baldhead, who was
+ standin' there blown up with pride.
+ </p>
+ <p>
+ &ldquo;For a minute the crowd was still. And THEN such a yell as went up! The
+ whole floor went wild. Next thing I knew the gallery was filled with
+ brokers, grabbin' us by the hands, poundin' us on the back, beggin' us to
+ come have a drink, and generally goin' crazy. We was solid with the
+ 'system' for once in our lives. We could have had that whole buildin',
+ from marble decks to gold maintruck, if we'd said the word. Fifty yellin'
+ lunatics was on hand to give it to us; the other two hundred was joyfully
+ mutilatin' the baldhead.
+ </p>
+ <p>
+ &ldquo;Well, I wanted to get away, and so did Sim, I guess; but the crowd
+ wouldn't let us. We'd got to have a drink; hogsheads of drinks. That was
+ the best joke on Eddie Lewisburg that ever was. Come on! We MUST come on!
+ Whee! Wow!
+ </p>
+ <p>
+ &ldquo;I don't know how it would have ended if some one hadn't butted head first
+ through the mob and grabbed me by the shoulder. I was ready to fight by
+ this time, and maybe I'd have begun to fight if the chap who grabbed me
+ hadn't been a few inches short of seven foot high. And, besides that, I
+ knew him. 'Twas Sam Holden, a young feller I knew when he boarded here one
+ summer. His wife boarded here, too, only she wa'n't his wife then. Her
+ name was Grace Hargrave and she was a fine girl. Maybe you remember 'em,
+ Sol?&rdquo;
+ </p>
+ <p>
+ The depot master nodded.
+ </p>
+ <p>
+ &ldquo;I remember 'em well,&rdquo; he said. &ldquo;Liked 'em both&mdash;everybody did.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Well, he knew us and was glad to see us.
+ </p>
+ <p>
+ &ldquo;'It IS you!' he sings out. 'By George! I thought it was when I came on
+ the floor just now. My! but I'm glad to see you. And Mr. Phinney, too!
+ Bully! Clear out and let 'em alone, you Indians.'
+ </p>
+ <p>
+ &ldquo;The crowd didn't want to let us alone, but Sam got us clear somehow, and
+ out of the Exchange Buildin' and into the back room of a kind of
+ restaurant. Then he gets chairs for us, orders cigars, and shakes hands
+ once more.
+ </p>
+ <p>
+ &ldquo;'To think of seein' you two in New York!' he says, wonderin'. 'What are
+ you doin' here? When did you come? Tell us about it.'
+ </p>
+ <p>
+ &ldquo;So we told him about our pleasure cruise, and what had happened to us so
+ fur. It seemed to tickle him 'most to death.
+ </p>
+ <p>
+ &ldquo;'Grace and I are keepin' house, in a modest way, uptown,' says Sam, 'and
+ she'll be as glad to see you as I am. You're comin' up to dinner with me
+ to-night, and you're goin' to make us a visit, you know,' he says.
+ </p>
+ <p>
+ &ldquo;Well, if we didn't know it then, we learned it right away. Nothin' that
+ me or Simeon could say would make him change the course a point. So
+ Phinney went up to the Golconda House and got our bags, and at half-past
+ four that afternoon the three of us was in a hired hack bound uptown.
+ </p>
+ <p>
+ &ldquo;On the way Sam was full of fun as ever. He laughed and joked, and asked
+ questions about East Harniss till you couldn't rest. All of a sudden he
+ slaps his knee and sings out:
+ </p>
+ <p>
+ &ldquo;'There! I knew I'd forgotten somethin'. Our butler left yesterday, and I
+ was to call at the intelligence office on my way home and see if they'd
+ scared up a new one.'
+ </p>
+ <p>
+ &ldquo;I looked at Simeon, and he at me.
+ </p>
+ <p>
+ &ldquo;'Hum!' says I, thinkin' about that 'modest' housekeepin'. 'Do you keep a
+ butler?'
+ </p>
+ <p>
+ &ldquo;'Not long,' says he, dry as a salt codfish. And that's all we could get
+ out of him.
+ </p>
+ <p>
+ &ldquo;I s'pose there's different kinds of modesty. We hadn't more'n got inside
+ the gold-plated front door of that house when I decided that the Holden
+ brand of housekeepin' wa'n't bashful enough to blush. If I'D been runnin'
+ that kind of a place, the only time I'd felt shy and retirin' was when the
+ landlord came for the rent.
+ </p>
+ <p>
+ &ldquo;One of the fo'mast hands&mdash;hired girls, I mean&mdash;went aloft to
+ fetch Mrs. Holden, and when Grace came down she was just as nice and
+ folksy and glad to see us as a body could be. But she looked sort of
+ troubled, just the same.
+ </p>
+ <p>
+ &ldquo;'I'm ever so glad you're here,' says she to me and Simeon. 'But, oh, Sam!
+ it's a shame the way things happen. Cousin Harriet and Archie came this
+ afternoon to stay until to-morrow. They're on their way South. And I have
+ promised that you and I shall take Harriet to see Marlowe to-night. Of
+ course we won't do it now, under any consideration, but you know what she
+ is.'
+ </p>
+ <p>
+ &ldquo;Sam seemed to know. He muttered somethin' that sounded like a Scripture
+ text. Simeon spoke up prompt.
+ </p>
+ <p>
+ &ldquo;'Indeed you will,' says he, decided. 'Me and Hiram ain't that kind. We've
+ got relations of our own, and we know what it means when they come
+ a-visitin'. You and Mr. Holden'll take your comp'ny and go to see&mdash;whatever
+ 'tis you want to see, and we'll make ourselves to home till you get back.
+ Yes, you will, or we clear out this minute.'
+ </p>
+ <p>
+ &ldquo;They didn't want to, but we was sot, and so they give in finally. It
+ seemed that this Cousin Harriet was a widow relation of the Holdens, who
+ lived in a swell country house over in Connecticut somewhere, and was rich
+ as the rest of the tribe. Archie was her son. 'Hers and the Evil One's,'
+ Sam said.
+ </p>
+ <p>
+ &ldquo;We didn't realize how much truth there was in this last part until we run
+ afoul of Archie and his ma at dinner time. Cousin Harriet was tall and
+ middlin' slim, thirty-five years old, maybe, at a sale for taxes, but
+ discounted to twenty at her own valuation. She was got up regardless, and
+ had a kind of chronic, tired way of talkin', and a condescendin' look to
+ her, as if she was on top of Bunker Hill monument, and all creation was on
+ its knees down below. She didn't warm up to Simeon and me much; eyed us
+ over through a pair of gilt spyglasses, and admitted that she was
+ 'charmed, I'm sure.' Likewise, she was afflicted with 'nerves,' which must
+ be a divil of a disease&mdash;for everybody but the patient, especial.
+ </p>
+ <p>
+ &ldquo;Archie&mdash;his ma hailed him as 'Archibald, dear'&mdash;showed up
+ pretty soon in tow of his 'maid,' a sweet-faced, tired-out Irish girl
+ named Margaret. 'Archibald, dear,' was five years old or so, sufferin'
+ from curls and the lack of a lickin'. I never see a young one that needed
+ a strap ile more.
+ </p>
+ <p>
+ &ldquo;'How d'ye do Archie?' says Simeon, holdin' out his hand.
+ </p>
+ <p>
+ &ldquo;Archie didn't take the hand. Instead of that he points at Phinney and
+ commences to laugh.
+ </p>
+ <p>
+ &ldquo;'Ho, ho!' says he, dancin' and pointin'. 'Look at the funny whiskers.'
+ </p>
+ <p>
+ &ldquo;Sim wa'n't expectin' that, and it set him all aback, like he'd run into a
+ head squall. He took hold of his beard and looked foolish. Sam and Grace
+ looked ashamed and mad. Cousin Harriet laughed one of her lazy laughs.
+ </p>
+ <p>
+ &ldquo;'Archibald, de-ar,' she drawls, 'you mustn't speak that way. Now be nice,
+ and play with Margaret durin' dinner, that's a good boy.'
+ </p>
+ <p>
+ &ldquo;'I won't,' remarks Archie, cheerful. 'I'm goin' to dine with you, mama.'
+ </p>
+ <p>
+ &ldquo;'Oh, no, you're not, dear. You'll have your own little table, and&mdash;'
+ </p>
+ <p>
+ &ldquo;Then 'twas' Hi, yi!' 'Bow, wow!' Archibald wa'n't hankerin' for little
+ tables. He was goin' to eat with us, that's what. His ma, she argued with
+ him and pleaded, and he yelled and stamped and hurrahed. When Margaret
+ tried to soothe him he went at her like a wild-cat, and kicked and pounded
+ her sinful. She tried to take him out of the room, and then Cousin Harriet
+ come down on her like a scow load of brick.
+ </p>
+ <p>
+ &ldquo;'Haven't I told you,' says she, sharp and vinegary, 'not to oppose the
+ child in that way? Archibald has such a sensitive nature,' she says to
+ Grace, 'that opposition arouses him just as it did me at his age. Very
+ well, dear; you MAY dine with us to-night, if you wish. Oh, my poor
+ nerves! Margaret, why don't you place a chair for Master Archibald? The
+ creature is absolutely stupid at times,' she says, talkin' about that poor
+ maid afore her face with no more thought for her feelin's than if she was
+ a wooden image. 'She has no tact whatever. I wouldn't have Archibald's
+ spirit broken for anything.'
+ </p>
+ <p>
+ &ldquo;'Twas his neck that needed breakin' if you asked ME. That was a joyful
+ meal, now I tell you.
+ </p>
+ <p>
+ &ldquo;There was more joy when 'twas over. Archie didn't want to go to bed,
+ havin' desires to set up and torment Simeon with questions about his
+ whiskers; askin' if they growed or was tied on, and things like that.
+ Course he didn't know his ma was goin' to the show, or he wouldn't have
+ let her. But finally he was coaxed upstairs by Margaret and a box of
+ candy, and, word havin' been sent down that he was asleep, Sam got out his
+ plug hat, and Grace and Cousin Harriet got on their fur-lined dolmans and
+ knit clouds, and was ready for the hack.
+ </p>
+ <p>
+ &ldquo;'I feel mighty mean to go off and leave you this way,' says Sam to me and
+ Simeon. 'But you make yourself at home, won't you? This is your house
+ to-night, you know; servants and all.'
+ </p>
+ <p>
+ &ldquo;'How about that boy's wakin' up?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh, his maid'll attend to him. If she needs any help you can give it to
+ her,' he says, winkin' on the side.
+ </p>
+ <p>
+ &ldquo;But Cousin Harriet was right at his starboard beam, and she heard him.
+ She flew up like a settin' hen.
+ </p>
+ <p>
+ &ldquo;'Indeed they will NOT!' she sings out. 'If anyone but Margaret was to
+ attempt to control Archibald, I don't dare think what might happen. I
+ shall not stir from this spot until these persons promise not to interfere
+ in ANY way; Archibald, dear, is such a sensitive child.'
+ </p>
+ <p>
+ &ldquo;So we promised not to interfere, although Sim Phinney looked disappointed
+ when he done it. I could see that he'd had hopes afore he give that
+ promise.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0011" id="link2HCH0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XI
+ </h2>
+ <h3>
+ IN THE GREAT METROPOLIS
+ </h3>
+ <p>
+ &ldquo;So they left you and Sim Phinney to keep house, did they, Hiram?&rdquo;
+ observed Wingate.
+ </p>
+ <p>
+ &ldquo;They did. And, for a spell, we figgered on bein' free from too much
+ style.
+ </p>
+ <p>
+ &ldquo;After they'd gone we loafed into the settin' room or libr'ry, or whatever
+ you call it, and come to anchor in a couple of big lazy chairs.
+ </p>
+ <p>
+ &ldquo;'Now,' says I, takin' off my coat, 'we can be comf'table.'
+ </p>
+ <p>
+ &ldquo;But we couldn't. In bobs a servant girl to know if we 'wanted anything.'
+ We didn't, but she looked so shocked when she see me in my shirt sleeves
+ that I put the coat on again, feelin' as if I'd ought to blush. And in a
+ minute back she comes to find out if we was SURE we didn't want anything.
+ Sim was hitchin' in his chair. Between 'nerves' and Archibald, his temper
+ was raw on the edges.
+ </p>
+ <p>
+ &ldquo;'Say,' he bursts out, 'you look kind of pale to me. What you need is
+ fresh air. Why don't you go take a walk?'
+ </p>
+ <p>
+ &ldquo;The girl looked at him with her mouth open.
+ </p>
+ <p>
+ &ldquo;'Oh,' says she, 'I couldn't do that, thank you, sir. That would leave no
+ one but the cook and the kitchen girl. And the master said you was to be
+ made perfectly comf'table, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Yes,' says Sim, dry, 'I heard him say it. And we can't be comf'table
+ with you shut up in the house this nice evenin'. Go and take a walk, and
+ take the cook and stewardess with you. Don't argue about it. I'm skipper
+ here till the boss gets back. Go, the three of you, and go NOW. D'ye
+ hear?'
+ </p>
+ <p>
+ &ldquo;There was a little more talk, but not much. In five minutes or so the
+ downstairs front door banged, and there was gigglin' outside.
+ </p>
+ <p>
+ &ldquo;'There,' says Simeon, peelin' off HIS coat and throwin' himself back in
+ one chair with his feet on another one. 'Now, by Judas, I'm goin' to be
+ homey and happy like poor folks. I don't wonder that Harriet woman's got
+ nerves. Darn style, anyhow! Pass over that cigar box, Hiram.'
+ </p>
+ <p>
+ &ldquo;'Twas half an hour later or so when Margaret, the nursemaid, came
+ downstairs. I'd almost forgot her. We was tame and toler'ble contented by
+ that time. Phinney called to her as she went by the door.
+ </p>
+ <p>
+ &ldquo;'Is that young one asleep?' he asked.
+ </p>
+ <p>
+ &ldquo;'Yes, sir,' says she, 'he is. Is there anything I can do? Did you want
+ anything?'
+ </p>
+ <p>
+ &ldquo;Simeon looks at me. 'I swan to man, it's catchin'!' he says. 'They've all
+ got it. No, we don't want anything, except&mdash;What's the matter? YOU
+ don't need fresh air, do you?'
+ </p>
+ <p>
+ &ldquo;The girl looked as if she'd lost her last friend. Her pretty face was
+ pale and her eyes was wet, as if she'd been cryin'.
+ </p>
+ <p>
+ &ldquo;'No, sir,' says she, puzzled. 'No, sir, thank you, sir.'
+ </p>
+ <p>
+ &ldquo;'She's tired out, that's all,' says I. I swan, I pitied the poor thing.
+ 'You go somewheres and take a nap,' I told her. 'Me and my friend won't
+ tell.'
+ </p>
+ <p>
+ &ldquo;Oh, no, she couldn't do that. It wa'n't that she was tired&mdash;no more
+ tired than usual&mdash;but she'd been that troubled in her mind lately,
+ askin' our pardon, that she was near to crazy.
+ </p>
+ <p>
+ &ldquo;We was sorry for that, but it didn't seem to be none of our business, and
+ she was turnin' away, when all at once she stops and turns back again.
+ </p>
+ <p>
+ &ldquo;'Might I ask you gintlemen a question?' she says, sort of pleadin'. 'Sure
+ I mane no harm by it. Do aither of you know a man be the name of Michael
+ O'Shaughnessy?'
+ </p>
+ <p>
+ &ldquo;Me and Sim looked at each other. 'Which?' says I. 'Mike O' who?' says
+ Simeon.
+ </p>
+ <p>
+ &ldquo;'Aw, don't you know him?' she begs. 'DON'T you know him? Sure I hoped you
+ might. If you'd only tell me where he is I'd git on me knees and pray for
+ you. O Mike, Mike! why did you leave me like this? What'll become of me?'
+ </p>
+ <p>
+ &ldquo;And she walks off down the hall, coverin' her face with her hands and
+ cryin' as if her heart was broke.
+ </p>
+ <p>
+ &ldquo;'There! there!' says Simeon, runnin' after her, all shook up. He's a
+ kind-hearted man&mdash;especially to nice-lookin' females. 'Don't act so,'
+ he says. 'Be a good girl. Come right back into the settin' room and tell
+ me all about it. Me and Cap'n Baker ain't got nerves, and we ain't rich,
+ neither. You can talk to us. Come, come!'
+ </p>
+ <p>
+ &ldquo;She didn't know how to act, seemingly. She was like a dog that's been
+ kicked so often he's suspicious of a pat on the head. And she was cryin'
+ and sobbin' so, and askin' our pardon for doin' it, that it took a good
+ while to get at the real yarn. But we did get it, after a spell.
+ </p>
+ <p>
+ &ldquo;It seems that the girl&mdash;her whole name was Margaret Sullivan&mdash;had
+ been in this country but a month or so, havin' come from Ireland in a
+ steamboat to meet the feller who'd kept comp'ny with her over there. His
+ name was Michael O'Shaughnessy, and he'd been in America for four years or
+ more, livin' with a cousin in Long Island City. And he'd got a good job at
+ last, and he sent for her to come on and be married to him. And when she
+ landed 'twas the cousin that met her. Mike had drawn a
+ five-thousand-dollar prize in the Mexican lottery a week afore, and hadn't
+ been seen sence.
+ </p>
+ <p>
+ &ldquo;So poor Margaret goes to the cousin's to stay. And she found them poor as
+ Job's pet chicken, and havin' hardly grub enough aboard to feed the dozen
+ or so little cousins, let alone free boarders like her. And so, havin' no
+ money, she goes out one day to an intelligence office where they deal in
+ help, and puts in a blank askin' for a job as servant girl. 'Twas a swell
+ place, where bigbugs done their tradin', and there she runs into Cousin
+ Harriet, who was a chronic customer, always out of servants, owin' to the
+ complications of Archibald and nerves. And Harriet hires her, because she
+ was pretty and would work for a shavin' more'n nothin', and carts her
+ right off to Connecticut. And when Margaret sets out to write for her
+ trunk, and to tell where she is, she finds she's lost the cousin's
+ address, and can't remember whether it's Umpty-eighth Street or Tin Can
+ Avenue.
+ </p>
+ <p>
+ &ldquo;'And, oh,' says she, 'what SHALL I do? The mistress is that hard to
+ please, and the child is that wicked till I want to die. And I have no
+ money and no friends. O Mike! Mike!' she says. 'If you only knew you'd
+ come to me. For it's a good heart he has, although the five thousand
+ dollars carried away his head,' says she.
+ </p>
+ <p>
+ &ldquo;I don't believe I ever wanted to make a feller's acquaintance more than I
+ done that O'Shaughnessy man's. The mean blackguard, to leave his girl that
+ way. And 'twas easy to see what she'd been through with Cousin Harriet and
+ that brat. We tried to comfort her all we could; promised to have a hunt
+ through Long Island and the directory, and to help get her another place
+ when she got back from the South, and so on. But 'twas kind of
+ unsatisfactory. 'Twas her Mike she wanted.
+ </p>
+ <p>
+ &ldquo;'I told the Father about it at the church up there,' she says, 'and he
+ wrote, but the letters was lost, I guess. And I thought if I might see a
+ priest here in New York he might help me. But the mistress is to go at
+ noon to-morrer, and I'll have no time. What SHALL I do?' says she, and
+ commenced to cry again.
+ </p>
+ <p>
+ &ldquo;Then I had an idea. 'Priest?' says I. 'There's a fine big church, with a
+ cross on the ridgepole of it, not five minutes' walk from this house. I
+ see it as we was comin' up. Why don't you run down there this minute?' I
+ says.
+ </p>
+ <p>
+ &ldquo;No, she didn't want to leave Archibald. Suppose he should wake up.
+ </p>
+ <p>
+ &ldquo;'All right,' says I. 'Then I'll go myself. And I'll fetch a priest up
+ here if I have to tote him on my back, like the feller does the codfish in
+ the advertisin' picture.'
+ </p>
+ <p>
+ &ldquo;I didn't have to tote him. He lived in a mighty fine house, hitched onto
+ the church, and there was half a dozen assistant parsons to help him do
+ his preachin'. But he was big and fat and gray-haired and as jolly and as
+ kind-hearted a feller as you'd want to meet. He said he'd come right
+ along; and he done it.
+ </p>
+ <p>
+ &ldquo;Phinney opened the door for us. 'What's the row?' says I, lookin' at his
+ face.
+ </p>
+ <p>
+ &ldquo;'Row?' he snorts; 'there's row enough for six. That da&mdash;excuse me,
+ mister&mdash;that cussed Archibald has woke up.'
+ </p>
+ <p>
+ &ldquo;He had; there wa'n't no doubt about it. And he was raisin' hob, too. The
+ candy, mixed up with the dinner, had put his works in line with his
+ disposition, and he was poundin' and yellin' upstairs enough to wake the
+ dead. Margaret leaned over the balusters.
+ </p>
+ <p>
+ &ldquo;'Is it the Father?' she says. 'Oh, dear! what'll I do?'
+ </p>
+ <p>
+ &ldquo;'Send some of the other servants to the boy,' says the priest, 'and come
+ down yourself.'
+ </p>
+ <p>
+ &ldquo;Simeon, lookin' kind of foolish, explained what had become of the other
+ servants. Father McGrath&mdash;that was his name&mdash;laughed and shook
+ all over.
+ </p>
+ <p>
+ &ldquo;'Very well,' says he. 'Then bring the young man down. Perhaps he'll be
+ quiet here.'
+ </p>
+ <p>
+ &ldquo;So pretty soon down come Margaret with Archibald, full of the Old
+ Scratch, as usual, dressed up gay in a kind of red blanket nighty, with a
+ rope around the middle of it. The young one spotted Simeon, and set up a
+ whoop.
+ </p>
+ <p>
+ &ldquo;'Oh! there's the funny whiskers,' he sings out.
+ </p>
+ <p>
+ &ldquo;'Good evenin', my son,' says the priest.
+ </p>
+ <p>
+ &ldquo;'Who's the fat man?' remarks Archibald, sociable. 'I never saw such a red
+ fat man. What makes him so red and fat?'
+ </p>
+ <p>
+ &ldquo;These questions didn't make Father McGrath any paler. He laughed, of
+ course, but not as if 'twas the funniest thing he ever heard.
+ </p>
+ <p>
+ &ldquo;'So you think I'm fat, do you, my boy?' says he.
+ </p>
+ <p>
+ &ldquo;'Yes, I do,' says Archibald. 'Fat and red and funny. Most as funny as the
+ whisker man. I never saw such funny-lookin' people.'
+ </p>
+ <p>
+ &ldquo;He commenced to point and holler and laugh. Poor Margaret was so shocked
+ and mortified she didn't know what to do.
+ </p>
+ <p>
+ &ldquo;'Stop your noise, sonny,' says I. 'This gentleman wants to talk to your
+ nurse.'
+ </p>
+ <p>
+ &ldquo;The answer I got was some unexpected.
+ </p>
+ <p>
+ &ldquo;'What makes your feet so big?' says Archie, pointin' at my Sunday boots.
+ 'Why do you wear shoes like that? Can't you help it? You're funny, too,
+ aren't you? You're funnier than the rest of 'em.'
+ </p>
+ <p>
+ &ldquo;We all went into the library then, and Father McGrath tried to ask
+ Margaret some questions. I'd told him the heft of the yarn on the way from
+ the church, and he was interested. But the questionin' was mighty
+ unsatisfyin'. Archibald was the whole team, and the rest of us was yeller
+ dogs under the wagon.
+ </p>
+ <p>
+ &ldquo;'Can't you keep that child quiet?' asks the priest, at last, losin' his
+ temper and speakin' pretty sharp.
+ </p>
+ <p>
+ &ldquo;'O Archie, dear! DO be a nice boy,' begs Margaret, for the eight
+ hundredth time.
+ </p>
+ <p>
+ &ldquo;'Why don't you punish him as he deserves?'
+ </p>
+ <p>
+ &ldquo;'Father, dear, I can't. The mistress says he's so sensitive that he has
+ to have his own way. I'd lose my place if I laid a hand on him.'
+ </p>
+ <p>
+ &ldquo;'Come on into the parlor and see the pictures, Archie,' says I.
+ </p>
+ <p>
+ &ldquo;'I won't,' says Archibald. 'I'm goin' to stay here and see the fat man
+ make faces.'
+ </p>
+ <p>
+ &ldquo;'You see,' says Sim, apologizin' 'we can't touch him, 'cause we promised
+ his ma not to interfere. And my right hand's got cramps in the palm of it
+ this minute,' he adds, glarin' at the young one.
+ </p>
+ <p>
+ &ldquo;Father McGrath stood up and reached for his hat. Margaret began to cry.
+ Archibald, dear, whooped and kicked the furniture. And just then the
+ front-door bell rang.
+ </p>
+ <p>
+ &ldquo;For a minute I thought 'twas Cousin Harriet and the Holdens come back,
+ but then I knew it was hours too early for that. Margaret was too much
+ upset to be fit for company, so I answered the bell myself. And who in the
+ world should be standin' on the steps but that big Dempsey man, the boss
+ of the Golconda House, where me and Simeon had been stayin'; the feller
+ we'd spoke to that very mornin'.
+ </p>
+ <p>
+ &ldquo;'Good evenin', sor,' says he, in a voice as deep as a well. 'I'm glad to
+ find you to home, sor. There's a telegram come for you at my place,' he
+ says, 'and as your friend lift the address when he come for the baggage
+ this afternoon, I brought it along to yez. I was comin' this way, so 'twas
+ no trouble.'
+ </p>
+ <p>
+ &ldquo;'That's real kind of you,' I says. 'Step inside a minute, won't you?'
+ </p>
+ <p>
+ &ldquo;So in he comes, and stands, holdin' his shiny beaver in his hand, while I
+ tore open the telegram envelope. 'Twas a message from a feller I knew with
+ the Clyde Line of steamboats. He had found out, somehow, that we was in
+ New York, and the telegram was an order for us to come and make him a
+ visit.
+ </p>
+ <p>
+ &ldquo;'I hope it's not bad news, sor,' says the big chap.
+ </p>
+ <p>
+ &ldquo;'No, no,' says I. 'Not a bit of it, Mr. Dempsey. Come on in and have a
+ cigar, won't you?'
+ </p>
+ <p>
+ &ldquo;'Thank you, sor,' says he. 'I'm glad it's not the bad news. Sure, I ax
+ you and your friend's pardon for bein' so short to yez this mornin', but
+ I'm in that throuble lately that me timper is all but gone.'
+ </p>
+ <p>
+ &ldquo;'That so?' says I. 'Trouble's thick in this world, ain't it? Me and Mr.
+ Phinney got a case of trouble on our hands now, Mr. Dempsey, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Excuse me, sor,' he says. 'My name's not Dempsey. I suppose you seen the
+ sign with me partner's name on it. I only bought into the business a while
+ ago, and the new sign's not ready yit. Me name is O'Shaughnessy, sor.'
+ </p>
+ <p>
+ &ldquo;'What?' says I. And then: 'WHAT?'
+ </p>
+ <p>
+ &ldquo;'O'Shaughnessy. Michael O'Shaughnessy. I&mdash;'
+ </p>
+ <p>
+ &ldquo;'Hold on!' I sung out. 'For the land sakes, hold on! WHAT'S your name?'
+ </p>
+ <p>
+ &ldquo;He bristled up like a cat.
+ </p>
+ <p>
+ &ldquo;'Michael O'Shaughnessy,' he roars, like the bull of Bashan. 'D'yez find
+ any fault with it? 'Twas me father's before me&mdash;Michael Patrick
+ O'Shaughnessy, of County Sligo. I'll have yez know&mdash;WHAT'S THAT?'
+ </p>
+ <p>
+ &ldquo;'Twas a scream from the libr'ry. Next thing I knew, Margaret, the nurse
+ girl, was standin' in the hall, white as a Sunday shirt, and swingin' back
+ and forth like a wild-carrot stalk in a gale.
+ </p>
+ <p>
+ &ldquo;'Mike!' says she, kind of low and faint. 'Mary be good to us! MIKE!'
+ </p>
+ <p>
+ &ldquo;And the big chap dropped his tall hat on the floor and turned as white as
+ she was.
+ </p>
+ <p>
+ &ldquo;'MAGGIE!' he hollers. And then they closed in on one another.
+ </p>
+ <p>
+ &ldquo;Sim and the priest and Archie had followed the girl into the hall. Me and
+ Phinney was too flabbergasted to do anything, but big Father McGrath was
+ cool as an ice box. When Archibald, like the little imp he was, sets up a
+ whoop and dives for them two, the priest grabs him by the rope of the
+ blanket nighty and swings him into the libr'ry, and shuts the door on him.
+ </p>
+ <p>
+ &ldquo;'And now,' says he, takin' Sim and me by the arms and leadin' us to the
+ parlor, 'we'll just step in here and wait a bit.'
+ </p>
+ <p>
+ &ldquo;We waited, maybe, ten minutes. Archibald, dear, shut up in the libr'ry,
+ was howlin' blue murder, but nobody paid any attention to him. Then there
+ was a knock on the door between us and the hall, and Father McGrath opened
+ it. There they was, the two of 'em&mdash;Mike and Maggie&mdash;lookin' red
+ and foolish&mdash;but happy, don't talk!
+ </p>
+ <p>
+ &ldquo;'You see, sor,' says the O'Shaughnessy man to me, ''twas the
+ five-thousand-dollar prize that done it. I'd been workin' at me trade, sor&mdash;larnin'
+ to tind bar it was&mdash;and I'd just got a new job where the pay was
+ pretty good, and I'd sint over for Maggie, and was plannin' for the little
+ flat we was to have, and the like of that, when I drew that prize. And the
+ joy of it was like handin' me a jolt on the jaw. It put me out for two
+ weeks, sor, and when I come to I was in Baltimore, where I'd gone to
+ collect the money; and two thousand of the five was gone, and I knew me
+ job in New York was gone, and I was that shamed and sick it took me three
+ days more to make up me mind to come to me Cousin Tim's, where I knew
+ Maggie'd be waitin' for me. And when I did come back she was gone, too.'
+ </p>
+ <p>
+ &ldquo;'And then,' says Father McGrath, sharp, 'I suppose you went on another
+ spree, and spent the rest of the money.'
+ </p>
+ <p>
+ &ldquo;'I did not, sor&mdash;axin' your pardon for contradictin' your riverence.
+ I signed the pledge, and I'll keep it, with Maggie to help me. I put me
+ three thousand into a partnership with me friend Dempsey, who was runnin'
+ the Golconda House&mdash;'tis over on the East Side, with a fine bar trade&mdash;and
+ I'm doin' well, barrin' that I've been crazy for this poor girl, and
+ advertisin' and&mdash;'
+ </p>
+ <p>
+ &ldquo;'And look at the clothes of him!' sings out Margaret, reverentlike. 'And
+ is that YOUR tall hat, Mike? To think of you with a tall hat! Sure it's a
+ proud girl I am this day. Saints forgive me, I've forgot Archie!'
+ </p>
+ <p>
+ &ldquo;And afore we could stop her she'd run into the hall and unfastened the
+ libr'ry door. It took her some time to smooth down the young one's
+ sensitive feelin's, and while she was gone, me and Simeon told the
+ O'Shaughnessy man a little of what his girl had had to put up with along
+ of Cousin Harriet and Archibald. He was mad.
+ </p>
+ <p>
+ &ldquo;'Is that the little blackguard?' he asks, pointin' to Archibald, who had
+ arrived by now.
+ </p>
+ <p>
+ &ldquo;'That's the one,' says I.
+ </p>
+ <p>
+ &ldquo;Archibald looked up at him and grinned, sassy as ever.
+ </p>
+ <p>
+ &ldquo;'Father McGrath,' asks O'Shaughnessy, determined like, 'can you marry us
+ this night?'
+ </p>
+ <p>
+ &ldquo;'I can,' says the Father.
+ </p>
+ <p>
+ &ldquo;'And will yez?'
+ </p>
+ <p>
+ &ldquo;'I will, with pleasure.'
+ </p>
+ <p>
+ &ldquo;'Maggie,' says Mike, 'get your hat and jacket on and come with the Father
+ and me this minute. These gintlemen here will explain to your lady when
+ she comes back. But YOU'LL come back no more. We'll send for your trunk
+ to-morrer.'
+ </p>
+ <p>
+ &ldquo;Even then the girl hesitated. She'd been so used to bein' a slave that I
+ suppose she couldn't realize she was free at last.
+ </p>
+ <p>
+ &ldquo;'But, Mike, dear,' she says. 'I&mdash;oh, your lovely hat! Put it down,
+ Archie, darlin'. Put it down!'
+ </p>
+ <p>
+ &ldquo;Archibald had been doin' a little cruisin' on his own hook, and he'd dug
+ up Mike's shiny beaver where it had been dropped in the hall. Now he was
+ dancin' round with it, bangin' it on the top as if it was a drum.
+ </p>
+ <p>
+ &ldquo;'Put it down, PLEASE!' pleads Margaret. 'Twas plain that that plug was a
+ crown of glory to her.
+ </p>
+ <p>
+ &ldquo;'Drop it, you little thafe!' yells O'Shaughnessy, makin' a dive for the
+ boy.
+ </p>
+ <p>
+ &ldquo;'I won't!' screams Archibald, and starts to run. He tripped over the
+ corner of a mat, and fell flat. The plug hat was underneath him, and it
+ fell flat, too.
+ </p>
+ <p>
+ &ldquo;'Oh! oh! oh!' wails Margaret, wringin' her hands. 'Your beautiful hat,
+ Mike!'
+ </p>
+ <p>
+ &ldquo;Mike's face was like a sunset.
+ </p>
+ <p>
+ &ldquo;'Your reverence,' says he, 'tell me this; don't the wife promise to
+ &ldquo;obey&rdquo; in the marriage service?'
+ </p>
+ <p>
+ &ldquo;'She does,' says Father McGrath.
+ </p>
+ <p>
+ &ldquo;'D'ye hear that, you that's to be Margaret O'Shaughnessy? You do? Well,
+ then, as your husband that's to be in tin minutes, I order you to give
+ that small divil what's comin' to him. D'ye hear me? Will yez obey me, or
+ will yez not?'
+ </p>
+ <p>
+ &ldquo;She didn't know what to do. You could see she wanted to&mdash;her fingers
+ was itchin' to do it, but&mdash;And then Archie held up the ruins of the
+ hat and commenced to laugh.
+ </p>
+ <p>
+ &ldquo;That settled it. Next minute he was across her knee and gettin' what he'd
+ been sufferin' for ever sence he was born; and gettin' all the back
+ numbers along with it, too.
+ </p>
+ <p>
+ &ldquo;And in the midst of the performance Sim Phinney leans over to me with the
+ most heavenly, resigned expression on his face, and says he:
+ </p>
+ <p>
+ &ldquo;'It ain't OUR fault, Hiram. We promised not to interfere.'&rdquo;
+ </p>
+ <p>
+ &ldquo;What did Sam Holden and his wife say when they got home?&rdquo; asked Captain
+ Sol, when the triumphant whoops over Archibald's righteous chastisement
+ had subsided.
+ </p>
+ <p>
+ &ldquo;We didn't give him much of a chance to say anything. I laid for him in
+ the hall when he arrived and told him that Phinney had got a telegram and
+ must leave immediate. He wanted to know why, and a whole lot more, but I
+ told him we'd write it. Neither Sim nor me cared to face Cousin Harriet
+ after her darlin' son had spun his yarn. Ha! ha! I'd like to have seen her
+ face&mdash;from a safe distance.&rdquo;
+ </p>
+ <p>
+ Captain Bailey Stitt cleared his throat. &ldquo;Referrin' to them automobiles,&rdquo;
+ he said, &ldquo;I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Say, Sol,&rdquo; interrupted Wingate, &ldquo;did I ever tell you of Cap'n Jonadab's
+ and my gettin' took up by the police when WE was in New York?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied the astounded depot master. &ldquo;Took up by the POLICE?&rdquo;
+ </p>
+ <p>
+ &ldquo;Um&mdash;hm. Surprises you, don't it? Well, that whole trip was a
+ surprise to me.
+ </p>
+ <p>
+ &ldquo;When Laban Thorp set out to thrash his son and the boy licked him
+ instead, they found the old man settin' in the barnyard, holdin' on to his
+ nose and grinnin' for pure joy.
+ </p>
+ <p>
+ &ldquo;'Hurt?' says he. 'Why, some. But think of it! Only think of it! I didn't
+ believe Bill had it in him.'
+ </p>
+ <p>
+ &ldquo;Well, that's the way I felt when Cap'n Jonadab sprung the New York plan
+ on to me. I was pretty nigh as much surprised as Labe. The idea of a man
+ with a chronic case of lockjaw of the pocketbook, same as Jonadab had
+ worried along under ever sence I knew him, suddenly breakin' loose with a
+ notion to go to New York on a pleasure cruise! 'Twas too many for me. I
+ set and looked at him.
+ </p>
+ <p>
+ &ldquo;'Oh, I mean it, Barzilla,' he says. 'I ain't been to New York sence I was
+ mate on the Emma Snow, and that was 'way back in the eighties. That is, to
+ stop I ain't. That time we went through on the way to Peter T.'s weddin'
+ don't count, 'cause we only went in the front door and out the back, like
+ Squealer Wixon went through high school. Let's you and me go and stay two
+ or three days and have a real high old time,' says he.
+ </p>
+ <p>
+ &ldquo;I fetched a long breath. 'Jonadab,' I says, don't scare a feller this
+ way; I've got a weak heart. If you're goin' to start in and be divilish in
+ your old age, why, do it kind of gradual. Let's go over to the billiard
+ room and have a bottle of sass'parilla and a five-cent cigar, just to
+ break the ice.'
+ </p>
+ <p>
+ &ldquo;But that only made him mad.
+ </p>
+ <p>
+ &ldquo;'You talk like a fish,' he says. 'I mean it. Why can't we go? It's
+ September, the Old Home House is shut up for the season, you and me's done
+ well&mdash;fur's profits are concerned&mdash;and we ought to have a
+ change, anyway. We've got to stay here in Orham all winter.'
+ </p>
+ <p>
+ &ldquo;'Have you figgered out how much it's goin' to cost?' I asked him.
+ </p>
+ <p>
+ &ldquo;Yes, he had. 'It won't be so awful expensive,' he says. 'I've got some
+ stock in the railroad and that'll give me a pass fur's Fall River. And we
+ can take a lunch to eat on the boat. And a stateroom's a dollar; that's
+ fifty cents apiece. And my daughter's goin' to Denboro on a visit next
+ week, so I'd have to pay board if I stayed to home. Come on, Barzilla!
+ don't be so tight with your money.'
+ </p>
+ <p>
+ &ldquo;So I said I'd go, though I didn't have any pass, nor no daughter to feed
+ me free gratis for nothin' when I got back. And when we started, on the
+ followin' Monday, nothin' would do but we must be at the depot at two
+ o'clock so's not to miss the train, which left at quarter past three.
+ </p>
+ <p>
+ &ldquo;I didn't sleep much that night on the boat. For one thing, our stateroom
+ was a nice lively one, alongside of the paddle box and just under the fog
+ whistle; and for another, the supper that Jonadab had brought, bein'
+ mainly doughnuts and cheese, wa'n't the best cargo to take to bed with
+ you. But it didn't make much diff'rence, 'cause we turned out at four,
+ so's to see the scenery and git our money's worth. What was left of the
+ doughnuts and cheese we had for breakfast.
+ </p>
+ <p>
+ &ldquo;We made the dock on time, and the next thing was to pick out a hotel. I
+ was for cruisin' along some of the main streets until we hove in sight of
+ a place that looked sociable and not too expensive. But no; Jonadab had it
+ all settled for me. We was goin' to the 'Wayfarer's Inn,' a boardin' house
+ where he'd put up once when he was mate of the Emma Snow. He said 'twas a
+ fine place and you could git as good ham and eggs there as a body'd want
+ to eat.
+ </p>
+ <p>
+ &ldquo;So we set sail for the 'Wayfarer's,' and of all the times gittin' to a
+ place&mdash;don't talk! We asked no less than nine policemen and one
+ hundred and two other folks, and it cost us thirty cents in car fares,
+ which pretty nigh broke Jonadab's heart. However, we found it, finally,
+ 'way off amongst a nest of brick houses and peddler carts and children,
+ and it wa'n't the 'Wayfarer's Inn' no more, but was down in the shippin'
+ list as the 'Golconda House.' Jonadab said the neighborhood had changed
+ some sence he was there, but he guessed we'd better chance it, 'cause the
+ board was cheap.
+ </p>
+ <p>
+ &ldquo;We had a nine-by-ten room up aloft somewheres, and there we set down on
+ the edge of the bed and a chair to take account of stock, as you might
+ say.
+ </p>
+ <p>
+ &ldquo;'Now, I tell you, Jonadab,' says I; 'we don't want to waste no time, and
+ we've got the day afore us. What do you say if we cruise along the water
+ front for a spell? There's ha'f a dozen Orham folks aboard diff'rent
+ steamers that hail from this port, and 'twouldn't be no more'n neighborly
+ to call on 'em. There's Silas Baker's boy, Asa&mdash;he's with the
+ Savannah Line and he'd be mighty glad to see us. And there's&mdash;'
+ </p>
+ <p>
+ &ldquo;But Jonadab held up his hand. He'd been mysterious as a baker's mince pie
+ ever sence we started, hintin' at somethin' he'd got to do when we'd got
+ to New York. And now he out with it.
+ </p>
+ <p>
+ &ldquo;'Barzilla,' he says, 'I ain't sayin' but what I'd like to go to the
+ wharves with you, first rate. And we will go, too. But afore we do
+ anything else I've got an errand that must be attended to. 'Twas give to
+ me by a dyin' man,' he says, 'and I promised him I'd do it. So that comes
+ first of all.'
+ </p>
+ <p>
+ &ldquo;He got his wallet out of his inside vest pocket, where it had been pinned
+ in tight to keep it safe from robbers, unwound a foot or so of leather
+ strap, and dug up a yeller piece of paper that looked old enough to be
+ Methusalem's will, pretty nigh.
+ </p>
+ <p>
+ &ldquo;'Do you remember Patrick Kelly in Orham?' he asks.
+ </p>
+ <p>
+ &ldquo;'Who?' says I. 'Pat Kelly, the Irishman, that lived in the little old
+ shack back of your barn? Course I do. But he's been dead for I don't know
+ how long.'
+ </p>
+ <p>
+ &ldquo;'I know he has. Do you remember his boy Jim that run away from home?'
+ </p>
+ <p>
+ &ldquo;'Let's see,' I says. 'Seems to me I do. Freckled, red-headed rooster,
+ wa'n't he? And of all the imps of darkness that ever&mdash;'
+ </p>
+ <p>
+ &ldquo;'S-sh-sh!' he interrupted solemn. 'Don't say that now, Barzilla. Sounds
+ kind of irreverent. Well, me and old Pat was pretty friendly, in a way,
+ though he did owe me rent. When he was sick with the pleurisy he sends for
+ me and he says, &ldquo;Cap'n 'Wixon,&rdquo; says he, &ldquo;you're pretty close with the
+ money,&rdquo; he says&mdash;he was kind of out of his head at the time and
+ liable to say foolish things&mdash;&ldquo;you're pretty close,&rdquo; he says, &ldquo;but
+ you're a man of your word. My boy Jimmie, that run away, was the apple of
+ my eye.&rdquo;'
+ </p>
+ <p>
+ &ldquo;'That's what he said about his girl Maggie that was took up for stealin'
+ Mrs. Elkanah Higgins's spoons,' I says. 'He had a healthy crop of apples
+ in HIS orchard.'
+ </p>
+ <p>
+ &ldquo;'S-sh-h! DON'T talk so! I feel as if the old man's spirit was with us
+ this minute. &ldquo;He's the apple of my eye,&rdquo; he says, &ldquo;and he run away, after
+ me latherin' the life out of him with a wagon spoke. 'Twas all for his
+ good, but he didn't understand, bein' but a child. And now I've heard,&rdquo; he
+ says, &ldquo;that he's workin' at 116 East Blank Street in the city of New York.
+ Cap'n Wixon, you're a man of money and a travelin' man,&rdquo; he says (I was
+ fishin' in them days). &ldquo;When you go to New York,&rdquo; he says, &ldquo;I want you to
+ promise me to go to the address on this paper and hunt up Jimmie. Tell him
+ I forgive him for lickin' him,&rdquo; he says, &ldquo;and die happy. Will you promise
+ me that, Cap'n, on your word as a gentleman?&rdquo; And I promised him. And he
+ died in less than ten months afterwards, poor thing.'
+ </p>
+ <p>
+ &ldquo;'But that was sixteen&mdash;eighteen&mdash;nineteen years ago,' says I.
+ 'And the boy run away three years afore that. You've been to New York in
+ the past nineteen years, once anyhow.'
+ </p>
+ <p>
+ &ldquo;'I know it. But I forgot. I'm ashamed of it, but I forgot. And when I was
+ goin' through the things up attic at my daughter's last Friday, seein'
+ what I could find for the rummage sale at the church, I come across my old
+ writin' desk, and in it was this very piece of paper with the address on
+ it just as I wrote it down. And me startin' for New York in three days!
+ Barzilla, I swan to man, I believe something SENT me to that attic.'
+ </p>
+ <p>
+ &ldquo;I knew what sent him there and so did the church folks, judgin' by their
+ remarks when the contribution came in. But I was too much set back by the
+ whole crazy business to say anything about that.
+ </p>
+ <p>
+ &ldquo;'Look here, Jonadab Wixon,' I sings out, 'do you mean to tell me that
+ we've got to put in the whole forenoon ransackin' New York to find a boy
+ that run off twenty-two years ago?'
+ </p>
+ <p>
+ &ldquo;'It won't take the forenoon,' he says. 'I've got the number, ain't I?'
+ </p>
+ <p>
+ &ldquo;'Yes, you've got the number where he WAS. If you want to know where I
+ think he's likely to be now, I'd try the jail.'
+ </p>
+ <p>
+ &ldquo;But he said I was unfeelin' and disobligin' and lots more, so, to cut the
+ argument short, I agreed to go. And off we put to hunt up 116 East Blank
+ Street. And when we located it, after a good hour of askin' questions, and
+ payin' car fares and wearin' out shoe leather, 'twas a Chinese laundry.
+ </p>
+ <p>
+ &ldquo;'Well,' I says, sarcastic, 'here we be. Which one of the heathen do you
+ think is Jimmie? If he had an inch or so more of upper lip, I'd gamble on
+ that critter with the pink nighty and the baskets on his feet. He has a
+ kind of familiar chicken-stealin' look in his eye. Oh, come down on the
+ wharves, Jonadab, and be sensible.'
+ </p>
+ <p>
+ &ldquo;Would you believe it, he wa'n't satisfied. We must go into the wash shop
+ and ask the Chinamen if they knew Jimmie Kelly. So we went in and the
+ powwow begun.
+ </p>
+ <p>
+ &ldquo;'Twas a mighty unsatisfyin' interview. Jonadab's idea of talkin' to
+ furriners is to yell at 'em as if they was stone deef. If they don't
+ understand what you say, yell louder. So between his yells and the
+ heathen's jabber and grunts the hullabaloo was worse than a cat in a hen
+ yard. Folks begun to stop outside the door and listen and grin.
+ </p>
+ <p>
+ &ldquo;'What did he say?' asks the Cap'n, turnin' to me.
+ </p>
+ <p>
+ &ldquo;'I don't know,' says I, 'but I cal'late he's gettin' ready to send a note
+ up to the crazy asylum. Come on out of here afore I go loony myself.'
+ </p>
+ <p>
+ &ldquo;So he done it, finally, cross as all get out, and swearin' that all
+ Chinese was no good and oughtn't to be allowed in this country. But he
+ wouldn't give up, not yet. He must scare up some of the neighbors and ask
+ them. The fifth man that we asked was an old chap who remembered that
+ there used to be a liquor saloon once where the laundry was now. But he
+ didn't know who run it or what had become of him.
+ </p>
+ <p>
+ &ldquo;'Never mind,' I says. 'You're as warm as you're likely to be this trip. A
+ rum shop is just about the place I'd expect that Kelly boy WOULD be in.
+ And, if he's like the rest of his relations on his dad's side, he drank
+ himself to death years ago. NOW will you head for the Savannah Line?'
+ </p>
+ <p>
+ &ldquo;Not much, he wouldn't. He had another notion. We'd look in the directory.
+ That seemed to have a glimmer of sense somewheres in its neighborhood, so
+ we found an apothecary store and the clerk handed us out a book once again
+ as big as a church Bible.
+ </p>
+ <p>
+ &ldquo;'Kelly,' says Jonadab. 'Yes, here 'tis. Now, &ldquo;James Kelly.&rdquo; Land of Love!
+ Barzilla, look here.'
+ </p>
+ <p>
+ &ldquo;I looked, and there wa'n't no less than a dozen pages of James Kellys
+ beginning with fifty James A.'s and endin' with four James Z.'s. The Y in
+ 'New York' ought to be a C, judgin' by that directory.
+ </p>
+ <p>
+ &ldquo;'Godfrey mighty!' I says. 'This ain't no forenoon's job, Jonadab. If
+ you're goin' through that list you'll have to spend the rest of your life
+ here. Only, unless you want to be lonesome, you'll have to change your
+ name to Kelly.'
+ </p>
+ <p>
+ &ldquo;'If I'd only got his middle letter,' says he, mournful, ''twould have
+ been easier. He had four middle names, if I remember right&mdash;the old
+ man was great on names&mdash;and 'twas too much trouble to write 'em all
+ down. Well, I've done my duty, anyhow. We'll go and call on Ase Baker.'
+ </p>
+ <p>
+ &ldquo;But 'twas after eleven o'clock then, and the doughnuts and cheese I had
+ for breakfast was beginnin' to feel as if they wanted company. So we
+ decided to go back to the Golconda and have some dinner first.
+ </p>
+ <p>
+ &ldquo;We had ham and eggs for dinner, some that was left over from the last
+ time Jonadab stopped there, I cal'late. Lucky there was hot bread and
+ coffee on the bill or we'd never got a square meal. Then we went up to our
+ room and the Cap'n laid down on the bed. He was beat out, he said, and
+ wanted to rest up a spell afore haulin' anchor for another cruise.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0012" id="link2HCH0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XII
+ </h2>
+ <h3>
+ A VISION SENT
+ </h3>
+ <p>
+ &ldquo;Where's the arrestin' come in?&rdquo; demanded Stitt.
+ </p>
+ <p>
+ &ldquo;Comes quick now, Bailey. Plenty quick enough for me and Jonadab, I tell
+ you that! After we got to our room the Cap'n went to sleep pretty soon and
+ I set in the one chair, readin' the newspaper and wishin' I hadn't ate so
+ many of the warm bricks that the Golconda folks hoped was biscuit. They
+ made me feel like a schooner goin' home in ballast. I guess I was drowsin'
+ off myself, but there comes a most unearthly yell from the bed and I
+ jumped ha'f out of the chair. There was Jonadab settin' up and lookin'
+ wild.
+ </p>
+ <p>
+ &ldquo;'What in the world?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh! Ugh! My soul!' says he.
+ </p>
+ <p>
+ &ldquo;'Your soul, hey?' says I. 'Is that all? I thought mebbe you'd lost a
+ quarter.'
+ </p>
+ <p>
+ &ldquo;'Barzilla,' he says, comin' to and starin' at me solemn, 'Barzilla, I've
+ had a dream&mdash;a wonderful dream.'
+ </p>
+ <p>
+ &ldquo;'Well,' I says, 'I ain't surprised. A feller that h'isted in as much
+ fried dough as you did ought to expect&mdash;'
+ </p>
+ <p>
+ &ldquo;'But I tell you 'twas a WONDERFUL dream,' he says. 'I dreamed I was on
+ Blank Street, where we was this mornin', and Patrick Kelly comes to me and
+ p'ints his finger right in my face. I see him as plain as I see you now.
+ And he says to me&mdash;he said it over and over, two or three times&mdash;Seventeen,&rdquo;
+ says he, &ldquo;Seventeen.&rdquo; Now what do you think of that?'
+ </p>
+ <p>
+ &ldquo;'Humph!' I says. 'I ain't surprised. I think 'twas just seventeen of them
+ biscuits that you got away with. Wonder to me you didn't see somebody
+ worse'n old Pat.'
+ </p>
+ <p>
+ &ldquo;But he was past jokin'. You never see a man so shook up by the nightmare
+ as he was by that one. He kept goin' over it and tellin' how natural old
+ Kelly looked and how many times he said 'Seventeen' to him.
+ </p>
+ <p>
+ &ldquo;'Now what did he mean by it?' he says. 'Don't tell me that was a common
+ dream, 'cause twa'n't. No, sir, 'twas a vision sent to me, and I know it.
+ But what did he mean?'
+ </p>
+ <p>
+ &ldquo;'I think he meant you was seventeen kinds of an idiot,' I snorts,
+ disgusted. 'Get up off that bed and stop wavin' your arms, will you? He
+ didn't mean for you to turn yourself into a windmill, that's sartin sure.'
+ </p>
+ <p>
+ &ldquo;Then he hits his knee a slap that sounds like a window blind blowin' to.
+ 'I've got it!' he sings out. 'He meant for me to go to number seventeen on
+ that street. That's what he meant.'
+ </p>
+ <p>
+ &ldquo;I laughed and made fun of him, but I might as well have saved my breath.
+ He was sure Pat Kelly's ghost had come hikin' back from the hereafter to
+ tell him to go to 17 Blank Street and find his boy. 'Else why was he ON
+ Blank Street?' he says. 'You tell me that.'
+ </p>
+ <p>
+ &ldquo;I couldn't tell him. It's enough for me to figger out what makes live
+ folks act the way they do, let alone dead ones. And Cap'n Jonadab was a
+ Spiritu'list on his mother's side. It ended by my agreein' to give the
+ Jimmie chase one more try.
+ </p>
+ <p>
+ &ldquo;'But it's got to be the last,' I says. 'When you get to number seventeen
+ don't you say you think the old man meant to say &ldquo;seventy&rdquo; and stuttered.'
+ </p>
+ <p>
+ &ldquo;Number 17 Blank Street was a little combination fruit and paper store run
+ by an Eyetalian with curly hair and the complexion of a molasses cooky.
+ His talk sounded as if it had been run through a meat chopper. All he
+ could say was, 'Nica grape, genta'men? On'y fifteen cent a pound. Nica
+ grape? Nica apple? Nica pear? Nica ploom?'
+ </p>
+ <p>
+ &ldquo;'Kelly?' says Jonadab, hollerin' as usual. 'Kelly! d'ye understand?
+ K-E-L-Kel L-Y-ly, Kelly. YOU know, KELLY! We want to find him.'
+ </p>
+ <p>
+ &ldquo;And just then up steps a feller about six feet high and three foot
+ through. He was dressed in checkerboard clothes, some gone to seed, and
+ you could hardly see the blue tie he had on for the glass di'mond in it.
+ Oh, he was a little wilted now&mdash;for the lack of water, I judge&mdash;but
+ 'twas plain that he'd been a sunflower in his time. He'd just come out of
+ a liquor store next door to the fruit shop and was wipin' his mouth with
+ the back of his hand.
+ </p>
+ <p>
+ &ldquo;'What's this I hear?' says he, fetchin' Jonadab a welt on the back like a
+ mast goin' by the board. 'Is it me friend Kelly you're lookin' for?'
+ </p>
+ <p>
+ &ldquo;I was just goin' to tell him no, not likin' his looks, but Jonadab cut in
+ ahead of me, out of breath from the earthquake the feller had landed him,
+ but excited as could be.
+ </p>
+ <p>
+ &ldquo;'Yes, yes!' says he. 'It's Mr. Kelly we want. Do you know him?'
+ </p>
+ <p>
+ &ldquo;'Do I know him? Why, me bucko, 'tis me old college chum he is. Come on
+ with me and we'll give him the glad hand.'
+ </p>
+ <p>
+ &ldquo;He grabs Jonadab by the arm and starts along the sidewalk, steerin' a
+ toler'ble crooked course, but gainin' steady by jerks.
+ </p>
+ <p>
+ &ldquo;'I was on me way to Kelly's place now,' says he. 'And here it is. Sure
+ didn't I bate the bookies blind on Rosebud but yesterday&mdash;or was it
+ the day before? I don't know, but come on, me lads, and we'll do him
+ again.'
+ </p>
+ <p>
+ &ldquo;He turned in at a little narrer entry-like, and went stumblin' up a
+ flight of dirty stairs. I caught hold of Jonadab's coat tails and pulled
+ him back.
+ </p>
+ <p>
+ &ldquo;'Where you goin', you crazy loon?' I whispered. 'Can't you see he's three
+ sheets in the wind? And you haven't told him what Kelly you want, nor
+ nothin'.'
+ </p>
+ <p>
+ &ldquo;But I might as well have hollered at a stone wall. 'I don't care if he's
+ as fur gone in liquor as Belshazzer's goat,' sputters the Cap'n, all
+ worked up. 'He's takin' us to a Kelly, ain't he? And is it likely there'd
+ be another one within three doors of the number I dreamed about? Didn't I
+ tell you that dream was a vision sent? Don't lay to NOW, Barzilla, for the
+ land sakes! It's Providence a-workin'.'
+ </p>
+ <p>
+ &ldquo;'Cording to my notion the sunflower looked more like an agent from
+ t'other end of the line than one from Providence, but just then he
+ commenced to yell for us and upstairs we went, Jonadab first.
+ </p>
+ <p>
+ &ldquo;'Whisht!' says the checkerboard, holdin' on to Jonadab's collar and
+ swingin' back and forth. 'Before we proceed to blow in on me friend Kelly,
+ let us come to an understandin' concernin' and touchin' on&mdash;and&mdash;and&mdash;I
+ don't know. But b'ys,' says he, solemn and confidential, 'are you on the
+ square? Are yez dead game sports, hey?'
+ </p>
+ <p>
+ &ldquo;'Yes, yes!' says Jonadab. 'Course we be. Mr. Kelly and us are old
+ friends. We've come I don't know how fur on purpose to see him. Now
+ where's&mdash;'
+ </p>
+ <p>
+ &ldquo;'Say no more,' hollers the feller. 'Say no more. Come on with yez.' And
+ he marches down the dark hall to a door with a 'To let' sign on it and
+ fetches it a bang with his fist. It opens a little ways and a face shows
+ in the crack.
+ </p>
+ <p>
+ &ldquo;'Hello, Frank!' hails the sunflower, cheerful. 'Will you take that ugly
+ mug of yours out of the gate and lave me friends in?'
+ </p>
+ <p>
+ &ldquo;'What's the matter wid you, Mike?' asks the chap at the door. 'Yer can't
+ bring them two yaps in here and you know it. Gwan out of this.'
+ </p>
+ <p>
+ &ldquo;He tried to shut the door, but the checkerboard had his foot between it
+ and the jamb. You might as well have tried to shove in the broadside of an
+ ocean liner as to push against that foot.
+ </p>
+ <p>
+ &ldquo;'These gents are friends of mine,' says he. 'Frank, I'll do yez the honor
+ of an introduction to Gin'ral Grant and Dan'l O'Connell. Open that door
+ and compose your face before I'm obliged to break both of 'em.'
+ </p>
+ <p>
+ &ldquo;'But I tell you, Mike, I can't,' says the door man, lookin' scared. 'The
+ boss is out, and you know&mdash;'
+ </p>
+ <p>
+ &ldquo;'WILL you open that door?' roars the big chap. And with that he hove his
+ shoulder against the panels and jammed the door open by main force, all
+ but flattenin' the other feller behind it. 'Walk in, Gin'ral,' he says to
+ Jonadab, and in we went, me wonderin' what was comin' next, and not darin'
+ to guess.
+ </p>
+ <p>
+ &ldquo;There was a kind of partitioned off hallway inside, with another door in
+ the partition. We opened that, and there was a good-sized room, filled
+ with men, smokin' and standin' around. A high board fence was acrost one
+ end of the room, and from behind it comes a jinglin' of telephone bells
+ and the sounds of talk. The floor was covered with torn papers, the window
+ blinds was shut, the gas was burnin' blue, and, between it and the smoke,
+ the smells was as various as them in a fish glue factory. On the fence was
+ a couple of blackboards with 'Belmont' and 'Brighton' and suchlike names
+ in chalk wrote on 'em, and beneath that a whole mess in writin' and
+ figures like, 'Red Tail 4&mdash;Wt&mdash;108&mdash;Jock Smith&mdash;5&mdash;1,'
+ 'Sourcrout 5&mdash;Wt&mdash;99&mdash;Jock Jones&mdash;20&mdash;5,' and
+ similar rubbish. And the gang&mdash;a mighty mixed lot&mdash;was
+ scribblin' in little books and watchin' each other as if they was afraid
+ of havin' their pockets picked; though, to look at 'em, you'd have guessed
+ the biggest part had nothin' in their pockets but holes.
+ </p>
+ <p>
+ &ldquo;The six-foot checkerboard&mdash;who, it turned out, answered to the hail
+ of 'Mike'&mdash;seemed to be right at home with the gang. He called most
+ of 'em by their first names and went sasshayin' around, weltin' 'em on the
+ back and tellin' 'em how he'd 'put crimps in the bookies rolls t'other
+ day,' and a lot more stuff that they seemed to understand, but was hog
+ Greek to me and Jonadab. He'd forgot us altogether which was a mercy the
+ way I looked at it, and I steered the Cap'n over into a corner and we come
+ to anchor on a couple of rickety chairs.
+ </p>
+ <p>
+ &ldquo;'What&mdash;why&mdash;what kind of a place IS this, Barzilla?' whispers
+ Jonadab, scared.
+ </p>
+ <p>
+ &ldquo;'Sh-h-h!' says I. 'Land knows. Just set quiet and hang on to your watch.'
+ </p>
+ <p>
+ &ldquo;'But&mdash;but I want to find Kelly,' says he.
+ </p>
+ <p>
+ &ldquo;'I'd give somethin' to find a back door,' says I. 'Ain't this a
+ collection of dock rats though! If this is a part of your dream, Jonadab,
+ I wish you'd turn over and wake up. Oh land! here's one murderer headin'
+ this way. Keep your change in your fist and keep the fist shut.'
+ </p>
+ <p>
+ &ldquo;A more'n average rusty peep, with a rubber collar on and no necktie,
+ comes slinkin' over to us. He had a smile like a crack in a plate.
+ </p>
+ <p>
+ &ldquo;'Say, gents,' he says, 'have you made your bets yet? I've got a dead
+ straight line on the handicap,' says he, 'and I'll put you next for a one
+ spot. It's a sure t'ing at fifteen to three. What do you say?'
+ </p>
+ <p>
+ &ldquo;I didn't say nuthin'; but that fool dream was rattlin' round in Jonadab's
+ skull like a bean in a blowgun, and he sees a chance for a shot.
+ </p>
+ <p>
+ &ldquo;'See here, mister,' he says. 'Can you tell me where to locate Mr. Kelly?'
+ </p>
+ <p>
+ &ldquo;'Who&mdash;Pete?' says the feller. 'Oh, he ain't in just now. But about
+ that handicap. I like the looks of youse and I'll let youse in for a
+ dollar. Or, seein' it's you, we'll say a half. Only fifty cents. I
+ wouldn't do better for my own old man,' he says.
+ </p>
+ <p>
+ &ldquo;While the Cap'n was tryin' to unravel one end of this gibberish I spoke
+ up prompt.
+ </p>
+ <p>
+ &ldquo;'Say,' says I, 'tell me this, will you? Is the Kelly who owns this&mdash;this
+ palace, named Jimmie&mdash;James, I mean?'
+ </p>
+ <p>
+ &ldquo;'Naw,' says he. 'Sure he ain't. It's Pete Kelly, of course&mdash;Silver
+ Pete. But what are you givin' us? Are you bettin' on the race, or ain't
+ you?'
+ </p>
+ <p>
+ &ldquo;Well, Jonadab understood that. He bristled up like a brindled cat. If
+ there's any one thing the Cap'n is down on, it's gamblin' and such&mdash;always
+ exceptin' when he knows he's won already. You've seen that kind, maybe.
+ </p>
+ <p>
+ &ldquo;'Young feller,' he says, perkish, 'I want you to know that me and my
+ friend ain't the bettin' kind. What sort of a hole IS this, anyway?'
+ </p>
+ <p>
+ &ldquo;The rubber collared critter backed off, lookin' worried. He goes acrost
+ the room, and I see him talkin' to two or three other thieves as tough as
+ himself. And they commenced to stare at us and scowl.
+ </p>
+ <p>
+ &ldquo;'Come on,' I whispered to Jonadab. 'Let's get out of this place while we
+ can. There ain't no Jimmie Kelly here, or if there is you don't want to
+ find him.'
+ </p>
+ <p>
+ &ldquo;He was as willin' to make tracks as I was, by this time, and we headed
+ for the door in the partition. But Rubber Collar and some of the others
+ got acrost our bows.
+ </p>
+ <p>
+ &ldquo;'Cut it out,' says one of 'em. 'You can't get away so easy. Hi, Frank!
+ Frank! Who let these turnip pullers in here, anyhow? Who are they?'
+ </p>
+ <p>
+ &ldquo;The chap who was tendin' door comes out of his coop. 'You've got me,' he
+ says. 'They come in with Big Mike, and he was loaded and scrappy and
+ jammed 'em through. Said they was pals of his. Where is he?'
+ </p>
+ <p>
+ &ldquo;There was a hunt for Mike, and, when they got his bearin's, there he was
+ keeled over on a bench, breathin' like an escape valve. And an admiral's
+ salute wouldn't have woke him up. The whole crew was round us by this
+ time, some ugly, and the rest laffin' and carryin' on.
+ </p>
+ <p>
+ &ldquo;'It's the Barkwurst gang,' says one.
+ </p>
+ <p>
+ &ldquo;'It's old Bark himself,' says another. 'Look at them lace curtains.' And
+ he points to Jonadab's whiskers.
+ </p>
+ <p>
+ &ldquo;'This one's Jacobs in disguise,' sings out somebody else. 'You can tell
+ him by the Rube get-up. Haw! haw!'
+ </p>
+ <p>
+ &ldquo;'Soak 'em! Do 'em up! Don't let 'em out!' hollers a ha'f dozen more.
+ </p>
+ <p>
+ &ldquo;Jonadab was game; I'll say that for him. And I hadn't been second mate in
+ my time for nothin'.
+ </p>
+ <p>
+ &ldquo;'Take your hands off me!' yells the Cap'n. 'I come in here to find a man
+ I'm lookin' for, James Kelly it was, and&mdash;You would, would you! Stand
+ by, Barzilla!'
+ </p>
+ <p>
+ &ldquo;I stood by. Rubber Collar got one from me that made him remember home and
+ mother, I'll bet. Anyhow, my knuckles ached for two days afterwards. And
+ Jonadab was just as busy. But I cal'late we'd have been ready for the oven
+ in another five minutes if the door hadn't bu'st open with a bang, and a
+ loud dressed chap, with the sweat pourin' down his face, come tearin' in.
+ </p>
+ <p>
+ &ldquo;'Beat it, fellers!' he yells. 'The place is goin' to be pinched. I've
+ just had the tip, and they're right on top of me.'
+ </p>
+ <p>
+ &ldquo;THEN there was times. Everybody was shoutin' and swearin' and fallin'
+ over each other to get out. I was kind of lost in the shuffle, and the
+ next thing I remember for sartin is settin' up on Rubber Collar's stomach
+ and lookin' foggy at the door, where the loud dressed man was wrestlin'
+ with a policeman. And there was police at the windows and all around.
+ </p>
+ <p>
+ &ldquo;Well, don't talk! I got up, resurrects Jonadab from under a heap of
+ gamblers and furniture, and makes for harbor in our old corner. The police
+ was mighty busy, especially a fat, round-faced, red-mustached man, with
+ gold bands on his cap and arms, that the rest called 'Cap'n.' Him and the
+ loud dressed chap who'd give the alarm was talkin' earnest close to us.
+ </p>
+ <p>
+ &ldquo;'I can't help it, Pete,' says the police cap'n. ''Twas me or the Vice
+ Suppression crowd. They've been on to you for two weeks back. I only just
+ got in ahead of 'em as it was. No, you'll have to go along with the rest
+ and take your chances. Quiet now, everybody, or you'll get it harder,' he
+ roars, givin' orders like the skipper of a passenger boat. 'Stand in line
+ and wait your turns for the wagon.'
+ </p>
+ <p>
+ &ldquo;Jonadab grabbed me by the wrist. He was pale and shakin' all over.
+ </p>
+ <p>
+ &ldquo;'Oh, Lordy!' says he, 'we're took up. Will we have to go to jail, do you
+ think?'
+ </p>
+ <p>
+ &ldquo;'I don't know,' I says, disgusted. 'I presume likely we will. Did you
+ dream anything like this? You'd better see if you can't dream yourself out
+ now.' Twas rubbin' it in, but I was mad.
+ </p>
+ <p>
+ &ldquo;'Oh! oh!' says he, flappin' his hands. 'And me a deacon of the church!
+ Will folks know it, do you think?'
+ </p>
+ <p>
+ &ldquo;'Will they know it! Sounds as if they knew it already. Just listen to
+ that.'
+ </p>
+ <p>
+ &ldquo;The first wagon full of prizes was bein' loaded in down at the front
+ door, and the crowd outside was cheerin' 'em. Judgin' by the whoops and
+ hurrahs there wa'n't no less than a million folks at the show, and they
+ was gettin' the wuth of admission.
+ </p>
+ <p>
+ &ldquo;'Oh, dear!' groans Jonadab. 'And it'll be in the papers and all! I can't
+ stand this.'
+ </p>
+ <p>
+ &ldquo;And afore I could stop him he'd run over and tackled the head policeman.
+ </p>
+ <p>
+ &ldquo;'Mister&mdash;Mister Cap'n,' he says, pantin', 'there's been a mistake,
+ an awful mis&mdash;take&mdash;'
+ </p>
+ <p>
+ &ldquo;'That's right,' says the police cap'n, 'there has. Six or eight of you
+ tin horns got clear. But&mdash;' Then he noticed who was speakin' to him
+ and his mouth dropped open like a hatch. 'Well, saints above!' he says.
+ 'Have the up-state delegates got to buckin' the ponies, too? Why ain't you
+ back home killin' pertater bugs? You ought to be ashamed.'
+ </p>
+ <p>
+ &ldquo;'But we wa'n't gamblin'&mdash;me and my friend wa'n't. We was led in here
+ by mistake. We was told that a feller named Kelly lived here and we're
+ huntin' for a man of that name. I've got a message to him from his poor
+ dead father back in Orham. We come all the way from Orham, Mass.&mdash;to
+ find him and&mdash;'
+ </p>
+ <p>
+ &ldquo;The police cap'n turned around then and stared at him hard. 'Humph!' says
+ he, after a spell. 'Go over there and set down till I want you. No, you'll
+ go now and we'll waste no breath on it. Go on, do you hear!'
+ </p>
+ <p>
+ &ldquo;So we went, and there we set for ha'f an hour, while the rest of the gang
+ and the blackboards and the paper slips and the telephones and Big Mike
+ and his chair was bein' carted off to the wagon. Once, when one of the
+ constables was beatin' acrost to get us, the police cap'n spoke to him.
+ </p>
+ <p>
+ &ldquo;'You can leave these two,' he says. 'I'll take care of them.'
+ </p>
+ <p>
+ &ldquo;So, finally, when there was nothin' left but the four walls and us and
+ some of the police, he takes me and Jonadab by the elbows and heads for
+ the door.
+ </p>
+ <p>
+ &ldquo;'Now,' says he, 'walk along quiet and peaceable and tell me all about it.
+ Get out of this!' he shouts to the crowd of small boys and loafers on the
+ sidewalk, 'or I'll take you, too.'
+ </p>
+ <p>
+ &ldquo;The outsiders fell astern, lookin' heartbroke and disapp'inted that we
+ wa'n't hung on the spot, and the fat boss policeman and us two paraded
+ along slow but grand. I felt like the feller that was caught robbin' the
+ poorhouse, and I cal'late Jonadab felt the same, only he was so busy
+ beggin' and pleadin' and explainin' that he couldn't stop to feel
+ anything.
+ </p>
+ <p>
+ &ldquo;He told it all, the whole fool yarn from one end to t'other. How old Pat
+ give him the message and how he went to the laundry, and about his
+ ridiculous dream, every word. And the fat policeman shook all over, like a
+ barrel of cod livers.
+ </p>
+ <p>
+ &ldquo;By and by we got to a corner of a street and hove to. I could see the
+ station house loomin' up large ahead. Fatty took a card from his
+ pocketbook, wrote on it with a pencil, and then hailed a hack, one of them
+ stern-first kind where the driver sits up aloft 'way aft. He pushed back
+ the cap with the gilt wreath on it, and I could see his red hair shinin'
+ like a sunset.
+ </p>
+ <p>
+ &ldquo;'Here,' says he to the hack driver, 'take these&mdash;this pair of salads
+ to the&mdash;what d'ye call it?&mdash;the Golconda House, wherever on top
+ of the pavement that is. And mind you, deliver 'em safe and don't let the
+ truck horses get a bite at 'em. And at half-past eight to-night you call
+ for 'em and bring 'em here,' handin' up the card he'd written on.
+ </p>
+ <p>
+ &ldquo;''Tis the address of my house, I'm givin',' he says, turnin' to Jonadab.
+ 'I'll be off duty then and we'll have dinner and talk about old times. To
+ think of you landin' in Silver Pete's pool room! Dear! dear! Why, Cap'n
+ Wixon, barrin' that your whiskers are a bit longer and a taste grayer, I'd
+ 'a' known you anywheres. Many's the time I've stole apples over your back
+ fence. I'm Jimmie Kelly,' says he.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, by mighty!&rdquo; exclaimed the depot master, slapping his knee. &ldquo;So HE
+ was the Kelly man! Humph!&rdquo;
+ </p>
+ <p>
+ &ldquo;Funny how it turned out, wa'n't it?&rdquo; said Barzilla. &ldquo;Course, Cap'n
+ Jonadab was perfectly sat on spiritu'lism and signs and omens and such
+ after that. He's had his fortune told no less'n eight times sence, and,
+ nigh's I can find out, each time it's different. The amount of blondes and
+ brunettes and widows and old maids that he's slated to marry, accordin' to
+ them fortune tellers, is perfectly scandalous. If he lives up to the
+ prophecies, Brigham Young wouldn't be a twospot 'longside of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's funny about dreams,&rdquo; mused Captain Hiram. &ldquo;Folks are always tellin'
+ about their comin' true, but none of mine ever did. I used to dream I was
+ goin' to be drowned, but I ain't been yet.&rdquo;
+ </p>
+ <p>
+ The depot master laughed. &ldquo;Well,&rdquo; he observed, &ldquo;once, when I was a
+ youngster, I dreamed two nights runnin' that I was bein' hung. I asked my
+ Sunday school teacher if he believed dreams come true, and he said yes,
+ sometimes. Then I told him my dream, and he said he believed in that one.
+ I judged that any other finish for me would have surprised him. But,
+ somehow or other, they haven't hung me yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;There was a hired girl over at the Old Home House who was sat on fortune
+ tellin',&rdquo; said Wingate. &ldquo;Her name was Effie, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here!&rdquo; broke in Captain Bailey Stitt, righteous indignation in his
+ tone, &ldquo;I've started no less than nineteen different times to tell you
+ about how I went sailin' in an automobile. Now do you want to hear it, or
+ don't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;How you went SAILIN' in an auto?&rdquo; repeated Barzilla. &ldquo;Went ridin', you
+ mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean sailin'. I went ridin', too, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You'll have to excuse me, Bailey,&rdquo; interrupted Captain Hiram, rising and
+ looking at his watch. &ldquo;I've stayed here a good deal longer'n I ought to,
+ already. I must be gettin' on home to see how poor little Dusenberry, my
+ boy, is feelin'. I do hope he's better by now. I wish Dr. Parker hadn't
+ gone out of town.&rdquo;
+ </p>
+ <p>
+ The depot master rose also. &ldquo;And I'll have to be excused, too,&rdquo; he
+ declared. &ldquo;It's most time for the up train. Good-by, Hiram. Give my
+ regards to Sophrony, and if there's anything I can do to help, in case
+ your baby should be sick, just sing out, won't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;But I want to tell about this automobilin' scrape,&rdquo; protested Captain
+ Bailey. &ldquo;It was one of them things that don't happen every day.&rdquo;
+ </p>
+ <p>
+ &ldquo;So was that fortune business of Effie's,&rdquo; declared Wingate. &ldquo;Honest, the
+ way it worked out was queer enough.&rdquo;
+ </p>
+ <p>
+ But the train whistled just then and the group broke up. Captain Sol went
+ out to the platform, where Cornelius Rowe, Ed Crocker, Beriah Higgins,
+ Obed Gott, and other interested citizens had already assembled. Wingate
+ and Stitt followed. As for Captain Hiram Baker, he hurried home, his
+ conscience reproving him for remaining so long away from his wife and poor
+ little Hiram Joash, more familiarly known as &ldquo;Dusenberry.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0013" id="link2HCH0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XIII
+ </h2>
+ <h3>
+ DUSENBERRY'S BIRTHDAY
+ </h3>
+ <p>
+ Mrs. Baker met her husband at the door.
+ </p>
+ <p>
+ &ldquo;How is he?&rdquo; was the Captain's first question. &ldquo;Better, hey?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; was the nervous answer. &ldquo;No, I don't think he is. His throat's
+ terrible sore and the fever's just as bad.&rdquo;
+ </p>
+ <p>
+ Again Captain Hiram's conscience smote him.
+ </p>
+ <p>
+ &ldquo;Dear! dear!&rdquo; he exclaimed. &ldquo;And I've been loafin' around the depot with
+ Sol Berry and the rest of 'em instead of stayin' home with you, Sophrony.
+ I KNEW I was doin' wrong, but I didn't realize&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Course you didn't, Hiram. I'm glad you got a few minutes' rest, after
+ bein' up with him half the night. I do wish the doctor was home, though.
+ When will he be back?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not until late to-morrer, if then. Did you keep on givin' the medicine?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but it don't seem to do much good. You go and set with him now,
+ Hiram. I must be seein' about supper.&rdquo;
+ </p>
+ <p>
+ So into the sick room went Captain Hiram to sit beside the crib and sing
+ &ldquo;Sailor boy, sailor boy, 'neath the wild billow,&rdquo; as a lugubrious lullaby.
+ </p>
+ <p>
+ Little Hiram Joash tossed and tumbled. He was in a fitful slumber when
+ Mrs. Baker called her husband to supper. The meal was anything but a
+ cheerful one. They talked but little. Over the home, ordinarily so
+ cheerful, had settled a gloom that weighed upon them.
+ </p>
+ <p>
+ &ldquo;My! my!&rdquo; sighed Captain Hiram, &ldquo;how lonesome it seems without him
+ chatterin' and racketin' sound. Seems darker'n usual, as if there was a
+ shadow on the place.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush, Hiram! don't talk that way. A shadow! Oh, WHAT made you say that?
+ Sounds like a warnin', almost.&rdquo;
+ </p>
+ <p>
+ &ldquo;Warnin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, a forewarnin', you know. 'The valley of the shadow&mdash;'&rdquo;
+ </p>
+ <p>
+ &ldquo;HUSH!&rdquo; Captain Baker's face paled under its sunburn. &ldquo;Don't say such
+ things, Sophrony. If that happened, the Lord help you and me. But it won't&mdash;it
+ won't. We're nervous, that's all. We're always so careful of Dusenberry,
+ as if he was made out of thin china, that we get fidgety when there's no
+ need of it. We mustn't be foolish.&rdquo;
+ </p>
+ <p>
+ After supper Mrs. Baker tiptoed into the bedroom. She emerged with a very
+ white face.
+ </p>
+ <p>
+ &ldquo;Hiram,&rdquo; she whispered, &ldquo;he acts dreadful queer. Come in and see him.&rdquo;
+ </p>
+ <p>
+ The &ldquo;first mate&rdquo; was tossing back and forth in the crib, making odd little
+ choky noises in his swollen throat. When his father entered he opened his
+ eyes, stared unmeaningly, and said: &ldquo;'Tand by to det der ship under way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good Lord! he's out of his head,&rdquo; gasped the Captain. Sophronia and he
+ stepped back into the sitting room and looked at each other, the same
+ thought expressed in the face of each. Neither spoke for a moment, then
+ Captain Hiram said:
+ </p>
+ <p>
+ &ldquo;Now don't you worry, Sophrony. The Doctor ain't home, but I'm goin' out
+ to&mdash;to telegraph him, or somethin'. Keep a stiff upper lip. It'll be
+ all right. God couldn't go back on you and me that way. He just couldn't.
+ I'll be back in a little while.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, oh, Hiram! if he should&mdash;if he SHOULD be taken away, what WOULD
+ we do?&rdquo;
+ </p>
+ <p>
+ She began to cry. Her husband laid a trembling hand on her shoulder.
+ </p>
+ <p>
+ &ldquo;But he won't,&rdquo; he declared stoutly. &ldquo;I tell you God wouldn't do such a
+ thing. Good-by, old lady. I'll hurry fast as I can.&rdquo;
+ </p>
+ <p>
+ As he took up his cap and turned to the door he heard the voice of the
+ weary little first mate chokily calling his crew to quarters. &ldquo;All hands
+ on deck!&rdquo;
+ </p>
+ <p>
+ The telegraph office was in Beriah Higgins's store. Thither ran the
+ Captain. Pat Sharkey, Mr. Higgins's Irish helper, who acted as telegraph
+ operator during Gertie Higgins's absence, gave Captain Hiram little
+ satisfaction.
+ </p>
+ <p>
+ &ldquo;How can I get Dr. Parker?&rdquo; asked Pat. &ldquo;He's off on a cruise and land
+ knows where I can reach him to-night. I'll do what I can, Cap, but it's
+ ten chances out of nine against a wire gettin' to him.&rdquo;
+ </p>
+ <p>
+ Captain Hiram left the store, dodging questioners who were anxious to know
+ what his trouble might be, and dazedly crossed Main Street, to the railway
+ station. He thought of asking advice of his friend, the depot master.
+ </p>
+ <p>
+ The evening train from Boston pulled out as he passed through the waiting
+ room. One or two passengers were standing on the platform. One of these
+ was a short, square-shouldered man with gray side whiskers and eyeglasses.
+ The initials on his suit case were J. S. M., Boston, and they stood for
+ John Spencer Morgan. If the bearer of the suit case had followed the
+ fashion of the native princes of India and had emblazoned his titles upon
+ his baggage, the commonplace name just quoted might have been followed by
+ &ldquo;M.D., LL.D., at Harvard and Oxford; vice president American Medical
+ Society; corresponding secretary Associated Society of Surgeons; lecturer
+ at Harvard Medical College; author of 'Diseases of the Throat and Lungs,'
+ etc., etc.&rdquo;
+ </p>
+ <p>
+ But Dr. Morgan was not given to advertising either his titles or himself,
+ and he was hurrying across the platform to Redny Blount's depot wagon when
+ Captain Hiram touched him on the arm.
+ </p>
+ <p>
+ &ldquo;Why, hello, Captain Baker,&rdquo; exclaimed the Doctor, &ldquo;how do you do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dr. Morgan,&rdquo; said the Captain, &ldquo;I&mdash;I hope you'll excuse my presumin'
+ on you this way, but I want to ask a favor of you, a great favor. I want
+ to ask if you'll come down to the house and see the boy; he's on the sick
+ list.&rdquo;
+ </p>
+ <p>
+ &ldquo;What, Dusenberry?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir. He's pretty bad, I'm 'fraid, and the old lady's considerable
+ upsot about him. If you just come down and kind of take an observation,
+ so's we could sort of get our bearin's, as you might say, 'twould be a
+ mighty help to all hands.&rdquo;
+ </p>
+ <p>
+ &ldquo;But where's your town physician? Hasn't he been called?&rdquo;
+ </p>
+ <p>
+ The Captain explained. He had inquired, and he had telegraphed, but could
+ get no word of Dr. Parker's whereabouts.
+ </p>
+ <p>
+ The great Boston specialist listened to Captain Hiram's story in an
+ absent-minded way. Holidays were few and far between with him, and when he
+ accepted the long-standing invitation of Mr. Ogden Williams to run down
+ for the week end he determined to forget the science of medicine and all
+ that pertained to it for the four days of his outing. But an exacting
+ patient had detained him long enough to prevent his taking the train that
+ morning, and now, on the moment of his belated arrival, he was asked to
+ pay a professional call. He liked the Captain, who had taken him out
+ fishing several times on his previous excursions to East Harniss, and he
+ remembered Dusenberry as a happy little sea urchin, but he simply couldn't
+ interrupt his pleasure trip to visit a sick baby. Besides, the child was
+ Dr. Parker's patient, and professional ethics forbade interference.
+ </p>
+ <p>
+ &ldquo;Captain Hiram,&rdquo; he said, &ldquo;I am sorry to disappoint you, but it will be
+ impossible for me to do what you ask. Mr. Williams expected me this
+ morning, and I am late already. Dr. Parker will, no doubt, return soon.
+ The baby cannot be dangerously ill or he would not have left him.&rdquo;
+ </p>
+ <p>
+ The Captain slowly turned away.
+ </p>
+ <p>
+ &ldquo;Thank you, Doctor,&rdquo; he said huskily. &ldquo;I knew I hadn't no right to ask.&rdquo;
+ </p>
+ <p>
+ He walked across the platform, abstractedly striking his right hand into
+ his left. When he reached the ticket window he put one hand against the
+ frame as if to steady himself, and stood there listlessly.
+ </p>
+ <p>
+ The enterprising Mr. Blount had been hanging about the Doctor like a cat
+ about the cream pitcher; now he rushed up, grasped the suit case, and
+ officiously led the way toward the depot wagon. Dr. Morgan followed more
+ slowly. As he passed the Captain he glanced up into the latter's face,
+ lighted, as it was, by the lamp inside the window.
+ </p>
+ <p>
+ The Doctor stopped and looked again. Then he took another step forward,
+ hesitated, turned on his heel, and said:
+ </p>
+ <p>
+ &ldquo;Wait a moment, Blount. Captain Hiram, do you live far from here?&rdquo;
+ </p>
+ <p>
+ The Captain started. &ldquo;No, sir, only a little ways.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. I'll go down and look at this boy of yours. Mind you, I'll not
+ take the case, simply give my opinion on it, that's all. Blount, take my
+ grip to Mr. Williams's. I'm going to walk down with the Captain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Haul on ee bowline, ee bowline, haul!&rdquo; muttered the first mate, as they
+ came into the room. The lamp that Sophronia was holding shook, and the
+ Captain hurriedly brushed his eyes with the back of his hand.
+ </p>
+ <p>
+ Dr. Morgan started perceptibly as he bent forward to look at the little
+ fevered face of Dusenberry. Graver and graver he became as he felt the
+ pulse and peered into the swollen throat. At length he rose and led the
+ way back into the sitting room.
+ </p>
+ <p>
+ &ldquo;Captain Baker,&rdquo; he said simply, &ldquo;I must ask you and your wife to be
+ brave. The child has diphtheria and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Diphthery!&rdquo; gasped Sophronia, as white as her best tablecloth.
+ </p>
+ <p>
+ &ldquo;Good Lord above!&rdquo; cried the Captain.
+ </p>
+ <p>
+ &ldquo;Diphtheria,&rdquo; repeated the Doctor; &ldquo;and, although I dislike extremely to
+ criticize a member of my own profession, I must say that any physician
+ should have recognized it.&rdquo;
+ </p>
+ <p>
+ Sophronia groaned and covered her face with her apron.
+ </p>
+ <p>
+ &ldquo;Ain't there&mdash;ain't there no chance, Doctor?&rdquo; gasped the Captain.
+ </p>
+ <p>
+ &ldquo;Certainly, there's a chance. If I could administer antitoxin by to-morrow
+ noon the patient might recover. What time does the morning train from
+ Boston arrive here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha'f-past ten or thereabouts.&rdquo;
+ </p>
+ <p>
+ Dr. Morgan took his notebook from his pocket and wrote a few lines in
+ pencil on one of the pages. Then he tore out the leaf and handed it to the
+ Captain.
+ </p>
+ <p>
+ &ldquo;Send that telegram immediately to my assistant in Boston,&rdquo; he said. &ldquo;It
+ directs him to send the antitoxin by the early train. If nothing
+ interferes it should be here in time.&rdquo;
+ </p>
+ <p>
+ Captain Hiram took the slip of paper and ran out at the door bareheaded.
+ </p>
+ <p>
+ Dr. Morgan stood in the middle of the floor absent-mindedly looking at his
+ watch. Sophronia was gazing at him appealingly. At length he put his watch
+ in his pocket and said quietly:
+ </p>
+ <p>
+ &ldquo;Mrs. Baker, I must ask you to give me a room. I will take the case.&rdquo; Then
+ he added mentally: &ldquo;And that settles my vacation.&rdquo;
+ </p>
+ <p>
+ Dr. Morgan's assistant was a young man whom nature had supplied with a
+ prematurely bald head, a flourishing beard, and a way of appearing ten
+ years older than he really was. To these gifts, priceless to a young
+ medical man, might be added boundless ambition and considerable common
+ sense.
+ </p>
+ <p>
+ The yellow envelope which contained the few lines meaning life or death to
+ little Hiram Joash Baker was delivered at Dr. Morgan's Back Bay office at
+ ten minutes past ten. Dr. Payson&mdash;that was the assistant's name&mdash;was
+ out, but Jackson, the colored butler, took the telegram into his
+ employer's office, laid it on the desk among the papers, and returned to
+ the hall to finish his nap in the armchair. When Dr. Payson came in, at
+ 11:30, the sleepy Jackson forgot to mention the dispatch.
+ </p>
+ <p>
+ The next morning as Jackson was cleaning the professional boots in the
+ kitchen and chatting with the cook, the thought of the yellow envelope
+ came back to his brain. He went up the stairs with such precipitation that
+ the cook screamed, thinking he had a fit.
+ </p>
+ <p>
+ &ldquo;Doctah! Doctah!&rdquo; he exclaimed, opening the door of the assistant's
+ chamber, &ldquo;did you git dat telegraft I lef' on your desk las' night?&rdquo;
+ </p>
+ <p>
+ &ldquo;What telegraph?&rdquo; asked the assistant sleepily. By way of answer Jackson
+ hurried out and returned with the yellow envelope. The assistant opened it
+ and read as follows:
+ </p>
+ <p>
+ Send 1,500 units Diphtheritic Serum to me by morning train. Don't fail.
+ Utmost importance.
+ </p>
+ <p>
+ J. S. MORGAN.
+ </p>
+ <p>
+ Dr. Payson sprang out of bed, and running to the table took up the Railway
+ Guide, turned to the pages devoted to the O. C. and C. C. Railroad and ran
+ his finger down the printed tables. The morning train for Cape Cod left at
+ 7:10. It was 6:45 at that moment. As has been said, the assistant had
+ considerable common sense. He proved this by wasting no time in telling
+ the forgetful Jackson what he thought of him. He sent the latter after a
+ cab and proceeded to dress in double-quick time. Ten minutes later he was
+ on his way to the station with the little wooden case containing the
+ precious antitoxin, wrapped and addressed, in his pocket.
+ </p>
+ <p>
+ It was seven by the Arlington Street Church clock as the cab rattled down
+ Boylston Street. A tangle of a trolley car and a market wagon delayed it
+ momentarily at Harrison Avenue and Essex Street. Dr. Payson, leaning out
+ as the carriage swung into Dewey Square, saw by the big clock on the Union
+ Station that it was 7:13. He had lost the train.
+ </p>
+ <p>
+ Now, the assistant had been assistant long enough to know that excuses&mdash;in
+ the ordinary sense of the word&mdash;did not pass current with Dr. Morgan.
+ That gentleman had telegraphed for antitoxin, and said it was important
+ that he should have it; therefore, antitoxin must be sent in spite of
+ time-tables and forgetful butlers. Dr. Payson went into the waiting room
+ and sat down to think. After a moment's deliberation he went over to the
+ ticket office and asked:
+ </p>
+ <p>
+ &ldquo;What is the first stop of the Cape Cod express?&rdquo;
+ </p>
+ <p>
+ &ldquo;Brockboro,&rdquo; answered the ticket seller.
+ </p>
+ <p>
+ &ldquo;Is the train usually on time?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I should smile. That's Charlie Mills's train, and the old man ain't
+ been conductor on this road twenty-two years for nothin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mills? Does he live on Shawmut Avenue?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dunno. Billy, where does Charlie Mills live?&rdquo;
+ </p>
+ <p>
+ &ldquo;Somewhere at the South End. Shawmut Avenue, I think.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; said the assistant, and, helping himself to a time-table, he
+ went back rejoicing to his seat in the waiting room. He had stumbled upon
+ an unexpected bit of luck.
+ </p>
+ <p>
+ There might be another story written in connection with this one; the
+ story of a veteran railroad man whose daughter had been very, very ill
+ with a dreaded disease of the lungs, and who, when other physicians had
+ given up hope, had been brought back to health by a celebrated specialist
+ of our acquaintance. But this story cannot be told just now; suffice it to
+ say that Conductor Charlie Mills had vowed that he would put his neck
+ beneath the wheels of his own express train, if by so doing he could
+ confer a favor on Dr. John Spencer Morgan.
+ </p>
+ <p>
+ The assistant saw by his time-table that the Cape Cod express reached
+ Brockboro at 8:05. He went over to the telegraph office and wrote two
+ telegrams. The first read like this:
+ </p>
+ <p>
+ CALVIN S. WISE, The People's Drug Store, 28 Broad Street, Brockboro,
+ Mass.:
+ </p>
+ <p>
+ Send package 1,500 units Diphtheritic Serum marked with my name to
+ station. Hand to Conductor Mills, Cape Cod express. Train will wait.
+ Matter life and death.
+ </p>
+ <p>
+ The second telegram was to Conductor Mills. It read:
+ </p>
+ <p>
+ Hold train Brockboro to await arrival C. A. Wise. Great personal favor.
+ Very important.
+ </p>
+ <p>
+ Both of these dispatches were signed with the magic name, &ldquo;J. S. Morgan,
+ M.D.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the assistant as he rode back to his office, &ldquo;I don't know
+ whether Wise will get the stuff to the train in time, or whether Mills
+ will wait for him, but at any rate I've done my part. I hope breakfast is
+ ready, I'm hungry.&rdquo;
+ </p>
+ <p>
+ Mr. Wise, of &ldquo;The People's Drug Store,&rdquo; had exactly two minutes in which
+ to cover the three-quarters of a mile to the station. As a matter of
+ course, he was late. Inquiring for Conductor Mills, he was met by a
+ red-faced man in uniform, who, watch in hand, demanded what in the vale of
+ eternal torment he meant by keeping him waiting eight minutes.
+ </p>
+ <p>
+ &ldquo;Do you realize,&rdquo; demanded the red-faced man, &ldquo;that I'm liable to lose my
+ job? I'll have you to understand that if any other man than Doc. Morgan
+ asked me to hold up the Cape Cod express, I'd tell him to go right plumb
+ to&mdash;&rdquo;
+ </p>
+ <p>
+ Here Mr. Wise interrupted to hand over the package and explain that it was
+ a matter of life and death. Conductor Mills only grunted as he swung
+ aboard the train.
+ </p>
+ <p>
+ &ldquo;Hump her, Jim,&rdquo; he said to the engineer; &ldquo;she's got to make up those
+ eight minutes.&rdquo;
+ </p>
+ <p>
+ And Jim did.
+ </p>
+ <p>
+ And so it happened that on the morning of the Fourth of July, Dusenberry's
+ birthday, Captain Hiram Baker and his wife sat together in the sitting
+ room, with very happy faces. The Captain had in his hands the &ldquo;truly boat
+ with sails,&rdquo; which the little first mate had so ardently wished for.
+ </p>
+ <p>
+ She was a wonder, that boat. Red hull, real lead on the keel, brass rings
+ on the masts, reef points on the main and fore sail, jib, flying jib and
+ topsails, all complete. And on the stern was the name, &ldquo;Dusenberry. East
+ Harniss.&rdquo;
+ </p>
+ <p>
+ Captain Hiram set her down in front of him on the floor.
+ </p>
+ <p>
+ &ldquo;Gee!&rdquo; he exclaimed, &ldquo;won't his eyes stick out when he sees that rig, hey?
+ Wisht he would be well enough to see it to-day, same as we planned.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Hiram,&rdquo; said Sophrony, &ldquo;we hadn't ought to complain. We'd ought to
+ be thankful he's goin' to get well at all. Dr. Morgan says, thanks to that
+ blessed toxing stuff, he'll be up and around in a couple of weeks.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sophrony,&rdquo; said her husband, &ldquo;we'll have a special birthday celebration
+ for him when he gets all well. You can bake the frosted cake and we'll
+ have some of the other children in. I TOLD you God wouldn't be cruel
+ enough to take him away.&rdquo;
+ </p>
+ <p>
+ And this is how Fate and the medical profession and the O. C. and C. C.
+ Railroad combined to give little Hiram Joash Baker his birthday, and
+ explains why, as he strolled down Main Street that afternoon, Captain
+ Hiram was heard to sing heartily:
+ </p>
+<pre xml:space="preserve">
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline, the bowline, HAUL!
+</pre>
+ <p>
+ <a name="link2HCH0014" id="link2HCH0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XIV
+ </h2>
+ <h3>
+ EFFIE'S FATE
+ </h3>
+ <p>
+ Surely, but very, very slowly, the little Berry house moved on its rollers
+ up the Hill Boulevard. Right at its heels&mdash;if a house may be said to
+ have heels&mdash;came the &ldquo;pure Colonial,&rdquo; under the guidance of the
+ foreman with &ldquo;progressive methods.&rdquo; Groups of idlers, male and female,
+ stood about and commented. Simeon Phinney smilingly replied to their
+ questions. Captain Sol himself seemed little interested. He spent most of
+ his daylight time at the depot, only going to the Higginses' house for his
+ meals. At night, after the station was closed, he sought his own dwelling,
+ climbed over the joist and rollers, entered, retired to his room, and went
+ to bed.
+ </p>
+ <p>
+ Each day also he grew more taciturn. Even with Simeon, his particular
+ friend, he talked little.
+ </p>
+ <p>
+ &ldquo;What IS the matter with you, Sol?&rdquo; asked Mr. Phinney. &ldquo;You're as glum as
+ a tongue-tied parrot. Ain't you satisfied with the way I'm doin' your
+ movin'? The white horse can go back again if you say so.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm satisfied,&rdquo; grunted the depot master. &ldquo;Let you know when I've got any
+ fault to find. How soon will you get abreast the&mdash;abreast the Seabury
+ lot?&rdquo;
+ </p>
+ <p>
+ &ldquo;Let's see,&rdquo; mused the building mover. &ldquo;Today's the eighth. Well, I'll be
+ there by the eleventh, SURE. Can't drag it out no longer, Sol, even if the
+ other horse is took sick. 'Twon't do. Williams has been complainin' to the
+ selectmen and they're beginnin' to pester me. As for that Colt and Adams
+ foreman&mdash;whew!&rdquo;
+ </p>
+ <p>
+ He whistled. His companion smiled grimly.
+ </p>
+ <p>
+ &ldquo;Williams himself drops in to see me occasional,&rdquo; he said. &ldquo;Tells me what
+ he thinks of me, with all the trimmin's added. I cal'late he gets as good
+ as he sends. I'm always glad to see him; he keeps me cheered up, in his
+ way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye-es, I shouldn't wonder. Was he in to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was. And somethin' has pleased him, I guess. At any rate he was in
+ better spirits. Asked me if I was goin' to move right onto that Main
+ Street lot soon as my house got there.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did you say?&rdquo;
+ </p>
+ <p>
+ &ldquo;I said I was cal'latin' to. Told him I hated to get out of the
+ high-society circles I'd been livin' in lately, but that everyone had
+ their comedowns in this world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho, ho! that was a good one. What answer did he make to that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he said the 'high society' would miss me. Then he finished up with
+ a piece of advice. 'Berry,' says he, 'don't move onto that lot TOO quick.
+ I wouldn't if I was you.' Then he went away, chucklin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Chucklin', hey? What made him so joyful?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't know&rdquo;&mdash;Captain Sol's face clouded once more&mdash;&ldquo;and I care
+ less,&rdquo; he added brusquely.
+ </p>
+ <p>
+ Simeon pondered. &ldquo;Have you heard from Abner Payne, Sol?&rdquo; he asked. &ldquo;Has Ab
+ answered that letter you wrote sayin' you'd swap your lot for the Main
+ Street one?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he hasn't. I wrote him that day I told you to move me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hum! that's kind of funny. You don't s'pose&mdash;&rdquo;
+ </p>
+ <p>
+ He stopped, noticing the expression on his friend's face. The depot master
+ was looking out through the open door of the waiting room. On the opposite
+ side of the road, just emerging from Mr. Higgins's &ldquo;general store,&rdquo; was
+ Olive Edwards, the widow whose home was to be pulled down as soon as the
+ &ldquo;Colonial&rdquo; reached its destination. She came out of the store and started
+ up Main Street. Suddenly, and as if obeying an involuntary impulse, she
+ turned her head. Her eyes met those of Captain Sol Berry, the depot
+ master. For a brief instant their glance met, then Mrs. Edwards hurried
+ on.
+ </p>
+ <p>
+ Sim Phinney sighed pityingly. &ldquo;Looks kind of tired and worried, don't
+ she?&rdquo; he ventured. His friend did not speak.
+ </p>
+ <p>
+ &ldquo;I say,&rdquo; repeated Phinney, &ldquo;that Olive looks sort of worn out and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Has she heard from the Omaha cousin yet?&rdquo; interrupted the depot master.
+ </p>
+ <p>
+ &ldquo;No; Mr. Hilton says not. Sol, what DO you s'pose&mdash;&rdquo;
+ </p>
+ <p>
+ But Captain Sol had risen and gone into the ticket office. The door closed
+ behind him. Mr. Phinney shook his head and walked out of the building. On
+ his way back to the scene of the house moving he shook his head several
+ times.
+ </p>
+ <p>
+ On the afternoon of the ninth Captain Bailey Stitt and his friend Wingate
+ came to say good-by. Stitt was going back to Orham on the &ldquo;up&rdquo; train, due
+ at 3:30. Barzilla would return to Wellmouth and the Old Home House on the
+ evening (the &ldquo;down&rdquo;) train.
+ </p>
+ <p>
+ &ldquo;Hey, Sol!&rdquo; shouted Wingate, as they entered the waiting room. &ldquo;Sol! where
+ be you?&rdquo;
+ </p>
+ <p>
+ The depot master came out of the ticket office. &ldquo;Hello, boys!&rdquo; he said
+ shortly.
+ </p>
+ <p>
+ &ldquo;Hello, Sol!&rdquo; hailed Stitt. &ldquo;Barzilla and me have come to shed the
+ farewell tear. As hirelin's of soulless corporations, meanin' the Old Home
+ House at Wellmouth and the Ocean House at Orham, we've engaged all the
+ shellfish along-shore and are goin' to clear out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; chimed in his fellow &ldquo;hireling,&rdquo; &ldquo;and we thought the pleasantest
+ place to put in our few remainin' hours&mdash;as the papers say when a
+ feller's goin' to be hung&mdash;was with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought so,&rdquo; said Captain Bailey, with a wink. &ldquo;We've been havin' more
+ or less of an argument, Sol. Remember how Barzilla made fun of Jonadab
+ Wixon for believin' in dreams? Yes, well that was only make believe. He
+ believes in 'em himself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't either,&rdquo; declared Wingate. &ldquo;And I never said so. What I said was
+ that sometimes it almost seemed as if there was somethin' IN fortune
+ tellin' and such.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is,&rdquo; chuckled Bailey with another wink at the depot master.
+ &ldquo;There's money in it&mdash;for the fortune tellers.&rdquo;
+ </p>
+ <p>
+ &ldquo;I said&mdash;and I say again,&rdquo; protested Barzilla, &ldquo;that I knew a case at
+ our hotel of a servant girl named Effie, and she&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Heavens to Betsy! Here he goes again, I steered him in here on
+ purpose, Sol, so's he'd get off that subject.&rdquo;
+ </p>
+ <p>
+ &ldquo;You never neither. You said&mdash;&rdquo;
+ </p>
+ <p>
+ The depot master held up his hand. &ldquo;Don't both talk at once,&rdquo; he
+ commanded. &ldquo;Set down and be peaceful, can't you. That's right. What about
+ this Effie, Barzilla?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now look here!&rdquo; protested Stitt.
+ </p>
+ <p>
+ &ldquo;Shut up, Bailey! Who was Effie, Barzilla?&rdquo;
+ </p>
+ <p>
+ &ldquo;She was third assistant roustabout and table girl at the Old Home House,&rdquo;
+ said Wingate triumphantly. &ldquo;Got another cigar, Sol? Thanks. Yes, this
+ Effie had never worked out afore and she was greener'n a mess of spinach;
+ but she was kind of pretty to look at and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, ha!&rdquo; crowed Captain Bailey, &ldquo;here comes the heart confessions. Want
+ to look out for these old bachelors, Sol. Fire away, Barzilla; let us know
+ the worst.&rdquo;
+ </p>
+ <p>
+ &ldquo;I took a fancy to her, in a way. She got in the habit of tellin' me her
+ troubles and secrets, me bein' old enough to be her dad&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Aw, yes!&rdquo; this from Stitt, the irrepressible. &ldquo;That's an old gag. We know&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;WILL you shut up?&rdquo; demanded Captain Sol. &ldquo;Go on, Barzilla.&rdquo;
+ </p>
+ <p>
+ &ldquo;Me bein' old enough to be her dad,&rdquo; with a glare at Captain Bailey, &ldquo;and
+ not bein' too proud to talk with hired help. I never did have that
+ high-toned notion. 'Twa'n't so long since I was a fo'mast hand.
+ </p>
+ <p>
+ &ldquo;So Effie told me a lot about herself. Seems she'd been over to the Cattle
+ Show at Ostable one year, and she was loaded to the gunwale with some more
+ or less facts that a fortune-tellin' specimen by the name of the
+ 'Marvelous Oriental Seer' had handed her in exchange for a quarter.
+ </p>
+ <p>
+ &ldquo;'Yup,' says she, bobbin' her head so emphatic that the sky-blue ribbon
+ pennants on her black hair flapped like a loose tops'l in a gale of wind.
+ 'Yup,' says she, 'I b'lieve it just as much as I b'lieve anything. How
+ could I help it when he told me so much that has come true already? He
+ said I'd seen trouble, and the dear land knows that's so! and that I might
+ see more, and I cal'late that's pretty average likely. And he said I
+ hadn't been brought up in luxury&mdash;'
+ </p>
+ <p>
+ &ldquo;'Which wa'n't no exaggeration neither,' I put in, thinkin' of the shack
+ over on the Neck Road where she and her folks used to live.
+ </p>
+ <p>
+ &ldquo;'No,' says she; 'and he told me I'd always had longin's for better and
+ higher things and that my intellectuals was above my station. Well, ever
+ sence I was knee high to a kitchen chair I'd ruther work upstairs than
+ down, and as for intellectuals, ma always said I was the smartest young
+ one she'd raised yet. So them statements give me consider'ble confidence.
+ But he give out that I was to make a journey and get money, and when THAT
+ come true I held up both hands and stood ready to swaller all the rest of
+ it.'
+ </p>
+ <p>
+ &ldquo;'So it come true, did it?' says I.
+ </p>
+ <p>
+ &ldquo;'Um-hm,' says she, bouncin' her head again. 'Inside of four year I
+ traveled 'way over to South Eastboro&mdash;'most twelve mile&mdash;to my
+ Uncle Issy's fun'ral, and there I found that he'd left me nine hundred
+ dollars for my very own. And down I flops on the parlor sofy and says I:
+ &ldquo;There! don't talk superstition to ME no more! A person that can foretell
+ Uncle Issy's givin' anybody a cent, let alone nine hundred dollars, is a
+ good enough prophet for ME to tie to. Now I KNOW that I'm going to marry
+ the dark-complected man, and I'll be ready for him when he comes along. I
+ never spent a quarter no better than when I handed it over to that
+ Oriental Seer critter at the Cattle Show.&rdquo; That's what I said then and I
+ b'lieve it yet. Wouldn't you feel the same way?'
+ </p>
+ <p>
+ &ldquo;I said sure thing I would. I'd found out that the best way to keep
+ Effie's talk shop runnin' was to agree with her. And I liked to hear her
+ talk.
+ </p>
+ <p>
+ &ldquo;'Yup,' she went on, 'I give right in then. I'd traveled same as the
+ fortune teller said, and I'd got more money'n I ever expected to see, let
+ alone own. And ever sence I've been sartin as I'm alive that the feller I
+ marry will be of a rank higher'n mine and dark complected and good-lookin'
+ and distinguished, and that he'll be name of Butler.'
+ </p>
+ <p>
+ &ldquo;'Butler?' says I. 'What will he be named Butler for?'
+ </p>
+ <p>
+ &ldquo;''Cause the Seer critter said so. He said he could see the word Butler
+ printed out over the top of my head in flamin' letters. Pa used to say
+ 'twas a wonder it never set fire to my crimps, but he was only foolin'. I
+ know that it's all comin' out true. You ain't acquaintanced to any
+ Butlers, are you?'
+ </p>
+ <p>
+ &ldquo;'No,' says I. 'I heard Ben Butler make a speech once when he was gov'nor,
+ but he's dead now. There ain't no Butlers on the Old Home shippin' lists.'
+ </p>
+ <p>
+ &ldquo;'Oh, I know that!' she says. 'And everybody round here is homelier'n a
+ moultin' pullet. There now! I didn't mean exactly EVERYbody, of course.
+ But you ain't dark complected, you know, nor&mdash;'
+ </p>
+ <p>
+ &ldquo;'No,' says I, 'nor rank nor distinguished neither. Course the handsome
+ part might fit me, but I'd have to pass on the rest of the hand. That's
+ all right, Effie; my feelin's have got fire-proofed sence I've been in the
+ summer hotel business. Now you'd better run along and report to Susannah.
+ I hear her whoopin' for you, and she don't light like a canary bird on the
+ party she's mad with.'
+ </p>
+ <p>
+ &ldquo;She didn't, that was a fact. Susannah Debs, who was housekeeper for us
+ that year, was middlin' young and middlin' good-lookin', and couldn't
+ forget it. Also and likewise, she had a suit for damages against the
+ railroad, which she had hopes would fetch her money some day or other, and
+ she couldn't forget that neither. She was skipper of all the hired hands
+ and, bein' as Effie was prettier than she was, never lost a chance to lay
+ the poor girl out. She put the other help up to pokin' fun at Effie's
+ green ways and high-toned notions, and 'twas her that started 'em callin'
+ her 'Lady Evelyn' in the fo'castle&mdash;servants' quarters, I mean.
+ </p>
+ <p>
+ &ldquo;'I'm a-comin', 'screams Effie, startin' for the door. 'Susannah's in a
+ tearin' hurry to get through early to-day,' she adds to me. 'She's got the
+ afternoon off, and her beau's comin' to take her buggy ridin'. He's from
+ over Harniss way somewheres and they say he's just lovely. My sakes! I
+ wisht somebody'd take ME to ride. Ah hum! cal'late I'll have to wait for
+ my Butler man. Say, Mr. Wingate, you won't mention my fortune to a soul,
+ will you? I never told anybody but you.'
+ </p>
+ <p>
+ &ldquo;I promised to keep mum and she cleared out. After dinner, as I was
+ smokin', along with Cap'n Jonadab, on the side piazza, a horse and buggy
+ drove in at the back gate. A young chap with black curly hair was pilotin'
+ the craft. He was a stranger to me, wore a checkerboard suit and a bonfire
+ necktie, and had his hat twisted over one ear. Altogether he looked some
+ like a sunflower goin' to seed.
+ </p>
+ <p>
+ &ldquo;'Who's that barber's sign when it's to home?' says I to Jonadab. He
+ snorted contemptuous.
+ </p>
+ <p>
+ &ldquo;'That?' he says. 'Don't you know the cut of that critter's jib? He plays
+ pool &ldquo;for the house&rdquo; in Web Saunders's place over to Orham. He's the
+ housekeeper's steady comp'ny&mdash;steady by spells, if all I hear's true.
+ Good-for-nothin' cub, I call him. Wisht I'd had him aboard a vessel of
+ mine; I'd 'a' squared his yards for him. Look how he cants his hat to
+ starboard so's to show them lovelocks. Bah!'
+ </p>
+ <p>
+ &ldquo;'What's his name?' I asks.
+ </p>
+ <p>
+ &ldquo;'Name? Name's Butler&mdash;Simeon Butler. Don't you remember . . . Hey?
+ What in tunket . . .?'
+ </p>
+ <p>
+ &ldquo;Both of us had jumped as if somebody'd touched off a bombshell under our
+ main hatches. The windows of the dining room was right astern of us. We
+ whirled round, and there was Effie. She'd been clearin' off one of the
+ tables and there she stood, with the smashed pieces of an ice-cream
+ platter in front of her, the melted cream sloppin' over her shoes, and her
+ face lookin' like the picture of Lot's wife just turnin' to salt. Only
+ Effie looked as if she enjoyed the turnin'. She never spoke nor moved,
+ just stared after that buggy with her black eyes sparklin' like burnt
+ holes in a blanket.
+ </p>
+ <p>
+ &ldquo;I was too astonished to say anything, but Jonadab had his eye on that
+ smashed platter and HE had things to say, plenty of 'em. I walked off and
+ left Effie playin' congregation to a sermon on the text 'Crockery costs
+ money.' You'd think that ice-cream dish was a genuine ugly, nicked
+ 'antique' wuth any city loon's ten dollars, instead of bein' only new and
+ pretty fifty-cent china. I felt real sorry for the poor girl.
+ </p>
+ <p>
+ &ldquo;But I needn't have been. That evenin' I found her on the back steps, all
+ Sunday duds and airs. Her hair had a wire friz on it, and her dress had
+ Joseph's coat in Scriptur' lookin' like a mournin' rig. She'd have been
+ real handsome&mdash;to a body that was color blind.
+ </p>
+ <p>
+ &ldquo;'My, Effie!' says I, 'you sartin do look fine to-night.'
+ </p>
+ <p>
+ &ldquo;'Yup,' she says, contented, 'I guess likely I do. Hope so, 'cause I'm
+ wearin' all I've got. Say, Mr. Wingate,' says she, excited as a cat in a
+ fit, 'did you see him?'
+ </p>
+ <p>
+ &ldquo;'Him?' says I. 'Who's him?'
+ </p>
+ <p>
+ &ldquo;'Why, HIM! The one the Seer said was comin'. The handsome,
+ dark-complected feller I'm goin' to marry. The Butler one. That was him in
+ the buggy this afternoon.'
+ </p>
+ <p>
+ &ldquo;I looked at her. I'd forgot all about the fool prophecy.
+ </p>
+ <p>
+ &ldquo;'Good land of love!' I says. 'You don't cal'late he's comin' to marry
+ YOU, do you, just 'cause his name's Butler? There's ten thousand Butlers
+ in the world. Besides, your particular one was slated to be high ranked
+ and distinguished, and this specimen scrubs up the billiard-room floor and
+ ain't no more distinguished than a poorhouse pig.'
+ </p>
+ <p>
+ &ldquo;'Ain't?' she sings out. 'Ain't distinguished? With all them beautiful
+ curls, and rings on his fingers, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Bells on his toes? No!' says I, emphatic. 'Anyhow, he's signed for the
+ v'yage already. He's Susannah Debs's steady, and they're off buggy ridin'
+ together right now. And if she catches you makin' eyes at her best feller&mdash;Whew!'
+ </p>
+ <p>
+ &ldquo;Didn't make no difference. He was her Butler, sure. 'Twas Fate&mdash;that's
+ what 'twas&mdash;Fate, just the same as in storybooks. She was sorry for
+ poor Susannah and she wouldn't do nothin' mean nor underhanded; but
+ couldn't I understand that 'twas all planned out for her by Providence and
+ that everlastin' Seer? Just let me watch and see, that's all.
+ </p>
+ <p>
+ &ldquo;What can you do with an idiot like that? I walked off disgusted and left
+ her. But I cal'lated to watch. I judged 'twould be more fun than any
+ 'play-actin' show ever I took in.
+ </p>
+ <p>
+ &ldquo;And 'twas, in a way. Don't ask me how they got acquainted, 'cause I can't
+ tell you for sartin. Nigh's I can learn, Susannah and Sim had some sort of
+ lover's row durin' their buggy ride, and when they got back to the hotel
+ they was scurcely on speakin' terms. And Sim, who always had a watch out
+ for'ard for pretty girls, see Effie standin' on the servants' porch all
+ togged up regardless and gay as a tea-store chromo, and nothin' to do but
+ he must be introduced. One of the stable hands done the introducin', I
+ b'lieve, and if he'd have been hung afterwards 'twould have sarved him
+ right.
+ </p>
+ <p>
+ &ldquo;Anyhow, inside of a week Butler come round again to take a lady friend
+ drivin', but this time 'twas Effie, not the housekeeper, that was
+ passenger. And Susannah glared after 'em like a cat after a sparrow, and
+ the very next day she was for havin' Effie discharged for
+ incompetentiveness. I give Jonadab the tip, though, so that didn't go
+ through. But I cal'late there was a parrot and monkey time among the help
+ from then on.
+ </p>
+ <p>
+ &ldquo;They all sided with Susannah, of course. She was their boss, for one
+ thing, and 'Lady Evelyn's' high-minded notions wa'n't popular, for
+ another. But Effie didn't care&mdash;bless you, no! She and that Butler
+ sport was together more and more, and the next thing I heard was that they
+ was engaged. I snum, if it didn't look as if the Oriental man knew his job
+ after all.
+ </p>
+ <p>
+ &ldquo;I spoke to the stable hand about it.
+ </p>
+ <p>
+ &ldquo;'Look here,' says I, 'is this business betwixt that pool player and our
+ Effie serious?'
+ </p>
+ <p>
+ &ldquo;He laughed. 'Serious enough, I guess,' he says. 'They're goin' to be
+ married pretty soon, I hear. It's all 'cordin' to the law and the
+ prophets. Ain't you heard about the fortune tellin' and how 'twas foretold
+ she'd marry a Butler?'
+ </p>
+ <p>
+ &ldquo;I'd heard, but I didn't s'pose he had. However, it seemed that Effie
+ hadn't been able to keep it to herself no longer. Soon as she'd hooked her
+ man she'd blabbed the whole thing. The fo'mast hands wa'n't talkin' of
+ nothin' else, so this feller said.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Is it the prophecy that Butler's bankin' on?'
+ </p>
+ <p>
+ &ldquo;He laughed again. 'Not so much as on Lady Evelyn's nine hundred, I
+ cal'late,' says he. Sim likes Susannah the best of the two, so we all
+ reckon, but she ain't rich and Effie is. And yet, if the Debs woman should
+ win that lawsuit of hers against the railroad she'd have pretty nigh twice
+ as much. Butler's a fool not to wait, I think,' he says.
+ </p>
+ <p>
+ &ldquo;This was of a Monday. On Friday evenin' Effie comes around to see me. I
+ was alone in the office.
+ </p>
+ <p>
+ &ldquo;'Mr. Wingate,' she says, 'I'm goin' to leave to-morrer night. I'm goin'
+ to be married on Sunday.'
+ </p>
+ <p>
+ &ldquo;I'd been expecting it, but I couldn't help feelin' sorry for her.
+ </p>
+ <p>
+ &ldquo;'Don't do nothin' rash, Effie,' I told her. 'Are you sure that Butler
+ critter cares anything about you and not your money?'
+ </p>
+ <p>
+ &ldquo;She flared up like a tar barrel. 'The idea!' she says, turnin' red. 'I
+ just come in to give you warnin'. Good-by.'
+ </p>
+ <p>
+ &ldquo;'Hold on,' I sung out to her. 'Effie, I've thought consider'ble about you
+ lately. I've been tryin' to help you a little on the sly. I realized that
+ 'twa'n't pleasant for you workin' here under Susannah Debs, and I've been
+ tryin' to find a nice place for you. I wrote about you to Bob Van
+ Wedderburn; he's the rich banker chap who stopped here one summer.
+ &ldquo;Jonesy,&rdquo; we used to call him. I know him and his wife fust rate, and he'd
+ do 'most anything as a favor to me. I told him what a neat, handy girl you
+ was, and he writes that he'll give you the job of second girl at his swell
+ New York house, if you want it. Now you just hand that Sim Butler his
+ clearance papers and go work for Bob's wife. The wages are double what you
+ get here, and&mdash;'
+ </p>
+ <p>
+ &ldquo;She didn't wait to hear the rest. Just sailed out of the room with her
+ nose in the air. In a minute, though, back she come and just put her head
+ in the door.
+ </p>
+ <p>
+ &ldquo;'I'm much obliged to you, Mr. Wingate,' says she. 'I know you mean well.
+ But you ain't had your fate foretold, same's I have. It's all been
+ arranged for me, and I couldn't stop it no more'n Jonah could help
+ swallerin' the whale. I&mdash;I kind of wish you'd be on hand at the back
+ door on Sunday mornin' when Simeon comes to take me away. You&mdash;you're
+ about the only real friend I've got,' she says.
+ </p>
+ <p>
+ &ldquo;And off she went, for good this time. I pitied her, in spite of her bein'
+ such a dough head. I knew what sort of a husband that pool-room shark
+ would make. However, there wa'n't nothin' to be done. And next day Cap'n
+ Jonadab was round, madder'n a licked pup. Seems Susannah's lawyer at Orham
+ had sent for her to come right off and see him. Somethin' about the suit,
+ it was. And she was goin' in spite of everything. And with Effie's leavin'
+ at the same time, what was we goin' to do over Sunday? and so forth and so
+ on.
+ </p>
+ <p>
+ &ldquo;Well, we had to do the best we could, that's all. But that Saturday was
+ busy, now I tell you. Sunday mornin' broke fine and clear and, after
+ breakfast was over, I remembered Effie and that 'twas her weddin' day. On
+ the back steps I found her, dressed in all her grandeur, with her packed
+ trunk ready, waitin' for the bridegroom.
+ </p>
+ <p>
+ &ldquo;'Ain't come yet, hey, Effie?' says I.
+ </p>
+ <p>
+ &ldquo;'No,' says she, smilin' and radiant. 'It's a little early for him yet, I
+ guess.'
+ </p>
+ <p>
+ &ldquo;I went off to 'tend to the boarders. At half past ten, when I made the
+ back steps again, she was still there. T'other servants was peekin' out of
+ the kitchen windows, grinnin' and passin' remarks.
+ </p>
+ <p>
+ &ldquo;'Hello!' I calls out. 'Not married yet? What's the matter?'
+ </p>
+ <p>
+ &ldquo;She'd stopped smilin', but she was as chipper as ever, to all
+ appearances.
+ </p>
+ <p>
+ &ldquo;'I&mdash;I guess the horse has gone lame or somethin',' says she. 'He'll
+ be here any time now.'
+ </p>
+ <p>
+ &ldquo;There was a cackle from the kitchen windows. I never said nothin'. She'd
+ made her nest; now let her roost on it.
+ </p>
+ <p>
+ &ldquo;But at twelve Butler hadn't hove in sight. Every hand, male and female,
+ on the place, that wa'n't busy, was hangin' around the back of the hotel,
+ waitin' and watchin' and ridiculin' and havin' a high time. Them that had
+ errands made it a p'int to cruise past that way. Lots of the boarders had
+ got wind of the doin's, and they was there, too.
+ </p>
+ <p>
+ &ldquo;Effie was settin' on her trunk, tryin' hard to look brave. I went up and
+ spoke to her.
+ </p>
+ <p>
+ &ldquo;'Come, my girl,' says I. 'Don't set here no longer. Come into the house
+ and wait. Hadn't you better?'
+ </p>
+ <p>
+ &ldquo;'No!' says she, loud and defiant like. 'No, sir! It's all right. He's a
+ little late, that's all. What do you s'pose I care for a lot of jealous
+ folks like those up there?' wavin' her flipper scornful toward the
+ kitchen.
+ </p>
+ <p>
+ &ldquo;And then, all to once, she kind of broke down, and says to me, with a
+ pitiful sort of choke in her voice:
+ </p>
+ <p>
+ &ldquo;'Oh, Mr. Wingate! I can't stand this. Why DON'T he come?'
+ </p>
+ <p>
+ &ldquo;I tried hard to think of somethin' comfortin' to say, but afore I could
+ h'ist a satisfyin' word out of my hatches I heard the noise of a carriage
+ comin'. Effie heard it, too, and so did everybody else. We all looked
+ toward the gate. 'Twas Sim Butler, sure enough, in his buggy and drivin'
+ the same old horse; but settin' alongside of him on the seat was Susannah
+ Debs, the housekeeper. And maybe she didn't look contented with things in
+ gen'ral!
+ </p>
+ <p>
+ &ldquo;Butler pulled up his horse by the gate. Him and Susannah bowed to all
+ hands. Nobody said anything for a minute. Then Effie bounced off the trunk
+ and down them steps.
+ </p>
+ <p>
+ &ldquo;'Simmie' she sung out, breathless like, 'Simeon Butler, what does this
+ mean?'
+ </p>
+ <p>
+ &ldquo;The Debs woman straightened up on the seat. 'Thank you, marm,' says she,
+ chilly as the top section of an ice chest, 'I'll request you not to call
+ my husband by his first name.'
+ </p>
+ <p>
+ &ldquo;It was so still you could have heard yourself grow. Effie turned white as
+ a Sunday tablecloth.
+ </p>
+ <p>
+ &ldquo;'Your&mdash;husband?' she gasps. 'Your&mdash;your HUSBAND?'
+ </p>
+ <p>
+ &ldquo;'Yes, marm,' purrs the housekeeper. 'My husband was what I said. Mr.
+ Butler and me have just been married.'
+ </p>
+ <p>
+ &ldquo;'Sorry, Effie, old girl,' puts in Butler, so sassy I'd love to have
+ preached his fun'ral sermon. 'Too bad, but fust love's strongest, you
+ know. Susie and me was engaged long afore you come to town.'
+ </p>
+ <p>
+ &ldquo;THEN such a haw-haw and whoop bust from the kitchen and fo'castle as you
+ never heard. For a jiffy poor Effie wilted right down. Then she braced up
+ and her black eyes snapped.
+ </p>
+ <p>
+ &ldquo;'I wish you joy of your bargain, marm,' says she to Susannah. 'You'd
+ ought to be proud of it. And as for YOU,' she says, swingin' round toward
+ the rest of the help, 'I&mdash;'
+ </p>
+ <p>
+ &ldquo;'How 'bout that prophet?' hollers somebody.
+ </p>
+ <p>
+ &ldquo;'Three cheers for the Oriental!' bellers somebody else.
+ </p>
+ <p>
+ &ldquo;'When you marry the right Butler fetch him along and let us see him!'
+ whoops another.
+ </p>
+ <p>
+ &ldquo;She faced 'em all, and I gloried in her spunk.
+ </p>
+ <p>
+ &ldquo;'When I marry him I WILL come back,' says she. 'And when I do you'll have
+ to get down on your knees and wait on me. You&mdash;and you&mdash;Yes, and
+ YOU, too!'
+ </p>
+ <p>
+ &ldquo;The last two 'yous' was hove at Sim and Susannah. Then she turned and
+ marched into the hotel. And the way them hired hands carried on was
+ somethin' scandalous&mdash;till I stepped in and took charge of the deck.
+ </p>
+ <p>
+ &ldquo;That very afternoon I put Effie and her trunk aboard the train. I paid
+ her fare to New York and give her directions how to locate the Van
+ Wedderburns.
+ </p>
+ <p>
+ &ldquo;'So long, Effie,' says I to her. 'It's all right. You're enough sight
+ better off. All you want to do now is to work hard and forget all that
+ fortune-tellin' foolishness.'
+ </p>
+ <p>
+ &ldquo;She whirled on me like a top.
+ </p>
+ <p>
+ &ldquo;'Forget it!' she says. 'I GUESS I shan't forget it! It's comin' true, I
+ tell you&mdash;same as all the rest come true. You said yourself there was
+ ten thousand Butlers in the world. Some day the right one&mdash;the
+ handsome, high-ranked, distinguished one&mdash;will come along, and I'll
+ get him. You wait and see, Mr. Wingate&mdash;just you wait and see.'&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0015" id="link2HCH0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XV
+ </h2>
+ <h3>
+ THE &ldquo;HERO&rdquo; AND THE COWBOY
+ </h3>
+ <p>
+ &ldquo;So that was the end of it, hey?&rdquo; said Captain Bailey. &ldquo;Well, it's what
+ you might expect, but it wa'n't much to be so anxious to tell; and as for
+ PROVIN' anything about fortune tellin'&mdash;why&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It AIN'T the end,&rdquo; shouted the exasperated Barzilla. &ldquo;Not nigh the end.
+ 'Twas the beginnin'. The housekeeper left us that day, of course, and for
+ the rest of that summer the servant question kept me and Jonadab from
+ thinkin' of other things. Course, the reason for the Butler scamp's sudden
+ switch was plain enough. Susannah's lawyer had settled the case with the
+ railroad and, even after his fee was subtracted, there was fifteen hundred
+ left. That was enough sight better'n nine hundred, so Sim figgered when he
+ heard of it; and he hustled to make up with his old girl.
+ </p>
+ <p>
+ &ldquo;Fifteen hundred dollars doesn't last long with some folks. At the
+ beginnin' of the next spring season both of 'em was round huntin' jobs.
+ Susannah was a fust-rate waitress, so we hired her for that&mdash;no more
+ housekeeper for hers, and served her right. As for her husband, we took
+ him on in the stable. He wouldn't have been wuth his salt if it hadn't
+ been for her. She said she'd keep him movin' and she did. She nagged and
+ henpecked him till I'd have been sorry if 'twas anybody else; as 'twas, I
+ got consider'ble satisfaction out of it.
+ </p>
+ <p>
+ &ldquo;I got one letter from Effie pretty soon after she left, sayin' she liked
+ her new job and that the Van Wedderburns liked her. And that's all I did
+ hear, though Bob himself wrote me in May, sayin' him and Mabel, his wife,
+ had bought a summer cottage in Wapatomac, and me and Jonadab&mdash;especially
+ me&mdash;must be sure and come to see it and them. He never mentioned his
+ second girl, and I almost forgot her myself.
+ </p>
+ <p>
+ &ldquo;But one afternoon in early July a big six-cylinder automobile come
+ sailin' down the road and into the Old Home House yard. A shofer&mdash;I
+ b'lieve that's what they call the tribe&mdash;was at the helm of it, and
+ on the back seat, lollin' luxurious against the upholstery, was a man and
+ a woman, got up regardless in silk dusters and goggles and veils and
+ prosperity. I never expect to see the Prince of Wales and his wife, but I
+ know how they'd look&mdash;after seein' them two.
+ </p>
+ <p>
+ &ldquo;Jonadab was at the bottom step to welcome 'em, bowin' and scrapin' as if
+ his middle j'int had just been iled. I wa'n't fur astern, and every
+ boarder on deck was all eyes and envy.
+ </p>
+ <p>
+ &ldquo;The shofer opens the door of the after cockpit of the machine, and the
+ man gets out fust, treadin' gingerly but grand, as if he was doin' the
+ ground a condescension by steppin' on it. Then he turns to the woman and
+ she slides out, her duds rustlin' like the wind in a scrub oak. The pair
+ sails up the steps, Jonadab and me backin' and fillin' in front of 'em.
+ All the help that could get to a window to peek had knocked off work to do
+ it.
+ </p>
+ <p>
+ &ldquo;'Ahem!' says the man, pompous as Julius Caesar&mdash;he was big and
+ straight and fine lookin' and had black side whiskers half mast on his
+ cheeks&mdash;ahem!' says he. 'I say, good people, may we have dinner
+ here?'
+ </p>
+ <p>
+ &ldquo;Well, they tell us time and tide waits for no man, but prob'ly that don't
+ include the nobility. Anyhow, although 'twas long past our reg'lar dinner
+ time, I heard Jonadab tellin' 'em sure and sartin they could. If they
+ wouldn't mind settin' on the piazza or in the front parlor for a spell,
+ he'd have somethin' prepared in a jiffy. So up to the piazza they paraded
+ and come to anchor in a couple of chairs.
+ </p>
+ <p>
+ &ldquo;'You can have your automobile put right into the barn,' I says, 'if you
+ want to.'
+ </p>
+ <p>
+ &ldquo;'I don't know as it will be necessary&mdash;' began the big feller, but
+ the woman interrupted him. She was starin' through her thick veil at the
+ barn door. Sim Butler, in his overalls and ragged shirt sleeves, was
+ leanin' against that door, interested as the rest of us in what was goin'
+ on.
+ </p>
+ <p>
+ &ldquo;'I would have it put there, I think,' says the woman, lofty and superior.
+ 'It is rather dusty, and I think the wheels ought to be washed. Can that
+ man be trusted to wash 'em?' she asks, pointin' kind of scornful at
+ Simeon.
+ </p>
+ <p>
+ &ldquo;'Yes, marm, I cal'late so,' I says. 'Here, Sim!' I sung out, callin'
+ Butler over to the steps. 'Can you wash the dust off them wheels?'
+ </p>
+ <p>
+ &ldquo;He said course he could, but he didn't act joyful over the job. The woman
+ seemed some doubtful.
+ </p>
+ <p>
+ &ldquo;'He looks like a very ignorant, common person,' says she, loud and clear,
+ so that everybody, includin' the 'ignorant person' himself, could hear
+ her. 'However, James'll superintend. James,' she orders the shofer, 'you
+ see that it is well done, won't you? Make him be very careful.'
+ </p>
+ <p>
+ &ldquo;James looked Butler over from head to foot. 'Humph!' he sniffs,
+ contemptuous, with a kind of half grin on his face. 'Yes, marm, I'll 'tend
+ to it.'
+ </p>
+ <p>
+ &ldquo;So he steered the auto into the barn, and Simeon got busy. Judgin' by the
+ sharp language that drifted out through the door, 'twas plain that the
+ shofer was superintendin' all right.
+ </p>
+ <p>
+ &ldquo;Jonadab heaves in sight, bowin', and makes proclamation that dinner is
+ served. The pair riz up majestic and headed for the dinin' room. The woman
+ was a little astern of her man, and in the hall she turns brisk to me.
+ </p>
+ <p>
+ &ldquo;'Mr. Wingate,' she whispers, 'Mr. Wingate.'
+ </p>
+ <p>
+ &ldquo;I stared at her. Her voice had sounded sort of familiar ever sence I
+ heard it, but the veil kept a body from seein' what she looked like.
+ </p>
+ <p>
+ &ldquo;'Hey?' I sings out. 'Have I ever&mdash;'
+ </p>
+ <p>
+ &ldquo;'S-s-h-h!' she whispers. 'Say, Mr. Wingate, that&mdash;that Susannah
+ thing is here, ain't she? Have her wait on us, will you, please?'
+ </p>
+ <p>
+ &ldquo;And she swept the veil off her face. I choked up and staggered bang!
+ against the wall. I swan to man if it wa'n't Effie! EFFIE, in silks and
+ automobiles and gorgeousness!
+ </p>
+ <p>
+ &ldquo;Afore I could come to myself the two of 'em marched into that dining
+ room. I heard a grunt and a 'Land of love!' from just ahead of me. That
+ was Jonadab. And from all around that dinin' room come a sort of gasp and
+ then the sound of whisperin'. That was the help.
+ </p>
+ <p>
+ &ldquo;They took a table by the window, which had been made ready. Down they set
+ like a king and a queen perchin' on thrones. One of the waiter girls went
+ over to em.
+ </p>
+ <p>
+ &ldquo;But I'd come out of my trance a little mite. The situation was miles
+ ahead of my brain, goodness knows, but the joke of it all was gettin' a
+ grip on me. I remembered what Effie had asked and I spoke up prompt.
+ </p>
+ <p>
+ &ldquo;'Susannah,' says I, 'this is a particular job and we're anxious to
+ please. You'd better do the waitin' yourself.'
+ </p>
+ <p>
+ &ldquo;I wish you could have seen the glare that ex-housekeeper give me. For a
+ second I thought we'd have open mutiny. But her place wa'n't any too
+ sartin and she didn't dare risk it. Over she walked to that table, and the
+ fun began.
+ </p>
+ <p>
+ &ldquo;Jonadab had laid himself out to make that meal a success, but they ate it
+ as if 'twas pretty poor stuff and not by no means what they fed on every
+ day. They found fault with 'most everything, but most especial with
+ Susannah's waitin'. My! how they did order her around&mdash;a mate on a
+ cattle boat wa'n't nothin' to it. And when 'twas all over and they got up
+ to go, Effie says, so's all hands can hear:
+ </p>
+ <p>
+ &ldquo;'The food here is not so bad, but the service&mdash;oh, horrors! However,
+ Albert,' says she to the side-whiskered man, 'you had better give the girl
+ our usual tip. She looks as if she needed it, poor thing!'
+ </p>
+ <p>
+ &ldquo;Then they paraded out of the room, and I see Susannah sling the half
+ dollar the man had left on the table clear to Jericho, it seemed like.
+ </p>
+ <p>
+ &ldquo;The auto was waitin' by the piazza steps. The shofer and Butler was
+ standin' by it. And when Sim see Effie with her veil throwed back he
+ pretty nigh fell under the wheels he'd been washin' so hard. And he looked
+ as if he wisht they'd run over him.
+ </p>
+ <p>
+ &ldquo;'Oh, dear!' sighs Effie, lookin' scornful at the wheels. 'Not half clean,
+ just as I expected. I knew by the looks of that&mdash;that PERSON that he
+ wouldn't do it well. Don't give him much, Albert; he ain't earned it.'
+ </p>
+ <p>
+ &ldquo;They climbed into the cockpit, the shofer took the helm, and they was
+ ready to start. But I couldn't let 'em go that way. Out I run.
+ </p>
+ <p>
+ &ldquo;'Say&mdash;say, Effie!' I whispers, eager. 'For the goodness' sakes,
+ what's all this mean? Is that your&mdash;your&mdash;'
+ </p>
+ <p>
+ &ldquo;'My husband? Yup,' she whispers back, her eyes shinin'. 'Didn't I tell
+ you to look out for my prophecy? Ain't he handsome and distinguished, just
+ as I said? Good-by, Mr. Wingate; maybe I'll see you again some day.'
+ </p>
+ <p>
+ &ldquo;The machinery barked and they got under way. I run along for two steps
+ more.
+ </p>
+ <p>
+ &ldquo;'But, Effie,' says I, 'tell me&mdash;is his name&mdash;?'
+ </p>
+ <p>
+ &ldquo;She didn't answer. She was watchin' Sim Butler and his wife. Sim had
+ stooped to pick up the quarter the Prince of Wales had hove at him. And
+ that was too much for Susannah, who was watchin' from the window.
+ </p>
+ <p>
+ &ldquo;'Don't you touch that money!' she screams. 'Don't you lay a finger on it!
+ Ain't you got any self-respect at all, you miser'ble, low-lived&mdash;'
+ and so forth and so on. All the way to the front gate I see Effie leanin'
+ out, lookin' and listenin' and smilin'.
+ </p>
+ <p>
+ &ldquo;Then the machine buzzed off in a typhoon of dust and I went back to
+ Jonadab, who was a livin' catechism of questions which neither one of us
+ could answer.&rdquo;
+ </p>
+ <p>
+ &ldquo;So THAT'S the end!&rdquo; exclaimed Captain Bailey. &ldquo;Well&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, it ain't the end&mdash;not even yet. Maybe it ought to be, but it
+ ain't. There's a little more of it.
+ </p>
+ <p>
+ &ldquo;A fortni't later I took a couple of days off and went up to Wapatomac to
+ visit the Van Wedderburns, same as I'd promised. Their 'cottage' was
+ pretty nigh big enough for a hotel, and was so grand that I, even if I did
+ have on my Sunday frills, was 'most ashamed to ring the doorbell.
+ </p>
+ <p>
+ &ldquo;But I did ring it, and the feller that opened the door was big and solemn
+ and fine lookin' and had side whiskers. Only this time he wore a tail coat
+ with brass buttons on it.
+ </p>
+ <p>
+ &ldquo;How do you do, Mr. Wingate?' says he. Step right in, sir, if you please.
+ Mr. and Mrs. Van Wedderburn are out in the auto, but they'll be back
+ shortly, and very glad to see you, sir, I'm sure. Let me take your grip
+ and hat. Step right into the reception room and wait, if you please, sir.
+ Perhaps,' he says, and there was a twinkle in his port eye, though the
+ rest of his face was sober as the front door of a church, 'perhaps,' says
+ he, 'you might wish to speak with my wife a moment. I'll take the liberty
+ of sendin' her to you, sir.'
+ </p>
+ <p>
+ &ldquo;So, as I sat on the gunwale of a blue and gold chair, tryin' to settle
+ whether I was really crazy or only just dreamin', in bounces Effie, rigged
+ up in a servant's cap and apron. She looked polite and demure, but I could
+ see she was just bubblin' with the joy of the whole bus'ness.
+ </p>
+ <p>
+ &ldquo;'Effie,' says I, 'Effie, what&mdash;what in the world&mdash;?'
+ </p>
+ <p>
+ &ldquo;She giggled. 'Yup,' she says, 'I'm chambermaid here and they treat me
+ fine. Thank you very much for gettin' me the situation.'
+ </p>
+ <p>
+ &ldquo;'But&mdash;but them doin's the other day? That automobile&mdash;and them
+ silks and satins&mdash;and&mdash;?'
+ </p>
+ <p>
+ &ldquo;'Mr. Van Wedderburn lent 'em to me,' she said, 'him an' his wife. And he
+ lent us the auto and the shofer, too. I told him about my troubles at the
+ Old Home House and he thought 'twould be a great joke for me to travel
+ back there like a lady. He's awful fond of a joke&mdash;Mr. Van Wedderburn
+ is.'
+ </p>
+ <p>
+ &ldquo;'But that man?' I gasps. 'Your husband? That's what you said he was.'
+ </p>
+ <p>
+ &ldquo;'Yes,' says she, 'he is. We've been married 'most six months now. My
+ prophecy's all come true. And DIDN'T I rub it in on that Susannah Debs and
+ her scamp of a Sim? Ho! ho!'
+ </p>
+ <p>
+ &ldquo;She clapped her hands and pretty nigh danced a jig, she was so tickled.
+ </p>
+ <p>
+ &ldquo;'But is he a Butler?' I asks.
+ </p>
+ <p>
+ &ldquo;'Yup,' she nods, with another giggle. 'He's A butler, though his name's
+ Jenkins; and a butler's high rank&mdash;higher than chambermaid, anyhow.
+ You see, Mr. Wingate,' she adds, ''twas all my fault. When that Oriental
+ Seer man at the show said I was to marry a butler, I forgot to ask him
+ whether you spelt it with a big B or a little one.'&rdquo;
+ </p>
+ <p>
+ The unexpected manner in which Effie's pet prophecy had been fulfilled
+ amused Captain Sol immensely. He laughed so heartily that Issy McKay
+ looked in at the door with an expression of alarm on his face. The depot
+ master had laughed little during the past few days, and Issy was
+ surprised.
+ </p>
+ <p>
+ But Captain Stitt was ready with a denial. He claimed that the prophecy
+ was NOT fulfilled and therefore all fortune telling was fraudulent.
+ Barzilla retorted hotly, and the argument began again. The two were
+ shouting at each other. Captain Sol stood it for a while and then
+ commanded silence.
+ </p>
+ <p>
+ &ldquo;Stop your yellin'!&rdquo; he ordered. &ldquo;What ails you fellers? Think you can
+ prove it better by screechin'? They can hear you half a mile. There's
+ Cornelius Rowe standin' gawpin' on the other side of the street this
+ minute. He thinks there's a fire or a riot, one or t'other. Let's change
+ the subject. See here, Bailey, didn't you start to tell us somethin' last
+ time you was in here about your ridin' in an automobile?&rdquo;
+ </p>
+ <p>
+ &ldquo;I started to&mdash;yes. But nobody'd listen. I rode in one and I sailed
+ in one. You see&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm goin' outdoor,&rdquo; declared Barzilla.
+ </p>
+ <p>
+ &ldquo;No, you're not. Bailey listened to you. Now you do as much for him. I
+ heard a little somethin' about the affair at the time it happened and I'd
+ like to hear the rest of it. How was it, Bailey?&rdquo;
+ </p>
+ <p>
+ Captain Stitt knocked the ashes from his pipe.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he began, &ldquo;I didn't know the critter was weak in his top riggin'
+ or I wouldn't have gone with him in the fust place. And he wa'n't real
+ loony, nuther. 'Twas only when he got aboard that&mdash;that ungodly,
+ kerosene-smellin', tootin', buzzin', Old Harry's gocart of his that the
+ craziness begun to show. There's so many of them weak-minded city folks
+ from the Ocean House comes perusin' 'round summers, nowadays, that I
+ cal'lated he was just an average specimen, and never examined him close.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are all the Ocean House boarders weak-minded nowadays?&rdquo; asked the depot
+ master.
+ </p>
+ <p>
+ Mr. Wingate answered the question.
+ </p>
+ <p>
+ &ldquo;My land!&rdquo; he snapped; &ldquo;would they board at the Ocean House if they WA'N'T
+ weak-minded?&rdquo;
+ </p>
+ <p>
+ Captain Bailey did not deign to reply to this jibe. He continued calmly:
+ </p>
+ <p>
+ &ldquo;This feller wa'n't an Ocean Houser, though. He was young Stumpton's
+ automobile skipper-shover, or shofer, or somethin' they called him. He
+ answered to the hail of Billings, and his home port was the Stumpton
+ ranch, 'way out in Montana. He'd been here in Orham only a couple of
+ weeks, havin' come plumb across the United States to fetch his boss the
+ new automobile. You see, 'twas early October. The Stumptons had left their
+ summer place on the Cliff Road, and was on their way South for the winter.
+ Young Stumpton was up to Boston, but he was comin' back in a couple of
+ days, and then him and the shover was goin' automobilin' to Florida. To
+ Florida, mind you! In that thing! If it was me I'd buy my ticket to Tophet
+ direct and save time and money.
+ </p>
+ <p>
+ &ldquo;Well, anyhow, this critter Billings, he ain't never smelt salt water
+ afore, and he don't like the smell. He makes proclamations that Orham is
+ nothin' but sand, slush, and soft drinks. He won't sail, he can't swim, he
+ won't fish; but he's hankerin' to shoot somethin', havin' been brought up
+ in a place where if you don't shoot some of the neighbors every day or so
+ folks think you're stuck up and dissociable. Then somebody tells him it's
+ the duckin' season down to Setuckit P'int, and he says he'll spend his day
+ off, while the boss is away, massycreein' the coots there. This same
+ somebody whispers that I know so much about ducks that I quack when I
+ talk, and he comes cruisin' over in the buzz cart to hire me for guide.
+ And&mdash;would you b'lieve it?&mdash;it turns out that he's cal'latin' to
+ make his duckin' v'yage in that very cart. I was for makin' the trip in a
+ boat, like a sensible man, but he wouldn't hear of it.
+ </p>
+ <p>
+ &ldquo;'Land of love!' says I. 'Go to Setuckit in a automobile?'
+ </p>
+ <p>
+ &ldquo;'Why not?' he says. 'The biscuit shooter up at the hotel tells me there's
+ a smart chance of folks goes there a-horseback. And where a hoss can
+ travel I reckon the old gal here'&mdash;slappin' the thwart of the auto
+ alongside of him&mdash;'can go, too!'
+ </p>
+ <p>
+ &ldquo;'But there's the Cut-through,' says I.
+ </p>
+ <p>
+ &ldquo;''Tain't nothin' but a creek when the freshet's over, they tell me,' says
+ he. 'And me and the boss have forded four foot of river in this very
+ machine.'
+ </p>
+ <p>
+ &ldquo;By the 'freshet' bein' over I judged he meant the tide bein' out. And the
+ Cut-through ain't but a little trickle then, though it's a quarter mile
+ wide and deep enough to float a schooner at high water. It's the strip of
+ channel that makes Setuckit Beach an island, you know. The gov'ment has
+ had engineers down dredgin' of it out, and pretty soon fish boats'll be
+ able to save the twenty-mile sail around the P'int and into Orham Harbor
+ at all hours.
+ </p>
+ <p>
+ &ldquo;Well, to make a long story short, I agreed to let him cart me to Setuckit
+ P'int in that everlastin' gas carryall. We was to start at four o'clock in
+ the afternoon, 'cause the tide at the Cut-through would be dead low at
+ half-past four. We'd stay overnight at my shanty at the P'int, get up
+ airly, shoot all day, and come back the next afternoon.
+ </p>
+ <p>
+ &ldquo;At four prompt he was on hand, ready for me. I loaded in the guns and
+ grub and one thing or 'nother, and then 'twas time for me to get aboard
+ myself.
+ </p>
+ <p>
+ &ldquo;'You'll set in the tonneau,' says he, indicatin' the upholstered after
+ cockpit of the concern. I opened up the shiny hatch, under orders from
+ him, and climbed in among the upholstery. 'Twas soft as a feather bed.
+ </p>
+ <p>
+ &ldquo;'Jerushy!' says I, lollin' back luxurious. This is fine, ain't it?'
+ </p>
+ <p>
+ &ldquo;'Cost seventy-five hundred to build,' he says casual. 'Made to order for
+ the boss. Lightest car of her speed ever turned out.'
+ </p>
+ <p>
+ &ldquo;'Go 'way! How you talk! Seventy-five hundred what? Not dollars?'
+ </p>
+ <p>
+ &ldquo;'Sure,' he says. Then he turns round&mdash;he was in the bow, hangin' on
+ to the steerin' wheel&mdash;and looks me over, kind of interested, but
+ superior. 'Say,' he says, 'I've been hearin' things about you. You're a
+ hero, ain't you?'
+ </p>
+ <p>
+ &ldquo;Durn them Orham gabblers! Ever sence I hauled that crew of seasick summer
+ boarders out of the drink a couple of years ago and the gov'ment gave me a
+ medal, the minister and some more of his gang have painted out the name I
+ was launched under and had me entered on the shippin' list as 'The Hero.'
+ I've licked two or three for callin' me that, but I can't lick a parson,
+ and he was the one that told Billings.
+ </p>
+ <p>
+ &ldquo;'Oh, I don't know!' I answers pretty sharp. 'Get her under way, why don't
+ you?'
+ </p>
+ <p>
+ &ldquo;All he done was look me over some more and grin.
+ </p>
+ <p>
+ &ldquo;'A hero! A real live gov'ment-branded hero!' he says. 'Ain't scared of
+ nothin', I reckon&mdash;hey?'
+ </p>
+ <p>
+ &ldquo;I never made no answer. There's some things that's too fresh to eat
+ without salt, and I didn't have a pickle tub handy.
+ </p>
+ <p>
+ &ldquo;'Hum!' he says again, reverend-like. 'A sure hero; scared of nothin'!
+ Never rode in an auto afore, did you?'
+ </p>
+ <p>
+ &ldquo;'No,' says I, peppery; 'and I don't see no present symptom of ridin' in
+ one now. Cast off, won't you?'
+ </p>
+ <p>
+ &ldquo;He cast off. That is to say, he hauled a nickel-plated marlinespike thing
+ toward him, shoved another one away from him, took a twist on the steerin'
+ wheel, the gocart coughed like a horse with the heaves, started up some
+ sort of buzz-planer underneath, and then we begun to move.
+ </p>
+ <p>
+ &ldquo;From the time we left my shanty at South Orham till we passed the pines
+ at Herrin' Neck I laid back in that stuffed cockpit, feelin' as grand and
+ tainted as old John D. himself. The automobile rolled along smooth but
+ swift, and it seemed to me I had never known what easy trav'lin' was
+ afore. As we rounded the bend by the pines and opened up the twelve-mile
+ narrow white stretch of Setuckit Beach ahead of us, with the ocean on one
+ side and the bay on t'other, I looked at my watch. We'd come that fur in
+ thirteen minutes.
+ </p>
+ <p>
+ &ldquo;'Land sakes!' I says. 'This is what I call movin' right along!'
+ </p>
+ <p>
+ &ldquo;He turned round and sized me up again, like he was surprised.
+ </p>
+ <p>
+ &ldquo;'Movin'?' says he. 'Movin'? Why, pard, we've been settin' down to rest!
+ Out our way, if a lynchin' party didn't move faster than we've done so
+ fur, the center of attraction would die on the road of old age. Now, my
+ heroic college chum,' he goes on, callin' me out of my name, as usual,
+ 'will you be so condescendin' as to indicate how we hit the trail?'
+ </p>
+ <p>
+ &ldquo;'Hit&mdash;hit which? Don't hit nothin', for goodness' sake! Goin' the
+ way we be, it would&mdash;'
+ </p>
+ <p>
+ &ldquo;'Which way do we go?'
+ </p>
+ <p>
+ &ldquo;'Right straight ahead. Keep on the ocean side, 'cause there's more hard
+ sand there, and&mdash;hold on! Don't do that! Stop it, I tell you!'
+ </p>
+ <p>
+ &ldquo;Them was the last rememberable words said by me durin' the next quarter
+ of an hour. That shover man let out a hair-raisin' yell, hauled the nickel
+ marlinespike over in its rack, and squeezed a rubber bag that was spliced
+ to the steerin' wheel. There was a half dozen toots or howls or honks from
+ under our bows somewheres, and then that automobile hopped off the ground
+ and commenced to fly. The fust hop landed me on my knees in the cockpit,
+ and there I stayed. 'Twas the most fittin' position fur my frame of mind
+ and chimed in fust-rate with the general religious drift of my thoughts.
+ </p>
+ <p>
+ &ldquo;The Cut-through is two mile or more from Herrin' Neck. 'Cordin' to my
+ count we hit terra cotta just three times in them two miles. The fust hit
+ knocked my hat off. The second one chucked me up so high I looked back for
+ the hat, and though we was a half mile away from it, it hadn't had time to
+ git to the ground. And all the while the horn was a-honkin', and Billings
+ was a-screechin, and the sand was a-flyin'. Sand! Why, say! Do you see
+ that extra bald place on the back of my head? Yes? Well, there was a
+ two-inch thatch of hair there afore that sand blast ground it off.
+ </p>
+ <p>
+ &ldquo;When I went up on the third jounce I noticed the Cut-through just ahead.
+ Billings see it, too, and&mdash;would you b'lieve it?&mdash;the lunatic
+ stood up, let go of the wheel with one hand, takes off his hat and waves
+ it, and we charge down across them wet tide flats like death on the woolly
+ horse, in Scriptur'.
+ </p>
+ <p>
+ &ldquo;'Hi, yah! Yip!' whoops Billings. 'Come on in, fellers! The water's fine!
+ Yow! Y-e-e-e! Yip!'
+ </p>
+ <p>
+ &ldquo;For a second it left off rainin' sand, and there was a typhoon of mud and
+ spray. I see a million of the prettiest rainbows&mdash;that is, I
+ cal'lated there was a million; it's awful hard to count when you're
+ bouncin' and prayin' and drowndin' all to once. Then we sizzed out of the
+ channel, over the flats on t'other side, and on toward Setuckit.
+ </p>
+ <p>
+ &ldquo;Never mind the rest of the ride. 'Twas all a sort of constant changin'
+ sameness. I remember passin' a blurred life-savin' station, with three&mdash;or
+ maybe thirty&mdash;blurred men jumpin' and laughin' and hollerin'. I found
+ out afterwards that they'd been on the lookout for the bombshell for half
+ an hour. Billings had told around town what he was goin' to do to me, and
+ some kind friend had telephoned it to the station. So the life-savers was
+ full of anticipations. I hope they were satisfied. I hadn't rehearsed my
+ part of the show none, but I feel what the parson calls a consciousness of
+ havin' done my best.
+ </p>
+ <p>
+ &ldquo;'Whoa, gal!' says Billings, calm and easy, puttin' the helm hard down.
+ The auto was standin' still at last. Part of me was hangin' over the lee
+ rail. I could see out of the part, so I knew 'twas my head. And there
+ alongside was my fish shanty at the P'int, goin' round and round in
+ circles.
+ </p>
+ <p>
+ &ldquo;I undid the hatch of the cockpit and fell out on the sand. Then I
+ scrambled up and caught hold of the shanty as it went past me. That fool
+ shover watched me, seemin'ly interested.
+ </p>
+ <p>
+ &ldquo;'Why, pard,' says he, 'what's the matter? Do you feel pale? Are you
+ nervous? It ain't possible that you're scared? Honest, now, pard, if it
+ weren't that I knew you were a genuine gold-mounted hero I'd sure think
+ you was a scared man.'
+ </p>
+ <p>
+ &ldquo;I never said nothin'. The scenery and me was just turnin' the mark buoy
+ on our fourth lap.
+ </p>
+ <p>
+ &ldquo;'Dear me, pard!' continues Billings. 'I sure hope I ain't scared you
+ none. We come down a little slow this evenin', but to-morrow night, when I
+ take you back home, I'll let the old girl out a little.'
+ </p>
+ <p>
+ &ldquo;I sensed some of that. And as the shanty had about come to anchor, I
+ answered and spoke my mind.
+ </p>
+ <p>
+ &ldquo;'When you take me back home!' I says. 'When you do! Why, you
+ crack-brained, murderin' lunatic, I wouldn't cruise in that hell wagon of
+ yours again for the skipper's wages on a Cunarder. No, nor the mate's hove
+ in!'
+ </p>
+ <p>
+ &ldquo;And that shover he put his head back and laughed and laughed and
+ laughed.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0016" id="link2HCH0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XVI
+ </h2>
+ <h3>
+ THE CRUISE OF THE RED CAR
+ </h3>
+ <p>
+ &ldquo;I don't wonder he laughed,&rdquo; observed Wingate, who seemed to enjoy
+ irritating his friend. &ldquo;You must have been good as a circus.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted the depot master. &ldquo;If I remember right you said YOU
+ wa'n't any ten-cent side show under similar circumstances, Barzilla. Heave
+ ahead, Bailey!&rdquo;
+ </p>
+ <p>
+ Captain Stitt, unruffled, resumed:
+ </p>
+ <p>
+ &ldquo;I tell you, I had to take it that evenin',&rdquo; he said. &ldquo;All the time I was
+ cookin' and while he was eatin' supper, Billings was rubbin' it into me
+ about my bein' scared. Called me all the saltwater-hero names he could
+ think of&mdash;'Hobson' and 'Dewey' and the like of that, usin' em
+ sarcastic, of course. Finally, he said he remembered readin' in school,
+ when he was little, about a girl hero, name of Grace Darlin'. Said he
+ cal'lated, if I didn't mind, he'd call me Grace, 'cause it was heroic and
+ yet kind of fitted in with my partic'lar brand of bravery. I didn't answer
+ much; he had me down, and I knew it. Likewise I judged he was more or less
+ out of his head; no sane man would yell the way he done aboard that
+ automobile.
+ </p>
+ <p>
+ &ldquo;Then he commenced to spin yarns about himself and his doin's, and pretty
+ soon it come out that he'd been a cowboy afore young Stumpton give up
+ ranchin' and took to automobilin'. That cleared the sky line some, of
+ course; I'd read consider'ble about cowboys in the ten-cent books my
+ nephew fetched home when he was away to school. I see right off that
+ Billings was the livin' image of Deadwood Dick and Wild Bill and the rest
+ in them books; they yelled and howled and hadn't no regard for life and
+ property any more'n he had. No, sir! He wa'n't no crazier'n they was; it
+ was in the breed, I judged.
+ </p>
+ <p>
+ &ldquo;'I sure wish I had you on the ranch, Grace,' says he. 'Why don't you come
+ West some day? That's where a hero like you would show up strong.'
+ </p>
+ <p>
+ &ldquo;'Godfrey mighty!' I sings out. 'I wouldn't come nigh such a nest of crazy
+ murderers as that fur no money! I'd sooner ride in that automobile of
+ yours, and St. Peter himself couldn't coax me into THAT again, not if
+ 'twas fur a cruise plumb up the middle of the golden street!'
+ </p>
+ <p>
+ &ldquo;I meant it, too, and the next afternoon when it come time to start for
+ home he found out that I meant it. We'd shot a lot of ducks, and Billings
+ was havin' such a good time that I had to coax and tease him as if he was
+ a young one afore he'd think of quittin'. It was quarter of six when he
+ backed the gas cart out of the shed. I was uneasy, 'cause 'twas past
+ low-water time, and there was fog comin' on.
+ </p>
+ <p>
+ &ldquo;'Brace up, Dewey!' says he. 'Get in.'
+ </p>
+ <p>
+ &ldquo;'No, Mr. Billings,' says I. 'I ain't goin' to get in. You take that craft
+ of yourn home, and I'll sail up alongside in my dory.'
+ </p>
+ <p>
+ &ldquo;'In your which?' says he.
+ </p>
+ <p>
+ &ldquo;'In my dory,' I says. 'That's her hauled up on the beach abreast the
+ shanty.'
+ </p>
+ <p>
+ &ldquo;He looked at the dory and then at me.
+ </p>
+ <p>
+ &ldquo;'Go on!' says he. 'You ain't goin' to pack yourself twelve mile on THAT
+ SHINGLE?'
+ </p>
+ <p>
+ &ldquo;'Sartin I am! says I. 'I ain't takin' no more chances.'
+ </p>
+ <p>
+ &ldquo;Do you know, he actually seemed to think I was crazy then. Seemed to
+ figger that the dory wa'n't big enough; and she's carried five easy afore
+ now. We had an argument that lasted twenty minutes more, and the fog
+ driftin' in nigher all the time. At last he got sick of arguin', ripped
+ out somethin' brisk and personal, and got his tin shop to movin'.
+ </p>
+ <p>
+ &ldquo;'You want to cross over to the ocean side,' I called after him. 'The
+ Cut-through's been dredged at the bay end, remember.'
+ </p>
+ <p>
+ &ldquo;'Be hanged!' he yells, or more emphatic. And off he whizzed. I see him
+ go, and fetched a long breath. Thanks to a merciful Providence, I'd come
+ so fur without bein' buttered on the undercrust of that automobile or
+ scalped with its crazy shover's bowie knife.
+ </p>
+ <p>
+ &ldquo;Ten minutes later I was beatin' out into the bay in my dory. All around
+ was the fog, thin as poorhouse gruel so fur, but thickenin' every minute.
+ I was worried; not for myself, you understand, but for that cowboy shover.
+ I was afraid he wouldn't fetch t'other side of the Cut-through. There
+ wa'n't much wind, and I had to make long tacks. I took the inshore
+ channel, and kept listenin' all the time. And at last, when 'twas pretty
+ dark and I was cal'latin' to be about abreast of the bay end of the
+ Cut-through, I heard from somewheres ashore a dismal honkin' kind of
+ noise, same as a wild goose might make if 'twas chokin' to death and not
+ resigned to the worst.
+ </p>
+ <p>
+ &ldquo;'My land!' says I. 'It's happened!' And I come about and headed straight
+ in for the beach. I struck it just alongside the gov'ment shanty. The
+ engineers had knocked off work for the week, waitin' for supplies, but
+ they hadn't took away their dunnage.
+ </p>
+ <p>
+ &ldquo;'Hi!' I yells, as I hauled up the dory. 'Hi-i-i! Billings, where be you?'
+ </p>
+ <p>
+ &ldquo;The honkin' stopped and back comes the answer; there was joy in it.
+ </p>
+ <p>
+ &ldquo;'What? Is that Cap'n Stitt?'
+ </p>
+ <p>
+ &ldquo;'Yes,' I sings out. 'Where be you?'
+ </p>
+ <p>
+ &ldquo;'I'm stuck out here in the middle of the crick. And there's a flood on.
+ Help me, can't you?'
+ </p>
+ <p>
+ &ldquo;Next minute I was aboard the dory, rowin' her against the tide up the
+ channel. Pretty quick I got where I could see him through the fog and
+ dark. The auto was on the flat in the middle of the Cut-through, and the
+ water was hub high already. Billings was standin' up on the for'ard
+ thwart, makin' wet footmarks all over them expensive cushions.
+ </p>
+ <p>
+ &ldquo;'Lord,' says he, 'I sure am glad to see you, pard! Can we get to land, do
+ you think?'
+ </p>
+ <p>
+ &ldquo;'Land?' says I, makin' the dory fast alongside and hoppin' out into the
+ drink. ''Course we can land! What's the matter with your old derelict?
+ Sprung a leak, has it?'
+ </p>
+ <p>
+ &ldquo;He went on to explain that the automobile had broke down when he struck
+ the flat, and he couldn't get no farther. He'd been honkin' and howlin'
+ for ten year at least, so he reckoned.
+ </p>
+ <p>
+ &ldquo;'Why in time,' says I, 'didn't you mind me and go up the ocean side? And
+ why in nation didn't you go ashore and&mdash;But never mind that now. Let
+ me think. Here! You set where you be.'
+ </p>
+ <p>
+ &ldquo;As I shoved off in the dory again he turned loose a distress signal.
+ </p>
+ <p>
+ &ldquo;'Where you goin'?' he yells. 'Say, pard, you ain't goin' to leave me
+ here, are you?'
+ </p>
+ <p>
+ &ldquo;'I'll be back in a shake,' says I, layin' to my oars. 'Don't holler so!
+ You'll have the life-savers down here, and then the joke'll be on us.
+ Hush, can't you? I'll be right back!'
+ </p>
+ <p>
+ &ldquo;I rowed up channel a little ways, and then I sighted the place I was
+ bound for. Them gov'ment folks had another shanty farther up the
+ Cut-through. Moored out in front of it was a couple of big floats, for
+ their stone sloops to tie up to at high water. The floats were made of
+ empty kerosene barrels and planks, and they'd have held up a house easy. I
+ run alongside the fust one, cut the anchor cable with my jackknife, and
+ next minute I was navigatin' that float down channel, steerin' it with my
+ oar and towin' the dory astern.
+ </p>
+ <p>
+ &ldquo;'Twas no slouch of a job, pilotin' that big float, but part by steerin'
+ and part by polin' I managed to land her broadside on to the auto. I made
+ her fast with the cable ends and went back after the other float. This one
+ was a bigger job than the fust, but by and by that gas wagon, with planks
+ under her and cable lashin's holdin' her firm, was restin' easy as a
+ settin' hen between them two floats. I unshipped my mast, fetched it
+ aboard the nighest float, and spread the sail over the biggest part of the
+ brasswork and upholstery.
+ </p>
+ <p>
+ &ldquo;'There,' says I, 'if it rains durin' the night she'll keep pretty dry.
+ Now I'll take the dory and row back to the shanty after some spare anchors
+ there is there.'
+ </p>
+ <p>
+ &ldquo;'But what's it fur, pard?' asks Billings for the nine hundred and
+ ninety-ninth time. 'Why don't we go where it's dry? The flood's risin' all
+ the time.'
+ </p>
+ <p>
+ &ldquo;'Let it rise,' I says. 'I cal'late when it gets high enough them
+ floats'll rise with it and lift the automobile up, too. If she's anchored
+ bow and stern she'll hold, unless it comes on to blow a gale, and
+ to-morrow mornin' at low tide maybe you can tinker her up so she'll go.'
+ </p>
+ <p>
+ &ldquo;'Go?' says he, like he was astonished. 'Do you mean to say you're
+ reckonin' to save the CAR?'
+ </p>
+ <p>
+ &ldquo;'Good land!' I says, starin' at him. 'What else d'you s'pose? Think I'd
+ let seventy-five hundred dollars' wuth of gilt-edged extravagance go to
+ the bottom? What did you cal'late I was tryin' to save&mdash;the clam
+ flat? Give me that dory rope; I'm goin' after them anchors. Sufferin'
+ snakes! Where IS the dory? What have you done with it?'
+ </p>
+ <p>
+ &ldquo;He'd been holdin' the bight of the dory rodin'. I handed it to him so's
+ he'd have somethin' to take up his mind. And, by time, he'd forgot all
+ about it and let it drop! And the dory had gone adrift and was out of
+ sight.
+ </p>
+ <p>
+ &ldquo;'Gosh!' says he, astonished-like. 'Pard, the son of a gun has slipped his
+ halter!'
+ </p>
+ <p>
+ &ldquo;I was pretty mad&mdash;dories don't grow on every beach plum bush&mdash;but
+ there wa'n't nothin' to say that fitted the case, so I didn't try.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Well, I'll have to swim ashore, that's all, and go up
+ to the station inlet after another boat. You stand by the ship. If she
+ gets afloat afore I come back you honk and holler and I'll row after you.
+ I'll fetch the anchors and we'll moor her wherever she happens to be. If
+ she shouldn't float on an even keel, or goes to capsize, you jump
+ overboard and swim ashore. I'll&mdash;'
+ </p>
+ <p>
+ &ldquo;'Swim?' says he, with a shake in his voice. 'Why, pard, I can't swim!'
+ </p>
+ <p>
+ &ldquo;I turned and looked at him. Shover of a two-mile-a-minute gold-plated
+ butcher cart like that, a cowboy murderer that et his friends for
+ breakfast&mdash;and couldn't swim! I fetched a kind of combination groan
+ and sigh, turned back the sail, climbed aboard the automobile, and lit up
+ my pipe.
+ </p>
+ <p>
+ &ldquo;'What are you settin' there for?' says he. 'What are you goin' to do?'
+ </p>
+ <p>
+ &ldquo;'Do?' says I. 'Wait, that's all&mdash;wait and smoke. We won't have to
+ wait long.'
+ </p>
+ <p>
+ &ldquo;My prophesyin' was good. We didn't have to wait very long. It was pitch
+ dark, foggy as ever, and the tide a-risin' fast. The floats got to be
+ a-wash. I shinned out onto 'em, picked up the oar that had been left
+ there, and took my seat again. Billings climbed in, too, only&mdash;and it
+ kind of shows the change sence the previous evenin'&mdash;he was in the
+ passenger cockpit astern, and I was for'ard in the pilot house. For a
+ reckless daredevil he was actin' mighty fidgety.
+ </p>
+ <p>
+ &ldquo;And at last one of the floats swung off the sand. The automobile tipped
+ scandalous. It looked as if we was goin' on our beam ends. Billings let
+ out an awful yell. Then t'other float bobbed up and the whole shebang, car
+ and all, drifted out and down the channel.
+ </p>
+ <p>
+ &ldquo;My lashin's held&mdash;I cal'lated they would. Soon's I was sure of that
+ I grabbed up the oar and shoved it over the stern between the floats. I
+ hoped I could round her to after we passed the mouth of the Cut-through,
+ and make port on the inside beach. But not in that tide. Inside of five
+ minutes I see 'twas no use; we was bound across the bay.
+ </p>
+ <p>
+ &ldquo;And now commenced a v'yage that beat any ever took sence Noah's time, I
+ cal'late; and even Noah never went to sea in an automobile, though the one
+ animal I had along was as much trouble as his whole menagerie. Billings
+ was howlin' blue murder.
+ </p>
+ <p>
+ &ldquo;'Stop that bellerin'!' I ordered. 'Quit it, d'you hear! You'll have the
+ station crew out after us, and they'll guy me till I can't rest. Shut up!
+ If you don't, I'll&mdash;I'll swim ashore and leave you.'
+ </p>
+ <p>
+ &ldquo;I was takin' big chances, as I look at it now. He might have drawed a
+ bowie knife or a lasso on me; 'cordin' to his yarns he'd butchered folks
+ for a good sight less'n that. But he kept quiet this time, only gurglin'
+ some when the ark tilted. I had time to think of another idee. You
+ remember the dory sail, mast and all, was alongside that cart. I clewed up
+ the canvas well as I could and managed to lash the mast up straight over
+ the auto's bows. Then I shook out the sail.
+ </p>
+ <p>
+ &ldquo;'Here!' says I, turnin' to Billings. 'You hang on to that sheet. No, you
+ needn't nuther. Make it fast to that cleat alongside.'
+ </p>
+ <p>
+ &ldquo;I couldn't see his face plain, but his voice had a funny tremble to it;
+ reminded me of my own when I climbed out of that very cart after he'd
+ jounced me down to Setuckit the day before.
+ </p>
+ <p>
+ &ldquo;'What?' he says. 'Wh-what? What sheet? I don't see any sheet. What do you
+ want me to do?'
+ </p>
+ <p>
+ &ldquo;'Tie this line to that cleat. That cleat there! CLEAT, you lubber! CLEAT!
+ That knob! MAKE IT FAST! Oh, my gosh t'mighty! Get out of my way!'
+ </p>
+ <p>
+ &ldquo;The critter had tied the sheet to the handle of the door instead of the
+ one I meant, and the pull of the sail hauled the door open and pretty nigh
+ ripped it off the hinges. I had to climb into the cockpit and straighten
+ out the mess. I was losin' my temper; I do hate bunglin' seamanship aboard
+ a craft of mine.
+ </p>
+ <p>
+ &ldquo;'But what'll become of us?' begs Billings. 'Will we drown?'
+ </p>
+ <p>
+ &ldquo;'What in tunket do we want to drown for? Ain't we got a good sailin'
+ breeze and the whole bay to stay on top of&mdash;fifty foot of water and
+ more?'
+ </p>
+ <p>
+ &ldquo;'Fifty foot!' he yells. 'Is there fifty foot of water underneath us now?
+ Pard, you don't mean it!'
+ </p>
+ <p>
+ &ldquo;'Course I mean it. Good thing, too!'
+ </p>
+ <p>
+ &ldquo;'But fifty foot! It's enough to drown in ten times over!'
+ </p>
+ <p>
+ &ldquo;'Can't drown but once, can you? And I'd just as soon drown in fifty foot
+ as four&mdash;ruther, 'cause 'twouldn't take so long.'
+ </p>
+ <p>
+ &ldquo;He didn't answer out loud; but I heard him talkin' to himself pretty
+ constant.
+ </p>
+ <p>
+ &ldquo;We was well out in the bay by now, and the seas was a little mite more
+ rugged&mdash;nothin' to hurt, you understand, but the floats was all foam,
+ and once in a while we'd ship a little spray. And every time that happened
+ Billings would jump and grab for somethin' solid&mdash;sometimes 'twas the
+ upholstery and sometimes 'twas me. He wa'n't on the thwart, but down in a
+ heap on the cockpit floor.
+ </p>
+ <p>
+ &ldquo;'Let go of my leg!' I sings out, after we'd hit a high wave and that
+ shover had made a more'n ordinary savage claw at my underpinnin'. 'You
+ make me nervous. Drat this everlastin' fog! somethin'll bump into us if we
+ don't look out. Here, you go for'ard and light them cruisin' lights. They
+ ain't colored 'cordin' to regulations, but they'll have to do. Go for'ard!
+ What you waitin' for?'
+ </p>
+ <p>
+ &ldquo;Well, it turned out that he didn't like to leave that cockpit. I was mad.
+ </p>
+ <p>
+ &ldquo;'Go for'ard there and light them lights!' I yelled, hangin' to the
+ steerin' oar and keepin' the ark runnin' afore the wind.
+ </p>
+ <p>
+ &ldquo;'I won't!' he says, loud and emphatic. 'Think I'm a blame fool? I sure
+ would be a jack rabbit to climb over them seats the way they're buckin'
+ and light them lamps. You're talkin' through your hat!'
+ </p>
+ <p>
+ &ldquo;Well, I hadn't no business to do it, but, you see, I was on salt water,
+ and skipper, as you might say, of the junk we was afloat in; and if
+ there's one thing I never would stand it's mutiny. I hauled in the oar,
+ jumped over the cockpit rail, and went for him. He see me comin', stood
+ up, tried to get out of the way, and fell overboard backwards. Part of him
+ lit on one of the floats, but the biggest part trailed in the water
+ between the two. He clawed with his hands, but the planks was slippery,
+ and he slid astern fast. Just as he reached the last plank and slid off
+ and under I jumped after him and got him by the scruff of the neck. I had
+ hold of the lashin' end with one hand, and we tailed out behind the ark,
+ which was sloppin' along, graceful as an elephant on skates.
+ </p>
+ <p>
+ &ldquo;I was pretty well beat out when I yanked him into that cockpit again.
+ Neither of us said anything for a spell, breath bein' scurce as di'monds.
+ But when he'd collected some of his, he spoke.
+ </p>
+ <p>
+ &ldquo;'Pard,' he says, puffin', 'I'm much obleeged to you. I reckon I sure
+ ain't treated you right. If it hadn't been for you that time I'd&mdash;'
+ </p>
+ <p>
+ &ldquo;But I was b'ilin' over. I whirled on him like a teetotum.
+ </p>
+ <p>
+ &ldquo;'Drat your hide!' I says. 'When you speak to your officer you say sir!
+ And now you go for'ard and light them lights. Don't you answer back! If
+ you do I'll fix you so's you'll never ship aboard another vessel! For'ard
+ there! Lively, you lubber, lively!'
+ </p>
+ <p>
+ &ldquo;He went for'ard, takin' consider'ble time and hangin' on for dear life.
+ But somehow or 'nuther he got the lights to goin'; and all the time I
+ hazed him terrible. I was mate on an Australian packet afore I went
+ fishin' to the Banks, and I can haze some. I blackguarded that shover
+ awful.
+ </p>
+ <p>
+ &ldquo;'Ripperty-rip your everlastin' blankety-blanked dough head!' I roared at
+ him. 'You ain't wuth the weight to sink you. For'ard there and get that
+ fog horn to goin'! And keep it goin'! Lively, you sculpin! Don't you open
+ your mouth to me!'
+ </p>
+ <p>
+ &ldquo;Well, all night we sloshed along, straight acrost the bay. We must have
+ been a curious sight to look at. The floats was awash, so that the
+ automobile looked like she was ridin' the waves all by her lonesome; the
+ lamps was blazin' at either side of the bow; Billings was a-tootin' the
+ rubber fog horn as if he was wound up; and I was standin' on the cushions
+ amidships, keepin' the whole calabash afore the wind.
+ </p>
+ <p>
+ &ldquo;We never met another craft the whole night through. Yes, we did meet one.
+ Old Ezra Cahoon, of Harniss, was out in his dory stealin' quahaugs from
+ Seth Andrews's bed over nigh the Wapatomac shore. Ezra stayed long enough
+ to get one good glimpse of us as we bust through the fog; then he cut his
+ rodin' and laid to his oars, bound for home and mother. We could hear him
+ screech for half an hour after he left us.
+ </p>
+ <p>
+ &ldquo;Ez told next day that the devil had come ridin' acrost the bay after him
+ in a chariot of fire. Said he could smell the brimstone and hear the
+ trumpet callin' him to judgment. Likewise he hove in a lot of particulars
+ concernin' the personal appearance of the Old Boy himself, who, he said,
+ was standin' up wavin' a red-hot pitchfork. Some folks might have been
+ flattered at bein' took for such a famous character; but I wa'n't; I'm
+ retirin' by nature, and besides, Ez's description wa'n't cal'lated to bust
+ a body's vanity b'iler. I was prouder of the consequences, the same bein'
+ that Ezra signed the Good Templars' pledge that afternoon, and kept it for
+ three whole months, just sixty-nine days longer than any previous attack
+ within the memory of man had lasted.
+ </p>
+ <p>
+ &ldquo;And finally, just as mornin' was breakin', the bows of the floats slid
+ easy and slick up on a hard, sandy beach. Then the sun riz and the fog
+ lifted, and there we was within sight of the South Ostable meetin'-house.
+ We'd sailed eighteen miles in that ark and made a better landin' blindfold
+ than we ever could have made on purpose.
+ </p>
+ <p>
+ &ldquo;I hauled down the sail, unshipped the mast, and jumped ashore to find a
+ rock big enough to use for a makeshift anchor. It wa'n't more'n three
+ minutes after we fust struck afore my boots hit dry ground, but Billings
+ beat me one hundred and seventy seconds, at that. When I had time to look
+ at that shover man he was a cable's length from high-tide mark, settin'
+ down and grippin' a bunch of beach grass as if he was afeard the sand was
+ goin' to slide from under him; and you never seen a yallerer, more upset
+ critter in your born days.
+ </p>
+ <p>
+ &ldquo;Well, I got the ark anchored, after a fashion, and then we walked up to
+ the South Ostable tavern. Peleg Small, who runs the place, he knows me, so
+ he let me have a room and I turned in for a nap. I slept about three
+ hours. When I woke up I started out to hunt the automobile and Billings.
+ Both of 'em looked consider'ble better than they had when I see 'em last.
+ The shover had got a gang of men and they'd got the gas cart ashore, and
+ Billings and a blacksmith was workin' over&mdash;or rather under&mdash;the
+ clockwork.
+ </p>
+ <p>
+ &ldquo;'Hello!' I hails, comin' alongside.
+ </p>
+ <p>
+ &ldquo;Billings sticks his head out from under the tinware.
+ </p>
+ <p>
+ &ldquo;'Hi, pard!' says he. I noticed he hadn't called me 'Grace' nor 'Dewey'
+ for a long spell. Hi, pard,' he says, gettin' to his feet, 'the old gal
+ ain't hurt a hair. She'll be good as ever in a couple of hours. Then you
+ and me can start for Orham.'
+ </p>
+ <p>
+ &ldquo;'In HER?' says I.
+ </p>
+ <p>
+ &ldquo;'Sure,' he says.
+ </p>
+ <p>
+ &ldquo;'Not by a jugful!' says I, emphatic. 'I'll borrer a boat to get to Orham
+ in, when I'm ready to go. You won't ketch me in that man killer again; and
+ you can call me a coward all you want to!'
+ </p>
+ <p>
+ &ldquo;'A coward?' says he. 'You a coward? And&mdash;Why, you was in that car
+ all night!'
+ </p>
+ <p>
+ &ldquo;'Oh!' I says. 'Last night was diff'rent. The thing was on water then, and
+ when I've got enough water underneath me I know I'm safe.'
+ </p>
+ <p>
+ &ldquo;'Safe!' he sings out. 'SAFE! Well, by&mdash;gosh! Pard, I hate to say it,
+ but it's the Lord's truth&mdash;you had me doin' my &ldquo;Now I lay me's&rdquo;!'
+ </p>
+ <p>
+ &ldquo;For a minute we looked at each other. Then says I, sort of thinkin' out
+ loud, 'I cal'late,' I says, 'that whether a man's brave or not depends
+ consider'ble on whether he's used to his latitude. It's all accordin'. It
+ lays in the bringin' up, as the duck said when the hen tried to swim.'
+ </p>
+ <p>
+ &ldquo;He nodded solemn. 'Pard,' says he, 'I sure reckon you've called the turn.
+ Let's shake hands on it.'
+ </p>
+ <p>
+ &ldquo;So we shook; and . . .&rdquo;
+ </p>
+ <p>
+ Captain Bailey stopped short and sprang from his chair. &ldquo;There's my train
+ comin',&rdquo; he shouted. &ldquo;Good-by, Sol! So long, Barzilla! Keep away from
+ fortune tellers and pretty servant girls or YOU'LL be gettin' married
+ pretty soon. Good-by.&rdquo;
+ </p>
+ <p>
+ He darted out of the waiting room and his companions followed. Mr.
+ Wingate, having a few final calls to make, left the station soon
+ afterwards and did not return until evening. And that evening he heard
+ news which surprised him.
+ </p>
+ <p>
+ As he and Captain Sol were exchanging a last handshake on the platform,
+ Barzilla said:
+ </p>
+ <p>
+ &ldquo;Well, Sol, I've enjoyed loafin' around here and yarnin' with you, same as
+ I always do. I'll be over again in a month or so and we'll have some
+ more.&rdquo;
+ </p>
+ <p>
+ The Captain shook his head. &ldquo;I may not be here then, Barzilla,&rdquo; he
+ observed.
+ </p>
+ <p>
+ &ldquo;May not be here? What do you mean by that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that I don't know exactly where I shall be. I shan't be depot
+ master, anyway.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shan't be depot master? YOU won't? Why, what on airth&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I sent in my resignation four days ago. Nobody knows it, except you, not
+ even Issy, but the new depot master for East Harniss will be here to take
+ my place on the mornin' of the twelfth, that's two days off.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why! Why! SOL!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Keep mum about it. I'll&mdash;I'll let you know what I decide to do.
+ I ain't settled it myself yet. Good-by, Barzilla.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0017" id="link2HCH0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XVII
+ </h2>
+ <h3>
+ ISSY'S REVENGE
+ </h3>
+ <p>
+ The following morning, at nine o'clock, Issy McKay sat upon the heap of
+ rusty chain cable outside the blacksmith's shop at Denboro, reading, as
+ usual, a love story. Issy was taking a &ldquo;day off.&rdquo; He had begged permission
+ of Captain Sol Berry, the permission had been granted, and Issy had come
+ over to Denboro, the village eight miles above East Harniss, in his &ldquo;power
+ dory,&rdquo; or gasoline boat, the Lady May. The Lady May was a relic of the
+ time before Issy was assistant depot master, when he gained a precarious
+ living by quahauging, separating the reluctant bivalve from its muddy
+ house on the bay bottom with an iron rake, the handle of which was forty
+ feet long. Issy had been seized with a desire to try quahauging once more,
+ hence his holiday. The rake was broken and he had put in at Denboro to
+ have it fixed. While the blacksmith was busy, Issy laboriously spelled out
+ the harrowing chapters of &ldquo;Vivian, the Shop Girl; or Lord Lyndhurst's
+ Lowly Love.&rdquo;
+ </p>
+ <p>
+ A grinning, freckled face peered cautiously around the corner of the
+ blacksmith's front fence. Then an overripe potato whizzed through the air
+ and burst against the shop wall a few inches from the reader's head. Issy
+ jumped.
+ </p>
+ <p>
+ &ldquo;You&mdash;you everlastin' young ones, you!&rdquo; he shouted fiercely. &ldquo;If I
+ git my hands onto you, you'll wish you'd&mdash;I see you hidin' behind
+ that fence.&rdquo;
+ </p>
+ <p>
+ Two barefooted little figures danced provokingly in the roadway and two
+ shrill voices chanted in derision:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Is McKay&mdash;Is McKay&mdash;
+ Makes the Injuns run away!
+</pre>
+ <p>
+ &ldquo;Scalped anybody lately, Issy?&rdquo;
+ </p>
+ <p>
+ Alas for the indiscretions of youth! The tale of Issy's early expedition
+ in search of scalps and glory was known from one end of Ostable County to
+ the other. It had made him famous, in a way.
+ </p>
+ <p>
+ &ldquo;If I git a-holt of you kids, I'll bet there'll be some scalpin' done,&rdquo;
+ retorted the persecuted one, rising from the heap of cable.
+ </p>
+ <p>
+ A second potato burst like a bombshell on the shingles behind him. McKay
+ was a good general, in that he knew when it was wisest to retreat. Shoving
+ the paper novel into his overalls pocket, he entered the shop.
+ </p>
+ <p>
+ &ldquo;What's the matter, Is?&rdquo; inquired the grinning blacksmith. Most people
+ grinned when they spoke to Issy. &ldquo;Gittin' too hot outside there, was it?
+ Why don't you tomahawk 'em and have 'em for supper?&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted the offended quahauger. &ldquo;Don't git gay now, Jake Larkin.
+ You hurry up with that rake.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, all right, Is. Don't sculp ME; I ain't done nothin'. What's the news
+ over to East Harniss?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don't know. Not much. Sam Bartlett, he started for Boston this
+ mornin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who? Sam Bartlett? I want to know! Thought he was down for six weeks. You
+ sure about that, Is?&rdquo;
+ </p>
+ <p>
+ &ldquo;Course I'm sure. I was up to the depot and see him buy his ticket and git
+ on the cars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did, hey? Humph! So Sam's gone. Gertie Higgins still over to her Aunt
+ Hannah's at Trumet?&rdquo;
+ </p>
+ <p>
+ Issy looked at his questioner. &ldquo;Why, yes,&rdquo; he said suspiciously. &ldquo;I s'pose
+ she's there. Fact, I know she is. Pat Starkey's doin' the telegraphin'
+ while she's away. What made you ask that?&rdquo;
+ </p>
+ <p>
+ The blacksmith chuckled. &ldquo;Oh, nothin',&rdquo; he said. &ldquo;How's her dad's
+ dyspepsy? Had any more of them sudden attacks of his? I cal'late they'll
+ take the old man off some of these days, won't they? I hear the doctor
+ thinks there's more heart than stomach in them attacks.&rdquo;
+ </p>
+ <p>
+ But the skipper of the Lady May was not to be put off thus. &ldquo;What you
+ drivin' at, Jake?&rdquo; he demanded. &ldquo;What's Sam Bartlett's goin' away got to
+ do with Gertie Higgins?&rdquo;
+ </p>
+ <p>
+ In his eagerness he stepped to Mr. Larkin's side. The blacksmith caught
+ sight of the novel in his customer's pocket. He snatched it forth.
+ </p>
+ <p>
+ &ldquo;What you readin' now, Is?&rdquo; he demanded. &ldquo;More blood and brimstone? 'Vivy
+ Ann, the Shop Girl!' Gee! Wow!&rdquo;
+ </p>
+ <p>
+ &ldquo;You gimme that book, Jake Larkin! Gimme it now!&rdquo;
+ </p>
+ <p>
+ Fending the frantic quahauger off with one mighty arm, the blacksmith
+ proceeded to read aloud:
+ </p>
+ <p>
+ &ldquo;'Darlin',' cried Lord Lyndhurst, strainin' the beautiful and blushin'
+ maid to his manly bosom, 'you are mine at last. Mine! No&mdash;' Jerushy!
+ a love story! Why, Issy! I didn't know you was in love. Who's the lucky
+ girl? Send me an invite to your weddin', won't you?&rdquo;
+ </p>
+ <p>
+ Issy's face was a fiery red. He tore the precious volume from its
+ desecrator's hand, losing the pictured cover in the struggle.
+ </p>
+ <p>
+ &ldquo;You&mdash;you pesky fool!&rdquo; he shouted. &ldquo;You mind your own business.&rdquo;
+ </p>
+ <p>
+ The blacksmith roared in glee. &ldquo;Oh, ho!&rdquo; he cried. &ldquo;Issy's in love and I
+ never guessed it. Aw, say, Is, don't be mean! Who is she? Have you
+ strained her to your manly bosom yit? What's her name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Shut up!&rdquo; shrieked Issy, and strode out of the shop. His tormentor begged
+ him not to &ldquo;go off mad,&rdquo; and shouted sarcastic sympathy after him. But Mr.
+ McKay heeded not. He stalked angrily along the sidewalk. Then espying just
+ ahead of him the boys who had thrown the potatoes, he paused, turned, and
+ walking down the carriageway at the side of the blacksmith's place of
+ business, sat down upon a sawhorse under one of its rear windows. He
+ could, at least, be alone here and think; and he wanted to think.
+ </p>
+ <p>
+ For Issy&mdash;although he didn't look it&mdash;was deeply interested in
+ another love story as well as that in his pocket. This one was printed
+ upon his heart's pages, and in it he was the hero, while the heroine&mdash;the
+ unsuspecting heroine&mdash;was Gertie Higgins, daughter of Beriah Higgins,
+ once a fisherman, now the crotchety and dyspeptic proprietor of the
+ &ldquo;general store&rdquo; and postmaster at East Harniss.
+ </p>
+ <p>
+ This story began when Issy first acquired the Lady May. The Higgins home
+ stood on the slope close to the boat landing, and when Issy came in from
+ quahauging, Gertie was likely to be in the back yard, hanging out the
+ clothes or watering the flower garden. Sometimes she spoke to him of her
+ own accord, concerning the weather or other important topics. Once she
+ even asked him if he were going to the Fourth of July ball at the
+ town-hall. It took him until the next morning&mdash;like other warriors,
+ Issy was cursed with shyness&mdash;to summon courage enough to ask her to
+ go to the ball with him. Then he found it was too late; she was going with
+ her cousin, Lennie Bloomer. But he felt that she had offered him the
+ opportunity, and was happy and hopeful accordingly.
+ </p>
+ <p>
+ This, however, was before she went to Boston to study telegraphy. When she
+ returned, with a picture hat and a Boston accent, it was to preside at the
+ telegraph instrument in the little room adjoining the post office at her
+ father's store. When Issy bowed blushingly outside the window of the
+ telegraph room, he received only the airiest of frigid nods. Was there
+ what Lord Lyndhurst would have called &ldquo;another&rdquo;? It would seem not. Old
+ Mr. Higgins, her father, encouraged no bows nor attentions from young men,
+ and Gertie herself did not appear to desire them. So Issy gave up his
+ tales of savage butchery for those of love and blisses, adored in silence,
+ and hoped&mdash;always hoped.
+ </p>
+ <p>
+ But why had the blacksmith seemed surprised at the departure of Sam
+ Bartlett, the &ldquo;dudey&rdquo; vacationist from the city, whose father had, years
+ ago, been Beriah Higgins's partner in the fish business? And why had he
+ coupled the Bartlett name with that of Gertie, who had been visiting her
+ father's maiden sister at Trumet, the village next below East Harniss, as
+ Denboro is the next above it? Issy's suspicions were aroused, and he
+ wondered.
+ </p>
+ <p>
+ Suddenly he heard voices in the shop above him. The window was open and he
+ heard them plainly.
+ </p>
+ <p>
+ &ldquo;Well! WELL!&rdquo; It was the blacksmith who uttered the exclamation. &ldquo;Why,
+ Bartlett, how be you? What you doin' over here? Thought you'd gone back to
+ Boston. I heard you had.&rdquo;
+ </p>
+ <p>
+ Slowly, cautiously, the astonished quahauger rose from the sawhorse and
+ peered over the window sill. There were two visitors in the shop. One was
+ Ed Burns, proprietor of the Denboro Hotel and livery stable. The other was
+ Sam Bartlett, the very same who had left East Harniss that morning, bound,
+ ostensibly, for Boston. Issy sank back again and listened.
+ </p>
+ <p>
+ &ldquo;Yes, yes!&rdquo; he heard Sam say impatiently; &ldquo;I know, but&mdash;see here,
+ Jake, where can I hire a horse in this God-forsaken town?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well, Sam!&rdquo; continued Larkin. &ldquo;I was just figurin' that Beriah had
+ got the best of you after all, and you'd had to give it up for this time.
+ Thinks I, it's too bad! Just because your dad and Beriah Higgins had such
+ a deuce of a row when they bust up in the fish trade, it's a shame that he
+ won't hark to your keepin' comp'ny with Gertie. And you doin' so well;
+ makin' twenty dollars a week up to the city&mdash;Ed told me that&mdash;and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes! But never mind that. Where can I get a horse? I've got to be in
+ Trumet by eight to-night sure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Trumet? Why, that's where Gertie is, ain't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Look a-here, Jake,&rdquo; broke in the livery-stable keeper. &ldquo;I'll tell you how
+ 'tis. Oh, it's all right, Sam! Jake knows the most of it; I told him. He
+ can keep his mouth shut, and he don't like old crank Higgins any better'n
+ you and me do. Jake, Sam here and Gertie had fixed it up to run off and
+ git married to-night. He was to pretend to start for Boston this mornin'.
+ Bought a ticket and all, so's to throw Beriah off the scent. He was to get
+ off the train here at Denboro and I was to let him have a horse 'n' buggy.
+ Then, this afternoon, he was goin' to drive through the wood roads around
+ to Trumet and be at the Baptist Church there at eight to-night sharp.
+ Gertie's Aunt Hannah, she's had her orders, and bein' as big a crank as
+ her brother, she don't let the girl out of her sight. But there's a fair
+ at the church and Auntie's tendin' a table. Gertie, she steps out to the
+ cloak room to git a handkerchief which she's forgot; see? And she hops
+ into Sam's buggy and away they go to the minister's. After they're once
+ hitched Old Dyspepsy can go to pot and see the kittle bile.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bully! By gum, that's fine! Won't Beriah rip some, hey?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but there's the dickens to pay. I've only got two horses in the
+ stable to-day. The rest are let. And the two I've got&mdash;one's old
+ Bill, and he couldn't go twenty mile to save his hide. And t'other's the
+ gray mare, and blamed if she didn't git cast last night and use up her off
+ hind leg so's she can't step. And Sam's GOT to have a horse. Where can I
+ git one?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hum! Have you tried Haynes's?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes! And Lathrop's and Eldredge's. Can't git a team for love nor
+ money.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sho! And he can't go by train?&rdquo;
+ </p>
+ <p>
+ &ldquo;What? With Beriah postmaster at East Harniss and always nosin' through
+ every train that stops there? You can't fetch Trumet by train without
+ stoppin' at East Harniss and&mdash;What was that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know. What was it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sounded like somethin' outside that back winder.&rdquo;
+ </p>
+ <p>
+ The two ran to the window and looked out. All they saw was an overturned
+ sawhorse and two or three hens scratching vigorously.
+ </p>
+ <p>
+ &ldquo;Guess 'twas the chickens, most likely,&rdquo; observed the blacksmith. Then,
+ striking his blackened palms together, he exclaimed:
+ </p>
+ <p>
+ &ldquo;By time! I've thought of somethin'! Is McKay is in town to-day. Come over
+ in the Lady May. She's a gasoline boat. Is would take Sam to Trumet for
+ two or three dollars, I'll bet. And he's such a fool head that he wouldn't
+ ask questions nor suspicion nothin'. 'Twould be faster'n a horse and
+ enough sight less risky.&rdquo;
+ </p>
+ <p>
+ And just then the &ldquo;fool head,&rdquo; his brain whirling under its carroty
+ thatch, was hurrying blindly up the main street, bound somewhere, he
+ wasn't certain where.
+ </p>
+ <p>
+ A mushy apple exploded between his shoulders, but he did not even turn
+ around. So THIS was what the blacksmith meant! This was why Mr. Higgins
+ watched his daughter so closely. This was why Gertie had been sent off to
+ Trumet. She had met the Bartlett miscreant in Boston; they had been
+ together there; had fallen in love and&mdash;He gritted his teeth and
+ shook his fists almost in the face of old Deacon Pratt, who, knowing the
+ McKay penchant for slaughter, had serious thoughts of sending for the
+ constable.
+ </p>
+ <p>
+ Beriah Higgins must be warned, of course, but how? To telegraph was to put
+ Pat Starkey in possession of the secret, and Pat was too good a friend of
+ Gertie's to be trusted. There was no telephone at the store. Issy entered
+ the combination grocery store and post office.
+ </p>
+ <p>
+ &ldquo;Has the down mail closed yet?&rdquo; he panted.
+ </p>
+ <p>
+ The postmaster looked out of his little window.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he replied. &ldquo;Why? Got a letter you want to go? Take it up to the
+ depot. The train's due, but 'tain't here yit. If you run you can make it.&rdquo;
+ </p>
+ <p>
+ Issy took a card from his pocket. It was the business card of the firm to
+ whom he sold his quahaugs. On the back of the card he wrote in pencil as
+ follows:
+ </p>
+ <p>
+ &ldquo;Mr. Beriah Higgins, your daughter Gertrude is going to meet Sam'l
+ Bartlett at the Baptist Church in Trumet at 8 P.M. to-night and get
+ married to him. LOOK OUT!!!&rdquo;
+ </p>
+ <p>
+ After an instant's consideration he signed it &ldquo;A True Friend,&rdquo; this being
+ in emulation of certain heroes of the Deadwood Dick variety. Then he put
+ the card into an envelope and ran at top speed to the railway station. The
+ train came in as he reached the platform. The baggage master was standing
+ in the door of his car.
+ </p>
+ <p>
+ &ldquo;Here, mister!&rdquo; panted Issy. &ldquo;Jest hand this letter to Beriah Higgins when
+ he takes the mail bag at East Harniss, won't you? It's mighty important.
+ Don't forgit. Thanks.&rdquo;
+ </p>
+ <p>
+ The train moved off. Issy stared after it, grinning malevolently. Higgins
+ would get that note in ample time to send word to the watchful Aunt
+ Hannah. When the unsuspecting eloper reached the Trumet church, it would
+ be the aunt, not the niece, who awaited him. Still grinning, Mr. McKay
+ walked off the platform, and into the arms of Ed Burns, the stable keeper,
+ and Sam Bartlett, his loathed and favored rival.
+ </p>
+ <p>
+ &ldquo;Here he is!&rdquo; shouted Burns. &ldquo;Now we've got him.&rdquo;
+ </p>
+ <p>
+ The foiler of the plot turned pale. Was his secret discovered? But no; his
+ captors began talking eagerly, and gradually the sense of their pleadings
+ became plain. They wanted him&mdash;HIM, of all people&mdash;to convey
+ Bartlett to Trumet in the Lady May.
+ </p>
+ <p>
+ &ldquo;You see, it's a business meetin',&rdquo; urged Burns. &ldquo;Sam's got to be there by
+ ha'f past seven or he'll&mdash;he won't win on the deal, will you, Sam?
+ Say yes, Issy; that's a good feller. He'll give you&mdash;I don't know's
+ he won't give you five dollars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ten,&rdquo; cried Bartlett. &ldquo;And I'll never forget it, either. Will you, Is?&rdquo;
+ </p>
+ <p>
+ A mighty &ldquo;No!&rdquo; was trembling on Issy's tongue. But before it was uttered
+ Burns spoke again.
+ </p>
+ <p>
+ &ldquo;McKay's got the best boat in these parts,&rdquo; he urged. &ldquo;She's got a tiptop
+ engine in her, and&mdash;&rdquo;
+ </p>
+ <p>
+ The word &ldquo;engine&rdquo; dropped into the whirlpool of Issy's thoughts with a
+ familiar sound. In the chapter of &ldquo;Vivian&rdquo; that he had just finished, the
+ beautiful shopgirl was imprisoned on board the yacht of the millionaire
+ kidnaper, while the hero, in his own yacht, was miles astern. But the
+ hero's faithful friend, disguised as a stoker, was tampering with the
+ villain's engine. A vague idea began to form in Issy's brain. Once get the
+ would-be eloper aboard the Lady May, and, even though the warning note
+ should remain undelivered, he&mdash;
+ </p>
+ <p>
+ Issy smiled, and the ghastliness of that smile was unnoticed by his
+ companions.
+ </p>
+ <p>
+ &ldquo;I&mdash;I'll do it,&rdquo; he cried. &ldquo;By mighty! I WILL do it. You be at the
+ wharf here at four o'clock. I wouldn't do it for everybody, Sam Bartlett,
+ but for you I'd do consider'ble, just now. And I don't want your ten
+ dollars nuther.&rdquo;
+ </p>
+ <p>
+ Doctoring an engine may be easy enough&mdash;in stories. But to doctor a
+ gasoline engine so that it will run for a certain length of time and THEN
+ break down is not so easy. Three o'clock came and the problem was still
+ unsolved. Issy, the perspiration running down his face, stood up in the
+ Lady May's cockpit and looked out across the bay, smooth and glassy in the
+ afternoon sun.
+ </p>
+ <p>
+ The sky overhead was clear and blue, but along the eastern and southern
+ horizon was a gray bank of cloud, heaped in tumbled masses.
+ </p>
+ <p>
+ A sunburned lobsterman in rubber boots and a sou'wester was smoking on the
+ wharf.
+ </p>
+ <p>
+ &ldquo;What time you goin' to start for home, Is?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Oh, in an hour or so,&rdquo; was the absent-minded reply.
+ </p>
+ <p>
+ &ldquo;Humph! You'd better cast off afore that or you'll be fog bound. It'll be
+ thicker'n dock mud toward sundown, and you'll fetch up in Waptomac 'stead
+ of East Harniss, 'thout you've got a good compass.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, my compass is all right,&rdquo; began Issy, and stopped short. The
+ lobsterman made other attempts at conversation, but they were
+ unproductive. McKay was gazing at the growing fog bank and thinking hard.
+ To doctor an engine may be difficult, but to get lost in a fog&mdash;He
+ took the compass from the glass-lidded binnacle by the wheel, and carrying
+ it into the little cabin, placed it in the cuddy forward.
+ </p>
+ <p>
+ It was nearer five than four when the Lady May, her engine barking
+ aggressively, moved out of Denboro Harbor. Mr. Bartlett, the passenger,
+ had been on time and had fumed and fretted at the delay. But Issy was
+ deliberation itself. He had forgotten his quahaug rake, and the lapse of
+ memory entailed a trip to the blacksmith's. Then the gasoline tank needed
+ filling and the battery had to be overhauled.
+ </p>
+ <p>
+ &ldquo;Are you sure you can make it?&rdquo; queried Sam anxiously. &ldquo;It's important, I
+ tell you. Mighty important.&rdquo;
+ </p>
+ <p>
+ The skipper snorted in disgust. &ldquo;Make it?&rdquo; he repeated. &ldquo;If the Lady May
+ can't make fourteen mile in two hours&mdash;let alone two'n a ha'f&mdash;then
+ I don't know her. She's one of them boats you read about, she is.&rdquo;
+ </p>
+ <p>
+ The Cape makes a wide bend between Denboro and Trumet. The distance
+ between these towns is twenty long, curved miles over the road; by water
+ it is reduced to a straight fourteen. And midway between the two, at the
+ center of the curve, is East Harniss.
+ </p>
+ <p>
+ The Lady May coughed briskly on. There was no sea, and she sent long,
+ widening ripples from each side of her bow. Bartlett, leaning over the
+ rail, gazed impatiently ahead. Issy, sprawled on the bench by the wheel,
+ was muttering to himself. Occasionally he glanced toward the east. The
+ gray fog bank was now half way to the zenith and approaching rapidly. The
+ eastern shore had disappeared.
+ </p>
+ <p>
+ &ldquo;Is! Hi, Is! What are you doing? Don't kill him before my eyes.&rdquo;
+ </p>
+ <p>
+ Issy came out of his trance with a start.
+ </p>
+ <p>
+ &ldquo;What&mdash;what's that?&rdquo; he asked. His passenger was grinning broadly.
+ </p>
+ <p>
+ &ldquo;What? Kill who?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, the big chief, or whoever you had under your knee just then. You've
+ been rolling your eyes and punching air with your fist for the last five
+ minutes. I was getting scared. You're an unmerciful sinner when you get
+ started, ain't you, Is? Who was the victim that time? 'Man Afraid of Hot
+ Water'? or who?&rdquo;
+ </p>
+ <p>
+ The skipper scowled. He shoved the fist into his pocket.
+ </p>
+ <p>
+ &ldquo;Naw,&rdquo; he growled. &ldquo;'Twa'n't.&rdquo;
+ </p>
+ <p>
+ &ldquo;So? Not an Indian? Then it must have been a white man. Some fellow after
+ your girl, perhaps. Hey?&rdquo;
+ </p>
+ <p>
+ The disconcerted Issy was speechless. His companion's chance shot had
+ scored a bull's-eye. Sam whooped.
+ </p>
+ <p>
+ &ldquo;That's it!&rdquo; he crowed. &ldquo;Sure thing! Give it to him, Is! Don't spare him.&rdquo;
+ </p>
+ <p>
+ Mr. McKay chokingly admitted that he &ldquo;wa'n't goin' to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho, ho! That's the stuff! But who's SHE, Is? When are you going to marry
+ her?&rdquo;
+ </p>
+ <p>
+ Issy grunted spitefully. &ldquo;You ain't married yourself&mdash;not yit,&rdquo; he
+ observed, with concealed sarcasm.
+ </p>
+ <p>
+ The unsuspecting Bartlett laughed in triumph. &ldquo;No,&rdquo; he said. &ldquo;I'm not,
+ that's a fact; but maybe I'm going to be some of these days. It looked
+ pretty dubious for a while, but now it's all right.&rdquo;
+ </p>
+ <p>
+ &ldquo;'Tis, hey? You're sure about that, be you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Guess I am. Great Scott! what's that? Fog?&rdquo;
+ </p>
+ <p>
+ A damp breath blew across the boat. The clouds covered the sky overhead
+ and the bay to port. The fog was pouring like smoke across the water.
+ </p>
+ <p>
+ &ldquo;Fog, by thunder!&rdquo; exclaimed Bartlett.
+ </p>
+ <p>
+ Issy smiled. &ldquo;Hum! Yes, 'tis fog, ain't it?&rdquo; he observed.
+ </p>
+ <p>
+ &ldquo;But what'll we do? It'll be here in a minute, won't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Shouldn't be a mite surprised. Looks 's if twas here now.&rdquo;
+ </p>
+ <p>
+ The fog came on. It reached the Lady May, passed over her, and shut her
+ within gray, wet walls. It was impossible to see a length from her side.
+ Sam swore emphatically. The skipper was provokingly calm. He stepped to
+ the engine, bent over it, and then returned to the wheel.
+ </p>
+ <p>
+ &ldquo;What are you doing?&rdquo; demanded Bartlett.
+ </p>
+ <p>
+ &ldquo;Slowin' down, of course. Can't run more'n ha'f speed in a fog like this.
+ 'Tain't safe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Safe! What do I care? I want to get to Trumet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes? Well, maybe we'll git there if we have luck.&rdquo;
+ </p>
+ <p>
+ &ldquo;You idiot! We've GOT to get there. How can you tell which way to steer?
+ Get your compass, man! get your compass!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't got no compass,&rdquo; was the sulky answer. &ldquo;Left it to home.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, no, you didn't. I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I tell you I did. 'Twas careless of me, I know, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But I say you didn't. When you went uptown after that quahaug rake I
+ explored this craft of yours some. The compass is in that little closet at
+ the end of the cabin. I'll get it.&rdquo;
+ </p>
+ <p>
+ He rose to his feet. Issy sprang forward and seized him by the arm.
+ </p>
+ <p>
+ &ldquo;Set down!&rdquo; he yelled. &ldquo;Who's runnin' this boat, you or me?&rdquo;
+ </p>
+ <p>
+ The astounded passenger stared at his companion.
+ </p>
+ <p>
+ &ldquo;Why, you are,&rdquo; he replied. &ldquo;But that's no reason&mdash;What's the matter
+ with you, anyway? Have your dime novels driven you loony?&rdquo;
+ </p>
+ <p>
+ Issy hesitated. For a moment chagrin and rage at this sudden upset of his
+ schemes had gotten the better of his prudence. But Bartlett was taller
+ than he and broad in proportion. And valor&mdash;except of the imaginative
+ brand&mdash;was not Issy's strong point.
+ </p>
+ <p>
+ &ldquo;There, there, Sam!&rdquo; he explained, smiling crookedly. &ldquo;You mustn't mind
+ me. I'm sort of nervous, I guess. And you mustn't hop up and down in a
+ boat that way. You set still and I'll fetch the compass.&rdquo;
+ </p>
+ <p>
+ He stumbled across the cockpit and disappeared in the dusk of the cabin.
+ Finding that compass took a long time. Sam lost patience.
+ </p>
+ <p>
+ &ldquo;What's the matter?&rdquo; he demanded. &ldquo;Can't you find it? Shall I come?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no!&rdquo; screamed Issy vehemently. &ldquo;Stay where you be. Catch a-holt of
+ that wheel. We'll be spinnin' circles if you don't. I'm a-comin'.&rdquo;
+ </p>
+ <p>
+ But it was another five minutes before he emerged from the cabin, carrying
+ the compass box very carefully with both hands. He placed it in the
+ binnacle and closed the glass lid.
+ </p>
+ <p>
+ &ldquo;'Twas catched in a bluefish line,&rdquo; he explained. &ldquo;All snarled up, 'twas.&rdquo;
+ </p>
+ <p>
+ Sam peered through the glass at the compass.
+ </p>
+ <p>
+ &ldquo;Thunder!&rdquo; he exclaimed. &ldquo;I should say we had spun around. Instead of
+ north being off here where I thought it was, it's 'way out to the right.
+ Queer how fog'll mix a fellow up. Trumet's about northeast, isn't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;No'theast by no'th's the course. Keep her just there.&rdquo;
+ </p>
+ <p>
+ The Lady May, still at half speed, kept on through the mist. Time passed.
+ The twilight, made darker still by the fog, deepened. They lit the lantern
+ in order to see the compass card. Issy had the wheel now. Sam was forward,
+ keeping a lookout and fretting at the delay.
+ </p>
+ <p>
+ &ldquo;It's seven o'clock already,&rdquo; he cried. &ldquo;For Heaven's sake, how late will
+ you be? I've got to be there by quarter of eight. D'you hear? I've GOT
+ to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we're gittin' there. Can't expect to travel so fast with part of
+ the power off. You'll be where you're goin' full as soon as you want to
+ be, I cal'late.&rdquo;
+ </p>
+ <p>
+ And he chuckled.
+ </p>
+ <p>
+ Another half hour and, through the wet dimness, a light flashed, vanished,
+ and flashed again. Issy saw it and smiled grimly. Bartlett saw it and
+ shouted.
+ </p>
+ <p>
+ &ldquo;'What's that light?&rdquo; he cried. &ldquo;Did you see it? There it is, off there.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see it. There's a light at Trumet Neck, ain't there?&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! It's been years since I was there, but I thought Trumet light was
+ steady. However&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't that the wharf ahead?&rdquo;
+ </p>
+ <p>
+ Sure enough, out of the dark loomed the bulk of a small wharf, with
+ catboats at anchor near it. Higher up, somewhere on the shore, were the
+ lighted windows of a building.
+ </p>
+ <p>
+ &ldquo;By thunder, we're here!&rdquo; exclaimed Sam, and drew a long breath.
+ </p>
+ <p>
+ Issy shut off the power altogether, and the Lady May slid easily up to the
+ wharf. Feverishly her skipper made her fast.
+ </p>
+ <p>
+ &ldquo;Yes, sir!&rdquo; he cried exultantly. &ldquo;We're here. And no Black Rover nor
+ anybody else ever done a better piece of steerin' than that, nuther.&rdquo;
+ </p>
+ <p>
+ He clambered over the stringpiece, right at the heels of his impatient but
+ grateful passenger. Sam's thanks were profuse and sincere.
+ </p>
+ <p>
+ &ldquo;I'll never forget it, Is,&rdquo; he declared. &ldquo;I'll never forget it. And you'll
+ have to let me pay you the&mdash;What makes you shake so?&rdquo;
+ </p>
+ <p>
+ Issy pulled his arm away and stepped back.
+ </p>
+ <p>
+ &ldquo;I'll never forget it, Is,&rdquo; continued Sam. &ldquo;I&mdash;Why! What&mdash;?&rdquo;
+ </p>
+ <p>
+ He was standing at the shore end of the wharf, gazing up at the lighted
+ windows. They were those of a dwelling house&mdash;an old-fashioned house
+ with a back yard sloping down to the landing.
+ </p>
+ <p>
+ And then Issy McKay leaned forward and spoke in his ear.
+ </p>
+ <p>
+ &ldquo;You bet you won't forgit it, Sam Bartlett!&rdquo; he crowed, in trembling but
+ delicious triumph. &ldquo;You bet you won't! I've fixed you just the same as the
+ Black Rover fixed the mutineers. Run off with my girl, will ye? And marry
+ her, will ye? I&mdash;&rdquo;
+ </p>
+ <p>
+ Sam interrupted him. &ldquo;Why! WHY!&rdquo; he cried. &ldquo;That's&mdash;that's Gertie's
+ house! This isn't Trumet! IT'S EAST HARNISS!&rdquo;
+ </p>
+ <p>
+ The next moment he was seized from behind. The skipper's arms were around
+ his waist and the skipper's thin legs twisted about his own. They fell
+ together upon the sand and, as they rolled and struggled, Issy's yells
+ rose loud and high.
+ </p>
+ <p>
+ &ldquo;Mr. Higgins!&rdquo; he shrieked. &ldquo;Mr. Higgins! Come on! I've got him! I've got
+ the feller that's tryin' to steal your daughter! Come on! I've got him!
+ I'm hangin' to him!&rdquo;
+ </p>
+ <p>
+ A door banged open. Some one rushed down the walk. And then a girl's voice
+ cried in alarm:
+ </p>
+ <p>
+ &ldquo;What is it? Who is it? What IS the matter?&rdquo;
+ </p>
+ <p>
+ And from the bundle of legs and arms on the ground two voices exclaimed:
+ &ldquo;GERTIE!&rdquo;
+ </p>
+ <p>
+ &ldquo;But where IS your father?&rdquo; asked Sam. Issy asked nothing. He merely sat
+ still and listened.
+ </p>
+ <p>
+ &ldquo;Why, he's at Trumet. At least I suppose he is. Mrs. Jones&mdash;she's
+ gone to telephone to him now&mdash;says that he came home this morning
+ with one of those dreadful 'attacks' of his. And after dinner he seemed so
+ sick that, when she went for the doctor, she wired me at Auntie's to come
+ home. I didn't want to come&mdash;you know why&mdash;but I COULDN'T let
+ him die alone. And so I caught the three o'clock train and came. I knew
+ you'd forgive me. But it seems that when Mrs. Jones came back with the
+ doctor they found father up and dressed and storming like a crazy man. He
+ had received some sort of a letter; he wouldn't say what. And, in spite of
+ all they could do, he insisted on going out. And Cap'n Berry&mdash;the
+ depot master&mdash;says he went to Trumet on the afternoon freight. We
+ must have passed each other on the way. And I'm so&mdash;But why are you
+ HERE? And what were you and Issy doing? And&mdash;&rdquo;
+ </p>
+ <p>
+ Her lover broke in eagerly. &ldquo;Then you're alone now?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Yes, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Good! Your father can't get a train back from Trumet before to-morrow
+ morning. I don't know what this letter was&mdash;but never mind. Perhaps
+ friend McKay knows more about it. It may be that Mr. Higgins is waiting
+ now outside the Baptist church. Gertie, now's our chance. You come with me
+ right up to the minister's. He's a friend of mine. He understands. He'll
+ marry us, I know. Come! We mustn't lose a minute. Your dad may take a
+ notion to drive back.&rdquo;
+ </p>
+ <p>
+ He led her off up the lane, she protesting, he urging. At the corner of
+ the house he turned.
+ </p>
+ <p>
+ &ldquo;I say, Is!&rdquo; he called. &ldquo;Don't you want to come to the wedding? Seems to
+ me we owe you that, considering all you've done to help it along. Or
+ perhaps you want to stay and fix that compass of yours.&rdquo;
+ </p>
+ <p>
+ Issy didn't answer. Some time after they had gone he arose from the ground
+ and stumbled home. That night he put a paper novel into the stove. Next
+ morning, before going to the depot, he removed an iron spike from the Lady
+ May's compass box. The needle swung back to its proper position.
+ </p>
+ <p>
+ <a name="link2HCH0018" id="link2HCH0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XVIII
+ </h2>
+ <h3>
+ THE MOUNTAIN AND MAHOMET
+ </h3>
+ <p>
+ The eleventh of July. The little Berry house stood high on its joists and
+ rollers, in the middle of the Hill Boulevard, directly opposite the
+ Edwards lot. Close behind it loomed the big &ldquo;Colonial.&rdquo; Another
+ twenty-four hours, and, even at its one-horse gait, the depot master's
+ dwelling would be beyond the strip of Edwards fence. The &ldquo;Colonial&rdquo; would
+ be ready to move on the lot, and Olive Edwards, the widow, would be
+ obliged to leave her home. In fact, Mr. Williams had notified her that she
+ and her few belongings must be off the premises by the afternoon of the
+ twelfth.
+ </p>
+ <p>
+ The great Williams was in high good-humor. He chuckled as he talked with
+ his foreman, and the foreman chuckled in return. Simeon Phinney did not
+ chuckle. He was anxious and worried, and even the news of Gertie Higgins's
+ runaway marriage, brought to him by Obed Gott, who&mdash;having been so
+ recently the victim of another unexpected matrimonial alliance&mdash;was
+ wickedly happy over the postmaster's discomfiture, did not interest him
+ greatly.
+ </p>
+ <p>
+ &ldquo;Well, I wonder who'll be the next couple,&rdquo; speculated Obed. &ldquo;First Polena
+ and old Hardee, then Gertie Higgins and Sam Bartlett! I declare, Sim,
+ gettin' married unbeknownst to anybody must be catchin', like the measles.
+ Nobody's safe unless they've got a wife or husband livin'. Me and Sol
+ Berry are old baches&mdash;we'd better get vaccinated or WE may come down
+ with the disease. Ho! ho!&rdquo;
+ </p>
+ <p>
+ After dinner Mr. Phinney went from his home to the depot. Captain Sol was
+ sitting in the ticket office, with the door shut. On the platform,
+ forlornly sprawled upon the baggage truck, was Issy McKay, the picture of
+ desolation. He started nervously when he heard Simeon's step. As yet
+ Issy's part in the Bartlett-Higgins episode was unknown to the
+ townspeople. Sam and Gertie had considerately kept silence. Beriah had not
+ learned who sent him the warning note, the unlucky missive which had
+ brought his troubles to a climax. But he was bound to learn it, he would
+ find out soon, and then&mdash;No wonder Issy groaned.
+ </p>
+ <p>
+ &ldquo;Come in here, Sim,&rdquo; said the depot master. Phinney entered the ticket
+ office.
+ </p>
+ <p>
+ &ldquo;Shut the door,&rdquo; commanded the Captain. The order was obeyed. &ldquo;Well, what
+ is it?&rdquo; asked Berry.
+ </p>
+ <p>
+ &ldquo;Why, I just run in to see you a minute, Sol, that's all. What are you
+ shut up in here all alone for?&rdquo;
+ </p>
+ <p>
+ &ldquo;'Cause I want to be alone. There's been more than a thousand folks in
+ this depot so far to-day, seems so, and they all wanted to talk. I don't
+ feel like talkin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Heard about Gertie Higgins and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who told you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hiram Baker told me first. He's a fine feller and he's so tickled, now
+ that his youngster's 'most well, that he cruises around spoutin' talk and
+ joy same as a steamer's stack spouts cinders. He told me. Then Obed Gott
+ and Cornelius Rowe and Redny Blount and Pat Starkey, and land knows how
+ many more, came to tell me. I cut 'em short. Why, even the Major himself
+ condescended to march in, grand and imposin' as a procession, to make
+ proclamations about love laughin' at locksmiths, and so on. Since he got
+ Polena and her bank account he's a bigger man than the President, in his
+ own estimate.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! Well, he better make the best of it while it lasts. P'lena ain't
+ Hetty Green, and her money won't hold out forever.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's a fact. Still Polena's got sense. She'll hold Hardee in check, I
+ cal'late. I wouldn't wonder if it ended by her bossin' things and the
+ Major actin' as a sort of pet poodle dog&mdash;nice and pretty to walk out
+ with, but always kept at the end of a string.&rdquo;
+ </p>
+ <p>
+ &ldquo;You didn't go to Higgins's for dinner to-day, did you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. Nor I shan't go for supper. Beriah's bad enough when he's got nothin'
+ the matter with him but dyspepsy. Now that his sufferin's are complicated
+ with elopements, I don't want to eat with him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come and have supper with us.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess not, thank you, Sim. I'll get some crackers and cheese and such
+ at the store. I&mdash;I ain't very hungry these days.&rdquo;
+ </p>
+ <p>
+ He turned his head and looked out of the window. Simeon fidgeted.
+ </p>
+ <p>
+ &ldquo;Sol,&rdquo; he said, after a pause, &ldquo;we'll be past Olive's by to-morrer night.&rdquo;
+ </p>
+ <p>
+ No answer. Sim repeated his remark.
+ </p>
+ <p>
+ &ldquo;I know it,&rdquo; was the short reply.
+ </p>
+ <p>
+ &ldquo;Yes&mdash;yes, I s'posed you did, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Sim, don't bother me now. This is my last day here at the depot, and I've
+ got things to do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your last day? Why, what&mdash;?&rdquo;
+ </p>
+ <p>
+ Captain Sol told briefly of his resignation and of the coming of the new
+ depot master.
+ </p>
+ <p>
+ &ldquo;But you givin' up your job!&rdquo; gasped Phinney. &ldquo;YOU! Why, what for?&rdquo;
+ </p>
+ <p>
+ &ldquo;For instance, I guess. I ain't dependent on the wages, and I'm sick of
+ the whole thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;But what'll you do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't know.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&mdash;you won't leave town, will you? Lawsy mercy, I hope not!&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't know. Maybe I'll know better by and by. I've got to think things
+ out. Run along now, like a good feller. Don't say nothin' about my
+ quittin'. All hands'll know it to-morrow, and that's soon enough.&rdquo;
+ </p>
+ <p>
+ Simeon departed, his brain in a whirl. Captain Solomon Berry no longer
+ depot master! The world must be coming to an end.
+ </p>
+ <p>
+ He remained at his work until supper time. During the meal he ate and said
+ so little that his wife wondered and asked questions. To avoid answering
+ them he hurried out. When he returned, about ten o'clock, he was a changed
+ man. His eyes shone and he fairly danced with excitement.
+ </p>
+ <p>
+ &ldquo;Emeline!&rdquo; he shouted, as he burst into the sitting room. &ldquo;What do you
+ think? I've got the everlastin'est news to tell!&rdquo;
+ </p>
+ <p>
+ &ldquo;Good or bad?&rdquo; asked the practical Mrs. Phinney.
+ </p>
+ <p>
+ &ldquo;Good! So good that&mdash;There! let me tell you. When I left here I went
+ down to the store and hung around till the mail was sorted. Pat Starkey
+ was doin' the sortin', Beriah bein' too upsot by Gertie's gettin' married
+ to attend to anything. Pat called me to the mail window and handed me a
+ letter.
+ </p>
+ <p>
+ &ldquo;'It's for Olive Edwards,' he says. 'She's been expectin' one for a
+ consider'ble spell, she told me, and maybe this is it. P'r'aps you'd just
+ as soon go round by her shop and leave it.'
+ </p>
+ <p>
+ &ldquo;I took the letter and looked at it. Up in one corner was the printed name
+ of an Omaha firm. I never said nothin', but I sartinly hustled on my way
+ up the hill.
+ </p>
+ <p>
+ &ldquo;Olive was in her little settin' room back of the shop. She was pretty
+ pale, and her eyes looked as if she hadn't been doin' much sleepin'
+ lately. Likewise I noticed&mdash;and it give me a queer feelin' inside&mdash;that
+ her trunk was standin', partly packed, in the corner.&rdquo;
+ </p>
+ <p>
+ &ldquo;The poor woman!&rdquo; exclaimed Mrs. Phinney.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; went on her husband. &ldquo;Well, I handed over the letter and started to
+ go, but she told me to set down and rest, 'cause I was so out of breath.
+ To tell you the truth, I was crazy to find out what was in that envelope
+ and, being as she'd give me the excuse, I set.
+ </p>
+ <p>
+ &ldquo;She took the letter over to the lamp and looked at it for much as a
+ minute, as if she was afraid to open it. But at last, and with her fingers
+ shakin' like the palsy, she fetched a long breath and tore off the end of
+ the envelope. It was a pretty long letter, and she read it through. I see
+ her face gettin' whiter and whiter and, when she reached the bottom of the
+ last page, the letter fell onto the floor. Down went her head on her arms,
+ and she cried as if her heart would break. I never felt so sorry for
+ anybody in my life.
+ </p>
+ <p>
+ &ldquo;'Don't, Mrs. Edwards,' I says. 'Please don't. That cousin of yours is a
+ darn ungrateful scamp, and I'd like to have my claws on his neck this
+ minute.'
+ </p>
+ <p>
+ &ldquo;She never even asked me how I knew about the cousin. She was too much
+ upset for that.
+ </p>
+ <p>
+ &ldquo;'Oh! oh!' she sobs. 'What SHALL I do? Where shall I go? I haven't got a
+ friend in the world!'
+ </p>
+ <p>
+ &ldquo;I couldn't stand that. I went acrost and laid my hand on her shoulder.
+ </p>
+ <p>
+ &ldquo;'Mrs. Edwards,' says I, 'you mustn't say that. You've got lots of
+ friends. I'm your friend. Mr. Hilton's your friend. Yes, and there's
+ another, the best friend of all. If it weren't for him, you'd have been
+ turned out into the street long before this.'&rdquo;
+ </p>
+ <p>
+ Mrs. Phinney nodded. &ldquo;I'm glad you told her!&rdquo; she exclaimed. &ldquo;She'd ought
+ to know.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's what I thought,&rdquo; said Simeon.
+ </p>
+ <p>
+ &ldquo;Well, she raised her head then and looked at me.
+ </p>
+ <p>
+ &ldquo;'You mean Mr. Williams?' she asks.
+ </p>
+ <p>
+ &ldquo;That riled me up. 'Williams nothin'!' says I. 'Williams let you stay here
+ 'cause he could just as well as not. If he'd known that this other friend
+ was keepin' him from gettin' here, just on your account, he'd have chucked
+ you to glory, promise or no promise. But this friend, this real friend, he
+ don't count cost, nor trouble, nor inconvenience. Hikes his house&mdash;the
+ house he lives in&mdash;right out into the road, moves it to a place where
+ he don't want to go, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Mr. Phinney,' she sighs out, 'what do you mean?'
+ </p>
+ <p>
+ &ldquo;And then I told her. She listened without sayin' a word, but her eyes
+ kept gettin' brighter and brighter and she breathed short.
+ </p>
+ <p>
+ &ldquo;'Oh!' she says, when I'd finished. 'Did he&mdash;did he&mdash;do that for
+ ME?'
+ </p>
+ <p>
+ &ldquo;'You bet!' says I. 'He didn't tell me what he was doin' it for&mdash;that
+ ain't Sol's style; but I'm arithmetiker enough to put two and two together
+ and make four. He did it for you, you can bet your last red on that.'
+ </p>
+ <p>
+ &ldquo;She stood up. 'Oh!' she breathes. 'I&mdash;I must go and thank him. I&mdash;'
+ </p>
+ <p>
+ &ldquo;But, knowin' Sol, I was afraid. Fust place, there was no tellin' how he'd
+ act, and, besides, he might not take it kindly that I'd told her.
+ </p>
+ <p>
+ &ldquo;'Wait a jiffy,' I says. 'I'll go out and see if he's home. You stay here.
+ I'll be back right off.'
+ </p>
+ <p>
+ &ldquo;Out I put, and over to the Berry house, standin' on its rollers in the
+ middle of the Boulevard. And, just as I got to it, somebody says:
+ </p>
+ <p>
+ &ldquo;'Ahoy, Sim! What's the hurry? Anybody on fire?'
+ </p>
+ <p>
+ &ldquo;'Twas the Cap'n himself, settin' on a pile of movin' joist and smokin' as
+ usual. I didn't waste no time.
+ </p>
+ <p>
+ &ldquo;'Sol,' says I, 'I've just come from Olive's. She's got that letter from
+ the Omaha man. Poor thing! all alone there&mdash;'
+ </p>
+ <p>
+ &ldquo;He interrupted me sharp. 'Well?' he snaps. 'What's it say? Will the
+ cousin help her?'
+ </p>
+ <p>
+ &ldquo;'No,' I says, 'drat him, he won't!'
+ </p>
+ <p>
+ &ldquo;The answer I got surprised me more'n anything I ever heard or ever will
+ hear.
+ </p>
+ <p>
+ &ldquo;'Thank God!' says Sol Berry. 'That settles it.'
+ </p>
+ <p>
+ &ldquo;And I swan to man if he didn't climb down off them timbers and march
+ straight across the street, over to the door of Olive Edwards's home, open
+ it, and go in! I leaned against the joist he'd left, and swabbed my
+ forehead with my sleeve.&rdquo;
+ </p>
+ <p>
+ &ldquo;He went to HER!&rdquo; gasped Mrs. Phinney.
+ </p>
+ <p>
+ &ldquo;Wait,&rdquo; continued her husband. &ldquo;I must have stood there twenty minutes
+ when I heard somebody hurryin' down the Boulevard. 'Twas Cornelius Rowe,
+ all red-faced and het up, but bu'stin' with news.
+ </p>
+ <p>
+ &ldquo;''Lo, Sim!' says he to me. 'Is Cap'n Sol home? Does he know?'
+ </p>
+ <p>
+ &ldquo;'Know? Know what?&rdquo; says I.
+ </p>
+ <p>
+ &ldquo;'Why, the trick Mr. Williams put up on him? Hey? You ain't heard? Well,
+ Mr. Williams's fixed him nice, HE has! Seems Abner Payne hadn't answered
+ Sol's letter tellin' him he'd accept the offer to swap lots, and Williams
+ went up to Wareham where Payne's been stayin' and offered him a thumpin'
+ price for the land on Main Street, and took it. The deed's all made out.
+ Cap'n Sol can't move where he was goin' to, and he's left with his house
+ on the town, as you might say. Ain't it a joke, though? Where is Sol? I
+ want to be the fust to tell him and see how he acts. Is he to home?'
+ </p>
+ <p>
+ &ldquo;I was shook pretty nigh to pieces, but I had some sense left.
+ </p>
+ <p>
+ &ldquo;'No, he ain't,' says I. 'I see him go up street a spell ago.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, Simeon!&rdquo; interrupted Mrs. Phinney once more. &ldquo;Was that true? How
+ COULD you see him when&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Be still! S'pose I was goin' to tell him where Sol HAD gone? I'd have
+ lied myself blue fust. However, Cornelius was satisfied.
+ </p>
+ <p>
+ &ldquo;'That so?' he grunts. 'By jings! I'm goin' to find him.'
+ </p>
+ <p>
+ &ldquo;Off he went, and the next thing I knew the Edwards door opened, and I
+ heard somebody callin' my name. I went acrost, walkin' in a kind of daze,
+ and there, in the doorway, with the lamp shinin' on 'em, was Cap'n Sol and
+ Olive. The tears was wet on her cheeks, but she was smilin' in a kind of
+ shy, half-believin' sort of way, and as for Sol, he was one broad,
+ satisfied grin.
+ </p>
+ <p>
+ &ldquo;'Cap'n,' I begun, 'I just heard the everlastin'est news that&mdash;'
+ </p>
+ <p>
+ &ldquo;'Shut up, Sim!' he orders, cheerful. 'You've been a mighty good friend to
+ both of us, and I want you to be the fust to shake hands.'
+ </p>
+ <p>
+ &ldquo;'Shake hands?' I stammers, lookin' at 'em. 'WHAT? You don't mean&mdash;'
+ </p>
+ <p>
+ &ldquo;'I mean shake hands. Don't you want to?'
+ </p>
+ <p>
+ &ldquo;Want to! I give 'em both one more look, and then we shook, up to the
+ elbows; and my grin had the Cap'n's beat holler.
+ </p>
+ <p>
+ &ldquo;'Sim,' he says, after I'd cackled a few minutes, 'I cal'late maybe that
+ white horse is well by this time. P'r'aps we might move a little faster.
+ I'm kind of anxious to get to Main Street.'
+ </p>
+ <p>
+ &ldquo;Then I remembered. 'Great gosh all fish-hooks!' I sings out. 'Main
+ Street? Why, there AIN'T no Main Street!'
+ </p>
+ <p>
+ &ldquo;And I gives 'em Cornelius's news. The widow's smile faded out.
+ </p>
+ <p>
+ &ldquo;'Oh!' says she. 'O Solomon! And I got you into all this trouble!'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol didn't stop grinnin', but he scratched his head. 'Huh!' says
+ he. 'Mark one up for King Williams the Great. Humph!'
+ </p>
+ <p>
+ &ldquo;He thought for a minute and then he laughed out loud. 'Olive,' he says,
+ 'if I remember right, you and I always figgered to live on the Shore Road.
+ It's the best site in town. Sim, I guess if that white horse IS well, you
+ can move that shanty of mine right to Cross Street, down that, and back
+ along the Shore Road to the place where it come from. THAT land's mine
+ yet,' says he.
+ </p>
+ <p>
+ &ldquo;If that wa'n't him all over! I couldn't think what to say, except that
+ folks would laugh some, I cal'lated.
+ </p>
+ <p>
+ &ldquo;'Not at us, they won't,' says he. 'We'll clear out till the laughin' is
+ over. Olive, to-morrer mornin' we'll call on Parson Hilton and then take
+ the ten o'clock train. I feel's if a trip to Washin'ton would be about
+ right just now.'
+ </p>
+ <p>
+ &ldquo;She started and blushed and then looked up into his face. 'Solomon,' she
+ says, low, 'I really would like to go to Niagara.'
+ </p>
+ <p>
+ &ldquo;He shook his head. 'Old lady,' says he, 'I guess you don't quite
+ understand this thing. See here'&mdash;p'intin' to his house loomin' big
+ and black in the roadway&mdash;'see! the mountain has come to Mahomet.'&rdquo;
+ </p>
+ <p>
+ Mrs. Phinney had heard enough. She sprang from her chair and seized her
+ husband's hands.
+ </p>
+ <p>
+ &ldquo;Splendid!&rdquo; she cried, her face beaming. &ldquo;Oh, AIN'T it lovely! Ain't you
+ glad for 'em, Simeon?&rdquo;
+ </p>
+ <p>
+ &ldquo;Glad! Say, Emeline; there's some of that wild-cherry bounce down cellar,
+ ain't there? Let's break our teetotalism for once and drink a glass to
+ Cap'n and Mrs. Solomon Berry. Jerushy! I got to do SOMETHIN' to
+ celebrate.&rdquo;
+ </p>
+ <p>
+ On the Hill Boulevard the summer wind stirred the silverleaf poplars. The
+ thick, black shadows along the sidewalks were heavy with the perfume of
+ flowers. Captain Sol, ex-depot master of East Harniss, strolled on in the
+ dark, under the stars, his hands in his pockets, and in his heart
+ happiness complete and absolute.
+ </p>
+ <p>
+ Behind him twinkled the lamp in the window of the Edwards house, so soon
+ to be torn down. Before him, over the barberry hedge, blazed the windows
+ of the mansion the owner of which was responsible for it all. The windows
+ were open, and through them sounded the voices of the mighty Ogden
+ Hapworth Williams and his wife, engaged in a lively altercation. It was an
+ open secret that their married life was anything but peaceful.
+ </p>
+ <p>
+ &ldquo;What are you grumbling about now?&rdquo; demanded 'Williams. &ldquo;Don't I give you
+ more money than&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Nonsense!&rdquo; sneered Mrs. Williams, in scornful derision. &ldquo;Nonsense, I say!
+ Money is all there is to you, Ogden. In other things, the real things of
+ this world, those you can't buy with money, you're a perfect imbecile. You
+ know nothing whatever about them.&rdquo;
+ </p>
+ <p>
+ Captain Sol, alone on the walk by the hedge, glanced in the direction of
+ the shrill voice, then back at the lamp in Olive's window. And he laughed
+ aloud.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Depot Master, by Joseph C. Lincoln
+
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+</pre>
+ </body>
+</html>
diff --git a/2307.txt b/2307.txt
new file mode 100644
index 0000000..1a2f84b
--- /dev/null
+++ b/2307.txt
@@ -0,0 +1,10683 @@
+The Project Gutenberg EBook of The Depot Master, by Joseph C. Lincoln
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Depot Master
+
+Author: Joseph C. Lincoln
+
+Release Date: May 16, 2006 [EBook #2307]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DEPOT MASTER ***
+
+
+
+
+Produced by Donald Lainson
+
+
+
+
+
+THE DEPOT MASTER
+
+By Joseph C. Lincoln
+
+
+
+
+CONTENTS
+
+
+CHAPTER
+
+I.-- AT THE DEPOT
+
+II.-- SUPPLY AND DEMAND
+
+III.-- "STINGY GABE"
+
+IV.-- THE MAJOR
+
+V.-- A BABY AND A ROBBERY
+
+VI.-- AVIATION AND AVARICE
+
+VII.-- CAPTAIN SOL DECIDES TO MOVE
+
+VIII.--THE OBLIGATIONS OF A GENTLEMAN
+
+IX.-- THE WIDOW BASSETT
+
+X.-- CAPTAIN JONADAB GOES
+
+XI.-- THE GREAT METROPOLIS
+
+XII.-- A VISION SENT
+
+XIII.--DUSENBERRY'S BIRTHDAY
+
+XIV.-- EFFIE'S FATE
+
+XV.-- THE "HERO" AND THE COWBOY
+
+XVI.-- THE CRUISE OF THE RED CAR
+
+XVII.--ISSY'S REVENGE
+
+XVIII. THE MOUNTAIN AND MAHOMET
+
+
+
+
+THE DEPOT MASTER
+
+
+
+
+CHAPTER I
+
+AT THE DEPOT
+
+
+Mr. Simeon Phinney emerged from the side door of his residence and
+paused a moment to light his pipe in the lee of the lilac bushes. Mr.
+Phinney was a man of various and sundry occupations, and his sign,
+nailed to the big silver-leaf in the front yard, enumerated a few of
+them. "Carpenter, Well Driver, Building Mover, Cranberry Bogs Seen to
+with Care and Dispatch, etc., etc.," so read the sign. The house was
+situated in "Phinney's Lane," the crooked little byway off "Cross
+Street," between the "Shore Road" at the foot of the slope and the "Hill
+Boulevard"--formerly "Higgins's Roost"--at the top. From the Phinney
+gate the view was extensive and, for the most part, wet. The hill
+descended sharply, past the "Shore Road," over the barren fields and
+knolls covered with bayberry bushes and "poverty grass," to the yellow
+sand of the beach and the gray, weather-beaten fish-houses scattered
+along it. Beyond was the bay, a glimmer in the sunset light.
+
+Mrs. Phinney, in the kitchen, was busy with the supper dishes. Her
+husband, wheezing comfortably at his musical pipe, drew an ancient
+silver watch from his pocket and looked at its dial. Quarter past six.
+Time to be getting down to the depot and the post office. At least a
+dozen male citizens of East Harniss were thinking that very thing at
+that very moment. It was a community habit of long standing to see the
+train come in and go after the mail. The facts that the train bore no
+passengers in whom you were intimately interested, and that you expected
+no mail made little difference. If you were a man of thirty or older,
+you went to the depot or the "club," just as your wife or sisters went
+to the sewing circle, for sociability and mild excitement. If you were
+a single young man you went to the post office for the same reason that
+you attended prayer meeting. If you were a single young lady you went
+to the post office and prayer meeting to furnish a reason for the young
+man.
+
+Mr. Phinney, replacing his watch in his pocket, meandered to the
+sidewalk and looked down the hill and along the length of the "Shore
+Road." Beside the latter highway stood a little house, painted a
+spotless white, its window blinds a vivid green. In that house dwelt,
+and dwelt alone, Captain Solomon Berry, Sim Phinney's particular
+friend. Captain Sol was the East Harniss depot master and, from long
+acquaintance, Mr. Phinney knew that he should be through supper and
+ready to return to the depot, by this time. The pair usually walked
+thither together when the evening meal was over.
+
+But, except for the smoke curling lazily from the kitchen chimney,
+there was no sign of life about the Berry house. Either Captain Sol had
+already gone, or he was not yet ready to go. So Mr. Phinney decided that
+waiting was chancey, and set out alone.
+
+He climbed Cross Street to where the "Hill Boulevard," abiding place of
+East Harniss's summer aristocracy, bisected it, and there, standing on
+the corner, and consciously patronizing the spot where he so stood, was
+Mr. Ogden Hapworth Williams, no less.
+
+Mr. Williams was the village millionaire, patron, and, in a gentlemanly
+way, "boomer." His estate on the Boulevard was the finest in the county,
+and he, more than any one else, was responsible for the "buying up"
+by wealthy people from the city of the town's best building sites, the
+spots commanding "fine marine sea views," to quote from Abner Payne,
+local real estate and insurance agent. His own estate was fine enough to
+be talked about from one end of the Cape to the other and he had bought
+the empty lot opposite and made it into a miniature park, with flower
+beds and gravel walks, though no one but he or his might pick the
+flowers or tread the walks. He had brought on a wealthy friend from New
+York and a cousin from Chicago, and they, too, had bought acres on the
+Boulevard and erected palatial "cottages" where once were the houses of
+country people. Local cynics suggested that the sign on the East Harniss
+railroad station should be changed to read "Williamsburg." "He owns the
+place, body and soul," said they.
+
+As Sim Phinney climbed the hill the magnate, pompous, portly, and
+imposing, held up a signaling finger. "Just as if he was hailin' a horse
+car," described Simeon afterward.
+
+"Phinney," he said, "come here, I want to speak to you."
+
+The man of many trades obediently approached.
+
+"Good evenin', Mr. Williams," he ventured.
+
+"Phinney," went on the great man briskly, "I want you to give me your
+figures on a house moving deal. I have bought a house on the Shore Road,
+the one that used to belong to the--er--Smalleys, I believe."
+
+Simeon was surprised. "What, the old Smalley house?" he exclaimed. "You
+don't tell me!"
+
+"Yes, it's a fine specimen--so my wife says--of the pure Colonial,
+whatever that is, and I intend moving it to the Boulevard. I want your
+figures for the job."
+
+The building mover looked puzzled. "To the Boulevard?" he said. "Why, I
+didn't know there was a vacant lot on the Boulevard, Mr. Williams."
+
+"There isn't now, but there will be soon. I have got hold of the hundred
+feet left from the old Seabury estate."
+
+Mr. Phinney drew a long breath. "Why!" he stammered, "that's where Olive
+Edwards--her that was Olive Seabury--lives, ain't it?"
+
+"Yes," was the rather impatient answer. "She has been living there. But
+the place was mortgaged up to the handle and--ahem--the mortgage is mine
+now."
+
+For an instant Simeon did not reply. He was gazing, not up the Boulevard
+in the direction of the "Seabury place" but across the slope of the
+hill toward the home of Captain Sol Berry, the depot master. There was a
+troubled look on his face.
+
+"Well?" inquired Williams briskly, "when can you give me the figures?
+They must be low, mind. No country skin games, you understand."
+
+"Hey?" Phinney came out of his momentary trance. "Yes, yes, Mr.
+Williams. They'll be low enough. Times is kind of dull now and I'd
+like a movin' job first-rate. I'll give 'em to you to-morrer. But--but
+Olive'll have to move, won't she? And where's she goin'?"
+
+"She'll have to move, sure. And the eyesore on that lot now will come
+down."
+
+The "eyesore" was the four room building, combined dwelling and shop of
+Mrs. Olive Edwards, widow of "Bill Edwards," once a promising young man,
+later town drunkard and ne'er-do-well, dead these five years, luckily
+for himself and luckier--in a way--for the wife who had stuck by him
+while he wasted her inheritance in a losing battle with John Barleycorn.
+At his death the fine old Seabury place had dwindled to a lone hundred
+feet of land, the little house, and a mortgage on both. Olive had opened
+a "notion store" in her front parlor and had fought on, proudly refusing
+aid and trying to earn a living. She had failed. Again Phinney stared
+thoughtfully at the distant house of Captain Sol.
+
+"But Olive," he said, slowly. "She ain't got no folks, has she? What'll
+become of her? Where'll she move to?"
+
+"That," said Mr. Williams, with a wave of a fat hand, "is not my
+business. I am sorry for her, if she's hard up. But I can't be
+responsible if men will drink up their wives' money. Look out for number
+one; that's business. I sha'n't be unreasonable with her. She can stay
+where she is until the new house I've bought is moved to that lot. Then
+she must clear out. I've told her that. She knows all about it. Well,
+good-by, Phinney. I shall expect your bid to-morrow. And, mind, don't
+try to get the best of me, because you can't do it."
+
+He turned and strutted back up the Boulevard. Sim Phinney, pondering
+deeply and very grave, continued on his way, down Cross Street
+to Main--naming the village roads was another of the Williams'
+"improvements"--and along that to the crossing, East Harniss's business
+and social center at train times.
+
+The station--everyone called it "deepo," of course--was then a small red
+building, old and out of date, but scrupulously neat because of Captain
+Berry's rigid surveillance. Close beside it was the "Boston Grocery,
+Dry Goods and General Store," Mr. Beriah Higgins, proprietor. Beriah
+was postmaster and the post office was in his store. The male citizen
+of middle age or over, seeking opportunity for companionship and chat,
+usually went first to the depot, sat about in the waiting room until the
+train came in, superintended that function, then sojourned to the post
+office until the mail was sorted, returning later, if he happened to be
+a particular friend of the depot master, to sit and smoke and yarn until
+Captain Sol announced that it was time to "turn in."
+
+When Mr. Phinney entered the little waiting room he found it already
+tenanted. Captain Sol had not yet arrived, but official authority was
+represented by "Issy" McKay--his full name was Issachar Ulysses Grant
+McKay--a long-legged, freckled-faced, tow-headed youth of twenty, who,
+as usual, was sprawled along the settee by the wall, engrossed in
+a paper covered dime novel. "Issy" was a lover of certain kinds of
+literature and reveled in lurid fiction. As a youngster he had, at
+the age of thirteen, after a course of reading in the "Deadwood Dick
+Library," started on a pedestrian journey to the Far West, where,
+being armed with home-made tomahawk and scalping knife, he contemplated
+extermination of the noble red man. A wrathful pursuing parent had
+collared the exterminator at the Bayport station, to the huge delight of
+East Harniss, young and old. Since this adventure Issy had been famous,
+in a way.
+
+He was Captain Sol Berry's assistant at the depot. Why an assistant
+was needed was a much discussed question. Why Captain Sol, a retired
+seafaring man with money in the bank, should care to be depot master
+at ten dollars a week was another. The Captain himself said he took the
+place because he wanted to do something that was "half way between a
+loaf and a job." He employed an assistant at his own expense because
+he "might want to stretch the loafin' half." And he hired Issy
+because--well, because "most folks in East Harniss are alike and you can
+always tell about what they'll say or do. Now Issy's different. The Lord
+only knows what HE'S likely to do, and that makes him interestin' as a
+conundrum, to guess at. He kind of keeps my sense of responsibility from
+gettin' mossy, Issy does."
+
+"Issy," hailed Mr. Phinney, "has the Cap'n got here yet?"
+
+Issy answered not. The villainous floorwalker had just proffered
+matrimony or summary discharge to "Flora, the Beautiful Shop Girl," and
+pending her answer, the McKay mind had no room for trifles.
+
+"Issy!" shouted Simeon. "I say, Is', Wake up, you foolhead! Has Cap'n
+Sol--"
+
+"No, he ain't, Sim," volunteered Ed Crocker. He and his chum, Cornelius
+Rowe, were seated in two of the waiting room chairs, their feet on two
+others. "He ain't got here yet. We was just talkin' about him. You've
+heard about Olive Edwards, I s'pose likely, ain't you?"
+
+Phinney nodded gloomily.
+
+"Yes," he said, "I've heard."
+
+"Well, it's too bad," continued Crocker. "But, after all, it's Olive's
+own fault. She'd ought to have married Sol Berry when she had the
+chance. What she ever gave him the go-by for, after the years they was
+keepin' comp'ny, is more'n I can understand."
+
+Cornelius Rowe shook his head, with an air of wisdom. Captain Sol,
+himself, remarked once: "I wonder sometimes the Almighty ain't jealous
+of Cornelius, he knows so much and is so responsible for the runnin' of
+all creation."
+
+"Humph!" grunted Mr. Rowe. "There's more to that business than you folks
+think. Olive didn't notice Bill Edwards till Sol went off to sea and
+stayed two years and over. How do you know she shook Sol? You might just
+as well say he shook her. He always was stubborn as an off ox and cranky
+as a windlass. I wonder how he feels now, when she's lost her last red
+and is goin' to be drove out of house and home. And all on account of
+that fool 'mountain and Mahomet' business."
+
+"WHICH?" asked Mr. Crocker.
+
+"Never mind that, Cornelius," put in Phinney, sharply. "Why don't you
+let other folks' affairs alone? That was a secret that Olive told your
+sister and you've got no right to go blabbin'."
+
+"Aw, hush up, Sim! I ain't tellin' no secrets to anybody but Ed here,
+and he ain't lived in East Harniss long or he'd know it already. The
+mountain and Mahomet? Why, them was the last words Sol and Olive had.
+'Twas Sol's stubbornness that was most to blame. That was his one bad
+fault. He would have his own way and he wouldn't change. Olive had set
+her heart on goin' to Washin'ton for their weddin' tower. Sol wanted
+to go to Niagara. They argued a long time, and finally Olive says, 'No,
+Solomon, I'm not goin' to give in this time. I have all the others, but
+it's not fair and it's not right, and no married life can be happy where
+one does all the sacrificin'. If you care for me you'll do as I want
+now.'
+
+"And he laughs and says, 'All right, I'll sacrifice after this, but you
+and me must see Niagara.' And she was sot and he was sotter, and at last
+they quarreled. He marches out of the door and says: 'Very good. When
+you're ready to be sensible and change your mind, you can come to me.
+And says Olive, pretty white but firm: 'No, Solomon, I'm right and
+you're not. I'm afraid this time the mountain must come to Mahomet.'
+That ended it. He went away and never come back, and after a long spell
+she give in to her dad and married Bill Edwards. Foolish? 'Well, now,
+WA'N'T it!"
+
+"Humph!" grunted Crocker. "She must have been a born gump to let a smart
+man like him get away just for that."
+
+"There's a good many born gumps not so far from here as her house,"
+interjected Phinney. "You remember that next time you look in the glass,
+Ed Crocker. And--and--well, there's no better friend of Sol Berry's on
+earth than I am, but, so fur as their quarrel was concerned, if you ask
+me I'd have to say Olive was pretty nigh right."
+
+"Maybe--maybe," declared the allwise Cornelius, "but just the same if I
+was Sol Berry, and knew my old girl was likely to go to the poorhouse,
+I'll bet my conscience--"
+
+"S-ssh!" hissed Crocker, frantically. Cornelius stopped in the middle
+of his sentence, whirled in his chair, and looked up. Behind him in the
+doorway of the station stood Captain Sol himself. The blue cap he always
+wore was set back on his head, a cigar tipped upward from the corner
+of his mouth, and there was a grim look in his eye and about the smooth
+shaven lips above the short, grayish-brown beard.
+
+"Issy" sprang from his settee and jammed the paper novel into his
+pocket. Ed Crocker's sunburned face turned redder yet. Sim Phinney
+grinned at Mr. Rowe, who was very much embarrassed.
+
+"Er--er--evenin', Cap'n Sol," he stammered. "Nice, seasonable weather,
+ain't it? Been a nice day."
+
+"Um," grunted the depot master, knocking the ashes from his cigar.
+
+"Just right for workin' outdoor," continued Cornelius.
+
+"I guess it must be. I saw your wife rakin' the yard this mornin'."
+
+Phinney doubled up with a chuckle. Mr. Rowe swallowed hard. "I--I TOLD
+her I'd rake it myself soon's I got time," he sputtered.
+
+"Um. Well, I s'pose she realized your time was precious. Evenin', Sim,
+glad to see you."
+
+He held out his hand and Phinney grasped it.
+
+"Issy," said Captain Sol, "you'd better get busy with the broom, hadn't
+you. It's standin' over in that corner and I wouldn't wonder if it
+needed exercise. Sim, the train ain't due for twenty minutes yet. That
+gives us at least three quarters of an hour afore it gets here. Come
+outside a spell. I want to talk to you."
+
+He led the way to the platform, around the corner of the station, and
+seated himself on the baggage truck. That side of the building, being
+furthest from the street, was out of view from the post office and
+"general store."
+
+"What was it you wanted to talk about, Sol?" asked Simeon, sitting down
+beside his friend on the truck.
+
+The Captain smoked in silence for a moment. Then he asked a question in
+return.
+
+"Sim," he said, "have you heard anything about Williams buying the
+Smalley house? Is it true?"
+
+Phinney nodded. "Yup," he answered, "it's true. Williams was just
+talkin' to me and I know all about his buyin' it and where it's goin'."
+
+He repeated the conversation with the great man. Captain Sol did
+not interrupt. He smoked on, and a frown gathered and deepened as he
+listened.
+
+"Humph!" he said, when his friend had concluded. "Humph! Sim, do you
+have any idea what--what Olive Seabury will do when she has to go?"
+
+Phinney glanced at him. It was the first time in twenty years that he
+had heard Solomon Berry mention the name of his former sweetheart. And
+even now he did not call her by her married name, the name of her late
+husband.
+
+"No," replied Simeon. "No, Sol, I ain't got the least idea. Poor thing!"
+
+Another interval. Then: "Well, Sim, find out if you can, and let me
+know. And," turning his head and speaking quietly but firmly, "don't let
+anybody ELSE know I asked."
+
+"Course I won't, Sol, you know that. But don't it seem awful mean
+turnin' her out so? I wouldn't think Mr. Williams would do such a
+thing."
+
+His companion smiled grimly; "I would," he said. "'Business is
+business,' that's his motto. That and 'Look out for number one.'"
+
+"Yes, he said somethin' to me about lookin' out for number one."
+
+"Did he? Humph!" The Captain's smile lost a little of its bitterness
+and broadened. He seemed to be thinking and to find amusement in the
+process.
+
+"What you grinnin' at?" demanded Phinney.
+
+"Oh, I was just rememberin' how he looked out for number one the
+first--no, the second time I met him. I don't believe he's forgot it.
+Maybe that's why he ain't quite so high and mighty to me as he is to the
+rest of you fellers. Ha! ha! He tried to patronize me when I first came
+back here and took this depot and I just smiled and asked him what the
+market price of johnny-cake was these days. He got red clear up to the
+brim of his tall hat. Humph! 'TWAS funny."
+
+"The market price of JOHNNY-CAKE! He must have thought you was loony."
+
+"No. I'm the last man he'd think was loony. You see I met him a fore he
+came here to live at all."
+
+"You did? Where?"
+
+"Oh, over to Wellmouth. 'Twas the year afore I come back to East
+Harniss, myself, after my long stretch away from it. I never intended to
+see the Cape again, but I couldn't stay away somehow. I've told you
+that much--how I went over to Wellmouth and boarded a spell, got sick
+of that, and, just to be doin' somethin' and not for the money, bought
+a catboat and took out sailin' parties from Wixon and Wingate's summer
+hotel."
+
+"And you met Mr. Williams? Well, I snum! Was he at the hotel?"
+
+"No, not exactly. I met him sort of casual this second time."
+
+"SECOND time? Had you met him afore that?"
+
+"Don't get ahead of the yarn, Sim. It happened this way: You see, I was
+comin' along the road between East Wellmouth and the Center when I run
+afoul of him. He was fat and shiny, and drivin' a skittish horse hitched
+to a fancy buggy. When he sighted me he hove to and hailed.
+
+"'Here you!' says he, in a voice as fat as the rest of him. 'Your name's
+Berry, ain't it.'
+
+"'Yup,' says I.
+
+"'Methusalum Berry or Jehoshaphat Berry or Sheba Berry, or somethin'
+like that? Hey?' he says.
+
+"'Well,' says I, 'the last shot you fired comes nighest the bull's eye.
+They christened me Solomon, but 'twa'n't my fault; I was young at the
+time and they took advantage.'
+
+"He grinned a kind of lopsided grin, like he had a lemon in his mouth,
+and commenced to cuss the horse for tryin' to climb a pine tree.
+
+"'I knew 'twas some Bible outrage or other,' he says. 'There's more
+Bible names in this forsaken sand heap than there is Christians, a good
+sight. When I meet a man with a Bible name and chin whiskers I hang on
+to my watch. The feller that sets out to do me has got to have a better
+make up than that, you bet your life. 'Well, see here, King Sol; can you
+run a gasoline launch?'
+
+"'Why, yes, I guess I can run 'most any of the everyday kinds,' says
+I, pullin' thoughtful at my own chin whiskers. This fat man had got me
+interested. He was so polite and folksy in his remarks. Didn't seem to
+stand on no ceremony, as you might say. Likewise there was a kind of
+familiar somethin' about his face. I knew mighty well I'd never met him
+afore, and yet I seemed to have a floatin' memory of him, same as a chap
+remembers the taste of the senna and salts his ma made him take when he
+was little.
+
+"'All right,' says he, sharp. 'Then you come around to my landin'
+to-morrer mornin' at eight o'clock prompt and take me out in my launch
+to the cod-fishin' grounds. I'll give you ten dollars to take me out
+there and back.'
+
+"'Well,' says I, 'ten dollars is a good price enough. Do I furnish--'
+
+"'You furnish nothin' except your grub,' he interrupts. 'The launch'll
+be ready and the lines and hooks and bait'll be ready. My own man was to
+do the job, but he and I had a heart-to-heart talk just now and I told
+him where he could go and go quick. No smart Alec gets the best of me,
+even if he has got a month's contract. You run that launch and put me on
+the fishin' grounds. I pay you for that and bringin' me back again. And
+I furnish my own extras and you can furnish yours. I don't want any of
+your Yankee bargainin'. See?'
+
+"I saw. There wa'n't no real reason why I couldn't take the job. 'Twas
+well along into September; the hotel was closed for the season; and
+about all I had on my hands just then was time.
+
+"'All right,' says I, 'it's a deal. If you'll guarantee to have your
+launch ready, I--'
+
+"'That's my business,' he says. 'It'll be ready. If it ain't you'll get
+your pay just the same. To-morrer mornin' at eight o'clock. And don't
+you forget and be late. Gid-dap, you blackguard!' says he to the horse.
+
+"'Hold on, just a minute,' I hollers, runnin' after him. 'I don't want
+to be curious nor nosey, you understand, but seems 's if it might help
+me to be on time if I knew where your launch was goin' to be and what
+your name was.'
+
+"He pulled up then. 'Humph!' he says, 'if you don't know my name and
+more about my private affairs than I do myself, you're the only one in
+this county that don't. My name's Williams, and I live in what you folks
+call the Lathrop place over here toward Trumet. The launch is at my
+landin' down in front of the house.'
+
+"He drove off then and I walked along thinkin'. I knew who he was
+now, of course. There was consider'ble talk when the Lathrop place was
+rented, and I gathered that the feller who hired it answered to the hail
+of Williams and was a retired banker, sufferin' from an enlarged income
+and the diseases that go along with it. He lived alone up there in the
+big house, except for a cranky housekeeper and two or three servants.
+This was afore he got married, Sim; his wife's tamed him a little. Then
+the yarns about his temper and language would have filled a log book.
+
+"But all this was way to one side of the mark-buoy, so fur as I was
+concerned. I'd cruised with cranks afore and I thought I could stand
+this one--ten dollars' worth of him, anyhow. Bluster and big talk may
+scare some folks, but to me they're like Aunt Hepsy Parker's false
+teeth, the further off you be from 'em the more real they look. So the
+next mornin' I was up bright and early and on my way over to the Lathrop
+landin'.
+
+"The launch was there, made fast alongside the little wharf. Nice,
+slick-lookin' craft she was, too, all varnish and gilt gorgeousness. I'd
+liked her better if she'd carried a sail, for it's my experience that
+canvas is a handy thing to have aboard in case of need; but she looked
+seaworthy enough and built for speed.
+
+"While I was standin' on the pier lookin' down at her I heard footsteps
+and brisk remarks from behind the bushes on the bank, and here comes
+Williams, puffin' and blowin', followed by a sulky-lookin' hired man
+totin' a deckload of sweaters and ileskins, with a lunch basket on top.
+Williams himself wan't carryin' anything but his temper, but he hadn't
+forgot none of that.
+
+"'Hello, Berry,' says he to me. 'You are on time, ain't you. Blessed if
+it ain't a comfort to find somebody who'll do what I tell 'em. Now you,'
+he says to the servant, 'put them things aboard and clear out as quick
+as you've a mind to. You and I are through; understand? Don't let me
+find you hangin' around the place when I get back. Cast off, Sol.'
+
+"The man dumped the dunnage into the launch, pretty average ugly, and me
+and the boss climbed aboard. I cast off.
+
+"'Mr. Williams,' says the man, kind of pleadin', 'ain't you goin' to pay
+me the rest of my month's wages?'
+
+"Williams told him he wa'n't, and added trimmin's to make it emphatic.
+
+"I started the engine and we moved out at a good clip. All at once that
+hired man runs to the end of the wharf and calls after us.
+
+"'All right for you, you fat-head!' he yells. 'You'll be sorry for what
+you done to me.'
+
+"I cal'late the boss would have liked to go back and lick him, but I
+was hired to go a-fishin', not to watch a one-sided prize fight, and I
+thought 'twas high time we started.
+
+"The name of that launch was the Shootin' Star, and she certainly
+lived up to it. 'Twas one of them slick, greasy days, with no sea worth
+mentionin' and we biled along fine. We had to, because the cod ledge is
+a good many mile away, 'round Sandy P'int out to sea, and, judgin' by
+what I'd seen of Fatty so fur, I wa'n't hankerin' to spend more time
+with him than was necessary. More'n that, there was fog signs showin'.
+
+"'When was you figgerin' on gettin' back, Mr. Williams?' I asked him.
+
+"'When I've caught as many fish as I want to,' he says. 'I told that
+housekeeper of mine that I'd be back when I got good and ready; it might
+be to-night and it might be ten days from now. "If I ain't back in a
+week you can hunt me up," I told her; "but not before. And that goes."
+I've got HER trained all right. She knows me. It's a pity if a man can't
+be independent of females.'
+
+"I knew consider'ble many men that was subjects for pity, 'cordin' to
+that rule. But I wa'n't in for no week's cruise, and I told him so. He
+said of course not; we'd be home that evenin'.
+
+"The Shootin' Star kept slippin' along. 'Twas a beautiful mornin' and,
+after a spell, it had its effect, even on a crippled disposition like
+that banker man's. He lit up a cigar and begun to get more sociable, in
+his way. Commenced to ask me questions about myself.
+
+"By and by he says: 'Berry, I suppose you figger that it's a smart thing
+to get ten dollars out of me for a trip like this, hey?'
+
+"'Not if it's to last a week, I don't,' says I.
+
+"'It's your lookout if it does,' he says prompt. 'You get ten for takin'
+me out and back. If you ain't back on time 'tain't my fault.'
+
+"'Unless this craft breaks down,' I says.
+
+"''Twon't break down. I looked after that. My motto is to look out for
+number one every time, and it's a mighty good motto. At any rate, it's
+made my money for me.'
+
+"He went on, preachin' about business shrewdness and how it paid, and
+how mean and tricky in little deals we Rubes was, and yet we didn't
+appreciate how to manage big things, till I got kind of sick of it.
+
+"'Look here, Mr. Williams,' says I, 'you know how I make my money--what
+little I do make--or you say you do. Now, if it ain't a sassy question,
+how did you make yours?'
+
+"Well, he made his by bein' shrewd and careful and always lookin' out
+for number one. 'Number one' was his hobby. I gathered that the heft of
+his spare change had come from dickers in stocks and bonds.
+
+"'Humph!' says I. 'Well, speakin' of tricks and meanness, I've allers
+heard tell that there was some of them things hitched to the tail of
+the stock market. What makes the stock market price of--well, of wheat,
+we'll say?'
+
+"That was regulated, so he said, by the law of supply and demand. If a
+feller had all the wheat there was and another chap had to have some or
+starve, why, the first one had a right to gouge t'other chap's last cent
+away from him afore he let it go.
+
+"'That's legitimate,' he says. 'That's cornerin' the market. Law of
+supply and demand exemplified.'
+
+"''Cordin' to that law,' says I, 'when you was so set on fishin' to-day
+and hunted me up to run your boat here--'cause I was about the only chap
+who could run it and wa'n't otherwise busy--I'd ought to have charged
+you twenty dollars instead of ten.'
+
+"'Sure you had,' he says, grinnin'. 'But you weren't shrewd enough to
+grasp the situation and do it. Now the deal's closed and it's too late.'
+
+"He went on talkin' about 'pools' and deals' and such. How prices of
+this stock and that was shoved up a-purpose till a lot of folks had
+put their money in it and then was smashed flat so's all hands but the
+'poolers' would be what he called 'squeezed out,' and the gang would get
+their cash. That was legitimate, too--'high finance,' he said.
+
+"'But how about the poor folks that had their savin's in them stocks,'
+I asks, 'and don't know high financin'? Where's the law of supply and
+demand come in for them?'
+
+"He laughed. 'They supply the suckers and the demand for money,' says
+he.
+
+"By eleven we was well out toward the fishin' grounds. 'Twas the bad
+season now; the big fish had struck off still further and there wa'n't
+another boat in sight. The land was just a yeller and green smooch along
+the sky line and the waves was runnin' bigger. The Shootin' Star was
+seaworthy, though, and I wa'n't worried about her. The only thing that
+troubled me was the fog, and that was pilin' up to wind'ard. I'd called
+Fatty's attention to it when we fust started, but he said he didn't care
+a red for fog. Well, I didn't much care nuther, for we had a compass
+aboard and the engine was runnin' fine. What wind there was was blowin'
+offshore.
+
+"And then, all to once, the engine STOPPED runnin'. I give the wheel a
+whirl, but she only coughed, consumptive-like, and quit again. I went
+for'ard to inspect, and, if you'll believe it, there wa'n't a drop of
+gasoline left in the tank. The spare cans had ought to have been full,
+and they was--but 'twas water they was filled with.
+
+"'Is THIS the way you have your boat ready for me?' I remarks,
+sarcastic.
+
+"'That--that man of mine told me he had everything filled,' he stammers,
+lookin' scart.
+
+"'Yes,' says I, 'and I heard him hint likewise that he was goin' to make
+you sorry. I guess he's done it.'
+
+"Well, sir! the brimstone names that Fatty called that man was somethin'
+surprisin' to hear. When he'd used up all he had in stock he invented
+new ones. When the praise service was over he turns to me and says: 'But
+what are we goin' to do?'
+
+"'Do?' says I. 'That's easy. We're goin' to drift.'
+
+"And that's what we done. I tried to anchor, but we wa'n't over the
+ledge and the iron wouldn't reach bottom by a mile, more or less. I
+rigged up a sail out of the oar and the canvas spray shield, but there
+wa'n't wind enough to give us steerageway. So we drifted and drifted,
+out to sea. And by and by the fog come down and shut us in, and that
+fixed what little hope I had of bein' seen by the life patrol on shore.
+
+"The breeze died out flat about three o'clock. In one way this was a
+good thing. In another it wa'n't, because we was well out in deep water,
+and when the wind did come it was likely to come harder'n we needed.
+However, there wa'n't nothin' to do but wait and hope for the best, as
+the feller said when his wife's mother was sick.
+
+"It was gettin' pretty well along toward the edge of the evenin' when
+I smelt the wind a-comin'. It came in puffs at fust, and every puff was
+healthier than the one previous. Inside of ten minutes it was blowin'
+hard, and the seas were beginnin' to kick up. I got up my jury rig--the
+oar and the spray shield--and took the helm. There wa'n't nothin' to
+do but run afore it, and the land knows where we would fetch up. At any
+rate, if the compass was right, we was drivin' back into the bay again,
+for the wind had hauled clear around.
+
+"The Shootin' Star jumped and sloshed. Fatty had on all the ileskins and
+sweaters, but he was shakin' like a custard pie.
+
+"'Oh, oh, heavens!' he chatters. 'What will we do? Will we drown?'
+
+"'Don't know,' says I, tuggin' at the wheel and tryin' to sight the
+compass. 'You've got the best chance of the two of us, if it's true that
+fat floats.'
+
+"I thought that might cheer him up some, but it didn't. A big wave
+heeled us over then and a keg or two of salt water poured over the
+gunwale. He give a yell and jumped up.
+
+"'My Lord!' he screams. 'We're sinkin'. Help! help!'
+
+"'Set down!' I roared. 'Thought you knew how to act in a boat. Set down!
+d'you hear me? SET DOWN AND SET STILL!'
+
+"He set. Likewise he shivered and groaned. It got darker all the time
+and the wind freshened every minute. I expected to see that jury mast go
+by the board at any time. Lucky for us it held.
+
+"No use tellin' about the next couple of hours. 'Cordin' to my reckonin'
+they was years and we'd ought to have sailed plumb through the broadside
+of the Cape, and be makin' a quick run for Africy. But at last we got
+into smoother water, and then, right acrost our bows, showed up a white
+strip. The fog had pretty well blowed clear and I could see it.
+
+"'Land, ho!' I yells. 'Stand by! WE'RE goin' to bump.'"
+
+Captain Sol stopped short and listened. Mr. Phinney grasped his arm.
+
+"For the dear land sakes, Sol," he exclaimed, "don't leave me hangin' in
+them breakers no longer'n you can help! Heave ahead! DID you bump?"
+
+The depot master chuckled.
+
+"DID we?" he repeated. "Well, I'll tell you that by and by. Here comes
+the train and I better take charge of the ship. Anything so responsible
+as seein' the cars come in without me to help would give Issy the
+jumpin' heart disease."
+
+He sprang from the truck and hastened toward the door of the station.
+Phinney, rising to follow him, saw, over the dark green of the swamp
+cedars at the head of the track, an advancing column of smoke. A whistle
+sounded. The train was coming in.
+
+
+
+
+CHAPTER II
+
+SUPPLY AND DEMAND
+
+
+And now life in East Harniss became temporarily fevered. Issy McKay
+dashed out of the station and rushed importantly up and down the
+platform. Ed Crocker and Cornelius Rowe emerged and draped themselves
+in statuesque attitudes against the side of the building. Obed Gott came
+hurrying from his paint and oil shop, which was next to the "general
+store." Mr. Higgins, proprietor of the latter, sauntered easily across
+to receive, in his official capacity as postmaster, the mail bag. Ten or
+more citizens, of both sexes, and of various ages, gathered in groups to
+inspect and supervise.
+
+The locomotive pulled its string of cars, a "baggage," a "smoker,"
+and two "passengers," alongside the platform. The sliding door of the
+baggage car was pushed back and the baggage master appeared in the
+opening. "Hi! Cap'n!" he shouted. "Hi, Cap'n Sol! Here's some express
+for you."
+
+But unfortunately the Captain was in conversation with the conductor at
+the other end of the train. Issy, willing and officious, sprang forward.
+"I'll take it, Bill," he volunteered. "Here, give it to me."
+
+The baggage master handed down the package, a good sized one marked
+"Glass. With Care." Issy received it, clutched it to his bosom, turned
+and saw Gertie Higgins, pretty daughter of Beriah Higgins, stepping from
+the first car to the platform. Gertie had been staying with an aunt in
+Trumet and was now returning home for a day or two.
+
+Issy stopped short and gazed at her. He saw her meet and kiss her
+father, and the sight roused turbulent emotions in his bosom. He saw her
+nod and smile at acquaintances whom she passed. She approached, noticed
+him, and--oh, rapture!--said laughingly, "Hello, Is." Before he could
+recover his senses and remember to do more than grin she had disappeared
+around the corner of the station. Therefore he did not see the young man
+who stepped forward to shake her hand and whisper in her ear. This young
+man was Sam Bartlett, and, as a "city dude," Issy loathed and hated him.
+
+No, Issy did not see the hurried and brief meeting between Bartlett and
+Gertie Higgins, but he had seen enough to cause forgetfulness of mundane
+things. For an instant he stared after the vanished vision. Then he
+stepped blindly forward, tripped over something--"his off hind leg," so
+Captain Sol afterwards vowed--and fell sprawling, the express package
+beneath him.
+
+The crash of glass reached the ears of the depot master. He broke away
+from the conductor and ran toward his prostrate "assistant." Pushing
+aside the delighted and uproarious bystanders, he forcibly helped the
+young man to rise.
+
+"What in time?" he demanded.
+
+Issy agonizingly held the package to his ear and shook it.
+
+"I--I'm afraid somethin's cracked," he faltered.
+
+The crowd set up a whoop. Ed Crocker appeared to be in danger of
+strangling.
+
+"Cracked!" repeated Captain Sol. "Cracked!" he smiled, in spite of
+himself. "Yes, somethin's cracked. It's that head of yours, Issy. Here,
+let's see!"
+
+He snatched the package from the McKay hands and inspected it.
+
+"Smashed to thunder!" he declared. "Who's the lucky one it belongs to?
+Humph!" He read the inscription aloud, "Major Cuthbertson S. Hardee. The
+Major, hey! . . . Well, Is, you take the remains inside and you and I'll
+hold services over it later."
+
+"I--I didn't go to do it," protested the frightened Issy.
+
+"Course you didn't. If you had you wouldn't. You're like the feller
+in Scriptur', you leave undone the things you ought to do and do them
+that--All right, Jim! Let her go! Cast off!"
+
+The conductor waved his hand, the engine puffed, the bell rang, and
+the train moved onward. For another twelve hours East Harniss was left
+marooned by the outside world.
+
+Beriah Higgins and the mail bag were already in the post office. Thither
+went the crowd to await the sorting and ultimate distribution. A short,
+fat little man lingered and, walking up to the depot master, extended
+his hand.
+
+"Hello, Sol!" he said, smiling. "Thought I'd stop long enough to say
+'Howdy,' anyhow."
+
+"Why, Bailey Stitt!" cried the Captain. "How are you? Glad to see you.
+Thought you was down to South Orham, takin' out seasick parties for the
+Ocean House, same kind of a job I used to have in Wellmouth."
+
+"I am," replied Captain Stitt. "That is, I was. Just now I've run over
+here to see about contractin' for a supply of clams and quahaugs for our
+boarders. You never see such a gang to eat as them summer folks, in your
+life. Barzilla Wingate, he says the same about his crowd. He's comin' on
+the mornin' train from Wellmouth."
+
+"You don't tell me. I ain't seen Barzilla for a long spell. Where you
+stoppin'? Come up to the house, won't you?"
+
+"Can't. I'm goin' to put up over to Obed Gott's. His sister, Polena
+Ginn, is a relation of mine by marriage. So long! Obed's gone on ahead
+to tell Polena to put the kettle on. Maybe Obed and I'll be back again
+after I've had supper."
+
+"Do. I'll be round here for two or three hours yet."
+
+He entered the depot. Except the forlorn Issy, who sat in a corner,
+holding the express package in his lap, Simeon Phinney was the only
+person in the waiting room.
+
+"Come on now, Sol!" pleaded Sim. "I want to hear the rest of that about
+you and Williams. You left off in the most ticklish place possible,
+out of spite, I do believe. I'm hangin' on to that boat in the breakers
+until I declare I believe I'm catchin' cold just from imagination."
+
+"Wait a minute, Sim," said the depot master. Then he turned to his
+assistant.
+
+"Issy," he said, "this is about the nineteenth time you've done just
+this sort of thing. You're no earthly use and I ought to give you your
+clearance papers. But I can't, you're too--well--ornamental. You've
+got to be punished somehow and I guess the best way will be to send you
+right up to Major Hardee's and let you give him the remnants. He'll
+want to know how it happened, and you tell him the truth. The TRUTH,
+understand? If you invent any fairy tales out of those novels of yours
+I'll know it by and by and--well, YOU'LL know I know. No remarks,
+please. Git!"
+
+Issy hesitated, seemed about to speak, thought better of it, took up
+package and cap, and "got."
+
+"Let's see," said the Captain, sitting down in one of the station chairs
+and lighting a fresh cigar; "where was Williams and I in that yarn of
+mine? Oh, yes, I could see land and cal'lated we was goin' to bump.
+Well, we did. Steerin' anyways but dead ahead was out of the question,
+and all I could do was set my teeth and trust in my bein' a member
+of the church. The Shootin' Star hit that beach like she was the real
+article. Overboard went oar and canvas and grub pails, and everything
+else that wa'n't nailed down, includin' Fatty and me. I grabbed him by
+the collar and wallowed ashore.
+
+"'Awk! hawk!' he gasps, chokin', 'I'm drownded.'
+
+"I let him BE drownded, for the minute. I had the launch to think of,
+and somehow or 'nother I got hold of her rodin' and hauled the anchor up
+above tide mark. Then I attended to my passenger.
+
+"'Where are we?' he asks.
+
+"I looked around. Close by was nothin' but beach-grass and seaweed and
+sand. A little ways off was a clump of scrub pines and bayberry bushes
+that looked sort of familiar. And back of them was a little board shanty
+that looked more familiar still. I rubbed the salt out of my eyes.
+
+"'WELL!' says I. 'I swan to man!'
+
+"'What is it?' he says. 'Do you know where we are? Whose house is that?'
+
+"I looked hard at the shanty.
+
+"'Humph!' I grunted. 'I do declare! Talk about a feller's comin' back to
+his own. Whose shanty is that? Well, it's mine, if you want to know.
+The power that looks out for the lame and the lazy has hove us ashore on
+Woodchuck Island, and that's a piece of real estate I own.'
+
+"It sounds crazy enough, that's a fact; but it was true. Woodchuck
+Island is a little mite of a sand heap off in the bay, two mile from
+shore and ten from the nighest town. I'd bought it and put up a shanty
+for a gunnin' shack; took city gunners down there, once in a while,
+the fall before. That summer I'd leased it to a friend of mine, name of
+Darius Baker, who used it while he was lobsterin'. The gale had driven
+us straight in from sea, 'way past Sandy P'int and on to the island.
+'Twas like hittin' a nail head in a board fence, but we'd done it. Shows
+what Providence can do when it sets out.
+
+"I explained some of this to Williams as we waded through the sand to
+the shanty.
+
+"'But is this Baker chap here now?' he asks.
+
+"'I'm afraid not,' says I. 'The lobster season's about over, and he was
+goin' South on a yacht this week. Still, he wa'n't to go till Saturday
+and perhaps--'
+
+"But the shanty was empty when we got there. I fumbled around in the tin
+matchbox and lit the kerosene lamp in the bracket on the wall. Then I
+turned to Williams.
+
+"'Well,' says I, 'we're lucky for once in--'
+
+"Then I stopped. When he went overboard the water had washed off
+his hat. Likewise it had washed off his long black hair--which was a
+wig--and his head was all round and shiny and bald, like a gull's egg
+out in a rain storm."
+
+"I knew he wore a wig," interrupted Phinney.
+
+"Of course you do. Everybody does now. But he wa'n't such a prophet in
+Israel then as he's come to be since, and folks wa'n't acquainted with
+his personal beauties.
+
+"'What are you starin' at?' he asks.
+
+"I fetched a long breath. 'Nothin',' says I. 'Nothin'.'
+
+"But for the rest of that next ha'f hour I went around in a kind of
+daze, as if MY wig had gone and part of my head with it. When a feller
+has been doin' a puzzle it kind of satisfies him to find out the answer.
+And I'd done my puzzle.
+
+"I knew where I'd met Mr. Williams afore."
+
+"You did?" cried Simeon.
+
+"Um-hm. Wait a while. Well, Fatty went to bed, in one of the hay bunks,
+pretty soon after that. He stripped to his underclothes and turned in
+under the patchwork comforters. He was too beat out to want any supper,
+even if there'd been any in sight. I built a fire in the rusty cook
+stove and dried his duds and mine. Then I set down in the busted chair
+and begun to think. After a spell I got up and took account of stock, as
+you might say, of the eatables in the shanty. Darius had carted off his
+own grub and what there was on hand was mine, left over from the gunnin'
+season--a hunk of salt pork in the pickle tub, some corn meal in a tin
+pail, some musty white flour in another pail, a little coffee, a little
+sugar and salt, and a can of condensed milk. I took these things out of
+the locker they was in, looked 'em over, put 'em back again and sprung
+the padlock. Then I put the key into my pocket and went back to my chair
+to do some more thinkin'.
+
+"Next mornin' I was up early and when the banker turned out I was fryin'
+a couple of slices of the pork and had some coffee b'ilin'. Likewise
+there was a pan of johnnycake in the oven. The wind had gone down
+consider'ble, but 'twas foggy and thick again, which was a pleasin'
+state of things for yours truly.
+
+"Williams smelt the cookin' almost afore he got his eyes open.
+
+"'Hurry up with that breakfast,' he says to me. 'I'm hungry as a wolf.'
+
+"I didn't say nothin' then; just went ahead with my cookin'. He got into
+his clothes and went outdoor. Pretty soon he comes back, cussin' the
+weather.
+
+"'See here, Mr. Williams,' says I, 'how about them orders to your
+housekeeper? Are they straight? Won't she have you hunted up for a
+week?'
+
+"He colored pretty red, but from what he said I made out that she
+wouldn't. I gathered that him and the old lady wa'n't real chummy. She
+give him his grub and her services, and he give her the Old Harry and
+her wages. She wouldn't hunt for him, not until she was ordered to.
+She'd be only too glad to have him out of the way.
+
+"'Humph!' says I. 'Then I cal'late we'll enjoy the scenery on this
+garden spot of creation until the week's up.'
+
+"'What do you mean?' says he.
+
+"'Well,' I says, 'the launch is out of commission, unless it should
+rain gasoline, and at this time of year there ain't likely to be a boat
+within hailin' distance of this island; 'specially if the weather holds
+bad.'
+
+"He swore a blue streak, payin' partic'lar attention to the housekeeper
+for her general stupidness and to me because I'd got him, so he said,
+into this scrape. I didn't say nothin'; set the table, with one plate
+and one cup and sasser and knife and fork, hauled up a chair and set
+down to my breakfast. He hauled up a box and set down, too.
+
+"'Pass me that corn bread,' says he. 'And why didn't you fry more pork?'
+
+"He was reachin' out for the johnnycake, but I pulled it out of his way.
+
+"'Wait a minute, Mr. Williams,' says I. 'While you was snoozin' last
+night I made out a kind of manifest of the vittles aboard this shanty.
+'Cordin' to my figgerin' here's scursely enough to last one husky man
+a week, let along two husky ones. I paid consider'ble attention to your
+preachin' yesterday and the text seemed to be to look out for number
+one. Now in this case I'm the one and I've got to look out for myself.
+This is my shanty, my island, and my grub. So please keep your hands off
+that johnnycake.'
+
+"For a minute or so he set still and stared at me. Didn't seem to sense
+the situation, as you might say. Then the red biled up in his face and
+over his bald head like a Fundy tide.
+
+"'Why, you dummed villain!' he shouts. 'Do you mean to starve me?'
+
+"'You won't starve in a week,' says I, helpin' myself to pork. 'A feller
+named Tanner, that I read about years ago, lived for forty days on cold
+water and nothin' else. There's the pump right over in the corner. It's
+my pump, but I'll stretch a p'int and not charge for it this time.'
+
+"'You--you--' he stammers, shakin' all over, he was so mad. 'Didn't I
+hire you--'
+
+"'You hired me to take you out to the fishin' grounds and back, provided
+the launch was made ready by YOU. It wa'n't ready, so THAT contract's
+busted. And you was to furnish your extrys and I was to furnish mine.
+Here they be and I need 'em. It's as legitimate a deal as ever I see;
+perfect case of supply and demand--supply for one and demand for two. As
+I said afore, I'm the one.'
+
+"'By thunder!' he growls, standin' up, 'I'll show you--'
+
+"I stood up, too. He was fat and flabby and I was thin and wiry. We
+looked each other over.
+
+"'I wouldn't,' says I. 'You're under the doctor's care, you know.'
+
+"So he set down again, not havin' strength even to swear, and watched me
+eat my breakfast. And I ate it slow.
+
+"'Say,' he says, finally, 'you think you're mighty smart, don't you.
+Well, I'm It, I guess, for this time. I suppose you'll have no objection
+to SELLIN' me a breakfast?'
+
+"'No--o,' says I, 'not a mite of objection. I'll sell you a couple of
+slices of pork for five dollars a slice and--'
+
+"'FIVE DOLLARS a--!' His mouth dropped open like a main hatch.
+
+"'Sartin,' I says. 'And two slabs of johnnycake at five dollars a slab.
+And a cup of coffee at five dollars a cup. And--'
+
+"'You're crazy!' he sputters, jumpin' up.
+
+"'Not much, I ain't. I've been settin' at your feet larnin' high
+finance, that's all. You don't seem to be onto the real inwardness of
+this deal. I've got the grub market cornered, that's all. The market
+price of necessaries is five dollars each now; it's likely to rise at
+any time, but now it's five.'
+
+"He looked at me steady for at least two more minutes. Then he got up
+and banged out of that shanty. A little later I see him down at the end
+of the sand spit starin' out into the fog; lookin' for a sail, I presume
+likely.
+
+"I finished my breakfast and washed up the dishes. He come in by and by.
+He hadn't had no dinner nor supper, you see, and the salt air gives most
+folks an almighty appetite.
+
+"'Say,' he says, 'I've been thinkin'. It's usual in the stock and
+provision market to deal on a margin. Suppose I pay you a one per cent
+margin now and--'
+
+"'All right,' says I, cheerful. 'Then I'll give you a slip of paper
+sayin' that you've bought such and such slices of pork and hunks of
+johnnycake and I'm carryin' 'em for you on a margin. Of course there
+ain't no delivery of the goods now because--'
+
+"'Humph!' he interrupts, sour. 'You seem to know more'n I thought you
+did. Now are you goin' to be decent and make me a fair price or ain't
+you?'
+
+"'Can't sell under the latest quotations,' says I. 'That's five now; and
+spot cash.'
+
+"'But hang it all!' he says, 'I haven't got money enough with me. Think
+I carry a national bank around in my clothes?'
+
+"'You carry a Wellmouth Bank check book,' says I, 'because I see it in
+your jacket pocket last night when I was dryin' your duds. I'll take a
+check.'
+
+"He started to say somethin' and then stopped. After a spell he seemed
+to give in all to once.
+
+"'Very good,' he says. 'You get my breakfast ready and I'll make out the
+check.'
+
+"That breakfast cost him twenty-five dollars; thirty really, because he
+added another five for an extry cup of coffee. I told him to make the
+check payable to 'Bearer,' as 'twas quicker to write than 'Solomon.'
+
+"He had two more meals that day and at bedtime I had his checks
+amountin' to ninety-five dollars. The fog stayed with us all the time
+and nobody come to pick us up. And the next mornin's outlook was just as
+bad, bein' a drizzlin' rain and a high wind. The mainland beach was in
+sight but that's all except salt water and rain.
+
+"He was surprisin'ly cheerful all that day, eatin' like a horse
+and givin' up his meal checks without a whimper. If things had been
+different from what they was I'd have felt like a mean sneak thief.
+BEIN' as they was, I counted up the hundred and ten I'd made that day
+without a pinch of conscience.
+
+"This was a Wednesday. On Thursday, the third day of our Robinson
+Crusoe business, the weather was still thick, though there was signs of
+clearin'. Fatty come to me after breakfast--which cost him thirty-five,
+payable, as usual, to 'Bearer'--with almost a grin on his big face.
+
+"'Berry,' he says, 'I owe you an apology. I thought you was a green
+Rube, like the rest down here, but you're as sharp as they make 'em. I
+ain't the man to squeal when I get let in on a bad deal, and the chap
+who can work me for a sucker is entitled to all he can make. But this
+pay-as-you-go business is too slow and troublesome. What'll you take for
+the rest of the grub in the locker there, spot cash? Be white, and make
+a fair price.'
+
+"I'd been expectin' somethin' like this, and I was ready for him.
+
+"'Two hundred and sixty-five dollars,' says I, prompt.
+
+"He done a little figgerin'. 'Well, allowin' that I have to put up on
+this heap of desolation for the better part of four days more, that's
+cheap, accordin' to your former rates,' he says. 'I'll go you. But why
+not make it two fifty, even?'
+
+"'Two hundred and sixty-five's my price,' says I. So he handed over
+another 'Bearer' check, and his board bill was paid for a week.
+
+"Friday was a fine day, clear as a bell. Me and Williams had a real
+picnicky, sociable time. Livin' outdoor this way had made him forget his
+diseases and the doctor, and he showed signs of bein' ha'fway decent. We
+loafed around and talked and dug clams to help out the pork--that is, I
+dug 'em and Fatty superintended. We see no less'n three sailin' craft
+go by down the bay and tried our best to signal 'em, but they didn't pay
+attention--thought we was gunners or somethin', I presume likely.
+
+"At breakfast on Saturday, Williams begun to ask questions again.
+
+"'Sol,' says he, 'it surprised me to find that you knew what a "margin"
+was. You didn't get that from anything I said. Where did you get it?'
+
+"I leaned back on my box seat.
+
+"'Mr. Williams,' says I, 'I cal'late I'll tell you a little story, if
+you want to hear it. 'Tain't much of a yarn, as yarns go, but maybe
+it'll interest you. The start of it goes back to consider'ble many year
+ago, when I was poorer'n I be now, and a mighty sight younger. At that
+time me and another feller, a partner of mine, had a fish weir out in
+the bay here. The mackerel struck in and we done well, unusual well.
+At the end of the season, not countin' what we'd spent for livin' and
+expenses, we had a balance owin' us at our fish dealer's up to Boston
+of five hundred dollars--two fifty apiece. My partner was goin' to
+be married in the spring and was cal'latin' to use his share to buy
+furniture for the new house with. So we decided we'd take a trip up
+to Boston and collect the money, stick it into some savin's bank where
+'twould draw interest until spring and then haul it out and use it.
+'Twas about every cent we had in the world.
+
+"'So to Boston we went, collected our money, got the address of a safe
+bank and started out to find it. But on the way my partner's hat blowed
+off and the bank address, which was on a slip of paper inside of it, got
+lost. So we see a sign on a buildin', along with a lot of others, that
+kind of suggested bankin', and so we stepped into the buildin' and went
+upstairs to ask the way again.
+
+"'The place wa'n't very big, but 'twas fixed up fancy and there was a
+kind of blackboard along the end of the room where a boy was markin' up
+figgers in chalk. A nice, smilin' lookin' man met us and, when we told
+him what we wanted, he asked us to set down. Then, afore we knowed it
+almost, we'd told him the whole story--about the five hundred and all.
+The feller said to hold on a spell and he'd go along with us and show us
+where the savin's bank was himself.
+
+"'So we waited and all the time the figgers kept goin' up on the board,
+under signs of "Pork" and "Wheat" and "Cotton" and such, and we'd hear
+how so and so's account was makin' a thousand a day, and the like of
+that. After a while the nice man, who it turned out was one of the
+bosses of the concern, told us what it meant. Seemed there was a big
+"rise" in the market and them that bought now was bound to get rich
+quick. Consequent we said we wished we could buy and get rich, too. And
+the smilin' chap says, "Let's go have some lunch."'
+
+"Williams laughed. 'Ho, ho!' says he. 'Expensive lunch, was it?'
+
+"'Most extravagant meal of vittles ever I got away with,' I says. 'Cost
+me and my partner two hundred and fifty apiece, that lunch did. We
+stayed in Boston two days, and on the afternoon of the second day we
+was on our way back totin' a couple of neat but expensive slips of paper
+signifyin' that we'd bought December and May wheat on a one per cent
+margin. We was a hundred ahead already, 'cordin' to the blackboard, and
+was figgerin' what sort of palaces we'd build when we cashed in.'
+
+"'Ain't no use preachin' a long sermon over the remains. 'Twas a simple
+funeral and nobody sent flowers. Inside of a month we was cleaned
+out and the wheat place had gone out of business--failed, busted, you
+understand. Our fish dealer friend asked some questions, and found out
+the shebang wa'n't a real stock dealer's at all. 'Twas what they call
+a "bucket shop," and we'd bought nothin' but air, and paid a commission
+for buyin' it. And the smilin', nice man that run the swindle had been
+hangin' on the edge of bust for a long while and knowed 'twas comin'.
+Our five hundred had helped pay his way to a healthier climate, that's
+all.'
+
+"'Hold on a minute,' says Fatty, lookin' more interested. 'What was the
+name of the firm that took you greenhorns in?'
+
+"''Twas the Empire Bond, Stock and Grain Exchange,' says I. 'And 'twas
+on Derbyshire Street.'
+
+"He give a little jump. Then he says, slow, Hu-u-m! I--see.'
+
+"'Yes,' says I. 'I thought you would. You had a mustache then and your
+name was diff'rent, but you seemed familiar just the same. When your
+false hair got washed off I knew you right away.'
+
+"He took out his pocket pen and his check book and done a little
+figgerin'.
+
+"'Humph!' he says, again. 'You lost five hundred and I've paid you five
+hundred and five. What's the five for?'
+
+"'That's my commission on the sales,' I says.
+
+"And just then comes a hail from outside the shanty. Out we bolted
+and there was Sam Davis, just steppin' ashore from his power boat.
+Williams's housekeeper had strained a p'int and had shaded her orders by
+a couple of days.
+
+"Williams and Sam started for home right off. I followed in the Shootin'
+Star, havin' borrered gasoline enough for the run. I reached the dock
+ha'f an hour after they did, and there was Fatty waitin' for me.
+
+"'Berry,' says he, 'I've got a word or two to say to you. I ain't
+kickin' at your givin' me tit for tat, or tryin' to. Turn about's fair
+play, if you can call the turn. But it's against my principles to allow
+anybody to beat me on a business deal. Do you suppose,' he says, 'that
+I'd have paid your robber's prices without a word if I hadn't had
+somethin' up my sleeve? Why, man,' says he, 'I gave you my CHECKS, not
+cash. And I've just telephoned to the Wellmouth Bank to stop payment
+on those checks. They're no earthly use to you; see? There's one or two
+things about high finance that you don't know even yet. Ho, ho!'
+
+"And he rocked back and forth on his heels and laughed.
+
+"I held up my hand. 'Wait a jiffy, Mr. Williams,' says I. 'I guess these
+checks are all right. When we fust landed on Woodchuck, I judged by the
+looks of the shanty that Baker hadn't left it for good. I cal'lated
+he'd be back. And sure enough he come back, in his catboat, on Thursday
+evenin', after you'd turned in. Them checks was payable to "Bearer,"
+you remember, so I give 'em to him. He was to cash 'em in the fust thing
+Friday mornin', and I guess you'll find he's done it.'"
+
+"Well, I swan to MAN!" interrupted the astonished and delighted Phinney.
+"So you had him after all! And I was scart you'd lost every cent."
+
+Captain Sol chuckled. "Yes," he went on, "I had him, and his eyes and
+mouth opened together.
+
+"'WHAT?' he bellers. 'Do you mean to say that a boat stopped at that
+dummed island and DIDN'T TAKE US OFF?'
+
+"'Oh,' says I, 'Darius didn't feel called on to take you off, not after
+I told him who you was. You see, Mr. Williams,' I says, 'Darius Baker
+was my partner in that wheat speculation I was tellin' you about.'"
+
+The Captain drew a long breath and re-lit his cigar, which had gone out.
+His friend pounded the settee ecstatically.
+
+"There!" he cried. "I knew the name 'Darius Baker' wa'n't so strange to
+me. When was you and him in partners, Sol?"
+
+"Oh, 'way back in the old days, afore I went to sea at all, and afore
+mother died. You wouldn't remember much about it. Mother and I was
+livin' in Trumet then and our house here was shut up. I was only a kid,
+or not much more, and Williams was young, too."
+
+"And that's the way he made his money! HIM! Why, he's the most respected
+man in this neighborhood, and goes to church, and--"
+
+"Yes. Well, if you make money ENOUGH you can always be respected--by
+some kinds of people--and find some church that'll take you in. Ain't
+that so, Bailey?"
+
+Captain Stitt and his cousin, Obed Gott, the paint dealer, were standing
+in the doorway of the station. They now entered.
+
+"I guess it's so," replied Stitt, pulling up a chair, "though I don't
+know what you was talkin' about. However, it's a pretty average safe bet
+that what you say is so, Sol, 'most any time. What's the special 'so,'
+this time?"
+
+"We was talkin' about Mr. Williams," began Phinney.
+
+"The Grand Panjandrum of East Harniss," broke in the depot master. "East
+Harniss is blessed with a great man, Bailey, and, like consider'ble many
+blessin's he ain't entirely unmixed."
+
+Obed and Simeon looked puzzled, but Captain Stitt bounced in his chair
+like a good-natured rubber ball. "Ho! ho!" he chuckled, "you don't
+surprise me, Sol. We had a great man over to South Orham three years ago
+and he begun by blessin's and ended with--with t'other thing. Ho! ho!"
+
+"What do you mean?" demanded Sim.
+
+"Why, I mean Stingy Gabe. You've heard of Stingy Gabe, ain't you?"
+
+"I guess we've all heard somethin' about him," laughed Captain Sol; "but
+we're willin' to hear more. He was a reformer, wa'n't he?"
+
+"He sartin was! Ho! ho!"
+
+"For the land sakes, tell it, Bailey," demanded Mr. Gott impatiently.
+"Don't sit there bouncin' and gurglin' and gettin' purple in the face.
+Tell it, or you'll bust tryin' to keep it in."
+
+"Oh, it's a great, long--" began Captain Bailey protestingly.
+
+"Go on," urged Phinney. "We've got more time than anything else, the
+most of us. Who was this Stingy Gabe?"
+
+"Yes," urged Gott, "and what did he reform?"
+
+Captain Stitt held up a compelling hand. "It's all of a piece," he
+interrupted. "It takes in everything, like an eatin'-house stew. And,
+as usual in them cases, the feller that ordered it didn't know what was
+comin' to him.
+
+"Stingy Gabe was that feller. His Sunday name was Gabriel Atkinson
+Holway, and his dad used to peddle fish from Orham to Denboro and back.
+The old man was christened Gabriel, likewise. He owed 'most everybody,
+and, besides, was so mean that he kept the scales and trimmin's of the
+fish he sold to make chowder for himself and family. All hands called
+him 'Stingy Gabe,' and the boy inherited the name along with the
+fifteen hundred dollars that the old man left when he died. He cleared
+out--young Gabe did--soon as the will was settled and afore the
+outstandin' debts was, and nobody in this latitude see hide nor hair of
+him till three years ago this comin' spring.
+
+"Then, lo and behold you! he drops off the parlor car at the Orham
+station and cruises down to South Orham, bald-headed and bay-windowed,
+sufferin' from pomp and prosperity. Seems he'd been spendin' his life
+cornerin' copper out West and then copperin' the corners in Wall Street.
+The folks in his State couldn't put him in jail, so they sent him to
+Congress. Now, as the Honorable Atkinson Holway, he'd come back to the
+Cape to rest his wrist, which had writer's cramp from signin' stock
+certificates, and to ease his eyes with a sight of the dear old home of
+his boyhood.
+
+"Bill Nickerson comes postin' down to me with the news.
+
+"'Bailey,' says he, 'what do you think's happened? Stingy Gabe's struck
+the town.'
+
+"'For how much?' I asks, anxious. 'Don't let him have it, whatever
+'tis.'
+
+"Then he went on to explain. Gabe was rich as all get out, and 'twas
+his intention to buy back his old man's house and fix it up for a summer
+home. He was delighted to find how little change there was in South
+Orham.
+
+"'No matter if 'tain't but fifteen cents he'll get it, if the s'lectmen
+don't watch him,' I says; and the bills, too. I know HIS tribe.'
+
+"'You don't understand,' says Nickerson. 'He ain't no thief. He's rich,
+I tell you, and he's cal'latin' to do the town good.'
+
+"'Course he is,' I says. 'It runs in the family. His dad done it good,
+too--good as 'twas ever done, I guess.'
+
+"But next day Gabe himself happens along, and I see right off that I'd
+made a mistake in my reckonin'. The Honorable Atkinson Holway wa'n't
+figgerin' to borrow nothin'. When a chap has been skinnin' halibut,
+minnows are too small for him to bother with. Gabe was full of fried
+clams and philanthropy.
+
+"'By Jove! Stitt,' he says, 'livin' here has been the dream of my life.'
+
+"'You'll be glad to wake up, won't you?' says I. 'I wish I could.'
+
+"'I tell you,' he says, 'this little old village is all right! All it
+needs is a public-spirited resident to help it along. I propose to be
+the P. S. R.'
+
+"And on that program he started right in. Fust off he bought his dad's
+old place, built it over into the eight-sided palace that's there now,
+fetched down a small army of servants skippered by an old housekeeper,
+and commenced to live simple but complicated. Then, havin' provided
+the needful charity for himself, he's ready to scatter manna for the
+starvin' native.
+
+"He had a dozen schemes laid out. One was to build a free but expensive
+library; another was to pave the main road with brick; third was to give
+stained-glass windows and velvet cushions to the meetin' house, so's
+the congregation could sleep comfortable in a subdued light. The
+stained-glass idee put him in close touch with the minister, Reverend
+Edwin Fisher, and the minister suggested the men's club. And he took to
+that men's club scheme like an old maid to strong tea; the rest of the
+improvements went into dry dock to refit while Admiral Gabe got his
+men's club off the ways.
+
+"'Twas the billiard room that made the minister hanker for a men's club.
+That billiard room was the worry of his life. Old man Jotham Gale run
+it and had run it sence the Concord fight, in a way of speakin'. You
+remember his sign, maybe: 'Jotham W. Gale. Billiard, Pool, and Sipio
+Saloon. Cigars and Tobacco. Tonics and Pipes. Minors under Ten Years of
+Age not Admitted.' Jotham's customers was called, by the outsiders, 'the
+billiard-room gang.'
+
+"The billiard room gang wa'n't the best folks in town, I'll own right up
+to that. Still, they wa'n't so turrible wicked. Jotham never sold rum,
+and he'd never allow no rows in his place. But, just the same, his
+saloon was reckoned a bad influence. Young men hadn't ought to go
+there--most of us said that. If there was a nicer place TO go, argues
+the minister, 'twould help the moral tone of the community consider'ble.
+'Why not,' says he to Stingy Gabe, 'start a free club for men that'll
+make the billiard room look like the tail boat in a race?' And says
+Gabe: 'Bully! I'll do it.'"
+
+Captain Stitt paused long enough to enjoy a chuckle all by himself.
+Before he had quite finished his laugh, slow and reluctant steps were
+heard on the back platform and Issy appeared on the threshold. He was
+without the package, but did not look happy.
+
+"Well, Is," inquired the depot master, "did you give the remains to the
+Major?"
+
+"Yes, sir," answered Issy.
+
+"Did you tell him how the shockin' fatality happened? How the thing got
+broken?"
+
+"Yes, sir, I told him."
+
+"What did he say? Didn't let his angry passions rise, did he?"
+
+"No-o; no, sir, he didn't rise nothin'. He didn't get mad neither. But
+you could see he felt pretty bad. Talked about 'old family glass' and
+'priceless airloons' or some such. Said much as he regretted to, he
+should feel it no more'n justice to have somebody pay damages."
+
+"Humph!" Captain Sol looked very grave. "Issy, I can see your finish.
+You'll have to pay for somethin' that's priceless, and how are you goin'
+to do that? 'Old family glass,' hey? Hum! And I thought I saw the label
+of a Boston store on that package."
+
+Obed Gott leaned forward eagerly.
+
+"Is that Major Hardee you're talkin' about?" he asked.
+
+"Yes, sir. He's the only Major we've got. Cap'ns are plenty as June
+bugs, but Majors and Gen'rals are scarce. Why?"
+
+"Oh, nothin'. Only--" Mr. Gott muttered the remainder of the sentence
+under his breath. However, the depot master heard it and his eye
+twinkled.
+
+"You're glad of it!" he exclaimed. "Why, Obed! Major Cuthbertson Scott
+Hardee! I'm surprised. Better not let the women folks hear you say
+that."
+
+"Look here!" cried Captain Stitt, rather tartly, "am I goin' to finish
+that yarn of mine or don't you want to hear it?"
+
+"BEG your pardon, Bailey. Go on. The last thing you said was what Stingy
+Gabe said, and that was--"
+
+
+
+
+CHAPTER III
+
+"STINGY GABE"
+
+
+"And that," said Captain Bailey, mollified by the renewed interest of
+his listeners, "was, 'Bully! I'll do it!'
+
+"So he calls a meetin' of everybody interested, at his new house. About
+every respectable man in town was there, includin' me. Most of the
+billiard-room gang was there, likewise. Jotham, of course, wa'n't
+invited.
+
+"Gabe calls the meetin' to order and the minister makes a speech tellin'
+about the scheme. 'Our generous and public-spirited citizen, Honorable
+Atkinson Holway,' had offered to build a suitable clubhouse, fix it up,
+and donate it to the club, them and their heirs forever, Amen. 'Twas to
+belong to the members to do what they pleased with--no strings tied to
+it at all. Dues would be merely nominal, a dollar a year or some such
+matter. Now, who favored such a club as that?
+
+"Well, 'most everybody did. Daniel Bassett, chronic politician, justice
+of the peace, and head of the 'Conservatives' at town meetin', he made
+a talk, and in comes him and his crew. Gaius Ellis, another chronic, who
+is postmaster and skipper of the 'Progressives,' had been fidgetin'
+in his seat, and now up he bobs and says he's for it; then every
+'Progressive' jines immediate. But the billiard-roomers; they didn't
+jine. They looked sort of sheepish, and set still. When Mr. Fisher begun
+to hint p'inted in their direction, they got up and slid outdoor. And
+right then I'd ought to have smelt trouble, but I didn't; had a cold in
+my head, I guess likely.
+
+"Next thing was to build the new clubhouse, and Gabe went at it hammer
+and tongs. He had a big passel of carpenters down from the city, and
+inside of three months the buildin' was up, and she was a daisy, now I
+tell you. There was a readin' room and a meetin' room and an 'amusement
+room.' The amusements was crokinole and parchesi and checkers and the
+like of that. Also there was a gymnasium and a place where you could
+play the pianner and sing--till the sufferin' got acute and somebody
+come along and abated you.
+
+"When I fust went inside that clubhouse I see 'twas bound to be
+'Good-by, Bill,' for Jotham. His customers would shake his ratty old
+shanty for sartin, soon's they see them elegant new rooms. I swan, if I
+didn't feel sorry for the old reprobate, and, thinks I, I'll drop around
+and sympathize a little. Sympathy don't cost nothin', and Jotham's
+pretty good company.
+
+"I found him settin' alongside the peanut roaster, watchin' a couple of
+patients cruelize the pool table.
+
+"'Hello, Bailey!' says he. 'You surprise me. Ain't you 'fraid of
+catchin' somethin' in this ha'nt of sin? Have a chair, anyhow. And a
+cigar, won't you?'
+
+"I took the chair, but I steered off from the cigar, havin' had
+experience. Told him I guessed I'd use my pipe. He chuckled.
+
+"'Fur be it from me to find fault with your judgment,' he says.
+'Terbacker does smoke better'n anything else, don't it.'
+
+"We set there and puffed for five minutes or so. Then he sort of jumped.
+
+"'What's up?' says I.
+
+"'Oh, nothin'!' he says. 'Bije Simmons got a ball in the pocket, that's
+all. Don't do that too often, Bije; I got a weak heart. Well, Bailey,'
+he adds, turnin' to me, 'Gabe's club's fixed up pretty fine, ain't it?'
+
+"'Why, yes,' I says; ''tis.'
+
+"'Finest ever I see,' says he. 'I told him so when I was in there.'
+
+"'What?' says I. 'You don't mean to say YOU'VE been in that clubroom?'
+
+"'Sartin. Why not? I want to take in all the shows there is--'specially
+the free ones. Make a good billiard room, that clubhouse would.'
+
+"I whistled. 'Whew!' says I. 'Didn't tell Gabe THAT, did you?'
+
+"He nodded. 'Yup,' says he. 'I told him.'
+
+"I whistled again. 'What answer did he make?' I asked.
+
+"'Oh, he wa'n't enthusiastic. Seemed to cal'late I'd better shut up my
+head and my shop along with it, afore he knocked off one and his club
+knocked out t'other.'
+
+"I pitied the old rascal; I couldn't help it.
+
+"'Jotham,' says I, 'I ain't the wust friend you've got in South Orham,
+even if I don't play pool much. If I was you I'd clear out of here and
+start somewheres else. You can't fight all the best folks in town.'
+
+"He didn't make no answer. Just kept on a-puffin'. I got up to go. Then
+he laid his hand on my sleeve.
+
+"'Bailey,' says he, 'when Betsy Mayo was ailin', her sister's tribe was
+all for the Faith Cure and her husband's relations was high for patent
+medicine. When the Faith Curists got to workin', in would come some of
+the patent mediciners and give 'em the bounce. And when THEY went home
+for the night, the Faithers would smash all the bottles. Finally they
+got so busy fightin' 'mong themselves that Betsy see she was gettin' no
+better fast, and sent for the reg'lar doctor. HE done the curin', and
+got the pay.'
+
+"'Well,' says I, 'what of it?'
+
+"'Nothin',' says he. 'Only I've been practisin' a considerable spell. So
+long. Come in again some time when it's dark and the respectable element
+can't see you.'
+
+"I went away thinkin' hard. And next mornin' I hunted up Gabe, and says
+I:
+
+"'Mr. Holway,' I says, 'what puzzles me is how you're goin' to elect the
+officers for the new club. Put up a Conservative and the Progressives
+resign. H'ist the Progressive ensign and the Conservatives'll mutiny. As
+for the billiard-roomers--providin' any jine--they've never been known
+to vote for anybody but themselves. I can't see no light yet--nothin'
+but fog.'
+
+"He winks, sly and profound. 'That's all right,' says he. 'Fisher and I
+have planned that. You watch!'
+
+"Sure enough, they had. The minister was mighty popular, so, when 'twas
+out that he was candidate to be fust president of the club, all hands
+was satisfied. Two vice presidents was named--one bein' Bassett and
+t'other Ellis. Secretary was a leadin' Conservative; treasurer a head
+Progressive. Officers and crew was happy and mutiny sunk ten fathoms.
+ONLY none of the billiard-room gang had jined, and they was the fish we
+was really tryin' for.
+
+"'Twas next March afore one of 'em did come into the net, though we'd
+have on all kinds of bait--suppers and free ice cream Saturday nights,
+and the like of that. And meantime things had been happenin'.
+
+"The fust thing of importance was Gabe's leavin' town. Our Cape winter
+weather was what fixed him. He stood the no'theasters and Scotch
+drizzles till January, and then he heads for Key West and comfort.
+Said his heart still beat warm for his native village, but his feet was
+froze--or words similar. He cal'lated to be back in the spring. Then
+the Reverend Fisher got a call to somewheres in York State, and felt
+he couldn't afford not to hear it. Nobody blamed him; the salary paid
+a minister in South Orham is enough to make any feller buy patent ear
+drums. But that left our men's club without either skipper or pilot, as
+you might say.
+
+"One week after the farewell sermon, Daniel Bassett drops in casual on
+me. He was passin' around smoking material lavish and regardless.
+
+"'Stitt,' says he, 'you've always voted for Conservatism in our local
+affairs, haven't you?'
+
+"'Well,' says I, 'I didn't vote to roof the town hall with a new
+mortgage, if that's what you mean.'
+
+"'Exactly,' he says. 'Now, our men's club, while not as yet the success
+we hoped for, has come to be a power for good in our community. It needs
+for its president a conservative, thoughtful man. Bailey,' he says, 'it
+has come to my ears that Gaius Ellis intends to run for that office. You
+know him. As a taxpayer, as a sober, thoughtful citizen, my gorge rises
+at such insolence. I protest, sir! I protest against--'
+
+"He was standin' up, makin' gestures with both arms, and he had his
+town-meetin' voice iled and runnin'. I was too busy to hanker for a
+stump speech, so I cut across his bows.
+
+"'All right, all right,' says I. 'I'll vote for you, Dan.'
+
+"He fetched a long breath. 'Thank you,' says he. 'Thank you. That makes
+ten. Ellis can count on no more than nine. My election is assured.'
+
+"Seein' that there wa'n't but nineteen reg'lar voters who come to the
+club meetin's, if Bassett had ten of 'em it sartin did look as if he'd
+get in. But on election night what does Gaius Ellis do but send a wagon
+after old man Solomon Peavey, who'd been dry docked with rheumatiz
+for three months, and Sol's vote evened her up. 'Twas ten to ten, a
+deadlock, and the election was postponed for another week.
+
+"This was of a Tuesday. On Wednesday I met Bije Simmons, the chap who
+was playin' pool at Jotham's.
+
+"'Hey, Bailey!' says he. 'Shake hands with a brother. I'm goin' to jine
+the men's club.'
+
+"'You BE?' says I, surprised enough, for Simmons was a billiard-roomer
+from 'way back.
+
+"'Yup,' he says. 'I'll be voted in at next meetin', sure. I'm studyin'
+up on parchesi now.'
+
+"'Hum!' I says, thinkin'. 'How you goin to vote?'
+
+"'Me?' says he. 'Me? Why, man, I wonder at you! Can't you see the
+fires of Conservatism blazin' in my eyes? I'm Conservative bred and
+Conservative born, and when I'm dead there'll be a Conservative gone.
+By, by. See you Tuesday night.'
+
+"He went off, stoppin' everybody he met to tell 'em the news. And on
+Thursday Ed Barnes dropped in to pay me the seventy-five cents he'd
+borrowed two years ago come Fourth of July. When I'd got over the
+fust shock and had counted the money three times, I commenced to ask
+questions.
+
+"'Somebody die and will you a million, Ed?' I wanted to know.
+
+"'No,' says he. 'It's the reward of virtue. I'm goin' to be a better
+man. I'm jinin' the men's club.'
+
+"'NO!' says I, for Ed was as strong a billiard-roomer as Bije.
+
+"'Sure!' he answers. 'I'm filled full of desires for crokinole and
+progressiveness. See you Tuesday night at the meetin'.'
+
+"And, would you b'lieve it, at that meetin' no less'n six confirmed
+members of the billiard-room gang was voted into the men's club. 'Twas
+a hallelujah gatherin'. I couldn't help thinkin' how glad and proud
+Gabe and Mr. Fisher would have been to see their dreams comin' true.
+But Bassett and Ellis looked more worried than glad, and when the votin'
+took place I understood the reason. Them new members had divided even,
+and the ballots stood Bassett thirteen and Ellis thirteen. The tie was
+still on and the election was put off for another week.
+
+"In that week, surprisin' as it may seem, two more billiard-roomers seen
+a light and jined with us. However, one was for Bassett and t'other for
+Ellis, so the deadlock wa'n't broken. Jotham had only a couple of his
+reg'lars left, and I swan to man if THEY didn't catch the disease inside
+of the follerin' fortni't and hand in their names. The 'Billiard, Pool,
+and Sipio Saloon,' from bein' the liveliest place in town, was now the
+deadest. Through the window you could see poor Jotham mopin' lonesome
+among his peanuts and cigars. The sayin' concernin' the hardness of
+the transgressor's sleddin' was workin' out for HIM, all right. But the
+conversions had come so sudden that I couldn't understand it, though I
+did have some suspicions.
+
+"'Look here, Dan,' says I to Bassett, 'are you goin' to keep this up
+till judgment? There ain't but thirty votin' names in this place--except
+the chaps off fishin', and they won't be back till fall. Fifteen is for
+you and fifteen for Gaius. Most astonishin' agreement of difference ever
+I see. We'll never have a president, at this rate.'
+
+"He winked. 'Won't, hey?' he says. 'Sure you've counted right? I make it
+thirty-one.'
+
+"'I don't see how,' says I, puzzled. 'Nobody's left outside the club but
+Jotham himself, and he--'
+
+"'That's all right,' he interrupts, winkin' again. 'You be on hand next
+Tuesday night. You can't always tell, maybe somethin'll happen.'
+
+"I was on hand, all right, and somethin' did happen, two somethin's, in
+fact. We hadn't much more'n got in our seats afore the door opened,
+and in walked Gaius Ellis, arm in arm with a man; and the man was the
+Honorable Stingy Gabe Atkinson Holway.
+
+"'Gentlemen,' sings out Gaius, bubblin' over with joy, 'I propose three
+cheers for our founder, who has returned to us after his long absence.'
+
+"We give the cheers--that is, some of the folks did. Bassett and our
+gang wa'n't cheerin' much; they looked as if somebody had passed 'em
+a counterfeit note. You see, Gabe Holway was one of the hide-boundest
+Progressives afloat, and a blind man could see who'd got him back again
+and which way he'd vote. It sartinly looked bad for Bassett now.
+
+"Gaius proposes that, out of compliment, as founder of the club, Mr.
+Holway be asked to preside. So he was asked, though the Conservatives
+wa'n't very enthusiastic. Gabe took the chair, preached a little sermon
+about bein' glad to see his native home once more, and raps for order.
+
+"'If there's no other business afore the meetin',' says he, 'we will
+proceed to ballot for president.'
+
+"But it turned out that there was other business. Dan Bassett riz to his
+feet and commenced one of the most feelin' addresses ever I listened to.
+
+"Fust he congratulated all hands upon the success of Mr. Holway's
+philanthropic scheme for the betterment of South Orham's male citizens.
+Jeered at at fust by the unregenerate, it had gone on, winnin' its way
+into the hearts of the people, until one by one the said unregenerate
+had regenerated, and now the club numbered thirty souls and the
+Honorable Atkinson.
+
+"'But,' says Dan, wavin' his arms, 'one man yet remains outside. One
+lone man! The chief sinner, you say? Yes, I admit it. But, gentlemen,
+a repentant sinner. Alone he sits amid the wreck of his business--a
+business wrecked by us, gentlemen--without a customer, without a friend.
+Shall it be said that the free and open-handed men's club of South Orham
+turned its back upon one man, merely because he HAS been what he was?
+Gentlemen, I have talked with Jotham Gale; he is old, he is friendless,
+he no longer has a means of livelihood--we have taken it from him. We
+have turned his followers' steps to better paths. Shall we not turn
+his, also? Gentlemen and friends, Jotham Gale is repentant, he feels
+his ostrichism'--whatever he meant by that--'he desires to become
+self-respecting, and he asks us to help him. He wishes to join this
+club. Gentlemen, I propose for membership in our association the name of
+Jotham W. Gale.'
+
+"He set down and mopped his face. And the powwow that broke loose was
+somethin' tremendous. Of course 'twas plain enough what Dan's game was.
+This was the 'somethin'' that was goin' to happen.
+
+"Ellis see the way the land lay, and he bounces up to protest. 'Twas
+an outrage; a scandal; ridiculous; and so forth, and so on. Poor Gabe
+didn't know what to do, and so he didn't do nothin'. A head Conservative
+seconds Jotham's nomination. 'Twas put to a vote and carried easy. Dan's
+speech had had its effect and a good many folks voted out of sympathy.
+How did I vote? I'LL never tell you.
+
+"And then Bassett gets up, smilin', goes to the outside door, opens it,
+and leads in the new member. He'd been waitin' on the steps, it turned
+out. Jotham looked mighty quiet and meek. I pitied the poor old codger
+more'n ever. Snaked in, he was, out of the wet, like a yeller dog, by
+the club that had kicked him out of his own shop.
+
+"Chairman Gabe pounds for order, and suggests that the votin' can go on.
+But Ellis jumps up, and says he:
+
+"'What's the sense of votin' now?' he asks sarcastic. 'Will the lost
+lamb we've just yanked into the fold have the face to stand up and bleat
+that he hasn't promised to vote Conservative? Dan Bassett, of all the
+contemptible tricks that ever--'
+
+"Bassett's face was redder'n a ripe tomatter. He shakes his fist in
+Gaius's face and yells opinions and comments.
+
+"'Don't you talk to me about tricks, you ward-heeler!' he hollers.
+'Why did you fetch Mr. Holway back home? Why did you, hey? That was the
+trickiest trick that I--'
+
+"Gabe pretty nigh broke his mallet thumpin'.
+
+"'Gentlemen! gentlemen!' says he. 'This is most unseemly. Sit down,
+if you PLEASE. Mr. Ellis, when the purpose of this association is
+considered, it seems to me very wrong to find fault because the chief of
+our former antagonists has seen the error of his ways and become one of
+us. Mr. Bassett, I do not understand your intimation concernin' myself.
+I shall adjourn this meetin' until next Friday evenin', gentlemen.
+Meanwhile, let us remember that we ARE gentlemen.'
+
+"He thumped the desk once, and parades out of the buildin', dignified
+as Julius Caesar. The rest of us toddled along after him, all talkin' at
+once. Bassett and Ellis glowered at each other and hove out hints about
+what would happen afore they got through. 'Twas half-past ten afore I
+got to bed that night, and Sarah J.--that's Mrs. Stitt--kept me awake
+another hour explainin' whys and wherefores.
+
+"For the next three days nobody done anything but knock off work and
+talk club politics. You'd see 'em on the corners and in the post office
+and camped on the meetin'-house steps, arguin' and jawin'. Dan and Gaius
+was hurryin' around, moppin' their foreheads and lookin' worried. On
+Thursday there was all sorts of rumors afloat. Finally they all simmered
+down to one, and that one was what made me stop Stingy Gabe on the
+street and ask for my bearin's.
+
+"'Mr. Holway,' says I, 'is it true that Dan and Gaius have resigned and
+agreed to vote for somebody else?'
+
+"He nodded, grand and complacent.
+
+"'Then who's the somebody?' says I. 'For the land sakes! tell me. It's
+as big a miracle as the prodigal son.'
+
+"I remember now that the prodigal son ain't a miracle, but I was excited
+then.
+
+"'Stitt,' says he, 'I am the "somebody," as you call it. I have decided
+to let my own wishes and inclinations count for nothin' in this affair,
+and to accept the office of president myself. It will be announced at
+the meetin'.'
+
+"I whistled. 'By gum!' says I. 'You've got a great head, Mr. Holway, and
+I give you public credit for it. It's the only course that ain't full of
+breakers. Did you think of it yourself?'
+
+"He colored up a little. 'Why, no, not exactly,' he says. 'The fact is,
+the credit belongs to our new member, Mr. Gale.'
+
+"'To JOTHAM?' says I, astonished.
+
+"'Yes. He suggested my candidacy, as a compromise. Said that he, for
+one, would be proud to vote for me. Mr. Gale seems thoroughly repentant,
+a changed man. I am counting on him for great things in the future.'
+
+"So the fuss seemed settled, thanks to the last person on earth you'd
+expect would be peacemaker. But that afternoon I met Darius Tompkins,
+Bassett's right-hand man.
+
+"'Bailey,' says he, 'you're a Conservative, ain't you? You're for Dan
+through thick and thin?'
+
+"'Why!' says I, 'I understand Dan and Gaius are both out of it now, and
+it's settled on Holway. Dan's promised to vote for him.'
+
+"'HE has,' says Tompkins, with a wink, 'but the rest of us ain't. We
+pledged our votes to Dan Bassett, and we ain't the kind to go back on
+our word. Dan himself'll vote for Gabe; so'll Gaius and his reg'lar
+tribe. That'll make twelve, countin' Holway's own.'
+
+"'Make seventeen, you mean,' says I. 'Gaius and his crowd's fifteen and
+Dan's sixteen and Gabe's seven--'
+
+"He winked again, and interrupted me. 'You're countin' wrong, my boy,'
+says he. 'Five of Gaius's folks come from the old billiard-room gang.
+Just suppose somethin' happened to make that five vote, on the quiet,
+for Bassett. Then--'
+
+"A customer come in then, and Tompkins had to leave; but afore he went
+he got me to one side and whispers:
+
+"'Keep mum, old man, and vote straight for Dan. We'll show old Holway
+that we can't be led around by the nose.'
+
+"'Tompkins,' says I, 'I know your head well enough to be sartin that it
+didn't work this out by itself. And why are you so sure of the billiard
+roomers? Who put you up to this?'
+
+"He rapped the side of his nose. 'The smartest politician in this
+town,' says he, 'and the oldest--J. W. Gale, Esq.! S-s-sh-h! Don't say
+nothin'.'
+
+"I didn't say nothin'. I was past talk. And that evenin' as I went past
+the billiard room on my way home, who should come out of it but Gaius
+Ellis, and HE looked as happy as Tompkins had.
+
+"Friday night that clubroom was filled. Every member was there, and most
+of 'em had fetched their wives and families along to see the fun. There
+was whisperin' and secrecy everywheres. Honorable Gabe took the chair
+and makes announcements that the shebang is open for business.
+
+"Up gets Dave Bassett and all but sheds tears. He says that he made up
+his mind to vote, not for himself, but for the founder and patron of
+the club, the Honorable Atkinson Holway. He spread it over Gabe thick
+as sugar on a youngster's cake. And when he set down all hands applauded
+like fury. But I noticed that he hadn't spoke for nary Conservative but
+himself.
+
+"Then Gaius Ellis rises and sobs similar. He's stopped votin' for
+himself, too. His ballot is for that grand and good man, Gabriel
+Atkinson Holway, Esq. More applause and hurrahs.
+
+"And then who should get up but Jotham Gale. He talks humble, like a
+has-been that knows he's a back number, but he says it's his privilege
+to cast his fust vote in that club for Mr. Holway, South Orham's pride.
+Nobody was expectin' him to say anything, and the cheers pretty nigh
+broke the winders.
+
+"Gabe was turrible affected by the soft soap, you could see that. He
+fairly sobbed as he sprinkled gratitude and acceptances. When the agony
+was over, he says the votin' can begin.
+
+"I cal'lated he expected somebody'd move to make it unanimous, but they
+didn't. So the blank ballots was handed around, and the pencils got
+busy. Gabe app'ints three tellers, Bassett and Ellis, of course, for
+two--and the third, Jotham Gale.
+
+"'As a compliment to our newest member,' says the chairman, smilin'
+philanthropic.
+
+"When the votes was in the hat, the tellers retired to the amusement
+room to count up. It took a long time. I see the Conservatives and
+Progressives nudgin' each other and winkin' back and forth. Five
+minutes, then ten, then fifteen.
+
+"And all of a sudden the biggest row bu'st loose in that amusement room
+that ever you heard. Rattlety--bang! Biff! Smash! The door flew open,
+and in rolled Bassett and Ellis, all legs and arms. Gabe and some of the
+rest hauled 'em apart and held 'em so, but the language them two hove at
+each other was enough to bring down a judgment.
+
+"'Gentlemen! gentlemen!' hollers poor Gabe. 'What in the world? I am
+astounded! I--'
+
+"'You miserable traitor!' shrieks Gaius, wavin' a fist at Dan.
+
+"'You low-down hound!' whoops Dan back at him.
+
+"'Silence!' bellers Gabe, poundin' thunder storms on the desk. 'Will
+some one explain why these maniacs are--Ah, Mr. Gale--thank goodness,
+YOU at least are sane!'
+
+"Jotham walks to the front of the platform. He was holdin' the hat and a
+slip of paper with the result set down on it.
+
+"'Ladies and feller members,' says he, 'there's been some surprisin'
+votin' done in this election. Things ain't gone as we cal'lated they
+would, somehow. Mr. Holway, your election wa'n't unanimous, after all.'
+
+"The way he said it made most everybody think Gabe was elected, anyhow,
+and I guess Holway thought so himself, for he smiled forgivin' and says:
+
+"'Never mind, Mr. Gale,' says he. 'A unanimous vote was perhaps too much
+to expect. Go on.'
+
+"'Yes,' says Jotham. 'Well, here's the way it stands. I'll read it to
+you.'
+
+"He fixes his specs and reads like this:
+
+"'Number of votes cast, 32.'
+
+"'Honorable Atkinson Holway has 4.'
+
+"'WHAT?' gasps Stingy Gabe, fallin' into his chair.
+
+"'Yes, sir,' says Jotham. 'It's a shame, I know, but it looks as nobody
+voted for you, Mr. Holway, but yourself and me and Dan and Gaius. To
+proceed:
+
+"'Daniel Bassett has 9.'
+
+"The Conservatives and their women folks fairly groaned out loud.
+Tompkins jumped to his feet, but Jotham held up a hand.
+
+"'Just a moment, D'rius,' he says. 'I ain't through yet.'
+
+"'Gaius Ellis has 9.'
+
+"Then 'twas the Progressives' turn to groan. The racket and hubbub was
+gettin' louder all the time.
+
+"'There's ten votes left,' goes on Jotham, 'and they bear the name
+of Jotham W. Gale. I can't understand it, but it does appear that I'm
+elected president of this 'ere club. Gentlemen, I thank you for the
+honor, which is as great as 'tis unexpected.'
+
+"Gabe and the Progressives and the Conservatives set and looked at each
+other. And up jumps 'Bije Simmons, and calls for three cheers for the
+new president.
+
+"Nobody jined in them cheers but the old billiard room gang; they did,
+though, every one of 'em, and Jotham smiled fatherly down on his flock.
+
+"I s'pose there ain't no need of explainin'. Jotham had worked it all,
+from the very fust. When the tie business begun and Gaius and Dan was
+bribin' the billiard roomers to jine the club, 'twas him that fixed how
+they should vote so's to keep the deadlock goin'. 'Twas him that put
+Bassett up to proposin' him as a member. 'Twas him that suggested Gabe's
+comin' back to Gaius. 'Twas him that--But what's the use? 'Twas him all
+along. He was IT.
+
+"That night everybody but the billiard-room gang sent in their
+resignation to that club. We refused to be bossed by such people. Gabe
+resigned, too. He was disgusted with East Harniss and all hands in it.
+He'd have took back the clubhouse, but he couldn't, as the deed of gift
+was free and clear. But he swore he'd never give it another cent.
+
+"Folks thought that would end the thing, because it wouldn't be
+self-supportin', but Jotham had different idees. He simply moved his
+pool tables and truck up from the old shop, and now he's got the finest
+place of the kind on the Cape, rent free.
+
+"'I told you 'twould make a good billiard saloon, didn't I, Bailey?' he
+says, chucklin'.
+
+"'Jotham,' says I, 'of your kind you're a perfect wonder.'
+
+"'Well,' says he, 'I diagnosed that men's club as sufferin' from acute
+politics. I've been doctorin' that disease for a long time. The trouble
+with you reformers,' he adds, solemn, 'is that, when it comes to
+political doin's, you ain't practical.'
+
+"As for Stingy Gabe, he shut up his fine house and moved to New York.
+Said he was through with helpin' the moral tone.
+
+"'When I die,' he says to me, 'if I go to the bad place I may start in
+reformin' that. It don't need it no more'n South Orham does, but 'twill
+be enough sight easier job.'
+
+"And," concluded Captain Stitt, as soon as he could be heard above the
+"Haw! haws!" caused by the Honorable Holway's final summing-up of his
+native town, "I ain't so sure that he was greatly mistook. What do you
+think, Sol?"
+
+The depot master shook his head. "Don't know, Bailey," he answered,
+dryly. "I'll have to visit both places 'fore I give an opinion. I HAVE
+been to South Orham, but the neighborhood that your friend Gabe compared
+it to I ain't seen--yet. I put on that 'yet,'" he added, with a wink,
+"'cause I knew Sim Phinney would if I didn't."
+
+Captain Bailey rose and covered a yawn with a plump hand.
+
+"I believe I'll go over to Obed's and turn in," he said. "I'm sleepy as
+a minister's horse tonight. You don't mind, do you, Obed?"
+
+"No-o," replied Mr. Gott, slowly. "No, I don't, 'special. I kind of
+thought I'd run into the club a few minutes and see some of the other
+fellers. But it ain't important--not very."
+
+The "club" was one of the rooms over Mr. Higgins's store and post
+office. It had been recently fitted up with chairs and tables from
+its members' garrets and, when the depot and store were closed, was a
+favorite gathering place of those reckless ones who cared to "set up
+late"--that is, until eleven o'clock. Most of the men in town belonged,
+but many, Captain Berry among them, visited the room but seldom.
+
+"Checkers," said the depot master, referring to the "club's" favorite
+game, "is too deliberately excitin' for me. To watch Beriah Higgins and
+Ezra Weeks fightin' out a game of checkers is like gettin' your feet
+froze in January and waitin' for spring to come and thaw 'em out. It's a
+numbin' kind of dissipation."
+
+But Obed Gott was a regular attendant at the "club," and to-night he
+had a particular reason for wishing to be there. His cousin noticed his
+hesitation and made haste to relieve his mind.
+
+"That's all right, Obed," he said, "go to the club, by all means. I
+ain't such a stranger at your house that I can't find my way to bed
+without help. Good-night, Sim. Good-night, Issy. Cheer up; maybe the
+Major's glassware IS priceless. So long, Cap'n Sol. See you again some
+time tomorrer."
+
+He and Mr. Gott departed. The depot master rose from his chair. "Issy,"
+he commanded, "shut up shop."
+
+Issy obeyed, closing the windows and locking the front door. Captain
+Sol himself locked the ticket case and put the cash till into the small
+safe.
+
+"That'll do, Is," said the Captain. "Good-night. Don't worry too much
+over the Major's glass. I'll talk with him, myself. You dream about
+pleasanter things--your girl, if you've got one."
+
+That was a chance shot, but it struck Issy in the heart. Even during
+his melancholy progress to and from Major Hardee's, the vision of Gertie
+Higgins had danced before his greenish-blue eyes. His freckles were
+engulfed in a surge of blushes as, with a stammered "Night, Cap'n
+Berry," he hurried out into the moonlight.
+
+The depot master blew out the lamps. "Come on, Sim," he said, briefly.
+"Goin' to walk up with me, or was YOU goin' to the club?"
+
+"Cal'late I'll trot along with you, if you don't mind. I'd just as soon
+get home early and wrastle with the figures on that Williams movin'
+job."
+
+They left the depot, locked and dark, passed the "general store," where
+Mr. Higgins was putting out his lights prior to adjournment to the
+"club" overhead, walked up Main Street to Cross Street, turned and began
+climbing the hill. Simeon spoke several times but his friend did not
+answer. A sudden change had come over him. The good spirits with which
+he told of his adventure with Williams and which had remained during
+Phinney's stay at the depot, were gone, apparently. His face, in the
+moonlight, was grave and he strode on, his hands in his pockets.
+
+At the crest of the hill he stopped.
+
+"Good-night, Sim," he said, shortly, and, turning, walked off.
+
+The building mover gazed after him in surprise. The nearest way to the
+Berry home was straight down Cross Street, on the other side of the
+hill, to the Shore Road, and thence along that road for an eighth of
+a mile. The Captain's usual course was just that. But to-night he had
+taken the long route, the Hill Boulevard, which made a wide curve before
+it descended to the road below.
+
+Sim, who had had a shrewd suspicion concerning his friend's silence and
+evident mental disturbance, stood still, looking and wondering. Olive
+Edwards, Captain Berry's old sweetheart, lived on the Boulevard. She
+was in trouble and the Captain knew it. He had asked, that very evening,
+what she was going to do when forced to move. Phinney could not tell
+him. Had he gone to find out for himself? Was the mountain at last
+coming to Mohammed?
+
+For some minutes Simeon remained where he was, thinking and surmising.
+Then he, too, turned and walked cautiously up the Boulevard. He
+passed the Williams mansion, its library windows ablaze. He passed
+the twenty-five room "cottage" of the gentleman from Chicago. Then
+he halted. Opposite him was the little Edwards dwelling and shop. The
+curtains were up and there was a lamp burning on the small counter.
+Beside the lamp, in a rocking chair, sat Olive Edwards, the widow,
+sewing. As he gazed she dropped the sewing in her lap, and raised her
+head.
+
+Phinney saw how worn and sad she looked. And yet, how young, considering
+her forty years and all she had endured and must endure. She put her
+hand over her eyes, then removed it wearily. A lump came in Simeon's
+throat. If he might only help her; if SOME ONE might help her in her
+lonely misery.
+
+And then, from where he stood in the shadow of the Chicago gentleman's
+hedge, he saw a figure step from the shadows fifty feet farther on.
+It was Captain Solomon Berry. He walked to the middle of the road
+and halted, looking in at Olive. Phinney's heart gave a jump. Was the
+Captain going into that house, going to HER, after all these years? WAS
+the mountain--
+
+But no. For a full minute the depot master stood, looking in at the
+woman by the lamp. Then he jammed his hands into his pockets, wheeled,
+and tramped rapidly off toward his home. Simeon Phinney went home, also,
+but it was with a heavy heart that he sat down to figure the cost of
+moving the Williams "pure Colonial" to its destined location.
+
+
+
+
+CHAPTER IV
+
+THE MAJOR
+
+
+The depot master and his friend, Mr. Phinney, were not the only ones
+whose souls were troubled that evening. Obed Gott, as he stood at the
+foot of the stairs leading to the meeting place of the "club," was vexed
+and worried. His cousin, Captain Stitt, had gone into the house and up
+to his room, and Obed, after seeing him safely on his way, had returned
+to the club. But, instead of entering immediately, he stood in the
+Higgins doorway, thinking, and frowning as he thought. And the subject
+of his thought was the idol of feminine East Harniss, the "old-school
+gentleman," Major Cuthbertson Scott Hardee.
+
+The Major first came to East Harniss one balmy morning in March--came,
+and created an immediate sensation. "Redny" Blount, who drives the
+"depot wagon," was wrestling with a sample trunk belonging to the
+traveling representative of Messrs. Braid & Gimp, of Boston, when he
+heard a voice--and such a voice--saying:
+
+"Pardon me, my dear sir, but may I trouble you for one moment?"
+
+Now "Redny" was not used to being addressed as "my dear sir." He turned
+wonderingly, and saw the Major, in all his glory, standing beside him.
+"Redny's" gaze took in the tall, slim figure in the frock coat tightly
+buttoned; took in the white hair, worn just long enough to touch
+the collar of the frock coat; the long, drooping white mustache and
+imperial; the old-fashioned stock and open collar; the black and white
+checked trousers; the gaiters; and, last of all, the flat brimmed,
+carefully brushed, old-fashioned silk hat. Mr. Blount gasped.
+
+"Huh?" he said.
+
+"Pardon me, my dear sir," repeated the Major, blandly, smoothly, and
+with an air of--well, not condescension, but gracious familiarity. "Will
+you be so extremely kind as to inform me concerning the most direct
+route to the hotel or boarding house?"
+
+The word "hotel" was the only part of this speech that struck home to
+"Redny's" awed mind.
+
+"Hotel?" he repeated, slowly. "Why, yes, sir. I'm goin' right that way.
+If you'll git right into my barge I'll fetch you there in ten minutes."
+
+There was enough in this reply, and the manner in which it was
+delivered, to have furnished the station idlers, in the ordinary course
+of events, with matter for gossip and discussion for a week. Mr. Blount
+had not addressed a person as "sir" since he went to school. But no
+one thought of this; all were too much overcome by the splendor of the
+Major's presence.
+
+"Thank you," replied the Major. "Thank you. I am obliged to you, sir.
+Augustus, you may place the baggage in this gentleman's conveyance."
+
+Augustus was an elderly negro, very black as to face and a trifle shabby
+as to clothes, but with a shadow of his master's gentility, like a
+reflected luster, pervading his person. He bowed low, departed, and
+returned dragging a large, old style trunk, and carrying a plump valise.
+
+"Augustus," said the Major, "you may sit upon the seat with the driver.
+That is," he added, courteously, "if Mr.--Mr.--"
+
+"Blount," prompted the gratified "Redny."
+
+"If Mr. Blount will be good enough to permit you to do so."
+
+"Why, sartin. Jump right up. Giddap, you!"
+
+There was but one passenger, besides the Major and Augustus, in the
+"depot wagon" that morning. This passenger was Mrs. Polena Ginn, who had
+been to Brockton on a visit. To Mrs. Polena the Major, raising his hat
+in a manner that no native of East Harniss could acquire by a lifetime
+of teaching, observed that it was a beautiful morning. The flustered
+widow replied that it "was so." This was the beginning of a conversation
+that lasted until the "Central House" was reached, a conversation that
+left Polena impressed with the idea that her new acquaintance was as
+near the pink of perfection as mortal could be.
+
+"It wa'n't his clothes, nuther," she told her brother, Obed Gott, as
+they sat at the dinner table. "I don't know what 'twas, but you could
+jest see that he was a gentleman all over. I wouldn't wonder if he was
+one of them New York millionaires, like Mr. Williams--but SO different.
+'Redny' Blount says he see his name onto the hotel register and 'twas
+'Cuthbertson Scott Hardee.' Ain't that a tony name for you? And his
+darky man called him 'Major.' I never see sech manners on a livin' soul!
+Obed, I DO wish you'd stop eatin' pie with a knife."
+
+Under these pleasing circumstances did Major Cuthbertson Scott Hardee
+make his first appearance in East Harniss, and the reputation spread
+abroad by Mr. Blount and Mrs. Ginn was confirmed as other prominent
+citizens met him, and fell under the spell. In two short weeks he
+was the most popular and respected man in the village. The Methodist
+minister said, at the Thursday evening sociable, that "Major Hardee is
+a true type of the old-school gentleman," whereupon Beriah Higgins, who
+was running for selectman, and therefore felt obliged to be interested
+in all educational matters, asked whereabouts that school was located,
+and who was teaching it now.
+
+It was a treat to see the Major stroll down Main Street to the post
+office every pleasant spring morning. Coat buttoned tight, silk hat the
+veriest trifle on one side, one glove on and its mate carried with
+the cane in the other hand, and the buttonhole bouquet--always the
+bouquet--as fresh and bright and jaunty as its wearer himself.
+
+It seemed that every housekeeper whose dwelling happened to be situated
+along that portion of the main road had business in the front yard at
+the time of the Major's passing. There were steps to be swept, or rugs
+to be shaken, or doorknobs to be polished just at that particular time.
+Dialogues like the following interrupted the triumphal progress at three
+minute intervals:
+
+"Good-morning, Mrs. Sogberry. GOOD-morning. A delightful morning. Busy
+as the proverbial bee once more, I see. I can never cease to admire the
+industry and model neatness of the Massachusetts housekeeper. And how is
+your charming daughter this morning? Better, I trust?"
+
+"Well, now, Major Hardee, I don't know. Abbie ain't so well's I wish she
+was. She set up a spell yesterday, but the doctor says she ain't gittin'
+along the way she'd ought to. I says to him, s'I, 'Abbie ain't never
+what you'd call a reel hearty eater, but, my land! when she don't eat
+NOTHIN',' I says--"
+
+And so on and so on, with the Major always willing to listen, always
+sympathetic, and always so charmingly courteous.
+
+The Central House, East Harniss's sole hotel, and a very small one at
+that, closed its doors on April 10th. Mr. Godfrey, its proprietor,
+had come to the country for his health. He had been inveigled, by an
+advertisement in a Boston paper, into buying the Central House at East
+Harniss. It would afford him, so he reasoned, light employment and a
+living. The employment was light enough, but the living was lighter. He
+kept the Central House for a year. Then he gave it up as a bad job and
+returned to the city. "I might keep my health if I stayed," he admitted,
+in explaining his position to Captain Berry, "but if I want to keep
+to what little money I have left, I'd better go. Might as well die of
+disease as starvation."
+
+Everyone expected that the "gentleman of the old school" would go also,
+but one evening Abner Payne, whose business is "real estate, fire and
+life insurance, justice of the peace, and houses to let and for sale,"
+rushed into the post office to announce that the Major had leased the
+"Gorham place," furnished, and intended to make East Harniss his home.
+
+"He likes the village so well he's goin' to stay here always," explained
+Abner. "Says he's been all 'round the world, but he never see a place he
+liked so well's he does East Harniss. How's that for high, hey? And you
+callin' it a one-horse town, Obed Gott!"
+
+The Major moved into the "Gorham place" the next morning. It--the
+"place"--was an old-fashioned house on the hill, though not on Mr.
+Williams' "Boulevard." It had been one of the finest mansions in town
+once on a time, but had deteriorated rapidly since old Captain Elijah
+Gorham died. Augustus carried the Major's baggage from the hotel to
+the house. This was done very early and none of the natives saw the
+transfer. There was some speculation as to how the darky managed to
+carry the big trunk single-handed; one of two persons asked Augustus
+this very question, but they received no satisfactory answer. Augustus
+was habitually close-mouthed. Mr. Godfrey left town that same morning on
+the first train.
+
+The Major christened his new home "Silver-leaf Hall," because of two
+great "silver-leaf" trees that stood by the front door. He had some
+repairing, paper hanging and painting done, ordered a big stock of
+groceries from the local dealer, and showed by his every action that
+his stay in East Harniss was to be a lengthy one. He hired a pew in the
+Methodist church, and joined the "club." Augustus did the marketing for
+"Silver-leaf Hall," and had evidently been promoted to the position of
+housekeeper.
+
+The Major moved in April. It was now the third week in June and
+his popularity was, if possible, more pronounced than ever. On this
+particular, the evening of Captain Bailey Stitt's unexpected arrival,
+Obed had been sitting by the tea table in his dining room after supper,
+going over the account books of his paint, paper, and oil store. His
+sister, Mrs. Polena Ginn, was washing dishes in the kitchen.
+
+"Wat's that letter you're readin', Obed?" she called from her post by
+the sink.
+
+"Nothin'," said her brother, gruffly, crumpling up the sheet of note
+paper and jamming it into his pocket.
+
+"My sakes! you're shorter'n pie crust to-night. What's the matter?
+Anything gone wrong at the store?"
+
+"No."
+
+Silence again, only broken by the clatter of dishes. Then Polena said:
+
+"Obed, when are you goin' to take me up to the clubroom so's I can see
+that picture of Major Hardee that he presented the club with? Everybody
+says it's just lovely. Sarah T. says it's perfectly elegant, only not
+quite so handsome as the Major reelly is. She says it don't flatter him
+none."
+
+"Humph! Anybody'd think Hardee was some kind of a wonder, the way you
+women folks go on 'bout him. How do you know but what he might be a
+reg'lar fraud? Looks ain't everything."
+
+"Well, I never! Obed Gott, I should think you'd be 'shamed of yourself,
+talkin' that way. I shan't speak another word to you to-night. I never
+see you act so unlikely. An old fraud! The idea! That grand, noble man!"
+
+Obed tried to make some sort of half-hearted apology, but his sister
+wouldn't listen to it. Polena's dignity was touched. She was a woman of
+consequence in East Harniss, was Polena. Her husband had, at his death,
+left her ten thousand dollars in her own right, and she owned bonds
+and had money in the Wellmouth Bank. Nobody, not even her brother, was
+allowed to talk to her in that fashion.
+
+To tell the truth, Obed was sorry he had offended his sister. He had
+been throwing out hints of late as to the necessity of building an
+addition to the paint and oil store, and had cast a longing look upon
+a portion of Polena's ten thousand. The lady had not promised to extend
+the financial aid, but she had gone so far as to say she would think
+about it. So Obed regretted his insinuations against the Major's
+integrity.
+
+After a while he threw the account books upon the top of the chest of
+drawers, put on his hat and coat and announced that he was going over
+to the depot for a "spell." Polena did not deign to reply, so, after
+repeating the observation, he went out and slammed the door.
+
+Now, two hours later, as he stood in the doorway of the club, he was
+debating what he should do in a certain matter. That matter concerned
+Major Hardee and was, therefore, an extremely delicate one. At length
+Mr. Gott climbed the narrow stairs and entered the clubroom. It was blue
+with tobacco smoke.
+
+The six or eight members present hailed him absently and went on with
+their games of checkers or "seven-up." He attempted a game of checkers
+and lost, which did not tend to make his temper any sweeter. His ill
+nature was so apparent that Beriah Higgins, who suffered from dyspepsia
+and consequent ill temper, finally commented upon it.
+
+"What's the matter with you, Obed?" he asked tartly. "Too much of
+P'lena's mince pie?"
+
+"No," grunted Mr. Gott shortly.
+
+"What is it, then? Ain't paint sellin' well?"
+
+"Sellin' well 'nough. I could sell a hundred ton of paint to-morrow,
+more'n likely, but when it come to gittin' the money for it, that would
+be another story. If folks would pay their bills there wouldn't be no
+trouble."
+
+"Who's stuck you now?"
+
+"I don't s'pose anybody has, but it's just as bad when they don't
+pay up. I've got to have money to keep a-goin' with. It don't make
+no diff'rence if it's as good a customer as Major Hardee; he ought to
+remember that we ain't all rich like him and--"
+
+A general movement among all the club members interrupted him. The
+checker players left their boards and came over; the "seven-up" devotees
+dropped their cards and joined the circle.
+
+"What was that you said?" asked Higgins, uneasily. "The Major owin' you
+money, was it?"
+
+"Oh, course I know he's all right and a fine man and all that,"
+protested Obed, feeling himself put on the defensive. "But that ain't
+it. What's a feller goin' to do when he needs the money and gets a
+letter like that?"
+
+He drew the crumpled sheet of note paper from his pocket, and threw it
+on the table. Higgins picked it up and read it aloud, as follows:
+
+
+SILVERLEAF HALL, June 20th.
+
+MY DEAR MR. GOTT: I am in receipt of your courteous communication of
+recent date. I make it an unvarying rule to keep little ready money here
+in East Harniss, preferring rather to let it remain at interest in the
+financial institutions of the cities. Another rule of mine, peculiar,
+I dare say--even eccentric, if you like--is never to pay by check. I am
+expecting remittances from my attorneys, however, and will then bear you
+in mind. Again thanking you for your courtesy, and begging you to extend
+to your sister my kindest regards, I remain, my dear sir,
+
+Yours very respectfully,
+
+CUTHBERTSON SCOTT HARDEE.
+
+P. S.--I shall be delighted to have the pleasure of entertaining your
+sister and yourself at dinner at the hall on any date agreeable to you.
+Kindly let me hear from you regarding this at your earliest convenience.
+I must insist upon this privilege, so do not disappoint me, I beg.
+
+
+The reception accorded this most gentlemanly epistle was peculiar. Mr.
+Higgins laid it upon the table and put his hand into his own pocket. So
+did Ezra Weeks, the butcher; Caleb Small, the dry goods dealer; "Hen"
+Leadbetter, the livery stable keeper; "Bash" Taylor, the milkman, and
+three or four others. And, wonder of wonders, each produced a sheet of
+note paper exactly like Obed's.
+
+They spread them out on the table. The dates were, of course, different,
+and they differed in other minor particulars, but in the main they were
+exactly alike. And each one of them ended with an invitation to dinner.
+
+The members of the club looked at each other in amazement. Higgins was
+the first to speak.
+
+"Godfrey mighty!" he exclaimed. "Say, this is funny, ain't it? It's
+more'n funny; it's queer! By jimmy, it's more'n that--it's serious! Look
+here, fellers; is there anybody in this crowd that the Major's paid for
+anything any time?"
+
+They waited. No one spoke. Then, with one impulse, every face swung
+about and looked up to where, upon the wall, hung the life-size
+photograph of the Major, dignified, gracious, and gilt-framed. It
+had been presented to the club two months before by Cuthbertson Scott
+Hardee, himself.
+
+"Ike--Ike Peters," said Higgins. "Say, Ike--has he ever paid you for
+havin' that took?"
+
+Mr. Peters, who was the town photographer, reddened, hesitated, and then
+stammered, "Why, no, he ain't, yet."
+
+"Humph!" grunted Higgins. No one else said anything. One or two took
+out pocket memorandum books and went over some figures entered therein.
+Judging by their faces the results of these calculations were not
+pleasing. Obed was the first to break the painful silence:
+
+"Well!" he exclaimed, sarcastically; "ain't nobody got nothin' to say?
+If they ain't, I have. Or, at any rate, I've got somethin' to do." And
+he rose and started to put on his coat.
+
+"Hi! hold on a minute, Obed, you loon!" cried Higgins. "Where are you
+goin'?"
+
+"I'm goin' to put my bill in Squire Baker's hands for c'lection, and I'm
+goin' to do it tonight, too."
+
+He was on his way to the door, but two or three ran to stop him.
+
+"Don't be a fool, Obed," said Higgins. "Don't go off ha'f cocked. Maybe
+we're gittin' scared about nothin'. We don't know but we'll get every
+cent that's owed us."
+
+"Don't KNOW! Well, I ain't goin' to wait to find out. What makes me
+b'ilin' is to think how we've set still and let a man that we never saw
+afore last March, and don't know one blessed thing about, run up bills
+and RUN 'em up. How we come to be such everlastin' fools I don't see!
+What did we let him have the stuff for? Why didn't we make him pay? I--"
+
+"Now see here, Obed Gott," broke in Weeks, the butcher, "you know why
+just as well as we do. Why, blast it!" he added earnestly, "if he was to
+come into my shop to-morrow and tip that old high hat of his, and smile
+and say 'twas a fine mornin and 'How's the good lady to-day?' and all
+that, he'd get ha'f the meat there was in the place, and I wouldn't say
+'Boo'! I jest couldn't, that's all."
+
+This frank statement was received with approving nods and a chorus of
+muttered "That's so's."
+
+"It looks to me this way," declared Higgins. "If the Major's all right,
+he's a mighty good customer for all of us. If he ain't all right, we've
+got to find it out, but we're in too deep to run resks of gettin' him
+mad 'fore we know for sure. Let's think it over for a week. Inside of
+that time some of us'll hint to him, polite but firm, you understand,
+that we've got to have something on account. A week from to-night we'll
+meet in the back room of my store, talk it over and decide what to do.
+What do you say?"
+
+Everybody but Obed agreed. He declared that he had lost money enough
+and wasn't going to be a fool any longer. The others argued with him
+patiently for a while and then Leadbetter, the livery stable keeper,
+said sharply:
+
+"See here, Obe! You ain't the only one in this. How much does the Major
+owe you?"
+
+"Pretty nigh twenty dollars."
+
+"Humph! You're lucky. He owes me over thirty, and I guess Higgins is
+worse off than any of us. Ain't that so, Beriah?"
+
+"About seventy, even money," answered the grocer, shortly. "No use,
+Obed, we've got to hang together. Wait a week and then see. And,
+fellers," he added, "don't tell a soul about this business, 'specially
+the women folks. There ain't a woman nor girl in this town that don't
+think Major Hardee's an A1, gold-plated saint, and twouldn't be safe to
+break the spell on a guess."
+
+Obed reached home even more disgruntled than when he left it. He sat up
+until after twelve, thinking and smoking, and when he went to bed he had
+a brilliant idea. The next morning he wrote a letter and posted it.
+
+
+
+
+CHAPTER V
+
+A BABY AND A ROBBERY
+
+
+The morning train for Boston, at that season of the year, reached East
+Harniss at five minutes to six, an "ungodly hour," according to the
+irascible Mr. Ogden Williams, who, in company with some of his wealthy
+friends, the summer residents, was petitioning the railroad company for
+a change in the time-table. When Captain Sol Berry, the depot master,
+walked briskly down Main Street the morning following Mr. Gott's
+eventful evening at the club, the hands of the clock on the Methodist
+church tower indicated that the time was twenty minutes to six.
+
+Issy McKay was already at the depot, the doors of which were open.
+Captain Sol entered the waiting room and unlocked the ticket rack and
+the little safe. Issy, languidly toying with the broom on the front
+platform, paused in his pretense of sweeping and awaited permission to
+go home for breakfast. It came, in characteristic fashion.
+
+"How's the salt air affectin' your appetite, Is?" asked the Captain,
+casually.
+
+Issy, who, being intensely serious by nature, was uneasy when he
+suspected the presence of a joke, confusedly stammered that he cal'lated
+his appetite was all right.
+
+"Payin' for the Major's glass ain't kept you awake worryin', has it?"
+
+"No-o, sir. I--"
+
+"P'r'aps you thought he was the one to 'do the worryin', hey?"
+
+"I--I don't know."
+
+"Well, what's your folks goin' to have to eat this mornin'?"
+
+Issy admitted his belief that fried clams were to be the breakfast.
+
+"So? Clams? Is, did you ever read the soap advertisement about not bein'
+a clam?"
+
+"I--I don't know's I ever did. No, sir."
+
+"All right; I only called your attention to it as a warnin', that's all.
+When anybody eats as many clams as you do there's a fair chance of his
+turnin' into one. Now clear out, and don't stay so long at breakfast
+that you can't get back in time for dinner. Trot!"
+
+Issy trotted. The depot master seated himself by the door of the ticket
+office and fell into a reverie. It was interrupted by the entrance of
+Hiram Baker. Captain Hiram was an ex-fishing skipper, fifty-five years
+of age, who, with his wife, Sophronia, and their infant son, Hiram Joash
+Baker, lived in a small, old-fashioned house at the other end of the
+village, near the shore. Captain Hiram, having retired from the sea, got
+his living, such as it was, from his string of fish traps, or "weirs."
+
+The depot master hailed the new arrival heartily.
+
+"Hello, there, Hiram!" he cried, rising from his chair. "Glad to see you
+once in a while. Ain't goin' to leave us, are you? Not goin' abroad for
+your health, or anything of that kind, hey?"
+
+Captain Baker laughed.
+
+"No," he answered. "No further abroad than Hyannis. And I'll be back
+from there tonight, if the Lord's willin' and the cars don't get off the
+track. Give me a round trip ticket, will you, Sol?"
+
+The depot master retired to the office, returning with the desired
+ticket. Captain Hiram counted out the price from a confused mass of
+coppers and silver, emptied into his hand from a blackened leather
+purse, tied with a string.
+
+"How's Sophrony?" asked the depot master. "Pretty smart, I hope."
+
+"Yup, she's smart. Has to be to keep up with the rest of the
+family--'specially the youngest."
+
+He chuckled. His friend laughed in sympathy.
+
+"The youngest is the most important of all, I s'pose," he observed. "How
+IS the junior partner of H. Baker and Son?"
+
+"He ain't a silent partner, I'll swear to that. Honest, Sol, I b'lieve
+my 'Dusenberry' is the cutest young one outside of a show. I said so
+only yesterday to Mr. Hilton, the minister. I did, and I meant it."
+
+"Well, we're all gettin' ready to celebrate his birthday. Ho, ho!"
+
+This was a standard joke and was so recognized and honored. A baby born
+on the Fourth of July is sure of a national celebration of his birthday.
+And to Captain Baker and his wife, no celebration, however widespread,
+could do justice to the importance of the occasion. When, to answer the
+heart longings of the child-loving couple married many years, the baby
+came, he was accepted as a special dispensation of Providence and valued
+accordingly.
+
+"He's got a real nice voice, Hiram," said Sophronia, gazing proudly
+at the prodigy, who, clutched gingerly in his father's big hands, was
+screaming his little red face black. "I shouldn't wonder if he grew up
+to sing in the choir."
+
+"That's the kind of voice to make a fo'mast hand step lively!" declared
+Hiram. "You'll see this boy on the quarter deck of a clipper one of
+these days."
+
+Naming him was a portentous proceeding and one not to be lightly gone
+about. Sophronia, who was a Methodist by descent and early confirmation,
+was of the opinion that the child should have a Bible name.
+
+The Captain respected his wife's wishes, but put in an ardent plea for
+his own name, Hiram.
+
+"There's been a Hiram Baker in our family ever since Noah h'isted
+the main-r'yal on the ark," he declared. "I'd kinder like to keep the
+procession a-goin'."
+
+They compromised by agreeing to make the baby's Christian name Hiram and
+to add a middle name selected at random from the Scriptures. The big,
+rickety family Bible was taken from the center table and opened with
+shaking fingers by Mrs. Baker. She read aloud the first sentence that
+met her eye: "The son of Joash."
+
+"Joash!" sneered her husband. "You ain't goin' to cruelize him with that
+name, be you?"
+
+"Hiram Baker, do you dare to fly in the face of Scriptur'?"
+
+"All right! Have it your own way. Go to sleep now, Hiram Joash, while I
+sing 'Storm along, John,' to you."
+
+Little Hiram Joash punched the minister's face with his fat fist when he
+was christened, to the great scandal of his mother and the ill-concealed
+delight of his father.
+
+"Can't blame the child none," declared the Captain. "I'd punch anybody
+that christened a middle name like that onto me."
+
+But, in spite of his name, the baby grew and prospered. He fell out of
+his crib, of course, the moment that he was able, and barked his shins
+over the big shells by the what-not in the parlor the first time that
+he essayed to creep. He teethed with more or less tribulation, and once
+upset the household by an attack of the croup.
+
+They gave up calling him by his first name, because of the Captain's
+invariably answering when the baby was wanted and not answering when he
+himself was wanted. Sophronia would have liked to call him Joash, but
+her husband wouldn't hear of it. At length the father took to calling
+him "Dusenberry," and this nickname was adopted under protest.
+
+Captain Hiram sang the baby to sleep every night. There were three songs
+in the Captain's repertoire. The first was a chanty with a chorus of
+
+ John, storm along, storm along, John,
+ Ain't I glad my day's work's done.
+
+The second was the "Bowline Song."
+
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline! the bowline HAUL!
+
+At the "haul!" the Captain's foot would come down with a thump. Almost
+the first word little Hiram Joash learned was "haul!" He used to shout
+it and kick his father vigorously in the vest.
+
+These were fair-weather songs. Captain Hiram sang them when everything
+was going smoothly. The "Bowline Song" indicated that he was feeling
+particularly jubilant. He had another that he sang when he was worried.
+It was a lugubrious ditty, with a refrain beginning:
+
+ Oh, sailor boy, sailor boy, 'neath the wild billow,
+ Thy grave is yawnin' and waitin' for thee.
+
+He sang this during the worst of the teething period, and, later, when
+the junior partner wrestled with the whooping cough. You could always
+tell the state of the baby's health by the Captain's choice of songs.
+
+Meanwhile Dusenberry grew and prospered. He learned to walk and to talk,
+after his own peculiar fashion, and, at the mature age of two years and
+six months, formally shipped as first mate aboard his father's dory. His
+duties in this responsible position were to sit in the stern, securely
+fastened by a strap, while the Captain and his two assistants rowed out
+over the bar to haul the nets of the deep water fish weir.
+
+The first mate gave the orders, "All hands on deck! 'Tand by to det ship
+under way!" There was no "sogerin'" aboard the Hiram Junior--that was
+the dory's name--while the first officer had command.
+
+Captain Hiram, always ready to talk of the wonderful baby, told the
+depot master of the youngster's latest achievement, which was to get the
+cover off the butter firkin in the pantry and cover himself with butter
+from head to heel.
+
+"Ho, ho, ho!" he roared, delightedly, "when Sophrony caught him at it,
+what do you s'pose he said? Said he was playin' he was a slice of bread
+and was spreadin' himself. Haw! haw!"
+
+Captain Sol laughed in sympathy.
+
+"But he didn't mean no harm by it," explained the proud father. "He's
+got the tenderest little heart in the world. When he found his ma felt
+bad he bust out cryin' and said he'd scrape it all off again and when it
+come prayer time he'd tell God who did it, so He'd know 'twa'n't mother
+that wasted the nice butter. What do you think of that?"
+
+"No use talkin', Hiram," said the depot master, "that's the kind of boy
+to have."
+
+"You bet you! Hello! here's the train. On time, for a wonder. See you
+later, Sol. You take my advice, get married and have a boy of your own.
+Nothin' like one for solid comfort."
+
+The train was coming and they went out to meet it. The only passenger
+to alight was Mr. Barzilla Wingate, whose arrival had been foretold
+by Bailey Stitt the previous evening. Barzilla was part owner of a
+good-sized summer hotel at Wellmouth Neck. He and the depot master were
+old friends.
+
+After the train had gone Wingate and Captain Sol entered the station
+together. The Captain had insisted that his friend come home with him to
+breakfast, instead of going to the hotel. After some persuasion Barzilla
+agreed. So they sat down to await Issy's arrival. The depot master could
+not leave the station until the "assistant" arrived.
+
+"Well, Barzilla," asked Captain Sol, "what's the newest craze over to
+the hotel?"
+
+"The newest," said Wingate, with a grin, "is automobiles."
+
+"Automobiles? Why, I thought 'twas baseball."
+
+"Baseball was last summer. We had a championship team then. Yes, sir, we
+won out, though for a spell it looked pretty dubious. But baseball's an
+old story. We've had football since, and now--"
+
+"Wait a minute! Football? Why, now I do remember. You had a football
+team there and--and wa'n't there somethin' queer, some sort of a--a
+robbery, or stealin', or swindlin' connected with it? Seems's if I'd
+heard somethin' like that."
+
+Mr. Wingate looked his friend over, winked, and asked a question.
+
+"Sol," he said, "you ain't forgot how to keep a secret?"
+
+The depot master smiled. "I guess not," he said.
+
+"Well, then, I'm goin' to trust you with one. I'm goin' to tell you the
+whole business about that robbin'. It's all mixed up with football and
+millionaires and things--and it's a dead secret, the truth of it. So
+when I tell you it mustn't go no further.
+
+"You see," he went on, "it was late into August when Peter T. was took
+down with the inspiration. Not that there was anything 'specially new
+in his bein' took. He was subject to them seizures, Peter was, and every
+time they broke out in a fresh place. The Old Home House itself was one
+of his inspirations, so was the hirin' of college waiters, the openin'
+of the two 'Annex' cottages, the South Shore Weather Bureau, and a whole
+lot more. Sometimes, as in the weather-bureau foolishness, the disease
+left him and t'other two patients--meanin' me and Cap'n Jonadab--pretty
+weak in the courage, and wasted in the pocketbook; but gen'rally they
+turned out good, and our systems and bank accounts was more healthy than
+normal. One of Peter T.'s inspirations was consider'ble like typhoid
+fever--if you did get over it, you felt better for havin' had it.
+
+"This time the attack was in the shape of a 'supplementary season.'
+'Twas Peter's idea that shuttin' up the Old Home the fust week in
+September was altogether too soon.
+
+"'What's the use of quittin',' says he, 'while there's bait left and the
+fish are bitin'? Why not keep her goin' through September and October?
+Two or three ads--MY ads--in the papers, hintin' that the ducks and wild
+geese are beginnin' to keep the boarders awake by roostin' in the
+back yard and hollerin' at night--two or three of them, and we'll have
+gunners here by the regiment. Other summer hotels do it, the Wapatomac
+House and the rest, so why not us? It hurts my conscience to see good
+money gettin' past the door 'count of the "Not at Home" sign hung on the
+knob. What d'you say, partners?' says he.
+
+"Well, we had consider'ble to say, partic'lar Cap'n Jonadab. 'Twas
+too risky and too expensive. Gunnin' was all right except for one
+thing--that is, that there wa'n't none wuth mentionin'.
+
+"'Ducks are scurser round here than Democrats in a Vermont
+town-meetin',' growled the Cap'n. 'And as for geese! How long has it
+been since you see a goose, Barzilla?'
+
+"'Land knows!' says I. 'I can remember as fur back as the fust time
+Washy Sparrow left off workin', but I can't--'
+
+"Brown told us to shut up. Did we cal'late he didn't know what he was
+talkin' about?
+
+"'I can see two geese right now,' he snaps; 'but they're so old and
+leather-headed you couldn't shoot an idea into their brains with a
+cannon. Gunnin' ain't the whole thing. My makin' a noise like a duck is
+only to get the would-be Teddy Roosevelts headed for this neck of the
+woods. After they get here, it's up to us to keep 'em. And I can think
+of as many ways to do that as the Cap'n can of savin' a quarter. Our
+baseball team's been a success, ain't it? Sure thing! Then why not a
+football team? Parker says he'll get it together, and coach and cap'n
+it, too. And Robinson and his daughter have agreed to stay till October
+fifteenth. So there's a start, anyhow.'
+
+"'Twas a start, and a pretty good one. The Robinsons had come to the Old
+Home about the fust of August, and they was our star boarders. 'G. W.
+Robinson' was the old man's name as entered on the hotel log, and his
+daughter answered to the hail of 'Grace'--that is, when she took
+a notion to answer at all. The Robinsons was what Peter T. called
+'exclusive.' They didn't mix much with the rest of the bunch, but
+kept to themselves in their rooms, partic'lar when a fresh net full of
+boarders was hauled aboard. Then they seemed to take an observation of
+every arrival afore they mingled; questioned the pedigree and statistics
+of all hands, and acted mighty suspicious.
+
+"The only thing that really stirred Papa Robinson up and got him excited
+and friendly was baseball and boat racin'. He was an old sport, that was
+plain, the only real plain thing about him; the rest was mystery. As
+for Grace, she wa'n't plain by a good sight, bein' what Brown called
+a 'peach.' She could have had every single male in tow if she'd wanted
+'em. Apparently she didn't want em, preferrin' to be lonesome and sad
+and interestin'. Yes, sir, there was a mystery about them Robinsons, and
+even Peter T. give in to that.
+
+"'If 'twas anybody else,' says he, 'I'd say the old man was a crook,
+down here hidin' from the police. But he's too rich for that, and always
+has been. He ain't any fly-by-night. I can tell the real article without
+lookin' for the "sterlin'" mark on the handle. But I'll bet all the
+cold-storage eggs in the hotel against the henyard--and that's big
+odds--that he wa'n't christened Robinson. And his face is familiar to
+me. I've seen it somewhere, either in print or in person. I wish I knew
+where.'
+
+"So if the Robinsons had agreed to stay--them and their two
+servants--that was a big help, as Brown said. And Parker would help,
+too, though we agreed there wa'n't no mystery about him. He was a big,
+broad-shouldered young feller just out of college somewheres, who had
+drifted our way the fortni't after the Robinsons came, with a reputation
+for athletics and a leanin' toward cigarettes and Miss Grace. She leaned
+a little, too, but hers wa'n't so much of a bend as his was. He was dead
+gone on her, and if she'd have decided to stay under water, he'd
+have ducked likewise. 'Twas easy enough to see why HE believed in a
+'supplementary season.'
+
+"Me and Jonadab argued it out with Peter, and finally we met halfway,
+so's to speak. We wouldn't keep the whole shebang open, but we'd shut
+up everything but one Annex cottage, and advertise that as a Gunner's
+Retreat. So we done it.
+
+"And it worked. Heavens to Betsy--yes! It worked so well that by the
+second week in September we had to open t'other Annex. The gunnin' was
+bad, but Peter's ads fetched the would-be's, and his 'excursions' and
+picnics and the football team held 'em. The football team especial.
+Parker cap'ned that, and, from the gunnin' crew and the waiters and some
+fishermen in the village, he dug up an eleven that showed symptoms of
+playin' the game. We played the Trumet High School, and beat it, thanks
+to Parker, and that tickled Pa Robinson so that he bought a two-handled
+silver soup tureen--'lovin' cup,' he called it--and agreed to give it to
+the team round about that won the most of the series. So the series was
+arranged, the Old Home House crowd and the Wapatomac House eleven and
+three high-school gangs bein' in it. And 'twas practice, practice,
+practice, from then on.
+
+"When we opened the second Annex, the question of help got serious. Most
+of our college waiters had gone back to school, and we was pretty shy
+of servants. So we put some extry advertisin' in the Cape weeklies, and
+trusted in Providence.
+
+"The evenin' followin' the ad in the weeklies, I was settin' smokin' on
+the back piazza of the shut-up main hotel, when I heard the gate click
+and somebody crunchin' along the clam-shell path. I sung out: 'Ahoy,
+there!' and the cruncher, whoever he was, come my way. Then I made out
+that he was a tall young chap, with his hands in his pockets.
+
+"'Good evenin',' says he. 'Is this Mr. Brown?'
+
+"'Thankin' you for the compliment, it ain't,' I says. 'My name's
+Wingate.'
+
+"'Oh!' says he. 'Is that so? I've heard father speak of you, Mr.
+Wingate. He is Solomon Bearse, of West Ostable. I think you know him
+slightly.'
+
+"Know him? Everybody on the Cape knows Sol Bearse; by reputation,
+anyhow. He's the richest, meanest old cranberry grower and
+coastin'-fleet owner in these parts.
+
+"'Is Sol Bearse your dad?' I asks, astonished. 'Why, then, you must be
+Gus?'
+
+"'No,' he says. 'I'm the other one--Fred.'
+
+"'Oh, the college one. The one who's goin' to be a lawyer.'
+
+"'Well, yes--and no,' says he. 'I WAS the college one, as you call it,
+but I'm not goin' to be a lawyer. Father and I have had some talk on
+that subject, and I think we've settled it. I--well, just at present,
+I'm not sure what I'm goin' to be. That's what I've come to you for. I
+saw your ad in the Item, and--I want a job.'
+
+"I was set all aback, and left with my canvas flappin', as you might
+say. Sol Bearse's boy huntin' a job in a hotel kitchen! Soon's I could
+fetch a whole breath, I wanted partic'lars. He give 'em to me.
+
+"Seems he'd been sent out to one of the colleges in the Middle West by
+his dad, who was dead set on havin' a lawyer in the family. But the more
+he studied, the less he hankered for law. What he wanted to be was a
+literature--a book-agent or a poet, or some such foolishness. Old Sol,
+havin' no more use for a poet than he had for a poor relation, was red
+hot in a minute. Was this what he'd been droppin' good money in the
+education collection box for? Was this--etcetery and so on. He'd
+be--what the church folks say he will be--if Fred don't go in for law.
+Fred, he comes back that he'll be the same if he does. So they disowned
+each other by mutual consent, as the Irishman said, and the boy marches
+out of the front door, bag and baggage. And, as the poetry market seemed
+to be sort of overly supplied at the present time, he decided he must
+do somethin' to earn a dollar, and, seein' our ad, he comes to Wellmouth
+Port and the Old Home.
+
+"'But look here,' says I, 'we ain't got no job for a literary. We need
+fellers to pass pie and wash dishes. And THAT ain't no poem.'
+
+"Well, he thought perhaps he could help make up advertisin'.
+
+"'You can't,' I told him. 'One time, when Peter T. Brown was away, me
+and Cap'n Jonadab cal'lated that a poetry advertisement would be a good
+idee and we managed to shake out ten lines or so. It begun:
+
+ "When you're feelin' tired and pale
+ To the Old Home House you ought to come without fail."
+
+"'We thought 'twas pretty slick, but we never got but one answer, and
+that was a circular from one of them correspondence schools of authors,
+sayin' they'd let us in on a course at cut rates. And the next thing we
+knew we see that poem in the joke page of a Boston paper. I never--'
+
+"He laughed, quiet and sorrowful. He had the quietest way of speakin',
+anyhow, and his voice was a lovely tenor. To hear it purrin' out of his
+big, tall body was as unexpected as a hymn tune in a cent-in-the-slot
+talkin' machine.
+
+"'Too bad,' he says. 'As a waiter, I'm afraid--'
+
+"Just then the door of one of the Annex houses opened sudden, and there
+stood Grace Robinson. The light behind her showed her up plain as could
+be. I heard Fred Bearse make a kind of gaspin' noise in his throat.
+
+"'What a lovely night!' she says, half to herself. Then she calls:
+'Papa, dear, you really ought to see the stars.'
+
+"Old man Robinson, who I judged was in the settin' room, snarled out
+somethin' which wa'n't no compliment to the stars. Then he ordered
+her to come in afore she catched cold. She sighed and obeyed orders,
+shuttin' the door astern of her. Next thing I knew that literary tenor
+grabbed my arm--'twa'n't no canary-bird grip, neither.
+
+"'Who was that?' he whispers, eager.
+
+"I told him. 'That's the name they give,' says I, 'but we have doubts
+about its bein' the real one. You see, there's some mystery about them
+Robinsons, and--'
+
+"'I'll take that waiter's place,' he says, quick. 'Shall I go right in
+and begin now? Don't stop to argue, man; I say I'll take it.'
+
+"And he did take it by main strength, pretty nigh. Every time I'd open
+my mouth he'd shut it up, and at last I give in, and showed him where he
+could sleep.
+
+"'You turn out at five sharp,' I told him. 'And you needn't bother to
+write no poems while you're dressin', neither.'
+
+"'Good night,' he answers, brisk. 'Go, will you, please? I want to
+think.'
+
+"I went. 'Tain't until an hour later that I remembered he hadn't asked
+one word concernin' the wages. And next mornin' he comes to me and
+suggests that perhaps 'twould be as well if I didn't tell his real name.
+He was pretty sure he'd been away schoolin' so long that he wouldn't be
+recognized. 'And incognitos seem to be fashionable here,' he purrs, soft
+and gentle.
+
+"I wouldn't know an incognito if I stepped on one, but the tenor voice
+of him kind of made me sick.
+
+"'All right,' I snaps, sarcastic. 'Suppose I call you "Willie." How'll
+that do?'
+
+"'Do as well as anything, I guess,' he says. Didn't make no odds to him.
+If I'd have called him 'Maud,' he'd have been satisfied.
+
+"He waited in Annex Number Two, which was skippered by Cap'n Jonadab.
+And, for a poet, he done pretty well, so the Cap'n said.
+
+"'But say, Barzilla,' asks Jonadab, 'does that Willie thing know the
+Robinsons?'
+
+"'Guess not,' I says. But, thinkin' of the way he'd acted when the girl
+come to the door: 'Why?'
+
+"'Oh, nothin' much. Only when he come in with the doughnuts the fust
+mornin' at breakfast, I thought Grace sort of jumped and looked funny.
+Anyhow, she didn't eat nothin' after that. P'r'aps that was on account
+of her bein' out sailin' the day afore, though.'
+
+"I said I cal'lated that was it, but all the same I was interested.
+And when, a day or so later, I see Grace and Willie talkin' together
+earnest, out back of the kitchen, I was more so. But I never said
+nothin'. I've been seafarin' long enough to know when to keep my main
+hatch closed.
+
+"The supplementary season dragged along, but it wa'n't quite the success
+it looked like at the start. The gunnin' that year was even worse than
+usual, and excursions and picnics in late September ain't all joy, by
+no manner of means. We shut up the second Annex at the end of the month,
+and transferred the help to Number One. Precious few new boarders come,
+and a good many of the old ones quit. Them that did stay, stayed on
+account of the football. We was edgin' up toward the end of the series,
+and our team and the Wapatomac crowd was neck and neck. It looked as if
+the final game between them and us, over on their grounds, would settle
+who'd have the soup tureen.
+
+"Pa Robinson and Parker had been quite interested in Willie when he
+fust come. They thought he might play with the eleven, you see. But he
+wouldn't. Set his foot right down.
+
+"'I don't care for athletics,' he says, mild but firm. 'They used to
+interest me somewhat, but not now.'
+
+"The old man was crazy. He'd heard about Willie's literature leanin's,
+and he give out that he'd never see a writer yet that wa'n't a 'sissy.'
+Wanted us to fire Bearse right off, but we kept him, thanks to me. If
+he'd seen the 'sissy' kick the ball once, same as I did, it might have
+changed his mind some. He was passin' along the end of the field when
+the gang was practicin', and the ball come his way. He caught it on the
+fly, and sent it back with his toe. It went a mile, seemed so, whirlin'
+and whizzin'. Willie never even looked to see where it went; just kept
+on his course for the kitchen.
+
+"The big sensation hit us on the fifth of October, right after supper.
+Me and Peter T. and Jonadab was in the office, when down comes Henry,
+old Robinson's man servant, white as a sheet and wringin' his hands
+distracted.
+
+"'Oh, I say, Mr. Brown!' says he, shakin' all over like a quicksand.
+'Oh, Mr. Brown, sir! Will you come right up to Mr. Sterz--I mean Mr.
+Robinson's room, please, sir! 'E wants to see you gentlemen special.
+'Urry, please! 'Urry!'
+
+"So we ''urried,' wonderin' what on earth was the matter. And when we
+got to the Robinson rooms, there was Grace, lookin' awful pale, and the
+old man himself ragin' up and down like a horse mack'rel in a fish weir.
+
+"Soon as papa sees us, he jumped up in the air, so's to speak, and when
+he lit 'twas right on our necks. His daughter, who seemed to be the
+sanest one in the lot, run and shut the door.
+
+"'Look here, you!' raved the old gent, shakin' both fists under Peter
+T.'s nose. 'Didn't you tell me this was a respectable hotel? And ain't
+we payin' for respectability?'
+
+"Peter admitted it, bein' too much set back to argue, I cal'late.
+
+"'Yes!' rages Robinson. 'We pay enough for all the respectability in
+this state. And yet, by the livin' Moses! I can't go out of my room
+to spoil my digestion with your cussed dried-apple pie, but what I'm
+robbed!'
+
+"'Robbed!' the three of us gurgles in chorus.
+
+"'Yes, sir! Robbed! Robbed! ROBBED! What do you think I came here for?
+And why do I stay here all this time? 'Cause I LIKE it? 'Cause I can't
+afford a better place? No, sir! By the great horn spoon! I come here
+because I thought in this forsaken hole I could get lost and be safe.
+And now--'
+
+"He tore around like a water spout, Grace trying to calm him, and
+Henry and Suzette, the maid, groanin' and sobbin' accompaniments in the
+corner. I looked at the dresser. There was silver-backed brushes and all
+sorts of expensive doodads spread out loose, and Miss Robinson's watch
+and a di'mond ring, and a few other knickknacks. I couldn't imagine a
+thief's leavin' all that truck, and I said so.
+
+"'Them?' sputters Pa, frantic. 'What the brimstone blazes do you think
+I care for them? I could buy that sort of stuff by the car-load, if I
+wanted to. But what's been stole is--Oh, get out and leave me alone!
+You're no good, the lot of you!'
+
+"'Father has had a valuable paper stolen from him,' explains Grace. 'A
+very valuable paper.'
+
+"'Valuable!' howls her dad. 'VALUABLE! Why, if Gordon and his gang get
+that paper, they've got ME, that's all. Their suit's as good as won, and
+I know it. And to think that I've kept it safe up to within a month
+of the trial, and now--Grace Sterzer, you stop pattin' my head. I'm no
+pussy-cat! By the--' And so on, indefinite.
+
+"When he called his daughter Sterzer, instead of Robinson, I cal'lated
+he was loony, sure enough. But Peter T. slapped his leg.
+
+"'Oh!' he says, as if he'd seen a light all to once. 'Ah, NOW I begin
+to get wise. I knew your face was--See here, Mr. Sterzer--Mr. Gabriel
+Sterzer--don't you think we'd better have a real, plain talk on this
+matter? Let's get down to tacks. Was the paper you lost something to do
+with the Sterzer-Gordon lawsuit? The Aluminum Trust case, you know?'
+
+"The old man stopped dancin', stared at him hard, and then set down and
+wiped his forehead.
+
+"'Something to DO with it?' he groans. 'Why, you idiot, it was IT!
+If Gordon's lawyers get that paper--and they've been after it for a
+year--then the fat's all in the fire. There's nothin' left for me to do
+but compromise.'
+
+"When Peter T. mentioned the name of Gabriel Sterzer, me and Jonadab
+begun to see a light, too. 'Course you remember the bust-up of the
+Aluminum Trust--everybody does. The papers was full of it. There'd
+been a row among the two leadin' stockholders, Gabe Sterzer and 'Major'
+Gordon. Them two double-back-action millionaires practically owned the
+trust, and the state 'twas in, and the politics of that state, and all
+the politicians. Each of 'em run three or four banks of their own, and
+a couple of newspapers, and other things, till you couldn't rest. Then
+they had the row, and Gabe had took his playthings and gone home, as
+you might say. Among the playthings was a majority of the stock, and the
+Major had sued for it. The suit, with pictures of the leadin'
+characters and the lawyers and all, had been spread-eagled in the papers
+everywheres. No wonder 'Robinson's' face was familiar.
+
+"But it seemed that Sterzer had held the trump card in the shape of the
+original agreement between him and Gordon. And he hung on to it like
+the Old Scratch to a fiddler. Gordon and his crowd had done everything,
+short of murder, to get it; hired folks to steal it, and so on, because,
+once they DID get it, Gabe hadn't a leg to stand on--he'd have to divide
+equal, which wa'n't his desires, by a good sight. The Sterzer lawyers
+had wanted him to leave it in their charge, but no--he knew too much for
+that. The pig-headed old fool had carted it with him wherever he went,
+and him and his daughter had come to the Old Home House because he
+figgered nobody would think of their bein' in such an out-of-the-way
+place as that. But they HAD thought of it. Anyhow, the paper was gone.
+
+"'But Mr. Robinzer--Sterson, I mean--' cut in Cap'n Jonadab, 'you could
+have 'em took up for stealin', couldn't you? They wouldn't dare--'
+
+"''Course they'd dare! S'pose they don't know I wouldn't have that
+agreement get in the papers? Dare! They'd dare anything. If they get
+away with it, by hook or crook, all I can do is haul in my horns and
+compromise. If they've got that paper, the suit never comes to trial.'
+
+"'Well, they ain't got it yet,' says Peter, decided. 'Whoever stole the
+thing is right here in this boardin'-house, and it's up to us to see
+that they stay here. Barzilla, you take care of the mail. No letters
+must go out to-night. Jonadab, you set up and watch all hands, help and
+all. Nobody must leave this place, if we have to tie em. And I'll keep a
+gen'ral overseein' of the whole thing, till we get a detective. And--if
+you'll stand the waybill, Mr. Sterzer--we'll have the best Pinkerton in
+Boston down here in three hours by special train. By the way, are you
+sure the thing IS lifted? Where was it?'
+
+"Old Gabe kind of colored up, and give in that 'twas under his pillow.
+He always kept it there after the beds was made.
+
+"'Humph!' grunts Brown. 'Why didn't you hang it on the door-knob? Under
+the pillow! If I was a sneak thief, the first place I'd look would be
+under the pillow; after that I'd tackle the jewelry box and the safe.'
+
+"There was consider'ble more talk. Seems the Sterzers had left Henry on
+guard, same as they always done, when they went to supper. They could
+trust him and Suzette absolute, they said. But Henry had gone down
+the hall after a drink of water, and when he had got back everything
+apparently was all right. 'Twa'n't till Gabe himself come up that he
+found the paper gone. I judged he'd made it interestin' for Henry; the
+poor critter looked that way.
+
+"All hands agreed to keep mum for the present and to watch. Peter
+hustled to the office and called up the Pinkertons over the long
+distance."
+
+Mr. Wingate paused. Captain Sol was impatient.
+
+"Go on," he said. "Don't stop now, I'm gettin' anxious."
+
+Barzilla rose to his feet. "Here's your McKay man back again," he said.
+"Let's go up to your house and have breakfast. We can talk while we're
+eatin'. I'm empty as a poorhouse boarder's pocketbook."
+
+
+
+
+CHAPTER VI
+
+AVIATION AND AVARICE
+
+
+Breakfast at Capt. Sol Berry's was a bountiful meal. The depot master
+employed a middle-aged woman who came in each day, cooked his meals and
+did the housework, returning to her own home at night. After Mr. Wingate
+had mowed a clean swath through ham and eggs, cornbread and coffee,
+and had reached the cooky and doughnut stage, he condescended to speak
+further concerning the stolen paper.
+
+"Well," he said, "Brown give me and Jonadab a serious talkin' to when he
+got us alone."
+
+"'Now, fellers,' he says, 'we know what we've got to do. Nothin'll be
+too good for this shebang and us if we get that agreement back. Fust
+place, the thing was done a few minutes after the supper-bell rung.
+That is, unless that 'Enry is in on the deal, which ain't unlikely,
+considerin' the price he could get from the Gordon gang. Was anybody
+late at the tables?'
+
+"Why, yes; there were quite a few late. Two of the 'gunners,' who'd been
+on a forlorn-hope duck hunt; and a minister and his wife, out walkin'
+for their health; and Parker and two fellers from the football team,
+who'd been practicin'.
+
+"'Any of the waiters or the chambermaids?' asked Peter.
+
+"I'd been expectin' he'd ask that, and I hated to answer.
+
+"'One of the waiters was a little late,' says I. 'Willie wa'n't on hand
+immediate. Said he went to wash his hands.'
+
+"Now the help gen'rally washed in the fo'castle--the servants'
+quarters, I mean--but there was a wash room on the floor where the
+Sterzer-Robinsons roomed. Peter looked at Jonadab, and the two of 'em at
+me. And I had to own up that Willie had come downstairs from that wash
+room a few minutes after the bell rung.
+
+"'Hum!' says Peter T. 'Hum!' he says. 'Look here, Barzilla, didn't you
+tell me you knew that feller's real name, and that he had been studying
+law?'
+
+"'No,' says I, emphatic. 'I said 'twas law he was tryin' to get away
+from. His tastes run large to literation and poetry.'
+
+"'Hum!' says Peter again. 'All papers are more or less literary--even
+trust agreements. Hum!'
+
+"'All the same,' says I, 'I'll bet my Sunday beaver that HE never took
+it.'
+
+"They didn't answer, but looked solemn. Then the three of us went on
+watch.
+
+"Nobody made a move to go out that evenin'. I kept whatever mail was
+handed in, but there was nothin' that looked like any agreements,
+and nothin' addressed to Gordon or his lawyers. At twelve or so, the
+detective come. Peter drove up to the depot to meet the special. He told
+the whole yarn on the way down.
+
+"The detective was a nice enough chap, and we agreed he should be 'Mr.
+Snow,' of New York, gunnin' for health and ducks. He said the watch must
+be kept up all night, and in the mornin' he'd make his fust move. So
+said, so done.
+
+"And afore breakfast that next mornin' we called everybody into the
+dinin' room, boarders, help, stable hands, every last one. And Peter
+made a little speech. He said that a very valuable paper had been taken
+out of Mr. Robinson's room, and 'twas plain that it must be on the
+premises somewhere. 'Course, nobody was suspicioned, but, speakin'
+for himself, he'd feel better if his clothes and his room was searched
+through. How'd the rest feel about it?
+
+"Well, they felt diff'rent ways, but Parker spoke up like a brick, and
+said he wouldn't rest easy till HIS belongin's was pawed over, and then
+the rest fell in line. We went through everybody and every room on the
+place. Found nothin', of course. Snow--the detective--said he didn't
+expect to. But I tell you there was some talkin' goin' on, just the
+same. The minister, he hinted that he had some doubts about them
+dissipated gunners; and the gunners cal'lated they never see a parson
+yet wouldn't bear watchin'. As for me, I felt like a pickpocket, and,
+judgin' from Jonadab's face, he felt the same.
+
+"The detective man swooped around quiet, bobbin' up in unexpected
+places, like a porpoise, and askin' questions once in a while. He asked
+about most everybody, but about Willie, especial. I judged Peter T. had
+dropped a hint to him and to Gabe. Anyhow, the old critter give out
+that he wouldn't trust a poet with the silver handles on his grandmarm's
+coffin. As for Grace, she acted dreadful nervous and worried. Once I
+caught her swabbin' her eyes, as if she'd been cryin'; but I'd never
+seen her and Willie together but the one time I told you of.
+
+"Four days and nights crawled by. No symptoms yet. The Pinkertons was
+watchin' the Gordon lawyers' office in New York, and they reported
+that nothin' like that agreement had reached there. And our own
+man--Snow--said he'd go bail it hadn't been smuggled off the premises
+sense HE struck port. So 'twas safe so far; but where was it, and who
+had it?
+
+"The final football game, the one with Wapatomac, was to be played over
+on their grounds on the afternoon of the fifth day. Parker, cap'n of the
+eleven, give out that, considerin' everything, he didn't know but we'd
+better call it off. Old Robinson--Sterzer, of course--wouldn't hear of
+it.
+
+"'Not much,' says he. 'I wouldn't chance your losin' that game for forty
+papers. You sail in and lick 'em!' or words to that effect.
+
+"So the eleven was to cruise across the bay in the Greased Lightnin',
+Peter's little motor launch, and the rooters was to go by train later
+on. 'Twas Parker's idee, goin' in the launch. 'Twould be more quiet,
+less strain on the nerves of his men, and they could talk over plays and
+signals on the v'yage.
+
+"So at nine o'clock in the forenoon they was ready, the whole
+team--three waiters, two fishermen, one carpenter from up to Wellmouth
+Center, a stable hand, and Parker and three reg'lar boarders. These last
+three was friends of Parker's that he'd had come down some time afore.
+He knew they could play football, he said, and they'd come to oblige
+him.
+
+"The eleven gathered on the front porch, all in togs and sweaters,
+principally provided and paid for by Sterzer. Cap'n Parker had the ball
+under his arm, and the launch was waitin' ready at the landin'. All the
+boarders--except Grace, who was upstairs in her room--and most of the
+help was standin' round to say good luck and good-by.
+
+"Snow, the detective, was there, and I whispered in his ear.
+
+"'Say,' I says, 'do you realize that for the fust time since the robbery
+here's a lot of folks leavin' the house? How do you know but what--'
+
+"He winked and nodded brisk. 'I'll attend to that,' he says.
+
+"But he didn't have to. Parker spoke fust, and took the wind out of his
+sails.
+
+"'Gentlemen,' says he, 'I don't know how the rest of you feel, but, as
+for me, I don't start without clear skirts. I suggest that Mr. Brown and
+Mr. Wingate here search each one of us, thoroughly. Who knows,' says he,
+laughin', 'but what I've got that precious stolen paper tucked inside my
+sweater? Ha! ha! Come on, fellers! I'll be first.'
+
+"He tossed the ball into a chair and marched into the office, the
+rest of the players after him, takin' it as a big joke. And there the
+searchin' was done, and done thorough, 'cause Peter asked Mr. Snow to
+help, and he knew how. One thing was sure; Pa Gabe's agreement wa'n't
+hid about the persons of that football team. Everybody laughed--that is,
+all but the old man and the detective. Seemed to me that Snow was kind
+of disappointed, and I couldn't see why. 'Twa'n't likely any of THEM was
+thieves.
+
+"Cap'n Parker picked up his football and started off for the launch.
+He'd got about ha'fway to the shore when Willie--who'd been stand-in'
+with the rest of the help, lookin' on--stepped for'ard pretty brisk and
+whispered in the ear of the Pinkerton man. The detective jumped, sort
+of, and looked surprised and mighty interested.
+
+"'By George!' says he. 'I never thought of that.' Then he run to the
+edge of the piazza and called.
+
+"'Mr. Parker!' he sings out. 'Oh, Mr. Parker!'
+
+"Parker was at the top of the little rise that slopes away down to the
+landin'. The rest of the eleven was scattered from the shore to the
+hotel steps. He turns, without stoppin', and answers.
+
+"'What is it?' he sings out, kind of impatient.
+
+"'There's just one thing we forgot to look at,' shouts Snow. 'Merely a
+matter of form, but just bring that--Hey! Stop him! Stop him!'
+
+"For Parker, instead of comin' back, had turned and was leggin' it for
+the launch as fast as he could, and that was some.
+
+"'Stop!' roars the Pinkerton man, jumpin' down the steps. 'Stop, or--'
+
+"'Hold him, Jim!' screeched Parker, over his shoulder. One of the
+biggest men on the eleven--one of the three 'friends' who'd been so
+obligin' as to come down on purpose to play football--made a dive,
+caught the detective around the waist, and threw him flat.
+
+"'Go on, Ed!' he shouts. 'I've got him, all right.'
+
+"Ed--meanin' Parker--was goin' on, and goin' fast. All hands seemed
+to be frozen stiff, me and Jonadab and Peter T. included. As for me, I
+couldn't make head nor tail of the doin's; things was comin' too quick
+for MY understandin'.
+
+"But there was one on that piazza who wa'n't froze. Fur from it! Willie,
+the poet waiter, made a jump, swung his long legs over the porch-rail,
+hit the ground, and took after that Parker man like a cat after a field
+mouse.
+
+"Run! I never see such runnin'! He fairly flashed across that lawn and
+over the rise. Parker was almost to the landin'; two more jumps and he'd
+been aboard the launch. If he'd once got aboard, a turn of the switch
+and that electric craft would have had him out of danger in a shake. But
+them two jumps was two too many. Willie riz off the ground like a flyin'
+machine, turned his feet up and his head down, and lapped his arms
+around Parker's knees. Down the pair of 'em went 'Ker-wallop!' and the
+football flew out of Parker's arms.
+
+"In an eyewink that poet was up, grabs the ball, and comes tearin' back
+toward us.
+
+"'Stop him!' shrieks Parker from astern.
+
+"'Head him off! Tackle him!' bellers the big chap who was hangin' onto
+the detective.
+
+"They tell me that discipline and obeyin' orders is as much in football
+as 'tis aboard ship. If that's so, every one of the Old Home House
+eleven was onto their jobs. There was five men between Willie and the
+hotel, and they all bore down on him like bats on a June bug.
+
+"'Get him!' howls Parker, racin' to help.
+
+"'Down him!' chimes in big Jim, his knee in poor Snow's back.
+
+"'Run, Bearse! Run!' whoops the Pinkerton man, liftin' his mouth out of
+the sand.
+
+"He run--don't you worry about that! Likewise he dodged. One chap
+swooped at him, and he ducked under his arms. Another made a dive, and
+he jumped over him. The third one he pushed one side with his hand.
+'Pushed!' did I say? 'Knocked' would be better, for the feller--the
+carpenter 'twas--went over and over like a barrel rollin' down hill. But
+there was two more left, and one of 'em was bound to have him.
+
+"Then a window upstairs banged open.
+
+"'Oh, Mr. Bearse!' screamed a voice--Grace Sterzer's voice. 'Don't let
+them get you!'
+
+"We all heard her, in spite of the shoutin' and racket. Willie heard
+her, too. The two fellers, one at each side, was almost on him, when
+he stopped, looked up, jumped back, and, as cool as a rain barrel in
+January, he dropped that ball and kicked it.
+
+"I can see that picture now, like a tableau at a church sociable. The
+fellers that was runnin', the others on the ground, and that literary
+pie passer with his foot swung up to his chin.
+
+"And the ball! It sailed up and up in a long curve, began to drop,
+passed over the piazza roof, and out of sight.
+
+"'Lock your door, Miss Sterzer,' sung out Fred Bearse--'Willie' for
+short. 'Lock your door and keep that ball. I think your father's paper
+is inside it.'
+
+"As sure as my name is Barzilla Wingate, he had kicked that football
+straight through the open window into old Gabe's room."
+
+The depot master whooped and slapped his knee. Mr. Wingate grinned
+delightedly and continued:
+
+"There!" he went on, "the cat's out of the bag, and there ain't much
+more to tell. Everybody made a bolt for the room, old Gabe and Peter
+T. in the lead. Grace let her dad in, and the ball was ripped open in a
+hurry. Sure enough! Inside, between the leather and the rubber, was
+the missin' agreement. Among the jubilations and praise services nobody
+thought of much else until Snow, the Pinkerton man, come upstairs, his
+clothes tore and his eyes and nose full of sand.
+
+"'Humph!' says he. 'You've got it, hey? Good! Well, you haven't got
+friend Parker. Look!'
+
+"Such of us as could looked out of the window. There was the launch,
+with Parker and his three 'friends' in it, headin' two-forty for blue
+water.
+
+"'Let 'em go,' says old Gabe, contented. 'I wouldn't arrest 'em if I
+could. This is no police-station job.'
+
+"It come out afterwards that Parker was a young chap just from law
+school, who had gone to work for the firm of shysters who was attendin'
+to the Gordon interests. They had tracked Sterzer to the Old Home House,
+and had put their new hand on the job of gettin' that agreement. Fust
+he'd tried to shine up to Grace, but the shine--her part of it--had wore
+off. Then he decided to steal it; and he done it, just how nobody knows.
+Snow, the detective, says he cal'lates Henry, the servant, is wiser'n
+most folks thinks, fur's that's concerned.
+
+"Snow had found out about Parker inside of two days. Soon's he got the
+report as to who he was, he was morally sartin that he was the thief.
+He'd looked up Willie's record, too, and that was clear. In fact, Willie
+helped him consider'ble. 'Twas him that recognized Parker, havin' seen
+him play on a law-school team. Also 'twas Willie who thought of the
+paper bein' in the football.
+
+"Land of love! What a hero they made of that waiter!
+
+"'By the livin' Moses!' bubbles old Gabe, shakin' both the boy's hands.
+'That was the finest run and tackle and the finest kick I ever saw
+anywhere. I've seen every big game for ten years, and I never saw
+anything half so good.'
+
+"The Pinkerton man laughed. 'There's only one chap on earth who can kick
+like that. Here he is,' layin' his hand on 'Willie's' shoulder. Bearse,
+the All-American half-back last year.'
+
+"Gabe's mouth fell open. 'Not "Bung" Bearse, of Yarvard!' he sings out.
+'Why! WHY!'
+
+"'Of course, father!' purrs his daughter, smilin' and happy. 'I knew
+him at once. He and I were--er--slightly acquainted when I was at
+Highcliffe.'
+
+"'But--but "Bung" Bearse!' gasps the old gent. 'Why, you rascal! I saw
+you kick the goal that beat Haleton. Your reputation is worldwide.'
+
+"Willie--Fred Bearse, that is--shook his head, sad and regretful.
+
+"'Thank you, Mr. Sterzer,' says he, in his gentle tenor. 'I have no
+desire to be famous in athletics. My aspirations now are entirely
+literary.'
+
+"Well, he's got his literary job at last, bein' engaged as sportin'
+editor on one of Gabe's papers. His dad, old Sol Bearse, seems to be
+pretty well satisfied, partic'lar as another engagement between the
+Bearse family and the Sterzers has just been given out."
+
+Barzilla helped himself to another doughnut. His host leaned back in his
+chair and laughed uproariously.
+
+"Well, by the great and mighty!" he exclaimed, "that Willie chap
+certainly did fool you, didn't he. You can't always tell about these
+college critters. Sometimes they break out unexpected, like chickenpox
+in the 'Old Men's Home.' Ha! ha! Say, do you know Nate Scudder?"
+
+"Know him? Course I know him! The meanest man on the Cape, and livin'
+right in my own town, too! Well, if I didn't know him I might trust him,
+and that would be the beginnin' of the end--for me."
+
+"It sartin would. But what made me think of him was what he told
+me about his nephew, who was a college chap, consider'ble like your
+'Willie,' I jedge. Nate and this nephew, Augustus Tolliver, was mixed up
+in that flyin'-machine business, you remember."
+
+"I know they was. Mixed up with that Professor Dixland the papers are
+makin' such a fuss over. Wellmouth's been crazy over it all, but it
+happened a year ago and nobody that I know of has got the straight
+inside facts about it yet. Nate won't talk at all. Whenever you ask him
+he busts out swearin' and walks off. His wife's got such a temper that
+nobody dared ask her, except the minister. He tried it, and ain't been
+the same man since."
+
+"Well," the depot master smilingly scratched his chin, "I cal'late I've
+got those inside facts."
+
+"You HAVE?"
+
+"Yes. Nate gave 'em to me, under protest. You see, I know Nate pretty
+well. I know some things about him that . . . but never mind that part.
+I asked him and, at last, he told me. I'll have to tell you in his
+words, 'cause half the fun was the way he told it and the way he looked
+at the whole business. So you can imagine I'm Nate, and--"
+
+"'Twill be a big strain on my imagination to b'lieve you're Nate
+Scudder, Sol Berry."
+
+"Thanks. However, you'll have to do it for a spell. Well, Nate said that
+it really begun when the Professor and Olivia landed at the Wellmouth
+depot with the freight car full of junk. Of course, the actual
+beginnin' was further back than that, when that Harmon man come on from
+Philadelphy and hunted him up, makin' proclamation that a friend of
+his, a Mr. Van Brunt of New York, had said that Scudder had a nice quiet
+island to let and maybe he could hire it.
+
+"Course Nate had an island--that little sun-dried sandbank a mile or
+so off shore, abreast his house, which we used to call 'Horsefoot Bar.'
+That crazy Van Brunt and his chum, Hartley, who lived there along
+with Sol Pratt a year or so ago, re-christened it 'Ozone Island,' you
+remember. Nate was willin' to let it. He'd let Tophet, if he owned it,
+and a fool come along who wanted to hire it and could pay for the rent
+and heat.
+
+"So Nate and this Harmon feller rowed over to the Bar--to Ozone Island,
+I mean--and the desolation and loneliness of it seemed to suit him to
+perfection. So did the old house and big barn and all the tumbledown
+buildin's stuck there in the beach-grass and sand. Afore they'd left
+they made a dicker. He wa'n't the principal in it. He was the private
+secretary and fust mate of Mr. Professor Ansel Hobart Dixland, the
+scientist--perhaps Scudder'd heard of him?
+
+"Perhaps he had, but if so, Nate forgot it, though he didn't tell him
+that. Harmon ordered a fifteen-foot-high board fence built all around
+the house and barn, and made Nate swear not to tell a soul who was
+comin' nor anything. Dixland might want the island two months, he said,
+or he might want it two years. Nate didn't care. He was in for good
+pickin's, and begun to pick by slicin' a liberal commission off that
+fencebuildin' job. There was a whole passel of letters back and forth
+between Nate and Harmon, and finally Nate got word to meet the victims
+at the depot.
+
+"There was the professor himself, an old dried-up relic with whiskers
+and a temper; and there was Miss Olivia Dixland, his niece and
+housekeeper, a slim, plain lookin' girl, who wore eyeglasses and a
+straight up and down dress. And there was a freight car full of crates
+and boxes and land knows what all. But nary sign was there of a private
+secretary and assistant. The professor told Nate that Mr. Harmon's
+health had suddenly broke down and he'd had to be sent South.
+
+"'It's a calamity,' says he; 'a real calamity! Harmon has been with
+me in my work from the beginnin'; and now, just as it is approachin'
+completion, he is taken away. They say he may die. It is very annoyin'.'
+
+"'Humph!' says Nate. 'Well, maybe it annoys HIM some, too; you can't
+tell. What you goin' to do for a secretary?'
+
+"'I understand,' says the professor, 'that there is a person of
+consider'ble scientific attainment residin' with you, Mr. Scudder, at
+present. Harmon met him while he was here; they were in the same class
+at college. Harmon recommended him highly. Olivia,' he says to the
+niece, 'what was the name of the young man whom Harmon recommended?'
+
+"'Tolliver, Uncle Ansel,' answers the girl, lookin' kind of disdainful
+at Nate. Somehow he had the notion that she didn't take to him fust
+rate.
+
+"'Hey?' sings out Nate. 'Tolliver? Why, that's Augustus! AUGUSTUS! well,
+I'll be switched!'
+
+"Augustus Tolliver was Nate's nephew from up Boston way. Him and Nate
+was livin' together at that time. Huldy Ann, Mrs. Scudder, was out West,
+in Omaha, takin' care of a cousin of hers who was a chronic invalid and,
+what's more to the purpose, owned a lot of stock in copper mines.
+
+"Augustus was a freckle-faced, spindle-shanked little critter, with
+spectacles and a soft, polite way of speakin' that made you want to
+build a fire under him to see if he could swear like a Christian. He
+had a big head with consider'ble hair on the top of it and nothin'
+underneath but what he called 'science' and 'sociology.' His science
+wa'n't nothin' but tommy-rot to Nate, and the 'sociology' was some kind
+of drivel about everybody bein' equal to everybody else, or better.
+'Seemed to think 'twas wrong to get a good price for a thing when you
+found a feller soft enough to pay it. Did you ever hear the beat of that
+in your life?' says Nate.
+
+"However, Augustus had soaked so much science and sociology into that
+weak noddle of his that they kind of made him drunk, as you might say,
+and the doctor had sent him down to board with the Scudders and sleep it
+off. 'Nervous prostration' was the way he had his symptoms labeled, and
+the nerve part was all right, for if a hen flew at him he'd holler and
+run. Scart! you never see such a scart cat in your born days. Scart of a
+boat, scart of being seasick, scart of a gun, scart of everything! Most
+special he was scart of Uncle Nate. The said uncle kept him that way
+so's he wouldn't dast to kick at the grub him and Huldy Ann give him, I
+guess.
+
+"'Augustus Tolliver,' says old Dixland, noddin'. 'Yes, that is the name.
+Has he had a sound scientific trainin'?'
+
+"'Scientific trainin'!' says Nate. 'Scientific trainin'? Why, you bet
+he's had it! That's the only kind of trainin' he HAS had. He'll be just
+the feller for you, Mr. Dixland.'
+
+"So that was settled, all but notifyin' Augustus. But Scudder sighted
+another speculation in the offin', and hove alongside of it.
+
+"'Mr. Harmon, when he was here,' says he, 'he mentioned you needin'
+a nice, dependable man to live on the island and be sort of general
+roustabout. My wife bein' away just now, and all, it struck me that I
+might as well be that man. Maybe my terms'll seem a little high, at fust
+mention, but--'
+
+"'Very good,' says the professor, 'very good. I'm sure you'll be
+satisfactory. Now please see to the unloading of that car. And be
+careful, VERY careful.'
+
+"Nate broke the news to Augustus that afternoon. He had his nose stuck
+in a book, as usual, and never heard, so Nate yelled at him like a mate
+on a tramp steamer, just to keep in trainin'.
+
+"'Who? Who? Who? What? What?' squeals Augustus, jumpin' out of the
+chair as if there was pins in it. 'What is it? Who did it? Oh, my poor
+nerves!'
+
+"'Drat your poor nerves!' Nate says. 'I've got a good promisin' job for
+you. Listen to this.'
+
+"Then he told about the professor's wantin' Gus to be assistant and help
+do what the old man called 'experiments.'
+
+"'Dixland?' says Gus, 'Ansel Hobart Dixland, the great scientist! And
+I'm to be HIS assistant? Assistant to the man who discovered DIXIUM and
+invented--'
+
+"'Oh, belay there!' snorts Nate, impatient. Tell me this--he's awful
+rich, ain't he?'
+
+"'Why, I believe--yes, Harmon said he was. But to think of MY bein'--'
+
+"'Now, nephew,' Nate cut in, 'let me talk to you a minute. Me and your
+Aunt Huldy Ann have been mighty kind to you sence you've been here, and
+here's your chance to do us a good turn. You stick close to science and
+the professor and let me attend to the finances. If this family ain't
+well off pretty soon it won't be your Uncle Nate's fault. Only don't you
+put your oar in where 'tain't needed.'
+
+"Lord love you, Gus didn't care about finances. He was so full of joy at
+bein' made assistant to the great Ansel Whiskers Dixland that he forgot
+everything else, nerves and all.
+
+"So in another day the four of 'em was landed on Ozone Island and so was
+the freight-car load of crates and boxes. Grub and necessaries was to be
+provided by Scudder--for salary as stated and commission understood.
+
+"It took Nate less than a week to find out what old Dixland was up to.
+When he learned it, he set down in the sand and fairly snorted disgust.
+The old idiot was cal'latin' to FLY. Seems that for years he'd been
+experimentin' with what he called 'aeroplanes,' and now he'd reached the
+stage where he b'lieved he could flap his wings and soar. 'Thinks I,'
+says Nate, 'your life work's cut out for you, Nate Scudder. You'll spend
+the rest of your days as gen'ral provider for the Ozone private asylum.'
+Well, Scudder wa'n't complainin' none at the outlook. He couldn't make a
+good livin' no easier.
+
+"The aeroplane was in sections in them boxes and crates. Nate and
+Augustus and the professor got out the sections and fitted 'em together.
+The buildin's on Ozone was all joined together--first the house, then
+the ell, then the wash-rooms and big sheds, and, finally, the barn.
+There was doors connectin', and you could go from house to barn, both
+downstairs and up, without steppin' outside once.
+
+"'Twas in the barn that they built what Whiskers called the 'flyin'
+stage.' 'Twas a long chute arrangement on trestles, and the idea was
+that the aeroplane was to get her start by slidin' down the chute, out
+through the big doors and off by the atmosphere route to glory. I say
+that was the IDEA. In practice she worked different.
+
+"Twice the professor made proclamations that everything was ready, and
+twice they started that flyin' machine goin'. The fust time Dixland
+was at the helm, and him and the aeroplane dropped headfust into the
+sandbank just outside the barn. The machine was underneath, and the
+pieces of it acted as a fender, so all the professor fractured was his
+temper. But it took ten days to get the contraption ready for the next
+fizzle. Then poor, shaky, scart Augustus was pilot, and he went so deep
+into the bank that Nate says he wondered whether 'twas wuth while doin'
+anything but orderin' the gravestone. But they dug him out at last,
+whole, but frightened blue, and his nerves was worse than ever after
+that.
+
+"Then old Dixland announces that he has discovered somethin' wrong in
+the principle of the thing, and they had to wait while he ordered some
+new fittin's from Boston.
+
+"Meanwhile there was other complications settin' in. Scudder was kept
+busy providin' grub and such like and helpin' the niece, Olivia,
+with the housework. Likewise he had his hands full keepin' the
+folks alongshore from findin' out what was goin' on. All this flyin'
+foolishness had to be a dead secret.
+
+"But, busy as he was, he found time to notice the thick acquaintance
+that was developin' between Augustus and Olivia. Them two was what the
+minister calls 'kindred sperrits.' Seems she was sufferin' from science
+same as he was and, more'n that, she was loaded to the gunwale with
+'social reform.' To hear the pair of 'em go on about helpin' the poor
+and 'settlement work' and such was enough, accordin' to Nate, to make
+you leave the table. But there! He couldn't complain. Olivia was her
+uncle's only heir, and Nate could see a rainbow of promise ahead for the
+Scudder family.
+
+"The niece was a nice, quiet girl. The only thing Nate had against her,
+outside of the sociology craziness and her not seemin' to take a shine
+to him, was her confounded pets. Nate said he never had no use for
+pets--lazy critters, eatin' up the victuals and costin' money--but
+Olivia was dead gone on 'em. She adopted an old reprobate of a tom-cat,
+which she labeled 'Galileo,' after an Eyetalian who invented spyglasses
+or somethin' similar, and a great big ugly dog that answered to the hail
+of 'Phillips Brooks'; she named him that because she said the original
+Phillips was a distinguished parson and a great philanthropist.
+
+"That dog was a healthy philanthropist. When Nate kicked him the first
+time, he chased him the whole length of the barn. After that they had to
+keep him chained up. He was just pinin' for a chance to swaller Scudder
+whole, and he showed it.
+
+"Well, as time went on, Olivia and Augustus got chummier and chummier.
+Nate give 'em all the chance possible to be together, and as for old
+Professor Whiskers, all he thought of, anyway, was his blessed flyin'
+machine. So things was shapin' themselves well, 'cordin' to Scudder's
+notion.
+
+"One afternoon Nate come, unexpected, to the top of a sand hill at
+t'other end of the island, and there, below, set Olivia and Augustus.
+He had a clove hitch 'round her waist, and they was lookin' into each
+other's spectacles as if they was windows in the pearly gates. Thinks
+Nate: 'They've signed articles,' and he tiptoed away, feelin' that life
+wa'n't altogether an empty dream.
+
+"They was lively hours, them that followed. To begin with, when Nate got
+back to the barn he found the professor layin' on the floor, under the
+flyin' stage, groanin' soulful but dismal. He'd slipped off one of the
+braces of the trestles and sprained both wrists and bruised himself till
+he wa'n't much more than one big lump. He hadn't bruised his tongue
+none to speak of, though, and his language wa'n't sprained so that you'd
+notice it. What broke him up most of all was that he'd got his aeroplane
+ready to 'fly' again, and now he was knocked out so's he couldn't be
+aboard when she went off the ways.
+
+"'It is the irony of fate,' says he.
+
+"'I got it off the blacksmith over to Wellmouth Centre,' Nate told him;
+'but HE might have got it from Fate, or whoever you mean. 'Twas slippery
+iron, I know that, and I warned you against steppin' on it yesterday.'
+
+"The professor more'n hinted that Nate was a dunderhead idiot, and then
+he commenced to holler for Tolliver; he wanted to see Tolliver right
+off. Scudder thought he'd ought to see a doctor, but he wouldn't, so
+Nate plastered him up best he could, got him into the big chair in the
+front room, and went huntin' Augustus. Him and Olivia was still
+camped in the sand bank. Gus's right arm had got tired by this time, I
+cal'late, but he had a new hitch with his left. Likewise they was still
+starin' into each other's specs.
+
+"'Excuse me for interruptin' the mesmerism,' says Nate, 'but the
+professor wants to see you.'
+
+"They jumped and broke away. But it took more'n that to bring 'em down
+out of the clouds. They'd been flyin' a good sight higher than the old
+aeroplane had yet.
+
+"'Uncle Nathan,' says Augustus, gettin' up and shakin' hands, 'I have
+the most wonderful news for you. It's hardly believable. You'll never
+guess it.'
+
+"'Give me three guesses and I'll win on the fust,' says Nate. 'You two
+are engaged.'
+
+"They looked at him as if he'd done somethin' wonderful. 'But, Uncle,'
+says Gus, shakin' hands again, 'just think! she's actually consented to
+marry me.'
+
+"'Well, that's gen'rally understood to be a part of engagin', ain't
+it?' says Nate. 'I'm glad to hear it. Miss Dixland, I congratulate you.
+You've got a fine, promisin' young man.'
+
+"That, to Nate's notion, was about the biggest lie he ever told, but
+Olivia swallered it for gospel. She seemed to thaw toward Scudder a
+little mite, but 'twa'n't at a permanent melt, by no means.
+
+"'Thank you, Mr. Scudder,' says she, still pretty frosty. 'I am full
+aware of Mr. Tolliver's merits. I'm glad to learn that YOU recognize
+them. He has told some things concernin' his stay at your home which--'
+
+"'Yes, yes,' says Nate, kind of hurried. 'Well, I'm sorry to dump bad
+news into a puddle of happiness like this, but your Uncle Ansel, Miss
+Dixland, has been tryin' to fly without his machine, and he's sorry for
+it.'
+
+"Then he told what had happened to the professor, and Olivia started on
+the run for the house. Augustus was goin', too, but Nate held him back.
+
+"'Wait a minute, Gus,' says he. 'Walk along with me; I want to talk with
+you. Now, as an older man, your nighest relation, and one that's come to
+love you like a son--yes, sir, like a son--I think it's my duty just now
+to say a word of advice. You're goin' to marry a nice girl that's comin'
+in for a lot of money one of these days. The professor, he's kind of
+old, his roof leaks consider'ble, and this trouble is likely to hurry
+the end along.
+
+"'Now, then,' Nate goes on, 'Augustus, my boy, what are you and that
+simple, childlike girl goin' to do with all that money? How are you
+goin' to take care of it? You and 'Livia--you mustn't mind my callin'
+her that 'cause she's goin' to be one of the family so soon--you'll
+want to be fussin' with science and such, and you won't have no time
+to attend to the finances. You'll need a good, safe person to be your
+financial manager. Well, you know me and you know your Aunt Huldy Ann.
+WE know all about financin'; WE'VE had experience. You just let us
+handle the bonds and coupons and them trifles. We'll invest 'em for you.
+We'll be yours and 'Livia's financial managers. As for our wages, maybe
+they'll seem a little high, but that's easy arranged. And--'
+
+"Gus interrupted then. 'Oh, that's all settled,' he says. 'Olivia and I
+have planned all that. When we're married we shall devote our lives to
+social work--to settlement work. All the money we ever get we shall use
+to help the poor. WE don't want any of it. We shall live AMONG the poor,
+live just as frugally as they do. Our money we shall give--every cent of
+it--to charity and--'
+
+"'Lord sakes!' yells Nate, 'DON'T talk that way! Don't! Be you crazy,
+too? Why--'
+
+"But Gus went on, talkin' a steady streak about livin' in a little
+tenement in what he called the 'slums' and chuckin' the money to this
+tramp and that, till Nate's head was whirlin'. 'Twa'n't no joke. He
+meant it and so did she, and they was just the pair of loons to do it,
+too.
+
+"Afore Nate had a chance to think up anything sensible to say, Olivia
+comes hollerin' for Gus to hurry. Off he went, and Nate followed
+along, holdin' his head and staggerin' like a voter comin' home from a
+political candidate's picnic. All he could think of was: 'THIS the end
+of all my plannin'! What--WHAT'LL Huldy Ann say to THIS?'
+
+"Nate found the professor bolstered up in his chair, with the other
+two standin' alongside. He was layin' down the law about that blessed
+aeroplane.
+
+"'No! no! NO! I tell you!' he roars, 'I'll see no doctor. My invention
+is ready at last, and, if I'm goin' to die, I'll die successful.
+Tolliver, you've been a faithful worker with me, and yours shall be the
+privilege of makin' the first flight. Wheel me to the window, Olivia,
+and let me see my triumph.'
+
+"But Olivia didn't move. Instead, she looked at Augustus and he at her.
+'Wheel me to the window!' yells Dixland. 'Tolliver, what are you waitin'
+for? The doors are open, the aeroplane is ready. Go this instant and
+fly.'
+
+"Augustus was a bird all right, 'cordin' to Nate's opinion, but he
+didn't seem anxious to spread his wings. He was white, and them nerves
+of his was all in a twitter. If ever there was a scart critter, 'twas
+him then.
+
+"'Go out and fly,' says Nate to him, pretty average ugly. 'Don't you
+hear the boss's order? Here, professor, I'll push you to the window.'
+
+"'Thank you, Scudder,' says Dixland. And then turnin' to Gus: 'Well,
+sir, may I ask why you wait?'
+
+"'Twas Olivia that answered. 'Uncle Ansel,' says she, 'I must tell you
+somethin'. I should have preferred tellin' you privately,' she puts in,
+glarin' at Nate, 'but it seems I can't. Mr. Tolliver and I are engaged
+to be married.'
+
+"Old Whiskers didn't seem to care a continental. All he had in his
+addled head was that flyin' contraption.
+
+"'All right, all right,' he snaps, fretty, 'I'm satisfied. He appears to
+be a decent young man enough. But now I want him to start my aeroplane.'
+
+"'No, Uncle Ansel,' goes on Olivia, 'I cannot permit him to risk his
+life in that way. His nerves are not strong and neither is his heart.
+Besides, the aeroplane has failed twice. Luckily no one was killed in
+the other trials, but the chances are that the third time may prove
+fatal.'
+
+"'Fatal, you imbecile!' shrieks the professor. 'It's perfected, I tell
+you! I--'
+
+"'It makes no difference. No, uncle, Augustus and I have made up our
+minds. His life and health are too precious; he must be spared for the
+grand work that we are to do together. No, Uncle Ansel, he shall NOT
+fly.'
+
+"Did you ever see a cat in a fit? That was the professor just then, so
+Nate said. He tried to wave his sprained wrists and couldn't; tried to
+stamp his foot and found it too lame. But his eyeglasses flashed sparks
+and his tongue spit fire.
+
+"'Are you goin' to start that machine?' he screams at the blue-white,
+shaky Augustus.
+
+"'No, Professor Dixland,' stammers Gus. 'No, sir, I'm sorry, but--'
+
+"'Why don't you ask Mr. Scudder to make the experiment, uncle?' suggests
+that confounded niece, smilin' the spitefullest smile.
+
+"'Scudder,' says the professor, 'I'll give you five thousand dollars
+cash to start in that aeroplane this moment.'
+
+"For a jiffy Nate was staggered. Five thousand dollars CASH--whew! But
+then he thought of how deep Gus had been shoved into that sandbank.
+And there was a new and more powerful motor aboard the thing now. Five
+thousand dollars ain't much good to a telescoped corpse. He fetched a
+long breath.
+
+"'Well, now, Mr. Dixland,' he says, 'I'd like to, fust rate, but you see
+I don't know nothin' about mechanics.'
+
+"'Professor--' begins Augustus. 'Twas the final straw. Old Whiskers
+jumped out of the chair, lameness and all.
+
+"'Out of this house, you ingrate!' he bellers. 'Out this instant! I
+discharge you. Go! go!'
+
+"He was actually frothin' at the mouth. I cal'late Olivia thought he was
+goin' to die, for she run to him.
+
+"'You'd better go, I think,' says she to her shakin' beau. 'Go, dear,
+now. I must stay with him for the present, but we will see each other
+soon. Go now, and trust me.'
+
+"'I disown you, you ungrateful girl,' foams her uncle. 'Scudder, I order
+you to put that--that creature off this island.'
+
+"'Yes, sir,' says Nate, polite; 'in about two shakes of a heifer's
+tail.'
+
+"He started for Augustus, and Gus started for the door. I guess Olivia
+might have interfered, but just then the professor keels over in a kind
+of faint and she had to tend to him. Gus darts out of the door with Nate
+after him. Scudder reached the beach just as his nephew was shovin' off
+in the boat, bound for the mainland.
+
+"'Consarn your empty head!' Nate yelled after him. 'See what you get by
+not mindin' me, don't you? I'm runnin' things on this island after this.
+I'm boss here; understand? When you're ready to sign a paper deedin'
+over ha'f that money your wife's goin' to get to me and Huldy Ann, maybe
+I'll let you come back. And perhaps then I'll square things for you with
+Dixland. But if you dare to set foot on these premises until then I'll
+murder you; I'll drown you; I'll cut you up for bait; I'll feed you to
+the dog.'
+
+"He sculled off, his oars rattlin' 'Hark from the tomb' in the rowlocks.
+He b'lieved Nate meant it all. Oh, Scudder had HIM trained all right."
+
+
+
+
+CHAPTER VII
+
+CAPTAIN SOL DECIDES TO MOVE
+
+
+"Trust Nate for that," interrupted Wingate. "He's just as much a born
+bully as he is a cheat and a skinflint."
+
+"Yup," went on Captain Sol. "Well, when Nate got back to the house the
+professor was alone in the chair, lookin' sick and weak. Olivia was up
+in her room havin' a cryin' fit. Nate got the old man to bed, made him
+some clam soup and hot tea, and fetched and carried for him like he was
+a baby. The professor's talk was mainly about the ungrateful desertion,
+as he called it, of his assistant.
+
+"'Keep him away from this island,' he says. 'If he comes, I shall commit
+murder; I know it.'
+
+"Scudder promised that Augustus shouldn't come back. The professor
+wanted guard kept night and day. Nate said he didn't know's he could
+afford so much time, and Dixland doubled his wages on the spot. So Nate
+agreed to stand double watches, made him comfort'ble for the night, and
+left him.
+
+"Olivia didn't come downstairs again. She didn't seem to want any
+supper, but Nate did and had it, a good one. Galileo, the cat, came
+yowlin' around, and Nate kicked him under the sofy. Phillips Brooks
+was howlin' starvation in the woodshed, and Scudder let him howl. If
+he starved to death Nate wouldn't put no flowers on his grave. Take it
+altogether, he was havin' a fairly good time.
+
+"And when, later on, he set alone up in his room over the kitchen, he
+begun to have a better one. Prospects looked good. Maybe old Dixland
+WOULD disown his niece. If he did, Nate figgered he was as healthy a
+candidate for adoption as anybody. And Augustus would have to come to
+terms or stay single. That is, unless him and Olivia got married on
+nothin' a week, paid yearly. Nate guessed Huldy Ann would think he'd
+managed pretty well.
+
+"He set there for a long while, thinkin', and then he says he cal'lates
+he must have dozed off. At any rate, next thing he knew he was settin'
+up straight in his chair, listenin'. It seemed to him that he'd heard a
+sound in the kitchen underneath.
+
+"He looked out of the window, and right away he noticed somethin'. 'Twas
+a beautiful, clear moonlight night, and the high board fence around the
+buildin's showed black against the white sand. And in that white
+strip was a ten-foot white gape. Nate had shut that gate afore he went
+upstairs. Who'd opened it? Then he heard the noise in the kitchen again.
+Somebody was talkin' down there.
+
+"Nate got up and tiptoed acrost the room. He was in his stockin' feet,
+so he didn't make a sound. He reached into the corner and took out his
+old duck gun. It was loaded, both barrels. Nate cocked the gun and crept
+down the back stairs.
+
+"There was a lamp burnin' low on the kitchen table, and there, in a
+couple of chairs hauled as close together as they could be, set
+that Olivia niece and Augustus. They was in a clove hitch again and
+whisperin' soft and slushy.
+
+"My! but Scudder was b'ilin'! He give one jump and landed in the middle
+of that kitchen floor.
+
+"'You--you--you!' he yelled, wavin' the shotgun. 'You're back here, are
+you? You know what I told you I'd do to you? Well, now, I'll do it.'
+
+"The pair of 'em had jumped about as far as Nate had, only the opposite
+way. Augustus was a paralyzed statue, but Olivia had her senses with
+her.
+
+"'Run, Augustus!' she screamed. 'He'll shoot you. Run!'
+
+"And then, with a screech like a siren whistle, Augustus commenced to
+run. Nate was between him and the outside door, so he bolted headfirst
+into the dining room. And after him went Nate Scudder, so crazy mad he
+didn't know what he was doin'.
+
+"'Twas pitch dark in the dining room, but through it they went rattlety
+bang! dishes smashin', chairs upsettin' and 'hurrah, boys!' to pay
+gen'rally. Then through the best parlor and into the front hall.
+
+"I cal'late Nate would have had him at the foot of the front stairs if
+it hadn't been for Galileo. That cat had been asleep on the sofy, and
+the noise and hullabaloo had stirred him up till he was as crazy as the
+rest of 'em. He run right under Nate's feet and down went Nate sprawlin'
+and both barrels of the shotgun bust loose like a couple of cannon.
+
+"Galileo took for tall timber, whoopin' anthems. Up them front stairs
+went Augustus, screechin' shrill, like a woman; he was SURE Nate meant
+to murder him now. And after him his uncle went on all fours, swearin'
+tremendous.
+
+"Then 'twas through one bedroom after another, and each one more crowded
+with noisy, smashable things than that previous. Nate said he could
+remember the professor roarin' 'Fire!' and 'Help!' as the two of 'em
+bumped into his bed, but they didn't stop--they was too busy. The whole
+length of the house upstairs they traveled, then through the ell, then
+the woodshed loft, and finally out into the upper story of the barn. And
+there Nate knew he had him. The ladder was down.
+
+"'Now!' says Nate. 'Now, you long-legged villain, if I don't give you
+what's comin' to you, then--Oh, there ain't no use in your climbin' out
+there; you can't get down.'
+
+"The big barn doors was open, and, in the moonlight, Nate could see
+Gus scramblin' up and around on the flyin' stage where the professor's
+aeroplane was perched, lookin' like some kind of magnified June bug.
+
+"'Come back, you fool!' Scudder yelled at him. 'Come back and be
+butchered. You might as well; it's too high for you to drop. You won't?
+Then I'll come after you.'
+
+"Nate says he never shall forget Augustus's face in the blue light when
+he see his uncle climbin' out on that stage after him. He was simply
+desperate--that's it, desperate. And the next thing he did was jump into
+the saddle of the machine and pull the startin' lever.
+
+"There was the buzz of the electric motor, a slippery, slidin' sound,
+one awful hair-raisin' whoop from Augustus, and then--'F-s-s-s-t!'--down
+the flyin' stage whizzed that aeroplane and out through the doors.
+
+"Nate set down on the trestles and waited for the sound of the smash.
+I guess he actually felt conscience stricken. Of course, he'd only done
+his duty, and yet--
+
+"But no smash came. Instead, there was a long scream from the
+kitchen--Olivia's voice that was. And then another yell that for pure
+joy beat anything ever heard.
+
+"'It flies!' screamed Professor Ansel Hobart Whiskers Dixland, from his
+bedroom window. 'At last! At last! It FLIES!'
+
+"It took Nate some few minutes to paw his way back through the shed loft
+and the ell over the things him and Gus knocked down on the fust lap,
+until he got to his room where the trouble had started. Then he went
+down to the kitchen and outdoor.
+
+"Olivia, a heavenly sort of look on her face, was standin' in the
+moonlight, with her hands clasped, lookin' up at the sky.
+
+"'It flies!' says she, in a kind of whisper over and over again. 'Oh! it
+FLIES!'
+
+"Alongside of her was old Dixland, wrapped in a bedquilt, forgettin' all
+about sprains and lameness; and he likewise was staring at the sky and
+sayin' over and over:
+
+"'It flies! It really FLIES!'
+
+"And Nate looked up, and there, scootin' around in circles, now up high
+and now down low, tippin' this way and tippin' that, was that aeroplane.
+And in the stillness you could hear the buzz of the motor and the yells
+of Augustus.
+
+"Down flopped Scudder in the sand. 'Great land of love,' he says, 'it
+FLIES!'
+
+"Well, for five minutes or so they watched that thing swoop and duck and
+sail up there overhead. And then, slow and easy as a feather in a May
+breeze, down she flutters and lands soft on a hummock a little ways off.
+And that Augustus--a fool for luck--staggers out of it safe and sound,
+and sets down and begins to cry.
+
+"The fust thing to reach him was Olivia. She grabbed him around the
+neck, and you never heard such goin's on as them two had. Nate come
+hurryin' up.
+
+"'Here you!' he says, pullin' 'em apart. 'That's enough of this. And
+you,' he adds to Gus, 'clear right out off this island. I won't make
+shark bait of you this time, but--'
+
+"And then comes Dixland, hippity-hop over the hummocks. 'My noble boy!'
+he sings out, fallin' all of a heap onto Augustus's round shoulders. 'My
+noble boy! My hero!'
+
+"Nate looked on for a full minute with his mouth open. Olivia went away
+toward the house. The professor and Gus was sheddin' tears like a couple
+of waterin' pots.
+
+"'Come! come!' says Scudder finally; 'get up, Mr. Dixland; you'll catch
+cold. Now then, you Tolliver, toddle right along to your boat. Don't you
+worry, professor, I'll fix him so's he won't come here no more.'
+
+"But the professor turned on him like a flash.
+
+"'How dare you interfere?' says he. 'I forgive him everything. He is a
+hero. Why, man, he FLEW!'
+
+"Olivia came up behind and touched Nate on the shoulders. 'Don't
+you think you'd better go, Mr. Scudder?' she purred. 'I've unchained
+Phillips Brooks.'
+
+"Nate swears he never made better time than he done gettin' to the shore
+and the boat Augustus had come over in. But that philanthropist dog only
+missed the supper he'd been waitin' for by about a foot and a half, even
+as 'twas.
+
+"And that was the end of it, fur's Nate was concerned. Olivia was boss
+from then on, and Scudder wa'n't allowed to land on his own island. And
+pretty soon they all went away, flyin' machine and all, and now Gus and
+Olivia are married."
+
+"Well, by gum!" cried Wingate. "Say, that must have broke Nate's heart
+completely. All that good money goin' to the poor. Ha! ha!"
+
+"Yes," said Captain Sol, with a broad grin. "Nate told me that every
+time he realized that Gus's flyin' at all was due to his scarin' him
+into it, it fairly made him sick of life."
+
+"What did Huldy Ann say? I'll bet the fur flew when SHE heard of it!"
+
+"I guess likely it did. Scudder says her jawin's was the worst of all.
+Her principal complaint was that he didn't take up with the professor's
+five-thousand offer and try to fly. 'What if 'twas risky?' she says.
+'If anything happened to you the five thousand would have come to your
+heirs, wouldn't it? But no! you never think of no one but yourself.'"
+
+Mr. Wingate glanced at his watch. "Good land!" he cried, "I didn't
+realize 'twas so late. I must trot along down and meet Stitt. He and I
+are goin' to corner the clam market."
+
+"I must be goin', too," said the depot master, rising and moving toward
+the door, picking up his cap on the way. He threw open the door and
+exclaimed, "Hello! here's Sim. What you got on your mind, Sim?"
+
+Mr. Phinney looked rather solemn. "I wanted to speak with you a minute,
+Sol," he began. "Hello! Barzilla, I didn't know you was here."
+
+"I shan't be here but one second longer," replied Mr. Wingate, as he and
+Phinney shook hands. "I'm late already. Bailey'll think I ain't comin'.
+Good-by, boys. See you this afternoon, maybe."
+
+"Yes, do," cried Berry, as his guest hurried down to the gate. "I want
+to hear about those automobiles over your way. You ain't bought one,
+have you, Barzilla?"
+
+Wingate grinned over his shoulder. "No," he called, "I ain't. But other
+folks you know have. It's the biggest joke on earth. You and Sim'll want
+to hear it."
+
+He waved a big hand and walked briskly up the Shore Road. The depot
+master turned to his friend.
+
+"Well, Sim?" he asked.
+
+"Well, Sol," answered the building mover gravely, "I've just met Mr.
+Hilton, the minister, and he told me somethin' about Olive Edwards,
+somethin' I thought you'd want to know. You said for me to find out what
+she was cal'latin' to do when she had to give up her home and--"
+
+"I know what I said," interrupted the depot master rather sharply. "What
+did Hilton say?"
+
+"Mr. Hilton told me not to tell," continued Phinney, "and I shan't tell
+nobody but you, Sol. I know you wont t mention it. The minister says
+that Olive's hard up as she can be. All she's got in the world is the
+little furniture and store stuff in her house. The store stuff don't
+amount to nothin', but the furniture belonged to her pa and ma, and she
+set a heap by it. Likewise, as everybody knows, she's awful proud and
+self-respectin'. Anything like charity would kill her. Now out West--in
+Omaha or somewheres--she's got a cousin who owed her dad money. Old
+Cap'n Seabury lent this Omaha man two or three thousand dollars and set
+him up in business. Course, the debt's outlawed, but Olive don't
+realize that, or, if she did, it wouldn't count with her. She couldn't
+understand how law would have any effect on payin' money you honestly
+owe. She's written to the Omaha cousin, tellin' him what a scrape she's
+in and askin' him to please, if convenient, let her have a thousand or
+so on account. She figgers if she gets that, she can go to Bayport or
+Orham or somewheres and open another notion store."
+
+Captain Berry lit a cigar. "Hum!" he said, after a minute. "You say
+she's written to this chap. Has she got an answer yet?"
+
+"No, not any definite one. She heard from the man's wife sayin' that her
+husband--the cousin--had gone on a fishin' trip somewheres up in Canady
+and wouldn't be back afore the eighth of next month. Soon's he does come
+he'll write her. But Mr. Hilton thinks, and so do I--havin' heard a
+few things about this cousin--that it's mighty doubtful if he sends any
+money."
+
+"Yes, I shouldn't wonder. Where's Olive goin' to stay while she's
+waitin' to hear?"
+
+"In her own house. Mr. Hilton went to Williams and pleaded with him, and
+he finally agreed to let her stay there until the 'Colonial' is moved
+onto the lot. Then the Edwardses house'll be tore down and Olive'll have
+to go, of course."
+
+The depot master puffed thoughtfully at his cigar.
+
+"She won't hear before the tenth, at the earliest," he said. "And if
+Williams begins to move his 'Colonial' at once, he'll get it to her lot
+by the seventh, sure. Have you given him your figures for the job?"
+
+"Handed 'em in this very mornin'. One of his high-and-mighty servants,
+all brass buttons and braid, like a feller playin' in the band, took my
+letter and condescended to say he'd pass it on to Williams. I'd liked
+to have kicked the critter, just to see if he COULD unbend; but I jedged
+'twouldn't be good business."
+
+"Probably not. If the 'Colonial' gets to Olive's lot afore she hears
+from the Omaha man, what then?"
+
+"Well, that's the worst of it. The minister don't know what she'll do.
+There's plenty of places where she'd be more'n welcome to visit a spell,
+but she's too proud to accept. Mr. Hilton's afraid she'll start for
+Boston to hunt up a job, or somethin'. You know how much chance she
+stands of gettin' a job that's wuth anything."
+
+Phinney paused, anxiously awaiting his companion's reply. When it came
+it was very unsatisfactory.
+
+"I'm goin' to the depot," said the Captain, brusquely. "So long, Sim."
+
+He slammed the door of the house behind him, strode to the gate, flung
+it open, and marched on. Simeon gazed in astonishment, then hurried
+to overtake him. Ranging alongside, he endeavored to reopen the
+conversation, but to no purpose. The depot master would not talk. They
+turned into Cross Street.
+
+"Well!" exclaimed Mr. Phinney, panting from his unaccustomed hurry,
+"what be we, runnin' a race? Why! . . . Oh, how d'ye do, Mr. Williams,
+sir? Want to see me, do you?"
+
+The magnate of East Harniss stepped forward.
+
+"Er--Phinney," he said, "I want a moment of your time. Morning, Berry."
+
+"Mornin', Williams," observed Captain Sol brusquely. "All right, Sim.
+I'll wait for you farther on."
+
+He continued his walk. The building mover stood still. Mr. Williams
+frowned with lofty indignation.
+
+"Phinney," he said, "I've just looked over those figures of yours, your
+bid for moving my new house. The price is ridiculous."
+
+Simeon attempted a pleasantry. "Yes," he answered, "I thought 'twas
+ridic'lous myself; but I needed the money, so I thought I could afford
+to be funny."
+
+The Williams frown deepened.
+
+"I didn't mean ridiculously low," he snapped; "I meant ridiculously
+high. I'd rather help out you town fellows if I can, but you can't work
+me for a good thing. I've written to Colt and Adams, of Boston, and
+accepted their offer. You had your chance and didn't see fit to take it.
+That's all. I'm sorry."
+
+Simeon was angry; also a trifle skeptical.
+
+"Mr. Williams," he demanded, "do you mean to tell me that THEM people
+have agreed to move you cheaper'n I can?"
+
+"Their price--their actual price may be no lower; but considering their
+up-to-date outfit and--er--progressive methods, they're cheaper. Yes.
+Morning, Phinney."
+
+He turned on his heel and walked off. Mr. Phinney, crestfallen and
+angrier than ever, moved on to where the depot master stood waiting for
+him. Captain Sol smiled grimly.
+
+"You don't look merry as a Christmas tree, Sim," he observed. "What did
+his Majesty have to say to you?"
+
+Simeon related the talk with Williams. The depot master's grim smile
+grew broader.
+
+"Sim," he asked, with quiet sarcasm, "don't you realize that progressive
+methods are necessary in movin' a house?"
+
+Phinney tried to smile in return, but the attempt was a failure.
+
+"Yes," went on the Captain. "Well, if you can't take the Grand
+Panjandrum home, you can set on the fence and see him go by. That
+ought to be honor enough, hadn't it? However, I may need some of your
+ridiculous figgers on a movin' job of my own, pretty soon. Don't be TOO
+comical, will you?"
+
+"What do you mean by that, Sol Berry?"
+
+"I mean that I may decide to move my own house."
+
+"Move your OWN house? Where to, for mercy sakes?"
+
+"To that lot on Main Street that belongs to Abner Payne. Abner has
+wanted to buy my lot here on the Shore Road for a long time. He knows
+it'll make a fine site for some rich bigbug's summer 'cottage.' He would
+have bought the house, too, but I think too much of that to sell it.
+Now Abner's come back with another offer. He'll swap my lot for the Main
+Street one, pay my movin' expenses and a fair 'boot' besides. He don't
+really care for my HOUSE, you understand; it's my LAND he's after."
+
+"Are you goin' to take it up?"
+
+"I don't know. The Main Street lot's a good one, and my house'll look
+good on it. And I'll make money by the deal."
+
+"Yes, but you've always swore by that saltwater view of yours. Told me
+yourself you never wanted to live anywheres else."
+
+Captain Sol took the cigar from his lips, looked at it, then threw it
+violently into the gutter.
+
+"What difference does it make where I live?" he snarled. "Who in blazes
+cares where I live or whether I live at all?"
+
+"Sol Berry, what on airth--"
+
+"Shut up! Let me alone, Sim! I ain't fit company for anybody just now.
+Clear out, there's a good feller."
+
+The next moment he was striding down the hill. Mr. Phinney drew a long
+breath, scratched his head and shook it solemnly. WHAT did it all mean?
+
+
+
+
+CHAPTER VIII
+
+THE OBLIGATIONS OF A GENTLEMAN
+
+
+The methods of Messrs. Colt and Adams, the Boston firm of building
+movers, were certainly progressive, if promptness in getting to work
+is any criterion. Two days after the acceptance of their terms by Mr.
+Williams, a freight car full of apparatus arrived at East Harniss. Then
+came a foreman and a gang of laborers. Horses were hired, and within a
+week the "pure Colonial" was off its foundations and on its way to the
+Edwards lot. The moving was no light task. The big house must be brought
+along the Shore Road to the junction with the Hill Boulevard, then swung
+into that aristocratic highway and carried up the long slope, around the
+wide curve, to its destination.
+
+Mr. Phinney, though he hated the whole operation, those having it in
+charge, and the mighty Williams especially, could not resist stealing
+down to see how his successful rivals were progressing with the work
+he had hoped to do. It caused him much chagrin to see that they were
+getting on so very well. One morning, after breakfast, as he stood at
+the corner of the Boulevard and the Shore Road, he found himself engaged
+in a mental calculation.
+
+Three days more and they would swing into the Boulevard; four or five
+days after that and they would be abreast the Edwards lot. Another day
+and . . . Poor Olive! She would be homeless. Where would she go? It
+was too early for a reply from the Omaha cousin, but Simeon, having
+questioned the minister, had little hope that that reply would be
+favorable. Still it was a chance, and if the money SHOULD come before
+the "pure Colonial" reached the Edwards lot, then the widow would at
+least not be driven penniless from her home. She would have to leave
+that home in any event, but she could carry out her project of opening
+another shop in one of the neighboring towns. Otherwise . . . Mr.
+Phinney swore aloud.
+
+"Humph!" said a voice behind him. "I agree with you, though I don't
+know what it's all about. I ain't heard anything better put for a long
+while."
+
+Simeon spun around, as he said afterwards, "like a young one's
+pinwheel." At his elbow stood Captain Berry, the depot master, hands
+in pockets, cigar in mouth, the personification of calmness and
+imperturbability. He had come out of his house, which stood close to the
+corner, and walked over to join his friend.
+
+"Land of love!" exclaimed Simeon. "Why don't you scare a fellow to
+death, tiptoein' around? I never see such a cat-foot critter!"
+
+Captain Sol smiled. "Jumpin' it, ain't they?" he said, nodding toward
+the "Colonial." "Be there by the tenth, won't it?"
+
+"Tenth!" Mr. Phinney sniffed disgust. "It'll be there by the sixth, or I
+miss my guess."
+
+"Yup. Say, Sim, how soon could you land that shanty of mine in the road
+if I give you the job to move it?"
+
+"I couldn't get it up to the Main Street lot inside of a fortnight,"
+replied Sim, after a moment's reflection. "Fur's gettin' it in the road
+goes, I could have it here day after to-morrow if I had gang enough."
+
+The depot master took the cigar out of his mouth and blew a ring of
+smoke. "All right," he drawled, "get gang enough."
+
+Phinney jumped. "You mean you've decided to take up with Payne's offer
+and swap your lot for his?" he gasped. "Why, only two or three days ago
+you said--"
+
+"Ya-as. That was two or three days ago, and I've been watchin' the
+'Colonial' since. I cal'late the movin' habit's catchin'. You have your
+gang here by noon to-day."
+
+"Sol Berry, are you crazy? You ain't seen Abner Payne; he's out of
+town--"
+
+"Don't have to see him. He's made me an offer and I'll write and accept
+it."
+
+"But you've got to have a selectmen's permit to move--"
+
+"Got it. I went up and saw the chairman an hour ago. He's a friend of
+mine. I nominated him town-meetin' day."
+
+"But," stammered Phinney, very much upset by the suddenness of it all,
+"you ain't got my price nor--"
+
+"Drat your price! Give it when I ask it. See here, Sim, are you goin' to
+have my house in the middle of the road by day after to-morrer? Or was
+that just talk?"
+
+"'Twa'n't talk. I can have it there, but--"
+
+"All right," said Captain Sol coolly, "then have it."
+
+Hands in pockets, he strolled away. Simeon sat down on a rock by the
+roadside and whistled.
+
+However, whistling was a luxurious and time-wasting method of expressing
+amazement, and Mr. Phinney could not afford luxuries just then. For the
+rest of that day he was a busy man. As Bailey Stitt expressed it, he
+"flew round like a sand flea in a mitten," hiring laborers, engaging
+masons, and getting his materials ready. That very afternoon the masons
+began tearing down the chimneys of the little Berry house. Before the
+close of the following day it was on the rollers. By two of the day
+after that it was in the middle of the Shore Road, just when its mover
+had declared it should be. They were moving it, furniture and all,
+and Captain Sol was, as he said, going to "stay right aboard all the
+voyage." No cooking could be done, of course, but the Captain arranged
+to eat at Mrs. Higgins's hospitable table during the transit. His sudden
+freak was furnishing material for gossip throughout the village, but he
+did not care. Gossip concerning his actions was the last thing in the
+world to trouble Captain Sol Berry.
+
+The Williams's "Colonial" was moving toward the corner at a rapid
+rate, and the foreman of the Boston moving firm walked over to see Mr.
+Phinney.
+
+"Say," he observed to Simeon, who, the perspiration streaming down
+his face, was resting for a moment before recommencing his labor of
+arranging rollers; "say," observed the foreman, "we'll be ready to turn
+into the Boulevard by tomorrer night and you're blockin' the way."
+
+"That's all right," said Simeon, "we'll be past the Boulevard corner by
+that time."
+
+He thought he was speaking the truth, but next morning, before work
+began, Captain Berry appeared. He had had breakfast and strolled around
+to the scene of operations.
+
+"Well," asked Phinney, "how'd it seem to sleep on wheels?"
+
+"Tiptop," replied the depot master. "Like it fust rate. S'pose my next
+berth will be somewheres up there, won't it?"
+
+He was pointing around the corner instead of straight ahead. Simeon
+gaped, his mouth open.
+
+"Up THERE?" he cried. "Why, of course not. That's the Boulevard. We're
+goin' along the Shore Road."
+
+"That so? I guess not. We're goin' by the Boulevard. Can go that way,
+can't we?"
+
+"Can?" repeated Simeon aghast. "Course we CAN! But it's like boxin' the
+whole compass backward to get ha'f a p'int east of no'th. It's way round
+Robin Hood's barn. It'll take twice as long and cost--"
+
+"That's good," interrupted the Captain. "I like to travel, and I'm
+willin' to pay for it. Think of the view I'll get on the way."
+
+"But your permit from the selectmen--" began Phinney. Berry held up his
+hand.
+
+"My permit never said nothin' about the course to take," he answered,
+his eye twinkling just a little. "There, Sim, you're wastin' time. I
+move by the Hill Boulevard."
+
+And into the Boulevard swung the Berry house. The Colt and Adams foreman
+was an angry man when he saw the beams laid in that direction. He rushed
+over and asked profane and pointed questions.
+
+"Thought you said you was goin' straight ahead?" he demanded.
+
+"Thought I was," replied Simeon, "but, you see, I'm only navigator of
+this craft, not owner."
+
+"Where is the blankety blank?" asked the foreman.
+
+"If you're referrin' to Cap'n Berry, I cal'late you'll find him at
+the depot," answered Phinney. To the depot went the foreman. Receiving
+little satisfaction there, he hurried to the home of his employer, Mr.
+Williams. The magnate, red-faced and angry, returned with him to
+the station. Captain Sol received them blandly. Issy, who heard the
+interview which followed, declared that the depot master was so cool
+that "an iceberg was a bonfire 'longside of him." Issy's description
+of this interview, given to a dozen townspeople within the next three
+hours, was as follows:
+
+"Mr. Williams," said the wide-eyed Issy, "he comes postin' into the
+waitin' room, his foreman with him. Williams marches over to Cap'n Sol
+and he says, 'Berry,' he says, 'are you responsible for the way that
+house of yours is moved?'
+
+"Cap'n Sol bowed and smiled. 'Yes,' says he, sweet as a fresh scallop.
+
+"'You're movin' it to Main Street, aren't you? I so understood.'
+
+"'You understood correct. That's where she's bound.'
+
+"'Then what do you mean by turning out of your road and into mine?'
+
+"'Oh, I don't own any road. Have you bought the Boulevard? The selectmen
+ought to have told us that. I s'posed it was town thoroughfare.'
+
+"Mr. Williams colored up a little. 'I didn't mean my road in that
+sense,' he says. 'But the direct way to Main Street is along the
+shore, and everybody knows it. Now why do you turn from that into the
+Boulevard?'
+
+"Cap'n Sol took a cigar from his pocket. 'Have one?' says he, passin' it
+toward Mr. Williams. 'No? Too soon after breakfast, I s'pose. Why do
+I turn off?' he goes on. 'Well, I'll tell you. I'm goin' to stay right
+aboard my shack while it's movin', and it's so much pleasanter a ride up
+the hill that I thought I'd go that way. I always envied them who could
+afford a house on the Boulevard, and now I've got the chance to have one
+there--for a spell. I'm sartin I shall enjoy it.'
+
+"The foreman growled, disgusted. Mr. Williams got redder yet.
+
+"'Don't you understand?' he snorts. 'You're blockin' the way of the
+house I'M movin'. I have capable men with adequate apparatus to move
+it, and they would be able to go twice as fast as your one-horse country
+outfit. You're blockin' the road. Now they must follow you. It's an
+outrage!'
+
+"Cap'n Sol smiled once more. 'Too bad,' says he. 'It's a pity such
+a nice street ain't wider. If it was my street in my town--I b'lieve
+that's what you call East Harniss, ain't it?--seems to me I'd widen it.'
+
+"The boss of 'my town' ground his heel into the sand. 'Berry,' he snaps,
+'are you goin' to move that house over the Boulevard ahead of mine?'
+
+"The Cap'n looked him square in the eye. 'Williams,' says he, 'I am.'
+
+"The millionaire turned short and started to go.
+
+"'You'll pay for it,' he snarls, his temper gettin' free at last.
+
+"'I cal'late to,' purrs the Cap'n. 'I gen'rally do pay for what I want,
+and a fair price, at that. I never bought in cheap mortgages and held
+'em for clubs over poor folks, never in my life. Good mornin'.'
+
+"And right to Mr. Williams's own face, too," concluded Issy. "WHAT do
+you think of that?"
+
+Here was defiance of authority and dignity, a sensation which should
+have racked East Harniss from end to end. But most of the men in the
+village, the tradespeople particularly, had another matter on their
+minds, namely, Major Cuthbertson Scott Hardee, of "Silverleaf Hall." The
+Major and his debts were causing serious worriment.
+
+The creditors of the Major met, according to agreement, on the Monday
+evening following their previous gathering at the club. Obed Gott, one
+of the first to arrive, greeted his fellow members with an air of gloomy
+triumph and a sort of condescending pity.
+
+Higgins, the "general store" keeper, acting as self-appointed chairman,
+asked if anyone had anything to report. For himself, he had seen the
+Major and asked point-blank for payment of his bill. The Major had been
+very polite and was apparently much concerned that his fellow townsmen
+should have been inconvenienced by any neglect of his. He would write to
+his attorneys at once, so he said.
+
+"He said a whole lot more, too," added Higgins. "Said he had never been
+better served than by the folks in this town, and that I kept a fine
+store, and so on and so forth. But I haven't got any money yet. Anybody
+else had any better luck?"
+
+No one had, although several had had similar interviews with the master
+of "Silverleaf Hall."
+
+"Obed looks as if he knew somethin'," remarked Weeks. "What is it,
+Obed?"
+
+Mr. Gott scornfully waved his hand.
+
+"You fellers make me laugh," he said. "You talk and talk, but you don't
+do nothin'. I b'lieve in doin', myself. When I went home t'other night,
+thinks I: 'There's one man that might know somethin' 'bout old Hardee,
+and that's Godfrey, the hotel man.' So I wrote to Godfrey up to Boston
+and I got a letter from him. Here 'tis."
+
+He read the letter aloud. Mr. Godfrey wrote that he knew nothing about
+Major Hardee further than that he had been able to get nothing from him
+in payment for his board.
+
+"So I seized his trunk," the letter concluded. "There was nothing in it
+worth mentioning, but I took it on principle. The Major told me a
+lot about writing to his attorneys for money, but I didn't pay much
+attention to that. I'm afraid he's an old fraud, but I can't help liking
+him, and if I had kept on running my hotel I guess he would have got
+away scot-free."
+
+"There!" exclaimed the triumphant Obed, with a sneer, "I guess that
+settles it, don't it? Maybe you'd be willin' to turn your bills over to
+Squire Baker now."
+
+But they were not willing. Higgins argued, and justly, that although the
+Major was in all probability a fraud, not even a lawyer could get water
+out of a stone, and that when a man had nothing, suing him was a waste
+of time and cash.
+
+"Besides," he said, "there's just a chance that he may have attorneys
+and property somewheres else. Let's write him a letter and every one of
+us sign it, tellin' him that we'll call on him Tuesday night expectin'
+to be paid in full. If we call and don't get any satisfaction, why,
+we ain't any worse off, and then we can--well, run him out of town, if
+nothin' more."
+
+So the letter was written and signed by every man there. It was a long
+list of signatures and an alarming total of indebtedness. The letter was
+posted that night.
+
+The days that followed seemed long to Obed. He was ill-natured at home
+and ugly at the shop, and Polena declared that he was "gettin' so a body
+couldn't live with him." Her own spirits were remarkably high, and Obed
+noticed that, as the days went by, she seemed to be unusually excited.
+On Thursday she announced that she was going to Orham to visit her
+niece, one Sarah Emma Cahoon, and wouldn't be back right off. He knew
+better than to object, and so she went.
+
+That evening each of the signers of the letter to Major Hardee received
+a courteous note saying that the Major would be pleased to receive the
+gentlemen at the Hall. Nothing was said about payment.
+
+So, after some discussion, the creditors marched in procession across
+the fields and up to "Silverleaf Hall."
+
+"Hardee's been to Orham to-day," whispered the keeper of the livery
+stable, as they entered the yard. "He drove over this mornin' and come
+back to-night."
+
+"DROVE over!" exclaimed Obed, halting in his tracks. "He did? Where'd he
+get the team? I'll bet five dollars you was soft enough to let him have
+it, and never said a word. Well, if you ain't--By jimmy! you wait till I
+get at him! I'll show you that he can't soft soap me."
+
+Augustus met them at the door and ushered them into the old-fashioned
+parlor. The Major, calm, cool, and imperturbably polite, was waiting to
+receive them. He made some observation concerning the weather.
+
+"The day's fine enough," interrupted Obed, pushing to the front, "but
+that ain't what we come here to talk about. Are you goin' to pay us what
+you owe? That's what we want to know."
+
+The "gentleman of the old school" did not answer immediately. Instead he
+turned to the solemn servant at his elbow.
+
+"Augustus," he said, "you may make ready." Then, looking serenely at the
+irate Mr. Gott, whose clenched fist rested under the center table, which
+he had thumped to emphasize his demands, the Major asked:
+
+"I beg your pardon, my dear sir, but what is the total of my
+indebtedness to you?"
+
+"Nineteen dollars and twenty-eight cents, and I want you to understand
+that--"
+
+Major Hardee held up a slim, white hand.
+
+"One moment, if you please," he said. "Now, Augustus."
+
+Augustus opened the desk in the corner and produced an imposing stack of
+bank notes. Then he brought forth neat piles of halves, quarters, dimes,
+and pennies, and arranged the whole upon the table. Obed's mouth and
+those of his companions gaped in amazement.
+
+"Have you your bill with you, Mr. Gott?" inquired the Major.
+
+Dazedly Mr. Gott produced the required document.
+
+"Thank you. Augustus, nineteen twenty-eight to this gentleman. Kindly
+receipt the bill, Mr. Gott, if you please. A mere formality, of course,
+but it is well to be exact. Thank you, sir. And now, Mr. Higgins."
+
+One by one the creditors shamefacedly stepped forward, received the
+amount due, receipted the bill, and stepped back again. Mr. Peters, the
+photographer, was the last to sign.
+
+"Gentlemen," said the Major, "I am sorry that my carelessness in
+financial matters should have caused you this trouble, but now that you
+are here, a representative gathering of East Harniss's men of affairs,
+upon this night of all nights, it seems fitting that I should ask for
+your congratulations. Augustus."
+
+The wooden-faced Augustus retired to the next room and reappeared
+carrying a tray upon which were a decanter and glasses.
+
+"Gentlemen," continued the Major, "I have often testified to my
+admiration and regard for your--perhaps I may now say OUR--charming
+village. This admiration and regard has extended to the fair daughters
+of the township. It may be that some of you have conscientious scruples
+against the use of intoxicants. These scruples I respect, but I am sure
+that none of you will refuse to at least taste a glass of wine with me
+when I tell you that I have this day taken one of the fairest to love
+and cherish during life."
+
+He stepped to the door of the dining room, opened it, and said quietly,
+"My dear, will you honor us with your presence?"
+
+There was a rustle of black silk and there came through the doorway the
+stately form of her who had been Mrs. Polena Ginn.
+
+"Gentlemen," said the Major, "permit me to present to you my wife, the
+new mistress of 'Silverleaf Hall.'"
+
+The faces of the ex-creditors were pictures of astonishment. Mr. Gott's
+expressive countenance turned white, then red, and then settled to a
+mottled shade, almost as if he had the measles. Polena rushed to his
+side.
+
+"O Obed!" she exclaimed. "I know we'd ought to have told you, but 'twas
+only Tuesday the Major asked me, and we thought we'd keep it a secret
+so's to s'prise you. Mr. Langworthy over to Orham married us, and--"
+
+"My dear," her husband blandly interrupted, "we will not intrude our
+private affairs upon the patience of these good friends. And now,
+gentlemen, let me propose a toast: To the health and happiness of the
+mistress of 'Silverleaf Hall'! Brother Obed, I--"
+
+The outside door closed with a slam; "Brother Obed" had fled.
+
+A little later, when the rest of the former creditors of the Major came
+out into the moonlight, they found their companion standing by the
+gate gazing stonily into vacancy. "Hen" Leadbetter, who, with Higgins,
+brought up the rear of the procession, said reflectively:
+
+"When he fust fetched out that stack of money I couldn't scarcely
+b'lieve my eyes. I begun to think that we fellers had put our foot in
+it for sartin, and had lost a mighty good customer; but, of course, it's
+all plain enough NOW."
+
+"Yes," remarked Weeks with a nod; "I allers heard that P'lena kept a
+mighty good balance in the bank."
+
+"It looks to me," said Higgins slyly, "as if we owed Obed here a vote of
+thanks. How 'bout that, Obed?"
+
+And then Major Hardee's new brother-in-law awoke with a jump.
+
+"Aw, you go to grass!" he snarled, and tramped savagely off down the
+hill.
+
+
+
+
+CHAPTER IX
+
+THE WIDOW BASSETT
+
+
+These developments, Major Hardee's marriage and Mr. Gott's discomfiture,
+overshadowed, for the time, local interest in the depot master's house
+moving. This was, in its way, rather fortunate, for those who took the
+trouble to walk down to the lower end of the Boulevard were astonished
+to see how very slowly the moving was progressing.
+
+"Only one horse, Sim?" asked Captain Hiram Baker. "Only one! Why, it'll
+take you forever to get through, won't it?"
+
+"I'm afraid it'll take quite a spell," admitted Mr. Phinney.
+
+"Where's your other one, the white one?"
+
+"The white horse," said Simeon slowly, "ain't feelin' just right and
+I've had to lay him off."
+
+"Humph! that's too bad. How does Sol act about it? He's such a hustler,
+I should think--"
+
+"Sol," interrupted Sim, "ain't unreasonable. He understands."
+
+He chuckled inwardly as he said it. Captain Sol did understand. Also Mr.
+Phinney himself was beginning to understand a little.
+
+The very day on which Williams and his foreman had called on the depot
+master and been dismissed so unceremoniously, that official paid a short
+visit to his mover.
+
+"Sim," he said, the twinkle still in his eye, "his Majesty, Williams
+the Conqueror, was in to see me just now and acted real peevish. He was
+pretty disrespectful to you, too. Called your outfit 'one horse.' That's
+a mistake, because you've got two horses at work right now. It seems a
+shame to make a great man like that lie. Hadn't you better lay off one
+of them horses?"
+
+"Lay one OFF?" exclaimed Simeon. "What for? Why, we'll be slow enough,
+as 'tis. With only one horse we wouldn't get through for I don't know
+how long."
+
+"That's so," murmured the Captain. "I s'pose with one horse you'd hardly
+reach the middle of the Boulevard by--well, before the tenth of the
+month. Hey?"
+
+The tenth of the month! The TENTH! Why, it was on the tenth that that
+Omaha cousin of Olive Edwards was to--Mr. Phinney began to see--to see
+and to grin, slow but expansive.
+
+"Hm-m-m!" he mused.
+
+"Yes," observed Captain Sol. "That white horse of yours looks sort of
+ailin' to me, Sim. I think he needs a rest."
+
+And, sure enough, next day the white horse was pronounced unfit and
+taken back to the stable. The depot master's dwelling moved, but that is
+all one could say truthfully concerning its progress.
+
+At the depot the Captain was quieter than usual. He joked with his
+assistant less than had been his custom, and for the omission Issy
+was duly grateful. Sometimes Captain Sol would sit for minutes without
+speaking. He seemed to be thinking and to be pondering some grave
+problem. When his friends, Mr. Wingate, Captain Stitt, Hiram Baker, and
+the rest, dropped in on him he cheered up and was as conversational as
+ever. After they had gone he relapsed into his former quiet mood.
+
+"He acts sort of blue, to me," declared Issy, speaking from the depths
+of sensational-novel knowledge. "If he was a younger man I'd say he was
+most likely in love. Ah, hum! I s'pose bein' in love does get a feller
+mournful, don't it?"
+
+Issy made this declaration to his mother only. He knew better than to
+mention sentiment to male acquaintances. The latter were altogether too
+likely to ask embarrassing questions.
+
+Mr. Wingate and Captain Stitt were still in town, although their stay
+was drawing to a close. One afternoon they entered the station together.
+Captain Sol seemed glad to see them.
+
+"Set down, fellers," he ordered. "I swan I'm glad to see you. I ain't
+fit company for myself these days."
+
+"Ain't Betsy Higgins feedin' you up to the mark?" asked Stitt. "Or is
+house movin' gettin' on your vitals?"
+
+"No," growled the depot master, "grub's all right and so's movin',
+I cal'late. I'm glad you fellers come in. What's the news to Orham,
+Barzilla? How's the Old Home House boarders standin' it? Hear from
+Jonadab regular, do you?"
+
+Mr. Wingate laughed. "Nothin' much," he said. "Jonadab's too busy
+to write these days. Bein' a sport interferes with letter writing
+consider'ble."
+
+"Sport!" exclaimed Captain Bailey. "Land of Goshen! Cap'n Jonadab is the
+last one I'd call a sport."
+
+"That's 'cause you ain't a good judge of human nature, Bailey," chuckled
+Barzilla. "When ancient plants like Jonadab Wixon DO bloom, they're gay
+old blossoms, I tell you!"
+
+"What do you mean?" asked the depot master.
+
+"I mean that Jonadab's been givin' me heart disease, that's what; givin'
+it to me in a good many diff'rent ways, too. We opened the Old Home
+House the middle of April this year, because Peter T. Brown thought we
+might catch some spring trade. We did catch a little, though whether it
+paid to open up so early's a question. But 'twas June 'fore Jonadab got
+his disease so awful bad. However, most any time in the last part of May
+the reg'lar programme of the male boarders was stirrin' him up.
+
+"Take it of a dull day, for instance. Sky overcast and the wind aidgin'
+round to the sou'east, so's you couldn't tell whether 'twould rain or
+fair off; too cold to go off to the ledge cod fishin' and too hot for
+billiards or bowlin'; a bunch of the younger women folks at one end
+of the piazza playin' bridge; half a dozen men, includin' me and Cap'n
+Jonadab, smokin' and tryin' to keep awake at t'other end; amidships a
+gang of females--all 'fresh air fiends'--and mainly widows or discards
+in the matrimony deal, doin' fancywork and gossip. That would be about
+the usual layout.
+
+"Conversation got to you in homeopath doses, somethin' like this:
+
+"'Did you say "Spades"? WELL! if I'd known you were going to make us
+lose our deal like that, I'd never have bridged it--not with THIS hand.'
+
+"'Oh, Miss Gabble, have you heard what people are sayin' about--' The
+rest of it whispers.
+
+"'A--oo--OW! By George, Bill! this is dead enough, isn't it? Shall we
+match for the cigars or are you too lazy?'
+
+"Then, from away off in the stillness would come a drawn-out 'Honk!
+honk!' like a wild goose with the asthma, and pretty soon up the road
+would come sailin' a big red automobile, loaded to the guards with
+goggles and grandeur, and whiz past the hotel in a hurricane of dust and
+smell. Then all hands would set up and look interested, and Bill would
+wink acrost at his chum and drawl:
+
+"'That's the way to get over the country! Why, a horse isn't
+one--two--three with that! Cap'n Wixon, I'm surprised that a sportin'
+man like you hasn't bought one of those things long afore this.'
+
+"For the next twenty minutes there wouldn't be any dullness. Jonadab
+would take care of that. He'd have the floor and be givin' his opinions
+of autos and them that owned and run 'em. And between the drops of his
+language shower you'd see them boarders nudgin' each other and rockin'
+back and forth contented and joyful.
+
+"It always worked. No matter what time of day or night, all you had to
+say was 'auto' and Cap'n Jonadab would sail up out of his chair like one
+of them hot-air balloons the youngsters nowadays have on Fourth of July.
+And he wouldn't come down till he was empty of remarks, nuther. You
+never see a man get so red faced and eloquent.
+
+"It wa'n't because he couldn't afford one himself. I know that's the
+usual reason for them kind of ascensions, but 'twa'n't his. No, sir!
+the summer hotel business has put a considerable number of dollars in
+Jonadab's hands, and the said hands are like a patent rat trap, a
+mighty sight easier to get into than out of. He could have bought three
+automobiles if he'd wanted to, but he didn't want to. And the reason he
+didn't was named Tobias Loveland and lived over to Orham."
+
+"I know Tobias," interrupted Captain Bailey Stitt.
+
+"Course you do," continued Barzilla. "So does Sol, I guess. Well,
+anyhow, Tobias and Cap'n Jonadab never did hitch. When they was boys
+together at school they was always rowin' and fightin', and when they
+grew up to be thirty and courted the same girl--ten years younger than
+either of 'em, she was--twa'n't much better. Neither of 'em got her,
+as a matter of fact; she married a tin peddler named Bassett over to
+Hyannis. But both cal'lated they would have won if t'other hadn't been
+in the race, and consequently they loved each other with a love that
+passed understandin'. Tobias had got well to do in the cranberry-raisin'
+line and drove a fast horse. Jonadab, durin' the last prosperous year
+or two, had bought what he thought was some horse, likewise. They met
+on the road one day last spring and trotted alongside one another for a
+mile. At the end of that mile Jonadab's craft's jib boom was just astern
+of Tobias's rudder. Inside of that week the Cap'n had swapped his horse
+for one with a two-thirty record, and the next time they met Tobias was
+left with a beautiful, but dusty, view of Jonadab's back hair. So HE
+bought a new horse. And that was the beginnin'.
+
+"It went along that way for twelve months. Fust one feller's nag would
+come home freighted with perspiration and glory, and then t'other's. One
+week Jonadab would be so bloated with horse pride that he couldn't find
+room for his vittles, and the next he'd be out in the stable growlin'
+'cause it cost so much for hay to stuff an old hide rack that wa'n't
+fit to put in a museum. At last it got so that neither one could find a
+better horse on the Cape, and the two they had was practically an even
+match. I begun to have hopes that the foolishness was over. And then the
+tin peddler's widow drifts in to upset the whole calabash.
+
+"She made port at Orham fust, this Henrietta Bassett did, and the style
+she slung killed every female Goliath in the Orham sewin' circle dead.
+Seems her husband that was had been an inventor, as a sort of side line
+to peddlin' tinware, and all to once he invented somethin' that worked.
+He made money--nobody knew how much, though all hands had a guess--and
+pretty soon afterwards he made a will and Henrietta a widow. She'd been
+livin' in New York, so she said, and had come back to revisit the scenes
+of her childhood. She was a mighty well-preserved woman--artificial
+preservatives, I cal'late, like some kinds of tomatter ketchup--and her
+comin' stirred Orham way down to the burnt places on the bottom of the
+kettle."
+
+"I guess I remember HER, too," put in Captain Bailey.
+
+"Say!" queried Mr. Wingate snappishly, "do you want to tell about her?
+If you do, why--"
+
+"Belay, both of you!" ordered the depot master. "Heave ahead, Barzilla."
+
+"The news of her got over to Wellmouth, and me and Jonadab heard of it.
+He was some subject to widows--most widower men are, I guess--but he
+didn't develop no alarmin' symptoms in this case and never even hinted
+that he'd like to see his old girl. Fact is, his newest horse trade had
+showed that it was afraid of automobiles, and he was beginnin' to get
+rabid along that line. Then come that afternoon when him and me was out
+drivin' together, and we--Well, I'll have to tell you about that.
+
+"We was over on the long stretch of wood road between Trumet and
+Denboro, nice hard macadam, the mare--her name was Celia, but Jonadab
+had re-christened her Bay Queen after a boat he used to own--skimmin'
+along at a smooth, easy gait, when, lo and behold you! we rounds a turn
+and there ahead of us is a light, rubber-tired wagon with a man and
+woman on the seat of it. I heard Jonadab give a kind of snort.
+
+"'What's the matter?' says I.
+
+"'Nothin',' says he, between his teeth. 'Only, if I ain't some mistaken,
+that's Tobe Loveland's rig. Wonder if he's got his spunk with him? The
+Queen's feelin' her oats to-day, and I cal'late I can show him a few
+things.'
+
+"'Rubbish!' says I, disgusted. 'Don't be foolish, Jonadab. I don't know
+nothin' about his spunk, but I do know there's a woman with him. 'Tain't
+likely he'll want to race you when he's got a passenger aboard.'
+
+"'Oh, I don't know!' says he. 'I've got you, Barzilla; so 'twill be two
+and two. Let's heave alongside and see.'
+
+"So he clucked to the Queen, and in a jiffy we was astern of t'other
+rig. Loveland looked back over his shoulder.
+
+"'Ugh!' he grunts, 'bout as cordial as a plate of ice cream. ''Lo,
+Wixon, that you?'
+
+"'Um-hm,' begins Jonadab. 'How's that crowbait of yours to-day, Tobe?
+Got any go in him? 'Cause if he has, I--'
+
+"He stopped short. The woman in Loveland's carriage had turned her head
+and was starin' hard.
+
+"'Why!' she gasps. 'I do believe--Why, Jonadab!'
+
+"'HETTIE!' says the Cap'n.
+
+"Well, after that 'twas pull up, of course, and shake hands and talk.
+The widow, she done most of the talkin'. She was SO glad to see him. How
+had he been all these years? She knew him instantly. He hadn't changed
+a mite--that is, not so VERY much. She was plannin' to come over to the
+Old Home House and stay a spell later on; but now she was havin' SUCH a
+good time in Orham, Tobias--Mr. Loveland--was makin' it SO pleasant for
+her. She did enjoy drivin' so much, and Mr. Loveland had the fastest
+horse in the county--did we know that?
+
+"Tobias and Jonadab glowered back and forth while all this gush was
+bein' turned loose, and hardly spoke to one another. But when 'twas over
+and we was ready to start again, the Cap'n says, says he:
+
+"'I'll be mighty glad to see you over to the hotel, when you're ready to
+come, Hettie. I can take you ridin', too. Fur's horse goes, I've got a
+pretty good one myself.'
+
+"'Oh!' squeals the widow. 'Really? Is that him? It's awful pretty, and
+he looks fast.'
+
+"'She is,' says Jonadab. 'There's nothin' round here can beat her.'
+
+"'Humph!' says Loveland. 'Git dap!'
+
+"'Git dap!' says Jonadab, agreein' with him for once.
+
+"Tobias started, and we started. Tobias makes his horse go a little
+faster, and Jonadab speeded up some likewise. I see how 'twas goin' to
+be, and therefore I wa'n't surprised to death when the next ten minutes
+found us sizzlin' down that road, neck and neck with Loveland, dust
+flyin', hoofs poundin', and the two drivers leanin' way for'ard over
+the dash, reins gripped and teeth sot. For a little ways 'twas an even
+thing, and then we commenced to pull ahead a little.
+
+"'Loveland,' yells Jonadab, out of the port corner of his mouth, 'if
+I ain't showin' you my tailboard by the time we pass the fust house in
+Denboro, I'll eat my Sunday hat.'
+
+"I cal'late he would 'a' beat, too. We was drawin' ahead all the time
+and had a three-quarter length lead when we swung clear of the woods and
+sighted Denboro village, quarter of a mile away. And up the road comes
+flyin' a big auto, goin' to beat the cars.
+
+"Let's forget the next few minutes; they wa'n't pleasant ones for me.
+Soon's the Bay Queen sot eyes on that auto, she stopped trottin' and
+commenced to hop; from hoppin' she changed to waltzin' and high jumpin'.
+When the smoke had cleared, the auto was out of sight and we was in the
+bushes alongside the road, with the Queen just gettin' ready to climb
+a tree. As for Tobias and Henrietta, they was roundin' the turn by the
+fust house in Denboro, wavin' by-bys to us over the back of the seat.
+
+"We went home then; and every foot of the way Cap'n Jonadab called an
+automobile a new kind of name, and none complimentary. The boarders,
+they got wind of what had happened and begun to rag him, and the more
+they ragged, the madder he got and the more down on autos.
+
+"And, to put a head on the whole business, I'm blessed if Tobias
+Loveland didn't get in with an automobile agent who was stoppin' in
+Orham and buy a fifteen-hundred-dollar machine off him. And the very
+next time Jonadab was out with the Queen on the Denboro road, Tobias
+and the widow whizzed past him in that car so fast he might as well have
+been hove to. And, by way of rubbin' it in, they come along back pretty
+soon and rolled alongside of him easy, while Henrietta gushed about Mr.
+Loveland's beautiful car and how nice it was to be able to go just as
+swift as you wanted to. Jonadab couldn't answer back, nuther, bein' too
+busy keepin' the Queen from turnin' herself into a flyin' machine.
+
+"'Twas then that he got himself swore in special constable to arrest
+auto drivers for overspeedin'; and for days he wandered round layin' for
+a chance to haul up Tobias and get him fined. He'd have had plenty of
+game if he'd been satisfied with strangers, but he didn't want them
+anyhow, and, besides, most of 'em was on their way to spend money at the
+Old Home House. 'Twould have been poor business to let any of THAT cash
+go for fines, and he realized it.
+
+"'Twas in early June, only a few weeks ago, that the widow come to our
+hotel. I never thought she meant it when she said she was comin', and so
+I didn't expect her. Fact is, I was expectin' to hear that she and Tobe
+Loveland was married or engaged. But there was a slip up somewheres, for
+all to once the depot wagon brings her to the Old Home House, she hires
+a room, and settles down to stay till the season closed, which would be
+in about a fortn't.
+
+"From the very fust she played her cards for Jonadab. He meant to be
+middlin' average frosty to her, I imagine--her bein' so thick with
+Tobias prejudiced him, I presume likely. But land sakes! she thawed
+him out like hot toddy thaws out some folks' tongues. She never took no
+notice of his coldness, but smiled and gushed and flattered, and looked
+her prettiest--which was more'n average, considerin' her age--and by the
+end of the third day he was hangin' round her like a cat round a cook.
+
+"It commenced to look serious to me. Jonadab was a pretty old fish to
+be caught with soft soap and a set of false crimps; but you can't
+never tell. When them old kind do bite, they gen'rally swallow hook and
+sinker, and he sartinly did act hungry. I wished more'n once that Peter
+T. Brown, our business manager, was aboard to help me with advice, but
+Peter is off tourin' the Yosemite with his wife and her relations, so
+whatever pilotin' there was I had to do. And every day fetched Jonadab's
+bows nigher the matrimonial rocks.
+
+"I'd about made up my mind to sound the fog horn by askin' him straight
+out what he was cal'latin' to do; but somethin' I heard one evenin', as
+I set alone in the hotel office, made me think I'd better wait a spell.
+
+"The office window was open and the curtain drawed down tight. I was
+settin' inside, smokin' and goin' over the situation, when footsteps
+sounded on the piazza and a couple come to anchor on the settee right by
+that window. Cap'n Jonadab and Henrietta! I sensed that immediate.
+
+"She was laughin' and actin' kind of queer, and he was talkin' mighty
+earnest.
+
+"'Oh, no, Cap'n! Oh, no!' she giggles. 'You mustn't be so serious on
+such a beautiful night as this. Let's talk about the moon.'
+
+"'Drat the moon!' says Jonadab. 'Hettie, I--'
+
+"'Oh, just see how beautiful the water looks! All shiny and--"
+
+"'Drat the water, too! Hettie, what's the reason you don't want to talk
+serious with me? If that Tobe Loveland--'
+
+"'Really, I don't see why you bring Mr. Loveland's name into the
+conversation. He is a perfect gentleman, generous and kind; and as for
+the way in which he runs that lovely car of his--'
+
+"The Cap'n interrupted her. He ripped out somethin' emphatic.
+
+"'Generous!' he snarls. ''Bout as generous as a hog in the feed trough,
+he is. And as for runnin' that pesky auto, if I'd demean myself to own
+one of them things, I'll bet my other suit I could run it better'n he
+does. If I couldn't, I'd tie myself to the anchor and jump overboard.'
+
+"The way she answered showed pretty plain that she didn't believe him.
+'Really?' she says. 'Do you think so? Good night, Jonadab.'
+
+"I could hear her walkin' off acrost the piazza. He went after her.
+'Hettie,' he says, 'you answer me one thing. Are you engaged to Tobe
+Loveland?'
+
+"She laughed again, sort of teasin' and slow. 'Really,' says she, 'you
+are--Why, no, I'm not.'
+
+"That was all, but it set me to thinkin' hard. She wa'n't engaged to
+Loveland; she said so, herself. And yet, if she wanted Jonadab, she was
+actin' mighty funny. I ain't had no experience, but it seemed to me that
+then was the time to bag him and she'd put him off on purpose. She was
+ages too ancient to be a flirt for the fun of it. What was her game?"
+
+
+
+
+CHAPTER X
+
+CAPTAIN JONADAB GOES
+
+
+Mr. Wingate stopped and roared a greeting to Captain Hiram Baker, who
+was passing the open door of the waiting room.
+
+"Hello, there, Hime!" he shouted. "Come up in here! What, are you too
+proud to speak to common folks?"
+
+Captain Hiram entered. "Hello!" he said. "You look like a busy gang, for
+sure. What you doin'--seatin' chairs?"
+
+"Just now we're automobilin'," observed Captain Sol. "Set down, Hiram."
+
+"Automobilin'?" repeated the new arrival, evidently puzzled.
+
+"Sartin. Barzilla's takin' us out. Go on, Barzilla."
+
+Mr. Wingate smiled broadly. "Well," he began, "we HAVE just about
+reached the part where I went autoin'. The widow and me and Jonadab."
+
+"Jonadab!" shouted Stitt. "I thought you said--"
+
+"I know what I said. But we went auto ridin' just the same.
+
+"'Twas Henry G. Bradbury that took us out, him and his bran-new big
+tourin' car. You see, he landed to board with us the next day after
+Henrietta come--this Henry G. did--and he was so quiet and easy spoken
+and run his car so slow that even a pizen auto hater like Jonadab
+couldn't take much offense at him. He wa'n't very well, he said, subject
+to some kind of heart attacks, and had come to the Old Home for rest.
+
+"Him and the Cap'n had great arguments about the sins of automobilin'.
+Jonadab was sot on the idee that nine folks out of ten hadn't machine
+sense enough to run a car. Bradbury, he declared that that was a fact
+with the majority of autos, but not with his. 'Why, a child could run
+it,' says he. 'Look here, Cap'n: To start it you just do this. To stop
+it you do so and so. To make her go slow you haul back on this lever. To
+make her go faster you shove down this one. And as for steerin'--well,
+a man that's handled the wheels of as many catboats as you have would
+simply have a picnic. I'm in entire sympathy with your feelin's against
+speeders and such--I'd be a constable if I was in your shoes--but this
+is a gentleman's car and runs like one.'
+
+"All Jonadab said was 'Bosh!' and 'Humph!' but he couldn't help actin'
+interested, particular as Mrs. Bassett kept him alongside of the machine
+and was so turrible interested herself. And when, this partic'lar
+afternoon, Henry G. invites us all to go out with him for a little 'roll
+around,' the widow was so tickled and insisted so that he just HAD to
+go; he didn't dast say no.
+
+"Somehow or 'nother--I ain't just sure yet how it happened--the seatin'
+arrangements was made like this: Jonadab and Bradbury on the front seat,
+and me and Henrietta in the stuffed cockpit astern. We rolled out and
+purred along the road, smooth as a cat trottin' to dinner. No speedin',
+no joltin', no nothin'. 'TWAS a 'gentleman's car'; there wa'n't no doubt
+about that.
+
+"We went 'way over to Bayport and Orham and beyond. And all the time
+Bradbury kept p'intin' out the diff'rent levers to Jonadab and tellin'
+him how to work 'em. Finally, after we'd headed back, he asked Jonadab
+to take the wheel and steer her a spell. Said his heart was feelin' sort
+of mean and 'twould do him good to rest.
+
+"Jonadab said no, emphatic and more'n average ugly, but Henry G. kept
+beggin' and pleadin', and pretty soon the widow put in her oar. He must
+do it, to please her. He had SAID he could do it--had told her so--and
+now he must make good. Why, when Mr. Loveland--
+
+"'All right,' snarls Jonadab. 'I'll try. But if ever--'
+
+"'Hold on!' says I. 'Here's where I get out.'
+
+"However, they wouldn't let me, and the Cap'n took the wheel. His jaw
+was set and his hands shakin', but he done it. Hettie had give her
+orders and she was skipper.
+
+"For a consider'ble spell we just crawled. Jonadab was steerin' less
+crooked every minute and it tickled him; you could see that.
+
+"'Answers her hellum tiptop, don't she?' he says.
+
+"'Bet your life!' says Bradbury. 'Better put on a little more speed,
+hadn't we?'"
+
+He put it on himself, afore the new pilot could stop him, and we
+commenced to move.
+
+"'When you want to make her jump,' he says, you press down on that with
+your foot, and you shove the spark back.'
+
+"'Shut up!' howls Jonadab. 'Belay! Don't you dast to touch that. I'm
+scart to death as 'tis. Here! you take this wheel.'
+
+"But he wouldn't, and we went on at a good clip. For a green hand the
+Cap'n was leavin' a pretty straight wake.
+
+"'Gosh!' he says, after a spell; 'I b'lieve I'm kind of gettin' the hang
+of the craft.'
+
+"'Course you are,' says Bradbury. 'I told--Oh!'
+
+"He straightens up, grabs at his vest, and slumps down against the back
+of the seat.
+
+"'What IS it?' screams the widow. 'Oh, what IS it, Mr. Bradbury?'
+
+"He answers, plucky, but toler'ble faintlike. My heart!' he gasps.
+'I--I'm afraid I'm goin' to have one of my attacks. I must get to a
+doctor quick.'
+
+"'Doctor!' I sings out. 'Great land of love! there ain't a doctor nigher
+than Denboro, and that's four mile astern.'
+
+"'Never mind,' cries the Bassett woman. 'We must go there, then. Turn
+around, Jonadab! Turn around at once! Mr. Bradbury--'
+
+"But poor Henry G. was curled up against the cushions and we couldn't
+get nothin' out of him but groans. And all the time we was sailin' along
+up the road.
+
+"'Turn around, Jonadab!' orders Henrietta. 'Turn around and go for the
+doctor!'
+
+"Jonadab's hands was clutched on that wheel, and his face was white as
+his rubber collar.
+
+"'Jerushy!' he groans desperate, 'I--I don't know HOW to turn around.'
+
+"'Then stop, you foolhead!' I bellers. 'Stop where you be!'
+
+"And he moans--almost cryin' he was: 'I--I've forgotten how to STOP.'
+
+"Talk about your situations! If we wa'n't in one then I miss my guess.
+Every minute we was sinkin' Denboro below the horizon.
+
+"'We MUST get to a doctor,' says the widow. 'Where is there another one,
+Mr. Wingate?'
+
+"'The next one's in Bayport,' says I, 'and that's ten mile ahead if it's
+a foot.'
+
+"However, there wa'n't nothin' else for it, so toward Bayport we put.
+Bradbury groaned once in a while, and Mrs. Bassett got nervous.
+
+"'We'll never get there at this rate,' says she. 'Go faster, Jonadab.
+Faster! Press down on--on that thing he told you to. Please! for MY
+sake.'
+
+"'Don't you--' I begun; but 'twas too late. He pressed, and away we
+went. We was eatin' up the road now, I tell you, and though I was
+expectin' every minute to be my next, I couldn't help admirin' the way
+the Cap'n steered. And, as for him, he was gettin' more and more set up
+and confident.
+
+"'She handles like a yacht, Barzilla,' he grunts, between his teeth.
+'See me put her around the next buoy ahead there. Hey! how's that?'
+
+"The next 'buoy' was a curve in the road, and we went around it
+beautiful. So with the next and the next and the next. Bayport wa'n't so
+very fur ahead. All to once another dreadful thought struck me.
+
+"'Look here!' I yells. 'How in time are we goin' to stop when we--OW!'
+
+"The Bassett woman had pinched my arm somethin' savage. I looked at her,
+and she was scowlin' and shakin' her head.
+
+"'S-sh-sh!' she whispers. 'Don't disturb him. He'll be frightened and--'
+
+"'Frightened! Good heavens to Betsy! I cal'late he won't be the only one
+that's fri--'
+
+"But she looked so ugly that I shut up prompt, though I done a heap of
+thinkin'. On we went and, as we turned the next 'buoy,' there, ahead of
+us, was another auto, somethin' like ours, with only one person in it, a
+man, and goin' in the same direction we was, though not quite so fast.
+
+"Then I WAS scart. 'Hi, Jonadab!' I sings out. 'Heave to! Come about!
+Shorten sail! Do you want to run him down? Look OUT!'
+
+"I might as well have saved my breath. Heavin' to and the rest of it
+wa'n't included in our pilot's education. On we went, same as ever. I
+don't know what might have happened if the widow hadn't kept her head.
+She leaned over the for'ard rail of the after cockpit and squeezed a
+rubber bag that was close to Jonadab's starboard arm. It was j'ined to
+the fog whistle, I cal'late, 'cause from under our bows sounded a beller
+like a bull afoul of a barb-wire fence.
+
+"The feller in t'other car turned his head and looked. Then he commenced
+to sheer off to wind'ard so's to let us pass. But all the time he kept
+lookin' back and starin' and, as we got nigher, and I could see him
+plainer through the dust, he looked more and more familiar. 'Twas
+somebody I knew.
+
+"Then I heard a little grunt, or gasp, from Cap'n Jonadab. He was
+leanin' for'ard over the wheel, starin' at the man in the other auto.
+The nigher we got, the harder he stared; and the man in front was
+actin' similar in regards to him. And, all to once, the head car stopped
+swingin' off to wind'ard, turned back toward the middle of the road, and
+begun to go like smoke. The next instant I felt our machine fairly jump
+beneath me. I looked at Jonadab's foot. 'Twas pressed hard down on the
+speed lever.
+
+"'You crazy loon!' I screeched. 'You--you--you--Stop it! Take your foot
+off that! Do you want to--!'
+
+"I was climbin' over the back of the front seat, my knee pretty nigh on
+Bradbury's head. But, would you believe it, that Jonadab man let go of
+the wheel with one hand--let GO of it, mind you--and give me a shove
+that sent me backward in Henrietta Bassett's lap.
+
+"'Barzilla!' he growled, between his teeth, 'you set where you be
+and keep off the quarterdeck. I'm runnin' this craft. I'll beat that
+Loveland this time or run him under, one or t'other!'
+
+"As sure as I'm alive this minute, the man in the front car was Tobias
+Loveland!
+
+"And from then on--Don't talk! I dream about it nights and wake up with
+my arms around the bedpost. I ain't real sure, but I kind of have an
+idee that the bedpost business comes from the fact that I was huggin'
+the widow some of the time. If I did, 'twa'n't knowin'ly, and she never
+mentioned it afterwards. All I can swear to is clouds of dust, and horns
+honkin', and telegraph poles lookin' like teeth in a comb, and Jonadab's
+face set as the Day of Judgment.
+
+"He kept his foot down on the speed place as if 'twas glued. He shoved
+the 'spark'--whatever that is--'way back. Every once in a while he
+yelled, yelled at the top of his lungs. What he yelled hadn't no sense
+to it. Sometimes you'd think that he was drivin' a horse and next that
+he was handlin' a schooner in a gale.
+
+"'Git dap!' he'd whoop. 'Go it, you cripples! Keep her nose right in the
+teeth of it! She's got the best of the water, so let her bile! Whe-E-E!'
+
+"We didn't stop at Bayport. Our skipper had made other arrangements.
+However, the way I figgered it, we was long past needin' a doctor, and
+you can get an undertaker 'most anywhere. We went through the village
+like a couple of shootin' stars, Tobias about a length ahead, his hat
+blowed off, his hair--what little he's got--streamin' out behind, and
+that blessed red buzz wagon of his fairly skimmin' the hummocks and
+jumpin' the smooth places. And right astern of him comes Jonadab,
+hangin' to the wheel, HIS hat gone, his mouth open, and fillin' the dust
+with yells and coughs.
+
+"You could see folks runnin' to doors and front gates; but you never saw
+'em reach where they was goin'--time they done that we was somewheres
+round the next bend. A pullet run over us once--yes, I mean just that.
+She clawed the top of the widow's bunnit as we slid underneath her, and
+by the time she lit we was so fur away she wa'n't visible to the
+naked eye. Bradbury--who'd got better remarkable sudden--was pawin' at
+Jonadab's arm, tryin' to make him ease up; but he might as well have
+pawed the wind. As for Henrietta Bassett, she was acrost the back of the
+front seat tootin' the horn for all she was wuth. And curled down in a
+heap on the cockpit floor was a fleshy, sea-farin' person by the name of
+Barzilla Wingate, sufferin' from chills and fever.
+
+"I think 'twas on the long stretch of the Trumet road that we beat
+Tobias. I know we passed somethin' then, though just what I ain't
+competent to testify. All I'm sure of is that, t'other side of Bayport
+village, the landscape got some less streaked and you could most
+gen'rally separate one house from the next.
+
+"Bradbury looked at Henrietta and smiled, a sort of sickly smile. She
+was pretty pale, but she managed to smile back. I got up off the floor
+and slumped on the cushions. As for Cap'n Jonadab Wixon, he'd stopped
+yellin', but his face was one broad, serene grin. His mouth, through
+the dust and the dirt caked around it, looked like a rain gully in a
+sand-bank. And, occasional, he crowed, hoarse but vainglorious.
+
+"'Did you see me?' he barked. 'Did you notice me lick him? He'll laugh
+at me, will he?--him and his one-horse tin cart! Ho! HO! Why, you'd
+think he was settin' down to rest! I've got him where I want him now!
+Ho, ho! Say, Henrietta, did you go swift as you--? Land sakes! Mr.
+Bradbury, I forgot all about you. And I--I guess we must have got a good
+ways past the doctor's place.'
+
+"Bradbury said never mind. He felt much better, and he cal'lated he'd do
+till we fetched the Old Home dock. He'd take the wheel, now, he guessed.
+
+"But, would you b'lieve it, that fool Jonadab wouldn't let him! He was
+used to the ship now, he said, and, if 'twas all the same to Henry G.
+and Hettie, he'd kind of like to run her into port.
+
+"'She answers her hellum fine,' he says. 'After a little practice I
+cal'late I could steer--'
+
+"'Steer!' sings out Bradbury. 'STEER! Great Caesar's ghost! I give you
+my word, Cap'n Wixon, I never saw such handlin' of a machine as you did
+goin' through Bayport, in my life. You're a wonder!'
+
+"'Um-hm,' says Jonadab contented. 'I've steered a good many vessels in
+my time, through traffic and amongst the shoals, and never run afoul
+of nothin' yet. I don't see much diff'rence on shore--'cept that it's a
+little easier.'
+
+"EASIER! Wouldn't that--Well, what's the use of talkin'?
+
+"We got to the Old Home House safe and sound; Jonadab, actin' under
+Bradbury's orders, run her into the yard, slowin' up and stoppin' at
+the front steps slick as grease. He got out, his chest swelled up like
+a puffin' pig, and went struttin' in to tell everybody what he'd done to
+Loveland. I don't know where Bradbury and the widow went. As for me, I
+went aloft and turned in. And 'twas two days and nights afore I got up
+again. I had a cold, anyway, and what I'd been through didn't help it
+none.
+
+"The afternoon of the second day, Bradbury come up to see me. He was
+dressed in his city clothes and looked as if he was goin' away. Sure
+enough, he was; goin' on the next train.
+
+"'Where's Jonadab?' says I.
+
+"'Oh, he's out in his car,' he says. 'Huntin' for Loveland again,
+maybe.'
+
+"'HIS car? You mean yours.'
+
+"'No, I mean his. I sold my car to him yesterday mornin' for twenty-five
+hundred dollars cash.'
+
+"I set up in bed. 'Go 'long!' I sings out. 'You didn't nuther!'
+
+"'Yes, I did. Sure thing. After that ride, you couldn't have separated
+him from that machine with blastin' powder. He paid over the money like
+a little man.'
+
+"I laid down again. Jonadab Wixon payin' twenty-five hundred dollars for
+a plaything! Not promisin', but actually PAYIN' it!
+
+"'Has--has the widow gone with him?' I asked, soon's I could get my
+breath.
+
+"He laughed sort of queer. 'No,' he says, 'she's gone out of town for
+a few days. Ha, ha! Well, between you and me, Wingate, I doubt if
+she comes back again. She and I have made all we're likely to in this
+neighborhood, and she's too good a business woman to waste her time.
+Good-by; glad to have met you.'
+
+"But I smelt rat strong and wouldn't let him go without seein' the
+critter.
+
+"'Hold on!' I says. 'There's somethin' underneath all this. Out with it.
+I won't let on to the Cap'n if you don't want me to.'
+
+"'Well,' says he, laughin' again, 'Mrs. Bassett WON'T come back and
+I know it. She and I have sold four cars on the Cape in the last five
+weeks, and the profits'll more'n pay vacation expenses. Two up in
+Wareham, one over in Orham, to Loveland--'
+
+"'Did YOU sell Tobias his?' I asks, settin' up again.
+
+"'Hettie and I did--yes. Soon's we landed him, we come over to bag old
+Wixon. I thought one time he'd kill us before we got him, but he didn't.
+How he did run that thing! He's a game sport.'
+
+"'See here!' says I. 'YOU and Hettie sold--What do you mean by that?'
+
+"'Mrs. Bassett is my backer in the auto business,' says he. 'She put in
+her money and I furnished the experience. We've got a big plant up in--'
+namin' a city in Connecticut.
+
+"I fetched a long breath. 'WELL!' says I. 'And all this makin' eyes at
+Tobe and Jonadab was just--just--'
+
+"'Just bait, that's all,' says he. 'I told you she was a good business
+woman.'
+
+"I let this sink in good. Then says I, 'Humph! I swan to man! And how's
+your heart actin' now?'
+
+"'Fine!' he says, winkin'. 'I had that attack so's the Cap'n would learn
+to run on his own hook. I didn't expect quite so much of a run, but
+I'm satisfied. Don't you worry about my heart disease. That twenty-five
+hundred cured it. 'Twas all in the way of business,' says Henry G.
+Bradbury."
+
+"Whew!" whistled Captain Hiram as Barzilla reached into his pocket for
+pipe and tobacco. "Whew! I should say your partner had a narrer escape.
+Want to look out sharp for widders. They're dangerous, hey, Sol?"
+
+The depot master did not answer. Captain Hiram asked another question.
+"How'd Jonadab take Hettie's leavin'?" he inquired.
+
+"Oh," said Barzilla, "I don't think he minded so much. He was too crazy
+about his new auto to care for anything else. Then, too, he was b'ilin'
+mad 'cause Loveland swore out a warrant against him for speedin'.
+
+"'Nice trick, ain't it?' he says. 'I knew Tobe was a poor loser, but
+I didn't think he'd be so low down as all that. Says I was goin' fifty
+mile an hour. He! he! Well, I WAS movin', that's a fact. I don't care.
+'Twas wuth the twenty-dollar fine.'
+
+"'Maybe so,' I says, 'but 'twon't look very pretty to have a special
+auto constable hauled up and fined for breakin' the law he's s'posed to
+protect.'
+
+"He hadn't thought of that. His face clouded over.
+
+"'No use, Barzilla,' says he; 'I'll have to give it up.'
+
+"'Guess you will,' says I. 'Automobilin' is--'
+
+"'I don't mean automobilin',' he snorts disgusted. 'Course not! I mean
+bein' constable.'
+
+"So there you are! From cussin' automobiles he's got so that he can't
+talk enough good about 'em. And every day sence then he's out on the
+road layin' for another chance at Tobias. I hope he gets that chance
+pretty soon, because--well, there's a rumor goin' round that Loveland is
+plannin' to swap his car for a bigger and faster one. If he does . . ."
+
+"If he does," interrupted Captain Sol, "I hope you'll fix the next race
+for over here. I'd like to see you go by, Barzilla."
+
+"Guess you'd have to look quick to see him," laughed Stitt. "Speakin'
+about automobiles--"
+
+"By gum!" ejaculated Wingate, "you'd have to look somewheres else to
+find ME. I've got all the auto racin' I want!"
+
+"Speakin' of automobiles," began Captain Bailey again. No one paid the
+slightest attention.
+
+"How's Dusenberry, your baby, Hiram?" asked the depot master, turning to
+Captain Baker. "His birthday's the Fourth, and that's only a couple of
+days off."
+
+The proud parent grinned, then looked troubled.
+
+"Why, he ain't real fust-rate," he said. "Seems to be some under
+the weather. Got a cold and kind of sore throat. Dr. Parker says he
+cal'lates it's a touch of tonsilitis. There's consider'ble fever, too.
+I was hopin' the doctor'd come again to-day, but he's gone away on
+a fishin' cruise. Won't be home till late to-morrer. I s'pose me and
+Sophrony hadn't ought to worry. Dr. Parker seems to know about the
+case."
+
+"Humph!" grunted the depot master, "there's only two bein's in creation
+that know it all. One's the Almighty and t'other's young Parker. He's
+right out of medical school and is just as fresh as his diploma. He
+hadn't any business to go fishin' and leave his patients. We lost a
+good man when old Dr. Ryder died. He . . . Oh, well! you mustn't
+worry, Hiram. Dusenberry'll pull out in time for his birthday. Goin' to
+celebrate, was you?"
+
+Captain Baker nodded. "Um-hm," he said. "Sophrony's goin' to bake a
+frosted cake and stick three candles on it--he's three year old, you
+know--and I've made him a 'twuly boat with sails,' that's what he's been
+beggin' for. Ho! ho! he's the cutest little shaver!"
+
+"Speakin' of automobiles," began Bailey Stitt for the third time.
+
+"That youngster of yours, Hiram," went on the depot master, "is the
+right kind. Compared with some of the summer young ones that strike this
+depot, he's a saint."
+
+Captain Hiram grinned. "That's what I tell Sophrony," he said.
+"Sometimes when Dusenberry gets to cuttin' up and she is sort of
+provoked, I say to her, 'Old lady,' I say, 'if you think THAT'S a
+naughty boy, you ought to have seen Archibald.'"
+
+"Who was Archibald?" asked Barzilla.
+
+"He was a young rip that Sim Phinney and I run across four years ago
+when we went on our New York cruise together. The weir business had been
+pretty good and Sim had been teasin' me to go on a vacation with him, so
+I went. Sim ain't stopped talkin' about our experiences yet. Ho! ho!"
+
+"You bet he ain't!" laughed the depot master. "One mix-up you had with
+a priest, and a love story, and land knows what. He talks about that to
+this day."
+
+"What was it? He never told me," said Wingate.
+
+"Why, it begun at the Golconda House, the hotel where Sim and I was
+stayin'. We--"
+
+"Did YOU put up at the Golconda?" interrupted Barzilla. "Why, Cap'n
+Jonadab and me stayed there when we went to New York."
+
+"I know you did. Jonadab recommended it to Sim, and Sim took the
+recommendation. That Golconda House is the only grudge I've got against
+Jonadab Wixon. It sartin is a tough old tavern."
+
+"I give in to that. Jonadab's so sot on it account of havin' stopped
+there on his honeymoon, years and years ago. He's too stubborn to
+own it's bad. It's a matter of principle with him, and he's sot on
+principle."
+
+"Yes," continued Baker. "Well, Sim and me had been at that Golconda
+three days and nights. Mornin' of the fourth day we walked out of the
+dinin' room after breakfast, feelin' pretty average chipper. Gettin'
+safe past another meal at that hotel was enough of itself to make a chap
+grateful.
+
+"We walked out of the dinin' room and into the office. And there, by the
+clerk's desk, was a big, tall man, dressed up in clothes that was loud
+enough to speak for themselves, and with a shiny new tall hat, set with
+a list to port, on his head. He was smooth-faced and pug-nosed, with an
+upper lip like a camel's.
+
+"He didn't pay much attention to us, nor to anybody else, for the matter
+of that. He was as mournful as a hearse, for all his joyful togs.
+
+"'Fine day, ain't it?' says Sim, social.
+
+"The tall chap looked up at him from under the deck of the beaver hat.
+
+"'Huh!' he growls out, and looks down again.
+
+"'I say it's a fine day,' said Phinney again.
+
+"'I was after hearin' yez say it,' says the man, and walks off, scowlin'
+like a meat ax. We looked after him.
+
+"'Who was that murderer?' asks Sim of the clerk. 'And when are they
+going to hang him?'
+
+"'S-sh-sh!' whispers the clerk, scart. ''Tis the boss. The bloke what
+runs the hotel. He's a fine man, but he has troubles. He's blue.'
+
+"'So that's the boss, hey?' says I. 'And he's blue. Well, he looks it.
+What's troublin' him? Ain't business good?'
+
+"'Never better. It ain't that. He has things on his mind. You see--'
+
+"I cal'late he'd have told us the yarn, only Sim wouldn't wait to hear
+it. We was goin' sight-seein' and we had 'aquarium' and 'Stock Exchange'
+on the list for that afternoon. The hotel clerk had made out a kind of
+schedule for us of things we'd ought to see while we was in New York,
+and so fur we'd took in the zoological menagerie and the picture museum,
+and Central Park and Brooklyn Bridge.
+
+"On the way downtown in the elevated railroad Sim done some preachin'.
+His text was took from the Golconda House sign, which had 'T. Dempsey,
+Proprietor,' painted on it.
+
+"'It's that Dempsey man's conscience that makes him so blue, Hiram,'
+says Sim. 'It's the way he makes his money. He sells liquor.'
+
+"'Oh!' says I. 'Is THAT it? I thought maybe he'd been sleepin' on one
+of his own hotel beds. THEY'RE enough to make any man blue--black and
+blue.'
+
+"The 'aquarium' wa'n't a success. Phinney was disgusted. He give one
+look around, grabbed me by the arm, and marched me out of that building
+same as Deacon Titcomb, of the Holiness Church at Denboro, marched his
+boy out of the Universalist sociable.
+
+"'It's nothin' but a whole passel of fish,' he snorts. 'The idea of
+sendin' two Cape Codders a couple of miles to look at FISH. I've looked
+at 'em and fished for 'em, and et 'em all the days of my life,' he says,
+'and when I'm on a vacation I want a change. I'd forgot that "aquarium"
+meant fish, or you wouldn't have got me within smellin' distance of
+it. Necessity's one thing and pleasure's another, as the boy said about
+takin' his ma's spring bitters.'
+
+"So we headed for the Stock Exchange. We got our gallery tickets at the
+bank where the Golconda folks kept money, and in a little while we was
+leanin' over a kind of marble bulwarks and starin' down at a gang of men
+smokin' and foolin' and carryin' on. 'Twas a dull day, so we found out
+afterward, and I guess likely that was true. Anyway, I never see such
+grown-up men act so much like children. There was a lot of poles stuck
+up around with signs on 'em, and around every pole was a circle of
+bedlamites hollerin' like loons. Hollerin' was the nighest to work
+of anything I see them fellers do, unless 'twas tearin' up papers and
+shovin' the pieces down somebody's neck or throwin' 'em in the air like
+a play-actin' snowstorm.
+
+"'What's the matter with 'em?' says I. 'High finance taken away their
+brains?'
+
+"But Phinney was awful interested. He dumped some money in a mine once.
+The mine caved in on it, I guess, for not a red cent ever come to the
+top again, but he's been a kind of prophet concernin' finances ever
+sence.
+
+"'I want to see the big fellers,' says he. 'S'pose that fat one is
+Morgan?'
+
+"'I don't know,' says I. 'Me and Pierpont ain't met for ever so long.
+Don't lean over and point so; you're makin' a hit.'
+
+"He was, too. Some of the younger crew on the floor was lookin' up and
+grinnin', and more kept stoppin' and joinin' in all the time. I cal'late
+we looked kind of green and soft, hangin' over that marble rail, like
+posies on a tombstone; and green is the favorite color to a stockbroker,
+they tell me. Anyhow, we had a good-sized congregation under us in
+less than no time. Likewise, they got chatty, and commenced to unload
+remarks.
+
+"'Land sakes!' says one. 'How's punkins?'
+
+"'How's crops down your way?' says another.
+
+"Now there wa'n't nothin' real bright and funny about these
+questions--more fresh than new, they struck me--but you'd think they
+was gems from the comic almanac, jedgin' by the haw-haws. Next minute
+a little bald-headed smart Alec, with clothes that had a tailor's sign
+hull down and out of the race, steps to the front and commences to make
+a speech.
+
+"'Gosh t'mighty, gents,' says he. 'With your kind permission, I'll sing
+"When Reuben Comes to Town."'
+
+"And he did sing it, too, in a voice that needed cultivatin' worse'n
+a sandy front yard. And with every verse the congregation whooped and
+laughed and cheered. When the anthem was concluded, all hands set up a
+yell and looked at us to see how we took it.
+
+"As for me, I was b'ilin' mad and mortified and redhot all over. But Sim
+Phinney was as cool as an October evenin'. Once in a while old Sim
+comes out right down brilliant, and he done it now. He smiled, kind
+of tolerant and easy, same as you might at the tricks of a hand-organ
+monkey. Then he claps his hands, applaudin' like, reaches into his
+pocket, brings up a couple of pennies, and tosses 'em down to little
+baldhead, who was standin' there blown up with pride.
+
+"For a minute the crowd was still. And THEN such a yell as went up! The
+whole floor went wild. Next thing I knew the gallery was filled with
+brokers, grabbin' us by the hands, poundin' us on the back, beggin' us
+to come have a drink, and generally goin' crazy. We was solid with the
+'system' for once in our lives. We could have had that whole buildin',
+from marble decks to gold maintruck, if we'd said the word. Fifty
+yellin' lunatics was on hand to give it to us; the other two hundred was
+joyfully mutilatin' the baldhead.
+
+"Well, I wanted to get away, and so did Sim, I guess; but the crowd
+wouldn't let us. We'd got to have a drink; hogsheads of drinks. That was
+the best joke on Eddie Lewisburg that ever was. Come on! We MUST come
+on! Whee! Wow!
+
+"I don't know how it would have ended if some one hadn't butted head
+first through the mob and grabbed me by the shoulder. I was ready to
+fight by this time, and maybe I'd have begun to fight if the chap who
+grabbed me hadn't been a few inches short of seven foot high. And,
+besides that, I knew him. 'Twas Sam Holden, a young feller I knew when
+he boarded here one summer. His wife boarded here, too, only she wa'n't
+his wife then. Her name was Grace Hargrave and she was a fine girl.
+Maybe you remember 'em, Sol?"
+
+The depot master nodded.
+
+"I remember 'em well," he said. "Liked 'em both--everybody did."
+
+"Yes. Well, he knew us and was glad to see us.
+
+"'It IS you!' he sings out. 'By George! I thought it was when I came on
+the floor just now. My! but I'm glad to see you. And Mr. Phinney, too!
+Bully! Clear out and let 'em alone, you Indians.'
+
+"The crowd didn't want to let us alone, but Sam got us clear somehow,
+and out of the Exchange Buildin' and into the back room of a kind of
+restaurant. Then he gets chairs for us, orders cigars, and shakes hands
+once more.
+
+"'To think of seein' you two in New York!' he says, wonderin'. 'What are
+you doin' here? When did you come? Tell us about it.'
+
+"So we told him about our pleasure cruise, and what had happened to us
+so fur. It seemed to tickle him 'most to death.
+
+"'Grace and I are keepin' house, in a modest way, uptown,' says Sam,
+'and she'll be as glad to see you as I am. You're comin' up to dinner
+with me to-night, and you're goin' to make us a visit, you know,' he
+says.
+
+"Well, if we didn't know it then, we learned it right away. Nothin'
+that me or Simeon could say would make him change the course a point. So
+Phinney went up to the Golconda House and got our bags, and at half-past
+four that afternoon the three of us was in a hired hack bound uptown.
+
+"On the way Sam was full of fun as ever. He laughed and joked, and asked
+questions about East Harniss till you couldn't rest. All of a sudden he
+slaps his knee and sings out:
+
+"'There! I knew I'd forgotten somethin'. Our butler left yesterday,
+and I was to call at the intelligence office on my way home and see if
+they'd scared up a new one.'
+
+"I looked at Simeon, and he at me.
+
+"'Hum!' says I, thinkin' about that 'modest' housekeepin'. 'Do you keep
+a butler?'
+
+"'Not long,' says he, dry as a salt codfish. And that's all we could get
+out of him.
+
+"I s'pose there's different kinds of modesty. We hadn't more'n got
+inside the gold-plated front door of that house when I decided that the
+Holden brand of housekeepin' wa'n't bashful enough to blush. If I'D been
+runnin' that kind of a place, the only time I'd felt shy and retirin'
+was when the landlord came for the rent.
+
+"One of the fo'mast hands--hired girls, I mean--went aloft to fetch Mrs.
+Holden, and when Grace came down she was just as nice and folksy and
+glad to see us as a body could be. But she looked sort of troubled, just
+the same.
+
+"'I'm ever so glad you're here,' says she to me and Simeon. 'But, oh,
+Sam! it's a shame the way things happen. Cousin Harriet and Archie came
+this afternoon to stay until to-morrow. They're on their way South.
+And I have promised that you and I shall take Harriet to see Marlowe
+to-night. Of course we won't do it now, under any consideration, but you
+know what she is.'
+
+"Sam seemed to know. He muttered somethin' that sounded like a Scripture
+text. Simeon spoke up prompt.
+
+"'Indeed you will,' says he, decided. 'Me and Hiram ain't that kind.
+We've got relations of our own, and we know what it means when they
+come a-visitin'. You and Mr. Holden'll take your comp'ny and go to
+see--whatever 'tis you want to see, and we'll make ourselves to home
+till you get back. Yes, you will, or we clear out this minute.'
+
+"They didn't want to, but we was sot, and so they give in finally. It
+seemed that this Cousin Harriet was a widow relation of the Holdens, who
+lived in a swell country house over in Connecticut somewhere, and was
+rich as the rest of the tribe. Archie was her son. 'Hers and the Evil
+One's,' Sam said.
+
+"We didn't realize how much truth there was in this last part until we
+run afoul of Archie and his ma at dinner time. Cousin Harriet was tall
+and middlin' slim, thirty-five years old, maybe, at a sale for
+taxes, but discounted to twenty at her own valuation. She was got up
+regardless, and had a kind of chronic, tired way of talkin', and a
+condescendin' look to her, as if she was on top of Bunker Hill monument,
+and all creation was on its knees down below. She didn't warm up to
+Simeon and me much; eyed us over through a pair of gilt spyglasses, and
+admitted that she was 'charmed, I'm sure.' Likewise, she was afflicted
+with 'nerves,' which must be a divil of a disease--for everybody but the
+patient, especial.
+
+"Archie--his ma hailed him as 'Archibald, dear'--showed up pretty
+soon in tow of his 'maid,' a sweet-faced, tired-out Irish girl named
+Margaret. 'Archibald, dear,' was five years old or so, sufferin' from
+curls and the lack of a lickin'. I never see a young one that needed a
+strap ile more.
+
+"'How d'ye do Archie?' says Simeon, holdin' out his hand.
+
+"Archie didn't take the hand. Instead of that he points at Phinney and
+commences to laugh.
+
+"'Ho, ho!' says he, dancin' and pointin'. 'Look at the funny whiskers.'
+
+"Sim wa'n't expectin' that, and it set him all aback, like he'd run into
+a head squall. He took hold of his beard and looked foolish. Sam and
+Grace looked ashamed and mad. Cousin Harriet laughed one of her lazy
+laughs.
+
+"'Archibald, de-ar,' she drawls, 'you mustn't speak that way. Now be
+nice, and play with Margaret durin' dinner, that's a good boy.'
+
+"'I won't,' remarks Archie, cheerful. 'I'm goin' to dine with you,
+mama.'
+
+"'Oh, no, you're not, dear. You'll have your own little table, and--'
+
+"Then 'twas' Hi, yi!' 'Bow, wow!' Archibald wa'n't hankerin' for little
+tables. He was goin' to eat with us, that's what. His ma, she argued
+with him and pleaded, and he yelled and stamped and hurrahed. When
+Margaret tried to soothe him he went at her like a wild-cat, and kicked
+and pounded her sinful. She tried to take him out of the room, and then
+Cousin Harriet come down on her like a scow load of brick.
+
+"'Haven't I told you,' says she, sharp and vinegary, 'not to oppose the
+child in that way? Archibald has such a sensitive nature,' she says to
+Grace, 'that opposition arouses him just as it did me at his age. Very
+well, dear; you MAY dine with us to-night, if you wish. Oh, my poor
+nerves! Margaret, why don't you place a chair for Master Archibald? The
+creature is absolutely stupid at times,' she says, talkin' about that
+poor maid afore her face with no more thought for her feelin's than
+if she was a wooden image. 'She has no tact whatever. I wouldn't have
+Archibald's spirit broken for anything.'
+
+"'Twas his neck that needed breakin' if you asked ME. That was a joyful
+meal, now I tell you.
+
+"There was more joy when 'twas over. Archie didn't want to go to bed,
+havin' desires to set up and torment Simeon with questions about his
+whiskers; askin' if they growed or was tied on, and things like that.
+Course he didn't know his ma was goin' to the show, or he wouldn't have
+let her. But finally he was coaxed upstairs by Margaret and a box of
+candy, and, word havin' been sent down that he was asleep, Sam got
+out his plug hat, and Grace and Cousin Harriet got on their fur-lined
+dolmans and knit clouds, and was ready for the hack.
+
+"'I feel mighty mean to go off and leave you this way,' says Sam to
+me and Simeon. 'But you make yourself at home, won't you? This is your
+house to-night, you know; servants and all.'
+
+"'How about that boy's wakin' up?' says I.
+
+"'Oh, his maid'll attend to him. If she needs any help you can give it
+to her,' he says, winkin' on the side.
+
+"But Cousin Harriet was right at his starboard beam, and she heard him.
+She flew up like a settin' hen.
+
+"'Indeed they will NOT!' she sings out. 'If anyone but Margaret was to
+attempt to control Archibald, I don't dare think what might happen.
+I shall not stir from this spot until these persons promise not to
+interfere in ANY way; Archibald, dear, is such a sensitive child.'
+
+"So we promised not to interfere, although Sim Phinney looked
+disappointed when he done it. I could see that he'd had hopes afore he
+give that promise."
+
+
+
+
+CHAPTER XI
+
+IN THE GREAT METROPOLIS
+
+
+"So they left you and Sim Phinney to keep house, did they, Hiram?"
+observed Wingate.
+
+"They did. And, for a spell, we figgered on bein' free from too much
+style.
+
+"After they'd gone we loafed into the settin' room or libr'ry, or
+whatever you call it, and come to anchor in a couple of big lazy chairs.
+
+"'Now,' says I, takin' off my coat, 'we can be comf'table.'
+
+"But we couldn't. In bobs a servant girl to know if we 'wanted
+anything.' We didn't, but she looked so shocked when she see me in my
+shirt sleeves that I put the coat on again, feelin' as if I'd ought
+to blush. And in a minute back she comes to find out if we was SURE we
+didn't want anything. Sim was hitchin' in his chair. Between 'nerves'
+and Archibald, his temper was raw on the edges.
+
+"'Say,' he bursts out, 'you look kind of pale to me. What you need is
+fresh air. Why don't you go take a walk?'
+
+"The girl looked at him with her mouth open.
+
+"'Oh,' says she, 'I couldn't do that, thank you, sir. That would leave
+no one but the cook and the kitchen girl. And the master said you was to
+be made perfectly comf'table, and--'
+
+"'Yes,' says Sim, dry, 'I heard him say it. And we can't be comf'table
+with you shut up in the house this nice evenin'. Go and take a walk, and
+take the cook and stewardess with you. Don't argue about it. I'm skipper
+here till the boss gets back. Go, the three of you, and go NOW. D'ye
+hear?'
+
+"There was a little more talk, but not much. In five minutes or so the
+downstairs front door banged, and there was gigglin' outside.
+
+"'There,' says Simeon, peelin' off HIS coat and throwin' himself back in
+one chair with his feet on another one. 'Now, by Judas, I'm goin' to be
+homey and happy like poor folks. I don't wonder that Harriet woman's got
+nerves. Darn style, anyhow! Pass over that cigar box, Hiram.'
+
+"'Twas half an hour later or so when Margaret, the nursemaid, came
+downstairs. I'd almost forgot her. We was tame and toler'ble contented
+by that time. Phinney called to her as she went by the door.
+
+"'Is that young one asleep?' he asked.
+
+"'Yes, sir,' says she, 'he is. Is there anything I can do? Did you want
+anything?'
+
+"Simeon looks at me. 'I swan to man, it's catchin'!' he says. 'They've
+all got it. No, we don't want anything, except--What's the matter? YOU
+don't need fresh air, do you?'
+
+"The girl looked as if she'd lost her last friend. Her pretty face was
+pale and her eyes was wet, as if she'd been cryin'.
+
+"'No, sir,' says she, puzzled. 'No, sir, thank you, sir.'
+
+"'She's tired out, that's all,' says I. I swan, I pitied the poor thing.
+'You go somewheres and take a nap,' I told her. 'Me and my friend won't
+tell.'
+
+"Oh, no, she couldn't do that. It wa'n't that she was tired--no more
+tired than usual--but she'd been that troubled in her mind lately,
+askin' our pardon, that she was near to crazy.
+
+"We was sorry for that, but it didn't seem to be none of our business,
+and she was turnin' away, when all at once she stops and turns back
+again.
+
+"'Might I ask you gintlemen a question?' she says, sort of pleadin'.
+'Sure I mane no harm by it. Do aither of you know a man be the name of
+Michael O'Shaughnessy?'
+
+"Me and Sim looked at each other. 'Which?' says I. 'Mike O' who?' says
+Simeon.
+
+"'Aw, don't you know him?' she begs. 'DON'T you know him? Sure I hoped
+you might. If you'd only tell me where he is I'd git on me knees and
+pray for you. O Mike, Mike! why did you leave me like this? What'll
+become of me?'
+
+"And she walks off down the hall, coverin' her face with her hands and
+cryin' as if her heart was broke.
+
+"'There! there!' says Simeon, runnin' after her, all shook up. He's a
+kind-hearted man--especially to nice-lookin' females. 'Don't act so,' he
+says. 'Be a good girl. Come right back into the settin' room and tell
+me all about it. Me and Cap'n Baker ain't got nerves, and we ain't rich,
+neither. You can talk to us. Come, come!'
+
+"She didn't know how to act, seemingly. She was like a dog that's been
+kicked so often he's suspicious of a pat on the head. And she was cryin'
+and sobbin' so, and askin' our pardon for doin' it, that it took a good
+while to get at the real yarn. But we did get it, after a spell.
+
+"It seems that the girl--her whole name was Margaret Sullivan--had
+been in this country but a month or so, havin' come from Ireland in a
+steamboat to meet the feller who'd kept comp'ny with her over there. His
+name was Michael O'Shaughnessy, and he'd been in America for four years
+or more, livin' with a cousin in Long Island City. And he'd got a good
+job at last, and he sent for her to come on and be married to him.
+And when she landed 'twas the cousin that met her. Mike had drawn a
+five-thousand-dollar prize in the Mexican lottery a week afore, and
+hadn't been seen sence.
+
+"So poor Margaret goes to the cousin's to stay. And she found them poor
+as Job's pet chicken, and havin' hardly grub enough aboard to feed the
+dozen or so little cousins, let alone free boarders like her. And so,
+havin' no money, she goes out one day to an intelligence office where
+they deal in help, and puts in a blank askin' for a job as servant girl.
+'Twas a swell place, where bigbugs done their tradin', and there she
+runs into Cousin Harriet, who was a chronic customer, always out of
+servants, owin' to the complications of Archibald and nerves. And
+Harriet hires her, because she was pretty and would work for a shavin'
+more'n nothin', and carts her right off to Connecticut. And when
+Margaret sets out to write for her trunk, and to tell where she is, she
+finds she's lost the cousin's address, and can't remember whether it's
+Umpty-eighth Street or Tin Can Avenue.
+
+"'And, oh,' says she, 'what SHALL I do? The mistress is that hard to
+please, and the child is that wicked till I want to die. And I have no
+money and no friends. O Mike! Mike!' she says. 'If you only knew you'd
+come to me. For it's a good heart he has, although the five thousand
+dollars carried away his head,' says she.
+
+"I don't believe I ever wanted to make a feller's acquaintance more than
+I done that O'Shaughnessy man's. The mean blackguard, to leave his girl
+that way. And 'twas easy to see what she'd been through with Cousin
+Harriet and that brat. We tried to comfort her all we could; promised to
+have a hunt through Long Island and the directory, and to help get her
+another place when she got back from the South, and so on. But 'twas
+kind of unsatisfactory. 'Twas her Mike she wanted.
+
+"'I told the Father about it at the church up there,' she says, 'and he
+wrote, but the letters was lost, I guess. And I thought if I might see
+a priest here in New York he might help me. But the mistress is to go at
+noon to-morrer, and I'll have no time. What SHALL I do?' says she, and
+commenced to cry again.
+
+"Then I had an idea. 'Priest?' says I. 'There's a fine big church, with
+a cross on the ridgepole of it, not five minutes' walk from this house.
+I see it as we was comin' up. Why don't you run down there this minute?'
+I says.
+
+"No, she didn't want to leave Archibald. Suppose he should wake up.
+
+"'All right,' says I. 'Then I'll go myself. And I'll fetch a priest up
+here if I have to tote him on my back, like the feller does the codfish
+in the advertisin' picture.'
+
+"I didn't have to tote him. He lived in a mighty fine house, hitched
+onto the church, and there was half a dozen assistant parsons to help
+him do his preachin'. But he was big and fat and gray-haired and as
+jolly and as kind-hearted a feller as you'd want to meet. He said he'd
+come right along; and he done it.
+
+"Phinney opened the door for us. 'What's the row?' says I, lookin' at
+his face.
+
+"'Row?' he snorts; 'there's row enough for six. That da--excuse me,
+mister--that cussed Archibald has woke up.'
+
+"He had; there wa'n't no doubt about it. And he was raisin' hob, too.
+The candy, mixed up with the dinner, had put his works in line with his
+disposition, and he was poundin' and yellin' upstairs enough to wake the
+dead. Margaret leaned over the balusters.
+
+"'Is it the Father?' she says. 'Oh, dear! what'll I do?'
+
+"'Send some of the other servants to the boy,' says the priest, 'and
+come down yourself.'
+
+"Simeon, lookin' kind of foolish, explained what had become of the other
+servants. Father McGrath--that was his name--laughed and shook all over.
+
+"'Very well,' says he. 'Then bring the young man down. Perhaps he'll be
+quiet here.'
+
+"So pretty soon down come Margaret with Archibald, full of the Old
+Scratch, as usual, dressed up gay in a kind of red blanket nighty, with
+a rope around the middle of it. The young one spotted Simeon, and set up
+a whoop.
+
+"'Oh! there's the funny whiskers,' he sings out.
+
+"'Good evenin', my son,' says the priest.
+
+"'Who's the fat man?' remarks Archibald, sociable. 'I never saw such a
+red fat man. What makes him so red and fat?'
+
+"These questions didn't make Father McGrath any paler. He laughed, of
+course, but not as if 'twas the funniest thing he ever heard.
+
+"'So you think I'm fat, do you, my boy?' says he.
+
+"'Yes, I do,' says Archibald. 'Fat and red and funny. Most as funny as
+the whisker man. I never saw such funny-lookin' people.'
+
+"He commenced to point and holler and laugh. Poor Margaret was so
+shocked and mortified she didn't know what to do.
+
+"'Stop your noise, sonny,' says I. 'This gentleman wants to talk to your
+nurse.'
+
+"The answer I got was some unexpected.
+
+"'What makes your feet so big?' says Archie, pointin' at my Sunday
+boots. 'Why do you wear shoes like that? Can't you help it? You're
+funny, too, aren't you? You're funnier than the rest of 'em.'
+
+"We all went into the library then, and Father McGrath tried to ask
+Margaret some questions. I'd told him the heft of the yarn on the way
+from the church, and he was interested. But the questionin' was mighty
+unsatisfyin'. Archibald was the whole team, and the rest of us was
+yeller dogs under the wagon.
+
+"'Can't you keep that child quiet?' asks the priest, at last, losin' his
+temper and speakin' pretty sharp.
+
+"'O Archie, dear! DO be a nice boy,' begs Margaret, for the eight
+hundredth time.
+
+"'Why don't you punish him as he deserves?'
+
+"'Father, dear, I can't. The mistress says he's so sensitive that he has
+to have his own way. I'd lose my place if I laid a hand on him.'
+
+"'Come on into the parlor and see the pictures, Archie,' says I.
+
+"'I won't,' says Archibald. 'I'm goin' to stay here and see the fat man
+make faces.'
+
+"'You see,' says Sim, apologizin' 'we can't touch him, 'cause we
+promised his ma not to interfere. And my right hand's got cramps in the
+palm of it this minute,' he adds, glarin' at the young one.
+
+"Father McGrath stood up and reached for his hat. Margaret began to cry.
+Archibald, dear, whooped and kicked the furniture. And just then the
+front-door bell rang.
+
+"For a minute I thought 'twas Cousin Harriet and the Holdens come back,
+but then I knew it was hours too early for that. Margaret was too much
+upset to be fit for company, so I answered the bell myself. And who in
+the world should be standin' on the steps but that big Dempsey man, the
+boss of the Golconda House, where me and Simeon had been stayin'; the
+feller we'd spoke to that very mornin'.
+
+"'Good evenin', sor,' says he, in a voice as deep as a well. 'I'm glad
+to find you to home, sor. There's a telegram come for you at my place,'
+he says, 'and as your friend lift the address when he come for the
+baggage this afternoon, I brought it along to yez. I was comin' this
+way, so 'twas no trouble.'
+
+"'That's real kind of you,' I says. 'Step inside a minute, won't you?'
+
+"So in he comes, and stands, holdin' his shiny beaver in his hand, while
+I tore open the telegram envelope. 'Twas a message from a feller I knew
+with the Clyde Line of steamboats. He had found out, somehow, that we
+was in New York, and the telegram was an order for us to come and make
+him a visit.
+
+"'I hope it's not bad news, sor,' says the big chap.
+
+"'No, no,' says I. 'Not a bit of it, Mr. Dempsey. Come on in and have a
+cigar, won't you?'
+
+"'Thank you, sor,' says he. 'I'm glad it's not the bad news. Sure, I ax
+you and your friend's pardon for bein' so short to yez this mornin', but
+I'm in that throuble lately that me timper is all but gone.'
+
+"'That so?' says I. 'Trouble's thick in this world, ain't it? Me and Mr.
+Phinney got a case of trouble on our hands now, Mr. Dempsey, and--'
+
+"'Excuse me, sor,' he says. 'My name's not Dempsey. I suppose you seen
+the sign with me partner's name on it. I only bought into the business
+a while ago, and the new sign's not ready yit. Me name is O'Shaughnessy,
+sor.'
+
+"'What?' says I. And then: 'WHAT?'
+
+"'O'Shaughnessy. Michael O'Shaughnessy. I--'
+
+"'Hold on!' I sung out. 'For the land sakes, hold on! WHAT'S your name?'
+
+"He bristled up like a cat.
+
+"'Michael O'Shaughnessy,' he roars, like the bull of Bashan. 'D'yez
+find any fault with it? 'Twas me father's before me--Michael Patrick
+O'Shaughnessy, of County Sligo. I'll have yez know--WHAT'S THAT?'
+
+"'Twas a scream from the libr'ry. Next thing I knew, Margaret, the nurse
+girl, was standin' in the hall, white as a Sunday shirt, and swingin'
+back and forth like a wild-carrot stalk in a gale.
+
+"'Mike!' says she, kind of low and faint. 'Mary be good to us! MIKE!'
+
+"And the big chap dropped his tall hat on the floor and turned as white
+as she was.
+
+"'MAGGIE!' he hollers. And then they closed in on one another.
+
+"Sim and the priest and Archie had followed the girl into the hall. Me
+and Phinney was too flabbergasted to do anything, but big Father McGrath
+was cool as an ice box. When Archibald, like the little imp he was, sets
+up a whoop and dives for them two, the priest grabs him by the rope of
+the blanket nighty and swings him into the libr'ry, and shuts the door
+on him.
+
+"'And now,' says he, takin' Sim and me by the arms and leadin' us to the
+parlor, 'we'll just step in here and wait a bit.'
+
+"We waited, maybe, ten minutes. Archibald, dear, shut up in the libr'ry,
+was howlin' blue murder, but nobody paid any attention to him. Then
+there was a knock on the door between us and the hall, and Father
+McGrath opened it. There they was, the two of 'em--Mike and
+Maggie--lookin' red and foolish--but happy, don't talk!
+
+"'You see, sor,' says the O'Shaughnessy man to me, ''twas the
+five-thousand-dollar prize that done it. I'd been workin' at me trade,
+sor--larnin' to tind bar it was--and I'd just got a new job where the
+pay was pretty good, and I'd sint over for Maggie, and was plannin' for
+the little flat we was to have, and the like of that, when I drew that
+prize. And the joy of it was like handin' me a jolt on the jaw. It put
+me out for two weeks, sor, and when I come to I was in Baltimore, where
+I'd gone to collect the money; and two thousand of the five was gone,
+and I knew me job in New York was gone, and I was that shamed and sick
+it took me three days more to make up me mind to come to me Cousin
+Tim's, where I knew Maggie'd be waitin' for me. And when I did come back
+she was gone, too.'
+
+"'And then,' says Father McGrath, sharp, 'I suppose you went on another
+spree, and spent the rest of the money.'
+
+"'I did not, sor--axin' your pardon for contradictin' your riverence.
+I signed the pledge, and I'll keep it, with Maggie to help me. I put
+me three thousand into a partnership with me friend Dempsey, who was
+runnin' the Golconda House--'tis over on the East Side, with a fine bar
+trade--and I'm doin' well, barrin' that I've been crazy for this poor
+girl, and advertisin' and--'
+
+"'And look at the clothes of him!' sings out Margaret, reverentlike.
+'And is that YOUR tall hat, Mike? To think of you with a tall hat! Sure
+it's a proud girl I am this day. Saints forgive me, I've forgot Archie!'
+
+"And afore we could stop her she'd run into the hall and unfastened
+the libr'ry door. It took her some time to smooth down the young one's
+sensitive feelin's, and while she was gone, me and Simeon told the
+O'Shaughnessy man a little of what his girl had had to put up with along
+of Cousin Harriet and Archibald. He was mad.
+
+"'Is that the little blackguard?' he asks, pointin' to Archibald, who
+had arrived by now.
+
+"'That's the one,' says I.
+
+"Archibald looked up at him and grinned, sassy as ever.
+
+"'Father McGrath,' asks O'Shaughnessy, determined like, 'can you marry
+us this night?'
+
+"'I can,' says the Father.
+
+"'And will yez?'
+
+"'I will, with pleasure.'
+
+"'Maggie,' says Mike, 'get your hat and jacket on and come with the
+Father and me this minute. These gintlemen here will explain to your
+lady when she comes back. But YOU'LL come back no more. We'll send for
+your trunk to-morrer.'
+
+"Even then the girl hesitated. She'd been so used to bein' a slave that
+I suppose she couldn't realize she was free at last.
+
+"'But, Mike, dear,' she says. 'I--oh, your lovely hat! Put it down,
+Archie, darlin'. Put it down!'
+
+"Archibald had been doin' a little cruisin' on his own hook, and he'd
+dug up Mike's shiny beaver where it had been dropped in the hall. Now he
+was dancin' round with it, bangin' it on the top as if it was a drum.
+
+"'Put it down, PLEASE!' pleads Margaret. 'Twas plain that that plug was
+a crown of glory to her.
+
+"'Drop it, you little thafe!' yells O'Shaughnessy, makin' a dive for the
+boy.
+
+"'I won't!' screams Archibald, and starts to run. He tripped over the
+corner of a mat, and fell flat. The plug hat was underneath him, and it
+fell flat, too.
+
+"'Oh! oh! oh!' wails Margaret, wringin' her hands. 'Your beautiful hat,
+Mike!'
+
+"Mike's face was like a sunset.
+
+"'Your reverence,' says he, 'tell me this; don't the wife promise to
+"obey" in the marriage service?'
+
+"'She does,' says Father McGrath.
+
+"'D'ye hear that, you that's to be Margaret O'Shaughnessy? You do? Well,
+then, as your husband that's to be in tin minutes, I order you to give
+that small divil what's comin' to him. D'ye hear me? Will yez obey me,
+or will yez not?'
+
+"She didn't know what to do. You could see she wanted to--her fingers
+was itchin' to do it, but--And then Archie held up the ruins of the hat
+and commenced to laugh.
+
+"That settled it. Next minute he was across her knee and gettin' what
+he'd been sufferin' for ever sence he was born; and gettin' all the back
+numbers along with it, too.
+
+"And in the midst of the performance Sim Phinney leans over to me with
+the most heavenly, resigned expression on his face, and says he:
+
+"'It ain't OUR fault, Hiram. We promised not to interfere.'"
+
+"What did Sam Holden and his wife say when they got home?" asked Captain
+Sol, when the triumphant whoops over Archibald's righteous chastisement
+had subsided.
+
+"We didn't give him much of a chance to say anything. I laid for him in
+the hall when he arrived and told him that Phinney had got a telegram
+and must leave immediate. He wanted to know why, and a whole lot more,
+but I told him we'd write it. Neither Sim nor me cared to face Cousin
+Harriet after her darlin' son had spun his yarn. Ha! ha! I'd like to
+have seen her face--from a safe distance."
+
+Captain Bailey Stitt cleared his throat. "Referrin' to them
+automobiles," he said, "I--"
+
+"Say, Sol," interrupted Wingate, "did I ever tell you of Cap'n Jonadab's
+and my gettin' took up by the police when WE was in New York?"
+
+"No," replied the astounded depot master. "Took up by the POLICE?"
+
+"Um--hm. Surprises you, don't it? Well, that whole trip was a surprise
+to me.
+
+"When Laban Thorp set out to thrash his son and the boy licked him
+instead, they found the old man settin' in the barnyard, holdin' on to
+his nose and grinnin' for pure joy.
+
+"'Hurt?' says he. 'Why, some. But think of it! Only think of it! I
+didn't believe Bill had it in him.'
+
+"Well, that's the way I felt when Cap'n Jonadab sprung the New York plan
+on to me. I was pretty nigh as much surprised as Labe. The idea of a man
+with a chronic case of lockjaw of the pocketbook, same as Jonadab had
+worried along under ever sence I knew him, suddenly breakin' loose with
+a notion to go to New York on a pleasure cruise! 'Twas too many for me.
+I set and looked at him.
+
+"'Oh, I mean it, Barzilla,' he says. 'I ain't been to New York sence I
+was mate on the Emma Snow, and that was 'way back in the eighties. That
+is, to stop I ain't. That time we went through on the way to Peter T.'s
+weddin' don't count, 'cause we only went in the front door and out the
+back, like Squealer Wixon went through high school. Let's you and me go
+and stay two or three days and have a real high old time,' says he.
+
+"I fetched a long breath. 'Jonadab,' I says, don't scare a feller this
+way; I've got a weak heart. If you're goin' to start in and be divilish
+in your old age, why, do it kind of gradual. Let's go over to the
+billiard room and have a bottle of sass'parilla and a five-cent cigar,
+just to break the ice.'
+
+"But that only made him mad.
+
+"'You talk like a fish,' he says. 'I mean it. Why can't we go? It's
+September, the Old Home House is shut up for the season, you and me's
+done well--fur's profits are concerned--and we ought to have a change,
+anyway. We've got to stay here in Orham all winter.'
+
+"'Have you figgered out how much it's goin' to cost?' I asked him.
+
+"Yes, he had. 'It won't be so awful expensive,' he says. 'I've got some
+stock in the railroad and that'll give me a pass fur's Fall River. And
+we can take a lunch to eat on the boat. And a stateroom's a dollar;
+that's fifty cents apiece. And my daughter's goin' to Denboro on a
+visit next week, so I'd have to pay board if I stayed to home. Come on,
+Barzilla! don't be so tight with your money.'
+
+"So I said I'd go, though I didn't have any pass, nor no daughter to
+feed me free gratis for nothin' when I got back. And when we started,
+on the followin' Monday, nothin' would do but we must be at the depot
+at two o'clock so's not to miss the train, which left at quarter past
+three.
+
+"I didn't sleep much that night on the boat. For one thing, our
+stateroom was a nice lively one, alongside of the paddle box and just
+under the fog whistle; and for another, the supper that Jonadab had
+brought, bein' mainly doughnuts and cheese, wa'n't the best cargo to
+take to bed with you. But it didn't make much diff'rence, 'cause we
+turned out at four, so's to see the scenery and git our money's worth.
+What was left of the doughnuts and cheese we had for breakfast.
+
+"We made the dock on time, and the next thing was to pick out a hotel.
+I was for cruisin' along some of the main streets until we hove in sight
+of a place that looked sociable and not too expensive. But no; Jonadab
+had it all settled for me. We was goin' to the 'Wayfarer's Inn,' a
+boardin' house where he'd put up once when he was mate of the Emma Snow.
+He said 'twas a fine place and you could git as good ham and eggs there
+as a body'd want to eat.
+
+"So we set sail for the 'Wayfarer's,' and of all the times gittin' to a
+place--don't talk! We asked no less than nine policemen and one hundred
+and two other folks, and it cost us thirty cents in car fares, which
+pretty nigh broke Jonadab's heart. However, we found it, finally, 'way
+off amongst a nest of brick houses and peddler carts and children, and
+it wa'n't the 'Wayfarer's Inn' no more, but was down in the shippin'
+list as the 'Golconda House.' Jonadab said the neighborhood had changed
+some sence he was there, but he guessed we'd better chance it, 'cause
+the board was cheap.
+
+"We had a nine-by-ten room up aloft somewheres, and there we set down on
+the edge of the bed and a chair to take account of stock, as you might
+say.
+
+"'Now, I tell you, Jonadab,' says I; 'we don't want to waste no time,
+and we've got the day afore us. What do you say if we cruise along
+the water front for a spell? There's ha'f a dozen Orham folks aboard
+diff'rent steamers that hail from this port, and 'twouldn't be no more'n
+neighborly to call on 'em. There's Silas Baker's boy, Asa--he's with the
+Savannah Line and he'd be mighty glad to see us. And there's--'
+
+"But Jonadab held up his hand. He'd been mysterious as a baker's mince
+pie ever sence we started, hintin' at somethin' he'd got to do when we'd
+got to New York. And now he out with it.
+
+"'Barzilla,' he says, 'I ain't sayin' but what I'd like to go to the
+wharves with you, first rate. And we will go, too. But afore we do
+anything else I've got an errand that must be attended to. 'Twas give
+to me by a dyin' man,' he says, 'and I promised him I'd do it. So that
+comes first of all.'
+
+"He got his wallet out of his inside vest pocket, where it had been
+pinned in tight to keep it safe from robbers, unwound a foot or so of
+leather strap, and dug up a yeller piece of paper that looked old enough
+to be Methusalem's will, pretty nigh.
+
+"'Do you remember Patrick Kelly in Orham?' he asks.
+
+"'Who?' says I. 'Pat Kelly, the Irishman, that lived in the little old
+shack back of your barn? Course I do. But he's been dead for I don't
+know how long.'
+
+"'I know he has. Do you remember his boy Jim that run away from home?'
+
+"'Let's see,' I says. 'Seems to me I do. Freckled, red-headed rooster,
+wa'n't he? And of all the imps of darkness that ever--'
+
+"'S-sh-sh!' he interrupted solemn. 'Don't say that now, Barzilla. Sounds
+kind of irreverent. Well, me and old Pat was pretty friendly, in a way,
+though he did owe me rent. When he was sick with the pleurisy he sends
+for me and he says, "Cap'n 'Wixon," says he, "you're pretty close with
+the money," he says--he was kind of out of his head at the time and
+liable to say foolish things--"you're pretty close," he says, "but
+you're a man of your word. My boy Jimmie, that run away, was the apple
+of my eye."'
+
+"'That's what he said about his girl Maggie that was took up for
+stealin' Mrs. Elkanah Higgins's spoons,' I says. 'He had a healthy crop
+of apples in HIS orchard.'
+
+"'S-sh-h! DON'T talk so! I feel as if the old man's spirit was with
+us this minute. "He's the apple of my eye," he says, "and he run away,
+after me latherin' the life out of him with a wagon spoke. 'Twas all
+for his good, but he didn't understand, bein' but a child. And now I've
+heard," he says, "that he's workin' at 116 East Blank Street in the city
+of New York. Cap'n Wixon, you're a man of money and a travelin' man," he
+says (I was fishin' in them days). "When you go to New York," he says,
+"I want you to promise me to go to the address on this paper and hunt
+up Jimmie. Tell him I forgive him for lickin' him," he says, "and die
+happy. Will you promise me that, Cap'n, on your word as a gentleman?"
+And I promised him. And he died in less than ten months afterwards, poor
+thing.'
+
+"'But that was sixteen--eighteen--nineteen years ago,' says I. 'And the
+boy run away three years afore that. You've been to New York in the past
+nineteen years, once anyhow.'
+
+"'I know it. But I forgot. I'm ashamed of it, but I forgot. And when
+I was goin' through the things up attic at my daughter's last Friday,
+seein' what I could find for the rummage sale at the church, I come
+across my old writin' desk, and in it was this very piece of paper with
+the address on it just as I wrote it down. And me startin' for New York
+in three days! Barzilla, I swan to man, I believe something SENT me to
+that attic.'
+
+"I knew what sent him there and so did the church folks, judgin' by
+their remarks when the contribution came in. But I was too much set back
+by the whole crazy business to say anything about that.
+
+"'Look here, Jonadab Wixon,' I sings out, 'do you mean to tell me that
+we've got to put in the whole forenoon ransackin' New York to find a boy
+that run off twenty-two years ago?'
+
+"'It won't take the forenoon,' he says. 'I've got the number, ain't I?'
+
+"'Yes, you've got the number where he WAS. If you want to know where I
+think he's likely to be now, I'd try the jail.'
+
+"But he said I was unfeelin' and disobligin' and lots more, so, to cut
+the argument short, I agreed to go. And off we put to hunt up 116
+East Blank Street. And when we located it, after a good hour of askin'
+questions, and payin' car fares and wearin' out shoe leather, 'twas a
+Chinese laundry.
+
+"'Well,' I says, sarcastic, 'here we be. Which one of the heathen do you
+think is Jimmie? If he had an inch or so more of upper lip, I'd gamble
+on that critter with the pink nighty and the baskets on his feet. He has
+a kind of familiar chicken-stealin' look in his eye. Oh, come down on
+the wharves, Jonadab, and be sensible.'
+
+"Would you believe it, he wa'n't satisfied. We must go into the wash
+shop and ask the Chinamen if they knew Jimmie Kelly. So we went in and
+the powwow begun.
+
+"'Twas a mighty unsatisfyin' interview. Jonadab's idea of talkin' to
+furriners is to yell at 'em as if they was stone deef. If they don't
+understand what you say, yell louder. So between his yells and the
+heathen's jabber and grunts the hullabaloo was worse than a cat in a hen
+yard. Folks begun to stop outside the door and listen and grin.
+
+"'What did he say?' asks the Cap'n, turnin' to me.
+
+"'I don't know,' says I, 'but I cal'late he's gettin' ready to send
+a note up to the crazy asylum. Come on out of here afore I go loony
+myself.'
+
+"So he done it, finally, cross as all get out, and swearin' that all
+Chinese was no good and oughtn't to be allowed in this country. But he
+wouldn't give up, not yet. He must scare up some of the neighbors and
+ask them. The fifth man that we asked was an old chap who remembered
+that there used to be a liquor saloon once where the laundry was now.
+But he didn't know who run it or what had become of him.
+
+"'Never mind,' I says. 'You're as warm as you're likely to be this trip.
+A rum shop is just about the place I'd expect that Kelly boy WOULD be
+in. And, if he's like the rest of his relations on his dad's side, he
+drank himself to death years ago. NOW will you head for the Savannah
+Line?'
+
+"Not much, he wouldn't. He had another notion. We'd look in the
+directory. That seemed to have a glimmer of sense somewheres in its
+neighborhood, so we found an apothecary store and the clerk handed us
+out a book once again as big as a church Bible.
+
+"'Kelly,' says Jonadab. 'Yes, here 'tis. Now, "James Kelly." Land of
+Love! Barzilla, look here.'
+
+"I looked, and there wa'n't no less than a dozen pages of James Kellys
+beginning with fifty James A.'s and endin' with four James Z.'s. The Y
+in 'New York' ought to be a C, judgin' by that directory.
+
+"'Godfrey mighty!' I says. 'This ain't no forenoon's job, Jonadab. If
+you're goin' through that list you'll have to spend the rest of your
+life here. Only, unless you want to be lonesome, you'll have to change
+your name to Kelly.'
+
+"'If I'd only got his middle letter,' says he, mournful, ''twould have
+been easier. He had four middle names, if I remember right--the old man
+was great on names--and 'twas too much trouble to write 'em all down.
+Well, I've done my duty, anyhow. We'll go and call on Ase Baker.'
+
+"But 'twas after eleven o'clock then, and the doughnuts and cheese I
+had for breakfast was beginnin' to feel as if they wanted company. So we
+decided to go back to the Golconda and have some dinner first.
+
+"We had ham and eggs for dinner, some that was left over from the last
+time Jonadab stopped there, I cal'late. Lucky there was hot bread and
+coffee on the bill or we'd never got a square meal. Then we went up to
+our room and the Cap'n laid down on the bed. He was beat out, he said,
+and wanted to rest up a spell afore haulin' anchor for another cruise."
+
+
+
+
+CHAPTER XII
+
+A VISION SENT
+
+
+"Where's the arrestin' come in?" demanded Stitt.
+
+"Comes quick now, Bailey. Plenty quick enough for me and Jonadab, I tell
+you that! After we got to our room the Cap'n went to sleep pretty soon
+and I set in the one chair, readin' the newspaper and wishin' I hadn't
+ate so many of the warm bricks that the Golconda folks hoped was
+biscuit. They made me feel like a schooner goin' home in ballast. I
+guess I was drowsin' off myself, but there comes a most unearthly yell
+from the bed and I jumped ha'f out of the chair. There was Jonadab
+settin' up and lookin' wild.
+
+"'What in the world?' says I.
+
+"'Oh! Ugh! My soul!' says he.
+
+"'Your soul, hey?' says I. 'Is that all? I thought mebbe you'd lost a
+quarter.'
+
+"'Barzilla,' he says, comin' to and starin' at me solemn, 'Barzilla,
+I've had a dream--a wonderful dream.'
+
+"'Well,' I says, 'I ain't surprised. A feller that h'isted in as much
+fried dough as you did ought to expect--'
+
+"'But I tell you 'twas a WONDERFUL dream,' he says. 'I dreamed I was on
+Blank Street, where we was this mornin', and Patrick Kelly comes to me
+and p'ints his finger right in my face. I see him as plain as I see
+you now. And he says to me--he said it over and over, two or three
+times--Seventeen," says he, "Seventeen." Now what do you think of that?'
+
+"'Humph!' I says. 'I ain't surprised. I think 'twas just seventeen
+of them biscuits that you got away with. Wonder to me you didn't see
+somebody worse'n old Pat.'
+
+"But he was past jokin'. You never see a man so shook up by the
+nightmare as he was by that one. He kept goin' over it and tellin' how
+natural old Kelly looked and how many times he said 'Seventeen' to him.
+
+"'Now what did he mean by it?' he says. 'Don't tell me that was a common
+dream, 'cause twa'n't. No, sir, 'twas a vision sent to me, and I know
+it. But what did he mean?'
+
+"'I think he meant you was seventeen kinds of an idiot,' I snorts,
+disgusted. 'Get up off that bed and stop wavin' your arms, will you?
+He didn't mean for you to turn yourself into a windmill, that's sartin
+sure.'
+
+"Then he hits his knee a slap that sounds like a window blind blowin'
+to. 'I've got it!' he sings out. 'He meant for me to go to number
+seventeen on that street. That's what he meant.'
+
+"I laughed and made fun of him, but I might as well have saved my
+breath. He was sure Pat Kelly's ghost had come hikin' back from the
+hereafter to tell him to go to 17 Blank Street and find his boy. 'Else
+why was he ON Blank Street?' he says. 'You tell me that.'
+
+"I couldn't tell him. It's enough for me to figger out what makes live
+folks act the way they do, let alone dead ones. And Cap'n Jonadab was a
+Spiritu'list on his mother's side. It ended by my agreein' to give the
+Jimmie chase one more try.
+
+"'But it's got to be the last,' I says. 'When you get to number
+seventeen don't you say you think the old man meant to say "seventy" and
+stuttered.'
+
+"Number 17 Blank Street was a little combination fruit and paper store
+run by an Eyetalian with curly hair and the complexion of a molasses
+cooky. His talk sounded as if it had been run through a meat chopper.
+All he could say was, 'Nica grape, genta'men? On'y fifteen cent a pound.
+Nica grape? Nica apple? Nica pear? Nica ploom?'
+
+"'Kelly?' says Jonadab, hollerin' as usual. 'Kelly! d'ye understand?
+K-E-L-Kel L-Y-ly, Kelly. YOU know, KELLY! We want to find him.'
+
+"And just then up steps a feller about six feet high and three foot
+through. He was dressed in checkerboard clothes, some gone to seed, and
+you could hardly see the blue tie he had on for the glass di'mond in
+it. Oh, he was a little wilted now--for the lack of water, I judge--but
+'twas plain that he'd been a sunflower in his time. He'd just come out
+of a liquor store next door to the fruit shop and was wipin' his mouth
+with the back of his hand.
+
+"'What's this I hear?' says he, fetchin' Jonadab a welt on the back like
+a mast goin' by the board. 'Is it me friend Kelly you're lookin' for?'
+
+"I was just goin' to tell him no, not likin' his looks, but Jonadab cut
+in ahead of me, out of breath from the earthquake the feller had landed
+him, but excited as could be.
+
+"'Yes, yes!' says he. 'It's Mr. Kelly we want. Do you know him?'
+
+"'Do I know him? Why, me bucko, 'tis me old college chum he is. Come on
+with me and we'll give him the glad hand.'
+
+"He grabs Jonadab by the arm and starts along the sidewalk, steerin' a
+toler'ble crooked course, but gainin' steady by jerks.
+
+"'I was on me way to Kelly's place now,' says he. 'And here it is. Sure
+didn't I bate the bookies blind on Rosebud but yesterday--or was it the
+day before? I don't know, but come on, me lads, and we'll do him again.'
+
+"He turned in at a little narrer entry-like, and went stumblin' up a
+flight of dirty stairs. I caught hold of Jonadab's coat tails and pulled
+him back.
+
+"'Where you goin', you crazy loon?' I whispered. 'Can't you see he's
+three sheets in the wind? And you haven't told him what Kelly you want,
+nor nothin'.'
+
+"But I might as well have hollered at a stone wall. 'I don't care if
+he's as fur gone in liquor as Belshazzer's goat,' sputters the Cap'n,
+all worked up. 'He's takin' us to a Kelly, ain't he? And is it likely
+there'd be another one within three doors of the number I dreamed
+about? Didn't I tell you that dream was a vision sent? Don't lay to NOW,
+Barzilla, for the land sakes! It's Providence a-workin'.'
+
+"'Cording to my notion the sunflower looked more like an agent from
+t'other end of the line than one from Providence, but just then he
+commenced to yell for us and upstairs we went, Jonadab first.
+
+"'Whisht!' says the checkerboard, holdin' on to Jonadab's collar and
+swingin' back and forth. 'Before we proceed to blow in on me friend
+Kelly, let us come to an understandin' concernin' and touchin'
+on--and--and--I don't know. But b'ys,' says he, solemn and confidential,
+'are you on the square? Are yez dead game sports, hey?'
+
+"'Yes, yes!' says Jonadab. 'Course we be. Mr. Kelly and us are old
+friends. We've come I don't know how fur on purpose to see him. Now
+where's--'
+
+"'Say no more,' hollers the feller. 'Say no more. Come on with yez.' And
+he marches down the dark hall to a door with a 'To let' sign on it and
+fetches it a bang with his fist. It opens a little ways and a face shows
+in the crack.
+
+"'Hello, Frank!' hails the sunflower, cheerful. 'Will you take that ugly
+mug of yours out of the gate and lave me friends in?'
+
+"'What's the matter wid you, Mike?' asks the chap at the door. 'Yer
+can't bring them two yaps in here and you know it. Gwan out of this.'
+
+"He tried to shut the door, but the checkerboard had his foot between it
+and the jamb. You might as well have tried to shove in the broadside of
+an ocean liner as to push against that foot.
+
+"'These gents are friends of mine,' says he. 'Frank, I'll do yez the
+honor of an introduction to Gin'ral Grant and Dan'l O'Connell. Open that
+door and compose your face before I'm obliged to break both of 'em.'
+
+"'But I tell you, Mike, I can't,' says the door man, lookin' scared.
+'The boss is out, and you know--'
+
+"'WILL you open that door?' roars the big chap. And with that he hove
+his shoulder against the panels and jammed the door open by main force,
+all but flattenin' the other feller behind it. 'Walk in, Gin'ral,' he
+says to Jonadab, and in we went, me wonderin' what was comin' next, and
+not darin' to guess.
+
+"There was a kind of partitioned off hallway inside, with another door
+in the partition. We opened that, and there was a good-sized room,
+filled with men, smokin' and standin' around. A high board fence was
+acrost one end of the room, and from behind it comes a jinglin' of
+telephone bells and the sounds of talk. The floor was covered with
+torn papers, the window blinds was shut, the gas was burnin' blue, and,
+between it and the smoke, the smells was as various as them in a fish
+glue factory. On the fence was a couple of blackboards with 'Belmont'
+and 'Brighton' and suchlike names in chalk wrote on 'em, and
+beneath that a whole mess in writin' and figures like, 'Red Tail
+4--Wt--108--Jock Smith--5--1,' 'Sourcrout 5--Wt--99--Jock Jones--20--5,'
+and similar rubbish. And the gang--a mighty mixed lot--was scribblin'
+in little books and watchin' each other as if they was afraid of havin'
+their pockets picked; though, to look at 'em, you'd have guessed the
+biggest part had nothin' in their pockets but holes.
+
+"The six-foot checkerboard--who, it turned out, answered to the hail of
+'Mike'--seemed to be right at home with the gang. He called most of 'em
+by their first names and went sasshayin' around, weltin' 'em on the back
+and tellin' 'em how he'd 'put crimps in the bookies rolls t'other day,'
+and a lot more stuff that they seemed to understand, but was hog Greek
+to me and Jonadab. He'd forgot us altogether which was a mercy the way I
+looked at it, and I steered the Cap'n over into a corner and we come to
+anchor on a couple of rickety chairs.
+
+"'What--why--what kind of a place IS this, Barzilla?' whispers Jonadab,
+scared.
+
+"'Sh-h-h!' says I. 'Land knows. Just set quiet and hang on to your
+watch.'
+
+"'But--but I want to find Kelly,' says he.
+
+"'I'd give somethin' to find a back door,' says I. 'Ain't this a
+collection of dock rats though! If this is a part of your dream,
+Jonadab, I wish you'd turn over and wake up. Oh land! here's one
+murderer headin' this way. Keep your change in your fist and keep the
+fist shut.'
+
+"A more'n average rusty peep, with a rubber collar on and no necktie,
+comes slinkin' over to us. He had a smile like a crack in a plate.
+
+"'Say, gents,' he says, 'have you made your bets yet? I've got a dead
+straight line on the handicap,' says he, 'and I'll put you next for a
+one spot. It's a sure t'ing at fifteen to three. What do you say?'
+
+"I didn't say nuthin'; but that fool dream was rattlin' round in
+Jonadab's skull like a bean in a blowgun, and he sees a chance for a
+shot.
+
+"'See here, mister,' he says. 'Can you tell me where to locate Mr.
+Kelly?'
+
+"'Who--Pete?' says the feller. 'Oh, he ain't in just now. But about that
+handicap. I like the looks of youse and I'll let youse in for a dollar.
+Or, seein' it's you, we'll say a half. Only fifty cents. I wouldn't do
+better for my own old man,' he says.
+
+"While the Cap'n was tryin' to unravel one end of this gibberish I spoke
+up prompt.
+
+"'Say,' says I, 'tell me this, will you? Is the Kelly who owns
+this--this palace, named Jimmie--James, I mean?'
+
+"'Naw,' says he. 'Sure he ain't. It's Pete Kelly, of course--Silver
+Pete. But what are you givin' us? Are you bettin' on the race, or ain't
+you?'
+
+"Well, Jonadab understood that. He bristled up like a brindled cat.
+If there's any one thing the Cap'n is down on, it's gamblin' and
+such--always exceptin' when he knows he's won already. You've seen that
+kind, maybe.
+
+"'Young feller,' he says, perkish, 'I want you to know that me and my
+friend ain't the bettin' kind. What sort of a hole IS this, anyway?'
+
+"The rubber collared critter backed off, lookin' worried. He goes acrost
+the room, and I see him talkin' to two or three other thieves as tough
+as himself. And they commenced to stare at us and scowl.
+
+"'Come on,' I whispered to Jonadab. 'Let's get out of this place while
+we can. There ain't no Jimmie Kelly here, or if there is you don't want
+to find him.'
+
+"He was as willin' to make tracks as I was, by this time, and we headed
+for the door in the partition. But Rubber Collar and some of the others
+got acrost our bows.
+
+"'Cut it out,' says one of 'em. 'You can't get away so easy. Hi, Frank!
+Frank! Who let these turnip pullers in here, anyhow? Who are they?'
+
+"The chap who was tendin' door comes out of his coop. 'You've got me,'
+he says. 'They come in with Big Mike, and he was loaded and scrappy and
+jammed 'em through. Said they was pals of his. Where is he?'
+
+"There was a hunt for Mike, and, when they got his bearin's, there
+he was keeled over on a bench, breathin' like an escape valve. And an
+admiral's salute wouldn't have woke him up. The whole crew was round us
+by this time, some ugly, and the rest laffin' and carryin' on.
+
+"'It's the Barkwurst gang,' says one.
+
+"'It's old Bark himself,' says another. 'Look at them lace curtains.'
+And he points to Jonadab's whiskers.
+
+"'This one's Jacobs in disguise,' sings out somebody else. 'You can tell
+him by the Rube get-up. Haw! haw!'
+
+"'Soak 'em! Do 'em up! Don't let 'em out!' hollers a ha'f dozen more.
+
+"Jonadab was game; I'll say that for him. And I hadn't been second mate
+in my time for nothin'.
+
+"'Take your hands off me!' yells the Cap'n. 'I come in here to find
+a man I'm lookin' for, James Kelly it was, and--You would, would you!
+Stand by, Barzilla!'
+
+"I stood by. Rubber Collar got one from me that made him remember home
+and mother, I'll bet. Anyhow, my knuckles ached for two days afterwards.
+And Jonadab was just as busy. But I cal'late we'd have been ready for
+the oven in another five minutes if the door hadn't bu'st open with a
+bang, and a loud dressed chap, with the sweat pourin' down his face,
+come tearin' in.
+
+"'Beat it, fellers!' he yells. 'The place is goin' to be pinched. I've
+just had the tip, and they're right on top of me.'
+
+"THEN there was times. Everybody was shoutin' and swearin' and fallin'
+over each other to get out. I was kind of lost in the shuffle, and
+the next thing I remember for sartin is settin' up on Rubber Collar's
+stomach and lookin' foggy at the door, where the loud dressed man was
+wrestlin' with a policeman. And there was police at the windows and all
+around.
+
+"Well, don't talk! I got up, resurrects Jonadab from under a heap of
+gamblers and furniture, and makes for harbor in our old corner. The
+police was mighty busy, especially a fat, round-faced, red-mustached
+man, with gold bands on his cap and arms, that the rest called 'Cap'n.'
+Him and the loud dressed chap who'd give the alarm was talkin' earnest
+close to us.
+
+"'I can't help it, Pete,' says the police cap'n. ''Twas me or the Vice
+Suppression crowd. They've been on to you for two weeks back. I only
+just got in ahead of 'em as it was. No, you'll have to go along with
+the rest and take your chances. Quiet now, everybody, or you'll get it
+harder,' he roars, givin' orders like the skipper of a passenger boat.
+'Stand in line and wait your turns for the wagon.'
+
+"Jonadab grabbed me by the wrist. He was pale and shakin' all over.
+
+"'Oh, Lordy!' says he, 'we're took up. Will we have to go to jail, do
+you think?'
+
+"'I don't know,' I says, disgusted. 'I presume likely we will. Did you
+dream anything like this? You'd better see if you can't dream yourself
+out now.' Twas rubbin' it in, but I was mad.
+
+"'Oh! oh!' says he, flappin' his hands. 'And me a deacon of the church!
+Will folks know it, do you think?'
+
+"'Will they know it! Sounds as if they knew it already. Just listen to
+that.'
+
+"The first wagon full of prizes was bein' loaded in down at the front
+door, and the crowd outside was cheerin' 'em. Judgin' by the whoops and
+hurrahs there wa'n't no less than a million folks at the show, and they
+was gettin' the wuth of admission.
+
+"'Oh, dear!' groans Jonadab. 'And it'll be in the papers and all! I
+can't stand this.'
+
+"And afore I could stop him he'd run over and tackled the head
+policeman.
+
+"'Mister--Mister Cap'n,' he says, pantin', 'there's been a mistake, an
+awful mis--take--'
+
+"'That's right,' says the police cap'n, 'there has. Six or eight of you
+tin horns got clear. But--' Then he noticed who was speakin' to him
+and his mouth dropped open like a hatch. 'Well, saints above!' he says.
+'Have the up-state delegates got to buckin' the ponies, too? Why ain't
+you back home killin' pertater bugs? You ought to be ashamed.'
+
+"'But we wa'n't gamblin'--me and my friend wa'n't. We was led in here
+by mistake. We was told that a feller named Kelly lived here and we're
+huntin' for a man of that name. I've got a message to him from his poor
+dead father back in Orham. We come all the way from Orham, Mass.--to
+find him and--'
+
+"The police cap'n turned around then and stared at him hard. 'Humph!'
+says he, after a spell. 'Go over there and set down till I want you. No,
+you'll go now and we'll waste no breath on it. Go on, do you hear!'
+
+"So we went, and there we set for ha'f an hour, while the rest of the
+gang and the blackboards and the paper slips and the telephones and Big
+Mike and his chair was bein' carted off to the wagon. Once, when one of
+the constables was beatin' acrost to get us, the police cap'n spoke to
+him.
+
+"'You can leave these two,' he says. 'I'll take care of them.'
+
+"So, finally, when there was nothin' left but the four walls and us and
+some of the police, he takes me and Jonadab by the elbows and heads for
+the door.
+
+"'Now,' says he, 'walk along quiet and peaceable and tell me all about
+it. Get out of this!' he shouts to the crowd of small boys and loafers
+on the sidewalk, 'or I'll take you, too.'
+
+"The outsiders fell astern, lookin' heartbroke and disapp'inted that we
+wa'n't hung on the spot, and the fat boss policeman and us two paraded
+along slow but grand. I felt like the feller that was caught robbin'
+the poorhouse, and I cal'late Jonadab felt the same, only he was so
+busy beggin' and pleadin' and explainin' that he couldn't stop to feel
+anything.
+
+"He told it all, the whole fool yarn from one end to t'other. How old
+Pat give him the message and how he went to the laundry, and about his
+ridiculous dream, every word. And the fat policeman shook all over, like
+a barrel of cod livers.
+
+"By and by we got to a corner of a street and hove to. I could see
+the station house loomin' up large ahead. Fatty took a card from his
+pocketbook, wrote on it with a pencil, and then hailed a hack, one of
+them stern-first kind where the driver sits up aloft 'way aft. He pushed
+back the cap with the gilt wreath on it, and I could see his red hair
+shinin' like a sunset.
+
+"'Here,' says he to the hack driver, 'take these--this pair of salads
+to the--what d'ye call it?--the Golconda House, wherever on top of the
+pavement that is. And mind you, deliver 'em safe and don't let the truck
+horses get a bite at 'em. And at half-past eight to-night you call for
+'em and bring 'em here,' handin' up the card he'd written on.
+
+"''Tis the address of my house, I'm givin',' he says, turnin' to
+Jonadab. 'I'll be off duty then and we'll have dinner and talk about old
+times. To think of you landin' in Silver Pete's pool room! Dear! dear!
+Why, Cap'n Wixon, barrin' that your whiskers are a bit longer and a
+taste grayer, I'd 'a' known you anywheres. Many's the time I've stole
+apples over your back fence. I'm Jimmie Kelly,' says he."
+
+"Well, by mighty!" exclaimed the depot master, slapping his knee. "So HE
+was the Kelly man! Humph!"
+
+"Funny how it turned out, wa'n't it?" said Barzilla. "Course, Cap'n
+Jonadab was perfectly sat on spiritu'lism and signs and omens and such
+after that. He's had his fortune told no less'n eight times sence, and,
+nigh's I can find out, each time it's different. The amount of blondes
+and brunettes and widows and old maids that he's slated to marry,
+accordin' to them fortune tellers, is perfectly scandalous. If he lives
+up to the prophecies, Brigham Young wouldn't be a twospot 'longside of
+him."
+
+"It's funny about dreams," mused Captain Hiram. "Folks are always
+tellin' about their comin' true, but none of mine ever did. I used to
+dream I was goin' to be drowned, but I ain't been yet."
+
+The depot master laughed. "Well," he observed, "once, when I was a
+youngster, I dreamed two nights runnin' that I was bein' hung. I asked
+my Sunday school teacher if he believed dreams come true, and he said
+yes, sometimes. Then I told him my dream, and he said he believed in
+that one. I judged that any other finish for me would have surprised
+him. But, somehow or other, they haven't hung me yet."
+
+"There was a hired girl over at the Old Home House who was sat on
+fortune tellin'," said Wingate. "Her name was Effie, and--"
+
+"Look here!" broke in Captain Bailey Stitt, righteous indignation in his
+tone, "I've started no less than nineteen different times to tell you
+about how I went sailin' in an automobile. Now do you want to hear it,
+or don't you?"
+
+"How you went SAILIN' in an auto?" repeated Barzilla. "Went ridin', you
+mean."
+
+"I mean sailin'. I went ridin', too, but--"
+
+"You'll have to excuse me, Bailey," interrupted Captain Hiram, rising
+and looking at his watch. "I've stayed here a good deal longer'n I
+ought to, already. I must be gettin' on home to see how poor little
+Dusenberry, my boy, is feelin'. I do hope he's better by now. I wish Dr.
+Parker hadn't gone out of town."
+
+The depot master rose also. "And I'll have to be excused, too," he
+declared. "It's most time for the up train. Good-by, Hiram. Give my
+regards to Sophrony, and if there's anything I can do to help, in case
+your baby should be sick, just sing out, won't you?"
+
+"But I want to tell about this automobilin' scrape," protested Captain
+Bailey. "It was one of them things that don't happen every day."
+
+"So was that fortune business of Effie's," declared Wingate. "Honest,
+the way it worked out was queer enough."
+
+But the train whistled just then and the group broke up. Captain Sol
+went out to the platform, where Cornelius Rowe, Ed Crocker, Beriah
+Higgins, Obed Gott, and other interested citizens had already assembled.
+Wingate and Stitt followed. As for Captain Hiram Baker, he hurried home,
+his conscience reproving him for remaining so long away from his wife
+and poor little Hiram Joash, more familiarly known as "Dusenberry."
+
+
+
+
+CHAPTER XIII
+
+DUSENBERRY'S BIRTHDAY
+
+
+Mrs. Baker met her husband at the door.
+
+"How is he?" was the Captain's first question. "Better, hey?"
+
+"No," was the nervous answer. "No, I don't think he is. His throat's
+terrible sore and the fever's just as bad."
+
+Again Captain Hiram's conscience smote him.
+
+"Dear! dear!" he exclaimed. "And I've been loafin' around the depot
+with Sol Berry and the rest of 'em instead of stayin' home with you,
+Sophrony. I KNEW I was doin' wrong, but I didn't realize--"
+
+"Course you didn't, Hiram. I'm glad you got a few minutes' rest, after
+bein' up with him half the night. I do wish the doctor was home, though.
+When will he be back?"
+
+"Not until late to-morrer, if then. Did you keep on givin' the
+medicine?"
+
+"Yes, but it don't seem to do much good. You go and set with him now,
+Hiram. I must be seein' about supper."
+
+So into the sick room went Captain Hiram to sit beside the crib and
+sing "Sailor boy, sailor boy, 'neath the wild billow," as a lugubrious
+lullaby.
+
+Little Hiram Joash tossed and tumbled. He was in a fitful slumber when
+Mrs. Baker called her husband to supper. The meal was anything but
+a cheerful one. They talked but little. Over the home, ordinarily so
+cheerful, had settled a gloom that weighed upon them.
+
+"My! my!" sighed Captain Hiram, "how lonesome it seems without him
+chatterin' and racketin' sound. Seems darker'n usual, as if there was a
+shadow on the place."
+
+"Hush, Hiram! don't talk that way. A shadow! Oh, WHAT made you say that?
+Sounds like a warnin', almost."
+
+"Warnin'?"
+
+"Yes, a forewarnin', you know. 'The valley of the shadow--'"
+
+"HUSH!" Captain Baker's face paled under its sunburn. "Don't say such
+things, Sophrony. If that happened, the Lord help you and me. But it
+won't--it won't. We're nervous, that's all. We're always so careful of
+Dusenberry, as if he was made out of thin china, that we get fidgety
+when there's no need of it. We mustn't be foolish."
+
+After supper Mrs. Baker tiptoed into the bedroom. She emerged with a
+very white face.
+
+"Hiram," she whispered, "he acts dreadful queer. Come in and see him."
+
+The "first mate" was tossing back and forth in the crib, making odd
+little choky noises in his swollen throat. When his father entered he
+opened his eyes, stared unmeaningly, and said: "'Tand by to det der ship
+under way."
+
+"Good Lord! he's out of his head," gasped the Captain. Sophronia and he
+stepped back into the sitting room and looked at each other, the same
+thought expressed in the face of each. Neither spoke for a moment, then
+Captain Hiram said:
+
+"Now don't you worry, Sophrony. The Doctor ain't home, but I'm goin' out
+to--to telegraph him, or somethin'. Keep a stiff upper lip. It'll be all
+right. God couldn't go back on you and me that way. He just couldn't.
+I'll be back in a little while."
+
+"But, oh, Hiram! if he should--if he SHOULD be taken away, what WOULD we
+do?"
+
+She began to cry. Her husband laid a trembling hand on her shoulder.
+
+"But he won't," he declared stoutly. "I tell you God wouldn't do such a
+thing. Good-by, old lady. I'll hurry fast as I can."
+
+As he took up his cap and turned to the door he heard the voice of the
+weary little first mate chokily calling his crew to quarters. "All hands
+on deck!"
+
+The telegraph office was in Beriah Higgins's store. Thither ran the
+Captain. Pat Sharkey, Mr. Higgins's Irish helper, who acted as telegraph
+operator during Gertie Higgins's absence, gave Captain Hiram little
+satisfaction.
+
+"How can I get Dr. Parker?" asked Pat. "He's off on a cruise and land
+knows where I can reach him to-night. I'll do what I can, Cap, but it's
+ten chances out of nine against a wire gettin' to him."
+
+Captain Hiram left the store, dodging questioners who were anxious to
+know what his trouble might be, and dazedly crossed Main Street, to the
+railway station. He thought of asking advice of his friend, the depot
+master.
+
+The evening train from Boston pulled out as he passed through the
+waiting room. One or two passengers were standing on the platform. One
+of these was a short, square-shouldered man with gray side whiskers and
+eyeglasses. The initials on his suit case were J. S. M., Boston, and
+they stood for John Spencer Morgan. If the bearer of the suit case had
+followed the fashion of the native princes of India and had emblazoned
+his titles upon his baggage, the commonplace name just quoted might have
+been followed by "M.D., LL.D., at Harvard and Oxford; vice president
+American Medical Society; corresponding secretary Associated Society of
+Surgeons; lecturer at Harvard Medical College; author of 'Diseases of
+the Throat and Lungs,' etc., etc."
+
+But Dr. Morgan was not given to advertising either his titles or
+himself, and he was hurrying across the platform to Redny Blount's depot
+wagon when Captain Hiram touched him on the arm.
+
+"Why, hello, Captain Baker," exclaimed the Doctor, "how do you do?"
+
+"Dr. Morgan," said the Captain, "I--I hope you'll excuse my presumin' on
+you this way, but I want to ask a favor of you, a great favor. I want to
+ask if you'll come down to the house and see the boy; he's on the sick
+list."
+
+"What, Dusenberry?"
+
+"Yes, sir. He's pretty bad, I'm 'fraid, and the old lady's considerable
+upsot about him. If you just come down and kind of take an observation,
+so's we could sort of get our bearin's, as you might say, 'twould be a
+mighty help to all hands."
+
+"But where's your town physician? Hasn't he been called?"
+
+The Captain explained. He had inquired, and he had telegraphed, but
+could get no word of Dr. Parker's whereabouts.
+
+The great Boston specialist listened to Captain Hiram's story in an
+absent-minded way. Holidays were few and far between with him, and when
+he accepted the long-standing invitation of Mr. Ogden Williams to run
+down for the week end he determined to forget the science of medicine
+and all that pertained to it for the four days of his outing. But an
+exacting patient had detained him long enough to prevent his taking the
+train that morning, and now, on the moment of his belated arrival, he
+was asked to pay a professional call. He liked the Captain, who had
+taken him out fishing several times on his previous excursions to East
+Harniss, and he remembered Dusenberry as a happy little sea urchin, but
+he simply couldn't interrupt his pleasure trip to visit a sick baby.
+Besides, the child was Dr. Parker's patient, and professional ethics
+forbade interference.
+
+"Captain Hiram," he said, "I am sorry to disappoint you, but it will
+be impossible for me to do what you ask. Mr. Williams expected me this
+morning, and I am late already. Dr. Parker will, no doubt, return soon.
+The baby cannot be dangerously ill or he would not have left him."
+
+The Captain slowly turned away.
+
+"Thank you, Doctor," he said huskily. "I knew I hadn't no right to ask."
+
+He walked across the platform, abstractedly striking his right hand into
+his left. When he reached the ticket window he put one hand against the
+frame as if to steady himself, and stood there listlessly.
+
+The enterprising Mr. Blount had been hanging about the Doctor like a cat
+about the cream pitcher; now he rushed up, grasped the suit case, and
+officiously led the way toward the depot wagon. Dr. Morgan followed more
+slowly. As he passed the Captain he glanced up into the latter's face,
+lighted, as it was, by the lamp inside the window.
+
+The Doctor stopped and looked again. Then he took another step forward,
+hesitated, turned on his heel, and said:
+
+"Wait a moment, Blount. Captain Hiram, do you live far from here?"
+
+The Captain started. "No, sir, only a little ways."
+
+"All right. I'll go down and look at this boy of yours. Mind you, I'll
+not take the case, simply give my opinion on it, that's all. Blount,
+take my grip to Mr. Williams's. I'm going to walk down with the
+Captain."
+
+
+"Haul on ee bowline, ee bowline, haul!" muttered the first mate, as they
+came into the room. The lamp that Sophronia was holding shook, and the
+Captain hurriedly brushed his eyes with the back of his hand.
+
+Dr. Morgan started perceptibly as he bent forward to look at the little
+fevered face of Dusenberry. Graver and graver he became as he felt the
+pulse and peered into the swollen throat. At length he rose and led the
+way back into the sitting room.
+
+"Captain Baker," he said simply, "I must ask you and your wife to be
+brave. The child has diphtheria and--"
+
+"Diphthery!" gasped Sophronia, as white as her best tablecloth.
+
+"Good Lord above!" cried the Captain.
+
+"Diphtheria," repeated the Doctor; "and, although I dislike extremely to
+criticize a member of my own profession, I must say that any physician
+should have recognized it."
+
+Sophronia groaned and covered her face with her apron.
+
+"Ain't there--ain't there no chance, Doctor?" gasped the Captain.
+
+"Certainly, there's a chance. If I could administer antitoxin by
+to-morrow noon the patient might recover. What time does the morning
+train from Boston arrive here?"
+
+"Ha'f-past ten or thereabouts."
+
+Dr. Morgan took his notebook from his pocket and wrote a few lines in
+pencil on one of the pages. Then he tore out the leaf and handed it to
+the Captain.
+
+"Send that telegram immediately to my assistant in Boston," he said.
+"It directs him to send the antitoxin by the early train. If nothing
+interferes it should be here in time."
+
+Captain Hiram took the slip of paper and ran out at the door bareheaded.
+
+Dr. Morgan stood in the middle of the floor absent-mindedly looking at
+his watch. Sophronia was gazing at him appealingly. At length he put his
+watch in his pocket and said quietly:
+
+"Mrs. Baker, I must ask you to give me a room. I will take the case."
+Then he added mentally: "And that settles my vacation."
+
+
+Dr. Morgan's assistant was a young man whom nature had supplied with a
+prematurely bald head, a flourishing beard, and a way of appearing ten
+years older than he really was. To these gifts, priceless to a young
+medical man, might be added boundless ambition and considerable common
+sense.
+
+The yellow envelope which contained the few lines meaning life or death
+to little Hiram Joash Baker was delivered at Dr. Morgan's Back Bay
+office at ten minutes past ten. Dr. Payson--that was the assistant's
+name--was out, but Jackson, the colored butler, took the telegram
+into his employer's office, laid it on the desk among the papers, and
+returned to the hall to finish his nap in the armchair. When Dr. Payson
+came in, at 11:30, the sleepy Jackson forgot to mention the dispatch.
+
+The next morning as Jackson was cleaning the professional boots in the
+kitchen and chatting with the cook, the thought of the yellow envelope
+came back to his brain. He went up the stairs with such precipitation
+that the cook screamed, thinking he had a fit.
+
+"Doctah! Doctah!" he exclaimed, opening the door of the assistant's
+chamber, "did you git dat telegraft I lef' on your desk las' night?"
+
+"What telegraph?" asked the assistant sleepily. By way of answer Jackson
+hurried out and returned with the yellow envelope. The assistant opened
+it and read as follows:
+
+
+Send 1,500 units Diphtheritic Serum to me by morning train. Don't fail.
+Utmost importance.
+
+J. S. MORGAN.
+
+
+Dr. Payson sprang out of bed, and running to the table took up the
+Railway Guide, turned to the pages devoted to the O. C. and C. C.
+Railroad and ran his finger down the printed tables. The morning train
+for Cape Cod left at 7:10. It was 6:45 at that moment. As has been said,
+the assistant had considerable common sense. He proved this by wasting
+no time in telling the forgetful Jackson what he thought of him. He sent
+the latter after a cab and proceeded to dress in double-quick time. Ten
+minutes later he was on his way to the station with the little wooden
+case containing the precious antitoxin, wrapped and addressed, in his
+pocket.
+
+It was seven by the Arlington Street Church clock as the cab rattled
+down Boylston Street. A tangle of a trolley car and a market wagon
+delayed it momentarily at Harrison Avenue and Essex Street. Dr. Payson,
+leaning out as the carriage swung into Dewey Square, saw by the big
+clock on the Union Station that it was 7:13. He had lost the train.
+
+Now, the assistant had been assistant long enough to know that
+excuses--in the ordinary sense of the word--did not pass current with
+Dr. Morgan. That gentleman had telegraphed for antitoxin, and said it
+was important that he should have it; therefore, antitoxin must be sent
+in spite of time-tables and forgetful butlers. Dr. Payson went into the
+waiting room and sat down to think. After a moment's deliberation he
+went over to the ticket office and asked:
+
+"What is the first stop of the Cape Cod express?"
+
+"Brockboro," answered the ticket seller.
+
+"Is the train usually on time?"
+
+"Well, I should smile. That's Charlie Mills's train, and the old man
+ain't been conductor on this road twenty-two years for nothin'."
+
+"Mills? Does he live on Shawmut Avenue?"
+
+"Dunno. Billy, where does Charlie Mills live?"
+
+"Somewhere at the South End. Shawmut Avenue, I think."
+
+"Thank you," said the assistant, and, helping himself to a time-table,
+he went back rejoicing to his seat in the waiting room. He had stumbled
+upon an unexpected bit of luck.
+
+There might be another story written in connection with this one; the
+story of a veteran railroad man whose daughter had been very, very ill
+with a dreaded disease of the lungs, and who, when other physicians
+had given up hope, had been brought back to health by a celebrated
+specialist of our acquaintance. But this story cannot be told just now;
+suffice it to say that Conductor Charlie Mills had vowed that he would
+put his neck beneath the wheels of his own express train, if by so doing
+he could confer a favor on Dr. John Spencer Morgan.
+
+The assistant saw by his time-table that the Cape Cod express reached
+Brockboro at 8:05. He went over to the telegraph office and wrote two
+telegrams. The first read like this:
+
+
+CALVIN S. WISE, The People's Drug Store, 28 Broad Street, Brockboro,
+Mass.:
+
+Send package 1,500 units Diphtheritic Serum marked with my name to
+station. Hand to Conductor Mills, Cape Cod express. Train will wait.
+Matter life and death.
+
+
+The second telegram was to Conductor Mills. It read:
+
+
+Hold train Brockboro to await arrival C. A. Wise. Great personal favor.
+Very important.
+
+
+Both of these dispatches were signed with the magic name, "J. S. Morgan,
+M.D."
+
+"Well," said the assistant as he rode back to his office, "I don't know
+whether Wise will get the stuff to the train in time, or whether Mills
+will wait for him, but at any rate I've done my part. I hope breakfast
+is ready, I'm hungry."
+
+Mr. Wise, of "The People's Drug Store," had exactly two minutes in which
+to cover the three-quarters of a mile to the station. As a matter of
+course, he was late. Inquiring for Conductor Mills, he was met by a
+red-faced man in uniform, who, watch in hand, demanded what in the vale
+of eternal torment he meant by keeping him waiting eight minutes.
+
+"Do you realize," demanded the red-faced man, "that I'm liable to lose
+my job? I'll have you to understand that if any other man than Doc.
+Morgan asked me to hold up the Cape Cod express, I'd tell him to go
+right plumb to--"
+
+Here Mr. Wise interrupted to hand over the package and explain that it
+was a matter of life and death. Conductor Mills only grunted as he swung
+aboard the train.
+
+"Hump her, Jim," he said to the engineer; "she's got to make up those
+eight minutes."
+
+And Jim did.
+
+
+And so it happened that on the morning of the Fourth of July,
+Dusenberry's birthday, Captain Hiram Baker and his wife sat together in
+the sitting room, with very happy faces. The Captain had in his hands
+the "truly boat with sails," which the little first mate had so ardently
+wished for.
+
+She was a wonder, that boat. Red hull, real lead on the keel, brass
+rings on the masts, reef points on the main and fore sail, jib,
+flying jib and topsails, all complete. And on the stern was the name,
+"Dusenberry. East Harniss."
+
+Captain Hiram set her down in front of him on the floor.
+
+"Gee!" he exclaimed, "won't his eyes stick out when he sees that
+rig, hey? Wisht he would be well enough to see it to-day, same as we
+planned."
+
+"Well, Hiram," said Sophrony, "we hadn't ought to complain. We'd ought
+to be thankful he's goin' to get well at all. Dr. Morgan says, thanks to
+that blessed toxing stuff, he'll be up and around in a couple of weeks."
+
+"Sophrony," said her husband, "we'll have a special birthday celebration
+for him when he gets all well. You can bake the frosted cake and we'll
+have some of the other children in. I TOLD you God wouldn't be cruel
+enough to take him away."
+
+And this is how Fate and the medical profession and the O. C. and C.
+C. Railroad combined to give little Hiram Joash Baker his birthday, and
+explains why, as he strolled down Main Street that afternoon, Captain
+Hiram was heard to sing heartily:
+
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline, the bowline, HAUL!
+
+
+
+
+CHAPTER XIV
+
+EFFIE'S FATE
+
+
+Surely, but very, very slowly, the little Berry house moved on its
+rollers up the Hill Boulevard. Right at its heels--if a house may be
+said to have heels--came the "pure Colonial," under the guidance of the
+foreman with "progressive methods." Groups of idlers, male and female,
+stood about and commented. Simeon Phinney smilingly replied to their
+questions. Captain Sol himself seemed little interested. He spent most
+of his daylight time at the depot, only going to the Higginses' house
+for his meals. At night, after the station was closed, he sought his own
+dwelling, climbed over the joist and rollers, entered, retired to his
+room, and went to bed.
+
+Each day also he grew more taciturn. Even with Simeon, his particular
+friend, he talked little.
+
+"What IS the matter with you, Sol?" asked Mr. Phinney. "You're as glum
+as a tongue-tied parrot. Ain't you satisfied with the way I'm doin' your
+movin'? The white horse can go back again if you say so."
+
+"I'm satisfied," grunted the depot master. "Let you know when I've
+got any fault to find. How soon will you get abreast the--abreast the
+Seabury lot?"
+
+"Let's see," mused the building mover. "Today's the eighth. Well, I'll
+be there by the eleventh, SURE. Can't drag it out no longer, Sol,
+even if the other horse is took sick. 'Twon't do. Williams has been
+complainin' to the selectmen and they're beginnin' to pester me. As for
+that Colt and Adams foreman--whew!"
+
+He whistled. His companion smiled grimly.
+
+"Williams himself drops in to see me occasional," he said. "Tells me
+what he thinks of me, with all the trimmin's added. I cal'late he gets
+as good as he sends. I'm always glad to see him; he keeps me cheered up,
+in his way."
+
+"Ye-es, I shouldn't wonder. Was he in to-day?"
+
+"He was. And somethin' has pleased him, I guess. At any rate he was in
+better spirits. Asked me if I was goin' to move right onto that Main
+Street lot soon as my house got there."
+
+"What did you say?"
+
+"I said I was cal'latin' to. Told him I hated to get out of the
+high-society circles I'd been livin' in lately, but that everyone had
+their comedowns in this world."
+
+"Ho, ho! that was a good one. What answer did he make to that?"
+
+"Well, he said the 'high society' would miss me. Then he finished up
+with a piece of advice. 'Berry,' says he, 'don't move onto that lot TOO
+quick. I wouldn't if I was you.' Then he went away, chucklin'."
+
+"Chucklin', hey? What made him so joyful?"
+
+"Don't know"--Captain Sol's face clouded once more--"and I care less,"
+he added brusquely.
+
+Simeon pondered. "Have you heard from Abner Payne, Sol?" he asked. "Has
+Ab answered that letter you wrote sayin' you'd swap your lot for the
+Main Street one?"
+
+"No, he hasn't. I wrote him that day I told you to move me."
+
+"Hum! that's kind of funny. You don't s'pose--"
+
+He stopped, noticing the expression on his friend's face. The depot
+master was looking out through the open door of the waiting room. On
+the opposite side of the road, just emerging from Mr. Higgins's "general
+store," was Olive Edwards, the widow whose home was to be pulled down
+as soon as the "Colonial" reached its destination. She came out of
+the store and started up Main Street. Suddenly, and as if obeying an
+involuntary impulse, she turned her head. Her eyes met those of Captain
+Sol Berry, the depot master. For a brief instant their glance met, then
+Mrs. Edwards hurried on.
+
+Sim Phinney sighed pityingly. "Looks kind of tired and worried, don't
+she?" he ventured. His friend did not speak.
+
+"I say," repeated Phinney, "that Olive looks sort of worn out and--"
+
+"Has she heard from the Omaha cousin yet?" interrupted the depot master.
+
+"No; Mr. Hilton says not. Sol, what DO you s'pose--"
+
+But Captain Sol had risen and gone into the ticket office. The door
+closed behind him. Mr. Phinney shook his head and walked out of the
+building. On his way back to the scene of the house moving he shook his
+head several times.
+
+On the afternoon of the ninth Captain Bailey Stitt and his friend
+Wingate came to say good-by. Stitt was going back to Orham on the "up"
+train, due at 3:30. Barzilla would return to Wellmouth and the Old Home
+House on the evening (the "down") train.
+
+"Hey, Sol!" shouted Wingate, as they entered the waiting room. "Sol!
+where be you?"
+
+The depot master came out of the ticket office. "Hello, boys!" he said
+shortly.
+
+"Hello, Sol!" hailed Stitt. "Barzilla and me have come to shed the
+farewell tear. As hirelin's of soulless corporations, meanin' the Old
+Home House at Wellmouth and the Ocean House at Orham, we've engaged all
+the shellfish along-shore and are goin' to clear out."
+
+"Yes," chimed in his fellow "hireling," "and we thought the pleasantest
+place to put in our few remainin' hours--as the papers say when a
+feller's goin' to be hung--was with you."
+
+"I thought so," said Captain Bailey, with a wink. "We've been havin'
+more or less of an argument, Sol. Remember how Barzilla made fun of
+Jonadab Wixon for believin' in dreams? Yes, well that was only make
+believe. He believes in 'em himself."
+
+"I don't either," declared Wingate. "And I never said so. What I said
+was that sometimes it almost seemed as if there was somethin' IN fortune
+tellin' and such."
+
+"There is," chuckled Bailey with another wink at the depot master.
+"There's money in it--for the fortune tellers."
+
+"I said--and I say again," protested Barzilla, "that I knew a case at
+our hotel of a servant girl named Effie, and she--"
+
+"Oh, Heavens to Betsy! Here he goes again, I steered him in here on
+purpose, Sol, so's he'd get off that subject."
+
+"You never neither. You said--"
+
+The depot master held up his hand. "Don't both talk at once," he
+commanded. "Set down and be peaceful, can't you. That's right. What
+about this Effie, Barzilla?"
+
+"Now look here!" protested Stitt.
+
+"Shut up, Bailey! Who was Effie, Barzilla?"
+
+"She was third assistant roustabout and table girl at the Old Home
+House," said Wingate triumphantly. "Got another cigar, Sol? Thanks. Yes,
+this Effie had never worked out afore and she was greener'n a mess of
+spinach; but she was kind of pretty to look at and--"
+
+"Ah, ha!" crowed Captain Bailey, "here comes the heart confessions. Want
+to look out for these old bachelors, Sol. Fire away, Barzilla; let us
+know the worst."
+
+"I took a fancy to her, in a way. She got in the habit of tellin' me her
+troubles and secrets, me bein' old enough to be her dad--"
+
+"Aw, yes!" this from Stitt, the irrepressible. "That's an old gag. We
+know--"
+
+"WILL you shut up?" demanded Captain Sol. "Go on, Barzilla."
+
+"Me bein' old enough to be her dad," with a glare at Captain Bailey,
+"and not bein' too proud to talk with hired help. I never did have that
+high-toned notion. 'Twa'n't so long since I was a fo'mast hand.
+
+"So Effie told me a lot about herself. Seems she'd been over to the
+Cattle Show at Ostable one year, and she was loaded to the gunwale with
+some more or less facts that a fortune-tellin' specimen by the name of
+the 'Marvelous Oriental Seer' had handed her in exchange for a quarter.
+
+"'Yup,' says she, bobbin' her head so emphatic that the sky-blue ribbon
+pennants on her black hair flapped like a loose tops'l in a gale of
+wind. 'Yup,' says she, 'I b'lieve it just as much as I b'lieve anything.
+How could I help it when he told me so much that has come true already?
+He said I'd seen trouble, and the dear land knows that's so! and that I
+might see more, and I cal'late that's pretty average likely. And he said
+I hadn't been brought up in luxury--'
+
+"'Which wa'n't no exaggeration neither,' I put in, thinkin' of the shack
+over on the Neck Road where she and her folks used to live.
+
+"'No,' says she; 'and he told me I'd always had longin's for better and
+higher things and that my intellectuals was above my station. Well, ever
+sence I was knee high to a kitchen chair I'd ruther work upstairs than
+down, and as for intellectuals, ma always said I was the smartest
+young one she'd raised yet. So them statements give me consider'ble
+confidence. But he give out that I was to make a journey and get money,
+and when THAT come true I held up both hands and stood ready to swaller
+all the rest of it.'
+
+"'So it come true, did it?' says I.
+
+"'Um-hm,' says she, bouncin' her head again. 'Inside of four year I
+traveled 'way over to South Eastboro--'most twelve mile--to my Uncle
+Issy's fun'ral, and there I found that he'd left me nine hundred dollars
+for my very own. And down I flops on the parlor sofy and says I: "There!
+don't talk superstition to ME no more! A person that can foretell Uncle
+Issy's givin' anybody a cent, let alone nine hundred dollars, is a good
+enough prophet for ME to tie to. Now I KNOW that I'm going to marry the
+dark-complected man, and I'll be ready for him when he comes along.
+I never spent a quarter no better than when I handed it over to that
+Oriental Seer critter at the Cattle Show." That's what I said then and I
+b'lieve it yet. Wouldn't you feel the same way?'
+
+"I said sure thing I would. I'd found out that the best way to keep
+Effie's talk shop runnin' was to agree with her. And I liked to hear her
+talk.
+
+"'Yup,' she went on, 'I give right in then. I'd traveled same as the
+fortune teller said, and I'd got more money'n I ever expected to see,
+let alone own. And ever sence I've been sartin as I'm alive that the
+feller I marry will be of a rank higher'n mine and dark complected and
+good-lookin' and distinguished, and that he'll be name of Butler.'
+
+"'Butler?' says I. 'What will he be named Butler for?'
+
+"''Cause the Seer critter said so. He said he could see the word Butler
+printed out over the top of my head in flamin' letters. Pa used to say
+'twas a wonder it never set fire to my crimps, but he was only foolin'.
+I know that it's all comin' out true. You ain't acquaintanced to any
+Butlers, are you?'
+
+"'No,' says I. 'I heard Ben Butler make a speech once when he was
+gov'nor, but he's dead now. There ain't no Butlers on the Old Home
+shippin' lists.'
+
+"'Oh, I know that!' she says. 'And everybody round here is homelier'n a
+moultin' pullet. There now! I didn't mean exactly EVERYbody, of course.
+But you ain't dark complected, you know, nor--'
+
+"'No,' says I, 'nor rank nor distinguished neither. Course the handsome
+part might fit me, but I'd have to pass on the rest of the hand. That's
+all right, Effie; my feelin's have got fire-proofed sence I've been
+in the summer hotel business. Now you'd better run along and report to
+Susannah. I hear her whoopin' for you, and she don't light like a canary
+bird on the party she's mad with.'
+
+"She didn't, that was a fact. Susannah Debs, who was housekeeper for us
+that year, was middlin' young and middlin' good-lookin', and couldn't
+forget it. Also and likewise, she had a suit for damages against the
+railroad, which she had hopes would fetch her money some day or other,
+and she couldn't forget that neither. She was skipper of all the hired
+hands and, bein' as Effie was prettier than she was, never lost a chance
+to lay the poor girl out. She put the other help up to pokin' fun at
+Effie's green ways and high-toned notions, and 'twas her that started
+'em callin' her 'Lady Evelyn' in the fo'castle--servants' quarters, I
+mean.
+
+"'I'm a-comin', 'screams Effie, startin' for the door. 'Susannah's in a
+tearin' hurry to get through early to-day,' she adds to me. 'She's got
+the afternoon off, and her beau's comin' to take her buggy ridin'.
+He's from over Harniss way somewheres and they say he's just lovely. My
+sakes! I wisht somebody'd take ME to ride. Ah hum! cal'late I'll have to
+wait for my Butler man. Say, Mr. Wingate, you won't mention my fortune
+to a soul, will you? I never told anybody but you.'
+
+"I promised to keep mum and she cleared out. After dinner, as I was
+smokin', along with Cap'n Jonadab, on the side piazza, a horse and
+buggy drove in at the back gate. A young chap with black curly hair was
+pilotin' the craft. He was a stranger to me, wore a checkerboard suit
+and a bonfire necktie, and had his hat twisted over one ear. Altogether
+he looked some like a sunflower goin' to seed.
+
+"'Who's that barber's sign when it's to home?' says I to Jonadab. He
+snorted contemptuous.
+
+"'That?' he says. 'Don't you know the cut of that critter's jib? He
+plays pool "for the house" in Web Saunders's place over to Orham. He's
+the housekeeper's steady comp'ny--steady by spells, if all I hear's
+true. Good-for-nothin' cub, I call him. Wisht I'd had him aboard a
+vessel of mine; I'd 'a' squared his yards for him. Look how he cants his
+hat to starboard so's to show them lovelocks. Bah!'
+
+"'What's his name?' I asks.
+
+"'Name? Name's Butler--Simeon Butler. Don't you remember . . . Hey? What
+in tunket . . .?'
+
+"Both of us had jumped as if somebody'd touched off a bombshell under
+our main hatches. The windows of the dining room was right astern of us.
+We whirled round, and there was Effie. She'd been clearin' off one of
+the tables and there she stood, with the smashed pieces of an ice-cream
+platter in front of her, the melted cream sloppin' over her shoes, and
+her face lookin' like the picture of Lot's wife just turnin' to salt.
+Only Effie looked as if she enjoyed the turnin'. She never spoke nor
+moved, just stared after that buggy with her black eyes sparklin' like
+burnt holes in a blanket.
+
+"I was too astonished to say anything, but Jonadab had his eye on that
+smashed platter and HE had things to say, plenty of 'em. I walked off
+and left Effie playin' congregation to a sermon on the text 'Crockery
+costs money.' You'd think that ice-cream dish was a genuine ugly, nicked
+'antique' wuth any city loon's ten dollars, instead of bein' only new
+and pretty fifty-cent china. I felt real sorry for the poor girl.
+
+"But I needn't have been. That evenin' I found her on the back steps,
+all Sunday duds and airs. Her hair had a wire friz on it, and her dress
+had Joseph's coat in Scriptur' lookin' like a mournin' rig. She'd have
+been real handsome--to a body that was color blind.
+
+"'My, Effie!' says I, 'you sartin do look fine to-night.'
+
+"'Yup,' she says, contented, 'I guess likely I do. Hope so, 'cause I'm
+wearin' all I've got. Say, Mr. Wingate,' says she, excited as a cat in a
+fit, 'did you see him?'
+
+"'Him?' says I. 'Who's him?'
+
+"'Why, HIM! The one the Seer said was comin'. The handsome,
+dark-complected feller I'm goin' to marry. The Butler one. That was him
+in the buggy this afternoon.'
+
+"I looked at her. I'd forgot all about the fool prophecy.
+
+"'Good land of love!' I says. 'You don't cal'late he's comin' to marry
+YOU, do you, just 'cause his name's Butler? There's ten thousand Butlers
+in the world. Besides, your particular one was slated to be high ranked
+and distinguished, and this specimen scrubs up the billiard-room floor
+and ain't no more distinguished than a poorhouse pig.'
+
+"'Ain't?' she sings out. 'Ain't distinguished? With all them beautiful
+curls, and rings on his fingers, and--'
+
+"'Bells on his toes? No!' says I, emphatic. 'Anyhow, he's signed for
+the v'yage already. He's Susannah Debs's steady, and they're off buggy
+ridin' together right now. And if she catches you makin' eyes at her
+best feller--Whew!'
+
+"Didn't make no difference. He was her Butler, sure. 'Twas Fate--that's
+what 'twas--Fate, just the same as in storybooks. She was sorry for poor
+Susannah and she wouldn't do nothin' mean nor underhanded; but couldn't
+I understand that 'twas all planned out for her by Providence and that
+everlastin' Seer? Just let me watch and see, that's all.
+
+"What can you do with an idiot like that? I walked off disgusted and
+left her. But I cal'lated to watch. I judged 'twould be more fun than
+any 'play-actin' show ever I took in.
+
+"And 'twas, in a way. Don't ask me how they got acquainted, 'cause I
+can't tell you for sartin. Nigh's I can learn, Susannah and Sim had some
+sort of lover's row durin' their buggy ride, and when they got back to
+the hotel they was scurcely on speakin' terms. And Sim, who always had a
+watch out for'ard for pretty girls, see Effie standin' on the servants'
+porch all togged up regardless and gay as a tea-store chromo, and
+nothin' to do but he must be introduced. One of the stable hands done
+the introducin', I b'lieve, and if he'd have been hung afterwards
+'twould have sarved him right.
+
+"Anyhow, inside of a week Butler come round again to take a lady friend
+drivin', but this time 'twas Effie, not the housekeeper, that was
+passenger. And Susannah glared after 'em like a cat after a sparrow,
+and the very next day she was for havin' Effie discharged for
+incompetentiveness. I give Jonadab the tip, though, so that didn't go
+through. But I cal'late there was a parrot and monkey time among the
+help from then on.
+
+"They all sided with Susannah, of course. She was their boss, for one
+thing, and 'Lady Evelyn's' high-minded notions wa'n't popular, for
+another. But Effie didn't care--bless you, no! She and that Butler sport
+was together more and more, and the next thing I heard was that they was
+engaged. I snum, if it didn't look as if the Oriental man knew his job
+after all.
+
+"I spoke to the stable hand about it.
+
+"'Look here,' says I, 'is this business betwixt that pool player and our
+Effie serious?'
+
+"He laughed. 'Serious enough, I guess,' he says. 'They're goin' to
+be married pretty soon, I hear. It's all 'cordin' to the law and the
+prophets. Ain't you heard about the fortune tellin' and how 'twas
+foretold she'd marry a Butler?'
+
+"I'd heard, but I didn't s'pose he had. However, it seemed that Effie
+hadn't been able to keep it to herself no longer. Soon as she'd hooked
+her man she'd blabbed the whole thing. The fo'mast hands wa'n't talkin'
+of nothin' else, so this feller said.
+
+"'Humph!' says I. 'Is it the prophecy that Butler's bankin' on?'
+
+"He laughed again. 'Not so much as on Lady Evelyn's nine hundred, I
+cal'late,' says he. Sim likes Susannah the best of the two, so we all
+reckon, but she ain't rich and Effie is. And yet, if the Debs woman
+should win that lawsuit of hers against the railroad she'd have pretty
+nigh twice as much. Butler's a fool not to wait, I think,' he says.
+
+"This was of a Monday. On Friday evenin' Effie comes around to see me. I
+was alone in the office.
+
+"'Mr. Wingate,' she says, 'I'm goin' to leave to-morrer night. I'm goin'
+to be married on Sunday.'
+
+"I'd been expecting it, but I couldn't help feelin' sorry for her.
+
+"'Don't do nothin' rash, Effie,' I told her. 'Are you sure that Butler
+critter cares anything about you and not your money?'
+
+"She flared up like a tar barrel. 'The idea!' she says, turnin' red. 'I
+just come in to give you warnin'. Good-by.'
+
+"'Hold on,' I sung out to her. 'Effie, I've thought consider'ble about
+you lately. I've been tryin' to help you a little on the sly. I realized
+that 'twa'n't pleasant for you workin' here under Susannah Debs, and
+I've been tryin' to find a nice place for you. I wrote about you to Bob
+Van Wedderburn; he's the rich banker chap who stopped here one summer.
+"Jonesy," we used to call him. I know him and his wife fust rate, and
+he'd do 'most anything as a favor to me. I told him what a neat, handy
+girl you was, and he writes that he'll give you the job of second girl
+at his swell New York house, if you want it. Now you just hand that Sim
+Butler his clearance papers and go work for Bob's wife. The wages are
+double what you get here, and--'
+
+"She didn't wait to hear the rest. Just sailed out of the room with her
+nose in the air. In a minute, though, back she come and just put her
+head in the door.
+
+"'I'm much obliged to you, Mr. Wingate,' says she. 'I know you mean
+well. But you ain't had your fate foretold, same's I have. It's all
+been arranged for me, and I couldn't stop it no more'n Jonah could help
+swallerin' the whale. I--I kind of wish you'd be on hand at the back
+door on Sunday mornin' when Simeon comes to take me away. You--you're
+about the only real friend I've got,' she says.
+
+"And off she went, for good this time. I pitied her, in spite of her
+bein' such a dough head. I knew what sort of a husband that pool-room
+shark would make. However, there wa'n't nothin' to be done. And next day
+Cap'n Jonadab was round, madder'n a licked pup. Seems Susannah's lawyer
+at Orham had sent for her to come right off and see him. Somethin' about
+the suit, it was. And she was goin' in spite of everything. And with
+Effie's leavin' at the same time, what was we goin' to do over Sunday?
+and so forth and so on.
+
+"Well, we had to do the best we could, that's all. But that Saturday
+was busy, now I tell you. Sunday mornin' broke fine and clear and, after
+breakfast was over, I remembered Effie and that 'twas her weddin' day.
+On the back steps I found her, dressed in all her grandeur, with her
+packed trunk ready, waitin' for the bridegroom.
+
+"'Ain't come yet, hey, Effie?' says I.
+
+"'No,' says she, smilin' and radiant. 'It's a little early for him yet,
+I guess.'
+
+"I went off to 'tend to the boarders. At half past ten, when I made the
+back steps again, she was still there. T'other servants was peekin' out
+of the kitchen windows, grinnin' and passin' remarks.
+
+"'Hello!' I calls out. 'Not married yet? What's the matter?'
+
+"She'd stopped smilin', but she was as chipper as ever, to all
+appearances.
+
+"'I--I guess the horse has gone lame or somethin',' says she. 'He'll be
+here any time now.'
+
+"There was a cackle from the kitchen windows. I never said nothin'.
+She'd made her nest; now let her roost on it.
+
+"But at twelve Butler hadn't hove in sight. Every hand, male and female,
+on the place, that wa'n't busy, was hangin' around the back of the
+hotel, waitin' and watchin' and ridiculin' and havin' a high time. Them
+that had errands made it a p'int to cruise past that way. Lots of the
+boarders had got wind of the doin's, and they was there, too.
+
+"Effie was settin' on her trunk, tryin' hard to look brave. I went up
+and spoke to her.
+
+"'Come, my girl,' says I. 'Don't set here no longer. Come into the house
+and wait. Hadn't you better?'
+
+"'No!' says she, loud and defiant like. 'No, sir! It's all right. He's a
+little late, that's all. What do you s'pose I care for a lot of jealous
+folks like those up there?' wavin' her flipper scornful toward the
+kitchen.
+
+"And then, all to once, she kind of broke down, and says to me, with a
+pitiful sort of choke in her voice:
+
+"'Oh, Mr. Wingate! I can't stand this. Why DON'T he come?'
+
+"I tried hard to think of somethin' comfortin' to say, but afore I
+could h'ist a satisfyin' word out of my hatches I heard the noise of a
+carriage comin'. Effie heard it, too, and so did everybody else. We all
+looked toward the gate. 'Twas Sim Butler, sure enough, in his buggy and
+drivin' the same old horse; but settin' alongside of him on the seat was
+Susannah Debs, the housekeeper. And maybe she didn't look contented with
+things in gen'ral!
+
+"Butler pulled up his horse by the gate. Him and Susannah bowed to all
+hands. Nobody said anything for a minute. Then Effie bounced off the
+trunk and down them steps.
+
+"'Simmie' she sung out, breathless like, 'Simeon Butler, what does this
+mean?'
+
+"The Debs woman straightened up on the seat. 'Thank you, marm,' says
+she, chilly as the top section of an ice chest, 'I'll request you not to
+call my husband by his first name.'
+
+"It was so still you could have heard yourself grow. Effie turned white
+as a Sunday tablecloth.
+
+"'Your--husband?' she gasps. 'Your--your HUSBAND?'
+
+"'Yes, marm,' purrs the housekeeper. 'My husband was what I said. Mr.
+Butler and me have just been married.'
+
+"'Sorry, Effie, old girl,' puts in Butler, so sassy I'd love to have
+preached his fun'ral sermon. 'Too bad, but fust love's strongest, you
+know. Susie and me was engaged long afore you come to town.'
+
+"THEN such a haw-haw and whoop bust from the kitchen and fo'castle as
+you never heard. For a jiffy poor Effie wilted right down. Then she
+braced up and her black eyes snapped.
+
+"'I wish you joy of your bargain, marm,' says she to Susannah. 'You'd
+ought to be proud of it. And as for YOU,' she says, swingin' round
+toward the rest of the help, 'I--'
+
+"'How 'bout that prophet?' hollers somebody.
+
+"'Three cheers for the Oriental!' bellers somebody else.
+
+"'When you marry the right Butler fetch him along and let us see him!'
+whoops another.
+
+"She faced 'em all, and I gloried in her spunk.
+
+"'When I marry him I WILL come back,' says she. 'And when I do you'll
+have to get down on your knees and wait on me. You--and you--Yes, and
+YOU, too!'
+
+"The last two 'yous' was hove at Sim and Susannah. Then she turned and
+marched into the hotel. And the way them hired hands carried on was
+somethin' scandalous--till I stepped in and took charge of the deck.
+
+"That very afternoon I put Effie and her trunk aboard the train. I
+paid her fare to New York and give her directions how to locate the Van
+Wedderburns.
+
+"'So long, Effie,' says I to her. 'It's all right. You're enough sight
+better off. All you want to do now is to work hard and forget all that
+fortune-tellin' foolishness.'
+
+"She whirled on me like a top.
+
+"'Forget it!' she says. 'I GUESS I shan't forget it! It's comin' true,
+I tell you--same as all the rest come true. You said yourself there was
+ten thousand Butlers in the world. Some day the right one--the handsome,
+high-ranked, distinguished one--will come along, and I'll get him. You
+wait and see, Mr. Wingate--just you wait and see.'"
+
+
+
+
+CHAPTER XV
+
+THE "HERO" AND THE COWBOY
+
+
+"So that was the end of it, hey?" said Captain Bailey. "Well, it's what
+you might expect, but it wa'n't much to be so anxious to tell; and as
+for PROVIN' anything about fortune tellin'--why--"
+
+"It AIN'T the end," shouted the exasperated Barzilla. "Not nigh the end.
+'Twas the beginnin'. The housekeeper left us that day, of course, and
+for the rest of that summer the servant question kept me and Jonadab
+from thinkin' of other things. Course, the reason for the Butler scamp's
+sudden switch was plain enough. Susannah's lawyer had settled the case
+with the railroad and, even after his fee was subtracted, there was
+fifteen hundred left. That was enough sight better'n nine hundred, so
+Sim figgered when he heard of it; and he hustled to make up with his old
+girl.
+
+"Fifteen hundred dollars doesn't last long with some folks. At the
+beginnin' of the next spring season both of 'em was round huntin' jobs.
+Susannah was a fust-rate waitress, so we hired her for that--no more
+housekeeper for hers, and served her right. As for her husband, we took
+him on in the stable. He wouldn't have been wuth his salt if it hadn't
+been for her. She said she'd keep him movin' and she did. She nagged and
+henpecked him till I'd have been sorry if 'twas anybody else; as 'twas,
+I got consider'ble satisfaction out of it.
+
+"I got one letter from Effie pretty soon after she left, sayin' she
+liked her new job and that the Van Wedderburns liked her. And that's all
+I did hear, though Bob himself wrote me in May, sayin' him and
+Mabel, his wife, had bought a summer cottage in Wapatomac, and me and
+Jonadab--especially me--must be sure and come to see it and them. He
+never mentioned his second girl, and I almost forgot her myself.
+
+"But one afternoon in early July a big six-cylinder automobile come
+sailin' down the road and into the Old Home House yard. A shofer--I
+b'lieve that's what they call the tribe--was at the helm of it, and on
+the back seat, lollin' luxurious against the upholstery, was a man and
+a woman, got up regardless in silk dusters and goggles and veils and
+prosperity. I never expect to see the Prince of Wales and his wife, but
+I know how they'd look--after seein' them two.
+
+"Jonadab was at the bottom step to welcome 'em, bowin' and scrapin' as
+if his middle j'int had just been iled. I wa'n't fur astern, and every
+boarder on deck was all eyes and envy.
+
+"The shofer opens the door of the after cockpit of the machine, and the
+man gets out fust, treadin' gingerly but grand, as if he was doin' the
+ground a condescension by steppin' on it. Then he turns to the woman and
+she slides out, her duds rustlin' like the wind in a scrub oak. The pair
+sails up the steps, Jonadab and me backin' and fillin' in front of 'em.
+All the help that could get to a window to peek had knocked off work to
+do it.
+
+"'Ahem!' says the man, pompous as Julius Caesar--he was big and
+straight and fine lookin' and had black side whiskers half mast on his
+cheeks--ahem!' says he. 'I say, good people, may we have dinner here?'
+
+"Well, they tell us time and tide waits for no man, but prob'ly that
+don't include the nobility. Anyhow, although 'twas long past our reg'lar
+dinner time, I heard Jonadab tellin' 'em sure and sartin they could. If
+they wouldn't mind settin' on the piazza or in the front parlor for a
+spell, he'd have somethin' prepared in a jiffy. So up to the piazza they
+paraded and come to anchor in a couple of chairs.
+
+"'You can have your automobile put right into the barn,' I says, 'if you
+want to.'
+
+"'I don't know as it will be necessary--' began the big feller, but the
+woman interrupted him. She was starin' through her thick veil at the
+barn door. Sim Butler, in his overalls and ragged shirt sleeves, was
+leanin' against that door, interested as the rest of us in what was
+goin' on.
+
+"'I would have it put there, I think,' says the woman, lofty and
+superior. 'It is rather dusty, and I think the wheels ought to be
+washed. Can that man be trusted to wash 'em?' she asks, pointin' kind of
+scornful at Simeon.
+
+"'Yes, marm, I cal'late so,' I says. 'Here, Sim!' I sung out, callin'
+Butler over to the steps. 'Can you wash the dust off them wheels?'
+
+"He said course he could, but he didn't act joyful over the job. The
+woman seemed some doubtful.
+
+"'He looks like a very ignorant, common person,' says she, loud and
+clear, so that everybody, includin' the 'ignorant person' himself, could
+hear her. 'However, James'll superintend. James,' she orders the shofer,
+'you see that it is well done, won't you? Make him be very careful.'
+
+"James looked Butler over from head to foot. 'Humph!' he sniffs,
+contemptuous, with a kind of half grin on his face. 'Yes, marm, I'll
+'tend to it.'
+
+"So he steered the auto into the barn, and Simeon got busy. Judgin' by
+the sharp language that drifted out through the door, 'twas plain that
+the shofer was superintendin' all right.
+
+"Jonadab heaves in sight, bowin', and makes proclamation that dinner
+is served. The pair riz up majestic and headed for the dinin' room. The
+woman was a little astern of her man, and in the hall she turns brisk to
+me.
+
+"'Mr. Wingate,' she whispers, 'Mr. Wingate.'
+
+"I stared at her. Her voice had sounded sort of familiar ever sence I
+heard it, but the veil kept a body from seein' what she looked like.
+
+"'Hey?' I sings out. 'Have I ever--'
+
+"'S-s-h-h!' she whispers. 'Say, Mr. Wingate, that--that Susannah thing
+is here, ain't she? Have her wait on us, will you, please?'
+
+"And she swept the veil off her face. I choked up and staggered bang!
+against the wall. I swan to man if it wa'n't Effie! EFFIE, in silks and
+automobiles and gorgeousness!
+
+"Afore I could come to myself the two of 'em marched into that dining
+room. I heard a grunt and a 'Land of love!' from just ahead of me. That
+was Jonadab. And from all around that dinin' room come a sort of gasp
+and then the sound of whisperin'. That was the help.
+
+"They took a table by the window, which had been made ready. Down they
+set like a king and a queen perchin' on thrones. One of the waiter girls
+went over to em.
+
+"But I'd come out of my trance a little mite. The situation was miles
+ahead of my brain, goodness knows, but the joke of it all was gettin' a
+grip on me. I remembered what Effie had asked and I spoke up prompt.
+
+"'Susannah,' says I, 'this is a particular job and we're anxious to
+please. You'd better do the waitin' yourself.'
+
+"I wish you could have seen the glare that ex-housekeeper give me. For
+a second I thought we'd have open mutiny. But her place wa'n't any too
+sartin and she didn't dare risk it. Over she walked to that table, and
+the fun began.
+
+"Jonadab had laid himself out to make that meal a success, but they ate
+it as if 'twas pretty poor stuff and not by no means what they fed on
+every day. They found fault with 'most everything, but most especial
+with Susannah's waitin'. My! how they did order her around--a mate on a
+cattle boat wa'n't nothin' to it. And when 'twas all over and they got
+up to go, Effie says, so's all hands can hear:
+
+"'The food here is not so bad, but the service--oh, horrors! However,
+Albert,' says she to the side-whiskered man, 'you had better give the
+girl our usual tip. She looks as if she needed it, poor thing!'
+
+"Then they paraded out of the room, and I see Susannah sling the half
+dollar the man had left on the table clear to Jericho, it seemed like.
+
+"The auto was waitin' by the piazza steps. The shofer and Butler was
+standin' by it. And when Sim see Effie with her veil throwed back he
+pretty nigh fell under the wheels he'd been washin' so hard. And he
+looked as if he wisht they'd run over him.
+
+"'Oh, dear!' sighs Effie, lookin' scornful at the wheels. 'Not half
+clean, just as I expected. I knew by the looks of that--that PERSON that
+he wouldn't do it well. Don't give him much, Albert; he ain't earned
+it.'
+
+"They climbed into the cockpit, the shofer took the helm, and they was
+ready to start. But I couldn't let 'em go that way. Out I run.
+
+"'Say--say, Effie!' I whispers, eager. 'For the goodness' sakes, what's
+all this mean? Is that your--your--'
+
+"'My husband? Yup,' she whispers back, her eyes shinin'. 'Didn't I tell
+you to look out for my prophecy? Ain't he handsome and distinguished,
+just as I said? Good-by, Mr. Wingate; maybe I'll see you again some
+day.'
+
+"The machinery barked and they got under way. I run along for two steps
+more.
+
+"'But, Effie,' says I, 'tell me--is his name--?'
+
+"She didn't answer. She was watchin' Sim Butler and his wife. Sim had
+stooped to pick up the quarter the Prince of Wales had hove at him. And
+that was too much for Susannah, who was watchin' from the window.
+
+"'Don't you touch that money!' she screams. 'Don't you lay a finger on
+it! Ain't you got any self-respect at all, you miser'ble, low-lived--'
+and so forth and so on. All the way to the front gate I see Effie
+leanin' out, lookin' and listenin' and smilin'.
+
+"Then the machine buzzed off in a typhoon of dust and I went back to
+Jonadab, who was a livin' catechism of questions which neither one of us
+could answer."
+
+"So THAT'S the end!" exclaimed Captain Bailey. "Well--"
+
+"No, it ain't the end--not even yet. Maybe it ought to be, but it ain't.
+There's a little more of it.
+
+"A fortni't later I took a couple of days off and went up to Wapatomac
+to visit the Van Wedderburns, same as I'd promised. Their 'cottage' was
+pretty nigh big enough for a hotel, and was so grand that I, even if I
+did have on my Sunday frills, was 'most ashamed to ring the doorbell.
+
+"But I did ring it, and the feller that opened the door was big and
+solemn and fine lookin' and had side whiskers. Only this time he wore a
+tail coat with brass buttons on it.
+
+"How do you do, Mr. Wingate?' says he. Step right in, sir, if you
+please. Mr. and Mrs. Van Wedderburn are out in the auto, but they'll be
+back shortly, and very glad to see you, sir, I'm sure. Let me take
+your grip and hat. Step right into the reception room and wait, if you
+please, sir. Perhaps,' he says, and there was a twinkle in his port eye,
+though the rest of his face was sober as the front door of a church,
+'perhaps,' says he, 'you might wish to speak with my wife a moment. I'll
+take the liberty of sendin' her to you, sir.'
+
+"So, as I sat on the gunwale of a blue and gold chair, tryin' to settle
+whether I was really crazy or only just dreamin', in bounces Effie,
+rigged up in a servant's cap and apron. She looked polite and demure,
+but I could see she was just bubblin' with the joy of the whole
+bus'ness.
+
+"'Effie,' says I, 'Effie, what--what in the world--?'
+
+"She giggled. 'Yup,' she says, 'I'm chambermaid here and they treat me
+fine. Thank you very much for gettin' me the situation.'
+
+"'But--but them doin's the other day? That automobile--and them silks
+and satins--and--?'
+
+"'Mr. Van Wedderburn lent 'em to me,' she said, 'him an' his wife. And
+he lent us the auto and the shofer, too. I told him about my troubles
+at the Old Home House and he thought 'twould be a great joke for me
+to travel back there like a lady. He's awful fond of a joke--Mr. Van
+Wedderburn is.'
+
+"'But that man?' I gasps. 'Your husband? That's what you said he was.'
+
+"'Yes,' says she, 'he is. We've been married 'most six months now. My
+prophecy's all come true. And DIDN'T I rub it in on that Susannah Debs
+and her scamp of a Sim? Ho! ho!'
+
+"She clapped her hands and pretty nigh danced a jig, she was so tickled.
+
+"'But is he a Butler?' I asks.
+
+"'Yup,' she nods, with another giggle. 'He's A butler, though his name's
+Jenkins; and a butler's high rank--higher than chambermaid, anyhow. You
+see, Mr. Wingate,' she adds, ''twas all my fault. When that Oriental
+Seer man at the show said I was to marry a butler, I forgot to ask him
+whether you spelt it with a big B or a little one.'"
+
+The unexpected manner in which Effie's pet prophecy had been fulfilled
+amused Captain Sol immensely. He laughed so heartily that Issy McKay
+looked in at the door with an expression of alarm on his face. The
+depot master had laughed little during the past few days, and Issy was
+surprised.
+
+But Captain Stitt was ready with a denial. He claimed that the prophecy
+was NOT fulfilled and therefore all fortune telling was fraudulent.
+Barzilla retorted hotly, and the argument began again. The two were
+shouting at each other. Captain Sol stood it for a while and then
+commanded silence.
+
+"Stop your yellin'!" he ordered. "What ails you fellers? Think you can
+prove it better by screechin'? They can hear you half a mile. There's
+Cornelius Rowe standin' gawpin' on the other side of the street this
+minute. He thinks there's a fire or a riot, one or t'other. Let's change
+the subject. See here, Bailey, didn't you start to tell us somethin'
+last time you was in here about your ridin' in an automobile?"
+
+"I started to--yes. But nobody'd listen. I rode in one and I sailed in
+one. You see--"
+
+"I'm goin' outdoor," declared Barzilla.
+
+"No, you're not. Bailey listened to you. Now you do as much for him. I
+heard a little somethin' about the affair at the time it happened and
+I'd like to hear the rest of it. How was it, Bailey?"
+
+Captain Stitt knocked the ashes from his pipe.
+
+"Well," he began, "I didn't know the critter was weak in his top riggin'
+or I wouldn't have gone with him in the fust place. And he wa'n't
+real loony, nuther. 'Twas only when he got aboard that--that ungodly,
+kerosene-smellin', tootin', buzzin', Old Harry's gocart of his that the
+craziness begun to show. There's so many of them weak-minded city folks
+from the Ocean House comes perusin' 'round summers, nowadays, that
+I cal'lated he was just an average specimen, and never examined him
+close."
+
+"Are all the Ocean House boarders weak-minded nowadays?" asked the depot
+master.
+
+Mr. Wingate answered the question.
+
+"My land!" he snapped; "would they board at the Ocean House if they
+WA'N'T weak-minded?"
+
+Captain Bailey did not deign to reply to this jibe. He continued calmly:
+
+"This feller wa'n't an Ocean Houser, though. He was young Stumpton's
+automobile skipper-shover, or shofer, or somethin' they called him. He
+answered to the hail of Billings, and his home port was the Stumpton
+ranch, 'way out in Montana. He'd been here in Orham only a couple of
+weeks, havin' come plumb across the United States to fetch his boss the
+new automobile. You see, 'twas early October. The Stumptons had left
+their summer place on the Cliff Road, and was on their way South for
+the winter. Young Stumpton was up to Boston, but he was comin' back in
+a couple of days, and then him and the shover was goin' automobilin' to
+Florida. To Florida, mind you! In that thing! If it was me I'd buy my
+ticket to Tophet direct and save time and money.
+
+"Well, anyhow, this critter Billings, he ain't never smelt salt water
+afore, and he don't like the smell. He makes proclamations that Orham is
+nothin' but sand, slush, and soft drinks. He won't sail, he can't
+swim, he won't fish; but he's hankerin' to shoot somethin', havin' been
+brought up in a place where if you don't shoot some of the neighbors
+every day or so folks think you're stuck up and dissociable. Then
+somebody tells him it's the duckin' season down to Setuckit P'int, and
+he says he'll spend his day off, while the boss is away, massycreein'
+the coots there. This same somebody whispers that I know so much about
+ducks that I quack when I talk, and he comes cruisin' over in the buzz
+cart to hire me for guide. And--would you b'lieve it?--it turns out that
+he's cal'latin' to make his duckin' v'yage in that very cart. I was for
+makin' the trip in a boat, like a sensible man, but he wouldn't hear of
+it.
+
+"'Land of love!' says I. 'Go to Setuckit in a automobile?'
+
+"'Why not?' he says. 'The biscuit shooter up at the hotel tells me
+there's a smart chance of folks goes there a-horseback. And where a hoss
+can travel I reckon the old gal here'--slappin' the thwart of the auto
+alongside of him--'can go, too!'
+
+"'But there's the Cut-through,' says I.
+
+"''Tain't nothin' but a creek when the freshet's over, they tell me,'
+says he. 'And me and the boss have forded four foot of river in this
+very machine.'
+
+"By the 'freshet' bein' over I judged he meant the tide bein' out. And
+the Cut-through ain't but a little trickle then, though it's a quarter
+mile wide and deep enough to float a schooner at high water. It's the
+strip of channel that makes Setuckit Beach an island, you know. The
+gov'ment has had engineers down dredgin' of it out, and pretty soon fish
+boats'll be able to save the twenty-mile sail around the P'int and into
+Orham Harbor at all hours.
+
+"Well, to make a long story short, I agreed to let him cart me to
+Setuckit P'int in that everlastin' gas carryall. We was to start at four
+o'clock in the afternoon, 'cause the tide at the Cut-through would be
+dead low at half-past four. We'd stay overnight at my shanty at the
+P'int, get up airly, shoot all day, and come back the next afternoon.
+
+"At four prompt he was on hand, ready for me. I loaded in the guns and
+grub and one thing or 'nother, and then 'twas time for me to get aboard
+myself.
+
+"'You'll set in the tonneau,' says he, indicatin' the upholstered after
+cockpit of the concern. I opened up the shiny hatch, under orders from
+him, and climbed in among the upholstery. 'Twas soft as a feather bed.
+
+"'Jerushy!' says I, lollin' back luxurious. This is fine, ain't it?'
+
+"'Cost seventy-five hundred to build,' he says casual. 'Made to order
+for the boss. Lightest car of her speed ever turned out.'
+
+"'Go 'way! How you talk! Seventy-five hundred what? Not dollars?'
+
+"'Sure,' he says. Then he turns round--he was in the bow, hangin' on to
+the steerin' wheel--and looks me over, kind of interested, but superior.
+'Say,' he says, 'I've been hearin' things about you. You're a hero,
+ain't you?'
+
+"Durn them Orham gabblers! Ever sence I hauled that crew of seasick
+summer boarders out of the drink a couple of years ago and the gov'ment
+gave me a medal, the minister and some more of his gang have painted out
+the name I was launched under and had me entered on the shippin' list
+as 'The Hero.' I've licked two or three for callin' me that, but I can't
+lick a parson, and he was the one that told Billings.
+
+"'Oh, I don't know!' I answers pretty sharp. 'Get her under way, why
+don't you?'
+
+"All he done was look me over some more and grin.
+
+"'A hero! A real live gov'ment-branded hero!' he says. 'Ain't scared of
+nothin', I reckon--hey?'
+
+"I never made no answer. There's some things that's too fresh to eat
+without salt, and I didn't have a pickle tub handy.
+
+"'Hum!' he says again, reverend-like. 'A sure hero; scared of nothin'!
+Never rode in an auto afore, did you?'
+
+"'No,' says I, peppery; 'and I don't see no present symptom of ridin' in
+one now. Cast off, won't you?'
+
+"He cast off. That is to say, he hauled a nickel-plated marlinespike
+thing toward him, shoved another one away from him, took a twist on the
+steerin' wheel, the gocart coughed like a horse with the heaves, started
+up some sort of buzz-planer underneath, and then we begun to move.
+
+"From the time we left my shanty at South Orham till we passed the pines
+at Herrin' Neck I laid back in that stuffed cockpit, feelin' as grand
+and tainted as old John D. himself. The automobile rolled along smooth
+but swift, and it seemed to me I had never known what easy trav'lin' was
+afore. As we rounded the bend by the pines and opened up the twelve-mile
+narrow white stretch of Setuckit Beach ahead of us, with the ocean on
+one side and the bay on t'other, I looked at my watch. We'd come that
+fur in thirteen minutes.
+
+"'Land sakes!' I says. 'This is what I call movin' right along!'
+
+"He turned round and sized me up again, like he was surprised.
+
+"'Movin'?' says he. 'Movin'? Why, pard, we've been settin' down to rest!
+Out our way, if a lynchin' party didn't move faster than we've done so
+fur, the center of attraction would die on the road of old age. Now, my
+heroic college chum,' he goes on, callin' me out of my name, as usual,
+'will you be so condescendin' as to indicate how we hit the trail?'
+
+"'Hit--hit which? Don't hit nothin', for goodness' sake! Goin' the way
+we be, it would--'
+
+"'Which way do we go?'
+
+"'Right straight ahead. Keep on the ocean side, 'cause there's more hard
+sand there, and--hold on! Don't do that! Stop it, I tell you!'
+
+"Them was the last rememberable words said by me durin' the next quarter
+of an hour. That shover man let out a hair-raisin' yell, hauled the
+nickel marlinespike over in its rack, and squeezed a rubber bag that was
+spliced to the steerin' wheel. There was a half dozen toots or howls or
+honks from under our bows somewheres, and then that automobile hopped
+off the ground and commenced to fly. The fust hop landed me on my knees
+in the cockpit, and there I stayed. 'Twas the most fittin' position
+fur my frame of mind and chimed in fust-rate with the general religious
+drift of my thoughts.
+
+"The Cut-through is two mile or more from Herrin' Neck. 'Cordin' to my
+count we hit terra cotta just three times in them two miles. The fust
+hit knocked my hat off. The second one chucked me up so high I looked
+back for the hat, and though we was a half mile away from it, it hadn't
+had time to git to the ground. And all the while the horn was a-honkin',
+and Billings was a-screechin, and the sand was a-flyin'. Sand! Why,
+say! Do you see that extra bald place on the back of my head? Yes? Well,
+there was a two-inch thatch of hair there afore that sand blast ground
+it off.
+
+"When I went up on the third jounce I noticed the Cut-through just
+ahead. Billings see it, too, and--would you b'lieve it?--the lunatic
+stood up, let go of the wheel with one hand, takes off his hat and waves
+it, and we charge down across them wet tide flats like death on the
+woolly horse, in Scriptur'.
+
+"'Hi, yah! Yip!' whoops Billings. 'Come on in, fellers! The water's
+fine! Yow! Y-e-e-e! Yip!'
+
+"For a second it left off rainin' sand, and there was a typhoon of
+mud and spray. I see a million of the prettiest rainbows--that is, I
+cal'lated there was a million; it's awful hard to count when you're
+bouncin' and prayin' and drowndin' all to once. Then we sizzed out of
+the channel, over the flats on t'other side, and on toward Setuckit.
+
+"Never mind the rest of the ride. 'Twas all a sort of constant changin'
+sameness. I remember passin' a blurred life-savin' station, with
+three--or maybe thirty--blurred men jumpin' and laughin' and hollerin'.
+I found out afterwards that they'd been on the lookout for the bombshell
+for half an hour. Billings had told around town what he was goin' to
+do to me, and some kind friend had telephoned it to the station. So the
+life-savers was full of anticipations. I hope they were satisfied. I
+hadn't rehearsed my part of the show none, but I feel what the parson
+calls a consciousness of havin' done my best.
+
+"'Whoa, gal!' says Billings, calm and easy, puttin' the helm hard down.
+The auto was standin' still at last. Part of me was hangin' over the lee
+rail. I could see out of the part, so I knew 'twas my head. And there
+alongside was my fish shanty at the P'int, goin' round and round in
+circles.
+
+"I undid the hatch of the cockpit and fell out on the sand. Then I
+scrambled up and caught hold of the shanty as it went past me. That fool
+shover watched me, seemin'ly interested.
+
+"'Why, pard,' says he, 'what's the matter? Do you feel pale? Are you
+nervous? It ain't possible that you're scared? Honest, now, pard, if it
+weren't that I knew you were a genuine gold-mounted hero I'd sure think
+you was a scared man.'
+
+"I never said nothin'. The scenery and me was just turnin' the mark buoy
+on our fourth lap.
+
+"'Dear me, pard!' continues Billings. 'I sure hope I ain't scared you
+none. We come down a little slow this evenin', but to-morrow night, when
+I take you back home, I'll let the old girl out a little.'
+
+"I sensed some of that. And as the shanty had about come to anchor, I
+answered and spoke my mind.
+
+"'When you take me back home!' I says. 'When you do! Why, you
+crack-brained, murderin' lunatic, I wouldn't cruise in that hell wagon
+of yours again for the skipper's wages on a Cunarder. No, nor the mate's
+hove in!'
+
+"And that shover he put his head back and laughed and laughed and
+laughed."
+
+
+
+
+CHAPTER XVI
+
+THE CRUISE OF THE RED CAR
+
+
+"I don't wonder he laughed," observed Wingate, who seemed to enjoy
+irritating his friend. "You must have been good as a circus."
+
+"Humph!" grunted the depot master. "If I remember right you said YOU
+wa'n't any ten-cent side show under similar circumstances, Barzilla.
+Heave ahead, Bailey!"
+
+Captain Stitt, unruffled, resumed:
+
+"I tell you, I had to take it that evenin'," he said. "All the time I
+was cookin' and while he was eatin' supper, Billings was rubbin' it
+into me about my bein' scared. Called me all the saltwater-hero names
+he could think of--'Hobson' and 'Dewey' and the like of that, usin' em
+sarcastic, of course. Finally, he said he remembered readin' in school,
+when he was little, about a girl hero, name of Grace Darlin'. Said he
+cal'lated, if I didn't mind, he'd call me Grace, 'cause it was heroic
+and yet kind of fitted in with my partic'lar brand of bravery. I didn't
+answer much; he had me down, and I knew it. Likewise I judged he was
+more or less out of his head; no sane man would yell the way he done
+aboard that automobile.
+
+"Then he commenced to spin yarns about himself and his doin's, and
+pretty soon it come out that he'd been a cowboy afore young Stumpton
+give up ranchin' and took to automobilin'. That cleared the sky line
+some, of course; I'd read consider'ble about cowboys in the ten-cent
+books my nephew fetched home when he was away to school. I see right off
+that Billings was the livin' image of Deadwood Dick and Wild Bill and
+the rest in them books; they yelled and howled and hadn't no regard for
+life and property any more'n he had. No, sir! He wa'n't no crazier'n
+they was; it was in the breed, I judged.
+
+"'I sure wish I had you on the ranch, Grace,' says he. 'Why don't you
+come West some day? That's where a hero like you would show up strong.'
+
+"'Godfrey mighty!' I sings out. 'I wouldn't come nigh such a nest of
+crazy murderers as that fur no money! I'd sooner ride in that automobile
+of yours, and St. Peter himself couldn't coax me into THAT again, not if
+'twas fur a cruise plumb up the middle of the golden street!'
+
+"I meant it, too, and the next afternoon when it come time to start
+for home he found out that I meant it. We'd shot a lot of ducks, and
+Billings was havin' such a good time that I had to coax and tease him
+as if he was a young one afore he'd think of quittin'. It was quarter
+of six when he backed the gas cart out of the shed. I was uneasy, 'cause
+'twas past low-water time, and there was fog comin' on.
+
+"'Brace up, Dewey!' says he. 'Get in.'
+
+"'No, Mr. Billings,' says I. 'I ain't goin' to get in. You take that
+craft of yourn home, and I'll sail up alongside in my dory.'
+
+"'In your which?' says he.
+
+"'In my dory,' I says. 'That's her hauled up on the beach abreast the
+shanty.'
+
+"He looked at the dory and then at me.
+
+"'Go on!' says he. 'You ain't goin' to pack yourself twelve mile on THAT
+SHINGLE?'
+
+"'Sartin I am! says I. 'I ain't takin' no more chances.'
+
+"Do you know, he actually seemed to think I was crazy then. Seemed to
+figger that the dory wa'n't big enough; and she's carried five easy
+afore now. We had an argument that lasted twenty minutes more, and the
+fog driftin' in nigher all the time. At last he got sick of arguin',
+ripped out somethin' brisk and personal, and got his tin shop to movin'.
+
+"'You want to cross over to the ocean side,' I called after him. 'The
+Cut-through's been dredged at the bay end, remember.'
+
+"'Be hanged!' he yells, or more emphatic. And off he whizzed. I see him
+go, and fetched a long breath. Thanks to a merciful Providence, I'd come
+so fur without bein' buttered on the undercrust of that automobile or
+scalped with its crazy shover's bowie knife.
+
+"Ten minutes later I was beatin' out into the bay in my dory. All
+around was the fog, thin as poorhouse gruel so fur, but thickenin' every
+minute. I was worried; not for myself, you understand, but for that
+cowboy shover. I was afraid he wouldn't fetch t'other side of the
+Cut-through. There wa'n't much wind, and I had to make long tacks. I
+took the inshore channel, and kept listenin' all the time. And at last,
+when 'twas pretty dark and I was cal'latin' to be about abreast of the
+bay end of the Cut-through, I heard from somewheres ashore a dismal
+honkin' kind of noise, same as a wild goose might make if 'twas chokin'
+to death and not resigned to the worst.
+
+"'My land!' says I. 'It's happened!' And I come about and headed
+straight in for the beach. I struck it just alongside the gov'ment
+shanty. The engineers had knocked off work for the week, waitin' for
+supplies, but they hadn't took away their dunnage.
+
+"'Hi!' I yells, as I hauled up the dory. 'Hi-i-i! Billings, where be
+you?'
+
+"The honkin' stopped and back comes the answer; there was joy in it.
+
+"'What? Is that Cap'n Stitt?'
+
+"'Yes,' I sings out. 'Where be you?'
+
+"'I'm stuck out here in the middle of the crick. And there's a flood on.
+Help me, can't you?'
+
+"Next minute I was aboard the dory, rowin' her against the tide up the
+channel. Pretty quick I got where I could see him through the fog and
+dark. The auto was on the flat in the middle of the Cut-through, and
+the water was hub high already. Billings was standin' up on the for'ard
+thwart, makin' wet footmarks all over them expensive cushions.
+
+"'Lord,' says he, 'I sure am glad to see you, pard! Can we get to land,
+do you think?'
+
+"'Land?' says I, makin' the dory fast alongside and hoppin' out into the
+drink. ''Course we can land! What's the matter with your old derelict?
+Sprung a leak, has it?'
+
+"He went on to explain that the automobile had broke down when he struck
+the flat, and he couldn't get no farther. He'd been honkin' and howlin'
+for ten year at least, so he reckoned.
+
+"'Why in time,' says I, 'didn't you mind me and go up the ocean side?
+And why in nation didn't you go ashore and--But never mind that now. Let
+me think. Here! You set where you be.'
+
+"As I shoved off in the dory again he turned loose a distress signal.
+
+"'Where you goin'?' he yells. 'Say, pard, you ain't goin' to leave me
+here, are you?'
+
+"'I'll be back in a shake,' says I, layin' to my oars. 'Don't holler so!
+You'll have the life-savers down here, and then the joke'll be on us.
+Hush, can't you? I'll be right back!'
+
+"I rowed up channel a little ways, and then I sighted the place I
+was bound for. Them gov'ment folks had another shanty farther up the
+Cut-through. Moored out in front of it was a couple of big floats, for
+their stone sloops to tie up to at high water. The floats were made of
+empty kerosene barrels and planks, and they'd have held up a house easy.
+I run alongside the fust one, cut the anchor cable with my jackknife,
+and next minute I was navigatin' that float down channel, steerin' it
+with my oar and towin' the dory astern.
+
+"'Twas no slouch of a job, pilotin' that big float, but part by steerin'
+and part by polin' I managed to land her broadside on to the auto. I
+made her fast with the cable ends and went back after the other float.
+This one was a bigger job than the fust, but by and by that gas wagon,
+with planks under her and cable lashin's holdin' her firm, was restin'
+easy as a settin' hen between them two floats. I unshipped my mast,
+fetched it aboard the nighest float, and spread the sail over the
+biggest part of the brasswork and upholstery.
+
+"'There,' says I, 'if it rains durin' the night she'll keep pretty
+dry. Now I'll take the dory and row back to the shanty after some spare
+anchors there is there.'
+
+"'But what's it fur, pard?' asks Billings for the nine hundred and
+ninety-ninth time. 'Why don't we go where it's dry? The flood's risin'
+all the time.'
+
+"'Let it rise,' I says. 'I cal'late when it gets high enough them
+floats'll rise with it and lift the automobile up, too. If she's
+anchored bow and stern she'll hold, unless it comes on to blow a gale,
+and to-morrow mornin' at low tide maybe you can tinker her up so she'll
+go.'
+
+"'Go?' says he, like he was astonished. 'Do you mean to say you're
+reckonin' to save the CAR?'
+
+"'Good land!' I says, starin' at him. 'What else d'you s'pose? Think I'd
+let seventy-five hundred dollars' wuth of gilt-edged extravagance go to
+the bottom? What did you cal'late I was tryin' to save--the clam flat?
+Give me that dory rope; I'm goin' after them anchors. Sufferin' snakes!
+Where IS the dory? What have you done with it?'
+
+"He'd been holdin' the bight of the dory rodin'. I handed it to him so's
+he'd have somethin' to take up his mind. And, by time, he'd forgot all
+about it and let it drop! And the dory had gone adrift and was out of
+sight.
+
+"'Gosh!' says he, astonished-like. 'Pard, the son of a gun has slipped
+his halter!'
+
+"I was pretty mad--dories don't grow on every beach plum bush--but there
+wa'n't nothin' to say that fitted the case, so I didn't try.
+
+"'Humph!' says I. 'Well, I'll have to swim ashore, that's all, and go up
+to the station inlet after another boat. You stand by the ship. If she
+gets afloat afore I come back you honk and holler and I'll row after
+you. I'll fetch the anchors and we'll moor her wherever she happens to
+be. If she shouldn't float on an even keel, or goes to capsize, you jump
+overboard and swim ashore. I'll--'
+
+"'Swim?' says he, with a shake in his voice. 'Why, pard, I can't swim!'
+
+"I turned and looked at him. Shover of a two-mile-a-minute gold-plated
+butcher cart like that, a cowboy murderer that et his friends for
+breakfast--and couldn't swim! I fetched a kind of combination groan and
+sigh, turned back the sail, climbed aboard the automobile, and lit up my
+pipe.
+
+"'What are you settin' there for?' says he. 'What are you goin' to do?'
+
+"'Do?' says I. 'Wait, that's all--wait and smoke. We won't have to wait
+long.'
+
+"My prophesyin' was good. We didn't have to wait very long. It was pitch
+dark, foggy as ever, and the tide a-risin' fast. The floats got to be
+a-wash. I shinned out onto 'em, picked up the oar that had been left
+there, and took my seat again. Billings climbed in, too, only--and
+it kind of shows the change sence the previous evenin'--he was in the
+passenger cockpit astern, and I was for'ard in the pilot house. For a
+reckless daredevil he was actin' mighty fidgety.
+
+"And at last one of the floats swung off the sand. The automobile tipped
+scandalous. It looked as if we was goin' on our beam ends. Billings let
+out an awful yell. Then t'other float bobbed up and the whole shebang,
+car and all, drifted out and down the channel.
+
+"My lashin's held--I cal'lated they would. Soon's I was sure of that I
+grabbed up the oar and shoved it over the stern between the floats. I
+hoped I could round her to after we passed the mouth of the Cut-through,
+and make port on the inside beach. But not in that tide. Inside of five
+minutes I see 'twas no use; we was bound across the bay.
+
+"And now commenced a v'yage that beat any ever took sence Noah's time,
+I cal'late; and even Noah never went to sea in an automobile, though
+the one animal I had along was as much trouble as his whole menagerie.
+Billings was howlin' blue murder.
+
+"'Stop that bellerin'!' I ordered. 'Quit it, d'you hear! You'll have the
+station crew out after us, and they'll guy me till I can't rest. Shut
+up! If you don't, I'll--I'll swim ashore and leave you.'
+
+"I was takin' big chances, as I look at it now. He might have drawed a
+bowie knife or a lasso on me; 'cordin' to his yarns he'd butchered folks
+for a good sight less'n that. But he kept quiet this time, only gurglin'
+some when the ark tilted. I had time to think of another idee. You
+remember the dory sail, mast and all, was alongside that cart. I clewed
+up the canvas well as I could and managed to lash the mast up straight
+over the auto's bows. Then I shook out the sail.
+
+"'Here!' says I, turnin' to Billings. 'You hang on to that sheet. No,
+you needn't nuther. Make it fast to that cleat alongside.'
+
+"I couldn't see his face plain, but his voice had a funny tremble to it;
+reminded me of my own when I climbed out of that very cart after he'd
+jounced me down to Setuckit the day before.
+
+"'What?' he says. 'Wh-what? What sheet? I don't see any sheet. What do
+you want me to do?'
+
+"'Tie this line to that cleat. That cleat there! CLEAT, you lubber!
+CLEAT! That knob! MAKE IT FAST! Oh, my gosh t'mighty! Get out of my
+way!'
+
+"The critter had tied the sheet to the handle of the door instead of the
+one I meant, and the pull of the sail hauled the door open and pretty
+nigh ripped it off the hinges. I had to climb into the cockpit and
+straighten out the mess. I was losin' my temper; I do hate bunglin'
+seamanship aboard a craft of mine.
+
+"'But what'll become of us?' begs Billings. 'Will we drown?'
+
+"'What in tunket do we want to drown for? Ain't we got a good sailin'
+breeze and the whole bay to stay on top of--fifty foot of water and
+more?'
+
+"'Fifty foot!' he yells. 'Is there fifty foot of water underneath us
+now? Pard, you don't mean it!'
+
+"'Course I mean it. Good thing, too!'
+
+"'But fifty foot! It's enough to drown in ten times over!'
+
+"'Can't drown but once, can you? And I'd just as soon drown in fifty
+foot as four--ruther, 'cause 'twouldn't take so long.'
+
+"He didn't answer out loud; but I heard him talkin' to himself pretty
+constant.
+
+"We was well out in the bay by now, and the seas was a little mite more
+rugged--nothin' to hurt, you understand, but the floats was all foam,
+and once in a while we'd ship a little spray. And every time that
+happened Billings would jump and grab for somethin' solid--sometimes
+'twas the upholstery and sometimes 'twas me. He wa'n't on the thwart,
+but down in a heap on the cockpit floor.
+
+"'Let go of my leg!' I sings out, after we'd hit a high wave and that
+shover had made a more'n ordinary savage claw at my underpinnin'. 'You
+make me nervous. Drat this everlastin' fog! somethin'll bump into us if
+we don't look out. Here, you go for'ard and light them cruisin' lights.
+They ain't colored 'cordin' to regulations, but they'll have to do. Go
+for'ard! What you waitin' for?'
+
+"Well, it turned out that he didn't like to leave that cockpit. I was
+mad.
+
+"'Go for'ard there and light them lights!' I yelled, hangin' to the
+steerin' oar and keepin' the ark runnin' afore the wind.
+
+"'I won't!' he says, loud and emphatic. 'Think I'm a blame fool? I sure
+would be a jack rabbit to climb over them seats the way they're buckin'
+and light them lamps. You're talkin' through your hat!'
+
+"Well, I hadn't no business to do it, but, you see, I was on salt water,
+and skipper, as you might say, of the junk we was afloat in; and if
+there's one thing I never would stand it's mutiny. I hauled in the oar,
+jumped over the cockpit rail, and went for him. He see me comin', stood
+up, tried to get out of the way, and fell overboard backwards. Part of
+him lit on one of the floats, but the biggest part trailed in the water
+between the two. He clawed with his hands, but the planks was slippery,
+and he slid astern fast. Just as he reached the last plank and slid off
+and under I jumped after him and got him by the scruff of the neck. I
+had hold of the lashin' end with one hand, and we tailed out behind the
+ark, which was sloppin' along, graceful as an elephant on skates.
+
+"I was pretty well beat out when I yanked him into that cockpit
+again. Neither of us said anything for a spell, breath bein' scurce as
+di'monds. But when he'd collected some of his, he spoke.
+
+"'Pard,' he says, puffin', 'I'm much obleeged to you. I reckon I sure
+ain't treated you right. If it hadn't been for you that time I'd--'
+
+"But I was b'ilin' over. I whirled on him like a teetotum.
+
+"'Drat your hide!' I says. 'When you speak to your officer you say sir!
+And now you go for'ard and light them lights. Don't you answer back!
+If you do I'll fix you so's you'll never ship aboard another vessel!
+For'ard there! Lively, you lubber, lively!'
+
+"He went for'ard, takin' consider'ble time and hangin' on for dear life.
+But somehow or 'nuther he got the lights to goin'; and all the time
+I hazed him terrible. I was mate on an Australian packet afore I went
+fishin' to the Banks, and I can haze some. I blackguarded that shover
+awful.
+
+"'Ripperty-rip your everlastin' blankety-blanked dough head!' I roared
+at him. 'You ain't wuth the weight to sink you. For'ard there and get
+that fog horn to goin'! And keep it goin'! Lively, you sculpin! Don't
+you open your mouth to me!'
+
+"Well, all night we sloshed along, straight acrost the bay. We must
+have been a curious sight to look at. The floats was awash, so that the
+automobile looked like she was ridin' the waves all by her lonesome; the
+lamps was blazin' at either side of the bow; Billings was a-tootin'
+the rubber fog horn as if he was wound up; and I was standin' on the
+cushions amidships, keepin' the whole calabash afore the wind.
+
+"We never met another craft the whole night through. Yes, we did meet
+one. Old Ezra Cahoon, of Harniss, was out in his dory stealin' quahaugs
+from Seth Andrews's bed over nigh the Wapatomac shore. Ezra stayed long
+enough to get one good glimpse of us as we bust through the fog; then he
+cut his rodin' and laid to his oars, bound for home and mother. We could
+hear him screech for half an hour after he left us.
+
+"Ez told next day that the devil had come ridin' acrost the bay after
+him in a chariot of fire. Said he could smell the brimstone and hear
+the trumpet callin' him to judgment. Likewise he hove in a lot of
+particulars concernin' the personal appearance of the Old Boy himself,
+who, he said, was standin' up wavin' a red-hot pitchfork. Some folks
+might have been flattered at bein' took for such a famous character; but
+I wa'n't; I'm retirin' by nature, and besides, Ez's description
+wa'n't cal'lated to bust a body's vanity b'iler. I was prouder of the
+consequences, the same bein' that Ezra signed the Good Templars' pledge
+that afternoon, and kept it for three whole months, just sixty-nine days
+longer than any previous attack within the memory of man had lasted.
+
+"And finally, just as mornin' was breakin', the bows of the floats slid
+easy and slick up on a hard, sandy beach. Then the sun riz and the
+fog lifted, and there we was within sight of the South Ostable
+meetin'-house. We'd sailed eighteen miles in that ark and made a better
+landin' blindfold than we ever could have made on purpose.
+
+"I hauled down the sail, unshipped the mast, and jumped ashore to find
+a rock big enough to use for a makeshift anchor. It wa'n't more'n three
+minutes after we fust struck afore my boots hit dry ground, but Billings
+beat me one hundred and seventy seconds, at that. When I had time to
+look at that shover man he was a cable's length from high-tide mark,
+settin' down and grippin' a bunch of beach grass as if he was afeard the
+sand was goin' to slide from under him; and you never seen a yallerer,
+more upset critter in your born days.
+
+"Well, I got the ark anchored, after a fashion, and then we walked up to
+the South Ostable tavern. Peleg Small, who runs the place, he knows me,
+so he let me have a room and I turned in for a nap. I slept about three
+hours. When I woke up I started out to hunt the automobile and Billings.
+Both of 'em looked consider'ble better than they had when I see 'em
+last. The shover had got a gang of men and they'd got the gas cart
+ashore, and Billings and a blacksmith was workin' over--or rather
+under--the clockwork.
+
+"'Hello!' I hails, comin' alongside.
+
+"Billings sticks his head out from under the tinware.
+
+"'Hi, pard!' says he. I noticed he hadn't called me 'Grace' nor 'Dewey'
+for a long spell. Hi, pard,' he says, gettin' to his feet, 'the old gal
+ain't hurt a hair. She'll be good as ever in a couple of hours. Then you
+and me can start for Orham.'
+
+"'In HER?' says I.
+
+"'Sure,' he says.
+
+"'Not by a jugful!' says I, emphatic. 'I'll borrer a boat to get to
+Orham in, when I'm ready to go. You won't ketch me in that man killer
+again; and you can call me a coward all you want to!'
+
+"'A coward?' says he. 'You a coward? And--Why, you was in that car all
+night!'
+
+"'Oh!' I says. 'Last night was diff'rent. The thing was on water then,
+and when I've got enough water underneath me I know I'm safe.'
+
+"'Safe!' he sings out. 'SAFE! Well, by--gosh! Pard, I hate to say it,
+but it's the Lord's truth--you had me doin' my "Now I lay me's"!'
+
+"For a minute we looked at each other. Then says I, sort of thinkin' out
+loud, 'I cal'late,' I says, 'that whether a man's brave or not depends
+consider'ble on whether he's used to his latitude. It's all accordin'.
+It lays in the bringin' up, as the duck said when the hen tried to
+swim.'
+
+"He nodded solemn. 'Pard,' says he, 'I sure reckon you've called the
+turn. Let's shake hands on it.'
+
+"So we shook; and . . ."
+
+Captain Bailey stopped short and sprang from his chair. "There's my
+train comin'," he shouted. "Good-by, Sol! So long, Barzilla! Keep away
+from fortune tellers and pretty servant girls or YOU'LL be gettin'
+married pretty soon. Good-by."
+
+He darted out of the waiting room and his companions followed. Mr.
+Wingate, having a few final calls to make, left the station soon
+afterwards and did not return until evening. And that evening he heard
+news which surprised him.
+
+As he and Captain Sol were exchanging a last handshake on the platform,
+Barzilla said:
+
+"Well, Sol, I've enjoyed loafin' around here and yarnin' with you, same
+as I always do. I'll be over again in a month or so and we'll have some
+more."
+
+The Captain shook his head. "I may not be here then, Barzilla," he
+observed.
+
+"May not be here? What do you mean by that?"
+
+"I mean that I don't know exactly where I shall be. I shan't be depot
+master, anyway."
+
+"Shan't be depot master? YOU won't? Why, what on airth--"
+
+"I sent in my resignation four days ago. Nobody knows it, except you,
+not even Issy, but the new depot master for East Harniss will be here to
+take my place on the mornin' of the twelfth, that's two days off."
+
+"Why! Why! SOL!"
+
+"Yes. Keep mum about it. I'll--I'll let you know what I decide to do. I
+ain't settled it myself yet. Good-by, Barzilla."
+
+
+
+
+CHAPTER XVII
+
+ISSY'S REVENGE
+
+
+The following morning, at nine o'clock, Issy McKay sat upon the heap of
+rusty chain cable outside the blacksmith's shop at Denboro, reading,
+as usual, a love story. Issy was taking a "day off." He had begged
+permission of Captain Sol Berry, the permission had been granted,
+and Issy had come over to Denboro, the village eight miles above East
+Harniss, in his "power dory," or gasoline boat, the Lady May. The Lady
+May was a relic of the time before Issy was assistant depot master, when
+he gained a precarious living by quahauging, separating the reluctant
+bivalve from its muddy house on the bay bottom with an iron rake, the
+handle of which was forty feet long. Issy had been seized with a desire
+to try quahauging once more, hence his holiday. The rake was broken
+and he had put in at Denboro to have it fixed. While the blacksmith was
+busy, Issy laboriously spelled out the harrowing chapters of "Vivian,
+the Shop Girl; or Lord Lyndhurst's Lowly Love."
+
+A grinning, freckled face peered cautiously around the corner of the
+blacksmith's front fence. Then an overripe potato whizzed through the
+air and burst against the shop wall a few inches from the reader's head.
+Issy jumped.
+
+"You--you everlastin' young ones, you!" he shouted fiercely. "If I
+git my hands onto you, you'll wish you'd--I see you hidin' behind that
+fence."
+
+Two barefooted little figures danced provokingly in the roadway and two
+shrill voices chanted in derision:
+
+ "Is McKay--Is McKay--
+ Makes the Injuns run away!
+
+"Scalped anybody lately, Issy?"
+
+Alas for the indiscretions of youth! The tale of Issy's early expedition
+in search of scalps and glory was known from one end of Ostable County
+to the other. It had made him famous, in a way.
+
+"If I git a-holt of you kids, I'll bet there'll be some scalpin' done,"
+retorted the persecuted one, rising from the heap of cable.
+
+A second potato burst like a bombshell on the shingles behind him.
+McKay was a good general, in that he knew when it was wisest to retreat.
+Shoving the paper novel into his overalls pocket, he entered the shop.
+
+"What's the matter, Is?" inquired the grinning blacksmith. Most people
+grinned when they spoke to Issy. "Gittin' too hot outside there, was it?
+Why don't you tomahawk 'em and have 'em for supper?"
+
+"Humph!" grunted the offended quahauger. "Don't git gay now, Jake
+Larkin. You hurry up with that rake."
+
+"Oh, all right, Is. Don't sculp ME; I ain't done nothin'. What's the
+news over to East Harniss?"
+
+"Oh, I don't know. Not much. Sam Bartlett, he started for Boston this
+mornin'."
+
+"Who? Sam Bartlett? I want to know! Thought he was down for six weeks.
+You sure about that, Is?"
+
+"Course I'm sure. I was up to the depot and see him buy his ticket and
+git on the cars."
+
+"Did, hey? Humph! So Sam's gone. Gertie Higgins still over to her Aunt
+Hannah's at Trumet?"
+
+Issy looked at his questioner. "Why, yes," he said suspiciously.
+"I s'pose she's there. Fact, I know she is. Pat Starkey's doin' the
+telegraphin' while she's away. What made you ask that?"
+
+The blacksmith chuckled. "Oh, nothin'," he said. "How's her dad's
+dyspepsy? Had any more of them sudden attacks of his? I cal'late they'll
+take the old man off some of these days, won't they? I hear the doctor
+thinks there's more heart than stomach in them attacks."
+
+But the skipper of the Lady May was not to be put off thus. "What you
+drivin' at, Jake?" he demanded. "What's Sam Bartlett's goin' away got to
+do with Gertie Higgins?"
+
+In his eagerness he stepped to Mr. Larkin's side. The blacksmith caught
+sight of the novel in his customer's pocket. He snatched it forth.
+
+"What you readin' now, Is?" he demanded. "More blood and brimstone?
+'Vivy Ann, the Shop Girl!' Gee! Wow!"
+
+"You gimme that book, Jake Larkin! Gimme it now!"
+
+Fending the frantic quahauger off with one mighty arm, the blacksmith
+proceeded to read aloud:
+
+"'Darlin',' cried Lord Lyndhurst, strainin' the beautiful and blushin'
+maid to his manly bosom, 'you are mine at last. Mine! No--' Jerushy! a
+love story! Why, Issy! I didn't know you was in love. Who's the lucky
+girl? Send me an invite to your weddin', won't you?"
+
+Issy's face was a fiery red. He tore the precious volume from its
+desecrator's hand, losing the pictured cover in the struggle.
+
+"You--you pesky fool!" he shouted. "You mind your own business."
+
+The blacksmith roared in glee. "Oh, ho!" he cried. "Issy's in love and
+I never guessed it. Aw, say, Is, don't be mean! Who is she? Have you
+strained her to your manly bosom yit? What's her name?"
+
+"Shut up!" shrieked Issy, and strode out of the shop. His tormentor
+begged him not to "go off mad," and shouted sarcastic sympathy after
+him. But Mr. McKay heeded not. He stalked angrily along the sidewalk.
+Then espying just ahead of him the boys who had thrown the potatoes,
+he paused, turned, and walking down the carriageway at the side of the
+blacksmith's place of business, sat down upon a sawhorse under one of
+its rear windows. He could, at least, be alone here and think; and he
+wanted to think.
+
+For Issy--although he didn't look it--was deeply interested in another
+love story as well as that in his pocket. This one was printed upon
+his heart's pages, and in it he was the hero, while the heroine--the
+unsuspecting heroine--was Gertie Higgins, daughter of Beriah Higgins,
+once a fisherman, now the crotchety and dyspeptic proprietor of the
+"general store" and postmaster at East Harniss.
+
+This story began when Issy first acquired the Lady May. The Higgins home
+stood on the slope close to the boat landing, and when Issy came in from
+quahauging, Gertie was likely to be in the back yard, hanging out the
+clothes or watering the flower garden. Sometimes she spoke to him of her
+own accord, concerning the weather or other important topics. Once
+she even asked him if he were going to the Fourth of July ball at the
+town-hall. It took him until the next morning--like other warriors, Issy
+was cursed with shyness--to summon courage enough to ask her to go to
+the ball with him. Then he found it was too late; she was going with
+her cousin, Lennie Bloomer. But he felt that she had offered him the
+opportunity, and was happy and hopeful accordingly.
+
+This, however, was before she went to Boston to study telegraphy. When
+she returned, with a picture hat and a Boston accent, it was to preside
+at the telegraph instrument in the little room adjoining the post office
+at her father's store. When Issy bowed blushingly outside the window
+of the telegraph room, he received only the airiest of frigid nods. Was
+there what Lord Lyndhurst would have called "another"? It would seem
+not. Old Mr. Higgins, her father, encouraged no bows nor attentions from
+young men, and Gertie herself did not appear to desire them. So Issy
+gave up his tales of savage butchery for those of love and blisses,
+adored in silence, and hoped--always hoped.
+
+But why had the blacksmith seemed surprised at the departure of Sam
+Bartlett, the "dudey" vacationist from the city, whose father had, years
+ago, been Beriah Higgins's partner in the fish business? And why had he
+coupled the Bartlett name with that of Gertie, who had been visiting her
+father's maiden sister at Trumet, the village next below East Harniss,
+as Denboro is the next above it? Issy's suspicions were aroused, and he
+wondered.
+
+Suddenly he heard voices in the shop above him. The window was open and
+he heard them plainly.
+
+"Well! WELL!" It was the blacksmith who uttered the exclamation. "Why,
+Bartlett, how be you? What you doin' over here? Thought you'd gone back
+to Boston. I heard you had."
+
+Slowly, cautiously, the astonished quahauger rose from the sawhorse and
+peered over the window sill. There were two visitors in the shop. One
+was Ed Burns, proprietor of the Denboro Hotel and livery stable. The
+other was Sam Bartlett, the very same who had left East Harniss that
+morning, bound, ostensibly, for Boston. Issy sank back again and
+listened.
+
+"Yes, yes!" he heard Sam say impatiently; "I know, but--see here, Jake,
+where can I hire a horse in this God-forsaken town?"
+
+"Well, well, Sam!" continued Larkin. "I was just figurin' that Beriah
+had got the best of you after all, and you'd had to give it up for this
+time. Thinks I, it's too bad! Just because your dad and Beriah Higgins
+had such a deuce of a row when they bust up in the fish trade, it's a
+shame that he won't hark to your keepin' comp'ny with Gertie. And you
+doin' so well; makin' twenty dollars a week up to the city--Ed told me
+that--and--"
+
+"Yes, yes! But never mind that. Where can I get a horse? I've got to be
+in Trumet by eight to-night sure."
+
+"Trumet? Why, that's where Gertie is, ain't it?"
+
+"Look a-here, Jake," broke in the livery-stable keeper. "I'll tell you
+how 'tis. Oh, it's all right, Sam! Jake knows the most of it; I told
+him. He can keep his mouth shut, and he don't like old crank Higgins any
+better'n you and me do. Jake, Sam here and Gertie had fixed it up to run
+off and git married to-night. He was to pretend to start for Boston this
+mornin'. Bought a ticket and all, so's to throw Beriah off the scent.
+He was to get off the train here at Denboro and I was to let him have a
+horse 'n' buggy. Then, this afternoon, he was goin' to drive through the
+wood roads around to Trumet and be at the Baptist Church there at eight
+to-night sharp. Gertie's Aunt Hannah, she's had her orders, and bein' as
+big a crank as her brother, she don't let the girl out of her sight. But
+there's a fair at the church and Auntie's tendin' a table. Gertie, she
+steps out to the cloak room to git a handkerchief which she's forgot;
+see? And she hops into Sam's buggy and away they go to the minister's.
+After they're once hitched Old Dyspepsy can go to pot and see the kittle
+bile."
+
+"Bully! By gum, that's fine! Won't Beriah rip some, hey?"
+
+"Yes, but there's the dickens to pay. I've only got two horses in the
+stable to-day. The rest are let. And the two I've got--one's old Bill,
+and he couldn't go twenty mile to save his hide. And t'other's the gray
+mare, and blamed if she didn't git cast last night and use up her off
+hind leg so's she can't step. And Sam's GOT to have a horse. Where can I
+git one?"
+
+"Hum! Have you tried Haynes's?"
+
+"Yes, yes! And Lathrop's and Eldredge's. Can't git a team for love nor
+money."
+
+"Sho! And he can't go by train?"
+
+"What? With Beriah postmaster at East Harniss and always nosin' through
+every train that stops there? You can't fetch Trumet by train without
+stoppin' at East Harniss and--What was that?"
+
+"I don't know. What was it?"
+
+"Sounded like somethin' outside that back winder."
+
+The two ran to the window and looked out. All they saw was an overturned
+sawhorse and two or three hens scratching vigorously.
+
+"Guess 'twas the chickens, most likely," observed the blacksmith. Then,
+striking his blackened palms together, he exclaimed:
+
+"By time! I've thought of somethin'! Is McKay is in town to-day. Come
+over in the Lady May. She's a gasoline boat. Is would take Sam to Trumet
+for two or three dollars, I'll bet. And he's such a fool head that he
+wouldn't ask questions nor suspicion nothin'. 'Twould be faster'n a
+horse and enough sight less risky."
+
+And just then the "fool head," his brain whirling under its carroty
+thatch, was hurrying blindly up the main street, bound somewhere, he
+wasn't certain where.
+
+A mushy apple exploded between his shoulders, but he did not even turn
+around. So THIS was what the blacksmith meant! This was why Mr. Higgins
+watched his daughter so closely. This was why Gertie had been sent off
+to Trumet. She had met the Bartlett miscreant in Boston; they had been
+together there; had fallen in love and--He gritted his teeth and shook
+his fists almost in the face of old Deacon Pratt, who, knowing the
+McKay penchant for slaughter, had serious thoughts of sending for the
+constable.
+
+Beriah Higgins must be warned, of course, but how? To telegraph was
+to put Pat Starkey in possession of the secret, and Pat was too good a
+friend of Gertie's to be trusted. There was no telephone at the store.
+Issy entered the combination grocery store and post office.
+
+"Has the down mail closed yet?" he panted.
+
+The postmaster looked out of his little window.
+
+"Yes," he replied. "Why? Got a letter you want to go? Take it up to the
+depot. The train's due, but 'tain't here yit. If you run you can make
+it."
+
+Issy took a card from his pocket. It was the business card of the firm
+to whom he sold his quahaugs. On the back of the card he wrote in pencil
+as follows:
+
+"Mr. Beriah Higgins, your daughter Gertrude is going to meet Sam'l
+Bartlett at the Baptist Church in Trumet at 8 P.M. to-night and get
+married to him. LOOK OUT!!!"
+
+After an instant's consideration he signed it "A True Friend," this
+being in emulation of certain heroes of the Deadwood Dick variety. Then
+he put the card into an envelope and ran at top speed to the railway
+station. The train came in as he reached the platform. The baggage
+master was standing in the door of his car.
+
+"Here, mister!" panted Issy. "Jest hand this letter to Beriah Higgins
+when he takes the mail bag at East Harniss, won't you? It's mighty
+important. Don't forgit. Thanks."
+
+The train moved off. Issy stared after it, grinning malevolently.
+Higgins would get that note in ample time to send word to the watchful
+Aunt Hannah. When the unsuspecting eloper reached the Trumet church, it
+would be the aunt, not the niece, who awaited him. Still grinning, Mr.
+McKay walked off the platform, and into the arms of Ed Burns, the stable
+keeper, and Sam Bartlett, his loathed and favored rival.
+
+"Here he is!" shouted Burns. "Now we've got him."
+
+The foiler of the plot turned pale. Was his secret discovered? But no;
+his captors began talking eagerly, and gradually the sense of their
+pleadings became plain. They wanted him--HIM, of all people--to convey
+Bartlett to Trumet in the Lady May.
+
+"You see, it's a business meetin'," urged Burns. "Sam's got to be there
+by ha'f past seven or he'll--he won't win on the deal, will you, Sam?
+Say yes, Issy; that's a good feller. He'll give you--I don't know's he
+won't give you five dollars."
+
+"Ten," cried Bartlett. "And I'll never forget it, either. Will you, Is?"
+
+A mighty "No!" was trembling on Issy's tongue. But before it was uttered
+Burns spoke again.
+
+"McKay's got the best boat in these parts," he urged. "She's got a
+tiptop engine in her, and--"
+
+The word "engine" dropped into the whirlpool of Issy's thoughts with a
+familiar sound. In the chapter of "Vivian" that he had just finished,
+the beautiful shopgirl was imprisoned on board the yacht of the
+millionaire kidnaper, while the hero, in his own yacht, was miles
+astern. But the hero's faithful friend, disguised as a stoker, was
+tampering with the villain's engine. A vague idea began to form in
+Issy's brain. Once get the would-be eloper aboard the Lady May, and,
+even though the warning note should remain undelivered, he--
+
+Issy smiled, and the ghastliness of that smile was unnoticed by his
+companions.
+
+"I--I'll do it," he cried. "By mighty! I WILL do it. You be at the wharf
+here at four o'clock. I wouldn't do it for everybody, Sam Bartlett, but
+for you I'd do consider'ble, just now. And I don't want your ten dollars
+nuther."
+
+
+Doctoring an engine may be easy enough--in stories. But to doctor a
+gasoline engine so that it will run for a certain length of time and
+THEN break down is not so easy. Three o'clock came and the problem was
+still unsolved. Issy, the perspiration running down his face, stood
+up in the Lady May's cockpit and looked out across the bay, smooth and
+glassy in the afternoon sun.
+
+The sky overhead was clear and blue, but along the eastern and southern
+horizon was a gray bank of cloud, heaped in tumbled masses.
+
+A sunburned lobsterman in rubber boots and a sou'wester was smoking on
+the wharf.
+
+"What time you goin' to start for home, Is?" he asked.
+
+"Oh, in an hour or so," was the absent-minded reply.
+
+"Humph! You'd better cast off afore that or you'll be fog bound. It'll
+be thicker'n dock mud toward sundown, and you'll fetch up in Waptomac
+'stead of East Harniss, 'thout you've got a good compass."
+
+"Oh, my compass is all right," began Issy, and stopped short.
+The lobsterman made other attempts at conversation, but they were
+unproductive. McKay was gazing at the growing fog bank and thinking
+hard. To doctor an engine may be difficult, but to get lost in a fog--He
+took the compass from the glass-lidded binnacle by the wheel, and
+carrying it into the little cabin, placed it in the cuddy forward.
+
+It was nearer five than four when the Lady May, her engine barking
+aggressively, moved out of Denboro Harbor. Mr. Bartlett, the passenger,
+had been on time and had fumed and fretted at the delay. But Issy was
+deliberation itself. He had forgotten his quahaug rake, and the lapse
+of memory entailed a trip to the blacksmith's. Then the gasoline tank
+needed filling and the battery had to be overhauled.
+
+"Are you sure you can make it?" queried Sam anxiously. "It's important,
+I tell you. Mighty important."
+
+The skipper snorted in disgust. "Make it?" he repeated. "If the Lady May
+can't make fourteen mile in two hours--let alone two'n a ha'f--then I
+don't know her. She's one of them boats you read about, she is."
+
+The Cape makes a wide bend between Denboro and Trumet. The distance
+between these towns is twenty long, curved miles over the road; by water
+it is reduced to a straight fourteen. And midway between the two, at the
+center of the curve, is East Harniss.
+
+The Lady May coughed briskly on. There was no sea, and she sent long,
+widening ripples from each side of her bow. Bartlett, leaning over the
+rail, gazed impatiently ahead. Issy, sprawled on the bench by the wheel,
+was muttering to himself. Occasionally he glanced toward the east. The
+gray fog bank was now half way to the zenith and approaching rapidly.
+The eastern shore had disappeared.
+
+"Is! Hi, Is! What are you doing? Don't kill him before my eyes."
+
+Issy came out of his trance with a start.
+
+"What--what's that?" he asked. His passenger was grinning broadly.
+
+"What? Kill who?"
+
+"Why, the big chief, or whoever you had under your knee just then.
+You've been rolling your eyes and punching air with your fist for the
+last five minutes. I was getting scared. You're an unmerciful sinner
+when you get started, ain't you, Is? Who was the victim that time? 'Man
+Afraid of Hot Water'? or who?"
+
+The skipper scowled. He shoved the fist into his pocket.
+
+"Naw," he growled. "'Twa'n't."
+
+"So? Not an Indian? Then it must have been a white man. Some fellow
+after your girl, perhaps. Hey?"
+
+The disconcerted Issy was speechless. His companion's chance shot had
+scored a bull's-eye. Sam whooped.
+
+"That's it!" he crowed. "Sure thing! Give it to him, Is! Don't spare
+him."
+
+Mr. McKay chokingly admitted that he "wa'n't goin' to."
+
+"Ho, ho! That's the stuff! But who's SHE, Is? When are you going to
+marry her?"
+
+Issy grunted spitefully. "You ain't married yourself--not yit," he
+observed, with concealed sarcasm.
+
+The unsuspecting Bartlett laughed in triumph. "No," he said. "I'm not,
+that's a fact; but maybe I'm going to be some of these days. It looked
+pretty dubious for a while, but now it's all right."
+
+"'Tis, hey? You're sure about that, be you?"
+
+"Guess I am. Great Scott! what's that? Fog?"
+
+A damp breath blew across the boat. The clouds covered the sky overhead
+and the bay to port. The fog was pouring like smoke across the water.
+
+"Fog, by thunder!" exclaimed Bartlett.
+
+Issy smiled. "Hum! Yes, 'tis fog, ain't it?" he observed.
+
+"But what'll we do? It'll be here in a minute, won't it?"
+
+"Shouldn't be a mite surprised. Looks 's if twas here now."
+
+The fog came on. It reached the Lady May, passed over her, and shut her
+within gray, wet walls. It was impossible to see a length from her side.
+Sam swore emphatically. The skipper was provokingly calm. He stepped to
+the engine, bent over it, and then returned to the wheel.
+
+"What are you doing?" demanded Bartlett.
+
+"Slowin' down, of course. Can't run more'n ha'f speed in a fog like
+this. 'Tain't safe."
+
+"Safe! What do I care? I want to get to Trumet."
+
+"Yes? Well, maybe we'll git there if we have luck."
+
+"You idiot! We've GOT to get there. How can you tell which way to steer?
+Get your compass, man! get your compass!"
+
+"Ain't got no compass," was the sulky answer. "Left it to home."
+
+"Why, no, you didn't. I--"
+
+"I tell you I did. 'Twas careless of me, I know, but--"
+
+"But I say you didn't. When you went uptown after that quahaug rake I
+explored this craft of yours some. The compass is in that little closet
+at the end of the cabin. I'll get it."
+
+He rose to his feet. Issy sprang forward and seized him by the arm.
+
+"Set down!" he yelled. "Who's runnin' this boat, you or me?"
+
+The astounded passenger stared at his companion.
+
+"Why, you are," he replied. "But that's no reason--What's the matter
+with you, anyway? Have your dime novels driven you loony?"
+
+Issy hesitated. For a moment chagrin and rage at this sudden upset of
+his schemes had gotten the better of his prudence. But Bartlett was
+taller than he and broad in proportion. And valor--except of the
+imaginative brand--was not Issy's strong point.
+
+"There, there, Sam!" he explained, smiling crookedly. "You mustn't mind
+me. I'm sort of nervous, I guess. And you mustn't hop up and down in a
+boat that way. You set still and I'll fetch the compass."
+
+He stumbled across the cockpit and disappeared in the dusk of the cabin.
+Finding that compass took a long time. Sam lost patience.
+
+"What's the matter?" he demanded. "Can't you find it? Shall I come?"
+
+"No, no!" screamed Issy vehemently. "Stay where you be. Catch a-holt of
+that wheel. We'll be spinnin' circles if you don't. I'm a-comin'."
+
+But it was another five minutes before he emerged from the cabin,
+carrying the compass box very carefully with both hands. He placed it in
+the binnacle and closed the glass lid.
+
+"'Twas catched in a bluefish line," he explained. "All snarled up,
+'twas."
+
+Sam peered through the glass at the compass.
+
+"Thunder!" he exclaimed. "I should say we had spun around. Instead of
+north being off here where I thought it was, it's 'way out to the right.
+Queer how fog'll mix a fellow up. Trumet's about northeast, isn't it?"
+
+"No'theast by no'th's the course. Keep her just there."
+
+The Lady May, still at half speed, kept on through the mist. Time
+passed. The twilight, made darker still by the fog, deepened. They lit
+the lantern in order to see the compass card. Issy had the wheel now.
+Sam was forward, keeping a lookout and fretting at the delay.
+
+"It's seven o'clock already," he cried. "For Heaven's sake, how late
+will you be? I've got to be there by quarter of eight. D'you hear? I've
+GOT to."
+
+"Well, we're gittin' there. Can't expect to travel so fast with part of
+the power off. You'll be where you're goin' full as soon as you want to
+be, I cal'late."
+
+And he chuckled.
+
+Another half hour and, through the wet dimness, a light flashed,
+vanished, and flashed again. Issy saw it and smiled grimly. Bartlett saw
+it and shouted.
+
+"'What's that light?" he cried. "Did you see it? There it is, off
+there."
+
+"I see it. There's a light at Trumet Neck, ain't there?"
+
+"Humph! It's been years since I was there, but I thought Trumet light
+was steady. However--"
+
+"Ain't that the wharf ahead?"
+
+Sure enough, out of the dark loomed the bulk of a small wharf, with
+catboats at anchor near it. Higher up, somewhere on the shore, were the
+lighted windows of a building.
+
+"By thunder, we're here!" exclaimed Sam, and drew a long breath.
+
+Issy shut off the power altogether, and the Lady May slid easily up to
+the wharf. Feverishly her skipper made her fast.
+
+"Yes, sir!" he cried exultantly. "We're here. And no Black Rover nor
+anybody else ever done a better piece of steerin' than that, nuther."
+
+He clambered over the stringpiece, right at the heels of his impatient
+but grateful passenger. Sam's thanks were profuse and sincere.
+
+"I'll never forget it, Is," he declared. "I'll never forget it. And
+you'll have to let me pay you the--What makes you shake so?"
+
+Issy pulled his arm away and stepped back.
+
+"I'll never forget it, Is," continued Sam. "I--Why! What--?"
+
+He was standing at the shore end of the wharf, gazing up at the lighted
+windows. They were those of a dwelling house--an old-fashioned house
+with a back yard sloping down to the landing.
+
+And then Issy McKay leaned forward and spoke in his ear.
+
+"You bet you won't forgit it, Sam Bartlett!" he crowed, in trembling but
+delicious triumph. "You bet you won't! I've fixed you just the same as
+the Black Rover fixed the mutineers. Run off with my girl, will ye? And
+marry her, will ye? I--"
+
+Sam interrupted him. "Why! WHY!" he cried. "That's--that's Gertie's
+house! This isn't Trumet! IT'S EAST HARNISS!"
+
+The next moment he was seized from behind. The skipper's arms were
+around his waist and the skipper's thin legs twisted about his own. They
+fell together upon the sand and, as they rolled and struggled, Issy's
+yells rose loud and high.
+
+"Mr. Higgins!" he shrieked. "Mr. Higgins! Come on! I've got him! I've
+got the feller that's tryin' to steal your daughter! Come on! I've got
+him! I'm hangin' to him!"
+
+A door banged open. Some one rushed down the walk. And then a girl's
+voice cried in alarm:
+
+"What is it? Who is it? What IS the matter?"
+
+And from the bundle of legs and arms on the ground two voices exclaimed:
+"GERTIE!"
+
+"But where IS your father?" asked Sam. Issy asked nothing. He merely sat
+still and listened.
+
+"Why, he's at Trumet. At least I suppose he is. Mrs. Jones--she's gone
+to telephone to him now--says that he came home this morning with one
+of those dreadful 'attacks' of his. And after dinner he seemed so sick
+that, when she went for the doctor, she wired me at Auntie's to come
+home. I didn't want to come--you know why--but I COULDN'T let him die
+alone. And so I caught the three o'clock train and came. I knew you'd
+forgive me. But it seems that when Mrs. Jones came back with the doctor
+they found father up and dressed and storming like a crazy man. He had
+received some sort of a letter; he wouldn't say what. And, in spite of
+all they could do, he insisted on going out. And Cap'n Berry--the depot
+master--says he went to Trumet on the afternoon freight. We must have
+passed each other on the way. And I'm so--But why are you HERE? And what
+were you and Issy doing? And--"
+
+Her lover broke in eagerly. "Then you're alone now?" he asked.
+
+"Yes, but--"
+
+"Good! Your father can't get a train back from Trumet before to-morrow
+morning. I don't know what this letter was--but never mind. Perhaps
+friend McKay knows more about it. It may be that Mr. Higgins is waiting
+now outside the Baptist church. Gertie, now's our chance. You come with
+me right up to the minister's. He's a friend of mine. He understands.
+He'll marry us, I know. Come! We mustn't lose a minute. Your dad may
+take a notion to drive back."
+
+He led her off up the lane, she protesting, he urging. At the corner of
+the house he turned.
+
+"I say, Is!" he called. "Don't you want to come to the wedding? Seems
+to me we owe you that, considering all you've done to help it along. Or
+perhaps you want to stay and fix that compass of yours."
+
+Issy didn't answer. Some time after they had gone he arose from the
+ground and stumbled home. That night he put a paper novel into the
+stove. Next morning, before going to the depot, he removed an iron spike
+from the Lady May's compass box. The needle swung back to its proper
+position.
+
+
+
+
+CHAPTER XVIII
+
+THE MOUNTAIN AND MAHOMET
+
+
+The eleventh of July. The little Berry house stood high on its joists
+and rollers, in the middle of the Hill Boulevard, directly opposite
+the Edwards lot. Close behind it loomed the big "Colonial." Another
+twenty-four hours, and, even at its one-horse gait, the depot master's
+dwelling would be beyond the strip of Edwards fence. The "Colonial"
+would be ready to move on the lot, and Olive Edwards, the widow, would
+be obliged to leave her home. In fact, Mr. Williams had notified
+her that she and her few belongings must be off the premises by the
+afternoon of the twelfth.
+
+The great Williams was in high good-humor. He chuckled as he talked with
+his foreman, and the foreman chuckled in return. Simeon Phinney did
+not chuckle. He was anxious and worried, and even the news of Gertie
+Higgins's runaway marriage, brought to him by Obed Gott, who--having
+been so recently the victim of another unexpected matrimonial
+alliance--was wickedly happy over the postmaster's discomfiture, did not
+interest him greatly.
+
+"Well, I wonder who'll be the next couple," speculated Obed. "First
+Polena and old Hardee, then Gertie Higgins and Sam Bartlett! I declare,
+Sim, gettin' married unbeknownst to anybody must be catchin', like the
+measles. Nobody's safe unless they've got a wife or husband livin'. Me
+and Sol Berry are old baches--we'd better get vaccinated or WE may come
+down with the disease. Ho! ho!"
+
+After dinner Mr. Phinney went from his home to the depot. Captain Sol
+was sitting in the ticket office, with the door shut. On the platform,
+forlornly sprawled upon the baggage truck, was Issy McKay, the picture
+of desolation. He started nervously when he heard Simeon's step. As
+yet Issy's part in the Bartlett-Higgins episode was unknown to the
+townspeople. Sam and Gertie had considerately kept silence. Beriah had
+not learned who sent him the warning note, the unlucky missive which had
+brought his troubles to a climax. But he was bound to learn it, he would
+find out soon, and then--No wonder Issy groaned.
+
+"Come in here, Sim," said the depot master. Phinney entered the ticket
+office.
+
+"Shut the door," commanded the Captain. The order was obeyed. "Well,
+what is it?" asked Berry.
+
+"Why, I just run in to see you a minute, Sol, that's all. What are you
+shut up in here all alone for?"
+
+"'Cause I want to be alone. There's been more than a thousand folks in
+this depot so far to-day, seems so, and they all wanted to talk. I don't
+feel like talkin'."
+
+"Heard about Gertie Higgins and--"
+
+"Yes."
+
+"Who told you?"
+
+"Hiram Baker told me first. He's a fine feller and he's so tickled, now
+that his youngster's 'most well, that he cruises around spoutin' talk
+and joy same as a steamer's stack spouts cinders. He told me. Then Obed
+Gott and Cornelius Rowe and Redny Blount and Pat Starkey, and land knows
+how many more, came to tell me. I cut 'em short. Why, even the Major
+himself condescended to march in, grand and imposin' as a procession, to
+make proclamations about love laughin' at locksmiths, and so on. Since
+he got Polena and her bank account he's a bigger man than the President,
+in his own estimate."
+
+"Humph! Well, he better make the best of it while it lasts. P'lena ain't
+Hetty Green, and her money won't hold out forever."
+
+"That's a fact. Still Polena's got sense. She'll hold Hardee in check,
+I cal'late. I wouldn't wonder if it ended by her bossin' things and the
+Major actin' as a sort of pet poodle dog--nice and pretty to walk out
+with, but always kept at the end of a string."
+
+"You didn't go to Higgins's for dinner to-day, did you?"
+
+"No. Nor I shan't go for supper. Beriah's bad enough when he's got
+nothin' the matter with him but dyspepsy. Now that his sufferin's are
+complicated with elopements, I don't want to eat with him."
+
+"Come and have supper with us."
+
+"I guess not, thank you, Sim. I'll get some crackers and cheese and such
+at the store. I--I ain't very hungry these days."
+
+He turned his head and looked out of the window. Simeon fidgeted.
+
+"Sol," he said, after a pause, "we'll be past Olive's by to-morrer
+night."
+
+No answer. Sim repeated his remark.
+
+"I know it," was the short reply.
+
+"Yes--yes, I s'posed you did, but--"
+
+"Sim, don't bother me now. This is my last day here at the depot, and
+I've got things to do."
+
+"Your last day? Why, what--?"
+
+Captain Sol told briefly of his resignation and of the coming of the new
+depot master.
+
+"But you givin' up your job!" gasped Phinney. "YOU! Why, what for?"
+
+"For instance, I guess. I ain't dependent on the wages, and I'm sick of
+the whole thing."
+
+"But what'll you do?"
+
+"Don't know."
+
+"You--you won't leave town, will you? Lawsy mercy, I hope not!"
+
+"Don't know. Maybe I'll know better by and by. I've got to think things
+out. Run along now, like a good feller. Don't say nothin' about my
+quittin'. All hands'll know it to-morrow, and that's soon enough."
+
+Simeon departed, his brain in a whirl. Captain Solomon Berry no longer
+depot master! The world must be coming to an end.
+
+He remained at his work until supper time. During the meal he ate and
+said so little that his wife wondered and asked questions. To avoid
+answering them he hurried out. When he returned, about ten o'clock, he
+was a changed man. His eyes shone and he fairly danced with excitement.
+
+"Emeline!" he shouted, as he burst into the sitting room. "What do you
+think? I've got the everlastin'est news to tell!"
+
+"Good or bad?" asked the practical Mrs. Phinney.
+
+"Good! So good that--There! let me tell you. When I left here I went
+down to the store and hung around till the mail was sorted. Pat Starkey
+was doin' the sortin', Beriah bein' too upsot by Gertie's gettin'
+married to attend to anything. Pat called me to the mail window and
+handed me a letter.
+
+"'It's for Olive Edwards,' he says. 'She's been expectin' one for a
+consider'ble spell, she told me, and maybe this is it. P'r'aps you'd
+just as soon go round by her shop and leave it.'
+
+"I took the letter and looked at it. Up in one corner was the printed
+name of an Omaha firm. I never said nothin', but I sartinly hustled on
+my way up the hill.
+
+"Olive was in her little settin' room back of the shop. She was pretty
+pale, and her eyes looked as if she hadn't been doin' much sleepin'
+lately. Likewise I noticed--and it give me a queer feelin' inside--that
+her trunk was standin', partly packed, in the corner."
+
+"The poor woman!" exclaimed Mrs. Phinney.
+
+"Yes," went on her husband. "Well, I handed over the letter and started
+to go, but she told me to set down and rest, 'cause I was so out of
+breath. To tell you the truth, I was crazy to find out what was in that
+envelope and, being as she'd give me the excuse, I set.
+
+"She took the letter over to the lamp and looked at it for much as
+a minute, as if she was afraid to open it. But at last, and with her
+fingers shakin' like the palsy, she fetched a long breath and tore off
+the end of the envelope. It was a pretty long letter, and she read it
+through. I see her face gettin' whiter and whiter and, when she reached
+the bottom of the last page, the letter fell onto the floor. Down went
+her head on her arms, and she cried as if her heart would break. I never
+felt so sorry for anybody in my life.
+
+"'Don't, Mrs. Edwards,' I says. 'Please don't. That cousin of yours is
+a darn ungrateful scamp, and I'd like to have my claws on his neck this
+minute.'
+
+"She never even asked me how I knew about the cousin. She was too much
+upset for that.
+
+"'Oh! oh!' she sobs. 'What SHALL I do? Where shall I go? I haven't got a
+friend in the world!'
+
+"I couldn't stand that. I went acrost and laid my hand on her shoulder.
+
+"'Mrs. Edwards,' says I, 'you mustn't say that. You've got lots of
+friends. I'm your friend. Mr. Hilton's your friend. Yes, and there's
+another, the best friend of all. If it weren't for him, you'd have been
+turned out into the street long before this.'"
+
+Mrs. Phinney nodded. "I'm glad you told her!" she exclaimed. "She'd
+ought to know."
+
+"That's what I thought," said Simeon.
+
+"Well, she raised her head then and looked at me.
+
+"'You mean Mr. Williams?' she asks.
+
+"That riled me up. 'Williams nothin'!' says I. 'Williams let you stay
+here 'cause he could just as well as not. If he'd known that this other
+friend was keepin' him from gettin' here, just on your account, he'd
+have chucked you to glory, promise or no promise. But this friend, this
+real friend, he don't count cost, nor trouble, nor inconvenience. Hikes
+his house--the house he lives in--right out into the road, moves it to a
+place where he don't want to go, and--'
+
+"'Mr. Phinney,' she sighs out, 'what do you mean?'
+
+"And then I told her. She listened without sayin' a word, but her eyes
+kept gettin' brighter and brighter and she breathed short.
+
+"'Oh!' she says, when I'd finished. 'Did he--did he--do that for ME?'
+
+"'You bet!' says I. 'He didn't tell me what he was doin' it for--that
+ain't Sol's style; but I'm arithmetiker enough to put two and two
+together and make four. He did it for you, you can bet your last red on
+that.'
+
+"She stood up. 'Oh!' she breathes. 'I--I must go and thank him. I--'
+
+"But, knowin' Sol, I was afraid. Fust place, there was no tellin' how
+he'd act, and, besides, he might not take it kindly that I'd told her.
+
+"'Wait a jiffy,' I says. 'I'll go out and see if he's home. You stay
+here. I'll be back right off.'
+
+"Out I put, and over to the Berry house, standin' on its rollers in the
+middle of the Boulevard. And, just as I got to it, somebody says:
+
+"'Ahoy, Sim! What's the hurry? Anybody on fire?'
+
+"'Twas the Cap'n himself, settin' on a pile of movin' joist and smokin'
+as usual. I didn't waste no time.
+
+"'Sol,' says I, 'I've just come from Olive's. She's got that letter from
+the Omaha man. Poor thing! all alone there--'
+
+"He interrupted me sharp. 'Well?' he snaps. 'What's it say? Will the
+cousin help her?'
+
+"'No,' I says, 'drat him, he won't!'
+
+"The answer I got surprised me more'n anything I ever heard or ever will
+hear.
+
+"'Thank God!' says Sol Berry. 'That settles it.'
+
+"And I swan to man if he didn't climb down off them timbers and march
+straight across the street, over to the door of Olive Edwards's home,
+open it, and go in! I leaned against the joist he'd left, and swabbed my
+forehead with my sleeve."
+
+"He went to HER!" gasped Mrs. Phinney.
+
+"Wait," continued her husband. "I must have stood there twenty minutes
+when I heard somebody hurryin' down the Boulevard. 'Twas Cornelius Rowe,
+all red-faced and het up, but bu'stin' with news.
+
+"''Lo, Sim!' says he to me. 'Is Cap'n Sol home? Does he know?'
+
+"'Know? Know what?" says I.
+
+"'Why, the trick Mr. Williams put up on him? Hey? You ain't heard? Well,
+Mr. Williams's fixed him nice, HE has! Seems Abner Payne hadn't answered
+Sol's letter tellin' him he'd accept the offer to swap lots, and
+Williams went up to Wareham where Payne's been stayin' and offered him a
+thumpin' price for the land on Main Street, and took it. The deed's all
+made out. Cap'n Sol can't move where he was goin' to, and he's left with
+his house on the town, as you might say. Ain't it a joke, though? Where
+is Sol? I want to be the fust to tell him and see how he acts. Is he to
+home?'
+
+"I was shook pretty nigh to pieces, but I had some sense left.
+
+"'No, he ain't,' says I. 'I see him go up street a spell ago.'"
+
+"Why, Simeon!" interrupted Mrs. Phinney once more. "Was that true? How
+COULD you see him when--"
+
+"Be still! S'pose I was goin' to tell him where Sol HAD gone? I'd have
+lied myself blue fust. However, Cornelius was satisfied.
+
+"'That so?' he grunts. 'By jings! I'm goin' to find him.'
+
+"Off he went, and the next thing I knew the Edwards door opened, and
+I heard somebody callin' my name. I went acrost, walkin' in a kind of
+daze, and there, in the doorway, with the lamp shinin' on 'em, was Cap'n
+Sol and Olive. The tears was wet on her cheeks, but she was smilin' in
+a kind of shy, half-believin' sort of way, and as for Sol, he was one
+broad, satisfied grin.
+
+"'Cap'n,' I begun, 'I just heard the everlastin'est news that--'
+
+"'Shut up, Sim!' he orders, cheerful. 'You've been a mighty good friend
+to both of us, and I want you to be the fust to shake hands.'
+
+"'Shake hands?' I stammers, lookin' at 'em. 'WHAT? You don't mean--'
+
+"'I mean shake hands. Don't you want to?'
+
+"Want to! I give 'em both one more look, and then we shook, up to the
+elbows; and my grin had the Cap'n's beat holler.
+
+"'Sim,' he says, after I'd cackled a few minutes, 'I cal'late maybe that
+white horse is well by this time. P'r'aps we might move a little faster.
+I'm kind of anxious to get to Main Street.'
+
+"Then I remembered. 'Great gosh all fish-hooks!' I sings out. 'Main
+Street? Why, there AIN'T no Main Street!'
+
+"And I gives 'em Cornelius's news. The widow's smile faded out.
+
+"'Oh!' says she. 'O Solomon! And I got you into all this trouble!'
+
+"Cap'n Sol didn't stop grinnin', but he scratched his head. 'Huh!' says
+he. 'Mark one up for King Williams the Great. Humph!'
+
+"He thought for a minute and then he laughed out loud. 'Olive,' he says,
+'if I remember right, you and I always figgered to live on the Shore
+Road. It's the best site in town. Sim, I guess if that white horse IS
+well, you can move that shanty of mine right to Cross Street, down that,
+and back along the Shore Road to the place where it come from. THAT
+land's mine yet,' says he.
+
+"If that wa'n't him all over! I couldn't think what to say, except that
+folks would laugh some, I cal'lated.
+
+"'Not at us, they won't,' says he. 'We'll clear out till the laughin' is
+over. Olive, to-morrer mornin' we'll call on Parson Hilton and then take
+the ten o'clock train. I feel's if a trip to Washin'ton would be about
+right just now.'
+
+"She started and blushed and then looked up into his face. 'Solomon,'
+she says, low, 'I really would like to go to Niagara.'
+
+"He shook his head. 'Old lady,' says he, 'I guess you don't quite
+understand this thing. See here'--p'intin' to his house loomin' big and
+black in the roadway--'see! the mountain has come to Mahomet.'"
+
+Mrs. Phinney had heard enough. She sprang from her chair and seized her
+husband's hands.
+
+"Splendid!" she cried, her face beaming. "Oh, AIN'T it lovely! Ain't you
+glad for 'em, Simeon?"
+
+"Glad! Say, Emeline; there's some of that wild-cherry bounce down
+cellar, ain't there? Let's break our teetotalism for once and drink a
+glass to Cap'n and Mrs. Solomon Berry. Jerushy! I got to do SOMETHIN' to
+celebrate."
+
+
+On the Hill Boulevard the summer wind stirred the silverleaf poplars.
+The thick, black shadows along the sidewalks were heavy with the perfume
+of flowers. Captain Sol, ex-depot master of East Harniss, strolled on
+in the dark, under the stars, his hands in his pockets, and in his heart
+happiness complete and absolute.
+
+Behind him twinkled the lamp in the window of the Edwards house, so soon
+to be torn down. Before him, over the barberry hedge, blazed the windows
+of the mansion the owner of which was responsible for it all. The
+windows were open, and through them sounded the voices of the mighty
+Ogden Hapworth Williams and his wife, engaged in a lively altercation.
+It was an open secret that their married life was anything but peaceful.
+
+"What are you grumbling about now?" demanded 'Williams. "Don't I give
+you more money than--"
+
+"Nonsense!" sneered Mrs. Williams, in scornful derision. "Nonsense,
+I say! Money is all there is to you, Ogden. In other things, the real
+things of this world, those you can't buy with money, you're a perfect
+imbecile. You know nothing whatever about them."
+
+Captain Sol, alone on the walk by the hedge, glanced in the direction
+of the shrill voice, then back at the lamp in Olive's window. And he
+laughed aloud.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Depot Master, by Joseph C. Lincoln
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+Project Gutenberg (https://www.gutenberg.org) public repository for
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+ <head>
+ <title>
+ The Depot Master, by Joseph C. Lincoln
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
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+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
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+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
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+ margin: 0; padding: 0; position: absolute; right: 1%;
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+<pre xml:space="preserve">
+4The Project Gutenberg EBook of The Depot Master, by Joseph C. Lincoln
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Depot Master
+
+Author: Joseph C. Lincoln
+
+Release Date: May 16, 2006 [EBook #2307]
+Last Updated: March 5, 2019
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DEPOT MASTER ***
+
+
+
+
+Produced by Donald Lainson; David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <h1>
+ THE DEPOT MASTER
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By Joseph C. Lincoln
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br /> <a href="#link2H_4_0001"> <big><b>THE DEPOT MASTER</b></big> </a> -- <br /><br /><br />
+ <a href="#link2HCH0001"> CHAPTER I </a> -- AT THE DEPOT<br /><br /> <a href="#link2HCH0002">
+ CHAPTER II </a> -- SUPPLY AND DEMAND<br /><br /> <a href="#link2HCH0003"> CHAPTER III </a> -- “STINGY GABE”<br /><br />
+ <a href="#link2HCH0004"> CHAPTER IV </a> -- THE MAJOR<br /><br /> <a
+ href="#link2HCH0005"> CHAPTER V </a> -- A BABY AND A ROBBERY<br /><br /> <a href="#link2HCH0006">
+ CHAPTER VI </a> -- AVIATION AND AVARICE<br /><br /> <a href="#link2HCH0007"> CHAPTER VII </a> -- CAPTAIN SOL DECIDES TO MOVE<br /><br />
+ <a href="#link2HCH0008"> CHAPTER VIII </a> -- THE OBLIGATIONS OF A GENTLEMAN<br /><br /> <a
+ href="#link2HCH0009"> CHAPTER IX </a> -- THE WIDOW BASSETT<br /><br /> <a href="#link2HCH0010">
+ CHAPTER X </a> -- CAPTAIN JONADAB GOES<br /><br /> <a href="#link2HCH0011"> CHAPTER XI </a> -- IN THE GREAT METROPOLIS<br /><br />
+ <a href="#link2HCH0012"> CHAPTER XII </a> -- A VISION SENT<br /><br /> <a
+ href="#link2HCH0013"> CHAPTER XIII </a> -- DUSENBERRY'S BIRTHDAY<br /><br /> <a href="#link2HCH0014">
+ CHAPTER XIV </a> -- EFFIE'S FATE<br /><br /> <a href="#link2HCH0015"> CHAPTER XV </a> -- THE “HERO” AND THE COWBOY<br /><br />
+ <a href="#link2HCH0016"> CHAPTER XVI </a> -- THE CRUISE OF THE RED CAR<br /><br /> <a
+ href="#link2HCH0017"> CHAPTER XVII </a> -- ISSY'S REVENGE<br /><br /> <a href="#link2HCH0018">
+ CHAPTER XVIII </a> -- THE MOUNTAIN AND MAHOMET&nbsp;&nbsp;&nbsp;
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a> <br /> <br />
+ </p>
+ <h2>
+ THE DEPOT MASTER
+ </h2>
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I
+ </h2>
+ <h3>
+ AT THE DEPOT
+ </h3>
+ <p>
+ Mr. Simeon Phinney emerged from the side door of his residence and paused
+ a moment to light his pipe in the lee of the lilac bushes. Mr. Phinney was
+ a man of various and sundry occupations, and his sign, nailed to the big
+ silver-leaf in the front yard, enumerated a few of them. &ldquo;Carpenter, Well
+ Driver, Building Mover, Cranberry Bogs Seen to with Care and Dispatch,
+ etc., etc.,&rdquo; so read the sign. The house was situated in &ldquo;Phinney's Lane,&rdquo;
+ the crooked little byway off &ldquo;Cross Street,&rdquo; between the &ldquo;Shore Road&rdquo; at
+ the foot of the slope and the &ldquo;Hill Boulevard&rdquo;&mdash;formerly &ldquo;Higgins's
+ Roost&rdquo;&mdash;at the top. From the Phinney gate the view was extensive and,
+ for the most part, wet. The hill descended sharply, past the &ldquo;Shore Road,&rdquo;
+ over the barren fields and knolls covered with bayberry bushes and
+ &ldquo;poverty grass,&rdquo; to the yellow sand of the beach and the gray,
+ weather-beaten fish-houses scattered along it. Beyond was the bay, a
+ glimmer in the sunset light.
+ </p>
+ <p>
+ Mrs. Phinney, in the kitchen, was busy with the supper dishes. Her
+ husband, wheezing comfortably at his musical pipe, drew an ancient silver
+ watch from his pocket and looked at its dial. Quarter past six. Time to be
+ getting down to the depot and the post office. At least a dozen male
+ citizens of East Harniss were thinking that very thing at that very
+ moment. It was a community habit of long standing to see the train come in
+ and go after the mail. The facts that the train bore no passengers in whom
+ you were intimately interested, and that you expected no mail made little
+ difference. If you were a man of thirty or older, you went to the depot or
+ the &ldquo;club,&rdquo; just as your wife or sisters went to the sewing circle, for
+ sociability and mild excitement. If you were a single young man you went
+ to the post office for the same reason that you attended prayer meeting.
+ If you were a single young lady you went to the post office and prayer
+ meeting to furnish a reason for the young man.
+ </p>
+ <p>
+ Mr. Phinney, replacing his watch in his pocket, meandered to the sidewalk
+ and looked down the hill and along the length of the &ldquo;Shore Road.&rdquo; Beside
+ the latter highway stood a little house, painted a spotless white, its
+ window blinds a vivid green. In that house dwelt, and dwelt alone, Captain
+ Solomon Berry, Sim Phinney's particular friend. Captain Sol was the East
+ Harniss depot master and, from long acquaintance, Mr. Phinney knew that he
+ should be through supper and ready to return to the depot, by this time.
+ The pair usually walked thither together when the evening meal was over.
+ </p>
+ <p>
+ But, except for the smoke curling lazily from the kitchen chimney, there
+ was no sign of life about the Berry house. Either Captain Sol had already
+ gone, or he was not yet ready to go. So Mr. Phinney decided that waiting
+ was chancey, and set out alone.
+ </p>
+ <p>
+ He climbed Cross Street to where the &ldquo;Hill Boulevard,&rdquo; abiding place of
+ East Harniss's summer aristocracy, bisected it, and there, standing on the
+ corner, and consciously patronizing the spot where he so stood, was Mr.
+ Ogden Hapworth Williams, no less.
+ </p>
+ <p>
+ Mr. Williams was the village millionaire, patron, and, in a gentlemanly
+ way, &ldquo;boomer.&rdquo; His estate on the Boulevard was the finest in the county,
+ and he, more than any one else, was responsible for the &ldquo;buying up&rdquo; by
+ wealthy people from the city of the town's best building sites, the spots
+ commanding &ldquo;fine marine sea views,&rdquo; to quote from Abner Payne, local real
+ estate and insurance agent. His own estate was fine enough to be talked
+ about from one end of the Cape to the other and he had bought the empty
+ lot opposite and made it into a miniature park, with flower beds and
+ gravel walks, though no one but he or his might pick the flowers or tread
+ the walks. He had brought on a wealthy friend from New York and a cousin
+ from Chicago, and they, too, had bought acres on the Boulevard and erected
+ palatial &ldquo;cottages&rdquo; where once were the houses of country people. Local
+ cynics suggested that the sign on the East Harniss railroad station should
+ be changed to read &ldquo;Williamsburg.&rdquo; &ldquo;He owns the place, body and soul,&rdquo;
+ said they.
+ </p>
+ <p>
+ As Sim Phinney climbed the hill the magnate, pompous, portly, and
+ imposing, held up a signaling finger. &ldquo;Just as if he was hailin' a horse
+ car,&rdquo; described Simeon afterward.
+ </p>
+ <p>
+ &ldquo;Phinney,&rdquo; he said, &ldquo;come here, I want to speak to you.&rdquo;
+ </p>
+ <p>
+ The man of many trades obediently approached.
+ </p>
+ <p>
+ &ldquo;Good evenin', Mr. Williams,&rdquo; he ventured.
+ </p>
+ <p>
+ &ldquo;Phinney,&rdquo; went on the great man briskly, &ldquo;I want you to give me your
+ figures on a house moving deal. I have bought a house on the Shore Road,
+ the one that used to belong to the&mdash;er&mdash;Smalleys, I believe.&rdquo;
+ </p>
+ <p>
+ Simeon was surprised. &ldquo;What, the old Smalley house?&rdquo; he exclaimed. &ldquo;You
+ don't tell me!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it's a fine specimen&mdash;so my wife says&mdash;of the pure
+ Colonial, whatever that is, and I intend moving it to the Boulevard. I
+ want your figures for the job.&rdquo;
+ </p>
+ <p>
+ The building mover looked puzzled. &ldquo;To the Boulevard?&rdquo; he said. &ldquo;Why, I
+ didn't know there was a vacant lot on the Boulevard, Mr. Williams.&rdquo;
+ </p>
+ <p>
+ &ldquo;There isn't now, but there will be soon. I have got hold of the hundred
+ feet left from the old Seabury estate.&rdquo;
+ </p>
+ <p>
+ Mr. Phinney drew a long breath. &ldquo;Why!&rdquo; he stammered, &ldquo;that's where Olive
+ Edwards&mdash;her that was Olive Seabury&mdash;lives, ain't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; was the rather impatient answer. &ldquo;She has been living there. But
+ the place was mortgaged up to the handle and&mdash;ahem&mdash;the mortgage
+ is mine now.&rdquo;
+ </p>
+ <p>
+ For an instant Simeon did not reply. He was gazing, not up the Boulevard
+ in the direction of the &ldquo;Seabury place&rdquo; but across the slope of the hill
+ toward the home of Captain Sol Berry, the depot master. There was a
+ troubled look on his face.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; inquired Williams briskly, &ldquo;when can you give me the figures? They
+ must be low, mind. No country skin games, you understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hey?&rdquo; Phinney came out of his momentary trance. &ldquo;Yes, yes, Mr. Williams.
+ They'll be low enough. Times is kind of dull now and I'd like a movin' job
+ first-rate. I'll give 'em to you to-morrer. But&mdash;but Olive'll have to
+ move, won't she? And where's she goin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;She'll have to move, sure. And the eyesore on that lot now will come
+ down.&rdquo;
+ </p>
+ <p>
+ The &ldquo;eyesore&rdquo; was the four room building, combined dwelling and shop of
+ Mrs. Olive Edwards, widow of &ldquo;Bill Edwards,&rdquo; once a promising young man,
+ later town drunkard and ne'er-do-well, dead these five years, luckily for
+ himself and luckier&mdash;in a way&mdash;for the wife who had stuck by him
+ while he wasted her inheritance in a losing battle with John Barleycorn.
+ At his death the fine old Seabury place had dwindled to a lone hundred
+ feet of land, the little house, and a mortgage on both. Olive had opened a
+ &ldquo;notion store&rdquo; in her front parlor and had fought on, proudly refusing aid
+ and trying to earn a living. She had failed. Again Phinney stared
+ thoughtfully at the distant house of Captain Sol.
+ </p>
+ <p>
+ &ldquo;But Olive,&rdquo; he said, slowly. &ldquo;She ain't got no folks, has she? What'll
+ become of her? Where'll she move to?&rdquo;
+ </p>
+ <p>
+ &ldquo;That,&rdquo; said Mr. Williams, with a wave of a fat hand, &ldquo;is not my business.
+ I am sorry for her, if she's hard up. But I can't be responsible if men
+ will drink up their wives' money. Look out for number one; that's
+ business. I sha'n't be unreasonable with her. She can stay where she is
+ until the new house I've bought is moved to that lot. Then she must clear
+ out. I've told her that. She knows all about it. Well, good-by, Phinney. I
+ shall expect your bid to-morrow. And, mind, don't try to get the best of
+ me, because you can't do it.&rdquo;
+ </p>
+ <p>
+ He turned and strutted back up the Boulevard. Sim Phinney, pondering
+ deeply and very grave, continued on his way, down Cross Street to Main&mdash;naming
+ the village roads was another of the Williams' &ldquo;improvements&rdquo;&mdash;and
+ along that to the crossing, East Harniss's business and social center at
+ train times.
+ </p>
+ <p>
+ The station&mdash;everyone called it &ldquo;deepo,&rdquo; of course&mdash;was then a
+ small red building, old and out of date, but scrupulously neat because of
+ Captain Berry's rigid surveillance. Close beside it was the &ldquo;Boston
+ Grocery, Dry Goods and General Store,&rdquo; Mr. Beriah Higgins, proprietor.
+ Beriah was postmaster and the post office was in his store. The male
+ citizen of middle age or over, seeking opportunity for companionship and
+ chat, usually went first to the depot, sat about in the waiting room until
+ the train came in, superintended that function, then sojourned to the post
+ office until the mail was sorted, returning later, if he happened to be a
+ particular friend of the depot master, to sit and smoke and yarn until
+ Captain Sol announced that it was time to &ldquo;turn in.&rdquo;
+ </p>
+ <p>
+ When Mr. Phinney entered the little waiting room he found it already
+ tenanted. Captain Sol had not yet arrived, but official authority was
+ represented by &ldquo;Issy&rdquo; McKay&mdash;his full name was Issachar Ulysses Grant
+ McKay&mdash;a long-legged, freckled-faced, tow-headed youth of twenty,
+ who, as usual, was sprawled along the settee by the wall, engrossed in a
+ paper covered dime novel. &ldquo;Issy&rdquo; was a lover of certain kinds of
+ literature and reveled in lurid fiction. As a youngster he had, at the age
+ of thirteen, after a course of reading in the &ldquo;Deadwood Dick Library,&rdquo;
+ started on a pedestrian journey to the Far West, where, being armed with
+ home-made tomahawk and scalping knife, he contemplated extermination of
+ the noble red man. A wrathful pursuing parent had collared the
+ exterminator at the Bayport station, to the huge delight of East Harniss,
+ young and old. Since this adventure Issy had been famous, in a way.
+ </p>
+ <p>
+ He was Captain Sol Berry's assistant at the depot. Why an assistant was
+ needed was a much discussed question. Why Captain Sol, a retired seafaring
+ man with money in the bank, should care to be depot master at ten dollars
+ a week was another. The Captain himself said he took the place because he
+ wanted to do something that was &ldquo;half way between a loaf and a job.&rdquo; He
+ employed an assistant at his own expense because he &ldquo;might want to stretch
+ the loafin' half.&rdquo; And he hired Issy because&mdash;well, because &ldquo;most
+ folks in East Harniss are alike and you can always tell about what they'll
+ say or do. Now Issy's different. The Lord only knows what HE'S likely to
+ do, and that makes him interestin' as a conundrum, to guess at. He kind of
+ keeps my sense of responsibility from gettin' mossy, Issy does.&rdquo;
+ </p>
+ <p>
+ &ldquo;Issy,&rdquo; hailed Mr. Phinney, &ldquo;has the Cap'n got here yet?&rdquo;
+ </p>
+ <p>
+ Issy answered not. The villainous floorwalker had just proffered matrimony
+ or summary discharge to &ldquo;Flora, the Beautiful Shop Girl,&rdquo; and pending her
+ answer, the McKay mind had no room for trifles.
+ </p>
+ <p>
+ &ldquo;Issy!&rdquo; shouted Simeon. &ldquo;I say, Is', Wake up, you foolhead! Has Cap'n Sol&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he ain't, Sim,&rdquo; volunteered Ed Crocker. He and his chum, Cornelius
+ Rowe, were seated in two of the waiting room chairs, their feet on two
+ others. &ldquo;He ain't got here yet. We was just talkin' about him. You've
+ heard about Olive Edwards, I s'pose likely, ain't you?&rdquo;
+ </p>
+ <p>
+ Phinney nodded gloomily.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, &ldquo;I've heard.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it's too bad,&rdquo; continued Crocker. &ldquo;But, after all, it's Olive's own
+ fault. She'd ought to have married Sol Berry when she had the chance. What
+ she ever gave him the go-by for, after the years they was keepin' comp'ny,
+ is more'n I can understand.&rdquo;
+ </p>
+ <p>
+ Cornelius Rowe shook his head, with an air of wisdom. Captain Sol,
+ himself, remarked once: &ldquo;I wonder sometimes the Almighty ain't jealous of
+ Cornelius, he knows so much and is so responsible for the runnin' of all
+ creation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted Mr. Rowe. &ldquo;There's more to that business than you folks
+ think. Olive didn't notice Bill Edwards till Sol went off to sea and
+ stayed two years and over. How do you know she shook Sol? You might just
+ as well say he shook her. He always was stubborn as an off ox and cranky
+ as a windlass. I wonder how he feels now, when she's lost her last red and
+ is goin' to be drove out of house and home. And all on account of that
+ fool 'mountain and Mahomet' business.&rdquo;
+ </p>
+ <p>
+ &ldquo;WHICH?&rdquo; asked Mr. Crocker.
+ </p>
+ <p>
+ &ldquo;Never mind that, Cornelius,&rdquo; put in Phinney, sharply. &ldquo;Why don't you let
+ other folks' affairs alone? That was a secret that Olive told your sister
+ and you've got no right to go blabbin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Aw, hush up, Sim! I ain't tellin' no secrets to anybody but Ed here, and
+ he ain't lived in East Harniss long or he'd know it already. The mountain
+ and Mahomet? Why, them was the last words Sol and Olive had. 'Twas Sol's
+ stubbornness that was most to blame. That was his one bad fault. He would
+ have his own way and he wouldn't change. Olive had set her heart on goin'
+ to Washin'ton for their weddin' tower. Sol wanted to go to Niagara. They
+ argued a long time, and finally Olive says, 'No, Solomon, I'm not goin' to
+ give in this time. I have all the others, but it's not fair and it's not
+ right, and no married life can be happy where one does all the
+ sacrificin'. If you care for me you'll do as I want now.'
+ </p>
+ <p>
+ &ldquo;And he laughs and says, 'All right, I'll sacrifice after this, but you
+ and me must see Niagara.' And she was sot and he was sotter, and at last
+ they quarreled. He marches out of the door and says: 'Very good. When
+ you're ready to be sensible and change your mind, you can come to me. And
+ says Olive, pretty white but firm: 'No, Solomon, I'm right and you're not.
+ I'm afraid this time the mountain must come to Mahomet.' That ended it. He
+ went away and never come back, and after a long spell she give in to her
+ dad and married Bill Edwards. Foolish? 'Well, now, WA'N'T it!&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted Crocker. &ldquo;She must have been a born gump to let a smart
+ man like him get away just for that.&rdquo;
+ </p>
+ <p>
+ &ldquo;There's a good many born gumps not so far from here as her house,&rdquo;
+ interjected Phinney. &ldquo;You remember that next time you look in the glass,
+ Ed Crocker. And&mdash;and&mdash;well, there's no better friend of Sol
+ Berry's on earth than I am, but, so fur as their quarrel was concerned, if
+ you ask me I'd have to say Olive was pretty nigh right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Maybe&mdash;maybe,&rdquo; declared the allwise Cornelius, &ldquo;but just the same if
+ I was Sol Berry, and knew my old girl was likely to go to the poorhouse,
+ I'll bet my conscience&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;S-ssh!&rdquo; hissed Crocker, frantically. Cornelius stopped in the middle of
+ his sentence, whirled in his chair, and looked up. Behind him in the
+ doorway of the station stood Captain Sol himself. The blue cap he always
+ wore was set back on his head, a cigar tipped upward from the corner of
+ his mouth, and there was a grim look in his eye and about the smooth
+ shaven lips above the short, grayish-brown beard.
+ </p>
+ <p>
+ &ldquo;Issy&rdquo; sprang from his settee and jammed the paper novel into his pocket.
+ Ed Crocker's sunburned face turned redder yet. Sim Phinney grinned at Mr.
+ Rowe, who was very much embarrassed.
+ </p>
+ <p>
+ &ldquo;Er&mdash;er&mdash;evenin', Cap'n Sol,&rdquo; he stammered. &ldquo;Nice, seasonable
+ weather, ain't it? Been a nice day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Um,&rdquo; grunted the depot master, knocking the ashes from his cigar.
+ </p>
+ <p>
+ &ldquo;Just right for workin' outdoor,&rdquo; continued Cornelius.
+ </p>
+ <p>
+ &ldquo;I guess it must be. I saw your wife rakin' the yard this mornin'.&rdquo;
+ </p>
+ <p>
+ Phinney doubled up with a chuckle. Mr. Rowe swallowed hard. &ldquo;I&mdash;I
+ TOLD her I'd rake it myself soon's I got time,&rdquo; he sputtered.
+ </p>
+ <p>
+ &ldquo;Um. Well, I s'pose she realized your time was precious. Evenin', Sim,
+ glad to see you.&rdquo;
+ </p>
+ <p>
+ He held out his hand and Phinney grasped it.
+ </p>
+ <p>
+ &ldquo;Issy,&rdquo; said Captain Sol, &ldquo;you'd better get busy with the broom, hadn't
+ you. It's standin' over in that corner and I wouldn't wonder if it needed
+ exercise. Sim, the train ain't due for twenty minutes yet. That gives us
+ at least three quarters of an hour afore it gets here. Come outside a
+ spell. I want to talk to you.&rdquo;
+ </p>
+ <p>
+ He led the way to the platform, around the corner of the station, and
+ seated himself on the baggage truck. That side of the building, being
+ furthest from the street, was out of view from the post office and
+ &ldquo;general store.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was it you wanted to talk about, Sol?&rdquo; asked Simeon, sitting down
+ beside his friend on the truck.
+ </p>
+ <p>
+ The Captain smoked in silence for a moment. Then he asked a question in
+ return.
+ </p>
+ <p>
+ &ldquo;Sim,&rdquo; he said, &ldquo;have you heard anything about Williams buying the Smalley
+ house? Is it true?&rdquo;
+ </p>
+ <p>
+ Phinney nodded. &ldquo;Yup,&rdquo; he answered, &ldquo;it's true. Williams was just talkin'
+ to me and I know all about his buyin' it and where it's goin'.&rdquo;
+ </p>
+ <p>
+ He repeated the conversation with the great man. Captain Sol did not
+ interrupt. He smoked on, and a frown gathered and deepened as he listened.
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; he said, when his friend had concluded. &ldquo;Humph! Sim, do you have
+ any idea what&mdash;what Olive Seabury will do when she has to go?&rdquo;
+ </p>
+ <p>
+ Phinney glanced at him. It was the first time in twenty years that he had
+ heard Solomon Berry mention the name of his former sweetheart. And even
+ now he did not call her by her married name, the name of her late husband.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied Simeon. &ldquo;No, Sol, I ain't got the least idea. Poor thing!&rdquo;
+ </p>
+ <p>
+ Another interval. Then: &ldquo;Well, Sim, find out if you can, and let me know.
+ And,&rdquo; turning his head and speaking quietly but firmly, &ldquo;don't let anybody
+ ELSE know I asked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Course I won't, Sol, you know that. But don't it seem awful mean turnin'
+ her out so? I wouldn't think Mr. Williams would do such a thing.&rdquo;
+ </p>
+ <p>
+ His companion smiled grimly; &ldquo;I would,&rdquo; he said. &ldquo;'Business is business,'
+ that's his motto. That and 'Look out for number one.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, he said somethin' to me about lookin' out for number one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he? Humph!&rdquo; The Captain's smile lost a little of its bitterness and
+ broadened. He seemed to be thinking and to find amusement in the process.
+ </p>
+ <p>
+ &ldquo;What you grinnin' at?&rdquo; demanded Phinney.
+ </p>
+ <p>
+ &ldquo;Oh, I was just rememberin' how he looked out for number one the first&mdash;no,
+ the second time I met him. I don't believe he's forgot it. Maybe that's
+ why he ain't quite so high and mighty to me as he is to the rest of you
+ fellers. Ha! ha! He tried to patronize me when I first came back here and
+ took this depot and I just smiled and asked him what the market price of
+ johnny-cake was these days. He got red clear up to the brim of his tall
+ hat. Humph! 'TWAS funny.&rdquo;
+ </p>
+ <p>
+ &ldquo;The market price of JOHNNY-CAKE! He must have thought you was loony.&rdquo;
+ </p>
+ <p>
+ &ldquo;No. I'm the last man he'd think was loony. You see I met him a fore he
+ came here to live at all.&rdquo;
+ </p>
+ <p>
+ &ldquo;You did? Where?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, over to Wellmouth. 'Twas the year afore I come back to East Harniss,
+ myself, after my long stretch away from it. I never intended to see the
+ Cape again, but I couldn't stay away somehow. I've told you that much&mdash;how
+ I went over to Wellmouth and boarded a spell, got sick of that, and, just
+ to be doin' somethin' and not for the money, bought a catboat and took out
+ sailin' parties from Wixon and Wingate's summer hotel.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you met Mr. Williams? Well, I snum! Was he at the hotel?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not exactly. I met him sort of casual this second time.&rdquo;
+ </p>
+ <p>
+ &ldquo;SECOND time? Had you met him afore that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't get ahead of the yarn, Sim. It happened this way: You see, I was
+ comin' along the road between East Wellmouth and the Center when I run
+ afoul of him. He was fat and shiny, and drivin' a skittish horse hitched
+ to a fancy buggy. When he sighted me he hove to and hailed.
+ </p>
+ <p>
+ &ldquo;'Here you!' says he, in a voice as fat as the rest of him. 'Your name's
+ Berry, ain't it.'
+ </p>
+ <p>
+ &ldquo;'Yup,' says I.
+ </p>
+ <p>
+ &ldquo;'Methusalum Berry or Jehoshaphat Berry or Sheba Berry, or somethin' like
+ that? Hey?' he says.
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'the last shot you fired comes nighest the bull's eye.
+ They christened me Solomon, but 'twa'n't my fault; I was young at the time
+ and they took advantage.'
+ </p>
+ <p>
+ &ldquo;He grinned a kind of lopsided grin, like he had a lemon in his mouth, and
+ commenced to cuss the horse for tryin' to climb a pine tree.
+ </p>
+ <p>
+ &ldquo;'I knew 'twas some Bible outrage or other,' he says. 'There's more Bible
+ names in this forsaken sand heap than there is Christians, a good sight.
+ When I meet a man with a Bible name and chin whiskers I hang on to my
+ watch. The feller that sets out to do me has got to have a better make up
+ than that, you bet your life. 'Well, see here, King Sol; can you run a
+ gasoline launch?'
+ </p>
+ <p>
+ &ldquo;'Why, yes, I guess I can run 'most any of the everyday kinds,' says I,
+ pullin' thoughtful at my own chin whiskers. This fat man had got me
+ interested. He was so polite and folksy in his remarks. Didn't seem to
+ stand on no ceremony, as you might say. Likewise there was a kind of
+ familiar somethin' about his face. I knew mighty well I'd never met him
+ afore, and yet I seemed to have a floatin' memory of him, same as a chap
+ remembers the taste of the senna and salts his ma made him take when he
+ was little.
+ </p>
+ <p>
+ &ldquo;'All right,' says he, sharp. 'Then you come around to my landin'
+ to-morrer mornin' at eight o'clock prompt and take me out in my launch to
+ the cod-fishin' grounds. I'll give you ten dollars to take me out there
+ and back.'
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'ten dollars is a good price enough. Do I furnish&mdash;'
+ </p>
+ <p>
+ &ldquo;'You furnish nothin' except your grub,' he interrupts. 'The launch'll be
+ ready and the lines and hooks and bait'll be ready. My own man was to do
+ the job, but he and I had a heart-to-heart talk just now and I told him
+ where he could go and go quick. No smart Alec gets the best of me, even if
+ he has got a month's contract. You run that launch and put me on the
+ fishin' grounds. I pay you for that and bringin' me back again. And I
+ furnish my own extras and you can furnish yours. I don't want any of your
+ Yankee bargainin'. See?'
+ </p>
+ <p>
+ &ldquo;I saw. There wa'n't no real reason why I couldn't take the job. 'Twas
+ well along into September; the hotel was closed for the season; and about
+ all I had on my hands just then was time.
+ </p>
+ <p>
+ &ldquo;'All right,' says I, 'it's a deal. If you'll guarantee to have your
+ launch ready, I&mdash;'
+ </p>
+ <p>
+ &ldquo;'That's my business,' he says. 'It'll be ready. If it ain't you'll get
+ your pay just the same. To-morrer mornin' at eight o'clock. And don't you
+ forget and be late. Gid-dap, you blackguard!' says he to the horse.
+ </p>
+ <p>
+ &ldquo;'Hold on, just a minute,' I hollers, runnin' after him. 'I don't want to
+ be curious nor nosey, you understand, but seems 's if it might help me to
+ be on time if I knew where your launch was goin' to be and what your name
+ was.'
+ </p>
+ <p>
+ &ldquo;He pulled up then. 'Humph!' he says, 'if you don't know my name and more
+ about my private affairs than I do myself, you're the only one in this
+ county that don't. My name's Williams, and I live in what you folks call
+ the Lathrop place over here toward Trumet. The launch is at my landin'
+ down in front of the house.'
+ </p>
+ <p>
+ &ldquo;He drove off then and I walked along thinkin'. I knew who he was now, of
+ course. There was consider'ble talk when the Lathrop place was rented, and
+ I gathered that the feller who hired it answered to the hail of Williams
+ and was a retired banker, sufferin' from an enlarged income and the
+ diseases that go along with it. He lived alone up there in the big house,
+ except for a cranky housekeeper and two or three servants. This was afore
+ he got married, Sim; his wife's tamed him a little. Then the yarns about
+ his temper and language would have filled a log book.
+ </p>
+ <p>
+ &ldquo;But all this was way to one side of the mark-buoy, so fur as I was
+ concerned. I'd cruised with cranks afore and I thought I could stand this
+ one&mdash;ten dollars' worth of him, anyhow. Bluster and big talk may
+ scare some folks, but to me they're like Aunt Hepsy Parker's false teeth,
+ the further off you be from 'em the more real they look. So the next
+ mornin' I was up bright and early and on my way over to the Lathrop
+ landin'.
+ </p>
+ <p>
+ &ldquo;The launch was there, made fast alongside the little wharf. Nice,
+ slick-lookin' craft she was, too, all varnish and gilt gorgeousness. I'd
+ liked her better if she'd carried a sail, for it's my experience that
+ canvas is a handy thing to have aboard in case of need; but she looked
+ seaworthy enough and built for speed.
+ </p>
+ <p>
+ &ldquo;While I was standin' on the pier lookin' down at her I heard footsteps
+ and brisk remarks from behind the bushes on the bank, and here comes
+ Williams, puffin' and blowin', followed by a sulky-lookin' hired man
+ totin' a deckload of sweaters and ileskins, with a lunch basket on top.
+ Williams himself wan't carryin' anything but his temper, but he hadn't
+ forgot none of that.
+ </p>
+ <p>
+ &ldquo;'Hello, Berry,' says he to me. 'You are on time, ain't you. Blessed if it
+ ain't a comfort to find somebody who'll do what I tell 'em. Now you,' he
+ says to the servant, 'put them things aboard and clear out as quick as
+ you've a mind to. You and I are through; understand? Don't let me find you
+ hangin' around the place when I get back. Cast off, Sol.'
+ </p>
+ <p>
+ &ldquo;The man dumped the dunnage into the launch, pretty average ugly, and me
+ and the boss climbed aboard. I cast off.
+ </p>
+ <p>
+ &ldquo;'Mr. Williams,' says the man, kind of pleadin', 'ain't you goin' to pay
+ me the rest of my month's wages?'
+ </p>
+ <p>
+ &ldquo;Williams told him he wa'n't, and added trimmin's to make it emphatic.
+ </p>
+ <p>
+ &ldquo;I started the engine and we moved out at a good clip. All at once that
+ hired man runs to the end of the wharf and calls after us.
+ </p>
+ <p>
+ &ldquo;'All right for you, you fat-head!' he yells. 'You'll be sorry for what
+ you done to me.'
+ </p>
+ <p>
+ &ldquo;I cal'late the boss would have liked to go back and lick him, but I was
+ hired to go a-fishin', not to watch a one-sided prize fight, and I thought
+ 'twas high time we started.
+ </p>
+ <p>
+ &ldquo;The name of that launch was the Shootin' Star, and she certainly lived up
+ to it. 'Twas one of them slick, greasy days, with no sea worth mentionin'
+ and we biled along fine. We had to, because the cod ledge is a good many
+ mile away, 'round Sandy P'int out to sea, and, judgin' by what I'd seen of
+ Fatty so fur, I wa'n't hankerin' to spend more time with him than was
+ necessary. More'n that, there was fog signs showin'.
+ </p>
+ <p>
+ &ldquo;'When was you figgerin' on gettin' back, Mr. Williams?' I asked him.
+ </p>
+ <p>
+ &ldquo;'When I've caught as many fish as I want to,' he says. 'I told that
+ housekeeper of mine that I'd be back when I got good and ready; it might
+ be to-night and it might be ten days from now. &ldquo;If I ain't back in a week
+ you can hunt me up,&rdquo; I told her; &ldquo;but not before. And that goes.&rdquo; I've got
+ HER trained all right. She knows me. It's a pity if a man can't be
+ independent of females.'
+ </p>
+ <p>
+ &ldquo;I knew consider'ble many men that was subjects for pity, 'cordin' to that
+ rule. But I wa'n't in for no week's cruise, and I told him so. He said of
+ course not; we'd be home that evenin'.
+ </p>
+ <p>
+ &ldquo;The Shootin' Star kept slippin' along. 'Twas a beautiful mornin' and,
+ after a spell, it had its effect, even on a crippled disposition like that
+ banker man's. He lit up a cigar and begun to get more sociable, in his
+ way. Commenced to ask me questions about myself.
+ </p>
+ <p>
+ &ldquo;By and by he says: 'Berry, I suppose you figger that it's a smart thing
+ to get ten dollars out of me for a trip like this, hey?'
+ </p>
+ <p>
+ &ldquo;'Not if it's to last a week, I don't,' says I.
+ </p>
+ <p>
+ &ldquo;'It's your lookout if it does,' he says prompt. 'You get ten for takin'
+ me out and back. If you ain't back on time 'tain't my fault.'
+ </p>
+ <p>
+ &ldquo;'Unless this craft breaks down,' I says.
+ </p>
+ <p>
+ &ldquo;''Twon't break down. I looked after that. My motto is to look out for
+ number one every time, and it's a mighty good motto. At any rate, it's
+ made my money for me.'
+ </p>
+ <p>
+ &ldquo;He went on, preachin' about business shrewdness and how it paid, and how
+ mean and tricky in little deals we Rubes was, and yet we didn't appreciate
+ how to manage big things, till I got kind of sick of it.
+ </p>
+ <p>
+ &ldquo;'Look here, Mr. Williams,' says I, 'you know how I make my money&mdash;what
+ little I do make&mdash;or you say you do. Now, if it ain't a sassy
+ question, how did you make yours?'
+ </p>
+ <p>
+ &ldquo;Well, he made his by bein' shrewd and careful and always lookin' out for
+ number one. 'Number one' was his hobby. I gathered that the heft of his
+ spare change had come from dickers in stocks and bonds.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Well, speakin' of tricks and meanness, I've allers
+ heard tell that there was some of them things hitched to the tail of the
+ stock market. What makes the stock market price of&mdash;well, of wheat,
+ we'll say?'
+ </p>
+ <p>
+ &ldquo;That was regulated, so he said, by the law of supply and demand. If a
+ feller had all the wheat there was and another chap had to have some or
+ starve, why, the first one had a right to gouge t'other chap's last cent
+ away from him afore he let it go.
+ </p>
+ <p>
+ &ldquo;'That's legitimate,' he says. 'That's cornerin' the market. Law of supply
+ and demand exemplified.'
+ </p>
+ <p>
+ &ldquo;''Cordin' to that law,' says I, 'when you was so set on fishin' to-day
+ and hunted me up to run your boat here&mdash;'cause I was about the only
+ chap who could run it and wa'n't otherwise busy&mdash;I'd ought to have
+ charged you twenty dollars instead of ten.'
+ </p>
+ <p>
+ &ldquo;'Sure you had,' he says, grinnin'. 'But you weren't shrewd enough to
+ grasp the situation and do it. Now the deal's closed and it's too late.'
+ </p>
+ <p>
+ &ldquo;He went on talkin' about 'pools' and deals' and such. How prices of this
+ stock and that was shoved up a-purpose till a lot of folks had put their
+ money in it and then was smashed flat so's all hands but the 'poolers'
+ would be what he called 'squeezed out,' and the gang would get their cash.
+ That was legitimate, too&mdash;'high finance,' he said.
+ </p>
+ <p>
+ &ldquo;'But how about the poor folks that had their savin's in them stocks,' I
+ asks, 'and don't know high financin'? Where's the law of supply and demand
+ come in for them?'
+ </p>
+ <p>
+ &ldquo;He laughed. 'They supply the suckers and the demand for money,' says he.
+ </p>
+ <p>
+ &ldquo;By eleven we was well out toward the fishin' grounds. 'Twas the bad
+ season now; the big fish had struck off still further and there wa'n't
+ another boat in sight. The land was just a yeller and green smooch along
+ the sky line and the waves was runnin' bigger. The Shootin' Star was
+ seaworthy, though, and I wa'n't worried about her. The only thing that
+ troubled me was the fog, and that was pilin' up to wind'ard. I'd called
+ Fatty's attention to it when we fust started, but he said he didn't care a
+ red for fog. Well, I didn't much care nuther, for we had a compass aboard
+ and the engine was runnin' fine. What wind there was was blowin' offshore.
+ </p>
+ <p>
+ &ldquo;And then, all to once, the engine STOPPED runnin'. I give the wheel a
+ whirl, but she only coughed, consumptive-like, and quit again. I went
+ for'ard to inspect, and, if you'll believe it, there wa'n't a drop of
+ gasoline left in the tank. The spare cans had ought to have been full, and
+ they was&mdash;but 'twas water they was filled with.
+ </p>
+ <p>
+ &ldquo;'Is THIS the way you have your boat ready for me?' I remarks, sarcastic.
+ </p>
+ <p>
+ &ldquo;'That&mdash;that man of mine told me he had everything filled,' he
+ stammers, lookin' scart.
+ </p>
+ <p>
+ &ldquo;'Yes,' says I, 'and I heard him hint likewise that he was goin' to make
+ you sorry. I guess he's done it.'
+ </p>
+ <p>
+ &ldquo;Well, sir! the brimstone names that Fatty called that man was somethin'
+ surprisin' to hear. When he'd used up all he had in stock he invented new
+ ones. When the praise service was over he turns to me and says: 'But what
+ are we goin' to do?'
+ </p>
+ <p>
+ &ldquo;'Do?' says I. 'That's easy. We're goin' to drift.'
+ </p>
+ <p>
+ &ldquo;And that's what we done. I tried to anchor, but we wa'n't over the ledge
+ and the iron wouldn't reach bottom by a mile, more or less. I rigged up a
+ sail out of the oar and the canvas spray shield, but there wa'n't wind
+ enough to give us steerageway. So we drifted and drifted, out to sea. And
+ by and by the fog come down and shut us in, and that fixed what little
+ hope I had of bein' seen by the life patrol on shore.
+ </p>
+ <p>
+ &ldquo;The breeze died out flat about three o'clock. In one way this was a good
+ thing. In another it wa'n't, because we was well out in deep water, and
+ when the wind did come it was likely to come harder'n we needed. However,
+ there wa'n't nothin' to do but wait and hope for the best, as the feller
+ said when his wife's mother was sick.
+ </p>
+ <p>
+ &ldquo;It was gettin' pretty well along toward the edge of the evenin' when I
+ smelt the wind a-comin'. It came in puffs at fust, and every puff was
+ healthier than the one previous. Inside of ten minutes it was blowin'
+ hard, and the seas were beginnin' to kick up. I got up my jury rig&mdash;the
+ oar and the spray shield&mdash;and took the helm. There wa'n't nothin' to
+ do but run afore it, and the land knows where we would fetch up. At any
+ rate, if the compass was right, we was drivin' back into the bay again,
+ for the wind had hauled clear around.
+ </p>
+ <p>
+ &ldquo;The Shootin' Star jumped and sloshed. Fatty had on all the ileskins and
+ sweaters, but he was shakin' like a custard pie.
+ </p>
+ <p>
+ &ldquo;'Oh, oh, heavens!' he chatters. 'What will we do? Will we drown?'
+ </p>
+ <p>
+ &ldquo;'Don't know,' says I, tuggin' at the wheel and tryin' to sight the
+ compass. 'You've got the best chance of the two of us, if it's true that
+ fat floats.'
+ </p>
+ <p>
+ &ldquo;I thought that might cheer him up some, but it didn't. A big wave heeled
+ us over then and a keg or two of salt water poured over the gunwale. He
+ give a yell and jumped up.
+ </p>
+ <p>
+ &ldquo;'My Lord!' he screams. 'We're sinkin'. Help! help!'
+ </p>
+ <p>
+ &ldquo;'Set down!' I roared. 'Thought you knew how to act in a boat. Set down!
+ d'you hear me? SET DOWN AND SET STILL!'
+ </p>
+ <p>
+ &ldquo;He set. Likewise he shivered and groaned. It got darker all the time and
+ the wind freshened every minute. I expected to see that jury mast go by
+ the board at any time. Lucky for us it held.
+ </p>
+ <p>
+ &ldquo;No use tellin' about the next couple of hours. 'Cordin' to my reckonin'
+ they was years and we'd ought to have sailed plumb through the broadside
+ of the Cape, and be makin' a quick run for Africy. But at last we got into
+ smoother water, and then, right acrost our bows, showed up a white strip.
+ The fog had pretty well blowed clear and I could see it.
+ </p>
+ <p>
+ &ldquo;'Land, ho!' I yells. 'Stand by! WE'RE goin' to bump.'&rdquo;
+ </p>
+ <p>
+ Captain Sol stopped short and listened. Mr. Phinney grasped his arm.
+ </p>
+ <p>
+ &ldquo;For the dear land sakes, Sol,&rdquo; he exclaimed, &ldquo;don't leave me hangin' in
+ them breakers no longer'n you can help! Heave ahead! DID you bump?&rdquo;
+ </p>
+ <p>
+ The depot master chuckled.
+ </p>
+ <p>
+ &ldquo;DID we?&rdquo; he repeated. &ldquo;Well, I'll tell you that by and by. Here comes the
+ train and I better take charge of the ship. Anything so responsible as
+ seein' the cars come in without me to help would give Issy the jumpin'
+ heart disease.&rdquo;
+ </p>
+ <p>
+ He sprang from the truck and hastened toward the door of the station.
+ Phinney, rising to follow him, saw, over the dark green of the swamp
+ cedars at the head of the track, an advancing column of smoke. A whistle
+ sounded. The train was coming in.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II
+ </h2>
+ <h3>
+ SUPPLY AND DEMAND
+ </h3>
+ <p>
+ And now life in East Harniss became temporarily fevered. Issy McKay dashed
+ out of the station and rushed importantly up and down the platform. Ed
+ Crocker and Cornelius Rowe emerged and draped themselves in statuesque
+ attitudes against the side of the building. Obed Gott came hurrying from
+ his paint and oil shop, which was next to the &ldquo;general store.&rdquo; Mr.
+ Higgins, proprietor of the latter, sauntered easily across to receive, in
+ his official capacity as postmaster, the mail bag. Ten or more citizens,
+ of both sexes, and of various ages, gathered in groups to inspect and
+ supervise.
+ </p>
+ <p>
+ The locomotive pulled its string of cars, a &ldquo;baggage,&rdquo; a &ldquo;smoker,&rdquo; and two
+ &ldquo;passengers,&rdquo; alongside the platform. The sliding door of the baggage car
+ was pushed back and the baggage master appeared in the opening. &ldquo;Hi!
+ Cap'n!&rdquo; he shouted. &ldquo;Hi, Cap'n Sol! Here's some express for you.&rdquo;
+ </p>
+ <p>
+ But unfortunately the Captain was in conversation with the conductor at
+ the other end of the train. Issy, willing and officious, sprang forward.
+ &ldquo;I'll take it, Bill,&rdquo; he volunteered. &ldquo;Here, give it to me.&rdquo;
+ </p>
+ <p>
+ The baggage master handed down the package, a good sized one marked
+ &ldquo;Glass. With Care.&rdquo; Issy received it, clutched it to his bosom, turned and
+ saw Gertie Higgins, pretty daughter of Beriah Higgins, stepping from the
+ first car to the platform. Gertie had been staying with an aunt in Trumet
+ and was now returning home for a day or two.
+ </p>
+ <p>
+ Issy stopped short and gazed at her. He saw her meet and kiss her father,
+ and the sight roused turbulent emotions in his bosom. He saw her nod and
+ smile at acquaintances whom she passed. She approached, noticed him, and&mdash;oh,
+ rapture!&mdash;said laughingly, &ldquo;Hello, Is.&rdquo; Before he could recover his
+ senses and remember to do more than grin she had disappeared around the
+ corner of the station. Therefore he did not see the young man who stepped
+ forward to shake her hand and whisper in her ear. This young man was Sam
+ Bartlett, and, as a &ldquo;city dude,&rdquo; Issy loathed and hated him.
+ </p>
+ <p>
+ No, Issy did not see the hurried and brief meeting between Bartlett and
+ Gertie Higgins, but he had seen enough to cause forgetfulness of mundane
+ things. For an instant he stared after the vanished vision. Then he
+ stepped blindly forward, tripped over something&mdash;&ldquo;his off hind leg,&rdquo;
+ so Captain Sol afterwards vowed&mdash;and fell sprawling, the express
+ package beneath him.
+ </p>
+ <p>
+ The crash of glass reached the ears of the depot master. He broke away
+ from the conductor and ran toward his prostrate &ldquo;assistant.&rdquo; Pushing aside
+ the delighted and uproarious bystanders, he forcibly helped the young man
+ to rise.
+ </p>
+ <p>
+ &ldquo;What in time?&rdquo; he demanded.
+ </p>
+ <p>
+ Issy agonizingly held the package to his ear and shook it.
+ </p>
+ <p>
+ &ldquo;I&mdash;I'm afraid somethin's cracked,&rdquo; he faltered.
+ </p>
+ <p>
+ The crowd set up a whoop. Ed Crocker appeared to be in danger of
+ strangling.
+ </p>
+ <p>
+ &ldquo;Cracked!&rdquo; repeated Captain Sol. &ldquo;Cracked!&rdquo; he smiled, in spite of
+ himself. &ldquo;Yes, somethin's cracked. It's that head of yours, Issy. Here,
+ let's see!&rdquo;
+ </p>
+ <p>
+ He snatched the package from the McKay hands and inspected it.
+ </p>
+ <p>
+ &ldquo;Smashed to thunder!&rdquo; he declared. &ldquo;Who's the lucky one it belongs to?
+ Humph!&rdquo; He read the inscription aloud, &ldquo;Major Cuthbertson S. Hardee. The
+ Major, hey! . . . Well, Is, you take the remains inside and you and I'll
+ hold services over it later.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I didn't go to do it,&rdquo; protested the frightened Issy.
+ </p>
+ <p>
+ &ldquo;Course you didn't. If you had you wouldn't. You're like the feller in
+ Scriptur', you leave undone the things you ought to do and do them that&mdash;All
+ right, Jim! Let her go! Cast off!&rdquo;
+ </p>
+ <p>
+ The conductor waved his hand, the engine puffed, the bell rang, and the
+ train moved onward. For another twelve hours East Harniss was left
+ marooned by the outside world.
+ </p>
+ <p>
+ Beriah Higgins and the mail bag were already in the post office. Thither
+ went the crowd to await the sorting and ultimate distribution. A short,
+ fat little man lingered and, walking up to the depot master, extended his
+ hand.
+ </p>
+ <p>
+ &ldquo;Hello, Sol!&rdquo; he said, smiling. &ldquo;Thought I'd stop long enough to say
+ 'Howdy,' anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, Bailey Stitt!&rdquo; cried the Captain. &ldquo;How are you? Glad to see you.
+ Thought you was down to South Orham, takin' out seasick parties for the
+ Ocean House, same kind of a job I used to have in Wellmouth.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am,&rdquo; replied Captain Stitt. &ldquo;That is, I was. Just now I've run over
+ here to see about contractin' for a supply of clams and quahaugs for our
+ boarders. You never see such a gang to eat as them summer folks, in your
+ life. Barzilla Wingate, he says the same about his crowd. He's comin' on
+ the mornin' train from Wellmouth.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don't tell me. I ain't seen Barzilla for a long spell. Where you
+ stoppin'? Come up to the house, won't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Can't. I'm goin' to put up over to Obed Gott's. His sister, Polena Ginn,
+ is a relation of mine by marriage. So long! Obed's gone on ahead to tell
+ Polena to put the kettle on. Maybe Obed and I'll be back again after I've
+ had supper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do. I'll be round here for two or three hours yet.&rdquo;
+ </p>
+ <p>
+ He entered the depot. Except the forlorn Issy, who sat in a corner,
+ holding the express package in his lap, Simeon Phinney was the only person
+ in the waiting room.
+ </p>
+ <p>
+ &ldquo;Come on now, Sol!&rdquo; pleaded Sim. &ldquo;I want to hear the rest of that about
+ you and Williams. You left off in the most ticklish place possible, out of
+ spite, I do believe. I'm hangin' on to that boat in the breakers until I
+ declare I believe I'm catchin' cold just from imagination.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wait a minute, Sim,&rdquo; said the depot master. Then he turned to his
+ assistant.
+ </p>
+ <p>
+ &ldquo;Issy,&rdquo; he said, &ldquo;this is about the nineteenth time you've done just this
+ sort of thing. You're no earthly use and I ought to give you your
+ clearance papers. But I can't, you're too&mdash;well&mdash;ornamental.
+ You've got to be punished somehow and I guess the best way will be to send
+ you right up to Major Hardee's and let you give him the remnants. He'll
+ want to know how it happened, and you tell him the truth. The TRUTH,
+ understand? If you invent any fairy tales out of those novels of yours
+ I'll know it by and by and&mdash;well, YOU'LL know I know. No remarks,
+ please. Git!&rdquo;
+ </p>
+ <p>
+ Issy hesitated, seemed about to speak, thought better of it, took up
+ package and cap, and &ldquo;got.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let's see,&rdquo; said the Captain, sitting down in one of the station chairs
+ and lighting a fresh cigar; &ldquo;where was Williams and I in that yarn of
+ mine? Oh, yes, I could see land and cal'lated we was goin' to bump. Well,
+ we did. Steerin' anyways but dead ahead was out of the question, and all I
+ could do was set my teeth and trust in my bein' a member of the church.
+ The Shootin' Star hit that beach like she was the real article. Overboard
+ went oar and canvas and grub pails, and everything else that wa'n't nailed
+ down, includin' Fatty and me. I grabbed him by the collar and wallowed
+ ashore.
+ </p>
+ <p>
+ &ldquo;'Awk! hawk!' he gasps, chokin', 'I'm drownded.'
+ </p>
+ <p>
+ &ldquo;I let him BE drownded, for the minute. I had the launch to think of, and
+ somehow or 'nother I got hold of her rodin' and hauled the anchor up above
+ tide mark. Then I attended to my passenger.
+ </p>
+ <p>
+ &ldquo;'Where are we?' he asks.
+ </p>
+ <p>
+ &ldquo;I looked around. Close by was nothin' but beach-grass and seaweed and
+ sand. A little ways off was a clump of scrub pines and bayberry bushes
+ that looked sort of familiar. And back of them was a little board shanty
+ that looked more familiar still. I rubbed the salt out of my eyes.
+ </p>
+ <p>
+ &ldquo;'WELL!' says I. 'I swan to man!'
+ </p>
+ <p>
+ &ldquo;'What is it?' he says. 'Do you know where we are? Whose house is that?'
+ </p>
+ <p>
+ &ldquo;I looked hard at the shanty.
+ </p>
+ <p>
+ &ldquo;'Humph!' I grunted. 'I do declare! Talk about a feller's comin' back to
+ his own. Whose shanty is that? Well, it's mine, if you want to know. The
+ power that looks out for the lame and the lazy has hove us ashore on
+ Woodchuck Island, and that's a piece of real estate I own.'
+ </p>
+ <p>
+ &ldquo;It sounds crazy enough, that's a fact; but it was true. Woodchuck Island
+ is a little mite of a sand heap off in the bay, two mile from shore and
+ ten from the nighest town. I'd bought it and put up a shanty for a gunnin'
+ shack; took city gunners down there, once in a while, the fall before.
+ That summer I'd leased it to a friend of mine, name of Darius Baker, who
+ used it while he was lobsterin'. The gale had driven us straight in from
+ sea, 'way past Sandy P'int and on to the island. 'Twas like hittin' a nail
+ head in a board fence, but we'd done it. Shows what Providence can do when
+ it sets out.
+ </p>
+ <p>
+ &ldquo;I explained some of this to Williams as we waded through the sand to the
+ shanty.
+ </p>
+ <p>
+ &ldquo;'But is this Baker chap here now?' he asks.
+ </p>
+ <p>
+ &ldquo;'I'm afraid not,' says I. 'The lobster season's about over, and he was
+ goin' South on a yacht this week. Still, he wa'n't to go till Saturday and
+ perhaps&mdash;'
+ </p>
+ <p>
+ &ldquo;But the shanty was empty when we got there. I fumbled around in the tin
+ matchbox and lit the kerosene lamp in the bracket on the wall. Then I
+ turned to Williams.
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'we're lucky for once in&mdash;'
+ </p>
+ <p>
+ &ldquo;Then I stopped. When he went overboard the water had washed off his hat.
+ Likewise it had washed off his long black hair&mdash;which was a wig&mdash;and
+ his head was all round and shiny and bald, like a gull's egg out in a rain
+ storm.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew he wore a wig,&rdquo; interrupted Phinney.
+ </p>
+ <p>
+ &ldquo;Of course you do. Everybody does now. But he wa'n't such a prophet in
+ Israel then as he's come to be since, and folks wa'n't acquainted with his
+ personal beauties.
+ </p>
+ <p>
+ &ldquo;'What are you starin' at?' he asks.
+ </p>
+ <p>
+ &ldquo;I fetched a long breath. 'Nothin',' says I. 'Nothin'.'
+ </p>
+ <p>
+ &ldquo;But for the rest of that next ha'f hour I went around in a kind of daze,
+ as if MY wig had gone and part of my head with it. When a feller has been
+ doin' a puzzle it kind of satisfies him to find out the answer. And I'd
+ done my puzzle.
+ </p>
+ <p>
+ &ldquo;I knew where I'd met Mr. Williams afore.&rdquo;
+ </p>
+ <p>
+ &ldquo;You did?&rdquo; cried Simeon.
+ </p>
+ <p>
+ &ldquo;Um-hm. Wait a while. Well, Fatty went to bed, in one of the hay bunks,
+ pretty soon after that. He stripped to his underclothes and turned in
+ under the patchwork comforters. He was too beat out to want any supper,
+ even if there'd been any in sight. I built a fire in the rusty cook stove
+ and dried his duds and mine. Then I set down in the busted chair and begun
+ to think. After a spell I got up and took account of stock, as you might
+ say, of the eatables in the shanty. Darius had carted off his own grub and
+ what there was on hand was mine, left over from the gunnin' season&mdash;a
+ hunk of salt pork in the pickle tub, some corn meal in a tin pail, some
+ musty white flour in another pail, a little coffee, a little sugar and
+ salt, and a can of condensed milk. I took these things out of the locker
+ they was in, looked 'em over, put 'em back again and sprung the padlock.
+ Then I put the key into my pocket and went back to my chair to do some
+ more thinkin'.
+ </p>
+ <p>
+ &ldquo;Next mornin' I was up early and when the banker turned out I was fryin' a
+ couple of slices of the pork and had some coffee b'ilin'. Likewise there
+ was a pan of johnnycake in the oven. The wind had gone down consider'ble,
+ but 'twas foggy and thick again, which was a pleasin' state of things for
+ yours truly.
+ </p>
+ <p>
+ &ldquo;Williams smelt the cookin' almost afore he got his eyes open.
+ </p>
+ <p>
+ &ldquo;'Hurry up with that breakfast,' he says to me. 'I'm hungry as a wolf.'
+ </p>
+ <p>
+ &ldquo;I didn't say nothin' then; just went ahead with my cookin'. He got into
+ his clothes and went outdoor. Pretty soon he comes back, cussin' the
+ weather.
+ </p>
+ <p>
+ &ldquo;'See here, Mr. Williams,' says I, 'how about them orders to your
+ housekeeper? Are they straight? Won't she have you hunted up for a week?'
+ </p>
+ <p>
+ &ldquo;He colored pretty red, but from what he said I made out that she
+ wouldn't. I gathered that him and the old lady wa'n't real chummy. She
+ give him his grub and her services, and he give her the Old Harry and her
+ wages. She wouldn't hunt for him, not until she was ordered to. She'd be
+ only too glad to have him out of the way.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Then I cal'late we'll enjoy the scenery on this garden
+ spot of creation until the week's up.'
+ </p>
+ <p>
+ &ldquo;'What do you mean?' says he.
+ </p>
+ <p>
+ &ldquo;'Well,' I says, 'the launch is out of commission, unless it should rain
+ gasoline, and at this time of year there ain't likely to be a boat within
+ hailin' distance of this island; 'specially if the weather holds bad.'
+ </p>
+ <p>
+ &ldquo;He swore a blue streak, payin' partic'lar attention to the housekeeper
+ for her general stupidness and to me because I'd got him, so he said, into
+ this scrape. I didn't say nothin'; set the table, with one plate and one
+ cup and sasser and knife and fork, hauled up a chair and set down to my
+ breakfast. He hauled up a box and set down, too.
+ </p>
+ <p>
+ &ldquo;'Pass me that corn bread,' says he. 'And why didn't you fry more pork?'
+ </p>
+ <p>
+ &ldquo;He was reachin' out for the johnnycake, but I pulled it out of his way.
+ </p>
+ <p>
+ &ldquo;'Wait a minute, Mr. Williams,' says I. 'While you was snoozin' last night
+ I made out a kind of manifest of the vittles aboard this shanty. 'Cordin'
+ to my figgerin' here's scursely enough to last one husky man a week, let
+ along two husky ones. I paid consider'ble attention to your preachin'
+ yesterday and the text seemed to be to look out for number one. Now in
+ this case I'm the one and I've got to look out for myself. This is my
+ shanty, my island, and my grub. So please keep your hands off that
+ johnnycake.'
+ </p>
+ <p>
+ &ldquo;For a minute or so he set still and stared at me. Didn't seem to sense
+ the situation, as you might say. Then the red biled up in his face and
+ over his bald head like a Fundy tide.
+ </p>
+ <p>
+ &ldquo;'Why, you dummed villain!' he shouts. 'Do you mean to starve me?'
+ </p>
+ <p>
+ &ldquo;'You won't starve in a week,' says I, helpin' myself to pork. 'A feller
+ named Tanner, that I read about years ago, lived for forty days on cold
+ water and nothin' else. There's the pump right over in the corner. It's my
+ pump, but I'll stretch a p'int and not charge for it this time.'
+ </p>
+ <p>
+ &ldquo;'You&mdash;you&mdash;' he stammers, shakin' all over, he was so mad.
+ 'Didn't I hire you&mdash;'
+ </p>
+ <p>
+ &ldquo;'You hired me to take you out to the fishin' grounds and back, provided
+ the launch was made ready by YOU. It wa'n't ready, so THAT contract's
+ busted. And you was to furnish your extrys and I was to furnish mine. Here
+ they be and I need 'em. It's as legitimate a deal as ever I see; perfect
+ case of supply and demand&mdash;supply for one and demand for two. As I
+ said afore, I'm the one.'
+ </p>
+ <p>
+ &ldquo;'By thunder!' he growls, standin' up, 'I'll show you&mdash;'
+ </p>
+ <p>
+ &ldquo;I stood up, too. He was fat and flabby and I was thin and wiry. We looked
+ each other over.
+ </p>
+ <p>
+ &ldquo;'I wouldn't,' says I. 'You're under the doctor's care, you know.'
+ </p>
+ <p>
+ &ldquo;So he set down again, not havin' strength even to swear, and watched me
+ eat my breakfast. And I ate it slow.
+ </p>
+ <p>
+ &ldquo;'Say,' he says, finally, 'you think you're mighty smart, don't you. Well,
+ I'm It, I guess, for this time. I suppose you'll have no objection to
+ SELLIN' me a breakfast?'
+ </p>
+ <p>
+ &ldquo;'No&mdash;o,' says I, 'not a mite of objection. I'll sell you a couple of
+ slices of pork for five dollars a slice and&mdash;'
+ </p>
+ <p>
+ &ldquo;'FIVE DOLLARS a&mdash;!' His mouth dropped open like a main hatch.
+ </p>
+ <p>
+ &ldquo;'Sartin,' I says. 'And two slabs of johnnycake at five dollars a slab.
+ And a cup of coffee at five dollars a cup. And&mdash;'
+ </p>
+ <p>
+ &ldquo;'You're crazy!' he sputters, jumpin' up.
+ </p>
+ <p>
+ &ldquo;'Not much, I ain't. I've been settin' at your feet larnin' high finance,
+ that's all. You don't seem to be onto the real inwardness of this deal.
+ I've got the grub market cornered, that's all. The market price of
+ necessaries is five dollars each now; it's likely to rise at any time, but
+ now it's five.'
+ </p>
+ <p>
+ &ldquo;He looked at me steady for at least two more minutes. Then he got up and
+ banged out of that shanty. A little later I see him down at the end of the
+ sand spit starin' out into the fog; lookin' for a sail, I presume likely.
+ </p>
+ <p>
+ &ldquo;I finished my breakfast and washed up the dishes. He come in by and by.
+ He hadn't had no dinner nor supper, you see, and the salt air gives most
+ folks an almighty appetite.
+ </p>
+ <p>
+ &ldquo;'Say,' he says, 'I've been thinkin'. It's usual in the stock and
+ provision market to deal on a margin. Suppose I pay you a one per cent
+ margin now and&mdash;'
+ </p>
+ <p>
+ &ldquo;'All right,' says I, cheerful. 'Then I'll give you a slip of paper sayin'
+ that you've bought such and such slices of pork and hunks of johnnycake
+ and I'm carryin' 'em for you on a margin. Of course there ain't no
+ delivery of the goods now because&mdash;'
+ </p>
+ <p>
+ &ldquo;'Humph!' he interrupts, sour. 'You seem to know more'n I thought you did.
+ Now are you goin' to be decent and make me a fair price or ain't you?'
+ </p>
+ <p>
+ &ldquo;'Can't sell under the latest quotations,' says I. 'That's five now; and
+ spot cash.'
+ </p>
+ <p>
+ &ldquo;'But hang it all!' he says, 'I haven't got money enough with me. Think I
+ carry a national bank around in my clothes?'
+ </p>
+ <p>
+ &ldquo;'You carry a Wellmouth Bank check book,' says I, 'because I see it in
+ your jacket pocket last night when I was dryin' your duds. I'll take a
+ check.'
+ </p>
+ <p>
+ &ldquo;He started to say somethin' and then stopped. After a spell he seemed to
+ give in all to once.
+ </p>
+ <p>
+ &ldquo;'Very good,' he says. 'You get my breakfast ready and I'll make out the
+ check.'
+ </p>
+ <p>
+ &ldquo;That breakfast cost him twenty-five dollars; thirty really, because he
+ added another five for an extry cup of coffee. I told him to make the
+ check payable to 'Bearer,' as 'twas quicker to write than 'Solomon.'
+ </p>
+ <p>
+ &ldquo;He had two more meals that day and at bedtime I had his checks amountin'
+ to ninety-five dollars. The fog stayed with us all the time and nobody
+ come to pick us up. And the next mornin's outlook was just as bad, bein' a
+ drizzlin' rain and a high wind. The mainland beach was in sight but that's
+ all except salt water and rain.
+ </p>
+ <p>
+ &ldquo;He was surprisin'ly cheerful all that day, eatin' like a horse and givin'
+ up his meal checks without a whimper. If things had been different from
+ what they was I'd have felt like a mean sneak thief. BEIN' as they was, I
+ counted up the hundred and ten I'd made that day without a pinch of
+ conscience.
+ </p>
+ <p>
+ &ldquo;This was a Wednesday. On Thursday, the third day of our Robinson Crusoe
+ business, the weather was still thick, though there was signs of clearin'.
+ Fatty come to me after breakfast&mdash;which cost him thirty-five,
+ payable, as usual, to 'Bearer'&mdash;with almost a grin on his big face.
+ </p>
+ <p>
+ &ldquo;'Berry,' he says, 'I owe you an apology. I thought you was a green Rube,
+ like the rest down here, but you're as sharp as they make 'em. I ain't the
+ man to squeal when I get let in on a bad deal, and the chap who can work
+ me for a sucker is entitled to all he can make. But this pay-as-you-go
+ business is too slow and troublesome. What'll you take for the rest of the
+ grub in the locker there, spot cash? Be white, and make a fair price.'
+ </p>
+ <p>
+ &ldquo;I'd been expectin' somethin' like this, and I was ready for him.
+ </p>
+ <p>
+ &ldquo;'Two hundred and sixty-five dollars,' says I, prompt.
+ </p>
+ <p>
+ &ldquo;He done a little figgerin'. 'Well, allowin' that I have to put up on this
+ heap of desolation for the better part of four days more, that's cheap,
+ accordin' to your former rates,' he says. 'I'll go you. But why not make
+ it two fifty, even?'
+ </p>
+ <p>
+ &ldquo;'Two hundred and sixty-five's my price,' says I. So he handed over
+ another 'Bearer' check, and his board bill was paid for a week.
+ </p>
+ <p>
+ &ldquo;Friday was a fine day, clear as a bell. Me and Williams had a real
+ picnicky, sociable time. Livin' outdoor this way had made him forget his
+ diseases and the doctor, and he showed signs of bein' ha'fway decent. We
+ loafed around and talked and dug clams to help out the pork&mdash;that is,
+ I dug 'em and Fatty superintended. We see no less'n three sailin' craft go
+ by down the bay and tried our best to signal 'em, but they didn't pay
+ attention&mdash;thought we was gunners or somethin', I presume likely.
+ </p>
+ <p>
+ &ldquo;At breakfast on Saturday, Williams begun to ask questions again.
+ </p>
+ <p>
+ &ldquo;'Sol,' says he, 'it surprised me to find that you knew what a &ldquo;margin&rdquo;
+ was. You didn't get that from anything I said. Where did you get it?'
+ </p>
+ <p>
+ &ldquo;I leaned back on my box seat.
+ </p>
+ <p>
+ &ldquo;'Mr. Williams,' says I, 'I cal'late I'll tell you a little story, if you
+ want to hear it. 'Tain't much of a yarn, as yarns go, but maybe it'll
+ interest you. The start of it goes back to consider'ble many year ago,
+ when I was poorer'n I be now, and a mighty sight younger. At that time me
+ and another feller, a partner of mine, had a fish weir out in the bay
+ here. The mackerel struck in and we done well, unusual well. At the end of
+ the season, not countin' what we'd spent for livin' and expenses, we had a
+ balance owin' us at our fish dealer's up to Boston of five hundred dollars&mdash;two
+ fifty apiece. My partner was goin' to be married in the spring and was
+ cal'latin' to use his share to buy furniture for the new house with. So we
+ decided we'd take a trip up to Boston and collect the money, stick it into
+ some savin's bank where 'twould draw interest until spring and then haul
+ it out and use it. 'Twas about every cent we had in the world.
+ </p>
+ <p>
+ &ldquo;'So to Boston we went, collected our money, got the address of a safe
+ bank and started out to find it. But on the way my partner's hat blowed
+ off and the bank address, which was on a slip of paper inside of it, got
+ lost. So we see a sign on a buildin', along with a lot of others, that
+ kind of suggested bankin', and so we stepped into the buildin' and went
+ upstairs to ask the way again.
+ </p>
+ <p>
+ &ldquo;'The place wa'n't very big, but 'twas fixed up fancy and there was a kind
+ of blackboard along the end of the room where a boy was markin' up figgers
+ in chalk. A nice, smilin' lookin' man met us and, when we told him what we
+ wanted, he asked us to set down. Then, afore we knowed it almost, we'd
+ told him the whole story&mdash;about the five hundred and all. The feller
+ said to hold on a spell and he'd go along with us and show us where the
+ savin's bank was himself.
+ </p>
+ <p>
+ &ldquo;'So we waited and all the time the figgers kept goin' up on the board,
+ under signs of &ldquo;Pork&rdquo; and &ldquo;Wheat&rdquo; and &ldquo;Cotton&rdquo; and such, and we'd hear how
+ so and so's account was makin' a thousand a day, and the like of that.
+ After a while the nice man, who it turned out was one of the bosses of the
+ concern, told us what it meant. Seemed there was a big &ldquo;rise&rdquo; in the
+ market and them that bought now was bound to get rich quick. Consequent we
+ said we wished we could buy and get rich, too. And the smilin' chap says,
+ &ldquo;Let's go have some lunch.&rdquo;'
+ </p>
+ <p>
+ &ldquo;Williams laughed. 'Ho, ho!' says he. 'Expensive lunch, was it?'
+ </p>
+ <p>
+ &ldquo;'Most extravagant meal of vittles ever I got away with,' I says. 'Cost me
+ and my partner two hundred and fifty apiece, that lunch did. We stayed in
+ Boston two days, and on the afternoon of the second day we was on our way
+ back totin' a couple of neat but expensive slips of paper signifyin' that
+ we'd bought December and May wheat on a one per cent margin. We was a
+ hundred ahead already, 'cordin' to the blackboard, and was figgerin' what
+ sort of palaces we'd build when we cashed in.'
+ </p>
+ <p>
+ &ldquo;'Ain't no use preachin' a long sermon over the remains. 'Twas a simple
+ funeral and nobody sent flowers. Inside of a month we was cleaned out and
+ the wheat place had gone out of business&mdash;failed, busted, you
+ understand. Our fish dealer friend asked some questions, and found out the
+ shebang wa'n't a real stock dealer's at all. 'Twas what they call a
+ &ldquo;bucket shop,&rdquo; and we'd bought nothin' but air, and paid a commission for
+ buyin' it. And the smilin', nice man that run the swindle had been hangin'
+ on the edge of bust for a long while and knowed 'twas comin'. Our five
+ hundred had helped pay his way to a healthier climate, that's all.'
+ </p>
+ <p>
+ &ldquo;'Hold on a minute,' says Fatty, lookin' more interested. 'What was the
+ name of the firm that took you greenhorns in?'
+ </p>
+ <p>
+ &ldquo;''Twas the Empire Bond, Stock and Grain Exchange,' says I. 'And 'twas on
+ Derbyshire Street.'
+ </p>
+ <p>
+ &ldquo;He give a little jump. Then he says, slow, Hu-u-m! I&mdash;see.'
+ </p>
+ <p>
+ &ldquo;'Yes,' says I. 'I thought you would. You had a mustache then and your
+ name was diff'rent, but you seemed familiar just the same. When your false
+ hair got washed off I knew you right away.'
+ </p>
+ <p>
+ &ldquo;He took out his pocket pen and his check book and done a little
+ figgerin'.
+ </p>
+ <p>
+ &ldquo;'Humph!' he says, again. 'You lost five hundred and I've paid you five
+ hundred and five. What's the five for?'
+ </p>
+ <p>
+ &ldquo;'That's my commission on the sales,' I says.
+ </p>
+ <p>
+ &ldquo;And just then comes a hail from outside the shanty. Out we bolted and
+ there was Sam Davis, just steppin' ashore from his power boat. Williams's
+ housekeeper had strained a p'int and had shaded her orders by a couple of
+ days.
+ </p>
+ <p>
+ &ldquo;Williams and Sam started for home right off. I followed in the Shootin'
+ Star, havin' borrered gasoline enough for the run. I reached the dock ha'f
+ an hour after they did, and there was Fatty waitin' for me.
+ </p>
+ <p>
+ &ldquo;'Berry,' says he, 'I've got a word or two to say to you. I ain't kickin'
+ at your givin' me tit for tat, or tryin' to. Turn about's fair play, if
+ you can call the turn. But it's against my principles to allow anybody to
+ beat me on a business deal. Do you suppose,' he says, 'that I'd have paid
+ your robber's prices without a word if I hadn't had somethin' up my
+ sleeve? Why, man,' says he, 'I gave you my CHECKS, not cash. And I've just
+ telephoned to the Wellmouth Bank to stop payment on those checks. They're
+ no earthly use to you; see? There's one or two things about high finance
+ that you don't know even yet. Ho, ho!'
+ </p>
+ <p>
+ &ldquo;And he rocked back and forth on his heels and laughed.
+ </p>
+ <p>
+ &ldquo;I held up my hand. 'Wait a jiffy, Mr. Williams,' says I. 'I guess these
+ checks are all right. When we fust landed on Woodchuck, I judged by the
+ looks of the shanty that Baker hadn't left it for good. I cal'lated he'd
+ be back. And sure enough he come back, in his catboat, on Thursday
+ evenin', after you'd turned in. Them checks was payable to &ldquo;Bearer,&rdquo; you
+ remember, so I give 'em to him. He was to cash 'em in the fust thing
+ Friday mornin', and I guess you'll find he's done it.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I swan to MAN!&rdquo; interrupted the astonished and delighted Phinney.
+ &ldquo;So you had him after all! And I was scart you'd lost every cent.&rdquo;
+ </p>
+ <p>
+ Captain Sol chuckled. &ldquo;Yes,&rdquo; he went on, &ldquo;I had him, and his eyes and
+ mouth opened together.
+ </p>
+ <p>
+ &ldquo;'WHAT?' he bellers. 'Do you mean to say that a boat stopped at that
+ dummed island and DIDN'T TAKE US OFF?'
+ </p>
+ <p>
+ &ldquo;'Oh,' says I, 'Darius didn't feel called on to take you off, not after I
+ told him who you was. You see, Mr. Williams,' I says, 'Darius Baker was my
+ partner in that wheat speculation I was tellin' you about.'&rdquo;
+ </p>
+ <p>
+ The Captain drew a long breath and re-lit his cigar, which had gone out.
+ His friend pounded the settee ecstatically.
+ </p>
+ <p>
+ &ldquo;There!&rdquo; he cried. &ldquo;I knew the name 'Darius Baker' wa'n't so strange to
+ me. When was you and him in partners, Sol?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, 'way back in the old days, afore I went to sea at all, and afore
+ mother died. You wouldn't remember much about it. Mother and I was livin'
+ in Trumet then and our house here was shut up. I was only a kid, or not
+ much more, and Williams was young, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that's the way he made his money! HIM! Why, he's the most respected
+ man in this neighborhood, and goes to church, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Well, if you make money ENOUGH you can always be respected&mdash;by
+ some kinds of people&mdash;and find some church that'll take you in. Ain't
+ that so, Bailey?&rdquo;
+ </p>
+ <p>
+ Captain Stitt and his cousin, Obed Gott, the paint dealer, were standing
+ in the doorway of the station. They now entered.
+ </p>
+ <p>
+ &ldquo;I guess it's so,&rdquo; replied Stitt, pulling up a chair, &ldquo;though I don't know
+ what you was talkin' about. However, it's a pretty average safe bet that
+ what you say is so, Sol, 'most any time. What's the special 'so,' this
+ time?&rdquo;
+ </p>
+ <p>
+ &ldquo;We was talkin' about Mr. Williams,&rdquo; began Phinney.
+ </p>
+ <p>
+ &ldquo;The Grand Panjandrum of East Harniss,&rdquo; broke in the depot master. &ldquo;East
+ Harniss is blessed with a great man, Bailey, and, like consider'ble many
+ blessin's he ain't entirely unmixed.&rdquo;
+ </p>
+ <p>
+ Obed and Simeon looked puzzled, but Captain Stitt bounced in his chair
+ like a good-natured rubber ball. &ldquo;Ho! ho!&rdquo; he chuckled, &ldquo;you don't
+ surprise me, Sol. We had a great man over to South Orham three years ago
+ and he begun by blessin's and ended with&mdash;with t'other thing. Ho!
+ ho!&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; demanded Sim.
+ </p>
+ <p>
+ &ldquo;Why, I mean Stingy Gabe. You've heard of Stingy Gabe, ain't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess we've all heard somethin' about him,&rdquo; laughed Captain Sol; &ldquo;but
+ we're willin' to hear more. He was a reformer, wa'n't he?&rdquo;
+ </p>
+ <p>
+ &ldquo;He sartin was! Ho! ho!&rdquo;
+ </p>
+ <p>
+ &ldquo;For the land sakes, tell it, Bailey,&rdquo; demanded Mr. Gott impatiently.
+ &ldquo;Don't sit there bouncin' and gurglin' and gettin' purple in the face.
+ Tell it, or you'll bust tryin' to keep it in.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, it's a great, long&mdash;&rdquo; began Captain Bailey protestingly.
+ </p>
+ <p>
+ &ldquo;Go on,&rdquo; urged Phinney. &ldquo;We've got more time than anything else, the most
+ of us. Who was this Stingy Gabe?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; urged Gott, &ldquo;and what did he reform?&rdquo;
+ </p>
+ <p>
+ Captain Stitt held up a compelling hand. &ldquo;It's all of a piece,&rdquo; he
+ interrupted. &ldquo;It takes in everything, like an eatin'-house stew. And, as
+ usual in them cases, the feller that ordered it didn't know what was
+ comin' to him.
+ </p>
+ <p>
+ &ldquo;Stingy Gabe was that feller. His Sunday name was Gabriel Atkinson Holway,
+ and his dad used to peddle fish from Orham to Denboro and back. The old
+ man was christened Gabriel, likewise. He owed 'most everybody, and,
+ besides, was so mean that he kept the scales and trimmin's of the fish he
+ sold to make chowder for himself and family. All hands called him 'Stingy
+ Gabe,' and the boy inherited the name along with the fifteen hundred
+ dollars that the old man left when he died. He cleared out&mdash;young
+ Gabe did&mdash;soon as the will was settled and afore the outstandin'
+ debts was, and nobody in this latitude see hide nor hair of him till three
+ years ago this comin' spring.
+ </p>
+ <p>
+ &ldquo;Then, lo and behold you! he drops off the parlor car at the Orham station
+ and cruises down to South Orham, bald-headed and bay-windowed, sufferin'
+ from pomp and prosperity. Seems he'd been spendin' his life cornerin'
+ copper out West and then copperin' the corners in Wall Street. The folks
+ in his State couldn't put him in jail, so they sent him to Congress. Now,
+ as the Honorable Atkinson Holway, he'd come back to the Cape to rest his
+ wrist, which had writer's cramp from signin' stock certificates, and to
+ ease his eyes with a sight of the dear old home of his boyhood.
+ </p>
+ <p>
+ &ldquo;Bill Nickerson comes postin' down to me with the news.
+ </p>
+ <p>
+ &ldquo;'Bailey,' says he, 'what do you think's happened? Stingy Gabe's struck
+ the town.'
+ </p>
+ <p>
+ &ldquo;'For how much?' I asks, anxious. 'Don't let him have it, whatever 'tis.'
+ </p>
+ <p>
+ &ldquo;Then he went on to explain. Gabe was rich as all get out, and 'twas his
+ intention to buy back his old man's house and fix it up for a summer home.
+ He was delighted to find how little change there was in South Orham.
+ </p>
+ <p>
+ &ldquo;'No matter if 'tain't but fifteen cents he'll get it, if the s'lectmen
+ don't watch him,' I says; and the bills, too. I know HIS tribe.'
+ </p>
+ <p>
+ &ldquo;'You don't understand,' says Nickerson. 'He ain't no thief. He's rich, I
+ tell you, and he's cal'latin' to do the town good.'
+ </p>
+ <p>
+ &ldquo;'Course he is,' I says. 'It runs in the family. His dad done it good, too&mdash;good
+ as 'twas ever done, I guess.'
+ </p>
+ <p>
+ &ldquo;But next day Gabe himself happens along, and I see right off that I'd
+ made a mistake in my reckonin'. The Honorable Atkinson Holway wa'n't
+ figgerin' to borrow nothin'. When a chap has been skinnin' halibut,
+ minnows are too small for him to bother with. Gabe was full of fried clams
+ and philanthropy.
+ </p>
+ <p>
+ &ldquo;'By Jove! Stitt,' he says, 'livin' here has been the dream of my life.'
+ </p>
+ <p>
+ &ldquo;'You'll be glad to wake up, won't you?' says I. 'I wish I could.'
+ </p>
+ <p>
+ &ldquo;'I tell you,' he says, 'this little old village is all right! All it
+ needs is a public-spirited resident to help it along. I propose to be the
+ P. S. R.'
+ </p>
+ <p>
+ &ldquo;And on that program he started right in. Fust off he bought his dad's old
+ place, built it over into the eight-sided palace that's there now, fetched
+ down a small army of servants skippered by an old housekeeper, and
+ commenced to live simple but complicated. Then, havin' provided the
+ needful charity for himself, he's ready to scatter manna for the starvin'
+ native.
+ </p>
+ <p>
+ &ldquo;He had a dozen schemes laid out. One was to build a free but expensive
+ library; another was to pave the main road with brick; third was to give
+ stained-glass windows and velvet cushions to the meetin' house, so's the
+ congregation could sleep comfortable in a subdued light. The stained-glass
+ idee put him in close touch with the minister, Reverend Edwin Fisher, and
+ the minister suggested the men's club. And he took to that men's club
+ scheme like an old maid to strong tea; the rest of the improvements went
+ into dry dock to refit while Admiral Gabe got his men's club off the ways.
+ </p>
+ <p>
+ &ldquo;'Twas the billiard room that made the minister hanker for a men's club.
+ That billiard room was the worry of his life. Old man Jotham Gale run it
+ and had run it sence the Concord fight, in a way of speakin'. You remember
+ his sign, maybe: 'Jotham W. Gale. Billiard, Pool, and Sipio Saloon. Cigars
+ and Tobacco. Tonics and Pipes. Minors under Ten Years of Age not
+ Admitted.' Jotham's customers was called, by the outsiders, 'the
+ billiard-room gang.'
+ </p>
+ <p>
+ &ldquo;The billiard room gang wa'n't the best folks in town, I'll own right up
+ to that. Still, they wa'n't so turrible wicked. Jotham never sold rum, and
+ he'd never allow no rows in his place. But, just the same, his saloon was
+ reckoned a bad influence. Young men hadn't ought to go there&mdash;most of
+ us said that. If there was a nicer place TO go, argues the minister,
+ 'twould help the moral tone of the community consider'ble. 'Why not,' says
+ he to Stingy Gabe, 'start a free club for men that'll make the billiard
+ room look like the tail boat in a race?' And says Gabe: 'Bully! I'll do
+ it.'&rdquo;
+ </p>
+ <p>
+ Captain Stitt paused long enough to enjoy a chuckle all by himself. Before
+ he had quite finished his laugh, slow and reluctant steps were heard on
+ the back platform and Issy appeared on the threshold. He was without the
+ package, but did not look happy.
+ </p>
+ <p>
+ &ldquo;Well, Is,&rdquo; inquired the depot master, &ldquo;did you give the remains to the
+ Major?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir,&rdquo; answered Issy.
+ </p>
+ <p>
+ &ldquo;Did you tell him how the shockin' fatality happened? How the thing got
+ broken?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir, I told him.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did he say? Didn't let his angry passions rise, did he?&rdquo;
+ </p>
+ <p>
+ &ldquo;No-o; no, sir, he didn't rise nothin'. He didn't get mad neither. But you
+ could see he felt pretty bad. Talked about 'old family glass' and
+ 'priceless airloons' or some such. Said much as he regretted to, he should
+ feel it no more'n justice to have somebody pay damages.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; Captain Sol looked very grave. &ldquo;Issy, I can see your finish.
+ You'll have to pay for somethin' that's priceless, and how are you goin'
+ to do that? 'Old family glass,' hey? Hum! And I thought I saw the label of
+ a Boston store on that package.&rdquo;
+ </p>
+ <p>
+ Obed Gott leaned forward eagerly.
+ </p>
+ <p>
+ &ldquo;Is that Major Hardee you're talkin' about?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Yes, sir. He's the only Major we've got. Cap'ns are plenty as June bugs,
+ but Majors and Gen'rals are scarce. Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, nothin'. Only&mdash;&rdquo; Mr. Gott muttered the remainder of the sentence
+ under his breath. However, the depot master heard it and his eye twinkled.
+ </p>
+ <p>
+ &ldquo;You're glad of it!&rdquo; he exclaimed. &ldquo;Why, Obed! Major Cuthbertson Scott
+ Hardee! I'm surprised. Better not let the women folks hear you say that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here!&rdquo; cried Captain Stitt, rather tartly, &ldquo;am I goin' to finish
+ that yarn of mine or don't you want to hear it?&rdquo;
+ </p>
+ <p>
+ &ldquo;BEG your pardon, Bailey. Go on. The last thing you said was what Stingy
+ Gabe said, and that was&mdash;&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III
+ </h2>
+ <h3>
+ &ldquo;STINGY GABE&rdquo;
+ </h3>
+ <p>
+ &ldquo;And that,&rdquo; said Captain Bailey, mollified by the renewed interest of his
+ listeners, &ldquo;was, 'Bully! I'll do it!'
+ </p>
+ <p>
+ &ldquo;So he calls a meetin' of everybody interested, at his new house. About
+ every respectable man in town was there, includin' me. Most of the
+ billiard-room gang was there, likewise. Jotham, of course, wa'n't invited.
+ </p>
+ <p>
+ &ldquo;Gabe calls the meetin' to order and the minister makes a speech tellin'
+ about the scheme. 'Our generous and public-spirited citizen, Honorable
+ Atkinson Holway,' had offered to build a suitable clubhouse, fix it up,
+ and donate it to the club, them and their heirs forever, Amen. 'Twas to
+ belong to the members to do what they pleased with&mdash;no strings tied
+ to it at all. Dues would be merely nominal, a dollar a year or some such
+ matter. Now, who favored such a club as that?
+ </p>
+ <p>
+ &ldquo;Well, 'most everybody did. Daniel Bassett, chronic politician, justice of
+ the peace, and head of the 'Conservatives' at town meetin', he made a
+ talk, and in comes him and his crew. Gaius Ellis, another chronic, who is
+ postmaster and skipper of the 'Progressives,' had been fidgetin' in his
+ seat, and now up he bobs and says he's for it; then every 'Progressive'
+ jines immediate. But the billiard-roomers; they didn't jine. They looked
+ sort of sheepish, and set still. When Mr. Fisher begun to hint p'inted in
+ their direction, they got up and slid outdoor. And right then I'd ought to
+ have smelt trouble, but I didn't; had a cold in my head, I guess likely.
+ </p>
+ <p>
+ &ldquo;Next thing was to build the new clubhouse, and Gabe went at it hammer and
+ tongs. He had a big passel of carpenters down from the city, and inside of
+ three months the buildin' was up, and she was a daisy, now I tell you.
+ There was a readin' room and a meetin' room and an 'amusement room.' The
+ amusements was crokinole and parchesi and checkers and the like of that.
+ Also there was a gymnasium and a place where you could play the pianner
+ and sing&mdash;till the sufferin' got acute and somebody come along and
+ abated you.
+ </p>
+ <p>
+ &ldquo;When I fust went inside that clubhouse I see 'twas bound to be 'Good-by,
+ Bill,' for Jotham. His customers would shake his ratty old shanty for
+ sartin, soon's they see them elegant new rooms. I swan, if I didn't feel
+ sorry for the old reprobate, and, thinks I, I'll drop around and
+ sympathize a little. Sympathy don't cost nothin', and Jotham's pretty good
+ company.
+ </p>
+ <p>
+ &ldquo;I found him settin' alongside the peanut roaster, watchin' a couple of
+ patients cruelize the pool table.
+ </p>
+ <p>
+ &ldquo;'Hello, Bailey!' says he. 'You surprise me. Ain't you 'fraid of catchin'
+ somethin' in this ha'nt of sin? Have a chair, anyhow. And a cigar, won't
+ you?'
+ </p>
+ <p>
+ &ldquo;I took the chair, but I steered off from the cigar, havin' had
+ experience. Told him I guessed I'd use my pipe. He chuckled.
+ </p>
+ <p>
+ &ldquo;'Fur be it from me to find fault with your judgment,' he says. 'Terbacker
+ does smoke better'n anything else, don't it.'
+ </p>
+ <p>
+ &ldquo;We set there and puffed for five minutes or so. Then he sort of jumped.
+ </p>
+ <p>
+ &ldquo;'What's up?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh, nothin'!' he says. 'Bije Simmons got a ball in the pocket, that's
+ all. Don't do that too often, Bije; I got a weak heart. Well, Bailey,' he
+ adds, turnin' to me, 'Gabe's club's fixed up pretty fine, ain't it?'
+ </p>
+ <p>
+ &ldquo;'Why, yes,' I says; ''tis.'
+ </p>
+ <p>
+ &ldquo;'Finest ever I see,' says he. 'I told him so when I was in there.'
+ </p>
+ <p>
+ &ldquo;'What?' says I. 'You don't mean to say YOU'VE been in that clubroom?'
+ </p>
+ <p>
+ &ldquo;'Sartin. Why not? I want to take in all the shows there is&mdash;'specially
+ the free ones. Make a good billiard room, that clubhouse would.'
+ </p>
+ <p>
+ &ldquo;I whistled. 'Whew!' says I. 'Didn't tell Gabe THAT, did you?'
+ </p>
+ <p>
+ &ldquo;He nodded. 'Yup,' says he. 'I told him.'
+ </p>
+ <p>
+ &ldquo;I whistled again. 'What answer did he make?' I asked.
+ </p>
+ <p>
+ &ldquo;'Oh, he wa'n't enthusiastic. Seemed to cal'late I'd better shut up my
+ head and my shop along with it, afore he knocked off one and his club
+ knocked out t'other.'
+ </p>
+ <p>
+ &ldquo;I pitied the old rascal; I couldn't help it.
+ </p>
+ <p>
+ &ldquo;'Jotham,' says I, 'I ain't the wust friend you've got in South Orham,
+ even if I don't play pool much. If I was you I'd clear out of here and
+ start somewheres else. You can't fight all the best folks in town.'
+ </p>
+ <p>
+ &ldquo;He didn't make no answer. Just kept on a-puffin'. I got up to go. Then he
+ laid his hand on my sleeve.
+ </p>
+ <p>
+ &ldquo;'Bailey,' says he, 'when Betsy Mayo was ailin', her sister's tribe was
+ all for the Faith Cure and her husband's relations was high for patent
+ medicine. When the Faith Curists got to workin', in would come some of the
+ patent mediciners and give 'em the bounce. And when THEY went home for the
+ night, the Faithers would smash all the bottles. Finally they got so busy
+ fightin' 'mong themselves that Betsy see she was gettin' no better fast,
+ and sent for the reg'lar doctor. HE done the curin', and got the pay.'
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'what of it?'
+ </p>
+ <p>
+ &ldquo;'Nothin',' says he. 'Only I've been practisin' a considerable spell. So
+ long. Come in again some time when it's dark and the respectable element
+ can't see you.'
+ </p>
+ <p>
+ &ldquo;I went away thinkin' hard. And next mornin' I hunted up Gabe, and says I:
+ </p>
+ <p>
+ &ldquo;'Mr. Holway,' I says, 'what puzzles me is how you're goin' to elect the
+ officers for the new club. Put up a Conservative and the Progressives
+ resign. H'ist the Progressive ensign and the Conservatives'll mutiny. As
+ for the billiard-roomers&mdash;providin' any jine&mdash;they've never been
+ known to vote for anybody but themselves. I can't see no light yet&mdash;nothin'
+ but fog.'
+ </p>
+ <p>
+ &ldquo;He winks, sly and profound. 'That's all right,' says he. 'Fisher and I
+ have planned that. You watch!'
+ </p>
+ <p>
+ &ldquo;Sure enough, they had. The minister was mighty popular, so, when 'twas
+ out that he was candidate to be fust president of the club, all hands was
+ satisfied. Two vice presidents was named&mdash;one bein' Bassett and
+ t'other Ellis. Secretary was a leadin' Conservative; treasurer a head
+ Progressive. Officers and crew was happy and mutiny sunk ten fathoms. ONLY
+ none of the billiard-room gang had jined, and they was the fish we was
+ really tryin' for.
+ </p>
+ <p>
+ &ldquo;'Twas next March afore one of 'em did come into the net, though we'd have
+ on all kinds of bait&mdash;suppers and free ice cream Saturday nights, and
+ the like of that. And meantime things had been happenin'.
+ </p>
+ <p>
+ &ldquo;The fust thing of importance was Gabe's leavin' town. Our Cape winter
+ weather was what fixed him. He stood the no'theasters and Scotch drizzles
+ till January, and then he heads for Key West and comfort. Said his heart
+ still beat warm for his native village, but his feet was froze&mdash;or
+ words similar. He cal'lated to be back in the spring. Then the Reverend
+ Fisher got a call to somewheres in York State, and felt he couldn't afford
+ not to hear it. Nobody blamed him; the salary paid a minister in South
+ Orham is enough to make any feller buy patent ear drums. But that left our
+ men's club without either skipper or pilot, as you might say.
+ </p>
+ <p>
+ &ldquo;One week after the farewell sermon, Daniel Bassett drops in casual on me.
+ He was passin' around smoking material lavish and regardless.
+ </p>
+ <p>
+ &ldquo;'Stitt,' says he, 'you've always voted for Conservatism in our local
+ affairs, haven't you?'
+ </p>
+ <p>
+ &ldquo;'Well,' says I, 'I didn't vote to roof the town hall with a new mortgage,
+ if that's what you mean.'
+ </p>
+ <p>
+ &ldquo;'Exactly,' he says. 'Now, our men's club, while not as yet the success we
+ hoped for, has come to be a power for good in our community. It needs for
+ its president a conservative, thoughtful man. Bailey,' he says, 'it has
+ come to my ears that Gaius Ellis intends to run for that office. You know
+ him. As a taxpayer, as a sober, thoughtful citizen, my gorge rises at such
+ insolence. I protest, sir! I protest against&mdash;'
+ </p>
+ <p>
+ &ldquo;He was standin' up, makin' gestures with both arms, and he had his
+ town-meetin' voice iled and runnin'. I was too busy to hanker for a stump
+ speech, so I cut across his bows.
+ </p>
+ <p>
+ &ldquo;'All right, all right,' says I. 'I'll vote for you, Dan.'
+ </p>
+ <p>
+ &ldquo;He fetched a long breath. 'Thank you,' says he. 'Thank you. That makes
+ ten. Ellis can count on no more than nine. My election is assured.'
+ </p>
+ <p>
+ &ldquo;Seein' that there wa'n't but nineteen reg'lar voters who come to the club
+ meetin's, if Bassett had ten of 'em it sartin did look as if he'd get in.
+ But on election night what does Gaius Ellis do but send a wagon after old
+ man Solomon Peavey, who'd been dry docked with rheumatiz for three months,
+ and Sol's vote evened her up. 'Twas ten to ten, a deadlock, and the
+ election was postponed for another week.
+ </p>
+ <p>
+ &ldquo;This was of a Tuesday. On Wednesday I met Bije Simmons, the chap who was
+ playin' pool at Jotham's.
+ </p>
+ <p>
+ &ldquo;'Hey, Bailey!' says he. 'Shake hands with a brother. I'm goin' to jine
+ the men's club.'
+ </p>
+ <p>
+ &ldquo;'You BE?' says I, surprised enough, for Simmons was a billiard-roomer
+ from 'way back.
+ </p>
+ <p>
+ &ldquo;'Yup,' he says. 'I'll be voted in at next meetin', sure. I'm studyin' up
+ on parchesi now.'
+ </p>
+ <p>
+ &ldquo;'Hum!' I says, thinkin'. 'How you goin to vote?'
+ </p>
+ <p>
+ &ldquo;'Me?' says he. 'Me? Why, man, I wonder at you! Can't you see the fires of
+ Conservatism blazin' in my eyes? I'm Conservative bred and Conservative
+ born, and when I'm dead there'll be a Conservative gone. By, by. See you
+ Tuesday night.'
+ </p>
+ <p>
+ &ldquo;He went off, stoppin' everybody he met to tell 'em the news. And on
+ Thursday Ed Barnes dropped in to pay me the seventy-five cents he'd
+ borrowed two years ago come Fourth of July. When I'd got over the fust
+ shock and had counted the money three times, I commenced to ask questions.
+ </p>
+ <p>
+ &ldquo;'Somebody die and will you a million, Ed?' I wanted to know.
+ </p>
+ <p>
+ &ldquo;'No,' says he. 'It's the reward of virtue. I'm goin' to be a better man.
+ I'm jinin' the men's club.'
+ </p>
+ <p>
+ &ldquo;'NO!' says I, for Ed was as strong a billiard-roomer as Bije.
+ </p>
+ <p>
+ &ldquo;'Sure!' he answers. 'I'm filled full of desires for crokinole and
+ progressiveness. See you Tuesday night at the meetin'.'
+ </p>
+ <p>
+ &ldquo;And, would you b'lieve it, at that meetin' no less'n six confirmed
+ members of the billiard-room gang was voted into the men's club. 'Twas a
+ hallelujah gatherin'. I couldn't help thinkin' how glad and proud Gabe and
+ Mr. Fisher would have been to see their dreams comin' true. But Bassett
+ and Ellis looked more worried than glad, and when the votin' took place I
+ understood the reason. Them new members had divided even, and the ballots
+ stood Bassett thirteen and Ellis thirteen. The tie was still on and the
+ election was put off for another week.
+ </p>
+ <p>
+ &ldquo;In that week, surprisin' as it may seem, two more billiard-roomers seen a
+ light and jined with us. However, one was for Bassett and t'other for
+ Ellis, so the deadlock wa'n't broken. Jotham had only a couple of his
+ reg'lars left, and I swan to man if THEY didn't catch the disease inside
+ of the follerin' fortni't and hand in their names. The 'Billiard, Pool,
+ and Sipio Saloon,' from bein' the liveliest place in town, was now the
+ deadest. Through the window you could see poor Jotham mopin' lonesome
+ among his peanuts and cigars. The sayin' concernin' the hardness of the
+ transgressor's sleddin' was workin' out for HIM, all right. But the
+ conversions had come so sudden that I couldn't understand it, though I did
+ have some suspicions.
+ </p>
+ <p>
+ &ldquo;'Look here, Dan,' says I to Bassett, 'are you goin' to keep this up till
+ judgment? There ain't but thirty votin' names in this place&mdash;except
+ the chaps off fishin', and they won't be back till fall. Fifteen is for
+ you and fifteen for Gaius. Most astonishin' agreement of difference ever I
+ see. We'll never have a president, at this rate.'
+ </p>
+ <p>
+ &ldquo;He winked. 'Won't, hey?' he says. 'Sure you've counted right? I make it
+ thirty-one.'
+ </p>
+ <p>
+ &ldquo;'I don't see how,' says I, puzzled. 'Nobody's left outside the club but
+ Jotham himself, and he&mdash;'
+ </p>
+ <p>
+ &ldquo;'That's all right,' he interrupts, winkin' again. 'You be on hand next
+ Tuesday night. You can't always tell, maybe somethin'll happen.'
+ </p>
+ <p>
+ &ldquo;I was on hand, all right, and somethin' did happen, two somethin's, in
+ fact. We hadn't much more'n got in our seats afore the door opened, and in
+ walked Gaius Ellis, arm in arm with a man; and the man was the Honorable
+ Stingy Gabe Atkinson Holway.
+ </p>
+ <p>
+ &ldquo;'Gentlemen,' sings out Gaius, bubblin' over with joy, 'I propose three
+ cheers for our founder, who has returned to us after his long absence.'
+ </p>
+ <p>
+ &ldquo;We give the cheers&mdash;that is, some of the folks did. Bassett and our
+ gang wa'n't cheerin' much; they looked as if somebody had passed 'em a
+ counterfeit note. You see, Gabe Holway was one of the hide-boundest
+ Progressives afloat, and a blind man could see who'd got him back again
+ and which way he'd vote. It sartinly looked bad for Bassett now.
+ </p>
+ <p>
+ &ldquo;Gaius proposes that, out of compliment, as founder of the club, Mr.
+ Holway be asked to preside. So he was asked, though the Conservatives
+ wa'n't very enthusiastic. Gabe took the chair, preached a little sermon
+ about bein' glad to see his native home once more, and raps for order.
+ </p>
+ <p>
+ &ldquo;'If there's no other business afore the meetin',' says he, 'we will
+ proceed to ballot for president.'
+ </p>
+ <p>
+ &ldquo;But it turned out that there was other business. Dan Bassett riz to his
+ feet and commenced one of the most feelin' addresses ever I listened to.
+ </p>
+ <p>
+ &ldquo;Fust he congratulated all hands upon the success of Mr. Holway's
+ philanthropic scheme for the betterment of South Orham's male citizens.
+ Jeered at at fust by the unregenerate, it had gone on, winnin' its way
+ into the hearts of the people, until one by one the said unregenerate had
+ regenerated, and now the club numbered thirty souls and the Honorable
+ Atkinson.
+ </p>
+ <p>
+ &ldquo;'But,' says Dan, wavin' his arms, 'one man yet remains outside. One lone
+ man! The chief sinner, you say? Yes, I admit it. But, gentlemen, a
+ repentant sinner. Alone he sits amid the wreck of his business&mdash;a
+ business wrecked by us, gentlemen&mdash;without a customer, without a
+ friend. Shall it be said that the free and open-handed men's club of South
+ Orham turned its back upon one man, merely because he HAS been what he
+ was? Gentlemen, I have talked with Jotham Gale; he is old, he is
+ friendless, he no longer has a means of livelihood&mdash;we have taken it
+ from him. We have turned his followers' steps to better paths. Shall we
+ not turn his, also? Gentlemen and friends, Jotham Gale is repentant, he
+ feels his ostrichism'&mdash;whatever he meant by that&mdash;'he desires to
+ become self-respecting, and he asks us to help him. He wishes to join this
+ club. Gentlemen, I propose for membership in our association the name of
+ Jotham W. Gale.'
+ </p>
+ <p>
+ &ldquo;He set down and mopped his face. And the powwow that broke loose was
+ somethin' tremendous. Of course 'twas plain enough what Dan's game was.
+ This was the 'somethin'' that was goin' to happen.
+ </p>
+ <p>
+ &ldquo;Ellis see the way the land lay, and he bounces up to protest. 'Twas an
+ outrage; a scandal; ridiculous; and so forth, and so on. Poor Gabe didn't
+ know what to do, and so he didn't do nothin'. A head Conservative seconds
+ Jotham's nomination. 'Twas put to a vote and carried easy. Dan's speech
+ had had its effect and a good many folks voted out of sympathy. How did I
+ vote? I'LL never tell you.
+ </p>
+ <p>
+ &ldquo;And then Bassett gets up, smilin', goes to the outside door, opens it,
+ and leads in the new member. He'd been waitin' on the steps, it turned
+ out. Jotham looked mighty quiet and meek. I pitied the poor old codger
+ more'n ever. Snaked in, he was, out of the wet, like a yeller dog, by the
+ club that had kicked him out of his own shop.
+ </p>
+ <p>
+ &ldquo;Chairman Gabe pounds for order, and suggests that the votin' can go on.
+ But Ellis jumps up, and says he:
+ </p>
+ <p>
+ &ldquo;'What's the sense of votin' now?' he asks sarcastic. 'Will the lost lamb
+ we've just yanked into the fold have the face to stand up and bleat that
+ he hasn't promised to vote Conservative? Dan Bassett, of all the
+ contemptible tricks that ever&mdash;'
+ </p>
+ <p>
+ &ldquo;Bassett's face was redder'n a ripe tomatter. He shakes his fist in
+ Gaius's face and yells opinions and comments.
+ </p>
+ <p>
+ &ldquo;'Don't you talk to me about tricks, you ward-heeler!' he hollers. 'Why
+ did you fetch Mr. Holway back home? Why did you, hey? That was the
+ trickiest trick that I&mdash;'
+ </p>
+ <p>
+ &ldquo;Gabe pretty nigh broke his mallet thumpin'.
+ </p>
+ <p>
+ &ldquo;'Gentlemen! gentlemen!' says he. 'This is most unseemly. Sit down, if you
+ PLEASE. Mr. Ellis, when the purpose of this association is considered, it
+ seems to me very wrong to find fault because the chief of our former
+ antagonists has seen the error of his ways and become one of us. Mr.
+ Bassett, I do not understand your intimation concernin' myself. I shall
+ adjourn this meetin' until next Friday evenin', gentlemen. Meanwhile, let
+ us remember that we ARE gentlemen.'
+ </p>
+ <p>
+ &ldquo;He thumped the desk once, and parades out of the buildin', dignified as
+ Julius Caesar. The rest of us toddled along after him, all talkin' at
+ once. Bassett and Ellis glowered at each other and hove out hints about
+ what would happen afore they got through. 'Twas half-past ten afore I got
+ to bed that night, and Sarah J.&mdash;that's Mrs. Stitt&mdash;kept me
+ awake another hour explainin' whys and wherefores.
+ </p>
+ <p>
+ &ldquo;For the next three days nobody done anything but knock off work and talk
+ club politics. You'd see 'em on the corners and in the post office and
+ camped on the meetin'-house steps, arguin' and jawin'. Dan and Gaius was
+ hurryin' around, moppin' their foreheads and lookin' worried. On Thursday
+ there was all sorts of rumors afloat. Finally they all simmered down to
+ one, and that one was what made me stop Stingy Gabe on the street and ask
+ for my bearin's.
+ </p>
+ <p>
+ &ldquo;'Mr. Holway,' says I, 'is it true that Dan and Gaius have resigned and
+ agreed to vote for somebody else?'
+ </p>
+ <p>
+ &ldquo;He nodded, grand and complacent.
+ </p>
+ <p>
+ &ldquo;'Then who's the somebody?' says I. 'For the land sakes! tell me. It's as
+ big a miracle as the prodigal son.'
+ </p>
+ <p>
+ &ldquo;I remember now that the prodigal son ain't a miracle, but I was excited
+ then.
+ </p>
+ <p>
+ &ldquo;'Stitt,' says he, 'I am the &ldquo;somebody,&rdquo; as you call it. I have decided to
+ let my own wishes and inclinations count for nothin' in this affair, and
+ to accept the office of president myself. It will be announced at the
+ meetin'.'
+ </p>
+ <p>
+ &ldquo;I whistled. 'By gum!' says I. 'You've got a great head, Mr. Holway, and I
+ give you public credit for it. It's the only course that ain't full of
+ breakers. Did you think of it yourself?'
+ </p>
+ <p>
+ &ldquo;He colored up a little. 'Why, no, not exactly,' he says. 'The fact is,
+ the credit belongs to our new member, Mr. Gale.'
+ </p>
+ <p>
+ &ldquo;'To JOTHAM?' says I, astonished.
+ </p>
+ <p>
+ &ldquo;'Yes. He suggested my candidacy, as a compromise. Said that he, for one,
+ would be proud to vote for me. Mr. Gale seems thoroughly repentant, a
+ changed man. I am counting on him for great things in the future.'
+ </p>
+ <p>
+ &ldquo;So the fuss seemed settled, thanks to the last person on earth you'd
+ expect would be peacemaker. But that afternoon I met Darius Tompkins,
+ Bassett's right-hand man.
+ </p>
+ <p>
+ &ldquo;'Bailey,' says he, 'you're a Conservative, ain't you? You're for Dan
+ through thick and thin?'
+ </p>
+ <p>
+ &ldquo;'Why!' says I, 'I understand Dan and Gaius are both out of it now, and
+ it's settled on Holway. Dan's promised to vote for him.'
+ </p>
+ <p>
+ &ldquo;'HE has,' says Tompkins, with a wink, 'but the rest of us ain't. We
+ pledged our votes to Dan Bassett, and we ain't the kind to go back on our
+ word. Dan himself'll vote for Gabe; so'll Gaius and his reg'lar tribe.
+ That'll make twelve, countin' Holway's own.'
+ </p>
+ <p>
+ &ldquo;'Make seventeen, you mean,' says I. 'Gaius and his crowd's fifteen and
+ Dan's sixteen and Gabe's seven&mdash;'
+ </p>
+ <p>
+ &ldquo;He winked again, and interrupted me. 'You're countin' wrong, my boy,'
+ says he. 'Five of Gaius's folks come from the old billiard-room gang. Just
+ suppose somethin' happened to make that five vote, on the quiet, for
+ Bassett. Then&mdash;'
+ </p>
+ <p>
+ &ldquo;A customer come in then, and Tompkins had to leave; but afore he went he
+ got me to one side and whispers:
+ </p>
+ <p>
+ &ldquo;'Keep mum, old man, and vote straight for Dan. We'll show old Holway that
+ we can't be led around by the nose.'
+ </p>
+ <p>
+ &ldquo;'Tompkins,' says I, 'I know your head well enough to be sartin that it
+ didn't work this out by itself. And why are you so sure of the billiard
+ roomers? Who put you up to this?'
+ </p>
+ <p>
+ &ldquo;He rapped the side of his nose. 'The smartest politician in this town,'
+ says he, 'and the oldest&mdash;J. W. Gale, Esq.! S-s-sh-h! Don't say
+ nothin'.'
+ </p>
+ <p>
+ &ldquo;I didn't say nothin'. I was past talk. And that evenin' as I went past
+ the billiard room on my way home, who should come out of it but Gaius
+ Ellis, and HE looked as happy as Tompkins had.
+ </p>
+ <p>
+ &ldquo;Friday night that clubroom was filled. Every member was there, and most
+ of 'em had fetched their wives and families along to see the fun. There
+ was whisperin' and secrecy everywheres. Honorable Gabe took the chair and
+ makes announcements that the shebang is open for business.
+ </p>
+ <p>
+ &ldquo;Up gets Dave Bassett and all but sheds tears. He says that he made up his
+ mind to vote, not for himself, but for the founder and patron of the club,
+ the Honorable Atkinson Holway. He spread it over Gabe thick as sugar on a
+ youngster's cake. And when he set down all hands applauded like fury. But
+ I noticed that he hadn't spoke for nary Conservative but himself.
+ </p>
+ <p>
+ &ldquo;Then Gaius Ellis rises and sobs similar. He's stopped votin' for himself,
+ too. His ballot is for that grand and good man, Gabriel Atkinson Holway,
+ Esq. More applause and hurrahs.
+ </p>
+ <p>
+ &ldquo;And then who should get up but Jotham Gale. He talks humble, like a
+ has-been that knows he's a back number, but he says it's his privilege to
+ cast his fust vote in that club for Mr. Holway, South Orham's pride.
+ Nobody was expectin' him to say anything, and the cheers pretty nigh broke
+ the winders.
+ </p>
+ <p>
+ &ldquo;Gabe was turrible affected by the soft soap, you could see that. He
+ fairly sobbed as he sprinkled gratitude and acceptances. When the agony
+ was over, he says the votin' can begin.
+ </p>
+ <p>
+ &ldquo;I cal'lated he expected somebody'd move to make it unanimous, but they
+ didn't. So the blank ballots was handed around, and the pencils got busy.
+ Gabe app'ints three tellers, Bassett and Ellis, of course, for two&mdash;and
+ the third, Jotham Gale.
+ </p>
+ <p>
+ &ldquo;'As a compliment to our newest member,' says the chairman, smilin'
+ philanthropic.
+ </p>
+ <p>
+ &ldquo;When the votes was in the hat, the tellers retired to the amusement room
+ to count up. It took a long time. I see the Conservatives and Progressives
+ nudgin' each other and winkin' back and forth. Five minutes, then ten,
+ then fifteen.
+ </p>
+ <p>
+ &ldquo;And all of a sudden the biggest row bu'st loose in that amusement room
+ that ever you heard. Rattlety&mdash;bang! Biff! Smash! The door flew open,
+ and in rolled Bassett and Ellis, all legs and arms. Gabe and some of the
+ rest hauled 'em apart and held 'em so, but the language them two hove at
+ each other was enough to bring down a judgment.
+ </p>
+ <p>
+ &ldquo;'Gentlemen! gentlemen!' hollers poor Gabe. 'What in the world? I am
+ astounded! I&mdash;'
+ </p>
+ <p>
+ &ldquo;'You miserable traitor!' shrieks Gaius, wavin' a fist at Dan.
+ </p>
+ <p>
+ &ldquo;'You low-down hound!' whoops Dan back at him.
+ </p>
+ <p>
+ &ldquo;'Silence!' bellers Gabe, poundin' thunder storms on the desk. 'Will some
+ one explain why these maniacs are&mdash;Ah, Mr. Gale&mdash;thank goodness,
+ YOU at least are sane!'
+ </p>
+ <p>
+ &ldquo;Jotham walks to the front of the platform. He was holdin' the hat and a
+ slip of paper with the result set down on it.
+ </p>
+ <p>
+ &ldquo;'Ladies and feller members,' says he, 'there's been some surprisin'
+ votin' done in this election. Things ain't gone as we cal'lated they
+ would, somehow. Mr. Holway, your election wa'n't unanimous, after all.'
+ </p>
+ <p>
+ &ldquo;The way he said it made most everybody think Gabe was elected, anyhow,
+ and I guess Holway thought so himself, for he smiled forgivin' and says:
+ </p>
+ <p>
+ &ldquo;'Never mind, Mr. Gale,' says he. 'A unanimous vote was perhaps too much
+ to expect. Go on.'
+ </p>
+ <p>
+ &ldquo;'Yes,' says Jotham. 'Well, here's the way it stands. I'll read it to
+ you.'
+ </p>
+ <p>
+ &ldquo;He fixes his specs and reads like this:
+ </p>
+ <p>
+ &ldquo;'Number of votes cast, 32.'
+ </p>
+ <p>
+ &ldquo;'Honorable Atkinson Holway has 4.'
+ </p>
+ <p>
+ &ldquo;'WHAT?' gasps Stingy Gabe, fallin' into his chair.
+ </p>
+ <p>
+ &ldquo;'Yes, sir,' says Jotham. 'It's a shame, I know, but it looks as nobody
+ voted for you, Mr. Holway, but yourself and me and Dan and Gaius. To
+ proceed:
+ </p>
+ <p>
+ &ldquo;'Daniel Bassett has 9.'
+ </p>
+ <p>
+ &ldquo;The Conservatives and their women folks fairly groaned out loud. Tompkins
+ jumped to his feet, but Jotham held up a hand.
+ </p>
+ <p>
+ &ldquo;'Just a moment, D'rius,' he says. 'I ain't through yet.'
+ </p>
+ <p>
+ &ldquo;'Gaius Ellis has 9.'
+ </p>
+ <p>
+ &ldquo;Then 'twas the Progressives' turn to groan. The racket and hubbub was
+ gettin' louder all the time.
+ </p>
+ <p>
+ &ldquo;'There's ten votes left,' goes on Jotham, 'and they bear the name of
+ Jotham W. Gale. I can't understand it, but it does appear that I'm elected
+ president of this 'ere club. Gentlemen, I thank you for the honor, which
+ is as great as 'tis unexpected.'
+ </p>
+ <p>
+ &ldquo;Gabe and the Progressives and the Conservatives set and looked at each
+ other. And up jumps 'Bije Simmons, and calls for three cheers for the new
+ president.
+ </p>
+ <p>
+ &ldquo;Nobody jined in them cheers but the old billiard room gang; they did,
+ though, every one of 'em, and Jotham smiled fatherly down on his flock.
+ </p>
+ <p>
+ &ldquo;I s'pose there ain't no need of explainin'. Jotham had worked it all,
+ from the very fust. When the tie business begun and Gaius and Dan was
+ bribin' the billiard roomers to jine the club, 'twas him that fixed how
+ they should vote so's to keep the deadlock goin'. 'Twas him that put
+ Bassett up to proposin' him as a member. 'Twas him that suggested Gabe's
+ comin' back to Gaius. 'Twas him that&mdash;But what's the use? 'Twas him
+ all along. He was IT.
+ </p>
+ <p>
+ &ldquo;That night everybody but the billiard-room gang sent in their resignation
+ to that club. We refused to be bossed by such people. Gabe resigned, too.
+ He was disgusted with East Harniss and all hands in it. He'd have took
+ back the clubhouse, but he couldn't, as the deed of gift was free and
+ clear. But he swore he'd never give it another cent.
+ </p>
+ <p>
+ &ldquo;Folks thought that would end the thing, because it wouldn't be
+ self-supportin', but Jotham had different idees. He simply moved his pool
+ tables and truck up from the old shop, and now he's got the finest place
+ of the kind on the Cape, rent free.
+ </p>
+ <p>
+ &ldquo;'I told you 'twould make a good billiard saloon, didn't I, Bailey?' he
+ says, chucklin'.
+ </p>
+ <p>
+ &ldquo;'Jotham,' says I, 'of your kind you're a perfect wonder.'
+ </p>
+ <p>
+ &ldquo;'Well,' says he, 'I diagnosed that men's club as sufferin' from acute
+ politics. I've been doctorin' that disease for a long time. The trouble
+ with you reformers,' he adds, solemn, 'is that, when it comes to political
+ doin's, you ain't practical.'
+ </p>
+ <p>
+ &ldquo;As for Stingy Gabe, he shut up his fine house and moved to New York. Said
+ he was through with helpin' the moral tone.
+ </p>
+ <p>
+ &ldquo;'When I die,' he says to me, 'if I go to the bad place I may start in
+ reformin' that. It don't need it no more'n South Orham does, but 'twill be
+ enough sight easier job.'
+ </p>
+ <p>
+ &ldquo;And,&rdquo; concluded Captain Stitt, as soon as he could be heard above the
+ &ldquo;Haw! haws!&rdquo; caused by the Honorable Holway's final summing-up of his
+ native town, &ldquo;I ain't so sure that he was greatly mistook. What do you
+ think, Sol?&rdquo;
+ </p>
+ <p>
+ The depot master shook his head. &ldquo;Don't know, Bailey,&rdquo; he answered, dryly.
+ &ldquo;I'll have to visit both places 'fore I give an opinion. I HAVE been to
+ South Orham, but the neighborhood that your friend Gabe compared it to I
+ ain't seen&mdash;yet. I put on that 'yet,'&rdquo; he added, with a wink, &ldquo;'cause
+ I knew Sim Phinney would if I didn't.&rdquo;
+ </p>
+ <p>
+ Captain Bailey rose and covered a yawn with a plump hand.
+ </p>
+ <p>
+ &ldquo;I believe I'll go over to Obed's and turn in,&rdquo; he said. &ldquo;I'm sleepy as a
+ minister's horse tonight. You don't mind, do you, Obed?&rdquo;
+ </p>
+ <p>
+ &ldquo;No-o,&rdquo; replied Mr. Gott, slowly. &ldquo;No, I don't, 'special. I kind of
+ thought I'd run into the club a few minutes and see some of the other
+ fellers. But it ain't important&mdash;not very.&rdquo;
+ </p>
+ <p>
+ The &ldquo;club&rdquo; was one of the rooms over Mr. Higgins's store and post office.
+ It had been recently fitted up with chairs and tables from its members'
+ garrets and, when the depot and store were closed, was a favorite
+ gathering place of those reckless ones who cared to &ldquo;set up late&rdquo;&mdash;that
+ is, until eleven o'clock. Most of the men in town belonged, but many,
+ Captain Berry among them, visited the room but seldom.
+ </p>
+ <p>
+ &ldquo;Checkers,&rdquo; said the depot master, referring to the &ldquo;club's&rdquo; favorite
+ game, &ldquo;is too deliberately excitin' for me. To watch Beriah Higgins and
+ Ezra Weeks fightin' out a game of checkers is like gettin' your feet froze
+ in January and waitin' for spring to come and thaw 'em out. It's a numbin'
+ kind of dissipation.&rdquo;
+ </p>
+ <p>
+ But Obed Gott was a regular attendant at the &ldquo;club,&rdquo; and to-night he had a
+ particular reason for wishing to be there. His cousin noticed his
+ hesitation and made haste to relieve his mind.
+ </p>
+ <p>
+ &ldquo;That's all right, Obed,&rdquo; he said, &ldquo;go to the club, by all means. I ain't
+ such a stranger at your house that I can't find my way to bed without
+ help. Good-night, Sim. Good-night, Issy. Cheer up; maybe the Major's
+ glassware IS priceless. So long, Cap'n Sol. See you again some time
+ tomorrer.&rdquo;
+ </p>
+ <p>
+ He and Mr. Gott departed. The depot master rose from his chair. &ldquo;Issy,&rdquo; he
+ commanded, &ldquo;shut up shop.&rdquo;
+ </p>
+ <p>
+ Issy obeyed, closing the windows and locking the front door. Captain Sol
+ himself locked the ticket case and put the cash till into the small safe.
+ </p>
+ <p>
+ &ldquo;That'll do, Is,&rdquo; said the Captain. &ldquo;Good-night. Don't worry too much over
+ the Major's glass. I'll talk with him, myself. You dream about pleasanter
+ things&mdash;your girl, if you've got one.&rdquo;
+ </p>
+ <p>
+ That was a chance shot, but it struck Issy in the heart. Even during his
+ melancholy progress to and from Major Hardee's, the vision of Gertie
+ Higgins had danced before his greenish-blue eyes. His freckles were
+ engulfed in a surge of blushes as, with a stammered &ldquo;Night, Cap'n Berry,&rdquo;
+ he hurried out into the moonlight.
+ </p>
+ <p>
+ The depot master blew out the lamps. &ldquo;Come on, Sim,&rdquo; he said, briefly.
+ &ldquo;Goin' to walk up with me, or was YOU goin' to the club?&rdquo;
+ </p>
+ <p>
+ &ldquo;Cal'late I'll trot along with you, if you don't mind. I'd just as soon
+ get home early and wrastle with the figures on that Williams movin' job.&rdquo;
+ </p>
+ <p>
+ They left the depot, locked and dark, passed the &ldquo;general store,&rdquo; where
+ Mr. Higgins was putting out his lights prior to adjournment to the &ldquo;club&rdquo;
+ overhead, walked up Main Street to Cross Street, turned and began climbing
+ the hill. Simeon spoke several times but his friend did not answer. A
+ sudden change had come over him. The good spirits with which he told of
+ his adventure with Williams and which had remained during Phinney's stay
+ at the depot, were gone, apparently. His face, in the moonlight, was grave
+ and he strode on, his hands in his pockets.
+ </p>
+ <p>
+ At the crest of the hill he stopped.
+ </p>
+ <p>
+ &ldquo;Good-night, Sim,&rdquo; he said, shortly, and, turning, walked off.
+ </p>
+ <p>
+ The building mover gazed after him in surprise. The nearest way to the
+ Berry home was straight down Cross Street, on the other side of the hill,
+ to the Shore Road, and thence along that road for an eighth of a mile. The
+ Captain's usual course was just that. But to-night he had taken the long
+ route, the Hill Boulevard, which made a wide curve before it descended to
+ the road below.
+ </p>
+ <p>
+ Sim, who had had a shrewd suspicion concerning his friend's silence and
+ evident mental disturbance, stood still, looking and wondering. Olive
+ Edwards, Captain Berry's old sweetheart, lived on the Boulevard. She was
+ in trouble and the Captain knew it. He had asked, that very evening, what
+ she was going to do when forced to move. Phinney could not tell him. Had
+ he gone to find out for himself? Was the mountain at last coming to
+ Mohammed?
+ </p>
+ <p>
+ For some minutes Simeon remained where he was, thinking and surmising.
+ Then he, too, turned and walked cautiously up the Boulevard. He passed the
+ Williams mansion, its library windows ablaze. He passed the twenty-five
+ room &ldquo;cottage&rdquo; of the gentleman from Chicago. Then he halted. Opposite him
+ was the little Edwards dwelling and shop. The curtains were up and there
+ was a lamp burning on the small counter. Beside the lamp, in a rocking
+ chair, sat Olive Edwards, the widow, sewing. As he gazed she dropped the
+ sewing in her lap, and raised her head.
+ </p>
+ <p>
+ Phinney saw how worn and sad she looked. And yet, how young, considering
+ her forty years and all she had endured and must endure. She put her hand
+ over her eyes, then removed it wearily. A lump came in Simeon's throat. If
+ he might only help her; if SOME ONE might help her in her lonely misery.
+ </p>
+ <p>
+ And then, from where he stood in the shadow of the Chicago gentleman's
+ hedge, he saw a figure step from the shadows fifty feet farther on. It was
+ Captain Solomon Berry. He walked to the middle of the road and halted,
+ looking in at Olive. Phinney's heart gave a jump. Was the Captain going
+ into that house, going to HER, after all these years? WAS the mountain&mdash;
+ </p>
+ <p>
+ But no. For a full minute the depot master stood, looking in at the woman
+ by the lamp. Then he jammed his hands into his pockets, wheeled, and
+ tramped rapidly off toward his home. Simeon Phinney went home, also, but
+ it was with a heavy heart that he sat down to figure the cost of moving
+ the Williams &ldquo;pure Colonial&rdquo; to its destined location.
+ </p>
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV
+ </h2>
+ <h3>
+ THE MAJOR
+ </h3>
+ <p>
+ The depot master and his friend, Mr. Phinney, were not the only ones whose
+ souls were troubled that evening. Obed Gott, as he stood at the foot of
+ the stairs leading to the meeting place of the &ldquo;club,&rdquo; was vexed and
+ worried. His cousin, Captain Stitt, had gone into the house and up to his
+ room, and Obed, after seeing him safely on his way, had returned to the
+ club. But, instead of entering immediately, he stood in the Higgins
+ doorway, thinking, and frowning as he thought. And the subject of his
+ thought was the idol of feminine East Harniss, the &ldquo;old-school gentleman,&rdquo;
+ Major Cuthbertson Scott Hardee.
+ </p>
+ <p>
+ The Major first came to East Harniss one balmy morning in March&mdash;came,
+ and created an immediate sensation. &ldquo;Redny&rdquo; Blount, who drives the &ldquo;depot
+ wagon,&rdquo; was wrestling with a sample trunk belonging to the traveling
+ representative of Messrs. Braid &amp; Gimp, of Boston, when he heard a
+ voice&mdash;and such a voice&mdash;saying:
+ </p>
+ <p>
+ &ldquo;Pardon me, my dear sir, but may I trouble you for one moment?&rdquo;
+ </p>
+ <p>
+ Now &ldquo;Redny&rdquo; was not used to being addressed as &ldquo;my dear sir.&rdquo; He turned
+ wonderingly, and saw the Major, in all his glory, standing beside him.
+ &ldquo;Redny's&rdquo; gaze took in the tall, slim figure in the frock coat tightly
+ buttoned; took in the white hair, worn just long enough to touch the
+ collar of the frock coat; the long, drooping white mustache and imperial;
+ the old-fashioned stock and open collar; the black and white checked
+ trousers; the gaiters; and, last of all, the flat brimmed, carefully
+ brushed, old-fashioned silk hat. Mr. Blount gasped.
+ </p>
+ <p>
+ &ldquo;Huh?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Pardon me, my dear sir,&rdquo; repeated the Major, blandly, smoothly, and with
+ an air of&mdash;well, not condescension, but gracious familiarity. &ldquo;Will
+ you be so extremely kind as to inform me concerning the most direct route
+ to the hotel or boarding house?&rdquo;
+ </p>
+ <p>
+ The word &ldquo;hotel&rdquo; was the only part of this speech that struck home to
+ &ldquo;Redny's&rdquo; awed mind.
+ </p>
+ <p>
+ &ldquo;Hotel?&rdquo; he repeated, slowly. &ldquo;Why, yes, sir. I'm goin' right that way. If
+ you'll git right into my barge I'll fetch you there in ten minutes.&rdquo;
+ </p>
+ <p>
+ There was enough in this reply, and the manner in which it was delivered,
+ to have furnished the station idlers, in the ordinary course of events,
+ with matter for gossip and discussion for a week. Mr. Blount had not
+ addressed a person as &ldquo;sir&rdquo; since he went to school. But no one thought of
+ this; all were too much overcome by the splendor of the Major's presence.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; replied the Major. &ldquo;Thank you. I am obliged to you, sir.
+ Augustus, you may place the baggage in this gentleman's conveyance.&rdquo;
+ </p>
+ <p>
+ Augustus was an elderly negro, very black as to face and a trifle shabby
+ as to clothes, but with a shadow of his master's gentility, like a
+ reflected luster, pervading his person. He bowed low, departed, and
+ returned dragging a large, old style trunk, and carrying a plump valise.
+ </p>
+ <p>
+ &ldquo;Augustus,&rdquo; said the Major, &ldquo;you may sit upon the seat with the driver.
+ That is,&rdquo; he added, courteously, &ldquo;if Mr.&mdash;Mr.&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Blount,&rdquo; prompted the gratified &ldquo;Redny.&rdquo;
+ </p>
+ <p>
+ &ldquo;If Mr. Blount will be good enough to permit you to do so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, sartin. Jump right up. Giddap, you!&rdquo;
+ </p>
+ <p>
+ There was but one passenger, besides the Major and Augustus, in the &ldquo;depot
+ wagon&rdquo; that morning. This passenger was Mrs. Polena Ginn, who had been to
+ Brockton on a visit. To Mrs. Polena the Major, raising his hat in a manner
+ that no native of East Harniss could acquire by a lifetime of teaching,
+ observed that it was a beautiful morning. The flustered widow replied that
+ it &ldquo;was so.&rdquo; This was the beginning of a conversation that lasted until
+ the &ldquo;Central House&rdquo; was reached, a conversation that left Polena impressed
+ with the idea that her new acquaintance was as near the pink of perfection
+ as mortal could be.
+ </p>
+ <p>
+ &ldquo;It wa'n't his clothes, nuther,&rdquo; she told her brother, Obed Gott, as they
+ sat at the dinner table. &ldquo;I don't know what 'twas, but you could jest see
+ that he was a gentleman all over. I wouldn't wonder if he was one of them
+ New York millionaires, like Mr. Williams&mdash;but SO different. 'Redny'
+ Blount says he see his name onto the hotel register and 'twas 'Cuthbertson
+ Scott Hardee.' Ain't that a tony name for you? And his darky man called
+ him 'Major.' I never see sech manners on a livin' soul! Obed, I DO wish
+ you'd stop eatin' pie with a knife.&rdquo;
+ </p>
+ <p>
+ Under these pleasing circumstances did Major Cuthbertson Scott Hardee make
+ his first appearance in East Harniss, and the reputation spread abroad by
+ Mr. Blount and Mrs. Ginn was confirmed as other prominent citizens met
+ him, and fell under the spell. In two short weeks he was the most popular
+ and respected man in the village. The Methodist minister said, at the
+ Thursday evening sociable, that &ldquo;Major Hardee is a true type of the
+ old-school gentleman,&rdquo; whereupon Beriah Higgins, who was running for
+ selectman, and therefore felt obliged to be interested in all educational
+ matters, asked whereabouts that school was located, and who was teaching
+ it now.
+ </p>
+ <p>
+ It was a treat to see the Major stroll down Main Street to the post office
+ every pleasant spring morning. Coat buttoned tight, silk hat the veriest
+ trifle on one side, one glove on and its mate carried with the cane in the
+ other hand, and the buttonhole bouquet&mdash;always the bouquet&mdash;as
+ fresh and bright and jaunty as its wearer himself.
+ </p>
+ <p>
+ It seemed that every housekeeper whose dwelling happened to be situated
+ along that portion of the main road had business in the front yard at the
+ time of the Major's passing. There were steps to be swept, or rugs to be
+ shaken, or doorknobs to be polished just at that particular time.
+ Dialogues like the following interrupted the triumphal progress at three
+ minute intervals:
+ </p>
+ <p>
+ &ldquo;Good-morning, Mrs. Sogberry. GOOD-morning. A delightful morning. Busy as
+ the proverbial bee once more, I see. I can never cease to admire the
+ industry and model neatness of the Massachusetts housekeeper. And how is
+ your charming daughter this morning? Better, I trust?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, now, Major Hardee, I don't know. Abbie ain't so well's I wish she
+ was. She set up a spell yesterday, but the doctor says she ain't gittin'
+ along the way she'd ought to. I says to him, s'I, 'Abbie ain't never what
+ you'd call a reel hearty eater, but, my land! when she don't eat NOTHIN','
+ I says&mdash;&rdquo;
+ </p>
+ <p>
+ And so on and so on, with the Major always willing to listen, always
+ sympathetic, and always so charmingly courteous.
+ </p>
+ <p>
+ The Central House, East Harniss's sole hotel, and a very small one at
+ that, closed its doors on April 10th. Mr. Godfrey, its proprietor, had
+ come to the country for his health. He had been inveigled, by an
+ advertisement in a Boston paper, into buying the Central House at East
+ Harniss. It would afford him, so he reasoned, light employment and a
+ living. The employment was light enough, but the living was lighter. He
+ kept the Central House for a year. Then he gave it up as a bad job and
+ returned to the city. &ldquo;I might keep my health if I stayed,&rdquo; he admitted,
+ in explaining his position to Captain Berry, &ldquo;but if I want to keep to
+ what little money I have left, I'd better go. Might as well die of disease
+ as starvation.&rdquo;
+ </p>
+ <p>
+ Everyone expected that the &ldquo;gentleman of the old school&rdquo; would go also,
+ but one evening Abner Payne, whose business is &ldquo;real estate, fire and life
+ insurance, justice of the peace, and houses to let and for sale,&rdquo; rushed
+ into the post office to announce that the Major had leased the &ldquo;Gorham
+ place,&rdquo; furnished, and intended to make East Harniss his home.
+ </p>
+ <p>
+ &ldquo;He likes the village so well he's goin' to stay here always,&rdquo; explained
+ Abner. &ldquo;Says he's been all 'round the world, but he never see a place he
+ liked so well's he does East Harniss. How's that for high, hey? And you
+ callin' it a one-horse town, Obed Gott!&rdquo;
+ </p>
+ <p>
+ The Major moved into the &ldquo;Gorham place&rdquo; the next morning. It&mdash;the
+ &ldquo;place&rdquo;&mdash;was an old-fashioned house on the hill, though not on Mr.
+ Williams' &ldquo;Boulevard.&rdquo; It had been one of the finest mansions in town once
+ on a time, but had deteriorated rapidly since old Captain Elijah Gorham
+ died. Augustus carried the Major's baggage from the hotel to the house.
+ This was done very early and none of the natives saw the transfer. There
+ was some speculation as to how the darky managed to carry the big trunk
+ single-handed; one of two persons asked Augustus this very question, but
+ they received no satisfactory answer. Augustus was habitually
+ close-mouthed. Mr. Godfrey left town that same morning on the first train.
+ </p>
+ <p>
+ The Major christened his new home &ldquo;Silver-leaf Hall,&rdquo; because of two great
+ &ldquo;silver-leaf&rdquo; trees that stood by the front door. He had some repairing,
+ paper hanging and painting done, ordered a big stock of groceries from the
+ local dealer, and showed by his every action that his stay in East Harniss
+ was to be a lengthy one. He hired a pew in the Methodist church, and
+ joined the &ldquo;club.&rdquo; Augustus did the marketing for &ldquo;Silver-leaf Hall,&rdquo; and
+ had evidently been promoted to the position of housekeeper.
+ </p>
+ <p>
+ The Major moved in April. It was now the third week in June and his
+ popularity was, if possible, more pronounced than ever. On this
+ particular, the evening of Captain Bailey Stitt's unexpected arrival, Obed
+ had been sitting by the tea table in his dining room after supper, going
+ over the account books of his paint, paper, and oil store. His sister,
+ Mrs. Polena Ginn, was washing dishes in the kitchen.
+ </p>
+ <p>
+ &ldquo;Wat's that letter you're readin', Obed?&rdquo; she called from her post by the
+ sink.
+ </p>
+ <p>
+ &ldquo;Nothin',&rdquo; said her brother, gruffly, crumpling up the sheet of note paper
+ and jamming it into his pocket.
+ </p>
+ <p>
+ &ldquo;My sakes! you're shorter'n pie crust to-night. What's the matter?
+ Anything gone wrong at the store?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ Silence again, only broken by the clatter of dishes. Then Polena said:
+ </p>
+ <p>
+ &ldquo;Obed, when are you goin' to take me up to the clubroom so's I can see
+ that picture of Major Hardee that he presented the club with? Everybody
+ says it's just lovely. Sarah T. says it's perfectly elegant, only not
+ quite so handsome as the Major reelly is. She says it don't flatter him
+ none.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! Anybody'd think Hardee was some kind of a wonder, the way you
+ women folks go on 'bout him. How do you know but what he might be a
+ reg'lar fraud? Looks ain't everything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I never! Obed Gott, I should think you'd be 'shamed of yourself,
+ talkin' that way. I shan't speak another word to you to-night. I never see
+ you act so unlikely. An old fraud! The idea! That grand, noble man!&rdquo;
+ </p>
+ <p>
+ Obed tried to make some sort of half-hearted apology, but his sister
+ wouldn't listen to it. Polena's dignity was touched. She was a woman of
+ consequence in East Harniss, was Polena. Her husband had, at his death,
+ left her ten thousand dollars in her own right, and she owned bonds and
+ had money in the Wellmouth Bank. Nobody, not even her brother, was allowed
+ to talk to her in that fashion.
+ </p>
+ <p>
+ To tell the truth, Obed was sorry he had offended his sister. He had been
+ throwing out hints of late as to the necessity of building an addition to
+ the paint and oil store, and had cast a longing look upon a portion of
+ Polena's ten thousand. The lady had not promised to extend the financial
+ aid, but she had gone so far as to say she would think about it. So Obed
+ regretted his insinuations against the Major's integrity.
+ </p>
+ <p>
+ After a while he threw the account books upon the top of the chest of
+ drawers, put on his hat and coat and announced that he was going over to
+ the depot for a &ldquo;spell.&rdquo; Polena did not deign to reply, so, after
+ repeating the observation, he went out and slammed the door.
+ </p>
+ <p>
+ Now, two hours later, as he stood in the doorway of the club, he was
+ debating what he should do in a certain matter. That matter concerned
+ Major Hardee and was, therefore, an extremely delicate one. At length Mr.
+ Gott climbed the narrow stairs and entered the clubroom. It was blue with
+ tobacco smoke.
+ </p>
+ <p>
+ The six or eight members present hailed him absently and went on with
+ their games of checkers or &ldquo;seven-up.&rdquo; He attempted a game of checkers and
+ lost, which did not tend to make his temper any sweeter. His ill nature
+ was so apparent that Beriah Higgins, who suffered from dyspepsia and
+ consequent ill temper, finally commented upon it.
+ </p>
+ <p>
+ &ldquo;What's the matter with you, Obed?&rdquo; he asked tartly. &ldquo;Too much of P'lena's
+ mince pie?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; grunted Mr. Gott shortly.
+ </p>
+ <p>
+ &ldquo;What is it, then? Ain't paint sellin' well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sellin' well 'nough. I could sell a hundred ton of paint to-morrow,
+ more'n likely, but when it come to gittin' the money for it, that would be
+ another story. If folks would pay their bills there wouldn't be no
+ trouble.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who's stuck you now?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't s'pose anybody has, but it's just as bad when they don't pay up.
+ I've got to have money to keep a-goin' with. It don't make no diff'rence
+ if it's as good a customer as Major Hardee; he ought to remember that we
+ ain't all rich like him and&mdash;&rdquo;
+ </p>
+ <p>
+ A general movement among all the club members interrupted him. The checker
+ players left their boards and came over; the &ldquo;seven-up&rdquo; devotees dropped
+ their cards and joined the circle.
+ </p>
+ <p>
+ &ldquo;What was that you said?&rdquo; asked Higgins, uneasily. &ldquo;The Major owin' you
+ money, was it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, course I know he's all right and a fine man and all that,&rdquo; protested
+ Obed, feeling himself put on the defensive. &ldquo;But that ain't it. What's a
+ feller goin' to do when he needs the money and gets a letter like that?&rdquo;
+ </p>
+ <p>
+ He drew the crumpled sheet of note paper from his pocket, and threw it on
+ the table. Higgins picked it up and read it aloud, as follows:
+ </p>
+ <p>
+ SILVERLEAF HALL, June 20th.
+ </p>
+ <p>
+ MY DEAR MR. GOTT: I am in receipt of your courteous communication of
+ recent date. I make it an unvarying rule to keep little ready money here
+ in East Harniss, preferring rather to let it remain at interest in the
+ financial institutions of the cities. Another rule of mine, peculiar, I
+ dare say&mdash;even eccentric, if you like&mdash;is never to pay by check.
+ I am expecting remittances from my attorneys, however, and will then bear
+ you in mind. Again thanking you for your courtesy, and begging you to
+ extend to your sister my kindest regards, I remain, my dear sir,
+ </p>
+ <p>
+ Yours very respectfully,
+ </p>
+ <p>
+ CUTHBERTSON SCOTT HARDEE.
+ </p>
+ <p>
+ P. S.&mdash;I shall be delighted to have the pleasure of entertaining your
+ sister and yourself at dinner at the hall on any date agreeable to you.
+ Kindly let me hear from you regarding this at your earliest convenience. I
+ must insist upon this privilege, so do not disappoint me, I beg.
+ </p>
+ <p>
+ The reception accorded this most gentlemanly epistle was peculiar. Mr.
+ Higgins laid it upon the table and put his hand into his own pocket. So
+ did Ezra Weeks, the butcher; Caleb Small, the dry goods dealer; &ldquo;Hen&rdquo;
+ Leadbetter, the livery stable keeper; &ldquo;Bash&rdquo; Taylor, the milkman, and
+ three or four others. And, wonder of wonders, each produced a sheet of
+ note paper exactly like Obed's.
+ </p>
+ <p>
+ They spread them out on the table. The dates were, of course, different,
+ and they differed in other minor particulars, but in the main they were
+ exactly alike. And each one of them ended with an invitation to dinner.
+ </p>
+ <p>
+ The members of the club looked at each other in amazement. Higgins was the
+ first to speak.
+ </p>
+ <p>
+ &ldquo;Godfrey mighty!&rdquo; he exclaimed. &ldquo;Say, this is funny, ain't it? It's more'n
+ funny; it's queer! By jimmy, it's more'n that&mdash;it's serious! Look
+ here, fellers; is there anybody in this crowd that the Major's paid for
+ anything any time?&rdquo;
+ </p>
+ <p>
+ They waited. No one spoke. Then, with one impulse, every face swung about
+ and looked up to where, upon the wall, hung the life-size photograph of
+ the Major, dignified, gracious, and gilt-framed. It had been presented to
+ the club two months before by Cuthbertson Scott Hardee, himself.
+ </p>
+ <p>
+ &ldquo;Ike&mdash;Ike Peters,&rdquo; said Higgins. &ldquo;Say, Ike&mdash;has he ever paid you
+ for havin' that took?&rdquo;
+ </p>
+ <p>
+ Mr. Peters, who was the town photographer, reddened, hesitated, and then
+ stammered, &ldquo;Why, no, he ain't, yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted Higgins. No one else said anything. One or two took out
+ pocket memorandum books and went over some figures entered therein.
+ Judging by their faces the results of these calculations were not
+ pleasing. Obed was the first to break the painful silence:
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; he exclaimed, sarcastically; &ldquo;ain't nobody got nothin' to say? If
+ they ain't, I have. Or, at any rate, I've got somethin' to do.&rdquo; And he
+ rose and started to put on his coat.
+ </p>
+ <p>
+ &ldquo;Hi! hold on a minute, Obed, you loon!&rdquo; cried Higgins. &ldquo;Where are you
+ goin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm goin' to put my bill in Squire Baker's hands for c'lection, and I'm
+ goin' to do it tonight, too.&rdquo;
+ </p>
+ <p>
+ He was on his way to the door, but two or three ran to stop him.
+ </p>
+ <p>
+ &ldquo;Don't be a fool, Obed,&rdquo; said Higgins. &ldquo;Don't go off ha'f cocked. Maybe
+ we're gittin' scared about nothin'. We don't know but we'll get every cent
+ that's owed us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't KNOW! Well, I ain't goin' to wait to find out. What makes me
+ b'ilin' is to think how we've set still and let a man that we never saw
+ afore last March, and don't know one blessed thing about, run up bills and
+ RUN 'em up. How we come to be such everlastin' fools I don't see! What did
+ we let him have the stuff for? Why didn't we make him pay? I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Now see here, Obed Gott,&rdquo; broke in Weeks, the butcher, &ldquo;you know why just
+ as well as we do. Why, blast it!&rdquo; he added earnestly, &ldquo;if he was to come
+ into my shop to-morrow and tip that old high hat of his, and smile and say
+ 'twas a fine mornin and 'How's the good lady to-day?' and all that, he'd
+ get ha'f the meat there was in the place, and I wouldn't say 'Boo'! I jest
+ couldn't, that's all.&rdquo;
+ </p>
+ <p>
+ This frank statement was received with approving nods and a chorus of
+ muttered &ldquo;That's so's.&rdquo;
+ </p>
+ <p>
+ &ldquo;It looks to me this way,&rdquo; declared Higgins. &ldquo;If the Major's all right,
+ he's a mighty good customer for all of us. If he ain't all right, we've
+ got to find it out, but we're in too deep to run resks of gettin' him mad
+ 'fore we know for sure. Let's think it over for a week. Inside of that
+ time some of us'll hint to him, polite but firm, you understand, that
+ we've got to have something on account. A week from to-night we'll meet in
+ the back room of my store, talk it over and decide what to do. What do you
+ say?&rdquo;
+ </p>
+ <p>
+ Everybody but Obed agreed. He declared that he had lost money enough and
+ wasn't going to be a fool any longer. The others argued with him patiently
+ for a while and then Leadbetter, the livery stable keeper, said sharply:
+ </p>
+ <p>
+ &ldquo;See here, Obe! You ain't the only one in this. How much does the Major
+ owe you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Pretty nigh twenty dollars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! You're lucky. He owes me over thirty, and I guess Higgins is worse
+ off than any of us. Ain't that so, Beriah?&rdquo;
+ </p>
+ <p>
+ &ldquo;About seventy, even money,&rdquo; answered the grocer, shortly. &ldquo;No use, Obed,
+ we've got to hang together. Wait a week and then see. And, fellers,&rdquo; he
+ added, &ldquo;don't tell a soul about this business, 'specially the women folks.
+ There ain't a woman nor girl in this town that don't think Major Hardee's
+ an A1, gold-plated saint, and twouldn't be safe to break the spell on a
+ guess.&rdquo;
+ </p>
+ <p>
+ Obed reached home even more disgruntled than when he left it. He sat up
+ until after twelve, thinking and smoking, and when he went to bed he had a
+ brilliant idea. The next morning he wrote a letter and posted it.
+ </p>
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V
+ </h2>
+ <h3>
+ A BABY AND A ROBBERY
+ </h3>
+ <p>
+ The morning train for Boston, at that season of the year, reached East
+ Harniss at five minutes to six, an &ldquo;ungodly hour,&rdquo; according to the
+ irascible Mr. Ogden Williams, who, in company with some of his wealthy
+ friends, the summer residents, was petitioning the railroad company for a
+ change in the time-table. When Captain Sol Berry, the depot master, walked
+ briskly down Main Street the morning following Mr. Gott's eventful evening
+ at the club, the hands of the clock on the Methodist church tower
+ indicated that the time was twenty minutes to six.
+ </p>
+ <p>
+ Issy McKay was already at the depot, the doors of which were open. Captain
+ Sol entered the waiting room and unlocked the ticket rack and the little
+ safe. Issy, languidly toying with the broom on the front platform, paused
+ in his pretense of sweeping and awaited permission to go home for
+ breakfast. It came, in characteristic fashion.
+ </p>
+ <p>
+ &ldquo;How's the salt air affectin' your appetite, Is?&rdquo; asked the Captain,
+ casually.
+ </p>
+ <p>
+ Issy, who, being intensely serious by nature, was uneasy when he suspected
+ the presence of a joke, confusedly stammered that he cal'lated his
+ appetite was all right.
+ </p>
+ <p>
+ &ldquo;Payin' for the Major's glass ain't kept you awake worryin', has it?&rdquo;
+ </p>
+ <p>
+ &ldquo;No-o, sir. I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;P'r'aps you thought he was the one to 'do the worryin', hey?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I don't know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, what's your folks goin' to have to eat this mornin'?&rdquo;
+ </p>
+ <p>
+ Issy admitted his belief that fried clams were to be the breakfast.
+ </p>
+ <p>
+ &ldquo;So? Clams? Is, did you ever read the soap advertisement about not bein' a
+ clam?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I don't know's I ever did. No, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right; I only called your attention to it as a warnin', that's all.
+ When anybody eats as many clams as you do there's a fair chance of his
+ turnin' into one. Now clear out, and don't stay so long at breakfast that
+ you can't get back in time for dinner. Trot!&rdquo;
+ </p>
+ <p>
+ Issy trotted. The depot master seated himself by the door of the ticket
+ office and fell into a reverie. It was interrupted by the entrance of
+ Hiram Baker. Captain Hiram was an ex-fishing skipper, fifty-five years of
+ age, who, with his wife, Sophronia, and their infant son, Hiram Joash
+ Baker, lived in a small, old-fashioned house at the other end of the
+ village, near the shore. Captain Hiram, having retired from the sea, got
+ his living, such as it was, from his string of fish traps, or &ldquo;weirs.&rdquo;
+ </p>
+ <p>
+ The depot master hailed the new arrival heartily.
+ </p>
+ <p>
+ &ldquo;Hello, there, Hiram!&rdquo; he cried, rising from his chair. &ldquo;Glad to see you
+ once in a while. Ain't goin' to leave us, are you? Not goin' abroad for
+ your health, or anything of that kind, hey?&rdquo;
+ </p>
+ <p>
+ Captain Baker laughed.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he answered. &ldquo;No further abroad than Hyannis. And I'll be back from
+ there tonight, if the Lord's willin' and the cars don't get off the track.
+ Give me a round trip ticket, will you, Sol?&rdquo;
+ </p>
+ <p>
+ The depot master retired to the office, returning with the desired ticket.
+ Captain Hiram counted out the price from a confused mass of coppers and
+ silver, emptied into his hand from a blackened leather purse, tied with a
+ string.
+ </p>
+ <p>
+ &ldquo;How's Sophrony?&rdquo; asked the depot master. &ldquo;Pretty smart, I hope.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yup, she's smart. Has to be to keep up with the rest of the family&mdash;'specially
+ the youngest.&rdquo;
+ </p>
+ <p>
+ He chuckled. His friend laughed in sympathy.
+ </p>
+ <p>
+ &ldquo;The youngest is the most important of all, I s'pose,&rdquo; he observed. &ldquo;How
+ IS the junior partner of H. Baker and Son?&rdquo;
+ </p>
+ <p>
+ &ldquo;He ain't a silent partner, I'll swear to that. Honest, Sol, I b'lieve my
+ 'Dusenberry' is the cutest young one outside of a show. I said so only
+ yesterday to Mr. Hilton, the minister. I did, and I meant it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we're all gettin' ready to celebrate his birthday. Ho, ho!&rdquo;
+ </p>
+ <p>
+ This was a standard joke and was so recognized and honored. A baby born on
+ the Fourth of July is sure of a national celebration of his birthday. And
+ to Captain Baker and his wife, no celebration, however widespread, could
+ do justice to the importance of the occasion. When, to answer the heart
+ longings of the child-loving couple married many years, the baby came, he
+ was accepted as a special dispensation of Providence and valued
+ accordingly.
+ </p>
+ <p>
+ &ldquo;He's got a real nice voice, Hiram,&rdquo; said Sophronia, gazing proudly at the
+ prodigy, who, clutched gingerly in his father's big hands, was screaming
+ his little red face black. &ldquo;I shouldn't wonder if he grew up to sing in
+ the choir.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's the kind of voice to make a fo'mast hand step lively!&rdquo; declared
+ Hiram. &ldquo;You'll see this boy on the quarter deck of a clipper one of these
+ days.&rdquo;
+ </p>
+ <p>
+ Naming him was a portentous proceeding and one not to be lightly gone
+ about. Sophronia, who was a Methodist by descent and early confirmation,
+ was of the opinion that the child should have a Bible name.
+ </p>
+ <p>
+ The Captain respected his wife's wishes, but put in an ardent plea for his
+ own name, Hiram.
+ </p>
+ <p>
+ &ldquo;There's been a Hiram Baker in our family ever since Noah h'isted the
+ main-r'yal on the ark,&rdquo; he declared. &ldquo;I'd kinder like to keep the
+ procession a-goin'.&rdquo;
+ </p>
+ <p>
+ They compromised by agreeing to make the baby's Christian name Hiram and
+ to add a middle name selected at random from the Scriptures. The big,
+ rickety family Bible was taken from the center table and opened with
+ shaking fingers by Mrs. Baker. She read aloud the first sentence that met
+ her eye: &ldquo;The son of Joash.&rdquo;
+ </p>
+ <p>
+ &ldquo;Joash!&rdquo; sneered her husband. &ldquo;You ain't goin' to cruelize him with that
+ name, be you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hiram Baker, do you dare to fly in the face of Scriptur'?&rdquo;
+ </p>
+ <p>
+ &ldquo;All right! Have it your own way. Go to sleep now, Hiram Joash, while I
+ sing 'Storm along, John,' to you.&rdquo;
+ </p>
+ <p>
+ Little Hiram Joash punched the minister's face with his fat fist when he
+ was christened, to the great scandal of his mother and the ill-concealed
+ delight of his father.
+ </p>
+ <p>
+ &ldquo;Can't blame the child none,&rdquo; declared the Captain. &ldquo;I'd punch anybody
+ that christened a middle name like that onto me.&rdquo;
+ </p>
+ <p>
+ But, in spite of his name, the baby grew and prospered. He fell out of his
+ crib, of course, the moment that he was able, and barked his shins over
+ the big shells by the what-not in the parlor the first time that he
+ essayed to creep. He teethed with more or less tribulation, and once upset
+ the household by an attack of the croup.
+ </p>
+ <p>
+ They gave up calling him by his first name, because of the Captain's
+ invariably answering when the baby was wanted and not answering when he
+ himself was wanted. Sophronia would have liked to call him Joash, but her
+ husband wouldn't hear of it. At length the father took to calling him
+ &ldquo;Dusenberry,&rdquo; and this nickname was adopted under protest.
+ </p>
+ <p>
+ Captain Hiram sang the baby to sleep every night. There were three songs
+ in the Captain's repertoire. The first was a chanty with a chorus of
+ </p>
+<pre xml:space="preserve">
+ John, storm along, storm along, John,
+ Ain't I glad my day's work's done.
+</pre>
+ <p>
+ The second was the &ldquo;Bowline Song.&rdquo;
+ </p>
+<pre xml:space="preserve">
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline! the bowline HAUL!
+</pre>
+ <p>
+ At the &ldquo;haul!&rdquo; the Captain's foot would come down with a thump. Almost the
+ first word little Hiram Joash learned was &ldquo;haul!&rdquo; He used to shout it and
+ kick his father vigorously in the vest.
+ </p>
+ <p>
+ These were fair-weather songs. Captain Hiram sang them when everything was
+ going smoothly. The &ldquo;Bowline Song&rdquo; indicated that he was feeling
+ particularly jubilant. He had another that he sang when he was worried. It
+ was a lugubrious ditty, with a refrain beginning:
+ </p>
+<pre xml:space="preserve">
+ Oh, sailor boy, sailor boy, 'neath the wild billow,
+ Thy grave is yawnin' and waitin' for thee.
+</pre>
+ <p>
+ He sang this during the worst of the teething period, and, later, when the
+ junior partner wrestled with the whooping cough. You could always tell the
+ state of the baby's health by the Captain's choice of songs.
+ </p>
+ <p>
+ Meanwhile Dusenberry grew and prospered. He learned to walk and to talk,
+ after his own peculiar fashion, and, at the mature age of two years and
+ six months, formally shipped as first mate aboard his father's dory. His
+ duties in this responsible position were to sit in the stern, securely
+ fastened by a strap, while the Captain and his two assistants rowed out
+ over the bar to haul the nets of the deep water fish weir.
+ </p>
+ <p>
+ The first mate gave the orders, &ldquo;All hands on deck! 'Tand by to det ship
+ under way!&rdquo; There was no &ldquo;sogerin'&rdquo; aboard the Hiram Junior&mdash;that was
+ the dory's name&mdash;while the first officer had command.
+ </p>
+ <p>
+ Captain Hiram, always ready to talk of the wonderful baby, told the depot
+ master of the youngster's latest achievement, which was to get the cover
+ off the butter firkin in the pantry and cover himself with butter from
+ head to heel.
+ </p>
+ <p>
+ &ldquo;Ho, ho, ho!&rdquo; he roared, delightedly, &ldquo;when Sophrony caught him at it,
+ what do you s'pose he said? Said he was playin' he was a slice of bread
+ and was spreadin' himself. Haw! haw!&rdquo;
+ </p>
+ <p>
+ Captain Sol laughed in sympathy.
+ </p>
+ <p>
+ &ldquo;But he didn't mean no harm by it,&rdquo; explained the proud father. &ldquo;He's got
+ the tenderest little heart in the world. When he found his ma felt bad he
+ bust out cryin' and said he'd scrape it all off again and when it come
+ prayer time he'd tell God who did it, so He'd know 'twa'n't mother that
+ wasted the nice butter. What do you think of that?&rdquo;
+ </p>
+ <p>
+ &ldquo;No use talkin', Hiram,&rdquo; said the depot master, &ldquo;that's the kind of boy to
+ have.&rdquo;
+ </p>
+ <p>
+ &ldquo;You bet you! Hello! here's the train. On time, for a wonder. See you
+ later, Sol. You take my advice, get married and have a boy of your own.
+ Nothin' like one for solid comfort.&rdquo;
+ </p>
+ <p>
+ The train was coming and they went out to meet it. The only passenger to
+ alight was Mr. Barzilla Wingate, whose arrival had been foretold by Bailey
+ Stitt the previous evening. Barzilla was part owner of a good-sized summer
+ hotel at Wellmouth Neck. He and the depot master were old friends.
+ </p>
+ <p>
+ After the train had gone Wingate and Captain Sol entered the station
+ together. The Captain had insisted that his friend come home with him to
+ breakfast, instead of going to the hotel. After some persuasion Barzilla
+ agreed. So they sat down to await Issy's arrival. The depot master could
+ not leave the station until the &ldquo;assistant&rdquo; arrived.
+ </p>
+ <p>
+ &ldquo;Well, Barzilla,&rdquo; asked Captain Sol, &ldquo;what's the newest craze over to the
+ hotel?&rdquo;
+ </p>
+ <p>
+ &ldquo;The newest,&rdquo; said Wingate, with a grin, &ldquo;is automobiles.&rdquo;
+ </p>
+ <p>
+ &ldquo;Automobiles? Why, I thought 'twas baseball.&rdquo;
+ </p>
+ <p>
+ &ldquo;Baseball was last summer. We had a championship team then. Yes, sir, we
+ won out, though for a spell it looked pretty dubious. But baseball's an
+ old story. We've had football since, and now&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Wait a minute! Football? Why, now I do remember. You had a football team
+ there and&mdash;and wa'n't there somethin' queer, some sort of a&mdash;a
+ robbery, or stealin', or swindlin' connected with it? Seems's if I'd heard
+ somethin' like that.&rdquo;
+ </p>
+ <p>
+ Mr. Wingate looked his friend over, winked, and asked a question.
+ </p>
+ <p>
+ &ldquo;Sol,&rdquo; he said, &ldquo;you ain't forgot how to keep a secret?&rdquo;
+ </p>
+ <p>
+ The depot master smiled. &ldquo;I guess not,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Well, then, I'm goin' to trust you with one. I'm goin' to tell you the
+ whole business about that robbin'. It's all mixed up with football and
+ millionaires and things&mdash;and it's a dead secret, the truth of it. So
+ when I tell you it mustn't go no further.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; he went on, &ldquo;it was late into August when Peter T. was took
+ down with the inspiration. Not that there was anything 'specially new in
+ his bein' took. He was subject to them seizures, Peter was, and every time
+ they broke out in a fresh place. The Old Home House itself was one of his
+ inspirations, so was the hirin' of college waiters, the openin' of the two
+ 'Annex' cottages, the South Shore Weather Bureau, and a whole lot more.
+ Sometimes, as in the weather-bureau foolishness, the disease left him and
+ t'other two patients&mdash;meanin' me and Cap'n Jonadab&mdash;pretty weak
+ in the courage, and wasted in the pocketbook; but gen'rally they turned
+ out good, and our systems and bank accounts was more healthy than normal.
+ One of Peter T.'s inspirations was consider'ble like typhoid fever&mdash;if
+ you did get over it, you felt better for havin' had it.
+ </p>
+ <p>
+ &ldquo;This time the attack was in the shape of a 'supplementary season.' 'Twas
+ Peter's idea that shuttin' up the Old Home the fust week in September was
+ altogether too soon.
+ </p>
+ <p>
+ &ldquo;'What's the use of quittin',' says he, 'while there's bait left and the
+ fish are bitin'? Why not keep her goin' through September and October? Two
+ or three ads&mdash;MY ads&mdash;in the papers, hintin' that the ducks and
+ wild geese are beginnin' to keep the boarders awake by roostin' in the
+ back yard and hollerin' at night&mdash;two or three of them, and we'll
+ have gunners here by the regiment. Other summer hotels do it, the
+ Wapatomac House and the rest, so why not us? It hurts my conscience to see
+ good money gettin' past the door 'count of the &ldquo;Not at Home&rdquo; sign hung on
+ the knob. What d'you say, partners?' says he.
+ </p>
+ <p>
+ &ldquo;Well, we had consider'ble to say, partic'lar Cap'n Jonadab. 'Twas too
+ risky and too expensive. Gunnin' was all right except for one thing&mdash;that
+ is, that there wa'n't none wuth mentionin'.
+ </p>
+ <p>
+ &ldquo;'Ducks are scurser round here than Democrats in a Vermont town-meetin','
+ growled the Cap'n. 'And as for geese! How long has it been since you see a
+ goose, Barzilla?'
+ </p>
+ <p>
+ &ldquo;'Land knows!' says I. 'I can remember as fur back as the fust time Washy
+ Sparrow left off workin', but I can't&mdash;'
+ </p>
+ <p>
+ &ldquo;Brown told us to shut up. Did we cal'late he didn't know what he was
+ talkin' about?
+ </p>
+ <p>
+ &ldquo;'I can see two geese right now,' he snaps; 'but they're so old and
+ leather-headed you couldn't shoot an idea into their brains with a cannon.
+ Gunnin' ain't the whole thing. My makin' a noise like a duck is only to
+ get the would-be Teddy Roosevelts headed for this neck of the woods. After
+ they get here, it's up to us to keep 'em. And I can think of as many ways
+ to do that as the Cap'n can of savin' a quarter. Our baseball team's been
+ a success, ain't it? Sure thing! Then why not a football team? Parker says
+ he'll get it together, and coach and cap'n it, too. And Robinson and his
+ daughter have agreed to stay till October fifteenth. So there's a start,
+ anyhow.'
+ </p>
+ <p>
+ &ldquo;'Twas a start, and a pretty good one. The Robinsons had come to the Old
+ Home about the fust of August, and they was our star boarders. 'G. W.
+ Robinson' was the old man's name as entered on the hotel log, and his
+ daughter answered to the hail of 'Grace'&mdash;that is, when she took a
+ notion to answer at all. The Robinsons was what Peter T. called
+ 'exclusive.' They didn't mix much with the rest of the bunch, but kept to
+ themselves in their rooms, partic'lar when a fresh net full of boarders
+ was hauled aboard. Then they seemed to take an observation of every
+ arrival afore they mingled; questioned the pedigree and statistics of all
+ hands, and acted mighty suspicious.
+ </p>
+ <p>
+ &ldquo;The only thing that really stirred Papa Robinson up and got him excited
+ and friendly was baseball and boat racin'. He was an old sport, that was
+ plain, the only real plain thing about him; the rest was mystery. As for
+ Grace, she wa'n't plain by a good sight, bein' what Brown called a
+ 'peach.' She could have had every single male in tow if she'd wanted 'em.
+ Apparently she didn't want em, preferrin' to be lonesome and sad and
+ interestin'. Yes, sir, there was a mystery about them Robinsons, and even
+ Peter T. give in to that.
+ </p>
+ <p>
+ &ldquo;'If 'twas anybody else,' says he, 'I'd say the old man was a crook, down
+ here hidin' from the police. But he's too rich for that, and always has
+ been. He ain't any fly-by-night. I can tell the real article without
+ lookin' for the &ldquo;sterlin'&rdquo; mark on the handle. But I'll bet all the
+ cold-storage eggs in the hotel against the henyard&mdash;and that's big
+ odds&mdash;that he wa'n't christened Robinson. And his face is familiar to
+ me. I've seen it somewhere, either in print or in person. I wish I knew
+ where.'
+ </p>
+ <p>
+ &ldquo;So if the Robinsons had agreed to stay&mdash;them and their two servants&mdash;that
+ was a big help, as Brown said. And Parker would help, too, though we
+ agreed there wa'n't no mystery about him. He was a big, broad-shouldered
+ young feller just out of college somewheres, who had drifted our way the
+ fortni't after the Robinsons came, with a reputation for athletics and a
+ leanin' toward cigarettes and Miss Grace. She leaned a little, too, but
+ hers wa'n't so much of a bend as his was. He was dead gone on her, and if
+ she'd have decided to stay under water, he'd have ducked likewise. 'Twas
+ easy enough to see why HE believed in a 'supplementary season.'
+ </p>
+ <p>
+ &ldquo;Me and Jonadab argued it out with Peter, and finally we met halfway, so's
+ to speak. We wouldn't keep the whole shebang open, but we'd shut up
+ everything but one Annex cottage, and advertise that as a Gunner's
+ Retreat. So we done it.
+ </p>
+ <p>
+ &ldquo;And it worked. Heavens to Betsy&mdash;yes! It worked so well that by the
+ second week in September we had to open t'other Annex. The gunnin' was
+ bad, but Peter's ads fetched the would-be's, and his 'excursions' and
+ picnics and the football team held 'em. The football team especial. Parker
+ cap'ned that, and, from the gunnin' crew and the waiters and some
+ fishermen in the village, he dug up an eleven that showed symptoms of
+ playin' the game. We played the Trumet High School, and beat it, thanks to
+ Parker, and that tickled Pa Robinson so that he bought a two-handled
+ silver soup tureen&mdash;'lovin' cup,' he called it&mdash;and agreed to
+ give it to the team round about that won the most of the series. So the
+ series was arranged, the Old Home House crowd and the Wapatomac House
+ eleven and three high-school gangs bein' in it. And 'twas practice,
+ practice, practice, from then on.
+ </p>
+ <p>
+ &ldquo;When we opened the second Annex, the question of help got serious. Most
+ of our college waiters had gone back to school, and we was pretty shy of
+ servants. So we put some extry advertisin' in the Cape weeklies, and
+ trusted in Providence.
+ </p>
+ <p>
+ &ldquo;The evenin' followin' the ad in the weeklies, I was settin' smokin' on
+ the back piazza of the shut-up main hotel, when I heard the gate click and
+ somebody crunchin' along the clam-shell path. I sung out: 'Ahoy, there!'
+ and the cruncher, whoever he was, come my way. Then I made out that he was
+ a tall young chap, with his hands in his pockets.
+ </p>
+ <p>
+ &ldquo;'Good evenin',' says he. 'Is this Mr. Brown?'
+ </p>
+ <p>
+ &ldquo;'Thankin' you for the compliment, it ain't,' I says. 'My name's Wingate.'
+ </p>
+ <p>
+ &ldquo;'Oh!' says he. 'Is that so? I've heard father speak of you, Mr. Wingate.
+ He is Solomon Bearse, of West Ostable. I think you know him slightly.'
+ </p>
+ <p>
+ &ldquo;Know him? Everybody on the Cape knows Sol Bearse; by reputation, anyhow.
+ He's the richest, meanest old cranberry grower and coastin'-fleet owner in
+ these parts.
+ </p>
+ <p>
+ &ldquo;'Is Sol Bearse your dad?' I asks, astonished. 'Why, then, you must be
+ Gus?'
+ </p>
+ <p>
+ &ldquo;'No,' he says. 'I'm the other one&mdash;Fred.'
+ </p>
+ <p>
+ &ldquo;'Oh, the college one. The one who's goin' to be a lawyer.'
+ </p>
+ <p>
+ &ldquo;'Well, yes&mdash;and no,' says he. 'I WAS the college one, as you call
+ it, but I'm not goin' to be a lawyer. Father and I have had some talk on
+ that subject, and I think we've settled it. I&mdash;well, just at present,
+ I'm not sure what I'm goin' to be. That's what I've come to you for. I saw
+ your ad in the Item, and&mdash;I want a job.'
+ </p>
+ <p>
+ &ldquo;I was set all aback, and left with my canvas flappin', as you might say.
+ Sol Bearse's boy huntin' a job in a hotel kitchen! Soon's I could fetch a
+ whole breath, I wanted partic'lars. He give 'em to me.
+ </p>
+ <p>
+ &ldquo;Seems he'd been sent out to one of the colleges in the Middle West by his
+ dad, who was dead set on havin' a lawyer in the family. But the more he
+ studied, the less he hankered for law. What he wanted to be was a
+ literature&mdash;a book-agent or a poet, or some such foolishness. Old
+ Sol, havin' no more use for a poet than he had for a poor relation, was
+ red hot in a minute. Was this what he'd been droppin' good money in the
+ education collection box for? Was this&mdash;etcetery and so on. He'd be&mdash;what
+ the church folks say he will be&mdash;if Fred don't go in for law. Fred,
+ he comes back that he'll be the same if he does. So they disowned each
+ other by mutual consent, as the Irishman said, and the boy marches out of
+ the front door, bag and baggage. And, as the poetry market seemed to be
+ sort of overly supplied at the present time, he decided he must do
+ somethin' to earn a dollar, and, seein' our ad, he comes to Wellmouth Port
+ and the Old Home.
+ </p>
+ <p>
+ &ldquo;'But look here,' says I, 'we ain't got no job for a literary. We need
+ fellers to pass pie and wash dishes. And THAT ain't no poem.'
+ </p>
+ <p>
+ &ldquo;Well, he thought perhaps he could help make up advertisin'.
+ </p>
+ <p>
+ &ldquo;'You can't,' I told him. 'One time, when Peter T. Brown was away, me and
+ Cap'n Jonadab cal'lated that a poetry advertisement would be a good idee
+ and we managed to shake out ten lines or so. It begun:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;When you're feelin' tired and pale
+ To the Old Home House you ought to come without fail.&rdquo;
+ </pre>
+ <p>
+ &ldquo;'We thought 'twas pretty slick, but we never got but one answer, and that
+ was a circular from one of them correspondence schools of authors, sayin'
+ they'd let us in on a course at cut rates. And the next thing we knew we
+ see that poem in the joke page of a Boston paper. I never&mdash;'
+ </p>
+ <p>
+ &ldquo;He laughed, quiet and sorrowful. He had the quietest way of speakin',
+ anyhow, and his voice was a lovely tenor. To hear it purrin' out of his
+ big, tall body was as unexpected as a hymn tune in a cent-in-the-slot
+ talkin' machine.
+ </p>
+ <p>
+ &ldquo;'Too bad,' he says. 'As a waiter, I'm afraid&mdash;'
+ </p>
+ <p>
+ &ldquo;Just then the door of one of the Annex houses opened sudden, and there
+ stood Grace Robinson. The light behind her showed her up plain as could
+ be. I heard Fred Bearse make a kind of gaspin' noise in his throat.
+ </p>
+ <p>
+ &ldquo;'What a lovely night!' she says, half to herself. Then she calls: 'Papa,
+ dear, you really ought to see the stars.'
+ </p>
+ <p>
+ &ldquo;Old man Robinson, who I judged was in the settin' room, snarled out
+ somethin' which wa'n't no compliment to the stars. Then he ordered her to
+ come in afore she catched cold. She sighed and obeyed orders, shuttin' the
+ door astern of her. Next thing I knew that literary tenor grabbed my arm&mdash;'twa'n't
+ no canary-bird grip, neither.
+ </p>
+ <p>
+ &ldquo;'Who was that?' he whispers, eager.
+ </p>
+ <p>
+ &ldquo;I told him. 'That's the name they give,' says I, 'but we have doubts
+ about its bein' the real one. You see, there's some mystery about them
+ Robinsons, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'I'll take that waiter's place,' he says, quick. 'Shall I go right in and
+ begin now? Don't stop to argue, man; I say I'll take it.'
+ </p>
+ <p>
+ &ldquo;And he did take it by main strength, pretty nigh. Every time I'd open my
+ mouth he'd shut it up, and at last I give in, and showed him where he
+ could sleep.
+ </p>
+ <p>
+ &ldquo;'You turn out at five sharp,' I told him. 'And you needn't bother to
+ write no poems while you're dressin', neither.'
+ </p>
+ <p>
+ &ldquo;'Good night,' he answers, brisk. 'Go, will you, please? I want to think.'
+ </p>
+ <p>
+ &ldquo;I went. 'Tain't until an hour later that I remembered he hadn't asked one
+ word concernin' the wages. And next mornin' he comes to me and suggests
+ that perhaps 'twould be as well if I didn't tell his real name. He was
+ pretty sure he'd been away schoolin' so long that he wouldn't be
+ recognized. 'And incognitos seem to be fashionable here,' he purrs, soft
+ and gentle.
+ </p>
+ <p>
+ &ldquo;I wouldn't know an incognito if I stepped on one, but the tenor voice of
+ him kind of made me sick.
+ </p>
+ <p>
+ &ldquo;'All right,' I snaps, sarcastic. 'Suppose I call you &ldquo;Willie.&rdquo; How'll
+ that do?'
+ </p>
+ <p>
+ &ldquo;'Do as well as anything, I guess,' he says. Didn't make no odds to him.
+ If I'd have called him 'Maud,' he'd have been satisfied.
+ </p>
+ <p>
+ &ldquo;He waited in Annex Number Two, which was skippered by Cap'n Jonadab. And,
+ for a poet, he done pretty well, so the Cap'n said.
+ </p>
+ <p>
+ &ldquo;'But say, Barzilla,' asks Jonadab, 'does that Willie thing know the
+ Robinsons?'
+ </p>
+ <p>
+ &ldquo;'Guess not,' I says. But, thinkin' of the way he'd acted when the girl
+ come to the door: 'Why?'
+ </p>
+ <p>
+ &ldquo;'Oh, nothin' much. Only when he come in with the doughnuts the fust
+ mornin' at breakfast, I thought Grace sort of jumped and looked funny.
+ Anyhow, she didn't eat nothin' after that. P'r'aps that was on account of
+ her bein' out sailin' the day afore, though.'
+ </p>
+ <p>
+ &ldquo;I said I cal'lated that was it, but all the same I was interested. And
+ when, a day or so later, I see Grace and Willie talkin' together earnest,
+ out back of the kitchen, I was more so. But I never said nothin'. I've
+ been seafarin' long enough to know when to keep my main hatch closed.
+ </p>
+ <p>
+ &ldquo;The supplementary season dragged along, but it wa'n't quite the success
+ it looked like at the start. The gunnin' that year was even worse than
+ usual, and excursions and picnics in late September ain't all joy, by no
+ manner of means. We shut up the second Annex at the end of the month, and
+ transferred the help to Number One. Precious few new boarders come, and a
+ good many of the old ones quit. Them that did stay, stayed on account of
+ the football. We was edgin' up toward the end of the series, and our team
+ and the Wapatomac crowd was neck and neck. It looked as if the final game
+ between them and us, over on their grounds, would settle who'd have the
+ soup tureen.
+ </p>
+ <p>
+ &ldquo;Pa Robinson and Parker had been quite interested in Willie when he fust
+ come. They thought he might play with the eleven, you see. But he
+ wouldn't. Set his foot right down.
+ </p>
+ <p>
+ &ldquo;'I don't care for athletics,' he says, mild but firm. 'They used to
+ interest me somewhat, but not now.'
+ </p>
+ <p>
+ &ldquo;The old man was crazy. He'd heard about Willie's literature leanin's, and
+ he give out that he'd never see a writer yet that wa'n't a 'sissy.' Wanted
+ us to fire Bearse right off, but we kept him, thanks to me. If he'd seen
+ the 'sissy' kick the ball once, same as I did, it might have changed his
+ mind some. He was passin' along the end of the field when the gang was
+ practicin', and the ball come his way. He caught it on the fly, and sent
+ it back with his toe. It went a mile, seemed so, whirlin' and whizzin'.
+ Willie never even looked to see where it went; just kept on his course for
+ the kitchen.
+ </p>
+ <p>
+ &ldquo;The big sensation hit us on the fifth of October, right after supper. Me
+ and Peter T. and Jonadab was in the office, when down comes Henry, old
+ Robinson's man servant, white as a sheet and wringin' his hands
+ distracted.
+ </p>
+ <p>
+ &ldquo;'Oh, I say, Mr. Brown!' says he, shakin' all over like a quicksand. 'Oh,
+ Mr. Brown, sir! Will you come right up to Mr. Sterz&mdash;I mean Mr.
+ Robinson's room, please, sir! 'E wants to see you gentlemen special.
+ 'Urry, please! 'Urry!'
+ </p>
+ <p>
+ &ldquo;So we ''urried,' wonderin' what on earth was the matter. And when we got
+ to the Robinson rooms, there was Grace, lookin' awful pale, and the old
+ man himself ragin' up and down like a horse mack'rel in a fish weir.
+ </p>
+ <p>
+ &ldquo;Soon as papa sees us, he jumped up in the air, so's to speak, and when he
+ lit 'twas right on our necks. His daughter, who seemed to be the sanest
+ one in the lot, run and shut the door.
+ </p>
+ <p>
+ &ldquo;'Look here, you!' raved the old gent, shakin' both fists under Peter T.'s
+ nose. 'Didn't you tell me this was a respectable hotel? And ain't we
+ payin' for respectability?'
+ </p>
+ <p>
+ &ldquo;Peter admitted it, bein' too much set back to argue, I cal'late.
+ </p>
+ <p>
+ &ldquo;'Yes!' rages Robinson. 'We pay enough for all the respectability in this
+ state. And yet, by the livin' Moses! I can't go out of my room to spoil my
+ digestion with your cussed dried-apple pie, but what I'm robbed!'
+ </p>
+ <p>
+ &ldquo;'Robbed!' the three of us gurgles in chorus.
+ </p>
+ <p>
+ &ldquo;'Yes, sir! Robbed! Robbed! ROBBED! What do you think I came here for? And
+ why do I stay here all this time? 'Cause I LIKE it? 'Cause I can't afford
+ a better place? No, sir! By the great horn spoon! I come here because I
+ thought in this forsaken hole I could get lost and be safe. And now&mdash;'
+ </p>
+ <p>
+ &ldquo;He tore around like a water spout, Grace trying to calm him, and Henry
+ and Suzette, the maid, groanin' and sobbin' accompaniments in the corner.
+ I looked at the dresser. There was silver-backed brushes and all sorts of
+ expensive doodads spread out loose, and Miss Robinson's watch and a
+ di'mond ring, and a few other knickknacks. I couldn't imagine a thief's
+ leavin' all that truck, and I said so.
+ </p>
+ <p>
+ &ldquo;'Them?' sputters Pa, frantic. 'What the brimstone blazes do you think I
+ care for them? I could buy that sort of stuff by the car-load, if I wanted
+ to. But what's been stole is&mdash;Oh, get out and leave me alone! You're
+ no good, the lot of you!'
+ </p>
+ <p>
+ &ldquo;'Father has had a valuable paper stolen from him,' explains Grace. 'A
+ very valuable paper.'
+ </p>
+ <p>
+ &ldquo;'Valuable!' howls her dad. 'VALUABLE! Why, if Gordon and his gang get
+ that paper, they've got ME, that's all. Their suit's as good as won, and I
+ know it. And to think that I've kept it safe up to within a month of the
+ trial, and now&mdash;Grace Sterzer, you stop pattin' my head. I'm no
+ pussy-cat! By the&mdash;' And so on, indefinite.
+ </p>
+ <p>
+ &ldquo;When he called his daughter Sterzer, instead of Robinson, I cal'lated he
+ was loony, sure enough. But Peter T. slapped his leg.
+ </p>
+ <p>
+ &ldquo;'Oh!' he says, as if he'd seen a light all to once. 'Ah, NOW I begin to
+ get wise. I knew your face was&mdash;See here, Mr. Sterzer&mdash;Mr.
+ Gabriel Sterzer&mdash;don't you think we'd better have a real, plain talk
+ on this matter? Let's get down to tacks. Was the paper you lost something
+ to do with the Sterzer-Gordon lawsuit? The Aluminum Trust case, you know?'
+ </p>
+ <p>
+ &ldquo;The old man stopped dancin', stared at him hard, and then set down and
+ wiped his forehead.
+ </p>
+ <p>
+ &ldquo;'Something to DO with it?' he groans. 'Why, you idiot, it was IT! If
+ Gordon's lawyers get that paper&mdash;and they've been after it for a year&mdash;then
+ the fat's all in the fire. There's nothin' left for me to do but
+ compromise.'
+ </p>
+ <p>
+ &ldquo;When Peter T. mentioned the name of Gabriel Sterzer, me and Jonadab begun
+ to see a light, too. 'Course you remember the bust-up of the Aluminum
+ Trust&mdash;everybody does. The papers was full of it. There'd been a row
+ among the two leadin' stockholders, Gabe Sterzer and 'Major' Gordon. Them
+ two double-back-action millionaires practically owned the trust, and the
+ state 'twas in, and the politics of that state, and all the politicians.
+ Each of 'em run three or four banks of their own, and a couple of
+ newspapers, and other things, till you couldn't rest. Then they had the
+ row, and Gabe had took his playthings and gone home, as you might say.
+ Among the playthings was a majority of the stock, and the Major had sued
+ for it. The suit, with pictures of the leadin' characters and the lawyers
+ and all, had been spread-eagled in the papers everywheres. No wonder
+ 'Robinson's' face was familiar.
+ </p>
+ <p>
+ &ldquo;But it seemed that Sterzer had held the trump card in the shape of the
+ original agreement between him and Gordon. And he hung on to it like the
+ Old Scratch to a fiddler. Gordon and his crowd had done everything, short
+ of murder, to get it; hired folks to steal it, and so on, because, once
+ they DID get it, Gabe hadn't a leg to stand on&mdash;he'd have to divide
+ equal, which wa'n't his desires, by a good sight. The Sterzer lawyers had
+ wanted him to leave it in their charge, but no&mdash;he knew too much for
+ that. The pig-headed old fool had carted it with him wherever he went, and
+ him and his daughter had come to the Old Home House because he figgered
+ nobody would think of their bein' in such an out-of-the-way place as that.
+ But they HAD thought of it. Anyhow, the paper was gone.
+ </p>
+ <p>
+ &ldquo;'But Mr. Robinzer&mdash;Sterson, I mean&mdash;' cut in Cap'n Jonadab,
+ 'you could have 'em took up for stealin', couldn't you? They wouldn't dare&mdash;'
+ </p>
+ <p>
+ &ldquo;''Course they'd dare! S'pose they don't know I wouldn't have that
+ agreement get in the papers? Dare! They'd dare anything. If they get away
+ with it, by hook or crook, all I can do is haul in my horns and
+ compromise. If they've got that paper, the suit never comes to trial.'
+ </p>
+ <p>
+ &ldquo;'Well, they ain't got it yet,' says Peter, decided. 'Whoever stole the
+ thing is right here in this boardin'-house, and it's up to us to see that
+ they stay here. Barzilla, you take care of the mail. No letters must go
+ out to-night. Jonadab, you set up and watch all hands, help and all.
+ Nobody must leave this place, if we have to tie em. And I'll keep a
+ gen'ral overseein' of the whole thing, till we get a detective. And&mdash;if
+ you'll stand the waybill, Mr. Sterzer&mdash;we'll have the best Pinkerton
+ in Boston down here in three hours by special train. By the way, are you
+ sure the thing IS lifted? Where was it?'
+ </p>
+ <p>
+ &ldquo;Old Gabe kind of colored up, and give in that 'twas under his pillow. He
+ always kept it there after the beds was made.
+ </p>
+ <p>
+ &ldquo;'Humph!' grunts Brown. 'Why didn't you hang it on the door-knob? Under
+ the pillow! If I was a sneak thief, the first place I'd look would be
+ under the pillow; after that I'd tackle the jewelry box and the safe.'
+ </p>
+ <p>
+ &ldquo;There was consider'ble more talk. Seems the Sterzers had left Henry on
+ guard, same as they always done, when they went to supper. They could
+ trust him and Suzette absolute, they said. But Henry had gone down the
+ hall after a drink of water, and when he had got back everything
+ apparently was all right. 'Twa'n't till Gabe himself come up that he found
+ the paper gone. I judged he'd made it interestin' for Henry; the poor
+ critter looked that way.
+ </p>
+ <p>
+ &ldquo;All hands agreed to keep mum for the present and to watch. Peter hustled
+ to the office and called up the Pinkertons over the long distance.&rdquo;
+ </p>
+ <p>
+ Mr. Wingate paused. Captain Sol was impatient.
+ </p>
+ <p>
+ &ldquo;Go on,&rdquo; he said. &ldquo;Don't stop now, I'm gettin' anxious.&rdquo;
+ </p>
+ <p>
+ Barzilla rose to his feet. &ldquo;Here's your McKay man back again,&rdquo; he said.
+ &ldquo;Let's go up to your house and have breakfast. We can talk while we're
+ eatin'. I'm empty as a poorhouse boarder's pocketbook.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI
+ </h2>
+ <h3>
+ AVIATION AND AVARICE
+ </h3>
+ <p>
+ Breakfast at Capt. Sol Berry's was a bountiful meal. The depot master
+ employed a middle-aged woman who came in each day, cooked his meals and
+ did the housework, returning to her own home at night. After Mr. Wingate
+ had mowed a clean swath through ham and eggs, cornbread and coffee, and
+ had reached the cooky and doughnut stage, he condescended to speak further
+ concerning the stolen paper.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he said, &ldquo;Brown give me and Jonadab a serious talkin' to when he
+ got us alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;'Now, fellers,' he says, 'we know what we've got to do. Nothin'll be too
+ good for this shebang and us if we get that agreement back. Fust place,
+ the thing was done a few minutes after the supper-bell rung. That is,
+ unless that 'Enry is in on the deal, which ain't unlikely, considerin' the
+ price he could get from the Gordon gang. Was anybody late at the tables?'
+ </p>
+ <p>
+ &ldquo;Why, yes; there were quite a few late. Two of the 'gunners,' who'd been
+ on a forlorn-hope duck hunt; and a minister and his wife, out walkin' for
+ their health; and Parker and two fellers from the football team, who'd
+ been practicin'.
+ </p>
+ <p>
+ &ldquo;'Any of the waiters or the chambermaids?' asked Peter.
+ </p>
+ <p>
+ &ldquo;I'd been expectin' he'd ask that, and I hated to answer.
+ </p>
+ <p>
+ &ldquo;'One of the waiters was a little late,' says I. 'Willie wa'n't on hand
+ immediate. Said he went to wash his hands.'
+ </p>
+ <p>
+ &ldquo;Now the help gen'rally washed in the fo'castle&mdash;the servants'
+ quarters, I mean&mdash;but there was a wash room on the floor where the
+ Sterzer-Robinsons roomed. Peter looked at Jonadab, and the two of 'em at
+ me. And I had to own up that Willie had come downstairs from that wash
+ room a few minutes after the bell rung.
+ </p>
+ <p>
+ &ldquo;'Hum!' says Peter T. 'Hum!' he says. 'Look here, Barzilla, didn't you
+ tell me you knew that feller's real name, and that he had been studying
+ law?'
+ </p>
+ <p>
+ &ldquo;'No,' says I, emphatic. 'I said 'twas law he was tryin' to get away from.
+ His tastes run large to literation and poetry.'
+ </p>
+ <p>
+ &ldquo;'Hum!' says Peter again. 'All papers are more or less literary&mdash;even
+ trust agreements. Hum!'
+ </p>
+ <p>
+ &ldquo;'All the same,' says I, 'I'll bet my Sunday beaver that HE never took
+ it.'
+ </p>
+ <p>
+ &ldquo;They didn't answer, but looked solemn. Then the three of us went on
+ watch.
+ </p>
+ <p>
+ &ldquo;Nobody made a move to go out that evenin'. I kept whatever mail was
+ handed in, but there was nothin' that looked like any agreements, and
+ nothin' addressed to Gordon or his lawyers. At twelve or so, the detective
+ come. Peter drove up to the depot to meet the special. He told the whole
+ yarn on the way down.
+ </p>
+ <p>
+ &ldquo;The detective was a nice enough chap, and we agreed he should be 'Mr.
+ Snow,' of New York, gunnin' for health and ducks. He said the watch must
+ be kept up all night, and in the mornin' he'd make his fust move. So said,
+ so done.
+ </p>
+ <p>
+ &ldquo;And afore breakfast that next mornin' we called everybody into the dinin'
+ room, boarders, help, stable hands, every last one. And Peter made a
+ little speech. He said that a very valuable paper had been taken out of
+ Mr. Robinson's room, and 'twas plain that it must be on the premises
+ somewhere. 'Course, nobody was suspicioned, but, speakin' for himself,
+ he'd feel better if his clothes and his room was searched through. How'd
+ the rest feel about it?
+ </p>
+ <p>
+ &ldquo;Well, they felt diff'rent ways, but Parker spoke up like a brick, and
+ said he wouldn't rest easy till HIS belongin's was pawed over, and then
+ the rest fell in line. We went through everybody and every room on the
+ place. Found nothin', of course. Snow&mdash;the detective&mdash;said he
+ didn't expect to. But I tell you there was some talkin' goin' on, just the
+ same. The minister, he hinted that he had some doubts about them
+ dissipated gunners; and the gunners cal'lated they never see a parson yet
+ wouldn't bear watchin'. As for me, I felt like a pickpocket, and, judgin'
+ from Jonadab's face, he felt the same.
+ </p>
+ <p>
+ &ldquo;The detective man swooped around quiet, bobbin' up in unexpected places,
+ like a porpoise, and askin' questions once in a while. He asked about most
+ everybody, but about Willie, especial. I judged Peter T. had dropped a
+ hint to him and to Gabe. Anyhow, the old critter give out that he wouldn't
+ trust a poet with the silver handles on his grandmarm's coffin. As for
+ Grace, she acted dreadful nervous and worried. Once I caught her swabbin'
+ her eyes, as if she'd been cryin'; but I'd never seen her and Willie
+ together but the one time I told you of.
+ </p>
+ <p>
+ &ldquo;Four days and nights crawled by. No symptoms yet. The Pinkertons was
+ watchin' the Gordon lawyers' office in New York, and they reported that
+ nothin' like that agreement had reached there. And our own man&mdash;Snow&mdash;said
+ he'd go bail it hadn't been smuggled off the premises sense HE struck
+ port. So 'twas safe so far; but where was it, and who had it?
+ </p>
+ <p>
+ &ldquo;The final football game, the one with Wapatomac, was to be played over on
+ their grounds on the afternoon of the fifth day. Parker, cap'n of the
+ eleven, give out that, considerin' everything, he didn't know but we'd
+ better call it off. Old Robinson&mdash;Sterzer, of course&mdash;wouldn't
+ hear of it.
+ </p>
+ <p>
+ &ldquo;'Not much,' says he. 'I wouldn't chance your losin' that game for forty
+ papers. You sail in and lick 'em!' or words to that effect.
+ </p>
+ <p>
+ &ldquo;So the eleven was to cruise across the bay in the Greased Lightnin',
+ Peter's little motor launch, and the rooters was to go by train later on.
+ 'Twas Parker's idee, goin' in the launch. 'Twould be more quiet, less
+ strain on the nerves of his men, and they could talk over plays and
+ signals on the v'yage.
+ </p>
+ <p>
+ &ldquo;So at nine o'clock in the forenoon they was ready, the whole team&mdash;three
+ waiters, two fishermen, one carpenter from up to Wellmouth Center, a
+ stable hand, and Parker and three reg'lar boarders. These last three was
+ friends of Parker's that he'd had come down some time afore. He knew they
+ could play football, he said, and they'd come to oblige him.
+ </p>
+ <p>
+ &ldquo;The eleven gathered on the front porch, all in togs and sweaters,
+ principally provided and paid for by Sterzer. Cap'n Parker had the ball
+ under his arm, and the launch was waitin' ready at the landin'. All the
+ boarders&mdash;except Grace, who was upstairs in her room&mdash;and most
+ of the help was standin' round to say good luck and good-by.
+ </p>
+ <p>
+ &ldquo;Snow, the detective, was there, and I whispered in his ear.
+ </p>
+ <p>
+ &ldquo;'Say,' I says, 'do you realize that for the fust time since the robbery
+ here's a lot of folks leavin' the house? How do you know but what&mdash;'
+ </p>
+ <p>
+ &ldquo;He winked and nodded brisk. 'I'll attend to that,' he says.
+ </p>
+ <p>
+ &ldquo;But he didn't have to. Parker spoke fust, and took the wind out of his
+ sails.
+ </p>
+ <p>
+ &ldquo;'Gentlemen,' says he, 'I don't know how the rest of you feel, but, as for
+ me, I don't start without clear skirts. I suggest that Mr. Brown and Mr.
+ Wingate here search each one of us, thoroughly. Who knows,' says he,
+ laughin', 'but what I've got that precious stolen paper tucked inside my
+ sweater? Ha! ha! Come on, fellers! I'll be first.'
+ </p>
+ <p>
+ &ldquo;He tossed the ball into a chair and marched into the office, the rest of
+ the players after him, takin' it as a big joke. And there the searchin'
+ was done, and done thorough, 'cause Peter asked Mr. Snow to help, and he
+ knew how. One thing was sure; Pa Gabe's agreement wa'n't hid about the
+ persons of that football team. Everybody laughed&mdash;that is, all but
+ the old man and the detective. Seemed to me that Snow was kind of
+ disappointed, and I couldn't see why. 'Twa'n't likely any of THEM was
+ thieves.
+ </p>
+ <p>
+ &ldquo;Cap'n Parker picked up his football and started off for the launch. He'd
+ got about ha'fway to the shore when Willie&mdash;who'd been stand-in' with
+ the rest of the help, lookin' on&mdash;stepped for'ard pretty brisk and
+ whispered in the ear of the Pinkerton man. The detective jumped, sort of,
+ and looked surprised and mighty interested.
+ </p>
+ <p>
+ &ldquo;'By George!' says he. 'I never thought of that.' Then he run to the edge
+ of the piazza and called.
+ </p>
+ <p>
+ &ldquo;'Mr. Parker!' he sings out. 'Oh, Mr. Parker!'
+ </p>
+ <p>
+ &ldquo;Parker was at the top of the little rise that slopes away down to the
+ landin'. The rest of the eleven was scattered from the shore to the hotel
+ steps. He turns, without stoppin', and answers.
+ </p>
+ <p>
+ &ldquo;'What is it?' he sings out, kind of impatient.
+ </p>
+ <p>
+ &ldquo;'There's just one thing we forgot to look at,' shouts Snow. 'Merely a
+ matter of form, but just bring that&mdash;Hey! Stop him! Stop him!'
+ </p>
+ <p>
+ &ldquo;For Parker, instead of comin' back, had turned and was leggin' it for the
+ launch as fast as he could, and that was some.
+ </p>
+ <p>
+ &ldquo;'Stop!' roars the Pinkerton man, jumpin' down the steps. 'Stop, or&mdash;'
+ </p>
+ <p>
+ &ldquo;'Hold him, Jim!' screeched Parker, over his shoulder. One of the biggest
+ men on the eleven&mdash;one of the three 'friends' who'd been so obligin'
+ as to come down on purpose to play football&mdash;made a dive, caught the
+ detective around the waist, and threw him flat.
+ </p>
+ <p>
+ &ldquo;'Go on, Ed!' he shouts. 'I've got him, all right.'
+ </p>
+ <p>
+ &ldquo;Ed&mdash;meanin' Parker&mdash;was goin' on, and goin' fast. All hands
+ seemed to be frozen stiff, me and Jonadab and Peter T. included. As for
+ me, I couldn't make head nor tail of the doin's; things was comin' too
+ quick for MY understandin'.
+ </p>
+ <p>
+ &ldquo;But there was one on that piazza who wa'n't froze. Fur from it! Willie,
+ the poet waiter, made a jump, swung his long legs over the porch-rail, hit
+ the ground, and took after that Parker man like a cat after a field mouse.
+ </p>
+ <p>
+ &ldquo;Run! I never see such runnin'! He fairly flashed across that lawn and
+ over the rise. Parker was almost to the landin'; two more jumps and he'd
+ been aboard the launch. If he'd once got aboard, a turn of the switch and
+ that electric craft would have had him out of danger in a shake. But them
+ two jumps was two too many. Willie riz off the ground like a flyin'
+ machine, turned his feet up and his head down, and lapped his arms around
+ Parker's knees. Down the pair of 'em went 'Ker-wallop!' and the football
+ flew out of Parker's arms.
+ </p>
+ <p>
+ &ldquo;In an eyewink that poet was up, grabs the ball, and comes tearin' back
+ toward us.
+ </p>
+ <p>
+ &ldquo;'Stop him!' shrieks Parker from astern.
+ </p>
+ <p>
+ &ldquo;'Head him off! Tackle him!' bellers the big chap who was hangin' onto the
+ detective.
+ </p>
+ <p>
+ &ldquo;They tell me that discipline and obeyin' orders is as much in football as
+ 'tis aboard ship. If that's so, every one of the Old Home House eleven was
+ onto their jobs. There was five men between Willie and the hotel, and they
+ all bore down on him like bats on a June bug.
+ </p>
+ <p>
+ &ldquo;'Get him!' howls Parker, racin' to help.
+ </p>
+ <p>
+ &ldquo;'Down him!' chimes in big Jim, his knee in poor Snow's back.
+ </p>
+ <p>
+ &ldquo;'Run, Bearse! Run!' whoops the Pinkerton man, liftin' his mouth out of
+ the sand.
+ </p>
+ <p>
+ &ldquo;He run&mdash;don't you worry about that! Likewise he dodged. One chap
+ swooped at him, and he ducked under his arms. Another made a dive, and he
+ jumped over him. The third one he pushed one side with his hand. 'Pushed!'
+ did I say? 'Knocked' would be better, for the feller&mdash;the carpenter
+ 'twas&mdash;went over and over like a barrel rollin' down hill. But there
+ was two more left, and one of 'em was bound to have him.
+ </p>
+ <p>
+ &ldquo;Then a window upstairs banged open.
+ </p>
+ <p>
+ &ldquo;'Oh, Mr. Bearse!' screamed a voice&mdash;Grace Sterzer's voice. 'Don't
+ let them get you!'
+ </p>
+ <p>
+ &ldquo;We all heard her, in spite of the shoutin' and racket. Willie heard her,
+ too. The two fellers, one at each side, was almost on him, when he
+ stopped, looked up, jumped back, and, as cool as a rain barrel in January,
+ he dropped that ball and kicked it.
+ </p>
+ <p>
+ &ldquo;I can see that picture now, like a tableau at a church sociable. The
+ fellers that was runnin', the others on the ground, and that literary pie
+ passer with his foot swung up to his chin.
+ </p>
+ <p>
+ &ldquo;And the ball! It sailed up and up in a long curve, began to drop, passed
+ over the piazza roof, and out of sight.
+ </p>
+ <p>
+ &ldquo;'Lock your door, Miss Sterzer,' sung out Fred Bearse&mdash;'Willie' for
+ short. 'Lock your door and keep that ball. I think your father's paper is
+ inside it.'
+ </p>
+ <p>
+ &ldquo;As sure as my name is Barzilla Wingate, he had kicked that football
+ straight through the open window into old Gabe's room.&rdquo;
+ </p>
+ <p>
+ The depot master whooped and slapped his knee. Mr. Wingate grinned
+ delightedly and continued:
+ </p>
+ <p>
+ &ldquo;There!&rdquo; he went on, &ldquo;the cat's out of the bag, and there ain't much more
+ to tell. Everybody made a bolt for the room, old Gabe and Peter T. in the
+ lead. Grace let her dad in, and the ball was ripped open in a hurry. Sure
+ enough! Inside, between the leather and the rubber, was the missin'
+ agreement. Among the jubilations and praise services nobody thought of
+ much else until Snow, the Pinkerton man, come upstairs, his clothes tore
+ and his eyes and nose full of sand.
+ </p>
+ <p>
+ &ldquo;'Humph!' says he. 'You've got it, hey? Good! Well, you haven't got friend
+ Parker. Look!'
+ </p>
+ <p>
+ &ldquo;Such of us as could looked out of the window. There was the launch, with
+ Parker and his three 'friends' in it, headin' two-forty for blue water.
+ </p>
+ <p>
+ &ldquo;'Let 'em go,' says old Gabe, contented. 'I wouldn't arrest 'em if I
+ could. This is no police-station job.'
+ </p>
+ <p>
+ &ldquo;It come out afterwards that Parker was a young chap just from law school,
+ who had gone to work for the firm of shysters who was attendin' to the
+ Gordon interests. They had tracked Sterzer to the Old Home House, and had
+ put their new hand on the job of gettin' that agreement. Fust he'd tried
+ to shine up to Grace, but the shine&mdash;her part of it&mdash;had wore
+ off. Then he decided to steal it; and he done it, just how nobody knows.
+ Snow, the detective, says he cal'lates Henry, the servant, is wiser'n most
+ folks thinks, fur's that's concerned.
+ </p>
+ <p>
+ &ldquo;Snow had found out about Parker inside of two days. Soon's he got the
+ report as to who he was, he was morally sartin that he was the thief. He'd
+ looked up Willie's record, too, and that was clear. In fact, Willie helped
+ him consider'ble. 'Twas him that recognized Parker, havin' seen him play
+ on a law-school team. Also 'twas Willie who thought of the paper bein' in
+ the football.
+ </p>
+ <p>
+ &ldquo;Land of love! What a hero they made of that waiter!
+ </p>
+ <p>
+ &ldquo;'By the livin' Moses!' bubbles old Gabe, shakin' both the boy's hands.
+ 'That was the finest run and tackle and the finest kick I ever saw
+ anywhere. I've seen every big game for ten years, and I never saw anything
+ half so good.'
+ </p>
+ <p>
+ &ldquo;The Pinkerton man laughed. 'There's only one chap on earth who can kick
+ like that. Here he is,' layin' his hand on 'Willie's' shoulder. Bearse,
+ the All-American half-back last year.'
+ </p>
+ <p>
+ &ldquo;Gabe's mouth fell open. 'Not &ldquo;Bung&rdquo; Bearse, of Yarvard!' he sings out.
+ 'Why! WHY!'
+ </p>
+ <p>
+ &ldquo;'Of course, father!' purrs his daughter, smilin' and happy. 'I knew him
+ at once. He and I were&mdash;er&mdash;slightly acquainted when I was at
+ Highcliffe.'
+ </p>
+ <p>
+ &ldquo;'But&mdash;but &ldquo;Bung&rdquo; Bearse!' gasps the old gent. 'Why, you rascal! I
+ saw you kick the goal that beat Haleton. Your reputation is worldwide.'
+ </p>
+ <p>
+ &ldquo;Willie&mdash;Fred Bearse, that is&mdash;shook his head, sad and
+ regretful.
+ </p>
+ <p>
+ &ldquo;'Thank you, Mr. Sterzer,' says he, in his gentle tenor. 'I have no desire
+ to be famous in athletics. My aspirations now are entirely literary.'
+ </p>
+ <p>
+ &ldquo;Well, he's got his literary job at last, bein' engaged as sportin' editor
+ on one of Gabe's papers. His dad, old Sol Bearse, seems to be pretty well
+ satisfied, partic'lar as another engagement between the Bearse family and
+ the Sterzers has just been given out.&rdquo;
+ </p>
+ <p>
+ Barzilla helped himself to another doughnut. His host leaned back in his
+ chair and laughed uproariously.
+ </p>
+ <p>
+ &ldquo;Well, by the great and mighty!&rdquo; he exclaimed, &ldquo;that Willie chap certainly
+ did fool you, didn't he. You can't always tell about these college
+ critters. Sometimes they break out unexpected, like chickenpox in the 'Old
+ Men's Home.' Ha! ha! Say, do you know Nate Scudder?&rdquo;
+ </p>
+ <p>
+ &ldquo;Know him? Course I know him! The meanest man on the Cape, and livin'
+ right in my own town, too! Well, if I didn't know him I might trust him,
+ and that would be the beginnin' of the end&mdash;for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;It sartin would. But what made me think of him was what he told me about
+ his nephew, who was a college chap, consider'ble like your 'Willie,' I
+ jedge. Nate and this nephew, Augustus Tolliver, was mixed up in that
+ flyin'-machine business, you remember.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know they was. Mixed up with that Professor Dixland the papers are
+ makin' such a fuss over. Wellmouth's been crazy over it all, but it
+ happened a year ago and nobody that I know of has got the straight inside
+ facts about it yet. Nate won't talk at all. Whenever you ask him he busts
+ out swearin' and walks off. His wife's got such a temper that nobody dared
+ ask her, except the minister. He tried it, and ain't been the same man
+ since.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; the depot master smilingly scratched his chin, &ldquo;I cal'late I've
+ got those inside facts.&rdquo;
+ </p>
+ <p>
+ &ldquo;You HAVE?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Nate gave 'em to me, under protest. You see, I know Nate pretty
+ well. I know some things about him that . . . but never mind that part. I
+ asked him and, at last, he told me. I'll have to tell you in his words,
+ 'cause half the fun was the way he told it and the way he looked at the
+ whole business. So you can imagine I'm Nate, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;'Twill be a big strain on my imagination to b'lieve you're Nate Scudder,
+ Sol Berry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks. However, you'll have to do it for a spell. Well, Nate said that
+ it really begun when the Professor and Olivia landed at the Wellmouth
+ depot with the freight car full of junk. Of course, the actual beginnin'
+ was further back than that, when that Harmon man come on from Philadelphy
+ and hunted him up, makin' proclamation that a friend of his, a Mr. Van
+ Brunt of New York, had said that Scudder had a nice quiet island to let
+ and maybe he could hire it.
+ </p>
+ <p>
+ &ldquo;Course Nate had an island&mdash;that little sun-dried sandbank a mile or
+ so off shore, abreast his house, which we used to call 'Horsefoot Bar.'
+ That crazy Van Brunt and his chum, Hartley, who lived there along with Sol
+ Pratt a year or so ago, re-christened it 'Ozone Island,' you remember.
+ Nate was willin' to let it. He'd let Tophet, if he owned it, and a fool
+ come along who wanted to hire it and could pay for the rent and heat.
+ </p>
+ <p>
+ &ldquo;So Nate and this Harmon feller rowed over to the Bar&mdash;to Ozone
+ Island, I mean&mdash;and the desolation and loneliness of it seemed to
+ suit him to perfection. So did the old house and big barn and all the
+ tumbledown buildin's stuck there in the beach-grass and sand. Afore they'd
+ left they made a dicker. He wa'n't the principal in it. He was the private
+ secretary and fust mate of Mr. Professor Ansel Hobart Dixland, the
+ scientist&mdash;perhaps Scudder'd heard of him?
+ </p>
+ <p>
+ &ldquo;Perhaps he had, but if so, Nate forgot it, though he didn't tell him
+ that. Harmon ordered a fifteen-foot-high board fence built all around the
+ house and barn, and made Nate swear not to tell a soul who was comin' nor
+ anything. Dixland might want the island two months, he said, or he might
+ want it two years. Nate didn't care. He was in for good pickin's, and
+ begun to pick by slicin' a liberal commission off that fencebuildin' job.
+ There was a whole passel of letters back and forth between Nate and
+ Harmon, and finally Nate got word to meet the victims at the depot.
+ </p>
+ <p>
+ &ldquo;There was the professor himself, an old dried-up relic with whiskers and
+ a temper; and there was Miss Olivia Dixland, his niece and housekeeper, a
+ slim, plain lookin' girl, who wore eyeglasses and a straight up and down
+ dress. And there was a freight car full of crates and boxes and land knows
+ what all. But nary sign was there of a private secretary and assistant.
+ The professor told Nate that Mr. Harmon's health had suddenly broke down
+ and he'd had to be sent South.
+ </p>
+ <p>
+ &ldquo;'It's a calamity,' says he; 'a real calamity! Harmon has been with me in
+ my work from the beginnin'; and now, just as it is approachin' completion,
+ he is taken away. They say he may die. It is very annoyin'.'
+ </p>
+ <p>
+ &ldquo;'Humph!' says Nate. 'Well, maybe it annoys HIM some, too; you can't tell.
+ What you goin' to do for a secretary?'
+ </p>
+ <p>
+ &ldquo;'I understand,' says the professor, 'that there is a person of
+ consider'ble scientific attainment residin' with you, Mr. Scudder, at
+ present. Harmon met him while he was here; they were in the same class at
+ college. Harmon recommended him highly. Olivia,' he says to the niece,
+ 'what was the name of the young man whom Harmon recommended?'
+ </p>
+ <p>
+ &ldquo;'Tolliver, Uncle Ansel,' answers the girl, lookin' kind of disdainful at
+ Nate. Somehow he had the notion that she didn't take to him fust rate.
+ </p>
+ <p>
+ &ldquo;'Hey?' sings out Nate. 'Tolliver? Why, that's Augustus! AUGUSTUS! well,
+ I'll be switched!'
+ </p>
+ <p>
+ &ldquo;Augustus Tolliver was Nate's nephew from up Boston way. Him and Nate was
+ livin' together at that time. Huldy Ann, Mrs. Scudder, was out West, in
+ Omaha, takin' care of a cousin of hers who was a chronic invalid and,
+ what's more to the purpose, owned a lot of stock in copper mines.
+ </p>
+ <p>
+ &ldquo;Augustus was a freckle-faced, spindle-shanked little critter, with
+ spectacles and a soft, polite way of speakin' that made you want to build
+ a fire under him to see if he could swear like a Christian. He had a big
+ head with consider'ble hair on the top of it and nothin' underneath but
+ what he called 'science' and 'sociology.' His science wa'n't nothin' but
+ tommy-rot to Nate, and the 'sociology' was some kind of drivel about
+ everybody bein' equal to everybody else, or better. 'Seemed to think 'twas
+ wrong to get a good price for a thing when you found a feller soft enough
+ to pay it. Did you ever hear the beat of that in your life?' says Nate.
+ </p>
+ <p>
+ &ldquo;However, Augustus had soaked so much science and sociology into that weak
+ noddle of his that they kind of made him drunk, as you might say, and the
+ doctor had sent him down to board with the Scudders and sleep it off.
+ 'Nervous prostration' was the way he had his symptoms labeled, and the
+ nerve part was all right, for if a hen flew at him he'd holler and run.
+ Scart! you never see such a scart cat in your born days. Scart of a boat,
+ scart of being seasick, scart of a gun, scart of everything! Most special
+ he was scart of Uncle Nate. The said uncle kept him that way so's he
+ wouldn't dast to kick at the grub him and Huldy Ann give him, I guess.
+ </p>
+ <p>
+ &ldquo;'Augustus Tolliver,' says old Dixland, noddin'. 'Yes, that is the name.
+ Has he had a sound scientific trainin'?'
+ </p>
+ <p>
+ &ldquo;'Scientific trainin'!' says Nate. 'Scientific trainin'? Why, you bet he's
+ had it! That's the only kind of trainin' he HAS had. He'll be just the
+ feller for you, Mr. Dixland.'
+ </p>
+ <p>
+ &ldquo;So that was settled, all but notifyin' Augustus. But Scudder sighted
+ another speculation in the offin', and hove alongside of it.
+ </p>
+ <p>
+ &ldquo;'Mr. Harmon, when he was here,' says he, 'he mentioned you needin' a
+ nice, dependable man to live on the island and be sort of general
+ roustabout. My wife bein' away just now, and all, it struck me that I
+ might as well be that man. Maybe my terms'll seem a little high, at fust
+ mention, but&mdash;'
+ </p>
+ <p>
+ &ldquo;'Very good,' says the professor, 'very good. I'm sure you'll be
+ satisfactory. Now please see to the unloading of that car. And be careful,
+ VERY careful.'
+ </p>
+ <p>
+ &ldquo;Nate broke the news to Augustus that afternoon. He had his nose stuck in
+ a book, as usual, and never heard, so Nate yelled at him like a mate on a
+ tramp steamer, just to keep in trainin'.
+ </p>
+ <p>
+ &ldquo;'Who? Who? Who? What? What?' squeals Augustus, jumpin' out of the chair
+ as if there was pins in it. 'What is it? Who did it? Oh, my poor nerves!'
+ </p>
+ <p>
+ &ldquo;'Drat your poor nerves!' Nate says. 'I've got a good promisin' job for
+ you. Listen to this.'
+ </p>
+ <p>
+ &ldquo;Then he told about the professor's wantin' Gus to be assistant and help
+ do what the old man called 'experiments.'
+ </p>
+ <p>
+ &ldquo;'Dixland?' says Gus, 'Ansel Hobart Dixland, the great scientist! And I'm
+ to be HIS assistant? Assistant to the man who discovered DIXIUM and
+ invented&mdash;'
+ </p>
+ <p>
+ &ldquo;'Oh, belay there!' snorts Nate, impatient. Tell me this&mdash;he's awful
+ rich, ain't he?'
+ </p>
+ <p>
+ &ldquo;'Why, I believe&mdash;yes, Harmon said he was. But to think of MY bein'&mdash;'
+ </p>
+ <p>
+ &ldquo;'Now, nephew,' Nate cut in, 'let me talk to you a minute. Me and your
+ Aunt Huldy Ann have been mighty kind to you sence you've been here, and
+ here's your chance to do us a good turn. You stick close to science and
+ the professor and let me attend to the finances. If this family ain't well
+ off pretty soon it won't be your Uncle Nate's fault. Only don't you put
+ your oar in where 'tain't needed.'
+ </p>
+ <p>
+ &ldquo;Lord love you, Gus didn't care about finances. He was so full of joy at
+ bein' made assistant to the great Ansel Whiskers Dixland that he forgot
+ everything else, nerves and all.
+ </p>
+ <p>
+ &ldquo;So in another day the four of 'em was landed on Ozone Island and so was
+ the freight-car load of crates and boxes. Grub and necessaries was to be
+ provided by Scudder&mdash;for salary as stated and commission understood.
+ </p>
+ <p>
+ &ldquo;It took Nate less than a week to find out what old Dixland was up to.
+ When he learned it, he set down in the sand and fairly snorted disgust.
+ The old idiot was cal'latin' to FLY. Seems that for years he'd been
+ experimentin' with what he called 'aeroplanes,' and now he'd reached the
+ stage where he b'lieved he could flap his wings and soar. 'Thinks I,' says
+ Nate, 'your life work's cut out for you, Nate Scudder. You'll spend the
+ rest of your days as gen'ral provider for the Ozone private asylum.' Well,
+ Scudder wa'n't complainin' none at the outlook. He couldn't make a good
+ livin' no easier.
+ </p>
+ <p>
+ &ldquo;The aeroplane was in sections in them boxes and crates. Nate and Augustus
+ and the professor got out the sections and fitted 'em together. The
+ buildin's on Ozone was all joined together&mdash;first the house, then the
+ ell, then the wash-rooms and big sheds, and, finally, the barn. There was
+ doors connectin', and you could go from house to barn, both downstairs and
+ up, without steppin' outside once.
+ </p>
+ <p>
+ &ldquo;'Twas in the barn that they built what Whiskers called the 'flyin'
+ stage.' 'Twas a long chute arrangement on trestles, and the idea was that
+ the aeroplane was to get her start by slidin' down the chute, out through
+ the big doors and off by the atmosphere route to glory. I say that was the
+ IDEA. In practice she worked different.
+ </p>
+ <p>
+ &ldquo;Twice the professor made proclamations that everything was ready, and
+ twice they started that flyin' machine goin'. The fust time Dixland was at
+ the helm, and him and the aeroplane dropped headfust into the sandbank
+ just outside the barn. The machine was underneath, and the pieces of it
+ acted as a fender, so all the professor fractured was his temper. But it
+ took ten days to get the contraption ready for the next fizzle. Then poor,
+ shaky, scart Augustus was pilot, and he went so deep into the bank that
+ Nate says he wondered whether 'twas wuth while doin' anything but orderin'
+ the gravestone. But they dug him out at last, whole, but frightened blue,
+ and his nerves was worse than ever after that.
+ </p>
+ <p>
+ &ldquo;Then old Dixland announces that he has discovered somethin' wrong in the
+ principle of the thing, and they had to wait while he ordered some new
+ fittin's from Boston.
+ </p>
+ <p>
+ &ldquo;Meanwhile there was other complications settin' in. Scudder was kept busy
+ providin' grub and such like and helpin' the niece, Olivia, with the
+ housework. Likewise he had his hands full keepin' the folks alongshore
+ from findin' out what was goin' on. All this flyin' foolishness had to be
+ a dead secret.
+ </p>
+ <p>
+ &ldquo;But, busy as he was, he found time to notice the thick acquaintance that
+ was developin' between Augustus and Olivia. Them two was what the minister
+ calls 'kindred sperrits.' Seems she was sufferin' from science same as he
+ was and, more'n that, she was loaded to the gunwale with 'social reform.'
+ To hear the pair of 'em go on about helpin' the poor and 'settlement work'
+ and such was enough, accordin' to Nate, to make you leave the table. But
+ there! He couldn't complain. Olivia was her uncle's only heir, and Nate
+ could see a rainbow of promise ahead for the Scudder family.
+ </p>
+ <p>
+ &ldquo;The niece was a nice, quiet girl. The only thing Nate had against her,
+ outside of the sociology craziness and her not seemin' to take a shine to
+ him, was her confounded pets. Nate said he never had no use for pets&mdash;lazy
+ critters, eatin' up the victuals and costin' money&mdash;but Olivia was
+ dead gone on 'em. She adopted an old reprobate of a tom-cat, which she
+ labeled 'Galileo,' after an Eyetalian who invented spyglasses or somethin'
+ similar, and a great big ugly dog that answered to the hail of 'Phillips
+ Brooks'; she named him that because she said the original Phillips was a
+ distinguished parson and a great philanthropist.
+ </p>
+ <p>
+ &ldquo;That dog was a healthy philanthropist. When Nate kicked him the first
+ time, he chased him the whole length of the barn. After that they had to
+ keep him chained up. He was just pinin' for a chance to swaller Scudder
+ whole, and he showed it.
+ </p>
+ <p>
+ &ldquo;Well, as time went on, Olivia and Augustus got chummier and chummier.
+ Nate give 'em all the chance possible to be together, and as for old
+ Professor Whiskers, all he thought of, anyway, was his blessed flyin'
+ machine. So things was shapin' themselves well, 'cordin' to Scudder's
+ notion.
+ </p>
+ <p>
+ &ldquo;One afternoon Nate come, unexpected, to the top of a sand hill at t'other
+ end of the island, and there, below, set Olivia and Augustus. He had a
+ clove hitch 'round her waist, and they was lookin' into each other's
+ spectacles as if they was windows in the pearly gates. Thinks Nate:
+ 'They've signed articles,' and he tiptoed away, feelin' that life wa'n't
+ altogether an empty dream.
+ </p>
+ <p>
+ &ldquo;They was lively hours, them that followed. To begin with, when Nate got
+ back to the barn he found the professor layin' on the floor, under the
+ flyin' stage, groanin' soulful but dismal. He'd slipped off one of the
+ braces of the trestles and sprained both wrists and bruised himself till
+ he wa'n't much more than one big lump. He hadn't bruised his tongue none
+ to speak of, though, and his language wa'n't sprained so that you'd notice
+ it. What broke him up most of all was that he'd got his aeroplane ready to
+ 'fly' again, and now he was knocked out so's he couldn't be aboard when
+ she went off the ways.
+ </p>
+ <p>
+ &ldquo;'It is the irony of fate,' says he.
+ </p>
+ <p>
+ &ldquo;'I got it off the blacksmith over to Wellmouth Centre,' Nate told him;
+ 'but HE might have got it from Fate, or whoever you mean. 'Twas slippery
+ iron, I know that, and I warned you against steppin' on it yesterday.'
+ </p>
+ <p>
+ &ldquo;The professor more'n hinted that Nate was a dunderhead idiot, and then he
+ commenced to holler for Tolliver; he wanted to see Tolliver right off.
+ Scudder thought he'd ought to see a doctor, but he wouldn't, so Nate
+ plastered him up best he could, got him into the big chair in the front
+ room, and went huntin' Augustus. Him and Olivia was still camped in the
+ sand bank. Gus's right arm had got tired by this time, I cal'late, but he
+ had a new hitch with his left. Likewise they was still starin' into each
+ other's specs.
+ </p>
+ <p>
+ &ldquo;'Excuse me for interruptin' the mesmerism,' says Nate, 'but the professor
+ wants to see you.'
+ </p>
+ <p>
+ &ldquo;They jumped and broke away. But it took more'n that to bring 'em down out
+ of the clouds. They'd been flyin' a good sight higher than the old
+ aeroplane had yet.
+ </p>
+ <p>
+ &ldquo;'Uncle Nathan,' says Augustus, gettin' up and shakin' hands, 'I have the
+ most wonderful news for you. It's hardly believable. You'll never guess
+ it.'
+ </p>
+ <p>
+ &ldquo;'Give me three guesses and I'll win on the fust,' says Nate. 'You two are
+ engaged.'
+ </p>
+ <p>
+ &ldquo;They looked at him as if he'd done somethin' wonderful. 'But, Uncle,'
+ says Gus, shakin' hands again, 'just think! she's actually consented to
+ marry me.'
+ </p>
+ <p>
+ &ldquo;'Well, that's gen'rally understood to be a part of engagin', ain't it?'
+ says Nate. 'I'm glad to hear it. Miss Dixland, I congratulate you. You've
+ got a fine, promisin' young man.'
+ </p>
+ <p>
+ &ldquo;That, to Nate's notion, was about the biggest lie he ever told, but
+ Olivia swallered it for gospel. She seemed to thaw toward Scudder a little
+ mite, but 'twa'n't at a permanent melt, by no means.
+ </p>
+ <p>
+ &ldquo;'Thank you, Mr. Scudder,' says she, still pretty frosty. 'I am full aware
+ of Mr. Tolliver's merits. I'm glad to learn that YOU recognize them. He
+ has told some things concernin' his stay at your home which&mdash;'
+ </p>
+ <p>
+ &ldquo;'Yes, yes,' says Nate, kind of hurried. 'Well, I'm sorry to dump bad news
+ into a puddle of happiness like this, but your Uncle Ansel, Miss Dixland,
+ has been tryin' to fly without his machine, and he's sorry for it.'
+ </p>
+ <p>
+ &ldquo;Then he told what had happened to the professor, and Olivia started on
+ the run for the house. Augustus was goin', too, but Nate held him back.
+ </p>
+ <p>
+ &ldquo;'Wait a minute, Gus,' says he. 'Walk along with me; I want to talk with
+ you. Now, as an older man, your nighest relation, and one that's come to
+ love you like a son&mdash;yes, sir, like a son&mdash;I think it's my duty
+ just now to say a word of advice. You're goin' to marry a nice girl that's
+ comin' in for a lot of money one of these days. The professor, he's kind
+ of old, his roof leaks consider'ble, and this trouble is likely to hurry
+ the end along.
+ </p>
+ <p>
+ &ldquo;'Now, then,' Nate goes on, 'Augustus, my boy, what are you and that
+ simple, childlike girl goin' to do with all that money? How are you goin'
+ to take care of it? You and 'Livia&mdash;you mustn't mind my callin' her
+ that 'cause she's goin' to be one of the family so soon&mdash;you'll want
+ to be fussin' with science and such, and you won't have no time to attend
+ to the finances. You'll need a good, safe person to be your financial
+ manager. Well, you know me and you know your Aunt Huldy Ann. WE know all
+ about financin'; WE'VE had experience. You just let us handle the bonds
+ and coupons and them trifles. We'll invest 'em for you. We'll be yours and
+ 'Livia's financial managers. As for our wages, maybe they'll seem a little
+ high, but that's easy arranged. And&mdash;'
+ </p>
+ <p>
+ &ldquo;Gus interrupted then. 'Oh, that's all settled,' he says. 'Olivia and I
+ have planned all that. When we're married we shall devote our lives to
+ social work&mdash;to settlement work. All the money we ever get we shall
+ use to help the poor. WE don't want any of it. We shall live AMONG the
+ poor, live just as frugally as they do. Our money we shall give&mdash;every
+ cent of it&mdash;to charity and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Lord sakes!' yells Nate, 'DON'T talk that way! Don't! Be you crazy, too?
+ Why&mdash;'
+ </p>
+ <p>
+ &ldquo;But Gus went on, talkin' a steady streak about livin' in a little
+ tenement in what he called the 'slums' and chuckin' the money to this
+ tramp and that, till Nate's head was whirlin'. 'Twa'n't no joke. He meant
+ it and so did she, and they was just the pair of loons to do it, too.
+ </p>
+ <p>
+ &ldquo;Afore Nate had a chance to think up anything sensible to say, Olivia
+ comes hollerin' for Gus to hurry. Off he went, and Nate followed along,
+ holdin' his head and staggerin' like a voter comin' home from a political
+ candidate's picnic. All he could think of was: 'THIS the end of all my
+ plannin'! What&mdash;WHAT'LL Huldy Ann say to THIS?'
+ </p>
+ <p>
+ &ldquo;Nate found the professor bolstered up in his chair, with the other two
+ standin' alongside. He was layin' down the law about that blessed
+ aeroplane.
+ </p>
+ <p>
+ &ldquo;'No! no! NO! I tell you!' he roars, 'I'll see no doctor. My invention is
+ ready at last, and, if I'm goin' to die, I'll die successful. Tolliver,
+ you've been a faithful worker with me, and yours shall be the privilege of
+ makin' the first flight. Wheel me to the window, Olivia, and let me see my
+ triumph.'
+ </p>
+ <p>
+ &ldquo;But Olivia didn't move. Instead, she looked at Augustus and he at her.
+ 'Wheel me to the window!' yells Dixland. 'Tolliver, what are you waitin' for?
+ The doors are open, the aeroplane is ready. Go this instant and fly.'
+ </p>
+ <p>
+ &ldquo;Augustus was a bird all right, 'cordin' to Nate's opinion, but he didn't
+ seem anxious to spread his wings. He was white, and them nerves of his was
+ all in a twitter. If ever there was a scart critter, 'twas him then.
+ </p>
+ <p>
+ &ldquo;'Go out and fly,' says Nate to him, pretty average ugly. 'Don't you hear
+ the boss's order? Here, professor, I'll push you to the window.'
+ </p>
+ <p>
+ &ldquo;'Thank you, Scudder,' says Dixland. And then turnin' to Gus: 'Well, sir,
+ may I ask why you wait?'
+ </p>
+ <p>
+ &ldquo;'Twas Olivia that answered. 'Uncle Ansel,' says she, 'I must tell you
+ somethin'. I should have preferred tellin' you privately,' she puts in,
+ glarin' at Nate, 'but it seems I can't. Mr. Tolliver and I are engaged to
+ be married.'
+ </p>
+ <p>
+ &ldquo;Old Whiskers didn't seem to care a continental. All he had in his addled
+ head was that flyin' contraption.
+ </p>
+ <p>
+ &ldquo;'All right, all right,' he snaps, fretty, 'I'm satisfied. He appears to
+ be a decent young man enough. But now I want him to start my aeroplane.'
+ </p>
+ <p>
+ &ldquo;'No, Uncle Ansel,' goes on Olivia, 'I cannot permit him to risk his life
+ in that way. His nerves are not strong and neither is his heart. Besides,
+ the aeroplane has failed twice. Luckily no one was killed in the other
+ trials, but the chances are that the third time may prove fatal.'
+ </p>
+ <p>
+ &ldquo;'Fatal, you imbecile!' shrieks the professor. 'It's perfected, I tell
+ you! I&mdash;'
+ </p>
+ <p>
+ &ldquo;'It makes no difference. No, uncle, Augustus and I have made up our
+ minds. His life and health are too precious; he must be spared for the
+ grand work that we are to do together. No, Uncle Ansel, he shall NOT fly.'
+ </p>
+ <p>
+ &ldquo;Did you ever see a cat in a fit? That was the professor just then, so
+ Nate said. He tried to wave his sprained wrists and couldn't; tried to
+ stamp his foot and found it too lame. But his eyeglasses flashed sparks
+ and his tongue spit fire.
+ </p>
+ <p>
+ &ldquo;'Are you goin' to start that machine?' he screams at the blue-white,
+ shaky Augustus.
+ </p>
+ <p>
+ &ldquo;'No, Professor Dixland,' stammers Gus. 'No, sir, I'm sorry, but&mdash;'
+ </p>
+ <p>
+ &ldquo;'Why don't you ask Mr. Scudder to make the experiment, uncle?' suggests
+ that confounded niece, smilin' the spitefullest smile.
+ </p>
+ <p>
+ &ldquo;'Scudder,' says the professor, 'I'll give you five thousand dollars cash
+ to start in that aeroplane this moment.'
+ </p>
+ <p>
+ &ldquo;For a jiffy Nate was staggered. Five thousand dollars CASH&mdash;whew!
+ But then he thought of how deep Gus had been shoved into that sandbank.
+ And there was a new and more powerful motor aboard the thing now. Five
+ thousand dollars ain't much good to a telescoped corpse. He fetched a long
+ breath.
+ </p>
+ <p>
+ &ldquo;'Well, now, Mr. Dixland,' he says, 'I'd like to, fust rate, but you see I
+ don't know nothin' about mechanics.'
+ </p>
+ <p>
+ &ldquo;'Professor&mdash;' begins Augustus. 'Twas the final straw. Old Whiskers
+ jumped out of the chair, lameness and all.
+ </p>
+ <p>
+ &ldquo;'Out of this house, you ingrate!' he bellers. 'Out this instant! I
+ discharge you. Go! go!'
+ </p>
+ <p>
+ &ldquo;He was actually frothin' at the mouth. I cal'late Olivia thought he was
+ goin' to die, for she run to him.
+ </p>
+ <p>
+ &ldquo;'You'd better go, I think,' says she to her shakin' beau. 'Go, dear, now.
+ I must stay with him for the present, but we will see each other soon. Go
+ now, and trust me.'
+ </p>
+ <p>
+ &ldquo;'I disown you, you ungrateful girl,' foams her uncle. 'Scudder, I order
+ you to put that&mdash;that creature off this island.'
+ </p>
+ <p>
+ &ldquo;'Yes, sir,' says Nate, polite; 'in about two shakes of a heifer's tail.'
+ </p>
+ <p>
+ &ldquo;He started for Augustus, and Gus started for the door. I guess Olivia
+ might have interfered, but just then the professor keels over in a kind of
+ faint and she had to tend to him. Gus darts out of the door with Nate
+ after him. Scudder reached the beach just as his nephew was shovin' off in
+ the boat, bound for the mainland.
+ </p>
+ <p>
+ &ldquo;'Consarn your empty head!' Nate yelled after him. 'See what you get by
+ not mindin' me, don't you? I'm runnin' things on this island after this.
+ I'm boss here; understand? When you're ready to sign a paper deedin' over
+ ha'f that money your wife's goin' to get to me and Huldy Ann, maybe I'll
+ let you come back. And perhaps then I'll square things for you with
+ Dixland. But if you dare to set foot on these premises until then I'll
+ murder you; I'll drown you; I'll cut you up for bait; I'll feed you to the
+ dog.'
+ </p>
+ <p>
+ &ldquo;He sculled off, his oars rattlin' 'Hark from the tomb' in the rowlocks.
+ He b'lieved Nate meant it all. Oh, Scudder had HIM trained all right.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VII
+ </h2>
+ <h3>
+ CAPTAIN SOL DECIDES TO MOVE
+ </h3>
+ <p>
+ &ldquo;Trust Nate for that,&rdquo; interrupted Wingate. &ldquo;He's just as much a born
+ bully as he is a cheat and a skinflint.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yup,&rdquo; went on Captain Sol. &ldquo;Well, when Nate got back to the house the
+ professor was alone in the chair, lookin' sick and weak. Olivia was up in
+ her room havin' a cryin' fit. Nate got the old man to bed, made him some
+ clam soup and hot tea, and fetched and carried for him like he was a baby.
+ The professor's talk was mainly about the ungrateful desertion, as he
+ called it, of his assistant.
+ </p>
+ <p>
+ &ldquo;'Keep him away from this island,' he says. 'If he comes, I shall commit
+ murder; I know it.'
+ </p>
+ <p>
+ &ldquo;Scudder promised that Augustus shouldn't come back. The professor wanted
+ guard kept night and day. Nate said he didn't know's he could afford so
+ much time, and Dixland doubled his wages on the spot. So Nate agreed to
+ stand double watches, made him comfort'ble for the night, and left him.
+ </p>
+ <p>
+ &ldquo;Olivia didn't come downstairs again. She didn't seem to want any supper,
+ but Nate did and had it, a good one. Galileo, the cat, came yowlin'
+ around, and Nate kicked him under the sofy. Phillips Brooks was howlin'
+ starvation in the woodshed, and Scudder let him howl. If he starved to
+ death Nate wouldn't put no flowers on his grave. Take it altogether, he
+ was havin' a fairly good time.
+ </p>
+ <p>
+ &ldquo;And when, later on, he set alone up in his room over the kitchen, he
+ begun to have a better one. Prospects looked good. Maybe old Dixland WOULD
+ disown his niece. If he did, Nate figgered he was as healthy a candidate
+ for adoption as anybody. And Augustus would have to come to terms or stay
+ single. That is, unless him and Olivia got married on nothin' a week, paid
+ yearly. Nate guessed Huldy Ann would think he'd managed pretty well.
+ </p>
+ <p>
+ &ldquo;He set there for a long while, thinkin', and then he says he cal'lates he
+ must have dozed off. At any rate, next thing he knew he was settin' up
+ straight in his chair, listenin'. It seemed to him that he'd heard a sound
+ in the kitchen underneath.
+ </p>
+ <p>
+ &ldquo;He looked out of the window, and right away he noticed somethin'. 'Twas a
+ beautiful, clear moonlight night, and the high board fence around the
+ buildin's showed black against the white sand. And in that white strip was
+ a ten-foot white gape. Nate had shut that gate afore he went upstairs.
+ Who'd opened it? Then he heard the noise in the kitchen again. Somebody
+ was talkin' down there.
+ </p>
+ <p>
+ &ldquo;Nate got up and tiptoed acrost the room. He was in his stockin' feet, so
+ he didn't make a sound. He reached into the corner and took out his old
+ duck gun. It was loaded, both barrels. Nate cocked the gun and crept down
+ the back stairs.
+ </p>
+ <p>
+ &ldquo;There was a lamp burnin' low on the kitchen table, and there, in a couple
+ of chairs hauled as close together as they could be, set that Olivia niece
+ and Augustus. They was in a clove hitch again and whisperin' soft and
+ slushy.
+ </p>
+ <p>
+ &ldquo;My! but Scudder was b'ilin'! He give one jump and landed in the middle of
+ that kitchen floor.
+ </p>
+ <p>
+ &ldquo;'You&mdash;you&mdash;you!' he yelled, wavin' the shotgun. 'You're back
+ here, are you? You know what I told you I'd do to you? Well, now, I'll do
+ it.'
+ </p>
+ <p>
+ &ldquo;The pair of 'em had jumped about as far as Nate had, only the opposite
+ way. Augustus was a paralyzed statue, but Olivia had her senses with her.
+ </p>
+ <p>
+ &ldquo;'Run, Augustus!' she screamed. 'He'll shoot you. Run!'
+ </p>
+ <p>
+ &ldquo;And then, with a screech like a siren whistle, Augustus commenced to run.
+ Nate was between him and the outside door, so he bolted headfirst into the
+ dining room. And after him went Nate Scudder, so crazy mad he didn't know
+ what he was doin'.
+ </p>
+ <p>
+ &ldquo;'Twas pitch dark in the dining room, but through it they went rattlety
+ bang! dishes smashin', chairs upsettin' and 'hurrah, boys!' to pay
+ gen'rally. Then through the best parlor and into the front hall.
+ </p>
+ <p>
+ &ldquo;I cal'late Nate would have had him at the foot of the front stairs if it
+ hadn't been for Galileo. That cat had been asleep on the sofy, and the
+ noise and hullabaloo had stirred him up till he was as crazy as the rest
+ of 'em. He run right under Nate's feet and down went Nate sprawlin' and
+ both barrels of the shotgun bust loose like a couple of cannon.
+ </p>
+ <p>
+ &ldquo;Galileo took for tall timber, whoopin' anthems. Up them front stairs went
+ Augustus, screechin' shrill, like a woman; he was SURE Nate meant to
+ murder him now. And after him his uncle went on all fours, swearin'
+ tremendous.
+ </p>
+ <p>
+ &ldquo;Then 'twas through one bedroom after another, and each one more crowded
+ with noisy, smashable things than that previous. Nate said he could
+ remember the professor roarin' 'Fire!' and 'Help!' as the two of 'em
+ bumped into his bed, but they didn't stop&mdash;they was too busy. The
+ whole length of the house upstairs they traveled, then through the ell,
+ then the woodshed loft, and finally out into the upper story of the barn.
+ And there Nate knew he had him. The ladder was down.
+ </p>
+ <p>
+ &ldquo;'Now!' says Nate. 'Now, you long-legged villain, if I don't give you
+ what's comin' to you, then&mdash;Oh, there ain't no use in your climbin'
+ out there; you can't get down.'
+ </p>
+ <p>
+ &ldquo;The big barn doors was open, and, in the moonlight, Nate could see Gus
+ scramblin' up and around on the flyin' stage where the professor's
+ aeroplane was perched, lookin' like some kind of magnified June bug.
+ </p>
+ <p>
+ &ldquo;'Come back, you fool!' Scudder yelled at him. 'Come back and be
+ butchered. You might as well; it's too high for you to drop. You won't?
+ Then I'll come after you.'
+ </p>
+ <p>
+ &ldquo;Nate says he never shall forget Augustus's face in the blue light when he
+ see his uncle climbin' out on that stage after him. He was simply
+ desperate&mdash;that's it, desperate. And the next thing he did was jump
+ into the saddle of the machine and pull the startin' lever.
+ </p>
+ <p>
+ &ldquo;There was the buzz of the electric motor, a slippery, slidin' sound, one
+ awful hair-raisin' whoop from Augustus, and then&mdash;'F-s-s-s-t!'&mdash;down
+ the flyin' stage whizzed that aeroplane and out through the doors.
+ </p>
+ <p>
+ &ldquo;Nate set down on the trestles and waited for the sound of the smash. I
+ guess he actually felt conscience stricken. Of course, he'd only done his
+ duty, and yet&mdash;
+ </p>
+ <p>
+ &ldquo;But no smash came. Instead, there was a long scream from the kitchen&mdash;Olivia's
+ voice that was. And then another yell that for pure joy beat anything ever
+ heard.
+ </p>
+ <p>
+ &ldquo;'It flies!' screamed Professor Ansel Hobart Whiskers Dixland, from his
+ bedroom window. 'At last! At last! It FLIES!'
+ </p>
+ <p>
+ &ldquo;It took Nate some few minutes to paw his way back through the shed loft
+ and the ell over the things him and Gus knocked down on the fust lap,
+ until he got to his room where the trouble had started. Then he went down
+ to the kitchen and outdoor.
+ </p>
+ <p>
+ &ldquo;Olivia, a heavenly sort of look on her face, was standin' in the
+ moonlight, with her hands clasped, lookin' up at the sky.
+ </p>
+ <p>
+ &ldquo;'It flies!' says she, in a kind of whisper over and over again. 'Oh! it
+ FLIES!'
+ </p>
+ <p>
+ &ldquo;Alongside of her was old Dixland, wrapped in a bedquilt, forgettin' all
+ about sprains and lameness; and he likewise was staring at the sky and
+ sayin' over and over:
+ </p>
+ <p>
+ &ldquo;'It flies! It really FLIES!'
+ </p>
+ <p>
+ &ldquo;And Nate looked up, and there, scootin' around in circles, now up high
+ and now down low, tippin' this way and tippin' that, was that aeroplane.
+ And in the stillness you could hear the buzz of the motor and the yells of
+ Augustus.
+ </p>
+ <p>
+ &ldquo;Down flopped Scudder in the sand. 'Great land of love,' he says, 'it
+ FLIES!'
+ </p>
+ <p>
+ &ldquo;Well, for five minutes or so they watched that thing swoop and duck and
+ sail up there overhead. And then, slow and easy as a feather in a May
+ breeze, down she flutters and lands soft on a hummock a little ways off.
+ And that Augustus&mdash;a fool for luck&mdash;staggers out of it safe and
+ sound, and sets down and begins to cry.
+ </p>
+ <p>
+ &ldquo;The fust thing to reach him was Olivia. She grabbed him around the neck,
+ and you never heard such goin's on as them two had. Nate come hurryin' up.
+ </p>
+ <p>
+ &ldquo;'Here you!' he says, pullin' 'em apart. 'That's enough of this. And you,'
+ he adds to Gus, 'clear right out off this island. I won't make shark bait
+ of you this time, but&mdash;'
+ </p>
+ <p>
+ &ldquo;And then comes Dixland, hippity-hop over the hummocks. 'My noble boy!' he
+ sings out, fallin' all of a heap onto Augustus's round shoulders. 'My
+ noble boy! My hero!'
+ </p>
+ <p>
+ &ldquo;Nate looked on for a full minute with his mouth open. Olivia went away
+ toward the house. The professor and Gus was sheddin' tears like a couple
+ of waterin' pots.
+ </p>
+ <p>
+ &ldquo;'Come! come!' says Scudder finally; 'get up, Mr. Dixland; you'll catch
+ cold. Now then, you Tolliver, toddle right along to your boat. Don't you
+ worry, professor, I'll fix him so's he won't come here no more.'
+ </p>
+ <p>
+ &ldquo;But the professor turned on him like a flash.
+ </p>
+ <p>
+ &ldquo;'How dare you interfere?' says he. 'I forgive him everything. He is a
+ hero. Why, man, he FLEW!'
+ </p>
+ <p>
+ &ldquo;Olivia came up behind and touched Nate on the shoulders. 'Don't you think
+ you'd better go, Mr. Scudder?' she purred. 'I've unchained Phillips
+ Brooks.'
+ </p>
+ <p>
+ &ldquo;Nate swears he never made better time than he done gettin' to the shore
+ and the boat Augustus had come over in. But that philanthropist dog only
+ missed the supper he'd been waitin' for by about a foot and a half, even
+ as 'twas.
+ </p>
+ <p>
+ &ldquo;And that was the end of it, fur's Nate was concerned. Olivia was boss
+ from then on, and Scudder wa'n't allowed to land on his own island. And
+ pretty soon they all went away, flyin' machine and all, and now Gus and
+ Olivia are married.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, by gum!&rdquo; cried Wingate. &ldquo;Say, that must have broke Nate's heart
+ completely. All that good money goin' to the poor. Ha! ha!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Captain Sol, with a broad grin. &ldquo;Nate told me that every time
+ he realized that Gus's flyin' at all was due to his scarin' him into it,
+ it fairly made him sick of life.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did Huldy Ann say? I'll bet the fur flew when SHE heard of it!&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess likely it did. Scudder says her jawin's was the worst of all. Her
+ principal complaint was that he didn't take up with the professor's
+ five-thousand offer and try to fly. 'What if 'twas risky?' she says. 'If
+ anything happened to you the five thousand would have come to your heirs,
+ wouldn't it? But no! you never think of no one but yourself.'&rdquo;
+ </p>
+ <p>
+ Mr. Wingate glanced at his watch. &ldquo;Good land!&rdquo; he cried, &ldquo;I didn't realize
+ 'twas so late. I must trot along down and meet Stitt. He and I are goin'
+ to corner the clam market.&rdquo;
+ </p>
+ <p>
+ &ldquo;I must be goin', too,&rdquo; said the depot master, rising and moving toward
+ the door, picking up his cap on the way. He threw open the door and
+ exclaimed, &ldquo;Hello! here's Sim. What you got on your mind, Sim?&rdquo;
+ </p>
+ <p>
+ Mr. Phinney looked rather solemn. &ldquo;I wanted to speak with you a minute,
+ Sol,&rdquo; he began. &ldquo;Hello! Barzilla, I didn't know you was here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shan't be here but one second longer,&rdquo; replied Mr. Wingate, as he and
+ Phinney shook hands. &ldquo;I'm late already. Bailey'll think I ain't comin'.
+ Good-by, boys. See you this afternoon, maybe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, do,&rdquo; cried Berry, as his guest hurried down to the gate. &ldquo;I want to
+ hear about those automobiles over your way. You ain't bought one, have
+ you, Barzilla?&rdquo;
+ </p>
+ <p>
+ Wingate grinned over his shoulder. &ldquo;No,&rdquo; he called, &ldquo;I ain't. But other
+ folks you know have. It's the biggest joke on earth. You and Sim'll want
+ to hear it.&rdquo;
+ </p>
+ <p>
+ He waved a big hand and walked briskly up the Shore Road. The depot master
+ turned to his friend.
+ </p>
+ <p>
+ &ldquo;Well, Sim?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Well, Sol,&rdquo; answered the building mover gravely, &ldquo;I've just met Mr.
+ Hilton, the minister, and he told me somethin' about Olive Edwards,
+ somethin' I thought you'd want to know. You said for me to find out what
+ she was cal'latin' to do when she had to give up her home and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know what I said,&rdquo; interrupted the depot master rather sharply. &ldquo;What
+ did Hilton say?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Hilton told me not to tell,&rdquo; continued Phinney, &ldquo;and I shan't tell
+ nobody but you, Sol. I know you wont t mention it. The minister says that
+ Olive's hard up as she can be. All she's got in the world is the little
+ furniture and store stuff in her house. The store stuff don't amount to
+ nothin', but the furniture belonged to her pa and ma, and she set a heap
+ by it. Likewise, as everybody knows, she's awful proud and
+ self-respectin'. Anything like charity would kill her. Now out West&mdash;in
+ Omaha or somewheres&mdash;she's got a cousin who owed her dad money. Old
+ Cap'n Seabury lent this Omaha man two or three thousand dollars and set
+ him up in business. Course, the debt's outlawed, but Olive don't realize
+ that, or, if she did, it wouldn't count with her. She couldn't understand
+ how law would have any effect on payin' money you honestly owe. She's
+ written to the Omaha cousin, tellin' him what a scrape she's in and askin'
+ him to please, if convenient, let her have a thousand or so on account.
+ She figgers if she gets that, she can go to Bayport or Orham or somewheres
+ and open another notion store.&rdquo;
+ </p>
+ <p>
+ Captain Berry lit a cigar. &ldquo;Hum!&rdquo; he said, after a minute. &ldquo;You say she's
+ written to this chap. Has she got an answer yet?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not any definite one. She heard from the man's wife sayin' that her
+ husband&mdash;the cousin&mdash;had gone on a fishin' trip somewheres up in
+ Canady and wouldn't be back afore the eighth of next month. Soon's he does
+ come he'll write her. But Mr. Hilton thinks, and so do I&mdash;havin'
+ heard a few things about this cousin&mdash;that it's mighty doubtful if he
+ sends any money.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I shouldn't wonder. Where's Olive goin' to stay while she's waitin'
+ to hear?&rdquo;
+ </p>
+ <p>
+ &ldquo;In her own house. Mr. Hilton went to Williams and pleaded with him, and
+ he finally agreed to let her stay there until the 'Colonial' is moved onto
+ the lot. Then the Edwardses house'll be tore down and Olive'll have to go,
+ of course.&rdquo;
+ </p>
+ <p>
+ The depot master puffed thoughtfully at his cigar.
+ </p>
+ <p>
+ &ldquo;She won't hear before the tenth, at the earliest,&rdquo; he said. &ldquo;And if
+ Williams begins to move his 'Colonial' at once, he'll get it to her lot by
+ the seventh, sure. Have you given him your figures for the job?&rdquo;
+ </p>
+ <p>
+ &ldquo;Handed 'em in this very mornin'. One of his high-and-mighty servants, all
+ brass buttons and braid, like a feller playin' in the band, took my letter
+ and condescended to say he'd pass it on to Williams. I'd liked to have
+ kicked the critter, just to see if he COULD unbend; but I jedged
+ 'twouldn't be good business.&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably not. If the 'Colonial' gets to Olive's lot afore she hears from
+ the Omaha man, what then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, that's the worst of it. The minister don't know what she'll do.
+ There's plenty of places where she'd be more'n welcome to visit a spell,
+ but she's too proud to accept. Mr. Hilton's afraid she'll start for Boston
+ to hunt up a job, or somethin'. You know how much chance she stands of
+ gettin' a job that's wuth anything.&rdquo;
+ </p>
+ <p>
+ Phinney paused, anxiously awaiting his companion's reply. When it came it
+ was very unsatisfactory.
+ </p>
+ <p>
+ &ldquo;I'm goin' to the depot,&rdquo; said the Captain, brusquely. &ldquo;So long, Sim.&rdquo;
+ </p>
+ <p>
+ He slammed the door of the house behind him, strode to the gate, flung it
+ open, and marched on. Simeon gazed in astonishment, then hurried to
+ overtake him. Ranging alongside, he endeavored to reopen the conversation,
+ but to no purpose. The depot master would not talk. They turned into Cross
+ Street.
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; exclaimed Mr. Phinney, panting from his unaccustomed hurry, &ldquo;what
+ be we, runnin' a race? Why! . . . Oh, how d'ye do, Mr. Williams, sir? Want
+ to see me, do you?&rdquo;
+ </p>
+ <p>
+ The magnate of East Harniss stepped forward.
+ </p>
+ <p>
+ &ldquo;Er&mdash;Phinney,&rdquo; he said, &ldquo;I want a moment of your time. Morning,
+ Berry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mornin', Williams,&rdquo; observed Captain Sol brusquely. &ldquo;All right, Sim. I'll
+ wait for you farther on.&rdquo;
+ </p>
+ <p>
+ He continued his walk. The building mover stood still. Mr. Williams
+ frowned with lofty indignation.
+ </p>
+ <p>
+ &ldquo;Phinney,&rdquo; he said, &ldquo;I've just looked over those figures of yours, your
+ bid for moving my new house. The price is ridiculous.&rdquo;
+ </p>
+ <p>
+ Simeon attempted a pleasantry. &ldquo;Yes,&rdquo; he answered, &ldquo;I thought 'twas
+ ridic'lous myself; but I needed the money, so I thought I could afford to
+ be funny.&rdquo;
+ </p>
+ <p>
+ The Williams frown deepened.
+ </p>
+ <p>
+ &ldquo;I didn't mean ridiculously low,&rdquo; he snapped; &ldquo;I meant ridiculously high.
+ I'd rather help out you town fellows if I can, but you can't work me for a
+ good thing. I've written to Colt and Adams, of Boston, and accepted their
+ offer. You had your chance and didn't see fit to take it. That's all. I'm
+ sorry.&rdquo;
+ </p>
+ <p>
+ Simeon was angry; also a trifle skeptical.
+ </p>
+ <p>
+ &ldquo;Mr. Williams,&rdquo; he demanded, &ldquo;do you mean to tell me that THEM people have
+ agreed to move you cheaper'n I can?&rdquo;
+ </p>
+ <p>
+ &ldquo;Their price&mdash;their actual price may be no lower; but considering
+ their up-to-date outfit and&mdash;er&mdash;progressive methods, they're
+ cheaper. Yes. Morning, Phinney.&rdquo;
+ </p>
+ <p>
+ He turned on his heel and walked off. Mr. Phinney, crestfallen and angrier
+ than ever, moved on to where the depot master stood waiting for him.
+ Captain Sol smiled grimly.
+ </p>
+ <p>
+ &ldquo;You don't look merry as a Christmas tree, Sim,&rdquo; he observed. &ldquo;What did
+ his Majesty have to say to you?&rdquo;
+ </p>
+ <p>
+ Simeon related the talk with Williams. The depot master's grim smile grew
+ broader.
+ </p>
+ <p>
+ &ldquo;Sim,&rdquo; he asked, with quiet sarcasm, &ldquo;don't you realize that progressive
+ methods are necessary in movin' a house?&rdquo;
+ </p>
+ <p>
+ Phinney tried to smile in return, but the attempt was a failure.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; went on the Captain. &ldquo;Well, if you can't take the Grand Panjandrum
+ home, you can set on the fence and see him go by. That ought to be honor
+ enough, hadn't it? However, I may need some of your ridiculous figgers on
+ a movin' job of my own, pretty soon. Don't be TOO comical, will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean by that, Sol Berry?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that I may decide to move my own house.&rdquo;
+ </p>
+ <p>
+ &ldquo;Move your OWN house? Where to, for mercy sakes?&rdquo;
+ </p>
+ <p>
+ &ldquo;To that lot on Main Street that belongs to Abner Payne. Abner has wanted
+ to buy my lot here on the Shore Road for a long time. He knows it'll make
+ a fine site for some rich bigbug's summer 'cottage.' He would have bought
+ the house, too, but I think too much of that to sell it. Now Abner's come
+ back with another offer. He'll swap my lot for the Main Street one, pay my
+ movin' expenses and a fair 'boot' besides. He don't really care for my
+ HOUSE, you understand; it's my LAND he's after.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you goin' to take it up?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know. The Main Street lot's a good one, and my house'll look good
+ on it. And I'll make money by the deal.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but you've always swore by that saltwater view of yours. Told me
+ yourself you never wanted to live anywheres else.&rdquo;
+ </p>
+ <p>
+ Captain Sol took the cigar from his lips, looked at it, then threw it
+ violently into the gutter.
+ </p>
+ <p>
+ &ldquo;What difference does it make where I live?&rdquo; he snarled. &ldquo;Who in blazes
+ cares where I live or whether I live at all?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sol Berry, what on airth&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Shut up! Let me alone, Sim! I ain't fit company for anybody just now.
+ Clear out, there's a good feller.&rdquo;
+ </p>
+ <p>
+ The next moment he was striding down the hill. Mr. Phinney drew a long
+ breath, scratched his head and shook it solemnly. WHAT did it all mean?
+ </p>
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VIII
+ </h2>
+ <h3>
+ THE OBLIGATIONS OF A GENTLEMAN
+ </h3>
+ <p>
+ The methods of Messrs. Colt and Adams, the Boston firm of building movers,
+ were certainly progressive, if promptness in getting to work is any
+ criterion. Two days after the acceptance of their terms by Mr. Williams, a
+ freight car full of apparatus arrived at East Harniss. Then came a foreman
+ and a gang of laborers. Horses were hired, and within a week the &ldquo;pure
+ Colonial&rdquo; was off its foundations and on its way to the Edwards lot. The
+ moving was no light task. The big house must be brought along the Shore
+ Road to the junction with the Hill Boulevard, then swung into that
+ aristocratic highway and carried up the long slope, around the wide curve,
+ to its destination.
+ </p>
+ <p>
+ Mr. Phinney, though he hated the whole operation, those having it in
+ charge, and the mighty Williams especially, could not resist stealing down
+ to see how his successful rivals were progressing with the work he had
+ hoped to do. It caused him much chagrin to see that they were getting on
+ so very well. One morning, after breakfast, as he stood at the corner of
+ the Boulevard and the Shore Road, he found himself engaged in a mental
+ calculation.
+ </p>
+ <p>
+ Three days more and they would swing into the Boulevard; four or five days
+ after that and they would be abreast the Edwards lot. Another day and . .
+ . Poor Olive! She would be homeless. Where would she go? It was too early
+ for a reply from the Omaha cousin, but Simeon, having questioned the
+ minister, had little hope that that reply would be favorable. Still it was
+ a chance, and if the money SHOULD come before the &ldquo;pure Colonial&rdquo; reached
+ the Edwards lot, then the widow would at least not be driven penniless
+ from her home. She would have to leave that home in any event, but she
+ could carry out her project of opening another shop in one of the
+ neighboring towns. Otherwise . . . Mr. Phinney swore aloud.
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; said a voice behind him. &ldquo;I agree with you, though I don't know
+ what it's all about. I ain't heard anything better put for a long while.&rdquo;
+ </p>
+ <p>
+ Simeon spun around, as he said afterwards, &ldquo;like a young one's pinwheel.&rdquo;
+ At his elbow stood Captain Berry, the depot master, hands in pockets,
+ cigar in mouth, the personification of calmness and imperturbability. He
+ had come out of his house, which stood close to the corner, and walked
+ over to join his friend.
+ </p>
+ <p>
+ &ldquo;Land of love!&rdquo; exclaimed Simeon. &ldquo;Why don't you scare a fellow to death,
+ tiptoein' around? I never see such a cat-foot critter!&rdquo;
+ </p>
+ <p>
+ Captain Sol smiled. &ldquo;Jumpin' it, ain't they?&rdquo; he said, nodding toward the
+ &ldquo;Colonial.&rdquo; &ldquo;Be there by the tenth, won't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Tenth!&rdquo; Mr. Phinney sniffed disgust. &ldquo;It'll be there by the sixth, or I
+ miss my guess.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yup. Say, Sim, how soon could you land that shanty of mine in the road if
+ I give you the job to move it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I couldn't get it up to the Main Street lot inside of a fortnight,&rdquo;
+ replied Sim, after a moment's reflection. &ldquo;Fur's gettin' it in the road
+ goes, I could have it here day after to-morrow if I had gang enough.&rdquo;
+ </p>
+ <p>
+ The depot master took the cigar out of his mouth and blew a ring of smoke.
+ &ldquo;All right,&rdquo; he drawled, &ldquo;get gang enough.&rdquo;
+ </p>
+ <p>
+ Phinney jumped. &ldquo;You mean you've decided to take up with Payne's offer and
+ swap your lot for his?&rdquo; he gasped. &ldquo;Why, only two or three days ago you
+ said&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ya-as. That was two or three days ago, and I've been watchin' the
+ 'Colonial' since. I cal'late the movin' habit's catchin'. You have your
+ gang here by noon to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sol Berry, are you crazy? You ain't seen Abner Payne; he's out of town&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't have to see him. He's made me an offer and I'll write and accept
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you've got to have a selectmen's permit to move&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Got it. I went up and saw the chairman an hour ago. He's a friend of
+ mine. I nominated him town-meetin' day.&rdquo;
+ </p>
+ <p>
+ &ldquo;But,&rdquo; stammered Phinney, very much upset by the suddenness of it all,
+ &ldquo;you ain't got my price nor&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Drat your price! Give it when I ask it. See here, Sim, are you goin' to
+ have my house in the middle of the road by day after to-morrer? Or was
+ that just talk?&rdquo;
+ </p>
+ <p>
+ &ldquo;'Twa'n't talk. I can have it there, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; said Captain Sol coolly, &ldquo;then have it.&rdquo;
+ </p>
+ <p>
+ Hands in pockets, he strolled away. Simeon sat down on a rock by the
+ roadside and whistled.
+ </p>
+ <p>
+ However, whistling was a luxurious and time-wasting method of expressing
+ amazement, and Mr. Phinney could not afford luxuries just then. For the
+ rest of that day he was a busy man. As Bailey Stitt expressed it, he &ldquo;flew
+ round like a sand flea in a mitten,&rdquo; hiring laborers, engaging masons, and
+ getting his materials ready. That very afternoon the masons began tearing
+ down the chimneys of the little Berry house. Before the close of the
+ following day it was on the rollers. By two of the day after that it was
+ in the middle of the Shore Road, just when its mover had declared it
+ should be. They were moving it, furniture and all, and Captain Sol was, as
+ he said, going to &ldquo;stay right aboard all the voyage.&rdquo; No cooking could be
+ done, of course, but the Captain arranged to eat at Mrs. Higgins's
+ hospitable table during the transit. His sudden freak was furnishing
+ material for gossip throughout the village, but he did not care. Gossip
+ concerning his actions was the last thing in the world to trouble Captain
+ Sol Berry.
+ </p>
+ <p>
+ The Williams's &ldquo;Colonial&rdquo; was moving toward the corner at a rapid rate,
+ and the foreman of the Boston moving firm walked over to see Mr. Phinney.
+ </p>
+ <p>
+ &ldquo;Say,&rdquo; he observed to Simeon, who, the perspiration streaming down his
+ face, was resting for a moment before recommencing his labor of arranging
+ rollers; &ldquo;say,&rdquo; observed the foreman, &ldquo;we'll be ready to turn into the
+ Boulevard by tomorrer night and you're blockin' the way.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's all right,&rdquo; said Simeon, &ldquo;we'll be past the Boulevard corner by
+ that time.&rdquo;
+ </p>
+ <p>
+ He thought he was speaking the truth, but next morning, before work began,
+ Captain Berry appeared. He had had breakfast and strolled around to the
+ scene of operations.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; asked Phinney, &ldquo;how'd it seem to sleep on wheels?&rdquo;
+ </p>
+ <p>
+ &ldquo;Tiptop,&rdquo; replied the depot master. &ldquo;Like it fust rate. S'pose my next
+ berth will be somewheres up there, won't it?&rdquo;
+ </p>
+ <p>
+ He was pointing around the corner instead of straight ahead. Simeon gaped,
+ his mouth open.
+ </p>
+ <p>
+ &ldquo;Up THERE?&rdquo; he cried. &ldquo;Why, of course not. That's the Boulevard. We're
+ goin' along the Shore Road.&rdquo;
+ </p>
+ <p>
+ &ldquo;That so? I guess not. We're goin' by the Boulevard. Can go that way,
+ can't we?&rdquo;
+ </p>
+ <p>
+ &ldquo;Can?&rdquo; repeated Simeon aghast. &ldquo;Course we CAN! But it's like boxin' the
+ whole compass backward to get ha'f a p'int east of no'th. It's way round
+ Robin Hood's barn. It'll take twice as long and cost&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That's good,&rdquo; interrupted the Captain. &ldquo;I like to travel, and I'm willin'
+ to pay for it. Think of the view I'll get on the way.&rdquo;
+ </p>
+ <p>
+ &ldquo;But your permit from the selectmen&mdash;&rdquo; began Phinney. Berry held up
+ his hand.
+ </p>
+ <p>
+ &ldquo;My permit never said nothin' about the course to take,&rdquo; he answered, his
+ eye twinkling just a little. &ldquo;There, Sim, you're wastin' time. I move by
+ the Hill Boulevard.&rdquo;
+ </p>
+ <p>
+ And into the Boulevard swung the Berry house. The Colt and Adams foreman
+ was an angry man when he saw the beams laid in that direction. He rushed
+ over and asked profane and pointed questions.
+ </p>
+ <p>
+ &ldquo;Thought you said you was goin' straight ahead?&rdquo; he demanded.
+ </p>
+ <p>
+ &ldquo;Thought I was,&rdquo; replied Simeon, &ldquo;but, you see, I'm only navigator of this
+ craft, not owner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is the blankety blank?&rdquo; asked the foreman.
+ </p>
+ <p>
+ &ldquo;If you're referrin' to Cap'n Berry, I cal'late you'll find him at the
+ depot,&rdquo; answered Phinney. To the depot went the foreman. Receiving little
+ satisfaction there, he hurried to the home of his employer, Mr. Williams.
+ The magnate, red-faced and angry, returned with him to the station.
+ Captain Sol received them blandly. Issy, who heard the interview which
+ followed, declared that the depot master was so cool that &ldquo;an iceberg was
+ a bonfire 'longside of him.&rdquo; Issy's description of this interview, given
+ to a dozen townspeople within the next three hours, was as follows:
+ </p>
+ <p>
+ &ldquo;Mr. Williams,&rdquo; said the wide-eyed Issy, &ldquo;he comes postin' into the
+ waitin' room, his foreman with him. Williams marches over to Cap'n Sol and
+ he says, 'Berry,' he says, 'are you responsible for the way that house of
+ yours is moved?'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol bowed and smiled. 'Yes,' says he, sweet as a fresh scallop.
+ </p>
+ <p>
+ &ldquo;'You're movin' it to Main Street, aren't you? I so understood.'
+ </p>
+ <p>
+ &ldquo;'You understood correct. That's where she's bound.'
+ </p>
+ <p>
+ &ldquo;'Then what do you mean by turning out of your road and into mine?'
+ </p>
+ <p>
+ &ldquo;'Oh, I don't own any road. Have you bought the Boulevard? The selectmen
+ ought to have told us that. I s'posed it was town thoroughfare.'
+ </p>
+ <p>
+ &ldquo;Mr. Williams colored up a little. 'I didn't mean my road in that sense,'
+ he says. 'But the direct way to Main Street is along the shore, and
+ everybody knows it. Now why do you turn from that into the Boulevard?'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol took a cigar from his pocket. 'Have one?' says he, passin' it
+ toward Mr. Williams. 'No? Too soon after breakfast, I s'pose. Why do I
+ turn off?' he goes on. 'Well, I'll tell you. I'm goin' to stay right
+ aboard my shack while it's movin', and it's so much pleasanter a ride up
+ the hill that I thought I'd go that way. I always envied them who could
+ afford a house on the Boulevard, and now I've got the chance to have one
+ there&mdash;for a spell. I'm sartin I shall enjoy it.'
+ </p>
+ <p>
+ &ldquo;The foreman growled, disgusted. Mr. Williams got redder yet.
+ </p>
+ <p>
+ &ldquo;'Don't you understand?' he snorts. 'You're blockin' the way of the house
+ I'M movin'. I have capable men with adequate apparatus to move it, and
+ they would be able to go twice as fast as your one-horse country outfit.
+ You're blockin' the road. Now they must follow you. It's an outrage!'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol smiled once more. 'Too bad,' says he. 'It's a pity such a nice
+ street ain't wider. If it was my street in my town&mdash;I b'lieve that's
+ what you call East Harniss, ain't it?&mdash;seems to me I'd widen it.'
+ </p>
+ <p>
+ &ldquo;The boss of 'my town' ground his heel into the sand. 'Berry,' he snaps,
+ 'are you goin' to move that house over the Boulevard ahead of mine?'
+ </p>
+ <p>
+ &ldquo;The Cap'n looked him square in the eye. 'Williams,' says he, 'I am.'
+ </p>
+ <p>
+ &ldquo;The millionaire turned short and started to go.
+ </p>
+ <p>
+ &ldquo;'You'll pay for it,' he snarls, his temper gettin' free at last.
+ </p>
+ <p>
+ &ldquo;'I cal'late to,' purrs the Cap'n. 'I gen'rally do pay for what I want,
+ and a fair price, at that. I never bought in cheap mortgages and held 'em
+ for clubs over poor folks, never in my life. Good mornin'.'
+ </p>
+ <p>
+ &ldquo;And right to Mr. Williams's own face, too,&rdquo; concluded Issy. &ldquo;WHAT do you
+ think of that?&rdquo;
+ </p>
+ <p>
+ Here was defiance of authority and dignity, a sensation which should have
+ racked East Harniss from end to end. But most of the men in the village,
+ the tradespeople particularly, had another matter on their minds, namely,
+ Major Cuthbertson Scott Hardee, of &ldquo;Silverleaf Hall.&rdquo; The Major and his
+ debts were causing serious worriment.
+ </p>
+ <p>
+ The creditors of the Major met, according to agreement, on the Monday
+ evening following their previous gathering at the club. Obed Gott, one of
+ the first to arrive, greeted his fellow members with an air of gloomy
+ triumph and a sort of condescending pity.
+ </p>
+ <p>
+ Higgins, the &ldquo;general store&rdquo; keeper, acting as self-appointed chairman,
+ asked if anyone had anything to report. For himself, he had seen the Major
+ and asked point-blank for payment of his bill. The Major had been very
+ polite and was apparently much concerned that his fellow townsmen should
+ have been inconvenienced by any neglect of his. He would write to his
+ attorneys at once, so he said.
+ </p>
+ <p>
+ &ldquo;He said a whole lot more, too,&rdquo; added Higgins. &ldquo;Said he had never been
+ better served than by the folks in this town, and that I kept a fine
+ store, and so on and so forth. But I haven't got any money yet. Anybody
+ else had any better luck?&rdquo;
+ </p>
+ <p>
+ No one had, although several had had similar interviews with the master of
+ &ldquo;Silverleaf Hall.&rdquo;
+ </p>
+ <p>
+ &ldquo;Obed looks as if he knew somethin',&rdquo; remarked Weeks. &ldquo;What is it, Obed?&rdquo;
+ </p>
+ <p>
+ Mr. Gott scornfully waved his hand.
+ </p>
+ <p>
+ &ldquo;You fellers make me laugh,&rdquo; he said. &ldquo;You talk and talk, but you don't do
+ nothin'. I b'lieve in doin', myself. When I went home t'other night,
+ thinks I: 'There's one man that might know somethin' 'bout old Hardee, and
+ that's Godfrey, the hotel man.' So I wrote to Godfrey up to Boston and I
+ got a letter from him. Here 'tis.&rdquo;
+ </p>
+ <p>
+ He read the letter aloud. Mr. Godfrey wrote that he knew nothing about
+ Major Hardee further than that he had been able to get nothing from him in
+ payment for his board.
+ </p>
+ <p>
+ &ldquo;So I seized his trunk,&rdquo; the letter concluded. &ldquo;There was nothing in it
+ worth mentioning, but I took it on principle. The Major told me a lot
+ about writing to his attorneys for money, but I didn't pay much attention
+ to that. I'm afraid he's an old fraud, but I can't help liking him, and if
+ I had kept on running my hotel I guess he would have got away scot-free.&rdquo;
+ </p>
+ <p>
+ &ldquo;There!&rdquo; exclaimed the triumphant Obed, with a sneer, &ldquo;I guess that
+ settles it, don't it? Maybe you'd be willin' to turn your bills over to
+ Squire Baker now.&rdquo;
+ </p>
+ <p>
+ But they were not willing. Higgins argued, and justly, that although the
+ Major was in all probability a fraud, not even a lawyer could get water
+ out of a stone, and that when a man had nothing, suing him was a waste of
+ time and cash.
+ </p>
+ <p>
+ &ldquo;Besides,&rdquo; he said, &ldquo;there's just a chance that he may have attorneys and
+ property somewheres else. Let's write him a letter and every one of us
+ sign it, tellin' him that we'll call on him Tuesday night expectin' to be
+ paid in full. If we call and don't get any satisfaction, why, we ain't any
+ worse off, and then we can&mdash;well, run him out of town, if nothin'
+ more.&rdquo;
+ </p>
+ <p>
+ So the letter was written and signed by every man there. It was a long
+ list of signatures and an alarming total of indebtedness. The letter was
+ posted that night.
+ </p>
+ <p>
+ The days that followed seemed long to Obed. He was ill-natured at home and
+ ugly at the shop, and Polena declared that he was &ldquo;gettin' so a body
+ couldn't live with him.&rdquo; Her own spirits were remarkably high, and Obed
+ noticed that, as the days went by, she seemed to be unusually excited. On
+ Thursday she announced that she was going to Orham to visit her niece, one
+ Sarah Emma Cahoon, and wouldn't be back right off. He knew better than to
+ object, and so she went.
+ </p>
+ <p>
+ That evening each of the signers of the letter to Major Hardee received a
+ courteous note saying that the Major would be pleased to receive the
+ gentlemen at the Hall. Nothing was said about payment.
+ </p>
+ <p>
+ So, after some discussion, the creditors marched in procession across the
+ fields and up to &ldquo;Silverleaf Hall.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hardee's been to Orham to-day,&rdquo; whispered the keeper of the livery
+ stable, as they entered the yard. &ldquo;He drove over this mornin' and come
+ back to-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;DROVE over!&rdquo; exclaimed Obed, halting in his tracks. &ldquo;He did? Where'd he
+ get the team? I'll bet five dollars you was soft enough to let him have
+ it, and never said a word. Well, if you ain't&mdash;By jimmy! you wait
+ till I get at him! I'll show you that he can't soft soap me.&rdquo;
+ </p>
+ <p>
+ Augustus met them at the door and ushered them into the old-fashioned
+ parlor. The Major, calm, cool, and imperturbably polite, was waiting to
+ receive them. He made some observation concerning the weather.
+ </p>
+ <p>
+ &ldquo;The day's fine enough,&rdquo; interrupted Obed, pushing to the front, &ldquo;but that
+ ain't what we come here to talk about. Are you goin' to pay us what you
+ owe? That's what we want to know.&rdquo;
+ </p>
+ <p>
+ The &ldquo;gentleman of the old school&rdquo; did not answer immediately. Instead he
+ turned to the solemn servant at his elbow.
+ </p>
+ <p>
+ &ldquo;Augustus,&rdquo; he said, &ldquo;you may make ready.&rdquo; Then, looking serenely at the
+ irate Mr. Gott, whose clenched fist rested under the center table, which
+ he had thumped to emphasize his demands, the Major asked:
+ </p>
+ <p>
+ &ldquo;I beg your pardon, my dear sir, but what is the total of my indebtedness
+ to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nineteen dollars and twenty-eight cents, and I want you to understand
+ that&mdash;&rdquo;
+ </p>
+ <p>
+ Major Hardee held up a slim, white hand.
+ </p>
+ <p>
+ &ldquo;One moment, if you please,&rdquo; he said. &ldquo;Now, Augustus.&rdquo;
+ </p>
+ <p>
+ Augustus opened the desk in the corner and produced an imposing stack of
+ bank notes. Then he brought forth neat piles of halves, quarters, dimes,
+ and pennies, and arranged the whole upon the table. Obed's mouth and those
+ of his companions gaped in amazement.
+ </p>
+ <p>
+ &ldquo;Have you your bill with you, Mr. Gott?&rdquo; inquired the Major.
+ </p>
+ <p>
+ Dazedly Mr. Gott produced the required document.
+ </p>
+ <p>
+ &ldquo;Thank you. Augustus, nineteen twenty-eight to this gentleman. Kindly
+ receipt the bill, Mr. Gott, if you please. A mere formality, of course,
+ but it is well to be exact. Thank you, sir. And now, Mr. Higgins.&rdquo;
+ </p>
+ <p>
+ One by one the creditors shamefacedly stepped forward, received the amount
+ due, receipted the bill, and stepped back again. Mr. Peters, the
+ photographer, was the last to sign.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; said the Major, &ldquo;I am sorry that my carelessness in financial
+ matters should have caused you this trouble, but now that you are here, a
+ representative gathering of East Harniss's men of affairs, upon this night
+ of all nights, it seems fitting that I should ask for your
+ congratulations. Augustus.&rdquo;
+ </p>
+ <p>
+ The wooden-faced Augustus retired to the next room and reappeared carrying
+ a tray upon which were a decanter and glasses.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; continued the Major, &ldquo;I have often testified to my admiration
+ and regard for your&mdash;perhaps I may now say OUR&mdash;charming
+ village. This admiration and regard has extended to the fair daughters of
+ the township. It may be that some of you have conscientious scruples
+ against the use of intoxicants. These scruples I respect, but I am sure
+ that none of you will refuse to at least taste a glass of wine with me
+ when I tell you that I have this day taken one of the fairest to love and
+ cherish during life.&rdquo;
+ </p>
+ <p>
+ He stepped to the door of the dining room, opened it, and said quietly,
+ &ldquo;My dear, will you honor us with your presence?&rdquo;
+ </p>
+ <p>
+ There was a rustle of black silk and there came through the doorway the
+ stately form of her who had been Mrs. Polena Ginn.
+ </p>
+ <p>
+ &ldquo;Gentlemen,&rdquo; said the Major, &ldquo;permit me to present to you my wife, the new
+ mistress of 'Silverleaf Hall.'&rdquo;
+ </p>
+ <p>
+ The faces of the ex-creditors were pictures of astonishment. Mr. Gott's
+ expressive countenance turned white, then red, and then settled to a
+ mottled shade, almost as if he had the measles. Polena rushed to his side.
+ </p>
+ <p>
+ &ldquo;O Obed!&rdquo; she exclaimed. &ldquo;I know we'd ought to have told you, but 'twas
+ only Tuesday the Major asked me, and we thought we'd keep it a secret so's
+ to s'prise you. Mr. Langworthy over to Orham married us, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear,&rdquo; her husband blandly interrupted, &ldquo;we will not intrude our
+ private affairs upon the patience of these good friends. And now,
+ gentlemen, let me propose a toast: To the health and happiness of the
+ mistress of 'Silverleaf Hall'! Brother Obed, I&mdash;&rdquo;
+ </p>
+ <p>
+ The outside door closed with a slam; &ldquo;Brother Obed&rdquo; had fled.
+ </p>
+ <p>
+ A little later, when the rest of the former creditors of the Major came
+ out into the moonlight, they found their companion standing by the gate
+ gazing stonily into vacancy. &ldquo;Hen&rdquo; Leadbetter, who, with Higgins, brought
+ up the rear of the procession, said reflectively:
+ </p>
+ <p>
+ &ldquo;When he fust fetched out that stack of money I couldn't scarcely b'lieve
+ my eyes. I begun to think that we fellers had put our foot in it for
+ sartin, and had lost a mighty good customer; but, of course, it's all
+ plain enough NOW.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; remarked Weeks with a nod; &ldquo;I allers heard that P'lena kept a
+ mighty good balance in the bank.&rdquo;
+ </p>
+ <p>
+ &ldquo;It looks to me,&rdquo; said Higgins slyly, &ldquo;as if we owed Obed here a vote of
+ thanks. How 'bout that, Obed?&rdquo;
+ </p>
+ <p>
+ And then Major Hardee's new brother-in-law awoke with a jump.
+ </p>
+ <p>
+ &ldquo;Aw, you go to grass!&rdquo; he snarled, and tramped savagely off down the hill.
+ </p>
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IX
+ </h2>
+ <h3>
+ THE WIDOW BASSETT
+ </h3>
+ <p>
+ These developments, Major Hardee's marriage and Mr. Gott's discomfiture,
+ overshadowed, for the time, local interest in the depot master's house
+ moving. This was, in its way, rather fortunate, for those who took the
+ trouble to walk down to the lower end of the Boulevard were astonished to
+ see how very slowly the moving was progressing.
+ </p>
+ <p>
+ &ldquo;Only one horse, Sim?&rdquo; asked Captain Hiram Baker. &ldquo;Only one! Why, it'll
+ take you forever to get through, won't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm afraid it'll take quite a spell,&rdquo; admitted Mr. Phinney.
+ </p>
+ <p>
+ &ldquo;Where's your other one, the white one?&rdquo;
+ </p>
+ <p>
+ &ldquo;The white horse,&rdquo; said Simeon slowly, &ldquo;ain't feelin' just right and I've
+ had to lay him off.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! that's too bad. How does Sol act about it? He's such a hustler, I
+ should think&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Sol,&rdquo; interrupted Sim, &ldquo;ain't unreasonable. He understands.&rdquo;
+ </p>
+ <p>
+ He chuckled inwardly as he said it. Captain Sol did understand. Also Mr.
+ Phinney himself was beginning to understand a little.
+ </p>
+ <p>
+ The very day on which Williams and his foreman had called on the depot
+ master and been dismissed so unceremoniously, that official paid a short
+ visit to his mover.
+ </p>
+ <p>
+ &ldquo;Sim,&rdquo; he said, the twinkle still in his eye, &ldquo;his Majesty, Williams the
+ Conqueror, was in to see me just now and acted real peevish. He was pretty
+ disrespectful to you, too. Called your outfit 'one horse.' That's a
+ mistake, because you've got two horses at work right now. It seems a shame
+ to make a great man like that lie. Hadn't you better lay off one of them
+ horses?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lay one OFF?&rdquo; exclaimed Simeon. &ldquo;What for? Why, we'll be slow enough, as
+ 'tis. With only one horse we wouldn't get through for I don't know how
+ long.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's so,&rdquo; murmured the Captain. &ldquo;I s'pose with one horse you'd hardly
+ reach the middle of the Boulevard by&mdash;well, before the tenth of the
+ month. Hey?&rdquo;
+ </p>
+ <p>
+ The tenth of the month! The TENTH! Why, it was on the tenth that that
+ Omaha cousin of Olive Edwards was to&mdash;Mr. Phinney began to see&mdash;to
+ see and to grin, slow but expansive.
+ </p>
+ <p>
+ &ldquo;Hm-m-m!&rdquo; he mused.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; observed Captain Sol. &ldquo;That white horse of yours looks sort of
+ ailin' to me, Sim. I think he needs a rest.&rdquo;
+ </p>
+ <p>
+ And, sure enough, next day the white horse was pronounced unfit and taken
+ back to the stable. The depot master's dwelling moved, but that is all one
+ could say truthfully concerning its progress.
+ </p>
+ <p>
+ At the depot the Captain was quieter than usual. He joked with his
+ assistant less than had been his custom, and for the omission Issy was
+ duly grateful. Sometimes Captain Sol would sit for minutes without
+ speaking. He seemed to be thinking and to be pondering some grave problem.
+ When his friends, Mr. Wingate, Captain Stitt, Hiram Baker, and the rest,
+ dropped in on him he cheered up and was as conversational as ever. After
+ they had gone he relapsed into his former quiet mood.
+ </p>
+ <p>
+ &ldquo;He acts sort of blue, to me,&rdquo; declared Issy, speaking from the depths of
+ sensational-novel knowledge. &ldquo;If he was a younger man I'd say he was most
+ likely in love. Ah, hum! I s'pose bein' in love does get a feller
+ mournful, don't it?&rdquo;
+ </p>
+ <p>
+ Issy made this declaration to his mother only. He knew better than to
+ mention sentiment to male acquaintances. The latter were altogether too
+ likely to ask embarrassing questions.
+ </p>
+ <p>
+ Mr. Wingate and Captain Stitt were still in town, although their stay was
+ drawing to a close. One afternoon they entered the station together.
+ Captain Sol seemed glad to see them.
+ </p>
+ <p>
+ &ldquo;Set down, fellers,&rdquo; he ordered. &ldquo;I swan I'm glad to see you. I ain't fit
+ company for myself these days.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't Betsy Higgins feedin' you up to the mark?&rdquo; asked Stitt. &ldquo;Or is
+ house movin' gettin' on your vitals?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; growled the depot master, &ldquo;grub's all right and so's movin', I
+ cal'late. I'm glad you fellers come in. What's the news to Orham,
+ Barzilla? How's the Old Home House boarders standin' it? Hear from Jonadab
+ regular, do you?&rdquo;
+ </p>
+ <p>
+ Mr. Wingate laughed. &ldquo;Nothin' much,&rdquo; he said. &ldquo;Jonadab's too busy to write
+ these days. Bein' a sport interferes with letter writing consider'ble.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sport!&rdquo; exclaimed Captain Bailey. &ldquo;Land of Goshen! Cap'n Jonadab is the
+ last one I'd call a sport.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's 'cause you ain't a good judge of human nature, Bailey,&rdquo; chuckled
+ Barzilla. &ldquo;When ancient plants like Jonadab Wixon DO bloom, they're gay
+ old blossoms, I tell you!&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; asked the depot master.
+ </p>
+ <p>
+ &ldquo;I mean that Jonadab's been givin' me heart disease, that's what; givin'
+ it to me in a good many diff'rent ways, too. We opened the Old Home House
+ the middle of April this year, because Peter T. Brown thought we might
+ catch some spring trade. We did catch a little, though whether it paid to
+ open up so early's a question. But 'twas June 'fore Jonadab got his
+ disease so awful bad. However, most any time in the last part of May the
+ reg'lar programme of the male boarders was stirrin' him up.
+ </p>
+ <p>
+ &ldquo;Take it of a dull day, for instance. Sky overcast and the wind aidgin'
+ round to the sou'east, so's you couldn't tell whether 'twould rain or fair
+ off; too cold to go off to the ledge cod fishin' and too hot for billiards
+ or bowlin'; a bunch of the younger women folks at one end of the piazza
+ playin' bridge; half a dozen men, includin' me and Cap'n Jonadab, smokin'
+ and tryin' to keep awake at t'other end; amidships a gang of females&mdash;all
+ 'fresh air fiends'&mdash;and mainly widows or discards in the matrimony
+ deal, doin' fancywork and gossip. That would be about the usual layout.
+ </p>
+ <p>
+ &ldquo;Conversation got to you in homeopath doses, somethin' like this:
+ </p>
+ <p>
+ &ldquo;'Did you say &ldquo;Spades&rdquo;? WELL! if I'd known you were going to make us lose
+ our deal like that, I'd never have bridged it&mdash;not with THIS hand.'
+ </p>
+ <p>
+ &ldquo;'Oh, Miss Gabble, have you heard what people are sayin' about&mdash;' The
+ rest of it whispers.
+ </p>
+ <p>
+ &ldquo;'A&mdash;oo&mdash;OW! By George, Bill! this is dead enough, isn't it?
+ Shall we match for the cigars or are you too lazy?'
+ </p>
+ <p>
+ &ldquo;Then, from away off in the stillness would come a drawn-out 'Honk! honk!'
+ like a wild goose with the asthma, and pretty soon up the road would come
+ sailin' a big red automobile, loaded to the guards with goggles and
+ grandeur, and whiz past the hotel in a hurricane of dust and smell. Then
+ all hands would set up and look interested, and Bill would wink acrost at
+ his chum and drawl:
+ </p>
+ <p>
+ &ldquo;'That's the way to get over the country! Why, a horse isn't one&mdash;two&mdash;three
+ with that! Cap'n Wixon, I'm surprised that a sportin' man like you hasn't
+ bought one of those things long afore this.'
+ </p>
+ <p>
+ &ldquo;For the next twenty minutes there wouldn't be any dullness. Jonadab would
+ take care of that. He'd have the floor and be givin' his opinions of autos
+ and them that owned and run 'em. And between the drops of his language
+ shower you'd see them boarders nudgin' each other and rockin' back and
+ forth contented and joyful.
+ </p>
+ <p>
+ &ldquo;It always worked. No matter what time of day or night, all you had to say
+ was 'auto' and Cap'n Jonadab would sail up out of his chair like one of
+ them hot-air balloons the youngsters nowadays have on Fourth of July. And
+ he wouldn't come down till he was empty of remarks, nuther. You never see
+ a man get so red faced and eloquent.
+ </p>
+ <p>
+ &ldquo;It wa'n't because he couldn't afford one himself. I know that's the usual
+ reason for them kind of ascensions, but 'twa'n't his. No, sir! the summer
+ hotel business has put a considerable number of dollars in Jonadab's
+ hands, and the said hands are like a patent rat trap, a mighty sight
+ easier to get into than out of. He could have bought three automobiles if
+ he'd wanted to, but he didn't want to. And the reason he didn't was named
+ Tobias Loveland and lived over to Orham.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know Tobias,&rdquo; interrupted Captain Bailey Stitt.
+ </p>
+ <p>
+ &ldquo;Course you do,&rdquo; continued Barzilla. &ldquo;So does Sol, I guess. Well, anyhow,
+ Tobias and Cap'n Jonadab never did hitch. When they was boys together at
+ school they was always rowin' and fightin', and when they grew up to be
+ thirty and courted the same girl&mdash;ten years younger than either of
+ 'em, she was&mdash;twa'n't much better. Neither of 'em got her, as a
+ matter of fact; she married a tin peddler named Bassett over to Hyannis.
+ But both cal'lated they would have won if t'other hadn't been in the race,
+ and consequently they loved each other with a love that passed
+ understandin'. Tobias had got well to do in the cranberry-raisin' line and
+ drove a fast horse. Jonadab, durin' the last prosperous year or two, had
+ bought what he thought was some horse, likewise. They met on the road one
+ day last spring and trotted alongside one another for a mile. At the end
+ of that mile Jonadab's craft's jib boom was just astern of Tobias's
+ rudder. Inside of that week the Cap'n had swapped his horse for one with a
+ two-thirty record, and the next time they met Tobias was left with a
+ beautiful, but dusty, view of Jonadab's back hair. So HE bought a new
+ horse. And that was the beginnin'.
+ </p>
+ <p>
+ &ldquo;It went along that way for twelve months. Fust one feller's nag would
+ come home freighted with perspiration and glory, and then t'other's. One
+ week Jonadab would be so bloated with horse pride that he couldn't find
+ room for his vittles, and the next he'd be out in the stable growlin'
+ 'cause it cost so much for hay to stuff an old hide rack that wa'n't fit
+ to put in a museum. At last it got so that neither one could find a better
+ horse on the Cape, and the two they had was practically an even match. I
+ begun to have hopes that the foolishness was over. And then the tin
+ peddler's widow drifts in to upset the whole calabash.
+ </p>
+ <p>
+ &ldquo;She made port at Orham fust, this Henrietta Bassett did, and the style
+ she slung killed every female Goliath in the Orham sewin' circle dead.
+ Seems her husband that was had been an inventor, as a sort of side line to
+ peddlin' tinware, and all to once he invented somethin' that worked. He
+ made money&mdash;nobody knew how much, though all hands had a guess&mdash;and
+ pretty soon afterwards he made a will and Henrietta a widow. She'd been
+ livin' in New York, so she said, and had come back to revisit the scenes
+ of her childhood. She was a mighty well-preserved woman&mdash;artificial
+ preservatives, I cal'late, like some kinds of tomatter ketchup&mdash;and
+ her comin' stirred Orham way down to the burnt places on the bottom of the
+ kettle.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess I remember HER, too,&rdquo; put in Captain Bailey.
+ </p>
+ <p>
+ &ldquo;Say!&rdquo; queried Mr. Wingate snappishly, &ldquo;do you want to tell about her? If
+ you do, why&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Belay, both of you!&rdquo; ordered the depot master. &ldquo;Heave ahead, Barzilla.&rdquo;
+ </p>
+ <p>
+ &ldquo;The news of her got over to Wellmouth, and me and Jonadab heard of it. He
+ was some subject to widows&mdash;most widower men are, I guess&mdash;but
+ he didn't develop no alarmin' symptoms in this case and never even hinted
+ that he'd like to see his old girl. Fact is, his newest horse trade had
+ showed that it was afraid of automobiles, and he was beginnin' to get
+ rabid along that line. Then come that afternoon when him and me was out
+ drivin' together, and we&mdash;Well, I'll have to tell you about that.
+ </p>
+ <p>
+ &ldquo;We was over on the long stretch of wood road between Trumet and Denboro,
+ nice hard macadam, the mare&mdash;her name was Celia, but Jonadab had
+ re-christened her Bay Queen after a boat he used to own&mdash;skimmin'
+ along at a smooth, easy gait, when, lo and behold you! we rounds a turn
+ and there ahead of us is a light, rubber-tired wagon with a man and woman
+ on the seat of it. I heard Jonadab give a kind of snort.
+ </p>
+ <p>
+ &ldquo;'What's the matter?' says I.
+ </p>
+ <p>
+ &ldquo;'Nothin',' says he, between his teeth. 'Only, if I ain't some mistaken,
+ that's Tobe Loveland's rig. Wonder if he's got his spunk with him? The
+ Queen's feelin' her oats to-day, and I cal'late I can show him a few
+ things.'
+ </p>
+ <p>
+ &ldquo;'Rubbish!' says I, disgusted. 'Don't be foolish, Jonadab. I don't know
+ nothin' about his spunk, but I do know there's a woman with him. 'Tain't
+ likely he'll want to race you when he's got a passenger aboard.'
+ </p>
+ <p>
+ &ldquo;'Oh, I don't know!' says he. 'I've got you, Barzilla; so 'twill be two
+ and two. Let's heave alongside and see.'
+ </p>
+ <p>
+ &ldquo;So he clucked to the Queen, and in a jiffy we was astern of t'other rig.
+ Loveland looked back over his shoulder.
+ </p>
+ <p>
+ &ldquo;'Ugh!' he grunts, 'bout as cordial as a plate of ice cream. ''Lo, Wixon,
+ that you?'
+ </p>
+ <p>
+ &ldquo;'Um-hm,' begins Jonadab. 'How's that crowbait of yours to-day, Tobe? Got
+ any go in him? 'Cause if he has, I&mdash;'
+ </p>
+ <p>
+ &ldquo;He stopped short. The woman in Loveland's carriage had turned her head
+ and was starin' hard.
+ </p>
+ <p>
+ &ldquo;'Why!' she gasps. 'I do believe&mdash;Why, Jonadab!'
+ </p>
+ <p>
+ &ldquo;'HETTIE!' says the Cap'n.
+ </p>
+ <p>
+ &ldquo;Well, after that 'twas pull up, of course, and shake hands and talk. The
+ widow, she done most of the talkin'. She was SO glad to see him. How had
+ he been all these years? She knew him instantly. He hadn't changed a mite&mdash;that
+ is, not so VERY much. She was plannin' to come over to the Old Home House
+ and stay a spell later on; but now she was havin' SUCH a good time in
+ Orham, Tobias&mdash;Mr. Loveland&mdash;was makin' it SO pleasant for her.
+ She did enjoy drivin' so much, and Mr. Loveland had the fastest horse in
+ the county&mdash;did we know that?
+ </p>
+ <p>
+ &ldquo;Tobias and Jonadab glowered back and forth while all this gush was bein'
+ turned loose, and hardly spoke to one another. But when 'twas over and we
+ was ready to start again, the Cap'n says, says he:
+ </p>
+ <p>
+ &ldquo;'I'll be mighty glad to see you over to the hotel, when you're ready to
+ come, Hettie. I can take you ridin', too. Fur's horse goes, I've got a
+ pretty good one myself.'
+ </p>
+ <p>
+ &ldquo;'Oh!' squeals the widow. 'Really? Is that him? It's awful pretty, and he
+ looks fast.'
+ </p>
+ <p>
+ &ldquo;'She is,' says Jonadab. 'There's nothin' round here can beat her.'
+ </p>
+ <p>
+ &ldquo;'Humph!' says Loveland. 'Git dap!'
+ </p>
+ <p>
+ &ldquo;'Git dap!' says Jonadab, agreein' with him for once.
+ </p>
+ <p>
+ &ldquo;Tobias started, and we started. Tobias makes his horse go a little
+ faster, and Jonadab speeded up some likewise. I see how 'twas goin' to be,
+ and therefore I wa'n't surprised to death when the next ten minutes found
+ us sizzlin' down that road, neck and neck with Loveland, dust flyin',
+ hoofs poundin', and the two drivers leanin' way for'ard over the dash,
+ reins gripped and teeth sot. For a little ways 'twas an even thing, and
+ then we commenced to pull ahead a little.
+ </p>
+ <p>
+ &ldquo;'Loveland,' yells Jonadab, out of the port corner of his mouth, 'if I
+ ain't showin' you my tailboard by the time we pass the fust house in
+ Denboro, I'll eat my Sunday hat.'
+ </p>
+ <p>
+ &ldquo;I cal'late he would 'a' beat, too. We was drawin' ahead all the time and
+ had a three-quarter length lead when we swung clear of the woods and
+ sighted Denboro village, quarter of a mile away. And up the road comes
+ flyin' a big auto, goin' to beat the cars.
+ </p>
+ <p>
+ &ldquo;Let's forget the next few minutes; they wa'n't pleasant ones for me.
+ Soon's the Bay Queen sot eyes on that auto, she stopped trottin' and
+ commenced to hop; from hoppin' she changed to waltzin' and high jumpin'.
+ When the smoke had cleared, the auto was out of sight and we was in the
+ bushes alongside the road, with the Queen just gettin' ready to climb a
+ tree. As for Tobias and Henrietta, they was roundin' the turn by the fust
+ house in Denboro, wavin' by-bys to us over the back of the seat.
+ </p>
+ <p>
+ &ldquo;We went home then; and every foot of the way Cap'n Jonadab called an
+ automobile a new kind of name, and none complimentary. The boarders, they
+ got wind of what had happened and begun to rag him, and the more they
+ ragged, the madder he got and the more down on autos.
+ </p>
+ <p>
+ &ldquo;And, to put a head on the whole business, I'm blessed if Tobias Loveland
+ didn't get in with an automobile agent who was stoppin' in Orham and buy a
+ fifteen-hundred-dollar machine off him. And the very next time Jonadab was
+ out with the Queen on the Denboro road, Tobias and the widow whizzed past
+ him in that car so fast he might as well have been hove to. And, by way of
+ rubbin' it in, they come along back pretty soon and rolled alongside of
+ him easy, while Henrietta gushed about Mr. Loveland's beautiful car and
+ how nice it was to be able to go just as swift as you wanted to. Jonadab
+ couldn't answer back, nuther, bein' too busy keepin' the Queen from
+ turnin' herself into a flyin' machine.
+ </p>
+ <p>
+ &ldquo;'Twas then that he got himself swore in special constable to arrest auto
+ drivers for overspeedin'; and for days he wandered round layin' for a
+ chance to haul up Tobias and get him fined. He'd have had plenty of game
+ if he'd been satisfied with strangers, but he didn't want them anyhow,
+ and, besides, most of 'em was on their way to spend money at the Old Home
+ House. 'Twould have been poor business to let any of THAT cash go for
+ fines, and he realized it.
+ </p>
+ <p>
+ &ldquo;'Twas in early June, only a few weeks ago, that the widow come to our
+ hotel. I never thought she meant it when she said she was comin', and so I
+ didn't expect her. Fact is, I was expectin' to hear that she and Tobe
+ Loveland was married or engaged. But there was a slip up somewheres, for
+ all to once the depot wagon brings her to the Old Home House, she hires a
+ room, and settles down to stay till the season closed, which would be in
+ about a fortn't.
+ </p>
+ <p>
+ &ldquo;From the very fust she played her cards for Jonadab. He meant to be
+ middlin' average frosty to her, I imagine&mdash;her bein' so thick with
+ Tobias prejudiced him, I presume likely. But land sakes! she thawed him
+ out like hot toddy thaws out some folks' tongues. She never took no notice
+ of his coldness, but smiled and gushed and flattered, and looked her
+ prettiest&mdash;which was more'n average, considerin' her age&mdash;and by
+ the end of the third day he was hangin' round her like a cat round a cook.
+ </p>
+ <p>
+ &ldquo;It commenced to look serious to me. Jonadab was a pretty old fish to be
+ caught with soft soap and a set of false crimps; but you can't never tell.
+ When them old kind do bite, they gen'rally swallow hook and sinker, and he
+ sartinly did act hungry. I wished more'n once that Peter T. Brown, our
+ business manager, was aboard to help me with advice, but Peter is off
+ tourin' the Yosemite with his wife and her relations, so whatever pilotin'
+ there was I had to do. And every day fetched Jonadab's bows nigher the
+ matrimonial rocks.
+ </p>
+ <p>
+ &ldquo;I'd about made up my mind to sound the fog horn by askin' him straight
+ out what he was cal'latin' to do; but somethin' I heard one evenin', as I
+ set alone in the hotel office, made me think I'd better wait a spell.
+ </p>
+ <p>
+ &ldquo;The office window was open and the curtain drawed down tight. I was
+ settin' inside, smokin' and goin' over the situation, when footsteps
+ sounded on the piazza and a couple come to anchor on the settee right by
+ that window. Cap'n Jonadab and Henrietta! I sensed that immediate.
+ </p>
+ <p>
+ &ldquo;She was laughin' and actin' kind of queer, and he was talkin' mighty
+ earnest.
+ </p>
+ <p>
+ &ldquo;'Oh, no, Cap'n! Oh, no!' she giggles. 'You mustn't be so serious on such
+ a beautiful night as this. Let's talk about the moon.'
+ </p>
+ <p>
+ &ldquo;'Drat the moon!' says Jonadab. 'Hettie, I&mdash;'
+ </p>
+ <p>
+ &ldquo;'Oh, just see how beautiful the water looks! All shiny and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;'Drat the water, too! Hettie, what's the reason you don't want to talk
+ serious with me? If that Tobe Loveland&mdash;'
+ </p>
+ <p>
+ &ldquo;'Really, I don't see why you bring Mr. Loveland's name into the
+ conversation. He is a perfect gentleman, generous and kind; and as for the
+ way in which he runs that lovely car of his&mdash;'
+ </p>
+ <p>
+ &ldquo;The Cap'n interrupted her. He ripped out somethin' emphatic.
+ </p>
+ <p>
+ &ldquo;'Generous!' he snarls. ''Bout as generous as a hog in the feed trough, he
+ is. And as for runnin' that pesky auto, if I'd demean myself to own one of
+ them things, I'll bet my other suit I could run it better'n he does. If I
+ couldn't, I'd tie myself to the anchor and jump overboard.'
+ </p>
+ <p>
+ &ldquo;The way she answered showed pretty plain that she didn't believe him.
+ 'Really?' she says. 'Do you think so? Good night, Jonadab.'
+ </p>
+ <p>
+ &ldquo;I could hear her walkin' off acrost the piazza. He went after her.
+ 'Hettie,' he says, 'you answer me one thing. Are you engaged to Tobe
+ Loveland?'
+ </p>
+ <p>
+ &ldquo;She laughed again, sort of teasin' and slow. 'Really,' says she, 'you are&mdash;Why,
+ no, I'm not.'
+ </p>
+ <p>
+ &ldquo;That was all, but it set me to thinkin' hard. She wa'n't engaged to
+ Loveland; she said so, herself. And yet, if she wanted Jonadab, she was
+ actin' mighty funny. I ain't had no experience, but it seemed to me that
+ then was the time to bag him and she'd put him off on purpose. She was
+ ages too ancient to be a flirt for the fun of it. What was her game?&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0010" id="link2HCH0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER X
+ </h2>
+ <h3>
+ CAPTAIN JONADAB GOES
+ </h3>
+ <p>
+ Mr. Wingate stopped and roared a greeting to Captain Hiram Baker, who was
+ passing the open door of the waiting room.
+ </p>
+ <p>
+ &ldquo;Hello, there, Hime!&rdquo; he shouted. &ldquo;Come up in here! What, are you too
+ proud to speak to common folks?&rdquo;
+ </p>
+ <p>
+ Captain Hiram entered. &ldquo;Hello!&rdquo; he said. &ldquo;You look like a busy gang, for
+ sure. What you doin'&mdash;seatin' chairs?&rdquo;
+ </p>
+ <p>
+ &ldquo;Just now we're automobilin',&rdquo; observed Captain Sol. &ldquo;Set down, Hiram.&rdquo;
+ </p>
+ <p>
+ &ldquo;Automobilin'?&rdquo; repeated the new arrival, evidently puzzled.
+ </p>
+ <p>
+ &ldquo;Sartin. Barzilla's takin' us out. Go on, Barzilla.&rdquo;
+ </p>
+ <p>
+ Mr. Wingate smiled broadly. &ldquo;Well,&rdquo; he began, &ldquo;we HAVE just about reached
+ the part where I went autoin'. The widow and me and Jonadab.&rdquo;
+ </p>
+ <p>
+ &ldquo;Jonadab!&rdquo; shouted Stitt. &ldquo;I thought you said&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know what I said. But we went auto ridin' just the same.
+ </p>
+ <p>
+ &ldquo;'Twas Henry G. Bradbury that took us out, him and his bran-new big
+ tourin' car. You see, he landed to board with us the next day after
+ Henrietta come&mdash;this Henry G. did&mdash;and he was so quiet and easy
+ spoken and run his car so slow that even a pizen auto hater like Jonadab
+ couldn't take much offense at him. He wa'n't very well, he said, subject
+ to some kind of heart attacks, and had come to the Old Home for rest.
+ </p>
+ <p>
+ &ldquo;Him and the Cap'n had great arguments about the sins of automobilin'.
+ Jonadab was sot on the idee that nine folks out of ten hadn't machine
+ sense enough to run a car. Bradbury, he declared that that was a fact with
+ the majority of autos, but not with his. 'Why, a child could run it,' says
+ he. 'Look here, Cap'n: To start it you just do this. To stop it you do so
+ and so. To make her go slow you haul back on this lever. To make her go
+ faster you shove down this one. And as for steerin'&mdash;well, a man
+ that's handled the wheels of as many catboats as you have would simply
+ have a picnic. I'm in entire sympathy with your feelin's against speeders
+ and such&mdash;I'd be a constable if I was in your shoes&mdash;but this is
+ a gentleman's car and runs like one.'
+ </p>
+ <p>
+ &ldquo;All Jonadab said was 'Bosh!' and 'Humph!' but he couldn't help actin'
+ interested, particular as Mrs. Bassett kept him alongside of the machine
+ and was so turrible interested herself. And when, this partic'lar
+ afternoon, Henry G. invites us all to go out with him for a little 'roll
+ around,' the widow was so tickled and insisted so that he just HAD to go;
+ he didn't dast say no.
+ </p>
+ <p>
+ &ldquo;Somehow or 'nother&mdash;I ain't just sure yet how it happened&mdash;the
+ seatin' arrangements was made like this: Jonadab and Bradbury on the front
+ seat, and me and Henrietta in the stuffed cockpit astern. We rolled out
+ and purred along the road, smooth as a cat trottin' to dinner. No
+ speedin', no joltin', no nothin'. 'TWAS a 'gentleman's car'; there wa'n't
+ no doubt about that.
+ </p>
+ <p>
+ &ldquo;We went 'way over to Bayport and Orham and beyond. And all the time
+ Bradbury kept p'intin' out the diff'rent levers to Jonadab and tellin' him
+ how to work 'em. Finally, after we'd headed back, he asked Jonadab to take
+ the wheel and steer her a spell. Said his heart was feelin' sort of mean
+ and 'twould do him good to rest.
+ </p>
+ <p>
+ &ldquo;Jonadab said no, emphatic and more'n average ugly, but Henry G. kept
+ beggin' and pleadin', and pretty soon the widow put in her oar. He must do
+ it, to please her. He had SAID he could do it&mdash;had told her so&mdash;and
+ now he must make good. Why, when Mr. Loveland&mdash;
+ </p>
+ <p>
+ &ldquo;'All right,' snarls Jonadab. 'I'll try. But if ever&mdash;'
+ </p>
+ <p>
+ &ldquo;'Hold on!' says I. 'Here's where I get out.'
+ </p>
+ <p>
+ &ldquo;However, they wouldn't let me, and the Cap'n took the wheel. His jaw was
+ set and his hands shakin', but he done it. Hettie had give her orders and
+ she was skipper.
+ </p>
+ <p>
+ &ldquo;For a consider'ble spell we just crawled. Jonadab was steerin' less
+ crooked every minute and it tickled him; you could see that.
+ </p>
+ <p>
+ &ldquo;'Answers her hellum tiptop, don't she?' he says.
+ </p>
+ <p>
+ &ldquo;'Bet your life!' says Bradbury. 'Better put on a little more speed,
+ hadn't we?'&rdquo;
+ </p>
+ <p>
+ He put it on himself, afore the new pilot could stop him, and we commenced
+ to move.
+ </p>
+ <p>
+ &ldquo;'When you want to make her jump,' he says, you press down on that with
+ your foot, and you shove the spark back.'
+ </p>
+ <p>
+ &ldquo;'Shut up!' howls Jonadab. 'Belay! Don't you dast to touch that. I'm scart
+ to death as 'tis. Here! you take this wheel.'
+ </p>
+ <p>
+ &ldquo;But he wouldn't, and we went on at a good clip. For a green hand the
+ Cap'n was leavin' a pretty straight wake.
+ </p>
+ <p>
+ &ldquo;'Gosh!' he says, after a spell; 'I b'lieve I'm kind of gettin' the hang
+ of the craft.'
+ </p>
+ <p>
+ &ldquo;'Course you are,' says Bradbury. 'I told&mdash;Oh!'
+ </p>
+ <p>
+ &ldquo;He straightens up, grabs at his vest, and slumps down against the back of
+ the seat.
+ </p>
+ <p>
+ &ldquo;'What IS it?' screams the widow. 'Oh, what IS it, Mr. Bradbury?'
+ </p>
+ <p>
+ &ldquo;He answers, plucky, but toler'ble faintlike. My heart!' he gasps. 'I&mdash;I'm
+ afraid I'm goin' to have one of my attacks. I must get to a doctor quick.'
+ </p>
+ <p>
+ &ldquo;'Doctor!' I sings out. 'Great land of love! there ain't a doctor nigher
+ than Denboro, and that's four mile astern.'
+ </p>
+ <p>
+ &ldquo;'Never mind,' cries the Bassett woman. 'We must go there, then. Turn
+ around, Jonadab! Turn around at once! Mr. Bradbury&mdash;'
+ </p>
+ <p>
+ &ldquo;But poor Henry G. was curled up against the cushions and we couldn't get
+ nothin' out of him but groans. And all the time we was sailin' along up
+ the road.
+ </p>
+ <p>
+ &ldquo;'Turn around, Jonadab!' orders Henrietta. 'Turn around and go for the
+ doctor!'
+ </p>
+ <p>
+ &ldquo;Jonadab's hands was clutched on that wheel, and his face was white as his
+ rubber collar.
+ </p>
+ <p>
+ &ldquo;'Jerushy!' he groans desperate, 'I&mdash;I don't know HOW to turn
+ around.'
+ </p>
+ <p>
+ &ldquo;'Then stop, you foolhead!' I bellers. 'Stop where you be!'
+ </p>
+ <p>
+ &ldquo;And he moans&mdash;almost cryin' he was: 'I&mdash;I've forgotten how to
+ STOP.'
+ </p>
+ <p>
+ &ldquo;Talk about your situations! If we wa'n't in one then I miss my guess.
+ Every minute we was sinkin' Denboro below the horizon.
+ </p>
+ <p>
+ &ldquo;'We MUST get to a doctor,' says the widow. 'Where is there another one,
+ Mr. Wingate?'
+ </p>
+ <p>
+ &ldquo;'The next one's in Bayport,' says I, 'and that's ten mile ahead if it's a
+ foot.'
+ </p>
+ <p>
+ &ldquo;However, there wa'n't nothin' else for it, so toward Bayport we put.
+ Bradbury groaned once in a while, and Mrs. Bassett got nervous.
+ </p>
+ <p>
+ &ldquo;'We'll never get there at this rate,' says she. 'Go faster, Jonadab.
+ Faster! Press down on&mdash;on that thing he told you to. Please! for MY
+ sake.'
+ </p>
+ <p>
+ &ldquo;'Don't you&mdash;' I begun; but 'twas too late. He pressed, and away we
+ went. We was eatin' up the road now, I tell you, and though I was
+ expectin' every minute to be my next, I couldn't help admirin' the way the
+ Cap'n steered. And, as for him, he was gettin' more and more set up and
+ confident.
+ </p>
+ <p>
+ &ldquo;'She handles like a yacht, Barzilla,' he grunts, between his teeth. 'See
+ me put her around the next buoy ahead there. Hey! how's that?'
+ </p>
+ <p>
+ &ldquo;The next 'buoy' was a curve in the road, and we went around it beautiful.
+ So with the next and the next and the next. Bayport wa'n't so very fur
+ ahead. All to once another dreadful thought struck me.
+ </p>
+ <p>
+ &ldquo;'Look here!' I yells. 'How in time are we goin' to stop when we&mdash;OW!'
+ </p>
+ <p>
+ &ldquo;The Bassett woman had pinched my arm somethin' savage. I looked at her,
+ and she was scowlin' and shakin' her head.
+ </p>
+ <p>
+ &ldquo;'S-sh-sh!' she whispers. 'Don't disturb him. He'll be frightened and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Frightened! Good heavens to Betsy! I cal'late he won't be the only one
+ that's fri&mdash;'
+ </p>
+ <p>
+ &ldquo;But she looked so ugly that I shut up prompt, though I done a heap of
+ thinkin'. On we went and, as we turned the next 'buoy,' there, ahead of
+ us, was another auto, somethin' like ours, with only one person in it, a
+ man, and goin' in the same direction we was, though not quite so fast.
+ </p>
+ <p>
+ &ldquo;Then I WAS scart. 'Hi, Jonadab!' I sings out. 'Heave to! Come about!
+ Shorten sail! Do you want to run him down? Look OUT!'
+ </p>
+ <p>
+ &ldquo;I might as well have saved my breath. Heavin' to and the rest of it
+ wa'n't included in our pilot's education. On we went, same as ever. I
+ don't know what might have happened if the widow hadn't kept her head. She
+ leaned over the for'ard rail of the after cockpit and squeezed a rubber
+ bag that was close to Jonadab's starboard arm. It was j'ined to the fog
+ whistle, I cal'late, 'cause from under our bows sounded a beller like a
+ bull afoul of a barb-wire fence.
+ </p>
+ <p>
+ &ldquo;The feller in t'other car turned his head and looked. Then he commenced
+ to sheer off to wind'ard so's to let us pass. But all the time he kept
+ lookin' back and starin' and, as we got nigher, and I could see him
+ plainer through the dust, he looked more and more familiar. 'Twas somebody
+ I knew.
+ </p>
+ <p>
+ &ldquo;Then I heard a little grunt, or gasp, from Cap'n Jonadab. He was leanin'
+ for'ard over the wheel, starin' at the man in the other auto. The nigher
+ we got, the harder he stared; and the man in front was actin' similar in
+ regards to him. And, all to once, the head car stopped swingin' off to
+ wind'ard, turned back toward the middle of the road, and begun to go like
+ smoke. The next instant I felt our machine fairly jump beneath me. I
+ looked at Jonadab's foot. 'Twas pressed hard down on the speed lever.
+ </p>
+ <p>
+ &ldquo;'You crazy loon!' I screeched. 'You&mdash;you&mdash;you&mdash;Stop it!
+ Take your foot off that! Do you want to&mdash;!'
+ </p>
+ <p>
+ &ldquo;I was climbin' over the back of the front seat, my knee pretty nigh on
+ Bradbury's head. But, would you believe it, that Jonadab man let go of the
+ wheel with one hand&mdash;let GO of it, mind you&mdash;and give me a shove
+ that sent me backward in Henrietta Bassett's lap.
+ </p>
+ <p>
+ &ldquo;'Barzilla!' he growled, between his teeth, 'you set where you be and keep
+ off the quarterdeck. I'm runnin' this craft. I'll beat that Loveland this
+ time or run him under, one or t'other!'
+ </p>
+ <p>
+ &ldquo;As sure as I'm alive this minute, the man in the front car was Tobias
+ Loveland!
+ </p>
+ <p>
+ &ldquo;And from then on&mdash;Don't talk! I dream about it nights and wake up
+ with my arms around the bedpost. I ain't real sure, but I kind of have an
+ idee that the bedpost business comes from the fact that I was huggin' the
+ widow some of the time. If I did, 'twa'n't knowin'ly, and she never
+ mentioned it afterwards. All I can swear to is clouds of dust, and horns
+ honkin', and telegraph poles lookin' like teeth in a comb, and Jonadab's
+ face set as the Day of Judgment.
+ </p>
+ <p>
+ &ldquo;He kept his foot down on the speed place as if 'twas glued. He shoved the
+ 'spark'&mdash;whatever that is&mdash;'way back. Every once in a while he
+ yelled, yelled at the top of his lungs. What he yelled hadn't no sense to
+ it. Sometimes you'd think that he was drivin' a horse and next that he was
+ handlin' a schooner in a gale.
+ </p>
+ <p>
+ &ldquo;'Git dap!' he'd whoop. 'Go it, you cripples! Keep her nose right in the
+ teeth of it! She's got the best of the water, so let her bile! Whe-E-E!'
+ </p>
+ <p>
+ &ldquo;We didn't stop at Bayport. Our skipper had made other arrangements.
+ However, the way I figgered it, we was long past needin' a doctor, and you
+ can get an undertaker 'most anywhere. We went through the village like a
+ couple of shootin' stars, Tobias about a length ahead, his hat blowed off,
+ his hair&mdash;what little he's got&mdash;streamin' out behind, and that
+ blessed red buzz wagon of his fairly skimmin' the hummocks and jumpin' the
+ smooth places. And right astern of him comes Jonadab, hangin' to the
+ wheel, HIS hat gone, his mouth open, and fillin' the dust with yells and
+ coughs.
+ </p>
+ <p>
+ &ldquo;You could see folks runnin' to doors and front gates; but you never saw
+ 'em reach where they was goin'&mdash;time they done that we was somewheres
+ round the next bend. A pullet run over us once&mdash;yes, I mean just
+ that. She clawed the top of the widow's bunnit as we slid underneath her,
+ and by the time she lit we was so fur away she wa'n't visible to the naked
+ eye. Bradbury&mdash;who'd got better remarkable sudden&mdash;was pawin' at
+ Jonadab's arm, tryin' to make him ease up; but he might as well have pawed
+ the wind. As for Henrietta Bassett, she was acrost the back of the front
+ seat tootin' the horn for all she was wuth. And curled down in a heap on
+ the cockpit floor was a fleshy, sea-farin' person by the name of Barzilla
+ Wingate, sufferin' from chills and fever.
+ </p>
+ <p>
+ &ldquo;I think 'twas on the long stretch of the Trumet road that we beat Tobias.
+ I know we passed somethin' then, though just what I ain't competent to
+ testify. All I'm sure of is that, t'other side of Bayport village, the
+ landscape got some less streaked and you could most gen'rally separate one
+ house from the next.
+ </p>
+ <p>
+ &ldquo;Bradbury looked at Henrietta and smiled, a sort of sickly smile. She was
+ pretty pale, but she managed to smile back. I got up off the floor and
+ slumped on the cushions. As for Cap'n Jonadab Wixon, he'd stopped yellin',
+ but his face was one broad, serene grin. His mouth, through the dust and
+ the dirt caked around it, looked like a rain gully in a sand-bank. And,
+ occasional, he crowed, hoarse but vainglorious.
+ </p>
+ <p>
+ &ldquo;'Did you see me?' he barked. 'Did you notice me lick him? He'll laugh at
+ me, will he?&mdash;him and his one-horse tin cart! Ho! HO! Why, you'd
+ think he was settin' down to rest! I've got him where I want him now! Ho,
+ ho! Say, Henrietta, did you go swift as you&mdash;? Land sakes! Mr.
+ Bradbury, I forgot all about you. And I&mdash;I guess we must have got a
+ good ways past the doctor's place.'
+ </p>
+ <p>
+ &ldquo;Bradbury said never mind. He felt much better, and he cal'lated he'd do
+ till we fetched the Old Home dock. He'd take the wheel, now, he guessed.
+ </p>
+ <p>
+ &ldquo;But, would you b'lieve it, that fool Jonadab wouldn't let him! He was
+ used to the ship now, he said, and, if 'twas all the same to Henry G. and
+ Hettie, he'd kind of like to run her into port.
+ </p>
+ <p>
+ &ldquo;'She answers her hellum fine,' he says. 'After a little practice I
+ cal'late I could steer&mdash;'
+ </p>
+ <p>
+ &ldquo;'Steer!' sings out Bradbury. 'STEER! Great Caesar's ghost! I give you my
+ word, Cap'n Wixon, I never saw such handlin' of a machine as you did goin'
+ through Bayport, in my life. You're a wonder!'
+ </p>
+ <p>
+ &ldquo;'Um-hm,' says Jonadab contented. 'I've steered a good many vessels in my
+ time, through traffic and amongst the shoals, and never run afoul of
+ nothin' yet. I don't see much diff'rence on shore&mdash;'cept that it's a
+ little easier.'
+ </p>
+ <p>
+ &ldquo;EASIER! Wouldn't that&mdash;Well, what's the use of talkin'?
+ </p>
+ <p>
+ &ldquo;We got to the Old Home House safe and sound; Jonadab, actin' under
+ Bradbury's orders, run her into the yard, slowin' up and stoppin' at the
+ front steps slick as grease. He got out, his chest swelled up like a
+ puffin' pig, and went struttin' in to tell everybody what he'd done to
+ Loveland. I don't know where Bradbury and the widow went. As for me, I
+ went aloft and turned in. And 'twas two days and nights afore I got up
+ again. I had a cold, anyway, and what I'd been through didn't help it
+ none.
+ </p>
+ <p>
+ &ldquo;The afternoon of the second day, Bradbury come up to see me. He was
+ dressed in his city clothes and looked as if he was goin' away. Sure
+ enough, he was; goin' on the next train.
+ </p>
+ <p>
+ &ldquo;'Where's Jonadab?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh, he's out in his car,' he says. 'Huntin' for Loveland again, maybe.'
+ </p>
+ <p>
+ &ldquo;'HIS car? You mean yours.'
+ </p>
+ <p>
+ &ldquo;'No, I mean his. I sold my car to him yesterday mornin' for twenty-five
+ hundred dollars cash.'
+ </p>
+ <p>
+ &ldquo;I set up in bed. 'Go 'long!' I sings out. 'You didn't nuther!'
+ </p>
+ <p>
+ &ldquo;'Yes, I did. Sure thing. After that ride, you couldn't have separated him
+ from that machine with blastin' powder. He paid over the money like a
+ little man.'
+ </p>
+ <p>
+ &ldquo;I laid down again. Jonadab Wixon payin' twenty-five hundred dollars for a
+ plaything! Not promisin', but actually PAYIN' it!
+ </p>
+ <p>
+ &ldquo;'Has&mdash;has the widow gone with him?' I asked, soon's I could get my
+ breath.
+ </p>
+ <p>
+ &ldquo;He laughed sort of queer. 'No,' he says, 'she's gone out of town for a
+ few days. Ha, ha! Well, between you and me, Wingate, I doubt if she comes
+ back again. She and I have made all we're likely to in this neighborhood,
+ and she's too good a business woman to waste her time. Good-by; glad to
+ have met you.'
+ </p>
+ <p>
+ &ldquo;But I smelt rat strong and wouldn't let him go without seein' the
+ critter.
+ </p>
+ <p>
+ &ldquo;'Hold on!' I says. 'There's somethin' underneath all this. Out with it. I
+ won't let on to the Cap'n if you don't want me to.'
+ </p>
+ <p>
+ &ldquo;'Well,' says he, laughin' again, 'Mrs. Bassett WON'T come back and I know
+ it. She and I have sold four cars on the Cape in the last five weeks, and
+ the profits'll more'n pay vacation expenses. Two up in Wareham, one over
+ in Orham, to Loveland&mdash;'
+ </p>
+ <p>
+ &ldquo;'Did YOU sell Tobias his?' I asks, settin' up again.
+ </p>
+ <p>
+ &ldquo;'Hettie and I did&mdash;yes. Soon's we landed him, we come over to bag
+ old Wixon. I thought one time he'd kill us before we got him, but he
+ didn't. How he did run that thing! He's a game sport.'
+ </p>
+ <p>
+ &ldquo;'See here!' says I. 'YOU and Hettie sold&mdash;What do you mean by that?'
+ </p>
+ <p>
+ &ldquo;'Mrs. Bassett is my backer in the auto business,' says he. 'She put in
+ her money and I furnished the experience. We've got a big plant up in&mdash;'
+ namin' a city in Connecticut.
+ </p>
+ <p>
+ &ldquo;I fetched a long breath. 'WELL!' says I. 'And all this makin' eyes at
+ Tobe and Jonadab was just&mdash;just&mdash;'
+ </p>
+ <p>
+ &ldquo;'Just bait, that's all,' says he. 'I told you she was a good business
+ woman.'
+ </p>
+ <p>
+ &ldquo;I let this sink in good. Then says I, 'Humph! I swan to man! And how's
+ your heart actin' now?'
+ </p>
+ <p>
+ &ldquo;'Fine!' he says, winkin'. 'I had that attack so's the Cap'n would learn
+ to run on his own hook. I didn't expect quite so much of a run, but I'm
+ satisfied. Don't you worry about my heart disease. That twenty-five
+ hundred cured it. 'Twas all in the way of business,' says Henry G.
+ Bradbury.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whew!&rdquo; whistled Captain Hiram as Barzilla reached into his pocket for
+ pipe and tobacco. &ldquo;Whew! I should say your partner had a narrer escape.
+ Want to look out sharp for widders. They're dangerous, hey, Sol?&rdquo;
+ </p>
+ <p>
+ The depot master did not answer. Captain Hiram asked another question.
+ &ldquo;How'd Jonadab take Hettie's leavin'?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; said Barzilla, &ldquo;I don't think he minded so much. He was too crazy
+ about his new auto to care for anything else. Then, too, he was b'ilin'
+ mad 'cause Loveland swore out a warrant against him for speedin'.
+ </p>
+ <p>
+ &ldquo;'Nice trick, ain't it?' he says. 'I knew Tobe was a poor loser, but I
+ didn't think he'd be so low down as all that. Says I was goin' fifty mile
+ an hour. He! he! Well, I WAS movin', that's a fact. I don't care. 'Twas
+ wuth the twenty-dollar fine.'
+ </p>
+ <p>
+ &ldquo;'Maybe so,' I says, 'but 'twon't look very pretty to have a special auto
+ constable hauled up and fined for breakin' the law he's s'posed to
+ protect.'
+ </p>
+ <p>
+ &ldquo;He hadn't thought of that. His face clouded over.
+ </p>
+ <p>
+ &ldquo;'No use, Barzilla,' says he; 'I'll have to give it up.'
+ </p>
+ <p>
+ &ldquo;'Guess you will,' says I. 'Automobilin' is&mdash;'
+ </p>
+ <p>
+ &ldquo;'I don't mean automobilin',' he snorts disgusted. 'Course not! I mean
+ bein' constable.'
+ </p>
+ <p>
+ &ldquo;So there you are! From cussin' automobiles he's got so that he can't talk
+ enough good about 'em. And every day sence then he's out on the road
+ layin' for another chance at Tobias. I hope he gets that chance pretty
+ soon, because&mdash;well, there's a rumor goin' round that Loveland is
+ plannin' to swap his car for a bigger and faster one. If he does . . .&rdquo;
+ </p>
+ <p>
+ &ldquo;If he does,&rdquo; interrupted Captain Sol, &ldquo;I hope you'll fix the next race
+ for over here. I'd like to see you go by, Barzilla.&rdquo;
+ </p>
+ <p>
+ &ldquo;Guess you'd have to look quick to see him,&rdquo; laughed Stitt. &ldquo;Speakin'
+ about automobiles&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;By gum!&rdquo; ejaculated Wingate, &ldquo;you'd have to look somewheres else to find
+ ME. I've got all the auto racin' I want!&rdquo;
+ </p>
+ <p>
+ &ldquo;Speakin' of automobiles,&rdquo; began Captain Bailey again. No one paid the
+ slightest attention.
+ </p>
+ <p>
+ &ldquo;How's Dusenberry, your baby, Hiram?&rdquo; asked the depot master, turning to
+ Captain Baker. &ldquo;His birthday's the Fourth, and that's only a couple of
+ days off.&rdquo;
+ </p>
+ <p>
+ The proud parent grinned, then looked troubled.
+ </p>
+ <p>
+ &ldquo;Why, he ain't real fust-rate,&rdquo; he said. &ldquo;Seems to be some under the
+ weather. Got a cold and kind of sore throat. Dr. Parker says he cal'lates
+ it's a touch of tonsilitis. There's consider'ble fever, too. I was hopin'
+ the doctor'd come again to-day, but he's gone away on a fishin' cruise.
+ Won't be home till late to-morrer. I s'pose me and Sophrony hadn't ought
+ to worry. Dr. Parker seems to know about the case.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted the depot master, &ldquo;there's only two bein's in creation
+ that know it all. One's the Almighty and t'other's young Parker. He's
+ right out of medical school and is just as fresh as his diploma. He hadn't
+ any business to go fishin' and leave his patients. We lost a good man when
+ old Dr. Ryder died. He . . . Oh, well! you mustn't worry, Hiram.
+ Dusenberry'll pull out in time for his birthday. Goin' to celebrate, was
+ you?&rdquo;
+ </p>
+ <p>
+ Captain Baker nodded. &ldquo;Um-hm,&rdquo; he said. &ldquo;Sophrony's goin' to bake a
+ frosted cake and stick three candles on it&mdash;he's three year old, you
+ know&mdash;and I've made him a 'twuly boat with sails,' that's what he's
+ been beggin' for. Ho! ho! he's the cutest little shaver!&rdquo;
+ </p>
+ <p>
+ &ldquo;Speakin' of automobiles,&rdquo; began Bailey Stitt for the third time.
+ </p>
+ <p>
+ &ldquo;That youngster of yours, Hiram,&rdquo; went on the depot master, &ldquo;is the right
+ kind. Compared with some of the summer young ones that strike this depot,
+ he's a saint.&rdquo;
+ </p>
+ <p>
+ Captain Hiram grinned. &ldquo;That's what I tell Sophrony,&rdquo; he said. &ldquo;Sometimes
+ when Dusenberry gets to cuttin' up and she is sort of provoked, I say to
+ her, 'Old lady,' I say, 'if you think THAT'S a naughty boy, you ought to
+ have seen Archibald.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Who was Archibald?&rdquo; asked Barzilla.
+ </p>
+ <p>
+ &ldquo;He was a young rip that Sim Phinney and I run across four years ago when
+ we went on our New York cruise together. The weir business had been pretty
+ good and Sim had been teasin' me to go on a vacation with him, so I went.
+ Sim ain't stopped talkin' about our experiences yet. Ho! ho!&rdquo;
+ </p>
+ <p>
+ &ldquo;You bet he ain't!&rdquo; laughed the depot master. &ldquo;One mix-up you had with a
+ priest, and a love story, and land knows what. He talks about that to this
+ day.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was it? He never told me,&rdquo; said Wingate.
+ </p>
+ <p>
+ &ldquo;Why, it begun at the Golconda House, the hotel where Sim and I was
+ stayin'. We&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Did YOU put up at the Golconda?&rdquo; interrupted Barzilla. &ldquo;Why, Cap'n
+ Jonadab and me stayed there when we went to New York.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know you did. Jonadab recommended it to Sim, and Sim took the
+ recommendation. That Golconda House is the only grudge I've got against
+ Jonadab Wixon. It sartin is a tough old tavern.&rdquo;
+ </p>
+ <p>
+ &ldquo;I give in to that. Jonadab's so sot on it account of havin' stopped there
+ on his honeymoon, years and years ago. He's too stubborn to own it's bad.
+ It's a matter of principle with him, and he's sot on principle.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; continued Baker. &ldquo;Well, Sim and me had been at that Golconda three
+ days and nights. Mornin' of the fourth day we walked out of the dinin'
+ room after breakfast, feelin' pretty average chipper. Gettin' safe past
+ another meal at that hotel was enough of itself to make a chap grateful.
+ </p>
+ <p>
+ &ldquo;We walked out of the dinin' room and into the office. And there, by the
+ clerk's desk, was a big, tall man, dressed up in clothes that was loud
+ enough to speak for themselves, and with a shiny new tall hat, set with a
+ list to port, on his head. He was smooth-faced and pug-nosed, with an
+ upper lip like a camel's.
+ </p>
+ <p>
+ &ldquo;He didn't pay much attention to us, nor to anybody else, for the matter
+ of that. He was as mournful as a hearse, for all his joyful togs.
+ </p>
+ <p>
+ &ldquo;'Fine day, ain't it?' says Sim, social.
+ </p>
+ <p>
+ &ldquo;The tall chap looked up at him from under the deck of the beaver hat.
+ </p>
+ <p>
+ &ldquo;'Huh!' he growls out, and looks down again.
+ </p>
+ <p>
+ &ldquo;'I say it's a fine day,' said Phinney again.
+ </p>
+ <p>
+ &ldquo;'I was after hearin' yez say it,' says the man, and walks off, scowlin'
+ like a meat ax. We looked after him.
+ </p>
+ <p>
+ &ldquo;'Who was that murderer?' asks Sim of the clerk. 'And when are they going
+ to hang him?'
+ </p>
+ <p>
+ &ldquo;'S-sh-sh!' whispers the clerk, scart. ''Tis the boss. The bloke what runs
+ the hotel. He's a fine man, but he has troubles. He's blue.'
+ </p>
+ <p>
+ &ldquo;'So that's the boss, hey?' says I. 'And he's blue. Well, he looks it.
+ What's troublin' him? Ain't business good?'
+ </p>
+ <p>
+ &ldquo;'Never better. It ain't that. He has things on his mind. You see&mdash;'
+ </p>
+ <p>
+ &ldquo;I cal'late he'd have told us the yarn, only Sim wouldn't wait to hear it.
+ We was goin' sight-seein' and we had 'aquarium' and 'Stock Exchange' on
+ the list for that afternoon. The hotel clerk had made out a kind of
+ schedule for us of things we'd ought to see while we was in New York, and
+ so fur we'd took in the zoological menagerie and the picture museum, and
+ Central Park and Brooklyn Bridge.
+ </p>
+ <p>
+ &ldquo;On the way downtown in the elevated railroad Sim done some preachin'. His
+ text was took from the Golconda House sign, which had 'T. Dempsey,
+ Proprietor,' painted on it.
+ </p>
+ <p>
+ &ldquo;'It's that Dempsey man's conscience that makes him so blue, Hiram,' says
+ Sim. 'It's the way he makes his money. He sells liquor.'
+ </p>
+ <p>
+ &ldquo;'Oh!' says I. 'Is THAT it? I thought maybe he'd been sleepin' on one of
+ his own hotel beds. THEY'RE enough to make any man blue&mdash;black and
+ blue.'
+ </p>
+ <p>
+ &ldquo;The 'aquarium' wa'n't a success. Phinney was disgusted. He give one look
+ around, grabbed me by the arm, and marched me out of that building same as
+ Deacon Titcomb, of the Holiness Church at Denboro, marched his boy out of
+ the Universalist sociable.
+ </p>
+ <p>
+ &ldquo;'It's nothin' but a whole passel of fish,' he snorts. 'The idea of
+ sendin' two Cape Codders a couple of miles to look at FISH. I've looked at
+ 'em and fished for 'em, and et 'em all the days of my life,' he says, 'and
+ when I'm on a vacation I want a change. I'd forgot that &ldquo;aquarium&rdquo; meant
+ fish, or you wouldn't have got me within smellin' distance of it.
+ Necessity's one thing and pleasure's another, as the boy said about takin'
+ his ma's spring bitters.'
+ </p>
+ <p>
+ &ldquo;So we headed for the Stock Exchange. We got our gallery tickets at the
+ bank where the Golconda folks kept money, and in a little while we was
+ leanin' over a kind of marble bulwarks and starin' down at a gang of men
+ smokin' and foolin' and carryin' on. 'Twas a dull day, so we found out
+ afterward, and I guess likely that was true. Anyway, I never see such
+ grown-up men act so much like children. There was a lot of poles stuck up
+ around with signs on 'em, and around every pole was a circle of bedlamites
+ hollerin' like loons. Hollerin' was the nighest to work of anything I see
+ them fellers do, unless 'twas tearin' up papers and shovin' the pieces
+ down somebody's neck or throwin' 'em in the air like a play-actin'
+ snowstorm.
+ </p>
+ <p>
+ &ldquo;'What's the matter with 'em?' says I. 'High finance taken away their
+ brains?'
+ </p>
+ <p>
+ &ldquo;But Phinney was awful interested. He dumped some money in a mine once.
+ The mine caved in on it, I guess, for not a red cent ever come to the top
+ again, but he's been a kind of prophet concernin' finances ever sence.
+ </p>
+ <p>
+ &ldquo;'I want to see the big fellers,' says he. 'S'pose that fat one is
+ Morgan?'
+ </p>
+ <p>
+ &ldquo;'I don't know,' says I. 'Me and Pierpont ain't met for ever so long.
+ Don't lean over and point so; you're makin' a hit.'
+ </p>
+ <p>
+ &ldquo;He was, too. Some of the younger crew on the floor was lookin' up and
+ grinnin', and more kept stoppin' and joinin' in all the time. I cal'late
+ we looked kind of green and soft, hangin' over that marble rail, like
+ posies on a tombstone; and green is the favorite color to a stockbroker,
+ they tell me. Anyhow, we had a good-sized congregation under us in less
+ than no time. Likewise, they got chatty, and commenced to unload remarks.
+ </p>
+ <p>
+ &ldquo;'Land sakes!' says one. 'How's punkins?'
+ </p>
+ <p>
+ &ldquo;'How's crops down your way?' says another.
+ </p>
+ <p>
+ &ldquo;Now there wa'n't nothin' real bright and funny about these questions&mdash;more
+ fresh than new, they struck me&mdash;but you'd think they was gems from
+ the comic almanac, jedgin' by the haw-haws. Next minute a little
+ bald-headed smart Alec, with clothes that had a tailor's sign hull down
+ and out of the race, steps to the front and commences to make a speech.
+ </p>
+ <p>
+ &ldquo;'Gosh t'mighty, gents,' says he. 'With your kind permission, I'll sing
+ &ldquo;When Reuben Comes to Town.&rdquo;'
+ </p>
+ <p>
+ &ldquo;And he did sing it, too, in a voice that needed cultivatin' worse'n a
+ sandy front yard. And with every verse the congregation whooped and
+ laughed and cheered. When the anthem was concluded, all hands set up a
+ yell and looked at us to see how we took it.
+ </p>
+ <p>
+ &ldquo;As for me, I was b'ilin' mad and mortified and redhot all over. But Sim
+ Phinney was as cool as an October evenin'. Once in a while old Sim comes
+ out right down brilliant, and he done it now. He smiled, kind of tolerant
+ and easy, same as you might at the tricks of a hand-organ monkey. Then he
+ claps his hands, applaudin' like, reaches into his pocket, brings up a
+ couple of pennies, and tosses 'em down to little baldhead, who was
+ standin' there blown up with pride.
+ </p>
+ <p>
+ &ldquo;For a minute the crowd was still. And THEN such a yell as went up! The
+ whole floor went wild. Next thing I knew the gallery was filled with
+ brokers, grabbin' us by the hands, poundin' us on the back, beggin' us to
+ come have a drink, and generally goin' crazy. We was solid with the
+ 'system' for once in our lives. We could have had that whole buildin',
+ from marble decks to gold maintruck, if we'd said the word. Fifty yellin'
+ lunatics was on hand to give it to us; the other two hundred was joyfully
+ mutilatin' the baldhead.
+ </p>
+ <p>
+ &ldquo;Well, I wanted to get away, and so did Sim, I guess; but the crowd
+ wouldn't let us. We'd got to have a drink; hogsheads of drinks. That was
+ the best joke on Eddie Lewisburg that ever was. Come on! We MUST come on!
+ Whee! Wow!
+ </p>
+ <p>
+ &ldquo;I don't know how it would have ended if some one hadn't butted head first
+ through the mob and grabbed me by the shoulder. I was ready to fight by
+ this time, and maybe I'd have begun to fight if the chap who grabbed me
+ hadn't been a few inches short of seven foot high. And, besides that, I
+ knew him. 'Twas Sam Holden, a young feller I knew when he boarded here one
+ summer. His wife boarded here, too, only she wa'n't his wife then. Her
+ name was Grace Hargrave and she was a fine girl. Maybe you remember 'em,
+ Sol?&rdquo;
+ </p>
+ <p>
+ The depot master nodded.
+ </p>
+ <p>
+ &ldquo;I remember 'em well,&rdquo; he said. &ldquo;Liked 'em both&mdash;everybody did.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Well, he knew us and was glad to see us.
+ </p>
+ <p>
+ &ldquo;'It IS you!' he sings out. 'By George! I thought it was when I came on
+ the floor just now. My! but I'm glad to see you. And Mr. Phinney, too!
+ Bully! Clear out and let 'em alone, you Indians.'
+ </p>
+ <p>
+ &ldquo;The crowd didn't want to let us alone, but Sam got us clear somehow, and
+ out of the Exchange Buildin' and into the back room of a kind of
+ restaurant. Then he gets chairs for us, orders cigars, and shakes hands
+ once more.
+ </p>
+ <p>
+ &ldquo;'To think of seein' you two in New York!' he says, wonderin'. 'What are
+ you doin' here? When did you come? Tell us about it.'
+ </p>
+ <p>
+ &ldquo;So we told him about our pleasure cruise, and what had happened to us so
+ fur. It seemed to tickle him 'most to death.
+ </p>
+ <p>
+ &ldquo;'Grace and I are keepin' house, in a modest way, uptown,' says Sam, 'and
+ she'll be as glad to see you as I am. You're comin' up to dinner with me
+ to-night, and you're goin' to make us a visit, you know,' he says.
+ </p>
+ <p>
+ &ldquo;Well, if we didn't know it then, we learned it right away. Nothin' that
+ me or Simeon could say would make him change the course a point. So
+ Phinney went up to the Golconda House and got our bags, and at half-past
+ four that afternoon the three of us was in a hired hack bound uptown.
+ </p>
+ <p>
+ &ldquo;On the way Sam was full of fun as ever. He laughed and joked, and asked
+ questions about East Harniss till you couldn't rest. All of a sudden he
+ slaps his knee and sings out:
+ </p>
+ <p>
+ &ldquo;'There! I knew I'd forgotten somethin'. Our butler left yesterday, and I
+ was to call at the intelligence office on my way home and see if they'd
+ scared up a new one.'
+ </p>
+ <p>
+ &ldquo;I looked at Simeon, and he at me.
+ </p>
+ <p>
+ &ldquo;'Hum!' says I, thinkin' about that 'modest' housekeepin'. 'Do you keep a
+ butler?'
+ </p>
+ <p>
+ &ldquo;'Not long,' says he, dry as a salt codfish. And that's all we could get
+ out of him.
+ </p>
+ <p>
+ &ldquo;I s'pose there's different kinds of modesty. We hadn't more'n got inside
+ the gold-plated front door of that house when I decided that the Holden
+ brand of housekeepin' wa'n't bashful enough to blush. If I'D been runnin'
+ that kind of a place, the only time I'd felt shy and retirin' was when the
+ landlord came for the rent.
+ </p>
+ <p>
+ &ldquo;One of the fo'mast hands&mdash;hired girls, I mean&mdash;went aloft to
+ fetch Mrs. Holden, and when Grace came down she was just as nice and
+ folksy and glad to see us as a body could be. But she looked sort of
+ troubled, just the same.
+ </p>
+ <p>
+ &ldquo;'I'm ever so glad you're here,' says she to me and Simeon. 'But, oh, Sam!
+ it's a shame the way things happen. Cousin Harriet and Archie came this
+ afternoon to stay until to-morrow. They're on their way South. And I have
+ promised that you and I shall take Harriet to see Marlowe to-night. Of
+ course we won't do it now, under any consideration, but you know what she
+ is.'
+ </p>
+ <p>
+ &ldquo;Sam seemed to know. He muttered somethin' that sounded like a Scripture
+ text. Simeon spoke up prompt.
+ </p>
+ <p>
+ &ldquo;'Indeed you will,' says he, decided. 'Me and Hiram ain't that kind. We've
+ got relations of our own, and we know what it means when they come
+ a-visitin'. You and Mr. Holden'll take your comp'ny and go to see&mdash;whatever
+ 'tis you want to see, and we'll make ourselves to home till you get back.
+ Yes, you will, or we clear out this minute.'
+ </p>
+ <p>
+ &ldquo;They didn't want to, but we was sot, and so they give in finally. It
+ seemed that this Cousin Harriet was a widow relation of the Holdens, who
+ lived in a swell country house over in Connecticut somewhere, and was rich
+ as the rest of the tribe. Archie was her son. 'Hers and the Evil One's,'
+ Sam said.
+ </p>
+ <p>
+ &ldquo;We didn't realize how much truth there was in this last part until we run
+ afoul of Archie and his ma at dinner time. Cousin Harriet was tall and
+ middlin' slim, thirty-five years old, maybe, at a sale for taxes, but
+ discounted to twenty at her own valuation. She was got up regardless, and
+ had a kind of chronic, tired way of talkin', and a condescendin' look to
+ her, as if she was on top of Bunker Hill monument, and all creation was on
+ its knees down below. She didn't warm up to Simeon and me much; eyed us
+ over through a pair of gilt spyglasses, and admitted that she was
+ 'charmed, I'm sure.' Likewise, she was afflicted with 'nerves,' which must
+ be a divil of a disease&mdash;for everybody but the patient, especial.
+ </p>
+ <p>
+ &ldquo;Archie&mdash;his ma hailed him as 'Archibald, dear'&mdash;showed up
+ pretty soon in tow of his 'maid,' a sweet-faced, tired-out Irish girl
+ named Margaret. 'Archibald, dear,' was five years old or so, sufferin'
+ from curls and the lack of a lickin'. I never see a young one that needed
+ a strap ile more.
+ </p>
+ <p>
+ &ldquo;'How d'ye do Archie?' says Simeon, holdin' out his hand.
+ </p>
+ <p>
+ &ldquo;Archie didn't take the hand. Instead of that he points at Phinney and
+ commences to laugh.
+ </p>
+ <p>
+ &ldquo;'Ho, ho!' says he, dancin' and pointin'. 'Look at the funny whiskers.'
+ </p>
+ <p>
+ &ldquo;Sim wa'n't expectin' that, and it set him all aback, like he'd run into a
+ head squall. He took hold of his beard and looked foolish. Sam and Grace
+ looked ashamed and mad. Cousin Harriet laughed one of her lazy laughs.
+ </p>
+ <p>
+ &ldquo;'Archibald, de-ar,' she drawls, 'you mustn't speak that way. Now be nice,
+ and play with Margaret durin' dinner, that's a good boy.'
+ </p>
+ <p>
+ &ldquo;'I won't,' remarks Archie, cheerful. 'I'm goin' to dine with you, mama.'
+ </p>
+ <p>
+ &ldquo;'Oh, no, you're not, dear. You'll have your own little table, and&mdash;'
+ </p>
+ <p>
+ &ldquo;Then 'twas' Hi, yi!' 'Bow, wow!' Archibald wa'n't hankerin' for little
+ tables. He was goin' to eat with us, that's what. His ma, she argued with
+ him and pleaded, and he yelled and stamped and hurrahed. When Margaret
+ tried to soothe him he went at her like a wild-cat, and kicked and pounded
+ her sinful. She tried to take him out of the room, and then Cousin Harriet
+ come down on her like a scow load of brick.
+ </p>
+ <p>
+ &ldquo;'Haven't I told you,' says she, sharp and vinegary, 'not to oppose the
+ child in that way? Archibald has such a sensitive nature,' she says to
+ Grace, 'that opposition arouses him just as it did me at his age. Very
+ well, dear; you MAY dine with us to-night, if you wish. Oh, my poor
+ nerves! Margaret, why don't you place a chair for Master Archibald? The
+ creature is absolutely stupid at times,' she says, talkin' about that poor
+ maid afore her face with no more thought for her feelin's than if she was
+ a wooden image. 'She has no tact whatever. I wouldn't have Archibald's
+ spirit broken for anything.'
+ </p>
+ <p>
+ &ldquo;'Twas his neck that needed breakin' if you asked ME. That was a joyful
+ meal, now I tell you.
+ </p>
+ <p>
+ &ldquo;There was more joy when 'twas over. Archie didn't want to go to bed,
+ havin' desires to set up and torment Simeon with questions about his
+ whiskers; askin' if they growed or was tied on, and things like that.
+ Course he didn't know his ma was goin' to the show, or he wouldn't have
+ let her. But finally he was coaxed upstairs by Margaret and a box of
+ candy, and, word havin' been sent down that he was asleep, Sam got out his
+ plug hat, and Grace and Cousin Harriet got on their fur-lined dolmans and
+ knit clouds, and was ready for the hack.
+ </p>
+ <p>
+ &ldquo;'I feel mighty mean to go off and leave you this way,' says Sam to me and
+ Simeon. 'But you make yourself at home, won't you? This is your house
+ to-night, you know; servants and all.'
+ </p>
+ <p>
+ &ldquo;'How about that boy's wakin' up?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh, his maid'll attend to him. If she needs any help you can give it to
+ her,' he says, winkin' on the side.
+ </p>
+ <p>
+ &ldquo;But Cousin Harriet was right at his starboard beam, and she heard him.
+ She flew up like a settin' hen.
+ </p>
+ <p>
+ &ldquo;'Indeed they will NOT!' she sings out. 'If anyone but Margaret was to
+ attempt to control Archibald, I don't dare think what might happen. I
+ shall not stir from this spot until these persons promise not to interfere
+ in ANY way; Archibald, dear, is such a sensitive child.'
+ </p>
+ <p>
+ &ldquo;So we promised not to interfere, although Sim Phinney looked disappointed
+ when he done it. I could see that he'd had hopes afore he give that
+ promise.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0011" id="link2HCH0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XI
+ </h2>
+ <h3>
+ IN THE GREAT METROPOLIS
+ </h3>
+ <p>
+ &ldquo;So they left you and Sim Phinney to keep house, did they, Hiram?&rdquo;
+ observed Wingate.
+ </p>
+ <p>
+ &ldquo;They did. And, for a spell, we figgered on bein' free from too much
+ style.
+ </p>
+ <p>
+ &ldquo;After they'd gone we loafed into the settin' room or libr'ry, or whatever
+ you call it, and come to anchor in a couple of big lazy chairs.
+ </p>
+ <p>
+ &ldquo;'Now,' says I, takin' off my coat, 'we can be comf'table.'
+ </p>
+ <p>
+ &ldquo;But we couldn't. In bobs a servant girl to know if we 'wanted anything.'
+ We didn't, but she looked so shocked when she see me in my shirt sleeves
+ that I put the coat on again, feelin' as if I'd ought to blush. And in a
+ minute back she comes to find out if we was SURE we didn't want anything.
+ Sim was hitchin' in his chair. Between 'nerves' and Archibald, his temper
+ was raw on the edges.
+ </p>
+ <p>
+ &ldquo;'Say,' he bursts out, 'you look kind of pale to me. What you need is
+ fresh air. Why don't you go take a walk?'
+ </p>
+ <p>
+ &ldquo;The girl looked at him with her mouth open.
+ </p>
+ <p>
+ &ldquo;'Oh,' says she, 'I couldn't do that, thank you, sir. That would leave no
+ one but the cook and the kitchen girl. And the master said you was to be
+ made perfectly comf'table, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Yes,' says Sim, dry, 'I heard him say it. And we can't be comf'table
+ with you shut up in the house this nice evenin'. Go and take a walk, and
+ take the cook and stewardess with you. Don't argue about it. I'm skipper
+ here till the boss gets back. Go, the three of you, and go NOW. D'ye
+ hear?'
+ </p>
+ <p>
+ &ldquo;There was a little more talk, but not much. In five minutes or so the
+ downstairs front door banged, and there was gigglin' outside.
+ </p>
+ <p>
+ &ldquo;'There,' says Simeon, peelin' off HIS coat and throwin' himself back in
+ one chair with his feet on another one. 'Now, by Judas, I'm goin' to be
+ homey and happy like poor folks. I don't wonder that Harriet woman's got
+ nerves. Darn style, anyhow! Pass over that cigar box, Hiram.'
+ </p>
+ <p>
+ &ldquo;'Twas half an hour later or so when Margaret, the nursemaid, came
+ downstairs. I'd almost forgot her. We was tame and toler'ble contented by
+ that time. Phinney called to her as she went by the door.
+ </p>
+ <p>
+ &ldquo;'Is that young one asleep?' he asked.
+ </p>
+ <p>
+ &ldquo;'Yes, sir,' says she, 'he is. Is there anything I can do? Did you want
+ anything?'
+ </p>
+ <p>
+ &ldquo;Simeon looks at me. 'I swan to man, it's catchin'!' he says. 'They've all
+ got it. No, we don't want anything, except&mdash;What's the matter? YOU
+ don't need fresh air, do you?'
+ </p>
+ <p>
+ &ldquo;The girl looked as if she'd lost her last friend. Her pretty face was
+ pale and her eyes was wet, as if she'd been cryin'.
+ </p>
+ <p>
+ &ldquo;'No, sir,' says she, puzzled. 'No, sir, thank you, sir.'
+ </p>
+ <p>
+ &ldquo;'She's tired out, that's all,' says I. I swan, I pitied the poor thing.
+ 'You go somewheres and take a nap,' I told her. 'Me and my friend won't
+ tell.'
+ </p>
+ <p>
+ &ldquo;Oh, no, she couldn't do that. It wa'n't that she was tired&mdash;no more
+ tired than usual&mdash;but she'd been that troubled in her mind lately,
+ askin' our pardon, that she was near to crazy.
+ </p>
+ <p>
+ &ldquo;We was sorry for that, but it didn't seem to be none of our business, and
+ she was turnin' away, when all at once she stops and turns back again.
+ </p>
+ <p>
+ &ldquo;'Might I ask you gintlemen a question?' she says, sort of pleadin'. 'Sure
+ I mane no harm by it. Do aither of you know a man be the name of Michael
+ O'Shaughnessy?'
+ </p>
+ <p>
+ &ldquo;Me and Sim looked at each other. 'Which?' says I. 'Mike O' who?' says
+ Simeon.
+ </p>
+ <p>
+ &ldquo;'Aw, don't you know him?' she begs. 'DON'T you know him? Sure I hoped you
+ might. If you'd only tell me where he is I'd git on me knees and pray for
+ you. O Mike, Mike! why did you leave me like this? What'll become of me?'
+ </p>
+ <p>
+ &ldquo;And she walks off down the hall, coverin' her face with her hands and
+ cryin' as if her heart was broke.
+ </p>
+ <p>
+ &ldquo;'There! there!' says Simeon, runnin' after her, all shook up. He's a
+ kind-hearted man&mdash;especially to nice-lookin' females. 'Don't act so,'
+ he says. 'Be a good girl. Come right back into the settin' room and tell
+ me all about it. Me and Cap'n Baker ain't got nerves, and we ain't rich,
+ neither. You can talk to us. Come, come!'
+ </p>
+ <p>
+ &ldquo;She didn't know how to act, seemingly. She was like a dog that's been
+ kicked so often he's suspicious of a pat on the head. And she was cryin'
+ and sobbin' so, and askin' our pardon for doin' it, that it took a good
+ while to get at the real yarn. But we did get it, after a spell.
+ </p>
+ <p>
+ &ldquo;It seems that the girl&mdash;her whole name was Margaret Sullivan&mdash;had
+ been in this country but a month or so, havin' come from Ireland in a
+ steamboat to meet the feller who'd kept comp'ny with her over there. His
+ name was Michael O'Shaughnessy, and he'd been in America for four years or
+ more, livin' with a cousin in Long Island City. And he'd got a good job at
+ last, and he sent for her to come on and be married to him. And when she
+ landed 'twas the cousin that met her. Mike had drawn a
+ five-thousand-dollar prize in the Mexican lottery a week afore, and hadn't
+ been seen sence.
+ </p>
+ <p>
+ &ldquo;So poor Margaret goes to the cousin's to stay. And she found them poor as
+ Job's pet chicken, and havin' hardly grub enough aboard to feed the dozen
+ or so little cousins, let alone free boarders like her. And so, havin' no
+ money, she goes out one day to an intelligence office where they deal in
+ help, and puts in a blank askin' for a job as servant girl. 'Twas a swell
+ place, where bigbugs done their tradin', and there she runs into Cousin
+ Harriet, who was a chronic customer, always out of servants, owin' to the
+ complications of Archibald and nerves. And Harriet hires her, because she
+ was pretty and would work for a shavin' more'n nothin', and carts her
+ right off to Connecticut. And when Margaret sets out to write for her
+ trunk, and to tell where she is, she finds she's lost the cousin's
+ address, and can't remember whether it's Umpty-eighth Street or Tin Can
+ Avenue.
+ </p>
+ <p>
+ &ldquo;'And, oh,' says she, 'what SHALL I do? The mistress is that hard to
+ please, and the child is that wicked till I want to die. And I have no
+ money and no friends. O Mike! Mike!' she says. 'If you only knew you'd
+ come to me. For it's a good heart he has, although the five thousand
+ dollars carried away his head,' says she.
+ </p>
+ <p>
+ &ldquo;I don't believe I ever wanted to make a feller's acquaintance more than I
+ done that O'Shaughnessy man's. The mean blackguard, to leave his girl that
+ way. And 'twas easy to see what she'd been through with Cousin Harriet and
+ that brat. We tried to comfort her all we could; promised to have a hunt
+ through Long Island and the directory, and to help get her another place
+ when she got back from the South, and so on. But 'twas kind of
+ unsatisfactory. 'Twas her Mike she wanted.
+ </p>
+ <p>
+ &ldquo;'I told the Father about it at the church up there,' she says, 'and he
+ wrote, but the letters was lost, I guess. And I thought if I might see a
+ priest here in New York he might help me. But the mistress is to go at
+ noon to-morrer, and I'll have no time. What SHALL I do?' says she, and
+ commenced to cry again.
+ </p>
+ <p>
+ &ldquo;Then I had an idea. 'Priest?' says I. 'There's a fine big church, with a
+ cross on the ridgepole of it, not five minutes' walk from this house. I
+ see it as we was comin' up. Why don't you run down there this minute?' I
+ says.
+ </p>
+ <p>
+ &ldquo;No, she didn't want to leave Archibald. Suppose he should wake up.
+ </p>
+ <p>
+ &ldquo;'All right,' says I. 'Then I'll go myself. And I'll fetch a priest up
+ here if I have to tote him on my back, like the feller does the codfish in
+ the advertisin' picture.'
+ </p>
+ <p>
+ &ldquo;I didn't have to tote him. He lived in a mighty fine house, hitched onto
+ the church, and there was half a dozen assistant parsons to help him do
+ his preachin'. But he was big and fat and gray-haired and as jolly and as
+ kind-hearted a feller as you'd want to meet. He said he'd come right
+ along; and he done it.
+ </p>
+ <p>
+ &ldquo;Phinney opened the door for us. 'What's the row?' says I, lookin' at his
+ face.
+ </p>
+ <p>
+ &ldquo;'Row?' he snorts; 'there's row enough for six. That da&mdash;excuse me,
+ mister&mdash;that cussed Archibald has woke up.'
+ </p>
+ <p>
+ &ldquo;He had; there wa'n't no doubt about it. And he was raisin' hob, too. The
+ candy, mixed up with the dinner, had put his works in line with his
+ disposition, and he was poundin' and yellin' upstairs enough to wake the
+ dead. Margaret leaned over the balusters.
+ </p>
+ <p>
+ &ldquo;'Is it the Father?' she says. 'Oh, dear! what'll I do?'
+ </p>
+ <p>
+ &ldquo;'Send some of the other servants to the boy,' says the priest, 'and come
+ down yourself.'
+ </p>
+ <p>
+ &ldquo;Simeon, lookin' kind of foolish, explained what had become of the other
+ servants. Father McGrath&mdash;that was his name&mdash;laughed and shook
+ all over.
+ </p>
+ <p>
+ &ldquo;'Very well,' says he. 'Then bring the young man down. Perhaps he'll be
+ quiet here.'
+ </p>
+ <p>
+ &ldquo;So pretty soon down come Margaret with Archibald, full of the Old
+ Scratch, as usual, dressed up gay in a kind of red blanket nighty, with a
+ rope around the middle of it. The young one spotted Simeon, and set up a
+ whoop.
+ </p>
+ <p>
+ &ldquo;'Oh! there's the funny whiskers,' he sings out.
+ </p>
+ <p>
+ &ldquo;'Good evenin', my son,' says the priest.
+ </p>
+ <p>
+ &ldquo;'Who's the fat man?' remarks Archibald, sociable. 'I never saw such a red
+ fat man. What makes him so red and fat?'
+ </p>
+ <p>
+ &ldquo;These questions didn't make Father McGrath any paler. He laughed, of
+ course, but not as if 'twas the funniest thing he ever heard.
+ </p>
+ <p>
+ &ldquo;'So you think I'm fat, do you, my boy?' says he.
+ </p>
+ <p>
+ &ldquo;'Yes, I do,' says Archibald. 'Fat and red and funny. Most as funny as the
+ whisker man. I never saw such funny-lookin' people.'
+ </p>
+ <p>
+ &ldquo;He commenced to point and holler and laugh. Poor Margaret was so shocked
+ and mortified she didn't know what to do.
+ </p>
+ <p>
+ &ldquo;'Stop your noise, sonny,' says I. 'This gentleman wants to talk to your
+ nurse.'
+ </p>
+ <p>
+ &ldquo;The answer I got was some unexpected.
+ </p>
+ <p>
+ &ldquo;'What makes your feet so big?' says Archie, pointin' at my Sunday boots.
+ 'Why do you wear shoes like that? Can't you help it? You're funny, too,
+ aren't you? You're funnier than the rest of 'em.'
+ </p>
+ <p>
+ &ldquo;We all went into the library then, and Father McGrath tried to ask
+ Margaret some questions. I'd told him the heft of the yarn on the way from
+ the church, and he was interested. But the questionin' was mighty
+ unsatisfyin'. Archibald was the whole team, and the rest of us was yeller
+ dogs under the wagon.
+ </p>
+ <p>
+ &ldquo;'Can't you keep that child quiet?' asks the priest, at last, losin' his
+ temper and speakin' pretty sharp.
+ </p>
+ <p>
+ &ldquo;'O Archie, dear! DO be a nice boy,' begs Margaret, for the eight
+ hundredth time.
+ </p>
+ <p>
+ &ldquo;'Why don't you punish him as he deserves?'
+ </p>
+ <p>
+ &ldquo;'Father, dear, I can't. The mistress says he's so sensitive that he has
+ to have his own way. I'd lose my place if I laid a hand on him.'
+ </p>
+ <p>
+ &ldquo;'Come on into the parlor and see the pictures, Archie,' says I.
+ </p>
+ <p>
+ &ldquo;'I won't,' says Archibald. 'I'm goin' to stay here and see the fat man
+ make faces.'
+ </p>
+ <p>
+ &ldquo;'You see,' says Sim, apologizin' 'we can't touch him, 'cause we promised
+ his ma not to interfere. And my right hand's got cramps in the palm of it
+ this minute,' he adds, glarin' at the young one.
+ </p>
+ <p>
+ &ldquo;Father McGrath stood up and reached for his hat. Margaret began to cry.
+ Archibald, dear, whooped and kicked the furniture. And just then the
+ front-door bell rang.
+ </p>
+ <p>
+ &ldquo;For a minute I thought 'twas Cousin Harriet and the Holdens come back,
+ but then I knew it was hours too early for that. Margaret was too much
+ upset to be fit for company, so I answered the bell myself. And who in the
+ world should be standin' on the steps but that big Dempsey man, the boss
+ of the Golconda House, where me and Simeon had been stayin'; the feller
+ we'd spoke to that very mornin'.
+ </p>
+ <p>
+ &ldquo;'Good evenin', sor,' says he, in a voice as deep as a well. 'I'm glad to
+ find you to home, sor. There's a telegram come for you at my place,' he
+ says, 'and as your friend lift the address when he come for the baggage
+ this afternoon, I brought it along to yez. I was comin' this way, so 'twas
+ no trouble.'
+ </p>
+ <p>
+ &ldquo;'That's real kind of you,' I says. 'Step inside a minute, won't you?'
+ </p>
+ <p>
+ &ldquo;So in he comes, and stands, holdin' his shiny beaver in his hand, while I
+ tore open the telegram envelope. 'Twas a message from a feller I knew with
+ the Clyde Line of steamboats. He had found out, somehow, that we was in
+ New York, and the telegram was an order for us to come and make him a
+ visit.
+ </p>
+ <p>
+ &ldquo;'I hope it's not bad news, sor,' says the big chap.
+ </p>
+ <p>
+ &ldquo;'No, no,' says I. 'Not a bit of it, Mr. Dempsey. Come on in and have a
+ cigar, won't you?'
+ </p>
+ <p>
+ &ldquo;'Thank you, sor,' says he. 'I'm glad it's not the bad news. Sure, I ax
+ you and your friend's pardon for bein' so short to yez this mornin', but
+ I'm in that throuble lately that me timper is all but gone.'
+ </p>
+ <p>
+ &ldquo;'That so?' says I. 'Trouble's thick in this world, ain't it? Me and Mr.
+ Phinney got a case of trouble on our hands now, Mr. Dempsey, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Excuse me, sor,' he says. 'My name's not Dempsey. I suppose you seen the
+ sign with me partner's name on it. I only bought into the business a while
+ ago, and the new sign's not ready yit. Me name is O'Shaughnessy, sor.'
+ </p>
+ <p>
+ &ldquo;'What?' says I. And then: 'WHAT?'
+ </p>
+ <p>
+ &ldquo;'O'Shaughnessy. Michael O'Shaughnessy. I&mdash;'
+ </p>
+ <p>
+ &ldquo;'Hold on!' I sung out. 'For the land sakes, hold on! WHAT'S your name?'
+ </p>
+ <p>
+ &ldquo;He bristled up like a cat.
+ </p>
+ <p>
+ &ldquo;'Michael O'Shaughnessy,' he roars, like the bull of Bashan. 'D'yez find
+ any fault with it? 'Twas me father's before me&mdash;Michael Patrick
+ O'Shaughnessy, of County Sligo. I'll have yez know&mdash;WHAT'S THAT?'
+ </p>
+ <p>
+ &ldquo;'Twas a scream from the libr'ry. Next thing I knew, Margaret, the nurse
+ girl, was standin' in the hall, white as a Sunday shirt, and swingin' back
+ and forth like a wild-carrot stalk in a gale.
+ </p>
+ <p>
+ &ldquo;'Mike!' says she, kind of low and faint. 'Mary be good to us! MIKE!'
+ </p>
+ <p>
+ &ldquo;And the big chap dropped his tall hat on the floor and turned as white as
+ she was.
+ </p>
+ <p>
+ &ldquo;'MAGGIE!' he hollers. And then they closed in on one another.
+ </p>
+ <p>
+ &ldquo;Sim and the priest and Archie had followed the girl into the hall. Me and
+ Phinney was too flabbergasted to do anything, but big Father McGrath was
+ cool as an ice box. When Archibald, like the little imp he was, sets up a
+ whoop and dives for them two, the priest grabs him by the rope of the
+ blanket nighty and swings him into the libr'ry, and shuts the door on him.
+ </p>
+ <p>
+ &ldquo;'And now,' says he, takin' Sim and me by the arms and leadin' us to the
+ parlor, 'we'll just step in here and wait a bit.'
+ </p>
+ <p>
+ &ldquo;We waited, maybe, ten minutes. Archibald, dear, shut up in the libr'ry,
+ was howlin' blue murder, but nobody paid any attention to him. Then there
+ was a knock on the door between us and the hall, and Father McGrath opened
+ it. There they was, the two of 'em&mdash;Mike and Maggie&mdash;lookin' red
+ and foolish&mdash;but happy, don't talk!
+ </p>
+ <p>
+ &ldquo;'You see, sor,' says the O'Shaughnessy man to me, ''twas the
+ five-thousand-dollar prize that done it. I'd been workin' at me trade, sor&mdash;larnin'
+ to tind bar it was&mdash;and I'd just got a new job where the pay was
+ pretty good, and I'd sint over for Maggie, and was plannin' for the little
+ flat we was to have, and the like of that, when I drew that prize. And the
+ joy of it was like handin' me a jolt on the jaw. It put me out for two
+ weeks, sor, and when I come to I was in Baltimore, where I'd gone to
+ collect the money; and two thousand of the five was gone, and I knew me
+ job in New York was gone, and I was that shamed and sick it took me three
+ days more to make up me mind to come to me Cousin Tim's, where I knew
+ Maggie'd be waitin' for me. And when I did come back she was gone, too.'
+ </p>
+ <p>
+ &ldquo;'And then,' says Father McGrath, sharp, 'I suppose you went on another
+ spree, and spent the rest of the money.'
+ </p>
+ <p>
+ &ldquo;'I did not, sor&mdash;axin' your pardon for contradictin' your riverence.
+ I signed the pledge, and I'll keep it, with Maggie to help me. I put me
+ three thousand into a partnership with me friend Dempsey, who was runnin'
+ the Golconda House&mdash;'tis over on the East Side, with a fine bar trade&mdash;and
+ I'm doin' well, barrin' that I've been crazy for this poor girl, and
+ advertisin' and&mdash;'
+ </p>
+ <p>
+ &ldquo;'And look at the clothes of him!' sings out Margaret, reverentlike. 'And
+ is that YOUR tall hat, Mike? To think of you with a tall hat! Sure it's a
+ proud girl I am this day. Saints forgive me, I've forgot Archie!'
+ </p>
+ <p>
+ &ldquo;And afore we could stop her she'd run into the hall and unfastened the
+ libr'ry door. It took her some time to smooth down the young one's
+ sensitive feelin's, and while she was gone, me and Simeon told the
+ O'Shaughnessy man a little of what his girl had had to put up with along
+ of Cousin Harriet and Archibald. He was mad.
+ </p>
+ <p>
+ &ldquo;'Is that the little blackguard?' he asks, pointin' to Archibald, who had
+ arrived by now.
+ </p>
+ <p>
+ &ldquo;'That's the one,' says I.
+ </p>
+ <p>
+ &ldquo;Archibald looked up at him and grinned, sassy as ever.
+ </p>
+ <p>
+ &ldquo;'Father McGrath,' asks O'Shaughnessy, determined like, 'can you marry us
+ this night?'
+ </p>
+ <p>
+ &ldquo;'I can,' says the Father.
+ </p>
+ <p>
+ &ldquo;'And will yez?'
+ </p>
+ <p>
+ &ldquo;'I will, with pleasure.'
+ </p>
+ <p>
+ &ldquo;'Maggie,' says Mike, 'get your hat and jacket on and come with the Father
+ and me this minute. These gintlemen here will explain to your lady when
+ she comes back. But YOU'LL come back no more. We'll send for your trunk
+ to-morrer.'
+ </p>
+ <p>
+ &ldquo;Even then the girl hesitated. She'd been so used to bein' a slave that I
+ suppose she couldn't realize she was free at last.
+ </p>
+ <p>
+ &ldquo;'But, Mike, dear,' she says. 'I&mdash;oh, your lovely hat! Put it down,
+ Archie, darlin'. Put it down!'
+ </p>
+ <p>
+ &ldquo;Archibald had been doin' a little cruisin' on his own hook, and he'd dug
+ up Mike's shiny beaver where it had been dropped in the hall. Now he was
+ dancin' round with it, bangin' it on the top as if it was a drum.
+ </p>
+ <p>
+ &ldquo;'Put it down, PLEASE!' pleads Margaret. 'Twas plain that that plug was a
+ crown of glory to her.
+ </p>
+ <p>
+ &ldquo;'Drop it, you little thafe!' yells O'Shaughnessy, makin' a dive for the
+ boy.
+ </p>
+ <p>
+ &ldquo;'I won't!' screams Archibald, and starts to run. He tripped over the
+ corner of a mat, and fell flat. The plug hat was underneath him, and it
+ fell flat, too.
+ </p>
+ <p>
+ &ldquo;'Oh! oh! oh!' wails Margaret, wringin' her hands. 'Your beautiful hat,
+ Mike!'
+ </p>
+ <p>
+ &ldquo;Mike's face was like a sunset.
+ </p>
+ <p>
+ &ldquo;'Your reverence,' says he, 'tell me this; don't the wife promise to
+ &ldquo;obey&rdquo; in the marriage service?'
+ </p>
+ <p>
+ &ldquo;'She does,' says Father McGrath.
+ </p>
+ <p>
+ &ldquo;'D'ye hear that, you that's to be Margaret O'Shaughnessy? You do? Well,
+ then, as your husband that's to be in tin minutes, I order you to give
+ that small divil what's comin' to him. D'ye hear me? Will yez obey me, or
+ will yez not?'
+ </p>
+ <p>
+ &ldquo;She didn't know what to do. You could see she wanted to&mdash;her fingers
+ was itchin' to do it, but&mdash;And then Archie held up the ruins of the
+ hat and commenced to laugh.
+ </p>
+ <p>
+ &ldquo;That settled it. Next minute he was across her knee and gettin' what he'd
+ been sufferin' for ever sence he was born; and gettin' all the back
+ numbers along with it, too.
+ </p>
+ <p>
+ &ldquo;And in the midst of the performance Sim Phinney leans over to me with the
+ most heavenly, resigned expression on his face, and says he:
+ </p>
+ <p>
+ &ldquo;'It ain't OUR fault, Hiram. We promised not to interfere.'&rdquo;
+ </p>
+ <p>
+ &ldquo;What did Sam Holden and his wife say when they got home?&rdquo; asked Captain
+ Sol, when the triumphant whoops over Archibald's righteous chastisement
+ had subsided.
+ </p>
+ <p>
+ &ldquo;We didn't give him much of a chance to say anything. I laid for him in
+ the hall when he arrived and told him that Phinney had got a telegram and
+ must leave immediate. He wanted to know why, and a whole lot more, but I
+ told him we'd write it. Neither Sim nor me cared to face Cousin Harriet
+ after her darlin' son had spun his yarn. Ha! ha! I'd like to have seen her
+ face&mdash;from a safe distance.&rdquo;
+ </p>
+ <p>
+ Captain Bailey Stitt cleared his throat. &ldquo;Referrin' to them automobiles,&rdquo;
+ he said, &ldquo;I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Say, Sol,&rdquo; interrupted Wingate, &ldquo;did I ever tell you of Cap'n Jonadab's
+ and my gettin' took up by the police when WE was in New York?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied the astounded depot master. &ldquo;Took up by the POLICE?&rdquo;
+ </p>
+ <p>
+ &ldquo;Um&mdash;hm. Surprises you, don't it? Well, that whole trip was a
+ surprise to me.
+ </p>
+ <p>
+ &ldquo;When Laban Thorp set out to thrash his son and the boy licked him
+ instead, they found the old man settin' in the barnyard, holdin' on to his
+ nose and grinnin' for pure joy.
+ </p>
+ <p>
+ &ldquo;'Hurt?' says he. 'Why, some. But think of it! Only think of it! I didn't
+ believe Bill had it in him.'
+ </p>
+ <p>
+ &ldquo;Well, that's the way I felt when Cap'n Jonadab sprung the New York plan
+ on to me. I was pretty nigh as much surprised as Labe. The idea of a man
+ with a chronic case of lockjaw of the pocketbook, same as Jonadab had
+ worried along under ever sence I knew him, suddenly breakin' loose with a
+ notion to go to New York on a pleasure cruise! 'Twas too many for me. I
+ set and looked at him.
+ </p>
+ <p>
+ &ldquo;'Oh, I mean it, Barzilla,' he says. 'I ain't been to New York sence I was
+ mate on the Emma Snow, and that was 'way back in the eighties. That is, to
+ stop I ain't. That time we went through on the way to Peter T.'s weddin'
+ don't count, 'cause we only went in the front door and out the back, like
+ Squealer Wixon went through high school. Let's you and me go and stay two
+ or three days and have a real high old time,' says he.
+ </p>
+ <p>
+ &ldquo;I fetched a long breath. 'Jonadab,' I says, don't scare a feller this
+ way; I've got a weak heart. If you're goin' to start in and be divilish in
+ your old age, why, do it kind of gradual. Let's go over to the billiard
+ room and have a bottle of sass'parilla and a five-cent cigar, just to
+ break the ice.'
+ </p>
+ <p>
+ &ldquo;But that only made him mad.
+ </p>
+ <p>
+ &ldquo;'You talk like a fish,' he says. 'I mean it. Why can't we go? It's
+ September, the Old Home House is shut up for the season, you and me's done
+ well&mdash;fur's profits are concerned&mdash;and we ought to have a
+ change, anyway. We've got to stay here in Orham all winter.'
+ </p>
+ <p>
+ &ldquo;'Have you figgered out how much it's goin' to cost?' I asked him.
+ </p>
+ <p>
+ &ldquo;Yes, he had. 'It won't be so awful expensive,' he says. 'I've got some
+ stock in the railroad and that'll give me a pass fur's Fall River. And we
+ can take a lunch to eat on the boat. And a stateroom's a dollar; that's
+ fifty cents apiece. And my daughter's goin' to Denboro on a visit next
+ week, so I'd have to pay board if I stayed to home. Come on, Barzilla!
+ don't be so tight with your money.'
+ </p>
+ <p>
+ &ldquo;So I said I'd go, though I didn't have any pass, nor no daughter to feed
+ me free gratis for nothin' when I got back. And when we started, on the
+ followin' Monday, nothin' would do but we must be at the depot at two
+ o'clock so's not to miss the train, which left at quarter past three.
+ </p>
+ <p>
+ &ldquo;I didn't sleep much that night on the boat. For one thing, our stateroom
+ was a nice lively one, alongside of the paddle box and just under the fog
+ whistle; and for another, the supper that Jonadab had brought, bein'
+ mainly doughnuts and cheese, wa'n't the best cargo to take to bed with
+ you. But it didn't make much diff'rence, 'cause we turned out at four,
+ so's to see the scenery and git our money's worth. What was left of the
+ doughnuts and cheese we had for breakfast.
+ </p>
+ <p>
+ &ldquo;We made the dock on time, and the next thing was to pick out a hotel. I
+ was for cruisin' along some of the main streets until we hove in sight of
+ a place that looked sociable and not too expensive. But no; Jonadab had it
+ all settled for me. We was goin' to the 'Wayfarer's Inn,' a boardin' house
+ where he'd put up once when he was mate of the Emma Snow. He said 'twas a
+ fine place and you could git as good ham and eggs there as a body'd want
+ to eat.
+ </p>
+ <p>
+ &ldquo;So we set sail for the 'Wayfarer's,' and of all the times gittin' to a
+ place&mdash;don't talk! We asked no less than nine policemen and one
+ hundred and two other folks, and it cost us thirty cents in car fares,
+ which pretty nigh broke Jonadab's heart. However, we found it, finally,
+ 'way off amongst a nest of brick houses and peddler carts and children,
+ and it wa'n't the 'Wayfarer's Inn' no more, but was down in the shippin'
+ list as the 'Golconda House.' Jonadab said the neighborhood had changed
+ some sence he was there, but he guessed we'd better chance it, 'cause the
+ board was cheap.
+ </p>
+ <p>
+ &ldquo;We had a nine-by-ten room up aloft somewheres, and there we set down on
+ the edge of the bed and a chair to take account of stock, as you might
+ say.
+ </p>
+ <p>
+ &ldquo;'Now, I tell you, Jonadab,' says I; 'we don't want to waste no time, and
+ we've got the day afore us. What do you say if we cruise along the water
+ front for a spell? There's ha'f a dozen Orham folks aboard diff'rent
+ steamers that hail from this port, and 'twouldn't be no more'n neighborly
+ to call on 'em. There's Silas Baker's boy, Asa&mdash;he's with the
+ Savannah Line and he'd be mighty glad to see us. And there's&mdash;'
+ </p>
+ <p>
+ &ldquo;But Jonadab held up his hand. He'd been mysterious as a baker's mince pie
+ ever sence we started, hintin' at somethin' he'd got to do when we'd got
+ to New York. And now he out with it.
+ </p>
+ <p>
+ &ldquo;'Barzilla,' he says, 'I ain't sayin' but what I'd like to go to the
+ wharves with you, first rate. And we will go, too. But afore we do
+ anything else I've got an errand that must be attended to. 'Twas give to
+ me by a dyin' man,' he says, 'and I promised him I'd do it. So that comes
+ first of all.'
+ </p>
+ <p>
+ &ldquo;He got his wallet out of his inside vest pocket, where it had been pinned
+ in tight to keep it safe from robbers, unwound a foot or so of leather
+ strap, and dug up a yeller piece of paper that looked old enough to be
+ Methusalem's will, pretty nigh.
+ </p>
+ <p>
+ &ldquo;'Do you remember Patrick Kelly in Orham?' he asks.
+ </p>
+ <p>
+ &ldquo;'Who?' says I. 'Pat Kelly, the Irishman, that lived in the little old
+ shack back of your barn? Course I do. But he's been dead for I don't know
+ how long.'
+ </p>
+ <p>
+ &ldquo;'I know he has. Do you remember his boy Jim that run away from home?'
+ </p>
+ <p>
+ &ldquo;'Let's see,' I says. 'Seems to me I do. Freckled, red-headed rooster,
+ wa'n't he? And of all the imps of darkness that ever&mdash;'
+ </p>
+ <p>
+ &ldquo;'S-sh-sh!' he interrupted solemn. 'Don't say that now, Barzilla. Sounds
+ kind of irreverent. Well, me and old Pat was pretty friendly, in a way,
+ though he did owe me rent. When he was sick with the pleurisy he sends for
+ me and he says, &ldquo;Cap'n 'Wixon,&rdquo; says he, &ldquo;you're pretty close with the
+ money,&rdquo; he says&mdash;he was kind of out of his head at the time and
+ liable to say foolish things&mdash;&ldquo;you're pretty close,&rdquo; he says, &ldquo;but
+ you're a man of your word. My boy Jimmie, that run away, was the apple of
+ my eye.&rdquo;'
+ </p>
+ <p>
+ &ldquo;'That's what he said about his girl Maggie that was took up for stealin'
+ Mrs. Elkanah Higgins's spoons,' I says. 'He had a healthy crop of apples
+ in HIS orchard.'
+ </p>
+ <p>
+ &ldquo;'S-sh-h! DON'T talk so! I feel as if the old man's spirit was with us
+ this minute. &ldquo;He's the apple of my eye,&rdquo; he says, &ldquo;and he run away, after
+ me latherin' the life out of him with a wagon spoke. 'Twas all for his
+ good, but he didn't understand, bein' but a child. And now I've heard,&rdquo; he
+ says, &ldquo;that he's workin' at 116 East Blank Street in the city of New York.
+ Cap'n Wixon, you're a man of money and a travelin' man,&rdquo; he says (I was
+ fishin' in them days). &ldquo;When you go to New York,&rdquo; he says, &ldquo;I want you to
+ promise me to go to the address on this paper and hunt up Jimmie. Tell him
+ I forgive him for lickin' him,&rdquo; he says, &ldquo;and die happy. Will you promise
+ me that, Cap'n, on your word as a gentleman?&rdquo; And I promised him. And he
+ died in less than ten months afterwards, poor thing.'
+ </p>
+ <p>
+ &ldquo;'But that was sixteen&mdash;eighteen&mdash;nineteen years ago,' says I.
+ 'And the boy run away three years afore that. You've been to New York in
+ the past nineteen years, once anyhow.'
+ </p>
+ <p>
+ &ldquo;'I know it. But I forgot. I'm ashamed of it, but I forgot. And when I was
+ goin' through the things up attic at my daughter's last Friday, seein'
+ what I could find for the rummage sale at the church, I come across my old
+ writin' desk, and in it was this very piece of paper with the address on
+ it just as I wrote it down. And me startin' for New York in three days!
+ Barzilla, I swan to man, I believe something SENT me to that attic.'
+ </p>
+ <p>
+ &ldquo;I knew what sent him there and so did the church folks, judgin' by their
+ remarks when the contribution came in. But I was too much set back by the
+ whole crazy business to say anything about that.
+ </p>
+ <p>
+ &ldquo;'Look here, Jonadab Wixon,' I sings out, 'do you mean to tell me that
+ we've got to put in the whole forenoon ransackin' New York to find a boy
+ that run off twenty-two years ago?'
+ </p>
+ <p>
+ &ldquo;'It won't take the forenoon,' he says. 'I've got the number, ain't I?'
+ </p>
+ <p>
+ &ldquo;'Yes, you've got the number where he WAS. If you want to know where I
+ think he's likely to be now, I'd try the jail.'
+ </p>
+ <p>
+ &ldquo;But he said I was unfeelin' and disobligin' and lots more, so, to cut the
+ argument short, I agreed to go. And off we put to hunt up 116 East Blank
+ Street. And when we located it, after a good hour of askin' questions, and
+ payin' car fares and wearin' out shoe leather, 'twas a Chinese laundry.
+ </p>
+ <p>
+ &ldquo;'Well,' I says, sarcastic, 'here we be. Which one of the heathen do you
+ think is Jimmie? If he had an inch or so more of upper lip, I'd gamble on
+ that critter with the pink nighty and the baskets on his feet. He has a
+ kind of familiar chicken-stealin' look in his eye. Oh, come down on the
+ wharves, Jonadab, and be sensible.'
+ </p>
+ <p>
+ &ldquo;Would you believe it, he wa'n't satisfied. We must go into the wash shop
+ and ask the Chinamen if they knew Jimmie Kelly. So we went in and the
+ powwow begun.
+ </p>
+ <p>
+ &ldquo;'Twas a mighty unsatisfyin' interview. Jonadab's idea of talkin' to
+ furriners is to yell at 'em as if they was stone deef. If they don't
+ understand what you say, yell louder. So between his yells and the
+ heathen's jabber and grunts the hullabaloo was worse than a cat in a hen
+ yard. Folks begun to stop outside the door and listen and grin.
+ </p>
+ <p>
+ &ldquo;'What did he say?' asks the Cap'n, turnin' to me.
+ </p>
+ <p>
+ &ldquo;'I don't know,' says I, 'but I cal'late he's gettin' ready to send a note
+ up to the crazy asylum. Come on out of here afore I go loony myself.'
+ </p>
+ <p>
+ &ldquo;So he done it, finally, cross as all get out, and swearin' that all
+ Chinese was no good and oughtn't to be allowed in this country. But he
+ wouldn't give up, not yet. He must scare up some of the neighbors and ask
+ them. The fifth man that we asked was an old chap who remembered that
+ there used to be a liquor saloon once where the laundry was now. But he
+ didn't know who run it or what had become of him.
+ </p>
+ <p>
+ &ldquo;'Never mind,' I says. 'You're as warm as you're likely to be this trip. A
+ rum shop is just about the place I'd expect that Kelly boy WOULD be in.
+ And, if he's like the rest of his relations on his dad's side, he drank
+ himself to death years ago. NOW will you head for the Savannah Line?'
+ </p>
+ <p>
+ &ldquo;Not much, he wouldn't. He had another notion. We'd look in the directory.
+ That seemed to have a glimmer of sense somewheres in its neighborhood, so
+ we found an apothecary store and the clerk handed us out a book once again
+ as big as a church Bible.
+ </p>
+ <p>
+ &ldquo;'Kelly,' says Jonadab. 'Yes, here 'tis. Now, &ldquo;James Kelly.&rdquo; Land of Love!
+ Barzilla, look here.'
+ </p>
+ <p>
+ &ldquo;I looked, and there wa'n't no less than a dozen pages of James Kellys
+ beginning with fifty James A.'s and endin' with four James Z.'s. The Y in
+ 'New York' ought to be a C, judgin' by that directory.
+ </p>
+ <p>
+ &ldquo;'Godfrey mighty!' I says. 'This ain't no forenoon's job, Jonadab. If
+ you're goin' through that list you'll have to spend the rest of your life
+ here. Only, unless you want to be lonesome, you'll have to change your
+ name to Kelly.'
+ </p>
+ <p>
+ &ldquo;'If I'd only got his middle letter,' says he, mournful, ''twould have
+ been easier. He had four middle names, if I remember right&mdash;the old
+ man was great on names&mdash;and 'twas too much trouble to write 'em all
+ down. Well, I've done my duty, anyhow. We'll go and call on Ase Baker.'
+ </p>
+ <p>
+ &ldquo;But 'twas after eleven o'clock then, and the doughnuts and cheese I had
+ for breakfast was beginnin' to feel as if they wanted company. So we
+ decided to go back to the Golconda and have some dinner first.
+ </p>
+ <p>
+ &ldquo;We had ham and eggs for dinner, some that was left over from the last
+ time Jonadab stopped there, I cal'late. Lucky there was hot bread and
+ coffee on the bill or we'd never got a square meal. Then we went up to our
+ room and the Cap'n laid down on the bed. He was beat out, he said, and
+ wanted to rest up a spell afore haulin' anchor for another cruise.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0012" id="link2HCH0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XII
+ </h2>
+ <h3>
+ A VISION SENT
+ </h3>
+ <p>
+ &ldquo;Where's the arrestin' come in?&rdquo; demanded Stitt.
+ </p>
+ <p>
+ &ldquo;Comes quick now, Bailey. Plenty quick enough for me and Jonadab, I tell
+ you that! After we got to our room the Cap'n went to sleep pretty soon and
+ I set in the one chair, readin' the newspaper and wishin' I hadn't ate so
+ many of the warm bricks that the Golconda folks hoped was biscuit. They
+ made me feel like a schooner goin' home in ballast. I guess I was drowsin'
+ off myself, but there comes a most unearthly yell from the bed and I
+ jumped ha'f out of the chair. There was Jonadab settin' up and lookin'
+ wild.
+ </p>
+ <p>
+ &ldquo;'What in the world?' says I.
+ </p>
+ <p>
+ &ldquo;'Oh! Ugh! My soul!' says he.
+ </p>
+ <p>
+ &ldquo;'Your soul, hey?' says I. 'Is that all? I thought mebbe you'd lost a
+ quarter.'
+ </p>
+ <p>
+ &ldquo;'Barzilla,' he says, comin' to and starin' at me solemn, 'Barzilla, I've
+ had a dream&mdash;a wonderful dream.'
+ </p>
+ <p>
+ &ldquo;'Well,' I says, 'I ain't surprised. A feller that h'isted in as much
+ fried dough as you did ought to expect&mdash;'
+ </p>
+ <p>
+ &ldquo;'But I tell you 'twas a WONDERFUL dream,' he says. 'I dreamed I was on
+ Blank Street, where we was this mornin', and Patrick Kelly comes to me and
+ p'ints his finger right in my face. I see him as plain as I see you now.
+ And he says to me&mdash;he said it over and over, two or three times&mdash;Seventeen,&rdquo;
+ says he, &ldquo;Seventeen.&rdquo; Now what do you think of that?'
+ </p>
+ <p>
+ &ldquo;'Humph!' I says. 'I ain't surprised. I think 'twas just seventeen of them
+ biscuits that you got away with. Wonder to me you didn't see somebody
+ worse'n old Pat.'
+ </p>
+ <p>
+ &ldquo;But he was past jokin'. You never see a man so shook up by the nightmare
+ as he was by that one. He kept goin' over it and tellin' how natural old
+ Kelly looked and how many times he said 'Seventeen' to him.
+ </p>
+ <p>
+ &ldquo;'Now what did he mean by it?' he says. 'Don't tell me that was a common
+ dream, 'cause twa'n't. No, sir, 'twas a vision sent to me, and I know it.
+ But what did he mean?'
+ </p>
+ <p>
+ &ldquo;'I think he meant you was seventeen kinds of an idiot,' I snorts,
+ disgusted. 'Get up off that bed and stop wavin' your arms, will you? He
+ didn't mean for you to turn yourself into a windmill, that's sartin sure.'
+ </p>
+ <p>
+ &ldquo;Then he hits his knee a slap that sounds like a window blind blowin' to.
+ 'I've got it!' he sings out. 'He meant for me to go to number seventeen on
+ that street. That's what he meant.'
+ </p>
+ <p>
+ &ldquo;I laughed and made fun of him, but I might as well have saved my breath.
+ He was sure Pat Kelly's ghost had come hikin' back from the hereafter to
+ tell him to go to 17 Blank Street and find his boy. 'Else why was he ON
+ Blank Street?' he says. 'You tell me that.'
+ </p>
+ <p>
+ &ldquo;I couldn't tell him. It's enough for me to figger out what makes live
+ folks act the way they do, let alone dead ones. And Cap'n Jonadab was a
+ Spiritu'list on his mother's side. It ended by my agreein' to give the
+ Jimmie chase one more try.
+ </p>
+ <p>
+ &ldquo;'But it's got to be the last,' I says. 'When you get to number seventeen
+ don't you say you think the old man meant to say &ldquo;seventy&rdquo; and stuttered.'
+ </p>
+ <p>
+ &ldquo;Number 17 Blank Street was a little combination fruit and paper store run
+ by an Eyetalian with curly hair and the complexion of a molasses cooky.
+ His talk sounded as if it had been run through a meat chopper. All he
+ could say was, 'Nica grape, genta'men? On'y fifteen cent a pound. Nica
+ grape? Nica apple? Nica pear? Nica ploom?'
+ </p>
+ <p>
+ &ldquo;'Kelly?' says Jonadab, hollerin' as usual. 'Kelly! d'ye understand?
+ K-E-L-Kel L-Y-ly, Kelly. YOU know, KELLY! We want to find him.'
+ </p>
+ <p>
+ &ldquo;And just then up steps a feller about six feet high and three foot
+ through. He was dressed in checkerboard clothes, some gone to seed, and
+ you could hardly see the blue tie he had on for the glass di'mond in it.
+ Oh, he was a little wilted now&mdash;for the lack of water, I judge&mdash;but
+ 'twas plain that he'd been a sunflower in his time. He'd just come out of
+ a liquor store next door to the fruit shop and was wipin' his mouth with
+ the back of his hand.
+ </p>
+ <p>
+ &ldquo;'What's this I hear?' says he, fetchin' Jonadab a welt on the back like a
+ mast goin' by the board. 'Is it me friend Kelly you're lookin' for?'
+ </p>
+ <p>
+ &ldquo;I was just goin' to tell him no, not likin' his looks, but Jonadab cut in
+ ahead of me, out of breath from the earthquake the feller had landed him,
+ but excited as could be.
+ </p>
+ <p>
+ &ldquo;'Yes, yes!' says he. 'It's Mr. Kelly we want. Do you know him?'
+ </p>
+ <p>
+ &ldquo;'Do I know him? Why, me bucko, 'tis me old college chum he is. Come on
+ with me and we'll give him the glad hand.'
+ </p>
+ <p>
+ &ldquo;He grabs Jonadab by the arm and starts along the sidewalk, steerin' a
+ toler'ble crooked course, but gainin' steady by jerks.
+ </p>
+ <p>
+ &ldquo;'I was on me way to Kelly's place now,' says he. 'And here it is. Sure
+ didn't I bate the bookies blind on Rosebud but yesterday&mdash;or was it
+ the day before? I don't know, but come on, me lads, and we'll do him
+ again.'
+ </p>
+ <p>
+ &ldquo;He turned in at a little narrer entry-like, and went stumblin' up a
+ flight of dirty stairs. I caught hold of Jonadab's coat tails and pulled
+ him back.
+ </p>
+ <p>
+ &ldquo;'Where you goin', you crazy loon?' I whispered. 'Can't you see he's three
+ sheets in the wind? And you haven't told him what Kelly you want, nor
+ nothin'.'
+ </p>
+ <p>
+ &ldquo;But I might as well have hollered at a stone wall. 'I don't care if he's
+ as fur gone in liquor as Belshazzer's goat,' sputters the Cap'n, all
+ worked up. 'He's takin' us to a Kelly, ain't he? And is it likely there'd
+ be another one within three doors of the number I dreamed about? Didn't I
+ tell you that dream was a vision sent? Don't lay to NOW, Barzilla, for the
+ land sakes! It's Providence a-workin'.'
+ </p>
+ <p>
+ &ldquo;'Cording to my notion the sunflower looked more like an agent from
+ t'other end of the line than one from Providence, but just then he
+ commenced to yell for us and upstairs we went, Jonadab first.
+ </p>
+ <p>
+ &ldquo;'Whisht!' says the checkerboard, holdin' on to Jonadab's collar and
+ swingin' back and forth. 'Before we proceed to blow in on me friend Kelly,
+ let us come to an understandin' concernin' and touchin' on&mdash;and&mdash;and&mdash;I
+ don't know. But b'ys,' says he, solemn and confidential, 'are you on the
+ square? Are yez dead game sports, hey?'
+ </p>
+ <p>
+ &ldquo;'Yes, yes!' says Jonadab. 'Course we be. Mr. Kelly and us are old
+ friends. We've come I don't know how fur on purpose to see him. Now
+ where's&mdash;'
+ </p>
+ <p>
+ &ldquo;'Say no more,' hollers the feller. 'Say no more. Come on with yez.' And
+ he marches down the dark hall to a door with a 'To let' sign on it and
+ fetches it a bang with his fist. It opens a little ways and a face shows
+ in the crack.
+ </p>
+ <p>
+ &ldquo;'Hello, Frank!' hails the sunflower, cheerful. 'Will you take that ugly
+ mug of yours out of the gate and lave me friends in?'
+ </p>
+ <p>
+ &ldquo;'What's the matter wid you, Mike?' asks the chap at the door. 'Yer can't
+ bring them two yaps in here and you know it. Gwan out of this.'
+ </p>
+ <p>
+ &ldquo;He tried to shut the door, but the checkerboard had his foot between it
+ and the jamb. You might as well have tried to shove in the broadside of an
+ ocean liner as to push against that foot.
+ </p>
+ <p>
+ &ldquo;'These gents are friends of mine,' says he. 'Frank, I'll do yez the honor
+ of an introduction to Gin'ral Grant and Dan'l O'Connell. Open that door
+ and compose your face before I'm obliged to break both of 'em.'
+ </p>
+ <p>
+ &ldquo;'But I tell you, Mike, I can't,' says the door man, lookin' scared. 'The
+ boss is out, and you know&mdash;'
+ </p>
+ <p>
+ &ldquo;'WILL you open that door?' roars the big chap. And with that he hove his
+ shoulder against the panels and jammed the door open by main force, all
+ but flattenin' the other feller behind it. 'Walk in, Gin'ral,' he says to
+ Jonadab, and in we went, me wonderin' what was comin' next, and not darin'
+ to guess.
+ </p>
+ <p>
+ &ldquo;There was a kind of partitioned off hallway inside, with another door in
+ the partition. We opened that, and there was a good-sized room, filled
+ with men, smokin' and standin' around. A high board fence was acrost one
+ end of the room, and from behind it comes a jinglin' of telephone bells
+ and the sounds of talk. The floor was covered with torn papers, the window
+ blinds was shut, the gas was burnin' blue, and, between it and the smoke,
+ the smells was as various as them in a fish glue factory. On the fence was
+ a couple of blackboards with 'Belmont' and 'Brighton' and suchlike names
+ in chalk wrote on 'em, and beneath that a whole mess in writin' and
+ figures like, 'Red Tail 4&mdash;Wt&mdash;108&mdash;Jock Smith&mdash;5&mdash;1,'
+ 'Sourcrout 5&mdash;Wt&mdash;99&mdash;Jock Jones&mdash;20&mdash;5,' and
+ similar rubbish. And the gang&mdash;a mighty mixed lot&mdash;was
+ scribblin' in little books and watchin' each other as if they was afraid
+ of havin' their pockets picked; though, to look at 'em, you'd have guessed
+ the biggest part had nothin' in their pockets but holes.
+ </p>
+ <p>
+ &ldquo;The six-foot checkerboard&mdash;who, it turned out, answered to the hail
+ of 'Mike'&mdash;seemed to be right at home with the gang. He called most
+ of 'em by their first names and went sasshayin' around, weltin' 'em on the
+ back and tellin' 'em how he'd 'put crimps in the bookies rolls t'other
+ day,' and a lot more stuff that they seemed to understand, but was hog
+ Greek to me and Jonadab. He'd forgot us altogether which was a mercy the
+ way I looked at it, and I steered the Cap'n over into a corner and we come
+ to anchor on a couple of rickety chairs.
+ </p>
+ <p>
+ &ldquo;'What&mdash;why&mdash;what kind of a place IS this, Barzilla?' whispers
+ Jonadab, scared.
+ </p>
+ <p>
+ &ldquo;'Sh-h-h!' says I. 'Land knows. Just set quiet and hang on to your watch.'
+ </p>
+ <p>
+ &ldquo;'But&mdash;but I want to find Kelly,' says he.
+ </p>
+ <p>
+ &ldquo;'I'd give somethin' to find a back door,' says I. 'Ain't this a
+ collection of dock rats though! If this is a part of your dream, Jonadab,
+ I wish you'd turn over and wake up. Oh land! here's one murderer headin'
+ this way. Keep your change in your fist and keep the fist shut.'
+ </p>
+ <p>
+ &ldquo;A more'n average rusty peep, with a rubber collar on and no necktie,
+ comes slinkin' over to us. He had a smile like a crack in a plate.
+ </p>
+ <p>
+ &ldquo;'Say, gents,' he says, 'have you made your bets yet? I've got a dead
+ straight line on the handicap,' says he, 'and I'll put you next for a one
+ spot. It's a sure t'ing at fifteen to three. What do you say?'
+ </p>
+ <p>
+ &ldquo;I didn't say nuthin'; but that fool dream was rattlin' round in Jonadab's
+ skull like a bean in a blowgun, and he sees a chance for a shot.
+ </p>
+ <p>
+ &ldquo;'See here, mister,' he says. 'Can you tell me where to locate Mr. Kelly?'
+ </p>
+ <p>
+ &ldquo;'Who&mdash;Pete?' says the feller. 'Oh, he ain't in just now. But about
+ that handicap. I like the looks of youse and I'll let youse in for a
+ dollar. Or, seein' it's you, we'll say a half. Only fifty cents. I
+ wouldn't do better for my own old man,' he says.
+ </p>
+ <p>
+ &ldquo;While the Cap'n was tryin' to unravel one end of this gibberish I spoke
+ up prompt.
+ </p>
+ <p>
+ &ldquo;'Say,' says I, 'tell me this, will you? Is the Kelly who owns this&mdash;this
+ palace, named Jimmie&mdash;James, I mean?'
+ </p>
+ <p>
+ &ldquo;'Naw,' says he. 'Sure he ain't. It's Pete Kelly, of course&mdash;Silver
+ Pete. But what are you givin' us? Are you bettin' on the race, or ain't
+ you?'
+ </p>
+ <p>
+ &ldquo;Well, Jonadab understood that. He bristled up like a brindled cat. If
+ there's any one thing the Cap'n is down on, it's gamblin' and such&mdash;always
+ exceptin' when he knows he's won already. You've seen that kind, maybe.
+ </p>
+ <p>
+ &ldquo;'Young feller,' he says, perkish, 'I want you to know that me and my
+ friend ain't the bettin' kind. What sort of a hole IS this, anyway?'
+ </p>
+ <p>
+ &ldquo;The rubber collared critter backed off, lookin' worried. He goes acrost
+ the room, and I see him talkin' to two or three other thieves as tough as
+ himself. And they commenced to stare at us and scowl.
+ </p>
+ <p>
+ &ldquo;'Come on,' I whispered to Jonadab. 'Let's get out of this place while we
+ can. There ain't no Jimmie Kelly here, or if there is you don't want to
+ find him.'
+ </p>
+ <p>
+ &ldquo;He was as willin' to make tracks as I was, by this time, and we headed
+ for the door in the partition. But Rubber Collar and some of the others
+ got acrost our bows.
+ </p>
+ <p>
+ &ldquo;'Cut it out,' says one of 'em. 'You can't get away so easy. Hi, Frank!
+ Frank! Who let these turnip pullers in here, anyhow? Who are they?'
+ </p>
+ <p>
+ &ldquo;The chap who was tendin' door comes out of his coop. 'You've got me,' he
+ says. 'They come in with Big Mike, and he was loaded and scrappy and
+ jammed 'em through. Said they was pals of his. Where is he?'
+ </p>
+ <p>
+ &ldquo;There was a hunt for Mike, and, when they got his bearin's, there he was
+ keeled over on a bench, breathin' like an escape valve. And an admiral's
+ salute wouldn't have woke him up. The whole crew was round us by this
+ time, some ugly, and the rest laffin' and carryin' on.
+ </p>
+ <p>
+ &ldquo;'It's the Barkwurst gang,' says one.
+ </p>
+ <p>
+ &ldquo;'It's old Bark himself,' says another. 'Look at them lace curtains.' And
+ he points to Jonadab's whiskers.
+ </p>
+ <p>
+ &ldquo;'This one's Jacobs in disguise,' sings out somebody else. 'You can tell
+ him by the Rube get-up. Haw! haw!'
+ </p>
+ <p>
+ &ldquo;'Soak 'em! Do 'em up! Don't let 'em out!' hollers a ha'f dozen more.
+ </p>
+ <p>
+ &ldquo;Jonadab was game; I'll say that for him. And I hadn't been second mate in
+ my time for nothin'.
+ </p>
+ <p>
+ &ldquo;'Take your hands off me!' yells the Cap'n. 'I come in here to find a man
+ I'm lookin' for, James Kelly it was, and&mdash;You would, would you! Stand
+ by, Barzilla!'
+ </p>
+ <p>
+ &ldquo;I stood by. Rubber Collar got one from me that made him remember home and
+ mother, I'll bet. Anyhow, my knuckles ached for two days afterwards. And
+ Jonadab was just as busy. But I cal'late we'd have been ready for the oven
+ in another five minutes if the door hadn't bu'st open with a bang, and a
+ loud dressed chap, with the sweat pourin' down his face, come tearin' in.
+ </p>
+ <p>
+ &ldquo;'Beat it, fellers!' he yells. 'The place is goin' to be pinched. I've
+ just had the tip, and they're right on top of me.'
+ </p>
+ <p>
+ &ldquo;THEN there was times. Everybody was shoutin' and swearin' and fallin'
+ over each other to get out. I was kind of lost in the shuffle, and the
+ next thing I remember for sartin is settin' up on Rubber Collar's stomach
+ and lookin' foggy at the door, where the loud dressed man was wrestlin'
+ with a policeman. And there was police at the windows and all around.
+ </p>
+ <p>
+ &ldquo;Well, don't talk! I got up, resurrects Jonadab from under a heap of
+ gamblers and furniture, and makes for harbor in our old corner. The police
+ was mighty busy, especially a fat, round-faced, red-mustached man, with
+ gold bands on his cap and arms, that the rest called 'Cap'n.' Him and the
+ loud dressed chap who'd give the alarm was talkin' earnest close to us.
+ </p>
+ <p>
+ &ldquo;'I can't help it, Pete,' says the police cap'n. ''Twas me or the Vice
+ Suppression crowd. They've been on to you for two weeks back. I only just
+ got in ahead of 'em as it was. No, you'll have to go along with the rest
+ and take your chances. Quiet now, everybody, or you'll get it harder,' he
+ roars, givin' orders like the skipper of a passenger boat. 'Stand in line
+ and wait your turns for the wagon.'
+ </p>
+ <p>
+ &ldquo;Jonadab grabbed me by the wrist. He was pale and shakin' all over.
+ </p>
+ <p>
+ &ldquo;'Oh, Lordy!' says he, 'we're took up. Will we have to go to jail, do you
+ think?'
+ </p>
+ <p>
+ &ldquo;'I don't know,' I says, disgusted. 'I presume likely we will. Did you
+ dream anything like this? You'd better see if you can't dream yourself out
+ now.' Twas rubbin' it in, but I was mad.
+ </p>
+ <p>
+ &ldquo;'Oh! oh!' says he, flappin' his hands. 'And me a deacon of the church!
+ Will folks know it, do you think?'
+ </p>
+ <p>
+ &ldquo;'Will they know it! Sounds as if they knew it already. Just listen to
+ that.'
+ </p>
+ <p>
+ &ldquo;The first wagon full of prizes was bein' loaded in down at the front
+ door, and the crowd outside was cheerin' 'em. Judgin' by the whoops and
+ hurrahs there wa'n't no less than a million folks at the show, and they
+ was gettin' the wuth of admission.
+ </p>
+ <p>
+ &ldquo;'Oh, dear!' groans Jonadab. 'And it'll be in the papers and all! I can't
+ stand this.'
+ </p>
+ <p>
+ &ldquo;And afore I could stop him he'd run over and tackled the head policeman.
+ </p>
+ <p>
+ &ldquo;'Mister&mdash;Mister Cap'n,' he says, pantin', 'there's been a mistake,
+ an awful mis&mdash;take&mdash;'
+ </p>
+ <p>
+ &ldquo;'That's right,' says the police cap'n, 'there has. Six or eight of you
+ tin horns got clear. But&mdash;' Then he noticed who was speakin' to him
+ and his mouth dropped open like a hatch. 'Well, saints above!' he says.
+ 'Have the up-state delegates got to buckin' the ponies, too? Why ain't you
+ back home killin' pertater bugs? You ought to be ashamed.'
+ </p>
+ <p>
+ &ldquo;'But we wa'n't gamblin'&mdash;me and my friend wa'n't. We was led in here
+ by mistake. We was told that a feller named Kelly lived here and we're
+ huntin' for a man of that name. I've got a message to him from his poor
+ dead father back in Orham. We come all the way from Orham, Mass.&mdash;to
+ find him and&mdash;'
+ </p>
+ <p>
+ &ldquo;The police cap'n turned around then and stared at him hard. 'Humph!' says
+ he, after a spell. 'Go over there and set down till I want you. No, you'll
+ go now and we'll waste no breath on it. Go on, do you hear!'
+ </p>
+ <p>
+ &ldquo;So we went, and there we set for ha'f an hour, while the rest of the gang
+ and the blackboards and the paper slips and the telephones and Big Mike
+ and his chair was bein' carted off to the wagon. Once, when one of the
+ constables was beatin' acrost to get us, the police cap'n spoke to him.
+ </p>
+ <p>
+ &ldquo;'You can leave these two,' he says. 'I'll take care of them.'
+ </p>
+ <p>
+ &ldquo;So, finally, when there was nothin' left but the four walls and us and
+ some of the police, he takes me and Jonadab by the elbows and heads for
+ the door.
+ </p>
+ <p>
+ &ldquo;'Now,' says he, 'walk along quiet and peaceable and tell me all about it.
+ Get out of this!' he shouts to the crowd of small boys and loafers on the
+ sidewalk, 'or I'll take you, too.'
+ </p>
+ <p>
+ &ldquo;The outsiders fell astern, lookin' heartbroke and disapp'inted that we
+ wa'n't hung on the spot, and the fat boss policeman and us two paraded
+ along slow but grand. I felt like the feller that was caught robbin' the
+ poorhouse, and I cal'late Jonadab felt the same, only he was so busy
+ beggin' and pleadin' and explainin' that he couldn't stop to feel
+ anything.
+ </p>
+ <p>
+ &ldquo;He told it all, the whole fool yarn from one end to t'other. How old Pat
+ give him the message and how he went to the laundry, and about his
+ ridiculous dream, every word. And the fat policeman shook all over, like a
+ barrel of cod livers.
+ </p>
+ <p>
+ &ldquo;By and by we got to a corner of a street and hove to. I could see the
+ station house loomin' up large ahead. Fatty took a card from his
+ pocketbook, wrote on it with a pencil, and then hailed a hack, one of them
+ stern-first kind where the driver sits up aloft 'way aft. He pushed back
+ the cap with the gilt wreath on it, and I could see his red hair shinin'
+ like a sunset.
+ </p>
+ <p>
+ &ldquo;'Here,' says he to the hack driver, 'take these&mdash;this pair of salads
+ to the&mdash;what d'ye call it?&mdash;the Golconda House, wherever on top
+ of the pavement that is. And mind you, deliver 'em safe and don't let the
+ truck horses get a bite at 'em. And at half-past eight to-night you call
+ for 'em and bring 'em here,' handin' up the card he'd written on.
+ </p>
+ <p>
+ &ldquo;''Tis the address of my house, I'm givin',' he says, turnin' to Jonadab.
+ 'I'll be off duty then and we'll have dinner and talk about old times. To
+ think of you landin' in Silver Pete's pool room! Dear! dear! Why, Cap'n
+ Wixon, barrin' that your whiskers are a bit longer and a taste grayer, I'd
+ 'a' known you anywheres. Many's the time I've stole apples over your back
+ fence. I'm Jimmie Kelly,' says he.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, by mighty!&rdquo; exclaimed the depot master, slapping his knee. &ldquo;So HE
+ was the Kelly man! Humph!&rdquo;
+ </p>
+ <p>
+ &ldquo;Funny how it turned out, wa'n't it?&rdquo; said Barzilla. &ldquo;Course, Cap'n
+ Jonadab was perfectly sat on spiritu'lism and signs and omens and such
+ after that. He's had his fortune told no less'n eight times sence, and,
+ nigh's I can find out, each time it's different. The amount of blondes and
+ brunettes and widows and old maids that he's slated to marry, accordin' to
+ them fortune tellers, is perfectly scandalous. If he lives up to the
+ prophecies, Brigham Young wouldn't be a twospot 'longside of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's funny about dreams,&rdquo; mused Captain Hiram. &ldquo;Folks are always tellin'
+ about their comin' true, but none of mine ever did. I used to dream I was
+ goin' to be drowned, but I ain't been yet.&rdquo;
+ </p>
+ <p>
+ The depot master laughed. &ldquo;Well,&rdquo; he observed, &ldquo;once, when I was a
+ youngster, I dreamed two nights runnin' that I was bein' hung. I asked my
+ Sunday school teacher if he believed dreams come true, and he said yes,
+ sometimes. Then I told him my dream, and he said he believed in that one.
+ I judged that any other finish for me would have surprised him. But,
+ somehow or other, they haven't hung me yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;There was a hired girl over at the Old Home House who was sat on fortune
+ tellin',&rdquo; said Wingate. &ldquo;Her name was Effie, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here!&rdquo; broke in Captain Bailey Stitt, righteous indignation in his
+ tone, &ldquo;I've started no less than nineteen different times to tell you
+ about how I went sailin' in an automobile. Now do you want to hear it, or
+ don't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;How you went SAILIN' in an auto?&rdquo; repeated Barzilla. &ldquo;Went ridin', you
+ mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean sailin'. I went ridin', too, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You'll have to excuse me, Bailey,&rdquo; interrupted Captain Hiram, rising and
+ looking at his watch. &ldquo;I've stayed here a good deal longer'n I ought to,
+ already. I must be gettin' on home to see how poor little Dusenberry, my
+ boy, is feelin'. I do hope he's better by now. I wish Dr. Parker hadn't
+ gone out of town.&rdquo;
+ </p>
+ <p>
+ The depot master rose also. &ldquo;And I'll have to be excused, too,&rdquo; he
+ declared. &ldquo;It's most time for the up train. Good-by, Hiram. Give my
+ regards to Sophrony, and if there's anything I can do to help, in case
+ your baby should be sick, just sing out, won't you?&rdquo;
+ </p>
+ <p>
+ &ldquo;But I want to tell about this automobilin' scrape,&rdquo; protested Captain
+ Bailey. &ldquo;It was one of them things that don't happen every day.&rdquo;
+ </p>
+ <p>
+ &ldquo;So was that fortune business of Effie's,&rdquo; declared Wingate. &ldquo;Honest, the
+ way it worked out was queer enough.&rdquo;
+ </p>
+ <p>
+ But the train whistled just then and the group broke up. Captain Sol went
+ out to the platform, where Cornelius Rowe, Ed Crocker, Beriah Higgins,
+ Obed Gott, and other interested citizens had already assembled. Wingate
+ and Stitt followed. As for Captain Hiram Baker, he hurried home, his
+ conscience reproving him for remaining so long away from his wife and poor
+ little Hiram Joash, more familiarly known as &ldquo;Dusenberry.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0013" id="link2HCH0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XIII
+ </h2>
+ <h3>
+ DUSENBERRY'S BIRTHDAY
+ </h3>
+ <p>
+ Mrs. Baker met her husband at the door.
+ </p>
+ <p>
+ &ldquo;How is he?&rdquo; was the Captain's first question. &ldquo;Better, hey?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; was the nervous answer. &ldquo;No, I don't think he is. His throat's
+ terrible sore and the fever's just as bad.&rdquo;
+ </p>
+ <p>
+ Again Captain Hiram's conscience smote him.
+ </p>
+ <p>
+ &ldquo;Dear! dear!&rdquo; he exclaimed. &ldquo;And I've been loafin' around the depot with
+ Sol Berry and the rest of 'em instead of stayin' home with you, Sophrony.
+ I KNEW I was doin' wrong, but I didn't realize&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Course you didn't, Hiram. I'm glad you got a few minutes' rest, after
+ bein' up with him half the night. I do wish the doctor was home, though.
+ When will he be back?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not until late to-morrer, if then. Did you keep on givin' the medicine?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but it don't seem to do much good. You go and set with him now,
+ Hiram. I must be seein' about supper.&rdquo;
+ </p>
+ <p>
+ So into the sick room went Captain Hiram to sit beside the crib and sing
+ &ldquo;Sailor boy, sailor boy, 'neath the wild billow,&rdquo; as a lugubrious lullaby.
+ </p>
+ <p>
+ Little Hiram Joash tossed and tumbled. He was in a fitful slumber when
+ Mrs. Baker called her husband to supper. The meal was anything but a
+ cheerful one. They talked but little. Over the home, ordinarily so
+ cheerful, had settled a gloom that weighed upon them.
+ </p>
+ <p>
+ &ldquo;My! my!&rdquo; sighed Captain Hiram, &ldquo;how lonesome it seems without him
+ chatterin' and racketin' sound. Seems darker'n usual, as if there was a
+ shadow on the place.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush, Hiram! don't talk that way. A shadow! Oh, WHAT made you say that?
+ Sounds like a warnin', almost.&rdquo;
+ </p>
+ <p>
+ &ldquo;Warnin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, a forewarnin', you know. 'The valley of the shadow&mdash;'&rdquo;
+ </p>
+ <p>
+ &ldquo;HUSH!&rdquo; Captain Baker's face paled under its sunburn. &ldquo;Don't say such
+ things, Sophrony. If that happened, the Lord help you and me. But it won't&mdash;it
+ won't. We're nervous, that's all. We're always so careful of Dusenberry,
+ as if he was made out of thin china, that we get fidgety when there's no
+ need of it. We mustn't be foolish.&rdquo;
+ </p>
+ <p>
+ After supper Mrs. Baker tiptoed into the bedroom. She emerged with a very
+ white face.
+ </p>
+ <p>
+ &ldquo;Hiram,&rdquo; she whispered, &ldquo;he acts dreadful queer. Come in and see him.&rdquo;
+ </p>
+ <p>
+ The &ldquo;first mate&rdquo; was tossing back and forth in the crib, making odd little
+ choky noises in his swollen throat. When his father entered he opened his
+ eyes, stared unmeaningly, and said: &ldquo;'Tand by to det der ship under way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good Lord! he's out of his head,&rdquo; gasped the Captain. Sophronia and he
+ stepped back into the sitting room and looked at each other, the same
+ thought expressed in the face of each. Neither spoke for a moment, then
+ Captain Hiram said:
+ </p>
+ <p>
+ &ldquo;Now don't you worry, Sophrony. The Doctor ain't home, but I'm goin' out
+ to&mdash;to telegraph him, or somethin'. Keep a stiff upper lip. It'll be
+ all right. God couldn't go back on you and me that way. He just couldn't.
+ I'll be back in a little while.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, oh, Hiram! if he should&mdash;if he SHOULD be taken away, what WOULD
+ we do?&rdquo;
+ </p>
+ <p>
+ She began to cry. Her husband laid a trembling hand on her shoulder.
+ </p>
+ <p>
+ &ldquo;But he won't,&rdquo; he declared stoutly. &ldquo;I tell you God wouldn't do such a
+ thing. Good-by, old lady. I'll hurry fast as I can.&rdquo;
+ </p>
+ <p>
+ As he took up his cap and turned to the door he heard the voice of the
+ weary little first mate chokily calling his crew to quarters. &ldquo;All hands
+ on deck!&rdquo;
+ </p>
+ <p>
+ The telegraph office was in Beriah Higgins's store. Thither ran the
+ Captain. Pat Sharkey, Mr. Higgins's Irish helper, who acted as telegraph
+ operator during Gertie Higgins's absence, gave Captain Hiram little
+ satisfaction.
+ </p>
+ <p>
+ &ldquo;How can I get Dr. Parker?&rdquo; asked Pat. &ldquo;He's off on a cruise and land
+ knows where I can reach him to-night. I'll do what I can, Cap, but it's
+ ten chances out of nine against a wire gettin' to him.&rdquo;
+ </p>
+ <p>
+ Captain Hiram left the store, dodging questioners who were anxious to know
+ what his trouble might be, and dazedly crossed Main Street, to the railway
+ station. He thought of asking advice of his friend, the depot master.
+ </p>
+ <p>
+ The evening train from Boston pulled out as he passed through the waiting
+ room. One or two passengers were standing on the platform. One of these
+ was a short, square-shouldered man with gray side whiskers and eyeglasses.
+ The initials on his suit case were J. S. M., Boston, and they stood for
+ John Spencer Morgan. If the bearer of the suit case had followed the
+ fashion of the native princes of India and had emblazoned his titles upon
+ his baggage, the commonplace name just quoted might have been followed by
+ &ldquo;M.D., LL.D., at Harvard and Oxford; vice president American Medical
+ Society; corresponding secretary Associated Society of Surgeons; lecturer
+ at Harvard Medical College; author of 'Diseases of the Throat and Lungs,'
+ etc., etc.&rdquo;
+ </p>
+ <p>
+ But Dr. Morgan was not given to advertising either his titles or himself,
+ and he was hurrying across the platform to Redny Blount's depot wagon when
+ Captain Hiram touched him on the arm.
+ </p>
+ <p>
+ &ldquo;Why, hello, Captain Baker,&rdquo; exclaimed the Doctor, &ldquo;how do you do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dr. Morgan,&rdquo; said the Captain, &ldquo;I&mdash;I hope you'll excuse my presumin'
+ on you this way, but I want to ask a favor of you, a great favor. I want
+ to ask if you'll come down to the house and see the boy; he's on the sick
+ list.&rdquo;
+ </p>
+ <p>
+ &ldquo;What, Dusenberry?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir. He's pretty bad, I'm 'fraid, and the old lady's considerable
+ upsot about him. If you just come down and kind of take an observation,
+ so's we could sort of get our bearin's, as you might say, 'twould be a
+ mighty help to all hands.&rdquo;
+ </p>
+ <p>
+ &ldquo;But where's your town physician? Hasn't he been called?&rdquo;
+ </p>
+ <p>
+ The Captain explained. He had inquired, and he had telegraphed, but could
+ get no word of Dr. Parker's whereabouts.
+ </p>
+ <p>
+ The great Boston specialist listened to Captain Hiram's story in an
+ absent-minded way. Holidays were few and far between with him, and when he
+ accepted the long-standing invitation of Mr. Ogden Williams to run down
+ for the week end he determined to forget the science of medicine and all
+ that pertained to it for the four days of his outing. But an exacting
+ patient had detained him long enough to prevent his taking the train that
+ morning, and now, on the moment of his belated arrival, he was asked to
+ pay a professional call. He liked the Captain, who had taken him out
+ fishing several times on his previous excursions to East Harniss, and he
+ remembered Dusenberry as a happy little sea urchin, but he simply couldn't
+ interrupt his pleasure trip to visit a sick baby. Besides, the child was
+ Dr. Parker's patient, and professional ethics forbade interference.
+ </p>
+ <p>
+ &ldquo;Captain Hiram,&rdquo; he said, &ldquo;I am sorry to disappoint you, but it will be
+ impossible for me to do what you ask. Mr. Williams expected me this
+ morning, and I am late already. Dr. Parker will, no doubt, return soon.
+ The baby cannot be dangerously ill or he would not have left him.&rdquo;
+ </p>
+ <p>
+ The Captain slowly turned away.
+ </p>
+ <p>
+ &ldquo;Thank you, Doctor,&rdquo; he said huskily. &ldquo;I knew I hadn't no right to ask.&rdquo;
+ </p>
+ <p>
+ He walked across the platform, abstractedly striking his right hand into
+ his left. When he reached the ticket window he put one hand against the
+ frame as if to steady himself, and stood there listlessly.
+ </p>
+ <p>
+ The enterprising Mr. Blount had been hanging about the Doctor like a cat
+ about the cream pitcher; now he rushed up, grasped the suit case, and
+ officiously led the way toward the depot wagon. Dr. Morgan followed more
+ slowly. As he passed the Captain he glanced up into the latter's face,
+ lighted, as it was, by the lamp inside the window.
+ </p>
+ <p>
+ The Doctor stopped and looked again. Then he took another step forward,
+ hesitated, turned on his heel, and said:
+ </p>
+ <p>
+ &ldquo;Wait a moment, Blount. Captain Hiram, do you live far from here?&rdquo;
+ </p>
+ <p>
+ The Captain started. &ldquo;No, sir, only a little ways.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. I'll go down and look at this boy of yours. Mind you, I'll not
+ take the case, simply give my opinion on it, that's all. Blount, take my
+ grip to Mr. Williams's. I'm going to walk down with the Captain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Haul on ee bowline, ee bowline, haul!&rdquo; muttered the first mate, as they
+ came into the room. The lamp that Sophronia was holding shook, and the
+ Captain hurriedly brushed his eyes with the back of his hand.
+ </p>
+ <p>
+ Dr. Morgan started perceptibly as he bent forward to look at the little
+ fevered face of Dusenberry. Graver and graver he became as he felt the
+ pulse and peered into the swollen throat. At length he rose and led the
+ way back into the sitting room.
+ </p>
+ <p>
+ &ldquo;Captain Baker,&rdquo; he said simply, &ldquo;I must ask you and your wife to be
+ brave. The child has diphtheria and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Diphthery!&rdquo; gasped Sophronia, as white as her best tablecloth.
+ </p>
+ <p>
+ &ldquo;Good Lord above!&rdquo; cried the Captain.
+ </p>
+ <p>
+ &ldquo;Diphtheria,&rdquo; repeated the Doctor; &ldquo;and, although I dislike extremely to
+ criticize a member of my own profession, I must say that any physician
+ should have recognized it.&rdquo;
+ </p>
+ <p>
+ Sophronia groaned and covered her face with her apron.
+ </p>
+ <p>
+ &ldquo;Ain't there&mdash;ain't there no chance, Doctor?&rdquo; gasped the Captain.
+ </p>
+ <p>
+ &ldquo;Certainly, there's a chance. If I could administer antitoxin by to-morrow
+ noon the patient might recover. What time does the morning train from
+ Boston arrive here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha'f-past ten or thereabouts.&rdquo;
+ </p>
+ <p>
+ Dr. Morgan took his notebook from his pocket and wrote a few lines in
+ pencil on one of the pages. Then he tore out the leaf and handed it to the
+ Captain.
+ </p>
+ <p>
+ &ldquo;Send that telegram immediately to my assistant in Boston,&rdquo; he said. &ldquo;It
+ directs him to send the antitoxin by the early train. If nothing
+ interferes it should be here in time.&rdquo;
+ </p>
+ <p>
+ Captain Hiram took the slip of paper and ran out at the door bareheaded.
+ </p>
+ <p>
+ Dr. Morgan stood in the middle of the floor absent-mindedly looking at his
+ watch. Sophronia was gazing at him appealingly. At length he put his watch
+ in his pocket and said quietly:
+ </p>
+ <p>
+ &ldquo;Mrs. Baker, I must ask you to give me a room. I will take the case.&rdquo; Then
+ he added mentally: &ldquo;And that settles my vacation.&rdquo;
+ </p>
+ <p>
+ Dr. Morgan's assistant was a young man whom nature had supplied with a
+ prematurely bald head, a flourishing beard, and a way of appearing ten
+ years older than he really was. To these gifts, priceless to a young
+ medical man, might be added boundless ambition and considerable common
+ sense.
+ </p>
+ <p>
+ The yellow envelope which contained the few lines meaning life or death to
+ little Hiram Joash Baker was delivered at Dr. Morgan's Back Bay office at
+ ten minutes past ten. Dr. Payson&mdash;that was the assistant's name&mdash;was
+ out, but Jackson, the colored butler, took the telegram into his
+ employer's office, laid it on the desk among the papers, and returned to
+ the hall to finish his nap in the armchair. When Dr. Payson came in, at
+ 11:30, the sleepy Jackson forgot to mention the dispatch.
+ </p>
+ <p>
+ The next morning as Jackson was cleaning the professional boots in the
+ kitchen and chatting with the cook, the thought of the yellow envelope
+ came back to his brain. He went up the stairs with such precipitation that
+ the cook screamed, thinking he had a fit.
+ </p>
+ <p>
+ &ldquo;Doctah! Doctah!&rdquo; he exclaimed, opening the door of the assistant's
+ chamber, &ldquo;did you git dat telegraft I lef' on your desk las' night?&rdquo;
+ </p>
+ <p>
+ &ldquo;What telegraph?&rdquo; asked the assistant sleepily. By way of answer Jackson
+ hurried out and returned with the yellow envelope. The assistant opened it
+ and read as follows:
+ </p>
+ <p>
+ Send 1,500 units Diphtheritic Serum to me by morning train. Don't fail.
+ Utmost importance.
+ </p>
+ <p>
+ J. S. MORGAN.
+ </p>
+ <p>
+ Dr. Payson sprang out of bed, and running to the table took up the Railway
+ Guide, turned to the pages devoted to the O. C. and C. C. Railroad and ran
+ his finger down the printed tables. The morning train for Cape Cod left at
+ 7:10. It was 6:45 at that moment. As has been said, the assistant had
+ considerable common sense. He proved this by wasting no time in telling
+ the forgetful Jackson what he thought of him. He sent the latter after a
+ cab and proceeded to dress in double-quick time. Ten minutes later he was
+ on his way to the station with the little wooden case containing the
+ precious antitoxin, wrapped and addressed, in his pocket.
+ </p>
+ <p>
+ It was seven by the Arlington Street Church clock as the cab rattled down
+ Boylston Street. A tangle of a trolley car and a market wagon delayed it
+ momentarily at Harrison Avenue and Essex Street. Dr. Payson, leaning out
+ as the carriage swung into Dewey Square, saw by the big clock on the Union
+ Station that it was 7:13. He had lost the train.
+ </p>
+ <p>
+ Now, the assistant had been assistant long enough to know that excuses&mdash;in
+ the ordinary sense of the word&mdash;did not pass current with Dr. Morgan.
+ That gentleman had telegraphed for antitoxin, and said it was important
+ that he should have it; therefore, antitoxin must be sent in spite of
+ time-tables and forgetful butlers. Dr. Payson went into the waiting room
+ and sat down to think. After a moment's deliberation he went over to the
+ ticket office and asked:
+ </p>
+ <p>
+ &ldquo;What is the first stop of the Cape Cod express?&rdquo;
+ </p>
+ <p>
+ &ldquo;Brockboro,&rdquo; answered the ticket seller.
+ </p>
+ <p>
+ &ldquo;Is the train usually on time?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I should smile. That's Charlie Mills's train, and the old man ain't
+ been conductor on this road twenty-two years for nothin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mills? Does he live on Shawmut Avenue?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dunno. Billy, where does Charlie Mills live?&rdquo;
+ </p>
+ <p>
+ &ldquo;Somewhere at the South End. Shawmut Avenue, I think.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; said the assistant, and, helping himself to a time-table, he
+ went back rejoicing to his seat in the waiting room. He had stumbled upon
+ an unexpected bit of luck.
+ </p>
+ <p>
+ There might be another story written in connection with this one; the
+ story of a veteran railroad man whose daughter had been very, very ill
+ with a dreaded disease of the lungs, and who, when other physicians had
+ given up hope, had been brought back to health by a celebrated specialist
+ of our acquaintance. But this story cannot be told just now; suffice it to
+ say that Conductor Charlie Mills had vowed that he would put his neck
+ beneath the wheels of his own express train, if by so doing he could
+ confer a favor on Dr. John Spencer Morgan.
+ </p>
+ <p>
+ The assistant saw by his time-table that the Cape Cod express reached
+ Brockboro at 8:05. He went over to the telegraph office and wrote two
+ telegrams. The first read like this:
+ </p>
+ <p>
+ CALVIN S. WISE, The People's Drug Store, 28 Broad Street, Brockboro,
+ Mass.:
+ </p>
+ <p>
+ Send package 1,500 units Diphtheritic Serum marked with my name to
+ station. Hand to Conductor Mills, Cape Cod express. Train will wait.
+ Matter life and death.
+ </p>
+ <p>
+ The second telegram was to Conductor Mills. It read:
+ </p>
+ <p>
+ Hold train Brockboro to await arrival C. A. Wise. Great personal favor.
+ Very important.
+ </p>
+ <p>
+ Both of these dispatches were signed with the magic name, &ldquo;J. S. Morgan,
+ M.D.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the assistant as he rode back to his office, &ldquo;I don't know
+ whether Wise will get the stuff to the train in time, or whether Mills
+ will wait for him, but at any rate I've done my part. I hope breakfast is
+ ready, I'm hungry.&rdquo;
+ </p>
+ <p>
+ Mr. Wise, of &ldquo;The People's Drug Store,&rdquo; had exactly two minutes in which
+ to cover the three-quarters of a mile to the station. As a matter of
+ course, he was late. Inquiring for Conductor Mills, he was met by a
+ red-faced man in uniform, who, watch in hand, demanded what in the vale of
+ eternal torment he meant by keeping him waiting eight minutes.
+ </p>
+ <p>
+ &ldquo;Do you realize,&rdquo; demanded the red-faced man, &ldquo;that I'm liable to lose my
+ job? I'll have you to understand that if any other man than Doc. Morgan
+ asked me to hold up the Cape Cod express, I'd tell him to go right plumb
+ to&mdash;&rdquo;
+ </p>
+ <p>
+ Here Mr. Wise interrupted to hand over the package and explain that it was
+ a matter of life and death. Conductor Mills only grunted as he swung
+ aboard the train.
+ </p>
+ <p>
+ &ldquo;Hump her, Jim,&rdquo; he said to the engineer; &ldquo;she's got to make up those
+ eight minutes.&rdquo;
+ </p>
+ <p>
+ And Jim did.
+ </p>
+ <p>
+ And so it happened that on the morning of the Fourth of July, Dusenberry's
+ birthday, Captain Hiram Baker and his wife sat together in the sitting
+ room, with very happy faces. The Captain had in his hands the &ldquo;truly boat
+ with sails,&rdquo; which the little first mate had so ardently wished for.
+ </p>
+ <p>
+ She was a wonder, that boat. Red hull, real lead on the keel, brass rings
+ on the masts, reef points on the main and fore sail, jib, flying jib and
+ topsails, all complete. And on the stern was the name, &ldquo;Dusenberry. East
+ Harniss.&rdquo;
+ </p>
+ <p>
+ Captain Hiram set her down in front of him on the floor.
+ </p>
+ <p>
+ &ldquo;Gee!&rdquo; he exclaimed, &ldquo;won't his eyes stick out when he sees that rig, hey?
+ Wisht he would be well enough to see it to-day, same as we planned.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Hiram,&rdquo; said Sophrony, &ldquo;we hadn't ought to complain. We'd ought to
+ be thankful he's goin' to get well at all. Dr. Morgan says, thanks to that
+ blessed toxing stuff, he'll be up and around in a couple of weeks.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sophrony,&rdquo; said her husband, &ldquo;we'll have a special birthday celebration
+ for him when he gets all well. You can bake the frosted cake and we'll
+ have some of the other children in. I TOLD you God wouldn't be cruel
+ enough to take him away.&rdquo;
+ </p>
+ <p>
+ And this is how Fate and the medical profession and the O. C. and C. C.
+ Railroad combined to give little Hiram Joash Baker his birthday, and
+ explains why, as he strolled down Main Street that afternoon, Captain
+ Hiram was heard to sing heartily:
+ </p>
+<pre xml:space="preserve">
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline, the bowline, HAUL!
+</pre>
+ <p>
+ <a name="link2HCH0014" id="link2HCH0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XIV
+ </h2>
+ <h3>
+ EFFIE'S FATE
+ </h3>
+ <p>
+ Surely, but very, very slowly, the little Berry house moved on its rollers
+ up the Hill Boulevard. Right at its heels&mdash;if a house may be said to
+ have heels&mdash;came the &ldquo;pure Colonial,&rdquo; under the guidance of the
+ foreman with &ldquo;progressive methods.&rdquo; Groups of idlers, male and female,
+ stood about and commented. Simeon Phinney smilingly replied to their
+ questions. Captain Sol himself seemed little interested. He spent most of
+ his daylight time at the depot, only going to the Higginses' house for his
+ meals. At night, after the station was closed, he sought his own dwelling,
+ climbed over the joist and rollers, entered, retired to his room, and went
+ to bed.
+ </p>
+ <p>
+ Each day also he grew more taciturn. Even with Simeon, his particular
+ friend, he talked little.
+ </p>
+ <p>
+ &ldquo;What IS the matter with you, Sol?&rdquo; asked Mr. Phinney. &ldquo;You're as glum as
+ a tongue-tied parrot. Ain't you satisfied with the way I'm doin' your
+ movin'? The white horse can go back again if you say so.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm satisfied,&rdquo; grunted the depot master. &ldquo;Let you know when I've got any
+ fault to find. How soon will you get abreast the&mdash;abreast the Seabury
+ lot?&rdquo;
+ </p>
+ <p>
+ &ldquo;Let's see,&rdquo; mused the building mover. &ldquo;Today's the eighth. Well, I'll be
+ there by the eleventh, SURE. Can't drag it out no longer, Sol, even if the
+ other horse is took sick. 'Twon't do. Williams has been complainin' to the
+ selectmen and they're beginnin' to pester me. As for that Colt and Adams
+ foreman&mdash;whew!&rdquo;
+ </p>
+ <p>
+ He whistled. His companion smiled grimly.
+ </p>
+ <p>
+ &ldquo;Williams himself drops in to see me occasional,&rdquo; he said. &ldquo;Tells me what
+ he thinks of me, with all the trimmin's added. I cal'late he gets as good
+ as he sends. I'm always glad to see him; he keeps me cheered up, in his
+ way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye-es, I shouldn't wonder. Was he in to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was. And somethin' has pleased him, I guess. At any rate he was in
+ better spirits. Asked me if I was goin' to move right onto that Main
+ Street lot soon as my house got there.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did you say?&rdquo;
+ </p>
+ <p>
+ &ldquo;I said I was cal'latin' to. Told him I hated to get out of the
+ high-society circles I'd been livin' in lately, but that everyone had
+ their comedowns in this world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho, ho! that was a good one. What answer did he make to that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he said the 'high society' would miss me. Then he finished up with
+ a piece of advice. 'Berry,' says he, 'don't move onto that lot TOO quick.
+ I wouldn't if I was you.' Then he went away, chucklin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Chucklin', hey? What made him so joyful?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't know&rdquo;&mdash;Captain Sol's face clouded once more&mdash;&ldquo;and I care
+ less,&rdquo; he added brusquely.
+ </p>
+ <p>
+ Simeon pondered. &ldquo;Have you heard from Abner Payne, Sol?&rdquo; he asked. &ldquo;Has Ab
+ answered that letter you wrote sayin' you'd swap your lot for the Main
+ Street one?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he hasn't. I wrote him that day I told you to move me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hum! that's kind of funny. You don't s'pose&mdash;&rdquo;
+ </p>
+ <p>
+ He stopped, noticing the expression on his friend's face. The depot master
+ was looking out through the open door of the waiting room. On the opposite
+ side of the road, just emerging from Mr. Higgins's &ldquo;general store,&rdquo; was
+ Olive Edwards, the widow whose home was to be pulled down as soon as the
+ &ldquo;Colonial&rdquo; reached its destination. She came out of the store and started
+ up Main Street. Suddenly, and as if obeying an involuntary impulse, she
+ turned her head. Her eyes met those of Captain Sol Berry, the depot
+ master. For a brief instant their glance met, then Mrs. Edwards hurried
+ on.
+ </p>
+ <p>
+ Sim Phinney sighed pityingly. &ldquo;Looks kind of tired and worried, don't
+ she?&rdquo; he ventured. His friend did not speak.
+ </p>
+ <p>
+ &ldquo;I say,&rdquo; repeated Phinney, &ldquo;that Olive looks sort of worn out and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Has she heard from the Omaha cousin yet?&rdquo; interrupted the depot master.
+ </p>
+ <p>
+ &ldquo;No; Mr. Hilton says not. Sol, what DO you s'pose&mdash;&rdquo;
+ </p>
+ <p>
+ But Captain Sol had risen and gone into the ticket office. The door closed
+ behind him. Mr. Phinney shook his head and walked out of the building. On
+ his way back to the scene of the house moving he shook his head several
+ times.
+ </p>
+ <p>
+ On the afternoon of the ninth Captain Bailey Stitt and his friend Wingate
+ came to say good-by. Stitt was going back to Orham on the &ldquo;up&rdquo; train, due
+ at 3:30. Barzilla would return to Wellmouth and the Old Home House on the
+ evening (the &ldquo;down&rdquo;) train.
+ </p>
+ <p>
+ &ldquo;Hey, Sol!&rdquo; shouted Wingate, as they entered the waiting room. &ldquo;Sol! where
+ be you?&rdquo;
+ </p>
+ <p>
+ The depot master came out of the ticket office. &ldquo;Hello, boys!&rdquo; he said
+ shortly.
+ </p>
+ <p>
+ &ldquo;Hello, Sol!&rdquo; hailed Stitt. &ldquo;Barzilla and me have come to shed the
+ farewell tear. As hirelin's of soulless corporations, meanin' the Old Home
+ House at Wellmouth and the Ocean House at Orham, we've engaged all the
+ shellfish along-shore and are goin' to clear out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; chimed in his fellow &ldquo;hireling,&rdquo; &ldquo;and we thought the pleasantest
+ place to put in our few remainin' hours&mdash;as the papers say when a
+ feller's goin' to be hung&mdash;was with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought so,&rdquo; said Captain Bailey, with a wink. &ldquo;We've been havin' more
+ or less of an argument, Sol. Remember how Barzilla made fun of Jonadab
+ Wixon for believin' in dreams? Yes, well that was only make believe. He
+ believes in 'em himself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't either,&rdquo; declared Wingate. &ldquo;And I never said so. What I said was
+ that sometimes it almost seemed as if there was somethin' IN fortune
+ tellin' and such.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is,&rdquo; chuckled Bailey with another wink at the depot master.
+ &ldquo;There's money in it&mdash;for the fortune tellers.&rdquo;
+ </p>
+ <p>
+ &ldquo;I said&mdash;and I say again,&rdquo; protested Barzilla, &ldquo;that I knew a case at
+ our hotel of a servant girl named Effie, and she&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Heavens to Betsy! Here he goes again, I steered him in here on
+ purpose, Sol, so's he'd get off that subject.&rdquo;
+ </p>
+ <p>
+ &ldquo;You never neither. You said&mdash;&rdquo;
+ </p>
+ <p>
+ The depot master held up his hand. &ldquo;Don't both talk at once,&rdquo; he
+ commanded. &ldquo;Set down and be peaceful, can't you. That's right. What about
+ this Effie, Barzilla?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now look here!&rdquo; protested Stitt.
+ </p>
+ <p>
+ &ldquo;Shut up, Bailey! Who was Effie, Barzilla?&rdquo;
+ </p>
+ <p>
+ &ldquo;She was third assistant roustabout and table girl at the Old Home House,&rdquo;
+ said Wingate triumphantly. &ldquo;Got another cigar, Sol? Thanks. Yes, this
+ Effie had never worked out afore and she was greener'n a mess of spinach;
+ but she was kind of pretty to look at and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, ha!&rdquo; crowed Captain Bailey, &ldquo;here comes the heart confessions. Want
+ to look out for these old bachelors, Sol. Fire away, Barzilla; let us know
+ the worst.&rdquo;
+ </p>
+ <p>
+ &ldquo;I took a fancy to her, in a way. She got in the habit of tellin' me her
+ troubles and secrets, me bein' old enough to be her dad&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Aw, yes!&rdquo; this from Stitt, the irrepressible. &ldquo;That's an old gag. We know&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;WILL you shut up?&rdquo; demanded Captain Sol. &ldquo;Go on, Barzilla.&rdquo;
+ </p>
+ <p>
+ &ldquo;Me bein' old enough to be her dad,&rdquo; with a glare at Captain Bailey, &ldquo;and
+ not bein' too proud to talk with hired help. I never did have that
+ high-toned notion. 'Twa'n't so long since I was a fo'mast hand.
+ </p>
+ <p>
+ &ldquo;So Effie told me a lot about herself. Seems she'd been over to the Cattle
+ Show at Ostable one year, and she was loaded to the gunwale with some more
+ or less facts that a fortune-tellin' specimen by the name of the
+ 'Marvelous Oriental Seer' had handed her in exchange for a quarter.
+ </p>
+ <p>
+ &ldquo;'Yup,' says she, bobbin' her head so emphatic that the sky-blue ribbon
+ pennants on her black hair flapped like a loose tops'l in a gale of wind.
+ 'Yup,' says she, 'I b'lieve it just as much as I b'lieve anything. How
+ could I help it when he told me so much that has come true already? He
+ said I'd seen trouble, and the dear land knows that's so! and that I might
+ see more, and I cal'late that's pretty average likely. And he said I
+ hadn't been brought up in luxury&mdash;'
+ </p>
+ <p>
+ &ldquo;'Which wa'n't no exaggeration neither,' I put in, thinkin' of the shack
+ over on the Neck Road where she and her folks used to live.
+ </p>
+ <p>
+ &ldquo;'No,' says she; 'and he told me I'd always had longin's for better and
+ higher things and that my intellectuals was above my station. Well, ever
+ sence I was knee high to a kitchen chair I'd ruther work upstairs than
+ down, and as for intellectuals, ma always said I was the smartest young
+ one she'd raised yet. So them statements give me consider'ble confidence.
+ But he give out that I was to make a journey and get money, and when THAT
+ come true I held up both hands and stood ready to swaller all the rest of
+ it.'
+ </p>
+ <p>
+ &ldquo;'So it come true, did it?' says I.
+ </p>
+ <p>
+ &ldquo;'Um-hm,' says she, bouncin' her head again. 'Inside of four year I
+ traveled 'way over to South Eastboro&mdash;'most twelve mile&mdash;to my
+ Uncle Issy's fun'ral, and there I found that he'd left me nine hundred
+ dollars for my very own. And down I flops on the parlor sofy and says I:
+ &ldquo;There! don't talk superstition to ME no more! A person that can foretell
+ Uncle Issy's givin' anybody a cent, let alone nine hundred dollars, is a
+ good enough prophet for ME to tie to. Now I KNOW that I'm going to marry
+ the dark-complected man, and I'll be ready for him when he comes along. I
+ never spent a quarter no better than when I handed it over to that
+ Oriental Seer critter at the Cattle Show.&rdquo; That's what I said then and I
+ b'lieve it yet. Wouldn't you feel the same way?'
+ </p>
+ <p>
+ &ldquo;I said sure thing I would. I'd found out that the best way to keep
+ Effie's talk shop runnin' was to agree with her. And I liked to hear her
+ talk.
+ </p>
+ <p>
+ &ldquo;'Yup,' she went on, 'I give right in then. I'd traveled same as the
+ fortune teller said, and I'd got more money'n I ever expected to see, let
+ alone own. And ever sence I've been sartin as I'm alive that the feller I
+ marry will be of a rank higher'n mine and dark complected and good-lookin'
+ and distinguished, and that he'll be name of Butler.'
+ </p>
+ <p>
+ &ldquo;'Butler?' says I. 'What will he be named Butler for?'
+ </p>
+ <p>
+ &ldquo;''Cause the Seer critter said so. He said he could see the word Butler
+ printed out over the top of my head in flamin' letters. Pa used to say
+ 'twas a wonder it never set fire to my crimps, but he was only foolin'. I
+ know that it's all comin' out true. You ain't acquaintanced to any
+ Butlers, are you?'
+ </p>
+ <p>
+ &ldquo;'No,' says I. 'I heard Ben Butler make a speech once when he was gov'nor,
+ but he's dead now. There ain't no Butlers on the Old Home shippin' lists.'
+ </p>
+ <p>
+ &ldquo;'Oh, I know that!' she says. 'And everybody round here is homelier'n a
+ moultin' pullet. There now! I didn't mean exactly EVERYbody, of course.
+ But you ain't dark complected, you know, nor&mdash;'
+ </p>
+ <p>
+ &ldquo;'No,' says I, 'nor rank nor distinguished neither. Course the handsome
+ part might fit me, but I'd have to pass on the rest of the hand. That's
+ all right, Effie; my feelin's have got fire-proofed sence I've been in the
+ summer hotel business. Now you'd better run along and report to Susannah.
+ I hear her whoopin' for you, and she don't light like a canary bird on the
+ party she's mad with.'
+ </p>
+ <p>
+ &ldquo;She didn't, that was a fact. Susannah Debs, who was housekeeper for us
+ that year, was middlin' young and middlin' good-lookin', and couldn't
+ forget it. Also and likewise, she had a suit for damages against the
+ railroad, which she had hopes would fetch her money some day or other, and
+ she couldn't forget that neither. She was skipper of all the hired hands
+ and, bein' as Effie was prettier than she was, never lost a chance to lay
+ the poor girl out. She put the other help up to pokin' fun at Effie's
+ green ways and high-toned notions, and 'twas her that started 'em callin'
+ her 'Lady Evelyn' in the fo'castle&mdash;servants' quarters, I mean.
+ </p>
+ <p>
+ &ldquo;'I'm a-comin', 'screams Effie, startin' for the door. 'Susannah's in a
+ tearin' hurry to get through early to-day,' she adds to me. 'She's got the
+ afternoon off, and her beau's comin' to take her buggy ridin'. He's from
+ over Harniss way somewheres and they say he's just lovely. My sakes! I
+ wisht somebody'd take ME to ride. Ah hum! cal'late I'll have to wait for
+ my Butler man. Say, Mr. Wingate, you won't mention my fortune to a soul,
+ will you? I never told anybody but you.'
+ </p>
+ <p>
+ &ldquo;I promised to keep mum and she cleared out. After dinner, as I was
+ smokin', along with Cap'n Jonadab, on the side piazza, a horse and buggy
+ drove in at the back gate. A young chap with black curly hair was pilotin'
+ the craft. He was a stranger to me, wore a checkerboard suit and a bonfire
+ necktie, and had his hat twisted over one ear. Altogether he looked some
+ like a sunflower goin' to seed.
+ </p>
+ <p>
+ &ldquo;'Who's that barber's sign when it's to home?' says I to Jonadab. He
+ snorted contemptuous.
+ </p>
+ <p>
+ &ldquo;'That?' he says. 'Don't you know the cut of that critter's jib? He plays
+ pool &ldquo;for the house&rdquo; in Web Saunders's place over to Orham. He's the
+ housekeeper's steady comp'ny&mdash;steady by spells, if all I hear's true.
+ Good-for-nothin' cub, I call him. Wisht I'd had him aboard a vessel of
+ mine; I'd 'a' squared his yards for him. Look how he cants his hat to
+ starboard so's to show them lovelocks. Bah!'
+ </p>
+ <p>
+ &ldquo;'What's his name?' I asks.
+ </p>
+ <p>
+ &ldquo;'Name? Name's Butler&mdash;Simeon Butler. Don't you remember . . . Hey?
+ What in tunket . . .?'
+ </p>
+ <p>
+ &ldquo;Both of us had jumped as if somebody'd touched off a bombshell under our
+ main hatches. The windows of the dining room was right astern of us. We
+ whirled round, and there was Effie. She'd been clearin' off one of the
+ tables and there she stood, with the smashed pieces of an ice-cream
+ platter in front of her, the melted cream sloppin' over her shoes, and her
+ face lookin' like the picture of Lot's wife just turnin' to salt. Only
+ Effie looked as if she enjoyed the turnin'. She never spoke nor moved,
+ just stared after that buggy with her black eyes sparklin' like burnt
+ holes in a blanket.
+ </p>
+ <p>
+ &ldquo;I was too astonished to say anything, but Jonadab had his eye on that
+ smashed platter and HE had things to say, plenty of 'em. I walked off and
+ left Effie playin' congregation to a sermon on the text 'Crockery costs
+ money.' You'd think that ice-cream dish was a genuine ugly, nicked
+ 'antique' wuth any city loon's ten dollars, instead of bein' only new and
+ pretty fifty-cent china. I felt real sorry for the poor girl.
+ </p>
+ <p>
+ &ldquo;But I needn't have been. That evenin' I found her on the back steps, all
+ Sunday duds and airs. Her hair had a wire friz on it, and her dress had
+ Joseph's coat in Scriptur' lookin' like a mournin' rig. She'd have been
+ real handsome&mdash;to a body that was color blind.
+ </p>
+ <p>
+ &ldquo;'My, Effie!' says I, 'you sartin do look fine to-night.'
+ </p>
+ <p>
+ &ldquo;'Yup,' she says, contented, 'I guess likely I do. Hope so, 'cause I'm
+ wearin' all I've got. Say, Mr. Wingate,' says she, excited as a cat in a
+ fit, 'did you see him?'
+ </p>
+ <p>
+ &ldquo;'Him?' says I. 'Who's him?'
+ </p>
+ <p>
+ &ldquo;'Why, HIM! The one the Seer said was comin'. The handsome,
+ dark-complected feller I'm goin' to marry. The Butler one. That was him in
+ the buggy this afternoon.'
+ </p>
+ <p>
+ &ldquo;I looked at her. I'd forgot all about the fool prophecy.
+ </p>
+ <p>
+ &ldquo;'Good land of love!' I says. 'You don't cal'late he's comin' to marry
+ YOU, do you, just 'cause his name's Butler? There's ten thousand Butlers
+ in the world. Besides, your particular one was slated to be high ranked
+ and distinguished, and this specimen scrubs up the billiard-room floor and
+ ain't no more distinguished than a poorhouse pig.'
+ </p>
+ <p>
+ &ldquo;'Ain't?' she sings out. 'Ain't distinguished? With all them beautiful
+ curls, and rings on his fingers, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Bells on his toes? No!' says I, emphatic. 'Anyhow, he's signed for the
+ v'yage already. He's Susannah Debs's steady, and they're off buggy ridin'
+ together right now. And if she catches you makin' eyes at her best feller&mdash;Whew!'
+ </p>
+ <p>
+ &ldquo;Didn't make no difference. He was her Butler, sure. 'Twas Fate&mdash;that's
+ what 'twas&mdash;Fate, just the same as in storybooks. She was sorry for
+ poor Susannah and she wouldn't do nothin' mean nor underhanded; but
+ couldn't I understand that 'twas all planned out for her by Providence and
+ that everlastin' Seer? Just let me watch and see, that's all.
+ </p>
+ <p>
+ &ldquo;What can you do with an idiot like that? I walked off disgusted and left
+ her. But I cal'lated to watch. I judged 'twould be more fun than any
+ 'play-actin' show ever I took in.
+ </p>
+ <p>
+ &ldquo;And 'twas, in a way. Don't ask me how they got acquainted, 'cause I can't
+ tell you for sartin. Nigh's I can learn, Susannah and Sim had some sort of
+ lover's row durin' their buggy ride, and when they got back to the hotel
+ they was scurcely on speakin' terms. And Sim, who always had a watch out
+ for'ard for pretty girls, see Effie standin' on the servants' porch all
+ togged up regardless and gay as a tea-store chromo, and nothin' to do but
+ he must be introduced. One of the stable hands done the introducin', I
+ b'lieve, and if he'd have been hung afterwards 'twould have sarved him
+ right.
+ </p>
+ <p>
+ &ldquo;Anyhow, inside of a week Butler come round again to take a lady friend
+ drivin', but this time 'twas Effie, not the housekeeper, that was
+ passenger. And Susannah glared after 'em like a cat after a sparrow, and
+ the very next day she was for havin' Effie discharged for
+ incompetentiveness. I give Jonadab the tip, though, so that didn't go
+ through. But I cal'late there was a parrot and monkey time among the help
+ from then on.
+ </p>
+ <p>
+ &ldquo;They all sided with Susannah, of course. She was their boss, for one
+ thing, and 'Lady Evelyn's' high-minded notions wa'n't popular, for
+ another. But Effie didn't care&mdash;bless you, no! She and that Butler
+ sport was together more and more, and the next thing I heard was that they
+ was engaged. I snum, if it didn't look as if the Oriental man knew his job
+ after all.
+ </p>
+ <p>
+ &ldquo;I spoke to the stable hand about it.
+ </p>
+ <p>
+ &ldquo;'Look here,' says I, 'is this business betwixt that pool player and our
+ Effie serious?'
+ </p>
+ <p>
+ &ldquo;He laughed. 'Serious enough, I guess,' he says. 'They're goin' to be
+ married pretty soon, I hear. It's all 'cordin' to the law and the
+ prophets. Ain't you heard about the fortune tellin' and how 'twas foretold
+ she'd marry a Butler?'
+ </p>
+ <p>
+ &ldquo;I'd heard, but I didn't s'pose he had. However, it seemed that Effie
+ hadn't been able to keep it to herself no longer. Soon as she'd hooked her
+ man she'd blabbed the whole thing. The fo'mast hands wa'n't talkin' of
+ nothin' else, so this feller said.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Is it the prophecy that Butler's bankin' on?'
+ </p>
+ <p>
+ &ldquo;He laughed again. 'Not so much as on Lady Evelyn's nine hundred, I
+ cal'late,' says he. Sim likes Susannah the best of the two, so we all
+ reckon, but she ain't rich and Effie is. And yet, if the Debs woman should
+ win that lawsuit of hers against the railroad she'd have pretty nigh twice
+ as much. Butler's a fool not to wait, I think,' he says.
+ </p>
+ <p>
+ &ldquo;This was of a Monday. On Friday evenin' Effie comes around to see me. I
+ was alone in the office.
+ </p>
+ <p>
+ &ldquo;'Mr. Wingate,' she says, 'I'm goin' to leave to-morrer night. I'm goin'
+ to be married on Sunday.'
+ </p>
+ <p>
+ &ldquo;I'd been expecting it, but I couldn't help feelin' sorry for her.
+ </p>
+ <p>
+ &ldquo;'Don't do nothin' rash, Effie,' I told her. 'Are you sure that Butler
+ critter cares anything about you and not your money?'
+ </p>
+ <p>
+ &ldquo;She flared up like a tar barrel. 'The idea!' she says, turnin' red. 'I
+ just come in to give you warnin'. Good-by.'
+ </p>
+ <p>
+ &ldquo;'Hold on,' I sung out to her. 'Effie, I've thought consider'ble about you
+ lately. I've been tryin' to help you a little on the sly. I realized that
+ 'twa'n't pleasant for you workin' here under Susannah Debs, and I've been
+ tryin' to find a nice place for you. I wrote about you to Bob Van
+ Wedderburn; he's the rich banker chap who stopped here one summer.
+ &ldquo;Jonesy,&rdquo; we used to call him. I know him and his wife fust rate, and he'd
+ do 'most anything as a favor to me. I told him what a neat, handy girl you
+ was, and he writes that he'll give you the job of second girl at his swell
+ New York house, if you want it. Now you just hand that Sim Butler his
+ clearance papers and go work for Bob's wife. The wages are double what you
+ get here, and&mdash;'
+ </p>
+ <p>
+ &ldquo;She didn't wait to hear the rest. Just sailed out of the room with her
+ nose in the air. In a minute, though, back she come and just put her head
+ in the door.
+ </p>
+ <p>
+ &ldquo;'I'm much obliged to you, Mr. Wingate,' says she. 'I know you mean well.
+ But you ain't had your fate foretold, same's I have. It's all been
+ arranged for me, and I couldn't stop it no more'n Jonah could help
+ swallerin' the whale. I&mdash;I kind of wish you'd be on hand at the back
+ door on Sunday mornin' when Simeon comes to take me away. You&mdash;you're
+ about the only real friend I've got,' she says.
+ </p>
+ <p>
+ &ldquo;And off she went, for good this time. I pitied her, in spite of her bein'
+ such a dough head. I knew what sort of a husband that pool-room shark
+ would make. However, there wa'n't nothin' to be done. And next day Cap'n
+ Jonadab was round, madder'n a licked pup. Seems Susannah's lawyer at Orham
+ had sent for her to come right off and see him. Somethin' about the suit,
+ it was. And she was goin' in spite of everything. And with Effie's leavin'
+ at the same time, what was we goin' to do over Sunday? and so forth and so
+ on.
+ </p>
+ <p>
+ &ldquo;Well, we had to do the best we could, that's all. But that Saturday was
+ busy, now I tell you. Sunday mornin' broke fine and clear and, after
+ breakfast was over, I remembered Effie and that 'twas her weddin' day. On
+ the back steps I found her, dressed in all her grandeur, with her packed
+ trunk ready, waitin' for the bridegroom.
+ </p>
+ <p>
+ &ldquo;'Ain't come yet, hey, Effie?' says I.
+ </p>
+ <p>
+ &ldquo;'No,' says she, smilin' and radiant. 'It's a little early for him yet, I
+ guess.'
+ </p>
+ <p>
+ &ldquo;I went off to 'tend to the boarders. At half past ten, when I made the
+ back steps again, she was still there. T'other servants was peekin' out of
+ the kitchen windows, grinnin' and passin' remarks.
+ </p>
+ <p>
+ &ldquo;'Hello!' I calls out. 'Not married yet? What's the matter?'
+ </p>
+ <p>
+ &ldquo;She'd stopped smilin', but she was as chipper as ever, to all
+ appearances.
+ </p>
+ <p>
+ &ldquo;'I&mdash;I guess the horse has gone lame or somethin',' says she. 'He'll
+ be here any time now.'
+ </p>
+ <p>
+ &ldquo;There was a cackle from the kitchen windows. I never said nothin'. She'd
+ made her nest; now let her roost on it.
+ </p>
+ <p>
+ &ldquo;But at twelve Butler hadn't hove in sight. Every hand, male and female,
+ on the place, that wa'n't busy, was hangin' around the back of the hotel,
+ waitin' and watchin' and ridiculin' and havin' a high time. Them that had
+ errands made it a p'int to cruise past that way. Lots of the boarders had
+ got wind of the doin's, and they was there, too.
+ </p>
+ <p>
+ &ldquo;Effie was settin' on her trunk, tryin' hard to look brave. I went up and
+ spoke to her.
+ </p>
+ <p>
+ &ldquo;'Come, my girl,' says I. 'Don't set here no longer. Come into the house
+ and wait. Hadn't you better?'
+ </p>
+ <p>
+ &ldquo;'No!' says she, loud and defiant like. 'No, sir! It's all right. He's a
+ little late, that's all. What do you s'pose I care for a lot of jealous
+ folks like those up there?' wavin' her flipper scornful toward the
+ kitchen.
+ </p>
+ <p>
+ &ldquo;And then, all to once, she kind of broke down, and says to me, with a
+ pitiful sort of choke in her voice:
+ </p>
+ <p>
+ &ldquo;'Oh, Mr. Wingate! I can't stand this. Why DON'T he come?'
+ </p>
+ <p>
+ &ldquo;I tried hard to think of somethin' comfortin' to say, but afore I could
+ h'ist a satisfyin' word out of my hatches I heard the noise of a carriage
+ comin'. Effie heard it, too, and so did everybody else. We all looked
+ toward the gate. 'Twas Sim Butler, sure enough, in his buggy and drivin'
+ the same old horse; but settin' alongside of him on the seat was Susannah
+ Debs, the housekeeper. And maybe she didn't look contented with things in
+ gen'ral!
+ </p>
+ <p>
+ &ldquo;Butler pulled up his horse by the gate. Him and Susannah bowed to all
+ hands. Nobody said anything for a minute. Then Effie bounced off the trunk
+ and down them steps.
+ </p>
+ <p>
+ &ldquo;'Simmie' she sung out, breathless like, 'Simeon Butler, what does this
+ mean?'
+ </p>
+ <p>
+ &ldquo;The Debs woman straightened up on the seat. 'Thank you, marm,' says she,
+ chilly as the top section of an ice chest, 'I'll request you not to call
+ my husband by his first name.'
+ </p>
+ <p>
+ &ldquo;It was so still you could have heard yourself grow. Effie turned white as
+ a Sunday tablecloth.
+ </p>
+ <p>
+ &ldquo;'Your&mdash;husband?' she gasps. 'Your&mdash;your HUSBAND?'
+ </p>
+ <p>
+ &ldquo;'Yes, marm,' purrs the housekeeper. 'My husband was what I said. Mr.
+ Butler and me have just been married.'
+ </p>
+ <p>
+ &ldquo;'Sorry, Effie, old girl,' puts in Butler, so sassy I'd love to have
+ preached his fun'ral sermon. 'Too bad, but fust love's strongest, you
+ know. Susie and me was engaged long afore you come to town.'
+ </p>
+ <p>
+ &ldquo;THEN such a haw-haw and whoop bust from the kitchen and fo'castle as you
+ never heard. For a jiffy poor Effie wilted right down. Then she braced up
+ and her black eyes snapped.
+ </p>
+ <p>
+ &ldquo;'I wish you joy of your bargain, marm,' says she to Susannah. 'You'd
+ ought to be proud of it. And as for YOU,' she says, swingin' round toward
+ the rest of the help, 'I&mdash;'
+ </p>
+ <p>
+ &ldquo;'How 'bout that prophet?' hollers somebody.
+ </p>
+ <p>
+ &ldquo;'Three cheers for the Oriental!' bellers somebody else.
+ </p>
+ <p>
+ &ldquo;'When you marry the right Butler fetch him along and let us see him!'
+ whoops another.
+ </p>
+ <p>
+ &ldquo;She faced 'em all, and I gloried in her spunk.
+ </p>
+ <p>
+ &ldquo;'When I marry him I WILL come back,' says she. 'And when I do you'll have
+ to get down on your knees and wait on me. You&mdash;and you&mdash;Yes, and
+ YOU, too!'
+ </p>
+ <p>
+ &ldquo;The last two 'yous' was hove at Sim and Susannah. Then she turned and
+ marched into the hotel. And the way them hired hands carried on was
+ somethin' scandalous&mdash;till I stepped in and took charge of the deck.
+ </p>
+ <p>
+ &ldquo;That very afternoon I put Effie and her trunk aboard the train. I paid
+ her fare to New York and give her directions how to locate the Van
+ Wedderburns.
+ </p>
+ <p>
+ &ldquo;'So long, Effie,' says I to her. 'It's all right. You're enough sight
+ better off. All you want to do now is to work hard and forget all that
+ fortune-tellin' foolishness.'
+ </p>
+ <p>
+ &ldquo;She whirled on me like a top.
+ </p>
+ <p>
+ &ldquo;'Forget it!' she says. 'I GUESS I shan't forget it! It's comin' true, I
+ tell you&mdash;same as all the rest come true. You said yourself there was
+ ten thousand Butlers in the world. Some day the right one&mdash;the
+ handsome, high-ranked, distinguished one&mdash;will come along, and I'll
+ get him. You wait and see, Mr. Wingate&mdash;just you wait and see.'&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0015" id="link2HCH0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XV
+ </h2>
+ <h3>
+ THE &ldquo;HERO&rdquo; AND THE COWBOY
+ </h3>
+ <p>
+ &ldquo;So that was the end of it, hey?&rdquo; said Captain Bailey. &ldquo;Well, it's what
+ you might expect, but it wa'n't much to be so anxious to tell; and as for
+ PROVIN' anything about fortune tellin'&mdash;why&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It AIN'T the end,&rdquo; shouted the exasperated Barzilla. &ldquo;Not nigh the end.
+ 'Twas the beginnin'. The housekeeper left us that day, of course, and for
+ the rest of that summer the servant question kept me and Jonadab from
+ thinkin' of other things. Course, the reason for the Butler scamp's sudden
+ switch was plain enough. Susannah's lawyer had settled the case with the
+ railroad and, even after his fee was subtracted, there was fifteen hundred
+ left. That was enough sight better'n nine hundred, so Sim figgered when he
+ heard of it; and he hustled to make up with his old girl.
+ </p>
+ <p>
+ &ldquo;Fifteen hundred dollars doesn't last long with some folks. At the
+ beginnin' of the next spring season both of 'em was round huntin' jobs.
+ Susannah was a fust-rate waitress, so we hired her for that&mdash;no more
+ housekeeper for hers, and served her right. As for her husband, we took
+ him on in the stable. He wouldn't have been wuth his salt if it hadn't
+ been for her. She said she'd keep him movin' and she did. She nagged and
+ henpecked him till I'd have been sorry if 'twas anybody else; as 'twas, I
+ got consider'ble satisfaction out of it.
+ </p>
+ <p>
+ &ldquo;I got one letter from Effie pretty soon after she left, sayin' she liked
+ her new job and that the Van Wedderburns liked her. And that's all I did
+ hear, though Bob himself wrote me in May, sayin' him and Mabel, his wife,
+ had bought a summer cottage in Wapatomac, and me and Jonadab&mdash;especially
+ me&mdash;must be sure and come to see it and them. He never mentioned his
+ second girl, and I almost forgot her myself.
+ </p>
+ <p>
+ &ldquo;But one afternoon in early July a big six-cylinder automobile come
+ sailin' down the road and into the Old Home House yard. A shofer&mdash;I
+ b'lieve that's what they call the tribe&mdash;was at the helm of it, and
+ on the back seat, lollin' luxurious against the upholstery, was a man and
+ a woman, got up regardless in silk dusters and goggles and veils and
+ prosperity. I never expect to see the Prince of Wales and his wife, but I
+ know how they'd look&mdash;after seein' them two.
+ </p>
+ <p>
+ &ldquo;Jonadab was at the bottom step to welcome 'em, bowin' and scrapin' as if
+ his middle j'int had just been iled. I wa'n't fur astern, and every
+ boarder on deck was all eyes and envy.
+ </p>
+ <p>
+ &ldquo;The shofer opens the door of the after cockpit of the machine, and the
+ man gets out fust, treadin' gingerly but grand, as if he was doin' the
+ ground a condescension by steppin' on it. Then he turns to the woman and
+ she slides out, her duds rustlin' like the wind in a scrub oak. The pair
+ sails up the steps, Jonadab and me backin' and fillin' in front of 'em.
+ All the help that could get to a window to peek had knocked off work to do
+ it.
+ </p>
+ <p>
+ &ldquo;'Ahem!' says the man, pompous as Julius Caesar&mdash;he was big and
+ straight and fine lookin' and had black side whiskers half mast on his
+ cheeks&mdash;ahem!' says he. 'I say, good people, may we have dinner
+ here?'
+ </p>
+ <p>
+ &ldquo;Well, they tell us time and tide waits for no man, but prob'ly that don't
+ include the nobility. Anyhow, although 'twas long past our reg'lar dinner
+ time, I heard Jonadab tellin' 'em sure and sartin they could. If they
+ wouldn't mind settin' on the piazza or in the front parlor for a spell,
+ he'd have somethin' prepared in a jiffy. So up to the piazza they paraded
+ and come to anchor in a couple of chairs.
+ </p>
+ <p>
+ &ldquo;'You can have your automobile put right into the barn,' I says, 'if you
+ want to.'
+ </p>
+ <p>
+ &ldquo;'I don't know as it will be necessary&mdash;' began the big feller, but
+ the woman interrupted him. She was starin' through her thick veil at the
+ barn door. Sim Butler, in his overalls and ragged shirt sleeves, was
+ leanin' against that door, interested as the rest of us in what was goin'
+ on.
+ </p>
+ <p>
+ &ldquo;'I would have it put there, I think,' says the woman, lofty and superior.
+ 'It is rather dusty, and I think the wheels ought to be washed. Can that
+ man be trusted to wash 'em?' she asks, pointin' kind of scornful at
+ Simeon.
+ </p>
+ <p>
+ &ldquo;'Yes, marm, I cal'late so,' I says. 'Here, Sim!' I sung out, callin'
+ Butler over to the steps. 'Can you wash the dust off them wheels?'
+ </p>
+ <p>
+ &ldquo;He said course he could, but he didn't act joyful over the job. The woman
+ seemed some doubtful.
+ </p>
+ <p>
+ &ldquo;'He looks like a very ignorant, common person,' says she, loud and clear,
+ so that everybody, includin' the 'ignorant person' himself, could hear
+ her. 'However, James'll superintend. James,' she orders the shofer, 'you
+ see that it is well done, won't you? Make him be very careful.'
+ </p>
+ <p>
+ &ldquo;James looked Butler over from head to foot. 'Humph!' he sniffs,
+ contemptuous, with a kind of half grin on his face. 'Yes, marm, I'll 'tend
+ to it.'
+ </p>
+ <p>
+ &ldquo;So he steered the auto into the barn, and Simeon got busy. Judgin' by the
+ sharp language that drifted out through the door, 'twas plain that the
+ shofer was superintendin' all right.
+ </p>
+ <p>
+ &ldquo;Jonadab heaves in sight, bowin', and makes proclamation that dinner is
+ served. The pair riz up majestic and headed for the dinin' room. The woman
+ was a little astern of her man, and in the hall she turns brisk to me.
+ </p>
+ <p>
+ &ldquo;'Mr. Wingate,' she whispers, 'Mr. Wingate.'
+ </p>
+ <p>
+ &ldquo;I stared at her. Her voice had sounded sort of familiar ever sence I
+ heard it, but the veil kept a body from seein' what she looked like.
+ </p>
+ <p>
+ &ldquo;'Hey?' I sings out. 'Have I ever&mdash;'
+ </p>
+ <p>
+ &ldquo;'S-s-h-h!' she whispers. 'Say, Mr. Wingate, that&mdash;that Susannah
+ thing is here, ain't she? Have her wait on us, will you, please?'
+ </p>
+ <p>
+ &ldquo;And she swept the veil off her face. I choked up and staggered bang!
+ against the wall. I swan to man if it wa'n't Effie! EFFIE, in silks and
+ automobiles and gorgeousness!
+ </p>
+ <p>
+ &ldquo;Afore I could come to myself the two of 'em marched into that dining
+ room. I heard a grunt and a 'Land of love!' from just ahead of me. That
+ was Jonadab. And from all around that dinin' room come a sort of gasp and
+ then the sound of whisperin'. That was the help.
+ </p>
+ <p>
+ &ldquo;They took a table by the window, which had been made ready. Down they set
+ like a king and a queen perchin' on thrones. One of the waiter girls went
+ over to em.
+ </p>
+ <p>
+ &ldquo;But I'd come out of my trance a little mite. The situation was miles
+ ahead of my brain, goodness knows, but the joke of it all was gettin' a
+ grip on me. I remembered what Effie had asked and I spoke up prompt.
+ </p>
+ <p>
+ &ldquo;'Susannah,' says I, 'this is a particular job and we're anxious to
+ please. You'd better do the waitin' yourself.'
+ </p>
+ <p>
+ &ldquo;I wish you could have seen the glare that ex-housekeeper give me. For a
+ second I thought we'd have open mutiny. But her place wa'n't any too
+ sartin and she didn't dare risk it. Over she walked to that table, and the
+ fun began.
+ </p>
+ <p>
+ &ldquo;Jonadab had laid himself out to make that meal a success, but they ate it
+ as if 'twas pretty poor stuff and not by no means what they fed on every
+ day. They found fault with 'most everything, but most especial with
+ Susannah's waitin'. My! how they did order her around&mdash;a mate on a
+ cattle boat wa'n't nothin' to it. And when 'twas all over and they got up
+ to go, Effie says, so's all hands can hear:
+ </p>
+ <p>
+ &ldquo;'The food here is not so bad, but the service&mdash;oh, horrors! However,
+ Albert,' says she to the side-whiskered man, 'you had better give the girl
+ our usual tip. She looks as if she needed it, poor thing!'
+ </p>
+ <p>
+ &ldquo;Then they paraded out of the room, and I see Susannah sling the half
+ dollar the man had left on the table clear to Jericho, it seemed like.
+ </p>
+ <p>
+ &ldquo;The auto was waitin' by the piazza steps. The shofer and Butler was
+ standin' by it. And when Sim see Effie with her veil throwed back he
+ pretty nigh fell under the wheels he'd been washin' so hard. And he looked
+ as if he wisht they'd run over him.
+ </p>
+ <p>
+ &ldquo;'Oh, dear!' sighs Effie, lookin' scornful at the wheels. 'Not half clean,
+ just as I expected. I knew by the looks of that&mdash;that PERSON that he
+ wouldn't do it well. Don't give him much, Albert; he ain't earned it.'
+ </p>
+ <p>
+ &ldquo;They climbed into the cockpit, the shofer took the helm, and they was
+ ready to start. But I couldn't let 'em go that way. Out I run.
+ </p>
+ <p>
+ &ldquo;'Say&mdash;say, Effie!' I whispers, eager. 'For the goodness' sakes,
+ what's all this mean? Is that your&mdash;your&mdash;'
+ </p>
+ <p>
+ &ldquo;'My husband? Yup,' she whispers back, her eyes shinin'. 'Didn't I tell
+ you to look out for my prophecy? Ain't he handsome and distinguished, just
+ as I said? Good-by, Mr. Wingate; maybe I'll see you again some day.'
+ </p>
+ <p>
+ &ldquo;The machinery barked and they got under way. I run along for two steps
+ more.
+ </p>
+ <p>
+ &ldquo;'But, Effie,' says I, 'tell me&mdash;is his name&mdash;?'
+ </p>
+ <p>
+ &ldquo;She didn't answer. She was watchin' Sim Butler and his wife. Sim had
+ stooped to pick up the quarter the Prince of Wales had hove at him. And
+ that was too much for Susannah, who was watchin' from the window.
+ </p>
+ <p>
+ &ldquo;'Don't you touch that money!' she screams. 'Don't you lay a finger on it!
+ Ain't you got any self-respect at all, you miser'ble, low-lived&mdash;'
+ and so forth and so on. All the way to the front gate I see Effie leanin'
+ out, lookin' and listenin' and smilin'.
+ </p>
+ <p>
+ &ldquo;Then the machine buzzed off in a typhoon of dust and I went back to
+ Jonadab, who was a livin' catechism of questions which neither one of us
+ could answer.&rdquo;
+ </p>
+ <p>
+ &ldquo;So THAT'S the end!&rdquo; exclaimed Captain Bailey. &ldquo;Well&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, it ain't the end&mdash;not even yet. Maybe it ought to be, but it
+ ain't. There's a little more of it.
+ </p>
+ <p>
+ &ldquo;A fortni't later I took a couple of days off and went up to Wapatomac to
+ visit the Van Wedderburns, same as I'd promised. Their 'cottage' was
+ pretty nigh big enough for a hotel, and was so grand that I, even if I did
+ have on my Sunday frills, was 'most ashamed to ring the doorbell.
+ </p>
+ <p>
+ &ldquo;But I did ring it, and the feller that opened the door was big and solemn
+ and fine lookin' and had side whiskers. Only this time he wore a tail coat
+ with brass buttons on it.
+ </p>
+ <p>
+ &ldquo;How do you do, Mr. Wingate?' says he. Step right in, sir, if you please.
+ Mr. and Mrs. Van Wedderburn are out in the auto, but they'll be back
+ shortly, and very glad to see you, sir, I'm sure. Let me take your grip
+ and hat. Step right into the reception room and wait, if you please, sir.
+ Perhaps,' he says, and there was a twinkle in his port eye, though the
+ rest of his face was sober as the front door of a church, 'perhaps,' says
+ he, 'you might wish to speak with my wife a moment. I'll take the liberty
+ of sendin' her to you, sir.'
+ </p>
+ <p>
+ &ldquo;So, as I sat on the gunwale of a blue and gold chair, tryin' to settle
+ whether I was really crazy or only just dreamin', in bounces Effie, rigged
+ up in a servant's cap and apron. She looked polite and demure, but I could
+ see she was just bubblin' with the joy of the whole bus'ness.
+ </p>
+ <p>
+ &ldquo;'Effie,' says I, 'Effie, what&mdash;what in the world&mdash;?'
+ </p>
+ <p>
+ &ldquo;She giggled. 'Yup,' she says, 'I'm chambermaid here and they treat me
+ fine. Thank you very much for gettin' me the situation.'
+ </p>
+ <p>
+ &ldquo;'But&mdash;but them doin's the other day? That automobile&mdash;and them
+ silks and satins&mdash;and&mdash;?'
+ </p>
+ <p>
+ &ldquo;'Mr. Van Wedderburn lent 'em to me,' she said, 'him an' his wife. And he
+ lent us the auto and the shofer, too. I told him about my troubles at the
+ Old Home House and he thought 'twould be a great joke for me to travel
+ back there like a lady. He's awful fond of a joke&mdash;Mr. Van Wedderburn
+ is.'
+ </p>
+ <p>
+ &ldquo;'But that man?' I gasps. 'Your husband? That's what you said he was.'
+ </p>
+ <p>
+ &ldquo;'Yes,' says she, 'he is. We've been married 'most six months now. My
+ prophecy's all come true. And DIDN'T I rub it in on that Susannah Debs and
+ her scamp of a Sim? Ho! ho!'
+ </p>
+ <p>
+ &ldquo;She clapped her hands and pretty nigh danced a jig, she was so tickled.
+ </p>
+ <p>
+ &ldquo;'But is he a Butler?' I asks.
+ </p>
+ <p>
+ &ldquo;'Yup,' she nods, with another giggle. 'He's A butler, though his name's
+ Jenkins; and a butler's high rank&mdash;higher than chambermaid, anyhow.
+ You see, Mr. Wingate,' she adds, ''twas all my fault. When that Oriental
+ Seer man at the show said I was to marry a butler, I forgot to ask him
+ whether you spelt it with a big B or a little one.'&rdquo;
+ </p>
+ <p>
+ The unexpected manner in which Effie's pet prophecy had been fulfilled
+ amused Captain Sol immensely. He laughed so heartily that Issy McKay
+ looked in at the door with an expression of alarm on his face. The depot
+ master had laughed little during the past few days, and Issy was
+ surprised.
+ </p>
+ <p>
+ But Captain Stitt was ready with a denial. He claimed that the prophecy
+ was NOT fulfilled and therefore all fortune telling was fraudulent.
+ Barzilla retorted hotly, and the argument began again. The two were
+ shouting at each other. Captain Sol stood it for a while and then
+ commanded silence.
+ </p>
+ <p>
+ &ldquo;Stop your yellin'!&rdquo; he ordered. &ldquo;What ails you fellers? Think you can
+ prove it better by screechin'? They can hear you half a mile. There's
+ Cornelius Rowe standin' gawpin' on the other side of the street this
+ minute. He thinks there's a fire or a riot, one or t'other. Let's change
+ the subject. See here, Bailey, didn't you start to tell us somethin' last
+ time you was in here about your ridin' in an automobile?&rdquo;
+ </p>
+ <p>
+ &ldquo;I started to&mdash;yes. But nobody'd listen. I rode in one and I sailed
+ in one. You see&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm goin' outdoor,&rdquo; declared Barzilla.
+ </p>
+ <p>
+ &ldquo;No, you're not. Bailey listened to you. Now you do as much for him. I
+ heard a little somethin' about the affair at the time it happened and I'd
+ like to hear the rest of it. How was it, Bailey?&rdquo;
+ </p>
+ <p>
+ Captain Stitt knocked the ashes from his pipe.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he began, &ldquo;I didn't know the critter was weak in his top riggin'
+ or I wouldn't have gone with him in the fust place. And he wa'n't real
+ loony, nuther. 'Twas only when he got aboard that&mdash;that ungodly,
+ kerosene-smellin', tootin', buzzin', Old Harry's gocart of his that the
+ craziness begun to show. There's so many of them weak-minded city folks
+ from the Ocean House comes perusin' 'round summers, nowadays, that I
+ cal'lated he was just an average specimen, and never examined him close.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are all the Ocean House boarders weak-minded nowadays?&rdquo; asked the depot
+ master.
+ </p>
+ <p>
+ Mr. Wingate answered the question.
+ </p>
+ <p>
+ &ldquo;My land!&rdquo; he snapped; &ldquo;would they board at the Ocean House if they WA'N'T
+ weak-minded?&rdquo;
+ </p>
+ <p>
+ Captain Bailey did not deign to reply to this jibe. He continued calmly:
+ </p>
+ <p>
+ &ldquo;This feller wa'n't an Ocean Houser, though. He was young Stumpton's
+ automobile skipper-shover, or shofer, or somethin' they called him. He
+ answered to the hail of Billings, and his home port was the Stumpton
+ ranch, 'way out in Montana. He'd been here in Orham only a couple of
+ weeks, havin' come plumb across the United States to fetch his boss the
+ new automobile. You see, 'twas early October. The Stumptons had left their
+ summer place on the Cliff Road, and was on their way South for the winter.
+ Young Stumpton was up to Boston, but he was comin' back in a couple of
+ days, and then him and the shover was goin' automobilin' to Florida. To
+ Florida, mind you! In that thing! If it was me I'd buy my ticket to Tophet
+ direct and save time and money.
+ </p>
+ <p>
+ &ldquo;Well, anyhow, this critter Billings, he ain't never smelt salt water
+ afore, and he don't like the smell. He makes proclamations that Orham is
+ nothin' but sand, slush, and soft drinks. He won't sail, he can't swim, he
+ won't fish; but he's hankerin' to shoot somethin', havin' been brought up
+ in a place where if you don't shoot some of the neighbors every day or so
+ folks think you're stuck up and dissociable. Then somebody tells him it's
+ the duckin' season down to Setuckit P'int, and he says he'll spend his day
+ off, while the boss is away, massycreein' the coots there. This same
+ somebody whispers that I know so much about ducks that I quack when I
+ talk, and he comes cruisin' over in the buzz cart to hire me for guide.
+ And&mdash;would you b'lieve it?&mdash;it turns out that he's cal'latin' to
+ make his duckin' v'yage in that very cart. I was for makin' the trip in a
+ boat, like a sensible man, but he wouldn't hear of it.
+ </p>
+ <p>
+ &ldquo;'Land of love!' says I. 'Go to Setuckit in a automobile?'
+ </p>
+ <p>
+ &ldquo;'Why not?' he says. 'The biscuit shooter up at the hotel tells me there's
+ a smart chance of folks goes there a-horseback. And where a hoss can
+ travel I reckon the old gal here'&mdash;slappin' the thwart of the auto
+ alongside of him&mdash;'can go, too!'
+ </p>
+ <p>
+ &ldquo;'But there's the Cut-through,' says I.
+ </p>
+ <p>
+ &ldquo;''Tain't nothin' but a creek when the freshet's over, they tell me,' says
+ he. 'And me and the boss have forded four foot of river in this very
+ machine.'
+ </p>
+ <p>
+ &ldquo;By the 'freshet' bein' over I judged he meant the tide bein' out. And the
+ Cut-through ain't but a little trickle then, though it's a quarter mile
+ wide and deep enough to float a schooner at high water. It's the strip of
+ channel that makes Setuckit Beach an island, you know. The gov'ment has
+ had engineers down dredgin' of it out, and pretty soon fish boats'll be
+ able to save the twenty-mile sail around the P'int and into Orham Harbor
+ at all hours.
+ </p>
+ <p>
+ &ldquo;Well, to make a long story short, I agreed to let him cart me to Setuckit
+ P'int in that everlastin' gas carryall. We was to start at four o'clock in
+ the afternoon, 'cause the tide at the Cut-through would be dead low at
+ half-past four. We'd stay overnight at my shanty at the P'int, get up
+ airly, shoot all day, and come back the next afternoon.
+ </p>
+ <p>
+ &ldquo;At four prompt he was on hand, ready for me. I loaded in the guns and
+ grub and one thing or 'nother, and then 'twas time for me to get aboard
+ myself.
+ </p>
+ <p>
+ &ldquo;'You'll set in the tonneau,' says he, indicatin' the upholstered after
+ cockpit of the concern. I opened up the shiny hatch, under orders from
+ him, and climbed in among the upholstery. 'Twas soft as a feather bed.
+ </p>
+ <p>
+ &ldquo;'Jerushy!' says I, lollin' back luxurious. This is fine, ain't it?'
+ </p>
+ <p>
+ &ldquo;'Cost seventy-five hundred to build,' he says casual. 'Made to order for
+ the boss. Lightest car of her speed ever turned out.'
+ </p>
+ <p>
+ &ldquo;'Go 'way! How you talk! Seventy-five hundred what? Not dollars?'
+ </p>
+ <p>
+ &ldquo;'Sure,' he says. Then he turns round&mdash;he was in the bow, hangin' on
+ to the steerin' wheel&mdash;and looks me over, kind of interested, but
+ superior. 'Say,' he says, 'I've been hearin' things about you. You're a
+ hero, ain't you?'
+ </p>
+ <p>
+ &ldquo;Durn them Orham gabblers! Ever sence I hauled that crew of seasick summer
+ boarders out of the drink a couple of years ago and the gov'ment gave me a
+ medal, the minister and some more of his gang have painted out the name I
+ was launched under and had me entered on the shippin' list as 'The Hero.'
+ I've licked two or three for callin' me that, but I can't lick a parson,
+ and he was the one that told Billings.
+ </p>
+ <p>
+ &ldquo;'Oh, I don't know!' I answers pretty sharp. 'Get her under way, why don't
+ you?'
+ </p>
+ <p>
+ &ldquo;All he done was look me over some more and grin.
+ </p>
+ <p>
+ &ldquo;'A hero! A real live gov'ment-branded hero!' he says. 'Ain't scared of
+ nothin', I reckon&mdash;hey?'
+ </p>
+ <p>
+ &ldquo;I never made no answer. There's some things that's too fresh to eat
+ without salt, and I didn't have a pickle tub handy.
+ </p>
+ <p>
+ &ldquo;'Hum!' he says again, reverend-like. 'A sure hero; scared of nothin'!
+ Never rode in an auto afore, did you?'
+ </p>
+ <p>
+ &ldquo;'No,' says I, peppery; 'and I don't see no present symptom of ridin' in
+ one now. Cast off, won't you?'
+ </p>
+ <p>
+ &ldquo;He cast off. That is to say, he hauled a nickel-plated marlinespike thing
+ toward him, shoved another one away from him, took a twist on the steerin'
+ wheel, the gocart coughed like a horse with the heaves, started up some
+ sort of buzz-planer underneath, and then we begun to move.
+ </p>
+ <p>
+ &ldquo;From the time we left my shanty at South Orham till we passed the pines
+ at Herrin' Neck I laid back in that stuffed cockpit, feelin' as grand and
+ tainted as old John D. himself. The automobile rolled along smooth but
+ swift, and it seemed to me I had never known what easy trav'lin' was
+ afore. As we rounded the bend by the pines and opened up the twelve-mile
+ narrow white stretch of Setuckit Beach ahead of us, with the ocean on one
+ side and the bay on t'other, I looked at my watch. We'd come that fur in
+ thirteen minutes.
+ </p>
+ <p>
+ &ldquo;'Land sakes!' I says. 'This is what I call movin' right along!'
+ </p>
+ <p>
+ &ldquo;He turned round and sized me up again, like he was surprised.
+ </p>
+ <p>
+ &ldquo;'Movin'?' says he. 'Movin'? Why, pard, we've been settin' down to rest!
+ Out our way, if a lynchin' party didn't move faster than we've done so
+ fur, the center of attraction would die on the road of old age. Now, my
+ heroic college chum,' he goes on, callin' me out of my name, as usual,
+ 'will you be so condescendin' as to indicate how we hit the trail?'
+ </p>
+ <p>
+ &ldquo;'Hit&mdash;hit which? Don't hit nothin', for goodness' sake! Goin' the
+ way we be, it would&mdash;'
+ </p>
+ <p>
+ &ldquo;'Which way do we go?'
+ </p>
+ <p>
+ &ldquo;'Right straight ahead. Keep on the ocean side, 'cause there's more hard
+ sand there, and&mdash;hold on! Don't do that! Stop it, I tell you!'
+ </p>
+ <p>
+ &ldquo;Them was the last rememberable words said by me durin' the next quarter
+ of an hour. That shover man let out a hair-raisin' yell, hauled the nickel
+ marlinespike over in its rack, and squeezed a rubber bag that was spliced
+ to the steerin' wheel. There was a half dozen toots or howls or honks from
+ under our bows somewheres, and then that automobile hopped off the ground
+ and commenced to fly. The fust hop landed me on my knees in the cockpit,
+ and there I stayed. 'Twas the most fittin' position fur my frame of mind
+ and chimed in fust-rate with the general religious drift of my thoughts.
+ </p>
+ <p>
+ &ldquo;The Cut-through is two mile or more from Herrin' Neck. 'Cordin' to my
+ count we hit terra cotta just three times in them two miles. The fust hit
+ knocked my hat off. The second one chucked me up so high I looked back for
+ the hat, and though we was a half mile away from it, it hadn't had time to
+ git to the ground. And all the while the horn was a-honkin', and Billings
+ was a-screechin, and the sand was a-flyin'. Sand! Why, say! Do you see
+ that extra bald place on the back of my head? Yes? Well, there was a
+ two-inch thatch of hair there afore that sand blast ground it off.
+ </p>
+ <p>
+ &ldquo;When I went up on the third jounce I noticed the Cut-through just ahead.
+ Billings see it, too, and&mdash;would you b'lieve it?&mdash;the lunatic
+ stood up, let go of the wheel with one hand, takes off his hat and waves
+ it, and we charge down across them wet tide flats like death on the woolly
+ horse, in Scriptur'.
+ </p>
+ <p>
+ &ldquo;'Hi, yah! Yip!' whoops Billings. 'Come on in, fellers! The water's fine!
+ Yow! Y-e-e-e! Yip!'
+ </p>
+ <p>
+ &ldquo;For a second it left off rainin' sand, and there was a typhoon of mud and
+ spray. I see a million of the prettiest rainbows&mdash;that is, I
+ cal'lated there was a million; it's awful hard to count when you're
+ bouncin' and prayin' and drowndin' all to once. Then we sizzed out of the
+ channel, over the flats on t'other side, and on toward Setuckit.
+ </p>
+ <p>
+ &ldquo;Never mind the rest of the ride. 'Twas all a sort of constant changin'
+ sameness. I remember passin' a blurred life-savin' station, with three&mdash;or
+ maybe thirty&mdash;blurred men jumpin' and laughin' and hollerin'. I found
+ out afterwards that they'd been on the lookout for the bombshell for half
+ an hour. Billings had told around town what he was goin' to do to me, and
+ some kind friend had telephoned it to the station. So the life-savers was
+ full of anticipations. I hope they were satisfied. I hadn't rehearsed my
+ part of the show none, but I feel what the parson calls a consciousness of
+ havin' done my best.
+ </p>
+ <p>
+ &ldquo;'Whoa, gal!' says Billings, calm and easy, puttin' the helm hard down.
+ The auto was standin' still at last. Part of me was hangin' over the lee
+ rail. I could see out of the part, so I knew 'twas my head. And there
+ alongside was my fish shanty at the P'int, goin' round and round in
+ circles.
+ </p>
+ <p>
+ &ldquo;I undid the hatch of the cockpit and fell out on the sand. Then I
+ scrambled up and caught hold of the shanty as it went past me. That fool
+ shover watched me, seemin'ly interested.
+ </p>
+ <p>
+ &ldquo;'Why, pard,' says he, 'what's the matter? Do you feel pale? Are you
+ nervous? It ain't possible that you're scared? Honest, now, pard, if it
+ weren't that I knew you were a genuine gold-mounted hero I'd sure think
+ you was a scared man.'
+ </p>
+ <p>
+ &ldquo;I never said nothin'. The scenery and me was just turnin' the mark buoy
+ on our fourth lap.
+ </p>
+ <p>
+ &ldquo;'Dear me, pard!' continues Billings. 'I sure hope I ain't scared you
+ none. We come down a little slow this evenin', but to-morrow night, when I
+ take you back home, I'll let the old girl out a little.'
+ </p>
+ <p>
+ &ldquo;I sensed some of that. And as the shanty had about come to anchor, I
+ answered and spoke my mind.
+ </p>
+ <p>
+ &ldquo;'When you take me back home!' I says. 'When you do! Why, you
+ crack-brained, murderin' lunatic, I wouldn't cruise in that hell wagon of
+ yours again for the skipper's wages on a Cunarder. No, nor the mate's hove
+ in!'
+ </p>
+ <p>
+ &ldquo;And that shover he put his head back and laughed and laughed and
+ laughed.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0016" id="link2HCH0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XVI
+ </h2>
+ <h3>
+ THE CRUISE OF THE RED CAR
+ </h3>
+ <p>
+ &ldquo;I don't wonder he laughed,&rdquo; observed Wingate, who seemed to enjoy
+ irritating his friend. &ldquo;You must have been good as a circus.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted the depot master. &ldquo;If I remember right you said YOU
+ wa'n't any ten-cent side show under similar circumstances, Barzilla. Heave
+ ahead, Bailey!&rdquo;
+ </p>
+ <p>
+ Captain Stitt, unruffled, resumed:
+ </p>
+ <p>
+ &ldquo;I tell you, I had to take it that evenin',&rdquo; he said. &ldquo;All the time I was
+ cookin' and while he was eatin' supper, Billings was rubbin' it into me
+ about my bein' scared. Called me all the saltwater-hero names he could
+ think of&mdash;'Hobson' and 'Dewey' and the like of that, usin' em
+ sarcastic, of course. Finally, he said he remembered readin' in school,
+ when he was little, about a girl hero, name of Grace Darlin'. Said he
+ cal'lated, if I didn't mind, he'd call me Grace, 'cause it was heroic and
+ yet kind of fitted in with my partic'lar brand of bravery. I didn't answer
+ much; he had me down, and I knew it. Likewise I judged he was more or less
+ out of his head; no sane man would yell the way he done aboard that
+ automobile.
+ </p>
+ <p>
+ &ldquo;Then he commenced to spin yarns about himself and his doin's, and pretty
+ soon it come out that he'd been a cowboy afore young Stumpton give up
+ ranchin' and took to automobilin'. That cleared the sky line some, of
+ course; I'd read consider'ble about cowboys in the ten-cent books my
+ nephew fetched home when he was away to school. I see right off that
+ Billings was the livin' image of Deadwood Dick and Wild Bill and the rest
+ in them books; they yelled and howled and hadn't no regard for life and
+ property any more'n he had. No, sir! He wa'n't no crazier'n they was; it
+ was in the breed, I judged.
+ </p>
+ <p>
+ &ldquo;'I sure wish I had you on the ranch, Grace,' says he. 'Why don't you come
+ West some day? That's where a hero like you would show up strong.'
+ </p>
+ <p>
+ &ldquo;'Godfrey mighty!' I sings out. 'I wouldn't come nigh such a nest of crazy
+ murderers as that fur no money! I'd sooner ride in that automobile of
+ yours, and St. Peter himself couldn't coax me into THAT again, not if
+ 'twas fur a cruise plumb up the middle of the golden street!'
+ </p>
+ <p>
+ &ldquo;I meant it, too, and the next afternoon when it come time to start for
+ home he found out that I meant it. We'd shot a lot of ducks, and Billings
+ was havin' such a good time that I had to coax and tease him as if he was
+ a young one afore he'd think of quittin'. It was quarter of six when he
+ backed the gas cart out of the shed. I was uneasy, 'cause 'twas past
+ low-water time, and there was fog comin' on.
+ </p>
+ <p>
+ &ldquo;'Brace up, Dewey!' says he. 'Get in.'
+ </p>
+ <p>
+ &ldquo;'No, Mr. Billings,' says I. 'I ain't goin' to get in. You take that craft
+ of yourn home, and I'll sail up alongside in my dory.'
+ </p>
+ <p>
+ &ldquo;'In your which?' says he.
+ </p>
+ <p>
+ &ldquo;'In my dory,' I says. 'That's her hauled up on the beach abreast the
+ shanty.'
+ </p>
+ <p>
+ &ldquo;He looked at the dory and then at me.
+ </p>
+ <p>
+ &ldquo;'Go on!' says he. 'You ain't goin' to pack yourself twelve mile on THAT
+ SHINGLE?'
+ </p>
+ <p>
+ &ldquo;'Sartin I am! says I. 'I ain't takin' no more chances.'
+ </p>
+ <p>
+ &ldquo;Do you know, he actually seemed to think I was crazy then. Seemed to
+ figger that the dory wa'n't big enough; and she's carried five easy afore
+ now. We had an argument that lasted twenty minutes more, and the fog
+ driftin' in nigher all the time. At last he got sick of arguin', ripped
+ out somethin' brisk and personal, and got his tin shop to movin'.
+ </p>
+ <p>
+ &ldquo;'You want to cross over to the ocean side,' I called after him. 'The
+ Cut-through's been dredged at the bay end, remember.'
+ </p>
+ <p>
+ &ldquo;'Be hanged!' he yells, or more emphatic. And off he whizzed. I see him
+ go, and fetched a long breath. Thanks to a merciful Providence, I'd come
+ so fur without bein' buttered on the undercrust of that automobile or
+ scalped with its crazy shover's bowie knife.
+ </p>
+ <p>
+ &ldquo;Ten minutes later I was beatin' out into the bay in my dory. All around
+ was the fog, thin as poorhouse gruel so fur, but thickenin' every minute.
+ I was worried; not for myself, you understand, but for that cowboy shover.
+ I was afraid he wouldn't fetch t'other side of the Cut-through. There
+ wa'n't much wind, and I had to make long tacks. I took the inshore
+ channel, and kept listenin' all the time. And at last, when 'twas pretty
+ dark and I was cal'latin' to be about abreast of the bay end of the
+ Cut-through, I heard from somewheres ashore a dismal honkin' kind of
+ noise, same as a wild goose might make if 'twas chokin' to death and not
+ resigned to the worst.
+ </p>
+ <p>
+ &ldquo;'My land!' says I. 'It's happened!' And I come about and headed straight
+ in for the beach. I struck it just alongside the gov'ment shanty. The
+ engineers had knocked off work for the week, waitin' for supplies, but
+ they hadn't took away their dunnage.
+ </p>
+ <p>
+ &ldquo;'Hi!' I yells, as I hauled up the dory. 'Hi-i-i! Billings, where be you?'
+ </p>
+ <p>
+ &ldquo;The honkin' stopped and back comes the answer; there was joy in it.
+ </p>
+ <p>
+ &ldquo;'What? Is that Cap'n Stitt?'
+ </p>
+ <p>
+ &ldquo;'Yes,' I sings out. 'Where be you?'
+ </p>
+ <p>
+ &ldquo;'I'm stuck out here in the middle of the crick. And there's a flood on.
+ Help me, can't you?'
+ </p>
+ <p>
+ &ldquo;Next minute I was aboard the dory, rowin' her against the tide up the
+ channel. Pretty quick I got where I could see him through the fog and
+ dark. The auto was on the flat in the middle of the Cut-through, and the
+ water was hub high already. Billings was standin' up on the for'ard
+ thwart, makin' wet footmarks all over them expensive cushions.
+ </p>
+ <p>
+ &ldquo;'Lord,' says he, 'I sure am glad to see you, pard! Can we get to land, do
+ you think?'
+ </p>
+ <p>
+ &ldquo;'Land?' says I, makin' the dory fast alongside and hoppin' out into the
+ drink. ''Course we can land! What's the matter with your old derelict?
+ Sprung a leak, has it?'
+ </p>
+ <p>
+ &ldquo;He went on to explain that the automobile had broke down when he struck
+ the flat, and he couldn't get no farther. He'd been honkin' and howlin'
+ for ten year at least, so he reckoned.
+ </p>
+ <p>
+ &ldquo;'Why in time,' says I, 'didn't you mind me and go up the ocean side? And
+ why in nation didn't you go ashore and&mdash;But never mind that now. Let
+ me think. Here! You set where you be.'
+ </p>
+ <p>
+ &ldquo;As I shoved off in the dory again he turned loose a distress signal.
+ </p>
+ <p>
+ &ldquo;'Where you goin'?' he yells. 'Say, pard, you ain't goin' to leave me
+ here, are you?'
+ </p>
+ <p>
+ &ldquo;'I'll be back in a shake,' says I, layin' to my oars. 'Don't holler so!
+ You'll have the life-savers down here, and then the joke'll be on us.
+ Hush, can't you? I'll be right back!'
+ </p>
+ <p>
+ &ldquo;I rowed up channel a little ways, and then I sighted the place I was
+ bound for. Them gov'ment folks had another shanty farther up the
+ Cut-through. Moored out in front of it was a couple of big floats, for
+ their stone sloops to tie up to at high water. The floats were made of
+ empty kerosene barrels and planks, and they'd have held up a house easy. I
+ run alongside the fust one, cut the anchor cable with my jackknife, and
+ next minute I was navigatin' that float down channel, steerin' it with my
+ oar and towin' the dory astern.
+ </p>
+ <p>
+ &ldquo;'Twas no slouch of a job, pilotin' that big float, but part by steerin'
+ and part by polin' I managed to land her broadside on to the auto. I made
+ her fast with the cable ends and went back after the other float. This one
+ was a bigger job than the fust, but by and by that gas wagon, with planks
+ under her and cable lashin's holdin' her firm, was restin' easy as a
+ settin' hen between them two floats. I unshipped my mast, fetched it
+ aboard the nighest float, and spread the sail over the biggest part of the
+ brasswork and upholstery.
+ </p>
+ <p>
+ &ldquo;'There,' says I, 'if it rains durin' the night she'll keep pretty dry.
+ Now I'll take the dory and row back to the shanty after some spare anchors
+ there is there.'
+ </p>
+ <p>
+ &ldquo;'But what's it fur, pard?' asks Billings for the nine hundred and
+ ninety-ninth time. 'Why don't we go where it's dry? The flood's risin' all
+ the time.'
+ </p>
+ <p>
+ &ldquo;'Let it rise,' I says. 'I cal'late when it gets high enough them
+ floats'll rise with it and lift the automobile up, too. If she's anchored
+ bow and stern she'll hold, unless it comes on to blow a gale, and
+ to-morrow mornin' at low tide maybe you can tinker her up so she'll go.'
+ </p>
+ <p>
+ &ldquo;'Go?' says he, like he was astonished. 'Do you mean to say you're
+ reckonin' to save the CAR?'
+ </p>
+ <p>
+ &ldquo;'Good land!' I says, starin' at him. 'What else d'you s'pose? Think I'd
+ let seventy-five hundred dollars' wuth of gilt-edged extravagance go to
+ the bottom? What did you cal'late I was tryin' to save&mdash;the clam
+ flat? Give me that dory rope; I'm goin' after them anchors. Sufferin'
+ snakes! Where IS the dory? What have you done with it?'
+ </p>
+ <p>
+ &ldquo;He'd been holdin' the bight of the dory rodin'. I handed it to him so's
+ he'd have somethin' to take up his mind. And, by time, he'd forgot all
+ about it and let it drop! And the dory had gone adrift and was out of
+ sight.
+ </p>
+ <p>
+ &ldquo;'Gosh!' says he, astonished-like. 'Pard, the son of a gun has slipped his
+ halter!'
+ </p>
+ <p>
+ &ldquo;I was pretty mad&mdash;dories don't grow on every beach plum bush&mdash;but
+ there wa'n't nothin' to say that fitted the case, so I didn't try.
+ </p>
+ <p>
+ &ldquo;'Humph!' says I. 'Well, I'll have to swim ashore, that's all, and go up
+ to the station inlet after another boat. You stand by the ship. If she
+ gets afloat afore I come back you honk and holler and I'll row after you.
+ I'll fetch the anchors and we'll moor her wherever she happens to be. If
+ she shouldn't float on an even keel, or goes to capsize, you jump
+ overboard and swim ashore. I'll&mdash;'
+ </p>
+ <p>
+ &ldquo;'Swim?' says he, with a shake in his voice. 'Why, pard, I can't swim!'
+ </p>
+ <p>
+ &ldquo;I turned and looked at him. Shover of a two-mile-a-minute gold-plated
+ butcher cart like that, a cowboy murderer that et his friends for
+ breakfast&mdash;and couldn't swim! I fetched a kind of combination groan
+ and sigh, turned back the sail, climbed aboard the automobile, and lit up
+ my pipe.
+ </p>
+ <p>
+ &ldquo;'What are you settin' there for?' says he. 'What are you goin' to do?'
+ </p>
+ <p>
+ &ldquo;'Do?' says I. 'Wait, that's all&mdash;wait and smoke. We won't have to
+ wait long.'
+ </p>
+ <p>
+ &ldquo;My prophesyin' was good. We didn't have to wait very long. It was pitch
+ dark, foggy as ever, and the tide a-risin' fast. The floats got to be
+ a-wash. I shinned out onto 'em, picked up the oar that had been left
+ there, and took my seat again. Billings climbed in, too, only&mdash;and it
+ kind of shows the change sence the previous evenin'&mdash;he was in the
+ passenger cockpit astern, and I was for'ard in the pilot house. For a
+ reckless daredevil he was actin' mighty fidgety.
+ </p>
+ <p>
+ &ldquo;And at last one of the floats swung off the sand. The automobile tipped
+ scandalous. It looked as if we was goin' on our beam ends. Billings let
+ out an awful yell. Then t'other float bobbed up and the whole shebang, car
+ and all, drifted out and down the channel.
+ </p>
+ <p>
+ &ldquo;My lashin's held&mdash;I cal'lated they would. Soon's I was sure of that
+ I grabbed up the oar and shoved it over the stern between the floats. I
+ hoped I could round her to after we passed the mouth of the Cut-through,
+ and make port on the inside beach. But not in that tide. Inside of five
+ minutes I see 'twas no use; we was bound across the bay.
+ </p>
+ <p>
+ &ldquo;And now commenced a v'yage that beat any ever took sence Noah's time, I
+ cal'late; and even Noah never went to sea in an automobile, though the one
+ animal I had along was as much trouble as his whole menagerie. Billings
+ was howlin' blue murder.
+ </p>
+ <p>
+ &ldquo;'Stop that bellerin'!' I ordered. 'Quit it, d'you hear! You'll have the
+ station crew out after us, and they'll guy me till I can't rest. Shut up!
+ If you don't, I'll&mdash;I'll swim ashore and leave you.'
+ </p>
+ <p>
+ &ldquo;I was takin' big chances, as I look at it now. He might have drawed a
+ bowie knife or a lasso on me; 'cordin' to his yarns he'd butchered folks
+ for a good sight less'n that. But he kept quiet this time, only gurglin'
+ some when the ark tilted. I had time to think of another idee. You
+ remember the dory sail, mast and all, was alongside that cart. I clewed up
+ the canvas well as I could and managed to lash the mast up straight over
+ the auto's bows. Then I shook out the sail.
+ </p>
+ <p>
+ &ldquo;'Here!' says I, turnin' to Billings. 'You hang on to that sheet. No, you
+ needn't nuther. Make it fast to that cleat alongside.'
+ </p>
+ <p>
+ &ldquo;I couldn't see his face plain, but his voice had a funny tremble to it;
+ reminded me of my own when I climbed out of that very cart after he'd
+ jounced me down to Setuckit the day before.
+ </p>
+ <p>
+ &ldquo;'What?' he says. 'Wh-what? What sheet? I don't see any sheet. What do you
+ want me to do?'
+ </p>
+ <p>
+ &ldquo;'Tie this line to that cleat. That cleat there! CLEAT, you lubber! CLEAT!
+ That knob! MAKE IT FAST! Oh, my gosh t'mighty! Get out of my way!'
+ </p>
+ <p>
+ &ldquo;The critter had tied the sheet to the handle of the door instead of the
+ one I meant, and the pull of the sail hauled the door open and pretty nigh
+ ripped it off the hinges. I had to climb into the cockpit and straighten
+ out the mess. I was losin' my temper; I do hate bunglin' seamanship aboard
+ a craft of mine.
+ </p>
+ <p>
+ &ldquo;'But what'll become of us?' begs Billings. 'Will we drown?'
+ </p>
+ <p>
+ &ldquo;'What in tunket do we want to drown for? Ain't we got a good sailin'
+ breeze and the whole bay to stay on top of&mdash;fifty foot of water and
+ more?'
+ </p>
+ <p>
+ &ldquo;'Fifty foot!' he yells. 'Is there fifty foot of water underneath us now?
+ Pard, you don't mean it!'
+ </p>
+ <p>
+ &ldquo;'Course I mean it. Good thing, too!'
+ </p>
+ <p>
+ &ldquo;'But fifty foot! It's enough to drown in ten times over!'
+ </p>
+ <p>
+ &ldquo;'Can't drown but once, can you? And I'd just as soon drown in fifty foot
+ as four&mdash;ruther, 'cause 'twouldn't take so long.'
+ </p>
+ <p>
+ &ldquo;He didn't answer out loud; but I heard him talkin' to himself pretty
+ constant.
+ </p>
+ <p>
+ &ldquo;We was well out in the bay by now, and the seas was a little mite more
+ rugged&mdash;nothin' to hurt, you understand, but the floats was all foam,
+ and once in a while we'd ship a little spray. And every time that happened
+ Billings would jump and grab for somethin' solid&mdash;sometimes 'twas the
+ upholstery and sometimes 'twas me. He wa'n't on the thwart, but down in a
+ heap on the cockpit floor.
+ </p>
+ <p>
+ &ldquo;'Let go of my leg!' I sings out, after we'd hit a high wave and that
+ shover had made a more'n ordinary savage claw at my underpinnin'. 'You
+ make me nervous. Drat this everlastin' fog! somethin'll bump into us if we
+ don't look out. Here, you go for'ard and light them cruisin' lights. They
+ ain't colored 'cordin' to regulations, but they'll have to do. Go for'ard!
+ What you waitin' for?'
+ </p>
+ <p>
+ &ldquo;Well, it turned out that he didn't like to leave that cockpit. I was mad.
+ </p>
+ <p>
+ &ldquo;'Go for'ard there and light them lights!' I yelled, hangin' to the
+ steerin' oar and keepin' the ark runnin' afore the wind.
+ </p>
+ <p>
+ &ldquo;'I won't!' he says, loud and emphatic. 'Think I'm a blame fool? I sure
+ would be a jack rabbit to climb over them seats the way they're buckin'
+ and light them lamps. You're talkin' through your hat!'
+ </p>
+ <p>
+ &ldquo;Well, I hadn't no business to do it, but, you see, I was on salt water,
+ and skipper, as you might say, of the junk we was afloat in; and if
+ there's one thing I never would stand it's mutiny. I hauled in the oar,
+ jumped over the cockpit rail, and went for him. He see me comin', stood
+ up, tried to get out of the way, and fell overboard backwards. Part of him
+ lit on one of the floats, but the biggest part trailed in the water
+ between the two. He clawed with his hands, but the planks was slippery,
+ and he slid astern fast. Just as he reached the last plank and slid off
+ and under I jumped after him and got him by the scruff of the neck. I had
+ hold of the lashin' end with one hand, and we tailed out behind the ark,
+ which was sloppin' along, graceful as an elephant on skates.
+ </p>
+ <p>
+ &ldquo;I was pretty well beat out when I yanked him into that cockpit again.
+ Neither of us said anything for a spell, breath bein' scurce as di'monds.
+ But when he'd collected some of his, he spoke.
+ </p>
+ <p>
+ &ldquo;'Pard,' he says, puffin', 'I'm much obleeged to you. I reckon I sure
+ ain't treated you right. If it hadn't been for you that time I'd&mdash;'
+ </p>
+ <p>
+ &ldquo;But I was b'ilin' over. I whirled on him like a teetotum.
+ </p>
+ <p>
+ &ldquo;'Drat your hide!' I says. 'When you speak to your officer you say sir!
+ And now you go for'ard and light them lights. Don't you answer back! If
+ you do I'll fix you so's you'll never ship aboard another vessel! For'ard
+ there! Lively, you lubber, lively!'
+ </p>
+ <p>
+ &ldquo;He went for'ard, takin' consider'ble time and hangin' on for dear life.
+ But somehow or 'nuther he got the lights to goin'; and all the time I
+ hazed him terrible. I was mate on an Australian packet afore I went
+ fishin' to the Banks, and I can haze some. I blackguarded that shover
+ awful.
+ </p>
+ <p>
+ &ldquo;'Ripperty-rip your everlastin' blankety-blanked dough head!' I roared at
+ him. 'You ain't wuth the weight to sink you. For'ard there and get that
+ fog horn to goin'! And keep it goin'! Lively, you sculpin! Don't you open
+ your mouth to me!'
+ </p>
+ <p>
+ &ldquo;Well, all night we sloshed along, straight acrost the bay. We must have
+ been a curious sight to look at. The floats was awash, so that the
+ automobile looked like she was ridin' the waves all by her lonesome; the
+ lamps was blazin' at either side of the bow; Billings was a-tootin' the
+ rubber fog horn as if he was wound up; and I was standin' on the cushions
+ amidships, keepin' the whole calabash afore the wind.
+ </p>
+ <p>
+ &ldquo;We never met another craft the whole night through. Yes, we did meet one.
+ Old Ezra Cahoon, of Harniss, was out in his dory stealin' quahaugs from
+ Seth Andrews's bed over nigh the Wapatomac shore. Ezra stayed long enough
+ to get one good glimpse of us as we bust through the fog; then he cut his
+ rodin' and laid to his oars, bound for home and mother. We could hear him
+ screech for half an hour after he left us.
+ </p>
+ <p>
+ &ldquo;Ez told next day that the devil had come ridin' acrost the bay after him
+ in a chariot of fire. Said he could smell the brimstone and hear the
+ trumpet callin' him to judgment. Likewise he hove in a lot of particulars
+ concernin' the personal appearance of the Old Boy himself, who, he said,
+ was standin' up wavin' a red-hot pitchfork. Some folks might have been
+ flattered at bein' took for such a famous character; but I wa'n't; I'm
+ retirin' by nature, and besides, Ez's description wa'n't cal'lated to bust
+ a body's vanity b'iler. I was prouder of the consequences, the same bein'
+ that Ezra signed the Good Templars' pledge that afternoon, and kept it for
+ three whole months, just sixty-nine days longer than any previous attack
+ within the memory of man had lasted.
+ </p>
+ <p>
+ &ldquo;And finally, just as mornin' was breakin', the bows of the floats slid
+ easy and slick up on a hard, sandy beach. Then the sun riz and the fog
+ lifted, and there we was within sight of the South Ostable meetin'-house.
+ We'd sailed eighteen miles in that ark and made a better landin' blindfold
+ than we ever could have made on purpose.
+ </p>
+ <p>
+ &ldquo;I hauled down the sail, unshipped the mast, and jumped ashore to find a
+ rock big enough to use for a makeshift anchor. It wa'n't more'n three
+ minutes after we fust struck afore my boots hit dry ground, but Billings
+ beat me one hundred and seventy seconds, at that. When I had time to look
+ at that shover man he was a cable's length from high-tide mark, settin'
+ down and grippin' a bunch of beach grass as if he was afeard the sand was
+ goin' to slide from under him; and you never seen a yallerer, more upset
+ critter in your born days.
+ </p>
+ <p>
+ &ldquo;Well, I got the ark anchored, after a fashion, and then we walked up to
+ the South Ostable tavern. Peleg Small, who runs the place, he knows me, so
+ he let me have a room and I turned in for a nap. I slept about three
+ hours. When I woke up I started out to hunt the automobile and Billings.
+ Both of 'em looked consider'ble better than they had when I see 'em last.
+ The shover had got a gang of men and they'd got the gas cart ashore, and
+ Billings and a blacksmith was workin' over&mdash;or rather under&mdash;the
+ clockwork.
+ </p>
+ <p>
+ &ldquo;'Hello!' I hails, comin' alongside.
+ </p>
+ <p>
+ &ldquo;Billings sticks his head out from under the tinware.
+ </p>
+ <p>
+ &ldquo;'Hi, pard!' says he. I noticed he hadn't called me 'Grace' nor 'Dewey'
+ for a long spell. Hi, pard,' he says, gettin' to his feet, 'the old gal
+ ain't hurt a hair. She'll be good as ever in a couple of hours. Then you
+ and me can start for Orham.'
+ </p>
+ <p>
+ &ldquo;'In HER?' says I.
+ </p>
+ <p>
+ &ldquo;'Sure,' he says.
+ </p>
+ <p>
+ &ldquo;'Not by a jugful!' says I, emphatic. 'I'll borrer a boat to get to Orham
+ in, when I'm ready to go. You won't ketch me in that man killer again; and
+ you can call me a coward all you want to!'
+ </p>
+ <p>
+ &ldquo;'A coward?' says he. 'You a coward? And&mdash;Why, you was in that car
+ all night!'
+ </p>
+ <p>
+ &ldquo;'Oh!' I says. 'Last night was diff'rent. The thing was on water then, and
+ when I've got enough water underneath me I know I'm safe.'
+ </p>
+ <p>
+ &ldquo;'Safe!' he sings out. 'SAFE! Well, by&mdash;gosh! Pard, I hate to say it,
+ but it's the Lord's truth&mdash;you had me doin' my &ldquo;Now I lay me's&rdquo;!'
+ </p>
+ <p>
+ &ldquo;For a minute we looked at each other. Then says I, sort of thinkin' out
+ loud, 'I cal'late,' I says, 'that whether a man's brave or not depends
+ consider'ble on whether he's used to his latitude. It's all accordin'. It
+ lays in the bringin' up, as the duck said when the hen tried to swim.'
+ </p>
+ <p>
+ &ldquo;He nodded solemn. 'Pard,' says he, 'I sure reckon you've called the turn.
+ Let's shake hands on it.'
+ </p>
+ <p>
+ &ldquo;So we shook; and . . .&rdquo;
+ </p>
+ <p>
+ Captain Bailey stopped short and sprang from his chair. &ldquo;There's my train
+ comin',&rdquo; he shouted. &ldquo;Good-by, Sol! So long, Barzilla! Keep away from
+ fortune tellers and pretty servant girls or YOU'LL be gettin' married
+ pretty soon. Good-by.&rdquo;
+ </p>
+ <p>
+ He darted out of the waiting room and his companions followed. Mr.
+ Wingate, having a few final calls to make, left the station soon
+ afterwards and did not return until evening. And that evening he heard
+ news which surprised him.
+ </p>
+ <p>
+ As he and Captain Sol were exchanging a last handshake on the platform,
+ Barzilla said:
+ </p>
+ <p>
+ &ldquo;Well, Sol, I've enjoyed loafin' around here and yarnin' with you, same as
+ I always do. I'll be over again in a month or so and we'll have some
+ more.&rdquo;
+ </p>
+ <p>
+ The Captain shook his head. &ldquo;I may not be here then, Barzilla,&rdquo; he
+ observed.
+ </p>
+ <p>
+ &ldquo;May not be here? What do you mean by that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that I don't know exactly where I shall be. I shan't be depot
+ master, anyway.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shan't be depot master? YOU won't? Why, what on airth&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I sent in my resignation four days ago. Nobody knows it, except you, not
+ even Issy, but the new depot master for East Harniss will be here to take
+ my place on the mornin' of the twelfth, that's two days off.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why! Why! SOL!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Keep mum about it. I'll&mdash;I'll let you know what I decide to do.
+ I ain't settled it myself yet. Good-by, Barzilla.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0017" id="link2HCH0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XVII
+ </h2>
+ <h3>
+ ISSY'S REVENGE
+ </h3>
+ <p>
+ The following morning, at nine o'clock, Issy McKay sat upon the heap of
+ rusty chain cable outside the blacksmith's shop at Denboro, reading, as
+ usual, a love story. Issy was taking a &ldquo;day off.&rdquo; He had begged permission
+ of Captain Sol Berry, the permission had been granted, and Issy had come
+ over to Denboro, the village eight miles above East Harniss, in his &ldquo;power
+ dory,&rdquo; or gasoline boat, the Lady May. The Lady May was a relic of the
+ time before Issy was assistant depot master, when he gained a precarious
+ living by quahauging, separating the reluctant bivalve from its muddy
+ house on the bay bottom with an iron rake, the handle of which was forty
+ feet long. Issy had been seized with a desire to try quahauging once more,
+ hence his holiday. The rake was broken and he had put in at Denboro to
+ have it fixed. While the blacksmith was busy, Issy laboriously spelled out
+ the harrowing chapters of &ldquo;Vivian, the Shop Girl; or Lord Lyndhurst's
+ Lowly Love.&rdquo;
+ </p>
+ <p>
+ A grinning, freckled face peered cautiously around the corner of the
+ blacksmith's front fence. Then an overripe potato whizzed through the air
+ and burst against the shop wall a few inches from the reader's head. Issy
+ jumped.
+ </p>
+ <p>
+ &ldquo;You&mdash;you everlastin' young ones, you!&rdquo; he shouted fiercely. &ldquo;If I
+ git my hands onto you, you'll wish you'd&mdash;I see you hidin' behind
+ that fence.&rdquo;
+ </p>
+ <p>
+ Two barefooted little figures danced provokingly in the roadway and two
+ shrill voices chanted in derision:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Is McKay&mdash;Is McKay&mdash;
+ Makes the Injuns run away!
+</pre>
+ <p>
+ &ldquo;Scalped anybody lately, Issy?&rdquo;
+ </p>
+ <p>
+ Alas for the indiscretions of youth! The tale of Issy's early expedition
+ in search of scalps and glory was known from one end of Ostable County to
+ the other. It had made him famous, in a way.
+ </p>
+ <p>
+ &ldquo;If I git a-holt of you kids, I'll bet there'll be some scalpin' done,&rdquo;
+ retorted the persecuted one, rising from the heap of cable.
+ </p>
+ <p>
+ A second potato burst like a bombshell on the shingles behind him. McKay
+ was a good general, in that he knew when it was wisest to retreat. Shoving
+ the paper novel into his overalls pocket, he entered the shop.
+ </p>
+ <p>
+ &ldquo;What's the matter, Is?&rdquo; inquired the grinning blacksmith. Most people
+ grinned when they spoke to Issy. &ldquo;Gittin' too hot outside there, was it?
+ Why don't you tomahawk 'em and have 'em for supper?&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph!&rdquo; grunted the offended quahauger. &ldquo;Don't git gay now, Jake Larkin.
+ You hurry up with that rake.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, all right, Is. Don't sculp ME; I ain't done nothin'. What's the news
+ over to East Harniss?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don't know. Not much. Sam Bartlett, he started for Boston this
+ mornin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who? Sam Bartlett? I want to know! Thought he was down for six weeks. You
+ sure about that, Is?&rdquo;
+ </p>
+ <p>
+ &ldquo;Course I'm sure. I was up to the depot and see him buy his ticket and git
+ on the cars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did, hey? Humph! So Sam's gone. Gertie Higgins still over to her Aunt
+ Hannah's at Trumet?&rdquo;
+ </p>
+ <p>
+ Issy looked at his questioner. &ldquo;Why, yes,&rdquo; he said suspiciously. &ldquo;I s'pose
+ she's there. Fact, I know she is. Pat Starkey's doin' the telegraphin'
+ while she's away. What made you ask that?&rdquo;
+ </p>
+ <p>
+ The blacksmith chuckled. &ldquo;Oh, nothin',&rdquo; he said. &ldquo;How's her dad's
+ dyspepsy? Had any more of them sudden attacks of his? I cal'late they'll
+ take the old man off some of these days, won't they? I hear the doctor
+ thinks there's more heart than stomach in them attacks.&rdquo;
+ </p>
+ <p>
+ But the skipper of the Lady May was not to be put off thus. &ldquo;What you
+ drivin' at, Jake?&rdquo; he demanded. &ldquo;What's Sam Bartlett's goin' away got to
+ do with Gertie Higgins?&rdquo;
+ </p>
+ <p>
+ In his eagerness he stepped to Mr. Larkin's side. The blacksmith caught
+ sight of the novel in his customer's pocket. He snatched it forth.
+ </p>
+ <p>
+ &ldquo;What you readin' now, Is?&rdquo; he demanded. &ldquo;More blood and brimstone? 'Vivy
+ Ann, the Shop Girl!' Gee! Wow!&rdquo;
+ </p>
+ <p>
+ &ldquo;You gimme that book, Jake Larkin! Gimme it now!&rdquo;
+ </p>
+ <p>
+ Fending the frantic quahauger off with one mighty arm, the blacksmith
+ proceeded to read aloud:
+ </p>
+ <p>
+ &ldquo;'Darlin',' cried Lord Lyndhurst, strainin' the beautiful and blushin'
+ maid to his manly bosom, 'you are mine at last. Mine! No&mdash;' Jerushy!
+ a love story! Why, Issy! I didn't know you was in love. Who's the lucky
+ girl? Send me an invite to your weddin', won't you?&rdquo;
+ </p>
+ <p>
+ Issy's face was a fiery red. He tore the precious volume from its
+ desecrator's hand, losing the pictured cover in the struggle.
+ </p>
+ <p>
+ &ldquo;You&mdash;you pesky fool!&rdquo; he shouted. &ldquo;You mind your own business.&rdquo;
+ </p>
+ <p>
+ The blacksmith roared in glee. &ldquo;Oh, ho!&rdquo; he cried. &ldquo;Issy's in love and I
+ never guessed it. Aw, say, Is, don't be mean! Who is she? Have you
+ strained her to your manly bosom yit? What's her name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Shut up!&rdquo; shrieked Issy, and strode out of the shop. His tormentor begged
+ him not to &ldquo;go off mad,&rdquo; and shouted sarcastic sympathy after him. But Mr.
+ McKay heeded not. He stalked angrily along the sidewalk. Then espying just
+ ahead of him the boys who had thrown the potatoes, he paused, turned, and
+ walking down the carriageway at the side of the blacksmith's place of
+ business, sat down upon a sawhorse under one of its rear windows. He
+ could, at least, be alone here and think; and he wanted to think.
+ </p>
+ <p>
+ For Issy&mdash;although he didn't look it&mdash;was deeply interested in
+ another love story as well as that in his pocket. This one was printed
+ upon his heart's pages, and in it he was the hero, while the heroine&mdash;the
+ unsuspecting heroine&mdash;was Gertie Higgins, daughter of Beriah Higgins,
+ once a fisherman, now the crotchety and dyspeptic proprietor of the
+ &ldquo;general store&rdquo; and postmaster at East Harniss.
+ </p>
+ <p>
+ This story began when Issy first acquired the Lady May. The Higgins home
+ stood on the slope close to the boat landing, and when Issy came in from
+ quahauging, Gertie was likely to be in the back yard, hanging out the
+ clothes or watering the flower garden. Sometimes she spoke to him of her
+ own accord, concerning the weather or other important topics. Once she
+ even asked him if he were going to the Fourth of July ball at the
+ town-hall. It took him until the next morning&mdash;like other warriors,
+ Issy was cursed with shyness&mdash;to summon courage enough to ask her to
+ go to the ball with him. Then he found it was too late; she was going with
+ her cousin, Lennie Bloomer. But he felt that she had offered him the
+ opportunity, and was happy and hopeful accordingly.
+ </p>
+ <p>
+ This, however, was before she went to Boston to study telegraphy. When she
+ returned, with a picture hat and a Boston accent, it was to preside at the
+ telegraph instrument in the little room adjoining the post office at her
+ father's store. When Issy bowed blushingly outside the window of the
+ telegraph room, he received only the airiest of frigid nods. Was there
+ what Lord Lyndhurst would have called &ldquo;another&rdquo;? It would seem not. Old
+ Mr. Higgins, her father, encouraged no bows nor attentions from young men,
+ and Gertie herself did not appear to desire them. So Issy gave up his
+ tales of savage butchery for those of love and blisses, adored in silence,
+ and hoped&mdash;always hoped.
+ </p>
+ <p>
+ But why had the blacksmith seemed surprised at the departure of Sam
+ Bartlett, the &ldquo;dudey&rdquo; vacationist from the city, whose father had, years
+ ago, been Beriah Higgins's partner in the fish business? And why had he
+ coupled the Bartlett name with that of Gertie, who had been visiting her
+ father's maiden sister at Trumet, the village next below East Harniss, as
+ Denboro is the next above it? Issy's suspicions were aroused, and he
+ wondered.
+ </p>
+ <p>
+ Suddenly he heard voices in the shop above him. The window was open and he
+ heard them plainly.
+ </p>
+ <p>
+ &ldquo;Well! WELL!&rdquo; It was the blacksmith who uttered the exclamation. &ldquo;Why,
+ Bartlett, how be you? What you doin' over here? Thought you'd gone back to
+ Boston. I heard you had.&rdquo;
+ </p>
+ <p>
+ Slowly, cautiously, the astonished quahauger rose from the sawhorse and
+ peered over the window sill. There were two visitors in the shop. One was
+ Ed Burns, proprietor of the Denboro Hotel and livery stable. The other was
+ Sam Bartlett, the very same who had left East Harniss that morning, bound,
+ ostensibly, for Boston. Issy sank back again and listened.
+ </p>
+ <p>
+ &ldquo;Yes, yes!&rdquo; he heard Sam say impatiently; &ldquo;I know, but&mdash;see here,
+ Jake, where can I hire a horse in this God-forsaken town?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well, Sam!&rdquo; continued Larkin. &ldquo;I was just figurin' that Beriah had
+ got the best of you after all, and you'd had to give it up for this time.
+ Thinks I, it's too bad! Just because your dad and Beriah Higgins had such
+ a deuce of a row when they bust up in the fish trade, it's a shame that he
+ won't hark to your keepin' comp'ny with Gertie. And you doin' so well;
+ makin' twenty dollars a week up to the city&mdash;Ed told me that&mdash;and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes! But never mind that. Where can I get a horse? I've got to be in
+ Trumet by eight to-night sure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Trumet? Why, that's where Gertie is, ain't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Look a-here, Jake,&rdquo; broke in the livery-stable keeper. &ldquo;I'll tell you how
+ 'tis. Oh, it's all right, Sam! Jake knows the most of it; I told him. He
+ can keep his mouth shut, and he don't like old crank Higgins any better'n
+ you and me do. Jake, Sam here and Gertie had fixed it up to run off and
+ git married to-night. He was to pretend to start for Boston this mornin'.
+ Bought a ticket and all, so's to throw Beriah off the scent. He was to get
+ off the train here at Denboro and I was to let him have a horse 'n' buggy.
+ Then, this afternoon, he was goin' to drive through the wood roads around
+ to Trumet and be at the Baptist Church there at eight to-night sharp.
+ Gertie's Aunt Hannah, she's had her orders, and bein' as big a crank as
+ her brother, she don't let the girl out of her sight. But there's a fair
+ at the church and Auntie's tendin' a table. Gertie, she steps out to the
+ cloak room to git a handkerchief which she's forgot; see? And she hops
+ into Sam's buggy and away they go to the minister's. After they're once
+ hitched Old Dyspepsy can go to pot and see the kittle bile.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bully! By gum, that's fine! Won't Beriah rip some, hey?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but there's the dickens to pay. I've only got two horses in the
+ stable to-day. The rest are let. And the two I've got&mdash;one's old
+ Bill, and he couldn't go twenty mile to save his hide. And t'other's the
+ gray mare, and blamed if she didn't git cast last night and use up her off
+ hind leg so's she can't step. And Sam's GOT to have a horse. Where can I
+ git one?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hum! Have you tried Haynes's?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes! And Lathrop's and Eldredge's. Can't git a team for love nor
+ money.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sho! And he can't go by train?&rdquo;
+ </p>
+ <p>
+ &ldquo;What? With Beriah postmaster at East Harniss and always nosin' through
+ every train that stops there? You can't fetch Trumet by train without
+ stoppin' at East Harniss and&mdash;What was that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know. What was it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sounded like somethin' outside that back winder.&rdquo;
+ </p>
+ <p>
+ The two ran to the window and looked out. All they saw was an overturned
+ sawhorse and two or three hens scratching vigorously.
+ </p>
+ <p>
+ &ldquo;Guess 'twas the chickens, most likely,&rdquo; observed the blacksmith. Then,
+ striking his blackened palms together, he exclaimed:
+ </p>
+ <p>
+ &ldquo;By time! I've thought of somethin'! Is McKay is in town to-day. Come over
+ in the Lady May. She's a gasoline boat. Is would take Sam to Trumet for
+ two or three dollars, I'll bet. And he's such a fool head that he wouldn't
+ ask questions nor suspicion nothin'. 'Twould be faster'n a horse and
+ enough sight less risky.&rdquo;
+ </p>
+ <p>
+ And just then the &ldquo;fool head,&rdquo; his brain whirling under its carroty
+ thatch, was hurrying blindly up the main street, bound somewhere, he
+ wasn't certain where.
+ </p>
+ <p>
+ A mushy apple exploded between his shoulders, but he did not even turn
+ around. So THIS was what the blacksmith meant! This was why Mr. Higgins
+ watched his daughter so closely. This was why Gertie had been sent off to
+ Trumet. She had met the Bartlett miscreant in Boston; they had been
+ together there; had fallen in love and&mdash;He gritted his teeth and
+ shook his fists almost in the face of old Deacon Pratt, who, knowing the
+ McKay penchant for slaughter, had serious thoughts of sending for the
+ constable.
+ </p>
+ <p>
+ Beriah Higgins must be warned, of course, but how? To telegraph was to put
+ Pat Starkey in possession of the secret, and Pat was too good a friend of
+ Gertie's to be trusted. There was no telephone at the store. Issy entered
+ the combination grocery store and post office.
+ </p>
+ <p>
+ &ldquo;Has the down mail closed yet?&rdquo; he panted.
+ </p>
+ <p>
+ The postmaster looked out of his little window.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he replied. &ldquo;Why? Got a letter you want to go? Take it up to the
+ depot. The train's due, but 'tain't here yit. If you run you can make it.&rdquo;
+ </p>
+ <p>
+ Issy took a card from his pocket. It was the business card of the firm to
+ whom he sold his quahaugs. On the back of the card he wrote in pencil as
+ follows:
+ </p>
+ <p>
+ &ldquo;Mr. Beriah Higgins, your daughter Gertrude is going to meet Sam'l
+ Bartlett at the Baptist Church in Trumet at 8 P.M. to-night and get
+ married to him. LOOK OUT!!!&rdquo;
+ </p>
+ <p>
+ After an instant's consideration he signed it &ldquo;A True Friend,&rdquo; this being
+ in emulation of certain heroes of the Deadwood Dick variety. Then he put
+ the card into an envelope and ran at top speed to the railway station. The
+ train came in as he reached the platform. The baggage master was standing
+ in the door of his car.
+ </p>
+ <p>
+ &ldquo;Here, mister!&rdquo; panted Issy. &ldquo;Jest hand this letter to Beriah Higgins when
+ he takes the mail bag at East Harniss, won't you? It's mighty important.
+ Don't forgit. Thanks.&rdquo;
+ </p>
+ <p>
+ The train moved off. Issy stared after it, grinning malevolently. Higgins
+ would get that note in ample time to send word to the watchful Aunt
+ Hannah. When the unsuspecting eloper reached the Trumet church, it would
+ be the aunt, not the niece, who awaited him. Still grinning, Mr. McKay
+ walked off the platform, and into the arms of Ed Burns, the stable keeper,
+ and Sam Bartlett, his loathed and favored rival.
+ </p>
+ <p>
+ &ldquo;Here he is!&rdquo; shouted Burns. &ldquo;Now we've got him.&rdquo;
+ </p>
+ <p>
+ The foiler of the plot turned pale. Was his secret discovered? But no; his
+ captors began talking eagerly, and gradually the sense of their pleadings
+ became plain. They wanted him&mdash;HIM, of all people&mdash;to convey
+ Bartlett to Trumet in the Lady May.
+ </p>
+ <p>
+ &ldquo;You see, it's a business meetin',&rdquo; urged Burns. &ldquo;Sam's got to be there by
+ ha'f past seven or he'll&mdash;he won't win on the deal, will you, Sam?
+ Say yes, Issy; that's a good feller. He'll give you&mdash;I don't know's
+ he won't give you five dollars.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ten,&rdquo; cried Bartlett. &ldquo;And I'll never forget it, either. Will you, Is?&rdquo;
+ </p>
+ <p>
+ A mighty &ldquo;No!&rdquo; was trembling on Issy's tongue. But before it was uttered
+ Burns spoke again.
+ </p>
+ <p>
+ &ldquo;McKay's got the best boat in these parts,&rdquo; he urged. &ldquo;She's got a tiptop
+ engine in her, and&mdash;&rdquo;
+ </p>
+ <p>
+ The word &ldquo;engine&rdquo; dropped into the whirlpool of Issy's thoughts with a
+ familiar sound. In the chapter of &ldquo;Vivian&rdquo; that he had just finished, the
+ beautiful shopgirl was imprisoned on board the yacht of the millionaire
+ kidnaper, while the hero, in his own yacht, was miles astern. But the
+ hero's faithful friend, disguised as a stoker, was tampering with the
+ villain's engine. A vague idea began to form in Issy's brain. Once get the
+ would-be eloper aboard the Lady May, and, even though the warning note
+ should remain undelivered, he&mdash;
+ </p>
+ <p>
+ Issy smiled, and the ghastliness of that smile was unnoticed by his
+ companions.
+ </p>
+ <p>
+ &ldquo;I&mdash;I'll do it,&rdquo; he cried. &ldquo;By mighty! I WILL do it. You be at the
+ wharf here at four o'clock. I wouldn't do it for everybody, Sam Bartlett,
+ but for you I'd do consider'ble, just now. And I don't want your ten
+ dollars nuther.&rdquo;
+ </p>
+ <p>
+ Doctoring an engine may be easy enough&mdash;in stories. But to doctor a
+ gasoline engine so that it will run for a certain length of time and THEN
+ break down is not so easy. Three o'clock came and the problem was still
+ unsolved. Issy, the perspiration running down his face, stood up in the
+ Lady May's cockpit and looked out across the bay, smooth and glassy in the
+ afternoon sun.
+ </p>
+ <p>
+ The sky overhead was clear and blue, but along the eastern and southern
+ horizon was a gray bank of cloud, heaped in tumbled masses.
+ </p>
+ <p>
+ A sunburned lobsterman in rubber boots and a sou'wester was smoking on the
+ wharf.
+ </p>
+ <p>
+ &ldquo;What time you goin' to start for home, Is?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Oh, in an hour or so,&rdquo; was the absent-minded reply.
+ </p>
+ <p>
+ &ldquo;Humph! You'd better cast off afore that or you'll be fog bound. It'll be
+ thicker'n dock mud toward sundown, and you'll fetch up in Waptomac 'stead
+ of East Harniss, 'thout you've got a good compass.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, my compass is all right,&rdquo; began Issy, and stopped short. The
+ lobsterman made other attempts at conversation, but they were
+ unproductive. McKay was gazing at the growing fog bank and thinking hard.
+ To doctor an engine may be difficult, but to get lost in a fog&mdash;He
+ took the compass from the glass-lidded binnacle by the wheel, and carrying
+ it into the little cabin, placed it in the cuddy forward.
+ </p>
+ <p>
+ It was nearer five than four when the Lady May, her engine barking
+ aggressively, moved out of Denboro Harbor. Mr. Bartlett, the passenger,
+ had been on time and had fumed and fretted at the delay. But Issy was
+ deliberation itself. He had forgotten his quahaug rake, and the lapse of
+ memory entailed a trip to the blacksmith's. Then the gasoline tank needed
+ filling and the battery had to be overhauled.
+ </p>
+ <p>
+ &ldquo;Are you sure you can make it?&rdquo; queried Sam anxiously. &ldquo;It's important, I
+ tell you. Mighty important.&rdquo;
+ </p>
+ <p>
+ The skipper snorted in disgust. &ldquo;Make it?&rdquo; he repeated. &ldquo;If the Lady May
+ can't make fourteen mile in two hours&mdash;let alone two'n a ha'f&mdash;then
+ I don't know her. She's one of them boats you read about, she is.&rdquo;
+ </p>
+ <p>
+ The Cape makes a wide bend between Denboro and Trumet. The distance
+ between these towns is twenty long, curved miles over the road; by water
+ it is reduced to a straight fourteen. And midway between the two, at the
+ center of the curve, is East Harniss.
+ </p>
+ <p>
+ The Lady May coughed briskly on. There was no sea, and she sent long,
+ widening ripples from each side of her bow. Bartlett, leaning over the
+ rail, gazed impatiently ahead. Issy, sprawled on the bench by the wheel,
+ was muttering to himself. Occasionally he glanced toward the east. The
+ gray fog bank was now half way to the zenith and approaching rapidly. The
+ eastern shore had disappeared.
+ </p>
+ <p>
+ &ldquo;Is! Hi, Is! What are you doing? Don't kill him before my eyes.&rdquo;
+ </p>
+ <p>
+ Issy came out of his trance with a start.
+ </p>
+ <p>
+ &ldquo;What&mdash;what's that?&rdquo; he asked. His passenger was grinning broadly.
+ </p>
+ <p>
+ &ldquo;What? Kill who?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, the big chief, or whoever you had under your knee just then. You've
+ been rolling your eyes and punching air with your fist for the last five
+ minutes. I was getting scared. You're an unmerciful sinner when you get
+ started, ain't you, Is? Who was the victim that time? 'Man Afraid of Hot
+ Water'? or who?&rdquo;
+ </p>
+ <p>
+ The skipper scowled. He shoved the fist into his pocket.
+ </p>
+ <p>
+ &ldquo;Naw,&rdquo; he growled. &ldquo;'Twa'n't.&rdquo;
+ </p>
+ <p>
+ &ldquo;So? Not an Indian? Then it must have been a white man. Some fellow after
+ your girl, perhaps. Hey?&rdquo;
+ </p>
+ <p>
+ The disconcerted Issy was speechless. His companion's chance shot had
+ scored a bull's-eye. Sam whooped.
+ </p>
+ <p>
+ &ldquo;That's it!&rdquo; he crowed. &ldquo;Sure thing! Give it to him, Is! Don't spare him.&rdquo;
+ </p>
+ <p>
+ Mr. McKay chokingly admitted that he &ldquo;wa'n't goin' to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho, ho! That's the stuff! But who's SHE, Is? When are you going to marry
+ her?&rdquo;
+ </p>
+ <p>
+ Issy grunted spitefully. &ldquo;You ain't married yourself&mdash;not yit,&rdquo; he
+ observed, with concealed sarcasm.
+ </p>
+ <p>
+ The unsuspecting Bartlett laughed in triumph. &ldquo;No,&rdquo; he said. &ldquo;I'm not,
+ that's a fact; but maybe I'm going to be some of these days. It looked
+ pretty dubious for a while, but now it's all right.&rdquo;
+ </p>
+ <p>
+ &ldquo;'Tis, hey? You're sure about that, be you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Guess I am. Great Scott! what's that? Fog?&rdquo;
+ </p>
+ <p>
+ A damp breath blew across the boat. The clouds covered the sky overhead
+ and the bay to port. The fog was pouring like smoke across the water.
+ </p>
+ <p>
+ &ldquo;Fog, by thunder!&rdquo; exclaimed Bartlett.
+ </p>
+ <p>
+ Issy smiled. &ldquo;Hum! Yes, 'tis fog, ain't it?&rdquo; he observed.
+ </p>
+ <p>
+ &ldquo;But what'll we do? It'll be here in a minute, won't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Shouldn't be a mite surprised. Looks 's if twas here now.&rdquo;
+ </p>
+ <p>
+ The fog came on. It reached the Lady May, passed over her, and shut her
+ within gray, wet walls. It was impossible to see a length from her side.
+ Sam swore emphatically. The skipper was provokingly calm. He stepped to
+ the engine, bent over it, and then returned to the wheel.
+ </p>
+ <p>
+ &ldquo;What are you doing?&rdquo; demanded Bartlett.
+ </p>
+ <p>
+ &ldquo;Slowin' down, of course. Can't run more'n ha'f speed in a fog like this.
+ 'Tain't safe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Safe! What do I care? I want to get to Trumet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes? Well, maybe we'll git there if we have luck.&rdquo;
+ </p>
+ <p>
+ &ldquo;You idiot! We've GOT to get there. How can you tell which way to steer?
+ Get your compass, man! get your compass!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't got no compass,&rdquo; was the sulky answer. &ldquo;Left it to home.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, no, you didn't. I&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I tell you I did. 'Twas careless of me, I know, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But I say you didn't. When you went uptown after that quahaug rake I
+ explored this craft of yours some. The compass is in that little closet at
+ the end of the cabin. I'll get it.&rdquo;
+ </p>
+ <p>
+ He rose to his feet. Issy sprang forward and seized him by the arm.
+ </p>
+ <p>
+ &ldquo;Set down!&rdquo; he yelled. &ldquo;Who's runnin' this boat, you or me?&rdquo;
+ </p>
+ <p>
+ The astounded passenger stared at his companion.
+ </p>
+ <p>
+ &ldquo;Why, you are,&rdquo; he replied. &ldquo;But that's no reason&mdash;What's the matter
+ with you, anyway? Have your dime novels driven you loony?&rdquo;
+ </p>
+ <p>
+ Issy hesitated. For a moment chagrin and rage at this sudden upset of his
+ schemes had gotten the better of his prudence. But Bartlett was taller
+ than he and broad in proportion. And valor&mdash;except of the imaginative
+ brand&mdash;was not Issy's strong point.
+ </p>
+ <p>
+ &ldquo;There, there, Sam!&rdquo; he explained, smiling crookedly. &ldquo;You mustn't mind
+ me. I'm sort of nervous, I guess. And you mustn't hop up and down in a
+ boat that way. You set still and I'll fetch the compass.&rdquo;
+ </p>
+ <p>
+ He stumbled across the cockpit and disappeared in the dusk of the cabin.
+ Finding that compass took a long time. Sam lost patience.
+ </p>
+ <p>
+ &ldquo;What's the matter?&rdquo; he demanded. &ldquo;Can't you find it? Shall I come?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no!&rdquo; screamed Issy vehemently. &ldquo;Stay where you be. Catch a-holt of
+ that wheel. We'll be spinnin' circles if you don't. I'm a-comin'.&rdquo;
+ </p>
+ <p>
+ But it was another five minutes before he emerged from the cabin, carrying
+ the compass box very carefully with both hands. He placed it in the
+ binnacle and closed the glass lid.
+ </p>
+ <p>
+ &ldquo;'Twas catched in a bluefish line,&rdquo; he explained. &ldquo;All snarled up, 'twas.&rdquo;
+ </p>
+ <p>
+ Sam peered through the glass at the compass.
+ </p>
+ <p>
+ &ldquo;Thunder!&rdquo; he exclaimed. &ldquo;I should say we had spun around. Instead of
+ north being off here where I thought it was, it's 'way out to the right.
+ Queer how fog'll mix a fellow up. Trumet's about northeast, isn't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;No'theast by no'th's the course. Keep her just there.&rdquo;
+ </p>
+ <p>
+ The Lady May, still at half speed, kept on through the mist. Time passed.
+ The twilight, made darker still by the fog, deepened. They lit the lantern
+ in order to see the compass card. Issy had the wheel now. Sam was forward,
+ keeping a lookout and fretting at the delay.
+ </p>
+ <p>
+ &ldquo;It's seven o'clock already,&rdquo; he cried. &ldquo;For Heaven's sake, how late will
+ you be? I've got to be there by quarter of eight. D'you hear? I've GOT
+ to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we're gittin' there. Can't expect to travel so fast with part of
+ the power off. You'll be where you're goin' full as soon as you want to
+ be, I cal'late.&rdquo;
+ </p>
+ <p>
+ And he chuckled.
+ </p>
+ <p>
+ Another half hour and, through the wet dimness, a light flashed, vanished,
+ and flashed again. Issy saw it and smiled grimly. Bartlett saw it and
+ shouted.
+ </p>
+ <p>
+ &ldquo;'What's that light?&rdquo; he cried. &ldquo;Did you see it? There it is, off there.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see it. There's a light at Trumet Neck, ain't there?&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! It's been years since I was there, but I thought Trumet light was
+ steady. However&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't that the wharf ahead?&rdquo;
+ </p>
+ <p>
+ Sure enough, out of the dark loomed the bulk of a small wharf, with
+ catboats at anchor near it. Higher up, somewhere on the shore, were the
+ lighted windows of a building.
+ </p>
+ <p>
+ &ldquo;By thunder, we're here!&rdquo; exclaimed Sam, and drew a long breath.
+ </p>
+ <p>
+ Issy shut off the power altogether, and the Lady May slid easily up to the
+ wharf. Feverishly her skipper made her fast.
+ </p>
+ <p>
+ &ldquo;Yes, sir!&rdquo; he cried exultantly. &ldquo;We're here. And no Black Rover nor
+ anybody else ever done a better piece of steerin' than that, nuther.&rdquo;
+ </p>
+ <p>
+ He clambered over the stringpiece, right at the heels of his impatient but
+ grateful passenger. Sam's thanks were profuse and sincere.
+ </p>
+ <p>
+ &ldquo;I'll never forget it, Is,&rdquo; he declared. &ldquo;I'll never forget it. And you'll
+ have to let me pay you the&mdash;What makes you shake so?&rdquo;
+ </p>
+ <p>
+ Issy pulled his arm away and stepped back.
+ </p>
+ <p>
+ &ldquo;I'll never forget it, Is,&rdquo; continued Sam. &ldquo;I&mdash;Why! What&mdash;?&rdquo;
+ </p>
+ <p>
+ He was standing at the shore end of the wharf, gazing up at the lighted
+ windows. They were those of a dwelling house&mdash;an old-fashioned house
+ with a back yard sloping down to the landing.
+ </p>
+ <p>
+ And then Issy McKay leaned forward and spoke in his ear.
+ </p>
+ <p>
+ &ldquo;You bet you won't forgit it, Sam Bartlett!&rdquo; he crowed, in trembling but
+ delicious triumph. &ldquo;You bet you won't! I've fixed you just the same as the
+ Black Rover fixed the mutineers. Run off with my girl, will ye? And marry
+ her, will ye? I&mdash;&rdquo;
+ </p>
+ <p>
+ Sam interrupted him. &ldquo;Why! WHY!&rdquo; he cried. &ldquo;That's&mdash;that's Gertie's
+ house! This isn't Trumet! IT'S EAST HARNISS!&rdquo;
+ </p>
+ <p>
+ The next moment he was seized from behind. The skipper's arms were around
+ his waist and the skipper's thin legs twisted about his own. They fell
+ together upon the sand and, as they rolled and struggled, Issy's yells
+ rose loud and high.
+ </p>
+ <p>
+ &ldquo;Mr. Higgins!&rdquo; he shrieked. &ldquo;Mr. Higgins! Come on! I've got him! I've got
+ the feller that's tryin' to steal your daughter! Come on! I've got him!
+ I'm hangin' to him!&rdquo;
+ </p>
+ <p>
+ A door banged open. Some one rushed down the walk. And then a girl's voice
+ cried in alarm:
+ </p>
+ <p>
+ &ldquo;What is it? Who is it? What IS the matter?&rdquo;
+ </p>
+ <p>
+ And from the bundle of legs and arms on the ground two voices exclaimed:
+ &ldquo;GERTIE!&rdquo;
+ </p>
+ <p>
+ &ldquo;But where IS your father?&rdquo; asked Sam. Issy asked nothing. He merely sat
+ still and listened.
+ </p>
+ <p>
+ &ldquo;Why, he's at Trumet. At least I suppose he is. Mrs. Jones&mdash;she's
+ gone to telephone to him now&mdash;says that he came home this morning
+ with one of those dreadful 'attacks' of his. And after dinner he seemed so
+ sick that, when she went for the doctor, she wired me at Auntie's to come
+ home. I didn't want to come&mdash;you know why&mdash;but I COULDN'T let
+ him die alone. And so I caught the three o'clock train and came. I knew
+ you'd forgive me. But it seems that when Mrs. Jones came back with the
+ doctor they found father up and dressed and storming like a crazy man. He
+ had received some sort of a letter; he wouldn't say what. And, in spite of
+ all they could do, he insisted on going out. And Cap'n Berry&mdash;the
+ depot master&mdash;says he went to Trumet on the afternoon freight. We
+ must have passed each other on the way. And I'm so&mdash;But why are you
+ HERE? And what were you and Issy doing? And&mdash;&rdquo;
+ </p>
+ <p>
+ Her lover broke in eagerly. &ldquo;Then you're alone now?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Yes, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Good! Your father can't get a train back from Trumet before to-morrow
+ morning. I don't know what this letter was&mdash;but never mind. Perhaps
+ friend McKay knows more about it. It may be that Mr. Higgins is waiting
+ now outside the Baptist church. Gertie, now's our chance. You come with me
+ right up to the minister's. He's a friend of mine. He understands. He'll
+ marry us, I know. Come! We mustn't lose a minute. Your dad may take a
+ notion to drive back.&rdquo;
+ </p>
+ <p>
+ He led her off up the lane, she protesting, he urging. At the corner of
+ the house he turned.
+ </p>
+ <p>
+ &ldquo;I say, Is!&rdquo; he called. &ldquo;Don't you want to come to the wedding? Seems to
+ me we owe you that, considering all you've done to help it along. Or
+ perhaps you want to stay and fix that compass of yours.&rdquo;
+ </p>
+ <p>
+ Issy didn't answer. Some time after they had gone he arose from the ground
+ and stumbled home. That night he put a paper novel into the stove. Next
+ morning, before going to the depot, he removed an iron spike from the Lady
+ May's compass box. The needle swung back to its proper position.
+ </p>
+ <p>
+ <a name="link2HCH0018" id="link2HCH0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XVIII
+ </h2>
+ <h3>
+ THE MOUNTAIN AND MAHOMET
+ </h3>
+ <p>
+ The eleventh of July. The little Berry house stood high on its joists and
+ rollers, in the middle of the Hill Boulevard, directly opposite the
+ Edwards lot. Close behind it loomed the big &ldquo;Colonial.&rdquo; Another
+ twenty-four hours, and, even at its one-horse gait, the depot master's
+ dwelling would be beyond the strip of Edwards fence. The &ldquo;Colonial&rdquo; would
+ be ready to move on the lot, and Olive Edwards, the widow, would be
+ obliged to leave her home. In fact, Mr. Williams had notified her that she
+ and her few belongings must be off the premises by the afternoon of the
+ twelfth.
+ </p>
+ <p>
+ The great Williams was in high good-humor. He chuckled as he talked with
+ his foreman, and the foreman chuckled in return. Simeon Phinney did not
+ chuckle. He was anxious and worried, and even the news of Gertie Higgins's
+ runaway marriage, brought to him by Obed Gott, who&mdash;having been so
+ recently the victim of another unexpected matrimonial alliance&mdash;was
+ wickedly happy over the postmaster's discomfiture, did not interest him
+ greatly.
+ </p>
+ <p>
+ &ldquo;Well, I wonder who'll be the next couple,&rdquo; speculated Obed. &ldquo;First Polena
+ and old Hardee, then Gertie Higgins and Sam Bartlett! I declare, Sim,
+ gettin' married unbeknownst to anybody must be catchin', like the measles.
+ Nobody's safe unless they've got a wife or husband livin'. Me and Sol
+ Berry are old baches&mdash;we'd better get vaccinated or WE may come down
+ with the disease. Ho! ho!&rdquo;
+ </p>
+ <p>
+ After dinner Mr. Phinney went from his home to the depot. Captain Sol was
+ sitting in the ticket office, with the door shut. On the platform,
+ forlornly sprawled upon the baggage truck, was Issy McKay, the picture of
+ desolation. He started nervously when he heard Simeon's step. As yet
+ Issy's part in the Bartlett-Higgins episode was unknown to the
+ townspeople. Sam and Gertie had considerately kept silence. Beriah had not
+ learned who sent him the warning note, the unlucky missive which had
+ brought his troubles to a climax. But he was bound to learn it, he would
+ find out soon, and then&mdash;No wonder Issy groaned.
+ </p>
+ <p>
+ &ldquo;Come in here, Sim,&rdquo; said the depot master. Phinney entered the ticket
+ office.
+ </p>
+ <p>
+ &ldquo;Shut the door,&rdquo; commanded the Captain. The order was obeyed. &ldquo;Well, what
+ is it?&rdquo; asked Berry.
+ </p>
+ <p>
+ &ldquo;Why, I just run in to see you a minute, Sol, that's all. What are you
+ shut up in here all alone for?&rdquo;
+ </p>
+ <p>
+ &ldquo;'Cause I want to be alone. There's been more than a thousand folks in
+ this depot so far to-day, seems so, and they all wanted to talk. I don't
+ feel like talkin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;Heard about Gertie Higgins and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who told you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hiram Baker told me first. He's a fine feller and he's so tickled, now
+ that his youngster's 'most well, that he cruises around spoutin' talk and
+ joy same as a steamer's stack spouts cinders. He told me. Then Obed Gott
+ and Cornelius Rowe and Redny Blount and Pat Starkey, and land knows how
+ many more, came to tell me. I cut 'em short. Why, even the Major himself
+ condescended to march in, grand and imposin' as a procession, to make
+ proclamations about love laughin' at locksmiths, and so on. Since he got
+ Polena and her bank account he's a bigger man than the President, in his
+ own estimate.&rdquo;
+ </p>
+ <p>
+ &ldquo;Humph! Well, he better make the best of it while it lasts. P'lena ain't
+ Hetty Green, and her money won't hold out forever.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's a fact. Still Polena's got sense. She'll hold Hardee in check, I
+ cal'late. I wouldn't wonder if it ended by her bossin' things and the
+ Major actin' as a sort of pet poodle dog&mdash;nice and pretty to walk out
+ with, but always kept at the end of a string.&rdquo;
+ </p>
+ <p>
+ &ldquo;You didn't go to Higgins's for dinner to-day, did you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. Nor I shan't go for supper. Beriah's bad enough when he's got nothin'
+ the matter with him but dyspepsy. Now that his sufferin's are complicated
+ with elopements, I don't want to eat with him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come and have supper with us.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess not, thank you, Sim. I'll get some crackers and cheese and such
+ at the store. I&mdash;I ain't very hungry these days.&rdquo;
+ </p>
+ <p>
+ He turned his head and looked out of the window. Simeon fidgeted.
+ </p>
+ <p>
+ &ldquo;Sol,&rdquo; he said, after a pause, &ldquo;we'll be past Olive's by to-morrer night.&rdquo;
+ </p>
+ <p>
+ No answer. Sim repeated his remark.
+ </p>
+ <p>
+ &ldquo;I know it,&rdquo; was the short reply.
+ </p>
+ <p>
+ &ldquo;Yes&mdash;yes, I s'posed you did, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Sim, don't bother me now. This is my last day here at the depot, and I've
+ got things to do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your last day? Why, what&mdash;?&rdquo;
+ </p>
+ <p>
+ Captain Sol told briefly of his resignation and of the coming of the new
+ depot master.
+ </p>
+ <p>
+ &ldquo;But you givin' up your job!&rdquo; gasped Phinney. &ldquo;YOU! Why, what for?&rdquo;
+ </p>
+ <p>
+ &ldquo;For instance, I guess. I ain't dependent on the wages, and I'm sick of
+ the whole thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;But what'll you do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't know.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&mdash;you won't leave town, will you? Lawsy mercy, I hope not!&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't know. Maybe I'll know better by and by. I've got to think things
+ out. Run along now, like a good feller. Don't say nothin' about my
+ quittin'. All hands'll know it to-morrow, and that's soon enough.&rdquo;
+ </p>
+ <p>
+ Simeon departed, his brain in a whirl. Captain Solomon Berry no longer
+ depot master! The world must be coming to an end.
+ </p>
+ <p>
+ He remained at his work until supper time. During the meal he ate and said
+ so little that his wife wondered and asked questions. To avoid answering
+ them he hurried out. When he returned, about ten o'clock, he was a changed
+ man. His eyes shone and he fairly danced with excitement.
+ </p>
+ <p>
+ &ldquo;Emeline!&rdquo; he shouted, as he burst into the sitting room. &ldquo;What do you
+ think? I've got the everlastin'est news to tell!&rdquo;
+ </p>
+ <p>
+ &ldquo;Good or bad?&rdquo; asked the practical Mrs. Phinney.
+ </p>
+ <p>
+ &ldquo;Good! So good that&mdash;There! let me tell you. When I left here I went
+ down to the store and hung around till the mail was sorted. Pat Starkey
+ was doin' the sortin', Beriah bein' too upsot by Gertie's gettin' married
+ to attend to anything. Pat called me to the mail window and handed me a
+ letter.
+ </p>
+ <p>
+ &ldquo;'It's for Olive Edwards,' he says. 'She's been expectin' one for a
+ consider'ble spell, she told me, and maybe this is it. P'r'aps you'd just
+ as soon go round by her shop and leave it.'
+ </p>
+ <p>
+ &ldquo;I took the letter and looked at it. Up in one corner was the printed name
+ of an Omaha firm. I never said nothin', but I sartinly hustled on my way
+ up the hill.
+ </p>
+ <p>
+ &ldquo;Olive was in her little settin' room back of the shop. She was pretty
+ pale, and her eyes looked as if she hadn't been doin' much sleepin'
+ lately. Likewise I noticed&mdash;and it give me a queer feelin' inside&mdash;that
+ her trunk was standin', partly packed, in the corner.&rdquo;
+ </p>
+ <p>
+ &ldquo;The poor woman!&rdquo; exclaimed Mrs. Phinney.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; went on her husband. &ldquo;Well, I handed over the letter and started to
+ go, but she told me to set down and rest, 'cause I was so out of breath.
+ To tell you the truth, I was crazy to find out what was in that envelope
+ and, being as she'd give me the excuse, I set.
+ </p>
+ <p>
+ &ldquo;She took the letter over to the lamp and looked at it for much as a
+ minute, as if she was afraid to open it. But at last, and with her fingers
+ shakin' like the palsy, she fetched a long breath and tore off the end of
+ the envelope. It was a pretty long letter, and she read it through. I see
+ her face gettin' whiter and whiter and, when she reached the bottom of the
+ last page, the letter fell onto the floor. Down went her head on her arms,
+ and she cried as if her heart would break. I never felt so sorry for
+ anybody in my life.
+ </p>
+ <p>
+ &ldquo;'Don't, Mrs. Edwards,' I says. 'Please don't. That cousin of yours is a
+ darn ungrateful scamp, and I'd like to have my claws on his neck this
+ minute.'
+ </p>
+ <p>
+ &ldquo;She never even asked me how I knew about the cousin. She was too much
+ upset for that.
+ </p>
+ <p>
+ &ldquo;'Oh! oh!' she sobs. 'What SHALL I do? Where shall I go? I haven't got a
+ friend in the world!'
+ </p>
+ <p>
+ &ldquo;I couldn't stand that. I went acrost and laid my hand on her shoulder.
+ </p>
+ <p>
+ &ldquo;'Mrs. Edwards,' says I, 'you mustn't say that. You've got lots of
+ friends. I'm your friend. Mr. Hilton's your friend. Yes, and there's
+ another, the best friend of all. If it weren't for him, you'd have been
+ turned out into the street long before this.'&rdquo;
+ </p>
+ <p>
+ Mrs. Phinney nodded. &ldquo;I'm glad you told her!&rdquo; she exclaimed. &ldquo;She'd ought
+ to know.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's what I thought,&rdquo; said Simeon.
+ </p>
+ <p>
+ &ldquo;Well, she raised her head then and looked at me.
+ </p>
+ <p>
+ &ldquo;'You mean Mr. Williams?' she asks.
+ </p>
+ <p>
+ &ldquo;That riled me up. 'Williams nothin'!' says I. 'Williams let you stay here
+ 'cause he could just as well as not. If he'd known that this other friend
+ was keepin' him from gettin' here, just on your account, he'd have chucked
+ you to glory, promise or no promise. But this friend, this real friend, he
+ don't count cost, nor trouble, nor inconvenience. Hikes his house&mdash;the
+ house he lives in&mdash;right out into the road, moves it to a place where
+ he don't want to go, and&mdash;'
+ </p>
+ <p>
+ &ldquo;'Mr. Phinney,' she sighs out, 'what do you mean?'
+ </p>
+ <p>
+ &ldquo;And then I told her. She listened without sayin' a word, but her eyes
+ kept gettin' brighter and brighter and she breathed short.
+ </p>
+ <p>
+ &ldquo;'Oh!' she says, when I'd finished. 'Did he&mdash;did he&mdash;do that for
+ ME?'
+ </p>
+ <p>
+ &ldquo;'You bet!' says I. 'He didn't tell me what he was doin' it for&mdash;that
+ ain't Sol's style; but I'm arithmetiker enough to put two and two together
+ and make four. He did it for you, you can bet your last red on that.'
+ </p>
+ <p>
+ &ldquo;She stood up. 'Oh!' she breathes. 'I&mdash;I must go and thank him. I&mdash;'
+ </p>
+ <p>
+ &ldquo;But, knowin' Sol, I was afraid. Fust place, there was no tellin' how he'd
+ act, and, besides, he might not take it kindly that I'd told her.
+ </p>
+ <p>
+ &ldquo;'Wait a jiffy,' I says. 'I'll go out and see if he's home. You stay here.
+ I'll be back right off.'
+ </p>
+ <p>
+ &ldquo;Out I put, and over to the Berry house, standin' on its rollers in the
+ middle of the Boulevard. And, just as I got to it, somebody says:
+ </p>
+ <p>
+ &ldquo;'Ahoy, Sim! What's the hurry? Anybody on fire?'
+ </p>
+ <p>
+ &ldquo;'Twas the Cap'n himself, settin' on a pile of movin' joist and smokin' as
+ usual. I didn't waste no time.
+ </p>
+ <p>
+ &ldquo;'Sol,' says I, 'I've just come from Olive's. She's got that letter from
+ the Omaha man. Poor thing! all alone there&mdash;'
+ </p>
+ <p>
+ &ldquo;He interrupted me sharp. 'Well?' he snaps. 'What's it say? Will the
+ cousin help her?'
+ </p>
+ <p>
+ &ldquo;'No,' I says, 'drat him, he won't!'
+ </p>
+ <p>
+ &ldquo;The answer I got surprised me more'n anything I ever heard or ever will
+ hear.
+ </p>
+ <p>
+ &ldquo;'Thank God!' says Sol Berry. 'That settles it.'
+ </p>
+ <p>
+ &ldquo;And I swan to man if he didn't climb down off them timbers and march
+ straight across the street, over to the door of Olive Edwards's home, open
+ it, and go in! I leaned against the joist he'd left, and swabbed my
+ forehead with my sleeve.&rdquo;
+ </p>
+ <p>
+ &ldquo;He went to HER!&rdquo; gasped Mrs. Phinney.
+ </p>
+ <p>
+ &ldquo;Wait,&rdquo; continued her husband. &ldquo;I must have stood there twenty minutes
+ when I heard somebody hurryin' down the Boulevard. 'Twas Cornelius Rowe,
+ all red-faced and het up, but bu'stin' with news.
+ </p>
+ <p>
+ &ldquo;''Lo, Sim!' says he to me. 'Is Cap'n Sol home? Does he know?'
+ </p>
+ <p>
+ &ldquo;'Know? Know what?&rdquo; says I.
+ </p>
+ <p>
+ &ldquo;'Why, the trick Mr. Williams put up on him? Hey? You ain't heard? Well,
+ Mr. Williams's fixed him nice, HE has! Seems Abner Payne hadn't answered
+ Sol's letter tellin' him he'd accept the offer to swap lots, and Williams
+ went up to Wareham where Payne's been stayin' and offered him a thumpin'
+ price for the land on Main Street, and took it. The deed's all made out.
+ Cap'n Sol can't move where he was goin' to, and he's left with his house
+ on the town, as you might say. Ain't it a joke, though? Where is Sol? I
+ want to be the fust to tell him and see how he acts. Is he to home?'
+ </p>
+ <p>
+ &ldquo;I was shook pretty nigh to pieces, but I had some sense left.
+ </p>
+ <p>
+ &ldquo;'No, he ain't,' says I. 'I see him go up street a spell ago.'&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, Simeon!&rdquo; interrupted Mrs. Phinney once more. &ldquo;Was that true? How
+ COULD you see him when&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Be still! S'pose I was goin' to tell him where Sol HAD gone? I'd have
+ lied myself blue fust. However, Cornelius was satisfied.
+ </p>
+ <p>
+ &ldquo;'That so?' he grunts. 'By jings! I'm goin' to find him.'
+ </p>
+ <p>
+ &ldquo;Off he went, and the next thing I knew the Edwards door opened, and I
+ heard somebody callin' my name. I went acrost, walkin' in a kind of daze,
+ and there, in the doorway, with the lamp shinin' on 'em, was Cap'n Sol and
+ Olive. The tears was wet on her cheeks, but she was smilin' in a kind of
+ shy, half-believin' sort of way, and as for Sol, he was one broad,
+ satisfied grin.
+ </p>
+ <p>
+ &ldquo;'Cap'n,' I begun, 'I just heard the everlastin'est news that&mdash;'
+ </p>
+ <p>
+ &ldquo;'Shut up, Sim!' he orders, cheerful. 'You've been a mighty good friend to
+ both of us, and I want you to be the fust to shake hands.'
+ </p>
+ <p>
+ &ldquo;'Shake hands?' I stammers, lookin' at 'em. 'WHAT? You don't mean&mdash;'
+ </p>
+ <p>
+ &ldquo;'I mean shake hands. Don't you want to?'
+ </p>
+ <p>
+ &ldquo;Want to! I give 'em both one more look, and then we shook, up to the
+ elbows; and my grin had the Cap'n's beat holler.
+ </p>
+ <p>
+ &ldquo;'Sim,' he says, after I'd cackled a few minutes, 'I cal'late maybe that
+ white horse is well by this time. P'r'aps we might move a little faster.
+ I'm kind of anxious to get to Main Street.'
+ </p>
+ <p>
+ &ldquo;Then I remembered. 'Great gosh all fish-hooks!' I sings out. 'Main
+ Street? Why, there AIN'T no Main Street!'
+ </p>
+ <p>
+ &ldquo;And I gives 'em Cornelius's news. The widow's smile faded out.
+ </p>
+ <p>
+ &ldquo;'Oh!' says she. 'O Solomon! And I got you into all this trouble!'
+ </p>
+ <p>
+ &ldquo;Cap'n Sol didn't stop grinnin', but he scratched his head. 'Huh!' says
+ he. 'Mark one up for King Williams the Great. Humph!'
+ </p>
+ <p>
+ &ldquo;He thought for a minute and then he laughed out loud. 'Olive,' he says,
+ 'if I remember right, you and I always figgered to live on the Shore Road.
+ It's the best site in town. Sim, I guess if that white horse IS well, you
+ can move that shanty of mine right to Cross Street, down that, and back
+ along the Shore Road to the place where it come from. THAT land's mine
+ yet,' says he.
+ </p>
+ <p>
+ &ldquo;If that wa'n't him all over! I couldn't think what to say, except that
+ folks would laugh some, I cal'lated.
+ </p>
+ <p>
+ &ldquo;'Not at us, they won't,' says he. 'We'll clear out till the laughin' is
+ over. Olive, to-morrer mornin' we'll call on Parson Hilton and then take
+ the ten o'clock train. I feel's if a trip to Washin'ton would be about
+ right just now.'
+ </p>
+ <p>
+ &ldquo;She started and blushed and then looked up into his face. 'Solomon,' she
+ says, low, 'I really would like to go to Niagara.'
+ </p>
+ <p>
+ &ldquo;He shook his head. 'Old lady,' says he, 'I guess you don't quite
+ understand this thing. See here'&mdash;p'intin' to his house loomin' big
+ and black in the roadway&mdash;'see! the mountain has come to Mahomet.'&rdquo;
+ </p>
+ <p>
+ Mrs. Phinney had heard enough. She sprang from her chair and seized her
+ husband's hands.
+ </p>
+ <p>
+ &ldquo;Splendid!&rdquo; she cried, her face beaming. &ldquo;Oh, AIN'T it lovely! Ain't you
+ glad for 'em, Simeon?&rdquo;
+ </p>
+ <p>
+ &ldquo;Glad! Say, Emeline; there's some of that wild-cherry bounce down cellar,
+ ain't there? Let's break our teetotalism for once and drink a glass to
+ Cap'n and Mrs. Solomon Berry. Jerushy! I got to do SOMETHIN' to
+ celebrate.&rdquo;
+ </p>
+ <p>
+ On the Hill Boulevard the summer wind stirred the silverleaf poplars. The
+ thick, black shadows along the sidewalks were heavy with the perfume of
+ flowers. Captain Sol, ex-depot master of East Harniss, strolled on in the
+ dark, under the stars, his hands in his pockets, and in his heart
+ happiness complete and absolute.
+ </p>
+ <p>
+ Behind him twinkled the lamp in the window of the Edwards house, so soon
+ to be torn down. Before him, over the barberry hedge, blazed the windows
+ of the mansion the owner of which was responsible for it all. The windows
+ were open, and through them sounded the voices of the mighty Ogden
+ Hapworth Williams and his wife, engaged in a lively altercation. It was an
+ open secret that their married life was anything but peaceful.
+ </p>
+ <p>
+ &ldquo;What are you grumbling about now?&rdquo; demanded 'Williams. &ldquo;Don't I give you
+ more money than&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Nonsense!&rdquo; sneered Mrs. Williams, in scornful derision. &ldquo;Nonsense, I say!
+ Money is all there is to you, Ogden. In other things, the real things of
+ this world, those you can't buy with money, you're a perfect imbecile. You
+ know nothing whatever about them.&rdquo;
+ </p>
+ <p>
+ Captain Sol, alone on the walk by the hedge, glanced in the direction of
+ the shrill voice, then back at the lamp in Olive's window. And he laughed
+ aloud.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
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+</pre>
+ </body>
+</html>
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+*Project Gutenberg Etext The Depot Master, by Joseph C. Lincoln*
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+The Depot Master
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+by Joseph C. Lincoln
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+September, 2000 [Etext #2307]
+
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+*Project Gutenberg Etext The Depot Master, by Joseph C. Lincoln*
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+This etext was prepared by Donald Lainson, charlie@idirect.com.
+
+
+
+
+
+THE DEPOT MASTER
+
+by Joseph C. Lincoln
+
+
+
+
+CONTENTS
+
+
+CHAPTER
+
+I.--AT THE DEPOT
+
+II.--SUPPLY AND DEMAND
+
+III.--"STINGY GABE"
+
+IV.--THE MAJOR
+
+V.--A BABY AND A ROBBERY
+
+VI.--AVIATION AND AVARICE
+
+VII.--CAPTAIN SOL DECIDES TO MOVE
+
+VIII.--THE OBLIGATIONS OF A GENTLEMAN
+
+IX.--THE WIDOW BASSETT
+
+X.--CAPTAIN JONADAB GOES
+
+XI. THE GREAT METROPOLIS
+
+XII.--A VISION SENT
+
+XIII.--DUSENBERRY'S BIRTHDAY
+
+XIV.--EFFIE'S FATE
+
+XV.--THE "HERO" AND THE COWBOY
+
+XVI.--THE CRUISE OF THE RED CAR
+
+XVII.--ISSY'S REVENGE
+
+XVIII.--THE MOUNTAIN AND MAHOMET
+
+
+
+
+THE DEPOT MASTER
+
+
+CHAPTER I
+
+AT THE DEPOT
+
+
+Mr. Simeon Phinney emerged from the side door of his residence and
+paused a moment to light his pipe in the lee of the lilac bushes.
+Mr. Phinney was a man of various and sundry occupations, and his
+sign, nailed to the big silver-leaf in the front yard, enumerated a
+few of them. "Carpenter, Well Driver, Building Mover, Cranberry
+Bogs Seen to with Care and Dispatch, etc., etc.," so read the sign.
+The house was situated in "Phinney's Lane," the crooked little
+byway off "Cross Street," between the "Shore Road" at the foot of
+the slope and the "Hill Boulevard"--formerly "Higgins's Roost"--at
+the top. From the Phinney gate the view was extensive and, for the
+most part, wet. The hill descended sharply, past the "Shore Road,"
+over the barren fields and knolls covered with bayberry bushes and
+"poverty grass," to the yellow sand of the beach and the gray,
+weather-beaten fish-houses scattered along it. Beyond was the bay,
+a glimmer in the sunset light.
+
+Mrs. Phinney, in the kitchen, was busy with the supper dishes. Her
+husband, wheezing comfortably at his musical pipe, drew an ancient
+silver watch from his pocket and looked at its dial. Quarter past
+six. Time to be getting down to the depot and the post office. At
+least a dozen male citizens of East Harniss were thinking that very
+thing at that very moment. It was a community habit of long
+standing to see the train come in and go after the mail. The facts
+that the train bore no passengers in whom you were intimately
+interested, and that you expected no mail made little difference.
+If you were a man of thirty or older, you went to the depot or the
+"club," just as your wife or sisters went to the sewing circle, for
+sociability and mild excitement. If you were a single young man
+you went to the post office for the same reason that you attended
+prayer meeting. If you were a single young lady you went to the
+post office and prayer meeting to furnish a reason for the young man.
+
+Mr. Phinney, replacing his watch in his pocket, meandered to the
+sidewalk and looked down the hill and along the length of the
+"Shore Road." Beside the latter highway stood a little house,
+painted a spotless white, its window blinds a vivid green. In that
+house dwelt, and dwelt alone, Captain Solomon Berry, Sim Phinney's
+particular friend. Captain Sol was the East Harniss depot master
+and, from long acquaintance, Mr. Phinney knew that he should be
+through supper and ready to return to the depot, by this time. The
+pair usually walked thither together when the evening meal was
+over.
+
+But, except for the smoke curling lazily from the kitchen chimney,
+there was no sign of life about the Berry house. Either Captain
+Sol had already gone, or he was not yet ready to go. So Mr.
+Phinney decided that waiting was chancey, and set out alone.
+
+He climbed Cross Street to where the "Hill Boulevard," abiding
+place of East Harniss's summer aristocracy, bisected it, and there,
+standing on the corner, and consciously patronizing the spot where
+he so stood, was Mr. Ogden Hapworth Williams, no less.
+
+Mr. Williams was the village millionaire, patron, and, in a
+gentlemanly way, "boomer." His estate on the Boulevard was the
+finest in the county, and he, more than any one else, was
+responsible for the "buying up" by wealthy people from the city of
+the town's best building sites, the spots commanding "fine marine
+sea views," to quote from Abner Payne, local real estate and
+insurance agent. His own estate was fine enough to be talked about
+from one end of the Cape to the other and he had bought the empty
+lot opposite and made it into a miniature park, with flower beds
+and gravel walks, though no one but he or his might pick the
+flowers or tread the walks. He had brought on a wealthy friend
+from New York and a cousin from Chicago, and they, too, had bought
+acres on the Boulevard and erected palatial "cottages" where once
+were the houses of country people. Local cynics suggested that the
+sign on the East Harniss railroad station should be changed to read
+"Williamsburg." "He owns the place, body and soul," said they.
+
+As Sim Phinney climbed the hill the magnate, pompous, portly, and
+imposing, held up a signaling finger. "Just as if he was hailin' a
+horse car," described Simeon afterward.
+
+"Phinney," he said, "come here, I want to speak to you."
+
+The man of many trades obediently approached.
+
+"Good evenin', Mr. Williams," he ventured.
+
+"Phinney," went on the great man briskly, "I want you to give me
+your figures on a house moving deal. I have bought a house on the
+Shore Road, the one that used to belong to the--er--Smalleys, I
+believe."
+
+Simeon was surprised. "What, the old Smalley house?" he exclaimed.
+"You don't tell me!"
+
+"Yes, it's a fine specimen--so my wife says--of the pure Colonial,
+whatever that is, and I intend moving it to the Boulevard. I want
+your figures for the job."
+
+The building mover looked puzzled. "To the Boulevard?" he said.
+"Why, I didn't know there was a vacant lot on the Boulevard, Mr.
+Williams."
+
+"There isn't now, but there will be soon. I have got hold of the
+hundred feet left from the old Seabury estate."
+
+Mr. Phinney drew a long breath. "Why!" he stammered, "that's where
+Olive Edwards--her that was Olive Seabury--lives, ain't it?"
+
+"Yes," was the rather impatient answer. "She has been living
+there. But the place was mortgaged up to the handle and--ahem--the
+mortgage is mine now."
+
+For an instant Simeon did not reply. He was gazing, not up the
+Boulevard in the direction of the "Seabury place" but across the
+slope of the hill toward the home of Captain Sol Berry, the depot
+master. There was a troubled look on his face.
+
+"Well?" inquired Williams briskly, "when can you give me the
+figures? They must be low, mind. No country skin games, you
+understand."
+
+"Hey?" Phinney came out of his momentary trance. "Yes, yes, Mr.
+Williams. They'll be low enough. Times is kind of dull now and
+I'd like a movin' job first-rate. I'll give 'em to you to-morrer.
+But--but Olive'll have to move, won't she? And where's she goin'?"
+
+"She'll have to move, sure. And the eyesore on that lot now will
+come down."
+
+The "eyesore" was the four room building, combined dwelling and
+shop of Mrs. Olive Edwards, widow of "Bill Edwards," once a
+promising young man, later town drunkard and ne'er-do-well, dead
+these five years, luckily for himself and luckier--in a way--for
+the wife who had stuck by him while he wasted her inheritance in a
+losing battle with John Barleycorn. At his death the fine old
+Seabury place had dwindled to a lone hundred feet of land, the
+little house, and a mortgage on both. Olive had opened a "notion
+store" in her front parlor and had fought on, proudly refusing aid
+and trying to earn a living. She had failed. Again Phinney stared
+thoughtfully at the distant house of Captain Sol.
+
+"But Olive," he said, slowly. "She ain't got no folks, has she?
+What'll become of her? Where'll she move to?"
+
+"That," said Mr. Williams, with a wave of a fat hand, "is not my
+business. I am sorry for her, if she's hard up. But I can't be
+responsible if men will drink up their wives' money. Look out for
+number one; that's business. I sha'n't be unreasonable with her.
+She can stay where she is until the new house I've bought is moved
+to that lot. Then she must clear out. I've told her that. She
+knows all about it. Well, good-by, Phinney. I shall expect your
+bid to-morrow. And, mind, don't try to get the best of me, because
+you can't do it."
+
+He turned and strutted back up the Boulevard. Sim Phinney,
+pondering deeply and very grave, continued on his way, down Cross
+Street to Main--naming the village roads was another of the
+Williams' "improvements"--and along that to the crossing, East
+Harniss's business and social center at train times.
+
+The station--everyone called it "deepo," of course--was then a
+small red building, old and out of date, but scrupulously neat
+because of Captain Berry's rigid surveillance. Close beside it was
+the "Boston Grocery, Dry Goods and General Store," Mr. Beriah
+Higgins, proprietor. Beriah was postmaster and the post office was
+in his store. The male citizen of middle age or over, seeking
+opportunity for companionship and chat, usually went first to the
+depot, sat about in the waiting room until the train came in,
+superintended that function, then sojourned to the post office
+until the mail was sorted, returning later, if he happened to be a
+particular friend of the depot master, to sit and smoke and yarn
+until Captain Sol announced that it was time to "turn in."
+
+When Mr. Phinney entered the little waiting room he found it
+already tenanted. Captain Sol had not yet arrived, but official
+authority was represented by "Issy" McKay--his full name was
+Issachar Ulysses Grant McKay--a long-legged, freckled-faced, tow-
+headed youth of twenty, who, as usual, was sprawled along the
+settee by the wall, engrossed in a paper covered dime novel.
+"Issy" was a lover of certain kinds of literature and reveled in
+lurid fiction. As a youngster he had, at the age of thirteen,
+after a course of reading in the "Deadwood Dick Library," started
+on a pedestrian journey to the Far West, where, being armed with
+home-made tomahawk and scalping knife, he contemplated
+extermination of the noble red man. A wrathful pursuing parent had
+collared the exterminator at the Bayport station, to the huge
+delight of East Harniss, young and old. Since this adventure Issy
+had been famous, in a way.
+
+He was Captain Sol Berry's assistant at the depot. Why an
+assistant was needed was a much discussed question. Why Captain
+Sol, a retired seafaring man with money in the bank, should care to
+be depot master at ten dollars a week was another. The Captain
+himself said he took the place because he wanted to do something
+that was "half way between a loaf and a job." He employed an
+assistant at his own expense because he "might want to stretch the
+loafin' half." And he hired Issy because--well, because "most
+folks in East Harniss are alike and you can always tell about what
+they'll say or do. Now Issy's different. The Lord only knows what
+HE'S likely to do, and that makes him interestin' as a conundrum,
+to guess at. He kind of keeps my sense of responsibility from
+gettin' mossy, Issy does."
+
+"Issy," hailed Mr. Phinney, "has the Cap'n got here yet?"
+
+Issy answered not. The villainous floorwalker had just proffered
+matrimony or summary discharge to "Flora, the Beautiful Shop Girl,"
+and pending her answer, the McKay mind had no room for trifles.
+
+"Issy!" shouted Simeon. "I say, Is', Wake up, you foolhead! Has
+Cap'n Sol--"
+
+"No, he ain't, Sim," volunteered Ed Crocker. He and his chum,
+Cornelius Rowe, were seated in two of the waiting room chairs,
+their feet on two others. "He ain't got here yet. We was just
+talkin' about him. You've heard about Olive Edwards, I s'pose
+likely, ain't you?"
+
+Phinney nodded gloomily.
+
+"Yes," he said, "I've heard."
+
+"Well, it's too bad," continued Crocker. "But, after all, it's
+Olive's own fault. She'd ought to have married Sol Berry when she
+had the chance. What she ever gave him the go-by for, after the
+years they was keepin' comp'ny, is more'n I can understand."
+
+Cornelius Rowe shook his head, with an air of wisdom. Captain Sol,
+himself, remarked once: "I wonder sometimes the Almighty ain't
+jealous of Cornelius, he knows so much and is so responsible for
+the runnin' of all creation."
+
+"Humph!" grunted Mr. Rowe. "There's more to that business than you
+folks think. Olive didn't notice Bill Edwards till Sol went off to
+sea and stayed two years and over. How do you know she shook Sol?
+You might just as well say he shook her. He always was stubborn as
+an off ox and cranky as a windlass. I wonder how he feels now,
+when she's lost her last red and is goin' to be drove out of house
+and home. And all on account of that fool 'mountain and Mahomet'
+business."
+
+"WHICH?" asked Mr. Crocker.
+
+"Never mind that, Cornelius," put in Phinney, sharply. "Why don't
+you let other folks' affairs alone? That was a secret that Olive
+told your sister and you've got no right to go blabbin'."
+
+"Aw, hush up, Sim! I ain't tellin' no secrets to anybody but Ed
+here, and he ain't lived in East Harniss long or he'd know it
+already. The mountain and Mahomet? Why, them was the last words
+Sol and Olive had. 'Twas Sol's stubbornness that was most to
+blame. That was his one bad fault. He would have his own way and
+he wouldn't change. Olive had set her heart on goin' to Washin'ton
+for their weddin' tower. Sol wanted to go to Niagara. They argued
+a long time, and finally Olive says, 'No, Solomon, I'm not goin' to
+give in this time. I have all the others, but it's not fair and
+it's not right, and no married life can be happy where one does all
+the sacrificin'. If you care for me you'll do as I want now.'
+
+"And he laughs and says, 'All right, I'll sacrifice after this, but
+you and me must see Niagara.' And she was sot and he was sotter,
+and at last they quarreled. He marches out of the door and says:
+'Very good. When you're ready to be sensible and change your mind,
+you can come to me. And says Olive, pretty white but firm: 'No,
+Solomon, I'm right and you're not. I'm afraid this time the
+mountain must come to Mahomet.' That ended it. He went away and
+never come back, and after a long spell she give in to her dad and
+married Bill Edwards. Foolish? 'Well, now, WA'N'T it!"
+
+"Humph!" grunted Crocker. "She must have been a born gump to let a
+smart man like him get away just for that."
+
+"There's a good many born gumps not so far from here as her house,"
+interjected Phinney. "You remember that next time you look in the
+glass, Ed Crocker. And--and--well, there's no better friend of Sol
+Berry's on earth than I am, but, so fur as their quarrel was
+concerned, if you ask me I'd have to say Olive was pretty nigh
+right."
+
+"Maybe--maybe," declared the allwise Cornelius, "but just the same
+if I was Sol Berry, and knew my old girl was likely to go to the
+poorhouse, I'll bet my conscience--"
+
+"S-ssh!" hissed Crocker, frantically. Cornelius stopped in the
+middle of his sentence, whirled in his chair, and looked up.
+Behind him in the doorway of the station stood Captain Sol himself.
+The blue cap he always wore was set back on his head, a cigar
+tipped upward from the corner of his mouth, and there was a grim
+look in his eye and about the smooth shaven lips above the short,
+grayish-brown beard.
+
+"Issy" sprang from his settee and jammed the paper novel into his
+pocket. Ed Crocker's sunburned face turned redder yet. Sim
+Phinney grinned at Mr. Rowe, who was very much embarrassed.
+
+"Er--er--evenin', Cap'n Sol," he stammered. "Nice, seasonable
+weather, ain't it? Been a nice day."
+
+"Um," grunted the depot master, knocking the ashes from his cigar.
+
+"Just right for workin' outdoor," continued Cornelius.
+
+"I guess it must be. I saw your wife rakin' the yard this
+mornin'."
+
+Phinney doubled up with a chuckle. Mr. Rowe swallowed hard. "I--I
+TOLD her I'd rake it myself soon's I got time," he sputtered.
+
+"Um. Well, I s'pose she realized your time was precious. Evenin',
+Sim, glad to see you."
+
+He held out his hand and Phinney grasped it.
+
+"Issy," said Captain Sol, "you'd better get busy with the broom,
+hadn't you. It's standin' over in that corner and I wouldn't
+wonder if it needed exercise. Sim, the train ain't due for twenty
+minutes yet. That gives us at least three quarters of an hour
+afore it gets here. Come outside a spell. I want to talk to you."
+
+He led the way to the platform, around the corner of the station,
+and seated himself on the baggage truck. That side of the
+building, being furthest from the street, was out of view from the
+post office and "general store."
+
+"What was it you wanted to talk about, Sol?" asked Simeon, sitting
+down beside his friend on the truck.
+
+The Captain smoked in silence for a moment. Then he asked a
+question in return.
+
+"Sim," he said, "have you heard anything about Williams buying the
+Smalley house? Is it true?"
+
+Phinney nodded. "Yup," he answered, "it's true. Williams was just
+talkin' to me and I know all about his buyin' it and where it's
+goin'."
+
+He repeated the conversation with the great man. Captain Sol did
+not interrupt. He smoked on, and a frown gathered and deepened as
+he listened.
+
+"Humph!" he said, when his friend had concluded. "Humph! Sim, do
+you have any idea what--what Olive Seabury will do when she has to
+go?"
+
+Phinney glanced at him. It was the first time in twenty years that
+he had heard Solomon Berry mention the name of his former
+sweetheart. And even now he did not call her by her married name,
+the name of her late husband.
+
+"No," replied Simeon. "No, Sol, I ain't got the least idea. Poor
+thing!"
+
+Another interval. Then: "Well, Sim, find out if you can, and let
+me know. And," turning his head and speaking quietly but firmly,
+"don't let anybody ELSE know I asked."
+
+"Course I won't, Sol, you know that. But don't it seem awful mean
+turnin' her out so? I wouldn't think Mr. Williams would do such a
+thing."
+
+His companion smiled grimly; "I would," he said. "'Business is
+business,' that's his motto. That and 'Look out for number one.'"
+
+"Yes, he said somethin' to me about lookin' out for number one."
+
+"Did he? Humph!" The Captain's smile lost a little of its
+bitterness and broadened. He seemed to be thinking and to find
+amusement in the process.
+
+"What you grinnin' at?" demanded Phinney.
+
+"Oh, I was just rememberin' how he looked out for number one the
+first--no, the second time I met him. I don't believe he's forgot
+it. Maybe that's why he ain't quite so high and mighty to me as he
+is to the rest of you fellers. Ha! ha! He tried to patronize me
+when I first came back here and took this depot and I just smiled
+and asked him what the market price of johnny-cake was these days.
+He got red clear up to the brim of his tall hat. Humph! 'TWAS
+funny."
+
+"The market price of JOHNNY-CAKE! He must have thought you was
+loony."
+
+"No. I'm the last man he'd think was loony. You see I met him a
+fore he came here to live at all."
+
+"You did? Where?"
+
+"Oh, over to Wellmouth. 'Twas the year afore I come back to East
+Harniss, myself, after my long stretch away from it. I never
+intended to see the Cape again, but I couldn't stay away somehow.
+I've told you that much--how I went over to Wellmouth and boarded a
+spell, got sick of that, and, just to be doin' somethin' and not
+for the money, bought a catboat and took out sailin' parties from
+Wixon and Wingate's summer hotel."
+
+"And you met Mr. Williams? Well, I snum! Was he at the hotel?"
+
+"No, not exactly. I met him sort of casual this second time."
+
+"SECOND time? Had you met him afore that?"
+
+"Don't get ahead of the yarn, Sim. It happened this way: You see,
+I was comin' along the road between East Wellmouth and the Center
+when I run afoul of him. He was fat and shiny, and drivin' a
+skittish horse hitched to a fancy buggy. When he sighted me he
+hove to and hailed.
+
+"'Here you!' says he, in a voice as fat as the rest of him. 'Your
+name's Berry, ain't it.'
+
+"'Yup,' says I.
+
+"'Methusalum Berry or Jehoshaphat Berry or Sheba Berry, or
+somethin' like that? Hey?' he says.
+
+"'Well,' says I, 'the last shot you fired comes nighest the bull's
+eye. They christened me Solomon, but 'twa'n't my fault; I was
+young at the time and they took advantage.'
+
+"He grinned a kind of lopsided grin, like he had a lemon in his
+mouth, and commenced to cuss the horse for tryin' to climb a pine
+tree.
+
+"'I knew 'twas some Bible outrage or other,' he says. 'There's
+more Bible names in this forsaken sand heap than there is
+Christians, a good sight. When I meet a man with a Bible name and
+chin whiskers I hang on to my watch. The feller that sets out to
+do me has got to have a better make up than that, you bet your
+life. 'Well, see here, King Sol; can you run a gasoline launch?'
+
+"'Why, yes, I guess I can run 'most any of the everyday kinds,'
+says I, pullin' thoughtful at my own chin whiskers. This fat man
+had got me interested. He was so polite and folksy in his remarks.
+Didn't seem to stand on no ceremony, as you might say. Likewise
+there was a kind of familiar somethin' about his face. I knew
+mighty well I'd never met him afore, and yet I seemed to have a
+floatin' memory of him, same as a chap remembers the taste of the
+senna and salts his ma made him take when he was little.
+
+"'All right,' says he, sharp. 'Then you come around to my landin'
+to-morrer mornin' at eight o'clock prompt and take me out in my
+launch to the cod-fishin' grounds. I'll give you ten dollars to
+take me out there and back.'
+
+"'Well,' says I, 'ten dollars is a good price enough. Do I
+furnish--'
+
+"'You furnish nothin' except your grub,' he interrupts. 'The
+launch'll be ready and the lines and hooks and bait'll be ready.
+My own man was to do the job, but he and I had a heart-to-heart
+talk just now and I told him where he could go and go quick. No
+smart Alec gets the best of me, even if he has got a month's
+contract. You run that launch and put me on the fishin' grounds.
+I pay you for that and bringin' me back again. And I furnish my
+own extras and you can furnish yours. I don't want any of your
+Yankee bargainin'. See?'
+
+"I saw. There wa'n't no real reason why I couldn't take the job.
+'Twas well along into September; the hotel was closed for the
+season; and about all I had on my hands just then was time.
+
+"'All right,' says I, 'it's a deal. If you'll guarantee to have
+your launch ready, I--'
+
+"'That's my business,' he says. 'It'll be ready. If it ain't
+you'll get your pay just the same. To-morrer mornin' at eight
+o'clock. And don't you forget and be late. Gid-dap, you
+blackguard!' says he to the horse.
+
+"'Hold on, just a minute,' I hollers, runnin' after him. 'I don't
+want to be curious nor nosey, you understand, but seems 's if it
+might help me to be on time if I knew where your launch was goin'
+to be and what your name was.'
+
+"He pulled up then. 'Humph!' he says, 'if you don't know my name
+and more about my private affairs than I do myself, you're the only
+one in this county that don't. My name's Williams, and I live in
+what you folks call the Lathrop place over here toward Trumet. The
+launch is at my landin' down in front of the house.'
+
+"He drove off then and I walked along thinkin'. I knew who he was
+now, of course. There was consider'ble talk when the Lathrop place
+was rented, and I gathered that the feller who hired it answered to
+the hail of Williams and was a retired banker, sufferin' from an
+enlarged income and the diseases that go along with it. He lived
+alone up there in the big house, except for a cranky housekeeper
+and two or three servants. This was afore he got married, Sim; his
+wife's tamed him a little. Then the yarns about his temper and
+language would have filled a log book.
+
+"But all this was way to one side of the mark-buoy, so fur as I was
+concerned. I'd cruised with cranks afore and I thought I could
+stand this one--ten dollars' worth of him, anyhow. Bluster and big
+talk may scare some folks, but to me they're like Aunt Hepsy
+Parker's false teeth, the further off you be from 'em the more real
+they look. So the next mornin' I was up bright and early and on my
+way over to the Lathrop landin'.
+
+"The launch was there, made fast alongside the little wharf. Nice,
+slick-lookin' craft she was, too, all varnish and gilt
+gorgeousness. I'd liked her better if she'd carried a sail, for
+it's my experience that canvas is a handy thing to have aboard in
+case of need; but she looked seaworthy enough and built for speed.
+
+"While I was standin' on the pier lookin' down at her I heard
+footsteps and brisk remarks from behind the bushes on the bank, and
+here comes Williams, puffin' and blowin', followed by a sulky-
+lookin' hired man totin' a deckload of sweaters and ileskins, with
+a lunch basket on top. Williams himself wan't carryin' anything
+but his temper, but he hadn't forgot none of that.
+
+"'Hello, Berry,' says he to me. 'You are on time, ain't you.
+Blessed if it ain't a comfort to find somebody who'll do what I
+tell 'em. Now you,' he says to the servant, 'put them things
+aboard and clear out as quick as you've a mind to. You and I are
+through; understand? Don't let me find you hangin' around the
+place when I get back. Cast off, Sol.'
+
+"The man dumped the dunnage into the launch, pretty average ugly,
+and me and the boss climbed aboard. I cast off.
+
+"'Mr. Williams,' says the man, kind of pleadin', 'ain't you goin'
+to pay me the rest of my month's wages?'
+
+"Williams told him he wa'n't, and added trimmin's to make it
+emphatic.
+
+"I started the engine and we moved out at a good clip. All at once
+that hired man runs to the end of the wharf and calls after us.
+
+"'All right for you, you fat-head!' he yells. 'You'll be sorry for
+what you done to me.'
+
+"I cal'late the boss would have liked to go back and lick him, but
+I was hired to go a-fishin', not to watch a one-sided prize fight,
+and I thought 'twas high time we started.
+
+"The name of that launch was the Shootin' Star, and she certainly
+lived up to it. 'Twas one of them slick, greasy days, with no sea
+worth mentionin' and we biled along fine. We had to, because the
+cod ledge is a good many mile away, 'round Sandy P'int out to sea,
+and, judgin' by what I'd seen of Fatty so fur, I wa'n't hankerin'
+to spend more time with him than was necessary. More'n that, there
+was fog signs showin'.
+
+"'When was you figgerin' on gettin' back, Mr. Williams?' I asked
+him.
+
+"'When I've caught as many fish as I want to,' he says. 'I told
+that housekeeper of mine that I'd be back when I got good and
+ready; it might be to-night and it might be ten days from now. "If
+I ain't back in a week you can hunt me up," I told her; "but not
+before. And that goes." I've got HER trained all right. She
+knows me. It's a pity if a man can't be independent of females.'
+
+"I knew consider'ble many men that was subjects for pity, 'cordin'
+to that rule. But I wa'n't in for no week's cruise, and I told him
+so. He said of course not; we'd be home that evenin'.
+
+"The Shootin' Star kept slippin' along. 'Twas a beautiful mornin'
+and, after a spell, it had its effect, even on a crippled
+disposition like that banker man's. He lit up a cigar and begun to
+get more sociable, in his way. Commenced to ask me questions about
+myself.
+
+"By and by he says: 'Berry, I suppose you figger that it's a smart
+thing to get ten dollars out of me for a trip like this, hey?'
+
+"'Not if it's to last a week, I don't,' says I.
+
+"'It's your lookout if it does,' he says prompt. 'You get ten for
+takin' me out and back. If you ain't back on time 'tain't my
+fault.'
+
+"'Unless this craft breaks down,' I says.
+
+"''Twon't break down. I looked after that. My motto is to look
+out for number one every time, and it's a mighty good motto. At
+any rate, it's made my money for me.'
+
+"He went on, preachin' about business shrewdness and how it paid,
+and how mean and tricky in little deals we Rubes was, and yet we
+didn't appreciate how to manage big things, till I got kind of sick
+of it.
+
+"'Look here, Mr. Williams,' says I, 'you know how I make my money--
+what little I do make--or you say you do. Now, if it ain't a sassy
+question, how did you make yours?'
+
+"Well, he made his by bein' shrewd and careful and always lookin'
+out for number one. 'Number one' was his hobby. I gathered that
+the heft of his spare change had come from dickers in stocks and
+bonds.
+
+"'Humph!' says I. 'Well, speakin' of tricks and meanness, I've
+allers heard tell that there was some of them things hitched to the
+tail of the stock market. What makes the stock market price of--
+well, of wheat, we'll say?'
+
+"That was regulated, so he said, by the law of supply and demand.
+If a feller had all the wheat there was and another chap had to
+have some or starve, why, the first one had a right to gouge
+t'other chap's last cent away from him afore he let it go.
+
+"'That's legitimate,' he says. 'That's cornerin' the market. Law
+of supply and demand exemplified.'
+
+"''Cordin' to that law,' says I, 'when you was so set on fishin'
+to-day and hunted me up to run your boat here--'cause I was about
+the only chap who could run it and wa'n't otherwise busy--I'd ought
+to have charged you twenty dollars instead of ten.'
+
+"'Sure you had,' he says, grinnin'. 'But you weren't shrewd enough
+to grasp the situation and do it. Now the deal's closed and it's
+too late.'
+
+"He went on talkin' about 'pools' and deals' and such. How prices
+of this stock and that was shoved up a-purpose till a lot of folks
+had put their money in it and then was smashed flat so's all hands
+but the 'poolers' would be what he called 'squeezed out,' and the
+gang would get their cash. That was legitimate, too--'high
+finance,' he said.
+
+"'But how about the poor folks that had their savin's in them
+stocks,' I asks, 'and don't know high financin'? Where's the law
+of supply and demand come in for them?'
+
+"He laughed. 'They supply the suckers and the demand for money,'
+says he.
+
+"By eleven we was well out toward the fishin' grounds. 'Twas the
+bad season now; the big fish had struck off still further and there
+wa'n't another boat in sight. The land was just a yeller and green
+smooch along the sky line and the waves was runnin' bigger. The
+Shootin' Star was seaworthy, though, and I wa'n't worried about
+her. The only thing that troubled me was the fog, and that was
+pilin' up to wind'ard. I'd called Fatty's attention to it when we
+fust started, but he said he didn't care a red for fog. Well, I
+didn't much care nuther, for we had a compass aboard and the engine
+was runnin' fine. What wind there was was blowin' offshore.
+
+"And then, all to once, the engine STOPPED runnin'. I give the
+wheel a whirl, but she only coughed, consumptive-like, and quit
+again. I went for'ard to inspect, and, if you'll believe it, there
+wa'n't a drop of gasoline left in the tank. The spare cans had
+ought to have been full, and they was--but 'twas water they was
+filled with.
+
+"'Is THIS the way you have your boat ready for me?' I remarks,
+sarcastic.
+
+"'That--that man of mine told me he had everything filled,' he
+stammers, lookin' scart.
+
+"'Yes,' says I, 'and I heard him hint likewise that he was goin' to
+make you sorry. I guess he's done it.'
+
+"Well, sir! the brimstone names that Fatty called that man was
+somethin' surprisin' to hear. When he'd used up all he had in
+stock he invented new ones. When the praise service was over he
+turns to me and says: 'But what are we goin' to do?'
+
+"'Do?' says I. 'That's easy. We're goin' to drift.'
+
+"And that's what we done. I tried to anchor, but we wa'n't over
+the ledge and the iron wouldn't reach bottom by a mile, more or
+less. I rigged up a sail out of the oar and the canvas spray
+shield, but there wa'n't wind enough to give us steerageway. So we
+drifted and drifted, out to sea. And by and by the fog come down
+and shut us in, and that fixed what little hope I had of bein' seen
+by the life patrol on shore.
+
+"The breeze died out flat about three o'clock. In one way this was
+a good thing. In another it wa'n't, because we was well out in
+deep water, and when the wind did come it was likely to come
+harder'n we needed. However, there wa'n't nothin' to do but wait
+and hope for the best, as the feller said when his wife's mother
+was sick.
+
+"It was gettin' pretty well along toward the edge of the evenin'
+when I smelt the wind a-comin'. It came in puffs at fust, and
+every puff was healthier than the one previous. Inside of ten
+minutes it was blowin' hard, and the seas were beginnin' to kick
+up. I got up my jury rig--the oar and the spray shield--and took
+the helm. There wa'n't nothin' to do but run afore it, and the
+land knows where we would fetch up. At any rate, if the compass
+was right, we was drivin' back into the bay again, for the wind had
+hauled clear around.
+
+"The Shootin' Star jumped and sloshed. Fatty had on all the
+ileskins and sweaters, but he was shakin' like a custard pie.
+
+"'Oh, oh, heavens!' he chatters. 'What will we do? Will we
+drown?'
+
+"'Don't know,' says I, tuggin' at the wheel and tryin' to sight the
+compass. 'You've got the best chance of the two of us, if it's
+true that fat floats.'
+
+"I thought that might cheer him up some, but it didn't. A big wave
+heeled us over then and a keg or two of salt water poured over the
+gunwale. He give a yell and jumped up.
+
+"'My Lord!' he screams. 'We're sinkin'. Help! help!'
+
+"'Set down!' I roared. 'Thought you knew how to act in a boat.
+Set down! d'you hear me? SET DOWN AND SET STILL!'
+
+"He set. Likewise he shivered and groaned. It got darker all the
+time and the wind freshened every minute. I expected to see that
+jury mast go by the board at any time. Lucky for us it held.
+
+"No use tellin' about the next couple of hours. 'Cordin' to my
+reckonin' they was years and we'd ought to have sailed plumb
+through the broadside of the Cape, and be makin' a quick run for
+Africy. But at last we got into smoother water, and then, right
+acrost our bows, showed up a white strip. The fog had pretty well
+blowed clear and I could see it.
+
+"'Land, ho!' I yells. 'Stand by! WE'RE goin' to bump.'"
+
+Captain Sol stopped short and listened. Mr. Phinney grasped his
+arm.
+
+"For the dear land sakes, Sol," he exclaimed, "don't leave me
+hangin' in them breakers no longer'n you can help! Heave ahead!
+DID you bump?"
+
+The depot master chuckled.
+
+"DID we?" he repeated. "Well, I'll tell you that by and by. Here
+comes the train and I better take charge of the ship. Anything so
+responsible as seein' the cars come in without me to help would
+give Issy the jumpin' heart disease."
+
+He sprang from the truck and hastened toward the door of the
+station. Phinney, rising to follow him, saw, over the dark green
+of the swamp cedars at the head of the track, an advancing column
+of smoke. A whistle sounded. The train was coming in.
+
+
+CHAPTER II
+
+SUPPLY AND DEMAND
+
+
+And now life in East Harniss became temporarily fevered. Issy
+McKay dashed out of the station and rushed importantly up and down
+the platform. Ed Crocker and Cornelius Rowe emerged and draped
+themselves in statuesque attitudes against the side of the
+building. Obed Gott came hurrying from his paint and oil shop,
+which was next to the "general store." Mr. Higgins, proprietor of
+the latter, sauntered easily across to receive, in his official
+capacity as postmaster, the mail bag. Ten or more citizens, of
+both sexes, and of various ages, gathered in groups to inspect and
+supervise.
+
+The locomotive pulled its string of cars, a "baggage," a "smoker,"
+and two "passengers," alongside the platform. The sliding door of
+the baggage car was pushed back and the baggage master appeared in
+the opening. "Hi! Capn!" he shouted. "Hi, Capn Sol! Heres
+some express for you."
+
+But unfortunately the Captain was in conversation with the
+conductor at the other end of the train. Issy, willing and
+officious, sprang forward. "Ill take it, Bill," he volunteered.
+"Here, give it to me."
+
+The baggage master handed down the package, a good sized one marked
+"Glass. With Care." Issy received it, clutched it to his bosom,
+turned and saw Gertie Higgins, pretty daughter of Beriah Higgins,
+stepping from the first car to the platform. Gertie had been
+staying with an aunt in Trumet and was now returning home for a day
+or two.
+
+Issy stopped short and gazed at her. He saw her meet and kiss her
+father, and the sight roused turbulent emotions in his bosom. He
+saw her nod and smile at acquaintances whom she passed. She
+approached, noticed him, and--oh, rapture!--said laughingly,
+"Hello, Is." Before he could recover his senses and remember to do
+more than grin she had disappeared around the corner of the
+station. Therefore he did not see the young man who stepped
+forward to shake her hand and whisper in her ear. This young man
+was Sam Bartlett, and, as a "city dude," Issy loathed and hated him.
+
+No, Issy did not see the hurried and brief meeting between Bartlett
+and Gertie Higgins, but he had seen enough to cause forgetfulness
+of mundane things. For an instant he stared after the vanished
+vision. Then he stepped blindly forward, tripped over something--
+"his off hind leg," so Captain Sol afterwards vowed--and fell
+sprawling, the express package beneath him.
+
+The crash of glass reached the ears of the depot master. He broke
+away from the conductor and ran toward his prostrate "assistant."
+Pushing aside the delighted and uproarious bystanders, he forcibly
+helped the young man to rise.
+
+"What in time?" he demanded.
+
+Issy agonizingly held the package to his ear and shook it.
+
+"I--I'm afraid somethin's cracked," he faltered.
+
+The crowd set up a whoop. Ed Crocker appeared to be in danger of
+strangling.
+
+"Cracked!" repeated Captain Sol. "Cracked!" he smiled, in spite of
+himself. "Yes, somethin's cracked. It's that head of yours, Issy.
+Here, let's see!"
+
+He snatched the package from the McKay hands and inspected it.
+
+"Smashed to thunder!" he declared. "Who's the lucky one it belongs
+to? Humph!" He read the inscription aloud, "Major Cuthbertson S.
+Hardee. The Major, hey! . . . Well, Is, you take the remains
+inside and you and I'll hold services over it later."
+
+"I--I didn't go to do it," protested the frightened Issy.
+
+"Course you didn't. If you had you wouldn't. You're like the
+feller in Scriptur', you leave undone the things you ought to do
+and do them that--All right, Jim! Let her go! Cast off!"
+
+The conductor waved his hand, the engine puffed, the bell rang, and
+the train moved onward. For another twelve hours East Harniss was
+left marooned by the outside world.
+
+Beriah Higgins and the mail bag were already in the post office.
+Thither went the crowd to await the sorting and ultimate
+distribution. A short, fat little man lingered and, walking up to
+the depot master, extended his hand.
+
+"Hello, Sol!" he said, smiling. "Thought I'd stop long enough to
+say 'Howdy,' anyhow."
+
+"Why, Bailey Stitt!" cried the Captain. "How are you? Glad to see
+you. Thought you was down to South Orham, takin' out seasick
+parties for the Ocean House, same kind of a job I used to have in
+Wellmouth."
+
+"I am," replied Captain Stitt. "That is, I was. Just now I've run
+over here to see about contractin' for a supply of clams and
+quahaugs for our boarders. You never see such a gang to eat as
+them summer folks, in your life. Barzilla Wingate, he says the
+same about his crowd. He's comin' on the mornin' train from
+Wellmouth."
+
+"You don't tell me. I ain't seen Barzilla for a long spell. Where
+you stoppin'? Come up to the house, won't you?"
+
+"Can't. I'm goin' to put up over to Obed Gott's. His sister,
+Polena Ginn, is a relation of mine by marriage. So long! Obed's
+gone on ahead to tell Polena to put the kettle on. Maybe Obed and
+I'll be back again after I've had supper."
+
+"Do. I'll be round here for two or three hours yet."
+
+He entered the depot. Except the forlorn Issy, who sat in a
+corner, holding the express package in his lap, Simeon Phinney was
+the only person in the waiting room.
+
+"Come on now, Sol!" pleaded Sim. "I want to hear the rest of that
+about you and Williams. You left off in the most ticklish place
+possible, out of spite, I do believe. I'm hangin' on to that boat
+in the breakers until I declare I believe I'm catchin' cold just
+from imagination."
+
+"Wait a minute, Sim," said the depot master. Then he turned to his
+assistant.
+
+"Issy," he said, "this is about the nineteenth time you've done
+just this sort of thing. You're no earthly use and I ought to give
+you your clearance papers. But I can't, you're too--well--
+ornamental. You've got to be punished somehow and I guess the best
+way will be to send you right up to Major Hardee's and let you give
+him the remnants. He'll want to know how it happened, and you tell
+him the truth. The TRUTH, understand? If you invent any fairy
+tales out of those novels of yours I'll know it by and by and--
+well, YOU'LL know I know. No remarks, please. Git!"
+
+Issy hesitated, seemed about to speak, thought better of it, took
+up package and cap, and "got."
+
+"Let's see," said the Captain, sitting down in one of the station
+chairs and lighting a fresh cigar; "where was Williams and I in
+that yarn of mine? Oh, yes, I could see land and cal'lated we was
+goin' to bump. Well, we did. Steerin' anyways but dead ahead was
+out of the question, and all I could do was set my teeth and trust
+in my bein' a member of the church. The Shootin' Star hit that
+beach like she was the real article. Overboard went oar and canvas
+and grub pails, and everything else that wa'n't nailed down,
+includin' Fatty and me. I grabbed him by the collar and wallowed
+ashore.
+
+"'Awk! hawk!' he gasps, chokin', 'I'm drownded.'
+
+"I let him BE drownded, for the minute. I had the launch to think
+of, and somehow or 'nother I got hold of her rodin' and hauled the
+anchor up above tide mark. Then I attended to my passenger.
+
+"'Where are we?' he asks.
+
+"I looked around. Close by was nothin' but beach-grass and seaweed
+and sand. A little ways off was a clump of scrub pines and
+bayberry bushes that looked sort of familiar. And back of them was
+a little board shanty that looked more familiar still. I rubbed
+the salt out of my eyes.
+
+"'WELL!' says I. 'I swan to man!'
+
+"'What is it?' he says. 'Do you know where we are? Whose house is
+that?'
+
+I looked hard at the shanty.
+
+"'Humph!' I grunted. 'I do declare! Talk about a feller's comin'
+back to his own. Whose shanty is that? Well, it's mine, if you
+want to know. The power that looks out for the lame and the lazy
+has hove us ashore on Woodchuck Island, and that's a piece of real
+estate I own.'
+
+"It sounds crazy enough, that's a fact; but it was true. Woodchuck
+Island is a little mite of a sand heap off in the bay, two mile
+from shore and ten from the nighest town. I'd bought it and put up
+a shanty for a gunnin' shack; took city gunners down there, once in
+a while, the fall before. That summer I'd leased it to a friend of
+mine, name of Darius Baker, who used it while he was lobsterin'.
+The gale had driven us straight in from sea, 'way past Sandy P'int
+and on to the island. 'Twas like hittin' a nail head in a board
+fence, but we'd done it. Shows what Providence can do when it sets
+out.
+
+"I explained some of this to Williams as we waded through the sand
+to the shanty.
+
+"'But is this Baker chap here now?' he asks.
+
+"'I'm afraid not,' says I. 'The lobster season's about over, and
+he was goin' South on a yacht this week. Still, he wa'n't to go
+till Saturday and perhaps--'
+
+"But the shanty was empty when we got there. I fumbled around in
+the tin matchbox and lit the kerosene lamp in the bracket on the
+wall. Then I turned to Williams.
+
+"'Well,' says I, 'we're lucky for once in--'
+
+"Then I stopped. When he went overboard the water had washed off
+his hat. Likewise it had washed off his long black hair--which was
+a wig--and his head was all round and shiny and bald, like a gull's
+egg out in a rain storm."
+
+"I knew he wore a wig," interrupted Phinney.
+
+"Of course you do. Everybody does now. But he wa'n't such a
+prophet in Israel then as he's come to be since, and folks wa'n't
+acquainted with his personal beauties.
+
+"'What are you starin' at?' he asks.
+
+"I fetched a long breath. 'Nothin',' says I. 'Nothin'.'
+
+"But for the rest of that next ha'f hour I went around in a kind of
+daze, as if MY wig had gone and part of my head with it. When a
+feller has been doin' a puzzle it kind of satisfies him to find out
+the answer. And I'd done my puzzle.
+
+"I knew where I'd met Mr. Williams afore."
+
+"You did?" cried Simeon.
+
+"Um-hm. Wait a while. Well, Fatty went to bed, in one of the hay
+bunks, pretty soon after that. He stripped to his underclothes and
+turned in under the patchwork comforters. He was too beat out to
+want any supper, even if there'd been any in sight. I built a fire
+in the rusty cook stove and dried his duds and mine. Then I set
+down in the busted chair and begun to think. After a spell I got
+up and took account of stock, as you might say, of the eatables in
+the shanty. Darius had carted off his own grub and what there was
+on hand was mine, left over from the gunnin' season--a hunk of salt
+pork in the pickle tub, some corn meal in a tin pail, some musty
+white flour in another pail, a little coffee, a little sugar and
+salt, and a can of condensed milk. I took these things out of the
+locker they was in, looked 'em over, put 'em back again and sprung
+the padlock. Then I put the key into my pocket and went back to my
+chair to do some more thinkin'.
+
+"Next mornin' I was up early and when the banker turned out I was
+fryin' a couple of slices of the pork and had some coffee b'ilin'.
+Likewise there was a pan of johnnycake in the oven. The wind had
+gone down consider'ble, but 'twas foggy and thick again, which was
+a pleasin' state of things for yours truly.
+
+"Williams smelt the cookin' almost afore he got his eyes open.
+
+"'Hurry up with that breakfast,' he says to me. 'I'm hungry as a
+wolf.'
+
+"I didn't say nothin' then; just went ahead with my cookin'. He
+got into his clothes and went outdoor. Pretty soon he comes back,
+cussin' the weather.
+
+"'See here, Mr. Williams,' says I, 'how about them orders to your
+housekeeper? Are they straight? Won't she have you hunted up for
+a week?'
+
+"He colored pretty red, but from what he said I made out that she
+wouldn't. I gathered that him and the old lady wa'n't real chummy.
+She give him his grub and her services, and he give her the Old
+Harry and her wages. She wouldn't hunt for him, not until she was
+ordered to. She'd be only too glad to have him out of the way.
+
+"'Humph!' says I. 'Then I cal'late we'll enjoy the scenery on this
+garden spot of creation until the week's up.'
+
+"'What do you mean?' says he.
+
+"'Well,' I says, 'the launch is out of commission, unless it should
+rain gasoline, and at this time of year there ain't likely to be a
+boat within hailin' distance of this island; 'specially if the
+weather holds bad.'
+
+"He swore a blue streak, payin' partic'lar attention to the
+housekeeper for her general stupidness and to me because I'd got
+him, so he said, into this scrape. I didn't say nothin'; set the
+table, with one plate and one cup and sasser and knife and fork,
+hauled up a chair and set down to my breakfast. He hauled up a box
+and set down, too.
+
+"'Pass me that corn bread,' says he. 'And why didn't you fry more
+pork?'
+
+"He was reachin' out for the johnnycake, but I pulled it out of his
+way.
+
+"'Wait a minute, Mr. Williams,' says I. 'While you was snoozin'
+last night I made out a kind of manifest of the vittles aboard this
+shanty. 'Cordin' to my figgerin' here's scursely enough to last
+one husky man a week, let along two husky ones. I paid
+consider'ble attention to your preachin' yesterday and the text
+seemed to be to look out for number one. Now in this case I'm the
+one and I've got to look out for myself. This is my shanty, my
+island, and my grub. So please keep your hands off that
+johnnycake.'
+
+"For a minute or so he set still and stared at me. Didn't seem to
+sense the situation, as you might say. Then the red biled up in
+his face and over his bald head like a Fundy tide.
+
+"'Why, you dummed villain!' he shouts. 'Do you mean to starve me?'
+
+"'You won't starve in a week,' says I, helpin' myself to pork. 'A
+feller named Tanner, that I read about years ago, lived for forty
+days on cold water and nothin' else. There's the pump right over
+in the corner. It's my pump, but I'll stretch a p'int and not
+charge for it this time.'
+
+"'You--you--' he stammers, shakin' all over, he was so mad.
+'Didn't I hire you--'
+
+"'You hired me to take you out to the fishin' grounds and back,
+provided the launch was made ready by YOU. It wa'n't ready, so
+THAT contract's busted. And you was to furnish your extrys and I
+was to furnish mine. Here they be and I need 'em. It's as
+legitimate a deal as ever I see; perfect case of supply and demand--
+supply for one and demand for two. As I said afore, I'm the one.'
+
+"'By thunder!' he growls, standin' up, 'I'll show you--'
+
+"I stood up, too. He was fat and flabby and I was thin and wiry.
+We looked each other over.
+
+"'I wouldn't,' says I. 'You're under the doctor's care, you know.'
+
+"So he set down again, not havin' strength even to swear, and
+watched me eat my breakfast. And I ate it slow.
+
+"'Say,' he says, finally, 'you think you're mighty smart, don't
+you. Well, I'm It, I guess, for this time. I suppose you'll have
+no objection to SELLIN' me a breakfast?'
+
+"'No--o,' says I, 'not a mite of objection. I'll sell you a couple
+of slices of pork for five dollars a slice and--'
+
+"'FIVE DOLLARS a--!' His mouth dropped open like a main hatch.
+
+"'Sartin,' I says. 'And two slabs of johnnycake at five dollars a
+slab. And a cup of coffee at five dollars a cup. And--'
+
+"'You're crazy!' he sputters, jumpin' up.
+
+"'Not much, I ain't. I've been settin' at your feet larnin' high
+finance, that's all. You don't seem to be onto the real inwardness
+of this deal. I've got the grub market cornered, that's all. The
+market price of necessaries is five dollars each now; it's likely
+to rise at any time, but now it's five.'
+
+"He looked at me steady for at least two more minutes. Then he got
+up and banged out of that shanty. A little later I see him down at
+the end of the sand spit starin' out into the fog; lookin' for a
+sail, I presume likely.
+
+"I finished my breakfast and washed up the dishes. He come in by
+and by. He hadn't had no dinner nor supper, you see, and the salt
+air gives most folks an almighty appetite.
+
+"'Say,' he says, 'I've been thinkin'. It's usual in the stock and
+provision market to deal on a margin. Suppose I pay you a one per
+cent margin now and--'
+
+"'All right,' says I, cheerful. 'Then I'll give you a slip of
+paper sayin' that you've bought such and such slices of pork and
+hunks of johnnycake and I'm carryin' 'em for you on a margin. Of
+course there ain't no delivery of the goods now because--'
+
+"'Humph!' he interrupts, sour. 'You seem to know more'n I thought
+you did. Now are you goin' to be decent and make me a fair price
+or ain't you?'
+
+"'Can't sell under the latest quotations,' says I. 'That's five
+now; and spot cash.'
+
+"'But hang it all!' he says, 'I haven't got money enough with me.
+Think I carry a national bank around in my clothes?'
+
+"'You carry a Wellmouth Bank check book,' says I, 'because I see it
+in your jacket pocket last night when I was dryin' your duds. I'll
+take a check.'
+
+"He started to say somethin' and then stopped. After a spell he
+seemed to give in all to once.
+
+"'Very good,' he says. 'You get my breakfast ready and I'll make
+out the check.'
+
+"That breakfast cost him twenty-five dollars; thirty really,
+because he added another five for an extry cup of coffee. I told
+him to make the check payable to 'Bearer,' as 'twas quicker to
+write than 'Solomon.'
+
+"He had two more meals that day and at bedtime I had his checks
+amountin' to ninety-five dollars. The fog stayed with us all the
+time and nobody come to pick us up. And the next mornin's outlook
+was just as bad, bein' a drizzlin' rain and a high wind. The
+mainland beach was in sight but that's all except salt water and
+rain.
+
+"He was surprisin'ly cheerful all that day, eatin' like a horse and
+givin' up his meal checks without a whimper. If things had been
+different from what they was I'd have felt like a mean sneak thief.
+BEIN' as they was, I counted up the hundred and ten I'd made that
+day without a pinch of conscience.
+
+"This was a Wednesday. On Thursday, the third day of our Robinson
+Crusoe business, the weather was still thick, though there was
+signs of clearin'. Fatty come to me after breakfast--which cost
+him thirty-five, payable, as usual, to 'Bearer'--with almost a grin
+on his big face.
+
+"'Berry,' he says, 'I owe you an apology. I thought you was a
+green Rube, like the rest down here, but you're as sharp as they
+make 'em. I ain't the man to squeal when I get let in on a bad
+deal, and the chap who can work me for a sucker is entitled to all
+he can make. But this pay-as-you-go business is too slow and
+troublesome. What'll you take for the rest of the grub in the
+locker there, spot cash? Be white, and make a fair price.'
+
+"I'd been expectin' somethin' like this, and I was ready for him.
+
+"'Two hundred and sixty-five dollars,' says I, prompt.
+
+"He done a little figgerin'. 'Well, allowin' that I have to put up
+on this heap of desolation for the better part of four days more,
+that's cheap, accordin' to your former rates,' he says. 'I'll go
+you. But why not make it two fifty, even?'
+
+"'Two hundred and sixty-five's my price,' says I. So he handed
+over another 'Bearer' check, and his board bill was paid for a
+week.
+
+"Friday was a fine day, clear as a bell. Me and Williams had a
+real picnicky, sociable time. Livin' outdoor this way had made him
+forget his diseases and the doctor, and he showed signs of bein'
+ha'fway decent. We loafed around and talked and dug clams to help
+out the pork--that is, I dug 'em and Fatty superintended. We see
+no less'n three sailin' craft go by down the bay and tried our best
+to signal 'em, but they didn't pay attention--thought we was
+gunners or somethin', I presume likely.
+
+"At breakfast on Saturday, Williams begun to ask questions again.
+
+"'Sol,' says he, 'it surprised me to find that you knew what a
+"margin" was. You didn't get that from anything I said. Where did
+you get it?'
+
+"I leaned back on my box seat.
+
+"'Mr. Williams,' says I, 'I cal'late I'll tell you a little story,
+if you want to hear it. 'Tain't much of a yarn, as yarns go, but
+maybe it'll interest you. The start of it goes back to
+consider'ble many year ago, when I was poorer'n I be now, and a
+mighty sight younger. At that time me and another feller, a
+partner of mine, had a fish weir out in the bay here. The mackerel
+struck in and we done well, unusual well. At the end of the
+season, not countin' what we'd spent for livin' and expenses, we
+had a balance owin' us at our fish dealer's up to Boston of five
+hundred dollars--two fifty apiece. My partner was goin' to be
+married in the spring and was cal'latin' to use his share to buy
+furniture for the new house with. So we decided we'd take a trip
+up to Boston and collect the money, stick it into some savin's bank
+where 'twould draw interest until spring and then haul it out and
+use it. 'Twas about every cent we had in the world.
+
+"'So to Boston we went, collected our money, got the address of a
+safe bank and started out to find it. But on the way my partner's
+hat blowed off and the bank address, which was on a slip of paper
+inside of it, got lost. So we see a sign on a buildin', along with
+a lot of others, that kind of suggested bankin', and so we stepped
+into the buildin' and went upstairs to ask the way again.
+
+"'The place wa'n't very big, but 'twas fixed up fancy and there was
+a kind of blackboard along the end of the room where a boy was
+markin' up figgers in chalk. A nice, smilin' lookin' man met us
+and, when we told him what we wanted, he asked us to set down.
+Then, afore we knowed it almost, we'd told him the whole story--
+about the five hundred and all. The feller said to hold on a spell
+and he'd go along with us and show us where the savin's bank was
+himself.
+
+"'So we waited and all the time the figgers kept goin' up on the
+board, under signs of "Pork" and "Wheat" and "Cotton" and such, and
+we'd hear how so and so's account was makin' a thousand a day, and
+the like of that. After a while the nice man, who it turned out
+was one of the bosses of the concern, told us what it meant.
+Seemed there was a big "rise" in the market and them that bought
+now was bound to get rich quick. Consequent we said we wished we
+could buy and get rich, too. And the smilin' chap says, "Let's go
+have some lunch."'
+
+"Williams laughed. 'Ho, ho!' says he. 'Expensive lunch, was it?'
+
+"'Most extravagant meal of vittles ever I got away with,' I says.
+'Cost me and my partner two hundred and fifty apiece, that lunch
+did. We stayed in Boston two days, and on the afternoon of the
+second day we was on our way back totin' a couple of neat but
+expensive slips of paper signifyin' that we'd bought December and
+May wheat on a one per cent margin. We was a hundred ahead
+already, 'cordin' to the blackboard, and was figgerin' what sort of
+palaces we'd build when we cashed in.'
+
+"'Ain't no use preachin' a long sermon over the remains. 'Twas a
+simple funeral and nobody sent flowers. Inside of a month we was
+cleaned out and the wheat place had gone out of business--failed,
+busted, you understand. Our fish dealer friend asked some
+questions, and found out the shebang wa'n't a real stock dealer's
+at all. 'Twas what they call a "bucket shop," and we'd bought
+nothin' but air, and paid a commission for buyin' it. And the
+smilin', nice man that run the swindle had been hangin' on the edge
+of bust for a long while and knowed 'twas comin'. Our five hundred
+had helped pay his way to a healthier climate, that's all.'
+
+"'Hold on a minute,' says Fatty, lookin' more interested. 'What
+was the name of the firm that took you greenhorns in?'
+
+"''Twas the Empire Bond, Stock and Grain Exchange,' says I. 'And
+'twas on Derbyshire Street.'
+
+"He give a little jump. Then he says, slow, Hu-u-m! I--see.'
+
+"'Yes,' says I. 'I thought you would. You had a mustache then and
+your name was diff'rent, but you seemed familiar just the same.
+When your false hair got washed off I knew you right away.'
+
+"He took out his pocket pen and his check book and done a little
+figgerin'.
+
+"'Humph!' he says, again. 'You lost five hundred and I've paid you
+five hundred and five. What's the five for?'
+
+"'That's my commission on the sales,' I says.
+
+"And just then comes a hail from outside the shanty. Out we bolted
+and there was Sam Davis, just steppin' ashore from his power boat.
+Williams's housekeeper had strained a p'int and had shaded her
+orders by a couple of days.
+
+"Williams and Sam started for home right off. I followed in the
+Shootin' Star, havin' borrered gasoline enough for the run. I
+reached the dock ha'f an hour after they did, and there was Fatty
+waitin' for me.
+
+"'Berry,' says he, 'I've got a word or two to say to you. I ain't
+kickin' at your givin' me tit for tat, or tryin' to. Turn about's
+fair play, if you can call the turn. But it's against my
+principles to allow anybody to beat me on a business deal. Do you
+suppose,' he says, 'that I'd have paid your robber's prices without
+a word if I hadn't had somethin' up my sleeve? Why, man,' says he,
+'I gave you my CHECKS, not cash. And I've just telephoned to the
+Wellmouth Bank to stop payment on those checks. They're no earthly
+use to you; see? There's one or two things about high finance that
+you don't know even yet. Ho, ho!'
+
+"And he rocked back and forth on his heels and laughed.
+
+"I held up my hand. 'Wait a jiffy, Mr. Williams,' says I. 'I
+guess these checks are all right. When we fust landed on
+Woodchuck, I judged by the looks of the shanty that Baker hadn't
+left it for good. I cal'lated he'd be back. And sure enough he
+come back, in his catboat, on Thursday evenin', after you'd turned
+in. Them checks was payable to "Bearer," you remember, so I give
+'em to him. He was to cash 'em in the fust thing Friday mornin',
+and I guess you'll find he's done it.'"
+
+"Well, I swan to MAN!" interrupted the astonished and delighted
+Phinney. "So you had him after all! And I was scart you'd lost
+every cent."
+
+Captain Sol chuckled. "Yes," he went on, "I had him, and his eyes
+and mouth opened together.
+
+"'WHAT?' he bellers. 'Do you mean to say that a boat stopped at
+that dummed island and DIDN'T TAKE US OFF?'
+
+"'Oh,' says I, 'Darius didn't feel called on to take you off, not
+after I told him who you was. You see, Mr. Williams,' I says,
+'Darius Baker was my partner in that wheat speculation I was
+tellin' you about.'
+
+The Captain drew a long breath and re-lit his cigar, which had gone
+out. His friend pounded the settee ecstatically.
+
+"There!" he cried. "I knew the name 'Darius Baker' wa'n't so
+strange to me. When was you and him in partners, Sol?"
+
+"Oh, 'way back in the old days, afore I went to sea at all, and
+afore mother died. You wouldn't remember much about it. Mother
+and I was livin' in Trumet then and our house here was shut up. I
+was only a kid, or not much more, and Williams was young, too."
+
+"And that's the way he made his money! HIM! Why, he's the most
+respected man in this neighborhood, and goes to church, and--"
+
+"Yes. Well, if you make money ENOUGH you can always be respected--
+by some kinds of people--and find some church that'll take you in.
+Ain't that so, Bailey?"
+
+Captain Stitt and his cousin, Obed Gott, the paint dealer, were
+standing in the doorway of the station. They now entered.
+
+"I guess it's so," replied Stitt, pulling up a chair, "though I
+don't know what you was talkin' about. However, it's a pretty
+average safe bet that what you say is so, Sol, 'most any time.
+What's the special 'so,' this time?"
+
+"We was talkin' about Mr. Williams," began Phinney.
+
+"The Grand Panjandrum of East Harniss," broke in the depot master.
+"East Harniss is blessed with a great man, Bailey, and, like
+consider'ble many blessin's he ain't entirely unmixed."
+
+Obed and Simeon looked puzzled, but Captain Stitt bounced in his
+chair like a good-natured rubber ball. "Ho! ho!" he chuckled, "you
+don't surprise me, Sol. We had a great man over to South Orham
+three years ago and he begun by blessin's and ended with--with
+t'other thing. Ho! ho!"
+
+"What do you mean?" demanded Sim.
+
+"Why, I mean Stingy Gabe. You've heard of Stingy Gabe, ain't you?"
+
+"I guess we've all heard somethin' about him," laughed Captain Sol;
+"but we're willin' to hear more. He was a reformer, wa'n't he?"
+
+"He sartin was! Ho! ho!"
+
+"For the land sakes, tell it, Bailey," demanded Mr. Gott
+impatiently. "Don't sit there bouncin' and gurglin' and gettin'
+purple in the face. Tell it, or you'll bust tryin' to keep it in."
+
+"Oh, it's a great, long--" began Captain Bailey protestingly.
+
+"Go on," urged Phinney. "We've got more time than anything else,
+the most of us. Who was this Stingy Gabe?"
+
+"Yes," urged Gott, "and what did he reform?"
+
+Captain Stitt held up a compelling hand. "It's all of a piece," he
+interrupted. "It takes in everything, like an eatin'-house stew.
+And, as usual in them cases, the feller that ordered it didn't know
+what was comin' to him.
+
+"Stingy Gabe was that feller. His Sunday name was Gabriel Atkinson
+Holway, and his dad used to peddle fish from Orham to Denboro and
+back. The old man was christened Gabriel, likewise. He owed 'most
+everybody, and, besides, was so mean that he kept the scales and
+trimmin's of the fish he sold to make chowder for himself and
+family. All hands called him 'Stingy Gabe,' and the boy inherited
+the name along with the fifteen hundred dollars that the old man
+left when he died. He cleared out--young Gabe did--soon as the
+will was settled and afore the outstandin' debts was, and nobody in
+this latitude see hide nor hair of him till three years ago this
+comin' spring.
+
+"Then, lo and behold you! he drops off the parlor car at the Orham
+station and cruises down to South Orham, bald-headed and bay-
+windowed, sufferin' from pomp and prosperity. Seems he'd been
+spendin' his life cornerin' copper out West and then copperin' the
+corners in Wall Street. The folks in his State couldn't put him in
+jail, so they sent him to Congress. Now, as the Honorable Atkinson
+Holway, he'd come back to the Cape to rest his wrist, which had
+writer's cramp from signin' stock certificates, and to ease his
+eyes with a sight of the dear old home of his boyhood.
+
+"Bill Nickerson comes postin' down to me with the news.
+
+"'Bailey,' says he, 'what do you think's happened? Stingy Gabe's
+struck the town.'
+
+"'For how much?' I asks, anxious. 'Don't let him have it, whatever
+'tis.'
+
+"Then he went on to explain. Gabe was rich as all get out, and
+'twas his intention to buy back his old man's house and fix it up
+for a summer home. He was delighted to find how little change
+there was in South Orham.
+
+"'No matter if 'tain't but fifteen cents he'll get it, if the
+s'lectmen don't watch him,' I says; and the bills, too. I know HIS
+tribe.'
+
+"'You don't understand,' says Nickerson. 'He ain't no thief. He's
+rich, I tell you, and he's cal'latin' to do the town good.'
+
+"'Course he is,' I says. 'It runs in the family. His dad done it
+good, too--good as 'twas ever done, I guess.'
+
+"But next day Gabe himself happens along, and I see right off that
+I'd made a mistake in my reckonin'. The Honorable Atkinson Holway
+wa'n't figgerin' to borrow nothin'. When a chap has been skinnin'
+halibut, minnows are too small for him to bother with. Gabe was
+full of fried clams and philanthropy.
+
+"'By Jove! Stitt,' he says, 'livin' here has been the dream of my
+life.'
+
+"'You'll be glad to wake up, won't you?' says I. 'I wish I could.'
+
+"'I tell you,' he says, 'this little old village is all right! All
+it needs is a public-spirited resident to help it along. I propose
+to be the P. S. R.'
+
+"And on that program he started right in. Fust off he bought his
+dad's old place, built it over into the eight-sided palace that's
+there now, fetched down a small army of servants skippered by an
+old housekeeper, and commenced to live simple but complicated.
+Then, havin' provided the needful charity for himself, he's ready
+to scatter manna for the starvin' native.
+
+"He had a dozen schemes laid out. One was to build a free but
+expensive library; another was to pave the main road with brick;
+third was to give stained-glass windows and velvet cushions to the
+meetin' house, so's the congregation could sleep comfortable in a
+subdued light. The stained-glass idee put him in close touch with
+the minister, Reverend Edwin Fisher, and the minister suggested the
+men's club. And he took to that men's club scheme like an old maid
+to strong tea; the rest of the improvements went into dry dock to
+refit while Admiral Gabe got his men's club off the ways.
+
+"'Twas the billiard room that made the minister hanker for a men's
+club. That billiard room was the worry of his life. Old man
+Jotham Gale run it and had run it sence the Concord fight, in a way
+of speakin'. You remember his sign, maybe: 'Jotham W. Gale.
+Billiard, Pool, and Sipio Saloon. Cigars and Tobacco. Tonics and
+Pipes. Minors under Ten Years of Age not Admitted.' Jotham's
+customers was called, by the outsiders, 'the billiard-room gang.'
+
+"The billiard room gang wa'n't the best folks in town, I'll own
+right up to that. Still, they wa'n't so turrible wicked. Jotham
+never sold rum, and he'd never allow no rows in his place. But,
+just the same, his saloon was reckoned a bad influence. Young men
+hadn't ought to go there--most of us said that. If there was a
+nicer place TO go, argues the minister, 'twould help the moral tone
+of the community consider'ble. 'Why not,' says he to Stingy Gabe,
+'start a free club for men that'll make the billiard room look like
+the tail boat in a race?' And says Gabe: 'Bully! I'll do it.'"
+
+Captain Stitt paused long enough to enjoy a chuckle all by himself.
+Before he had quite finished his laugh, slow and reluctant steps
+were heard on the back platform and Issy appeared on the threshold.
+He was without the package, but did not look happy.
+
+"Well, Is," inquired the depot master, "did you give the remains to
+the Major?"
+
+"Yes, sir," answered Issy.
+
+"Did you tell him how the shockin' fatality happened? How the
+thing got broken?"
+
+"Yes, sir, I told him."
+
+"What did he say? Didn't let his angry passions rise, did he?"
+
+"No-o; no, sir, he didn't rise nothin'. He didn't get mad neither.
+But you could see he felt pretty bad. Talked about 'old family
+glass' and 'priceless airloons' or some such. Said much as he
+regretted to, he should feel it no more'n justice to have somebody
+pay damages."
+
+"Humph!" Captain Sol looked very grave. "Issy, I can see your
+finish. You'll have to pay for somethin' that's priceless, and how
+are you goin' to do that? 'Old family glass,' hey? Hum! And I
+thought I saw the label of a Boston store on that package."
+
+Obed Gott leaned forward eagerly.
+
+"Is that Major Hardee you're talkin' about?" he asked.
+
+"Yes, sir. He's the only Major we've got. Cap'ns are plenty as
+June bugs, but Majors and Gen'rals are scarce. Why?"
+
+"Oh, nothin'. Only--" Mr. Gott muttered the remainder of the
+sentence under his breath. However, the depot master heard it and
+his eye twinkled.
+
+"You're glad of it!" he exclaimed. "Why, Obed! Major Cuthbertson
+Scott Hardee! I'm surprised. Better not let the women folks hear
+you say that."
+
+"Look here!" cried Captain Stitt, rather tartly, "am I goin' to
+finish that yarn of mine or don't you want to hear it?"
+
+"BEG your pardon, Bailey. Go on. The last thing you said was what
+Stingy Gabe said, and that was--"
+
+
+CHAPTER III
+
+"STINGY GABE"
+
+
+"And that," said Captain Bailey, mollified by the renewed interest
+of his listeners, "was, 'Bully! I'll do it!'
+
+"So he calls a meetin' of everybody interested, at his new house.
+About every respectable man in town was there, includin' me. Most
+of the billiard-room gang was there, likewise. Jotham, of course,
+wa'n't invited.
+
+"Gabe calls the meetin' to order and the minister makes a speech
+tellin' about the scheme. 'Our generous and public-spirited
+citizen, Honorable Atkinson Holway,' had offered to build a
+suitable clubhouse, fix it up, and donate it to the club, them and
+their heirs forever, Amen. 'Twas to belong to the members to do
+what they pleased with--no strings tied to it at all. Dues would
+be merely nominal, a dollar a year or some such matter. Now, who
+favored such a club as that?
+
+"Well, 'most everybody did. Daniel Bassett, chronic politician,
+justice of the peace, and head of the 'Conservatives' at town
+meetin', he made a talk, and in comes him and his crew. Gaius
+Ellis, another chronic, who is postmaster and skipper of the
+'Progressives,' had been fidgetin' in his seat, and now up he bobs
+and says he's for it; then every 'Progressive' jines immediate.
+But the billiard-roomers; they didn't jine. They looked sort of
+sheepish, and set still. When Mr. Fisher begun to hint p'inted in
+their direction, they got up and slid outdoor. And right then I'd
+ought to have smelt trouble, but I didn't; had a cold in my head, I
+guess likely.
+
+"Next thing was to build the new clubhouse, and Gabe went at it
+hammer and tongs. He had a big passel of carpenters down from the
+city, and inside of three months the buildin' was up, and she was a
+daisy, now I tell you. There was a readin' room and a meetin' room
+and an 'amusement room.' The amusements was crokinole and parchesi
+and checkers and the like of that. Also there was a gymnasium and
+a place where you could play the pianner and sing--till the
+sufferin' got acute and somebody come along and abated you.
+
+"When I fust went inside that clubhouse I see 'twas bound to be
+'Good-by, Bill,' for Jotham. His customers would shake his ratty
+old shanty for sartin, soon's they see them elegant new rooms. I
+swan, if I didn't feel sorry for the old reprobate, and, thinks I,
+I'll drop around and sympathize a little. Sympathy don't cost
+nothin', and Jotham's pretty good company.
+
+"I found him settin' alongside the peanut roaster, watchin' a
+couple of patients cruelize the pool table.
+
+"'Hello, Bailey!' says he. 'You surprise me. Ain't you 'fraid of
+catchin' somethin' in this ha'nt of sin? Have a chair, anyhow.
+And a cigar, won't you?'
+
+"I took the chair, but I steered off from the cigar, havin' had
+experience. Told him I guessed I'd use my pipe. He chuckled.
+
+"'Fur be it from me to find fault with your judgment,' he says.
+'Terbacker does smoke better'n anything else, don't it.'
+
+"We set there and puffed for five minutes or so. Then he sort of
+jumped.
+
+"'What's up?' says I.
+
+"'Oh, nothin'!' he says. 'Bije Simmons got a ball in the pocket,
+that's all. Don't do that too often, Bije; I got a weak heart.
+Well, Bailey,' he adds, turnin' to me, 'Gabe's club's fixed up
+pretty fine, ain't it?'
+
+"'Why, yes,' I says; ''tis.'
+
+"'Finest ever I see,' says he. 'I told him so when I was in
+there.'
+
+"'What?' says I. 'You don't mean to say YOU'VE been in that
+clubroom?'
+
+"'Sartin. Why not? I want to take in all the shows there is--
+'specially the free ones. Make a good billiard room, that
+clubhouse would.'
+
+"I whistled. 'Whew!' says I. 'Didn't tell Gabe THAT, did you?'
+
+"He nodded. 'Yup,' says he. 'I told him.'
+
+"I whistled again. 'What answer did he make?' I asked.
+
+"'Oh, he wa'n't enthusiastic. Seemed to cal'late I'd better shut
+up my head and my shop along with it, afore he knocked off one and
+his club knocked out t'other.'
+
+"I pitied the old rascal; I couldn't help it.
+
+"'Jotham,' says I, 'I ain't the wust friend you've got in South
+Orham, even if I don't play pool much. If I was you I'd clear out
+of here and start somewheres else. You can't fight all the best
+folks in town.'
+
+"He didn't make no answer. Just kept on a-puffin'. I got up to
+go. Then he laid his hand on my sleeve.
+
+"'Bailey,' says he, 'when Betsy Mayo was ailin', her sister's tribe
+was all for the Faith Cure and her husband's relations was high for
+patent medicine. When the Faith Curists got to workin', in would
+come some of the patent mediciners and give 'em the bounce. And
+when THEY went home for the night, the Faithers would smash all the
+bottles. Finally they got so busy fightin' 'mong themselves that
+Betsy see she was gettin' no better fast, and sent for the reg'lar
+doctor. HE done the curin', and got the pay.'
+
+"'Well,' says I, 'what of it?'
+
+"'Nothin',' says he. 'Only I've been practisin' a considerable
+spell. So long. Come in again some time when it's dark and the
+respectable element can't see you.'
+
+"I went away thinkin' hard. And next mornin' I hunted up Gabe, and
+says I:
+
+"'Mr. Holway,' I says, 'what puzzles me is how you're goin' to
+elect the officers for the new club. Put up a Conservative and the
+Progressives resign. H'ist the Progressive ensign and the
+Conservatives'll mutiny. As for the billiard-roomers--providin'
+any jine--they've never been known to vote for anybody but
+themselves. I can't see no light yet--nothin' but fog.'
+
+"He winks, sly and profound. 'That's all right,' says he. 'Fisher
+and I have planned that. You watch!'
+
+"Sure enough, they had. The minister was mighty popular, so, when
+'twas out that he was candidate to be fust president of the club,
+all hands was satisfied. Two vice presidents was named--one bein'
+Bassett and t'other Ellis. Secretary was a leadin' Conservative;
+treasurer a head Progressive. Officers and crew was happy and
+mutiny sunk ten fathoms. ONLY none of the billiard-room gang had
+jined, and they was the fish we was really tryin' for.
+
+"'Twas next March afore one of 'em did come into the net, though
+we'd have on all kinds of bait--suppers and free ice cream Saturday
+nights, and the like of that. And meantime things had been
+happenin'.
+
+"The fust thing of importance was Gabe's leavin' town. Our Cape
+winter weather was what fixed him. He stood the no'theasters and
+Scotch drizzles till January, and then he heads for Key West and
+comfort. Said his heart still beat warm for his native village,
+but his feet was froze--or words similar. He cal'lated to be back
+in the spring. Then the Reverend Fisher got a call to somewheres
+in York State, and felt he couldn't afford not to hear it. Nobody
+blamed him; the salary paid a minister in South Orham is enough to
+make any feller buy patent ear drums. But that left our men's club
+without either skipper or pilot, as you might say.
+
+"One week after the farewell sermon, Daniel Bassett drops in casual
+on me. He was passin' around smoking material lavish and
+regardless.
+
+"'Stitt,' says he, 'you've always voted for Conservatism in our
+local affairs, haven't you?'
+
+"'Well,' says I, 'I didn't vote to roof the town hall with a new
+mortgage, if that's what you mean.'
+
+"'Exactly,' he says. 'Now, our men's club, while not as yet the
+success we hoped for, has come to be a power for good in our
+community. It needs for its president a conservative, thoughtful
+man. Bailey,' he says, 'it has come to my ears that Gaius Ellis
+intends to run for that office. You know him. As a taxpayer, as a
+sober, thoughtful citizen, my gorge rises at such insolence. I
+protest, sir! I protest against--'
+
+"He was standin' up, makin' gestures with both arms, and he had his
+town-meetin' voice iled and runnin'. I was too busy to hanker for
+a stump speech, so I cut across his bows.
+
+"'All right, all right,' says I. 'I'll vote for you, Dan.'
+
+"He fetched a long breath. 'Thank you,' says he. 'Thank you.
+That makes ten. Ellis can count on no more than nine. My election
+is assured.'
+
+"Seein' that there wa'n't but nineteen reg'lar voters who come to
+the club meetin's, if Bassett had ten of 'em it sartin did look as
+if he'd get in. But on election night what does Gaius Ellis do but
+send a wagon after old man Solomon Peavey, who'd been dry docked
+with rheumatiz for three months, and Sol's vote evened her up.
+'Twas ten to ten, a deadlock, and the election was postponed for
+another week.
+
+"This was of a Tuesday. On Wednesday I met Bije Simmons, the chap
+who was playin' pool at Jotham's.
+
+"'Hey, Bailey!' says he. 'Shake hands with a brother. I'm goin'
+to jine the men's club.'
+
+"'You BE?' says I, surprised enough, for Simmons was a billiard-
+roomer from 'way back.
+
+"'Yup,' he says. 'I'll be voted in at next meetin', sure. I'm
+studyin' up on parchesi now.'
+
+"'Hum!' I says, thinkin'. 'How you goin to vote?'
+
+"'Me?' says he. 'Me? Why, man, I wonder at you! Can't you see
+the fires of Conservatism blazin' in my eyes? I'm Conservative
+bred and Conservative born, and when I'm dead there'll be a
+Conservative gone. By, by. See you Tuesday night.'
+
+"He went off, stoppin' everybody he met to tell 'em the news. And
+on Thursday Ed Barnes dropped in to pay me the seventy-five cents
+he'd borrowed two years ago come Fourth of July. When I'd got over
+the fust shock and had counted the money three times, I commenced
+to ask questions.
+
+"'Somebody die and will you a million, Ed?' I wanted to know.
+
+"'No,' says he. 'It's the reward of virtue. I'm goin' to be a
+better man. I'm jinin' the men's club.'
+
+"'NO!' says I, for Ed was as strong a billiard-roomer as Bije.
+
+"'Sure!' he answers. 'I'm filled full of desires for crokinole and
+progressiveness. See you Tuesday night at the meetin'.'
+
+"And, would you b'lieve it, at that meetin' no less'n six confirmed
+members of the billiard-room gang was voted into the men's club.
+'Twas a hallelujah gatherin'. I couldn't help thinkin' how glad
+and proud Gabe and Mr. Fisher would have been to see their dreams
+comin' true. But Bassett and Ellis looked more worried than glad,
+and when the votin' took place I understood the reason. Them new
+members had divided even, and the ballots stood Bassett thirteen
+and Ellis thirteen. The tie was still on and the election was put
+off for another week.
+
+"In that week, surprisin' as it may seem, two more billiard-roomers
+seen a light and jined with us. However, one was for Bassett and
+t'other for Ellis, so the deadlock wa'n't broken. Jotham had only
+a couple of his reg'lars left, and I swan to man if THEY didn't
+catch the disease inside of the follerin' fortni't and hand in
+their names. The 'Billiard, Pool, and Sipio Saloon,' from bein'
+the liveliest place in town, was now the deadest. Through the
+window you could see poor Jotham mopin' lonesome among his peanuts
+and cigars. The sayin' concernin' the hardness of the
+transgressor's sleddin' was workin' out for HIM, all right. But
+the conversions had come so sudden that I couldn't understand it,
+though I did have some suspicions.
+
+"'Look here, Dan,' says I to Bassett, 'are you goin' to keep this
+up till judgment? There ain't but thirty votin' names in this
+place--except the chaps off fishin', and they won't be back till
+fall. Fifteen is for you and fifteen for Gaius. Most astonishin'
+agreement of difference ever I see. We'll never have a president,
+at this rate.'
+
+"He winked. 'Won't, hey?' he says. 'Sure you've counted right? I
+make it thirty-one.'
+
+"'I don't see how,' says I, puzzled. 'Nobody's left outside the
+club but Jotham himself, and he--'
+
+"'That's all right,' he interrupts, winkin' again. 'You be on hand
+next Tuesday night. You can't always tell, maybe somethin'll
+happen.'
+
+"I was on hand, all right, and somethin' did happen, two
+somethin's, in fact. We hadn't much more'n got in our seats afore
+the door opened, and in walked Gaius Ellis, arm in arm with a man;
+and the man was the Honorable Stingy Gabe Atkinson Holway.
+
+"'Gentlemen,' sings out Gaius, bubblin' over with joy, 'I propose
+three cheers for our founder, who has returned to us after his long
+absence.'
+
+"We give the cheers--that is, some of the folks did. Bassett and
+our gang wa'n't cheerin' much; they looked as if somebody had
+passed 'em a counterfeit note. You see, Gabe Holway was one of the
+hide-boundest Progressives afloat, and a blind man could see who'd
+got him back again and which way he'd vote. It sartinly looked bad
+for Bassett now.
+
+"Gaius proposes that, out of compliment, as founder of the club,
+Mr. Holway be asked to preside. So he was asked, though the
+Conservatives wa'n't very enthusiastic. Gabe took the chair,
+preached a little sermon about bein' glad to see his native home
+once more, and raps for order.
+
+"'If there's no other business afore the meetin',' says he, 'we
+will proceed to ballot for president.'
+
+"But it turned out that there was other business. Dan Bassett riz
+to his feet and commenced one of the most feelin' addresses ever I
+listened to.
+
+"Fust he congratulated all hands upon the success of Mr. Holway's
+philanthropic scheme for the betterment of South Orham's male
+citizens. Jeered at at fust by the unregenerate, it had gone on,
+winnin' its way into the hearts of the people, until one by one the
+said unregenerate had regenerated, and now the club numbered thirty
+souls and the Honorable Atkinson.
+
+"'But,' says Dan, wavin' his arms, 'one man yet remains outside.
+One lone man! The chief sinner, you say? Yes, I admit it. But,
+gentlemen, a repentant sinner. Alone he sits amid the wreck of his
+business--a business wrecked by us, gentlemen--without a customer,
+without a friend. Shall it be said that the free and open-handed
+men's club of South Orham turned its back upon one man, merely
+because he HAS been what he was? Gentlemen, I have talked with
+Jotham Gale; he is old, he is friendless, he no longer has a means
+of livelihood--we have taken it from him. We have turned his
+followers' steps to better paths. Shall we not turn his, also?
+Gentlemen and friends, Jotham Gale is repentant, he feels his
+ostrichism'--whatever he meant by that--'he desires to become self-
+respecting, and he asks us to help him. He wishes to join this
+club. Gentlemen, I propose for membership in our association the
+name of Jotham W. Gale.'
+
+"He set down and mopped his face. And the powwow that broke loose
+was somethin' tremendous. Of course 'twas plain enough what Dan's
+game was. This was the 'somethin'' that was goin' to happen.
+
+"Ellis see the way the land lay, and he bounces up to protest.
+'Twas an outrage; a scandal; ridiculous; and so forth, and so on.
+Poor Gabe didn't know what to do, and so he didn't do nothin'. A
+head Conservative seconds Jotham's nomination. 'Twas put to a vote
+and carried easy. Dan's speech had had its effect and a good many
+folks voted out of sympathy. How did I vote? I'LL never tell you.
+
+"And then Bassett gets up, smilin', goes to the outside door, opens
+it, and leads in the new member. He'd been waitin' on the steps,
+it turned out. Jotham looked mighty quiet and meek. I pitied the
+poor old codger more'n ever. Snaked in, he was, out of the wet,
+like a yeller dog, by the club that had kicked him out of his own
+shop.
+
+"Chairman Gabe pounds for order, and suggests that the votin' can
+go on. But Ellis jumps up, and says he:
+
+"'What's the sense of votin' now?' he asks sarcastic. 'Will the
+lost lamb we've just yanked into the fold have the face to stand up
+and bleat that he hasn't promised to vote Conservative? Dan
+Bassett, of all the contemptible tricks that ever--'
+
+"Bassett's face was redder'n a ripe tomatter. He shakes his fist
+in Gaius's face and yells opinions and comments.
+
+"'Don't you talk to me about tricks, you ward-heeler!' he hollers.
+'Why did you fetch Mr. Holway back home? Why did you, hey? That
+was the trickiest trick that I--'
+
+"Gabe pretty nigh broke his mallet thumpin'.
+
+"'Gentlemen! gentlemen!' says he. 'This is most unseemly. Sit
+down, if you PLEASE. Mr. Ellis, when the purpose of this
+association is considered, it seems to me very wrong to find fault
+because the chief of our former antagonists has seen the error of
+his ways and become one of us. Mr. Bassett, I do not understand
+your intimation concernin' myself. I shall adjourn this meetin'
+until next Friday evenin', gentlemen. Meanwhile, let us remember
+that we ARE gentlemen.'
+
+"He thumped the desk once, and parades out of the buildin',
+dignified as Julius Caesar. The rest of us toddled along after
+him, all talkin' at once. Bassett and Ellis glowered at each other
+and hove out hints about what would happen afore they got through.
+'Twas half-past ten afore I got to bed that night, and Sarah J.--
+that's Mrs. Stitt--kept me awake another hour explainin' whys and
+wherefores.
+
+"For the next three days nobody done anything but knock off work
+and talk club politics. You'd see 'em on the corners and in the
+post office and camped on the meetin'-house steps, arguin' and
+jawin'. Dan and Gaius was hurryin' around, moppin' their foreheads
+and lookin' worried. On Thursday there was all sorts of rumors
+afloat. Finally they all simmered down to one, and that one was
+what made me stop Stingy Gabe on the street and ask for my
+bearin's.
+
+"'Mr. Holway,' says I, 'is it true that Dan and Gaius have resigned
+and agreed to vote for somebody else?'
+
+"He nodded, grand and complacent.
+
+"'Then who's the somebody?' says I. 'For the land sakes! tell me.
+It's as big a miracle as the prodigal son.'
+
+"I remember now that the prodigal son ain't a miracle, but I was
+excited then.
+
+"'Stitt,' says he, 'I am the "somebody," as you call it. I have
+decided to let my own wishes and inclinations count for nothin' in
+this affair, and to accept the office of president myself. It will
+be announced at the meetin'.'
+
+"I whistled. 'By gum!' says I. 'You've got a great head, Mr.
+Holway, and I give you public credit for it. It's the only course
+that ain't full of breakers. Did you think of it yourself?'
+
+"He colored up a little. 'Why, no, not exactly,' he says. 'The
+fact is, the credit belongs to our new member, Mr. Gale.'
+
+"'To JOTHAM?' says I, astonished.
+
+"'Yes. He suggested my candidacy, as a compromise. Said that he,
+for one, would be proud to vote for me. Mr. Gale seems thoroughly
+repentant, a changed man. I am counting on him for great things in
+the future.'
+
+"So the fuss seemed settled, thanks to the last person on earth
+you'd expect would be peacemaker. But that afternoon I met Darius
+Tompkins, Bassett's right-hand man.
+
+"'Bailey,' says he, 'you're a Conservative, ain't you? You're for
+Dan through thick and thin?'
+
+"'Why!' says I, 'I understand Dan and Gaius are both out of it now,
+and it's settled on Holway. Dan's promised to vote for him.'
+
+"'HE has,' says Tompkins, with a wink, 'but the rest of us ain't.
+We pledged our votes to Dan Bassett, and we ain't the kind to go
+back on our word. Dan himself'll vote for Gabe; so'll Gaius and
+his reg'lar tribe. That'll make twelve, countin' Holway's own.'
+
+"'Make seventeen, you mean,' says I. 'Gaius and his crowd's
+fifteen and Dan's sixteen and Gabe's seven--'
+
+"He winked again, and interrupted me. 'You're countin' wrong, my
+boy,' says he. 'Five of Gaius's folks come from the old billiard-
+room gang. Just suppose somethin' happened to make that five vote,
+on the quiet, for Bassett. Then--'
+
+"A customer come in then, and Tompkins had to leave; but afore he
+went he got me to one side and whispers:
+
+"'Keep mum, old man, and vote straight for Dan. We'll show old
+Holway that we can't be led around by the nose.'
+
+"'Tompkins,' says I, 'I know your head well enough to be sartin
+that it didn't work this out by itself. And why are you so sure of
+the billiard roomers? Who put you up to this?'
+
+"He rapped the side of his nose. 'The smartest politician in this
+town,' says he, 'and the oldest--J. W. Gale, Esq.! S-s-sh-h!
+Don't say nothin'.'
+
+"I didn't say nothin'. I was past talk. And that evenin' as I
+went past the billiard room on my way home, who should come out of
+it but Gaius Ellis, and HE looked as happy as Tompkins had.
+
+"Friday night that clubroom was filled. Every member was there,
+and most of 'em had fetched their wives and families along to see
+the fun. There was whisperin' and secrecy everywheres. Honorable
+Gabe took the chair and makes announcements that the shebang is
+open for business.
+
+"Up gets Dave Bassett and all but sheds tears. He says that he
+made up his mind to vote, not for himself, but for the founder and
+patron of the club, the Honorable Atkinson Holway. He spread it
+over Gabe thick as sugar on a youngster's cake. And when he set
+down all hands applauded like fury. But I noticed that he hadn't
+spoke for nary Conservative but himself.
+
+"Then Gaius Ellis rises and sobs similar. He's stopped votin' for
+himself, too. His ballot is for that grand and good man, Gabriel
+Atkinson Holway, Esq. More applause and hurrahs.
+
+"And then who should get up but Jotham Gale. He talks humble, like
+a has-been that knows he's a back number, but he says it's his
+privilege to cast his fust vote in that club for Mr. Holway, South
+Orham's pride. Nobody was expectin' him to say anything, and the
+cheers pretty nigh broke the winders.
+
+"Gabe was turrible affected by the soft soap, you could see that.
+He fairly sobbed as he sprinkled gratitude and acceptances. When
+the agony was over, he says the votin' can begin.
+
+"I cal'lated he expected somebody'd move to make it unanimous, but
+they didn't. So the blank ballots was handed around, and the
+pencils got busy. Gabe app'ints three tellers, Bassett and Ellis,
+of course, for two--and the third, Jotham Gale.
+
+"'As a compliment to our newest member,' says the chairman, smilin'
+philanthropic.
+
+"When the votes was in the hat, the tellers retired to the
+amusement room to count up. It took a long time. I see the
+Conservatives and Progressives nudgin' each other and winkin' back
+and forth. Five minutes, then ten, then fifteen.
+
+"And all of a sudden the biggest row bu'st loose in that amusement
+room that ever you heard. Rattlety--bang! Biff! Smash! The door
+flew open, and in rolled Bassett and Ellis, all legs and arms.
+Gabe and some of the rest hauled 'em apart and held 'em so, but the
+language them two hove at each other was enough to bring down a
+judgment.
+
+"'Gentlemen! gentlemen!' hollers poor Gabe. 'What in the world? I
+am astounded! I--'
+
+"'You miserable traitor!' shrieks Gaius, wavin' a fist at Dan.
+
+"'You low-down hound!' whoops Dan back at him.
+
+"'Silence!' bellers Gabe, poundin' thunder storms on the desk.
+'Will some one explain why these maniacs are-- Ah, Mr. Gale--thank
+goodness, YOU at least are sane!'
+
+"Jotham walks to the front of the platform. He was holdin' the hat
+and a slip of paper with the result set down on it.
+
+"'Ladies and feller members,' says he, 'there's been some
+surprisin' votin' done in this election. Things ain't gone as we
+cal'lated they would, somehow. Mr. Holway, your election wa'n't
+unanimous, after all.'
+
+"The way he said it made most everybody think Gabe was elected,
+anyhow, and I guess Holway thought so himself, for he smiled
+forgivin' and says:
+
+"'Never mind, Mr. Gale,' says he. 'A unanimous vote was perhaps
+too much to expect. Go on.'
+
+"'Yes,' says Jotham. 'Well, here's the way it stands. I'll read
+it to you.'
+
+"He fixes his specs and reads like this:
+
+"'Number of votes cast, 32.'
+
+"'Honorable Atkinson Holway has 4.'
+
+"'WHAT?' gasps Stingy Gabe, fallin' into his chair.
+
+"'Yes, sir,' says Jotham. 'It's a shame, I know, but it looks as
+nobody voted for you, Mr. Holway, but yourself and me and Dan and
+Gaius. To proceed:
+
+"'Daniel Bassett has 9.'
+
+"The Conservatives and their women folks fairly groaned out loud.
+Tompkins jumped to his feet, but Jotham held up a hand.
+
+"'Just a moment, D'rius,' he says. 'I ain't through yet.'
+
+"'Gaius Ellis has 9.'
+
+"Then 'twas the Progressives' turn to groan. The racket and hubbub
+was gettin' louder all the time.
+
+"'There's ten votes left,' goes on Jotham, 'and they bear the name
+of Jotham W. Gale. I can't understand it, but it does appear that
+I'm elected president of this 'ere club. Gentlemen, I thank you
+for the honor, which is as great as 'tis unexpected.'
+
+"Gabe and the Progressives and the Conservatives set and looked at
+each other. And up jumps 'Bije Simmons, and calls for three cheers
+for the new president.
+
+"Nobody jined in them cheers but the old billiard room gang; they
+did, though, every one of 'em, and Jotham smiled fatherly down on
+his flock.
+
+"I s'pose there ain't no need of explainin'. Jotham had worked it
+all, from the very fust. When the tie business begun and Gaius and
+Dan was bribin' the billiard roomers to jine the club, 'twas him
+that fixed how they should vote so's to keep the deadlock goin'.
+'Twas him that put Bassett up to proposin' him as a member. 'Twas
+him that suggested Gabe's comin' back to Gaius. 'Twas him that--
+But what's the use? 'Twas him all along. He was IT.
+
+"That night everybody but the billiard-room gang sent in their
+resignation to that club. We refused to be bossed by such people.
+Gabe resigned, too. He was disgusted with East Harniss and all
+hands in it. He'd have took back the clubhouse, but he couldn't,
+as the deed of gift was free and clear. But he swore he'd never
+give it another cent.
+
+"Folks thought that would end the thing, because it wouldn't be
+self-supportin', but Jotham had different idees. He simply moved
+his pool tables and truck up from the old shop, and now he's got
+the finest place of the kind on the Cape, rent free.
+
+"'I told you 'twould make a good billiard saloon, didn't I,
+Bailey?' he says, chucklin'.
+
+"'Jotham,' says I, 'of your kind you're a perfect wonder.'
+
+"'Well,' says he, 'I diagnosed that men's club as sufferin' from
+acute politics. I've been doctorin' that disease for a long time.
+The trouble with you reformers,' he adds, solemn, 'is that, when it
+comes to political doin's, you ain't practical.'
+
+"As for Stingy Gabe, he shut up his fine house and moved to New
+York. Said he was through with helpin' the moral tone.
+
+"'When I die,' he says to me, 'if I go to the bad place I may start
+in reformin' that. It don't need it no more'n South Orham does,
+but 'twill be enough sight easier job.'
+
+"And," concluded Captain Stitt, as soon as he could be heard above
+the "Haw! haws!" caused by the Honorable Holway's final summing-up
+of his native town, "I ain't so sure that he was greatly mistook.
+What do you think, Sol?"
+
+The depot master shook his head. "Don't know, Bailey," he
+answered, dryly. "I'll have to visit both places 'fore I give an
+opinion. I HAVE been to South Orham, but the neighborhood that
+your friend Gabe compared it to I ain't seen--yet. I put on that
+'yet,'" he added, with a wink, "'cause I knew Sim Phinney would if
+I didn't."
+
+Captain Bailey rose and covered a yawn with a plump hand.
+
+"I believe I'll go over to Obed's and turn in," he said. "I'm
+sleepy as a minister's horse tonight. You don't mind, do you,
+Obed?"
+
+"No-o," replied Mr. Gott, slowly. "No, I don't, 'special. I kind
+of thought I'd run into the club a few minutes and see some of the
+other fellers. But it ain't important--not very."
+
+The "club" was one of the rooms over Mr. Higgins's store and post
+office. It had been recently fitted up with chairs and tables from
+its members' garrets and, when the depot and store were closed, was
+a favorite gathering place of those reckless ones who cared to "set
+up late"--that is, until eleven o'clock. Most of the men in town
+belonged, but many, Captain Berry among them, visited the room but
+seldom.
+
+"Checkers," said the depot master, referring to the "club's"
+favorite game, "is too deliberately excitin' for me. To watch
+Beriah Higgins and Ezra Weeks fightin' out a game of checkers is
+like gettin' your feet froze in January and waitin' for spring to
+come and thaw 'em out. It's a numbin' kind of dissipation."
+
+But Obed Gott was a regular attendant at the "club," and to-night
+he had a particular reason for wishing to be there. His cousin
+noticed his hesitation and made haste to relieve his mind.
+
+"That's all right, Obed," he said, "go to the club, by all means.
+I ain't such a stranger at your house that I can't find my way to
+bed without help. Good-night, Sim. Good-night, Issy. Cheer up;
+maybe the Major's glassware IS priceless. So long, Cap'n Sol. See
+you again some time tomorrer."
+
+He and Mr. Gott departed. The depot master rose from his chair.
+"Issy," he commanded, "shut up shop."
+
+Issy obeyed, closing the windows and locking the front door.
+Captain Sol himself locked the ticket case and put the cash till
+into the small safe.
+
+"That'll do, Is," said the Captain. "Good-night. Don't worry too
+much over the Major's glass. I'll talk with him, myself. You
+dream about pleasanter things--your girl, if you've got one."
+
+That was a chance shot, but it struck Issy in the heart. Even
+during his melancholy progress to and from Major Hardee's, the
+vision of Gertie Higgins had danced before his greenish-blue eyes.
+His freckles were engulfed in a surge of blushes as, with a
+stammered "Night, Cap'n Berry," he hurried out into the moonlight.
+
+The depot master blew out the lamps. "Come on, Sim," he said,
+briefly. "Goin' to walk up with me, or was YOU goin' to the club?"
+
+"Cal'late I'll trot along with you, if you don't mind. I'd just as
+soon get home early and wrastle with the figures on that Williams
+movin' job."
+
+They left the depot, locked and dark, passed the "general store,"
+where Mr. Higgins was putting out his lights prior to adjournment
+to the "club" overhead, walked up Main Street to Cross Street,
+turned and began climbing the hill. Simeon spoke several times but
+his friend did not answer. A sudden change had come over him. The
+good spirits with which he told of his adventure with Williams and
+which had remained during Phinney's stay at the depot, were gone,
+apparently. His face, in the moonlight, was grave and he strode
+on, his hands in his pockets.
+
+At the crest of the hill he stopped.
+
+"Good-night, Sim," he said, shortly, and, turning, walked off.
+
+The building mover gazed after him in surprise. The nearest way to
+the Berry home was straight down Cross Street, on the other side of
+the hill, to the Shore Road, and thence along that road for an
+eighth of a mile. The Captain's usual course was just that. But
+to-night he had taken the long route, the Hill Boulevard, which
+made a wide curve before it descended to the road below.
+
+Sim, who had had a shrewd suspicion concerning his friend's silence
+and evident mental disturbance, stood still, looking and wondering.
+Olive Edwards, Captain Berry's old sweetheart, lived on the
+Boulevard. She was in trouble and the Captain knew it. He had
+asked, that very evening, what she was going to do when forced to
+move. Phinney could not tell him. Had he gone to find out for
+himself? Was the mountain at last coming to Mohammed?
+
+For some minutes Simeon remained where he was, thinking and
+surmising. Then he, too, turned and walked cautiously up the
+Boulevard. He passed the Williams mansion, its library windows
+ablaze. He passed the twenty-five room "cottage" of the gentleman
+from Chicago. Then he halted. Opposite him was the little Edwards
+dwelling and shop. The curtains were up and there was a lamp
+burning on the small counter. Beside the lamp, in a rocking chair,
+sat Olive Edwards, the widow, sewing. As he gazed she dropped the
+sewing in her lap, and raised her head.
+
+Phinney saw how worn and sad she looked. And yet, how young,
+considering her forty years and all she had endured and must
+endure. She put her hand over her eyes, then removed it wearily.
+A lump came in Simeon's throat. If he might only help her; if SOME
+ONE might help her in her lonely misery.
+
+And then, from where he stood in the shadow of the Chicago
+gentleman's hedge, he saw a figure step from the shadows fifty feet
+farther on. It was Captain Solomon Berry. He walked to the middle
+of the road and halted, looking in at Olive. Phinney's heart gave
+a jump. Was the Captain going into that house, going to HER, after
+all these years? WAS the mountain--
+
+But no. For a full minute the depot master stood, looking in at
+the woman by the lamp. Then he jammed his hands into his pockets,
+wheeled, and tramped rapidly off toward his home. Simeon Phinney
+went home, also, but it was with a heavy heart that he sat down to
+figure the cost of moving the Williams "pure Colonial" to its
+destined location.
+
+
+CHAPTER IV
+
+THE MAJOR
+
+
+The depot master and his friend, Mr. Phinney, were not the only
+ones whose souls were troubled that evening. Obed Gott, as he
+stood at the foot of the stairs leading to the meeting place of the
+"club," was vexed and worried. His cousin, Captain Stitt, had gone
+into the house and up to his room, and Obed, after seeing him
+safely on his way, had returned to the club. But, instead of
+entering immediately, he stood in the Higgins doorway, thinking,
+and frowning as he thought. And the subject of his thought was the
+idol of feminine East Harniss, the "old-school gentleman," Major
+Cuthbertson Scott Hardee.
+
+The Major first came to East Harniss one balmy morning in March--
+came, and created an immediate sensation. "Redny" Blount, who
+drives the "depot wagon," was wrestling with a sample trunk
+belonging to the traveling representative of Messrs. Braid & Gimp,
+of Boston, when he heard a voice--and such a voice--saying:
+
+"Pardon me, my dear sir, but may I trouble you for one moment?"
+
+Now "Redny" was not used to being addressed as "my dear sir." He
+turned wonderingly, and saw the Major, in all his glory, standing
+beside him. "Redny's" gaze took in the tall, slim figure in the
+frock coat tightly buttoned; took in the white hair, worn just long
+enough to touch the collar of the frock coat; the long, drooping
+white mustache and imperial; the old-fashioned stock and open
+collar; the black and white checked trousers; the gaiters; and,
+last of all, the flat brimmed, carefully brushed, old-fashioned
+silk hat. Mr. Blount gasped.
+
+"Huh?" he said.
+
+"Pardon me, my dear sir," repeated the Major, blandly, smoothly,
+and with an air of--well, not condescension, but gracious
+familiarity. "Will you be so extremely kind as to inform me
+concerning the most direct route to the hotel or boarding house?"
+
+The word "hotel" was the only part of this speech that struck home
+to "Redny's" awed mind.
+
+"Hotel?" he repeated, slowly. "Why, yes, sir. I'm goin' right
+that way. If you'll git right into my barge I'll fetch you there
+in ten minutes."
+
+There was enough in this reply, and the manner in which it was
+delivered, to have furnished the station idlers, in the ordinary
+course of events, with matter for gossip and discussion for a week.
+Mr. Blount had not addressed a person as "sir" since he went to
+school. But no one thought of this; all were too much overcome by
+the splendor of the Major's presence.
+
+"Thank you," replied the Major. "Thank you. I am obliged to you,
+sir. Augustus, you may place the baggage in this gentleman's
+conveyance."
+
+Augustus was an elderly negro, very black as to face and a trifle
+shabby as to clothes, but with a shadow of his master's gentility,
+like a reflected luster, pervading his person. He bowed low,
+departed, and returned dragging a large, old style trunk, and
+carrying a plump valise.
+
+"Augustus," said the Major, "you may sit upon the seat with the
+driver. That is," he added, courteously, "if Mr.--Mr.--"
+
+"Blount," prompted the gratified "Redny."
+
+"If Mr. Blount will be good enough to permit you to do so."
+
+"Why, sartin. Jump right up. Giddap, you!"
+
+There was but one passenger, besides the Major and Augustus, in the
+"depot wagon" that morning. This passenger was Mrs. Polena Ginn,
+who had been to Brockton on a visit. To Mrs. Polena the Major,
+raising his hat in a manner that no native of East Harniss could
+acquire by a lifetime of teaching, observed that it was a beautiful
+morning. The flustered widow replied that it "was so." This was
+the beginning of a conversation that lasted until the "Central
+House" was reached, a conversation that left Polena impressed with
+the idea that her new acquaintance was as near the pink of
+perfection as mortal could be.
+
+"It wa'n't his clothes, nuther," she told her brother, Obed Gott,
+as they sat at the dinner table. "I don't know what 'twas, but you
+could jest see that he was a gentleman all over. I wouldn't wonder
+if he was one of them New York millionaires, like Mr. Williams--but
+SO different. 'Redny' Blount says he see his name onto the hotel
+register and 'twas 'Cuthbertson Scott Hardee.' Ain't that a tony
+name for you? And his darky man called him 'Major.' I never see
+sech manners on a livin' soul! Obed, I DO wish you'd stop eatin'
+pie with a knife."
+
+Under these pleasing circumstances did Major Cuthbertson Scott
+Hardee make his first appearance in East Harniss, and the
+reputation spread abroad by Mr. Blount and Mrs. Ginn was confirmed
+as other prominent citizens met him, and fell under the spell. In
+two short weeks he was the most popular and respected man in the
+village. The Methodist minister said, at the Thursday evening
+sociable, that "Major Hardee is a true type of the old-school
+gentleman," whereupon Beriah Higgins, who was running for
+selectman, and therefore felt obliged to be interested in all
+educational matters, asked whereabouts that school was located, and
+who was teaching it now.
+
+It was a treat to see the Major stroll down Main Street to the post
+office every pleasant spring morning. Coat buttoned tight, silk
+hat the veriest trifle on one side, one glove on and its mate
+carried with the cane in the other hand, and the buttonhole
+bouquet--always the bouquet--as fresh and bright and jaunty as its
+wearer himself.
+
+It seemed that every housekeeper whose dwelling happened to be
+situated along that portion of the main road had business in the
+front yard at the time of the Major's passing. There were steps to
+be swept, or rugs to be shaken, or doorknobs to be polished just at
+that particular time. Dialogues like the following interrupted the
+triumphal progress at three minute intervals:
+
+"Good-morning, Mrs. Sogberry. GOOD-morning. A delightful morning.
+Busy as the proverbial bee once more, I see. I can never cease to
+admire the industry and model neatness of the Massachusetts
+housekeeper. And how is your charming daughter this morning?
+Better, I trust?"
+
+"Well, now, Major Hardee, I don't know. Abbie ain't so well's I
+wish she was. She set up a spell yesterday, but the doctor says
+she ain't gittin' along the way she'd ought to. I says to him,
+s'I, 'Abbie ain't never what you'd call a reel hearty eater, but,
+my land! when she don't eat NOTHIN',' I says--"
+
+And so on and so on, with the Major always willing to listen,
+always sympathetic, and always so charmingly courteous.
+
+The Central House, East Harniss's sole hotel, and a very small one
+at that, closed its doors on April 10th. Mr. Godfrey, its
+proprietor, had come to the country for his health. He had been
+inveigled, by an advertisement in a Boston paper, into buying the
+Central House at East Harniss. It would afford him, so he
+reasoned, light employment and a living. The employment was light
+enough, but the living was lighter. He kept the Central House for
+a year. Then he gave it up as a bad job and returned to the city.
+"I might keep my health if I stayed," he admitted, in explaining
+his position to Captain Berry, "but if I want to keep to what
+little money I have left, I'd better go. Might as well die of
+disease as starvation."
+
+Everyone expected that the "gentleman of the old school" would go
+also, but one evening Abner Payne, whose business is "real estate,
+fire and life insurance, justice of the peace, and houses to let
+and for sale," rushed into the post office to announce that the
+Major had leased the "Gorham place," furnished, and intended to
+make East Harniss his home.
+
+"He likes the village so well he's goin' to stay here always,"
+explained Abner. "Says he's been all 'round the world, but he
+never see a place he liked so well's he does East Harniss. How's
+that for high, hey? And you callin' it a one-horse town, Obed
+Gott!"
+
+The Major moved into the "Gorham place" the next morning. It--the
+"place"--was an old-fashioned house on the hill, though not on Mr.
+Williams' "Boulevard." It had been one of the finest mansions in
+town once on a time, but had deteriorated rapidly since old Captain
+Elijah Gorham died. Augustus carried the Major's baggage from the
+hotel to the house. This was done very early and none of the
+natives saw the transfer. There was some speculation as to how the
+darky managed to carry the big trunk single-handed; one of two
+persons asked Augustus this very question, but they received no
+satisfactory answer. Augustus was habitually close-mouthed. Mr.
+Godfrey left town that same morning on the first train.
+
+The Major christened his new home "Silver-leaf Hall," because of
+two great "silver-leaf" trees that stood by the front door. He had
+some repairing, paper hanging and painting done, ordered a big
+stock of groceries from the local dealer, and showed by his every
+action that his stay in East Harniss was to be a lengthy one. He
+hired a pew in the Methodist church, and joined the "club."
+Augustus did the marketing for "Silver-leaf Hall," and had
+evidently been promoted to the position of housekeeper.
+
+The Major moved in April. It was now the third week in June and
+his popularity was, if possible, more pronounced than ever. On
+this particular, the evening of Captain Bailey Stitt's unexpected
+arrival, Obed had been sitting by the tea table in his dining room
+after supper, going over the account books of his paint, paper, and
+oil store. His sister, Mrs. Polena Ginn, was washing dishes in the
+kitchen.
+
+"Wat's that letter you're readin', Obed?" she called from her post
+by the sink.
+
+"Nothin'," said her brother, gruffly, crumpling up the sheet of
+note paper and jamming it into his pocket.
+
+"My sakes! you're shorter'n pie crust to-night. What's the matter?
+Anything gone wrong at the store?"
+
+"No."
+
+Silence again, only broken by the clatter of dishes. Then Polena
+said:
+
+"Obed, when are you goin' to take me up to the clubroom so's I can
+see that picture of Major Hardee that he presented the club with?
+Everybody says it's just lovely. Sarah T. says it's perfectly
+elegant, only not quite so handsome as the Major reelly is. She
+says it don't flatter him none."
+
+"Humph! Anybody'd think Hardee was some kind of a wonder, the way
+you women folks go on 'bout him. How do you know but what he might
+be a reg'lar fraud? Looks ain't everything."
+
+"Well, I never! Obed Gott, I should think you'd be 'shamed of
+yourself, talkin' that way. I shan't speak another word to you to-
+night. I never see you act so unlikely. An old fraud! The idea!
+That grand, noble man!"
+
+Obed tried to make some sort of half-hearted apology, but his
+sister wouldn't listen to it. Polena's dignity was touched. She
+was a woman of consequence in East Harniss, was Polena. Her
+husband had, at his death, left her ten thousand dollars in her own
+right, and she owned bonds and had money in the Wellmouth Bank.
+Nobody, not even her brother, was allowed to talk to her in that
+fashion.
+
+To tell the truth, Obed was sorry he had offended his sister. He
+had been throwing out hints of late as to the necessity of building
+an addition to the paint and oil store, and had cast a longing look
+upon a portion of Polena's ten thousand. The lady had not promised
+to extend the financial aid, but she had gone so far as to say she
+would think about it. So Obed regretted his insinuations against
+the Major's integrity.
+
+After a while he threw the account books upon the top of the chest
+of drawers, put on his hat and coat and announced that he was going
+over to the depot for a "spell." Polena did not deign to reply,
+so, after repeating the observation, he went out and slammed the
+door.
+
+Now, two hours later, as he stood in the doorway of the club, he
+was debating what he should do in a certain matter. That matter
+concerned Major Hardee and was, therefore, an extremely delicate
+one. At length Mr. Gott climbed the narrow stairs and entered the
+clubroom. It was blue with tobacco smoke.
+
+The six or eight members present hailed him absently and went on
+with their games of checkers or "seven-up." He attempted a game of
+checkers and lost, which did not tend to make his temper any
+sweeter. His ill nature was so apparent that Beriah Higgins, who
+suffered from dyspepsia and consequent ill temper, finally
+commented upon it.
+
+"What's the matter with you, Obed?" he asked tartly. "Too much of
+P'lena's mince pie?"
+
+"No," grunted Mr. Gott shortly.
+
+"What is it, then? Ain't paint sellin' well?"
+
+"Sellin' well 'nough. I could sell a hundred ton of paint to-
+morrow, more'n likely, but when it come to gittin' the money for
+it, that would be another story. If folks would pay their bills
+there wouldn't be no trouble."
+
+"Who's stuck you now?"
+
+"I don't s'pose anybody has, but it's just as bad when they don't
+pay up. I've got to have money to keep a-goin' with. It don't
+make no diff'rence if it's as good a customer as Major Hardee; he
+ought to remember that we ain't all rich like him and--"
+
+A general movement among all the club members interrupted him. The
+checker players left their boards and came over; the "seven-up"
+devotees dropped their cards and joined the circle.
+
+"What was that you said?" asked Higgins, uneasily. "The Major
+owin' you money, was it?"
+
+"Oh, course I know he's all right and a fine man and all that,"
+protested Obed, feeling himself put on the defensive. "But that
+ain't it. What's a feller goin' to do when he needs the money and
+gets a letter like that?"
+
+He drew the crumpled sheet of note paper from his pocket, and threw
+it on the table. Higgins picked it up and read it aloud, as
+follows:
+
+
+SILVERLEAF HALL, June 20th.
+
+MY DEAR MR. GOTT: I am in receipt of your courteous communication
+of recent date. I make it an unvarying rule to keep little ready
+money here in East Harniss, preferring rather to let it remain at
+interest in the financial institutions of the cities. Another rule
+of mine, peculiar, I dare say--even eccentric, if you like--is
+never to pay by check. I am expecting remittances from my
+attorneys, however, and will then bear you in mind. Again thanking
+you for your courtesy, and begging you to extend to your sister my
+kindest regards, I remain, my dear sir,
+
+Yours very respectfully,
+
+CUTHBERTSON SCOTT HARDEE.
+
+P. S.--I shall be delighted to have the pleasure of entertaining
+your sister and yourself at dinner at the hall on any date
+agreeable to you. Kindly let me hear from you regarding this at
+your earliest convenience. I must insist upon this privilege, so
+do not disappoint me, I beg.
+
+
+The reception accorded this most gentlemanly epistle was peculiar.
+Mr. Higgins laid it upon the table and put his hand into his own
+pocket. So did Ezra Weeks, the butcher; Caleb Small, the dry goods
+dealer; "Hen" Leadbetter, the livery stable keeper; "Bash" Taylor,
+the milkman, and three or four others. And, wonder of wonders,
+each produced a sheet of note paper exactly like Obed's.
+
+They spread them out on the table. The dates were, of course,
+different, and they differed in other minor particulars, but in the
+main they were exactly alike. And each one of them ended with an
+invitation to dinner.
+
+The members of the club looked at each other in amazement. Higgins
+was the first to speak.
+
+"Godfrey mighty!" he exclaimed. "Say, this is funny, ain't it?
+It's more'n funny; it's queer! By jimmy, it's more'n that--it's
+serious! Look here, fellers; is there anybody in this crowd that
+the Major's paid for anything any time?"
+
+They waited. No one spoke. Then, with one impulse, every face
+swung about and looked up to where, upon the wall, hung the life-
+size photograph of the Major, dignified, gracious, and gilt-framed.
+It had been presented to the club two months before by Cuthbertson
+Scott Hardee, himself.
+
+"Ike--Ike Peters," said Higgins. "Say, Ike--has he ever paid you
+for havin' that took?"
+
+Mr. Peters, who was the town photographer, reddened, hesitated, and
+then stammered, "Why, no, he ain't, yet."
+
+"Humph!" grunted Higgins. No one else said anything. One or two
+took out pocket memorandum books and went over some figures entered
+therein. Judging by their faces the results of these calculations
+were not pleasing. Obed was the first to break the painful
+silence:
+
+"Well!" he exclaimed, sarcastically; "ain't nobody got nothin' to
+say? If they ain't, I have. Or, at any rate, I've got somethin'
+to do." And he rose and started to put on his coat.
+
+"Hi! hold on a minute, Obed, you loon!" cried Higgins. "Where are
+you goin'?"
+
+"I'm goin' to put my bill in Squire Baker's hands for c'lection,
+and I'm goin' to do it tonight, too."
+
+He was on his way to the door, but two or three ran to stop him.
+
+"Don't be a fool, Obed," said Higgins. "Don't go off ha'f cocked.
+Maybe we're gittin' scared about nothin'. We don't know but we'll
+get every cent that's owed us."
+
+"Don't KNOW! Well, I ain't goin' to wait to find out. What makes
+me b'ilin' is to think how we've set still and let a man that we
+never saw afore last March, and don't know one blessed thing about,
+run up bills and RUN 'em up. How we come to be such everlastin'
+fools I don't see! What did we let him have the stuff for? Why
+didn't we make him pay? I--"
+
+"Now see here, Obed Gott," broke in Weeks, the butcher, "you know
+why just as well as we do. Why, blast it!" he added earnestly, "if
+he was to come into my shop to-morrow and tip that old high hat of
+his, and smile and say 'twas a fine mornin and 'How's the good lady
+to-day?' and all that, he'd get ha'f the meat there was in the
+place, and I wouldn't say 'Boo'! I jest couldn't, that's all."
+
+This frank statement was received with approving nods and a chorus
+of muttered "That's so's."
+
+"It looks to me this way," declared Higgins. "If the Major's all
+right, he's a mighty good customer for all of us. If he ain't all
+right, we've got to find it out, but we're in too deep to run resks
+of gettin' him mad 'fore we know for sure. Let's think it over for
+a week. Inside of that time some of us'll hint to him, polite but
+firm, you understand, that we've got to have something on account.
+A week from to-night we'll meet in the back room of my store, talk
+it over and decide what to do. What do you say?"
+
+Everybody but Obed agreed. He declared that he had lost money
+enough and wasn't going to be a fool any longer. The others argued
+with him patiently for a while and then Leadbetter, the livery
+stable keeper, said sharply:
+
+"See here, Obe! You ain't the only one in this. How much does the
+Major owe you?"
+
+"Pretty nigh twenty dollars."
+
+"Humph! You're lucky. He owes me over thirty, and I guess Higgins
+is worse off than any of us. Ain't that so, Beriah?"
+
+"About seventy, even money," answered the grocer, shortly. "No
+use, Obed, we've got to hang together. Wait a week and then see.
+And, fellers," he added, "don't tell a soul about this business,
+'specially the women folks. There ain't a woman nor girl in this
+town that don't think Major Hardee's an A1, gold-plated saint, and
+twouldn't be safe to break the spell on a guess."
+
+Obed reached home even more disgruntled than when he left it. He
+sat up until after twelve, thinking and smoking, and when he went
+to bed he had a brilliant idea. The next morning he wrote a letter
+and posted it.
+
+
+CHAPTER V
+
+A BABY AND A ROBBERY
+
+
+The morning train for Boston, at that season of the year, reached
+East Harniss at five minutes to six, an "ungodly hour," according
+to the irascible Mr. Ogden Williams, who, in company with some of
+his wealthy friends, the summer residents, was petitioning the
+railroad company for a change in the time-table. When Captain Sol
+Berry, the depot master, walked briskly down Main Street the
+morning following Mr. Gott's eventful evening at the club, the
+hands of the clock on the Methodist church tower indicated that the
+time was twenty minutes to six.
+
+Issy McKay was already at the depot, the doors of which were open.
+Captain Sol entered the waiting room and unlocked the ticket rack
+and the little safe. Issy, languidly toying with the broom on the
+front platform, paused in his pretense of sweeping and awaited
+permission to go home for breakfast. It came, in characteristic
+fashion.
+
+"How's the salt air affectin' your appetite, Is?" asked the
+Captain, casually.
+
+Issy, who, being intensely serious by nature, was uneasy when he
+suspected the presence of a joke, confusedly stammered that he
+cal'lated his appetite was all right.
+
+"Payin' for the Major's glass ain't kept you awake worryin', has
+it?"
+
+"No-o, sir. I--"
+
+"P'r'aps you thought he was the one to 'do the worryin', hey?"
+
+"I--I don't know."
+
+"Well, what's your folks goin' to have to eat this mornin'?"
+
+Issy admitted his belief that fried clams were to be the breakfast.
+
+"So? Clams? Is, did you ever read the soap advertisement about
+not bein' a clam?"
+
+"I--I don't know's I ever did. No, sir."
+
+"All right; I only called your attention to it as a warnin', that's
+all. When anybody eats as many clams as you do there's a fair
+chance of his turnin' into one. Now clear out, and don't stay so
+long at breakfast that you can't get back in time for dinner.
+Trot!"
+
+Issy trotted. The depot master seated himself by the door of the
+ticket office and fell into a reverie. It was interrupted by the
+entrance of Hiram Baker. Captain Hiram was an ex-fishing skipper,
+fifty-five years of age, who, with his wife, Sophronia, and their
+infant son, Hiram Joash Baker, lived in a small, old-fashioned
+house at the other end of the village, near the shore. Captain
+Hiram, having retired from the sea, got his living, such as it was,
+from his string of fish traps, or "weirs."
+
+The depot master hailed the new arrival heartily.
+
+"Hello, there, Hiram!" he cried, rising from his chair. "Glad to
+see you once in a while. Ain't goin' to leave us, are you? Not
+goin' abroad for your health, or anything of that kind, hey?"
+
+Captain Baker laughed.
+
+"No," he answered. "No further abroad than Hyannis. And I'll be
+back from there tonight, if the Lord's willin' and the cars don't
+get off the track. Give me a round trip ticket, will you, Sol?"
+
+The depot master retired to the office, returning with the desired
+ticket. Captain Hiram counted out the price from a confused mass
+of coppers and silver, emptied into his hand from a blackened
+leather purse, tied with a string.
+
+"How's Sophrony?" asked the depot master. "Pretty smart, I hope."
+
+"Yup, she's smart. Has to be to keep up with the rest of the
+family--'specially the youngest."
+
+He chuckled. His friend laughed in sympathy.
+
+"The youngest is the most important of all, I s'pose," he observed.
+"How IS the junior partner of H. Baker and Son?"
+
+"He ain't a silent partner, I'll swear to that. Honest, Sol, I
+b'lieve my 'Dusenberry' is the cutest young one outside of a show.
+I said so only yesterday to Mr. Hilton, the minister. I did, and I
+meant it."
+
+"Well, we're all gettin' ready to celebrate his birthday. Ho, ho!"
+
+This was a standard joke and was so recognized and honored. A baby
+born on the Fourth of July is sure of a national celebration of his
+birthday. And to Captain Baker and his wife, no celebration,
+however widespread, could do justice to the importance of the
+occasion. When, to answer the heart longings of the child-loving
+couple married many years, the baby came, he was accepted as a
+special dispensation of Providence and valued accordingly.
+
+"He's got a real nice voice, Hiram," said Sophronia, gazing proudly
+at the prodigy, who, clutched gingerly in his father's big hands,
+was screaming his little red face black. "I shouldn't wonder if he
+grew up to sing in the choir."
+
+"That's the kind of voice to make a fo'mast hand step lively!"
+declared Hiram. "You'll see this boy on the quarter deck of a
+clipper one of these days."
+
+Naming him was a portentous proceeding and one not to be lightly
+gone about. Sophronia, who was a Methodist by descent and early
+confirmation, was of the opinion that the child should have a Bible
+name.
+
+The Captain respected his wife's wishes, but put in an ardent plea
+for his own name, Hiram.
+
+"There's been a Hiram Baker in our family ever since Noah h'isted
+the main-r'yal on the ark," he declared. "I'd kinder like to keep
+the procession a-goin'."
+
+They compromised by agreeing to make the baby's Christian name
+Hiram and to add a middle name selected at random from the
+Scriptures. The big, rickety family Bible was taken from the
+center table and opened with shaking fingers by Mrs. Baker. She
+read aloud the first sentence that met her eye: "The son of Joash."
+
+"Joash!" sneered her husband. "You ain't goin' to cruelize him
+with that name, be you?"
+
+"Hiram Baker, do you dare to fly in the face of Scriptur'?"
+
+"All right! Have it your own way. Go to sleep now, Hiram Joash,
+while I sing 'Storm along, John,' to you."
+
+Little Hiram Joash punched the minister's face with his fat fist
+when he was christened, to the great scandal of his mother and the
+ill-concealed delight of his father.
+
+"Can't blame the child none," declared the Captain. "I'd punch
+anybody that christened a middle name like that onto me."
+
+But, in spite of his name, the baby grew and prospered. He fell
+out of his crib, of course, the moment that he was able, and barked
+his shins over the big shells by the what-not in the parlor the
+first time that he essayed to creep. He teethed with more or less
+tribulation, and once upset the household by an attack of the croup.
+
+They gave up calling him by his first name, because of the
+Captain's invariably answering when the baby was wanted and not
+answering when he himself was wanted. Sophronia would have liked
+to call him Joash, but her husband wouldn't hear of it. At length
+the father took to calling him "Dusenberry," and this nickname was
+adopted under protest.
+
+Captain Hiram sang the baby to sleep every night. There were three
+songs in the Captain's repertoire. The first was a chanty with a
+chorus of
+
+
+ John, storm along, storm along, John,
+ Ain't I glad my day's work's done.
+
+
+The second was the "Bowline Song."
+
+
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline! the bowline HAUL!
+
+
+At the "haul!" the Captain's foot would come down with a thump.
+Almost the first word little Hiram Joash learned was "haul!" He
+used to shout it and kick his father vigorously in the vest.
+
+These were fair-weather songs. Captain Hiram sang them when
+everything was going smoothly. The "Bowline Song" indicated that
+he was feeling particularly jubilant. He had another that he sang
+when he was worried. It was a lugubrious ditty, with a refrain
+beginning:
+
+
+ Oh, sailor boy, sailor boy, 'neath the wild billow,
+ Thy grave is yawnin' and waitin' for thee.
+
+
+He sang this during the worst of the teething period, and, later,
+when the junior partner wrestled with the whooping cough. You
+could always tell the state of the baby's health by the Captain's
+choice of songs.
+
+Meanwhile Dusenberry grew and prospered. He learned to walk and to
+talk, after his own peculiar fashion, and, at the mature age of two
+years and six months, formally shipped as first mate aboard his
+father's dory. His duties in this responsible position were to sit
+in the stern, securely fastened by a strap, while the Captain and
+his two assistants rowed out over the bar to haul the nets of the
+deep water fish weir.
+
+The first mate gave the orders, "All hands on deck! 'Tand by to
+det ship under way!" There was no "sogerin'" aboard the Hiram
+Junior--that was the dory's name--while the first officer had
+command.
+
+Captain Hiram, always ready to talk of the wonderful baby, told the
+depot master of the youngster's latest achievement, which was to
+get the cover off the butter firkin in the pantry and cover himself
+with butter from head to heel.
+
+"Ho, ho, ho!" he roared, delightedly, "when Sophrony caught him at
+it, what do you s'pose he said? Said he was playin' he was a slice
+of bread and was spreadin' himself. Haw! haw!"
+
+Captain Sol laughed in sympathy.
+
+"But he didn't mean no harm by it," explained the proud father.
+"He's got the tenderest little heart in the world. When he found
+his ma felt bad he bust out cryin' and said he'd scrape it all off
+again and when it come prayer time he'd tell God who did it, so
+He'd know 'twa'n't mother that wasted the nice butter. What do you
+think of that?"
+
+"No use talkin', Hiram," said the depot master, "that's the kind of
+boy to have."
+
+"You bet you! Hello! here's the train. On time, for a wonder.
+See you later, Sol. You take my advice, get married and have a boy
+of your own. Nothin' like one for solid comfort."
+
+The train was coming and they went out to meet it. The only
+passenger to alight was Mr. Barzilla Wingate, whose arrival had
+been foretold by Bailey Stitt the previous evening. Barzilla was
+part owner of a good-sized summer hotel at Wellmouth Neck. He and
+the depot master were old friends.
+
+After the train had gone Wingate and Captain Sol entered the
+station together. The Captain had insisted that his friend come
+home with him to breakfast, instead of going to the hotel. After
+some persuasion Barzilla agreed. So they sat down to await Issy's
+arrival. The depot master could not leave the station until the
+"assistant" arrived.
+
+"Well, Barzilla," asked Captain Sol, "what's the newest craze over
+to the hotel?"
+
+"The newest," said Wingate, with a grin, "is automobiles."
+
+"Automobiles? Why, I thought 'twas baseball."
+
+"Baseball was last summer. We had a championship team then. Yes,
+sir, we won out, though for a spell it looked pretty dubious. But
+baseball's an old story. We've had football since, and now--"
+
+"Wait a minute! Football? Why, now I do remember. You had a
+football team there and--and wa'n't there somethin' queer, some
+sort of a--a robbery, or stealin', or swindlin' connected with it?
+Seems's if I'd heard somethin' like that."
+
+Mr. Wingate looked his friend over, winked, and asked a question.
+
+"Sol," he said, "you ain't forgot how to keep a secret?"
+
+The depot master smiled. "I guess not," he said.
+
+"Well, then, I'm goin' to trust you with one. I'm goin' to tell
+you the whole business about that robbin'. It's all mixed up with
+football and millionaires and things--and it's a dead secret, the
+truth of it. So when I tell you it mustn't go no further.
+
+"You see," he went on, "it was late into August when Peter T. was
+took down with the inspiration. Not that there was anything
+'specially new in his bein' took. He was subject to them seizures,
+Peter was, and every time they broke out in a fresh place. The Old
+Home House itself was one of his inspirations, so was the hirin' of
+college waiters, the openin' of the two 'Annex' cottages, the South
+Shore Weather Bureau, and a whole lot more. Sometimes, as in the
+weather-bureau foolishness, the disease left him and t'other two
+patients--meanin' me and Cap'n Jonadab--pretty weak in the courage,
+and wasted in the pocketbook; but gen'rally they turned out good,
+and our systems and bank accounts was more healthy than normal.
+One of Peter T.'s inspirations was consider'ble like typhoid fever--
+if you did get over it, you felt better for havin' had it.
+
+"This time the attack was in the shape of a 'supplementary season.'
+'Twas Peter's idea that shuttin' up the Old Home the fust week in
+September was altogether too soon.
+
+"'What's the use of quittin',' says he, 'while there's bait left
+and the fish are bitin'? Why not keep her goin' through September
+and October? Two or three ads--MY ads--in the papers, hintin' that
+the ducks and wild geese are beginnin' to keep the boarders awake
+by roostin' in the back yard and hollerin' at night--two or three
+of them, and we'll have gunners here by the regiment. Other summer
+hotels do it, the Wapatomac House and the rest, so why not us? It
+hurts my conscience to see good money gettin' past the door 'count
+of the "Not at Home" sign hung on the knob. What d'you say,
+partners?' says he.
+
+"Well, we had consider'ble to say, partic'lar Cap'n Jonadab. 'Twas
+too risky and too expensive. Gunnin' was all right except for one
+thing--that is, that there wa'n't none wuth mentionin'.
+
+"'Ducks are scurser round here than Democrats in a Vermont town-
+meetin',' growled the Cap'n. 'And as for geese! How long has it
+been since you see a goose, Barzilla?'
+
+"'Land knows!' says I. 'I can remember as fur back as the fust
+time Washy Sparrow left off workin', but I can't--'
+
+"Brown told us to shut up. Did we cal'late he didn't know what he
+was talkin' about?
+
+"'I can see two geese right now,' he snaps; 'but they're so old and
+leather-headed you couldn't shoot an idea into their brains with a
+cannon. Gunnin' ain't the whole thing. My makin' a noise like a
+duck is only to get the would-be Teddy Roosevelts headed for this
+neck of the woods. After they get here, it's up to us to keep 'em.
+And I can think of as many ways to do that as the Cap'n can of
+savin' a quarter. Our baseball team's been a success, ain't it?
+Sure thing! Then why not a football team? Parker says he'll get
+it together, and coach and cap'n it, too. And Robinson and his
+daughter have agreed to stay till October fifteenth. So there's a
+start, anyhow.'
+
+"'Twas a start, and a pretty good one. The Robinsons had come to
+the Old Home about the fust of August, and they was our star
+boarders. 'G. W. Robinson' was the old man's name as entered on
+the hotel log, and his daughter answered to the hail of 'Grace'--
+that is, when she took a notion to answer at all. The Robinsons
+was what Peter T. called 'exclusive.' They didn't mix much with
+the rest of the bunch, but kept to themselves in their rooms,
+partic'lar when a fresh net full of boarders was hauled aboard.
+Then they seemed to take an observation of every arrival afore they
+mingled; questioned the pedigree and statistics of all hands, and
+acted mighty suspicious.
+
+"The only thing that really stirred Papa Robinson up and got him
+excited and friendly was baseball and boat racin'. He was an old
+sport, that was plain, the only real plain thing about him; the
+rest was mystery. As for Grace, she wa'n't plain by a good sight,
+bein' what Brown called a 'peach.' She could have had every single
+male in tow if she'd wanted 'em. Apparently she didn't want em,
+preferrin' to be lonesome and sad and interestin'. Yes, sir, there
+was a mystery about them Robinsons, and even Peter T. give in to
+that.
+
+"'If 'twas anybody else,' says he, 'I'd say the old man was a
+crook, down here hidin' from the police. But he's too rich for
+that, and always has been. He ain't any fly-by-night. I can tell
+the real article without lookin' for the "sterlin'" mark on the
+handle. But I'll bet all the cold-storage eggs in the hotel
+against the henyard--and that's big odds--that he wa'n't christened
+Robinson. And his face is familiar to me. I've seen it somewhere,
+either in print or in person. I wish I knew where.'
+
+"So if the Robinsons had agreed to stay--them and their two
+servants--that was a big help, as Brown said. And Parker would
+help, too, though we agreed there wa'n't no mystery about him. He
+was a big, broad-shouldered young feller just out of college
+somewheres, who had drifted our way the fortni't after the
+Robinsons came, with a reputation for athletics and a leanin'
+toward cigarettes and Miss Grace. She leaned a little, too, but
+hers wa'n't so much of a bend as his was. He was dead gone on her,
+and if she'd have decided to stay under water, he'd have ducked
+likewise. 'Twas easy enough to see why HE believed in a
+'supplementary season.'
+
+"Me and Jonadab argued it out with Peter, and finally we met
+halfway, so's to speak. We wouldn't keep the whole shebang open,
+but we'd shut up everything but one Annex cottage, and advertise
+that as a Gunner's Retreat. So we done it.
+
+"And it worked. Heavens to Betsy--yes! It worked so well that by
+the second week in September we had to open t'other Annex. The
+gunnin' was bad, but Peter's ads fetched the would-be's, and his
+'excursions' and picnics and the football team held 'em. The
+football team especial. Parker cap'ned that, and, from the gunnin'
+crew and the waiters and some fishermen in the village, he dug up
+an eleven that showed symptoms of playin' the game. We played the
+Trumet High School, and beat it, thanks to Parker, and that tickled
+Pa Robinson so that he bought a two-handled silver soup tureen--
+'lovin' cup,' he called it--and agreed to give it to the team round
+about that won the most of the series. So the series was arranged,
+the Old Home House crowd and the Wapatomac House eleven and three
+high-school gangs bein' in it. And 'twas practice, practice,
+practice, from then on.
+
+"When we opened the second Annex, the question of help got serious.
+Most of our college waiters had gone back to school, and we was
+pretty shy of servants. So we put some extry advertisin' in the
+Cape weeklies, and trusted in Providence.
+
+"The evenin' followin' the ad in the weeklies, I was settin' smokin'
+on the back piazza of the shut-up main hotel, when I heard the gate
+click and somebody crunchin' along the clam-shell path. I sung
+out: 'Ahoy, there!' and the cruncher, whoever he was, come my way.
+Then I made out that he was a tall young chap, with his hands in
+his pockets.
+
+"'Good evenin',' says he. 'Is this Mr. Brown?'
+
+"'Thankin' you for the compliment, it ain't,' I says. 'My name's
+Wingate.'
+
+"'Oh!' says he. 'Is that so? I've heard father speak of you, Mr.
+Wingate. He is Solomon Bearse, of West Ostable. I think you know
+him slightly.'
+
+"Know him? Everybody on the Cape knows Sol Bearse; by reputation,
+anyhow. He's the richest, meanest old cranberry grower and
+coastin'-fleet owner in these parts.
+
+"'Is Sol Bearse your dad?' I asks, astonished. 'Why, then, you
+must be Gus?'
+
+"'No,' he says. 'I'm the other one--Fred.'
+
+"'Oh, the college one. The one who's goin' to be a lawyer.'
+
+"'Well, yes--and no,' says he. 'I WAS the college one, as you call
+it, but I'm not goin' to be a lawyer. Father and I have had some
+talk on that subject, and I think we've settled it. I--well, just
+at present, I'm not sure what I'm goin' to be. That's what I've
+come to you for. I saw your ad in the Item, and--I want a job.'
+
+"I was set all aback, and left with my canvas flappin', as you
+might say. Sol Bearse's boy huntin' a job in a hotel kitchen!
+Soon's I could fetch a whole breath, I wanted partic'lars. He give
+'em to me.
+
+"Seems he'd been sent out to one of the colleges in the Middle West
+by his dad, who was dead set on havin' a lawyer in the family. But
+the more he studied, the less he hankered for law. What he wanted
+to be was a literature--a book-agent or a poet, or some such
+foolishness. Old Sol, havin' no more use for a poet than he had
+for a poor relation, was red hot in a minute. Was this what he'd
+been droppin' good money in the education collection box for? Was
+this--etcetery and so on. He'd be--what the church folks say he
+will be--if Fred don't go in for law. Fred, he comes back that
+he'll be the same if he does. So they disowned each other by
+mutual consent, as the Irishman said, and the boy marches out of
+the front door, bag and baggage. And, as the poetry market seemed
+to be sort of overly supplied at the present time, he decided he
+must do somethin' to earn a dollar, and, seein' our ad, he comes to
+Wellmouth Port and the Old Home.
+
+"'But look here,' says I, 'we ain't got no job for a literary. We
+need fellers to pass pie and wash dishes. And THAT ain't no poem.'
+
+"Well, he thought perhaps he could help make up advertisin'.
+
+"'You can't,' I told him. 'One time, when Peter T. Brown was away,
+me and Cap'n Jonadab cal'lated that a poetry advertisement would be
+a good idee and we managed to shake out ten lines or so. It begun:
+
+
+ "When you're feelin' tired and pale
+ To the Old Home House you ought to come without fail."
+
+
+"'We thought 'twas pretty slick, but we never got but one answer,
+and that was a circular from one of them correspondence schools of
+authors, sayin' they'd let us in on a course at cut rates. And the
+next thing we knew we see that poem in the joke page of a Boston
+paper. I never--'
+
+"He laughed, quiet and sorrowful. He had the quietest way of
+speakin', anyhow, and his voice was a lovely tenor. To hear it
+purrin' out of his big, tall body was as unexpected as a hymn tune
+in a cent-in-the-slot talkin' machine.
+
+"'Too bad,' he says. 'As a waiter, I'm afraid--'
+
+"Just then the door of one of the Annex houses opened sudden, and
+there stood Grace Robinson. The light behind her showed her up
+plain as could be. I heard Fred Bearse make a kind of gaspin'
+noise in his throat.
+
+"'What a lovely night!' she says, half to herself. Then she calls:
+'Papa, dear, you really ought to see the stars.'
+
+"Old man Robinson, who I judged was in the settin' room, snarled
+out somethin' which wa'n't no compliment to the stars. Then he
+ordered her to come in afore she catched cold. She sighed and
+obeyed orders, shuttin' the door astern of her. Next thing I knew
+that literary tenor grabbed my arm--'twa'n't no canary-bird grip,
+neither.
+
+"'Who was that?' he whispers, eager.
+
+"I told him. 'That's the name they give,' says I, 'but we have
+doubts about its bein' the real one. You see, there's some mystery
+about them Robinsons, and--'
+
+"'I'll take that waiter's place,' he says, quick. 'Shall I go
+right in and begin now? Don't stop to argue, man; I say I'll take
+it.'
+
+"And he did take it by main strength, pretty nigh. Every time I'd
+open my mouth he'd shut it up, and at last I give in, and showed
+him where he could sleep.
+
+"'You turn out at five sharp,' I told him. 'And you needn't bother
+to write no poems while you're dressin', neither.'
+
+"'Good night,' he answers, brisk. 'Go, will you, please? I want
+to think.'
+
+"I went. 'Tain't until an hour later that I remembered he hadn't
+asked one word concernin' the wages. And next mornin' he comes to
+me and suggests that perhaps 'twould be as well if I didn't tell
+his real name. He was pretty sure he'd been away schoolin' so long
+that he wouldn't be recognized. 'And incognitos seem to be
+fashionable here,' he purrs, soft and gentle.
+
+"I wouldn't know an incognito if I stepped on one, but the tenor
+voice of him kind of made me sick.
+
+"'All right,' I snaps, sarcastic. 'Suppose I call you "Willie."
+How'll that do?'
+
+"'Do as well as anything, I guess,' he says. Didn't make no odds
+to him. If I'd have called him 'Maud,' he'd have been satisfied.
+
+"He waited in Annex Number Two, which was skippered by Cap'n
+Jonadab. And, for a poet, he done pretty well, so the Cap'n said.
+
+"'But say, Barzilla,' asks Jonadab, 'does that Willie thing know
+the Robinsons?'
+
+"'Guess not,' I says. But, thinkin' of the way he'd acted when the
+girl come to the door: 'Why?'
+
+"'Oh, nothin' much. Only when he come in with the doughnuts the
+fust mornin' at breakfast, I thought Grace sort of jumped and
+looked funny. Anyhow, she didn't eat nothin' after that. P'r'aps
+that was on account of her bein' out sailin' the day afore,
+though.'
+
+"I said I cal'lated that was it, but all the same I was interested.
+And when, a day or so later, I see Grace and Willie talkin'
+together earnest, out back of the kitchen, I was more so. But I
+never said nothin'. I've been seafarin' long enough to know when
+to keep my main hatch closed.
+
+"The supplementary season dragged along, but it wa'n't quite the
+success it looked like at the start. The gunnin' that year was
+even worse than usual, and excursions and picnics in late September
+ain't all joy, by no manner of means. We shut up the second Annex
+at the end of the month, and transferred the help to Number One.
+Precious few new boarders come, and a good many of the old ones
+quit. Them that did stay, stayed on account of the football. We
+was edgin' up toward the end of the series, and our team and the
+Wapatomac crowd was neck and neck. It looked as if the final game
+between them and us, over on their grounds, would settle who'd have
+the soup tureen.
+
+"Pa Robinson and Parker had been quite interested in Willie when he
+fust come. They thought he might play with the eleven, you see.
+But he wouldn't. Set his foot right down.
+
+"'I don't care for athletics,' he says, mild but firm. 'They used
+to interest me somewhat, but not now.'
+
+"The old man was crazy. He'd heard about Willie's literature
+leanin's, and he give out that he'd never see a writer yet that
+wa'n't a 'sissy.' Wanted us to fire Bearse right off, but we kept
+him, thanks to me. If he'd seen the 'sissy' kick the ball once,
+same as I did, it might have changed his mind some. He was passin'
+along the end of the field when the gang was practicin', and the
+ball come his way. He caught it on the fly, and sent it back with
+his toe. It went a mile, seemed so, whirlin' and whizzin'. Willie
+never even looked to see where it went; just kept on his course for
+the kitchen.
+
+"The big sensation hit us on the fifth of October, right after
+supper. Me and Peter T. and Jonadab was in the office, when down
+comes Henry, old Robinson's man servant, white as a sheet and
+wringin' his hands distracted.
+
+"'Oh, I say, Mr. Brown!' says he, shakin' all over like a
+quicksand. 'Oh, Mr. Brown, sir! Will you come right up to Mr.
+Sterz--I mean Mr. Robinson's room, please, sir! 'E wants to see
+you gentlemen special. 'Urry, please! 'Urry!'
+
+"So we ''urried,' wonderin' what on earth was the matter. And when
+we got to the Robinson rooms, there was Grace, lookin' awful pale,
+and the old man himself ragin' up and down like a horse mack'rel in
+a fish weir.
+
+"Soon as papa sees us, he jumped up in the air, so's to speak, and
+when he lit 'twas right on our necks. His daughter, who seemed to
+be the sanest one in the lot, run and shut the door.
+
+"'Look here, you!' raved the old gent, shakin' both fists under
+Peter T.'s nose. 'Didn't you tell me this was a respectable hotel?
+And ain't we payin' for respectability?'
+
+"Peter admitted it, bein' too much set back to argue, I cal'late.
+
+"'Yes!' rages Robinson. 'We pay enough for all the respectability
+in this state. And yet, by the livin' Moses! I can't go out of my
+room to spoil my digestion with your cussed dried-apple pie, but
+what I'm robbed!'
+
+"'Robbed!' the three of us gurgles in chorus.
+
+"'Yes, sir! Robbed! Robbed! ROBBED! What do you think I came
+here for? And why do I stay here all this time? 'Cause I LIKE it?
+'Cause I can't afford a better place? No, sir! By the great horn
+spoon! I come here because I thought in this forsaken hole I could
+get lost and be safe. And now--'
+
+"He tore around like a water spout, Grace trying to calm him, and
+Henry and Suzette, the maid, groanin' and sobbin' accompaniments in
+the corner. I looked at the dresser. There was silver-backed
+brushes and all sorts of expensive doodads spread out loose, and
+Miss Robinson's watch and a di'mond ring, and a few other
+knickknacks. I couldn't imagine a thief's leavin' all that truck,
+and I said so.
+
+"'Them?' sputters Pa, frantic. 'What the brimstone blazes do you
+think I care for them? I could buy that sort of stuff by the car-
+load, if I wanted to. But what's been stole is-- Oh, get out and
+leave me alone! You're no good, the lot of you!'
+
+"'Father has had a valuable paper stolen from him,' explains Grace.
+'A very valuable paper.'
+
+"'Valuable!' howls her dad. 'VALUABLE! Why, if Gordon and his
+gang get that paper, they've got ME, that's all. Their suit's as
+good as won, and I know it. And to think that I've kept it safe up
+to within a month of the trial, and now--Grace Sterzer, you stop
+pattin' my head. I'm no pussy-cat! By the--' And so on,
+indefinite.
+
+"When he called his daughter Sterzer, instead of Robinson, I
+cal'lated he was loony, sure enough. But Peter T. slapped his leg.
+
+"'Oh!' he says, as if he'd seen a light all to once. 'Ah, NOW I
+begin to get wise. I knew your face was-- See here, Mr. Sterzer--
+Mr. Gabriel Sterzer--don't you think we'd better have a real, plain
+talk on this matter? Let's get down to tacks. Was the paper you
+lost something to do with the Sterzer-Gordon lawsuit? The Aluminum
+Trust case, you know?'
+
+"The old man stopped dancin', stared at him hard, and then set down
+and wiped his forehead.
+
+"'Something to DO with it?' he groans. 'Why, you idiot, it was IT!
+If Gordon's lawyers get that paper--and they've been after it for a
+year--then the fat's all in the fire. There's nothin' left for me
+to do but compromise.'
+
+"When Peter T. mentioned the name of Gabriel Sterzer, me and
+Jonadab begun to see a light, too. 'Course you remember the bust-
+up of the Aluminum Trust--everybody does. The papers was full of
+it. There'd been a row among the two leadin' stockholders, Gabe
+Sterzer and 'Major' Gordon. Them two double-back-action
+millionaires practically owned the trust, and the state 'twas in,
+and the politics of that state, and all the politicians. Each of
+'em run three or four banks of their own, and a couple of
+newspapers, and other things, till you couldn't rest. Then they
+had the row, and Gabe had took his playthings and gone home, as you
+might say. Among the playthings was a majority of the stock, and
+the Major had sued for it. The suit, with pictures of the leadin'
+characters and the lawyers and all, had been spread-eagled in the
+papers everywheres. No wonder 'Robinson's' face was familiar.
+
+"But it seemed that Sterzer had held the trump card in the shape of
+the original agreement between him and Gordon. And he hung on to
+it like the Old Scratch to a fiddler. Gordon and his crowd had
+done everything, short of murder, to get it; hired folks to steal
+it, and so on, because, once they DID get it, Gabe hadn't a leg to
+stand on--he'd have to divide equal, which wa'n't his desires, by a
+good sight. The Sterzer lawyers had wanted him to leave it in
+their charge, but no--he knew too much for that. The pig-headed
+old fool had carted it with him wherever he went, and him and his
+daughter had come to the Old Home House because he figgered nobody
+would think of their bein' in such an out-of-the-way place as that.
+But they HAD thought of it. Anyhow, the paper was gone.
+
+"'But Mr. Robinzer--Sterson, I mean--' cut in Cap'n Jonadab, 'you
+could have 'em took up for stealin', couldn't you? They wouldn't
+dare--'
+
+"''Course they'd dare! S'pose they don't know I wouldn't have that
+agreement get in the papers? Dare! They'd dare anything. If they
+get away with it, by hook or crook, all I can do is haul in my
+horns and compromise. If they've got that paper, the suit never
+comes to trial.'
+
+"'Well, they ain't got it yet,' says Peter, decided. 'Whoever
+stole the thing is right here in this boardin'-house, and it's up
+to us to see that they stay here. Barzilla, you take care of the
+mail. No letters must go out to-night. Jonadab, you set up and
+watch all hands, help and all. Nobody must leave this place, if we
+have to tie em. And I'll keep a gen'ral overseein' of the whole
+thing, till we get a detective. And--if you'll stand the waybill,
+Mr. Sterzer--we'll have the best Pinkerton in Boston down here in
+three hours by special train. By the way, are you sure the thing
+IS lifted? Where was it?'
+
+"Old Gabe kind of colored up, and give in that 'twas under his
+pillow. He always kept it there after the beds was made.
+
+"'Humph!' grunts Brown. 'Why didn't you hang it on the door-knob?
+Under the pillow! If I was a sneak thief, the first place I'd look
+would be under the pillow; after that I'd tackle the jewelry box
+and the safe.'
+
+"There was consider'ble more talk. Seems the Sterzers had left
+Henry on guard, same as they always done, when they went to supper.
+They could trust him and Suzette absolute, they said. But Henry
+had gone down the hall after a drink of water, and when he had got
+back everything apparently was all right. 'Twa'n't till Gabe
+himself come up that he found the paper gone. I judged he'd made
+it interestin' for Henry; the poor critter looked that way.
+
+"All hands agreed to keep mum for the present and to watch. Peter
+hustled to the office and called up the Pinkertons over the long
+distance."
+
+Mr. Wingate paused. Captain Sol was impatient.
+
+"Go on," he said. "Don't stop now, I'm gettin' anxious."
+
+Barzilla rose to his feet. "Here's your McKay man back again," he
+said. "Let's go up to your house and have breakfast. We can talk
+while we're eatin'. I'm empty as a poorhouse boarder's
+pocketbook."
+
+
+CHAPTER VI
+
+AVIATION AND AVARICE
+
+
+Breakfast at Capt. Sol Berry's was a bountiful meal. The depot
+master employed a middle-aged woman who came in each day, cooked
+his meals and did the housework, returning to her own home at
+night. After Mr. Wingate had mowed a clean swath through ham and
+eggs, cornbread and coffee, and had reached the cooky and doughnut
+stage, he condescended to speak further concerning the stolen
+paper.
+
+"Well," he said, "Brown give me and Jonadab a serious talkin' to
+when he got us alone."
+
+"'Now, fellers,' he says, 'we know what we've got to do. Nothin'll
+be too good for this shebang and us if we get that agreement back.
+Fust place, the thing was done a few minutes after the supper-bell
+rung. That is, unless that 'Enry is in on the deal, which ain't
+unlikely, considerin' the price he could get from the Gordon gang.
+Was anybody late at the tables?'
+
+"Why, yes; there were quite a few late. Two of the 'gunners,'
+who'd been on a forlorn-hope duck hunt; and a minister and his
+wife, out walkin' for their health; and Parker and two fellers from
+the football team, who'd been practicin'.
+
+"'Any of the waiters or the chambermaids?' asked Peter.
+
+"I'd been expectin' he'd ask that, and I hated to answer.
+
+"'One of the waiters was a little late,' says I. 'Willie wa'n't on
+hand immediate. Said he went to wash his hands.'
+
+"Now the help gen'rally washed in the fo'castle--the servants'
+quarters, I mean--but there was a wash room on the floor where the
+Sterzer-Robinsons roomed. Peter looked at Jonadab, and the two of
+'em at me. And I had to own up that Willie had come downstairs
+from that wash room a few minutes after the bell rung.
+
+"'Hum!' says Peter T. 'Hum!' he says. 'Look here, Barzilla,
+didn't you tell me you knew that feller's real name, and that he
+had been studying law?'
+
+"'No,' says I, emphatic. 'I said 'twas law he was tryin' to get
+away from. His tastes run large to literation and poetry.'
+
+"'Hum!' says Peter again. 'All papers are more or less literary--
+even trust agreements. Hum!'
+
+"'All the same,' says I, 'I'll bet my Sunday beaver that HE never
+took it.'
+
+"They didn't answer, but looked solemn. Then the three of us went
+on watch.
+
+"Nobody made a move to go out that evenin'. I kept whatever mail
+was handed in, but there was nothin' that looked like any
+agreements, and nothin' addressed to Gordon or his lawyers. At
+twelve or so, the detective come. Peter drove up to the depot to
+meet the special. He told the whole yarn on the way down.
+
+"The detective was a nice enough chap, and we agreed he should be
+'Mr. Snow,' of New York, gunnin' for health and ducks. He said the
+watch must be kept up all night, and in the mornin' he'd make his
+fust move. So said, so done.
+
+"And afore breakfast that next mornin' we called everybody into the
+dinin' room, boarders, help, stable hands, every last one. And
+Peter made a little speech. He said that a very valuable paper had
+been taken out of Mr. Robinson's room, and 'twas plain that it must
+be on the premises somewhere. 'Course, nobody was suspicioned,
+but, speakin' for himself, he'd feel better if his clothes and his
+room was searched through. How'd the rest feel about it?
+
+"Well, they felt diff'rent ways, but Parker spoke up like a brick,
+and said he wouldn't rest easy till HIS belongin's was pawed over,
+and then the rest fell in line. We went through everybody and
+every room on the place. Found nothin', of course. Snow--the
+detective--said he didn't expect to. But I tell you there was some
+talkin' goin' on, just the same. The minister, he hinted that he
+had some doubts about them dissipated gunners; and the gunners
+cal'lated they never see a parson yet wouldn't bear watchin'. As
+for me, I felt like a pickpocket, and, judgin' from Jonadab's face,
+he felt the same.
+
+"The detective man swooped around quiet, bobbin' up in unexpected
+places, like a porpoise, and askin' questions once in a while. He
+asked about most everybody, but about Willie, especial. I judged
+Peter T. had dropped a hint to him and to Gabe. Anyhow, the old
+critter give out that he wouldn't trust a poet with the silver
+handles on his grandmarm's coffin. As for Grace, she acted
+dreadful nervous and worried. Once I caught her swabbin' her eyes,
+as if she'd been cryin'; but I'd never seen her and Willie together
+but the one time I told you of.
+
+"Four days and nights crawled by. No symptoms yet. The Pinkertons
+was watchin' the Gordon lawyers' office in New York, and they
+reported that nothin' like that agreement had reached there. And
+our own man--Snow--said he'd go bail it hadn't been smuggled off
+the premises sense HE struck port. So 'twas safe so far; but where
+was it, and who had it?
+
+"The final football game, the one with Wapatomac, was to be played
+over on their grounds on the afternoon of the fifth day. Parker,
+cap'n of the eleven, give out that, considerin' everything, he
+didn't know but we'd better call it off. Old Robinson--Sterzer, of
+course--wouldn't hear of it.
+
+"'Not much,' says he. 'I wouldn't chance your losin' that game for
+forty papers. You sail in and lick 'em!' or words to that effect.
+
+"So the eleven was to cruise across the bay in the Greased
+Lightnin', Peter's little motor launch, and the rooters was to go
+by train later on. 'Twas Parker's idee, goin' in the launch.
+'Twould be more quiet, less strain on the nerves of his men, and
+they could talk over plays and signals on the v'yage.
+
+"So at nine o'clock in the forenoon they was ready, the whole team--
+three waiters, two fishermen, one carpenter from up to Wellmouth
+Center, a stable hand, and Parker and three reg'lar boarders.
+These last three was friends of Parker's that he'd had come down
+some time afore. He knew they could play football, he said, and
+they'd come to oblige him.
+
+"The eleven gathered on the front porch, all in togs and sweaters,
+principally provided and paid for by Sterzer. Cap'n Parker had the
+ball under his arm, and the launch was waitin' ready at the
+landin'. All the boarders--except Grace, who was upstairs in her
+room--and most of the help was standin' round to say good luck and
+good-by.
+
+"Snow, the detective, was there, and I whispered in his ear.
+
+"'Say,' I says, 'do you realize that for the fust time since the
+robbery here's a lot of folks leavin' the house? How do you know
+but what--'
+
+"He winked and nodded brisk. 'I'll attend to that,' he says.
+
+"But he didn't have to. Parker spoke fust, and took the wind out
+of his sails.
+
+"'Gentlemen,' says he, 'I don't know how the rest of you feel, but,
+as for me, I don't start without clear skirts. I suggest that Mr.
+Brown and Mr. Wingate here search each one of us, thoroughly. Who
+knows,' says he, laughin', 'but what I've got that precious stolen
+paper tucked inside my sweater? Ha! ha! Come on, fellers! I'll
+be first.'
+
+"He tossed the ball into a chair and marched into the office, the
+rest of the players after him, takin' it as a big joke. And there
+the searchin' was done, and done thorough, 'cause Peter asked Mr.
+Snow to help, and he knew how. One thing was sure; Pa Gabe's
+agreement wa'n't hid about the persons of that football team.
+Everybody laughed--that is, all but the old man and the detective.
+Seemed to me that Snow was kind of disappointed, and I couldn't see
+why. 'Twa'n't likely any of THEM was thieves.
+
+"Cap'n Parker picked up his football and started off for the
+launch. He'd got about ha'fway to the shore when Willie--who'd
+been stand-in' with the rest of the help, lookin' on--stepped
+for'ard pretty brisk and whispered in the ear of the Pinkerton man.
+The detective jumped, sort of, and looked surprised and mighty
+interested.
+
+"'By George!' says he. 'I never thought of that.' Then he run to
+the edge of the piazza and called.
+
+"'Mr. Parker!' he sings out. 'Oh, Mr. Parker!'
+
+"Parker was at the top of the little rise that slopes away down to
+the landin'. The rest of the eleven was scattered from the shore
+to the hotel steps. He turns, without stoppin', and answers.
+
+"'What is it?' he sings out, kind of impatient.
+
+"'There's just one thing we forgot to look at,' shouts Snow.
+'Merely a matter of form, but just bring that-- Hey! Stop him!
+Stop him!'
+
+"For Parker, instead of comin' back, had turned and was leggin' it
+for the launch as fast as he could, and that was some.
+
+"'Stop!' roars the Pinkerton man, jumpin' down the steps. 'Stop,
+or--'
+
+"'Hold him, Jim!' screeched Parker, over his shoulder. One of the
+biggest men on the eleven--one of the three 'friends' who'd been so
+obligin' as to come down on purpose to play football--made a dive,
+caught the detective around the waist, and threw him flat.
+
+"'Go on, Ed!' he shouts. 'I've got him, all right.'
+
+"Ed--meanin' Parker--was goin' on, and goin' fast. All hands
+seemed to be frozen stiff, me and Jonadab and Peter T. included.
+As for me, I couldn't make head nor tail of the doin's; things was
+comin' too quick for MY understandin'.
+
+"But there was one on that piazza who wa'n't froze. Fur from it!
+Willie, the poet waiter, made a jump, swung his long legs over the
+porch-rail, hit the ground, and took after that Parker man like a
+cat after a field mouse.
+
+"Run! I never see such runnin'! He fairly flashed across that
+lawn and over the rise. Parker was almost to the landin'; two more
+jumps and he'd been aboard the launch. If he'd once got aboard, a
+turn of the switch and that electric craft would have had him out
+of danger in a shake. But them two jumps was two too many. Willie
+riz off the ground like a flyin' machine, turned his feet up and
+his head down, and lapped his arms around Parker's knees. Down the
+pair of 'em went 'Ker-wallop!' and the football flew out of
+Parker's arms.
+
+"In an eyewink that poet was up, grabs the ball, and comes tearin'
+back toward us.
+
+"'Stop him!' shrieks Parker from astern.
+
+"'Head him off! Tackle him!' bellers the big chap who was hangin'
+onto the detective.
+
+"They tell me that discipline and obeyin' orders is as much in
+football as 'tis aboard ship. If that's so, every one of the Old
+Home House eleven was onto their jobs. There was five men between
+Willie and the hotel, and they all bore down on him like bats on a
+June bug.
+
+"'Get him!' howls Parker, racin' to help.
+
+"'Down him!' chimes in big Jim, his knee in poor Snow's back.
+
+"'Run, Bearse! Run!' whoops the Pinkerton man, liftin' his mouth
+out of the sand.
+
+"He run--don't you worry about that! Likewise he dodged. One chap
+swooped at him, and he ducked under his arms. Another made a dive,
+and he jumped over him. The third one he pushed one side with his
+hand. 'Pushed!' did I say? 'Knocked' would be better, for the
+feller--the carpenter 'twas--went over and over like a barrel
+rollin' down hill. But there was two more left, and one of 'em was
+bound to have him.
+
+"Then a window upstairs banged open.
+
+"'Oh, Mr. Bearse!' screamed a voice--Grace Sterzer's voice. 'Don't
+let them get you!'
+
+"We all heard her, in spite of the shoutin' and racket. Willie
+heard her, too. The two fellers, one at each side, was almost on
+him, when he stopped, looked up, jumped back, and, as cool as a
+rain barrel in January, he dropped that ball and kicked it.
+
+"I can see that picture now, like a tableau at a church sociable.
+The fellers that was runnin', the others on the ground, and that
+literary pie passer with his foot swung up to his chin.
+
+"And the ball! It sailed up and up in a long curve, began to drop,
+passed over the piazza roof, and out of sight.
+
+"'Lock your door, Miss Sterzer,' sung out Fred Bearse--'Willie' for
+short. 'Lock your door and keep that ball. I think your father's
+paper is inside it.'
+
+"As sure as my name is Barzilla Wingate, he had kicked that
+football straight through the open window into old Gabe's room."
+
+The depot master whooped and slapped his knee. Mr. Wingate grinned
+delightedly and continued:
+
+"There!" he went on, "the cat's out of the bag, and there ain't
+much more to tell. Everybody made a bolt for the room, old Gabe
+and Peter T. in the lead. Grace let her dad in, and the ball was
+ripped open in a hurry. Sure enough! Inside, between the leather
+and the rubber, was the missin' agreement. Among the jubilations
+and praise services nobody thought of much else until Snow, the
+Pinkerton man, come upstairs, his clothes tore and his eyes and
+nose full of sand.
+
+"'Humph!' says he. 'You've got it, hey? Good! Well, you haven't
+got friend Parker. Look!'
+
+"Such of us as could looked out of the window. There was the
+launch, with Parker and his three 'friends' in it, headin' two-
+forty for blue water.
+
+"'Let 'em go,' says old Gabe, contented. 'I wouldn't arrest 'em if
+I could. This is no police-station job.'
+
+"It come out afterwards that Parker was a young chap just from law
+school, who had gone to work for the firm of shysters who was
+attendin' to the Gordon interests. They had tracked Sterzer to the
+Old Home House, and had put their new hand on the job of gettin'
+that agreement. Fust he'd tried to shine up to Grace, but the
+shine--her part of it--had wore off. Then he decided to steal it;
+and he done it, just how nobody knows. Snow, the detective, says
+he cal'lates Henry, the servant, is wiser'n most folks thinks,
+fur's that's concerned.
+
+"Snow had found out about Parker inside of two days. Soon's he got
+the report as to who he was, he was morally sartin that he was the
+thief. He'd looked up Willie's record, too, and that was clear.
+In fact, Willie helped him consider'ble. 'Twas him that recognized
+Parker, havin' seen him play on a law-school team. Also 'twas
+Willie who thought of the paper bein' in the football.
+
+"Land of love! What a hero they made of that waiter!
+
+"'By the livin' Moses!' bubbles old Gabe, shakin' both the boy's
+hands. 'That was the finest run and tackle and the finest kick I
+ever saw anywhere. I've seen every big game for ten years, and I
+never saw anything half so good.'
+
+"The Pinkerton man laughed. 'There's only one chap on earth who
+can kick like that. Here he is,' layin' his hand on 'Willie's'
+shoulder. Bearse, the All-American half-back last year.'
+
+"Gabe's mouth fell open. 'Not "Bung" Bearse, of Yarvard!' he sings
+out. 'Why! WHY!'
+
+"'Of course, father!' purrs his daughter, smilin' and happy. 'I
+knew him at once. He and I were--er--slightly acquainted when I
+was at Highcliffe.'
+
+"'But--but "Bung" Bearse!' gasps the old gent. 'Why, you rascal!
+I saw you kick the goal that beat Haleton. Your reputation is
+worldwide.'
+
+"Willie--Fred Bearse, that is--shook his head, sad and regretful.
+
+"'Thank you, Mr. Sterzer,' says he, in his gentle tenor. 'I have
+no desire to be famous in athletics. My aspirations now are
+entirely literary.'
+
+"Well, he's got his literary job at last, bein' engaged as sportin'
+editor on one of Gabe's papers. His dad, old Sol Bearse, seems to
+be pretty well satisfied, partic'lar as another engagement between
+the Bearse family and the Sterzers has just been given out."
+
+Barzilla helped himself to another doughnut. His host leaned back
+in his chair and laughed uproariously.
+
+"Well, by the great and mighty!" he exclaimed, "that Willie chap
+certainly did fool you, didn't he. You can't always tell about
+these college critters. Sometimes they break out unexpected, like
+chickenpox in the 'Old Men's Home.' Ha! ha! Say, do you know Nate
+Scudder?"
+
+"Know him? Course I know him! The meanest man on the Cape, and
+livin' right in my own town, too! Well, if I didn't know him I
+might trust him, and that would be the beginnin' of the end--for
+me."
+
+"It sartin would. But what made me think of him was what he told
+me about his nephew, who was a college chap, consider'ble like your
+'Willie,' I jedge. Nate and this nephew, Augustus Tolliver, was
+mixed up in that flyin'-machine business, you remember."
+
+"I know they was. Mixed up with that Professor Dixland the papers
+are makin' such a fuss over. Wellmouth's been crazy over it all,
+but it happened a year ago and nobody that I know of has got the
+straight inside facts about it yet. Nate won't talk at all.
+Whenever you ask him he busts out swearin' and walks off. His
+wife's got such a temper that nobody dared ask her, except the
+minister. He tried it, and ain't been the same man since."
+
+"Well," the depot master smilingly scratched his chin, "I cal'late
+I've got those inside facts."
+
+"You HAVE?"
+
+"Yes. Nate gave 'em to me, under protest. You see, I know Nate
+pretty well. I know some things about him that . . . but never
+mind that part. I asked him and, at last, he told me. I'll have
+to tell you in his words, 'cause half the fun was the way he told
+it and the way he looked at the whole business. So you can imagine
+I'm Nate, and--"
+
+"'Twill be a big strain on my imagination to b'lieve you're Nate
+Scudder, Sol Berry."
+
+"Thanks. However, you'll have to do it for a spell. Well, Nate
+said that it really begun when the Professor and Olivia landed at
+the Wellmouth depot with the freight car full of junk. Of course,
+the actual beginnin' was further back than that, when that Harmon
+man come on from Philadelphy and hunted him up, makin' proclamation
+that a friend of his, a Mr. Van Brunt of New York, had said that
+Scudder had a nice quiet island to let and maybe he could hire it.
+
+"Course Nate had an island--that little sun-dried sandbank a mile
+or so off shore, abreast his house, which we used to call
+'Horsefoot Bar.' That crazy Van Brunt and his chum, Hartley, who
+lived there along with Sol Pratt a year or so ago, re-christened it
+'Ozone Island,' you remember. Nate was willin' to let it. He'd
+let Tophet, if he owned it, and a fool come along who wanted to
+hire it and could pay for the rent and heat.
+
+"So Nate and this Harmon feller rowed over to the Bar--to Ozone
+Island, I mean--and the desolation and loneliness of it seemed to
+suit him to perfection. So did the old house and big barn and all
+the tumbledown buildin's stuck there in the beach-grass and sand.
+Afore they'd left they made a dicker. He wa'n't the principal in
+it. He was the private secretary and fust mate of Mr. Professor
+Ansel Hobart Dixland, the scientist--perhaps Scudder'd heard of
+him?
+
+"Perhaps he had, but if so, Nate forgot it, though he didn't tell
+him that. Harmon ordered a fifteen-foot-high board fence built all
+around the house and barn, and made Nate swear not to tell a soul
+who was comin' nor anything. Dixland might want the island two
+months, he said, or he might want it two years. Nate didn't care.
+He was in for good pickin's, and begun to pick by slicin' a liberal
+commission off that fencebuildin' job. There was a whole passel of
+letters back and forth between Nate and Harmon, and finally Nate
+got word to meet the victims at the depot.
+
+"There was the professor himself, an old dried-up relic with
+whiskers and a temper; and there was Miss Olivia Dixland, his niece
+and housekeeper, a slim, plain lookin' girl, who wore eyeglasses
+and a straight up and down dress. And there was a freight car full
+of crates and boxes and land knows what all. But nary sign was
+there of a private secretary and assistant. The professor told
+Nate that Mr. Harmon's health had suddenly broke down and he'd had
+to be sent South.
+
+"'It's a calamity,' says he; 'a real calamity! Harmon has been
+with me in my work from the beginnin'; and now, just as it is
+approachin' completion, he is taken away. They say he may die. It
+is very annoyin'.'
+
+"'Humph!' says Nate. 'Well, maybe it annoys HIM some, too; you
+can't tell. What you goin' to do for a secretary?'
+
+"'I understand,' says the professor, 'that there is a person of
+consider'ble scientific attainment residin' with you, Mr. Scudder,
+at present. Harmon met him while he was here; they were in the
+same class at college. Harmon recommended him highly. Olivia,' he
+says to the niece, 'what was the name of the young man whom Harmon
+recommended?'
+
+"'Tolliver, Uncle Ansel,' answers the girl, lookin' kind of
+disdainful at Nate. Somehow he had the notion that she didn't take
+to him fust rate.
+
+"'Hey?' sings out Nate. 'Tolliver? Why, that's Augustus!
+AUGUSTUS! well, I'll be switched!'
+
+"Augustus Tolliver was Nate's nephew from up Boston way. Him and
+Nate was livin' together at that time. Huldy Ann, Mrs. Scudder,
+was out West, in Omaha, takin' care of a cousin of hers who was a
+chronic invalid and, what's more to the purpose, owned a lot of
+stock in copper mines.
+
+"Augustus was a freckle-faced, spindle-shanked little critter, with
+spectacles and a soft, polite way of speakin' that made you want to
+build a fire under him to see if he could swear like a Christian.
+He had a big head with consider'ble hair on the top of it and
+nothin' underneath but what he called 'science' and 'sociology.'
+His science wa'n't nothin' but tommy-rot to Nate, and the
+'sociology' was some kind of drivel about everybody bein' equal to
+everybody else, or better. 'Seemed to think 'twas wrong to get a
+good price for a thing when you found a feller soft enough to pay
+it. Did you ever hear the beat of that in your life?' says Nate.
+
+"However, Augustus had soaked so much science and sociology into
+that weak noddle of his that they kind of made him drunk, as you
+might say, and the doctor had sent him down to board with the
+Scudders and sleep it off. 'Nervous prostration' was the way he
+had his symptoms labeled, and the nerve part was all right, for if
+a hen flew at him he'd holler and run. Scart! you never see such a
+scart cat in your born days. Scart of a boat, scart of being
+seasick, scart of a gun, scart of everything! Most special he was
+scart of Uncle Nate. The said uncle kept him that way so's he
+wouldn't dast to kick at the grub him and Huldy Ann give him, I
+guess.
+
+"'Augustus Tolliver,' says old Dixland, noddin'. 'Yes, that is the
+name. Has he had a sound scientific trainin'?'
+
+"'Scientific trainin'!' says Nate. 'Scientific trainin'? Why, you
+bet he's had it! That's the only kind of trainin' he HAS had.
+He'll be just the feller for you, Mr. Dixland.'
+
+"So that was settled, all but notifyin' Augustus. But Scudder
+sighted another speculation in the offin', and hove alongside of
+it.
+
+"'Mr. Harmon, when he was here,' says he, 'he mentioned you needin'
+a nice, dependable man to live on the island and be sort of general
+roustabout. My wife bein' away just now, and all, it struck me
+that I might as well be that man. Maybe my terms'll seem a little
+high, at fust mention, but--'
+
+"'Very good,' says the professor, 'very good. I'm sure you'll be
+satisfactory. Now please see to the unloading of that car. And be
+careful, VERY careful.'
+
+"Nate broke the news to Augustus that afternoon. He had his nose
+stuck in a book, as usual, and never heard, so Nate yelled at him
+like a mate on a tramp steamer, just to keep in trainin'.
+
+"'Who? Who? Who? What? What?' squeals Augustus, jumpin' out of
+the chair as if there was pins in it. 'What is it? Who did it?
+Oh, my poor nerves!'
+
+"'Drat your poor nerves!' Nate says. 'I've got a good promisin'
+job for you. Listen to this.'
+
+"Then he told about the professor's wantin' Gus to be assistant and
+help do what the old man called 'experiments.'
+
+"'Dixland?' says Gus, 'Ansel Hobart Dixland, the great scientist!
+And I'm to be HIS assistant? Assistant to the man who discovered
+DIXIUM and invented--'
+
+"'Oh, belay there!' snorts Nate, impatient. Tell me this--he's
+awful rich, ain't he?'
+
+"'Why, I believe--yes, Harmon said he was. But to think of MY
+bein'--'
+
+"'Now, nephew,' Nate cut in, 'let me talk to you a minute. Me and
+your Aunt Huldy Ann have been mighty kind to you sence you've been
+here, and here's your chance to do us a good turn. You stick close
+to science and the professor and let me attend to the finances. If
+this family ain't well off pretty soon it won't be your Uncle
+Nate's fault. Only don't you put your oar in where 'tain't
+needed.'
+
+"Lord love you, Gus didn't care about finances. He was so full of
+joy at bein' made assistant to the great Ansel Whiskers Dixland
+that he forgot everything else, nerves and all.
+
+"So in another day the four of 'em was landed on Ozone Island and
+so was the freight-car load of crates and boxes. Grub and
+necessaries was to be provided by Scudder--for salary as stated and
+commission understood.
+
+"It took Nate less than a week to find out what old Dixland was up
+to. When he learned it, he set down in the sand and fairly snorted
+disgust. The old idiot was cal'latin' to FLY. Seems that for
+years he'd been experimentin' with what he called 'aeroplanes,' and
+now he'd reached the stage where he b'lieved he could flap his
+wings and soar. 'Thinks I,' says Nate, 'your life work's cut out
+for you, Nate Scudder. You'll spend the rest of your days as
+gen'ral provider for the Ozone private asylum.' Well, Scudder
+wa'n't complainin' none at the outlook. He couldn't make a good
+livin' no easier.
+
+"The aeroplane was in sections in them boxes and crates. Nate and
+Augustus and the professor got out the sections and fitted 'em
+together. The buildin's on Ozone was all joined together--first
+the house, then the ell, then the wash-rooms and big sheds, and,
+finally, the barn. There was doors connectin', and you could go
+from house to barn, both downstairs and up, without steppin'
+outside once.
+
+"'Twas in the barn that they built what Whiskers called the 'flyin'
+stage.' 'Twas a long chute arrangement on trestles, and the idea
+was that the aeroplane was to get her start by slidin' down the
+chute, out through the big doors and off by the atmosphere route to
+glory. I say that was the IDEA. In practice she worked different.
+
+"Twice the professor made proclamations that everything was ready,
+and twice they started that flyin' machine goin'. The fust time
+Dixland was at the helm, and him and the aeroplane dropped headfust
+into the sandbank just outside the barn. The machine was
+underneath, and the pieces of it acted as a fender, so all the
+professor fractured was his temper. But it took ten days to get
+the contraption ready for the next fizzle. Then poor, shaky, scart
+Augustus was pilot, and he went so deep into the bank that Nate
+says he wondered whether 'twas wuth while doin' anything but
+orderin' the gravestone. But they dug him out at last, whole, but
+frightened blue, and his nerves was worse than ever after that.
+
+"Then old Dixland announces that he has discovered somethin' wrong
+in the principle of the thing, and they had to wait while he
+ordered some new fittin's from Boston.
+
+"Meanwhile there was other complications settin' in. Scudder was
+kept busy providin' grub and such like and helpin' the niece,
+Olivia, with the housework. Likewise he had his hands full keepin'
+the folks alongshore from findin' out what was goin' on. All this
+flyin' foolishness had to be a dead secret.
+
+"But, busy as he was, he found time to notice the thick
+acquaintance that was developin' between Augustus and Olivia. Them
+two was what the minister calls 'kindred sperrits.' Seems she was
+sufferin' from science same as he was and, more'n that, she was
+loaded to the gunwale with 'social reform.' To hear the pair of
+'em go on about helpin' the poor and 'settlement work' and such was
+enough, accordin' to Nate, to make you leave the table. But there!
+He couldn't complain. Olivia was her uncle's only heir, and Nate
+could see a rainbow of promise ahead for the Scudder family.
+
+"The niece was a nice, quiet girl. The only thing Nate had against
+her, outside of the sociology craziness and her not seemin' to take
+a shine to him, was her confounded pets. Nate said he never had no
+use for pets--lazy critters, eatin' up the victuals and costin'
+money--but Olivia was dead gone on 'em. She adopted an old
+reprobate of a tom-cat, which she labeled 'Galileo,' after an
+Eyetalian who invented spyglasses or somethin' similar, and a great
+big ugly dog that answered to the hail of 'Phillips Brooks'; she
+named him that because she said the original Phillips was a
+distinguished parson and a great philanthropist.
+
+"That dog was a healthy philanthropist. When Nate kicked him the
+first time, he chased him the whole length of the barn. After that
+they had to keep him chained up. He was just pinin' for a chance
+to swaller Scudder whole, and he showed it.
+
+"Well, as time went on, Olivia and Augustus got chummier and
+chummier. Nate give 'em all the chance possible to be together,
+and as for old Professor Whiskers, all he thought of, anyway, was
+his blessed flyin' machine. So things was shapin' themselves well,
+'cordin' to Scudder's notion.
+
+"One afternoon Nate come, unexpected, to the top of a sand hill at
+t'other end of the island, and there, below, set Olivia and
+Augustus. He had a clove hitch 'round her waist, and they was
+lookin' into each other's spectacles as if they was windows in the
+pearly gates. Thinks Nate: 'They've signed articles,' and he
+tiptoed away, feelin' that life wa'n't altogether an empty dream.
+
+"They was lively hours, them that followed. To begin with, when
+Nate got back to the barn he found the professor layin' on the
+floor, under the flyin' stage, groanin' soulful but dismal. He'd
+slipped off one of the braces of the trestles and sprained both
+wrists and bruised himself till he wa'n't much more than one big
+lump. He hadn't bruised his tongue none to speak of, though, and
+his language wa'n't sprained so that you'd notice it. What broke
+him up most of all was that he'd got his aeroplane ready to 'fly'
+again, and now he was knocked out so's he couldn't be aboard when
+she went off the ways.
+
+"'It is the irony of fate,' says he.
+
+"'I got it off the blacksmith over to Wellmouth Centre,' Nate told
+him; 'but HE might have got it from Fate, or whoever you mean.
+'Twas slippery iron, I know that, and I warned you against steppin'
+on it yesterday.'
+
+"The professor more'n hinted that Nate was a dunderhead idiot, and
+then he commenced to holler for Tolliver; he wanted to see Tolliver
+right off. Scudder thought he'd ought to see a doctor, but he
+wouldn't, so Nate plastered him up best he could, got him into the
+big chair in the front room, and went huntin' Augustus. Him and
+Olivia was still camped in the sand bank. Gus's right arm had got
+tired by this time, I cal'late, but he had a new hitch with his
+left. Likewise they was still starin' into each other's specs.
+
+"'Excuse me for interruptin' the mesmerism,' says Nate, 'but the
+professor wants to see you.'
+
+"They jumped and broke away. But it took more'n that to bring 'em
+down out of the clouds. They'd been flyin' a good sight higher
+than the old aeroplane had yet.
+
+"'Uncle Nathan,' says Augustus, gettin' up and shakin' hands, 'I
+have the most wonderful news for you. It's hardly believable.
+You'll never guess it.'
+
+"'Give me three guesses and I'll win on the fust,' says Nate. 'You
+two are engaged.'
+
+"They looked at him as if he'd done somethin' wonderful. 'But,
+Uncle,' says Gus, shakin' hands again, 'just think! she's actually
+consented to marry me.'
+
+"'Well, that's gen'rally understood to be a part of engagin', ain't
+it?' says Nate. 'I'm glad to hear it. Miss Dixiand, I
+congratulate you. You've got a fine, promisin' young man.'
+
+"That, to Nate's notion, was about the biggest lie he ever told,
+but Olivia swallered it for gospel. She seemed to thaw toward
+Scudder a little mite, but 'twa'n't at a permanent melt, by no
+means.
+
+"'Thank you, Mr. Scudder,' says she, still pretty frosty. 'I am
+full aware of Mr. Tolliver's merits. I'm glad to learn that YOU
+recognize them. He has told some things concernin' his stay at
+your home which--'
+
+"'Yes, yes,' says Nate, kind of hurried. 'Well, I'm sorry to dump
+bad news into a puddle of happiness like this, but your Uncle
+Ansel, Miss Dixland, has been tryin' to fly without his machine,
+and he's sorry for it.'
+
+"Then he told what had happened to the professor, and Olivia
+started on the run for the house. Augustus was goin', too, but
+Nate held him back.
+
+"'Wait a minute, Gus,' says he. 'Walk along with me; I want to
+talk with you. Now, as an older man, your nighest relation, and
+one that's come to love you like a son--yes, sir, like a son--I
+think it's my duty just now to say a word of advice. You're goin'
+to marry a nice girl that's comin' in for a lot of money one of
+these days. The professor, he's kind of old, his roof leaks
+consider'ble, and this trouble is likely to hurry the end along.
+
+"'Now, then,' Nate goes on, 'Augustus, my boy, what are you and
+that simple, childlike girl goin' to do with all that money? How
+are you goin' to take care of it? You and 'Livia--you mustn't mind
+my callin' her that 'cause she's goin' to be one of the family so
+soon--you'll want to be fussin' with science and such, and you
+won't have no time to attend to the finances. You'll need a good,
+safe person to be your financial manager. Well, you know me and
+you know your Aunt Huldy Ann. WE know all about financin'; WE'VE
+had experience. You just let us handle the bonds and coupons and
+them trifles. We'll invest 'em for you. We'll be yours and
+'Livia's financial managers. As for our wages, maybe they'll seem
+a little high, but that's easy arranged. And--'
+
+"Gus interrupted then. 'Oh, that's all settled,' he says. 'Olivia
+and I have planned all that. When we're married we shall devote
+our lives to social work--to settlement work. All the money we
+ever get we shall use to help the poor. WE don't want any of it.
+We shall live AMONG the poor, live just as frugally as they do.
+Our money we shall give--every cent of it--to charity and--'
+
+"'Lord sakes!' yells Nate, 'DON'T talk that way! Don't! Be you
+crazy, too? Why--'
+
+"But Gus went on, talkin' a steady streak about livin' in a little
+tenement in what he called the 'slums' and chuckin' the money to
+this tramp and that, till Nate's head was whirlin'. 'Twa'n't no
+joke. He meant it and so did she, and they was just the pair of
+loons to do it, too.
+
+"Afore Nate had a chance to think up anything sensible to say,
+Olivia comes hollerin' for Gus to hurry. Off he went, and Nate
+followed along, holdin' his head and staggerin' like a voter comin'
+home from a political candidate's picnic. All he could think of
+was: 'THIS the end of all my plannin'! What--WHAT'LL Huldy Ann say
+to THIS?'
+
+"Nate found the professor bolstered up in his chair, with the other
+two standin' alongside. He was layin' down the law about that
+blessed aeroplane.
+
+"'No! no! NO! I tell you!' he roars, 'I'll see no doctor. My
+invention is ready at last, and, if I'm goin' to die, I'll die
+successful. Tolliver, you've been a faithful worker with me, and
+yours shall be the privilege of makin' the first flight. Wheel me
+to the window, Olivia, and let me see my triumph.'
+
+"But Olivia didn't move. Instead, she looked at Augustus and he at
+her. 'Wheel me to the window!' yells Dixland. 'Tolliver, what are
+you waitin' for? The doors are open, the aeroplane is ready. Go
+this instant and fly.'
+
+"Augustus was a bird all right, 'cordin' to Nate's opinion, but he
+didn't seem anxious to spread his wings. He was white, and them
+nerves of his was all in a twitter. If ever there was a scart
+critter, 'twas him then.
+
+"'Go out and fly,' says Nate to him, pretty average ugly. 'Don't
+you hear the boss's order? Here, professor, I'll push you to the
+window.'
+
+"'Thank you, Scudder,' says Dixland. And then turnin' to Gus:
+'Well, sir, may I ask why you wait?'
+
+"'Twas Olivia that answered. 'Uncle Ansel,' says she, 'I must tell
+you somethin'. I should have preferred tellin' you privately,' she
+puts in, glarin' at Nate, 'but it seems I can't. Mr. Tolliver and
+I are engaged to be married.'
+
+"Old Whiskers didn't seem to care a continental. All he had in his
+addled head was that flyin' contraption.
+
+"'All right, all right,' he snaps, fretty, 'I'm satisfied. He
+appears to be a decent young man enough. But now I want him to
+start my aeroplane.'
+
+"'No, Uncle Ansel,' goes on Olivia, 'I cannot permit him to risk
+his life in that way. His nerves are not strong and neither is his
+heart. Besides, the aeroplane has failed twice. Luckily no one
+was killed in the other trials, but the chances are that the third
+time may prove fatal.'
+
+"'Fatal, you imbecile!' shrieks the professor. 'It's perfected, I
+tell you! I--'
+
+"'It makes no difference. No, uncle, Augustus and I have made up
+our minds. His life and health are too precious; he must be spared
+for the grand work that we are to do together. No, Uncle Ansel, he
+shall NOT fly.'
+
+"Did you ever see a cat in a fit? That was the professor just
+then, so Nate said. He tried to wave his sprained wrists and
+couldn't; tried to stamp his foot and found it too lame. But his
+eyeglasses flashed sparks and his tongue spit fire.
+
+"'Are you goin' to start that machine?' he screams at the blue-
+white, shaky Augustus.
+
+"'No, Professor Dixland,' stammers Gus. 'No, sir, I'm sorry, but--'
+
+"'Why don't you ask Mr. Scudder to make the experiment, uncle?'
+suggests that confounded niece, smilin' the spitefullest smile.
+
+"'Scudder,' says the professor, 'I'll give you five thousand
+dollars cash to start in that aeroplane this moment.'
+
+"For a jiffy Nate was staggered. Five thousand dollars CASH--whew!
+But then he thought of how deep Gus had been shoved into that
+sandbank. And there was a new and more powerful motor aboard the
+thing now. Five thousand dollars ain't much good to a telescoped
+corpse. He fetched a long breath.
+
+"'Well, now, Mr. Dixland,' he says, 'I'd like to, fust rate, but
+you see I don't know nothin' about mechanics.'
+
+"'Professor--' begins Augustus. 'Twas the final straw. Old
+Whiskers jumped out of the chair, lameness and all.
+
+"'Out of this house, you ingrate!' he bellers. 'Out this instant!
+I discharge you. Go! go!'
+
+"He was actually frothin' at the mouth. I cal'late Olivia thought
+he was goin' to die, for she run to him.
+
+"'You'd better go, I think,' says she to her shakin' beau. 'Go,
+dear, now. I must stay with him for the present, but we will see
+each other soon. Go now, and trust me.'
+
+"'I disown you, you ungrateful girl,' foams her uncle. 'Scudder, I
+order you to put that--that creature off this island.'
+
+"'Yes, sir,' says Nate, polite; 'in about two shakes of a heifer's
+tail.'
+
+"He started for Augustus, and Gus started for the door. I guess
+Olivia might have interfered, but just then the professor keels
+over in a kind of faint and she had to tend to him. Gus darts out
+of the door with Nate after him. Scudder reached the beach just as
+his nephew was shovin' off in the boat, bound for the mainland.
+
+"'Consarn your empty head!' Nate yelled after him. 'See what you
+get by not mindin' me, don't you? I'm runnin' things on this
+island after this. I'm boss here; understand? When you're ready
+to sign a paper deedin' over ha'f that money your wife's goin' to
+get to me and Huldy Ann, maybe I'll let you come back. And perhaps
+then I'll square things for you with Dixland. But if you dare to
+set foot on these premises until then I'll murder you; I'll drown
+you; I'll cut you up for bait; I'll feed you to the dog.'
+
+"He sculled off, his oars rattlin' 'Hark from the tomb' in the
+rowlocks. He b'lieved Nate meant it all. Oh, Scudder had HIM
+trained all right."
+
+
+CHAPTER VII
+
+CAPTAIN SOL DECIDES TO MOVE
+
+
+"Trust Nate for that," interrupted Wingate. "He's just as much a
+born bully as he is a cheat and a skinflint."
+
+"Yup," went on Captain Sol. "Well, when Nate got back to the house
+the professor was alone in the chair, lookin' sick and weak.
+Olivia was up in her room havin' a cryin' fit. Nate got the old
+man to bed, made him some clam soup and hot tea, and fetched and
+carried for him like he was a baby. The professor's talk was
+mainly about the ungrateful desertion, as he called it, of his
+assistant.
+
+"'Keep him away from this island,' he says. 'If he comes, I shall
+commit murder; I know it.'
+
+"Scudder promised that Augustus shouldn't come back. The professor
+wanted guard kept night and day. Nate said he didn't know's he
+could afford so much time, and Dixland doubled his wages on the
+spot. So Nate agreed to stand double watches, made him comfort'ble
+for the night, and left him.
+
+"Olivia didn't come downstairs again. She didn't seem to want any
+supper, but Nate did and had it, a good one. Galileo, the cat,
+came yowlin' around, and Nate kicked him under the sofy. Phillips
+Brooks was howlin' starvation in the woodshed, and Scudder let him
+howl. If he starved to death Nate wouldn't put no flowers on his
+grave. Take it altogether, he was havin' a fairly good time.
+
+"And when, later on, he set alone up in his room over the kitchen,
+he begun to have a better one. Prospects looked good. Maybe old
+Dixland WOULD disown his niece. If he did, Nate figgered he was as
+healthy a candidate for adoption as anybody. And Augustus would
+have to come to terms or stay single. That is, unless him and
+Olivia got married on nothin' a week, paid yearly. Nate guessed
+Huldy Ann would think he'd managed pretty well.
+
+"He set there for a long while, thinkin', and then he says he
+cal'lates he must have dozed off. At any rate, next thing he knew
+he was settin' up straight in his chair, listenin'. It seemed to
+him that he'd heard a sound in the kitchen underneath.
+
+"He looked out of the window, and right away he noticed somethin'.
+'Twas a beautiful, clear moonlight night, and the high board fence
+around the buildin's showed black against the white sand. And in
+that white strip was a ten-foot white gape. Nate had shut that
+gate afore he went upstairs. Who'd opened it? Then he heard the
+noise in the kitchen again. Somebody was talkin' down there.
+
+"Nate got up and tiptoed acrost the room. He was in his stockin'
+feet, so he didn't make a sound. He reached into the corner and
+took out his old duck gun. It was loaded, both barrels. Nate
+cocked the gun and crept down the back stairs.
+
+"There was a lamp burnin' low on the kitchen table, and there, in a
+couple of chairs hauled as close together as they could be, set
+that Olivia niece and Augustus. They was in a clove hitch again
+and whisperin' soft and slushy.
+
+"My! but Scudder was b'ilin'! He give one jump and landed in the
+middle of that kitchen floor.
+
+"'You--you--you!' he yelled, wavin' the shotgun. 'You're back
+here, are you? You know what I told you I'd do to you? Well, now,
+I'll do it.'
+
+"The pair of 'em had jumped about as far as Nate had, only the
+opposite way. Augustus was a paralyzed statue, but Olivia had her
+senses with her.
+
+"'Run, Augustus!' she screamed. 'He'll shoot you. Run!'
+
+"And then, with a screech like a siren whistle, Augustus commenced
+to run. Nate was between him and the outside door, so he bolted
+headfirst into the dining room. And after him went Nate Scudder,
+so crazy mad he didn't know what he was doin'.
+
+"'Twas pitch dark in the dining room, but through it they went
+rattlety bang! dishes smashin', chairs upsettin' and 'hurrah,
+boys!' to pay gen'rally. Then through the best parlor and into the
+front hall.
+
+"I cal'late Nate would have had him at the foot of the front stairs
+if it hadn't been for Galileo. That cat had been asleep on the
+sofy, and the noise and hullabaloo had stirred him up till he was
+as crazy as the rest of 'em. He run right under Nate's feet and
+down went Nate sprawlin' and both barrels of the shotgun bust loose
+like a couple of cannon.
+
+"Galileo took for tall timber, whoopin' anthems. Up them front
+stairs went Augustus, screechin' shrill, like a woman; he was SURE
+Nate meant to murder him now. And after him his uncle went on all
+fours, swearin' tremendous.
+
+"Then 'twas through one bedroom after another, and each one more
+crowded with noisy, smashable things than that previous. Nate said
+he could remember the professor roarin' 'Fire!' and 'Help!' as the
+two of 'em bumped into his bed, but they didn't stop--they was too
+busy. The whole length of the house upstairs they traveled, then
+through the ell, then the woodshed loft, and finally out into the
+upper story of the barn. And there Nate knew he had him. The
+ladder was down.
+
+"'Now!' says Nate. 'Now, you long-legged villain, if I don't give
+you what's comin' to you, then-- Oh, there ain't no use in your
+climbin' out there; you can't get down.'
+
+"The big barn doors was open, and, in the moonlight, Nate could see
+Gus scramblin' up and around on the flyin' stage where the
+professor's aeroplane was perched, lookin' like some kind of
+magnified June bug.
+
+"'Come back, you fool!' Scudder yelled at him. 'Come back and be
+butchered. You might as well; it's too high for you to drop. You
+won't? Then I'll come after you.'
+
+"Nate says he never shall forget Augustus's face in the blue light
+when he see his uncle climbin' out on that stage after him. He was
+simply desperate--that's it, desperate. And the next thing he did
+was jump into the saddle of the machine and pull the startin'
+lever.
+
+"There was the buzz of the electric motor, a slippery, slidin'
+sound, one awful hair-raisin' whoop from Augustus, and then--
+'F-s-s-s-t!'--down the flyin' stage whizzed that aeroplane and out
+through the doors.
+
+"Nate set down on the trestles and waited for the sound of the
+smash. I guess he actually felt conscience stricken. Of course,
+he'd only done his duty, and yet--
+
+"But no smash came. Instead, there was a long scream from the
+kitchen--Olivia's voice that was. And then another yell that for
+pure joy beat anything ever heard.
+
+"'It flies!' screamed Professor Ansel Hobart Whiskers Dixland, from
+his bedroom window. 'At last! At last! It FLIES!'
+
+"It took Nate some few minutes to paw his way back through the shed
+loft and the ell over the things him and Gus knocked down on the
+fust lap, until he got to his room where the trouble had started.
+Then he went down to the kitchen and outdoor.
+
+"Olivia, a heavenly sort of look on her face, was standin' in the
+moonlight, with her hands clasped, lookin' up at the sky.
+
+"'It flies!' says she, in a kind of whisper over and over again.
+'Oh! it FLIES!'
+
+"Alongside of her was old Dixland, wrapped in a bedquilt,
+forgettin' all about sprains and lameness; and he likewise was
+staring at the sky and sayin' over and over:
+
+"'It flies! It really FLIES!'
+
+"And Nate looked up, and there, scootin' around in circles, now up
+high and now down low, tippin' this way and tippin' that, was that
+aeroplane. And in the stillness you could hear the buzz of the
+motor and the yells of Augustus.
+
+"Down flopped Scudder in the sand. 'Great land of love,' he says,
+'it FLIES!'
+
+"Well, for five minutes or so they watched that thing swoop and
+duck and sail up there overhead. And then, slow and easy as a
+feather in a May breeze, down she flutters and lands soft on a
+hummock a little ways off. And that Augustus--a fool for luck--
+staggers out of it safe and sound, and sets down and begins to cry.
+
+"The fust thing to reach him was Olivia. She grabbed him around
+the neck, and you never heard such goin's on as them two had. Nate
+come hurryin' up.
+
+"'Here you!' he says, pullin' 'em apart. 'That's enough of this.
+And you,' he adds to Gus, 'clear right out off this island. I
+won't make shark bait of you this time, but--'
+
+"And then comes Dixland, hippity-hop over the hummocks. 'My noble
+boy!' he sings out, fallin' all of a heap onto Augustus's round
+shoulders. 'My noble boy! My hero!'
+
+"Nate looked on for a full minute with his mouth open. Olivia went
+away toward the house. The professor and Gus was sheddin' tears
+like a couple of waterin' pots.
+
+"'Come! come!' says Scudder finally; 'get up, Mr. Dixland; you'll
+catch cold. Now then, you Tolliver, toddle right along to your
+boat. Don't you worry, professor, I'll fix him so's he won't come
+here no more.'
+
+"But the professor turned on him like a flash.
+
+"'How dare you interfere?' says he. 'I forgive him everything. He
+is a hero. Why, man, he FLEW!'
+
+"Olivia came up behind and touched Nate on the shoulders. 'Don't
+you think you'd better go, Mr. Scudder?' she purred. 'I've
+unchained Phillips Brooks.'
+
+"Nate swears he never made better time than he done gettin' to the
+shore and the boat Augustus had come over in. But that
+philanthropist dog only missed the supper he'd been waitin' for by
+about a foot and a half, even as 'twas.
+
+"And that was the end of it, fur's Nate was concerned. Olivia was
+boss from then on, and Scudder wa'n't allowed to land on his own
+island. And pretty soon they all went away, flyin' machine and
+all, and now Gus and Olivia are married."
+
+"Well, by gum!" cried Wingate. "Say, that must have broke Nate's
+heart completely. All that good money goin' to the poor. Ha! ha!"
+
+"Yes," said Captain Sol, with a broad grin. "Nate told me that
+every time he realized that Gus's flyin' at all was due to his
+scarin' him into it, it fairly made him sick of life."
+
+"What did Huldy Ann say? I'll bet the fur flew when SHE heard of
+it!"
+
+"I guess likely it did. Scudder says her jawin's was the worst of
+all. Her principal complaint was that he didn't take up with the
+professor's five-thousand offer and try to fly. 'What if 'twas
+risky?' she says. 'If anything happened to you the five thousand
+would have come to your heirs, wouldn't it? But no! you never
+think of no one but yourself.'"
+
+Mr. Wingate glanced at his watch. "Good land!" he cried, "I didn't
+realize 'twas so late. I must trot along down and meet Stitt. He
+and I are goin' to corner the clam market."
+
+"I must be goin', too," said the depot master, rising and moving
+toward the door, picking up his cap on the way. He threw open the
+door and exclaimed, "Hello! here's Sim. What you got on your mind,
+Sim?"
+
+Mr. Phinney looked rather solemn. "I wanted to speak with you a
+minute, Sol," he began. "Hello! Barzilla, I didn't know you was
+here."
+
+"I shan't be here but one second longer," replied Mr. Wingate, as
+he and Phinney shook hands. "I'm late already. Bailey'll think I
+ain't comin'. Good-by, boys. See you this afternoon, maybe."
+
+"Yes, do," cried Berry, as his guest hurried down to the gate. "I
+want to hear about those automobiles over your way. You ain't
+bought one, have you, Barzilla?"
+
+Wingate grinned over his shoulder. "No," he called, "I ain't. But
+other folks you know have. It's the biggest joke on earth. You
+and Sim'll want to hear it."
+
+He waved a big hand and walked briskly up the Shore Road. The
+depot master turned to his friend.
+
+"Well, Sim?" he asked.
+
+"Well, Sol," answered the building mover gravely, "I've just met
+Mr. Hilton, the minister, and he told me somethin' about Olive
+Edwards, somethin' I thought you'd want to know. You said for me
+to find out what she was cal'latin' to do when she had to give up
+her home and--"
+
+"I know what I said," interrupted the depot master rather sharply.
+"What did Hilton say?"
+
+"Mr. Hilton told me not to tell," continued Phinney, "and I shan't
+tell nobody but you, Sol. I know you wont t mention it. The
+minister says that Olive's hard up as she can be. All she's got in
+the world is the little furniture and store stuff in her house.
+The store stuff don't amount to nothin', but the furniture belonged
+to her pa and ma, and she set a heap by it. Likewise, as everybody
+knows, she's awful proud and self-respectin'. Anything like
+charity would kill her. Now out West--in Omaha or somewheres--
+she's got a cousin who owed her dad money. Old Cap'n Seabury lent
+this Omaha man two or three thousand dollars and set him up in
+business. Course, the debt's outlawed, but Olive don't realize
+that, or, if she did, it wouldn't count with her. She couldn't
+understand how law would have any effect on payin' money you
+honestly owe. She's written to the Omaha cousin, tellin' him what
+a scrape she's in and askin' him to please, if convenient, let her
+have a thousand or so on account. She figgers if she gets that,
+she can go to Bayport or Orham or somewheres and open another
+notion store."
+
+Captain Berry lit a cigar. "Hum!" he said, after a minute. "You
+say she's written to this chap. Has she got an answer yet?"
+
+"No, not any definite one. She heard from the man's wife sayin'
+that her husband--the cousin--had gone on a fishin' trip somewheres
+up in Canady and wouldn't be back afore the eighth of next month.
+Soon's he does come he'll write her. But Mr. Hilton thinks, and so
+do I--havin' heard a few things about this cousin--that it's mighty
+doubtful if he sends any money."
+
+"Yes, I shouldn't wonder. Where's Olive goin' to stay while she's
+waitin' to hear?"
+
+"In her own house. Mr. Hilton went to Williams and pleaded with
+him, and he finally agreed to let her stay there until the
+'Colonial' is moved onto the lot. Then the Edwardses house'll be
+tore down and Olive'll have to go, of course."
+
+The depot master puffed thoughtfully at his cigar.
+
+"She won't hear before the tenth, at the earliest," he said. "And
+if Williams begins to move his 'Colonial' at once, he'll get it to
+her lot by the seventh, sure. Have you given him your figures for
+the job?"
+
+"Handed 'em in this very mornin'. One of his high-and-mighty
+servants, all brass buttons and braid, like a feller playin' in the
+band, took my letter and condescended to say he'd pass it on to
+Williams. I'd liked to have kicked the critter, just to see if he
+COULD unbend; but I jedged 'twouldn't be good business."
+
+"Probably not. If the 'Colonial' gets to Olive's lot afore she
+hears from the Omaha man, what then?"
+
+"Well, that's the worst of it. The minister don't know what she'll
+do. There's plenty of places where she'd be more'n welcome to
+visit a spell, but she's too proud to accept. Mr. Hilton's afraid
+she'll start for Boston to hunt up a job, or somethin'. You know
+how much chance she stands of gettin' a job that's wuth anything."
+
+Phinney paused, anxiously awaiting his companion's reply. When it
+came it was very unsatisfactory.
+
+"I'm goin' to the depot," said the Captain, brusquely. "So long,
+Sim."
+
+He slammed the door of the house behind him, strode to the gate,
+flung it open, and marched on. Simeon gazed in astonishment, then
+hurried to overtake him. Ranging alongside, he endeavored to
+reopen the conversation, but to no purpose. The depot master would
+not talk. They turned into Cross Street.
+
+"Well!" exclaimed Mr. Phinney, panting from his unaccustomed hurry,
+"what be we, runnin' a race? Why! . . . Oh, how d'ye do, Mr.
+Williams, sir? Want to see me, do you?"
+
+The magnate of East Harniss stepped forward.
+
+"Er--Phinney," he said, " I want a moment of your time. Morning,
+Berry."
+
+"Mornin', Williams," observed Captain Sol brusquely. "All right,
+Sim. I'll wait for you farther on."
+
+He continued his walk. The building mover stood still. Mr.
+Williams frowned with lofty indignation.
+
+"Phinney," he said, "I've just looked over those figures of yours,
+your bid for moving my new house. The price is ridiculous."
+
+Simeon attempted a pleasantry. "Yes," he answered, "I thought
+'twas ridic'lous myself; but I needed the money, so I thought I
+could afford to be funny."
+
+The Williams frown deepened.
+
+"I didn't mean ridiculously low," he snapped; "I meant ridiculously
+high. I'd rather help out you town fellows if I can, but you can't
+work me for a good thing. I've written to Colt and Adams, of
+Boston, and accepted their offer. You had your chance and didn't
+see fit to take it. That's all. I'm sorry."
+
+Simeon was angry; also a trifle skeptical.
+
+"Mr. Williams," he demanded, "do you mean to tell me that THEM
+people have agreed to move you cheaper'n I can?"
+
+"Their price--their actual price may be no lower; but considering
+their up-to-date outfit and--er--progressive methods, they're
+cheaper. Yes. Morning, Phinney."
+
+He turned on his heel and walked off. Mr. Phinney, crestfallen and
+angrier than ever, moved on to where the depot master stood waiting
+for him. Captain Sol smiled grimly.
+
+"You don't look merry as a Christmas tree, Sim," he observed.
+"What did his Majesty have to say to you?"
+
+Simeon related the talk with Williams. The depot master's grim
+smile grew broader.
+
+"Sim," he asked, with quiet sarcasm, "don't you realize that
+progressive methods are necessary in movin' a house?"
+
+Phinney tried to smile in return, but the attempt was a failure.
+
+"Yes," went on the Captain. "Well, if you can't take the Grand
+Panjandrum home, you can set on the fence and see him go by. That
+ought to be honor enough, hadn't it? However, I may need some of
+your ridiculous figgers on a movin' job of my own, pretty soon.
+Don't be TOO comical, will you?"
+
+"What do you mean by that, Sol Berry?"
+
+"I mean that I may decide to move my own house."
+
+"Move your OWN house? Where to, for mercy sakes?"
+
+"To that lot on Main Street that belongs to Abner Payne. Abner has
+wanted to buy my lot here on the Shore Road for a long time. He
+knows it'll make a fine site for some rich bigbug's summer
+'cottage.' He would have bought the house, too, but I think too
+much of that to sell it. Now Abner's come back with another offer.
+He'll swap my lot for the Main Street one, pay my movin' expenses
+and a fair 'boot' besides. He don't really care for my HOUSE, you
+understand; it's my LAND he's after."
+
+"Are you goin' to take it up?"
+
+"I don't know. The Main Street lot's a good one, and my house'll
+look good on it. And I'll make money by the deal."
+
+"Yes, but you've always swore by that saltwater view of yours.
+Told me yourself you never wanted to live anywheres else."
+
+Captain Sol took the cigar from his lips, looked at it, then threw
+it violently into the gutter.
+
+"What difference does it make where I live?" he snarled. "Who in
+blazes cares where I live or whether I live at all?"
+
+"Sol Berry, what on airth--"
+
+"Shut up! Let me alone, Sim! I ain't fit company for anybody just
+now. Clear out, there's a good feller."
+
+The next moment he was striding down the hill. Mr. Phinney drew a
+long breath, scratched his head and shook it solemnly. WHAT did it
+all mean?
+
+
+CHAPTER VIII
+
+THE OBLIGATIONS OF A GENTLEMAN
+
+
+The methods of Messrs. Colt and Adams, the Boston firm of building
+movers, were certainly progressive, if promptness in getting to
+work is any criterion. Two days after the acceptance of their
+terms by Mr. Williams, a freight car full of apparatus arrived at
+East Harniss. Then came a foreman and a gang of laborers. Horses
+were hired, and within a week the "pure Colonial" was off its
+foundations and on its way to the Edwards lot. The moving was no
+light task. The big house must be brought along the Shore Road to
+the junction with the Hill Boulevard, then swung into that
+aristocratic highway and carried up the long slope, around the wide
+curve, to its destination.
+
+Mr. Phinney, though he hated the whole operation, those having it
+in charge, and the mighty Williams especially, could not resist
+stealing down to see how his successful rivals were progressing
+with the work he had hoped to do. It caused him much chagrin to
+see that they were getting on so very well. One morning, after
+breakfast, as he stood at the corner of the Boulevard and the Shore
+Road, he found himself engaged in a mental calculation.
+
+Three days more and they would swing into the Boulevard; four or
+five days after that and they would be abreast the Edwards lot.
+Another day and . . . Poor Olive! She would be homeless. Where
+would she go? It was too early for a reply from the Omaha cousin,
+but Simeon, having questioned the minister, had little hope that
+that reply would be favorable. Still it was a chance, and if the
+money SHOULD come before the "pure Colonial" reached the Edwards
+lot, then the widow would at least not be driven penniless from her
+home. She would have to leave that home in any event, but she
+could carry out her project of opening another shop in one of the
+neighboring towns. Otherwise . . . Mr. Phinney swore aloud.
+
+"Humph!" said a voice behind him. "I agree with you, though I
+don't know what it's all about. I ain't heard anything better put
+for a long while."
+
+Simeon spun around, as he said afterwards, "like a young one's
+pinwheel." At his elbow stood Captain Berry, the depot master,
+hands in pockets, cigar in mouth, the personification of calmness
+and imperturbability. He had come out of his house, which stood
+close to the corner, and walked over to join his friend.
+
+"Land of love!" exclaimed Simeon. "Why don't you scare a fellow to
+death, tiptoein' around? I never see such a cat-foot critter!"
+
+Captain Sol smiled. "Jumpin' it, ain't they?" he said, nodding
+toward the "Colonial." "Be there by the tenth, won't it?"
+
+"Tenth!" Mr. Phinney sniffed disgust. "It'll be there by the
+sixth, or I miss my guess."
+
+"Yup. Say, Sim, how soon could you land that shanty of mine in the
+road if I give you the job to move it?"
+
+"I couldn't get it up to the Main Street lot inside of a
+fortnight," replied Sim, after a moment's reflection. "Fur's
+gettin' it in the road goes, I could have it here day after to-
+morrow if I had gang enough."
+
+The depot master took the cigar out of his mouth and blew a ring of
+smoke. "All right," he drawled, "get gang enough."
+
+Phinney jumped. "You mean you've decided to take up with Payne's
+offer and swap your lot for his?" he gasped. "Why, only two or
+three days ago you said--"
+
+"Ya-as. That was two or three days ago, and I've been watchin' the
+'Colonial' since. I cal'late the movin' habit's catchin'. You
+have your gang here by noon to-day."
+
+"Sol Berry, are you crazy? You ain't seen Abner Payne; he's out of
+town--"
+
+"Don't have to see him. He's made me an offer and I'll write and
+accept it."
+
+"But you've got to have a selectmen's permit to move--"
+
+"Got it. I went up and saw the chairman an hour ago. He's a
+friend of mine. I nominated him town-meetin' day."
+
+"But," stammered Phinney, very much upset by the suddenness of it
+all, "you ain't got my price nor--"
+
+"Drat your price! Give it when I ask it. See here, Sim, are you
+goin' to have my house in the middle of the road by day after to-
+morrer? Or was that just talk?"
+
+"'Twa'n't talk. I can have it there, but--"
+
+"All right," said Captain Sol coolly, "then have it."
+
+Hands in pockets, he strolled away. Simeon sat down on a rock by
+the roadside and whistled.
+
+However, whistling was a luxurious and time-wasting method of
+expressing amazement, and Mr. Phinney could not afford luxuries
+just then. For the rest of that day he was a busy man. As Bailey
+Stitt expressed it, he "flew round like a sand flea in a mitten,"
+hiring laborers, engaging masons, and getting his materials ready.
+That very afternoon the masons began tearing down the chimneys of
+the little Berry house. Before the close of the following day it
+was on the rollers. By two of the day after that it was in the
+middle of the Shore Road, just when its mover had declared it
+should be. They were moving it, furniture and all, and Captain Sol
+was, as he said, going to "stay right aboard all the voyage." No
+cooking could be done, of course, but the Captain arranged to eat
+at Mrs. Higgins's hospitable table during the transit. His sudden
+freak was furnishing material for gossip throughout the village,
+but he did not care. Gossip concerning his actions was the last
+thing in the world to trouble Captain Sol Berry.
+
+The Williams's "Colonial" was moving toward the corner at a rapid
+rate, and the foreman of the Boston moving firm walked over to see
+Mr. Phinney.
+
+"Say," he observed to Simeon, who, the perspiration streaming down
+his face, was resting for a moment before recommencing his labor of
+arranging rollers; "say," observed the foreman, "we'll be ready to
+turn into the Boulevard by tomorrer night and you're blockin' the
+way."
+
+"That's all right," said Simeon, "we'll be past the Boulevard
+corner by that time."
+
+He thought he was speaking the truth, but next morning, before work
+began, Captain Berry appeared. He had had breakfast and strolled
+around to the scene of operations.
+
+"Well," asked Phinney, "how'd it seem to sleep on wheels?"
+
+"Tiptop," replied the depot master. "Like it fust rate. S'pose my
+next berth will be somewheres up there, won't it?"
+
+He was pointing around the corner instead of straight ahead.
+Simeon gaped, his mouth open.
+
+"Up THERE?" he cried. "Why, of course not. That's the Boulevard.
+We're goin' along the Shore Road."
+
+"That so? I guess not. We're goin' by the Boulevard. Can go that
+way, can't we?"
+
+"Can?" repeated Simeon aghast. "Course we CAN! But it's like
+boxin' the whole compass backward to get ha'f a p'int east of
+no'th. It's way round Robin Hood's barn. It'll take twice as long
+and cost--"
+
+"That's good," interrupted the Captain. "I like to travel, and I'm
+willin' to pay for it. Think of the view I'll get on the way."
+
+"But your permit from the selectmen--" began Phinney. Berry held
+up his hand.
+
+"My permit never said nothin' about the course to take," he
+answered, his eye twinkling just a little. "There, Sim, you're
+wastin' time. I move by the Hill Boulevard."
+
+And into the Boulevard swung the Berry house. The Colt and Adams
+foreman was an angry man when he saw the beams laid in that
+direction. He rushed over and asked profane and pointed questions.
+
+"Thought you said you was goin' straight ahead?" he demanded.
+
+"Thought I was," replied Simeon, "but, you see, I'm only navigator
+of this craft, not owner."
+
+"Where is the blankety blank?" asked the foreman.
+
+"If you're referrin' to Cap'n Berry, I cal'late you'll find him at
+the depot," answered Phinney. To the depot went the foreman.
+Receiving little satisfaction there, he hurried to the home of his
+employer, Mr. Williams. The magnate, red-faced and angry, returned
+with him to the station. Captain Sol received them blandly. Issy,
+who heard the interview which followed, declared that the depot
+master was so cool that "an iceberg was a bonfire 'longside of
+him." Issy's description of this interview, given to a dozen
+townspeople within the next three hours, was as follows:
+
+"Mr. Williams," said the wide-eyed Issy, "he comes postin' into the
+waitin' room, his foreman with him. Williams marches over to Cap'n
+Sol and he says, 'Berry,' he says, 'are you responsible for the way
+that house of yours is moved?'
+
+"Cap'n Sol bowed and smiled. 'Yes,' says he, sweet as a fresh
+scallop.
+
+"'You're movin' it to Main Street, aren't you? I so understood.'
+
+"'You understood correct. That's where she's bound.'
+
+"'Then what do you mean by turning out of your road and into mine?'
+
+"'Oh, I don't own any road. Have you bought the Boulevard? The
+selectmen ought to have told us that. I s'posed it was town
+thoroughfare.'
+
+"Mr. Williams colored up a little. 'I didn't mean my road in that
+sense,' he says. 'But the direct way to Main Street is along the
+shore, and everybody knows it. Now why do you turn from that into
+the Boulevard?'
+
+"Cap'n Sol took a cigar from his pocket. 'Have one?' says he,
+passin' it toward Mr. Williams. 'No? Too soon after breakfast, I
+s'pose. Why do I turn off?' he goes on. 'Well, I'll tell you.
+I'm goin' to stay right aboard my shack while it's movin', and it's
+so much pleasanter a ride up the hill that I thought I'd go that
+way. I always envied them who could afford a house on the
+Boulevard, and now I've got the chance to have one there--for a
+spell. I'm sartin I shall enjoy it.'
+
+"The foreman growled, disgusted. Mr. Williams got redder yet.
+
+"'Don't you understand?' he snorts. 'You're blockin' the way of
+the house I'M movin'. I have capable men with adequate apparatus
+to move it, and they would be able to go twice as fast as your one-
+horse country outfit. You're blockin' the road. Now they must
+follow you. It's an outrage!'
+
+"Cap'n Sol smiled once more. 'Too bad,' says he. 'It's a pity
+such a nice street ain't wider. If it was my street in my town--I
+b'lieve that's what you call East Harniss, ain't it?--seems to me
+I'd widen it.'
+
+"The boss of 'my town' ground his heel into the sand. 'Berry,' he
+snaps, 'are you goin' to move that house over the Boulevard ahead
+of mine?'
+
+"The Cap'n looked him square in the eye. 'Williams,' says he, 'I
+am.'
+
+"The millionaire turned short and started to go.
+
+"'You'll pay for it,' he snarls, his temper gettin' free at last.
+
+"'I cal'late to,' purrs the Cap'n. 'I gen'rally do pay for what I
+want, and a fair price, at that. I never bought in cheap mortgages
+and held 'em for clubs over poor folks, never in my life. Good
+mornin'.'
+
+"And right to Mr. Williams's own face, too," concluded Issy. "WHAT
+do you think of that?"
+
+Here was defiance of authority and dignity, a sensation which
+should have racked East Harniss from end to end. But most of the
+men in the village, the tradespeople particularly, had another
+matter on their minds, namely, Major Cuthbertson Scott Hardee, of
+"Silverleaf Hall." The Major and his debts were causing serious
+worriment.
+
+The creditors of the Major met, according to agreement, on the
+Monday evening following their previous gathering at the club.
+Obed Gott, one of the first to arrive, greeted his fellow members
+with an air of gloomy triumph and a sort of condescending pity.
+
+Higgins, the "general store" keeper, acting as self-appointed
+chairman, asked if anyone had anything to report. For himself, he
+had seen the Major and asked point-blank for payment of his bill.
+The Major had been very polite and was apparently much concerned
+that his fellow townsmen should have been inconvenienced by any
+neglect of his. He would write to his attorneys at once, so he
+said.
+
+"He said a whole lot more, too," added Higgins. "Said he had never
+been better served than by the folks in this town, and that I kept
+a fine store, and so on and so forth. But I haven't got any money
+yet. Anybody else had any better luck?"
+
+No one had, although several had had similar interviews with the
+master of "Silverleaf Hall."
+
+"Obed looks as if he knew somethin'," remarked Weeks. "What is it,
+Obed?"
+
+Mr. Gott scornfully waved his hand.
+
+"You fellers make me laugh," he said. "You talk and talk, but you
+don't do nothin'. I b'lieve in doin', myself. When I went home
+t'other night, thinks I: 'There's one man that might know somethin'
+'bout old Hardee, and that's Godfrey, the hotel man.' So I wrote
+to Godfrey up to Boston and I got a letter from him. Here 'tis."
+
+He read the letter aloud. Mr. Godfrey wrote that he knew nothing
+about Major Hardee further than that he had been able to get
+nothing from him in payment for his board.
+
+"So I seized his trunk," the letter concluded. "There was nothing
+in it worth mentioning, but I took it on principle. The Major told
+me a lot about writing to his attorneys for money, but I didn't pay
+much attention to that. I'm afraid he's an old fraud, but I can't
+help liking him, and if I had kept on running my hotel I guess he
+would have got away scot-free."
+
+"There!" exclaimed the triumphant Obed, with a sneer, "I guess that
+settles it, don't it? Maybe you'd be willin' to turn your bills
+over to Squire Baker now."
+
+But they were not willing. Higgins argued, and justly, that
+although the Major was in all probability a fraud, not even a
+lawyer could get water out of a stone, and that when a man had
+nothing, suing him was a waste of time and cash.
+
+"Besides," he said, "there's just a chance that he may have
+attorneys and property somewheres else. Let's write him a letter
+and every one of us sign it, tellin' him that we'll call on him
+Tuesday night expectin' to be paid in full. If we call and don't
+get any satisfaction, why, we ain't any worse off, and then we can--
+well, run him out of town, if nothin' more."
+
+So the letter was written and signed by every man there. It was a
+long list of signatures and an alarming total of indebtedness. The
+letter was posted that night.
+
+The days that followed seemed long to Obed. He was ill-natured at
+home and ugly at the shop, and Polena declared that he was "gettin'
+so a body couldn't live with him." Her own spirits were remarkably
+high, and Obed noticed that, as the days went by, she seemed to be
+unusually excited. On Thursday she announced that she was going to
+Orham to visit her niece, one Sarah Emma Cahoon, and wouldn't be
+back right off. He knew better than to object, and so she went.
+
+That evening each of the signers of the letter to Major Hardee
+received a courteous note saying that the Major would be pleased to
+receive the gentlemen at the Hall. Nothing was said about payment.
+
+So, after some discussion, the creditors marched in procession
+across the fields and up to "Silverleaf Hall."
+
+"Hardee's been to Orham to-day," whispered the keeper of the livery
+stable, as they entered the yard. "He drove over this mornin' and
+come back to-night."
+
+"DROVE over!" exclaimed Obed, halting in his tracks. "He did?
+Where'd he get the team? I'll bet five dollars you was soft enough
+to let him have it, and never said a word. Well, if you ain't--
+By jimmy! you wait till I get at him! I'll show you that he can't
+soft soap me."
+
+Augustus met them at the door and ushered them into the old-
+fashioned parlor. The Major, calm, cool, and imperturbably polite,
+was waiting to receive them. He made some observation concerning
+the weather.
+
+"The day's fine enough," interrupted Obed, pushing to the front,
+"but that ain't what we come here to talk about. Are you goin' to
+pay us what you owe? That's what we want to know."
+
+The "gentleman of the old school" did not answer immediately.
+Instead he turned to the solemn servant at his elbow.
+
+"Augustus," he said, "you may make ready." Then, looking serenely
+at the irate Mr. Gott, whose clenched fist rested under the center
+table, which he had thumped to emphasize his demands, the Major
+asked:
+
+"I beg your pardon, my dear sir, but what is the total of my
+indebtedness to you?"
+
+"Nineteen dollars and twenty-eight cents, and I want you to
+understand that--"
+
+Major Hardee held up a slim, white hand.
+
+"One moment, if you please," he said. "Now, Augustus."
+
+Augustus opened the desk in the corner and produced an imposing
+stack of bank notes. Then he brought forth neat piles of halves,
+quarters, dimes, and pennies, and arranged the whole upon the
+table. Obed's mouth and those of his companions gaped in
+amazement.
+
+"Have you your bill with you, Mr. Gott?" inquired the Major.
+
+Dazedly Mr. Gott produced the required document.
+
+"Thank you. Augustus, nineteen twenty-eight to this gentleman.
+Kindly receipt the bill, Mr. Gott, if you please. A mere
+formality, of course, but it is well to be exact. Thank you, sir.
+And now, Mr. Higgins."
+
+One by one the creditors shamefacedly stepped forward, received the
+amount due, receipted the bill, and stepped back again. Mr.
+Peters, the photographer, was the last to sign.
+
+"Gentlemen," said the Major, "I am sorry that my carelessness in
+financial matters should have caused you this trouble, but now that
+you are here, a representative gathering of East Harniss's men of
+affairs, upon this night of all nights, it seems fitting that I
+should ask for your congratulations. Augustus."
+
+The wooden-faced Augustus retired to the next room and reappeared
+carrying a tray upon which were a decanter and glasses.
+
+"Gentlemen," continued the Major, "I have often testified to my
+admiration and regard for your--perhaps I may now say OUR--charming
+village. This admiration and regard has extended to the fair
+daughters of the township. It may be that some of you have
+conscientious scruples against the use of intoxicants. These
+scruples I respect, but I am sure that none of you will refuse to
+at least taste a glass of wine with me when I tell you that I have
+this day taken one of the fairest to love and cherish during life."
+
+He stepped to the door of the dining room, opened it, and said
+quietly, "My dear, will you honor us with your presence?"
+
+There was a rustle of black silk and there came through the doorway
+the stately form of her who had been Mrs. Polena Ginn.
+
+"Gentlemen," said the Major, "permit me to present to you my wife,
+the new mistress of 'Silverleaf Hall.'"
+
+The faces of the ex-creditors were pictures of astonishment. Mr.
+Gott's expressive countenance turned white, then red, and then
+settled to a mottled shade, almost as if he had the measles.
+Polena rushed to his side.
+
+"O Obed!" she exclaimed. "I know we'd ought to have told you, but
+'twas only Tuesday the Major asked me, and we thought we'd keep it
+a secret so's to s'prise you. Mr. Langworthy over to Orham married
+us, and--"
+
+"My dear," her husband blandly interrupted, "we will not intrude
+our private affairs upon the patience of these good friends. And
+now, gentlemen, let me propose a toast: To the health and happiness
+of the mistress of 'Silverleaf Hall'! Brother Obed, I--"
+
+The outside door closed with a slam; "Brother Obed" had fled.
+
+A little later, when the rest of the former creditors of the Major
+came out into the moonlight, they found their companion standing by
+the gate gazing stonily into vacancy. "Hen" Leadbetter, who, with
+Higgins, brought up the rear of the procession, said reflectively:
+
+"When he fust fetched out that stack of money I couldn't scarcely
+b'lieve my eyes. I begun to think that we fellers had put our foot
+in it for sartin, and had lost a mighty good customer; but, of
+course, it's all plain enough NOW."
+
+"Yes," remarked Weeks with a nod; "I allers heard that P'lena kept
+a mighty good balance in the bank."
+
+"It looks to me," said Higgins slyly, "as if we owed Obed here a
+vote of thanks. How 'bout that, Obed?"
+
+And then Major Hardee's new brother-in-law awoke with a jump.
+
+"Aw, you go to grass!" he snarled, and tramped savagely off down
+the hill.
+
+
+CHAPTER IX
+
+THE WIDOW BASSETT
+
+
+These developments, Major Hardee's marriage and Mr. Gott's
+discomfiture, overshadowed, for the time, local interest in the
+depot master's house moving. This was, in its way, rather
+fortunate, for those who took the trouble to walk down to the lower
+end of the Boulevard were astonished to see how very slowly the
+moving was progressing.
+
+"Only one horse, Sim?" asked Captain Hiram Baker. "Only one! Why,
+it'll take you forever to get through, won't it?"
+
+"I'm afraid it'll take quite a spell," admitted Mr. Phinney.
+
+"Where's your other one, the white one?"
+
+"The white horse," said Simeon slowly, "ain't feelin' just right
+and I've had to lay him off."
+
+"Humph! that's too bad. How does Sol act about it? He's such a
+hustler, I should think--"
+
+"Sol," interrupted Sim, "ain't unreasonable. He understands."
+
+He chuckled inwardly as he said it. Captain Sol did understand.
+Also Mr. Phinney himself was beginning to understand a little.
+
+The very day on which Williams and his foreman had called on the
+depot master and been dismissed so unceremoniously, that official
+paid a short visit to his mover.
+
+"Sim," he said, the twinkle still in his eye, "his Majesty,
+Williams the Conqueror, was in to see me just now and acted real
+peevish. He was pretty disrespectful to you, too. Called your
+outfit 'one horse.' That's a mistake, because you've got two
+horses at work right now. It seems a shame to make a great man
+like that lie. Hadn't you better lay off one of them horses?"
+
+"Lay one OFF?" exclaimed Simeon. "What for? Why, we'll be slow
+enough, as 'tis. With only one horse we wouldn't get through for I
+don't know how long."
+
+"That's so," murmured the Captain. "I s'pose with one horse you'd
+hardly reach the middle of the Boulevard by--well, before the tenth
+of the month. Hey?"
+
+The tenth of the month! The TENTH! Why, it was on the tenth that
+that Omaha cousin of Olive Edwards was to--Mr. Phinney began to
+see--to see and to grin, slow but expansive.
+
+"Hm-m-m!" he mused.
+
+"Yes," observed Captain Sol. "That white horse of yours looks sort
+of ailin' to me, Sim. I think he needs a rest."
+
+And, sure enough, next day the white horse was pronounced unfit and
+taken back to the stable. The depot master's dwelling moved, but
+that is all one could say truthfully concerning its progress.
+
+At the depot the Captain was quieter than usual. He joked with his
+assistant less than had been his custom, and for the omission Issy
+was duly grateful. Sometimes Captain Sol would sit for minutes
+without speaking. He seemed to be thinking and to be pondering
+some grave problem. When his friends, Mr. Wingate, Captain Stitt,
+Hiram Baker, and the rest, dropped in on him he cheered up and was
+as conversational as ever. After they had gone he relapsed into
+his former quiet mood.
+
+"He acts sort of blue, to me," declared Issy, speaking from the
+depths of sensational-novel knowledge. "If he was a younger man
+I'd say he was most likely in love. Ah, hum! I s'pose bein' in
+love does get a feller mournful, don't it?"
+
+Issy made this declaration to his mother only. He knew better than
+to mention sentiment to male acquaintances. The latter were
+altogether too likely to ask embarrassing questions.
+
+Mr. Wingate and Captain Stitt were still in town, although their
+stay was drawing to a close. One afternoon they entered the
+station together. Captain Sol seemed glad to see them.
+
+"Set down, fellers," he ordered. "I swan I'm glad to see you. I
+ain't fit company for myself these days."
+
+"Ain't Betsy Higgins feedin' you up to the mark?" asked Stitt. "Or
+is house movin' gettin' on your vitals?"
+
+"No," growled the depot master, "grub's all right and so's movin',
+I cal'late. I'm glad you fellers come in. What's the news to
+Orham, Barzilla? How's the Old Home House boarders standin' it?
+Hear from Jonadab regular, do you?"
+
+Mr. Wingate laughed. "Nothin' much," he said. "Jonadab's too busy
+to write these days. Bein' a sport interferes with letter writing
+consider'ble."
+
+"Sport!" exclaimed Captain Bailey. "Land of Goshen! Cap'n Jonadab
+is the last one I'd call a sport."
+
+"That's 'cause you ain't a good judge of human nature, Bailey,"
+chuckled Barzilla. "When ancient plants like Jonadab Wixon DO
+bloom, they're gay old blossoms, I tell you!"
+
+"What do you mean?" asked the depot master.
+
+"I mean that Jonadab's been givin' me heart disease, that's what;
+givin' it to me in a good many diff'rent ways, too. We opened the
+Old Home House the middle of April this year, because Peter T.
+Brown thought we might catch some spring trade. We did catch a
+little, though whether it paid to open up so early's a question.
+But 'twas June 'fore Jonadab got his disease so awful bad.
+However, most any time in the last part of May the reg'lar
+programme of the male boarders was stirrin' him up.
+
+"Take it of a dull day, for instance. Sky overcast and the wind
+aidgin' round to the sou'east, so's you couldn't tell whether
+'twould rain or fair off; too cold to go off to the ledge cod
+fishin' and too hot for billiards or bowlin'; a bunch of the
+younger women folks at one end of the piazza playin' bridge; half a
+dozen men, includin' me and Cap'n Jonadab, smokin' and tryin' to
+keep awake at t'other end; amidships a gang of females--all 'fresh
+air fiends'--and mainly widows or discards in the matrimony deal,
+doin' fancywork and gossip. That would be about the usual layout.
+
+"Conversation got to you in homeopath doses, somethin' like this:
+
+"'Did you say "Spades"? WELL! if I'd known you were going to make
+us lose our deal like that, I'd never have bridged it--not with
+THIS hand.'
+
+"'Oh, Miss Gabble, have you heard what people are sayin' about--'
+The rest of it whispers.
+
+"'A--oo--OW! By George, Bill! this is dead enough, isn't it?
+Shall we match for the cigars or are you too lazy?'
+
+"Then, from away off in the stillness would come a drawn-out 'Honk!
+honk!' like a wild goose with the asthma, and pretty soon up the
+road would come sailin' a big red automobile, loaded to the guards
+with goggles and grandeur, and whiz past the hotel in a hurricane
+of dust and smell. Then all hands would set up and look
+interested, and Bill would wink acrost at his chum and drawl:
+
+"'That's the way to get over the country! Why, a horse isn't one--
+two--three with that! Cap'n Wixon, I'm surprised that a sportin'
+man like you hasn't bought one of those things long afore this.'
+
+"For the next twenty minutes there wouldn't be any dullness.
+Jonadab would take care of that. He'd have the floor and be givin'
+his opinions of autos and them that owned and run 'em. And between
+the drops of his language shower you'd see them boarders nudgin'
+each other and rockin' back and forth contented and joyful.
+
+"It always worked. No matter what time of day or night, all you
+had to say was 'auto' and Cap'n Jonadab would sail up out of his
+chair like one of them hot-air balloons the youngsters nowadays
+have on Fourth of July. And he wouldn't come down till he was
+empty of remarks, nuther. You never see a man get so red faced and
+eloquent.
+
+"It wa'n't because he couldn't afford one himself. I know that's
+the usual reason for them kind of ascensions, but 'twa'n't his.
+No, sir! the summer hotel business has put a considerable number of
+dollars in Jonadab's hands, and the said hands are like a patent
+rat trap, a mighty sight easier to get into than out of. He could
+have bought three automobiles if he'd wanted to, but he didn't want
+to. And the reason he didn't was named Tobias Loveland and lived
+over to Orham."
+
+"I know Tobias," interrupted Captain Bailey Stitt.
+
+"Course you do," continued Barzilla. "So does Sol, I guess. Well,
+anyhow, Tobias and Cap'n Jonadab never did hitch. When they was
+boys together at school they was always rowin' and fightin', and
+when they grew up to be thirty and courted the same girl--ten years
+younger than either of 'em, she was--twa'n't much better. Neither
+of 'em got her, as a matter of fact; she married a tin peddler
+named Bassett over to Hyannis. But both cal'lated they would have
+won if t'other hadn't been in the race, and consequently they loved
+each other with a love that passed understandin'. Tobias had got
+well to do in the cranberry-raisin' line and drove a fast horse.
+Jonadab, durin' the last prosperous year or two, had bought what he
+thought was some horse, likewise. They met on the road one day
+last spring and trotted alongside one another for a mile. At the
+end of that mile Jonadab's craft's jib boom was just astern of
+Tobias's rudder. Inside of that week the Cap'n had swapped his
+horse for one with a two-thirty record, and the next time they met
+Tobias was left with a beautiful, but dusty, view of Jonadab's back
+hair. So HE bought a new horse. And that was the beginnin'.
+
+"It went along that way for twelve months. Fust one feller's nag
+would come home freighted with perspiration and glory, and then
+t'other's. One week Jonadab would be so bloated with horse pride
+that he couldn't find room for his vittles, and the next he'd be
+out in the stable growlin' 'cause it cost so much for hay to stuff
+an old hide rack that wa'n't fit to put in a museum. At last it
+got so that neither one could find a better horse on the Cape, and
+the two they had was practically an even match. I begun to have
+hopes that the foolishness was over. And then the tin peddler's
+widow drifts in to upset the whole calabash.
+
+"She made port at Orham fust, this Henrietta Bassett did, and the
+style she slung killed every female Goliath in the Orham sewin'
+circle dead. Seems her husband that was had been an inventor, as a
+sort of side line to peddlin' tinware, and all to once he invented
+somethin' that worked. He made money--nobody knew how much, though
+all hands had a guess--and pretty soon afterwards he made a will
+and Henrietta a widow. She'd been livin' in New York, so she said,
+and had come back to revisit the scenes of her childhood. She was
+a mighty well-preserved woman--artificial preservatives, I
+cal'late, like some kinds of tomatter ketchup--and her comin'
+stirred Orham way down to the burnt places on the bottom of the
+kettle."
+
+"I guess I remember HER, too," put in Captain Bailey.
+
+"Say!" queried Mr. Wingate snappishly, "do you want to tell about
+her? If you do, why--"
+
+"Belay, both of you!" ordered the depot master. "Heave ahead,
+Barzilla."
+
+"The news of her got over to Wellmouth, and me and Jonadab heard of
+it. He was some subject to widows--most widower men are, I guess--
+but he didn't develop no alarmin' symptoms in this case and never
+even hinted that he'd like to see his old girl. Fact is, his
+newest horse trade had showed that it was afraid of automobiles,
+and he was beginnin' to get rabid along that line. Then come that
+afternoon when him and me was out drivin' together, and we-- Well,
+I'll have to tell you about that.
+
+"We was over on the long stretch of wood road between Trumet and
+Denboro, nice hard macadam, the mare--her name was Celia, but
+Jonadab had re-christened her Bay Queen after a boat he used to
+own--skimmin' along at a smooth, easy gait, when, lo and behold
+you! we rounds a turn and there ahead of us is a light, rubber-
+tired wagon with a man and woman on the seat of it. I heard
+Jonadab give a kind of snort.
+
+"'What's the matter?' says I.
+
+"'Nothin',' says he, between his teeth. 'Only, if I ain't some
+mistaken, that's Tobe Loveland's rig. Wonder if he's got his spunk
+with him? The Queen's feelin' her oats to-day, and I cal'late I
+can show him a few things.'
+
+"'Rubbish!' says I, disgusted. 'Don't be foolish, Jonadab. I
+don't know nothin' about his spunk, but I do know there's a woman
+with him. 'Tain't likely he'll want to race you when he's got a
+passenger aboard.'
+
+"'Oh, I don't know!' says he. 'I've got you, Barzilla; so 'twill
+be two and two. Let's heave alongside and see.'
+
+"So he clucked to the Queen, and in a jiffy we was astern of
+t'other rig. Loveland looked back over his shoulder.
+
+"'Ugh!' he grunts, 'bout as cordial as a plate of ice cream. ''Lo,
+Wixon, that you?'
+
+"'Um-hm,' begins Jonadab. 'How's that crowbait of yours to-day,
+Tobe? Got any go in him? 'Cause if he has, I--'
+
+"He stopped short. The woman in Loveland's carriage had turned her
+head and was starin' hard.
+
+"'Why!' she gasps. 'I do believe-- Why, Jonadab!'
+
+"'HETTIE!' says the Cap'n.
+
+"Well, after that 'twas pull up, of course, and shake hands and
+talk. The widow, she done most of the talkin'. She was SO glad to
+see him. How had he been all these years? She knew him instantly.
+He hadn't changed a mite--that is, not so VERY much. She was
+plannin' to come over to the Old Home House and stay a spell later
+on; but now she was havin' SUCH a good time in Orham, Tobias--Mr.
+Loveland--was makin' it SO pleasant for her. She did enjoy drivin'
+so much, and Mr. Loveland had the fastest horse in the county--did
+we know that?
+
+"Tobias and Jonadab glowered back and forth while all this gush was
+bein' turned loose, and hardly spoke to one another. But when
+'twas over and we was ready to start again, the Cap'n says, says
+he:
+
+"'I'll be mighty glad to see you over to the hotel, when you're
+ready to come, Hettie. I can take you ridin', too. Fur's horse
+goes, I've got a pretty good one myself.'
+
+"'Oh!' squeals the widow. 'Really? Is that him? It's awful
+pretty, and he looks fast.'
+
+"'She is,' says Jonadab. 'There's nothin' round here can beat
+her.'
+
+"'Humph!' says Loveland. 'Git dap!'
+
+"'Git dap!' says Jonadab, agreein' with him for once.
+
+"Tobias started, and we started. Tobias makes his horse go a
+little faster, and Jonadab speeded up some likewise. I see how
+'twas goin' to be, and therefore I wa'n't surprised to death when
+the next ten minutes found us sizzlin' down that road, neck and
+neck with Loveland, dust flyin', hoofs poundin', and the two
+drivers leanin' way for'ard over the dash, reins gripped and teeth
+sot. For a little ways 'twas an even thing, and then we commenced
+to pull ahead a little.
+
+"'Loveland,' yells Jonadab, out of the port corner of his mouth,
+'if I ain't showin' you my tailboard by the time we pass the fust
+house in Denboro, I'll eat my Sunday hat.'
+
+"I cal'late he would 'a' beat, too. We was drawin' ahead all the
+time and had a three-quarter length lead when we swung clear of the
+woods and sighted Denboro village, quarter of a mile away. And up
+the road comes flyin' a big auto, goin' to beat the cars.
+
+"Let's forget the next few minutes; they wa'n't pleasant ones for
+me. Soon's the Bay Queen sot eyes on that auto, she stopped
+trottin' and commenced to hop; from hoppin' she changed to waltzin'
+and high jumpin'. When the smoke had cleared, the auto was out of
+sight and we was in the bushes alongside the road, with the Queen
+just gettin' ready to climb a tree. As for Tobias and Henrietta,
+they was roundin' the turn by the fust house in Denboro, wavin' by-
+bys to us over the back of the seat.
+
+"We went home then; and every foot of the way Cap'n Jonadab called
+an automobile a new kind of name, and none complimentary. The
+boarders, they got wind of what had happened and begun to rag him,
+and the more they ragged, the madder he got and the more down on
+autos.
+
+"And, to put a head on the whole business, I'm blessed if Tobias
+Loveland didn't get in with an automobile agent who was stoppin' in
+Orham and buy a fifteen-hundred-dollar machine off him. And the
+very next time Jonadab was out with the Queen on the Denboro road,
+Tobias and the widow whizzed past him in that car so fast he might
+as well have been hove to. And, by way of rubbin' it in, they come
+along back pretty soon and rolled alongside of him easy, while
+Henrietta gushed about Mr. Loveland's beautiful car and how nice it
+was to be able to go just as swift as you wanted to. Jonadab
+couldn't answer back, nuther, bein' too busy keepin' the Queen from
+turnin' herself into a flyin' machine.
+
+"'Twas then that he got himself swore in special constable to
+arrest auto drivers for overspeedin'; and for days he wandered
+round layin' for a chance to haul up Tobias and get him fined.
+He'd have had plenty of game if he'd been satisfied with strangers,
+but he didn't want them anyhow, and, besides, most of 'em was on
+their way to spend money at the Old Home House. 'Twould have been
+poor business to let any of THAT cash go for fines, and he realized
+it.
+
+"'Twas in early June, only a few weeks ago, that the widow come to
+our hotel. I never thought she meant it when she said she was
+comin', and so I didn't expect her. Fact is, I was expectin' to
+hear that she and Tobe Loveland was married or engaged. But there
+was a slip up somewheres, for all to once the depot wagon brings
+her to the Old Home House, she hires a room, and settles down to
+stay till the season closed, which would be in about a fortn't.
+
+"From the very fust she played her cards for Jonadab. He meant to
+be middlin' average frosty to her, I imagine--her bein' so thick
+with Tobias prejudiced him, I presume likely. But land sakes! she
+thawed him out like hot toddy thaws out some folks' tongues. She
+never took no notice of his coldness, but smiled and gushed and
+flattered, and looked her prettiest--which was more'n average,
+considerin' her age--and by the end of the third day he was hangin'
+round her like a cat round a cook.
+
+"It commenced to look serious to me. Jonadab was a pretty old fish
+to be caught with soft soap and a set of false crimps; but you
+can't never tell. When them old kind do bite, they gen'rally
+swallow hook and sinker, and he sartinly did act hungry. I wished
+more'n once that Peter T. Brown, our business manager, was aboard
+to help me with advice, but Peter is off tourin' the Yosemite with
+his wife and her relations, so whatever pilotin' there was I had to
+do. And every day fetched Jonadab's bows nigher the matrimonial
+rocks.
+
+"I'd about made up my mind to sound the fog horn by askin' him
+straight out what he was cal'latin' to do; but somethin' I heard
+one evenin', as I set alone in the hotel office, made me think I'd
+better wait a spell.
+
+"The office window was open and the curtain drawed down tight. I
+was settin' inside, smokin' and goin' over the situation, when
+footsteps sounded on the piazza and a couple come to anchor on the
+settee right by that window. Cap'n Jonadab and Henrietta! I
+sensed that immediate.
+
+"She was laughin' and actin' kind of queer, and he was talkin'
+mighty earnest.
+
+"'Oh, no, Cap'n! Oh, no!' she giggles. 'You mustn't be so serious
+on such a beautiful night as this. Let's talk about the moon.'
+
+"'Drat the moon!' says Jonadab. 'Hettie, I--'
+
+"'Oh, just see how beautiful the water looks! All shiny and--"
+
+"'Drat the water, too! Hettie, what's the reason you don't want to
+talk serious with me? If that Tobe Loveland--'
+
+"'Really, I don't see why you bring Mr. Loveland's name into the
+conversation. He is a perfect gentleman, generous and kind; and as
+for the way in which he runs that lovely car of his--'
+
+"The Cap'n interrupted her. He ripped out somethin' emphatic.
+
+"'Generous!' he snarls. ''Bout as generous as a hog in the feed
+trough, he is. And as for runnin' that pesky auto, if I'd demean
+myself to own one of them things, I'll bet my other suit I could
+run it better'n he does. If I couldn't, I'd tie myself to the
+anchor and jump overboard.'
+
+"The way she answered showed pretty plain that she didn't believe
+him. 'Really?' she says. 'Do you think so? Good night, Jonadab.'
+
+"I could hear her walkin' off acrost the piazza. He went after
+her. 'Hettie,' he says, 'you answer me one thing. Are you engaged
+to Tobe Loveland?'
+
+"She laughed again, sort of teasin' and slow. 'Really,' says she,
+'you are-- Why, no, I'm not.'
+
+"That was all, but it set me to thinkin' hard. She wa'n't engaged
+to Loveland; she said so, herself. And yet, if she wanted Jonadab,
+she was actin' mighty funny. I ain't had no experience, but it
+seemed to me that then was the time to bag him and she'd put him
+off on purpose. She was ages too ancient to be a flirt for the fun
+of it. What was her game?"
+
+
+CHAPTER X
+
+CAPTAIN JONADAB GOES
+
+
+Mr. Wingate stopped and roared a greeting to Captain Hiram Baker,
+who was passing the open door of the waiting room.
+
+"Hello, there, Hime!" he shouted. "Come up in here! What, are you
+too proud to speak to common folks?"
+
+Captain Hiram entered. "Hello!" he said. "You look like a busy
+gang, for sure. What you doin'--seatin' chairs?"
+
+"Just now we're automobilin'," observed Captain Sol. "Set down,
+Hiram."
+
+"Automobilin'?" repeated the new arrival, evidently puzzled.
+
+"Sartin. Barzilla's takin' us out. Go on, Barzilla."
+
+Mr. Wingate smiled broadly. "Well," he began, "we HAVE just about
+reached the part where I went autoin'. The widow and me and
+Jonadab."
+
+"Jonadab!" shouted Stitt. "I thought you said--"
+
+"I know what I said. But we went auto ridin' just the same.
+
+"'Twas Henry G. Bradbury that took us out, him and his bran-new big
+tourin' car. You see, he landed to board with us the next day
+after Henrietta come--this Henry G. did--and he was so quiet and
+easy spoken and run his car so slow that even a pizen auto hater
+like Jonadab couldn't take much offense at him. He wa'n't very
+well, he said, subject to some kind of heart attacks, and had come
+to the Old Home for rest.
+
+"Him and the Cap'n had great arguments about the sins of
+automobilin'. Jonadab was sot on the idee that nine folks out of
+ten hadn't machine sense enough to run a car. Bradbury, he
+declared that that was a fact with the majority of autos, but not
+with his. 'Why, a child could run it,' says he. 'Look here,
+Cap'n: To start it you just do this. To stop it you do so and so.
+To make her go slow you haul back on this lever. To make her go
+faster you shove down this one. And as for steerin'--well, a man
+that's handled the wheels of as many catboats as you have would
+simply have a picnic. I'm in entire sympathy with your feelin's
+against speeders and such--I'd be a constable if I was in your
+shoes--but this is a gentleman's car and runs like one.'
+
+"All Jonadab said was 'Bosh!' and 'Humph!' but he couldn't help
+actin' interested, particular as Mrs. Bassett kept him alongside of
+the machine and was so turrible interested herself. And when, this
+partic'lar afternoon, Henry G. invites us all to go out with him
+for a little 'roll around,' the widow was so tickled and insisted
+so that he just HAD to go; he didn't dast say no.
+
+"Somehow or 'nother--I ain't just sure yet how it happened--the
+seatin' arrangements was made like this: Jonadab and Bradbury on
+the front seat, and me and Henrietta in the stuffed cockpit astern.
+We rolled out and purred along the road, smooth as a cat trottin'
+to dinner. No speedin', no joltin', no nothin'. 'TWAS a
+'gentleman's car'; there wa'n't no doubt about that.
+
+"We went 'way over to Bayport and Orham and beyond. And all the
+time Bradbury kept p'intin' out the diff'rent levers to Jonadab and
+tellin' him how to work 'em. Finally, after we'd headed back, he
+asked Jonadab to take the wheel and steer her a spell. Said his
+heart was feelin' sort of mean and 'twould do him good to rest.
+
+"Jonadab said no, emphatic and more'n average ugly, but Henry G.
+kept beggin' and pleadin', and pretty soon the widow put in her
+oar. He must do it, to please her. He had SAID he could do it--
+had told her so--and now he must make good. Why, when Mr.
+Loveland--
+
+"'All right,' snarls Jonadab. 'I'll try. But if ever--'
+
+"'Hold on!' says I. 'Here's where I get out.'
+
+"However, they wouldn't let me, and the Cap'n took the wheel. His
+jaw was set and his hands shakin', but he done it. Hettie had give
+her orders and she was skipper.
+
+"For a consider'ble spell we just crawled. Jonadab was steerin'
+less crooked every minute and it tickled him; you could see that.
+
+"'Answers her hellum tiptop, don't she?' he says.
+
+"'Bet your life!' says Bradbury. 'Better put on a little more
+speed, hadn't we?'
+
+He put it on himself, afore the new pilot could stop him, and we
+commenced to move.
+
+"'When you want to make her jump,' he says, you press down on that
+with your foot, and you shove the spark back.'
+
+"'Shut up!' howls Jonadab. 'Belay! Don't you dast to touch that.
+I'm scart to death as 'tis. Here! you take this wheel.'
+
+"But he wouldn't, and we went on at a good clip. For a green hand
+the Cap'n was leavin' a pretty straight wake.
+
+"'Gosh!' he says, after a spell; 'I b'lieve I'm kind of gettin' the
+hang of the craft.'
+
+"'Course you are,' says Bradbury. 'I told-- Oh!'
+
+"He straightens up, grabs at his vest, and slumps down against the
+back of the seat.
+
+"'What IS it?' screams the widow. 'Oh, what IS it, Mr. Bradbury?'
+
+"He answers, plucky, but toler'ble faintlike. My heart!' he gasps.
+'I--I'm afraid I'm goin' to have one of my attacks. I must get to
+a doctor quick.'
+
+"'Doctor!' I sings out. 'Great land of love! there ain't a doctor
+nigher than Denboro, and that's four mile astern.'
+
+"'Never mind,' cries the Bassett woman. 'We must go there, then.
+Turn around, Jonadab! Turn around at once! Mr. Bradbury--'
+
+"But poor Henry G. was curled up against the cushions and we
+couldn't get nothin' out of him but groans. And all the time we
+was sailin' along up the road.
+
+"'Turn around, Jonadab!' orders Henrietta. 'Turn around and go for
+the doctor!'
+
+"Jonadab's hands was clutched on that wheel, and his face was white
+as his rubber collar.
+
+"'Jerushy!' he groans desperate, 'I--I don't know HOW to turn
+around.'
+
+"'Then stop, you foolhead!' I bellers. 'Stop where you be!'
+
+"And he moans--almost cryin' he was: 'I--I've forgotten how to
+STOP.'
+
+"Talk about your situations! If we wa'n't in one then I miss my
+guess. Every minute we was sinkin' Denboro below the horizon.
+
+"'We MUST get to a doctor,' says the widow. 'Where is there
+another one, Mr. Wingate?'
+
+"'The next one's in Bayport,' says I, 'and that's ten mile ahead if
+it's a foot.'
+
+"However, there wa'n't nothin' else for it, so toward Bayport we
+put. Bradbury groaned once in a while, and Mrs. Bassett got
+nervous.
+
+"'We'll never get there at this rate,' says she. 'Go faster,
+Jonadab. Faster! Press down on--on that thing he told you to.
+Please! for MY sake.'
+
+"'Don't you--' I begun; but 'twas too late. He pressed, and away
+we went. We was eatin' up the road now, I tell you, and though I
+was expectin' every minute to be my next, I couldn't help admirin'
+the way the Cap'n steered. And, as for him, he was gettin' more
+and more set up and confident.
+
+"'She handles like a yacht, Barzilla,' he grunts, between his
+teeth. 'See me put her around the next buoy ahead there. Hey!
+how's that?'
+
+"The next 'buoy' was a curve in the road, and we went around it
+beautiful. So with the next and the next and the next. Bayport
+wa'n't so very fur ahead. All to once another dreadful thought
+struck me.
+
+"'Look here!' I yells. 'How in time are we goin' to stop when we--
+OW!'
+
+"The Bassett woman had pinched my arm somethin' savage. I looked
+at her, and she was scowlin' and shakin' her head.
+
+"'S-sh-sh!' she whispers. 'Don't disturb him. He'll be frightened
+and--'
+
+"'Frightened! Good heavens to Betsy! I cal'late he won't be the
+only one that's fri--'
+
+"But she looked so ugly that I shut up prompt, though I done a heap
+of thinkin'. On we went and, as we turned the next 'buoy,' there,
+ahead of us, was another auto, somethin' like ours, with only one
+person in it, a man, and goin' in the same direction we was, though
+not quite so fast.
+
+"Then I WAS scart. 'Hi, Jonadab!' I sings out. 'Heave to! Come
+about! Shorten sail! Do you want to run him down? Look OUT!'
+
+"I might as well have saved my breath. Heavin' to and the rest of
+it wa'n't included in our pilot's education. On we went, same as
+ever. I don't know what might have happened if the widow hadn't
+kept her head. She leaned over the for'ard rail of the after
+cockpit and squeezed a rubber bag that was close to Jonadab's
+starboard arm. It was j'ined to the fog whistle, I cal'late,
+'cause from under our bows sounded a beller like a bull afoul of a
+barb-wire fence.
+
+"The feller in t'other car turned his head and looked. Then he
+commenced to sheer off to wind'ard so's to let us pass. But all
+the time he kept lookin' back and starin' and, as we got nigher,
+and I could see him plainer through the dust, he looked more and
+more familiar. 'Twas somebody I knew.
+
+"Then I heard a little grunt, or gasp, from Cap'n Jonadab. He was
+leanin' for'ard over the wheel, starin' at the man in the other
+auto. The nigher we got, the harder he stared; and the man in
+front was actin' similar in regards to him. And, all to once, the
+head car stopped swingin' off to wind'ard, turned back toward the
+middle of the road, and begun to go like smoke. The next instant I
+felt our machine fairly jump beneath me. I looked at Jonadab's
+foot. 'Twas pressed hard down on the speed lever.
+
+"'You crazy loon!' I screeched. 'You--you--you-- Stop it! Take
+your foot off that! Do you want to--!'
+
+"I was climbin' over the back of the front seat, my knee pretty
+nigh on Bradbury's head. But, would you believe it, that Jonadab
+man let go of the wheel with one hand--let GO of it, mind you--and
+give me a shove that sent me backward in Henrietta Bassett's lap.
+
+"'Barzilla!' he growled, between his teeth, 'you set where you be
+and keep off the quarterdeck. I'm runnin' this craft. I'll beat
+that Loveland this time or run him under, one or t'other!'
+
+"As sure as I'm alive this minute, the man in the front car was
+Tobias Loveland!
+
+"And from then on-- Don't talk! I dream about it nights and wake
+up with my arms around the bedpost. I ain't real sure, but I kind
+of have an idee that the bedpost business comes from the fact that
+I was huggin' the widow some of the time. If I did, 'twa'n't
+knowin'ly, and she never mentioned it afterwards. All I can swear
+to is clouds of dust, and horns honkin', and telegraph poles
+lookin' like teeth in a comb, and Jonadab's face set as the Day of
+Judgment.
+
+"He kept his foot down on the speed place as if 'twas glued. He
+shoved the 'spark'--whatever that is--'way back. Every once in a
+while he yelled, yelled at the top of his lungs. What he yelled
+hadn't no sense to it. Sometimes you'd think that he was drivin' a
+horse and next that he was handlin' a schooner in a gale.
+
+"'Git dap!' he'd whoop. 'Go it, you cripples! Keep her nose right
+in the teeth of it! She's got the best of the water, so let her
+bile! Whe-E-E!'
+
+"We didn't stop at Bayport. Our skipper had made other
+arrangements. However, the way I figgered it, we was long past
+needin' a doctor, and you can get an undertaker 'most anywhere. We
+went through the village like a couple of shootin' stars, Tobias
+about a length ahead, his hat blowed off, his hair--what little
+he's got--streamin' out behind, and that blessed red buzz wagon of
+his fairly skimmin' the hummocks and jumpin' the smooth places.
+And right astern of him comes Jonadab, hangin' to the wheel, HIS
+hat gone, his mouth open, and fillin' the dust with yells and
+coughs.
+
+"You could see folks runnin' to doors and front gates; but you
+never saw 'em reach where they was goin'--time they done that we
+was somewheres round the next bend. A pullet run over us once--
+yes, I mean just that. She clawed the top of the widow's bunnit as
+we slid underneath her, and by the time she lit we was so fur away
+she wa'n't visible to the naked eye. Bradbury--who'd got better
+remarkable sudden--was pawin' at Jonadab's arm, tryin' to make him
+ease up; but he might as well have pawed the wind. As for
+Henrietta Bassett, she was acrost the back of the front seat
+tootin' the horn for all she was wuth. And curled down in a heap
+on the cockpit floor was a fleshy, sea-farin' person by the name of
+Barzilla Wingate, sufferin' from chills and fever.
+
+"I think 'twas on the long stretch of the Trumet road that we beat
+Tobias. I know we passed somethin' then, though just what I ain't
+competent to testify. All I'm sure of is that, t'other side of
+Bayport village, the landscape got some less streaked and you could
+most gen'rally separate one house from the next.
+
+"Bradbury looked at Henrietta and smiled, a sort of sickly smile.
+She was pretty pale, but she managed to smile back. I got up off
+the floor and slumped on the cushions. As for Cap'n Jonadab Wixon,
+he'd stopped yellin', but his face was one broad, serene grin. His
+mouth, through the dust and the dirt caked around it, looked like a
+rain gully in a sand-bank. And, occasional, he crowed, hoarse but
+vainglorious.
+
+"'Did you see me?' he barked. 'Did you notice me lick him? He'll
+laugh at me, will he?--him and his one-horse tin cart! Ho! HO!
+Why, you'd think he was settin' down to rest! I've got him where I
+want him now! Ho, ho! Say, Henrietta, did you go swift as you--?
+Land sakes! Mr. Bradbury, I forgot all about you. And I--I guess
+we must have got a good ways past the doctor's place.'
+
+"Bradbury said never mind. He felt much better, and he cal'lated
+he'd do till we fetched the Old Home dock. He'd take the wheel,
+now, he guessed.
+
+"But, would you b'lieve it, that fool Jonadab wouldn't let him! He
+was used to the ship now, he said, and, if 'twas all the same to
+Henry G. and Hettie, he'd kind of like to run her into port.
+
+"'She answers her hellum fine,' he says. 'After a little practice
+I cal'late I could steer--'
+
+"'Steer!' sings out Bradbury. 'STEER! Great Caesar's ghost! I
+give you my word, Cap'n Wixon, I never saw such handlin' of a
+machine as you did goin' through Bayport, in my life. You're a
+wonder!'
+
+"'Um-hm,' says Jonadab contented. 'I've steered a good many
+vessels in my time, through traffic and amongst the shoals, and
+never run afoul of nothin' yet. I don't see much diff'rence on
+shore--'cept that it's a little easier.'
+
+"EASIER! Wouldn't that-- Well, what's the use of talkin'?
+
+"We got to the Old Home House safe and sound; Jonadab, actin' under
+Bradbury's orders, run her into the yard, slowin' up and stoppin'
+at the front steps slick as grease. He got out, his chest swelled
+up like a puffin' pig, and went struttin' in to tell everybody what
+he'd done to Loveland. I don't know where Bradbury and the widow
+went. As for me, I went aloft and turned in. And 'twas two days
+and nights afore I got up again. I had a cold, anyway, and what
+I'd been through didn't help it none.
+
+"The afternoon of the second day, Bradbury come up to see me. He
+was dressed in his city clothes and looked as if he was goin' away.
+Sure enough, he was; goin' on the next train.
+
+"'Where's Jonadab?' says I.
+
+"'Oh, he's out in his car,' he says. 'Huntin' for Loveland again,
+maybe.'
+
+"'HIS car? You mean yours.'
+
+"'No, I mean his. I sold my car to him yesterday mornin' for
+twenty-five hundred dollars cash.'
+
+"I set up in bed. 'Go 'long!' I sings out. 'You didn't nuther!'
+
+"'Yes, I did. Sure thing. After that ride, you couldn't have
+separated him from that machine with blastin' powder. He paid over
+the money like a little man.'
+
+"I laid down again. Jonadab Wixon payin' twenty-five hundred
+dollars for a plaything! Not promisin', but actually PAYIN' it!
+
+"'Has--has the widow gone with him?' I asked, soon's I could get my
+breath.
+
+"He laughed sort of queer. 'No,' he says, 'she's gone out of town
+for a few days. Ha, ha! Well, between you and me, Wingate, I
+doubt if she comes back again. She and I have made all we're
+likely to in this neighborhood, and she's too good a business woman
+to waste her time. Good-by; glad to have met you.'
+
+"But I smelt rat strong and wouldn't let him go without seein' the
+critter.
+
+"'Hold on!' I says. 'There's somethin' underneath all this. Out
+with it. I won't let on to the Cap'n if you don't want me to.'
+
+"'Well,' says he, laughin' again, 'Mrs. Bassett WON'T come back and
+I know it. She and I have sold four cars on the Cape in the last
+five weeks, and the profits'll more'n pay vacation expenses. Two
+up in Wareham, one over in Orham, to Loveland--'
+
+"'Did YOU sell Tobias his?' I asks, settin' up again.
+
+"'Hettie and I did--yes. Soon's we landed him, we come over to bag
+old Wixon. I thought one time he'd kill us before we got him, but
+he didn't. How he did run that thing! He's a game sport.'
+
+"'See here!' says I. 'YOU and Hettie sold-- What do you mean by
+that?'
+
+"'Mrs. Bassett is my backer in the auto business,' says he. 'She
+put in her money and I furnished the experience. We've got a big
+plant up in--' namin' a city in Connecticut.
+
+"I fetched a long breath. 'WELL!' says I. 'And all this makin'
+eyes at Tobe and Jonadab was just--just--'
+
+"'Just bait, that's all,' says he. 'I told you she was a good
+business woman.'
+
+"I let this sink in good. Then says I, 'Humph! I swan to man! And
+how's your heart actin' now?'
+
+"'Fine!' he says, winkin'. 'I had that attack so's the Cap'n would
+learn to run on his own hook. I didn't expect quite so much of a
+run, but I'm satisfied. Don't you worry about my heart disease.
+That twenty-five hundred cured it. 'Twas all in the way of
+business,' says Henry G. Bradbury."
+
+"Whew!" whistled Captain Hiram as Barzilla reached into his pocket
+for pipe and tobacco. "Whew! I should say your partner had a
+narrer escape. Want to look out sharp for widders. They're
+dangerous, hey, Sol?"
+
+The depot master did not answer. Captain Hiram asked another
+question. "How'd Jonadab take Hettie's leavin'?" he inquired.
+
+"Oh," said Barzilla, "I don't think he minded so much. He was too
+crazy about his new auto to care for anything else. Then, too, he
+was b'ilin' mad 'cause Loveland swore out a warrant against him for
+speedin'.
+
+"'Nice trick, ain't it?' he says. 'I knew Tobe was a poor loser,
+but I didn't think he'd be so low down as all that. Says I was
+goin' fifty mile an hour. He! he! Well, I WAS movin', that's a
+fact. I don't care. 'Twas wuth the twenty-dollar fine.'
+
+"'Maybe so,' I says, 'but 'twon't look very pretty to have a
+special auto constable hauled up and fined for breakin' the law
+he's s'posed to protect.'
+
+"He hadn't thought of that. His face clouded over.
+
+"'No use, Barzilla,' says he; 'I'll have to give it up.'
+
+"'Guess you will,' says I. 'Automobilin' is--'
+
+"'I don't mean automobilin',' he snorts disgusted. 'Course not! I
+mean bein' constable.'
+
+"So there you are! From cussin' automobiles he's got so that he
+can't talk enough good about 'em. And every day sence then he's
+out on the road layin' for another chance at Tobias. I hope he
+gets that chance pretty soon, because--well, there's a rumor goin'
+round that Loveland is plannin' to swap his car for a bigger and
+faster one. If he does . . ."
+
+"If he does," interrupted Captain Sol, "I hope you'll fix the next
+race for over here. I'd like to see you go by, Barzilla."
+
+"Guess you'd have to look quick to see him," laughed Stitt.
+"Speakin' about automobiles--"
+
+"By gum!" ejaculated Wingate, "you'd have to look somewheres else
+to find ME. I've got all the auto racin' I want!"
+
+"Speakin' of automobiles," began Captain Bailey again. No one paid
+the slightest attention.
+
+"How's Dusenberry, your baby, Hiram?" asked the depot master,
+turning to Captain Baker. "His birthday's the Fourth, and that's
+only a couple of days off."
+
+The proud parent grinned, then looked troubled.
+
+"Why, he ain't real fust-rate," he said. "Seems to be some under
+the weather. Got a cold and kind of sore throat. Dr. Parker says
+he cal'lates it's a touch of tonsilitis. There's consider'ble
+fever, too. I was hopin' the doctor'd come again to-day, but he's
+gone away on a fishin' cruise. Won't be home till late to-morrer.
+I s'pose me and Sophrony hadn't ought to worry. Dr. Parker seems
+to know about the case."
+
+"Humph!" grunted the depot master, "there's only two bein's in
+creation that know it all. One's the Almighty and t'other's young
+Parker. He's right out of medical school and is just as fresh as
+his diploma. He hadn't any business to go fishin' and leave his
+patients. We lost a good man when old Dr. Ryder died. He . . .
+Oh, well! you mustn't worry, Hiram. Dusenberry'll pull out in time
+for his birthday. Goin' to celebrate, was you?"
+
+Captain Baker nodded. "Um-hm," he said. "Sophrony's goin' to bake
+a frosted cake and stick three candles on it--he's three year old,
+you know--and I've made him a 'twuly boat with sails,' that's what
+he's been beggin' for. Ho! ho! he's the cutest little shaver!"
+
+"Speakin' of automobiles," began Bailey Stitt for the third time.
+
+"That youngster of yours, Hiram," went on the depot master, "is the
+right kind. Compared with some of the summer young ones that
+strike this depot, he's a saint."
+
+Captain Hiram grinned. "That's what I tell Sophrony," he said.
+"Sometimes when Dusenberry gets to cuttin' up and she is sort of
+provoked, I say to her, 'Old lady,' I say, 'if you think THAT'S a
+naughty boy, you ought to have seen Archibald.'"
+
+"Who was Archibald?" asked Barzilla.
+
+"He was a young rip that Sim Phinney and I run across four years
+ago when we went on our New York cruise together. The weir
+business had been pretty good and Sim had been teasin' me to go on
+a vacation with him, so I went. Sim ain't stopped talkin' about
+our experiences yet. Ho! ho!"
+
+"You bet he ain't!" laughed the depot master. "One mix-up you had
+with a priest, and a love story, and land knows what. He talks
+about that to this day."
+
+"What was it? He never told me," said Wingate.
+
+"Why, it begun at the Golconda House, the hotel where Sim and I was
+stayin'. We--"
+
+"Did YOU put up at the Golconda?" interrupted Barzilla. "Why,
+Cap'n Jonadab and me stayed there when we went to New York."
+
+"I know you did. Jonadab recommended it to Sim, and Sim took the
+recommendation. That Golconda House is the only grudge I've got
+against Jonadab Wixon. It sartin is a tough old tavern."
+
+"I give in to that. Jonadab's so sot on it account of havin'
+stopped there on his honeymoon, years and years ago. He's too
+stubborn to own it's bad. It's a matter of principle with him, and
+he's sot on principle."
+
+"Yes," continued Baker. "Well, Sim and me had been at that
+Golconda three days and nights. Mornin' of the fourth day we
+walked out of the dinin' room after breakfast, feelin' pretty
+average chipper. Gettin' safe past another meal at that hotel was
+enough of itself to make a chap grateful.
+
+"We walked out of the dinin' room and into the office. And there,
+by the clerk's desk, was a big, tall man, dressed up in clothes
+that was loud enough to speak for themselves, and with a shiny new
+tall hat, set with a list to port, on his head. He was smooth-
+faced and pug-nosed, with an upper lip like a camel's.
+
+"He didn't pay much attention to us, nor to anybody else, for the
+matter of that. He was as mournful as a hearse, for all his joyful
+togs.
+
+"'Fine day, ain't it?' says Sim, social.
+
+"The tall chap looked up at him from under the deck of the beaver
+hat.
+
+"'Huh!' he growls out, and looks down again.
+
+"'I say it's a fine day,' said Phinney again.
+
+"'I was after hearin' yez say it,' says the man, and walks off,
+scowlin' like a meat ax. We looked after him.
+
+"'Who was that murderer?' asks Sim of the clerk. 'And when are
+they going to hang him?'
+
+"'S-sh-sh!' whispers the clerk, scart. ''Tis the boss. The bloke
+what runs the hotel. He's a fine man, but he has troubles. He's
+blue.'
+
+"'So that's the boss, hey?' says I. 'And he's blue. Well, he
+looks it. What's troublin' him? Ain't business good?'
+
+"'Never better. It ain't that. He has things on his mind. You
+see--'
+
+"I cal'late he'd have told us the yarn, only Sim wouldn't wait to
+hear it. We was goin' sight-seein' and we had 'aquarium' and
+'Stock Exchange' on the list for that afternoon. The hotel clerk
+had made out a kind of schedule for us of things we'd ought to see
+while we was in New York, and so fur we'd took in the zoological
+menagerie and the picture museum, and Central Park and Brooklyn
+Bridge.
+
+"On the way downtown in the elevated railroad Sim done some
+preachin'. His text was took from the Golconda House sign, which
+had 'T. Dempsey, Proprietor,' painted on it.
+
+"'It's that Dempsey man's conscience that makes him so blue,
+Hiram,' says Sim. 'It's the way he makes his money. He sells
+liquor.'
+
+"'Oh!' says I. 'Is THAT it? I thought maybe he'd been sleepin' on
+one of his own hotel beds. THEY'RE enough to make any man blue--
+black and blue.'
+
+"The 'aquarium' wa'n't a success. Phinney was disgusted. He give
+one look around, grabbed me by the arm, and marched me out of that
+building same as Deacon Titcomb, of the Holiness Church at Denboro,
+marched his boy out of the Universalist sociable.
+
+"'It's nothin' but a whole passel of fish,' he snorts. 'The idea
+of sendin' two Cape Codders a couple of miles to look at FISH.
+I've looked at 'em and fished for 'em, and et 'em all the days of
+my life,' he says, 'and when I'm on a vacation I want a change.
+I'd forgot that "aquarium" meant fish, or you wouldn't have got me
+within smellin' distance of it. Necessity's one thing and
+pleasure's another, as the boy said about takin' his ma's spring
+bitters.'
+
+"So we headed for the Stock Exchange. We got our gallery tickets
+at the bank where the Golconda folks kept money, and in a little
+while we was leanin' over a kind of marble bulwarks and starin'
+down at a gang of men smokin' and foolin' and carryin' on. 'Twas a
+dull day, so we found out afterward, and I guess likely that was
+true. Anyway, I never see such grown-up men act so much like
+children. There was a lot of poles stuck up around with signs on
+'em, and around every pole was a circle of bedlamites hollerin'
+like loons. Hollerin' was the nighest to work of anything I see
+them fellers do, unless 'twas tearin' up papers and shovin' the
+pieces down somebody's neck or throwin' 'em in the air like a play-
+actin' snowstorm.
+
+"'What's the matter with 'em?' says I. 'High finance taken away
+their brains?'
+
+"But Phinney was awful interested. He dumped some money in a mine
+once. The mine caved in on it, I guess, for not a red cent ever
+come to the top again, but he's been a kind of prophet concernin'
+finances ever sence.
+
+"'I want to see the big fellers,' says he. 'S'pose that fat one is
+Morgan?'
+
+"'I don't know,' says I. 'Me and Pierpont ain't met for ever so
+long. Don't lean over and point so; you're makin' a hit.'
+
+"He was, too. Some of the younger crew on the floor was lookin' up
+and grinnin', and more kept stoppin' and joinin' in all the time.
+I cal'late we looked kind of green and soft, hangin' over that
+marble rail, like posies on a tombstone; and green is the favorite
+color to a stockbroker, they tell me. Anyhow, we had a good-sized
+congregation under us in less than no time. Likewise, they got
+chatty, and commenced to unload remarks.
+
+"'Land sakes!' says one. 'How's punkins?'
+
+"'How's crops down your way?' says another.
+
+"Now there wa'n't nothin' real bright and funny about these
+questions--more fresh than new, they struck me--but you'd think
+they was gems from the comic almanac, jedgin' by the haw-haws.
+Next minute a little bald-headed smart Alec, with clothes that had
+a tailor's sign hull down and out of the race, steps to the front
+and commences to make a speech.
+
+"'Gosh t'mighty, gents,' says he. 'With your kind permission, I'll
+sing "When Reuben Comes to Town."
+
+"And he did sing it, too, in a voice that needed cultivatin'
+worse'n a sandy front yard. And with every verse the congregation
+whooped and laughed and cheered. When the anthem was concluded,
+all hands set up a yell and looked at us to see how we took it.
+
+"As for me, I was b'ilin' mad and mortified and redhot all over.
+But Sim Phinney was as cool as an October evenin'. Once in a while
+old Sim comes out right down brilliant, and he done it now. He
+smiled, kind of tolerant and easy, same as you might at the tricks
+of a hand-organ monkey. Then he claps his hands, applaudin' like,
+reaches into his pocket, brings up a couple of pennies, and tosses
+'em down to little baldhead, who was standin' there blown up with
+pride.
+
+"For a minute the crowd was still. And THEN such a yell as went
+up! The whole floor went wild. Next thing I knew the gallery was
+filled with brokers, grabbin' us by the hands, poundin' us on the
+back, beggin' us to come have a drink, and generally goin' crazy.
+We was solid with the 'system' for once in our lives. We could
+have had that whole buildin', from marble decks to gold maintruck,
+if we'd said the word. Fifty yellin' lunatics was on hand to give
+it to us; the other two hundred was joyfully mutilatin' the
+baldhead.
+
+"Well, I wanted to get away, and so did Sim, I guess; but the crowd
+wouldn't let us. We'd got to have a drink; hogsheads of drinks.
+That was the best joke on Eddie Lewisburg that ever was. Come on!
+We MUST come on! Whee! Wow!
+
+"I don't know how it would have ended if some one hadn't butted
+head first through the mob and grabbed me by the shoulder. I was
+ready to fight by this time, and maybe I'd have begun to fight if
+the chap who grabbed me hadn't been a few inches short of seven
+foot high. And, besides that, I knew him. 'Twas Sam Holden, a
+young feller I knew when he boarded here one summer. His wife
+boarded here, too, only she wa'n't his wife then. Her name was
+Grace Hargrave and she was a fine girl. Maybe you remember 'em,
+Sol?"
+
+The depot master nodded.
+
+"I remember 'em well," he said. "Liked 'em both--everybody did."
+
+"Yes. Well, he knew us and was glad to see us.
+
+"'It IS you!' he sings out. 'By George! I thought it was when I
+came on the floor just now. My! but I'm glad to see you. And Mr.
+Phinney, too! Bully! Clear out and let 'em alone, you Indians.'
+
+"The crowd didn't want to let us alone, but Sam got us clear
+somehow, and out of the Exchange Buildin' and into the back room of
+a kind of restaurant. Then he gets chairs for us, orders cigars,
+and shakes hands once more.
+
+"'To think of seein' you two in New York!' he says, wonderin'.
+'What are you doin' here? When did you come? Tell us about it.'
+
+"So we told him about our pleasure cruise, and what had happened to
+us so fur. It seemed to tickle him 'most to death.
+
+"'Grace and I are keepin' house, in a modest way, uptown,' says
+Sam, 'and she'll be as glad to see you as I am. You're comin' up
+to dinner with me to-night, and you're goin' to make us a visit,
+you know,' he says.
+
+"Well, if we didn't know it then, we learned it right away.
+Nothin' that me or Simeon could say would make him change the
+course a point. So Phinney went up to the Golconda House and got
+our bags, and at half-past four that afternoon the three of us was
+in a hired hack bound uptown.
+
+"On the way Sam was full of fun as ever. He laughed and joked, and
+asked questions about East Harniss till you couldn't rest. All of
+a sudden he slaps his knee and sings out:
+
+"'There! I knew I'd forgotten somethin'. Our butler left
+yesterday, and I was to call at the intelligence office on my way
+home and see if they'd scared up a new one.'
+
+"I looked at Simeon, and he at me.
+
+"'Hum!' says I, thinkin' about that 'modest' housekeepin'. 'Do you
+keep a butler?'
+
+"'Not long,' says he, dry as a salt codfish. And that's all we
+could get out of him.
+
+"I s'pose there's different kinds of modesty. We hadn't more'n got
+inside the gold-plated front door of that house when I decided that
+the Holden brand of housekeepin' wa'n't bashful enough to blush.
+If I'D been runnin' that kind of a place, the only time I'd felt
+shy and retirin' was when the landlord came for the rent.
+
+"One of the fo'mast hands--hired girls, I mean--went aloft to fetch
+Mrs. Holden, and when Grace came down she was just as nice and
+folksy and glad to see us as a body could be. But she looked sort
+of troubled, just the same.
+
+"'I'm ever so glad you're here,' says she to me and Simeon. 'But,
+oh, Sam! it's a shame the way things happen. Cousin Harriet and
+Archie came this afternoon to stay until to-morrow. They're on
+their way South. And I have promised that you and I shall take
+Harriet to see Marlowe to-night. Of course we won't do it now,
+under any consideration, but you know what she is.'
+
+"Sam seemed to know. He muttered somethin' that sounded like a
+Scripture text. Simeon spoke up prompt.
+
+"'Indeed you will,' says he, decided. 'Me and Hiram ain't that
+kind. We've got relations of our own, and we know what it means
+when they come a-visitin'. You and Mr. Holden'll take your comp'ny
+and go to see--whatever 'tis you want to see, and we'll make
+ourselves to home till you get back. Yes, you will, or we clear
+out this minute.'
+
+"They didn't want to, but we was sot, and so they give in finally.
+It seemed that this Cousin Harriet was a widow relation of the
+Holdens, who lived in a swell country house over in Connecticut
+somewhere, and was rich as the rest of the tribe. Archie was her
+son. 'Hers and the Evil One's,' Sam said.
+
+"We didn't realize how much truth there was in this last part until
+we run afoul of Archie and his ma at dinner time. Cousin Harriet
+was tall and middlin' slim, thirty-five years old, maybe, at a sale
+for taxes, but discounted to twenty at her own valuation. She was
+got up regardless, and had a kind of chronic, tired way of talkin',
+and a condescendin' look to her, as if she was on top of Bunker
+Hill monument, and all creation was on its knees down below. She
+didn't warm up to Simeon and me much; eyed us over through a pair
+of gilt spyglasses, and admitted that she was 'charmed, I'm sure.'
+Likewise, she was afflicted with 'nerves,' which must be a divil of
+a disease--for everybody but the patient, especial.
+
+"Archie--his ma hailed him as 'Archibald, dear'--showed up pretty
+soon in tow of his 'maid,' a sweet-faced, tired-out Irish girl
+named Margaret. 'Archibald, dear,' was five years old or so,
+sufferin' from curls and the lack of a lickin'. I never see a
+young one that needed a strap ile more.
+
+"'How d'ye do Archie?' says Simeon, holdin' out his hand.
+
+"Archie didn't take the hand. Instead of that he points at Phinney
+and commences to laugh.
+
+"'Ho, ho!' says he, dancin' and pointin'. 'Look at the funny
+whiskers.'
+
+"Sim wa'n't expectin' that, and it set him all aback, like he'd run
+into a head squall. He took hold of his beard and looked foolish.
+Sam and Grace looked ashamed and mad. Cousin Harriet laughed one
+of her lazy laughs.
+
+"'Archibald, de-ar,' she drawls, 'you mustn't speak that way. Now
+be nice, and play with Margaret durin' dinner, that's a good boy.'
+
+"'I won't,' remarks Archie, cheerful. 'I'm goin' to dine with you,
+mama.'
+
+"'Oh, no, you're not, dear. You'll have your own little table,
+and--'
+
+"Then 'twas' Hi, yi!' 'Bow, wow!' Archibald wa'n't hankerin' for
+little tables. He was goin' to eat with us, that's what. His ma,
+she argued with him and pleaded, and he yelled and stamped and
+hurrahed. When Margaret tried to soothe him he went at her like a
+wild-cat, and kicked and pounded her sinful. She tried to take him
+out of the room, and then Cousin Harriet come down on her like a
+scow load of brick.
+
+"'Haven't I told you,' says she, sharp and vinegary, 'not to oppose
+the child in that way? Archibald has such a sensitive nature,' she
+says to Grace, 'that opposition arouses him just as it did me at
+his age. Very well, dear; you MAY dine with us to-night, if you
+wish. Oh, my poor nerves! Margaret, why don't you place a chair
+for Master Archibald? The creature is absolutely stupid at times,'
+she says, talkin' about that poor maid afore her face with no more
+thought for her feelin's than if she was a wooden image. 'She has
+no tact whatever. I wouldn't have Archibald's spirit broken for
+anything.'
+
+"'Twas his neck that needed breakin' if you asked ME. That was a
+joyful meal, now I tell you.
+
+"There was more joy when 'twas over. Archie didn't want to go to
+bed, havin' desires to set up and torment Simeon with questions
+about his whiskers; askin' if they growed or was tied on, and
+things like that. Course he didn't know his ma was goin' to the
+show, or he wouldn't have let her. But finally he was coaxed
+upstairs by Margaret and a box of candy, and, word havin' been sent
+down that he was asleep, Sam got out his plug hat, and Grace and
+Cousin Harriet got on their fur-lined dolmans and knit clouds, and
+was ready for the hack.
+
+"'I feel mighty mean to go off and leave you this way,' says Sam to
+me and Simeon. 'But you make yourself at home, won't you? This is
+your house to-night, you know; servants and all.'
+
+"'How about that boy's wakin' up?' says I.
+
+"'Oh, his maid'll attend to him. If she needs any help you can
+give it to her,' he says, winkin' on the side.
+
+"But Cousin Harriet was right at his starboard beam, and she heard
+him. She flew up like a settin' hen.
+
+"'Indeed they will NOT!' she sings out. 'If anyone but Margaret
+was to attempt to control Archibald, I don't dare think what might
+happen. I shall not stir from this spot until these persons
+promise not to interfere in ANY way; Archibald, dear, is such a
+sensitive child.'
+
+"So we promised not to interfere, although Sim Phinney looked
+disappointed when he done it. I could see that he'd had hopes
+afore he give that promise."
+
+
+CHAPTER XI
+
+IN THE GREAT METROPOLIS
+
+
+"So they left you and Sim Phinney to keep house, did they, Hiram?"
+observed Wingate.
+
+"They did. And, for a spell, we figgered on bein' free from too
+much style.
+
+"After they'd gone we loafed into the settin' room or libr'ry, or
+whatever you call it, and come to anchor in a couple of big lazy
+chairs.
+
+"'Now,' says I, takin' off my coat, 'we can be comf'table.'
+
+"But we couldn't. In bobs a servant girl to know if we 'wanted
+anything.' We didn't, but she looked so shocked when she see me in
+my shirt sleeves that I put the coat on again, feelin' as if I'd
+ought to blush. And in a minute back she comes to find out if we
+was SURE we didn't want anything. Sim was hitchin' in his chair.
+Between 'nerves' and Archibald, his temper was raw on the edges.
+
+"'Say,' he bursts out, 'you look kind of pale to me. What you need
+is fresh air. Why don't you go take a walk?'
+
+"The girl looked at him with her mouth open.
+
+"'Oh,' says she, 'I couldn't do that, thank you, sir. That would
+leave no one but the cook and the kitchen girl. And the master
+said you was to be made perfectly comf'table, and--'
+
+"'Yes,' says Sim, dry, 'I heard him say it. And we can't be
+comf'table with you shut up in the house this nice evenin'. Go and
+take a walk, and take the cook and stewardess with you. Don't
+argue about it. I'm skipper here till the boss gets back. Go, the
+three of you, and go NOW. D'ye hear?'
+
+"There was a little more talk, but not much. In five minutes or so
+the downstairs front door banged, and there was gigglin' outside.
+
+"'There,' says Simeon, peelin' off HIS coat and throwin' himself
+back in one chair with his feet on another one. 'Now, by Judas,
+I'm goin' to be homey and happy like poor folks. I don't wonder
+that Harriet woman's got nerves. Darn style, anyhow! Pass over
+that cigar box, Hiram.'
+
+
+"'Twas half an hour later or so when Margaret, the nursemaid, came
+downstairs. I'd almost forgot her. We was tame and toler'ble
+contented by that time. Phinney called to her as she went by the
+door.
+
+"'Is that young one asleep?' he asked.
+
+"'Yes, sir,' says she, 'he is. Is there anything I can do? Did
+you want anything?'
+
+"Simeon looks at me. 'I swan to man, it's catchin'!' he says.
+'They've all got it. No, we don't want anything, except-- What's
+the matter? YOU don't need fresh air, do you?'
+
+"The girl looked as if she'd lost her last friend. Her pretty face
+was pale and her eyes was wet, as if she'd been cryin'.
+
+"'No, sir,' says she, puzzled. 'No, sir, thank you, sir.'
+
+"'She's tired out, that's all,' says I. I swan, I pitied the poor
+thing. 'You go somewheres and take a nap,' I told her. 'Me and my
+friend won't tell.'
+
+"Oh, no, she couldn't do that. It wa'n't that she was tired--no
+more tired than usual--but she'd been that troubled in her mind
+lately, askin' our pardon, that she was near to crazy.
+
+"We was sorry for that, but it didn't seem to be none of our
+business, and she was turnin' away, when all at once she stops and
+turns back again.
+
+"'Might I ask you gintlemen a question?' she says, sort of
+pleadin'. 'Sure I mane no harm by it. Do aither of you know a man
+be the name of Michael O'Shaughnessy?'
+
+"Me and Sim looked at each other. 'Which?' says I. 'Mike O' who?'
+says Simeon.
+
+"'Aw, don't you know him?' she begs. 'DON'T you know him? Sure I
+hoped you might. If you'd only tell me where he is I'd git on me
+knees and pray for you. O Mike, Mike! why did you leave me like
+this? What'll become of me?'
+
+"And she walks off down the hall, coverin' her face with her hands
+and cryin' as if her heart was broke.
+
+"'There! there!' says Simeon, runnin' after her, all shook up.
+He's a kind-hearted man--especially to nice-lookin' females.
+'Don't act so,' he says. 'Be a good girl. Come right back into
+the settin' room and tell me all about it. Me and Cap'n Baker
+ain't got nerves, and we ain't rich, neither. You can talk to us.
+Come, come!'
+
+"She didn't know how to act, seemingly. She was like a dog that's
+been kicked so often he's suspicious of a pat on the head. And she
+was cryin' and sobbin' so, and askin' our pardon for doin' it, that
+it took a good while to get at the real yarn. But we did get it,
+after a spell.
+
+"It seems that the girl--her whole name was Margaret Sullivan--had
+been in this country but a month or so, havin' come from Ireland in
+a steamboat to meet the feller who'd kept comp'ny with her over
+there. His name was Michael O'Shaughnessy, and he'd been in
+America for four years or more, livin' with a cousin in Long Island
+City. And he'd got a good job at last, and he sent for her to come
+on and be married to him. And when she landed 'twas the cousin
+that met her. Mike had drawn a five-thousand-dollar prize in the
+Mexican lottery a week afore, and hadn't been seen sence.
+
+"So poor Margaret goes to the cousin's to stay. And she found them
+poor as Job's pet chicken, and havin' hardly grub enough aboard to
+feed the dozen or so little cousins, let alone free boarders like
+her. And so, havin' no money, she goes out one day to an
+intelligence office where they deal in help, and puts in a blank
+askin' for a job as servant girl. 'Twas a swell place, where
+bigbugs done their tradin', and there she runs into Cousin Harriet,
+who was a chronic customer, always out of servants, owin' to the
+complications of Archibald and nerves. And Harriet hires her,
+because she was pretty and would work for a shavin' more'n nothin',
+and carts her right off to Connecticut. And when Margaret sets out
+to write for her trunk, and to tell where she is, she finds she's
+lost the cousin's address, and can't remember whether it's Umpty-
+eighth Street or Tin Can Avenue.
+
+"'And, oh,' says she, 'what SHALL I do? The mistress is that hard
+to please, and the child is that wicked till I want to die. And I
+have no money and no friends. O Mike! Mike!' she says. 'If you
+only knew you'd come to me. For it's a good heart he has, although
+the five thousand dollars carried away his head,' says she.
+
+"I don't believe I ever wanted to make a feller's acquaintance more
+than I done that O'Shaughnessy man's. The mean blackguard, to
+leave his girl that way. And 'twas easy to see what she'd been
+through with Cousin Harriet and that brat. We tried to comfort her
+all we could; promised to have a hunt through Long Island and the
+directory, and to help get her another place when she got back from
+the South, and so on. But 'twas kind of unsatisfactory. 'Twas her
+Mike she wanted.
+
+"'I told the Father about it at the church up there,' she says,
+'and he wrote, but the letters was lost, I guess. And I thought if
+I might see a priest here in New York he might help me. But the
+mistress is to go at noon to-morrer, and I'll have no time. What
+SHALL I do?' says she, and commenced to cry again.
+
+"Then I had an idea. 'Priest?' says I. 'There's a fine big
+church, with a cross on the ridgepole of it, not five minutes' walk
+from this house. I see it as we was comin' up. Why don't you run
+down there this minute?' I says.
+
+"No, she didn't want to leave Archibald. Suppose he should wake
+up.
+
+"'All right,' says I. 'Then I'll go myself. And I'll fetch a
+priest up here if I have to tote him on my back, like the feller
+does the codfish in the advertisin' picture.'
+
+"I didn't have to tote him. He lived in a mighty fine house,
+hitched onto the church, and there was half a dozen assistant
+parsons to help him do his preachin'. But he was big and fat and
+gray-haired and as jolly and as kind-hearted a feller as you'd want
+to meet. He said he'd come right along; and he done it.
+
+"Phinney opened the door for us. 'What's the row?' says I, lookin'
+at his face.
+
+"'Row?' he snorts; 'there's row enough for six. That da--excuse
+me, mister--that cussed Archibald has woke up.'
+
+"He had; there wa'n't no doubt about it. And he was raisin' hob,
+too. The candy, mixed up with the dinner, had put his works in
+line with his disposition, and he was poundin' and yellin' upstairs
+enough to wake the dead. Margaret leaned over the balusters.
+
+"'Is it the Father?' she says. 'Oh, dear! what'll I do?'
+
+"'Send some of the other servants to the boy,' says the priest,
+'and come down yourself.'
+
+"Simeon, lookin' kind of foolish, explained what had become of the
+other servants. Father McGrath--that was his name--laughed and
+shook all over.
+
+"'Very well,' says he. 'Then bring the young man down. Perhaps
+he'll be quiet here.'
+
+"So pretty soon down come Margaret with Archibald, full of the Old
+Scratch, as usual, dressed up gay in a kind of red blanket nighty,
+with a rope around the middle of it. The young one spotted Simeon,
+and set up a whoop.
+
+"'Oh! there's the funny whiskers,' he sings out.
+
+"'Good evenin', my son,' says the priest.
+
+"'Who's the fat man?' remarks Archibald, sociable. 'I never saw
+such a red fat man. What makes him so red and fat?'
+
+"These questions didn't make Father McGrath any paler. He laughed,
+of course, but not as if 'twas the funniest thing he ever heard.
+
+"'So you think I'm fat, do you, my boy?' says he.
+
+"'Yes, I do,' says Archibald. 'Fat and red and funny. Most as
+funny as the whisker man. I never saw such funny-lookin' people.'
+
+"He commenced to point and holler and laugh. Poor Margaret was so
+shocked and mortified she didn't know what to do.
+
+"'Stop your noise, sonny,' says I. 'This gentleman wants to talk
+to your nurse.'
+
+"The answer I got was some unexpected.
+
+"'What makes your feet so big?' says Archie, pointin' at my Sunday
+boots. 'Why do you wear shoes like that? Can't you help it?
+You're funny, too, aren't you? You're funnier than the rest of
+'em.'
+
+"We all went into the library then, and Father McGrath tried to ask
+Margaret some questions. I'd told him the heft of the yarn on the
+way from the church, and he was interested. But the questionin'
+was mighty unsatisfyin'. Archibald was the whole team, and the
+rest of us was yeller dogs under the wagon.
+
+"'Can't you keep that child quiet?' asks the priest, at last,
+losin' his temper and speakin' pretty sharp.
+
+"'O Archie, dear! DO be a nice boy,' begs Margaret, for the eight
+hundredth time.
+
+"'Why don't you punish him as he deserves?'
+
+"'Father, dear, I can't. The mistress says he's so sensitive that
+he has to have his own way. I'd lose my place if I laid a hand on
+him.'
+
+"'Come on into the parlor and see the pictures, Archie,' says I.
+
+"'I won't,' says Archibald. 'I'm goin' to stay here and see the
+fat man make faces.'
+
+"'You see,' says Sim, apologizin' 'we can't touch him, 'cause we
+promised his ma not to interfere. And my right hand's got cramps
+in the palm of it this minute,' he adds, glarin' at the young one.
+
+"Father McGrath stood up and reached for his hat. Margaret began
+to cry. Archibald, dear, whooped and kicked the furniture. And
+just then the front-door bell rang.
+
+"For a minute I thought 'twas Cousin Harriet and the Holdens come
+back, but then I knew it was hours too early for that. Margaret
+was too much upset to be fit for company, so I answered the bell
+myself. And who in the world should be standin' on the steps but
+that big Dempsey man, the boss of the Golconda House, where me and
+Simeon had been stayin'; the feller we'd spoke to that very
+mornin'.
+
+"'Good evenin', sor,' says he, in a voice as deep as a well. 'I'm
+glad to find you to home, sor. There's a telegram come for you at
+my place,' he says, 'and as your friend lift the address when he
+come for the baggage this afternoon, I brought it along to yez. I
+was comin' this way, so 'twas no trouble.'
+
+"'That's real kind of you,' I says. 'Step inside a minute, won't
+you?'
+
+"So in he comes, and stands, holdin' his shiny beaver in his hand,
+while I tore open the telegram envelope. 'Twas a message from a
+feller I knew with the Clyde Line of steamboats. He had found out,
+somehow, that we was in New York, and the telegram was an order for
+us to come and make him a visit.
+
+"'I hope it's not bad news, sor,' says the big chap.
+
+"'No, no,' says I. 'Not a bit of it, Mr. Dempsey. Come on in and
+have a cigar, won't you?'
+
+"'Thank you, sor,' says he. 'I'm glad it's not the bad news.
+Sure, I ax you and your friend's pardon for bein' so short to yez
+this mornin', but I'm in that throuble lately that me timper is all
+but gone.'
+
+"'That so?' says I. 'Trouble's thick in this world, ain't it? Me
+and Mr. Phinney got a case of trouble on our hands now, Mr.
+Dempsey, and--'
+
+"'Excuse me, sor,' he says. 'My name's not Dempsey. I suppose you
+seen the sign with me partner's name on it. I only bought into the
+business a while ago, and the new sign's not ready yit. Me name is
+O'Shaughnessy, sor.'
+
+"'What?' says I. And then: 'WHAT?'
+
+"'O'Shaughnessy. Michael O'Shaughnessy. I--'
+
+"'Hold on!' I sung out. 'For the land sakes, hold on! WHAT'S your
+name?'
+
+"He bristled up like a cat.
+
+"'Michael O'Shaughnessy,' he roars, like the bull of Bashan.
+'D'yez find any fault with it? 'Twas me father's before me--
+Michael Patrick O'Shaughnessy, of County Sligo. I'll have yez
+know-- WHAT'S THAT?'
+
+"'Twas a scream from the libr'ry. Next thing I knew, Margaret, the
+nurse girl, was standin' in the hall, white as a Sunday shirt, and
+swingin' back and forth like a wild-carrot stalk in a gale.
+
+"'Mike!' says she, kind of low and faint. 'Mary be good to us!
+MIKE!'
+
+"And the big chap dropped his tall hat on the floor and turned as
+white as she was.
+
+"'MAGGIE!' he hollers. And then they closed in on one another.
+
+"Sim and the priest and Archie had followed the girl into the hall.
+Me and Phinney was too flabbergasted to do anything, but big Father
+McGrath was cool as an ice box. When Archibald, like the little
+imp he was, sets up a whoop and dives for them two, the priest
+grabs him by the rope of the blanket nighty and swings him into the
+libr'ry, and shuts the door on him.
+
+"'And now,' says he, takin' Sim and me by the arms and leadin' us
+to the parlor, 'we'll just step in here and wait a bit.'
+
+"We waited, maybe, ten minutes. Archibald, dear, shut up in the
+libr'ry, was howlin' blue murder, but nobody paid any attention to
+him. Then there was a knock on the door between us and the hall,
+and Father McGrath opened it. There they was, the two of 'em--Mike
+and Maggie--lookin' red and foolish--but happy, don't talk!
+
+"'You see, sor,' says the O'Shaughnessy man to me, ''twas the five-
+thousand-dollar prize that done it. I'd been workin' at me trade,
+sor--larnin' to tind bar it was--and I'd just got a new job where
+the pay was pretty good, and I'd sint over for Maggie, and was
+plannin' for the little flat we was to have, and the like of that,
+when I drew that prize. And the joy of it was like handin' me a
+jolt on the jaw. It put me out for two weeks, sor, and when I come
+to I was in Baltimore, where I'd gone to collect the money; and two
+thousand of the five was gone, and I knew me job in New York was
+gone, and I was that shamed and sick it took me three days more to
+make up me mind to come to me Cousin Tim's, where I knew Maggie'd
+be waitin' for me. And when I did come back she was gone, too.'
+
+"'And then,' says Father McGrath, sharp, 'I suppose you went on
+another spree, and spent the rest of the money.'
+
+"'I did not, sor--axin' your pardon for contradictin' your
+riverence. I signed the pledge, and I'll keep it, with Maggie to
+help me. I put me three thousand into a partnership with me friend
+Dempsey, who was runnin' the Golconda House--'tis over on the East
+Side, with a fine bar trade--and I'm doin' well, barrin' that I've
+been crazy for this poor girl, and advertisin' and--'
+
+"'And look at the clothes of him!' sings out Margaret, reverentlike.
+'And is that YOUR tall hat, Mike? To think of you with a tall hat!
+Sure it's a proud girl I am this day. Saints forgive me, I've
+forgot Archie!'
+
+"And afore we could stop her she'd run into the hall and unfastened
+the libr'ry door. It took her some time to smooth down the young
+one's sensitive feelin's, and while she was gone, me and Simeon
+told the O'Shaughnessy man a little of what his girl had had to put
+up with along of Cousin Harriet and Archibald. He was mad.
+
+"'Is that the little blackguard?' he asks, pointin' to Archibald,
+who had arrived by now.
+
+"'That's the one,' says I.
+
+"Archibald looked up at him and grinned, sassy as ever.
+
+"'Father McGrath,' asks O'Shaughnessy, determined like, 'can you
+marry us this night?'
+
+"'I can,' says the Father.
+
+"'And will yez?'
+
+"'I will, with pleasure.'
+
+"'Maggie,' says Mike, 'get your hat and jacket on and come with the
+Father and me this minute. These gintlemen here will explain to
+your lady when she comes back. But YOU'LL come back no more.
+We'll send for your trunk to-morrer.'
+
+"Even then the girl hesitated. She'd been so used to bein' a slave
+that I suppose she couldn't realize she was free at last.
+
+"'But, Mike, dear,' she says. 'I--oh, your lovely hat! Put it
+down, Archie, darlin'. Put it down!'
+
+"Archibald had been doin' a little cruisin' on his own hook, and
+he'd dug up Mike's shiny beaver where it had been dropped in the
+hall. Now he was dancin' round with it, bangin' it on the top as
+if it was a drum.
+
+"'Put it down, PLEASE!' pleads Margaret. 'Twas plain that that
+plug was a crown of glory to her.
+
+"'Drop it, you little thafe!' yells O'Shaughnessy, makin' a dive
+for the boy.
+
+"'I won't!' screams Archibald, and starts to run. He tripped over
+the corner of a mat, and fell flat. The plug hat was underneath
+him, and it fell flat, too.
+
+"'Oh! oh! oh!' wails Margaret, wringin' her hands. 'Your beautiful
+hat, Mike!'
+
+"Mike's face was like a sunset.
+
+"'Your reverence,' says he, 'tell me this; don't the wife promise
+to "obey" in the marriage service?'
+
+"'She does,' says Father McGrath.
+
+"'D'ye hear that, you that's to be Margaret O'Shaughnessy? You do?
+Well, then, as your husband that's to be in tin minutes, I order
+you to give that small divil what's comin' to him. D'ye hear me?
+Will yez obey me, or will yez not?'
+
+"She didn't know what to do. You could see she wanted to--her
+fingers was itchin' to do it, but-- And then Archie held up the
+ruins of the hat and commenced to laugh.
+
+"That settled it. Next minute he was across her knee and gettin'
+what he'd been sufferin' for ever sence he was born; and gettin'
+all the back numbers along with it, too.
+
+"And in the midst of the performance Sim Phinney leans over to me
+with the most heavenly, resigned expression on his face, and says
+he:
+
+"'It ain't OUR fault, Hiram. We promised not to interfere.'"
+
+"What did Sam Holden and his wife say when they got home?" asked
+Captain Sol, when the triumphant whoops over Archibald's righteous
+chastisement had subsided.
+
+"We didn't give him much of a chance to say anything. I laid for
+him in the hall when he arrived and told him that Phinney had got a
+telegram and must leave immediate. He wanted to know why, and a
+whole lot more, but I told him we'd write it. Neither Sim nor me
+cared to face Cousin Harriet after her darlin' son had spun his
+yarn. Ha! ha! I'd like to have seen her face--from a safe
+distance."
+
+Captain Bailey Stitt cleared his throat. "Referrin' to them
+automobiles," he said, "I--"
+
+"Say, Sol," interrupted Wingate, "did I ever tell you of Cap'n
+Jonadab's and my gettin' took up by the police when WE was in New
+York?"
+
+"No," replied the astounded depot master. "Took up by the POLICE?"
+
+"Um--hm. Surprises you, don't it? Well, that whole trip was a
+surprise to me.
+
+"When Laban Thorp set out to thrash his son and the boy licked him
+instead, they found the old man settin' in the barnyard, holdin' on
+to his nose and grinnin' for pure joy.
+
+"'Hurt?' says he. 'Why, some. But think of it! Only think of it!
+I didn't believe Bill had it in him.'
+
+"Well, that's the way I felt when Cap'n Jonadab sprung the New York
+plan on to me. I was pretty nigh as much surprised as Labe. The
+idea of a man with a chronic case of lockjaw of the pocketbook,
+same as Jonadab had worried along under ever sence I knew him,
+suddenly breakin' loose with a notion to go to New York on a
+pleasure cruise! 'Twas too many for me. I set and looked at him.
+
+"'Oh, I mean it, Barzilla,' he says. 'I ain't been to New York
+sence I was mate on the Emma Snow, and that was 'way back in the
+eighties. That is, to stop I ain't. That time we went through on
+the way to Peter T.'s weddin' don't count, 'cause we only went in
+the front door and out the back, like Squealer Wixon went through
+high school. Let's you and me go and stay two or three days and
+have a real high old time,' says he.
+
+"I fetched a long breath. 'Jonadab,' I says, don't scare a feller
+this way; I've got a weak heart. If you're goin' to start in and
+be divilish in your old age, why, do it kind of gradual. Let's go
+over to the billiard room and have a bottle of sass'parilla and a
+five-cent cigar, just to break the ice.'
+
+"But that only made him mad.
+
+"'You talk like a fish,' he says. 'I mean it. Why can't we go?
+It's September, the Old Home House is shut up for the season, you
+and me's done well--fur's profits are concerned--and we ought to
+have a change, anyway. We've got to stay here in Orham all
+winter.'
+
+"'Have you figgered out how much it's goin' to cost?' I asked him.
+
+"Yes, he had. 'It won't be so awful expensive,' he says. 'I've
+got some stock in the railroad and that'll give me a pass fur's
+Fall River. And we can take a lunch to eat on the boat. And a
+stateroom's a dollar; that's fifty cents apiece. And my daughter's
+goin' to Denboro on a visit next week, so I'd have to pay board if
+I stayed to home. Come on, Barzilla! don't be so tight with your
+money.'
+
+"So I said I'd go, though I didn't have any pass, nor no daughter
+to feed me free gratis for nothin' when I got back. And when we
+started, on the followin' Monday, nothin' would do but we must be
+at the depot at two o'clock so's not to miss the train, which left
+at quarter past three.
+
+"I didn't sleep much that night on the boat. For one thing, our
+stateroom was a nice lively one, alongside of the paddle box and
+just under the fog whistle; and for another, the supper that
+Jonadab had brought, bein' mainly doughnuts and cheese, wa'n't the
+best cargo to take to bed with you. But it didn't make much
+diff'rence, 'cause we turned out at four, so's to see the scenery
+and git our money's worth. What was left of the doughnuts and
+cheese we had for breakfast.
+
+"We made the dock on time, and the next thing was to pick out a
+hotel. I was for cruisin' along some of the main streets until we
+hove in sight of a place that looked sociable and not too
+expensive. But no; Jonadab had it all settled for me. We was
+goin' to the 'Wayfarer's Inn,' a boardin' house where he'd put up
+once when he was mate of the Emma Snow. He said 'twas a fine place
+and you could git as good ham and eggs there as a body'd want to
+eat.
+
+"So we set sail for the 'Wayfarer's,' and of all the times gittin'
+to a place--don't talk! We asked no less than nine policemen and
+one hundred and two other folks, and it cost us thirty cents in car
+fares, which pretty nigh broke Jonadab's heart. However, we found
+it, finally, 'way off amongst a nest of brick houses and peddler
+carts and children, and it wa'n't the 'Wayfarer's Inn' no more, but
+was down in the shippin' list as the 'Golconda House.' Jonadab
+said the neighborhood had changed some sence he was there, but he
+guessed we'd better chance it, 'cause the board was cheap.
+
+"We had a nine-by-ten room up aloft somewheres, and there we set
+down on the edge of the bed and a chair to take account of stock,
+as you might say.
+
+"'Now, I tell you, Jonadab,' says I; 'we don't want to waste no
+time, and we've got the day afore us. What do you say if we cruise
+along the water front for a spell? There's ha'f a dozen Orham
+folks aboard diff'rent steamers that hail from this port, and
+'twouldn't be no more'n neighborly to call on 'em. There's Silas
+Baker's boy, Asa--he's with the Savannah Line and he'd be mighty
+glad to see us. And there's--'
+
+"But Jonadab held up his hand. He'd been mysterious as a baker's
+mince pie ever sence we started, hintin' at somethin' he'd got to
+do when we'd got to New York. And now he out with it.
+
+"'Barzilla,' he says, 'I ain't sayin' but what I'd like to go to
+the wharves with you, first rate. And we will go, too. But afore
+we do anything else I've got an errand that must be attended to.
+'Twas give to me by a dyin' man,' he says, 'and I promised him I'd
+do it. So that comes first of all.'
+
+"He got his wallet out of his inside vest pocket, where it had been
+pinned in tight to keep it safe from robbers, unwound a foot or so
+of leather strap, and dug up a yeller piece of paper that looked
+old enough to be Methusalem's will, pretty nigh.
+
+"'Do you remember Patrick Kelly in Orham?' he asks.
+
+"'Who?' says I. 'Pat Kelly, the Irishman, that lived in the little
+old shack back of your barn? Course I do. But he's been dead for
+I don't know how long.'
+
+"'I know he has. Do you remember his boy Jim that run away from
+home?'
+
+"'Let's see,' I says. 'Seems to me I do. Freckled, red-headed
+rooster, wa'n't he? And of all the imps of darkness that ever--'
+
+"'S-sh-sh!' he interrupted solemn. 'Don't say that now, Barzilla.
+Sounds kind of irreverent. Well, me and old Pat was pretty
+friendly, in a way, though he did owe me rent. When he was sick
+with the pleurisy he sends for me and he says, "Cap'n 'Wixon," says
+he, "you're pretty close with the money," he says--he was kind of
+out of his head at the time and liable to say foolish things--
+"you're pretty close," he says, "but you're a man of your word. My
+boy Jimmie, that run away, was the apple of my eye."'
+
+"'That's what he said about his girl Maggie that was took up for
+stealin' Mrs. Elkanah Higgins's spoons,' I says. 'He had a healthy
+crop of apples in HIS orchard.'
+
+"'S-sh-h! DON'T talk so! I feel as if the old man's spirit was
+with us this minute. "He's the apple of my eye," he says, "and he
+run away, after me latherin' the life out of him with a wagon
+spoke. 'Twas all for his good, but he didn't understand, bein' but
+a child. And now I've heard," he says, "that he's workin' at 116
+East Blank Street in the city of New York. Cap'n Wixon, you're a
+man of money and a travelin' man," he says (I was fishin' in them
+days). "When you go to New York," he says, "I want you to promise
+me to go to the address on this paper and hunt up Jimmie. Tell him
+I forgive him for lickin' him," he says, "and die happy. Will you
+promise me that, Cap'n, on your word as a gentleman?" And I
+promised him. And he died in less than ten months afterwards, poor
+thing.'
+
+"'But that was sixteen--eighteen--nineteen years ago,' says I.
+'And the boy run away three years afore that. You've been to New
+York in the past nineteen years, once anyhow.'
+
+"'I know it. But I forgot. I'm ashamed of it, but I forgot. And
+when I was goin' through the things up attic at my daughter's last
+Friday, seein' what I could find for the rummage sale at the
+church, I come across my old writin' desk, and in it was this very
+piece of paper with the address on it just as I wrote it down. And
+me startin' for New York in three days! Barzilla, I swan to man, I
+believe something SENT me to that attic.'
+
+"I knew what sent him there and so did the church folks, judgin' by
+their remarks when the contribution came in. But I was too much
+set back by the whole crazy business to say anything about that.
+
+"'Look here, Jonadab Wixon,' I sings out, 'do you mean to tell me
+that we've got to put in the whole forenoon ransackin' New York to
+find a boy that run off twenty-two years ago?'
+
+"'It won't take the forenoon,' he says. 'I've got the number,
+ain't I?'
+
+"'Yes, you've got the number where he WAS. If you want to know
+where I think he's likely to be now, I'd try the jail.'
+
+"But he said I was unfeelin' and disobligin' and lots more, so, to
+cut the argument short, I agreed to go. And off we put to hunt up
+116 East Blank Street. And when we located it, after a good hour
+of askin' questions, and payin' car fares and wearin' out shoe
+leather, 'twas a Chinese laundry.
+
+"'Well,' I says, sarcastic, 'here we be. Which one of the heathen
+do you think is Jimmie? If he had an inch or so more of upper lip,
+I'd gamble on that critter with the pink nighty and the baskets on
+his feet. He has a kind of familiar chicken-stealin' look in his
+eye. Oh, come down on the wharves, Jonadab, and be sensible.'
+
+"Would you believe it, he wa'n't satisfied. We must go into the
+wash shop and ask the Chinamen if they knew Jimmie Kelly. So we
+went in and the powwow begun.
+
+"'Twas a mighty unsatisfyin' interview. Jonadab's idea of talkin'
+to furriners is to yell at 'em as if they was stone deef. If they
+don't understand what you say, yell louder. So between his yells
+and the heathen's jabber and grunts the hullabaloo was worse than a
+cat in a hen yard. Folks begun to stop outside the door and listen
+and grin.
+
+"'What did he say?' asks the Cap'n, turnin' to me.
+
+"'I don't know,' says I, 'but I cal'late he's gettin' ready to send
+a note up to the crazy asylum. Come on out of here afore I go
+loony myself.'
+
+"So he done it, finally, cross as all get out, and swearin' that
+all Chinese was no good and oughtn't to be allowed in this country.
+But he wouldn't give up, not yet. He must scare up some of the
+neighbors and ask them. The fifth man that we asked was an old
+chap who remembered that there used to be a liquor saloon once
+where the laundry was now. But he didn't know who run it or what
+had become of him.
+
+"'Never mind,' I says. 'You're as warm as you're likely to be this
+trip. A rum shop is just about the place I'd expect that Kelly boy
+WOULD be in. And, if he's like the rest of his relations on his
+dad's side, he drank himself to death years ago. NOW will you head
+for the Savannah Line?'
+
+"Not much, he wouldn't. He had another notion. We'd look in the
+directory. That seemed to have a glimmer of sense somewheres in
+its neighborhood, so we found an apothecary store and the clerk
+handed us out a book once again as big as a church Bible.
+
+"'Kelly,' says Jonadab. 'Yes, here 'tis. Now, "James Kelly."
+Land of Love! Barzilla, look here.'
+
+"I looked, and there wa'n't no less than a dozen pages of James
+Kellys beginning with fifty James A.'s and endin' with four James
+Z.'s. The Y in 'New York' ought to be a C, judgin' by that
+directory.
+
+"'Godfrey mighty!' I says. 'This ain't no forenoon's job, Jonadab.
+If you're goin' through that list you'll have to spend the rest of
+your life here. Only, unless you want to be lonesome, you'll have
+to change your name to Kelly.'
+
+"'If I'd only got his middle letter,' says he, mournful, ''twould
+have been easier. He had four middle names, if I remember right--
+the old man was great on names--and 'twas too much trouble to write
+'em all down. Well, I've done my duty, anyhow. We'll go and call
+on Ase Baker.'
+
+"But 'twas after eleven o'clock then, and the doughnuts and cheese
+I had for breakfast was beginnin' to feel as if they wanted
+company. So we decided to go back to the Golconda and have some
+dinner first.
+
+"We had ham and eggs for dinner, some that was left over from the
+last time Jonadab stopped there, I cal'late. Lucky there was hot
+bread and coffee on the bill or we'd never got a square meal. Then
+we went up to our room and the Cap'n laid down on the bed. He was
+beat out, he said, and wanted to rest up a spell afore haulin'
+anchor for another cruise."
+
+
+CHAPTER XII
+
+A VISION SENT
+
+
+"Where's the arrestin' come in?" demanded Stitt.
+
+"Comes quick now, Bailey. Plenty quick enough for me and Jonadab,
+I tell you that! After we got to our room the Cap'n went to sleep
+pretty soon and I set in the one chair, readin' the newspaper and
+wishin' I hadn't ate so many of the warm bricks that the Golconda
+folks hoped was biscuit. They made me feel like a schooner goin'
+home in ballast. I guess I was drowsin' off myself, but there
+comes a most unearthly yell from the bed and I jumped ha'f out of
+the chair. There was Jonadab settin' up and lookin' wild.
+
+"'What in the world?' says I.
+
+"'Oh! Ugh! My soul!' says he.
+
+"'Your soul, hey?' says I. 'Is that all? I thought mebbe you'd
+lost a quarter.'
+
+"'Barzilla,' he says, comin' to and starin' at me solemn,
+'Barzilla, I've had a dream--a wonderful dream.'
+
+"'Well,' I says, 'I ain't surprised. A feller that h'isted in as
+much fried dough as you did ought to expect--'
+
+"'But I tell you 'twas a WONDERFUL dream,' he says. 'I dreamed I
+was on Blank Street, where we was this mornin', and Patrick Kelly
+comes to me and p'ints his finger right in my face. I see him as
+plain as I see you now. And he says to me--he said it over and
+over, two or three times--Seventeen," says he, "Seventeen." Now
+what do you think of that?'
+
+"'Humph!' I says. 'I ain't surprised. I think 'twas just
+seventeen of them biscuits that you got away with. Wonder to me
+you didn't see somebody worse'n old Pat.'
+
+"But he was past jokin'. You never see a man so shook up by the
+nightmare as he was by that one. He kept goin' over it and tellin'
+how natural old Kelly looked and how many times he said 'Seventeen'
+to him.
+
+"'Now what did he mean by it?' he says. 'Don't tell me that was a
+common dream, 'cause twa'n't. No, sir, 'twas a vision sent to me,
+and I know it. But what did he mean?'
+
+"'I think he meant you was seventeen kinds of an idiot,' I snorts,
+disgusted. 'Get up off that bed and stop wavin' your arms, will
+you? He didn't mean for you to turn yourself into a windmill,
+that's sartin sure.'
+
+"Then he hits his knee a slap that sounds like a window blind
+blowin' to. 'I've got it!' he sings out. 'He meant for me to go
+to number seventeen on that street. That's what he meant.'
+
+"I laughed and made fun of him, but I might as well have saved my
+breath. He was sure Pat Kelly's ghost had come hikin' back from
+the hereafter to tell him to go to 17 Blank Street and find his
+boy. 'Else why was he ON Blank Street?' he says. 'You tell me
+that.'
+
+"I couldn't tell him. It's enough for me to figger out what makes
+live folks act the way they do, let alone dead ones. And Cap'n
+Jonadab was a Spiritu'list on his mother's side. It ended by my
+agreein' to give the Jimmie chase one more try.
+
+"'But it's got to be the last,' I says. 'When you get to number
+seventeen don't you say you think the old man meant to say
+"seventy" and stuttered.'
+
+"Number 17 Blank Street was a little combination fruit and paper
+store run by an Eyetalian with curly hair and the complexion of a
+molasses cooky. His talk sounded as if it had been run through a
+meat chopper. All he could say was, 'Nica grape, genta'men? On'y
+fifteen cent a pound. Nica grape? Nica apple? Nica pear? Nica
+ploom?'
+
+"'Kelly?' says Jonadab, hollerin' as usual. 'Kelly! d'ye
+understand? K-E-L-Kel L-Y-ly, Kelly. YOU know, KELLY! We want to
+find him.'
+
+"And just then up steps a feller about six feet high and three foot
+through. He was dressed in checkerboard clothes, some gone to
+seed, and you could hardly see the blue tie he had on for the glass
+di'mond in it. Oh, he was a little wilted now--for the lack of
+water, I judge--but 'twas plain that he'd been a sunflower in his
+time. He'd just come out of a liquor store next door to the fruit
+shop and was wipin' his mouth with the back of his hand.
+
+"'What's this I hear?' says he, fetchin' Jonadab a welt on the back
+like a mast goin' by the board. 'Is it me friend Kelly you're
+lookin' for?'
+
+"I was just goin' to tell him no, not likin' his looks, but Jonadab
+cut in ahead of me, out of breath from the earthquake the feller
+had landed him, but excited as could be.
+
+"'Yes, yes!' says he. 'It's Mr. Kelly we want. Do you know him?'
+
+"'Do I know him? Why, me bucko, 'tis me old college chum he is.
+Come on with me and we'll give him the glad hand.'
+
+"He grabs Jonadab by the arm and starts along the sidewalk,
+steerin' a toler'ble crooked course, but gainin' steady by jerks.
+
+"'I was on me way to Kelly's place now,' says he. 'And here it is.
+Sure didn't I bate the bookies blind on Rosebud but yesterday--or
+was it the day before? I don't know, but come on, me lads, and
+we'll do him again.'
+
+"He turned in at a little narrer entry-like, and went stumblin' up
+a flight of dirty stairs. I caught hold of Jonadab's coat tails
+and pulled him back.
+
+"'Where you goin', you crazy loon?' I whispered. 'Can't you see
+he's three sheets in the wind? And you haven't told him what Kelly
+you want, nor nothin'.'
+
+"But I might as well have hollered at a stone wall. 'I don't care
+if he's as fur gone in liquor as Belshazzer's goat,' sputters the
+Cap'n, all worked up. 'He's takin' us to a Kelly, ain't he? And
+is it likely there'd be another one within three doors of the
+number I dreamed about? Didn't I tell you that dream was a vision
+sent? Don't lay to NOW, Barzilla, for the land sakes! It's
+Providence a-workin'.'
+
+"'Cording to my notion the sunflower looked more like an agent from
+t'other end of the line than one from Providence, but just then he
+commenced to yell for us and upstairs we went, Jonadab first.
+
+"'Whisht!' says the checkerboard, holdin' on to Jonadab's collar
+and swingin' back and forth. 'Before we proceed to blow in on me
+friend Kelly, let us come to an understandin' concernin' and
+touchin' on--and--and--I don't know. But b'ys,' says he, solemn
+and confidential, 'are you on the square? Are yez dead game
+sports, hey?'
+
+"'Yes, yes!' says Jonadab. 'Course we be. Mr. Kelly and us are
+old friends. We've come I don't know how fur on purpose to see
+him. Now where's--'
+
+"'Say no more,' hollers the feller. 'Say no more. Come on with
+yez.' And he marches down the dark hall to a door with a 'To let'
+sign on it and fetches it a bang with his fist. It opens a little
+ways and a face shows in the crack.
+
+"'Hello, Frank!' hails the sunflower, cheerful. 'Will you take
+that ugly mug of yours out of the gate and lave me friends in?'
+
+"'What's the matter wid you, Mike?' asks the chap at the door.
+'Yer can't bring them two yaps in here and you know it. Gwan out
+of this.'
+
+"He tried to shut the door, but the checkerboard had his foot
+between it and the jamb. You might as well have tried to shove in
+the broadside of an ocean liner as to push against that foot.
+
+"'These gents are friends of mine,' says he. 'Frank, I'll do yez
+the honor of an introduction to Gin'ral Grant and Dan'l O'Connell.
+Open that door and compose your face before I'm obliged to break
+both of 'em.'
+
+"'But I tell you, Mike, I can't,' says the door man, lookin'
+scared. 'The boss is out, and you know--'
+
+"'WILL you open that door?' roars the big chap. And with that he
+hove his shoulder against the panels and jammed the door open by
+main force, all but flattenin' the other feller behind it. 'Walk
+in, Gin'ral,' he says to Jonadab, and in we went, me wonderin' what
+was comin' next, and not darin' to guess.
+
+"There was a kind of partitioned off hallway inside, with another
+door in the partition. We opened that, and there was a good-sized
+room, filled with men, smokin' and standin' around. A high board
+fence was acrost one end of the room, and from behind it comes a
+jinglin' of telephone bells and the sounds of talk. The floor was
+covered with torn papers, the window blinds was shut, the gas was
+burnin' blue, and, between it and the smoke, the smells was as
+various as them in a fish glue factory. On the fence was a couple
+of blackboards with 'Belmont' and 'Brighton' and suchlike names in
+chalk wrote on 'em, and beneath that a whole mess in writin' and
+figures like, 'Red Tail 4--Wt--108--Jock Smith--5--1,' 'Sourcrout
+5--Wt--99--Jock Jones--20--5,' and similar rubbish. And the gang--
+a mighty mixed lot--was scribblin' in little books and watchin'
+each other as if they was afraid of havin' their pockets picked;
+though, to look at 'em, you'd have guessed the biggest part had
+nothin' in their pockets but holes.
+
+"The six-foot checkerboard--who, it turned out, answered to the
+hail of 'Mike'--seemed to be right at home with the gang. He
+called most of 'em by their first names and went sasshayin' around,
+weltin' 'em on the back and tellin' 'em how he'd 'put crimps in the
+bookies rolls t'other day,' and a lot more stuff that they seemed
+to understand, but was hog Greek to me and Jonadab. He'd forgot us
+altogether which was a mercy the way I looked at it, and I steered
+the Cap'n over into a corner and we come to anchor on a couple of
+rickety chairs.
+
+"'What--why--what kind of a place IS this, Barzilla?' whispers
+Jonadab, scared.
+
+"'Sh-h-h!' says I. 'Land knows. Just set quiet and hang on to
+your watch.'
+
+"'But--but I want to find Kelly,' says he.
+
+"'I'd give somethin' to find a back door,' says I. 'Ain't this a
+collection of dock rats though! If this is a part of your dream,
+Jonadab, I wish you'd turn over and wake up. Oh land! here's one
+murderer headin' this way. Keep your change in your fist and keep
+the fist shut.'
+
+"A more'n average rusty peep, with a rubber collar on and no
+necktie, comes slinkin' over to us. He had a smile like a crack in
+a plate.
+
+"'Say, gents,' he says, 'have you made your bets yet? I've got a
+dead straight line on the handicap,' says he, 'and I'll put you
+next for a one spot. It's a sure t'ing at fifteen to three. What
+do you say?'
+
+"I didn't say nuthin'; but that fool dream was rattlin' round in
+Jonadab's skull like a bean in a blowgun, and he sees a chance for
+a shot.
+
+"'See here, mister,' he says. 'Can you tell me where to locate Mr.
+Kelly?'
+
+"'Who--Pete?' says the feller. 'Oh, he ain't in just now. But
+about that handicap. I like the looks of youse and I'll let youse
+in for a dollar. Or, seein' it's you, we'll say a half. Only
+fifty cents. I wouldn't do better for my own old man,' he says.
+
+"While the Cap'n was tryin' to unravel one end of this gibberish I
+spoke up prompt.
+
+"'Say,' says I, 'tell me this, will you? Is the Kelly who owns
+this--this palace, named Jimmie--James, I mean?'
+
+"'Naw,' says he. 'Sure he ain't. It's Pete Kelly, of course--
+Silver Pete. But what are you givin' us? Are you bettin' on the
+race, or ain't you?'
+
+"Well, Jonadab understood that. He bristled up like a brindled
+cat. If there's any one thing the Cap'n is down on, it's gamblin'
+and such--always exceptin' when he knows he's won already. You've
+seen that kind, maybe.
+
+"'Young feller,' he says, perkish, 'I want you to know that me and
+my friend ain't the bettin' kind. What sort of a hole IS this,
+anyway?'
+
+"The rubber collared critter backed off, lookin' worried. He goes
+acrost the room, and I see him talkin' to two or three other
+thieves as tough as himself. And they commenced to stare at us and
+scowl.
+
+"'Come on,' I whispered to Jonadab. 'Let's get out of this place
+while we can. There ain't no Jimmie Kelly here, or if there is you
+don't want to find him.'
+
+"He was as willin' to make tracks as I was, by this time, and we
+headed for the door in the partition. But Rubber Collar and some
+of the others got acrost our bows.
+
+"'Cut it out,' says one of 'em. 'You can't get away so easy. Hi,
+Frank! Frank! Who let these turnip pullers in here, anyhow? Who
+are they?'
+
+"The chap who was tendin' door comes out of his coop. 'You've got
+me,' he says. 'They come in with Big Mike, and he was loaded and
+scrappy and jammed 'em through. Said they was pals of his. Where
+is he?'
+
+"There was a hunt for Mike, and, when they got his bearin's, there
+he was keeled over on a bench, breathin' like an escape valve. And
+an admiral's salute wouldn't have woke him up. The whole crew was
+round us by this time, some ugly, and the rest laffin' and carryin'
+on.
+
+"'It's the Barkwurst gang,' says one.
+
+"'It's old Bark himself,' says another. 'Look at them lace
+curtains.' And he points to Jonadab's whiskers.
+
+"'This one's Jacobs in disguise,' sings out somebody else. 'You
+can tell him by the Rube get-up. Haw! haw!'
+
+"'Soak 'em! Do 'em up! Don't let 'em out!' hollers a ha'f dozen
+more.
+
+"Jonadab was game; I'll say that for him. And I hadn't been second
+mate in my time for nothin'.
+
+"'Take your hands off me!' yells the Cap'n. 'I come in here to
+find a man I'm lookin' for, James Kelly it was, and-- You would,
+would you! Stand by, Barzilla!'
+
+"I stood by. Rubber Collar got one from me that made him remember
+home and mother, I'll bet. Anyhow, my knuckles ached for two days
+afterwards. And Jonadab was just as busy. But I cal'late we'd
+have been ready for the oven in another five minutes if the door
+hadn't bu'st open with a bang, and a loud dressed chap, with the
+sweat pourin' down his face, come tearin' in.
+
+"'Beat it, fellers!' he yells. 'The place is goin' to be pinched.
+I've just had the tip, and they're right on top of me.'
+
+"THEN there was times. Everybody was shoutin' and swearin' and
+fallin' over each other to get out. I was kind of lost in the
+shuffle, and the next thing I remember for sartin is settin' up on
+Rubber Collar's stomach and lookin' foggy at the door, where the
+loud dressed man was wrestlin' with a policeman. And there was
+police at the windows and all around.
+
+"Well, don't talk! I got up, resurrects Jonadab from under a heap
+of gamblers and furniture, and makes for harbor in our old corner.
+The police was mighty busy, especially a fat, round-faced, red-
+mustached man, with gold bands on his cap and arms, that the rest
+called ' Cap'n.' Him and the loud dressed chap who'd give the
+alarm was talkin' earnest close to us.
+
+"'I can't help it, Pete,' says the police cap'n. "Twas me or the
+Vice Suppression crowd. They've been on to you for two weeks back.
+I only just got in ahead of 'em as it was. No, you'll have to go
+along with the rest and take your chances. Quiet now, everybody,
+or you'll get it harder,' he roars, givin' orders like the skipper
+of a passenger boat. 'Stand in line and wait your turns for the
+wagon.'
+
+"Jonadab grabbed me by the wrist. He was pale and shakin' all
+over.
+
+"'Oh, Lordy!' says he, 'we're took up. Will we have to go to jail,
+do you think?'
+
+"'I don't know,' I says, disgusted. 'I presume likely we will.
+Did you dream anything like this? You'd better see if you can't
+dream yourself out now.' Twas rubbin' it in, but I was mad.
+
+"'Oh! oh!' says he, flappin' his hands. 'And me a deacon of the
+church! Will folks know it, do you think?'
+
+"'Will they know it! Sounds as if they knew it already. Just
+listen to that.'
+
+"The first wagon full of prizes was bein' loaded in down at the
+front door, and the crowd outside was cheerin' 'em. Judgin' by the
+whoops and hurrahs there wa'n't no less than a million folks at the
+show, and they was gettin' the wuth of admission.
+
+"'Oh, dear!' groans Jonadab. 'And it'll be in the papers and all!
+I can't stand this.'
+
+"And afore I could stop him he'd run over and tackled the head
+policeman.
+
+"'Mister--Mister Cap'n,' he says, pantin', 'there's been a mistake,
+an awful mis--take--'
+
+"'That's right,' says the police cap'n, 'there has. Six or eight
+of you tin horns got clear. But--' Then he noticed who was
+speakin' to him and his mouth dropped open like a hatch. 'Well,
+saints above!' he says. 'Have the up-state delegates got to
+buckin' the ponies, too? Why ain't you back home killin' pertater
+bugs? You ought to be ashamed.'
+
+"'But we wa'n't gamblin'--me and my friend wa'n't. We was led in
+here by mistake. We was told that a feller named Kelly lived here
+and we're huntin' for a man of that name. I've got a message to
+him from his poor dead father back in Orham. We come all the way
+from Orham, Mass.--to find him and--'
+
+"The police cap'n turned around then and stared at him hard.
+'Humph!' says he, after a spell. 'Go over there and set down till
+I want you. No, you'll go now and we'll waste no breath on it. Go
+on, do you hear!'
+
+"So we went, and there we set for ha'f an hour, while the rest of
+the gang and the blackboards and the paper slips and the telephones
+and Big Mike and his chair was bein' carted off to the wagon.
+Once, when one of the constables was beatin' acrost to get us, the
+police cap'n spoke to him.
+
+"'You can leave these two,' he says. 'I'll take care of them.'
+
+"So, finally, when there was nothin' left but the four walls and us
+and some of the police, he takes me and Jonadab by the elbows and
+heads for the door.
+
+"'Now,' says he, 'walk along quiet and peaceable and tell me all
+about it. Get out of this!' he shouts to the crowd of small boys
+and loafers on the sidewalk, 'or I'll take you, too.'
+
+"The outsiders fell astern, lookin' heartbroke and disapp'inted
+that we wa'n't hung on the spot, and the fat boss policeman and us
+two paraded along slow but grand. I felt like the feller that was
+caught robbin' the poorhouse, and I cal'late Jonadab felt the same,
+only he was so busy beggin' and pleadin' and explainin' that he
+couldn't stop to feel anything.
+
+"He told it all, the whole fool yarn from one end to t'other. How
+old Pat give him the message and how he went to the laundry, and
+about his ridiculous dream, every word. And the fat policeman
+shook all over, like a barrel of cod livers.
+
+"By and by we got to a corner of a street and hove to. I could see
+the station house loomin' up large ahead. Fatty took a card from
+his pocketbook, wrote on it with a pencil, and then hailed a hack,
+one of them stern-first kind where the driver sits up aloft 'way
+aft. He pushed back the cap with the gilt wreath on it, and I
+could see his red hair shinin' like a sunset.
+
+"'Here,' says he to the hack driver, 'take these--this pair of
+salads to the--what d'ye call it?--the Golconda House, wherever on
+top of the pavement that is. And mind you, deliver 'em safe and
+don't let the truck horses get a bite at 'em. And at half-past
+eight to-night you call for 'em and bring 'em here,' handin' up the
+card he'd written on.
+
+"''Tis the address of my house, I'm givin',' he says, turnin' to
+Jonadab. 'I'll be off duty then and we'll have dinner and talk
+about old times. To think of you landin' in Silver Pete's pool
+room! Dear! dear! Why, Cap'n Wixon, barrin' that your whiskers
+are a bit longer and a taste grayer, I'd 'a' known you anywheres.
+Many's the time I've stole apples over your back fence. I'm Jimmie
+Kelly,' says he."
+
+"Well, by mighty!" exclaimed the depot master, slapping his knee.
+"So HE was the Kelly man! Humph!"
+
+"Funny how it turned out, wa'n't it?" said Barzilla. "Course,
+Cap'n Jonadab was perfectly sat on spiritu'lism and signs and omens
+and such after that. He's had his fortune told no less'n eight
+times sence, and, nigh's I can find out, each time it's different.
+The amount of blondes and brunettes and widows and old maids that
+he's slated to marry, accordin' to them fortune tellers, is
+perfectly scandalous. If he lives up to the prophecies, Brigham
+Young wouldn't be a twospot 'longside of him."
+
+"It's funny about dreams," mused Captain Hiram. "Folks are always
+tellin' about their comin' true, but none of mine ever did. I used
+to dream I was goin' to be drowned, but I ain't been yet."
+
+The depot master laughed. "Well," he observed, "once, when I was a
+youngster, I dreamed two nights runnin' that I was bein' hung. I
+asked my Sunday school teacher if he believed dreams come true, and
+he said yes, sometimes. Then I told him my dream, and he said he
+believed in that one. I judged that any other finish for me would
+have surprised him. But, somehow or other, they haven't hung me
+yet."
+
+"There was a hired girl over at the Old Home House who was sat on
+fortune tellin'," said Wingate. "Her name was Effie, and--"
+
+"Look here!" broke in Captain Bailey Stitt, righteous indignation
+in his tone, "I've started no less than nineteen different times to
+tell you about how I went sailin' in an automobile. Now do you
+want to hear it, or don't you?"
+
+"How you went SAILIN' in an auto?" repeated Barzilla. "Went
+ridin', you mean."
+
+"I mean sailin'. I went ridin', too, but--"
+
+"You'll have to excuse me, Bailey," interrupted Captain Hiram,
+rising and looking at his watch. "I've stayed here a good deal
+longer'n I ought to, already. I must be gettin' on home to see how
+poor little Dusenberry, my boy, is feelin'. I do hope he's better
+by now. I wish Dr. Parker hadn't gone out of town."
+
+The depot master rose also. "And I'll have to be excused, too," he
+declared. "It's most time for the up train. Good-by, Hiram. Give
+my regards to Sophrony, and if there's anything I can do to help,
+in case your baby should be sick, just sing out, won't you?"
+
+"But I want to tell about this automobilin' scrape," protested
+Captain Bailey. "It was one of them things that don't happen every
+day."
+
+"So was that fortune business of Effie's," declared Wingate.
+"Honest, the way it worked out was queer enough."
+
+But the train whistled just then and the group broke up. Captain
+Sol went out to the platform, where Cornelius Rowe, Ed Crocker,
+Beriah Higgins, Obed Gott, and other interested citizens had
+already assembled. Wingate and Stitt followed. As for Captain
+Hiram Baker, he hurried home, his conscience reproving him for
+remaining so long away from his wife and poor little Hiram Joash,
+more familiarly known as "Dusenberry."
+
+
+CHAPTER XIII
+
+DUSENBERRY'S BIRTHDAY
+
+
+Mrs. Baker met her husband at the door.
+
+"How is he?" was the Captain's first question. "Better, hey?"
+
+"No," was the nervous answer. "No, I don't think he is. His
+throat's terrible sore and the fever's just as bad."
+
+Again Captain Hiram's conscience smote him.
+
+"Dear! dear!" he exclaimed. "And I've been loafin' around the
+depot with Sol Berry and the rest of 'em instead of stayin' home
+with you, Sophrony. I KNEW I was doin' wrong, but I didn't
+realize--"
+
+"Course you didn't, Hiram. I'm glad you got a few minutes' rest,
+after bein' up with him half the night. I do wish the doctor was
+home, though. When will he be back?"
+
+"Not until late to-morrer, if then. Did you keep on givin' the
+medicine?"
+
+"Yes, but it don't seem to do much good. You go and set with him
+now, Hiram. I must be seein' about supper."
+
+So into the sick room went Captain Hiram to sit beside the crib and
+sing "Sailor boy, sailor boy, 'neath the wild billow," as a
+lugubrious lullaby.
+
+Little Hiram Joash tossed and tumbled. He was in a fitful slumber
+when Mrs. Baker called her husband to supper. The meal was
+anything but a cheerful one. They talked but little. Over the
+home, ordinarily so cheerful, had settled a gloom that weighed upon
+them.
+
+"My! my!" sighed Captain Hiram, "how lonesome it seems without him
+chatterin' and racketin' sound. Seems darker'n usual, as if there
+was a shadow on the place."
+
+"Hush, Hiram! don't talk that way. A shadow! Oh, WHAT made you
+say that? Sounds like a warnin', almost."
+
+"Warnin'?"
+
+"Yes, a forewarnin', you know. 'The valley of the shadow--'"
+
+"HUSH!" Captain Baker's face paled under its sunburn. "Don't say
+such things, Sophrony. If that happened, the Lord help you and me.
+But it won't--it won't. We're nervous, that's all. We're always
+so careful of Dusenberry, as if he was made out of thin china, that
+we get fidgety when there's no need of it. We mustn't be foolish."
+
+After supper Mrs. Baker tiptoed into the bedroom. She emerged with
+a very white face.
+
+"Hiram," she whispered, "he acts dreadful queer. Come in and see
+him."
+
+The "first mate" was tossing back and forth in the crib, making odd
+little choky noises in his swollen throat. When his father entered
+he opened his eyes, stared unmeaningly, and said: "'Tand by to det
+der ship under way."
+
+"Good Lord! he's out of his head," gasped the Captain. Sophronia
+and he stepped back into the sitting room and looked at each other,
+the same thought expressed in the face of each. Neither spoke for
+a moment, then Captain Hiram said:
+
+"Now don't you worry, Sophrony. The Doctor ain't home, but I'm
+goin' out to--to telegraph him, or somethin'. Keep a stiff upper
+lip. It'll be all right. God couldn't go back on you and me that
+way. He just couldn't. I'll be back in a little while."
+
+"But, oh, Hiram! if he should--if he SHOULD be taken away, what
+WOULD we do?"
+
+She began to cry. Her husband laid a trembling hand on her
+shoulder.
+
+"But he won't," he declared stoutly. "I tell you God wouldn't do
+such a thing. Good-by, old lady. I'll hurry fast as I can."
+
+As he took up his cap and turned to the door he heard the voice of
+the weary little first mate chokily calling his crew to quarters.
+"All hands on deck!"
+
+The telegraph office was in Beriah Higgins's store. Thither ran
+the Captain. Pat Sharkey, Mr. Higgins's Irish helper, who acted as
+telegraph operator during Gertie Higgins's absence, gave Captain
+Hiram little satisfaction.
+
+"How can I get Dr. Parker?" asked Pat. "He's off on a cruise and
+land knows where I can reach him to-night. I'll do what I can,
+Cap, but it's ten chances out of nine against a wire gettin' to
+him."
+
+Captain Hiram left the store, dodging questioners who were anxious
+to know what his trouble might be, and dazedly crossed Main Street,
+to the railway station. He thought of asking advice of his friend,
+the depot master.
+
+The evening train from Boston pulled out as he passed through the
+waiting room. One or two passengers were standing on the platform.
+One of these was a short, square-shouldered man with gray side
+whiskers and eyeglasses. The initials on his suit case were J. S.
+M., Boston, and they stood for John Spencer Morgan. If the bearer
+of the suit case had followed the fashion of the native princes of
+India and had emblazoned his titles upon his baggage, the
+commonplace name just quoted might have been followed by "M.D.,
+LL.D., at Harvard and Oxford; vice president American Medical
+Society; corresponding secretary Associated Society of Surgeons;
+lecturer at Harvard Medical College; author of 'Diseases of the
+Throat and Lungs,' etc., etc."
+
+But Dr. Morgan was not given to advertising either his titles or
+himself, and he was hurrying across the platform to Redny Blount's
+depot wagon when Captain Hiram touched him on the arm.
+
+"Why, hello, Captain Baker," exclaimed the Doctor, "how do you do?"
+
+"Dr. Morgan," said the Captain, "I--I hope you'll excuse my
+presumin' on you this way, but I want to ask a favor of you, a
+great favor. I want to ask if you'll come down to the house and
+see the boy; he's on the sick list."
+
+"What, Dusenberry?"
+
+"Yes, sir. He's pretty bad, I'm 'fraid, and the old lady's
+considerable upsot about him. If you just come down and kind of
+take an observation, so's we could sort of get our bearin's, as you
+might say, 'twould be a mighty help to all hands."
+
+"But where's your town physician? Hasn't he been called?"
+
+The Captain explained. He had inquired, and he had telegraphed,
+but could get no word of Dr. Parker's whereabouts.
+
+The great Boston specialist listened to Captain Hiram's story in an
+absent-minded way. Holidays were few and far between with him, and
+when he accepted the long-standing invitation of Mr. Ogden Williams
+to run down for the week end he determined to forget the science of
+medicine and all that pertained to it for the four days of his
+outing. But an exacting patient had detained him long enough to
+prevent his taking the train that morning, and now, on the moment
+of his belated arrival, he was asked to pay a professional call.
+He liked the Captain, who had taken him out fishing several times
+on his previous excursions to East Harniss, and he remembered
+Dusenberry as a happy little sea urchin, but he simply couldn't
+interrupt his pleasure trip to visit a sick baby. Besides, the
+child was Dr. Parker's patient, and professional ethics forbade
+interference.
+
+"Captain Hiram," he said, "I am sorry to disappoint you, but it
+will be impossible for me to do what you ask. Mr. Williams
+expected me this morning, and I am late already. Dr. Parker will,
+no doubt, return soon. The baby cannot be dangerously ill or he
+would not have left him."
+
+The Captain slowly turned away.
+
+"Thank you, Doctor," he said huskily. "I knew I hadn't no right to
+ask."
+
+He walked across the platform, abstractedly striking his right hand
+into his left. When he reached the ticket window he put one hand
+against the frame as if to steady himself, and stood there
+listlessly.
+
+The enterprising Mr. Blount had been hanging about the Doctor like
+a cat about the cream pitcher; now he rushed up, grasped the suit
+case, and officiously led the way toward the depot wagon. Dr.
+Morgan followed more slowly. As he passed the Captain he glanced
+up into the latter's face, lighted, as it was, by the lamp inside
+the window.
+
+The Doctor stopped and looked again. Then he took another step
+forward, hesitated, turned on his heel, and said:
+
+"Wait a moment, Blount. Captain Hiram, do you live far from here?"
+
+The Captain started. "No, sir, only a little ways."
+
+"All right. I'll go down and look at this boy of yours. Mind you,
+I'll not take the case, simply give my opinion on it, that's all.
+Blount, take my grip to Mr. Williams's. I'm going to walk down
+with the Captain."
+
+
+"Haul on ee bowline, ee bowline, haul!" muttered the first mate, as
+they came into the room. The lamp that Sophronia was holding
+shook, and the Captain hurriedly brushed his eyes with the back of
+his hand.
+
+Dr. Morgan started perceptibly as he bent forward to look at the
+little fevered face of Dusenberry. Graver and graver he became as
+he felt the pulse and peered into the swollen throat. At length he
+rose and led the way back into the sitting room.
+
+"Captain Baker," he said simply, "I must ask you and your wife to
+be brave. The child has diphtheria and--"
+
+"Diphthery!" gasped Sophronia, as white as her best tablecloth.
+
+"Good Lord above!" cried the Captain.
+
+"Diphtheria," repeated the Doctor; "and, although I dislike
+extremely to criticize a member of my own profession, I must say
+that any physician should have recognized it."
+
+Sophronia groaned and covered her face with her apron.
+
+"Ain't there--ain't there no chance, Doctor?" gasped the Captain.
+
+"Certainly, there's a chance. If I could administer antitoxin by
+to-morrow noon the patient might recover. What time does the
+morning train from Boston arrive here?"
+
+"Ha'f-past ten or thereabouts."
+
+Dr. Morgan took his notebook from his pocket and wrote a few lines
+in pencil on one of the pages. Then he tore out the leaf and
+handed it to the Captain.
+
+"Send that telegram immediately to my assistant in Boston," he
+said. "It directs him to send the antitoxin by the early train.
+If nothing interferes it should be here in time."
+
+Captain Hiram took the slip of paper and ran out at the door
+bareheaded.
+
+Dr. Morgan stood in the middle of the floor absent-mindedly looking
+at his watch. Sophronia was gazing at him appealingly. At length
+he put his watch in his pocket and said quietly:
+
+"Mrs. Baker, I must ask you to give me a room. I will take the
+case." Then he added mentally: "And that settles my vacation."
+
+
+Dr. Morgan's assistant was a young man whom nature had supplied
+with a prematurely bald head, a flourishing beard, and a way of
+appearing ten years older than he really was. To these gifts,
+priceless to a young medical man, might be added boundless ambition
+and considerable common sense.
+
+The yellow envelope which contained the few lines meaning life or
+death to little Hiram Joash Baker was delivered at Dr. Morgan's
+Back Bay office at ten minutes past ten. Dr. Payson--that was the
+assistant's name--was out, but Jackson, the colored butler, took
+the telegram into his employer's office, laid it on the desk among
+the papers, and returned to the hall to finish his nap in the
+armchair. When Dr. Payson came in, at 11:30, the sleepy Jackson
+forgot to mention the dispatch.
+
+The next morning as Jackson was cleaning the professional boots in
+the kitchen and chatting with the cook, the thought of the yellow
+envelope came back to his brain. He went up the stairs with such
+precipitation that the cook screamed, thinking he had a fit.
+
+"Doctah! Doctah!" he exclaimed, opening the door of the assistant's
+chamber, "did you git dat telegraft I lef' on your desk las'
+night?"
+
+"What telegraph?" asked the assistant sleepily. By way of answer
+Jackson hurried out and returned with the yellow envelope. The
+assistant opened it and read as follows:
+
+
+Send 1,500 units Diphtheritic Serum to me by morning train. Don't
+fail. Utmost importance.
+
+J. S. MORGAN.
+
+
+Dr. Payson sprang out of bed, and running to the table took up the
+Railway Guide, turned to the pages devoted to the O. C. and C. C.
+Railroad and ran his finger down the printed tables. The morning
+train for Cape Cod left at 7:10. It was 6:45 at that moment. As
+has been said, the assistant had considerable common sense. He
+proved this by wasting no time in telling the forgetful Jackson
+what he thought of him. He sent the latter after a cab and
+proceeded to dress in double-quick time. Ten minutes later he was
+on his way to the station with the little wooden case containing
+the precious antitoxin, wrapped and addressed, in his pocket.
+
+It was seven by the Arlington Street Church clock as the cab
+rattled down Boylston Street. A tangle of a trolley car and a
+market wagon delayed it momentarily at Harrison Avenue and Essex
+Street. Dr. Payson, leaning out as the carriage swung into Dewey
+Square, saw by the big clock on the Union Station that it was 7:13.
+He had lost the train.
+
+Now, the assistant had been assistant long enough to know that
+excuses--in the ordinary sense of the word--did not pass current
+with Dr. Morgan. That gentleman had telegraphed for antitoxin, and
+said it was important that he should have it; therefore, antitoxin
+must be sent in spite of time-tables and forgetful butlers. Dr.
+Payson went into the waiting room and sat down to think. After a
+moment's deliberation he went over to the ticket office and asked:
+
+"What is the first stop of the Cape Cod express?"
+
+"Brockboro," answered the ticket seller.
+
+"Is the train usually on time?"
+
+"Well, I should smile. That's Charlie Mills's train, and the old
+man ain't been conductor on this road twenty-two years for
+nothin'."
+
+"Mills? Does he live on Shawmut Avenue?"
+
+"Dunno. Billy, where does Charlie Mills live?"
+
+"Somewhere at the South End. Shawmut Avenue, I think."
+
+"Thank you," said the assistant, and, helping himself to a time-
+table, he went back rejoicing to his seat in the waiting room. He
+had stumbled upon an unexpected bit of luck.
+
+There might be another story written in connection with this one;
+the story of a veteran railroad man whose daughter had been very,
+very ill with a dreaded disease of the lungs, and who, when other
+physicians had given up hope, had been brought back to health by a
+celebrated specialist of our acquaintance. But this story cannot
+be told just now; suffice it to say that Conductor Charlie Mills
+had vowed that he would put his neck beneath the wheels of his own
+express train, if by so doing he could confer a favor on Dr. John
+Spencer Morgan.
+
+The assistant saw by his time-table that the Cape Cod express
+reached Brockboro at 8:05. He went over to the telegraph office
+and wrote two telegrams. The first read like this:
+
+
+CALVIN S. WISE, The People's Drug Store, 28 Broad Street,
+Brockboro, Mass.:
+
+Send package 1,500 units Diphtheritic Serum marked with my name to
+station. Hand to Conductor Mills, Cape Cod express. Train will
+wait. Matter life and death.
+
+
+The second telegram was to Conductor Mills. It read:
+
+
+Hold train Brockboro to await arrival C. A. Wise. Great personal
+favor. Very important.
+
+
+Both of these dispatches were signed with the magic name, "J. S.
+Morgan, M.D."
+
+"Well," said the assistant as he rode back to his office, "I don't
+know whether Wise will get the stuff to the train in time, or
+whether Mills will wait for him, but at any rate I've done my part.
+I hope breakfast is ready, I'm hungry."
+
+Mr. Wise, of "The People's Drug Store," had exactly two minutes in
+which to cover the three-quarters of a mile to the station. As a
+matter of course, he was late. Inquiring for Conductor Mills, he
+was met by a red-faced man in uniform, who, watch in hand, demanded
+what in the vale of eternal torment he meant by keeping him waiting
+eight minutes.
+
+"Do you realize," demanded the red-faced man, "that I'm liable to
+lose my job? I'll have you to understand that if any other man
+than Doc. Morgan asked me to hold up the Cape Cod express, I'd tell
+him to go right plumb to--"
+
+Here Mr. Wise interrupted to hand over the package and explain that
+it was a matter of life and death. Conductor Mills only grunted as
+he swung aboard the train.
+
+"Hump her, Jim," he said to the engineer; "she's got to make up
+those eight minutes."
+
+And Jim did.
+
+
+And so it happened that on the morning of the Fourth of July,
+Dusenberry's birthday, Captain Hiram Baker and his wife sat
+together in the sitting room, with very happy faces. The Captain
+had in his hands the "truly boat with sails," which the little
+first mate had so ardently wished for.
+
+She was a wonder, that boat. Red hull, real lead on the keel,
+brass rings on the masts, reef points on the main and fore sail,
+jib, flying jib and topsails, all complete. And on the stern was
+the name, "Dusenberry. East Harniss."
+
+Captain Hiram set her down in front of him on the floor.
+
+"Gee!" he exclaimed, "won't his eyes stick out when he sees that
+rig, hey? Wisht he would be well enough to see it to-day, same as
+we planned."
+
+"Well, Hiram," said Sophrony, "we hadn't ought to complain. We'd
+ought to be thankful he's goin' to get well at all. Dr. Morgan
+says, thanks to that blessed toxing stuff, he'll be up and around
+in a couple of weeks."
+
+"Sophrony," said her husband, "we'll have a special birthday
+celebration for him when he gets all well. You can bake the
+frosted cake and we'll have some of the other children in. I TOLD
+you God wouldn't be cruel enough to take him away."
+
+And this is how Fate and the medical profession and the O. C. and
+C. C. Railroad combined to give little Hiram Joash Baker his
+birthday, and explains why, as he strolled down Main Street that
+afternoon, Captain Hiram was heard to sing heartily:
+
+
+ Haul on the bowline, the 'Phrony is a-rollin',
+ Haul on the bowline, the bowline, HAUL!
+
+
+CHAPTER XIV
+
+EFFIE'S FATE
+
+
+Surely, but very, very slowly, the little Berry house moved on its
+rollers up the Hill Boulevard. Right at its heels--if a house may
+be said to have heels--came the "pure Colonial," under the guidance
+of the foreman with "progressive methods." Groups of idlers, male
+and female, stood about and commented. Simeon Phinney smilingly
+replied to their questions. Captain Sol himself seemed little
+interested. He spent most of his daylight time at the depot, only
+going to the Higginses' house for his meals. At night, after the
+station was closed, he sought his own dwelling, climbed over the
+joist and rollers, entered, retired to his room, and went to bed.
+
+Each day also he grew more taciturn. Even with Simeon, his
+particular friend, he talked little.
+
+"What IS the matter with you, Sol?" asked Mr. Phinney. "You're as
+glum as a tongue-tied parrot. Ain't you satisfied with the way I'm
+doin' your movin'? The white horse can go back again if you say
+so."
+
+"I'm satisfied," grunted the depot master. "Let you know when I've
+got any fault to find. How soon will you get abreast the--abreast
+the Seabury lot?"
+
+"Let's see," mused the building mover. "Today's the eighth. Well,
+I'll be there by the eleventh, SURE. Can't drag it out no longer,
+Sol, even if the other horse is took sick. 'Twon't do. Williams
+has been complainin' to the selectmen and they're beginnin' to
+pester me. As for that Colt and Adams foreman--whew!"
+
+He whistled. His companion smiled grimly.
+
+"Williams himself drops in to see me occasional," he said. "Tells
+me what he thinks of me, with all the trimmin's added. I cal'late
+he gets as good as he sends. I'm always glad to see him; he keeps
+me cheered up, in his way."
+
+"Ye-es, I shouldn't wonder. Was he in to-day?"
+
+"He was. And somethin' has pleased him, I guess. At any rate he
+was in better spirits. Asked me if I was goin' to move right onto
+that Main Street lot soon as my house got there."
+
+"What did you say?"
+
+"I said I was cal'latin' to. Told him I hated to get out of the
+high-society circles I'd been livin' in lately, but that everyone
+had their comedowns in this world."
+
+"Ho, ho! that was a good one. What answer did he make to that?"
+
+"Well, he said the 'high society' would miss me. Then he finished
+up with a piece of advice. 'Berry,' says he, 'don't move onto that
+lot TOO quick. I wouldn't if I was you.' Then he went away,
+chucklin'."
+
+"Chucklin', hey? What made him so joyful?"
+
+"Don't know"--Captain Sol's face clouded once more--"and I care
+less," he added brusquely.
+
+Simeon pondered. "Have you heard from Abner Payne, Sol?" he asked.
+"Has Ab answered that letter you wrote sayin' you'd swap your lot
+for the Main Street one?"
+
+"No, he hasn't. I wrote him that day I told you to move me."
+
+"Hum! that's kind of funny. You don't s'pose--"
+
+He stopped, noticing the expression on his friend's face. The
+depot master was looking out through the open door of the waiting
+room. On the opposite side of the road, just emerging from Mr.
+Higgins's "general store," was Olive Edwards, the widow whose home
+was to be pulled down as soon as the "Colonial" reached its
+destination. She came out of the store and started up Main Street.
+Suddenly, and as if obeying an involuntary impulse, she turned her
+head. Her eyes met those of Captain Sol Berry, the depot master.
+For a brief instant their glance met, then Mrs. Edwards hurried on.
+
+Sim Phinney sighed pityingly. "Looks kind of tired and worried,
+don't she?" he ventured. His friend did not speak.
+
+"I say," repeated Phinney, "that Olive looks sort of worn out and--"
+
+"Has she heard from the Omaha cousin yet?" interrupted the depot
+master.
+
+"No; Mr. Hilton says not. Sol, what DO you s'pose--"
+
+But Captain Sol had risen and gone into the ticket office. The
+door closed behind him. Mr. Phinney shook his head and walked out
+of the building. On his way back to the scene of the house moving
+he shook his head several times.
+
+On the afternoon of the ninth Captain Bailey Stitt and his friend
+Wingate came to say good-by. Stitt was going back to Orham on the
+"up" train, due at 3:3O. Barzilla would return to Wellmouth and
+the Old Home House on the evening (the "down") train.
+
+"Hey, Sol!" shouted Wingate, as they entered the waiting room.
+"Sol! where be you?"
+
+The depot master came out of the ticket office. "Hello, boys!" he
+said shortly.
+
+"Hello, Sol!" hailed Stitt. "Barzilla and me have come to shed the
+farewell tear. As hirelin's of soulless corporations, meanin' the
+Old Home House at Wellmouth and the Ocean House at Orham, we've
+engaged all the shellfish along-shore and are goin' to clear out."
+
+"Yes," chimed in his fellow "hireling," "and we thought the
+pleasantest place to put in our few remainin' hours--as the papers
+say when a feller's goin' to be hung--was with you."
+
+"I thought so," said Captain Bailey, with a wink. "We've been
+havin' more or less of an argument, Sol. Remember how Barzilla
+made fun of Jonadab Wixon for believin' in dreams? Yes, well that
+was only make believe. He believes in 'em himself."
+
+"I don't either," declared Wingate. "And I never said so. What I
+said was that sometimes it almost seemed as if there was somethin'
+IN fortune tellin' and such."
+
+"There is," chuckled Bailey with another wink at the depot master.
+"There's money in it--for the fortune tellers."
+
+"I said--and I say again," protested Barzilla, "that I knew a case
+at our hotel of a servant girl named Effie, and she--"
+
+"Oh, Heavens to Betsy! Here he goes again, I steered him in here
+on purpose, Sol, so's he'd get off that subject."
+
+"You never neither. You said--"
+
+The depot master held up his hand. "Don't both talk at once," he
+commanded. "Set down and be peaceful, can't you. That's right.
+What about this Effie, Barzilla?"
+
+"Now look here!" protested Stitt.
+
+"Shut up, Bailey! Who was Effie, Barzilla?"
+
+"She was third assistant roustabout and table girl at the Old Home
+House," said Wingate triumphantly. "Got another cigar, Sol?
+Thanks. Yes, this Effie had never worked out afore and she was
+greener'n a mess of spinach; but she was kind of pretty to look at
+and--"
+
+"Ah, ha!" crowed Captain Bailey, "here comes the heart confessions.
+Want to look out for these old bachelors, Sol. Fire away,
+Barzilla; let us know the worst."
+
+"I took a fancy to her, in a way. She got in the habit of tellin'
+me her troubles and secrets, me bein' old enough to be her dad--"
+
+"Aw, yes!" this from Stitt, the irrepressible. "That's an old gag.
+We know--"
+
+"WILL you shut up?" demanded Captain Sol. "Go on, Barzilla."
+
+"Me bein' old enough to be her dad," with a glare at Captain
+Bailey, "and not bein' too proud to talk with hired help. I never
+did have that high-toned notion. 'Twa'n't so long since I was a
+fo'mast hand.
+
+"So Effie told me a lot about herself. Seems she'd been over to
+the Cattle Show at Ostable one year, and she was loaded to the
+gunwale with some more or less facts that a fortune-tellin'
+specimen by the name of the 'Marvelous Oriental Seer' had handed
+her in exchange for a quarter.
+
+"'Yup,' says she, bobbin' her head so emphatic that the sky-blue
+ribbon pennants on her black hair flapped like a loose tops'l in a
+gale of wind. 'Yup,' says she, 'I b'lieve it just as much as I
+b'lieve anything. How could I help it when he told me so much that
+has come true already? He said I'd seen trouble, and the dear land
+knows that's so! and that I might see more, and I cal'late that's
+pretty average likely. And he said I hadn't been brought up in
+luxury--'
+
+"'Which wa'n't no exaggeration neither,' I put in, thinkin' of the
+shack over on the Neck Road where she and her folks used to live.
+
+"'No,' says she; 'and he told me I'd always had longin's for better
+and higher things and that my intellectuals was above my station.
+Well, ever sence I was knee high to a kitchen chair I'd ruther work
+upstairs than down, and as for intellectuals, ma always said I was
+the smartest young one she'd raised yet. So them statements give
+me consider'ble confidence. But he give out that I was to make a
+journey and get money, and when THAT come true I held up both hands
+and stood ready to swaller all the rest of it.'
+
+"'So it come true, did it?' says I.
+
+"'Um-hm,' says she, bouncin' her head again. 'Inside of four year
+I traveled 'way over to South Eastboro--'most twelve mile--to my
+Uncle Issy's fun'ral, and there I found that he'd left me nine
+hundred dollars for my very own. And down I flops on the parlor
+sofy and says I: "There! don't talk superstition to ME no more! A
+person that can foretell Uncle Issy's givin' anybody a cent, let
+alone nine hundred dollars, is a good enough prophet for ME to tie
+to. Now I KNOW that I'm going to marry the dark-complected man,
+and I'll be ready for him when he comes along. I never spent a
+quarter no better than when I handed it over to that Oriental Seer
+critter at the Cattle Show." That's what I said then and I b'lieve
+it yet. Wouldn't you feel the same way?'
+
+"I said sure thing I would. I'd found out that the best way to
+keep Effie's talk shop runnin' was to agree with her. And I liked
+to hear her talk.
+
+"'Yup,' she went on, 'I give right in then. I'd traveled same as
+the fortune teller said, and I'd got more money'n I ever expected
+to see, let alone own. And ever sence I've been sartin as I'm
+alive that the feller I marry will be of a rank higher'n mine and
+dark complected and good-lookin' and distinguished, and that he'll
+be name of Butler.'
+
+"'Butler?' says I. 'What will he be named Butler for?'
+
+"''Cause the Seer critter said so. He said he could see the word
+Butler printed out over the top of my head in flamin' letters. Pa
+used to say 'twas a wonder it never set fire to my crimps, but he
+was only foolin'. I know that it's all comin' out true. You ain't
+acquaintanced to any Butlers, are you?'
+
+"'No,' says I. 'I heard Ben Butler make a speech once when he was
+gov'nor, but he's dead now. There ain't no Butlers on the Old Home
+shippin' lists.'
+
+"'Oh, I know that!' she says. 'And everybody round here is
+homelier'n a moultin' pullet. There now! I didn't mean exactly
+EVERYbody, of course. But you ain't dark complected, you know,
+nor--'
+
+"'No,' says I, 'nor rank nor distinguished neither. Course the
+handsome part might fit me, but I'd have to pass on the rest of the
+hand. That's all right, Effie; my feelin's have got fire-proofed
+sence I've been in the summer hotel business. Now you'd better run
+along and report to Susannah. I hear her whoopin' for you, and she
+don't light like a canary bird on the party she's mad with.'
+
+"She didn't, that was a fact. Susannah Debs, who was housekeeper
+for us that year, was middlin' young and middlin' good-lookin', and
+couldn't forget it. Also and likewise, she had a suit for damages
+against the railroad, which she had hopes would fetch her money
+some day or other, and she couldn't forget that neither. She was
+skipper of all the hired hands and, bein' as Effie was prettier
+than she was, never lost a chance to lay the poor girl out. She
+put the other help up to pokin' fun at Effie's green ways and high-
+toned notions, and 'twas her that started 'em callin' her 'Lady
+Evelyn' in the fo'castle--servants' quarters, I mean.
+
+"'I'm a-comin', 'screams Effie, startin' for the door. 'Susannah's
+in a tearin' hurry to get through early to-day,' she adds to me.
+'She's got the afternoon off, and her beau's comin' to take her
+buggy ridin'. He's from over Harniss way somewheres and they say
+he's just lovely. My sakes! I wisht somebody'd take ME to ride.
+Ah hum! cal'late I'll have to wait for my Butler man. Say, Mr.
+Wingate, you won't mention my fortune to a soul, will you? I never
+told anybody but you.'
+
+"I promised to keep mum and she cleared out. After dinner, as I
+was smokin', along with Cap'n Jonadab, on the side piazza, a horse
+and buggy drove in at the back gate. A young chap with black curly
+hair was pilotin' the craft. He was a stranger to me, wore a
+checkerboard suit and a bonfire necktie, and had his hat twisted
+over one ear. Altogether he looked some like a sunflower goin' to
+seed.
+
+"'Who's that barber's sign when it's to home?' says I to Jonadab.
+He snorted contemptuous.
+
+"'That?' he says. 'Don't you know the cut of that critter's jib?
+He plays pool "for the house" in Web Saunders's place over to
+Orham. He's the housekeeper's steady comp'ny--steady by spells, if
+all I hear's true. Good-for-nothin' cub, I call him. Wisht I'd
+had him aboard a vessel of mine; I'd 'a' squared his yards for him.
+Look how he cants his hat to starboard so's to show them lovelocks.
+Bah!'
+
+"'What's his name?' I asks.
+
+"'Name? Name's Butler--Simeon Butler. Don't you remember . . .
+Hey? What in tunket. . .?'
+
+"Both of us had jumped as if somebody'd touched off a bombshell
+under our main hatches. The windows of the dining room was right
+astern of us. We whirled round, and there was Effie. She'd been
+clearin' off one of the tables and there she stood, with the
+smashed pieces of an ice-cream platter in front of her, the melted
+cream sloppin' over her shoes, and her face lookin' like the
+picture of Lot's wife just turnin' to salt. Only Effie looked as
+if she enjoyed the turnin'. She never spoke nor moved, just stared
+after that buggy with her black eyes sparklin' like burnt holes in
+a blanket.
+
+"I was too astonished to say anything, but Jonadab had his eye on
+that smashed platter and HE had things to say, plenty of 'em. I
+walked off and left Effie playin' congregation to a sermon on the
+text 'Crockery costs money.' You'd think that ice-cream dish was a
+genuine ugly, nicked 'antique' wuth any city loon's ten dollars,
+instead of bein' only new and pretty fifty-cent china. I felt real
+sorry for the poor girl.
+
+"But I needn't have been. That evenin' I found her on the back
+steps, all Sunday duds and airs. Her hair had a wire friz on it,
+and her dress had Joseph's coat in Scriptur' lookin' like a
+mournin' rig. She'd have been real handsome--to a body that was
+color blind.
+
+"'My, Effie!' says I, 'you sartin do look fine to-night.'
+
+"'Yup,' she says, contented, 'I guess likely I do. Hope so, 'cause
+I'm wearin' all I've got. Say, Mr. Wingate,' says she, excited as
+a cat in a fit, 'did you see him?'
+
+"'Him?' says I. 'Who's him?'
+
+"'Why, HIM! The one the Seer said was comin'. The handsome, dark-
+complected feller I'm goin' to marry. The Butler one. That was
+him in the buggy this afternoon.'
+
+"I looked at her. I'd forgot all about the fool prophecy.
+
+"'Good land of love!' I says. 'You don't cal'late he's comin' to
+marry YOU, do you, just 'cause his name's Butler? There's ten
+thousand Butlers in the world. Besides, your particular one was
+slated to be high ranked and distinguished, and this specimen
+scrubs up the billiard-room floor and ain't no more distinguished
+than a poorhouse pig.'
+
+"'Ain't?' she sings out. 'Ain't distinguished? With all them
+beautiful curls, and rings on his fingers, and--'
+
+"'Bells on his toes? No!' says I, emphatic. 'Anyhow, he's signed
+for the v'yage already. He's Susannah Debs's steady, and they're
+off buggy ridin' together right now. And if she catches you makin'
+eyes at her best feller--Whew!'
+
+"Didn't make no difference. He was her Butler, sure. 'Twas Fate--
+that's what 'twas--Fate, just the same as in storybooks. She was
+sorry for poor Susannah and she wouldn't do nothin' mean nor
+underhanded; but couldn't I understand that 'twas all planned out
+for her by Providence and that everlastin' Seer? Just let me watch
+and see, that's all.
+
+"What can you do with an idiot like that? I walked off disgusted
+and left her. But I cal'lated to watch. I judged 'twould be more
+fun than any 'play-actin' show ever I took in.
+
+"And 'twas, in a way. Don't ask me how they got acquainted, 'cause
+I can't tell you for sartin. Nigh's I can learn, Susannah and Sim
+had some sort of lover's row durin' their buggy ride, and when they
+got back to the hotel they was scurcely on speakin' terms. And
+Sim, who always had a watch out for'ard for pretty girls, see Effie
+standin' on the servants' porch all togged up regardless and gay as
+a tea-store chromo, and nothin' to do but he must be introduced.
+One of the stable hands done the introducin', I b'lieve, and if
+he'd have been hung afterwards 'twould have sarved him right.
+
+"Anyhow, inside of a week Butler come round again to take a lady
+friend drivin', but this time 'twas Effie, not the housekeeper,
+that was passenger. And Susannah glared after 'em like a cat after
+a sparrow, and the very next day she was for havin' Effie
+discharged for incompetentiveness. I give Jonadab the tip, though,
+so that didn't go through. But I cal'late there was a parrot and
+monkey time among the help from then on.
+
+"They all sided with Susannah, of course. She was their boss, for
+one thing, and 'Lady Evelyn's' high-minded notions wa'n't popular,
+for another. But Effie didn't care--bless you, no! She and that
+Butler sport was together more and more, and the next thing I heard
+was that they was engaged. I snum, if it didn't look as if the
+Oriental man knew his job after all.
+
+"I spoke to the stable hand about it.
+
+"'Look here,' says I, 'is this business betwixt that pool player
+and our Effie serious?'
+
+"He laughed. 'Serious enough, I guess,' he says. 'They're goin'
+to be married pretty soon, I hear. It's all 'cordin' to the law
+and the prophets. Ain't you heard about the fortune tellin' and
+how 'twas foretold she'd marry a Butler?'
+
+"I'd heard, but I didn't s'pose he had. However, it seemed that
+Effie hadn't been able to keep it to herself no longer. Soon as
+she'd hooked her man she'd blabbed the whole thing. The fo'mast
+hands wa'n't talkin' of nothin' else, so this feller said.
+
+"'Humph!' says I. 'Is it the prophecy that Butler's bankin' on?'
+
+"He laughed again. 'Not so much as on Lady Evelyn's nine hundred,
+I cal'late,' says he. Sim likes Susannah the best of the two, so
+we all reckon, but she ain't rich and Effie is. And yet, if the
+Debs woman should win that lawsuit of hers against the railroad
+she'd have pretty nigh twice as much. Butler's a fool not to wait,
+I think,' he says.
+
+"This was of a Monday. On Friday evenin' Effie comes around to see
+me. I was alone in the office.
+
+"'Mr. Wingate,' she says, 'I'm goin' to leave to-morrer night. I'm
+goin' to be married on Sunday.'
+
+"I'd been expecting it, but I couldn't help feelin' sorry for her.
+
+"'Don't do nothin' rash, Effie,' I told her. 'Are you sure that
+Butler critter cares anything about you and not your money?'
+
+"She flared up like a tar barrel. 'The idea!' she says, turnin'
+red. 'I just come in to give you warnin'. Good-by.'
+
+"'Hold on,' I sung out to her. 'Effie, I've thought consider'ble
+about you lately. I've been tryin' to help you a little on the
+sly. I realized that 'twa'n't pleasant for you workin' here under
+Susannah Debs, and I've been tryin' to find a nice place for you.
+I wrote about you to Bob Van Wedderburn; he's the rich banker chap
+who stopped here one summer. "Jonesy," we used to call him. I
+know him and his wife fust rate, and he'd do 'most anything as a
+favor to me. I told him what a neat, handy girl you was, and he
+writes that he'll give you the job of second girl at his swell New
+York house, if you want it. Now you just hand that Sim Butler his
+clearance papers and go work for Bob's wife. The wages are double
+what you get here, and--'
+
+"She didn't wait to hear the rest. Just sailed out of the room
+with her nose in the air. In a minute, though, back she come and
+just put her head in the door.
+
+"'I'm much obliged to you, Mr. Wingate,' says she. 'I know you
+mean well. But you ain't had your fate foretold, same's I have.
+It's all been arranged for me, and I couldn't stop it no more'n
+Jonah could help swallerin' the whale. I--I kind of wish you'd be
+on hand at the back door on Sunday mornin' when Simeon comes to
+take me away. You--you're about the only real friend I've got,'
+she says.
+
+"And off she went, for good this time. I pitied her, in spite of
+her bein' such a dough head. I knew what sort of a husband that
+pool-room shark would make. However, there wa'n't nothin' to be
+done. And next day Cap'n Jonadab was round, madder'n a licked pup.
+Seems Susannah's lawyer at Orham had sent for her to come right off
+and see him. Somethin' about the suit, it was. And she was goin'
+in spite of everything. And with Effie's leavin' at the same time,
+what was we goin' to do over Sunday? and so forth and so on.
+
+"Well, we had to do the best we could, that's all. But that
+Saturday was busy, now I tell you. Sunday mornin' broke fine and
+clear and, after breakfast was over, I remembered Effie and that
+'twas her weddin' day. On the back steps I found her, dressed in
+all her grandeur, with her packed trunk ready, waitin' for the
+bridegroom.
+
+"'Ain't come yet, hey, Effie?' says I.
+
+"'No,' says she, smilin' and radiant. 'It's a little early for him
+yet, I guess.'
+
+"I went off to 'tend to the boarders. At half past ten, when I
+made the back steps again, she was still there. T'other servants
+was peekin' out of the kitchen windows, grinnin' and passin'
+remarks.
+
+"'Hello!' I calls out. 'Not married yet? What's the matter?'
+
+"She'd stopped smilin', but she was as chipper as ever, to all
+appearances.
+
+"'I--I guess the horse has gone lame or somethin',' says she.
+'He'll be here any time now.'
+
+"There was a cackle from the kitchen windows. I never said
+nothin'. She'd made her nest; now let her roost on it.
+
+"But at twelve Butler hadn't hove in sight. Every hand, male and
+female, on the place, that wa'n't busy, was hangin' around the back
+of the hotel, waitin' and watchin' and ridiculin' and havin' a high
+time. Them that had errands made it a p'int to cruise past that
+way. Lots of the boarders had got wind of the doin's, and they was
+there, too.
+
+"Effie was settin' on her trunk, tryin' hard to look brave. I went
+up and spoke to her.
+
+"'Come, my girl,' says I. 'Don't set here no longer. Come into
+the house and wait. Hadn't you better?'
+
+"'No!' says she, loud and defiant like. 'No, sir! It's all right.
+He's a little late, that's all. What do you s'pose I care for a
+lot of jealous folks like those up there?' wavin' her flipper
+scornful toward the kitchen.
+
+"And then, all to once, she kind of broke down, and says to me,
+with a pitiful sort of choke in her voice:
+
+"'Oh, Mr. Wingate! I can't stand this. Why DON'T he come?'
+
+"I tried hard to think of somethin' comfortin' to say, but afore I
+could h'ist a satisfyin' word out of my hatches I heard the noise
+of a carriage comin'. Effie heard it, too, and so did everybody
+else. We all looked toward the gate. 'Twas Sim Butler, sure
+enough, in his buggy and drivin' the same old horse; but settin'
+alongside of him on the seat was Susannah Debs, the housekeeper.
+And maybe she didn't look contented with things in gen'ral!
+
+"Butler pulled up his horse by the gate. Him and Susannah bowed to
+all hands. Nobody said anything for a minute. Then Effie bounced
+off the trunk and down them steps.
+
+"'Simmie ' she sung out, breathless like, 'Simeon Butler, what does
+this mean?'
+
+"The Debs woman straightened up on the seat. 'Thank you, marm,'
+says she, chilly as the top section of an ice chest, 'I'll request
+you not to call my husband by his first name.'
+
+"It was so still you could have heard yourself grow. Effie turned
+white as a Sunday tablecloth.
+
+"'Your--husband?' she gasps. 'Your--your HUSBAND?'
+
+"'Yes, marm,' purrs the housekeeper. 'My husband was what I said.
+Mr. Butler and me have just been married.'
+
+"'Sorry, Effie, old girl,' puts in Butler, so sassy I'd love to
+have preached his fun'ral sermon. 'Too bad, but fust love's
+strongest, you know. Susie and me was engaged long afore you come
+to town.'
+
+"THEN such a haw-haw and whoop bust from the kitchen and fo'castle
+as you never heard. For a jiffy poor Effie wilted right down.
+Then she braced up and her black eyes snapped.
+
+"'I wish you joy of your bargain, marm,' says she to Susannah.
+'You'd ought to be proud of it. And as for YOU,' she says,
+swingin' round toward the rest of the help, 'I--'
+
+"'How 'bout that prophet?' hollers somebody.
+
+"'Three cheers for the Oriental!' bellers somebody else.
+
+"'When you marry the right Butler fetch him along and let us see
+him!' whoops another.
+
+"She faced 'em all, and I gloried in her spunk.
+
+"'When I marry him I WILL come back,' says she. 'And when I do
+you'll have to get down on your knees and wait on me. You--and
+you-- Yes, and YOU, too!'
+
+"The last two 'yous' was hove at Sim and Susannah. Then she turned
+and marched into the hotel. And the way them hired hands carried
+on was somethin' scandalous--till I stepped in and took charge of
+the deck.
+
+"That very afternoon I put Effie and her trunk aboard the train. I
+paid her fare to New York and give her directions how to locate the
+Van Wedderburns.
+
+"'So long, Effie,' says I to her. 'It's all right. You're enough
+sight better off. All you want to do now is to work hard and
+forget all that fortune-tellin' foolishness.'
+
+"She whirled on me like a top.
+
+"'Forget it!' she says. 'I GUESS I shan't forget it! It's comin'
+true, I tell you--same as all the rest come true. You said
+yourself there was ten thousand Butlers in the world. Some day the
+right one--the handsome, high-ranked, distinguished one--will come
+along, and I'll get him. You wait and see, Mr. Wingate--just you
+wait and see.'"
+
+
+CHAPTER XV
+
+THE "HERO" AND THE COWBOY
+
+
+"So that was the end of it, hey?" said Captain Bailey. "Well, it's
+what you might expect, but it wa'n't much to be so anxious to tell;
+and as for PROVIN' anything about fortune tellin'--why--"
+
+"It AIN'T the end," shouted the exasperated Barzilla. "Not nigh
+the end. 'Twas the beginnin'. The housekeeper left us that day,
+of course, and for the rest of that summer the servant question
+kept me and Jonadab from thinkin' of other things. Course, the
+reason for the Butler scamp's sudden switch was plain enough.
+Susannah's lawyer had settled the case with the railroad and, even
+after his fee was subtracted, there was fifteen hundred left. That
+was enough sight better'n nine hundred, so Sim figgered when he
+heard of it; and he hustled to make up with his old girl.
+
+"Fifteen hundred dollars doesn't last long with some folks. At the
+beginnin' of the next spring season both of 'em was round huntin'
+jobs. Susannah was a fust-rate waitress, so we hired her for that--
+no more housekeeper for hers, and served her right. As for her
+husband, we took him on in the stable. He wouldn't have been wuth
+his salt if it hadn't been for her. She said she'd keep him movin'
+and she did. She nagged and henpecked him till I'd have been sorry
+if 'twas anybody else; as 'twas, I got consider'ble satisfaction
+out of it.
+
+"I got one letter from Effie pretty soon after she left, sayin' she
+liked her new job and that the Van Wedderburns liked her. And
+that's all I did hear, though Bob himself wrote me in May, sayin'
+him and Mabel, his wife, had bought a summer cottage in Wapatomac,
+and me and Jonadab--especially me--must be sure and come to see it
+and them. He never mentioned his second girl, and I almost forgot
+her myself.
+
+"But one afternoon in early July a big six-cylinder automobile come
+sailin' down the road and into the Old Home House yard. A shofer--
+I b'lieve that's what they call the tribe--was at the helm of it,
+and on the back seat, lollin' luxurious against the upholstery, was
+a man and a woman, got up regardless in silk dusters and goggles
+and veils and prosperity. I never expect to see the Prince of
+Wales and his wife, but I know how they'd look--after seein' them
+two.
+
+"Jonadab was at the bottom step to welcome 'em, bowin' and scrapin'
+as if his middle j'int had just been iled. I wa'n't fur astern,
+and every boarder on deck was all eyes and envy.
+
+"The shofer opens the door of the after cockpit of the machine, and
+the man gets out fust, treadin' gingerly but grand, as if he was
+doin' the ground a condescension by steppin' on it. Then he turns
+to the woman and she slides out, her duds rustlin' like the wind in
+a scrub oak. The pair sails up the steps, Jonadab and me backin'
+and fillin' in front of 'em. All the help that could get to a
+window to peek had knocked off work to do it.
+
+"'Ahem!' says the man, pompous as Julius Caesar--he was big and
+straight and fine lookin' and had black side whiskers half mast on
+his cheeks--ahem!' says he. 'I say, good people, may we have
+dinner here?'
+
+"Well, they tell us time and tide waits for no man, but prob'ly
+that don't include the nobility. Anyhow, although 'twas long past
+our reg'lar dinner time, I heard Jonadab tellin' 'em sure and
+sartin they could. If they wouldn't mind settin' on the piazza or
+in the front parlor for a spell, he'd have somethin' prepared in a
+jiffy. So up to the piazza they paraded and come to anchor in a
+couple of chairs.
+
+"'You can have your automobile put right into the barn,' I says,
+'if you want to.'
+
+"'I don't know as it will be necessary--' began the big feller, but
+the woman interrupted him. She was starin' through her thick veil
+at the barn door. Sim Butler, in his overalls and ragged shirt
+sleeves, was leanin' against that door, interested as the rest of
+us in what was goin' on.
+
+"'I would have it put there, I think,' says the woman, lofty and
+superior. 'It is rather dusty, and I think the wheels ought to be
+washed. Can that man be trusted to wash 'em?' she asks, pointin'
+kind of scornful at Simeon.
+
+"'Yes, marm, I cal'late so,' I says. 'Here, Sim!' I sung out,
+callin' Butler over to the steps. 'Can you wash the dust off them
+wheels?'
+
+"He said course he could, but he didn't act joyful over the job.
+The woman seemed some doubtful.
+
+"'He looks like a very ignorant, common person,' says she, loud and
+clear, so that everybody, includin' the 'ignorant person' himself,
+could hear her. 'However, James'll superintend. James,' she
+orders the shofer, 'you see that it is well done, won't you? Make
+him be very careful.'
+
+"James looked Butler over from head to foot. 'Humph!' he sniffs,
+contemptuous, with a kind of half grin on his face. 'Yes, marm,
+I'll 'tend to it.'
+
+"So he steered the auto into the barn, and Simeon got busy.
+Judgin' by the sharp language that drifted out through the door,
+'twas plain that the shofer was superintendin' all right.
+
+"Jonadab heaves in sight, bowin', and makes proclamation that
+dinner is served. The pair riz up majestic and headed for the
+dinin' room. The woman was a little astern of her man, and in the
+hall she turns brisk to me.
+
+"'Mr. Wingate,' she whispers, 'Mr. Wingate.'
+
+"I stared at her. Her voice had sounded sort of familiar ever
+sence I heard it, but the veil kept a body from seein' what she
+looked like.
+
+"'Hey?' I sings out. 'Have I ever--'
+
+"'S-s-h-h!' she whispers. 'Say, Mr. Wingate, that--that Susannah
+thing is here, ain't she? Have her wait on us, will you, please?'
+
+"And she swept the veil off her face. I choked up and staggered
+bang! against the wall. I swan to man if it wa'n't Effie! EFFIE,
+in silks and automobiles and gorgeousness!
+
+"Afore I could come to myself the two of 'em marched into that
+dining room. I heard a grunt and a 'Land of love!' from just ahead
+of me. That was Jonadab. And from all around that dinin' room
+come a sort of gasp and then the sound of whisperin'. That was the
+help.
+
+"They took a table by the window, which had been made ready. Down
+they set like a king and a queen perchin' on thrones. One of the
+waiter girls went over to em.
+
+"But I'd come out of my trance a little mite. The situation was
+miles ahead of my brain, goodness knows, but the joke of it all was
+gettin' a grip on me. I remembered what Effie had asked and I
+spoke up prompt.
+
+"'Susannah,' says I, 'this is a particular job and we're anxious to
+please. You'd better do the waitin' yourself.'
+
+"I wish you could have seen the glare that ex-housekeeper give me.
+For a second I thought we'd have open mutiny. But her place wa'n't
+any too sartin and she didn't dare risk it. Over she walked to
+that table, and the fun began.
+
+"Jonadab had laid himself out to make that meal a success, but they
+ate it as if 'twas pretty poor stuff and not by no means what they
+fed on every day. They found fault with 'most everything, but most
+especial with Susannah's waitin'. My! how they did order her
+around--a mate on a cattle boat wa'n't nothin' to it. And when
+'twas all over and they got up to go, Effie says, so's all hands
+can hear:
+
+"'The food here is not so bad, but the service--oh, horrors!
+However, Albert,' says she to the side-whiskered man, 'you had
+better give the girl our usual tip. She looks as if she needed it,
+poor thing!'
+
+"Then they paraded out of the room, and I see Susannah sling the
+half dollar the man had left on the table clear to Jericho, it
+seemed like.
+
+"The auto was waitin' by the piazza steps. The shofer and Butler
+was standin' by it. And when Sim see Effie with her veil throwed
+back he pretty nigh fell under the wheels he'd been washin' so
+hard. And he looked as if he wisht they'd run over him.
+
+"'Oh, dear!' sighs Effie, lookin' scornful at the wheels. 'Not
+half clean, just as I expected. I knew by the looks of that--that
+PERSON that he wouldn't do it well. Don't give him much, Albert;
+he ain't earned it.'
+
+"They climbed into the cockpit, the shofer took the helm, and they
+was ready to start. But I couldn't let 'em go that way. Out I
+run.
+
+"'Say--say, Effie!' I whispers, eager. 'For the goodness' sakes,
+what's all this mean? Is that your--your--'
+
+"'My husband? Yup,' she whispers back, her eyes shinin'. 'Didn't
+I tell you to look out for my prophecy? Ain't he handsome and
+distinguished, just as I said? Good-by, Mr. Wingate; maybe I'll
+see you again some day.'
+
+"The machinery barked and they got under way. I run along for two
+steps more.
+
+"'But, Effie,' says I, 'tell me--is his name--?'
+
+"She didn't answer. She was watchin' Sim Butler and his wife. Sim
+had stooped to pick up the quarter the Prince of Wales had hove at
+him. And that was too much for Susannah, who was watchin' from the
+window.
+
+"'Don't you touch that money!' she screams. 'Don't you lay a
+finger on it! Ain't you got any self-respect at all, you
+miser'ble, low-lived--' and so forth and so on. All the way to the
+front gate I see Effie leanin' out, lookin' and listenin' and
+smilin'.
+
+"Then the machine buzzed off in a typhoon of dust and I went back
+to Jonadab, who was a livin' catechism of questions which neither
+one of us could answer."
+
+"So THAT'S the end!" exclaimed Captain Bailey. "Well--"
+
+"No, it ain't the end--not even yet. Maybe it ought to be, but it
+ain't. There's a little more of it.
+
+"A fortni't later I took a couple of days off and went up to
+Wapatomac to visit the Van Wedderburns, same as I'd promised.
+Their 'cottage' was pretty nigh big enough for a hotel, and was so
+grand that I, even if I did have on my Sunday frills, was 'most
+ashamed to ring the doorbell.
+
+"But I did ring it, and the feller that opened the door was big and
+solemn and fine lookin' and had side whiskers. Only this time he
+wore a tail coat with brass buttons on it.
+
+"How do you do, Mr. Wingate?' says he. Step right in, sir, if you
+please. Mr. and Mrs. Van Wedderburn are out in the auto, but
+they'll be back shortly, and very glad to see you, sir, I'm sure.
+Let me take your grip and hat. Step right into the reception room
+and wait, if you please, sir. Perhaps,' he says, and there was a
+twinkle in his port eye, though the rest of his face was sober as
+the front door of a church, 'perhaps,' says he, 'you might wish to
+speak with my wife a moment. I'll take the liberty of sendin' her
+to you, sir.'
+
+"So, as I sat on the gunwale of a blue and gold chair, tryin' to
+settle whether I was really crazy or only just dreamin', in bounces
+Effie, rigged up in a servant's cap and apron. She looked polite
+and demure, but I could see she was just bubblin' with the joy of
+the whole bus'ness.
+
+"'Effie,' says I, 'Effie, what--what in the world--?'
+
+"She giggled. 'Yup,' she says, 'I'm chambermaid here and they
+treat me fine. Thank you very much for gettin' me the situation.'
+
+"'But--but them doin's the other day? That automobile--and them
+silks and satins--and--?'
+
+"'Mr. Van Wedderburn lent 'em to me,' she said, 'him an' his wife.
+And he lent us the auto and the shofer, too. I told him about my
+troubles at the Old Home House and he thought 'twould be a great
+joke for me to travel back there like a lady. He's awful fond of a
+joke--Mr. Van Wedderburn is.'
+
+"'But that man?' I gasps. 'Your husband? That's what you said he
+was.'
+
+"'Yes,' says she, 'he is. We've been married 'most six months now.
+My prophecy's all come true. And DIDN'T I rub it in on that
+Susannah Debs and her scamp of a Sim? Ho! ho!'
+
+"She clapped her hands and pretty nigh danced a jig, she was so
+tickled.
+
+"'But is he a Butler?' I asks.
+
+"'Yup,' she nods, with another giggle. 'He's A butler, though his
+name's Jenkins; and a butler's high rank--higher than chambermaid,
+anyhow. You see, Mr. Wingate,' she adds, ''twas all my fault.
+When that Oriental Seer man at the show said I was to marry a
+butler, I forgot to ask him whether you spelt it with a big B or a
+little one.'"
+
+The unexpected manner in which Effie's pet prophecy had been
+fulfilled amused Captain Sol immensely. He laughed so heartily
+that Issy McKay looked in at the door with an expression of alarm
+on his face. The depot master had laughed little during the past
+few days, and Issy was surprised.
+
+But Captain Stitt was ready with a denial. He claimed that the
+prophecy was NOT fulfilled and therefore all fortune telling was
+fraudulent. Barzilla retorted hotly, and the argument began again.
+The two were shouting at each other. Captain Sol stood it for a
+while and then commanded silence.
+
+"Stop your yellin'!" he ordered. "What ails you fellers? Think
+you can prove it better by screechin'? They can hear you half a
+mile. There's Cornelius Rowe standin' gawpin' on the other side of
+the street this minute. He thinks there's a fire or a riot, one or
+t'other. Let's change the subject. See here, Bailey, didn't you
+start to tell us somethin' last time you was in here about your
+ridin' in an automobile?"
+
+"I started to--yes. But nobody'd listen. I rode in one and I
+sailed in one. You see--"
+
+"I'm goin' outdoor," declared Barzilla.
+
+"No, you're not. Bailey listened to you. Now you do as much for
+him. I heard a little somethin' about the affair at the time it
+happened and I'd like to hear the rest of it. How was it, Bailey?"
+
+Captain Stitt knocked the ashes from his pipe.
+
+"Well," he began, "I didn't know the critter was weak in his top
+riggin' or I wouldn't have gone with him in the fust place. And he
+wa'n't real loony, nuther. 'Twas only when he got aboard that--
+that ungodly, kerosene-smellin', tootin', buzzin', Old Harry's
+gocart of his that the craziness begun to show. There's so many of
+them weak-minded city folks from the Ocean House comes perusin'
+'round summers, nowadays, that I cal'lated he was just an average
+specimen, and never examined him close."
+
+"Are all the Ocean House boarders weak-minded nowadays?" asked the
+depot master.
+
+Mr. Wingate answered the question.
+
+"My land!" he snapped; "would they board at the Ocean House if they
+WA'N'T weak-minded?"
+
+Captain Bailey did not deign to reply to this jibe. He continued
+calmly:
+
+"This feller wa'n't an Ocean Houser, though. He was young
+Stumpton's automobile skipper-shover, or shofer, or somethin' they
+called him. He answered to the hail of Billings, and his home port
+was the Stumpton ranch, 'way out in Montana. He'd been here in
+Orham only a couple of weeks, havin' come plumb across the United
+States to fetch his boss the new automobile. You see, 'twas early
+October. The Stumptons had left their summer place on the Cliff
+Road, and was on their way South for the winter. Young Stumpton
+was up to Boston, but he was comin' back in a couple of days, and
+then him and the shover was goin' automobilin' to Florida. To
+Florida, mind you! In that thing! If it was me I'd buy my ticket
+to Tophet direct and save time and money.
+
+"Well, anyhow, this critter Billings, he ain't never smelt salt
+water afore, and he don't like the smell. He makes proclamations
+that Orham is nothin' but sand, slush, and soft drinks. He won't
+sail, he can't swim, he won't fish; but he's hankerin' to shoot
+somethin', havin' been brought up in a place where if you don't
+shoot some of the neighbors every day or so folks think you're
+stuck up and dissociable. Then somebody tells him it's the duckin'
+season down to Setuckit P'int, and he says he'll spend his day off,
+while the boss is away, massycreein' the coots there. This same
+somebody whispers that I know so much about ducks that I quack when
+I talk, and he comes cruisin' over in the buzz cart to hire me for
+guide. And--would you b'lieve it?--it turns out that he's
+cal'latin' to make his duckin' v'yage in that very cart. I was for
+makin' the trip in a boat, like a sensible man, but he wouldn't
+hear of it.
+
+"'Land of love!' says I. 'Go to Setuckit in a automobile?'
+
+"'Why not?' he says. 'The biscuit shooter up at the hotel tells me
+there's a smart chance of folks goes there a-horseback. And where
+a hoss can travel I reckon the old gal here'--slappin' the thwart
+of the auto alongside of him--'can go, too!'
+
+"'But there's the Cut-through,' says I.
+
+"''Tain't nothin' but a creek when the freshet's over, they tell
+me,' says he. 'And me and the boss have forded four foot of river
+in this very machine.'
+
+"By the 'freshet' bein' over I judged he meant the tide bein' out.
+And the Cut-through ain't but a little trickle then, though it's a
+quarter mile wide and deep enough to float a schooner at high
+water. It's the strip of channel that makes Setuckit Beach an
+island, you know. The gov'ment has had engineers down dredgin' of
+it out, and pretty soon fish boats'll be able to save the twenty-
+mile sail around the P'int and into Orham Harbor at all hours.
+
+"Well, to make a long story short, I agreed to let him cart me to
+Setuckit P'int in that everlastin' gas carryall. We was to start
+at four o'clock in the afternoon, 'cause the tide at the Cut-
+through would be dead low at half-past four. We'd stay overnight
+at my shanty at the P'int, get up airly, shoot all day, and come
+back the next afternoon.
+
+"At four prompt he was on hand, ready for me. I loaded in the guns
+and grub and one thing or 'nother, and then 'twas time for me to
+get aboard myself.
+
+"'You'll set in the tonneau,' says he, indicatin' the upholstered
+after cockpit of the concern. I opened up the shiny hatch, under
+orders from him, and climbed in among the upholstery. 'Twas soft
+as a feather bed.
+
+"'Jerushy!' says I, lollin' back luxurious. This is fine, ain't
+it?'
+
+"'Cost seventy-five hundred to build,' he says casual. 'Made to
+order for the boss. Lightest car of her speed ever turned out.'
+
+"'Go 'way! How you talk! Seventy-five hundred what? Not
+dollars?'
+
+"'Sure,' he says. Then he turns round--he was in the bow, hangin'
+on to the steerin' wheel--and looks me over, kind of interested,
+but superior. 'Say,' he says, 'I've been hearin' things about you.
+You're a hero, ain't you?'
+
+"Durn them Orham gabblers! Ever sence I hauled that crew of
+seasick summer boarders out of the drink a couple of years ago and
+the gov'ment gave me a medal, the minister and some more of his
+gang have painted out the name I was launched under and had me
+entered on the shippin' list as 'The Hero.' I've licked two or
+three for callin' me that, but I can't lick a parson, and he was
+the one that told Billings.
+
+"'Oh, I don't know!' I answers pretty sharp. 'Get her under way,
+why don't you?'
+
+"All he done was look me over some more and grin.
+
+"'A hero! A real live gov'ment-branded hero!' he says. 'Ain't
+scared of nothin', I reckon--hey?'
+
+"I never made no answer. There's some things that's too fresh to
+eat without salt, and I didn't have a pickle tub handy.
+
+"'Hum!' he says again, reverend-like. 'A sure hero; scared of
+nothin'! Never rode in an auto afore, did you?'
+
+"'No,' says I, peppery; 'and I don't see no present symptom of
+ridin' in one now. Cast off, won't you?'
+
+"He cast off. That is to say, he hauled a nickel-plated
+marlinespike thing toward him, shoved another one away from him,
+took a twist on the steerin' wheel, the gocart coughed like a horse
+with the heaves, started up some sort of buzz-planer underneath,
+and then we begun to move.
+
+"From the time we left my shanty at South Orham till we passed the
+pines at Herrin' Neck I laid back in that stuffed cockpit, feelin'
+as grand and tainted as old John D. himself. The automobile rolled
+along smooth but swift, and it seemed to me I had never known what
+easy trav'lin' was afore. As we rounded the bend by the pines and
+opened up the twelve-mile narrow white stretch of Setuckit Beach
+ahead of us, with the ocean on one side and the bay on t'other, I
+looked at my watch. We'd come that fur in thirteen minutes.
+
+"'Land sakes!' I says. 'This is what I call movin' right along!'
+
+"He turned round and sized me up again, like he was surprised.
+
+"'Movin'?' says he. 'Movin'? Why, pard, we've been settin' down
+to rest! Out our way, if a lynchin' party didn't move faster than
+we've done so fur, the center of attraction would die on the road
+of old age. Now, my heroic college chum,' he goes on, callin' me
+out of my name, as usual, 'will you be so condescendin' as to
+indicate how we hit the trail?'
+
+"'Hit--hit which? Don't hit nothin', for goodness' sake! Goin'
+the way we be, it would--'
+
+"'Which way do we go?'
+
+"'Right straight ahead. Keep on the ocean side, 'cause there's
+more hard sand there, and--hold on! Don't do that! Stop it, I
+tell you!'
+
+"Them was the last rememberable words said by me durin' the next
+quarter of an hour. That shover man let out a hair-raisin' yell,
+hauled the nickel marlinespike over in its rack, and squeezed a
+rubber bag that was spliced to the steerin' wheel. There was a
+half dozen toots or howls or honks from under our bows somewheres,
+and then that automobile hopped off the ground and commenced to
+fly. The fust hop landed me on my knees in the cockpit, and there
+I stayed. 'Twas the most fittin' position fur my frame of mind and
+chimed in fust-rate with the general religious drift of my
+thoughts.
+
+"The Cut-through is two mile or more from Herrin' Neck. 'Cordin'
+to my count we hit terra cotta just three times in them two miles.
+The fust hit knocked my hat off. The second one chucked me up so
+high I looked back for the hat, and though we was a half mile away
+from it, it hadn't had time to git to the ground. And all the
+while the horn was a-honkin', and Billings was a-screechin, and the
+sand was a-flyin'. Sand! Why, say! Do you see that extra bald
+place on the back of my head? Yes? Well, there was a two-inch
+thatch of hair there afore that sand blast ground it off.
+
+"When I went up on the third jounce I noticed the Cut-through just
+ahead. Billings see it, too, and--would you b'lieve it?--the
+lunatic stood up, let go of the wheel with one hand, takes off his
+hat and waves it, and we charge down across them wet tide flats
+like death on the woolly horse, in Scriptur'.
+
+"'Hi, yah! Yip!' whoops Billings. 'Come on in, fellers! The
+water's fine! Yow! Y-e-e-e! Yip!'
+
+"For a second it left off rainin' sand, and there was a typhoon of
+mud and spray. I see a million of the prettiest rainbows--that is,
+I cal'lated there was a million; it's awful hard to count when
+you're bouncin' and prayin' and drowndin' all to once. Then we
+sizzed out of the channel, over the flats on t'other side, and on
+toward Setuckit.
+
+"Never mind the rest of the ride. 'Twas all a sort of constant
+changin' sameness. I remember passin' a blurred life-savin'
+station, with three--or maybe thirty--blurred men jumpin' and
+laughin' and hollerin'. I found out afterwards that they'd been on
+the lookout for the bombshell for half an hour. Billings had told
+around town what he was goin' to do to me, and some kind friend had
+telephoned it to the station. So the life-savers was full of
+anticipations. I hope they were satisfied. I hadn't rehearsed my
+part of the show none, but I feel what the parson calls a
+consciousness of havin' done my best.
+
+"'Whoa, gal!' says Billings, calm and easy, puttin' the helm hard
+down. The auto was standin' still at last. Part of me was hangin'
+over the lee rail. I could see out of the part, so I knew 'twas my
+head. And there alongside was my fish shanty at the P'int, goin'
+round and round in circles.
+
+"I undid the hatch of the cockpit and fell out on the sand. Then I
+scrambled up and caught hold of the shanty as it went past me.
+That fool shover watched me, seemin'ly interested.
+
+"'Why, pard,' says he, 'what's the matter? Do you feel pale? Are
+you nervous? It ain't possible that you're scared? Honest, now,
+pard, if it weren't that I knew you were a genuine gold-mounted
+hero I'd sure think you was a scared man.'
+
+"I never said nothin'. The scenery and me was just turnin' the
+mark buoy on our fourth lap.
+
+"'Dear me, pard!' continues Billings. 'I sure hope I ain't scared
+you none. We come down a little slow this evenin', but to-morrow
+night, when I take you back home, I'll let the old girl out a
+little.'
+
+"I sensed some of that. And as the shanty had about come to
+anchor, I answered and spoke my mind.
+
+"'When you take me back home!' I says. 'When you do! Why, you
+crack-brained, murderin' lunatic, I wouldn't cruise in that hell
+wagon of yours again for the skipper's wages on a Cunarder. No,
+nor the mate's hove in!'
+
+"And that shover he put his head back and laughed and laughed and
+laughed."
+
+
+CHAPTER XVI
+
+THE CRUISE OF THE RED CAR
+
+
+"I don't wonder he laughed," observed Wingate, who seemed to enjoy
+irritating his friend. "You must have been good as a circus."
+
+"Humph!" grunted the depot master. "If I remember right you said
+YOU wa'n't any ten-cent side show under similar circumstances,
+Barzilla. Heave ahead, Bailey!"
+
+Captain Stitt, unruffled, resumed:
+
+"I tell you, I had to take it that evenin'," he said. "All the
+time I was cookin' and while he was eatin' supper, Billings was
+rubbin' it into me about my bein' scared. Called me all the
+saltwater-hero names he could think of--'Hobson' and 'Dewey' and
+the like of that, usin' em sarcastic, of course. Finally, he said
+he remembered readin' in school, when he was little, about a girl
+hero, name of Grace Darlin'. Said he cal'lated, if I didn't mind,
+he'd call me Grace, 'cause it was heroic and yet kind of fitted in
+with my partic'lar brand of bravery. I didn't answer much; he had
+me down, and I knew it. Likewise I judged he was more or less out
+of his head; no sane man would yell the way he done aboard that
+automobile.
+
+"Then he commenced to spin yarns about himself and his doin's, and
+pretty soon it come out that he'd been a cowboy afore young
+Stumpton give up ranchin' and took to automobilin'. That cleared
+the sky line some, of course; I'd read consider'ble about cowboys
+in the ten-cent books my nephew fetched home when he was away to
+school. I see right off that Billings was the livin' image of
+Deadwood Dick and Wild Bill and the rest in them books; they yelled
+and howled and hadn't no regard for life and property any more'n he
+had. No, sir! He wa'n't no crazier'n they was; it was in the
+breed, I judged.
+
+"'I sure wish I had you on the ranch, Grace,' says he. 'Why don't
+you come West some day? That's where a hero like you would show up
+strong.'
+
+"'Godfrey mighty!' I sings out. 'I wouldn't come nigh such a nest
+of crazy murderers as that fur no money! I'd sooner ride in that
+automobile of yours, and St. Peter himself couldn't coax me into
+THAT again, not if 'twas fur a cruise plumb up the middle of the
+golden street!'
+
+"I meant it, too, and the next afternoon when it come time to start
+for home he found out that I meant it. We'd shot a lot of ducks,
+and Billings was havin' such a good time that I had to coax and
+tease him as if he was a young one afore he'd think of quittin'.
+It was quarter of six when he backed the gas cart out of the shed.
+I was uneasy, 'cause 'twas past low-water time, and there was fog
+comin' on.
+
+"'Brace up, Dewey!' says he. 'Get in.'
+
+"'No, Mr. Billings,' says I. 'I ain't goin' to get in. You take
+that craft of yourn home, and I'll sail up alongside in my dory.'
+
+"'In your which?' says he.
+
+"'In my dory,' I says. 'That's her hauled up on the beach abreast
+the shanty.'
+
+"He looked at the dory and then at me.
+
+"'Go on!' says he. 'You ain't goin' to pack yourself twelve mile
+on THAT SHINGLE?'
+
+"'Sartin I am! says I. 'I ain't takin' no more chances.'
+
+"Do you know, he actually seemed to think I was crazy then. Seemed
+to figger that the dory wa'n't big enough; and she's carried five
+easy afore now. We had an argument that lasted twenty minutes
+more, and the fog driftin' in nigher all the time. At last he got
+sick of arguin', ripped out somethin' brisk and personal, and got
+his tin shop to movin'.
+
+"'You want to cross over to the ocean side,' I called after him.
+'The Cut-through's been dredged at the bay end, remember.'
+
+"'Be hanged!' he yells, or more emphatic. And off he whizzed. I
+see him go, and fetched a long breath. Thanks to a merciful
+Providence, I'd come so fur without bein' buttered on the
+undercrust of that automobile or scalped with its crazy shover's
+bowie knife.
+
+"Ten minutes later I was beatin' out into the bay in my dory. All
+around was the fog, thin as poorhouse gruel so fur, but thickenin'
+every minute. I was worried; not for myself, you understand, but
+for that cowboy shover. I was afraid he wouldn't fetch t'other
+side of the Cut-through. There wa'n't much wind, and I had to make
+long tacks. I took the inshore channel, and kept listenin' all the
+time. And at last, when 'twas pretty dark and I was cal'latin' to
+be about abreast of the bay end of the Cut-through, I heard from
+somewheres ashore a dismal honkin' kind of noise, same as a wild
+goose might make if 'twas chokin' to death and not resigned to the
+worst.
+
+"'My land!' says I. 'It's happened!' And I come about and headed
+straight in for the beach. I struck it just alongside the gov'ment
+shanty. The engineers had knocked off work for the week, waitin'
+for supplies, but they hadn't took away their dunnage.
+
+"'Hi!' I yells, as I hauled up the dory. 'Hi-i-i! Billings, where
+be you?'
+
+"The honkin' stopped and back comes the answer; there was joy in
+it.
+
+"'What? Is that Cap'n Stitt?'
+
+"'Yes,' I sings out. 'Where be you?'
+
+"'I'm stuck out here in the middle of the crick. And there's a
+flood on. Help me, can't you?'
+
+"Next minute I was aboard the dory, rowin' her against the tide up
+the channel. Pretty quick I got where I could see him through the
+fog and dark. The auto was on the flat in the middle of the Cut-
+through, and the water was hub high already. Billings was standin'
+up on the for'ard thwart, makin' wet footmarks all over them
+expensive cushions.
+
+"'Lord,' says he, 'I sure am glad to see you, pard! Can we get to
+land, do you think?'
+
+"'Land?' says I, makin' the dory fast alongside and hoppin' out
+into the drink. ''Course we can land! What's the matter with your
+old derelict? Sprung a leak, has it?'
+
+"He went on to explain that the automobile had broke down when he
+struck the flat, and he couldn't get no farther. He'd been honkin'
+and howlin' for ten year at least, so he reckoned.
+
+"'Why in time,' says I, 'didn't you mind me and go up the ocean
+side? And why in nation didn't you go ashore and-- But never mind
+that now. Let me think. Here! You set where you be.'
+
+"As I shoved off in the dory again he turned loose a distress
+signal.
+
+"'Where you goin'?' he yells. 'Say, pard, you ain't goin' to leave
+me here, are you?'
+
+"'I'll be back in a shake,' says I, layin' to my oars. 'Don't
+holler so! You'll have the life-savers down here, and then the
+joke'll be on us. Hush, can't you? I'll be right back!'
+
+"I rowed up channel a little ways, and then I sighted the place I
+was bound for. Them gov'ment folks had another shanty farther up
+the Cut-through. Moored out in front of it was a couple of big
+floats, for their stone sloops to tie up to at high water. The
+floats were made of empty kerosene barrels and planks, and they'd
+have held up a house easy. I run alongside the fust one, cut the
+anchor cable with my jackknife, and next minute I was navigatin'
+that float down channel, steerin' it with my oar and towin' the
+dory astern.
+
+"'Twas no slouch of a job, pilotin' that big float, but part by
+steerin' and part by polin' I managed to land her broadside on to
+the auto. I made her fast with the cable ends and went back after
+the other float. This one was a bigger job than the fust, but by
+and by that gas wagon, with planks under her and cable lashin's
+holdin' her firm, was restin' easy as a settin' hen between them
+two floats. I unshipped my mast, fetched it aboard the nighest
+float, and spread the sail over the biggest part of the brasswork
+and upholstery.
+
+"'There,' says I, 'if it rains durin' the night she'll keep pretty
+dry. Now I'll take the dory and row back to the shanty after some
+spare anchors there is there.'
+
+"'But what's it fur, pard?' asks Billings for the nine hundred and
+ninety-ninth time. 'Why don't we go where it's dry? The flood's
+risin' all the time.'
+
+"'Let it rise,' I says. 'I cal'late when it gets high enough them
+floats'll rise with it and lift the automobile up, too. If she's
+anchored bow and stern she'll hold, unless it comes on to blow a
+gale, and to-morrow mornin' at low tide maybe you can tinker her up
+so she'll go.'
+
+"'Go?' says he, like he was astonished. 'Do you mean to say you're
+reckonin' to save the CAR?'
+
+"'Good land!' I says, starin' at him. 'What else d'you s'pose?
+Think I'd let seventy-five hundred dollars' wuth of gilt-edged
+extravagance go to the bottom? What did you cal'late I was tryin'
+to save--the clam flat? Give me that dory rope; I'm goin' after
+them anchors. Sufferin' snakes! Where IS the dory? What have you
+done with it?'
+
+"He'd been holdin' the bight of the dory rodin'. I handed it to
+him so's he'd have somethin' to take up his mind. And, by time,
+he'd forgot all about it and let it drop! And the dory had gone
+adrift and was out of sight.
+
+"'Gosh!' says he, astonished-like. 'Pard, the son of a gun has
+slipped his halter!'
+
+"I was pretty mad--dories don't grow on every beach plum bush--but
+there wa'n't nothin' to say that fitted the case, so I didn't try.
+
+"'Humph!' says I. 'Well, I'll have to swim ashore, that's all, and
+go up to the station inlet after another boat. You stand by the
+ship. If she gets afloat afore I come back you honk and holler and
+I'll row after you. I'll fetch the anchors and we'll moor her
+wherever she happens to be. If she shouldn't float on an even
+keel, or goes to capsize, you jump overboard and swim ashore.
+I'll--'
+
+"'Swim?' says he, with a shake in his voice. 'Why, pard, I can't
+swim!'
+
+"I turned and looked at him. Shover of a two-mile-a-minute gold-
+plated butcher cart like that, a cowboy murderer that et his
+friends for breakfast--and couldn't swim! I fetched a kind of
+combination groan and sigh, turned back the sail, climbed aboard
+the automobile, and lit up my pipe.
+
+"'What are you settin' there for?' says he. 'What are you goin' to
+do?'
+
+"'Do?' says I. 'Wait, that's all--wait and smoke. We won't have
+to wait long.'
+
+"My prophesyin' was good. We didn't have to wait very long. It
+was pitch dark, foggy as ever, and the tide a-risin' fast. The
+floats got to be a-wash. I shinned out onto 'em, picked up the oar
+that had been left there, and took my seat again. Billings climbed
+in, too, only--and it kind of shows the change sence the previous
+evenin'--he was in the passenger cockpit astern, and I was for'ard
+in the pilot house. For a reckless daredevil he was actin' mighty
+fidgety.
+
+"And at last one of the floats swung off the sand. The automobile
+tipped scandalous. It looked as if we was goin' on our beam ends.
+Billings let out an awful yell. Then t'other float bobbed up and
+the whole shebang, car and all, drifted out and down the channel.
+
+"My lashin's held--I cal'lated they would. Soon's I was sure of
+that I grabbed up the oar and shoved it over the stern between the
+floats. I hoped I could round her to after we passed the mouth of
+the Cut-through, and make port on the inside beach. But not in
+that tide. Inside of five minutes I see 'twas no use; we was bound
+across the bay.
+
+"And now commenced a v'yage that beat any ever took sence Noah's
+time, I cal'late; and even Noah never went to sea in an automobile,
+though the one animal I had along was as much trouble as his whole
+menagerie. Billings was howlin' blue murder.
+
+"'Stop that bellerin'!' I ordered. 'Quit it, d'you hear! You'll
+have the station crew out after us, and they'll guy me till I can't
+rest. Shut up! If you don't, I'll--I'll swim ashore and leave
+you.'
+
+"I was takin' big chances, as I look at it now. He might have
+drawed a bowie knife or a lasso on me; 'cordin' to his yarns he'd
+butchered folks for a good sight less'n that. But he kept quiet
+this time, only gurglin' some when the ark tilted. I had time to
+think of another idee. You remember the dory sail, mast and all,
+was alongside that cart. I clewed up the canvas well as I could
+and managed to lash the mast up straight over the auto's bows.
+Then I shook out the sail.
+
+"'Here!' says I, turnin' to Billings. 'You hang on to that sheet.
+No, you needn't nuther. Make it fast to that cleat alongside.'
+
+"I couldn't see his face plain, but his voice had a funny tremble
+to it; reminded me of my own when I climbed out of that very cart
+after he'd jounced me down to Setuckit the day before.
+
+"'What?' he says. 'Wh-what? What sheet? I don't see any sheet.
+What do you want me to do?'
+
+"'Tie this line to that cleat. That cleat there! CLEAT, you
+lubber! CLEAT! That knob! MAKE IT FAST! Oh, my gosh t'mighty!
+Get out of my way!'
+
+"The critter had tied the sheet to the handle of the door instead
+of the one I meant, and the pull of the sail hauled the door open
+and pretty nigh ripped it off the hinges. I had to climb into the
+cockpit and straighten out the mess. I was losin' my temper; I do
+hate bunglin' seamanship aboard a craft of mine.
+
+"'But what'll become of us?' begs Billings. 'Will we drown?'
+
+"'What in tunket do we want to drown for? Ain't we got a good
+sailin' breeze and the whole bay to stay on top of--fifty foot of
+water and more?'
+
+"'Fifty foot!' he yells. 'Is there fifty foot of water underneath
+us now? Pard, you don't mean it!'
+
+"'Course I mean it. Good thing, too!'
+
+"'But fifty foot! It's enough to drown in ten times over!'
+
+"'Can't drown but once, can you? And I'd just as soon drown in
+fifty foot as four--ruther, 'cause 'twouldn't take so long.'
+
+"He didn't answer out loud; but I heard him talkin' to himself
+pretty constant.
+
+"We was well out in the bay by now, and the seas was a little mite
+more rugged--nothin' to hurt, you understand, but the floats was
+all foam, and once in a while we'd ship a little spray. And every
+time that happened Billings would jump and grab for somethin'
+solid--sometimes 'twas the upholstery and sometimes 'twas me. He
+wa'n't on the thwart, but down in a heap on the cockpit floor.
+
+"'Let go of my leg!' I sings out, after we'd hit a high wave and
+that shover had made a more'n ordinary savage claw at my
+underpinnin'. 'You make me nervous. Drat this everlastin' fog!
+somethin'll bump into us if we don't look out. Here, you go
+for'ard and light them cruisin' lights. They ain't colored
+'cordin' to regulations, but they'll have to do. Go for'ard! What
+you waitin' for?'
+
+"Well, it turned out that he didn't like to leave that cockpit. I
+was mad.
+
+"'Go for'ard there and light them lights!' I yelled, hangin' to the
+steerin' oar and keepin' the ark runnin' afore the wind.
+
+"'I won't!' he says, loud and emphatic. 'Think I'm a blame fool?
+I sure would be a jack rabbit to climb over them seats the way
+they're buckin' and light them lamps. You're talkin' through your
+hat!'
+
+"Well, I hadn't no business to do it, but, you see, I was on salt
+water, and skipper, as you might say, of the junk we was afloat in;
+and if there's one thing I never would stand it's mutiny. I hauled
+in the oar, jumped over the cockpit rail, and went for him. He see
+me comin', stood up, tried to get out of the way, and fell
+overboard backwards. Part of him lit on one of the floats, but the
+biggest part trailed in the water between the two. He clawed with
+his hands, but the planks was slippery, and he slid astern fast.
+Just as he reached the last plank and slid off and under I jumped
+after him and got him by the scruff of the neck. I had hold of the
+lashin' end with one hand, and we tailed out behind the ark, which
+was sloppin' along, graceful as an elephant on skates.
+
+"I was pretty well beat out when I yanked him into that cockpit
+again. Neither of us said anything for a spell, breath bein'
+scurce as di'monds. But when he'd collected some of his, he spoke.
+
+"'Pard,' he says, puffin', 'I'm much obleeged to you. I reckon I
+sure ain't treated you right. If it hadn't been for you that time
+I'd--'
+
+"But I was b'ilin' over. I whirled on him like a teetotum.
+
+"'Drat your hide!' I says. 'When you speak to your officer you say
+sir! And now you go for'ard and light them lights. Don't you
+answer back! If you do I'll fix you so's you'll never ship aboard
+another vessel! For'ard there! Lively, you lubber, lively!'
+
+"He went for'ard, takin' consider'ble time and hangin' on for dear
+life. But somehow or 'nuther he got the lights to goin'; and all
+the time I hazed him terrible. I was mate on an Australian packet
+afore I went fishin' to the Banks, and I can haze some. I
+blackguarded that shover awful.
+
+"'Ripperty-rip your everlastin' blankety-blanked dough head!' I
+roared at him. 'You ain't wuth the weight to sink you. For'ard
+there and get that fog horn to goin'! And keep it goin'! Lively,
+you sculpin! Don't you open your mouth to me!'
+
+"Well, all night we sloshed along, straight acrost the bay. We
+must have been a curious sight to look at. The floats was awash,
+so that the automobile looked like she was ridin' the waves all by
+her lonesome; the lamps was blazin' at either side of the bow;
+Billings was a-tootin' the rubber fog horn as if he was wound up;
+and I was standin' on the cushions amidships, keepin' the whole
+calabash afore the wind.
+
+"We never met another craft the whole night through. Yes, we did
+meet one. Old Ezra Cahoon, of Harniss, was out in his dory
+stealin' quahaugs from Seth Andrews's bed over nigh the Wapatomac
+shore. Ezra stayed long enough to get one good glimpse of us as we
+bust through the fog; then he cut his rodin' and laid to his oars,
+bound for home and mother. We could hear him screech for half an
+hour after he left us.
+
+"Ez told next day that the devil had come ridin' acrost the bay
+after him in a chariot of fire. Said he could smell the brimstone
+and hear the trumpet callin' him to judgment. Likewise he hove in
+a lot of particulars concernin' the personal appearance of the Old
+Boy himself, who, he said, was standin' up wavin' a red-hot
+pitchfork. Some folks might have been flattered at bein' took for
+such a famous character; but I wa'n't; I'm retirin' by nature, and
+besides, Ez's description wa'n't cal'lated to bust a body's vanity
+b'iler. I was prouder of the consequences, the same bein' that
+Ezra signed the Good Templars' pledge that afternoon, and kept it
+for three whole months, just sixty-nine days longer than any
+previous attack within the memory of man had lasted.
+
+"And finally, just as mornin' was breakin', the bows of the floats
+slid easy and slick up on a hard, sandy beach. Then the sun riz
+and the fog lifted, and there we was within sight of the South
+Ostable meetin'-house. We'd sailed eighteen miles in that ark and
+made a better landin' blindfold than we ever could have made on
+purpose.
+
+"I hauled down the sail, unshipped the mast, and jumped ashore to
+find a rock big enough to use for a makeshift anchor. It wa'n't
+more'n three minutes after we fust struck afore my boots hit dry
+ground, but Billings beat me one hundred and seventy seconds, at
+that. When I had time to look at that shover man he was a cable's
+length from high-tide mark, settin' down and grippin' a bunch of
+beach grass as if he was afeard the sand was goin' to slide from
+under him; and you never seen a yallerer, more upset critter in
+your born days.
+
+"Well, I got the ark anchored, after a fashion, and then we walked
+up to the South Ostable tavern. Peleg Small, who runs the place,
+he knows me, so he let me have a room and I turned in for a nap. I
+slept about three hours. When I woke up I started out to hunt the
+automobile and Billings. Both of 'em looked consider'ble better
+than they had when I see 'em last. The shover had got a gang of
+men and they'd got the gas cart ashore, and Billings and a
+blacksmith was workin' over--or rather under--the clockwork.
+
+"'Hello!' I hails, comin' alongside.
+
+"Billings sticks his head out from under the tinware.
+
+"'Hi, pard!' says he. I noticed he hadn't called me 'Grace' nor
+'Dewey' for a long spell. Hi, pard,' he says, gettin' to his feet,
+'the old gal ain't hurt a hair. She'll be good as ever in a couple
+of hours. Then you and me can start for Orham.'
+
+"'In HER?' says I.
+
+"'Sure,' he says.
+
+"'Not by a jugful!' says I, emphatic. 'I'll borrer a boat to get
+to Orham in, when I'm ready to go. You won't ketch me in that man
+killer again; and you can call me a coward all you want to!'
+
+"'A coward?' says he. 'You a coward? And-- Why, you was in that
+car all night!'
+
+"'Oh!' I says. 'Last night was diff'rent. The thing was on water
+then, and when I've got enough water underneath me I know I'm
+safe.'
+
+"'Safe!' he sings out. 'SAFE! Well, by--gosh! Pard, I hate to
+say it, but it's the Lord's truth--you had me doin' my "Now I lay
+me's"!'
+
+"For a minute we looked at each other. Then says I, sort of
+thinkin' out loud, 'I cal'late,' I says, 'that whether a man's
+brave or not depends consider'ble on whether he's used to his
+latitude. It's all accordin'. It lays in the bringin' up, as the
+duck said when the hen tried to swim.'
+
+"He nodded solemn. 'Pard,' says he, 'I sure reckon you've called
+the turn. Let's shake hands on it.'
+
+"So we shook; and . . ."
+
+Captain Bailey stopped short and sprang from his chair. "There's
+my train comin'," he shouted. "Good-by, Sol! So long, Barzilla!
+Keep away from fortune tellers and pretty servant girls or YOU'LL
+be gettin' married pretty soon. Good-by."
+
+He darted out of the waiting room and his companions followed. Mr.
+Wingate, having a few final calls to make, left the station soon
+afterwards and did not return until evening. And that evening he
+heard news which surprised him.
+
+As he and Captain Sol were exchanging a last handshake on the
+platform, Barzilla said:
+
+"Well, Sol, I've enjoyed loafin' around here and yarnin' with you,
+same as I always do. I'll be over again in a month or so and we'll
+have some more."
+
+The Captain shook his head. "I may not be here then, Barzilla," he
+observed.
+
+"May not be here? What do you mean by that?"
+
+"I mean that I don't know exactly where I shall be. I shan't be
+depot master, anyway."
+
+"Shan't be depot master? YOU won't? Why, what on airth--"
+
+"I sent in my resignation four days ago. Nobody knows it, except
+you, not even Issy, but the new depot master for East Harniss will
+be here to take my place on the mornin' of the twelfth, that's two
+days off."
+
+"Why! Why! SOL!"
+
+"Yes. Keep mum about it. I'll--I'll let you know what I decide to
+do. I ain't settled it myself yet. Good-by, Barzilla."
+
+
+CHAPTER XVII
+
+ISSY'S REVENGE
+
+
+The following morning, at nine o'clock, Issy McKay sat upon the
+heap of rusty chain cable outside the blacksmith's shop at Denboro,
+reading, as usual, a love story. Issy was taking a "day off." He
+had begged permission of Captain Sol Berry, the permission had been
+granted, and Issy had come over to Denboro, the village eight miles
+above East Harniss, in his "power dory," or gasoline boat, the Lady
+May. The Lady May was a relic of the time before Issy was
+assistant depot master, when he gained a precarious living by
+quahauging, separating the reluctant bivalve from its muddy house
+on the bay bottom with an iron rake, the handle of which was forty
+feet long. Issy had been seized with a desire to try quahauging
+once more, hence his holiday. The rake was broken and he had put
+in at Denboro to have it fixed. While the blacksmith was busy,
+Issy laboriously spelled out the harrowing chapters of "Vivian, the
+Shop Girl; or Lord Lyndhurst's Lowly Love."
+
+A grinning, freckled face peered cautiously around the corner of
+the blacksmith's front fence. Then an overripe potato whizzed
+through the air and burst against the shop wall a few inches from
+the reader's head. Issy jumped.
+
+"You--you everlastin' young ones, you!" he shouted fiercely. "If I
+git my hands onto you, you'll wish you'd--I see you hidin' behind
+that fence."
+
+Two barefooted little figures danced provokingly in the roadway and
+two shrill voices chanted in derision:
+
+
+ "Is McKay--Is McKay--
+ Makes the Injuns run away!
+
+
+Scalped anybody lately, Issy?
+
+Alas for the indiscretions of youth! The tale of Issy's early
+expedition in search of scalps and glory was known from one end of
+Ostable County to the other. It had made him famous, in a way.
+
+"If I git a-holt of you kids, I'll bet there'll be some scalpin'
+done," retorted the persecuted one, rising from the heap of cable.
+
+A second potato burst like a bombshell on the shingles behind him.
+McKay was a good general, in that he knew when it was wisest to
+retreat. Shoving the paper novel into his overalls pocket, he
+entered the shop.
+
+"What's the matter, Is?" inquired the grinning blacksmith. Most
+people grinned when they spoke to Issy. "Gittin' too hot outside
+there, was it? Why don't you tomahawk 'em and have 'em for
+supper?"
+
+"Humph!" grunted the offended quahauger. "Don't git gay now, Jake
+Larkin. You hurry up with that rake."
+
+"Oh, all right, Is. Don't sculp ME; I ain't done nothin'. What's
+the news over to East Harniss?"
+
+"Oh, I don't know. Not much. Sam Bartlett, he started for Boston
+this mornin'."
+
+"Who? Sam Bartlett? I want to know! Thought he was down for six
+weeks. You sure about that, Is?"
+
+"Course I'm sure. I was up to the depot and see him buy his ticket
+and git on the cars."
+
+"Did, hey? Humph! So Sam's gone. Gertie Higgins still over to
+her Aunt Hannah's at Trumet?"
+
+Issy looked at his questioner. "Why, yes," he said suspiciously.
+"I s'pose she's there. Fact, I know she is. Pat Starkey's doin'
+the telegraphin' while she's away. What made you ask that?"
+
+The blacksmith chuckled. "Oh, nothin'," he said. "How's her dad's
+dyspepsy? Had any more of them sudden attacks of his? I cal'late
+they'll take the old man off some of these days, won't they? I
+hear the doctor thinks there's more heart than stomach in them
+attacks."
+
+But the skipper of the Lady May was not to be put off thus. "What
+you drivin' at, Jake?" he demanded. "What's Sam Bartlett's goin'
+away got to do with Gertie Higgins?"
+
+In his eagerness he stepped to Mr. Larkin's side. The blacksmith
+caught sight of the novel in his customer's pocket. He snatched it
+forth.
+
+"What you readin' now, Is?" he demanded. "More blood and
+brimstone? 'Vivy Ann, the Shop Girl!' Gee! Wow!"
+
+"You gimme that book, Jake Larkin! Gimme it now!"
+
+Fending the frantic quahauger off with one mighty arm, the
+blacksmith proceeded to read aloud:
+
+"'Darlin',' cried Lord Lyndhurst, strainin' the beautiful and
+blushin' maid to his manly bosom, 'you are mine at last. Mine!
+No--' Jerushy! a love story! Why, Issy! I didn't know you was in
+love. Who's the lucky girl? Send me an invite to your weddin',
+won't you?"
+
+Issy's face was a fiery red. He tore the precious volume from its
+desecrator's hand, losing the pictured cover in the struggle.
+
+"You--you pesky fool!" he shouted. "You mind your own business."
+
+The blacksmith roared in glee. "Oh, ho!" he cried. "Issy's in
+love and I never guessed it. Aw, say, Is, don't be mean! Who is
+she? Have you strained her to your manly bosom yit? What's her
+name?"
+
+"Shut up!" shrieked Issy, and strode out of the shop. His
+tormentor begged him not to "go off mad," and shouted sarcastic
+sympathy after him. But Mr. McKay heeded not. He stalked angrily
+along the sidewalk. Then espying just ahead of him the boys who
+had thrown the potatoes, he paused, turned, and walking down the
+carriageway at the side of the blacksmith's place of business, sat
+down upon a sawhorse under one of its rear windows. He could, at
+least, be alone here and think; and he wanted to think.
+
+For Issy--although he didn't look it--was deeply interested in
+another love story as well as that in his pocket. This one was
+printed upon his heart's pages, and in it he was the hero, while
+the heroine--the unsuspecting heroine--was Gertie Higgins, daughter
+of Beriah Higgins, once a fisherman, now the crotchety and
+dyspeptic proprietor of the "general store" and postmaster at East
+Harniss.
+
+This story began when Issy first acquired the Lady May. The
+Higgins home stood on the slope close to the boat landing, and when
+Issy came in from quahauging, Gertie was likely to be in the back
+yard, hanging out the clothes or watering the flower garden.
+Sometimes she spoke to him of her own accord, concerning the
+weather or other important topics. Once she even asked him if he
+were going to the Fourth of July ball at the town-hall. It took
+him until the next morning--like other warriors, Issy was cursed
+with shyness--to summon courage enough to ask her to go to the ball
+with him. Then he found it was too late; she was going with her
+cousin, Lennie Bloomer. But he felt that she had offered him the
+opportunity, and was happy and hopeful accordingly.
+
+This, however, was before she went to Boston to study telegraphy.
+When she returned, with a picture hat and a Boston accent, it was
+to preside at the telegraph instrument in the little room adjoining
+the post office at her father's store. When Issy bowed blushingly
+outside the window of the telegraph room, he received only the
+airiest of frigid nods. Was there what Lord Lyndhurst would have
+called "another"? It would seem not. Old Mr. Higgins, her father,
+encouraged no bows nor attentions from young men, and Gertie
+herself did not appear to desire them. So Issy gave up his tales
+of savage butchery for those of love and blisses, adored in
+silence, and hoped--always hoped.
+
+But why had the blacksmith seemed surprised at the departure of Sam
+Bartlett, the "dudey" vacationist from the city, whose father had,
+years ago, been Beriah Higgins's partner in the fish business? And
+why had he coupled the Bartlett name with that of Gertie, who had
+been visiting her father's maiden sister at Trumet, the village
+next below East Harniss, as Denboro is the next above it? Issy's
+suspicions were aroused, and he wondered.
+
+Suddenly he heard voices in the shop above him. The window was
+open and he heard them plainly.
+
+"Well! WELL!" It was the blacksmith who uttered the exclamation.
+"Why, Bartlett, how be you? What you doin' over here? Thought
+you'd gone back to Boston. I heard you had."
+
+Slowly, cautiously, the astonished quahauger rose from the sawhorse
+and peered over the window sill. There were two visitors in the
+shop. One was Ed Burns, proprietor of the Denboro Hotel and livery
+stable. The other was Sam Bartlett, the very same who had left
+East Harniss that morning, bound, ostensibly, for Boston. Issy
+sank back again and listened.
+
+"Yes, yes!" he heard Sam say impatiently; "I know, but--see here,
+Jake, where can I hire a horse in this God-forsaken town?"
+
+"Well, well, Sam!" continued Larkin. "I was just figurin' that
+Beriah had got the best of you after all, and you'd had to give it
+up for this time. Thinks I, it's too bad! Just because your dad
+and Beriah Higgins had such a deuce of a row when they bust up in
+the fish trade, it's a shame that he won't hark to your keepin'
+comp'ny with Gertie. And you doin' so well; makin' twenty dollars
+a week up to the city--Ed told me that--and--"
+
+"Yes, yes! But never mind that. Where can I get a horse? I've
+got to be in Trumet by eight to-night sure."
+
+"Trumet? Why, that's where Gertie is, ain't it?"
+
+"Look a-here, Jake," broke in the livery-stable keeper. "I'll tell
+you how 'tis. Oh, it's all right, Sam! Jake knows the most of it;
+I told him. He can keep his mouth shut, and he don't like old
+crank Higgins any better'n you and me do. Jake, Sam here and
+Gertie had fixed it up to run off and git married to-night. He was
+to pretend to start for Boston this mornin'. Bought a ticket and
+all, so's to throw Beriah off the scent. He was to get off the
+train here at Denboro and I was to let him have a horse 'n' buggy.
+Then, this afternoon, he was goin' to drive through the wood roads
+around to Trumet and be at the Baptist Church there at eight to-
+night sharp. Gertie's Aunt Hannah, she's had her orders, and bein'
+as big a crank as her brother, she don't let the girl out of her
+sight. But there's a fair at the church and Auntie's tendin' a
+table. Gertie, she steps out to the cloak room to git a
+handkerchief which she's forgot; see? And she hops into Sam's
+buggy and away they go to the minister's. After they're once
+hitched Old Dyspepsy can go to pot and see the kittle bile."
+
+"Bully! By gum, that's fine! Won't Beriah rip some, hey?"
+
+"Yes, but there's the dickens to pay. I've only got two horses in
+the stable to-day. The rest are let. And the two I've got--one's
+old Bill, and he couldn't go twenty mile to save his hide. And
+t'other's the gray mare, and blamed if she didn't git cast last
+night and use up her off hind leg so's she can't step. And Sam's
+GOT to have a horse. Where can I git one?"
+
+"Hum! Have you tried Haynes's?"
+
+"Yes, yes! And Lathrop's and Eldredge's. Can't git a team for
+love nor money."
+
+"Sho! And he can't go by train?"
+
+"What? With Beriah postmaster at East Harniss and always nosin'
+through every train that stops there? You can't fetch Trumet by
+train without stoppin' at East Harniss and-- What was that?"
+
+"I don't know. What was it?"
+
+"Sounded like somethin' outside that back winder."
+
+The two ran to the window and looked out. All they saw was an
+overturned sawhorse and two or three hens scratching vigorously.
+
+"Guess 'twas the chickens, most likely," observed the blacksmith.
+Then, striking his blackened palms together, he exclaimed:
+
+"By time! I've thought of somethin'! Is McKay is in town to-day.
+Come over in the Lady May. She's a gasoline boat. Is would take
+Sam to Trumet for two or three dollars, I'll bet. And he's such a
+fool head that he wouldn't ask questions nor suspicion nothin'.
+'Twould be faster'n a horse and enough sight less risky."
+
+And just then the "fool head," his brain whirling under its carroty
+thatch, was hurrying blindly up the main street, bound somewhere,
+he wasn't certain where.
+
+A mushy apple exploded between his shoulders, but he did not even
+turn around. So THIS was what the blacksmith meant! This was why
+Mr. Higgins watched his daughter so closely. This was why Gertie
+had been sent off to Trumet. She had met the Bartlett miscreant in
+Boston; they had been together there; had fallen in love and-- He
+gritted his teeth and shook his fists almost in the face of old
+Deacon Pratt, who, knowing the McKay penchant for slaughter, had
+serious thoughts of sending for the constable.
+
+Beriah Higgins must be warned, of course, but how? To telegraph
+was to put Pat Starkey in possession of the secret, and Pat was too
+good a friend of Gertie's to be trusted. There was no telephone at
+the store. Issy entered the combination grocery store and post
+office.
+
+"Has the down mail closed yet?" he panted.
+
+The postmaster looked out of his little window.
+
+"Yes," he replied. "Why? Got a letter you want to go? Take it up
+to the depot. The train's due, but 'tain't here yit. If you run
+you can make it."
+
+Issy took a card from his pocket. It was the business card of the
+firm to whom he sold his quahaugs. On the back of the card he
+wrote in pencil as follows:
+
+"Mr. Beriah Higgins, your daughter Gertrude is going to meet Sam'l
+Bartlett at the Baptist Church in Trumet at 8 P.M. to-night and get
+married to him. LOOK OUT!!!"
+
+After an instant's consideration he signed it "A True Friend," this
+being in emulation of certain heroes of the Deadwood Dick variety.
+Then he put the card into an envelope and ran at top speed to the
+railway station. The train came in as he reached the platform.
+The baggage master was standing in the door of his car.
+
+"Here, mister!" panted Issy. "Jest hand this letter to Beriah
+Higgins when he takes the mail bag at East Harniss, won't you?
+It's mighty important. Don't forgit. Thanks."
+
+The train moved off. Issy stared after it, grinning malevolently.
+Higgins would get that note in ample time to send word to the
+watchful Aunt Hannah. When the unsuspecting eloper reached the
+Trumet church, it would be the aunt, not the niece, who awaited
+him. Still grinning, Mr. McKay walked off the platform, and into
+the arms of Ed Burns, the stable keeper, and Sam Bartlett, his
+loathed and favored rival.
+
+"Here he is!" shouted Burns. "Now we've got him."
+
+The foiler of the plot turned pale. Was his secret discovered?
+But no; his captors began talking eagerly, and gradually the sense
+of their pleadings became plain. They wanted him--HIM, of all
+people--to convey Bartlett to Trumet in the Lady May.
+
+"You see, it's a business meetin'," urged Burns. "Sam's got to be
+there by ha'f past seven or he'll--he won't win on the deal, will
+you, Sam? Say yes, Issy; that's a good feller. He'll give you--I
+don't know's he won't give you five dollars."
+
+"Ten," cried Bartlett. "And I'll never forget it, either. Will
+you, Is?"
+
+A mighty "No!" was trembling on Issy's tongue. But before it was
+uttered Burns spoke again.
+
+"McKay's got the best boat in these parts," he urged. "She's got a
+tiptop engine in her, and--"
+
+The word "engine" dropped into the whirlpool of Issy's thoughts
+with a familiar sound. In the chapter of "Vivian" that he had just
+finished, the beautiful shopgirl was imprisoned on board the yacht
+of the millionaire kidnaper, while the hero, in his own yacht, was
+miles astern. But the hero's faithful friend, disguised as a
+stoker, was tampering with the villain's engine. A vague idea
+began to form in Issy's brain. Once get the would-be eloper aboard
+the Lady May, and, even though the warning note should remain
+undelivered, he--
+
+Issy smiled, and the ghastliness of that smile was unnoticed by his
+companions.
+
+"I--I'll do it," he cried. "By mighty! I WILL do it. You be at
+the wharf here at four o'clock. I wouldn't do it for everybody,
+Sam Bartlett, but for you I'd do consider'ble, just now. And I
+don't want your ten dollars nuther."
+
+
+Doctoring an engine may be easy enough--in stories. But to doctor
+a gasoline engine so that it will run for a certain length of time
+and THEN break down is not so easy. Three o'clock came and the
+problem was still unsolved. Issy, the perspiration running down
+his face, stood up in the Lady May's cockpit and looked out across
+the bay, smooth and glassy in the afternoon sun.
+
+The sky overhead was clear and blue, but along the eastern and
+southern horizon was a gray bank of cloud, heaped in tumbled
+masses.
+
+A sunburned lobsterman in rubber boots and a sou'wester was smoking
+on the wharf.
+
+"What time you goin' to start for home, Is?" he asked.
+
+"Oh, in an hour or so," was the absent-minded reply.
+
+"Humph! You'd better cast off afore that or you'll be fog bound.
+It'll be thicker'n dock mud toward sundown, and you'll fetch up in
+Waptomac 'stead of East Harniss, 'thout you've got a good compass."
+
+"Oh, my compass is all right," began Issy, and stopped short. The
+lobsterman made other attempts at conversation, but they were
+unproductive. McKay was gazing at the growing fog bank and
+thinking hard. To doctor an engine may be difficult, but to get
+lost in a fog-- He took the compass from the glass-lidded binnacle
+by the wheel, and carrying it into the little cabin, placed it in
+the cuddy forward.
+
+It was nearer five than four when the Lady May, her engine barking
+aggressively, moved out of Denboro Harbor. Mr. Bartlett, the
+passenger, had been on time and had fumed and fretted at the delay.
+But Issy was deliberation itself. He had forgotten his quahaug
+rake, and the lapse of memory entailed a trip to the blacksmith's.
+Then the gasoline tank needed filling and the battery had to be
+overhauled.
+
+"Are you sure you can make it?" queried Sam anxiously. "It's
+important, I tell you. Mighty important."
+
+The skipper snorted in disgust. "Make it?" he repeated. "If the
+Lady May can't make fourteen mile in two hours--let alone two'n a
+ha'f--then I don't know her. She's one of them boats you read
+about, she is."
+
+The Cape makes a wide bend between Denboro and Trumet. The
+distance between these towns is twenty long, curved miles over the
+road; by water it is reduced to a straight fourteen. And midway
+between the two, at the center of the curve, is East Harniss.
+
+The Lady May coughed briskly on. There was no sea, and she sent
+long, widening ripples from each side of her bow. Bartlett,
+leaning over the rail, gazed impatiently ahead. Issy, sprawled on
+the bench by the wheel, was muttering to himself. Occasionally he
+glanced toward the east. The gray fog bank was now half way to the
+zenith and approaching rapidly. The eastern shore had disappeared.
+
+"Is! Hi, Is! What are you doing? Don't kill him before my eyes."
+
+Issy came out of his trance with a start.
+
+"What--what's that?" he asked. His passenger was grinning broadly.
+
+"What? Kill who?"
+
+"Why, the big chief, or whoever you had under your knee just then.
+You've been rolling your eyes and punching air with your fist for
+the last five minutes. I was getting scared. You're an unmerciful
+sinner when you get started, ain't you, Is? Who was the victim
+that time? 'Man Afraid of Hot Water'? or who?"
+
+The skipper scowled. He shoved the fist into his pocket.
+
+"Naw," he growled. "'Twa'n't."
+
+"So? Not an Indian? Then it must have been a white man. Some
+fellow after your girl, perhaps. Hey?"
+
+The disconcerted Issy was speechless. His companion's chance shot
+had scored a bull's-eye. Sam whooped.
+
+"That's it!" he crowed. "Sure thing! Give it to him, Is! Don't
+spare him."
+
+Mr. McKay chokingly admitted that he "wa'n't goin' to."
+
+"Ho, ho! That's the stuff! But who's SHE, Is? When are you going
+to marry her?"
+
+Issy grunted spitefully. "You ain't married yourself--not yit," he
+observed, with concealed sarcasm.
+
+The unsuspecting Bartlett laughed in triumph. "No," he said. "I'm
+not, that's a fact; but maybe I'm going to be some of these days.
+It looked pretty dubious for a while, but now it's all right."
+
+"'Tis, hey? You're sure about that, be you?"
+
+"Guess I am. Great Scott! what's that? Fog?"
+
+A damp breath blew across the boat. The clouds covered the sky
+overhead and the bay to port. The fog was pouring like smoke
+across the water.
+
+"Fog, by thunder!" exclaimed Bartlett.
+
+Issy smiled. "Hum! Yes, 'tis fog, ain't it?" he observed.
+
+"But what'll we do? It'll be here in a minute, won't it?"
+
+"Shouldn't be a mite surprised. Looks 's if twas here now."
+
+The fog came on. It reached the Lady May, passed over her, and
+shut her within gray, wet walls. It was impossible to see a length
+from her side. Sam swore emphatically. The skipper was
+provokingly calm. He stepped to the engine, bent over it, and then
+returned to the wheel.
+
+"What are you doing?" demanded Bartlett.
+
+"Slowin' down, of course. Can't run more'n ha'f speed in a fog
+like this. 'Tain't safe."
+
+"Safe! What do I care? I want to get to Trumet."
+
+"Yes? Well, maybe we'll git there if we have luck."
+
+"You idiot! We've GOT to get there. How can you tell which way to
+steer? Get your compass, man! get your compass!"
+
+"Ain't got no compass," was the sulky answer. Left it to home."
+
+"Why, no, you didn't. I--"
+
+"I tell you I did. 'Twas careless of me, I know, but--"
+
+"But I say you didn't. When you went uptown after that quahaug
+rake I explored this craft of yours some. The compass is in that
+little closet at the end of the cabin. I'll get it."
+
+He rose to his feet. Issy sprang forward and seized him by the
+arm.
+
+"Set down!" he yelled. "Who's runnin' this boat, you or me?"
+
+The astounded passenger stared at his companion.
+
+"Why, you are," he replied. "But that's no reason-- What's the
+matter with you, anyway? Have your dime novels driven you loony?"
+
+Issy hesitated. For a moment chagrin and rage at this sudden upset
+of his schemes had gotten the better of his prudence. But Bartlett
+was taller than he and broad in proportion. And valor--except of
+the imaginative brand--was not Issy's strong point.
+
+"There, there, Sam!" he explained, smiling crookedly. "You mustn't
+mind me. I'm sort of nervous, I guess. And you mustn't hop up and
+down in a boat that way. You set still and I'll fetch the
+compass."
+
+He stumbled across the cockpit and disappeared in the dusk of the
+cabin. Finding that compass took a long time. Sam lost patience.
+
+"What's the matter?" he demanded. "Can't you find it? Shall I
+come?"
+
+"No, no!" screamed Issy vehemently. "Stay where you be. Catch a-
+holt of that wheel. We'll be spinnin' circles if you don't. I'm
+a-comin'."
+
+But it was another five minutes before he emerged from the cabin,
+carrying the compass box very carefully with both hands. He placed
+it in the binnacle and closed the glass lid.
+
+"'Twas catched in a bluefish line," he explained. "All snarled up,
+'twas."
+
+Sam peered through the glass at the compass.
+
+"Thunder!" he exclaimed. "I should say we had spun around.
+Instead of north being off here where I thought it was, it's 'way
+out to the right. Queer how fog'll mix a fellow up. Trumet's
+about northeast, isn't it?"
+
+"No'theast by no'th's the course. Keep her just there."
+
+The Lady May, still at half speed, kept on through the mist. Time
+passed. The twilight, made darker still by the fog, deepened.
+They lit the lantern in order to see the compass card. Issy had
+the wheel now. Sam was forward, keeping a lookout and fretting at
+the delay.
+
+"It's seven o'clock already," he cried. "For Heaven's sake, how
+late will you be? I've got to be there by quarter of eight. D'you
+hear? I've GOT to."
+
+"Well, we're gittin' there. Can't expect to travel so fast with
+part of the power off. You'll be where you're goin' full as soon
+as you want to be, I cal'late."
+
+And he chuckled.
+
+Another half hour and, through the wet dimness, a light flashed,
+vanished, and flashed again. Issy saw it and smiled grimly.
+Bartlett saw it and shouted.
+
+"'What's that light?" he cried. "Did you see it? There it is, off
+there."
+
+"I see it. There's a light at Trumet Neck, ain't there?"
+
+"Humph! It's been years since I was there, but I thought Trumet
+light was steady. However--"
+
+"Ain't that the wharf ahead?"
+
+Sure enough, out of the dark loomed the bulk of a small wharf, with
+catboats at anchor near it. Higher up, somewhere on the shore,
+were the lighted windows of a building.
+
+"By thunder, we're here!" exclaimed Sam, and drew a long breath.
+
+Issy shut off the power altogether, and the Lady May slid easily up
+to the wharf. Feverishly her skipper made her fast.
+
+"Yes, sir!" he cried exultantly. "We're here. And no Black Rover
+nor anybody else ever done a better piece of steerin' than that,
+nuther."
+
+He clambered over the stringpiece, right at the heels of his
+impatient but grateful passenger. Sam's thanks were profuse and
+sincere.
+
+"I'll never forget it, Is," he declared. "I'll never forget it.
+And you'll have to let me pay you the-- What makes you shake so?"
+
+Issy pulled his arm away and stepped back.
+
+"I'll never forget it, Is," continued Sam. "I-- Why! What--?"
+
+He was standing at the shore end of the wharf, gazing up at the
+lighted windows. They were those of a dwelling house--an old-
+fashioned house with a back yard sloping down to the landing.
+
+And then Issy McKay leaned forward and spoke in his ear.
+
+"You bet you won't forgit it, Sam Bartlett!" he crowed, in
+trembling but delicious triumph. "You bet you won't! I've fixed
+you just the same as the Black Rover fixed the mutineers. Run off
+with my girl, will ye? And marry her, will ye? I--"
+
+Sam interrupted him. "Why! WHY!" he cried. "That's--that's
+Gertie's house! This isn't Trumet! IT'S EAST HARNISS!
+
+The next moment he was seized from behind. The skipper's arms were
+around his waist and the skipper's thin legs twisted about his own.
+They fell together upon the sand and, as they rolled and struggled,
+Issy's yells rose loud and high.
+
+"Mr. Higgins!" he shrieked. "Mr. Higgins! Come on! I've got him!
+I've got the feller that's tryin' to steal your daughter! Come on!
+I've got him! I'm hangin' to him!"
+
+A door banged open. Some one rushed down the walk. And then a
+girl's voice cried in alarm:
+
+"What is it? Who is it? What IS the matter?"
+
+And from the bundle of legs and arms on the ground two voices
+exclaimed: "GERTIE!"
+
+"But where IS your father?" asked Sam. Issy asked nothing. He
+merely sat still and listened.
+
+"Why, he's at Trumet. At least I suppose he is. Mrs. Jones--she's
+gone to telephone to him now--says that he came home this morning
+with one of those dreadful 'attacks' of his. And after dinner he
+seemed so sick that, when she went for the doctor, she wired me at
+Auntie's to come home. I didn't want to come--you know why--but I
+COULDN'T let him die alone. And so I caught the three o'clock
+train and came. I knew you'd forgive me. But it seems that when
+Mrs. Jones came back with the doctor they found father up and
+dressed and storming like a crazy man. He had received some sort
+of a letter; he wouldn't say what. And, in spite of all they could
+do, he insisted on going out. And Cap'n Berry--the depot master--
+says he went to Trumet on the afternoon freight. We must have
+passed each other on the way. And I'm so-- But why are you HERE?
+And what were you and Issy doing? And--"
+
+Her lover broke in eagerly. "Then you're alone now?" he asked.
+
+"Yes, but--"
+
+"Good! Your father can't get a train back from Trumet before to-
+morrow morning. I don't know what this letter was--but never mind.
+Perhaps friend McKay knows more about it. It may be that Mr.
+Higgins is waiting now outside the Baptist church. Gertie, now's
+our chance. You come with me right up to the minister's. He's a
+friend of mine. He understands. He'll marry us, I know. Come!
+We mustn't lose a minute. Your dad may take a notion to drive
+back."
+
+He led her off up the lane, she protesting, he urging. At the
+corner of the house he turned.
+
+"I say, Is!" he called. "Don't you want to come to the wedding?
+Seems to me we owe you that, considering all you've done to help it
+along. Or perhaps you want to stay and fix that compass of yours."
+
+Issy didn't answer. Some time after they had gone he arose from
+the ground and stumbled home. That night he put a paper novel into
+the stove. Next morning, before going to the depot, he removed an
+iron spike from the Lady May's compass box. The needle swung back
+to its proper position.
+
+
+CHAPTER XVIII
+
+THE MOUNTAIN AND MAHOMET
+
+
+The eleventh of July. The little Berry house stood high on its
+joists and rollers, in the middle of the Hill Boulevard, directly
+opposite the Edwards lot. Close behind it loomed the big
+"Colonial." Another twenty-four hours, and, even at its one-horse
+gait, the depot master's dwelling would be beyond the strip of
+Edwards fence. The "Colonial" would be ready to move on the lot,
+and Olive Edwards, the widow, would be obliged to leave her home.
+In fact, Mr. Williams had notified her that she and her few
+belongings must be off the premises by the afternoon of the
+twelfth.
+
+The great Williams was in high good-humor. He chuckled as he
+talked with his foreman, and the foreman chuckled in return.
+Simeon Phinney did not chuckle. He was anxious and worried, and
+even the news of Gertie Higgins's runaway marriage, brought to him
+by Obed Gott, who--having been so recently the victim of another
+unexpected matrimonial alliance--was wickedly happy over the
+postmaster's discomfiture, did not interest him greatly.
+
+"Well, I wonder who'll be the next couple," speculated Obed.
+"First Polena and old Hardee, then Gertie Higgins and Sam Bartlett!
+I declare, Sim, gettin' married unbeknownst to anybody must be
+catchin', like the measles. Nobody's safe unless they've got a
+wife or husband livin'. Me and Sol Berry are old baches--we'd
+better get vaccinated or WE may come down with the disease. Ho!
+ho!"
+
+After dinner Mr. Phinney went from his home to the depot. Captain
+Sol was sitting in the ticket office, with the door shut. On the
+platform, forlornly sprawled upon the baggage truck, was Issy
+McKay, the picture of desolation. He started nervously when he
+heard Simeon's step. As yet Issy's part in the Bartlett-Higgins
+episode was unknown to the townspeople. Sam and Gertie had
+considerately kept silence. Beriah had not learned who sent him
+the warning note, the unlucky missive which had brought his
+troubles to a climax. But he was bound to learn it, he would find
+out soon, and then-- No wonder Issy groaned.
+
+"Come in here, Sim," said the depot master. Phinney entered the
+ticket office.
+
+"Shut the door," commanded the Captain. The order was obeyed.
+"Well, what is it?" asked Berry.
+
+"Why, I just run in to see you a minute, Sol, that's all. What are
+you shut up in here all alone for?"
+
+"'Cause I want to be alone. There's been more than a thousand
+folks in this depot so far to-day, seems so, and they all wanted to
+talk. I don't feel like talkin'."
+
+"Heard about Gertie Higgins and--"
+
+"Yes."
+
+"Who told you?"
+
+"Hiram Baker told me first. He's a fine feller and he's so
+tickled, now that his youngster's 'most well, that he cruises
+around spoutin' talk and joy same as a steamer's stack spouts
+cinders. He told me. Then Obed Gott and Cornelius Rowe and Redny
+Blount and Pat Starkey, and land knows how many more, came to tell
+me. I cut 'em short. Why, even the Major himself condescended to
+march in, grand and imposin' as a procession, to make proclamations
+about love laughin' at locksmiths, and so on. Since he got Polena
+and her bank account he's a bigger man than the President, in his
+own estimate."
+
+"Humph! Well, he better make the best of it while it lasts.
+P'lena ain't Hetty Green, and her money won't hold out forever."
+
+"That's a fact. Still Polena's got sense. She'll hold Hardee in
+check, I cal'late. I wouldn't wonder if it ended by her bossin'
+things and the Major actin' as a sort of pet poodle dog--nice and
+pretty to walk out with, but always kept at the end of a string."
+
+"You didn't go to Higgins's for dinner to-day, did you?"
+
+"No. Nor I shan't go for supper. Beriah's bad enough when he's
+got nothin' the matter with him but dyspepsy. Now that his
+sufferin's are complicated with elopements, I don't want to eat
+with him."
+
+"Come and have supper with us."
+
+"I guess not, thank you, Sim. I'll get some crackers and cheese
+and such at the store. I--I ain't very hungry these days."
+
+He turned his head and looked out of the window. Simeon fidgeted.
+
+"Sol," he said, after a pause, "we'll be past Olive's by to-morrer
+night."
+
+No answer. Sim repeated his remark.
+
+"I know it," was the short reply.
+
+"Yes--yes, I s'posed you did, but--"
+
+"Sim, don't bother me now. This is my last day here at the depot,
+and I've got things to do."
+
+"Your last day? Why, what--?"
+
+Captain Sol told briefly of his resignation and of the coming of
+the new depot master.
+
+"But you givin' up your job!" gasped Phinney. "YOU! Why, what
+for?"
+
+"For instance, I guess. I ain't dependent on the wages, and I'm
+sick of the whole thing."
+
+"But what'll you do?"
+
+"Don't know."
+
+"You--you won't leave town, will you? Lawsy mercy, I hope not!"
+
+"Don't know. Maybe I'll know better by and by. I've got to think
+things out. Run along now, like a good feller. Don't say nothin'
+about my quittin'. All hands'll know it to-morrow, and that's soon
+enough."
+
+Simeon departed, his brain in a whirl. Captain Solomon Berry no
+longer depot master! The world must be coming to an end.
+
+He remained at his work until supper time. During the meal he ate
+and said so little that his wife wondered and asked questions. To
+avoid answering them he hurried out. When he returned, about ten
+o'clock, he was a changed man. His eyes shone and he fairly danced
+with excitement.
+
+"Emeline!" he shouted, as he burst into the sitting room. "What do
+you think? I've got the everlastin'est news to tell!"
+
+"Good or bad?" asked the practical Mrs. Phinney.
+
+"Good! So good that-- There! let me tell you. When I left here I
+went down to the store and hung around till the mail was sorted.
+Pat Starkey was doin' the sortin', Beriah bein' too upsot by
+Gertie's gettin' married to attend to anything. Pat called me to
+the mail window and handed me a letter.
+
+"'It's for Olive Edwards,' he says. 'She's been expectin' one for
+a consider'ble spell, she told me, and maybe this is it. P'r'aps
+you'd just as soon go round by her shop and leave it.'
+
+"I took the letter and looked at it. Up in one corner was the
+printed name of an Omaha firm. I never said nothin', but I
+sartinly hustled on my way up the hill.
+
+"Olive was in her little settin' room back of the shop. She was
+pretty pale, and her eyes looked as if she hadn't been doin' much
+sleepin' lately. Likewise I noticed--and it give me a queer
+feelin' inside--that her trunk was standin', partly packed, in the
+corner."
+
+"The poor woman!" exclaimed Mrs. Phinney.
+
+"Yes," went on her husband. "Well, I handed over the letter and
+started to go, but she told me to set down and rest, 'cause I was
+so out of breath. To tell you the truth, I was crazy to find out
+what was in that envelope and, being as she'd give me the excuse, I
+set.
+
+"She took the letter over to the lamp and looked at it for much as
+a minute, as if she was afraid to open it. But at last, and with
+her fingers shakin' like the palsy, she fetched a long breath and
+tore off the end of the envelope. It was a pretty long letter, and
+she read it through. I see her face gettin' whiter and whiter and,
+when she reached the bottom of the last page, the letter fell onto
+the floor. Down went her head on her arms, and she cried as if her
+heart would break. I never felt so sorry for anybody in my life.
+
+"'Don't, Mrs. Edwards,' I says. 'Please don't. That cousin of
+yours is a darn ungrateful scamp, and I'd like to have my claws on
+his neck this minute.'
+
+"She never even asked me how I knew about the cousin. She was too
+much upset for that.
+
+"'Oh! oh!' she sobs. 'What SHALL I do? Where shall I go? I
+haven't got a friend in the world!'
+
+"I couldn't stand that. I went acrost and laid my hand on her
+shoulder.
+
+"'Mrs. Edwards,' says I, 'you mustn't say that. You've got lots of
+friends. I'm your friend. Mr. Hilton's your friend. Yes, and
+there's another, the best friend of all. If it weren't for him,
+you'd have been turned out into the street long before this.'"
+
+Mrs. Phinney nodded. "I'm glad you told her!" she exclaimed.
+"She'd ought to know."
+
+"That's what I thought," said Simeon.
+
+"Well, she raised her head then and looked at me.
+
+"'You mean Mr. Williams?' she asks.
+
+"That riled me up. 'Williams nothin'!' says I. 'Williams let you
+stay here 'cause he could just as well as not. If he'd known that
+this other friend was keepin' him from gettin' here, just on your
+account, he'd have chucked you to glory, promise or no promise.
+But this friend, this real friend, he don't count cost, nor
+trouble, nor inconvenience. Hikes his house--the house he lives
+in--right out into the road, moves it to a place where he don't
+want to go, and--'
+
+"'Mr. Phinney,' she sighs out, 'what do you mean?'
+
+"And then I told her. She listened without sayin' a word, but her
+eyes kept gettin' brighter and brighter and she breathed short.
+
+"'Oh!' she says, when I'd finished. 'Did he--did he--do that for
+ME?'
+
+"'You bet!' says I. 'He didn't tell me what he was doin' it for--
+that ain't Sol's style; but I'm arithmetiker enough to put two and
+two together and make four. He did it for you, you can bet your
+last red on that.'
+
+"She stood up. 'Oh!' she breathes. 'I--I must go and thank him.
+I--'
+
+"But, knowin' Sol, I was afraid. Fust place, there was no tellin'
+how he'd act, and, besides, he might not take it kindly that I'd
+told her.
+
+"'Wait a jiffy,' I says. 'I'll go out and see if he's home. You
+stay here. I'll be back right off.'
+
+"Out I put, and over to the Berry house, standin' on its rollers in
+the middle of the Boulevard. And, just as I got to it, somebody
+says:
+
+"'Ahoy, Sim! What's the hurry? Anybody on fire?'
+
+"'Twas the Cap'n himself, settin' on a pile of movin' joist and
+smokin' as usual. I didn't waste no time.
+
+"'Sol,' says I, 'I've just come from Olive's. She's got that
+letter from the Omaha man. Poor thing! all alone there--'
+
+"He interrupted me sharp. 'Well?' he snaps. 'What's it say? Will
+the cousin help her?'
+
+"'No,' I says, 'drat him, he won't!'
+
+"The answer I got surprised me more'n anything I ever heard or ever
+will hear.
+
+"'Thank God!' says Sol Berry. 'That settles it.'
+
+"And I swan to man if he didn't climb down off them timbers and
+march straight across the street, over to the door of Olive
+Edwards's home, open it, and go in! I leaned against the joist
+he'd left, and swabbed my forehead with my sleeve."
+
+"He went to HER!" gasped Mrs. Phinney.
+
+"Wait," continued her husband. "I must have stood there twenty
+minutes when I heard somebody hurryin' down the Boulevard. 'Twas
+Cornelius Rowe, all red-faced and het up, but bu'stin' with news.
+
+"''Lo, Sim!' says he to me. 'Is Cap'n Sol home? Does he know?'
+
+"'Know? Know what?" says I.
+
+"'Why, the trick Mr. Williams put up on him? Hey? You ain't
+heard? Well, Mr. Williams's fixed him nice, HE has! Seems Abner
+Payne hadn't answered Sol's letter tellin' him he'd accept the
+offer to swap lots, and Williams went up to Wareham where Payne's
+been stayin' and offered him a thumpin' price for the land on Main
+Street, and took it. The deed's all made out. Cap'n Sol can't
+move where he was goin' to, and he's left with his house on the
+town, as you might say. Ain't it a joke, though? Where is Sol? I
+want to be the fust to tell him and see how he acts. Is he to
+home?'
+
+"I was shook pretty nigh to pieces, but I had some sense left.
+
+"'No, he ain't,' says I. 'I see him go up street a spell ago.'"
+
+"Why, Simeon!" interrupted Mrs. Phinney once more. "Was that true?
+How COULD you see him when--"
+
+"Be still! S'pose I was goin' to tell him where Sol HAD gone? I'd
+have lied myself blue fust. However, Cornelius was satisfied.
+
+"'That so?' he grunts. 'By jings! I'm goin' to find him.'
+
+"Off he went, and the next thing I knew the Edwards door opened,
+and I heard somebody callin' my name. I went acrost, walkin' in a
+kind of daze, and there, in the doorway, with the lamp shinin' on
+'em, was Cap'n Sol and Olive. The tears was wet on her cheeks, but
+she was smilin' in a kind of shy, half-believin' sort of way, and
+as for Sol, he was one broad, satisfied grin.
+
+"'Cap'n,' I begun, 'I just heard the everlastin'est news that--'
+
+"'Shut up, Sim!' he orders, cheerful. 'You've been a mighty good
+friend to both of us, and I want you to be the fust to shake
+hands.'
+
+"'Shake hands?' I stammers, lookin' at 'em. 'WHAT? You don't
+mean--'
+
+"'I mean shake hands. Don't you want to?'
+
+"Want to! I give 'em both one more look, and then we shook, up to
+the elbows; and my grin had the Cap'n's beat holler.
+
+"'Sim,' he says, after I'd cackled a few minutes, 'I cal'late maybe
+that white horse is well by this time. P'r'aps we might move a
+little faster. I'm kind of anxious to get to Main Street.'
+
+"Then I remembered. 'Great gosh all fish-hooks!' I sings out.
+'Main Street? Why, there AIN'T no Main Street!'
+
+"And I gives 'em Cornelius's news. The widow's smile faded out.
+
+"'Oh!' says she. 'O Solomon! And I got you into all this
+trouble!'
+
+"Cap'n Sol didn't stop grinnin', but he scratched his head. 'Huh!'
+says he. 'Mark one up for King Williams the Great. Humph!'
+
+"He thought for a minute and then he laughed out loud. 'Olive,' he
+says, 'if I remember right, you and I always figgered to live on
+the Shore Road. It's the best site in town. Sim, I guess if that
+white horse IS well, you can move that shanty of mine right to
+Cross Street, down that, and back along the Shore Road to the place
+where it come from. THAT land's mine yet,' says he.
+
+"If that wa'n't him all over! I couldn't think what to say, except
+that folks would laugh some, I cal'lated.
+
+"'Not at us, they won't,' says he. 'We'll clear out till the
+laughin' is over. Olive, to-morrer mornin' we'll call on Parson
+Hilton and then take the ten o'clock train. I feel's if a trip to
+Washin'ton would be about right just now.'
+
+"She started and blushed and then looked up into his face.
+'Solomon,' she says, low, 'I really would like to go to Niagara.'
+
+"He shook his head. 'Old lady,' says he, 'I guess you don't quite
+understand this thing. See here'--p'intin' to his house loomin'
+big and black in the roadway--'see! the mountain has come to
+Mahomet.'"
+
+Mrs. Phinney had heard enough. She sprang from her chair and
+seized her husband's hands.
+
+"Splendid!" she cried, her face beaming. "Oh, AIN'T it lovely!
+Ain't you glad for 'em, Simeon?"
+
+"Glad! Say, Emeline; there's some of that wild-cherry bounce down
+cellar, ain't there? Let's break our teetotalism for once and
+drink a glass to Cap'n and Mrs. Solomon Berry. Jerushy! I got to
+do SOMETHIN' to celebrate."
+
+
+On the Hill Boulevard the summer wind stirred the silverleaf
+poplars. The thick, black shadows along the sidewalks were heavy
+with the perfume of flowers. Captain Sol, ex-depot master of East
+Harniss, strolled on in the dark, under the stars, his hands in his
+pockets, and in his heart happiness complete and absolute.
+
+Behind him twinkled the lamp in the window of the Edwards house, so
+soon to be torn down. Before him, over the barberry hedge, blazed
+the windows of the mansion the owner of which was responsible for
+it all. The windows were open, and through them sounded the voices
+of the mighty Ogden Hapworth Williams and his wife, engaged in a
+lively altercation. It was an open secret that their married life
+was anything but peaceful.
+
+"What are you grumbling about now?" demanded 'Williams. "Don't I
+give you more money than--"
+
+"Nonsense!" sneered Mrs. Williams, in scornful derision.
+"Nonsense, I say! Money is all there is to you, Ogden. In other
+things, the real things of this world, those you can't buy with
+money, you're a perfect imbecile. You know nothing whatever about
+them."
+
+Captain Sol, alone on the walk by the hedge, glanced in the
+direction of the shrill voice, then back at the lamp in Olive's
+window. And he laughed aloud.
+
+
+
+
+
+End of Project Gutenberg Etext of The Depot Master, by Joseph C. Lincoln
+
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