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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:53:29 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:53:29 -0700 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/22671-8.txt b/22671-8.txt new file mode 100644 index 0000000..0b846ee --- /dev/null +++ b/22671-8.txt @@ -0,0 +1,1628 @@ +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 104, +April 8, 1893, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 104, April 8, 1893 + +Author: Various + +Editor: Francis Burnand + +Release Date: September 19, 2007 [EBook #22671] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Lesley Halamek, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +PUNCH, OR THE LONDON CHARIVARI + +VOL. 104. + +APRIL 8, 1893. + + +Edited by Sir Francis Burnand + + + + +SPORTING ANSWERS. + +ANGLING. + +FLEACATCHER.--Yes, the trout in the river Itching (this is the only +correct spelling) are red, and, before they are boiled, raw. The best +method of catching them is to tickle them. When you have hooked an +Itching trout, you first scratch him, and then cook him. + +NOVICE.--We only knew one man who could make a decent rod, and he died +twenty years ago. Remember the old adage so dear to IZAAK, _Qui parcit +virgæ spoliat puerum_. For instructions as to use of implement, and +translation of Latin, apply to any head-master. Failure in the latter +will inevitably lead to application of the former. Then pause for +reflection, but _don't sit down_. + +SPOOK.--What on earth is the use of applying to us about a phantom? +We never keep one on the premises. Try personal interview with W. T. +STEAD, who has a fine selection, JULIA being specially effective. Why +do you ask if we generally spin? Not having been born a top, we prefer +walking. + +CONTEMPLATIVE.--(1) It's absolutely useless offering us these paltry +inducements to betray the secrets of our skill. We are--we hope we may +say it without undue pride--an All-Round Angler, and we are not going +to be squared by a bait of that kind. (2) We have never pretended we +were a salmon. If ANDREW LANG says we have, we challenge him to repeat +it to our face before witnesses. (3) Whitebait are no longer kept in +the Round Pond at Kensington. We knew as many as four there ten years +ago. + +CALIPEE.--You are quite right. When a ship turns turtle the fact is +instantly communicated to the Lord Mayor and Aldermen of the City of +London. They proceed to the spot in the _Maria Wood_, and the one +who secures the interesting saurian is allowed to eat all the green +fat. With you we hope devoutly that the time is far distant when the +desecrating hand of a Socialistic Government will be allowed to lay a +finger on these ancient civic customs. No. The Fishmongers' Company do +not sell fish. Their motto is, _Edo, non vendo_. + + * * * * * + +ACTON EST.--_The Cornhill Magazine_ for this month has an interesting +article on "Actors and Actresses in Westminster Abbey," not seen there +much when alive, but there for good after their decease. It is stated +of Mrs. BARRY that she was not interred in the Abbey, as has been, +it appears, generally supposed, but found her resting-place at Acton. +Odd, that when she had ceased to act, she should be sent to Act-on! + + * * * * * + +[Illustration: "TAKE CARE OF THE PENCE, AND THE POUNDS," &c. + +_Muriel._ "MAMMA, WHAT HAVE YOU GOT THE CARRIAGE OUT FOR SO LATE? +WHERE _ARE_ YOU GOING?" + +_Mrs. Goldie._ "NOW, MURIEL, YOU KNOW HOW YOUR FATHER KEEPS WORRYING +ABOUT EXTRAVAGANCE, AND OF COURSE I MUST SET AN EXAMPLE. SO I'M GOING +TO THE PUBLIC LIBRARY TO SEE THE EVENING PAPER!"] + + * * * * * + +THE CRY OF THE CUE-IST. (_To the Champion, by a Discouraged +Competitor._) + + Break, break, break, + On the smooth green board, O JOHN! + And I would civil words could utter + My thoughts, as the game goes on! + + O well for the three-figure runs + You have made since we opened play! + O ill for my nine thousand start, + Which you're lessening day by day! + + And the marvellous shots go on + To your score, which is mounting still! + But O for a touch of that wondrous hand, + And a slice of that startling skill! + + Break, break, break! + _There's_ a shot! Great Scott! O, see! + What tender grace! And if once ahead + You will never "come back" to me! + + * * * * * + + "EPSOM SPRING MEETING."--In former times this used to be a + fashionable rendezvous for invalids who went there to drink + the beneficial waters of the Epsom Spring. Now there is not + much water taken at these Spring Meetings; and what water is + taken is not "an unmixed good." + + * * * * * + + A LESSON IN "BOOK-KEEPING."--Never lend one. + + * * * * * + +AFTER THE VOLUNTEER REVIEW. + +SCENE--_An Office._ BROWN _and_ JONES _discovered talking over the +incidents of the recent holiday._ + +_Brown._ Yes; I was up at six on the Monday. + +_Jones._ Well, you were in luck; for I had to be ready by four. The +battalion had to be drawn up at the station by 4.45. + +_Brown._ To be sure. You went down before we did. + +_Jones._ Yes. I wish we had got some coffee before starting. + +_Brown._ But you had your breakfast on your arrival, didn't you? + +_Jones._ Yes, to be sure; but as we were a bit late, it was rather a +scramble. + +_Brown._ Well, of course one has to get on to parade as soon as +possible. We cut it rather fine too. But that's the case with all of +us. + +_Jones._ To be sure; and if you lose time at one end, you must make up +for it at the other--that stands to reason. And how did you get on? + +_Brown._ First rate. We were on the march from nine to five. + +_Jones._ So were we; and didn't have time scarcely to get to our +havresacks. + +_Brown._ Just our fortune. Always on the move. I wore out my leathers +in fine style. + +_Jones._ So did I. And then we had to go back to the train before we +could get any dinner. + +_Brown._ My fate too. And, when I got home, the slavey had forgotten +to lay supper! + +_Jones._ So had mine. But still it was a glorious holiday--now, wasn't +it? + +_Brown._ I should say it was! A glorious holiday! + +[_They return to their ledgers._ + + * * * * * + +QUEER QUERIES. + +ABSCONDRELISM.--I belong to a Building Society. At present the concern +is exceptionally prosperous, and I have no reason to suppose that the +Directors and Manager are not scrupulously honest. Still, it is as +well to be prepared for all eventualities, and, as a couple of years +seems to be about the time required by the authorities before they can +make up their minds to prosecute anybody, I should like to know if +I could apply for a warrant against the officials of my Society _at +once_, so as to have everything ready in case any of them should +develop fraudulent tendencies a few years hence? Would there be any +objection to this? Perhaps some legal reader would reply. Also, is it +a fact that Messrs. BALBERT AND HURLFOUR have started a model Colony, +on entirely new and philanthropic lines, in Mexico, and are inviting +English settlers (unconnected with the "Liberator" Society) to join +them there, the prospectus of the scheme being headed:--"By kind +permission of the Public Prosecutor"?--PROPHYLACTIC. + + * * * * * + +HER "DAY OF REST." + +(_The Song of the Shop-Girl._) + +[Illustration: ["As one poor shop-girl said:--'After the fatigue and +worry of the week, I am so thoroughly worn out, that my only thought +is to rest on a Sunday; but it goes too quickly, and the other days +drag on so slowly!'"--_Quoted by Sir John Lubbock in the recent Debate +on Early Closing for Shops._]] + + Eight o'clock strikes! + The short day's sped,-- + My Day of Rest! That beating in my head + Hammers on still, like coffin-taps. He likes, + Our lynx-eyed chief, to see us brisk and trim + On Monday mornings; and though brains may swim, + And breasts sink sickeningly with nameless pain, + _He_ cannot feel the faintness and the strain, + And what are they to him? + + This morning's sun peeped in + Invitingly, as though to win + My footsteps fieldwards, just one day in seven! + The thought of hedgerows was like opening heaven, + And the stray sunray's gleam, + Threading the dingy blind, + Seemed part of a sweet dream, + For in our sleep the Fates _are_ sometimes kind. + "Come out!" it said, "but not with weary tread, + And feet of lead, + The long, mud-cumbered, cold, accustomed way, + For the great Shop is shuttered close to-day, + And you awhile are free!" + _Free?_ With a chain of iron upon my heart, + That drags me down, and makes the salt tears start! + + Oh, that inexorable weariness + That through the enfeebled flesh lays crushing stress + On the young spirit! Young? There is no youth + For such as I. It dies, in very truth, + At the first touch of the taskmaster's hand. + A doctrine hard for you to understand, + Gay sisters of the primrose path, + Whose only chain is as a flowery band. + The toil that outstays nature hath + A palsying power, a chilling force + Which freezes youth at its fresh source. + Only the Comus wand + Of an unhallowed Pleasure offers such + Freedom, and with pollution in its touch. + + The languid lift + Of head from pillow tells us the good gift + Of Sabbath rest is more than half in vain. + Tired! Tired! In flesh, bone, brain, + Heart, fancy, pulse, and nerve! + Such is our doom who stand and serve + The unrewarding public, thoughtless they + Of slaves whose souls they slay! + + Oh, that long standing--standing--standing yet! + With the flesh sick, the inmost soul a-fret, + Pale, pulseless patiences, our very sex, + That should be a protection, one more load + To lade, and chafe, and vex. + No tired ox urged to tramping by the goad + Feels a more mutely-maddening weariness + Than we white, black-garbed spectral girls who stand + Stonily smiling on while ladies grand, + Easily seated, idly turn and toss + The samples; and our Watcher, 'neath the gloss + Of courtly smugness glaring menace, stalks + About us, creaking cruelty as he walks. + + Stand! Stand! Still stand! + Clenched teeth and clutching hand, + Swift blanching cheek, and twitching muscle, tell + To those who know, what _we_ know all too well, + Ignored by Fashion, coldly mocked by Trade. + Are we not for the sacrifice arrayed + In dainty vesture? Pretty, too, they say + Male babblers, whom our sufferings and poor pay + Might shock, could they but guess + Trim figure and smart dress + Cover and hide, from all but doctor-ken, + Disease and threatening death. Oh! men, men, men! + You bow, smile, flatter--aught but _understand_! + Long hours lay lethal hand + Upon our very vitals. Seats might save + From an untimely grave, + Hundreds of harried, inly anguished girls; + _You_ see--their snow-girt throats and neatly-ordered curls! + + Out to the green fields? Nay, + This all too fleeting day + To rest is dedicate. But not the rest + Of brightened spirit, and of lightened breast. + The dull, dead, half-inanimate leaden crouch + Of sheer exhaustion on this shabby couch + Is all my week's repose. + Read? But the tired eyes close, + The book from nerveless fingers drops; + Almost the slow heart stops. + But the clock halts not on its restless round. + Weariness shudders at the whirring sound, + As the sharp strike declares + Swift to its closing wears + One more of those brief interludes from toil + Which leave us still the labour-despot's spoil, + Slaves of long hours and unrelaxing strain, + Unstrengthened and unsolaced, soon again + To tread the round, and lift the lengthening chain; + _Stand_--till hysteria lays its hideous clutch + On our girl-hearts, or epilepsy's touch + Thrills through tired nerves and palsied brain. + Again--again--again! + _How long?_ Till Death, upon its kindly quest, + Gives a true Day of Rest! + + * * * * * + +EASTER MANOEUVRES. + +[Illustration: BACCHUS ON A BICYCLE! + +(A "SAFETY" TOO!!) + +_This incident repeated itself to infinity from the East End to +Hammersmith and back!!_] + + * * * * * + +ROYAL REWARDS TO GOOD PLAYERS.--"As a sequel to the performance of +_Becket_ at Windsor, Mr. IRVING"--as we were informed by the _Daily +News_--"was presented by the QUEEN with a stud." What will he do with +the stud? Will he take to the turf, go racing, and keep the stud at +some Newmarket training-stables? Perhaps "the stud" consisted of fifty +"ponies"--but this is a purse-an'-all matter, into which we are not +at liberty to inquire. Miss ELLEN TERRY received a brooch from HER +MAJESTY, on which are the letters "V.R.I." Our 'ARRY says these +initials signify "_Ve Are 'I_ghly pleased." Or, taking the two +presents together, as speaking, V.R.I, might mean, says 'ARRY, "_Ve +R-Ived safely._" + + * * * * * + +LION AND LAMB. + + ["I think that when we consider an Opposition, in which Lord + SALISBURY and Mr. CHAMBERLAIN pacifically sit down--or lie + down, together, we need not, ourselves, feel very sensitive + on the subject of homogeneity."--_Mr. Gladstone at the F. O. + Liberal Meeting._] + + Solly had a little Lamb, + From Brummagem you know! + And wheresoever SOLLY went + That Lamb was bound to go. + The Lion and the Lamb in fact! + And what could be more jolly? + Yet some _do_ whisper that--sometimes-- + The Lamb seems leading SOLLY. + + * * * * * + +"WHAT HO, APOTHECARY!"--Last week the Earl of BESSBOROUGH was +announced as having arrived at Bessborough, Pilltown, Ireland. What +an appropriate spot for erecting an Irish Apothecaries' Hall! What is +Lord BESSBOROUGH'S family name? Is it The O'COCKLE? + + * * * * * + +THE AUTHOR. + + It lay on the book-stall for sale, + But no one to purchase seemed willing, + The ticket was "Humorous Tale, + Two-and-sixpence--reduced to a shilling." + + But the humour was lost upon me. + And the jest fell uncommonly flat. + Could the jokes I had written then be + So fallen in value as that? + + * * * * * + +THE FIRST DUTY OF AN OPPOSITION (_As it now seems to +be understood_).--"To lie in cool Obstruction, and talk +rot."--(_Shakspeare_--slightly _adapted_.) + + * * * * * + +MODERN TRANSLATION BY OUR YOUNGEST SPORTING ETONIAN.--"_In formâ +pauperis_"--_i.e._, "in rather poor form." + + * * * * * + +AT AN AFTERNOON ENTERTAINMENT. + +SCENE--_Prince's Hall, Piccadilly. Among the Audience are_--A London +Aunt, _and her_ Eldest Daughter, _with a_ Cousin from the Country, +_who is just a little difficult to amuse; a_ Serious-minded Lady _from +Brixton, with a more frivolous_ Friend; _a pair of_ Fiancés; _and +an_ Unsophisticated Father, _with an_ Up-to-date little Daughter. +_An exhibition of "Pure Sleight-of-Hand" has just been given on the +Stage._ + +_The Serious Lady._ Clever? Yes, my dear, it is _clever_ enough, +if that's all; but I never can quite reconcile _my_ conscience +to encouraging a fellow-creature to make a living by deliberate +deception! + +_Her Friend._ Oh, I don't see any harm in conjuring, myself. + +_The S. L._ I can't forget that Pharaoh had his Sorcerers and +Magicians, and how _they_ acted! + +_Her Friend._ Ah, I never saw _them_. + +_The London Aunt_ (_to her_ Niece). Enjoying it, SOPHY? Such a _treat_ +for you, to see really good conjuring! + +_Sophy._ Yes, Aunt, thank you. But our new Curate did that trick with +_two_ rabbits at the last Penny Readings we had! + +[_A calico screen is brought forward on which the Entertainer throws +various shadows with his hands._ + +_The S. L._ Is that a little house at the corner? Oh, he doesn't do +_that_ with his hands--then I see no merit in it. Who's that? (_A +small male shadow, cast by the performer's right hand, crosses the +screen, and knocks timidly at the door, which is opened by the +left hand, in the character of a little Lady. The couple embrace +effusively, and retire inside._) Ah, that's the husband coming home! + +[_Another male shadow enters and knocks furiously, while the little +Lady reconnoitres cautiously from the window above._ + +_Her Friend._ I expect _that_ must be the husband. + +_The S. L._ What?--and the wife behaving like that in his absence! If +I thought _that_ was the---- (_The first male shadow comes out, and +fights the second, who retreats, worsted._) I never saw anything so +scandalous. How you can call yourself consistent, and sit there and +_laugh_ at such things----! + +_Her Friend_ (_apologetically_). I can't help laughing--and, after +all, perhaps they're only rival lovers, or he's her _father_, or +something. + +_The S. L._ And she inviting one to come into the house in that bold +way--a nice example for young persons! Look there, he's come back with +a flageolet, and she's actually poured a jug of water on his head +out of the window! "Only a pair of hands," did you say? So it _may_ +be--but we all know _who_ it is that "Finds some mischief still For +idle hands to do"--and there we have an illustration of it, my dear. + +[_She shakes herself down in her sealskins with virtuous disapproval._ + +_The Unsophisticated Father_ (_who has been roaring with laughter_). +Capital! It is amazingly clever, 'pon my word! Can't imagine how they +do these things--can _you_, VIVVIE? [_To Up-to-Date Child._ + +_Miss Vivien._ Oh, well I've seen so much conjuring at parties, you +know, Father, that I don't notice it particularly,--but it's nice to +see _you_ so amused! + +_The U. F._ I'm _young_, you see, VIVVIE; but I hope you're not bored? + +MISS V. No, I'm not _bored_--only I thought there'd be some Serpentine +dancing, and more of the _Music Hall_ about it. + +_The U. F._ Music Hall! Why, what do _you_ know about Music Halls, eh? + +_Miss V._ (_with calm superiority_). Several of their songs--if you +call _that_ anything. + +_The U. F._ I should be inclined to call it a good deal too much! + +_Miss V._ (_compassionately_). Would you? Poor dear Father! But you +never _were_ very modern, were you? + +[_A Blind-folded Lady on the Stage has been reading and adding up +figures on a black board, and now offers to tell the day of the week +of any person's birth in the audience._ + +_Her Colleague._ Will some gentleman kindly oblige me with the date of +his birth? + +_The Fiancée._ Now, JACK, tell yours. I _want_ you to. + +_Jack_ (_in an unnaturally gruff voice_). Fourteenth of February, +eighteen-sixty-nine! + +_The Blindfolded Lady_ (_with the air of the Delphic Pythia_). +Yes--_that_ fell upon a Monday. [_Applause._ + +_Her Coll._ Is that correct, Sir? + +_Jack._ Don't know. + +[_He reddens, and tries to look unconscious._ + +_Her Coll._ Now I will ask the Lady if she can mention some event of +importance that took place on the same date. + +_The Bl. L._ Let me think. Yes. (_Solemnly._) On the same +date, in the year seventeen-hundred-and-thirty-seven, goloshes were +first invented! [_Loud applause._ + +_Miss V._ (_as the pair retire_). Well, thank goodness, we've seen the +last of that beastly black-board. I didn't come here to add up sums. +What is it next? Oh, a "Farmyard Imitator." I expect that will be +rather rot, Father, don't you? + +[_Enter a Gentleman in evening dress who gives realistic imitations of +various live-stock._ + +_The Country Cousin._ That's _exactly_ the way our little Berkshire +pig grunts, and "Sweetlips" calls her calf just like that--and, oh, +KATIE, I _wonder_ if he could have heard our Dorkings clucking at +home--I think he _must_ have--he does it so exactly the same! + +_Katie._ Then you do think _that's_ clever, SOPHY? + +_Sophy._ Oh, well--for an _imitation_, you know! + +[_A "Sensational Cage Mystery" is introduced; a pretty child is shut +up in a cage, which is opened a moment after, and found to contain a +Negro who capers out, grinning._ + +_The London Aunt._ SOPHY, do you see that?--there's a black man there +now, instead! + +_Sophy_ (_without enthusiasm_). Yes, Aunt, I see, thank you. + +_Katie._ Don't you _like_ it, SOPHY? + +_Sophy._ I don't see why it need have been a _Nigger_! + +_The S. L._ (_after a "Humorous Musical Sketch" by a clever and, +charming young Lady_). Like _that_, my dear?--a Young Woman giving a +description of how she actually went on the Stage, and imitating men +in that way! It was as much as _I_ could do to sit still in my seat! + +_Her Friend._ I must say I thought it was very amusing. + +_The S. L._ Amusing? I daresay. But, to my mind, young girls have no +_business_ to be amusing, and take off other people. I've no opinion +of such ways myself. I don't know what my dear Mother would have done +if _I'd_ ever been amusing--she would have broken her heart, I do +believe! + +_The Friend_ (_to herself_). She wouldn't have split her sides, that's +very certain! + +[_A_ Lady Physiognomist _appears in cap and gown, and invites +a subject to step upon the stage, and have his or her character +revealed._ + +_Jack_ (_to his Fiancée_). No, I say--but look here, FLOSSIE, _really_ +I'd rather not--with all these people looking! + +_Flossie._ Then I shall think you've something to _conceal_, JACK--you +wouldn't like me to feel that _already_, would you? + +[Illustration: "He blinks and smiles in feeble confusion."] + +[JACK, _resignedly, mounts the platform, and occupies a chair, in +which he blinks and smiles in feeble confusion, while the_ Professor +_studies his features dispassionately._ + +_The Lady Phys._ The first thing to notice is the disposition of +the ears. Now here we have a Gentleman whose ears stick out in a very +remarkable manner. [_Delight of Audience._ + +_Flossie_ (_to herself_). They _do_--awfully! I never noticed it +before. But it really rather suits him; at least---- [_She meditates._ + +_The L. Ph._ This denotes an original and inquiring mind; this +gentleman takes nothing on trust--likes to see everything for himself; +he observes a good deal more than he ever says anything about. His +nose is wide at the tip, showing a trustful and confiding disposition; +it has a bump in the centre, denoting a moderate amount of +combativeness. The nostrils indicate a keen sense of humour. (_Here_ +JACK _giggles bashfully._) There is a twist in the upper lip, +which indicates--well, I won't say that he would actually tell an +_untruth_--but if he had the opportunity for doing so, he has the +capacity for taking advantage of it. I think that is all I have to say +about this Gentleman. + +_Flossie_ (_to_ JACK, _after he has returned to her side_). JACK, if +you can't leave off having an original and inquiring mind, you must at +least promise me _one_ thing--it's very little to ask! + +_Jack._ You know I'd do any blessed thing in the world for you +FLOSSIE,--what is it? + +_Flossie._ Only to wear an elastic round your ears at night, JACK! + +_The Unsophisticated Father_ (_at the conclusion of the exhibition, +as the Missing Lady disappears with a bang, in full view of the +Audience_). There, VIVVIE; she's vanished clean away. What do you say +to that, eh? + +_Vivien_ (_composedly_). Well, I think we may as well vanish too +Father. It's all over! + +_The S. L._ (_going out_). I don't wish to judge _others_--far from +it--but, speaking for myself, ELIZA, I _cannot_ feel this has been +a profitable method of employing precious moments which can never be +recalled. + +_Her Friend._ Oh, it's quite early. You'll have plenty of time to get +a cup of tea, and do some shopping before it's dark. + +_The S. L._ (_severely_). That was not precisely what I _meant_, +ELIZA! + +[_But it is precisely what she does._ + + * * * * * + +ADVERTISEMENT'S ADVERSARIES. + +["A Society has been formed to deliver us from hideous +advertisements." + +_The Saturday Review._] + + O newly-formed Society, we note with admiration + The truly novel purpose which you seem to have at heart, + And with no little eagerness await its consummation, + When popular advertisements will shine as works of art. + + Then picturesque localities no longer will be crowded + With puffs of panaceas for our universal ills, + No longer will the atmosphere be permanently clouded + By sky-signs built to promulgate a patent soap or pills. + + No more in train or omnibus will every inch of boarding + Be covered with advertisements of variegated hue; + No more in every thoroughfare will each obtrusive hoarding + Blaze, hideously chromatic, with its yellow, red, and blue. + + One thing, perhaps, you'll tell us,--you will pardon the suggestion-- + We doubt not your ability your purposes to win, + But yet our curiosity would fain propound the question,-- + How, excellent Society, and when, will you begin? + + * * * * * + +"THE FLOWERS THAT BLOOM IN THE SPRING" may now be seen in all their +glory at the Crystal Palace Show. The excellent arrangements there +made for their exhibition prove that they have been designed and +carried out by a clever "Head"-Gardener. + + * * * * * + +OUR BOOKING-OFFICE. + +[Illustration: At Easter Time the Baron de B.-W. visits his friend +_The_ Peer of Brighton.] + +Seeing that _A Wild Wooing_ (published by F. V. WHITE & CO.) is by +FLORENCE WARDEN, authoress of _The House on the Marsh_, the Baron +anticipated a real treat. But he was somewhat disappointed. The novel +is in one volume, which is an attraction, and that volume is of a +portable size, which is another note in its favour; also it is +not illustrated, which is an undisguised blessing. The story is +interesting up to a certain point, which, however, does not take you +very far into the book, and, after this point, the murmurings behind +walls, the moving and dragging of heavy bodies under the floors, the +insecure rope-ladders, the trap-doors, cellars, underground passages, +smugglers, murderers, victims, and all sorts of mixed mysteries, +become tiresome. There is yet another fault, which is, that the story +is not told in so convincing a style as to make the reader feel quite +sure that the authoress is not "getting at him" all the time, and +just trying to see what quantity of old melodramatic stuff he will +patiently stand. + +Henceforth FLORENCE WARDEN will do well to get away from the rusty +bars, bolts, chains, trap-doors, and cellars, from ruined castles, +as grim as that of _Udolpho_, "of which," as Sir WALTER said in his +preface to _Waverley_, "the Eastern wing had long been uninhabited, +and the keys either lost, or consigned to the care of some aged butler +or housekeeper, whose trembling steps, &c., &c." Accidentally, turning +from "White" to "Black," the Baron took up the first volume of the +excellent re-issue of the _Waverley Novels_, by Messrs. ADAM AND +CHARLES BLACK, called _The Dryburgh Edition_, and commenced reading +the introductory chapter of _Waverley_, which at that time, gave the +death-thrust to the melodramatic horrors of romantic tales, whether +evolved from the inner consciousness of English writers, or openly +acknowledged as "taken from the German." + +In view of the sensational romance of the present day, towards which, +when really good, the Baron owns to having a decided leaning--it is +interesting to note how brave Sir WALTER defied the existing fashion +in novels of his own time, spurned the sentimental "Mordaunts," the +"Belvilles," and such like played-out names of ancient chivalry, +laughed at the heroine "with a profusion of auburn hair and a harp," +and, like the Magician of the North that he was, boldly gave to the +world his historic novels, in which, where History doesn't suit the +requirements of fiction, it is so much the worse for History. Are +there very many of the present generation who have not read Sir WALTER +SCOTT'S novels? If there be any--and there must be, or where would be +the demand to occasion this new and admirably devised supply--let them +at once put aside modern sensationalism, and commence WALTER SCOTT as +a study. The Baron knows personally one man of mature years, who has +read neither _Waverley_ nor several others of the series, and him he +envies, for, as the student in question has already set himself to the +task, he has the greatest literary pleasure of his life yet to +come. Type, size of book, excellent as a library edition; and the +illustrations, so far as they have gone, are good, and not too +distracting. And so, after this unequivocal expression of his +sentiments, he signs himself, + +THE BOLD BARON DE B.-W. + + * * * * * + +[Illustration: A LESSON IN ALTRUISM. + +ALWAYS BE KIND TO DUMB ANIMALS--THEIR LIVES ARE SHORT, AND SHOULD +BE MADE HAPPY AND AS COMFORTABLE AS POSSIBLE--EVEN AT THE COST OF A +LITTLE TEMPORARY DISCOMFORT TO YOURSELF.] + + * * * * * + +BACK TO SCHOOL; OR, DOCTOR BLIMBER-GLADSTONE AND HIS "LIT-TLE +FRIENDS." + +(_Dombeyish Fragments, with a smack of "The Mikado."_) + +Whenever a young gentleman was taken in hand by Dr. BLIMBER-GLADSTONE, +he might consider himself sure of a pretty tight squeeze. The Doctor +only undertook the charge of a limited number of young gentlemen at a +time, but he had always ready a supply of "cram" for a hundred, on the +lowest estimate; and it was at once the business and delight of +his life to gorge "his young friends," few or many, to their utmost +capacity, and sometimes beyond it. + +In fact, Dr. GLADSTONE'S establishment was a great Hothouse, in which +there was a forcing apparatus incessantly at work. All the boys blew +before their time--or so said the Doctor's rivals and foes. Mental +Green Peas were produced in February, and intellectual Scarlet-Runners +in March. Mathematical Great Gooseberries were common at untimely +seasons, other than the appropriate Silly one. + +This was all very pleasant and ingenious, but the system of forcing +was attended with its usual disadvantage. There was sometimes not the +right taste about the premature productions, and they didn't always +keep well. + +The Doctor's was a mighty fine House, fronting the river. Not always a +joyful style of House within; sometimes quite the contrary. The seats +were in rows, like figures in a sum. The sitters also were often in +rows--with a slight (phonetic) difference. The House was well provided +with Hot Water, on the "constant-supply" system. But somehow this +seemed rather to conduce to discomfort than to real cleanliness,--like +the too frequent and tumultuous "turning-outs" of an over-zealous +housewife. A "Spring Clean," at St. Stephen's School, was a thing +to remember, and shudder at. It was not a quiet House at the best of +times. It seemed ever haunted by the Banshee of Noise, and disturbed +by the cacophonous ghosts of dead Echoes. At the peacefulest periods +it was pervaded by a baneful Spook called the "Party Spirit," and +always by the dull booings of unwilling young gentlemen at their +lessons, like the raucous murmurings of an assemblage of melancholy +rooks, or of kites and crows cawing and screaming in the intervals of +their clamorous scufflings. + + * * * * * + +Holidays? Oh dear yes! If there was one thing Doctor GLADSTONE'S +"young friends" _did_ care for, it was Holidays! The Doctor himself +seemed as though he could--and were it possible--would do without +them. But the Doctor's "lit-tle friends," however docile, could never +be brought to see _that_. They did not usually commence their Spring +"term" until February. And they were rips, even rampant, for a long +"Recess" at Easter. When the Doctor, using his well-beloved formula, +said, "Gentlemen, we will resume our studies upon----" they hung +upon his words, and, if the conclusion of his formula showed any +disposition to cut the Holidays short, they howled loudly in chorus, +like hungry wolves disappointed of their quarry. + + * * * * * + +It was a sight to see Doctor GLADSTONE'S little friends returning to +School _after_ the Easter Vacation. The Doctor, looking complacently +expansive, cheerily anticipative, welcomed them on the doorstep. +_They_ did not welcome _him_. Oh, dear no! Look at them; the five +senior pupils in front, headed, of course, by that overgrown and +somewhat ungainly Irish boy, Master PATRICK GREEN, cock of the School, +and prime favourite of Doctor GLADSTONE! Can you not fancy them +singing--after a famous original--the following quintett? + + _The Five._ Five little boys for school are we, + Back from a very short ho-li-dee; + All as reluctant as well can be,-- + Five little boys for School! + _Master Green._ Holiday's over, there's no more fun! [_Groans._ + _Master Hodge._ Only just started! Wish I was done! [_Snivels._ + _Master Bung._ As for _me_, wish I'd never _begun_! [_Howls._ + _The Five._ Five little boys for School! + _All_ (_shrinking_). Five little boys who, all unwary, + Entered old GLADSTONE'S big seminary, + Slaves to his Genius tutelary---- + _The Five_ (_suddenly demure, on catching sight of the Doctor_)-- + Five little boys "back to School!.!" + + * * * * * + +[Illustration: BACK TO SCHOOL; OR, DR. GLADSTONE AND HIS YOUNG +FRIENDS.] + + * * * * * + +SONGS OF SOCIETY. II.--A LETTER OF ADVICE. + +_From Miss Belinda Bullion at Monte Carlo, to Miss Angelina Veaudor, +in Mayfair._ (_Being a Pendant to a celebrated Poem by Praed._) + +[Illustration] + + They tell me you've "landed" a lover + (Don't pout at the slang, dear, 'tis _chic_), + Before your first Season is over, + Before I have left you a week. + I learned the good news through my mother. + Who _is_ he? I wish I could guess. + If it's dear Lord FITZ-FRUMPINGTON'S brother, + My own ANGELINA, say "Yes." + + _Tres chère_, we know Fortune and Fashion + Are sensible girlhood's sole guides, + Smart maidenhood ridicules passion, + And sentiment calmly derides. + I gave you "Bel Ami" as token + That we were not victims of "glow;" + You gave me your vow--is it broken? + My own ANGELINA, say "No!" + + We vowed, dear, no matter at what age, + By Sentiment not to be hooked, + Or cheated by Love in a Cottage, + Or Shepherds enchantingly crook'd. + Too well, dear, _we_ know modern men's tone, + Of "briar" the pipes which _they_ blow. + Say, have you gone soft _à la_ SHENSTONE? + My own ANGELINA, say "No!" + + Remember the cynic romances + We read in that Devonshire glen! + We are not the slaves of girl-fancies, + We've learned far too much about Men! + 'Tis nice, with your head on his shoulder, + To whirl through the waltz with FRANK LOWE, + But should poor Adonis grow bolder, + My own ANGELINA, say "No!" + + You know without wealth and a carriage + Life's just a prolonged fit of spleen, + So don't let me mourn o'er your marriage + With any poor BROWN, JONES, or GREEN. + You swore mere romance should not thrill you, + Nor gold-less good looks make you glow; + And you will not go back on it--will you? + My own ANGELINA, say "No!" + + We're parted, but sympathy's fetter + Unites us, I'm sure of it, still. + I read your last laughable letter, + And see you are steering with skill. + True Love is all fiddlededee, love, + Full coffers count only, below. + If he's not what your husband should be, Love, + My own ANGELINA, say "No!" + + If he's over polite in his wooing, + If his heart is too plainly a-throb, + If he scarce seems aware what he's doing, + If he speaks with a blush or a sob; + If he is not "dead nuts" on his dinner, + If his voice or his spirits run low; + If he seems getting paler or thinner, + My own ANGELINA, say "No!" + + If he gives too much time to his Tennis, + Neglectful of dear L. S. D., + If he chatters of WHISTLER and Venice, + If he cares about Five o'clock Tea; + If he's not sometimes rude or capricious + (All swells who have money are so), + Such signs are extremely suspicious; + My own ANGELINA, say "No!" + + If he shows a contempt for "the City," + And drops little jeers about Jews, + If he talks of "the People" with pity, + Or rails at the Sweaters as "screws," + These things prove a "popular leaning," + And popular leanings are low; + Soft heart, and slack purse, are _their_ meaning-- + My own ANGELINA, say "No!" + + If he prates about Property's duties + In diction at all Gladstonese, + If he's down on Society Beauties, + If he has not a stare that can freeze; + If he does not abuse Foreign Powers, + And vote all philosophy slow, + If he's one of the time's "big Bow-wowers," + My own ANGELINA, say "No!" + + He must walk like a Cit in his glory, + Of Money the true modern test, + He must be--yes, of course, dear--a Tory, + (As _partis_ that party are best) + If he knows not the old Carlton's portal, + Then--unless you've a Duke for a beau-- + I beg you--for girls are but mortal-- + My own ANGELINA, say "No!" + + Don't bother about his extraction + Although there's a charm in good birth, + But Wealth yields life's sole satisfaction, + So find out, dear girl, _what he's worth_! + He may be but an oil-striking Yankee, + Eccentric in manners and dress, + But, if he has tin worth a "thankee," + My own ANGELINA, say "Yes!" + + * * * * * + +MISTER JACKY'S VADE MECUM FOR THE EASTER HOLIDAYS. + +_Question._ What is the chief object you wish to attain during the +Vacation? + +_Answer._ To have the best time possible under the most favourable +conditions. + +_Q._ Is the comfort of your relations and friends to be taken into +serious account in attaining this desirable end? + +_A._ Certainly not; the details to which you refer are unworthy of a +moment's consideration. + +_Q._ Have you any objection to upsetting all the household +arrangements on your arrival? + +_A._ Unquestionably no. If a morning performance commences at an hour +early enough to require luncheon to be discussed at 12:30, why the +_déjeuner à la fourchette_ (as the French would say) must be +partaken within half-an-hour of noon. In like manner, if an evening +representation begins at seven, the dinner-hour must be put back to +half-past five. + +_Q._ If these alterations cause any disturbance of your father's +habits, how would you deal with the matter? + +_A._ I would not deal with the matter at all. I would leave all purely +necessary explanations to my mother. + +_Q._ During the time of your vacation will you approve of any +dinner-parties? + +_A._ I have a rooted objection to such entertainments when the guests +are of my parents' selection. However, I have no objection to a few +fellows, say, like SMITH Major, or BROWN Minor, dropping in to supper +on a Sunday. + +_Q._ Assuming that the hour you mention is your parents' favourite +time for peace and quiet, does such an invasion suggest any +reflection? + +_A._ No. If my parents have become slow during my enforced absence +from home in the search of knowledge, it is time they should have the +benefit accruing from contact with my revivifying characteristics. + +_Q._ Supposing your father expostulates with you, and advances +the fact that you have received greater advantages than he himself +enjoyed--for instance, that you have been to Eton--what should you +reply? + +_A._ Practically nothing. However, in the cause of justice and truth, +it might be advisable to answer his statement of fact that "he had +never been to Eton" with the reply, "Anyone could see that." + +_Q._ If he complains that you do not rise until eleven, smoke +cigarettes in the dining-room before lunch, smash the grand piano in +the drawing-room, lame his favourite cob in the Row, and upset all his +documents in the study, what answer would you make? + +_A._ That you were not responsible for the training which he had taken +under his personal control. He must be satisfied with the broad result +of your bringing-up. + +_Q._ If he declares his intention of addressing the Superintendent of +your scholastic career on the matter, what would you do? + +_A._ Explain that your present position in the school, to which you +supposed you would have to reluctantly return, was lacking in the +element of popularity, and that any further move in the direction +of increased reduction in that element might possibly lead to your +expulsion. Deprecate personal objection to expulsion, but suggest +that such a course might, by preventing your getting employment in the +Church, Army, or Bar, lead to your being on your parents' hands for +life. + +_Q._ When the time has all but arrived for your return to school, what +should you do? + +_A._ Promptly catch the whooping-cough, the influenza, or measles. You +will then afford a sufficient reason for extending the length of your +vacation indefinitely. + + * * * * * + +[Illustration: A TERRIBLE TURK. + +_Little Spinks._ "AH! ONCE I WAS AS INNOCENT AS A LITTLE CHILD! WHAT I +AM _NOW_, YOUR SEX HAS MADE ME!"] + + * * * * * + +NOBLE SELF-SACRIFICE. + +"The Duke of DEVONSHIRE has arranged to return from Monte Carlo +on Saturday," so said the _Morning Post_, "in order to address a +political meeting at Glasgow on April 14th." His Grace having torn +himself away from delightful Monte Carlo, will then attempt to turn +the tables on the _Liberales Gladstonienses_. But fancy renouncing +sunny Mount Charles--"O Charley Mount is a pleasant place," as sang +_Miles na Coppaleen_, who was, by the way, miles away from Monte +Carlo--with its azure sky, its deep blue sea, its verdant green-cloth +table land, its delightful _promenades à pied_, and its frisky +_gambols à la roulette_, where the sunset and sunrise are _rouge_, +and _noir_ is only "on the cards." Fancy renouncing these gay southern +delights to live a laborious day in dry, hard, northern Glasgow! +"O swallow, swallow, flying, flying South," how would you like to be +checked in your holiday-making airy career in order to be brought back +to the cold and cruel North? Such a self-sacrifice as this is indeed +memorable. + + * * * * * + +LOVE BY THE SEA. WIND N.E. BY E. + + "We do not speak as we pass by!" + But tears down trickle from our eye! + Alas! Our love remains untold---- + For each has got a thundering cold! + + * * * * * + +BOOKS THAT OUGHT TO APPEAR. + +_I Banish the Street Organs!_ By the Author of _I Forbid the Banns!_ + +_A Boy's Present._ (Birthday Book.) By the Author of _A Girl's Past_. + +No. 1 of _The Domestic Lyre_, as a Companion to _The Family +Storyteller_. + + * * * * * + +YET THEY LOOK SO INNOCENT!--In the Language of Flowers, what species +should always express untruths?--Li-lies. + + * * * * * + +ESSENCE OF PARLIAMENT. + +EXTRACTED FROM THE DIARY OF TOBY, M.P. + +_House of Commons, Monday Night, March 27._--The Lowther Arcade not +getting on so well as thought when projected. The Master Builder +been diligently at work, but result disappointing. On Friday he +got terribly snubbed by SPEAKER. Comes up to-day to make personal +explanation. That a bait at which House usually jumps; always ready to +be amused, or interested with scandal about Queen ELIZABETH and other +persons. These things usually promised by personal explanation. To-day +no flutter of excitement moved crowded House. JEMMY, approaching table +with most judicial air, received with mocking laughter, and ironical +cheers. Some difficulty in quite making out what he was at. Evidently +something to do with SQUIRE of MALWOOD; but SQUIRE so inextricably +mixed up with Supplementary Estimates, couldn't make out which +was which. JAMES pounded along in most ponderous style; SQUIRE +contemptuously replied; no one else inclined to join in conversation, +and the Master Builder gloomily resumed his seat. + +"Never mind," I said, not liking to see an old friend cast down; "Rome +wasn't built in a day, nor the Cave of Adullam excavated in a week. +These things grow. You must have patience, and the Lowther Arcade +will still flourish. Let me see, whom you have got? There's BARTLEY, +HANBURY, and TOMMY BOWLES. LOWE, forming his Cave, hadn't so many to +start with." + +"Yes," said the Master Builder, "that's all very well; but, fact is, +you can't reckon upon these fellows as being, so to speak, colonnades +in the Arcade. They are all on their own hook; fighting for their own +hand; won't take the lead from me; must go foraging for themselves. +HANBURY thinks he can boss a show better than most men. BARTLEY'S +obstreperous. TOMMY BOWLES would be all right if he were left to +himself, free from the companionship of designing men. He is young, +ingenuous, not wholly lost to a sense of regard for his pastors and +masters, lack of which is the curse of modern Youth. I believe TOMMY +respects me, and, only for the evil communications to which he is +subject on the back bench, would work loyally with me in establishing +the Arcade." + +There was unwonted moisture in the Master Builder's eye as he turned +round, and regarded the Member for King's Lynn what time he softly +whistled to himself the old Jacobite air, "_Tommy make Room for your +Uncle_." + +_Business done._--Vote of Censure moved by Prince ARTHUR; Government +majority runs up on division to 47; Ministerialists, fresh from +meeting at Foreign Office, agree that, on whole, have spent a happy +day. Debate spasmodically dull. Prince ARTHUR could not lift it out of +the rut, nor GRANDOLPH either. Only Mr. G. shone with effulgent light +through gloom of evening. Principal result of manoeuvre, beyond +giving fillip to majority, is that a day will be filched from meagre +holidays, and House must needs sit on Thursday. + +_Tuesday._--Mr. G. looked in in time to say a few words in reply to +Prince ARTHUR'S inquiries as to business arrangements. Later he came +back, and delivered excellent speech; brief, and direct to point. +House been talking all morning round Vote on Account. MACFARLANE done +Rule-of-three sum, to show how twelve hundred days are lost every week +by necessity imposed upon Members of coming down two hours in advance +to take their seats. Some disposition shown by practical Members to +argue question whether there could be twelve hundred days in any week, +even in Leap-Year. + +"I know I'm right," said MACFARLANE, and the sceptics, gazing +respectfully at his flowing beard, withdrew from controversy. + +House divided on Motion by LEGH to reduce Foreign Office Vote. +Ministerial majority run up at a jump to 225. Time by Westminster +clock, 6.10 P.M.; in twenty minutes, sitting will be suspended; Vote +must be through Committee to-day; TOMMY BOWLES (who hasn't made a +speech for a quarter of an hour) on his feet; sheafs of manuscript in +his hand; would certainly oblige to extent of twenty minutes; BARON +DE WORMS also has a few remarks to offer; probable length of Channel +Tunnel. Mr. G. interposes. "Mr. MELLOR," he said, addressing Chairman, +"I claim to have the question now put." + +Ringing cheers went up from Ministerialists. TOMMY resumed his seat; +gruefully glanced at notes. The Noble Baron saw in this manoeuvre +fresh proof that Mr. G. had sold himself to Germany; having completed +preparation for separation of the Empire on the side of the Irish +Channel, would immediately after, by medium of WATKIN'S Tunnel, place +what was left of the country at the mercy of a foreign foe. Meanwhile +Closure moved; what's more, carried on division by swingeing majority +of over a hundred. So Vote agreed to; Mr. G. gets off for short drive +before dressing for dinner. + +[Illustration: EASTER AT THE ZOO.] + +Earned a night's rest, and a longer Easter holiday than he has +allotted to himself and us. Older he gets, the younger he seems. His +work to-day should make the eight-hours' man blush. At bay in Downing +Street since twelve o'clock with two hostile deputations. Came from +Ulster and the City, resolved to beard Home-Rule Lion in his den. +Alone he met them; one down, the other come on; no interval of rest; +picked men from Ulster, Selected Captains from the City, surged around +table at which he sat. Hardly left him time to reply. Having politely +conducted Ulster to door, enter the City Fathers, fresh and eager for +fray. Told him over again in varied phrase how he was bringing country +to verge of ruin; listened with perfect courtesy, as if they'd been +discussing someone else--say, his next-door neighbour, SQUIRE of +MALWOOD and Junior Lord of Downing Street. Up again when last in list +of City speakers had concluded. Almost persuaded JOHN LUBBOCK to be +a Home-Ruler; then down to House, dealing with mass of correspondence +littering his table in room behind SPEAKER'S chair; alert on sound of +division-bell; comes in to move Closure; remembers that in long list +of speeches never made this particular one before; looks up PALGRAVE'S +_Handbook_; cons his lesson and declaims brief formula in deep rich +voice that lends touch of eloquence to its unadorned, remorseless +demand. All this, too, following on a day like yesterday, when two +other deputations stormed Downing Street; drew from him weighty reply; +followed, after hasty dinner, by a speech in the House on the eternal +Irish question, which GRANDOLPH rightly termed, "entrancing." + +"A Grand Old Man, indeed!" said PRINCE ARTHUR, talking over these +things to-night, when he should have been listening to TOMMY BOWLES, +who having at the morning sitting had his speech on Vote on Account +closured, delivered another at evening sitting on the question of the +Depreciation of Silver as it affects domestic architecture in China +and Peru. + +_Business done._--Vote on Account through Committee. + +_Thursday._--CAINE going about House this afternoon, his slim figure +bulging out at the pockets in mysterious fashion, "Brought your supper +with you?" I asked, lightly touching one of the excrescences that felt +like an imperial pint of ginger-beer (WHITE 1880). "You seem bursting +with broiled bones. All no use. No more all-night sittings _this_ side +of Easter." + +[Illustration: Portrait of a Member of Parliament examining the +Signatures to a Petition against the Local-Veto Bill, to see if they +are genuine or not. (_Vide_ Report of the Proceedings in the Commons, +March 28, which suggests that they are obtained in Public Houses.)] + +"No, my boy, you're wrong," said CAINE. "Fact is, I'm going off to +the country, and these protuberances you observe about my person are +phonograms. All labelled, you see," he said, taking out cylinders from +several pockets. "Here are a few remarks on Registration; that's my +Local-Veto Speech; and here is an entirely new view of the Home-Rule +question. If you like to come over to my house at Clapham--close by, +you know, busses every ten minutes--you shall have a night's thorough +enjoyment. Leave you in the room by yourself with the phonograph. Pop +in one of these cylinders; set the phonograph whizzing; and you'll +hear me on Local Veto. Take out cylinder, put in another, and you'll +know more about Home Rule in five minutes than you ever dreamt. +Can only let you have them for to-night. To-morrow they go down to +Yorkshire, and thro' Easter Recess I shall be delivering, at various +places, six speeches every night, I myself comfortably making holiday +in Wales." "Thank you," I said; "but, if you'll excuse me, I think +I'll go home and go to bed." In truth, a little depressed. Here's a +nice prospect for the holidays! Bad enough to have Members working off +at public meetings speeches that had been closured in Commons. But if +every man is, during the recess, to multiply himself by phonography, +the last state of this country will be worse than the first. + +_Business done._--Adjourned for Easter Holidays. Just escaped sitting +over Good Friday. Back next Thursday. + + * * * * * + +[Illustration: THE NEW "FOURTH PARTY." + +T. G. B-wl-s. Right Hon. J-m-s L-wth-r. G. C. B-rtl-y. R. W. H-nb-ry.] + + * * * * * + + +[Transcriber's Note: +Missing or illegible/damaged punctuation has been repaired.] + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +104, April 8, 1893, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 22671-8.txt or 22671-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/6/7/22671/ + +Produced by Lesley Halamek, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 104, April 8, 1893 + +Author: Various + +Editor: Francis Burnand + +Release Date: September 19, 2007 [EBook #22671] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Lesley Halamek, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + + <hr class="full" /> + + +<h1>PUNCH, OR THE LONDON CHARIVARI.</h1> + +<h2>Volume 104, April 8th 1893</h2> +<h3>edited by Sir Francis Burnand </h3> + + <hr class="full" /> + + <span class="pagenum"><a name="page157" id="page157"></a>[pg 157]</span> +<h2>SPORTING ANSWERS.</h2> + +<h3>ANGLING.</h3> + +<p><span class="sc">Fleacatcher.</span>—Yes, the trout in the river +Itching (this is the only correct spelling) +are red, and, before they are boiled, raw. +The best method of catching them is to tickle +them. When you have hooked an Itching +trout, you first scratch him, and then cook +him.</p> + +<p><span class="sc">Novice.</span>—We only knew one man who could +make a decent rod, and he +died twenty years ago. +Remember the old adage +so dear to <span class="sc">Izaak</span>, <i>Qui parcit +virgæ spoliat puerum</i>. For +instructions as to use of +implement, and translation +of Latin, apply to any +head-master. Failure in +the latter will inevitably +lead to application of the +former. Then pause for +reflection, but <i>don't sit +down</i>.</p> + +<p><span class="sc">Spook.</span>—What on earth +is the use of applying to +us about a phantom? We +never keep one on the +premises. Try personal +interview with <span class="sc">W. T. +Stead</span>, who has a fine +selection, <span class="sc">Julia</span> being +specially effective. Why +do you ask if we generally +spin? Not having been +born a top, we prefer walking.</p> + +<p><span class="sc">Contemplative.</span>—(1) It's +absolutely useless offering +us these paltry inducements +to betray the secrets +of our skill. We are—we +hope we may say it without +undue pride—an All-Round +Angler, and we are +not going to be squared by +a bait of that kind. (2) +We have never pretended +we were a salmon. If +<span class="sc">Andrew Lang</span> says we +have, we challenge him to +repeat it to our face before +witnesses. (3) Whitebait +are no longer kept in the +Round Pond at Kensington. +We knew as many as four +there ten years ago.</p> + +<p><span class="sc">Calipee.</span>—You are quite +right. When a ship turns +turtle the fact is instantly +communicated to the Lord +Mayor and Aldermen of +the City of London. They +proceed to the spot in the +<i>Maria Wood</i>, and the one +who secures the interesting saurian is allowed +to eat all the green fat. With you we hope +devoutly that the time is far distant when +the desecrating hand of a Socialistic Government +will be allowed to lay a finger on these +ancient civic customs. No. The Fishmongers' +Company do not sell fish. Their motto is, +<i>Edo, non vendo</i>.</p> + +<hr /> + +<p><span class="sc">Acton Est.</span>—<i>The Cornhill Magazine</i> for +this month has an interesting article on +"Actors and Actresses in Westminster +Abbey," not seen there much when alive, +but there for good after their decease. It +is stated of Mrs. <span class="sc">Barry</span> that she was not +interred in the Abbey, as has been, it appears, +generally supposed, but found her resting-place +at Acton. Odd, that when she had +ceased to act, she should be sent to Act-on!</p> + +<hr /> + +<div class="figcenter" style="width:60%;"><a href="images/157.png"><img width="100%" src="images/157.png" alt="'TAKE CARE OF THE PENCE, AND THE POUNDS,' &c." /></a> +<h4>"TAKE CARE OF THE PENCE, AND THE POUNDS," &c.</h4> + +<p><i>Muriel.</i> "<span class="sc">Mamma, what have you got the Carriage out for so late? +Where <i>are</i> you going?</span>"</p> + +<p><i>Mrs. Goldie.</i> "<span class="sc">Now, Muriel, you know how your Father keeps worrying +about Extravagance, and of course I must set an Example. So I'm going +to the Public Library to see the Evening Paper!</span>"</p> +</div> + +<hr /> + +<h3>THE CRY OF THE CUE-IST.</h3> +<h4>(<i>To the Champion, by a Discouraged Competitor.</i>)</h4> + +<div class="poem"> <div class="stanza"> +<p>Break, break, break,</p> +<p class="i2">On the smooth green board, O <span class="sc">John</span>!</p> +<p>And I would civil words could utter</p> +<p class="i2">My thoughts, as the game goes on!</p> + </div><div class="stanza"> +<p>O well for the three-figure runs</p> +<p class="i2">You have made since we opened play!</p> +<p>O ill for my nine thousand start,</p> +<p class="i2">Which you're lessening day by day!</p> + </div><div class="stanza"> +<p>And the marvellous shots go on</p> +<p class="i2">To your score, which is mounting still!</p> +<p>But O for a touch of that wondrous hand,</p> +<p class="i2">And a slice of that startling skill!</p> + </div><div class="stanza"> +<p>Break, break, break!</p> +<p class="i2"><i>There's</i> a shot! Great Scott! O, see!</p> +<p>What tender grace! And if once ahead</p> +<p class="i2">You will never "come back" to me!</p> + </div> </div> + +<hr /> + +<blockquote><p> +"<span class="sc">Epsom Spring Meeting.</span>"—In former +times this used to be a fashionable rendezvous +for invalids who went there to drink +the beneficial waters of the Epsom Spring. +Now there is not much water taken at these +Spring Meetings; and what water is taken +is not "an unmixed good." +</p></blockquote> + +<hr /> + +<blockquote><p> +<span class="sc">A Lesson in "Book-keeping.</span>"—Never +lend one. +</p></blockquote> + +<hr /> + +<h3>AFTER THE VOLUNTEER REVIEW.</h3> + +<p><span class="sc">Scene</span>—<i>An Office.</i> <span class="sc">Brown</span> <i>and</i> <span class="sc">Jones</span> +<i>discovered +talking over the incidents of the +recent holiday.</i></p> + +<p><i>Brown.</i> Yes; I was up at six on the +Monday.</p> + +<p><i>Jones.</i> Well, you were in luck; for I had +to be ready by four. The battalion had to +be drawn up at the station by 4·45.</p> + +<p><i>Brown.</i> To be sure. You went down before +we did.</p> + +<p><i>Jones.</i> Yes. I wish we +had got some coffee before +starting.</p> + +<p><i>Brown.</i> But you had +your breakfast on your +arrival, didn't you?</p> + +<p><i>Jones.</i> Yes, to be sure; +but as we were a bit late, +it was rather a scramble.</p> + +<p><i>Brown.</i> Well, of course +one has to get on to parade as +soon as possible. We cut it +rather fine too. But that's +the case with all of us.</p> + +<p><i>Jones.</i> To be sure; and +if you lose time at one +end, you must make up for +it at the other—that stands +to reason. And how did +you get on?</p> + +<p><i>Brown.</i> First rate. We +were on the march from +nine to five.</p> + +<p><i>Jones.</i> So were we; and +didn't have time scarcely +to get to our havresacks.</p> + +<p><i>Brown.</i> Just our fortune. +Always on the move. I +wore out my leathers in +fine style.</p> + +<p><i>Jones.</i> So did I. And +then we had to go back to +the train before we could +get any dinner.</p> + +<p><i>Brown.</i> My fate too. +And, when I got home, the +slavey had forgotten to lay +supper!</p> + +<p><i>Jones.</i> So had mine. +But still it was a glorious +holiday—now, wasn't it?</p> + +<p><i>Brown.</i> I should say it +was! A glorious holiday!</p> + +<p>[<i>They return to their ledgers</i>.</p> + +<hr /> + +<h3>QUEER QUERIES.</h3> + +<p><span class="sc">Abscondrelism.</span>—I +belong to a Building +Society. At present the +concern is exceptionally +prosperous, and I have no +reason to suppose that the +Directors and Manager are +not scrupulously honest. Still, it is as well +to be prepared for all eventualities, and, as a +couple of years seems to be about the time +required by the authorities before they can +make up their minds to prosecute anybody, +I should like to know if I could apply for a +warrant against the officials of my Society +<i>at once</i>, so as to have everything ready in +case any of them should develop fraudulent +tendencies a few years hence? Would there +be any objection to this? Perhaps some legal +reader would reply. Also, is it a fact that +Messrs. <span class="sc">Balbert and Hurlfour</span> have started +a model Colony, on entirely new and philanthropic +lines, in Mexico, and are inviting +English settlers (unconnected with the +"Liberator" Society) to join them there, +the prospectus of the scheme being headed:—"By +kind permission of the Public Prosecutor"?—<span class="sc">Prophylactic</span>.</p> +<span class="pagenum"><a name="page158" id="page158"></a>[pg 158]</span> + +<hr /> + +<h3>HER "DAY OF REST."</h3> + +<h4>(<i>The Song of the Shop-Girl.</i>)</h4> + +<div class="figcenter" style="width: 100%;"> +<a href="images/158.png"><img width="100%" src="images/158.png" alt="As one poor shop-girl said:—'After the fatigue and worry of the week...." /></a> +<p>"As one poor shop-girl said:—'After the fatigue and worry of +the week, I am so thoroughly worn out, that my only thought is to rest on a +Sunday; but it goes too quickly, and the other days drag on so slowly!'"—<i>Quoted by +Sir John Lubbock in the recent Debate on Early Closing for Shops.</i></p> +</div> + +<div class="poem"> <div class="stanza"> +<p class="i6">Eight o'clock strikes!</p> +<p class="i6">The short day's sped,—</p> +<p>My Day of Rest! That beating in my head</p> +<p>Hammers on still, like coffin-taps. He likes,</p> +<p>Our lynx-eyed chief, to see us brisk and trim</p> +<p>On Monday mornings; and though brains may swim,</p> +<p>And breasts sink sickeningly with nameless pain,</p> +<p><i>He</i> cannot feel the faintness and the strain,</p> +<p>And what are they to him?</p> + </div><div class="stanza"> +<p class="i6">This morning's sun peeped in</p> +<p class="i6">Invitingly, as though to win</p> +<p>My footsteps fieldwards, just one day in seven!</p> +<p>The thought of hedgerows was like opening heaven,</p> +<p class="i6">And the stray sunray's gleam,</p> +<p class="i4">Threading the dingy blind,</p> +<p class="i6">Seemed part of a sweet dream,</p> +<span class="pagenum"><a name="page159" id="page159"></a>[pg 159]</span> +<p>For in our sleep the Fates <i>are</i> sometimes kind.</p> +<p>"Come out!" it said, "but not with weary tread,</p> +<p class="i6">And feet of lead,</p> +<p>The long, mud-cumbered, cold, accustomed way,</p> +<p>For the great Shop is shuttered close to-day,</p> +<p class="i4">And you awhile are free!"</p> +<p><i>Free?</i> With a chain of iron upon my heart,</p> +<p>That drags me down, and makes the salt tears start!</p> + </div><div class="stanza"> +<p>Oh, that inexorable weariness</p> +<p>That through the enfeebled flesh lays crushing stress</p> +<p class="i2">On the young spirit! Young? There is no youth</p> +<p class="i2">For such as I. It dies, in very truth,</p> +<p>At the first touch of the taskmaster's hand.</p> +<p>A doctrine hard for you to understand,</p> +<p class="i2">Gay sisters of the primrose path,</p> +<p>Whose only chain is as a flowery band.</p> +<p class="i2">The toil that outstays nature hath</p> +<p>A palsying power, a chilling force</p> +<p>Which freezes youth at its fresh source.</p> +<p class="i4">Only the Comus wand</p> +<p>Of an unhallowed Pleasure offers such</p> +<p>Freedom, and with pollution in its touch.</p> + </div><div class="stanza"> +<p class="i6">The languid lift</p> +<p>Of head from pillow tells us the good gift</p> +<p>Of Sabbath rest is more than half in vain.</p> +<p class="i2">Tired! Tired! In flesh, bone, brain,</p> +<p class="i2">Heart, fancy, pulse, and nerve!</p> +<p>Such is our doom who stand and serve</p> +<p>The unrewarding public, thoughtless they</p> +<p class="i2">Of slaves whose souls they slay!</p> + </div><div class="stanza"> +<p>Oh, that long standing—standing—standing yet!</p> +<p>With the flesh sick, the inmost soul a-fret,</p> +<p class="i2">Pale, pulseless patiences, our very sex,</p> +<p>That should be a protection, one more load</p> +<p class="i2">To lade, and chafe, and vex.</p> +<p>No tired ox urged to tramping by the goad</p> +<p class="i2">Feels a more mutely-maddening weariness</p> +<p>Than we white, black-garbed spectral girls who stand</p> +<p>Stonily smiling on while ladies grand,</p> +<p class="i2">Easily seated, idly turn and toss</p> +<p class="i2">The samples; and our Watcher, 'neath the gloss</p> +<p>Of courtly smugness glaring menace, stalks</p> +<p>About us, creaking cruelty as he walks.</p> + </div><div class="stanza"> +<p class="i4">Stand! Stand! Still stand!</p> +<p class="i4">Clenched teeth and clutching hand,</p> +<p>Swift blanching cheek, and twitching muscle, tell</p> +<p>To those who know, what <i>we</i> know all too well,</p> +<p class="i4">Ignored by Fashion, coldly mocked by Trade.</p> +<p class="i4">Are we not for the sacrifice arrayed</p> +<p>In dainty vesture? Pretty, too, they say</p> +<p>Male babblers, whom our sufferings and poor pay</p> +<p class="i4">Might shock, could they but guess</p> +<p class="i4">Trim figure and smart dress</p> +<p>Cover and hide, from all but doctor-ken,</p> +<p>Disease and threatening death. Oh! men, men, men!</p> +<p class="i2">You bow, smile, flatter—aught but <i>understand</i>!</p> +<p class="i6">Long hours lay lethal hand</p> +<p>Upon our very vitals. Seats might save</p> +<p class="i6">From an untimely grave,</p> +<p>Hundreds of harried, inly anguished girls;</p> +<p><i>You</i> see—their snow-girt throats and neatly-ordered curls!</p> + </div><div class="stanza"> +<p class="i4">Out to the green fields? Nay,</p> +<p class="i4">This all too fleeting day</p> +<p>To rest is dedicate. But not the rest</p> +<p>Of brightened spirit, and of lightened breast.</p> +<p>The dull, dead, half-inanimate leaden crouch</p> +<p>Of sheer exhaustion on this shabby couch</p> +<p class="i4">Is all my week's repose.</p> +<p class="i4">Read? But the tired eyes close,</p> +<p class="i2">The book from nerveless fingers drops;</p> +<p class="i4">Almost the slow heart stops.</p> +<p>But the clock halts not on its restless round.</p> +<p>Weariness shudders at the whirring sound,</p> +<p class="i4">As the sharp strike declares</p> +<p class="i4">Swift to its closing wears</p> +<p>One more of those brief interludes from toil</p> +<p>Which leave us still the labour-despot's spoil,</p> +<p class="i2">Slaves of long hours and unrelaxing strain,</p> +<p class="i2">Unstrengthened and unsolaced, soon again</p> +<p class="i2">To tread the round, and lift the lengthening chain;</p> +<p><i>Stand</i>—till hysteria lays its hideous clutch</p> +<p>On our girl-hearts, or epilepsy's touch</p> +<p class="i2">Thrills through tired nerves and palsied brain.</p> +<p class="i6">Again—again—again!</p> +<p><i>How long?</i> Till Death, upon its kindly quest,</p> +<p class="i4">Gives a true Day of Rest! +</p> + </div> </div> +<br /> +<hr /> + +<div class="figright1" style="width:20%;"><h3>EASTER MANŒUVRES.</h3> + +<a href="images/159.png"><img width="100%" src="images/159.png" alt="BACCHUS ON A BICYCLE!" border="0" /></a> +<h4>BACCHUS ON A BICYCLE!</h4> + +<h4>(<span class="sc">A "Safety" too!!</span>)</h4> + +<p><i>This incident repeated itself to infinity from the +East End to Hammersmith and back!!</i></p> +</div> + + + +<p><span class="sc">Royal Rewards to Good Players</span>.—"As +a sequel to the performance of <i>Becket</i> at +Windsor, Mr. <span class="sc">Irving</span>"—as we were informed +by the <i>Daily News</i>—"was presented by the +<span class="sc">Queen</span> with a stud." What will he do with +the stud? Will he take to the turf, go racing, +and keep the stud at some Newmarket +training-stables? Perhaps "the stud" consisted +of fifty "ponies"—but this is a purse-an'-all +matter, into which we are not at +liberty to inquire. Miss <span class="sc">Ellen Terry</span> received +a brooch from <span class="sc">Her Majesty</span>, on +which are the letters "V.R.I." Our <span class="sc">'Arry</span> +says these initials signify "<i>Ve Are 'I</i>ghly +pleased." Or, taking the two presents together, +as speaking, V.R.I, might mean, says +<span class="sc">'Arry</span>, "<i>Ve R-Ived safely</i>."</p> + +<hr /> + +<h3>LION AND LAMB.</h3> + +<blockquote><p> +["I think that when we consider an Opposition, +in which Lord <span class="sc">Salisbury</span> and Mr. <span class="sc">Chamberlain</span> +pacifically sit down—or lie down, together, we +need not, ourselves, feel very sensitive on the +subject of homogeneity."—<i>Mr. Gladstone at the +F. O. Liberal Meeting.</i>] +</p></blockquote> + +<div class="poem"> <div class="stanza"> +<p>Solly had a little Lamb,</p> +<p class="i2">From Brummagem you know!</p> +<p>And wheresoever <span class="sc">Solly</span> went</p> +<p class="i2">That Lamb was bound to go.</p> +<p>The Lion and the Lamb in fact!</p> +<p class="i2">And what could be more jolly?</p> +<p>Yet some <i>do</i> whisper that—sometimes—</p> +<p class="i2">The Lamb seems leading <span class="sc">Solly</span>.</p> + </div> </div> + +<hr /> + +<p>"<span class="sc">What Ho, Apothecary</span>!"—Last week +the Earl of <span class="sc">Bessborough</span> was announced as +having arrived at Bessborough, Pilltown, +Ireland. What an appropriate spot for +erecting an Irish Apothecaries' Hall! What +is Lord <span class="sc">Bessborough's</span> family name? Is +it The <span class="sc">O'Cockle</span>?</p> + +<hr /> + +<h3>THE AUTHOR.</h3> + +<div class="poem"> <div class="stanza"> +<p>It lay on the book-stall for sale,</p> +<p class="i2">But no one to purchase seemed willing,</p> +<p>The ticket was "Humorous Tale,</p> +<p class="i2">Two-and-sixpence—reduced to a shilling."</p> + </div><div class="stanza"> +<p>But the humour was lost upon me.</p> +<p class="i2">And the jest fell uncommonly flat.</p> +<p>Could the jokes I had written then be</p> +<p class="i2">So fallen in value as that?</p> + </div> </div><br /><br /> + +<hr /> + +<p><span class="sc">The First Duty of an Opposition</span> (<i>As +it now seems to be understood</i>).—"To lie in +cool Obstruction, and talk rot."—(<i>Shakspeare</i>—slightly +<i>adapted</i>.)</p> + +<hr /> + +<p><span class="sc">Modern Translation by our Youngest +Sporting Etonian</span>.—"<i>In formâ pauperis</i>"—<i>i.e.</i>, +"in rather poor form."</p> +<span class="pagenum"><a name="page160" id="page160"></a>[pg 160]</span> + +<hr /> + +<h3>AT AN AFTERNOON ENTERTAINMENT.</h3> + +<p><span class="sc">Scene</span>—<i>Prince's Hall, Piccadilly. Among the Audience are</i>—A +London Aunt, <i>and her</i> Eldest Daughter, <i>with a</i> Cousin from +the Country, <i>who is just a little difficult to amuse; a</i> Serious-minded +Lady <i>from Brixton, with a more frivolous</i> Friend; +<i>a pair of</i> Fiancés; <i>and an</i> Unsophisticated Father, <i>with an</i> +Up-to-date little Daughter. <i>An exhibition of "Pure Sleight-of-Hand" +has just been given on the Stage.</i></p> + +<p><i>The Serious Lady.</i> Clever? Yes, my dear, it is <i>clever</i> enough, if +that's all; but I never can +quite reconcile <i>my</i> conscience +to encouraging a fellow-creature +to make a living by +deliberate deception!</p> + +<p><i>Her Friend.</i> Oh, I don't +see any harm in conjuring, +myself.</p> + +<p><i>The S. L.</i> I can't forget +that Pharaoh had his Sorcerers +and Magicians, and +how <i>they</i> acted!</p> + +<p><i>Her Friend.</i> Ah, I never +saw <i>them</i>.</p> + +<p><i>The London Aunt</i> (<i>to her</i> +Niece). Enjoying it, <span class="sc">Sophy</span>? +Such a <i>treat</i> for you, to see +really good conjuring!</p> + +<p><i>Sophy.</i> Yes, Aunt, thank +you. But our new Curate +did that trick with <i>two</i> +rabbits at the last Penny +Readings we had!</p> + +<p>[<i>A calico screen is brought +forward on which the +Entertainer throws various +shadows with his +hands.</i></p> + +<p><i>The S. L.</i> Is that a little +house at the corner? Oh, +he doesn't do <i>that</i> with his +hands—then I see no merit +in it. Who's that? (<i>A +small male shadow, cast by +the performer's right hand, +crosses the screen, and knocks +timidly at the door, which +is opened by the left hand, +in the character of a little +Lady. The couple embrace +effusively, and retire inside.</i>) +Ah, that's the husband +coming home!</p> + +<p>[<i>Another male shadow enters +and knocks furiously, +while the little Lady +reconnoitres cautiously +from the window above.</i></p> + +<p><i>Her Friend.</i> I expect <i>that</i> +must be the husband.</p> + +<p><i>The S. L.</i> What?—and +the wife behaving like that +in his absence! If I thought +<i>that</i> was the—— (<i>The first +male shadow comes out, and +fights the second, who retreats, +worsted.</i>) I never saw anything +so scandalous. How +you can call yourself consistent, +and sit there and +<i>laugh</i> at such things——!</p> + +<p><i>Her Friend</i> (<i>apologetically</i>). +I can't help laughing—and, +after all, perhaps they're only rival lovers, or he's her +<i>father</i>, or something.</p> + +<p><i>The S. L.</i> And she inviting one to come into the house in that +bold way—a nice example for young persons! Look there, he's +come back with a flageolet, and she's actually poured a jug of +water on his head out of the window! "Only a pair of hands," did +you say? So it <i>may</i> be—but we all know <i>who</i> it is that "Finds +some mischief still For idle hands to do"—and there we have an +illustration of it, my dear.</p> + +<p>[<i>She shakes herself down in her sealskins with virtuous +disapproval.</i></p> + +<p><i>The Unsophisticated Father</i> (<i>who has been roaring with laughter</i>). +Capital! It is amazingly clever, 'pon my word! Can't imagine +how they do these things—can <i>you</i>, <span class="sc">Vivvie</span>? [<i>To Up-to-Date +Child.</i></p> + +<p><i>Miss Vivien.</i> Oh, well I've seen so much conjuring at parties, +you know, Father, that I don't notice it particularly,—but it's nice +to see <i>you</i> so amused!</p> + +<p><i>The U. F.</i> I'm <i>young</i>, you see, <span class="sc">Vivvie</span>; but I hope you're +not +bored?</p> + +<p><span class="sc">Miss V.</span> No, I'm not <i>bored</i>—only I thought there'd be some +Serpentine dancing, and more of the <i>Music Hall</i> about it.</p> + +<p><i>The U. F.</i> Music Hall! Why, what do <i>you</i> know about Music +Halls, eh?</p> + +<p><i>Miss V.</i> (<i>with calm superiority</i>). Several of their songs—if +you call <i>that</i> anything.</p> + +<p><i>The U. F.</i> I should be inclined to call it a good deal too +much!</p> + +<p><i>Miss V.</i> (<i>compassionately</i>). Would you? Poor dear Father! +But you never <i>were</i> very modern, were you?</p> + +<p>[<i>A Blind-folded Lady on the Stage has been reading and +adding up figures on a black board, and now offers to tell +the day of the week of any person's birth in the audience.</i></p> + +<p><i>Her Colleague.</i> Will some +gentleman kindly oblige me +with the date of his birth?</p> + +<p><i>The Fiancée.</i> Now, <span class="sc">Jack</span>, +tell yours. I <i>want</i> you to.</p> + +<p><i>Jack</i> (<i>in an unnaturally +gruff voice</i>). Fourteenth of +February, eighteen-sixty-nine!</p> + +<p><i>The Blindfolded Lady</i> +(<i>with the air of the Delphic +Pythia</i>). Yes—<i>that</i> fell upon +a Monday. [<i>Applause.</i></p> + +<p><i>Her Coll.</i> Is that correct, +Sir?</p> + +<p><i>Jack.</i> Don't know.</p> + +<p>[<i>He reddens, and tries to +look unconscious.</i></p> + +<p><i>Her Coll.</i> Now I will ask +the Lady if she can mention +some event of importance +that took place on the same +date.</p> + +<p><i>The Bl. L.</i> Let me think. +Yes. (<i>Solemnly.</i>) On the +same date, in the year seventeen-hundred-and-thirty-seven, +goloshes were first +invented! [<i>Loud applause.</i></p> + +<p><i>Miss V.</i> (<i>as the pair retire</i>). +Well, thank goodness, we've +seen the last of that beastly +black-board. I didn't come +here to add up sums. What +is it next? Oh, a "Farmyard +Imitator." I expect +that will be rather rot, +Father, don't you?</p> + +<p>[<i>Enter a Gentleman in evening +dress who gives realistic +imitations of various +live-stock.</i></p> + +<p><i>The Country Cousin.</i> +That's <i>exactly</i> the way our +little Berkshire pig grunts, +and "Sweetlips" calls her +calf just like that—and, oh, +<span class="sc">Katie</span>, I <i>wonder</i> if he could +have heard our Dorkings +clucking at home—I think +he <i>must</i> have—he does it so +exactly the same!</p> + +<p><i>Katie.</i> Then you do think +<i>that's</i> clever, <span class="sc">Sophy</span>?</p> + +<p><i>Sophy.</i> Oh, well—for an <i>imitation</i>, you know!</p> + +<p>[<i>A "Sensational Cage Mystery" is introduced; a pretty child +is shut up in a cage, which is opened a moment after, and +found to contain a Negro who capers out, grinning.</i></p> + +<p><i>The London Aunt.</i> <span class="sc">Sophy</span>, do you see that?—there's a black +man there now, instead!</p> + +<p><i>Sophy</i> (<i>without enthusiasm</i>). Yes, Aunt, I see, thank you.</p> + +<p><i>Katie.</i> Don't you <i>like</i> it, <span class="sc">Sophy</span>?</p> + +<p><i>Sophy.</i> I don't see why it need have been a <i>Nigger</i>!</p> + +<p><i>The S. L.</i> (<i>after a "Humorous Musical Sketch" by a clever and, +charming young Lady</i>). Like <i>that</i>, my dear?—a Young Woman +giving a description of how she actually went on the Stage, and +<span class="pagenum"><a name="page161" id="page161"></a>[pg 161]</span> +imitating men in that way! It was as much as <i>I</i> could do to sit +still in my seat!</p> + +<p><i>Her Friend.</i> I must say I thought it was very amusing.</p> + +<p><i>The S. L.</i> Amusing? I daresay. But, to my mind, young girls +have no <i>business</i> to be amusing, and take off other people. I've no +opinion of such ways myself. I don't know what my dear Mother +would have done if <i>I'd</i> ever been amusing—she would have broken +her heart, I do believe!</p> + +<p><i>The Friend</i> (<i>to herself</i>). She wouldn't have split her sides, that's +very certain!</p> + +<p>[<i>A</i> Lady Physiognomist <i>appears in cap and gown, and invites +a subject to step upon the stage, and have his or her character +revealed.</i></p> + +<div class="figright" style="width:50%;"><a href="images/160.png"><img width="100%" src="images/160.png" alt="He blinks and smiles in feeble confusion." /></a> +<h4>"He blinks and smiles in feeble confusion."</h4> +</div> + +<p><i>Jack</i> (<i>to his Fiancée</i>). No, I say—but look here, <span class="sc">Flossie</span>, +<i>really</i> +I'd rather not—with all these people looking!</p> + +<p><i>Flossie.</i> Then I shall think you've something to <i>conceal</i>, +<span class="sc">Jack</span>—you +wouldn't like me to feel that <i>already</i>, would you?</p> + +<p>[<span class="sc">Jack</span>, <i>resignedly, mounts the platform, and occupies a chair, in +which he blinks and smiles in feeble confusion, while the</i> +Professor <i>studies his features dispassionately.</i></p> + +<p><i>The Lady Phys.</i> The first thing to notice is the disposition of the +ears. Now here we have a Gentleman whose ears stick out in a +very remarkable manner. [<i>Delight of Audience.</i></p> + +<p><i>Flossie</i> (<i>to herself</i>). They <i>do</i>—awfully! I never noticed it +before. +But it really rather suits him; at least—— [<i>She meditates.</i></p> + +<p><i>The L. Ph.</i> This denotes an original and inquiring mind; this +gentleman takes nothing on trust—likes to see everything for +himself; he observes a good deal more than he ever says anything +about. His nose is wide at the tip, showing a trustful and confiding +disposition; it has a bump in the centre, denoting a moderate amount +of combativeness. The nostrils indicate a keen sense of humour. +(<i>Here</i> <span class="sc">Jack</span> <i>giggles bashfully.</i>) There is a twist in the +upper lip, +which indicates—well, I won't say that he would actually tell an +<i>untruth</i>—but if he had the opportunity for doing so, he has the +capacity for taking advantage of it. I think that is all I have to +say about this Gentleman.</p> + +<p><i>Flossie</i> (<i>to</i> <span class="sc">Jack</span>, <i>after he has returned to her +side</i>). <span class="sc">Jack</span>, if you +can't leave off having an original and inquiring mind, you must at +least promise me <i>one</i> thing—it's very little to ask!</p> + +<p><i>Jack.</i> You know I'd do any blessed thing in the world for you +<span class="sc">Flossie</span>,—what is it?</p> + +<p><i>Flossie.</i> Only to wear an elastic round your ears at night, <span class="sc">Jack</span>!</p> + +<p><i>The Unsophisticated Father</i> (<i>at the conclusion of the exhibition, +as the Missing Lady disappears with a bang, in full view of the +Audience</i>). There, <span class="sc">Vivvie</span>; she's vanished clean away. What do +you say to that, eh?</p> + +<p><i>Vivien</i> (<i>composedly</i>). Well, I think we may as well vanish too +Father. It's all over!</p> + +<p><i>The S. L.</i> (<i>going out</i>). I don't wish to judge <i>others</i>—far +from it—but, +speaking for myself, <span class="sc">Eliza</span>, I <i>cannot</i> feel this has been a +profitable +method of employing precious moments which can never be +recalled.</p> + +<p><i>Her Friend.</i> Oh, it's quite early. You'll have plenty of time to +get a cup of tea, and do some shopping before it's dark.</p> + +<p><i>The S. L.</i> (<i>severely</i>). That was not precisely what I <i>meant</i>, +<span class="sc">Eliza</span>!</p> + +<p>[<i>But it is precisely what she does.</i></p> + +<hr /> + +<h3>ADVERTISEMENT'S ADVERSARIES.</h3> + +<p class="center">["A Society has been formed to deliver us from hideous advertisements."</p> + +<p class="author1"><i>The Saturday Review.</i>]</p> + +<div class="poem"> <div class="stanza"> +<p>O newly-formed Society, we note with admiration</p> +<p class="i2">The truly novel purpose which you seem to have at heart,</p> +<p>And with no little eagerness await its consummation,</p> +<p class="i2">When popular advertisements will shine as works of art.</p> + </div><div class="stanza"> +<p>Then picturesque localities no longer will be crowded</p> +<p class="i2">With puffs of panaceas for our universal ills,</p> +<p>No longer will the atmosphere be permanently clouded</p> +<p class="i2">By sky-signs built to promulgate a patent soap or pills.</p> + </div><div class="stanza"> +<p>No more in train or omnibus will every inch of boarding</p> +<p class="i2">Be covered with advertisements of variegated hue;</p> +<p>No more in every thoroughfare will each obtrusive hoarding</p> +<p class="i2">Blaze, hideously chromatic, with its yellow, red, and blue.</p> + </div><div class="stanza"> +<p>One thing, perhaps, you'll tell us,—you will pardon the suggestion—</p> +<p class="i2">We doubt not your ability your purposes to win,</p> +<p>But yet our curiosity would fain propound the question,—</p> +<p class="i2">How, excellent Society, and when, will you begin?</p> + </div> </div> + +<hr /> + +<p>"<span class="sc">The Flowers that Bloom in the Spring</span>" may now be seen +in all their glory at the Crystal Palace Show. The excellent arrangements +there made for their exhibition prove that they have been +designed and carried out by a clever "Head"-Gardener.</p> + +<hr /> + +<h3>OUR BOOKING-OFFICE.</h3> + +<p>Seeing that <i>A Wild Wooing</i> (published by <span class="sc">F. V. White & Co.</span>) +is by <span class="sc">Florence Warden</span>, authoress of <i>The House on the Marsh</i>, +the Baron anticipated a real treat. But he was somewhat disappointed. +The novel is in one volume, which is an attraction, and +that volume is of a portable size, which is another note in its +favour; also it is not illustrated, which is an undisguised blessing. +The story is interesting up to a certain point, which, however, +does not take you very far into the book, and, after this point, the +murmurings behind walls, the moving and dragging of heavy +bodies under the floors, the insecure rope-ladders, the trap-doors, +cellars, underground passages, smugglers, murderers, victims, and +all sorts of mixed mysteries, become tiresome. +There is yet another fault, which is, that the story is not +told in so convincing a style as to make the +reader feel quite sure that the authoress is not "getting at him" +all the time, and just trying to see what quantity of old melodramatic +stuff he will patiently stand.</p> + +<div class="figright" style="width: 25%;"><a href="images/161.png"><img width="100%" src="images/161.png" alt="At Easter Time the Baron de B.-W. visits his friend The Peer of Brighton" /></a> +<h4>At Easter Time the Baron de B.-W. visits his friend<br /> +<i>The</i> Peer of Brighton.</h4> +</div> + +<p>Henceforth <span class="sc">Florence Warden</span> will do well to get away from +the rusty bars, bolts, chains, trap-doors, and cellars, from ruined +castles, as grim as that of <i>Udolpho</i>, "of which," as Sir <span class="sc">Walter</span> +said +in his preface to <i>Waverley</i>, "the Eastern wing had long been uninhabited, +and the keys either lost, or consigned to the care of some +aged butler or housekeeper, whose trembling steps, &c., &c." +Accidentally, turning from "White" to "Black," the Baron took up +the first volume of the excellent re-issue of the <i>Waverley Novels</i>, by +Messrs. <span class="sc">Adam and Charles Black</span>, called <i>The Dryburgh Edition</i>, +and commenced reading the introductory chapter of <i>Waverley</i>, which +at that time, gave the death-thrust to the melodramatic horrors of +romantic tales, whether evolved from the inner consciousness of English +writers, or openly acknowledged as "taken from the German."</p> + +<p>In view of the sensational romance of the present day, towards +which, when really good, the Baron owns to having a decided leaning—it +is interesting to note how brave Sir <span class="sc">Walter</span> defied the existing +fashion in novels of his own time, spurned the sentimental +"Mordaunts," the "Belvilles," and such like played-out names of +ancient chivalry, laughed at the heroine "with a profusion of +auburn hair and a harp," and, like the Magician of the North that +he was, boldly gave to the world his historic novels, in which, where +History doesn't suit the requirements of fiction, it is so much the +worse for History. Are there very many of the present generation +who have not read Sir <span class="sc">Walter Scott's</span> novels? If there be +any—and there must be, or where would be the demand to occasion +this new and admirably devised supply—let them at once put +aside modern sensationalism, and commence <span class="sc">Walter Scott</span> as a +study. The Baron knows personally one man of mature years, +who has read neither <i>Waverley</i> nor several others of the series, +and him he envies, for, as the student in question has already set +himself to the task, he has the greatest literary pleasure of his life +yet to come. Type, size of book, excellent as a library edition; +and the illustrations, so far as they have gone, are good, and not +too distracting. And so, after this unequivocal expression of his +sentiments, he signs himself, <span class="sc">The Bold Baron de B.-W.</span></p> +<span class="pagenum"><a name="page162" id="page162"></a>[pg 162]</span> +<br clear="all" /> + +<hr /> + +<div class="figcenter" style="width:100%;"><a href="images/162.png"><img width="100%" src="images/162.png" alt="A LESSON IN ALTRUISM." /></a> +<h4>A LESSON IN ALTRUISM.</h4> + +<p><span class="sc">Always be kind to Dumb Animals—their Lives are short, and should be made +Happy and as Comfortable as possible—even +at the cost of a little Temporary Discomfort to yourself.</span></p> +</div> + +<hr /> + +<h3>BACK TO SCHOOL;</h3> +<h4><span class="sc">Or, Doctor Blimber-Gladstone and his "Lit-tle Friends."</span></h4> + +<h4>(<i>Dombeyish Fragments, with a smack of "The Mikado."</i>)</h4> + +<p>Whenever a young gentleman was taken in hand by Dr. <span class="sc">Blimber-Gladstone</span>, +he might consider himself sure of a pretty tight squeeze. +The Doctor only undertook the charge of a limited number of young +gentlemen at a time, but he had always ready a supply of "cram" +for a hundred, on the lowest estimate; and it was at once the +business and delight of his life to gorge "his young friends," few or +many, to their utmost capacity, and sometimes beyond it.</p> + +<p>In fact, Dr. <span class="sc">Gladstone's</span> establishment was a great Hothouse, in +which there was a forcing apparatus incessantly at work. All the +boys blew before their time—or so said the Doctor's rivals and foes. +Mental Green Peas were produced in February, and intellectual +Scarlet-Runners in March. Mathematical Great Gooseberries were +common at untimely seasons, other than the appropriate Silly one.</p> + +<p>This was all very pleasant and ingenious, but the system of forcing +was attended with its usual disadvantage. There was sometimes +not the right taste about the premature productions, and they didn't +always keep well.</p> + +<p>The Doctor's was a mighty fine House, fronting the river. Not +always a joyful style of House within; sometimes quite the contrary. +The seats were in rows, like figures in a sum. The sitters also were +often in rows—with a slight (phonetic) difference. The House was +well provided with Hot Water, on the "constant-supply" system. +But somehow this seemed rather to conduce to discomfort than to +real cleanliness,—like the too frequent and tumultuous "turning-outs" +of an over-zealous housewife. A "Spring Clean," at St. +Stephen's School, was a thing to remember, and shudder at. It was +not a quiet House at the best of times. It seemed ever haunted by +the Banshee of Noise, and disturbed by the cacophonous ghosts of +dead Echoes. At the peacefulest periods it was pervaded by a +baneful Spook called the "Party Spirit," and always by the dull +booings of unwilling young gentlemen at their lessons, like the +raucous murmurings of an assemblage of melancholy rooks, or of +kites and crows cawing and screaming in the intervals of their +clamorous scufflings.</p> + +<hr /> + +<p>Holidays? Oh dear yes! If there was one thing Doctor <span class="sc">Gladstone's</span> +"young friends" <i>did</i> care for, it was Holidays! The +Doctor himself seemed as though he could—and were it possible—would +do without them. But the Doctor's "lit-tle friends," however +docile, could never be brought to see <i>that</i>. They did not +usually commence their Spring "term" until February. And they +were rips, even rampant, for a long "Recess" at Easter. When +the Doctor, using his well-beloved formula, said, "Gentlemen, we +will resume our studies upon——" they hung upon his words, and, +if the conclusion of his formula showed any disposition to cut the +Holidays short, they howled loudly in chorus, like hungry wolves +disappointed of their quarry.</p> + +<hr /> + +<p>It was a sight to see Doctor <span class="sc">Gladstone's</span> little friends returning to +School <i>after</i> the Easter Vacation. The Doctor, looking complacently +expansive, cheerily anticipative, welcomed them on the doorstep. +<i>They</i> did not welcome <i>him</i>. Oh, dear no! Look at them; the five +senior pupils in front, headed, of course, by that overgrown and somewhat +ungainly Irish boy, Master <span class="sc">Patrick Green</span>, cock of the School, +and prime favourite of Doctor <span class="sc">Gladstone</span>! Can you not fancy them +singing—after a famous original—the following quintett?</p> + +<table summary="poem" border="0" style="margin-bottom: 1em;"> +<tr> + <td><i>The Five.</i></td> + <td>Five little boys for school are we,</td><td> </td> +</tr> +<tr> + <td> </td> + <td>Back from a very short ho-li-dee;</td><td> </td> +</tr> +<tr> + <td> </td> + <td>All as reluctant as well can be,—</td><td> </td> +</tr> +<tr> + <td> </td> + <td style="padding-left: 2em;">Five little boys for School!</td><td> </td> +</tr> +<tr> + <td><i>Master Green.</i></td> + <td> Holiday's over, there's no more fun!</td><td style="text-align: right;">[<i>Groans.</i></td> +</tr> +<tr> + <td><i>Master Hodge.</i></td> + <td>Only just started! Wish I was done! </td><td style="text-align: right;">[<i>Snivels.</i></td> +</tr> +<tr> + <td><i>Master Bung.</i></td> + <td> As for <i>me</i>, wish I'd never <i>begun</i>!</td><td style="text-align: right;">[<i>Howls.</i></td> +</tr> +<tr> + <td><i>The Five.</i></td> + <td style="padding-left: 2em;">Five little boys for School!</td><td> </td> +</tr> +<tr> + <td><i>All</i> (<i>shrinking</i>).</td> + <td> Five little boys who, all unwary,</td><td> </td> +</tr> +<tr> + <td> </td> + <td>Entered old <span class="sc">Gladstone's</span> big seminary,</td><td> </td> +</tr> +<tr> + <td> </td> + <td>Slaves to his Genius tutelary——</td><td> </td> +</tr> +<tr> + <td colspan="2"><i>The Five</i> (<i>suddenly demure, on catching sight of the Doctor</i>)—</td><td> </td> + +</tr> +<tr> + <td> </td> + <td style="padding-left: 2em;">Five little boys "back to School!.!"</td><td> </td> +</tr> +</table> + + + + + +<hr /> +<span class="pagenum"><a name="page163" id="page163"></a>[pg 163]</span> + +<div class="figcenter" style="width:100%;"><a href="images/163.png"><img width="100%" src="images/163.png" alt="BACK TO SCHOOL; OR, DR. GLADSTONE AND HIS YOUNG FRIENDS." /></a> +<h4>BACK TO SCHOOL; OR, DR. GLADSTONE AND HIS YOUNG FRIENDS.</h4></div> + +<span class="pagenum"><a name="page164" id="page164"></a>[pg 164]</span> +<br /> +<span class="pagenum"><a name="page165" id="page165"></a>[pg 165]</span> + +<hr /> + +<h3>SONGS OF SOCIETY. II.—A LETTER OF ADVICE.</h3> + +<p><i>From Miss Belinda Bullion at Monte Carlo, to Miss Angelina Veaudor, in +Mayfair.</i> (<i>Being a Pendant to a celebrated Poem by Praed.</i>)</p> + + + +<div class="figright" style="width:40%"><a href="images/165.png"><img width="100%" src="images/165.png" alt="From Miss Belinda Bullion at Monte Carlo, to Miss Angelina Veaudor, in Mayfair." /></a></div> + +<div class="poem"> <div class="stanza"> +<p>They tell me you've "landed" a lover</p> +<p class="i2">(Don't pout at the slang, dear, 'tis <i>chic</i>),</p> +<p>Before your first Season is over,</p> +<p class="i2">Before I have left you a week.</p> +<p>I learned the good news through my mother.</p> +<p class="i2">Who <i>is</i> he? I wish I could guess.</p> +<p>If it's dear Lord <span class="sc">Fitz-Frumpington's</span> brother,</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "Yes."</p> + </div><div class="stanza"> +<p><i>Tres chère</i>, we know Fortune and Fashion</p> +<p class="i2">Are sensible girlhood's sole guides,</p> +<p>Smart maidenhood ridicules passion,</p> +<p class="i2">And sentiment calmly derides.</p> +<p>I gave you "Bel Ami" as token</p> +<p class="i2">That we were not victims of "glow;"</p> +<p>You gave me your vow—is it broken?</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>We vowed, dear, no matter at what age,</p> +<p class="i2">By Sentiment not to be hooked,</p> +<p>Or cheated by Love in a Cottage,</p> +<p class="i2">Or Shepherds enchantingly crook'd.</p> +<p>Too well, dear, <i>we</i> know modern men's tone,</p> +<p class="i2">Of "briar" the pipes which <i>they</i> blow.</p> +<p>Say, have you gone soft <i>à la</i> <span class="sc">Shenstone</span>?</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>Remember the cynic romances</p> +<p class="i2">We read in that Devonshire glen!</p> +<p>We are not the slaves of girl-fancies,</p> +<p class="i2">We've learned far too much about Men!</p> +<p>'Tis nice, with your head on his shoulder,</p> +<p class="i2">To whirl through the waltz with <span class="sc">Frank Lowe</span>,</p> +<p>But should poor Adonis grow bolder,</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>You know without wealth and a carriage</p> +<p class="i2">Life's just a prolonged fit of spleen,</p> +<p>So don't let me mourn o'er your marriage</p> +<p class="i2">With any poor <span class="sc">Brown, Jones</span>, or <span class="sc">Green</span>.</p> +<p>You swore mere romance should not thrill you,</p> +<p class="i2">Nor gold-less good looks make you glow;</p> +<p>And you will not go back on it—will you?</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>We're parted, but sympathy's fetter</p> +<p class="i2">Unites us, I'm sure of it, still.</p> +<p>I read your last laughable letter,</p> +<p class="i2">And see you are steering with skill.</p> +<p>True Love is all fiddlededee, love,</p> +<p class="i2">Full coffers count only, below.</p> +<p>If he's not what your husband should be, Love,</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>If he's over polite in his wooing,</p> +<p class="i2">If his heart is too plainly a-throb,</p> +<p>If he scarce seems aware what he's doing,</p> +<p class="i2">If he speaks with a blush or a sob;</p> +<p>If he is not "dead nuts" on his dinner,</p> +<p class="i2">If his voice or his spirits run low;</p> +<p>If he seems getting paler or thinner,</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>If he gives too much time to his Tennis,</p> +<p class="i2">Neglectful of dear L. S. D.,</p> +<p>If he chatters of <span class="sc">Whistler</span> and Venice,</p> +<p class="i2">If he cares about Five o'clock Tea;</p> +<p>If he's not sometimes rude or capricious</p> +<p class="i2">(All swells who have money are so),</p> +<p>Such signs are extremely suspicious;</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>If he shows a contempt for "the City,"</p> +<p class="i2">And drops little jeers about Jews,</p> +<p>If he talks of "the People" with pity,</p> +<p class="i2">Or rails at the Sweaters as "screws,"</p> +<p>These things prove a "popular leaning,"</p> +<p class="i2">And popular leanings are low;</p> +<p>Soft heart, and slack purse, are <i>their</i> meaning—</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>If he prates about Property's duties</p> +<p class="i2">In diction at all Gladstonese,</p> +<p>If he's down on Society Beauties,</p> +<p class="i2">If he has not a stare that can freeze;</p> +<p>If he does not abuse Foreign Powers,</p> +<p class="i2">And vote all philosophy slow,</p> +<p>If he's one of the time's "big Bow-wowers,"</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>He must walk like a Cit in his glory,</p> +<p class="i2">Of Money the true modern test,</p> +<p>He must be—yes, of course, dear—a Tory,</p> +<p class="i2">(As <i>partis</i> that party are best)</p> +<p>If he knows not the old Carlton's portal,</p> +<p class="i2">Then—unless you've a Duke for a beau—</p> +<p>I beg you—for girls are but mortal—</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "No!"</p> + </div><div class="stanza"> +<p>Don't bother about his extraction</p> +<p class="i2">Although there's a charm in good birth,</p> +<p>But Wealth yields life's sole satisfaction,</p> +<p class="i2">So find out, dear girl, <i>what he's worth</i>!</p> +<p>He may be but an oil-striking Yankee,</p> +<p class="i2">Eccentric in manners and dress,</p> +<p>But, if he has tin worth a "thankee,"</p> +<p class="i2">My own <span class="sc">Angelina</span>, say "Yes!"</p> + </div> </div> + +<hr /> + +<h3>MISTER JACKY'S VADE MECUM FOR THE EASTER HOLIDAYS.</h3> + +<p><i>Question.</i> What is the chief object you wish to attain during the +Vacation?</p> + +<p><i>Answer.</i> To have the best time possible under the most favourable +conditions.</p> + +<p><i>Q.</i> Is the comfort of your relations and friends to be taken into +serious account in attaining this desirable end?</p> + +<p><i>A.</i> Certainly not; the details to which you refer are unworthy of +a moment's consideration.</p> + +<p><i>Q.</i> Have you any objection to upsetting all the household arrangements +on your arrival?</p> + +<p><i>A.</i> Unquestionably no. If a morning performance commences at +an hour early enough to require luncheon to be discussed at 12:30, +why the <i>déjeuner à la fourchette</i> (as the French would say) must be +partaken within half-an-hour of noon. In like manner, if an evening +representation begins at seven, the dinner-hour must be put back to +half-past five.</p> + +<p><i>Q.</i> If these alterations cause any disturbance of your father's +habits, how would you deal with the matter?</p> + +<p><i>A.</i> I would not deal with the matter at all. I would leave all +purely necessary explanations to my mother.</p> + +<p><i>Q.</i> During the time of your vacation will you approve of any +dinner-parties?</p> + +<p><i>A.</i> I have a rooted objection to such entertainments when the +guests are of my parents' selection. However, I have no objection to +a few fellows, say, like <span class="sc">Smith</span> Major, or <span class="sc">Brown</span> Minor, dropping +in to supper on a Sunday.</p> + +<p><i>Q.</i> Assuming that the hour you mention is your parents' favourite +time for peace and quiet, does such an invasion suggest any reflection?</p> + +<p><i>A.</i> No. If my parents have become slow during my enforced +absence from home in the search of knowledge, it is time they should +have the benefit accruing from contact with my revivifying +characteristics.</p> + +<p><i>Q.</i> Supposing your father expostulates with you, and advances +the fact that you have received greater advantages than he himself +enjoyed—for instance, that you have been to Eton—what should you +reply?</p> + +<p><i>A.</i> Practically nothing. However, in the cause of justice and +truth, it might be advisable to answer his statement of fact that +"he had never been to Eton" with the reply, "Anyone could see +that."</p> + +<p><i>Q.</i> If he complains that you do not rise until eleven, smoke +cigarettes in the dining-room before lunch, smash the grand piano +in the drawing-room, lame his favourite cob in the Row, and upset +all his documents in the study, what answer would you make?</p> + +<p><i>A.</i> That you were not responsible for the training which he had +taken under his personal control. He must be satisfied with the +broad result of your bringing-up.</p> + +<p><i>Q.</i> If he declares his intention of addressing the Superintendent +of your scholastic career on the matter, what would you do?</p> + +<p><i>A.</i> Explain that your present position in the school, to which you +supposed you would have to reluctantly return, was lacking in the +element of popularity, and that any further move in the direction +of increased reduction in that element might possibly lead to your +expulsion. Deprecate personal objection to expulsion, but suggest +that such a course might, by preventing your getting employment +in the Church, Army, or Bar, lead to your being on your parents' +hands for life.</p> + +<p><i>Q.</i> When the time has all but arrived for your return to school, +what should you do?</p> + +<p><i>A.</i> Promptly catch the whooping-cough, the influenza, or +measles. You will then afford a sufficient reason for extending +the length of your vacation indefinitely.</p> +<span class="pagenum"><a name="page166" id="page166"></a>[pg 166]</span> + +<hr /> + +<div class="figcenter" style="width:60%;"><a href="images/166.png"><img width="100%" src="images/166.png" alt="A TERRIBLE TURK." /></a> +<h4>A TERRIBLE TURK.</h4> + +<p><i>Little Spinks.</i> <span class="sc">"Ah! once I was as Innocent as a Little Child! What I +am <i>now</i>, your +Sex has made me!"</span></p> +</div> + +<hr /> + +<h3>NOBLE SELF-SACRIFICE.</h3> + +<p>"The Duke of <span class="sc">Devonshire</span> has +arranged to return from Monte Carlo +on Saturday," so said the <i>Morning Post</i>, +"in order to address a political meeting +at Glasgow on April 14th." His Grace +having torn himself away from delightful +Monte Carlo, will then attempt to +turn the tables on the <i>Liberales Gladstonienses</i>. +But fancy renouncing sunny +Mount Charles—"O Charley Mount is +a pleasant place," as sang <i>Miles na +Coppaleen</i>, who was, by the way, miles +away from Monte Carlo—with its azure +sky, its deep blue sea, its verdant green-cloth +table land, its delightful <i>promenades +à pied</i>, and its frisky <i>gambols à la +roulette</i>, where the sunset and sunrise +are <i>rouge</i>, and <i>noir</i> is only "on the +cards." Fancy renouncing these gay +southern delights to live a laborious +day in dry, hard, northern Glasgow! +"O swallow, swallow, flying, flying +South," how would you like to be +checked in your holiday-making airy +career in order to be brought back to +the cold and cruel North? Such a self-sacrifice +as this is indeed memorable.</p> + +<hr /> + +<h3>LOVE BY THE SEA. WIND N.E. BY E.</h3> + +<div class="poem"> <div class="stanza"> +<p>"We do not speak as we pass by!"</p> +<p>But tears down trickle from our eye!</p> +<p>Alas! Our love remains untold——</p> +<p>For each has got a thundering cold!</p> + </div> </div> + +<hr /> + +<h3>BOOKS THAT OUGHT TO APPEAR.</h3> + +<p><i>I Banish the Street Organs!</i> By the +Author of <i>I Forbid the Banns!</i></p> + +<p><i>A Boy's Present.</i> (Birthday Book.) +By the Author of <i>A Girl's Past</i>.</p> + +<p>No. 1 of <i>The Domestic Lyre</i>, as a +Companion to <i>The Family Storyteller</i>.</p> + +<hr /> + +<p><span class="sc">Yet they Look so Innocent!</span>—In the +Language of Flowers, what species should +always express untruths?—Li-lies.</p> + +<hr /> + +<h3>ESSENCE OF PARLIAMENT.</h3> + +<h4>EXTRACTED FROM THE DIARY OF TOBY, M.P.</h4> + +<p><i>House of Commons, Monday Night, March 27.</i>—The Lowther +Arcade not getting on so well as thought when projected. The +Master Builder been diligently at work, but result disappointing. +On Friday he got terribly snubbed by <span class="sc">Speaker</span>. Comes up to-day +to make personal explanation. That a bait at which House usually +jumps; always ready to be amused, or interested with scandal about +Queen <span class="sc">Elizabeth</span> and other persons. These things usually promised +by personal explanation. To-day no flutter of excitement moved +crowded House. <span class="sc">Jemmy</span>, approaching table with most judicial air, +received with mocking laughter, and ironical cheers. Some difficulty +in quite making out what he was at. Evidently something to do +with <span class="sc">Squire</span> of <span class="sc">Malwood</span>; but <span class="sc">Squire</span> so inextricably +mixed up +with Supplementary Estimates, couldn't make out which was which. +<span class="sc">James</span> pounded along in most ponderous style; <span class="sc">Squire</span> +contemptuously +replied; no one else inclined to join in conversation, and +the Master Builder gloomily resumed his seat.</p> + +<p>"Never mind," I said, not liking to see an old friend cast down; +"Rome wasn't built in a day, nor the Cave of Adullam excavated in +a week. These things grow. You must have patience, and the +Lowther Arcade will still flourish. Let me see, whom you have got? +There's <span class="sc">Bartley, Hanbury,</span> and <span class="sc">Tommy Bowles</span>. <span class="sc">Lowe</span>, +forming +his Cave, hadn't so many to start with."</p> + +<p>"Yes," said the Master Builder, "that's all very well; but, +fact is, you can't reckon upon these fellows as being, so to speak, +colonnades in the Arcade. They are all on their own hook; +fighting for their own hand; won't take the lead from me; must go +foraging for themselves. <span class="sc">Hanbury</span> thinks he can boss a show better +than most men. <span class="sc">Bartley's</span> obstreperous. <span class="sc">Tommy Bowles</span> would +be all right if he were left to himself, free from the companionship +of designing men. He is young, ingenuous, not wholly lost +to a sense of regard for his pastors and masters, lack of which is +the curse of modern Youth. I believe <span class="sc">Tommy</span> respects me, and, +only for the evil communications to which he is subject on the +back bench, would work loyally with me in establishing the +Arcade."</p> + +<p>There was unwonted moisture in the Master Builder's eye as +he turned round, and regarded the Member for King's Lynn what +time he softly whistled to himself the old Jacobite air, "<i>Tommy +make Room for your Uncle</i>."</p> + +<p><i>Business done.</i>—Vote of Censure moved by Prince <span class="sc">Arthur</span>; +Government majority runs up on division to 47; Ministerialists, +fresh from meeting at Foreign Office, agree that, on whole, have spent +a happy day. Debate spasmodically dull. Prince <span class="sc">Arthur</span> could +not lift it out of the rut, nor <span class="sc">Grandolph</span> either. Only Mr. G. +shone with effulgent light through gloom of evening. Principal +result of manœuvre, beyond giving fillip to majority, is that a day +will be filched from meagre holidays, and House must needs sit +on Thursday.</p> + +<p><i>Tuesday.</i>—Mr. G. looked in in time to say a few words in reply to +Prince <span class="sc">Arthur's</span> inquiries as to business arrangements. Later he +came back, and delivered excellent speech; brief, and direct to +point. House been talking all morning round Vote on Account. +<span class="sc">Macfarlane</span> done Rule-of-three sum, to show how twelve hundred +days are lost every week by necessity imposed upon Members of +coming down two hours in advance to take their seats. Some disposition +shown by practical Members to argue question whether there +could be twelve hundred days in any week, even in Leap-Year.</p> + +<p>"I know I'm right," said <span class="sc">Macfarlane</span>, and the sceptics, gazing +respectfully at his flowing beard, withdrew from controversy.</p> + +<p>House divided on Motion by <span class="sc">Legh</span> to reduce Foreign Office Vote. +Ministerial majority run up at a jump to 225. Time by Westminster +clock, 6.10 <span class="sc">P.M.</span>; in twenty minutes, sitting will be suspended; +Vote must be through Committee to-day; <span class="sc">Tommy Bowles</span> +(who hasn't made a speech for a quarter of an hour) on his feet; +sheafs of manuscript in his hand; would certainly oblige to extent +of twenty minutes; <span class="sc">Baron de Worms</span> also has a few remarks to +offer; probable length of Channel Tunnel. Mr. G. interposes.</p> +<span class="pagenum"><a name="page167" id="page167"></a>[pg 167]</span> + +<div class="figcenter" style="width:100%;"><a href="images/167.png"><img width="100%" src="images/167.png" alt="EASTER AT THE ZOO." /></a> +<h4>EASTER AT THE ZOO.</h4></div> + +<span class="pagenum"><a name="page168" id="page168"></a>[pg 168]</span> +<p> +"Mr. <span class="sc">Mellor</span>," he said, addressing +Chairman, "I claim to have the +question now put."</p> + +<p>Ringing cheers went up from Ministerialists. +<span class="sc">Tommy</span> resumed his seat; +gruefully glanced at notes. The Noble +Baron saw in this manœuvre fresh +proof that Mr. G. had sold himself to +Germany; having completed preparation +for separation of the Empire on +the side of the Irish Channel, would +immediately after, by medium of +<span class="sc">Watkin's</span> Tunnel, place what was left +of the country at the mercy of a foreign +foe. Meanwhile Closure moved; what's +more, carried on division by swingeing +majority of over a hundred. So Vote +agreed to; Mr. G. gets off for short +drive before dressing for dinner.</p> + +<p>Earned a night's rest, and a longer +Easter holiday than he has allotted to +himself and us. Older he gets, the +younger he seems. His work to-day +should make the eight-hours' man +blush. At bay in Downing Street +since twelve o'clock with two hostile +deputations. Came from Ulster and +the City, resolved to beard Home-Rule +Lion in his den. Alone he met them; +one down, the other come on; no interval +of rest; picked men from Ulster, +Selected Captains from the City, surged +around table at which he sat. Hardly +left him time to reply. Having politely conducted Ulster to door, +enter the City Fathers, fresh and eager for fray. Told him over again +in varied phrase how he was bringing country to verge of ruin; listened +with perfect courtesy, as if they'd been discussing someone else—say, +his next-door neighbour, <span class="sc">Squire</span> of <span class="sc">Malwood</span> and Junior Lord +of Downing Street. Up again when last in list of City speakers had +concluded. Almost persuaded <span class="sc">John Lubbock</span> to be a Home-Ruler; +then down to House, dealing with mass of correspondence littering +his table in room behind <span class="sc">Speaker's</span> chair; alert on sound of +division-bell; comes in to move Closure; remembers that in long +list of speeches never made this particular one before; looks up +<span class="sc">Palgrave's</span> <i>Handbook</i>; cons his lesson and declaims brief formula +in deep rich voice that lends touch of eloquence to its unadorned, +remorseless demand. All this, too, following on a day like yesterday, +when two other deputations stormed Downing Street; drew +from him weighty reply; followed, after hasty dinner, by a speech +in the House on the eternal Irish question, which <span class="sc">Grandolph</span> +rightly termed, "entrancing."</p> + +<p>"A Grand Old Man, indeed!" said +<span class="sc">Prince Arthur</span>, talking over these +things to-night, when he should have +been listening to <span class="sc">Tommy Bowles</span>, who +having at the morning sitting had his +speech on Vote on Account closured, +delivered another at evening sitting +on the question of the Depreciation of +Silver as it affects domestic architecture +in China and Peru.</p> + +<div class="figright" style="width:33%;"><a href="images/168a.png"><img width="100%" src="images/168a.png" alt="Portrait of a Member of Parliament examining the Signatures" /></a> +<p>Portrait of a Member of Parliament examining the Signatures +to a Petition against the Local-Veto Bill, to see if they are genuine +or not. (<i>Vide</i> Report of the Proceedings in the Commons, March 28, +which suggests that they are obtained in Public Houses.)</p></div> + +<p><i>Business done.</i>—Vote on Account +through Committee.</p> + +<p><i>Thursday.</i>—<span class="sc">Caine</span> going about +House this afternoon, his slim figure +bulging out at the pockets in mysterious +fashion, "Brought your supper +with you?" I asked, lightly touching +one of the excrescences that felt like +an imperial pint of ginger-beer (<span class="sc">White</span> +1880). "You seem bursting with broiled +bones. All no use. No more all-night +sittings <i>this</i> side of Easter."</p> + +<p>"No, my boy, you're wrong," said +<span class="sc">Caine</span>. "Fact is, I'm going off to the +country, and these protuberances you +observe about my person are phonograms. +All labelled, you see," he said, +taking out cylinders from several +pockets. "Here are a few remarks on +Registration; that's my Local-Veto +Speech; and here is an entirely new +view of the Home-Rule question. If +you like to come over to my house at +Clapham—close by, you know, busses every ten minutes—you shall +have a night's thorough enjoyment. Leave you in the room by yourself +with the phonograph. Pop in one of these cylinders; set the +phonograph whizzing; and you'll hear me on Local Veto. Take +out cylinder, put in another, and you'll know more about Home +Rule in five minutes than you ever dreamt. Can only let you have +them for to-night. To-morrow they go down to Yorkshire, and thro' +Easter Recess I shall be delivering, at various places, six speeches +every night, I myself comfortably making holiday in Wales." +"Thank you," I said; "but, if you'll excuse me, I think I'll go +home and go to bed." In truth, a little depressed. Here's a nice +prospect for the holidays! Bad enough to have Members working +off at public meetings speeches that had been closured in Commons. +But if every man is, during the recess, to multiply himself by +phonography, the last state of this country will be worse than the first.</p> + +<p><i>Business done.</i>—Adjourned for Easter Holidays. Just escaped +sitting over Good Friday. Back next Thursday.</p> + +<hr /> + +<div class="figcenter" style="width:100%;"><a href="images/168b.png"><img width="100%" src="images/168b.png" alt="THE NEW 'FOURTH PARTY.'" /></a> +<h4>THE NEW "FOURTH PARTY."</h4> + +<p class="center">T. G. B-wl-s. Right Hon. J-m-s L-wth-r. G. C. B-rtl-y. R. W. H-nb-ry.</p> +</div> + +<hr class="full" /> + + + +<table align="center" summary="note" style="margin-top: 10em;"> +<tr><td class="note"> +<h4>Transcriber's Note:</h4> + +<p>Missing or illegible/damaged punctuation has been repaired.</p> + +</td></tr></table> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +104, April 8, 1893, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 22671-h.htm or 22671-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/6/7/22671/ + +Produced by Lesley Halamek, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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@@ +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 104, +April 8, 1893, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 104, April 8, 1893 + +Author: Various + +Editor: Francis Burnand + +Release Date: September 19, 2007 [EBook #22671] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Lesley Halamek, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +PUNCH, OR THE LONDON CHARIVARI + +VOL. 104. + +APRIL 8, 1893. + + +Edited by Sir Francis Burnand + + + + +SPORTING ANSWERS. + +ANGLING. + +FLEACATCHER.--Yes, the trout in the river Itching (this is the only +correct spelling) are red, and, before they are boiled, raw. The best +method of catching them is to tickle them. When you have hooked an +Itching trout, you first scratch him, and then cook him. + +NOVICE.--We only knew one man who could make a decent rod, and he died +twenty years ago. Remember the old adage so dear to IZAAK, _Qui parcit +virgae spoliat puerum_. For instructions as to use of implement, and +translation of Latin, apply to any head-master. Failure in the latter +will inevitably lead to application of the former. Then pause for +reflection, but _don't sit down_. + +SPOOK.--What on earth is the use of applying to us about a phantom? +We never keep one on the premises. Try personal interview with W. T. +STEAD, who has a fine selection, JULIA being specially effective. Why +do you ask if we generally spin? Not having been born a top, we prefer +walking. + +CONTEMPLATIVE.--(1) It's absolutely useless offering us these paltry +inducements to betray the secrets of our skill. We are--we hope we may +say it without undue pride--an All-Round Angler, and we are not going +to be squared by a bait of that kind. (2) We have never pretended we +were a salmon. If ANDREW LANG says we have, we challenge him to repeat +it to our face before witnesses. (3) Whitebait are no longer kept in +the Round Pond at Kensington. We knew as many as four there ten years +ago. + +CALIPEE.--You are quite right. When a ship turns turtle the fact is +instantly communicated to the Lord Mayor and Aldermen of the City of +London. They proceed to the spot in the _Maria Wood_, and the one +who secures the interesting saurian is allowed to eat all the green +fat. With you we hope devoutly that the time is far distant when the +desecrating hand of a Socialistic Government will be allowed to lay a +finger on these ancient civic customs. No. The Fishmongers' Company do +not sell fish. Their motto is, _Edo, non vendo_. + + * * * * * + +ACTON EST.--_The Cornhill Magazine_ for this month has an interesting +article on "Actors and Actresses in Westminster Abbey," not seen there +much when alive, but there for good after their decease. It is stated +of Mrs. BARRY that she was not interred in the Abbey, as has been, +it appears, generally supposed, but found her resting-place at Acton. +Odd, that when she had ceased to act, she should be sent to Act-on! + + * * * * * + +[Illustration: "TAKE CARE OF THE PENCE, AND THE POUNDS," &c. + +_Muriel._ "MAMMA, WHAT HAVE YOU GOT THE CARRIAGE OUT FOR SO LATE? +WHERE _ARE_ YOU GOING?" + +_Mrs. Goldie._ "NOW, MURIEL, YOU KNOW HOW YOUR FATHER KEEPS WORRYING +ABOUT EXTRAVAGANCE, AND OF COURSE I MUST SET AN EXAMPLE. SO I'M GOING +TO THE PUBLIC LIBRARY TO SEE THE EVENING PAPER!"] + + * * * * * + +THE CRY OF THE CUE-IST. (_To the Champion, by a Discouraged +Competitor._) + + Break, break, break, + On the smooth green board, O JOHN! + And I would civil words could utter + My thoughts, as the game goes on! + + O well for the three-figure runs + You have made since we opened play! + O ill for my nine thousand start, + Which you're lessening day by day! + + And the marvellous shots go on + To your score, which is mounting still! + But O for a touch of that wondrous hand, + And a slice of that startling skill! + + Break, break, break! + _There's_ a shot! Great Scott! O, see! + What tender grace! And if once ahead + You will never "come back" to me! + + * * * * * + + "EPSOM SPRING MEETING."--In former times this used to be a + fashionable rendezvous for invalids who went there to drink + the beneficial waters of the Epsom Spring. Now there is not + much water taken at these Spring Meetings; and what water is + taken is not "an unmixed good." + + * * * * * + + A LESSON IN "BOOK-KEEPING."--Never lend one. + + * * * * * + +AFTER THE VOLUNTEER REVIEW. + +SCENE--_An Office._ BROWN _and_ JONES _discovered talking over the +incidents of the recent holiday._ + +_Brown._ Yes; I was up at six on the Monday. + +_Jones._ Well, you were in luck; for I had to be ready by four. The +battalion had to be drawn up at the station by 4.45. + +_Brown._ To be sure. You went down before we did. + +_Jones._ Yes. I wish we had got some coffee before starting. + +_Brown._ But you had your breakfast on your arrival, didn't you? + +_Jones._ Yes, to be sure; but as we were a bit late, it was rather a +scramble. + +_Brown._ Well, of course one has to get on to parade as soon as +possible. We cut it rather fine too. But that's the case with all of +us. + +_Jones._ To be sure; and if you lose time at one end, you must make up +for it at the other--that stands to reason. And how did you get on? + +_Brown._ First rate. We were on the march from nine to five. + +_Jones._ So were we; and didn't have time scarcely to get to our +havresacks. + +_Brown._ Just our fortune. Always on the move. I wore out my leathers +in fine style. + +_Jones._ So did I. And then we had to go back to the train before we +could get any dinner. + +_Brown._ My fate too. And, when I got home, the slavey had forgotten +to lay supper! + +_Jones._ So had mine. But still it was a glorious holiday--now, wasn't +it? + +_Brown._ I should say it was! A glorious holiday! + +[_They return to their ledgers._ + + * * * * * + +QUEER QUERIES. + +ABSCONDRELISM.--I belong to a Building Society. At present the concern +is exceptionally prosperous, and I have no reason to suppose that the +Directors and Manager are not scrupulously honest. Still, it is as +well to be prepared for all eventualities, and, as a couple of years +seems to be about the time required by the authorities before they can +make up their minds to prosecute anybody, I should like to know if +I could apply for a warrant against the officials of my Society _at +once_, so as to have everything ready in case any of them should +develop fraudulent tendencies a few years hence? Would there be any +objection to this? Perhaps some legal reader would reply. Also, is it +a fact that Messrs. BALBERT AND HURLFOUR have started a model Colony, +on entirely new and philanthropic lines, in Mexico, and are inviting +English settlers (unconnected with the "Liberator" Society) to join +them there, the prospectus of the scheme being headed:--"By kind +permission of the Public Prosecutor"?--PROPHYLACTIC. + + * * * * * + +HER "DAY OF REST." + +(_The Song of the Shop-Girl._) + +[Illustration: ["As one poor shop-girl said:--'After the fatigue and +worry of the week, I am so thoroughly worn out, that my only thought +is to rest on a Sunday; but it goes too quickly, and the other days +drag on so slowly!'"--_Quoted by Sir John Lubbock in the recent Debate +on Early Closing for Shops._]] + + Eight o'clock strikes! + The short day's sped,-- + My Day of Rest! That beating in my head + Hammers on still, like coffin-taps. He likes, + Our lynx-eyed chief, to see us brisk and trim + On Monday mornings; and though brains may swim, + And breasts sink sickeningly with nameless pain, + _He_ cannot feel the faintness and the strain, + And what are they to him? + + This morning's sun peeped in + Invitingly, as though to win + My footsteps fieldwards, just one day in seven! + The thought of hedgerows was like opening heaven, + And the stray sunray's gleam, + Threading the dingy blind, + Seemed part of a sweet dream, + For in our sleep the Fates _are_ sometimes kind. + "Come out!" it said, "but not with weary tread, + And feet of lead, + The long, mud-cumbered, cold, accustomed way, + For the great Shop is shuttered close to-day, + And you awhile are free!" + _Free?_ With a chain of iron upon my heart, + That drags me down, and makes the salt tears start! + + Oh, that inexorable weariness + That through the enfeebled flesh lays crushing stress + On the young spirit! Young? There is no youth + For such as I. It dies, in very truth, + At the first touch of the taskmaster's hand. + A doctrine hard for you to understand, + Gay sisters of the primrose path, + Whose only chain is as a flowery band. + The toil that outstays nature hath + A palsying power, a chilling force + Which freezes youth at its fresh source. + Only the Comus wand + Of an unhallowed Pleasure offers such + Freedom, and with pollution in its touch. + + The languid lift + Of head from pillow tells us the good gift + Of Sabbath rest is more than half in vain. + Tired! Tired! In flesh, bone, brain, + Heart, fancy, pulse, and nerve! + Such is our doom who stand and serve + The unrewarding public, thoughtless they + Of slaves whose souls they slay! + + Oh, that long standing--standing--standing yet! + With the flesh sick, the inmost soul a-fret, + Pale, pulseless patiences, our very sex, + That should be a protection, one more load + To lade, and chafe, and vex. + No tired ox urged to tramping by the goad + Feels a more mutely-maddening weariness + Than we white, black-garbed spectral girls who stand + Stonily smiling on while ladies grand, + Easily seated, idly turn and toss + The samples; and our Watcher, 'neath the gloss + Of courtly smugness glaring menace, stalks + About us, creaking cruelty as he walks. + + Stand! Stand! Still stand! + Clenched teeth and clutching hand, + Swift blanching cheek, and twitching muscle, tell + To those who know, what _we_ know all too well, + Ignored by Fashion, coldly mocked by Trade. + Are we not for the sacrifice arrayed + In dainty vesture? Pretty, too, they say + Male babblers, whom our sufferings and poor pay + Might shock, could they but guess + Trim figure and smart dress + Cover and hide, from all but doctor-ken, + Disease and threatening death. Oh! men, men, men! + You bow, smile, flatter--aught but _understand_! + Long hours lay lethal hand + Upon our very vitals. Seats might save + From an untimely grave, + Hundreds of harried, inly anguished girls; + _You_ see--their snow-girt throats and neatly-ordered curls! + + Out to the green fields? Nay, + This all too fleeting day + To rest is dedicate. But not the rest + Of brightened spirit, and of lightened breast. + The dull, dead, half-inanimate leaden crouch + Of sheer exhaustion on this shabby couch + Is all my week's repose. + Read? But the tired eyes close, + The book from nerveless fingers drops; + Almost the slow heart stops. + But the clock halts not on its restless round. + Weariness shudders at the whirring sound, + As the sharp strike declares + Swift to its closing wears + One more of those brief interludes from toil + Which leave us still the labour-despot's spoil, + Slaves of long hours and unrelaxing strain, + Unstrengthened and unsolaced, soon again + To tread the round, and lift the lengthening chain; + _Stand_--till hysteria lays its hideous clutch + On our girl-hearts, or epilepsy's touch + Thrills through tired nerves and palsied brain. + Again--again--again! + _How long?_ Till Death, upon its kindly quest, + Gives a true Day of Rest! + + * * * * * + +EASTER MANOEUVRES. + +[Illustration: BACCHUS ON A BICYCLE! + +(A "SAFETY" TOO!!) + +_This incident repeated itself to infinity from the East End to +Hammersmith and back!!_] + + * * * * * + +ROYAL REWARDS TO GOOD PLAYERS.--"As a sequel to the performance of +_Becket_ at Windsor, Mr. IRVING"--as we were informed by the _Daily +News_--"was presented by the QUEEN with a stud." What will he do with +the stud? Will he take to the turf, go racing, and keep the stud at +some Newmarket training-stables? Perhaps "the stud" consisted of fifty +"ponies"--but this is a purse-an'-all matter, into which we are not +at liberty to inquire. Miss ELLEN TERRY received a brooch from HER +MAJESTY, on which are the letters "V.R.I." Our 'ARRY says these +initials signify "_Ve Are 'I_ghly pleased." Or, taking the two +presents together, as speaking, V.R.I, might mean, says 'ARRY, "_Ve +R-Ived safely._" + + * * * * * + +LION AND LAMB. + + ["I think that when we consider an Opposition, in which Lord + SALISBURY and Mr. CHAMBERLAIN pacifically sit down--or lie + down, together, we need not, ourselves, feel very sensitive + on the subject of homogeneity."--_Mr. Gladstone at the F. O. + Liberal Meeting._] + + Solly had a little Lamb, + From Brummagem you know! + And wheresoever SOLLY went + That Lamb was bound to go. + The Lion and the Lamb in fact! + And what could be more jolly? + Yet some _do_ whisper that--sometimes-- + The Lamb seems leading SOLLY. + + * * * * * + +"WHAT HO, APOTHECARY!"--Last week the Earl of BESSBOROUGH was +announced as having arrived at Bessborough, Pilltown, Ireland. What +an appropriate spot for erecting an Irish Apothecaries' Hall! What is +Lord BESSBOROUGH'S family name? Is it The O'COCKLE? + + * * * * * + +THE AUTHOR. + + It lay on the book-stall for sale, + But no one to purchase seemed willing, + The ticket was "Humorous Tale, + Two-and-sixpence--reduced to a shilling." + + But the humour was lost upon me. + And the jest fell uncommonly flat. + Could the jokes I had written then be + So fallen in value as that? + + * * * * * + +THE FIRST DUTY OF AN OPPOSITION (_As it now seems to +be understood_).--"To lie in cool Obstruction, and talk +rot."--(_Shakspeare_--slightly _adapted_.) + + * * * * * + +MODERN TRANSLATION BY OUR YOUNGEST SPORTING ETONIAN.--"_In forma +pauperis_"--_i.e._, "in rather poor form." + + * * * * * + +AT AN AFTERNOON ENTERTAINMENT. + +SCENE--_Prince's Hall, Piccadilly. Among the Audience are_--A London +Aunt, _and her_ Eldest Daughter, _with a_ Cousin from the Country, +_who is just a little difficult to amuse; a_ Serious-minded Lady _from +Brixton, with a more frivolous_ Friend; _a pair of_ Fiances; _and +an_ Unsophisticated Father, _with an_ Up-to-date little Daughter. +_An exhibition of "Pure Sleight-of-Hand" has just been given on the +Stage._ + +_The Serious Lady._ Clever? Yes, my dear, it is _clever_ enough, +if that's all; but I never can quite reconcile _my_ conscience +to encouraging a fellow-creature to make a living by deliberate +deception! + +_Her Friend._ Oh, I don't see any harm in conjuring, myself. + +_The S. L._ I can't forget that Pharaoh had his Sorcerers and +Magicians, and how _they_ acted! + +_Her Friend._ Ah, I never saw _them_. + +_The London Aunt_ (_to her_ Niece). Enjoying it, SOPHY? Such a _treat_ +for you, to see really good conjuring! + +_Sophy._ Yes, Aunt, thank you. But our new Curate did that trick with +_two_ rabbits at the last Penny Readings we had! + +[_A calico screen is brought forward on which the Entertainer throws +various shadows with his hands._ + +_The S. L._ Is that a little house at the corner? Oh, he doesn't do +_that_ with his hands--then I see no merit in it. Who's that? (_A +small male shadow, cast by the performer's right hand, crosses the +screen, and knocks timidly at the door, which is opened by the +left hand, in the character of a little Lady. The couple embrace +effusively, and retire inside._) Ah, that's the husband coming home! + +[_Another male shadow enters and knocks furiously, while the little +Lady reconnoitres cautiously from the window above._ + +_Her Friend._ I expect _that_ must be the husband. + +_The S. L._ What?--and the wife behaving like that in his absence! If +I thought _that_ was the---- (_The first male shadow comes out, and +fights the second, who retreats, worsted._) I never saw anything so +scandalous. How you can call yourself consistent, and sit there and +_laugh_ at such things----! + +_Her Friend_ (_apologetically_). I can't help laughing--and, after +all, perhaps they're only rival lovers, or he's her _father_, or +something. + +_The S. L._ And she inviting one to come into the house in that bold +way--a nice example for young persons! Look there, he's come back with +a flageolet, and she's actually poured a jug of water on his head +out of the window! "Only a pair of hands," did you say? So it _may_ +be--but we all know _who_ it is that "Finds some mischief still For +idle hands to do"--and there we have an illustration of it, my dear. + +[_She shakes herself down in her sealskins with virtuous disapproval._ + +_The Unsophisticated Father_ (_who has been roaring with laughter_). +Capital! It is amazingly clever, 'pon my word! Can't imagine how they +do these things--can _you_, VIVVIE? [_To Up-to-Date Child._ + +_Miss Vivien._ Oh, well I've seen so much conjuring at parties, you +know, Father, that I don't notice it particularly,--but it's nice to +see _you_ so amused! + +_The U. F._ I'm _young_, you see, VIVVIE; but I hope you're not bored? + +MISS V. No, I'm not _bored_--only I thought there'd be some Serpentine +dancing, and more of the _Music Hall_ about it. + +_The U. F._ Music Hall! Why, what do _you_ know about Music Halls, eh? + +_Miss V._ (_with calm superiority_). Several of their songs--if you +call _that_ anything. + +_The U. F._ I should be inclined to call it a good deal too much! + +_Miss V._ (_compassionately_). Would you? Poor dear Father! But you +never _were_ very modern, were you? + +[_A Blind-folded Lady on the Stage has been reading and adding up +figures on a black board, and now offers to tell the day of the week +of any person's birth in the audience._ + +_Her Colleague._ Will some gentleman kindly oblige me with the date of +his birth? + +_The Fiancee._ Now, JACK, tell yours. I _want_ you to. + +_Jack_ (_in an unnaturally gruff voice_). Fourteenth of February, +eighteen-sixty-nine! + +_The Blindfolded Lady_ (_with the air of the Delphic Pythia_). +Yes--_that_ fell upon a Monday. [_Applause._ + +_Her Coll._ Is that correct, Sir? + +_Jack._ Don't know. + +[_He reddens, and tries to look unconscious._ + +_Her Coll._ Now I will ask the Lady if she can mention some event of +importance that took place on the same date. + +_The Bl. L._ Let me think. Yes. (_Solemnly._) On the same +date, in the year seventeen-hundred-and-thirty-seven, goloshes were +first invented! [_Loud applause._ + +_Miss V._ (_as the pair retire_). Well, thank goodness, we've seen the +last of that beastly black-board. I didn't come here to add up sums. +What is it next? Oh, a "Farmyard Imitator." I expect that will be +rather rot, Father, don't you? + +[_Enter a Gentleman in evening dress who gives realistic imitations of +various live-stock._ + +_The Country Cousin._ That's _exactly_ the way our little Berkshire +pig grunts, and "Sweetlips" calls her calf just like that--and, oh, +KATIE, I _wonder_ if he could have heard our Dorkings clucking at +home--I think he _must_ have--he does it so exactly the same! + +_Katie._ Then you do think _that's_ clever, SOPHY? + +_Sophy._ Oh, well--for an _imitation_, you know! + +[_A "Sensational Cage Mystery" is introduced; a pretty child is shut +up in a cage, which is opened a moment after, and found to contain a +Negro who capers out, grinning._ + +_The London Aunt._ SOPHY, do you see that?--there's a black man there +now, instead! + +_Sophy_ (_without enthusiasm_). Yes, Aunt, I see, thank you. + +_Katie._ Don't you _like_ it, SOPHY? + +_Sophy._ I don't see why it need have been a _Nigger_! + +_The S. L._ (_after a "Humorous Musical Sketch" by a clever and, +charming young Lady_). Like _that_, my dear?--a Young Woman giving a +description of how she actually went on the Stage, and imitating men +in that way! It was as much as _I_ could do to sit still in my seat! + +_Her Friend._ I must say I thought it was very amusing. + +_The S. L._ Amusing? I daresay. But, to my mind, young girls have no +_business_ to be amusing, and take off other people. I've no opinion +of such ways myself. I don't know what my dear Mother would have done +if _I'd_ ever been amusing--she would have broken her heart, I do +believe! + +_The Friend_ (_to herself_). She wouldn't have split her sides, that's +very certain! + +[_A_ Lady Physiognomist _appears in cap and gown, and invites +a subject to step upon the stage, and have his or her character +revealed._ + +_Jack_ (_to his Fiancee_). No, I say--but look here, FLOSSIE, _really_ +I'd rather not--with all these people looking! + +_Flossie._ Then I shall think you've something to _conceal_, JACK--you +wouldn't like me to feel that _already_, would you? + +[Illustration: "He blinks and smiles in feeble confusion."] + +[JACK, _resignedly, mounts the platform, and occupies a chair, in +which he blinks and smiles in feeble confusion, while the_ Professor +_studies his features dispassionately._ + +_The Lady Phys._ The first thing to notice is the disposition of +the ears. Now here we have a Gentleman whose ears stick out in a very +remarkable manner. [_Delight of Audience._ + +_Flossie_ (_to herself_). They _do_--awfully! I never noticed it +before. But it really rather suits him; at least---- [_She meditates._ + +_The L. Ph._ This denotes an original and inquiring mind; this +gentleman takes nothing on trust--likes to see everything for himself; +he observes a good deal more than he ever says anything about. His +nose is wide at the tip, showing a trustful and confiding disposition; +it has a bump in the centre, denoting a moderate amount of +combativeness. The nostrils indicate a keen sense of humour. (_Here_ +JACK _giggles bashfully._) There is a twist in the upper lip, +which indicates--well, I won't say that he would actually tell an +_untruth_--but if he had the opportunity for doing so, he has the +capacity for taking advantage of it. I think that is all I have to say +about this Gentleman. + +_Flossie_ (_to_ JACK, _after he has returned to her side_). JACK, if +you can't leave off having an original and inquiring mind, you must at +least promise me _one_ thing--it's very little to ask! + +_Jack._ You know I'd do any blessed thing in the world for you +FLOSSIE,--what is it? + +_Flossie._ Only to wear an elastic round your ears at night, JACK! + +_The Unsophisticated Father_ (_at the conclusion of the exhibition, +as the Missing Lady disappears with a bang, in full view of the +Audience_). There, VIVVIE; she's vanished clean away. What do you say +to that, eh? + +_Vivien_ (_composedly_). Well, I think we may as well vanish too +Father. It's all over! + +_The S. L._ (_going out_). I don't wish to judge _others_--far from +it--but, speaking for myself, ELIZA, I _cannot_ feel this has been +a profitable method of employing precious moments which can never be +recalled. + +_Her Friend._ Oh, it's quite early. You'll have plenty of time to get +a cup of tea, and do some shopping before it's dark. + +_The S. L._ (_severely_). That was not precisely what I _meant_, +ELIZA! + +[_But it is precisely what she does._ + + * * * * * + +ADVERTISEMENT'S ADVERSARIES. + +["A Society has been formed to deliver us from hideous +advertisements." + +_The Saturday Review._] + + O newly-formed Society, we note with admiration + The truly novel purpose which you seem to have at heart, + And with no little eagerness await its consummation, + When popular advertisements will shine as works of art. + + Then picturesque localities no longer will be crowded + With puffs of panaceas for our universal ills, + No longer will the atmosphere be permanently clouded + By sky-signs built to promulgate a patent soap or pills. + + No more in train or omnibus will every inch of boarding + Be covered with advertisements of variegated hue; + No more in every thoroughfare will each obtrusive hoarding + Blaze, hideously chromatic, with its yellow, red, and blue. + + One thing, perhaps, you'll tell us,--you will pardon the suggestion-- + We doubt not your ability your purposes to win, + But yet our curiosity would fain propound the question,-- + How, excellent Society, and when, will you begin? + + * * * * * + +"THE FLOWERS THAT BLOOM IN THE SPRING" may now be seen in all their +glory at the Crystal Palace Show. The excellent arrangements there +made for their exhibition prove that they have been designed and +carried out by a clever "Head"-Gardener. + + * * * * * + +OUR BOOKING-OFFICE. + +[Illustration: At Easter Time the Baron de B.-W. visits his friend +_The_ Peer of Brighton.] + +Seeing that _A Wild Wooing_ (published by F. V. WHITE & CO.) is by +FLORENCE WARDEN, authoress of _The House on the Marsh_, the Baron +anticipated a real treat. But he was somewhat disappointed. The novel +is in one volume, which is an attraction, and that volume is of a +portable size, which is another note in its favour; also it is +not illustrated, which is an undisguised blessing. The story is +interesting up to a certain point, which, however, does not take you +very far into the book, and, after this point, the murmurings behind +walls, the moving and dragging of heavy bodies under the floors, the +insecure rope-ladders, the trap-doors, cellars, underground passages, +smugglers, murderers, victims, and all sorts of mixed mysteries, +become tiresome. There is yet another fault, which is, that the story +is not told in so convincing a style as to make the reader feel quite +sure that the authoress is not "getting at him" all the time, and +just trying to see what quantity of old melodramatic stuff he will +patiently stand. + +Henceforth FLORENCE WARDEN will do well to get away from the rusty +bars, bolts, chains, trap-doors, and cellars, from ruined castles, +as grim as that of _Udolpho_, "of which," as Sir WALTER said in his +preface to _Waverley_, "the Eastern wing had long been uninhabited, +and the keys either lost, or consigned to the care of some aged butler +or housekeeper, whose trembling steps, &c., &c." Accidentally, turning +from "White" to "Black," the Baron took up the first volume of the +excellent re-issue of the _Waverley Novels_, by Messrs. ADAM AND +CHARLES BLACK, called _The Dryburgh Edition_, and commenced reading +the introductory chapter of _Waverley_, which at that time, gave the +death-thrust to the melodramatic horrors of romantic tales, whether +evolved from the inner consciousness of English writers, or openly +acknowledged as "taken from the German." + +In view of the sensational romance of the present day, towards which, +when really good, the Baron owns to having a decided leaning--it is +interesting to note how brave Sir WALTER defied the existing fashion +in novels of his own time, spurned the sentimental "Mordaunts," the +"Belvilles," and such like played-out names of ancient chivalry, +laughed at the heroine "with a profusion of auburn hair and a harp," +and, like the Magician of the North that he was, boldly gave to the +world his historic novels, in which, where History doesn't suit the +requirements of fiction, it is so much the worse for History. Are +there very many of the present generation who have not read Sir WALTER +SCOTT'S novels? If there be any--and there must be, or where would be +the demand to occasion this new and admirably devised supply--let them +at once put aside modern sensationalism, and commence WALTER SCOTT as +a study. The Baron knows personally one man of mature years, who has +read neither _Waverley_ nor several others of the series, and him he +envies, for, as the student in question has already set himself to the +task, he has the greatest literary pleasure of his life yet to +come. Type, size of book, excellent as a library edition; and the +illustrations, so far as they have gone, are good, and not too +distracting. And so, after this unequivocal expression of his +sentiments, he signs himself, + +THE BOLD BARON DE B.-W. + + * * * * * + +[Illustration: A LESSON IN ALTRUISM. + +ALWAYS BE KIND TO DUMB ANIMALS--THEIR LIVES ARE SHORT, AND SHOULD +BE MADE HAPPY AND AS COMFORTABLE AS POSSIBLE--EVEN AT THE COST OF A +LITTLE TEMPORARY DISCOMFORT TO YOURSELF.] + + * * * * * + +BACK TO SCHOOL; OR, DOCTOR BLIMBER-GLADSTONE AND HIS "LIT-TLE +FRIENDS." + +(_Dombeyish Fragments, with a smack of "The Mikado."_) + +Whenever a young gentleman was taken in hand by Dr. BLIMBER-GLADSTONE, +he might consider himself sure of a pretty tight squeeze. The Doctor +only undertook the charge of a limited number of young gentlemen at a +time, but he had always ready a supply of "cram" for a hundred, on the +lowest estimate; and it was at once the business and delight of +his life to gorge "his young friends," few or many, to their utmost +capacity, and sometimes beyond it. + +In fact, Dr. GLADSTONE'S establishment was a great Hothouse, in which +there was a forcing apparatus incessantly at work. All the boys blew +before their time--or so said the Doctor's rivals and foes. Mental +Green Peas were produced in February, and intellectual Scarlet-Runners +in March. Mathematical Great Gooseberries were common at untimely +seasons, other than the appropriate Silly one. + +This was all very pleasant and ingenious, but the system of forcing +was attended with its usual disadvantage. There was sometimes not the +right taste about the premature productions, and they didn't always +keep well. + +The Doctor's was a mighty fine House, fronting the river. Not always a +joyful style of House within; sometimes quite the contrary. The seats +were in rows, like figures in a sum. The sitters also were often in +rows--with a slight (phonetic) difference. The House was well provided +with Hot Water, on the "constant-supply" system. But somehow this +seemed rather to conduce to discomfort than to real cleanliness,--like +the too frequent and tumultuous "turning-outs" of an over-zealous +housewife. A "Spring Clean," at St. Stephen's School, was a thing +to remember, and shudder at. It was not a quiet House at the best of +times. It seemed ever haunted by the Banshee of Noise, and disturbed +by the cacophonous ghosts of dead Echoes. At the peacefulest periods +it was pervaded by a baneful Spook called the "Party Spirit," and +always by the dull booings of unwilling young gentlemen at their +lessons, like the raucous murmurings of an assemblage of melancholy +rooks, or of kites and crows cawing and screaming in the intervals of +their clamorous scufflings. + + * * * * * + +Holidays? Oh dear yes! If there was one thing Doctor GLADSTONE'S +"young friends" _did_ care for, it was Holidays! The Doctor himself +seemed as though he could--and were it possible--would do without +them. But the Doctor's "lit-tle friends," however docile, could never +be brought to see _that_. They did not usually commence their Spring +"term" until February. And they were rips, even rampant, for a long +"Recess" at Easter. When the Doctor, using his well-beloved formula, +said, "Gentlemen, we will resume our studies upon----" they hung +upon his words, and, if the conclusion of his formula showed any +disposition to cut the Holidays short, they howled loudly in chorus, +like hungry wolves disappointed of their quarry. + + * * * * * + +It was a sight to see Doctor GLADSTONE'S little friends returning to +School _after_ the Easter Vacation. The Doctor, looking complacently +expansive, cheerily anticipative, welcomed them on the doorstep. +_They_ did not welcome _him_. Oh, dear no! Look at them; the five +senior pupils in front, headed, of course, by that overgrown and +somewhat ungainly Irish boy, Master PATRICK GREEN, cock of the School, +and prime favourite of Doctor GLADSTONE! Can you not fancy them +singing--after a famous original--the following quintett? + + _The Five._ Five little boys for school are we, + Back from a very short ho-li-dee; + All as reluctant as well can be,-- + Five little boys for School! + _Master Green._ Holiday's over, there's no more fun! [_Groans._ + _Master Hodge._ Only just started! Wish I was done! [_Snivels._ + _Master Bung._ As for _me_, wish I'd never _begun_! [_Howls._ + _The Five._ Five little boys for School! + _All_ (_shrinking_). Five little boys who, all unwary, + Entered old GLADSTONE'S big seminary, + Slaves to his Genius tutelary---- + _The Five_ (_suddenly demure, on catching sight of the Doctor_)-- + Five little boys "back to School!.!" + + * * * * * + +[Illustration: BACK TO SCHOOL; OR, DR. GLADSTONE AND HIS YOUNG +FRIENDS.] + + * * * * * + +SONGS OF SOCIETY. II.--A LETTER OF ADVICE. + +_From Miss Belinda Bullion at Monte Carlo, to Miss Angelina Veaudor, +in Mayfair._ (_Being a Pendant to a celebrated Poem by Praed._) + +[Illustration] + + They tell me you've "landed" a lover + (Don't pout at the slang, dear, 'tis _chic_), + Before your first Season is over, + Before I have left you a week. + I learned the good news through my mother. + Who _is_ he? I wish I could guess. + If it's dear Lord FITZ-FRUMPINGTON'S brother, + My own ANGELINA, say "Yes." + + _Tres chere_, we know Fortune and Fashion + Are sensible girlhood's sole guides, + Smart maidenhood ridicules passion, + And sentiment calmly derides. + I gave you "Bel Ami" as token + That we were not victims of "glow;" + You gave me your vow--is it broken? + My own ANGELINA, say "No!" + + We vowed, dear, no matter at what age, + By Sentiment not to be hooked, + Or cheated by Love in a Cottage, + Or Shepherds enchantingly crook'd. + Too well, dear, _we_ know modern men's tone, + Of "briar" the pipes which _they_ blow. + Say, have you gone soft _a la_ SHENSTONE? + My own ANGELINA, say "No!" + + Remember the cynic romances + We read in that Devonshire glen! + We are not the slaves of girl-fancies, + We've learned far too much about Men! + 'Tis nice, with your head on his shoulder, + To whirl through the waltz with FRANK LOWE, + But should poor Adonis grow bolder, + My own ANGELINA, say "No!" + + You know without wealth and a carriage + Life's just a prolonged fit of spleen, + So don't let me mourn o'er your marriage + With any poor BROWN, JONES, or GREEN. + You swore mere romance should not thrill you, + Nor gold-less good looks make you glow; + And you will not go back on it--will you? + My own ANGELINA, say "No!" + + We're parted, but sympathy's fetter + Unites us, I'm sure of it, still. + I read your last laughable letter, + And see you are steering with skill. + True Love is all fiddlededee, love, + Full coffers count only, below. + If he's not what your husband should be, Love, + My own ANGELINA, say "No!" + + If he's over polite in his wooing, + If his heart is too plainly a-throb, + If he scarce seems aware what he's doing, + If he speaks with a blush or a sob; + If he is not "dead nuts" on his dinner, + If his voice or his spirits run low; + If he seems getting paler or thinner, + My own ANGELINA, say "No!" + + If he gives too much time to his Tennis, + Neglectful of dear L. S. D., + If he chatters of WHISTLER and Venice, + If he cares about Five o'clock Tea; + If he's not sometimes rude or capricious + (All swells who have money are so), + Such signs are extremely suspicious; + My own ANGELINA, say "No!" + + If he shows a contempt for "the City," + And drops little jeers about Jews, + If he talks of "the People" with pity, + Or rails at the Sweaters as "screws," + These things prove a "popular leaning," + And popular leanings are low; + Soft heart, and slack purse, are _their_ meaning-- + My own ANGELINA, say "No!" + + If he prates about Property's duties + In diction at all Gladstonese, + If he's down on Society Beauties, + If he has not a stare that can freeze; + If he does not abuse Foreign Powers, + And vote all philosophy slow, + If he's one of the time's "big Bow-wowers," + My own ANGELINA, say "No!" + + He must walk like a Cit in his glory, + Of Money the true modern test, + He must be--yes, of course, dear--a Tory, + (As _partis_ that party are best) + If he knows not the old Carlton's portal, + Then--unless you've a Duke for a beau-- + I beg you--for girls are but mortal-- + My own ANGELINA, say "No!" + + Don't bother about his extraction + Although there's a charm in good birth, + But Wealth yields life's sole satisfaction, + So find out, dear girl, _what he's worth_! + He may be but an oil-striking Yankee, + Eccentric in manners and dress, + But, if he has tin worth a "thankee," + My own ANGELINA, say "Yes!" + + * * * * * + +MISTER JACKY'S VADE MECUM FOR THE EASTER HOLIDAYS. + +_Question._ What is the chief object you wish to attain during the +Vacation? + +_Answer._ To have the best time possible under the most favourable +conditions. + +_Q._ Is the comfort of your relations and friends to be taken into +serious account in attaining this desirable end? + +_A._ Certainly not; the details to which you refer are unworthy of a +moment's consideration. + +_Q._ Have you any objection to upsetting all the household +arrangements on your arrival? + +_A._ Unquestionably no. If a morning performance commences at an hour +early enough to require luncheon to be discussed at 12:30, why the +_dejeuner a la fourchette_ (as the French would say) must be +partaken within half-an-hour of noon. In like manner, if an evening +representation begins at seven, the dinner-hour must be put back to +half-past five. + +_Q._ If these alterations cause any disturbance of your father's +habits, how would you deal with the matter? + +_A._ I would not deal with the matter at all. I would leave all purely +necessary explanations to my mother. + +_Q._ During the time of your vacation will you approve of any +dinner-parties? + +_A._ I have a rooted objection to such entertainments when the guests +are of my parents' selection. However, I have no objection to a few +fellows, say, like SMITH Major, or BROWN Minor, dropping in to supper +on a Sunday. + +_Q._ Assuming that the hour you mention is your parents' favourite +time for peace and quiet, does such an invasion suggest any +reflection? + +_A._ No. If my parents have become slow during my enforced absence +from home in the search of knowledge, it is time they should have the +benefit accruing from contact with my revivifying characteristics. + +_Q._ Supposing your father expostulates with you, and advances +the fact that you have received greater advantages than he himself +enjoyed--for instance, that you have been to Eton--what should you +reply? + +_A._ Practically nothing. However, in the cause of justice and truth, +it might be advisable to answer his statement of fact that "he had +never been to Eton" with the reply, "Anyone could see that." + +_Q._ If he complains that you do not rise until eleven, smoke +cigarettes in the dining-room before lunch, smash the grand piano in +the drawing-room, lame his favourite cob in the Row, and upset all his +documents in the study, what answer would you make? + +_A._ That you were not responsible for the training which he had taken +under his personal control. He must be satisfied with the broad result +of your bringing-up. + +_Q._ If he declares his intention of addressing the Superintendent of +your scholastic career on the matter, what would you do? + +_A._ Explain that your present position in the school, to which you +supposed you would have to reluctantly return, was lacking in the +element of popularity, and that any further move in the direction +of increased reduction in that element might possibly lead to your +expulsion. Deprecate personal objection to expulsion, but suggest +that such a course might, by preventing your getting employment in the +Church, Army, or Bar, lead to your being on your parents' hands for +life. + +_Q._ When the time has all but arrived for your return to school, what +should you do? + +_A._ Promptly catch the whooping-cough, the influenza, or measles. You +will then afford a sufficient reason for extending the length of your +vacation indefinitely. + + * * * * * + +[Illustration: A TERRIBLE TURK. + +_Little Spinks._ "AH! ONCE I WAS AS INNOCENT AS A LITTLE CHILD! WHAT I +AM _NOW_, YOUR SEX HAS MADE ME!"] + + * * * * * + +NOBLE SELF-SACRIFICE. + +"The Duke of DEVONSHIRE has arranged to return from Monte Carlo +on Saturday," so said the _Morning Post_, "in order to address a +political meeting at Glasgow on April 14th." His Grace having torn +himself away from delightful Monte Carlo, will then attempt to turn +the tables on the _Liberales Gladstonienses_. But fancy renouncing +sunny Mount Charles--"O Charley Mount is a pleasant place," as sang +_Miles na Coppaleen_, who was, by the way, miles away from Monte +Carlo--with its azure sky, its deep blue sea, its verdant green-cloth +table land, its delightful _promenades a pied_, and its frisky +_gambols a la roulette_, where the sunset and sunrise are _rouge_, +and _noir_ is only "on the cards." Fancy renouncing these gay southern +delights to live a laborious day in dry, hard, northern Glasgow! +"O swallow, swallow, flying, flying South," how would you like to be +checked in your holiday-making airy career in order to be brought back +to the cold and cruel North? Such a self-sacrifice as this is indeed +memorable. + + * * * * * + +LOVE BY THE SEA. WIND N.E. BY E. + + "We do not speak as we pass by!" + But tears down trickle from our eye! + Alas! Our love remains untold---- + For each has got a thundering cold! + + * * * * * + +BOOKS THAT OUGHT TO APPEAR. + +_I Banish the Street Organs!_ By the Author of _I Forbid the Banns!_ + +_A Boy's Present._ (Birthday Book.) By the Author of _A Girl's Past_. + +No. 1 of _The Domestic Lyre_, as a Companion to _The Family +Storyteller_. + + * * * * * + +YET THEY LOOK SO INNOCENT!--In the Language of Flowers, what species +should always express untruths?--Li-lies. + + * * * * * + +ESSENCE OF PARLIAMENT. + +EXTRACTED FROM THE DIARY OF TOBY, M.P. + +_House of Commons, Monday Night, March 27._--The Lowther Arcade not +getting on so well as thought when projected. The Master Builder +been diligently at work, but result disappointing. On Friday he +got terribly snubbed by SPEAKER. Comes up to-day to make personal +explanation. That a bait at which House usually jumps; always ready to +be amused, or interested with scandal about Queen ELIZABETH and other +persons. These things usually promised by personal explanation. To-day +no flutter of excitement moved crowded House. JEMMY, approaching table +with most judicial air, received with mocking laughter, and ironical +cheers. Some difficulty in quite making out what he was at. Evidently +something to do with SQUIRE of MALWOOD; but SQUIRE so inextricably +mixed up with Supplementary Estimates, couldn't make out which +was which. JAMES pounded along in most ponderous style; SQUIRE +contemptuously replied; no one else inclined to join in conversation, +and the Master Builder gloomily resumed his seat. + +"Never mind," I said, not liking to see an old friend cast down; "Rome +wasn't built in a day, nor the Cave of Adullam excavated in a week. +These things grow. You must have patience, and the Lowther Arcade +will still flourish. Let me see, whom you have got? There's BARTLEY, +HANBURY, and TOMMY BOWLES. LOWE, forming his Cave, hadn't so many to +start with." + +"Yes," said the Master Builder, "that's all very well; but, fact is, +you can't reckon upon these fellows as being, so to speak, colonnades +in the Arcade. They are all on their own hook; fighting for their own +hand; won't take the lead from me; must go foraging for themselves. +HANBURY thinks he can boss a show better than most men. BARTLEY'S +obstreperous. TOMMY BOWLES would be all right if he were left to +himself, free from the companionship of designing men. He is young, +ingenuous, not wholly lost to a sense of regard for his pastors and +masters, lack of which is the curse of modern Youth. I believe TOMMY +respects me, and, only for the evil communications to which he is +subject on the back bench, would work loyally with me in establishing +the Arcade." + +There was unwonted moisture in the Master Builder's eye as he turned +round, and regarded the Member for King's Lynn what time he softly +whistled to himself the old Jacobite air, "_Tommy make Room for your +Uncle_." + +_Business done._--Vote of Censure moved by Prince ARTHUR; Government +majority runs up on division to 47; Ministerialists, fresh from +meeting at Foreign Office, agree that, on whole, have spent a happy +day. Debate spasmodically dull. Prince ARTHUR could not lift it out of +the rut, nor GRANDOLPH either. Only Mr. G. shone with effulgent light +through gloom of evening. Principal result of manoeuvre, beyond +giving fillip to majority, is that a day will be filched from meagre +holidays, and House must needs sit on Thursday. + +_Tuesday._--Mr. G. looked in in time to say a few words in reply to +Prince ARTHUR'S inquiries as to business arrangements. Later he came +back, and delivered excellent speech; brief, and direct to point. +House been talking all morning round Vote on Account. MACFARLANE done +Rule-of-three sum, to show how twelve hundred days are lost every week +by necessity imposed upon Members of coming down two hours in advance +to take their seats. Some disposition shown by practical Members to +argue question whether there could be twelve hundred days in any week, +even in Leap-Year. + +"I know I'm right," said MACFARLANE, and the sceptics, gazing +respectfully at his flowing beard, withdrew from controversy. + +House divided on Motion by LEGH to reduce Foreign Office Vote. +Ministerial majority run up at a jump to 225. Time by Westminster +clock, 6.10 P.M.; in twenty minutes, sitting will be suspended; Vote +must be through Committee to-day; TOMMY BOWLES (who hasn't made a +speech for a quarter of an hour) on his feet; sheafs of manuscript in +his hand; would certainly oblige to extent of twenty minutes; BARON +DE WORMS also has a few remarks to offer; probable length of Channel +Tunnel. Mr. G. interposes. "Mr. MELLOR," he said, addressing Chairman, +"I claim to have the question now put." + +Ringing cheers went up from Ministerialists. TOMMY resumed his seat; +gruefully glanced at notes. The Noble Baron saw in this manoeuvre +fresh proof that Mr. G. had sold himself to Germany; having completed +preparation for separation of the Empire on the side of the Irish +Channel, would immediately after, by medium of WATKIN'S Tunnel, place +what was left of the country at the mercy of a foreign foe. Meanwhile +Closure moved; what's more, carried on division by swingeing majority +of over a hundred. So Vote agreed to; Mr. G. gets off for short drive +before dressing for dinner. + +[Illustration: EASTER AT THE ZOO.] + +Earned a night's rest, and a longer Easter holiday than he has +allotted to himself and us. Older he gets, the younger he seems. His +work to-day should make the eight-hours' man blush. At bay in Downing +Street since twelve o'clock with two hostile deputations. Came from +Ulster and the City, resolved to beard Home-Rule Lion in his den. +Alone he met them; one down, the other come on; no interval of rest; +picked men from Ulster, Selected Captains from the City, surged around +table at which he sat. Hardly left him time to reply. Having politely +conducted Ulster to door, enter the City Fathers, fresh and eager for +fray. Told him over again in varied phrase how he was bringing country +to verge of ruin; listened with perfect courtesy, as if they'd been +discussing someone else--say, his next-door neighbour, SQUIRE of +MALWOOD and Junior Lord of Downing Street. Up again when last in list +of City speakers had concluded. Almost persuaded JOHN LUBBOCK to be +a Home-Ruler; then down to House, dealing with mass of correspondence +littering his table in room behind SPEAKER'S chair; alert on sound of +division-bell; comes in to move Closure; remembers that in long list +of speeches never made this particular one before; looks up PALGRAVE'S +_Handbook_; cons his lesson and declaims brief formula in deep rich +voice that lends touch of eloquence to its unadorned, remorseless +demand. All this, too, following on a day like yesterday, when two +other deputations stormed Downing Street; drew from him weighty reply; +followed, after hasty dinner, by a speech in the House on the eternal +Irish question, which GRANDOLPH rightly termed, "entrancing." + +"A Grand Old Man, indeed!" said PRINCE ARTHUR, talking over these +things to-night, when he should have been listening to TOMMY BOWLES, +who having at the morning sitting had his speech on Vote on Account +closured, delivered another at evening sitting on the question of the +Depreciation of Silver as it affects domestic architecture in China +and Peru. + +_Business done._--Vote on Account through Committee. + +_Thursday._--CAINE going about House this afternoon, his slim figure +bulging out at the pockets in mysterious fashion, "Brought your supper +with you?" I asked, lightly touching one of the excrescences that felt +like an imperial pint of ginger-beer (WHITE 1880). "You seem bursting +with broiled bones. All no use. No more all-night sittings _this_ side +of Easter." + +[Illustration: Portrait of a Member of Parliament examining the +Signatures to a Petition against the Local-Veto Bill, to see if they +are genuine or not. (_Vide_ Report of the Proceedings in the Commons, +March 28, which suggests that they are obtained in Public Houses.)] + +"No, my boy, you're wrong," said CAINE. "Fact is, I'm going off to +the country, and these protuberances you observe about my person are +phonograms. All labelled, you see," he said, taking out cylinders from +several pockets. "Here are a few remarks on Registration; that's my +Local-Veto Speech; and here is an entirely new view of the Home-Rule +question. If you like to come over to my house at Clapham--close by, +you know, busses every ten minutes--you shall have a night's thorough +enjoyment. Leave you in the room by yourself with the phonograph. Pop +in one of these cylinders; set the phonograph whizzing; and you'll +hear me on Local Veto. Take out cylinder, put in another, and you'll +know more about Home Rule in five minutes than you ever dreamt. +Can only let you have them for to-night. To-morrow they go down to +Yorkshire, and thro' Easter Recess I shall be delivering, at various +places, six speeches every night, I myself comfortably making holiday +in Wales." "Thank you," I said; "but, if you'll excuse me, I think +I'll go home and go to bed." In truth, a little depressed. Here's a +nice prospect for the holidays! Bad enough to have Members working off +at public meetings speeches that had been closured in Commons. But if +every man is, during the recess, to multiply himself by phonography, +the last state of this country will be worse than the first. + +_Business done._--Adjourned for Easter Holidays. Just escaped sitting +over Good Friday. Back next Thursday. + + * * * * * + +[Illustration: THE NEW "FOURTH PARTY." + +T. G. B-wl-s. Right Hon. J-m-s L-wth-r. G. C. B-rtl-y. R. W. H-nb-ry.] + + * * * * * + + +[Transcriber's Note: +Missing or illegible/damaged punctuation has been repaired.] + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +104, April 8, 1893, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 22671.txt or 22671.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/6/7/22671/ + +Produced by Lesley Halamek, Juliet Sutherland and the +Online Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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