summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 01:53:22 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 01:53:22 -0700
commitf559e44c20578a29b669493d4f76b2c220f943d8 (patch)
treed88204cf549bb9d84fb554afd41728d2659866ec
initial commit of ebook 22645HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--22645-8.txt1639
-rw-r--r--22645-8.zipbin0 -> 29759 bytes
-rw-r--r--22645-h.zipbin0 -> 2549138 bytes
-rw-r--r--22645-h/22645-h.htm2020
-rw-r--r--22645-h/images/i-121.pngbin0 -> 164785 bytes
-rw-r--r--22645-h/images/i-121th.pngbin0 -> 56061 bytes
-rw-r--r--22645-h/images/i-122.pngbin0 -> 188742 bytes
-rw-r--r--22645-h/images/i-122th.pngbin0 -> 62923 bytes
-rw-r--r--22645-h/images/i-123.pngbin0 -> 182542 bytes
-rw-r--r--22645-h/images/i-123th.pngbin0 -> 57502 bytes
-rw-r--r--22645-h/images/i-124.pngbin0 -> 165514 bytes
-rw-r--r--22645-h/images/i-124th.pngbin0 -> 56936 bytes
-rw-r--r--22645-h/images/i-125a.pngbin0 -> 43709 bytes
-rw-r--r--22645-h/images/i-125ath.pngbin0 -> 10689 bytes
-rw-r--r--22645-h/images/i-125b.pngbin0 -> 54269 bytes
-rw-r--r--22645-h/images/i-125bth.pngbin0 -> 30725 bytes
-rw-r--r--22645-h/images/i-125c.pngbin0 -> 56681 bytes
-rw-r--r--22645-h/images/i-125cth.pngbin0 -> 41329 bytes
-rw-r--r--22645-h/images/i-126.pngbin0 -> 148046 bytes
-rw-r--r--22645-h/images/i-126th.pngbin0 -> 81978 bytes
-rw-r--r--22645-h/images/i-127.pngbin0 -> 201070 bytes
-rw-r--r--22645-h/images/i-127th.pngbin0 -> 119936 bytes
-rw-r--r--22645-h/images/i-129.pngbin0 -> 114992 bytes
-rw-r--r--22645-h/images/i-129th.pngbin0 -> 66856 bytes
-rw-r--r--22645-h/images/i-130.pngbin0 -> 126006 bytes
-rw-r--r--22645-h/images/i-130th.pngbin0 -> 40420 bytes
-rw-r--r--22645-h/images/i-131.pngbin0 -> 173240 bytes
-rw-r--r--22645-h/images/i-131th.pngbin0 -> 84009 bytes
-rw-r--r--22645-h/images/i-132.pngbin0 -> 167012 bytes
-rw-r--r--22645-h/images/i-132th.pngbin0 -> 51191 bytes
-rw-r--r--22645-page-images/p121-image.pngbin0 -> 291886 bytes
-rw-r--r--22645-page-images/p121.pngbin0 -> 207779 bytes
-rw-r--r--22645-page-images/p122-image.pngbin0 -> 725683 bytes
-rw-r--r--22645-page-images/p122.pngbin0 -> 193798 bytes
-rw-r--r--22645-page-images/p123-image.pngbin0 -> 443367 bytes
-rw-r--r--22645-page-images/p123.pngbin0 -> 205674 bytes
-rw-r--r--22645-page-images/p124-image.pngbin0 -> 245793 bytes
-rw-r--r--22645-page-images/p124.pngbin0 -> 205261 bytes
-rw-r--r--22645-page-images/p125.pngbin0 -> 188461 bytes
-rw-r--r--22645-page-images/p125a-image.pngbin0 -> 23054 bytes
-rw-r--r--22645-page-images/p125b-image.pngbin0 -> 18171 bytes
-rw-r--r--22645-page-images/p125c-image.pngbin0 -> 19310 bytes
-rw-r--r--22645-page-images/p126-image.pngbin0 -> 551918 bytes
-rw-r--r--22645-page-images/p126.pngbin0 -> 207488 bytes
-rw-r--r--22645-page-images/p127-image.pngbin0 -> 798575 bytes
-rw-r--r--22645-page-images/p127.pngbin0 -> 141879 bytes
-rw-r--r--22645-page-images/p129-image.pngbin0 -> 340796 bytes
-rw-r--r--22645-page-images/p129.pngbin0 -> 186924 bytes
-rw-r--r--22645-page-images/p130-image.pngbin0 -> 432429 bytes
-rw-r--r--22645-page-images/p130.pngbin0 -> 214295 bytes
-rw-r--r--22645-page-images/p131-image.pngbin0 -> 576782 bytes
-rw-r--r--22645-page-images/p131.pngbin0 -> 124145 bytes
-rw-r--r--22645-page-images/p132-image.pngbin0 -> 256976 bytes
-rw-r--r--22645-page-images/p132.pngbin0 -> 208473 bytes
-rw-r--r--22645.txt1639
-rw-r--r--22645.zipbin0 -> 29725 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
59 files changed, 5314 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/22645-8.txt b/22645-8.txt
new file mode 100644
index 0000000..6816a47
--- /dev/null
+++ b/22645-8.txt
@@ -0,0 +1,1639 @@
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 104,
+March 18, 1893, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 104, March 18, 1893
+
+Author: Various
+
+Editor: Francis Burnand
+
+Release Date: September 17, 2007 [EBook #22645]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by V. L. Simpson, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI
+
+
+VOL 104.
+
+
+
+
+March 18, 1893.
+
+
+
+
+ [Illustration: "WELL MATCHED."
+
+ _Medico_ (_pathetically, with a view to touching the
+ Dealer's heart_). "NOW, MR. BOBBS, WHAT _DO_ YOU THINK I
+ COULD GET A THOROUGHLY GOOD USEFUL PAIR OF HORSES FOR,
+ EH? PRICE NOT STIFF."
+
+ _Mr. Bobbs._ "LOR' BLESS YOU, SIR, TO FIND
+ HORSES--NOTHIN' EASIER. BUT, AS REGARDS
+ _PRICE_--WELL--YOU CAN HAVE 'EM AT ALL PRICES, JUST AS
+ YOU CAN DOCTORS!"]
+
+ * * * * *
+
+MIXED NOTIONS.
+
+No. VII.--PARLIAMENTARY PROCEDURE.
+
+(_Scene and Persons as usual._)
+
+_Inquirer_ (_to First Well-Informed Man_). I say, have you ever been in
+the House of Commons?
+
+_First W. I. M._ (_shortly_). No, you know I haven't.
+
+_Inquirer._ Oh, I don't mean as a Member. Of course I know you wouldn't
+stand the rot of all these Constituents, or whatever they call
+themselves. But have you ever been there as a visitor while a debate's
+going on?
+
+_First W. I. M._ Yes, once--some years ago. But why do you ask?
+
+_Inquirer_ (_producing an order of admission_). Well, you see, I got old
+JENKINS to give me a ticket for to-night, and I'm hanged if I know how
+I'm to get there, or when I'm to go, or anything about it. I thought you
+might be able to tell me how it's done.
+
+_First W. I. M._ Let's have a look at your ticket.
+
+ [_Both the_ Well-Informed Men _inspect it with an air of
+ critical sagacity._
+
+_First W. I. M._ (_after a prolonged pause_). I don't see where your
+difficulty is. You just present this! at the door.
+
+_Inquirer._ Ah, I daresay!--but what door? That's what I want to know.
+The place looks as if it had about fifty thousand doors, you know. And
+then I believe, if you make any mistakes, they march you off, in
+two-twos, as a dynamiter, or a Socialist, or an agitator, or something.
+You know old BONKER. Well, he went there once with a black bag, in which
+he'd got some sandwiches and cake, and, just because he wouldn't open
+it, they made no end of a row, and shoved him in the Clock-tower, or
+something, until he apologised. I don't want any of those games, you
+know.
+
+_Average Man._ Don't take a black bag then. They won't want to search
+your pockets.
+
+_Inquirer_ (_relieved_). Won't they? That's one comfort, at any rate. Do
+you think I ought to go in at the big entrance?
+
+_First W. I. M._ Of course you ought. The others are only for Members.
+
+_Inquirer._ Ah! And I suppose I ought to get there pretty early now that
+they've changed their hours. (_With determination._) I'll go about
+half-past eleven.
+
+ [_A pause. They read papers._
+
+_Inquirer_ (_suddenly, with intense alarm_). Oh, I say, look here, you
+chaps. Here's old GLADSTONE gone and suspended the Twelve o'Clock Rule.
+What does that mean?
+
+_Second W. I. M._ It means that they start everything at twelve o'clock
+in the day.
+
+_First W. I. M._ No, it doesn't. It means that they don't start anything
+till twelve o'clock at night.
+
+_Second W. I. M._ (_pityingly_). My dear fellow, where have you been all
+these years? They _always_ go home on the stroke of midnight now.
+
+_First W. I. M._ That's just where you're wrong. Midnight to two in the
+morning is just jolly well their best time now.
+
+_Second W. I. M._ I'll bet you half a thick 'un you're wrong!
+
+_First W. I. M._ And I'll bet you half a thick 'un I'm right!
+
+ [_The argument continues for some minutes in this
+ strain._
+
+_Inquirer._ I wonder if they'll have any obstruction. I should like to
+see some of that. I believe it's no end amusing.
+
+_Second W. I. M._ Oh, you may trust this Opposition for that. Their only
+notion for employing time is to obstruct everything and everybody.
+
+_First W. I. M._ (_with a deadly calmness_). Ah! you call it
+obstruction, of course, because you want to rush your iniquitous Bills
+through the House. But you don't think we're going to stand that, do
+you?--because we're not, and the Country's with us. Just look at
+Grimsby.
+
+_Second W. I. M._ All right! Suppose you look at Cirencester.
+
+_First W. I. M._ What do you say to Stockport then?
+
+_Second W. I. M._ And what do _you_ say to Walsham and Hexall, and all
+the rest of them? (_At the suggestion of the_ Average Man, _they abandon
+this fiery debate. A pause._)
+
+_Inquirer._ Who's Speaker now?
+
+_First W. I. M._ Sir ROBERT PEEL.
+
+_Inquirer._ Will he be there to-night?
+
+_First W. I. M._ Of course he will. He's got to be there.
+
+_Inquirer._ But then what does the Chairman of Committee do?
+
+_First W. I. M._ Oh, ah,--um, let me see; the Chairman of Committee
+does----(_Brightly._) He's only appointed, you know, when they want a
+Committee about something.
+
+_Second W. I. M._ I fancy he has to read the Bills.
+
+_First W. I. M._ (_gathering assurance as he proceeds_). Not when
+they're read a first time. Somebody else does that--I forget what they
+call him. The Chairman reads 'em a second time, and takes 'em up to the
+House of Lords.
+
+_Inquirer._ So he does, of course. I ought to have remembered that. But
+I'd got a sort of notion they didn't really read the Bills at all--just
+chucked 'em into a bag, and called it a Second Reading.
+
+_First W. I. M._ (_condescendingly_). That's how they used to do it
+about ten years ago; but they had to alter the whole thing after they
+got BRADLAUGH into the House.
+
+_Inquirer._ Why was that?
+
+_First W. I. M._ Well, he wouldn't take an oath, you know; so, after
+that, they altered everything.
+
+_Inquirer_ (_with admiration_). By Jove, what a chap you are for
+recollecting things!
+
+ [_Terminus._
+
+ * * * * *
+
+QUEER QUERIES.
+
+A NEW POLL-TAX.--Would somebody inform me of the easiest way of getting
+into Parliament? I see that Members are soon going to be paid, and that
+would be very useful to me, as my present yearly expenses are £1,500,
+and my income barely £150. Had I better try as a "Labour Candidate"? I
+feel that I may claim the title, on account of the labour--twelve hours
+at least _per diem_--which I have to expend on getting out of the way of
+my creditors. I presume that, before long, there will be Parliaments all
+over the place, for England, Wales, and Scotland, as well as for
+Ireland, and I want to get into _all_! At least, I want to get into all
+where the excellent system of payment of Members is adopted, with
+salaries "On the higher scale," as they say in the Courts. It is curious
+that, when I explain to my creditors this most promising source of
+prospective income, they don't seem to see it! But creditors always were
+a purblind race.--WOULD-BE LEGISLATOR.
+
+ * * * * *
+
+THE "WITLER" AND THE "WASSER-MAIDEN."
+
+_A Ballad of Bungdom._ (_After Hans Breitmann's Ballad of the Mermaid._)
+
+ [Illustration]
+
+ Der noble Witler[A] BUNGO
+ Von Schvillenschviggenop,
+ Rode out mit shpeer und helmet,
+ Und he coom to de panks of de Schlopp,
+
+ [A] Licensed Victualler.
+
+ Und oop dere rose a Meer-maid
+ Vot hadn't got nodings on.
+ Und she say, "Oh, Witler BUNGO,
+ Vhere you goes mit yourself alone?"
+
+ Und he says, "I rides mine high-horse,
+ Mit helmet und mit shpeer,
+ Till I gooms unto mine Gasthaus,[B]
+ Vhere I sells goot wine und peer."
+
+ [B] Tavern, or Wine Shop.
+
+ Und den outspoke de Maiden
+ Vot hadn't got nodings on:
+ "I ton't dink mooch of beoplesh
+ Dat cares for demselfs alone.
+
+ You'd petter coom down to de Wasser,--
+ 'Tis de pest trink ash you'll see,--
+ Und haf a wholesome tinner
+ Mit Schlopp-Vash, along mit me."
+
+ "Dere you sees de fisch a-schwimmin!
+ Und dere healthy efery one."
+ So sang dis Wasser-Maiden,
+ Vot hadn't got nodings on.
+
+ "Your shtrong tipplesh cost mooch money,
+ Dere ish death in de trinks you've sold;
+ Und you helps yourself, by doonder,
+ To de Vorkmansh hard-earned gold.
+
+ "Shoost look at doze sodden wretches,
+ Vhite schlafes of de Witler Rings!
+ From dere 'trunks' you vill your pockets,
+ Und you rob dem like efery dings.
+
+ "Vot _dey_ vantsh mit your schnaps[C] und lager,
+ Vitrioled gin and doctored wine?
+ Smash your pottles, and preak your parrels,
+ Und try dese Schlopps of mine!"
+
+ [C] Drams, drinks.
+
+ * * *
+
+ Vill _dat_ fetch him! He standsh as shpellbound!
+ She vould pool his coat-tails down.
+ She von't draw _him_ oonder der Wasser--
+ Dat Maiden mit nodings on!
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+Thank you, Mrs. HUNGERFORD (says the Baron, bowing his very best to the
+talented authoress), for one of the cheeriest, freshest, and
+sweetest--if I may be allowed to use the epithet--of one-volume'd
+stories I've read for many a day. The three daughters are delightful. I
+question whether you couldn't have done better with "two only, as are
+generally necessary;" but perhaps this is ungrateful on my part. Anyway,
+two out of the three lovers are scarcely worth mentioning, so I don't
+think I am far wrong, for the team was a bit unmanageable, well as you
+had them in hand. Excellent, too, is the sketch of _Dad_, though that of
+_Aunt Jane_ is a trifle too grotesque, and will, perforce, remind those
+of your readers, who are theatre-goers, of Mr. PENLEY in petticoats, now
+actually playing "_Charley's_" irresistibly comic _Aunt_ at the Globe
+Theatre. But it is all good, and not too good to be true. Likewise, my
+dear Madame, you have given us two life-like sketches, one of a
+car-driver with his vicious mare, and the other of _Molly's_ little dog.
+In conclusion, I congratulate you, Mrs. HUNGERFORD, as also the
+publisher, Mr. HEINEMANN, on having secured so good a specimen of the
+material for sale in this Hungerford market, says
+
+ THE BARON DE B.-W.
+
+ * * * * *
+
+HOME, CHEAP HOME!
+
+ "Thine be a cot beside a hill,"
+ Hums Mrs. HAWEIS in our ear;
+ "Such cots are in the market still,
+ At only thirty pounds a year.
+
+ "Then, as for furnishing the fold,
+ Another fifty pounds will do it;
+ But mind you stick to what is old,
+ Nor carry modern rubbish to it!
+
+ "Your chairs must all be Chippendale,
+ Your tables of the native oak,
+ Your sofas"--but of what avail!
+ To further urge this little joke?
+
+ For in this cot the chairs may be
+ Much chipped, but hardly Chippendale,
+ Unless the lady will agree
+ To costs "upon the _hire_ scale."
+
+ * * * * *
+
+ Said a prim Bachelor, in a nasty temper, after a
+ struggle with an ultra-stiffened clean shirt, "I should
+ like to indict my laundress at the Old Bailey, charge
+ her with murdering my linen, and, as evidence, I'd
+ produce the mangled remains in Court."
+
+ * * * * *
+
+ MRS. R. has been studying architecture, She says that
+ "all Schoolmasters' Houses ought to be built in the
+ Early Perpendicular Tutor style."
+
+ * * * * *
+
+ [Illustration: "WHERE A FOOTMAN IS KEPT."
+
+ "BUT WHY DO YOU WANT TO LEAVE, SARAH? IT'S NOT A HARD
+ PLACE, AND JOHN DOES MOST OF YOUR WORK?"
+
+ "YES, MA'AM! BUT--A--JOHN HAS NO CONVERSATION?"]
+
+ * * * * *
+
+LIQUID AIR.
+
+ A learned Professor, the other day,
+ At the Royal Institution,
+ Explained, in a quite scientific way,
+ How, helped by a contribution
+ From the Goldsmiths' Company, he'd prepare
+ Some liquid oxygen--you're aware
+ This is what plain English folks call "air"
+ Unspoilt by smoky pollution.
+
+ No doubt he meant well, and the Goldsmiths too,
+ In their noble work together;
+ But was it the very best thing to do,
+ In that showery, soaking weather;
+ When drizzle, or downpour, of dogs and cats,
+ From the "liquid air" made us all drowned rats,
+ And ruined our clothes and our best top-hats,
+ And spoilt boots of the stoutest leather?
+
+ Professors and Companies, if you would
+ Invent some sort of appliance
+ To dry "liquid air," on which we could
+ Repose implicit reliance,
+ Arranged to diminish this H_{2}O,
+ Which, as every schoolboy ought to know,
+ The Germans call _wasser_, the French call _eau_,
+ We should bless your chemical science.
+
+ * * * * *
+
+ CON. FOR CAPITALISTS.
+
+ _Q._ Why is it clear the Sparrow is an advocate of Free
+ Competition?
+
+ _A._ Because his everlasting cry is, "Cheep-Cheep!"
+
+ * * * * *
+
+ "THE GOTHENBURG SYSTEM."--Mrs. R. warmly espouses the
+ cause of Temperance. She is very strong on what she has
+ heard is called "The Gotobed System," in Sweden.
+
+ * * * * *
+
+PILL-DOCTOR HERDAL.
+
+(_Translated from the Original Norwegian by Mr. Punch._)
+
+SECOND ACT.
+
+DR. HERDAL'S _Drawing-room and Dispensary, as before. It is early in the
+day._ Dr. HERDAL _sits by the little table, taking his own temperature
+with a clinical thermometer. By the door stands the_ New Book-keeper;
+_he wears blue spectacles and a discoloured white tie, and seems
+slightly nervous._
+
+_Dr. Herd._ Well, now you understand what is necessary. My late
+book-keeper, Miss BLAKDRAF, used to keep my accounts very cleverly--she
+charged every visit twice over.
+
+_The New B._ I am familiar with book-keeping by double entry. I was once
+employed at a Bank.
+
+_Dr. Herd._ I am discharging my assistant, too; he was always trying to
+push me out with his pills. Perhaps you will be able to dispense?
+
+_The New B._ (_modestly_). With an additional salary, I should be able
+to do that too.
+
+_Dr. Herd._ Capital! You _shall_ dispense with an additional salary. Go
+into the Dispensary, and see what you can make of it. You may mistake a
+few drugs at first--but everything must have a beginning.
+
+ [_As the_ New B. _retires,_ Mrs. HERDAL _enters in a hat
+ and cloak with a watering-pot, noiselessly._
+
+_Mrs. Herd._ Miss WANGEL got up early, before breakfast, and went for a
+walk. She is so wonderfully vivacious!
+
+_Dr. Herd._ So I should say. But tell me, ALINE, is she _really_ going
+to stay with us here? [_Nervously._
+
+_Mrs. Herd._ (_looks at him_). So she tells me. And, as she has brought
+nothing with her except a tooth-brush and a powder-puff, I am going into
+the town to get her a few articles. We _must_ make her feel at home.
+
+_Dr. Herd._ (_breaking out_). I _will_ make her not only _feel_, but
+_be_ at home, wherever that is, this very day! I will _not_ have a
+perambulating Allegory without a portmanteau here on an indefinite
+visit. I say, she shall go--do you hear, ALINE? Miss WANGEL will go!
+
+ [_Raps with his fist on table._
+
+_Mrs. Herd._ (_quietly_). If you say so, HAUSTUS, no doubt she will
+_have_ to go. But you must tell her so yourself.
+
+ [_Puts the watering-pot on the console table, and goes
+ out, as_ HILDA _enters, sparkling with pleasure._
+
+_Hilda_ (_goes up straight to him_). Good morning, Dr. HERDAL. I have
+just seen a pig killed. It was _ripping_--I mean, gloriously thrilling!
+And your wife has taken a tremendous fancy to me. Fancy _that_!
+
+_Dr. Herd._ (_gloomily_). It _is_ eccentric certainly. But my poor dear
+wife was always a little----
+
+_Hilda_ (_nods her head slowly several times_). So _you_ have noticed
+that too? I have had a long talk with her. She can't get over your
+discharging Mr. KALOMEL--he is the only man who ever _really_ understood
+her.
+
+_Dr. Herd._ If I could only pay her off a little bit of the huge,
+immeasurable debt I owe her--but I can't!
+
+_Hilda_ (_looks hard at him_). Can't _I_ help you? I helped RAGNAR
+BROVIK. Didn't you know I stayed with him and poor little KAIA--after
+that accident to my Master Builder? I did. I made RAGNAR build me the
+loveliest castle in the air--lovelier, even, than poor Mr. SOLNESS'S
+would have been--and we stood together on the very top. The steps were
+rather too much for KAIA. Besides, there was no room for her on top. And
+he put towering spires on all his semi-detached villas. Only, somehow,
+they didn't let. Then the castle in the air tumbled down, and RAGNAR
+went into liquidation, and I continued my walking-tour.
+
+ [Illustration: "Beautiful rainbow-coloured powders that
+ will give one a real grip on the world!"]
+
+_Dr. Herd._ (_interested against his will_). And where did you go after
+_that_, may I ask, Miss WANGEL?
+
+_Hilda._ Oh, ever so far North. There I met Mr. and Mrs. TESMAN--the
+second Mrs. TESMAN--she who was Mrs. ELVSTED, with the irritating hair,
+you know. They were on their honeymoon, and had just decided that it was
+impossible to reconstruct poor Mr. LÖVBORG'S great book out of Mrs.
+ELVSTED'S rough notes. But I insisted on GEORGE'S attempting the
+impossible--with Me. And what _do_ you think Mrs. TESMAN wears in her
+hair _now_?
+
+_Dr. Herd._ Why, really I could not say. Vine-leaves, perhaps.
+
+_Hilda._ Wrong--_straws!_ Poor TESMAN _didn't_ fancy that--so he shot
+himself, _un_-beautifully, through his ticket-pocket. And I went on and
+took Rosmersholm for the Summer. There had been misfortune in the house,
+so it was to let. Dear good old Rector KROLL acted as my reference; his
+wife and children had no sympathy with his views, so I used to see him
+every day. And I persuaded him, too, to attempt the impossible--he had
+never ridden anything but a rocking-horse in his life, but I made him
+promise to mount the White Horse of the Rosmersholms. He didn't get over
+_that_. They found his body, a fortnight afterwards, in the mill-dam.
+Thrilling!
+
+_Dr. Herd._ (_shakes his finger at her_). What a girl you are, Miss
+WANGEL! But you mustn't play these games _here_, you know.
+
+_Hilda_ (_laughs to herself_). Of course not. But I suppose I _am_ a
+strange sort of bird.
+
+_Dr. Herd._ You are like a strong tonic. When I look at you I seem to be
+regarding an effervescing saline draught. Still, I really must decline
+to take you.
+
+_Hilda_ (_a little sulky_). That is not how you spoke ten years ago, up
+at the mountain station, when you were such a flirt!
+
+_Dr. Herd._ _Was_ I a flirt? Deuce take me if I remember. But I am not
+like that _now_.
+
+_Hilda._ Then you have really forgotten how you sat next to me at the
+_table d'hôte_, and made pills and swallowed them, and were so splendid
+and buoyant and free that all the old women who knitted left next day?
+
+_Dr. Herd._ What a memory you have for trifles, Miss WANGEL, it's quite
+wonderful!
+
+_Hilda._ Trifles! There was no trifling on _your_ part. When you
+promised to come back in ten years, like a troll, and fetch me!
+
+_Dr. Herd._ Did I say all that? It _must_ have been _after table
+d'hôte_!
+
+_Hilda._ It was. I was a mere chit then--only twenty-three; but I
+remember. And now _I_ have come for _you_.
+
+_Dr. Herd._ Dear, dear! But there is nothing of the troll about me now I
+have married Mrs. SOLNESS.
+
+_Hilda_ (_looking sharply at him_). Yes, I remember you were always
+dropping in to tea in those days.
+
+_Dr. Herd._ (_seems hurt_). Every visit was duly put down in the ledger
+and charged for--as poor little SENNA will tell you.
+
+_Hilda._ Little SENNA? Oh, Dr. HERDAL, I believe there is a bit of the
+troll left in you still!
+
+_Dr. Herd._ (_laughs a little_). No, no; my conscience is perfectly
+robust--always was.
+
+_Hilda._ Are you quite _quite_ sure that, when you went indoors with
+dear Mrs. SOLNESS that afternoon, and left me alone with my Master
+Builder, you did not foresee--perhaps wish--intend, even a little,
+that----H'm?
+
+_Dr. Herd._ That you would talk the poor man into clambering up that
+tower? You want to drag _Me_ into that business now!
+
+_Hilda_ (_teasingly_). Yes, I certainly think that then you went on
+exactly like a troll.
+
+_Dr. Herd._ (_with uncontrollable emotion_). HILDA, there is not a
+corner of me safe from you! Yes, I see now that _must_ have been the way
+of it. Then I _was_ a troll in that, too! But isn't it terrible the
+price I have had to pay for it? To have a wife who----. No, I shall
+never roll a pill again--never, never!
+
+_Hilda_ (_lays her head on the stove, and answers as if half asleep_).
+No more pills? Poor Doctor HERDAL!
+
+_Dr. Herd._ (_bitterly_). No--nothing but cosy commonplace grey powders
+for a whole troop of children.
+
+_Hilda_ (_lively again_). Not _grey_ powders! (_Quite seriously._) I will
+tell you what you shall make next. Beautiful rainbow-coloured powders
+that will give one a real grip on the world. Powders to make everyone
+free and buoyant, and ready to grasp at one's own happiness, to _dare_
+what one _would_. I will have you make them. I will--I _will!_
+
+_Dr. Herd._ H'm! I am not quite sure that I clearly understand. And then
+the ingredients--?
+
+_Hilda._ What stupid people all of you pill-doctors are, to be sure!
+Why, they will be _poisons_, of course!
+
+_Dr. Herd._ Poisons? Why in the world should they be _that_?
+
+_Hilda_ (_without answering him_). All the thrillingest, deadliest
+poisons--it is only such things that are wholesome, nowadays.
+
+_Dr. Herd._ (_as if caught by her enthusiasm_). And I could colour them,
+too, by exposing them to rays cast through a prism. Oh, HILDA, how I
+have needed you all these years! For, you see, with _her_ it was
+impossible to discuss such things. [_Embraces her._
+
+_Mrs. Herd._ (_enters noiselessly through hall-door_). I suppose,
+HAUSTUS, you are persuading Miss WANGEL to start by the afternoon
+steamer? I have bought her a pair of curling-tongs, and a packet of
+hair-pins. The larger parcels are coming on presently.
+
+_Dr. Herd._ (_uneasily_). H'm! HILDA--Miss WANGEL I _should_ say--is
+kindly going to stay on a little longer, to assist me in some scientific
+experiments. You wouldn't understand them if I told you.
+
+_Mrs. Herd._ Shouldn't I, HAUSTUS? I daresay not.
+
+ [_The_ New Book-keeper _looks through the glass-door of
+ Dispensary._
+
+_Hilda_ (_starts violently and points--then in a whisper_). Who is
+_that_?
+
+_Dr. Herd._ Only the New Book-keeper and Assistant--a very intelligent
+person.
+
+_Hilda_ (_looks straight in front of her with a far-away expression, and
+whispers to herself_). I thought at first it was.... But no--_that_
+would be _too_ frightfully thrilling!
+
+_Dr. Herd._ (_to himself_). I'm turning into a regular old troll
+now--but I can't help myself. After all, I am only an elderly Norwegian.
+We are _made_ like that.... Rainbow powders--_real_ rainbow powders!
+With HILDA.... Oh, to have the joy of life once more!
+
+ [_Takes his temperature again as Curtain falls._
+
+ * * * * *
+
+PROFESSOR WHITEWASH'S GUIDE TO HISTORY.
+
+_Question._ Who was WILLIAM the Conqueror? _Answer._ The Managing
+Director of an Exploration Company composed of the most respectable
+shareholders.
+
+_Q._ WILLIAM RUFUS, HENRY THE FIRST and RICHARD THE FIRST?
+
+_A._ RUFUS, a worthy son of a worthy father; HENRY, a scholar, who
+strongly objected to over-cramming; and RICHARD, a mild-mannered man,
+who modestly shrank from canonisation.
+
+_Q._ And what do you know about King JOHN?
+
+_A._ That he gave to a grateful country the Magna Charta.
+
+_Q._ And all the intermediate monarchs' being equally good, what have
+you to say about King HENRY THE EIGHTH?
+
+_A._ He was a model monarch, and worthy to be the father of MARY and
+ELIZABETH.
+
+_Q._ How about the Royal ladies you have last mentioned?
+
+_A._ The first had as large a mind as the other a heart.
+
+_Q._ What do you think of the STUART Family?
+
+_A._ It was famed for its fidelity, trustfulness, and gratitude.
+
+_Q._ Were WILLIAM and MARY, and ANNE, pleasant Monarchs?
+
+_A._ Most pleasant. As witty as they were beautiful.
+
+_Q._ And how about the GEORGES?
+
+_A._ All that could be desired--and more. Indeed, all our monarchs have
+been of the most exemplary character, against whom the most
+scandal-loving would utter no word of complaint.
+
+ [Illustration: The Professor.]
+
+ * * * * *
+
+THE ENGLISH-FRENCH EMBASSADORE AT THE MANSHUN HOUSE.
+
+ [Illustration]
+
+WELL, we've bin a going on much as usual at our grand old Manshun House
+under our trewly liberal LORD MARE, but I ain't had nothink werry new to
+tell about, till a few nites ago, when we had what I can truthfully call
+a reel staggerer, and no mistake. It seems as it's allers the custon,
+when a Embassadore, who has made hisself werry poplar, is gitting jest a
+leetle tired of us, and begins to si for Ome sweet Ome, for the
+principalest Gent in London to give him sitch a grand Bankwet as he
+ain't never seen afore, and ain't never likely for to see again. So the
+LORD MARE, hearing as the French Embassadore was in that werry dellicate
+sitiwation, arsked about three hundred of the most heminent Gents in all
+London to come to the Manshun House to meet him, and they all came, as
+in course they wood do, and that was one of the werry grandest Bankwets
+as regards silly brated Gests as ewen I ewer had the honner of waiting
+on.
+
+And now for the staggerers! Just to begin with, why the French
+Embassadore is no more a Frenchman than I am! for his name it's
+WODDINGTON, and so was his Father's before him, and strange to say,
+thanks, I spose, to the splendid dinner, _et setterer_, as was guv him,
+he acshally told us as he rowed in the Winning Boat at the Uniwersity
+Boat-race at Putney, ewer so many years ago! Werry like a Frenchman,
+suttenly, or, as I should prefer saying, werry like a Whale! Of course
+all the Gents present, being reel Gents, looked quite as if they
+beleeved it all; but, when he afterwards went on to say that his Grate
+Grandfather took his most religious and grayshus Majesty, KING CHARLES
+THE SECOND, right up into the Hoak Tree, and so saved his preshus life,
+I saw sum two or three of the werry hiest on 'em trying in wain to look
+quite serious, as if they bleeved it all; and one werry smart young
+feller near me said to his friend, "Why not call it the Hoax Tree"? I
+didn't kno quite what he meant, but they both had a quiet larf over it.
+
+ [Illustration: "Robaire" à la mode de Parry.]
+
+He gave us a few more staggerers, but not quite equal to the King
+Charles one, and of course we coud all make allowances for him, as it
+was his last chance in such a party as that was. But he made up for it
+all before he left, by speaking of the Grand Old Copperation as one of
+the werry noblest bodys in the world, and as having made its mark in the
+history of this great Country, and how artily he hoped it would continue
+and flurrish for ever! I don't suppose as there was any county
+counsellers among so distingwisht a Body, or I should like to know what
+they thort of the Embassadore's opinion of us! An I'm thinkin of wizitin
+Parry myself and cummin out strong. And wy not? They tell me it will
+make me kwite young again, for I shall go over there a helderly henglish
+waiter and reappear in Parry as a "garsong" which is french for "a young
+man."
+
+ ROBERT.
+
+ * * * * *
+
+BRIGHTON BOORS.
+
+ [MR. GLADSTONE was mobbed by an immense crowd on Sunday,
+ the 5th.]
+
+ O Brighton, it isn't a thing to be proud of
+ That people, the fat uns as well as the bony uns,
+ Should squeeze an old Gentleman, crushed in a crowd of Brightonians.
+
+ All watering-places you claim to be Queen of,
+ As proud as the Tyrians or the Sidonians?
+ Your manners don't match; such behaviour seems green of Brightonians.
+
+ You scare away visitors, who are affrighted
+ By folks rude as Goths, Huns, or wild Caledonians.
+ Such staring shows that in two ways you're short-sighted Brightonians.
+
+ * * * * *
+
+OUR BOOKING-OFFICE.--CHATTO AND WINDUS have published, in handy form,
+cloth bound, and handsomely printed, an edition of JUSTIN MCCARTHY'S
+novels. There are, ten in all, going at half-a-crown a-piece, and well
+worth the money. The literary style is excellent--not a matter of course
+in the writing of novels--the tone wholesome, whilst on every page
+gleams the light of genuine, if gentle humour. In looking through the
+pages of this charming little library, my Baronite is inclined to regret
+that Mr. MCCARTHY should, to some extent, have given up to Politics what
+was meant for Literature.
+
+ B. DE B.-W.
+
+ * * * * *
+
+ [Illustration: AN EFFECT OF SHYNESS.
+
+ _Proud Mamma._ "WHICH DO YOU THINK EFFY'S MOST LIKE, MR.
+ JINKS?--HER FATHER, OR ME?"
+
+ _Mr. Jinks._ "OH--A--I SHOULD SAY SHE'S A PLAIN LIKENESS
+ OF HER FATHER----I MEAN--A--HANDSOME LIKENESS OF HER
+ MOTHER--A--I MEAN--A--A----" [_Stammers hopelessly,
+ upsets his Tea, and wishes himself unborn._]
+
+ * * * * *
+
+THE ASSAULT!!
+
+_Beleaguers babble around the Battering-Ram:--_
+
+_Balfourius_ (_musingly_). "Heroes tall
+ Dislodging pinnacle and parapet
+ Upon the tortoise creeping to the wall."
+
+_Chamberlainus_ (_sardonically_). Heroes tall, indeed! Have the
+distressed defenders of this untenable Citadel any such? GLADSTONIUS is
+a sort of hero, perhaps, but hardly tall; HARCOURTIUS is tall indeed,
+but no hero. Aha!
+
+_Saundersonius_ (_sharply_). Yes; and we have had too much of that
+"tortoise-creeping" business. Sharp's the word now, I hope. BALFOURIUS'S
+Battering-Ram--though the murderous ruffians--I mean excited
+politicians--_did_ denounce it, is better than all your tortoises!
+
+_Balfourius_ (_completing his quotation_). "Lances in ambush set."
+
+_Saundersonius._ Oh yes, they're all very well--in their way. A School
+of Strategy for our "young bloods," with secret _séances_,
+and--ahem!--_Fagin_-like rehearsals, is not a bad notion. But on the
+whole I agree with _Moloch_:--
+
+ "My sentence is for open war: of wiles,
+ More inexpert, I boast not: there let those
+ Contrive who need, or when they need, not now.
+ For while they sit contriving, shall the rest,
+ Millions that stand in arms, and longing wait
+ The signal to arise, sit lingering here,
+ Prisoners of his tyranny who reigns
+ By our delay? No, let us rather choose,
+ Arm'd with hell-flames and fury all at once,
+ O'er these high towers to force resistless way,
+ Turning Obstruction into horrid arms
+ Against the Obstructor; when to meet the noise
+ Of his 'iniquitous' engine, he shall hear
+ Ulsterian thunder; and for lightning set
+ Green fire and rockets shot with equal rage
+ Among his 'items;' and his seat itself
+ Shake with Tartarean tactics, 'dirty tricks,'
+ His own invented dodges."
+
+_Grandolphus_ (_tugging at Balfourius's tunic-tails_). Ha! ha! ha! Well
+quoted, my Orange-plumed Hyperborean hero! (_Aside: I must read up the
+bards a bit. Didn't know they were so practically pertinent. How handy
+that_ "_senesque_" _bit came in the other day!_)
+
+_Balfourius_ (_fidgeting_). I say, GRANDOLPHUS, if you'd tug at the rope,
+instead of my tails, I fancy you'd tire me less, and have more effect on
+the Ram.
+
+_Grandolphus_ (_cheerily_). Ah, my old friend, I assure you I intend to
+stick to _you_ "loyally and unhesitatingly."
+
+_Balfourius_ (_drily_). Oh--_thanks!!!_
+
+_Chamberlainus._ Never _were_ such a United lot as we are:
+
+ (_Sings sotto voce._)
+
+ _For I love dear_ B. _as a brother, I do,_
+ _And dear_ B. _he worships me;_
+ _But we'll both be blowed if we'll either be stowed_
+ _In the other chap's hold, you see!_
+
+_Balfourius._ What's that you say?
+
+_Chamberlainus._ Oh, merely humming "Birds in their little nests agree."
+
+_Balfourius._ Ah, as the Chief says, there'll be plenty of opportunity
+for personal sacrifice and pulling together before we're through with
+this siege. To work this Battering-Ram with effect, unanimity and
+simultaneity of effort are especially essential.
+
+_Saundersonius._ Quite so! So bear a hand--_at the rope_, GRANDOLPHUS,
+if you please. Now then, boys--_all together!!!_ BANG!!!!!!
+
+_Grand Old Voice_ (_from within_). "When they _do_ agree, their
+unanimity is wonderful." Wonder if that gate will stand the shock! Must
+disable that Rampant Ram of theirs--somehow.
+
+ [_Left keeping his eye on 'em._
+
+ * * * * *
+
+ SUFFICIENTLY ANTIQUE.--Said TOMKINS, "I won't say my
+ ancestors were in this Country before the Flood, _but_
+ they came in with the High Tide."
+
+ * * * * *
+
+ [Illustration: THE ASSAULT!!]
+
+ * * * * *
+
+ [Illustration: TRIALS OF A CONVALESCENT.
+
+ _Tompkins_ (_in a feeble voice, for the fourth or fifth
+ time, with no result_). "CHAIRMAN!!! CHAIRMAN!!!"
+
+ _That Awful Boy._ "LYDIES AND GENTLEMEN----!!"]
+
+ * * * * *
+
+A FYTTE OF THE BLUES.
+
+BY AN OLD "CROCK."
+
+ (_After reading the rattling verses of_ "Tis," _entitled
+ "Good Luck!" in the "Granta."_)
+
+ Good old _Granta_! They set the blood glowing,
+ Your verse-grinder's galloping lines,
+ There seems rare inspiration in Rowing!
+ The Muse, who politely declines
+ To patronise pessimist twitters,
+ Has smiled on these stanzas, which smack
+ Of health, honest zeal, foaming "bitters,"
+ And vigour of brain and of back.
+
+ Good luck to the Light Blues! That burden
+ Befits rattling rhymes from the Cam,
+ Their "movement" might rouse a Dame DURDEN,
+ Or fire a cold victim of cram.
+ Why it stirs up "old Crocks" to peruse 'em--
+ Slashing lines on "a slashing octette"--
+ They feel, though 'tis hard to "enthuse" 'em,
+ There _must_ be some life in 'em yet.
+
+ Old Crocks! Oh, exuberant younkers!
+ You "guy" "the old gang" as "played out,"
+ As fogies, and fussers, and funkers,
+ You've over-much reason, no doubt.
+ But, great Scott! as your rowing-rhymes rattle
+ And lilt lyric praise of the Crews,
+ We too sniff the air of the battle!
+ We too have a Fit of the Blues.
+
+ It's oh! just to "swing behind LEWIS,"
+ A "youngster as strong as an ox"!
+ Or be one who true Boss of the Crew is,--
+ Your "pet Palinurus"--the Cox!
+ To feel all the blood in one glowing,
+ And--heedless of love, toil, and "tin"--
+ Know naught in creation save--Rowing.
+ Deems nothing worth much save--a WIN!
+
+ Five minutes, my boys, of such feeling,
+ When rivals look beaten and blown,
+ When the nose of your ship is just stealing
+ Ahead, when your muscles have grown
+ To thews, that--_pro tem._--are Titanic,
+ Are worth a whole year of _our_ lives,
+ Whose waistbands are--well, Aldermanic,
+ Who've wrinkles, and worries, and wives!
+
+ Well, here's to the two tints of azure,
+ The Dark Blue as well as the Light!
+ At least there's one thing we can say sure,--
+ There'll be no blue funk in their fight.
+ And here's to the Bard of the _Granta_,
+ Who sings without "side," "sniff," or "shop."
+ May he live (if he wish it), to plant a
+ Big bay on Parnassus's top!
+
+ * * * * *
+
+TIM O'HOWLIGAN'S LAMENT.
+
+ AIR--"_Arrah! darlints, we can't do without ye!"_
+
+ AH! shure boys, the world has gone crazy,
+ And there's plinty of throuble in shtore,
+ Ivery mornin' I wake up onaisy
+ Bekase I can't shleep any more.
+ 'Twas CROMWELL, bad scran to 'im, done it,
+ Him that murdhered King CHARLES, ochone!
+ And since the black villin begun it
+ Ould Erin's done nothing but groan,
+ And moan,
+ It would soften the heart of a shtone.
+
+ By the poker, I'm boilin' with passion
+ Whin I think of the laws that they make;
+ At a fair the bhoys heads ye can't smash in,
+ Nor get dacently dhrunk at a wake.
+ There's only twelve pince in a shillin',
+ And not more than two pints in a quart,
+ Onless you are cliver at fillin',
+ And can make it hould more than it ought.
+ Don't be caught,
+ Or, be jabers, they'll make you pay for't.
+
+ Where's the kings and the princes of Erin
+ That lived on purtaties and point,
+ And niver saw year out and year in
+ The divil a taste of a joint?
+ Thim toirants now buy all our bacon,
+ And the linen, and butther, and that,
+ All that grows in the counthry is taken
+ From Antrim to Mullinavat.
+ Poor Pat
+ Has to sell at a profut, that's flat.
+
+ Well, honies, I'll give ye a hint,
+ And let ivery one do it who can;
+ When the bag of thirteens is all spint,
+ Set up for a Parliament man.
+ Thim's the boys that gets lashins of drinkin',
+ And they dine wanst a week wid the Queen,
+ Where the glasses are niver done clinkin',
+ Wid the Royalties jokin' and spreein',
+ Jubileein',
+ And such doins as niver was seen.
+
+ * * * * *
+
+ A COMPLAINT AND SIMPLE REMEDY.--
+
+ Among the Requests in our ecclesiastical contemporary,
+ _The Guardian_, recently appeared one asking for an
+ effectual way of "_exterminating dry rot, and preventing
+ its re-appearance in a church_." Why doesn't the
+ reverend inquirer try somebody else's Sermons? Or have
+ no Sermons at all?
+
+ * * * * *
+
+ NOTHING more delights our old friend than to get hold of
+ a real good word, and use it with effect. "I wish I knew
+ what is going to win the Derby this year," observed her
+ Niece. "Ah, my dear," replied her Aunt, "I might be able
+ to tell you if I were a Vaccinator."
+
+ * * * * *
+
+ BEST DAY IN THE WEEK FOR MAKING A PROPOSAL OF
+ MARRIAGE.--In London, Monday is the most appropriate, as
+ being dedicated to the "Monday Pops."
+
+ * * * * *
+
+ [Illustration: _Mr. Moriarty._ "LOOK HERE, ADA, HOW MUCH
+ LONGER, FOR GOODNESS' SAKE, ARE YE GOIN' TO BE DRESSIN'
+ YOURSELF?"
+
+ _Voice from the Heights._ "ONLY TEN MINUTES, DEAR!"
+
+ _Mr. Moriarty._ "WELL, ALL I CAN SAY IS, IF I'VE GOT TO
+ WAIT HERE TEN MINUTES, I'LL--I'LL BE OFF THIS BLESSED
+ MOMENT!"]
+
+ * * * * *
+
+ [Illustration: "SCENES IN THE LOBBY."
+
+ DESIGN FOR OUR OWN HISTORICAL PAINTER.]
+
+ * * * * *
+
+ESSENCE OF PARLIAMENT.
+
+EXTRACTED FROM THE DIARY OF TOBY, M.P.
+
+_House of Commons, Monday, March 6._--"The SPEAKER took the Chair at
+three o'clock." That is an extract from the _Journals of the House_, a
+fascinating literary work, ably edited by Mr. PALGRAVE with the
+assistance of Mr. MILMAN, much in favour at MUDIE'S. Last time I saw
+SPEAKER rise from Chair was Banquet at Mansion House given by way of
+farewell to M. WADDINGTON. Very remarkable scene it was. In ordinary
+times SPEAKER of House of Commons is personally unknown to outside
+public. He takes no part in debate; never goes on Midlothian Campaigns;
+belongs to no faction; has no political following; and should have no
+enemy. British public, regarding with close attention the fascinating
+arena at Westminster, have evidently formed clear opinion of its present
+President. When list of guests whom LORD MAYOR delighted to honour read
+out by Toastmaster, name of SPEAKER received with enthusiastic and
+prolonged applause. House of Commons men present, of whom there was
+large muster, evidently taken by surprise. They know the SPEAKER,
+because they daily live with him. How outside public should have been
+seized with such keen appreciation of his worth was more than they were
+prepared for.
+
+This may have been, probably was, to some extent a _succès d'estime_.
+Mr. PEEL'S speech was genuine triumph; very brief, the shortest of the
+series, but incomparably the best; lofty in tone, perfect in delivery,
+saying just the right thing at the right moment in the right way. Its
+effect at Mansion House something like that which electrified House when
+Mr. PEEL, standing on steps of Chair, faced it for first time as its
+SPEAKER, revealing, even to those who had known him long, the full
+depths of his nature and the towering height of his capacity.
+
+"_Mon Dieu_, TOBEE," said an eminent Frenchman, "the world in both
+hemispheres has always envied you the possession of your House of
+Commons. Now we know you have a Speaker worthy of its best traditions."
+
+Banquet a great success; certainly the most brilliant galaxy of guests
+drawn together in same place since Mr. PHELPS, the American Minister,
+said farewell in memorable speech. Much struck with completeness of
+arrangements. Even the waiters imbued with consciousness of great
+occasion.
+
+"Hope you enjide your dinner, Sir?" said one to me, when dessert placed
+on table.
+
+"Excellent," I said; "perhaps the whitebait done a little too much;
+showed tendency to present itself in fragments; but 'twas nothing."
+
+"Yessir," said the Waiter, diligently brushing off imaginary crumbs.
+"I'm going now, Sir."
+
+"Ah," I said; "then I suppose you don't wait to hear the speeches; flow
+of reason, you know, quite a treat."
+
+"Yessir," said he, still pegging away at the spotless table-cloth. "Can
+I get you anything more, Sir?"
+
+"No, thank you," I said, quite touched at the man's considerate
+attention, the more marked since, as far as I recognised him, I had not
+seen him before. "I've done excellently."
+
+"Yessir. I'm going now." Hardly seemed able to part. Not sure whether,
+in circumstances of international amity, I shouldn't have shaken hands
+with him. Made half advance in that direction. He quickly advanced his
+hand, but after glance at my extended palm, as rapidly withdrew it.
+Perhaps he was right. Not usual to shake hands with Waiter, though
+really, on occasion like this, one might disregard conventionalities.
+Waiter lingeringly withdrew, still keeping his eye on me, as if
+expecting me to call him back. Nodded a friendly farewell, and pensively
+peeled an orange, thinking how one touch of nature makes us kin. This
+good Waiter and I quite subdued by the graceful, generous thought of
+Lord Mayor KNILL, who has added one more link to the chain that binds in
+amity two nations that have fought all the way from Cressy to Waterloo.
+
+_Business done._--Got into Committee on Navy Estimates. In the Lobby
+sort of rehearsal of new Battle of Boyne. The other night SAUNDERSON
+said something disrespectful of Irish Members. WILLIE REDMOND, from his
+proud position among nobility and gentry above Gangway, called out, "You
+wouldn't say that in the Lobby." "Say it anywhere," responded the
+Colonel, ever ready to oblige.
+
+Next day wrote letter to REDMOND, incidentally mentioning that if he
+wanted to hear the words over again, should meet him in Lobby to-night
+after questions. Nothing nearer REDMOND'S heart's desire. At five
+o'clock Colonel, accompanied by another military gentleman, carrying his
+cloak, a pair of pistols, a stiletto, a bottle of _eau de Cologne_, a
+sponge, and a clothes-brush, sternly strode into Lobby. Carefully
+counted paces till he was standing as nearly as possible on centre tile;
+folded arms, and wished that Night or REDMOND would come. Colonel
+WARING, with military accoutrements and cloak; stood a pace and a half
+to the left rear. Presently entered REDMOND, accompanied by J. J.
+O'KELLY, also carrying cloak. Secreted in folds were shillelagh, bottle
+of whiskey, pair of spurs, a toothpick, and a freshly-minted
+crown-piece. This last, at suitable moment, to be flung across Lobby;
+(friend secretly told off to be on alert to pick it up.) Action to be
+explained as typical of throwing King's Crown into the Boyne. The
+principals approaching, REDMOND, after manner of schoolboys, who edge up
+to each other, each hoping the other doesn't want to fight, asked
+Colonel to "say it again." "Certainly; but say what?" Here difficulty
+began, which spoiled whole business. REDMOND insisted upon being called
+a murderer. SAUNDERSON punctilious on minor points, wouldn't go quite so
+far in his desire to oblige. Angry altercation followed; Members, to
+number of something like hundred, formed ring. REDMOND, with right
+shoulder aggressively hoisted, spoke over it at the Colonel. Colonel
+stood erect, with hands loosely hanging by his side, ready for
+emergencies. Crowd grew thicker and more excited. "Expected every moment
+would be our next," as CLANCY breathlessly put it. But in the end storm
+blew itself out. Nothing happened, and crowd disappointedly dispersed.
+
+ Ulster will fight,
+ But----_not to-night._
+
+_Thursday._--Opposition mustered to-day in high spirits; meeting at
+Carlton yesterday addressed by MARKISS and Prince ARTHUR; GRANDOLPH,
+looking in, took back seat in his customary retiring fashion. Meeting
+insisted on his coming to the front; made spirited speech; scarcely a
+dry eye in the Club when, looking shyly across at Prince ARTHUR, he
+alluded to him as his "old political friend," his "brilliant and
+esteemed Parliamentary Leader."
+
+"I think," said the MARKISS, as meeting dispersed, "this will drive nail
+in coffin of Home-Rule Bill, and make things pretty hot for Mr. G. As
+HART DYKE epigrammatically puts it, 'We Unionists, above all others,
+should be united.'"
+
+This, as I mentioned, happened yesterday. This afternoon Opposition
+mustered in anticipation of aggressive action by Mr. G. Had given notice
+to move suspension of Twelve o'Clock Rule, in order to make progress
+with Estimates.
+
+"Not if we know it," said Right Hon. JAMES LOWTHER, commonly called
+"JEMMIE."
+
+Mr. G., previous to moving Resolution, explained there was no intention
+of sitting late; Suspension Standing Order was matter of precaution
+designed to prevent arbitrary carrying over of Amendments when
+adequately discussed. Prince ARTHUR'S keen eye discerned that this might
+be so construed as to convey no advantage to Government. When twelve
+o'clock came Debate might be diverged on to lines of wrangle round
+Question of Adjournment, and so House up and nothing done. On this
+understanding he declared he would not resist Motion of Leader of House.
+Then JEMMIE, rushing to the front, made the running. Did Mr. G. intend,
+in any case, to take Second Reading of Home-Rule Bill on Thursday next?
+Mr. G. nodded assent. "Very well, then I'll divide against you," JEMMIE
+roared across the pained figure of his esteemed Leader. Not to be moved
+by blandishment or argument from this position. Prince ARTHUR, seeing
+matters hopeless, haughtily strode forth, GRANDOLPH loyally accompanying
+him. But more than half his old colleagues stayed behind with JEMMIE
+LOWTHER who got Opposition soundly beaten by majority of 85.
+
+"There's only one thing we want to run our majority over 100," said
+SQUIRE OF MALWOOD, smiling beneficently from Treasury Bench. "Another
+meeting of the Party at the Carlton Club will do it."
+
+"What did you mean by to-night's performance?" I asked JEMMIE, later.
+
+"Mean? I meant business. I'm a little tired of lurking in background
+seeing men come to front who haven't half my ability, political acumen,
+or Parliamentary knowledge. I intend to have a Party of my own. There
+has been a Fourth Party, and before that there was a Tea-room Party, and
+a Cave of Adullam. I shall eclipse them all."
+
+"And under what name do you think history will know your faction?" I
+asked, much interested.
+
+The Right Hon. took up a piece of paper, and on it wrote the words,
+"LOWTHER'S ARCADE."
+
+_Business done._--WOLMER'S Amendment on the Navy Estimates negatived.
+
+_Friday._--Prince ARTHUR, and Statesman to whom AUSTEN CHAMBERLAIN
+distantly alludes as "My Right Hon. friend," sit separated by width of
+House. But, in assaults on Government, they are not divided. Idle
+stories about differences of opinion arising between them quite
+unnecessarily denied.
+
+"I never look at them," said TREVELYAN, "without recalling to mind a
+passage in what is, I think, my favourite among DICKENS'S novels. You
+remember the scene in _Great Expectations_, where _Joe Gargery_ visits
+_Pip_, in his day of prosperity, in London? 'Ever best of friends,' says
+JOE (CHAMBERLAIN). 'Dear JOE,' says Prince ARTHUR. 'You know, PIP,' says
+JOE, 'as you and me were ever friends, and it were looked forrerd to
+betwixt us as bein' calc'lated to lead to larks.'"
+
+The expectation not lacking of past fulfilment; full of promise in days
+near at hand.
+
+_Business done._--Sat from two to seven discussing whether we shall sit
+to-morrow in order to make progress with public business. Finally
+decided we shall. Meanwhile, morning sitting slipped away.
+
+ [Illustration: "GREAT EXPECTATIONS."
+
+ ["As persistent attempts are being made to show that Mr.
+ BALFOUR and Mr. CHAMBERLAIN are at variance respecting
+ the tactics which should be adopted by the Unionist
+ Party in Opposition, we may state that more thorough
+ accord never existed than at the present moment."--_The
+ Times, March 8, 1893._]
+
+ _Gargery Chamberlain._ "You know, PIP, as you and me
+ were ever the best of Friends!"
+
+ _Balfour Pip._ "Dear JO!"]
+
+ * * * * *
+
+VINO ITALIANO CON TEMPERANZA.--Signor VITALI, of the
+Italian-Wine-in-England Mission, writes to us to say that Sir WILFRID
+LAWSON might temper his favourite beverage of _Aqua Pura_ with half a
+gallon flask of _Vinum Purum Italianum_, such as Chianti, and he would
+be none the worse for it. We are inclined to agree with the Signor
+VITALI, as, in our opinion, there is small likelihood of any Italian
+wine-drinker "getting any forrader." Of course Signor VITALI, being
+somewhat interested in the matter, and therefore, most hopeful that his
+enterprise will result in orders for any number of flasks, and not end
+in an empty _fiasco_, would not fail to point out that Italian wine is
+likely to have a prolonged existence in this country, as it is not
+lacking in Vitali-ty.
+
+ * * * * *
+
+TONE AND TINT.--(By a Wearer of the Green.)
+
+ YOUR Orangeman swears--he's a terrible fellow!--
+ They shan't set the Green o'er his favourite Yellow.
+ His shout's "No surrender!" And is he so Green
+ As to think we'll turn Yellow because of his spleen?
+ No, no! He may vow in his last ditch he'll die,
+ But--we're not to be scared by a _Hue_ and a _Cry_!
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+104, March 18, 1893, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 22645-8.txt or 22645-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/2/6/4/22645/
+
+Produced by V. L. Simpson, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/22645-8.zip b/22645-8.zip
new file mode 100644
index 0000000..01f3f56
--- /dev/null
+++ b/22645-8.zip
Binary files differ
diff --git a/22645-h.zip b/22645-h.zip
new file mode 100644
index 0000000..1b4bb1f
--- /dev/null
+++ b/22645-h.zip
Binary files differ
diff --git a/22645-h/22645-h.htm b/22645-h/22645-h.htm
new file mode 100644
index 0000000..071f0e9
--- /dev/null
+++ b/22645-h/22645-h.htm
@@ -0,0 +1,2020 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns='http://www.w3.org/1999/xhtml' xml:lang='en' lang='en'>
+<head>
+<meta http-equiv='Content-Type' content='text/html;charset=iso-8859-1' />
+<meta http-equiv='Content-Style-Type' content='text/css' />
+<title>The Project Gutenberg eBook of Punch, Or The London Charivari,
+Vol. 104, Mar. 18, 1893.</title>
+<style type='text/css' media='screen'>
+
+* { margin: 0; padding:0; }
+
+body { margin:5% 15%; }
+
+h1,h2,h3 { text-align:center; }
+
+p {
+margin-top: 1em;
+margin-bottom: 0;
+line-height: 1.5;
+text-align:justify;
+}
+
+em, cite, q { font-style:italic; }
+q:before { content:no-open-quote; }
+q:after{ content:no-close-quote; }
+
+blockquote { margin:0 5%; }
+
+img { border:none; margin:5% 0; }
+
+.smaller { font-size:smaller; }
+.larger { font-size:larger; }
+.smcap { font-variant:small-caps; }
+.sans { font-family: sans-serif; }
+
+hr { width:90%; margin:5% auto; }
+hr.short { width: 25%; }
+hr.half { width: 50%; }
+
+.masthead { margin-bottom:15%; }
+.masthead hr { margin:1.5% auto; }
+.masthead p {
+font-size: 1.5em;
+font-weight:bold;
+text-align:center;
+}
+
+span.pagenum, p.pagenum
+{
+position: absolute;left: 1%;
+font-size:12px;
+font-weight:normal;
+font-style:normal;
+font-variant:normal;
+}
+
+.center { margin:auto; }
+p.center { text-align:center; }
+p.ralign { text-align: right; }
+
+.poem { margin-top:1em; }
+.poem p { margin:1em 0 1em; }
+.stanza { margin:1em 0 0 0; }
+
+.spacer5em { letter-spacing:5em; }
+.in1em { margin-left:1em; }
+.in2em { margin-left:2em; }
+.in7em { margin-left:7em; }
+p.in4em { margin-left:4em; }
+
+.i-flright {
+float:right;
+padding-left:2em;
+padding-bottom:1em;
+}
+
+.i-flleft {
+float:left;
+margin-right:1em;
+}
+
+.note { font-size: 0.9em; margin-bottom:1em; }
+.block { width:20em; }
+.outdent { text-indent: -1.5em; padding-left: 10em; }
+
+</style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 104,
+March 18, 1893, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 104, March 18, 1893
+
+Author: Various
+
+Editor: Francis Burnand
+
+Release Date: September 17, 2007 [EBook #22645]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by V. L. Simpson, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class='masthead'>
+<h1>PUNCH,<br />OR THE LONDON CHARIVARI</h1>
+
+<p>VOL. 104.</p>
+
+<hr class='half' />
+
+<p>March 18, 1893.</p>
+
+<hr />
+</div>
+
+<p class='pagenum'><a name="Page_121" id="Page_121">[Pg 121]</a></p>
+
+<div class='center' style='width:500px;'>
+
+<a href='images/i-121.png'><img src='images/i-121th.png' alt='Two dapper
+Victorian gentleman in discussion.' title='Click for larger image.'
+width='437' height='489' /></a>
+
+<h3>"WELL MATCHED."</h3>
+
+<p><i>Medico</i> (<i>pathetically, with a view to touching the Dealer's
+heart</i>). <span class='smcap'>"Now, Mr. Bobbs, what <i>do</i> you
+think I could get a thoroughly good useful Pair of Horses
+for, eh? Price not stiff."</span></p>
+
+<p><i>Mr. Bobbs.</i> <span class='smcap'>"Lor' bless you, Sir, to find Horses&mdash;nothin'
+easier. but, as regards <i>Price</i>&mdash;well&mdash;you can have 'em
+at all Prices, just as you can Doctors!"</span></p>
+</div>
+
+<hr class='half' />
+
+<h2>MIXED NOTIONS.</h2>
+
+<p class='center larger'>No. VII.&mdash;PARLIAMENTARY PROCEDURE.</p>
+
+<p class='center'>(<i>Scene and Persons as usual.</i>)</p>
+
+<p><i>Inquirer</i> (<i>to First Well-Informed Man</i>). I say, have you ever been in
+the House of Commons?</p>
+
+<p><i>First W. I. M.</i> (<i>shortly</i>). No, you know I haven't.</p>
+
+<p><i>Inquirer.</i> Oh, I don't mean as a Member. Of course I know you wouldn't
+stand the rot of all these Constituents, or whatever they call
+themselves. But have you ever been there as a visitor while a debate's
+going on?</p>
+
+<p><i>First W. I. M.</i> Yes, once&mdash;some years ago. But why do you ask?</p>
+
+<p><i>Inquirer</i> (<i>producing an order of admission</i>). Well, you see, I got old
+<span class='smcap'>Jenkins</span> to give me a ticket for to-night, and I'm hanged if I know how
+I'm to get there, or when I'm to go, or anything about it. I thought you
+might be able to tell me how it's done.</p>
+
+<p><i>First W. I. M.</i> Let's have a look at your ticket.</p>
+
+<p class='ralign'>[<i>Both the</i> Well-Informed Men <i>inspect it with
+an air of critical sagacity.</i></p>
+
+<p><i>First W. I. M.</i> (<i>after a prolonged pause</i>). I don't see where your
+difficulty is. You just present this at the door.</p>
+
+<p><i>Inquirer.</i> Ah, I daresay!&mdash;but what door? That's what I want to know.
+The place looks as if it had about fifty thousand doors, you know. And
+then I believe, if you make any mistakes, they march you off, in
+two-twos, as a dynamiter, or a Socialist, or an agitator, or something.
+You know old <span class='smcap'>Bonker</span>. Well, he went there once with a black bag, in which
+he'd got some sandwiches and cake, and, just because he wouldn't open
+it, they made no end of a row, and shoved him in the Clock-tower, or
+something, until he apologised. I don't want any of those games, you
+know.</p>
+
+<p><i>Average Man.</i> Don't take a black bag then. They won't want to search
+your pockets.</p>
+
+<p><i>Inquirer</i> (<i>relieved</i>). Won't they? That's one comfort, at any rate. Do
+you think I ought to go in at the big entrance?</p>
+
+<p><i>First W. I. M.</i> Of course you ought. The others are only for Members.</p>
+
+<p><i>Inquirer.</i> Ah! And I suppose I ought to get there pretty early now that
+they've changed their hours. (<i>With determination.</i>) I'll go about
+half-past eleven.</p>
+
+<p class='ralign'>[<i>A pause. They read papers.</i></p>
+
+<p><i>Inquirer</i> (<i>suddenly, with intense alarm</i>). Oh, I say, look here, you
+chaps. Here's old <span class='smcap'>Gladstone</span> gone and suspended the Twelve o'Clock Rule.
+What does that mean?</p>
+
+<p><i>Second W. I. M.</i> It means that they start everything at twelve o'clock
+in the day.</p>
+
+<p><i>First W. I. M.</i> No, it doesn't. It means that they don't start anything
+till twelve o'clock at night.</p>
+
+<p><i>Second W. I. M.</i> (<i>pityingly</i>). My dear fellow, where have you been all
+these years? They <i>always</i> go home on the stroke of midnight now.</p>
+
+<p><i>First W. I. M.</i> That's just where you're wrong. Midnight to two in the
+morning is just jolly well their best time now.</p>
+
+<p><i>Second W. I. M.</i> I'll bet you half a thick 'un you're wrong!</p>
+
+<p><i>First W. I. M.</i> And I'll bet you half a thick 'un I'm right!</p>
+
+<p class='ralign'>[<i>The argument continues for some minutes in this
+strain.</i></p>
+
+<p><i>Inquirer.</i> I wonder if they'll have any obstruction. I should like to
+see some of that. I believe it's no end amusing.</p>
+
+<p><i>Second W. I. M.</i> Oh, you may trust this Opposition for that. Their only
+notion for employing time is to obstruct everything and everybody.</p>
+
+<p><i>First W. I. M.</i> (<i>with a deadly calmness</i>). Ah! you call it
+obstruction, of course, because you want to rush your iniquitous Bills
+through the House. But you don't think we're going to stand that, do
+you?&mdash;because we're not, and the Country's with us. Just look at
+Grimsby.</p>
+
+<p><i>Second W. I. M.</i> All right! Suppose you look at Cirencester.</p>
+
+<p><i>First W. I. M.</i> What do you say to Stockport then?</p>
+
+<p><i>Second W. I. M.</i> And what do <i>you</i> say to Walsham and Hexall, and all
+the rest of them? (<i>At the suggestion of the</i> Average Man, <i>they abandon
+this fiery debate. A pause.</i>)</p>
+
+<p><i>Inquirer.</i> Who's Speaker now?</p>
+
+<p><i>First W. I. M.</i> Sir <span class='smcap'>Robert Peel</span>.</p>
+
+<p><i>Inquirer.</i> Will he be there to-night?</p>
+
+<p><i>First W. I. M.</i> Of course he will. He's got to be there.</p>
+
+<p><i>Inquirer.</i> But then what does the Chairman of Committee do?</p>
+
+<p><i>First W. I. M.</i> Oh, ah,&mdash;um, let me see; the Chairman of Committee
+does&mdash;&mdash; (<i>Brightly.</i>) He's only appointed, you know, when they want a
+Committee about something.</p>
+
+<p><i>Second W. I. M.</i> I fancy he has to read the Bills.</p>
+
+<p><i>First W. I. M.</i> (<i>gathering assurance as he proceeds</i>). Not when
+they're read a first time. Somebody else does that&mdash;I forget what they
+call him. The Chairman reads 'em a second time, and takes 'em up to the
+House of Lords.</p>
+
+<p><i>Inquirer.</i> So he does, of course. I ought to have remembered that. But
+I'd got a sort of notion they didn't really read the Bills at all&mdash;just
+chucked 'em into a bag, and called it a Second Reading.</p>
+
+<p><i>First W. I. M.</i> (<i>condescendingly</i>). That's how they used to do it
+about ten years ago; but they had to alter the whole thing after they
+got <span class='smcap'>Bradlaugh</span> into the House.</p>
+
+<p><i>Inquirer.</i> Why was that?</p>
+
+<p><i>First W. I. M.</i> Well, he wouldn't take an oath, you know; so, after
+that, they altered everything.</p>
+
+<p><i>Inquirer</i> (<i>with admiration</i>). By Jove, what a chap you are for
+recollecting things!</p>
+
+<p class='ralign'>[<i>Terminus.</i></p>
+
+<hr class='half' />
+
+<h2>QUEER QUERIES.</h2>
+
+<p><span class='smcap'>A New Poll-Tax.</span>&mdash;Would somebody inform me of the easiest way of getting
+into Parliament? I see that Members are soon going to be paid, and that
+would be very useful to me, as my present yearly expenses are &pound;1,500,
+and my income barely &pound;150. Had I better try as a "Labour Candidate"? I
+feel that I may claim the title, on account of the labour&mdash;twelve hours
+at least <i>per diem</i>&mdash;which I have to expend on getting out of the way of
+my creditors. I presume that, before long, there will be Parliaments all
+over the place, for England, Wales, and Scotland, as well as for
+Ireland, and I want to get into <em>all</em>! At least, I want to get into all
+where the excellent system of payment of Members is adopted, with
+salaries "On the higher scale," as they say in the Courts. It is curious
+that, when I explain to my creditors this most promising source of
+prospective income, they don't seem to see it! But creditors always were
+a purblind race.&mdash;<span class='smcap'>Would-Be Legislator.</span></p>
+
+<hr />
+
+<p class='pagenum'><a name="Page_122" id="Page_122">[Pg 122]</a></p>
+
+<h2 class='sans'>THE "WITLER" AND THE "WASSER-MAIDEN."</h2>
+
+<p class='center'><i>A Ballad of Bungdom.</i> (<i>After Hans Breitmann's Ballad of the Mermaid.</i>)</p>
+
+<div class='center' style='width:473px;'>
+<a href='images/i-122.png'><img src='images/i-122th.png'
+alt='Caricatured German straddling a beer barrel hobby horse and a
+mermaid.' title='Click for larger image.' width='473' height='550' /></a>
+</div>
+
+<div class='poem center' style='width:20em;'>
+
+<div class='stanza'>
+<span class='smcap'>Der</span> noble Witler* <span class='smcap'>Bungo</span><br />
+<span class='in1em'>Von Schvillenschviggenop,</span><br />
+Rode out mit shpeer und helmet,<br />
+<span class='in1em'>Und he coom to de panks of de Schlopp,</span>
+</div>
+
+<p class='smaller in4em'>* Licensed Victualler.</p>
+
+<div class='stanza'>
+Und oop dere rose a Meer-maid<br />
+<span class='in1em'>Vot hadn't got nodings on.</span><br />
+Und she say, "Oh, Witler <span class='smcap'>Bungo</span>,<br />
+<span class='in1em'>Vhere you goes mit yourself alone?"</span>
+</div>
+
+<div class='stanza'>
+Und he says, "I rides mine high-horse,<br />
+<span class='in1em'>Mit helmet und mit shpeer,</span><br />
+Till I gooms unto mine Gasthaus,&#8224;<br />
+<span class='in1em'>Vhere I sells goot wine und peer."</span>
+</div>
+
+<p class='smaller in4em'>&#8224; Tavern, or Wine Shop.</p>
+
+<div class='stanza'>
+Und den outspoke de Maiden<br />
+<span class='in1em'>Vot hadn't got nodings on:</span><br />
+"I ton't dink mooch of beoplesh<br />
+<span class='in1em'>Dat cares for demselfs alone.</span>
+</div>
+
+<div class='stanza'>
+You'd petter coom down to de Wasser,&mdash;<br />
+<span class='in1em'>'Tis de pest trink ash you'll see,&mdash;</span><br />
+Und haf a wholesome tinner<br />
+<span class='in1em'>Mit Schlopp-Vash, along mit me."</span>
+</div>
+
+<div class='stanza'>
+"Dere you sees de fisch a-schwimmin!<br />
+<span class='in1em'>Und dere healthy efery one."</span><br />
+So sang dis Wasser-Maiden,<br />
+<span class='in1em'>Vot hadn't got nodings on.</span>
+</div>
+
+<div class='stanza'>
+"Your shtrong tipplesh cost mooch money,<br />
+<span class='in1em'>Dere ish death in de trinks you've sold;</span><br />
+<span class='pagenum'><a name="Page_123" id="Page_123">[Pg 123]</a></span>
+Und you helps yourself, by doonder,<br />
+<span class='in1em'>To de Vorkmansh hard-earned gold.</span>
+</div>
+
+<div class='stanza'>
+"Shoost look at doze sodden wretches,<br />
+<span class='in1em'>Vhite schlafes of de Witler Rings!</span><br />
+From dere 'trunks' you vill your pockets,<br />
+<span class='in1em'>Und you rob dem like efery dings.</span>
+</div>
+
+<div class='stanza'>
+"Vot <em>dey</em> vantsh mit your schnaps* und lager,<br />
+<span class='in1em'>Vitrioled gin and doctored wine?</span><br />
+Smash your pottles, and preak your parrels,<br />
+<span class='in1em'>Und try dese Schlopps of mine!"</span>
+</div>
+
+<p class='smaller in4em'>* Drams, drinks.</p>
+
+<hr class='short' />
+
+<div class='stanza'>
+Vill <em>dat</em> fetch him! He standsh as shpellbound!<br />
+<span class='in1em'>She vould pool his coat-tails down.</span><br />
+She von't draw <i>him</i> oonder der Wasser&mdash;<br />
+<span class='in1em'>Dat Maiden mit nodings on!</span>
+</div>
+</div>
+
+<hr class='half' />
+
+<div class='i-flright' style='width:365px;
+padding:0 0 0 .25em;'>
+
+<a href='images/i-123.png'><img src='images/i-123th.png' alt='Maid and
+Mistress discussing work.' title='Click for larger image.' width='365'
+height='500' /></a>
+
+<h3>"WHERE A FOOTMAN IS KEPT."</h3>
+
+<p class='smcap'>"But why do you want to Leave, Sarah? It's not a Hard
+Place, and John does most of your Work?"</p>
+
+<p class='smcap'>"Yes, Ma'am! But&mdash;a&mdash;John has no
+Conversation?"</p>
+</div>
+
+<div class='block'>
+<h2>OUR BOOKING-OFFICE.</h2>
+
+<p><span class='smcap'>Thank</span> you, Mrs. <span class='smcap'>Hungerford</span> (says the Baron, bowing his very best to the
+talented authoress), for one of the cheeriest, freshest, and
+sweetest&mdash;if I may be allowed to use the epithet&mdash;of one-volume'd
+stories I've read for many a day. The three daughters are delightful. I
+question whether you couldn't have done better with "two only, as are
+generally necessary;" but perhaps this is ungrateful on my part. Anyway,
+two out of the three lovers are scarcely worth mentioning, so I don't
+think I am far wrong, for the team was a bit unmanageable, well as you
+had them in hand. Excellent, too, is the sketch of <i>Dad</i>, though that of
+<i>Aunt Jane</i> is a trifle too grotesque, and will, perforce, remind those
+of your readers, who are theatre-goers, of Mr. <span class='smcap'>Penley</span> in petticoats, now
+actually playing "<i>Charley's</i>" irresistibly comic <i>Aunt</i> at the Globe
+Theatre. But it is all good, and not too good to be true. Likewise, my
+dear Madame, you have given us two life-like sketches, one of a
+car-driver with his vicious mare, and the other of <i>Molly's</i> little dog.
+In conclusion, I congratulate you, Mrs. <span class='smcap'>Hungerford</span>, as also the
+publisher, Mr. <span class='smcap'>Heinemann</span>, on having secured so good a specimen of the
+material for sale in this Hungerford market, says</p>
+
+<p class='smcap ralign'>The Baron de B.-W.</p>
+</div>
+
+<hr class='half' style='clear:both;' />
+
+<h2>HOME, CHEAP HOME!</h2>
+
+<div class='poem center' style='width:18em;'>
+<div class='stanza'>
+"<span class='smcap'>Thine</span> be a cot beside a hill,"<br />
+<span class='in1em'>Hums Mrs. <span class='smcap'>Haweis</span> in our ear;</span><br />
+"Such cots are in the market still,<br />
+<span class='in1em'>At only thirty pounds a year.</span>
+</div>
+
+<div class='stanza'>
+"Then, as for furnishing the fold,<br />
+<span class='in1em'>Another fifty pounds will do it;</span><br />
+But mind you stick to what is old,<br />
+<span class='in1em'>Nor carry modern rubbish to it!</span>
+</div>
+
+<div class='stanza'>
+"Your chairs must all be Chippendale,<br />
+<span class='in1em'>Your tables of the native oak,</span><br />
+Your sofas"&mdash;but of what avail!<br />
+<span class='in1em'>To further urge this little joke?</span>
+</div>
+
+<div class='stanza'>
+For in this cot the chairs may be<br />
+<span class='in1em'>Much chipped, but hardly Chippendale,</span><br />
+Unless the lady will agree<br />
+<span class='in1em'>To costs "upon the <em>hire</em> scale."</span>
+</div>
+</div>
+<hr class='half' />
+
+<blockquote><p>Said a prim Bachelor, in a nasty temper, after a struggle
+with an ultra-stiffened clean shirt, "I should like to indict my
+laundress at the Old Bailey, charge her with murdering my linen, and, as
+evidence, I'd produce the mangled remains in Court."</p></blockquote>
+
+<hr class='short' />
+
+<blockquote><p><span class='smcap'>Mrs.</span> R. has been studying architecture, She says that
+"all Schoolmasters' Houses ought to be built in the Early Perpendicular
+Tutor style."</p></blockquote>
+
+<hr class='half' />
+
+<h2>LIQUID AIR.</h2>
+
+<div class='poem center' style='width:25em;'>
+<div class='stanza'>
+<span class='smcap'>A learned</span> Professor, the other day,<br />
+<span class='in1em'>At the Royal Institution,</span><br />
+Explained, in a quite scientific way,<br />
+<span class='in1em'>How, helped by a contribution</span><br />
+<span class='in2em'>From the Goldsmiths' Company, he'd prepare</span><br />
+<span class='in2em'>Some liquid oxygen&mdash;you're aware</span><br />
+<span class='in2em'>This is what plain English folks call "air"</span><br />
+<span class='in1em'>Unspoilt by smoky pollution.</span><br />
+</div>
+
+<div class='stanza'>
+No doubt he meant well, and the Goldsmiths too,<br />
+<span class='in1em'>In their noble work together;</span><br />
+But was it the very best thing to do,<br />
+<span class='in1em'>In that showery, soaking weather;</span><br />
+<span class='in2em'>When drizzle, or downpour, of dogs and cats,</span><br />
+<span class='in2em'>From the "liquid air" made us all drowned rats,</span><br />
+<span class='in2em'>And ruined our clothes and our best top-hats,</span><br />
+<span class='in1em'>And spoilt boots of the stoutest leather?</span><br />
+</div>
+
+<div class='stanza'>
+Professors and Companies, if you would<br />
+<span class='in1em'>Invent some sort of appliance</span><br />
+To dry "liquid air," on which we could<br />
+<span class='in1em'>Repose implicit reliance,</span><br />
+<span class='in2em'>Arranged to diminish this H<sub>2</sub>O,</span><br />
+<span class='in2em'>Which, as every schoolboy ought to know,</span><br />
+<span class='in2em'>The Germans call <i>wasser</i>, the French call <i>eau</i>,</span><br />
+<span class='in1em'>We should bless your chemical science.</span><br />
+</div>
+</div>
+
+<hr class='half' />
+
+<h3>CON. FOR CAPITALISTS.</h3>
+
+<blockquote><p><i>Q.</i> Why is it clear the Sparrow is an advocate of
+Free Competition?</p>
+
+<p><i>A.</i> Because his everlasting cry is, "Cheep-Cheep!"</p></blockquote>
+
+<hr class='short' />
+
+<blockquote><p><span class='smcap'>"The Gothenburg
+System."</span>&mdash;Mrs. R. warmly espouses the cause of Temperance.
+She is very strong on what she has heard is called "The Gotobed System,"
+in Sweden.</p></blockquote>
+
+<hr />
+
+<p><span class='pagenum'><a name="Page_124" id="Page_124">[Pg
+124]</a></span></p>
+
+<h2>PILL-DOCTOR HERDAL.</h2>
+
+<p class='center'>(<i>Translated from the Original Norwegian by Mr. Punch.</i>)</p>
+
+<p class='center'>SECOND ACT.</p>
+
+<p><span class='smcap'>Dr. Herdal's</span> <i>Drawing-room and Dispensary, as before. It is early in the
+day.</i> Dr. <span class='smcap'>Herdal</span> <i>sits by the little table, taking his own temperature
+with a clinical thermometer. By the door stands the</i> New Book-keeper;
+<i>he wears blue spectacles and a discoloured white tie, and seems
+slightly nervous.</i></p>
+
+<p><i>Dr. Herd.</i> Well, now you understand what is necessary. My late
+book-keeper, Miss <span class='smcap'>Blakdraf</span>, used to keep my
+accounts very cleverly&mdash;she charged every visit twice over.</p>
+
+<p><i>The New B.</i> I am familiar with book-keeping by double entry. I
+was once employed at a Bank.</p>
+
+<p><i>Dr. Herd.</i> I am discharging my assistant, too; he was always trying to
+push me out with his pills. Perhaps you will be able to dispense?</p>
+
+<p><i>The New B.</i> (<i>modestly</i>). With an additional salary, I
+should be able to do that too.</p>
+
+<p><i>Dr. Herd.</i> Capital! You <i>shall</i> dispense with an
+additional salary. Go into the Dispensary, and see what you can make of
+it. You may mistake a few drugs at first&mdash;but everything must have
+a beginning.</p>
+
+<p class='outdent'>
+[<i>As the</i> New B. <i>retires,</i>
+Mrs. <span class='smcap'>Herdal</span> <i>enters in a hat</i>
+<i>and cloak with a watering-pot, noiselessly.</i></p>
+
+<p><i>Mrs. Herd.</i> Miss <span class='smcap'>Wangel</span> got up
+early, before breakfast, and went for a walk. She is so wonderfully
+vivacious!</p>
+
+<p><i>Dr. Herd.</i> So I should say. But tell
+me, <span class='smcap'>Aline</span>, is she <em>really</em> going to stay
+with us here?<span class='spacer5em'>&#8195;</span>[<i>Nervously.</i></p>
+
+<p><i>Mrs. Herd.</i> (<i>looks at him</i>). So she tells me. And, as she
+has brought nothing with her except a tooth-brush and a powder-puff, I
+am going into the town to get her a few articles. We <em>must</em> make
+her feel at home.</p>
+
+<p><i>Dr. Herd.</i> (<i>breaking out</i>). I <em>will</em> make her not
+only <em>feel</em>, but <em>be</em> at home, wherever that is, this very
+day! I will <em>not</em> have a perambulating Allegory without a
+portmanteau here on an indefinite visit. I say, she shall go&mdash;do
+you hear, <span class='smcap'>Aline</span>?
+Miss <span class='smcap'>Wangel</span> will go!<span class='spacer5em'>&#8195;</span>[<i>Raps with his fist on table.</i></p>
+
+<p><i>Mrs. Herd.</i> (<i>quietly</i>). If you say
+so, <span class='smcap'>Haustus</span>, no doubt she will
+<em>have</em> to go. But you must tell her so yourself.</p>
+
+<p class='outdent'>[<i>Puts the watering-pot on the console table, and goes</i>
+<i>out, as</i> <span class='smcap'>Hilda</span> <i>enters, sparkling
+with pleasure.</i></p>
+
+<p><i>Hilda</i> (<i>goes up straight to him</i>). Good morning,
+Dr. <span class='smcap'>Herdal</span>. I have just seen a pig killed. It
+was <em>ripping</em>&mdash;I mean, gloriously thrilling! And your wife has
+taken a tremendous fancy to me. Fancy <em>that</em>!</p>
+
+<p><i>Dr. Herd.</i> (<i>gloomily</i>). It <em>is</em> eccentric certainly.
+But my poor dear wife was always a little&mdash;&mdash;</p>
+
+<p><i>Hilda</i> (<i>nods her head slowly several times</i>).
+So <em>you</em> have noticed that too? I have had a long talk with her.
+She can't get over your discharging
+Mr. <span class='smcap'>Kalomel</span>&mdash;he is the only man who
+ever <em>really</em> understood her.</p>
+
+<p><i>Dr. Herd.</i> If I could only pay her off a little bit of the
+huge, immeasurable debt I owe her&mdash;but I can't!</p>
+
+<p><i>Hilda</i> (<i>looks hard at him</i>). Can't <em>I</em> help you? I
+helped <span class='smcap'>Ragnar Brovik</span>. Didn't you know I
+stayed with him and poor
+little <span class='smcap'>Kaia</span>&mdash;after that accident to my
+Master Builder? I did. I made <span class='smcap'>Ragnar</span> build me
+the loveliest castle in the air&mdash;lovelier, even, than poor Mr.
+<span class='smcap'>Solness's</span> would have been&mdash;and we stood
+together on the very top. The steps were rather too much
+for <span class='smcap'>Kaia</span>. Besides, there was no room for her
+on top. And he put towering spires on all his semi-detached villas.
+Only, somehow, they didn't let. Then the castle in the air tumbled down,
+and <span class='smcap'>Ragnar</span> went into liquidation, and I
+continued my walking-tour.</p>
+
+<div class='i-flleft' style='width:479px'>
+<a href='images/i-124.png'><img src='images/i-124th.png' alt='Hilda
+gesturing wildly at Herdal.' title='Click for larger image.' width='479'
+height='550' /></a>
+
+<p>"Beautiful rainbow-coloured powders that will give one a real grip on
+the world!"</p>
+</div>
+
+<p><i>Dr. Herd.</i> (<i>interested against his will</i>). And where did
+you go after <i>that</i>, may I ask,
+Miss <span class='smcap'>Wangel</span>?</p>
+
+<p><i>Hilda.</i> Oh, ever so far North. There I met Mr. and
+Mrs. <span class='smcap'>Tesman</span>&mdash;the second
+Mrs. <span class='smcap'>Tesman</span>&mdash;she who was
+Mrs. <span class='smcap'>Elvsted</span>, with the irritating hair, you
+know. They were on their honeymoon, and had just decided that it was
+impossible to reconstruct poor
+Mr. <span class='smcap'>L&ouml;vborg's</span> great book out of Mrs.
+<span class='smcap'>Elvsted's</span> rough notes. But I insisted
+on <span class='smcap'>George's</span> attempting the
+impossible&mdash;with Me. And what <i>do</i> you think
+Mrs. <span class='smcap'>Tesman</span> wears in her hair <i>now</i>?</p>
+
+<p><i>Dr. Herd.</i> Why, really I could not say. Vine-leaves, perhaps.</p>
+
+<p><i>Hilda.</i> Wrong&mdash;<em>straws!</em>
+Poor <span class='smcap'>Tesman</span> <em>didn't</em> fancy that&mdash;so
+he shot himself, <em>un</em>-beautifully, through his ticket-pocket. And I
+went on and took Rosmersholm for the Summer. There had been misfortune
+in the house, so it was to let. Dear good old
+Rector <span class='smcap'>Kroll</span> acted as my reference; his wife
+and children had no sympathy with his views, so I used to see him every
+day. And I persuaded him, too, to attempt the impossible&mdash;he had
+never ridden anything but a rocking-horse in his life, but I made him
+promise to mount the White Horse of the Rosmersholms. He didn't get over
+<em>that</em>. They found his body, a fortnight afterwards, in the
+mill-dam. Thrilling!</p>
+
+<p><i>Dr. Herd.</i> (<i>shakes his finger at her</i>). What a girl you
+are, Miss <span class='smcap'>Wangel</span>! But you mustn't play these
+games <em>here</em>, you know.</p>
+
+<p><i>Hilda</i> (<i>laughs to herself</i>). Of course not. But I suppose
+I <em>am</em> a strange sort of bird.</p>
+
+<p><i>Dr. Herd.</i> You are like a strong tonic. When I look at you I
+seem to be regarding an effervescing saline draught. Still, I really
+must decline to take you.</p>
+
+<p><i>Hilda</i> (<i>a little sulky</i>). That is not how you spoke ten
+years ago, up at the mountain station, when you were such a flirt!</p>
+
+<p><i>Dr. Herd.</i> <em>Was</em> I a flirt? Deuce take me if I remember.
+But I am not like that <em>now</em>.</p>
+
+<p><i>Hilda.</i> Then you have really forgotten how you sat next to me
+at the <i>table d'h&ocirc;te</i>, and made pills and swallowed them, and
+were so splendid and buoyant and free that all the old women who knitted
+left next day?</p>
+
+<p><i>Dr. Herd.</i> What a memory you have for trifles,
+Miss <span class='smcap'>Wangel</span>, it's quite wonderful!</p>
+
+<p><i>Hilda.</i> Trifles! There was no trifling on <em>your</em> part.
+When you promised to come back in ten years, like a troll, and fetch
+me!</p>
+
+<p><i>Dr. Herd.</i> Did I say all that? It <em>must</em> have
+been <em>after</em> <i>table d'h&ocirc;te</i>!</p>
+
+<p><i>Hilda.</i> It was. I was a mere chit then&mdash;only twenty-three;
+but I remember. And now <em>I</em> have come for <em>you</em>.</p>
+
+<p><i>Dr. Herd.</i> Dear, dear! But there is nothing of the troll about
+me now I have married Mrs. <span class='smcap'>Solness</span>.</p>
+
+<p><i>Hilda</i> (<i>looking sharply at him</i>). Yes, I remember you
+were always dropping in to tea in those days.</p>
+
+<p><i>Dr. Herd.</i> (<i>seems hurt</i>). Every visit was duly put down
+in the ledger and charged for&mdash;as poor
+little <span class='smcap'>Senna</span> will tell you.</p>
+
+<p><i>Hilda.</i> Little <span class='smcap'>Senna</span>? Oh,
+Dr. <span class='smcap'>Herdal</span>, I believe there is a bit of the
+troll left in you still!</p>
+
+<p><i>Dr. Herd.</i> (<i>laughs a little</i>). No, no; my conscience is
+perfectly robust&mdash;always was.</p>
+
+<p><i>Hilda.</i> Are you quite <em>quite</em> sure that, when you went
+indoors with dear Mrs. <span class='smcap'>Solness</span> that
+afternoon, and left me alone with my Master Builder, you did not
+foresee&mdash;perhaps wish&mdash;intend, even a little,
+that&mdash;&mdash;H'm?</p>
+
+<p><i>Dr. Herd.</i> That you would talk the poor man into clambering up
+that tower? You want to drag <em>Me</em> into that business now!</p>
+
+<p><span class='pagenum'><a name="Page_125" id="Page_125">[Pg
+125]</a></span></p>
+
+<p><i>Hilda</i> (<i>teasingly</i>). Yes, I certainly think that then you
+went on exactly like a troll.</p>
+
+<p><i>Dr. Herd.</i> (<i>with uncontrollable emotion</i>).
+<span class='smcap'>Hilda</span>, there is not a corner of me safe from
+you! Yes, I see now that <em>must</em> have been the way of it. Then
+I <em>was</em> a troll in that, too! But isn't it terrible the price I
+have had to pay for it? To have a wife who&mdash;&mdash;. No, I shall
+never roll a pill again&mdash;never, never!</p>
+
+<p><i>Hilda</i> (<i>lays her head on the stove, and answers as if half
+asleep</i>). No more pills? Poor
+Doctor <span class='smcap'>Herdal</span>!</p>
+
+<p><i>Dr. Herd.</i> (<i>bitterly</i>). No&mdash;nothing but cosy
+commonplace grey powders for a whole troop of children.</p>
+
+<p><i>Hilda</i> (<i>lively again</i>). Not <em>grey</em> powders!
+(<i>Quite seriously.</i>) I will tell you what you shall make next.
+Beautiful rainbow-coloured powders that will give one a real grip on the
+world. Powders to make everyone free and buoyant, and ready to grasp at
+one's own happiness, to <em>dare</em> what one <em>would</em>. I will have
+you make them. I will&mdash;I <em>will!</em></p>
+
+<p><i>Dr. Herd.</i> H'm! I am not quite sure that I clearly understand.
+And then the ingredients&mdash;?</p>
+
+<p><i>Hilda.</i> What stupid people all of you pill-doctors are, to be
+sure! Why, they will be <em>poisons</em>, of course!</p>
+
+<p><i>Dr. Herd.</i> Poisons? Why in the world should they
+be <em>that</em>?</p>
+
+<p><i>Hilda</i> (<i>without answering him</i>). All the thrillingest,
+deadliest poisons&mdash;it is only such things that are wholesome,
+nowadays.</p>
+
+<p><i>Dr. Herd.</i> (<i>as if caught by her enthusiasm</i>). And I could
+colour them, too, by exposing them to rays cast through a prism. Oh,
+<span class='smcap'>Hilda</span>, how I have needed you all these years!
+For, you see, with <em>her</em> it was impossible to discuss such
+things.<span class='spacer5em'>&#8195;</span>[<i>Embraces her.</i></p>
+
+<p><i>Mrs. Herd.</i> (<i>enters noiselessly through hall-door</i>). I suppose,
+<span class='smcap'>Haustus</span>, you are persuading
+Miss <span class='smcap'>Wangel</span> to start by the afternoon
+steamer? I have bought her a pair of curling-tongs, and a packet of
+hair-pins. The larger parcels are coming on presently.</p>
+
+<p><i>Dr. Herd.</i>
+(<i>uneasily</i>). H'm! <span
+class='smcap'>Hilda</span>&mdash;Miss <span class='smcap'>Wangel</span>
+I <em>should</em> say&mdash;is kindly going to stay on a little longer,
+to assist me in some scientific experiments. You wouldn't understand
+them if I told you.</p>
+
+<p><i>Mrs. Herd.</i> Shouldn't I, <span class='smcap'>Haustus</span>? I
+daresay not.</p>
+
+<p class='ralign'>[<i>The</i> New Book-keeper <i>looks through the glass-door of</i>
+<i>Dispensary.</i></p>
+
+<p><i>Hilda</i> (<i>starts violently and points&mdash;then in a
+whisper</i>). Who is <em>that</em>?</p>
+
+<p><i>Dr. Herd.</i> Only the New Book-keeper and Assistant&mdash;a very
+intelligent person.</p>
+
+<p><i>Hilda</i> (<i>looks straight in front of her with a far-away
+expression, and whispers to herself</i>). I thought at first it was....
+But no&mdash;<em>that</em> would be <em>too</em> frightfully thrilling!</p>
+
+<p><i>Dr. Herd.</i> (<i>to himself</i>). I'm turning into a regular old
+troll now&mdash;but I can't help myself. After all, I am only an elderly
+Norwegian. We are <em>made</em> like that.... Rainbow
+powders&mdash;<em>real</em> rainbow powders!
+With <span class='smcap'>Hilda</span>.... Oh, to have the joy of life
+once more!</p>
+
+<p class='ralign'>[<i>Takes his temperature again as Curtain falls.</i></p>
+
+<hr class='half' />
+
+<h2>PROFESSOR WHITEWASH'S GUIDE TO HISTORY.</h2>
+
+<p><i>Question.</i> Who was <span class='smcap'>William</span> the
+Conqueror? <i>Answer.</i> The Managing Director of an Exploration
+Company composed of the most respectable shareholders.</p>
+
+<div class='i-flleft' style='width:118px;'>
+<a href='images/i-125a.png'><img src='images/i-125ath.png' alt=''
+title='Click for larger image.' width='118' height='400' /></a>
+<p>The Professor.</p>
+</div>
+
+<p><i>Q.</i> <span class='smcap'>William Rufus, Henry the First</span>
+and <span class='smcap'>Richard the First</span>?</p>
+
+<p><i>A.</i> <span class='smcap'>Rufus</span>, a worthy son of a worthy
+father; <span class='smcap'>Henry</span>, a scholar, who strongly
+objected to over-cramming; and <span class='smcap'>Richard</span>, a
+mild-mannered man, who modestly shrank from canonisation.</p>
+
+<p><i>Q.</i> And what do you know about King <span class='smcap'>John</span>?</p>
+
+<p><i>A.</i> That he gave to a grateful country the Magna Charta.</p>
+
+<p><i>Q.</i> And all the intermediate monarchs' being equally good, what
+have you to say about King <span class='smcap'>Henry the
+Eighth</span>?</p>
+
+<p><i>A.</i> He was a model monarch, and worthy to be the father
+of <span class='smcap'>Mary</span>
+and <span class='smcap'>Elizabeth</span>.</p>
+
+<p><i>Q.</i> How about the Royal ladies you have last mentioned?</p>
+
+<p><i>A.</i> The first had as large a mind as the other a heart.</p>
+
+<p><i>Q.</i> What do you think of the <span class='smcap'>Stuart</span>
+Family?</p>
+
+<p><i>A.</i> It was famed for its fidelity, trustfulness, and gratitude.</p>
+
+<p><i>Q.</i> Were <span class='smcap'>William</span>
+and <span class='smcap'>Mary</span>,
+and <span class='smcap'>Anne</span>, pleasant Monarchs?</p>
+
+<p><i>A.</i> Most pleasant. As witty as they were beautiful.</p>
+
+<p><i>Q.</i> And how about the <span class='smcap'>Georges</span>?</p>
+
+<p><i>A.</i> All that could be desired&mdash;and more. Indeed, all our
+monarchs have been of the most exemplary character, against whom the
+most scandal-loving would utter no word of complaint.</p>
+
+<hr class='half' />
+
+<h2>THE ENGLISH-FRENCH EMBASSADORE AT THE MANSHUN HOUSE.</h2>
+
+<div class='i-flleft' style='width:135px;'>
+<a href='images/i-125b.png'><img src='images/i-125bth.png' alt='Robert
+the Waiter.' title='Click for larger image.' width='135' height='225' /></a>
+</div>
+
+<p><span class='smcap'>Well</span>, we've bin a going on much as usual
+at our grand old Manshun House under our trewly
+liberal <span class='smcap'>Lord Mare</span>, but I ain't had nothink
+werry new to tell about, till a few nites ago, when we had what I can
+truthfully call a reel staggerer, and no mistake. It seems as it's
+allers the custon, when a Embassadore, who has made hisself werry
+poplar, is gitting jest a leetle tired of us, and begins to si for Ome
+sweet Ome, for the principalest Gent in London to give him sitch a grand
+Bankwet as he ain't never seen afore, and ain't never likely for to see
+again. So the <span class='smcap'>Lord Mare</span>, hearing as the
+French Embassadore was in that werry dellicate sitiwation, arsked about
+three hundred of the most heminent Gents in all London to come to the
+Manshun House to meet him, and they all came, as in course they wood do,
+and that was one of the werry grandest Bankwets as regards silly brated
+Gests as ewen I ewer had the honner of waiting on.</p>
+
+<p>And now for the staggerers! Just to begin with, why the French
+Embassadore is no more a Frenchman than I am! for his name it's
+<span class='smcap'>Woddington</span>, and so was his Father's before
+him, and strange to say, thanks, I spose, to the splendid dinner, <i>et
+setterer</i>, as was guv him, he acshally told us as he rowed in the
+Winning Boat at the Uniwersity Boat-race at Putney, ewer so many years
+ago! Werry like a Frenchman, suttenly, or, as I should prefer saying,
+werry like a Whale! Of course all the Gents present, being reel Gents,
+looked quite as if they beleeved it all; but, when he afterwards went on
+to say that his Grate Grandfather took his most religious and grayshus
+Majesty, <span class='smcap'>King Charles the Second</span>, right up
+into the Hoak Tree, and so saved his preshus life, I saw sum two or
+three of the werry hiest on 'em trying in wain to look quite serious, as
+if they bleeved it all; and one werry smart young feller near me said to
+his friend, "Why not call it the Hoax Tree"? I didn't kno quite what he
+meant, but they both had a quiet larf over it.</p>
+
+<div class='i-flleft' style='width:182px;'>
+<a href='images/i-125c.png'><img src='images/i-125cth.png' alt='Robert
+the Waiter comically depicted as a &#34;garsong.&#34;.' title='Click for
+larger image.' width='182' height='225' /></a>
+<p>"Robaire" &agrave; la mode de Parry.</p>
+</div>
+
+<p>He gave us a few more staggerers, but not quite equal to the King
+Charles one, and of course we coud all make allowances for him, as it
+was his last chance in such a party as that was. But he made up for it
+all before he left, by speaking of the Grand Old Copperation as one of
+the werry noblest bodys in the world, and as having made its mark in the
+history of this great Country, and how artily he hoped it would continue
+and flurrish for ever! I don't suppose as there was any county
+counsellers among so distingwisht a Body, or I should like to know what
+they thort of the Embassadore's opinion of us! An I'm thinkin of wizitin
+Parry myself and cummin out strong. And wy not? They tell me it will
+make me kwite young again, for I shall go over there a helderly henglish
+waiter and reappear in Parry as a "garsong" which is french for "a young
+man."</p>
+
+<p class='ralign smcap'>Robert.</p>
+
+<hr class='half' />
+
+<h2>BRIGHTON BOORS.</h2>
+
+<p class='note center'>[<span class='smcap'>Mr. Gladstone</span> was
+mobbed by an immense crowd on Sunday, the 5th.]</p>
+
+<div class='poem center' style='width:35em;'>
+<div class='stanza'>
+<span class='smcap'>O Brighton</span>, it isn't a thing to be proud of<br />
+<span class='in1em'>That people, the fat uns as well as the bony uns,</span><br />
+Should squeeze an old Gentleman, crushed in a crowd of Brightonians.<br />
+</div>
+
+<div class='stanza'>
+All watering-places you claim to be Queen of,<br />
+<span class='in1em'>As proud as the Tyrians or the Sidonians?</span><br />
+Your manners don't match; such behaviour seems green of Brightonians.<br />
+</div>
+
+<div class='stanza'>
+You scare away visitors, who are affrighted<br />
+<span class='in1em'>By folks rude as Goths, Huns, or wild Caledonians.</span><br />
+Such staring shows that in two ways you're short-sighted Brightonians.<br />
+</div>
+</div>
+
+<hr class='half' />
+
+<p><span class='smcap'>Our Booking-Office.</span>&mdash;<span class='smcap'>Chatto and Windus</span> have published, in handy form,
+cloth bound, and handsomely printed, an edition of <span class='smcap'>Justin Mccarthy's</span>
+novels. There are, ten in all, going at half-a-crown a-piece, and well
+worth the money. The literary style is excellent&mdash;not a matter of course
+in the writing of novels&mdash;the tone wholesome, whilst on every page
+gleams the light of genuine, if gentle humour. In looking through the
+pages of this charming little library, my Baronite is inclined to regret
+that Mr. <span class='smcap'>Mccarthy</span> should, to some extent, have given up to Politics what
+was meant for Literature.</p>
+
+<p class='ralign smcap'>B. de B.-W.</p>
+
+<hr />
+
+<p class='pagenum'><a name="Page_126" id="Page_126">[Pg 126]</a></p>
+
+<div class='center' style='width:700px;'>
+<a href='images/i-126.png'><img src='images/i-126th.png' alt='Distraught
+gentlemen with couple and child.' title='Click for larger image.' width='700'
+height='448' /></a>
+
+<h3>AN EFFECT OF SHYNESS.</h3>
+
+<p><i>Proud Mamma.</i> <span class='smcap'>"Which do you think Effy's
+most like, Mr. Jinks?&mdash;her Father, or Me?"</span></p>
+
+<p><i>Mr. Jinks.</i> <span class='smcap'>"Oh&mdash;a&mdash;I should say
+she's a Plain Likeness of her Father&mdash;&mdash;I
+mean&mdash;a&mdash;Handsome Likeness of her Mother&mdash;a&mdash;I
+mean&mdash;a&mdash;a&mdash;&mdash;"</span><span
+class='spacer5em'>&#8195;</span> [<i>Stammers hopelessly, upsets his Tea, and
+wishes himself unborn.</i></p>
+</div>
+
+<hr class='half' />
+
+<h2>THE ASSAULT!!</h2>
+
+<p class='center'><i>Beleaguers babble around the Battering-Ram:&mdash;</i></p>
+
+<p><i>Balfourius</i> (<i>musingly</i>).<span class='spacer5em'>&#8195;</span>"Heroes tall<br />
+<span style="margin-left: 7em;">Dislodging pinnacle and parapet</span><br />
+<span style="margin-left: 7em;">Upon the tortoise creeping to the wall."</span></p>
+
+<p><i>Chamberlainus</i> (<i>sardonically</i>). Heroes tall, indeed! Have
+the distressed defenders of this untenable Citadel any
+such? <span class='smcap'>Gladstonius</span> is a sort of hero, perhaps,
+but hardly tall; <span class='smcap'>Harcourtius</span> is tall indeed,
+but no hero. Aha!</p>
+
+<p><i>Saundersonius</i> (<i>sharply</i>). Yes; and we have had too much
+of that "tortoise-creeping" business. Sharp's the word now, I
+hope. <span class='smcap'>Balfourius's</span> Battering-Ram&mdash;though
+the murderous ruffians&mdash;I mean excited politicians&mdash;<i>did</i>
+denounce it, is better than all your tortoises!</p>
+
+<p><i>Balfourius</i> (<i>completing his quotation</i>). "Lances in ambush set."</p>
+
+<p><i>Saundersonius.</i> Oh yes, they're all very well&mdash;in their
+way. A School of Strategy for our "young bloods," with
+secret <i>s&eacute;ances</i>, and&mdash;ahem!&mdash;<i>Fagin</i>-like
+rehearsals, is not a bad notion. But on the whole I agree
+with <i>Moloch</i>:&mdash;</p>
+
+<div class='center' style='width:25em; margin-top:1em;'>
+"My sentence is for open war: of wiles,<br />
+More inexpert, I boast not: there let those<br />
+Contrive who need, or when they need, not now.<br />
+For while they sit contriving, shall the rest,<br />
+Millions that stand in arms, and longing wait<br />
+The signal to arise, sit lingering here,<br />
+Prisoners of his tyranny who reigns<br />
+By our delay? No, let us rather choose,<br />
+Arm'd with hell-flames and fury all at once,<br />
+O'er these high towers to force resistless way,<br />
+Turning Obstruction into horrid arms<br />
+Against the Obstructor; when to meet the noise<br />
+Of his 'iniquitous' engine, he shall hear<br />
+Ulsterian thunder; and for lightning set<br />
+Green fire and rockets shot with equal rage<br />
+Among his 'items;' and his seat itself<br />
+Shake with Tartarean tactics, 'dirty tricks,'<br />
+His own invented dodges."
+</div>
+
+<p><i>Grandolphus</i> (<i>tugging at Balfourius's tunic-tails</i>). Ha!
+ha! ha! Well quoted, my Orange-plumed Hyperborean hero! (<i>Aside: I
+must read up the bards a bit. Didn't know they were so practically
+pertinent. How handy that</i> "<i>senesque</i>" <i>bit came in the other
+day!</i>)</p>
+
+<p><i>Balfourius</i> (<i>fidgeting</i>). I
+say, <span class='smcap'>Grandolphus</span>, if you'd tug at the rope,
+instead of my tails, I fancy you'd tire me less, and have more effect on
+the Ram.</p>
+
+<p><i>Grandolphus</i> (<i>cheerily</i>). Ah, my old friend, I assure you
+I intend to stick to <i>you</i> "loyally and unhesitatingly."</p>
+
+<p><i>Balfourius</i> (<i>drily</i>). Oh&mdash;<em>thanks!!!</em></p>
+
+<p><i>Chamberlainus.</i> Never <i>were</i> such a United lot as we are:</p>
+
+<p class='center'>(<i>Sings sotto voce.</i>)</p>
+
+<div class='center' style='width:25em;'>
+<i>For I love dear</i> B. <i>as a brother, I do,</i><br />
+<span class='in1em'><i>And dear</i> B. <i>he worships me;</i></span><br />
+<i>But we'll both be blowed if we'll either be stowed</i><br />
+<span class='in1em'><i>In the other chap's hold, you see!</i></span>
+</div>
+
+<p><i>Balfourius.</i> What's that you say?</p>
+
+<p><i>Chamberlainus.</i> Oh, merely humming "Birds in their little nests
+agree."</p>
+
+<p><i>Balfourius.</i> Ah, as the Chief says, there'll be plenty of
+opportunity for personal sacrifice and pulling together before we're
+through with this siege. To work this Battering-Ram with effect,
+unanimity and simultaneity of effort are especially essential.</p>
+
+<p><i>Saundersonius.</i> Quite so! So bear a hand&mdash;<em>at the
+rope</em>, <span class='smcap'>Grandolphus</span>, if you please. Now then, boys&mdash;<em>all
+together!!!</em> <span class='smcap'>Bang!!!!!!</span></p>
+
+<p><i>Grand Old Voice</i> (<i>from within</i>). "When they <i>do</i>
+agree, their unanimity is wonderful." Wonder if that gate will stand the
+shock! Must disable that Rampant Ram of theirs&mdash;somehow.</p>
+
+<p class='ralign'>[<i>Left keeping his eye on 'em.</i></p>
+
+<hr class='half' />
+
+<blockquote><p><span class='smcap'>Sufficiently
+Antique.</span>&mdash;Said <span class='smcap'>Tomkins</span>, "I won't
+say my ancestors were in this Country before the Flood, <em>but</em> they
+came in with the High Tide."</p></blockquote>
+
+<hr />
+
+<p class='pagenum'><a name="Page_127" id="Page_127">[Pg 127]</a></p>
+
+<div class='center' style='width:700px;'>
+<a href='images/i-127.png'><img src='images/i-127th.png'
+alt='Caricatured politicos of the day as Romans.' title='Click for
+larger image.' width='700' height='544' /></a>
+
+<h3>THE ASSAULT!!</h3>
+</div>
+
+<hr />
+
+<p class='pagenum'><a name="Page_128" id="Page_128">[Pg
+128]&#160;</a></p>
+
+<p><span class='pagenum'><a name="Page_129" id="Page_129">[Pg
+129]</a></span></p>
+
+<div class='center' style='width:700px;'>
+<a href='images/i-129.png'><img src='images/i-129th.png' alt='Man
+pulling carriage, boy on fence, convalescent in carriage.' title='Click
+for larger image.' width='700' height='405' /></a>
+
+<h3>TRIALS OF A CONVALESCENT.</h3>
+
+<p><i>Tompkins</i> (<i>in a feeble voice, for the fourth or fifth time,
+with no result</i>). <span class='smcap'>"Chairman!!!
+Chairman!!!"</span></p>
+
+<p><i>That Awful Boy.</i> <span class='smcap'>"Lydies and
+Gentlemen&mdash;&mdash;!!"</span></p>
+</div>
+
+<hr class='half' />
+
+<h2>A FYTTE OF THE BLUES.</h2>
+
+<p class='center smcap'>By an Old "Crock."</p>
+
+<p class='center'>(<i>After reading the rattling verses of</i>
+"Tis," <i>entitled</i> <i>"Good Luck!" in the "Granta."</i>)</p>
+
+<div class='poem center' style='width:25em'>
+
+<div class='stanza'>
+<span class='smcap'>Good</span> old <i>Granta</i>! They set the blood glowing,<br />
+<span class='in1em'>Your verse-grinder's galloping lines,</span><br />
+There seems rare inspiration in Rowing!<br />
+<span class='in1em'>The Muse, who politely declines</span><br />
+To patronise pessimist twitters,<br />
+<span class='in1em'>Has smiled on these stanzas, which smack</span><br />
+Of health, honest zeal, foaming "bitters,"<br />
+<span class='in1em'>And vigour of brain and of back.</span>
+</div>
+
+<div class='stanza'>
+Good luck to the Light Blues! That burden<br />
+<span class='in1em'>Befits rattling rhymes from the Cam,</span><br />
+Their "movement" might rouse a Dame <span class='smcap'>Durden</span>,<br />
+<span class='in1em'>Or fire a cold victim of cram.</span><br />
+Why it stirs up "old Crocks" to peruse 'em&mdash;<br />
+<span class='in1em'>Slashing lines on "a slashing octette"&mdash;</span><br />
+They feel, though 'tis hard to "enthuse" 'em,<br />
+<span class='in1em'>There <i>must</i> be some life in 'em yet.</span>
+</div>
+
+<div class='stanza'>
+Old Crocks! Oh, exuberant younkers!<br />
+<span class='in1em'>You "guy" "the old gang" as "played out,"</span><br />
+As fogies, and fussers, and funkers,<br />
+<span class='in1em'>You've over-much reason, no doubt.</span><br />
+But, great Scott! as your rowing-rhymes rattle<br />
+<span class='in1em'>And lilt lyric praise of the Crews,</span><br />
+We too sniff the air of the battle!<br />
+<span class='in1em'>We too have a Fit of the Blues.</span>
+</div>
+
+<div class='stanza'>
+It's oh! just to "swing behind <span class='smcap'>Lewis</span>,"<br />
+<span class='in1em'>A "youngster as strong as an ox"!</span><br />
+Or be one who true Boss of the Crew is,&mdash;<br />
+<span class='in1em'>Your "pet Palinurus"&mdash;the Cox!</span><br />
+To feel all the blood in one glowing,<br />
+<span class='in1em'>And&mdash;heedless of love, toil, and "tin"&mdash;</span><br />
+Know naught in creation save&mdash;Rowing.<br />
+<span class='in1em'>Deems nothing worth much save&mdash;a <span class='smcap'>Win</span>!</span>
+</div>
+
+<div class='stanza'>
+Five minutes, my boys, of such feeling,<br />
+<span class='in1em'>When rivals look beaten and blown,</span><br />
+When the nose of your ship is just stealing<br />
+<span class='in1em'>Ahead, when your muscles have grown</span><br />
+To thews, that&mdash;<i>pro tem.</i>&mdash;are Titanic,<br />
+<span class='in1em'>Are worth a whole year of <i>our</i> lives,</span><br />
+Whose waistbands are&mdash;well, Aldermanic,<br />
+<span class='in1em'>Who've wrinkles, and worries, and wives!</span>
+</div>
+
+<div class='stanza'>
+Well, here's to the two tints of azure,<br />
+<span class='in1em'>The Dark Blue as well as the Light!</span><br />
+At least there's one thing we can say sure,&mdash;<br />
+<span class='in1em'>There'll be no blue funk in their fight.</span><br />
+And here's to the Bard of the <i>Granta</i>,<br />
+<span class='in1em'>Who sings without "side," "sniff," or "shop."</span><br />
+May he live (if he wish it), to plant a<br />
+<span class='in1em'>Big bay on Parnassus's top!</span>
+</div>
+
+</div>
+
+<hr class='half' />
+
+<h2>TIM O'HOWLIGAN'S LAMENT.</h2>
+
+<p class='center'><span class='smcap'>Air&mdash;</span>"<em>Arrah!
+darlints, we can't do without ye!"</em></p>
+
+<div class='poem center' style='width:25em;'>
+
+<div class='stanza'>
+<span class='smcap'>Ah!</span> shure boys, the world has gone crazy,<br />
+<span class='in1em'>And there's plinty of throuble in shtore,</span><br />
+Ivery mornin' I wake up onaisy<br />
+<span class='in1em'>Bekase I can't shleep any more.</span><br />
+'Twas <span class='smcap'>Cromwell</span>, bad scran to 'im, done it,<br />
+<span class='in1em'>Him that murdhered King <span class='smcap'>Charles</span>, ochone!</span><br />
+And since the black villin begun it<br />
+<span class='in1em'>Ould Erin's done nothing but groan,</span><br />
+<span class='in7em'>And moan,</span><br />
+<span class='in1em'>It would soften the heart of a shtone.</span>
+</div>
+
+<div class='stanza'>
+By the poker, I'm boilin' with passion<br />
+<span class='in1em'>Whin I think of the laws that they make;</span><br />
+At a fair the bhoys heads ye can't smash in,<br />
+<span class='in1em'>Nor get dacently dhrunk at a wake.</span><br />
+There's only twelve pince in a shillin',<br />
+<span class='in1em'>And not more than two pints in a quart,</span><br />
+Onless you are cliver at fillin',<br />
+<span class='in1em'>And can make it hould more than it ought.</span><br />
+<span class='in7em'>Don't be caught,</span><br />
+<span class='in1em'>Or, be jabers, they'll make you pay for't.</span>
+</div>
+
+<div class='stanza'>
+Where's the kings and the princes of Erin<br />
+<span class='in1em'>That lived on purtaties and point,</span><br />
+And niver saw year out and year in<br />
+<span class='in1em'>The divil a taste of a joint?</span><br />
+Thim toirants now buy all our bacon,<br />
+<span class='in1em'>And the linen, and butther, and that,</span><br />
+All that grows in the counthry is taken<br />
+<span class='in1em'>From Antrim to Mullinavat.</span><br />
+<span class='in7em'>Poor Pat</span><br />
+<span class='in1em'>Has to sell at a profut, that's flat.</span>
+</div>
+
+<div class='stanza'>
+Well, honies, I'll give ye a hint,<br />
+<span class='in1em'>And let ivery one do it who can;</span><br />
+When the bag of thirteens is all spint,<br />
+<span class='in1em'>Set up for a Parliament man.</span><br />
+Thim's the boys that gets lashins of drinkin',<br />
+<span class='in1em'>And they dine wanst a week wid the Queen,</span><br />
+Where the glasses are niver done clinkin',<br />
+<span class='in1em'>Wid the Royalties jokin' and spreein',</span><br />
+<span class='in7em'>Jubileein',</span><br />
+<span class='in1em'>And such doins as niver was seen.</span></div>
+
+</div>
+
+<hr class='half' />
+
+<blockquote><p><span class='smcap'>A Complaint and Simple Remedy.&mdash;</span>
+Among the Requests in our ecclesiastical contemporary,
+<i>The Guardian</i>, recently appeared one asking for an effectual way
+of "<q>exterminating dry rot, and preventing its re-appearance in a
+church.</q>" Why doesn't the reverend inquirer try somebody else's
+Sermons? Or have no Sermons at all?</p></blockquote>
+
+<hr class='short' />
+
+<blockquote><p><span class='smcap'>Nothing</span> more delights our old
+friend than to get hold of a real good word, and use it with effect. "I
+wish I knew what is going to win the Derby this year," observed her
+Niece. "Ah, my dear," replied her Aunt, "I might be able to tell you if
+I were a Vaccinator."</p></blockquote>
+
+<hr class='short' />
+
+<blockquote><p><span class='smcap'>Best Day in the Week for making a
+Proposal of Marriage.</span>&mdash;In London, Monday is the most
+appropriate, as being dedicated to the "Monday Pops."</p></blockquote>
+
+<hr />
+
+<p><span class='pagenum'><a name="Page_130" id="Page_130">[Pg
+130]</a></span></p>
+
+<div class='i-flleft' style='width:311px;
+border-bottom:4px double;border-right:1px solid;
+padding:0 .5em .5em 0;'>
+
+<a href='images/i-130.png'><img src='images/i-130th.png' alt='Frustrated
+husband at bottom of stairwell.' title='Click for larger image.' width='311'
+height='500' /></a>
+
+<p><i>Mr. Moriarty.</i> <span class='smcap'>"Look here, Ada, how much longer, for goodness'
+sake, are ye goin' to be Dressin' yourself?"</span></p>
+
+<p><i>Voice from the Heights.</i> <span class='smcap'>"Only Ten Minutes, dear!"</span></p>
+
+<p><i>Mr. Moriarty.</i> <span class='smcap'>"Well, all I can say is, if I've got to wait
+here Ten Minutes, I'll&mdash;I'll be off this Blessed Moment!"</span></p>
+</div>
+
+<h2>ESSENCE OF PARLIAMENT.</h2>
+
+<p class='center'>EXTRACTED FROM THE DIARY OF TOBY, M.P.</p>
+
+<p><i>House of Commons, Monday, March 6.</i>&mdash;"The <span class='smcap'>Speaker</span> took the Chair at
+three o'clock." That is an extract from the <i>Journals of the House</i>, a
+fascinating literary work, ably edited by Mr. <span class='smcap'>Palgrave</span> with the
+assistance of Mr. <span class='smcap'>Milman</span>, much in favour at <span class='smcap'>Mudie's</span>. Last time I saw
+<span class='smcap'>Speaker</span> rise from Chair was Banquet at
+Mansion House given by way of farewell to <span class='smcap'>M.
+Waddington</span>. Very remarkable scene it was. In ordinary
+times <span class='smcap'>Speaker</span> of House of Commons is
+personally unknown to outside public. He takes no part in debate; never
+goes on Midlothian Campaigns; belongs to no faction; has no political
+following; and should have no enemy. British public, regarding with
+close attention the fascinating arena at Westminster, have evidently
+formed clear opinion of its present President. When list of guests
+whom <span class='smcap'>Lord Mayor</span> delighted to honour read out
+by Toastmaster, name of <span class='smcap'>Speaker</span> received with
+enthusiastic and prolonged applause. House of Commons men present, of
+whom there was large muster, evidently taken by surprise. They know
+the <span class='smcap'>Speaker</span>, because they daily live with
+him. How outside public should have been seized with such keen
+appreciation of his worth was more than they were prepared for.</p>
+
+<p>This may have been, probably was, to some extent a <i>succ&egrave;s d'estime</i>.
+Mr. <span class='smcap'>Peel's</span> speech was genuine triumph; very brief, the shortest of the
+series, but incomparably the best; lofty in tone, perfect in delivery,
+saying just the right thing at the right moment in the right way. Its
+effect at Mansion House something like that which electrified House when
+Mr. <span class='smcap'>Peel</span>, standing on steps of Chair, faced it for first time as its
+<span class='smcap'>Speaker</span>, revealing, even to those who had
+known him long, the full depths of his nature and the towering height of
+his capacity.</p>
+
+<p>"<i>Mon Dieu</i>, <span class='smcap'>Tobee</span>," said an eminent
+Frenchman, "the world in both hemispheres has always envied you the
+possession of your House of Commons. Now we know you have a Speaker
+worthy of its best traditions."</p>
+
+<p>Banquet a great success; certainly the most brilliant galaxy of
+guests drawn together in same place since
+Mr. <span class='smcap'>Phelps</span>, the American Minister, said
+farewell in memorable speech. Much struck with completeness of
+arrangements. Even the waiters imbued with consciousness of great
+occasion.</p>
+
+<p>"Hope you enjide your dinner, Sir?" said one to me, when dessert
+placed on table.</p>
+
+<p>"Excellent," I said; "perhaps the whitebait done a little too much;
+showed tendency to present itself in fragments; but 'twas nothing."</p>
+
+<p>"Yessir," said the Waiter, diligently brushing off imaginary crumbs.
+"I'm going now, Sir."</p>
+
+<p>"Ah," I said; "then I suppose you don't wait to hear the speeches;
+flow of reason, you know, quite a treat."</p>
+
+<p>"Yessir," said he, still pegging away at the spotless table-cloth.
+"Can I get you anything more, Sir?"</p>
+
+<p>"No, thank you," I said, quite touched at the man's considerate
+attention, the more marked since, as far as I recognised him, I had not
+seen him before. "I've done excellently."</p>
+
+<p>"Yessir. I'm going now." Hardly seemed able to part. Not sure
+whether, in circumstances of international amity, I shouldn't have
+shaken hands with him. Made half advance in that direction. He quickly
+advanced his hand, but after glance at my extended palm, as rapidly
+withdrew it. Perhaps he was right. Not usual to shake hands with Waiter,
+though really, on occasion like this, one might disregard
+conventionalities. Waiter lingeringly withdrew, still keeping his eye on
+me, as if expecting me to call him back. Nodded a friendly farewell, and
+pensively peeled an orange, thinking how one touch of nature makes us
+kin. This good Waiter and I quite subdued by the graceful, generous
+thought of Lord Mayor <span class='smcap'>Knill</span>, who has added
+one more link to the chain that binds in amity two nations that have
+fought all the way from Cressy to Waterloo.</p>
+
+<p><i>Business done.</i>&mdash;Got into Committee on Navy Estimates. In
+the Lobby sort of rehearsal of new Battle of Boyne. The other
+night <span class='smcap'>Saunderson</span> said something disrespectful
+of Irish Members. <span class='smcap'>Willie Redmond</span>, from his
+proud position among nobility and gentry above Gangway, called out, "You
+wouldn't say that in the Lobby." "Say it anywhere," responded the
+Colonel, ever ready to oblige.</p>
+
+<hr />
+
+<p class='pagenum'><a name="Page_131" id="Page_131">[Pg
+131]</a></p>
+
+<div class='center' style='width:700px;'>
+<a href='images/i-131.png'><img src='images/i-131th.png' alt='Chaotic
+scene of large group of arguing politicians.' title='Click for larger
+image.' width='700' height='547' /></a>
+
+<h3>"SCENES IN THE LOBBY."</h3>
+
+<p class='center'><span class='smcap'>Design for Our Own Historical
+Painter.</span></p>
+</div>
+
+<hr />
+
+<p class='pagenum'><a name="Page_132" id="Page_132">[Pg
+132]</a></p>
+
+<p>Next day wrote letter to <span class='smcap'>Redmond</span>, incidentally mentioning that if he
+wanted to hear the words over again, should meet him in Lobby to-night
+after questions. Nothing nearer <span class='smcap'>Redmond's</span> heart's desire. At five
+o'clock Colonel, accompanied by another military gentleman, carrying his
+cloak, a pair of pistols, a stiletto, a bottle of <i>eau de Cologne</i>, a
+sponge, and a clothes-brush, sternly strode into Lobby. Carefully
+counted paces till he was standing as nearly as possible on centre tile;
+folded arms, and wished that Night or <span class='smcap'>Redmond</span> would come. Colonel
+<span class='smcap'>Waring</span>, with military accoutrements and cloak; stood a pace and a half
+to the left rear. Presently entered <span class='smcap'>Redmond</span>, accompanied by J. J.
+<span class='smcap'>O'kelly</span>, also carrying cloak. Secreted in
+folds were shillelagh, bottle of whiskey, pair of spurs, a toothpick,
+and a freshly-minted crown-piece. This last, at suitable moment, to be
+flung across Lobby; (friend secretly told off to be on alert to pick it
+up.) Action to be explained as typical of throwing King's Crown into the
+Boyne. The principals approaching, <span class='smcap'>Redmond</span>,
+after manner of schoolboys, who edge up to each other, each hoping the
+other doesn't want to fight, asked Colonel to "say it again."
+"Certainly; but say what?" Here difficulty began, which spoiled whole
+business. <span class='smcap'>Redmond</span> insisted upon being called
+a murderer. <span class='smcap'>Saunderson</span> punctilious on minor
+points, wouldn't go quite so far in his desire to oblige. Angry
+altercation followed; Members, to number of something like hundred,
+formed ring. <span class='smcap'>Redmond</span>, with right shoulder
+aggressively hoisted, spoke over it at the Colonel. Colonel stood erect,
+with hands loosely hanging by his side, ready for emergencies. Crowd
+grew thicker and more excited. "Expected every moment would be our
+next," as <span class='smcap'>Clancy</span> breathlessly put it. But in
+the end storm blew itself out. Nothing happened, and crowd
+disappointedly dispersed.</p>
+
+<blockquote><p>Ulster will fight,<br />
+But&mdash;&mdash;<em>not to-night.</em></p></blockquote>
+
+<p><i>Thursday.</i>&mdash;Opposition mustered to-day in high spirits;
+meeting at Carlton yesterday addressed
+by <span class='smcap'>Markiss</span> and
+Prince <span class='smcap'>Arthur; Grandolph,</span> looking in, took
+back seat in his customary retiring fashion. Meeting insisted on his
+coming to the front; made spirited speech; scarcely a dry eye in the
+Club when, looking shyly across at
+Prince <span class='smcap'>Arthur</span>, he alluded to him as his "old
+political friend," his "brilliant and esteemed Parliamentary
+Leader."</p>
+
+<p>"I think," said the <span class='smcap'>Markiss</span>, as meeting dispersed, "this will drive nail
+in coffin of Home-Rule Bill, and make things pretty hot for Mr. G. As
+<span class='smcap'>Hart Dyke</span> epigrammatically puts it, 'We
+Unionists, above all others, should be united.'"</p>
+
+<p>This, as I mentioned, happened yesterday. This afternoon Opposition
+mustered in anticipation of aggressive action by Mr. G. Had given notice
+to move suspension of Twelve o'Clock Rule, in order to make progress
+with Estimates.</p>
+
+<p>"Not if we know it," said Right Hon. <span class='smcap'>James
+Lowther</span>, commonly called <span class='smcap'>"Jemmie."</span></p>
+
+<p>Mr. G., previous to moving Resolution, explained there was no intention
+of sitting late; Suspension Standing Order was matter of precaution
+designed to prevent arbitrary carrying over of Amendments when
+adequately discussed. Prince <span class='smcap'>Arthur's</span> keen eye discerned that this might
+be so construed as to convey no advantage to Government. When twelve
+o'clock came Debate might be diverged on to lines of wrangle round
+Question of Adjournment, and so House up and nothing done. On this
+understanding he declared he would not resist Motion of Leader of House.
+Then <span class='smcap'>Jemmie</span>, rushing to the front, made the running. Did Mr. G. intend,
+in any case, to take Second Reading of Home-Rule Bill on Thursday next?
+Mr. G. nodded assent. "Very well, then I'll divide against you," <span class='smcap'>Jemmie</span>
+roared across the pained figure of his esteemed Leader. Not to be moved
+by blandishment or argument from this position. Prince <span class='smcap'>Arthur</span>, seeing
+matters hopeless, haughtily strode forth, <span class='smcap'>Grandolph</span> loyally accompanying
+him. But more than half his old colleagues stayed behind with <span class='smcap'>Jemmie
+Lowther</span> who got Opposition soundly beaten by majority of 85.</p>
+
+<p>"There's only one thing we want to run our majority over 100," said
+<span class='smcap'>Squire of Malwood</span>, smiling beneficently from
+Treasury Bench. "Another meeting of the Party at the Carlton Club will
+do it."</p>
+
+<p>"What did you mean by to-night's performance?" I
+asked <span class='smcap'>Jemmie</span>, later.</p>
+
+<p>"Mean? I meant business. I'm a little tired of lurking in background
+seeing men come to front who haven't half my ability, political acumen,
+or Parliamentary knowledge. I intend to have a Party of my own. There
+has been a Fourth Party, and before that there was a Tea-room Party, and
+a Cave of Adullam. I shall eclipse them all."</p>
+
+<p>"And under what name do you think history will know your faction?" I
+asked, much interested.</p>
+
+<p>The Right Hon. took up a piece of paper, and on it wrote the words,
+<span class='smcap'>"Lowther's Arcade."</span></p>
+
+<p><i>Business done.</i>&mdash;<span class='smcap'>Wolmer's</span>
+Amendment on the Navy Estimates negatived.</p>
+
+<div class='i-flright' style='width:414px;'>
+
+<a href='images/i-132.png'><img src='images/i-132th.png'
+alt='Caricatured politicians shaking hands.' title='Click for larger
+image.' width='414' height='500' /></a>
+
+<h3>"GREAT EXPECTATIONS."</h3>
+
+<blockquote><p>["As persistent attempts are being made to show that Mr.
+<span class='smcap'>Balfour</span> and
+Mr. <span class='smcap'>Chamberlain</span> are at variance respecting
+the tactics which should be adopted by the Unionist Party in Opposition,
+we may state that more thorough accord never existed than at the present
+moment."&mdash;<cite>The Times, March 8, 1893.</cite>]</p></blockquote>
+
+<p><i>Gargery Chamberlain.</i> "You
+know, <span class='smcap'>Pip</span>, as you and me were ever the best
+of Friends!"
+</p>
+
+<p><i>Balfour Pip.</i> "Dear <span class='smcap'>Jo</span>!"</p>
+</div>
+
+<p><i>Friday.</i>&mdash;Prince <span class='smcap'>Arthur</span>, and
+Statesman to whom <span class='smcap'>Austen Chamberlain</span>
+distantly alludes as "My Right Hon. friend," sit separated by width of
+House. But, in assaults on Government, they are not divided. Idle
+stories about differences of opinion arising between them quite
+unnecessarily denied.</p>
+
+<p>"I never look at them," said <span class='smcap'>Trevelyan</span>, "without recalling to mind a
+passage in what is, I think, my favourite among <span class='smcap'>Dickens's</span> novels. You
+remember the scene in <i>Great Expectations</i>, where <i>Joe Gargery</i> visits
+<i>Pip</i>, in his day of prosperity, in London? 'Ever best of friends,' says
+<span class='smcap'>Joe (Chamberlain)</span>. 'Dear <span class='smcap'>Joe</span>,' says Prince <span class='smcap'>Arthur</span>. 'You know, <span class='smcap'>Pip</span>,' says
+<span class='smcap'>Joe</span>, 'as you and me were ever friends, and it
+were looked forrerd to betwixt us as bein' calc'lated to lead to
+larks.'"</p>
+
+<p>The expectation not lacking of past fulfilment; full of promise in
+days near at hand.</p>
+
+<p><i>Business done.</i>&mdash;Sat from two to seven discussing whether
+we shall sit to-morrow in order to make progress with public business.
+Finally decided we shall. Meanwhile, morning sitting slipped away.</p>
+
+<hr class='half' style='clear:both;' />
+
+<p><span class='smcap'>Vino Italiano Con Temperanza.</span>&mdash;Signor <span class='smcap'>Vitali</span>, of the
+Italian-Wine-in-England Mission, writes to us to say that Sir <span class='smcap'>Wilfrid
+Lawson</span> might temper his favourite beverage of <i>Aqua Pura</i> with half a
+gallon flask of <i>Vinum Purum Italianum</i>, such as Chianti, and he would
+be none the worse for it. We are inclined to agree with the Signor
+<span class='smcap'>Vitali</span>, as, in our opinion, there is small likelihood of any Italian
+wine-drinker "getting any forrader." Of course Signor <span class='smcap'>Vitali</span>, being
+somewhat interested in the matter, and therefore, most hopeful that his
+enterprise will result in orders for any number of flasks, and not end
+in an empty <i>fiasco</i>, would not fail to point out that Italian wine is
+likely to have a prolonged existence in this country, as it is not
+lacking in Vitali-ty.</p>
+
+<hr class='half' />
+
+<p class='center'><b>TONE AND TINT.</b>&mdash;(<b>By a Wearer of the
+Green.</b>)</p>
+
+<div class='poem center' style='width:25em;'>
+<span class='smcap'>Your</span> Orangeman swears&mdash;he's a terrible fellow!&mdash;<br />
+They shan't set the Green o'er his favourite Yellow.<br />
+His shout's "No surrender!" And is he so Green<br />
+As to think we'll turn Yellow because of his spleen?<br />
+No, no! He may vow in his last ditch he'll die,<br />
+But&mdash;we're not to be scared by a <i>Hue</i> and a <i>Cry</i>!
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+104, March 18, 1893, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 22645-h.htm or 22645-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/2/6/4/22645/
+
+Produced by V. L. Simpson, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/22645-h/images/i-121.png b/22645-h/images/i-121.png
new file mode 100644
index 0000000..26c44c2
--- /dev/null
+++ b/22645-h/images/i-121.png
Binary files differ
diff --git a/22645-h/images/i-121th.png b/22645-h/images/i-121th.png
new file mode 100644
index 0000000..965cd1b
--- /dev/null
+++ b/22645-h/images/i-121th.png
Binary files differ
diff --git a/22645-h/images/i-122.png b/22645-h/images/i-122.png
new file mode 100644
index 0000000..1dd769a
--- /dev/null
+++ b/22645-h/images/i-122.png
Binary files differ
diff --git a/22645-h/images/i-122th.png b/22645-h/images/i-122th.png
new file mode 100644
index 0000000..3fa03c3
--- /dev/null
+++ b/22645-h/images/i-122th.png
Binary files differ
diff --git a/22645-h/images/i-123.png b/22645-h/images/i-123.png
new file mode 100644
index 0000000..16fff9f
--- /dev/null
+++ b/22645-h/images/i-123.png
Binary files differ
diff --git a/22645-h/images/i-123th.png b/22645-h/images/i-123th.png
new file mode 100644
index 0000000..013a2f2
--- /dev/null
+++ b/22645-h/images/i-123th.png
Binary files differ
diff --git a/22645-h/images/i-124.png b/22645-h/images/i-124.png
new file mode 100644
index 0000000..7c5a51d
--- /dev/null
+++ b/22645-h/images/i-124.png
Binary files differ
diff --git a/22645-h/images/i-124th.png b/22645-h/images/i-124th.png
new file mode 100644
index 0000000..6a27b5c
--- /dev/null
+++ b/22645-h/images/i-124th.png
Binary files differ
diff --git a/22645-h/images/i-125a.png b/22645-h/images/i-125a.png
new file mode 100644
index 0000000..c24dfcf
--- /dev/null
+++ b/22645-h/images/i-125a.png
Binary files differ
diff --git a/22645-h/images/i-125ath.png b/22645-h/images/i-125ath.png
new file mode 100644
index 0000000..299eed7
--- /dev/null
+++ b/22645-h/images/i-125ath.png
Binary files differ
diff --git a/22645-h/images/i-125b.png b/22645-h/images/i-125b.png
new file mode 100644
index 0000000..084c695
--- /dev/null
+++ b/22645-h/images/i-125b.png
Binary files differ
diff --git a/22645-h/images/i-125bth.png b/22645-h/images/i-125bth.png
new file mode 100644
index 0000000..aa47540
--- /dev/null
+++ b/22645-h/images/i-125bth.png
Binary files differ
diff --git a/22645-h/images/i-125c.png b/22645-h/images/i-125c.png
new file mode 100644
index 0000000..440691d
--- /dev/null
+++ b/22645-h/images/i-125c.png
Binary files differ
diff --git a/22645-h/images/i-125cth.png b/22645-h/images/i-125cth.png
new file mode 100644
index 0000000..7d0e2dd
--- /dev/null
+++ b/22645-h/images/i-125cth.png
Binary files differ
diff --git a/22645-h/images/i-126.png b/22645-h/images/i-126.png
new file mode 100644
index 0000000..1b9950f
--- /dev/null
+++ b/22645-h/images/i-126.png
Binary files differ
diff --git a/22645-h/images/i-126th.png b/22645-h/images/i-126th.png
new file mode 100644
index 0000000..6279abc
--- /dev/null
+++ b/22645-h/images/i-126th.png
Binary files differ
diff --git a/22645-h/images/i-127.png b/22645-h/images/i-127.png
new file mode 100644
index 0000000..0712b4d
--- /dev/null
+++ b/22645-h/images/i-127.png
Binary files differ
diff --git a/22645-h/images/i-127th.png b/22645-h/images/i-127th.png
new file mode 100644
index 0000000..8399067
--- /dev/null
+++ b/22645-h/images/i-127th.png
Binary files differ
diff --git a/22645-h/images/i-129.png b/22645-h/images/i-129.png
new file mode 100644
index 0000000..399f90b
--- /dev/null
+++ b/22645-h/images/i-129.png
Binary files differ
diff --git a/22645-h/images/i-129th.png b/22645-h/images/i-129th.png
new file mode 100644
index 0000000..ba49fc9
--- /dev/null
+++ b/22645-h/images/i-129th.png
Binary files differ
diff --git a/22645-h/images/i-130.png b/22645-h/images/i-130.png
new file mode 100644
index 0000000..140ce2e
--- /dev/null
+++ b/22645-h/images/i-130.png
Binary files differ
diff --git a/22645-h/images/i-130th.png b/22645-h/images/i-130th.png
new file mode 100644
index 0000000..6c87b62
--- /dev/null
+++ b/22645-h/images/i-130th.png
Binary files differ
diff --git a/22645-h/images/i-131.png b/22645-h/images/i-131.png
new file mode 100644
index 0000000..cc86ecd
--- /dev/null
+++ b/22645-h/images/i-131.png
Binary files differ
diff --git a/22645-h/images/i-131th.png b/22645-h/images/i-131th.png
new file mode 100644
index 0000000..9daf2bd
--- /dev/null
+++ b/22645-h/images/i-131th.png
Binary files differ
diff --git a/22645-h/images/i-132.png b/22645-h/images/i-132.png
new file mode 100644
index 0000000..a48c934
--- /dev/null
+++ b/22645-h/images/i-132.png
Binary files differ
diff --git a/22645-h/images/i-132th.png b/22645-h/images/i-132th.png
new file mode 100644
index 0000000..84618ed
--- /dev/null
+++ b/22645-h/images/i-132th.png
Binary files differ
diff --git a/22645-page-images/p121-image.png b/22645-page-images/p121-image.png
new file mode 100644
index 0000000..6339e9b
--- /dev/null
+++ b/22645-page-images/p121-image.png
Binary files differ
diff --git a/22645-page-images/p121.png b/22645-page-images/p121.png
new file mode 100644
index 0000000..5ff086a
--- /dev/null
+++ b/22645-page-images/p121.png
Binary files differ
diff --git a/22645-page-images/p122-image.png b/22645-page-images/p122-image.png
new file mode 100644
index 0000000..7fa5284
--- /dev/null
+++ b/22645-page-images/p122-image.png
Binary files differ
diff --git a/22645-page-images/p122.png b/22645-page-images/p122.png
new file mode 100644
index 0000000..6318438
--- /dev/null
+++ b/22645-page-images/p122.png
Binary files differ
diff --git a/22645-page-images/p123-image.png b/22645-page-images/p123-image.png
new file mode 100644
index 0000000..3999335
--- /dev/null
+++ b/22645-page-images/p123-image.png
Binary files differ
diff --git a/22645-page-images/p123.png b/22645-page-images/p123.png
new file mode 100644
index 0000000..ba0bed1
--- /dev/null
+++ b/22645-page-images/p123.png
Binary files differ
diff --git a/22645-page-images/p124-image.png b/22645-page-images/p124-image.png
new file mode 100644
index 0000000..4795a85
--- /dev/null
+++ b/22645-page-images/p124-image.png
Binary files differ
diff --git a/22645-page-images/p124.png b/22645-page-images/p124.png
new file mode 100644
index 0000000..4280e39
--- /dev/null
+++ b/22645-page-images/p124.png
Binary files differ
diff --git a/22645-page-images/p125.png b/22645-page-images/p125.png
new file mode 100644
index 0000000..d26ea3b
--- /dev/null
+++ b/22645-page-images/p125.png
Binary files differ
diff --git a/22645-page-images/p125a-image.png b/22645-page-images/p125a-image.png
new file mode 100644
index 0000000..604feea
--- /dev/null
+++ b/22645-page-images/p125a-image.png
Binary files differ
diff --git a/22645-page-images/p125b-image.png b/22645-page-images/p125b-image.png
new file mode 100644
index 0000000..5cbe0da
--- /dev/null
+++ b/22645-page-images/p125b-image.png
Binary files differ
diff --git a/22645-page-images/p125c-image.png b/22645-page-images/p125c-image.png
new file mode 100644
index 0000000..ba11535
--- /dev/null
+++ b/22645-page-images/p125c-image.png
Binary files differ
diff --git a/22645-page-images/p126-image.png b/22645-page-images/p126-image.png
new file mode 100644
index 0000000..db440fa
--- /dev/null
+++ b/22645-page-images/p126-image.png
Binary files differ
diff --git a/22645-page-images/p126.png b/22645-page-images/p126.png
new file mode 100644
index 0000000..3f1bd1d
--- /dev/null
+++ b/22645-page-images/p126.png
Binary files differ
diff --git a/22645-page-images/p127-image.png b/22645-page-images/p127-image.png
new file mode 100644
index 0000000..a4493c5
--- /dev/null
+++ b/22645-page-images/p127-image.png
Binary files differ
diff --git a/22645-page-images/p127.png b/22645-page-images/p127.png
new file mode 100644
index 0000000..d31cf81
--- /dev/null
+++ b/22645-page-images/p127.png
Binary files differ
diff --git a/22645-page-images/p129-image.png b/22645-page-images/p129-image.png
new file mode 100644
index 0000000..8e24980
--- /dev/null
+++ b/22645-page-images/p129-image.png
Binary files differ
diff --git a/22645-page-images/p129.png b/22645-page-images/p129.png
new file mode 100644
index 0000000..4b83f5e
--- /dev/null
+++ b/22645-page-images/p129.png
Binary files differ
diff --git a/22645-page-images/p130-image.png b/22645-page-images/p130-image.png
new file mode 100644
index 0000000..933d88e
--- /dev/null
+++ b/22645-page-images/p130-image.png
Binary files differ
diff --git a/22645-page-images/p130.png b/22645-page-images/p130.png
new file mode 100644
index 0000000..0fa0bb6
--- /dev/null
+++ b/22645-page-images/p130.png
Binary files differ
diff --git a/22645-page-images/p131-image.png b/22645-page-images/p131-image.png
new file mode 100644
index 0000000..27d3479
--- /dev/null
+++ b/22645-page-images/p131-image.png
Binary files differ
diff --git a/22645-page-images/p131.png b/22645-page-images/p131.png
new file mode 100644
index 0000000..4d56e02
--- /dev/null
+++ b/22645-page-images/p131.png
Binary files differ
diff --git a/22645-page-images/p132-image.png b/22645-page-images/p132-image.png
new file mode 100644
index 0000000..cffd708
--- /dev/null
+++ b/22645-page-images/p132-image.png
Binary files differ
diff --git a/22645-page-images/p132.png b/22645-page-images/p132.png
new file mode 100644
index 0000000..fb97130
--- /dev/null
+++ b/22645-page-images/p132.png
Binary files differ
diff --git a/22645.txt b/22645.txt
new file mode 100644
index 0000000..24bc5c7
--- /dev/null
+++ b/22645.txt
@@ -0,0 +1,1639 @@
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 104,
+March 18, 1893, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 104, March 18, 1893
+
+Author: Various
+
+Editor: Francis Burnand
+
+Release Date: September 17, 2007 [EBook #22645]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by V. L. Simpson, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI
+
+
+VOL 104.
+
+
+
+
+March 18, 1893.
+
+
+
+
+ [Illustration: "WELL MATCHED."
+
+ _Medico_ (_pathetically, with a view to touching the
+ Dealer's heart_). "NOW, MR. BOBBS, WHAT _DO_ YOU THINK I
+ COULD GET A THOROUGHLY GOOD USEFUL PAIR OF HORSES FOR,
+ EH? PRICE NOT STIFF."
+
+ _Mr. Bobbs._ "LOR' BLESS YOU, SIR, TO FIND
+ HORSES--NOTHIN' EASIER. BUT, AS REGARDS
+ _PRICE_--WELL--YOU CAN HAVE 'EM AT ALL PRICES, JUST AS
+ YOU CAN DOCTORS!"]
+
+ * * * * *
+
+MIXED NOTIONS.
+
+No. VII.--PARLIAMENTARY PROCEDURE.
+
+(_Scene and Persons as usual._)
+
+_Inquirer_ (_to First Well-Informed Man_). I say, have you ever been in
+the House of Commons?
+
+_First W. I. M._ (_shortly_). No, you know I haven't.
+
+_Inquirer._ Oh, I don't mean as a Member. Of course I know you wouldn't
+stand the rot of all these Constituents, or whatever they call
+themselves. But have you ever been there as a visitor while a debate's
+going on?
+
+_First W. I. M._ Yes, once--some years ago. But why do you ask?
+
+_Inquirer_ (_producing an order of admission_). Well, you see, I got old
+JENKINS to give me a ticket for to-night, and I'm hanged if I know how
+I'm to get there, or when I'm to go, or anything about it. I thought you
+might be able to tell me how it's done.
+
+_First W. I. M._ Let's have a look at your ticket.
+
+ [_Both the_ Well-Informed Men _inspect it with an air of
+ critical sagacity._
+
+_First W. I. M._ (_after a prolonged pause_). I don't see where your
+difficulty is. You just present this! at the door.
+
+_Inquirer._ Ah, I daresay!--but what door? That's what I want to know.
+The place looks as if it had about fifty thousand doors, you know. And
+then I believe, if you make any mistakes, they march you off, in
+two-twos, as a dynamiter, or a Socialist, or an agitator, or something.
+You know old BONKER. Well, he went there once with a black bag, in which
+he'd got some sandwiches and cake, and, just because he wouldn't open
+it, they made no end of a row, and shoved him in the Clock-tower, or
+something, until he apologised. I don't want any of those games, you
+know.
+
+_Average Man._ Don't take a black bag then. They won't want to search
+your pockets.
+
+_Inquirer_ (_relieved_). Won't they? That's one comfort, at any rate. Do
+you think I ought to go in at the big entrance?
+
+_First W. I. M._ Of course you ought. The others are only for Members.
+
+_Inquirer._ Ah! And I suppose I ought to get there pretty early now that
+they've changed their hours. (_With determination._) I'll go about
+half-past eleven.
+
+ [_A pause. They read papers._
+
+_Inquirer_ (_suddenly, with intense alarm_). Oh, I say, look here, you
+chaps. Here's old GLADSTONE gone and suspended the Twelve o'Clock Rule.
+What does that mean?
+
+_Second W. I. M._ It means that they start everything at twelve o'clock
+in the day.
+
+_First W. I. M._ No, it doesn't. It means that they don't start anything
+till twelve o'clock at night.
+
+_Second W. I. M._ (_pityingly_). My dear fellow, where have you been all
+these years? They _always_ go home on the stroke of midnight now.
+
+_First W. I. M._ That's just where you're wrong. Midnight to two in the
+morning is just jolly well their best time now.
+
+_Second W. I. M._ I'll bet you half a thick 'un you're wrong!
+
+_First W. I. M._ And I'll bet you half a thick 'un I'm right!
+
+ [_The argument continues for some minutes in this
+ strain._
+
+_Inquirer._ I wonder if they'll have any obstruction. I should like to
+see some of that. I believe it's no end amusing.
+
+_Second W. I. M._ Oh, you may trust this Opposition for that. Their only
+notion for employing time is to obstruct everything and everybody.
+
+_First W. I. M._ (_with a deadly calmness_). Ah! you call it
+obstruction, of course, because you want to rush your iniquitous Bills
+through the House. But you don't think we're going to stand that, do
+you?--because we're not, and the Country's with us. Just look at
+Grimsby.
+
+_Second W. I. M._ All right! Suppose you look at Cirencester.
+
+_First W. I. M._ What do you say to Stockport then?
+
+_Second W. I. M._ And what do _you_ say to Walsham and Hexall, and all
+the rest of them? (_At the suggestion of the_ Average Man, _they abandon
+this fiery debate. A pause._)
+
+_Inquirer._ Who's Speaker now?
+
+_First W. I. M._ Sir ROBERT PEEL.
+
+_Inquirer._ Will he be there to-night?
+
+_First W. I. M._ Of course he will. He's got to be there.
+
+_Inquirer._ But then what does the Chairman of Committee do?
+
+_First W. I. M._ Oh, ah,--um, let me see; the Chairman of Committee
+does----(_Brightly._) He's only appointed, you know, when they want a
+Committee about something.
+
+_Second W. I. M._ I fancy he has to read the Bills.
+
+_First W. I. M._ (_gathering assurance as he proceeds_). Not when
+they're read a first time. Somebody else does that--I forget what they
+call him. The Chairman reads 'em a second time, and takes 'em up to the
+House of Lords.
+
+_Inquirer._ So he does, of course. I ought to have remembered that. But
+I'd got a sort of notion they didn't really read the Bills at all--just
+chucked 'em into a bag, and called it a Second Reading.
+
+_First W. I. M._ (_condescendingly_). That's how they used to do it
+about ten years ago; but they had to alter the whole thing after they
+got BRADLAUGH into the House.
+
+_Inquirer._ Why was that?
+
+_First W. I. M._ Well, he wouldn't take an oath, you know; so, after
+that, they altered everything.
+
+_Inquirer_ (_with admiration_). By Jove, what a chap you are for
+recollecting things!
+
+ [_Terminus._
+
+ * * * * *
+
+QUEER QUERIES.
+
+A NEW POLL-TAX.--Would somebody inform me of the easiest way of getting
+into Parliament? I see that Members are soon going to be paid, and that
+would be very useful to me, as my present yearly expenses are L1,500,
+and my income barely L150. Had I better try as a "Labour Candidate"? I
+feel that I may claim the title, on account of the labour--twelve hours
+at least _per diem_--which I have to expend on getting out of the way of
+my creditors. I presume that, before long, there will be Parliaments all
+over the place, for England, Wales, and Scotland, as well as for
+Ireland, and I want to get into _all_! At least, I want to get into all
+where the excellent system of payment of Members is adopted, with
+salaries "On the higher scale," as they say in the Courts. It is curious
+that, when I explain to my creditors this most promising source of
+prospective income, they don't seem to see it! But creditors always were
+a purblind race.--WOULD-BE LEGISLATOR.
+
+ * * * * *
+
+THE "WITLER" AND THE "WASSER-MAIDEN."
+
+_A Ballad of Bungdom._ (_After Hans Breitmann's Ballad of the Mermaid._)
+
+ [Illustration]
+
+ Der noble Witler[A] BUNGO
+ Von Schvillenschviggenop,
+ Rode out mit shpeer und helmet,
+ Und he coom to de panks of de Schlopp,
+
+ [A] Licensed Victualler.
+
+ Und oop dere rose a Meer-maid
+ Vot hadn't got nodings on.
+ Und she say, "Oh, Witler BUNGO,
+ Vhere you goes mit yourself alone?"
+
+ Und he says, "I rides mine high-horse,
+ Mit helmet und mit shpeer,
+ Till I gooms unto mine Gasthaus,[B]
+ Vhere I sells goot wine und peer."
+
+ [B] Tavern, or Wine Shop.
+
+ Und den outspoke de Maiden
+ Vot hadn't got nodings on:
+ "I ton't dink mooch of beoplesh
+ Dat cares for demselfs alone.
+
+ You'd petter coom down to de Wasser,--
+ 'Tis de pest trink ash you'll see,--
+ Und haf a wholesome tinner
+ Mit Schlopp-Vash, along mit me."
+
+ "Dere you sees de fisch a-schwimmin!
+ Und dere healthy efery one."
+ So sang dis Wasser-Maiden,
+ Vot hadn't got nodings on.
+
+ "Your shtrong tipplesh cost mooch money,
+ Dere ish death in de trinks you've sold;
+ Und you helps yourself, by doonder,
+ To de Vorkmansh hard-earned gold.
+
+ "Shoost look at doze sodden wretches,
+ Vhite schlafes of de Witler Rings!
+ From dere 'trunks' you vill your pockets,
+ Und you rob dem like efery dings.
+
+ "Vot _dey_ vantsh mit your schnaps[C] und lager,
+ Vitrioled gin and doctored wine?
+ Smash your pottles, and preak your parrels,
+ Und try dese Schlopps of mine!"
+
+ [C] Drams, drinks.
+
+ * * *
+
+ Vill _dat_ fetch him! He standsh as shpellbound!
+ She vould pool his coat-tails down.
+ She von't draw _him_ oonder der Wasser--
+ Dat Maiden mit nodings on!
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+Thank you, Mrs. HUNGERFORD (says the Baron, bowing his very best to the
+talented authoress), for one of the cheeriest, freshest, and
+sweetest--if I may be allowed to use the epithet--of one-volume'd
+stories I've read for many a day. The three daughters are delightful. I
+question whether you couldn't have done better with "two only, as are
+generally necessary;" but perhaps this is ungrateful on my part. Anyway,
+two out of the three lovers are scarcely worth mentioning, so I don't
+think I am far wrong, for the team was a bit unmanageable, well as you
+had them in hand. Excellent, too, is the sketch of _Dad_, though that of
+_Aunt Jane_ is a trifle too grotesque, and will, perforce, remind those
+of your readers, who are theatre-goers, of Mr. PENLEY in petticoats, now
+actually playing "_Charley's_" irresistibly comic _Aunt_ at the Globe
+Theatre. But it is all good, and not too good to be true. Likewise, my
+dear Madame, you have given us two life-like sketches, one of a
+car-driver with his vicious mare, and the other of _Molly's_ little dog.
+In conclusion, I congratulate you, Mrs. HUNGERFORD, as also the
+publisher, Mr. HEINEMANN, on having secured so good a specimen of the
+material for sale in this Hungerford market, says
+
+ THE BARON DE B.-W.
+
+ * * * * *
+
+HOME, CHEAP HOME!
+
+ "Thine be a cot beside a hill,"
+ Hums Mrs. HAWEIS in our ear;
+ "Such cots are in the market still,
+ At only thirty pounds a year.
+
+ "Then, as for furnishing the fold,
+ Another fifty pounds will do it;
+ But mind you stick to what is old,
+ Nor carry modern rubbish to it!
+
+ "Your chairs must all be Chippendale,
+ Your tables of the native oak,
+ Your sofas"--but of what avail!
+ To further urge this little joke?
+
+ For in this cot the chairs may be
+ Much chipped, but hardly Chippendale,
+ Unless the lady will agree
+ To costs "upon the _hire_ scale."
+
+ * * * * *
+
+ Said a prim Bachelor, in a nasty temper, after a
+ struggle with an ultra-stiffened clean shirt, "I should
+ like to indict my laundress at the Old Bailey, charge
+ her with murdering my linen, and, as evidence, I'd
+ produce the mangled remains in Court."
+
+ * * * * *
+
+ MRS. R. has been studying architecture, She says that
+ "all Schoolmasters' Houses ought to be built in the
+ Early Perpendicular Tutor style."
+
+ * * * * *
+
+ [Illustration: "WHERE A FOOTMAN IS KEPT."
+
+ "BUT WHY DO YOU WANT TO LEAVE, SARAH? IT'S NOT A HARD
+ PLACE, AND JOHN DOES MOST OF YOUR WORK?"
+
+ "YES, MA'AM! BUT--A--JOHN HAS NO CONVERSATION?"]
+
+ * * * * *
+
+LIQUID AIR.
+
+ A learned Professor, the other day,
+ At the Royal Institution,
+ Explained, in a quite scientific way,
+ How, helped by a contribution
+ From the Goldsmiths' Company, he'd prepare
+ Some liquid oxygen--you're aware
+ This is what plain English folks call "air"
+ Unspoilt by smoky pollution.
+
+ No doubt he meant well, and the Goldsmiths too,
+ In their noble work together;
+ But was it the very best thing to do,
+ In that showery, soaking weather;
+ When drizzle, or downpour, of dogs and cats,
+ From the "liquid air" made us all drowned rats,
+ And ruined our clothes and our best top-hats,
+ And spoilt boots of the stoutest leather?
+
+ Professors and Companies, if you would
+ Invent some sort of appliance
+ To dry "liquid air," on which we could
+ Repose implicit reliance,
+ Arranged to diminish this H_{2}O,
+ Which, as every schoolboy ought to know,
+ The Germans call _wasser_, the French call _eau_,
+ We should bless your chemical science.
+
+ * * * * *
+
+ CON. FOR CAPITALISTS.
+
+ _Q._ Why is it clear the Sparrow is an advocate of Free
+ Competition?
+
+ _A._ Because his everlasting cry is, "Cheep-Cheep!"
+
+ * * * * *
+
+ "THE GOTHENBURG SYSTEM."--Mrs. R. warmly espouses the
+ cause of Temperance. She is very strong on what she has
+ heard is called "The Gotobed System," in Sweden.
+
+ * * * * *
+
+PILL-DOCTOR HERDAL.
+
+(_Translated from the Original Norwegian by Mr. Punch._)
+
+SECOND ACT.
+
+DR. HERDAL'S _Drawing-room and Dispensary, as before. It is early in the
+day._ Dr. HERDAL _sits by the little table, taking his own temperature
+with a clinical thermometer. By the door stands the_ New Book-keeper;
+_he wears blue spectacles and a discoloured white tie, and seems
+slightly nervous._
+
+_Dr. Herd._ Well, now you understand what is necessary. My late
+book-keeper, Miss BLAKDRAF, used to keep my accounts very cleverly--she
+charged every visit twice over.
+
+_The New B._ I am familiar with book-keeping by double entry. I was once
+employed at a Bank.
+
+_Dr. Herd._ I am discharging my assistant, too; he was always trying to
+push me out with his pills. Perhaps you will be able to dispense?
+
+_The New B._ (_modestly_). With an additional salary, I should be able
+to do that too.
+
+_Dr. Herd._ Capital! You _shall_ dispense with an additional salary. Go
+into the Dispensary, and see what you can make of it. You may mistake a
+few drugs at first--but everything must have a beginning.
+
+ [_As the_ New B. _retires,_ Mrs. HERDAL _enters in a hat
+ and cloak with a watering-pot, noiselessly._
+
+_Mrs. Herd._ Miss WANGEL got up early, before breakfast, and went for a
+walk. She is so wonderfully vivacious!
+
+_Dr. Herd._ So I should say. But tell me, ALINE, is she _really_ going
+to stay with us here? [_Nervously._
+
+_Mrs. Herd._ (_looks at him_). So she tells me. And, as she has brought
+nothing with her except a tooth-brush and a powder-puff, I am going into
+the town to get her a few articles. We _must_ make her feel at home.
+
+_Dr. Herd._ (_breaking out_). I _will_ make her not only _feel_, but
+_be_ at home, wherever that is, this very day! I will _not_ have a
+perambulating Allegory without a portmanteau here on an indefinite
+visit. I say, she shall go--do you hear, ALINE? Miss WANGEL will go!
+
+ [_Raps with his fist on table._
+
+_Mrs. Herd._ (_quietly_). If you say so, HAUSTUS, no doubt she will
+_have_ to go. But you must tell her so yourself.
+
+ [_Puts the watering-pot on the console table, and goes
+ out, as_ HILDA _enters, sparkling with pleasure._
+
+_Hilda_ (_goes up straight to him_). Good morning, Dr. HERDAL. I have
+just seen a pig killed. It was _ripping_--I mean, gloriously thrilling!
+And your wife has taken a tremendous fancy to me. Fancy _that_!
+
+_Dr. Herd._ (_gloomily_). It _is_ eccentric certainly. But my poor dear
+wife was always a little----
+
+_Hilda_ (_nods her head slowly several times_). So _you_ have noticed
+that too? I have had a long talk with her. She can't get over your
+discharging Mr. KALOMEL--he is the only man who ever _really_ understood
+her.
+
+_Dr. Herd._ If I could only pay her off a little bit of the huge,
+immeasurable debt I owe her--but I can't!
+
+_Hilda_ (_looks hard at him_). Can't _I_ help you? I helped RAGNAR
+BROVIK. Didn't you know I stayed with him and poor little KAIA--after
+that accident to my Master Builder? I did. I made RAGNAR build me the
+loveliest castle in the air--lovelier, even, than poor Mr. SOLNESS'S
+would have been--and we stood together on the very top. The steps were
+rather too much for KAIA. Besides, there was no room for her on top. And
+he put towering spires on all his semi-detached villas. Only, somehow,
+they didn't let. Then the castle in the air tumbled down, and RAGNAR
+went into liquidation, and I continued my walking-tour.
+
+ [Illustration: "Beautiful rainbow-coloured powders that
+ will give one a real grip on the world!"]
+
+_Dr. Herd._ (_interested against his will_). And where did you go after
+_that_, may I ask, Miss WANGEL?
+
+_Hilda._ Oh, ever so far North. There I met Mr. and Mrs. TESMAN--the
+second Mrs. TESMAN--she who was Mrs. ELVSTED, with the irritating hair,
+you know. They were on their honeymoon, and had just decided that it was
+impossible to reconstruct poor Mr. LOeVBORG'S great book out of Mrs.
+ELVSTED'S rough notes. But I insisted on GEORGE'S attempting the
+impossible--with Me. And what _do_ you think Mrs. TESMAN wears in her
+hair _now_?
+
+_Dr. Herd._ Why, really I could not say. Vine-leaves, perhaps.
+
+_Hilda._ Wrong--_straws!_ Poor TESMAN _didn't_ fancy that--so he shot
+himself, _un_-beautifully, through his ticket-pocket. And I went on and
+took Rosmersholm for the Summer. There had been misfortune in the house,
+so it was to let. Dear good old Rector KROLL acted as my reference; his
+wife and children had no sympathy with his views, so I used to see him
+every day. And I persuaded him, too, to attempt the impossible--he had
+never ridden anything but a rocking-horse in his life, but I made him
+promise to mount the White Horse of the Rosmersholms. He didn't get over
+_that_. They found his body, a fortnight afterwards, in the mill-dam.
+Thrilling!
+
+_Dr. Herd._ (_shakes his finger at her_). What a girl you are, Miss
+WANGEL! But you mustn't play these games _here_, you know.
+
+_Hilda_ (_laughs to herself_). Of course not. But I suppose I _am_ a
+strange sort of bird.
+
+_Dr. Herd._ You are like a strong tonic. When I look at you I seem to be
+regarding an effervescing saline draught. Still, I really must decline
+to take you.
+
+_Hilda_ (_a little sulky_). That is not how you spoke ten years ago, up
+at the mountain station, when you were such a flirt!
+
+_Dr. Herd._ _Was_ I a flirt? Deuce take me if I remember. But I am not
+like that _now_.
+
+_Hilda._ Then you have really forgotten how you sat next to me at the
+_table d'hote_, and made pills and swallowed them, and were so splendid
+and buoyant and free that all the old women who knitted left next day?
+
+_Dr. Herd._ What a memory you have for trifles, Miss WANGEL, it's quite
+wonderful!
+
+_Hilda._ Trifles! There was no trifling on _your_ part. When you
+promised to come back in ten years, like a troll, and fetch me!
+
+_Dr. Herd._ Did I say all that? It _must_ have been _after table
+d'hote_!
+
+_Hilda._ It was. I was a mere chit then--only twenty-three; but I
+remember. And now _I_ have come for _you_.
+
+_Dr. Herd._ Dear, dear! But there is nothing of the troll about me now I
+have married Mrs. SOLNESS.
+
+_Hilda_ (_looking sharply at him_). Yes, I remember you were always
+dropping in to tea in those days.
+
+_Dr. Herd._ (_seems hurt_). Every visit was duly put down in the ledger
+and charged for--as poor little SENNA will tell you.
+
+_Hilda._ Little SENNA? Oh, Dr. HERDAL, I believe there is a bit of the
+troll left in you still!
+
+_Dr. Herd._ (_laughs a little_). No, no; my conscience is perfectly
+robust--always was.
+
+_Hilda._ Are you quite _quite_ sure that, when you went indoors with
+dear Mrs. SOLNESS that afternoon, and left me alone with my Master
+Builder, you did not foresee--perhaps wish--intend, even a little,
+that----H'm?
+
+_Dr. Herd._ That you would talk the poor man into clambering up that
+tower? You want to drag _Me_ into that business now!
+
+_Hilda_ (_teasingly_). Yes, I certainly think that then you went on
+exactly like a troll.
+
+_Dr. Herd._ (_with uncontrollable emotion_). HILDA, there is not a
+corner of me safe from you! Yes, I see now that _must_ have been the way
+of it. Then I _was_ a troll in that, too! But isn't it terrible the
+price I have had to pay for it? To have a wife who----. No, I shall
+never roll a pill again--never, never!
+
+_Hilda_ (_lays her head on the stove, and answers as if half asleep_).
+No more pills? Poor Doctor HERDAL!
+
+_Dr. Herd._ (_bitterly_). No--nothing but cosy commonplace grey powders
+for a whole troop of children.
+
+_Hilda_ (_lively again_). Not _grey_ powders! (_Quite seriously._) I will
+tell you what you shall make next. Beautiful rainbow-coloured powders
+that will give one a real grip on the world. Powders to make everyone
+free and buoyant, and ready to grasp at one's own happiness, to _dare_
+what one _would_. I will have you make them. I will--I _will!_
+
+_Dr. Herd._ H'm! I am not quite sure that I clearly understand. And then
+the ingredients--?
+
+_Hilda._ What stupid people all of you pill-doctors are, to be sure!
+Why, they will be _poisons_, of course!
+
+_Dr. Herd._ Poisons? Why in the world should they be _that_?
+
+_Hilda_ (_without answering him_). All the thrillingest, deadliest
+poisons--it is only such things that are wholesome, nowadays.
+
+_Dr. Herd._ (_as if caught by her enthusiasm_). And I could colour them,
+too, by exposing them to rays cast through a prism. Oh, HILDA, how I
+have needed you all these years! For, you see, with _her_ it was
+impossible to discuss such things. [_Embraces her._
+
+_Mrs. Herd._ (_enters noiselessly through hall-door_). I suppose,
+HAUSTUS, you are persuading Miss WANGEL to start by the afternoon
+steamer? I have bought her a pair of curling-tongs, and a packet of
+hair-pins. The larger parcels are coming on presently.
+
+_Dr. Herd._ (_uneasily_). H'm! HILDA--Miss WANGEL I _should_ say--is
+kindly going to stay on a little longer, to assist me in some scientific
+experiments. You wouldn't understand them if I told you.
+
+_Mrs. Herd._ Shouldn't I, HAUSTUS? I daresay not.
+
+ [_The_ New Book-keeper _looks through the glass-door of
+ Dispensary._
+
+_Hilda_ (_starts violently and points--then in a whisper_). Who is
+_that_?
+
+_Dr. Herd._ Only the New Book-keeper and Assistant--a very intelligent
+person.
+
+_Hilda_ (_looks straight in front of her with a far-away expression, and
+whispers to herself_). I thought at first it was.... But no--_that_
+would be _too_ frightfully thrilling!
+
+_Dr. Herd._ (_to himself_). I'm turning into a regular old troll
+now--but I can't help myself. After all, I am only an elderly Norwegian.
+We are _made_ like that.... Rainbow powders--_real_ rainbow powders!
+With HILDA.... Oh, to have the joy of life once more!
+
+ [_Takes his temperature again as Curtain falls._
+
+ * * * * *
+
+PROFESSOR WHITEWASH'S GUIDE TO HISTORY.
+
+_Question._ Who was WILLIAM the Conqueror? _Answer._ The Managing
+Director of an Exploration Company composed of the most respectable
+shareholders.
+
+_Q._ WILLIAM RUFUS, HENRY THE FIRST and RICHARD THE FIRST?
+
+_A._ RUFUS, a worthy son of a worthy father; HENRY, a scholar, who
+strongly objected to over-cramming; and RICHARD, a mild-mannered man,
+who modestly shrank from canonisation.
+
+_Q._ And what do you know about King JOHN?
+
+_A._ That he gave to a grateful country the Magna Charta.
+
+_Q._ And all the intermediate monarchs' being equally good, what have
+you to say about King HENRY THE EIGHTH?
+
+_A._ He was a model monarch, and worthy to be the father of MARY and
+ELIZABETH.
+
+_Q._ How about the Royal ladies you have last mentioned?
+
+_A._ The first had as large a mind as the other a heart.
+
+_Q._ What do you think of the STUART Family?
+
+_A._ It was famed for its fidelity, trustfulness, and gratitude.
+
+_Q._ Were WILLIAM and MARY, and ANNE, pleasant Monarchs?
+
+_A._ Most pleasant. As witty as they were beautiful.
+
+_Q._ And how about the GEORGES?
+
+_A._ All that could be desired--and more. Indeed, all our monarchs have
+been of the most exemplary character, against whom the most
+scandal-loving would utter no word of complaint.
+
+ [Illustration: The Professor.]
+
+ * * * * *
+
+THE ENGLISH-FRENCH EMBASSADORE AT THE MANSHUN HOUSE.
+
+ [Illustration]
+
+WELL, we've bin a going on much as usual at our grand old Manshun House
+under our trewly liberal LORD MARE, but I ain't had nothink werry new to
+tell about, till a few nites ago, when we had what I can truthfully call
+a reel staggerer, and no mistake. It seems as it's allers the custon,
+when a Embassadore, who has made hisself werry poplar, is gitting jest a
+leetle tired of us, and begins to si for Ome sweet Ome, for the
+principalest Gent in London to give him sitch a grand Bankwet as he
+ain't never seen afore, and ain't never likely for to see again. So the
+LORD MARE, hearing as the French Embassadore was in that werry dellicate
+sitiwation, arsked about three hundred of the most heminent Gents in all
+London to come to the Manshun House to meet him, and they all came, as
+in course they wood do, and that was one of the werry grandest Bankwets
+as regards silly brated Gests as ewen I ewer had the honner of waiting
+on.
+
+And now for the staggerers! Just to begin with, why the French
+Embassadore is no more a Frenchman than I am! for his name it's
+WODDINGTON, and so was his Father's before him, and strange to say,
+thanks, I spose, to the splendid dinner, _et setterer_, as was guv him,
+he acshally told us as he rowed in the Winning Boat at the Uniwersity
+Boat-race at Putney, ewer so many years ago! Werry like a Frenchman,
+suttenly, or, as I should prefer saying, werry like a Whale! Of course
+all the Gents present, being reel Gents, looked quite as if they
+beleeved it all; but, when he afterwards went on to say that his Grate
+Grandfather took his most religious and grayshus Majesty, KING CHARLES
+THE SECOND, right up into the Hoak Tree, and so saved his preshus life,
+I saw sum two or three of the werry hiest on 'em trying in wain to look
+quite serious, as if they bleeved it all; and one werry smart young
+feller near me said to his friend, "Why not call it the Hoax Tree"? I
+didn't kno quite what he meant, but they both had a quiet larf over it.
+
+ [Illustration: "Robaire" a la mode de Parry.]
+
+He gave us a few more staggerers, but not quite equal to the King
+Charles one, and of course we coud all make allowances for him, as it
+was his last chance in such a party as that was. But he made up for it
+all before he left, by speaking of the Grand Old Copperation as one of
+the werry noblest bodys in the world, and as having made its mark in the
+history of this great Country, and how artily he hoped it would continue
+and flurrish for ever! I don't suppose as there was any county
+counsellers among so distingwisht a Body, or I should like to know what
+they thort of the Embassadore's opinion of us! An I'm thinkin of wizitin
+Parry myself and cummin out strong. And wy not? They tell me it will
+make me kwite young again, for I shall go over there a helderly henglish
+waiter and reappear in Parry as a "garsong" which is french for "a young
+man."
+
+ ROBERT.
+
+ * * * * *
+
+BRIGHTON BOORS.
+
+ [MR. GLADSTONE was mobbed by an immense crowd on Sunday,
+ the 5th.]
+
+ O Brighton, it isn't a thing to be proud of
+ That people, the fat uns as well as the bony uns,
+ Should squeeze an old Gentleman, crushed in a crowd of Brightonians.
+
+ All watering-places you claim to be Queen of,
+ As proud as the Tyrians or the Sidonians?
+ Your manners don't match; such behaviour seems green of Brightonians.
+
+ You scare away visitors, who are affrighted
+ By folks rude as Goths, Huns, or wild Caledonians.
+ Such staring shows that in two ways you're short-sighted Brightonians.
+
+ * * * * *
+
+OUR BOOKING-OFFICE.--CHATTO AND WINDUS have published, in handy form,
+cloth bound, and handsomely printed, an edition of JUSTIN MCCARTHY'S
+novels. There are, ten in all, going at half-a-crown a-piece, and well
+worth the money. The literary style is excellent--not a matter of course
+in the writing of novels--the tone wholesome, whilst on every page
+gleams the light of genuine, if gentle humour. In looking through the
+pages of this charming little library, my Baronite is inclined to regret
+that Mr. MCCARTHY should, to some extent, have given up to Politics what
+was meant for Literature.
+
+ B. DE B.-W.
+
+ * * * * *
+
+ [Illustration: AN EFFECT OF SHYNESS.
+
+ _Proud Mamma._ "WHICH DO YOU THINK EFFY'S MOST LIKE, MR.
+ JINKS?--HER FATHER, OR ME?"
+
+ _Mr. Jinks._ "OH--A--I SHOULD SAY SHE'S A PLAIN LIKENESS
+ OF HER FATHER----I MEAN--A--HANDSOME LIKENESS OF HER
+ MOTHER--A--I MEAN--A--A----" [_Stammers hopelessly,
+ upsets his Tea, and wishes himself unborn._]
+
+ * * * * *
+
+THE ASSAULT!!
+
+_Beleaguers babble around the Battering-Ram:--_
+
+_Balfourius_ (_musingly_). "Heroes tall
+ Dislodging pinnacle and parapet
+ Upon the tortoise creeping to the wall."
+
+_Chamberlainus_ (_sardonically_). Heroes tall, indeed! Have the
+distressed defenders of this untenable Citadel any such? GLADSTONIUS is
+a sort of hero, perhaps, but hardly tall; HARCOURTIUS is tall indeed,
+but no hero. Aha!
+
+_Saundersonius_ (_sharply_). Yes; and we have had too much of that
+"tortoise-creeping" business. Sharp's the word now, I hope. BALFOURIUS'S
+Battering-Ram--though the murderous ruffians--I mean excited
+politicians--_did_ denounce it, is better than all your tortoises!
+
+_Balfourius_ (_completing his quotation_). "Lances in ambush set."
+
+_Saundersonius._ Oh yes, they're all very well--in their way. A School
+of Strategy for our "young bloods," with secret _seances_,
+and--ahem!--_Fagin_-like rehearsals, is not a bad notion. But on the
+whole I agree with _Moloch_:--
+
+ "My sentence is for open war: of wiles,
+ More inexpert, I boast not: there let those
+ Contrive who need, or when they need, not now.
+ For while they sit contriving, shall the rest,
+ Millions that stand in arms, and longing wait
+ The signal to arise, sit lingering here,
+ Prisoners of his tyranny who reigns
+ By our delay? No, let us rather choose,
+ Arm'd with hell-flames and fury all at once,
+ O'er these high towers to force resistless way,
+ Turning Obstruction into horrid arms
+ Against the Obstructor; when to meet the noise
+ Of his 'iniquitous' engine, he shall hear
+ Ulsterian thunder; and for lightning set
+ Green fire and rockets shot with equal rage
+ Among his 'items;' and his seat itself
+ Shake with Tartarean tactics, 'dirty tricks,'
+ His own invented dodges."
+
+_Grandolphus_ (_tugging at Balfourius's tunic-tails_). Ha! ha! ha! Well
+quoted, my Orange-plumed Hyperborean hero! (_Aside: I must read up the
+bards a bit. Didn't know they were so practically pertinent. How handy
+that_ "_senesque_" _bit came in the other day!_)
+
+_Balfourius_ (_fidgeting_). I say, GRANDOLPHUS, if you'd tug at the rope,
+instead of my tails, I fancy you'd tire me less, and have more effect on
+the Ram.
+
+_Grandolphus_ (_cheerily_). Ah, my old friend, I assure you I intend to
+stick to _you_ "loyally and unhesitatingly."
+
+_Balfourius_ (_drily_). Oh--_thanks!!!_
+
+_Chamberlainus._ Never _were_ such a United lot as we are:
+
+ (_Sings sotto voce._)
+
+ _For I love dear_ B. _as a brother, I do,_
+ _And dear_ B. _he worships me;_
+ _But we'll both be blowed if we'll either be stowed_
+ _In the other chap's hold, you see!_
+
+_Balfourius._ What's that you say?
+
+_Chamberlainus._ Oh, merely humming "Birds in their little nests agree."
+
+_Balfourius._ Ah, as the Chief says, there'll be plenty of opportunity
+for personal sacrifice and pulling together before we're through with
+this siege. To work this Battering-Ram with effect, unanimity and
+simultaneity of effort are especially essential.
+
+_Saundersonius._ Quite so! So bear a hand--_at the rope_, GRANDOLPHUS,
+if you please. Now then, boys--_all together!!!_ BANG!!!!!!
+
+_Grand Old Voice_ (_from within_). "When they _do_ agree, their
+unanimity is wonderful." Wonder if that gate will stand the shock! Must
+disable that Rampant Ram of theirs--somehow.
+
+ [_Left keeping his eye on 'em._
+
+ * * * * *
+
+ SUFFICIENTLY ANTIQUE.--Said TOMKINS, "I won't say my
+ ancestors were in this Country before the Flood, _but_
+ they came in with the High Tide."
+
+ * * * * *
+
+ [Illustration: THE ASSAULT!!]
+
+ * * * * *
+
+ [Illustration: TRIALS OF A CONVALESCENT.
+
+ _Tompkins_ (_in a feeble voice, for the fourth or fifth
+ time, with no result_). "CHAIRMAN!!! CHAIRMAN!!!"
+
+ _That Awful Boy._ "LYDIES AND GENTLEMEN----!!"]
+
+ * * * * *
+
+A FYTTE OF THE BLUES.
+
+BY AN OLD "CROCK."
+
+ (_After reading the rattling verses of_ "Tis," _entitled
+ "Good Luck!" in the "Granta."_)
+
+ Good old _Granta_! They set the blood glowing,
+ Your verse-grinder's galloping lines,
+ There seems rare inspiration in Rowing!
+ The Muse, who politely declines
+ To patronise pessimist twitters,
+ Has smiled on these stanzas, which smack
+ Of health, honest zeal, foaming "bitters,"
+ And vigour of brain and of back.
+
+ Good luck to the Light Blues! That burden
+ Befits rattling rhymes from the Cam,
+ Their "movement" might rouse a Dame DURDEN,
+ Or fire a cold victim of cram.
+ Why it stirs up "old Crocks" to peruse 'em--
+ Slashing lines on "a slashing octette"--
+ They feel, though 'tis hard to "enthuse" 'em,
+ There _must_ be some life in 'em yet.
+
+ Old Crocks! Oh, exuberant younkers!
+ You "guy" "the old gang" as "played out,"
+ As fogies, and fussers, and funkers,
+ You've over-much reason, no doubt.
+ But, great Scott! as your rowing-rhymes rattle
+ And lilt lyric praise of the Crews,
+ We too sniff the air of the battle!
+ We too have a Fit of the Blues.
+
+ It's oh! just to "swing behind LEWIS,"
+ A "youngster as strong as an ox"!
+ Or be one who true Boss of the Crew is,--
+ Your "pet Palinurus"--the Cox!
+ To feel all the blood in one glowing,
+ And--heedless of love, toil, and "tin"--
+ Know naught in creation save--Rowing.
+ Deems nothing worth much save--a WIN!
+
+ Five minutes, my boys, of such feeling,
+ When rivals look beaten and blown,
+ When the nose of your ship is just stealing
+ Ahead, when your muscles have grown
+ To thews, that--_pro tem._--are Titanic,
+ Are worth a whole year of _our_ lives,
+ Whose waistbands are--well, Aldermanic,
+ Who've wrinkles, and worries, and wives!
+
+ Well, here's to the two tints of azure,
+ The Dark Blue as well as the Light!
+ At least there's one thing we can say sure,--
+ There'll be no blue funk in their fight.
+ And here's to the Bard of the _Granta_,
+ Who sings without "side," "sniff," or "shop."
+ May he live (if he wish it), to plant a
+ Big bay on Parnassus's top!
+
+ * * * * *
+
+TIM O'HOWLIGAN'S LAMENT.
+
+ AIR--"_Arrah! darlints, we can't do without ye!"_
+
+ AH! shure boys, the world has gone crazy,
+ And there's plinty of throuble in shtore,
+ Ivery mornin' I wake up onaisy
+ Bekase I can't shleep any more.
+ 'Twas CROMWELL, bad scran to 'im, done it,
+ Him that murdhered King CHARLES, ochone!
+ And since the black villin begun it
+ Ould Erin's done nothing but groan,
+ And moan,
+ It would soften the heart of a shtone.
+
+ By the poker, I'm boilin' with passion
+ Whin I think of the laws that they make;
+ At a fair the bhoys heads ye can't smash in,
+ Nor get dacently dhrunk at a wake.
+ There's only twelve pince in a shillin',
+ And not more than two pints in a quart,
+ Onless you are cliver at fillin',
+ And can make it hould more than it ought.
+ Don't be caught,
+ Or, be jabers, they'll make you pay for't.
+
+ Where's the kings and the princes of Erin
+ That lived on purtaties and point,
+ And niver saw year out and year in
+ The divil a taste of a joint?
+ Thim toirants now buy all our bacon,
+ And the linen, and butther, and that,
+ All that grows in the counthry is taken
+ From Antrim to Mullinavat.
+ Poor Pat
+ Has to sell at a profut, that's flat.
+
+ Well, honies, I'll give ye a hint,
+ And let ivery one do it who can;
+ When the bag of thirteens is all spint,
+ Set up for a Parliament man.
+ Thim's the boys that gets lashins of drinkin',
+ And they dine wanst a week wid the Queen,
+ Where the glasses are niver done clinkin',
+ Wid the Royalties jokin' and spreein',
+ Jubileein',
+ And such doins as niver was seen.
+
+ * * * * *
+
+ A COMPLAINT AND SIMPLE REMEDY.--
+
+ Among the Requests in our ecclesiastical contemporary,
+ _The Guardian_, recently appeared one asking for an
+ effectual way of "_exterminating dry rot, and preventing
+ its re-appearance in a church_." Why doesn't the
+ reverend inquirer try somebody else's Sermons? Or have
+ no Sermons at all?
+
+ * * * * *
+
+ NOTHING more delights our old friend than to get hold of
+ a real good word, and use it with effect. "I wish I knew
+ what is going to win the Derby this year," observed her
+ Niece. "Ah, my dear," replied her Aunt, "I might be able
+ to tell you if I were a Vaccinator."
+
+ * * * * *
+
+ BEST DAY IN THE WEEK FOR MAKING A PROPOSAL OF
+ MARRIAGE.--In London, Monday is the most appropriate, as
+ being dedicated to the "Monday Pops."
+
+ * * * * *
+
+ [Illustration: _Mr. Moriarty._ "LOOK HERE, ADA, HOW MUCH
+ LONGER, FOR GOODNESS' SAKE, ARE YE GOIN' TO BE DRESSIN'
+ YOURSELF?"
+
+ _Voice from the Heights._ "ONLY TEN MINUTES, DEAR!"
+
+ _Mr. Moriarty._ "WELL, ALL I CAN SAY IS, IF I'VE GOT TO
+ WAIT HERE TEN MINUTES, I'LL--I'LL BE OFF THIS BLESSED
+ MOMENT!"]
+
+ * * * * *
+
+ [Illustration: "SCENES IN THE LOBBY."
+
+ DESIGN FOR OUR OWN HISTORICAL PAINTER.]
+
+ * * * * *
+
+ESSENCE OF PARLIAMENT.
+
+EXTRACTED FROM THE DIARY OF TOBY, M.P.
+
+_House of Commons, Monday, March 6._--"The SPEAKER took the Chair at
+three o'clock." That is an extract from the _Journals of the House_, a
+fascinating literary work, ably edited by Mr. PALGRAVE with the
+assistance of Mr. MILMAN, much in favour at MUDIE'S. Last time I saw
+SPEAKER rise from Chair was Banquet at Mansion House given by way of
+farewell to M. WADDINGTON. Very remarkable scene it was. In ordinary
+times SPEAKER of House of Commons is personally unknown to outside
+public. He takes no part in debate; never goes on Midlothian Campaigns;
+belongs to no faction; has no political following; and should have no
+enemy. British public, regarding with close attention the fascinating
+arena at Westminster, have evidently formed clear opinion of its present
+President. When list of guests whom LORD MAYOR delighted to honour read
+out by Toastmaster, name of SPEAKER received with enthusiastic and
+prolonged applause. House of Commons men present, of whom there was
+large muster, evidently taken by surprise. They know the SPEAKER,
+because they daily live with him. How outside public should have been
+seized with such keen appreciation of his worth was more than they were
+prepared for.
+
+This may have been, probably was, to some extent a _succes d'estime_.
+Mr. PEEL'S speech was genuine triumph; very brief, the shortest of the
+series, but incomparably the best; lofty in tone, perfect in delivery,
+saying just the right thing at the right moment in the right way. Its
+effect at Mansion House something like that which electrified House when
+Mr. PEEL, standing on steps of Chair, faced it for first time as its
+SPEAKER, revealing, even to those who had known him long, the full
+depths of his nature and the towering height of his capacity.
+
+"_Mon Dieu_, TOBEE," said an eminent Frenchman, "the world in both
+hemispheres has always envied you the possession of your House of
+Commons. Now we know you have a Speaker worthy of its best traditions."
+
+Banquet a great success; certainly the most brilliant galaxy of guests
+drawn together in same place since Mr. PHELPS, the American Minister,
+said farewell in memorable speech. Much struck with completeness of
+arrangements. Even the waiters imbued with consciousness of great
+occasion.
+
+"Hope you enjide your dinner, Sir?" said one to me, when dessert placed
+on table.
+
+"Excellent," I said; "perhaps the whitebait done a little too much;
+showed tendency to present itself in fragments; but 'twas nothing."
+
+"Yessir," said the Waiter, diligently brushing off imaginary crumbs.
+"I'm going now, Sir."
+
+"Ah," I said; "then I suppose you don't wait to hear the speeches; flow
+of reason, you know, quite a treat."
+
+"Yessir," said he, still pegging away at the spotless table-cloth. "Can
+I get you anything more, Sir?"
+
+"No, thank you," I said, quite touched at the man's considerate
+attention, the more marked since, as far as I recognised him, I had not
+seen him before. "I've done excellently."
+
+"Yessir. I'm going now." Hardly seemed able to part. Not sure whether,
+in circumstances of international amity, I shouldn't have shaken hands
+with him. Made half advance in that direction. He quickly advanced his
+hand, but after glance at my extended palm, as rapidly withdrew it.
+Perhaps he was right. Not usual to shake hands with Waiter, though
+really, on occasion like this, one might disregard conventionalities.
+Waiter lingeringly withdrew, still keeping his eye on me, as if
+expecting me to call him back. Nodded a friendly farewell, and pensively
+peeled an orange, thinking how one touch of nature makes us kin. This
+good Waiter and I quite subdued by the graceful, generous thought of
+Lord Mayor KNILL, who has added one more link to the chain that binds in
+amity two nations that have fought all the way from Cressy to Waterloo.
+
+_Business done._--Got into Committee on Navy Estimates. In the Lobby
+sort of rehearsal of new Battle of Boyne. The other night SAUNDERSON
+said something disrespectful of Irish Members. WILLIE REDMOND, from his
+proud position among nobility and gentry above Gangway, called out, "You
+wouldn't say that in the Lobby." "Say it anywhere," responded the
+Colonel, ever ready to oblige.
+
+Next day wrote letter to REDMOND, incidentally mentioning that if he
+wanted to hear the words over again, should meet him in Lobby to-night
+after questions. Nothing nearer REDMOND'S heart's desire. At five
+o'clock Colonel, accompanied by another military gentleman, carrying his
+cloak, a pair of pistols, a stiletto, a bottle of _eau de Cologne_, a
+sponge, and a clothes-brush, sternly strode into Lobby. Carefully
+counted paces till he was standing as nearly as possible on centre tile;
+folded arms, and wished that Night or REDMOND would come. Colonel
+WARING, with military accoutrements and cloak; stood a pace and a half
+to the left rear. Presently entered REDMOND, accompanied by J. J.
+O'KELLY, also carrying cloak. Secreted in folds were shillelagh, bottle
+of whiskey, pair of spurs, a toothpick, and a freshly-minted
+crown-piece. This last, at suitable moment, to be flung across Lobby;
+(friend secretly told off to be on alert to pick it up.) Action to be
+explained as typical of throwing King's Crown into the Boyne. The
+principals approaching, REDMOND, after manner of schoolboys, who edge up
+to each other, each hoping the other doesn't want to fight, asked
+Colonel to "say it again." "Certainly; but say what?" Here difficulty
+began, which spoiled whole business. REDMOND insisted upon being called
+a murderer. SAUNDERSON punctilious on minor points, wouldn't go quite so
+far in his desire to oblige. Angry altercation followed; Members, to
+number of something like hundred, formed ring. REDMOND, with right
+shoulder aggressively hoisted, spoke over it at the Colonel. Colonel
+stood erect, with hands loosely hanging by his side, ready for
+emergencies. Crowd grew thicker and more excited. "Expected every moment
+would be our next," as CLANCY breathlessly put it. But in the end storm
+blew itself out. Nothing happened, and crowd disappointedly dispersed.
+
+ Ulster will fight,
+ But----_not to-night._
+
+_Thursday._--Opposition mustered to-day in high spirits; meeting at
+Carlton yesterday addressed by MARKISS and Prince ARTHUR; GRANDOLPH,
+looking in, took back seat in his customary retiring fashion. Meeting
+insisted on his coming to the front; made spirited speech; scarcely a
+dry eye in the Club when, looking shyly across at Prince ARTHUR, he
+alluded to him as his "old political friend," his "brilliant and
+esteemed Parliamentary Leader."
+
+"I think," said the MARKISS, as meeting dispersed, "this will drive nail
+in coffin of Home-Rule Bill, and make things pretty hot for Mr. G. As
+HART DYKE epigrammatically puts it, 'We Unionists, above all others,
+should be united.'"
+
+This, as I mentioned, happened yesterday. This afternoon Opposition
+mustered in anticipation of aggressive action by Mr. G. Had given notice
+to move suspension of Twelve o'Clock Rule, in order to make progress
+with Estimates.
+
+"Not if we know it," said Right Hon. JAMES LOWTHER, commonly called
+"JEMMIE."
+
+Mr. G., previous to moving Resolution, explained there was no intention
+of sitting late; Suspension Standing Order was matter of precaution
+designed to prevent arbitrary carrying over of Amendments when
+adequately discussed. Prince ARTHUR'S keen eye discerned that this might
+be so construed as to convey no advantage to Government. When twelve
+o'clock came Debate might be diverged on to lines of wrangle round
+Question of Adjournment, and so House up and nothing done. On this
+understanding he declared he would not resist Motion of Leader of House.
+Then JEMMIE, rushing to the front, made the running. Did Mr. G. intend,
+in any case, to take Second Reading of Home-Rule Bill on Thursday next?
+Mr. G. nodded assent. "Very well, then I'll divide against you," JEMMIE
+roared across the pained figure of his esteemed Leader. Not to be moved
+by blandishment or argument from this position. Prince ARTHUR, seeing
+matters hopeless, haughtily strode forth, GRANDOLPH loyally accompanying
+him. But more than half his old colleagues stayed behind with JEMMIE
+LOWTHER who got Opposition soundly beaten by majority of 85.
+
+"There's only one thing we want to run our majority over 100," said
+SQUIRE OF MALWOOD, smiling beneficently from Treasury Bench. "Another
+meeting of the Party at the Carlton Club will do it."
+
+"What did you mean by to-night's performance?" I asked JEMMIE, later.
+
+"Mean? I meant business. I'm a little tired of lurking in background
+seeing men come to front who haven't half my ability, political acumen,
+or Parliamentary knowledge. I intend to have a Party of my own. There
+has been a Fourth Party, and before that there was a Tea-room Party, and
+a Cave of Adullam. I shall eclipse them all."
+
+"And under what name do you think history will know your faction?" I
+asked, much interested.
+
+The Right Hon. took up a piece of paper, and on it wrote the words,
+"LOWTHER'S ARCADE."
+
+_Business done._--WOLMER'S Amendment on the Navy Estimates negatived.
+
+_Friday._--Prince ARTHUR, and Statesman to whom AUSTEN CHAMBERLAIN
+distantly alludes as "My Right Hon. friend," sit separated by width of
+House. But, in assaults on Government, they are not divided. Idle
+stories about differences of opinion arising between them quite
+unnecessarily denied.
+
+"I never look at them," said TREVELYAN, "without recalling to mind a
+passage in what is, I think, my favourite among DICKENS'S novels. You
+remember the scene in _Great Expectations_, where _Joe Gargery_ visits
+_Pip_, in his day of prosperity, in London? 'Ever best of friends,' says
+JOE (CHAMBERLAIN). 'Dear JOE,' says Prince ARTHUR. 'You know, PIP,' says
+JOE, 'as you and me were ever friends, and it were looked forrerd to
+betwixt us as bein' calc'lated to lead to larks.'"
+
+The expectation not lacking of past fulfilment; full of promise in days
+near at hand.
+
+_Business done._--Sat from two to seven discussing whether we shall sit
+to-morrow in order to make progress with public business. Finally
+decided we shall. Meanwhile, morning sitting slipped away.
+
+ [Illustration: "GREAT EXPECTATIONS."
+
+ ["As persistent attempts are being made to show that Mr.
+ BALFOUR and Mr. CHAMBERLAIN are at variance respecting
+ the tactics which should be adopted by the Unionist
+ Party in Opposition, we may state that more thorough
+ accord never existed than at the present moment."--_The
+ Times, March 8, 1893._]
+
+ _Gargery Chamberlain._ "You know, PIP, as you and me
+ were ever the best of Friends!"
+
+ _Balfour Pip._ "Dear JO!"]
+
+ * * * * *
+
+VINO ITALIANO CON TEMPERANZA.--Signor VITALI, of the
+Italian-Wine-in-England Mission, writes to us to say that Sir WILFRID
+LAWSON might temper his favourite beverage of _Aqua Pura_ with half a
+gallon flask of _Vinum Purum Italianum_, such as Chianti, and he would
+be none the worse for it. We are inclined to agree with the Signor
+VITALI, as, in our opinion, there is small likelihood of any Italian
+wine-drinker "getting any forrader." Of course Signor VITALI, being
+somewhat interested in the matter, and therefore, most hopeful that his
+enterprise will result in orders for any number of flasks, and not end
+in an empty _fiasco_, would not fail to point out that Italian wine is
+likely to have a prolonged existence in this country, as it is not
+lacking in Vitali-ty.
+
+ * * * * *
+
+TONE AND TINT.--(By a Wearer of the Green.)
+
+ YOUR Orangeman swears--he's a terrible fellow!--
+ They shan't set the Green o'er his favourite Yellow.
+ His shout's "No surrender!" And is he so Green
+ As to think we'll turn Yellow because of his spleen?
+ No, no! He may vow in his last ditch he'll die,
+ But--we're not to be scared by a _Hue_ and a _Cry_!
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+104, March 18, 1893, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 22645.txt or 22645.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/2/6/4/22645/
+
+Produced by V. L. Simpson, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/22645.zip b/22645.zip
new file mode 100644
index 0000000..9f8862a
--- /dev/null
+++ b/22645.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..e04cbe8
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #22645 (https://www.gutenberg.org/ebooks/22645)