summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--20410-8.txt3502
-rw-r--r--20410-8.zipbin0 -> 65692 bytes
-rw-r--r--20410-h.zipbin0 -> 70796 bytes
-rw-r--r--20410-h/20410-h.htm4480
-rw-r--r--20410.txt3502
-rw-r--r--20410.zipbin0 -> 65579 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 11500 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/20410-8.txt b/20410-8.txt
new file mode 100644
index 0000000..640eb3e
--- /dev/null
+++ b/20410-8.txt
@@ -0,0 +1,3502 @@
+Project Gutenberg's Notes and Queries, Number 187, May 28, 1853, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 187, May 28, 1853
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc.
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: January 21, 2007 [EBook #20410]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+{517} NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+
+No. 187.]
+Saturday, May 28, 1853.
+[Price Fourpence. Stamped Edition 5d.
+
+ * * * * *
+
+
+CONTENTS.
+
+ NOTES:-- Page
+ On Chaucer's Knowledge of Italian 517
+ The Rebellion of '45: unpublished Letter 519
+ Oliver St. John, by James Crossley 520
+ Notes on several misunderstood Words, by the Rev.
+ W. R. Arrowsmith 520
+ FOLK LORE:--Weather Rules--Drills presaging Death
+ --Superstition in Devonshire; Valentine's Day 522
+ A Note on Gulliver's Travels, by C. Forbes 522
+ Shakspeare Correspondence 523
+ The Coenaculum of Lionardo da Vinci, by E. Smirke 524
+ MINOR NOTES:--Scotter Register (County Lincoln)--
+ "All my Eye:" "Over the Left"--Curious Marriages
+ --Child-mother 525
+
+ QUERIES:--
+ Further Queries respecting Bishop Ken 526
+ The Rev. John Larson and his Mathematical Manuscripts,
+ by T. T. Wilkinson 526
+ MINOR QUERIES:--"Wanderings of Memory"--
+ "Wandering Willie's Tale"--Chapel Sunday--Proud
+ Salopians--George Miller, D.D.--Members of Parliament
+ --Taret--Jeroboam of Claret, &c.--William Williams
+ of Geneva--The First of April and "The Cap
+ awry"--Sir G. Browne, Bart.--Bishop Butler--Oaken
+ Tombs--Alleged Bastardy of Elizabeth--"Pugna
+ Porcorum"--Parviso--Mr. Justice Newton--Mufti
+ --Ryming and Cuculling--Custom at the Savoy
+ Church 527
+ MINOR QUERIES WITH ANSWERS:--Faithful Teate--
+ Kelway Family--Regatta--Coket and Cler-mantyn 529
+
+ REPLIES:--
+ Curfew 530
+ The "Salt-Peter-Man," by C. H. Cooper 530
+ Forms of Judicial Oaths, by John Thrupp, &c. 532
+ PHOTOGRAPHIC CORRESPONDENCE:--Washing Collodion
+ Pictures--Test for Lenses--Improvement in
+ Positives--Cheap Portable Tent--Rev. Mr. Sisson's
+ New Developing Fluid 533
+ REPLIES TO MINOR QUERIES:--Vanes--Loselerius
+ Villerius--Westminster Parishes--Hevristic--Creole
+ --General Monk and the University of Cambridge--
+ Ecclesia Anglicana--Gibbon's Library--Golden Bees
+ --Passage in Orosius--Names first given to Parishes
+ --Grafts and the Parent Tree--Lord Cliff and Howell's
+ Letters--The Bouillon Bible--Rhymes on Places--
+ Serpents' Tongues--Consecrated Roses, &c. 534
+
+ MISCELLANEOUS:--
+ Notes on Books, &c. 537
+ Books and Odd Volumes wanted 538
+ Notices to Correspondents 538
+ Advertisements 538
+
+ * * * * *
+
+
+Notes.
+
+ON CHAUCER'S KNOWLEDGE OF ITALIAN.
+
+In the Memoir prefixed to the Aldine edition of the _Poetical Works of
+Chaucer_, London, 1845, Sir Harris Nicolas expresses an opinion that Dan
+Geoffrey was not acquainted with the Italian language, and therefore not
+versed in Italian literature.
+
+ "Though Chaucer undoubtedly knew Latin and French, it is by no means
+ certain, notwithstanding his supposed obligations to the Decameron,
+ that he was as well acquainted with Italian. There may have been a
+ common Latin original of the main incidents of many, if not of all the
+ tales, for which Chaucer is supposed to have been wholly indebted to
+ Boccaccio, and from which originals Boccaccio himself may have taken
+ them. That Chaucer was not acquainted with Italian may be inferred from
+ his not having introduced any Italian quotation into his works,
+ redundant as they are with Latin and French words and phrases."--_Life
+ of Chaucer_, pp. 24, 25.
+
+To which the following note is subjoined:
+
+ "Though Chaucer's writings have not been examined for the purpose, the
+ remark in the text is not made altogether from recollection, for at the
+ end of Speght's edition of Chaucer's _Works_, translations are given of
+ the Latin and French words in the poems, but not a single Italian word
+ is mentioned."
+
+If Sir Harris Nicolas had examined the writings of Chaucer with any care,
+he would scarcely have formed or expressed so strange an opinion, for he
+must necessarily have discovered that Chaucer was not only well acquainted
+with the language, but thoroughly well versed in Italian literature, and
+that he paraphrased and translated freely from the works of Dante,
+Petrarca, and Boccaccio. Chaucer would naturally quote Latin and French, as
+being familiar to his cotemporaries, and would abstain from introducing
+Italian, as a knowledge of that language must have been confined to a few
+individuals in his day; and he wrote for the many, and not for the
+minority.
+
+The circumstances of Chaucer's life, his missions to Italy, during which he
+resided several months in that country, when sent on the king's business to
+Genoa, and Florence, and Lombardy, afforded {518} him ample opportunities
+of becoming thoroughly acquainted with the language and literature of
+Italy; the acquisition of which must have been of easy accomplishment to
+Chaucer, already familiar with Latin and French. So that it is not
+necessary to endow Chaucer "with all human attainments as proof of his
+having spoken Italian."
+
+Chaucer's own writings, however, afford the strongest evidence against the
+opinion entertained by Sir Harris Nicolas, and such evidence as cannot be
+controverted.
+
+Chaucer loves to refer to Dante, and often translates passages from the
+_Divine Comedy_. The following lines are very closely rendered from the
+_Paradiso_, xiv. 28.:--
+
+ "Thou one, two, and thre, eterne on live,
+ That raignest aie in thre, two, and one,
+ Uncircumscript, and all maist circumscrive."
+ Last stanza of _Troilus and Creseide_.
+
+ "_Quell' uno e due e tre che sempre vive,_
+ _E regna sempre in tre e due ed uno_,
+ _Non circonscritto, e tutto circonscrive._"
+ Dante, _Il Paradiso_, xiv. 28.
+
+ "Wel can _the wise poet of Florence_,
+ That highte _Dant_, speken of this sentence:
+ Lo, in swiche maner rime is _Dantes_ tale.
+ _Ful selde up riseth by his branches smale_
+ _Prowesse of man, for God of his goodnesse_
+ _Wol that we claime of him our gentillesse._"
+ _Wif of Bathes Tale_, 6707.
+
+ "_Rade volte risurge per li rami_
+ _L' umana probità: e questo vuole_
+ _Quei che la dà, perchè da lui si chiami._"
+ _Purgatorio_, vii. 121.
+
+After relating the dread story of the Conte Ugolino, Chaucer refers to
+Dante, from whom perhaps he derived it. (Conf. _Inferno_, xxxiii.)
+
+ "Who so wol here it in a longer wise,
+ Redeth the grete poete of Itaille,
+ That highte _Dante_, for he can it devise
+ Fro point to point, not o word wol he faille."
+ _The Monkes Tale_, 14,769.
+
+ "Bet than Vergile, while he was on live,
+ Or _Dant_ also."--_The Freres Tale_, 7101.
+
+The following lines refer to the _Inferno_, xiii. 64.:
+
+ "Envie is lavender of the court alway,
+ For she ne parteth neither night ne day,
+ Out of the house of Cesar, thus saith _Dant_."
+ Prologue to the _Legend of Good Women_, 359.
+
+"_Dant_ that it tellen can" is mentioned in the _House of Fame_, book i.;
+and Chaucer is indebted to him for some lines in that fine poem, as in the
+description of the "egle, that with feathers shone all of gold" = _un'
+aquila nel ciel con penne d'oro_; and the following line:
+
+ "O thought, that wrote all that I met."
+ _House of Fame_, ii. 18.
+
+ "_O mente, che scrivesti ciò ch' io vidi._"
+ _Inferno_, ii. 8.
+
+The _Knightes Tale_ exhibits numerous passages, lines, and expressions
+verbally translated from the _Teseide_ of Boccaccio, upon which it is
+founded; such as _Idio armipotente_ = Mars armipotent; _Eterno admante_ =
+Athamant eterne; _Paura palida_ = pale drede; _Le ire rosse come focho_ =
+the cruel ire red as any glede. Boccaccio describes the wood in which "Mars
+hath his sovereine mansion" as--
+
+ "_Una selva sterile de robusti_
+ _Cerri,_
+ _Nodosi aspri e rigidi e vetusti._
+ _Vi si sentia grandissimo romore,_
+ _Ne vera bestia anchora ne pastore._"
+ _Teseide_, book vii.
+
+There is a purposed grisly ruggedness in the corresponding passage of the
+_Knightes Tale_, which heightens the horrors of "thilke colde and frosty
+region:"
+
+ "First on the wall was peinted _a forest,_
+ _In which ther wonneth neyther man ne best,_
+ _With knotty knarry barrein trees old_
+ _Of stubbes sharpe and hidous to behold_;
+ In which ther ran _a romble and a swough_,
+ As though a storme shuld bresten every bough."
+ _The Knightes Tale_, 1977.
+
+The death of Arcite is thus related by Boccaccio:
+
+ "La morte in ciascun membro era venuta
+ Da piedi in su, venendo verso il petto,
+ Ed ancor nelle braccia era perduta
+ La vital forza; sol nello intelletto
+ E nel cuore era ancora sostenuta
+ La poca vita, ma già si ristretto
+ Eragli 'l tristo cor del mortal gelo
+ Che agli occhi fe' subitamente velo.
+
+ "Ma po' ch' egli ebbe perduto il vedere,
+ Con seco cominciò a mormorare,
+ Ognor mancando più del suo podere:
+ Nè troppo fece in ciò lungo durare;
+ Ma il mormorare trasportato in vere
+ Parole, con assai basso parlare
+ Addio Emilia; e più oltre non disse,
+ Chè l' anima convenne si partisse."
+ _Teseide_, book x. 112.
+
+Chaucer loses nothing of this description in his condensed translation:
+
+ "For from his feet up to his brest was come
+ The cold of deth, that had him overnome.
+ And yet moreover in his armes two
+ The vital strength is lost, and all ago.
+ Only the intellect, withouten more,
+ That dwelled in his herte sike and sore,
+ Gan feillen, when the herte felte deth;
+ Dusked his eyen two, and failled his breth.
+ But on his ladie yet cast he his eye;
+ His laste word was; Mercy, Emelie!"
+ _The Knightes Tale_, 2301.
+
+_Troilus and Creseide_ seems to have been translated from the _Filostrato_
+of Boccaccio, when {519} Chaucer was a young man, as we are informed by Dan
+John Lydgate in the Prologue to his Translation of Boccaccio's _Fall of
+Princes_, where he speaks of his "Maister Chaucer" as the "chefe poete of
+Bretayne," and tells us that--
+
+ "_In youthe he made a translacion_
+ Of a boke which called is Trophe,
+ In Lumbard tongue, as men may rede and se,
+ _And in our vulgar, long or that he deyde_
+ Gave it the name of Troylous and Cresseyde."
+
+Chaucer's translation is sometimes very close, sometimes rather free and
+paraphrastic, as may be seen in the following examples:
+
+ "But right as floures through the cold of night
+ Yclosed, stoupen in hir stalkes lowe,
+ Redressen hem ayen the Sunne bright,
+ And spreaden in hir kinde course by rowe."
+ _Troilus and Creseide_, b. ii.
+
+ "_Come fioretto dal notturno gelo_
+ _Chinato e chiuso, poi che il Sol l' imbianca,_
+ _S'apre, e si leva dritto sopra il stelo._"
+ Boccaccio, _Il Filostrato_, iii. st. 13.
+
+ "She was right soche to sene in her visage
+ As is that wight that men on bere ybinde."
+ _Troilus and Creseide_, b. iv.
+
+ "_Essa era tale, a guardarla nel viso,_
+ _Qual donna morta alla fossa portata._"
+ _Il Filostrato_, v. st. 83.
+
+ "As fresh as faucon coming out of mew."
+ _Troilus and Creseide_, b. iii.
+
+ "_Come falcon ch' uscisse dal cappello._"
+ _Il Filostrato_, iv. st. 83.
+
+"The Song of Troilus," in the first book of _Troilus and Creseide_, is a
+paraphrase from one of the Sonnets of Petrarca:
+
+ "_S' Amor non è, che dunque è quel ch' i' sento?_
+ _Ma s' egli è Amor, per Dio che cosa, e quale?_
+ _Se buona, ond' è l' effetto aspro mortale?_"
+ Petrarca, _Rime in Vita di Laura_, Son. cii.
+
+ "If no love is, O God, what feele I so?
+ And if love is, what thing and which is he?
+ If love be good, from whence cometh my wo?"
+ _Troilus and Creseide_, b. i.
+
+Chaucer evidently had the following lines of the _Paradiso_ in view when
+writing the invocation to the Virgin in _The Second Nonnes Tale_:
+
+ "Vergine Madre, figlia del tuo Figlio,
+ Umile e alta più che creatura,
+ Termine fisso d' eterno consiglio,
+ Tu se' colei, che l' umana Natura,
+ _Nobilitasti_ sì, che il suo Fattore
+ Non disdegno di farsi sua fattura."
+ _Paradiso_, xxxiii, I.
+
+ "Thou maide and mother, doughter of thy Son,
+ Thou well of mercy, sinful soules cure,
+ In whom that God of bountee chees to won;
+ Thou humble and high over every creature,
+ Thou _nobledest_ so fer forth our nature,
+ That no desdaine the maker had of kinde
+ His Son in blood and flesh to clothe and winde."
+ _The Second Nonnes Tale_, 15,504.
+
+Traces of Chaucer's proficiency in Italian are discoverable in almost all
+his poems; but I shall conclude with two citations from _The Assembly of
+Foules_:
+
+ "The day gan failen, and the darke night,
+ That reveth beastes from hir businesse,
+ Berafte me my booke for lacke of light."
+ _The Assembly of Foules_, I. 85.
+
+ "_Lo giorno se n'andava, e l'aer bruno_
+ _Toglieva gli animai che sono in terra_
+ _Dalle fatiche loro._"--_Inf._ ii. 1.
+
+ "With that my hand in his he toke anon,
+ Of which I comfort caught, and went in fast."
+ _The Assembly of Foules_, I. 169.
+
+ "_E poiche la sua mano alla mia pose_
+ _Con lieto volto, ond' io mi confortai._"
+ _Inf._ iii. 19.
+
+By the way, Chaucer commences _The Assembly of Foules_ with part of the
+first aphorism of Hippocrates, "[Greek: Ho bios brachus hê de technê
+makrê]" (but this, I suppose, had been noticed before):
+
+ "The lyfe so short, the craft so long to lerne."
+
+Chaucer was forty years old, or upwards, in 1372, when he was sent as an
+envoy to treat with the duke, citizens, and merchants of Genoa; and if, as
+is probable, he had translated _Troilus and Creseide_ out of the "Lombarde
+tonge" in his youth (according to the testimony of Lydgate), it is not
+unreasonable to infer that his knowledge of Italian may have led to his
+being chosen to fill that office. But, however this may be, abundant proof
+has been adduced that Chaucer was familiarly acquainted with Italian.
+
+I may briefly remark, in conclusion, that the dates and other circumstances
+favour the supposed interview at Padua, between Fraunceis Petrark the
+laureate poet, and Dan Chaucer,
+
+ "Floure of poets throughout all Bretaine."
+
+J. M. B.
+
+Tunbridge Wells.
+
+ * * * * *
+
+
+THE REBELLION OF '45.--UNPUBLISHED LETTER.
+
+Inverness, 16th Aprile, 1746.
+
+Dear Sirs,
+
+This day about twelve our army came up with the rebels, about a mile above
+Lord President's house, in a muir called Drumrossie. They began the
+engagement first, by firing from a battery of six guns they had erected
+upon their right; but our cannon played so hott upon them, that they were
+obliged soon to fly, by which means we gote possession of their artillery,
+and so drove them before us for three miles of way. The cavalry gave them
+closs chase to the town of Inverness: {520} upon which the French
+ambassador (who is not well) sent out an officer, and a drum with him,
+offering to surrender at discretion; to which the duke made answer, that
+the French officers should be allowed to go about on their parole, and
+nothing taken from them. Brigadier Stapleton is among them, and God knows
+how many more officers; for we have not gote home to count them yet. Its
+thought the rebels have between four and five hundred killed, and as many
+taken prisoners already: many more we expect this night, parties having
+been sent out after them. Lord Kilmarnock I saw prisoner, and Major
+Stewart, with many more. Secretary Murray is very bad: a party is just now
+sent for him, intelligence being brought where he is. I don't think we have
+lost thirty men, and not above five officers killed, amongst which are Lord
+Robert Ker, Captain Grosset: the rest their names I have forgote. We are
+now in full possession of this place. Some say the Pretender was in the
+battle, and wounded; but others say he was not. Such of them as are left
+are gone to Fort Augustus. The duke, God be praised, is in good health, and
+all the generalls. His Royal Highness behaved as if he had been inspired,
+riding up and down giveing orders himself.
+
+ I am, Gentlemen,
+ Your most obedt. servant,
+ DAVID BRUCE.
+
+After writing y^e above, y^e lists of y^e killed and wounded are as
+follows, so far as is yet known:--
+
+ We have of y^e prisoners 700
+ Killed and wounded on y^e field 1800
+
+Of y^e duke's army:--
+
+ Killed, wounded, and amissing 220
+
+ * * * * *
+
+Gentlemen,
+
+I hope you'l pardon y^e confusedness of y^e foregoing line, as I have been
+in y^e utmost confusion since I came here. 'Tis said, but not quite
+certain, y^t y^e following rebells are killed, viz.:--Lochiel, Capuch
+(Keppach), Lord Nairn, Lord Lewis Drummond, D. of Perth, Glengarry, &c. The
+French have all surrendered prisoners of war.
+
+DAVID BRUCE.
+
+ Addressed to
+ The Governors of
+ The Town of Aberdeen.
+
+X. Y. Z.
+
+ * * * * *
+
+
+OLIVER ST. JOHN.
+
+In giving the lives of the Commonwealth chief justices, Lord Campbell
+observes (_Lives of Chief Justices_, vol. i. p. 447.), "in completing the
+list with the name of Oliver St. John, I am well pleased with an
+opportunity of tracing his career and pourtraying his character." Then
+follows a biography of thirty pages. The subject seems to be a favourite
+one with his lordship, and he accordingly produces a striking picture,
+laying on his colours in the approved historical style of the day, so as to
+make the painting an effective one, whether the resemblance be faithful or
+not. But how is it that the noble biographer appears to be quite unaware of
+what really is the only document we have relating to Oliver St. John of his
+own composition, which does give us much light as to his career or
+character? I refer to _The Case of Oliver St. John, Esq, concerning his
+Actions during the late Troubles_, pp. 14., 4to., n.d. It is a privately
+printed tract, emanating from St. John himself, and was no doubt circulated
+amongst persons in power at the Restoration, with a view to obtaining
+indemnity and pardon. My copy is signed by himself, and has some
+corrections in his autograph. His Defence is full of interesting
+particulars, some of which are very inconsistent with Lord Campbell's
+speculations and statements. It would, however, occupy too much of your
+space were I to go through the various articles objected to by him, and to
+which he gives his replies and explanations. My object in noticing this
+tract at present, is to prevent any future biographer of this Commonwealth
+worthy, whose life may well be an historical study, from neglecting an
+important source of information. I observe Lord Campbell (p. 473.) doubts
+whether he favoured the measure of making Cromwell king. But if we are to
+believe the title-page of _Monarchy asserted_, 1660, 12mo., he was one of
+the speakers at the conference with Cromwell on the 11th April, 1657, in
+favour of his assuming the title of king. On the list of the committee
+which follows, the "Lord Chief Justice" only is mentioned, but in the
+speeches a difference seems to be made between "Lord Chief Justice" (pp. 6.
+7. 15.) and "Lord Chief Justice Glynne" (p. 44.), and they would seem to be
+two different speakers. The title-page states distinctly, "the arguments of
+Oliver St. John, Lord Chief Justice, Lord Chief Justice Glyn, &c., members
+of that committee."
+
+JAS. CROSSLEY.
+
+ * * * * *
+
+
+NOTES ON SEVERAL MISUNDERSTOOD WORDS.
+
+(_Continued from_ p. 402.)
+
+_No did, no will, no had, &c._--
+
+ "_K. John._ . . . I had a mighty cause
+ To wish him dead, but thou hadst none to kill him.
+
+ _Hubert._ _No had_ (my Lord), why, did you not provoke me?"
+ _King John_, Act IV. Sc. 2.
+
+So the first folio edition of Shakspeare. A palpable error, as the
+commentators of the present would pleasantly observe, and all the world
+would echo the opinion; but here, as in most other {521} instances,
+commentators and all the world may be wrong, and the folios right. The
+passage has accordingly been corrupted by the editors of Shakspeare into
+what was more familiar to their modern ears: "Had none, my Lord!" Though
+the mode of speech be very common, yet, to deprive future editors of all
+excuse for ever again depraving the genuine text of our national Bible, I
+shall make no apology for accumulating a string of examples:
+
+ "_Fort._ Oh, had I such a hat, then were I brave!
+ Where's he that made it?
+
+ _Sol._ Dead: and the whole world
+ Yields not a workman that can frame the like.
+
+ _Fort._ _No does?_"
+ "Old Fortunatus," _Old English Plays_, vol. iii. p. 140., by Dilke:
+
+who alters "No does?" into _None does?_ thinking, I presume, that he had
+thereby simplified the sentence:
+
+ "_John._ I am an elde fellowe of fifty wynter and more,
+ And yet in all my lyfe I knewe not this before.
+
+ _Parson._ _No dyd_, why sayest thou so, upon thyselfe thou lyest,
+ Thou haste euer knowen the sacramente to be the body of Christ."
+ _John Bon and Mast Person._
+
+ "_Chedsey._ Christ said 'Take, eat, this is my body;' and not 'Take ye,
+ eat ye.'
+
+ _Philpot._ _No did_, master doctor? Be not these the words of Christ,
+ 'Accipite, manducate?' And do not these words, in the plural number,
+ signify 'Take ye, eat ye;' and not 'Take thou, eat thou,' as you would
+ suppose?"--Foxe's _Acts and Monuments_, vol. vii. p. 637., Cattley's
+ edition.
+
+ "_Philpot._ Master Cosins, I have told my lord already, that I will
+ answer to none of these articles he hath objected against me: but if
+ you will with learning answer to that which is in question between my
+ lord and me, I will gladly hear and commune with you.
+
+ _Cosins._ _No will_ you? Why what is that then, that is in question
+ between my lord and you?"--_Id._, p. 651.
+
+ "_Philpot._ And as I remember, it is even the saying of St. Bernard
+ [viz. The Holy Ghost is Christ's vicar on earth (_vic-arius_), and a
+ saying that I need not to be ashamed of, neither you to be offended at;
+ as my Lord of Durham and my Lord of Chichester by their learning can
+ discern, and will not reckon it evil said.
+
+ _London._ _No will?_ Why, take away the first syllable, and it soundeth
+ Arius."--_Id._ p. 658.
+
+ "_Philpot._ These words of Cyprian do nothing prove your pretensed
+ assertion; which is, that to the Church of Rome there could come no
+ misbelief.
+
+ _Christopherson._ Good lord, _no doth_? What can be said more
+ plainly?"--_Id._, p. 661.
+
+Again, at p. 663. there occur no less than three more instances and at p.
+665. another.
+
+ "_Careless._ No, forsooth: I do not know any such, nor have I heard of
+ him that I wot of.
+
+ _Martin._ _No have_, forsooth: and it is even he that hath written
+ against thy faith."
+
+Then _Martin_ said:
+
+ "Dost thou not know one Master Chamberlain?
+
+ _Careless._ No forsooth; I know him not.
+
+ _Martin._ _No dost!_ and he hath written a book against thy faith
+ also."--_Id._, vol. iii. p. 164.
+
+ "_Lichfield and Coventry._ We heard of no such order.
+
+ _Lord Keeper._ _No did?_ Yes, and on the first question ye began
+ willingly. How cometh it to pass that ye will not now do so?"--_Id._,
+ p. 690.
+
+ "Then said Sir Thomas Moyle: 'Ah! Bland, thou art a stiff-hearted
+ fellow. Thou wilt not obey the law, nor answer when thou art called.'
+ '_Nor will_,' quoth Sir John Baker. 'Master Sheriff, take him to your
+ ward.'"--_Id._, vol. vii. p. 295.
+
+Is it needful to state, that the original editions have, as they ought to
+have, a note of interrogation at "Baker?" I will not tax the reader's
+patience with more than two other examples, and they shall be fetched from
+the writings of that admirable papist--the gentle, the merry-hearted More:
+
+ "Well, quod Caius, thou wylt graunte me thys fyrste, that euery thynge
+ that hath two erys is an asse.--Nay, mary mayster, wyll I not, quod the
+ boy.--_No wylt_ thou? quod Caius. Ah, wyly boy, there thou wentest
+ beyond me."--The Thyrde Boke, the first chapter, fol. 84. of Sir Thomas
+ More's _Dialogues_.
+
+ "Why, quod he, what coulde I answere ellys, but clerely graunt hym that
+ I believe that thyng for none other cause but only bycause the
+ Scripture so sheweth me?--_No could ye?_ quod I. What yf neuer
+ Scripture had ben wryten in thys world, should there neuer haue bene
+ eny chyrch or congregacyon of faythfull and ryght beyleuyng
+ people?--That wote I nere, quod he. _No do ye?_ quod I."--_Id._, fol.
+ 85.
+
+In taking leave of this idiom, it would not perhaps be amiss to remark,
+that "ye can," in Duke Humphey's rejoinder to the "blyson begger of St.
+Albonys," is not, as usually understood, "you can?" but "yea can?"
+
+ * * * * *
+
+_To be at point_ = to be at a stay or stop, _i.e._ settled, determined,
+nothing farther being to be said or done: a very common phrase. Half a
+dozen examples shall suffice:
+
+ " . . . . . What I am truly
+ Is thine, and my poore countries to command:
+ Whither indeed before they (thy) heere-approach,
+ Old Seyward with ten thousand warlike men
+ Already _at a point_, was setting forth."
+ _Macbeth_, Act IV. Sc. 3. 1st Fol.
+
+No profit to give the commentators' various guesses at the import of the
+phrase in the above passage, which will be best gathered from the following
+instances of its use elsewhere. But, before passing further, I beg
+permission to inform MR. KNIGHT that the original suggester of "sell" for
+"self," in an earlier part of this play, whose name {522} he is at a loss
+for, was W. S. Landor, whose footnote to vol. ii. p. 273., Moxon's edit. of
+his works, is as follows:
+
+ "And here it may be permitted the editor to profit also by the
+ manuscript, correcting in Shakespeare what is _absolute nonsense_ as
+ now printed:
+
+ '_Vaulting_ ambition that o'erleaps _itself_,
+ And falls on the _other side_.'
+
+ Other side of what? It should be _its sell_. _Sell_ is saddle in
+ Spenser and elsewhere, from the Latin and Italian."
+
+A correspondent of "N. & Q."., Vol. vii., p. 404., will be delighted to
+find his very ingenious discovery brought home, and corroborated by
+Landor's valuable manuscript: but it is an old said saw--"Great wits jump."
+Now to our examples:
+
+ "_Pasquin._ Saint Luke also affirmeth the same, saying flatly that he
+ shall not be forgiuen. Beholde, therefore, how well they interprete the
+ Scriptures.
+
+ _Marforius._ I am alreadie _at a poynt_ with them, but thou shalt doo
+ me great pleasure to expounde also vnto me certayne other places, vppon
+ the which they ground this deceit."--_Pasquine in a Traunce_, turned
+ but lately out of the Italian into this tongue by W. P.: London, 1584.
+
+ "But look, where malice reigneth in men, there reason can take no
+ place: and, therefore, I see by it, that you are all _at a point_ with
+ me, that no reason or authority can persuade you to favour my name, who
+ never meant evil to you, but both your commodity and profit."--Foxe's
+ _Acts and Monuments_, vol. viii. p. 18.
+
+ "Not so, my lord," said I, "for I am _at a full point_ with myself in
+ that matter; and am right well able to prove both your
+ transubstantiation with the real presence to be against the Scriptures
+ and the ancient Fathers of the primitive Church."--_Id._, p. 587.
+
+ "_Winchester._ No, surely, I am fully determined, and fully _at a
+ point_ therein, howsoever my brethren do."--_Id._, p. 691.
+
+ "_Brad._ Sir, so that you will define me your church, that under it you
+ bring not in a false church, you shall not see but that we shall soon
+ be _at a point_."--_Id._, vol. vii. p. 190.
+
+ "_Latimer._ Truly, my lord, as for my part I require no respite, for I
+ am _at a point_. You shall give me respite in vain; therefore, I pray
+ you let me not trouble you to-morrow."--_Id._, p. 534.
+
+ "Unto whom he (Lord Cobham) gave this answer: 'Do as ye shall think
+ best, for I am _at a point_.' Whatsoever he (Archbishop Arundel) or the
+ other bishops did ask him after that, he bade them resort to his bill:
+ for thereby would he stand to the very death."--_Id._, vol. iii. pp.
+ 327-8.
+
+ "'Et illa et ista vera esse credantur et nulla inter nos contentio
+ remanebit, quia nec illis veris ista, nec istis veris illa
+ impediuntur.' Let bothe those truthes and these truthes be beleued, and
+ we shall be _at appoinct_. For neither these truthes are impaired by
+ the other, neither the other by these."--_A Fortresse of the Faith_, p.
+ 50., by Thomas Stapleton: Antwerp, 1565.
+
+ "A poore man that shall haue liued at home in the countrie, and neuer
+ tasted of honoure and pompe, is alwayes _at a poynt_ with himselfe,
+ when menne scorne and disdayne him, or shewe any token of contempt
+ towardes his person."--John Calvin's _CVIII. Sermon on the Thirtieth
+ Chap. of Job_, p. 554., translated by Golding: London, 1574.
+
+ "As for peace, I am _at a point_."--_Leycester Correspondence_, Camd.
+ Soc., p. 261.
+
+W. R. ARROWSMITH.
+
+(_To be continued._)
+
+ * * * * *
+
+
+FOLK LORE.
+
+_Weather Rules._--The interesting article on "The Shepherd of Banbury's
+Weather Rules" (Vol. vii., p. 373.) has reminded me of two _sayings_ I
+heard in Worcestershire a few months back, and upon which my informant
+placed the greatest reliance. The first is, "If the moon changes on a
+Sunday, there will be a flood before the month is out." My authority
+asserted that through a number of years he has never known this fail. The
+month in which the change on a Sunday has occurred has been fine until the
+last day, when the flood came. The other saying is, "Look at the
+weathercock on St. Thomas's day at twelve o'clock, and see which way the
+wind is, and there it will stick for the next quarter," that is, three
+months. Can any of your readers confirm the above, and add any similar
+"weather rules?"
+
+J. A., JUN.
+
+Birmingham.
+
+_Drills presaging Death_ (Vol. vii., p. 353.).--Your correspondent asks if
+the superstition he here alludes to in Norfolk is believed in other parts.
+I can give him a case in point in Berkshire:--Some twenty years ago an old
+gentleman died there, a near relative of my own; and on going down to his
+place, I was told by a farm overseer of his, that he was certain some of
+his lordship's family would die that season, as, in the last sowing, he had
+missed putting the seed in one row, which he showed me! "Who could
+disbelieve it now?" quoth the old man. I was then taken to the bee-hives,
+and at the door of every one this man knocked with his knuckles, and
+informed the occupants that they must now work for a new master, as their
+old one was gone to heaven. This, I believe, has been queried in your
+invaluable paper some time since. I only send it by the way. I know the
+same superstition is still extant in Cheshire, North Wales, and in some
+parts of Scotland.
+
+T. W. N.
+
+Malta.
+
+A friend supplies me with the information that before drills were invented,
+the labourers {523} considered it unlucky to miss a "bout" in corn or seed
+sowing, will sometimes happened when "broadcast" was the only method. The
+ill-luck did not relate alone to a _death_ in the family of the farmer or
+his dependents, but to losses of cattle or accidents. It is singular,
+however, that the superstition should have transferred itself to the drill;
+but it will be satisfactory to E. G. R. to learn that the process of
+_tradition_ and _superstition-manufacturing_ is not going on in the
+nineteenth century.
+
+E. S. TAYLOR.
+
+_Superstition in Devonshire; Valentine's Day_ (Vol. v., pp. 55.
+148.).--This, according to Forby, vol. ii. p. 403., once formed in Norfolk
+a part of the superstitious practices on _St. Mark's Eve_, not St.
+Valentine's, as mentioned by J. S. A., when the sheeted ghosts of those who
+should die that year (Mrs. Crowe would call them, I suppose,
+_Doppelgängers_) march in grisly array to the parish church.
+
+The rhyme varies from J. S. A.'s:--
+
+ "Hempseed I sow:
+ Hempseed grow;
+ He that is my true love
+ Come after me, and mow."
+
+and the Norfolk spectre is seen with a _scythe_, instead of a rake like his
+Devonshire compeer.
+
+E. S. TAYLOR.
+
+ * * * * *
+
+
+A NOTE ON GULLIVER'S TRAVELS.
+
+If I may argue from the silence of the latest edition of _Gulliver's
+Travels, with Notes_, with which I am acquainted, viz. that by W. C.
+Taylor, LL.D., Trinity College, Dublin, the Preface to which is dated May
+1st, 1840, I may say that all the commentators on Swift--all, at least,
+down to that late date--have omitted to refer to a work containing
+incidents closely resembling some of those recorded in the "Voyage to
+Lilliput."
+
+The work to which I allude is a little dramatical composition, the
+Bambocciata, or puppet-show, by Martelli, entitled _The Sneezing of
+Hercules_. Goldoni, in his _Memoirs_, has given us the following account of
+the manner in which he brought it out on the stage:
+
+ "Count Lantieri was very well satisfied with my father, for he was
+ greatly recovered, and almost completely cured: his kindness was also
+ extended to me, and to procure amusement for me he caused a
+ puppet-show, which was almost abandoned, and which was very rich in
+ figures and decorations, to be refitted.
+
+ "I profited by this, and amused the company by giving them a piece of a
+ great man, expressly composed for wooden comedians. This was the
+ _Sneezing of Hercules_, by Peter James Martelli, a Bolognese.
+
+ . . . . . . . . . .
+
+ "The imagination of the author sent Hercules into the country of the
+ pigmies. Those poor little creatures, frightened at the aspect of an
+ animated mountain with legs and arms, ran and concealed themselves in
+ holes. One day as Hercules had stretched himself out in the open field,
+ and was sleeping tranquilly, the timid inhabitants issued out of their
+ retreats, and, armed with prickles and rushes, mounted on the monstrous
+ man, and covered him from head to foot, like flies when they fall on a
+ piece of rotten meat. Hercules waked, and felt something in his nose,
+ which made him sneeze; on which, his enemies tumbled down in all
+ directions. This ends the piece.
+
+ "There is a plan, a progression, an intrigue, a catastrophe, and
+ winding up; the style is good and well-supported; the thoughts and
+ sentiments are all proportionate to the size of the personages. The
+ verses even are short, and everything indicates pigmies.
+
+ "A gigantic puppet was requisite for Hercules; everything was well
+ executed. The entertainment was productive of much pleasure; and I
+ could lay a bet, that I am the only person who ever thought of
+ executing the Bambocciata of Martelli."--_Memoirs of Goldoni_,
+ translated by John Black, 2 vols., duod. vol. i. chap. 6.
+
+It is certainly not necessary to point out here in what respects the
+adventures of Hercules, the _animated mountain_, and those of Quinbus
+Flestrin, the _man mountain_, differ from, or coincide with, each other, as
+the only question I wish to raise is, whether a careful analysis of
+Martelli's puppet-show ought, or ought not, to have been placed among the
+notes on _Gulliver's Travels_.
+
+C. FORBES.
+
+Temple.
+
+ * * * * *
+
+
+SHAKSPEARE CORRESPONDENCE.
+
+In reply to J. M. G. of Worcester, who inquires for a MS. volume of English
+poetry containing some lines attributed to Shakspeare, and which is
+described in Thorpe's _Catalog_ of MSS. for 1831, I can supply some
+particulars which may assist him in the research. The MS., which at one
+period had belonged to Joseph Hazlewood, was purchased from Thorpe by the
+late Lord Viscount Kingsborough; after whose decease it was sold, in
+November, 1842, at Charles Sharpe's literary sale room, Anglesea Street,
+Dublin. It is No. 574. in the auction catalogue of that part of his
+lordship's library which was then brought to auction.
+
+The volume has been noticed by Patrick Fraser Tytler, in his _Life of Sir
+Walter Raleigh_, Edinburgh, 1833 (in Appendix B, p. 436., of 2nd edit.),
+where, citing the passage from Collier, which is referred to by J. M. G.,
+he asserts that the lines are not Shakspeare's, but Jonson's. But he does
+not appear to me to have established his case beyond doubt; as the lines,
+though found among Jonson's works, may, notwithstanding, be the production
+of some other writer: and why not of Shakspeare, to whom they are ascribed
+in the MS.? Some verses by Sir J. C. Hobhouse originally appeared as Lord
+Byron's: and there are {524} numerous instances, both ancient and modern,
+of a similar attribution of works to other than their actual authors.
+
+ARTERUS.
+
+Dublin.
+
+_The Island of Prospero._--We cannot assert that Shakspeare, in the
+_Tempest_, had any particular island in view as the scene of his immortal
+drama, though by some this has been stoutly maintained. Chalmers prefers
+one of the Bermudas. The Rev. J. Hunter, in his _Disquisition on the Scene,
+&c. of the Tempest_, endeavours to confer the honour on the Island of
+Lampedosa. In reference to this question, a statement of the
+pseudo-Aristotle is remarkable. In his work "[Greek: peri thaumasiôn
+akousmatôn]," he mentions Lipara, one of the Æolian Islands, lying to the
+north of Sicily, and nearly in the course of Shakspeare's Neapolitan fleet
+from Tunis to Naples. Among the [Greek: polla teratôdê] found there, he
+tells us:
+
+ "[Greek: Exakouesthai gar tumpanôn kai kumbalôn êchon gelôta te meta
+ thorubou kai krotalôn enargôs. legousi de ti teratôdesteron gegonenai
+ peri to spêlaion.]"
+
+If we compare this with the aerial music heard by Ferdinand (_Tempest_, I.
+2.), especially as the orchestra is represented by the genial burin of M.
+Retsch in the fifth plate of his well-known sketches (_Umrisze_), it will
+appear probable that Shakspeare was acquainted with the Greek writer either
+in the original or through a translation. As far as I am aware, this has
+not been observed by any of the commentators.--From _The Navorscher_.
+
+J. M.
+
+_Coincident Criticisms._--I shall be obliged if you will allow me through
+your pages to anticipate and rebut two charges of plagiarism. When I wrote
+my Note on a passage in _The Winter's Tale_ ("N. & Q.," Vol. vii., p.
+378.), I had not seen the _Dublin University Magazine_ for March last,
+containing some remarks on the same passage in some respects much
+resembling mine. I must also declare that my Note on a passage in _All's
+Well that ends Well_ ("N. & Q.," Vol. vii., p. 426.) was posted for you
+some time before the appearance of A. E. B.'s Note on the same passage ("N.
+& Q.," Vol. vii., p. 403.). The latter coincidence is more remarkable than
+the former, as the integrity of the amended text was in both notes
+discussed by means of the same parallel passage. _Apropos_ of A. E. B.'s
+clever Note, permit me to say, that though at first it appeared to me
+conclusive, I now incline to think that Shakspeare intended Helen to
+address the _leaden messengers_ by means of a very hyperbolic figure:
+"wound the still-piecing air that sings with piercing" is a consistent
+whole. If, as A. E. B. rightly says, _to wound the air_ is an
+impossibility, it is equally impossible that the air should utter any sound
+expressive of sensibility. The fact of course is, that the cannon-balls
+_cleave_ the air, and that by so cleaving it a shrill noise is produced.
+The cause and effect may, however, be metaphorically described, by
+comparing air to Bertram. I believe it is a known fact that every man who
+is struck with a cannon-ball cries out instinctively. Shakspeare therefore
+might, I think, have very poetically described the action and effect of a
+cannon-ball passing through the air by the strong figure of _wounding the
+air that sings with the piercing which it is enduring_.
+
+In concluding this Note, I beg to express what is not merely my own, but a
+very general feeling of disappointment in respect of MR. COLLIER'S new
+edition of Shakspeare. To it, with a new force, may be applied the words of
+A. E. B. in "N. & Q.," Vol. vi., p. 296.:
+
+ "But the evil of these emendations is not in this instance confined to
+ the mere suggestion of doubt; the text has absolutely been altered in
+ all accessible editions, in many cases _silently_, so that the ordinary
+ reader has no opportunity of judging between _Shakspeare_ and his
+ improvers."
+
+That MR. COLLIER should be the greatest of such offenders, is no very
+cheering sign of the times.
+
+C. MANSFIELD INGLEBY.
+
+Birmingham.
+
+_Dogberry's Losses_ (Vol. vii., p. 377.).--I do not know whether it has
+ever been suggested, but I feel inclined to read "lawsuits." He has just
+boasted of himself as "one that knows the _law_;" and it seems natural
+enough that he should go on to brag of being a rich fellow enough, "and a
+fellow that hath had _lawsuits_" of his own, and actually figured as
+plaintiff or defendant. Suppose the words taken down from the mouth of an
+actor, and the mistake would be easy.
+
+JOHN DOE.
+
+ * * * * *
+
+
+THE COENACULUM OF LIONARDO DA VINCI.
+
+I have in my possession a manuscript critique on the celebrated picture of
+The Last Supper by Lionardo da Vinci, written many years ago by a deceased
+academician; in which the writer has called in question the _point of time_
+usually supposed to have been selected by the celebrated Italian painter.
+The criticisms are chiefly founded on the copy by Marco Oggioni, now in the
+possession of the Royal Academy of Arts.
+
+Uniform tradition has assumed that the moment of action is that in which
+the Saviour announces the treachery of one of his disciples "Dico vobis
+quia unus vestrum me traditurus est." Matth. xxvi. 21., Joan. xiii. 21.,
+Vulgate edit.; and most of the admirers of this great work have not failed
+to find in it decisive proofs of the intention of the painter to represent
+that exact point of time. {525}
+
+The author of the manuscript enters into a very detailed examination of the
+several groups of figures which compose the picture, and of the expression
+of the heads; and he confesses his inability to find in them anything
+decisively indicating the period supposed to be chosen. He remarks that
+nine at least of the persons, including the principal one, are evidently
+engaged in animated conversation; that instead of that concentrated
+attention which the announcement might be supposed to generate, there
+appears to be great variety of expressions and of action; and that neither
+surprise nor indignation are so generally prominent, as might have been
+expected. He inclines to think that the studied diversity of expression,
+and the varied attitudes and gestures of the assembled party, are to be
+regarded as proofs of the artist's efforts to produce a powerful and
+harmonious composition, rather than a natural and truthful representation
+of any particular moment of the transaction depicted by him.
+
+The work in question is now so generally accessible through the medium of
+accurate engravings, that any one may easily exercise his own judgment on
+the matter, and decide for himself whether the criticism be well founded.
+
+It must be borne in mind that the subject had long been a familiar
+decoration of conventual refectories before the time when Lionardo brought
+his profound knowledge of external human nature, and his unsurpassed powers
+of executive art, to bear on a subject which had before been treated in the
+dry, conventional, inanimate manner of the Middle Ages. The leading
+features of the traditional picture are retained: the long table, the linen
+cloth, the one-sided arrangement of the figures, the classic drapery, and
+the general form and design of the apartment, are all to be found in the
+earlier works; and must have been considered, by observers in general, far
+more essential to the correct delineation of the scene than any adherence
+to the exact description of it in any one of the Evangelists. But as the
+subject was usually introduced into refectories for the edification of the
+brethren assembled with their superior at their own meals, it does not seem
+likely that the treachery of Judas should have been intended to be the
+prominent action of the picture. It was a memorial of the institution of
+the Eucharist, although the Christ was not represented as dispensing either
+bread or wine. In such a case, if any particular point of time was ever
+contemplated by the artist, he might judiciously and appropriately select
+the moment when the Saviour was announcing, in mysterious words, the close
+of his mission--as in St. Matthew and St. Mark; or was teaching them a
+lesson of humility when the spirit of rivalry and strife had disclosed
+itself among them--as we find in St. Luke and St. John.
+
+It is not perhaps generally known that the statutes of Queen's College,
+Oxford, prescribe the order of sitting at the common table in manner which
+evidently refers to the _coenaculum_ of the old church painters.
+
+E. SMIRKE.
+
+ * * * * *
+
+
+Minor Notes.
+
+_Scotter Register (County Lincoln)._--The following extracts from the
+register of the parish of Scotter, in the county of Lincoln, are perhaps
+sufficiently interesting to be worth printing in "N. & Q.":
+
+ 1. "Eccelesia parochialis de Scotter comitatu Lincolniæ dedicata est
+ Beatis Apostolis Sancto Petro et Sancto Paulo ut apparet in Antiquo
+ Scripto viduæ Loddington de Scotter, viz. in testamento vltimo Thomæ
+ Dalyson, Gen. de Scotter, qui obiit Junii 19^o, anno Domini 1495.
+
+ "GUL. CARRINGTON,
+ "Rector ecl[=i]a ibid."
+
+ 2. "_Memorandum_, That on Septuagesima Sunday, being the 19^{th} day of
+ January, 1667, one Francis Drury, an excommunicate person, came into
+ the church in time of divine service in y^e morning, and being
+ admonisht by mee to begon, hee obstinately refused, whereuppon y^e
+ whole congregation departed; and after the same manner in the
+ afternoon, the same day, he came again, and refusing againe to go out,
+ the whole congregation againe went home, soe y^t little or no service
+ pformed. They prevented his further coming in y^t manner, as hee
+ threatned, by order from the Justice, uppon the statute of Queene
+ Elizabeth concerning the molestation and disturbance of publiq
+ preachers.
+
+ WM. CARRINGTON, Rec."
+
+ "O tempora, O mores."
+
+ 3. "Michæl Skinner Senex centum et trium annorum sepultus fuit die
+ sancti Johannis, viz. Dec. 27, 1673."
+
+EDWARD PEACOCK, Jun.
+
+Bottesford Moors, Kirton Lindsey.
+
+"_All my Eye._"--"_Over the Left._"
+
+ "What benefit a Popish successor can reap from lives and fortunes spent
+ in defence of the Protestant religion, he may put in his eye: and what
+ the Protestant religion gets by lives and fortunes spent in the service
+ of a Popish successor, will be over the left shoulder."--Preface to
+ _Julian the Apostate_: London, printed for Langley Curtis, on Ludgate
+ Hill. 1682.
+
+Is this passage the origin of the above cant phrases?
+
+GEORGE DANIEL.
+
+Canonbury.
+
+_Curious Marriages._--In _Harl. MSS._ 1550, p. 180., is the pedigree of
+Irby, where Anthony Irby has two daughters: Margaret, who married Henry
+Death, and Dorothy, who married John Domesday.
+
+E. G. BALLARD. {526}
+
+_Child-mother._--Four months ago, on board the Brazil packet, the royal
+mail steam-vessel Severn, there was an instance of a "child-wife," which
+might be worthy of a place among your curiosities of that description.
+
+She was the wedded wife of a Brazilian travelling from the Brazils to
+Lisbon, and her husband applied for permission to pay the "reduced passage
+money" for her as being "under twelve years of age!"
+
+As the regulation on that head speaks of "_children_ under twelve years of
+age," this _conscientious_ Brazilian's demand could not be countenanced.
+
+His wife's age was under eleven years and a half, and (_credat Judæus_)
+_she was a mother_!
+
+A. L.
+
+ * * * * *
+
+
+Queries.
+
+FURTHER QUERIES RESPECTING BISHOP KEN.
+
+(_Continued from_ Vol. vii., p. 380.)
+
+In a _Collection of Poems_, in six volumes, by several Hands (Dodsley, 5th
+edition, 1758), and in vol. iii. p. 75., is found "An Epistle from Florence
+to T. A., Esq., Tutor to the Earl of P----. Written in the year 1740. By
+the Honourable ----." Can any one explain an allusion contained in these
+three lines of the epistle?
+
+ "Or with wise Ken judiciously define,
+ When Pius marks the honorary coin
+ Of Caracalla, or of Antonine."
+
+It is hardly to be supposed that the Ken here named could mean the bishop,
+who died so far back as 1711. Was there a coin-collector of that name
+living about 1740?
+
+We learn (from Ken's _Prose Works_, ed. Round, pp. 93, 94.) that the
+Bishop's sister, "my poor sister Ken," most probably then a widow, lost her
+only son, who died at Cyprus, in 1707. Was this Mrs. Ken the Rose Vernon,
+sister of Sir Thomas Vernon, of Coleman Street, London, and the wife of Jon
+Ken, the bishop's eldest brother, and treasurer of the East India Company?
+This Jon and Rose Ken are represented, in Mr. Markland's Pedigree of the
+Ken family, as still living in 1683. Is there no monumental memorial of
+this Treasurer Ken, or his family, in any of the London churches?
+
+In Mr. Macaulay's _History of England_, 5th ed., vol. ii. p. 365., he
+states that "it was well known that one of the most opulent dissenters of
+the City had begged that he might have the honour of giving security for
+Ken," when the seven bishops were bailed, previous to their trial. On what
+authority (for none is cited) does this statement rest?
+
+Can any one give a clue to this passage from a letter written to Mr.
+Harbin, Lord Weymouth's chaplain, by Bishop Ken, and dated "Winton, Jan
+22." [1701]:
+
+ "I came to Winchester yesterday, where I stay one post more, and then
+ go either to Sir R. U. or L. Newton, where you shall hear from
+ me."--Ken's _Prose Works_, by Round, p. 53.
+
+Can "Sir R. U." (the _U_ perhaps being a mistake for _W._) designate Sir
+Robert Worsley, Bart., of Chilton, in the county of Southampton, married to
+Lord Weymouth's daughter? and can "L. Newton" be a mistake for Long Sutton,
+in Hants? or may it be Long Newton, in the hundred of Malmesbury?
+
+J. J. J.
+
+Temple.
+
+ * * * * *
+
+
+THE REV. JOHN LAWSON AND HIS MATHEMATICAL MANUSCRIPTS.
+
+In the year 1774 the Rev. John Lawson, B.D., Rector of Swanscombe in Kent,
+published _A Dissertation on the Geometrical Analysis of the Antients, with
+a Collection of Theorems and Problems without solutions for the Exercise of
+young Students_. This work was printed anonymously at Canterbury, but the
+merits of the essay did not permit the author to remain long in obscurity;
+the real writer was immediately known to most of the geometers of the day,
+and the elegant character of many of the theorems and problems, led to a
+general desire that their solutions should be published in a separate work.
+In accordance with this intention, it was announced on a fly-sheet attached
+to some copies of the work, that--
+
+ "The author of this publication being a man of leisure, and living in a
+ retired situation, remote from any opportunity of conversation with
+ mathematicians, would be extremely glad of a correspondence with any
+ such, who are willing to be at the expense of the same; or if this be
+ thought too much, will pay the postage of his answers to their letters.
+ But no letters, except post-paid, can be received by him; otherwise a
+ door would be opened for frolic, imposition, and impertinence. Any new
+ geometrical propositions, either theorems or problems, would be
+ received with gratitude, and if sent without solutions, he would use
+ his best endeavours to return such as might be satisfactory. Any new
+ solutions of propositions already in print, _especially of those
+ included in the present collection_, would also be very agreeable. If a
+ variety of such demonstrations essentially different from those of the
+ original authors should be communicated, he proposes at some future
+ time to publish them all, with a fresh collection for further exercise;
+ and then each author's name shall be affixt to his own solution, or any
+ other signature which he shall please to direct. Any person who shall
+ favor the publisher with his correspondence shall have speedily
+ conveyed to him the solutions of any propositions contained in this
+ collection, which he may be desirous of seeing. Letters (post-paid)
+ directed for P. Q., to be left at Mr. Nourse's, Bookseller, in the
+ {527} Strand, London, will be carefully transmitted on the first day of
+ each month, and all correspondents may expect answers during the course
+ of that month."
+
+In consequence of this appeal, Mr. Lawson was speedily in correspondence
+with several of the most able geometers then living, and amongst the rest,
+Messrs. Ainsworth, Clarke, Merrit, Power, &c., appear to have furnished him
+with original solutions to his collection of theorems and problems. The
+manuscript containing these solutions must have been of considerable size,
+since a portion of it was sent down to Manchester about July, 1777, for the
+purpose of obtaining Mr. Ainsworth's remarks and corrections; and Mr.
+Lawson is requested, in a letter bearing date "August 22, 1777," to "send
+the next portion when convenient." Whether Mr. Lawson did so or not, I have
+not yet been able to ascertain; but this much is certain, the manuscript
+was never printed, and would most probably either be disposed of at the
+death of its compiler, or previously transferred to the possession of some
+geometer of Mr. Lawson's acquaintance. Several of the _original_ letters
+which passed between the respective parties relating to this manuscript are
+at present in the hands of two or three of the Lancashire geometers, but no
+one seems to know anything of the manuscript itself. May I then request
+that the fortunate holder of this yet valuable collection will make himself
+known through the medium of the widely circulated pages of "N. & Q."
+
+T. T. WILKINSON.
+
+Burnley, Lancashire.
+
+ * * * * *
+
+
+Minor Queries.
+
+_"Wanderings of Memory."_--In Brayley's _Graphic and Historical
+Illustrator_, p. 293., is a quotation from the _Wanderings of Memory_, as a
+motto to an account of the ancient castle of the Peverils at Castleton, in
+Derbyshire: can any of your readers tell me who was the author of the poem
+in question?
+
+W. R.
+
+Camden Town.
+
+_"Wandering Willie's Tale."_--Has the scene that presented itself to the
+view of Piper Steenie Steenson, when he was ushered by the phantom of his
+old friend Dougal M^cCallum into the presence of the ghastly revellers
+carousing in the auld oak parlour of the visionary Redgauntlet Castle, ever
+been painted? (See _Redgauntlet_, Letter xi.) If it has, is there any
+engraving of the picture extant or on sale?
+
+C. FORBES.
+
+Temple.
+
+_Chapel Sunday._--I had the pleasure of spending a Sunday in the course of
+the last summer in the neighbourhood of Keswick, among the delightful lake
+scenery of England. I there learned that in the village of Thornthwaite it
+was Chapel Sunday, and on inquiry I was told that there were a few other
+villages in the neighbourhood where there was also a Chapel Sunday. Upon
+this day it is the custom of young people to come from neighbouring places
+to attend worship at the village church or chapel, and the afternoon
+partakes of a merry-making character at the village inn. There appeared, as
+far as I could see, no excesses attending the anniversary, all being
+respectable in their conduct. Can any of your Cambrian readers inform me
+the origin of this anniversary?
+
+PRESTONIENSIS.
+
+_Proud Salopians._--I have never heard a satisfactory account of the origin
+of this title, given to persons belonging to my native county.
+
+In the neighbourhood the following story is frequently related, but with
+what authority I cannot tell, viz. "That upon the king (Query which?)
+offering to make Shrewsbury a city, the inhabitants replied that they
+preferred its remaining the largest borough in England, rather than it
+should be the smallest city; their pride not allowing them to be small
+among the great."
+
+If this history of the term be true, it would appear that the name should
+only be applied to _burgesses of Shrewsbury_.
+
+SALOPIAN.
+
+_George Miller, D.D._--In the year 1796, George Miller, subsequently the
+author of _Modern History Philosophically Illustrated_, and many other
+well-known works (of which a list appears in a recent Memoir), was
+appointed Donnelan Lecturer in Trinity College, Dublin; and delivered a
+course of sermons or lectures on "An Inquiry into the Causes that have
+impeded the further Progress of Christianity." I should be very glad indeed
+to know whether these Sermons have appeared in print; and if so, when and
+where published? I have not been able to procure a copy.
+
+With regard to the Donnelan Lectureship, I may add, that a legacy of 1243l.
+was bequeathed to the College of Dublin by Mrs. Anne Donnelan, of the
+parish of St. George, Hanover Square, in the county of Middlesex, spinster,
+"for the encouragement of religion, learning, and good manners." The
+particular mode of application was entrusted to the Provost and Senior
+Fellows; and accordingly, amongst other resolutions of the Board, passed
+Feb. 22, 1794, are to be found the following: "That a Divinity Lecture, to
+which shall be annexed a salary arising from the interest of 1200l., shall
+be established for ever, to be called Donnelan's Lecture;" and "That one
+moiety of the interest of the said 1200l. shall be paid to the Lecturer as
+soon as he shall have delivered the whole number [six] of the lectures; and
+the other moiety as soon as he shall have _published_ four of the said
+Lectures."
+
+ABHBA. {528}
+
+_Members of Parliament._--Pennant, in _The Journey from Chester to London_,
+p. 94., says:
+
+ "The ancient owners of Rudgley were of the same name with the town:
+ some of the family had the honour of being sheriffs of the county in
+ the reign of Edward III. _Another was knight of the shire in the same
+ period._"
+
+Can any reader of "N. & Q." verify the _last portion_ of Pennant's
+statement?
+
+J. W. S. R.
+
+St. Ives, Hunts.
+
+_Taret._--I have lately met with mention of a "small insect called the
+_Taret_." What may this be?
+
+TYRO.
+
+_Jeroboam of Claret, &c._--Could any of your correspondents inform me what
+a Jeroboam of Claret is, and from what it is derived: also a Magnum of
+Port?
+
+WINEBIBBER.
+
+_William Williams of Geneva._--In _Livre des Anglois, à Génève_, with a few
+biographical notes by J. S. Burn, Esq., pages 5, 6. 12, 13., mention is
+made of Guillaume--Will[=m] Will[=m]s, and Jane his wife,--Will[=m]
+Will[=m]s, a senior of the church there in 1555, 1556, 1557, 1558; and some
+of the years he was a godfather. I shall be glad to have some further
+account of such William Williams, or references to where to find such?
+
+GLWYSIG.
+
+_The First of April and "The Cap awry."_--Tom Moore, in his Diary, 1819,
+says:
+
+ "April 1st. Made Bessy turn her cap awry in honour of the day."
+
+What was the origin of this custom? Was this the way a fool was supposed to
+show that his head was turned?
+
+C. R.
+
+Paternoster Row.
+
+_Sir G. Browne, Bart._--Sir George Browne, Bart., of West Stafford, Berks,
+and Wickham, is said to have had nineteen children by his wife Eleanor
+Blount; and that three of those children were sons, killed in the service
+of Charles I.
+
+Was either of those sons named Richard; and was any of them, and which,
+married? If so, where, and to whom?
+
+NEWBURY.
+
+_Bishop Butler._--Will any of our Roman Catholic friends tell us on what
+authority they assert that Bishop Butler, the author of _The Analogy_, died
+in their communion? That he was suspected of a tendency that way during his
+life is acknowledged by all, though the grounds, that of setting up a cross
+in his chapel, are confessedly unsatisfactory. But, besides this, it is
+alleged that he died with a Roman Catholic book of devotion in his hand,
+and that the last person in whose company he was seen was a priest of that
+persuasion. One would be glad to have this question sifted.
+
+X. Y. Z.
+
+_Oaken Tombs._--In Dr. Whitaker's noble history of _Loidis and Elmete_, p.
+322., is the following passage:
+
+ "Next in point of time is a very singular memorial, which has evidently
+ been removed from its original position, between the chapel and the
+ high altar, to a situation at the south side and west end of the
+ chapel.... The tomb is a messy frame-work of oak, with quarter-foils
+ and arms on three sides, and on the table above three statues of the
+ same material, namely, of a knight bare-headed, with rather youthful
+ countenance and sharp features, and his two wives. On the filleting is
+ this rude inscription in Old English:
+
+ 'Bonys emong Stonys, lyes here ful styl,
+ Quilst the sawle wanders wher God wyl.
+ Anno D^{ni} MCCCCCXXIX.'
+
+ This commemorates Sir John Savile, who married, &c.
+
+ "Over all has been a canopy, or rather tester, for the whole must have
+ originally resembled an antique and massy bedstead, exhibiting the very
+ incongruous appearance of a husband in bed with two wives at once."
+
+The Doctor adds:
+
+ "Oaken tombs are very rare; that of Aymer de Valence in Westminster
+ Abbey has been and still is in part coated over with copper, gilt, and
+ enamelled, and I have seen another in the church of Tickencote in
+ Rutlandshire. I do not recollect a third specimen."
+
+Query, How many have been discovered since the great historian's day?
+
+ST. BEES.
+
+_Alleged Bastardy of Elizabeth._--In the State Paper Office (_Dom. Pap._,
+temp. Jac. I.), there is, under date of 1608, a letter from Mr.
+Chamberlaine to Sir Dudley Carleton, of October 28, in which Chamberlaine
+says:
+
+ "I heare of a Bill put into the Exchequer, concerninge much lande that
+ sh^d be alienated on account of the alleged bastardy of Queen
+ Elizabeth."
+
+P. C. S. S. is desirous to know whether there be any record in the Court of
+Exchequer which bears out this singular statement.
+
+P. C. S. S.
+
+_"Pugna Porcorum."_--Where may be found some account of the author, object,
+&c. of this facetious production?
+
+P. J. F. GANTILLON, B.A.
+
+_Parviso._--Can any of your readers inform me as to the meaning of the word
+_parviso_; it occurs in the usual form of the "Testamur" for Responsions.
+On reference to Webster's _Dictionary_, I find that _parvis_ is a small
+porch or gateway; perhaps this may throw some light upon the question.
+
+OXONIENSIS.
+
+_Mr. Justice Newton._--There is a very stiff Indian-ink copy of a portrait
+in the _Sutherland Illustrated Clarendon_, in the Bodleian Library, the
+original of which I should be glad to trace. It is described in the
+Catalogue to be "by Bulfinch," {529} which is probably a mistake. It bears
+the following inscription:
+
+ "This is drawn from the painting in the hands of Mr. Justice Newton of
+ the Middle Temple."
+
+Can any one inform me when this learned justice lived; or rather, for it
+concerns me more, when he died? And farther, if it be not too hopeless an
+inquiry to make, who his existing representatives (if any) may be?
+
+F. KYFFIN LENTHALL.
+
+36. Mount Street, Grosvenor Square.
+
+_Mufti._--I hear military men employ this term, "we went in _mufti_:"
+meaning, out of uniform. Whence is it derived?
+
+MARIA.
+
+_Ryming and Cuculling._--In that very curious volume of extracts from _The
+Presbytery Book of Strathbogie_, A.D. 1631-54, which was printed for the
+Spalding Club in 1843, occurs the following passage:
+
+ "George Jinkin and John Christie referred from the Session of
+ Abercherder, for _ryming and cuculling_, called, compeird not. Ordained
+ to be summonded _pro_ 2^o."--P. 242.
+
+Accordingly, on--
+
+ "The said day, George Jinkin in Abercherder, being summonded for his
+ _ryming and cuculling_, being called, compeired; and being accused of
+ the foresaid fault, confessed he only spoke three words of _that ryme_.
+ Being sharpely rebuked, and instructed of the grosnes of that sin, was
+ ordained to satisfie in sackcloth, which he promised to do."--P. 245.
+
+What was the "fault" here alluded to, and visited with a species of
+discipline with which the presbytery, and those under its jurisdiction,
+appear to have been very familiar?
+
+D.
+
+_Custom at the Savoy Church._--At the Savoy Church (London), the Sunday
+following Christmas Day, there was a chair placed near the door, covered
+with a cloth: on the chair was an orange, in a plate.
+
+Can any of the readers of "N. & Q." inform me the meaning of this?
+
+CERIDWEN.
+
+ * * * * *
+
+
+Minor Queries with Answers.
+
+_Faithfull Teate._--I lately fell in with a small work by this divine,
+entitled _Ter Tria_, and on the fly-leaf is a MS. note, stating that some
+years ago a copy of the same book was priced, in a bookseller's catalogue
+in London, at 1l. 7s. 6d. I wish to learn some particulars relative to the
+author, and if the work is valuable, or scarce, or both.
+
+J. S.
+
+ [Neither Calamy nor Brook has furnished any biographical notices of Dr.
+ Faithfull Teate. When he wrote _Ter Tria_, in 1658, he was a "Preacher
+ of the Word at Sudbury in Suffolk." A second edition of it was
+ published in 1669. In 1665 appeared his _Scripture Map of the
+ Wildernesse of Sin_," 4to. In a discourse on _Right Thoughts, the
+ Righteous Man's Evidence_, he has the following passage, accommodated
+ to his own destitute state after his ejectment: "The righteous man, in
+ thinking of his present condition of life, thinks it his relief, that
+ the less money he has he may go the more upon trust; the less he finds
+ in his purse, seeks the more in the promise of Him that has said, 'I
+ will never leave thee, nor forsake thee;' so that he thinks no man can
+ take away his livelihood, unless he can first take away God's truth."
+ Lowndes has given the following prices of _Ter Tria_: Sir M. M. Sykes,
+ part iii. 626., 5s.; Nassau, part ii. 682., 8s.; White Knights, 4068.,
+ 1l.; _Bibl. Ang. Poet._, 764., 1l. 11s. 6d.]
+
+_Kelway Family._--Can any of the readers of "N. & Q." guide me to anything
+like a pedigree of the family of _Kelloway_, _Kaloway_, or _Kelway_; which
+I find from Lysons' _Devonshire_ possessed the manor of Mokesbean in that
+county from the time of Henry II.?
+
+In the first year of Edward III., when the property of those who suffered
+after the battle of Boroughbridge was restored, John de Keilewaye was found
+"hæres de integro sanguine" to Lord Gifford of Brimesfield.
+
+The last of the family appears to have been John Kelloway of Collampton in
+Devon, who married Joan Tregarthian; and dying in 1530, left co-heiresses
+married to Greville of Penheale, Codrington of Codrington, Harwood, and
+Cooke.
+
+The arms of the family are singular, being, Argent within a bordure
+engrailed sable, two groving irons in saltire sable, between four pears Or.
+
+R. H. C.
+
+ [The pedigree of this family will be found in two copies by Munday of
+ the "Visitation of Devonshire," A.D. 1564, in the Harleian MSS. 1091.
+ p. 90., and 1538, p. 2166. The only difference in the arms is, in both
+ copies, that there is _no bordure engrailed_; but this has probably
+ been added since as a _difference_, as was often done to distinguish
+ families. The name is here spelt _Kelloway_, and the pedigree begins
+ with "Thomas Kelloway of Stowford in County Devon, who married Anne,
+ daughter of ---- Copleston, of ----, in county Somerset," and ends with
+ "John Kelloway, who married Margery, daughter of John Arscott of
+ Dunsland, and left issue Robert, who married ----, and Richard."]
+
+_Regatta._--What is the etymology of the word _regatta_? From whence is it
+derived, and when was it first used in English to mean a boat-race?
+
+C. B. N. C. J. S.
+
+ [Baretti says, "Regatta, _palio che si corre sull' acqua_; a race run
+ on water in boats. The word I take to be corrupted from _Remigata_, the
+ art of rowing." Florio, in his _Worlde of Wordes_, has "_Regattare_,
+ Ital. to wrangle, to cope or fight for the mastery." The term, as
+ denoting a showy species of boat-race, was first used in this {530}
+ country towards the close of the last century; for the papers of that
+ time inform us, that on June 23, 1775, a regatta, a _novel_
+ entertainment, and the first of the kind, was exhibited in the river
+ Thames, in imitation of some of those splendid shows exhibited at
+ Venice on their grand festivals. The whole river, from London Bridge to
+ the Ship Tavern, Millbank, was covered with boats. About 1200 flags
+ were flying before four o'clock in the afternoon, and vessels were
+ moored in the river for the sale of liquors and other refreshments.
+ Before six o'clock it was a perfect fair on both sides the water, and
+ bad liquor, with short measure, was plentifully retailed. Plans of the
+ regatta were sold from a shilling to a penny each, and songs on the
+ occasion sung, in which "regatta" was the rhyme for "Ranelagh," and
+ "royal family" echoed to "liberty."]
+
+_Coket and Cler-mantyn._--Piers Plowman says that when new corn began to be
+sold--
+
+ "Waulde no beggar eat bread that in it beanes were,
+ But of _coket_ and _cler-mantyn_, or else of cleane wheate."
+
+What are _coket_ and _cler-mantyn_? Also, what are _coronation flowers_,
+and _sops in wine_?
+
+CERIDWEN.
+
+ [Both _coket_ and _cler-mantyn_ mean a kind of fine bread. _Coronation_
+ is the name given by some of our old writers to a species of flower,
+ the modern appellation of which is not clear. _Sops-in-wine_ were a
+ species of flowers among the smaller kind of single gilliflowers or
+ pinks. Both these flowers are noticed by Spenser, in his _Shepherd's
+ Calendar_ for April, as follows:
+
+ "Bring coronations and sops-in-wine
+ Worn of paramours."]
+
+ * * * * *
+
+
+Replies.
+
+CURFEW.
+
+(Vol. vi., pp. 53. 112.)
+
+It will be remembered that when Mr. Webster, one of the greatest of
+American statesmen, was on his death-bed, in October last, he requested his
+son to read to him that far-famed "Elegy" of Gray:
+
+ "The curfew tolls the knell of parting day."
+
+The editor of the _Boston Journal_, after referring to this circumstance,
+which he says has caused an unexampled demand for the works of Gray in the
+United States, goes on to give the result of his researches in many old
+English works, respecting the origin and meaning of the word _curfew_,
+which I trust will interest not only your correspondents who have written
+on the subject, but also many of your readers. I glean from the clever
+article now before me the following brief notices, which I have not yet met
+with in "N. & Q."
+
+In King Alfred's time the curfew was rung at eight o'clock, and called the
+"cover fire bell," because the inhabitants, on hearing its peals, were
+obliged to cover their fires, and go to bed. Thomson evidently refers, in
+the following lines, to this tyrannical law, which was abolished in England
+about the year 1100:
+
+ "The shiv'ring wretches at the curfew sound,
+ Dejected sunk into their sordid beds,
+ And through the mournful gloom of ancient time,
+ Mused sad, or dreamt of better."
+
+On the people finding that they could put out their fires and go to bed
+when they pleased, it would appear, from being recorded in many places,
+that the time of ringing the curfew bell was first changed from eight to
+nine o'clock, then from nine to ten, and afterwards to the early hours of
+the morning. Thus we find in _Romeo and Juliet_:
+
+ "The curfew bell hath rung:
+ 'Tis _three o'clock_."
+
+In Shakspeare's works frequent mention is made of the curfew. In the
+_Tempest_ he gives the following:
+
+ "You whose pastime
+ Is to make midnight mushrooms--that rejoice
+ To hear the solemn curfew."
+
+In _Measure for Measure_:
+
+ "_Duke._ Who call'd here of late?
+ _Provost._ None since the curfew rung."
+
+In _King Lear_:
+
+ "This is the foul fiend Flibertigibbet;
+ He begins at curfew, and walks to the first cock."
+
+This old English custom of ringing the curfew bell was carried by the
+Puritan fathers to New England; and where is the Bostonian of middle age
+who does not well recollect the ringing of the church bell at nine o'clock,
+which was the willing signal for labourers to retire to bed, and for
+shopmen to close their shops?
+
+Before closing this Note, may I be allowed to inform MR. SANSOM, that
+_Charlestown_ is in Massachusetts, and only separated from Boston by
+Charles River, which runs between the two cities. The place to which he
+refers is _Charleston_, and in South Carolina.
+
+W. W.
+
+Malta.
+
+ * * * * *
+
+
+THE "SALT-PETER-MAN."
+
+(Vol. vii., pp. 377. 433. 460.)
+
+The statute against monopolies (21 Jac. I. c. 3.) contains a clause (sec.
+10.) that its provisions should not extend to any commission grant or
+letters patent theretofore made, or thereafter to be made, of, for, or
+concerning the digging, making, or compounding of saltpetre or gunpowder,
+which were to be of the like force and effect, _and no other_, as if that
+act had never been made.
+
+In the famous "Remonstrance of the State of the Kingdom" agreed upon by the
+House of Commons in November, 1641, there is special allusion to the
+vexation and oppression of the {531} subject by purveyors, clerks of the
+market, and saltpetre men. (_Parliamentary History_, x. 67.)
+
+Shortly afterwards was passed an act (which obtained the royal assent)
+giving liberty for importing gunpowder and saltpetre, and for making of
+gunpowder. The preamble asserts that the importation of gunpowder from
+foreign parts had of late times been against law prohibited, and the making
+thereof within this realm ingrossed; whereby the price of gunpowder had
+been excessively raised, many powder works decayed, this kingdom very much
+weakened and endangered, the merchants thereof much damnified, many
+mariners and others taken prisoners and brought into miserable captivity
+and slavery, many ships taken by Turkish and other pirates, and many other
+inconveniences had from thence ensued, and more were likely to ensue, if
+not timely prevented. (17 _Car. I._ c. 21.)
+
+Lord Clarendon, in reviewing the various "important laws" of the Long
+Parliament to which the king assented, makes the following observations
+with reference to this particular act:
+
+ "'An Act for the free making Saltpetre and Gunpowder within the
+ Kingdom:' which was a part of the prerogative; and not only
+ considerable, as it restrained that precious and dangerous commodity
+ from vulgar hands; but, as in truth it brought a considerable revenue
+ to the crown, and more to those whom the crown gratified and obliged by
+ that license. The pretence for this exemption was, 'the unjustifiable
+ proceeding of those (or of inferior persons qualified by them) who had
+ been trusted in that employment,' by whom, it cannot be denied, many
+ men suffered: but the true reason was, that thereby they might be sure
+ to have in readiness a good stock in that commodity, against the time
+ their occasions should call upon them."--_History of Rebellion_, book
+ iii.
+
+On the 3rd April, 1644, the Lords and Commons passed an ordinance for the
+making of saltpetre, &c. This was grounded on the following allegations:
+
+ "1. The great expence of gunpowder, occasioned by the then war within
+ his Majesty's dominions, had well near consumed the old store, and did
+ exhaust the magazines so fast, that without a larger supply, the navy
+ forts and the land armies could not be furnished.
+
+ "2. Foreign saltpetre was not in equal goodness with that of our own
+ country, and the foreign gunpowder far worse conditioned and less
+ forcible than that which is made in England.
+
+ "3. Divers foreign estates had of date prohibited the exportation of
+ salt-peter and gunpowder out of their own dominions and countries, so
+ that there could be but little hope or future expectation of any peter
+ or powder to be brought into this kingdom, as in former times, which
+ would enforce us to make use of our own materials."
+
+From these circumstances, it was held most necessary that the digging of
+saltpetre and making of gunpowder should by all fit means be encouraged, at
+that time when it so much concerned the public safety; nevertheless, to
+prevent the reviving of those _oppressions and exactions_ exercised upon
+the people, under the colourable authority of commissions granted to
+_salt-peter-men_; which burden had been eased since the sitting of that
+Parliament. To the end there might not be any pretence to interrupt the
+work, it was ordained that the committee of safety, their factors, workmen,
+and servants, should have power and authority, (within prescribed hours) to
+search and dig for saltpetre in all pigeon-houses, stables, cellars,
+vaults, empty warehouses, and other outhouses, yards, and places likely to
+afford that earth.
+
+The _salt-peter-men_ were to level the ground and repair damage done by
+them; or might be compelled to do so by the deputy-lieutenants, justices of
+the peace, or committees of parliament.
+
+The _salt-peter-men_ were also empowered to take carts, by the known
+officers, for carriage of the liquor, vessels, and other utensils, from
+place to place, at specified prices, and under limitations as to weight and
+distance; and they were freed from taxes and tolls for carriages used about
+their works, and empowered to take outhouses, &c., for their workhouses,
+making satisfaction to the owners.
+
+This ordinance was to continue for two years, from 25th March, 1644.
+
+An ordinance of a similar character was passed 9th February, 1652, to be in
+force till 25th March, 1656 (_Scobell_, 231.).
+
+By an act of the Lord Protector and Parliament, made in 1656, it was
+enacted that no person or persons should dig within the houses or lands of
+any person or persons of the commonwealth for the finding of saltpetre, nor
+take the carriages of any person or persons for the carrying of their
+materials or vessels, without their leave first obtained or had.
+(_Scobell_, 377.) This is the act referred to by BROCTUNA ("N. & Q.," Vol.
+vii., p. 434.), and by my friend MR. ISAIAH DECK ("N. & Q.," Vol. vii., p.
+460.), though I am not certain that MR. DECK'S inference be correct, that
+this act was passed in consequence of the new and uncertain process for
+obtaining the constituents of nitre having failed; and it is quite clear
+that Lord Coke could not have referred to this act. The enactment referred
+to is introduced by way of proviso in an act allowing the exportation of
+goods of English manufacture (_inter alia_, of gunpowder, when the price
+did not exceed 5l. per cwt.).
+
+Allow me, in connexion, with this subject, to refer to Cullum's _History of
+Hawsted_, 1st edition, pp. 150. and 151., also to the statute 1 Jac. II. c.
+8. s. 3., by which persons obtaining any letters patent for the sole making
+or importing gunpowder are subjected to the pains and penalties of
+præmunire.
+
+C. H. COOPER.
+
+Cambridge. {532}
+
+ * * * * *
+
+
+FORMS OF JUDICIAL OATHS.
+
+(Vol. vii., p. 458.)
+
+Will you permit me to make a few observations in reply to the Queries of
+MR. H. H. BREEN on this subject?
+
+There is hardly any custom more ancient than for a person imposing a
+promise on another to call on him to bind himself by an oath to the due
+performance of it. In this oath the person swearing calls on God, the king,
+his father, or some person or thing to whom he attaches authority or value,
+to inflict on him punishment or loss in case he breaks his oath. The mode
+of swearing is, in one particular, almost everywhere and in every age the
+same.
+
+When a father, a friend, a sword, or any corporeal object is sworn by, _the
+swearer places his hand upon it_, and then swears. When a man, however,
+swore by the Deity, on whom he cannot place his hand, he raised his hand to
+heaven towards the God by whom he swore.
+
+When Abraham made Abimelech swear to obey him, he caused him to place his
+hand under his thigh, and then imposed the oath; and when Jacob, by his
+authority as a father, compelled his son Joseph to swear to perform his
+promise, he ordered him to go through a similar ceremony. (Genesis, ch.
+xxiv. v. 5., and ch. xlvii. v. 29.)
+
+In the prophet Daniel we read that--
+
+ "The man clothed in linen which was upon the waters, held up his right
+ hand and his left hand unto heaven, and sware by Him that liveth for
+ ever and ever," &c.--Daniel, ch. xii. v. 7.
+
+In the Revelation we also find--
+
+ "And the angel, which I saw stand upon the sea and the earth, lifted up
+ his hand to heaven and sware by Him that liveth for ever and ever,"
+ &c.--Revelation, ch. x. v. 5, 6.
+
+Your correspondent inquires how oaths were taken prior to their being taken
+on the Gospel.
+
+Among the nations who overthrew the Roman empire, the most common mode of
+swearing was on the relics of the saints. In England, I think, the most
+common mode was to swear on the corporalia or eucharistic elements, whence
+we still have the common phrase "upon your corporal oath." In each case the
+hand was placed on the thing sworn by.
+
+The laws of the Alamanni as to conjurators, direct that the sacrament shall
+be so arranged that all the conjurators shall place their hands upon the
+coffer (containing the relics), and that the principal party shall place
+his hand on all theirs, and then they are to swear on the relics. (_Ll.
+Alam._ cap. 657.)
+
+The custom of swearing on the Gospels is repeatedly mentioned in the laws
+of the Lombards. (_Ll. Longo._ 1 tit. 21. c. 25.; _Ll. Longo._ 2. tit. 55.
+c. 2., and c. 2. tit. 34. _et al._)
+
+In the _Formularies of Marculphus_, two forms of oaths are given, one says
+that--
+
+ "In palatio nostro super capella domini Martini ubi reliqua sacramenta
+ percurrunt debeat conjurare."
+
+In the other we read--
+
+ "Posita manu supra sacrosanctium altare sancti ... sic juratus dixit.
+ Juro per hunc locum sanctum et Deum altissimum et virtutis sancti ...
+ quod," &c.
+
+In the laws of Cnût of England, two forms of oath are given. They both
+begin with "By the Lord before whom this relic is holy." (_Ancient Laws and
+Justice of England_, p. 179.)
+
+Your correspondent asks "what form of Judicial oath was first sanctioned by
+Christians as a body?"
+
+In the history of the Council of Constantinople, it is stated that--
+
+ "George, the well beloved of God, a deacon and keeper of the records,
+ having touched the Holy Gospels of God, swore in this manner, 'By these
+ Holy Scriptures, and by the God who by them has spoken,'" &c.
+
+At the Council of Nice it is said that--
+
+ "Prayer having been offered up, every one saluted the Holy Gospels, the
+ venerated cross and image of our Lord and Saviour Jesus Christ, and of
+ our Lady the mother of God, and placed his hands upon them in
+ confirmation of what he had said."
+
+From these I infer that the custom of swearing on the Gospels received the
+sanction of the church at a very early period.
+
+In reply to the question as to other modes of swearing, it may be said
+briefly, that men swore by anything to which they attached any importance,
+and generally by that to which they attached most importance.
+
+By the laws of the Alamanni, a wife could claim her _Morgen-gabe_ (or the
+gift of the morning after the wedding night) by swearing to its amount on
+her breast; and by the Droits d'Augsbourg, by swearing to it on her two
+breasts and two tresses.
+
+Nothing was more common than for a man to swear by his beard. This custom
+is alluded to by one of Shakspeare's fools, who suggests that if a certain
+knight swore by his honour, and his mistress by her beard, neither of them
+_could_ be forsworn.
+
+In the canons of the Fourth Council of Orleans, we read--
+
+ "Le Roi lui-même, ou le plus renommé des chevaliers présents, ayant
+ découpé le paon, se leva, et mettant la main sur l'oiseau, fit un voeu
+ hardi; Ensuite il passa le plat, et chacun de ceux qui le reçurent fit
+ un voeu semblable."
+
+In the year 1306, Edward I. of England swore an oath on two swans.
+
+It was also very common from an early period, both in England and abroad,
+to swear by one, two, seven, or twelve churches. The deponent went {533} to
+the appointed number of churches, and at each, taking the ring of the
+church door in his hand, repeated the oath.
+
+One of the most curious specimens of the practice of swearing men by that
+to which they attached most importance, is to be found in an Hindoo law. It
+says, let a judge swear a Brahmin by his veracity; a soldier by his horses,
+his elephants, or his arms; an agriculturist by his cows, his grain, or his
+money; and a Soudra by all his crimes.
+
+JOHN THRUPP.
+
+Surbiton.
+
+I know nothing about judicial oaths: but the origin of the form MR. BREEN
+states to be used by the Roman Catholics of the Continent, and the Scotch
+Presbyterians, may be seen in Dan. xii. 7.: "When he held up his right hand
+and his left hand unto heaven, and sware by him that liveth for ever." And
+in Revelation x. 5, 6.: "And the angel ... lifted up his hand to heaven,
+and sware by him," &c. See also Genesis xiv. 22.
+
+MARIA.
+
+ * * * * *
+
+
+PHOTOGRAPHIC CORRESPONDENCE.
+
+_Washing Collodion Pictures--Test for Lens._--As I was indebted to the
+kindness of DR. DIAMOND, amongst other friends, for my original initiation
+into the mysteries of photography, it may appear somewhat presumptuous in
+me to differ from one who has had so much more experience in a point of
+practice. I allude to that of _washing_ the collodion negative after
+developing, previously to fixing with the hyposulphite of soda; but,
+probably, the reasons I urge may have some weight. As the hyposulphite
+solution is intended to be used repeatedly, it appears to me not advisable
+to introduce into it _any free acid_ (which must occur if the negative be
+not washed, although the quantity at each operation may be small), because
+it causes a decomposition of the salt, setting free _sulphurous_ acid, and
+also sulphur; which last is slightly soluble in the hyposulphite of soda,
+and thus the sulphur is brought in contact with the reduced silver, and
+forms a sulphuret of that metal. But the change does not stop here: for, by
+the lapse of time, oxygen is absorbed, and thus a _sulphate of silver_ is
+formed, and the colour changed from black to white. That sulphur is set
+free by the addition of an acid to the solution of hyposulphite of soda, is
+fact so easily demonstrable both to the eyes and nose of the operator, that
+no one need remain long in doubt who is desirous of trying the experiment.
+
+A correspondent desires to know how to test the coincidence or otherwise of
+the visual and actinic foci of a combination: this is very readily
+accomplished by the aid of a _focimeter_, which can be easily made thus:
+
+Procure a piece of stout card-board, or thin wood covered with white paper,
+on which draw a considerable number of fine black lines, or cover it with
+some fine black net (what I believe the ladies call _blond_), which may be
+pasted on. Cut up the whole into a dozen good-sized pieces of any
+convenient form, so that about four square inches of surface at least be
+allowed to each piece. Paste over the _net_ a circular or square label
+about the size of a shilling, bearing a distinctly printed number one on
+each piece, from 1 upwards; and arrange the pieces in any convenient manner
+by means of wires inserted into a slip of wood; but they must be so placed
+that the _whole_ can be seen from one point of view, although each piece
+must be placed so that it is _one inch_ farther from the operator than the
+next lowest number. Having placed the camera eight or ten feet from the
+cards, carefully focus to any one of the numbers, 4 or 5 for instance and
+observe, not that the _number_ is distinct, but that the minute lines or
+threads of the net are visible: then take a picture, exposing it a very
+short time, and the threads of the card bearing the number that was most
+perfectly in focus visually _ought_ to be most distinct; but, if otherwise,
+that which is most distinct will not only show whether the lens is over or
+under corrected, but will indicate the _amount_ of error. If under
+corrected, a lower number will be most distinct; if over corrected, a
+higher.
+
+GEO. SHADBOLT.
+
+_Test for Lenses._--I beg to submit to a COUNTRY PRACTITIONER the following
+very simple test for the coincidence of the chemical and visual foci of an
+achromatic lens:
+
+Take a common hand-bill or other sheet of printed paper, and having
+stretched it on a board, place it before the lens in an oblique position,
+so that the plane of the board may make an angle with a vertical plane of
+about thirty or forty degrees. Bring any line of type about the middle of
+the sheet into the true visual focus, and take a copy of the sheet by
+collodion or otherwise. Then, if the line of type focussed upon be
+reproduced clearly and sharply on the plate, the lens is correct; but if
+any other line be found sharper than the test one, the foci disagree; and
+the amount of error will depend on the distance of the two lines of type
+one from the other on the hand-bill.
+
+J. A. MILES.
+
+Fakenham, Norfolk.
+
+_Improvement in Positives._--I have great pleasure in communicating to you
+an improvement in the process of taking positives, which may not be
+uninteresting to some of your readers, and which ensures by far the most
+beautiful tints I have yet seen. I take three ounces of the hyposulphite of
+soda, and dissolve it in one pint of distilled or rain water; and to this I
+add about one or one and a half grains of pyrogallic acid, and seventy
+grains {534} of chloride of silver; which must be squeezed up between the
+finders facilitate its solution and separate the lumps, which, in their dry
+state, are tough, and not easily pulverised. The whole is then to be set
+aside for a week or two in a warm place. The solution, at first colourless,
+becomes brown, and ultimately quite opaque; in this state it is fit for
+use, and the longer kept the better it becomes. I generally use French
+paper for this process, and, according to the time of immersion, obtain
+fine sepia or black tints; the latter requiring long over-exposure to the
+light, and proportionately long exposure to the action of the liquid; which
+however will be found, particularly when old, to have a more rapid action
+than most other setting liquids, and has the merit of always affording fine
+tints, whatever the paper used. I imagine the pyrogallic acid to possess a
+reducing influence on the salts of silver employed; but this effect is only
+produced by its combination with the hyposulphite of soda and chloride of
+silver. I may add, that in any case the pictures should be much overdone
+before immersion, as the liquid exerts a rapid bleaching action on them;
+and when the liquid becomes saturated, a few crystals of fresh hyposulphite
+will renew its action.
+
+F. MAXWELL LYTE.
+
+Florian, Torquay.
+
+P. S.--In answer to a COUNTRY PRACTITIONER, he will find great assistance
+in choosing his lens by laying it on a sheet of blue wove post paper, when
+he will immediately perceive the slightest yellow tinge in the glass, this
+being the fault which frequently affects many well-ground and well-made
+lenses. Of course, for sharpness of outline he must be guided entirely by
+experiment in the camera; but where weakness of action exists, it most
+frequently arises from this yellow colouration, and which the manufacturers
+say is very difficult to avoid.
+
+ [MR. LYTE having sent with his communication a positive prepared in the
+ manner described, we are enabled to corroborate all he says as to the
+ richness and beauty of its tints.]
+
+_Cheap Portable Tent._--M. F. M. inquires for a cheap and portable tent for
+working collodion out of doors. I have been using one lately constructed on
+the principle of Francis's camera stand. It has a good size table, made
+like the rolling patent shutters; and it is not necessary to stoop, or sit
+down at your work, which is a great consideration on a hot day: you may get
+them of any respectable dealer in photographic apparatus; it is called
+Francis's Collodion Tent.
+
+H. D. FRANCIS.
+
+_Rev. Mr. Sisson's New Developing Fluid_ (Vol. vii., p. 462.).--The REV.
+MR. SISSON's developing fluid for collodion positives, the formula for
+which was published in the last Number of "N. & Q.," is merely a weak
+solution of the protonitrate and protosulphate of iron. It does not, as he
+seems to think, contain any lead; for the whole of the latter is
+precipitated as sulphate, which the acetic acid does not dissolve even to
+the smallest extent: and MR. SISSON will find that an equivalent proportion
+of the nitrate of baryta will answer equally as well as the nitrate of
+lead.
+
+I have myself for a long time been in the habit of using a weak solution of
+the protonitrate of iron in conjunction with acetic acid for positive
+pictures; for, although I do not consider it so good a developer as that
+made according to the formula of DR. DIAMOND, it produces very good
+pictures; occupies very little time in preparing, and will moreover keep
+good for a much longer time than a more concentrated solution would.
+
+J. LEACHMAN.
+
+20. Compton Terrace, Islington.
+
+ * * * * *
+
+
+Replies to Minor Queries.
+
+_Vanes_ (Vol. v., p. 490.).--Taking up by accident the other day your fifth
+volume, I saw what I believe is a still unanswered Query respecting the
+earliest notice of vanes as indicators of the wind; and turning to my notes
+I found the following extract from Beckman's _Inventions, &c._:
+
+ "In Ughelli Italia Sacra, Romæ 1652, fol. iv., p 735., we find the
+ following inscription on a weathercock then existing at Brixen;
+ '_Dominus Rampertus Episc. gallum hunc fieri præcepit an. 820._'"
+
+L. A. M.
+
+_Loselerius Villerius_ (Vol. vii., p. 454.).--I beg to inform S. A. S. that
+his copy of the New Testament, which wants the title-page, was printed by
+Henry Stephens the second, at Geneva, in the year 1580. As to it being
+"valuable," I should not consider him unfortunate if he could exchange it
+for a shilling.
+
+Loselerius Villerius was Pierre l'Oyseleur de Villiers, a professor of
+Genevan divinity, who came over to London, and there published Beza's Latin
+version of the New Testament, in 1574. He was not, however, as your
+correspondent supposed him to be, the editor of the decapitated volume in
+question; but Beza transferred his notes to an impression completed by
+himself.
+
+S. A. S. has, in the next place, inquired for any satisfactory "list of
+editions of the Bible." It appears that, so far as he is concerned, Le
+Long, Boerner, Masch, and Cotton have lived and laboured in vain.
+
+The folio Bible lastly described by your correspondent is _not_ "so great a
+curiosity" as family tradition maintained. The annotations "placed in due
+order" are merely the Genevan notes.--See {535} the Archdeacon of Cashel's
+very accurate and excellent work, _Editions of the Bible, and Parts
+thereof, in English_, p. 75.: Oxford, 1852.
+
+R. G.
+
+_Westminster Parishes_ (Vol. vii., p. 454.).--In 1630 the City and
+Liberties of Westminster contained the churches of St. Margaret, St.
+Martin-in-the-Fields, St. Clement Danes, and St. John Baptist Savoy.
+
+The registers of burials, marriages, and christenings, of St. Margaret's
+Church, began January 1, 1538.
+
+The Fire of London did not destroy any church in Westminster.
+
+MACKENZIE WALCOTT, M.A.
+
+_Hevristic_ (Vol. vii., p. 237.).--The term _hevristisch_, in the first
+edition of the translation of Kant's _Critik_, is not given in the
+vocabulary appended to the translation; but under the word _ostensiv_ it is
+stated that in its meaning it stands opposed to the word _euristic_
+(_hevristisch_ in German). But in the second edition, published in 1818, it
+is remarked, under the words _evristic_, _euristic_, _hevristisch_, that
+the term should, in Sir Wm. Hamilton's opinion, be _euretic_ or _heuretic_;
+the word _hevristisch_ being an error of long standing in German
+philosophy. The derivation of _euretic_ would be from [Greek: heuretikos].
+
+In Tissot's translation, _hevristisch_ is rendered by _heuristique_; in
+Mantovani's, by _evristico_; in Born's, by _heuristicus_. In Krug's
+_Lexicon_, _hevristik_ is given as derived from [Greek: heuriskô, heurein].
+The _hevristic_ method, Krug remarks, is also called the _analytical_. It
+may be added, that in the first edition of the _Critik_ (Riga, 1781), the
+word is _hevristisch_. In the fourth edition (Riga, 1794), published also
+in Kant's lifetime, it is _hevristisch_. In Rosenkranz's edition (Leipzig,
+1838), the word is changed into _heuristisch_; and also, in another edition
+of the same year, published also at Leipzig, it is written _heuristisch_,
+and not _hevristisch_.
+
+In respect to the Leipzig edition of 1818, which is that now before me, the
+term _hevristisch_, in speaking of _hevristich_ principles, is particularly
+alluded to. (See page 512. line 10.) I do not find, after a hasty
+inspection, this word changed, in any of the editions I possess, to
+_empirisch_.
+
+FRANCIS HAYWOOD.
+
+Liverpool.
+
+_Creole_ (Vol. vii., p. 381.).--The word appears to be a French form of the
+Spanish _criollo_, which in the dictionary of Nuñez de Taboada is defined,
+"El hijo de padres Europeos nacido en America;" whilst in the old
+dictionary of Stevens (1726) it is translated, "Son of a Spaniard and a
+West India woman." In Brande's _Dictionary of Science_, &c. Creole is said
+to mean the descendants of whites born in Mexico, South America, or the
+West Indies, the blood remaining unmixed with that of other races, &c.
+
+Von Tschudi says, that in South America the Spaniards apply the term
+_Creole_ not only to the human race, but also to horses, bullocks, and even
+to poultry.
+
+A. C. M.
+
+Exeter.
+
+_General Monk and the University of Cambridge_ (Vol. vii., pp. 427.
+486.).--LEICESTRIENSIS begs to thank MR. C. H. COOPER and MR. J. P. ORD for
+their replies to his Query on this subject. He avails himself of this, the
+earliest opportunity, of assuring MR. ORD of his readiness to afford him
+what slight information is in his power respecting the MS. in question
+(which only came into his possession within the last two or three months),
+if he will communicate with him as below.
+
+WILLIAM KELLY.
+
+Town Hall, Leicester.
+
+_Ecclesia Anglicana_ (Vol. ii., pp. 12. 440.).--I am much obliged to your
+correspondent W. FRASER for his answer to my Query, and the references with
+which he supplies me. I shall be glad to ask a still more extensive
+question, which will probably explain the object of the former more limited
+one. Is it _usual_, in any of the unreformed branches of the church on the
+continent, to find a similar appellation (implying distinct nationality)
+employed in authoritative documents, _e.g._ would it be possible to find in
+the title-pages of any Missal, &c., such words as "in usum Ecclesiæ
+Hispanicæ, Lusitanæ, Gallicanæ?" If not now, was it more customary in
+mediæval times, and when did it cease?
+
+Should we be justified in saying, that at _every_ period of her existence,
+with rare exceptions, the _Anglican church_, consciously or unconsciously,
+maintained the theory of her nationality with greater distinctness than any
+of the continental churches? I fancy I have heard, though I cannot state on
+what authority, that this assertion might be made most truly of the
+Portuguese church, and should be very glad to have any light thrown on the
+subject by your able correspondent. Certain it is, that amongst the various
+complaints made against Cardinal Wiseman and the Papal aggressors, it has
+never been laid to their charge, that they arrogated to themselves the
+title of members of the _Anglican church_.
+
+G. R. M.
+
+_Gibbon's Library_ (Vol. vii., p. 485.).--In 1838 I purchased some of
+Gibbon's books at Lausanne, out of a basketful on sale at a small shop, the
+depôt of the Religious Tract Society! Edward Gibbon, printed on a small
+slip of paper, was pasted in them.
+
+A. HOLT WHITE.
+
+_Golden Bees_ (Vol. vii., p. 478.).--When the tomb of Childeric, father of
+Clovis, was opened in 1653, there were found, besides the skeletons of his
+horse and page, his arms, crystal orb, &c., {536} "more than three hundred
+little bees of the purest gold, their wings being inlaid with a red stone
+like cornelian."
+
+CERIDWEN.
+
+_Passage in Orosius_ (Vol. vii., p. 399.).--May not the "twam tyncenum,"
+between which Cyrus the Great's officer attempted to cross a river, be the
+inflated skins which the Arabs still use, as the ancient inhabitants of
+Assyria did, for crossing the Tigris and Euphrates, and of which the
+Nimroud sculptures give so many illustrations?
+
+CERIDWEN.
+
+_Names first given to Parishes_ (Vol. iv., p. 153.).--I wish to repeat this
+Query in another form, and particularly in reference to the termination
+_-by_. I suspect that wherever a cluster of villages, like that given by
+F. B., occurs with this Danish suffix, it is a proof that the district was
+originally a colony of Danes. The one in which I reside (the hundreds of
+Flegg), from its situation is particularly likely to have been so. Its
+original form was evidently that of a large island in the estuary of the
+Yare, which formed numerous inlets in its shores; and this was flanked on
+each aisle by a Roman garrison, one the celebrated fortress of Garianonum,
+now Burgh Castle, and the other Caistor-next-Yarmouth, in which a camp,
+burying-ground, &c., besides its name, sufficiently attest its Roman
+origin. The two hundreds of Flegg, (or Fleyg, as appears on its common
+seal) comprise twenty villages, thirteen of which terminate in _-by_. These
+are Ormesby, Hemesby, Filby, Mauteby, Stokesby, Herringby, Thrigby,
+Billockby, Ashby or Askeby, Clippesby, Rollesby, Oby, and Scratby or
+Scroteby.
+
+Professor WORSAAE, I believe, considers Ormesby to have been originally
+Gormsby, _i.e._ Gorm's or Guthrum's village, but I have not his work at
+hand to refer to. Thrigby, or Trigby as it is vernacularly pronounced, and
+Rollesby, may take their names from Trigge or Tricga, and Rollo, names
+occurring in Scandinavian history. I should feel obliged if Professors
+WORSAAE and STEPHENS, or other Scandinavian antiquaries and scholars, would
+kindly inform me if my surmises are correct, and if the rest of the names
+may be similarly derived. I should add that Stokesby fully hears out the
+suggestion of C. (Vol. v., p. 161.), as there is even now a ferry over the
+Bure at that point. The district is entirely surrounded by rivers and
+extensive tracts of marshes, and intersected by large inland lakes, locally
+termed "Broads," which undoubtedly were all comprised in the estuary, and
+which would form safe anchorages for the long galleys of the Northmen.
+
+E. S. TAYLOR.
+
+Ormesby, St. Margaret, Norfolk.
+
+_Grafts and the Parent Tree_ (Vol. vii., p. 436.).--In order to insure the
+success of grafts, it is material that they be inserted on congenial
+stocks: delicate-growing fruits require dwarf-growing stocks; and free
+luxuriant-growing trees require strong stocks. To graft scions of delicate
+wooded trees on strong stocks, occasions an over-supply of sap to the
+grafts; and though at first they seem to flourish, yet they do not endure.
+A few examples of this sort may lead to an opinion, that "grafts, after
+some fifteen years, wear themselves out;" but the opinion is not (generally
+speaking) well founded. I have for many years grafted the old _Golden
+Pippin_ on the _Paradise_ or _Doucin_ stock, and found it to answer very
+well, and produce excellent fruit. Taunton has long been famous for its
+_Nonpareils_, which are there produced in great excellence and abundance.
+The Cornish _Gilliflower_, one of our very best apples, was well known in
+the time of King Charles I.; and, as yet, shows no symptoms of decay: that
+fruit requires a strong stock.
+
+The ancient _Ribston Pippin_ was a seedling:
+
+ "It has been doubted by some, whether the tree at Ribston Hall was an
+ original from the seed: the fact of its not being a grafted tree has
+ been satisfactorily ascertained by Sir Henry Goodricke, the present
+ proprietor, by causing suckers from its root to be planted out--which
+ have set the matter at rest that it was not a grafted tree. One of
+ these suckers has produced fruit in the Horticultural Garden at
+ Chiswick."--Lindley's _Guide to the Orchard and Kitchen Garden_, 1831,
+ p. 81.
+
+J. G.
+
+Exon.
+
+_Lord Cliff and Howell's Letters_ (Vol. vii., p. 455.).--The Lord Cliff, as
+to whom your correspondent inquires, and to whom James Howell addresses
+some of his letters, is intended for Henry Lord Clifford, and afterwards,
+on the decease of his father, fifth and last Earl of Cumberland. He died in
+December, 1643. Amongst the many republications of modern times, I regret
+that we have no new edition, with illustrative notes, of Howell's
+_Letters_. It is the more necessary, as one at least of the later editions
+of this most entertaining book is very much abridged and mutilated.
+
+JAMES CROSSLEY.
+
+Y. S. M. asks "Who was Lord Cliff?" He might as well have added, "Who was
+Lord Viscount Col, Sir Thomas Sa, or End. Por?" who also figure in
+_Epistolæ Ho-Elianiæ_. Had he looked over that entertaining book more
+attentively, Y. S. M. would have seen that all these were mere contractions
+of Howell's correspondents, Lord Clifford, Lord Colchester, Sir Thomas
+Savage, and Endymion Porter.
+
+J. O.
+
+_The Bouillon Bible_ (Vol. vii., p. 296.).--H. W., who was good enough to
+answer my Query respecting Philip D'Auvergne, has probably seen that the
+Bible of which he inquires has turned up. {537} It seems to have been
+pawned (if I rightly understand the report in the newspapers) to a Mr.
+Broughton of the Foreign Office, who had advanced money to the prince to
+enable him to prosecute his claim to the dukedom. It has now been ordered
+by Vice-Chancellor Sir W. P. Wood to be offered for sale as part of Mr.
+Broughton's estate, for the benefit of that gentleman's creditors. It was
+stated in court, that on a former occasion, when the late Archbishop of
+Canterbury wished to purchase it, 1500l. was asked for it. I was much
+obliged to H. W. for the information he gave me, as I took some little
+interest in Philip D'Auvergne from having heard that he was a friend of my
+grandfather. They were, I find, both of them officers in the Racehorse
+during Lord Mulgrave's discovery voyage to the North Pole.
+
+E. H. A.
+
+_Rhymes on Places_ (Vol. vii., p. 143.).--Northamptonshire:
+
+ "Armston on the hill,
+ Polebrook in the hole,
+ Ashton turns the mill,
+ Oundle burns the coal."
+
+Repeated to me by poor old drunken Jem White the sexton, many years since,
+when on the "battlements" of Oundle Church; Oundle being the market town
+for the three villages in the rhymes quoted.
+
+BRICK.
+
+_Serpents' Tongues_ (Vol. vi., p. 340.; Vol. vii., p. 316.).--May I be
+allowed to inform MR. PINKERTON that the sharks' teeth (fossils), now so
+frequently found imbedded in this tufa rock, and cheaply sold, are not
+known as "the tongues of vipers," but, on the contrary, from time
+immemorial, as the "tongues of St. Paul." In proof of this, I would refer
+MR. PINKERTON to the following extract, which I have taken from an Italian
+letter now in the Maltese Library; which was published on August 28, 1668,
+by Dr. Francis Buonamico, a native of this island, and addressed to
+Agostino Scilla of Messina. Page 5., the writer remarks:
+
+ "Che avanti de partire da questa isolde dovesse farle una raccolta di
+ glossopietre, _O lingue come que le chiamiamo di S. Paolo_."
+
+W. W.
+
+Malta.
+
+_Consecrated Roses, &c._ (Vol. vii., pp. 407. 480.).--An instance of the
+_Golden Rose_ being conferred on an English baron, will be found related in
+Davidson's _History of Newenham Abbey in the County of Devon_, p. 208.
+
+J. D. S.
+
+ * * * * *
+
+
+Miscellaneous.
+
+NOTES ON BOOKS, ETC.
+
+That well-worn quotation, "who shall decide when doctors disagree," must,
+we should think, invariably suggest itself to the reader of every new book
+upon the subject of Shakspeare's text. A few months since MR. COLLIER gave
+to the world a volume of _Notes and Emendations from Early Manuscript
+Corrections in a Copy of the Folio 1632_[1], which was hailed by many,
+ourselves among the number, as a most valuable contribution to Shakspearian
+literature. From this favourable view of these manuscript emendations, many
+whose opinions upon such matters deserve the highest respect at once avowed
+their dissent; and we now find that we have to add to this number MR.
+SINGER, who has given us the result of his examination of them in a volume
+entitled _The Text of Shakspeare vindicated from the Interpolations and
+Corruptions advocated by John Payne Collier, Esq., in his Notes and
+Emendations_. No one can put forth higher claims to speak with authority on
+any points connected with Shakspeare than MR. SINGER, who has devoted a
+life to the study of his writings; and none can rise from a perusal of his
+book without recognising in it evidence of MR. SINGER'S fitness for editing
+the works of our great dramatist, and feeling anxious for his revised
+edition of them. But we think many will regret that, while pointing out the
+Notes and Emendations from which he dissents, MR. SINGER should not have
+noticed those which he regards with favour; and that, in his anxiety to
+vindicate the purity of Shakspeare's text from the anonymous emendator, he
+should have embodied that vindication in language, which, though we are
+quite sure it is unintentional on his part, gives his book almost a
+personal character, instead of one purely critical.
+
+BOOKS RECEIVED.--_Records of the Roman Inquisition, Case of a Minorite
+Friar who was sentenced by S. Charles Borromeo to be walled up, and who,
+having escaped, was burned in effigy: edited, with an English Translation,
+Notes, &c., by_ Rev. Richard Gibbings. Published from one of the MSS.
+conveyed from Rome to Paris by order of Napoleon, at the close of the last
+century, as a challenge to the defenders of the papacy to acknowledge its
+truth, or to controvert it.--_The History of England from the Peace of
+Utrecht to the Peace of Versailles_, by Lord Mahon, Vol. III. The third
+volume of this new and cheaper edition of Lord Mahon's valuable history
+comprehends the period from 1740 to 1748.--_English Forests and Forest
+Trees; Historical, Legendary, and Descriptive, with numerous
+Illustrations._ This volume, one of the _Illustrated London Library_, is a
+pleasant chatty compilation on a subject which will interest many of our
+readers and correspondents by furnishing them with a series of notices of
+old forests, remarkable trees, &c., which have never before been gathered
+together.--_The Shakspeare Repository, edited by_ J. H. Fennell, No. II.
+The second part of this periodical, the only one exclusively devoted to the
+Elizabethan writers, contains, among other interesting articles, a long one
+on the medical practice of Shakspeare's son-in-law, Dr. John Hall.
+
+[Footnote 1: Since this was written we have heard that MR. COLLIER has
+traced back the history of his Folio 1632 for upwards of a century.--ED.]
+
+{538}
+
+ * * * * *
+
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE.
+
+SCOTT, REMARKS ON THE BEST WRITINGS OF THE BEST AUTHORS (or some such
+title)
+
+SERMONS BY THE REV. ROBERT WAKE, M.A. 1704, 1712, &c.
+
+HISTORY OF ANCIENT WILTS, by SIR R. C. HOARE. The last three Parts.
+
+REV. A. DYCE'S EDITION OF DR. RICHARD BENTLEY'S WORKS. Vol. III.
+Published by Francis Macpherson, Middle Row, Holborn. 1836.
+
+DISSERTATION ON ISAIAH XVIII., IN A LETTER TO EDWARD KING, ESQ., by
+SAMUEL LORD BISHOP OF ROCHESTER (HORSLEY). The Quarto Edition, printed
+for Robson. 1779.
+
+BEN JOHNSON'S WORKS. 9 Vols. 8vo. Vols. II., III., IV. Bds.
+
+SIR WALTER SCOTT'S NOVELS. 41 Vols. 8vo. The last nine Vols. Boards.
+
+JACOB'S ENGLISH PEERAGE. Folio Edition, 1766. Vols. II., III., and IV.
+
+GAMMER GURTON'S NEEDLE.
+
+ALISON'S EUROPE. (20 Vols.) Vols. XIII., XX.
+
+ABBOTSFORD EDITION OF THE WAVERLEY NOVELS. Odd Vols.
+
+THE TRUTH TELLER. A Periodical.
+
+*** _Correspondents sending Lists of Books Wanted are requested to send
+their names._
+
+*** Letters, stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.
+
+ * * * * *
+
+
+Notices to Correspondents.
+
+_We are compelled to omit several interesting papers respecting Shakspeare
+which are in type, among which we may mention a notice of some drawings
+which are great interest._
+
+W. T. WATTS (St. Ives), _who inquires respecting the literary history of_
+Baron Munchausen, _is referred to our_ 2nd Vol., p. 519., _and our_ 3rd
+Vol., pp. 117. 305. 453.
+
+G. P. (Offenburg) _Potatoes were most probably introduced into England by
+Sir W. Raleigh. Gerarde mentions them in his_ Herbal, _published in 1597_.
+
+ANTIQUARIAN _had better send a rubbing from the oak cover in question. His
+copy cannot be deciphered._
+
+S. S. S.'s _Query on the passage in St. James in our next._
+
+BROOKTHORPE _will find, in the Notices to Correspondents, in_ No. 179. (2nd
+April), _a reply to his former Query respecting the Epitaph:_
+
+ "If Heaven be pleased."
+
+URSULA. _We shall be glad of the "succinct refutation" proposed._
+
+J. W. _There is a folio edition of Godwin_ De Præsulibus, _Canterbury,
+1743, in which the original work is continued by Richardson._
+
+J. R. (Sunderland) _is referred to Brockett's_ Glossary, _where he will
+find the etymology of_ stang, _from the Danish_ stang, _a pole or bar--or
+the Saxon_ steng; _and a full description of the ceremonies connected with_
+Riding the stang.
+
+FLORENCE _is thanked for her hint._
+
+J. B. _will find full particulars of Sir T. Herbert's_ Threnodia Carolina
+_in our_ 3rd Vol., p. 259. _Other references in our_ 2nd Vol., pp. 140.
+220. 476.
+
+_A few complete sets of_ "NOTES AND QUERIES," Vols. i. _to_ vi., _price
+Three Guineas, may now be had; for which early application is desirable._
+
+"NOTES AND QUERIES" _is published at noon on Friday, so that the Country
+Booksellers may receive Copies in that night's parcels, and deliver them to
+their Subscribers on the Saturday._
+
+ * * * * *
+
+
+PREPARING FOR THE PRESS, IN OCTAVO,
+
+A SUPPLEMENT
+
+TO
+
+MR. HALLIWELL'S OCTAVO LIFE OF SHAKSPEARE;
+
+Consisting of Observations on Modern Shakspearian Forgeries.
+
+JOHN RUSSELL SMITH, 36. SOHO SQUARE, LONDON.
+
+ * * * * *
+
+
+SPECTACLES.--WM. ACKLAND applies his medical knowledge as a Licentiate of
+the Apothecaries' Company, London, his theory as a Mathematician, and his
+practice as a Working Optician, aided by Since's Optometer, in the
+selection of Spectacles suitable to every derangement of vision, so as to
+preserve the sight to extreme old age.
+
+ACHROMATIC TELESCOPES, with the New Vetzlar Eye-pieces, as exhibited at the
+Academy of Sciences in Paris. The Lenses of these Eye-pieces are so
+constructed that the rays of light fall nearly perpendicular to the surface
+of the various lenses, by which the aberration is completely removed: and a
+telescope so fitted gives one-third more magnifying power and light than
+could be obtained by the old Eye-pieces. Prices of the various sizes on
+application to
+
+WM. ACKLAND, Optician, 93. Hatton Garden, London.
+
+ * * * * *
+
+
+PUBLISHED EVERY SATURDAY, Price 6d.
+
+THE CIVIL SERVICE GAZETTE, a Journal devoted to the interests of all
+Government Officials in every department of the State, contains, besides
+other official information, a list of the Recent Promotions and PRESENT
+VACANCIES in the gift of the Government, both in England, the East Indies,
+and the Colonies; a Summary of the News of the Week: Original Literary
+Articles; Obituary of men of eminence or desert in the public serve;
+Parliamentary, Legal, Foreign, Domestic and Theatrical Notices; with
+Fashionable, Naval and Military Intelligence.
+
+To be had of all Booksellers and Newsvenders; or at the Office, 5.
+Catherine Street, Strand.
+
+ * * * * *
+
+
+The Twenty-eighth Edition.
+
+NEUROTONICS, or the Art of Strengthening the Nerves, containing Remarks on
+the influence of the Nerves upon the Health of Body and Mind, and the means
+of Cure for Nervousness, Debility, Melancholy, and all Chronic Diseases, by
+DR. NAPIER, M.D. London: HOULSTON & STONEMAN. Price 4d., or Post Free from
+the Author for Five Penny Stamps.
+
+"We can conscientiously recommend 'Neurotonics,' by Dr. Napier, to the
+careful perusal of our invalid readers."--_John Bull Newspaper, June 5,
+1852._
+
+ * * * * *
+
+
+DAGUERREOTYPE MATERIALS.--Plates, Cases, Passepartoutes, best and cheapest,
+to be had in great variety at M^cMILLAN'S Wholesale Depôt, 132. Fleet
+Street. Price List gratis.
+
+ * * * * *
+
+
+WINSLOW HALL, BUCKS.
+
+DR. LOVELL'S SCHOLASTIC ESTABLISHMENT (exclusively for the Sons of
+Gentlemen) was founded at Mannheim in 1836, under the Patronage of H.R.H.
+the GRANDE DUCHESSE STEPHANIE of Baden, and removed to Winslow in 1848. The
+Course of Tuition includes the French and German Languages, and all other
+Studies which are Preparatory to the Universities, the Military Colleges
+and the Army Examination. The number of Pupils is limited to Thirty. The
+Principal is always in the Schoolroom, and superintends the Classes. There
+are also French, German, and English resident Masters. Prospectus and
+References can be had on application to the Principal.
+
+ * * * * *
+
+
+WILLIAMS & NORGATE will carry on Business at 15. BEDFORD STREET, COVENT
+GARDEN, opposite the end of Henrietta Street during the alterations and
+enlargement of their old Premises.
+
+_June, 1853._
+
+ * * * * *
+
+
+PHOTOGRAPHIC APPARATUS AND MATERIALS, for the Processes on Glass, Paper,
+and Silver. An illustrated priced Catalogue 3d., Post Free.
+
+JOHN JOSEPH GRIFFIN, F.C.S., Chemical and Philosophical Instrument Maker,
+10. Finsbury Square. Manufactory, 119. and 120. Bunhill Row. Removed from
+53. Baker Street, Portman Square.
+
+ * * * * *
+
+
+OFFICERS' BEDSTEADS AND BEDDING.
+
+HEAL & SON beg to call the Attention of Gentlemen requiring Outfits to
+their large stock of Portable Bedsteads, Bedding, and Furniture, including
+Drawers, Washstands, Chairs, Glasses, and every requisite for Home and
+Foreign Service.
+
+HEAL & SON. Bedstead and Bedding Manufacturers, 196. Tottenham Court Road.
+
+ * * * * *
+
+
+BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION, No. 1. Class X.,
+in Gold and Silver Cases, in five qualities, and adapted to all Climates,
+may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold London-made
+Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver Cases, 8, 6, and 4
+guineas. First-rate Geneva Levers, in Gold Cases, 12, 10, and 8 guineas.
+Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior Lever, with
+Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's Pocket
+Chronometer, Gold, 50 Guineas; Silver, 40 guineas. Every Watch skilfully
+examined, timed, and its performance guaranteed. Barometers, 2l., 3l., and
+4l. Thermometers from 1s. each.
+
+BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory, the
+Board of Ordnance, the Admiralty, and the Queen.
+
+65. CHEAPSIDE. {539}
+
+ * * * * *
+
+
+Just published, price 1s., free by Post 1s. 4d.,
+
+THE WAXED-PAPER PHOTOGRAPHIC PROCESS of GUSTAVE LE GRAY'S NEW EDITION.
+Translated from the French.
+
+Sole Agents in the United Kingdom for VOIGHTLANDER & SON'S celebrated
+Lenses for Portraits and Views.
+
+General Depôt for Turner's, Whatman's, Canson Frères', La Croix, and other
+Talbotype Papers.
+
+Pure Photographic Chemicals.
+
+Instructions and Specimens in every Branch of the Art.
+
+GEORGE KNIGHT & SONS, Foster Lane, London.
+
+ * * * * *
+
+
+PHOTOGRAPHIC PAPER.--Negative and Positive Papers of Whatman's, Turner's,
+Sanford's, and Canson Frères' make, Waxed-Paper for Le Gray's Process.
+Iodized and Sensitive Paper for every kind of Photography.
+
+Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13.
+Paternoster Row, London.
+
+ * * * * *
+
+
+PHOTOGRAPHY.--Collodion (Iodized with the Ammonio-Iodide of Silver).--J. B.
+HOCKIN & CO., Chemists, 289. Strand, were the first in England who
+published the application of this agent (see _Athenæum_, Aug. 14th). Their
+Collodion (price 9d. per oz.) retains its extraordinary sensitiveness,
+tenacity, and colour unimpaired for months; it may be exported to any
+climate, and the Iodizing Compound mixed as required. J. B. HOCKIN & CO.
+manufacture PURE CHEMICALS and all APPARATUS with the latest Improvements
+adapted for all the Photographic and Daguerreotype processes. Cameras for
+Developing in the open Country. GLASS BATHS adapted to any Camera. Lenses
+from the best Makers. Waxed and Iodized Papers, &c.
+
+ * * * * *
+
+
+PHOTOGRAPHIC PICTURES.--A Selection of the above beautiful Productions
+(comprising Views in VENICE, PARIS, RUSSIA, NUBIA, &c.) may be seen at
+BLAND & LONG'S, 153. Fleet Street, where may also be procured Apparatus of
+every Description, and pure Chemicals for the practice of Photography in
+all its Branches.
+
+Calotype, Daguerreotype, and Glass Pictures for the Stereoscope.
+
+BLAND & LONG, Opticians, Philosophical and Photographical Instrument
+Makers, and Operative Chemists, 153. Fleet Street.
+
+ * * * * *
+
+
+PHOTOGRAPHY.--HORNE & CO.'S Iodized Collodion, for obtaining Instantaneous
+Views, and Portraits in from three to thirty seconds, according to light.
+
+Portraits obtained by the above, for the delicacy of detail rival the
+choicest Daguerreotypes, specimens of which may be seen at their
+Establishment.
+
+Also every description of Apparatus, Chemicals, &c. &c. used in this
+beautiful Art.--123. and 121. Newgate Street.
+
+ * * * * *
+
+
+PHOTOGRAPHIC SCHOOL.--ROYAL POLYTECHNIC INSTITUTION.
+
+The SCHOOL is NOW OPEN for instruction in all branches of Photography, to
+Ladies and Gentlemen, on alternate days, from Eleven till Four o'clock,
+under the joint direction of T. A. MALONE, Esq., who has long been
+connected with Photography, and J. H. PEPPER, Esq., the Chemist to the
+Institution.
+
+A Prospectus, with terms, may be had at the Institution.
+
+ * * * * *
+
+
+CLERICAL, MEDICAL, AND GENERAL LIFE ASSURANCE SOCIETY.
+
+ * * * * *
+
+Established 1824.
+
+ * * * * *
+
+FIVE BONUSES have been declared: at the last in January, 1852, the sum of
+131,125l. was added to the Policies, producing a Bonus varying with the
+different ages from 24-1/2 to 55 per cent. on the Premiums paid during the
+five years, or from 5l. to 12l. 10s. per cent. on the Sum Assured.
+
+The small share of Profit divisible in future among the Shareholders being
+now provided for, the ASSURED will hereafter derive all the benefits
+obtainable from a Mutual Office, WITHOUT ANY LIABILITY OR RISK OF
+PARTNERSHIP.
+
+POLICIES effected before the 30th of June next, will be entitled, at the
+next Division, to one year's additional share of Profits over later
+Assurers.
+
+On Assurances for the whole of Life only one half of the Premiums need be
+paid for the first five years.
+
+INVALID LIVES may be Assured at rates proportioned to the risk.
+
+Claims paid _thirty_ days after proof of death, and all Policies are
+_Indisputable_ except in cases of fraud.
+
+Tables of Rates and forms of Proposal can be obtained of any of the
+Society's Agents, or of
+
+GEORGE H. PINCKARD, Resident Secretary.
+
+_99. Great Russell Street, Bloomsbury, London._
+
+ * * * * *
+
+
+WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY,
+
+3. PARLIAMENT STREET, LONDON.
+
+Founded A.D. 1842.
+
+_Directors._
+
+ H. E. Bicknell, Esq.
+ W. Cabell, Esq.
+ T. S. Cocks, Jun. Esq. M.P.
+ G. H. Drew, Esq.
+ W. Evans, Esq.
+ W. Freeman, Esq.
+ F. Fuller, Esq.
+ J. H. Goodhart, Esq.
+ T. Grissell, Esq.
+ J. Hunt, Esq.
+ J. A. Lethbridge, Esq.
+ E. Lucas, Esq.
+ J. Lys Seager, Esq.
+ J. B. White, Esq.
+ J. Carter Wood, Esq.
+
+_Trustees._
+
+W. Whateley, Esq., Q.C.; L. C. Humfrey, Esq., Q.C.; George Drew, Esq.
+
+_Physician._--William Rich. Basham, M.D.
+
+_Bankers._--Messrs. Cocks, Biddulph, and Co., Charing Cross.
+
+VALUABLE PRIVILEGE.
+
+POLICIES effected in this Office do not become void through temporary
+difficulty in paying a Premium, as permission is given upon application to
+suspend the payment at interest, according to the conditions detailed on
+the Prospectus.
+
+Specimens of Rates of Premium for Assuring 100l., with a Share in
+three-fourths of the Profits:--
+
+ Age _£ s. d._
+ 17 1 14 4
+ 22 1 18 8
+ 27 2 4 5
+ 32 2 10 8
+ 37 2 18 6
+ 42 3 8 2
+
+ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.
+
+Now ready, price 10s. 6d., Second Edition, with material additions,
+INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE on BENEFIT BUILDING
+SOCIETIES, and on the General Principles of Land Investment, exemplified in
+the Cases of Freehold Land Societies, Building Companies, &c. With a
+Mathematical Appendix on Compound Interest and Life Assurance. By ARTHUR
+SCRATCHLEY, M.A., Actuary to the Western Life Assurance Society, 3.
+Parliament Street, London.
+
+ * * * * *
+
+
+ROYAL ASYLUM OF ST. ANN'S SOCIETY.--Waiting not for the Child of those once
+in prosperity to become an Orphan, but by Voluntary Contributions affording
+at once a Home, Clothing, Maintenance, and Education.
+
+The Half-yearly Election will take place at the London Tavern of Friday,
+August 12th, next.
+
+Forms of Nomination may be procured at the Office, where Subscriptions will
+be thankfully received.
+
+Executors of Benefactors by Will become Life Governors according to the
+amount of the Bequest.
+
+E. F. LEEKS, Secretary. 2. Charlotte Row, Mansion House.
+
+ * * * * *
+
+
+UNITED KINGDOM LIFE ASSURANCE COMPANY: established by Act of Parliament in
+1834.--8. Waterloo Place, Pall Mall, London.
+
+ HONORARY PRESIDENTS.
+
+ Earl of Courtown
+ Earl Leven and Melville
+ Earl of Norbury
+ Earl of Stair
+ Viscount Falkland
+ Lord Elphinstone
+ Lord Belhaven and Stenton
+ Wm. Campbell, Esq., of Tillichewan
+
+ LONDON BOARD.
+
+ _Chairman._--Charles Graham, Esq.
+ _Deputy-Chairman._--Charles Downes, Esq.
+
+ H. Blair Avarne, Esq.
+ E. Lennox Boyd, Esq., F.S.A., _Resident_.
+ C. Berwick Curtis, Esq.
+ William Fairlie, Esq.
+ D. Q. Henriques, Esq.
+ J. G. Henriques, Esq.
+ F. C. Maitland, Esq.
+ William Railton, Esq.
+ F. H. Thomson, Esq.
+ Thomas Thorby, Esq.
+
+ MEDICAL OFFICERS.
+
+ _Physician._--Arthur H. Hassall, Esq., M.D.,
+ 8. Bennett Street, St. James's.
+
+ _Surgeon._--F. H. Tomson, Esq., 48. Berners Street.
+
+The Bonus added to Policies from March, 1834, to December 31, 1847, is as
+follows:--
+
+ Sum | Time | Sum added to | Sum
+ Assured. | Assured. | Policy | Payable
+ | +--------------------+ at Death.
+ | | In 1841. In 1848. |
+ ---------+----------+---------+----------+----------
+ £ | | £ s.d.| £ s.d.| £ s.d.
+ 5000 | 14 years | 683 6 8 | 787 10 0 | 6470 16 8
+ * 1000 | 7 years | - - | 157 10 0 | 1157 10 0
+ 500 | 1 year | - - | 11 5 0 | 511 5 0
+
+* EXAMPLE.--At the commencement of the year 1841, a person aged thirty took
+out a Policy for 1000l., the annual payment for which is 24l. 1s. 8d.; in
+1847 he had paid in premiums 168l. 11s. 8d.; but the profits being 2-1/4
+per cent. per annum on the sum insured (which is 22l. 10s. per annum for
+each 1000l.) he had 157l. 10s. added to the Policy, almost as much as the
+premiums paid.
+
+The Premiums, nevertheless, are on the most moderate scale, and only
+one-half need be paid for the first five years, when the Insurance is for
+Life. Every information will be afforded on application to the Resident
+Director.
+
+ * * * * *
+
+
+PURE NERVOUS or MIND COMPLAINTS.--If the readers of Notes and Queries, who
+suffer from depression of spirits, confusion, headache, blushing,
+groundless fears, unfitness for business or society, blood to the head,
+failure of memory, delusions, suicidal thoughts, fear of insanity, &c.,
+will call on, or correspond with, REV. DR. WILLIS MOSELEY, who, out of
+above 22,000 applicants, knows not fifty uncured who have followed his
+advice, he will instruct them how to get well, without a fee, and will
+render the same service to the friends of the insane.--At home from 11 to
+3.
+
+18. BLOOMSBURY STREET, BEDFORD SQUARE. {540}
+
+ * * * * *
+
+
+BOHN'S STANDARD LIBRARY FOR JUNE.
+
+HISTORY OF THE HOUSE OF AUSTRIA, from 1792 to the present time; in
+continuation of COXE; with the Portrait of Francis Joseph, the reigning
+Emperor. Post 8vo. cloth. Price 3s. 6d.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+BOHN'S SCIENTIFIC LIBRARY FOR JUNE.
+
+HUMBOLDT'S PERSONAL NARRATIVE OF HIS TRAVELS IN AMERICA. Vol. III., which
+completes the Work. With General Index. Post 8vo. cloth. Price 5s.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+BOHN'S ANTIQUARIAN LIBRARY FOR JUNE.
+
+ROGER DE HOVEDEN'S ANNALS OF ENGLISH HISTORY, from A.D. 732 to 1201.
+Translated by H. T. RILEY. Vol. II., which completes the work. Post 8vo.
+cloth. Price 5s.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+BOHN'S CLASSICAL LIBRARY FOR JUNE.
+
+TERENCE AND PHÆDRUS, literally translated into English Prose, by H. T.
+KILEY. To which is added, SMART'S METRICAL VERSION OF PHÆDRUS.
+Frontispiece. Post 8vo. cloth. Price 5s.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+This day foolscap octavo, price 3s. 6d.,
+
+GOETHE'S OPINIONS ON THE WORLD, MANKIND, LITERATURE, SCIENCE, AND ART,
+extracted from his Communications and Correspondence. Translated by OTTO
+WENCKSTERN.
+
+London JOHN W. PARKER & SON, West Strand.
+
+ * * * * *
+
+
+Price 2s. cloth,
+
+BACON'S ADVANCEMENT OF LEARNING. Carefully revised from the first copies,
+with a few Notes and References to Works quoted.
+
+Nearly ready, by the same Editor, BACON'S ESSAYS.
+
+London: JOHN W. PARKER & SON, West Strand.
+
+ * * * * *
+
+
+ENGLISH COUNTIES.--A Catalogue of Curious, Rare, and Interesting Books and
+Tracts relating to English Counties, is just published, and may be had free
+with No. II. of the SHAKSPEARE REPOSITORY, on receipt of Six Postage
+Stamps.
+
+Also, a Fac-simile of a remarkably Curious, Droll, and Interesting
+Newspaper of the Reign of CHARLES THE SECOND, sent free on receipt of Three
+Postage Stamps.
+
+Address, J. H. FENNELL, 1. Warwick Court, Holborn, London.
+
+ * * * * *
+
+
+MR. MURRAY'S
+
+LIST OF NEW WORKS.
+
+I.
+
+THE DIARY OF GEORGE GRENVILLE, while First Lord of the Treasury; together
+with his Correspondence during Thirty Years, including unpublished LETTERS
+OF JUNIUS. Vols. III. and IV. (completing the Work). 8vo. 32s.
+
+II.
+
+LORD MAHON'S HISTORY OF ENGLAND. A New Library Edition. Vols. I. to IV.
+Demy 8vo. (Uniform with Vols. V. and VI.) Nearly Ready.
+
+III.
+
+THE CASTLEREAGH DESPATCHES, during the CONGRESS OF VIENNA, BATTLE OF
+WATERLOO, &c. Edited by THE MARQUIS OF LONDONDERRY. 4 vols., 8vo. 56s.
+
+IV.
+
+MR. GROTE'S HISTORY OF GREECE. Continued from the Accession to the Death of
+Philip of Macedon. Vol. XI. 8vo. 16s. (The 12th Volume will complete the
+work.)
+
+V.
+
+SIR HUDSON LOWE'S LETTERS and JOURNALS, giving for the First Time the
+HISTORY OF THE CAPTIVITY OF NAPOLEON AT ST. HELENA. By WILLIAM FORSYTH,
+M.A. Portrait. 3 vols., 8vo. (Immediately.)
+
+VI.
+
+MR. LAYARD'S NARRATIVE OF HIS SECOND EXPEDITION TO ASSYRIA, AND RESEARCHES
+AT NINEVEH AND BABYLON. Twelfth Thousand. With 300 Plates and Woodcuts.
+8vo. 21s.
+
+VII.
+
+MR. JOHN HOLLWAY'S FOUR WEEKS' TOUR IN NORWAY, during the Autumn of 1852.
+Fcap. 8vo. 2s.
+
+VIII.
+
+CAPT. ERSKINE'S VISITS TO THE ISLANDS OF THE WESTERN PACIFIC, including the
+Feejees, and others inhabited by the Polynesian Negro Race. Maps and
+Plates. 8vo. 16s.
+
+IX.
+
+MR. FRANCIS GALTON'S NARRATIVE OF HIS EXPEDITION IN TROPICAL SOUTH AFRICA.
+With Maps, Plates, and Woodcuts. Post 8vo.
+
+X.
+
+REV. DR. HOOK'S DISCOURSES BEARING ON THE CONTROVERSIES OF THE DAY. 8vo.
+9s.
+
+XI.
+
+MR. JOHN PALLISER'S SOLITARY HUNTING ADVENTURES IN THE PRAIRIES. With
+Illustrations. Post 8vo.
+
+XII.
+
+MR. MANSFIELD PARKYN'S PERSONAL NARRATIVE OF HIS THREE YEARS' RESIDENCE IN
+ABYSSINIA. Map and Illustrations. 2 vols. 8vo. Nearly ready.
+
+XIII.
+
+LIEUTENANT HOOPER'S JOURNAL OF HIS TEN MONTHS AMONG THE TENTS OF THE TUSKI,
+during an Expedition in Search of Sir John Franklin. Map. 8vo.
+
+XIV.
+
+MR. CAMPBELL'S MODERN INDIA. A Sketch of the System of Civil Government,
+with some Account of the Natives, and Native Institutions, Second Edition,
+revised. Maps. 8vo. 16s.
+
+XV.
+
+MURRAY'S HANDBOOKS FOR TRAVELLERS ON THE CONTINENT. Cheaper Issue. Maps.
+Post 8vo.
+
+ * * * * *
+
+
+Printed by THOMAS CLARK SHAW, of No. 10. Stonefield Street, in the Parish
+of St. Mary, Islington, at No. 5. New Street Square in the Parish of St.
+Bride, in the City of London; and published by GEORGE BELL of No. 186.
+Fleet Street, in the Parish of St. Dunstan in the West, in the City of
+London, Publisher, at No. 186. Fleet Street aforesaid.--Saturday, May 28,
+1853.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 187, May 28,
+1853, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+***** This file should be named 20410-8.txt or 20410-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/0/4/1/20410/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/20410-8.zip b/20410-8.zip
new file mode 100644
index 0000000..1f138bd
--- /dev/null
+++ b/20410-8.zip
Binary files differ
diff --git a/20410-h.zip b/20410-h.zip
new file mode 100644
index 0000000..310d8ef
--- /dev/null
+++ b/20410-h.zip
Binary files differ
diff --git a/20410-h/20410-h.htm b/20410-h/20410-h.htm
new file mode 100644
index 0000000..4937f66
--- /dev/null
+++ b/20410-h/20410-h.htm
@@ -0,0 +1,4480 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01//EN" "http://www.w3.org/TR/html4/strict.dtd">
+<html>
+ <head>
+ <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" >
+ <title>
+ Notes And Queries, Issue 187.
+ </title>
+
+ <style type="text/css">
+
+<!--
+ body {margin-left: 10%; margin-right: 10%; text-align: justify;}
+ p.center {text-align: center;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.adverts {width: 100%; height: 5px; color: black;}
+ html>body hr.adverts {margin-right: 0%; margin-left: 0%; width: 100%;}
+
+ .note, .footnote {margin-left: 10%; margin-right: 10%;
+ font-size: 0.9em;}
+
+ table.nob {margin-left: 4em}
+ table.allb {border : thin solid black; border-collapse: collapse; margin-left: 4em}
+ table.allbnomar {border : thin solid black; border-collapse: collapse;}
+ table.nomar {margin-left: 0em}
+ td.allb {border : thin solid black; padding-left: 0.5em; padding-right: 0.5em;}
+ td.vertb {border-left : thin solid black; border-right : thin solid black;
+ padding-left: 0.5em; padding-right: 0.5em; padding-bottom: 1ex; }
+ .poem {margin-left:10%; margin-right:10%; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ p.hg3 {margin-left: -0.3em;}
+ p.hg1 {margin-left: -0.1em;}
+ .poem p.i1 {margin-left: 1em;}
+ .poem p.i2 {margin-left: 2em;}
+ .poem p.i2hg3 {margin-left: 1.7em;}
+ .poem p.i4 {margin-left: 4em;}
+ .poem p.i6 {margin-left: 6em;}
+ .poem p.i8 {margin-left: 8em;}
+ .poem p.i8hg3 {margin-left: 7.7em;}
+ .poem p.i12 {margin-left: 12em;}
+ .poem p.i12hg3 {margin-left: 11.7em;}
+ .poem p.i16 {margin-left: 16em;}
+ .poem .caesura {vertical-align: -200%;}
+
+ span.pagenum {position: absolute; left: 1%; right: 91%; font-size: 8pt;}
+ span.correction {border-bottom: thin dotted red;}
+ span.special {border-bottom: thin dotted green;}
+ span.over {text-decoration: overline;}
+
+ .sc {font-variant: small-caps; }
+ .scac {font-size: small;}
+ .grk {font-style: normal; font-family:"Palatino Linotype","New Athena Unicode",Gentium,"Lucida Grande", Galilee, "Arial Unicode MS", sans-serif;}
+ .saxon {font-style: normal;
+ font-family:sans-serif;}
+
+ p.author {text-align: right; margin-top: -1em;}
+ p.address {margin-top: -0.5em;}
+ .cenhead {text-align: center; margin-top: 1em;}
+
+ // -->
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's Notes and Queries, Number 187, May 28, 1853, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 187, May 28, 1853
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc.
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: January 21, 2007 [EBook #20410]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+
+</pre>
+
+<p><!-- Page 517 --><span class="pagenum"><a name="page517"></a>{517}</span></p>
+
+<h1>NOTES AND QUERIES:</h1>
+
+<h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.</h2>
+
+<hr class="short" >
+
+<h3><b>"When found, make a note of."</b>&mdash;CAPTAIN CUTTLE.</h3>
+
+<hr class="full" >
+
+
+<table width="100%" class="nomar" summary="masthead" title="masthead">
+ <tr>
+ <td style="text-align:left; width:25%">
+ <p><b>No. 187.</b></p>
+ </td>
+ <td style="text-align:center; width:50%">
+ <p><b><span class="sc">Saturday, May</span> 28, 1853.</b></p>
+ </td>
+ <td style="text-align:right; width:25%">
+ <p><b>Price Fourpence.<br /> Stamped Edition
+ 5d.</b></p>
+ </td>
+ </tr>
+</table>
+
+<hr class="full" >
+
+<h3>CONTENTS.</h3>
+
+
+<table class="nomar" summary="Contents" title="Contents">
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Notes</span>:&mdash;</p>
+ </td>
+ <td style="text-align:left">
+ <p>Page</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>On Chaucer's Knowledge of Italian</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page517">517</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>The Rebellion of '45: unpublished Letter</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page519">519</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Oliver St. John, by James Crossley</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page520">520</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Notes on several misunderstood Words, by the Rev. W.&nbsp;R.
+ Arrowsmith</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page520">520</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Folk Lore</span>:&mdash;Weather
+ Rules&mdash;Drills presaging Death &mdash;Superstition in Devonshire;
+ Valentine's Day</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page522">522</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>A Note on Gulliver's Travels, by C. Forbes</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page522">522</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Shakspeare Correspondence</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page523">523</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>The C&oelig;naculum of Lionardo da Vinci, by E. Smirke</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page524">524</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Minor Notes</span>:&mdash;Scotter Register
+ (County Lincoln)&mdash; "All my Eye:" "Over the Left"&mdash;Curious
+ Marriages &mdash;Child-mother</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page525">525</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Queries</span>:&mdash;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Further Queries respecting Bishop Ken</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page526">526</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>The Rev. John Larson and his Mathematical Manuscripts, by T.&nbsp;T.
+ Wilkinson</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page526">526</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Minor Queries</span>:&mdash;"Wanderings of
+ Memory"&mdash;"Wandering Willie's Tale"&mdash;Chapel
+ Sunday&mdash;Proud Salopians&mdash;George Miller, D.D.&mdash;Members
+ of Parliament&mdash;Taret&mdash;Jeroboam of Claret,
+ &amp;c.&mdash;William Williams of Geneva&mdash;The First of April and
+ "The Cap awry"&mdash;Sir G. Browne, Bart.&mdash;Bishop
+ Butler&mdash;Oaken Tombs&mdash;Alleged Bastardy of
+ Elizabeth&mdash;"Pugna Porcorum"&mdash;Parviso&mdash;Mr. Justice
+ Newton&mdash;Mufti&mdash;Ryming and Cuculling&mdash;Custom at the
+ Savoy Church</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page527">527</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Minor Queries with Answers</span>:&mdash;Faithful
+ Teate&mdash;Kelway Family&mdash;Regatta&mdash;Coket and
+ Cler-mantyn</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page529">529</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Replies</span>:&mdash;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Curfew</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page530">530</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>The "Salt-Peter-Man," by C.&nbsp;H. Cooper</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page530">530</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Forms of Judicial Oaths, by John Thrupp, &amp;c.</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page532">532</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Photographic Correspondence</span>:&mdash;Washing
+ Collodion Pictures&mdash;Test for Lenses&mdash;Improvement in
+ Positives&mdash;Cheap Portable Tent&mdash;Rev. Mr. Sisson's New
+ Developing Fluid</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page533">533</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Replies To Minor
+ Queries</span>:&mdash;Vanes&mdash;Loselerius
+ Villerius&mdash;Westminster
+ Parishes&mdash;Hevristic&mdash;Creole&mdash;General Monk and the
+ University of Cambridge&mdash;Ecclesia Anglicana&mdash;Gibbon's
+ Library&mdash;Golden Bees&mdash;Passage in Orosius&mdash;Names first
+ given to Parishes&mdash;Grafts and the Parent Tree&mdash;Lord Cliff
+ and Howell's Letters&mdash;The Bouillon Bible&mdash;Rhymes on
+ Places&mdash;Serpents' Tongues&mdash;Consecrated Roses, &amp;c.</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page534">534</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Miscellaneous</span>:&mdash;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Notes on Books, &amp;c.</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page537">537</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Books and Odd Volumes wanted</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page538">538</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Notices to Correspondents</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page538">538</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Advertisements</p>
+ </td>
+ <td style="text-align:left">
+ <p><a href="#page538">538</a></p>
+ </td>
+ </tr>
+</table>
+
+<hr class="full" >
+
+<h2>Notes.</h2>
+
+<h3>ON CHAUCER'S KNOWLEDGE OF ITALIAN.</h3>
+
+ <p>In the Memoir prefixed to the Aldine edition of the <i>Poetical Works
+ of Chaucer</i>, London, 1845, Sir Harris Nicolas expresses an opinion
+ that Dan Geoffrey was not acquainted with the Italian language, and
+ therefore not versed in Italian literature.</p>
+
+<blockquote class="b1">
+
+ <p>"Though Chaucer undoubtedly knew Latin and French, it is by no means
+ certain, notwithstanding his supposed obligations to the Decameron, that
+ he was as well acquainted with Italian. There may have been a common
+ Latin original of the main incidents of many, if not of all the tales,
+ for which Chaucer is supposed to have been wholly indebted to Boccaccio,
+ and from which originals Boccaccio himself may have taken them. That
+ Chaucer was not acquainted with Italian may be inferred from his not
+ having introduced any Italian quotation into his works, redundant as they
+ are with Latin and French words and phrases."&mdash;<i>Life of
+ Chaucer</i>, pp. 24, 25.</p>
+
+</blockquote>
+
+ <p>To which the following note is subjoined:</p>
+
+<blockquote class="b1">
+
+ <p>"Though Chaucer's writings have not been examined for the purpose, the
+ remark in the text is not made altogether from recollection, for at the
+ end of Speght's edition of Chaucer's <i>Works</i>, translations are given
+ of the Latin and French words in the poems, but not a single Italian word
+ is mentioned."</p>
+
+</blockquote>
+
+ <p>If Sir Harris Nicolas had examined the writings of Chaucer with any
+ care, he would scarcely have formed or expressed so strange an opinion,
+ for he must necessarily have discovered that Chaucer was not only well
+ acquainted with the language, but thoroughly well versed in Italian
+ literature, and that he paraphrased and translated freely from the works
+ of Dante, Petrarca, and Boccaccio. Chaucer would naturally quote Latin
+ and French, as being familiar to his cotemporaries, and would abstain
+ from introducing Italian, as a knowledge of that language must have been
+ confined to a few individuals in his day; and he wrote for the many, and
+ not for the minority.</p>
+
+ <p>The circumstances of Chaucer's life, his missions to Italy, during
+ which he resided several months in that country, when sent on the king's
+ business to Genoa, and Florence, and Lombardy, afforded <!-- Page 518
+ --><span class="pagenum"><a name="page518"></a>{518}</span> him ample
+ opportunities of becoming thoroughly acquainted with the language and
+ literature of Italy; the acquisition of which must have been of easy
+ accomplishment to Chaucer, already familiar with Latin and French. So
+ that it is not necessary to endow Chaucer "with all human attainments as
+ proof of his having spoken Italian."</p>
+
+ <p>Chaucer's own writings, however, afford the strongest evidence against
+ the opinion entertained by Sir Harris Nicolas, and such evidence as
+ cannot be controverted.</p>
+
+ <p>Chaucer loves to refer to Dante, and often translates passages from
+ the <i>Divine Comedy</i>. The following lines are very closely rendered
+ from the <i>Paradiso</i>, xiv. 28.:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Thou one, two, and thre, eterne on live,</p>
+ <p>That raignest aie in thre, two, and one,</p>
+ <p>Uncircumscript, and all maist circumscrive."</p>
+ <p class="i6">Last stanza of <i>Troilus and Creseide</i>.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>Quell' uno e due e tre che sempre vive,</i></p>
+ <p><i>E regna sempre in tre e due ed uno</i>,</p>
+ <p><i>Non circonscritto, e tutto circonscrive.</i>"</p>
+ <p class="i6">Dante, <i>Il Paradiso</i>, xiv. 28.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"Wel can <i>the wise poet of Florence</i>,</p>
+ <p>That highte <i>Dant</i>, speken of this sentence:</p>
+ <p>Lo, in swiche maner rime is <i>Dantes</i> tale.</p>
+ <p><i>Ful selde up riseth by his branches smale</i></p>
+ <p><i>Prowesse of man, for God of his goodnesse</i></p>
+ <p><i>Wol that we claime of him our gentillesse.</i>"</p>
+ <p class="i6"><i>Wif of Bathes Tale</i>, 6707.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>Rade volte risurge per li rami</i></p>
+ <p class="i1"><i>L' umana probità: e questo vuole</i></p>
+ <p class="i1"><i>Quei che la dà, perchè da lui si chiami.</i>"</p>
+ <p class="i6"><i>Purgatorio</i>, vii. 121.</p>
+ </div>
+ </div>
+ <p>After relating the dread story of the Conte Ugolino, Chaucer refers to
+ Dante, from whom perhaps he derived it. (Conf. <i>Inferno</i>,
+ xxxiii.)</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Who so wol here it in a longer wise,</p>
+ <p>Redeth the grete poete of Itaille,</p>
+ <p>That highte <i>Dante</i>, for he can it devise</p>
+ <p>Fro point to point, not o word wol he faille."</p>
+ <p class="i6"><i>The Monkes Tale</i>, 14,769.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"Bet than Vergile, while he was on live,</p>
+ <p>Or <i>Dant</i> also."&mdash;<i>The Freres Tale</i>, 7101.</p>
+ </div>
+ </div>
+ <p>The following lines refer to the <i>Inferno</i>, xiii. 64.:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Envie is lavender of the court alway,</p>
+ <p>For she ne parteth neither night ne day,</p>
+ <p>Out of the house of Cesar, thus saith <i>Dant</i>."</p>
+ <p class="i4">Prologue to the <i>Legend of Good Women</i>, 359.</p>
+ </div>
+ </div>
+ <p>"<i>Dant</i> that it tellen can" is mentioned in the <i>House of
+ Fame</i>, book i.; and Chaucer is indebted to him for some lines in that
+ fine poem, as in the description of the "egle, that with feathers shone
+ all of gold" = <i>un' aquila nel ciel con penne d'oro</i>; and the
+ following line:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"O thought, that wrote all that I met."</p>
+ <p class="i6"><i>House of Fame</i>, ii. 18.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>O mente, che scrivesti ciò ch' io vidi.</i>"</p>
+ <p class="i6"><i>Inferno</i>, ii. 8.</p>
+ </div>
+ </div>
+ <p>The <i>Knightes Tale</i> exhibits numerous passages, lines, and
+ expressions verbally translated from the <i>Teseide</i> of Boccaccio,
+ upon which it is founded; such as <i>Idio armipotente</i> = Mars
+ armipotent; <i>Eterno admante</i> = Athamant eterne; <i>Paura palida</i>
+ = pale drede; <i>Le ire rosse come focho</i> = the cruel ire red as any
+ glede. Boccaccio describes the wood in which "Mars hath his sovereine
+ mansion" as&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<i>Una selva sterile de robusti</i></p>
+ <p><i>Cerri,</i></p>
+ <p><i>Nodosi aspri e rigidi e vetusti.</i></p>
+ <p><i>Vi si sentia grandissimo romore,</i></p>
+ <p><i>Ne vera bestia anchora ne pastore.</i>"</p>
+ <p class="i6"><i>Teseide</i>, book vii.</p>
+ </div>
+ </div>
+ <p>There is a purposed grisly ruggedness in the corresponding passage of
+ the <i>Knightes Tale</i>, which heightens the horrors of "thilke colde
+ and frosty region:"</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"First on the wall was peinted <i>a forest,</i></p>
+ <p><i>In which ther wonneth neyther man ne best,</i></p>
+ <p><i>With knotty knarry barrein trees old</i></p>
+ <p><i>Of stubbes sharpe and hidous to behold</i>;</p>
+ <p>In which ther ran <i>a romble and a swough</i>,</p>
+ <p>As though a storme shuld bresten every bough."</p>
+ <p class="i6"><i>The Knightes Tale</i>, 1977.</p>
+ </div>
+ </div>
+ <p>The death of Arcite is thus related by Boccaccio:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"La morte in ciascun membro era venuta</p>
+ <p>Da piedi in su, venendo verso il petto,</p>
+ <p>Ed ancor nelle braccia era perduta</p>
+ <p>La vital forza; sol nello intelletto</p>
+ <p>E nel cuore era ancora sostenuta</p>
+ <p>La poca vita, ma già si ristretto</p>
+ <p>Eragli 'l tristo cor del mortal gelo</p>
+ <p>Che agli occhi fe' subitamente velo.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"Ma po' ch' egli ebbe perduto il vedere,</p>
+ <p>Con seco cominciò a mormorare,</p>
+ <p>Ognor mancando più del suo podere:</p>
+ <p>Nè troppo fece in ciò lungo durare;</p>
+ <p>Ma il mormorare trasportato in vere</p>
+ <p>Parole, con assai basso parlare</p>
+ <p>Addio Emilia; e più oltre non disse,</p>
+ <p>Chè l' anima convenne si partisse."</p>
+ <p class="i6"><i>Teseide</i>, book x. 112.</p>
+ </div>
+ </div>
+ <p>Chaucer loses nothing of this description in his condensed
+ translation:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"For from his feet up to his brest was come</p>
+ <p>The cold of deth, that had him overnome.</p>
+ <p>And yet moreover in his armes two</p>
+ <p>The vital strength is lost, and all ago.</p>
+ <p>Only the intellect, withouten more,</p>
+ <p>That dwelled in his herte sike and sore,</p>
+ <p>Gan feillen, when the herte felte deth;</p>
+ <p>Dusked his eyen two, and failled his breth.</p>
+ <p>But on his ladie yet cast he his eye;</p>
+ <p>His laste word was; Mercy, Emelie!"</p>
+ <p class="i6"><i>The Knightes Tale</i>, 2301.</p>
+ </div>
+ </div>
+ <p><i>Troilus and Creseide</i> seems to have been translated from the
+ <i>Filostrato</i> of Boccaccio, when <!-- Page 519 --><span
+ class="pagenum"><a name="page519"></a>{519}</span> Chaucer was a young
+ man, as we are informed by Dan John Lydgate in the Prologue to his
+ Translation of Boccaccio's <i>Fall of Princes</i>, where he speaks of his
+ "Maister Chaucer" as the "chefe poete of Bretayne," and tells us
+ that&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<i>In youthe he made a translacion</i></p>
+ <p>Of a boke which called is Trophe,</p>
+ <p>In Lumbard tongue, as men may rede and se,</p>
+ <p><i>And in our vulgar, long or that he deyde</i></p>
+ <p>Gave it the name of Troylous and Cresseyde."</p>
+ </div>
+ </div>
+ <p>Chaucer's translation is sometimes very close, sometimes rather free
+ and paraphrastic, as may be seen in the following examples:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"But right as floures through the cold of night</p>
+ <p class="i1">Yclosed, stoupen in hir stalkes lowe,</p>
+ <p>Redressen hem ayen the Sunne bright,</p>
+ <p class="i1">And spreaden in hir kinde course by rowe."</p>
+ <p class="i6"><i>Troilus and Creseide</i>, b. ii.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>Come fioretto dal notturno gelo</i></p>
+ <p><i>Chinato e chiuso, poi che il Sol l' imbianca,</i></p>
+ <p><i>S'apre, e si leva dritto sopra il stelo.</i>"</p>
+ <p class="i6">Boccaccio, <i>Il Filostrato</i>, iii. st. 13.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"She was right soche to sene in her visage</p>
+ <p>As is that wight that men on bere ybinde."</p>
+ <p class="i6"><i>Troilus and Creseide</i>, b. iv.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>Essa era tale, a guardarla nel viso,</i></p>
+ <p><i>Qual donna morta alla fossa portata.</i>"</p>
+ <p class="i6"><i>Il Filostrato</i>, v. st. 83.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"As fresh as faucon coming out of mew."</p>
+ <p class="i6"><i>Troilus and Creseide</i>, b. iii.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>Come falcon ch' uscisse dal cappello.</i>"</p>
+ <p class="i6"><i>Il Filostrato</i>, iv. st. 83.</p>
+ </div>
+ </div>
+ <p>"The Song of Troilus," in the first book of <i>Troilus and
+ Creseide</i>, is a paraphrase from one of the Sonnets of Petrarca:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<i>S' Amor non è, che dunque è quel ch' i' sento?</i></p>
+ <p><i>Ma s' egli è Amor, per Dio che cosa, e quale?</i></p>
+ <p><i>Se buona, ond' è l' effetto aspro mortale?</i>"</p>
+ <p class="i4">Petrarca, <i>Rime in Vita di Laura</i>, Son. cii.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"If no love is, O God, what feele I so?</p>
+ <p>And if love is, what thing and which is he?</p>
+ <p>If love be good, from whence cometh my wo?"</p>
+ <p class="i6"><i>Troilus and Creseide</i>, b. i.</p>
+ </div>
+ </div>
+ <p>Chaucer evidently had the following lines of the <i>Paradiso</i> in
+ view when writing the invocation to the Virgin in <i>The Second Nonnes
+ Tale</i>:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Vergine Madre, figlia del tuo Figlio,</p>
+ <p>Umile e alta più che creatura,</p>
+ <p>Termine fisso d' eterno consiglio,</p>
+ <p>Tu se' colei, che l' umana Natura,</p>
+ <p><i>Nobilitasti</i> sì, che il suo Fattore</p>
+ <p>Non disdegno di farsi sua fattura."</p>
+ <p class="i6"><i>Paradiso</i>, xxxiii, I.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"Thou maide and mother, doughter of thy Son,</p>
+ <p>Thou well of mercy, sinful soules cure,</p>
+ <p>In whom that God of bountee chees to won;</p>
+ <p>Thou humble and high over every creature,</p>
+ <p>Thou <i>nobledest</i> so fer forth our nature,</p>
+ <p>That no desdaine the maker had of kinde</p>
+ <p>His Son in blood and flesh to clothe and winde."</p>
+ <p class="i6"><i>The Second Nonnes Tale</i>, 15,504.</p>
+ </div>
+ </div>
+ <p>Traces of Chaucer's proficiency in Italian are discoverable in almost
+ all his poems; but I shall conclude with two citations from <i>The
+ Assembly of Foules</i>:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"The day gan failen, and the darke night,</p>
+ <p>That reveth beastes from hir businesse,</p>
+ <p>Berafte me my booke for lacke of light."</p>
+ <p class="i6"><i>The Assembly of Foules</i>, I. 85.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>Lo giorno se n'andava, e l'aer bruno</i></p>
+ <p><i>Toglieva gli animai che sono in terra</i></p>
+ <p><i>Dalle fatiche loro.</i>"&mdash;<i>Inf.</i> ii. 1.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"With that my hand in his he toke anon,</p>
+ <p>Of which I comfort caught, and went in fast."</p>
+ <p class="i6"><i>The Assembly of Foules</i>, I. 169.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"<i>E poiche la sua mano alla mia pose</i></p>
+ <p><i>Con lieto volto, ond' io mi confortai.</i>"</p>
+ <p class="i6"><i>Inf.</i> iii. 19.</p>
+ </div>
+ </div>
+ <p>By the way, Chaucer commences <i>The Assembly of Foules</i> with part
+ of the first aphorism of Hippocrates, "<span title="Ho bios brachus hê de technê makrê" class="grk"
+ >&#x1F49; &beta;&iota;&omicron;&sigmaf;
+ &beta;&rho;&alpha;&chi;&#x1F7A;&sigmaf; &#x1F21; &delta;&#x1F72;
+ &tau;&#x1F73;&chi;&nu;&eta; &mu;&alpha;&kappa;&rho;&#x1F75;</span>" (but
+ this, I suppose, had been noticed before):</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"The lyfe so short, the craft so long to lerne."</p>
+ </div>
+ </div>
+ <p>Chaucer was forty years old, or upwards, in 1372, when he was sent as
+ an envoy to treat with the duke, citizens, and merchants of Genoa; and
+ if, as is probable, he had translated <i>Troilus and Creseide</i> out of
+ the "Lombarde tonge" in his youth (according to the testimony of
+ Lydgate), it is not unreasonable to infer that his knowledge of Italian
+ may have led to his being chosen to fill that office. But, however this
+ may be, abundant proof has been adduced that Chaucer was familiarly
+ acquainted with Italian.</p>
+
+ <p>I may briefly remark, in conclusion, that the dates and other
+ circumstances favour the supposed interview at Padua, between Fraunceis
+ Petrark the laureate poet, and Dan Chaucer,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Floure of poets throughout all Bretaine."</p>
+ </div>
+ </div>
+ <p class="author">J. M. B.
+
+ <p class="address">Tunbridge Wells.
+
+<hr class="full" >
+
+<h3>THE REBELLION OF '45.&mdash;UNPUBLISHED LETTER.</h3>
+
+ <p class="author">Inverness, 16th Aprile, 1746.
+
+ <p>Dear Sirs,</p>
+
+ <p>This day about twelve our army came up with the rebels, about a mile
+ above Lord President's house, in a muir called Drumrossie. They began the
+ engagement first, by firing from a battery of six guns they had erected
+ upon their right; but our cannon played so hott upon them, that they were
+ obliged soon to fly, by which means we gote possession of their
+ artillery, and so drove them before us for three miles of way. The
+ cavalry gave them closs chase to the town of Inverness: <!-- Page 520
+ --><span class="pagenum"><a name="page520"></a>{520}</span> upon which
+ the French ambassador (who is not well) sent out an officer, and a drum
+ with him, offering to surrender at discretion; to which the duke made
+ answer, that the French officers should be allowed to go about on their
+ parole, and nothing taken from them. Brigadier Stapleton is among them,
+ and God knows how many more officers; for we have not gote home to count
+ them yet. Its thought the rebels have between four and five hundred
+ killed, and as many taken prisoners already: many more we expect this
+ night, parties having been sent out after them. Lord Kilmarnock I saw
+ prisoner, and Major Stewart, with many more. Secretary Murray is very
+ bad: a party is just now sent for him, intelligence being brought where
+ he is. I don't think we have lost thirty men, and not above five officers
+ killed, amongst which are Lord Robert Ker, Captain Grosset: the rest
+ their names I have forgote. We are now in full possession of this place.
+ Some say the Pretender was in the battle, and wounded; but others say he
+ was not. Such of them as are left are gone to Fort Augustus. The duke,
+ God be praised, is in good health, and all the generalls. His Royal
+ Highness behaved as if he had been inspired, riding up and down giveing
+ orders himself.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>I am, Gentlemen,</p>
+ <p class="i2">Your most obedt. servant,</p>
+ <p class="i4"><span class="sc">David Bruce</span>.</p>
+ </div>
+ </div>
+ <p>After writing y<sup>e</sup> above, y<sup>e</sup> lists of
+ y<sup>e</sup> killed and wounded are as follows, so far as is yet
+ known:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>We have of y<sup>e</sup> prisoners 700</p>
+ <p>Killed and wounded on y<sup>e</sup> field 1800</p>
+ </div>
+ </div>
+ <p>Of y<sup>e</sup> duke's army:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Killed, wounded, and amissing 220</p>
+ </div>
+ </div>
+<hr class="short" >
+
+ <p>Gentlemen,</p>
+
+ <p>I hope you'l pardon y<sup>e</sup> confusedness of y<sup>e</sup>
+ foregoing line, as I have been in y<sup>e</sup> utmost confusion since I
+ came here. 'Tis said, but not quite certain, y<sup>t</sup> y<sup>e</sup>
+ following rebells are killed, viz.:&mdash;Lochiel, Capuch (Keppach), Lord
+ Nairn, Lord Lewis Drummond, D. of Perth, Glengarry, &amp;c. The French
+ have all surrendered prisoners of war.</p>
+
+ <p class="author"><span class="sc">David Bruce</span>.
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Addressed to</p>
+ <p class="i2">The Governors of</p>
+ <p class="i4">The Town of Aberdeen.</p>
+ </div>
+ </div>
+ <p class="author">X. Y. Z.
+
+<hr class="full" >
+
+<h3>OLIVER ST. JOHN.</h3>
+
+ <p>In giving the lives of the Commonwealth chief justices, Lord Campbell
+ observes (<i>Lives of Chief Justices</i>, vol. i. p. 447.), "in
+ completing the list with the name of Oliver St. John, I am well pleased
+ with an opportunity of tracing his career and pourtraying his character."
+ Then follows a biography of thirty pages. The subject seems to be a
+ favourite one with his lordship, and he accordingly produces a striking
+ picture, laying on his colours in the approved historical style of the
+ day, so as to make the painting an effective one, whether the resemblance
+ be faithful or not. But how is it that the noble biographer appears to be
+ quite unaware of what really is the only document we have relating to
+ Oliver St. John of his own composition, which does give us much light as
+ to his career or character? I refer to <i>The Case of Oliver St. John,
+ Esq, concerning his Actions during the late Troubles</i>, pp. 14., 4to.,
+ n.d. It is a privately printed tract, emanating from St. John himself,
+ and was no doubt circulated amongst persons in power at the Restoration,
+ with a view to obtaining indemnity and pardon. My copy is signed by
+ himself, and has some corrections in his autograph. His Defence is full
+ of interesting particulars, some of which are very inconsistent with Lord
+ Campbell's speculations and statements. It would, however, occupy too
+ much of your space were I to go through the various articles objected to
+ by him, and to which he gives his replies and explanations. My object in
+ noticing this tract at present, is to prevent any future biographer of
+ this Commonwealth worthy, whose life may well be an historical study,
+ from neglecting an important source of information. I observe Lord
+ Campbell (p. 473.) doubts whether he favoured the measure of making
+ Cromwell king. But if we are to believe the title-page of <i>Monarchy
+ asserted</i>, 1660, 12mo., he was one of the speakers at the conference
+ with Cromwell on the 11th April, 1657, in favour of his assuming the
+ title of king. On the list of the committee which follows, the "Lord
+ Chief Justice" only is mentioned, but in the speeches a difference seems
+ to be made between "Lord Chief Justice" (pp. 6. 7. 15.) and "Lord Chief
+ Justice Glynne" (p. 44.), and they would seem to be two different
+ speakers. The title-page states distinctly, "the arguments of Oliver St.
+ John, Lord Chief Justice, Lord Chief Justice Glyn, &amp;c., members of
+ that committee."</p>
+
+ <p class="author"><span class="sc">Jas. Crossley</span>.
+
+<hr class="full" >
+
+<h3>NOTES ON SEVERAL MISUNDERSTOOD WORDS.</h3>
+
+<p class="cenhead">(<i>Continued from</i> p. 402.)</p>
+
+ <p><i>No did, no will, no had, &amp;c.</i>&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<i>K. John.</i> &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; I had a mighty cause</p>
+ <p>To wish him dead, but thou hadst none to kill him.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Hubert.</i> <i>No had</i> (my Lord), why, did you not provoke me?"</p>
+ <p class="i6"><i>King John</i>, Act IV. Sc. 2.</p>
+ </div>
+ </div>
+ <p>So the first folio edition of Shakspeare. A palpable error, as the
+ commentators of the present would pleasantly observe, and all the world
+ would echo the opinion; but here, as in most other <!-- Page 521 --><span
+ class="pagenum"><a name="page521"></a>{521}</span> instances,
+ commentators and all the world may be wrong, and the folios right. The
+ passage has accordingly been corrupted by the editors of Shakspeare into
+ what was more familiar to their modern ears: "Had none, my Lord!" Though
+ the mode of speech be very common, yet, to deprive future editors of all
+ excuse for ever again depraving the genuine text of our national Bible, I
+ shall make no apology for accumulating a string of examples:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<i>Fort.</i> Oh, had I such a hat, then were I brave!</p>
+ <p>Where's he that made it?</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Sol.</i> Dead: and the whole world</p>
+ <p>Yields not a workman that can frame the like.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Fort.</i> <i>No does?</i>"</p>
+ <p class="i2hg3">"Old Fortunatus," <i>Old English Plays</i>, vol. iii. p. 140., by Dilke:</p>
+ </div>
+ </div>
+ <p>who alters "No does?" into <i>None does?</i> thinking, I presume, that
+ he had thereby simplified the sentence:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<i>John.</i> I am an elde fellowe of fifty wynter and more,</p>
+ <p>And yet in all my lyfe I knewe not this before.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Parson.</i> <i>No dyd</i>, why sayest thou so, upon thyselfe thou lyest,</p>
+ <p>Thou haste euer knowen the sacramente to be the body of Christ."</p>
+ <p class="i6"><i>John Bon and Mast Person.</i></p>
+ </div>
+ </div>
+<blockquote class="b1">
+
+ <p>"<i>Chedsey.</i> Christ said 'Take, eat, this is my body;' and not
+ 'Take ye, eat ye.'</p>
+
+ <p><i>Philpot.</i> <i>No did</i>, master doctor? Be not these the words
+ of Christ, 'Accipite, manducate?' And do not these words, in the plural
+ number, signify 'Take ye, eat ye;' and not 'Take thou, eat thou,' as you
+ would suppose?"&mdash;Foxe's <i>Acts and Monuments</i>, vol. vii. p.
+ 637., Cattley's edition.</p>
+
+ <p>"<i>Philpot.</i> Master Cosins, I have told my lord already, that I
+ will answer to none of these articles he hath objected against me: but if
+ you will with learning answer to that which is in question between my
+ lord and me, I will gladly hear and commune with you.</p>
+
+ <p><i>Cosins.</i> <i>No will</i> you? Why what is that then, that is in
+ question between my lord and you?"&mdash;<i>Id.</i>, p. 651.</p>
+
+ <p>"<i>Philpot.</i> And as I remember, it is even the saying of St.
+ Bernard [viz. The Holy Ghost is Christ's vicar on earth
+ (<i>vic-arius</i>), and a saying that I need not to be ashamed of,
+ neither you to be offended at; as my Lord of Durham and my Lord of
+ Chichester by their learning can discern, and will not reckon it evil
+ said.</p>
+
+ <p><i>London.</i> <i>No will?</i> Why, take away the first syllable, and
+ it soundeth Arius."&mdash;<i>Id.</i> p. 658.</p>
+
+ <p>"<i>Philpot.</i> These words of Cyprian do nothing prove your
+ pretensed assertion; which is, that to the Church of Rome there could
+ come no misbelief.</p>
+
+ <p><i>Christopherson.</i> Good lord, <i>no doth</i>? What can be said
+ more plainly?"&mdash;<i>Id.</i>, p. 661.</p>
+
+</blockquote>
+
+ <p>Again, at p. 663. there occur no less than three more instances and at
+ p. 665. another.</p>
+
+<blockquote class="b1">
+
+ <p>"<i>Careless.</i> No, forsooth: I do not know any such, nor have I
+ heard of him that I wot of.</p>
+
+ <p><i>Martin.</i> <i>No have</i>, forsooth: and it is even he that hath
+ written against thy faith."</p>
+
+</blockquote>
+
+ <p>Then <i>Martin</i> said:</p>
+
+<blockquote class="b1">
+
+ <p>"Dost thou not know one Master Chamberlain?</p>
+
+ <p><i>Careless.</i> No forsooth; I know him not.</p>
+
+ <p><i>Martin.</i> <i>No dost!</i> and he hath written a book against thy
+ faith also."&mdash;<i>Id.</i>, vol. iii. p. 164.</p>
+
+ <p>"<i>Lichfield and Coventry.</i> We heard of no such order.</p>
+
+ <p><i>Lord Keeper.</i> <i>No did?</i> Yes, and on the first question ye
+ began willingly. How cometh it to pass that ye will not now do
+ so?"&mdash;<i>Id.</i>, p. 690.</p>
+
+ <p>"Then said Sir Thomas Moyle: 'Ah! Bland, thou art a stiff-hearted
+ fellow. Thou wilt not obey the law, nor answer when thou art called.'
+ '<i>Nor will</i>,' quoth Sir John Baker. 'Master Sheriff, take him to
+ your ward.'"&mdash;<i>Id.</i>, vol. vii. p. 295.</p>
+
+</blockquote>
+
+ <p>Is it needful to state, that the original editions have, as they ought
+ to have, a note of interrogation at "Baker?" I will not tax the reader's
+ patience with more than two other examples, and they shall be fetched
+ from the writings of that admirable papist&mdash;the gentle, the
+ merry-hearted More:</p>
+
+<blockquote class="b1">
+
+ <p>"Well, quod Caius, thou wylt graunte me thys fyrste, that euery thynge
+ that hath two erys is an asse.&mdash;Nay, mary mayster, wyll I not, quod
+ the boy.&mdash;<i>No wylt</i> thou? quod Caius. Ah, wyly boy, there thou
+ wentest beyond me."&mdash;The Thyrde Boke, the first chapter, fol. 84. of
+ Sir Thomas More's <i>Dialogues</i>.</p>
+
+ <p>"Why, quod he, what coulde I answere ellys, but clerely graunt hym
+ that I believe that thyng for none other cause but only bycause the
+ Scripture so sheweth me?&mdash;<i>No could ye?</i> quod I. What yf neuer
+ Scripture had ben wryten in thys world, should there neuer haue bene eny
+ chyrch or congregacyon of faythfull and ryght beyleuyng
+ people?&mdash;That wote I nere, quod he. <i>No do ye?</i> quod
+ I."&mdash;<i>Id.</i>, fol. 85.</p>
+
+</blockquote>
+
+ <p>In taking leave of this idiom, it would not perhaps be amiss to
+ remark, that "ye can," in Duke Humphey's rejoinder to the "blyson begger
+ of St. Albonys," is not, as usually understood, "you can?" but "yea
+ can?"</p>
+
+<hr class="short" >
+
+ <p><i>To be at point</i> = to be at a stay or stop, <i>i.e.</i> settled,
+ determined, nothing farther being to be said or done: a very common
+ phrase. Half a dozen examples shall suffice:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"&nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; ·&nbsp; &nbsp;What I am truly</p>
+ <p>Is thine, and my poore countries to command:</p>
+ <p>Whither indeed before they (thy) heere-approach,</p>
+ <p>Old Seyward with ten thousand warlike men</p>
+ <p>Already <i>at a point</i>, was setting forth."</p>
+ <p class="i6"><i>Macbeth</i>, Act IV. Sc. 3. 1st Fol.</p>
+ </div>
+ </div>
+ <p>No profit to give the commentators' various guesses at the import of
+ the phrase in the above passage, which will be best gathered from the
+ following instances of its use elsewhere. But, before passing further, I
+ beg permission to inform <span class="sc">Mr. Knight</span> that the
+ original suggester of "sell" for "self," in an earlier part of this play,
+ whose name <!-- Page 522 --><span class="pagenum"><a
+ name="page522"></a>{522}</span> he is at a loss for, was W.&nbsp;S. Landor,
+ whose footnote to vol. ii. p. 273., Moxon's edit. of his works, is as
+ follows:</p>
+
+<blockquote class="b1">
+
+ <p>"And here it may be permitted the editor to profit also by the
+ manuscript, correcting in Shakespeare what is <i>absolute nonsense</i> as
+ now printed:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg1">'<i>Vaulting</i> ambition that o'erleaps <i>itself</i>,</p>
+ <p>And falls on the <i>other side</i>.'</p>
+ </div>
+ </div>
+ <p>Other side of what? It should be <i>its sell</i>. <i>Sell</i> is
+ saddle in Spenser and elsewhere, from the Latin and Italian."</p>
+
+</blockquote>
+
+ <p>A correspondent of "N. &amp; Q."., Vol. vii., p. 404., will be
+ delighted to find his very ingenious discovery brought home, and
+ corroborated by Landor's valuable manuscript: but it is an old said
+ saw&mdash;"Great wits jump." Now to our examples:</p>
+
+<blockquote class="b1">
+
+ <p>"<i>Pasquin.</i> Saint Luke also affirmeth the same, saying flatly
+ that he shall not be forgiuen. Beholde, therefore, how well they
+ interprete the Scriptures.</p>
+
+ <p><i>Marforius.</i> I am alreadie <i>at a poynt</i> with them, but thou
+ shalt doo me great pleasure to expounde also vnto me certayne other
+ places, vppon the which they ground this deceit."&mdash;<i>Pasquine in a
+ Traunce</i>, turned but lately out of the Italian into this tongue by
+ W.&nbsp;P.: London, 1584.</p>
+
+ <p>"But look, where malice reigneth in men, there reason can take no
+ place: and, therefore, I see by it, that you are all <i>at a point</i>
+ with me, that no reason or authority can persuade you to favour my name,
+ who never meant evil to you, but both your commodity and
+ profit."&mdash;Foxe's <i>Acts and Monuments</i>, vol. viii. p. 18.</p>
+
+ <p>"Not so, my lord," said I, "for I am <i>at a full point</i> with
+ myself in that matter; and am right well able to prove both your
+ transubstantiation with the real presence to be against the Scriptures
+ and the ancient Fathers of the primitive Church."&mdash;<i>Id.</i>, p.
+ 587.</p>
+
+ <p>"<i>Winchester.</i> No, surely, I am fully determined, and fully <i>at
+ a point</i> therein, howsoever my brethren do."&mdash;<i>Id.</i>, p.
+ 691.</p>
+
+ <p>"<i>Brad.</i> Sir, so that you will define me your church, that under
+ it you bring not in a false church, you shall not see but that we shall
+ soon be <i>at a point</i>."&mdash;<i>Id.</i>, vol. vii. p. 190.</p>
+
+ <p>"<i>Latimer.</i> Truly, my lord, as for my part I require no respite,
+ for I am <i>at a point</i>. You shall give me respite in vain; therefore,
+ I pray you let me not trouble you to-morrow."&mdash;<i>Id.</i>, p.
+ 534.</p>
+
+ <p>"Unto whom he (Lord Cobham) gave this answer: 'Do as ye shall think
+ best, for I am <i>at a point</i>.' Whatsoever he (Archbishop Arundel) or
+ the other bishops did ask him after that, he bade them resort to his
+ bill: for thereby would he stand to the very death."&mdash;<i>Id.</i>,
+ vol. iii. pp. 327-8.</p>
+
+ <p>"'Et illa et ista vera esse credantur et nulla inter nos contentio
+ remanebit, quia nec illis veris ista, nec istis veris illa impediuntur.'
+ Let bothe those truthes and these truthes be beleued, and we shall be
+ <i>at appoinct</i>. For neither these truthes are impaired by the other,
+ neither the other by these."&mdash;<i>A Fortresse of the Faith</i>, p.
+ 50., by Thomas Stapleton: Antwerp, 1565.</p>
+
+ <p>"A poore man that shall haue liued at home in the countrie, and neuer
+ tasted of honoure and pompe, is alwayes <i>at a poynt</i> with himselfe,
+ when menne scorne and disdayne him, or shewe any token of contempt
+ towardes his person."&mdash;John Calvin's <i>CVIII. Sermon on the
+ Thirtieth Chap. of Job</i>, p. 554., translated by Golding: London,
+ 1574.</p>
+
+ <p>"As for peace, I am <i>at a point</i>."&mdash;<i>Leycester
+ Correspondence</i>, Camd. Soc., p. 261.</p>
+
+</blockquote>
+
+ <p class="author"><span class="sc">W. R. Arrowsmith</span>.
+
+<p class="cenhead">(<i>To be continued.</i>)</p>
+
+<hr class="full" >
+
+<h3>FOLK LORE.</h3>
+
+ <p><i>Weather Rules.</i>&mdash;The interesting article on "The Shepherd
+ of Banbury's Weather Rules" (Vol. vii., p. 373.) has reminded me of two
+ <i>sayings</i> I heard in Worcestershire a few months back, and upon
+ which my informant placed the greatest reliance. The first is, "If the
+ moon changes on a Sunday, there will be a flood before the month is out."
+ My authority asserted that through a number of years he has never known
+ this fail. The month in which the change on a Sunday has occurred has
+ been fine until the last day, when the flood came. The other saying is,
+ "Look at the weathercock on St. Thomas's day at twelve o'clock, and see
+ which way the wind is, and there it will stick for the next quarter,"
+ that is, three months. Can any of your readers confirm the above, and add
+ any similar "weather rules?"</p>
+
+ <p class="author">J. A., <span class="sc">Jun</span>.
+
+ <p class="address">Birmingham.
+
+ <p><i>Drills presaging Death</i> (Vol. vii., p. 353.).&mdash;Your
+ correspondent asks if the superstition he here alludes to in Norfolk is
+ believed in other parts. I can give him a case in point in
+ Berkshire:&mdash;Some twenty years ago an old gentleman died there, a
+ near relative of my own; and on going down to his place, I was told by a
+ farm overseer of his, that he was certain some of his lordship's family
+ would die that season, as, in the last sowing, he had missed putting the
+ seed in one row, which he showed me! "Who could disbelieve it now?" quoth
+ the old man. I was then taken to the bee-hives, and at the door of every
+ one this man knocked with his knuckles, and informed the occupants that
+ they must now work for a new master, as their old one was gone to heaven.
+ This, I believe, has been queried in your invaluable paper some time
+ since. I only send it by the way. I know the same superstition is still
+ extant in Cheshire, North Wales, and in some parts of Scotland.</p>
+
+ <p class="author">T. W. N.
+
+ <p class="address">Malta.
+
+ <p>A friend supplies me with the information that before drills were
+ invented, the labourers <!-- Page 523 --><span class="pagenum"><a
+ name="page523"></a>{523}</span> considered it unlucky to miss a "bout" in
+ corn or seed sowing, will sometimes happened when "broadcast" was the
+ only method. The ill-luck did not relate alone to a <i>death</i> in the
+ family of the farmer or his dependents, but to losses of cattle or
+ accidents. It is singular, however, that the superstition should have
+ transferred itself to the drill; but it will be satisfactory to E.&nbsp;G.&nbsp;R.
+ to learn that the process of <i>tradition</i> and
+ <i>superstition-manufacturing</i> is not going on in the nineteenth
+ century.</p>
+
+ <p class="author"><span class="sc">E. S. Taylor</span>.
+
+ <p><i>Superstition in Devonshire; Valentine's Day</i> (Vol. v., pp. 55.
+ 148.).&mdash;This, according to Forby, vol. ii. p. 403., once formed in
+ Norfolk a part of the superstitious practices on <i>St. Mark's Eve</i>,
+ not St. Valentine's, as mentioned by J.&nbsp;S.&nbsp;A., when the sheeted ghosts of
+ those who should die that year (Mrs. Crowe would call them, I suppose,
+ <i>Doppelgängers</i>) march in grisly array to the parish church.</p>
+
+ <p>The rhyme varies from J.&nbsp;S.&nbsp;A.'s:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Hempseed I sow:</p>
+ <p>Hempseed grow;</p>
+ <p>He that is my true love</p>
+ <p>Come after me, and mow."</p>
+ </div>
+ </div>
+ <p>and the Norfolk spectre is seen with a <i>scythe</i>, instead of a
+ rake like his Devonshire compeer.</p>
+
+ <p class="author"><span class="sc">E.&nbsp;S. Taylor</span>.
+
+<hr class="full" >
+
+<h3>A NOTE ON GULLIVER'S TRAVELS.</h3>
+
+ <p>If I may argue from the silence of the latest edition of <i>Gulliver's
+ Travels, with Notes</i>, with which I am acquainted, viz. that by W.&nbsp;C.
+ Taylor, LL.D., Trinity College, Dublin, the Preface to which is dated May
+ 1st, 1840, I may say that all the commentators on Swift&mdash;all, at
+ least, down to that late date&mdash;have omitted to refer to a work
+ containing incidents closely resembling some of those recorded in the
+ "Voyage to Lilliput."</p>
+
+ <p>The work to which I allude is a little dramatical composition, the
+ Bambocciata, or puppet-show, by Martelli, entitled <i>The Sneezing of
+ Hercules</i>. Goldoni, in his <i>Memoirs</i>, has given us the following
+ account of the manner in which he brought it out on the stage:</p>
+
+<blockquote class="b1">
+
+ <p>"Count Lantieri was very well satisfied with my father, for he was
+ greatly recovered, and almost completely cured: his kindness was also
+ extended to me, and to procure amusement for me he caused a puppet-show,
+ which was almost abandoned, and which was very rich in figures and
+ decorations, to be refitted.</p>
+
+ <p>"I profited by this, and amused the company by giving them a piece of
+ a great man, expressly composed for wooden comedians. This was the
+ <i>Sneezing of Hercules</i>, by Peter James Martelli, a Bolognese.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>&nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; · &nbsp; &nbsp; &nbsp; ·</p>
+ </div>
+ </div>
+ <p>"The imagination of the author sent Hercules into the country of the
+ pigmies. Those poor little creatures, frightened at the aspect of an
+ animated mountain with legs and arms, ran and concealed themselves in
+ holes. One day as Hercules had stretched himself out in the open field,
+ and was sleeping tranquilly, the timid inhabitants issued out of their
+ retreats, and, armed with prickles and rushes, mounted on the monstrous
+ man, and covered him from head to foot, like flies when they fall on a
+ piece of rotten meat. Hercules waked, and felt something in his nose,
+ which made him sneeze; on which, his enemies tumbled down in all
+ directions. This ends the piece.</p>
+
+ <p>"There is a plan, a progression, an intrigue, a catastrophe, and
+ winding up; the style is good and well-supported; the thoughts and
+ sentiments are all proportionate to the size of the personages. The
+ verses even are short, and everything indicates pigmies.</p>
+
+ <p>"A gigantic puppet was requisite for Hercules; everything was well
+ executed. The entertainment was productive of much pleasure; and I could
+ lay a bet, that I am the only person who ever thought of executing the
+ Bambocciata of Martelli."&mdash;<i>Memoirs of Goldoni</i>, translated by
+ John Black, 2 vols., duod. vol. i. chap. 6.</p>
+
+</blockquote>
+
+ <p>It is certainly not necessary to point out here in what respects the
+ adventures of Hercules, the <i>animated mountain</i>, and those of
+ Quinbus Flestrin, the <i>man mountain</i>, differ from, or coincide with,
+ each other, as the only question I wish to raise is, whether a careful
+ analysis of Martelli's puppet-show ought, or ought not, to have been
+ placed among the notes on <i>Gulliver's Travels</i>.</p>
+
+ <p class="author"><span class="sc">C. Forbes</span>.
+
+ <p class="address">Temple.
+
+<hr class="full" >
+
+<h3>SHAKSPEARE CORRESPONDENCE.</h3>
+
+ <p>In reply to J. M. G. of Worcester, who inquires for a MS. volume of
+ English poetry containing some lines attributed to Shakspeare, and which
+ is described in Thorpe's <i>Catalog</i> of MSS. for 1831, I can supply
+ some particulars which may assist him in the research. The MS., which at
+ one period had belonged to Joseph Hazlewood, was purchased from Thorpe by
+ the late Lord Viscount Kingsborough; after whose decease it was sold, in
+ November, 1842, at Charles Sharpe's literary sale room, Anglesea Street,
+ Dublin. It is No. 574. in the auction catalogue of that part of his
+ lordship's library which was then brought to auction.</p>
+
+ <p>The volume has been noticed by Patrick Fraser Tytler, in his <i>Life
+ of Sir Walter Raleigh</i>, Edinburgh, 1833 (in Appendix B, p. 436., of
+ 2nd edit.), where, citing the passage from Collier, which is referred to
+ by J.&nbsp;M.&nbsp;G., he asserts that the lines are not Shakspeare's, but
+ Jonson's. But he does not appear to me to have established his case
+ beyond doubt; as the lines, though found among Jonson's works, may,
+ notwithstanding, be the production of some other writer: and why not of
+ Shakspeare, to whom they are ascribed in the MS.? Some verses by Sir
+ J.&nbsp;C. Hobhouse originally appeared as Lord Byron's: and there are <!--
+ Page 524 --><span class="pagenum"><a name="page524"></a>{524}</span>
+ numerous instances, both ancient and modern, of a similar attribution of
+ works to other than their actual authors.</p>
+
+ <p class="author"><span class="sc">Arterus</span>.
+
+ <p class="address">Dublin.
+
+ <p><i>The Island of Prospero.</i>&mdash;We cannot assert that Shakspeare,
+ in the <i>Tempest</i>, had any particular island in view as the scene of
+ his immortal drama, though by some this has been stoutly maintained.
+ Chalmers prefers one of the Bermudas. The Rev. J. Hunter, in his
+ <i>Disquisition on the Scene, &amp;c. of the Tempest</i>, endeavours to
+ confer the honour on the Island of Lampedosa. In reference to this
+ question, a statement of the pseudo-Aristotle is remarkable. In his work
+ "<span title="peri thaumasiôn akousmatôn" class="grk"
+ >&pi;&epsilon;&rho;&#x1F76;
+ &theta;&alpha;&upsilon;&mu;&alpha;&sigma;&#x1F77;&omega;&nu;
+ &#x1F00;&kappa;&omicron;&upsilon;&sigma;&mu;&#x1F71;&tau;&omega;&nu;</span>,"
+ he mentions Lipara, one of the Æolian Islands, lying to the north of
+ Sicily, and nearly in the course of Shakspeare's Neapolitan fleet from
+ Tunis to Naples. Among the <span title="polla teratôdê" class="grk"
+ >&pi;&omicron;&lambda;&lambda;&#x1F70;
+ &tau;&epsilon;&rho;&alpha;&tau;&#x1F7D;&delta;&eta;</span> found there,
+ he tells us:</p>
+
+<blockquote class="b1">
+
+ <p>"<span title="Exakouesthai gar tumpanôn kai kumbalôn êchon gelôta te meta thorubou kai krotalôn enargôs. legousi de ti teratôdesteron gegonenai peri to spêlaion." class="grk"
+ >&#x1F18;&xi;&alpha;&kappa;&omicron;&#x1F7B;&epsilon;&sigma;&theta;&alpha;&iota;
+ &gamma;&#x1F70;&rho; &tau;&upsilon;&mu;&pi;&#x1F71;&nu;&omega;&nu;
+ &kappa;&alpha;&#x1F76;
+ &kappa;&upsilon;&mu;&beta;&#x1F71;&lambda;&omega;&nu;
+ &#x1F26;&chi;&omicron;&nu; &gamma;&#x1F73;&lambda;&omega;&tau;&alpha;
+ &tau;&epsilon; &mu;&epsilon;&tau;&#x1F70;
+ &theta;&omicron;&rho;&#x1F7B;&beta;&omicron;&upsilon;
+ &kappa;&alpha;&#x1F76;
+ &kappa;&rho;&omicron;&tau;&#x1F71;&lambda;&omega;&nu;
+ &#x1F10;&nu;&alpha;&rho;&gamma;&#x1FF6;&sigmaf;.
+ &lambda;&#x1F73;&gamma;&omicron;&upsilon;&sigma;&iota; &delta;&#x1F73;
+ &tau;&iota;
+ &tau;&epsilon;&rho;&alpha;&tau;&omega;&delta;&#x1F73;&sigma;&tau;&epsilon;&rho;&omicron;&nu;
+ &gamma;&epsilon;&gamma;&omicron;&nu;&#x1F73;&nu;&alpha;&iota;
+ &pi;&epsilon;&rho;&#x1F76; &tau;&#x1F78;
+ &sigma;&pi;&#x1F75;&lambda;&alpha;&iota;&omicron;&nu;.</span>"</p>
+
+</blockquote>
+
+ <p>If we compare this with the aerial music heard by Ferdinand
+ (<i>Tempest</i>, I. 2.), especially as the orchestra is represented by
+ the genial burin of M. Retsch in the fifth plate of his well-known
+ sketches (<i>Umrisze</i>), it will appear probable that Shakspeare was
+ acquainted with the Greek writer either in the original or through a
+ translation. As far as I am aware, this has not been observed by any of
+ the commentators.&mdash;From <i>The Navorscher</i>.</p>
+
+ <p class="author">J. M.
+
+ <p><i>Coincident Criticisms.</i>&mdash;I shall be obliged if you will
+ allow me through your pages to anticipate and rebut two charges of
+ plagiarism. When I wrote my Note on a passage in <i>The Winter's Tale</i>
+ ("N. &amp; Q.," Vol. vii., p. 378.), I had not seen the <i>Dublin
+ University Magazine</i> for March last, containing some remarks on the
+ same passage in some respects much resembling mine. I must also declare
+ that my Note on a passage in <i>All's Well that ends Well</i> ("N. &amp;
+ Q.," Vol. vii., p. 426.) was posted for you some time before the
+ appearance of A.&nbsp;E.&nbsp;B.'s Note on the same passage ("N. &amp; Q.," Vol.
+ vii., p. 403.). The latter coincidence is more remarkable than the
+ former, as the integrity of the amended text was in both notes discussed
+ by means of the same parallel passage. <i>Apropos</i> of A.&nbsp;E.&nbsp;B.'s
+ clever Note, permit me to say, that though at first it appeared to me
+ conclusive, I now incline to think that Shakspeare intended Helen to
+ address the <i>leaden messengers</i> by means of a very hyperbolic
+ figure: "wound the still-piecing air that sings with piercing" is a
+ consistent whole. If, as A.&nbsp;E.&nbsp;B. rightly says, <i>to wound the air</i>
+ is an impossibility, it is equally impossible that the air should utter
+ any sound expressive of sensibility. The fact of course is, that the
+ cannon-balls <i>cleave</i> the air, and that by so cleaving it a shrill
+ noise is produced. The cause and effect may, however, be metaphorically
+ described, by comparing air to Bertram. I believe it is a known fact that
+ every man who is struck with a cannon-ball cries out instinctively.
+ Shakspeare therefore might, I think, have very poetically described the
+ action and effect of a cannon-ball passing through the air by the strong
+ figure of <i>wounding the air that sings with the piercing which it is
+ enduring</i>.</p>
+
+ <p>In concluding this Note, I beg to express what is not merely my own,
+ but a very general feeling of disappointment in respect of <span
+ class="sc">Mr. Collier's</span> new edition of Shakspeare. To it, with a
+ new force, may be applied the words of A.&nbsp;E.&nbsp;B. in "N. &amp; Q.," Vol.
+ vi., p. 296.:</p>
+
+<blockquote class="b1">
+
+ <p>"But the evil of these emendations is not in this instance confined to
+ the mere suggestion of doubt; the text has absolutely been altered in all
+ accessible editions, in many cases <i>silently</i>, so that the ordinary
+ reader has no opportunity of judging between <i>Shakspeare</i> and his
+ improvers."</p>
+
+</blockquote>
+
+ <p>That <span class="sc">Mr. Collier</span> should be the greatest of
+ such offenders, is no very cheering sign of the times.</p>
+
+ <p class="author"><span class="sc">C. Mansfield Ingleby</span>.
+
+ <p class="address">Birmingham.
+
+ <p><i>Dogberry's Losses</i> (Vol. vii., p. 377.).&mdash;I do not know
+ whether it has ever been suggested, but I feel inclined to read
+ "lawsuits." He has just boasted of himself as "one that knows the
+ <i>law</i>;" and it seems natural enough that he should go on to brag of
+ being a rich fellow enough, "and a fellow that hath had <i>lawsuits</i>"
+ of his own, and actually figured as plaintiff or defendant. Suppose the
+ words taken down from the mouth of an actor, and the mistake would be
+ easy.</p>
+
+ <p class="author"><span class="sc">John Doe</span>.
+
+<hr class="full" >
+
+<h3>THE C&OElig;NACULUM OF LIONARDO DA VINCI.</h3>
+
+ <p>I have in my possession a manuscript critique on the celebrated
+ picture of The Last Supper by Lionardo da Vinci, written many years ago
+ by a deceased academician; in which the writer has called in question the
+ <i>point of time</i> usually supposed to have been selected by the
+ celebrated Italian painter. The criticisms are chiefly founded on the
+ copy by Marco Oggioni, now in the possession of the Royal Academy of
+ Arts.</p>
+
+ <p>Uniform tradition has assumed that the moment of action is that in
+ which the Saviour announces the treachery of one of his disciples "Dico
+ vobis quia unus vestrum me traditurus est." Matth. xxvi. 21., Joan. xiii.
+ 21., Vulgate edit.; and most of the admirers of this great work have not
+ failed to find in it decisive proofs of the intention of the painter to
+ represent that exact point of time. <!-- Page 525 --><span
+ class="pagenum"><a name="page525"></a>{525}</span></p>
+
+ <p>The author of the manuscript enters into a very detailed examination
+ of the several groups of figures which compose the picture, and of the
+ expression of the heads; and he confesses his inability to find in them
+ anything decisively indicating the period supposed to be chosen. He
+ remarks that nine at least of the persons, including the principal one,
+ are evidently engaged in animated conversation; that instead of that
+ concentrated attention which the announcement might be supposed to
+ generate, there appears to be great variety of expressions and of action;
+ and that neither surprise nor indignation are so generally prominent, as
+ might have been expected. He inclines to think that the studied diversity
+ of expression, and the varied attitudes and gestures of the assembled
+ party, are to be regarded as proofs of the artist's efforts to produce a
+ powerful and harmonious composition, rather than a natural and truthful
+ representation of any particular moment of the transaction depicted by
+ him.</p>
+
+ <p>The work in question is now so generally accessible through the medium
+ of accurate engravings, that any one may easily exercise his own judgment
+ on the matter, and decide for himself whether the criticism be well
+ founded.</p>
+
+ <p>It must be borne in mind that the subject had long been a familiar
+ decoration of conventual refectories before the time when Lionardo
+ brought his profound knowledge of external human nature, and his
+ unsurpassed powers of executive art, to bear on a subject which had
+ before been treated in the dry, conventional, inanimate manner of the
+ Middle Ages. The leading features of the traditional picture are
+ retained: the long table, the linen cloth, the one-sided arrangement of
+ the figures, the classic drapery, and the general form and design of the
+ apartment, are all to be found in the earlier works; and must have been
+ considered, by observers in general, far more essential to the correct
+ delineation of the scene than any adherence to the exact description of
+ it in any one of the Evangelists. But as the subject was usually
+ introduced into refectories for the edification of the brethren assembled
+ with their superior at their own meals, it does not seem likely that the
+ treachery of Judas should have been intended to be the prominent action
+ of the picture. It was a memorial of the institution of the Eucharist,
+ although the Christ was not represented as dispensing either bread or
+ wine. In such a case, if any particular point of time was ever
+ contemplated by the artist, he might judiciously and appropriately select
+ the moment when the Saviour was announcing, in mysterious words, the
+ close of his mission&mdash;as in St. Matthew and St. Mark; or was
+ teaching them a lesson of humility when the spirit of rivalry and strife
+ had disclosed itself among them&mdash;as we find in St. Luke and St.
+ John.</p>
+
+ <p>It is not perhaps generally known that the statutes of Queen's
+ College, Oxford, prescribe the order of sitting at the common table in
+ manner which evidently refers to the <i>c&oelig;naculum</i> of the old
+ church painters.</p>
+
+ <p class="author"><span class="sc">E. Smirke</span>.
+
+<hr class="full" >
+
+<h2>Minor Notes.</h2>
+
+ <p><i>Scotter Register (County Lincoln).</i>&mdash;The following extracts
+ from the register of the parish of Scotter, in the county of Lincoln, are
+ perhaps sufficiently interesting to be worth printing in "N. &amp;
+ Q.":</p>
+
+<blockquote class="b1">
+
+ <p>1. "Eccelesia parochialis de Scotter comitatu Lincolniæ dedicata est
+ Beatis Apostolis Sancto Petro et Sancto Paulo ut apparet in Antiquo
+ Scripto viduæ Loddington de Scotter, viz. in testamento vltimo Thomæ
+ Dalyson, Gen. de Scotter, qui obiit Junii 19<sup>o</sup>, anno Domini
+ 1495.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<span class="sc">Gul. Carrington</span>,</p>
+ <p class="i2hg3">"Rector ecl&#x12B;a ibid."</p>
+ </div>
+ </div>
+ <p>2. "<i>Memorandum</i>, That on Septuagesima Sunday, being the
+ 19<sup>th</sup> day of January, 1667, one Francis Drury, an excommunicate
+ person, came into the church in time of divine service in y<sup>e</sup>
+ morning, and being admonisht by mee to begon, hee obstinately refused,
+ whereuppon y<sup>e</sup> whole congregation departed; and after the same
+ manner in the afternoon, the same day, he came again, and refusing againe
+ to go out, the whole congregation againe went home, soe y<sup>t</sup>
+ little or no service pformed. They prevented his further coming in
+ y<sup>t</sup> manner, as hee threatned, by order from the Justice, uppon
+ the statute of Queene Elizabeth concerning the molestation and
+ disturbance of publiq preachers.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">Wm. Carrington</span>, Rec."</p>
+ </div>
+ </div>
+<p class="cenhead">"O tempora, O mores."</p>
+
+ <p>3. "Michæl Skinner Senex centum et trium annorum sepultus fuit die
+ sancti Johannis, viz. Dec. 27, 1673."</p>
+
+</blockquote>
+
+ <p class="author"><span class="sc">Edward Peacock</span>, Jun.
+
+ <p class="address">Bottesford Moors, Kirton Lindsey.
+
+ <p>"<i>All my Eye.</i>"&mdash;"<i>Over the Left.</i>"</p>
+
+<blockquote class="b1">
+
+ <p>"What benefit a Popish successor can reap from lives and fortunes
+ spent in defence of the Protestant religion, he may put in his eye: and
+ what the Protestant religion gets by lives and fortunes spent in the
+ service of a Popish successor, will be over the left
+ shoulder."&mdash;Preface to <i>Julian the Apostate</i>: London, printed
+ for Langley Curtis, on Ludgate Hill. 1682.</p>
+
+</blockquote>
+
+ <p>Is this passage the origin of the above cant phrases?</p>
+
+ <p class="author"><span class="sc">George Daniel</span>.
+
+ <p class="address">Canonbury.
+
+ <p><i>Curious Marriages.</i>&mdash;In <i>Harl. MSS.</i> 1550, p. 180., is
+ the pedigree of Irby, where Anthony Irby has two daughters: Margaret, who
+ married Henry Death, and Dorothy, who married John Domesday.</p>
+
+ <p class="author"><span class="sc">E. G. Ballard</span>.
+<!-- Page 526 --><span class="pagenum"><a name="page526"></a>{526}</span>
+
+ <p><i>Child-mother.</i>&mdash;Four months ago, on board the Brazil
+ packet, the royal mail steam-vessel Severn, there was an instance of a
+ "child-wife," which might be worthy of a place among your curiosities of
+ that description.</p>
+
+ <p>She was the wedded wife of a Brazilian travelling from the Brazils to
+ Lisbon, and her husband applied for permission to pay the "reduced
+ passage money" for her as being "under twelve years of age!"</p>
+
+ <p>As the regulation on that head speaks of "<i>children</i> under twelve
+ years of age," this <i>conscientious</i> Brazilian's demand could not be
+ countenanced.</p>
+
+ <p>His wife's age was under eleven years and a half, and (<i>credat
+ Judæus</i>) <i>she was a mother</i>!</p>
+
+ <p class="author">A. L.
+
+<hr class="full" >
+
+<h2>Queries.</h2>
+
+<h3>FURTHER QUERIES RESPECTING BISHOP KEN.</h3>
+
+<p class="cenhead">(<i>Continued from</i> Vol. vii., p. 380.)</p>
+
+ <p>In a <i>Collection of Poems</i>, in six volumes, by several Hands
+ (Dodsley, 5th edition, 1758), and in vol. iii. p. 75., is found "An
+ Epistle from Florence to T.&nbsp;A., Esq., Tutor to the Earl of
+ P&mdash;&mdash;. Written in the year 1740. By the Honourable
+ &mdash;&mdash;." Can any one explain an allusion contained in these three
+ lines of the epistle?</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Or with wise Ken judiciously define,</p>
+ <p>When Pius marks the honorary coin</p>
+ <p>Of Caracalla, or of Antonine."</p>
+ </div>
+ </div>
+ <p>It is hardly to be supposed that the Ken here named could mean the
+ bishop, who died so far back as 1711. Was there a coin-collector of that
+ name living about 1740?</p>
+
+ <p>We learn (from Ken's <i>Prose Works</i>, ed. Round, pp. 93, 94.) that
+ the Bishop's sister, "my poor sister Ken," most probably then a widow,
+ lost her only son, who died at Cyprus, in 1707. Was this Mrs. Ken the
+ Rose Vernon, sister of Sir Thomas Vernon, of Coleman Street, London, and
+ the wife of Jon Ken, the bishop's eldest brother, and treasurer of the
+ East India Company? This Jon and Rose Ken are represented, in Mr.
+ Markland's Pedigree of the Ken family, as still living in 1683. Is there
+ no monumental memorial of this Treasurer Ken, or his family, in any of
+ the London churches?</p>
+
+ <p>In Mr. Macaulay's <i>History of England</i>, 5th ed., vol. ii. p.
+ 365., he states that "it was well known that one of the most opulent
+ dissenters of the City had begged that he might have the honour of giving
+ security for Ken," when the seven bishops were bailed, previous to their
+ trial. On what authority (for none is cited) does this statement
+ rest?</p>
+
+ <p>Can any one give a clue to this passage from a letter written to Mr.
+ Harbin, Lord Weymouth's chaplain, by Bishop Ken, and dated "Winton, Jan
+ 22." [1701]:</p>
+
+<blockquote class="b1">
+
+ <p>"I came to Winchester yesterday, where I stay one post more, and then
+ go either to Sir R.&nbsp;U. or L. Newton, where you shall hear from
+ me."&mdash;Ken's <i>Prose Works</i>, by Round, p. 53.</p>
+
+</blockquote>
+
+ <p>Can "Sir R. U." (the <i>U</i> perhaps being a mistake for <i>W.</i>)
+ designate Sir Robert Worsley, Bart., of Chilton, in the county of
+ Southampton, married to Lord Weymouth's daughter? and can "L. Newton" be
+ a mistake for Long Sutton, in Hants? or may it be Long Newton, in the
+ hundred of Malmesbury?</p>
+
+ <p class="author">J. J. J.
+
+ <p class="address">Temple.
+
+<hr class="full" >
+
+<h3>THE REV. JOHN LAWSON AND HIS MATHEMATICAL
+MANUSCRIPTS.</h3>
+
+ <p>In the year 1774 the Rev. John Lawson, B.D., Rector of Swanscombe in
+ Kent, published <i>A Dissertation on the Geometrical Analysis of the
+ Antients, with a Collection of Theorems and Problems without solutions
+ for the Exercise of young Students</i>. This work was printed anonymously
+ at Canterbury, but the merits of the essay did not permit the author to
+ remain long in obscurity; the real writer was immediately known to most
+ of the geometers of the day, and the elegant character of many of the
+ theorems and problems, led to a general desire that their solutions
+ should be published in a separate work. In accordance with this
+ intention, it was announced on a fly-sheet attached to some copies of the
+ work, that&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"The author of this publication being a man of leisure, and living in
+ a retired situation, remote from any opportunity of conversation with
+ mathematicians, would be extremely glad of a correspondence with any
+ such, who are willing to be at the expense of the same; or if this be
+ thought too much, will pay the postage of his answers to their letters.
+ But no letters, except post-paid, can be received by him; otherwise a
+ door would be opened for frolic, imposition, and impertinence. Any new
+ geometrical propositions, either theorems or problems, would be received
+ with gratitude, and if sent without solutions, he would use his best
+ endeavours to return such as might be satisfactory. Any new solutions of
+ propositions already in print, <i>especially of those included in the
+ present collection</i>, would also be very agreeable. If a variety of
+ such demonstrations essentially different from those of the original
+ authors should be communicated, he proposes at some future time to
+ publish them all, with a fresh collection for further exercise; and then
+ each author's name shall be affixt to his own solution, or any other
+ signature which he shall please to direct. Any person who shall favor the
+ publisher with his correspondence shall have speedily conveyed to him the
+ solutions of any propositions contained in this collection, which he may
+ be desirous of seeing. Letters (post-paid) directed for P.&nbsp;Q., to be left
+ at Mr. Nourse's, Bookseller, in the <!-- Page 527 --><span
+ class="pagenum"><a name="page527"></a>{527}</span> Strand, London, will
+ be carefully transmitted on the first day of each month, and all
+ correspondents may expect answers during the course of that month."</p>
+
+</blockquote>
+
+ <p>In consequence of this appeal, Mr. Lawson was speedily in
+ correspondence with several of the most able geometers then living, and
+ amongst the rest, Messrs. Ainsworth, Clarke, Merrit, Power, &amp;c.,
+ appear to have furnished him with original solutions to his collection of
+ theorems and problems. The manuscript containing these solutions must
+ have been of considerable size, since a portion of it was sent down to
+ Manchester about July, 1777, for the purpose of obtaining Mr. Ainsworth's
+ remarks and corrections; and Mr. Lawson is requested, in a letter bearing
+ date "August 22, 1777," to "send the next portion when convenient."
+ Whether Mr. Lawson did so or not, I have not yet been able to ascertain;
+ but this much is certain, the manuscript was never printed, and would
+ most probably either be disposed of at the death of its compiler, or
+ previously transferred to the possession of some geometer of Mr. Lawson's
+ acquaintance. Several of the <i>original</i> letters which passed between
+ the respective parties relating to this manuscript are at present in the
+ hands of two or three of the Lancashire geometers, but no one seems to
+ know anything of the manuscript itself. May I then request that the
+ fortunate holder of this yet valuable collection will make himself known
+ through the medium of the widely circulated pages of "N. &amp; Q."</p>
+
+ <p class="author"><span class="sc">T. T. Wilkinson</span>.
+
+ <p class="address">Burnley, Lancashire.
+
+<hr class="full" >
+
+<h2>Minor Queries.</h2>
+
+ <p><i>"Wanderings of Memory."</i>&mdash;In Brayley's <i>Graphic and
+ Historical Illustrator</i>, p. 293., is a quotation from the
+ <i>Wanderings of Memory</i>, as a motto to an account of the ancient
+ castle of the Peverils at Castleton, in Derbyshire: can any of your
+ readers tell me who was the author of the poem in question?</p>
+
+ <p class="author">W. R.
+
+ <p class="address">Camden Town.
+
+ <p><i>"Wandering Willie's Tale."</i>&mdash;Has the scene that presented
+ itself to the view of Piper Steenie Steenson, when he was ushered by the
+ phantom of his old friend Dougal M<sup>c</sup>Callum into the presence of
+ the ghastly revellers carousing in the auld oak parlour of the visionary
+ Redgauntlet Castle, ever been painted? (See <i>Redgauntlet</i>, Letter
+ xi.) If it has, is there any engraving of the picture extant or on
+ sale?</p>
+
+ <p class="author"><span class="sc">C. Forbes</span>.
+
+ <p class="address">Temple.
+
+ <p><i>Chapel Sunday.</i>&mdash;I had the pleasure of spending a Sunday in
+ the course of the last summer in the neighbourhood of Keswick, among the
+ delightful lake scenery of England. I there learned that in the village
+ of Thornthwaite it was Chapel Sunday, and on inquiry I was told that
+ there were a few other villages in the neighbourhood where there was also
+ a Chapel Sunday. Upon this day it is the custom of young people to come
+ from neighbouring places to attend worship at the village church or
+ chapel, and the afternoon partakes of a merry-making character at the
+ village inn. There appeared, as far as I could see, no excesses attending
+ the anniversary, all being respectable in their conduct. Can any of your
+ Cambrian readers inform me the origin of this anniversary?</p>
+
+ <p class="author"><span class="sc">Prestoniensis</span>.
+
+ <p><i>Proud Salopians.</i>&mdash;I have never heard a satisfactory
+ account of the origin of this title, given to persons belonging to my
+ native county.</p>
+
+ <p>In the neighbourhood the following story is frequently related, but
+ with what authority I cannot tell, viz. "That upon the king (Query
+ which?) offering to make Shrewsbury a city, the inhabitants replied that
+ they preferred its remaining the largest borough in England, rather than
+ it should be the smallest city; their pride not allowing them to be small
+ among the great."</p>
+
+ <p>If this history of the term be true, it would appear that the name
+ should only be applied to <i>burgesses of Shrewsbury</i>.</p>
+
+ <p class="author"><span class="sc">Salopian</span>.
+
+ <p><i>George Miller, D.D.</i>&mdash;In the year 1796, George Miller,
+ subsequently the author of <i>Modern History Philosophically
+ Illustrated</i>, and many other well-known works (of which a list appears
+ in a recent Memoir), was appointed Donnelan Lecturer in Trinity College,
+ Dublin; and delivered a course of sermons or lectures on "An Inquiry into
+ the Causes that have impeded the further Progress of Christianity." I
+ should be very glad indeed to know whether these Sermons have appeared in
+ print; and if so, when and where published? I have not been able to
+ procure a copy.</p>
+
+ <p>With regard to the Donnelan Lectureship, I may add, that a legacy of
+ 1243<i>l.</i> was bequeathed to the College of Dublin by Mrs. Anne
+ Donnelan, of the parish of St. George, Hanover Square, in the county of
+ Middlesex, spinster, "for the encouragement of religion, learning, and
+ good manners." The particular mode of application was entrusted to the
+ Provost and Senior Fellows; and accordingly, amongst other resolutions of
+ the Board, passed Feb. 22, 1794, are to be found the following: "That a
+ Divinity Lecture, to which shall be annexed a salary arising from the
+ interest of 1200<i>l.</i>, shall be established for ever, to be called
+ Donnelan's Lecture;" and "That one moiety of the interest of the said
+ 1200<i>l.</i> shall be paid to the Lecturer as soon as he shall have
+ delivered the whole number [six] of the lectures; and the other moiety as
+ soon as he shall have <i>published</i> four of the said Lectures."</p>
+
+ <p class="author"><span class="sc">Abhba</span>.
+<!-- Page 528 --><span class="pagenum"><a name="page528"></a>{528}</span>
+
+ <p><i>Members of Parliament.</i>&mdash;Pennant, in <i>The Journey from
+ Chester to London</i>, p. 94., says:</p>
+
+<blockquote class="b1">
+
+ <p>"The ancient owners of Rudgley were of the same name with the town:
+ some of the family had the honour of being sheriffs of the county in the
+ reign of Edward III. <i>Another was knight of the shire in the same
+ period.</i>"</p>
+
+</blockquote>
+
+ <p>Can any reader of "N. &amp; Q." verify the <i>last portion</i> of
+ Pennant's statement?</p>
+
+ <p class="author">J. W. S. R.
+
+ <p>St. Ives, Hunts.</p>
+
+ <p><i>Taret.</i>&mdash;I have lately met with mention of a "small insect
+ called the <i>Taret</i>." What may this be?</p>
+
+ <p class="author"><span class="sc">Tyro</span>.
+
+ <p><i>Jeroboam of Claret, &amp;c.</i>&mdash;Could any of your
+ correspondents inform me what a Jeroboam of Claret is, and from what it
+ is derived: also a Magnum of Port?</p>
+
+ <p class="author"><span class="sc">Winebibber</span>.
+
+ <p><i>William Williams of Geneva.</i>&mdash;In <i>Livre des Anglois, à
+ Génève</i>, with a few biographical notes by J.&nbsp;S. Burn, Esq., pages 5,
+ 6. 12, 13., mention is made of Guillaume&mdash;Will<span
+ class="over">m</span> Will<span class="over">m</span>s, and Jane his
+ wife,&mdash;Will<span class="over">m</span> Will<span
+ class="over">m</span>s, a senior of the church there in 1555, 1556, 1557,
+ 1558; and some of the years he was a godfather. I shall be glad to have
+ some further account of such William Williams, or references to where to
+ find such?</p>
+
+ <p class="author"><span class="sc">Glwysig</span>.
+
+ <p><i>The First of April and "The Cap awry."</i>&mdash;Tom Moore, in his
+ Diary, 1819, says:</p>
+
+<blockquote class="b1">
+
+ <p>"April 1st. Made Bessy turn her cap awry in honour of the day."</p>
+
+</blockquote>
+
+ <p>What was the origin of this custom? Was this the way a fool was
+ supposed to show that his head was turned?</p>
+
+ <p class="author">C. R.
+
+ <p class="address">Paternoster Row.
+
+ <p><i>Sir G. Browne, Bart.</i>&mdash;Sir George Browne, Bart., of West
+ Stafford, Berks, and Wickham, is said to have had nineteen children by
+ his wife Eleanor Blount; and that three of those children were sons,
+ killed in the service of Charles I.</p>
+
+ <p>Was either of those sons named Richard; and was any of them, and
+ which, married? If so, where, and to whom?</p>
+
+ <p class="author"><span class="sc">Newbury</span>.
+
+ <p><i>Bishop Butler.</i>&mdash;Will any of our Roman Catholic friends
+ tell us on what authority they assert that Bishop Butler, the author of
+ <i>The Analogy</i>, died in their communion? That he was suspected of a
+ tendency that way during his life is acknowledged by all, though the
+ grounds, that of setting up a cross in his chapel, are confessedly
+ unsatisfactory. But, besides this, it is alleged that he died with a
+ Roman Catholic book of devotion in his hand, and that the last person in
+ whose company he was seen was a priest of that persuasion. One would be
+ glad to have this question sifted.</p>
+
+ <p class="author">X. Y. Z.
+
+ <p><i>Oaken Tombs.</i>&mdash;In Dr. Whitaker's noble history of <i>Loidis
+ and Elmete</i>, p. 322., is the following passage:</p>
+
+<blockquote class="b1">
+
+ <p>"Next in point of time is a very singular memorial, which has
+ evidently been removed from its original position, between the chapel and
+ the high altar, to a situation at the south side and west end of the
+ chapel.... The tomb is a messy frame-work of oak, with quarter-foils and
+ arms on three sides, and on the table above three statues of the same
+ material, namely, of a knight bare-headed, with rather youthful
+ countenance and sharp features, and his two wives. On the filleting is
+ this rude inscription in Old English:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg1">'Bonys emong Stonys, lyes here ful styl,</p>
+ <p>Quilst the sawle wanders wher God wyl.</p>
+ <p class="i4">Anno D<sup>ni</sup> <span class="scac">MCCCCCXXIX</span>.'</p>
+ </div>
+ </div>
+ <p>This commemorates Sir John Savile, who married, &amp;c.</p>
+
+ <p>"Over all has been a canopy, or rather tester, for the whole must have
+ originally resembled an antique and massy bedstead, exhibiting the very
+ incongruous appearance of a husband in bed with two wives at once."</p>
+
+</blockquote>
+
+ <p>The Doctor adds:</p>
+
+<blockquote class="b1">
+
+ <p>"Oaken tombs are very rare; that of Aymer de Valence in Westminster
+ Abbey has been and still is in part coated over with copper, gilt, and
+ enamelled, and I have seen another in the church of Tickencote in
+ Rutlandshire. I do not recollect a third specimen."</p>
+
+</blockquote>
+
+ <p>Query, How many have been discovered since the great historian's
+ day?</p>
+
+ <p class="author"><span class="sc">St. Bees</span>.
+
+ <p><i>Alleged Bastardy of Elizabeth.</i>&mdash;In the State Paper Office
+ (<i>Dom. Pap.</i>, temp. Jac. I.), there is, under date of 1608, a letter
+ from Mr. Chamberlaine to Sir Dudley Carleton, of October 28, in which
+ Chamberlaine says:</p>
+
+<blockquote class="b1">
+
+ <p>"I heare of a Bill put into the Exchequer, concerninge much lande that
+ sh<sup>d</sup> be alienated on account of the alleged bastardy of Queen
+ Elizabeth."</p>
+
+</blockquote>
+
+ <p>P. C. S. S. is desirous to know whether there be any record in the
+ Court of Exchequer which bears out this singular statement.</p>
+
+ <p class="author">P. C. S. S.
+
+ <p><i>"Pugna Porcorum."</i>&mdash;Where may be found some account of the
+ author, object, &amp;c. of this facetious production?</p>
+
+ <p class="author"><span class="sc">P. J. F. Gantillon</span>, B.A.
+
+ <p><i>Parviso.</i>&mdash;Can any of your readers inform me as to the
+ meaning of the word <i>parviso</i>; it occurs in the usual form of the
+ "Testamur" for Responsions. On reference to Webster's <i>Dictionary</i>,
+ I find that <i>parvis</i> is a small porch or gateway; perhaps this may
+ throw some light upon the question.</p>
+
+ <p class="author"><span class="sc">Oxoniensis</span>.
+
+ <p><i>Mr. Justice Newton.</i>&mdash;There is a very stiff Indian-ink copy
+ of a portrait in the <i>Sutherland Illustrated Clarendon</i>, in the
+ Bodleian Library, the original of which I should be glad to trace. It is
+ described in the Catalogue to be "by Bulfinch," <!-- Page 529 --><span
+ class="pagenum"><a name="page529"></a>{529}</span> which is probably a
+ mistake. It bears the following inscription:</p>
+
+<blockquote class="b1">
+
+ <p>"This is drawn from the painting in the hands of Mr. Justice Newton of
+ the Middle Temple."</p>
+
+</blockquote>
+
+ <p>Can any one inform me when this learned justice lived; or rather, for
+ it concerns me more, when he died? And farther, if it be not too hopeless
+ an inquiry to make, who his existing representatives (if any) may be?</p>
+
+ <p class="author"><span class="sc">F. Kyffin Lenthall</span>.
+
+ <p class="address">36. Mount Street, Grosvenor Square.
+
+ <p><i>Mufti.</i>&mdash;I hear military men employ this term, "we went in
+ <i>mufti</i>:" meaning, out of uniform. Whence is it derived?</p>
+
+ <p class="author"><span class="sc">Maria</span>.
+
+ <p><i>Ryming and Cuculling.</i>&mdash;In that very curious volume of
+ extracts from <i>The Presbytery Book of Strathbogie</i>, <span
+ class="scac">A.D.</span> 1631-54, which was printed for the Spalding Club
+ in 1843, occurs the following passage:</p>
+
+<blockquote class="b1">
+
+ <p>"George Jinkin and John Christie referred from the Session of
+ Abercherder, for <i>ryming and cuculling</i>, called, compeird not.
+ Ordained to be summonded <i>pro</i> 2<sup>o</sup>."&mdash;P. 242.</p>
+
+</blockquote>
+
+ <p>Accordingly, on&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"The said day, George Jinkin in Abercherder, being summonded for his
+ <i>ryming and cuculling</i>, being called, compeired; and being accused
+ of the foresaid fault, confessed he only spoke three words of <i>that
+ ryme</i>. Being sharpely rebuked, and instructed of the grosnes of that
+ sin, was ordained to satisfie in sackcloth, which he promised to
+ do."&mdash;P. 245.</p>
+
+</blockquote>
+
+ <p>What was the "fault" here alluded to, and visited with a species of
+ discipline with which the presbytery, and those under its jurisdiction,
+ appear to have been very familiar?</p>
+
+ <p class="author">D.
+
+ <p><i>Custom at the Savoy Church.</i>&mdash;At the Savoy Church (London),
+ the Sunday following Christmas Day, there was a chair placed near the
+ door, covered with a cloth: on the chair was an orange, in a plate.</p>
+
+ <p>Can any of the readers of "N. &amp; Q." inform me the meaning of
+ this?</p>
+
+ <p class="author"><span class="sc">Ceridwen</span>.
+
+<hr class="full" >
+
+<h2>Minor Queries with Answers.</h2>
+
+ <p><i>Faithfull Teate.</i>&mdash;I lately fell in with a small work by
+ this divine, entitled <i>Ter Tria</i>, and on the fly-leaf is a MS. note,
+ stating that some years ago a copy of the same book was priced, in a
+ bookseller's catalogue in London, at 1<i>l.</i> 7<i>s.</i> 6<i>d.</i> I
+ wish to learn some particulars relative to the author, and if the work is
+ valuable, or scarce, or both.</p>
+
+ <p class="author">J. S.
+
+<div class="note">
+ <p>[Neither Calamy nor Brook has furnished any biographical notices of
+ Dr. Faithfull Teate. When he wrote <i>Ter Tria</i>, in 1658, he was a
+ "Preacher of the Word at Sudbury in Suffolk." A second edition of it was
+ published in 1669. In 1665 appeared his <i>Scripture Map of the
+ Wildernesse of Sin</i>," 4to. In a discourse on <i>Right Thoughts, the
+ Righteous Man's Evidence</i>, he has the following passage, accommodated
+ to his own destitute state after his ejectment: "The righteous man, in
+ thinking of his present condition of life, thinks it his relief, that the
+ less money he has he may go the more upon trust; the less he finds in his
+ purse, seeks the more in the promise of Him that has said, 'I will never
+ leave thee, nor forsake thee;' so that he thinks no man can take away his
+ livelihood, unless he can first take away God's truth." Lowndes has given
+ the following prices of <i>Ter Tria</i>: Sir M.&nbsp;M. Sykes, part iii. 626.,
+ 5<i>s.</i>; Nassau, part ii. 682., 8<i>s.</i>; White Knights, 4068.,
+ 1<i>l.</i>; <i>Bibl. Ang. Poet.</i>, 764., 1<i>l.</i> 11<i>s.</i>
+ 6<i>d.</i>]</p>
+
+</div>
+
+ <p><i>Kelway Family.</i>&mdash;Can any of the readers of "N. &amp; Q."
+ guide me to anything like a pedigree of the family of <i>Kelloway</i>,
+ <i>Kaloway</i>, or <i>Kelway</i>; which I find from Lysons'
+ <i>Devonshire</i> possessed the manor of Mokesbean in that county from
+ the time of Henry II.?</p>
+
+ <p>In the first year of Edward III., when the property of those who
+ suffered after the battle of Boroughbridge was restored, John de
+ Keilewaye was found "hæres de integro sanguine" to Lord Gifford of
+ Brimesfield.</p>
+
+ <p>The last of the family appears to have been John Kelloway of
+ Collampton in Devon, who married Joan Tregarthian; and dying in 1530,
+ left co-heiresses married to Greville of Penheale, Codrington of
+ Codrington, Harwood, and Cooke.</p>
+
+ <p>The arms of the family are singular, being, Argent within a bordure
+ engrailed sable, two groving irons in saltire sable, between four pears
+ Or.</p>
+
+ <p class="author">R. H. C.
+
+<div class="note">
+ <p>[The pedigree of this family will be found in two copies by Munday of
+ the "Visitation of Devonshire," <span class="scac">A.D.</span> 1564, in
+ the Harleian MSS. 1091. p. 90., and 1538, p. 2166. The only difference in
+ the arms is, in both copies, that there is <i>no bordure engrailed</i>;
+ but this has probably been added since as a <i>difference</i>, as was
+ often done to distinguish families. The name is here spelt
+ <i>Kelloway</i>, and the pedigree begins with "Thomas Kelloway of
+ Stowford in County Devon, who married Anne, daughter of &mdash;&mdash;
+ Copleston, of &mdash;&mdash;, in county Somerset," and ends with "John
+ Kelloway, who married Margery, daughter of John Arscott of Dunsland, and
+ left issue Robert, who married &mdash;&mdash;, and Richard."]</p>
+
+</div>
+
+ <p><i>Regatta.</i>&mdash;What is the etymology of the word
+ <i>regatta</i>? From whence is it derived, and when was it first used in
+ English to mean a boat-race?</p>
+
+ <p class="author">C. B. N. C. J. S.
+
+<div class="note">
+ <p>[Baretti says, "Regatta, <i>palio che si corre sull' acqua</i>; a race
+ run on water in boats. The word I take to be corrupted from
+ <i>Remigata</i>, the art of rowing." Florio, in his <i>Worlde of
+ Wordes</i>, has "<i>Regattare</i>, Ital. to wrangle, to cope or fight for
+ the mastery." The term, as denoting a showy species of boat-race, was
+ first used in this <!-- Page 530 --><span class="pagenum"><a
+ name="page530"></a>{530}</span> country towards the close of the last
+ century; for the papers of that time inform us, that on June 23, 1775, a
+ regatta, a <i>novel</i> entertainment, and the first of the kind, was
+ exhibited in the river Thames, in imitation of some of those splendid
+ shows exhibited at Venice on their grand festivals. The whole river, from
+ London Bridge to the Ship Tavern, Millbank, was covered with boats. About
+ 1200 flags were flying before four o'clock in the afternoon, and vessels
+ were moored in the river for the sale of liquors and other refreshments.
+ Before six o'clock it was a perfect fair on both sides the water, and bad
+ liquor, with short measure, was plentifully retailed. Plans of the
+ regatta were sold from a shilling to a penny each, and songs on the
+ occasion sung, in which "regatta" was the rhyme for "Ranelagh," and
+ "royal family" echoed to "liberty."]</p>
+
+</div>
+
+ <p><i>Coket and Cler-mantyn.</i>&mdash;Piers Plowman says that when new
+ corn began to be sold&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Waulde no beggar eat bread that in it beanes were,</p>
+ <p>But of <i>coket</i> and <i>cler-mantyn</i>, or else of cleane wheate."</p>
+ </div>
+ </div>
+ <p>What are <i>coket</i> and <i>cler-mantyn</i>? Also, what are
+ <i>coronation flowers</i>, and <i>sops in wine</i>?</p>
+
+ <p class="author"><span class="sc">Ceridwen</span>.
+
+<div class="note">
+ <p>[Both <i>coket</i> and <i>cler-mantyn</i> mean a kind of fine bread.
+ <i>Coronation</i> is the name given by some of our old writers to a
+ species of flower, the modern appellation of which is not clear.
+ <i>Sops-in-wine</i> were a species of flowers among the smaller kind of
+ single gilliflowers or pinks. Both these flowers are noticed by Spenser,
+ in his <i>Shepherd's Calendar</i> for April, as follows:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Bring coronations and sops-in-wine</p>
+ <p>Worn of paramours."]</p>
+ </div>
+ </div>
+</div>
+
+<hr class="full" >
+
+<h2>Replies.</h2>
+
+<h3>CURFEW.</h3>
+
+<p class="cenhead">(Vol. vi., pp. 53. 112.)</p>
+
+ <p>It will be remembered that when Mr. Webster, one of the greatest of
+ American statesmen, was on his death-bed, in October last, he requested
+ his son to read to him that far-famed "Elegy" of Gray:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"The curfew tolls the knell of parting day."</p>
+ </div>
+ </div>
+ <p>The editor of the <i>Boston Journal</i>, after referring to this
+ circumstance, which he says has caused an unexampled demand for the works
+ of Gray in the United States, goes on to give the result of his
+ researches in many old English works, respecting the origin and meaning
+ of the word <i>curfew</i>, which I trust will interest not only your
+ correspondents who have written on the subject, but also many of your
+ readers. I glean from the clever article now before me the following
+ brief notices, which I have not yet met with in "N. &amp; Q."</p>
+
+ <p>In King Alfred's time the curfew was rung at eight o'clock, and called
+ the "cover fire bell," because the inhabitants, on hearing its peals,
+ were obliged to cover their fires, and go to bed. Thomson evidently
+ refers, in the following lines, to this tyrannical law, which was
+ abolished in England about the year 1100:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"The shiv'ring wretches at the curfew sound,</p>
+ <p>Dejected sunk into their sordid beds,</p>
+ <p>And through the mournful gloom of ancient time,</p>
+ <p>Mused sad, or dreamt of better."</p>
+ </div>
+ </div>
+ <p>On the people finding that they could put out their fires and go to
+ bed when they pleased, it would appear, from being recorded in many
+ places, that the time of ringing the curfew bell was first changed from
+ eight to nine o'clock, then from nine to ten, and afterwards to the early
+ hours of the morning. Thus we find in <i>Romeo and Juliet</i>:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"The curfew bell hath rung:</p>
+ <p class="hg1">'Tis <i>three o'clock</i>."</p>
+ </div>
+ </div>
+ <p>In Shakspeare's works frequent mention is made of the curfew. In the
+ <i>Tempest</i> he gives the following:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i8hg3">"You whose pastime</p>
+ <p>Is to make midnight mushrooms&mdash;that rejoice</p>
+ <p>To hear the solemn curfew."</p>
+ </div>
+ </div>
+ <p>In <i>Measure for Measure</i>:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"<i>Duke.</i> Who call'd here of late?</p>
+ <p><i>Provost.</i> None since the curfew rung."</p>
+ </div>
+ </div>
+ <p>In <i>King Lear</i>:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"This is the foul fiend Flibertigibbet;</p>
+ <p>He begins at curfew, and walks to the first cock."</p>
+ </div>
+ </div>
+ <p>This old English custom of ringing the curfew bell was carried by the
+ Puritan fathers to New England; and where is the Bostonian of middle age
+ who does not well recollect the ringing of the church bell at nine
+ o'clock, which was the willing signal for labourers to retire to bed, and
+ for shopmen to close their shops?</p>
+
+ <p>Before closing this Note, may I be allowed to inform <span
+ class="sc">Mr. Sansom</span>, that <i>Charlestown</i> is in
+ Massachusetts, and only separated from Boston by Charles River, which
+ runs between the two cities. The place to which he refers is
+ <i>Charleston</i>, and in South Carolina.</p>
+
+ <p class="author">W. W.
+
+ <p class="address">Malta.
+
+<hr class="full" >
+
+<h3>THE "SALT-PETER-MAN."</h3>
+
+<p class="cenhead">(Vol. vii., pp. 377. 433. 460.)</p>
+
+ <p>The statute against monopolies (21 Jac. I. c. 3.) contains a clause
+ (sec. 10.) that its provisions should not extend to any commission grant
+ or letters patent theretofore made, or thereafter to be made, of, for, or
+ concerning the digging, making, or compounding of saltpetre or gunpowder,
+ which were to be of the like force and effect, <i>and no other</i>, as if
+ that act had never been made.</p>
+
+ <p>In the famous "Remonstrance of the State of the Kingdom" agreed upon
+ by the House of Commons in November, 1641, there is special allusion to
+ the vexation and oppression of the <!-- Page 531 --><span
+ class="pagenum"><a name="page531"></a>{531}</span> subject by purveyors,
+ clerks of the market, and saltpetre men. (<i>Parliamentary History</i>,
+ x. 67.)</p>
+
+ <p>Shortly afterwards was passed an act (which obtained the royal assent)
+ giving liberty for importing gunpowder and saltpetre, and for making of
+ gunpowder. The preamble asserts that the importation of gunpowder from
+ foreign parts had of late times been against law prohibited, and the
+ making thereof within this realm ingrossed; whereby the price of
+ gunpowder had been excessively raised, many powder works decayed, this
+ kingdom very much weakened and endangered, the merchants thereof much
+ damnified, many mariners and others taken prisoners and brought into
+ miserable captivity and slavery, many ships taken by Turkish and other
+ pirates, and many other inconveniences had from thence ensued, and more
+ were likely to ensue, if not timely prevented. (17 <i>Car. I.</i> c.
+ 21.)</p>
+
+ <p>Lord Clarendon, in reviewing the various "important laws" of the Long
+ Parliament to which the king assented, makes the following observations
+ with reference to this particular act:</p>
+
+<blockquote class="b1">
+
+ <p>"'An Act for the free making Saltpetre and Gunpowder within the
+ Kingdom:' which was a part of the prerogative; and not only considerable,
+ as it restrained that precious and dangerous commodity from vulgar hands;
+ but, as in truth it brought a considerable revenue to the crown, and more
+ to those whom the crown gratified and obliged by that license. The
+ pretence for this exemption was, 'the unjustifiable proceeding of those
+ (or of inferior persons qualified by them) who had been trusted in that
+ employment,' by whom, it cannot be denied, many men suffered: but the
+ true reason was, that thereby they might be sure to have in readiness a
+ good stock in that commodity, against the time their occasions should
+ call upon them."&mdash;<i>History of Rebellion</i>, book iii.</p>
+
+</blockquote>
+
+ <p>On the 3rd April, 1644, the Lords and Commons passed an ordinance for
+ the making of saltpetre, &amp;c. This was grounded on the following
+ allegations:</p>
+
+<blockquote class="b1">
+
+ <p>"1. The great expence of gunpowder, occasioned by the then war within
+ his Majesty's dominions, had well near consumed the old store, and did
+ exhaust the magazines so fast, that without a larger supply, the navy
+ forts and the land armies could not be furnished.</p>
+
+ <p>"2. Foreign saltpetre was not in equal goodness with that of our own
+ country, and the foreign gunpowder far worse conditioned and less
+ forcible than that which is made in England.</p>
+
+ <p>"3. Divers foreign estates had of date prohibited the exportation of
+ salt-peter and gunpowder out of their own dominions and countries, so
+ that there could be but little hope or future expectation of any peter or
+ powder to be brought into this kingdom, as in former times, which would
+ enforce us to make use of our own materials."</p>
+
+</blockquote>
+
+ <p>From these circumstances, it was held most necessary that the digging
+ of saltpetre and making of gunpowder should by all fit means be
+ encouraged, at that time when it so much concerned the public safety;
+ nevertheless, to prevent the reviving of those <i>oppressions and
+ exactions</i> exercised upon the people, under the colourable authority
+ of commissions granted to <i>salt-peter-men</i>; which burden had been
+ eased since the sitting of that Parliament. To the end there might not be
+ any pretence to interrupt the work, it was ordained that the committee of
+ safety, their factors, workmen, and servants, should have power and
+ authority, (within prescribed hours) to search and dig for saltpetre in
+ all pigeon-houses, stables, cellars, vaults, empty warehouses, and other
+ outhouses, yards, and places likely to afford that earth.</p>
+
+ <p>The <i>salt-peter-men</i> were to level the ground and repair damage
+ done by them; or might be compelled to do so by the deputy-lieutenants,
+ justices of the peace, or committees of parliament.</p>
+
+ <p>The <i>salt-peter-men</i> were also empowered to take carts, by the
+ known officers, for carriage of the liquor, vessels, and other utensils,
+ from place to place, at specified prices, and under limitations as to
+ weight and distance; and they were freed from taxes and tolls for
+ carriages used about their works, and empowered to take outhouses,
+ &amp;c., for their workhouses, making satisfaction to the owners.</p>
+
+ <p>This ordinance was to continue for two years, from 25th March,
+ 1644.</p>
+
+ <p>An ordinance of a similar character was passed 9th February, 1652, to
+ be in force till 25th March, 1656 (<i>Scobell</i>, 231.).</p>
+
+ <p>By an act of the Lord Protector and Parliament, made in 1656, it was
+ enacted that no person or persons should dig within the houses or lands
+ of any person or persons of the commonwealth for the finding of
+ saltpetre, nor take the carriages of any person or persons for the
+ carrying of their materials or vessels, without their leave first
+ obtained or had. (<i>Scobell</i>, 377.) This is the act referred to by
+ <span class="sc">Broctuna</span> ("N. &amp; Q.," Vol. vii., p. 434.), and
+ by my friend <span class="sc">Mr. Isaiah Deck</span> ("N. &amp; Q.," Vol.
+ vii., p. 460.), though I am not certain that <span class="sc">Mr.
+ Deck's</span> inference be correct, that this act was passed in
+ consequence of the new and uncertain process for obtaining the
+ constituents of nitre having failed; and it is quite clear that Lord Coke
+ could not have referred to this act. The enactment referred to is
+ introduced by way of proviso in an act allowing the exportation of goods
+ of English manufacture (<i>inter alia</i>, of gunpowder, when the price
+ did not exceed 5<i>l.</i> per cwt.).</p>
+
+ <p>Allow me, in connexion, with this subject, to refer to Cullum's
+ <i>History of Hawsted</i>, 1st edition, pp. 150. and 151., also to the
+ statute 1 Jac. II. c. 8. s. 3., by which persons obtaining any letters
+ patent for the sole making or importing gunpowder are subjected to the
+ pains and penalties of præmunire.</p>
+
+ <p class="author"><span class="sc">C. H. Cooper</span>.
+
+ <p class="address">Cambridge.
+<!-- Page 532 --><span class="pagenum"><a name="page532"></a>{532}</span>
+
+<hr class="full" >
+
+<h3>FORMS OF JUDICIAL OATHS.</h3>
+
+<p class="cenhead">(Vol. vii., p. 458.)</p>
+
+ <p>Will you permit me to make a few observations in reply to the Queries
+ of <span class="sc">Mr. H.&nbsp;H. Breen</span> on this subject?</p>
+
+ <p>There is hardly any custom more ancient than for a person imposing a
+ promise on another to call on him to bind himself by an oath to the due
+ performance of it. In this oath the person swearing calls on God, the
+ king, his father, or some person or thing to whom he attaches authority
+ or value, to inflict on him punishment or loss in case he breaks his
+ oath. The mode of swearing is, in one particular, almost everywhere and
+ in every age the same.</p>
+
+ <p>When a father, a friend, a sword, or any corporeal object is sworn by,
+ <i>the swearer places his hand upon it</i>, and then swears. When a man,
+ however, swore by the Deity, on whom he cannot place his hand, he raised
+ his hand to heaven towards the God by whom he swore.</p>
+
+ <p>When Abraham made Abimelech swear to obey him, he caused him to place
+ his hand under his thigh, and then imposed the oath; and when Jacob, by
+ his authority as a father, compelled his son Joseph to swear to perform
+ his promise, he ordered him to go through a similar ceremony. (Genesis,
+ ch. xxiv. v. 5., and ch. xlvii. v. 29.)</p>
+
+ <p>In the prophet Daniel we read that&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"The man clothed in linen which was upon the waters, held up his right
+ hand and his left hand unto heaven, and sware by Him that liveth for ever
+ and ever," &amp;c.&mdash;Daniel, ch. xii. v. 7.</p>
+
+</blockquote>
+
+ <p>In the Revelation we also find&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"And the angel, which I saw stand upon the sea and the earth, lifted
+ up his hand to heaven and sware by Him that liveth for ever and ever,"
+ &amp;c.&mdash;Revelation, ch. x. v. 5, 6.</p>
+
+</blockquote>
+
+ <p>Your correspondent inquires how oaths were taken prior to their being
+ taken on the Gospel.</p>
+
+ <p>Among the nations who overthrew the Roman empire, the most common mode
+ of swearing was on the relics of the saints. In England, I think, the
+ most common mode was to swear on the corporalia or eucharistic elements,
+ whence we still have the common phrase "upon your corporal oath." In each
+ case the hand was placed on the thing sworn by.</p>
+
+ <p>The laws of the Alamanni as to conjurators, direct that the sacrament
+ shall be so arranged that all the conjurators shall place their hands
+ upon the coffer (containing the relics), and that the principal party
+ shall place his hand on all theirs, and then they are to swear on the
+ relics. (<i>Ll. Alam.</i> cap. 657.)</p>
+
+ <p>The custom of swearing on the Gospels is repeatedly mentioned in the
+ laws of the Lombards. (<i>Ll. Longo.</i> 1 tit. 21. c. 25.; <i>Ll.
+ Longo.</i> 2. tit. 55. c. 2., and c. 2. tit. 34. <i>et al.</i>)</p>
+
+ <p>In the <i>Formularies of Marculphus</i>, two forms of oaths are given,
+ one says that&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"In palatio nostro super capella domini Martini ubi reliqua sacramenta
+ percurrunt debeat conjurare."</p>
+
+</blockquote>
+
+ <p>In the other we read&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"Posita manu supra sacrosanctium altare sancti ... sic juratus dixit.
+ Juro per hunc locum sanctum et Deum altissimum et virtutis sancti ...
+ quod," &amp;c.</p>
+
+</blockquote>
+
+ <p>In the laws of Cnût of England, two forms of oath are given. They both
+ begin with "By the Lord before whom this relic is holy." (<i>Ancient Laws
+ and Justice of England</i>, p. 179.)</p>
+
+ <p>Your correspondent asks "what form of Judicial oath was first
+ sanctioned by Christians as a body?"</p>
+
+ <p>In the history of the Council of Constantinople, it is stated
+ that&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"George, the well beloved of God, a deacon and keeper of the records,
+ having touched the Holy Gospels of God, swore in this manner, 'By these
+ Holy Scriptures, and by the God who by them has spoken,'" &amp;c.</p>
+
+</blockquote>
+
+ <p>At the Council of Nice it is said that&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"Prayer having been offered up, every one saluted the Holy Gospels,
+ the venerated cross and image of our Lord and Saviour Jesus Christ, and
+ of our Lady the mother of God, and placed his hands upon them in
+ confirmation of what he had said."</p>
+
+</blockquote>
+
+ <p>From these I infer that the custom of swearing on the Gospels received
+ the sanction of the church at a very early period.</p>
+
+ <p>In reply to the question as to other modes of swearing, it may be said
+ briefly, that men swore by anything to which they attached any
+ importance, and generally by that to which they attached most
+ importance.</p>
+
+ <p>By the laws of the Alamanni, a wife could claim her <i>Morgen-gabe</i>
+ (or the gift of the morning after the wedding night) by swearing to its
+ amount on her breast; and by the Droits d'Augsbourg, by swearing to it on
+ her two breasts and two tresses.</p>
+
+ <p>Nothing was more common than for a man to swear by his beard. This
+ custom is alluded to by one of Shakspeare's fools, who suggests that if a
+ certain knight swore by his honour, and his mistress by her beard,
+ neither of them <i>could</i> be forsworn.</p>
+
+ <p>In the canons of the Fourth Council of Orleans, we read&mdash;</p>
+
+<blockquote class="b1">
+
+ <p>"Le Roi lui-même, ou le plus renommé des chevaliers présents, ayant
+ découpé le paon, se leva, et mettant la main sur l'oiseau, fit un
+ v&oelig;u hardi; Ensuite il passa le plat, et chacun de ceux qui le
+ reçurent fit un v&oelig;u semblable."</p>
+
+</blockquote>
+
+ <p>In the year 1306, Edward I. of England swore an oath on two swans.</p>
+
+ <p>It was also very common from an early period, both in England and
+ abroad, to swear by one, two, seven, or twelve churches. The deponent
+ went <!-- Page 533 --><span class="pagenum"><a
+ name="page533"></a>{533}</span> to the appointed number of churches, and
+ at each, taking the ring of the church door in his hand, repeated the
+ oath.</p>
+
+ <p>One of the most curious specimens of the practice of swearing men by
+ that to which they attached most importance, is to be found in an Hindoo
+ law. It says, let a judge swear a Brahmin by his veracity; a soldier by
+ his horses, his elephants, or his arms; an agriculturist by his cows, his
+ grain, or his money; and a Soudra by all his crimes.</p>
+
+ <p class="author"><span class="sc">John Thrupp</span>.
+
+ <p class="address">Surbiton.
+
+ <p>I know nothing about judicial oaths: but the origin of the form <span
+ class="sc">Mr. Breen</span> states to be used by the Roman Catholics of
+ the Continent, and the Scotch Presbyterians, may be seen in Dan. xii. 7.:
+ "When he held up his right hand and his left hand unto heaven, and sware
+ by him that liveth for ever." And in Revelation x. 5, 6.: "And the angel
+ ... lifted up his hand to heaven, and sware by him," &amp;c. See also
+ Genesis xiv. 22.</p>
+
+ <p class="author"><span class="sc">Maria</span>.
+
+<hr class="full" >
+
+<h3>PHOTOGRAPHIC CORRESPONDENCE.</h3>
+
+ <p><i>Washing Collodion Pictures&mdash;Test for Lens.</i>&mdash;As I was
+ indebted to the kindness of <span class="sc">Dr. Diamond</span>, amongst
+ other friends, for my original initiation into the mysteries of
+ photography, it may appear somewhat presumptuous in me to differ from one
+ who has had so much more experience in a point of practice. I allude to
+ that of <i>washing</i> the collodion negative after developing,
+ previously to fixing with the hyposulphite of soda; but, probably, the
+ reasons I urge may have some weight. As the hyposulphite solution is
+ intended to be used repeatedly, it appears to me not advisable to
+ introduce into it <i>any free acid</i> (which must occur if the negative
+ be not washed, although the quantity at each operation may be small),
+ because it causes a decomposition of the salt, setting free
+ <i>sulphurous</i> acid, and also sulphur; which last is slightly soluble
+ in the hyposulphite of soda, and thus the sulphur is brought in contact
+ with the reduced silver, and forms a sulphuret of that metal. But the
+ change does not stop here: for, by the lapse of time, oxygen is absorbed,
+ and thus a <i>sulphate of silver</i> is formed, and the colour changed
+ from black to white. That sulphur is set free by the addition of an acid
+ to the solution of hyposulphite of soda, is fact so easily demonstrable
+ both to the eyes and nose of the operator, that no one need remain long
+ in doubt who is desirous of trying the experiment.</p>
+
+ <p>A correspondent desires to know how to test the coincidence or
+ otherwise of the visual and actinic foci of a combination: this is very
+ readily accomplished by the aid of a <i>focimeter</i>, which can be
+ easily made thus:</p>
+
+ <p>Procure a piece of stout card-board, or thin wood covered with white
+ paper, on which draw a considerable number of fine black lines, or cover
+ it with some fine black net (what I believe the ladies call
+ <i>blond</i>), which may be pasted on. Cut up the whole into a dozen
+ good-sized pieces of any convenient form, so that about four square
+ inches of surface at least be allowed to each piece. Paste over the
+ <i>net</i> a circular or square label about the size of a shilling,
+ bearing a distinctly printed number one on each piece, from 1 upwards;
+ and arrange the pieces in any convenient manner by means of wires
+ inserted into a slip of wood; but they must be so placed that the
+ <i>whole</i> can be seen from one point of view, although each piece must
+ be placed so that it is <i>one inch</i> farther from the operator than
+ the next lowest number. Having placed the camera eight or ten feet from
+ the cards, carefully focus to any one of the numbers, 4 or 5 for instance
+ and observe, not that the <i>number</i> is distinct, but that the minute
+ lines or threads of the net are visible: then take a picture, exposing it
+ a very short time, and the threads of the card bearing the number that
+ was most perfectly in focus visually <i>ought</i> to be most distinct;
+ but, if otherwise, that which is most distinct will not only show whether
+ the lens is over or under corrected, but will indicate the <i>amount</i>
+ of error. If under corrected, a lower number will be most distinct; if
+ over corrected, a higher.</p>
+
+ <p class="author"><span class="sc">Geo. Shadbolt</span>.
+
+ <p><i>Test for Lenses.</i>&mdash;I beg to submit to a <span
+ class="sc">Country Practitioner</span> the following very simple test for
+ the coincidence of the chemical and visual foci of an achromatic
+ lens:</p>
+
+ <p>Take a common hand-bill or other sheet of printed paper, and having
+ stretched it on a board, place it before the lens in an oblique position,
+ so that the plane of the board may make an angle with a vertical plane of
+ about thirty or forty degrees. Bring any line of type about the middle of
+ the sheet into the true visual focus, and take a copy of the sheet by
+ collodion or otherwise. Then, if the line of type focussed upon be
+ reproduced clearly and sharply on the plate, the lens is correct; but if
+ any other line be found sharper than the test one, the foci disagree; and
+ the amount of error will depend on the distance of the two lines of type
+ one from the other on the hand-bill.</p>
+
+ <p class="author"><span class="sc">J. A. Miles</span>.
+
+ <p class="address">Fakenham, Norfolk.
+
+ <p><i>Improvement in Positives.</i>&mdash;I have great pleasure in
+ communicating to you an improvement in the process of taking positives,
+ which may not be uninteresting to some of your readers, and which ensures
+ by far the most beautiful tints I have yet seen. I take three ounces of
+ the hyposulphite of soda, and dissolve it in one pint of distilled or
+ rain water; and to this I add about one or one and a half grains of
+ pyrogallic acid, and seventy grains <!-- Page 534 --><span
+ class="pagenum"><a name="page534"></a>{534}</span> of chloride of silver;
+ which must be squeezed up between the finders facilitate its solution and
+ separate the lumps, which, in their dry state, are tough, and not easily
+ pulverised. The whole is then to be set aside for a week or two in a warm
+ place. The solution, at first colourless, becomes brown, and ultimately
+ quite opaque; in this state it is fit for use, and the longer kept the
+ better it becomes. I generally use French paper for this process, and,
+ according to the time of immersion, obtain fine sepia or black tints; the
+ latter requiring long over-exposure to the light, and proportionately
+ long exposure to the action of the liquid; which however will be found,
+ particularly when old, to have a more rapid action than most other
+ setting liquids, and has the merit of always affording fine tints,
+ whatever the paper used. I imagine the pyrogallic acid to possess a
+ reducing influence on the salts of silver employed; but this effect is
+ only produced by its combination with the hyposulphite of soda and
+ chloride of silver. I may add, that in any case the pictures should be
+ much overdone before immersion, as the liquid exerts a rapid bleaching
+ action on them; and when the liquid becomes saturated, a few crystals of
+ fresh hyposulphite will renew its action.</p>
+
+ <p class="author"><span class="sc">F. Maxwell Lyte</span>.
+
+ <p class="address">Florian, Torquay.
+
+ <p>P. S.&mdash;In answer to a <span class="sc">Country
+ Practitioner</span>, he will find great assistance in choosing his lens
+ by laying it on a sheet of blue wove post paper, when he will immediately
+ perceive the slightest yellow tinge in the glass, this being the fault
+ which frequently affects many well-ground and well-made lenses. Of
+ course, for sharpness of outline he must be guided entirely by experiment
+ in the camera; but where weakness of action exists, it most frequently
+ arises from this yellow colouration, and which the manufacturers say is
+ very difficult to avoid.</p>
+
+<div class="note">
+ <p>[<span class="sc">Mr. Lyte</span> having sent with his communication a
+ positive prepared in the manner described, we are enabled to corroborate
+ all he says as to the richness and beauty of its tints.]</p>
+
+</div>
+
+ <p><i>Cheap Portable Tent.</i>&mdash;M. F. M. inquires for a cheap and
+ portable tent for working collodion out of doors. I have been using one
+ lately constructed on the principle of Francis's camera stand. It has a
+ good size table, made like the rolling patent shutters; and it is not
+ necessary to stoop, or sit down at your work, which is a great
+ consideration on a hot day: you may get them of any respectable dealer in
+ photographic apparatus; it is called Francis's Collodion Tent.</p>
+
+ <p class="author"><span class="sc">H. D. Francis</span>.
+
+ <p><i>Rev. Mr. Sisson's New Developing Fluid</i> (Vol. vii., p.
+ 462.).&mdash;The <span class="sc">Rev. Mr. Sisson</span>'s developing
+ fluid for collodion positives, the formula for which was published in the
+ last Number of "N. &amp; Q.," is merely a weak solution of the
+ protonitrate and protosulphate of iron. It does not, as he seems to
+ think, contain any lead; for the whole of the latter is precipitated as
+ sulphate, which the acetic acid does not dissolve even to the smallest
+ extent: and <span class="sc">Mr. Sisson</span> will find that an
+ equivalent proportion of the nitrate of baryta will answer equally as
+ well as the nitrate of lead.</p>
+
+ <p>I have myself for a long time been in the habit of using a weak
+ solution of the protonitrate of iron in conjunction with acetic acid for
+ positive pictures; for, although I do not consider it so good a developer
+ as that made according to the formula of <span class="sc">Dr.
+ Diamond</span>, it produces very good pictures; occupies very little time
+ in preparing, and will moreover keep good for a much longer time than a
+ more concentrated solution would.</p>
+
+ <p class="author"><span class="sc">J. Leachman</span>.
+
+ <p class="address">20. Compton Terrace, Islington.
+
+<hr class="full" >
+
+<h2>Replies to Minor Queries.</h2>
+
+ <p><i>Vanes</i> (Vol. v., p. 490.).&mdash;Taking up by accident the other
+ day your fifth volume, I saw what I believe is a still unanswered Query
+ respecting the earliest notice of vanes as indicators of the wind; and
+ turning to my notes I found the following extract from Beckman's
+ <i>Inventions, &amp;c.</i>:</p>
+
+<blockquote class="b1">
+
+ <p>"In Ughelli Italia Sacra, Romæ 1652, fol. iv., p 735., we find the
+ following inscription on a weathercock then existing at Brixen;
+ '<i>Dominus Rampertus Episc. gallum hunc fieri præcepit an.
+ 820.</i>'"</p>
+
+</blockquote>
+
+ <p class="author">L. A. M.
+
+ <p><i>Loselerius Villerius</i> (Vol. vii., p. 454.).&mdash;I beg to
+ inform S.&nbsp;A.&nbsp;S. that his copy of the New Testament, which wants the
+ title-page, was printed by Henry Stephens the second, at Geneva, in the
+ year 1580. As to it being "valuable," I should not consider him
+ unfortunate if he could exchange it for a shilling.</p>
+
+ <p>Loselerius Villerius was Pierre l'Oyseleur de Villiers, a professor of
+ Genevan divinity, who came over to London, and there published Beza's
+ Latin version of the New Testament, in 1574. He was not, however, as your
+ correspondent supposed him to be, the editor of the decapitated volume in
+ question; but Beza transferred his notes to an impression completed by
+ himself.</p>
+
+ <p>S. A. S. has, in the next place, inquired for any satisfactory "list
+ of editions of the Bible." It appears that, so far as he is concerned, Le
+ Long, Boerner, Masch, and Cotton have lived and laboured in vain.</p>
+
+ <p>The folio Bible lastly described by your correspondent is <i>not</i>
+ "so great a curiosity" as family tradition maintained. The annotations
+ "placed in due order" are merely the Genevan notes.&mdash;See <!-- Page
+ 535 --><span class="pagenum"><a name="page535"></a>{535}</span> the
+ Archdeacon of Cashel's very accurate and excellent work, <i>Editions of
+ the Bible, and Parts thereof, in English</i>, p. 75.: Oxford, 1852.</p>
+
+ <p class="author">R. G.
+
+ <p><i>Westminster Parishes</i> (Vol. vii., p. 454.).&mdash;In 1630 the
+ City and Liberties of Westminster contained the churches of St. Margaret,
+ St. Martin-in-the-Fields, St. Clement Danes, and St. John Baptist
+ Savoy.</p>
+
+ <p>The registers of burials, marriages, and christenings, of St.
+ Margaret's Church, began January 1, 1538.</p>
+
+ <p>The Fire of London did not destroy any church in Westminster.</p>
+
+ <p class="author"><span class="sc">Mackenzie Walcott</span>, M.A.
+
+ <p><i>Hevristic</i> (Vol. vii., p. 237.).&mdash;The term
+ <i>hevristisch</i>, in the first edition of the translation of Kant's
+ <i>Critik</i>, is not given in the vocabulary appended to the
+ translation; but under the word <i>ostensiv</i> it is stated that in its
+ meaning it stands opposed to the word <i>euristic</i> (<i>hevristisch</i>
+ in German). But in the second edition, published in 1818, it is remarked,
+ under the words <i>evristic</i>, <i>euristic</i>, <i>hevristisch</i>,
+ that the term should, in Sir Wm. Hamilton's opinion, be <i>euretic</i> or
+ <i>heuretic</i>; the word <i>hevristisch</i> being an error of long
+ standing in German philosophy. The derivation of <i>euretic</i> would be
+ from <span title="heuretikos" class="grk"
+ >&epsilon;&#x1F51;&rho;&epsilon;&tau;&iota;&kappa;&omicron;&sigmaf;</span>.</p>
+
+ <p>In Tissot's translation, <i>hevristisch</i> is rendered by
+ <i>heuristique</i>; in Mantovani's, by <i>evristico</i>; in Born's, by
+ <i>heuristicus</i>. In Krug's <i>Lexicon</i>, <i>hevristik</i> is given
+ as derived from <span title="heuriskô, heurein" class="grk"
+ >&epsilon;&#x1F51;&rho;&iota;&sigma;&kappa;&omega;,
+ &epsilon;&#x1F51;&rho;&epsilon;&iota;&nu;</span>. The <i>hevristic</i>
+ method, Krug remarks, is also called the <i>analytical</i>. It may be
+ added, that in the first edition of the <i>Critik</i> (Riga, 1781), the
+ word is <i>hevristisch</i>. In the fourth edition (Riga, 1794), published
+ also in Kant's lifetime, it is <i>hevristisch</i>. In Rosenkranz's
+ edition (Leipzig, 1838), the word is changed into <i>heuristisch</i>; and
+ also, in another edition of the same year, published also at Leipzig, it
+ is written <i>heuristisch</i>, and not <i>hevristisch</i>.</p>
+
+ <p>In respect to the Leipzig edition of 1818, which is that now before
+ me, the term <i>hevristisch</i>, in speaking of <i>hevristich</i>
+ principles, is particularly alluded to. (See page 512. line 10.) I do not
+ find, after a hasty inspection, this word changed, in any of the editions
+ I possess, to <i>empirisch</i>.</p>
+
+ <p class="author"><span class="sc">Francis Haywood</span>.
+
+ <p class="address">Liverpool.
+
+ <p><i>Creole</i> (Vol. vii., p. 381.).&mdash;The word appears to be a
+ French form of the Spanish <i>criollo</i>, which in the dictionary of
+ Nuñez de Taboada is defined, "El hijo de padres Europeos nacido en
+ America;" whilst in the old dictionary of Stevens (1726) it is
+ translated, "Son of a Spaniard and a West India woman." In Brande's
+ <i>Dictionary of Science</i>, &amp;c. Creole is said to mean the
+ descendants of whites born in Mexico, South America, or the West Indies,
+ the blood remaining unmixed with that of other races, &amp;c.</p>
+
+ <p>Von Tschudi says, that in South America the Spaniards apply the term
+ <i>Creole</i> not only to the human race, but also to horses, bullocks,
+ and even to poultry.</p>
+
+ <p class="author">A. C. M.
+
+ <p class="address">Exeter.
+
+ <p><i>General Monk and the University of Cambridge</i> (Vol. vii., pp.
+ 427. 486.).&mdash;<span class="sc">Leicestriensis</span> begs to thank
+ <span class="sc">Mr. C.&nbsp;H. Cooper</span> and <span class="sc">Mr. J.&nbsp;P.
+ Ord</span> for their replies to his Query on this subject. He avails
+ himself of this, the earliest opportunity, of assuring <span
+ class="sc">Mr. Ord</span> of his readiness to afford him what slight
+ information is in his power respecting the MS. in question (which only
+ came into his possession within the last two or three months), if he will
+ communicate with him as below.</p>
+
+ <p class="author"><span class="sc">William Kelly</span>.
+
+ <p class="address">Town Hall, Leicester.
+
+ <p><i>Ecclesia Anglicana</i> (Vol. ii., pp. 12. 440.).&mdash;I am much
+ obliged to your correspondent W. <span class="sc">Fraser</span> for his
+ answer to my Query, and the references with which he supplies me. I shall
+ be glad to ask a still more extensive question, which will probably
+ explain the object of the former more limited one. Is it <i>usual</i>, in
+ any of the unreformed branches of the church on the continent, to find a
+ similar appellation (implying distinct nationality) employed in
+ authoritative documents, <i>e.g.</i> would it be possible to find in the
+ title-pages of any Missal, &amp;c., such words as "in usum Ecclesiæ
+ Hispanicæ, Lusitanæ, Gallicanæ?" If not now, was it more customary in
+ mediæval times, and when did it cease?</p>
+
+ <p>Should we be justified in saying, that at <i>every</i> period of her
+ existence, with rare exceptions, the <i>Anglican church</i>, consciously
+ or unconsciously, maintained the theory of her nationality with greater
+ distinctness than any of the continental churches? I fancy I have heard,
+ though I cannot state on what authority, that this assertion might be
+ made most truly of the Portuguese church, and should be very glad to have
+ any light thrown on the subject by your able correspondent. Certain it
+ is, that amongst the various complaints made against Cardinal Wiseman and
+ the Papal aggressors, it has never been laid to their charge, that they
+ arrogated to themselves the title of members of the <i>Anglican
+ church</i>.</p>
+
+ <p class="author">G. R. M.
+
+ <p><i>Gibbon's Library</i> (Vol. vii., p. 485.).&mdash;In 1838 I
+ purchased some of Gibbon's books at Lausanne, out of a basketful on sale
+ at a small shop, the depôt of the Religious Tract Society! Edward Gibbon,
+ printed on a small slip of paper, was pasted in them.</p>
+
+ <p class="author"><span class="sc">A. Holt White</span>.
+
+ <p><i>Golden Bees</i> (Vol. vii., p. 478.).&mdash;When the tomb of
+ Childeric, father of Clovis, was opened in 1653, there were found,
+ besides the skeletons of his horse and page, his arms, crystal orb,
+ &amp;c., <!-- Page 536 --><span class="pagenum"><a
+ name="page536"></a>{536}</span> "more than three hundred little bees of
+ the purest gold, their wings being inlaid with a red stone like
+ cornelian."</p>
+
+ <p class="author"><span class="sc">Ceridwen</span>.
+
+ <p><i>Passage in Orosius</i> (Vol. vii., p. 399.).&mdash;May not the
+ "twam tyncenum," between which Cyrus the Great's officer attempted to
+ cross a river, be the inflated skins which the Arabs still use, as the
+ ancient inhabitants of Assyria did, for crossing the Tigris and
+ Euphrates, and of which the Nimroud sculptures give so many
+ illustrations?</p>
+
+ <p class="author"><span class="sc">Ceridwen</span>.
+
+ <p><i>Names first given to Parishes</i> (Vol. iv., p. 153.).&mdash;I wish
+ to repeat this Query in another form, and particularly in reference to
+ the termination <i>-by</i>. I suspect that wherever a cluster of
+ villages, like that given by F.&nbsp;B., occurs with this Danish suffix, it is
+ a proof that the district was originally a colony of Danes. The one in
+ which I reside (the hundreds of Flegg), from its situation is
+ particularly likely to have been so. Its original form was evidently that
+ of a large island in the estuary of the Yare, which formed numerous
+ inlets in its shores; and this was flanked on each aisle by a Roman
+ garrison, one the celebrated fortress of Garianonum, now Burgh Castle,
+ and the other Caistor-next-Yarmouth, in which a camp, burying-ground,
+ &amp;c., besides its name, sufficiently attest its Roman origin. The two
+ hundreds of Flegg, (or Fleyg, as appears on its common seal) comprise
+ twenty villages, thirteen of which terminate in <i>-by</i>. These are
+ Ormesby, Hemesby, Filby, Mauteby, Stokesby, Herringby, Thrigby,
+ Billockby, Ashby or Askeby, Clippesby, Rollesby, Oby, and Scratby or
+ Scroteby.</p>
+
+ <p>Professor <span class="sc">Worsaae</span>, I believe, considers
+ Ormesby to have been originally Gormsby, <i>i.e.</i> Gorm's or Guthrum's
+ village, but I have not his work at hand to refer to. Thrigby, or Trigby
+ as it is vernacularly pronounced, and Rollesby, may take their names from
+ Trigge or Tricga, and Rollo, names occurring in Scandinavian history. I
+ should feel obliged if Professors <span class="sc">Worsaae</span> and
+ <span class="sc">Stephens</span>, or other Scandinavian antiquaries and
+ scholars, would kindly inform me if my surmises are correct, and if the
+ rest of the names may be similarly derived. I should add that Stokesby
+ fully hears out the suggestion of C. (Vol. v., p. 161.), as there is even
+ now a ferry over the Bure at that point. The district is entirely
+ surrounded by rivers and extensive tracts of marshes, and intersected by
+ large inland lakes, locally termed "Broads," which undoubtedly were all
+ comprised in the estuary, and which would form safe anchorages for the
+ long galleys of the Northmen.</p>
+
+ <p class="author"><span class="sc">E. S. Taylor</span>.
+
+ <p class="address">Ormesby, St. Margaret, Norfolk.
+
+ <p><i>Grafts and the Parent Tree</i> (Vol. vii., p. 436.).&mdash;In order
+ to insure the success of grafts, it is material that they be inserted on
+ congenial stocks: delicate-growing fruits require dwarf-growing stocks;
+ and free luxuriant-growing trees require strong stocks. To graft scions
+ of delicate wooded trees on strong stocks, occasions an over-supply of
+ sap to the grafts; and though at first they seem to flourish, yet they do
+ not endure. A few examples of this sort may lead to an opinion, that
+ "grafts, after some fifteen years, wear themselves out;" but the opinion
+ is not (generally speaking) well founded. I have for many years grafted
+ the old <i>Golden Pippin</i> on the <i>Paradise</i> or <i>Doucin</i>
+ stock, and found it to answer very well, and produce excellent fruit.
+ Taunton has long been famous for its <i>Nonpareils</i>, which are there
+ produced in great excellence and abundance. The Cornish
+ <i>Gilliflower</i>, one of our very best apples, was well known in the
+ time of King Charles I.; and, as yet, shows no symptoms of decay: that
+ fruit requires a strong stock.</p>
+
+ <p>The ancient <i>Ribston Pippin</i> was a seedling:</p>
+
+<blockquote class="b1">
+
+ <p>"It has been doubted by some, whether the tree at Ribston Hall was an
+ original from the seed: the fact of its not being a grafted tree has been
+ satisfactorily ascertained by Sir Henry Goodricke, the present
+ proprietor, by causing suckers from its root to be planted
+ out&mdash;which have set the matter at rest that it was not a grafted
+ tree. One of these suckers has produced fruit in the Horticultural Garden
+ at Chiswick."&mdash;Lindley's <i>Guide to the Orchard and Kitchen
+ Garden</i>, 1831, p. 81.</p>
+
+</blockquote>
+
+ <p class="author">J. G.
+
+ <p class="address">Exon.
+
+ <p><i>Lord Cliff and Howell's Letters</i> (Vol. vii., p. 455.).&mdash;The
+ Lord Cliff, as to whom your correspondent inquires, and to whom James
+ Howell addresses some of his letters, is intended for Henry Lord
+ Clifford, and afterwards, on the decease of his father, fifth and last
+ Earl of Cumberland. He died in December, 1643. Amongst the many
+ republications of modern times, I regret that we have no new edition,
+ with illustrative notes, of Howell's <i>Letters</i>. It is the more
+ necessary, as one at least of the later editions of this most
+ entertaining book is very much abridged and mutilated.</p>
+
+ <p class="author"><span class="sc">James Crossley</span>.
+
+ <p>Y. S. M. asks "Who was Lord Cliff?" He might as well have added, "Who
+ was Lord Viscount Col, Sir Thomas Sa, or End. Por?" who also figure in
+ <i>Epistolæ Ho-Elianiæ</i>. Had he looked over that entertaining book
+ more attentively, Y.&nbsp;S.&nbsp;M. would have seen that all these were mere
+ contractions of Howell's correspondents, Lord Clifford, Lord Colchester,
+ Sir Thomas Savage, and Endymion Porter.</p>
+
+ <p class="author">J. O.
+
+ <p><i>The Bouillon Bible</i> (Vol. vii., p. 296.).&mdash;H.&nbsp;W., who was
+ good enough to answer my Query respecting Philip D'Auvergne, has probably
+ seen that the Bible of which he inquires has turned up. <!-- Page 537
+ --><span class="pagenum"><a name="page537"></a>{537}</span> It seems to
+ have been pawned (if I rightly understand the report in the newspapers)
+ to a Mr. Broughton of the Foreign Office, who had advanced money to the
+ prince to enable him to prosecute his claim to the dukedom. It has now
+ been ordered by Vice-Chancellor Sir W.&nbsp;P. Wood to be offered for sale as
+ part of Mr. Broughton's estate, for the benefit of that gentleman's
+ creditors. It was stated in court, that on a former occasion, when the
+ late Archbishop of Canterbury wished to purchase it, 1500<i>l.</i> was
+ asked for it. I was much obliged to H.&nbsp;W. for the information he gave me,
+ as I took some little interest in Philip D'Auvergne from having heard
+ that he was a friend of my grandfather. They were, I find, both of them
+ officers in the Racehorse during Lord Mulgrave's discovery voyage to the
+ North Pole.</p>
+
+ <p class="author">E. H. A.
+
+ <p><i>Rhymes on Places</i> (Vol. vii., p.
+ 143.).&mdash;Northamptonshire:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Armston on the hill,</p>
+ <p class="i1">Polebrook in the hole,</p>
+ <p>Ashton turns the mill,</p>
+ <p class="i1">Oundle burns the coal."</p>
+ </div>
+ </div>
+ <p>Repeated to me by poor old drunken Jem White the sexton, many years
+ since, when on the "battlements" of Oundle Church; Oundle being the
+ market town for the three villages in the rhymes quoted.</p>
+
+ <p class="author"><span class="sc">Brick</span>.
+
+ <p><i>Serpents' Tongues</i> (Vol. vi., p. 340.; Vol. vii., p.
+ 316.).&mdash;May I be allowed to inform <span class="sc">Mr.
+ Pinkerton</span> that the sharks' teeth (fossils), now so frequently
+ found imbedded in this tufa rock, and cheaply sold, are not known as "the
+ tongues of vipers," but, on the contrary, from time immemorial, as the
+ "tongues of St. Paul." In proof of this, I would refer <span
+ class="sc">Mr. Pinkerton</span> to the following extract, which I have
+ taken from an Italian letter now in the Maltese Library; which was
+ published on August 28, 1668, by Dr. Francis Buonamico, a native of this
+ island, and addressed to Agostino Scilla of Messina. Page 5., the writer
+ remarks:</p>
+
+<blockquote class="b1">
+
+ <p>"Che avanti de partire da questa isolde dovesse farle una raccolta di
+ glossopietre, <i>O lingue come que le chiamiamo di S. Paolo</i>."</p>
+
+</blockquote>
+
+ <p class="author">W. W.
+
+ <p class="address">Malta.
+
+ <p><i>Consecrated Roses, &amp;c.</i> (Vol. vii., pp. 407. 480.).&mdash;An
+ instance of the <i>Golden Rose</i> being conferred on an English baron,
+ will be found related in Davidson's <i>History of Newenham Abbey in the
+ County of Devon</i>, p. 208.</p>
+
+ <p class="author">J. D. S.
+
+<hr class="full" >
+
+<h2>Miscellaneous.</h2>
+
+<h3>NOTES ON BOOKS, ETC.</h3>
+
+ <p>That well-worn quotation, "who shall decide when doctors disagree,"
+ must, we should think, invariably suggest itself to the reader of every
+ new book upon the subject of Shakspeare's text. A few months since <span
+ class="sc">Mr. Collier</span> gave to the world a volume of <i>Notes and
+ Emendations from Early Manuscript Corrections in a Copy of the Folio
+ 1632</i><a name="footnotetag1" href="#footnote1"><sup>[1]</sup></a>,
+ which was hailed by many, ourselves among the number, as a most valuable
+ contribution to Shakspearian literature. From this favourable view of
+ these manuscript emendations, many whose opinions upon such matters
+ deserve the highest respect at once avowed their dissent; and we now find
+ that we have to add to this number <span class="sc">Mr. Singer</span>,
+ who has given us the result of his examination of them in a volume
+ entitled <i>The Text of Shakspeare vindicated from the Interpolations and
+ Corruptions advocated by John Payne Collier, Esq., in his Notes and
+ Emendations</i>. No one can put forth higher claims to speak with
+ authority on any points connected with Shakspeare than <span
+ class="sc">Mr. Singer</span>, who has devoted a life to the study of his
+ writings; and none can rise from a perusal of his book without
+ recognising in it evidence of <span class="sc">Mr. Singer's</span>
+ fitness for editing the works of our great dramatist, and feeling anxious
+ for his revised edition of them. But we think many will regret that,
+ while pointing out the Notes and Emendations from which he dissents,
+ <span class="sc">Mr. Singer</span> should not have noticed those which he
+ regards with favour; and that, in his anxiety to vindicate the purity of
+ Shakspeare's text from the anonymous emendator, he should have embodied
+ that vindication in language, which, though we are quite sure it is
+ unintentional on his part, gives his book almost a personal character,
+ instead of one purely critical.</p>
+
+ <p><span class="sc">Books Received</span>.&mdash;<i>Records of the Roman
+ Inquisition, Case of a Minorite Friar who was sentenced by S. Charles
+ Borromeo to be walled up, and who, having escaped, was burned in effigy:
+ edited, with an English Translation, Notes, &amp;c., by</i> Rev. Richard
+ Gibbings. Published from one of the MSS. conveyed from Rome to Paris by
+ order of Napoleon, at the close of the last century, as a challenge to
+ the defenders of the papacy to acknowledge its truth, or to controvert
+ it.&mdash;<i>The History of England from the Peace of Utrecht to the
+ Peace of Versailles</i>, by Lord Mahon, Vol. III. The third volume of
+ this new and cheaper edition of Lord Mahon's valuable history comprehends
+ the period from 1740 to 1748.&mdash;<i>English Forests and Forest Trees;
+ Historical, Legendary, and Descriptive, with numerous Illustrations.</i>
+ This volume, one of the <i>Illustrated London Library</i>, is a pleasant
+ chatty compilation on a subject which will interest many of our readers
+ and correspondents by furnishing them with a series of notices of old
+ forests, remarkable trees, &amp;c., which have never before been gathered
+ together.&mdash;<i>The Shakspeare Repository, edited by</i> J.&nbsp;H.
+ Fennell, No. II. The second part of this periodical, the only one
+ exclusively devoted to the Elizabethan writers, contains, among other
+ interesting articles, a long one on the medical practice of Shakspeare's
+ son-in-law, Dr. John Hall.</p>
+
+<div class="note">
+ <a name="footnote1"></a><b>Footnote 1:</b><a
+ href="#footnotetag1">(return)</a>
+ <p>Since this was written we have heard that <span class="sc">Mr.
+ Collier</span> has traced back the history of his Folio 1632 for upwards
+ of a century.&mdash;<span class="sc">Ed</span>.</p>
+
+</div>
+<p><!-- Page 538 --><span class="pagenum"><a name="page538"></a>{538}</span></p>
+
+<hr class="full" >
+
+<h3>BOOKS AND ODD VOLUMES WANTED TO PURCHASE.</h3>
+
+ <p><span class="sc">Scott, Remarks on the best Writings of the best
+ Authors</span> (or some such title)</p>
+
+ <p><span class="sc">Sermons by the Rev. Robert Wake</span>, M.A. 1704,
+ 1712, &amp;c.</p>
+
+ <p><span class="sc">History of Ancient Wilts</span>, by <span
+ class="sc">Sir R.&nbsp;C. Hoare</span>. The last three Parts.</p>
+
+ <p><span class="sc">Rev. A. Dyce's Edition of Dr. Richard Bentley's
+ Works.</span> Vol. III. Published by Francis Macpherson, Middle Row,
+ Holborn. 1836.</p>
+
+ <p><span class="sc">Dissertation on Isaiah XVIII., in a Letter to Edward
+ King, Esq.</span>, by <span class="sc">Samuel Lord Bishop of
+ Rochester</span> (<span class="sc">Horsley</span>). The Quarto Edition,
+ printed for Robson. 1779.</p>
+
+ <p><span class="sc">Ben Johnson's Works.</span> 9 Vols. 8vo. Vols. II.,
+ III., IV. Bds.</p>
+
+ <p><span class="sc">Sir Walter Scott's Novels.</span> 41 Vols. 8vo. The
+ last nine Vols. Boards.</p>
+
+ <p><span class="sc">Jacob's English Peerage.</span> Folio Edition, 1766.
+ Vols. II., III., and IV.</p>
+
+ <p><span class="sc">Gammer Gurton's Needle.</span></p>
+
+ <p><span class="sc">Alison's Europe.</span> (20 Vols.) Vols. XIII.,
+ XX.</p>
+
+ <p><span class="sc">Abbotsford Edition of the Waverley Novels.</span> Odd
+ Vols.</p>
+
+ <p><span class="sc">The Truth Teller.</span> A Periodical.</p>
+
+ <p>*** <i>Correspondents sending Lists of Books Wanted are requested to
+ send their names.</i></p>
+
+ <p>*** Letters, stating particulars and lowest price, <i>carriage
+ free</i>, to be sent to <span class="sc">Mr. Bell</span>, Publisher of
+ "NOTES AND QUERIES," 186. Fleet Street.</p>
+
+<hr class="full" >
+
+<h3>Notices to Correspondents.</h3>
+
+ <p><i>We are compelled to omit several interesting papers respecting
+ Shakspeare which are in type, among which we may mention a notice of some
+ drawings which are great interest.</i></p>
+
+ <p><span class="sc">W. T. Watts</span> (St. Ives), <i>who inquires
+ respecting the literary history of</i> Baron Munchausen, <i>is referred
+ to our</i> 2nd Vol., p. 519., <i>and our</i> 3rd Vol., pp. 117. 305.
+ 453.</p>
+
+ <p>G. P. (Offenburg) <i>Potatoes were most probably introduced into
+ England by Sir W. Raleigh. Gerarde mentions them in his</i> Herbal,
+ <i>published in 1597</i>.</p>
+
+ <p><span class="sc">Antiquarian</span> <i>had better send a rubbing from
+ the oak cover in question. His copy cannot be deciphered.</i></p>
+
+ <p>S. S. S.'s <i>Query on the passage in St. James in our next.</i></p>
+
+ <p><span class="sc">Brookthorpe</span> <i>will find, in the Notices to
+ Correspondents, in</i> No. 179. (2nd April), <i>a reply to his former
+ Query respecting the Epitaph:</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"If Heaven be pleased."</p>
+ </div>
+ </div>
+ <p><span class="sc">Ursula.</span> <i>We shall be glad of the "succinct
+ refutation" proposed.</i></p>
+
+ <p>J. W. <i>There is a folio edition of Godwin</i> De Præsulibus,
+ <i>Canterbury, 1743, in which the original work is continued by
+ Richardson.</i></p>
+
+ <p>J. R. (Sunderland) <i>is referred to Brockett's</i> Glossary, <i>where
+ he will find the etymology of</i> stang, <i>from the Danish</i> stang,
+ <i>a pole or bar&mdash;or the Saxon</i> steng; <i>and a full description
+ of the ceremonies connected with</i> Riding the stang.</p>
+
+ <p><span class="sc">Florence</span> <i>is thanked for her hint.</i></p>
+
+ <p>J. B. <i>will find full particulars of Sir T. Herbert's</i> Threnodia
+ Carolina <i>in our</i> 3rd Vol., p. 259. <i>Other references in our</i>
+ 2nd Vol., pp. 140. 220. 476.</p>
+
+ <p><i>A few complete sets of</i> "<span class="sc">Notes and
+ Queries</span>," Vols. i. <i>to</i> vi., <i>price Three Guineas, may now
+ be had; for which early application is desirable.</i></p>
+
+ <p>"<span class="sc">Notes and Queries</span>" <i>is published at noon on
+ Friday, so that the Country Booksellers may receive Copies in that
+ night's parcels, and deliver them to their Subscribers on the
+ Saturday.</i></p>
+
+<hr class="full" >
+
+ <p>PREPARING FOR THE PRESS, IN OCTAVO,</p>
+
+ <p><b>A SUPPLEMENT</b></p>
+
+ <p>TO</p>
+
+ <p>MR. HALLIWELL'S OCTAVO LIFE OF SHAKSPEARE;</p>
+
+ <p>Consisting of Observations on Modern Shakspearian Forgeries.</p>
+
+ <p>JOHN RUSSELL SMITH, 36. SOHO SQUARE, LONDON.</p>
+
+<hr class="full" >
+
+ <p><b>SPECTACLES</b>.&mdash;WM. ACKLAND applies his medical knowledge as
+ a Licentiate of the Apothecaries' Company, London, his theory as a
+ Mathematician, and his practice as a Working Optician, aided by Since's
+ Optometer, in the selection of Spectacles suitable to every derangement
+ of vision, so as to preserve the sight to extreme old age.</p>
+
+ <p>ACHROMATIC TELESCOPES, with the New Vetzlar Eye-pieces, as exhibited
+ at the Academy of Sciences in Paris. The Lenses of these Eye-pieces are
+ so constructed that the rays of light fall nearly perpendicular to the
+ surface of the various lenses, by which the aberration is completely
+ removed: and a telescope so fitted gives one-third more magnifying power
+ and light than could be obtained by the old Eye-pieces. Prices of the
+ various sizes on application to</p>
+
+ <p>WM. ACKLAND, Optician, 93. Hatton Garden, London.</p>
+
+<hr class="full" >
+
+<p class="cenhead">PUBLISHED EVERY SATURDAY, Price 6<i>d.</i></p>
+
+ <p><b>THE CIVIL SERVICE GAZETTE</b>, a Journal devoted to the interests
+ of all Government Officials in every department of the State, contains,
+ besides other official information, a list of the Recent Promotions and
+ <span class="sc">Present Vacancies</span> in the gift of the Government,
+ both in England, the East Indies, and the Colonies; a Summary of the News
+ of the Week: Original Literary Articles; Obituary of men of eminence or
+ desert in the public serve; Parliamentary, Legal, Foreign, Domestic and
+ Theatrical Notices; with Fashionable, Naval and Military
+ Intelligence.</p>
+
+ <p>To be had of all Booksellers and Newsvenders; or at the Office, 5.
+ Catherine Street, Strand.</p>
+
+<hr class="full" >
+
+<p class="cenhead">The Twenty-eighth Edition.</p>
+
+ <p><b>NEUROTONICS</b>, or the Art of Strengthening the Nerves, containing
+ Remarks on the influence of the Nerves upon the Health of Body and Mind,
+ and the means of Cure for Nervousness, Debility, Melancholy, and all
+ Chronic Diseases, by DR. NAPIER, M.D. London: HOULSTON &amp; STONEMAN.
+ Price 4<i>d.</i>, or Post Free from the Author for Five Penny Stamps.</p>
+
+ <p>"We can conscientiously recommend 'Neurotonics,' by Dr. Napier, to the
+ careful perusal of our invalid readers."&mdash;<i>John Bull Newspaper,
+ June 5, 1852.</i></p>
+
+<hr class="full" >
+
+ <p><b>DAGUERREOTYPE MATERIALS</b>.&mdash;Plates, Cases, Passepartoutes,
+ best and cheapest, to be had in great variety at M<sup>c</sup>MILLAN'S
+ Wholesale Depôt, 132. Fleet Street. Price List gratis.</p>
+
+<hr class="full" >
+
+<p class="cenhead">WINSLOW HALL, BUCKS.</p>
+
+ <p><b>DR. LOVELL'S SCHOLASTIC ESTABLISHMENT</b> (exclusively for the Sons
+ of Gentlemen) was founded at Mannheim in 1836, under the Patronage of
+ H.R.H. the GRANDE DUCHESSE STEPHANIE of Baden, and removed to Winslow in
+ 1848. The Course of Tuition includes the French and German Languages, and
+ all other Studies which are Preparatory to the Universities, the Military
+ Colleges and the Army Examination. The number of Pupils is limited to
+ Thirty. The Principal is always in the Schoolroom, and superintends the
+ Classes. There are also French, German, and English resident Masters.
+ Prospectus and References can be had on application to the Principal.</p>
+
+<hr class="full" >
+
+ <p><b>WILLIAMS &amp; NORGATE</b> will carry on Business at 15. BEDFORD
+ STREET, COVENT GARDEN, opposite the end of Henrietta Street during the
+ alterations and enlargement of their old Premises.</p>
+
+ <p><i>June, 1853.</i></p>
+
+<hr class="full" >
+
+ <p><b>PHOTOGRAPHIC APPARATUS AND MATERIALS</b>, for the Processes on
+ Glass, Paper, and Silver. An illustrated priced Catalogue 3<i>d.</i>,
+ Post Free.</p>
+
+ <p>JOHN JOSEPH GRIFFIN, F.C.S., Chemical and Philosophical Instrument
+ Maker, 10. Finsbury Square. Manufactory, 119. and 120. Bunhill Row.
+ Removed from 53. Baker Street, Portman Square.</p>
+
+<hr class="full" >
+
+<p class="cenhead">OFFICERS' BEDSTEADS AND BEDDING.</p>
+
+ <p><b>HEAL &amp; SON</b> beg to call the Attention of Gentlemen requiring
+ Outfits to their large stock of Portable Bedsteads, Bedding, and
+ Furniture, including Drawers, Washstands, Chairs, Glasses, and every
+ requisite for Home and Foreign Service.</p>
+
+ <p>HEAL &amp; SON. Bedstead and Bedding Manufacturers, 196. Tottenham
+ Court Road.</p>
+
+<hr class="full" >
+
+ <p><b>BENNETT'S MODEL WATCH</b>, as shown at the GREAT EXHIBITION, No. 1.
+ Class X., in Gold and Silver Cases, in five qualities, and adapted to all
+ Climates, may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold
+ London-made Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver
+ Cases, 8, 6, and 4 guineas. First-rate Geneva Levers, in Gold Cases, 12,
+ 10, and 8 guineas. Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior
+ Lever, with Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's
+ Pocket Chronometer, Gold, 50 Guineas; Silver, 40 guineas. Every Watch
+ skilfully examined, timed, and its performance guaranteed. Barometers,
+ 2<i>l.</i>, 3<i>l.</i>, and 4<i>l.</i> Thermometers from 1<i>s.</i>
+ each.</p>
+
+ <p>BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory,
+ the Board of Ordnance, the Admiralty, and the Queen.</p>
+
+ <p>65. CHEAPSIDE. <!-- Page 539 --><span class="pagenum"><a
+ name="page539"></a>{539}</span></p>
+
+<hr class="full" >
+
+<p class="cenhead">Just published, price 1<i>s.</i>, free by Post 1<i>s.</i> 4<i>d.</i>,</p>
+
+ <p><b>THE WAXED-PAPER PHOTOGRAPHIC PROCESS</b> of GUSTAVE LE GRAY'S NEW
+ EDITION. Translated from the French.</p>
+
+ <p>Sole Agents in the United Kingdom for VOIGHTLANDER &amp; SON'S
+ celebrated Lenses for Portraits and Views.</p>
+
+ <p>General Depôt for Turner's, Whatman's, Canson Frères', La Croix, and
+ other Talbotype Papers.</p>
+
+ <p>Pure Photographic Chemicals.</p>
+
+ <p>Instructions and Specimens in every Branch of the Art.</p>
+
+ <p>GEORGE KNIGHT &amp; SONS, Foster Lane, London.</p>
+
+<hr class="full" >
+
+ <p><b>PHOTOGRAPHIC PAPER</b>.&mdash;Negative and Positive Papers of
+ Whatman's, Turner's, Sanford's, and Canson Frères' make, Waxed-Paper for
+ Le Gray's Process. Iodized and Sensitive Paper for every kind of
+ Photography.</p>
+
+ <p>Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13.
+ Paternoster Row, London.</p>
+
+<hr class="full" >
+
+ <p><b>PHOTOGRAPHY</b>.&mdash;Collodion (Iodized with the Ammonio-Iodide
+ of Silver).&mdash;J.&nbsp;B. HOCKIN &amp; CO., Chemists, 289. Strand, were the
+ first in England who published the application of this agent (see
+ <i>Athenæum</i>, Aug. 14th). Their Collodion (price 9<i>d.</i> per oz.)
+ retains its extraordinary sensitiveness, tenacity, and colour unimpaired
+ for months; it may be exported to any climate, and the Iodizing Compound
+ mixed as required. J.&nbsp;B. HOCKIN &amp; CO. manufacture PURE CHEMICALS and
+ all APPARATUS with the latest Improvements adapted for all the
+ Photographic and Daguerreotype processes. Cameras for Developing in the
+ open Country. GLASS BATHS adapted to any Camera. Lenses from the best
+ Makers. Waxed and Iodized Papers, &amp;c.</p>
+
+<hr class="full" >
+
+ <p><b>PHOTOGRAPHIC PICTURES</b>.&mdash;A Selection of the above beautiful
+ Productions (comprising Views in VENICE, PARIS, RUSSIA, NUBIA, &amp;c.)
+ may be seen at BLAND &amp; LONG'S, 153. Fleet Street, where may also be
+ procured Apparatus of every Description, and pure Chemicals for the
+ practice of Photography in all its Branches.</p>
+
+ <p>Calotype, Daguerreotype, and Glass Pictures for the Stereoscope.</p>
+
+ <p>BLAND &amp; LONG, Opticians, Philosophical and Photographical
+ Instrument Makers, and Operative Chemists, 153. Fleet Street.</p>
+
+<hr class="full" >
+
+ <p><b>PHOTOGRAPHY</b>.&mdash;HORNE &amp; CO.'S Iodized Collodion, for
+ obtaining Instantaneous Views, and Portraits in from three to thirty
+ seconds, according to light.</p>
+
+ <p>Portraits obtained by the above, for the delicacy of detail rival the
+ choicest Daguerreotypes, specimens of which may be seen at their
+ Establishment.</p>
+
+ <p>Also every description of Apparatus, Chemicals, &amp;c. &amp;c. used
+ in this beautiful Art.&mdash;123. and 121. Newgate Street.</p>
+
+<hr class="full" >
+
+ <p><b>PHOTOGRAPHIC SCHOOL</b>.&mdash;ROYAL POLYTECHNIC INSTITUTION.</p>
+
+ <p>The SCHOOL is NOW OPEN for instruction in all branches of Photography,
+ to Ladies and Gentlemen, on alternate days, from Eleven till Four
+ o'clock, under the joint direction of T.&nbsp;A. MALONE, Esq., who has long
+ been connected with Photography, and J.&nbsp;H. PEPPER, Esq., the Chemist to
+ the Institution.</p>
+
+ <p>A Prospectus, with terms, may be had at the Institution.</p>
+
+<hr class="full" >
+
+<h3>CLERICAL, MEDICAL, AND GENERAL
+LIFE ASSURANCE SOCIETY.</h3>
+
+<hr class="short" >
+
+<p class="cenhead">Established 1824.</p>
+
+<hr class="short" >
+
+ <p>FIVE BONUSES have been declared: at the last in January, 1852, the sum
+ of 131,125<i>l.</i> was added to the Policies, producing a Bonus varying
+ with the different ages from 24-1/2 to 55 per cent. on the Premiums paid
+ during the five years, or from 5<i>l.</i> to 12<i>l.</i> 10<i>s.</i> per
+ cent. on the Sum Assured.</p>
+
+ <p>The small share of Profit divisible in future among the Shareholders
+ being now provided for, the ASSURED will hereafter derive all the
+ benefits obtainable from a Mutual Office, WITHOUT ANY LIABILITY OR RISK
+ OF PARTNERSHIP.</p>
+
+ <p>POLICIES effected before the 30th of June next, will be entitled, at
+ the next Division, to one year's additional share of Profits over later
+ Assurers.</p>
+
+ <p>On Assurances for the whole of Life only one half of the Premiums need
+ be paid for the first five years.</p>
+
+ <p>INVALID LIVES may be Assured at rates proportioned to the risk.</p>
+
+ <p>Claims paid <i>thirty</i> days after proof of death, and all Policies
+ are <i>Indisputable</i> except in cases of fraud.</p>
+
+ <p>Tables of Rates and forms of Proposal can be obtained of any of the
+ Society's Agents, or of</p>
+
+ <p class="author">GEORGE H. PINCKARD, Resident Secretary.
+
+ <p class="address"><i>99. Great Russell Street, Bloomsbury, London.</i>
+
+<hr class="full" >
+
+<h3>WESTERN LIFE ASSURANCE
+AND ANNUITY SOCIETY,</h3>
+
+<p class="cenhead">3. PARLIAMENT STREET, LONDON.</p>
+
+ <p>Founded A.D. 1842.</p>
+
+ <p><i>Directors.</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>H. E. Bicknell, Esq.</p>
+ <p>W. Cabell, Esq.</p>
+ <p>T. S. Cocks, Jun. Esq. M.P.</p>
+ <p>G. H. Drew, Esq.</p>
+ <p>W. Evans, Esq.</p>
+ <p>W. Freeman, Esq.</p>
+ <p>F. Fuller, Esq.</p>
+ <p>J. H. Goodhart, Esq.</p>
+ <p>T. Grissell, Esq.</p>
+ <p>J. Hunt, Esq.</p>
+ <p>J. A. Lethbridge, Esq.</p>
+ <p>E. Lucas, Esq.</p>
+ <p>J. Lys Seager, Esq.</p>
+ <p>J. B. White, Esq.</p>
+ <p>J. Carter Wood, Esq.</p>
+ </div>
+ </div>
+ <p><i>Trustees.</i></p>
+
+ <p>W. Whateley, Esq., Q.C.; L. C. Humfrey, Esq., Q.C.; George Drew,
+ Esq.</p>
+
+ <p><i>Physician.</i>&mdash;William Rich. Basham, M.D.</p>
+
+ <p><i>Bankers.</i>&mdash;Messrs. Cocks, Biddulph, and Co., Charing
+ Cross.</p>
+
+ <p>VALUABLE PRIVILEGE.</p>
+
+ <p>POLICIES effected in this Office do not become void through temporary
+ difficulty in paying a Premium, as permission is given upon application
+ to suspend the payment at interest, according to the conditions detailed
+ on the Prospectus.</p>
+
+ <p>Specimens of Rates of Premium for Assuring 100<i>l.</i>, with a Share
+ in three-fourths of the Profits:&mdash;</p>
+
+
+<table class="nob" summary="Specimens of Rates" title="Specimens of Rates">
+ <tr>
+ <td class="nob" style="text-align:left">
+ <p>Age</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p><i>£</i></p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p><i>s.</i></p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p><i>d.</i></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="nob" style="text-align:left">
+ <p>17</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>1</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>14</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>4</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="nob" style="text-align:left">
+ <p>22</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>1</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>18</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>8</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="nob" style="text-align:left">
+ <p>27</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>2</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>4</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>5</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="nob" style="text-align:left">
+ <p>32</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>2</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>10</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>8</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="nob" style="text-align:left">
+ <p>37</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>2</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>18</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>6</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="nob" style="text-align:left">
+ <p>42</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>3</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>8</p>
+ </td>
+ <td class="nob" style="text-align:right">
+ <p>2</p>
+ </td>
+ </tr>
+</table>
+
+ <p>ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.</p>
+
+ <p>Now ready, price 10<i>s.</i> 6<i>d.</i>, Second Edition, with material
+ additions, INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE on
+ BENEFIT BUILDING SOCIETIES, and on the General Principles of Land
+ Investment, exemplified in the Cases of Freehold Land Societies, Building
+ Companies, &amp;c. With a Mathematical Appendix on Compound Interest and
+ Life Assurance. By ARTHUR SCRATCHLEY, M.A., Actuary to the Western Life
+ Assurance Society, 3. Parliament Street, London.</p>
+
+<hr class="full" >
+
+ <p><b>ROYAL ASYLUM OF ST. ANN'S SOCIETY</b>.&mdash;Waiting not for the
+ Child of those once in prosperity to become an Orphan, but by Voluntary
+ Contributions affording at once a Home, Clothing, Maintenance, and
+ Education.</p>
+
+ <p>The Half-yearly Election will take place at the London Tavern of
+ Friday, August 12th, next.</p>
+
+ <p>Forms of Nomination may be procured at the Office, where Subscriptions
+ will be thankfully received.</p>
+
+ <p>Executors of Benefactors by Will become Life Governors according to
+ the amount of the Bequest.</p>
+
+ <p>E. F. LEEKS, Secretary. 2. Charlotte Row, Mansion House.</p>
+
+<hr class="full" >
+
+ <p><b>UNITED KINGDOM LIFE ASSURANCE COMPANY:</b> established by Act of
+ Parliament in 1834.&mdash;8. Waterloo Place, Pall Mall, London.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>HONORARY PRESIDENTS.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Earl of Courtown</p>
+ <p>Earl Leven and Melville</p>
+ <p>Earl of Norbury</p>
+ <p>Earl of Stair</p>
+ <p>Viscount Falkland</p>
+ <p>Lord Elphinstone</p>
+ <p>Lord Belhaven and Stenton</p>
+ <p>Wm. Campbell, Esq., of Tillichewan</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i2">LONDON BOARD.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Chairman.</i>&mdash;Charles Graham, Esq.</p>
+ <p><i>Deputy-Chairman.</i>&mdash;Charles Downes, Esq.</p>
+ </div>
+
+ <div class="stanza">
+ <p>H. Blair Avarne, Esq.</p>
+ <p>E. Lennox Boyd, Esq., F.S.A., <i>Resident</i>.</p>
+ <p>C. Berwick Curtis, Esq.</p>
+ <p>William Fairlie, Esq.</p>
+ <p>D. Q. Henriques, Esq.</p>
+ <p>J. G. Henriques, Esq.</p>
+ <p>F. C. Maitland, Esq.</p>
+ <p>William Railton, Esq.</p>
+ <p>F. H. Thomson, Esq.</p>
+ <p>Thomas Thorby, Esq.</p>
+ </div>
+
+ <div class="stanza">
+ <p>MEDICAL OFFICERS.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Physician.</i>&mdash;Arthur H. Hassall, Esq., M.D.,</p>
+ <p>8. Bennett Street, St. James's.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Surgeon.</i>&mdash;F. H. Tomson, Esq., 48. Berners Street.</p>
+ </div>
+ </div>
+ <p>The Bonus added to Policies from March, 1834, to December 31, 1847, is
+ as follows:&mdash;</p>
+
+
+<table class="allb" summary="Bonus added to Policies" title="Bonus added to Policies">
+ <tr>
+ <td class="allb" style="text-align:center" rowspan="2">
+ <p>Sum<br />
+ Assured</p>
+ </td>
+ <td class="allb" style="text-align:center" rowspan="2">
+ <p>Time<br />
+ Assured.</p>
+ </td>
+ <td class="allb" style="text-align:center" colspan="2">
+ <p>Sum added to<br />
+ Policy</p>
+ </td>
+ <td class="allb" style="text-align:center" rowspan="2">
+ <p>Sum<br /> Payable<br /> at
+ Death.</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="allb" style="text-align:center">
+ <p>In 1841.</p>
+ </td>
+ <td class="allb" style="text-align:center">
+ <p>In 1848.</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="allb" style="text-align:right">
+ <p><i>£&nbsp; &nbsp;</i></p>
+ </td>
+ <td class="allb" style="text-align:left">
+ </td>
+ <td class="allb" style="text-align:right">
+ <p><i>£ &nbsp; s. d.</i></p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p><i>£ &nbsp; s. d.</i></p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p><i>£ &nbsp; s. d.</i></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="allb" style="text-align:right">
+ <p>5000</p>
+ </td>
+ <td class="allb" style="text-align:left">
+ <p>14 years</p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p>683 &nbsp; 6 &nbsp;8&nbsp;</p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p>787 10 &nbsp;0&nbsp;</p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p>6470 16 &nbsp;8&nbsp;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="allb" style="text-align:right">
+ <p>* 1000</p>
+ </td>
+ <td class="allb" style="text-align:left">
+ <p>&nbsp; 7 years</p>
+ </td>
+ <td class="allb" style="text-align:center">
+ <p>-</p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p>157 10 &nbsp;0&nbsp;</p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p>1157 10 &nbsp;0&nbsp;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td class="allb" style="text-align:right">
+ <p>500</p>
+ </td>
+ <td class="allb" style="text-align:left">
+ <p>&nbsp; 1 year</p>
+ </td>
+ <td class="allb" style="text-align:center">
+ <p>-</p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p>11 &nbsp; 5 &nbsp;0&nbsp;</p>
+ </td>
+ <td class="allb" style="text-align:right">
+ <p>511 &nbsp; 5 &nbsp;0&nbsp;</p>
+ </td>
+ </tr>
+</table>
+
+ <p>* <span class="sc">Example.</span>&mdash;At the commencement of the
+ year 1841, a person aged thirty took out a Policy for 1000<i>l.</i>, the
+ annual payment for which is 24<i>l.</i> 1<i>s.</i> 8<i>d.</i>; in 1847 he
+ had paid in premiums 168<i>l.</i> 11<i>s.</i> 8<i>d.</i>; but the profits
+ being 2-1/4 per cent. per annum on the sum insured (which is 22<i>l.</i>
+ 10<i>s.</i> per annum for each 1000<i>l.</i>) he had 157<i>l.</i>
+ 10<i>s.</i> added to the Policy, almost as much as the premiums paid.</p>
+
+ <p>The Premiums, nevertheless, are on the most moderate scale, and only
+ one-half need be paid for the first five years, when the Insurance is for
+ Life. Every information will be afforded on application to the Resident
+ Director.</p>
+
+<hr class="full" >
+
+ <p><b>PURE NERVOUS</b> or MIND COMPLAINTS.&mdash;If the readers of Notes
+ and Queries, who suffer from depression of spirits, confusion, headache,
+ blushing, groundless fears, unfitness for business or society, blood to
+ the head, failure of memory, delusions, suicidal thoughts, fear of
+ insanity, &amp;c., will call on, or correspond with, REV. DR. WILLIS
+ MOSELEY, who, out of above 22,000 applicants, knows not fifty uncured who
+ have followed his advice, he will instruct them how to get well, without
+ a fee, and will render the same service to the friends of the
+ insane.&mdash;At home from 11 to 3.</p>
+
+ <p>18. BLOOMSBURY STREET, BEDFORD SQUARE. <!-- Page 540 --><span
+ class="pagenum"><a name="page540"></a>{540}</span></p>
+
+<hr class="full" >
+
+<p class="cenhead"><span class="sc">Bohn's standard library for June.</span></p>
+
+ <p><b>HISTORY OF THE HOUSE OF AUSTRIA</b>, from 1792 to the present time;
+ in continuation of COXE; with the Portrait of Francis Joseph, the
+ reigning Emperor. Post 8vo. cloth. Price 3s. 6d.</p>
+
+ <p>HENRY G. BOHN, 4, 5, &amp; 6. York Street, Covent Garden.</p>
+
+<hr class="full" >
+
+<p class="cenhead"><span class="sc">Bohn's Scientific Library for June.</span></p>
+
+ <p><b>HUMBOLDT'S</b> PERSONAL NARRATIVE OF HIS TRAVELS IN AMERICA. Vol.
+ III., which completes the Work. With General Index. Post 8vo. cloth.
+ Price 5s.</p>
+
+ <p>HENRY G. BOHN, 4, 5, &amp; 6. York Street, Covent Garden.</p>
+
+<hr class="full" >
+
+<p class="cenhead"><span class="sc">Bohn's Antiquarian Library for June.</span></p>
+
+ <p><b>ROGER DE HOVEDEN'S</b> ANNALS OF ENGLISH HISTORY, from <span
+ class="scac">A.D.</span> 732 to 1201. Translated by H.&nbsp;T. RILEY. Vol.
+ II., which completes the work. Post 8vo. cloth. Price 5s.</p>
+
+ <p>HENRY G. BOHN, 4, 5, &amp; 6. York Street, Covent Garden.</p>
+
+<hr class="full" >
+
+<p class="cenhead"><span class="sc">Bohn's Classical Library for June.</span></p>
+
+ <p><b>TERENCE AND PHÆDRUS</b>, literally translated into English Prose,
+ by H.&nbsp;T. KILEY. To which is added, SMART'S METRICAL VERSION OF PHÆDRUS.
+ Frontispiece. Post 8vo. cloth. Price 5s.</p>
+
+ <p>HENRY G. BOHN, 4, 5, &amp; 6. York Street, Covent Garden.</p>
+
+<hr class="full" >
+
+<p class="cenhead">This day foolscap octavo, price 3s. 6d.,</p>
+
+ <p><b>GOETHE'S OPINIONS</b> ON THE WORLD, MANKIND, LITERATURE, SCIENCE,
+ AND ART, extracted from his Communications and Correspondence. Translated
+ by OTTO WENCKSTERN.</p>
+
+ <p>London JOHN W. PARKER &amp; SON, West Strand.</p>
+
+<hr class="full" >
+
+<p class="cenhead">Price 2s. cloth,</p>
+
+ <p><b>BACON'S</b> ADVANCEMENT OF LEARNING. Carefully revised from the
+ first copies, with a few Notes and References to Works quoted.</p>
+
+ <p>Nearly ready, by the same Editor, BACON'S ESSAYS.</p>
+
+ <p>London: JOHN W. PARKER &amp; SON, West Strand.</p>
+
+<hr class="full" >
+
+ <p><b>ENGLISH COUNTIES</b>.&mdash;A Catalogue of Curious, Rare, and
+ Interesting Books and Tracts relating to English Counties, is just
+ published, and may be had free with No. II. of the SHAKSPEARE REPOSITORY,
+ on receipt of Six Postage Stamps.</p>
+
+ <p>Also, a Fac-simile of a remarkably Curious, Droll, and Interesting
+ Newspaper of the Reign of CHARLES THE SECOND, sent free on receipt of
+ Three Postage Stamps.</p>
+
+ <p>Address, J. H. FENNELL, 1. Warwick Court, Holborn, London.</p>
+
+<hr class="full" >
+
+<p class="cenhead">MR. MURRAY'S</p>
+
+<h3>LIST OF NEW WORKS.</h3>
+
+<p class="cenhead">I.</p>
+
+ <p>THE DIARY OF GEORGE GRENVILLE, while First Lord of the Treasury;
+ together with his Correspondence during Thirty Years, including
+ unpublished LETTERS OF JUNIUS. Vols. III. and IV. (completing the Work).
+ 8vo. 32s.</p>
+
+<p class="cenhead">II.</p>
+
+ <p>LORD MAHON'S HISTORY OF ENGLAND. A New Library Edition. Vols. I. to
+ IV. Demy 8vo. (Uniform with Vols. V. and VI.) Nearly Ready.</p>
+
+<p class="cenhead">III.</p>
+
+ <p>THE CASTLEREAGH DESPATCHES, during the CONGRESS OF VIENNA, BATTLE OF
+ WATERLOO, &amp;c. Edited by THE MARQUIS OF LONDONDERRY. 4 vols., 8vo.
+ 56s.</p>
+
+<p class="cenhead">IV.</p>
+
+ <p>MR. GROTE'S HISTORY OF GREECE. Continued from the Accession to the
+ Death of Philip of Macedon. Vol. XI. 8vo. 16s. (The 12th Volume will
+ complete the work.)</p>
+
+<p class="cenhead">V.</p>
+
+ <p>SIR HUDSON LOWE'S LETTERS and JOURNALS, giving for the First Time the
+ HISTORY OF THE CAPTIVITY OF NAPOLEON AT ST. HELENA. By WILLIAM FORSYTH,
+ M.A. Portrait. 3 vols., 8vo. (Immediately.)</p>
+
+<p class="cenhead">VI.</p>
+
+ <p>MR. LAYARD'S NARRATIVE OF HIS SECOND EXPEDITION TO ASSYRIA, AND
+ RESEARCHES AT NINEVEH AND BABYLON. Twelfth Thousand. With 300 Plates and
+ Woodcuts. 8vo. 21s.</p>
+
+<p class="cenhead">VII.</p>
+
+ <p>MR. JOHN HOLLWAY'S FOUR WEEKS' TOUR IN NORWAY, during the Autumn of
+ 1852. Fcap. 8vo. 2s.</p>
+
+<p class="cenhead">VIII.</p>
+
+ <p>CAPT. ERSKINE'S VISITS TO THE ISLANDS OF THE WESTERN PACIFIC,
+ including the Feejees, and others inhabited by the Polynesian Negro Race.
+ Maps and Plates. 8vo. 16s.</p>
+
+<p class="cenhead">IX.</p>
+
+ <p>MR. FRANCIS GALTON'S NARRATIVE OF HIS EXPEDITION IN TROPICAL SOUTH
+ AFRICA. With Maps, Plates, and Woodcuts. Post 8vo.</p>
+
+<p class="cenhead">X.</p>
+
+ <p>REV. DR. HOOK'S DISCOURSES BEARING ON THE CONTROVERSIES OF THE DAY.
+ 8vo. 9s.</p>
+
+<p class="cenhead">XI.</p>
+
+ <p>MR. JOHN PALLISER'S SOLITARY HUNTING ADVENTURES IN THE PRAIRIES. With
+ Illustrations. Post 8vo.</p>
+
+<p class="cenhead">XII.</p>
+
+ <p>MR. MANSFIELD PARKYN'S PERSONAL NARRATIVE OF HIS THREE YEARS'
+ RESIDENCE IN ABYSSINIA. Map and Illustrations. 2 vols. 8vo. Nearly
+ ready.</p>
+
+<p class="cenhead">XIII.</p>
+
+ <p>LIEUTENANT HOOPER'S JOURNAL OF HIS TEN MONTHS AMONG THE TENTS OF THE
+ TUSKI, during an Expedition in Search of Sir John Franklin. Map. 8vo.</p>
+
+<p class="cenhead">XIV.</p>
+
+ <p>MR. CAMPBELL'S MODERN INDIA. A Sketch of the System of Civil
+ Government, with some Account of the Natives, and Native Institutions,
+ Second Edition, revised. Maps. 8vo. 16s.</p>
+
+<p class="cenhead">XV.</p>
+
+ <p>MURRAY'S HANDBOOKS FOR TRAVELLERS ON THE CONTINENT. Cheaper Issue.
+ Maps. Post 8vo.</p>
+
+<hr class="full" >
+
+ <p>Printed by <span class="sc">Thomas Clark Shaw</span>, of No. 10.
+ Stonefield Street, in the Parish of St. Mary, Islington, at No. 5. New
+ Street Square in the Parish of St. Bride, in the City of London; and
+ published by <span class="sc">George Bell</span> of No. 186. Fleet
+ Street, in the Parish of St. Dunstan in the West, in the City of London,
+ Publisher, at No. 186. Fleet Street aforesaid.&mdash;Saturday, May 28,
+ 1853.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 187, May 28,
+1853, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+***** This file should be named 20410-h.htm or 20410-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/0/4/1/20410/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/20410.txt b/20410.txt
new file mode 100644
index 0000000..d6abe64
--- /dev/null
+++ b/20410.txt
@@ -0,0 +1,3502 @@
+Project Gutenberg's Notes and Queries, Number 187, May 28, 1853, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 187, May 28, 1853
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc.
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: January 21, 2007 [EBook #20410]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+{517} NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+
+No. 187.]
+Saturday, May 28, 1853.
+[Price Fourpence. Stamped Edition 5d.
+
+ * * * * *
+
+
+CONTENTS.
+
+ NOTES:-- Page
+ On Chaucer's Knowledge of Italian 517
+ The Rebellion of '45: unpublished Letter 519
+ Oliver St. John, by James Crossley 520
+ Notes on several misunderstood Words, by the Rev.
+ W. R. Arrowsmith 520
+ FOLK LORE:--Weather Rules--Drills presaging Death
+ --Superstition in Devonshire; Valentine's Day 522
+ A Note on Gulliver's Travels, by C. Forbes 522
+ Shakspeare Correspondence 523
+ The Coenaculum of Lionardo da Vinci, by E. Smirke 524
+ MINOR NOTES:--Scotter Register (County Lincoln)--
+ "All my Eye:" "Over the Left"--Curious Marriages
+ --Child-mother 525
+
+ QUERIES:--
+ Further Queries respecting Bishop Ken 526
+ The Rev. John Larson and his Mathematical Manuscripts,
+ by T. T. Wilkinson 526
+ MINOR QUERIES:--"Wanderings of Memory"--
+ "Wandering Willie's Tale"--Chapel Sunday--Proud
+ Salopians--George Miller, D.D.--Members of Parliament
+ --Taret--Jeroboam of Claret, &c.--William Williams
+ of Geneva--The First of April and "The Cap
+ awry"--Sir G. Browne, Bart.--Bishop Butler--Oaken
+ Tombs--Alleged Bastardy of Elizabeth--"Pugna
+ Porcorum"--Parviso--Mr. Justice Newton--Mufti
+ --Ryming and Cuculling--Custom at the Savoy
+ Church 527
+ MINOR QUERIES WITH ANSWERS:--Faithful Teate--
+ Kelway Family--Regatta--Coket and Cler-mantyn 529
+
+ REPLIES:--
+ Curfew 530
+ The "Salt-Peter-Man," by C. H. Cooper 530
+ Forms of Judicial Oaths, by John Thrupp, &c. 532
+ PHOTOGRAPHIC CORRESPONDENCE:--Washing Collodion
+ Pictures--Test for Lenses--Improvement in
+ Positives--Cheap Portable Tent--Rev. Mr. Sisson's
+ New Developing Fluid 533
+ REPLIES TO MINOR QUERIES:--Vanes--Loselerius
+ Villerius--Westminster Parishes--Hevristic--Creole
+ --General Monk and the University of Cambridge--
+ Ecclesia Anglicana--Gibbon's Library--Golden Bees
+ --Passage in Orosius--Names first given to Parishes
+ --Grafts and the Parent Tree--Lord Cliff and Howell's
+ Letters--The Bouillon Bible--Rhymes on Places--
+ Serpents' Tongues--Consecrated Roses, &c. 534
+
+ MISCELLANEOUS:--
+ Notes on Books, &c. 537
+ Books and Odd Volumes wanted 538
+ Notices to Correspondents 538
+ Advertisements 538
+
+ * * * * *
+
+
+Notes.
+
+ON CHAUCER'S KNOWLEDGE OF ITALIAN.
+
+In the Memoir prefixed to the Aldine edition of the _Poetical Works of
+Chaucer_, London, 1845, Sir Harris Nicolas expresses an opinion that Dan
+Geoffrey was not acquainted with the Italian language, and therefore not
+versed in Italian literature.
+
+ "Though Chaucer undoubtedly knew Latin and French, it is by no means
+ certain, notwithstanding his supposed obligations to the Decameron,
+ that he was as well acquainted with Italian. There may have been a
+ common Latin original of the main incidents of many, if not of all the
+ tales, for which Chaucer is supposed to have been wholly indebted to
+ Boccaccio, and from which originals Boccaccio himself may have taken
+ them. That Chaucer was not acquainted with Italian may be inferred from
+ his not having introduced any Italian quotation into his works,
+ redundant as they are with Latin and French words and phrases."--_Life
+ of Chaucer_, pp. 24, 25.
+
+To which the following note is subjoined:
+
+ "Though Chaucer's writings have not been examined for the purpose, the
+ remark in the text is not made altogether from recollection, for at the
+ end of Speght's edition of Chaucer's _Works_, translations are given of
+ the Latin and French words in the poems, but not a single Italian word
+ is mentioned."
+
+If Sir Harris Nicolas had examined the writings of Chaucer with any care,
+he would scarcely have formed or expressed so strange an opinion, for he
+must necessarily have discovered that Chaucer was not only well acquainted
+with the language, but thoroughly well versed in Italian literature, and
+that he paraphrased and translated freely from the works of Dante,
+Petrarca, and Boccaccio. Chaucer would naturally quote Latin and French, as
+being familiar to his cotemporaries, and would abstain from introducing
+Italian, as a knowledge of that language must have been confined to a few
+individuals in his day; and he wrote for the many, and not for the
+minority.
+
+The circumstances of Chaucer's life, his missions to Italy, during which he
+resided several months in that country, when sent on the king's business to
+Genoa, and Florence, and Lombardy, afforded {518} him ample opportunities
+of becoming thoroughly acquainted with the language and literature of
+Italy; the acquisition of which must have been of easy accomplishment to
+Chaucer, already familiar with Latin and French. So that it is not
+necessary to endow Chaucer "with all human attainments as proof of his
+having spoken Italian."
+
+Chaucer's own writings, however, afford the strongest evidence against the
+opinion entertained by Sir Harris Nicolas, and such evidence as cannot be
+controverted.
+
+Chaucer loves to refer to Dante, and often translates passages from the
+_Divine Comedy_. The following lines are very closely rendered from the
+_Paradiso_, xiv. 28.:--
+
+ "Thou one, two, and thre, eterne on live,
+ That raignest aie in thre, two, and one,
+ Uncircumscript, and all maist circumscrive."
+ Last stanza of _Troilus and Creseide_.
+
+ "_Quell' uno e due e tre che sempre vive,_
+ _E regna sempre in tre e due ed uno_,
+ _Non circonscritto, e tutto circonscrive._"
+ Dante, _Il Paradiso_, xiv. 28.
+
+ "Wel can _the wise poet of Florence_,
+ That highte _Dant_, speken of this sentence:
+ Lo, in swiche maner rime is _Dantes_ tale.
+ _Ful selde up riseth by his branches smale_
+ _Prowesse of man, for God of his goodnesse_
+ _Wol that we claime of him our gentillesse._"
+ _Wif of Bathes Tale_, 6707.
+
+ "_Rade volte risurge per li rami_
+ _L' umana probita: e questo vuole_
+ _Quei che la da, perche da lui si chiami._"
+ _Purgatorio_, vii. 121.
+
+After relating the dread story of the Conte Ugolino, Chaucer refers to
+Dante, from whom perhaps he derived it. (Conf. _Inferno_, xxxiii.)
+
+ "Who so wol here it in a longer wise,
+ Redeth the grete poete of Itaille,
+ That highte _Dante_, for he can it devise
+ Fro point to point, not o word wol he faille."
+ _The Monkes Tale_, 14,769.
+
+ "Bet than Vergile, while he was on live,
+ Or _Dant_ also."--_The Freres Tale_, 7101.
+
+The following lines refer to the _Inferno_, xiii. 64.:
+
+ "Envie is lavender of the court alway,
+ For she ne parteth neither night ne day,
+ Out of the house of Cesar, thus saith _Dant_."
+ Prologue to the _Legend of Good Women_, 359.
+
+"_Dant_ that it tellen can" is mentioned in the _House of Fame_, book i.;
+and Chaucer is indebted to him for some lines in that fine poem, as in the
+description of the "egle, that with feathers shone all of gold" = _un'
+aquila nel ciel con penne d'oro_; and the following line:
+
+ "O thought, that wrote all that I met."
+ _House of Fame_, ii. 18.
+
+ "_O mente, che scrivesti cio ch' io vidi._"
+ _Inferno_, ii. 8.
+
+The _Knightes Tale_ exhibits numerous passages, lines, and expressions
+verbally translated from the _Teseide_ of Boccaccio, upon which it is
+founded; such as _Idio armipotente_ = Mars armipotent; _Eterno admante_ =
+Athamant eterne; _Paura palida_ = pale drede; _Le ire rosse come focho_ =
+the cruel ire red as any glede. Boccaccio describes the wood in which "Mars
+hath his sovereine mansion" as--
+
+ "_Una selva sterile de robusti_
+ _Cerri,_
+ _Nodosi aspri e rigidi e vetusti._
+ _Vi si sentia grandissimo romore,_
+ _Ne vera bestia anchora ne pastore._"
+ _Teseide_, book vii.
+
+There is a purposed grisly ruggedness in the corresponding passage of the
+_Knightes Tale_, which heightens the horrors of "thilke colde and frosty
+region:"
+
+ "First on the wall was peinted _a forest,_
+ _In which ther wonneth neyther man ne best,_
+ _With knotty knarry barrein trees old_
+ _Of stubbes sharpe and hidous to behold_;
+ In which ther ran _a romble and a swough_,
+ As though a storme shuld bresten every bough."
+ _The Knightes Tale_, 1977.
+
+The death of Arcite is thus related by Boccaccio:
+
+ "La morte in ciascun membro era venuta
+ Da piedi in su, venendo verso il petto,
+ Ed ancor nelle braccia era perduta
+ La vital forza; sol nello intelletto
+ E nel cuore era ancora sostenuta
+ La poca vita, ma gia si ristretto
+ Eragli 'l tristo cor del mortal gelo
+ Che agli occhi fe' subitamente velo.
+
+ "Ma po' ch' egli ebbe perduto il vedere,
+ Con seco comincio a mormorare,
+ Ognor mancando piu del suo podere:
+ Ne troppo fece in cio lungo durare;
+ Ma il mormorare trasportato in vere
+ Parole, con assai basso parlare
+ Addio Emilia; e piu oltre non disse,
+ Che l' anima convenne si partisse."
+ _Teseide_, book x. 112.
+
+Chaucer loses nothing of this description in his condensed translation:
+
+ "For from his feet up to his brest was come
+ The cold of deth, that had him overnome.
+ And yet moreover in his armes two
+ The vital strength is lost, and all ago.
+ Only the intellect, withouten more,
+ That dwelled in his herte sike and sore,
+ Gan feillen, when the herte felte deth;
+ Dusked his eyen two, and failled his breth.
+ But on his ladie yet cast he his eye;
+ His laste word was; Mercy, Emelie!"
+ _The Knightes Tale_, 2301.
+
+_Troilus and Creseide_ seems to have been translated from the _Filostrato_
+of Boccaccio, when {519} Chaucer was a young man, as we are informed by Dan
+John Lydgate in the Prologue to his Translation of Boccaccio's _Fall of
+Princes_, where he speaks of his "Maister Chaucer" as the "chefe poete of
+Bretayne," and tells us that--
+
+ "_In youthe he made a translacion_
+ Of a boke which called is Trophe,
+ In Lumbard tongue, as men may rede and se,
+ _And in our vulgar, long or that he deyde_
+ Gave it the name of Troylous and Cresseyde."
+
+Chaucer's translation is sometimes very close, sometimes rather free and
+paraphrastic, as may be seen in the following examples:
+
+ "But right as floures through the cold of night
+ Yclosed, stoupen in hir stalkes lowe,
+ Redressen hem ayen the Sunne bright,
+ And spreaden in hir kinde course by rowe."
+ _Troilus and Creseide_, b. ii.
+
+ "_Come fioretto dal notturno gelo_
+ _Chinato e chiuso, poi che il Sol l' imbianca,_
+ _S'apre, e si leva dritto sopra il stelo._"
+ Boccaccio, _Il Filostrato_, iii. st. 13.
+
+ "She was right soche to sene in her visage
+ As is that wight that men on bere ybinde."
+ _Troilus and Creseide_, b. iv.
+
+ "_Essa era tale, a guardarla nel viso,_
+ _Qual donna morta alla fossa portata._"
+ _Il Filostrato_, v. st. 83.
+
+ "As fresh as faucon coming out of mew."
+ _Troilus and Creseide_, b. iii.
+
+ "_Come falcon ch' uscisse dal cappello._"
+ _Il Filostrato_, iv. st. 83.
+
+"The Song of Troilus," in the first book of _Troilus and Creseide_, is a
+paraphrase from one of the Sonnets of Petrarca:
+
+ "_S' Amor non e, che dunque e quel ch' i' sento?_
+ _Ma s' egli e Amor, per Dio che cosa, e quale?_
+ _Se buona, ond' e l' effetto aspro mortale?_"
+ Petrarca, _Rime in Vita di Laura_, Son. cii.
+
+ "If no love is, O God, what feele I so?
+ And if love is, what thing and which is he?
+ If love be good, from whence cometh my wo?"
+ _Troilus and Creseide_, b. i.
+
+Chaucer evidently had the following lines of the _Paradiso_ in view when
+writing the invocation to the Virgin in _The Second Nonnes Tale_:
+
+ "Vergine Madre, figlia del tuo Figlio,
+ Umile e alta piu che creatura,
+ Termine fisso d' eterno consiglio,
+ Tu se' colei, che l' umana Natura,
+ _Nobilitasti_ si, che il suo Fattore
+ Non disdegno di farsi sua fattura."
+ _Paradiso_, xxxiii, I.
+
+ "Thou maide and mother, doughter of thy Son,
+ Thou well of mercy, sinful soules cure,
+ In whom that God of bountee chees to won;
+ Thou humble and high over every creature,
+ Thou _nobledest_ so fer forth our nature,
+ That no desdaine the maker had of kinde
+ His Son in blood and flesh to clothe and winde."
+ _The Second Nonnes Tale_, 15,504.
+
+Traces of Chaucer's proficiency in Italian are discoverable in almost all
+his poems; but I shall conclude with two citations from _The Assembly of
+Foules_:
+
+ "The day gan failen, and the darke night,
+ That reveth beastes from hir businesse,
+ Berafte me my booke for lacke of light."
+ _The Assembly of Foules_, I. 85.
+
+ "_Lo giorno se n'andava, e l'aer bruno_
+ _Toglieva gli animai che sono in terra_
+ _Dalle fatiche loro._"--_Inf._ ii. 1.
+
+ "With that my hand in his he toke anon,
+ Of which I comfort caught, and went in fast."
+ _The Assembly of Foules_, I. 169.
+
+ "_E poiche la sua mano alla mia pose_
+ _Con lieto volto, ond' io mi confortai._"
+ _Inf._ iii. 19.
+
+By the way, Chaucer commences _The Assembly of Foules_ with part of the
+first aphorism of Hippocrates, "[Greek: Ho bios brachus he de techne
+makre]" (but this, I suppose, had been noticed before):
+
+ "The lyfe so short, the craft so long to lerne."
+
+Chaucer was forty years old, or upwards, in 1372, when he was sent as an
+envoy to treat with the duke, citizens, and merchants of Genoa; and if, as
+is probable, he had translated _Troilus and Creseide_ out of the "Lombarde
+tonge" in his youth (according to the testimony of Lydgate), it is not
+unreasonable to infer that his knowledge of Italian may have led to his
+being chosen to fill that office. But, however this may be, abundant proof
+has been adduced that Chaucer was familiarly acquainted with Italian.
+
+I may briefly remark, in conclusion, that the dates and other circumstances
+favour the supposed interview at Padua, between Fraunceis Petrark the
+laureate poet, and Dan Chaucer,
+
+ "Floure of poets throughout all Bretaine."
+
+J. M. B.
+
+Tunbridge Wells.
+
+ * * * * *
+
+
+THE REBELLION OF '45.--UNPUBLISHED LETTER.
+
+Inverness, 16th Aprile, 1746.
+
+Dear Sirs,
+
+This day about twelve our army came up with the rebels, about a mile above
+Lord President's house, in a muir called Drumrossie. They began the
+engagement first, by firing from a battery of six guns they had erected
+upon their right; but our cannon played so hott upon them, that they were
+obliged soon to fly, by which means we gote possession of their artillery,
+and so drove them before us for three miles of way. The cavalry gave them
+closs chase to the town of Inverness: {520} upon which the French
+ambassador (who is not well) sent out an officer, and a drum with him,
+offering to surrender at discretion; to which the duke made answer, that
+the French officers should be allowed to go about on their parole, and
+nothing taken from them. Brigadier Stapleton is among them, and God knows
+how many more officers; for we have not gote home to count them yet. Its
+thought the rebels have between four and five hundred killed, and as many
+taken prisoners already: many more we expect this night, parties having
+been sent out after them. Lord Kilmarnock I saw prisoner, and Major
+Stewart, with many more. Secretary Murray is very bad: a party is just now
+sent for him, intelligence being brought where he is. I don't think we have
+lost thirty men, and not above five officers killed, amongst which are Lord
+Robert Ker, Captain Grosset: the rest their names I have forgote. We are
+now in full possession of this place. Some say the Pretender was in the
+battle, and wounded; but others say he was not. Such of them as are left
+are gone to Fort Augustus. The duke, God be praised, is in good health, and
+all the generalls. His Royal Highness behaved as if he had been inspired,
+riding up and down giveing orders himself.
+
+ I am, Gentlemen,
+ Your most obedt. servant,
+ DAVID BRUCE.
+
+After writing y^e above, y^e lists of y^e killed and wounded are as
+follows, so far as is yet known:--
+
+ We have of y^e prisoners 700
+ Killed and wounded on y^e field 1800
+
+Of y^e duke's army:--
+
+ Killed, wounded, and amissing 220
+
+ * * * * *
+
+Gentlemen,
+
+I hope you'l pardon y^e confusedness of y^e foregoing line, as I have been
+in y^e utmost confusion since I came here. 'Tis said, but not quite
+certain, y^t y^e following rebells are killed, viz.:--Lochiel, Capuch
+(Keppach), Lord Nairn, Lord Lewis Drummond, D. of Perth, Glengarry, &c. The
+French have all surrendered prisoners of war.
+
+DAVID BRUCE.
+
+ Addressed to
+ The Governors of
+ The Town of Aberdeen.
+
+X. Y. Z.
+
+ * * * * *
+
+
+OLIVER ST. JOHN.
+
+In giving the lives of the Commonwealth chief justices, Lord Campbell
+observes (_Lives of Chief Justices_, vol. i. p. 447.), "in completing the
+list with the name of Oliver St. John, I am well pleased with an
+opportunity of tracing his career and pourtraying his character." Then
+follows a biography of thirty pages. The subject seems to be a favourite
+one with his lordship, and he accordingly produces a striking picture,
+laying on his colours in the approved historical style of the day, so as to
+make the painting an effective one, whether the resemblance be faithful or
+not. But how is it that the noble biographer appears to be quite unaware of
+what really is the only document we have relating to Oliver St. John of his
+own composition, which does give us much light as to his career or
+character? I refer to _The Case of Oliver St. John, Esq, concerning his
+Actions during the late Troubles_, pp. 14., 4to., n.d. It is a privately
+printed tract, emanating from St. John himself, and was no doubt circulated
+amongst persons in power at the Restoration, with a view to obtaining
+indemnity and pardon. My copy is signed by himself, and has some
+corrections in his autograph. His Defence is full of interesting
+particulars, some of which are very inconsistent with Lord Campbell's
+speculations and statements. It would, however, occupy too much of your
+space were I to go through the various articles objected to by him, and to
+which he gives his replies and explanations. My object in noticing this
+tract at present, is to prevent any future biographer of this Commonwealth
+worthy, whose life may well be an historical study, from neglecting an
+important source of information. I observe Lord Campbell (p. 473.) doubts
+whether he favoured the measure of making Cromwell king. But if we are to
+believe the title-page of _Monarchy asserted_, 1660, 12mo., he was one of
+the speakers at the conference with Cromwell on the 11th April, 1657, in
+favour of his assuming the title of king. On the list of the committee
+which follows, the "Lord Chief Justice" only is mentioned, but in the
+speeches a difference seems to be made between "Lord Chief Justice" (pp. 6.
+7. 15.) and "Lord Chief Justice Glynne" (p. 44.), and they would seem to be
+two different speakers. The title-page states distinctly, "the arguments of
+Oliver St. John, Lord Chief Justice, Lord Chief Justice Glyn, &c., members
+of that committee."
+
+JAS. CROSSLEY.
+
+ * * * * *
+
+
+NOTES ON SEVERAL MISUNDERSTOOD WORDS.
+
+(_Continued from_ p. 402.)
+
+_No did, no will, no had, &c._--
+
+ "_K. John._ . . . I had a mighty cause
+ To wish him dead, but thou hadst none to kill him.
+
+ _Hubert._ _No had_ (my Lord), why, did you not provoke me?"
+ _King John_, Act IV. Sc. 2.
+
+So the first folio edition of Shakspeare. A palpable error, as the
+commentators of the present would pleasantly observe, and all the world
+would echo the opinion; but here, as in most other {521} instances,
+commentators and all the world may be wrong, and the folios right. The
+passage has accordingly been corrupted by the editors of Shakspeare into
+what was more familiar to their modern ears: "Had none, my Lord!" Though
+the mode of speech be very common, yet, to deprive future editors of all
+excuse for ever again depraving the genuine text of our national Bible, I
+shall make no apology for accumulating a string of examples:
+
+ "_Fort._ Oh, had I such a hat, then were I brave!
+ Where's he that made it?
+
+ _Sol._ Dead: and the whole world
+ Yields not a workman that can frame the like.
+
+ _Fort._ _No does?_"
+ "Old Fortunatus," _Old English Plays_, vol. iii. p. 140., by Dilke:
+
+who alters "No does?" into _None does?_ thinking, I presume, that he had
+thereby simplified the sentence:
+
+ "_John._ I am an elde fellowe of fifty wynter and more,
+ And yet in all my lyfe I knewe not this before.
+
+ _Parson._ _No dyd_, why sayest thou so, upon thyselfe thou lyest,
+ Thou haste euer knowen the sacramente to be the body of Christ."
+ _John Bon and Mast Person._
+
+ "_Chedsey._ Christ said 'Take, eat, this is my body;' and not 'Take ye,
+ eat ye.'
+
+ _Philpot._ _No did_, master doctor? Be not these the words of Christ,
+ 'Accipite, manducate?' And do not these words, in the plural number,
+ signify 'Take ye, eat ye;' and not 'Take thou, eat thou,' as you would
+ suppose?"--Foxe's _Acts and Monuments_, vol. vii. p. 637., Cattley's
+ edition.
+
+ "_Philpot._ Master Cosins, I have told my lord already, that I will
+ answer to none of these articles he hath objected against me: but if
+ you will with learning answer to that which is in question between my
+ lord and me, I will gladly hear and commune with you.
+
+ _Cosins._ _No will_ you? Why what is that then, that is in question
+ between my lord and you?"--_Id._, p. 651.
+
+ "_Philpot._ And as I remember, it is even the saying of St. Bernard
+ [viz. The Holy Ghost is Christ's vicar on earth (_vic-arius_), and a
+ saying that I need not to be ashamed of, neither you to be offended at;
+ as my Lord of Durham and my Lord of Chichester by their learning can
+ discern, and will not reckon it evil said.
+
+ _London._ _No will?_ Why, take away the first syllable, and it soundeth
+ Arius."--_Id._ p. 658.
+
+ "_Philpot._ These words of Cyprian do nothing prove your pretensed
+ assertion; which is, that to the Church of Rome there could come no
+ misbelief.
+
+ _Christopherson._ Good lord, _no doth_? What can be said more
+ plainly?"--_Id._, p. 661.
+
+Again, at p. 663. there occur no less than three more instances and at p.
+665. another.
+
+ "_Careless._ No, forsooth: I do not know any such, nor have I heard of
+ him that I wot of.
+
+ _Martin._ _No have_, forsooth: and it is even he that hath written
+ against thy faith."
+
+Then _Martin_ said:
+
+ "Dost thou not know one Master Chamberlain?
+
+ _Careless._ No forsooth; I know him not.
+
+ _Martin._ _No dost!_ and he hath written a book against thy faith
+ also."--_Id._, vol. iii. p. 164.
+
+ "_Lichfield and Coventry._ We heard of no such order.
+
+ _Lord Keeper._ _No did?_ Yes, and on the first question ye began
+ willingly. How cometh it to pass that ye will not now do so?"--_Id._,
+ p. 690.
+
+ "Then said Sir Thomas Moyle: 'Ah! Bland, thou art a stiff-hearted
+ fellow. Thou wilt not obey the law, nor answer when thou art called.'
+ '_Nor will_,' quoth Sir John Baker. 'Master Sheriff, take him to your
+ ward.'"--_Id._, vol. vii. p. 295.
+
+Is it needful to state, that the original editions have, as they ought to
+have, a note of interrogation at "Baker?" I will not tax the reader's
+patience with more than two other examples, and they shall be fetched from
+the writings of that admirable papist--the gentle, the merry-hearted More:
+
+ "Well, quod Caius, thou wylt graunte me thys fyrste, that euery thynge
+ that hath two erys is an asse.--Nay, mary mayster, wyll I not, quod the
+ boy.--_No wylt_ thou? quod Caius. Ah, wyly boy, there thou wentest
+ beyond me."--The Thyrde Boke, the first chapter, fol. 84. of Sir Thomas
+ More's _Dialogues_.
+
+ "Why, quod he, what coulde I answere ellys, but clerely graunt hym that
+ I believe that thyng for none other cause but only bycause the
+ Scripture so sheweth me?--_No could ye?_ quod I. What yf neuer
+ Scripture had ben wryten in thys world, should there neuer haue bene
+ eny chyrch or congregacyon of faythfull and ryght beyleuyng
+ people?--That wote I nere, quod he. _No do ye?_ quod I."--_Id._, fol.
+ 85.
+
+In taking leave of this idiom, it would not perhaps be amiss to remark,
+that "ye can," in Duke Humphey's rejoinder to the "blyson begger of St.
+Albonys," is not, as usually understood, "you can?" but "yea can?"
+
+ * * * * *
+
+_To be at point_ = to be at a stay or stop, _i.e._ settled, determined,
+nothing farther being to be said or done: a very common phrase. Half a
+dozen examples shall suffice:
+
+ " . . . . . What I am truly
+ Is thine, and my poore countries to command:
+ Whither indeed before they (thy) heere-approach,
+ Old Seyward with ten thousand warlike men
+ Already _at a point_, was setting forth."
+ _Macbeth_, Act IV. Sc. 3. 1st Fol.
+
+No profit to give the commentators' various guesses at the import of the
+phrase in the above passage, which will be best gathered from the following
+instances of its use elsewhere. But, before passing further, I beg
+permission to inform MR. KNIGHT that the original suggester of "sell" for
+"self," in an earlier part of this play, whose name {522} he is at a loss
+for, was W. S. Landor, whose footnote to vol. ii. p. 273., Moxon's edit. of
+his works, is as follows:
+
+ "And here it may be permitted the editor to profit also by the
+ manuscript, correcting in Shakespeare what is _absolute nonsense_ as
+ now printed:
+
+ '_Vaulting_ ambition that o'erleaps _itself_,
+ And falls on the _other side_.'
+
+ Other side of what? It should be _its sell_. _Sell_ is saddle in
+ Spenser and elsewhere, from the Latin and Italian."
+
+A correspondent of "N. & Q."., Vol. vii., p. 404., will be delighted to
+find his very ingenious discovery brought home, and corroborated by
+Landor's valuable manuscript: but it is an old said saw--"Great wits jump."
+Now to our examples:
+
+ "_Pasquin._ Saint Luke also affirmeth the same, saying flatly that he
+ shall not be forgiuen. Beholde, therefore, how well they interprete the
+ Scriptures.
+
+ _Marforius._ I am alreadie _at a poynt_ with them, but thou shalt doo
+ me great pleasure to expounde also vnto me certayne other places, vppon
+ the which they ground this deceit."--_Pasquine in a Traunce_, turned
+ but lately out of the Italian into this tongue by W. P.: London, 1584.
+
+ "But look, where malice reigneth in men, there reason can take no
+ place: and, therefore, I see by it, that you are all _at a point_ with
+ me, that no reason or authority can persuade you to favour my name, who
+ never meant evil to you, but both your commodity and profit."--Foxe's
+ _Acts and Monuments_, vol. viii. p. 18.
+
+ "Not so, my lord," said I, "for I am _at a full point_ with myself in
+ that matter; and am right well able to prove both your
+ transubstantiation with the real presence to be against the Scriptures
+ and the ancient Fathers of the primitive Church."--_Id._, p. 587.
+
+ "_Winchester._ No, surely, I am fully determined, and fully _at a
+ point_ therein, howsoever my brethren do."--_Id._, p. 691.
+
+ "_Brad._ Sir, so that you will define me your church, that under it you
+ bring not in a false church, you shall not see but that we shall soon
+ be _at a point_."--_Id._, vol. vii. p. 190.
+
+ "_Latimer._ Truly, my lord, as for my part I require no respite, for I
+ am _at a point_. You shall give me respite in vain; therefore, I pray
+ you let me not trouble you to-morrow."--_Id._, p. 534.
+
+ "Unto whom he (Lord Cobham) gave this answer: 'Do as ye shall think
+ best, for I am _at a point_.' Whatsoever he (Archbishop Arundel) or the
+ other bishops did ask him after that, he bade them resort to his bill:
+ for thereby would he stand to the very death."--_Id._, vol. iii. pp.
+ 327-8.
+
+ "'Et illa et ista vera esse credantur et nulla inter nos contentio
+ remanebit, quia nec illis veris ista, nec istis veris illa
+ impediuntur.' Let bothe those truthes and these truthes be beleued, and
+ we shall be _at appoinct_. For neither these truthes are impaired by
+ the other, neither the other by these."--_A Fortresse of the Faith_, p.
+ 50., by Thomas Stapleton: Antwerp, 1565.
+
+ "A poore man that shall haue liued at home in the countrie, and neuer
+ tasted of honoure and pompe, is alwayes _at a poynt_ with himselfe,
+ when menne scorne and disdayne him, or shewe any token of contempt
+ towardes his person."--John Calvin's _CVIII. Sermon on the Thirtieth
+ Chap. of Job_, p. 554., translated by Golding: London, 1574.
+
+ "As for peace, I am _at a point_."--_Leycester Correspondence_, Camd.
+ Soc., p. 261.
+
+W. R. ARROWSMITH.
+
+(_To be continued._)
+
+ * * * * *
+
+
+FOLK LORE.
+
+_Weather Rules._--The interesting article on "The Shepherd of Banbury's
+Weather Rules" (Vol. vii., p. 373.) has reminded me of two _sayings_ I
+heard in Worcestershire a few months back, and upon which my informant
+placed the greatest reliance. The first is, "If the moon changes on a
+Sunday, there will be a flood before the month is out." My authority
+asserted that through a number of years he has never known this fail. The
+month in which the change on a Sunday has occurred has been fine until the
+last day, when the flood came. The other saying is, "Look at the
+weathercock on St. Thomas's day at twelve o'clock, and see which way the
+wind is, and there it will stick for the next quarter," that is, three
+months. Can any of your readers confirm the above, and add any similar
+"weather rules?"
+
+J. A., JUN.
+
+Birmingham.
+
+_Drills presaging Death_ (Vol. vii., p. 353.).--Your correspondent asks if
+the superstition he here alludes to in Norfolk is believed in other parts.
+I can give him a case in point in Berkshire:--Some twenty years ago an old
+gentleman died there, a near relative of my own; and on going down to his
+place, I was told by a farm overseer of his, that he was certain some of
+his lordship's family would die that season, as, in the last sowing, he had
+missed putting the seed in one row, which he showed me! "Who could
+disbelieve it now?" quoth the old man. I was then taken to the bee-hives,
+and at the door of every one this man knocked with his knuckles, and
+informed the occupants that they must now work for a new master, as their
+old one was gone to heaven. This, I believe, has been queried in your
+invaluable paper some time since. I only send it by the way. I know the
+same superstition is still extant in Cheshire, North Wales, and in some
+parts of Scotland.
+
+T. W. N.
+
+Malta.
+
+A friend supplies me with the information that before drills were invented,
+the labourers {523} considered it unlucky to miss a "bout" in corn or seed
+sowing, will sometimes happened when "broadcast" was the only method. The
+ill-luck did not relate alone to a _death_ in the family of the farmer or
+his dependents, but to losses of cattle or accidents. It is singular,
+however, that the superstition should have transferred itself to the drill;
+but it will be satisfactory to E. G. R. to learn that the process of
+_tradition_ and _superstition-manufacturing_ is not going on in the
+nineteenth century.
+
+E. S. TAYLOR.
+
+_Superstition in Devonshire; Valentine's Day_ (Vol. v., pp. 55.
+148.).--This, according to Forby, vol. ii. p. 403., once formed in Norfolk
+a part of the superstitious practices on _St. Mark's Eve_, not St.
+Valentine's, as mentioned by J. S. A., when the sheeted ghosts of those who
+should die that year (Mrs. Crowe would call them, I suppose,
+_Doppelgaengers_) march in grisly array to the parish church.
+
+The rhyme varies from J. S. A.'s:--
+
+ "Hempseed I sow:
+ Hempseed grow;
+ He that is my true love
+ Come after me, and mow."
+
+and the Norfolk spectre is seen with a _scythe_, instead of a rake like his
+Devonshire compeer.
+
+E. S. TAYLOR.
+
+ * * * * *
+
+
+A NOTE ON GULLIVER'S TRAVELS.
+
+If I may argue from the silence of the latest edition of _Gulliver's
+Travels, with Notes_, with which I am acquainted, viz. that by W. C.
+Taylor, LL.D., Trinity College, Dublin, the Preface to which is dated May
+1st, 1840, I may say that all the commentators on Swift--all, at least,
+down to that late date--have omitted to refer to a work containing
+incidents closely resembling some of those recorded in the "Voyage to
+Lilliput."
+
+The work to which I allude is a little dramatical composition, the
+Bambocciata, or puppet-show, by Martelli, entitled _The Sneezing of
+Hercules_. Goldoni, in his _Memoirs_, has given us the following account of
+the manner in which he brought it out on the stage:
+
+ "Count Lantieri was very well satisfied with my father, for he was
+ greatly recovered, and almost completely cured: his kindness was also
+ extended to me, and to procure amusement for me he caused a
+ puppet-show, which was almost abandoned, and which was very rich in
+ figures and decorations, to be refitted.
+
+ "I profited by this, and amused the company by giving them a piece of a
+ great man, expressly composed for wooden comedians. This was the
+ _Sneezing of Hercules_, by Peter James Martelli, a Bolognese.
+
+ . . . . . . . . . .
+
+ "The imagination of the author sent Hercules into the country of the
+ pigmies. Those poor little creatures, frightened at the aspect of an
+ animated mountain with legs and arms, ran and concealed themselves in
+ holes. One day as Hercules had stretched himself out in the open field,
+ and was sleeping tranquilly, the timid inhabitants issued out of their
+ retreats, and, armed with prickles and rushes, mounted on the monstrous
+ man, and covered him from head to foot, like flies when they fall on a
+ piece of rotten meat. Hercules waked, and felt something in his nose,
+ which made him sneeze; on which, his enemies tumbled down in all
+ directions. This ends the piece.
+
+ "There is a plan, a progression, an intrigue, a catastrophe, and
+ winding up; the style is good and well-supported; the thoughts and
+ sentiments are all proportionate to the size of the personages. The
+ verses even are short, and everything indicates pigmies.
+
+ "A gigantic puppet was requisite for Hercules; everything was well
+ executed. The entertainment was productive of much pleasure; and I
+ could lay a bet, that I am the only person who ever thought of
+ executing the Bambocciata of Martelli."--_Memoirs of Goldoni_,
+ translated by John Black, 2 vols., duod. vol. i. chap. 6.
+
+It is certainly not necessary to point out here in what respects the
+adventures of Hercules, the _animated mountain_, and those of Quinbus
+Flestrin, the _man mountain_, differ from, or coincide with, each other, as
+the only question I wish to raise is, whether a careful analysis of
+Martelli's puppet-show ought, or ought not, to have been placed among the
+notes on _Gulliver's Travels_.
+
+C. FORBES.
+
+Temple.
+
+ * * * * *
+
+
+SHAKSPEARE CORRESPONDENCE.
+
+In reply to J. M. G. of Worcester, who inquires for a MS. volume of English
+poetry containing some lines attributed to Shakspeare, and which is
+described in Thorpe's _Catalog_ of MSS. for 1831, I can supply some
+particulars which may assist him in the research. The MS., which at one
+period had belonged to Joseph Hazlewood, was purchased from Thorpe by the
+late Lord Viscount Kingsborough; after whose decease it was sold, in
+November, 1842, at Charles Sharpe's literary sale room, Anglesea Street,
+Dublin. It is No. 574. in the auction catalogue of that part of his
+lordship's library which was then brought to auction.
+
+The volume has been noticed by Patrick Fraser Tytler, in his _Life of Sir
+Walter Raleigh_, Edinburgh, 1833 (in Appendix B, p. 436., of 2nd edit.),
+where, citing the passage from Collier, which is referred to by J. M. G.,
+he asserts that the lines are not Shakspeare's, but Jonson's. But he does
+not appear to me to have established his case beyond doubt; as the lines,
+though found among Jonson's works, may, notwithstanding, be the production
+of some other writer: and why not of Shakspeare, to whom they are ascribed
+in the MS.? Some verses by Sir J. C. Hobhouse originally appeared as Lord
+Byron's: and there are {524} numerous instances, both ancient and modern,
+of a similar attribution of works to other than their actual authors.
+
+ARTERUS.
+
+Dublin.
+
+_The Island of Prospero._--We cannot assert that Shakspeare, in the
+_Tempest_, had any particular island in view as the scene of his immortal
+drama, though by some this has been stoutly maintained. Chalmers prefers
+one of the Bermudas. The Rev. J. Hunter, in his _Disquisition on the Scene,
+&c. of the Tempest_, endeavours to confer the honour on the Island of
+Lampedosa. In reference to this question, a statement of the
+pseudo-Aristotle is remarkable. In his work "[Greek: peri thaumasion
+akousmaton]," he mentions Lipara, one of the AEolian Islands, lying to the
+north of Sicily, and nearly in the course of Shakspeare's Neapolitan fleet
+from Tunis to Naples. Among the [Greek: polla teratode] found there, he
+tells us:
+
+ "[Greek: Exakouesthai gar tumpanon kai kumbalon echon gelota te meta
+ thorubou kai krotalon enargos. legousi de ti teratodesteron gegonenai
+ peri to spelaion.]"
+
+If we compare this with the aerial music heard by Ferdinand (_Tempest_, I.
+2.), especially as the orchestra is represented by the genial burin of M.
+Retsch in the fifth plate of his well-known sketches (_Umrisze_), it will
+appear probable that Shakspeare was acquainted with the Greek writer either
+in the original or through a translation. As far as I am aware, this has
+not been observed by any of the commentators.--From _The Navorscher_.
+
+J. M.
+
+_Coincident Criticisms._--I shall be obliged if you will allow me through
+your pages to anticipate and rebut two charges of plagiarism. When I wrote
+my Note on a passage in _The Winter's Tale_ ("N. & Q.," Vol. vii., p.
+378.), I had not seen the _Dublin University Magazine_ for March last,
+containing some remarks on the same passage in some respects much
+resembling mine. I must also declare that my Note on a passage in _All's
+Well that ends Well_ ("N. & Q.," Vol. vii., p. 426.) was posted for you
+some time before the appearance of A. E. B.'s Note on the same passage ("N.
+& Q.," Vol. vii., p. 403.). The latter coincidence is more remarkable than
+the former, as the integrity of the amended text was in both notes
+discussed by means of the same parallel passage. _Apropos_ of A. E. B.'s
+clever Note, permit me to say, that though at first it appeared to me
+conclusive, I now incline to think that Shakspeare intended Helen to
+address the _leaden messengers_ by means of a very hyperbolic figure:
+"wound the still-piecing air that sings with piercing" is a consistent
+whole. If, as A. E. B. rightly says, _to wound the air_ is an
+impossibility, it is equally impossible that the air should utter any sound
+expressive of sensibility. The fact of course is, that the cannon-balls
+_cleave_ the air, and that by so cleaving it a shrill noise is produced.
+The cause and effect may, however, be metaphorically described, by
+comparing air to Bertram. I believe it is a known fact that every man who
+is struck with a cannon-ball cries out instinctively. Shakspeare therefore
+might, I think, have very poetically described the action and effect of a
+cannon-ball passing through the air by the strong figure of _wounding the
+air that sings with the piercing which it is enduring_.
+
+In concluding this Note, I beg to express what is not merely my own, but a
+very general feeling of disappointment in respect of MR. COLLIER'S new
+edition of Shakspeare. To it, with a new force, may be applied the words of
+A. E. B. in "N. & Q.," Vol. vi., p. 296.:
+
+ "But the evil of these emendations is not in this instance confined to
+ the mere suggestion of doubt; the text has absolutely been altered in
+ all accessible editions, in many cases _silently_, so that the ordinary
+ reader has no opportunity of judging between _Shakspeare_ and his
+ improvers."
+
+That MR. COLLIER should be the greatest of such offenders, is no very
+cheering sign of the times.
+
+C. MANSFIELD INGLEBY.
+
+Birmingham.
+
+_Dogberry's Losses_ (Vol. vii., p. 377.).--I do not know whether it has
+ever been suggested, but I feel inclined to read "lawsuits." He has just
+boasted of himself as "one that knows the _law_;" and it seems natural
+enough that he should go on to brag of being a rich fellow enough, "and a
+fellow that hath had _lawsuits_" of his own, and actually figured as
+plaintiff or defendant. Suppose the words taken down from the mouth of an
+actor, and the mistake would be easy.
+
+JOHN DOE.
+
+ * * * * *
+
+
+THE COENACULUM OF LIONARDO DA VINCI.
+
+I have in my possession a manuscript critique on the celebrated picture of
+The Last Supper by Lionardo da Vinci, written many years ago by a deceased
+academician; in which the writer has called in question the _point of time_
+usually supposed to have been selected by the celebrated Italian painter.
+The criticisms are chiefly founded on the copy by Marco Oggioni, now in the
+possession of the Royal Academy of Arts.
+
+Uniform tradition has assumed that the moment of action is that in which
+the Saviour announces the treachery of one of his disciples "Dico vobis
+quia unus vestrum me traditurus est." Matth. xxvi. 21., Joan. xiii. 21.,
+Vulgate edit.; and most of the admirers of this great work have not failed
+to find in it decisive proofs of the intention of the painter to represent
+that exact point of time. {525}
+
+The author of the manuscript enters into a very detailed examination of the
+several groups of figures which compose the picture, and of the expression
+of the heads; and he confesses his inability to find in them anything
+decisively indicating the period supposed to be chosen. He remarks that
+nine at least of the persons, including the principal one, are evidently
+engaged in animated conversation; that instead of that concentrated
+attention which the announcement might be supposed to generate, there
+appears to be great variety of expressions and of action; and that neither
+surprise nor indignation are so generally prominent, as might have been
+expected. He inclines to think that the studied diversity of expression,
+and the varied attitudes and gestures of the assembled party, are to be
+regarded as proofs of the artist's efforts to produce a powerful and
+harmonious composition, rather than a natural and truthful representation
+of any particular moment of the transaction depicted by him.
+
+The work in question is now so generally accessible through the medium of
+accurate engravings, that any one may easily exercise his own judgment on
+the matter, and decide for himself whether the criticism be well founded.
+
+It must be borne in mind that the subject had long been a familiar
+decoration of conventual refectories before the time when Lionardo brought
+his profound knowledge of external human nature, and his unsurpassed powers
+of executive art, to bear on a subject which had before been treated in the
+dry, conventional, inanimate manner of the Middle Ages. The leading
+features of the traditional picture are retained: the long table, the linen
+cloth, the one-sided arrangement of the figures, the classic drapery, and
+the general form and design of the apartment, are all to be found in the
+earlier works; and must have been considered, by observers in general, far
+more essential to the correct delineation of the scene than any adherence
+to the exact description of it in any one of the Evangelists. But as the
+subject was usually introduced into refectories for the edification of the
+brethren assembled with their superior at their own meals, it does not seem
+likely that the treachery of Judas should have been intended to be the
+prominent action of the picture. It was a memorial of the institution of
+the Eucharist, although the Christ was not represented as dispensing either
+bread or wine. In such a case, if any particular point of time was ever
+contemplated by the artist, he might judiciously and appropriately select
+the moment when the Saviour was announcing, in mysterious words, the close
+of his mission--as in St. Matthew and St. Mark; or was teaching them a
+lesson of humility when the spirit of rivalry and strife had disclosed
+itself among them--as we find in St. Luke and St. John.
+
+It is not perhaps generally known that the statutes of Queen's College,
+Oxford, prescribe the order of sitting at the common table in manner which
+evidently refers to the _coenaculum_ of the old church painters.
+
+E. SMIRKE.
+
+ * * * * *
+
+
+Minor Notes.
+
+_Scotter Register (County Lincoln)._--The following extracts from the
+register of the parish of Scotter, in the county of Lincoln, are perhaps
+sufficiently interesting to be worth printing in "N. & Q.":
+
+ 1. "Eccelesia parochialis de Scotter comitatu Lincolniae dedicata est
+ Beatis Apostolis Sancto Petro et Sancto Paulo ut apparet in Antiquo
+ Scripto viduae Loddington de Scotter, viz. in testamento vltimo Thomae
+ Dalyson, Gen. de Scotter, qui obiit Junii 19^o, anno Domini 1495.
+
+ "GUL. CARRINGTON,
+ "Rector ecl[=i]a ibid."
+
+ 2. "_Memorandum_, That on Septuagesima Sunday, being the 19^{th} day of
+ January, 1667, one Francis Drury, an excommunicate person, came into
+ the church in time of divine service in y^e morning, and being
+ admonisht by mee to begon, hee obstinately refused, whereuppon y^e
+ whole congregation departed; and after the same manner in the
+ afternoon, the same day, he came again, and refusing againe to go out,
+ the whole congregation againe went home, soe y^t little or no service
+ pformed. They prevented his further coming in y^t manner, as hee
+ threatned, by order from the Justice, uppon the statute of Queene
+ Elizabeth concerning the molestation and disturbance of publiq
+ preachers.
+
+ WM. CARRINGTON, Rec."
+
+ "O tempora, O mores."
+
+ 3. "Michael Skinner Senex centum et trium annorum sepultus fuit die
+ sancti Johannis, viz. Dec. 27, 1673."
+
+EDWARD PEACOCK, Jun.
+
+Bottesford Moors, Kirton Lindsey.
+
+"_All my Eye._"--"_Over the Left._"
+
+ "What benefit a Popish successor can reap from lives and fortunes spent
+ in defence of the Protestant religion, he may put in his eye: and what
+ the Protestant religion gets by lives and fortunes spent in the service
+ of a Popish successor, will be over the left shoulder."--Preface to
+ _Julian the Apostate_: London, printed for Langley Curtis, on Ludgate
+ Hill. 1682.
+
+Is this passage the origin of the above cant phrases?
+
+GEORGE DANIEL.
+
+Canonbury.
+
+_Curious Marriages._--In _Harl. MSS._ 1550, p. 180., is the pedigree of
+Irby, where Anthony Irby has two daughters: Margaret, who married Henry
+Death, and Dorothy, who married John Domesday.
+
+E. G. BALLARD. {526}
+
+_Child-mother._--Four months ago, on board the Brazil packet, the royal
+mail steam-vessel Severn, there was an instance of a "child-wife," which
+might be worthy of a place among your curiosities of that description.
+
+She was the wedded wife of a Brazilian travelling from the Brazils to
+Lisbon, and her husband applied for permission to pay the "reduced passage
+money" for her as being "under twelve years of age!"
+
+As the regulation on that head speaks of "_children_ under twelve years of
+age," this _conscientious_ Brazilian's demand could not be countenanced.
+
+His wife's age was under eleven years and a half, and (_credat Judaeus_)
+_she was a mother_!
+
+A. L.
+
+ * * * * *
+
+
+Queries.
+
+FURTHER QUERIES RESPECTING BISHOP KEN.
+
+(_Continued from_ Vol. vii., p. 380.)
+
+In a _Collection of Poems_, in six volumes, by several Hands (Dodsley, 5th
+edition, 1758), and in vol. iii. p. 75., is found "An Epistle from Florence
+to T. A., Esq., Tutor to the Earl of P----. Written in the year 1740. By
+the Honourable ----." Can any one explain an allusion contained in these
+three lines of the epistle?
+
+ "Or with wise Ken judiciously define,
+ When Pius marks the honorary coin
+ Of Caracalla, or of Antonine."
+
+It is hardly to be supposed that the Ken here named could mean the bishop,
+who died so far back as 1711. Was there a coin-collector of that name
+living about 1740?
+
+We learn (from Ken's _Prose Works_, ed. Round, pp. 93, 94.) that the
+Bishop's sister, "my poor sister Ken," most probably then a widow, lost her
+only son, who died at Cyprus, in 1707. Was this Mrs. Ken the Rose Vernon,
+sister of Sir Thomas Vernon, of Coleman Street, London, and the wife of Jon
+Ken, the bishop's eldest brother, and treasurer of the East India Company?
+This Jon and Rose Ken are represented, in Mr. Markland's Pedigree of the
+Ken family, as still living in 1683. Is there no monumental memorial of
+this Treasurer Ken, or his family, in any of the London churches?
+
+In Mr. Macaulay's _History of England_, 5th ed., vol. ii. p. 365., he
+states that "it was well known that one of the most opulent dissenters of
+the City had begged that he might have the honour of giving security for
+Ken," when the seven bishops were bailed, previous to their trial. On what
+authority (for none is cited) does this statement rest?
+
+Can any one give a clue to this passage from a letter written to Mr.
+Harbin, Lord Weymouth's chaplain, by Bishop Ken, and dated "Winton, Jan
+22." [1701]:
+
+ "I came to Winchester yesterday, where I stay one post more, and then
+ go either to Sir R. U. or L. Newton, where you shall hear from
+ me."--Ken's _Prose Works_, by Round, p. 53.
+
+Can "Sir R. U." (the _U_ perhaps being a mistake for _W._) designate Sir
+Robert Worsley, Bart., of Chilton, in the county of Southampton, married to
+Lord Weymouth's daughter? and can "L. Newton" be a mistake for Long Sutton,
+in Hants? or may it be Long Newton, in the hundred of Malmesbury?
+
+J. J. J.
+
+Temple.
+
+ * * * * *
+
+
+THE REV. JOHN LAWSON AND HIS MATHEMATICAL MANUSCRIPTS.
+
+In the year 1774 the Rev. John Lawson, B.D., Rector of Swanscombe in Kent,
+published _A Dissertation on the Geometrical Analysis of the Antients, with
+a Collection of Theorems and Problems without solutions for the Exercise of
+young Students_. This work was printed anonymously at Canterbury, but the
+merits of the essay did not permit the author to remain long in obscurity;
+the real writer was immediately known to most of the geometers of the day,
+and the elegant character of many of the theorems and problems, led to a
+general desire that their solutions should be published in a separate work.
+In accordance with this intention, it was announced on a fly-sheet attached
+to some copies of the work, that--
+
+ "The author of this publication being a man of leisure, and living in a
+ retired situation, remote from any opportunity of conversation with
+ mathematicians, would be extremely glad of a correspondence with any
+ such, who are willing to be at the expense of the same; or if this be
+ thought too much, will pay the postage of his answers to their letters.
+ But no letters, except post-paid, can be received by him; otherwise a
+ door would be opened for frolic, imposition, and impertinence. Any new
+ geometrical propositions, either theorems or problems, would be
+ received with gratitude, and if sent without solutions, he would use
+ his best endeavours to return such as might be satisfactory. Any new
+ solutions of propositions already in print, _especially of those
+ included in the present collection_, would also be very agreeable. If a
+ variety of such demonstrations essentially different from those of the
+ original authors should be communicated, he proposes at some future
+ time to publish them all, with a fresh collection for further exercise;
+ and then each author's name shall be affixt to his own solution, or any
+ other signature which he shall please to direct. Any person who shall
+ favor the publisher with his correspondence shall have speedily
+ conveyed to him the solutions of any propositions contained in this
+ collection, which he may be desirous of seeing. Letters (post-paid)
+ directed for P. Q., to be left at Mr. Nourse's, Bookseller, in the
+ {527} Strand, London, will be carefully transmitted on the first day of
+ each month, and all correspondents may expect answers during the course
+ of that month."
+
+In consequence of this appeal, Mr. Lawson was speedily in correspondence
+with several of the most able geometers then living, and amongst the rest,
+Messrs. Ainsworth, Clarke, Merrit, Power, &c., appear to have furnished him
+with original solutions to his collection of theorems and problems. The
+manuscript containing these solutions must have been of considerable size,
+since a portion of it was sent down to Manchester about July, 1777, for the
+purpose of obtaining Mr. Ainsworth's remarks and corrections; and Mr.
+Lawson is requested, in a letter bearing date "August 22, 1777," to "send
+the next portion when convenient." Whether Mr. Lawson did so or not, I have
+not yet been able to ascertain; but this much is certain, the manuscript
+was never printed, and would most probably either be disposed of at the
+death of its compiler, or previously transferred to the possession of some
+geometer of Mr. Lawson's acquaintance. Several of the _original_ letters
+which passed between the respective parties relating to this manuscript are
+at present in the hands of two or three of the Lancashire geometers, but no
+one seems to know anything of the manuscript itself. May I then request
+that the fortunate holder of this yet valuable collection will make himself
+known through the medium of the widely circulated pages of "N. & Q."
+
+T. T. WILKINSON.
+
+Burnley, Lancashire.
+
+ * * * * *
+
+
+Minor Queries.
+
+_"Wanderings of Memory."_--In Brayley's _Graphic and Historical
+Illustrator_, p. 293., is a quotation from the _Wanderings of Memory_, as a
+motto to an account of the ancient castle of the Peverils at Castleton, in
+Derbyshire: can any of your readers tell me who was the author of the poem
+in question?
+
+W. R.
+
+Camden Town.
+
+_"Wandering Willie's Tale."_--Has the scene that presented itself to the
+view of Piper Steenie Steenson, when he was ushered by the phantom of his
+old friend Dougal M^cCallum into the presence of the ghastly revellers
+carousing in the auld oak parlour of the visionary Redgauntlet Castle, ever
+been painted? (See _Redgauntlet_, Letter xi.) If it has, is there any
+engraving of the picture extant or on sale?
+
+C. FORBES.
+
+Temple.
+
+_Chapel Sunday._--I had the pleasure of spending a Sunday in the course of
+the last summer in the neighbourhood of Keswick, among the delightful lake
+scenery of England. I there learned that in the village of Thornthwaite it
+was Chapel Sunday, and on inquiry I was told that there were a few other
+villages in the neighbourhood where there was also a Chapel Sunday. Upon
+this day it is the custom of young people to come from neighbouring places
+to attend worship at the village church or chapel, and the afternoon
+partakes of a merry-making character at the village inn. There appeared, as
+far as I could see, no excesses attending the anniversary, all being
+respectable in their conduct. Can any of your Cambrian readers inform me
+the origin of this anniversary?
+
+PRESTONIENSIS.
+
+_Proud Salopians._--I have never heard a satisfactory account of the origin
+of this title, given to persons belonging to my native county.
+
+In the neighbourhood the following story is frequently related, but with
+what authority I cannot tell, viz. "That upon the king (Query which?)
+offering to make Shrewsbury a city, the inhabitants replied that they
+preferred its remaining the largest borough in England, rather than it
+should be the smallest city; their pride not allowing them to be small
+among the great."
+
+If this history of the term be true, it would appear that the name should
+only be applied to _burgesses of Shrewsbury_.
+
+SALOPIAN.
+
+_George Miller, D.D._--In the year 1796, George Miller, subsequently the
+author of _Modern History Philosophically Illustrated_, and many other
+well-known works (of which a list appears in a recent Memoir), was
+appointed Donnelan Lecturer in Trinity College, Dublin; and delivered a
+course of sermons or lectures on "An Inquiry into the Causes that have
+impeded the further Progress of Christianity." I should be very glad indeed
+to know whether these Sermons have appeared in print; and if so, when and
+where published? I have not been able to procure a copy.
+
+With regard to the Donnelan Lectureship, I may add, that a legacy of 1243l.
+was bequeathed to the College of Dublin by Mrs. Anne Donnelan, of the
+parish of St. George, Hanover Square, in the county of Middlesex, spinster,
+"for the encouragement of religion, learning, and good manners." The
+particular mode of application was entrusted to the Provost and Senior
+Fellows; and accordingly, amongst other resolutions of the Board, passed
+Feb. 22, 1794, are to be found the following: "That a Divinity Lecture, to
+which shall be annexed a salary arising from the interest of 1200l., shall
+be established for ever, to be called Donnelan's Lecture;" and "That one
+moiety of the interest of the said 1200l. shall be paid to the Lecturer as
+soon as he shall have delivered the whole number [six] of the lectures; and
+the other moiety as soon as he shall have _published_ four of the said
+Lectures."
+
+ABHBA. {528}
+
+_Members of Parliament._--Pennant, in _The Journey from Chester to London_,
+p. 94., says:
+
+ "The ancient owners of Rudgley were of the same name with the town:
+ some of the family had the honour of being sheriffs of the county in
+ the reign of Edward III. _Another was knight of the shire in the same
+ period._"
+
+Can any reader of "N. & Q." verify the _last portion_ of Pennant's
+statement?
+
+J. W. S. R.
+
+St. Ives, Hunts.
+
+_Taret._--I have lately met with mention of a "small insect called the
+_Taret_." What may this be?
+
+TYRO.
+
+_Jeroboam of Claret, &c._--Could any of your correspondents inform me what
+a Jeroboam of Claret is, and from what it is derived: also a Magnum of
+Port?
+
+WINEBIBBER.
+
+_William Williams of Geneva._--In _Livre des Anglois, a Geneve_, with a few
+biographical notes by J. S. Burn, Esq., pages 5, 6. 12, 13., mention is
+made of Guillaume--Will[=m] Will[=m]s, and Jane his wife,--Will[=m]
+Will[=m]s, a senior of the church there in 1555, 1556, 1557, 1558; and some
+of the years he was a godfather. I shall be glad to have some further
+account of such William Williams, or references to where to find such?
+
+GLWYSIG.
+
+_The First of April and "The Cap awry."_--Tom Moore, in his Diary, 1819,
+says:
+
+ "April 1st. Made Bessy turn her cap awry in honour of the day."
+
+What was the origin of this custom? Was this the way a fool was supposed to
+show that his head was turned?
+
+C. R.
+
+Paternoster Row.
+
+_Sir G. Browne, Bart._--Sir George Browne, Bart., of West Stafford, Berks,
+and Wickham, is said to have had nineteen children by his wife Eleanor
+Blount; and that three of those children were sons, killed in the service
+of Charles I.
+
+Was either of those sons named Richard; and was any of them, and which,
+married? If so, where, and to whom?
+
+NEWBURY.
+
+_Bishop Butler._--Will any of our Roman Catholic friends tell us on what
+authority they assert that Bishop Butler, the author of _The Analogy_, died
+in their communion? That he was suspected of a tendency that way during his
+life is acknowledged by all, though the grounds, that of setting up a cross
+in his chapel, are confessedly unsatisfactory. But, besides this, it is
+alleged that he died with a Roman Catholic book of devotion in his hand,
+and that the last person in whose company he was seen was a priest of that
+persuasion. One would be glad to have this question sifted.
+
+X. Y. Z.
+
+_Oaken Tombs._--In Dr. Whitaker's noble history of _Loidis and Elmete_, p.
+322., is the following passage:
+
+ "Next in point of time is a very singular memorial, which has evidently
+ been removed from its original position, between the chapel and the
+ high altar, to a situation at the south side and west end of the
+ chapel.... The tomb is a messy frame-work of oak, with quarter-foils
+ and arms on three sides, and on the table above three statues of the
+ same material, namely, of a knight bare-headed, with rather youthful
+ countenance and sharp features, and his two wives. On the filleting is
+ this rude inscription in Old English:
+
+ 'Bonys emong Stonys, lyes here ful styl,
+ Quilst the sawle wanders wher God wyl.
+ Anno D^{ni} MCCCCCXXIX.'
+
+ This commemorates Sir John Savile, who married, &c.
+
+ "Over all has been a canopy, or rather tester, for the whole must have
+ originally resembled an antique and massy bedstead, exhibiting the very
+ incongruous appearance of a husband in bed with two wives at once."
+
+The Doctor adds:
+
+ "Oaken tombs are very rare; that of Aymer de Valence in Westminster
+ Abbey has been and still is in part coated over with copper, gilt, and
+ enamelled, and I have seen another in the church of Tickencote in
+ Rutlandshire. I do not recollect a third specimen."
+
+Query, How many have been discovered since the great historian's day?
+
+ST. BEES.
+
+_Alleged Bastardy of Elizabeth._--In the State Paper Office (_Dom. Pap._,
+temp. Jac. I.), there is, under date of 1608, a letter from Mr.
+Chamberlaine to Sir Dudley Carleton, of October 28, in which Chamberlaine
+says:
+
+ "I heare of a Bill put into the Exchequer, concerninge much lande that
+ sh^d be alienated on account of the alleged bastardy of Queen
+ Elizabeth."
+
+P. C. S. S. is desirous to know whether there be any record in the Court of
+Exchequer which bears out this singular statement.
+
+P. C. S. S.
+
+_"Pugna Porcorum."_--Where may be found some account of the author, object,
+&c. of this facetious production?
+
+P. J. F. GANTILLON, B.A.
+
+_Parviso._--Can any of your readers inform me as to the meaning of the word
+_parviso_; it occurs in the usual form of the "Testamur" for Responsions.
+On reference to Webster's _Dictionary_, I find that _parvis_ is a small
+porch or gateway; perhaps this may throw some light upon the question.
+
+OXONIENSIS.
+
+_Mr. Justice Newton._--There is a very stiff Indian-ink copy of a portrait
+in the _Sutherland Illustrated Clarendon_, in the Bodleian Library, the
+original of which I should be glad to trace. It is described in the
+Catalogue to be "by Bulfinch," {529} which is probably a mistake. It bears
+the following inscription:
+
+ "This is drawn from the painting in the hands of Mr. Justice Newton of
+ the Middle Temple."
+
+Can any one inform me when this learned justice lived; or rather, for it
+concerns me more, when he died? And farther, if it be not too hopeless an
+inquiry to make, who his existing representatives (if any) may be?
+
+F. KYFFIN LENTHALL.
+
+36. Mount Street, Grosvenor Square.
+
+_Mufti._--I hear military men employ this term, "we went in _mufti_:"
+meaning, out of uniform. Whence is it derived?
+
+MARIA.
+
+_Ryming and Cuculling._--In that very curious volume of extracts from _The
+Presbytery Book of Strathbogie_, A.D. 1631-54, which was printed for the
+Spalding Club in 1843, occurs the following passage:
+
+ "George Jinkin and John Christie referred from the Session of
+ Abercherder, for _ryming and cuculling_, called, compeird not. Ordained
+ to be summonded _pro_ 2^o."--P. 242.
+
+Accordingly, on--
+
+ "The said day, George Jinkin in Abercherder, being summonded for his
+ _ryming and cuculling_, being called, compeired; and being accused of
+ the foresaid fault, confessed he only spoke three words of _that ryme_.
+ Being sharpely rebuked, and instructed of the grosnes of that sin, was
+ ordained to satisfie in sackcloth, which he promised to do."--P. 245.
+
+What was the "fault" here alluded to, and visited with a species of
+discipline with which the presbytery, and those under its jurisdiction,
+appear to have been very familiar?
+
+D.
+
+_Custom at the Savoy Church._--At the Savoy Church (London), the Sunday
+following Christmas Day, there was a chair placed near the door, covered
+with a cloth: on the chair was an orange, in a plate.
+
+Can any of the readers of "N. & Q." inform me the meaning of this?
+
+CERIDWEN.
+
+ * * * * *
+
+
+Minor Queries with Answers.
+
+_Faithfull Teate._--I lately fell in with a small work by this divine,
+entitled _Ter Tria_, and on the fly-leaf is a MS. note, stating that some
+years ago a copy of the same book was priced, in a bookseller's catalogue
+in London, at 1l. 7s. 6d. I wish to learn some particulars relative to the
+author, and if the work is valuable, or scarce, or both.
+
+J. S.
+
+ [Neither Calamy nor Brook has furnished any biographical notices of Dr.
+ Faithfull Teate. When he wrote _Ter Tria_, in 1658, he was a "Preacher
+ of the Word at Sudbury in Suffolk." A second edition of it was
+ published in 1669. In 1665 appeared his _Scripture Map of the
+ Wildernesse of Sin_," 4to. In a discourse on _Right Thoughts, the
+ Righteous Man's Evidence_, he has the following passage, accommodated
+ to his own destitute state after his ejectment: "The righteous man, in
+ thinking of his present condition of life, thinks it his relief, that
+ the less money he has he may go the more upon trust; the less he finds
+ in his purse, seeks the more in the promise of Him that has said, 'I
+ will never leave thee, nor forsake thee;' so that he thinks no man can
+ take away his livelihood, unless he can first take away God's truth."
+ Lowndes has given the following prices of _Ter Tria_: Sir M. M. Sykes,
+ part iii. 626., 5s.; Nassau, part ii. 682., 8s.; White Knights, 4068.,
+ 1l.; _Bibl. Ang. Poet._, 764., 1l. 11s. 6d.]
+
+_Kelway Family._--Can any of the readers of "N. & Q." guide me to anything
+like a pedigree of the family of _Kelloway_, _Kaloway_, or _Kelway_; which
+I find from Lysons' _Devonshire_ possessed the manor of Mokesbean in that
+county from the time of Henry II.?
+
+In the first year of Edward III., when the property of those who suffered
+after the battle of Boroughbridge was restored, John de Keilewaye was found
+"haeres de integro sanguine" to Lord Gifford of Brimesfield.
+
+The last of the family appears to have been John Kelloway of Collampton in
+Devon, who married Joan Tregarthian; and dying in 1530, left co-heiresses
+married to Greville of Penheale, Codrington of Codrington, Harwood, and
+Cooke.
+
+The arms of the family are singular, being, Argent within a bordure
+engrailed sable, two groving irons in saltire sable, between four pears Or.
+
+R. H. C.
+
+ [The pedigree of this family will be found in two copies by Munday of
+ the "Visitation of Devonshire," A.D. 1564, in the Harleian MSS. 1091.
+ p. 90., and 1538, p. 2166. The only difference in the arms is, in both
+ copies, that there is _no bordure engrailed_; but this has probably
+ been added since as a _difference_, as was often done to distinguish
+ families. The name is here spelt _Kelloway_, and the pedigree begins
+ with "Thomas Kelloway of Stowford in County Devon, who married Anne,
+ daughter of ---- Copleston, of ----, in county Somerset," and ends with
+ "John Kelloway, who married Margery, daughter of John Arscott of
+ Dunsland, and left issue Robert, who married ----, and Richard."]
+
+_Regatta._--What is the etymology of the word _regatta_? From whence is it
+derived, and when was it first used in English to mean a boat-race?
+
+C. B. N. C. J. S.
+
+ [Baretti says, "Regatta, _palio che si corre sull' acqua_; a race run
+ on water in boats. The word I take to be corrupted from _Remigata_, the
+ art of rowing." Florio, in his _Worlde of Wordes_, has "_Regattare_,
+ Ital. to wrangle, to cope or fight for the mastery." The term, as
+ denoting a showy species of boat-race, was first used in this {530}
+ country towards the close of the last century; for the papers of that
+ time inform us, that on June 23, 1775, a regatta, a _novel_
+ entertainment, and the first of the kind, was exhibited in the river
+ Thames, in imitation of some of those splendid shows exhibited at
+ Venice on their grand festivals. The whole river, from London Bridge to
+ the Ship Tavern, Millbank, was covered with boats. About 1200 flags
+ were flying before four o'clock in the afternoon, and vessels were
+ moored in the river for the sale of liquors and other refreshments.
+ Before six o'clock it was a perfect fair on both sides the water, and
+ bad liquor, with short measure, was plentifully retailed. Plans of the
+ regatta were sold from a shilling to a penny each, and songs on the
+ occasion sung, in which "regatta" was the rhyme for "Ranelagh," and
+ "royal family" echoed to "liberty."]
+
+_Coket and Cler-mantyn._--Piers Plowman says that when new corn began to be
+sold--
+
+ "Waulde no beggar eat bread that in it beanes were,
+ But of _coket_ and _cler-mantyn_, or else of cleane wheate."
+
+What are _coket_ and _cler-mantyn_? Also, what are _coronation flowers_,
+and _sops in wine_?
+
+CERIDWEN.
+
+ [Both _coket_ and _cler-mantyn_ mean a kind of fine bread. _Coronation_
+ is the name given by some of our old writers to a species of flower,
+ the modern appellation of which is not clear. _Sops-in-wine_ were a
+ species of flowers among the smaller kind of single gilliflowers or
+ pinks. Both these flowers are noticed by Spenser, in his _Shepherd's
+ Calendar_ for April, as follows:
+
+ "Bring coronations and sops-in-wine
+ Worn of paramours."]
+
+ * * * * *
+
+
+Replies.
+
+CURFEW.
+
+(Vol. vi., pp. 53. 112.)
+
+It will be remembered that when Mr. Webster, one of the greatest of
+American statesmen, was on his death-bed, in October last, he requested his
+son to read to him that far-famed "Elegy" of Gray:
+
+ "The curfew tolls the knell of parting day."
+
+The editor of the _Boston Journal_, after referring to this circumstance,
+which he says has caused an unexampled demand for the works of Gray in the
+United States, goes on to give the result of his researches in many old
+English works, respecting the origin and meaning of the word _curfew_,
+which I trust will interest not only your correspondents who have written
+on the subject, but also many of your readers. I glean from the clever
+article now before me the following brief notices, which I have not yet met
+with in "N. & Q."
+
+In King Alfred's time the curfew was rung at eight o'clock, and called the
+"cover fire bell," because the inhabitants, on hearing its peals, were
+obliged to cover their fires, and go to bed. Thomson evidently refers, in
+the following lines, to this tyrannical law, which was abolished in England
+about the year 1100:
+
+ "The shiv'ring wretches at the curfew sound,
+ Dejected sunk into their sordid beds,
+ And through the mournful gloom of ancient time,
+ Mused sad, or dreamt of better."
+
+On the people finding that they could put out their fires and go to bed
+when they pleased, it would appear, from being recorded in many places,
+that the time of ringing the curfew bell was first changed from eight to
+nine o'clock, then from nine to ten, and afterwards to the early hours of
+the morning. Thus we find in _Romeo and Juliet_:
+
+ "The curfew bell hath rung:
+ 'Tis _three o'clock_."
+
+In Shakspeare's works frequent mention is made of the curfew. In the
+_Tempest_ he gives the following:
+
+ "You whose pastime
+ Is to make midnight mushrooms--that rejoice
+ To hear the solemn curfew."
+
+In _Measure for Measure_:
+
+ "_Duke._ Who call'd here of late?
+ _Provost._ None since the curfew rung."
+
+In _King Lear_:
+
+ "This is the foul fiend Flibertigibbet;
+ He begins at curfew, and walks to the first cock."
+
+This old English custom of ringing the curfew bell was carried by the
+Puritan fathers to New England; and where is the Bostonian of middle age
+who does not well recollect the ringing of the church bell at nine o'clock,
+which was the willing signal for labourers to retire to bed, and for
+shopmen to close their shops?
+
+Before closing this Note, may I be allowed to inform MR. SANSOM, that
+_Charlestown_ is in Massachusetts, and only separated from Boston by
+Charles River, which runs between the two cities. The place to which he
+refers is _Charleston_, and in South Carolina.
+
+W. W.
+
+Malta.
+
+ * * * * *
+
+
+THE "SALT-PETER-MAN."
+
+(Vol. vii., pp. 377. 433. 460.)
+
+The statute against monopolies (21 Jac. I. c. 3.) contains a clause (sec.
+10.) that its provisions should not extend to any commission grant or
+letters patent theretofore made, or thereafter to be made, of, for, or
+concerning the digging, making, or compounding of saltpetre or gunpowder,
+which were to be of the like force and effect, _and no other_, as if that
+act had never been made.
+
+In the famous "Remonstrance of the State of the Kingdom" agreed upon by the
+House of Commons in November, 1641, there is special allusion to the
+vexation and oppression of the {531} subject by purveyors, clerks of the
+market, and saltpetre men. (_Parliamentary History_, x. 67.)
+
+Shortly afterwards was passed an act (which obtained the royal assent)
+giving liberty for importing gunpowder and saltpetre, and for making of
+gunpowder. The preamble asserts that the importation of gunpowder from
+foreign parts had of late times been against law prohibited, and the making
+thereof within this realm ingrossed; whereby the price of gunpowder had
+been excessively raised, many powder works decayed, this kingdom very much
+weakened and endangered, the merchants thereof much damnified, many
+mariners and others taken prisoners and brought into miserable captivity
+and slavery, many ships taken by Turkish and other pirates, and many other
+inconveniences had from thence ensued, and more were likely to ensue, if
+not timely prevented. (17 _Car. I._ c. 21.)
+
+Lord Clarendon, in reviewing the various "important laws" of the Long
+Parliament to which the king assented, makes the following observations
+with reference to this particular act:
+
+ "'An Act for the free making Saltpetre and Gunpowder within the
+ Kingdom:' which was a part of the prerogative; and not only
+ considerable, as it restrained that precious and dangerous commodity
+ from vulgar hands; but, as in truth it brought a considerable revenue
+ to the crown, and more to those whom the crown gratified and obliged by
+ that license. The pretence for this exemption was, 'the unjustifiable
+ proceeding of those (or of inferior persons qualified by them) who had
+ been trusted in that employment,' by whom, it cannot be denied, many
+ men suffered: but the true reason was, that thereby they might be sure
+ to have in readiness a good stock in that commodity, against the time
+ their occasions should call upon them."--_History of Rebellion_, book
+ iii.
+
+On the 3rd April, 1644, the Lords and Commons passed an ordinance for the
+making of saltpetre, &c. This was grounded on the following allegations:
+
+ "1. The great expence of gunpowder, occasioned by the then war within
+ his Majesty's dominions, had well near consumed the old store, and did
+ exhaust the magazines so fast, that without a larger supply, the navy
+ forts and the land armies could not be furnished.
+
+ "2. Foreign saltpetre was not in equal goodness with that of our own
+ country, and the foreign gunpowder far worse conditioned and less
+ forcible than that which is made in England.
+
+ "3. Divers foreign estates had of date prohibited the exportation of
+ salt-peter and gunpowder out of their own dominions and countries, so
+ that there could be but little hope or future expectation of any peter
+ or powder to be brought into this kingdom, as in former times, which
+ would enforce us to make use of our own materials."
+
+From these circumstances, it was held most necessary that the digging of
+saltpetre and making of gunpowder should by all fit means be encouraged, at
+that time when it so much concerned the public safety; nevertheless, to
+prevent the reviving of those _oppressions and exactions_ exercised upon
+the people, under the colourable authority of commissions granted to
+_salt-peter-men_; which burden had been eased since the sitting of that
+Parliament. To the end there might not be any pretence to interrupt the
+work, it was ordained that the committee of safety, their factors, workmen,
+and servants, should have power and authority, (within prescribed hours) to
+search and dig for saltpetre in all pigeon-houses, stables, cellars,
+vaults, empty warehouses, and other outhouses, yards, and places likely to
+afford that earth.
+
+The _salt-peter-men_ were to level the ground and repair damage done by
+them; or might be compelled to do so by the deputy-lieutenants, justices of
+the peace, or committees of parliament.
+
+The _salt-peter-men_ were also empowered to take carts, by the known
+officers, for carriage of the liquor, vessels, and other utensils, from
+place to place, at specified prices, and under limitations as to weight and
+distance; and they were freed from taxes and tolls for carriages used about
+their works, and empowered to take outhouses, &c., for their workhouses,
+making satisfaction to the owners.
+
+This ordinance was to continue for two years, from 25th March, 1644.
+
+An ordinance of a similar character was passed 9th February, 1652, to be in
+force till 25th March, 1656 (_Scobell_, 231.).
+
+By an act of the Lord Protector and Parliament, made in 1656, it was
+enacted that no person or persons should dig within the houses or lands of
+any person or persons of the commonwealth for the finding of saltpetre, nor
+take the carriages of any person or persons for the carrying of their
+materials or vessels, without their leave first obtained or had.
+(_Scobell_, 377.) This is the act referred to by BROCTUNA ("N. & Q.," Vol.
+vii., p. 434.), and by my friend MR. ISAIAH DECK ("N. & Q.," Vol. vii., p.
+460.), though I am not certain that MR. DECK'S inference be correct, that
+this act was passed in consequence of the new and uncertain process for
+obtaining the constituents of nitre having failed; and it is quite clear
+that Lord Coke could not have referred to this act. The enactment referred
+to is introduced by way of proviso in an act allowing the exportation of
+goods of English manufacture (_inter alia_, of gunpowder, when the price
+did not exceed 5l. per cwt.).
+
+Allow me, in connexion, with this subject, to refer to Cullum's _History of
+Hawsted_, 1st edition, pp. 150. and 151., also to the statute 1 Jac. II. c.
+8. s. 3., by which persons obtaining any letters patent for the sole making
+or importing gunpowder are subjected to the pains and penalties of
+praemunire.
+
+C. H. COOPER.
+
+Cambridge. {532}
+
+ * * * * *
+
+
+FORMS OF JUDICIAL OATHS.
+
+(Vol. vii., p. 458.)
+
+Will you permit me to make a few observations in reply to the Queries of
+MR. H. H. BREEN on this subject?
+
+There is hardly any custom more ancient than for a person imposing a
+promise on another to call on him to bind himself by an oath to the due
+performance of it. In this oath the person swearing calls on God, the king,
+his father, or some person or thing to whom he attaches authority or value,
+to inflict on him punishment or loss in case he breaks his oath. The mode
+of swearing is, in one particular, almost everywhere and in every age the
+same.
+
+When a father, a friend, a sword, or any corporeal object is sworn by, _the
+swearer places his hand upon it_, and then swears. When a man, however,
+swore by the Deity, on whom he cannot place his hand, he raised his hand to
+heaven towards the God by whom he swore.
+
+When Abraham made Abimelech swear to obey him, he caused him to place his
+hand under his thigh, and then imposed the oath; and when Jacob, by his
+authority as a father, compelled his son Joseph to swear to perform his
+promise, he ordered him to go through a similar ceremony. (Genesis, ch.
+xxiv. v. 5., and ch. xlvii. v. 29.)
+
+In the prophet Daniel we read that--
+
+ "The man clothed in linen which was upon the waters, held up his right
+ hand and his left hand unto heaven, and sware by Him that liveth for
+ ever and ever," &c.--Daniel, ch. xii. v. 7.
+
+In the Revelation we also find--
+
+ "And the angel, which I saw stand upon the sea and the earth, lifted up
+ his hand to heaven and sware by Him that liveth for ever and ever,"
+ &c.--Revelation, ch. x. v. 5, 6.
+
+Your correspondent inquires how oaths were taken prior to their being taken
+on the Gospel.
+
+Among the nations who overthrew the Roman empire, the most common mode of
+swearing was on the relics of the saints. In England, I think, the most
+common mode was to swear on the corporalia or eucharistic elements, whence
+we still have the common phrase "upon your corporal oath." In each case the
+hand was placed on the thing sworn by.
+
+The laws of the Alamanni as to conjurators, direct that the sacrament shall
+be so arranged that all the conjurators shall place their hands upon the
+coffer (containing the relics), and that the principal party shall place
+his hand on all theirs, and then they are to swear on the relics. (_Ll.
+Alam._ cap. 657.)
+
+The custom of swearing on the Gospels is repeatedly mentioned in the laws
+of the Lombards. (_Ll. Longo._ 1 tit. 21. c. 25.; _Ll. Longo._ 2. tit. 55.
+c. 2., and c. 2. tit. 34. _et al._)
+
+In the _Formularies of Marculphus_, two forms of oaths are given, one says
+that--
+
+ "In palatio nostro super capella domini Martini ubi reliqua sacramenta
+ percurrunt debeat conjurare."
+
+In the other we read--
+
+ "Posita manu supra sacrosanctium altare sancti ... sic juratus dixit.
+ Juro per hunc locum sanctum et Deum altissimum et virtutis sancti ...
+ quod," &c.
+
+In the laws of Cnut of England, two forms of oath are given. They both
+begin with "By the Lord before whom this relic is holy." (_Ancient Laws and
+Justice of England_, p. 179.)
+
+Your correspondent asks "what form of Judicial oath was first sanctioned by
+Christians as a body?"
+
+In the history of the Council of Constantinople, it is stated that--
+
+ "George, the well beloved of God, a deacon and keeper of the records,
+ having touched the Holy Gospels of God, swore in this manner, 'By these
+ Holy Scriptures, and by the God who by them has spoken,'" &c.
+
+At the Council of Nice it is said that--
+
+ "Prayer having been offered up, every one saluted the Holy Gospels, the
+ venerated cross and image of our Lord and Saviour Jesus Christ, and of
+ our Lady the mother of God, and placed his hands upon them in
+ confirmation of what he had said."
+
+From these I infer that the custom of swearing on the Gospels received the
+sanction of the church at a very early period.
+
+In reply to the question as to other modes of swearing, it may be said
+briefly, that men swore by anything to which they attached any importance,
+and generally by that to which they attached most importance.
+
+By the laws of the Alamanni, a wife could claim her _Morgen-gabe_ (or the
+gift of the morning after the wedding night) by swearing to its amount on
+her breast; and by the Droits d'Augsbourg, by swearing to it on her two
+breasts and two tresses.
+
+Nothing was more common than for a man to swear by his beard. This custom
+is alluded to by one of Shakspeare's fools, who suggests that if a certain
+knight swore by his honour, and his mistress by her beard, neither of them
+_could_ be forsworn.
+
+In the canons of the Fourth Council of Orleans, we read--
+
+ "Le Roi lui-meme, ou le plus renomme des chevaliers presents, ayant
+ decoupe le paon, se leva, et mettant la main sur l'oiseau, fit un voeu
+ hardi; Ensuite il passa le plat, et chacun de ceux qui le recurent fit
+ un voeu semblable."
+
+In the year 1306, Edward I. of England swore an oath on two swans.
+
+It was also very common from an early period, both in England and abroad,
+to swear by one, two, seven, or twelve churches. The deponent went {533} to
+the appointed number of churches, and at each, taking the ring of the
+church door in his hand, repeated the oath.
+
+One of the most curious specimens of the practice of swearing men by that
+to which they attached most importance, is to be found in an Hindoo law. It
+says, let a judge swear a Brahmin by his veracity; a soldier by his horses,
+his elephants, or his arms; an agriculturist by his cows, his grain, or his
+money; and a Soudra by all his crimes.
+
+JOHN THRUPP.
+
+Surbiton.
+
+I know nothing about judicial oaths: but the origin of the form MR. BREEN
+states to be used by the Roman Catholics of the Continent, and the Scotch
+Presbyterians, may be seen in Dan. xii. 7.: "When he held up his right hand
+and his left hand unto heaven, and sware by him that liveth for ever." And
+in Revelation x. 5, 6.: "And the angel ... lifted up his hand to heaven,
+and sware by him," &c. See also Genesis xiv. 22.
+
+MARIA.
+
+ * * * * *
+
+
+PHOTOGRAPHIC CORRESPONDENCE.
+
+_Washing Collodion Pictures--Test for Lens._--As I was indebted to the
+kindness of DR. DIAMOND, amongst other friends, for my original initiation
+into the mysteries of photography, it may appear somewhat presumptuous in
+me to differ from one who has had so much more experience in a point of
+practice. I allude to that of _washing_ the collodion negative after
+developing, previously to fixing with the hyposulphite of soda; but,
+probably, the reasons I urge may have some weight. As the hyposulphite
+solution is intended to be used repeatedly, it appears to me not advisable
+to introduce into it _any free acid_ (which must occur if the negative be
+not washed, although the quantity at each operation may be small), because
+it causes a decomposition of the salt, setting free _sulphurous_ acid, and
+also sulphur; which last is slightly soluble in the hyposulphite of soda,
+and thus the sulphur is brought in contact with the reduced silver, and
+forms a sulphuret of that metal. But the change does not stop here: for, by
+the lapse of time, oxygen is absorbed, and thus a _sulphate of silver_ is
+formed, and the colour changed from black to white. That sulphur is set
+free by the addition of an acid to the solution of hyposulphite of soda, is
+fact so easily demonstrable both to the eyes and nose of the operator, that
+no one need remain long in doubt who is desirous of trying the experiment.
+
+A correspondent desires to know how to test the coincidence or otherwise of
+the visual and actinic foci of a combination: this is very readily
+accomplished by the aid of a _focimeter_, which can be easily made thus:
+
+Procure a piece of stout card-board, or thin wood covered with white paper,
+on which draw a considerable number of fine black lines, or cover it with
+some fine black net (what I believe the ladies call _blond_), which may be
+pasted on. Cut up the whole into a dozen good-sized pieces of any
+convenient form, so that about four square inches of surface at least be
+allowed to each piece. Paste over the _net_ a circular or square label
+about the size of a shilling, bearing a distinctly printed number one on
+each piece, from 1 upwards; and arrange the pieces in any convenient manner
+by means of wires inserted into a slip of wood; but they must be so placed
+that the _whole_ can be seen from one point of view, although each piece
+must be placed so that it is _one inch_ farther from the operator than the
+next lowest number. Having placed the camera eight or ten feet from the
+cards, carefully focus to any one of the numbers, 4 or 5 for instance and
+observe, not that the _number_ is distinct, but that the minute lines or
+threads of the net are visible: then take a picture, exposing it a very
+short time, and the threads of the card bearing the number that was most
+perfectly in focus visually _ought_ to be most distinct; but, if otherwise,
+that which is most distinct will not only show whether the lens is over or
+under corrected, but will indicate the _amount_ of error. If under
+corrected, a lower number will be most distinct; if over corrected, a
+higher.
+
+GEO. SHADBOLT.
+
+_Test for Lenses._--I beg to submit to a COUNTRY PRACTITIONER the following
+very simple test for the coincidence of the chemical and visual foci of an
+achromatic lens:
+
+Take a common hand-bill or other sheet of printed paper, and having
+stretched it on a board, place it before the lens in an oblique position,
+so that the plane of the board may make an angle with a vertical plane of
+about thirty or forty degrees. Bring any line of type about the middle of
+the sheet into the true visual focus, and take a copy of the sheet by
+collodion or otherwise. Then, if the line of type focussed upon be
+reproduced clearly and sharply on the plate, the lens is correct; but if
+any other line be found sharper than the test one, the foci disagree; and
+the amount of error will depend on the distance of the two lines of type
+one from the other on the hand-bill.
+
+J. A. MILES.
+
+Fakenham, Norfolk.
+
+_Improvement in Positives._--I have great pleasure in communicating to you
+an improvement in the process of taking positives, which may not be
+uninteresting to some of your readers, and which ensures by far the most
+beautiful tints I have yet seen. I take three ounces of the hyposulphite of
+soda, and dissolve it in one pint of distilled or rain water; and to this I
+add about one or one and a half grains of pyrogallic acid, and seventy
+grains {534} of chloride of silver; which must be squeezed up between the
+finders facilitate its solution and separate the lumps, which, in their dry
+state, are tough, and not easily pulverised. The whole is then to be set
+aside for a week or two in a warm place. The solution, at first colourless,
+becomes brown, and ultimately quite opaque; in this state it is fit for
+use, and the longer kept the better it becomes. I generally use French
+paper for this process, and, according to the time of immersion, obtain
+fine sepia or black tints; the latter requiring long over-exposure to the
+light, and proportionately long exposure to the action of the liquid; which
+however will be found, particularly when old, to have a more rapid action
+than most other setting liquids, and has the merit of always affording fine
+tints, whatever the paper used. I imagine the pyrogallic acid to possess a
+reducing influence on the salts of silver employed; but this effect is only
+produced by its combination with the hyposulphite of soda and chloride of
+silver. I may add, that in any case the pictures should be much overdone
+before immersion, as the liquid exerts a rapid bleaching action on them;
+and when the liquid becomes saturated, a few crystals of fresh hyposulphite
+will renew its action.
+
+F. MAXWELL LYTE.
+
+Florian, Torquay.
+
+P. S.--In answer to a COUNTRY PRACTITIONER, he will find great assistance
+in choosing his lens by laying it on a sheet of blue wove post paper, when
+he will immediately perceive the slightest yellow tinge in the glass, this
+being the fault which frequently affects many well-ground and well-made
+lenses. Of course, for sharpness of outline he must be guided entirely by
+experiment in the camera; but where weakness of action exists, it most
+frequently arises from this yellow colouration, and which the manufacturers
+say is very difficult to avoid.
+
+ [MR. LYTE having sent with his communication a positive prepared in the
+ manner described, we are enabled to corroborate all he says as to the
+ richness and beauty of its tints.]
+
+_Cheap Portable Tent._--M. F. M. inquires for a cheap and portable tent for
+working collodion out of doors. I have been using one lately constructed on
+the principle of Francis's camera stand. It has a good size table, made
+like the rolling patent shutters; and it is not necessary to stoop, or sit
+down at your work, which is a great consideration on a hot day: you may get
+them of any respectable dealer in photographic apparatus; it is called
+Francis's Collodion Tent.
+
+H. D. FRANCIS.
+
+_Rev. Mr. Sisson's New Developing Fluid_ (Vol. vii., p. 462.).--The REV.
+MR. SISSON's developing fluid for collodion positives, the formula for
+which was published in the last Number of "N. & Q.," is merely a weak
+solution of the protonitrate and protosulphate of iron. It does not, as he
+seems to think, contain any lead; for the whole of the latter is
+precipitated as sulphate, which the acetic acid does not dissolve even to
+the smallest extent: and MR. SISSON will find that an equivalent proportion
+of the nitrate of baryta will answer equally as well as the nitrate of
+lead.
+
+I have myself for a long time been in the habit of using a weak solution of
+the protonitrate of iron in conjunction with acetic acid for positive
+pictures; for, although I do not consider it so good a developer as that
+made according to the formula of DR. DIAMOND, it produces very good
+pictures; occupies very little time in preparing, and will moreover keep
+good for a much longer time than a more concentrated solution would.
+
+J. LEACHMAN.
+
+20. Compton Terrace, Islington.
+
+ * * * * *
+
+
+Replies to Minor Queries.
+
+_Vanes_ (Vol. v., p. 490.).--Taking up by accident the other day your fifth
+volume, I saw what I believe is a still unanswered Query respecting the
+earliest notice of vanes as indicators of the wind; and turning to my notes
+I found the following extract from Beckman's _Inventions, &c._:
+
+ "In Ughelli Italia Sacra, Romae 1652, fol. iv., p 735., we find the
+ following inscription on a weathercock then existing at Brixen;
+ '_Dominus Rampertus Episc. gallum hunc fieri praecepit an. 820._'"
+
+L. A. M.
+
+_Loselerius Villerius_ (Vol. vii., p. 454.).--I beg to inform S. A. S. that
+his copy of the New Testament, which wants the title-page, was printed by
+Henry Stephens the second, at Geneva, in the year 1580. As to it being
+"valuable," I should not consider him unfortunate if he could exchange it
+for a shilling.
+
+Loselerius Villerius was Pierre l'Oyseleur de Villiers, a professor of
+Genevan divinity, who came over to London, and there published Beza's Latin
+version of the New Testament, in 1574. He was not, however, as your
+correspondent supposed him to be, the editor of the decapitated volume in
+question; but Beza transferred his notes to an impression completed by
+himself.
+
+S. A. S. has, in the next place, inquired for any satisfactory "list of
+editions of the Bible." It appears that, so far as he is concerned, Le
+Long, Boerner, Masch, and Cotton have lived and laboured in vain.
+
+The folio Bible lastly described by your correspondent is _not_ "so great a
+curiosity" as family tradition maintained. The annotations "placed in due
+order" are merely the Genevan notes.--See {535} the Archdeacon of Cashel's
+very accurate and excellent work, _Editions of the Bible, and Parts
+thereof, in English_, p. 75.: Oxford, 1852.
+
+R. G.
+
+_Westminster Parishes_ (Vol. vii., p. 454.).--In 1630 the City and
+Liberties of Westminster contained the churches of St. Margaret, St.
+Martin-in-the-Fields, St. Clement Danes, and St. John Baptist Savoy.
+
+The registers of burials, marriages, and christenings, of St. Margaret's
+Church, began January 1, 1538.
+
+The Fire of London did not destroy any church in Westminster.
+
+MACKENZIE WALCOTT, M.A.
+
+_Hevristic_ (Vol. vii., p. 237.).--The term _hevristisch_, in the first
+edition of the translation of Kant's _Critik_, is not given in the
+vocabulary appended to the translation; but under the word _ostensiv_ it is
+stated that in its meaning it stands opposed to the word _euristic_
+(_hevristisch_ in German). But in the second edition, published in 1818, it
+is remarked, under the words _evristic_, _euristic_, _hevristisch_, that
+the term should, in Sir Wm. Hamilton's opinion, be _euretic_ or _heuretic_;
+the word _hevristisch_ being an error of long standing in German
+philosophy. The derivation of _euretic_ would be from [Greek: heuretikos].
+
+In Tissot's translation, _hevristisch_ is rendered by _heuristique_; in
+Mantovani's, by _evristico_; in Born's, by _heuristicus_. In Krug's
+_Lexicon_, _hevristik_ is given as derived from [Greek: heurisko, heurein].
+The _hevristic_ method, Krug remarks, is also called the _analytical_. It
+may be added, that in the first edition of the _Critik_ (Riga, 1781), the
+word is _hevristisch_. In the fourth edition (Riga, 1794), published also
+in Kant's lifetime, it is _hevristisch_. In Rosenkranz's edition (Leipzig,
+1838), the word is changed into _heuristisch_; and also, in another edition
+of the same year, published also at Leipzig, it is written _heuristisch_,
+and not _hevristisch_.
+
+In respect to the Leipzig edition of 1818, which is that now before me, the
+term _hevristisch_, in speaking of _hevristich_ principles, is particularly
+alluded to. (See page 512. line 10.) I do not find, after a hasty
+inspection, this word changed, in any of the editions I possess, to
+_empirisch_.
+
+FRANCIS HAYWOOD.
+
+Liverpool.
+
+_Creole_ (Vol. vii., p. 381.).--The word appears to be a French form of the
+Spanish _criollo_, which in the dictionary of Nunez de Taboada is defined,
+"El hijo de padres Europeos nacido en America;" whilst in the old
+dictionary of Stevens (1726) it is translated, "Son of a Spaniard and a
+West India woman." In Brande's _Dictionary of Science_, &c. Creole is said
+to mean the descendants of whites born in Mexico, South America, or the
+West Indies, the blood remaining unmixed with that of other races, &c.
+
+Von Tschudi says, that in South America the Spaniards apply the term
+_Creole_ not only to the human race, but also to horses, bullocks, and even
+to poultry.
+
+A. C. M.
+
+Exeter.
+
+_General Monk and the University of Cambridge_ (Vol. vii., pp. 427.
+486.).--LEICESTRIENSIS begs to thank MR. C. H. COOPER and MR. J. P. ORD for
+their replies to his Query on this subject. He avails himself of this, the
+earliest opportunity, of assuring MR. ORD of his readiness to afford him
+what slight information is in his power respecting the MS. in question
+(which only came into his possession within the last two or three months),
+if he will communicate with him as below.
+
+WILLIAM KELLY.
+
+Town Hall, Leicester.
+
+_Ecclesia Anglicana_ (Vol. ii., pp. 12. 440.).--I am much obliged to your
+correspondent W. FRASER for his answer to my Query, and the references with
+which he supplies me. I shall be glad to ask a still more extensive
+question, which will probably explain the object of the former more limited
+one. Is it _usual_, in any of the unreformed branches of the church on the
+continent, to find a similar appellation (implying distinct nationality)
+employed in authoritative documents, _e.g._ would it be possible to find in
+the title-pages of any Missal, &c., such words as "in usum Ecclesiae
+Hispanicae, Lusitanae, Gallicanae?" If not now, was it more customary in
+mediaeval times, and when did it cease?
+
+Should we be justified in saying, that at _every_ period of her existence,
+with rare exceptions, the _Anglican church_, consciously or unconsciously,
+maintained the theory of her nationality with greater distinctness than any
+of the continental churches? I fancy I have heard, though I cannot state on
+what authority, that this assertion might be made most truly of the
+Portuguese church, and should be very glad to have any light thrown on the
+subject by your able correspondent. Certain it is, that amongst the various
+complaints made against Cardinal Wiseman and the Papal aggressors, it has
+never been laid to their charge, that they arrogated to themselves the
+title of members of the _Anglican church_.
+
+G. R. M.
+
+_Gibbon's Library_ (Vol. vii., p. 485.).--In 1838 I purchased some of
+Gibbon's books at Lausanne, out of a basketful on sale at a small shop, the
+depot of the Religious Tract Society! Edward Gibbon, printed on a small
+slip of paper, was pasted in them.
+
+A. HOLT WHITE.
+
+_Golden Bees_ (Vol. vii., p. 478.).--When the tomb of Childeric, father of
+Clovis, was opened in 1653, there were found, besides the skeletons of his
+horse and page, his arms, crystal orb, &c., {536} "more than three hundred
+little bees of the purest gold, their wings being inlaid with a red stone
+like cornelian."
+
+CERIDWEN.
+
+_Passage in Orosius_ (Vol. vii., p. 399.).--May not the "twam tyncenum,"
+between which Cyrus the Great's officer attempted to cross a river, be the
+inflated skins which the Arabs still use, as the ancient inhabitants of
+Assyria did, for crossing the Tigris and Euphrates, and of which the
+Nimroud sculptures give so many illustrations?
+
+CERIDWEN.
+
+_Names first given to Parishes_ (Vol. iv., p. 153.).--I wish to repeat this
+Query in another form, and particularly in reference to the termination
+_-by_. I suspect that wherever a cluster of villages, like that given by
+F. B., occurs with this Danish suffix, it is a proof that the district was
+originally a colony of Danes. The one in which I reside (the hundreds of
+Flegg), from its situation is particularly likely to have been so. Its
+original form was evidently that of a large island in the estuary of the
+Yare, which formed numerous inlets in its shores; and this was flanked on
+each aisle by a Roman garrison, one the celebrated fortress of Garianonum,
+now Burgh Castle, and the other Caistor-next-Yarmouth, in which a camp,
+burying-ground, &c., besides its name, sufficiently attest its Roman
+origin. The two hundreds of Flegg, (or Fleyg, as appears on its common
+seal) comprise twenty villages, thirteen of which terminate in _-by_. These
+are Ormesby, Hemesby, Filby, Mauteby, Stokesby, Herringby, Thrigby,
+Billockby, Ashby or Askeby, Clippesby, Rollesby, Oby, and Scratby or
+Scroteby.
+
+Professor WORSAAE, I believe, considers Ormesby to have been originally
+Gormsby, _i.e._ Gorm's or Guthrum's village, but I have not his work at
+hand to refer to. Thrigby, or Trigby as it is vernacularly pronounced, and
+Rollesby, may take their names from Trigge or Tricga, and Rollo, names
+occurring in Scandinavian history. I should feel obliged if Professors
+WORSAAE and STEPHENS, or other Scandinavian antiquaries and scholars, would
+kindly inform me if my surmises are correct, and if the rest of the names
+may be similarly derived. I should add that Stokesby fully hears out the
+suggestion of C. (Vol. v., p. 161.), as there is even now a ferry over the
+Bure at that point. The district is entirely surrounded by rivers and
+extensive tracts of marshes, and intersected by large inland lakes, locally
+termed "Broads," which undoubtedly were all comprised in the estuary, and
+which would form safe anchorages for the long galleys of the Northmen.
+
+E. S. TAYLOR.
+
+Ormesby, St. Margaret, Norfolk.
+
+_Grafts and the Parent Tree_ (Vol. vii., p. 436.).--In order to insure the
+success of grafts, it is material that they be inserted on congenial
+stocks: delicate-growing fruits require dwarf-growing stocks; and free
+luxuriant-growing trees require strong stocks. To graft scions of delicate
+wooded trees on strong stocks, occasions an over-supply of sap to the
+grafts; and though at first they seem to flourish, yet they do not endure.
+A few examples of this sort may lead to an opinion, that "grafts, after
+some fifteen years, wear themselves out;" but the opinion is not (generally
+speaking) well founded. I have for many years grafted the old _Golden
+Pippin_ on the _Paradise_ or _Doucin_ stock, and found it to answer very
+well, and produce excellent fruit. Taunton has long been famous for its
+_Nonpareils_, which are there produced in great excellence and abundance.
+The Cornish _Gilliflower_, one of our very best apples, was well known in
+the time of King Charles I.; and, as yet, shows no symptoms of decay: that
+fruit requires a strong stock.
+
+The ancient _Ribston Pippin_ was a seedling:
+
+ "It has been doubted by some, whether the tree at Ribston Hall was an
+ original from the seed: the fact of its not being a grafted tree has
+ been satisfactorily ascertained by Sir Henry Goodricke, the present
+ proprietor, by causing suckers from its root to be planted out--which
+ have set the matter at rest that it was not a grafted tree. One of
+ these suckers has produced fruit in the Horticultural Garden at
+ Chiswick."--Lindley's _Guide to the Orchard and Kitchen Garden_, 1831,
+ p. 81.
+
+J. G.
+
+Exon.
+
+_Lord Cliff and Howell's Letters_ (Vol. vii., p. 455.).--The Lord Cliff, as
+to whom your correspondent inquires, and to whom James Howell addresses
+some of his letters, is intended for Henry Lord Clifford, and afterwards,
+on the decease of his father, fifth and last Earl of Cumberland. He died in
+December, 1643. Amongst the many republications of modern times, I regret
+that we have no new edition, with illustrative notes, of Howell's
+_Letters_. It is the more necessary, as one at least of the later editions
+of this most entertaining book is very much abridged and mutilated.
+
+JAMES CROSSLEY.
+
+Y. S. M. asks "Who was Lord Cliff?" He might as well have added, "Who was
+Lord Viscount Col, Sir Thomas Sa, or End. Por?" who also figure in
+_Epistolae Ho-Elianiae_. Had he looked over that entertaining book more
+attentively, Y. S. M. would have seen that all these were mere contractions
+of Howell's correspondents, Lord Clifford, Lord Colchester, Sir Thomas
+Savage, and Endymion Porter.
+
+J. O.
+
+_The Bouillon Bible_ (Vol. vii., p. 296.).--H. W., who was good enough to
+answer my Query respecting Philip D'Auvergne, has probably seen that the
+Bible of which he inquires has turned up. {537} It seems to have been
+pawned (if I rightly understand the report in the newspapers) to a Mr.
+Broughton of the Foreign Office, who had advanced money to the prince to
+enable him to prosecute his claim to the dukedom. It has now been ordered
+by Vice-Chancellor Sir W. P. Wood to be offered for sale as part of Mr.
+Broughton's estate, for the benefit of that gentleman's creditors. It was
+stated in court, that on a former occasion, when the late Archbishop of
+Canterbury wished to purchase it, 1500l. was asked for it. I was much
+obliged to H. W. for the information he gave me, as I took some little
+interest in Philip D'Auvergne from having heard that he was a friend of my
+grandfather. They were, I find, both of them officers in the Racehorse
+during Lord Mulgrave's discovery voyage to the North Pole.
+
+E. H. A.
+
+_Rhymes on Places_ (Vol. vii., p. 143.).--Northamptonshire:
+
+ "Armston on the hill,
+ Polebrook in the hole,
+ Ashton turns the mill,
+ Oundle burns the coal."
+
+Repeated to me by poor old drunken Jem White the sexton, many years since,
+when on the "battlements" of Oundle Church; Oundle being the market town
+for the three villages in the rhymes quoted.
+
+BRICK.
+
+_Serpents' Tongues_ (Vol. vi., p. 340.; Vol. vii., p. 316.).--May I be
+allowed to inform MR. PINKERTON that the sharks' teeth (fossils), now so
+frequently found imbedded in this tufa rock, and cheaply sold, are not
+known as "the tongues of vipers," but, on the contrary, from time
+immemorial, as the "tongues of St. Paul." In proof of this, I would refer
+MR. PINKERTON to the following extract, which I have taken from an Italian
+letter now in the Maltese Library; which was published on August 28, 1668,
+by Dr. Francis Buonamico, a native of this island, and addressed to
+Agostino Scilla of Messina. Page 5., the writer remarks:
+
+ "Che avanti de partire da questa isolde dovesse farle una raccolta di
+ glossopietre, _O lingue come que le chiamiamo di S. Paolo_."
+
+W. W.
+
+Malta.
+
+_Consecrated Roses, &c._ (Vol. vii., pp. 407. 480.).--An instance of the
+_Golden Rose_ being conferred on an English baron, will be found related in
+Davidson's _History of Newenham Abbey in the County of Devon_, p. 208.
+
+J. D. S.
+
+ * * * * *
+
+
+Miscellaneous.
+
+NOTES ON BOOKS, ETC.
+
+That well-worn quotation, "who shall decide when doctors disagree," must,
+we should think, invariably suggest itself to the reader of every new book
+upon the subject of Shakspeare's text. A few months since MR. COLLIER gave
+to the world a volume of _Notes and Emendations from Early Manuscript
+Corrections in a Copy of the Folio 1632_[1], which was hailed by many,
+ourselves among the number, as a most valuable contribution to Shakspearian
+literature. From this favourable view of these manuscript emendations, many
+whose opinions upon such matters deserve the highest respect at once avowed
+their dissent; and we now find that we have to add to this number MR.
+SINGER, who has given us the result of his examination of them in a volume
+entitled _The Text of Shakspeare vindicated from the Interpolations and
+Corruptions advocated by John Payne Collier, Esq., in his Notes and
+Emendations_. No one can put forth higher claims to speak with authority on
+any points connected with Shakspeare than MR. SINGER, who has devoted a
+life to the study of his writings; and none can rise from a perusal of his
+book without recognising in it evidence of MR. SINGER'S fitness for editing
+the works of our great dramatist, and feeling anxious for his revised
+edition of them. But we think many will regret that, while pointing out the
+Notes and Emendations from which he dissents, MR. SINGER should not have
+noticed those which he regards with favour; and that, in his anxiety to
+vindicate the purity of Shakspeare's text from the anonymous emendator, he
+should have embodied that vindication in language, which, though we are
+quite sure it is unintentional on his part, gives his book almost a
+personal character, instead of one purely critical.
+
+BOOKS RECEIVED.--_Records of the Roman Inquisition, Case of a Minorite
+Friar who was sentenced by S. Charles Borromeo to be walled up, and who,
+having escaped, was burned in effigy: edited, with an English Translation,
+Notes, &c., by_ Rev. Richard Gibbings. Published from one of the MSS.
+conveyed from Rome to Paris by order of Napoleon, at the close of the last
+century, as a challenge to the defenders of the papacy to acknowledge its
+truth, or to controvert it.--_The History of England from the Peace of
+Utrecht to the Peace of Versailles_, by Lord Mahon, Vol. III. The third
+volume of this new and cheaper edition of Lord Mahon's valuable history
+comprehends the period from 1740 to 1748.--_English Forests and Forest
+Trees; Historical, Legendary, and Descriptive, with numerous
+Illustrations._ This volume, one of the _Illustrated London Library_, is a
+pleasant chatty compilation on a subject which will interest many of our
+readers and correspondents by furnishing them with a series of notices of
+old forests, remarkable trees, &c., which have never before been gathered
+together.--_The Shakspeare Repository, edited by_ J. H. Fennell, No. II.
+The second part of this periodical, the only one exclusively devoted to the
+Elizabethan writers, contains, among other interesting articles, a long one
+on the medical practice of Shakspeare's son-in-law, Dr. John Hall.
+
+[Footnote 1: Since this was written we have heard that MR. COLLIER has
+traced back the history of his Folio 1632 for upwards of a century.--ED.]
+
+{538}
+
+ * * * * *
+
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE.
+
+SCOTT, REMARKS ON THE BEST WRITINGS OF THE BEST AUTHORS (or some such
+title)
+
+SERMONS BY THE REV. ROBERT WAKE, M.A. 1704, 1712, &c.
+
+HISTORY OF ANCIENT WILTS, by SIR R. C. HOARE. The last three Parts.
+
+REV. A. DYCE'S EDITION OF DR. RICHARD BENTLEY'S WORKS. Vol. III.
+Published by Francis Macpherson, Middle Row, Holborn. 1836.
+
+DISSERTATION ON ISAIAH XVIII., IN A LETTER TO EDWARD KING, ESQ., by
+SAMUEL LORD BISHOP OF ROCHESTER (HORSLEY). The Quarto Edition, printed
+for Robson. 1779.
+
+BEN JOHNSON'S WORKS. 9 Vols. 8vo. Vols. II., III., IV. Bds.
+
+SIR WALTER SCOTT'S NOVELS. 41 Vols. 8vo. The last nine Vols. Boards.
+
+JACOB'S ENGLISH PEERAGE. Folio Edition, 1766. Vols. II., III., and IV.
+
+GAMMER GURTON'S NEEDLE.
+
+ALISON'S EUROPE. (20 Vols.) Vols. XIII., XX.
+
+ABBOTSFORD EDITION OF THE WAVERLEY NOVELS. Odd Vols.
+
+THE TRUTH TELLER. A Periodical.
+
+*** _Correspondents sending Lists of Books Wanted are requested to send
+their names._
+
+*** Letters, stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.
+
+ * * * * *
+
+
+Notices to Correspondents.
+
+_We are compelled to omit several interesting papers respecting Shakspeare
+which are in type, among which we may mention a notice of some drawings
+which are great interest._
+
+W. T. WATTS (St. Ives), _who inquires respecting the literary history of_
+Baron Munchausen, _is referred to our_ 2nd Vol., p. 519., _and our_ 3rd
+Vol., pp. 117. 305. 453.
+
+G. P. (Offenburg) _Potatoes were most probably introduced into England by
+Sir W. Raleigh. Gerarde mentions them in his_ Herbal, _published in 1597_.
+
+ANTIQUARIAN _had better send a rubbing from the oak cover in question. His
+copy cannot be deciphered._
+
+S. S. S.'s _Query on the passage in St. James in our next._
+
+BROOKTHORPE _will find, in the Notices to Correspondents, in_ No. 179. (2nd
+April), _a reply to his former Query respecting the Epitaph:_
+
+ "If Heaven be pleased."
+
+URSULA. _We shall be glad of the "succinct refutation" proposed._
+
+J. W. _There is a folio edition of Godwin_ De Praesulibus, _Canterbury,
+1743, in which the original work is continued by Richardson._
+
+J. R. (Sunderland) _is referred to Brockett's_ Glossary, _where he will
+find the etymology of_ stang, _from the Danish_ stang, _a pole or bar--or
+the Saxon_ steng; _and a full description of the ceremonies connected with_
+Riding the stang.
+
+FLORENCE _is thanked for her hint._
+
+J. B. _will find full particulars of Sir T. Herbert's_ Threnodia Carolina
+_in our_ 3rd Vol., p. 259. _Other references in our_ 2nd Vol., pp. 140.
+220. 476.
+
+_A few complete sets of_ "NOTES AND QUERIES," Vols. i. _to_ vi., _price
+Three Guineas, may now be had; for which early application is desirable._
+
+"NOTES AND QUERIES" _is published at noon on Friday, so that the Country
+Booksellers may receive Copies in that night's parcels, and deliver them to
+their Subscribers on the Saturday._
+
+ * * * * *
+
+
+PREPARING FOR THE PRESS, IN OCTAVO,
+
+A SUPPLEMENT
+
+TO
+
+MR. HALLIWELL'S OCTAVO LIFE OF SHAKSPEARE;
+
+Consisting of Observations on Modern Shakspearian Forgeries.
+
+JOHN RUSSELL SMITH, 36. SOHO SQUARE, LONDON.
+
+ * * * * *
+
+
+SPECTACLES.--WM. ACKLAND applies his medical knowledge as a Licentiate of
+the Apothecaries' Company, London, his theory as a Mathematician, and his
+practice as a Working Optician, aided by Since's Optometer, in the
+selection of Spectacles suitable to every derangement of vision, so as to
+preserve the sight to extreme old age.
+
+ACHROMATIC TELESCOPES, with the New Vetzlar Eye-pieces, as exhibited at the
+Academy of Sciences in Paris. The Lenses of these Eye-pieces are so
+constructed that the rays of light fall nearly perpendicular to the surface
+of the various lenses, by which the aberration is completely removed: and a
+telescope so fitted gives one-third more magnifying power and light than
+could be obtained by the old Eye-pieces. Prices of the various sizes on
+application to
+
+WM. ACKLAND, Optician, 93. Hatton Garden, London.
+
+ * * * * *
+
+
+PUBLISHED EVERY SATURDAY, Price 6d.
+
+THE CIVIL SERVICE GAZETTE, a Journal devoted to the interests of all
+Government Officials in every department of the State, contains, besides
+other official information, a list of the Recent Promotions and PRESENT
+VACANCIES in the gift of the Government, both in England, the East Indies,
+and the Colonies; a Summary of the News of the Week: Original Literary
+Articles; Obituary of men of eminence or desert in the public serve;
+Parliamentary, Legal, Foreign, Domestic and Theatrical Notices; with
+Fashionable, Naval and Military Intelligence.
+
+To be had of all Booksellers and Newsvenders; or at the Office, 5.
+Catherine Street, Strand.
+
+ * * * * *
+
+
+The Twenty-eighth Edition.
+
+NEUROTONICS, or the Art of Strengthening the Nerves, containing Remarks on
+the influence of the Nerves upon the Health of Body and Mind, and the means
+of Cure for Nervousness, Debility, Melancholy, and all Chronic Diseases, by
+DR. NAPIER, M.D. London: HOULSTON & STONEMAN. Price 4d., or Post Free from
+the Author for Five Penny Stamps.
+
+"We can conscientiously recommend 'Neurotonics,' by Dr. Napier, to the
+careful perusal of our invalid readers."--_John Bull Newspaper, June 5,
+1852._
+
+ * * * * *
+
+
+DAGUERREOTYPE MATERIALS.--Plates, Cases, Passepartoutes, best and cheapest,
+to be had in great variety at M^cMILLAN'S Wholesale Depot, 132. Fleet
+Street. Price List gratis.
+
+ * * * * *
+
+
+WINSLOW HALL, BUCKS.
+
+DR. LOVELL'S SCHOLASTIC ESTABLISHMENT (exclusively for the Sons of
+Gentlemen) was founded at Mannheim in 1836, under the Patronage of H.R.H.
+the GRANDE DUCHESSE STEPHANIE of Baden, and removed to Winslow in 1848. The
+Course of Tuition includes the French and German Languages, and all other
+Studies which are Preparatory to the Universities, the Military Colleges
+and the Army Examination. The number of Pupils is limited to Thirty. The
+Principal is always in the Schoolroom, and superintends the Classes. There
+are also French, German, and English resident Masters. Prospectus and
+References can be had on application to the Principal.
+
+ * * * * *
+
+
+WILLIAMS & NORGATE will carry on Business at 15. BEDFORD STREET, COVENT
+GARDEN, opposite the end of Henrietta Street during the alterations and
+enlargement of their old Premises.
+
+_June, 1853._
+
+ * * * * *
+
+
+PHOTOGRAPHIC APPARATUS AND MATERIALS, for the Processes on Glass, Paper,
+and Silver. An illustrated priced Catalogue 3d., Post Free.
+
+JOHN JOSEPH GRIFFIN, F.C.S., Chemical and Philosophical Instrument Maker,
+10. Finsbury Square. Manufactory, 119. and 120. Bunhill Row. Removed from
+53. Baker Street, Portman Square.
+
+ * * * * *
+
+
+OFFICERS' BEDSTEADS AND BEDDING.
+
+HEAL & SON beg to call the Attention of Gentlemen requiring Outfits to
+their large stock of Portable Bedsteads, Bedding, and Furniture, including
+Drawers, Washstands, Chairs, Glasses, and every requisite for Home and
+Foreign Service.
+
+HEAL & SON. Bedstead and Bedding Manufacturers, 196. Tottenham Court Road.
+
+ * * * * *
+
+
+BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION, No. 1. Class X.,
+in Gold and Silver Cases, in five qualities, and adapted to all Climates,
+may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold London-made
+Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver Cases, 8, 6, and 4
+guineas. First-rate Geneva Levers, in Gold Cases, 12, 10, and 8 guineas.
+Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior Lever, with
+Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's Pocket
+Chronometer, Gold, 50 Guineas; Silver, 40 guineas. Every Watch skilfully
+examined, timed, and its performance guaranteed. Barometers, 2l., 3l., and
+4l. Thermometers from 1s. each.
+
+BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory, the
+Board of Ordnance, the Admiralty, and the Queen.
+
+65. CHEAPSIDE. {539}
+
+ * * * * *
+
+
+Just published, price 1s., free by Post 1s. 4d.,
+
+THE WAXED-PAPER PHOTOGRAPHIC PROCESS of GUSTAVE LE GRAY'S NEW EDITION.
+Translated from the French.
+
+Sole Agents in the United Kingdom for VOIGHTLANDER & SON'S celebrated
+Lenses for Portraits and Views.
+
+General Depot for Turner's, Whatman's, Canson Freres', La Croix, and other
+Talbotype Papers.
+
+Pure Photographic Chemicals.
+
+Instructions and Specimens in every Branch of the Art.
+
+GEORGE KNIGHT & SONS, Foster Lane, London.
+
+ * * * * *
+
+
+PHOTOGRAPHIC PAPER.--Negative and Positive Papers of Whatman's, Turner's,
+Sanford's, and Canson Freres' make, Waxed-Paper for Le Gray's Process.
+Iodized and Sensitive Paper for every kind of Photography.
+
+Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13.
+Paternoster Row, London.
+
+ * * * * *
+
+
+PHOTOGRAPHY.--Collodion (Iodized with the Ammonio-Iodide of Silver).--J. B.
+HOCKIN & CO., Chemists, 289. Strand, were the first in England who
+published the application of this agent (see _Athenaeum_, Aug. 14th). Their
+Collodion (price 9d. per oz.) retains its extraordinary sensitiveness,
+tenacity, and colour unimpaired for months; it may be exported to any
+climate, and the Iodizing Compound mixed as required. J. B. HOCKIN & CO.
+manufacture PURE CHEMICALS and all APPARATUS with the latest Improvements
+adapted for all the Photographic and Daguerreotype processes. Cameras for
+Developing in the open Country. GLASS BATHS adapted to any Camera. Lenses
+from the best Makers. Waxed and Iodized Papers, &c.
+
+ * * * * *
+
+
+PHOTOGRAPHIC PICTURES.--A Selection of the above beautiful Productions
+(comprising Views in VENICE, PARIS, RUSSIA, NUBIA, &c.) may be seen at
+BLAND & LONG'S, 153. Fleet Street, where may also be procured Apparatus of
+every Description, and pure Chemicals for the practice of Photography in
+all its Branches.
+
+Calotype, Daguerreotype, and Glass Pictures for the Stereoscope.
+
+BLAND & LONG, Opticians, Philosophical and Photographical Instrument
+Makers, and Operative Chemists, 153. Fleet Street.
+
+ * * * * *
+
+
+PHOTOGRAPHY.--HORNE & CO.'S Iodized Collodion, for obtaining Instantaneous
+Views, and Portraits in from three to thirty seconds, according to light.
+
+Portraits obtained by the above, for the delicacy of detail rival the
+choicest Daguerreotypes, specimens of which may be seen at their
+Establishment.
+
+Also every description of Apparatus, Chemicals, &c. &c. used in this
+beautiful Art.--123. and 121. Newgate Street.
+
+ * * * * *
+
+
+PHOTOGRAPHIC SCHOOL.--ROYAL POLYTECHNIC INSTITUTION.
+
+The SCHOOL is NOW OPEN for instruction in all branches of Photography, to
+Ladies and Gentlemen, on alternate days, from Eleven till Four o'clock,
+under the joint direction of T. A. MALONE, Esq., who has long been
+connected with Photography, and J. H. PEPPER, Esq., the Chemist to the
+Institution.
+
+A Prospectus, with terms, may be had at the Institution.
+
+ * * * * *
+
+
+CLERICAL, MEDICAL, AND GENERAL LIFE ASSURANCE SOCIETY.
+
+ * * * * *
+
+Established 1824.
+
+ * * * * *
+
+FIVE BONUSES have been declared: at the last in January, 1852, the sum of
+131,125l. was added to the Policies, producing a Bonus varying with the
+different ages from 24-1/2 to 55 per cent. on the Premiums paid during the
+five years, or from 5l. to 12l. 10s. per cent. on the Sum Assured.
+
+The small share of Profit divisible in future among the Shareholders being
+now provided for, the ASSURED will hereafter derive all the benefits
+obtainable from a Mutual Office, WITHOUT ANY LIABILITY OR RISK OF
+PARTNERSHIP.
+
+POLICIES effected before the 30th of June next, will be entitled, at the
+next Division, to one year's additional share of Profits over later
+Assurers.
+
+On Assurances for the whole of Life only one half of the Premiums need be
+paid for the first five years.
+
+INVALID LIVES may be Assured at rates proportioned to the risk.
+
+Claims paid _thirty_ days after proof of death, and all Policies are
+_Indisputable_ except in cases of fraud.
+
+Tables of Rates and forms of Proposal can be obtained of any of the
+Society's Agents, or of
+
+GEORGE H. PINCKARD, Resident Secretary.
+
+_99. Great Russell Street, Bloomsbury, London._
+
+ * * * * *
+
+
+WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY,
+
+3. PARLIAMENT STREET, LONDON.
+
+Founded A.D. 1842.
+
+_Directors._
+
+ H. E. Bicknell, Esq.
+ W. Cabell, Esq.
+ T. S. Cocks, Jun. Esq. M.P.
+ G. H. Drew, Esq.
+ W. Evans, Esq.
+ W. Freeman, Esq.
+ F. Fuller, Esq.
+ J. H. Goodhart, Esq.
+ T. Grissell, Esq.
+ J. Hunt, Esq.
+ J. A. Lethbridge, Esq.
+ E. Lucas, Esq.
+ J. Lys Seager, Esq.
+ J. B. White, Esq.
+ J. Carter Wood, Esq.
+
+_Trustees._
+
+W. Whateley, Esq., Q.C.; L. C. Humfrey, Esq., Q.C.; George Drew, Esq.
+
+_Physician._--William Rich. Basham, M.D.
+
+_Bankers._--Messrs. Cocks, Biddulph, and Co., Charing Cross.
+
+VALUABLE PRIVILEGE.
+
+POLICIES effected in this Office do not become void through temporary
+difficulty in paying a Premium, as permission is given upon application to
+suspend the payment at interest, according to the conditions detailed on
+the Prospectus.
+
+Specimens of Rates of Premium for Assuring 100l., with a Share in
+three-fourths of the Profits:--
+
+ Age _L s. d._
+ 17 1 14 4
+ 22 1 18 8
+ 27 2 4 5
+ 32 2 10 8
+ 37 2 18 6
+ 42 3 8 2
+
+ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.
+
+Now ready, price 10s. 6d., Second Edition, with material additions,
+INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE on BENEFIT BUILDING
+SOCIETIES, and on the General Principles of Land Investment, exemplified in
+the Cases of Freehold Land Societies, Building Companies, &c. With a
+Mathematical Appendix on Compound Interest and Life Assurance. By ARTHUR
+SCRATCHLEY, M.A., Actuary to the Western Life Assurance Society, 3.
+Parliament Street, London.
+
+ * * * * *
+
+
+ROYAL ASYLUM OF ST. ANN'S SOCIETY.--Waiting not for the Child of those once
+in prosperity to become an Orphan, but by Voluntary Contributions affording
+at once a Home, Clothing, Maintenance, and Education.
+
+The Half-yearly Election will take place at the London Tavern of Friday,
+August 12th, next.
+
+Forms of Nomination may be procured at the Office, where Subscriptions will
+be thankfully received.
+
+Executors of Benefactors by Will become Life Governors according to the
+amount of the Bequest.
+
+E. F. LEEKS, Secretary. 2. Charlotte Row, Mansion House.
+
+ * * * * *
+
+
+UNITED KINGDOM LIFE ASSURANCE COMPANY: established by Act of Parliament in
+1834.--8. Waterloo Place, Pall Mall, London.
+
+ HONORARY PRESIDENTS.
+
+ Earl of Courtown
+ Earl Leven and Melville
+ Earl of Norbury
+ Earl of Stair
+ Viscount Falkland
+ Lord Elphinstone
+ Lord Belhaven and Stenton
+ Wm. Campbell, Esq., of Tillichewan
+
+ LONDON BOARD.
+
+ _Chairman._--Charles Graham, Esq.
+ _Deputy-Chairman._--Charles Downes, Esq.
+
+ H. Blair Avarne, Esq.
+ E. Lennox Boyd, Esq., F.S.A., _Resident_.
+ C. Berwick Curtis, Esq.
+ William Fairlie, Esq.
+ D. Q. Henriques, Esq.
+ J. G. Henriques, Esq.
+ F. C. Maitland, Esq.
+ William Railton, Esq.
+ F. H. Thomson, Esq.
+ Thomas Thorby, Esq.
+
+ MEDICAL OFFICERS.
+
+ _Physician._--Arthur H. Hassall, Esq., M.D.,
+ 8. Bennett Street, St. James's.
+
+ _Surgeon._--F. H. Tomson, Esq., 48. Berners Street.
+
+The Bonus added to Policies from March, 1834, to December 31, 1847, is as
+follows:--
+
+ Sum | Time | Sum added to | Sum
+ Assured. | Assured. | Policy | Payable
+ | +--------------------+ at Death.
+ | | In 1841. In 1848. |
+ ---------+----------+---------+----------+----------
+ L | | L s.d.| L s.d.| L s.d.
+ 5000 | 14 years | 683 6 8 | 787 10 0 | 6470 16 8
+ * 1000 | 7 years | - - | 157 10 0 | 1157 10 0
+ 500 | 1 year | - - | 11 5 0 | 511 5 0
+
+* EXAMPLE.--At the commencement of the year 1841, a person aged thirty took
+out a Policy for 1000l., the annual payment for which is 24l. 1s. 8d.; in
+1847 he had paid in premiums 168l. 11s. 8d.; but the profits being 2-1/4
+per cent. per annum on the sum insured (which is 22l. 10s. per annum for
+each 1000l.) he had 157l. 10s. added to the Policy, almost as much as the
+premiums paid.
+
+The Premiums, nevertheless, are on the most moderate scale, and only
+one-half need be paid for the first five years, when the Insurance is for
+Life. Every information will be afforded on application to the Resident
+Director.
+
+ * * * * *
+
+
+PURE NERVOUS or MIND COMPLAINTS.--If the readers of Notes and Queries, who
+suffer from depression of spirits, confusion, headache, blushing,
+groundless fears, unfitness for business or society, blood to the head,
+failure of memory, delusions, suicidal thoughts, fear of insanity, &c.,
+will call on, or correspond with, REV. DR. WILLIS MOSELEY, who, out of
+above 22,000 applicants, knows not fifty uncured who have followed his
+advice, he will instruct them how to get well, without a fee, and will
+render the same service to the friends of the insane.--At home from 11 to
+3.
+
+18. BLOOMSBURY STREET, BEDFORD SQUARE. {540}
+
+ * * * * *
+
+
+BOHN'S STANDARD LIBRARY FOR JUNE.
+
+HISTORY OF THE HOUSE OF AUSTRIA, from 1792 to the present time; in
+continuation of COXE; with the Portrait of Francis Joseph, the reigning
+Emperor. Post 8vo. cloth. Price 3s. 6d.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+BOHN'S SCIENTIFIC LIBRARY FOR JUNE.
+
+HUMBOLDT'S PERSONAL NARRATIVE OF HIS TRAVELS IN AMERICA. Vol. III., which
+completes the Work. With General Index. Post 8vo. cloth. Price 5s.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+BOHN'S ANTIQUARIAN LIBRARY FOR JUNE.
+
+ROGER DE HOVEDEN'S ANNALS OF ENGLISH HISTORY, from A.D. 732 to 1201.
+Translated by H. T. RILEY. Vol. II., which completes the work. Post 8vo.
+cloth. Price 5s.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+BOHN'S CLASSICAL LIBRARY FOR JUNE.
+
+TERENCE AND PHAEDRUS, literally translated into English Prose, by H. T.
+KILEY. To which is added, SMART'S METRICAL VERSION OF PHAEDRUS.
+Frontispiece. Post 8vo. cloth. Price 5s.
+
+HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.
+
+ * * * * *
+
+
+This day foolscap octavo, price 3s. 6d.,
+
+GOETHE'S OPINIONS ON THE WORLD, MANKIND, LITERATURE, SCIENCE, AND ART,
+extracted from his Communications and Correspondence. Translated by OTTO
+WENCKSTERN.
+
+London JOHN W. PARKER & SON, West Strand.
+
+ * * * * *
+
+
+Price 2s. cloth,
+
+BACON'S ADVANCEMENT OF LEARNING. Carefully revised from the first copies,
+with a few Notes and References to Works quoted.
+
+Nearly ready, by the same Editor, BACON'S ESSAYS.
+
+London: JOHN W. PARKER & SON, West Strand.
+
+ * * * * *
+
+
+ENGLISH COUNTIES.--A Catalogue of Curious, Rare, and Interesting Books and
+Tracts relating to English Counties, is just published, and may be had free
+with No. II. of the SHAKSPEARE REPOSITORY, on receipt of Six Postage
+Stamps.
+
+Also, a Fac-simile of a remarkably Curious, Droll, and Interesting
+Newspaper of the Reign of CHARLES THE SECOND, sent free on receipt of Three
+Postage Stamps.
+
+Address, J. H. FENNELL, 1. Warwick Court, Holborn, London.
+
+ * * * * *
+
+
+MR. MURRAY'S
+
+LIST OF NEW WORKS.
+
+I.
+
+THE DIARY OF GEORGE GRENVILLE, while First Lord of the Treasury; together
+with his Correspondence during Thirty Years, including unpublished LETTERS
+OF JUNIUS. Vols. III. and IV. (completing the Work). 8vo. 32s.
+
+II.
+
+LORD MAHON'S HISTORY OF ENGLAND. A New Library Edition. Vols. I. to IV.
+Demy 8vo. (Uniform with Vols. V. and VI.) Nearly Ready.
+
+III.
+
+THE CASTLEREAGH DESPATCHES, during the CONGRESS OF VIENNA, BATTLE OF
+WATERLOO, &c. Edited by THE MARQUIS OF LONDONDERRY. 4 vols., 8vo. 56s.
+
+IV.
+
+MR. GROTE'S HISTORY OF GREECE. Continued from the Accession to the Death of
+Philip of Macedon. Vol. XI. 8vo. 16s. (The 12th Volume will complete the
+work.)
+
+V.
+
+SIR HUDSON LOWE'S LETTERS and JOURNALS, giving for the First Time the
+HISTORY OF THE CAPTIVITY OF NAPOLEON AT ST. HELENA. By WILLIAM FORSYTH,
+M.A. Portrait. 3 vols., 8vo. (Immediately.)
+
+VI.
+
+MR. LAYARD'S NARRATIVE OF HIS SECOND EXPEDITION TO ASSYRIA, AND RESEARCHES
+AT NINEVEH AND BABYLON. Twelfth Thousand. With 300 Plates and Woodcuts.
+8vo. 21s.
+
+VII.
+
+MR. JOHN HOLLWAY'S FOUR WEEKS' TOUR IN NORWAY, during the Autumn of 1852.
+Fcap. 8vo. 2s.
+
+VIII.
+
+CAPT. ERSKINE'S VISITS TO THE ISLANDS OF THE WESTERN PACIFIC, including the
+Feejees, and others inhabited by the Polynesian Negro Race. Maps and
+Plates. 8vo. 16s.
+
+IX.
+
+MR. FRANCIS GALTON'S NARRATIVE OF HIS EXPEDITION IN TROPICAL SOUTH AFRICA.
+With Maps, Plates, and Woodcuts. Post 8vo.
+
+X.
+
+REV. DR. HOOK'S DISCOURSES BEARING ON THE CONTROVERSIES OF THE DAY. 8vo.
+9s.
+
+XI.
+
+MR. JOHN PALLISER'S SOLITARY HUNTING ADVENTURES IN THE PRAIRIES. With
+Illustrations. Post 8vo.
+
+XII.
+
+MR. MANSFIELD PARKYN'S PERSONAL NARRATIVE OF HIS THREE YEARS' RESIDENCE IN
+ABYSSINIA. Map and Illustrations. 2 vols. 8vo. Nearly ready.
+
+XIII.
+
+LIEUTENANT HOOPER'S JOURNAL OF HIS TEN MONTHS AMONG THE TENTS OF THE TUSKI,
+during an Expedition in Search of Sir John Franklin. Map. 8vo.
+
+XIV.
+
+MR. CAMPBELL'S MODERN INDIA. A Sketch of the System of Civil Government,
+with some Account of the Natives, and Native Institutions, Second Edition,
+revised. Maps. 8vo. 16s.
+
+XV.
+
+MURRAY'S HANDBOOKS FOR TRAVELLERS ON THE CONTINENT. Cheaper Issue. Maps.
+Post 8vo.
+
+ * * * * *
+
+
+Printed by THOMAS CLARK SHAW, of No. 10. Stonefield Street, in the Parish
+of St. Mary, Islington, at No. 5. New Street Square in the Parish of St.
+Bride, in the City of London; and published by GEORGE BELL of No. 186.
+Fleet Street, in the Parish of St. Dunstan in the West, in the City of
+London, Publisher, at No. 186. Fleet Street aforesaid.--Saturday, May 28,
+1853.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 187, May 28,
+1853, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+***** This file should be named 20410.txt or 20410.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/0/4/1/20410/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/20410.zip b/20410.zip
new file mode 100644
index 0000000..b2d3095
--- /dev/null
+++ b/20410.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..8a76715
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #20410 (https://www.gutenberg.org/ebooks/20410)