1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
|
The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 159,
September 29th, 1920, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Punch, or the London Charivari, Vol. 159, September 29th, 1920
Author: Various
Release Date: September 8, 2005 [EBook #16673]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
Produced by Jonathan Ingram, Keith Edkins and the Online
Distributed Proofreading Team at https://www.pgdp.net
PUNCH, OR THE LONDON CHARIVARI.
VOL. 159.
September 29th, 1920.
CHARIVARIA.
An epidemic of measles is reported in the North. It seems that in these
days of strikes people are either coming out in sympathy or in spots.
* * *
The secret of industrial peace, says a sporting paper, is more
entertainment for the masses. We have often wondered what our workers do to
while away the time between strikes.
* * *
"The cost of living for working-class families," says Mr. C.A. MCCURDY, the
Food Controller, "will probably increase by 9s. 6d. a week at Christmas."
That is, of course, if Christmas ever comes.
* * *
We understand that Dean INGE has been invited to meet the FOOD CONTROLLER,
in order to defend his title.
* * *
"Nobody wants a strike," says Mr. BRACE, M.P. We can only suppose therefore
that they must be doing it for the films.
* * *
An American artist who wanted to paint a storm at sea is reported to have
been lashed to a mast for four hours. We understand that he eventually
broke away and did it after all.
* * *
"What is England's finance coming to?" asks a City editor in a
contemporary. We can only say it isn't coming to us.
* * *
In Petrograd the fare for half-an-hour's cab ride is equal to two hundred
pounds in English money at the old rate of exchange. Fortunately in London
one could spend the best part of a day in a taxi-cab for that amount.
* * *
"Before washing a flannel suit," says a home journal, "shake it and beat it
severely with a stick." Before doing this, however, it would be just as
well to make sure that the whole of the husband has been removed.
* * *
A lion-tamer advertises in a contemporary for a situation. It is reported
that Mr. SMILLIE contemplates engaging him for Sir ROBERT HORNE.
* * *
Whatever else happens, somebody says, the public must hang together. But
what does he think we do in a Tube?
* * *
"Primroses have been gathered at Welwyn," says _The Evening News_. As even
this seems to have failed we think it is time to drop these attempts to
draw the POET LAUREATE.
* * *
Glasgow licensees are being accused of giving short whisky measure. It is
even said that in some extreme cases they paint the whisky on the glass
with a camel-hair brush.
* * *
Mice, says Mrs. GREIVE, of Whins, hate the smell of mint. So do lambs.
* * *
"Coal strike or no coal strike," says _The Daily Mail_, "the Commercial
Motor Exhibition at Olympia will not be postponed." This is the dogged
spirit that made England what it used to be.
* * *
Orpheus of old, an American journal reminds us, could move stones with his
music. We have heard piano-players who could move whole families; but this
was before the house shortage.
* * *
The National Association of Dancing Masters has decided to forbid "the
cockroach dive" this year. Our advice to the public in view of this
decision is to go about just as if nothing serious had happened.
* * *
A large party of American University students are on a visit to
Switzerland. It is satisfactory to know that the Alps are counted every
morning and all Americans searched before they leave the country.
* * *
"The English house would make an ideal home," says an American journal.
Possibly, if people only had one.
* * *
Three statues have been stolen in one week from Berlin streets. It is now
suggested that the London police might be taken off duty for one night in
order to give the thief a sporting chance.
* * *
It is not true, says an official report, that Scottish troops are being
sent to Ireland. We are pleased to note this indication that the bagpipes
should only be used in cases of great emergency.
* * *
"What does the Mexican President stand for?" asks _The New York Globe_.
Probably because the Presidential chair is so thorny.
* * *
The Dublin County authorities have decided to release from their asylums
all but the most dangerous lunatics. We are assured that local conditions
in no way justify this discrimination.
* * *
A jury of children has been empanelled in Paris to decide which of the toys
exhibited at the Concours Lupine is the most amusing. We understand that at
the time of going to press an indestructible rubber uncle is leading by
several votes.
* * *
A burglar arrested in Berlin was taken ill, and while operating upon him
the surgeons found in his stomach six silver spoons, some forks, a number
of screws and a silver nail file. Medical opinion inclines to the theory
that his illness was due to something he had swallowed.
* * * * *
[Illustration: MEMBER OF CLUB WHICH IS CLOSED FOR CLEANING ACCEPTS THE
PROFFERED HOSPITALITY OF NEIGHBOUR CLUB.]
* * * * *
A FAIR WARNING.
"REQUIRED.--English Child to play afternoons with French boy ten years;
good retribution."--_Continental Daily Mail._
* * * * *
"THE NATIONAL LAYING TEST, 1920-21.
SECTIONS.
1. White Leghorns.
2. White Wyandottes.
3. Rhode Island Reds.
4. Any other Sitting Breeds.
5. Any other Non-Sitting Breeds.
6. Championship (any Breed).
7. Great Eastern Railway Employees."
_Poultry, for the Farmer and Fancier._
We shall treat the porters at Liverpool Street with more respect in future.
* * * * *
MICHAELMAS AND THE GOOSE.
(_Lines written under the threat of a Coal-strike_).
You for whose Mass by immemorial use,
When Autumn enters on his annual cycle,
We offer up the fatted goose
Mid fragrant steam of apple-juice,
Hear our appeal, O Michael!
Sir, do not try our piety too sore,
Bidding us sacrifice--a wrench how cruel!--
Her whom we prize all geese before--
The one that lays that precious ore,
Our priceless daily fuel.
Her output, as it is, shows want of will
To check the slackness growing rife and rifer;
And it would fall far lower still
(Being, indeed, reduced to _nil_)
If they should go and knife her.
Yet there are men who press the slaughterers' claim
In sympathetic language, talking loosely;
Among them Mr. GOSLING--shame
That anyone with such a name
Should cackle so ungoosely!
Not in your honour would that bird be slain
If they should kill her--and the hour is critical--
But for their own ends, thus to gain
An object palpably profane
(That is to say, political).
Defend her, Michael! you who smote the crew
Of Satan on the jaw and stopped their bluffing;
So, if you see her safely through,
We'll give you thrice your usual due
Of other geese (with stuffing).
O.S.
* * * * *
BRIDGE CONVENTIONS.
The game of Auction Bridge may be divided into three species. There is the
one we play at home, the second which we play at the Robinsons', and the
third that is played at the high table at my club.
The three games are peculiarly distinct, but I have only recently
discovered, at some expense, that each one has its particular conventions.
At home, if I venture a light no-trump, and Joan, sitting on my right,
exclaims well out of turn, "Oh! father," we all know that Joan has the
no-trumper, and the play proceeds accordingly.
At the Robinsons' it is different. Suppose I make a call of one spade and
the elder hand two hearts, and my partner (let us suppose he is Robinson)
passes, and I say "Two spades," and the elder hand says "Three hearts," and
Robinson bellows "No," I at once realise that it would be extremely
dangerous to call three spades.
These two typical forms of convention are quite clear and seldom lead to
any misunderstanding. But the high table at the club is different, and, if
I might say so with all diffidence, the conventions there are not so well
defined. In fact they may lead to terrible confusion. I speak with
confidence on this point because I tried them a few days ago.
Three disconsolate monomaniacs wanted making up, and I, dwelling upon the
strong game I had recently been playing at home, threw precaution to the
winds and made them up. My partner was a stern man with a hard blue eye and
susceptible colouring. After we had cut he informed me that, should he
declare one no-trump, he wished to be taken out into a major suit of five;
also, should he double one no-trump, he required me to declare without fail
my best suit. He was going to tell me some more but somebody interrupted
him. Then we started what appeared to be a very ordinary rubber.
My partner perhaps was not quite at his best when it was my turn to lead;
at least he never seemed particularly enthusiastic about anything I did
lead, but otherwise--well, I might almost have been at the Robinsons'. Then
suddenly he doubled one no-trump.
I searched feverishly for my best suit. I had two--four diamonds to the
eight; four hearts to the eight. A small drop of perspiration gathered upon
my brow. Then I saw that, whereas I held the two, three, five of hearts, I
had the two, three, six of diamonds. Breathing a small prayer, I called two
diamonds. This was immediately doubled by the original declarer of
no-trumps. My partner said "No," my other opponent said "No," and I,
thinking it couldn't be worse, switched into my other best suit and made it
two hearts. The doubler passed and I felt the glow of pride which comes to
the successful strategist. This was frozen instantly by my partner's
declaration of two no-trumps.
If Mr. SMILLIE were suddenly transformed into a Duke I am certain he would
not look so genuinely horror-struck as my partner did when I laid my hand
upon the table. Yet, as I pointed out, it was his own beastly convention,
so I just washed my hands of it and leaned back and watched him hurl forth
his cards as Zeus hurled the thunder-bolts about.
Then, of course, the other convention had to have its innings. My partner
went one no-trump, and I began to look up my five suit. In the meantime the
next player on the declaring list doubled the no-trump. This was very
confusing. Was he playing my partner's convention and asking _his_ partner
for his best suit? I hesitated; but orders are orders, so, having five
spades to the nine, I declared two spades. My left-hand enemy said "No"; my
partner said "No"; and the doubler--well, he doubled again. This time my
partner, being Dummy, hurled down all his thunder-bolts--thirteen small
ones--at once. When it was all over he explained at some length that he did
not wish ever to be taken out of an opponent's double. I expect this was
another convention he was going to tell me about when he was interrupted in
the overture to the rubber. Anyway he hadn't told me, and I at some slight
cost--five hundred--had nobly carried out his programme.
When eventually the final blow fell and we, with the aid of the club
secretary, were trying to add up the various columns of figures, the waiter
brought up the evening papers. I seized one and, looking at the chief
events of the day, remarked, "STEVENSON is playing a great game." My late
partner said, "Ah, you're interested in billiards." I admitted the soft
impeachment. "Yes," he said dreamily, "a fine game, billiards; you never
have to play against three opponents."
I have now definitely decided that playing my 2 handicap game at the
Robinsons' and my plus 1 in the home circle is all the bridge I really care
about.
* * * * *
ANOTHER IMPENDING APOLOGY.
"Man's original evolution from the anthropoid apes ... becomes a
reasonable hypothesis, especially when we think of the semi-naked
savages who inhabited these islands when Julius Caesar landed on our
shores, and our present Prime Minister."--_Church Family Newspaper._
* * * * *
"The contemplated aerial expedition to the South Pole will start in
October. Aeroplanes and airships will be used, and the object of the
trip is to study magnetic wages."--_Irish Paper._
Incidentally it is expected a new altitude record may be achieved.
* * * * *
[Illustration: TARTARIN DANS LES INDES.
BOTH (_together_). "TIENS! LE TIGRE!"
[M. CLEMENCEAU has just sailed for India after big game.]]
* * * * *
[Illustration: _The Wife (peeved at husband going off to football match on
the anniversary of their wedding-day_). "'AVE YOU FORGOTTEN WHAT 'APPENED
THIS DAY SEVEN YEARS AGO?"
_The Husband_. "FORGOTTEN? NOT LIKELY, OLD GIRL. WHY, THAT WAS THE DAY
BOLTON ROVERS BEAT ASTON UNITED FIVE--NOTHING."]
* * * * *
NEW RHYMES FOR OLD CHILDREN.
THE SNAIL.
The life of the snail is a fight against odds,
Though fought without fever or flummox;
You see, he is one of those gasteropods
Which have to proceed on their stomachs.
Just think how you'd hate to go round on your own,
Especially if it was gummy,
And wherever you travelled you left on a stone
The horrid imprint of your tummy!
Wherever you hid, by that glutinous trail
Some boring acquaintance would follow;
And this is the bitter complaint of the snail
Who is pestered to death by the swallow.
But remember, he carries his house on his back,
And that is a wonderful power;
When he goes to the sea he has nothing to pack,
And he cannot be caught in a shower.
After all there is something attractive in that;
And then he can move in a minute,
And it's something to have such a very small flat
That nobody else can get in it.
But this is what causes such numbers of snails
To throw themselves into abysses:--
They are none of them born to be definite males
And none of them definite misses.
They cannot be certain which one of a pair
Is the Daddy and which is the Mummy;
And that must be even more awful to bear
Than walking about on your tummy.
A.P.H.
* * * * *
"MOTHER OF 13 HAS TRIPLETS."--_Daily Paper._
The unlucky age.
* * * * *
SEPTEMBER IN MY GARDEN.
There are few things I find so sorrowful as to sit and smoke and reflect on
the splendid deeds that one might have been doing if one had only had the
chance. The PRIME MINISTER feels like this, I suppose, when he remembers
how unkind people have prevented him from making a land fit for heroes to
live in, and I feel it about my garden. There can be no doubt that my
garden is not fit for heroes to saunter in; the only thing it is fit for is
to throw used matches about in; and there is indeed a certain advantage in
this. Some people's gardens are so tidy that you have to stick all your
used matches very carefully into the mould, with the result that next year
there is a shrubbery of Norwegian pine.
The untidiness of my garden is due to the fault of the previous tenants.
Nevertheless one can clearly discern through the litter of packing-cases
which completely surrounds the house that there was originally a garden
there.
I thought something ought to be done about this, so I bought a little book
on gardening, and, turning to September, began to read.
"September," said the man, "marks the passing of summer and the advent of
autumn, the time of ripening ruddy-faced fruits and the reign of a rich and
gloriously-coloured flora."
About the first part of this statement I have no observation to make. It is
probably propaganda, subsidised by the Meteorological Office in order to
persuade us that we still have a summer; it has nothing to do with my
present theme. But with regard to the ripening ruddy-faced fruits I should
like to point out that in my garden there are none of these things, because
the previous tenants took them all away when they left. Not a ruddy-faced
fruit remains. As for the rich and gloriously-coloured flora, I lifted the
edges of all the packing-cases in turn and looked for it, but it was not
there either. It should have consisted, I gather, of "gorgeously-coloured
dahlias, gay sunflowers, Michaelmas daisies, gladioli and other autumn
blossoms, adding brightness and gaiety to our flower-garden."
"Gaiety" seems to be rather a strong point with this author, for a little
further on he says, "The garden should be gay throughout the month with the
following plants," and then follows a list of about a hundred names which
sound like complicated diseases of the internal organs. I cannot mention
them all, but it seems that my garden should be gay throughout with
_Lysimachia clethroides, Kniphofia nobilis_ and _Pyrethrum uliginosum_. It
is not. How anything can be gay with _Pyrethrum uliginosum_ I cannot
imagine. An attitude of reverent sympathy is what I should have expected
the garden to have. But that is what the man says.
Then there is the greenhouse. "From now onwards," he writes, "the
greenhouse will meet with a more welcome appreciation than it has during
the summer months. The chief plants in flower will be _Lantanas_,
_Campanula pyramidalis_, _Zonal Pelargoniums_," and about twenty more. "Oh,
they will, will they?" I thought, and opened the greenhouse door and looked
in. Against the wall there were two or three mouldering peach-trees, and
all over the roof and floor a riot of green tomatoes, a fruit which even
when it becomes ruddy-faced I do not particularly like. In a single large
pot stood a dissipated cactus, resembling a hedgehog suffering from mange.
But what was even more bitter to me than all this ruin and desolation was
the thought of the glorious deeds I might have been doing if the garden had
been all right. Phrases from the book kept flashing to my eye.
"Thoroughly scrub the base and sides of the pots, and see that the
drainage-holes are not sealed with soil." How it thrilled the blood!
"Damp the floors and staging every morning and afternoon, and see that the
compost is kept uniformly moist." What a fascinating pursuit!
"Feed the plants once a week with liquid manure." It went like a clarion
call to the heart.
And here I was condemned to _ennui_ and indolence when I might have been
sitting up all night dosing the _Zonal Pelargoniums_ with hot beef-tea and
taking the temperature of the _Campanula pyramidalis_. Even with the
ruddy-faced fruits there would have been plenty to do.
"Wooden trays with open lath bottoms made to slide into a framework afford
the best means of storing apples and pears. The ripening of pears may be
accelerated by enclosing them in bran or dry clean sand in a closed tin
box." It did not say how often one was to clean out the cage, nor whether
you put groundsel between the bars.
I told the man next door of my sorrows.
"Well, there 's plenty to do," he said. "Get a spade and dig the garden all
over."
Dig it all over indeed when I ought to be plucking nosegays of _Lysimachia
clethroides_ and _Pyrethrum uliginosum_ to put in my buttonhole! I prefer
to dream my dreams.
EVOE.
* * * * *
[Illustration: _Mistress_. "SO IT'S THE CHAUFFEUR THAT'S GOING TO BE THE
LUCKY MAN, MARY? I WAS UNDER THE IMPRESSION THAT THE BUTLER WAS THE
FAVOURED ONE."
_Cook_. "THAT WAS SO, MUM; BUT MR. WILLOUGHBY LET ME SLIP THROUGH HIS
FINGERS."]
* * * * *
THE CABMAN AND THE COIN.
"We must wait a minute or two for Sir Charles," said our hostess. "Everyone
else is here," and she beamed around the room.
The various _mauvais quart d'heure_ dialogues that this speech had
interrupted were resumed, most of them switching on to the question of
punctuality. And then a cab was heard to stop outside and after a minute or
so, presumably spent in financial transactions, the bell rang and the
knocker knocked.
"That's Sir Charles," said our hostess; "there he is;" and a few moments
later the guest we all awaited so fervently was in the room, full of
apologies.
"Never mind why you're late," said our hostess, "I'm sure you couldn't help
it. Now we'll eat," and once again a dozen Londoners fell into ark-
approaching formation and moved towards repletion.
The party was familiar enough, after certain solvents of speech had been
applied, for conversation to become general; and during the _entree_ we
were all listening to Sir Charles telling the famous story of the eminent
numismatist who, visiting the British Museum, was taken for a thief. By way
of making the narration the more vivid he felt in his pocket for a coin
with which to illustrate the dramatic crisis, when his expression became
suddenly alarmed and fixed.
"Good heavens!" he said, fumbling nervously all over his clothes, "I've
given it to the cabman. Of all the infernal idiocy! I knew I should. I had
a presentiment that I should get it muddled up with my other money and give
it away."
"What was it?" he was asked.
"Was it something very valuable?"
"Was it a rare coin?"
Murmurs of sympathy made a low accompaniment.
"It was a goldmohur," said Sir Charles. "A very beautiful coin of the
Moguls. I keep it as a kind of mascot. I've had it for years, but left it
behind and it reached me from India only this morning. Having come away
without it I sent a cable for it to be forwarded on. And now! It's the
rottenest luck."
"What was it worth?" our hostess asked.
"Not very much. Thirty pounds perhaps. But that isn't it. The money is
nothing--it's the sentimental associations that make the loss so serious."
"Well," said a practical man, "you needn't despair. Ring up Scotland Yard
and ask them the best thing to do."
"Did you take the cabman's number?" some one asked.
"Of course he didn't," our hostess replied. "Who ever does a thing like
that?"
"As a matter of fact," said Sir Charles, "I sometimes do. But this time, of
course, I didn't." He groaned. "No, it's gone for ever. The cabman will see
it's gold and sell it. I wouldn't trust your modern taxi-chauffeur with
anything."
"If you would feel any happier," said our hostess, "do telephone now."
"No," said Sir Charles, "no. It's no use. A coin like that would never be
surrendered. It's too interesting; even a cabman would realise that.
Umbrellas they'll take back, of course--umbrellas and bags, but not a
goldmohur. He'll either keep it to show his pals in public-houses or have
it fixed up as a brooch for his wife."
As Sir Charles finished speaking and once more turned gloomily to his
neglected plate the knocker was heard again to knock, and then one of the
maids approached her mistress and spoke to her in low tones.
Our hostess brightened. "Now, Sir Charles," she said, "perhaps you'll
revise your opinion of our taxi-drivers. Tell Sir Charles what it is," she
said to the maid.
"If you please," the maid began, "there's a cabman at the door. He says he
brought a gentleman here and----" Here she faltered.
"Go on, Robins," said her mistress.
"If you please, I don't like to," said the girl. "It's so--so----"
"I should like to hear it exactly," said Sir Charles.
"Well," said the maid with a burst of courage, "he says there's a gentleman
here who--who bilked him--who passed a piece of bad money on him in the
dark. Here it is," and she handed Sir Charles the goldmohur. "And he says
if he doesn't get an honest shilling in exchange for it he'll have the law
on him."
E.V.L.
* * * * *
THE KNELL OF THE NAVY.
Spooner is a remarkable fellow. His duties on board this ship are to fly
once a week off the deck, revolve twice round the masts and sink thankfully
down into the water, where we haul him out by the breeches and hang his
machine up to dry on the fo'c's'le. By performing these duties four times a
month, he leads us to believe he is preparing the way for the ultimate
domination of Air Power. We of the Navy are obsolete, and our hulls are
encrusted with the Harwich barnacle.
The argument proceeds on these lines: One day there will be another
war--perhaps to-morrow. We of the Navy, coalless and probably by that time
rumless as well, will rush blindly from our harbours, our masts decked with
Jolly Rogers and our sailors convulsed with hornpipe, to seek the enemy.
But, alas, before the ocean spray has wetted our ruby nostrils we shall
find ourselves descended upon from above and bombed promiscuously in the
middle watch.
It will be all over inside a nautical second. The sky will be black with
hostile aircraft, and there will be lead in the stew and bleeding bodies in
the bilge. Hollow laughter will sound from the bridge, where the Captain
will find the wheel come away in his hand, and the gramophone will revolve
eternally on a jazz rune because no one will be alive to stop it. When all
these things occur we of the Navy will know that our day is past and done.
Why our Mr. Spooner is such a remarkable fellow is because he can sit deep
in an easy-chair and recite these things without turning a single hair on
his top lip. Of course he realises that the work of the Navy must go
on--until the crash descends. But it is rather unsettling for us. It seems
to give us all a sort of impermanent feeling. Quite naturally we all ask
what is the use of keeping up the log and painting the ship? Why isn't all
the spare energy in the ship bent to polishing up our boat-drill? or why
aren't the people who can afford it encouraged to buy unsinkable
waistcoats? The Admiralty must know all about it if they are still on
speaking terms with the Air Ministry. It's a beastly feeling.
Yesterday a formation of powerful aeroplanes, which Spooner called the
"Clutching Hand," came out from the land and flew round us, and simply
prodded us with their propellers as we lay defenceless on the water.
The bogey is undoubtedly spreading. The Admiral came aboard this afternoon
to inspect our new guns. He yawned the whole time in his beard and did not
ask a single question. We suppose he realises that the whole business is
merely a makeshift arrangement for the time being and not worth bothering
about as long as the brass is polished and the guns move up and down
easily.
Well, as far as we are concerned it only remains for Number One, who has a
brother in the Air Force, to cancel his winter order with Breezes, the
naval tailors, and we shall all go below and pack our trunks and get ready
to hand the ship over to Spooner. If the Navy of the future must be under
water there is no particular reason why we should be there too.
* * * * *
[Illustration: MANNERS AND MODES.
FASHIONABLE METEOROLOGY FOR MICHAELMAS. BRITISH ISLES: TEMPERATURE, WARM TO
CHILLY (ACCORDING TO TASTE).]
* * * * *
[Illustration: _Jarvey._ "YE'RE ON THE WRONG SIDE AV YERE ROAD, MICK."
_Mick._ "SURE THE COUNTRY'S OUR OWN NOW AND WE CAN DHRIVE WHERE WE LIKE."]
* * * * *
THE CONSPIRATORS.
1.
My Dear Charles,--You continue to ask me what I am doing, and why, and when
I am going to sign the Peace, like everyone else, and return to honest
work. The answer is in the negative. Though I am very fond of peace, I
don't like work. And, as for being honest, I tend rather to politics. Have
I never told you that I take a leading part on the Continent in the great
Class War now raging? And, by the way, has anyone let you know that it is
only a matter of time before the present order of society is closed down,
the rule of the proletariat established and people like Charles set on to
clean the streets or ruthlessly eliminated?
LENIN began to worry about you as long ago as 1915, and you know what
happens to people when LENIN really starts to worry about them. He wasn't
satisfied that enough violent interest was being taken in you; the mere
Socialists he regarded as far too moderate and genteel. As for their First
and their Second International--he wanted something thoroughgoing,
something with a bit of ginger to it. So at the Zimmerwald Congress on the
5th September of that year all the out-and-outs unanimously declared war to
the knife agin the Government, whatever and wherever the Government might
be. How many long and weary years have you waited, Charles, to be told what
Zimmerwaldianism might be--a religious tendency, a political aspiration, a
valvular disease of the appendix or something to do with motor-cars? Ah,
but that is as nothing to the secrets I am going to let you into, to force
you into, before I have done with you.
It was not until well into 1918 that I myself began to worry about LENIN.
He had left Switzerland by that time, having got tired of the jodelling
Swiss and their infernally placid mountains. When the revolution broke out
in Russia he felt it was just the thing for him, and his German backers
felt he was just the man for it. So LENIN, whose real name isn't LENIN,
went into partnership with TROTSKY, whose real name isn't TROTSKY, and set
up in business in Moscow. But the thing was too good to be confined to
Russia; an export department was clearly called for. It was when they began
in the "off-licence" trade, in the "jug-and-bottle" business, that they ran
up against your Henry.
With the view of upheaving Switzerland, LENIN and Co. sent a Legation to
its capital, the principle being, no doubt, that before you cut another
people's throat you must first establish friendly relations. This Legation
arrived in May, 1918, when we were all so occupied with the War, making
returns and indents and things, that it hoped to pass unnoticed. But there
was something about that Legation which caught the eye; it had not the
Foreign Office look about it--smart Homburg hats, washleather gloves,
attache-cases with majestic locks, spats ... there was something missing.
It looked as if it might be so many Anarchists plotting a bomb affair.
And that's what it was. I suppose you will say I am inventing it when I
tell you that it used to sit round a table, in the basement of an Italian
restaurant, devising schemes for getting rid of people (especially people
like Charles) _en bloc_; that it didn't provide the Italian restaurant-
keeper with as much money as he thought he could do with; that the Italian
restaurant-keeper came round to see us after dark; wouldn't give his name;
came into the room hurriedly; locked the door behind him; whispered "H'st!"
and told us all about it. It requires an Italian to do that sort of thing
properly; but this fellow was better than the best. I couldn't go to a
cinema for months afterwards because it lacked the thrill of real life.
We were so impressed with his performance that we asked him his trade. He
dropped the sinister, assumed the bashful and told us that he was an
illusionist and juggler before he took to restaurant-keeping and sleuthing.
He juggled four empty ink-pots for our entertainment and made one of them
disappear. Not quite the way to treat a world-revolution; but there! This
was all in the autumn of 1918, when we were naturally a bit above
ourselves.
Switzerland has four frontiers--German, Austrian, Italian and French.
Lenin's Legation had opened up modestly and without ostentation as becomes
a world's reformer, a distributing office on each one of the four. Somehow
I could never work myself up to be really alarmed at jolly ANNA BALABANOFF,
but I fancy she has done as much harm since as most people achieve here on
earth. Her job was to work into Italy; but in those days, when war
conditions still prevailed, she couldn't do much more than stand on the
shores of the Lake of Lugano and scowl at the opposite side, which is
Italian. Do you remember the lady's photograph in our daily Press? If so
you will agree with me that even that measure was enough to start unrest in
Italy....
Charles, my lad, let us break off there and leave you for a week all of a
tremble. In the course of these Sensational Revelations we are going to see
something of the arrangements made for the break-up of the old world,
which, with all its faults, we know we still love. The process of
reconstruction is not yet defined, and will probably not be attempted in
our time. In any case, when things arrive at that stage, there will be no
Charles and, I am still more sorry to say, no Henry.
Now, whatever you may think about it, I for one am not prepared to be
scrapped and to become part of a dump of oddments waiting instructions for
removal from a Bolshevist Disposals Board. You know what these Disposal
Boards are; one's body might lie out in the rain for years while the
minutes were being passed round the Moscow Departments. I have worried
myself to death about it, and now I am going to worry you. I am going to
make your flesh creep and your blood run cold. No use your telling me you
don't care what is coming along in the future, provided you can be left in
peace for the present. _I shall tap you on the shoulder and shall whisper
into your ear the resolutions passed with regard to you as recently as the
end of July last at Moscow._. I'll make you so nervous that you daren't get
into bed, and, once in bed, daren't get out again. I expect to have you mad
in about three weeks, and even then I shall pass more copies of this paper,
with more revelations in them, through the bars of your asylum window.
All that for sixpence a week is not expensive, is it, dear Charles?
Yours ever,
HENRY.
(_To be continued._)
* * * * *
[Illustration: _Officer._ "WHEN YOU SEE A MOON LIKE THAT, THOMPSON, DOESN'T
IT SOMETIMES MAKE YOU FEEL A LITTLE BIT SENTIMENTAL?"
_P.O._ "NO, SIR, I CAN'T SAY IT DO. THE ON'Y TIME I GETS SLOPPY NOW IS WHEN
I'VE 'AD A FEW NICE-LOOKIN' PINTS O' BEER."]
* * * * *
COMMERCIAL CANDOUR.
"Do not delay. The above coats will last only few hours."--_New Zealand
Star._
* * * * *
"Mr. ---- highly recommends his Butler; left through death."--_Morning
Paper._
Should suit SIR OLIVER LODGE.
* * * * *
"Black Waler Mare, 15-1, six years off, up to 14 stones, easy paces,
regularly ridden by a lady touched in wind."--_Weekly Paper._
This doesn't matter if the mare is all right.
* * * * *
[Illustration: _Golfer_ (_to old lady who has established herself on the
border of the fairway_). "EXCUSE ME, MADAM, BUT DO YOU KNOW IT IS RATHER
DANGEROUS TO SIT THERE?"
_Old Lady._ "OH, THANK YOU VERY MUCH--BUT I'M SITTING ON A BIT OF MY
NEWSPAPER."]
* * * * *
TO JAMES IN THE BATH.
Without the bolted door at muse I stand,
My restive sponge and towel in my hand.
Thus to await you, Jimmy, is not strange,
But as I wait I mark a woeful change.
Time was when wrathfully I should have heard
Loud jubilation mock my hope deferred;
For who, first in the bathroom, fit and young,
Would, as he washed, refrain from giving tongue,
Nor chant his challenge from the soapy deep,
Inspired by triumph and renewed by sleep?
Then how is this? Here have I waited long,
Yet heard no crash of surf, no snatch of song.
James, I am sad, forgetting to be cold;
Does this decorum mean that we grow old?
I knew you, James, as clamorous in your bath
As porpoises that thresh the ocean-path;
Oh! as you bathed when we were happy boys,
You drowned the taps with inharmonious noise;
Above the turmoil of the lathered wave
How you would bellow ditties of the brave!
How, wilder that the sea-mew, through the foam
Whistle shrill strains that agonised your home.
In the brimmed bath you revelled; all the floor
Was swamped with spindrift; underneath the door
The maddened water gushed, while strong and high
Your piercing top-note staggered passers-by.
But now I hear the running taps alone,
A faint and melancholy monotone;
Or just a gentle swirl when sober hope
Searches the bath's profound to salve the soap.
Sadly I kick the unresponsive door;
Youth, with its blithe ablutions, is no more.
W.K.H.
* * * * *
IN A GOOD CAUSE.
Among the minor charitable organisations of London not the least admirable
and useful is the Santa Claus Home at Highgate, which the two Misses
CHARLES have been administering with such devotion and success since 1891.
Its modest aim is to keep open twenty beds for small children suffering
from hip and spinal disease, and to give them such treatment as will
prevent them becoming hopeless cripples; and this purpose hitherto has been
fulfilled no one can say exactly how, but with help not only from known
friends but mysteriously from the ravens. To-day, however, the high cost of
living has set up a very serious obstacle, and debt and failure seem
inevitable unless five hundred pounds can be collected quickly. Any reader
of _Punch_ moved to bestow alms on as sincere and deserving a a work of
altruism as could be found is urged to send a donation to Miss CHARLES,
Santa Claus Home, Cholmeley Park, Highgate, N.6.
* * * * *
"Although its run in the evening bill must necessarily be limited to
two weeks, steps will be taken to remove it to other quarters should it
prove to the taste of the public. _That failing, it will continue to be
given at the ---- Theatre for a series of matinees._"--_Daily Paper._
The italics are ours, though it is not really our funeral, as we never go
to matinees.
* * * * *
[Illustration: SALVAGE.
OLD KING COAL (_to his champion_). "HAVE YOU SAVED THE SITUATION?"
MR. SMILLIE. "WELL, BETWEEN OURSELVES, I WOULDN'T QUITE SAY THAT; BUT I'M
HOPING TO SAVE MY FACE."]
* * * * *
[Illustration: THE RETURN FROM THE HOLIDAY.
"SED REVOCARE GRADUM ... HOC OPUS, HIC LABOR, EST."]
* * * * *
THE SHRIMP TEST.
At last we have an explanation of a good deal of the social and industrial
unrest of recent months. Since April there has been a serious shrimp
shortage.
How far this is responsible for dissatisfaction among the miners and other
workers it is impossible to say; but in other circles of society this
shrimp shortage has been responsible for much. From golf-courses this
summer has come a stream of complaint that the game is not what it was.
Sportsmen, again, have gone listlessly to their task and have petulantly
wondered why the bags have been so poor. House-parties have been failures.
In many a Grand Stand nerves have gone to pieces. Undoubtedly this grave
news from the North Sea is the explanation. What can one expect when there
are no shrimps for tea?
For the eating of shrimps is more than a mere assimilation of nourishment,
more even than the consumption of an article of diet which is beneficial to
brain tissues and nerve centres. After all, the oyster or the haddock
serves equally well for those purposes.
But before one eats a shrimp a certain deftness and delicacy of
manipulation are needed to effect the neat extraction of the creature from
its unpalatable cuticle. Not so with the haddock.
Shrimp-eating is something more than table deportment; it is a test of
_sangfroid_ and _savoir faire_, qualities so necessary to the welfare of
the nation. The man who can efficiently prepare shrimps for seemly
consumption, chatting brightly the while with his fair neighbour and
showing neither mental nor physical distress, can be relied upon to comport
himself with efficiency whether in commerce or statecraft.
Watch a man swallow an oyster, and how much more do you know of him after
the operation than you knew before? But put him in a Marchioness's
drawing-room and set a shrimp before him, and the manner in which he
tackles the task will reveal the sort of stuff he is made of.
The shrimp test is one before which physically strong men have broken down,
while the seemingly weak have displayed amazing fortitude.
In these days, when it behoves every man among us to be at his best, we
view this famine in shrimps with grave concern, and we trust that the Board
of Agriculture and Fisheries is alive to the significance of this crisis.
* * * * *
PUBLISHER'S COLUMN.
"Colonel Repington's Diary.
NEW BOOKS.
The Revelation of St. John.
NEW FICTION.
The Autobiography of Judas Iscariot."--_Scotch Paper._
And MARGOT next week.
* * * * *
RAINY MORNING.
As I was walking in the rain
I met a fairy down a lane.
We walked along the road together;
I soon forgot about the weather.
He told me lots of lovely things:
The story that the robin sings,
And where the rabbits go to school,
And how to know a fairy pool,
And what to say and what to do
If bogles ever bother you.
The flowers peeped from hedgy places
And shook the raindrops from their faces,
And furry creatures all the way
Came popping out and said "Good-day."
But when we reached the little bend
Just where the village houses end
He seemed to slip into the ground,
And when I looked about I found
The rain was suddenly all over
And the sun shining on the clover.
R.F.
* * * * *
PAROCHIAL HUMOUR.
"CHURCH OUTING.--All arrangements for the outing were made by the Hon.
Sec., and we are grateful to him for a very happy day. A walk to ----
Church, cricket, tea and a game of bounders formed the programme."--
_Parish Magazine._
* * * * *
"PRONUNCIATIONS IN THIS PAPER.
Bona fides ... Boner-fy-dees.
Grasse ... Grar."--_The Children's Newspaper._
The idear!
* * * * *
[Illustration: _Enlightened Yokel_ (_explaining the picture in a hoarse
whisper_). "THE BLEW BE THE ZEE, JEM, AN' THE YALLER BE THE CORN, SURE
NUFF. AN' THE BIT O' BROWN IN THE CORNER--BUST ME, THAT MUST BE TH' OL'
GEYSER 'ERSELF!"]
* * * * *
MIRIAM'S TWO BABIES.
That last morning at Easthaven, Miriam, alone of us three, preserved her
equanimity. I had arisen with the lark, having my own things to pack, to
say nothing--though nothing was not the only thing I said--of Billie's pram
and Billie's cot and Billie's bath. I wished afterwards I had let the lark
rise by himself; if I do heavy work before breakfast I always feel a little
depressed ("snappy" is Miriam's crude synonym) for the remainder of the
day.
As to Billie, his first farewells went off admirably. He blew a kiss to the
lighthouse, that tall friend who had winked at him so jovially night after
night. And it was good to see him hoisted aloft--pale-blue jersey,
goldilocks and small wild-rose face--to hug his favourite fisherman, Mr.
Moy, of the grizzled beard and the twinkling eyes.
But when the time came for Billie to say good-bye to the beach he refused
point-blank.
"Billie wants to keep it," he vociferated.
Miriam, woman-like, was all for compromise. Billie should fill his pail
with pretty pebbles and take them to London in the puffer-train. I
demurred. The fishermen already complained that the south-easterly gales
were scouring their beach away. Moreover, as I explained to Miriam, ere
long it would devolve upon me to carry the dressing-case, Billie himself
and--as likely as not--the deck-chairs and the tea-basket. Why increase my
burdens by a hundredweight or so of Easthaven beach?
It ended by her admitting I was perfectly right, and--by Billie filling his
pail with pretty pebbles.
I still had that feeling of depression when we returned to our rooms for an
early luncheon (there's nothing I so detest); after which we discovered
that Miriam thought I had told the man to call for the luggage at 12.45,
while I thought that Miriam had told the man to call for the luggage at
12.45.
And then we had to change twice, and the trains were crowded, and Miriam
insisted on looking at _The Daily Dressmaker_, and Billie insisted on not
looking at _Mother Goose_.
At Liverpool Street station I kept my temper in an iron control while
pointing out to quite a number of taxi-men the ease with which Billie's
pram and Billie's cot and Billie's bath could be balanced upon their
vehicles. But the climax came when, Miriam having softened the heart of one
of them, we were held up in a block at Oxford Circus, and Billie, _a
propos_ of nothing, drooped his under lip and broke into a roar--
"Billie wants the sea-side! Billie wants Mr. Moy!"
I suppose Miriam did her best, but he was not to be quieted, and old ladies
in omnibuses peered reproaches at me, the cruel, cruel parent. I frowned
upon Miriam.
"Will nothing stop the child?"
"There's a smut on your nose, dear," was all she replied. I rubbed my nose;
I also ground my teeth....
I was still wrestling on the pavement with the pram, the cot and the rest
of it, when Billie's cries from within the house suddenly ceased. Had the
poor little chap burst something? I hurried indoors and found him--all
sunshine after showers--seated on the floor with rocking-horse and Noah's
ark and butcher's shop grouped around him.
"He's quite good now he's got his toys," he assured me, no doubt echoing
something Miriam had just said.
* * * * *
I reached my study and collapsed into a chair. What a day! But little by
little, shelf upon shelf, I became aware of the books I had not seen for a
whole month: LAMB, my Elizabethans, a row of STEVENSON. I did not want to
read; it was enough to feast one's eyes on their backs, to take down a
volume and handle it my old green-jacketed BROWNING, for instance. And the
small red MEREDITHS all needed rearranging.
A little later I turned round to see Miriam standing in the doorway.
Remorse seized me; I put an arm about her, with--"Tired, old thing?"
She looked down at my books and, half-smiling, she looked up again.
"He's quite good now he's got his toys," she said, and kissed me.
* * * * *
VERY PERSONAL.
Just to see what it looks like with my name in it, I have been making a
diary of my doings (some real, some imaginary) in the approved language of
the Society and Personal column.
I am Mr. James Milfly. This is how it looks:--
"Yesterday was the fortieth birthday of Mr. James Milfly. He passed it
quietly at the office and at home. No congratulatory messages were received
and no replies will be sent."
"Among the outgoing passengers on the paddle steamer _Solent Tortoise_, on
Tuesday, was Mr. James Milfly. He returned to the mainland the same
evening, and will be at Southsea four days longer, after which, unless he
can think of an adequate excuse, he will return to town."
"Mr. James Milfly, who recently sustained a laceration of the finger while
cleaning his safety razor after use, passed another good night. The injured
member is healing satisfactorily, and no further bulletins will be issued."
"The performance of _The Bibulous Butler_ at the Corinthian Theatre last
night was witnessed by Mr. James Milfly and party, who occupied two seats
in the eighth row of the pit."
"Mr. James Milfly is a guest for the week-end at Acacia Lodge, Clumpton,
the residence of his old friend, Mr. Albert Purges. Excellent sparrow-
shooting was enjoyed after tea on Saturday in the famous home coverts from
which the lodge derives its title."
"Among those unable to be present at the Duchess of Dibdale's reception on
Friday was Mr. James Milfly, no invitation having reached him."
"Mr. James Milfly has been granted his wife's authority to wear on his
watch-chain the bronze medal of the Blimpham Horticultural Society, won by
his exhibit of a very large marrow at the society's recent show."
"Maria, Mrs. Murdon, is visiting her son-in-law, Mr. James Milfly. Her stay
is likely to be a lengthy one."
"Mr. James Milfly will spend the greater part of to-morrow in London. No
letters will be forwarded."
Try this for yourself. You have no idea what a sense of pomp and well-fed
importance it gives you.
* * * * *
[Illustration: _Kirk Elder._ "MAN, I'M SHOCKED TAE HEAR YOU'RE GAUN TAE GET
MARRIT TAE A LASSIE O' NINETEEN."
_Angus._ "OCH, SHE'S THE SAME AGE AS MA FIRRST WIFE WHEN I MARRIT _HER_."]
* * * * *
"THE WEATHER.
'Fair generally: night frosts,' is the forecast for the next 24
months."--_Provincial Paper._
The best news for a long time.
* * * * *
HOW TO BRIGHTEN VILLAGE LIFE.
"The exterior painting of the day school has been completed by the
Vicar, assisted by the caretaker. Their appearance is greatly improved
as a result."--_Provincial Paper._
* * * * *
"---- HOTEL DINING-ROOM.
OPEN TO NON-RESIDENTS WITH ORCHESTRAL ACCOMPANIMENT."--_Jersey Paper._
Residents, we understand, need only bring their mouth (and other) organs.
* * * * *
"Wanted, 'Cello (could reside in if desired)."--_Provincial Paper._
The housing problem solved at last.
* * * * *
Smith Minor says he would rather be called Smith Secundus. There is a
pleasanter sound about that qualification just now.
* * * * *
AT THE PLAY.
"A Night Out."
Everybody except myself seems to recall the fact that the late farce of
this name, adapted from _L'Hotel du Libre Echange_, ran for five hundred
nights before it expired. Some restorative music has now been applied to it
and the corpse has revived. Indeed there are the usual signs of another
long run. The trouble is that nearly all the cast at the Winter Garden
Theatre seem to think that, if the play is to run, they must run too. They
don't keep still for a moment, because they dare not. Even Mr. LESLIE
HENSON, whose fun would be more effective if he didn't try so hard, feels
that he must be at top pressure all the while with his face and his body
and his words. Yet he could well afford to keep some of his strength in
reserve, for he is a born humourist (in what one might perhaps call the
Golliwog vein). But, whether it is that he underrates his own powers or
that he can't contain himself, he keeps nothing in reserve; and the others,
less gifted, follow his lead. They persist in "pressing," as if they had no
confidence in their audience or their various authors or even themselves.
One is, of course, used to this with singers in musical comedy, who make a
point of turning the lyrics assigned to them into unintelligible patter.
Perhaps in the present case we lost little by that, though there was one
song (of which I actually heard the words) that seemed to me to contain the
elements of a sound and consoling philosophy. It ran something like this:--
For you won't be here and I won't be here
When a hundred years are gone,
But somebody else will be well in the cart*
And the world will still go on.
* Or, alternatively, soup.
Mr. LESLIE HENSON, as I have hinted, allowed himself--and us--no rest. His
energy was devastating; he gave the audience so much for their money that
in the retrospect I feel ashamed of not having paid for my seat. One's
taste for him may need acquiring; but, once acquired, there is clearly no
getting away from it. Perhaps his most irresistible moment was when he laid
out six policemen and then meekly surrendered to a female constable who led
him off by the ear.
Mr. FRED LESLIE (a name to conjure with!) was almost fiercely emphatic in
the part of _Paillard_, and I preferred the relatively quiet methods of Mr.
AUSTIN MELFORD, who did without italics. Mr. RALPH ROBERTS was droll as a
waiter; and it may have been my fault that I found Mr. DAVY BURNABY rather
unfunny in the part of _Matthieu_.
Of the ladies, two could sing and two, or even three, could act (Miss LILY
ST. JOHN could do both); nearly all had good looks and a few of them were
pleasantly acrobatic.
The scene of the Hotel Pimlico, with an alleged private sitting-room on one
side, an alleged bedroom on the other, and a hall and staircase in the
middle, was extraordinarily unconvincing. The partition walls came to an
end at quite a long distance from the front; and, with the general company
spreading themselves at large over the whole width of the foreground, it
was very difficult to entertain any illusion of that privacy which is of
the essence of the _cabinet particulier_. I say nothing of the bedroom,
whose tenancy was frankly promiscuous.
The fun, of course, is old-fashioned; if one may say it of a French farce,
it is Victorian. Apart from a few topical allusions worked in rather
perfunctorily there is scarcely anything said or done that might not have
been said or done in the 'eighties. But for a certain type of Englishman
there is a perennial attraction in feeling that at any moment the
proprieties may be outraged. That they never actually are outraged does not
seem very greatly to affect his pleasure. He can always console himself
with easy conjecture of the wickedness of the original. So there will never
be wanting a public for these _Noctes Parisianae_.
Let us hope that somehow it all helps to keep the sacred flame of the
Entente burning. _Vive MILLERAND!_
O.S.
* * * * *
BETTERING THE BANYOROS.
(_By a Student of Anthropology._)
Sir JAMES FRAZER'S luminous _resume_ of the investigations of the MACKIE
Expedition amongst the Banyoros has only one defect. He omits all reference
to the subsequent and even more fruitful visit of the Expedition to the
adjoining Noxas tribe, whose manners and customs are of extraordinary
interest. This remarkable race are noted not merely for their addiction to
the dance, but for the kaleidoscopic rapidity with which the dances
themselves are changed from season to season. Only a few years ago the
entire tribe were under the spell of the Ognat, which in turn gave place to
the Tortskof and the Zaj, the last named being an exercise in which violent
contortions of the body were combined with the profoundest melancholy of
facial expression. Curiously enough the musicians who are employed at these
dances are not of indigenous stock, but of a negroid type and are imported
from a distance at high salaries.
The literary gifts of this singular tribe are on a par with their saltatory
talent, but are at present mainly occupied in the keeping of personal
records, led therein by a chieftainess named Togram, in which the
conversations, peculiarities, complexions and dresses of their friends are
set down and described with ferocious _bonhomie_. The tablets containing
these records are then posted up in conspicuous places of resort, with the
most stimulating and entertaining results.
It is noteworthy that the ruler of the country is not chosen from the
dancing or Bunihugoro section of the community, but from the powerful Renim
clan, who devote themselves intermittently to the task of providing the
country with fuel. The chieftain wields great power and is regarded with
reverence by his followers, but is in turn expected to devote himself
entirely to their interests, and if he fails to satisfy is promptly
replaced by a more energetic leader. As the great bulk of the community
yield allegiance to an hereditary sovereign of strictly defined powers this
interesting country offers the agreeable spectacle of a state in which the
dulness of constitutional government is happily tempered by the delights of
industrial dictatorship.
* * * * *
TO CERTAIN CAUTIOUS PROPHETS.
(_Suggested by the almost invariable form of the last sentence in the
Weather Report._)
Ye watchers of the wind and rain,
Forgive me for becoming nettled
By your monotonous refrain:
"The further outlook is unsettled."
When, on a bright and sunlit morn,
I rise refreshed and finely fettled
Your cue is not to cheer but warn:
"The further outlook is unsettled."
They are too rare, these halcyon days,
When earth's a paradise rose-petalled,
For you to chill us with a phrase:
"The further outlook is unsettled."
Too often have I shirked the goal
At which (as Scotsmen say) I ettled,
Discouraged by your words of dole:
"The further outlook is unsettled."
For instance, lately I resigned
A trip to Shetland to be shettled;
Your menace made me change my mind:
"The further outlook is unsettled."
Henceforth I'm going to defy
You and your breed, inert, unmettled,
Who chant that sad Cassandra cry:
"The further outlook is unsettled."
Ay, if I held untrammelled sway
I'd have you bottled up and kettled
Like djinns, until you ceased to say:
"The further outlook is unsettled."
* * * * *
[Illustration: MAJOR-GENERAL X AT THE FRONT IN 1918--]
[Illustration: AND ON THE BRIGHTON ROAD IN 1920.]
* * * * *
PIGS.
"Pigs pays," said Mrs. Pugsley.
"So I have heard."
"Pigs always pays; but Pugsley's pigs pays prodigious."
I rejoiced with her.
"Took 'em up sudden, he did; and now that interested! You'd never think
that pigs 'ld twine themselves round a man's heart, so to speak, would
you?"
"No."
"That's how it is with Willum. Reads nothing but about pigs; they'm his
only joy. In partnership with Uncle Eli over them. First time Uncle Eli
took to anything wholesome in his life. When Willum loses a pig he's that
low that he puts on a black tie. Wonnerful!"
It was. I knew Willum, otherwise Uncle Billy, and something about his
tastes. I had the pleasure of meeting him on the foreshore that afternoon.
No doubt he was studying pigs; but the title of the book he had in his hand
was _Form at a Glance_.
"Pig form, I presume," said I politely.
"Now then, Missie, don't go giving me away. All's lovely at home. Me and
Uncle Eli has clubbed together to buy Bodger's racing tips. Bodger's got
brain. Doing very well, we are. Sure, I can't tell the missus, and she a
Plymouth Rock."
"Isn't it Plymouth Sister?"
"Maybe; but I think there's a rock in it somewhere. Anyway we agreed when
we married to keep our purses in the same drawer, and mine's bulging."
"You are a brave man, Uncle Billy. What about the day she will want to see
your pigs?"
"A thought that wakes me at night. We keep 'em out in the country, I'd have
you know. There, why take a fence before you come to it? There'll be wisdom
given."
Apparently there was, but the address from which the wisdom came was
indistinct.
"Willum," said Mrs. Pugsley one day, "to-morrow I'm coming to see they pigs
of yours; bless their fat sides!"
"You shall, my tender dear," said Uncle Billy. "Yes, to-morrow noon you'll
see the blessed things."
Almost at dawn he presented himself at Farmer Dodge's and astonished that
good man by asking to be allowed to hire a few pigs for the day.
Farmer Dodge scratched his head.
"Well, I've been asked to loan out most things in my time, but never pigs
before. Where be taking them?"
"Home."
"That's a matter of better than two miles. Have 'ee thought of the wear and
tear and the loss of good lard? No, Uncle Billy, I won't fly against the
will of Heaven. If pigs had been meant to go for walks they'd have had legs
according. Their legs hain't for walking; they'm for hams."
Uncle Billy drew near and explained. Farmer Dodge grinned.
"To do down your missus? Well, I like a jest as well as any, and to put
females in their place is meat and taties to me; but 'tis a luxury, and
luxury is what you like but can do without."
In the end Uncle Billy drove a bargain by which he secured the use of six
pigs for a few hours and paid three shillings per pig. For three-and-six he
also hired the help of a boy to drive them; as he remarked, he could have
had more than another pig for that money, but it would be warm work for him
alone.
The inhabitants of the houses on the terrace of the little sea-side town
where the Pugsleys lived were thrilled at noon by the arrival of a small
herd of swine. The animals looked rather tired but settled down contentedly
in the front-garden of No. 3.
Mrs. Pugsley, hearing their voices, came to the door.
"Why, Willum, I was just making ready to come out with you to go and see
them."
"My tender dear," he said with emotion, "would I let you be taken miles in
this heat to see the finest pigs ever littered? No. 'Tis not for my wife to
go to see pigs, 'tis for pigs to come to see my wife. Here they be. That's
Spion Kop, the big black one--called because 'tis the highest mountain in
America and he's to make the highest price. The pink one is Square Measure,
for he'll eat his own size in meal any day. That's Diadem--no, it's not;
Diadem lost--I should say Diadem's lost to us." Uncle Billy lifted his hat
reverently. "The ginger one is Comrade--a fine name."
"Why, 'tis a little sow."
"And what better comrade than a blessed female, my loving dear, and who'd
know that better than me?"
"Don't you go mixing me up with the pigs, Willum; I won't have it. What's
the name of that perky black one?"
"Mount Royal," said Uncle Billy. "I'm a KING'S man and like to respect they
set over me. Royal just means one of the KING'S family."
The parade was dismissed; the herd returned to its home and Uncle Billy
paid the cost of wear and tear.
He sat smoking that evening in a state of blissful content. All had gone
well; the dreaded black moment was over. Mrs. Pugsley knitted furiously in
silence.
"Now what might you be turning over in that mind of yours?" asked Uncle
Billy.
"Pigs."
"Couldn't do better."
"And their names. Maybe you won't christen any more until after the
Cesarewitch."
She folded up her knitting and went to bed, leaving Uncle Billy as if
turned to stone. When he recovered he sought out Uncle Eli and said:--
"Eli, she's known all along. She knowed when I was driving they brasted
pigs here in the heat. She's never been took in at all. And that's a woman.
That's what married me."
* * * * *
[Illustration: _Bridegroom_ (_twenty minutes late, excitedly, to Verger_).
"DON'T TELL ME THE THING'S OVER."]
* * * * *
"It would be wrong to enter upon political questions in these pages,
but there can be no harm in suggesting that prayer should be made as
much for our rulers at Westminster as for people in Ireland. The
Collect, with certain alterations, for Those at Sea would seem
especially suitable."--_Exeter Diocesan Gazette._
Very neatly and clerically put.
* * * * *
[Illustration: _Smith_ (_member of bowling club_). "DO YOU KNOW THESE BALLS
COST FIVE GUINEAS EACH?"
_Jones_ (_golfer_). "BY JOVE! I HOPE YOU DON'T LOSE MANY IN THE 'ROUGH.'"]
* * * * *
OUR BOOKING-OFFICE.
(_By Mr. Punch's Staff of Learned Clerks_.)
Undeniably ours is an age in which fond memory fills not only the heart of
man but the shelves of the circulating libraries to a degree bordering upon
excess. But, let reminiscences be even more frequent than they are, there
would yet remain a welcome for such a book as Mr. W.H. MALLOCK'S attractive
_Memoirs of Life and Literature_ (CHAPMAN AND HALL). The reason of this
lies not more in the interest of what is told than in the fact that these
memories have the advantage of being recalled by one who is master of a
singularly engaging pen. Nothing in the book better displays its quality of
charm than the opening chapters, with their picture of an old-world
Devonshire, and in particular the group of related houses in which the
boyhood of the future anti-socialist was so delightfully spent. Gracious
homes have always had a special appeal to the author of _The New Republic_,
as you are here reminded in a score of happy recollections. Then comes
Oxford, and that meeting with SWINBURNE in the Balliol drawing-room that
seems to have been the common experience of memoir-writers. Some
entertaining chapters give a cheerful picture of London life when Mr.
MALLOCK entered it, and Society, still Polite, opened its most exclusive
doors to the young explorer. The rest of the book is devoted to a record of
friendships, travel, an analysis of the writer's literary activities, and a
host of good stories. Perhaps I have just space for one quotation--the
prayer delivered by the local minister in the hall of Ardverike: "God bless
Sir John; God bless also her dear Leddyship; bless the tender youth of the
two young leddies likewise. We also unite in begging Thee to have mercy on
the puir governess." A book of singular fragrance and individuality.
The Victorians used to talk, perhaps do still, about the lure of the stage;
but I am inclined to suppose this was as nothing beside the lure of the
stage-novel. All our writers apparently feel it, and in most cases their
bones whiten the fields of failure. But amongst those of whom this
certainly cannot be said is Mr. HORACE A. VACHELL, whose new book, _The
Fourth Dimension_ (MURRAY), has both pleased and astonished me by its
freedom from those defects that so often ruin the theatrical story. For one
thing, of course, the explanation of this lies in my sustaining confidence
that I was being handed out the genuine stuff. When a dramatist of Mr.
VACHELL'S experience says that stage-life is thus and thus, well, I have to
believe him. As a fact I seldom read so convincing a word-picture of that
removed and esoteric existence. The title (not too happy) means the world
beyond the theatre, that which so many players count well lost for the
compensations of applause and fame; and the story is of a young and
phenomenally successful actress, _Jess Yeo_, in whom the claims of
domesticity and the love of her dramatist husband are shown in conflict
with the attractions of West-End stardom and photographs in the illustrated
papers. Eventually--but I suppose I can hardly tell that without spoiling
for you what goes before the event. Anyhow, if I admit that the ending did
not inspire me with any sanguine hope of happiness ever after, it at least
put a pleasant finish on an attractive and successful tale.
* * * * *
_In the Mountains_ (MACMILLAN) is one of those pleasant books of which the
best review would be a long string of quotations, and that is a very
complimentary thing to say about any novel. Written in diary form, on the
whole successfully, it tells little of doing and much of being, and a great
deal more of feeling than of either. It is scarcely necessary after that to
add that it is discursive. As a matter of fact I found that for me that
half of its charm which did not lie in being whisked off, as it were by
magic, to sit in the sunshine of Switzerland lay in its author's
reflections upon subjects quite unconnected with her story, and as far
apart from each other as LAW'S _Serious Call_ and the effect of different
kinds of underclothing on the outward demeanour of the wearer. From the
human document point of view it is as a picture of the convalescence of a
soul sick with grief that _In the Mountains_ deserves attention. I cannot
imagine that anyone who has ever got well again after sorrow will fail to
recognise its truth. The little mystery and the slender love-story which
hold the discursiveness together are just sufficient but so slight that
they shall not even be hinted at here. For the rest the book is whimsical,
thoughtful, sentimental by turns and, in spite of its tolerance, a shade
superior; with now and then a phrase which left me wondering whether a
blushing cheek would deserve the Garter motto's rebuke; in fact it
resembles more than anything else on earth what the "German garden" of a
certain "Elizabeth" might grow into if she transplanted it to a Swiss
mountain-top.
* * * * *
_Peregrine in Love_ (HODDER AND STOUGHTON) is a story whose sentimental
title does it considerably less than justice. It gives no indication of
what is really an admirably vivacious comedy of courtship and intrigue,
with a colonial setting that is engagingly novel. Miss C. FOX SMITH seems
to know Victoria and the island of Vancouver with the intimacy of long
affection; her pen-pictures and her idiom are both of them convincingly
genuine. The result for the reader is a twofold interest, half in seeing
what will be to most an unfamiliar place under expert guidance, half in the
briskly moving intrigue supposed to be going on there. I say "supposed,"
because, to be frank, Miss FOX SMITH'S story, good fun as it is, hardly
convinces like her setting. You may, for example, feel that you have met
before in fiction the lonely hero who rescues the solitary maiden, his
shipmate, from undesirable society, and falls in love with her, only to
learn that she is voyaging to meet her betrothed. At this point I suppose
most novel-readers would have given fairly long odds against the betrothed
in question keeping the appointment, and I may add that they would have won
their money. Not that _Peregrine_ was going to find the course of his love
run smooth in spite of this; being a hero and a gentleman he had for one
thing to try, and keep on trying, to bring the affianced pair together, and
thus provide the tale with another than its clearly predestined end. Of
course he doesn't succeed, but the attempt furnishes capital entertainment
for everybody concerned, and proves that Mr. Punch's "C.F.S." can write
prose too.
* * * * *
The title of _Gold Must be Tried by Fire_ (MACMILLAN) might be called
axiomatic for the precise type of fiction represented by the story.
Because, if gold hadn't to be tried by fire, you might obviously marry the
hero and heroine on the first page and save everybody much trouble and
expense. Mr. RICHARD AUMERLE MAHER, however, knows his job better than
that. True, he marries his heroine early, but to the wrong man, the Labour
leader and crook, _Will Lewis_, who vanishes just before the entrance of
the strong but unsilent hero, only to reappear (under an alias) in time to
get shot in a strike riot. Mr. MAHER'S book comes, as you may already have
guessed, from that great country where they have replaced alcohol by sugar,
and where (perhaps in consequence) heroines of such super-sentimentality as
_Daidie Grattan_ have no terrors for them. Personally I found her and her
exploits on burning ships, besieged mills and the like a trifle sticky. For
the rest you have some interesting details of the workings of the paper
industry; a style that to the unfamiliar eye is at times startling (as
when, on page 282, the hero's head "snapped erect"); and lots and lots of
love. As for the ending, to relieve any apprehensions on your part, let me
quote it. "Taking her swiftly in his arms, he questioned: 'Has the gold
come free from the fire at last, my darling?' 'Gold or dross,' she
whispered as she yielded, 'it is your own.'" _Ah!_
* * * * *
_Love's Triumph_ (METHUEN) is concerned to a great extent with the
development of a raw Kentucky lad into an attractive and resourceful man;
but its chief interest lies rather with his trainer. When _Victor
McCalloway_ arrived in Kentucky and took _Boone Wellver_ under his wing it
became obvious enough that he was bent on reconstructing his own life as
well as moulding _Boone's_. _McCalloway_, when the seal of his past is
broken, turns out to be _Sir Hector Dinwiddie, D.S.O., K.C.B._, a
tradesman's son who was generally believed to have killed himself in Paris.
I must assume that Mr. CHARLES NEVILLE BUCK intended us to recognise in
_Sir Hector_ a certain General whose name acquired a painful notoriety not
so long ago. The reader may form what opinion he likes of the good taste of
all this, but there can be no question that the author has drawn a fine
character. At the outset his style is so jumpy that the story is difficult
to follow, but presently its course grows clearer and I fancy that you will
follow it keenly, as I did, to the end.
* * * * *
[Illustration: WORRIES OF THE DARK AGES.
_Peaceful Knight_ (_who has called to ask his way at a strange castle_).
"OH, CONFOUND IT! I WISH I'D READ THE NOTICE BEFORE I BLEW THE HORN. I
DON'T FEEL A BIT LIKE FIGHTING GIANTS TO-DAY, AND BESIDES I PROMISED TO BE
HOME EARLY FOR DINNER."]
* * * * *
STRENUOUS LIFE IN THE WEST.
"At a charity concert at Clifton recently nearly 200 glass tumblers
disappeared in the course of a week."--_Daily Paper._
Very deplorable, of course. Still, towards the end of the sixth consecutive
day would the audience be fully responsible?
End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
159, September 29th, 1920, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
***** This file should be named 16673.txt or 16673.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/6/6/7/16673/
Produced by Jonathan Ingram, Keith Edkins and the Online
Distributed Proofreading Team at https://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
|