summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:29 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:29 -0700
commitda938e6d7b813115c36d2029c560a7796d8bd7b6 (patch)
tree571a7b67de39819c20a6d2870d729daca5214e12
initial commit of ebook 160HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--160-0.txt7732
-rw-r--r--160-0.zipbin0 -> 148369 bytes
-rw-r--r--160-h.zipbin0 -> 152759 bytes
-rw-r--r--160-h/160-h.htm10474
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/160.txt7823
-rw-r--r--old/160.zipbin0 -> 147105 bytes
-rw-r--r--old/awakn10.txt8208
-rw-r--r--old/awakn10.zipbin0 -> 158999 bytes
11 files changed, 34253 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/160-0.txt b/160-0.txt
new file mode 100644
index 0000000..0c2a235
--- /dev/null
+++ b/160-0.txt
@@ -0,0 +1,7732 @@
+The Project Gutenberg eBook of The Awakening and Selected Short Stories, by Kate Chopin
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: The Awakening and Selected Short Stories
+
+Author: Kate Chopin
+
+Release Date: August, 1994 [eBook #160]
+[Most recently updated: February 28, 2021]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Judith Boss and David Widger
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE AWAKENING AND SELECTED SHORT STORIES ***
+
+
+
+
+The Awakening
+and Selected Short Stories
+
+by Kate Chopin
+
+
+Contents
+
+ THE AWAKENING
+ I
+ II
+ III
+ IV
+ V
+ VI
+ VII
+ VIII
+ IX
+ X
+ XI
+ XII
+ XIII
+ XIV
+ XV
+ XVI
+ XVII
+ XVIII
+ XIX
+ XX
+ XXI
+ XXII
+ XXIII
+ XXIV
+ XXV
+ XXVI
+ XXVII
+ XXVIII
+ XXIX
+ XXX
+ XXXI
+ XXXII
+ XXXIII
+ XXXIV
+ XXXV
+ XXXVI
+ XXXVII
+ XXXVIII
+ XXXIX
+
+ BEYOND THE BAYOU
+
+ MA’AME PÉLAGIE
+ I
+ II
+ III
+ IV
+
+ DÉSIRÉE’S BABY
+
+ A RESPECTABLE WOMAN
+
+ THE KISS
+
+ A PAIR OF SILK STOCKINGS
+
+ THE LOCKET
+ I
+ II
+
+ A REFLECTION
+
+
+
+
+THE AWAKENING
+
+
+I
+
+A green and yellow parrot, which hung in a cage outside the door, kept
+repeating over and over:
+
+“_Allez vous-en! Allez vous-en! Sapristi!_ That’s all right!”
+
+He could speak a little Spanish, and also a language which nobody
+understood, unless it was the mocking-bird that hung on the other side
+of the door, whistling his fluty notes out upon the breeze with
+maddening persistence.
+
+Mr. Pontellier, unable to read his newspaper with any degree of
+comfort, arose with an expression and an exclamation of disgust.
+
+He walked down the gallery and across the narrow “bridges” which
+connected the Lebrun cottages one with the other. He had been seated
+before the door of the main house. The parrot and the mocking-bird were
+the property of Madame Lebrun, and they had the right to make all the
+noise they wished. Mr. Pontellier had the privilege of quitting their
+society when they ceased to be entertaining.
+
+He stopped before the door of his own cottage, which was the fourth one
+from the main building and next to the last. Seating himself in a
+wicker rocker which was there, he once more applied himself to the task
+of reading the newspaper. The day was Sunday; the paper was a day old.
+The Sunday papers had not yet reached Grand Isle. He was already
+acquainted with the market reports, and he glanced restlessly over the
+editorials and bits of news which he had not had time to read before
+quitting New Orleans the day before.
+
+Mr. Pontellier wore eye-glasses. He was a man of forty, of medium
+height and rather slender build; he stooped a little. His hair was
+brown and straight, parted on one side. His beard was neatly and
+closely trimmed.
+
+Once in a while he withdrew his glance from the newspaper and looked
+about him. There was more noise than ever over at the house. The main
+building was called “the house,” to distinguish it from the cottages.
+The chattering and whistling birds were still at it. Two young girls,
+the Farival twins, were playing a duet from “Zampa” upon the piano.
+Madame Lebrun was bustling in and out, giving orders in a high key to a
+yard-boy whenever she got inside the house, and directions in an
+equally high voice to a dining-room servant whenever she got outside.
+She was a fresh, pretty woman, clad always in white with elbow sleeves.
+Her starched skirts crinkled as she came and went. Farther down, before
+one of the cottages, a lady in black was walking demurely up and down,
+telling her beads. A good many persons of the _pension_ had gone over
+to the _Chênière Caminada_ in Beaudelet’s lugger to hear mass. Some
+young people were out under the water-oaks playing croquet. Mr.
+Pontellier’s two children were there—sturdy little fellows of four and
+five. A quadroon nurse followed them about with a faraway, meditative
+air.
+
+Mr. Pontellier finally lit a cigar and began to smoke, letting the
+paper drag idly from his hand. He fixed his gaze upon a white sunshade
+that was advancing at snail’s pace from the beach. He could see it
+plainly between the gaunt trunks of the water-oaks and across the
+stretch of yellow camomile. The gulf looked far away, melting hazily
+into the blue of the horizon. The sunshade continued to approach
+slowly. Beneath its pink-lined shelter were his wife, Mrs. Pontellier,
+and young Robert Lebrun. When they reached the cottage, the two seated
+themselves with some appearance of fatigue upon the upper step of the
+porch, facing each other, each leaning against a supporting post.
+
+“What folly! to bathe at such an hour in such heat!” exclaimed Mr.
+Pontellier. He himself had taken a plunge at daylight. That was why the
+morning seemed long to him.
+
+“You are burnt beyond recognition,” he added, looking at his wife as
+one looks at a valuable piece of personal property which has suffered
+some damage. She held up her hands, strong, shapely hands, and surveyed
+them critically, drawing up her fawn sleeves above the wrists. Looking
+at them reminded her of her rings, which she had given to her husband
+before leaving for the beach. She silently reached out to him, and he,
+understanding, took the rings from his vest pocket and dropped them
+into her open palm. She slipped them upon her fingers; then clasping
+her knees, she looked across at Robert and began to laugh. The rings
+sparkled upon her fingers. He sent back an answering smile.
+
+“What is it?” asked Pontellier, looking lazily and amused from one to
+the other. It was some utter nonsense; some adventure out there in the
+water, and they both tried to relate it at once. It did not seem half
+so amusing when told. They realized this, and so did Mr. Pontellier. He
+yawned and stretched himself. Then he got up, saying he had half a mind
+to go over to Klein’s hotel and play a game of billiards.
+
+“Come go along, Lebrun,” he proposed to Robert. But Robert admitted
+quite frankly that he preferred to stay where he was and talk to Mrs.
+Pontellier.
+
+“Well, send him about his business when he bores you, Edna,” instructed
+her husband as he prepared to leave.
+
+“Here, take the umbrella,” she exclaimed, holding it out to him. He
+accepted the sunshade, and lifting it over his head descended the steps
+and walked away.
+
+“Coming back to dinner?” his wife called after him. He halted a moment
+and shrugged his shoulders. He felt in his vest pocket; there was a
+ten-dollar bill there. He did not know; perhaps he would return for the
+early dinner and perhaps he would not. It all depended upon the company
+which he found over at Klein’s and the size of “the game.” He did not
+say this, but she understood it, and laughed, nodding good-by to him.
+
+Both children wanted to follow their father when they saw him starting
+out. He kissed them and promised to bring them back bonbons and
+peanuts.
+
+II
+
+Mrs. Pontellier’s eyes were quick and bright; they were a yellowish
+brown, about the color of her hair. She had a way of turning them
+swiftly upon an object and holding them there as if lost in some inward
+maze of contemplation or thought.
+
+Her eyebrows were a shade darker than her hair. They were thick and
+almost horizontal, emphasizing the depth of her eyes. She was rather
+handsome than beautiful. Her face was captivating by reason of a
+certain frankness of expression and a contradictory subtle play of
+features. Her manner was engaging.
+
+Robert rolled a cigarette. He smoked cigarettes because he could not
+afford cigars, he said. He had a cigar in his pocket which Mr.
+Pontellier had presented him with, and he was saving it for his
+after-dinner smoke.
+
+This seemed quite proper and natural on his part. In coloring he was
+not unlike his companion. A clean-shaved face made the resemblance more
+pronounced than it would otherwise have been. There rested no shadow of
+care upon his open countenance. His eyes gathered in and reflected the
+light and languor of the summer day.
+
+Mrs. Pontellier reached over for a palm-leaf fan that lay on the porch
+and began to fan herself, while Robert sent between his lips light
+puffs from his cigarette. They chatted incessantly: about the things
+around them; their amusing adventure out in the water—it had again
+assumed its entertaining aspect; about the wind, the trees, the people
+who had gone to the _Chênière;_ about the children playing croquet
+under the oaks, and the Farival twins, who were now performing the
+overture to “The Poet and the Peasant.”
+
+Robert talked a good deal about himself. He was very young, and did not
+know any better. Mrs. Pontellier talked a little about herself for the
+same reason. Each was interested in what the other said. Robert spoke
+of his intention to go to Mexico in the autumn, where fortune awaited
+him. He was always intending to go to Mexico, but some way never got
+there. Meanwhile he held on to his modest position in a mercantile
+house in New Orleans, where an equal familiarity with English, French
+and Spanish gave him no small value as a clerk and correspondent.
+
+He was spending his summer vacation, as he always did, with his mother
+at Grand Isle. In former times, before Robert could remember, “the
+house” had been a summer luxury of the Lebruns. Now, flanked by its
+dozen or more cottages, which were always filled with exclusive
+visitors from the “_Quartier Français_,” it enabled Madame Lebrun to
+maintain the easy and comfortable existence which appeared to be her
+birthright.
+
+Mrs. Pontellier talked about her father’s Mississippi plantation and
+her girlhood home in the old Kentucky blue-grass country. She was an
+American woman, with a small infusion of French which seemed to have
+been lost in dilution. She read a letter from her sister, who was away
+in the East, and who had engaged herself to be married. Robert was
+interested, and wanted to know what manner of girls the sisters were,
+what the father was like, and how long the mother had been dead.
+
+When Mrs. Pontellier folded the letter it was time for her to dress for
+the early dinner.
+
+“I see Léonce isn’t coming back,” she said, with a glance in the
+direction whence her husband had disappeared. Robert supposed he was
+not, as there were a good many New Orleans club men over at Klein’s.
+
+When Mrs. Pontellier left him to enter her room, the young man
+descended the steps and strolled over toward the croquet players,
+where, during the half-hour before dinner, he amused himself with the
+little Pontellier children, who were very fond of him.
+
+III
+
+It was eleven o’clock that night when Mr. Pontellier returned from
+Klein’s hotel. He was in an excellent humor, in high spirits, and very
+talkative. His entrance awoke his wife, who was in bed and fast asleep
+when he came in. He talked to her while he undressed, telling her
+anecdotes and bits of news and gossip that he had gathered during the
+day. From his trousers pockets he took a fistful of crumpled bank notes
+and a good deal of silver coin, which he piled on the bureau
+indiscriminately with keys, knife, handkerchief, and whatever else
+happened to be in his pockets. She was overcome with sleep, and
+answered him with little half utterances.
+
+He thought it very discouraging that his wife, who was the sole object
+of his existence, evinced so little interest in things which concerned
+him, and valued so little his conversation.
+
+Mr. Pontellier had forgotten the bonbons and peanuts for the boys.
+Notwithstanding he loved them very much, and went into the adjoining
+room where they slept to take a look at them and make sure that they
+were resting comfortably. The result of his investigation was far from
+satisfactory. He turned and shifted the youngsters about in bed. One of
+them began to kick and talk about a basket full of crabs.
+
+Mr. Pontellier returned to his wife with the information that Raoul had
+a high fever and needed looking after. Then he lit a cigar and went and
+sat near the open door to smoke it.
+
+Mrs. Pontellier was quite sure Raoul had no fever. He had gone to bed
+perfectly well, she said, and nothing had ailed him all day. Mr.
+Pontellier was too well acquainted with fever symptoms to be mistaken.
+He assured her the child was consuming at that moment in the next room.
+
+He reproached his wife with her inattention, her habitual neglect of
+the children. If it was not a mother’s place to look after children,
+whose on earth was it? He himself had his hands full with his brokerage
+business. He could not be in two places at once; making a living for
+his family on the street, and staying at home to see that no harm
+befell them. He talked in a monotonous, insistent way.
+
+Mrs. Pontellier sprang out of bed and went into the next room. She soon
+came back and sat on the edge of the bed, leaning her head down on the
+pillow. She said nothing, and refused to answer her husband when he
+questioned her. When his cigar was smoked out he went to bed, and in
+half a minute he was fast asleep.
+
+Mrs. Pontellier was by that time thoroughly awake. She began to cry a
+little, and wiped her eyes on the sleeve of her _peignoir_. Blowing out
+the candle, which her husband had left burning, she slipped her bare
+feet into a pair of satin _mules_ at the foot of the bed and went out
+on the porch, where she sat down in the wicker chair and began to rock
+gently to and fro.
+
+It was then past midnight. The cottages were all dark. A single faint
+light gleamed out from the hallway of the house. There was no sound
+abroad except the hooting of an old owl in the top of a water-oak, and
+the everlasting voice of the sea, that was not uplifted at that soft
+hour. It broke like a mournful lullaby upon the night.
+
+The tears came so fast to Mrs. Pontellier’s eyes that the damp sleeve
+of her _peignoir_ no longer served to dry them. She was holding the
+back of her chair with one hand; her loose sleeve had slipped almost to
+the shoulder of her uplifted arm. Turning, she thrust her face,
+steaming and wet, into the bend of her arm, and she went on crying
+there, not caring any longer to dry her face, her eyes, her arms. She
+could not have told why she was crying. Such experiences as the
+foregoing were not uncommon in her married life. They seemed never
+before to have weighed much against the abundance of her husband’s
+kindness and a uniform devotion which had come to be tacit and
+self-understood.
+
+An indescribable oppression, which seemed to generate in some
+unfamiliar part of her consciousness, filled her whole being with a
+vague anguish. It was like a shadow, like a mist passing across her
+soul’s summer day. It was strange and unfamiliar; it was a mood. She
+did not sit there inwardly upbraiding her husband, lamenting at Fate,
+which had directed her footsteps to the path which they had taken. She
+was just having a good cry all to herself. The mosquitoes made merry
+over her, biting her firm, round arms and nipping at her bare insteps.
+
+The little stinging, buzzing imps succeeded in dispelling a mood which
+might have held her there in the darkness half a night longer.
+
+The following morning Mr. Pontellier was up in good time to take the
+rockaway which was to convey him to the steamer at the wharf. He was
+returning to the city to his business, and they would not see him again
+at the Island till the coming Saturday. He had regained his composure,
+which seemed to have been somewhat impaired the night before. He was
+eager to be gone, as he looked forward to a lively week in Carondelet
+Street.
+
+Mr. Pontellier gave his wife half of the money which he had brought
+away from Klein’s hotel the evening before. She liked money as well as
+most women, and accepted it with no little satisfaction.
+
+“It will buy a handsome wedding present for Sister Janet!” she
+exclaimed, smoothing out the bills as she counted them one by one.
+
+“Oh! we’ll treat Sister Janet better than that, my dear,” he laughed,
+as he prepared to kiss her good-by.
+
+The boys were tumbling about, clinging to his legs, imploring that
+numerous things be brought back to them. Mr. Pontellier was a great
+favorite, and ladies, men, children, even nurses, were always on hand
+to say good-by to him. His wife stood smiling and waving, the boys
+shouting, as he disappeared in the old rockaway down the sandy road.
+
+A few days later a box arrived for Mrs. Pontellier from New Orleans. It
+was from her husband. It was filled with _friandises_, with luscious
+and toothsome bits—the finest of fruits, _patés_, a rare bottle or two,
+delicious syrups, and bonbons in abundance.
+
+Mrs. Pontellier was always very generous with the contents of such a
+box; she was quite used to receiving them when away from home. The
+_patés_ and fruit were brought to the dining-room; the bonbons were
+passed around. And the ladies, selecting with dainty and discriminating
+fingers and a little greedily, all declared that Mr. Pontellier was the
+best husband in the world. Mrs. Pontellier was forced to admit that she
+knew of none better.
+
+IV
+
+It would have been a difficult matter for Mr. Pontellier to define to
+his own satisfaction or any one else’s wherein his wife failed in her
+duty toward their children. It was something which he felt rather than
+perceived, and he never voiced the feeling without subsequent regret
+and ample atonement.
+
+If one of the little Pontellier boys took a tumble whilst at play, he
+was not apt to rush crying to his mother’s arms for comfort; he would
+more likely pick himself up, wipe the water out of his eyes and the
+sand out of his mouth, and go on playing. Tots as they were, they
+pulled together and stood their ground in childish battles with doubled
+fists and uplifted voices, which usually prevailed against the other
+mother-tots. The quadroon nurse was looked upon as a huge encumbrance,
+only good to button up waists and panties and to brush and part hair;
+since it seemed to be a law of society that hair must be parted and
+brushed.
+
+In short, Mrs. Pontellier was not a mother-woman. The mother-women
+seemed to prevail that summer at Grand Isle. It was easy to know them,
+fluttering about with extended, protecting wings when any harm, real or
+imaginary, threatened their precious brood. They were women who
+idolized their children, worshiped their husbands, and esteemed it a
+holy privilege to efface themselves as individuals and grow wings as
+ministering angels.
+
+Many of them were delicious in the role; one of them was the embodiment
+of every womanly grace and charm. If her husband did not adore her, he
+was a brute, deserving of death by slow torture. Her name was Adèle
+Ratignolle. There are no words to describe her save the old ones that
+have served so often to picture the bygone heroine of romance and the
+fair lady of our dreams. There was nothing subtle or hidden about her
+charms; her beauty was all there, flaming and apparent: the spun-gold
+hair that comb nor confining pin could restrain; the blue eyes that
+were like nothing but sapphires; two lips that pouted, that were so red
+one could only think of cherries or some other delicious crimson fruit
+in looking at them. She was growing a little stout, but it did not seem
+to detract an iota from the grace of every step, pose, gesture. One
+would not have wanted her white neck a mite less full or her beautiful
+arms more slender. Never were hands more exquisite than hers, and it
+was a joy to look at them when she threaded her needle or adjusted her
+gold thimble to her taper middle finger as she sewed away on the little
+night-drawers or fashioned a bodice or a bib.
+
+Madame Ratignolle was very fond of Mrs. Pontellier, and often she took
+her sewing and went over to sit with her in the afternoons. She was
+sitting there the afternoon of the day the box arrived from New
+Orleans. She had possession of the rocker, and she was busily engaged
+in sewing upon a diminutive pair of night-drawers.
+
+She had brought the pattern of the drawers for Mrs. Pontellier to cut
+out—a marvel of construction, fashioned to enclose a baby’s body so
+effectually that only two small eyes might look out from the garment,
+like an Eskimo’s. They were designed for winter wear, when treacherous
+drafts came down chimneys and insidious currents of deadly cold found
+their way through key-holes.
+
+Mrs. Pontellier’s mind was quite at rest concerning the present
+material needs of her children, and she could not see the use of
+anticipating and making winter night garments the subject of her summer
+meditations. But she did not want to appear unamiable and uninterested,
+so she had brought forth newspapers, which she spread upon the floor of
+the gallery, and under Madame Ratignolle’s directions she had cut a
+pattern of the impervious garment.
+
+Robert was there, seated as he had been the Sunday before, and Mrs.
+Pontellier also occupied her former position on the upper step, leaning
+listlessly against the post. Beside her was a box of bonbons, which she
+held out at intervals to Madame Ratignolle.
+
+That lady seemed at a loss to make a selection, but finally settled
+upon a stick of nougat, wondering if it were not too rich; whether it
+could possibly hurt her. Madame Ratignolle had been married seven
+years. About every two years she had a baby. At that time she had three
+babies, and was beginning to think of a fourth one. She was always
+talking about her “condition.” Her “condition” was in no way apparent,
+and no one would have known a thing about it but for her persistence in
+making it the subject of conversation.
+
+Robert started to reassure her, asserting that he had known a lady who
+had subsisted upon nougat during the entire—but seeing the color mount
+into Mrs. Pontellier’s face he checked himself and changed the subject.
+
+Mrs. Pontellier, though she had married a Creole, was not thoroughly at
+home in the society of Creoles; never before had she been thrown so
+intimately among them. There were only Creoles that summer at Lebrun’s.
+They all knew each other, and felt like one large family, among whom
+existed the most amicable relations. A characteristic which
+distinguished them and which impressed Mrs. Pontellier most forcibly
+was their entire absence of prudery. Their freedom of expression was at
+first incomprehensible to her, though she had no difficulty in
+reconciling it with a lofty chastity which in the Creole woman seems to
+be inborn and unmistakable.
+
+Never would Edna Pontellier forget the shock with which she heard
+Madame Ratignolle relating to old Monsieur Farival the harrowing story
+of one of her _accouchements_, withholding no intimate detail. She was
+growing accustomed to like shocks, but she could not keep the mounting
+color back from her cheeks. Oftener than once her coming had
+interrupted the droll story with which Robert was entertaining some
+amused group of married women.
+
+A book had gone the rounds of the _pension_. When it came her turn to
+read it, she did so with profound astonishment. She felt moved to read
+the book in secret and solitude, though none of the others had done
+so,—to hide it from view at the sound of approaching footsteps. It was
+openly criticised and freely discussed at table. Mrs. Pontellier gave
+over being astonished, and concluded that wonders would never cease.
+
+V
+
+They formed a congenial group sitting there that summer
+afternoon—Madame Ratignolle sewing away, often stopping to relate a
+story or incident with much expressive gesture of her perfect hands;
+Robert and Mrs. Pontellier sitting idle, exchanging occasional words,
+glances or smiles which indicated a certain advanced stage of intimacy
+and _camaraderie_.
+
+He had lived in her shadow during the past month. No one thought
+anything of it. Many had predicted that Robert would devote himself to
+Mrs. Pontellier when he arrived. Since the age of fifteen, which was
+eleven years before, Robert each summer at Grand Isle had constituted
+himself the devoted attendant of some fair dame or damsel. Sometimes it
+was a young girl, again a widow; but as often as not it was some
+interesting married woman.
+
+For two consecutive seasons he lived in the sunlight of Mademoiselle
+Duvigne’s presence. But she died between summers; then Robert posed as
+an inconsolable, prostrating himself at the feet of Madame Ratignolle
+for whatever crumbs of sympathy and comfort she might be pleased to
+vouchsafe.
+
+Mrs. Pontellier liked to sit and gaze at her fair companion as she
+might look upon a faultless Madonna.
+
+“Could any one fathom the cruelty beneath that fair exterior?” murmured
+Robert. “She knew that I adored her once, and she let me adore her. It
+was ‘Robert, come; go; stand up; sit down; do this; do that; see if the
+baby sleeps; my thimble, please, that I left God knows where. Come and
+read Daudet to me while I sew.’”
+
+“_Par exemple!_ I never had to ask. You were always there under my
+feet, like a troublesome cat.”
+
+“You mean like an adoring dog. And just as soon as Ratignolle appeared
+on the scene, then it _was_ like a dog. ‘_Passez! Adieu! Allez
+vous-en!_’”
+
+“Perhaps I feared to make Alphonse jealous,” she interjoined, with
+excessive naïveté. That made them all laugh. The right hand jealous of
+the left! The heart jealous of the soul! But for that matter, the
+Creole husband is never jealous; with him the gangrene passion is one
+which has become dwarfed by disuse.
+
+Meanwhile Robert, addressing Mrs Pontellier, continued to tell of his
+one time hopeless passion for Madame Ratignolle; of sleepless nights,
+of consuming flames till the very sea sizzled when he took his daily
+plunge. While the lady at the needle kept up a little running,
+contemptuous comment:
+
+“_Blagueur—farceur—gros bête, va!_”
+
+He never assumed this seriocomic tone when alone with Mrs. Pontellier.
+She never knew precisely what to make of it; at that moment it was
+impossible for her to guess how much of it was jest and what proportion
+was earnest. It was understood that he had often spoken words of love
+to Madame Ratignolle, without any thought of being taken seriously.
+Mrs. Pontellier was glad he had not assumed a similar role toward
+herself. It would have been unacceptable and annoying.
+
+Mrs. Pontellier had brought her sketching materials, which she
+sometimes dabbled with in an unprofessional way. She liked the
+dabbling. She felt in it satisfaction of a kind which no other
+employment afforded her.
+
+She had long wished to try herself on Madame Ratignolle. Never had that
+lady seemed a more tempting subject than at that moment, seated there
+like some sensuous Madonna, with the gleam of the fading day enriching
+her splendid color.
+
+Robert crossed over and seated himself upon the step below Mrs.
+Pontellier, that he might watch her work. She handled her brushes with
+a certain ease and freedom which came, not from long and close
+acquaintance with them, but from a natural aptitude. Robert followed
+her work with close attention, giving forth little ejaculatory
+expressions of appreciation in French, which he addressed to Madame
+Ratignolle.
+
+“_Mais ce n’est pas mal! Elle s’y connait, elle a de la force, oui._”
+
+During his oblivious attention he once quietly rested his head against
+Mrs. Pontellier’s arm. As gently she repulsed him. Once again he
+repeated the offense. She could not but believe it to be
+thoughtlessness on his part; yet that was no reason she should submit
+to it. She did not remonstrate, except again to repulse him quietly but
+firmly. He offered no apology. The picture completed bore no
+resemblance to Madame Ratignolle. She was greatly disappointed to find
+that it did not look like her. But it was a fair enough piece of work,
+and in many respects satisfying.
+
+Mrs. Pontellier evidently did not think so. After surveying the sketch
+critically she drew a broad smudge of paint across its surface, and
+crumpled the paper between her hands.
+
+The youngsters came tumbling up the steps, the quadroon following at
+the respectful distance which they required her to observe. Mrs.
+Pontellier made them carry her paints and things into the house. She
+sought to detain them for a little talk and some pleasantry. But they
+were greatly in earnest. They had only come to investigate the contents
+of the bonbon box. They accepted without murmuring what she chose to
+give them, each holding out two chubby hands scoop-like, in the vain
+hope that they might be filled; and then away they went.
+
+The sun was low in the west, and the breeze soft and languorous that
+came up from the south, charged with the seductive odor of the sea.
+Children freshly befurbelowed, were gathering for their games under the
+oaks. Their voices were high and penetrating.
+
+Madame Ratignolle folded her sewing, placing thimble, scissors, and
+thread all neatly together in the roll, which she pinned securely. She
+complained of faintness. Mrs. Pontellier flew for the cologne water and
+a fan. She bathed Madame Ratignolle’s face with cologne, while Robert
+plied the fan with unnecessary vigor.
+
+The spell was soon over, and Mrs. Pontellier could not help wondering
+if there were not a little imagination responsible for its origin, for
+the rose tint had never faded from her friend’s face.
+
+She stood watching the fair woman walk down the long line of galleries
+with the grace and majesty which queens are sometimes supposed to
+possess. Her little ones ran to meet her. Two of them clung about her
+white skirts, the third she took from its nurse and with a thousand
+endearments bore it along in her own fond, encircling arms. Though, as
+everybody well knew, the doctor had forbidden her to lift so much as a
+pin!
+
+“Are you going bathing?” asked Robert of Mrs. Pontellier. It was not so
+much a question as a reminder.
+
+“Oh, no,” she answered, with a tone of indecision. “I’m tired; I think
+not.” Her glance wandered from his face away toward the Gulf, whose
+sonorous murmur reached her like a loving but imperative entreaty.
+
+“Oh, come!” he insisted. “You mustn’t miss your bath. Come on. The
+water must be delicious; it will not hurt you. Come.”
+
+He reached up for her big, rough straw hat that hung on a peg outside
+the door, and put it on her head. They descended the steps, and walked
+away together toward the beach. The sun was low in the west and the
+breeze was soft and warm.
+
+VI
+
+Edna Pontellier could not have told why, wishing to go to the beach
+with Robert, she should in the first place have declined, and in the
+second place have followed in obedience to one of the two contradictory
+impulses which impelled her.
+
+A certain light was beginning to dawn dimly within her,—the light
+which, showing the way, forbids it.
+
+At that early period it served but to bewilder her. It moved her to
+dreams, to thoughtfulness, to the shadowy anguish which had overcome
+her the midnight when she had abandoned herself to tears.
+
+In short, Mrs. Pontellier was beginning to realize her position in the
+universe as a human being, and to recognize her relations as an
+individual to the world within and about her. This may seem like a
+ponderous weight of wisdom to descend upon the soul of a young woman of
+twenty-eight—perhaps more wisdom than the Holy Ghost is usually pleased
+to vouchsafe to any woman.
+
+But the beginning of things, of a world especially, is necessarily
+vague, tangled, chaotic, and exceedingly disturbing. How few of us ever
+emerge from such beginning! How many souls perish in its tumult!
+
+The voice of the sea is seductive; never ceasing, whispering,
+clamoring, murmuring, inviting the soul to wander for a spell in
+abysses of solitude; to lose itself in mazes of inward contemplation.
+
+The voice of the sea speaks to the soul. The touch of the sea is
+sensuous, enfolding the body in its soft, close embrace.
+
+VII
+
+Mrs. Pontellier was not a woman given to confidences, a characteristic
+hitherto contrary to her nature. Even as a child she had lived her own
+small life all within herself. At a very early period she had
+apprehended instinctively the dual life—that outward existence which
+conforms, the inward life which questions.
+
+That summer at Grand Isle she began to loosen a little the mantle of
+reserve that had always enveloped her. There may have been—there must
+have been—influences, both subtle and apparent, working in their
+several ways to induce her to do this; but the most obvious was the
+influence of Adèle Ratignolle. The excessive physical charm of the
+Creole had first attracted her, for Edna had a sensuous susceptibility
+to beauty. Then the candor of the woman’s whole existence, which every
+one might read, and which formed so striking a contrast to her own
+habitual reserve—this might have furnished a link. Who can tell what
+metals the gods use in forging the subtle bond which we call sympathy,
+which we might as well call love.
+
+The two women went away one morning to the beach together, arm in arm,
+under the huge white sunshade. Edna had prevailed upon Madame
+Ratignolle to leave the children behind, though she could not induce
+her to relinquish a diminutive roll of needlework, which Adèle begged
+to be allowed to slip into the depths of her pocket. In some
+unaccountable way they had escaped from Robert.
+
+The walk to the beach was no inconsiderable one, consisting as it did
+of a long, sandy path, upon which a sporadic and tangled growth that
+bordered it on either side made frequent and unexpected inroads. There
+were acres of yellow camomile reaching out on either hand. Further away
+still, vegetable gardens abounded, with frequent small plantations of
+orange or lemon trees intervening. The dark green clusters glistened
+from afar in the sun.
+
+The women were both of goodly height, Madame Ratignolle possessing the
+more feminine and matronly figure. The charm of Edna Pontellier’s
+physique stole insensibly upon you. The lines of her body were long,
+clean and symmetrical; it was a body which occasionally fell into
+splendid poses; there was no suggestion of the trim, stereotyped
+fashion-plate about it. A casual and indiscriminating observer, in
+passing, might not cast a second glance upon the figure. But with more
+feeling and discernment he would have recognized the noble beauty of
+its modeling, and the graceful severity of poise and movement, which
+made Edna Pontellier different from the crowd.
+
+She wore a cool muslin that morning—white, with a waving vertical line
+of brown running through it; also a white linen collar and the big
+straw hat which she had taken from the peg outside the door. The hat
+rested any way on her yellow-brown hair, that waved a little, was
+heavy, and clung close to her head.
+
+Madame Ratignolle, more careful of her complexion, had twined a gauze
+veil about her head. She wore dogskin gloves, with gauntlets that
+protected her wrists. She was dressed in pure white, with a fluffiness
+of ruffles that became her. The draperies and fluttering things which
+she wore suited her rich, luxuriant beauty as a greater severity of
+line could not have done.
+
+There were a number of bath-houses along the beach, of rough but solid
+construction, built with small, protecting galleries facing the water.
+Each house consisted of two compartments, and each family at Lebrun’s
+possessed a compartment for itself, fitted out with all the essential
+paraphernalia of the bath and whatever other conveniences the owners
+might desire. The two women had no intention of bathing; they had just
+strolled down to the beach for a walk and to be alone and near the
+water. The Pontellier and Ratignolle compartments adjoined one another
+under the same roof.
+
+Mrs. Pontellier had brought down her key through force of habit.
+Unlocking the door of her bath-room she went inside, and soon emerged,
+bringing a rug, which she spread upon the floor of the gallery, and two
+huge hair pillows covered with crash, which she placed against the
+front of the building.
+
+The two seated themselves there in the shade of the porch, side by
+side, with their backs against the pillows and their feet extended.
+Madame Ratignolle removed her veil, wiped her face with a rather
+delicate handkerchief, and fanned herself with the fan which she always
+carried suspended somewhere about her person by a long, narrow ribbon.
+Edna removed her collar and opened her dress at the throat. She took
+the fan from Madame Ratignolle and began to fan both herself and her
+companion. It was very warm, and for a while they did nothing but
+exchange remarks about the heat, the sun, the glare. But there was a
+breeze blowing, a choppy, stiff wind that whipped the water into froth.
+It fluttered the skirts of the two women and kept them for a while
+engaged in adjusting, readjusting, tucking in, securing hair-pins and
+hat-pins. A few persons were sporting some distance away in the water.
+The beach was very still of human sound at that hour. The lady in black
+was reading her morning devotions on the porch of a neighboring
+bath-house. Two young lovers were exchanging their hearts’ yearnings
+beneath the children’s tent, which they had found unoccupied.
+
+Edna Pontellier, casting her eyes about, had finally kept them at rest
+upon the sea. The day was clear and carried the gaze out as far as the
+blue sky went; there were a few white clouds suspended idly over the
+horizon. A lateen sail was visible in the direction of Cat Island, and
+others to the south seemed almost motionless in the far distance.
+
+“Of whom—of what are you thinking?” asked Adèle of her companion, whose
+countenance she had been watching with a little amused attention,
+arrested by the absorbed expression which seemed to have seized and
+fixed every feature into a statuesque repose.
+
+“Nothing,” returned Mrs. Pontellier, with a start, adding at once: “How
+stupid! But it seems to me it is the reply we make instinctively to
+such a question. Let me see,” she went on, throwing back her head and
+narrowing her fine eyes till they shone like two vivid points of light.
+“Let me see. I was really not conscious of thinking of anything; but
+perhaps I can retrace my thoughts.”
+
+“Oh! never mind!” laughed Madame Ratignolle. “I am not quite so
+exacting. I will let you off this time. It is really too hot to think,
+especially to think about thinking.”
+
+“But for the fun of it,” persisted Edna. “First of all, the sight of
+the water stretching so far away, those motionless sails against the
+blue sky, made a delicious picture that I just wanted to sit and look
+at. The hot wind beating in my face made me think—without any
+connection that I can trace of a summer day in Kentucky, of a meadow
+that seemed as big as the ocean to the very little girl walking through
+the grass, which was higher than her waist. She threw out her arms as
+if swimming when she walked, beating the tall grass as one strikes out
+in the water. Oh, I see the connection now!”
+
+“Where were you going that day in Kentucky, walking through the grass?”
+
+“I don’t remember now. I was just walking diagonally across a big
+field. My sun-bonnet obstructed the view. I could see only the stretch
+of green before me, and I felt as if I must walk on forever, without
+coming to the end of it. I don’t remember whether I was frightened or
+pleased. I must have been entertained.
+
+“Likely as not it was Sunday,” she laughed; “and I was running away
+from prayers, from the Presbyterian service, read in a spirit of gloom
+by my father that chills me yet to think of.”
+
+“And have you been running away from prayers ever since, _ma chère?_”
+asked Madame Ratignolle, amused.
+
+“No! oh, no!” Edna hastened to say. “I was a little unthinking child in
+those days, just following a misleading impulse without question. On
+the contrary, during one period of my life religion took a firm hold
+upon me; after I was twelve and until—until—why, I suppose until now,
+though I never thought much about it—just driven along by habit. But do
+you know,” she broke off, turning her quick eyes upon Madame Ratignolle
+and leaning forward a little so as to bring her face quite close to
+that of her companion, “sometimes I feel this summer as if I were
+walking through the green meadow again; idly, aimlessly, unthinking and
+unguided.”
+
+Madame Ratignolle laid her hand over that of Mrs. Pontellier, which was
+near her. Seeing that the hand was not withdrawn, she clasped it firmly
+and warmly. She even stroked it a little, fondly, with the other hand,
+murmuring in an undertone, “_Pauvre chérie_.”
+
+The action was at first a little confusing to Edna, but she soon lent
+herself readily to the Creole’s gentle caress. She was not accustomed
+to an outward and spoken expression of affection, either in herself or
+in others. She and her younger sister, Janet, had quarreled a good deal
+through force of unfortunate habit. Her older sister, Margaret, was
+matronly and dignified, probably from having assumed matronly and
+housewifely responsibilities too early in life, their mother having
+died when they were quite young. Margaret was not effusive; she was
+practical. Edna had had an occasional girl friend, but whether
+accidentally or not, they seemed to have been all of one type—the
+self-contained. She never realized that the reserve of her own
+character had much, perhaps everything, to do with this. Her most
+intimate friend at school had been one of rather exceptional
+intellectual gifts, who wrote fine-sounding essays, which Edna admired
+and strove to imitate; and with her she talked and glowed over the
+English classics, and sometimes held religious and political
+controversies.
+
+Edna often wondered at one propensity which sometimes had inwardly
+disturbed her without causing any outward show or manifestation on her
+part. At a very early age—perhaps it was when she traversed the ocean
+of waving grass—she remembered that she had been passionately enamored
+of a dignified and sad-eyed cavalry officer who visited her father in
+Kentucky. She could not leave his presence when he was there, nor
+remove her eyes from his face, which was something like Napoleon’s,
+with a lock of black hair failing across the forehead. But the cavalry
+officer melted imperceptibly out of her existence.
+
+At another time her affections were deeply engaged by a young gentleman
+who visited a lady on a neighboring plantation. It was after they went
+to Mississippi to live. The young man was engaged to be married to the
+young lady, and they sometimes called upon Margaret, driving over of
+afternoons in a buggy. Edna was a little miss, just merging into her
+teens; and the realization that she herself was nothing, nothing,
+nothing to the engaged young man was a bitter affliction to her. But
+he, too, went the way of dreams.
+
+She was a grown young woman when she was overtaken by what she supposed
+to be the climax of her fate. It was when the face and figure of a
+great tragedian began to haunt her imagination and stir her senses. The
+persistence of the infatuation lent it an aspect of genuineness. The
+hopelessness of it colored it with the lofty tones of a great passion.
+
+The picture of the tragedian stood enframed upon her desk. Any one may
+possess the portrait of a tragedian without exciting suspicion or
+comment. (This was a sinister reflection which she cherished.) In the
+presence of others she expressed admiration for his exalted gifts, as
+she handed the photograph around and dwelt upon the fidelity of the
+likeness. When alone she sometimes picked it up and kissed the cold
+glass passionately.
+
+Her marriage to Léonce Pontellier was purely an accident, in this
+respect resembling many other marriages which masquerade as the decrees
+of Fate. It was in the midst of her secret great passion that she met
+him. He fell in love, as men are in the habit of doing, and pressed his
+suit with an earnestness and an ardor which left nothing to be desired.
+He pleased her; his absolute devotion flattered her. She fancied there
+was a sympathy of thought and taste between them, in which fancy she
+was mistaken. Add to this the violent opposition of her father and her
+sister Margaret to her marriage with a Catholic, and we need seek no
+further for the motives which led her to accept Monsieur Pontellier for
+her husband.
+
+The acme of bliss, which would have been a marriage with the tragedian,
+was not for her in this world. As the devoted wife of a man who
+worshiped her, she felt she would take her place with a certain dignity
+in the world of reality, closing the portals forever behind her upon
+the realm of romance and dreams.
+
+But it was not long before the tragedian had gone to join the cavalry
+officer and the engaged young man and a few others; and Edna found
+herself face to face with the realities. She grew fond of her husband,
+realizing with some unaccountable satisfaction that no trace of passion
+or excessive and fictitious warmth colored her affection, thereby
+threatening its dissolution.
+
+She was fond of her children in an uneven, impulsive way. She would
+sometimes gather them passionately to her heart; she would sometimes
+forget them. The year before they had spent part of the summer with
+their grandmother Pontellier in Iberville. Feeling secure regarding
+their happiness and welfare, she did not miss them except with an
+occasional intense longing. Their absence was a sort of relief, though
+she did not admit this, even to herself. It seemed to free her of a
+responsibility which she had blindly assumed and for which Fate had not
+fitted her.
+
+Edna did not reveal so much as all this to Madame Ratignolle that
+summer day when they sat with faces turned to the sea. But a good part
+of it escaped her. She had put her head down on Madame Ratignolle’s
+shoulder. She was flushed and felt intoxicated with the sound of her
+own voice and the unaccustomed taste of candor. It muddled her like
+wine, or like a first breath of freedom.
+
+There was the sound of approaching voices. It was Robert, surrounded by
+a troop of children, searching for them. The two little Pontelliers
+were with him, and he carried Madame Ratignolle’s little girl in his
+arms. There were other children beside, and two nurse-maids followed,
+looking disagreeable and resigned.
+
+The women at once rose and began to shake out their draperies and relax
+their muscles. Mrs. Pontellier threw the cushions and rug into the
+bath-house. The children all scampered off to the awning, and they
+stood there in a line, gazing upon the intruding lovers, still
+exchanging their vows and sighs. The lovers got up, with only a silent
+protest, and walked slowly away somewhere else.
+
+The children possessed themselves of the tent, and Mrs. Pontellier went
+over to join them.
+
+Madame Ratignolle begged Robert to accompany her to the house; she
+complained of cramp in her limbs and stiffness of the joints. She
+leaned draggingly upon his arm as they walked.
+
+VIII
+
+“Do me a favor, Robert,” spoke the pretty woman at his side, almost as
+soon as she and Robert had started their slow, homeward way. She looked
+up in his face, leaning on his arm beneath the encircling shadow of the
+umbrella which he had lifted.
+
+“Granted; as many as you like,” he returned, glancing down into her
+eyes that were full of thoughtfulness and some speculation.
+
+“I only ask for one; let Mrs. Pontellier alone.”
+
+“_Tiens!_” he exclaimed, with a sudden, boyish laugh. “_Voilà que
+Madame Ratignolle est jalouse!_”
+
+“Nonsense! I’m in earnest; I mean what I say. Let Mrs. Pontellier
+alone.”
+
+“Why?” he asked; himself growing serious at his companion’s
+solicitation.
+
+“She is not one of us; she is not like us. She might make the
+unfortunate blunder of taking you seriously.”
+
+His face flushed with annoyance, and taking off his soft hat he began
+to beat it impatiently against his leg as he walked. “Why shouldn’t she
+take me seriously?” he demanded sharply. “Am I a comedian, a clown, a
+jack-in-the-box? Why shouldn’t she? You Creoles! I have no patience
+with you! Am I always to be regarded as a feature of an amusing
+programme? I hope Mrs. Pontellier does take me seriously. I hope she
+has discernment enough to find in me something besides the _blagueur_.
+If I thought there was any doubt—”
+
+“Oh, enough, Robert!” she broke into his heated outburst. “You are not
+thinking of what you are saying. You speak with about as little
+reflection as we might expect from one of those children down there
+playing in the sand. If your attentions to any married women here were
+ever offered with any intention of being convincing, you would not be
+the gentleman we all know you to be, and you would be unfit to
+associate with the wives and daughters of the people who trust you.”
+
+Madame Ratignolle had spoken what she believed to be the law and the
+gospel. The young man shrugged his shoulders impatiently.
+
+“Oh! well! That isn’t it,” slamming his hat down vehemently upon his
+head. “You ought to feel that such things are not flattering to say to
+a fellow.”
+
+“Should our whole intercourse consist of an exchange of compliments?
+_Ma foi!_”
+
+“It isn’t pleasant to have a woman tell you—” he went on, unheedingly,
+but breaking off suddenly: “Now if I were like Arobin—you remember
+Alcée Arobin and that story of the consul’s wife at Biloxi?” And he
+related the story of Alcée Arobin and the consul’s wife; and another
+about the tenor of the French Opera, who received letters which should
+never have been written; and still other stories, grave and gay, till
+Mrs. Pontellier and her possible propensity for taking young men
+seriously was apparently forgotten.
+
+Madame Ratignolle, when they had regained her cottage, went in to take
+the hour’s rest which she considered helpful. Before leaving her,
+Robert begged her pardon for the impatience—he called it rudeness—with
+which he had received her well-meant caution.
+
+“You made one mistake, Adèle,” he said, with a light smile; “there is
+no earthly possibility of Mrs. Pontellier ever taking me seriously. You
+should have warned me against taking myself seriously. Your advice
+might then have carried some weight and given me subject for some
+reflection. _Au revoir_. But you look tired,” he added, solicitously.
+“Would you like a cup of bouillon? Shall I stir you a toddy? Let me mix
+you a toddy with a drop of Angostura.”
+
+She acceded to the suggestion of bouillon, which was grateful and
+acceptable. He went himself to the kitchen, which was a building apart
+from the cottages and lying to the rear of the house. And he himself
+brought her the golden-brown bouillon, in a dainty Sèvres cup, with a
+flaky cracker or two on the saucer.
+
+She thrust a bare, white arm from the curtain which shielded her open
+door, and received the cup from his hands. She told him he was a _bon
+garçon_, and she meant it. Robert thanked her and turned away toward
+“the house.”
+
+The lovers were just entering the grounds of the _pension_. They were
+leaning toward each other as the water-oaks bent from the sea. There
+was not a particle of earth beneath their feet. Their heads might have
+been turned upside-down, so absolutely did they tread upon blue ether.
+The lady in black, creeping behind them, looked a trifle paler and more
+jaded than usual. There was no sign of Mrs. Pontellier and the
+children. Robert scanned the distance for any such apparition. They
+would doubtless remain away till the dinner hour. The young man
+ascended to his mother’s room. It was situated at the top of the house,
+made up of odd angles and a queer, sloping ceiling. Two broad dormer
+windows looked out toward the Gulf, and as far across it as a man’s eye
+might reach. The furnishings of the room were light, cool, and
+practical.
+
+Madame Lebrun was busily engaged at the sewing-machine. A little black
+girl sat on the floor, and with her hands worked the treadle of the
+machine. The Creole woman does not take any chances which may be
+avoided of imperiling her health.
+
+Robert went over and seated himself on the broad sill of one of the
+dormer windows. He took a book from his pocket and began energetically
+to read it, judging by the precision and frequency with which he turned
+the leaves. The sewing-machine made a resounding clatter in the room;
+it was of a ponderous, by-gone make. In the lulls, Robert and his
+mother exchanged bits of desultory conversation.
+
+“Where is Mrs. Pontellier?”
+
+“Down at the beach with the children.”
+
+“I promised to lend her the Goncourt. Don’t forget to take it down when
+you go; it’s there on the bookshelf over the small table.” Clatter,
+clatter, clatter, bang! for the next five or eight minutes.
+
+“Where is Victor going with the rockaway?”
+
+“The rockaway? Victor?”
+
+“Yes; down there in front. He seems to be getting ready to drive away
+somewhere.”
+
+“Call him.” Clatter, clatter!
+
+Robert uttered a shrill, piercing whistle which might have been heard
+back at the wharf.
+
+“He won’t look up.”
+
+Madame Lebrun flew to the window. She called “Victor!” She waved a
+handkerchief and called again. The young fellow below got into the
+vehicle and started the horse off at a gallop.
+
+Madame Lebrun went back to the machine, crimson with annoyance. Victor
+was the younger son and brother—a _tête montée_, with a temper which
+invited violence and a will which no ax could break.
+
+“Whenever you say the word I’m ready to thrash any amount of reason
+into him that he’s able to hold.”
+
+“If your father had only lived!” Clatter, clatter, clatter, clatter,
+bang! It was a fixed belief with Madame Lebrun that the conduct of the
+universe and all things pertaining thereto would have been manifestly
+of a more intelligent and higher order had not Monsieur Lebrun been
+removed to other spheres during the early years of their married life.
+
+“What do you hear from Montel?” Montel was a middle-aged gentleman
+whose vain ambition and desire for the past twenty years had been to
+fill the void which Monsieur Lebrun’s taking off had left in the Lebrun
+household. Clatter, clatter, bang, clatter!
+
+“I have a letter somewhere,” looking in the machine drawer and finding
+the letter in the bottom of the workbasket. “He says to tell you he
+will be in Vera Cruz the beginning of next month,”—clatter,
+clatter!—“and if you still have the intention of joining him”—bang!
+clatter, clatter, bang!
+
+“Why didn’t you tell me so before, mother? You know I wanted—” Clatter,
+clatter, clatter!
+
+“Do you see Mrs. Pontellier starting back with the children? She will
+be in late to luncheon again. She never starts to get ready for
+luncheon till the last minute.” Clatter, clatter! “Where are you
+going?”
+
+“Where did you say the Goncourt was?”
+
+IX
+
+Every light in the hall was ablaze; every lamp turned as high as it
+could be without smoking the chimney or threatening explosion. The
+lamps were fixed at intervals against the wall, encircling the whole
+room. Some one had gathered orange and lemon branches, and with these
+fashioned graceful festoons between. The dark green of the branches
+stood out and glistened against the white muslin curtains which draped
+the windows, and which puffed, floated, and flapped at the capricious
+will of a stiff breeze that swept up from the Gulf.
+
+It was Saturday night a few weeks after the intimate conversation held
+between Robert and Madame Ratignolle on their way from the beach. An
+unusual number of husbands, fathers, and friends had come down to stay
+over Sunday; and they were being suitably entertained by their
+families, with the material help of Madame Lebrun. The dining tables
+had all been removed to one end of the hall, and the chairs ranged
+about in rows and in clusters. Each little family group had had its say
+and exchanged its domestic gossip earlier in the evening. There was now
+an apparent disposition to relax; to widen the circle of confidences
+and give a more general tone to the conversation.
+
+Many of the children had been permitted to sit up beyond their usual
+bedtime. A small band of them were lying on their stomachs on the floor
+looking at the colored sheets of the comic papers which Mr. Pontellier
+had brought down. The little Pontellier boys were permitting them to do
+so, and making their authority felt.
+
+Music, dancing, and a recitation or two were the entertainments
+furnished, or rather, offered. But there was nothing systematic about
+the programme, no appearance of prearrangement nor even premeditation.
+
+At an early hour in the evening the Farival twins were prevailed upon
+to play the piano. They were girls of fourteen, always clad in the
+Virgin’s colors, blue and white, having been dedicated to the Blessed
+Virgin at their baptism. They played a duet from “Zampa,” and at the
+earnest solicitation of every one present followed it with the overture
+to “The Poet and the Peasant.”
+
+“_Allez vous-en! Sapristi!_” shrieked the parrot outside the door. He
+was the only being present who possessed sufficient candor to admit
+that he was not listening to these gracious performances for the first
+time that summer. Old Monsieur Farival, grandfather of the twins, grew
+indignant over the interruption, and insisted upon having the bird
+removed and consigned to regions of darkness. Victor Lebrun objected;
+and his decrees were as immutable as those of Fate. The parrot
+fortunately offered no further interruption to the entertainment, the
+whole venom of his nature apparently having been cherished up and
+hurled against the twins in that one impetuous outburst.
+
+Later a young brother and sister gave recitations, which every one
+present had heard many times at winter evening entertainments in the
+city.
+
+A little girl performed a skirt dance in the center of the floor. The
+mother played her accompaniments and at the same time watched her
+daughter with greedy admiration and nervous apprehension. She need have
+had no apprehension. The child was mistress of the situation. She had
+been properly dressed for the occasion in black tulle and black silk
+tights. Her little neck and arms were bare, and her hair, artificially
+crimped, stood out like fluffy black plumes over her head. Her poses
+were full of grace, and her little black-shod toes twinkled as they
+shot out and upward with a rapidity and suddenness which were
+bewildering.
+
+But there was no reason why every one should not dance. Madame
+Ratignolle could not, so it was she who gaily consented to play for the
+others. She played very well, keeping excellent waltz time and infusing
+an expression into the strains which was indeed inspiring. She was
+keeping up her music on account of the children, she said; because she
+and her husband both considered it a means of brightening the home and
+making it attractive.
+
+Almost every one danced but the twins, who could not be induced to
+separate during the brief period when one or the other should be
+whirling around the room in the arms of a man. They might have danced
+together, but they did not think of it.
+
+The children were sent to bed. Some went submissively; others with
+shrieks and protests as they were dragged away. They had been permitted
+to sit up till after the ice-cream, which naturally marked the limit of
+human indulgence.
+
+The ice-cream was passed around with cake—gold and silver cake arranged
+on platters in alternate slices; it had been made and frozen during the
+afternoon back of the kitchen by two black women, under the supervision
+of Victor. It was pronounced a great success—excellent if it had only
+contained a little less vanilla or a little more sugar, if it had been
+frozen a degree harder, and if the salt might have been kept out of
+portions of it. Victor was proud of his achievement, and went about
+recommending it and urging every one to partake of it to excess.
+
+After Mrs. Pontellier had danced twice with her husband, once with
+Robert, and once with Monsieur Ratignolle, who was thin and tall and
+swayed like a reed in the wind when he danced, she went out on the
+gallery and seated herself on the low window-sill, where she commanded
+a view of all that went on in the hall and could look out toward the
+Gulf. There was a soft effulgence in the east. The moon was coming up,
+and its mystic shimmer was casting a million lights across the distant,
+restless water.
+
+“Would you like to hear Mademoiselle Reisz play?” asked Robert, coming
+out on the porch where she was. Of course Edna would like to hear
+Mademoiselle Reisz play; but she feared it would be useless to entreat
+her.
+
+“I’ll ask her,” he said. “I’ll tell her that you want to hear her. She
+likes you. She will come.” He turned and hurried away to one of the far
+cottages, where Mademoiselle Reisz was shuffling away. She was dragging
+a chair in and out of her room, and at intervals objecting to the
+crying of a baby, which a nurse in the adjoining cottage was
+endeavoring to put to sleep. She was a disagreeable little woman, no
+longer young, who had quarreled with almost every one, owing to a
+temper which was self-assertive and a disposition to trample upon the
+rights of others. Robert prevailed upon her without any too great
+difficulty.
+
+She entered the hall with him during a lull in the dance. She made an
+awkward, imperious little bow as she went in. She was a homely woman,
+with a small weazened face and body and eyes that glowed. She had
+absolutely no taste in dress, and wore a batch of rusty black lace with
+a bunch of artificial violets pinned to the side of her hair.
+
+“Ask Mrs. Pontellier what she would like to hear me play,” she
+requested of Robert. She sat perfectly still before the piano, not
+touching the keys, while Robert carried her message to Edna at the
+window. A general air of surprise and genuine satisfaction fell upon
+every one as they saw the pianist enter. There was a settling down, and
+a prevailing air of expectancy everywhere. Edna was a trifle
+embarrassed at being thus signaled out for the imperious little woman’s
+favor. She would not dare to choose, and begged that Mademoiselle Reisz
+would please herself in her selections.
+
+Edna was what she herself called very fond of music. Musical strains,
+well rendered, had a way of evoking pictures in her mind. She sometimes
+liked to sit in the room of mornings when Madame Ratignolle played or
+practiced. One piece which that lady played Edna had entitled
+“Solitude.” It was a short, plaintive, minor strain. The name of the
+piece was something else, but she called it “Solitude.” When she heard
+it there came before her imagination the figure of a man standing
+beside a desolate rock on the seashore. He was naked. His attitude was
+one of hopeless resignation as he looked toward a distant bird winging
+its flight away from him.
+
+Another piece called to her mind a dainty young woman clad in an Empire
+gown, taking mincing dancing steps as she came down a long avenue
+between tall hedges. Again, another reminded her of children at play,
+and still another of nothing on earth but a demure lady stroking a cat.
+
+The very first chords which Mademoiselle Reisz struck upon the piano
+sent a keen tremor down Mrs. Pontellier’s spinal column. It was not the
+first time she had heard an artist at the piano. Perhaps it was the
+first time she was ready, perhaps the first time her being was tempered
+to take an impress of the abiding truth.
+
+She waited for the material pictures which she thought would gather and
+blaze before her imagination. She waited in vain. She saw no pictures
+of solitude, of hope, of longing, or of despair. But the very passions
+themselves were aroused within her soul, swaying it, lashing it, as the
+waves daily beat upon her splendid body. She trembled, she was choking,
+and the tears blinded her.
+
+Mademoiselle had finished. She arose, and bowing her stiff, lofty bow,
+she went away, stopping for neither thanks nor applause. As she passed
+along the gallery she patted Edna upon the shoulder.
+
+“Well, how did you like my music?” she asked. The young woman was
+unable to answer; she pressed the hand of the pianist convulsively.
+Mademoiselle Reisz perceived her agitation and even her tears. She
+patted her again upon the shoulder as she said:
+
+“You are the only one worth playing for. Those others? Bah!” and she
+went shuffling and sidling on down the gallery toward her room.
+
+But she was mistaken about “those others.” Her playing had aroused a
+fever of enthusiasm. “What passion!” “What an artist!” “I have always
+said no one could play Chopin like Mademoiselle Reisz!” “That last
+prelude! Bon Dieu! It shakes a man!”
+
+It was growing late, and there was a general disposition to disband.
+But some one, perhaps it was Robert, thought of a bath at that mystic
+hour and under that mystic moon.
+
+X
+
+At all events Robert proposed it, and there was not a dissenting voice.
+There was not one but was ready to follow when he led the way. He did
+not lead the way, however, he directed the way; and he himself loitered
+behind with the lovers, who had betrayed a disposition to linger and
+hold themselves apart. He walked between them, whether with malicious
+or mischievous intent was not wholly clear, even to himself.
+
+The Pontelliers and Ratignolles walked ahead; the women leaning upon
+the arms of their husbands. Edna could hear Robert’s voice behind them,
+and could sometimes hear what he said. She wondered why he did not join
+them. It was unlike him not to. Of late he had sometimes held away from
+her for an entire day, redoubling his devotion upon the next and the
+next, as though to make up for hours that had been lost. She missed him
+the days when some pretext served to take him away from her, just as
+one misses the sun on a cloudy day without having thought much about
+the sun when it was shining.
+
+The people walked in little groups toward the beach. They talked and
+laughed; some of them sang. There was a band playing down at Klein’s
+hotel, and the strains reached them faintly, tempered by the distance.
+There were strange, rare odors abroad—a tangle of the sea smell and of
+weeds and damp, new-plowed earth, mingled with the heavy perfume of a
+field of white blossoms somewhere near. But the night sat lightly upon
+the sea and the land. There was no weight of darkness; there were no
+shadows. The white light of the moon had fallen upon the world like the
+mystery and the softness of sleep.
+
+Most of them walked into the water as though into a native element. The
+sea was quiet now, and swelled lazily in broad billows that melted into
+one another and did not break except upon the beach in little foamy
+crests that coiled back like slow, white serpents.
+
+Edna had attempted all summer to learn to swim. She had received
+instructions from both the men and women; in some instances from the
+children. Robert had pursued a system of lessons almost daily; and he
+was nearly at the point of discouragement in realizing the futility of
+his efforts. A certain ungovernable dread hung about her when in the
+water, unless there was a hand near by that might reach out and
+reassure her.
+
+But that night she was like the little tottering, stumbling, clutching
+child, who of a sudden realizes its powers, and walks for the first
+time alone, boldly and with over-confidence. She could have shouted for
+joy. She did shout for joy, as with a sweeping stroke or two she lifted
+her body to the surface of the water.
+
+A feeling of exultation overtook her, as if some power of significant
+import had been given her to control the working of her body and her
+soul. She grew daring and reckless, overestimating her strength. She
+wanted to swim far out, where no woman had swum before.
+
+Her unlooked-for achievement was the subject of wonder, applause, and
+admiration. Each one congratulated himself that his special teachings
+had accomplished this desired end.
+
+“How easy it is!” she thought. “It is nothing,” she said aloud; “why
+did I not discover before that it was nothing. Think of the time I have
+lost splashing about like a baby!” She would not join the groups in
+their sports and bouts, but intoxicated with her newly conquered power,
+she swam out alone.
+
+She turned her face seaward to gather in an impression of space and
+solitude, which the vast expanse of water, meeting and melting with the
+moonlit sky, conveyed to her excited fancy. As she swam she seemed to
+be reaching out for the unlimited in which to lose herself.
+
+Once she turned and looked toward the shore, toward the people she had
+left there. She had not gone any great distance—that is, what would
+have been a great distance for an experienced swimmer. But to her
+unaccustomed vision the stretch of water behind her assumed the aspect
+of a barrier which her unaided strength would never be able to
+overcome.
+
+A quick vision of death smote her soul, and for a second of time
+appalled and enfeebled her senses. But by an effort she rallied her
+staggering faculties and managed to regain the land.
+
+She made no mention of her encounter with death and her flash of
+terror, except to say to her husband, “I thought I should have perished
+out there alone.”
+
+“You were not so very far, my dear; I was watching you,” he told her.
+
+Edna went at once to the bath-house, and she had put on her dry clothes
+and was ready to return home before the others had left the water. She
+started to walk away alone. They all called to her and shouted to her.
+She waved a dissenting hand, and went on, paying no further heed to
+their renewed cries which sought to detain her.
+
+“Sometimes I am tempted to think that Mrs. Pontellier is capricious,”
+said Madame Lebrun, who was amusing herself immensely and feared that
+Edna’s abrupt departure might put an end to the pleasure.
+
+“I know she is,” assented Mr. Pontellier; “sometimes, not often.”
+
+Edna had not traversed a quarter of the distance on her way home before
+she was overtaken by Robert.
+
+“Did you think I was afraid?” she asked him, without a shade of
+annoyance.
+
+“No; I knew you weren’t afraid.”
+
+“Then why did you come? Why didn’t you stay out there with the others?”
+
+“I never thought of it.”
+
+“Thought of what?”
+
+“Of anything. What difference does it make?”
+
+“I’m very tired,” she uttered, complainingly.
+
+“I know you are.”
+
+“You don’t know anything about it. Why should you know? I never was so
+exhausted in my life. But it isn’t unpleasant. A thousand emotions have
+swept through me to-night. I don’t comprehend half of them. Don’t mind
+what I’m saying; I am just thinking aloud. I wonder if I shall ever be
+stirred again as Mademoiselle Reisz’s playing moved me to-night. I
+wonder if any night on earth will ever again be like this one. It is
+like a night in a dream. The people about me are like some uncanny,
+half-human beings. There must be spirits abroad to-night.”
+
+“There are,” whispered Robert, “Didn’t you know this was the
+twenty-eighth of August?”
+
+“The twenty-eighth of August?”
+
+“Yes. On the twenty-eighth of August, at the hour of midnight, and if
+the moon is shining—the moon must be shining—a spirit that has haunted
+these shores for ages rises up from the Gulf. With its own penetrating
+vision the spirit seeks some one mortal worthy to hold him company,
+worthy of being exalted for a few hours into realms of the
+semi-celestials. His search has always hitherto been fruitless, and he
+has sunk back, disheartened, into the sea. But to-night he found Mrs.
+Pontellier. Perhaps he will never wholly release her from the spell.
+Perhaps she will never again suffer a poor, unworthy earthling to walk
+in the shadow of her divine presence.”
+
+“Don’t banter me,” she said, wounded at what appeared to be his
+flippancy. He did not mind the entreaty, but the tone with its delicate
+note of pathos was like a reproach. He could not explain; he could not
+tell her that he had penetrated her mood and understood. He said
+nothing except to offer her his arm, for, by her own admission, she was
+exhausted. She had been walking alone with her arms hanging limp,
+letting her white skirts trail along the dewy path. She took his arm,
+but she did not lean upon it. She let her hand lie listlessly, as
+though her thoughts were elsewhere—somewhere in advance of her body,
+and she was striving to overtake them.
+
+Robert assisted her into the hammock which swung from the post before
+her door out to the trunk of a tree.
+
+“Will you stay out here and wait for Mr. Pontellier?” he asked.
+
+“I’ll stay out here. Good-night.”
+
+“Shall I get you a pillow?”
+
+“There’s one here,” she said, feeling about, for they were in the
+shadow.
+
+“It must be soiled; the children have been tumbling it about.”
+
+“No matter.” And having discovered the pillow, she adjusted it beneath
+her head. She extended herself in the hammock with a deep breath of
+relief. She was not a supercilious or an over-dainty woman. She was not
+much given to reclining in the hammock, and when she did so it was with
+no cat-like suggestion of voluptuous ease, but with a beneficent repose
+which seemed to invade her whole body.
+
+“Shall I stay with you till Mr. Pontellier comes?” asked Robert,
+seating himself on the outer edge of one of the steps and taking hold
+of the hammock rope which was fastened to the post.
+
+“If you wish. Don’t swing the hammock. Will you get my white shawl
+which I left on the window-sill over at the house?”
+
+“Are you chilly?”
+
+“No; but I shall be presently.”
+
+“Presently?” he laughed. “Do you know what time it is? How long are you
+going to stay out here?”
+
+“I don’t know. Will you get the shawl?”
+
+“Of course I will,” he said, rising. He went over to the house, walking
+along the grass. She watched his figure pass in and out of the strips
+of moonlight. It was past midnight. It was very quiet.
+
+When he returned with the shawl she took it and kept it in her hand.
+She did not put it around her.
+
+“Did you say I should stay till Mr. Pontellier came back?”
+
+“I said you might if you wished to.”
+
+He seated himself again and rolled a cigarette, which he smoked in
+silence. Neither did Mrs. Pontellier speak. No multitude of words could
+have been more significant than those moments of silence, or more
+pregnant with the first-felt throbbings of desire.
+
+When the voices of the bathers were heard approaching, Robert said
+good-night. She did not answer him. He thought she was asleep. Again
+she watched his figure pass in and out of the strips of moonlight as he
+walked away.
+
+XI
+
+“What are you doing out here, Edna? I thought I should find you in
+bed,” said her husband, when he discovered her lying there. He had
+walked up with Madame Lebrun and left her at the house. His wife did
+not reply.
+
+“Are you asleep?” he asked, bending down close to look at her.
+
+“No.” Her eyes gleamed bright and intense, with no sleepy shadows, as
+they looked into his.
+
+“Do you know it is past one o’clock? Come on,” and he mounted the steps
+and went into their room.
+
+“Edna!” called Mr. Pontellier from within, after a few moments had gone
+by.
+
+“Don’t wait for me,” she answered. He thrust his head through the door.
+
+“You will take cold out there,” he said, irritably. “What folly is
+this? Why don’t you come in?”
+
+“It isn’t cold; I have my shawl.”
+
+“The mosquitoes will devour you.”
+
+“There are no mosquitoes.”
+
+She heard him moving about the room; every sound indicating impatience
+and irritation. Another time she would have gone in at his request. She
+would, through habit, have yielded to his desire; not with any sense of
+submission or obedience to his compelling wishes, but unthinkingly, as
+we walk, move, sit, stand, go through the daily treadmill of the life
+which has been portioned out to us.
+
+“Edna, dear, are you not coming in soon?” he asked again, this time
+fondly, with a note of entreaty.
+
+“No; I am going to stay out here.”
+
+“This is more than folly,” he blurted out. “I can’t permit you to stay
+out there all night. You must come in the house instantly.”
+
+With a writhing motion she settled herself more securely in the
+hammock. She perceived that her will had blazed up, stubborn and
+resistant. She could not at that moment have done other than denied and
+resisted. She wondered if her husband had ever spoken to her like that
+before, and if she had submitted to his command. Of course she had; she
+remembered that she had. But she could not realize why or how she
+should have yielded, feeling as she then did.
+
+“Léonce, go to bed,” she said, “I mean to stay out here. I don’t wish
+to go in, and I don’t intend to. Don’t speak to me like that again; I
+shall not answer you.”
+
+Mr. Pontellier had prepared for bed, but he slipped on an extra
+garment. He opened a bottle of wine, of which he kept a small and
+select supply in a buffet of his own. He drank a glass of the wine and
+went out on the gallery and offered a glass to his wife. She did not
+wish any. He drew up the rocker, hoisted his slippered feet on the
+rail, and proceeded to smoke a cigar. He smoked two cigars; then he
+went inside and drank another glass of wine. Mrs. Pontellier again
+declined to accept a glass when it was offered to her. Mr. Pontellier
+once more seated himself with elevated feet, and after a reasonable
+interval of time smoked some more cigars.
+
+Edna began to feel like one who awakens gradually out of a dream, a
+delicious, grotesque, impossible dream, to feel again the realities
+pressing into her soul. The physical need for sleep began to overtake
+her; the exuberance which had sustained and exalted her spirit left her
+helpless and yielding to the conditions which crowded her in.
+
+The stillest hour of the night had come, the hour before dawn, when the
+world seems to hold its breath. The moon hung low, and had turned from
+silver to copper in the sleeping sky. The old owl no longer hooted, and
+the water-oaks had ceased to moan as they bent their heads.
+
+Edna arose, cramped from lying so long and still in the hammock. She
+tottered up the steps, clutching feebly at the post before passing into
+the house.
+
+“Are you coming in, Léonce?” she asked, turning her face toward her
+husband.
+
+“Yes, dear,” he answered, with a glance following a misty puff of
+smoke. “Just as soon as I have finished my cigar.”
+
+XII
+
+She slept but a few hours. They were troubled and feverish hours,
+disturbed with dreams that were intangible, that eluded her, leaving
+only an impression upon her half-awakened senses of something
+unattainable. She was up and dressed in the cool of the early morning.
+The air was invigorating and steadied somewhat her faculties. However,
+she was not seeking refreshment or help from any source, either
+external or from within. She was blindly following whatever impulse
+moved her, as if she had placed herself in alien hands for direction,
+and freed her soul of responsibility.
+
+Most of the people at that early hour were still in bed and asleep. A
+few, who intended to go over to the _Chênière_ for mass, were moving
+about. The lovers, who had laid their plans the night before, were
+already strolling toward the wharf. The lady in black, with her Sunday
+prayer-book, velvet and gold-clasped, and her Sunday silver beads, was
+following them at no great distance. Old Monsieur Farival was up, and
+was more than half inclined to do anything that suggested itself. He
+put on his big straw hat, and taking his umbrella from the stand in the
+hall, followed the lady in black, never overtaking her.
+
+The little negro girl who worked Madame Lebrun’s sewing-machine was
+sweeping the galleries with long, absent-minded strokes of the broom.
+Edna sent her up into the house to awaken Robert.
+
+“Tell him I am going to the _Chênière_. The boat is ready; tell him to
+hurry.”
+
+He had soon joined her. She had never sent for him before. She had
+never asked for him. She had never seemed to want him before. She did
+not appear conscious that she had done anything unusual in commanding
+his presence. He was apparently equally unconscious of anything
+extraordinary in the situation. But his face was suffused with a quiet
+glow when he met her.
+
+They went together back to the kitchen to drink coffee. There was no
+time to wait for any nicety of service. They stood outside the window
+and the cook passed them their coffee and a roll, which they drank and
+ate from the window-sill. Edna said it tasted good.
+
+She had not thought of coffee nor of anything. He told her he had often
+noticed that she lacked forethought.
+
+“Wasn’t it enough to think of going to the _Chênière_ and waking you
+up?” she laughed. “Do I have to think of everything?—as Léonce says
+when he’s in a bad humor. I don’t blame him; he’d never be in a bad
+humor if it weren’t for me.”
+
+They took a short cut across the sands. At a distance they could see
+the curious procession moving toward the wharf—the lovers, shoulder to
+shoulder, creeping; the lady in black, gaining steadily upon them; old
+Monsieur Farival, losing ground inch by inch, and a young barefooted
+Spanish girl, with a red kerchief on her head and a basket on her arm,
+bringing up the rear.
+
+Robert knew the girl, and he talked to her a little in the boat. No one
+present understood what they said. Her name was Mariequita. She had a
+round, sly, piquant face and pretty black eyes. Her hands were small,
+and she kept them folded over the handle of her basket. Her feet were
+broad and coarse. She did not strive to hide them. Edna looked at her
+feet, and noticed the sand and slime between her brown toes.
+
+Beaudelet grumbled because Mariequita was there, taking up so much
+room. In reality he was annoyed at having old Monsieur Farival, who
+considered himself the better sailor of the two. But he would not
+quarrel with so old a man as Monsieur Farival, so he quarreled with
+Mariequita. The girl was deprecatory at one moment, appealing to
+Robert. She was saucy the next, moving her head up and down, making
+“eyes” at Robert and making “mouths” at Beaudelet.
+
+The lovers were all alone. They saw nothing, they heard nothing. The
+lady in black was counting her beads for the third time. Old Monsieur
+Farival talked incessantly of what he knew about handling a boat, and
+of what Beaudelet did not know on the same subject.
+
+Edna liked it all. She looked Mariequita up and down, from her ugly
+brown toes to her pretty black eyes, and back again.
+
+“Why does she look at me like that?” inquired the girl of Robert.
+
+“Maybe she thinks you are pretty. Shall I ask her?”
+
+“No. Is she your sweetheart?”
+
+“She’s a married lady, and has two children.”
+
+“Oh! well! Francisco ran away with Sylvano’s wife, who had four
+children. They took all his money and one of the children and stole his
+boat.”
+
+“Shut up!”
+
+“Does she understand?”
+
+“Oh, hush!”
+
+“Are those two married over there—leaning on each other?”
+
+“Of course not,” laughed Robert.
+
+“Of course not,” echoed Mariequita, with a serious, confirmatory bob of
+the head.
+
+The sun was high up and beginning to bite. The swift breeze seemed to
+Edna to bury the sting of it into the pores of her face and hands.
+Robert held his umbrella over her. As they went cutting sidewise
+through the water, the sails bellied taut, with the wind filling and
+overflowing them. Old Monsieur Farival laughed sardonically at
+something as he looked at the sails, and Beaudelet swore at the old man
+under his breath.
+
+Sailing across the bay to the _Chênière Caminada_, Edna felt as if she
+were being borne away from some anchorage which had held her fast,
+whose chains had been loosening—had snapped the night before when the
+mystic spirit was abroad, leaving her free to drift whithersoever she
+chose to set her sails. Robert spoke to her incessantly; he no longer
+noticed Mariequita. The girl had shrimps in her bamboo basket. They
+were covered with Spanish moss. She beat the moss down impatiently, and
+muttered to herself sullenly.
+
+“Let us go to Grande Terre to-morrow?” said Robert in a low voice.
+
+“What shall we do there?”
+
+“Climb up the hill to the old fort and look at the little wriggling
+gold snakes, and watch the lizards sun themselves.”
+
+She gazed away toward Grande Terre and thought she would like to be
+alone there with Robert, in the sun, listening to the ocean’s roar and
+watching the slimy lizards writhe in and out among the ruins of the old
+fort.
+
+“And the next day or the next we can sail to the Bayou Brulow,” he went
+on.
+
+“What shall we do there?”
+
+“Anything—cast bait for fish.”
+
+“No; we’ll go back to Grande Terre. Let the fish alone.”
+
+“We’ll go wherever you like,” he said. “I’ll have Tonie come over and
+help me patch and trim my boat. We shall not need Beaudelet nor any
+one. Are you afraid of the pirogue?”
+
+“Oh, no.”
+
+“Then I’ll take you some night in the pirogue when the moon shines.
+Maybe your Gulf spirit will whisper to you in which of these islands
+the treasures are hidden—direct you to the very spot, perhaps.”
+
+“And in a day we should be rich!” she laughed. “I’d give it all to you,
+the pirate gold and every bit of treasure we could dig up. I think you
+would know how to spend it. Pirate gold isn’t a thing to be hoarded or
+utilized. It is something to squander and throw to the four winds, for
+the fun of seeing the golden specks fly.”
+
+“We’d share it, and scatter it together,” he said. His face flushed.
+
+They all went together up to the quaint little Gothic church of Our
+Lady of Lourdes, gleaming all brown and yellow with paint in the sun’s
+glare.
+
+Only Beaudelet remained behind, tinkering at his boat, and Mariequita
+walked away with her basket of shrimps, casting a look of childish ill
+humor and reproach at Robert from the corner of her eye.
+
+XIII
+
+A feeling of oppression and drowsiness overcame Edna during the
+service. Her head began to ache, and the lights on the altar swayed
+before her eyes. Another time she might have made an effort to regain
+her composure; but her one thought was to quit the stifling atmosphere
+of the church and reach the open air. She arose, climbing over Robert’s
+feet with a muttered apology. Old Monsieur Farival, flurried, curious,
+stood up, but upon seeing that Robert had followed Mrs. Pontellier, he
+sank back into his seat. He whispered an anxious inquiry of the lady in
+black, who did not notice him or reply, but kept her eyes fastened upon
+the pages of her velvet prayer-book.
+
+“I felt giddy and almost overcome,” Edna said, lifting her hands
+instinctively to her head and pushing her straw hat up from her
+forehead. “I couldn’t have stayed through the service.” They were
+outside in the shadow of the church. Robert was full of solicitude.
+
+“It was folly to have thought of going in the first place, let alone
+staying. Come over to Madame Antoine’s; you can rest there.” He took
+her arm and led her away, looking anxiously and continuously down into
+her face.
+
+How still it was, with only the voice of the sea whispering through the
+reeds that grew in the salt-water pools! The long line of little gray,
+weather-beaten houses nestled peacefully among the orange trees. It
+must always have been God’s day on that low, drowsy island, Edna
+thought. They stopped, leaning over a jagged fence made of sea-drift,
+to ask for water. A youth, a mild-faced Acadian, was drawing water from
+the cistern, which was nothing more than a rusty buoy, with an opening
+on one side, sunk in the ground. The water which the youth handed to
+them in a tin pail was not cold to taste, but it was cool to her heated
+face, and it greatly revived and refreshed her.
+
+Madame Antoine’s cot was at the far end of the village. She welcomed
+them with all the native hospitality, as she would have opened her door
+to let the sunlight in. She was fat, and walked heavily and clumsily
+across the floor. She could speak no English, but when Robert made her
+understand that the lady who accompanied him was ill and desired to
+rest, she was all eagerness to make Edna feel at home and to dispose of
+her comfortably.
+
+The whole place was immaculately clean, and the big, four-posted bed,
+snow-white, invited one to repose. It stood in a small side room which
+looked out across a narrow grass plot toward the shed, where there was
+a disabled boat lying keel upward.
+
+Madame Antoine had not gone to mass. Her son Tonie had, but she
+supposed he would soon be back, and she invited Robert to be seated and
+wait for him. But he went and sat outside the door and smoked. Madame
+Antoine busied herself in the large front room preparing dinner. She
+was boiling mullets over a few red coals in the huge fireplace.
+
+Edna, left alone in the little side room, loosened her clothes,
+removing the greater part of them. She bathed her face, her neck and
+arms in the basin that stood between the windows. She took off her
+shoes and stockings and stretched herself in the very center of the
+high, white bed. How luxurious it felt to rest thus in a strange,
+quaint bed, with its sweet country odor of laurel lingering about the
+sheets and mattress! She stretched her strong limbs that ached a
+little. She ran her fingers through her loosened hair for a while. She
+looked at her round arms as she held them straight up and rubbed them
+one after the other, observing closely, as if it were something she saw
+for the first time, the fine, firm quality and texture of her flesh.
+She clasped her hands easily above her head, and it was thus she fell
+asleep.
+
+She slept lightly at first, half awake and drowsily attentive to the
+things about her. She could hear Madame Antoine’s heavy, scraping tread
+as she walked back and forth on the sanded floor. Some chickens were
+clucking outside the windows, scratching for bits of gravel in the
+grass. Later she half heard the voices of Robert and Tonie talking
+under the shed. She did not stir. Even her eyelids rested numb and
+heavily over her sleepy eyes. The voices went on—Tonie’s slow, Acadian
+drawl, Robert’s quick, soft, smooth French. She understood French
+imperfectly unless directly addressed, and the voices were only part of
+the other drowsy, muffled sounds lulling her senses.
+
+When Edna awoke it was with the conviction that she had slept long and
+soundly. The voices were hushed under the shed. Madame Antoine’s step
+was no longer to be heard in the adjoining room. Even the chickens had
+gone elsewhere to scratch and cluck. The mosquito bar was drawn over
+her; the old woman had come in while she slept and let down the bar.
+Edna arose quietly from the bed, and looking between the curtains of
+the window, she saw by the slanting rays of the sun that the afternoon
+was far advanced. Robert was out there under the shed, reclining in the
+shade against the sloping keel of the overturned boat. He was reading
+from a book. Tonie was no longer with him. She wondered what had become
+of the rest of the party. She peeped out at him two or three times as
+she stood washing herself in the little basin between the windows.
+
+Madame Antoine had laid some coarse, clean towels upon a chair, and had
+placed a box of _poudre de riz_ within easy reach. Edna dabbed the
+powder upon her nose and cheeks as she looked at herself closely in the
+little distorted mirror which hung on the wall above the basin. Her
+eyes were bright and wide awake and her face glowed.
+
+When she had completed her toilet she walked into the adjoining room.
+She was very hungry. No one was there. But there was a cloth spread
+upon the table that stood against the wall, and a cover was laid for
+one, with a crusty brown loaf and a bottle of wine beside the plate.
+Edna bit a piece from the brown loaf, tearing it with her strong, white
+teeth. She poured some of the wine into the glass and drank it down.
+Then she went softly out of doors, and plucking an orange from the
+low-hanging bough of a tree, threw it at Robert, who did not know she
+was awake and up.
+
+An illumination broke over his whole face when he saw her and joined
+her under the orange tree.
+
+“How many years have I slept?” she inquired. “The whole island seems
+changed. A new race of beings must have sprung up, leaving only you and
+me as past relics. How many ages ago did Madame Antoine and Tonie die?
+and when did our people from Grand Isle disappear from the earth?”
+
+He familiarly adjusted a ruffle upon her shoulder.
+
+“You have slept precisely one hundred years. I was left here to guard
+your slumbers; and for one hundred years I have been out under the shed
+reading a book. The only evil I couldn’t prevent was to keep a broiled
+fowl from drying up.”
+
+“If it has turned to stone, still will I eat it,” said Edna, moving
+with him into the house. “But really, what has become of Monsieur
+Farival and the others?”
+
+“Gone hours ago. When they found that you were sleeping they thought it
+best not to awake you. Any way, I wouldn’t have let them. What was I
+here for?”
+
+“I wonder if Léonce will be uneasy!” she speculated, as she seated
+herself at table.
+
+“Of course not; he knows you are with me,” Robert replied, as he busied
+himself among sundry pans and covered dishes which had been left
+standing on the hearth.
+
+“Where are Madame Antoine and her son?” asked Edna.
+
+“Gone to Vespers, and to visit some friends, I believe. I am to take
+you back in Tonie’s boat whenever you are ready to go.”
+
+He stirred the smoldering ashes till the broiled fowl began to sizzle
+afresh. He served her with no mean repast, dripping the coffee anew and
+sharing it with her. Madame Antoine had cooked little else than the
+mullets, but while Edna slept Robert had foraged the island. He was
+childishly gratified to discover her appetite, and to see the relish
+with which she ate the food which he had procured for her.
+
+“Shall we go right away?” she asked, after draining her glass and
+brushing together the crumbs of the crusty loaf.
+
+“The sun isn’t as low as it will be in two hours,” he answered.
+
+“The sun will be gone in two hours.”
+
+“Well, let it go; who cares!”
+
+They waited a good while under the orange trees, till Madame Antoine
+came back, panting, waddling, with a thousand apologies to explain her
+absence. Tonie did not dare to return. He was shy, and would not
+willingly face any woman except his mother.
+
+It was very pleasant to stay there under the orange trees, while the
+sun dipped lower and lower, turning the western sky to flaming copper
+and gold. The shadows lengthened and crept out like stealthy, grotesque
+monsters across the grass.
+
+Edna and Robert both sat upon the ground—that is, he lay upon the
+ground beside her, occasionally picking at the hem of her muslin gown.
+
+Madame Antoine seated her fat body, broad and squat, upon a bench
+beside the door. She had been talking all the afternoon, and had wound
+herself up to the storytelling pitch.
+
+And what stories she told them! But twice in her life she had left the
+_Chênière Caminada_, and then for the briefest span. All her years she
+had squatted and waddled there upon the island, gathering legends of
+the Baratarians and the sea. The night came on, with the moon to
+lighten it. Edna could hear the whispering voices of dead men and the
+click of muffled gold.
+
+When she and Robert stepped into Tonie’s boat, with the red lateen
+sail, misty spirit forms were prowling in the shadows and among the
+reeds, and upon the water were phantom ships, speeding to cover.
+
+XIV
+
+The youngest boy, Etienne, had been very naughty, Madame Ratignolle
+said, as she delivered him into the hands of his mother. He had been
+unwilling to go to bed and had made a scene; whereupon she had taken
+charge of him and pacified him as well as she could. Raoul had been in
+bed and asleep for two hours.
+
+The youngster was in his long white nightgown, that kept tripping him
+up as Madame Ratignolle led him along by the hand. With the other
+chubby fist he rubbed his eyes, which were heavy with sleep and ill
+humor. Edna took him in her arms, and seating herself in the rocker,
+began to coddle and caress him, calling him all manner of tender names,
+soothing him to sleep.
+
+It was not more than nine o’clock. No one had yet gone to bed but the
+children.
+
+Léonce had been very uneasy at first, Madame Ratignolle said, and had
+wanted to start at once for the _Chênière_. But Monsieur Farival had
+assured him that his wife was only overcome with sleep and fatigue,
+that Tonie would bring her safely back later in the day; and he had
+thus been dissuaded from crossing the bay. He had gone over to Klein’s,
+looking up some cotton broker whom he wished to see in regard to
+securities, exchanges, stocks, bonds, or something of the sort, Madame
+Ratignolle did not remember what. He said he would not remain away
+late. She herself was suffering from heat and oppression, she said. She
+carried a bottle of salts and a large fan. She would not consent to
+remain with Edna, for Monsieur Ratignolle was alone, and he detested
+above all things to be left alone.
+
+When Etienne had fallen asleep Edna bore him into the back room, and
+Robert went and lifted the mosquito bar that she might lay the child
+comfortably in his bed. The quadroon had vanished. When they emerged
+from the cottage Robert bade Edna good-night.
+
+“Do you know we have been together the whole livelong day, Robert—since
+early this morning?” she said at parting.
+
+“All but the hundred years when you were sleeping. Good-night.”
+
+He pressed her hand and went away in the direction of the beach. He did
+not join any of the others, but walked alone toward the Gulf.
+
+Edna stayed outside, awaiting her husband’s return. She had no desire
+to sleep or to retire; nor did she feel like going over to sit with the
+Ratignolles, or to join Madame Lebrun and a group whose animated voices
+reached her as they sat in conversation before the house. She let her
+mind wander back over her stay at Grand Isle; and she tried to discover
+wherein this summer had been different from any and every other summer
+of her life. She could only realize that she herself—her present
+self—was in some way different from the other self. That she was seeing
+with different eyes and making the acquaintance of new conditions in
+herself that colored and changed her environment, she did not yet
+suspect.
+
+She wondered why Robert had gone away and left her. It did not occur to
+her to think he might have grown tired of being with her the livelong
+day. She was not tired, and she felt that he was not. She regretted
+that he had gone. It was so much more natural to have him stay when he
+was not absolutely required to leave her.
+
+As Edna waited for her husband she sang low a little song that Robert
+had sung as they crossed the bay. It began with “Ah! _si tu savais_,”
+and every verse ended with “_si tu savais_.”
+
+Robert’s voice was not pretentious. It was musical and true. The voice,
+the notes, the whole refrain haunted her memory.
+
+XV
+
+When Edna entered the dining-room one evening a little late, as was her
+habit, an unusually animated conversation seemed to be going on.
+Several persons were talking at once, and Victor’s voice was
+predominating, even over that of his mother. Edna had returned late
+from her bath, had dressed in some haste, and her face was flushed. Her
+head, set off by her dainty white gown, suggested a rich, rare blossom.
+She took her seat at table between old Monsieur Farival and Madame
+Ratignolle.
+
+As she seated herself and was about to begin to eat her soup, which had
+been served when she entered the room, several persons informed her
+simultaneously that Robert was going to Mexico. She laid her spoon down
+and looked about her bewildered. He had been with her, reading to her
+all the morning, and had never even mentioned such a place as Mexico.
+She had not seen him during the afternoon; she had heard some one say
+he was at the house, upstairs with his mother. This she had thought
+nothing of, though she was surprised when he did not join her later in
+the afternoon, when she went down to the beach.
+
+She looked across at him, where he sat beside Madame Lebrun, who
+presided. Edna’s face was a blank picture of bewilderment, which she
+never thought of disguising. He lifted his eyebrows with the pretext of
+a smile as he returned her glance. He looked embarrassed and uneasy.
+“When is he going?” she asked of everybody in general, as if Robert
+were not there to answer for himself.
+
+“To-night!” “This very evening!” “Did you ever!” “What possesses him!”
+were some of the replies she gathered, uttered simultaneously in French
+and English.
+
+“Impossible!” she exclaimed. “How can a person start off from Grand
+Isle to Mexico at a moment’s notice, as if he were going over to
+Klein’s or to the wharf or down to the beach?”
+
+“I said all along I was going to Mexico; I’ve been saying so for
+years!” cried Robert, in an excited and irritable tone, with the air of
+a man defending himself against a swarm of stinging insects.
+
+Madame Lebrun knocked on the table with her knife handle.
+
+“Please let Robert explain why he is going, and why he is going
+to-night,” she called out. “Really, this table is getting to be more
+and more like Bedlam every day, with everybody talking at once.
+Sometimes—I hope God will forgive me—but positively, sometimes I wish
+Victor would lose the power of speech.”
+
+Victor laughed sardonically as he thanked his mother for her holy wish,
+of which he failed to see the benefit to anybody, except that it might
+afford her a more ample opportunity and license to talk herself.
+
+Monsieur Farival thought that Victor should have been taken out in
+mid-ocean in his earliest youth and drowned. Victor thought there would
+be more logic in thus disposing of old people with an established claim
+for making themselves universally obnoxious. Madame Lebrun grew a
+trifle hysterical; Robert called his brother some sharp, hard names.
+
+“There’s nothing much to explain, mother,” he said; though he
+explained, nevertheless—looking chiefly at Edna—that he could only meet
+the gentleman whom he intended to join at Vera Cruz by taking such and
+such a steamer, which left New Orleans on such a day; that Beaudelet
+was going out with his lugger-load of vegetables that night, which gave
+him an opportunity of reaching the city and making his vessel in time.
+
+“But when did you make up your mind to all this?” demanded Monsieur
+Farival.
+
+“This afternoon,” returned Robert, with a shade of annoyance.
+
+“At what time this afternoon?” persisted the old gentleman, with
+nagging determination, as if he were cross-questioning a criminal in a
+court of justice.
+
+“At four o’clock this afternoon, Monsieur Farival,” Robert replied, in
+a high voice and with a lofty air, which reminded Edna of some
+gentleman on the stage.
+
+She had forced herself to eat most of her soup, and now she was picking
+the flaky bits of a _court bouillon_ with her fork.
+
+The lovers were profiting by the general conversation on Mexico to
+speak in whispers of matters which they rightly considered were
+interesting to no one but themselves. The lady in black had once
+received a pair of prayer-beads of curious workmanship from Mexico,
+with very special indulgence attached to them, but she had never been
+able to ascertain whether the indulgence extended outside the Mexican
+border. Father Fochel of the Cathedral had attempted to explain it; but
+he had not done so to her satisfaction. And she begged that Robert
+would interest himself, and discover, if possible, whether she was
+entitled to the indulgence accompanying the remarkably curious Mexican
+prayer-beads.
+
+Madame Ratignolle hoped that Robert would exercise extreme caution in
+dealing with the Mexicans, who, she considered, were a treacherous
+people, unscrupulous and revengeful. She trusted she did them no
+injustice in thus condemning them as a race. She had known personally
+but one Mexican, who made and sold excellent tamales, and whom she
+would have trusted implicitly, so soft-spoken was he. One day he was
+arrested for stabbing his wife. She never knew whether he had been
+hanged or not.
+
+Victor had grown hilarious, and was attempting to tell an anecdote
+about a Mexican girl who served chocolate one winter in a restaurant in
+Dauphine Street. No one would listen to him but old Monsieur Farival,
+who went into convulsions over the droll story.
+
+Edna wondered if they had all gone mad, to be talking and clamoring at
+that rate. She herself could think of nothing to say about Mexico or
+the Mexicans.
+
+“At what time do you leave?” she asked Robert.
+
+“At ten,” he told her. “Beaudelet wants to wait for the moon.”
+
+“Are you all ready to go?”
+
+“Quite ready. I shall only take a hand-bag, and shall pack my trunk in
+the city.”
+
+He turned to answer some question put to him by his mother, and Edna,
+having finished her black coffee, left the table.
+
+She went directly to her room. The little cottage was close and stuffy
+after leaving the outer air. But she did not mind; there appeared to be
+a hundred different things demanding her attention indoors. She began
+to set the toilet-stand to rights, grumbling at the negligence of the
+quadroon, who was in the adjoining room putting the children to bed.
+She gathered together stray garments that were hanging on the backs of
+chairs, and put each where it belonged in closet or bureau drawer. She
+changed her gown for a more comfortable and commodious wrapper. She
+rearranged her hair, combing and brushing it with unusual energy. Then
+she went in and assisted the quadroon in getting the boys to bed.
+
+They were very playful and inclined to talk—to do anything but lie
+quiet and go to sleep. Edna sent the quadroon away to her supper and
+told her she need not return. Then she sat and told the children a
+story. Instead of soothing it excited them, and added to their
+wakefulness. She left them in heated argument, speculating about the
+conclusion of the tale which their mother promised to finish the
+following night.
+
+The little black girl came in to say that Madame Lebrun would like to
+have Mrs. Pontellier go and sit with them over at the house till Mr.
+Robert went away. Edna returned answer that she had already undressed,
+that she did not feel quite well, but perhaps she would go over to the
+house later. She started to dress again, and got as far advanced as to
+remove her _peignoir_. But changing her mind once more she resumed the
+_peignoir_, and went outside and sat down before her door. She was
+overheated and irritable, and fanned herself energetically for a while.
+Madame Ratignolle came down to discover what was the matter.
+
+“All that noise and confusion at the table must have upset me,” replied
+Edna, “and moreover, I hate shocks and surprises. The idea of Robert
+starting off in such a ridiculously sudden and dramatic way! As if it
+were a matter of life and death! Never saying a word about it all
+morning when he was with me.”
+
+“Yes,” agreed Madame Ratignolle. “I think it was showing us all—you
+especially—very little consideration. It wouldn’t have surprised me in
+any of the others; those Lebruns are all given to heroics. But I must
+say I should never have expected such a thing from Robert. Are you not
+coming down? Come on, dear; it doesn’t look friendly.”
+
+“No,” said Edna, a little sullenly. “I can’t go to the trouble of
+dressing again; I don’t feel like it.”
+
+“You needn’t dress; you look all right; fasten a belt around your
+waist. Just look at me!”
+
+“No,” persisted Edna; “but you go on. Madame Lebrun might be offended
+if we both stayed away.”
+
+Madame Ratignolle kissed Edna good-night, and went away, being in truth
+rather desirous of joining in the general and animated conversation
+which was still in progress concerning Mexico and the Mexicans.
+
+Somewhat later Robert came up, carrying his hand-bag.
+
+“Aren’t you feeling well?” he asked.
+
+“Oh, well enough. Are you going right away?”
+
+He lit a match and looked at his watch. “In twenty minutes,” he said.
+The sudden and brief flare of the match emphasized the darkness for a
+while. He sat down upon a stool which the children had left out on the
+porch.
+
+“Get a chair,” said Edna.
+
+“This will do,” he replied. He put on his soft hat and nervously took
+it off again, and wiping his face with his handkerchief, complained of
+the heat.
+
+“Take the fan,” said Edna, offering it to him.
+
+“Oh, no! Thank you. It does no good; you have to stop fanning some
+time, and feel all the more uncomfortable afterward.”
+
+“That’s one of the ridiculous things which men always say. I have never
+known one to speak otherwise of fanning. How long will you be gone?”
+
+“Forever, perhaps. I don’t know. It depends upon a good many things.”
+
+“Well, in case it shouldn’t be forever, how long will it be?”
+
+“I don’t know.”
+
+“This seems to me perfectly preposterous and uncalled for. I don’t like
+it. I don’t understand your motive for silence and mystery, never
+saying a word to me about it this morning.” He remained silent, not
+offering to defend himself. He only said, after a moment:
+
+“Don’t part from me in any ill humor. I never knew you to be out of
+patience with me before.”
+
+“I don’t want to part in any ill humor,” she said. “But can’t you
+understand? I’ve grown used to seeing you, to having you with me all
+the time, and your action seems unfriendly, even unkind. You don’t even
+offer an excuse for it. Why, I was planning to be together, thinking of
+how pleasant it would be to see you in the city next winter.”
+
+“So was I,” he blurted. “Perhaps that’s the—” He stood up suddenly and
+held out his hand. “Good-by, my dear Mrs. Pontellier; good-by. You
+won’t—I hope you won’t completely forget me.” She clung to his hand,
+striving to detain him.
+
+“Write to me when you get there, won’t you, Robert?” she entreated.
+
+“I will, thank you. Good-by.”
+
+How unlike Robert! The merest acquaintance would have said something
+more emphatic than “I will, thank you; good-by,” to such a request.
+
+He had evidently already taken leave of the people over at the house,
+for he descended the steps and went to join Beaudelet, who was out
+there with an oar across his shoulder waiting for Robert. They walked
+away in the darkness. She could only hear Beaudelet’s voice; Robert had
+apparently not even spoken a word of greeting to his companion.
+
+Edna bit her handkerchief convulsively, striving to hold back and to
+hide, even from herself as she would have hidden from another, the
+emotion which was troubling—tearing—her. Her eyes were brimming with
+tears.
+
+For the first time she recognized the symptoms of infatuation which she
+had felt incipiently as a child, as a girl in her earliest teens, and
+later as a young woman. The recognition did not lessen the reality, the
+poignancy of the revelation by any suggestion or promise of
+instability. The past was nothing to her; offered no lesson which she
+was willing to heed. The future was a mystery which she never attempted
+to penetrate. The present alone was significant; was hers, to torture
+her as it was doing then with the biting conviction that she had lost
+that which she had held, that she had been denied that which her
+impassioned, newly awakened being demanded.
+
+XVI
+
+“Do you miss your friend greatly?” asked Mademoiselle Reisz one morning
+as she came creeping up behind Edna, who had just left her cottage on
+her way to the beach. She spent much of her time in the water since she
+had acquired finally the art of swimming. As their stay at Grand Isle
+drew near its close, she felt that she could not give too much time to
+a diversion which afforded her the only real pleasurable moments that
+she knew. When Mademoiselle Reisz came and touched her upon the
+shoulder and spoke to her, the woman seemed to echo the thought which
+was ever in Edna’s mind; or, better, the feeling which constantly
+possessed her.
+
+Robert’s going had some way taken the brightness, the color, the
+meaning out of everything. The conditions of her life were in no way
+changed, but her whole existence was dulled, like a faded garment which
+seems to be no longer worth wearing. She sought him everywhere—in
+others whom she induced to talk about him. She went up in the mornings
+to Madame Lebrun’s room, braving the clatter of the old sewing-machine.
+She sat there and chatted at intervals as Robert had done. She gazed
+around the room at the pictures and photographs hanging upon the wall,
+and discovered in some corner an old family album, which she examined
+with the keenest interest, appealing to Madame Lebrun for enlightenment
+concerning the many figures and faces which she discovered between its
+pages.
+
+There was a picture of Madame Lebrun with Robert as a baby, seated in
+her lap, a round-faced infant with a fist in his mouth. The eyes alone
+in the baby suggested the man. And that was he also in kilts, at the
+age of five, wearing long curls and holding a whip in his hand. It made
+Edna laugh, and she laughed, too, at the portrait in his first long
+trousers; while another interested her, taken when he left for college,
+looking thin, long-faced, with eyes full of fire, ambition and great
+intentions. But there was no recent picture, none which suggested the
+Robert who had gone away five days ago, leaving a void and wilderness
+behind him.
+
+“Oh, Robert stopped having his pictures taken when he had to pay for
+them himself! He found wiser use for his money, he says,” explained
+Madame Lebrun. She had a letter from him, written before he left New
+Orleans. Edna wished to see the letter, and Madame Lebrun told her to
+look for it either on the table or the dresser, or perhaps it was on
+the mantelpiece.
+
+The letter was on the bookshelf. It possessed the greatest interest and
+attraction for Edna; the envelope, its size and shape, the post-mark,
+the handwriting. She examined every detail of the outside before
+opening it. There were only a few lines, setting forth that he would
+leave the city that afternoon, that he had packed his trunk in good
+shape, that he was well, and sent her his love and begged to be
+affectionately remembered to all. There was no special message to Edna
+except a postscript saying that if Mrs. Pontellier desired to finish
+the book which he had been reading to her, his mother would find it in
+his room, among other books there on the table. Edna experienced a pang
+of jealousy because he had written to his mother rather than to her.
+
+Every one seemed to take for granted that she missed him. Even her
+husband, when he came down the Saturday following Robert’s departure,
+expressed regret that he had gone.
+
+“How do you get on without him, Edna?” he asked.
+
+“It’s very dull without him,” she admitted. Mr. Pontellier had seen
+Robert in the city, and Edna asked him a dozen questions or more. Where
+had they met? On Carondelet Street, in the morning. They had gone “in”
+and had a drink and a cigar together. What had they talked about?
+Chiefly about his prospects in Mexico, which Mr. Pontellier thought
+were promising. How did he look? How did he seem—grave, or gay, or how?
+Quite cheerful, and wholly taken up with the idea of his trip, which
+Mr. Pontellier found altogether natural in a young fellow about to seek
+fortune and adventure in a strange, queer country.
+
+Edna tapped her foot impatiently, and wondered why the children
+persisted in playing in the sun when they might be under the trees. She
+went down and led them out of the sun, scolding the quadroon for not
+being more attentive.
+
+It did not strike her as in the least grotesque that she should be
+making of Robert the object of conversation and leading her husband to
+speak of him. The sentiment which she entertained for Robert in no way
+resembled that which she felt for her husband, or had ever felt, or
+ever expected to feel. She had all her life long been accustomed to
+harbor thoughts and emotions which never voiced themselves. They had
+never taken the form of struggles. They belonged to her and were her
+own, and she entertained the conviction that she had a right to them
+and that they concerned no one but herself. Edna had once told Madame
+Ratignolle that she would never sacrifice herself for her children, or
+for any one. Then had followed a rather heated argument; the two women
+did not appear to understand each other or to be talking the same
+language. Edna tried to appease her friend, to explain.
+
+“I would give up the unessential; I would give my money, I would give
+my life for my children; but I wouldn’t give myself. I can’t make it
+more clear; it’s only something which I am beginning to comprehend,
+which is revealing itself to me.”
+
+“I don’t know what you would call the essential, or what you mean by
+the unessential,” said Madame Ratignolle, cheerfully; “but a woman who
+would give her life for her children could do no more than that—your
+Bible tells you so. I’m sure I couldn’t do more than that.”
+
+“Oh, yes you could!” laughed Edna.
+
+She was not surprised at Mademoiselle Reisz’s question the morning that
+lady, following her to the beach, tapped her on the shoulder and asked
+if she did not greatly miss her young friend.
+
+“Oh, good morning, Mademoiselle; is it you? Why, of course I miss
+Robert. Are you going down to bathe?”
+
+“Why should I go down to bathe at the very end of the season when I
+haven’t been in the surf all summer,” replied the woman, disagreeably.
+
+“I beg your pardon,” offered Edna, in some embarrassment, for she
+should have remembered that Mademoiselle Reisz’s avoidance of the water
+had furnished a theme for much pleasantry. Some among them thought it
+was on account of her false hair, or the dread of getting the violets
+wet, while others attributed it to the natural aversion for water
+sometimes believed to accompany the artistic temperament. Mademoiselle
+offered Edna some chocolates in a paper bag, which she took from her
+pocket, by way of showing that she bore no ill feeling. She habitually
+ate chocolates for their sustaining quality; they contained much
+nutriment in small compass, she said. They saved her from starvation,
+as Madame Lebrun’s table was utterly impossible; and no one save so
+impertinent a woman as Madame Lebrun could think of offering such food
+to people and requiring them to pay for it.
+
+“She must feel very lonely without her son,” said Edna, desiring to
+change the subject. “Her favorite son, too. It must have been quite
+hard to let him go.”
+
+Mademoiselle laughed maliciously.
+
+“Her favorite son! Oh, dear! Who could have been imposing such a tale
+upon you? Aline Lebrun lives for Victor, and for Victor alone. She has
+spoiled him into the worthless creature he is. She worships him and the
+ground he walks on. Robert is very well in a way, to give up all the
+money he can earn to the family, and keep the barest pittance for
+himself. Favorite son, indeed! I miss the poor fellow myself, my dear.
+I liked to see him and to hear him about the place—the only Lebrun who
+is worth a pinch of salt. He comes to see me often in the city. I like
+to play to him. That Victor! hanging would be too good for him. It’s a
+wonder Robert hasn’t beaten him to death long ago.”
+
+“I thought he had great patience with his brother,” offered Edna, glad
+to be talking about Robert, no matter what was said.
+
+“Oh! he thrashed him well enough a year or two ago,” said Mademoiselle.
+“It was about a Spanish girl, whom Victor considered that he had some
+sort of claim upon. He met Robert one day talking to the girl, or
+walking with her, or bathing with her, or carrying her basket—I don’t
+remember what;—and he became so insulting and abusive that Robert gave
+him a thrashing on the spot that has kept him comparatively in order
+for a good while. It’s about time he was getting another.”
+
+“Was her name Mariequita?” asked Edna.
+
+“Mariequita—yes, that was it; Mariequita. I had forgotten. Oh, she’s a
+sly one, and a bad one, that Mariequita!”
+
+Edna looked down at Mademoiselle Reisz and wondered how she could have
+listened to her venom so long. For some reason she felt depressed,
+almost unhappy. She had not intended to go into the water; but she
+donned her bathing suit, and left Mademoiselle alone, seated under the
+shade of the children’s tent. The water was growing cooler as the
+season advanced. Edna plunged and swam about with an abandon that
+thrilled and invigorated her. She remained a long time in the water,
+half hoping that Mademoiselle Reisz would not wait for her.
+
+But Mademoiselle waited. She was very amiable during the walk back, and
+raved much over Edna’s appearance in her bathing suit. She talked about
+music. She hoped that Edna would go to see her in the city, and wrote
+her address with the stub of a pencil on a piece of card which she
+found in her pocket.
+
+“When do you leave?” asked Edna.
+
+“Next Monday; and you?”
+
+“The following week,” answered Edna, adding, “It has been a pleasant
+summer, hasn’t it, Mademoiselle?”
+
+“Well,” agreed Mademoiselle Reisz, with a shrug, “rather pleasant, if
+it hadn’t been for the mosquitoes and the Farival twins.”
+
+XVII
+
+The Pontelliers possessed a very charming home on Esplanade Street in
+New Orleans. It was a large, double cottage, with a broad front
+veranda, whose round, fluted columns supported the sloping roof. The
+house was painted a dazzling white; the outside shutters, or jalousies,
+were green. In the yard, which was kept scrupulously neat, were flowers
+and plants of every description which flourishes in South Louisiana.
+Within doors the appointments were perfect after the conventional type.
+The softest carpets and rugs covered the floors; rich and tasteful
+draperies hung at doors and windows. There were paintings, selected
+with judgment and discrimination, upon the walls. The cut glass, the
+silver, the heavy damask which daily appeared upon the table were the
+envy of many women whose husbands were less generous than Mr.
+Pontellier.
+
+Mr. Pontellier was very fond of walking about his house examining its
+various appointments and details, to see that nothing was amiss. He
+greatly valued his possessions, chiefly because they were his, and
+derived genuine pleasure from contemplating a painting, a statuette, a
+rare lace curtain—no matter what—after he had bought it and placed it
+among his household gods.
+
+On Tuesday afternoons—Tuesday being Mrs. Pontellier’s reception
+day—there was a constant stream of callers—women who came in carriages
+or in the street cars, or walked when the air was soft and distance
+permitted. A light-colored mulatto boy, in dress coat and bearing a
+diminutive silver tray for the reception of cards, admitted them. A
+maid, in white fluted cap, offered the callers liqueur, coffee, or
+chocolate, as they might desire. Mrs. Pontellier, attired in a handsome
+reception gown, remained in the drawing-room the entire afternoon
+receiving her visitors. Men sometimes called in the evening with their
+wives.
+
+This had been the programme which Mrs. Pontellier had religiously
+followed since her marriage, six years before. Certain evenings during
+the week she and her husband attended the opera or sometimes the play.
+
+Mr. Pontellier left his home in the mornings between nine and ten
+o’clock, and rarely returned before half-past six or seven in the
+evening—dinner being served at half-past seven.
+
+He and his wife seated themselves at table one Tuesday evening, a few
+weeks after their return from Grand Isle. They were alone together. The
+boys were being put to bed; the patter of their bare, escaping feet
+could be heard occasionally, as well as the pursuing voice of the
+quadroon, lifted in mild protest and entreaty. Mrs. Pontellier did not
+wear her usual Tuesday reception gown; she was in ordinary house dress.
+Mr. Pontellier, who was observant about such things, noticed it, as he
+served the soup and handed it to the boy in waiting.
+
+“Tired out, Edna? Whom did you have? Many callers?” he asked. He tasted
+his soup and began to season it with pepper, salt, vinegar,
+mustard—everything within reach.
+
+“There were a good many,” replied Edna, who was eating her soup with
+evident satisfaction. “I found their cards when I got home; I was out.”
+
+“Out!” exclaimed her husband, with something like genuine consternation
+in his voice as he laid down the vinegar cruet and looked at her
+through his glasses. “Why, what could have taken you out on Tuesday?
+What did you have to do?”
+
+“Nothing. I simply felt like going out, and I went out.”
+
+“Well, I hope you left some suitable excuse,” said her husband,
+somewhat appeased, as he added a dash of cayenne pepper to the soup.
+
+“No, I left no excuse. I told Joe to say I was out, that was all.”
+
+“Why, my dear, I should think you’d understand by this time that people
+don’t do such things; we’ve got to observe _les convenances_ if we ever
+expect to get on and keep up with the procession. If you felt that you
+had to leave home this afternoon, you should have left some suitable
+explanation for your absence.
+
+“This soup is really impossible; it’s strange that woman hasn’t learned
+yet to make a decent soup. Any free-lunch stand in town serves a better
+one. Was Mrs. Belthrop here?”
+
+“Bring the tray with the cards, Joe. I don’t remember who was here.”
+
+The boy retired and returned after a moment, bringing the tiny silver
+tray, which was covered with ladies’ visiting cards. He handed it to
+Mrs. Pontellier.
+
+“Give it to Mr. Pontellier,” she said.
+
+Joe offered the tray to Mr. Pontellier, and removed the soup.
+
+Mr. Pontellier scanned the names of his wife’s callers, reading some of
+them aloud, with comments as he read.
+
+“‘The Misses Delasidas.’ I worked a big deal in futures for their
+father this morning; nice girls; it’s time they were getting married.
+‘Mrs. Belthrop.’ I tell you what it is, Edna; you can’t afford to snub
+Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His
+business is worth a good, round sum to me. You’d better write her a
+note. ‘Mrs. James Highcamp.’ Hugh! the less you have to do with Mrs.
+Highcamp, the better. ‘Madame Laforcé.’ Came all the way from
+Carrolton, too, poor old soul. ‘Miss Wiggs,’ ‘Mrs. Eleanor Boltons.’”
+He pushed the cards aside.
+
+“Mercy!” exclaimed Edna, who had been fuming. “Why are you taking the
+thing so seriously and making such a fuss over it?”
+
+“I’m not making any fuss over it. But it’s just such seeming trifles
+that we’ve got to take seriously; such things count.”
+
+The fish was scorched. Mr. Pontellier would not touch it. Edna said she
+did not mind a little scorched taste. The roast was in some way not to
+his fancy, and he did not like the manner in which the vegetables were
+served.
+
+“It seems to me,” he said, “we spend money enough in this house to
+procure at least one meal a day which a man could eat and retain his
+self-respect.”
+
+“You used to think the cook was a treasure,” returned Edna,
+indifferently.
+
+“Perhaps she was when she first came; but cooks are only human. They
+need looking after, like any other class of persons that you employ.
+Suppose I didn’t look after the clerks in my office, just let them run
+things their own way; they’d soon make a nice mess of me and my
+business.”
+
+“Where are you going?” asked Edna, seeing that her husband arose from
+table without having eaten a morsel except a taste of the
+highly-seasoned soup.
+
+“I’m going to get my dinner at the club. Good night.” He went into the
+hall, took his hat and stick from the stand, and left the house.
+
+She was somewhat familiar with such scenes. They had often made her
+very unhappy. On a few previous occasions she had been completely
+deprived of any desire to finish her dinner. Sometimes she had gone
+into the kitchen to administer a tardy rebuke to the cook. Once she
+went to her room and studied the cookbook during an entire evening,
+finally writing out a menu for the week, which left her harassed with a
+feeling that, after all, she had accomplished no good that was worth
+the name.
+
+But that evening Edna finished her dinner alone, with forced
+deliberation. Her face was flushed and her eyes flamed with some inward
+fire that lighted them. After finishing her dinner she went to her
+room, having instructed the boy to tell any other callers that she was
+indisposed.
+
+It was a large, beautiful room, rich and picturesque in the soft, dim
+light which the maid had turned low. She went and stood at an open
+window and looked out upon the deep tangle of the garden below. All the
+mystery and witchery of the night seemed to have gathered there amid
+the perfumes and the dusky and tortuous outlines of flowers and
+foliage. She was seeking herself and finding herself in just such
+sweet, half-darkness which met her moods. But the voices were not
+soothing that came to her from the darkness and the sky above and the
+stars. They jeered and sounded mournful notes without promise, devoid
+even of hope. She turned back into the room and began to walk to and
+fro down its whole length without stopping, without resting. She
+carried in her hands a thin handkerchief, which she tore into ribbons,
+rolled into a ball, and flung from her. Once she stopped, and taking
+off her wedding ring, flung it upon the carpet. When she saw it lying
+there, she stamped her heel upon it, striving to crush it. But her
+small boot heel did not make an indenture, not a mark upon the little
+glittering circlet.
+
+In a sweeping passion she seized a glass vase from the table and flung
+it upon the tiles of the hearth. She wanted to destroy something. The
+crash and clatter were what she wanted to hear.
+
+A maid, alarmed at the din of breaking glass, entered the room to
+discover what was the matter.
+
+“A vase fell upon the hearth,” said Edna. “Never mind; leave it till
+morning.”
+
+“Oh! you might get some of the glass in your feet, ma’am,” insisted the
+young woman, picking up bits of the broken vase that were scattered
+upon the carpet. “And here’s your ring, ma’am, under the chair.”
+
+Edna held out her hand, and taking the ring, slipped it upon her
+finger.
+
+XVIII
+
+The following morning Mr. Pontellier, upon leaving for his office,
+asked Edna if she would not meet him in town in order to look at some
+new fixtures for the library.
+
+“I hardly think we need new fixtures, Léonce. Don’t let us get anything
+new; you are too extravagant. I don’t believe you ever think of saving
+or putting by.”
+
+“The way to become rich is to make money, my dear Edna, not to save
+it,” he said. He regretted that she did not feel inclined to go with
+him and select new fixtures. He kissed her good-by, and told her she
+was not looking well and must take care of herself. She was unusually
+pale and very quiet.
+
+She stood on the front veranda as he quitted the house, and absently
+picked a few sprays of jessamine that grew upon a trellis near by. She
+inhaled the odor of the blossoms and thrust them into the bosom of her
+white morning gown. The boys were dragging along the banquette a small
+“express wagon,” which they had filled with blocks and sticks. The
+quadroon was following them with little quick steps, having assumed a
+fictitious animation and alacrity for the occasion. A fruit vender was
+crying his wares in the street.
+
+Edna looked straight before her with a self-absorbed expression upon
+her face. She felt no interest in anything about her. The street, the
+children, the fruit vender, the flowers growing there under her eyes,
+were all part and parcel of an alien world which had suddenly become
+antagonistic.
+
+She went back into the house. She had thought of speaking to the cook
+concerning her blunders of the previous night; but Mr. Pontellier had
+saved her that disagreeable mission, for which she was so poorly
+fitted. Mr. Pontellier’s arguments were usually convincing with those
+whom he employed. He left home feeling quite sure that he and Edna
+would sit down that evening, and possibly a few subsequent evenings, to
+a dinner deserving of the name.
+
+Edna spent an hour or two in looking over some of her old sketches. She
+could see their shortcomings and defects, which were glaring in her
+eyes. She tried to work a little, but found she was not in the humor.
+Finally she gathered together a few of the sketches—those which she
+considered the least discreditable; and she carried them with her when,
+a little later, she dressed and left the house. She looked handsome and
+distinguished in her street gown. The tan of the seashore had left her
+face, and her forehead was smooth, white, and polished beneath her
+heavy, yellow-brown hair. There were a few freckles on her face, and a
+small, dark mole near the under lip and one on the temple, half-hidden
+in her hair.
+
+As Edna walked along the street she was thinking of Robert. She was
+still under the spell of her infatuation. She had tried to forget him,
+realizing the inutility of remembering. But the thought of him was like
+an obsession, ever pressing itself upon her. It was not that she dwelt
+upon details of their acquaintance, or recalled in any special or
+peculiar way his personality; it was his being, his existence, which
+dominated her thought, fading sometimes as if it would melt into the
+mist of the forgotten, reviving again with an intensity which filled
+her with an incomprehensible longing.
+
+Edna was on her way to Madame Ratignolle’s. Their intimacy, begun at
+Grand Isle, had not declined, and they had seen each other with some
+frequency since their return to the city. The Ratignolles lived at no
+great distance from Edna’s home, on the corner of a side street, where
+Monsieur Ratignolle owned and conducted a drug store which enjoyed a
+steady and prosperous trade. His father had been in the business before
+him, and Monsieur Ratignolle stood well in the community and bore an
+enviable reputation for integrity and clearheadedness. His family lived
+in commodious apartments over the store, having an entrance on the side
+within the _porte cochère_. There was something which Edna thought very
+French, very foreign, about their whole manner of living. In the large
+and pleasant salon which extended across the width of the house, the
+Ratignolles entertained their friends once a fortnight with a _soirée
+musicale_, sometimes diversified by card-playing. There was a friend
+who played upon the cello. One brought his flute and another his
+violin, while there were some who sang and a number who performed upon
+the piano with various degrees of taste and agility. The Ratignolles’
+_soirées musicales_ were widely known, and it was considered a
+privilege to be invited to them.
+
+Edna found her friend engaged in assorting the clothes which had
+returned that morning from the laundry. She at once abandoned her
+occupation upon seeing Edna, who had been ushered without ceremony into
+her presence.
+
+“’Cité can do it as well as I; it is really her business,” she
+explained to Edna, who apologized for interrupting her. And she
+summoned a young black woman, whom she instructed, in French, to be
+very careful in checking off the list which she handed her. She told
+her to notice particularly if a fine linen handkerchief of Monsieur
+Ratignolle’s, which was missing last week, had been returned; and to be
+sure to set to one side such pieces as required mending and darning.
+
+Then placing an arm around Edna’s waist, she led her to the front of
+the house, to the salon, where it was cool and sweet with the odor of
+great roses that stood upon the hearth in jars.
+
+Madame Ratignolle looked more beautiful than ever there at home, in a
+negligé which left her arms almost wholly bare and exposed the rich,
+melting curves of her white throat.
+
+“Perhaps I shall be able to paint your picture some day,” said Edna
+with a smile when they were seated. She produced the roll of sketches
+and started to unfold them. “I believe I ought to work again. I feel as
+if I wanted to be doing something. What do you think of them? Do you
+think it worth while to take it up again and study some more? I might
+study for a while with Laidpore.”
+
+She knew that Madame Ratignolle’s opinion in such a matter would be
+next to valueless, that she herself had not alone decided, but
+determined; but she sought the words of praise and encouragement that
+would help her to put heart into her venture.
+
+“Your talent is immense, dear!”
+
+“Nonsense!” protested Edna, well pleased.
+
+“Immense, I tell you,” persisted Madame Ratignolle, surveying the
+sketches one by one, at close range, then holding them at arm’s length,
+narrowing her eyes, and dropping her head on one side. “Surely, this
+Bavarian peasant is worthy of framing; and this basket of apples! never
+have I seen anything more lifelike. One might almost be tempted to
+reach out a hand and take one.”
+
+Edna could not control a feeling which bordered upon complacency at her
+friend’s praise, even realizing, as she did, its true worth. She
+retained a few of the sketches, and gave all the rest to Madame
+Ratignolle, who appreciated the gift far beyond its value and proudly
+exhibited the pictures to her husband when he came up from the store a
+little later for his midday dinner.
+
+Mr. Ratignolle was one of those men who are called the salt of the
+earth. His cheerfulness was unbounded, and it was matched by his
+goodness of heart, his broad charity, and common sense. He and his wife
+spoke English with an accent which was only discernible through its
+un-English emphasis and a certain carefulness and deliberation. Edna’s
+husband spoke English with no accent whatever. The Ratignolles
+understood each other perfectly. If ever the fusion of two human beings
+into one has been accomplished on this sphere it was surely in their
+union.
+
+As Edna seated herself at table with them she thought, “Better a dinner
+of herbs,” though it did not take her long to discover that it was no
+dinner of herbs, but a delicious repast, simple, choice, and in every
+way satisfying.
+
+Monsieur Ratignolle was delighted to see her, though he found her
+looking not so well as at Grand Isle, and he advised a tonic. He talked
+a good deal on various topics, a little politics, some city news and
+neighborhood gossip. He spoke with an animation and earnestness that
+gave an exaggerated importance to every syllable he uttered. His wife
+was keenly interested in everything he said, laying down her fork the
+better to listen, chiming in, taking the words out of his mouth.
+
+Edna felt depressed rather than soothed after leaving them. The little
+glimpse of domestic harmony which had been offered her, gave her no
+regret, no longing. It was not a condition of life which fitted her,
+and she could see in it but an appalling and hopeless ennui. She was
+moved by a kind of commiseration for Madame Ratignolle,—a pity for that
+colorless existence which never uplifted its possessor beyond the
+region of blind contentment, in which no moment of anguish ever visited
+her soul, in which she would never have the taste of life’s delirium.
+Edna vaguely wondered what she meant by “life’s delirium.” It had
+crossed her thought like some unsought, extraneous impression.
+
+XIX
+
+Edna could not help but think that it was very foolish, very childish,
+to have stamped upon her wedding ring and smashed the crystal vase upon
+the tiles. She was visited by no more outbursts, moving her to such
+futile expedients. She began to do as she liked and to feel as she
+liked. She completely abandoned her Tuesdays at home, and did not
+return the visits of those who had called upon her. She made no
+ineffectual efforts to conduct her household _en bonne ménagère_, going
+and coming as it suited her fancy, and, so far as she was able, lending
+herself to any passing caprice.
+
+Mr. Pontellier had been a rather courteous husband so long as he met a
+certain tacit submissiveness in his wife. But her new and unexpected
+line of conduct completely bewildered him. It shocked him. Then her
+absolute disregard for her duties as a wife angered him. When Mr.
+Pontellier became rude, Edna grew insolent. She had resolved never to
+take another step backward.
+
+“It seems to me the utmost folly for a woman at the head of a
+household, and the mother of children, to spend in an atelier days
+which would be better employed contriving for the comfort of her
+family.”
+
+“I feel like painting,” answered Edna. “Perhaps I shan’t always feel
+like it.”
+
+“Then in God’s name paint! but don’t let the family go to the devil.
+There’s Madame Ratignolle; because she keeps up her music, she doesn’t
+let everything else go to chaos. And she’s more of a musician than you
+are a painter.”
+
+“She isn’t a musician, and I’m not a painter. It isn’t on account of
+painting that I let things go.”
+
+“On account of what, then?”
+
+“Oh! I don’t know. Let me alone; you bother me.”
+
+It sometimes entered Mr. Pontellier’s mind to wonder if his wife were
+not growing a little unbalanced mentally. He could see plainly that she
+was not herself. That is, he could not see that she was becoming
+herself and daily casting aside that fictitious self which we assume
+like a garment with which to appear before the world.
+
+Her husband let her alone as she requested, and went away to his
+office. Edna went up to her atelier—a bright room in the top of the
+house. She was working with great energy and interest, without
+accomplishing anything, however, which satisfied her even in the
+smallest degree. For a time she had the whole household enrolled in the
+service of art. The boys posed for her. They thought it amusing at
+first, but the occupation soon lost its attractiveness when they
+discovered that it was not a game arranged especially for their
+entertainment. The quadroon sat for hours before Edna’s palette,
+patient as a savage, while the house-maid took charge of the children,
+and the drawing-room went undusted. But the house-maid, too, served her
+term as model when Edna perceived that the young woman’s back and
+shoulders were molded on classic lines, and that her hair, loosened
+from its confining cap, became an inspiration. While Edna worked she
+sometimes sang low the little air, “_Ah! si tu savais!_”
+
+It moved her with recollections. She could hear again the ripple of the
+water, the flapping sail. She could see the glint of the moon upon the
+bay, and could feel the soft, gusty beating of the hot south wind. A
+subtle current of desire passed through her body, weakening her hold
+upon the brushes and making her eyes burn.
+
+There were days when she was very happy without knowing why. She was
+happy to be alive and breathing, when her whole being seemed to be one
+with the sunlight, the color, the odors, the luxuriant warmth of some
+perfect Southern day. She liked then to wander alone into strange and
+unfamiliar places. She discovered many a sunny, sleepy corner,
+fashioned to dream in. And she found it good to dream and to be alone
+and unmolested.
+
+There were days when she was unhappy, she did not know why,—when it did
+not seem worth while to be glad or sorry, to be alive or dead; when
+life appeared to her like a grotesque pandemonium and humanity like
+worms struggling blindly toward inevitable annihilation. She could not
+work on such a day, nor weave fancies to stir her pulses and warm her
+blood.
+
+XX
+
+It was during such a mood that Edna hunted up Mademoiselle Reisz. She
+had not forgotten the rather disagreeable impression left upon her by
+their last interview; but she nevertheless felt a desire to see
+her—above all, to listen while she played upon the piano. Quite early
+in the afternoon she started upon her quest for the pianist.
+Unfortunately she had mislaid or lost Mademoiselle Reisz’s card, and
+looking up her address in the city directory, she found that the woman
+lived on Bienville Street, some distance away. The directory which fell
+into her hands was a year or more old, however, and upon reaching the
+number indicated, Edna discovered that the house was occupied by a
+respectable family of mulattoes who had _chambres garnies_ to let. They
+had been living there for six months, and knew absolutely nothing of a
+Mademoiselle Reisz. In fact, they knew nothing of any of their
+neighbors; their lodgers were all people of the highest distinction,
+they assured Edna. She did not linger to discuss class distinctions
+with Madame Pouponne, but hastened to a neighboring grocery store,
+feeling sure that Mademoiselle would have left her address with the
+proprietor.
+
+He knew Mademoiselle Reisz a good deal better than he wanted to know
+her, he informed his questioner. In truth, he did not want to know her
+at all, or anything concerning her—the most disagreeable and unpopular
+woman who ever lived in Bienville Street. He thanked heaven she had
+left the neighborhood, and was equally thankful that he did not know
+where she had gone.
+
+Edna’s desire to see Mademoiselle Reisz had increased tenfold since
+these unlooked-for obstacles had arisen to thwart it. She was wondering
+who could give her the information she sought, when it suddenly
+occurred to her that Madame Lebrun would be the one most likely to do
+so. She knew it was useless to ask Madame Ratignolle, who was on the
+most distant terms with the musician, and preferred to know nothing
+concerning her. She had once been almost as emphatic in expressing
+herself upon the subject as the corner grocer.
+
+Edna knew that Madame Lebrun had returned to the city, for it was the
+middle of November. And she also knew where the Lebruns lived, on
+Chartres Street.
+
+Their home from the outside looked like a prison, with iron bars before
+the door and lower windows. The iron bars were a relic of the old
+_régime_, and no one had ever thought of dislodging them. At the side
+was a high fence enclosing the garden. A gate or door opening upon the
+street was locked. Edna rang the bell at this side garden gate, and
+stood upon the banquette, waiting to be admitted.
+
+It was Victor who opened the gate for her. A black woman, wiping her
+hands upon her apron, was close at his heels. Before she saw them Edna
+could hear them in altercation, the woman—plainly an anomaly—claiming
+the right to be allowed to perform her duties, one of which was to
+answer the bell.
+
+Victor was surprised and delighted to see Mrs. Pontellier, and he made
+no attempt to conceal either his astonishment or his delight. He was a
+dark-browed, good-looking youngster of nineteen, greatly resembling his
+mother, but with ten times her impetuosity. He instructed the black
+woman to go at once and inform Madame Lebrun that Mrs. Pontellier
+desired to see her. The woman grumbled a refusal to do part of her duty
+when she had not been permitted to do it all, and started back to her
+interrupted task of weeding the garden. Whereupon Victor administered a
+rebuke in the form of a volley of abuse, which, owing to its rapidity
+and incoherence, was all but incomprehensible to Edna. Whatever it was,
+the rebuke was convincing, for the woman dropped her hoe and went
+mumbling into the house.
+
+Edna did not wish to enter. It was very pleasant there on the side
+porch, where there were chairs, a wicker lounge, and a small table. She
+seated herself, for she was tired from her long tramp; and she began to
+rock gently and smooth out the folds of her silk parasol. Victor drew
+up his chair beside her. He at once explained that the black woman’s
+offensive conduct was all due to imperfect training, as he was not
+there to take her in hand. He had only come up from the island the
+morning before, and expected to return next day. He stayed all winter
+at the island; he lived there, and kept the place in order and got
+things ready for the summer visitors.
+
+But a man needed occasional relaxation, he informed Mrs. Pontellier,
+and every now and again he drummed up a pretext to bring him to the
+city. My! but he had had a time of it the evening before! He wouldn’t
+want his mother to know, and he began to talk in a whisper. He was
+scintillant with recollections. Of course, he couldn’t think of telling
+Mrs. Pontellier all about it, she being a woman and not comprehending
+such things. But it all began with a girl peeping and smiling at him
+through the shutters as he passed by. Oh! but she was a beauty!
+Certainly he smiled back, and went up and talked to her. Mrs.
+Pontellier did not know him if she supposed he was one to let an
+opportunity like that escape him. Despite herself, the youngster amused
+her. She must have betrayed in her look some degree of interest or
+entertainment. The boy grew more daring, and Mrs. Pontellier might have
+found herself, in a little while, listening to a highly colored story
+but for the timely appearance of Madame Lebrun.
+
+That lady was still clad in white, according to her custom of the
+summer. Her eyes beamed an effusive welcome. Would not Mrs. Pontellier
+go inside? Would she partake of some refreshment? Why had she not been
+there before? How was that dear Mr. Pontellier and how were those sweet
+children? Had Mrs. Pontellier ever known such a warm November?
+
+Victor went and reclined on the wicker lounge behind his mother’s
+chair, where he commanded a view of Edna’s face. He had taken her
+parasol from her hands while he spoke to her, and he now lifted it and
+twirled it above him as he lay on his back. When Madame Lebrun
+complained that it was _so_ dull coming back to the city; that she saw
+_so_ few people now; that even Victor, when he came up from the island
+for a day or two, had _so_ much to occupy him and engage his time; then
+it was that the youth went into contortions on the lounge and winked
+mischievously at Edna. She somehow felt like a confederate in crime,
+and tried to look severe and disapproving.
+
+There had been but two letters from Robert, with little in them, they
+told her. Victor said it was really not worth while to go inside for
+the letters, when his mother entreated him to go in search of them. He
+remembered the contents, which in truth he rattled off very glibly when
+put to the test.
+
+One letter was written from Vera Cruz and the other from the City of
+Mexico. He had met Montel, who was doing everything toward his
+advancement. So far, the financial situation was no improvement over
+the one he had left in New Orleans, but of course the prospects were
+vastly better. He wrote of the City of Mexico, the buildings, the
+people and their habits, the conditions of life which he found there.
+He sent his love to the family. He inclosed a check to his mother, and
+hoped she would affectionately remember him to all his friends. That
+was about the substance of the two letters. Edna felt that if there had
+been a message for her, she would have received it. The despondent
+frame of mind in which she had left home began again to overtake her,
+and she remembered that she wished to find Mademoiselle Reisz.
+
+Madame Lebrun knew where Mademoiselle Reisz lived. She gave Edna the
+address, regretting that she would not consent to stay and spend the
+remainder of the afternoon, and pay a visit to Mademoiselle Reisz some
+other day. The afternoon was already well advanced.
+
+Victor escorted her out upon the banquette, lifted her parasol, and
+held it over her while he walked to the car with her. He entreated her
+to bear in mind that the disclosures of the afternoon were strictly
+confidential. She laughed and bantered him a little, remembering too
+late that she should have been dignified and reserved.
+
+“How handsome Mrs. Pontellier looked!” said Madame Lebrun to her son.
+
+“Ravishing!” he admitted. “The city atmosphere has improved her. Some
+way she doesn’t seem like the same woman.”
+
+XXI
+
+Some people contended that the reason Mademoiselle Reisz always chose
+apartments up under the roof was to discourage the approach of beggars,
+peddlars and callers. There were plenty of windows in her little front
+room. They were for the most part dingy, but as they were nearly always
+open it did not make so much difference. They often admitted into the
+room a good deal of smoke and soot; but at the same time all the light
+and air that there was came through them. From her windows could be
+seen the crescent of the river, the masts of ships and the big chimneys
+of the Mississippi steamers. A magnificent piano crowded the apartment.
+In the next room she slept, and in the third and last she harbored a
+gasoline stove on which she cooked her meals when disinclined to
+descend to the neighboring restaurant. It was there also that she ate,
+keeping her belongings in a rare old buffet, dingy and battered from a
+hundred years of use.
+
+When Edna knocked at Mademoiselle Reisz’s front room door and entered,
+she discovered that person standing beside the window, engaged in
+mending or patching an old prunella gaiter. The little musician laughed
+all over when she saw Edna. Her laugh consisted of a contortion of the
+face and all the muscles of the body. She seemed strikingly homely,
+standing there in the afternoon light. She still wore the shabby lace
+and the artificial bunch of violets on the side of her head.
+
+“So you remembered me at last,” said Mademoiselle. “I had said to
+myself, ‘Ah, bah! she will never come.’”
+
+“Did you want me to come?” asked Edna with a smile.
+
+“I had not thought much about it,” answered Mademoiselle. The two had
+seated themselves on a little bumpy sofa which stood against the wall.
+“I am glad, however, that you came. I have the water boiling back
+there, and was just about to make some coffee. You will drink a cup
+with me. And how is _la belle dame?_ Always handsome! always healthy!
+always contented!” She took Edna’s hand between her strong wiry
+fingers, holding it loosely without warmth, and executing a sort of
+double theme upon the back and palm.
+
+“Yes,” she went on; “I sometimes thought: ‘She will never come. She
+promised as those women in society always do, without meaning it. She
+will not come.’ For I really don’t believe you like me, Mrs.
+Pontellier.”
+
+“I don’t know whether I like you or not,” replied Edna, gazing down at
+the little woman with a quizzical look.
+
+The candor of Mrs. Pontellier’s admission greatly pleased Mademoiselle
+Reisz. She expressed her gratification by repairing forthwith to the
+region of the gasoline stove and rewarding her guest with the promised
+cup of coffee. The coffee and the biscuit accompanying it proved very
+acceptable to Edna, who had declined refreshment at Madame Lebrun’s and
+was now beginning to feel hungry. Mademoiselle set the tray which she
+brought in upon a small table near at hand, and seated herself once
+again on the lumpy sofa.
+
+“I have had a letter from your friend,” she remarked, as she poured a
+little cream into Edna’s cup and handed it to her.
+
+“My friend?”
+
+“Yes, your friend Robert. He wrote to me from the City of Mexico.”
+
+“Wrote to _you_?” repeated Edna in amazement, stirring her coffee
+absently.
+
+“Yes, to me. Why not? Don’t stir all the warmth out of your coffee;
+drink it. Though the letter might as well have been sent to you; it was
+nothing but Mrs. Pontellier from beginning to end.”
+
+“Let me see it,” requested the young woman, entreatingly.
+
+“No; a letter concerns no one but the person who writes it and the one
+to whom it is written.”
+
+“Haven’t you just said it concerned me from beginning to end?”
+
+“It was written about you, not to you. ‘Have you seen Mrs. Pontellier?
+How is she looking?’ he asks. ‘As Mrs. Pontellier says,’ or ‘as Mrs.
+Pontellier once said.’ ‘If Mrs. Pontellier should call upon you, play
+for her that Impromptu of Chopin’s, my favorite. I heard it here a day
+or two ago, but not as you play it. I should like to know how it
+affects her,’ and so on, as if he supposed we were constantly in each
+other’s society.”
+
+“Let me see the letter.”
+
+“Oh, no.”
+
+“Have you answered it?”
+
+“No.”
+
+“Let me see the letter.”
+
+“No, and again, no.”
+
+“Then play the Impromptu for me.”
+
+“It is growing late; what time do you have to be home?”
+
+“Time doesn’t concern me. Your question seems a little rude. Play the
+Impromptu.”
+
+“But you have told me nothing of yourself. What are you doing?”
+
+“Painting!” laughed Edna. “I am becoming an artist. Think of it!”
+
+“Ah! an artist! You have pretensions, Madame.”
+
+“Why pretensions? Do you think I could not become an artist?”
+
+“I do not know you well enough to say. I do not know your talent or
+your temperament. To be an artist includes much; one must possess many
+gifts—absolute gifts—which have not been acquired by one’s own effort.
+And, moreover, to succeed, the artist must possess the courageous
+soul.”
+
+“What do you mean by the courageous soul?”
+
+“Courageous, _ma foi!_ The brave soul. The soul that dares and defies.”
+
+“Show me the letter and play for me the Impromptu. You see that I have
+persistence. Does that quality count for anything in art?”
+
+“It counts with a foolish old woman whom you have captivated,” replied
+Mademoiselle, with her wriggling laugh.
+
+The letter was right there at hand in the drawer of the little table
+upon which Edna had just placed her coffee cup. Mademoiselle opened the
+drawer and drew forth the letter, the topmost one. She placed it in
+Edna’s hands, and without further comment arose and went to the piano.
+
+Mademoiselle played a soft interlude. It was an improvisation. She sat
+low at the instrument, and the lines of her body settled into
+ungraceful curves and angles that gave it an appearance of deformity.
+Gradually and imperceptibly the interlude melted into the soft opening
+minor chords of the Chopin Impromptu.
+
+Edna did not know when the Impromptu began or ended. She sat in the
+sofa corner reading Robert’s letter by the fading light. Mademoiselle
+had glided from the Chopin into the quivering love notes of Isolde’s
+song, and back again to the Impromptu with its soulful and poignant
+longing.
+
+The shadows deepened in the little room. The music grew strange and
+fantastic—turbulent, insistent, plaintive and soft with entreaty. The
+shadows grew deeper. The music filled the room. It floated out upon the
+night, over the housetops, the crescent of the river, losing itself in
+the silence of the upper air.
+
+Edna was sobbing, just as she had wept one midnight at Grand Isle when
+strange, new voices awoke in her. She arose in some agitation to take
+her departure. “May I come again, Mademoiselle?” she asked at the
+threshold.
+
+“Come whenever you feel like it. Be careful; the stairs and landings
+are dark; don’t stumble.”
+
+Mademoiselle reentered and lit a candle. Robert’s letter was on the
+floor. She stooped and picked it up. It was crumpled and damp with
+tears. Mademoiselle smoothed the letter out, restored it to the
+envelope, and replaced it in the table drawer.
+
+XXII
+
+One morning on his way into town Mr. Pontellier stopped at the house of
+his old friend and family physician, Doctor Mandelet. The Doctor was a
+semi-retired physician, resting, as the saying is, upon his laurels. He
+bore a reputation for wisdom rather than skill—leaving the active
+practice of medicine to his assistants and younger contemporaries—and
+was much sought for in matters of consultation. A few families, united
+to him by bonds of friendship, he still attended when they required the
+services of a physician. The Pontelliers were among these.
+
+Mr. Pontellier found the Doctor reading at the open window of his
+study. His house stood rather far back from the street, in the center
+of a delightful garden, so that it was quiet and peaceful at the old
+gentleman’s study window. He was a great reader. He stared up
+disapprovingly over his eye-glasses as Mr. Pontellier entered,
+wondering who had the temerity to disturb him at that hour of the
+morning.
+
+“Ah, Pontellier! Not sick, I hope. Come and have a seat. What news do
+you bring this morning?” He was quite portly, with a profusion of gray
+hair, and small blue eyes which age had robbed of much of their
+brightness but none of their penetration.
+
+“Oh! I’m never sick, Doctor. You know that I come of tough fiber—of
+that old Creole race of Pontelliers that dry up and finally blow away.
+I came to consult—no, not precisely to consult—to talk to you about
+Edna. I don’t know what ails her.”
+
+“Madame Pontellier not well,” marveled the Doctor. “Why, I saw her—I
+think it was a week ago—walking along Canal Street, the picture of
+health, it seemed to me.”
+
+“Yes, yes; she seems quite well,” said Mr. Pontellier, leaning forward
+and whirling his stick between his two hands; “but she doesn’t act
+well. She’s odd, she’s not like herself. I can’t make her out, and I
+thought perhaps you’d help me.”
+
+“How does she act?” inquired the Doctor.
+
+“Well, it isn’t easy to explain,” said Mr. Pontellier, throwing himself
+back in his chair. “She lets the housekeeping go to the dickens.”
+
+“Well, well; women are not all alike, my dear Pontellier. We’ve got to
+consider—”
+
+“I know that; I told you I couldn’t explain. Her whole attitude—toward
+me and everybody and everything—has changed. You know I have a quick
+temper, but I don’t want to quarrel or be rude to a woman, especially
+my wife; yet I’m driven to it, and feel like ten thousand devils after
+I’ve made a fool of myself. She’s making it devilishly uncomfortable
+for me,” he went on nervously. “She’s got some sort of notion in her
+head concerning the eternal rights of women; and—you understand—we meet
+in the morning at the breakfast table.”
+
+The old gentleman lifted his shaggy eyebrows, protruded his thick
+nether lip, and tapped the arms of his chair with his cushioned
+fingertips.
+
+“What have you been doing to her, Pontellier?”
+
+“Doing! _Parbleu!_”
+
+“Has she,” asked the Doctor, with a smile, “has she been associating of
+late with a circle of pseudo-intellectual women—super-spiritual
+superior beings? My wife has been telling me about them.”
+
+“That’s the trouble,” broke in Mr. Pontellier, “she hasn’t been
+associating with any one. She has abandoned her Tuesdays at home, has
+thrown over all her acquaintances, and goes tramping about by herself,
+moping in the street-cars, getting in after dark. I tell you she’s
+peculiar. I don’t like it; I feel a little worried over it.”
+
+This was a new aspect for the Doctor. “Nothing hereditary?” he asked,
+seriously. “Nothing peculiar about her family antecedents, is there?”
+
+“Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock.
+The old gentleman, her father, I have heard, used to atone for his
+weekday sins with his Sunday devotions. I know for a fact, that his
+race horses literally ran away with the prettiest bit of Kentucky
+farming land I ever laid eyes upon. Margaret—you know Margaret—she has
+all the Presbyterianism undiluted. And the youngest is something of a
+vixen. By the way, she gets married in a couple of weeks from now.”
+
+“Send your wife up to the wedding,” exclaimed the Doctor, foreseeing a
+happy solution. “Let her stay among her own people for a while; it will
+do her good.”
+
+“That’s what I want her to do. She won’t go to the marriage. She says a
+wedding is one of the most lamentable spectacles on earth. Nice thing
+for a woman to say to her husband!” exclaimed Mr. Pontellier, fuming
+anew at the recollection.
+
+“Pontellier,” said the Doctor, after a moment’s reflection, “let your
+wife alone for a while. Don’t bother her, and don’t let her bother you.
+Woman, my dear friend, is a very peculiar and delicate organism—a
+sensitive and highly organized woman, such as I know Mrs. Pontellier to
+be, is especially peculiar. It would require an inspired psychologist
+to deal successfully with them. And when ordinary fellows like you and
+me attempt to cope with their idiosyncrasies the result is bungling.
+Most women are moody and whimsical. This is some passing whim of your
+wife, due to some cause or causes which you and I needn’t try to
+fathom. But it will pass happily over, especially if you let her alone.
+Send her around to see me.”
+
+“Oh! I couldn’t do that; there’d be no reason for it,” objected Mr.
+Pontellier.
+
+“Then I’ll go around and see her,” said the Doctor. “I’ll drop in to
+dinner some evening _en bon ami_.”
+
+“Do! by all means,” urged Mr. Pontellier. “What evening will you come?
+Say Thursday. Will you come Thursday?” he asked, rising to take his
+leave.
+
+“Very well; Thursday. My wife may possibly have some engagement for me
+Thursday. In case she has, I shall let you know. Otherwise, you may
+expect me.”
+
+Mr. Pontellier turned before leaving to say:
+
+“I am going to New York on business very soon. I have a big scheme on
+hand, and want to be on the field proper to pull the ropes and handle
+the ribbons. We’ll let you in on the inside if you say so, Doctor,” he
+laughed.
+
+“No, I thank you, my dear sir,” returned the Doctor. “I leave such
+ventures to you younger men with the fever of life still in your
+blood.”
+
+“What I wanted to say,” continued Mr. Pontellier, with his hand on the
+knob; “I may have to be absent a good while. Would you advise me to
+take Edna along?”
+
+“By all means, if she wishes to go. If not, leave her here. Don’t
+contradict her. The mood will pass, I assure you. It may take a month,
+two, three months—possibly longer, but it will pass; have patience.”
+
+“Well, good-by, _à jeudi_,” said Mr. Pontellier, as he let himself out.
+
+The Doctor would have liked during the course of conversation to ask,
+“Is there any man in the case?” but he knew his Creole too well to make
+such a blunder as that.
+
+He did not resume his book immediately, but sat for a while
+meditatively looking out into the garden.
+
+XXIII
+
+Edna’s father was in the city, and had been with them several days. She
+was not very warmly or deeply attached to him, but they had certain
+tastes in common, and when together they were companionable. His coming
+was in the nature of a welcome disturbance; it seemed to furnish a new
+direction for her emotions.
+
+He had come to purchase a wedding gift for his daughter, Janet, and an
+outfit for himself in which he might make a creditable appearance at
+her marriage. Mr. Pontellier had selected the bridal gift, as every one
+immediately connected with him always deferred to his taste in such
+matters. And his suggestions on the question of dress—which too often
+assumes the nature of a problem—were of inestimable value to his
+father-in-law. But for the past few days the old gentleman had been
+upon Edna’s hands, and in his society she was becoming acquainted with
+a new set of sensations. He had been a colonel in the Confederate army,
+and still maintained, with the title, the military bearing which had
+always accompanied it. His hair and mustache were white and silky,
+emphasizing the rugged bronze of his face. He was tall and thin, and
+wore his coats padded, which gave a fictitious breadth and depth to his
+shoulders and chest. Edna and her father looked very distinguished
+together, and excited a good deal of notice during their
+perambulations. Upon his arrival she began by introducing him to her
+atelier and making a sketch of him. He took the whole matter very
+seriously. If her talent had been ten-fold greater than it was, it
+would not have surprised him, convinced as he was that he had
+bequeathed to all of his daughters the germs of a masterful capability,
+which only depended upon their own efforts to be directed toward
+successful achievement.
+
+Before her pencil he sat rigid and unflinching, as he had faced the
+cannon’s mouth in days gone by. He resented the intrusion of the
+children, who gaped with wondering eyes at him, sitting so stiff up
+there in their mother’s bright atelier. When they drew near he motioned
+them away with an expressive action of the foot, loath to disturb the
+fixed lines of his countenance, his arms, or his rigid shoulders.
+
+Edna, anxious to entertain him, invited Mademoiselle Reisz to meet him,
+having promised him a treat in her piano playing; but Mademoiselle
+declined the invitation. So together they attended a _soirée musicale_
+at the Ratignolles’. Monsieur and Madame Ratignolle made much of the
+Colonel, installing him as the guest of honor and engaging him at once
+to dine with them the following Sunday, or any day which he might
+select. Madame coquetted with him in the most captivating and naive
+manner, with eyes, gestures, and a profusion of compliments, till the
+Colonel’s old head felt thirty years younger on his padded shoulders.
+Edna marveled, not comprehending. She herself was almost devoid of
+coquetry.
+
+There were one or two men whom she observed at the _soirée musicale;_
+but she would never have felt moved to any kittenish display to attract
+their notice—to any feline or feminine wiles to express herself toward
+them. Their personality attracted her in an agreeable way. Her fancy
+selected them, and she was glad when a lull in the music gave them an
+opportunity to meet her and talk with her. Often on the street the
+glance of strange eyes had lingered in her memory, and sometimes had
+disturbed her.
+
+Mr. Pontellier did not attend these _soirées musicales_. He considered
+them _bourgeois_, and found more diversion at the club. To Madame
+Ratignolle he said the music dispensed at her _soirées_ was too
+“heavy,” too far beyond his untrained comprehension. His excuse
+flattered her. But she disapproved of Mr. Pontellier’s club, and she
+was frank enough to tell Edna so.
+
+“It’s a pity Mr. Pontellier doesn’t stay home more in the evenings. I
+think you would be more—well, if you don’t mind my saying it—more
+united, if he did.”
+
+“Oh! dear no!” said Edna, with a blank look in her eyes. “What should I
+do if he stayed home? We wouldn’t have anything to say to each other.”
+
+She had not much of anything to say to her father, for that matter; but
+he did not antagonize her. She discovered that he interested her,
+though she realized that he might not interest her long; and for the
+first time in her life she felt as if she were thoroughly acquainted
+with him. He kept her busy serving him and ministering to his wants. It
+amused her to do so. She would not permit a servant or one of the
+children to do anything for him which she might do herself. Her husband
+noticed, and thought it was the expression of a deep filial attachment
+which he had never suspected.
+
+The Colonel drank numerous “toddies” during the course of the day,
+which left him, however, imperturbed. He was an expert at concocting
+strong drinks. He had even invented some, to which he had given
+fantastic names, and for whose manufacture he required diverse
+ingredients that it devolved upon Edna to procure for him.
+
+When Doctor Mandelet dined with the Pontelliers on Thursday he could
+discern in Mrs. Pontellier no trace of that morbid condition which her
+husband had reported to him. She was excited and in a manner radiant.
+She and her father had been to the race course, and their thoughts when
+they seated themselves at table were still occupied with the events of
+the afternoon, and their talk was still of the track. The Doctor had
+not kept pace with turf affairs. He had certain recollections of racing
+in what he called “the good old times” when the Lecompte stables
+flourished, and he drew upon this fund of memories so that he might not
+be left out and seem wholly devoid of the modern spirit. But he failed
+to impose upon the Colonel, and was even far from impressing him with
+this trumped-up knowledge of bygone days. Edna had staked her father on
+his last venture, with the most gratifying results to both of them.
+Besides, they had met some very charming people, according to the
+Colonel’s impressions. Mrs. Mortimer Merriman and Mrs. James Highcamp,
+who were there with Alcée Arobin, had joined them and had enlivened the
+hours in a fashion that warmed him to think of.
+
+Mr. Pontellier himself had no particular leaning toward horseracing,
+and was even rather inclined to discourage it as a pastime, especially
+when he considered the fate of that blue-grass farm in Kentucky. He
+endeavored, in a general way, to express a particular disapproval, and
+only succeeded in arousing the ire and opposition of his father-in-law.
+A pretty dispute followed, in which Edna warmly espoused her father’s
+cause and the Doctor remained neutral.
+
+He observed his hostess attentively from under his shaggy brows, and
+noted a subtle change which had transformed her from the listless woman
+he had known into a being who, for the moment, seemed palpitant with
+the forces of life. Her speech was warm and energetic. There was no
+repression in her glance or gesture. She reminded him of some
+beautiful, sleek animal waking up in the sun.
+
+The dinner was excellent. The claret was warm and the champagne was
+cold, and under their beneficent influence the threatened
+unpleasantness melted and vanished with the fumes of the wine.
+
+Mr. Pontellier warmed up and grew reminiscent. He told some amusing
+plantation experiences, recollections of old Iberville and his youth,
+when he hunted ’possum in company with some friendly darky; thrashed
+the pecan trees, shot the grosbec, and roamed the woods and fields in
+mischievous idleness.
+
+The Colonel, with little sense of humor and of the fitness of things,
+related a somber episode of those dark and bitter days, in which he had
+acted a conspicuous part and always formed a central figure. Nor was
+the Doctor happier in his selection, when he told the old, ever new and
+curious story of the waning of a woman’s love, seeking strange, new
+channels, only to return to its legitimate source after days of fierce
+unrest. It was one of the many little human documents which had been
+unfolded to him during his long career as a physician. The story did
+not seem especially to impress Edna. She had one of her own to tell, of
+a woman who paddled away with her lover one night in a pirogue and
+never came back. They were lost amid the Baratarian Islands, and no one
+ever heard of them or found trace of them from that day to this. It was
+a pure invention. She said that Madame Antoine had related it to her.
+That, also, was an invention. Perhaps it was a dream she had had. But
+every glowing word seemed real to those who listened. They could feel
+the hot breath of the Southern night; they could hear the long sweep of
+the pirogue through the glistening moonlit water, the beating of birds’
+wings, rising startled from among the reeds in the salt-water pools;
+they could see the faces of the lovers, pale, close together, rapt in
+oblivious forgetfulness, drifting into the unknown.
+
+The champagne was cold, and its subtle fumes played fantastic tricks
+with Edna’s memory that night.
+
+Outside, away from the glow of the fire and the soft lamplight, the
+night was chill and murky. The Doctor doubled his old-fashioned cloak
+across his breast as he strode home through the darkness. He knew his
+fellow-creatures better than most men; knew that inner life which so
+seldom unfolds itself to unanointed eyes. He was sorry he had accepted
+Pontellier’s invitation. He was growing old, and beginning to need rest
+and an imperturbed spirit. He did not want the secrets of other lives
+thrust upon him.
+
+“I hope it isn’t Arobin,” he muttered to himself as he walked. “I hope
+to heaven it isn’t Alcée Arobin.”
+
+XXIV
+
+Edna and her father had a warm, and almost violent dispute upon the
+subject of her refusal to attend her sister’s wedding. Mr. Pontellier
+declined to interfere, to interpose either his influence or his
+authority. He was following Doctor Mandelet’s advice, and letting her
+do as she liked. The Colonel reproached his daughter for her lack of
+filial kindness and respect, her want of sisterly affection and womanly
+consideration. His arguments were labored and unconvincing. He doubted
+if Janet would accept any excuse—forgetting that Edna had offered none.
+He doubted if Janet would ever speak to her again, and he was sure
+Margaret would not.
+
+Edna was glad to be rid of her father when he finally took himself off
+with his wedding garments and his bridal gifts, with his padded
+shoulders, his Bible reading, his “toddies” and ponderous oaths.
+
+Mr. Pontellier followed him closely. He meant to stop at the wedding on
+his way to New York and endeavor by every means which money and love
+could devise to atone somewhat for Edna’s incomprehensible action.
+
+“You are too lenient, too lenient by far, Léonce,” asserted the
+Colonel. “Authority, coercion are what is needed. Put your foot down
+good and hard; the only way to manage a wife. Take my word for it.”
+
+The Colonel was perhaps unaware that he had coerced his own wife into
+her grave. Mr. Pontellier had a vague suspicion of it which he thought
+it needless to mention at that late day.
+
+Edna was not so consciously gratified at her husband’s leaving home as
+she had been over the departure of her father. As the day approached
+when he was to leave her for a comparatively long stay, she grew
+melting and affectionate, remembering his many acts of consideration
+and his repeated expressions of an ardent attachment. She was
+solicitous about his health and his welfare. She bustled around,
+looking after his clothing, thinking about heavy underwear, quite as
+Madame Ratignolle would have done under similar circumstances. She
+cried when he went away, calling him her dear, good friend, and she was
+quite certain she would grow lonely before very long and go to join him
+in New York.
+
+But after all, a radiant peace settled upon her when she at last found
+herself alone. Even the children were gone. Old Madame Pontellier had
+come herself and carried them off to Iberville with their quadroon. The
+old madame did not venture to say she was afraid they would be
+neglected during Léonce’s absence; she hardly ventured to think so. She
+was hungry for them—even a little fierce in her attachment. She did not
+want them to be wholly “children of the pavement,” she always said when
+begging to have them for a space. She wished them to know the country,
+with its streams, its fields, its woods, its freedom, so delicious to
+the young. She wished them to taste something of the life their father
+had lived and known and loved when he, too, was a little child.
+
+When Edna was at last alone, she breathed a big, genuine sigh of
+relief. A feeling that was unfamiliar but very delicious came over her.
+She walked all through the house, from one room to another, as if
+inspecting it for the first time. She tried the various chairs and
+lounges, as if she had never sat and reclined upon them before. And she
+perambulated around the outside of the house, investigating, looking to
+see if windows and shutters were secure and in order. The flowers were
+like new acquaintances; she approached them in a familiar spirit, and
+made herself at home among them. The garden walks were damp, and Edna
+called to the maid to bring out her rubber sandals. And there she
+stayed, and stooped, digging around the plants, trimming, picking dead,
+dry leaves. The children’s little dog came out, interfering, getting in
+her way. She scolded him, laughed at him, played with him. The garden
+smelled so good and looked so pretty in the afternoon sunlight. Edna
+plucked all the bright flowers she could find, and went into the house
+with them, she and the little dog.
+
+Even the kitchen assumed a sudden interesting character which she had
+never before perceived. She went in to give directions to the cook, to
+say that the butcher would have to bring much less meat, that they
+would require only half their usual quantity of bread, of milk and
+groceries. She told the cook that she herself would be greatly occupied
+during Mr. Pontellier’s absence, and she begged her to take all thought
+and responsibility of the larder upon her own shoulders.
+
+That night Edna dined alone. The candelabra, with a few candles in the
+center of the table, gave all the light she needed. Outside the circle
+of light in which she sat, the large dining-room looked solemn and
+shadowy. The cook, placed upon her mettle, served a delicious repast—a
+luscious tenderloin broiled _à point_. The wine tasted good; the
+_marron glacé_ seemed to be just what she wanted. It was so pleasant,
+too, to dine in a comfortable _peignoir_.
+
+She thought a little sentimentally about Léonce and the children, and
+wondered what they were doing. As she gave a dainty scrap or two to the
+doggie, she talked intimately to him about Etienne and Raoul. He was
+beside himself with astonishment and delight over these companionable
+advances, and showed his appreciation by his little quick, snappy barks
+and a lively agitation.
+
+Then Edna sat in the library after dinner and read Emerson until she
+grew sleepy. She realized that she had neglected her reading, and
+determined to start anew upon a course of improving studies, now that
+her time was completely her own to do with as she liked.
+
+After a refreshing bath, Edna went to bed. And as she snuggled
+comfortably beneath the eiderdown a sense of restfulness invaded her,
+such as she had not known before.
+
+XXV
+
+When the weather was dark and cloudy Edna could not work. She needed
+the sun to mellow and temper her mood to the sticking point. She had
+reached a stage when she seemed to be no longer feeling her way,
+working, when in the humor, with sureness and ease. And being devoid of
+ambition, and striving not toward accomplishment, she drew satisfaction
+from the work in itself.
+
+On rainy or melancholy days Edna went out and sought the society of the
+friends she had made at Grand Isle. Or else she stayed indoors and
+nursed a mood with which she was becoming too familiar for her own
+comfort and peace of mind. It was not despair; but it seemed to her as
+if life were passing by, leaving its promise broken and unfulfilled.
+Yet there were other days when she listened, was led on and deceived by
+fresh promises which her youth held out to her.
+
+She went again to the races, and again. Alcée Arobin and Mrs. Highcamp
+called for her one bright afternoon in Arobin’s drag. Mrs. Highcamp was
+a worldly but unaffected, intelligent, slim, tall blonde woman in the
+forties, with an indifferent manner and blue eyes that stared. She had
+a daughter who served her as a pretext for cultivating the society of
+young men of fashion. Alcée Arobin was one of them. He was a familiar
+figure at the race course, the opera, the fashionable clubs. There was
+a perpetual smile in his eyes, which seldom failed to awaken a
+corresponding cheerfulness in any one who looked into them and listened
+to his good-humored voice. His manner was quiet, and at times a little
+insolent. He possessed a good figure, a pleasing face, not overburdened
+with depth of thought or feeling; and his dress was that of the
+conventional man of fashion.
+
+He admired Edna extravagantly, after meeting her at the races with her
+father. He had met her before on other occasions, but she had seemed to
+him unapproachable until that day. It was at his instigation that Mrs.
+Highcamp called to ask her to go with them to the Jockey Club to
+witness the turf event of the season.
+
+There were possibly a few track men out there who knew the race horse
+as well as Edna, but there was certainly none who knew it better. She
+sat between her two companions as one having authority to speak. She
+laughed at Arobin’s pretensions, and deplored Mrs. Highcamp’s
+ignorance. The race horse was a friend and intimate associate of her
+childhood. The atmosphere of the stables and the breath of the blue
+grass paddock revived in her memory and lingered in her nostrils. She
+did not perceive that she was talking like her father as the sleek
+geldings ambled in review before them. She played for very high stakes,
+and fortune favored her. The fever of the game flamed in her cheeks and
+eyes, and it got into her blood and into her brain like an intoxicant.
+People turned their heads to look at her, and more than one lent an
+attentive ear to her utterances, hoping thereby to secure the elusive
+but ever-desired “tip.” Arobin caught the contagion of excitement which
+drew him to Edna like a magnet. Mrs. Highcamp remained, as usual,
+unmoved, with her indifferent stare and uplifted eyebrows.
+
+Edna stayed and dined with Mrs. Highcamp upon being urged to do so.
+Arobin also remained and sent away his drag.
+
+The dinner was quiet and uninteresting, save for the cheerful efforts
+of Arobin to enliven things. Mrs. Highcamp deplored the absence of her
+daughter from the races, and tried to convey to her what she had missed
+by going to the “Dante reading” instead of joining them. The girl held
+a geranium leaf up to her nose and said nothing, but looked knowing and
+noncommittal. Mr. Highcamp was a plain, bald-headed man, who only
+talked under compulsion. He was unresponsive. Mrs. Highcamp was full of
+delicate courtesy and consideration toward her husband. She addressed
+most of her conversation to him at table. They sat in the library after
+dinner and read the evening papers together under the droplight; while
+the younger people went into the drawing-room near by and talked. Miss
+Highcamp played some selections from Grieg upon the piano. She seemed
+to have apprehended all of the composer’s coldness and none of his
+poetry. While Edna listened she could not help wondering if she had
+lost her taste for music.
+
+When the time came for her to go home, Mr. Highcamp grunted a lame
+offer to escort her, looking down at his slippered feet with tactless
+concern. It was Arobin who took her home. The car ride was long, and it
+was late when they reached Esplanade Street. Arobin asked permission to
+enter for a second to light his cigarette—his match safe was empty. He
+filled his match safe, but did not light his cigarette until he left
+her, after she had expressed her willingness to go to the races with
+him again.
+
+Edna was neither tired nor sleepy. She was hungry again, for the
+Highcamp dinner, though of excellent quality, had lacked abundance. She
+rummaged in the larder and brought forth a slice of Gruyere and some
+crackers. She opened a bottle of beer which she found in the icebox.
+Edna felt extremely restless and excited. She vacantly hummed a
+fantastic tune as she poked at the wood embers on the hearth and
+munched a cracker.
+
+She wanted something to happen—something, anything; she did not know
+what. She regretted that she had not made Arobin stay a half hour to
+talk over the horses with her. She counted the money she had won. But
+there was nothing else to do, so she went to bed, and tossed there for
+hours in a sort of monotonous agitation.
+
+In the middle of the night she remembered that she had forgotten to
+write her regular letter to her husband; and she decided to do so next
+day and tell him about her afternoon at the Jockey Club. She lay wide
+awake composing a letter which was nothing like the one which she wrote
+next day. When the maid awoke her in the morning Edna was dreaming of
+Mr. Highcamp playing the piano at the entrance of a music store on
+Canal Street, while his wife was saying to Alcée Arobin, as they
+boarded an Esplanade Street car:
+
+“What a pity that so much talent has been neglected! but I must go.”
+
+When, a few days later, Alcée Arobin again called for Edna in his drag,
+Mrs. Highcamp was not with him. He said they would pick her up. But as
+that lady had not been apprised of his intention of picking her up, she
+was not at home. The daughter was just leaving the house to attend the
+meeting of a branch Folk Lore Society, and regretted that she could not
+accompany them. Arobin appeared nonplused, and asked Edna if there were
+any one else she cared to ask.
+
+She did not deem it worth while to go in search of any of the
+fashionable acquaintances from whom she had withdrawn herself. She
+thought of Madame Ratignolle, but knew that her fair friend did not
+leave the house, except to take a languid walk around the block with
+her husband after nightfall. Mademoiselle Reisz would have laughed at
+such a request from Edna. Madame Lebrun might have enjoyed the outing,
+but for some reason Edna did not want her. So they went alone, she and
+Arobin.
+
+The afternoon was intensely interesting to her. The excitement came
+back upon her like a remittent fever. Her talk grew familiar and
+confidential. It was no labor to become intimate with Arobin. His
+manner invited easy confidence. The preliminary stage of becoming
+acquainted was one which he always endeavored to ignore when a pretty
+and engaging woman was concerned.
+
+He stayed and dined with Edna. He stayed and sat beside the wood fire.
+They laughed and talked; and before it was time to go he was telling
+her how different life might have been if he had known her years
+before. With ingenuous frankness he spoke of what a wicked,
+ill-disciplined boy he had been, and impulsively drew up his cuff to
+exhibit upon his wrist the scar from a saber cut which he had received
+in a duel outside of Paris when he was nineteen. She touched his hand
+as she scanned the red cicatrice on the inside of his white wrist. A
+quick impulse that was somewhat spasmodic impelled her fingers to close
+in a sort of clutch upon his hand. He felt the pressure of her pointed
+nails in the flesh of his palm.
+
+She arose hastily and walked toward the mantel.
+
+“The sight of a wound or scar always agitates and sickens me,” she
+said. “I shouldn’t have looked at it.”
+
+“I beg your pardon,” he entreated, following her; “it never occurred to
+me that it might be repulsive.”
+
+He stood close to her, and the effrontery in his eyes repelled the old,
+vanishing self in her, yet drew all her awakening sensuousness. He saw
+enough in her face to impel him to take her hand and hold it while he
+said his lingering good night.
+
+“Will you go to the races again?” he asked.
+
+“No,” she said. “I’ve had enough of the races. I don’t want to lose all
+the money I’ve won, and I’ve got to work when the weather is bright,
+instead of—”
+
+“Yes; work; to be sure. You promised to show me your work. What morning
+may I come up to your atelier? To-morrow?”
+
+“No!”
+
+“Day after?”
+
+“No, no.”
+
+“Oh, please don’t refuse me! I know something of such things. I might
+help you with a stray suggestion or two.”
+
+“No. Good night. Why don’t you go after you have said good night? I
+don’t like you,” she went on in a high, excited pitch, attempting to
+draw away her hand. She felt that her words lacked dignity and
+sincerity, and she knew that he felt it.
+
+“I’m sorry you don’t like me. I’m sorry I offended you. How have I
+offended you? What have I done? Can’t you forgive me?” And he bent and
+pressed his lips upon her hand as if he wished never more to withdraw
+them.
+
+“Mr. Arobin,” she complained, “I’m greatly upset by the excitement of
+the afternoon; I’m not myself. My manner must have misled you in some
+way. I wish you to go, please.” She spoke in a monotonous, dull tone.
+He took his hat from the table, and stood with eyes turned from her,
+looking into the dying fire. For a moment or two he kept an impressive
+silence.
+
+“Your manner has not misled me, Mrs. Pontellier,” he said finally. “My
+own emotions have done that. I couldn’t help it. When I’m near you, how
+could I help it? Don’t think anything of it, don’t bother, please. You
+see, I go when you command me. If you wish me to stay away, I shall do
+so. If you let me come back, I—oh! you will let me come back?”
+
+He cast one appealing glance at her, to which she made no response.
+Alcée Arobin’s manner was so genuine that it often deceived even
+himself.
+
+Edna did not care or think whether it were genuine or not. When she was
+alone she looked mechanically at the back of her hand which he had
+kissed so warmly. Then she leaned her head down on the mantelpiece. She
+felt somewhat like a woman who in a moment of passion is betrayed into
+an act of infidelity, and realizes the significance of the act without
+being wholly awakened from its glamour. The thought was passing vaguely
+through her mind, “What would he think?”
+
+She did not mean her husband; she was thinking of Robert Lebrun. Her
+husband seemed to her now like a person whom she had married without
+love as an excuse.
+
+She lit a candle and went up to her room. Alcée Arobin was absolutely
+nothing to her. Yet his presence, his manners, the warmth of his
+glances, and above all the touch of his lips upon her hand had acted
+like a narcotic upon her.
+
+She slept a languorous sleep, interwoven with vanishing dreams.
+
+XXVI
+
+Alcée Arobin wrote Edna an elaborate note of apology, palpitant with
+sincerity. It embarrassed her; for in a cooler, quieter moment it
+appeared to her absurd that she should have taken his action so
+seriously, so dramatically. She felt sure that the significance of the
+whole occurrence had lain in her own self-consciousness. If she ignored
+his note it would give undue importance to a trivial affair. If she
+replied to it in a serious spirit it would still leave in his mind the
+impression that she had in a susceptible moment yielded to his
+influence. After all, it was no great matter to have one’s hand kissed.
+She was provoked at his having written the apology. She answered in as
+light and bantering a spirit as she fancied it deserved, and said she
+would be glad to have him look in upon her at work whenever he felt the
+inclination and his business gave him the opportunity.
+
+He responded at once by presenting himself at her home with all his
+disarming naïveté. And then there was scarcely a day which followed
+that she did not see him or was not reminded of him. He was prolific in
+pretexts. His attitude became one of good-humored subservience and
+tacit adoration. He was ready at all times to submit to her moods,
+which were as often kind as they were cold. She grew accustomed to him.
+They became intimate and friendly by imperceptible degrees, and then by
+leaps. He sometimes talked in a way that astonished her at first and
+brought the crimson into her face; in a way that pleased her at last,
+appealing to the animalism that stirred impatiently within her.
+
+There was nothing which so quieted the turmoil of Edna’s senses as a
+visit to Mademoiselle Reisz. It was then, in the presence of that
+personality which was offensive to her, that the woman, by her divine
+art, seemed to reach Edna’s spirit and set it free.
+
+It was misty, with heavy, lowering atmosphere, one afternoon, when Edna
+climbed the stairs to the pianist’s apartments under the roof. Her
+clothes were dripping with moisture. She felt chilled and pinched as
+she entered the room. Mademoiselle was poking at a rusty stove that
+smoked a little and warmed the room indifferently. She was endeavoring
+to heat a pot of chocolate on the stove. The room looked cheerless and
+dingy to Edna as she entered. A bust of Beethoven, covered with a hood
+of dust, scowled at her from the mantelpiece.
+
+“Ah! here comes the sunlight!” exclaimed Mademoiselle, rising from her
+knees before the stove. “Now it will be warm and bright enough; I can
+let the fire alone.”
+
+She closed the stove door with a bang, and approaching, assisted in
+removing Edna’s dripping mackintosh.
+
+“You are cold; you look miserable. The chocolate will soon be hot. But
+would you rather have a taste of brandy? I have scarcely touched the
+bottle which you brought me for my cold.” A piece of red flannel was
+wrapped around Mademoiselle’s throat; a stiff neck compelled her to
+hold her head on one side.
+
+“I will take some brandy,” said Edna, shivering as she removed her
+gloves and overshoes. She drank the liquor from the glass as a man
+would have done. Then flinging herself upon the uncomfortable sofa she
+said, “Mademoiselle, I am going to move away from my house on Esplanade
+Street.”
+
+“Ah!” ejaculated the musician, neither surprised nor especially
+interested. Nothing ever seemed to astonish her very much. She was
+endeavoring to adjust the bunch of violets which had become loose from
+its fastening in her hair. Edna drew her down upon the sofa, and taking
+a pin from her own hair, secured the shabby artificial flowers in their
+accustomed place.
+
+“Aren’t you astonished?”
+
+“Passably. Where are you going? to New York? to Iberville? to your
+father in Mississippi? where?”
+
+“Just two steps away,” laughed Edna, “in a little four-room house
+around the corner. It looks so cozy, so inviting and restful, whenever
+I pass by; and it’s for rent. I’m tired looking after that big house.
+It never seemed like mine, anyway—like home. It’s too much trouble. I
+have to keep too many servants. I am tired bothering with them.”
+
+“That is not your true reason, _ma belle_. There is no use in telling
+me lies. I don’t know your reason, but you have not told me the truth.”
+Edna did not protest or endeavor to justify herself.
+
+“The house, the money that provides for it, are not mine. Isn’t that
+enough reason?”
+
+“They are your husband’s,” returned Mademoiselle, with a shrug and a
+malicious elevation of the eyebrows.
+
+“Oh! I see there is no deceiving you. Then let me tell you: It is a
+caprice. I have a little money of my own from my mother’s estate, which
+my father sends me by driblets. I won a large sum this winter on the
+races, and I am beginning to sell my sketches. Laidpore is more and
+more pleased with my work; he says it grows in force and individuality.
+I cannot judge of that myself, but I feel that I have gained in ease
+and confidence. However, as I said, I have sold a good many through
+Laidpore. I can live in the tiny house for little or nothing, with one
+servant. Old Celestine, who works occasionally for me, says she will
+come stay with me and do my work. I know I shall like it, like the
+feeling of freedom and independence.”
+
+“What does your husband say?”
+
+“I have not told him yet. I only thought of it this morning. He will
+think I am demented, no doubt. Perhaps you think so.”
+
+Mademoiselle shook her head slowly. “Your reason is not yet clear to
+me,” she said.
+
+Neither was it quite clear to Edna herself; but it unfolded itself as
+she sat for a while in silence. Instinct had prompted her to put away
+her husband’s bounty in casting off her allegiance. She did not know
+how it would be when he returned. There would have to be an
+understanding, an explanation. Conditions would some way adjust
+themselves, she felt; but whatever came, she had resolved never again
+to belong to another than herself.
+
+“I shall give a grand dinner before I leave the old house!” Edna
+exclaimed. “You will have to come to it, Mademoiselle. I will give you
+everything that you like to eat and to drink. We shall sing and laugh
+and be merry for once.” And she uttered a sigh that came from the very
+depths of her being.
+
+If Mademoiselle happened to have received a letter from Robert during
+the interval of Edna’s visits, she would give her the letter
+unsolicited. And she would seat herself at the piano and play as her
+humor prompted her while the young woman read the letter.
+
+The little stove was roaring; it was red-hot, and the chocolate in the
+tin sizzled and sputtered. Edna went forward and opened the stove door,
+and Mademoiselle rising, took a letter from under the bust of Beethoven
+and handed it to Edna.
+
+“Another! so soon!” she exclaimed, her eyes filled with delight. “Tell
+me, Mademoiselle, does he know that I see his letters?”
+
+“Never in the world! He would be angry and would never write to me
+again if he thought so. Does he write to you? Never a line. Does he
+send you a message? Never a word. It is because he loves you, poor
+fool, and is trying to forget you, since you are not free to listen to
+him or to belong to him.”
+
+“Why do you show me his letters, then?”
+
+“Haven’t you begged for them? Can I refuse you anything? Oh! you cannot
+deceive me,” and Mademoiselle approached her beloved instrument and
+began to play. Edna did not at once read the letter. She sat holding it
+in her hand, while the music penetrated her whole being like an
+effulgence, warming and brightening the dark places of her soul. It
+prepared her for joy and exultation.
+
+“Oh!” she exclaimed, letting the letter fall to the floor. “Why did you
+not tell me?” She went and grasped Mademoiselle’s hands up from the
+keys. “Oh! unkind! malicious! Why did you not tell me?”
+
+“That he was coming back? No great news, _ma foi_. I wonder he did not
+come long ago.”
+
+“But when, when?” cried Edna, impatiently. “He does not say when.”
+
+“He says ‘very soon.’ You know as much about it as I do; it is all in
+the letter.”
+
+“But why? Why is he coming? Oh, if I thought—” and she snatched the
+letter from the floor and turned the pages this way and that way,
+looking for the reason, which was left untold.
+
+“If I were young and in love with a man,” said Mademoiselle, turning on
+the stool and pressing her wiry hands between her knees as she looked
+down at Edna, who sat on the floor holding the letter, “it seems to me
+he would have to be some _grand esprit;_ a man with lofty aims and
+ability to reach them; one who stood high enough to attract the notice
+of his fellow-men. It seems to me if I were young and in love I should
+never deem a man of ordinary caliber worthy of my devotion.”
+
+“Now it is you who are telling lies and seeking to deceive me,
+Mademoiselle; or else you have never been in love, and know nothing
+about it. Why,” went on Edna, clasping her knees and looking up into
+Mademoiselle’s twisted face, “do you suppose a woman knows why she
+loves? Does she select? Does she say to herself: ‘Go to! Here is a
+distinguished statesman with presidential possibilities; I shall
+proceed to fall in love with him.’ Or, ‘I shall set my heart upon this
+musician, whose fame is on every tongue?’ Or, ‘This financier, who
+controls the world’s money markets?’
+
+“You are purposely misunderstanding me, _ma reine_. Are you in love
+with Robert?”
+
+“Yes,” said Edna. It was the first time she had admitted it, and a glow
+overspread her face, blotching it with red spots.
+
+“Why?” asked her companion. “Why do you love him when you ought not
+to?”
+
+Edna, with a motion or two, dragged herself on her knees before
+Mademoiselle Reisz, who took the glowing face between her two hands.
+
+“Why? Because his hair is brown and grows away from his temples;
+because he opens and shuts his eyes, and his nose is a little out of
+drawing; because he has two lips and a square chin, and a little finger
+which he can’t straighten from having played baseball too energetically
+in his youth. Because—”
+
+“Because you do, in short,” laughed Mademoiselle. “What will you do
+when he comes back?” she asked.
+
+“Do? Nothing, except feel glad and happy to be alive.”
+
+She was already glad and happy to be alive at the mere thought of his
+return. The murky, lowering sky, which had depressed her a few hours
+before, seemed bracing and invigorating as she splashed through the
+streets on her way home.
+
+She stopped at a confectioner’s and ordered a huge box of bonbons for
+the children in Iberville. She slipped a card in the box, on which she
+scribbled a tender message and sent an abundance of kisses.
+
+Before dinner in the evening Edna wrote a charming letter to her
+husband, telling him of her intention to move for a while into the
+little house around the block, and to give a farewell dinner before
+leaving, regretting that he was not there to share it, to help out with
+the menu and assist her in entertaining the guests. Her letter was
+brilliant and brimming with cheerfulness.
+
+XXVII
+
+“What is the matter with you?” asked Arobin that evening. “I never
+found you in such a happy mood.” Edna was tired by that time, and was
+reclining on the lounge before the fire.
+
+“Don’t you know the weather prophet has told us we shall see the sun
+pretty soon?”
+
+“Well, that ought to be reason enough,” he acquiesced. “You wouldn’t
+give me another if I sat here all night imploring you.” He sat close to
+her on a low tabouret, and as he spoke his fingers lightly touched the
+hair that fell a little over her forehead. She liked the touch of his
+fingers through her hair, and closed her eyes sensitively.
+
+“One of these days,” she said, “I’m going to pull myself together for a
+while and think—try to determine what character of a woman I am; for,
+candidly, I don’t know. By all the codes which I am acquainted with, I
+am a devilishly wicked specimen of the sex. But some way I can’t
+convince myself that I am. I must think about it.”
+
+“Don’t. What’s the use? Why should you bother thinking about it when I
+can tell you what manner of woman you are.” His fingers strayed
+occasionally down to her warm, smooth cheeks and firm chin, which was
+growing a little full and double.
+
+“Oh, yes! You will tell me that I am adorable; everything that is
+captivating. Spare yourself the effort.”
+
+“No; I shan’t tell you anything of the sort, though I shouldn’t be
+lying if I did.”
+
+“Do you know Mademoiselle Reisz?” she asked irrelevantly.
+
+“The pianist? I know her by sight. I’ve heard her play.”
+
+“She says queer things sometimes in a bantering way that you don’t
+notice at the time and you find yourself thinking about afterward.”
+
+“For instance?”
+
+“Well, for instance, when I left her to-day, she put her arms around me
+and felt my shoulder blades, to see if my wings were strong, she said.
+‘The bird that would soar above the level plain of tradition and
+prejudice must have strong wings. It is a sad spectacle to see the
+weaklings bruised, exhausted, fluttering back to earth.’”
+
+“Whither would you soar?”
+
+“I’m not thinking of any extraordinary flights. I only half comprehend
+her.”
+
+“I’ve heard she’s partially demented,” said Arobin.
+
+“She seems to me wonderfully sane,” Edna replied.
+
+“I’m told she’s extremely disagreeable and unpleasant. Why have you
+introduced her at a moment when I desired to talk of you?”
+
+“Oh! talk of me if you like,” cried Edna, clasping her hands beneath
+her head; “but let me think of something else while you do.”
+
+“I’m jealous of your thoughts to-night. They’re making you a little
+kinder than usual; but some way I feel as if they were wandering, as if
+they were not here with me.” She only looked at him and smiled. His
+eyes were very near. He leaned upon the lounge with an arm extended
+across her, while the other hand still rested upon her hair. They
+continued silently to look into each other’s eyes. When he leaned
+forward and kissed her, she clasped his head, holding his lips to hers.
+
+It was the first kiss of her life to which her nature had really
+responded. It was a flaming torch that kindled desire.
+
+XXVIII
+
+Edna cried a little that night after Arobin left her. It was only one
+phase of the multitudinous emotions which had assailed her. There was
+with her an overwhelming feeling of irresponsibility. There was the
+shock of the unexpected and the unaccustomed. There was her husband’s
+reproach looking at her from the external things around her which he
+had provided for her external existence. There was Robert’s reproach
+making itself felt by a quicker, fiercer, more overpowering love, which
+had awakened within her toward him. Above all, there was understanding.
+She felt as if a mist had been lifted from her eyes, enabling her to
+look upon and comprehend the significance of life, that monster made up
+of beauty and brutality. But among the conflicting sensations which
+assailed her, there was neither shame nor remorse. There was a dull
+pang of regret because it was not the kiss of love which had inflamed
+her, because it was not love which had held this cup of life to her
+lips.
+
+XXIX
+
+Without even waiting for an answer from her husband regarding his
+opinion or wishes in the matter, Edna hastened her preparations for
+quitting her home on Esplanade Street and moving into the little house
+around the block. A feverish anxiety attended her every action in that
+direction. There was no moment of deliberation, no interval of repose
+between the thought and its fulfillment. Early upon the morning
+following those hours passed in Arobin’s society, Edna set about
+securing her new abode and hurrying her arrangements for occupying it.
+Within the precincts of her home she felt like one who has entered and
+lingered within the portals of some forbidden temple in which a
+thousand muffled voices bade her begone.
+
+Whatever was her own in the house, everything which she had acquired
+aside from her husband’s bounty, she caused to be transported to the
+other house, supplying simple and meager deficiencies from her own
+resources.
+
+Arobin found her with rolled sleeves, working in company with the
+house-maid when he looked in during the afternoon. She was splendid and
+robust, and had never appeared handsomer than in the old blue gown,
+with a red silk handkerchief knotted at random around her head to
+protect her hair from the dust. She was mounted upon a high stepladder,
+unhooking a picture from the wall when he entered. He had found the
+front door open, and had followed his ring by walking in
+unceremoniously.
+
+“Come down!” he said. “Do you want to kill yourself?” She greeted him
+with affected carelessness, and appeared absorbed in her occupation.
+
+If he had expected to find her languishing, reproachful, or indulging
+in sentimental tears, he must have been greatly surprised.
+
+He was no doubt prepared for any emergency, ready for any one of the
+foregoing attitudes, just as he bent himself easily and naturally to
+the situation which confronted him.
+
+“Please come down,” he insisted, holding the ladder and looking up at
+her.
+
+“No,” she answered; “Ellen is afraid to mount the ladder. Joe is
+working over at the ‘pigeon house’—that’s the name Ellen gives it,
+because it’s so small and looks like a pigeon house—and some one has to
+do this.”
+
+Arobin pulled off his coat, and expressed himself ready and willing to
+tempt fate in her place. Ellen brought him one of her dust-caps, and
+went into contortions of mirth, which she found it impossible to
+control, when she saw him put it on before the mirror as grotesquely as
+he could. Edna herself could not refrain from smiling when she fastened
+it at his request. So it was he who in turn mounted the ladder,
+unhooking pictures and curtains, and dislodging ornaments as Edna
+directed. When he had finished he took off his dust-cap and went out to
+wash his hands.
+
+Edna was sitting on the tabouret, idly brushing the tips of a feather
+duster along the carpet when he came in again.
+
+“Is there anything more you will let me do?” he asked.
+
+“That is all,” she answered. “Ellen can manage the rest.” She kept the
+young woman occupied in the drawing-room, unwilling to be left alone
+with Arobin.
+
+“What about the dinner?” he asked; “the grand event, the _coup
+d’état?_”
+
+“It will be day after to-morrow. Why do you call it the ‘_coup
+d’état?_’ Oh! it will be very fine; all my best of everything—crystal,
+silver and gold, Sèvres, flowers, music, and champagne to swim in. I’ll
+let Léonce pay the bills. I wonder what he’ll say when he sees the
+bills.”
+
+“And you ask me why I call it a _coup d’état?_” Arobin had put on his
+coat, and he stood before her and asked if his cravat was plumb. She
+told him it was, looking no higher than the tip of his collar.
+
+“When do you go to the ‘pigeon house?’—with all due acknowledgment to
+Ellen.”
+
+“Day after to-morrow, after the dinner. I shall sleep there.”
+
+“Ellen, will you very kindly get me a glass of water?” asked Arobin.
+“The dust in the curtains, if you will pardon me for hinting such a
+thing, has parched my throat to a crisp.”
+
+“While Ellen gets the water,” said Edna, rising, “I will say good-by
+and let you go. I must get rid of this grime, and I have a million
+things to do and think of.”
+
+“When shall I see you?” asked Arobin, seeking to detain her, the maid
+having left the room.
+
+“At the dinner, of course. You are invited.”
+
+“Not before?—not to-night or to-morrow morning or to-morrow noon or
+night? or the day after morning or noon? Can’t you see yourself,
+without my telling you, what an eternity it is?”
+
+He had followed her into the hall and to the foot of the stairway,
+looking up at her as she mounted with her face half turned to him.
+
+“Not an instant sooner,” she said. But she laughed and looked at him
+with eyes that at once gave him courage to wait and made it torture to
+wait.
+
+XXX
+
+Though Edna had spoken of the dinner as a very grand affair, it was in
+truth a very small affair and very select, in so much as the guests
+invited were few and were selected with discrimination. She had counted
+upon an even dozen seating themselves at her round mahogany board,
+forgetting for the moment that Madame Ratignolle was to the last degree
+_souffrante_ and unpresentable, and not foreseeing that Madame Lebrun
+would send a thousand regrets at the last moment. So there were only
+ten, after all, which made a cozy, comfortable number.
+
+There were Mr. and Mrs. Merriman, a pretty, vivacious little woman in
+the thirties; her husband, a jovial fellow, something of a
+shallow-pate, who laughed a good deal at other people’s witticisms, and
+had thereby made himself extremely popular. Mrs. Highcamp had
+accompanied them. Of course, there was Alcée Arobin; and Mademoiselle
+Reisz had consented to come. Edna had sent her a fresh bunch of violets
+with black lace trimmings for her hair. Monsieur Ratignolle brought
+himself and his wife’s excuses. Victor Lebrun, who happened to be in
+the city, bent upon relaxation, had accepted with alacrity. There was a
+Miss Mayblunt, no longer in her teens, who looked at the world through
+lorgnettes and with the keenest interest. It was thought and said that
+she was intellectual; it was suspected of her that she wrote under a
+_nom de guerre_. She had come with a gentleman by the name of
+Gouvernail, connected with one of the daily papers, of whom nothing
+special could be said, except that he was observant and seemed quiet
+and inoffensive. Edna herself made the tenth, and at half-past eight
+they seated themselves at table, Arobin and Monsieur Ratignolle on
+either side of their hostess.
+
+Mrs. Highcamp sat between Arobin and Victor Lebrun. Then came Mrs.
+Merriman, Mr. Gouvernail, Miss Mayblunt, Mr. Merriman, and Mademoiselle
+Reisz next to Monsieur Ratignolle.
+
+There was something extremely gorgeous about the appearance of the
+table, an effect of splendor conveyed by a cover of pale yellow satin
+under strips of lace-work. There were wax candles, in massive brass
+candelabra, burning softly under yellow silk shades; full, fragrant
+roses, yellow and red, abounded. There were silver and gold, as she had
+said there would be, and crystal which glittered like the gems which
+the women wore.
+
+The ordinary stiff dining chairs had been discarded for the occasion
+and replaced by the most commodious and luxurious which could be
+collected throughout the house. Mademoiselle Reisz, being exceedingly
+diminutive, was elevated upon cushions, as small children are sometimes
+hoisted at table upon bulky volumes.
+
+“Something new, Edna?” exclaimed Miss Mayblunt, with lorgnette directed
+toward a magnificent cluster of diamonds that sparkled, that almost
+sputtered, in Edna’s hair, just over the center of her forehead.
+
+“Quite new; ‘brand’ new, in fact; a present from my husband. It arrived
+this morning from New York. I may as well admit that this is my
+birthday, and that I am twenty-nine. In good time I expect you to drink
+my health. Meanwhile, I shall ask you to begin with this cocktail,
+composed—would you say ‘composed?’” with an appeal to Miss
+Mayblunt—“composed by my father in honor of Sister Janet’s wedding.”
+
+Before each guest stood a tiny glass that looked and sparkled like a
+garnet gem.
+
+“Then, all things considered,” spoke Arobin, “it might not be amiss to
+start out by drinking the Colonel’s health in the cocktail which he
+composed, on the birthday of the most charming of women—the daughter
+whom he invented.”
+
+Mr. Merriman’s laugh at this sally was such a genuine outburst and so
+contagious that it started the dinner with an agreeable swing that
+never slackened.
+
+Miss Mayblunt begged to be allowed to keep her cocktail untouched
+before her, just to look at. The color was marvelous! She could compare
+it to nothing she had ever seen, and the garnet lights which it emitted
+were unspeakably rare. She pronounced the Colonel an artist, and stuck
+to it.
+
+Monsieur Ratignolle was prepared to take things seriously; the _mets_,
+the _entre-mets_, the service, the decorations, even the people. He
+looked up from his pompano and inquired of Arobin if he were related to
+the gentleman of that name who formed one of the firm of Laitner and
+Arobin, lawyers. The young man admitted that Laitner was a warm
+personal friend, who permitted Arobin’s name to decorate the firm’s
+letterheads and to appear upon a shingle that graced Perdido Street.
+
+“There are so many inquisitive people and institutions abounding,” said
+Arobin, “that one is really forced as a matter of convenience these
+days to assume the virtue of an occupation if he has it not.” Monsieur
+Ratignolle stared a little, and turned to ask Mademoiselle Reisz if she
+considered the symphony concerts up to the standard which had been set
+the previous winter. Mademoiselle Reisz answered Monsieur Ratignolle in
+French, which Edna thought a little rude, under the circumstances, but
+characteristic. Mademoiselle had only disagreeable things to say of the
+symphony concerts, and insulting remarks to make of all the musicians
+of New Orleans, singly and collectively. All her interest seemed to be
+centered upon the delicacies placed before her.
+
+Mr. Merriman said that Mr. Arobin’s remark about inquisitive people
+reminded him of a man from Waco the other day at the St. Charles
+Hotel—but as Mr. Merriman’s stories were always lame and lacking point,
+his wife seldom permitted him to complete them. She interrupted him to
+ask if he remembered the name of the author whose book she had bought
+the week before to send to a friend in Geneva. She was talking “books”
+with Mr. Gouvernail and trying to draw from him his opinion upon
+current literary topics. Her husband told the story of the Waco man
+privately to Miss Mayblunt, who pretended to be greatly amused and to
+think it extremely clever.
+
+Mrs. Highcamp hung with languid but unaffected interest upon the warm
+and impetuous volubility of her left-hand neighbor, Victor Lebrun. Her
+attention was never for a moment withdrawn from him after seating
+herself at table; and when he turned to Mrs. Merriman, who was prettier
+and more vivacious than Mrs. Highcamp, she waited with easy
+indifference for an opportunity to reclaim his attention. There was the
+occasional sound of music, of mandolins, sufficiently removed to be an
+agreeable accompaniment rather than an interruption to the
+conversation. Outside the soft, monotonous splash of a fountain could
+be heard; the sound penetrated into the room with the heavy odor of
+jessamine that came through the open windows.
+
+The golden shimmer of Edna’s satin gown spread in rich folds on either
+side of her. There was a soft fall of lace encircling her shoulders. It
+was the color of her skin, without the glow, the myriad living tints
+that one may sometimes discover in vibrant flesh. There was something
+in her attitude, in her whole appearance when she leaned her head
+against the high-backed chair and spread her arms, which suggested the
+regal woman, the one who rules, who looks on, who stands alone.
+
+But as she sat there amid her guests, she felt the old ennui overtaking
+her; the hopelessness which so often assailed her, which came upon her
+like an obsession, like something extraneous, independent of volition.
+It was something which announced itself; a chill breath that seemed to
+issue from some vast cavern wherein discords waited. There came over
+her the acute longing which always summoned into her spiritual vision
+the presence of the beloved one, overpowering her at once with a sense
+of the unattainable.
+
+The moments glided on, while a feeling of good fellowship passed around
+the circle like a mystic cord, holding and binding these people
+together with jest and laughter. Monsieur Ratignolle was the first to
+break the pleasant charm. At ten o’clock he excused himself. Madame
+Ratignolle was waiting for him at home. She was _bien souffrante_, and
+she was filled with vague dread, which only her husband’s presence
+could allay.
+
+Mademoiselle Reisz arose with Monsieur Ratignolle, who offered to
+escort her to the car. She had eaten well; she had tasted the good,
+rich wines, and they must have turned her head, for she bowed
+pleasantly to all as she withdrew from table. She kissed Edna upon the
+shoulder, and whispered: “_Bonne nuit, ma reine; soyez sage_.” She had
+been a little bewildered upon rising, or rather, descending from her
+cushions, and Monsieur Ratignolle gallantly took her arm and led her
+away.
+
+Mrs. Highcamp was weaving a garland of roses, yellow and red. When she
+had finished the garland, she laid it lightly upon Victor’s black
+curls. He was reclining far back in the luxurious chair, holding a
+glass of champagne to the light.
+
+As if a magician’s wand had touched him, the garland of roses
+transformed him into a vision of Oriental beauty. His cheeks were the
+color of crushed grapes, and his dusky eyes glowed with a languishing
+fire.
+
+“_Sapristi!_” exclaimed Arobin.
+
+But Mrs. Highcamp had one more touch to add to the picture. She took
+from the back of her chair a white silken scarf, with which she had
+covered her shoulders in the early part of the evening. She draped it
+across the boy in graceful folds, and in a way to conceal his black,
+conventional evening dress. He did not seem to mind what she did to
+him, only smiled, showing a faint gleam of white teeth, while he
+continued to gaze with narrowing eyes at the light through his glass of
+champagne.
+
+“Oh! to be able to paint in color rather than in words!” exclaimed Miss
+Mayblunt, losing herself in a rhapsodic dream as she looked at him.
+
+ “‘There was a graven image of Desire
+ Painted with red blood on a ground of gold.’”
+
+murmured Gouvernail, under his breath.
+
+The effect of the wine upon Victor was to change his accustomed
+volubility into silence. He seemed to have abandoned himself to a
+reverie, and to be seeing pleasing visions in the amber bead.
+
+“Sing,” entreated Mrs. Highcamp. “Won’t you sing to us?”
+
+“Let him alone,” said Arobin.
+
+“He’s posing,” offered Mr. Merriman; “let him have it out.”
+
+“I believe he’s paralyzed,” laughed Mrs. Merriman. And leaning over the
+youth’s chair, she took the glass from his hand and held it to his
+lips. He sipped the wine slowly, and when he had drained the glass she
+laid it upon the table and wiped his lips with her little filmy
+handkerchief.
+
+“Yes, I’ll sing for you,” he said, turning in his chair toward Mrs.
+Highcamp. He clasped his hands behind his head, and looking up at the
+ceiling began to hum a little, trying his voice like a musician tuning
+an instrument. Then, looking at Edna, he began to sing:
+
+ “Ah! si tu savais!”
+
+“Stop!” she cried, “don’t sing that. I don’t want you to sing it,” and
+she laid her glass so impetuously and blindly upon the table as to
+shatter it against a carafe. The wine spilled over Arobin’s legs and
+some of it trickled down upon Mrs. Highcamp’s black gauze gown. Victor
+had lost all idea of courtesy, or else he thought his hostess was not
+in earnest, for he laughed and went on:
+
+ “Ah! si tu savais
+ Ce que tes yeux me disent”—
+
+“Oh! you mustn’t! you mustn’t,” exclaimed Edna, and pushing back her
+chair she got up, and going behind him placed her hand over his mouth.
+He kissed the soft palm that pressed upon his lips.
+
+“No, no, I won’t, Mrs. Pontellier. I didn’t know you meant it,” looking
+up at her with caressing eyes. The touch of his lips was like a
+pleasing sting to her hand. She lifted the garland of roses from his
+head and flung it across the room.
+
+“Come, Victor; you’ve posed long enough. Give Mrs. Highcamp her scarf.”
+
+Mrs. Highcamp undraped the scarf from about him with her own hands.
+Miss Mayblunt and Mr. Gouvernail suddenly conceived the notion that it
+was time to say good night. And Mr. and Mrs. Merriman wondered how it
+could be so late.
+
+Before parting from Victor, Mrs. Highcamp invited him to call upon her
+daughter, who she knew would be charmed to meet him and talk French and
+sing French songs with him. Victor expressed his desire and intention
+to call upon Miss Highcamp at the first opportunity which presented
+itself. He asked if Arobin were going his way. Arobin was not.
+
+The mandolin players had long since stolen away. A profound stillness
+had fallen upon the broad, beautiful street. The voices of Edna’s
+disbanding guests jarred like a discordant note upon the quiet harmony
+of the night.
+
+XXXI
+
+“Well?” questioned Arobin, who had remained with Edna after the others
+had departed.
+
+“Well,” she reiterated, and stood up, stretching her arms, and feeling
+the need to relax her muscles after having been so long seated.
+
+“What next?” he asked.
+
+“The servants are all gone. They left when the musicians did. I have
+dismissed them. The house has to be closed and locked, and I shall trot
+around to the pigeon house, and shall send Celestine over in the
+morning to straighten things up.”
+
+He looked around, and began to turn out some of the lights.
+
+“What about upstairs?” he inquired.
+
+“I think it is all right; but there may be a window or two unlatched.
+We had better look; you might take a candle and see. And bring me my
+wrap and hat on the foot of the bed in the middle room.”
+
+He went up with the light, and Edna began closing doors and windows.
+She hated to shut in the smoke and the fumes of the wine. Arobin found
+her cape and hat, which he brought down and helped her to put on.
+
+When everything was secured and the lights put out, they left through
+the front door, Arobin locking it and taking the key, which he carried
+for Edna. He helped her down the steps.
+
+“Will you have a spray of jessamine?” he asked, breaking off a few
+blossoms as he passed.
+
+“No; I don’t want anything.”
+
+She seemed disheartened, and had nothing to say. She took his arm,
+which he offered her, holding up the weight of her satin train with the
+other hand. She looked down, noticing the black line of his leg moving
+in and out so close to her against the yellow shimmer of her gown.
+There was the whistle of a railway train somewhere in the distance, and
+the midnight bells were ringing. They met no one in their short walk.
+
+The “pigeon house” stood behind a locked gate, and a shallow _parterre_
+that had been somewhat neglected. There was a small front porch, upon
+which a long window and the front door opened. The door opened directly
+into the parlor; there was no side entry. Back in the yard was a room
+for servants, in which old Celestine had been ensconced.
+
+Edna had left a lamp burning low upon the table. She had succeeded in
+making the room look habitable and homelike. There were some books on
+the table and a lounge near at hand. On the floor was a fresh matting,
+covered with a rug or two; and on the walls hung a few tasteful
+pictures. But the room was filled with flowers. These were a surprise
+to her. Arobin had sent them, and had had Celestine distribute them
+during Edna’s absence. Her bedroom was adjoining, and across a small
+passage were the dining-room and kitchen.
+
+Edna seated herself with every appearance of discomfort.
+
+“Are you tired?” he asked.
+
+“Yes, and chilled, and miserable. I feel as if I had been wound up to a
+certain pitch—too tight—and something inside of me had snapped.” She
+rested her head against the table upon her bare arm.
+
+“You want to rest,” he said, “and to be quiet. I’ll go; I’ll leave you
+and let you rest.”
+
+“Yes,” she replied.
+
+He stood up beside her and smoothed her hair with his soft, magnetic
+hand. His touch conveyed to her a certain physical comfort. She could
+have fallen quietly asleep there if he had continued to pass his hand
+over her hair. He brushed the hair upward from the nape of her neck.
+
+“I hope you will feel better and happier in the morning,” he said. “You
+have tried to do too much in the past few days. The dinner was the last
+straw; you might have dispensed with it.”
+
+“Yes,” she admitted; “it was stupid.”
+
+“No, it was delightful; but it has worn you out.” His hand had strayed
+to her beautiful shoulders, and he could feel the response of her flesh
+to his touch. He seated himself beside her and kissed her lightly upon
+the shoulder.
+
+“I thought you were going away,” she said, in an uneven voice.
+
+“I am, after I have said good night.”
+
+“Good night,” she murmured.
+
+He did not answer, except to continue to caress her. He did not say
+good night until she had become supple to his gentle, seductive
+entreaties.
+
+XXXII
+
+When Mr. Pontellier learned of his wife’s intention to abandon her home
+and take up her residence elsewhere, he immediately wrote her a letter
+of unqualified disapproval and remonstrance. She had given reasons
+which he was unwilling to acknowledge as adequate. He hoped she had not
+acted upon her rash impulse; and he begged her to consider first,
+foremost, and above all else, what people would say. He was not
+dreaming of scandal when he uttered this warning; that was a thing
+which would never have entered into his mind to consider in connection
+with his wife’s name or his own. He was simply thinking of his
+financial integrity. It might get noised about that the Pontelliers had
+met with reverses, and were forced to conduct their _ménage_ on a
+humbler scale than heretofore. It might do incalculable mischief to his
+business prospects.
+
+But remembering Edna’s whimsical turn of mind of late, and foreseeing
+that she had immediately acted upon her impetuous determination, he
+grasped the situation with his usual promptness and handled it with his
+well-known business tact and cleverness.
+
+The same mail which brought to Edna his letter of disapproval carried
+instructions—the most minute instructions—to a well-known architect
+concerning the remodeling of his home, changes which he had long
+contemplated, and which he desired carried forward during his temporary
+absence.
+
+Expert and reliable packers and movers were engaged to convey the
+furniture, carpets, pictures—everything movable, in short—to places of
+security. And in an incredibly short time the Pontellier house was
+turned over to the artisans. There was to be an addition—a small
+snuggery; there was to be frescoing, and hardwood flooring was to be
+put into such rooms as had not yet been subjected to this improvement.
+
+Furthermore, in one of the daily papers appeared a brief notice to the
+effect that Mr. and Mrs. Pontellier were contemplating a summer sojourn
+abroad, and that their handsome residence on Esplanade Street was
+undergoing sumptuous alterations, and would not be ready for occupancy
+until their return. Mr. Pontellier had saved appearances!
+
+Edna admired the skill of his maneuver, and avoided any occasion to
+balk his intentions. When the situation as set forth by Mr. Pontellier
+was accepted and taken for granted, she was apparently satisfied that
+it should be so.
+
+The pigeon house pleased her. It at once assumed the intimate character
+of a home, while she herself invested it with a charm which it
+reflected like a warm glow. There was with her a feeling of having
+descended in the social scale, with a corresponding sense of having
+risen in the spiritual. Every step which she took toward relieving
+herself from obligations added to her strength and expansion as an
+individual. She began to look with her own eyes; to see and to
+apprehend the deeper undercurrents of life. No longer was she content
+to “feed upon opinion” when her own soul had invited her.
+
+After a little while, a few days, in fact, Edna went up and spent a
+week with her children in Iberville. They were delicious February days,
+with all the summer’s promise hovering in the air.
+
+How glad she was to see the children! She wept for very pleasure when
+she felt their little arms clasping her; their hard, ruddy cheeks
+pressed against her own glowing cheeks. She looked into their faces
+with hungry eyes that could not be satisfied with looking. And what
+stories they had to tell their mother! About the pigs, the cows, the
+mules! About riding to the mill behind Gluglu; fishing back in the lake
+with their Uncle Jasper; picking pecans with Lidie’s little black
+brood, and hauling chips in their express wagon. It was a thousand
+times more fun to haul real chips for old lame Susie’s real fire than
+to drag painted blocks along the banquette on Esplanade Street!
+
+She went with them herself to see the pigs and the cows, to look at the
+darkies laying the cane, to thrash the pecan trees, and catch fish in
+the back lake. She lived with them a whole week long, giving them all
+of herself, and gathering and filling herself with their young
+existence. They listened, breathless, when she told them the house in
+Esplanade Street was crowded with workmen, hammering, nailing, sawing,
+and filling the place with clatter. They wanted to know where their bed
+was; what had been done with their rocking-horse; and where did Joe
+sleep, and where had Ellen gone, and the cook? But, above all, they
+were fired with a desire to see the little house around the block. Was
+there any place to play? Were there any boys next door? Raoul, with
+pessimistic foreboding, was convinced that there were only girls next
+door. Where would they sleep, and where would papa sleep? She told them
+the fairies would fix it all right.
+
+The old Madame was charmed with Edna’s visit, and showered all manner
+of delicate attentions upon her. She was delighted to know that the
+Esplanade Street house was in a dismantled condition. It gave her the
+promise and pretext to keep the children indefinitely.
+
+It was with a wrench and a pang that Edna left her children. She
+carried away with her the sound of their voices and the touch of their
+cheeks. All along the journey homeward their presence lingered with her
+like the memory of a delicious song. But by the time she had regained
+the city the song no longer echoed in her soul. She was again alone.
+
+XXXIII
+
+It happened sometimes when Edna went to see Mademoiselle Reisz that the
+little musician was absent, giving a lesson or making some small
+necessary household purchase. The key was always left in a secret
+hiding-place in the entry, which Edna knew. If Mademoiselle happened to
+be away, Edna would usually enter and wait for her return.
+
+When she knocked at Mademoiselle Reisz’s door one afternoon there was
+no response; so unlocking the door, as usual, she entered and found the
+apartment deserted, as she had expected. Her day had been quite filled
+up, and it was for a rest, for a refuge, and to talk about Robert, that
+she sought out her friend.
+
+She had worked at her canvas—a young Italian character study—all the
+morning, completing the work without the model; but there had been many
+interruptions, some incident to her modest housekeeping, and others of
+a social nature.
+
+Madame Ratignolle had dragged herself over, avoiding the too public
+thoroughfares, she said. She complained that Edna had neglected her
+much of late. Besides, she was consumed with curiosity to see the
+little house and the manner in which it was conducted. She wanted to
+hear all about the dinner party; Monsieur Ratignolle had left _so_
+early. What had happened after he left? The champagne and grapes which
+Edna sent over were _too_ delicious. She had so little appetite; they
+had refreshed and toned her stomach. Where on earth was she going to
+put Mr. Pontellier in that little house, and the boys? And then she
+made Edna promise to go to her when her hour of trial overtook her.
+
+“At any time—any time of the day or night, dear,” Edna assured her.
+
+Before leaving Madame Ratignolle said:
+
+“In some way you seem to me like a child, Edna. You seem to act without
+a certain amount of reflection which is necessary in this life. That is
+the reason I want to say you mustn’t mind if I advise you to be a
+little careful while you are living here alone. Why don’t you have some
+one come and stay with you? Wouldn’t Mademoiselle Reisz come?”
+
+“No; she wouldn’t wish to come, and I shouldn’t want her always with
+me.”
+
+“Well, the reason—you know how evil-minded the world is—some one was
+talking of Alcée Arobin visiting you. Of course, it wouldn’t matter if
+Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle was
+telling me that his attentions alone are considered enough to ruin a
+woman’s name.”
+
+“Does he boast of his successes?” asked Edna, indifferently, squinting
+at her picture.
+
+“No, I think not. I believe he is a decent fellow as far as that goes.
+But his character is so well known among the men. I shan’t be able to
+come back and see you; it was very, very imprudent to-day.”
+
+“Mind the step!” cried Edna.
+
+“Don’t neglect me,” entreated Madame Ratignolle; “and don’t mind what I
+said about Arobin, or having some one to stay with you.”
+
+“Of course not,” Edna laughed. “You may say anything you like to me.”
+They kissed each other good-by. Madame Ratignolle had not far to go,
+and Edna stood on the porch a while watching her walk down the street.
+
+Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their
+“party call.” Edna felt that they might have dispensed with the
+formality. They had also come to invite her to play _vingt-et-un_ one
+evening at Mrs. Merriman’s. She was asked to go early, to dinner, and
+Mr. Merriman or Mr. Arobin would take her home. Edna accepted in a
+half-hearted way. She sometimes felt very tired of Mrs. Highcamp and
+Mrs. Merriman.
+
+Late in the afternoon she sought refuge with Mademoiselle Reisz, and
+stayed there alone, waiting for her, feeling a kind of repose invade
+her with the very atmosphere of the shabby, unpretentious little room.
+
+Edna sat at the window, which looked out over the house-tops and across
+the river. The window frame was filled with pots of flowers, and she
+sat and picked the dry leaves from a rose geranium. The day was warm,
+and the breeze which blew from the river was very pleasant. She removed
+her hat and laid it on the piano. She went on picking the leaves and
+digging around the plants with her hat pin. Once she thought she heard
+Mademoiselle Reisz approaching. But it was a young black girl, who came
+in, bringing a small bundle of laundry, which she deposited in the
+adjoining room, and went away.
+
+Edna seated herself at the piano, and softly picked out with one hand
+the bars of a piece of music which lay open before her. A half-hour
+went by. There was the occasional sound of people going and coming in
+the lower hall. She was growing interested in her occupation of picking
+out the aria, when there was a second rap at the door. She vaguely
+wondered what these people did when they found Mademoiselle’s door
+locked.
+
+“Come in,” she called, turning her face toward the door. And this time
+it was Robert Lebrun who presented himself. She attempted to rise; she
+could not have done so without betraying the agitation which mastered
+her at sight of him, so she fell back upon the stool, only exclaiming,
+“Why, Robert!”
+
+He came and clasped her hand, seemingly without knowing what he was
+saying or doing.
+
+“Mrs. Pontellier! How do you happen—oh! how well you look! Is
+Mademoiselle Reisz not here? I never expected to see you.”
+
+“When did you come back?” asked Edna in an unsteady voice, wiping her
+face with her handkerchief. She seemed ill at ease on the piano stool,
+and he begged her to take the chair by the window.
+
+She did so, mechanically, while he seated himself on the stool.
+
+“I returned day before yesterday,” he answered, while he leaned his arm
+on the keys, bringing forth a crash of discordant sound.
+
+“Day before yesterday!” she repeated, aloud; and went on thinking to
+herself, “day before yesterday,” in a sort of an uncomprehending way.
+She had pictured him seeking her at the very first hour, and he had
+lived under the same sky since day before yesterday; while only by
+accident had he stumbled upon her. Mademoiselle must have lied when she
+said, “Poor fool, he loves you.”
+
+“Day before yesterday,” she repeated, breaking off a spray of
+Mademoiselle’s geranium; “then if you had not met me here to-day you
+wouldn’t—when—that is, didn’t you mean to come and see me?”
+
+“Of course, I should have gone to see you. There have been so many
+things—” he turned the leaves of Mademoiselle’s music nervously. “I
+started in at once yesterday with the old firm. After all there is as
+much chance for me here as there was there—that is, I might find it
+profitable some day. The Mexicans were not very congenial.”
+
+So he had come back because the Mexicans were not congenial; because
+business was as profitable here as there; because of any reason, and
+not because he cared to be near her. She remembered the day she sat on
+the floor, turning the pages of his letter, seeking the reason which
+was left untold.
+
+She had not noticed how he looked—only feeling his presence; but she
+turned deliberately and observed him. After all, he had been absent but
+a few months, and was not changed. His hair—the color of hers—waved
+back from his temples in the same way as before. His skin was not more
+burned than it had been at Grand Isle. She found in his eyes, when he
+looked at her for one silent moment, the same tender caress, with an
+added warmth and entreaty which had not been there before—the same
+glance which had penetrated to the sleeping places of her soul and
+awakened them.
+
+A hundred times Edna had pictured Robert’s return, and imagined their
+first meeting. It was usually at her home, whither he had sought her
+out at once. She always fancied him expressing or betraying in some way
+his love for her. And here, the reality was that they sat ten feet
+apart, she at the window, crushing geranium leaves in her hand and
+smelling them, he twirling around on the piano stool, saying:
+
+“I was very much surprised to hear of Mr. Pontellier’s absence; it’s a
+wonder Mademoiselle Reisz did not tell me; and your moving—mother told
+me yesterday. I should think you would have gone to New York with him,
+or to Iberville with the children, rather than be bothered here with
+housekeeping. And you are going abroad, too, I hear. We shan’t have you
+at Grand Isle next summer; it won’t seem—do you see much of
+Mademoiselle Reisz? She often spoke of you in the few letters she
+wrote.”
+
+“Do you remember that you promised to write to me when you went away?”
+A flush overspread his whole face.
+
+“I couldn’t believe that my letters would be of any interest to you.”
+
+“That is an excuse; it isn’t the truth.” Edna reached for her hat on
+the piano. She adjusted it, sticking the hat pin through the heavy coil
+of hair with some deliberation.
+
+“Are you not going to wait for Mademoiselle Reisz?” asked Robert.
+
+“No; I have found when she is absent this long, she is liable not to
+come back till late.” She drew on her gloves, and Robert picked up his
+hat.
+
+“Won’t you wait for her?” asked Edna.
+
+“Not if you think she will not be back till late,” adding, as if
+suddenly aware of some discourtesy in his speech, “and I should miss
+the pleasure of walking home with you.” Edna locked the door and put
+the key back in its hiding-place.
+
+They went together, picking their way across muddy streets and
+sidewalks encumbered with the cheap display of small tradesmen. Part of
+the distance they rode in the car, and after disembarking, passed the
+Pontellier mansion, which looked broken and half torn asunder. Robert
+had never known the house, and looked at it with interest.
+
+“I never knew you in your home,” he remarked.
+
+“I am glad you did not.”
+
+“Why?” She did not answer. They went on around the corner, and it
+seemed as if her dreams were coming true after all, when he followed
+her into the little house.
+
+“You must stay and dine with me, Robert. You see I am all alone, and it
+is so long since I have seen you. There is so much I want to ask you.”
+
+She took off her hat and gloves. He stood irresolute, making some
+excuse about his mother who expected him; he even muttered something
+about an engagement. She struck a match and lit the lamp on the table;
+it was growing dusk. When he saw her face in the lamp-light, looking
+pained, with all the soft lines gone out of it, he threw his hat aside
+and seated himself.
+
+“Oh! you know I want to stay if you will let me!” he exclaimed. All the
+softness came back. She laughed, and went and put her hand on his
+shoulder.
+
+“This is the first moment you have seemed like the old Robert. I’ll go
+tell Celestine.” She hurried away to tell Celestine to set an extra
+place. She even sent her off in search of some added delicacy which she
+had not thought of for herself. And she recommended great care in
+dripping the coffee and having the omelet done to a proper turn.
+
+When she reentered, Robert was turning over magazines, sketches, and
+things that lay upon the table in great disorder. He picked up a
+photograph, and exclaimed:
+
+“Alcée Arobin! What on earth is his picture doing here?”
+
+“I tried to make a sketch of his head one day,” answered Edna, “and he
+thought the photograph might help me. It was at the other house. I
+thought it had been left there. I must have packed it up with my
+drawing materials.”
+
+“I should think you would give it back to him if you have finished with
+it.”
+
+“Oh! I have a great many such photographs. I never think of returning
+them. They don’t amount to anything.” Robert kept on looking at the
+picture.
+
+“It seems to me—do you think his head worth drawing? Is he a friend of
+Mr. Pontellier’s? You never said you knew him.”
+
+“He isn’t a friend of Mr. Pontellier’s; he’s a friend of mine. I always
+knew him—that is, it is only of late that I know him pretty well. But
+I’d rather talk about you, and know what you have been seeing and doing
+and feeling out there in Mexico.” Robert threw aside the picture.
+
+“I’ve been seeing the waves and the white beach of Grand Isle; the
+quiet, grassy street of the _Chênière;_ the old fort at Grande Terre.
+I’ve been working like a machine, and feeling like a lost soul. There
+was nothing interesting.”
+
+She leaned her head upon her hand to shade her eyes from the light.
+
+“And what have you been seeing and doing and feeling all these days?”
+he asked.
+
+“I’ve been seeing the waves and the white beach of Grand Isle; the
+quiet, grassy street of the _Chênière Caminada;_ the old sunny fort at
+Grande Terre. I’ve been working with a little more comprehension than a
+machine, and still feeling like a lost soul. There was nothing
+interesting.”
+
+“Mrs. Pontellier, you are cruel,” he said, with feeling, closing his
+eyes and resting his head back in his chair. They remained in silence
+till old Celestine announced dinner.
+
+XXXIV
+
+The dining-room was very small. Edna’s round mahogany would have almost
+filled it. As it was there was but a step or two from the little table
+to the kitchen, to the mantel, the small buffet, and the side door that
+opened out on the narrow brick-paved yard.
+
+A certain degree of ceremony settled upon them with the announcement of
+dinner. There was no return to personalities. Robert related incidents
+of his sojourn in Mexico, and Edna talked of events likely to interest
+him, which had occurred during his absence. The dinner was of ordinary
+quality, except for the few delicacies which she had sent out to
+purchase. Old Celestine, with a bandana _tignon_ twisted about her
+head, hobbled in and out, taking a personal interest in everything; and
+she lingered occasionally to talk patois with Robert, whom she had
+known as a boy.
+
+He went out to a neighboring cigar stand to purchase cigarette papers,
+and when he came back he found that Celestine had served the black
+coffee in the parlor.
+
+“Perhaps I shouldn’t have come back,” he said. “When you are tired of
+me, tell me to go.”
+
+“You never tire me. You must have forgotten the hours and hours at
+Grand Isle in which we grew accustomed to each other and used to being
+together.”
+
+“I have forgotten nothing at Grand Isle,” he said, not looking at her,
+but rolling a cigarette. His tobacco pouch, which he laid upon the
+table, was a fantastic embroidered silk affair, evidently the handiwork
+of a woman.
+
+“You used to carry your tobacco in a rubber pouch,” said Edna, picking
+up the pouch and examining the needlework.
+
+“Yes; it was lost.”
+
+“Where did you buy this one? In Mexico?”
+
+“It was given to me by a Vera Cruz girl; they are very generous,” he
+replied, striking a match and lighting his cigarette.
+
+“They are very handsome, I suppose, those Mexican women; very
+picturesque, with their black eyes and their lace scarfs.”
+
+“Some are; others are hideous, just as you find women everywhere.”
+
+“What was she like—the one who gave you the pouch? You must have known
+her very well.”
+
+“She was very ordinary. She wasn’t of the slightest importance. I knew
+her well enough.”
+
+“Did you visit at her house? Was it interesting? I should like to know
+and hear about the people you met, and the impressions they made on
+you.”
+
+“There are some people who leave impressions not so lasting as the
+imprint of an oar upon the water.”
+
+“Was she such a one?”
+
+“It would be ungenerous for me to admit that she was of that order and
+kind.” He thrust the pouch back in his pocket, as if to put away the
+subject with the trifle which had brought it up.
+
+Arobin dropped in with a message from Mrs. Merriman, to say that the
+card party was postponed on account of the illness of one of her
+children.
+
+“How do you do, Arobin?” said Robert, rising from the obscurity.
+
+“Oh! Lebrun. To be sure! I heard yesterday you were back. How did they
+treat you down in Mexique?”
+
+“Fairly well.”
+
+“But not well enough to keep you there. Stunning girls, though, in
+Mexico. I thought I should never get away from Vera Cruz when I was
+down there a couple of years ago.”
+
+“Did they embroider slippers and tobacco pouches and hat-bands and
+things for you?” asked Edna.
+
+“Oh! my! no! I didn’t get so deep in their regard. I fear they made
+more impression on me than I made on them.”
+
+“You were less fortunate than Robert, then.”
+
+“I am always less fortunate than Robert. Has he been imparting tender
+confidences?”
+
+“I’ve been imposing myself long enough,” said Robert, rising, and
+shaking hands with Edna. “Please convey my regards to Mr. Pontellier
+when you write.”
+
+He shook hands with Arobin and went away.
+
+“Fine fellow, that Lebrun,” said Arobin when Robert had gone. “I never
+heard you speak of him.”
+
+“I knew him last summer at Grand Isle,” she replied. “Here is that
+photograph of yours. Don’t you want it?”
+
+“What do I want with it? Throw it away.” She threw it back on the
+table.
+
+“I’m not going to Mrs. Merriman’s,” she said. “If you see her, tell her
+so. But perhaps I had better write. I think I shall write now, and say
+that I am sorry her child is sick, and tell her not to count on me.”
+
+“It would be a good scheme,” acquiesced Arobin. “I don’t blame you;
+stupid lot!”
+
+Edna opened the blotter, and having procured paper and pen, began to
+write the note. Arobin lit a cigar and read the evening paper, which he
+had in his pocket.
+
+“What is the date?” she asked. He told her.
+
+“Will you mail this for me when you go out?”
+
+“Certainly.” He read to her little bits out of the newspaper, while she
+straightened things on the table.
+
+“What do you want to do?” he asked, throwing aside the paper. “Do you
+want to go out for a walk or a drive or anything? It would be a fine
+night to drive.”
+
+“No; I don’t want to do anything but just be quiet. You go away and
+amuse yourself. Don’t stay.”
+
+“I’ll go away if I must; but I shan’t amuse myself. You know that I
+only live when I am near you.”
+
+He stood up to bid her good night.
+
+“Is that one of the things you always say to women?”
+
+“I have said it before, but I don’t think I ever came so near meaning
+it,” he answered with a smile. There were no warm lights in her eyes;
+only a dreamy, absent look.
+
+“Good night. I adore you. Sleep well,” he said, and he kissed her hand
+and went away.
+
+She stayed alone in a kind of reverie—a sort of stupor. Step by step
+she lived over every instant of the time she had been with Robert after
+he had entered Mademoiselle Reisz’s door. She recalled his words, his
+looks. How few and meager they had been for her hungry heart! A
+vision—a transcendently seductive vision of a Mexican girl arose before
+her. She writhed with a jealous pang. She wondered when he would come
+back. He had not said he would come back. She had been with him, had
+heard his voice and touched his hand. But some way he had seemed nearer
+to her off there in Mexico.
+
+XXXV
+
+The morning was full of sunlight and hope. Edna could see before her no
+denial—only the promise of excessive joy. She lay in bed awake, with
+bright eyes full of speculation. “He loves you, poor fool.” If she
+could but get that conviction firmly fixed in her mind, what mattered
+about the rest? She felt she had been childish and unwise the night
+before in giving herself over to despondency. She recapitulated the
+motives which no doubt explained Robert’s reserve. They were not
+insurmountable; they would not hold if he really loved her; they could
+not hold against her own passion, which he must come to realize in
+time. She pictured him going to his business that morning. She even saw
+how he was dressed; how he walked down one street, and turned the
+corner of another; saw him bending over his desk, talking to people who
+entered the office, going to his lunch, and perhaps watching for her on
+the street. He would come to her in the afternoon or evening, sit and
+roll his cigarette, talk a little, and go away as he had done the night
+before. But how delicious it would be to have him there with her! She
+would have no regrets, nor seek to penetrate his reserve if he still
+chose to wear it.
+
+Edna ate her breakfast only half dressed. The maid brought her a
+delicious printed scrawl from Raoul, expressing his love, asking her to
+send him some bonbons, and telling her they had found that morning ten
+tiny white pigs all lying in a row beside Lidie’s big white pig.
+
+A letter also came from her husband, saying he hoped to be back early
+in March, and then they would get ready for that journey abroad which
+he had promised her so long, which he felt now fully able to afford; he
+felt able to travel as people should, without any thought of small
+economies—thanks to his recent speculations in Wall Street.
+
+Much to her surprise she received a note from Arobin, written at
+midnight from the club. It was to say good morning to her, to hope she
+had slept well, to assure her of his devotion, which he trusted she in
+some faintest manner returned.
+
+All these letters were pleasing to her. She answered the children in a
+cheerful frame of mind, promising them bonbons, and congratulating them
+upon their happy find of the little pigs.
+
+She answered her husband with friendly evasiveness,—not with any fixed
+design to mislead him, only because all sense of reality had gone out
+of her life; she had abandoned herself to Fate, and awaited the
+consequences with indifference.
+
+To Arobin’s note she made no reply. She put it under Celestine’s
+stove-lid.
+
+Edna worked several hours with much spirit. She saw no one but a
+picture dealer, who asked her if it were true that she was going abroad
+to study in Paris.
+
+She said possibly she might, and he negotiated with her for some
+Parisian studies to reach him in time for the holiday trade in
+December.
+
+Robert did not come that day. She was keenly disappointed. He did not
+come the following day, nor the next. Each morning she awoke with hope,
+and each night she was a prey to despondency. She was tempted to seek
+him out. But far from yielding to the impulse, she avoided any occasion
+which might throw her in his way. She did not go to Mademoiselle
+Reisz’s nor pass by Madame Lebrun’s, as she might have done if he had
+still been in Mexico.
+
+When Arobin, one night, urged her to drive with him, she went—out to
+the lake, on the Shell Road. His horses were full of mettle, and even a
+little unmanageable. She liked the rapid gait at which they spun along,
+and the quick, sharp sound of the horses’ hoofs on the hard road. They
+did not stop anywhere to eat or to drink. Arobin was not needlessly
+imprudent. But they ate and they drank when they regained Edna’s little
+dining-room—which was comparatively early in the evening.
+
+It was late when he left her. It was getting to be more than a passing
+whim with Arobin to see her and be with her. He had detected the latent
+sensuality, which unfolded under his delicate sense of her nature’s
+requirements like a torpid, torrid, sensitive blossom.
+
+There was no despondency when she fell asleep that night; nor was there
+hope when she awoke in the morning.
+
+XXXVI
+
+There was a garden out in the suburbs; a small, leafy corner, with a
+few green tables under the orange trees. An old cat slept all day on
+the stone step in the sun, and an old _mulatresse_ slept her idle hours
+away in her chair at the open window, till some one happened to knock
+on one of the green tables. She had milk and cream cheese to sell, and
+bread and butter. There was no one who could make such excellent coffee
+or fry a chicken so golden brown as she.
+
+The place was too modest to attract the attention of people of fashion,
+and so quiet as to have escaped the notice of those in search of
+pleasure and dissipation. Edna had discovered it accidentally one day
+when the high-board gate stood ajar. She caught sight of a little green
+table, blotched with the checkered sunlight that filtered through the
+quivering leaves overhead. Within she had found the slumbering
+_mulatresse_, the drowsy cat, and a glass of milk which reminded her of
+the milk she had tasted in Iberville.
+
+She often stopped there during her perambulations; sometimes taking a
+book with her, and sitting an hour or two under the trees when she
+found the place deserted. Once or twice she took a quiet dinner there
+alone, having instructed Celestine beforehand to prepare no dinner at
+home. It was the last place in the city where she would have expected
+to meet any one she knew.
+
+Still she was not astonished when, as she was partaking of a modest
+dinner late in the afternoon, looking into an open book, stroking the
+cat, which had made friends with her—she was not greatly astonished to
+see Robert come in at the tall garden gate.
+
+“I am destined to see you only by accident,” she said, shoving the cat
+off the chair beside her. He was surprised, ill at ease, almost
+embarrassed at meeting her thus so unexpectedly.
+
+“Do you come here often?” he asked.
+
+“I almost live here,” she said.
+
+“I used to drop in very often for a cup of Catiche’s good coffee. This
+is the first time since I came back.”
+
+“She’ll bring you a plate, and you will share my dinner. There’s always
+enough for two—even three.” Edna had intended to be indifferent and as
+reserved as he when she met him; she had reached the determination by a
+laborious train of reasoning, incident to one of her despondent moods.
+But her resolve melted when she saw him before designing Providence had
+led him into her path.
+
+“Why have you kept away from me, Robert?” she asked, closing the book
+that lay open upon the table.
+
+“Why are you so personal, Mrs. Pontellier? Why do you force me to
+idiotic subterfuges?” he exclaimed with sudden warmth. “I suppose
+there’s no use telling you I’ve been very busy, or that I’ve been sick,
+or that I’ve been to see you and not found you at home. Please let me
+off with any one of these excuses.”
+
+“You are the embodiment of selfishness,” she said. “You save yourself
+something—I don’t know what—but there is some selfish motive, and in
+sparing yourself you never consider for a moment what I think, or how I
+feel your neglect and indifference. I suppose this is what you would
+call unwomanly; but I have got into a habit of expressing myself. It
+doesn’t matter to me, and you may think me unwomanly if you like.”
+
+“No; I only think you cruel, as I said the other day. Maybe not
+intentionally cruel; but you seem to be forcing me into disclosures
+which can result in nothing; as if you would have me bare a wound for
+the pleasure of looking at it, without the intention or power of
+healing it.”
+
+“I’m spoiling your dinner, Robert; never mind what I say. You haven’t
+eaten a morsel.”
+
+“I only came in for a cup of coffee.” His sensitive face was all
+disfigured with excitement.
+
+“Isn’t this a delightful place?” she remarked. “I am so glad it has
+never actually been discovered. It is so quiet, so sweet, here. Do you
+notice there is scarcely a sound to be heard? It’s so out of the way;
+and a good walk from the car. However, I don’t mind walking. I always
+feel so sorry for women who don’t like to walk; they miss so much—so
+many rare little glimpses of life; and we women learn so little of life
+on the whole.
+
+“Catiche’s coffee is always hot. I don’t know how she manages it, here
+in the open air. Celestine’s coffee gets cold bringing it from the
+kitchen to the dining-room. Three lumps! How can you drink it so sweet?
+Take some of the cress with your chop; it’s so biting and crisp. Then
+there’s the advantage of being able to smoke with your coffee out here.
+Now, in the city—aren’t you going to smoke?”
+
+“After a while,” he said, laying a cigar on the table.
+
+“Who gave it to you?” she laughed.
+
+“I bought it. I suppose I’m getting reckless; I bought a whole box.”
+She was determined not to be personal again and make him uncomfortable.
+
+The cat made friends with him, and climbed into his lap when he smoked
+his cigar. He stroked her silky fur, and talked a little about her. He
+looked at Edna’s book, which he had read; and he told her the end, to
+save her the trouble of wading through it, he said.
+
+Again he accompanied her back to her home; and it was after dusk when
+they reached the little “pigeon-house.” She did not ask him to remain,
+which he was grateful for, as it permitted him to stay without the
+discomfort of blundering through an excuse which he had no intention of
+considering. He helped her to light the lamp; then she went into her
+room to take off her hat and to bathe her face and hands.
+
+When she came back Robert was not examining the pictures and magazines
+as before; he sat off in the shadow, leaning his head back on the chair
+as if in a reverie. Edna lingered a moment beside the table, arranging
+the books there. Then she went across the room to where he sat. She
+bent over the arm of his chair and called his name.
+
+“Robert,” she said, “are you asleep?”
+
+“No,” he answered, looking up at her.
+
+She leaned over and kissed him—a soft, cool, delicate kiss, whose
+voluptuous sting penetrated his whole being—then she moved away from
+him. He followed, and took her in his arms, just holding her close to
+him. She put her hand up to his face and pressed his cheek against her
+own. The action was full of love and tenderness. He sought her lips
+again. Then he drew her down upon the sofa beside him and held her hand
+in both of his.
+
+“Now you know,” he said, “now you know what I have been fighting
+against since last summer at Grand Isle; what drove me away and drove
+me back again.”
+
+“Why have you been fighting against it?” she asked. Her face glowed
+with soft lights.
+
+“Why? Because you were not free; you were Léonce Pontellier’s wife. I
+couldn’t help loving you if you were ten times his wife; but so long as
+I went away from you and kept away I could help telling you so.” She
+put her free hand up to his shoulder, and then against his cheek,
+rubbing it softly. He kissed her again. His face was warm and flushed.
+
+“There in Mexico I was thinking of you all the time, and longing for
+you.”
+
+“But not writing to me,” she interrupted.
+
+“Something put into my head that you cared for me; and I lost my
+senses. I forgot everything but a wild dream of your some way becoming
+my wife.”
+
+“Your wife!”
+
+“Religion, loyalty, everything would give way if only you cared.”
+
+“Then you must have forgotten that I was Léonce Pontellier’s wife.”
+
+“Oh! I was demented, dreaming of wild, impossible things, recalling men
+who had set their wives free, we have heard of such things.”
+
+“Yes, we have heard of such things.”
+
+“I came back full of vague, mad intentions. And when I got here—”
+
+“When you got here you never came near me!” She was still caressing his
+cheek.
+
+“I realized what a cur I was to dream of such a thing, even if you had
+been willing.”
+
+She took his face between her hands and looked into it as if she would
+never withdraw her eyes more. She kissed him on the forehead, the eyes,
+the cheeks, and the lips.
+
+“You have been a very, very foolish boy, wasting your time dreaming of
+impossible things when you speak of Mr. Pontellier setting me free! I
+am no longer one of Mr. Pontellier’s possessions to dispose of or not.
+I give myself where I choose. If he were to say, ‘Here, Robert, take
+her and be happy; she is yours,’ I should laugh at you both.”
+
+His face grew a little white. “What do you mean?” he asked.
+
+There was a knock at the door. Old Celestine came in to say that Madame
+Ratignolle’s servant had come around the back way with a message that
+Madame had been taken sick and begged Mrs. Pontellier to go to her
+immediately.
+
+“Yes, yes,” said Edna, rising; “I promised. Tell her yes—to wait for
+me. I’ll go back with her.”
+
+“Let me walk over with you,” offered Robert.
+
+“No,” she said; “I will go with the servant.” She went into her room to
+put on her hat, and when she came in again she sat once more upon the
+sofa beside him. He had not stirred. She put her arms about his neck.
+
+“Good-by, my sweet Robert. Tell me good-by.” He kissed her with a
+degree of passion which had not before entered into his caress, and
+strained her to him.
+
+“I love you,” she whispered, “only you; no one but you. It was you who
+awoke me last summer out of a life-long, stupid dream. Oh! you have
+made me so unhappy with your indifference. Oh! I have suffered,
+suffered! Now you are here we shall love each other, my Robert. We
+shall be everything to each other. Nothing else in the world is of any
+consequence. I must go to my friend; but you will wait for me? No
+matter how late; you will wait for me, Robert?”
+
+“Don’t go; don’t go! Oh! Edna, stay with me,” he pleaded. “Why should
+you go? Stay with me, stay with me.”
+
+“I shall come back as soon as I can; I shall find you here.” She buried
+her face in his neck, and said good-by again. Her seductive voice,
+together with his great love for her, had enthralled his senses, had
+deprived him of every impulse but the longing to hold her and keep her.
+
+XXXVII
+
+Edna looked in at the drug store. Monsieur Ratignolle was putting up a
+mixture himself, very carefully, dropping a red liquid into a tiny
+glass. He was grateful to Edna for having come; her presence would be a
+comfort to his wife. Madame Ratignolle’s sister, who had always been
+with her at such trying times, had not been able to come up from the
+plantation, and Adèle had been inconsolable until Mrs. Pontellier so
+kindly promised to come to her. The nurse had been with them at night
+for the past week, as she lived a great distance away. And Dr. Mandelet
+had been coming and going all the afternoon. They were then looking for
+him any moment.
+
+Edna hastened upstairs by a private stairway that led from the rear of
+the store to the apartments above. The children were all sleeping in a
+back room. Madame Ratignolle was in the salon, whither she had strayed
+in her suffering impatience. She sat on the sofa, clad in an ample
+white _peignoir_, holding a handkerchief tight in her hand with a
+nervous clutch. Her face was drawn and pinched, her sweet blue eyes
+haggard and unnatural. All her beautiful hair had been drawn back and
+plaited. It lay in a long braid on the sofa pillow, coiled like a
+golden serpent. The nurse, a comfortable looking Griffe woman in white
+apron and cap, was urging her to return to her bedroom.
+
+“There is no use, there is no use,” she said at once to Edna. “We must
+get rid of Mandelet; he is getting too old and careless. He said he
+would be here at half-past seven; now it must be eight. See what time
+it is, Joséphine.”
+
+The woman was possessed of a cheerful nature, and refused to take any
+situation too seriously, especially a situation with which she was so
+familiar. She urged Madame to have courage and patience. But Madame
+only set her teeth hard into her under lip, and Edna saw the sweat
+gather in beads on her white forehead. After a moment or two she
+uttered a profound sigh and wiped her face with the handkerchief rolled
+in a ball. She appeared exhausted. The nurse gave her a fresh
+handkerchief, sprinkled with cologne water.
+
+“This is too much!” she cried. “Mandelet ought to be killed! Where is
+Alphonse? Is it possible I am to be abandoned like this—neglected by
+every one?”
+
+“Neglected, indeed!” exclaimed the nurse. Wasn’t she there? And here
+was Mrs. Pontellier leaving, no doubt, a pleasant evening at home to
+devote to her? And wasn’t Monsieur Ratignolle coming that very instant
+through the hall? And Joséphine was quite sure she had heard Doctor
+Mandelet’s coupé. Yes, there it was, down at the door.
+
+Adèle consented to go back to her room. She sat on the edge of a little
+low couch next to her bed.
+
+Doctor Mandelet paid no attention to Madame Ratignolle’s upbraidings.
+He was accustomed to them at such times, and was too well convinced of
+her loyalty to doubt it.
+
+He was glad to see Edna, and wanted her to go with him into the salon
+and entertain him. But Madame Ratignolle would not consent that Edna
+should leave her for an instant. Between agonizing moments, she chatted
+a little, and said it took her mind off her sufferings.
+
+Edna began to feel uneasy. She was seized with a vague dread. Her own
+like experiences seemed far away, unreal, and only half remembered. She
+recalled faintly an ecstasy of pain, the heavy odor of chloroform, a
+stupor which had deadened sensation, and an awakening to find a little
+new life to which she had given being, added to the great unnumbered
+multitude of souls that come and go.
+
+She began to wish she had not come; her presence was not necessary. She
+might have invented a pretext for staying away; she might even invent a
+pretext now for going. But Edna did not go. With an inward agony, with
+a flaming, outspoken revolt against the ways of Nature, she witnessed
+the scene of torture.
+
+She was still stunned and speechless with emotion when later she leaned
+over her friend to kiss her and softly say good-by. Adèle, pressing her
+cheek, whispered in an exhausted voice: “Think of the children, Edna.
+Oh think of the children! Remember them!”
+
+XXXVIII
+
+Edna still felt dazed when she got outside in the open air. The
+Doctor’s coupé had returned for him and stood before the _porte
+cochère_. She did not wish to enter the coupé, and told Doctor Mandelet
+she would walk; she was not afraid, and would go alone. He directed his
+carriage to meet him at Mrs. Pontellier’s, and he started to walk home
+with her.
+
+Up—away up, over the narrow street between the tall houses, the stars
+were blazing. The air was mild and caressing, but cool with the breath
+of spring and the night. They walked slowly, the Doctor with a heavy,
+measured tread and his hands behind him; Edna, in an absent-minded way,
+as she had walked one night at Grand Isle, as if her thoughts had gone
+ahead of her and she was striving to overtake them.
+
+“You shouldn’t have been there, Mrs. Pontellier,” he said. “That was no
+place for you. Adèle is full of whims at such times. There were a dozen
+women she might have had with her, unimpressionable women. I felt that
+it was cruel, cruel. You shouldn’t have gone.”
+
+“Oh, well!” she answered, indifferently. “I don’t know that it matters
+after all. One has to think of the children some time or other; the
+sooner the better.”
+
+“When is Léonce coming back?”
+
+“Quite soon. Some time in March.”
+
+“And you are going abroad?”
+
+“Perhaps—no, I am not going. I’m not going to be forced into doing
+things. I don’t want to go abroad. I want to be let alone. Nobody has
+any right—except children, perhaps—and even then, it seems to me—or it
+did seem—” She felt that her speech was voicing the incoherency of her
+thoughts, and stopped abruptly.
+
+“The trouble is,” sighed the Doctor, grasping her meaning intuitively,
+“that youth is given up to illusions. It seems to be a provision of
+Nature; a decoy to secure mothers for the race. And Nature takes no
+account of moral consequences, of arbitrary conditions which we create,
+and which we feel obliged to maintain at any cost.”
+
+“Yes,” she said. “The years that are gone seem like dreams—if one might
+go on sleeping and dreaming—but to wake up and find—oh! well! perhaps
+it is better to wake up after all, even to suffer, rather than to
+remain a dupe to illusions all one’s life.”
+
+“It seems to me, my dear child,” said the Doctor at parting, holding
+her hand, “you seem to me to be in trouble. I am not going to ask for
+your confidence. I will only say that if ever you feel moved to give it
+to me, perhaps I might help you. I know I would understand. And I tell
+you there are not many who would—not many, my dear.”
+
+“Some way I don’t feel moved to speak of things that trouble me. Don’t
+think I am ungrateful or that I don’t appreciate your sympathy. There
+are periods of despondency and suffering which take possession of me.
+But I don’t want anything but my own way. That is wanting a good deal,
+of course, when you have to trample upon the lives, the hearts, the
+prejudices of others—but no matter—still, I shouldn’t want to trample
+upon the little lives. Oh! I don’t know what I’m saying, Doctor. Good
+night. Don’t blame me for anything.”
+
+“Yes, I will blame you if you don’t come and see me soon. We will talk
+of things you never have dreamt of talking about before. It will do us
+both good. I don’t want you to blame yourself, whatever comes. Good
+night, my child.”
+
+She let herself in at the gate, but instead of entering she sat upon
+the step of the porch. The night was quiet and soothing. All the
+tearing emotion of the last few hours seemed to fall away from her like
+a somber, uncomfortable garment, which she had but to loosen to be rid
+of. She went back to that hour before Adèle had sent for her; and her
+senses kindled afresh in thinking of Robert’s words, the pressure of
+his arms, and the feeling of his lips upon her own. She could picture
+at that moment no greater bliss on earth than possession of the beloved
+one. His expression of love had already given him to her in part. When
+she thought that he was there at hand, waiting for her, she grew numb
+with the intoxication of expectancy. It was so late; he would be asleep
+perhaps. She would awaken him with a kiss. She hoped he would be asleep
+that she might arouse him with her caresses.
+
+Still, she remembered Adèle’s voice whispering, “Think of the children;
+think of them.” She meant to think of them; that determination had
+driven into her soul like a death wound—but not to-night. To-morrow
+would be time to think of everything.
+
+Robert was not waiting for her in the little parlor. He was nowhere at
+hand. The house was empty. But he had scrawled on a piece of paper that
+lay in the lamplight:
+
+“I love you. Good-by—because I love you.”
+
+Edna grew faint when she read the words. She went and sat on the sofa.
+Then she stretched herself out there, never uttering a sound. She did
+not sleep. She did not go to bed. The lamp sputtered and went out. She
+was still awake in the morning, when Celestine unlocked the kitchen
+door and came in to light the fire.
+
+XXXIX
+
+Victor, with hammer and nails and scraps of scantling, was patching a
+corner of one of the galleries. Mariequita sat near by, dangling her
+legs, watching him work, and handing him nails from the tool-box. The
+sun was beating down upon them. The girl had covered her head with her
+apron folded into a square pad. They had been talking for an hour or
+more. She was never tired of hearing Victor describe the dinner at Mrs.
+Pontellier’s. He exaggerated every detail, making it appear a veritable
+Lucullean feast. The flowers were in tubs, he said. The champagne was
+quaffed from huge golden goblets. Venus rising from the foam could have
+presented no more entrancing a spectacle than Mrs. Pontellier, blazing
+with beauty and diamonds at the head of the board, while the other
+women were all of them youthful houris, possessed of incomparable
+charms. She got it into her head that Victor was in love with Mrs.
+Pontellier, and he gave her evasive answers, framed so as to confirm
+her belief. She grew sullen and cried a little, threatening to go off
+and leave him to his fine ladies. There were a dozen men crazy about
+her at the _Chênière;_ and since it was the fashion to be in love with
+married people, why, she could run away any time she liked to New
+Orleans with Célina’s husband.
+
+Célina’s husband was a fool, a coward, and a pig, and to prove it to
+her, Victor intended to hammer his head into a jelly the next time he
+encountered him. This assurance was very consoling to Mariequita. She
+dried her eyes, and grew cheerful at the prospect.
+
+They were still talking of the dinner and the allurements of city life
+when Mrs. Pontellier herself slipped around the corner of the house.
+The two youngsters stayed dumb with amazement before what they
+considered to be an apparition. But it was really she in flesh and
+blood, looking tired and a little travel-stained.
+
+“I walked up from the wharf,” she said, “and heard the hammering. I
+supposed it was you, mending the porch. It’s a good thing. I was always
+tripping over those loose planks last summer. How dreary and deserted
+everything looks!”
+
+It took Victor some little time to comprehend that she had come in
+Beaudelet’s lugger, that she had come alone, and for no purpose but to
+rest.
+
+“There’s nothing fixed up yet, you see. I’ll give you my room; it’s the
+only place.”
+
+“Any corner will do,” she assured him.
+
+“And if you can stand Philomel’s cooking,” he went on, “though I might
+try to get her mother while you are here. Do you think she would come?”
+turning to Mariequita.
+
+Mariequita thought that perhaps Philomel’s mother might come for a few
+days, and money enough.
+
+Beholding Mrs. Pontellier make her appearance, the girl had at once
+suspected a lovers’ rendezvous. But Victor’s astonishment was so
+genuine, and Mrs. Pontellier’s indifference so apparent, that the
+disturbing notion did not lodge long in her brain. She contemplated
+with the greatest interest this woman who gave the most sumptuous
+dinners in America, and who had all the men in New Orleans at her feet.
+
+“What time will you have dinner?” asked Edna. “I’m very hungry; but
+don’t get anything extra.”
+
+“I’ll have it ready in little or no time,” he said, bustling and
+packing away his tools. “You may go to my room to brush up and rest
+yourself. Mariequita will show you.”
+
+“Thank you,” said Edna. “But, do you know, I have a notion to go down
+to the beach and take a good wash and even a little swim, before
+dinner?”
+
+“The water is too cold!” they both exclaimed. “Don’t think of it.”
+
+“Well, I might go down and try—dip my toes in. Why, it seems to me the
+sun is hot enough to have warmed the very depths of the ocean. Could
+you get me a couple of towels? I’d better go right away, so as to be
+back in time. It would be a little too chilly if I waited till this
+afternoon.”
+
+Mariequita ran over to Victor’s room, and returned with some towels,
+which she gave to Edna.
+
+“I hope you have fish for dinner,” said Edna, as she started to walk
+away; “but don’t do anything extra if you haven’t.”
+
+“Run and find Philomel’s mother,” Victor instructed the girl. “I’ll go
+to the kitchen and see what I can do. By Gimminy! Women have no
+consideration! She might have sent me word.”
+
+Edna walked on down to the beach rather mechanically, not noticing
+anything special except that the sun was hot. She was not dwelling upon
+any particular train of thought. She had done all the thinking which
+was necessary after Robert went away, when she lay awake upon the sofa
+till morning.
+
+She had said over and over to herself: “To-day it is Arobin; to-morrow
+it will be some one else. It makes no difference to me, it doesn’t
+matter about Léonce Pontellier—but Raoul and Etienne!” She understood
+now clearly what she had meant long ago when she said to Adèle
+Ratignolle that she would give up the unessential, but she would never
+sacrifice herself for her children.
+
+Despondency had come upon her there in the wakeful night, and had never
+lifted. There was no one thing in the world that she desired. There was
+no human being whom she wanted near her except Robert; and she even
+realized that the day would come when he, too, and the thought of him
+would melt out of her existence, leaving her alone. The children
+appeared before her like antagonists who had overcome her; who had
+overpowered and sought to drag her into the soul’s slavery for the rest
+of her days. But she knew a way to elude them. She was not thinking of
+these things when she walked down to the beach.
+
+The water of the Gulf stretched out before her, gleaming with the
+million lights of the sun. The voice of the sea is seductive, never
+ceasing, whispering, clamoring, murmuring, inviting the soul to wander
+in abysses of solitude. All along the white beach, up and down, there
+was no living thing in sight. A bird with a broken wing was beating the
+air above, reeling, fluttering, circling disabled down, down to the
+water.
+
+Edna had found her old bathing suit still hanging, faded, upon its
+accustomed peg.
+
+She put it on, leaving her clothing in the bath-house. But when she was
+there beside the sea, absolutely alone, she cast the unpleasant,
+pricking garments from her, and for the first time in her life she
+stood naked in the open air, at the mercy of the sun, the breeze that
+beat upon her, and the waves that invited her.
+
+How strange and awful it seemed to stand naked under the sky! how
+delicious! She felt like some new-born creature, opening its eyes in a
+familiar world that it had never known.
+
+The foamy wavelets curled up to her white feet, and coiled like
+serpents about her ankles. She walked out. The water was chill, but she
+walked on. The water was deep, but she lifted her white body and
+reached out with a long, sweeping stroke. The touch of the sea is
+sensuous, enfolding the body in its soft, close embrace.
+
+She went on and on. She remembered the night she swam far out, and
+recalled the terror that seized her at the fear of being unable to
+regain the shore. She did not look back now, but went on and on,
+thinking of the blue-grass meadow that she had traversed when a little
+child, believing that it had no beginning and no end.
+
+Her arms and legs were growing tired.
+
+She thought of Léonce and the children. They were a part of her life.
+But they need not have thought that they could possess her, body and
+soul. How Mademoiselle Reisz would have laughed, perhaps sneered, if
+she knew! “And you call yourself an artist! What pretensions, Madame!
+The artist must possess the courageous soul that dares and defies.”
+
+Exhaustion was pressing upon and overpowering her.
+
+“Good-by—because I love you.” He did not know; he did not understand.
+He would never understand. Perhaps Doctor Mandelet would have
+understood if she had seen him—but it was too late; the shore was far
+behind her, and her strength was gone.
+
+She looked into the distance, and the old terror flamed up for an
+instant, then sank again. Edna heard her father’s voice and her sister
+Margaret’s. She heard the barking of an old dog that was chained to the
+sycamore tree. The spurs of the cavalry officer clanged as he walked
+across the porch. There was the hum of bees, and the musky odor of
+pinks filled the air.
+
+
+
+
+BEYOND THE BAYOU
+
+
+The bayou curved like a crescent around the point of land on which La
+Folle’s cabin stood. Between the stream and the hut lay a big abandoned
+field, where cattle were pastured when the bayou supplied them with
+water enough. Through the woods that spread back into unknown regions
+the woman had drawn an imaginary line, and past this circle she never
+stepped. This was the form of her only mania.
+
+She was now a large, gaunt black woman, past thirty-five. Her real name
+was Jacqueline, but every one on the plantation called her La Folle,
+because in childhood she had been frightened literally “out of her
+senses,” and had never wholly regained them.
+
+It was when there had been skirmishing and sharpshooting all day in the
+woods. Evening was near when P’tit Maître, black with powder and
+crimson with blood, had staggered into the cabin of Jacqueline’s
+mother, his pursuers close at his heels. The sight had stunned her
+childish reason.
+
+She dwelt alone in her solitary cabin, for the rest of the quarters had
+long since been removed beyond her sight and knowledge. She had more
+physical strength than most men, and made her patch of cotton and corn
+and tobacco like the best of them. But of the world beyond the bayou
+she had long known nothing, save what her morbid fancy conceived.
+
+People at Bellissime had grown used to her and her way, and they
+thought nothing of it. Even when “Old Mis’” died, they did not wonder
+that La Folle had not crossed the bayou, but had stood upon her side of
+it, wailing and lamenting.
+
+P’tit Maître was now the owner of Bellissime. He was a middle-aged man,
+with a family of beautiful daughters about him, and a little son whom
+La Folle loved as if he had been her own. She called him Chéri, and so
+did every one else because she did.
+
+None of the girls had ever been to her what Chéri was. They had each
+and all loved to be with her, and to listen to her wondrous stories of
+things that always happened “yonda, beyon’ de bayou.”
+
+But none of them had stroked her black hand quite as Chéri did, nor
+rested their heads against her knee so confidingly, nor fallen asleep
+in her arms as he used to do. For Chéri hardly did such things now,
+since he had become the proud possessor of a gun, and had had his black
+curls cut off.
+
+That summer—the summer Chéri gave La Folle two black curls tied with a
+knot of red ribbon—the water ran so low in the bayou that even the
+little children at Bellissime were able to cross it on foot, and the
+cattle were sent to pasture down by the river. La Folle was sorry when
+they were gone, for she loved these dumb companions well, and liked to
+feel that they were there, and to hear them browsing by night up to her
+own enclosure.
+
+It was Saturday afternoon, when the fields were deserted. The men had
+flocked to a neighboring village to do their week’s trading, and the
+women were occupied with household affairs,—La Folle as well as the
+others. It was then she mended and washed her handful of clothes,
+scoured her house, and did her baking.
+
+In this last employment she never forgot Chéri. To-day she had
+fashioned croquignoles of the most fantastic and alluring shapes for
+him. So when she saw the boy come trudging across the old field with
+his gleaming little new rifle on his shoulder, she called out gayly to
+him, “Chéri! Chéri!”
+
+But Chéri did not need the summons, for he was coming straight to her.
+His pockets all bulged out with almonds and raisins and an orange that
+he had secured for her from the very fine dinner which had been given
+that day up at his father’s house.
+
+He was a sunny-faced youngster of ten. When he had emptied his pockets,
+La Folle patted his round red cheek, wiped his soiled hands on her
+apron, and smoothed his hair. Then she watched him as, with his cakes
+in his hand, he crossed her strip of cotton back of the cabin, and
+disappeared into the wood.
+
+He had boasted of the things he was going to do with his gun out there.
+
+“You think they got plenty deer in the wood, La Folle?” he had
+inquired, with the calculating air of an experienced hunter.
+
+“_Non, non!_” the woman laughed. “Don’t you look fo’ no deer, Chéri.
+Dat’s too big. But you bring La Folle one good fat squirrel fo’ her
+dinner to-morrow, an’ she goin’ be satisfi’.”
+
+“One squirrel ain’t a bite. I’ll bring you mo’ ’an one, La Folle,” he
+had boasted pompously as he went away.
+
+When the woman, an hour later, heard the report of the boy’s rifle
+close to the wood’s edge, she would have thought nothing of it if a
+sharp cry of distress had not followed the sound.
+
+She withdrew her arms from the tub of suds in which they had been
+plunged, dried them upon her apron, and as quickly as her trembling
+limbs would bear her, hurried to the spot whence the ominous report had
+come.
+
+It was as she feared. There she found Chéri stretched upon the ground,
+with his rifle beside him. He moaned piteously:—
+
+“I’m dead, La Folle! I’m dead! I’m gone!”
+
+“_Non, non!_” she exclaimed resolutely, as she knelt beside him. “Put
+you’ arm ’roun’ La Folle’s nake, Chéri. Dat’s nuttin’; dat goin’ be
+nuttin’.” She lifted him in her powerful arms.
+
+Chéri had carried his gun muzzle-downward. He had stumbled,—he did not
+know how. He only knew that he had a ball lodged somewhere in his leg,
+and he thought that his end was at hand. Now, with his head upon the
+woman’s shoulder, he moaned and wept with pain and fright.
+
+“Oh, La Folle! La Folle! it hurt so bad! I can’ stan’ it, La Folle!”
+
+“Don’t cry, _mon bébé, mon bébé, mon Chéri!_” the woman spoke
+soothingly as she covered the ground with long strides. “La Folle goin’
+mine you; Doctor Bonfils goin’ come make _mon Chéri_ well agin.”
+
+She had reached the abandoned field. As she crossed it with her
+precious burden, she looked constantly and restlessly from side to
+side. A terrible fear was upon her,—the fear of the world beyond the
+bayou, the morbid and insane dread she had been under since childhood.
+
+When she was at the bayou’s edge she stood there, and shouted for help
+as if a life depended upon it:—
+
+“Oh, P’tit Maître! P’tit Maître! Venez donc! Au secours! Au secours!”
+
+No voice responded. Chéri’s hot tears were scalding her neck. She
+called for each and every one upon the place, and still no answer came.
+
+She shouted, she wailed; but whether her voice remained unheard or
+unheeded, no reply came to her frenzied cries. And all the while Chéri
+moaned and wept and entreated to be taken home to his mother.
+
+La Folle gave a last despairing look around her. Extreme terror was
+upon her. She clasped the child close against her breast, where he
+could feel her heart beat like a muffled hammer. Then shutting her
+eyes, she ran suddenly down the shallow bank of the bayou, and never
+stopped till she had climbed the opposite shore.
+
+She stood there quivering an instant as she opened her eyes. Then she
+plunged into the footpath through the trees.
+
+She spoke no more to Chéri, but muttered constantly, “Bon Dieu, ayez
+pitié La Folle! Bon Dieu, ayez pitié moi!”
+
+Instinct seemed to guide her. When the pathway spread clear and smooth
+enough before her, she again closed her eyes tightly against the sight
+of that unknown and terrifying world.
+
+A child, playing in some weeds, caught sight of her as she neared the
+quarters. The little one uttered a cry of dismay.
+
+“La Folle!” she screamed, in her piercing treble. “La Folle done cross
+de bayer!”
+
+Quickly the cry passed down the line of cabins.
+
+“Yonda, La Folle done cross de bayou!”
+
+Children, old men, old women, young ones with infants in their arms,
+flocked to doors and windows to see this awe-inspiring spectacle. Most
+of them shuddered with superstitious dread of what it might portend.
+“She totin’ Chéri!” some of them shouted.
+
+Some of the more daring gathered about her, and followed at her heels,
+only to fall back with new terror when she turned her distorted face
+upon them. Her eyes were bloodshot and the saliva had gathered in a
+white foam on her black lips.
+
+Some one had run ahead of her to where P’tit Maître sat with his family
+and guests upon the gallery.
+
+“P’tit Maître! La Folle done cross de bayou! Look her! Look her yonda
+totin’ Chéri!” This startling intimation was the first which they had
+of the woman’s approach.
+
+She was now near at hand. She walked with long strides. Her eyes were
+fixed desperately before her, and she breathed heavily, as a tired ox.
+
+At the foot of the stairway, which she could not have mounted, she laid
+the boy in his father’s arms. Then the world that had looked red to La
+Folle suddenly turned black,—like that day she had seen powder and
+blood.
+
+She reeled for an instant. Before a sustaining arm could reach her, she
+fell heavily to the ground.
+
+When La Folle regained consciousness, she was at home again, in her own
+cabin and upon her own bed. The moon rays, streaming in through the
+open door and windows, gave what light was needed to the old black
+mammy who stood at the table concocting a tisane of fragrant herbs. It
+was very late.
+
+Others who had come, and found that the stupor clung to her, had gone
+again. P’tit Maître had been there, and with him Doctor Bonfils, who
+said that La Folle might die.
+
+But death had passed her by. The voice was very clear and steady with
+which she spoke to Tante Lizette, brewing her tisane there in a corner.
+
+“Ef you will give me one good drink tisane, Tante Lizette, I b’lieve
+I’m goin’ sleep, me.”
+
+And she did sleep; so soundly, so healthfully, that old Lizette without
+compunction stole softly away, to creep back through the moonlit fields
+to her own cabin in the new quarters.
+
+The first touch of the cool gray morning awoke La Folle. She arose,
+calmly, as if no tempest had shaken and threatened her existence but
+yesterday.
+
+She donned her new blue cottonade and white apron, for she remembered
+that this was Sunday. When she had made for herself a cup of strong
+black coffee, and drunk it with relish, she quitted the cabin and
+walked across the old familiar field to the bayou’s edge again.
+
+She did not stop there as she had always done before, but crossed with
+a long, steady stride as if she had done this all her life.
+
+When she had made her way through the brush and scrub cottonwood-trees
+that lined the opposite bank, she found herself upon the border of a
+field where the white, bursting cotton, with the dew upon it, gleamed
+for acres and acres like frosted silver in the early dawn.
+
+La Folle drew a long, deep breath as she gazed across the country. She
+walked slowly and uncertainly, like one who hardly knows how, looking
+about her as she went.
+
+The cabins, that yesterday had sent a clamor of voices to pursue her,
+were quiet now. No one was yet astir at Bellissime. Only the birds that
+darted here and there from hedges were awake, and singing their matins.
+
+When La Folle came to the broad stretch of velvety lawn that surrounded
+the house, she moved slowly and with delight over the springy turf,
+that was delicious beneath her tread.
+
+She stopped to find whence came those perfumes that were assailing her
+senses with memories from a time far gone.
+
+There they were, stealing up to her from the thousand blue violets that
+peeped out from green, luxuriant beds. There they were, showering down
+from the big waxen bells of the magnolias far above her head, and from
+the jessamine clumps around her.
+
+There were roses, too, without number. To right and left palms spread
+in broad and graceful curves. It all looked like enchantment beneath
+the sparkling sheen of dew.
+
+When La Folle had slowly and cautiously mounted the many steps that led
+up to the veranda, she turned to look back at the perilous ascent she
+had made. Then she caught sight of the river, bending like a silver bow
+at the foot of Bellissime. Exultation possessed her soul.
+
+La Folle rapped softly upon a door near at hand. Chéri’s mother soon
+cautiously opened it. Quickly and cleverly she dissembled the
+astonishment she felt at seeing La Folle.
+
+“Ah, La Folle! Is it you, so early?”
+
+“_Oui_, madame. I come ax how my po’ li’le Chéri do, ’s mo’nin’.”
+
+“He is feeling easier, thank you, La Folle. Dr. Bonfils says it will be
+nothing serious. He’s sleeping now. Will you come back when he awakes?”
+
+“_Non_, madame. I’m goin’ wait yair tell Chéri wake up.” La Folle
+seated herself upon the topmost step of the veranda.
+
+A look of wonder and deep content crept into her face as she watched
+for the first time the sun rise upon the new, the beautiful world
+beyond the bayou.
+
+
+
+
+MA’AME PÉLAGIE
+
+I
+
+When the war began, there stood on Côte Joyeuse an imposing mansion of
+red brick, shaped like the Pantheon. A grove of majestic live-oaks
+surrounded it.
+
+Thirty years later, only the thick walls were standing, with the dull
+red brick showing here and there through a matted growth of clinging
+vines. The huge round pillars were intact; so to some extent was the
+stone flagging of hall and portico. There had been no home so stately
+along the whole stretch of Côte Joyeuse. Every one knew that, as they
+knew it had cost Philippe Valmêt sixty thousand dollars to build, away
+back in 1840. No one was in danger of forgetting that fact, so long as
+his daughter Pélagie survived. She was a queenly, white-haired woman of
+fifty. “Ma’ame Pélagie,” they called her, though she was unmarried, as
+was her sister Pauline, a child in Ma’ame Pélagie’s eyes; a child of
+thirty-five.
+
+The two lived alone in a three-roomed cabin, almost within the shadow
+of the ruin. They lived for a dream, for Ma’ame Pélagie’s dream, which
+was to rebuild the old home.
+
+It would be pitiful to tell how their days were spent to accomplish
+this end; how the dollars had been saved for thirty years and the
+picayunes hoarded; and yet, not half enough gathered! But Ma’ame
+Pélagie felt sure of twenty years of life before her, and counted upon
+as many more for her sister. And what could not come to pass in
+twenty—in forty—years?
+
+Often, of pleasant afternoons, the two would drink their black coffee,
+seated upon the stone-flagged portico whose canopy was the blue sky of
+Louisiana. They loved to sit there in the silence, with only each other
+and the sheeny, prying lizards for company, talking of the old times
+and planning for the new; while light breezes stirred the tattered
+vines high up among the columns, where owls nested.
+
+“We can never hope to have all just as it was, Pauline,” Ma’ame Pélagie
+would say; “perhaps the marble pillars of the salon will have to be
+replaced by wooden ones, and the crystal candelabra left out. Should
+you be willing, Pauline?”
+
+“Oh, yes Sesoeur, I shall be willing.” It was always, “Yes, Sesoeur,”
+or “No, Sesoeur,” “Just as you please, Sesoeur,” with poor little
+Mam’selle Pauline. For what did she remember of that old life and that
+old spendor? Only a faint gleam here and there; the half-consciousness
+of a young, uneventful existence; and then a great crash. That meant
+the nearness of war; the revolt of slaves; confusion ending in fire and
+flame through which she was borne safely in the strong arms of Pélagie,
+and carried to the log cabin which was still their home. Their brother,
+Léandre, had known more of it all than Pauline, and not so much as
+Pélagie. He had left the management of the big plantation with all its
+memories and traditions to his older sister, and had gone away to dwell
+in cities. That was many years ago. Now, Léandre’s business called him
+frequently and upon long journeys from home, and his motherless
+daughter was coming to stay with her aunts at Côte Joyeuse.
+
+They talked about it, sipping their coffee on the ruined portico.
+Mam’selle Pauline was terribly excited; the flush that throbbed into
+her pale, nervous face showed it; and she locked her thin fingers in
+and out incessantly.
+
+“But what shall we do with La Petite, Sesoeur? Where shall we put her?
+How shall we amuse her? Ah, Seigneur!”
+
+“She will sleep upon a cot in the room next to ours,” responded Ma’ame
+Pélagie, “and live as we do. She knows how we live, and why we live;
+her father has told her. She knows we have money and could squander it
+if we chose. Do not fret, Pauline; let us hope La Petite is a true
+Valmêt.”
+
+Then Ma’ame Pélagie rose with stately deliberation and went to saddle
+her horse, for she had yet to make her last daily round through the
+fields; and Mam’selle Pauline threaded her way slowly among the tangled
+grasses toward the cabin.
+
+The coming of La Petite, bringing with her as she did the pungent
+atmosphere of an outside and dimly known world, was a shock to these
+two, living their dream-life. The girl was quite as tall as her aunt
+Pélagie, with dark eyes that reflected joy as a still pool reflects the
+light of stars; and her rounded cheek was tinged like the pink crèpe
+myrtle. Mam’selle Pauline kissed her and trembled. Ma’ame Pélagie
+looked into her eyes with a searching gaze, which seemed to seek a
+likeness of the past in the living present.
+
+And they made room between them for this young life.
+
+II
+
+La Petite had determined upon trying to fit herself to the strange,
+narrow existence which she knew awaited her at Côte Joyeuse. It went
+well enough at first. Sometimes she followed Ma’ame Pélagie into the
+fields to note how the cotton was opening, ripe and white; or to count
+the ears of corn upon the hardy stalks. But oftener she was with her
+aunt Pauline, assisting in household offices, chattering of her brief
+past, or walking with the older woman arm-in-arm under the trailing
+moss of the giant oaks.
+
+Mam’selle Pauline’s steps grew very buoyant that summer, and her eyes
+were sometimes as bright as a bird’s, unless La Petite were away from
+her side, when they would lose all other light but one of uneasy
+expectancy. The girl seemed to love her well in return, and called her
+endearingly Tan’tante. But as the time went by, La Petite became very
+quiet,—not listless, but thoughtful, and slow in her movements. Then
+her cheeks began to pale, till they were tinged like the creamy plumes
+of the white crèpe myrtle that grew in the ruin.
+
+One day when she sat within its shadow, between her aunts, holding a
+hand of each, she said: “Tante Pélagie, I must tell you something, you
+and Tan’tante.” She spoke low, but clearly and firmly. “I love you
+both,—please remember that I love you both. But I must go away from
+you. I can’t live any longer here at Côte Joyeuse.”
+
+A spasm passed through Mam’selle Pauline’s delicate frame. La Petite
+could feel the twitch of it in the wiry fingers that were intertwined
+with her own. Ma’ame Pélagie remained unchanged and motionless. No
+human eye could penetrate so deep as to see the satisfaction which her
+soul felt. She said: “What do you mean, Petite? Your father has sent
+you to us, and I am sure it is his wish that you remain.”
+
+“My father loves me, tante Pélagie, and such will not be his wish when
+he knows. Oh!” she continued with a restless movement, “it is as though
+a weight were pressing me backward here. I must live another life; the
+life I lived before. I want to know things that are happening from day
+to day over the world, and hear them talked about. I want my music, my
+books, my companions. If I had known no other life but this one of
+privation, I suppose it would be different. If I had to live this life,
+I should make the best of it. But I do not have to; and you know, tante
+Pélagie, you do not need to. It seems to me,” she added in a whisper,
+“that it is a sin against myself. Ah, Tan’tante!—what is the matter
+with Tan’tante?”
+
+It was nothing; only a slight feeling of faintness, that would soon
+pass. She entreated them to take no notice; but they brought her some
+water and fanned her with a palmetto leaf.
+
+But that night, in the stillness of the room, Mam’selle Pauline sobbed
+and would not be comforted. Ma’ame Pélagie took her in her arms.
+
+“Pauline, my little sister Pauline,” she entreated, “I never have seen
+you like this before. Do you no longer love me? Have we not been happy
+together, you and I?”
+
+“Oh, yes, Sesoeur.”
+
+“Is it because La Petite is going away?”
+
+“Yes, Sesoeur.”
+
+“Then she is dearer to you than I!” spoke Ma’ame Pélagie with sharp
+resentment. “Than I, who held you and warmed you in my arms the day you
+were born; than I, your mother, father, sister, everything that could
+cherish you. Pauline, don’t tell me that.”
+
+Mam’selle Pauline tried to talk through her sobs.
+
+“I can’t explain it to you, Sesoeur. I don’t understand it myself. I
+love you as I have always loved you; next to God. But if La Petite goes
+away I shall die. I can’t understand,—help me, Sesoeur. She seems—she
+seems like a saviour; like one who had come and taken me by the hand
+and was leading me somewhere—somewhere I want to go.”
+
+Ma’ame Pélagie had been sitting beside the bed in her _peignoir_ and
+slippers. She held the hand of her sister who lay there, and smoothed
+down the woman’s soft brown hair. She said not a word, and the silence
+was broken only by Mam’selle Pauline’s continued sobs. Once Ma’ame
+Pélagie arose to mix a drink of orange-flower water, which she gave to
+her sister, as she would have offered it to a nervous, fretful child.
+Almost an hour passed before Ma’ame Pélagie spoke again. Then she
+said:—
+
+“Pauline, you must cease that sobbing, now, and sleep. You will make
+yourself ill. La Petite will not go away. Do you hear me? Do you
+understand? She will stay, I promise you.”
+
+Mam’selle Pauline could not clearly comprehend, but she had great faith
+in the word of her sister, and soothed by the promise and the touch of
+Ma’ame Pélagie’s strong, gentle hand, she fell asleep.
+
+III
+
+Ma’ame Pélagie, when she saw that her sister slept, arose noiselessly
+and stepped outside upon the low-roofed narrow gallery. She did not
+linger there, but with a step that was hurried and agitated, she
+crossed the distance that divided her cabin from the ruin.
+
+The night was not a dark one, for the sky was clear and the moon
+resplendent. But light or dark would have made no difference to Ma’ame
+Pélagie. It was not the first time she had stolen away to the ruin at
+night-time, when the whole plantation slept; but she never before had
+been there with a heart so nearly broken. She was going there for the
+last time to dream her dreams; to see the visions that hitherto had
+crowded her days and nights, and to bid them farewell.
+
+There was the first of them, awaiting her upon the very portal; a
+robust old white-haired man, chiding her for returning home so late.
+There are guests to be entertained. Does she not know it? Guests from
+the city and from the near plantations. Yes, she knows it is late. She
+had been abroad with Félix, and they did not notice how the time was
+speeding. Félix is there; he will explain it all. He is there beside
+her, but she does not want to hear what he will tell her father.
+
+Ma’ame Pélagie had sunk upon the bench where she and her sister so
+often came to sit. Turning, she gazed in through the gaping chasm of
+the window at her side. The interior of the ruin is ablaze. Not with
+the moonlight, for that is faint beside the other one—the sparkle from
+the crystal candelabra, which negroes, moving noiselessly and
+respectfully about, are lighting, one after the other. How the gleam of
+them reflects and glances from the polished marble pillars!
+
+The room holds a number of guests. There is old Monsieur Lucien
+Santien, leaning against one of the pillars, and laughing at something
+which Monsieur Lafirme is telling him, till his fat shoulders shake.
+His son Jules is with him—Jules, who wants to marry her. She laughs.
+She wonders if Félix has told her father yet. There is young Jérôme
+Lafirme playing at checkers upon the sofa with Léandre. Little Pauline
+stands annoying them and disturbing the game. Léandre reproves her. She
+begins to cry, and old black Clementine, her nurse, who is not far off,
+limps across the room to pick her up and carry her away. How sensitive
+the little one is! But she trots about and takes care of herself better
+than she did a year or two ago, when she fell upon the stone hall floor
+and raised a great “bo-bo” on her forehead. Pélagie was hurt and angry
+enough about it; and she ordered rugs and buffalo robes to be brought
+and laid thick upon the tiles, till the little one’s steps were surer.
+
+“Il ne faut pas faire mal à Pauline.” She was saying it aloud—“faire
+mal a Pauline.”
+
+But she gazes beyond the salon, back into the big dining hall, where
+the white crèpe myrtle grows. Ha! how low that bat has circled. It has
+struck Ma’ame Pélagie full on the breast. She does not know it. She is
+beyond there in the dining hall, where her father sits with a group of
+friends over their wine. As usual they are talking politics. How
+tiresome! She has heard them say “la guerre” oftener than once. La
+guerre. Bah! She and Félix have something pleasanter to talk about, out
+under the oaks, or back in the shadow of the oleanders.
+
+But they were right! The sound of a cannon, shot at Sumter, has rolled
+across the Southern States, and its echo is heard along the whole
+stretch of Côte Joyeuse.
+
+Yet Pélagie does not believe it. Not till La Ricaneuse stands before
+her with bare, black arms akimbo, uttering a volley of vile abuse and
+of brazen impudence. Pélagie wants to kill her. But yet she will not
+believe. Not till Félix comes to her in the chamber above the dining
+hall—there where that trumpet vine hangs—comes to say good-by to her.
+The hurt which the big brass buttons of his new gray uniform pressed
+into the tender flesh of her bosom has never left it. She sits upon the
+sofa, and he beside her, both speechless with pain. That room would not
+have been altered. Even the sofa would have been there in the same
+spot, and Ma’ame Pélagie had meant all along, for thirty years, all
+along, to lie there upon it some day when the time came to die.
+
+But there is no time to weep, with the enemy at the door. The door has
+been no barrier. They are clattering through the halls now, drinking
+the wines, shattering the crystal and glass, slashing the portraits.
+
+One of them stands before her and tells her to leave the house. She
+slaps his face. How the stigma stands out red as blood upon his
+blanched cheek!
+
+Now there is a roar of fire and the flames are bearing down upon her
+motionless figure. She wants to show them how a daughter of Louisiana
+can perish before her conquerors. But little Pauline clings to her
+knees in an agony of terror. Little Pauline must be saved.
+
+“Il ne faut pas faire mal à Pauline.” Again she is saying it
+aloud—“faire mal à Pauline.”
+
+The night was nearly spent; Ma’ame Pélagie had glided from the bench
+upon which she had rested, and for hours lay prone upon the stone
+flagging, motionless. When she dragged herself to her feet it was to
+walk like one in a dream. About the great, solemn pillars, one after
+the other, she reached her arms, and pressed her cheek and her lips
+upon the senseless brick.
+
+“Adieu, adieu!” whispered Ma’ame Pélagie.
+
+There was no longer the moon to guide her steps across the familiar
+pathway to the cabin. The brightest light in the sky was Venus, that
+swung low in the east. The bats had ceased to beat their wings about
+the ruin. Even the mocking-bird that had warbled for hours in the old
+mulberry-tree had sung himself asleep. That darkest hour before the day
+was mantling the earth. Ma’ame Pélagie hurried through the wet,
+clinging grass, beating aside the heavy moss that swept across her
+face, walking on toward the cabin—toward Pauline. Not once did she look
+back upon the ruin that brooded like a huge monster—a black spot in the
+darkness that enveloped it.
+
+IV
+
+Little more than a year later the transformation which the old Valmêt
+place had undergone was the talk and wonder of Côte Joyeuse. One would
+have looked in vain for the ruin; it was no longer there; neither was
+the log cabin. But out in the open, where the sun shone upon it, and
+the breezes blew about it, was a shapely structure fashioned from woods
+that the forests of the State had furnished. It rested upon a solid
+foundation of brick.
+
+Upon a corner of the pleasant gallery sat Léandre smoking his afternoon
+cigar, and chatting with neighbors who had called. This was to be his
+_pied à terre_ now; the home where his sisters and his daughter dwelt.
+The laughter of young people was heard out under the trees, and within
+the house where La Petite was playing upon the piano. With the
+enthusiasm of a young artist she drew from the keys strains that seemed
+marvelously beautiful to Mam’selle Pauline, who stood enraptured near
+her. Mam’selle Pauline had been touched by the re-creation of Valmêt.
+Her cheek was as full and almost as flushed as La Petite’s. The years
+were falling away from her.
+
+Ma’ame Pélagie had been conversing with her brother and his friends.
+Then she turned and walked away; stopping to listen awhile to the music
+which La Petite was making. But it was only for a moment. She went on
+around the curve of the veranda, where she found herself alone. She
+stayed there, erect, holding to the banister rail and looking out
+calmly in the distance across the fields.
+
+She was dressed in black, with the white kerchief she always wore
+folded across her bosom. Her thick, glossy hair rose like a silver
+diadem from her brow. In her deep, dark eyes smouldered the light of
+fires that would never flame. She had grown very old. Years instead of
+months seemed to have passed over her since the night she bade farewell
+to her visions.
+
+Poor Ma’ame Pélagie! How could it be different! While the outward
+pressure of a young and joyous existence had forced her footsteps into
+the light, her soul had stayed in the shadow of the ruin.
+
+
+
+
+DÉSIRÉE’S BABY
+
+
+As the day was pleasant, Madame Valmondé drove over to L’Abri to see
+Désirée and the baby.
+
+It made her laugh to think of Désirée with a baby. Why, it seemed but
+yesterday that Désirée was little more than a baby herself; when
+Monsieur in riding through the gateway of Valmondé had found her lying
+asleep in the shadow of the big stone pillar.
+
+The little one awoke in his arms and began to cry for “Dada.” That was
+as much as she could do or say. Some people thought she might have
+strayed there of her own accord, for she was of the toddling age. The
+prevailing belief was that she had been purposely left by a party of
+Texans, whose canvas-covered wagon, late in the day, had crossed the
+ferry that Coton Maïs kept, just below the plantation. In time Madame
+Valmondé abandoned every speculation but the one that Désirée had been
+sent to her by a beneficent Providence to be the child of her
+affection, seeing that she was without child of the flesh. For the girl
+grew to be beautiful and gentle, affectionate and sincere,—the idol of
+Valmondé.
+
+It was no wonder, when she stood one day against the stone pillar in
+whose shadow she had lain asleep, eighteen years before, that Armand
+Aubigny riding by and seeing her there, had fallen in love with her.
+That was the way all the Aubignys fell in love, as if struck by a
+pistol shot. The wonder was that he had not loved her before; for he
+had known her since his father brought him home from Paris, a boy of
+eight, after his mother died there. The passion that awoke in him that
+day, when he saw her at the gate, swept along like an avalanche, or
+like a prairie fire, or like anything that drives headlong over all
+obstacles.
+
+Monsieur Valmondé grew practical and wanted things well considered:
+that is, the girl’s obscure origin. Armand looked into her eyes and did
+not care. He was reminded that she was nameless. What did it matter
+about a name when he could give her one of the oldest and proudest in
+Louisiana? He ordered the _corbeille_ from Paris, and contained himself
+with what patience he could until it arrived; then they were married.
+
+Madame Valmondé had not seen Désirée and the baby for four weeks. When
+she reached L’Abri she shuddered at the first sight of it, as she
+always did. It was a sad looking place, which for many years had not
+known the gentle presence of a mistress, old Monsieur Aubigny having
+married and buried his wife in France, and she having loved her own
+land too well ever to leave it. The roof came down steep and black like
+a cowl, reaching out beyond the wide galleries that encircled the
+yellow stuccoed house. Big, solemn oaks grew close to it, and their
+thick-leaved, far-reaching branches shadowed it like a pall. Young
+Aubigny’s rule was a strict one, too, and under it his negroes had
+forgotten how to be gay, as they had been during the old master’s
+easy-going and indulgent lifetime.
+
+The young mother was recovering slowly, and lay full length, in her
+soft white muslins and laces, upon a couch. The baby was beside her,
+upon her arm, where he had fallen asleep, at her breast. The yellow
+nurse woman sat beside a window fanning herself.
+
+Madame Valmondé bent her portly figure over Désirée and kissed her,
+holding her an instant tenderly in her arms. Then she turned to the
+child.
+
+“This is not the baby!” she exclaimed, in startled tones. French was
+the language spoken at Valmondé in those days.
+
+“I knew you would be astonished,” laughed Désirée, “at the way he has
+grown. The little _cochon de lait!_ Look at his legs, mamma, and his
+hands and finger-nails,—real finger-nails. Zandrine had to cut them
+this morning. Isn’t it true, Zandrine?”
+
+The woman bowed her turbaned head majestically, “Mais si, Madame.”
+
+“And the way he cries,” went on Désirée, “is deafening. Armand heard
+him the other day as far away as La Blanche’s cabin.”
+
+Madame Valmondé had never removed her eyes from the child. She lifted
+it and walked with it over to the window that was lightest. She scanned
+the baby narrowly, then looked as searchingly at Zandrine, whose face
+was turned to gaze across the fields.
+
+“Yes, the child has grown, has changed,” said Madame Valmondé, slowly,
+as she replaced it beside its mother. “What does Armand say?”
+
+Désirée’s face became suffused with a glow that was happiness itself.
+
+“Oh, Armand is the proudest father in the parish, I believe, chiefly
+because it is a boy, to bear his name; though he says not,—that he
+would have loved a girl as well. But I know it isn’t true. I know he
+says that to please me. And mamma,” she added, drawing Madame
+Valmondé’s head down to her, and speaking in a whisper, “he hasn’t
+punished one of them—not one of them—since baby is born. Even
+Négrillon, who pretended to have burnt his leg that he might rest from
+work—he only laughed, and said Négrillon was a great scamp. Oh, mamma,
+I’m so happy; it frightens me.”
+
+What Désirée said was true. Marriage, and later the birth of his son
+had softened Armand Aubigny’s imperious and exacting nature greatly.
+This was what made the gentle Désirée so happy, for she loved him
+desperately. When he frowned she trembled, but loved him. When he
+smiled, she asked no greater blessing of God. But Armand’s dark,
+handsome face had not often been disfigured by frowns since the day he
+fell in love with her.
+
+When the baby was about three months old, Désirée awoke one day to the
+conviction that there was something in the air menacing her peace. It
+was at first too subtle to grasp. It had only been a disquieting
+suggestion; an air of mystery among the blacks; unexpected visits from
+far-off neighbors who could hardly account for their coming. Then a
+strange, an awful change in her husband’s manner, which she dared not
+ask him to explain. When he spoke to her, it was with averted eyes,
+from which the old love-light seemed to have gone out. He absented
+himself from home; and when there, avoided her presence and that of her
+child, without excuse. And the very spirit of Satan seemed suddenly to
+take hold of him in his dealings with the slaves. Désirée was miserable
+enough to die.
+
+She sat in her room, one hot afternoon, in her _peignoir_, listlessly
+drawing through her fingers the strands of her long, silky brown hair
+that hung about her shoulders. The baby, half naked, lay asleep upon
+her own great mahogany bed, that was like a sumptuous throne, with its
+satin-lined half-canopy. One of La Blanche’s little quadroon boys—half
+naked too—stood fanning the child slowly with a fan of peacock
+feathers. Désirée’s eyes had been fixed absently and sadly upon the
+baby, while she was striving to penetrate the threatening mist that she
+felt closing about her. She looked from her child to the boy who stood
+beside him, and back again; over and over. “Ah!” It was a cry that she
+could not help; which she was not conscious of having uttered. The
+blood turned like ice in her veins, and a clammy moisture gathered upon
+her face.
+
+She tried to speak to the little quadroon boy; but no sound would come,
+at first. When he heard his name uttered, he looked up, and his
+mistress was pointing to the door. He laid aside the great, soft fan,
+and obediently stole away, over the polished floor, on his bare
+tiptoes.
+
+She stayed motionless, with gaze riveted upon her child, and her face
+the picture of fright.
+
+Presently her husband entered the room, and without noticing her, went
+to a table and began to search among some papers which covered it.
+
+“Armand,” she called to him, in a voice which must have stabbed him, if
+he was human. But he did not notice. “Armand,” she said again. Then she
+rose and tottered towards him. “Armand,” she panted once more,
+clutching his arm, “look at our child. What does it mean? tell me.”
+
+He coldly but gently loosened her fingers from about his arm and thrust
+the hand away from him. “Tell me what it means!” she cried
+despairingly.
+
+“It means,” he answered lightly, “that the child is not white; it means
+that you are not white.”
+
+A quick conception of all that this accusation meant for her nerved her
+with unwonted courage to deny it. “It is a lie; it is not true, I am
+white! Look at my hair, it is brown; and my eyes are gray, Armand, you
+know they are gray. And my skin is fair,” seizing his wrist. “Look at
+my hand; whiter than yours, Armand,” she laughed hysterically.
+
+“As white as La Blanche’s,” he returned cruelly; and went away leaving
+her alone with their child.
+
+When she could hold a pen in her hand, she sent a despairing letter to
+Madame Valmondé.
+
+“My mother, they tell me I am not white. Armand has told me I am not
+white. For God’s sake tell them it is not true. You must know it is not
+true. I shall die. I must die. I cannot be so unhappy, and live.”
+
+The answer that came was brief:
+
+“My own Désirée: Come home to Valmondé; back to your mother who loves
+you. Come with your child.”
+
+When the letter reached Désirée she went with it to her husband’s
+study, and laid it open upon the desk before which he sat. She was like
+a stone image: silent, white, motionless after she placed it there.
+
+In silence he ran his cold eyes over the written words.
+
+He said nothing. “Shall I go, Armand?” she asked in tones sharp with
+agonized suspense.
+
+“Yes, go.”
+
+“Do you want me to go?”
+
+“Yes, I want you to go.”
+
+He thought Almighty God had dealt cruelly and unjustly with him; and
+felt, somehow, that he was paying Him back in kind when he stabbed thus
+into his wife’s soul. Moreover he no longer loved her, because of the
+unconscious injury she had brought upon his home and his name.
+
+She turned away like one stunned by a blow, and walked slowly towards
+the door, hoping he would call her back.
+
+“Good-by, Armand,” she moaned.
+
+He did not answer her. That was his last blow at fate.
+
+Désirée went in search of her child. Zandrine was pacing the sombre
+gallery with it. She took the little one from the nurse’s arms with no
+word of explanation, and descending the steps, walked away, under the
+live-oak branches.
+
+It was an October afternoon; the sun was just sinking. Out in the still
+fields the negroes were picking cotton.
+
+Désirée had not changed the thin white garment nor the slippers which
+she wore. Her hair was uncovered and the sun’s rays brought a golden
+gleam from its brown meshes. She did not take the broad, beaten road
+which led to the far-off plantation of Valmondé. She walked across a
+deserted field, where the stubble bruised her tender feet, so
+delicately shod, and tore her thin gown to shreds.
+
+She disappeared among the reeds and willows that grew thick along the
+banks of the deep, sluggish bayou; and she did not come back again.
+
+Some weeks later there was a curious scene enacted at L’Abri. In the
+centre of the smoothly swept back yard was a great bonfire. Armand
+Aubigny sat in the wide hallway that commanded a view of the spectacle;
+and it was he who dealt out to a half dozen negroes the material which
+kept this fire ablaze.
+
+A graceful cradle of willow, with all its dainty furbishings, was laid
+upon the pyre, which had already been fed with the richness of a
+priceless _layette_. Then there were silk gowns, and velvet and satin
+ones added to these; laces, too, and embroideries; bonnets and gloves;
+for the _corbeille_ had been of rare quality.
+
+The last thing to go was a tiny bundle of letters; innocent little
+scribblings that Désirée had sent to him during the days of their
+espousal. There was the remnant of one back in the drawer from which he
+took them. But it was not Désirée’s; it was part of an old letter from
+his mother to his father. He read it. She was thanking God for the
+blessing of her husband’s love:—
+
+“But above all,” she wrote, “night and day, I thank the good God for
+having so arranged our lives that our dear Armand will never know that
+his mother, who adores him, belongs to the race that is cursed with the
+brand of slavery.”
+
+
+
+
+A RESPECTABLE WOMAN
+
+
+Mrs. Baroda was a little provoked to learn that her husband expected
+his friend, Gouvernail, up to spend a week or two on the plantation.
+
+They had entertained a good deal during the winter; much of the time
+had also been passed in New Orleans in various forms of mild
+dissipation. She was looking forward to a period of unbroken rest, now,
+and undisturbed tête-à-tête with her husband, when he informed her that
+Gouvernail was coming up to stay a week or two.
+
+This was a man she had heard much of but never seen. He had been her
+husband’s college friend; was now a journalist, and in no sense a
+society man or “a man about town,” which were, perhaps, some of the
+reasons she had never met him. But she had unconsciously formed an
+image of him in her mind. She pictured him tall, slim, cynical; with
+eye-glasses, and his hands in his pockets; and she did not like him.
+Gouvernail was slim enough, but he wasn’t very tall nor very cynical;
+neither did he wear eyeglasses nor carry his hands in his pockets. And
+she rather liked him when he first presented himself.
+
+But why she liked him she could not explain satisfactorily to herself
+when she partly attempted to do so. She could discover in him none of
+those brilliant and promising traits which Gaston, her husband, had
+often assured her that he possessed. On the contrary, he sat rather
+mute and receptive before her chatty eagerness to make him feel at home
+and in face of Gaston’s frank and wordy hospitality. His manner was as
+courteous toward her as the most exacting woman could require; but he
+made no direct appeal to her approval or even esteem.
+
+Once settled at the plantation he seemed to like to sit upon the wide
+portico in the shade of one of the big Corinthian pillars, smoking his
+cigar lazily and listening attentively to Gaston’s experience as a
+sugar planter.
+
+“This is what I call living,” he would utter with deep satisfaction, as
+the air that swept across the sugar field caressed him with its warm
+and scented velvety touch. It pleased him also to get on familiar terms
+with the big dogs that came about him, rubbing themselves sociably
+against his legs. He did not care to fish, and displayed no eagerness
+to go out and kill grosbecs when Gaston proposed doing so.
+
+Gouvernail’s personality puzzled Mrs. Baroda, but she liked him.
+Indeed, he was a lovable, inoffensive fellow. After a few days, when
+she could understand him no better than at first, she gave over being
+puzzled and remained piqued. In this mood she left her husband and her
+guest, for the most part, alone together. Then finding that Gouvernail
+took no manner of exception to her action, she imposed her society upon
+him, accompanying him in his idle strolls to the mill and walks along
+the batture. She persistently sought to penetrate the reserve in which
+he had unconsciously enveloped himself.
+
+“When is he going—your friend?” she one day asked her husband. “For my
+part, he tires me frightfully.”
+
+“Not for a week yet, dear. I can’t understand; he gives you no
+trouble.”
+
+“No. I should like him better if he did; if he were more like others,
+and I had to plan somewhat for his comfort and enjoyment.”
+
+Gaston took his wife’s pretty face between his hands and looked
+tenderly and laughingly into her troubled eyes.
+
+They were making a bit of toilet sociably together in Mrs. Baroda’s
+dressing-room.
+
+“You are full of surprises, ma belle,” he said to her. “Even I can
+never count upon how you are going to act under given conditions.” He
+kissed her and turned to fasten his cravat before the mirror.
+
+“Here you are,” he went on, “taking poor Gouvernail seriously and
+making a commotion over him, the last thing he would desire or expect.”
+
+“Commotion!” she hotly resented. “Nonsense! How can you say such a
+thing? Commotion, indeed! But, you know, you said he was clever.”
+
+“So he is. But the poor fellow is run down by overwork now. That’s why
+I asked him here to take a rest.”
+
+“You used to say he was a man of ideas,” she retorted, unconciliated.
+“I expected him to be interesting, at least. I’m going to the city in
+the morning to have my spring gowns fitted. Let me know when Mr.
+Gouvernail is gone; I shall be at my Aunt Octavie’s.”
+
+That night she went and sat alone upon a bench that stood beneath a
+live oak tree at the edge of the gravel walk.
+
+She had never known her thoughts or her intentions to be so confused.
+She could gather nothing from them but the feeling of a distinct
+necessity to quit her home in the morning.
+
+Mrs. Baroda heard footsteps crunching the gravel; but could discern in
+the darkness only the approaching red point of a lighted cigar. She
+knew it was Gouvernail, for her husband did not smoke. She hoped to
+remain unnoticed, but her white gown revealed her to him. He threw away
+his cigar and seated himself upon the bench beside her; without a
+suspicion that she might object to his presence.
+
+“Your husband told me to bring this to you, Mrs. Baroda,” he said,
+handing her a filmy, white scarf with which she sometimes enveloped her
+head and shoulders. She accepted the scarf from him with a murmur of
+thanks, and let it lie in her lap.
+
+He made some commonplace observation upon the baneful effect of the
+night air at the season. Then as his gaze reached out into the
+darkness, he murmured, half to himself:
+
+ “‘Night of south winds—night of the large few stars!
+ Still nodding night—’”
+
+She made no reply to this apostrophe to the night, which, indeed, was
+not addressed to her.
+
+Gouvernail was in no sense a diffident man, for he was not a
+self-conscious one. His periods of reserve were not constitutional, but
+the result of moods. Sitting there beside Mrs. Baroda, his silence
+melted for the time.
+
+He talked freely and intimately in a low, hesitating drawl that was not
+unpleasant to hear. He talked of the old college days when he and
+Gaston had been a good deal to each other; of the days of keen and
+blind ambitions and large intentions. Now there was left with him, at
+least, a philosophic acquiescence to the existing order—only a desire
+to be permitted to exist, with now and then a little whiff of genuine
+life, such as he was breathing now.
+
+Her mind only vaguely grasped what he was saying. Her physical being
+was for the moment predominant. She was not thinking of his words, only
+drinking in the tones of his voice. She wanted to reach out her hand in
+the darkness and touch him with the sensitive tips of her fingers upon
+the face or the lips. She wanted to draw close to him and whisper
+against his cheek—she did not care what—as she might have done if she
+had not been a respectable woman.
+
+The stronger the impulse grew to bring herself near him, the further,
+in fact, did she draw away from him. As soon as she could do so without
+an appearance of too great rudeness, she rose and left him there alone.
+
+Before she reached the house, Gouvernail had lighted a fresh cigar and
+ended his apostrophe to the night.
+
+Mrs. Baroda was greatly tempted that night to tell her husband—who was
+also her friend—of this folly that had seized her. But she did not
+yield to the temptation. Beside being a respectable woman she was a
+very sensible one; and she knew there are some battles in life which a
+human being must fight alone.
+
+When Gaston arose in the morning, his wife had already departed. She
+had taken an early morning train to the city. She did not return till
+Gouvernail was gone from under her roof.
+
+There was some talk of having him back during the summer that followed.
+That is, Gaston greatly desired it; but this desire yielded to his
+wife’s strenuous opposition.
+
+However, before the year ended, she proposed, wholly from herself, to
+have Gouvernail visit them again. Her husband was surprised and
+delighted with the suggestion coming from her.
+
+“I am glad, chère amie, to know that you have finally overcome your
+dislike for him; truly he did not deserve it.”
+
+“Oh,” she told him, laughingly, after pressing a long, tender kiss upon
+his lips, “I have overcome everything! you will see. This time I shall
+be very nice to him.”
+
+
+
+
+THE KISS
+
+
+It was still quite light out of doors, but inside with the curtains
+drawn and the smouldering fire sending out a dim, uncertain glow, the
+room was full of deep shadows.
+
+Brantain sat in one of these shadows; it had overtaken him and he did
+not mind. The obscurity lent him courage to keep his eyes fastened as
+ardently as he liked upon the girl who sat in the firelight.
+
+She was very handsome, with a certain fine, rich coloring that belongs
+to the healthy brune type. She was quite composed, as she idly stroked
+the satiny coat of the cat that lay curled in her lap, and she
+occasionally sent a slow glance into the shadow where her companion
+sat. They were talking low, of indifferent things which plainly were
+not the things that occupied their thoughts. She knew that he loved
+her—a frank, blustering fellow without guile enough to conceal his
+feelings, and no desire to do so. For two weeks past he had sought her
+society eagerly and persistently. She was confidently waiting for him
+to declare himself and she meant to accept him. The rather
+insignificant and unattractive Brantain was enormously rich; and she
+liked and required the entourage which wealth could give her.
+
+During one of the pauses between their talk of the last tea and the
+next reception the door opened and a young man entered whom Brantain
+knew quite well. The girl turned her face toward him. A stride or two
+brought him to her side, and bending over her chair—before she could
+suspect his intention, for she did not realize that he had not seen her
+visitor—he pressed an ardent, lingering kiss upon her lips.
+
+Brantain slowly arose; so did the girl arise, but quickly, and the
+newcomer stood between them, a little amusement and some defiance
+struggling with the confusion in his face.
+
+“I believe,” stammered Brantain, “I see that I have stayed too long.
+I—I had no idea—that is, I must wish you good-by.” He was clutching his
+hat with both hands, and probably did not perceive that she was
+extending her hand to him, her presence of mind had not completely
+deserted her; but she could not have trusted herself to speak.
+
+“Hang me if I saw him sitting there, Nattie! I know it’s deuced awkward
+for you. But I hope you’ll forgive me this once—this very first break.
+Why, what’s the matter?”
+
+“Don’t touch me; don’t come near me,” she returned angrily. “What do
+you mean by entering the house without ringing?”
+
+“I came in with your brother, as I often do,” he answered coldly, in
+self-justification. “We came in the side way. He went upstairs and I
+came in here hoping to find you. The explanation is simple enough and
+ought to satisfy you that the misadventure was unavoidable. But do say
+that you forgive me, Nathalie,” he entreated, softening.
+
+“Forgive you! You don’t know what you are talking about. Let me pass.
+It depends upon—a good deal whether I ever forgive you.”
+
+At that next reception which she and Brantain had been talking about
+she approached the young man with a delicious frankness of manner when
+she saw him there.
+
+“Will you let me speak to you a moment or two, Mr. Brantain?” she asked
+with an engaging but perturbed smile. He seemed extremely unhappy; but
+when she took his arm and walked away with him, seeking a retired
+corner, a ray of hope mingled with the almost comical misery of his
+expression. She was apparently very outspoken.
+
+“Perhaps I should not have sought this interview, Mr. Brantain;
+but—but, oh, I have been very uncomfortable, almost miserable since
+that little encounter the other afternoon. When I thought how you might
+have misinterpreted it, and believed things”—hope was plainly gaining
+the ascendancy over misery in Brantain’s round, guileless face—“Of
+course, I know it is nothing to you, but for my own sake I do want you
+to understand that Mr. Harvy is an intimate friend of long standing.
+Why, we have always been like cousins—like brother and sister, I may
+say. He is my brother’s most intimate associate and often fancies that
+he is entitled to the same privileges as the family. Oh, I know it is
+absurd, uncalled for, to tell you this; undignified even,” she was
+almost weeping, “but it makes so much difference to me what you think
+of—of me.” Her voice had grown very low and agitated. The misery had
+all disappeared from Brantain’s face.
+
+“Then you do really care what I think, Miss Nathalie? May I call you
+Miss Nathalie?” They turned into a long, dim corridor that was lined on
+either side with tall, graceful plants. They walked slowly to the very
+end of it. When they turned to retrace their steps Brantain’s face was
+radiant and hers was triumphant.
+
+Harvy was among the guests at the wedding; and he sought her out in a
+rare moment when she stood alone.
+
+“Your husband,” he said, smiling, “has sent me over to kiss you.”
+
+A quick blush suffused her face and round polished throat. “I suppose
+it’s natural for a man to feel and act generously on an occasion of
+this kind. He tells me he doesn’t want his marriage to interrupt wholly
+that pleasant intimacy which has existed between you and me. I don’t
+know what you’ve been telling him,” with an insolent smile, “but he has
+sent me here to kiss you.”
+
+She felt like a chess player who, by the clever handling of his pieces,
+sees the game taking the course intended. Her eyes were bright and
+tender with a smile as they glanced up into his; and her lips looked
+hungry for the kiss which they invited.
+
+“But, you know,” he went on quietly, “I didn’t tell him so, it would
+have seemed ungrateful, but I can tell you. I’ve stopped kissing women;
+it’s dangerous.”
+
+Well, she had Brantain and his million left. A person can’t have
+everything in this world; and it was a little unreasonable of her to
+expect it.
+
+
+
+
+A PAIR OF SILK STOCKINGS
+
+
+Little Mrs. Sommers one day found herself the unexpected possessor of
+fifteen dollars. It seemed to her a very large amount of money, and the
+way in which it stuffed and bulged her worn old _porte-monnaie_ gave
+her a feeling of importance such as she had not enjoyed for years.
+
+The question of investment was one that occupied her greatly. For a day
+or two she walked about apparently in a dreamy state, but really
+absorbed in speculation and calculation. She did not wish to act
+hastily, to do anything she might afterward regret. But it was during
+the still hours of the night when she lay awake revolving plans in her
+mind that she seemed to see her way clearly toward a proper and
+judicious use of the money.
+
+A dollar or two should be added to the price usually paid for Janie’s
+shoes, which would insure their lasting an appreciable time longer than
+they usually did. She would buy so and so many yards of percale for new
+shirt waists for the boys and Janie and Mag. She had intended to make
+the old ones do by skilful patching. Mag should have another gown. She
+had seen some beautiful patterns, veritable bargains in the shop
+windows. And still there would be left enough for new stockings—two
+pairs apiece—and what darning that would save for a while! She would
+get caps for the boys and sailor-hats for the girls. The vision of her
+little brood looking fresh and dainty and new for once in their lives
+excited her and made her restless and wakeful with anticipation.
+
+The neighbors sometimes talked of certain “better days” that little
+Mrs. Sommers had known before she had ever thought of being Mrs.
+Sommers. She herself indulged in no such morbid retrospection. She had
+no time—no second of time to devote to the past. The needs of the
+present absorbed her every faculty. A vision of the future like some
+dim, gaunt monster sometimes appalled her, but luckily to-morrow never
+comes.
+
+Mrs. Sommers was one who knew the value of bargains; who could stand
+for hours making her way inch by inch toward the desired object that
+was selling below cost. She could elbow her way if need be; she had
+learned to clutch a piece of goods and hold it and stick to it with
+persistence and determination till her turn came to be served, no
+matter when it came.
+
+But that day she was a little faint and tired. She had swallowed a
+light luncheon—no! when she came to think of it, between getting the
+children fed and the place righted, and preparing herself for the
+shopping bout, she had actually forgotten to eat any luncheon at all!
+
+She sat herself upon a revolving stool before a counter that was
+comparatively deserted, trying to gather strength and courage to charge
+through an eager multitude that was besieging breastworks of shirting
+and figured lawn. An all-gone limp feeling had come over her and she
+rested her hand aimlessly upon the counter. She wore no gloves. By
+degrees she grew aware that her hand had encountered something very
+soothing, very pleasant to touch. She looked down to see that her hand
+lay upon a pile of silk stockings. A placard near by announced that
+they had been reduced in price from two dollars and fifty cents to one
+dollar and ninety-eight cents; and a young girl who stood behind the
+counter asked her if she wished to examine their line of silk hosiery.
+She smiled, just as if she had been asked to inspect a tiara of
+diamonds with the ultimate view of purchasing it. But she went on
+feeling the soft, sheeny luxurious things—with both hands now, holding
+them up to see them glisten, and to feel them glide serpent-like
+through her fingers.
+
+Two hectic blotches came suddenly into her pale cheeks. She looked up
+at the girl.
+
+“Do you think there are any eights-and-a-half among these?”
+
+There were any number of eights-and-a-half. In fact, there were more of
+that size than any other. Here was a light-blue pair; there were some
+lavender, some all black and various shades of tan and gray. Mrs.
+Sommers selected a black pair and looked at them very long and closely.
+She pretended to be examining their texture, which the clerk assured
+her was excellent.
+
+“A dollar and ninety-eight cents,” she mused aloud. “Well, I’ll take
+this pair.” She handed the girl a five-dollar bill and waited for her
+change and for her parcel. What a very small parcel it was! It seemed
+lost in the depths of her shabby old shopping-bag.
+
+Mrs. Sommers after that did not move in the direction of the bargain
+counter. She took the elevator, which carried her to an upper floor
+into the region of the ladies’ waiting-rooms. Here, in a retired
+corner, she exchanged her cotton stockings for the new silk ones which
+she had just bought. She was not going through any acute mental process
+or reasoning with herself, nor was she striving to explain to her
+satisfaction the motive of her action. She was not thinking at all. She
+seemed for the time to be taking a rest from that laborious and
+fatiguing function and to have abandoned herself to some mechanical
+impulse that directed her actions and freed her of responsibility.
+
+How good was the touch of the raw silk to her flesh! She felt like
+lying back in the cushioned chair and reveling for a while in the
+luxury of it. She did for a little while. Then she replaced her shoes,
+rolled the cotton stockings together and thrust them into her bag.
+After doing this she crossed straight over to the shoe department and
+took her seat to be fitted.
+
+She was fastidious. The clerk could not make her out; he could not
+reconcile her shoes with her stockings, and she was not too easily
+pleased. She held back her skirts and turned her feet one way and her
+head another way as she glanced down at the polished, pointed-tipped
+boots. Her foot and ankle looked very pretty. She could not realize
+that they belonged to her and were a part of herself. She wanted an
+excellent and stylish fit, she told the young fellow who served her,
+and she did not mind the difference of a dollar or two more in the
+price so long as she got what she desired.
+
+It was a long time since Mrs. Sommers had been fitted with gloves. On
+rare occasions when she had bought a pair they were always “bargains,”
+so cheap that it would have been preposterous and unreasonable to have
+expected them to be fitted to the hand.
+
+Now she rested her elbow on the cushion of the glove counter, and a
+pretty, pleasant young creature, delicate and deft of touch, drew a
+long-wristed “kid” over Mrs. Sommers’s hand. She smoothed it down over
+the wrist and buttoned it neatly, and both lost themselves for a second
+or two in admiring contemplation of the little symmetrical gloved hand.
+But there were other places where money might be spent.
+
+There were books and magazines piled up in the window of a stall a few
+paces down the street. Mrs. Sommers bought two high-priced magazines
+such as she had been accustomed to read in the days when she had been
+accustomed to other pleasant things. She carried them without wrapping.
+As well as she could she lifted her skirts at the crossings. Her
+stockings and boots and well fitting gloves had worked marvels in her
+bearing—had given her a feeling of assurance, a sense of belonging to
+the well-dressed multitude.
+
+She was very hungry. Another time she would have stilled the cravings
+for food until reaching her own home, where she would have brewed
+herself a cup of tea and taken a snack of anything that was available.
+But the impulse that was guiding her would not suffer her to entertain
+any such thought.
+
+There was a restaurant at the corner. She had never entered its doors;
+from the outside she had sometimes caught glimpses of spotless damask
+and shining crystal, and soft-stepping waiters serving people of
+fashion.
+
+When she entered her appearance created no surprise, no consternation,
+as she had half feared it might. She seated herself at a small table
+alone, and an attentive waiter at once approached to take her order.
+She did not want a profusion; she craved a nice and tasty bite—a half
+dozen blue-points, a plump chop with cress, a something sweet—a
+crème-frappée, for instance; a glass of Rhine wine, and after all a
+small cup of black coffee.
+
+While waiting to be served she removed her gloves very leisurely and
+laid them beside her. Then she picked up a magazine and glanced through
+it, cutting the pages with a blunt edge of her knife. It was all very
+agreeable. The damask was even more spotless than it had seemed through
+the window, and the crystal more sparkling. There were quiet ladies and
+gentlemen, who did not notice her, lunching at the small tables like
+her own. A soft, pleasing strain of music could be heard, and a gentle
+breeze was blowing through the window. She tasted a bite, and she read
+a word or two, and she sipped the amber wine and wiggled her toes in
+the silk stockings. The price of it made no difference. She counted the
+money out to the waiter and left an extra coin on his tray, whereupon
+he bowed before her as before a princess of royal blood.
+
+There was still money in her purse, and her next temptation presented
+itself in the shape of a matinee poster.
+
+It was a little later when she entered the theatre, the play had begun
+and the house seemed to her to be packed. But there were vacant seats
+here and there, and into one of them she was ushered, between
+brilliantly dressed women who had gone there to kill time and eat candy
+and display their gaudy attire. There were many others who were there
+solely for the play and acting. It is safe to say there was no one
+present who bore quite the attitude which Mrs. Sommers did to her
+surroundings. She gathered in the whole—stage and players and people in
+one wide impression, and absorbed it and enjoyed it. She laughed at the
+comedy and wept—she and the gaudy woman next to her wept over the
+tragedy. And they talked a little together over it. And the gaudy woman
+wiped her eyes and sniffled on a tiny square of filmy, perfumed lace
+and passed little Mrs. Sommers her box of candy.
+
+The play was over, the music ceased, the crowd filed out. It was like a
+dream ended. People scattered in all directions. Mrs. Sommers went to
+the corner and waited for the cable car.
+
+A man with keen eyes, who sat opposite to her, seemed to like the study
+of her small, pale face. It puzzled him to decipher what he saw there.
+In truth, he saw nothing—unless he were wizard enough to detect a
+poignant wish, a powerful longing that the cable car would never stop
+anywhere, but go on and on with her forever.
+
+
+
+
+THE LOCKET
+
+
+I
+
+One night in autumn a few men were gathered about a fire on the slope
+of a hill. They belonged to a small detachment of Confederate forces
+and were awaiting orders to march. Their gray uniforms were worn beyond
+the point of shabbiness. One of the men was heating something in a tin
+cup over the embers. Two were lying at full length a little distance
+away, while a fourth was trying to decipher a letter and had drawn
+close to the light. He had unfastened his collar and a good bit of his
+flannel shirt front.
+
+“What’s that you got around your neck, Ned?” asked one of the men lying
+in the obscurity.
+
+Ned—or Edmond—mechanically fastened another button of his shirt and did
+not reply. He went on reading his letter.
+
+“Is it your sweet heart’s picture?”
+
+“’Taint no gal’s picture,” offered the man at the fire. He had removed
+his tin cup and was engaged in stirring its grimy contents with a small
+stick. “That’s a charm; some kind of hoodoo business that one o’ them
+priests gave him to keep him out o’ trouble. I know them Cath’lics.
+That’s how come Frenchy got permoted an never got a scratch sence he’s
+been in the ranks. Hey, French! aint I right?” Edmond looked up
+absently from his letter.
+
+“What is it?” he asked.
+
+“Aint that a charm you got round your neck?”
+
+“It must be, Nick,” returned Edmond with a smile. “I don’t know how I
+could have gone through this year and a half without it.”
+
+The letter had made Edmond heart sick and home sick. He stretched
+himself on his back and looked straight up at the blinking stars. But
+he was not thinking of them nor of anything but a certain spring day
+when the bees were humming in the clematis; when a girl was saying good
+bye to him. He could see her as she unclasped from her neck the locket
+which she fastened about his own. It was an old fashioned golden locket
+bearing miniatures of her father and mother with their names and the
+date of their marriage. It was her most precious earthly possession.
+Edmond could feel again the folds of the girl’s soft white gown, and
+see the droop of the angel-sleeves as she circled her fair arms about
+his neck. Her sweet face, appealing, pathetic, tormented by the pain of
+parting, appeared before him as vividly as life. He turned over,
+burying his face in his arm and there he lay, still and motionless.
+
+The profound and treacherous night with its silence and semblance of
+peace settled upon the camp. He dreamed that the fair Octavie brought
+him a letter. He had no chair to offer her and was pained and
+embarrassed at the condition of his garments. He was ashamed of the
+poor food which comprised the dinner at which he begged her to join
+them.
+
+He dreamt of a serpent coiling around his throat, and when he strove to
+grasp it the slimy thing glided away from his clutch. Then his dream
+was clamor.
+
+“Git your duds! you! Frenchy!” Nick was bellowing in his face. There
+was what appeared to be a scramble and a rush rather than any regulated
+movement. The hill side was alive with clatter and motion; with sudden
+up-springing lights among the pines. In the east the dawn was unfolding
+out of the darkness. Its glimmer was yet dim in the plain below.
+
+“What’s it all about?” wondered a big black bird perched in the top of
+the tallest tree. He was an old solitary and a wise one, yet he was not
+wise enough to guess what it was all about. So all day long he kept
+blinking and wondering.
+
+The noise reached far out over the plain and across the hills and awoke
+the little babes that were sleeping in their cradles. The smoke curled
+up toward the sun and shadowed the plain so that the stupid birds
+thought it was going to rain; but the wise one knew better.
+
+“They are children playing a game,” thought he. “I shall know more
+about it if I watch long enough.”
+
+At the approach of night they had all vanished away with their din and
+smoke. Then the old bird plumed his feathers. At last he had
+understood! With a flap of his great, black wings he shot downward,
+circling toward the plain.
+
+A man was picking his way across the plain. He was dressed in the garb
+of a clergyman. His mission was to administer the consolations of
+religion to any of the prostrate figures in whom there might yet linger
+a spark of life. A negro accompanied him, bearing a bucket of water and
+a flask of wine.
+
+There were no wounded here; they had been borne away. But the retreat
+had been hurried and the vultures and the good Samaritans would have to
+look to the dead.
+
+There was a soldier—a mere boy—lying with his face to the sky. His
+hands were clutching the sward on either side and his finger nails were
+stuffed with earth and bits of grass that he had gathered in his
+despairing grasp upon life. His musket was gone; he was hatless and his
+face and clothing were begrimed. Around his neck hung a gold chain and
+locket. The priest, bending over him, unclasped the chain and removed
+it from the dead soldier’s neck. He had grown used to the terrors of
+war and could face them unflinchingly; but its pathos, someway, always
+brought the tears to his old, dim eyes.
+
+The angelus was ringing half a mile away. The priest and the negro
+knelt and murmured together the evening benediction and a prayer for
+the dead.
+
+II
+
+The peace and beauty of a spring day had descended upon the earth like
+a benediction. Along the leafy road which skirted a narrow, tortuous
+stream in central Louisiana, rumbled an old fashioned cabriolet, much
+the worse for hard and rough usage over country roads and lanes. The
+fat, black horses went in a slow, measured trot, notwithstanding
+constant urging on the part of the fat, black coachman. Within the
+vehicle were seated the fair Octavie and her old friend and neighbor,
+Judge Pillier, who had come to take her for a morning drive.
+
+Octavie wore a plain black dress, severe in its simplicity. A narrow
+belt held it at the waist and the sleeves were gathered into close
+fitting wristbands. She had discarded her hoopskirt and appeared not
+unlike a nun. Beneath the folds of her bodice nestled the old locket.
+She never displayed it now. It had returned to her sanctified in her
+eyes; made precious as material things sometimes are by being forever
+identified with a significant moment of one’s existence.
+
+A hundred times she had read over the letter with which the locket had
+come back to her. No later than that morning she had again pored over
+it. As she sat beside the window, smoothing the letter out upon her
+knee, heavy and spiced odors stole in to her with the songs of birds
+and the humming of insects in the air.
+
+She was so young and the world was so beautiful that there came over
+her a sense of unreality as she read again and again the priest’s
+letter. He told of that autumn day drawing to its close, with the gold
+and the red fading out of the west, and the night gathering its shadows
+to cover the faces of the dead. Oh! She could not believe that one of
+those dead was her own! with visage uplifted to the gray sky in an
+agony of supplication. A spasm of resistance and rebellion seized and
+swept over her. Why was the spring here with its flowers and its
+seductive breath if he was dead! Why was she here! What further had she
+to do with life and the living!
+
+Octavie had experienced many such moments of despair, but a blessed
+resignation had never failed to follow, and it fell then upon her like
+a mantle and enveloped her.
+
+“I shall grow old and quiet and sad like poor Aunt Tavie,” she murmured
+to herself as she folded the letter and replaced it in the secretary.
+Already she gave herself a little demure air like her Aunt Tavie. She
+walked with a slow glide in unconscious imitation of Mademoiselle Tavie
+whom some youthful affliction had robbed of earthly compensation while
+leaving her in possession of youth’s illusions.
+
+As she sat in the old cabriolet beside the father of her dead lover,
+again there came to Octavie the terrible sense of loss which had
+assailed her so often before. The soul of her youth clamored for its
+rights; for a share in the world’s glory and exultation. She leaned
+back and drew her veil a little closer about her face. It was an old
+black veil of her Aunt Tavie’s. A whiff of dust from the road had blown
+in and she wiped her cheeks and her eyes with her soft, white
+handkerchief, a homemade handkerchief, fabricated from one of her old
+fine muslin petticoats.
+
+“Will you do me the favor, Octavie,” requested the judge in the
+courteous tone which he never abandoned, “to remove that veil which you
+wear. It seems out of harmony, someway, with the beauty and promise of
+the day.”
+
+The young girl obediently yielded to her old companion’s wish and
+unpinning the cumbersome, sombre drapery from her bonnet, folded it
+neatly and laid it upon the seat in front of her.
+
+“Ah! that is better; far better!” he said in a tone expressing
+unbounded relief. “Never put it on again, dear.” Octavie felt a little
+hurt; as if he wished to debar her from share and parcel in the burden
+of affliction which had been placed upon all of them. Again she drew
+forth the old muslin handkerchief.
+
+They had left the big road and turned into a level plain which had
+formerly been an old meadow. There were clumps of thorn trees here and
+there, gorgeous in their spring radiance. Some cattle were grazing off
+in the distance in spots where the grass was tall and luscious. At the
+far end of the meadow was the towering lilac hedge, skirting the lane
+that led to Judge Pillier’s house, and the scent of its heavy blossoms
+met them like a soft and tender embrace of welcome.
+
+As they neared the house the old gentleman placed an arm around the
+girl’s shoulders and turning her face up to him he said: “Do you not
+think that on a day like this, miracles might happen? When the whole
+earth is vibrant with life, does it not seem to you, Octavie, that
+heaven might for once relent and give us back our dead?” He spoke very
+low, advisedly, and impressively. In his voice was an old quaver which
+was not habitual and there was agitation in every line of his visage.
+She gazed at him with eyes that were full of supplication and a certain
+terror of joy.
+
+They had been driving through the lane with the towering hedge on one
+side and the open meadow on the other. The horses had somewhat
+quickened their lazy pace. As they turned into the avenue leading to
+the house, a whole choir of feathered songsters fluted a sudden torrent
+of melodious greeting from their leafy hiding places.
+
+Octavie felt as if she had passed into a stage of existence which was
+like a dream, more poignant and real than life. There was the old gray
+house with its sloping eaves. Amid the blur of green, and dimly, she
+saw familiar faces and heard voices as if they came from far across the
+fields, and Edmond was holding her. Her dead Edmond; her living Edmond,
+and she felt the beating of his heart against her and the agonizing
+rapture of his kisses striving to awake her. It was as if the spirit of
+life and the awakening spring had given back the soul to her youth and
+bade her rejoice.
+
+It was many hours later that Octavie drew the locket from her bosom and
+looked at Edmond with a questioning appeal in her glance.
+
+“It was the night before an engagement,” he said. “In the hurry of the
+encounter, and the retreat next day, I never missed it till the fight
+was over. I thought of course I had lost it in the heat of the
+struggle, but it was stolen.”
+
+“Stolen,” she shuddered, and thought of the dead soldier with his face
+uplifted to the sky in an agony of supplication.
+
+Edmond said nothing; but he thought of his messmate; the one who had
+lain far back in the shadow; the one who had said nothing.
+
+
+
+
+A REFLECTION
+
+
+Some people are born with a vital and responsive energy. It not only
+enables them to keep abreast of the times; it qualifies them to furnish
+in their own personality a good bit of the motive power to the mad
+pace. They are fortunate beings. They do not need to apprehend the
+significance of things. They do not grow weary nor miss step, nor do
+they fall out of rank and sink by the wayside to be left contemplating
+the moving procession.
+
+Ah! that moving procession that has left me by the road-side! Its
+fantastic colors are more brilliant and beautiful than the sun on the
+undulating waters. What matter if souls and bodies are falling beneath
+the feet of the ever-pressing multitude! It moves with the majestic
+rhythm of the spheres. Its discordant clashes sweep upward in one
+harmonious tone that blends with the music of other worlds—to complete
+God’s orchestra.
+
+It is greater than the stars—that moving procession of human energy;
+greater than the palpitating earth and the things growing thereon. Oh!
+I could weep at being left by the wayside; left with the grass and the
+clouds and a few dumb animals. True, I feel at home in the society of
+these symbols of life’s immutability. In the procession I should feel
+the crushing feet, the clashing discords, the ruthless hands and
+stifling breath. I could not hear the rhythm of the march.
+
+_Salve!_ ye dumb hearts. Let us be still and wait by the roadside.
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE AWAKENING AND SELECTED SHORT STORIES ***
+
+***** This file should be named 160-0.txt or 160-0.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/6/160/
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
diff --git a/160-0.zip b/160-0.zip
new file mode 100644
index 0000000..1198a22
--- /dev/null
+++ b/160-0.zip
Binary files differ
diff --git a/160-h.zip b/160-h.zip
new file mode 100644
index 0000000..0d665d8
--- /dev/null
+++ b/160-h.zip
Binary files differ
diff --git a/160-h/160-h.htm b/160-h/160-h.htm
new file mode 100644
index 0000000..fa08ca3
--- /dev/null
+++ b/160-h/160-h.htm
@@ -0,0 +1,10474 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>he Project Gutenberg eBook of The Awakening and Selected Short Stories, by Kate Chopin</title>
+
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+.p2 {margin-top: 2em;}
+
+p.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: 90%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+p.noindent {text-indent: 0% }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold;'>The Project Gutenberg eBook of The Awakening and Selected Short Stories, by Kate Chopin</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Awakening and Selected Short Stories</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Kate Chopin</div>
+<div style='display:block;margin:1em 0'>Release Date: August, 1994 [eBook #160]<br />
+[Most recently updated: February 28, 2021]</div>
+<div style='display:block;margin:1em 0'>Language: English</div>
+<div style='display:block;margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Judith Boss and David Widger</div>
+<div style='margin-top:2em;margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE AWAKENING AND SELECTED SHORT STORIES ***</div>
+
+<h1>The Awakening<br />and Selected Short Stories</h1>
+
+<h2 class="no-break">by Kate Chopin</h2>
+
+<hr />
+
+<h3>Contents</h3>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#link2H_4_0001"><b>THE AWAKENING</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0002">I</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0003">II</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0004">III</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0005">IV</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0006">V</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0007">VI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0008">VII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0009">VIII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0010">IX</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0011">X</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0012">XI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0013">XII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0014">XIII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0015">XIV</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0016">XV</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0017">XVI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0018">XVII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0019">XVIII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0020">XIX</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0021">XX</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0022">XXI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0023">XXII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0024">XXIII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0025">XXIV</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0026">XXV</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0027">XXVI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0028">XXVII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0029">XXVIII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0030">XXIX</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0031">XXX</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0032">XXXI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0033">XXXII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0034">XXXIII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0035">XXXIV</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0036">XXXV</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0037">XXXVI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0038">XXXVII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0039">XXXVIII</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0040">XXXIX</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0041"><b>BEYOND THE BAYOU</b></a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0042"><b>MA&rsquo;AME PÉLAGIE</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0043">I</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0044">II</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0045">III</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0046">IV</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0047"><b>DÉSIRÉE&rsquo;S BABY</b></a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0048"><b>A RESPECTABLE WOMAN</b></a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0049"><b>THE KISS</b></a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0050"><b>A PAIR OF SILK STOCKINGS</b></a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0051"><b>THE LOCKET</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0052">I</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0053">II</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#link2H_4_0054"><b>A REFLECTION</b></a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0001" id="link2H_4_0001"></a>THE AWAKENING</h2>
+
+<h3><a name="link2H_4_0002" id="link2H_4_0002"></a>I</h3>
+
+<p>
+A green and yellow parrot, which hung in a cage outside the door, kept
+repeating over and over:
+</p>
+
+<p>
+&ldquo;<i>Allez vous-en! Allez vous-en! Sapristi!</i> That&rsquo;s all
+right!&rdquo;
+</p>
+
+<p>
+He could speak a little Spanish, and also a language which nobody understood,
+unless it was the mocking-bird that hung on the other side of the door,
+whistling his fluty notes out upon the breeze with maddening persistence.
+</p>
+
+<p>
+Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose
+with an expression and an exclamation of disgust.
+</p>
+
+<p>
+He walked down the gallery and across the narrow &ldquo;bridges&rdquo; which
+connected the Lebrun cottages one with the other. He had been seated before the
+door of the main house. The parrot and the mocking-bird were the property of
+Madame Lebrun, and they had the right to make all the noise they wished. Mr.
+Pontellier had the privilege of quitting their society when they ceased to be
+entertaining.
+</p>
+
+<p>
+He stopped before the door of his own cottage, which was the fourth one from
+the main building and next to the last. Seating himself in a wicker rocker
+which was there, he once more applied himself to the task of reading the
+newspaper. The day was Sunday; the paper was a day old. The Sunday papers had
+not yet reached Grand Isle. He was already acquainted with the market reports,
+and he glanced restlessly over the editorials and bits of news which he had not
+had time to read before quitting New Orleans the day before.
+</p>
+
+<p>
+Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height and
+rather slender build; he stooped a little. His hair was brown and straight,
+parted on one side. His beard was neatly and closely trimmed.
+</p>
+
+<p>
+Once in a while he withdrew his glance from the newspaper and looked about him.
+There was more noise than ever over at the house. The main building was called
+&ldquo;the house,&rdquo; to distinguish it from the cottages. The chattering
+and whistling birds were still at it. Two young girls, the Farival twins, were
+playing a duet from &ldquo;Zampa&rdquo; upon the piano. Madame Lebrun was
+bustling in and out, giving orders in a high key to a yard-boy whenever she got
+inside the house, and directions in an equally high voice to a dining-room
+servant whenever she got outside. She was a fresh, pretty woman, clad always in
+white with elbow sleeves. Her starched skirts crinkled as she came and went.
+Farther down, before one of the cottages, a lady in black was walking demurely
+up and down, telling her beads. A good many persons of the <i>pension</i> had
+gone over to the <i>Chênière Caminada</i> in Beaudelet&rsquo;s lugger to hear
+mass. Some young people were out under the water-oaks playing croquet. Mr.
+Pontellier&rsquo;s two children were there&mdash;sturdy little fellows of four
+and five. A quadroon nurse followed them about with a faraway, meditative air.
+</p>
+
+<p>
+Mr. Pontellier finally lit a cigar and began to smoke, letting the paper drag
+idly from his hand. He fixed his gaze upon a white sunshade that was advancing
+at snail&rsquo;s pace from the beach. He could see it plainly between the gaunt
+trunks of the water-oaks and across the stretch of yellow camomile. The gulf
+looked far away, melting hazily into the blue of the horizon. The sunshade
+continued to approach slowly. Beneath its pink-lined shelter were his wife,
+Mrs. Pontellier, and young Robert Lebrun. When they reached the cottage, the
+two seated themselves with some appearance of fatigue upon the upper step of
+the porch, facing each other, each leaning against a supporting post.
+</p>
+
+<p>
+&ldquo;What folly! to bathe at such an hour in such heat!&rdquo; exclaimed Mr.
+Pontellier. He himself had taken a plunge at daylight. That was why the morning
+seemed long to him.
+</p>
+
+<p>
+&ldquo;You are burnt beyond recognition,&rdquo; he added, looking at his wife
+as one looks at a valuable piece of personal property which has suffered some
+damage. She held up her hands, strong, shapely hands, and surveyed them
+critically, drawing up her fawn sleeves above the wrists. Looking at them
+reminded her of her rings, which she had given to her husband before leaving
+for the beach. She silently reached out to him, and he, understanding, took the
+rings from his vest pocket and dropped them into her open palm. She slipped
+them upon her fingers; then clasping her knees, she looked across at Robert and
+began to laugh. The rings sparkled upon her fingers. He sent back an answering
+smile.
+</p>
+
+<p>
+&ldquo;What is it?&rdquo; asked Pontellier, looking lazily and amused from one
+to the other. It was some utter nonsense; some adventure out there in the
+water, and they both tried to relate it at once. It did not seem half so
+amusing when told. They realized this, and so did Mr. Pontellier. He yawned and
+stretched himself. Then he got up, saying he had half a mind to go over to
+Klein&rsquo;s hotel and play a game of billiards.
+</p>
+
+<p>
+&ldquo;Come go along, Lebrun,&rdquo; he proposed to Robert. But Robert admitted
+quite frankly that he preferred to stay where he was and talk to Mrs.
+Pontellier.
+</p>
+
+<p>
+&ldquo;Well, send him about his business when he bores you, Edna,&rdquo;
+instructed her husband as he prepared to leave.
+</p>
+
+<p>
+&ldquo;Here, take the umbrella,&rdquo; she exclaimed, holding it out to him. He
+accepted the sunshade, and lifting it over his head descended the steps and
+walked away.
+</p>
+
+<p>
+&ldquo;Coming back to dinner?&rdquo; his wife called after him. He halted a
+moment and shrugged his shoulders. He felt in his vest pocket; there was a
+ten-dollar bill there. He did not know; perhaps he would return for the early
+dinner and perhaps he would not. It all depended upon the company which he
+found over at Klein&rsquo;s and the size of &ldquo;the game.&rdquo; He did not
+say this, but she understood it, and laughed, nodding good-by to him.
+</p>
+
+<p>
+Both children wanted to follow their father when they saw him starting out. He
+kissed them and promised to bring them back bonbons and peanuts.
+</p>
+
+<h3><a name="link2H_4_0003" id="link2H_4_0003"></a>II</h3>
+
+<p>
+Mrs. Pontellier&rsquo;s eyes were quick and bright; they were a yellowish
+brown, about the color of her hair. She had a way of turning them swiftly upon
+an object and holding them there as if lost in some inward maze of
+contemplation or thought.
+</p>
+
+<p>
+Her eyebrows were a shade darker than her hair. They were thick and almost
+horizontal, emphasizing the depth of her eyes. She was rather handsome than
+beautiful. Her face was captivating by reason of a certain frankness of
+expression and a contradictory subtle play of features. Her manner was
+engaging.
+</p>
+
+<p>
+Robert rolled a cigarette. He smoked cigarettes because he could not afford
+cigars, he said. He had a cigar in his pocket which Mr. Pontellier had
+presented him with, and he was saving it for his after-dinner smoke.
+</p>
+
+<p>
+This seemed quite proper and natural on his part. In coloring he was not unlike
+his companion. A clean-shaved face made the resemblance more pronounced than it
+would otherwise have been. There rested no shadow of care upon his open
+countenance. His eyes gathered in and reflected the light and languor of the
+summer day.
+</p>
+
+<p>
+Mrs. Pontellier reached over for a palm-leaf fan that lay on the porch and
+began to fan herself, while Robert sent between his lips light puffs from his
+cigarette. They chatted incessantly: about the things around them; their
+amusing adventure out in the water&mdash;it had again assumed its entertaining
+aspect; about the wind, the trees, the people who had gone to the
+<i>Chênière;</i> about the children playing croquet under the oaks, and the
+Farival twins, who were now performing the overture to &ldquo;The Poet and the
+Peasant.&rdquo;
+</p>
+
+<p>
+Robert talked a good deal about himself. He was very young, and did not know
+any better. Mrs. Pontellier talked a little about herself for the same reason.
+Each was interested in what the other said. Robert spoke of his intention to go
+to Mexico in the autumn, where fortune awaited him. He was always intending to
+go to Mexico, but some way never got there. Meanwhile he held on to his modest
+position in a mercantile house in New Orleans, where an equal familiarity with
+English, French and Spanish gave him no small value as a clerk and
+correspondent.
+</p>
+
+<p>
+He was spending his summer vacation, as he always did, with his mother at Grand
+Isle. In former times, before Robert could remember, &ldquo;the house&rdquo;
+had been a summer luxury of the Lebruns. Now, flanked by its dozen or more
+cottages, which were always filled with exclusive visitors from the
+&ldquo;<i>Quartier Français</i>,&rdquo; it enabled Madame Lebrun to maintain
+the easy and comfortable existence which appeared to be her birthright.
+</p>
+
+<p>
+Mrs. Pontellier talked about her father&rsquo;s Mississippi plantation and her
+girlhood home in the old Kentucky blue-grass country. She was an American
+woman, with a small infusion of French which seemed to have been lost in
+dilution. She read a letter from her sister, who was away in the East, and who
+had engaged herself to be married. Robert was interested, and wanted to know
+what manner of girls the sisters were, what the father was like, and how long
+the mother had been dead.
+</p>
+
+<p>
+When Mrs. Pontellier folded the letter it was time for her to dress for the
+early dinner.
+</p>
+
+<p>
+&ldquo;I see Léonce isn&rsquo;t coming back,&rdquo; she said, with a glance in
+the direction whence her husband had disappeared. Robert supposed he was not,
+as there were a good many New Orleans club men over at Klein&rsquo;s.
+</p>
+
+<p>
+When Mrs. Pontellier left him to enter her room, the young man descended the
+steps and strolled over toward the croquet players, where, during the half-hour
+before dinner, he amused himself with the little Pontellier children, who were
+very fond of him.
+</p>
+
+<h3><a name="link2H_4_0004" id="link2H_4_0004"></a>III</h3>
+
+<p>
+It was eleven o&rsquo;clock that night when Mr. Pontellier returned from
+Klein&rsquo;s hotel. He was in an excellent humor, in high spirits, and very
+talkative. His entrance awoke his wife, who was in bed and fast asleep when he
+came in. He talked to her while he undressed, telling her anecdotes and bits of
+news and gossip that he had gathered during the day. From his trousers pockets
+he took a fistful of crumpled bank notes and a good deal of silver coin, which
+he piled on the bureau indiscriminately with keys, knife, handkerchief, and
+whatever else happened to be in his pockets. She was overcome with sleep, and
+answered him with little half utterances.
+</p>
+
+<p>
+He thought it very discouraging that his wife, who was the sole object of his
+existence, evinced so little interest in things which concerned him, and valued
+so little his conversation.
+</p>
+
+<p>
+Mr. Pontellier had forgotten the bonbons and peanuts for the boys.
+Notwithstanding he loved them very much, and went into the adjoining room where
+they slept to take a look at them and make sure that they were resting
+comfortably. The result of his investigation was far from satisfactory. He
+turned and shifted the youngsters about in bed. One of them began to kick and
+talk about a basket full of crabs.
+</p>
+
+<p>
+Mr. Pontellier returned to his wife with the information that Raoul had a high
+fever and needed looking after. Then he lit a cigar and went and sat near the
+open door to smoke it.
+</p>
+
+<p>
+Mrs. Pontellier was quite sure Raoul had no fever. He had gone to bed perfectly
+well, she said, and nothing had ailed him all day. Mr. Pontellier was too well
+acquainted with fever symptoms to be mistaken. He assured her the child was
+consuming at that moment in the next room.
+</p>
+
+<p>
+He reproached his wife with her inattention, her habitual neglect of the
+children. If it was not a mother&rsquo;s place to look after children, whose on
+earth was it? He himself had his hands full with his brokerage business. He
+could not be in two places at once; making a living for his family on the
+street, and staying at home to see that no harm befell them. He talked in a
+monotonous, insistent way.
+</p>
+
+<p>
+Mrs. Pontellier sprang out of bed and went into the next room. She soon came
+back and sat on the edge of the bed, leaning her head down on the pillow. She
+said nothing, and refused to answer her husband when he questioned her. When
+his cigar was smoked out he went to bed, and in half a minute he was fast
+asleep.
+</p>
+
+<p>
+Mrs. Pontellier was by that time thoroughly awake. She began to cry a little,
+and wiped her eyes on the sleeve of her <i>peignoir</i>. Blowing out the
+candle, which her husband had left burning, she slipped her bare feet into a
+pair of satin <i>mules</i> at the foot of the bed and went out on the porch,
+where she sat down in the wicker chair and began to rock gently to and fro.
+</p>
+
+<p>
+It was then past midnight. The cottages were all dark. A single faint light
+gleamed out from the hallway of the house. There was no sound abroad except the
+hooting of an old owl in the top of a water-oak, and the everlasting voice of
+the sea, that was not uplifted at that soft hour. It broke like a mournful
+lullaby upon the night.
+</p>
+
+<p>
+The tears came so fast to Mrs. Pontellier&rsquo;s eyes that the damp sleeve of
+her <i>peignoir</i> no longer served to dry them. She was holding the back of
+her chair with one hand; her loose sleeve had slipped almost to the shoulder of
+her uplifted arm. Turning, she thrust her face, steaming and wet, into the bend
+of her arm, and she went on crying there, not caring any longer to dry her
+face, her eyes, her arms. She could not have told why she was crying. Such
+experiences as the foregoing were not uncommon in her married life. They seemed
+never before to have weighed much against the abundance of her husband&rsquo;s
+kindness and a uniform devotion which had come to be tacit and self-understood.
+</p>
+
+<p>
+An indescribable oppression, which seemed to generate in some unfamiliar part
+of her consciousness, filled her whole being with a vague anguish. It was like
+a shadow, like a mist passing across her soul&rsquo;s summer day. It was
+strange and unfamiliar; it was a mood. She did not sit there inwardly
+upbraiding her husband, lamenting at Fate, which had directed her footsteps to
+the path which they had taken. She was just having a good cry all to herself.
+The mosquitoes made merry over her, biting her firm, round arms and nipping at
+her bare insteps.
+</p>
+
+<p>
+The little stinging, buzzing imps succeeded in dispelling a mood which might
+have held her there in the darkness half a night longer.
+</p>
+
+<p>
+The following morning Mr. Pontellier was up in good time to take the rockaway
+which was to convey him to the steamer at the wharf. He was returning to the
+city to his business, and they would not see him again at the Island till the
+coming Saturday. He had regained his composure, which seemed to have been
+somewhat impaired the night before. He was eager to be gone, as he looked
+forward to a lively week in Carondelet Street.
+</p>
+
+<p>
+Mr. Pontellier gave his wife half of the money which he had brought away from
+Klein&rsquo;s hotel the evening before. She liked money as well as most women,
+and accepted it with no little satisfaction.
+</p>
+
+<p>
+&ldquo;It will buy a handsome wedding present for Sister Janet!&rdquo; she
+exclaimed, smoothing out the bills as she counted them one by one.
+</p>
+
+<p>
+&ldquo;Oh! we&rsquo;ll treat Sister Janet better than that, my dear,&rdquo; he
+laughed, as he prepared to kiss her good-by.
+</p>
+
+<p>
+The boys were tumbling about, clinging to his legs, imploring that numerous
+things be brought back to them. Mr. Pontellier was a great favorite, and
+ladies, men, children, even nurses, were always on hand to say good-by to him.
+His wife stood smiling and waving, the boys shouting, as he disappeared in the
+old rockaway down the sandy road.
+</p>
+
+<p>
+A few days later a box arrived for Mrs. Pontellier from New Orleans. It was
+from her husband. It was filled with <i>friandises</i>, with luscious and
+toothsome bits&mdash;the finest of fruits, <i>patés</i>, a rare bottle or two,
+delicious syrups, and bonbons in abundance.
+</p>
+
+<p>
+Mrs. Pontellier was always very generous with the contents of such a box; she
+was quite used to receiving them when away from home. The <i>patés</i> and
+fruit were brought to the dining-room; the bonbons were passed around. And the
+ladies, selecting with dainty and discriminating fingers and a little greedily,
+all declared that Mr. Pontellier was the best husband in the world. Mrs.
+Pontellier was forced to admit that she knew of none better.
+</p>
+
+<h3><a name="link2H_4_0005" id="link2H_4_0005"></a>IV</h3>
+
+<p>
+It would have been a difficult matter for Mr. Pontellier to define to his own
+satisfaction or any one else&rsquo;s wherein his wife failed in her duty toward
+their children. It was something which he felt rather than perceived, and he
+never voiced the feeling without subsequent regret and ample atonement.
+</p>
+
+<p>
+If one of the little Pontellier boys took a tumble whilst at play, he was not
+apt to rush crying to his mother&rsquo;s arms for comfort; he would more likely
+pick himself up, wipe the water out of his eyes and the sand out of his mouth,
+and go on playing. Tots as they were, they pulled together and stood their
+ground in childish battles with doubled fists and uplifted voices, which
+usually prevailed against the other mother-tots. The quadroon nurse was looked
+upon as a huge encumbrance, only good to button up waists and panties and to
+brush and part hair; since it seemed to be a law of society that hair must be
+parted and brushed.
+</p>
+
+<p>
+In short, Mrs. Pontellier was not a mother-woman. The mother-women seemed to
+prevail that summer at Grand Isle. It was easy to know them, fluttering about
+with extended, protecting wings when any harm, real or imaginary, threatened
+their precious brood. They were women who idolized their children, worshiped
+their husbands, and esteemed it a holy privilege to efface themselves as
+individuals and grow wings as ministering angels.
+</p>
+
+<p>
+Many of them were delicious in the role; one of them was the embodiment of
+every womanly grace and charm. If her husband did not adore her, he was a
+brute, deserving of death by slow torture. Her name was Adèle Ratignolle. There
+are no words to describe her save the old ones that have served so often to
+picture the bygone heroine of romance and the fair lady of our dreams. There
+was nothing subtle or hidden about her charms; her beauty was all there,
+flaming and apparent: the spun-gold hair that comb nor confining pin could
+restrain; the blue eyes that were like nothing but sapphires; two lips that
+pouted, that were so red one could only think of cherries or some other
+delicious crimson fruit in looking at them. She was growing a little stout, but
+it did not seem to detract an iota from the grace of every step, pose, gesture.
+One would not have wanted her white neck a mite less full or her beautiful arms
+more slender. Never were hands more exquisite than hers, and it was a joy to
+look at them when she threaded her needle or adjusted her gold thimble to her
+taper middle finger as she sewed away on the little night-drawers or fashioned
+a bodice or a bib.
+</p>
+
+<p>
+Madame Ratignolle was very fond of Mrs. Pontellier, and often she took her
+sewing and went over to sit with her in the afternoons. She was sitting there
+the afternoon of the day the box arrived from New Orleans. She had possession
+of the rocker, and she was busily engaged in sewing upon a diminutive pair of
+night-drawers.
+</p>
+
+<p>
+She had brought the pattern of the drawers for Mrs. Pontellier to cut
+out&mdash;a marvel of construction, fashioned to enclose a baby&rsquo;s body so
+effectually that only two small eyes might look out from the garment, like an
+Eskimo&rsquo;s. They were designed for winter wear, when treacherous drafts
+came down chimneys and insidious currents of deadly cold found their way
+through key-holes.
+</p>
+
+<p>
+Mrs. Pontellier&rsquo;s mind was quite at rest concerning the present material
+needs of her children, and she could not see the use of anticipating and making
+winter night garments the subject of her summer meditations. But she did not
+want to appear unamiable and uninterested, so she had brought forth newspapers,
+which she spread upon the floor of the gallery, and under Madame
+Ratignolle&rsquo;s directions she had cut a pattern of the impervious garment.
+</p>
+
+<p>
+Robert was there, seated as he had been the Sunday before, and Mrs. Pontellier
+also occupied her former position on the upper step, leaning listlessly against
+the post. Beside her was a box of bonbons, which she held out at intervals to
+Madame Ratignolle.
+</p>
+
+<p>
+That lady seemed at a loss to make a selection, but finally settled upon a
+stick of nougat, wondering if it were not too rich; whether it could possibly
+hurt her. Madame Ratignolle had been married seven years. About every two years
+she had a baby. At that time she had three babies, and was beginning to think
+of a fourth one. She was always talking about her &ldquo;condition.&rdquo; Her
+&ldquo;condition&rdquo; was in no way apparent, and no one would have known a
+thing about it but for her persistence in making it the subject of
+conversation.
+</p>
+
+<p>
+Robert started to reassure her, asserting that he had known a lady who had
+subsisted upon nougat during the entire&mdash;but seeing the color mount into
+Mrs. Pontellier&rsquo;s face he checked himself and changed the subject.
+</p>
+
+<p>
+Mrs. Pontellier, though she had married a Creole, was not thoroughly at home in
+the society of Creoles; never before had she been thrown so intimately among
+them. There were only Creoles that summer at Lebrun&rsquo;s. They all knew each
+other, and felt like one large family, among whom existed the most amicable
+relations. A characteristic which distinguished them and which impressed Mrs.
+Pontellier most forcibly was their entire absence of prudery. Their freedom of
+expression was at first incomprehensible to her, though she had no difficulty
+in reconciling it with a lofty chastity which in the Creole woman seems to be
+inborn and unmistakable.
+</p>
+
+<p>
+Never would Edna Pontellier forget the shock with which she heard Madame
+Ratignolle relating to old Monsieur Farival the harrowing story of one of her
+<i>accouchements</i>, withholding no intimate detail. She was growing
+accustomed to like shocks, but she could not keep the mounting color back from
+her cheeks. Oftener than once her coming had interrupted the droll story with
+which Robert was entertaining some amused group of married women.
+</p>
+
+<p>
+A book had gone the rounds of the <i>pension</i>. When it came her turn to read
+it, she did so with profound astonishment. She felt moved to read the book in
+secret and solitude, though none of the others had done so,&mdash;to hide it
+from view at the sound of approaching footsteps. It was openly criticised and
+freely discussed at table. Mrs. Pontellier gave over being astonished, and
+concluded that wonders would never cease.
+</p>
+
+<h3><a name="link2H_4_0006" id="link2H_4_0006"></a>V</h3>
+
+<p>
+They formed a congenial group sitting there that summer afternoon&mdash;Madame
+Ratignolle sewing away, often stopping to relate a story or incident with much
+expressive gesture of her perfect hands; Robert and Mrs. Pontellier sitting
+idle, exchanging occasional words, glances or smiles which indicated a certain
+advanced stage of intimacy and <i>camaraderie</i>.
+</p>
+
+<p>
+He had lived in her shadow during the past month. No one thought anything of
+it. Many had predicted that Robert would devote himself to Mrs. Pontellier when
+he arrived. Since the age of fifteen, which was eleven years before, Robert
+each summer at Grand Isle had constituted himself the devoted attendant of some
+fair dame or damsel. Sometimes it was a young girl, again a widow; but as often
+as not it was some interesting married woman.
+</p>
+
+<p>
+For two consecutive seasons he lived in the sunlight of Mademoiselle
+Duvigne&rsquo;s presence. But she died between summers; then Robert posed as an
+inconsolable, prostrating himself at the feet of Madame Ratignolle for whatever
+crumbs of sympathy and comfort she might be pleased to vouchsafe.
+</p>
+
+<p>
+Mrs. Pontellier liked to sit and gaze at her fair companion as she might look
+upon a faultless Madonna.
+</p>
+
+<p>
+&ldquo;Could any one fathom the cruelty beneath that fair exterior?&rdquo;
+murmured Robert. &ldquo;She knew that I adored her once, and she let me adore
+her. It was &lsquo;Robert, come; go; stand up; sit down; do this; do that; see
+if the baby sleeps; my thimble, please, that I left God knows where. Come and
+read Daudet to me while I sew.&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;<i>Par exemple!</i> I never had to ask. You were always there under my
+feet, like a troublesome cat.&rdquo;
+</p>
+
+<p>
+&ldquo;You mean like an adoring dog. And just as soon as Ratignolle appeared on
+the scene, then it <i>was</i> like a dog. &lsquo;<i>Passez! Adieu! Allez
+vous-en!</i>&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps I feared to make Alphonse jealous,&rdquo; she interjoined, with
+excessive naïveté. That made them all laugh. The right hand jealous of the
+left! The heart jealous of the soul! But for that matter, the Creole husband is
+never jealous; with him the gangrene passion is one which has become dwarfed by
+disuse.
+</p>
+
+<p>
+Meanwhile Robert, addressing Mrs Pontellier, continued to tell of his one time
+hopeless passion for Madame Ratignolle; of sleepless nights, of consuming
+flames till the very sea sizzled when he took his daily plunge. While the lady
+at the needle kept up a little running, contemptuous comment:
+</p>
+
+<p>
+&ldquo;<i>Blagueur&mdash;farceur&mdash;gros bête, va!</i>&rdquo;
+</p>
+
+<p>
+He never assumed this seriocomic tone when alone with Mrs. Pontellier. She
+never knew precisely what to make of it; at that moment it was impossible for
+her to guess how much of it was jest and what proportion was earnest. It was
+understood that he had often spoken words of love to Madame Ratignolle, without
+any thought of being taken seriously. Mrs. Pontellier was glad he had not
+assumed a similar role toward herself. It would have been unacceptable and
+annoying.
+</p>
+
+<p>
+Mrs. Pontellier had brought her sketching materials, which she sometimes
+dabbled with in an unprofessional way. She liked the dabbling. She felt in it
+satisfaction of a kind which no other employment afforded her.
+</p>
+
+<p>
+She had long wished to try herself on Madame Ratignolle. Never had that lady
+seemed a more tempting subject than at that moment, seated there like some
+sensuous Madonna, with the gleam of the fading day enriching her splendid
+color.
+</p>
+
+<p>
+Robert crossed over and seated himself upon the step below Mrs. Pontellier,
+that he might watch her work. She handled her brushes with a certain ease and
+freedom which came, not from long and close acquaintance with them, but from a
+natural aptitude. Robert followed her work with close attention, giving forth
+little ejaculatory expressions of appreciation in French, which he addressed to
+Madame Ratignolle.
+</p>
+
+<p>
+&ldquo;<i>Mais ce n&rsquo;est pas mal! Elle s&rsquo;y connait, elle a de la
+force, oui.</i>&rdquo;
+</p>
+
+<p>
+During his oblivious attention he once quietly rested his head against Mrs.
+Pontellier&rsquo;s arm. As gently she repulsed him. Once again he repeated the
+offense. She could not but believe it to be thoughtlessness on his part; yet
+that was no reason she should submit to it. She did not remonstrate, except
+again to repulse him quietly but firmly. He offered no apology. The picture
+completed bore no resemblance to Madame Ratignolle. She was greatly
+disappointed to find that it did not look like her. But it was a fair enough
+piece of work, and in many respects satisfying.
+</p>
+
+<p>
+Mrs. Pontellier evidently did not think so. After surveying the sketch
+critically she drew a broad smudge of paint across its surface, and crumpled
+the paper between her hands.
+</p>
+
+<p>
+The youngsters came tumbling up the steps, the quadroon following at the
+respectful distance which they required her to observe. Mrs. Pontellier made
+them carry her paints and things into the house. She sought to detain them for
+a little talk and some pleasantry. But they were greatly in earnest. They had
+only come to investigate the contents of the bonbon box. They accepted without
+murmuring what she chose to give them, each holding out two chubby hands
+scoop-like, in the vain hope that they might be filled; and then away they
+went.
+</p>
+
+<p>
+The sun was low in the west, and the breeze soft and languorous that came up
+from the south, charged with the seductive odor of the sea. Children freshly
+befurbelowed, were gathering for their games under the oaks. Their voices were
+high and penetrating.
+</p>
+
+<p>
+Madame Ratignolle folded her sewing, placing thimble, scissors, and thread all
+neatly together in the roll, which she pinned securely. She complained of
+faintness. Mrs. Pontellier flew for the cologne water and a fan. She bathed
+Madame Ratignolle&rsquo;s face with cologne, while Robert plied the fan with
+unnecessary vigor.
+</p>
+
+<p>
+The spell was soon over, and Mrs. Pontellier could not help wondering if there
+were not a little imagination responsible for its origin, for the rose tint had
+never faded from her friend&rsquo;s face.
+</p>
+
+<p>
+She stood watching the fair woman walk down the long line of galleries with the
+grace and majesty which queens are sometimes supposed to possess. Her little
+ones ran to meet her. Two of them clung about her white skirts, the third she
+took from its nurse and with a thousand endearments bore it along in her own
+fond, encircling arms. Though, as everybody well knew, the doctor had forbidden
+her to lift so much as a pin!
+</p>
+
+<p>
+&ldquo;Are you going bathing?&rdquo; asked Robert of Mrs. Pontellier. It was
+not so much a question as a reminder.
+</p>
+
+<p>
+&ldquo;Oh, no,&rdquo; she answered, with a tone of indecision. &ldquo;I&rsquo;m
+tired; I think not.&rdquo; Her glance wandered from his face away toward the
+Gulf, whose sonorous murmur reached her like a loving but imperative entreaty.
+</p>
+
+<p>
+&ldquo;Oh, come!&rdquo; he insisted. &ldquo;You mustn&rsquo;t miss your bath.
+Come on. The water must be delicious; it will not hurt you. Come.&rdquo;
+</p>
+
+<p>
+He reached up for her big, rough straw hat that hung on a peg outside the door,
+and put it on her head. They descended the steps, and walked away together
+toward the beach. The sun was low in the west and the breeze was soft and warm.
+</p>
+
+<h3><a name="link2H_4_0007" id="link2H_4_0007"></a>VI</h3>
+
+<p>
+Edna Pontellier could not have told why, wishing to go to the beach with
+Robert, she should in the first place have declined, and in the second place
+have followed in obedience to one of the two contradictory impulses which
+impelled her.
+</p>
+
+<p>
+A certain light was beginning to dawn dimly within her,&mdash;the light which,
+showing the way, forbids it.
+</p>
+
+<p>
+At that early period it served but to bewilder her. It moved her to dreams, to
+thoughtfulness, to the shadowy anguish which had overcome her the midnight when
+she had abandoned herself to tears.
+</p>
+
+<p>
+In short, Mrs. Pontellier was beginning to realize her position in the universe
+as a human being, and to recognize her relations as an individual to the world
+within and about her. This may seem like a ponderous weight of wisdom to
+descend upon the soul of a young woman of twenty-eight&mdash;perhaps more
+wisdom than the Holy Ghost is usually pleased to vouchsafe to any woman.
+</p>
+
+<p>
+But the beginning of things, of a world especially, is necessarily vague,
+tangled, chaotic, and exceedingly disturbing. How few of us ever emerge from
+such beginning! How many souls perish in its tumult!
+</p>
+
+<p>
+The voice of the sea is seductive; never ceasing, whispering, clamoring,
+murmuring, inviting the soul to wander for a spell in abysses of solitude; to
+lose itself in mazes of inward contemplation.
+</p>
+
+<p>
+The voice of the sea speaks to the soul. The touch of the sea is sensuous,
+enfolding the body in its soft, close embrace.
+</p>
+
+<h3><a name="link2H_4_0008" id="link2H_4_0008"></a>VII</h3>
+
+<p>
+Mrs. Pontellier was not a woman given to confidences, a characteristic hitherto
+contrary to her nature. Even as a child she had lived her own small life all
+within herself. At a very early period she had apprehended instinctively the
+dual life&mdash;that outward existence which conforms, the inward life which
+questions.
+</p>
+
+<p>
+That summer at Grand Isle she began to loosen a little the mantle of reserve
+that had always enveloped her. There may have been&mdash;there must have
+been&mdash;influences, both subtle and apparent, working in their several ways
+to induce her to do this; but the most obvious was the influence of Adèle
+Ratignolle. The excessive physical charm of the Creole had first attracted her,
+for Edna had a sensuous susceptibility to beauty. Then the candor of the
+woman&rsquo;s whole existence, which every one might read, and which formed so
+striking a contrast to her own habitual reserve&mdash;this might have furnished
+a link. Who can tell what metals the gods use in forging the subtle bond which
+we call sympathy, which we might as well call love.
+</p>
+
+<p>
+The two women went away one morning to the beach together, arm in arm, under
+the huge white sunshade. Edna had prevailed upon Madame Ratignolle to leave the
+children behind, though she could not induce her to relinquish a diminutive
+roll of needlework, which Adèle begged to be allowed to slip into the depths of
+her pocket. In some unaccountable way they had escaped from Robert.
+</p>
+
+<p>
+The walk to the beach was no inconsiderable one, consisting as it did of a
+long, sandy path, upon which a sporadic and tangled growth that bordered it on
+either side made frequent and unexpected inroads. There were acres of yellow
+camomile reaching out on either hand. Further away still, vegetable gardens
+abounded, with frequent small plantations of orange or lemon trees intervening.
+The dark green clusters glistened from afar in the sun.
+</p>
+
+<p>
+The women were both of goodly height, Madame Ratignolle possessing the more
+feminine and matronly figure. The charm of Edna Pontellier&rsquo;s physique
+stole insensibly upon you. The lines of her body were long, clean and
+symmetrical; it was a body which occasionally fell into splendid poses; there
+was no suggestion of the trim, stereotyped fashion-plate about it. A casual and
+indiscriminating observer, in passing, might not cast a second glance upon the
+figure. But with more feeling and discernment he would have recognized the
+noble beauty of its modeling, and the graceful severity of poise and movement,
+which made Edna Pontellier different from the crowd.
+</p>
+
+<p>
+She wore a cool muslin that morning&mdash;white, with a waving vertical line of
+brown running through it; also a white linen collar and the big straw hat which
+she had taken from the peg outside the door. The hat rested any way on her
+yellow-brown hair, that waved a little, was heavy, and clung close to her head.
+</p>
+
+<p>
+Madame Ratignolle, more careful of her complexion, had twined a gauze veil
+about her head. She wore dogskin gloves, with gauntlets that protected her
+wrists. She was dressed in pure white, with a fluffiness of ruffles that became
+her. The draperies and fluttering things which she wore suited her rich,
+luxuriant beauty as a greater severity of line could not have done.
+</p>
+
+<p>
+There were a number of bath-houses along the beach, of rough but solid
+construction, built with small, protecting galleries facing the water. Each
+house consisted of two compartments, and each family at Lebrun&rsquo;s
+possessed a compartment for itself, fitted out with all the essential
+paraphernalia of the bath and whatever other conveniences the owners might
+desire. The two women had no intention of bathing; they had just strolled down
+to the beach for a walk and to be alone and near the water. The Pontellier and
+Ratignolle compartments adjoined one another under the same roof.
+</p>
+
+<p>
+Mrs. Pontellier had brought down her key through force of habit. Unlocking the
+door of her bath-room she went inside, and soon emerged, bringing a rug, which
+she spread upon the floor of the gallery, and two huge hair pillows covered
+with crash, which she placed against the front of the building.
+</p>
+
+<p>
+The two seated themselves there in the shade of the porch, side by side, with
+their backs against the pillows and their feet extended. Madame Ratignolle
+removed her veil, wiped her face with a rather delicate handkerchief, and
+fanned herself with the fan which she always carried suspended somewhere about
+her person by a long, narrow ribbon. Edna removed her collar and opened her
+dress at the throat. She took the fan from Madame Ratignolle and began to fan
+both herself and her companion. It was very warm, and for a while they did
+nothing but exchange remarks about the heat, the sun, the glare. But there was
+a breeze blowing, a choppy, stiff wind that whipped the water into froth. It
+fluttered the skirts of the two women and kept them for a while engaged in
+adjusting, readjusting, tucking in, securing hair-pins and hat-pins. A few
+persons were sporting some distance away in the water. The beach was very still
+of human sound at that hour. The lady in black was reading her morning
+devotions on the porch of a neighboring bath-house. Two young lovers were
+exchanging their hearts&rsquo; yearnings beneath the children&rsquo;s tent,
+which they had found unoccupied.
+</p>
+
+<p>
+Edna Pontellier, casting her eyes about, had finally kept them at rest upon the
+sea. The day was clear and carried the gaze out as far as the blue sky went;
+there were a few white clouds suspended idly over the horizon. A lateen sail
+was visible in the direction of Cat Island, and others to the south seemed
+almost motionless in the far distance.
+</p>
+
+<p>
+&ldquo;Of whom&mdash;of what are you thinking?&rdquo; asked Adèle of her
+companion, whose countenance she had been watching with a little amused
+attention, arrested by the absorbed expression which seemed to have seized and
+fixed every feature into a statuesque repose.
+</p>
+
+<p>
+&ldquo;Nothing,&rdquo; returned Mrs. Pontellier, with a start, adding at once:
+&ldquo;How stupid! But it seems to me it is the reply we make instinctively to
+such a question. Let me see,&rdquo; she went on, throwing back her head and
+narrowing her fine eyes till they shone like two vivid points of light.
+&ldquo;Let me see. I was really not conscious of thinking of anything; but
+perhaps I can retrace my thoughts.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! never mind!&rdquo; laughed Madame Ratignolle. &ldquo;I am not quite
+so exacting. I will let you off this time. It is really too hot to think,
+especially to think about thinking.&rdquo;
+</p>
+
+<p>
+&ldquo;But for the fun of it,&rdquo; persisted Edna. &ldquo;First of all, the
+sight of the water stretching so far away, those motionless sails against the
+blue sky, made a delicious picture that I just wanted to sit and look at. The
+hot wind beating in my face made me think&mdash;without any connection that I
+can trace of a summer day in Kentucky, of a meadow that seemed as big as the
+ocean to the very little girl walking through the grass, which was higher than
+her waist. She threw out her arms as if swimming when she walked, beating the
+tall grass as one strikes out in the water. Oh, I see the connection
+now!&rdquo;
+</p>
+
+<p>
+&ldquo;Where were you going that day in Kentucky, walking through the
+grass?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t remember now. I was just walking diagonally across a big
+field. My sun-bonnet obstructed the view. I could see only the stretch of green
+before me, and I felt as if I must walk on forever, without coming to the end
+of it. I don&rsquo;t remember whether I was frightened or pleased. I must have
+been entertained.
+</p>
+
+<p>
+&ldquo;Likely as not it was Sunday,&rdquo; she laughed; &ldquo;and I was
+running away from prayers, from the Presbyterian service, read in a spirit of
+gloom by my father that chills me yet to think of.&rdquo;
+</p>
+
+<p>
+&ldquo;And have you been running away from prayers ever since, <i>ma
+chère?</i>&rdquo; asked Madame Ratignolle, amused.
+</p>
+
+<p>
+&ldquo;No! oh, no!&rdquo; Edna hastened to say. &ldquo;I was a little
+unthinking child in those days, just following a misleading impulse without
+question. On the contrary, during one period of my life religion took a firm
+hold upon me; after I was twelve and until&mdash;until&mdash;why, I suppose
+until now, though I never thought much about it&mdash;just driven along by
+habit. But do you know,&rdquo; she broke off, turning her quick eyes upon
+Madame Ratignolle and leaning forward a little so as to bring her face quite
+close to that of her companion, &ldquo;sometimes I feel this summer as if I
+were walking through the green meadow again; idly, aimlessly, unthinking and
+unguided.&rdquo;
+</p>
+
+<p>
+Madame Ratignolle laid her hand over that of Mrs. Pontellier, which was near
+her. Seeing that the hand was not withdrawn, she clasped it firmly and warmly.
+She even stroked it a little, fondly, with the other hand, murmuring in an
+undertone, &ldquo;<i>Pauvre chérie</i>.&rdquo;
+</p>
+
+<p>
+The action was at first a little confusing to Edna, but she soon lent herself
+readily to the Creole&rsquo;s gentle caress. She was not accustomed to an
+outward and spoken expression of affection, either in herself or in others. She
+and her younger sister, Janet, had quarreled a good deal through force of
+unfortunate habit. Her older sister, Margaret, was matronly and dignified,
+probably from having assumed matronly and housewifely responsibilities too
+early in life, their mother having died when they were quite young. Margaret
+was not effusive; she was practical. Edna had had an occasional girl friend,
+but whether accidentally or not, they seemed to have been all of one
+type&mdash;the self-contained. She never realized that the reserve of her own
+character had much, perhaps everything, to do with this. Her most intimate
+friend at school had been one of rather exceptional intellectual gifts, who
+wrote fine-sounding essays, which Edna admired and strove to imitate; and with
+her she talked and glowed over the English classics, and sometimes held
+religious and political controversies.
+</p>
+
+<p>
+Edna often wondered at one propensity which sometimes had inwardly disturbed
+her without causing any outward show or manifestation on her part. At a very
+early age&mdash;perhaps it was when she traversed the ocean of waving
+grass&mdash;she remembered that she had been passionately enamored of a
+dignified and sad-eyed cavalry officer who visited her father in Kentucky. She
+could not leave his presence when he was there, nor remove her eyes from his
+face, which was something like Napoleon&rsquo;s, with a lock of black hair
+failing across the forehead. But the cavalry officer melted imperceptibly out
+of her existence.
+</p>
+
+<p>
+At another time her affections were deeply engaged by a young gentleman who
+visited a lady on a neighboring plantation. It was after they went to
+Mississippi to live. The young man was engaged to be married to the young lady,
+and they sometimes called upon Margaret, driving over of afternoons in a buggy.
+Edna was a little miss, just merging into her teens; and the realization that
+she herself was nothing, nothing, nothing to the engaged young man was a bitter
+affliction to her. But he, too, went the way of dreams.
+</p>
+
+<p>
+She was a grown young woman when she was overtaken by what she supposed to be
+the climax of her fate. It was when the face and figure of a great tragedian
+began to haunt her imagination and stir her senses. The persistence of the
+infatuation lent it an aspect of genuineness. The hopelessness of it colored it
+with the lofty tones of a great passion.
+</p>
+
+<p>
+The picture of the tragedian stood enframed upon her desk. Any one may possess
+the portrait of a tragedian without exciting suspicion or comment. (This was a
+sinister reflection which she cherished.) In the presence of others she
+expressed admiration for his exalted gifts, as she handed the photograph around
+and dwelt upon the fidelity of the likeness. When alone she sometimes picked it
+up and kissed the cold glass passionately.
+</p>
+
+<p>
+Her marriage to Léonce Pontellier was purely an accident, in this respect
+resembling many other marriages which masquerade as the decrees of Fate. It was
+in the midst of her secret great passion that she met him. He fell in love, as
+men are in the habit of doing, and pressed his suit with an earnestness and an
+ardor which left nothing to be desired. He pleased her; his absolute devotion
+flattered her. She fancied there was a sympathy of thought and taste between
+them, in which fancy she was mistaken. Add to this the violent opposition of
+her father and her sister Margaret to her marriage with a Catholic, and we need
+seek no further for the motives which led her to accept Monsieur Pontellier for
+her husband.
+</p>
+
+<p>
+The acme of bliss, which would have been a marriage with the tragedian, was not
+for her in this world. As the devoted wife of a man who worshiped her, she felt
+she would take her place with a certain dignity in the world of reality,
+closing the portals forever behind her upon the realm of romance and dreams.
+</p>
+
+<p>
+But it was not long before the tragedian had gone to join the cavalry officer
+and the engaged young man and a few others; and Edna found herself face to face
+with the realities. She grew fond of her husband, realizing with some
+unaccountable satisfaction that no trace of passion or excessive and fictitious
+warmth colored her affection, thereby threatening its dissolution.
+</p>
+
+<p>
+She was fond of her children in an uneven, impulsive way. She would sometimes
+gather them passionately to her heart; she would sometimes forget them. The
+year before they had spent part of the summer with their grandmother Pontellier
+in Iberville. Feeling secure regarding their happiness and welfare, she did not
+miss them except with an occasional intense longing. Their absence was a sort
+of relief, though she did not admit this, even to herself. It seemed to free
+her of a responsibility which she had blindly assumed and for which Fate had
+not fitted her.
+</p>
+
+<p>
+Edna did not reveal so much as all this to Madame Ratignolle that summer day
+when they sat with faces turned to the sea. But a good part of it escaped her.
+She had put her head down on Madame Ratignolle&rsquo;s shoulder. She was
+flushed and felt intoxicated with the sound of her own voice and the
+unaccustomed taste of candor. It muddled her like wine, or like a first breath
+of freedom.
+</p>
+
+<p>
+There was the sound of approaching voices. It was Robert, surrounded by a troop
+of children, searching for them. The two little Pontelliers were with him, and
+he carried Madame Ratignolle&rsquo;s little girl in his arms. There were other
+children beside, and two nurse-maids followed, looking disagreeable and
+resigned.
+</p>
+
+<p>
+The women at once rose and began to shake out their draperies and relax their
+muscles. Mrs. Pontellier threw the cushions and rug into the bath-house. The
+children all scampered off to the awning, and they stood there in a line,
+gazing upon the intruding lovers, still exchanging their vows and sighs. The
+lovers got up, with only a silent protest, and walked slowly away somewhere
+else.
+</p>
+
+<p>
+The children possessed themselves of the tent, and Mrs. Pontellier went over to
+join them.
+</p>
+
+<p>
+Madame Ratignolle begged Robert to accompany her to the house; she complained
+of cramp in her limbs and stiffness of the joints. She leaned draggingly upon
+his arm as they walked.
+</p>
+
+<h3><a name="link2H_4_0009" id="link2H_4_0009"></a>VIII</h3>
+
+<p>
+&ldquo;Do me a favor, Robert,&rdquo; spoke the pretty woman at his side, almost
+as soon as she and Robert had started their slow, homeward way. She looked up
+in his face, leaning on his arm beneath the encircling shadow of the umbrella
+which he had lifted.
+</p>
+
+<p>
+&ldquo;Granted; as many as you like,&rdquo; he returned, glancing down into her
+eyes that were full of thoughtfulness and some speculation.
+</p>
+
+<p>
+&ldquo;I only ask for one; let Mrs. Pontellier alone.&rdquo;
+</p>
+
+<p>
+&ldquo;<i>Tiens!</i>&rdquo; he exclaimed, with a sudden, boyish laugh.
+&ldquo;<i>Voilà que Madame Ratignolle est jalouse!</i>&rdquo;
+</p>
+
+<p>
+&ldquo;Nonsense! I&rsquo;m in earnest; I mean what I say. Let Mrs. Pontellier
+alone.&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo; he asked; himself growing serious at his companion&rsquo;s
+solicitation.
+</p>
+
+<p>
+&ldquo;She is not one of us; she is not like us. She might make the unfortunate
+blunder of taking you seriously.&rdquo;
+</p>
+
+<p>
+His face flushed with annoyance, and taking off his soft hat he began to beat
+it impatiently against his leg as he walked. &ldquo;Why shouldn&rsquo;t she
+take me seriously?&rdquo; he demanded sharply. &ldquo;Am I a comedian, a clown,
+a jack-in-the-box? Why shouldn&rsquo;t she? You Creoles! I have no patience
+with you! Am I always to be regarded as a feature of an amusing programme? I
+hope Mrs. Pontellier does take me seriously. I hope she has discernment enough
+to find in me something besides the <i>blagueur</i>. If I thought there was any
+doubt&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, enough, Robert!&rdquo; she broke into his heated outburst.
+&ldquo;You are not thinking of what you are saying. You speak with about as
+little reflection as we might expect from one of those children down there
+playing in the sand. If your attentions to any married women here were ever
+offered with any intention of being convincing, you would not be the gentleman
+we all know you to be, and you would be unfit to associate with the wives and
+daughters of the people who trust you.&rdquo;
+</p>
+
+<p>
+Madame Ratignolle had spoken what she believed to be the law and the gospel.
+The young man shrugged his shoulders impatiently.
+</p>
+
+<p>
+&ldquo;Oh! well! That isn&rsquo;t it,&rdquo; slamming his hat down vehemently
+upon his head. &ldquo;You ought to feel that such things are not flattering to
+say to a fellow.&rdquo;
+</p>
+
+<p>
+&ldquo;Should our whole intercourse consist of an exchange of compliments?
+<i>Ma foi!</i>&rdquo;
+</p>
+
+<p>
+&ldquo;It isn&rsquo;t pleasant to have a woman tell you&mdash;&rdquo; he went
+on, unheedingly, but breaking off suddenly: &ldquo;Now if I were like
+Arobin&mdash;you remember Alcée Arobin and that story of the consul&rsquo;s
+wife at Biloxi?&rdquo; And he related the story of Alcée Arobin and the
+consul&rsquo;s wife; and another about the tenor of the French Opera, who
+received letters which should never have been written; and still other stories,
+grave and gay, till Mrs. Pontellier and her possible propensity for taking
+young men seriously was apparently forgotten.
+</p>
+
+<p>
+Madame Ratignolle, when they had regained her cottage, went in to take the
+hour&rsquo;s rest which she considered helpful. Before leaving her, Robert
+begged her pardon for the impatience&mdash;he called it rudeness&mdash;with
+which he had received her well-meant caution.
+</p>
+
+<p>
+&ldquo;You made one mistake, Adèle,&rdquo; he said, with a light smile;
+&ldquo;there is no earthly possibility of Mrs. Pontellier ever taking me
+seriously. You should have warned me against taking myself seriously. Your
+advice might then have carried some weight and given me subject for some
+reflection. <i>Au revoir</i>. But you look tired,&rdquo; he added,
+solicitously. &ldquo;Would you like a cup of bouillon? Shall I stir you a
+toddy? Let me mix you a toddy with a drop of Angostura.&rdquo;
+</p>
+
+<p>
+She acceded to the suggestion of bouillon, which was grateful and acceptable.
+He went himself to the kitchen, which was a building apart from the cottages
+and lying to the rear of the house. And he himself brought her the golden-brown
+bouillon, in a dainty Sèvres cup, with a flaky cracker or two on the saucer.
+</p>
+
+<p>
+She thrust a bare, white arm from the curtain which shielded her open door, and
+received the cup from his hands. She told him he was a <i>bon garçon</i>, and
+she meant it. Robert thanked her and turned away toward &ldquo;the
+house.&rdquo;
+</p>
+
+<p>
+The lovers were just entering the grounds of the <i>pension</i>. They were
+leaning toward each other as the water-oaks bent from the sea. There was not a
+particle of earth beneath their feet. Their heads might have been turned
+upside-down, so absolutely did they tread upon blue ether. The lady in black,
+creeping behind them, looked a trifle paler and more jaded than usual. There
+was no sign of Mrs. Pontellier and the children. Robert scanned the distance
+for any such apparition. They would doubtless remain away till the dinner hour.
+The young man ascended to his mother&rsquo;s room. It was situated at the top
+of the house, made up of odd angles and a queer, sloping ceiling. Two broad
+dormer windows looked out toward the Gulf, and as far across it as a
+man&rsquo;s eye might reach. The furnishings of the room were light, cool, and
+practical.
+</p>
+
+<p>
+Madame Lebrun was busily engaged at the sewing-machine. A little black girl sat
+on the floor, and with her hands worked the treadle of the machine. The Creole
+woman does not take any chances which may be avoided of imperiling her health.
+</p>
+
+<p>
+Robert went over and seated himself on the broad sill of one of the dormer
+windows. He took a book from his pocket and began energetically to read it,
+judging by the precision and frequency with which he turned the leaves. The
+sewing-machine made a resounding clatter in the room; it was of a ponderous,
+by-gone make. In the lulls, Robert and his mother exchanged bits of desultory
+conversation.
+</p>
+
+<p>
+&ldquo;Where is Mrs. Pontellier?&rdquo;
+</p>
+
+<p>
+&ldquo;Down at the beach with the children.&rdquo;
+</p>
+
+<p>
+&ldquo;I promised to lend her the Goncourt. Don&rsquo;t forget to take it down
+when you go; it&rsquo;s there on the bookshelf over the small table.&rdquo;
+Clatter, clatter, clatter, bang! for the next five or eight minutes.
+</p>
+
+<p>
+&ldquo;Where is Victor going with the rockaway?&rdquo;
+</p>
+
+<p>
+&ldquo;The rockaway? Victor?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; down there in front. He seems to be getting ready to drive away
+somewhere.&rdquo;
+</p>
+
+<p>
+&ldquo;Call him.&rdquo; Clatter, clatter!
+</p>
+
+<p>
+Robert uttered a shrill, piercing whistle which might have been heard back at
+the wharf.
+</p>
+
+<p>
+&ldquo;He won&rsquo;t look up.&rdquo;
+</p>
+
+<p>
+Madame Lebrun flew to the window. She called &ldquo;Victor!&rdquo; She waved a
+handkerchief and called again. The young fellow below got into the vehicle and
+started the horse off at a gallop.
+</p>
+
+<p>
+Madame Lebrun went back to the machine, crimson with annoyance. Victor was the
+younger son and brother&mdash;a <i>tête montée</i>, with a temper which invited
+violence and a will which no ax could break.
+</p>
+
+<p>
+&ldquo;Whenever you say the word I&rsquo;m ready to thrash any amount of reason
+into him that he&rsquo;s able to hold.&rdquo;
+</p>
+
+<p>
+&ldquo;If your father had only lived!&rdquo; Clatter, clatter, clatter,
+clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the
+universe and all things pertaining thereto would have been manifestly of a more
+intelligent and higher order had not Monsieur Lebrun been removed to other
+spheres during the early years of their married life.
+</p>
+
+<p>
+&ldquo;What do you hear from Montel?&rdquo; Montel was a middle-aged gentleman
+whose vain ambition and desire for the past twenty years had been to fill the
+void which Monsieur Lebrun&rsquo;s taking off had left in the Lebrun household.
+Clatter, clatter, bang, clatter!
+</p>
+
+<p>
+&ldquo;I have a letter somewhere,&rdquo; looking in the machine drawer and
+finding the letter in the bottom of the workbasket. &ldquo;He says to tell you
+he will be in Vera Cruz the beginning of next month,&rdquo;&mdash;clatter,
+clatter!&mdash;&ldquo;and if you still have the intention of joining
+him&rdquo;&mdash;bang! clatter, clatter, bang!
+</p>
+
+<p>
+&ldquo;Why didn&rsquo;t you tell me so before, mother? You know I
+wanted&mdash;&rdquo; Clatter, clatter, clatter!
+</p>
+
+<p>
+&ldquo;Do you see Mrs. Pontellier starting back with the children? She will be
+in late to luncheon again. She never starts to get ready for luncheon till the
+last minute.&rdquo; Clatter, clatter! &ldquo;Where are you going?&rdquo;
+</p>
+
+<p>
+&ldquo;Where did you say the Goncourt was?&rdquo;
+</p>
+
+<h3><a name="link2H_4_0010" id="link2H_4_0010"></a>IX</h3>
+
+<p>
+Every light in the hall was ablaze; every lamp turned as high as it could be
+without smoking the chimney or threatening explosion. The lamps were fixed at
+intervals against the wall, encircling the whole room. Some one had gathered
+orange and lemon branches, and with these fashioned graceful festoons between.
+The dark green of the branches stood out and glistened against the white muslin
+curtains which draped the windows, and which puffed, floated, and flapped at
+the capricious will of a stiff breeze that swept up from the Gulf.
+</p>
+
+<p>
+It was Saturday night a few weeks after the intimate conversation held between
+Robert and Madame Ratignolle on their way from the beach. An unusual number of
+husbands, fathers, and friends had come down to stay over Sunday; and they were
+being suitably entertained by their families, with the material help of Madame
+Lebrun. The dining tables had all been removed to one end of the hall, and the
+chairs ranged about in rows and in clusters. Each little family group had had
+its say and exchanged its domestic gossip earlier in the evening. There was now
+an apparent disposition to relax; to widen the circle of confidences and give a
+more general tone to the conversation.
+</p>
+
+<p>
+Many of the children had been permitted to sit up beyond their usual bedtime. A
+small band of them were lying on their stomachs on the floor looking at the
+colored sheets of the comic papers which Mr. Pontellier had brought down. The
+little Pontellier boys were permitting them to do so, and making their
+authority felt.
+</p>
+
+<p>
+Music, dancing, and a recitation or two were the entertainments furnished, or
+rather, offered. But there was nothing systematic about the programme, no
+appearance of prearrangement nor even premeditation.
+</p>
+
+<p>
+At an early hour in the evening the Farival twins were prevailed upon to play
+the piano. They were girls of fourteen, always clad in the Virgin&rsquo;s
+colors, blue and white, having been dedicated to the Blessed Virgin at their
+baptism. They played a duet from &ldquo;Zampa,&rdquo; and at the earnest
+solicitation of every one present followed it with the overture to &ldquo;The
+Poet and the Peasant.&rdquo;
+</p>
+
+<p>
+&ldquo;<i>Allez vous-en! Sapristi!</i>&rdquo; shrieked the parrot outside the
+door. He was the only being present who possessed sufficient candor to admit
+that he was not listening to these gracious performances for the first time
+that summer. Old Monsieur Farival, grandfather of the twins, grew indignant
+over the interruption, and insisted upon having the bird removed and consigned
+to regions of darkness. Victor Lebrun objected; and his decrees were as
+immutable as those of Fate. The parrot fortunately offered no further
+interruption to the entertainment, the whole venom of his nature apparently
+having been cherished up and hurled against the twins in that one impetuous
+outburst.
+</p>
+
+<p>
+Later a young brother and sister gave recitations, which every one present had
+heard many times at winter evening entertainments in the city.
+</p>
+
+<p>
+A little girl performed a skirt dance in the center of the floor. The mother
+played her accompaniments and at the same time watched her daughter with greedy
+admiration and nervous apprehension. She need have had no apprehension. The
+child was mistress of the situation. She had been properly dressed for the
+occasion in black tulle and black silk tights. Her little neck and arms were
+bare, and her hair, artificially crimped, stood out like fluffy black plumes
+over her head. Her poses were full of grace, and her little black-shod toes
+twinkled as they shot out and upward with a rapidity and suddenness which were
+bewildering.
+</p>
+
+<p>
+But there was no reason why every one should not dance. Madame Ratignolle could
+not, so it was she who gaily consented to play for the others. She played very
+well, keeping excellent waltz time and infusing an expression into the strains
+which was indeed inspiring. She was keeping up her music on account of the
+children, she said; because she and her husband both considered it a means of
+brightening the home and making it attractive.
+</p>
+
+<p>
+Almost every one danced but the twins, who could not be induced to separate
+during the brief period when one or the other should be whirling around the
+room in the arms of a man. They might have danced together, but they did not
+think of it.
+</p>
+
+<p>
+The children were sent to bed. Some went submissively; others with shrieks and
+protests as they were dragged away. They had been permitted to sit up till
+after the ice-cream, which naturally marked the limit of human indulgence.
+</p>
+
+<p>
+The ice-cream was passed around with cake&mdash;gold and silver cake arranged
+on platters in alternate slices; it had been made and frozen during the
+afternoon back of the kitchen by two black women, under the supervision of
+Victor. It was pronounced a great success&mdash;excellent if it had only
+contained a little less vanilla or a little more sugar, if it had been frozen a
+degree harder, and if the salt might have been kept out of portions of it.
+Victor was proud of his achievement, and went about recommending it and urging
+every one to partake of it to excess.
+</p>
+
+<p>
+After Mrs. Pontellier had danced twice with her husband, once with Robert, and
+once with Monsieur Ratignolle, who was thin and tall and swayed like a reed in
+the wind when he danced, she went out on the gallery and seated herself on the
+low window-sill, where she commanded a view of all that went on in the hall and
+could look out toward the Gulf. There was a soft effulgence in the east. The
+moon was coming up, and its mystic shimmer was casting a million lights across
+the distant, restless water.
+</p>
+
+<p>
+&ldquo;Would you like to hear Mademoiselle Reisz play?&rdquo; asked Robert,
+coming out on the porch where she was. Of course Edna would like to hear
+Mademoiselle Reisz play; but she feared it would be useless to entreat her.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll ask her,&rdquo; he said. &ldquo;I&rsquo;ll tell her that you
+want to hear her. She likes you. She will come.&rdquo; He turned and hurried
+away to one of the far cottages, where Mademoiselle Reisz was shuffling away.
+She was dragging a chair in and out of her room, and at intervals objecting to
+the crying of a baby, which a nurse in the adjoining cottage was endeavoring to
+put to sleep. She was a disagreeable little woman, no longer young, who had
+quarreled with almost every one, owing to a temper which was self-assertive and
+a disposition to trample upon the rights of others. Robert prevailed upon her
+without any too great difficulty.
+</p>
+
+<p>
+She entered the hall with him during a lull in the dance. She made an awkward,
+imperious little bow as she went in. She was a homely woman, with a small
+weazened face and body and eyes that glowed. She had absolutely no taste in
+dress, and wore a batch of rusty black lace with a bunch of artificial violets
+pinned to the side of her hair.
+</p>
+
+<p>
+&ldquo;Ask Mrs. Pontellier what she would like to hear me play,&rdquo; she
+requested of Robert. She sat perfectly still before the piano, not touching the
+keys, while Robert carried her message to Edna at the window. A general air of
+surprise and genuine satisfaction fell upon every one as they saw the pianist
+enter. There was a settling down, and a prevailing air of expectancy
+everywhere. Edna was a trifle embarrassed at being thus signaled out for the
+imperious little woman&rsquo;s favor. She would not dare to choose, and begged
+that Mademoiselle Reisz would please herself in her selections.
+</p>
+
+<p>
+Edna was what she herself called very fond of music. Musical strains, well
+rendered, had a way of evoking pictures in her mind. She sometimes liked to sit
+in the room of mornings when Madame Ratignolle played or practiced. One piece
+which that lady played Edna had entitled &ldquo;Solitude.&rdquo; It was a
+short, plaintive, minor strain. The name of the piece was something else, but
+she called it &ldquo;Solitude.&rdquo; When she heard it there came before her
+imagination the figure of a man standing beside a desolate rock on the
+seashore. He was naked. His attitude was one of hopeless resignation as he
+looked toward a distant bird winging its flight away from him.
+</p>
+
+<p>
+Another piece called to her mind a dainty young woman clad in an Empire gown,
+taking mincing dancing steps as she came down a long avenue between tall
+hedges. Again, another reminded her of children at play, and still another of
+nothing on earth but a demure lady stroking a cat.
+</p>
+
+<p>
+The very first chords which Mademoiselle Reisz struck upon the piano sent a
+keen tremor down Mrs. Pontellier&rsquo;s spinal column. It was not the first
+time she had heard an artist at the piano. Perhaps it was the first time she
+was ready, perhaps the first time her being was tempered to take an impress of
+the abiding truth.
+</p>
+
+<p>
+She waited for the material pictures which she thought would gather and blaze
+before her imagination. She waited in vain. She saw no pictures of solitude, of
+hope, of longing, or of despair. But the very passions themselves were aroused
+within her soul, swaying it, lashing it, as the waves daily beat upon her
+splendid body. She trembled, she was choking, and the tears blinded her.
+</p>
+
+<p>
+Mademoiselle had finished. She arose, and bowing her stiff, lofty bow, she went
+away, stopping for neither thanks nor applause. As she passed along the gallery
+she patted Edna upon the shoulder.
+</p>
+
+<p>
+&ldquo;Well, how did you like my music?&rdquo; she asked. The young woman was
+unable to answer; she pressed the hand of the pianist convulsively.
+Mademoiselle Reisz perceived her agitation and even her tears. She patted her
+again upon the shoulder as she said:
+</p>
+
+<p>
+&ldquo;You are the only one worth playing for. Those others? Bah!&rdquo; and
+she went shuffling and sidling on down the gallery toward her room.
+</p>
+
+<p>
+But she was mistaken about &ldquo;those others.&rdquo; Her playing had aroused
+a fever of enthusiasm. &ldquo;What passion!&rdquo; &ldquo;What an
+artist!&rdquo; &ldquo;I have always said no one could play Chopin like
+Mademoiselle Reisz!&rdquo; &ldquo;That last prelude! Bon Dieu! It shakes a
+man!&rdquo;
+</p>
+
+<p>
+It was growing late, and there was a general disposition to disband. But some
+one, perhaps it was Robert, thought of a bath at that mystic hour and under
+that mystic moon.
+</p>
+
+<h3><a name="link2H_4_0011" id="link2H_4_0011"></a>X</h3>
+
+<p>
+At all events Robert proposed it, and there was not a dissenting voice. There
+was not one but was ready to follow when he led the way. He did not lead the
+way, however, he directed the way; and he himself loitered behind with the
+lovers, who had betrayed a disposition to linger and hold themselves apart. He
+walked between them, whether with malicious or mischievous intent was not
+wholly clear, even to himself.
+</p>
+
+<p>
+The Pontelliers and Ratignolles walked ahead; the women leaning upon the arms
+of their husbands. Edna could hear Robert&rsquo;s voice behind them, and could
+sometimes hear what he said. She wondered why he did not join them. It was
+unlike him not to. Of late he had sometimes held away from her for an entire
+day, redoubling his devotion upon the next and the next, as though to make up
+for hours that had been lost. She missed him the days when some pretext served
+to take him away from her, just as one misses the sun on a cloudy day without
+having thought much about the sun when it was shining.
+</p>
+
+<p>
+The people walked in little groups toward the beach. They talked and laughed;
+some of them sang. There was a band playing down at Klein&rsquo;s hotel, and
+the strains reached them faintly, tempered by the distance. There were strange,
+rare odors abroad&mdash;a tangle of the sea smell and of weeds and damp,
+new-plowed earth, mingled with the heavy perfume of a field of white blossoms
+somewhere near. But the night sat lightly upon the sea and the land. There was
+no weight of darkness; there were no shadows. The white light of the moon had
+fallen upon the world like the mystery and the softness of sleep.
+</p>
+
+<p>
+Most of them walked into the water as though into a native element. The sea was
+quiet now, and swelled lazily in broad billows that melted into one another and
+did not break except upon the beach in little foamy crests that coiled back
+like slow, white serpents.
+</p>
+
+<p>
+Edna had attempted all summer to learn to swim. She had received instructions
+from both the men and women; in some instances from the children. Robert had
+pursued a system of lessons almost daily; and he was nearly at the point of
+discouragement in realizing the futility of his efforts. A certain ungovernable
+dread hung about her when in the water, unless there was a hand near by that
+might reach out and reassure her.
+</p>
+
+<p>
+But that night she was like the little tottering, stumbling, clutching child,
+who of a sudden realizes its powers, and walks for the first time alone, boldly
+and with over-confidence. She could have shouted for joy. She did shout for
+joy, as with a sweeping stroke or two she lifted her body to the surface of the
+water.
+</p>
+
+<p>
+A feeling of exultation overtook her, as if some power of significant import
+had been given her to control the working of her body and her soul. She grew
+daring and reckless, overestimating her strength. She wanted to swim far out,
+where no woman had swum before.
+</p>
+
+<p>
+Her unlooked-for achievement was the subject of wonder, applause, and
+admiration. Each one congratulated himself that his special teachings had
+accomplished this desired end.
+</p>
+
+<p>
+&ldquo;How easy it is!&rdquo; she thought. &ldquo;It is nothing,&rdquo; she
+said aloud; &ldquo;why did I not discover before that it was nothing. Think of
+the time I have lost splashing about like a baby!&rdquo; She would not join the
+groups in their sports and bouts, but intoxicated with her newly conquered
+power, she swam out alone.
+</p>
+
+<p>
+She turned her face seaward to gather in an impression of space and solitude,
+which the vast expanse of water, meeting and melting with the moonlit sky,
+conveyed to her excited fancy. As she swam she seemed to be reaching out for
+the unlimited in which to lose herself.
+</p>
+
+<p>
+Once she turned and looked toward the shore, toward the people she had left
+there. She had not gone any great distance&mdash;that is, what would have been
+a great distance for an experienced swimmer. But to her unaccustomed vision the
+stretch of water behind her assumed the aspect of a barrier which her unaided
+strength would never be able to overcome.
+</p>
+
+<p>
+A quick vision of death smote her soul, and for a second of time appalled and
+enfeebled her senses. But by an effort she rallied her staggering faculties and
+managed to regain the land.
+</p>
+
+<p>
+She made no mention of her encounter with death and her flash of terror, except
+to say to her husband, &ldquo;I thought I should have perished out there
+alone.&rdquo;
+</p>
+
+<p>
+&ldquo;You were not so very far, my dear; I was watching you,&rdquo; he told
+her.
+</p>
+
+<p>
+Edna went at once to the bath-house, and she had put on her dry clothes and was
+ready to return home before the others had left the water. She started to walk
+away alone. They all called to her and shouted to her. She waved a dissenting
+hand, and went on, paying no further heed to their renewed cries which sought
+to detain her.
+</p>
+
+<p>
+&ldquo;Sometimes I am tempted to think that Mrs. Pontellier is
+capricious,&rdquo; said Madame Lebrun, who was amusing herself immensely and
+feared that Edna&rsquo;s abrupt departure might put an end to the pleasure.
+</p>
+
+<p>
+&ldquo;I know she is,&rdquo; assented Mr. Pontellier; &ldquo;sometimes, not
+often.&rdquo;
+</p>
+
+<p>
+Edna had not traversed a quarter of the distance on her way home before she was
+overtaken by Robert.
+</p>
+
+<p>
+&ldquo;Did you think I was afraid?&rdquo; she asked him, without a shade of
+annoyance.
+</p>
+
+<p>
+&ldquo;No; I knew you weren&rsquo;t afraid.&rdquo;
+</p>
+
+<p>
+&ldquo;Then why did you come? Why didn&rsquo;t you stay out there with the
+others?&rdquo;
+</p>
+
+<p>
+&ldquo;I never thought of it.&rdquo;
+</p>
+
+<p>
+&ldquo;Thought of what?&rdquo;
+</p>
+
+<p>
+&ldquo;Of anything. What difference does it make?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m very tired,&rdquo; she uttered, complainingly.
+</p>
+
+<p>
+&ldquo;I know you are.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t know anything about it. Why should you know? I never was
+so exhausted in my life. But it isn&rsquo;t unpleasant. A thousand emotions
+have swept through me to-night. I don&rsquo;t comprehend half of them.
+Don&rsquo;t mind what I&rsquo;m saying; I am just thinking aloud. I wonder if I
+shall ever be stirred again as Mademoiselle Reisz&rsquo;s playing moved me
+to-night. I wonder if any night on earth will ever again be like this one. It
+is like a night in a dream. The people about me are like some uncanny,
+half-human beings. There must be spirits abroad to-night.&rdquo;
+</p>
+
+<p>
+&ldquo;There are,&rdquo; whispered Robert, &ldquo;Didn&rsquo;t you know this
+was the twenty-eighth of August?&rdquo;
+</p>
+
+<p>
+&ldquo;The twenty-eighth of August?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. On the twenty-eighth of August, at the hour of midnight, and if the
+moon is shining&mdash;the moon must be shining&mdash;a spirit that has haunted
+these shores for ages rises up from the Gulf. With its own penetrating vision
+the spirit seeks some one mortal worthy to hold him company, worthy of being
+exalted for a few hours into realms of the semi-celestials. His search has
+always hitherto been fruitless, and he has sunk back, disheartened, into the
+sea. But to-night he found Mrs. Pontellier. Perhaps he will never wholly
+release her from the spell. Perhaps she will never again suffer a poor,
+unworthy earthling to walk in the shadow of her divine presence.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t banter me,&rdquo; she said, wounded at what appeared to be
+his flippancy. He did not mind the entreaty, but the tone with its delicate
+note of pathos was like a reproach. He could not explain; he could not tell her
+that he had penetrated her mood and understood. He said nothing except to offer
+her his arm, for, by her own admission, she was exhausted. She had been walking
+alone with her arms hanging limp, letting her white skirts trail along the dewy
+path. She took his arm, but she did not lean upon it. She let her hand lie
+listlessly, as though her thoughts were elsewhere&mdash;somewhere in advance of
+her body, and she was striving to overtake them.
+</p>
+
+<p>
+Robert assisted her into the hammock which swung from the post before her door
+out to the trunk of a tree.
+</p>
+
+<p>
+&ldquo;Will you stay out here and wait for Mr. Pontellier?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll stay out here. Good-night.&rdquo;
+</p>
+
+<p>
+&ldquo;Shall I get you a pillow?&rdquo;
+</p>
+
+<p>
+&ldquo;There&rsquo;s one here,&rdquo; she said, feeling about, for they were in
+the shadow.
+</p>
+
+<p>
+&ldquo;It must be soiled; the children have been tumbling it about.&rdquo;
+</p>
+
+<p>
+&ldquo;No matter.&rdquo; And having discovered the pillow, she adjusted it
+beneath her head. She extended herself in the hammock with a deep breath of
+relief. She was not a supercilious or an over-dainty woman. She was not much
+given to reclining in the hammock, and when she did so it was with no cat-like
+suggestion of voluptuous ease, but with a beneficent repose which seemed to
+invade her whole body.
+</p>
+
+<p>
+&ldquo;Shall I stay with you till Mr. Pontellier comes?&rdquo; asked Robert,
+seating himself on the outer edge of one of the steps and taking hold of the
+hammock rope which was fastened to the post.
+</p>
+
+<p>
+&ldquo;If you wish. Don&rsquo;t swing the hammock. Will you get my white shawl
+which I left on the window-sill over at the house?&rdquo;
+</p>
+
+<p>
+&ldquo;Are you chilly?&rdquo;
+</p>
+
+<p>
+&ldquo;No; but I shall be presently.&rdquo;
+</p>
+
+<p>
+&ldquo;Presently?&rdquo; he laughed. &ldquo;Do you know what time it is? How
+long are you going to stay out here?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know. Will you get the shawl?&rdquo;
+</p>
+
+<p>
+&ldquo;Of course I will,&rdquo; he said, rising. He went over to the house,
+walking along the grass. She watched his figure pass in and out of the strips
+of moonlight. It was past midnight. It was very quiet.
+</p>
+
+<p>
+When he returned with the shawl she took it and kept it in her hand. She did
+not put it around her.
+</p>
+
+<p>
+&ldquo;Did you say I should stay till Mr. Pontellier came back?&rdquo;
+</p>
+
+<p>
+&ldquo;I said you might if you wished to.&rdquo;
+</p>
+
+<p>
+He seated himself again and rolled a cigarette, which he smoked in silence.
+Neither did Mrs. Pontellier speak. No multitude of words could have been more
+significant than those moments of silence, or more pregnant with the first-felt
+throbbings of desire.
+</p>
+
+<p>
+When the voices of the bathers were heard approaching, Robert said good-night.
+She did not answer him. He thought she was asleep. Again she watched his figure
+pass in and out of the strips of moonlight as he walked away.
+</p>
+
+<h3><a name="link2H_4_0012" id="link2H_4_0012"></a>XI</h3>
+
+<p>
+&ldquo;What are you doing out here, Edna? I thought I should find you in
+bed,&rdquo; said her husband, when he discovered her lying there. He had walked
+up with Madame Lebrun and left her at the house. His wife did not reply.
+</p>
+
+<p>
+&ldquo;Are you asleep?&rdquo; he asked, bending down close to look at her.
+</p>
+
+<p>
+&ldquo;No.&rdquo; Her eyes gleamed bright and intense, with no sleepy shadows,
+as they looked into his.
+</p>
+
+<p>
+&ldquo;Do you know it is past one o&rsquo;clock? Come on,&rdquo; and he mounted
+the steps and went into their room.
+</p>
+
+<p>
+&ldquo;Edna!&rdquo; called Mr. Pontellier from within, after a few moments had
+gone by.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t wait for me,&rdquo; she answered. He thrust his head through
+the door.
+</p>
+
+<p>
+&ldquo;You will take cold out there,&rdquo; he said, irritably. &ldquo;What
+folly is this? Why don&rsquo;t you come in?&rdquo;
+</p>
+
+<p>
+&ldquo;It isn&rsquo;t cold; I have my shawl.&rdquo;
+</p>
+
+<p>
+&ldquo;The mosquitoes will devour you.&rdquo;
+</p>
+
+<p>
+&ldquo;There are no mosquitoes.&rdquo;
+</p>
+
+<p>
+She heard him moving about the room; every sound indicating impatience and
+irritation. Another time she would have gone in at his request. She would,
+through habit, have yielded to his desire; not with any sense of submission or
+obedience to his compelling wishes, but unthinkingly, as we walk, move, sit,
+stand, go through the daily treadmill of the life which has been portioned out
+to us.
+</p>
+
+<p>
+&ldquo;Edna, dear, are you not coming in soon?&rdquo; he asked again, this time
+fondly, with a note of entreaty.
+</p>
+
+<p>
+&ldquo;No; I am going to stay out here.&rdquo;
+</p>
+
+<p>
+&ldquo;This is more than folly,&rdquo; he blurted out. &ldquo;I can&rsquo;t
+permit you to stay out there all night. You must come in the house
+instantly.&rdquo;
+</p>
+
+<p>
+With a writhing motion she settled herself more securely in the hammock. She
+perceived that her will had blazed up, stubborn and resistant. She could not at
+that moment have done other than denied and resisted. She wondered if her
+husband had ever spoken to her like that before, and if she had submitted to
+his command. Of course she had; she remembered that she had. But she could not
+realize why or how she should have yielded, feeling as she then did.
+</p>
+
+<p>
+&ldquo;Léonce, go to bed,&rdquo; she said, &ldquo;I mean to stay out here. I
+don&rsquo;t wish to go in, and I don&rsquo;t intend to. Don&rsquo;t speak to me
+like that again; I shall not answer you.&rdquo;
+</p>
+
+<p>
+Mr. Pontellier had prepared for bed, but he slipped on an extra garment. He
+opened a bottle of wine, of which he kept a small and select supply in a buffet
+of his own. He drank a glass of the wine and went out on the gallery and
+offered a glass to his wife. She did not wish any. He drew up the rocker,
+hoisted his slippered feet on the rail, and proceeded to smoke a cigar. He
+smoked two cigars; then he went inside and drank another glass of wine. Mrs.
+Pontellier again declined to accept a glass when it was offered to her. Mr.
+Pontellier once more seated himself with elevated feet, and after a reasonable
+interval of time smoked some more cigars.
+</p>
+
+<p>
+Edna began to feel like one who awakens gradually out of a dream, a delicious,
+grotesque, impossible dream, to feel again the realities pressing into her
+soul. The physical need for sleep began to overtake her; the exuberance which
+had sustained and exalted her spirit left her helpless and yielding to the
+conditions which crowded her in.
+</p>
+
+<p>
+The stillest hour of the night had come, the hour before dawn, when the world
+seems to hold its breath. The moon hung low, and had turned from silver to
+copper in the sleeping sky. The old owl no longer hooted, and the water-oaks
+had ceased to moan as they bent their heads.
+</p>
+
+<p>
+Edna arose, cramped from lying so long and still in the hammock. She tottered
+up the steps, clutching feebly at the post before passing into the house.
+</p>
+
+<p>
+&ldquo;Are you coming in, Léonce?&rdquo; she asked, turning her face toward her
+husband.
+</p>
+
+<p>
+&ldquo;Yes, dear,&rdquo; he answered, with a glance following a misty puff of
+smoke. &ldquo;Just as soon as I have finished my cigar.&rdquo;
+</p>
+
+<h3><a name="link2H_4_0013" id="link2H_4_0013"></a>XII</h3>
+
+<p>
+She slept but a few hours. They were troubled and feverish hours, disturbed
+with dreams that were intangible, that eluded her, leaving only an impression
+upon her half-awakened senses of something unattainable. She was up and dressed
+in the cool of the early morning. The air was invigorating and steadied
+somewhat her faculties. However, she was not seeking refreshment or help from
+any source, either external or from within. She was blindly following whatever
+impulse moved her, as if she had placed herself in alien hands for direction,
+and freed her soul of responsibility.
+</p>
+
+<p>
+Most of the people at that early hour were still in bed and asleep. A few, who
+intended to go over to the <i>Chênière</i> for mass, were moving about. The
+lovers, who had laid their plans the night before, were already strolling
+toward the wharf. The lady in black, with her Sunday prayer-book, velvet and
+gold-clasped, and her Sunday silver beads, was following them at no great
+distance. Old Monsieur Farival was up, and was more than half inclined to do
+anything that suggested itself. He put on his big straw hat, and taking his
+umbrella from the stand in the hall, followed the lady in black, never
+overtaking her.
+</p>
+
+<p>
+The little negro girl who worked Madame Lebrun&rsquo;s sewing-machine was
+sweeping the galleries with long, absent-minded strokes of the broom. Edna sent
+her up into the house to awaken Robert.
+</p>
+
+<p>
+&ldquo;Tell him I am going to the <i>Chênière</i>. The boat is ready; tell him
+to hurry.&rdquo;
+</p>
+
+<p>
+He had soon joined her. She had never sent for him before. She had never asked
+for him. She had never seemed to want him before. She did not appear conscious
+that she had done anything unusual in commanding his presence. He was
+apparently equally unconscious of anything extraordinary in the situation. But
+his face was suffused with a quiet glow when he met her.
+</p>
+
+<p>
+They went together back to the kitchen to drink coffee. There was no time to
+wait for any nicety of service. They stood outside the window and the cook
+passed them their coffee and a roll, which they drank and ate from the
+window-sill. Edna said it tasted good.
+</p>
+
+<p>
+She had not thought of coffee nor of anything. He told her he had often noticed
+that she lacked forethought.
+</p>
+
+<p>
+&ldquo;Wasn&rsquo;t it enough to think of going to the <i>Chênière</i> and
+waking you up?&rdquo; she laughed. &ldquo;Do I have to think of
+everything?&mdash;as Léonce says when he&rsquo;s in a bad humor. I don&rsquo;t
+blame him; he&rsquo;d never be in a bad humor if it weren&rsquo;t for
+me.&rdquo;
+</p>
+
+<p>
+They took a short cut across the sands. At a distance they could see the
+curious procession moving toward the wharf&mdash;the lovers, shoulder to
+shoulder, creeping; the lady in black, gaining steadily upon them; old Monsieur
+Farival, losing ground inch by inch, and a young barefooted Spanish girl, with
+a red kerchief on her head and a basket on her arm, bringing up the rear.
+</p>
+
+<p>
+Robert knew the girl, and he talked to her a little in the boat. No one present
+understood what they said. Her name was Mariequita. She had a round, sly,
+piquant face and pretty black eyes. Her hands were small, and she kept them
+folded over the handle of her basket. Her feet were broad and coarse. She did
+not strive to hide them. Edna looked at her feet, and noticed the sand and
+slime between her brown toes.
+</p>
+
+<p>
+Beaudelet grumbled because Mariequita was there, taking up so much room. In
+reality he was annoyed at having old Monsieur Farival, who considered himself
+the better sailor of the two. But he would not quarrel with so old a man as
+Monsieur Farival, so he quarreled with Mariequita. The girl was deprecatory at
+one moment, appealing to Robert. She was saucy the next, moving her head up and
+down, making &ldquo;eyes&rdquo; at Robert and making &ldquo;mouths&rdquo; at
+Beaudelet.
+</p>
+
+<p>
+The lovers were all alone. They saw nothing, they heard nothing. The lady in
+black was counting her beads for the third time. Old Monsieur Farival talked
+incessantly of what he knew about handling a boat, and of what Beaudelet did
+not know on the same subject.
+</p>
+
+<p>
+Edna liked it all. She looked Mariequita up and down, from her ugly brown toes
+to her pretty black eyes, and back again.
+</p>
+
+<p>
+&ldquo;Why does she look at me like that?&rdquo; inquired the girl of Robert.
+</p>
+
+<p>
+&ldquo;Maybe she thinks you are pretty. Shall I ask her?&rdquo;
+</p>
+
+<p>
+&ldquo;No. Is she your sweetheart?&rdquo;
+</p>
+
+<p>
+&ldquo;She&rsquo;s a married lady, and has two children.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! well! Francisco ran away with Sylvano&rsquo;s wife, who had four
+children. They took all his money and one of the children and stole his
+boat.&rdquo;
+</p>
+
+<p>
+&ldquo;Shut up!&rdquo;
+</p>
+
+<p>
+&ldquo;Does she understand?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, hush!&rdquo;
+</p>
+
+<p>
+&ldquo;Are those two married over there&mdash;leaning on each other?&rdquo;
+</p>
+
+<p>
+&ldquo;Of course not,&rdquo; laughed Robert.
+</p>
+
+<p>
+&ldquo;Of course not,&rdquo; echoed Mariequita, with a serious, confirmatory
+bob of the head.
+</p>
+
+<p>
+The sun was high up and beginning to bite. The swift breeze seemed to Edna to
+bury the sting of it into the pores of her face and hands. Robert held his
+umbrella over her. As they went cutting sidewise through the water, the sails
+bellied taut, with the wind filling and overflowing them. Old Monsieur Farival
+laughed sardonically at something as he looked at the sails, and Beaudelet
+swore at the old man under his breath.
+</p>
+
+<p>
+Sailing across the bay to the <i>Chênière Caminada</i>, Edna felt as if she
+were being borne away from some anchorage which had held her fast, whose chains
+had been loosening&mdash;had snapped the night before when the mystic spirit
+was abroad, leaving her free to drift whithersoever she chose to set her sails.
+Robert spoke to her incessantly; he no longer noticed Mariequita. The girl had
+shrimps in her bamboo basket. They were covered with Spanish moss. She beat the
+moss down impatiently, and muttered to herself sullenly.
+</p>
+
+<p>
+&ldquo;Let us go to Grande Terre to-morrow?&rdquo; said Robert in a low voice.
+</p>
+
+<p>
+&ldquo;What shall we do there?&rdquo;
+</p>
+
+<p>
+&ldquo;Climb up the hill to the old fort and look at the little wriggling gold
+snakes, and watch the lizards sun themselves.&rdquo;
+</p>
+
+<p>
+She gazed away toward Grande Terre and thought she would like to be alone there
+with Robert, in the sun, listening to the ocean&rsquo;s roar and watching the
+slimy lizards writhe in and out among the ruins of the old fort.
+</p>
+
+<p>
+&ldquo;And the next day or the next we can sail to the Bayou Brulow,&rdquo; he
+went on.
+</p>
+
+<p>
+&ldquo;What shall we do there?&rdquo;
+</p>
+
+<p>
+&ldquo;Anything&mdash;cast bait for fish.&rdquo;
+</p>
+
+<p>
+&ldquo;No; we&rsquo;ll go back to Grande Terre. Let the fish alone.&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;ll go wherever you like,&rdquo; he said. &ldquo;I&rsquo;ll have
+Tonie come over and help me patch and trim my boat. We shall not need Beaudelet
+nor any one. Are you afraid of the pirogue?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, no.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I&rsquo;ll take you some night in the pirogue when the moon shines.
+Maybe your Gulf spirit will whisper to you in which of these islands the
+treasures are hidden&mdash;direct you to the very spot, perhaps.&rdquo;
+</p>
+
+<p>
+&ldquo;And in a day we should be rich!&rdquo; she laughed. &ldquo;I&rsquo;d
+give it all to you, the pirate gold and every bit of treasure we could dig up.
+I think you would know how to spend it. Pirate gold isn&rsquo;t a thing to be
+hoarded or utilized. It is something to squander and throw to the four winds,
+for the fun of seeing the golden specks fly.&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;d share it, and scatter it together,&rdquo; he said. His face
+flushed.
+</p>
+
+<p>
+They all went together up to the quaint little Gothic church of Our Lady of
+Lourdes, gleaming all brown and yellow with paint in the sun&rsquo;s glare.
+</p>
+
+<p>
+Only Beaudelet remained behind, tinkering at his boat, and Mariequita walked
+away with her basket of shrimps, casting a look of childish ill humor and
+reproach at Robert from the corner of her eye.
+</p>
+
+<h3><a name="link2H_4_0014" id="link2H_4_0014"></a>XIII</h3>
+
+<p>
+A feeling of oppression and drowsiness overcame Edna during the service. Her
+head began to ache, and the lights on the altar swayed before her eyes. Another
+time she might have made an effort to regain her composure; but her one thought
+was to quit the stifling atmosphere of the church and reach the open air. She
+arose, climbing over Robert&rsquo;s feet with a muttered apology. Old Monsieur
+Farival, flurried, curious, stood up, but upon seeing that Robert had followed
+Mrs. Pontellier, he sank back into his seat. He whispered an anxious inquiry of
+the lady in black, who did not notice him or reply, but kept her eyes fastened
+upon the pages of her velvet prayer-book.
+</p>
+
+<p>
+&ldquo;I felt giddy and almost overcome,&rdquo; Edna said, lifting her hands
+instinctively to her head and pushing her straw hat up from her forehead.
+&ldquo;I couldn&rsquo;t have stayed through the service.&rdquo; They were
+outside in the shadow of the church. Robert was full of solicitude.
+</p>
+
+<p>
+&ldquo;It was folly to have thought of going in the first place, let alone
+staying. Come over to Madame Antoine&rsquo;s; you can rest there.&rdquo; He
+took her arm and led her away, looking anxiously and continuously down into her
+face.
+</p>
+
+<p>
+How still it was, with only the voice of the sea whispering through the reeds
+that grew in the salt-water pools! The long line of little gray, weather-beaten
+houses nestled peacefully among the orange trees. It must always have been
+God&rsquo;s day on that low, drowsy island, Edna thought. They stopped, leaning
+over a jagged fence made of sea-drift, to ask for water. A youth, a mild-faced
+Acadian, was drawing water from the cistern, which was nothing more than a
+rusty buoy, with an opening on one side, sunk in the ground. The water which
+the youth handed to them in a tin pail was not cold to taste, but it was cool
+to her heated face, and it greatly revived and refreshed her.
+</p>
+
+<p>
+Madame Antoine&rsquo;s cot was at the far end of the village. She welcomed them
+with all the native hospitality, as she would have opened her door to let the
+sunlight in. She was fat, and walked heavily and clumsily across the floor. She
+could speak no English, but when Robert made her understand that the lady who
+accompanied him was ill and desired to rest, she was all eagerness to make Edna
+feel at home and to dispose of her comfortably.
+</p>
+
+<p>
+The whole place was immaculately clean, and the big, four-posted bed,
+snow-white, invited one to repose. It stood in a small side room which looked
+out across a narrow grass plot toward the shed, where there was a disabled boat
+lying keel upward.
+</p>
+
+<p>
+Madame Antoine had not gone to mass. Her son Tonie had, but she supposed he
+would soon be back, and she invited Robert to be seated and wait for him. But
+he went and sat outside the door and smoked. Madame Antoine busied herself in
+the large front room preparing dinner. She was boiling mullets over a few red
+coals in the huge fireplace.
+</p>
+
+<p>
+Edna, left alone in the little side room, loosened her clothes, removing the
+greater part of them. She bathed her face, her neck and arms in the basin that
+stood between the windows. She took off her shoes and stockings and stretched
+herself in the very center of the high, white bed. How luxurious it felt to
+rest thus in a strange, quaint bed, with its sweet country odor of laurel
+lingering about the sheets and mattress! She stretched her strong limbs that
+ached a little. She ran her fingers through her loosened hair for a while. She
+looked at her round arms as she held them straight up and rubbed them one after
+the other, observing closely, as if it were something she saw for the first
+time, the fine, firm quality and texture of her flesh. She clasped her hands
+easily above her head, and it was thus she fell asleep.
+</p>
+
+<p>
+She slept lightly at first, half awake and drowsily attentive to the things
+about her. She could hear Madame Antoine&rsquo;s heavy, scraping tread as she
+walked back and forth on the sanded floor. Some chickens were clucking outside
+the windows, scratching for bits of gravel in the grass. Later she half heard
+the voices of Robert and Tonie talking under the shed. She did not stir. Even
+her eyelids rested numb and heavily over her sleepy eyes. The voices went
+on&mdash;Tonie&rsquo;s slow, Acadian drawl, Robert&rsquo;s quick, soft, smooth
+French. She understood French imperfectly unless directly addressed, and the
+voices were only part of the other drowsy, muffled sounds lulling her senses.
+</p>
+
+<p>
+When Edna awoke it was with the conviction that she had slept long and soundly.
+The voices were hushed under the shed. Madame Antoine&rsquo;s step was no
+longer to be heard in the adjoining room. Even the chickens had gone elsewhere
+to scratch and cluck. The mosquito bar was drawn over her; the old woman had
+come in while she slept and let down the bar. Edna arose quietly from the bed,
+and looking between the curtains of the window, she saw by the slanting rays of
+the sun that the afternoon was far advanced. Robert was out there under the
+shed, reclining in the shade against the sloping keel of the overturned boat.
+He was reading from a book. Tonie was no longer with him. She wondered what had
+become of the rest of the party. She peeped out at him two or three times as
+she stood washing herself in the little basin between the windows.
+</p>
+
+<p>
+Madame Antoine had laid some coarse, clean towels upon a chair, and had placed
+a box of <i>poudre de riz</i> within easy reach. Edna dabbed the powder upon
+her nose and cheeks as she looked at herself closely in the little distorted
+mirror which hung on the wall above the basin. Her eyes were bright and wide
+awake and her face glowed.
+</p>
+
+<p>
+When she had completed her toilet she walked into the adjoining room. She was
+very hungry. No one was there. But there was a cloth spread upon the table that
+stood against the wall, and a cover was laid for one, with a crusty brown loaf
+and a bottle of wine beside the plate. Edna bit a piece from the brown loaf,
+tearing it with her strong, white teeth. She poured some of the wine into the
+glass and drank it down. Then she went softly out of doors, and plucking an
+orange from the low-hanging bough of a tree, threw it at Robert, who did not
+know she was awake and up.
+</p>
+
+<p>
+An illumination broke over his whole face when he saw her and joined her under
+the orange tree.
+</p>
+
+<p>
+&ldquo;How many years have I slept?&rdquo; she inquired. &ldquo;The whole
+island seems changed. A new race of beings must have sprung up, leaving only
+you and me as past relics. How many ages ago did Madame Antoine and Tonie die?
+and when did our people from Grand Isle disappear from the earth?&rdquo;
+</p>
+
+<p>
+He familiarly adjusted a ruffle upon her shoulder.
+</p>
+
+<p>
+&ldquo;You have slept precisely one hundred years. I was left here to guard
+your slumbers; and for one hundred years I have been out under the shed reading
+a book. The only evil I couldn&rsquo;t prevent was to keep a broiled fowl from
+drying up.&rdquo;
+</p>
+
+<p>
+&ldquo;If it has turned to stone, still will I eat it,&rdquo; said Edna, moving
+with him into the house. &ldquo;But really, what has become of Monsieur Farival
+and the others?&rdquo;
+</p>
+
+<p>
+&ldquo;Gone hours ago. When they found that you were sleeping they thought it
+best not to awake you. Any way, I wouldn&rsquo;t have let them. What was I here
+for?&rdquo;
+</p>
+
+<p>
+&ldquo;I wonder if Léonce will be uneasy!&rdquo; she speculated, as she seated
+herself at table.
+</p>
+
+<p>
+&ldquo;Of course not; he knows you are with me,&rdquo; Robert replied, as he
+busied himself among sundry pans and covered dishes which had been left
+standing on the hearth.
+</p>
+
+<p>
+&ldquo;Where are Madame Antoine and her son?&rdquo; asked Edna.
+</p>
+
+<p>
+&ldquo;Gone to Vespers, and to visit some friends, I believe. I am to take you
+back in Tonie&rsquo;s boat whenever you are ready to go.&rdquo;
+</p>
+
+<p>
+He stirred the smoldering ashes till the broiled fowl began to sizzle afresh.
+He served her with no mean repast, dripping the coffee anew and sharing it with
+her. Madame Antoine had cooked little else than the mullets, but while Edna
+slept Robert had foraged the island. He was childishly gratified to discover
+her appetite, and to see the relish with which she ate the food which he had
+procured for her.
+</p>
+
+<p>
+&ldquo;Shall we go right away?&rdquo; she asked, after draining her glass and
+brushing together the crumbs of the crusty loaf.
+</p>
+
+<p>
+&ldquo;The sun isn&rsquo;t as low as it will be in two hours,&rdquo; he
+answered.
+</p>
+
+<p>
+&ldquo;The sun will be gone in two hours.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, let it go; who cares!&rdquo;
+</p>
+
+<p>
+They waited a good while under the orange trees, till Madame Antoine came back,
+panting, waddling, with a thousand apologies to explain her absence. Tonie did
+not dare to return. He was shy, and would not willingly face any woman except
+his mother.
+</p>
+
+<p>
+It was very pleasant to stay there under the orange trees, while the sun dipped
+lower and lower, turning the western sky to flaming copper and gold. The
+shadows lengthened and crept out like stealthy, grotesque monsters across the
+grass.
+</p>
+
+<p>
+Edna and Robert both sat upon the ground&mdash;that is, he lay upon the ground
+beside her, occasionally picking at the hem of her muslin gown.
+</p>
+
+<p>
+Madame Antoine seated her fat body, broad and squat, upon a bench beside the
+door. She had been talking all the afternoon, and had wound herself up to the
+storytelling pitch.
+</p>
+
+<p>
+And what stories she told them! But twice in her life she had left the
+<i>Chênière Caminada</i>, and then for the briefest span. All her years she had
+squatted and waddled there upon the island, gathering legends of the
+Baratarians and the sea. The night came on, with the moon to lighten it. Edna
+could hear the whispering voices of dead men and the click of muffled gold.
+</p>
+
+<p>
+When she and Robert stepped into Tonie&rsquo;s boat, with the red lateen sail,
+misty spirit forms were prowling in the shadows and among the reeds, and upon
+the water were phantom ships, speeding to cover.
+</p>
+
+<h3><a name="link2H_4_0015" id="link2H_4_0015"></a>XIV</h3>
+
+<p>
+The youngest boy, Etienne, had been very naughty, Madame Ratignolle said, as
+she delivered him into the hands of his mother. He had been unwilling to go to
+bed and had made a scene; whereupon she had taken charge of him and pacified
+him as well as she could. Raoul had been in bed and asleep for two hours.
+</p>
+
+<p>
+The youngster was in his long white nightgown, that kept tripping him up as
+Madame Ratignolle led him along by the hand. With the other chubby fist he
+rubbed his eyes, which were heavy with sleep and ill humor. Edna took him in
+her arms, and seating herself in the rocker, began to coddle and caress him,
+calling him all manner of tender names, soothing him to sleep.
+</p>
+
+<p>
+It was not more than nine o&rsquo;clock. No one had yet gone to bed but the
+children.
+</p>
+
+<p>
+Léonce had been very uneasy at first, Madame Ratignolle said, and had wanted to
+start at once for the <i>Chênière</i>. But Monsieur Farival had assured him
+that his wife was only overcome with sleep and fatigue, that Tonie would bring
+her safely back later in the day; and he had thus been dissuaded from crossing
+the bay. He had gone over to Klein&rsquo;s, looking up some cotton broker whom
+he wished to see in regard to securities, exchanges, stocks, bonds, or
+something of the sort, Madame Ratignolle did not remember what. He said he
+would not remain away late. She herself was suffering from heat and oppression,
+she said. She carried a bottle of salts and a large fan. She would not consent
+to remain with Edna, for Monsieur Ratignolle was alone, and he detested above
+all things to be left alone.
+</p>
+
+<p>
+When Etienne had fallen asleep Edna bore him into the back room, and Robert
+went and lifted the mosquito bar that she might lay the child comfortably in
+his bed. The quadroon had vanished. When they emerged from the cottage Robert
+bade Edna good-night.
+</p>
+
+<p>
+&ldquo;Do you know we have been together the whole livelong day,
+Robert&mdash;since early this morning?&rdquo; she said at parting.
+</p>
+
+<p>
+&ldquo;All but the hundred years when you were sleeping. Good-night.&rdquo;
+</p>
+
+<p>
+He pressed her hand and went away in the direction of the beach. He did not
+join any of the others, but walked alone toward the Gulf.
+</p>
+
+<p>
+Edna stayed outside, awaiting her husband&rsquo;s return. She had no desire to
+sleep or to retire; nor did she feel like going over to sit with the
+Ratignolles, or to join Madame Lebrun and a group whose animated voices reached
+her as they sat in conversation before the house. She let her mind wander back
+over her stay at Grand Isle; and she tried to discover wherein this summer had
+been different from any and every other summer of her life. She could only
+realize that she herself&mdash;her present self&mdash;was in some way different
+from the other self. That she was seeing with different eyes and making the
+acquaintance of new conditions in herself that colored and changed her
+environment, she did not yet suspect.
+</p>
+
+<p>
+She wondered why Robert had gone away and left her. It did not occur to her to
+think he might have grown tired of being with her the livelong day. She was not
+tired, and she felt that he was not. She regretted that he had gone. It was so
+much more natural to have him stay when he was not absolutely required to leave
+her.
+</p>
+
+<p>
+As Edna waited for her husband she sang low a little song that Robert had sung
+as they crossed the bay. It began with &ldquo;Ah! <i>si tu savais</i>,&rdquo;
+and every verse ended with &ldquo;<i>si tu savais</i>.&rdquo;
+</p>
+
+<p>
+Robert&rsquo;s voice was not pretentious. It was musical and true. The voice,
+the notes, the whole refrain haunted her memory.
+</p>
+
+<h3><a name="link2H_4_0016" id="link2H_4_0016"></a>XV</h3>
+
+<p>
+When Edna entered the dining-room one evening a little late, as was her habit,
+an unusually animated conversation seemed to be going on. Several persons were
+talking at once, and Victor&rsquo;s voice was predominating, even over that of
+his mother. Edna had returned late from her bath, had dressed in some haste,
+and her face was flushed. Her head, set off by her dainty white gown, suggested
+a rich, rare blossom. She took her seat at table between old Monsieur Farival
+and Madame Ratignolle.
+</p>
+
+<p>
+As she seated herself and was about to begin to eat her soup, which had been
+served when she entered the room, several persons informed her simultaneously
+that Robert was going to Mexico. She laid her spoon down and looked about her
+bewildered. He had been with her, reading to her all the morning, and had never
+even mentioned such a place as Mexico. She had not seen him during the
+afternoon; she had heard some one say he was at the house, upstairs with his
+mother. This she had thought nothing of, though she was surprised when he did
+not join her later in the afternoon, when she went down to the beach.
+</p>
+
+<p>
+She looked across at him, where he sat beside Madame Lebrun, who presided.
+Edna&rsquo;s face was a blank picture of bewilderment, which she never thought
+of disguising. He lifted his eyebrows with the pretext of a smile as he
+returned her glance. He looked embarrassed and uneasy. &ldquo;When is he
+going?&rdquo; she asked of everybody in general, as if Robert were not there to
+answer for himself.
+</p>
+
+<p>
+&ldquo;To-night!&rdquo; &ldquo;This very evening!&rdquo; &ldquo;Did you
+ever!&rdquo; &ldquo;What possesses him!&rdquo; were some of the replies she
+gathered, uttered simultaneously in French and English.
+</p>
+
+<p>
+&ldquo;Impossible!&rdquo; she exclaimed. &ldquo;How can a person start off from
+Grand Isle to Mexico at a moment&rsquo;s notice, as if he were going over to
+Klein&rsquo;s or to the wharf or down to the beach?&rdquo;
+</p>
+
+<p>
+&ldquo;I said all along I was going to Mexico; I&rsquo;ve been saying so for
+years!&rdquo; cried Robert, in an excited and irritable tone, with the air of a
+man defending himself against a swarm of stinging insects.
+</p>
+
+<p>
+Madame Lebrun knocked on the table with her knife handle.
+</p>
+
+<p>
+&ldquo;Please let Robert explain why he is going, and why he is going
+to-night,&rdquo; she called out. &ldquo;Really, this table is getting to be
+more and more like Bedlam every day, with everybody talking at once.
+Sometimes&mdash;I hope God will forgive me&mdash;but positively, sometimes I
+wish Victor would lose the power of speech.&rdquo;
+</p>
+
+<p>
+Victor laughed sardonically as he thanked his mother for her holy wish, of
+which he failed to see the benefit to anybody, except that it might afford her
+a more ample opportunity and license to talk herself.
+</p>
+
+<p>
+Monsieur Farival thought that Victor should have been taken out in mid-ocean in
+his earliest youth and drowned. Victor thought there would be more logic in
+thus disposing of old people with an established claim for making themselves
+universally obnoxious. Madame Lebrun grew a trifle hysterical; Robert called
+his brother some sharp, hard names.
+</p>
+
+<p>
+&ldquo;There&rsquo;s nothing much to explain, mother,&rdquo; he said; though he
+explained, nevertheless&mdash;looking chiefly at Edna&mdash;that he could only
+meet the gentleman whom he intended to join at Vera Cruz by taking such and
+such a steamer, which left New Orleans on such a day; that Beaudelet was going
+out with his lugger-load of vegetables that night, which gave him an
+opportunity of reaching the city and making his vessel in time.
+</p>
+
+<p>
+&ldquo;But when did you make up your mind to all this?&rdquo; demanded Monsieur
+Farival.
+</p>
+
+<p>
+&ldquo;This afternoon,&rdquo; returned Robert, with a shade of annoyance.
+</p>
+
+<p>
+&ldquo;At what time this afternoon?&rdquo; persisted the old gentleman, with
+nagging determination, as if he were cross-questioning a criminal in a court of
+justice.
+</p>
+
+<p>
+&ldquo;At four o&rsquo;clock this afternoon, Monsieur Farival,&rdquo; Robert
+replied, in a high voice and with a lofty air, which reminded Edna of some
+gentleman on the stage.
+</p>
+
+<p>
+She had forced herself to eat most of her soup, and now she was picking the
+flaky bits of a <i>court bouillon</i> with her fork.
+</p>
+
+<p>
+The lovers were profiting by the general conversation on Mexico to speak in
+whispers of matters which they rightly considered were interesting to no one
+but themselves. The lady in black had once received a pair of prayer-beads of
+curious workmanship from Mexico, with very special indulgence attached to them,
+but she had never been able to ascertain whether the indulgence extended
+outside the Mexican border. Father Fochel of the Cathedral had attempted to
+explain it; but he had not done so to her satisfaction. And she begged that
+Robert would interest himself, and discover, if possible, whether she was
+entitled to the indulgence accompanying the remarkably curious Mexican
+prayer-beads.
+</p>
+
+<p>
+Madame Ratignolle hoped that Robert would exercise extreme caution in dealing
+with the Mexicans, who, she considered, were a treacherous people, unscrupulous
+and revengeful. She trusted she did them no injustice in thus condemning them
+as a race. She had known personally but one Mexican, who made and sold
+excellent tamales, and whom she would have trusted implicitly, so soft-spoken
+was he. One day he was arrested for stabbing his wife. She never knew whether
+he had been hanged or not.
+</p>
+
+<p>
+Victor had grown hilarious, and was attempting to tell an anecdote about a
+Mexican girl who served chocolate one winter in a restaurant in Dauphine
+Street. No one would listen to him but old Monsieur Farival, who went into
+convulsions over the droll story.
+</p>
+
+<p>
+Edna wondered if they had all gone mad, to be talking and clamoring at that
+rate. She herself could think of nothing to say about Mexico or the Mexicans.
+</p>
+
+<p>
+&ldquo;At what time do you leave?&rdquo; she asked Robert.
+</p>
+
+<p>
+&ldquo;At ten,&rdquo; he told her. &ldquo;Beaudelet wants to wait for the
+moon.&rdquo;
+</p>
+
+<p>
+&ldquo;Are you all ready to go?&rdquo;
+</p>
+
+<p>
+&ldquo;Quite ready. I shall only take a hand-bag, and shall pack my trunk in
+the city.&rdquo;
+</p>
+
+<p>
+He turned to answer some question put to him by his mother, and Edna, having
+finished her black coffee, left the table.
+</p>
+
+<p>
+She went directly to her room. The little cottage was close and stuffy after
+leaving the outer air. But she did not mind; there appeared to be a hundred
+different things demanding her attention indoors. She began to set the
+toilet-stand to rights, grumbling at the negligence of the quadroon, who was in
+the adjoining room putting the children to bed. She gathered together stray
+garments that were hanging on the backs of chairs, and put each where it
+belonged in closet or bureau drawer. She changed her gown for a more
+comfortable and commodious wrapper. She rearranged her hair, combing and
+brushing it with unusual energy. Then she went in and assisted the quadroon in
+getting the boys to bed.
+</p>
+
+<p>
+They were very playful and inclined to talk&mdash;to do anything but lie quiet
+and go to sleep. Edna sent the quadroon away to her supper and told her she
+need not return. Then she sat and told the children a story. Instead of
+soothing it excited them, and added to their wakefulness. She left them in
+heated argument, speculating about the conclusion of the tale which their
+mother promised to finish the following night.
+</p>
+
+<p>
+The little black girl came in to say that Madame Lebrun would like to have Mrs.
+Pontellier go and sit with them over at the house till Mr. Robert went away.
+Edna returned answer that she had already undressed, that she did not feel
+quite well, but perhaps she would go over to the house later. She started to
+dress again, and got as far advanced as to remove her <i>peignoir</i>. But
+changing her mind once more she resumed the <i>peignoir</i>, and went outside
+and sat down before her door. She was overheated and irritable, and fanned
+herself energetically for a while. Madame Ratignolle came down to discover what
+was the matter.
+</p>
+
+<p>
+&ldquo;All that noise and confusion at the table must have upset me,&rdquo;
+replied Edna, &ldquo;and moreover, I hate shocks and surprises. The idea of
+Robert starting off in such a ridiculously sudden and dramatic way! As if it
+were a matter of life and death! Never saying a word about it all morning when
+he was with me.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; agreed Madame Ratignolle. &ldquo;I think it was showing us
+all&mdash;you especially&mdash;very little consideration. It wouldn&rsquo;t
+have surprised me in any of the others; those Lebruns are all given to heroics.
+But I must say I should never have expected such a thing from Robert. Are you
+not coming down? Come on, dear; it doesn&rsquo;t look friendly.&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Edna, a little sullenly. &ldquo;I can&rsquo;t go to the
+trouble of dressing again; I don&rsquo;t feel like it.&rdquo;
+</p>
+
+<p>
+&ldquo;You needn&rsquo;t dress; you look all right; fasten a belt around your
+waist. Just look at me!&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; persisted Edna; &ldquo;but you go on. Madame Lebrun might be
+offended if we both stayed away.&rdquo;
+</p>
+
+<p>
+Madame Ratignolle kissed Edna good-night, and went away, being in truth rather
+desirous of joining in the general and animated conversation which was still in
+progress concerning Mexico and the Mexicans.
+</p>
+
+<p>
+Somewhat later Robert came up, carrying his hand-bag.
+</p>
+
+<p>
+&ldquo;Aren&rsquo;t you feeling well?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Oh, well enough. Are you going right away?&rdquo;
+</p>
+
+<p>
+He lit a match and looked at his watch. &ldquo;In twenty minutes,&rdquo; he
+said. The sudden and brief flare of the match emphasized the darkness for a
+while. He sat down upon a stool which the children had left out on the porch.
+</p>
+
+<p>
+&ldquo;Get a chair,&rdquo; said Edna.
+</p>
+
+<p>
+&ldquo;This will do,&rdquo; he replied. He put on his soft hat and nervously
+took it off again, and wiping his face with his handkerchief, complained of the
+heat.
+</p>
+
+<p>
+&ldquo;Take the fan,&rdquo; said Edna, offering it to him.
+</p>
+
+<p>
+&ldquo;Oh, no! Thank you. It does no good; you have to stop fanning some time,
+and feel all the more uncomfortable afterward.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s one of the ridiculous things which men always say. I have
+never known one to speak otherwise of fanning. How long will you be
+gone?&rdquo;
+</p>
+
+<p>
+&ldquo;Forever, perhaps. I don&rsquo;t know. It depends upon a good many
+things.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, in case it shouldn&rsquo;t be forever, how long will it be?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know.&rdquo;
+</p>
+
+<p>
+&ldquo;This seems to me perfectly preposterous and uncalled for. I don&rsquo;t
+like it. I don&rsquo;t understand your motive for silence and mystery, never
+saying a word to me about it this morning.&rdquo; He remained silent, not
+offering to defend himself. He only said, after a moment:
+</p>
+
+<p>
+&ldquo;Don&rsquo;t part from me in any ill humor. I never knew you to be out of
+patience with me before.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t want to part in any ill humor,&rdquo; she said. &ldquo;But
+can&rsquo;t you understand? I&rsquo;ve grown used to seeing you, to having you
+with me all the time, and your action seems unfriendly, even unkind. You
+don&rsquo;t even offer an excuse for it. Why, I was planning to be together,
+thinking of how pleasant it would be to see you in the city next winter.&rdquo;
+</p>
+
+<p>
+&ldquo;So was I,&rdquo; he blurted. &ldquo;Perhaps that&rsquo;s
+the&mdash;&rdquo; He stood up suddenly and held out his hand. &ldquo;Good-by,
+my dear Mrs. Pontellier; good-by. You won&rsquo;t&mdash;I hope you won&rsquo;t
+completely forget me.&rdquo; She clung to his hand, striving to detain him.
+</p>
+
+<p>
+&ldquo;Write to me when you get there, won&rsquo;t you, Robert?&rdquo; she
+entreated.
+</p>
+
+<p>
+&ldquo;I will, thank you. Good-by.&rdquo;
+</p>
+
+<p>
+How unlike Robert! The merest acquaintance would have said something more
+emphatic than &ldquo;I will, thank you; good-by,&rdquo; to such a request.
+</p>
+
+<p>
+He had evidently already taken leave of the people over at the house, for he
+descended the steps and went to join Beaudelet, who was out there with an oar
+across his shoulder waiting for Robert. They walked away in the darkness. She
+could only hear Beaudelet&rsquo;s voice; Robert had apparently not even spoken
+a word of greeting to his companion.
+</p>
+
+<p>
+Edna bit her handkerchief convulsively, striving to hold back and to hide, even
+from herself as she would have hidden from another, the emotion which was
+troubling&mdash;tearing&mdash;her. Her eyes were brimming with tears.
+</p>
+
+<p>
+For the first time she recognized the symptoms of infatuation which she had
+felt incipiently as a child, as a girl in her earliest teens, and later as a
+young woman. The recognition did not lessen the reality, the poignancy of the
+revelation by any suggestion or promise of instability. The past was nothing to
+her; offered no lesson which she was willing to heed. The future was a mystery
+which she never attempted to penetrate. The present alone was significant; was
+hers, to torture her as it was doing then with the biting conviction that she
+had lost that which she had held, that she had been denied that which her
+impassioned, newly awakened being demanded.
+</p>
+
+<h3><a name="link2H_4_0017" id="link2H_4_0017"></a>XVI</h3>
+
+<p>
+&ldquo;Do you miss your friend greatly?&rdquo; asked Mademoiselle Reisz one
+morning as she came creeping up behind Edna, who had just left her cottage on
+her way to the beach. She spent much of her time in the water since she had
+acquired finally the art of swimming. As their stay at Grand Isle drew near its
+close, she felt that she could not give too much time to a diversion which
+afforded her the only real pleasurable moments that she knew. When Mademoiselle
+Reisz came and touched her upon the shoulder and spoke to her, the woman seemed
+to echo the thought which was ever in Edna&rsquo;s mind; or, better, the
+feeling which constantly possessed her.
+</p>
+
+<p>
+Robert&rsquo;s going had some way taken the brightness, the color, the meaning
+out of everything. The conditions of her life were in no way changed, but her
+whole existence was dulled, like a faded garment which seems to be no longer
+worth wearing. She sought him everywhere&mdash;in others whom she induced to
+talk about him. She went up in the mornings to Madame Lebrun&rsquo;s room,
+braving the clatter of the old sewing-machine. She sat there and chatted at
+intervals as Robert had done. She gazed around the room at the pictures and
+photographs hanging upon the wall, and discovered in some corner an old family
+album, which she examined with the keenest interest, appealing to Madame Lebrun
+for enlightenment concerning the many figures and faces which she discovered
+between its pages.
+</p>
+
+<p>
+There was a picture of Madame Lebrun with Robert as a baby, seated in her lap,
+a round-faced infant with a fist in his mouth. The eyes alone in the baby
+suggested the man. And that was he also in kilts, at the age of five, wearing
+long curls and holding a whip in his hand. It made Edna laugh, and she laughed,
+too, at the portrait in his first long trousers; while another interested her,
+taken when he left for college, looking thin, long-faced, with eyes full of
+fire, ambition and great intentions. But there was no recent picture, none
+which suggested the Robert who had gone away five days ago, leaving a void and
+wilderness behind him.
+</p>
+
+<p>
+&ldquo;Oh, Robert stopped having his pictures taken when he had to pay for them
+himself! He found wiser use for his money, he says,&rdquo; explained Madame
+Lebrun. She had a letter from him, written before he left New Orleans. Edna
+wished to see the letter, and Madame Lebrun told her to look for it either on
+the table or the dresser, or perhaps it was on the mantelpiece.
+</p>
+
+<p>
+The letter was on the bookshelf. It possessed the greatest interest and
+attraction for Edna; the envelope, its size and shape, the post-mark, the
+handwriting. She examined every detail of the outside before opening it. There
+were only a few lines, setting forth that he would leave the city that
+afternoon, that he had packed his trunk in good shape, that he was well, and
+sent her his love and begged to be affectionately remembered to all. There was
+no special message to Edna except a postscript saying that if Mrs. Pontellier
+desired to finish the book which he had been reading to her, his mother would
+find it in his room, among other books there on the table. Edna experienced a
+pang of jealousy because he had written to his mother rather than to her.
+</p>
+
+<p>
+Every one seemed to take for granted that she missed him. Even her husband,
+when he came down the Saturday following Robert&rsquo;s departure, expressed
+regret that he had gone.
+</p>
+
+<p>
+&ldquo;How do you get on without him, Edna?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;It&rsquo;s very dull without him,&rdquo; she admitted. Mr. Pontellier
+had seen Robert in the city, and Edna asked him a dozen questions or more.
+Where had they met? On Carondelet Street, in the morning. They had gone
+&ldquo;in&rdquo; and had a drink and a cigar together. What had they talked
+about? Chiefly about his prospects in Mexico, which Mr. Pontellier thought were
+promising. How did he look? How did he seem&mdash;grave, or gay, or how? Quite
+cheerful, and wholly taken up with the idea of his trip, which Mr. Pontellier
+found altogether natural in a young fellow about to seek fortune and adventure
+in a strange, queer country.
+</p>
+
+<p>
+Edna tapped her foot impatiently, and wondered why the children persisted in
+playing in the sun when they might be under the trees. She went down and led
+them out of the sun, scolding the quadroon for not being more attentive.
+</p>
+
+<p>
+It did not strike her as in the least grotesque that she should be making of
+Robert the object of conversation and leading her husband to speak of him. The
+sentiment which she entertained for Robert in no way resembled that which she
+felt for her husband, or had ever felt, or ever expected to feel. She had all
+her life long been accustomed to harbor thoughts and emotions which never
+voiced themselves. They had never taken the form of struggles. They belonged to
+her and were her own, and she entertained the conviction that she had a right
+to them and that they concerned no one but herself. Edna had once told Madame
+Ratignolle that she would never sacrifice herself for her children, or for any
+one. Then had followed a rather heated argument; the two women did not appear
+to understand each other or to be talking the same language. Edna tried to
+appease her friend, to explain.
+</p>
+
+<p>
+&ldquo;I would give up the unessential; I would give my money, I would give my
+life for my children; but I wouldn&rsquo;t give myself. I can&rsquo;t make it
+more clear; it&rsquo;s only something which I am beginning to comprehend, which
+is revealing itself to me.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know what you would call the essential, or what you mean
+by the unessential,&rdquo; said Madame Ratignolle, cheerfully; &ldquo;but a
+woman who would give her life for her children could do no more than
+that&mdash;your Bible tells you so. I&rsquo;m sure I couldn&rsquo;t do more
+than that.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes you could!&rdquo; laughed Edna.
+</p>
+
+<p>
+She was not surprised at Mademoiselle Reisz&rsquo;s question the morning that
+lady, following her to the beach, tapped her on the shoulder and asked if she
+did not greatly miss her young friend.
+</p>
+
+<p>
+&ldquo;Oh, good morning, Mademoiselle; is it you? Why, of course I miss Robert.
+Are you going down to bathe?&rdquo;
+</p>
+
+<p>
+&ldquo;Why should I go down to bathe at the very end of the season when I
+haven&rsquo;t been in the surf all summer,&rdquo; replied the woman,
+disagreeably.
+</p>
+
+<p>
+&ldquo;I beg your pardon,&rdquo; offered Edna, in some embarrassment, for she
+should have remembered that Mademoiselle Reisz&rsquo;s avoidance of the water
+had furnished a theme for much pleasantry. Some among them thought it was on
+account of her false hair, or the dread of getting the violets wet, while
+others attributed it to the natural aversion for water sometimes believed to
+accompany the artistic temperament. Mademoiselle offered Edna some chocolates
+in a paper bag, which she took from her pocket, by way of showing that she bore
+no ill feeling. She habitually ate chocolates for their sustaining quality;
+they contained much nutriment in small compass, she said. They saved her from
+starvation, as Madame Lebrun&rsquo;s table was utterly impossible; and no one
+save so impertinent a woman as Madame Lebrun could think of offering such food
+to people and requiring them to pay for it.
+</p>
+
+<p>
+&ldquo;She must feel very lonely without her son,&rdquo; said Edna, desiring to
+change the subject. &ldquo;Her favorite son, too. It must have been quite hard
+to let him go.&rdquo;
+</p>
+
+<p>
+Mademoiselle laughed maliciously.
+</p>
+
+<p>
+&ldquo;Her favorite son! Oh, dear! Who could have been imposing such a tale
+upon you? Aline Lebrun lives for Victor, and for Victor alone. She has spoiled
+him into the worthless creature he is. She worships him and the ground he walks
+on. Robert is very well in a way, to give up all the money he can earn to the
+family, and keep the barest pittance for himself. Favorite son, indeed! I miss
+the poor fellow myself, my dear. I liked to see him and to hear him about the
+place&mdash;the only Lebrun who is worth a pinch of salt. He comes to see me
+often in the city. I like to play to him. That Victor! hanging would be too
+good for him. It&rsquo;s a wonder Robert hasn&rsquo;t beaten him to death long
+ago.&rdquo;
+</p>
+
+<p>
+&ldquo;I thought he had great patience with his brother,&rdquo; offered Edna,
+glad to be talking about Robert, no matter what was said.
+</p>
+
+<p>
+&ldquo;Oh! he thrashed him well enough a year or two ago,&rdquo; said
+Mademoiselle. &ldquo;It was about a Spanish girl, whom Victor considered that
+he had some sort of claim upon. He met Robert one day talking to the girl, or
+walking with her, or bathing with her, or carrying her basket&mdash;I
+don&rsquo;t remember what;&mdash;and he became so insulting and abusive that
+Robert gave him a thrashing on the spot that has kept him comparatively in
+order for a good while. It&rsquo;s about time he was getting another.&rdquo;
+</p>
+
+<p>
+&ldquo;Was her name Mariequita?&rdquo; asked Edna.
+</p>
+
+<p>
+&ldquo;Mariequita&mdash;yes, that was it; Mariequita. I had forgotten. Oh,
+she&rsquo;s a sly one, and a bad one, that Mariequita!&rdquo;
+</p>
+
+<p>
+Edna looked down at Mademoiselle Reisz and wondered how she could have listened
+to her venom so long. For some reason she felt depressed, almost unhappy. She
+had not intended to go into the water; but she donned her bathing suit, and
+left Mademoiselle alone, seated under the shade of the children&rsquo;s tent.
+The water was growing cooler as the season advanced. Edna plunged and swam
+about with an abandon that thrilled and invigorated her. She remained a long
+time in the water, half hoping that Mademoiselle Reisz would not wait for her.
+</p>
+
+<p>
+But Mademoiselle waited. She was very amiable during the walk back, and raved
+much over Edna&rsquo;s appearance in her bathing suit. She talked about music.
+She hoped that Edna would go to see her in the city, and wrote her address with
+the stub of a pencil on a piece of card which she found in her pocket.
+</p>
+
+<p>
+&ldquo;When do you leave?&rdquo; asked Edna.
+</p>
+
+<p>
+&ldquo;Next Monday; and you?&rdquo;
+</p>
+
+<p>
+&ldquo;The following week,&rdquo; answered Edna, adding, &ldquo;It has been a
+pleasant summer, hasn&rsquo;t it, Mademoiselle?&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; agreed Mademoiselle Reisz, with a shrug, &ldquo;rather
+pleasant, if it hadn&rsquo;t been for the mosquitoes and the Farival
+twins.&rdquo;
+</p>
+
+<h3><a name="link2H_4_0018" id="link2H_4_0018"></a>XVII</h3>
+
+<p>
+The Pontelliers possessed a very charming home on Esplanade Street in New
+Orleans. It was a large, double cottage, with a broad front veranda, whose
+round, fluted columns supported the sloping roof. The house was painted a
+dazzling white; the outside shutters, or jalousies, were green. In the yard,
+which was kept scrupulously neat, were flowers and plants of every description
+which flourishes in South Louisiana. Within doors the appointments were perfect
+after the conventional type. The softest carpets and rugs covered the floors;
+rich and tasteful draperies hung at doors and windows. There were paintings,
+selected with judgment and discrimination, upon the walls. The cut glass, the
+silver, the heavy damask which daily appeared upon the table were the envy of
+many women whose husbands were less generous than Mr. Pontellier.
+</p>
+
+<p>
+Mr. Pontellier was very fond of walking about his house examining its various
+appointments and details, to see that nothing was amiss. He greatly valued his
+possessions, chiefly because they were his, and derived genuine pleasure from
+contemplating a painting, a statuette, a rare lace curtain&mdash;no matter
+what&mdash;after he had bought it and placed it among his household gods.
+</p>
+
+<p>
+On Tuesday afternoons&mdash;Tuesday being Mrs. Pontellier&rsquo;s reception
+day&mdash;there was a constant stream of callers&mdash;women who came in
+carriages or in the street cars, or walked when the air was soft and distance
+permitted. A light-colored mulatto boy, in dress coat and bearing a diminutive
+silver tray for the reception of cards, admitted them. A maid, in white fluted
+cap, offered the callers liqueur, coffee, or chocolate, as they might desire.
+Mrs. Pontellier, attired in a handsome reception gown, remained in the
+drawing-room the entire afternoon receiving her visitors. Men sometimes called
+in the evening with their wives.
+</p>
+
+<p>
+This had been the programme which Mrs. Pontellier had religiously followed
+since her marriage, six years before. Certain evenings during the week she and
+her husband attended the opera or sometimes the play.
+</p>
+
+<p>
+Mr. Pontellier left his home in the mornings between nine and ten
+o&rsquo;clock, and rarely returned before half-past six or seven in the
+evening&mdash;dinner being served at half-past seven.
+</p>
+
+<p>
+He and his wife seated themselves at table one Tuesday evening, a few weeks
+after their return from Grand Isle. They were alone together. The boys were
+being put to bed; the patter of their bare, escaping feet could be heard
+occasionally, as well as the pursuing voice of the quadroon, lifted in mild
+protest and entreaty. Mrs. Pontellier did not wear her usual Tuesday reception
+gown; she was in ordinary house dress. Mr. Pontellier, who was observant about
+such things, noticed it, as he served the soup and handed it to the boy in
+waiting.
+</p>
+
+<p>
+&ldquo;Tired out, Edna? Whom did you have? Many callers?&rdquo; he asked. He
+tasted his soup and began to season it with pepper, salt, vinegar,
+mustard&mdash;everything within reach.
+</p>
+
+<p>
+&ldquo;There were a good many,&rdquo; replied Edna, who was eating her soup
+with evident satisfaction. &ldquo;I found their cards when I got home; I was
+out.&rdquo;
+</p>
+
+<p>
+&ldquo;Out!&rdquo; exclaimed her husband, with something like genuine
+consternation in his voice as he laid down the vinegar cruet and looked at her
+through his glasses. &ldquo;Why, what could have taken you out on Tuesday? What
+did you have to do?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing. I simply felt like going out, and I went out.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I hope you left some suitable excuse,&rdquo; said her husband,
+somewhat appeased, as he added a dash of cayenne pepper to the soup.
+</p>
+
+<p>
+&ldquo;No, I left no excuse. I told Joe to say I was out, that was all.&rdquo;
+</p>
+
+<p>
+&ldquo;Why, my dear, I should think you&rsquo;d understand by this time that
+people don&rsquo;t do such things; we&rsquo;ve got to observe <i>les
+convenances</i> if we ever expect to get on and keep up with the procession. If
+you felt that you had to leave home this afternoon, you should have left some
+suitable explanation for your absence.
+</p>
+
+<p>
+&ldquo;This soup is really impossible; it&rsquo;s strange that woman
+hasn&rsquo;t learned yet to make a decent soup. Any free-lunch stand in town
+serves a better one. Was Mrs. Belthrop here?&rdquo;
+</p>
+
+<p>
+&ldquo;Bring the tray with the cards, Joe. I don&rsquo;t remember who was
+here.&rdquo;
+</p>
+
+<p>
+The boy retired and returned after a moment, bringing the tiny silver tray,
+which was covered with ladies&rsquo; visiting cards. He handed it to Mrs.
+Pontellier.
+</p>
+
+<p>
+&ldquo;Give it to Mr. Pontellier,&rdquo; she said.
+</p>
+
+<p>
+Joe offered the tray to Mr. Pontellier, and removed the soup.
+</p>
+
+<p>
+Mr. Pontellier scanned the names of his wife&rsquo;s callers, reading some of
+them aloud, with comments as he read.
+</p>
+
+<p>
+&ldquo;&lsquo;The Misses Delasidas.&rsquo; I worked a big deal in futures for
+their father this morning; nice girls; it&rsquo;s time they were getting
+married. &lsquo;Mrs. Belthrop.&rsquo; I tell you what it is, Edna; you
+can&rsquo;t afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us
+ten times over. His business is worth a good, round sum to me. You&rsquo;d
+better write her a note. &lsquo;Mrs. James Highcamp.&rsquo; Hugh! the less you
+have to do with Mrs. Highcamp, the better. &lsquo;Madame Laforcé.&rsquo; Came
+all the way from Carrolton, too, poor old soul. &lsquo;Miss Wiggs,&rsquo;
+&lsquo;Mrs. Eleanor Boltons.&rsquo;&rdquo; He pushed the cards aside.
+</p>
+
+<p>
+&ldquo;Mercy!&rdquo; exclaimed Edna, who had been fuming. &ldquo;Why are you
+taking the thing so seriously and making such a fuss over it?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m not making any fuss over it. But it&rsquo;s just such seeming
+trifles that we&rsquo;ve got to take seriously; such things count.&rdquo;
+</p>
+
+<p>
+The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not
+mind a little scorched taste. The roast was in some way not to his fancy, and
+he did not like the manner in which the vegetables were served.
+</p>
+
+<p>
+&ldquo;It seems to me,&rdquo; he said, &ldquo;we spend money enough in this
+house to procure at least one meal a day which a man could eat and retain his
+self-respect.&rdquo;
+</p>
+
+<p>
+&ldquo;You used to think the cook was a treasure,&rdquo; returned Edna,
+indifferently.
+</p>
+
+<p>
+&ldquo;Perhaps she was when she first came; but cooks are only human. They need
+looking after, like any other class of persons that you employ. Suppose I
+didn&rsquo;t look after the clerks in my office, just let them run things their
+own way; they&rsquo;d soon make a nice mess of me and my business.&rdquo;
+</p>
+
+<p>
+&ldquo;Where are you going?&rdquo; asked Edna, seeing that her husband arose
+from table without having eaten a morsel except a taste of the highly-seasoned
+soup.
+</p>
+
+<p>
+&ldquo;I&rsquo;m going to get my dinner at the club. Good night.&rdquo; He went
+into the hall, took his hat and stick from the stand, and left the house.
+</p>
+
+<p>
+She was somewhat familiar with such scenes. They had often made her very
+unhappy. On a few previous occasions she had been completely deprived of any
+desire to finish her dinner. Sometimes she had gone into the kitchen to
+administer a tardy rebuke to the cook. Once she went to her room and studied
+the cookbook during an entire evening, finally writing out a menu for the week,
+which left her harassed with a feeling that, after all, she had accomplished no
+good that was worth the name.
+</p>
+
+<p>
+But that evening Edna finished her dinner alone, with forced deliberation. Her
+face was flushed and her eyes flamed with some inward fire that lighted them.
+After finishing her dinner she went to her room, having instructed the boy to
+tell any other callers that she was indisposed.
+</p>
+
+<p>
+It was a large, beautiful room, rich and picturesque in the soft, dim light
+which the maid had turned low. She went and stood at an open window and looked
+out upon the deep tangle of the garden below. All the mystery and witchery of
+the night seemed to have gathered there amid the perfumes and the dusky and
+tortuous outlines of flowers and foliage. She was seeking herself and finding
+herself in just such sweet, half-darkness which met her moods. But the voices
+were not soothing that came to her from the darkness and the sky above and the
+stars. They jeered and sounded mournful notes without promise, devoid even of
+hope. She turned back into the room and began to walk to and fro down its whole
+length without stopping, without resting. She carried in her hands a thin
+handkerchief, which she tore into ribbons, rolled into a ball, and flung from
+her. Once she stopped, and taking off her wedding ring, flung it upon the
+carpet. When she saw it lying there, she stamped her heel upon it, striving to
+crush it. But her small boot heel did not make an indenture, not a mark upon
+the little glittering circlet.
+</p>
+
+<p>
+In a sweeping passion she seized a glass vase from the table and flung it upon
+the tiles of the hearth. She wanted to destroy something. The crash and clatter
+were what she wanted to hear.
+</p>
+
+<p>
+A maid, alarmed at the din of breaking glass, entered the room to discover what
+was the matter.
+</p>
+
+<p>
+&ldquo;A vase fell upon the hearth,&rdquo; said Edna. &ldquo;Never mind; leave
+it till morning.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! you might get some of the glass in your feet, ma&rsquo;am,&rdquo;
+insisted the young woman, picking up bits of the broken vase that were
+scattered upon the carpet. &ldquo;And here&rsquo;s your ring, ma&rsquo;am,
+under the chair.&rdquo;
+</p>
+
+<p>
+Edna held out her hand, and taking the ring, slipped it upon her finger.
+</p>
+
+<h3><a name="link2H_4_0019" id="link2H_4_0019"></a>XVIII</h3>
+
+<p>
+The following morning Mr. Pontellier, upon leaving for his office, asked Edna
+if she would not meet him in town in order to look at some new fixtures for the
+library.
+</p>
+
+<p>
+&ldquo;I hardly think we need new fixtures, Léonce. Don&rsquo;t let us get
+anything new; you are too extravagant. I don&rsquo;t believe you ever think of
+saving or putting by.&rdquo;
+</p>
+
+<p>
+&ldquo;The way to become rich is to make money, my dear Edna, not to save
+it,&rdquo; he said. He regretted that she did not feel inclined to go with him
+and select new fixtures. He kissed her good-by, and told her she was not
+looking well and must take care of herself. She was unusually pale and very
+quiet.
+</p>
+
+<p>
+She stood on the front veranda as he quitted the house, and absently picked a
+few sprays of jessamine that grew upon a trellis near by. She inhaled the odor
+of the blossoms and thrust them into the bosom of her white morning gown. The
+boys were dragging along the banquette a small &ldquo;express wagon,&rdquo;
+which they had filled with blocks and sticks. The quadroon was following them
+with little quick steps, having assumed a fictitious animation and alacrity for
+the occasion. A fruit vender was crying his wares in the street.
+</p>
+
+<p>
+Edna looked straight before her with a self-absorbed expression upon her face.
+She felt no interest in anything about her. The street, the children, the fruit
+vender, the flowers growing there under her eyes, were all part and parcel of
+an alien world which had suddenly become antagonistic.
+</p>
+
+<p>
+She went back into the house. She had thought of speaking to the cook
+concerning her blunders of the previous night; but Mr. Pontellier had saved her
+that disagreeable mission, for which she was so poorly fitted. Mr.
+Pontellier&rsquo;s arguments were usually convincing with those whom he
+employed. He left home feeling quite sure that he and Edna would sit down that
+evening, and possibly a few subsequent evenings, to a dinner deserving of the
+name.
+</p>
+
+<p>
+Edna spent an hour or two in looking over some of her old sketches. She could
+see their shortcomings and defects, which were glaring in her eyes. She tried
+to work a little, but found she was not in the humor. Finally she gathered
+together a few of the sketches&mdash;those which she considered the least
+discreditable; and she carried them with her when, a little later, she dressed
+and left the house. She looked handsome and distinguished in her street gown.
+The tan of the seashore had left her face, and her forehead was smooth, white,
+and polished beneath her heavy, yellow-brown hair. There were a few freckles on
+her face, and a small, dark mole near the under lip and one on the temple,
+half-hidden in her hair.
+</p>
+
+<p>
+As Edna walked along the street she was thinking of Robert. She was still under
+the spell of her infatuation. She had tried to forget him, realizing the
+inutility of remembering. But the thought of him was like an obsession, ever
+pressing itself upon her. It was not that she dwelt upon details of their
+acquaintance, or recalled in any special or peculiar way his personality; it
+was his being, his existence, which dominated her thought, fading sometimes as
+if it would melt into the mist of the forgotten, reviving again with an
+intensity which filled her with an incomprehensible longing.
+</p>
+
+<p>
+Edna was on her way to Madame Ratignolle&rsquo;s. Their intimacy, begun at
+Grand Isle, had not declined, and they had seen each other with some frequency
+since their return to the city. The Ratignolles lived at no great distance from
+Edna&rsquo;s home, on the corner of a side street, where Monsieur Ratignolle
+owned and conducted a drug store which enjoyed a steady and prosperous trade.
+His father had been in the business before him, and Monsieur Ratignolle stood
+well in the community and bore an enviable reputation for integrity and
+clearheadedness. His family lived in commodious apartments over the store,
+having an entrance on the side within the <i>porte cochère</i>. There was
+something which Edna thought very French, very foreign, about their whole
+manner of living. In the large and pleasant salon which extended across the
+width of the house, the Ratignolles entertained their friends once a fortnight
+with a <i>soirée musicale</i>, sometimes diversified by card-playing. There was
+a friend who played upon the cello. One brought his flute and another his
+violin, while there were some who sang and a number who performed upon the
+piano with various degrees of taste and agility. The Ratignolles&rsquo;
+<i>soirées musicales</i> were widely known, and it was considered a privilege
+to be invited to them.
+</p>
+
+<p>
+Edna found her friend engaged in assorting the clothes which had returned that
+morning from the laundry. She at once abandoned her occupation upon seeing
+Edna, who had been ushered without ceremony into her presence.
+</p>
+
+<p>
+&ldquo;&rsquo;Cité can do it as well as I; it is really her business,&rdquo;
+she explained to Edna, who apologized for interrupting her. And she summoned a
+young black woman, whom she instructed, in French, to be very careful in
+checking off the list which she handed her. She told her to notice particularly
+if a fine linen handkerchief of Monsieur Ratignolle&rsquo;s, which was missing
+last week, had been returned; and to be sure to set to one side such pieces as
+required mending and darning.
+</p>
+
+<p>
+Then placing an arm around Edna&rsquo;s waist, she led her to the front of the
+house, to the salon, where it was cool and sweet with the odor of great roses
+that stood upon the hearth in jars.
+</p>
+
+<p>
+Madame Ratignolle looked more beautiful than ever there at home, in a negligé
+which left her arms almost wholly bare and exposed the rich, melting curves of
+her white throat.
+</p>
+
+<p>
+&ldquo;Perhaps I shall be able to paint your picture some day,&rdquo; said Edna
+with a smile when they were seated. She produced the roll of sketches and
+started to unfold them. &ldquo;I believe I ought to work again. I feel as if I
+wanted to be doing something. What do you think of them? Do you think it worth
+while to take it up again and study some more? I might study for a while with
+Laidpore.&rdquo;
+</p>
+
+<p>
+She knew that Madame Ratignolle&rsquo;s opinion in such a matter would be next
+to valueless, that she herself had not alone decided, but determined; but she
+sought the words of praise and encouragement that would help her to put heart
+into her venture.
+</p>
+
+<p>
+&ldquo;Your talent is immense, dear!&rdquo;
+</p>
+
+<p>
+&ldquo;Nonsense!&rdquo; protested Edna, well pleased.
+</p>
+
+<p>
+&ldquo;Immense, I tell you,&rdquo; persisted Madame Ratignolle, surveying the
+sketches one by one, at close range, then holding them at arm&rsquo;s length,
+narrowing her eyes, and dropping her head on one side. &ldquo;Surely, this
+Bavarian peasant is worthy of framing; and this basket of apples! never have I
+seen anything more lifelike. One might almost be tempted to reach out a hand
+and take one.&rdquo;
+</p>
+
+<p>
+Edna could not control a feeling which bordered upon complacency at her
+friend&rsquo;s praise, even realizing, as she did, its true worth. She retained
+a few of the sketches, and gave all the rest to Madame Ratignolle, who
+appreciated the gift far beyond its value and proudly exhibited the pictures to
+her husband when he came up from the store a little later for his midday
+dinner.
+</p>
+
+<p>
+Mr. Ratignolle was one of those men who are called the salt of the earth. His
+cheerfulness was unbounded, and it was matched by his goodness of heart, his
+broad charity, and common sense. He and his wife spoke English with an accent
+which was only discernible through its un-English emphasis and a certain
+carefulness and deliberation. Edna&rsquo;s husband spoke English with no accent
+whatever. The Ratignolles understood each other perfectly. If ever the fusion
+of two human beings into one has been accomplished on this sphere it was surely
+in their union.
+</p>
+
+<p>
+As Edna seated herself at table with them she thought, &ldquo;Better a dinner
+of herbs,&rdquo; though it did not take her long to discover that it was no
+dinner of herbs, but a delicious repast, simple, choice, and in every way
+satisfying.
+</p>
+
+<p>
+Monsieur Ratignolle was delighted to see her, though he found her looking not
+so well as at Grand Isle, and he advised a tonic. He talked a good deal on
+various topics, a little politics, some city news and neighborhood gossip. He
+spoke with an animation and earnestness that gave an exaggerated importance to
+every syllable he uttered. His wife was keenly interested in everything he
+said, laying down her fork the better to listen, chiming in, taking the words
+out of his mouth.
+</p>
+
+<p>
+Edna felt depressed rather than soothed after leaving them. The little glimpse
+of domestic harmony which had been offered her, gave her no regret, no longing.
+It was not a condition of life which fitted her, and she could see in it but an
+appalling and hopeless ennui. She was moved by a kind of commiseration for
+Madame Ratignolle,&mdash;a pity for that colorless existence which never
+uplifted its possessor beyond the region of blind contentment, in which no
+moment of anguish ever visited her soul, in which she would never have the
+taste of life&rsquo;s delirium. Edna vaguely wondered what she meant by
+&ldquo;life&rsquo;s delirium.&rdquo; It had crossed her thought like some
+unsought, extraneous impression.
+</p>
+
+<h3><a name="link2H_4_0020" id="link2H_4_0020"></a>XIX</h3>
+
+<p>
+Edna could not help but think that it was very foolish, very childish, to have
+stamped upon her wedding ring and smashed the crystal vase upon the tiles. She
+was visited by no more outbursts, moving her to such futile expedients. She
+began to do as she liked and to feel as she liked. She completely abandoned her
+Tuesdays at home, and did not return the visits of those who had called upon
+her. She made no ineffectual efforts to conduct her household <i>en bonne
+ménagère</i>, going and coming as it suited her fancy, and, so far as she was
+able, lending herself to any passing caprice.
+</p>
+
+<p>
+Mr. Pontellier had been a rather courteous husband so long as he met a certain
+tacit submissiveness in his wife. But her new and unexpected line of conduct
+completely bewildered him. It shocked him. Then her absolute disregard for her
+duties as a wife angered him. When Mr. Pontellier became rude, Edna grew
+insolent. She had resolved never to take another step backward.
+</p>
+
+<p>
+&ldquo;It seems to me the utmost folly for a woman at the head of a household,
+and the mother of children, to spend in an atelier days which would be better
+employed contriving for the comfort of her family.&rdquo;
+</p>
+
+<p>
+&ldquo;I feel like painting,&rdquo; answered Edna. &ldquo;Perhaps I
+shan&rsquo;t always feel like it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then in God&rsquo;s name paint! but don&rsquo;t let the family go to the
+devil. There&rsquo;s Madame Ratignolle; because she keeps up her music, she
+doesn&rsquo;t let everything else go to chaos. And she&rsquo;s more of a
+musician than you are a painter.&rdquo;
+</p>
+
+<p>
+&ldquo;She isn&rsquo;t a musician, and I&rsquo;m not a painter. It isn&rsquo;t
+on account of painting that I let things go.&rdquo;
+</p>
+
+<p>
+&ldquo;On account of what, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! I don&rsquo;t know. Let me alone; you bother me.&rdquo;
+</p>
+
+<p>
+It sometimes entered Mr. Pontellier&rsquo;s mind to wonder if his wife were not
+growing a little unbalanced mentally. He could see plainly that she was not
+herself. That is, he could not see that she was becoming herself and daily
+casting aside that fictitious self which we assume like a garment with which to
+appear before the world.
+</p>
+
+<p>
+Her husband let her alone as she requested, and went away to his office. Edna
+went up to her atelier&mdash;a bright room in the top of the house. She was
+working with great energy and interest, without accomplishing anything,
+however, which satisfied her even in the smallest degree. For a time she had
+the whole household enrolled in the service of art. The boys posed for her.
+They thought it amusing at first, but the occupation soon lost its
+attractiveness when they discovered that it was not a game arranged especially
+for their entertainment. The quadroon sat for hours before Edna&rsquo;s
+palette, patient as a savage, while the house-maid took charge of the children,
+and the drawing-room went undusted. But the house-maid, too, served her term as
+model when Edna perceived that the young woman&rsquo;s back and shoulders were
+molded on classic lines, and that her hair, loosened from its confining cap,
+became an inspiration. While Edna worked she sometimes sang low the little air,
+&ldquo;<i>Ah! si tu savais!</i>&rdquo;
+</p>
+
+<p>
+It moved her with recollections. She could hear again the ripple of the water,
+the flapping sail. She could see the glint of the moon upon the bay, and could
+feel the soft, gusty beating of the hot south wind. A subtle current of desire
+passed through her body, weakening her hold upon the brushes and making her
+eyes burn.
+</p>
+
+<p>
+There were days when she was very happy without knowing why. She was happy to
+be alive and breathing, when her whole being seemed to be one with the
+sunlight, the color, the odors, the luxuriant warmth of some perfect Southern
+day. She liked then to wander alone into strange and unfamiliar places. She
+discovered many a sunny, sleepy corner, fashioned to dream in. And she found it
+good to dream and to be alone and unmolested.
+</p>
+
+<p>
+There were days when she was unhappy, she did not know why,&mdash;when it did
+not seem worth while to be glad or sorry, to be alive or dead; when life
+appeared to her like a grotesque pandemonium and humanity like worms struggling
+blindly toward inevitable annihilation. She could not work on such a day, nor
+weave fancies to stir her pulses and warm her blood.
+</p>
+
+<h3><a name="link2H_4_0021" id="link2H_4_0021"></a>XX</h3>
+
+<p>
+It was during such a mood that Edna hunted up Mademoiselle Reisz. She had not
+forgotten the rather disagreeable impression left upon her by their last
+interview; but she nevertheless felt a desire to see her&mdash;above all, to
+listen while she played upon the piano. Quite early in the afternoon she
+started upon her quest for the pianist. Unfortunately she had mislaid or lost
+Mademoiselle Reisz&rsquo;s card, and looking up her address in the city
+directory, she found that the woman lived on Bienville Street, some distance
+away. The directory which fell into her hands was a year or more old, however,
+and upon reaching the number indicated, Edna discovered that the house was
+occupied by a respectable family of mulattoes who had <i>chambres garnies</i>
+to let. They had been living there for six months, and knew absolutely nothing
+of a Mademoiselle Reisz. In fact, they knew nothing of any of their neighbors;
+their lodgers were all people of the highest distinction, they assured Edna.
+She did not linger to discuss class distinctions with Madame Pouponne, but
+hastened to a neighboring grocery store, feeling sure that Mademoiselle would
+have left her address with the proprietor.
+</p>
+
+<p>
+He knew Mademoiselle Reisz a good deal better than he wanted to know her, he
+informed his questioner. In truth, he did not want to know her at all, or
+anything concerning her&mdash;the most disagreeable and unpopular woman who
+ever lived in Bienville Street. He thanked heaven she had left the
+neighborhood, and was equally thankful that he did not know where she had gone.
+</p>
+
+<p>
+Edna&rsquo;s desire to see Mademoiselle Reisz had increased tenfold since these
+unlooked-for obstacles had arisen to thwart it. She was wondering who could
+give her the information she sought, when it suddenly occurred to her that
+Madame Lebrun would be the one most likely to do so. She knew it was useless to
+ask Madame Ratignolle, who was on the most distant terms with the musician, and
+preferred to know nothing concerning her. She had once been almost as emphatic
+in expressing herself upon the subject as the corner grocer.
+</p>
+
+<p>
+Edna knew that Madame Lebrun had returned to the city, for it was the middle of
+November. And she also knew where the Lebruns lived, on Chartres Street.
+</p>
+
+<p>
+Their home from the outside looked like a prison, with iron bars before the
+door and lower windows. The iron bars were a relic of the old <i>régime</i>,
+and no one had ever thought of dislodging them. At the side was a high fence
+enclosing the garden. A gate or door opening upon the street was locked. Edna
+rang the bell at this side garden gate, and stood upon the banquette, waiting
+to be admitted.
+</p>
+
+<p>
+It was Victor who opened the gate for her. A black woman, wiping her hands upon
+her apron, was close at his heels. Before she saw them Edna could hear them in
+altercation, the woman&mdash;plainly an anomaly&mdash;claiming the right to be
+allowed to perform her duties, one of which was to answer the bell.
+</p>
+
+<p>
+Victor was surprised and delighted to see Mrs. Pontellier, and he made no
+attempt to conceal either his astonishment or his delight. He was a
+dark-browed, good-looking youngster of nineteen, greatly resembling his mother,
+but with ten times her impetuosity. He instructed the black woman to go at once
+and inform Madame Lebrun that Mrs. Pontellier desired to see her. The woman
+grumbled a refusal to do part of her duty when she had not been permitted to do
+it all, and started back to her interrupted task of weeding the garden.
+Whereupon Victor administered a rebuke in the form of a volley of abuse, which,
+owing to its rapidity and incoherence, was all but incomprehensible to Edna.
+Whatever it was, the rebuke was convincing, for the woman dropped her hoe and
+went mumbling into the house.
+</p>
+
+<p>
+Edna did not wish to enter. It was very pleasant there on the side porch, where
+there were chairs, a wicker lounge, and a small table. She seated herself, for
+she was tired from her long tramp; and she began to rock gently and smooth out
+the folds of her silk parasol. Victor drew up his chair beside her. He at once
+explained that the black woman&rsquo;s offensive conduct was all due to
+imperfect training, as he was not there to take her in hand. He had only come
+up from the island the morning before, and expected to return next day. He
+stayed all winter at the island; he lived there, and kept the place in order
+and got things ready for the summer visitors.
+</p>
+
+<p>
+But a man needed occasional relaxation, he informed Mrs. Pontellier, and every
+now and again he drummed up a pretext to bring him to the city. My! but he had
+had a time of it the evening before! He wouldn&rsquo;t want his mother to know,
+and he began to talk in a whisper. He was scintillant with recollections. Of
+course, he couldn&rsquo;t think of telling Mrs. Pontellier all about it, she
+being a woman and not comprehending such things. But it all began with a girl
+peeping and smiling at him through the shutters as he passed by. Oh! but she
+was a beauty! Certainly he smiled back, and went up and talked to her. Mrs.
+Pontellier did not know him if she supposed he was one to let an opportunity
+like that escape him. Despite herself, the youngster amused her. She must have
+betrayed in her look some degree of interest or entertainment. The boy grew
+more daring, and Mrs. Pontellier might have found herself, in a little while,
+listening to a highly colored story but for the timely appearance of Madame
+Lebrun.
+</p>
+
+<p>
+That lady was still clad in white, according to her custom of the summer. Her
+eyes beamed an effusive welcome. Would not Mrs. Pontellier go inside? Would she
+partake of some refreshment? Why had she not been there before? How was that
+dear Mr. Pontellier and how were those sweet children? Had Mrs. Pontellier ever
+known such a warm November?
+</p>
+
+<p>
+Victor went and reclined on the wicker lounge behind his mother&rsquo;s chair,
+where he commanded a view of Edna&rsquo;s face. He had taken her parasol from
+her hands while he spoke to her, and he now lifted it and twirled it above him
+as he lay on his back. When Madame Lebrun complained that it was <i>so</i> dull
+coming back to the city; that she saw <i>so</i> few people now; that even
+Victor, when he came up from the island for a day or two, had <i>so</i> much to
+occupy him and engage his time; then it was that the youth went into
+contortions on the lounge and winked mischievously at Edna. She somehow felt
+like a confederate in crime, and tried to look severe and disapproving.
+</p>
+
+<p>
+There had been but two letters from Robert, with little in them, they told her.
+Victor said it was really not worth while to go inside for the letters, when
+his mother entreated him to go in search of them. He remembered the contents,
+which in truth he rattled off very glibly when put to the test.
+</p>
+
+<p>
+One letter was written from Vera Cruz and the other from the City of Mexico. He
+had met Montel, who was doing everything toward his advancement. So far, the
+financial situation was no improvement over the one he had left in New Orleans,
+but of course the prospects were vastly better. He wrote of the City of Mexico,
+the buildings, the people and their habits, the conditions of life which he
+found there. He sent his love to the family. He inclosed a check to his mother,
+and hoped she would affectionately remember him to all his friends. That was
+about the substance of the two letters. Edna felt that if there had been a
+message for her, she would have received it. The despondent frame of mind in
+which she had left home began again to overtake her, and she remembered that
+she wished to find Mademoiselle Reisz.
+</p>
+
+<p>
+Madame Lebrun knew where Mademoiselle Reisz lived. She gave Edna the address,
+regretting that she would not consent to stay and spend the remainder of the
+afternoon, and pay a visit to Mademoiselle Reisz some other day. The afternoon
+was already well advanced.
+</p>
+
+<p>
+Victor escorted her out upon the banquette, lifted her parasol, and held it
+over her while he walked to the car with her. He entreated her to bear in mind
+that the disclosures of the afternoon were strictly confidential. She laughed
+and bantered him a little, remembering too late that she should have been
+dignified and reserved.
+</p>
+
+<p>
+&ldquo;How handsome Mrs. Pontellier looked!&rdquo; said Madame Lebrun to her
+son.
+</p>
+
+<p>
+&ldquo;Ravishing!&rdquo; he admitted. &ldquo;The city atmosphere has improved
+her. Some way she doesn&rsquo;t seem like the same woman.&rdquo;
+</p>
+
+<h3><a name="link2H_4_0022" id="link2H_4_0022"></a>XXI</h3>
+
+<p>
+Some people contended that the reason Mademoiselle Reisz always chose
+apartments up under the roof was to discourage the approach of beggars,
+peddlars and callers. There were plenty of windows in her little front room.
+They were for the most part dingy, but as they were nearly always open it did
+not make so much difference. They often admitted into the room a good deal of
+smoke and soot; but at the same time all the light and air that there was came
+through them. From her windows could be seen the crescent of the river, the
+masts of ships and the big chimneys of the Mississippi steamers. A magnificent
+piano crowded the apartment. In the next room she slept, and in the third and
+last she harbored a gasoline stove on which she cooked her meals when
+disinclined to descend to the neighboring restaurant. It was there also that
+she ate, keeping her belongings in a rare old buffet, dingy and battered from a
+hundred years of use.
+</p>
+
+<p>
+When Edna knocked at Mademoiselle Reisz&rsquo;s front room door and entered,
+she discovered that person standing beside the window, engaged in mending or
+patching an old prunella gaiter. The little musician laughed all over when she
+saw Edna. Her laugh consisted of a contortion of the face and all the muscles
+of the body. She seemed strikingly homely, standing there in the afternoon
+light. She still wore the shabby lace and the artificial bunch of violets on
+the side of her head.
+</p>
+
+<p>
+&ldquo;So you remembered me at last,&rdquo; said Mademoiselle. &ldquo;I had
+said to myself, &lsquo;Ah, bah! she will never come.&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;Did you want me to come?&rdquo; asked Edna with a smile.
+</p>
+
+<p>
+&ldquo;I had not thought much about it,&rdquo; answered Mademoiselle. The two
+had seated themselves on a little bumpy sofa which stood against the wall.
+&ldquo;I am glad, however, that you came. I have the water boiling back there,
+and was just about to make some coffee. You will drink a cup with me. And how
+is <i>la belle dame?</i> Always handsome! always healthy! always
+contented!&rdquo; She took Edna&rsquo;s hand between her strong wiry fingers,
+holding it loosely without warmth, and executing a sort of double theme upon
+the back and palm.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; she went on; &ldquo;I sometimes thought: &lsquo;She will
+never come. She promised as those women in society always do, without meaning
+it. She will not come.&rsquo; For I really don&rsquo;t believe you like me,
+Mrs. Pontellier.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know whether I like you or not,&rdquo; replied Edna,
+gazing down at the little woman with a quizzical look.
+</p>
+
+<p>
+The candor of Mrs. Pontellier&rsquo;s admission greatly pleased Mademoiselle
+Reisz. She expressed her gratification by repairing forthwith to the region of
+the gasoline stove and rewarding her guest with the promised cup of coffee. The
+coffee and the biscuit accompanying it proved very acceptable to Edna, who had
+declined refreshment at Madame Lebrun&rsquo;s and was now beginning to feel
+hungry. Mademoiselle set the tray which she brought in upon a small table near
+at hand, and seated herself once again on the lumpy sofa.
+</p>
+
+<p>
+&ldquo;I have had a letter from your friend,&rdquo; she remarked, as she poured
+a little cream into Edna&rsquo;s cup and handed it to her.
+</p>
+
+<p>
+&ldquo;My friend?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, your friend Robert. He wrote to me from the City of Mexico.&rdquo;
+</p>
+
+<p>
+&ldquo;Wrote to <i>you</i>?&rdquo; repeated Edna in amazement, stirring her
+coffee absently.
+</p>
+
+<p>
+&ldquo;Yes, to me. Why not? Don&rsquo;t stir all the warmth out of your coffee;
+drink it. Though the letter might as well have been sent to you; it was nothing
+but Mrs. Pontellier from beginning to end.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me see it,&rdquo; requested the young woman, entreatingly.
+</p>
+
+<p>
+&ldquo;No; a letter concerns no one but the person who writes it and the one to
+whom it is written.&rdquo;
+</p>
+
+<p>
+&ldquo;Haven&rsquo;t you just said it concerned me from beginning to
+end?&rdquo;
+</p>
+
+<p>
+&ldquo;It was written about you, not to you. &lsquo;Have you seen Mrs.
+Pontellier? How is she looking?&rsquo; he asks. &lsquo;As Mrs. Pontellier
+says,&rsquo; or &lsquo;as Mrs. Pontellier once said.&rsquo; &lsquo;If Mrs.
+Pontellier should call upon you, play for her that Impromptu of Chopin&rsquo;s,
+my favorite. I heard it here a day or two ago, but not as you play it. I should
+like to know how it affects her,&rsquo; and so on, as if he supposed we were
+constantly in each other&rsquo;s society.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me see the letter.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, no.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you answered it?&rdquo;
+</p>
+
+<p>
+&ldquo;No.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me see the letter.&rdquo;
+</p>
+
+<p>
+&ldquo;No, and again, no.&rdquo;
+</p>
+
+<p>
+&ldquo;Then play the Impromptu for me.&rdquo;
+</p>
+
+<p>
+&ldquo;It is growing late; what time do you have to be home?&rdquo;
+</p>
+
+<p>
+&ldquo;Time doesn&rsquo;t concern me. Your question seems a little rude. Play
+the Impromptu.&rdquo;
+</p>
+
+<p>
+&ldquo;But you have told me nothing of yourself. What are you doing?&rdquo;
+</p>
+
+<p>
+&ldquo;Painting!&rdquo; laughed Edna. &ldquo;I am becoming an artist. Think of
+it!&rdquo;
+</p>
+
+<p>
+&ldquo;Ah! an artist! You have pretensions, Madame.&rdquo;
+</p>
+
+<p>
+&ldquo;Why pretensions? Do you think I could not become an artist?&rdquo;
+</p>
+
+<p>
+&ldquo;I do not know you well enough to say. I do not know your talent or your
+temperament. To be an artist includes much; one must possess many
+gifts&mdash;absolute gifts&mdash;which have not been acquired by one&rsquo;s
+own effort. And, moreover, to succeed, the artist must possess the courageous
+soul.&rdquo;
+</p>
+
+<p>
+&ldquo;What do you mean by the courageous soul?&rdquo;
+</p>
+
+<p>
+&ldquo;Courageous, <i>ma foi!</i> The brave soul. The soul that dares and
+defies.&rdquo;
+</p>
+
+<p>
+&ldquo;Show me the letter and play for me the Impromptu. You see that I have
+persistence. Does that quality count for anything in art?&rdquo;
+</p>
+
+<p>
+&ldquo;It counts with a foolish old woman whom you have captivated,&rdquo;
+replied Mademoiselle, with her wriggling laugh.
+</p>
+
+<p>
+The letter was right there at hand in the drawer of the little table upon which
+Edna had just placed her coffee cup. Mademoiselle opened the drawer and drew
+forth the letter, the topmost one. She placed it in Edna&rsquo;s hands, and
+without further comment arose and went to the piano.
+</p>
+
+<p>
+Mademoiselle played a soft interlude. It was an improvisation. She sat low at
+the instrument, and the lines of her body settled into ungraceful curves and
+angles that gave it an appearance of deformity. Gradually and imperceptibly the
+interlude melted into the soft opening minor chords of the Chopin Impromptu.
+</p>
+
+<p>
+Edna did not know when the Impromptu began or ended. She sat in the sofa corner
+reading Robert&rsquo;s letter by the fading light. Mademoiselle had glided from
+the Chopin into the quivering love notes of Isolde&rsquo;s song, and back again
+to the Impromptu with its soulful and poignant longing.
+</p>
+
+<p>
+The shadows deepened in the little room. The music grew strange and
+fantastic&mdash;turbulent, insistent, plaintive and soft with entreaty. The
+shadows grew deeper. The music filled the room. It floated out upon the night,
+over the housetops, the crescent of the river, losing itself in the silence of
+the upper air.
+</p>
+
+<p>
+Edna was sobbing, just as she had wept one midnight at Grand Isle when strange,
+new voices awoke in her. She arose in some agitation to take her departure.
+&ldquo;May I come again, Mademoiselle?&rdquo; she asked at the threshold.
+</p>
+
+<p>
+&ldquo;Come whenever you feel like it. Be careful; the stairs and landings are
+dark; don&rsquo;t stumble.&rdquo;
+</p>
+
+<p>
+Mademoiselle reentered and lit a candle. Robert&rsquo;s letter was on the
+floor. She stooped and picked it up. It was crumpled and damp with tears.
+Mademoiselle smoothed the letter out, restored it to the envelope, and replaced
+it in the table drawer.
+</p>
+
+<h3><a name="link2H_4_0023" id="link2H_4_0023"></a>XXII</h3>
+
+<p>
+One morning on his way into town Mr. Pontellier stopped at the house of his old
+friend and family physician, Doctor Mandelet. The Doctor was a semi-retired
+physician, resting, as the saying is, upon his laurels. He bore a reputation
+for wisdom rather than skill&mdash;leaving the active practice of medicine to
+his assistants and younger contemporaries&mdash;and was much sought for in
+matters of consultation. A few families, united to him by bonds of friendship,
+he still attended when they required the services of a physician. The
+Pontelliers were among these.
+</p>
+
+<p>
+Mr. Pontellier found the Doctor reading at the open window of his study. His
+house stood rather far back from the street, in the center of a delightful
+garden, so that it was quiet and peaceful at the old gentleman&rsquo;s study
+window. He was a great reader. He stared up disapprovingly over his eye-glasses
+as Mr. Pontellier entered, wondering who had the temerity to disturb him at
+that hour of the morning.
+</p>
+
+<p>
+&ldquo;Ah, Pontellier! Not sick, I hope. Come and have a seat. What news do you
+bring this morning?&rdquo; He was quite portly, with a profusion of gray hair,
+and small blue eyes which age had robbed of much of their brightness but none
+of their penetration.
+</p>
+
+<p>
+&ldquo;Oh! I&rsquo;m never sick, Doctor. You know that I come of tough
+fiber&mdash;of that old Creole race of Pontelliers that dry up and finally blow
+away. I came to consult&mdash;no, not precisely to consult&mdash;to talk to you
+about Edna. I don&rsquo;t know what ails her.&rdquo;
+</p>
+
+<p>
+&ldquo;Madame Pontellier not well,&rdquo; marveled the Doctor. &ldquo;Why, I
+saw her&mdash;I think it was a week ago&mdash;walking along Canal Street, the
+picture of health, it seemed to me.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, yes; she seems quite well,&rdquo; said Mr. Pontellier, leaning
+forward and whirling his stick between his two hands; &ldquo;but she
+doesn&rsquo;t act well. She&rsquo;s odd, she&rsquo;s not like herself. I
+can&rsquo;t make her out, and I thought perhaps you&rsquo;d help me.&rdquo;
+</p>
+
+<p>
+&ldquo;How does she act?&rdquo; inquired the Doctor.
+</p>
+
+<p>
+&ldquo;Well, it isn&rsquo;t easy to explain,&rdquo; said Mr. Pontellier,
+throwing himself back in his chair. &ldquo;She lets the housekeeping go to the
+dickens.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, well; women are not all alike, my dear Pontellier. We&rsquo;ve got
+to consider&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I know that; I told you I couldn&rsquo;t explain. Her whole
+attitude&mdash;toward me and everybody and everything&mdash;has changed. You
+know I have a quick temper, but I don&rsquo;t want to quarrel or be rude to a
+woman, especially my wife; yet I&rsquo;m driven to it, and feel like ten
+thousand devils after I&rsquo;ve made a fool of myself. She&rsquo;s making it
+devilishly uncomfortable for me,&rdquo; he went on nervously.
+&ldquo;She&rsquo;s got some sort of notion in her head concerning the eternal
+rights of women; and&mdash;you understand&mdash;we meet in the morning at the
+breakfast table.&rdquo;
+</p>
+
+<p>
+The old gentleman lifted his shaggy eyebrows, protruded his thick nether lip,
+and tapped the arms of his chair with his cushioned fingertips.
+</p>
+
+<p>
+&ldquo;What have you been doing to her, Pontellier?&rdquo;
+</p>
+
+<p>
+&ldquo;Doing! <i>Parbleu!</i>&rdquo;
+</p>
+
+<p>
+&ldquo;Has she,&rdquo; asked the Doctor, with a smile, &ldquo;has she been
+associating of late with a circle of pseudo-intellectual
+women&mdash;super-spiritual superior beings? My wife has been telling me about
+them.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s the trouble,&rdquo; broke in Mr. Pontellier, &ldquo;she
+hasn&rsquo;t been associating with any one. She has abandoned her Tuesdays at
+home, has thrown over all her acquaintances, and goes tramping about by
+herself, moping in the street-cars, getting in after dark. I tell you
+she&rsquo;s peculiar. I don&rsquo;t like it; I feel a little worried over
+it.&rdquo;
+</p>
+
+<p>
+This was a new aspect for the Doctor. &ldquo;Nothing hereditary?&rdquo; he
+asked, seriously. &ldquo;Nothing peculiar about her family antecedents, is
+there?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The
+old gentleman, her father, I have heard, used to atone for his weekday sins
+with his Sunday devotions. I know for a fact, that his race horses literally
+ran away with the prettiest bit of Kentucky farming land I ever laid eyes upon.
+Margaret&mdash;you know Margaret&mdash;she has all the Presbyterianism
+undiluted. And the youngest is something of a vixen. By the way, she gets
+married in a couple of weeks from now.&rdquo;
+</p>
+
+<p>
+&ldquo;Send your wife up to the wedding,&rdquo; exclaimed the Doctor,
+foreseeing a happy solution. &ldquo;Let her stay among her own people for a
+while; it will do her good.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s what I want her to do. She won&rsquo;t go to the marriage.
+She says a wedding is one of the most lamentable spectacles on earth. Nice
+thing for a woman to say to her husband!&rdquo; exclaimed Mr. Pontellier,
+fuming anew at the recollection.
+</p>
+
+<p>
+&ldquo;Pontellier,&rdquo; said the Doctor, after a moment&rsquo;s reflection,
+&ldquo;let your wife alone for a while. Don&rsquo;t bother her, and don&rsquo;t
+let her bother you. Woman, my dear friend, is a very peculiar and delicate
+organism&mdash;a sensitive and highly organized woman, such as I know Mrs.
+Pontellier to be, is especially peculiar. It would require an inspired
+psychologist to deal successfully with them. And when ordinary fellows like you
+and me attempt to cope with their idiosyncrasies the result is bungling. Most
+women are moody and whimsical. This is some passing whim of your wife, due to
+some cause or causes which you and I needn&rsquo;t try to fathom. But it will
+pass happily over, especially if you let her alone. Send her around to see
+me.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! I couldn&rsquo;t do that; there&rsquo;d be no reason for it,&rdquo;
+objected Mr. Pontellier.
+</p>
+
+<p>
+&ldquo;Then I&rsquo;ll go around and see her,&rdquo; said the Doctor.
+&ldquo;I&rsquo;ll drop in to dinner some evening <i>en bon ami</i>.&rdquo;
+</p>
+
+<p>
+&ldquo;Do! by all means,&rdquo; urged Mr. Pontellier. &ldquo;What evening will
+you come? Say Thursday. Will you come Thursday?&rdquo; he asked, rising to take
+his leave.
+</p>
+
+<p>
+&ldquo;Very well; Thursday. My wife may possibly have some engagement for me
+Thursday. In case she has, I shall let you know. Otherwise, you may expect
+me.&rdquo;
+</p>
+
+<p>
+Mr. Pontellier turned before leaving to say:
+</p>
+
+<p>
+&ldquo;I am going to New York on business very soon. I have a big scheme on
+hand, and want to be on the field proper to pull the ropes and handle the
+ribbons. We&rsquo;ll let you in on the inside if you say so, Doctor,&rdquo; he
+laughed.
+</p>
+
+<p>
+&ldquo;No, I thank you, my dear sir,&rdquo; returned the Doctor. &ldquo;I leave
+such ventures to you younger men with the fever of life still in your
+blood.&rdquo;
+</p>
+
+<p>
+&ldquo;What I wanted to say,&rdquo; continued Mr. Pontellier, with his hand on
+the knob; &ldquo;I may have to be absent a good while. Would you advise me to
+take Edna along?&rdquo;
+</p>
+
+<p>
+&ldquo;By all means, if she wishes to go. If not, leave her here. Don&rsquo;t
+contradict her. The mood will pass, I assure you. It may take a month, two,
+three months&mdash;possibly longer, but it will pass; have patience.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, good-by, <i>à jeudi</i>,&rdquo; said Mr. Pontellier, as he let
+himself out.
+</p>
+
+<p>
+The Doctor would have liked during the course of conversation to ask, &ldquo;Is
+there any man in the case?&rdquo; but he knew his Creole too well to make such
+a blunder as that.
+</p>
+
+<p>
+He did not resume his book immediately, but sat for a while meditatively
+looking out into the garden.
+</p>
+
+<h3><a name="link2H_4_0024" id="link2H_4_0024"></a>XXIII</h3>
+
+<p>
+Edna&rsquo;s father was in the city, and had been with them several days. She
+was not very warmly or deeply attached to him, but they had certain tastes in
+common, and when together they were companionable. His coming was in the nature
+of a welcome disturbance; it seemed to furnish a new direction for her
+emotions.
+</p>
+
+<p>
+He had come to purchase a wedding gift for his daughter, Janet, and an outfit
+for himself in which he might make a creditable appearance at her marriage. Mr.
+Pontellier had selected the bridal gift, as every one immediately connected
+with him always deferred to his taste in such matters. And his suggestions on
+the question of dress&mdash;which too often assumes the nature of a
+problem&mdash;were of inestimable value to his father-in-law. But for the past
+few days the old gentleman had been upon Edna&rsquo;s hands, and in his society
+she was becoming acquainted with a new set of sensations. He had been a colonel
+in the Confederate army, and still maintained, with the title, the military
+bearing which had always accompanied it. His hair and mustache were white and
+silky, emphasizing the rugged bronze of his face. He was tall and thin, and
+wore his coats padded, which gave a fictitious breadth and depth to his
+shoulders and chest. Edna and her father looked very distinguished together,
+and excited a good deal of notice during their perambulations. Upon his arrival
+she began by introducing him to her atelier and making a sketch of him. He took
+the whole matter very seriously. If her talent had been ten-fold greater than
+it was, it would not have surprised him, convinced as he was that he had
+bequeathed to all of his daughters the germs of a masterful capability, which
+only depended upon their own efforts to be directed toward successful
+achievement.
+</p>
+
+<p>
+Before her pencil he sat rigid and unflinching, as he had faced the
+cannon&rsquo;s mouth in days gone by. He resented the intrusion of the
+children, who gaped with wondering eyes at him, sitting so stiff up there in
+their mother&rsquo;s bright atelier. When they drew near he motioned them away
+with an expressive action of the foot, loath to disturb the fixed lines of his
+countenance, his arms, or his rigid shoulders.
+</p>
+
+<p>
+Edna, anxious to entertain him, invited Mademoiselle Reisz to meet him, having
+promised him a treat in her piano playing; but Mademoiselle declined the
+invitation. So together they attended a <i>soirée musicale</i> at the
+Ratignolles&rsquo;. Monsieur and Madame Ratignolle made much of the Colonel,
+installing him as the guest of honor and engaging him at once to dine with them
+the following Sunday, or any day which he might select. Madame coquetted with
+him in the most captivating and naive manner, with eyes, gestures, and a
+profusion of compliments, till the Colonel&rsquo;s old head felt thirty years
+younger on his padded shoulders. Edna marveled, not comprehending. She herself
+was almost devoid of coquetry.
+</p>
+
+<p>
+There were one or two men whom she observed at the <i>soirée musicale;</i> but
+she would never have felt moved to any kittenish display to attract their
+notice&mdash;to any feline or feminine wiles to express herself toward them.
+Their personality attracted her in an agreeable way. Her fancy selected them,
+and she was glad when a lull in the music gave them an opportunity to meet her
+and talk with her. Often on the street the glance of strange eyes had lingered
+in her memory, and sometimes had disturbed her.
+</p>
+
+<p>
+Mr. Pontellier did not attend these <i>soirées musicales</i>. He considered
+them <i>bourgeois</i>, and found more diversion at the club. To Madame
+Ratignolle he said the music dispensed at her <i>soirées</i> was too
+&ldquo;heavy,&rdquo; too far beyond his untrained comprehension. His excuse
+flattered her. But she disapproved of Mr. Pontellier&rsquo;s club, and she was
+frank enough to tell Edna so.
+</p>
+
+<p>
+&ldquo;It&rsquo;s a pity Mr. Pontellier doesn&rsquo;t stay home more in the
+evenings. I think you would be more&mdash;well, if you don&rsquo;t mind my
+saying it&mdash;more united, if he did.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! dear no!&rdquo; said Edna, with a blank look in her eyes.
+&ldquo;What should I do if he stayed home? We wouldn&rsquo;t have anything to
+say to each other.&rdquo;
+</p>
+
+<p>
+She had not much of anything to say to her father, for that matter; but he did
+not antagonize her. She discovered that he interested her, though she realized
+that he might not interest her long; and for the first time in her life she
+felt as if she were thoroughly acquainted with him. He kept her busy serving
+him and ministering to his wants. It amused her to do so. She would not permit
+a servant or one of the children to do anything for him which she might do
+herself. Her husband noticed, and thought it was the expression of a deep
+filial attachment which he had never suspected.
+</p>
+
+<p>
+The Colonel drank numerous &ldquo;toddies&rdquo; during the course of the day,
+which left him, however, imperturbed. He was an expert at concocting strong
+drinks. He had even invented some, to which he had given fantastic names, and
+for whose manufacture he required diverse ingredients that it devolved upon
+Edna to procure for him.
+</p>
+
+<p>
+When Doctor Mandelet dined with the Pontelliers on Thursday he could discern in
+Mrs. Pontellier no trace of that morbid condition which her husband had
+reported to him. She was excited and in a manner radiant. She and her father
+had been to the race course, and their thoughts when they seated themselves at
+table were still occupied with the events of the afternoon, and their talk was
+still of the track. The Doctor had not kept pace with turf affairs. He had
+certain recollections of racing in what he called &ldquo;the good old
+times&rdquo; when the Lecompte stables flourished, and he drew upon this fund
+of memories so that he might not be left out and seem wholly devoid of the
+modern spirit. But he failed to impose upon the Colonel, and was even far from
+impressing him with this trumped-up knowledge of bygone days. Edna had staked
+her father on his last venture, with the most gratifying results to both of
+them. Besides, they had met some very charming people, according to the
+Colonel&rsquo;s impressions. Mrs. Mortimer Merriman and Mrs. James Highcamp,
+who were there with Alcée Arobin, had joined them and had enlivened the hours
+in a fashion that warmed him to think of.
+</p>
+
+<p>
+Mr. Pontellier himself had no particular leaning toward horseracing, and was
+even rather inclined to discourage it as a pastime, especially when he
+considered the fate of that blue-grass farm in Kentucky. He endeavored, in a
+general way, to express a particular disapproval, and only succeeded in
+arousing the ire and opposition of his father-in-law. A pretty dispute
+followed, in which Edna warmly espoused her father&rsquo;s cause and the Doctor
+remained neutral.
+</p>
+
+<p>
+He observed his hostess attentively from under his shaggy brows, and noted a
+subtle change which had transformed her from the listless woman he had known
+into a being who, for the moment, seemed palpitant with the forces of life. Her
+speech was warm and energetic. There was no repression in her glance or
+gesture. She reminded him of some beautiful, sleek animal waking up in the sun.
+</p>
+
+<p>
+The dinner was excellent. The claret was warm and the champagne was cold, and
+under their beneficent influence the threatened unpleasantness melted and
+vanished with the fumes of the wine.
+</p>
+
+<p>
+Mr. Pontellier warmed up and grew reminiscent. He told some amusing plantation
+experiences, recollections of old Iberville and his youth, when he hunted
+&rsquo;possum in company with some friendly darky; thrashed the pecan trees,
+shot the grosbec, and roamed the woods and fields in mischievous idleness.
+</p>
+
+<p>
+The Colonel, with little sense of humor and of the fitness of things, related a
+somber episode of those dark and bitter days, in which he had acted a
+conspicuous part and always formed a central figure. Nor was the Doctor happier
+in his selection, when he told the old, ever new and curious story of the
+waning of a woman&rsquo;s love, seeking strange, new channels, only to return
+to its legitimate source after days of fierce unrest. It was one of the many
+little human documents which had been unfolded to him during his long career as
+a physician. The story did not seem especially to impress Edna. She had one of
+her own to tell, of a woman who paddled away with her lover one night in a
+pirogue and never came back. They were lost amid the Baratarian Islands, and no
+one ever heard of them or found trace of them from that day to this. It was a
+pure invention. She said that Madame Antoine had related it to her. That, also,
+was an invention. Perhaps it was a dream she had had. But every glowing word
+seemed real to those who listened. They could feel the hot breath of the
+Southern night; they could hear the long sweep of the pirogue through the
+glistening moonlit water, the beating of birds&rsquo; wings, rising startled
+from among the reeds in the salt-water pools; they could see the faces of the
+lovers, pale, close together, rapt in oblivious forgetfulness, drifting into
+the unknown.
+</p>
+
+<p>
+The champagne was cold, and its subtle fumes played fantastic tricks with
+Edna&rsquo;s memory that night.
+</p>
+
+<p>
+Outside, away from the glow of the fire and the soft lamplight, the night was
+chill and murky. The Doctor doubled his old-fashioned cloak across his breast
+as he strode home through the darkness. He knew his fellow-creatures better
+than most men; knew that inner life which so seldom unfolds itself to
+unanointed eyes. He was sorry he had accepted Pontellier&rsquo;s invitation. He
+was growing old, and beginning to need rest and an imperturbed spirit. He did
+not want the secrets of other lives thrust upon him.
+</p>
+
+<p>
+&ldquo;I hope it isn&rsquo;t Arobin,&rdquo; he muttered to himself as he
+walked. &ldquo;I hope to heaven it isn&rsquo;t Alcée Arobin.&rdquo;
+</p>
+
+<h3><a name="link2H_4_0025" id="link2H_4_0025"></a>XXIV</h3>
+
+<p>
+Edna and her father had a warm, and almost violent dispute upon the subject of
+her refusal to attend her sister&rsquo;s wedding. Mr. Pontellier declined to
+interfere, to interpose either his influence or his authority. He was following
+Doctor Mandelet&rsquo;s advice, and letting her do as she liked. The Colonel
+reproached his daughter for her lack of filial kindness and respect, her want
+of sisterly affection and womanly consideration. His arguments were labored and
+unconvincing. He doubted if Janet would accept any excuse&mdash;forgetting that
+Edna had offered none. He doubted if Janet would ever speak to her again, and
+he was sure Margaret would not.
+</p>
+
+<p>
+Edna was glad to be rid of her father when he finally took himself off with his
+wedding garments and his bridal gifts, with his padded shoulders, his Bible
+reading, his &ldquo;toddies&rdquo; and ponderous oaths.
+</p>
+
+<p>
+Mr. Pontellier followed him closely. He meant to stop at the wedding on his way
+to New York and endeavor by every means which money and love could devise to
+atone somewhat for Edna&rsquo;s incomprehensible action.
+</p>
+
+<p>
+&ldquo;You are too lenient, too lenient by far, Léonce,&rdquo; asserted the
+Colonel. &ldquo;Authority, coercion are what is needed. Put your foot down good
+and hard; the only way to manage a wife. Take my word for it.&rdquo;
+</p>
+
+<p>
+The Colonel was perhaps unaware that he had coerced his own wife into her
+grave. Mr. Pontellier had a vague suspicion of it which he thought it needless
+to mention at that late day.
+</p>
+
+<p>
+Edna was not so consciously gratified at her husband&rsquo;s leaving home as
+she had been over the departure of her father. As the day approached when he
+was to leave her for a comparatively long stay, she grew melting and
+affectionate, remembering his many acts of consideration and his repeated
+expressions of an ardent attachment. She was solicitous about his health and
+his welfare. She bustled around, looking after his clothing, thinking about
+heavy underwear, quite as Madame Ratignolle would have done under similar
+circumstances. She cried when he went away, calling him her dear, good friend,
+and she was quite certain she would grow lonely before very long and go to join
+him in New York.
+</p>
+
+<p>
+But after all, a radiant peace settled upon her when she at last found herself
+alone. Even the children were gone. Old Madame Pontellier had come herself and
+carried them off to Iberville with their quadroon. The old madame did not
+venture to say she was afraid they would be neglected during Léonce&rsquo;s
+absence; she hardly ventured to think so. She was hungry for them&mdash;even a
+little fierce in her attachment. She did not want them to be wholly
+&ldquo;children of the pavement,&rdquo; she always said when begging to have
+them for a space. She wished them to know the country, with its streams, its
+fields, its woods, its freedom, so delicious to the young. She wished them to
+taste something of the life their father had lived and known and loved when he,
+too, was a little child.
+</p>
+
+<p>
+When Edna was at last alone, she breathed a big, genuine sigh of relief. A
+feeling that was unfamiliar but very delicious came over her. She walked all
+through the house, from one room to another, as if inspecting it for the first
+time. She tried the various chairs and lounges, as if she had never sat and
+reclined upon them before. And she perambulated around the outside of the
+house, investigating, looking to see if windows and shutters were secure and in
+order. The flowers were like new acquaintances; she approached them in a
+familiar spirit, and made herself at home among them. The garden walks were
+damp, and Edna called to the maid to bring out her rubber sandals. And there
+she stayed, and stooped, digging around the plants, trimming, picking dead, dry
+leaves. The children&rsquo;s little dog came out, interfering, getting in her
+way. She scolded him, laughed at him, played with him. The garden smelled so
+good and looked so pretty in the afternoon sunlight. Edna plucked all the
+bright flowers she could find, and went into the house with them, she and the
+little dog.
+</p>
+
+<p>
+Even the kitchen assumed a sudden interesting character which she had never
+before perceived. She went in to give directions to the cook, to say that the
+butcher would have to bring much less meat, that they would require only half
+their usual quantity of bread, of milk and groceries. She told the cook that
+she herself would be greatly occupied during Mr. Pontellier&rsquo;s absence,
+and she begged her to take all thought and responsibility of the larder upon
+her own shoulders.
+</p>
+
+<p>
+That night Edna dined alone. The candelabra, with a few candles in the center
+of the table, gave all the light she needed. Outside the circle of light in
+which she sat, the large dining-room looked solemn and shadowy. The cook,
+placed upon her mettle, served a delicious repast&mdash;a luscious tenderloin
+broiled <i>à point</i>. The wine tasted good; the <i>marron glacé</i> seemed to
+be just what she wanted. It was so pleasant, too, to dine in a comfortable
+<i>peignoir</i>.
+</p>
+
+<p>
+She thought a little sentimentally about Léonce and the children, and wondered
+what they were doing. As she gave a dainty scrap or two to the doggie, she
+talked intimately to him about Etienne and Raoul. He was beside himself with
+astonishment and delight over these companionable advances, and showed his
+appreciation by his little quick, snappy barks and a lively agitation.
+</p>
+
+<p>
+Then Edna sat in the library after dinner and read Emerson until she grew
+sleepy. She realized that she had neglected her reading, and determined to
+start anew upon a course of improving studies, now that her time was completely
+her own to do with as she liked.
+</p>
+
+<p>
+After a refreshing bath, Edna went to bed. And as she snuggled comfortably
+beneath the eiderdown a sense of restfulness invaded her, such as she had not
+known before.
+</p>
+
+<h3><a name="link2H_4_0026" id="link2H_4_0026"></a>XXV</h3>
+
+<p>
+When the weather was dark and cloudy Edna could not work. She needed the sun to
+mellow and temper her mood to the sticking point. She had reached a stage when
+she seemed to be no longer feeling her way, working, when in the humor, with
+sureness and ease. And being devoid of ambition, and striving not toward
+accomplishment, she drew satisfaction from the work in itself.
+</p>
+
+<p>
+On rainy or melancholy days Edna went out and sought the society of the friends
+she had made at Grand Isle. Or else she stayed indoors and nursed a mood with
+which she was becoming too familiar for her own comfort and peace of mind. It
+was not despair; but it seemed to her as if life were passing by, leaving its
+promise broken and unfulfilled. Yet there were other days when she listened,
+was led on and deceived by fresh promises which her youth held out to her.
+</p>
+
+<p>
+She went again to the races, and again. Alcée Arobin and Mrs. Highcamp called
+for her one bright afternoon in Arobin&rsquo;s drag. Mrs. Highcamp was a
+worldly but unaffected, intelligent, slim, tall blonde woman in the forties,
+with an indifferent manner and blue eyes that stared. She had a daughter who
+served her as a pretext for cultivating the society of young men of fashion.
+Alcée Arobin was one of them. He was a familiar figure at the race course, the
+opera, the fashionable clubs. There was a perpetual smile in his eyes, which
+seldom failed to awaken a corresponding cheerfulness in any one who looked into
+them and listened to his good-humored voice. His manner was quiet, and at times
+a little insolent. He possessed a good figure, a pleasing face, not
+overburdened with depth of thought or feeling; and his dress was that of the
+conventional man of fashion.
+</p>
+
+<p>
+He admired Edna extravagantly, after meeting her at the races with her father.
+He had met her before on other occasions, but she had seemed to him
+unapproachable until that day. It was at his instigation that Mrs. Highcamp
+called to ask her to go with them to the Jockey Club to witness the turf event
+of the season.
+</p>
+
+<p>
+There were possibly a few track men out there who knew the race horse as well
+as Edna, but there was certainly none who knew it better. She sat between her
+two companions as one having authority to speak. She laughed at Arobin&rsquo;s
+pretensions, and deplored Mrs. Highcamp&rsquo;s ignorance. The race horse was a
+friend and intimate associate of her childhood. The atmosphere of the stables
+and the breath of the blue grass paddock revived in her memory and lingered in
+her nostrils. She did not perceive that she was talking like her father as the
+sleek geldings ambled in review before them. She played for very high stakes,
+and fortune favored her. The fever of the game flamed in her cheeks and eyes,
+and it got into her blood and into her brain like an intoxicant. People turned
+their heads to look at her, and more than one lent an attentive ear to her
+utterances, hoping thereby to secure the elusive but ever-desired
+&ldquo;tip.&rdquo; Arobin caught the contagion of excitement which drew him to
+Edna like a magnet. Mrs. Highcamp remained, as usual, unmoved, with her
+indifferent stare and uplifted eyebrows.
+</p>
+
+<p>
+Edna stayed and dined with Mrs. Highcamp upon being urged to do so. Arobin also
+remained and sent away his drag.
+</p>
+
+<p>
+The dinner was quiet and uninteresting, save for the cheerful efforts of Arobin
+to enliven things. Mrs. Highcamp deplored the absence of her daughter from the
+races, and tried to convey to her what she had missed by going to the
+&ldquo;Dante reading&rdquo; instead of joining them. The girl held a geranium
+leaf up to her nose and said nothing, but looked knowing and noncommittal. Mr.
+Highcamp was a plain, bald-headed man, who only talked under compulsion. He was
+unresponsive. Mrs. Highcamp was full of delicate courtesy and consideration
+toward her husband. She addressed most of her conversation to him at table.
+They sat in the library after dinner and read the evening papers together under
+the droplight; while the younger people went into the drawing-room near by and
+talked. Miss Highcamp played some selections from Grieg upon the piano. She
+seemed to have apprehended all of the composer&rsquo;s coldness and none of his
+poetry. While Edna listened she could not help wondering if she had lost her
+taste for music.
+</p>
+
+<p>
+When the time came for her to go home, Mr. Highcamp grunted a lame offer to
+escort her, looking down at his slippered feet with tactless concern. It was
+Arobin who took her home. The car ride was long, and it was late when they
+reached Esplanade Street. Arobin asked permission to enter for a second to
+light his cigarette&mdash;his match safe was empty. He filled his match safe,
+but did not light his cigarette until he left her, after she had expressed her
+willingness to go to the races with him again.
+</p>
+
+<p>
+Edna was neither tired nor sleepy. She was hungry again, for the Highcamp
+dinner, though of excellent quality, had lacked abundance. She rummaged in the
+larder and brought forth a slice of Gruyere and some crackers. She opened a
+bottle of beer which she found in the icebox. Edna felt extremely restless and
+excited. She vacantly hummed a fantastic tune as she poked at the wood embers
+on the hearth and munched a cracker.
+</p>
+
+<p>
+She wanted something to happen&mdash;something, anything; she did not know
+what. She regretted that she had not made Arobin stay a half hour to talk over
+the horses with her. She counted the money she had won. But there was nothing
+else to do, so she went to bed, and tossed there for hours in a sort of
+monotonous agitation.
+</p>
+
+<p>
+In the middle of the night she remembered that she had forgotten to write her
+regular letter to her husband; and she decided to do so next day and tell him
+about her afternoon at the Jockey Club. She lay wide awake composing a letter
+which was nothing like the one which she wrote next day. When the maid awoke
+her in the morning Edna was dreaming of Mr. Highcamp playing the piano at the
+entrance of a music store on Canal Street, while his wife was saying to Alcée
+Arobin, as they boarded an Esplanade Street car:
+</p>
+
+<p>
+&ldquo;What a pity that so much talent has been neglected! but I must
+go.&rdquo;
+</p>
+
+<p>
+When, a few days later, Alcée Arobin again called for Edna in his drag, Mrs.
+Highcamp was not with him. He said they would pick her up. But as that lady had
+not been apprised of his intention of picking her up, she was not at home. The
+daughter was just leaving the house to attend the meeting of a branch Folk Lore
+Society, and regretted that she could not accompany them. Arobin appeared
+nonplused, and asked Edna if there were any one else she cared to ask.
+</p>
+
+<p>
+She did not deem it worth while to go in search of any of the fashionable
+acquaintances from whom she had withdrawn herself. She thought of Madame
+Ratignolle, but knew that her fair friend did not leave the house, except to
+take a languid walk around the block with her husband after nightfall.
+Mademoiselle Reisz would have laughed at such a request from Edna. Madame
+Lebrun might have enjoyed the outing, but for some reason Edna did not want
+her. So they went alone, she and Arobin.
+</p>
+
+<p>
+The afternoon was intensely interesting to her. The excitement came back upon
+her like a remittent fever. Her talk grew familiar and confidential. It was no
+labor to become intimate with Arobin. His manner invited easy confidence. The
+preliminary stage of becoming acquainted was one which he always endeavored to
+ignore when a pretty and engaging woman was concerned.
+</p>
+
+<p>
+He stayed and dined with Edna. He stayed and sat beside the wood fire. They
+laughed and talked; and before it was time to go he was telling her how
+different life might have been if he had known her years before. With ingenuous
+frankness he spoke of what a wicked, ill-disciplined boy he had been, and
+impulsively drew up his cuff to exhibit upon his wrist the scar from a saber
+cut which he had received in a duel outside of Paris when he was nineteen. She
+touched his hand as she scanned the red cicatrice on the inside of his white
+wrist. A quick impulse that was somewhat spasmodic impelled her fingers to
+close in a sort of clutch upon his hand. He felt the pressure of her pointed
+nails in the flesh of his palm.
+</p>
+
+<p>
+She arose hastily and walked toward the mantel.
+</p>
+
+<p>
+&ldquo;The sight of a wound or scar always agitates and sickens me,&rdquo; she
+said. &ldquo;I shouldn&rsquo;t have looked at it.&rdquo;
+</p>
+
+<p>
+&ldquo;I beg your pardon,&rdquo; he entreated, following her; &ldquo;it never
+occurred to me that it might be repulsive.&rdquo;
+</p>
+
+<p>
+He stood close to her, and the effrontery in his eyes repelled the old,
+vanishing self in her, yet drew all her awakening sensuousness. He saw enough
+in her face to impel him to take her hand and hold it while he said his
+lingering good night.
+</p>
+
+<p>
+&ldquo;Will you go to the races again?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;No,&rdquo; she said. &ldquo;I&rsquo;ve had enough of the races. I
+don&rsquo;t want to lose all the money I&rsquo;ve won, and I&rsquo;ve got to
+work when the weather is bright, instead of&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; work; to be sure. You promised to show me your work. What morning
+may I come up to your atelier? To-morrow?&rdquo;
+</p>
+
+<p>
+&ldquo;No!&rdquo;
+</p>
+
+<p>
+&ldquo;Day after?&rdquo;
+</p>
+
+<p>
+&ldquo;No, no.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, please don&rsquo;t refuse me! I know something of such things. I
+might help you with a stray suggestion or two.&rdquo;
+</p>
+
+<p>
+&ldquo;No. Good night. Why don&rsquo;t you go after you have said good night? I
+don&rsquo;t like you,&rdquo; she went on in a high, excited pitch, attempting
+to draw away her hand. She felt that her words lacked dignity and sincerity,
+and she knew that he felt it.
+</p>
+
+<p>
+&ldquo;I&rsquo;m sorry you don&rsquo;t like me. I&rsquo;m sorry I offended you.
+How have I offended you? What have I done? Can&rsquo;t you forgive me?&rdquo;
+And he bent and pressed his lips upon her hand as if he wished never more to
+withdraw them.
+</p>
+
+<p>
+&ldquo;Mr. Arobin,&rdquo; she complained, &ldquo;I&rsquo;m greatly upset by the
+excitement of the afternoon; I&rsquo;m not myself. My manner must have misled
+you in some way. I wish you to go, please.&rdquo; She spoke in a monotonous,
+dull tone. He took his hat from the table, and stood with eyes turned from her,
+looking into the dying fire. For a moment or two he kept an impressive silence.
+</p>
+
+<p>
+&ldquo;Your manner has not misled me, Mrs. Pontellier,&rdquo; he said finally.
+&ldquo;My own emotions have done that. I couldn&rsquo;t help it. When I&rsquo;m
+near you, how could I help it? Don&rsquo;t think anything of it, don&rsquo;t
+bother, please. You see, I go when you command me. If you wish me to stay away,
+I shall do so. If you let me come back, I&mdash;oh! you will let me come
+back?&rdquo;
+</p>
+
+<p>
+He cast one appealing glance at her, to which she made no response. Alcée
+Arobin&rsquo;s manner was so genuine that it often deceived even himself.
+</p>
+
+<p>
+Edna did not care or think whether it were genuine or not. When she was alone
+she looked mechanically at the back of her hand which he had kissed so warmly.
+Then she leaned her head down on the mantelpiece. She felt somewhat like a
+woman who in a moment of passion is betrayed into an act of infidelity, and
+realizes the significance of the act without being wholly awakened from its
+glamour. The thought was passing vaguely through her mind, &ldquo;What would he
+think?&rdquo;
+</p>
+
+<p>
+She did not mean her husband; she was thinking of Robert Lebrun. Her husband
+seemed to her now like a person whom she had married without love as an excuse.
+</p>
+
+<p>
+She lit a candle and went up to her room. Alcée Arobin was absolutely nothing
+to her. Yet his presence, his manners, the warmth of his glances, and above all
+the touch of his lips upon her hand had acted like a narcotic upon her.
+</p>
+
+<p>
+She slept a languorous sleep, interwoven with vanishing dreams.
+</p>
+
+<h3><a name="link2H_4_0027" id="link2H_4_0027"></a>XXVI</h3>
+
+<p>
+Alcée Arobin wrote Edna an elaborate note of apology, palpitant with sincerity.
+It embarrassed her; for in a cooler, quieter moment it appeared to her absurd
+that she should have taken his action so seriously, so dramatically. She felt
+sure that the significance of the whole occurrence had lain in her own
+self-consciousness. If she ignored his note it would give undue importance to a
+trivial affair. If she replied to it in a serious spirit it would still leave
+in his mind the impression that she had in a susceptible moment yielded to his
+influence. After all, it was no great matter to have one&rsquo;s hand kissed.
+She was provoked at his having written the apology. She answered in as light
+and bantering a spirit as she fancied it deserved, and said she would be glad
+to have him look in upon her at work whenever he felt the inclination and his
+business gave him the opportunity.
+</p>
+
+<p>
+He responded at once by presenting himself at her home with all his disarming
+naïveté. And then there was scarcely a day which followed that she did not see
+him or was not reminded of him. He was prolific in pretexts. His attitude
+became one of good-humored subservience and tacit adoration. He was ready at
+all times to submit to her moods, which were as often kind as they were cold.
+She grew accustomed to him. They became intimate and friendly by imperceptible
+degrees, and then by leaps. He sometimes talked in a way that astonished her at
+first and brought the crimson into her face; in a way that pleased her at last,
+appealing to the animalism that stirred impatiently within her.
+</p>
+
+<p>
+There was nothing which so quieted the turmoil of Edna&rsquo;s senses as a
+visit to Mademoiselle Reisz. It was then, in the presence of that personality
+which was offensive to her, that the woman, by her divine art, seemed to reach
+Edna&rsquo;s spirit and set it free.
+</p>
+
+<p>
+It was misty, with heavy, lowering atmosphere, one afternoon, when Edna climbed
+the stairs to the pianist&rsquo;s apartments under the roof. Her clothes were
+dripping with moisture. She felt chilled and pinched as she entered the room.
+Mademoiselle was poking at a rusty stove that smoked a little and warmed the
+room indifferently. She was endeavoring to heat a pot of chocolate on the
+stove. The room looked cheerless and dingy to Edna as she entered. A bust of
+Beethoven, covered with a hood of dust, scowled at her from the mantelpiece.
+</p>
+
+<p>
+&ldquo;Ah! here comes the sunlight!&rdquo; exclaimed Mademoiselle, rising from
+her knees before the stove. &ldquo;Now it will be warm and bright enough; I can
+let the fire alone.&rdquo;
+</p>
+
+<p>
+She closed the stove door with a bang, and approaching, assisted in removing
+Edna&rsquo;s dripping mackintosh.
+</p>
+
+<p>
+&ldquo;You are cold; you look miserable. The chocolate will soon be hot. But
+would you rather have a taste of brandy? I have scarcely touched the bottle
+which you brought me for my cold.&rdquo; A piece of red flannel was wrapped
+around Mademoiselle&rsquo;s throat; a stiff neck compelled her to hold her head
+on one side.
+</p>
+
+<p>
+&ldquo;I will take some brandy,&rdquo; said Edna, shivering as she removed her
+gloves and overshoes. She drank the liquor from the glass as a man would have
+done. Then flinging herself upon the uncomfortable sofa she said,
+&ldquo;Mademoiselle, I am going to move away from my house on Esplanade
+Street.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; ejaculated the musician, neither surprised nor especially
+interested. Nothing ever seemed to astonish her very much. She was endeavoring
+to adjust the bunch of violets which had become loose from its fastening in her
+hair. Edna drew her down upon the sofa, and taking a pin from her own hair,
+secured the shabby artificial flowers in their accustomed place.
+</p>
+
+<p>
+&ldquo;Aren&rsquo;t you astonished?&rdquo;
+</p>
+
+<p>
+&ldquo;Passably. Where are you going? to New York? to Iberville? to your father
+in Mississippi? where?&rdquo;
+</p>
+
+<p>
+&ldquo;Just two steps away,&rdquo; laughed Edna, &ldquo;in a little four-room
+house around the corner. It looks so cozy, so inviting and restful, whenever I
+pass by; and it&rsquo;s for rent. I&rsquo;m tired looking after that big house.
+It never seemed like mine, anyway&mdash;like home. It&rsquo;s too much trouble.
+I have to keep too many servants. I am tired bothering with them.&rdquo;
+</p>
+
+<p>
+&ldquo;That is not your true reason, <i>ma belle</i>. There is no use in
+telling me lies. I don&rsquo;t know your reason, but you have not told me the
+truth.&rdquo; Edna did not protest or endeavor to justify herself.
+</p>
+
+<p>
+&ldquo;The house, the money that provides for it, are not mine. Isn&rsquo;t
+that enough reason?&rdquo;
+</p>
+
+<p>
+&ldquo;They are your husband&rsquo;s,&rdquo; returned Mademoiselle, with a
+shrug and a malicious elevation of the eyebrows.
+</p>
+
+<p>
+&ldquo;Oh! I see there is no deceiving you. Then let me tell you: It is a
+caprice. I have a little money of my own from my mother&rsquo;s estate, which
+my father sends me by driblets. I won a large sum this winter on the races, and
+I am beginning to sell my sketches. Laidpore is more and more pleased with my
+work; he says it grows in force and individuality. I cannot judge of that
+myself, but I feel that I have gained in ease and confidence. However, as I
+said, I have sold a good many through Laidpore. I can live in the tiny house
+for little or nothing, with one servant. Old Celestine, who works occasionally
+for me, says she will come stay with me and do my work. I know I shall like it,
+like the feeling of freedom and independence.&rdquo;
+</p>
+
+<p>
+&ldquo;What does your husband say?&rdquo;
+</p>
+
+<p>
+&ldquo;I have not told him yet. I only thought of it this morning. He will
+think I am demented, no doubt. Perhaps you think so.&rdquo;
+</p>
+
+<p>
+Mademoiselle shook her head slowly. &ldquo;Your reason is not yet clear to
+me,&rdquo; she said.
+</p>
+
+<p>
+Neither was it quite clear to Edna herself; but it unfolded itself as she sat
+for a while in silence. Instinct had prompted her to put away her
+husband&rsquo;s bounty in casting off her allegiance. She did not know how it
+would be when he returned. There would have to be an understanding, an
+explanation. Conditions would some way adjust themselves, she felt; but
+whatever came, she had resolved never again to belong to another than herself.
+</p>
+
+<p>
+&ldquo;I shall give a grand dinner before I leave the old house!&rdquo; Edna
+exclaimed. &ldquo;You will have to come to it, Mademoiselle. I will give you
+everything that you like to eat and to drink. We shall sing and laugh and be
+merry for once.&rdquo; And she uttered a sigh that came from the very depths of
+her being.
+</p>
+
+<p>
+If Mademoiselle happened to have received a letter from Robert during the
+interval of Edna&rsquo;s visits, she would give her the letter unsolicited. And
+she would seat herself at the piano and play as her humor prompted her while
+the young woman read the letter.
+</p>
+
+<p>
+The little stove was roaring; it was red-hot, and the chocolate in the tin
+sizzled and sputtered. Edna went forward and opened the stove door, and
+Mademoiselle rising, took a letter from under the bust of Beethoven and handed
+it to Edna.
+</p>
+
+<p>
+&ldquo;Another! so soon!&rdquo; she exclaimed, her eyes filled with delight.
+&ldquo;Tell me, Mademoiselle, does he know that I see his letters?&rdquo;
+</p>
+
+<p>
+&ldquo;Never in the world! He would be angry and would never write to me again
+if he thought so. Does he write to you? Never a line. Does he send you a
+message? Never a word. It is because he loves you, poor fool, and is trying to
+forget you, since you are not free to listen to him or to belong to him.&rdquo;
+</p>
+
+<p>
+&ldquo;Why do you show me his letters, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Haven&rsquo;t you begged for them? Can I refuse you anything? Oh! you
+cannot deceive me,&rdquo; and Mademoiselle approached her beloved instrument
+and began to play. Edna did not at once read the letter. She sat holding it in
+her hand, while the music penetrated her whole being like an effulgence,
+warming and brightening the dark places of her soul. It prepared her for joy
+and exultation.
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; she exclaimed, letting the letter fall to the floor.
+&ldquo;Why did you not tell me?&rdquo; She went and grasped
+Mademoiselle&rsquo;s hands up from the keys. &ldquo;Oh! unkind! malicious! Why
+did you not tell me?&rdquo;
+</p>
+
+<p>
+&ldquo;That he was coming back? No great news, <i>ma foi</i>. I wonder he did
+not come long ago.&rdquo;
+</p>
+
+<p>
+&ldquo;But when, when?&rdquo; cried Edna, impatiently. &ldquo;He does not say
+when.&rdquo;
+</p>
+
+<p>
+&ldquo;He says &lsquo;very soon.&rsquo; You know as much about it as I do; it
+is all in the letter.&rdquo;
+</p>
+
+<p>
+&ldquo;But why? Why is he coming? Oh, if I thought&mdash;&rdquo; and she
+snatched the letter from the floor and turned the pages this way and that way,
+looking for the reason, which was left untold.
+</p>
+
+<p>
+&ldquo;If I were young and in love with a man,&rdquo; said Mademoiselle,
+turning on the stool and pressing her wiry hands between her knees as she
+looked down at Edna, who sat on the floor holding the letter, &ldquo;it seems
+to me he would have to be some <i>grand esprit;</i> a man with lofty aims and
+ability to reach them; one who stood high enough to attract the notice of his
+fellow-men. It seems to me if I were young and in love I should never deem a
+man of ordinary caliber worthy of my devotion.&rdquo;
+</p>
+
+<p>
+&ldquo;Now it is you who are telling lies and seeking to deceive me,
+Mademoiselle; or else you have never been in love, and know nothing about it.
+Why,&rdquo; went on Edna, clasping her knees and looking up into
+Mademoiselle&rsquo;s twisted face, &ldquo;do you suppose a woman knows why she
+loves? Does she select? Does she say to herself: &lsquo;Go to! Here is a
+distinguished statesman with presidential possibilities; I shall proceed to
+fall in love with him.&rsquo; Or, &lsquo;I shall set my heart upon this
+musician, whose fame is on every tongue?&rsquo; Or, &lsquo;This financier, who
+controls the world&rsquo;s money markets?&rsquo;
+</p>
+
+<p>
+&ldquo;You are purposely misunderstanding me, <i>ma reine</i>. Are you in love
+with Robert?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Edna. It was the first time she had admitted it, and a
+glow overspread her face, blotching it with red spots.
+</p>
+
+<p>
+&ldquo;Why?&rdquo; asked her companion. &ldquo;Why do you love him when you
+ought not to?&rdquo;
+</p>
+
+<p>
+Edna, with a motion or two, dragged herself on her knees before Mademoiselle
+Reisz, who took the glowing face between her two hands.
+</p>
+
+<p>
+&ldquo;Why? Because his hair is brown and grows away from his temples; because
+he opens and shuts his eyes, and his nose is a little out of drawing; because
+he has two lips and a square chin, and a little finger which he can&rsquo;t
+straighten from having played baseball too energetically in his youth.
+Because&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Because you do, in short,&rdquo; laughed Mademoiselle. &ldquo;What will
+you do when he comes back?&rdquo; she asked.
+</p>
+
+<p>
+&ldquo;Do? Nothing, except feel glad and happy to be alive.&rdquo;
+</p>
+
+<p>
+She was already glad and happy to be alive at the mere thought of his return.
+The murky, lowering sky, which had depressed her a few hours before, seemed
+bracing and invigorating as she splashed through the streets on her way home.
+</p>
+
+<p>
+She stopped at a confectioner&rsquo;s and ordered a huge box of bonbons for the
+children in Iberville. She slipped a card in the box, on which she scribbled a
+tender message and sent an abundance of kisses.
+</p>
+
+<p>
+Before dinner in the evening Edna wrote a charming letter to her husband,
+telling him of her intention to move for a while into the little house around
+the block, and to give a farewell dinner before leaving, regretting that he was
+not there to share it, to help out with the menu and assist her in entertaining
+the guests. Her letter was brilliant and brimming with cheerfulness.
+</p>
+
+<h3><a name="link2H_4_0028" id="link2H_4_0028"></a>XXVII</h3>
+
+<p>
+&ldquo;What is the matter with you?&rdquo; asked Arobin that evening. &ldquo;I
+never found you in such a happy mood.&rdquo; Edna was tired by that time, and
+was reclining on the lounge before the fire.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you know the weather prophet has told us we shall see the
+sun pretty soon?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, that ought to be reason enough,&rdquo; he acquiesced. &ldquo;You
+wouldn&rsquo;t give me another if I sat here all night imploring you.&rdquo; He
+sat close to her on a low tabouret, and as he spoke his fingers lightly touched
+the hair that fell a little over her forehead. She liked the touch of his
+fingers through her hair, and closed her eyes sensitively.
+</p>
+
+<p>
+&ldquo;One of these days,&rdquo; she said, &ldquo;I&rsquo;m going to pull
+myself together for a while and think&mdash;try to determine what character of
+a woman I am; for, candidly, I don&rsquo;t know. By all the codes which I am
+acquainted with, I am a devilishly wicked specimen of the sex. But some way I
+can&rsquo;t convince myself that I am. I must think about it.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t. What&rsquo;s the use? Why should you bother thinking about
+it when I can tell you what manner of woman you are.&rdquo; His fingers strayed
+occasionally down to her warm, smooth cheeks and firm chin, which was growing a
+little full and double.
+</p>
+
+<p>
+&ldquo;Oh, yes! You will tell me that I am adorable; everything that is
+captivating. Spare yourself the effort.&rdquo;
+</p>
+
+<p>
+&ldquo;No; I shan&rsquo;t tell you anything of the sort, though I
+shouldn&rsquo;t be lying if I did.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you know Mademoiselle Reisz?&rdquo; she asked irrelevantly.
+</p>
+
+<p>
+&ldquo;The pianist? I know her by sight. I&rsquo;ve heard her play.&rdquo;
+</p>
+
+<p>
+&ldquo;She says queer things sometimes in a bantering way that you don&rsquo;t
+notice at the time and you find yourself thinking about afterward.&rdquo;
+</p>
+
+<p>
+&ldquo;For instance?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, for instance, when I left her to-day, she put her arms around me
+and felt my shoulder blades, to see if my wings were strong, she said.
+&lsquo;The bird that would soar above the level plain of tradition and
+prejudice must have strong wings. It is a sad spectacle to see the weaklings
+bruised, exhausted, fluttering back to earth.&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;Whither would you soar?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m not thinking of any extraordinary flights. I only half
+comprehend her.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve heard she&rsquo;s partially demented,&rdquo; said Arobin.
+</p>
+
+<p>
+&ldquo;She seems to me wonderfully sane,&rdquo; Edna replied.
+</p>
+
+<p>
+&ldquo;I&rsquo;m told she&rsquo;s extremely disagreeable and unpleasant. Why
+have you introduced her at a moment when I desired to talk of you?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! talk of me if you like,&rdquo; cried Edna, clasping her hands
+beneath her head; &ldquo;but let me think of something else while you
+do.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m jealous of your thoughts to-night. They&rsquo;re making you a
+little kinder than usual; but some way I feel as if they were wandering, as if
+they were not here with me.&rdquo; She only looked at him and smiled. His eyes
+were very near. He leaned upon the lounge with an arm extended across her,
+while the other hand still rested upon her hair. They continued silently to
+look into each other&rsquo;s eyes. When he leaned forward and kissed her, she
+clasped his head, holding his lips to hers.
+</p>
+
+<p>
+It was the first kiss of her life to which her nature had really responded. It
+was a flaming torch that kindled desire.
+</p>
+
+<h3><a name="link2H_4_0029" id="link2H_4_0029"></a>XXVIII</h3>
+
+<p>
+Edna cried a little that night after Arobin left her. It was only one phase of
+the multitudinous emotions which had assailed her. There was with her an
+overwhelming feeling of irresponsibility. There was the shock of the unexpected
+and the unaccustomed. There was her husband&rsquo;s reproach looking at her
+from the external things around her which he had provided for her external
+existence. There was Robert&rsquo;s reproach making itself felt by a quicker,
+fiercer, more overpowering love, which had awakened within her toward him.
+Above all, there was understanding. She felt as if a mist had been lifted from
+her eyes, enabling her to look upon and comprehend the significance of life,
+that monster made up of beauty and brutality. But among the conflicting
+sensations which assailed her, there was neither shame nor remorse. There was a
+dull pang of regret because it was not the kiss of love which had inflamed her,
+because it was not love which had held this cup of life to her lips.
+</p>
+
+<h3><a name="link2H_4_0030" id="link2H_4_0030"></a>XXIX</h3>
+
+<p>
+Without even waiting for an answer from her husband regarding his opinion or
+wishes in the matter, Edna hastened her preparations for quitting her home on
+Esplanade Street and moving into the little house around the block. A feverish
+anxiety attended her every action in that direction. There was no moment of
+deliberation, no interval of repose between the thought and its fulfillment.
+Early upon the morning following those hours passed in Arobin&rsquo;s society,
+Edna set about securing her new abode and hurrying her arrangements for
+occupying it. Within the precincts of her home she felt like one who has
+entered and lingered within the portals of some forbidden temple in which a
+thousand muffled voices bade her begone.
+</p>
+
+<p>
+Whatever was her own in the house, everything which she had acquired aside from
+her husband&rsquo;s bounty, she caused to be transported to the other house,
+supplying simple and meager deficiencies from her own resources.
+</p>
+
+<p>
+Arobin found her with rolled sleeves, working in company with the house-maid
+when he looked in during the afternoon. She was splendid and robust, and had
+never appeared handsomer than in the old blue gown, with a red silk
+handkerchief knotted at random around her head to protect her hair from the
+dust. She was mounted upon a high stepladder, unhooking a picture from the wall
+when he entered. He had found the front door open, and had followed his ring by
+walking in unceremoniously.
+</p>
+
+<p>
+&ldquo;Come down!&rdquo; he said. &ldquo;Do you want to kill yourself?&rdquo;
+She greeted him with affected carelessness, and appeared absorbed in her
+occupation.
+</p>
+
+<p>
+If he had expected to find her languishing, reproachful, or indulging in
+sentimental tears, he must have been greatly surprised.
+</p>
+
+<p>
+He was no doubt prepared for any emergency, ready for any one of the foregoing
+attitudes, just as he bent himself easily and naturally to the situation which
+confronted him.
+</p>
+
+<p>
+&ldquo;Please come down,&rdquo; he insisted, holding the ladder and looking up
+at her.
+</p>
+
+<p>
+&ldquo;No,&rdquo; she answered; &ldquo;Ellen is afraid to mount the ladder. Joe
+is working over at the &lsquo;pigeon house&rsquo;&mdash;that&rsquo;s the name
+Ellen gives it, because it&rsquo;s so small and looks like a pigeon
+house&mdash;and some one has to do this.&rdquo;
+</p>
+
+<p>
+Arobin pulled off his coat, and expressed himself ready and willing to tempt
+fate in her place. Ellen brought him one of her dust-caps, and went into
+contortions of mirth, which she found it impossible to control, when she saw
+him put it on before the mirror as grotesquely as he could. Edna herself could
+not refrain from smiling when she fastened it at his request. So it was he who
+in turn mounted the ladder, unhooking pictures and curtains, and dislodging
+ornaments as Edna directed. When he had finished he took off his dust-cap and
+went out to wash his hands.
+</p>
+
+<p>
+Edna was sitting on the tabouret, idly brushing the tips of a feather duster
+along the carpet when he came in again.
+</p>
+
+<p>
+&ldquo;Is there anything more you will let me do?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;That is all,&rdquo; she answered. &ldquo;Ellen can manage the
+rest.&rdquo; She kept the young woman occupied in the drawing-room, unwilling
+to be left alone with Arobin.
+</p>
+
+<p>
+&ldquo;What about the dinner?&rdquo; he asked; &ldquo;the grand event, the
+<i>coup d&rsquo;état?</i>&rdquo;
+</p>
+
+<p>
+&ldquo;It will be day after to-morrow. Why do you call it the &lsquo;<i>coup
+d&rsquo;état?</i>&rsquo; Oh! it will be very fine; all my best of
+everything&mdash;crystal, silver and gold, Sèvres, flowers, music, and
+champagne to swim in. I&rsquo;ll let Léonce pay the bills. I wonder what
+he&rsquo;ll say when he sees the bills.&rdquo;
+</p>
+
+<p>
+&ldquo;And you ask me why I call it a <i>coup d&rsquo;état?</i>&rdquo; Arobin
+had put on his coat, and he stood before her and asked if his cravat was plumb.
+She told him it was, looking no higher than the tip of his collar.
+</p>
+
+<p>
+&ldquo;When do you go to the &lsquo;pigeon house?&rsquo;&mdash;with all due
+acknowledgment to Ellen.&rdquo;
+</p>
+
+<p>
+&ldquo;Day after to-morrow, after the dinner. I shall sleep there.&rdquo;
+</p>
+
+<p>
+&ldquo;Ellen, will you very kindly get me a glass of water?&rdquo; asked
+Arobin. &ldquo;The dust in the curtains, if you will pardon me for hinting such
+a thing, has parched my throat to a crisp.&rdquo;
+</p>
+
+<p>
+&ldquo;While Ellen gets the water,&rdquo; said Edna, rising, &ldquo;I will say
+good-by and let you go. I must get rid of this grime, and I have a million
+things to do and think of.&rdquo;
+</p>
+
+<p>
+&ldquo;When shall I see you?&rdquo; asked Arobin, seeking to detain her, the
+maid having left the room.
+</p>
+
+<p>
+&ldquo;At the dinner, of course. You are invited.&rdquo;
+</p>
+
+<p>
+&ldquo;Not before?&mdash;not to-night or to-morrow morning or to-morrow noon or
+night? or the day after morning or noon? Can&rsquo;t you see yourself, without
+my telling you, what an eternity it is?&rdquo;
+</p>
+
+<p>
+He had followed her into the hall and to the foot of the stairway, looking up
+at her as she mounted with her face half turned to him.
+</p>
+
+<p>
+&ldquo;Not an instant sooner,&rdquo; she said. But she laughed and looked at
+him with eyes that at once gave him courage to wait and made it torture to
+wait.
+</p>
+
+<h3><a name="link2H_4_0031" id="link2H_4_0031"></a>XXX</h3>
+
+<p>
+Though Edna had spoken of the dinner as a very grand affair, it was in truth a
+very small affair and very select, in so much as the guests invited were few
+and were selected with discrimination. She had counted upon an even dozen
+seating themselves at her round mahogany board, forgetting for the moment that
+Madame Ratignolle was to the last degree <i>souffrante</i> and unpresentable,
+and not foreseeing that Madame Lebrun would send a thousand regrets at the last
+moment. So there were only ten, after all, which made a cozy, comfortable
+number.
+</p>
+
+<p>
+There were Mr. and Mrs. Merriman, a pretty, vivacious little woman in the
+thirties; her husband, a jovial fellow, something of a shallow-pate, who
+laughed a good deal at other people&rsquo;s witticisms, and had thereby made
+himself extremely popular. Mrs. Highcamp had accompanied them. Of course, there
+was Alcée Arobin; and Mademoiselle Reisz had consented to come. Edna had sent
+her a fresh bunch of violets with black lace trimmings for her hair. Monsieur
+Ratignolle brought himself and his wife&rsquo;s excuses. Victor Lebrun, who
+happened to be in the city, bent upon relaxation, had accepted with alacrity.
+There was a Miss Mayblunt, no longer in her teens, who looked at the world
+through lorgnettes and with the keenest interest. It was thought and said that
+she was intellectual; it was suspected of her that she wrote under a <i>nom de
+guerre</i>. She had come with a gentleman by the name of Gouvernail, connected
+with one of the daily papers, of whom nothing special could be said, except
+that he was observant and seemed quiet and inoffensive. Edna herself made the
+tenth, and at half-past eight they seated themselves at table, Arobin and
+Monsieur Ratignolle on either side of their hostess.
+</p>
+
+<p>
+Mrs. Highcamp sat between Arobin and Victor Lebrun. Then came Mrs. Merriman,
+Mr. Gouvernail, Miss Mayblunt, Mr. Merriman, and Mademoiselle Reisz next to
+Monsieur Ratignolle.
+</p>
+
+<p>
+There was something extremely gorgeous about the appearance of the table, an
+effect of splendor conveyed by a cover of pale yellow satin under strips of
+lace-work. There were wax candles, in massive brass candelabra, burning softly
+under yellow silk shades; full, fragrant roses, yellow and red, abounded. There
+were silver and gold, as she had said there would be, and crystal which
+glittered like the gems which the women wore.
+</p>
+
+<p>
+The ordinary stiff dining chairs had been discarded for the occasion and
+replaced by the most commodious and luxurious which could be collected
+throughout the house. Mademoiselle Reisz, being exceedingly diminutive, was
+elevated upon cushions, as small children are sometimes hoisted at table upon
+bulky volumes.
+</p>
+
+<p>
+&ldquo;Something new, Edna?&rdquo; exclaimed Miss Mayblunt, with lorgnette
+directed toward a magnificent cluster of diamonds that sparkled, that almost
+sputtered, in Edna&rsquo;s hair, just over the center of her forehead.
+</p>
+
+<p>
+&ldquo;Quite new; &lsquo;brand&rsquo; new, in fact; a present from my husband.
+It arrived this morning from New York. I may as well admit that this is my
+birthday, and that I am twenty-nine. In good time I expect you to drink my
+health. Meanwhile, I shall ask you to begin with this cocktail,
+composed&mdash;would you say &lsquo;composed?&rsquo;&rdquo; with an appeal to
+Miss Mayblunt&mdash;&ldquo;composed by my father in honor of Sister
+Janet&rsquo;s wedding.&rdquo;
+</p>
+
+<p>
+Before each guest stood a tiny glass that looked and sparkled like a garnet
+gem.
+</p>
+
+<p>
+&ldquo;Then, all things considered,&rdquo; spoke Arobin, &ldquo;it might not be
+amiss to start out by drinking the Colonel&rsquo;s health in the cocktail which
+he composed, on the birthday of the most charming of women&mdash;the daughter
+whom he invented.&rdquo;
+</p>
+
+<p>
+Mr. Merriman&rsquo;s laugh at this sally was such a genuine outburst and so
+contagious that it started the dinner with an agreeable swing that never
+slackened.
+</p>
+
+<p>
+Miss Mayblunt begged to be allowed to keep her cocktail untouched before her,
+just to look at. The color was marvelous! She could compare it to nothing she
+had ever seen, and the garnet lights which it emitted were unspeakably rare.
+She pronounced the Colonel an artist, and stuck to it.
+</p>
+
+<p>
+Monsieur Ratignolle was prepared to take things seriously; the <i>mets</i>, the
+<i>entre-mets</i>, the service, the decorations, even the people. He looked up
+from his pompano and inquired of Arobin if he were related to the gentleman of
+that name who formed one of the firm of Laitner and Arobin, lawyers. The young
+man admitted that Laitner was a warm personal friend, who permitted
+Arobin&rsquo;s name to decorate the firm&rsquo;s letterheads and to appear upon
+a shingle that graced Perdido Street.
+</p>
+
+<p>
+&ldquo;There are so many inquisitive people and institutions abounding,&rdquo;
+said Arobin, &ldquo;that one is really forced as a matter of convenience these
+days to assume the virtue of an occupation if he has it not.&rdquo; Monsieur
+Ratignolle stared a little, and turned to ask Mademoiselle Reisz if she
+considered the symphony concerts up to the standard which had been set the
+previous winter. Mademoiselle Reisz answered Monsieur Ratignolle in French,
+which Edna thought a little rude, under the circumstances, but characteristic.
+Mademoiselle had only disagreeable things to say of the symphony concerts, and
+insulting remarks to make of all the musicians of New Orleans, singly and
+collectively. All her interest seemed to be centered upon the delicacies placed
+before her.
+</p>
+
+<p>
+Mr. Merriman said that Mr. Arobin&rsquo;s remark about inquisitive people
+reminded him of a man from Waco the other day at the St. Charles
+Hotel&mdash;but as Mr. Merriman&rsquo;s stories were always lame and lacking
+point, his wife seldom permitted him to complete them. She interrupted him to
+ask if he remembered the name of the author whose book she had bought the week
+before to send to a friend in Geneva. She was talking &ldquo;books&rdquo; with
+Mr. Gouvernail and trying to draw from him his opinion upon current literary
+topics. Her husband told the story of the Waco man privately to Miss Mayblunt,
+who pretended to be greatly amused and to think it extremely clever.
+</p>
+
+<p>
+Mrs. Highcamp hung with languid but unaffected interest upon the warm and
+impetuous volubility of her left-hand neighbor, Victor Lebrun. Her attention
+was never for a moment withdrawn from him after seating herself at table; and
+when he turned to Mrs. Merriman, who was prettier and more vivacious than Mrs.
+Highcamp, she waited with easy indifference for an opportunity to reclaim his
+attention. There was the occasional sound of music, of mandolins, sufficiently
+removed to be an agreeable accompaniment rather than an interruption to the
+conversation. Outside the soft, monotonous splash of a fountain could be heard;
+the sound penetrated into the room with the heavy odor of jessamine that came
+through the open windows.
+</p>
+
+<p>
+The golden shimmer of Edna&rsquo;s satin gown spread in rich folds on either
+side of her. There was a soft fall of lace encircling her shoulders. It was the
+color of her skin, without the glow, the myriad living tints that one may
+sometimes discover in vibrant flesh. There was something in her attitude, in
+her whole appearance when she leaned her head against the high-backed chair and
+spread her arms, which suggested the regal woman, the one who rules, who looks
+on, who stands alone.
+</p>
+
+<p>
+But as she sat there amid her guests, she felt the old ennui overtaking her;
+the hopelessness which so often assailed her, which came upon her like an
+obsession, like something extraneous, independent of volition. It was something
+which announced itself; a chill breath that seemed to issue from some vast
+cavern wherein discords waited. There came over her the acute longing which
+always summoned into her spiritual vision the presence of the beloved one,
+overpowering her at once with a sense of the unattainable.
+</p>
+
+<p>
+The moments glided on, while a feeling of good fellowship passed around the
+circle like a mystic cord, holding and binding these people together with jest
+and laughter. Monsieur Ratignolle was the first to break the pleasant charm. At
+ten o&rsquo;clock he excused himself. Madame Ratignolle was waiting for him at
+home. She was <i>bien souffrante</i>, and she was filled with vague dread,
+which only her husband&rsquo;s presence could allay.
+</p>
+
+<p>
+Mademoiselle Reisz arose with Monsieur Ratignolle, who offered to escort her to
+the car. She had eaten well; she had tasted the good, rich wines, and they must
+have turned her head, for she bowed pleasantly to all as she withdrew from
+table. She kissed Edna upon the shoulder, and whispered: &ldquo;<i>Bonne nuit,
+ma reine; soyez sage</i>.&rdquo; She had been a little bewildered upon rising,
+or rather, descending from her cushions, and Monsieur Ratignolle gallantly took
+her arm and led her away.
+</p>
+
+<p>
+Mrs. Highcamp was weaving a garland of roses, yellow and red. When she had
+finished the garland, she laid it lightly upon Victor&rsquo;s black curls. He
+was reclining far back in the luxurious chair, holding a glass of champagne to
+the light.
+</p>
+
+<p>
+As if a magician&rsquo;s wand had touched him, the garland of roses transformed
+him into a vision of Oriental beauty. His cheeks were the color of crushed
+grapes, and his dusky eyes glowed with a languishing fire.
+</p>
+
+<p>
+&ldquo;<i>Sapristi!</i>&rdquo; exclaimed Arobin.
+</p>
+
+<p>
+But Mrs. Highcamp had one more touch to add to the picture. She took from the
+back of her chair a white silken scarf, with which she had covered her
+shoulders in the early part of the evening. She draped it across the boy in
+graceful folds, and in a way to conceal his black, conventional evening dress.
+He did not seem to mind what she did to him, only smiled, showing a faint gleam
+of white teeth, while he continued to gaze with narrowing eyes at the light
+through his glass of champagne.
+</p>
+
+<p>
+&ldquo;Oh! to be able to paint in color rather than in words!&rdquo; exclaimed
+Miss Mayblunt, losing herself in a rhapsodic dream as she looked at him.
+</p>
+
+<p class="poem">
+&ldquo;&lsquo;There was a graven image of Desire<br />
+Painted with red blood on a ground of gold.&rsquo;&rdquo;
+</p>
+
+<p class="noindent">
+murmured Gouvernail, under his breath.
+</p>
+
+<p>
+The effect of the wine upon Victor was to change his accustomed volubility into
+silence. He seemed to have abandoned himself to a reverie, and to be seeing
+pleasing visions in the amber bead.
+</p>
+
+<p>
+&ldquo;Sing,&rdquo; entreated Mrs. Highcamp. &ldquo;Won&rsquo;t you sing to
+us?&rdquo;
+</p>
+
+<p>
+&ldquo;Let him alone,&rdquo; said Arobin.
+</p>
+
+<p>
+&ldquo;He&rsquo;s posing,&rdquo; offered Mr. Merriman; &ldquo;let him have it
+out.&rdquo;
+</p>
+
+<p>
+&ldquo;I believe he&rsquo;s paralyzed,&rdquo; laughed Mrs. Merriman. And
+leaning over the youth&rsquo;s chair, she took the glass from his hand and held
+it to his lips. He sipped the wine slowly, and when he had drained the glass
+she laid it upon the table and wiped his lips with her little filmy
+handkerchief.
+</p>
+
+<p>
+&ldquo;Yes, I&rsquo;ll sing for you,&rdquo; he said, turning in his chair
+toward Mrs. Highcamp. He clasped his hands behind his head, and looking up at
+the ceiling began to hum a little, trying his voice like a musician tuning an
+instrument. Then, looking at Edna, he began to sing:
+</p>
+
+<p class="poem">
+&ldquo;Ah! si tu savais!&rdquo;
+</p>
+
+<p>
+&ldquo;Stop!&rdquo; she cried, &ldquo;don&rsquo;t sing that. I don&rsquo;t want
+you to sing it,&rdquo; and she laid her glass so impetuously and blindly upon
+the table as to shatter it against a carafe. The wine spilled over
+Arobin&rsquo;s legs and some of it trickled down upon Mrs. Highcamp&rsquo;s
+black gauze gown. Victor had lost all idea of courtesy, or else he thought his
+hostess was not in earnest, for he laughed and went on:
+</p>
+
+<p class="poem">
+&ldquo;Ah! si tu savais<br />
+Ce que tes yeux me disent&rdquo;&mdash;
+</p>
+
+<p>
+&ldquo;Oh! you mustn&rsquo;t! you mustn&rsquo;t,&rdquo; exclaimed Edna, and
+pushing back her chair she got up, and going behind him placed her hand over
+his mouth. He kissed the soft palm that pressed upon his lips.
+</p>
+
+<p>
+&ldquo;No, no, I won&rsquo;t, Mrs. Pontellier. I didn&rsquo;t know you meant
+it,&rdquo; looking up at her with caressing eyes. The touch of his lips was
+like a pleasing sting to her hand. She lifted the garland of roses from his
+head and flung it across the room.
+</p>
+
+<p>
+&ldquo;Come, Victor; you&rsquo;ve posed long enough. Give Mrs. Highcamp her
+scarf.&rdquo;
+</p>
+
+<p>
+Mrs. Highcamp undraped the scarf from about him with her own hands. Miss
+Mayblunt and Mr. Gouvernail suddenly conceived the notion that it was time to
+say good night. And Mr. and Mrs. Merriman wondered how it could be so late.
+</p>
+
+<p>
+Before parting from Victor, Mrs. Highcamp invited him to call upon her
+daughter, who she knew would be charmed to meet him and talk French and sing
+French songs with him. Victor expressed his desire and intention to call upon
+Miss Highcamp at the first opportunity which presented itself. He asked if
+Arobin were going his way. Arobin was not.
+</p>
+
+<p>
+The mandolin players had long since stolen away. A profound stillness had
+fallen upon the broad, beautiful street. The voices of Edna&rsquo;s disbanding
+guests jarred like a discordant note upon the quiet harmony of the night.
+</p>
+
+<h3><a name="link2H_4_0032" id="link2H_4_0032"></a>XXXI</h3>
+
+<p>
+&ldquo;Well?&rdquo; questioned Arobin, who had remained with Edna after the
+others had departed.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; she reiterated, and stood up, stretching her arms, and
+feeling the need to relax her muscles after having been so long seated.
+</p>
+
+<p>
+&ldquo;What next?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;The servants are all gone. They left when the musicians did. I have
+dismissed them. The house has to be closed and locked, and I shall trot around
+to the pigeon house, and shall send Celestine over in the morning to straighten
+things up.&rdquo;
+</p>
+
+<p>
+He looked around, and began to turn out some of the lights.
+</p>
+
+<p>
+&ldquo;What about upstairs?&rdquo; he inquired.
+</p>
+
+<p>
+&ldquo;I think it is all right; but there may be a window or two unlatched. We
+had better look; you might take a candle and see. And bring me my wrap and hat
+on the foot of the bed in the middle room.&rdquo;
+</p>
+
+<p>
+He went up with the light, and Edna began closing doors and windows. She hated
+to shut in the smoke and the fumes of the wine. Arobin found her cape and hat,
+which he brought down and helped her to put on.
+</p>
+
+<p>
+When everything was secured and the lights put out, they left through the front
+door, Arobin locking it and taking the key, which he carried for Edna. He
+helped her down the steps.
+</p>
+
+<p>
+&ldquo;Will you have a spray of jessamine?&rdquo; he asked, breaking off a few
+blossoms as he passed.
+</p>
+
+<p>
+&ldquo;No; I don&rsquo;t want anything.&rdquo;
+</p>
+
+<p>
+She seemed disheartened, and had nothing to say. She took his arm, which he
+offered her, holding up the weight of her satin train with the other hand. She
+looked down, noticing the black line of his leg moving in and out so close to
+her against the yellow shimmer of her gown. There was the whistle of a railway
+train somewhere in the distance, and the midnight bells were ringing. They met
+no one in their short walk.
+</p>
+
+<p>
+The &ldquo;pigeon house&rdquo; stood behind a locked gate, and a shallow
+<i>parterre</i> that had been somewhat neglected. There was a small front
+porch, upon which a long window and the front door opened. The door opened
+directly into the parlor; there was no side entry. Back in the yard was a room
+for servants, in which old Celestine had been ensconced.
+</p>
+
+<p>
+Edna had left a lamp burning low upon the table. She had succeeded in making
+the room look habitable and homelike. There were some books on the table and a
+lounge near at hand. On the floor was a fresh matting, covered with a rug or
+two; and on the walls hung a few tasteful pictures. But the room was filled
+with flowers. These were a surprise to her. Arobin had sent them, and had had
+Celestine distribute them during Edna&rsquo;s absence. Her bedroom was
+adjoining, and across a small passage were the dining-room and kitchen.
+</p>
+
+<p>
+Edna seated herself with every appearance of discomfort.
+</p>
+
+<p>
+&ldquo;Are you tired?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Yes, and chilled, and miserable. I feel as if I had been wound up to a
+certain pitch&mdash;too tight&mdash;and something inside of me had
+snapped.&rdquo; She rested her head against the table upon her bare arm.
+</p>
+
+<p>
+&ldquo;You want to rest,&rdquo; he said, &ldquo;and to be quiet. I&rsquo;ll go;
+I&rsquo;ll leave you and let you rest.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; she replied.
+</p>
+
+<p>
+He stood up beside her and smoothed her hair with his soft, magnetic hand. His
+touch conveyed to her a certain physical comfort. She could have fallen quietly
+asleep there if he had continued to pass his hand over her hair. He brushed the
+hair upward from the nape of her neck.
+</p>
+
+<p>
+&ldquo;I hope you will feel better and happier in the morning,&rdquo; he said.
+&ldquo;You have tried to do too much in the past few days. The dinner was the
+last straw; you might have dispensed with it.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; she admitted; &ldquo;it was stupid.&rdquo;
+</p>
+
+<p>
+&ldquo;No, it was delightful; but it has worn you out.&rdquo; His hand had
+strayed to her beautiful shoulders, and he could feel the response of her flesh
+to his touch. He seated himself beside her and kissed her lightly upon the
+shoulder.
+</p>
+
+<p>
+&ldquo;I thought you were going away,&rdquo; she said, in an uneven voice.
+</p>
+
+<p>
+&ldquo;I am, after I have said good night.&rdquo;
+</p>
+
+<p>
+&ldquo;Good night,&rdquo; she murmured.
+</p>
+
+<p>
+He did not answer, except to continue to caress her. He did not say good night
+until she had become supple to his gentle, seductive entreaties.
+</p>
+
+<h3><a name="link2H_4_0033" id="link2H_4_0033"></a>XXXII</h3>
+
+<p>
+When Mr. Pontellier learned of his wife&rsquo;s intention to abandon her home
+and take up her residence elsewhere, he immediately wrote her a letter of
+unqualified disapproval and remonstrance. She had given reasons which he was
+unwilling to acknowledge as adequate. He hoped she had not acted upon her rash
+impulse; and he begged her to consider first, foremost, and above all else,
+what people would say. He was not dreaming of scandal when he uttered this
+warning; that was a thing which would never have entered into his mind to
+consider in connection with his wife&rsquo;s name or his own. He was simply
+thinking of his financial integrity. It might get noised about that the
+Pontelliers had met with reverses, and were forced to conduct their
+<i>ménage</i> on a humbler scale than heretofore. It might do incalculable
+mischief to his business prospects.
+</p>
+
+<p>
+But remembering Edna&rsquo;s whimsical turn of mind of late, and foreseeing
+that she had immediately acted upon her impetuous determination, he grasped the
+situation with his usual promptness and handled it with his well-known business
+tact and cleverness.
+</p>
+
+<p>
+The same mail which brought to Edna his letter of disapproval carried
+instructions&mdash;the most minute instructions&mdash;to a well-known architect
+concerning the remodeling of his home, changes which he had long contemplated,
+and which he desired carried forward during his temporary absence.
+</p>
+
+<p>
+Expert and reliable packers and movers were engaged to convey the furniture,
+carpets, pictures&mdash;everything movable, in short&mdash;to places of
+security. And in an incredibly short time the Pontellier house was turned over
+to the artisans. There was to be an addition&mdash;a small snuggery; there was
+to be frescoing, and hardwood flooring was to be put into such rooms as had not
+yet been subjected to this improvement.
+</p>
+
+<p>
+Furthermore, in one of the daily papers appeared a brief notice to the effect
+that Mr. and Mrs. Pontellier were contemplating a summer sojourn abroad, and
+that their handsome residence on Esplanade Street was undergoing sumptuous
+alterations, and would not be ready for occupancy until their return. Mr.
+Pontellier had saved appearances!
+</p>
+
+<p>
+Edna admired the skill of his maneuver, and avoided any occasion to balk his
+intentions. When the situation as set forth by Mr. Pontellier was accepted and
+taken for granted, she was apparently satisfied that it should be so.
+</p>
+
+<p>
+The pigeon house pleased her. It at once assumed the intimate character of a
+home, while she herself invested it with a charm which it reflected like a warm
+glow. There was with her a feeling of having descended in the social scale,
+with a corresponding sense of having risen in the spiritual. Every step which
+she took toward relieving herself from obligations added to her strength and
+expansion as an individual. She began to look with her own eyes; to see and to
+apprehend the deeper undercurrents of life. No longer was she content to
+&ldquo;feed upon opinion&rdquo; when her own soul had invited her.
+</p>
+
+<p>
+After a little while, a few days, in fact, Edna went up and spent a week with
+her children in Iberville. They were delicious February days, with all the
+summer&rsquo;s promise hovering in the air.
+</p>
+
+<p>
+How glad she was to see the children! She wept for very pleasure when she felt
+their little arms clasping her; their hard, ruddy cheeks pressed against her
+own glowing cheeks. She looked into their faces with hungry eyes that could not
+be satisfied with looking. And what stories they had to tell their mother!
+About the pigs, the cows, the mules! About riding to the mill behind Gluglu;
+fishing back in the lake with their Uncle Jasper; picking pecans with
+Lidie&rsquo;s little black brood, and hauling chips in their express wagon. It
+was a thousand times more fun to haul real chips for old lame Susie&rsquo;s
+real fire than to drag painted blocks along the banquette on Esplanade Street!
+</p>
+
+<p>
+She went with them herself to see the pigs and the cows, to look at the darkies
+laying the cane, to thrash the pecan trees, and catch fish in the back lake.
+She lived with them a whole week long, giving them all of herself, and
+gathering and filling herself with their young existence. They listened,
+breathless, when she told them the house in Esplanade Street was crowded with
+workmen, hammering, nailing, sawing, and filling the place with clatter. They
+wanted to know where their bed was; what had been done with their
+rocking-horse; and where did Joe sleep, and where had Ellen gone, and the cook?
+But, above all, they were fired with a desire to see the little house around
+the block. Was there any place to play? Were there any boys next door? Raoul,
+with pessimistic foreboding, was convinced that there were only girls next
+door. Where would they sleep, and where would papa sleep? She told them the
+fairies would fix it all right.
+</p>
+
+<p>
+The old Madame was charmed with Edna&rsquo;s visit, and showered all manner of
+delicate attentions upon her. She was delighted to know that the Esplanade
+Street house was in a dismantled condition. It gave her the promise and pretext
+to keep the children indefinitely.
+</p>
+
+<p>
+It was with a wrench and a pang that Edna left her children. She carried away
+with her the sound of their voices and the touch of their cheeks. All along the
+journey homeward their presence lingered with her like the memory of a
+delicious song. But by the time she had regained the city the song no longer
+echoed in her soul. She was again alone.
+</p>
+
+<h3><a name="link2H_4_0034" id="link2H_4_0034"></a>XXXIII</h3>
+
+<p>
+It happened sometimes when Edna went to see Mademoiselle Reisz that the little
+musician was absent, giving a lesson or making some small necessary household
+purchase. The key was always left in a secret hiding-place in the entry, which
+Edna knew. If Mademoiselle happened to be away, Edna would usually enter and
+wait for her return.
+</p>
+
+<p>
+When she knocked at Mademoiselle Reisz&rsquo;s door one afternoon there was no
+response; so unlocking the door, as usual, she entered and found the apartment
+deserted, as she had expected. Her day had been quite filled up, and it was for
+a rest, for a refuge, and to talk about Robert, that she sought out her friend.
+</p>
+
+<p>
+She had worked at her canvas&mdash;a young Italian character study&mdash;all
+the morning, completing the work without the model; but there had been many
+interruptions, some incident to her modest housekeeping, and others of a social
+nature.
+</p>
+
+<p>
+Madame Ratignolle had dragged herself over, avoiding the too public
+thoroughfares, she said. She complained that Edna had neglected her much of
+late. Besides, she was consumed with curiosity to see the little house and the
+manner in which it was conducted. She wanted to hear all about the dinner
+party; Monsieur Ratignolle had left <i>so</i> early. What had happened after he
+left? The champagne and grapes which Edna sent over were <i>too</i> delicious.
+She had so little appetite; they had refreshed and toned her stomach. Where on
+earth was she going to put Mr. Pontellier in that little house, and the boys?
+And then she made Edna promise to go to her when her hour of trial overtook
+her.
+</p>
+
+<p>
+&ldquo;At any time&mdash;any time of the day or night, dear,&rdquo; Edna
+assured her.
+</p>
+
+<p>
+Before leaving Madame Ratignolle said:
+</p>
+
+<p>
+&ldquo;In some way you seem to me like a child, Edna. You seem to act without a
+certain amount of reflection which is necessary in this life. That is the
+reason I want to say you mustn&rsquo;t mind if I advise you to be a little
+careful while you are living here alone. Why don&rsquo;t you have some one come
+and stay with you? Wouldn&rsquo;t Mademoiselle Reisz come?&rdquo;
+</p>
+
+<p>
+&ldquo;No; she wouldn&rsquo;t wish to come, and I shouldn&rsquo;t want her
+always with me.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, the reason&mdash;you know how evil-minded the world is&mdash;some
+one was talking of Alcée Arobin visiting you. Of course, it wouldn&rsquo;t
+matter if Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle
+was telling me that his attentions alone are considered enough to ruin a
+woman&rsquo;s name.&rdquo;
+</p>
+
+<p>
+&ldquo;Does he boast of his successes?&rdquo; asked Edna, indifferently,
+squinting at her picture.
+</p>
+
+<p>
+&ldquo;No, I think not. I believe he is a decent fellow as far as that goes.
+But his character is so well known among the men. I shan&rsquo;t be able to
+come back and see you; it was very, very imprudent to-day.&rdquo;
+</p>
+
+<p>
+&ldquo;Mind the step!&rdquo; cried Edna.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t neglect me,&rdquo; entreated Madame Ratignolle; &ldquo;and
+don&rsquo;t mind what I said about Arobin, or having some one to stay with
+you.&rdquo;
+</p>
+
+<p>
+&ldquo;Of course not,&rdquo; Edna laughed. &ldquo;You may say anything you like
+to me.&rdquo; They kissed each other good-by. Madame Ratignolle had not far to
+go, and Edna stood on the porch a while watching her walk down the street.
+</p>
+
+<p>
+Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their
+&ldquo;party call.&rdquo; Edna felt that they might have dispensed with the
+formality. They had also come to invite her to play <i>vingt-et-un</i> one
+evening at Mrs. Merriman&rsquo;s. She was asked to go early, to dinner, and Mr.
+Merriman or Mr. Arobin would take her home. Edna accepted in a half-hearted
+way. She sometimes felt very tired of Mrs. Highcamp and Mrs. Merriman.
+</p>
+
+<p>
+Late in the afternoon she sought refuge with Mademoiselle Reisz, and stayed
+there alone, waiting for her, feeling a kind of repose invade her with the very
+atmosphere of the shabby, unpretentious little room.
+</p>
+
+<p>
+Edna sat at the window, which looked out over the house-tops and across the
+river. The window frame was filled with pots of flowers, and she sat and picked
+the dry leaves from a rose geranium. The day was warm, and the breeze which
+blew from the river was very pleasant. She removed her hat and laid it on the
+piano. She went on picking the leaves and digging around the plants with her
+hat pin. Once she thought she heard Mademoiselle Reisz approaching. But it was
+a young black girl, who came in, bringing a small bundle of laundry, which she
+deposited in the adjoining room, and went away.
+</p>
+
+<p>
+Edna seated herself at the piano, and softly picked out with one hand the bars
+of a piece of music which lay open before her. A half-hour went by. There was
+the occasional sound of people going and coming in the lower hall. She was
+growing interested in her occupation of picking out the aria, when there was a
+second rap at the door. She vaguely wondered what these people did when they
+found Mademoiselle&rsquo;s door locked.
+</p>
+
+<p>
+&ldquo;Come in,&rdquo; she called, turning her face toward the door. And this
+time it was Robert Lebrun who presented himself. She attempted to rise; she
+could not have done so without betraying the agitation which mastered her at
+sight of him, so she fell back upon the stool, only exclaiming, &ldquo;Why,
+Robert!&rdquo;
+</p>
+
+<p>
+He came and clasped her hand, seemingly without knowing what he was saying or
+doing.
+</p>
+
+<p>
+&ldquo;Mrs. Pontellier! How do you happen&mdash;oh! how well you look! Is
+Mademoiselle Reisz not here? I never expected to see you.&rdquo;
+</p>
+
+<p>
+&ldquo;When did you come back?&rdquo; asked Edna in an unsteady voice, wiping
+her face with her handkerchief. She seemed ill at ease on the piano stool, and
+he begged her to take the chair by the window.
+</p>
+
+<p>
+She did so, mechanically, while he seated himself on the stool.
+</p>
+
+<p>
+&ldquo;I returned day before yesterday,&rdquo; he answered, while he leaned his
+arm on the keys, bringing forth a crash of discordant sound.
+</p>
+
+<p>
+&ldquo;Day before yesterday!&rdquo; she repeated, aloud; and went on thinking
+to herself, &ldquo;day before yesterday,&rdquo; in a sort of an uncomprehending
+way. She had pictured him seeking her at the very first hour, and he had lived
+under the same sky since day before yesterday; while only by accident had he
+stumbled upon her. Mademoiselle must have lied when she said, &ldquo;Poor fool,
+he loves you.&rdquo;
+</p>
+
+<p>
+&ldquo;Day before yesterday,&rdquo; she repeated, breaking off a spray of
+Mademoiselle&rsquo;s geranium; &ldquo;then if you had not met me here to-day
+you wouldn&rsquo;t&mdash;when&mdash;that is, didn&rsquo;t you mean to come and
+see me?&rdquo;
+</p>
+
+<p>
+&ldquo;Of course, I should have gone to see you. There have been so many
+things&mdash;&rdquo; he turned the leaves of Mademoiselle&rsquo;s music
+nervously. &ldquo;I started in at once yesterday with the old firm. After all
+there is as much chance for me here as there was there&mdash;that is, I might
+find it profitable some day. The Mexicans were not very congenial.&rdquo;
+</p>
+
+<p>
+So he had come back because the Mexicans were not congenial; because business
+was as profitable here as there; because of any reason, and not because he
+cared to be near her. She remembered the day she sat on the floor, turning the
+pages of his letter, seeking the reason which was left untold.
+</p>
+
+<p>
+She had not noticed how he looked&mdash;only feeling his presence; but she
+turned deliberately and observed him. After all, he had been absent but a few
+months, and was not changed. His hair&mdash;the color of hers&mdash;waved back
+from his temples in the same way as before. His skin was not more burned than
+it had been at Grand Isle. She found in his eyes, when he looked at her for one
+silent moment, the same tender caress, with an added warmth and entreaty which
+had not been there before&mdash;the same glance which had penetrated to the
+sleeping places of her soul and awakened them.
+</p>
+
+<p>
+A hundred times Edna had pictured Robert&rsquo;s return, and imagined their
+first meeting. It was usually at her home, whither he had sought her out at
+once. She always fancied him expressing or betraying in some way his love for
+her. And here, the reality was that they sat ten feet apart, she at the window,
+crushing geranium leaves in her hand and smelling them, he twirling around on
+the piano stool, saying:
+</p>
+
+<p>
+&ldquo;I was very much surprised to hear of Mr. Pontellier&rsquo;s absence;
+it&rsquo;s a wonder Mademoiselle Reisz did not tell me; and your
+moving&mdash;mother told me yesterday. I should think you would have gone to
+New York with him, or to Iberville with the children, rather than be bothered
+here with housekeeping. And you are going abroad, too, I hear. We shan&rsquo;t
+have you at Grand Isle next summer; it won&rsquo;t seem&mdash;do you see much
+of Mademoiselle Reisz? She often spoke of you in the few letters she
+wrote.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you remember that you promised to write to me when you went
+away?&rdquo; A flush overspread his whole face.
+</p>
+
+<p>
+&ldquo;I couldn&rsquo;t believe that my letters would be of any interest to
+you.&rdquo;
+</p>
+
+<p>
+&ldquo;That is an excuse; it isn&rsquo;t the truth.&rdquo; Edna reached for her
+hat on the piano. She adjusted it, sticking the hat pin through the heavy coil
+of hair with some deliberation.
+</p>
+
+<p>
+&ldquo;Are you not going to wait for Mademoiselle Reisz?&rdquo; asked Robert.
+</p>
+
+<p>
+&ldquo;No; I have found when she is absent this long, she is liable not to come
+back till late.&rdquo; She drew on her gloves, and Robert picked up his hat.
+</p>
+
+<p>
+&ldquo;Won&rsquo;t you wait for her?&rdquo; asked Edna.
+</p>
+
+<p>
+&ldquo;Not if you think she will not be back till late,&rdquo; adding, as if
+suddenly aware of some discourtesy in his speech, &ldquo;and I should miss the
+pleasure of walking home with you.&rdquo; Edna locked the door and put the key
+back in its hiding-place.
+</p>
+
+<p>
+They went together, picking their way across muddy streets and sidewalks
+encumbered with the cheap display of small tradesmen. Part of the distance they
+rode in the car, and after disembarking, passed the Pontellier mansion, which
+looked broken and half torn asunder. Robert had never known the house, and
+looked at it with interest.
+</p>
+
+<p>
+&ldquo;I never knew you in your home,&rdquo; he remarked.
+</p>
+
+<p>
+&ldquo;I am glad you did not.&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo; She did not answer. They went on around the corner, and it
+seemed as if her dreams were coming true after all, when he followed her into
+the little house.
+</p>
+
+<p>
+&ldquo;You must stay and dine with me, Robert. You see I am all alone, and it
+is so long since I have seen you. There is so much I want to ask you.&rdquo;
+</p>
+
+<p>
+She took off her hat and gloves. He stood irresolute, making some excuse about
+his mother who expected him; he even muttered something about an engagement.
+She struck a match and lit the lamp on the table; it was growing dusk. When he
+saw her face in the lamp-light, looking pained, with all the soft lines gone
+out of it, he threw his hat aside and seated himself.
+</p>
+
+<p>
+&ldquo;Oh! you know I want to stay if you will let me!&rdquo; he exclaimed. All
+the softness came back. She laughed, and went and put her hand on his shoulder.
+</p>
+
+<p>
+&ldquo;This is the first moment you have seemed like the old Robert. I&rsquo;ll
+go tell Celestine.&rdquo; She hurried away to tell Celestine to set an extra
+place. She even sent her off in search of some added delicacy which she had not
+thought of for herself. And she recommended great care in dripping the coffee
+and having the omelet done to a proper turn.
+</p>
+
+<p>
+When she reentered, Robert was turning over magazines, sketches, and things
+that lay upon the table in great disorder. He picked up a photograph, and
+exclaimed:
+</p>
+
+<p>
+&ldquo;Alcée Arobin! What on earth is his picture doing here?&rdquo;
+</p>
+
+<p>
+&ldquo;I tried to make a sketch of his head one day,&rdquo; answered Edna,
+&ldquo;and he thought the photograph might help me. It was at the other house.
+I thought it had been left there. I must have packed it up with my drawing
+materials.&rdquo;
+</p>
+
+<p>
+&ldquo;I should think you would give it back to him if you have finished with
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! I have a great many such photographs. I never think of returning
+them. They don&rsquo;t amount to anything.&rdquo; Robert kept on looking at the
+picture.
+</p>
+
+<p>
+&ldquo;It seems to me&mdash;do you think his head worth drawing? Is he a friend
+of Mr. Pontellier&rsquo;s? You never said you knew him.&rdquo;
+</p>
+
+<p>
+&ldquo;He isn&rsquo;t a friend of Mr. Pontellier&rsquo;s; he&rsquo;s a friend
+of mine. I always knew him&mdash;that is, it is only of late that I know him
+pretty well. But I&rsquo;d rather talk about you, and know what you have been
+seeing and doing and feeling out there in Mexico.&rdquo; Robert threw aside the
+picture.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve been seeing the waves and the white beach of Grand Isle; the
+quiet, grassy street of the <i>Chênière;</i> the old fort at Grande Terre.
+I&rsquo;ve been working like a machine, and feeling like a lost soul. There was
+nothing interesting.&rdquo;
+</p>
+
+<p>
+She leaned her head upon her hand to shade her eyes from the light.
+</p>
+
+<p>
+&ldquo;And what have you been seeing and doing and feeling all these
+days?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve been seeing the waves and the white beach of Grand Isle; the
+quiet, grassy street of the <i>Chênière Caminada;</i> the old sunny fort at
+Grande Terre. I&rsquo;ve been working with a little more comprehension than a
+machine, and still feeling like a lost soul. There was nothing
+interesting.&rdquo;
+</p>
+
+<p>
+&ldquo;Mrs. Pontellier, you are cruel,&rdquo; he said, with feeling, closing
+his eyes and resting his head back in his chair. They remained in silence till
+old Celestine announced dinner.
+</p>
+
+<h3><a name="link2H_4_0035" id="link2H_4_0035"></a>XXXIV</h3>
+
+<p>
+The dining-room was very small. Edna&rsquo;s round mahogany would have almost
+filled it. As it was there was but a step or two from the little table to the
+kitchen, to the mantel, the small buffet, and the side door that opened out on
+the narrow brick-paved yard.
+</p>
+
+<p>
+A certain degree of ceremony settled upon them with the announcement of dinner.
+There was no return to personalities. Robert related incidents of his sojourn
+in Mexico, and Edna talked of events likely to interest him, which had occurred
+during his absence. The dinner was of ordinary quality, except for the few
+delicacies which she had sent out to purchase. Old Celestine, with a bandana
+<i>tignon</i> twisted about her head, hobbled in and out, taking a personal
+interest in everything; and she lingered occasionally to talk patois with
+Robert, whom she had known as a boy.
+</p>
+
+<p>
+He went out to a neighboring cigar stand to purchase cigarette papers, and when
+he came back he found that Celestine had served the black coffee in the parlor.
+</p>
+
+<p>
+&ldquo;Perhaps I shouldn&rsquo;t have come back,&rdquo; he said. &ldquo;When
+you are tired of me, tell me to go.&rdquo;
+</p>
+
+<p>
+&ldquo;You never tire me. You must have forgotten the hours and hours at Grand
+Isle in which we grew accustomed to each other and used to being
+together.&rdquo;
+</p>
+
+<p>
+&ldquo;I have forgotten nothing at Grand Isle,&rdquo; he said, not looking at
+her, but rolling a cigarette. His tobacco pouch, which he laid upon the table,
+was a fantastic embroidered silk affair, evidently the handiwork of a woman.
+</p>
+
+<p>
+&ldquo;You used to carry your tobacco in a rubber pouch,&rdquo; said Edna,
+picking up the pouch and examining the needlework.
+</p>
+
+<p>
+&ldquo;Yes; it was lost.&rdquo;
+</p>
+
+<p>
+&ldquo;Where did you buy this one? In Mexico?&rdquo;
+</p>
+
+<p>
+&ldquo;It was given to me by a Vera Cruz girl; they are very generous,&rdquo;
+he replied, striking a match and lighting his cigarette.
+</p>
+
+<p>
+&ldquo;They are very handsome, I suppose, those Mexican women; very
+picturesque, with their black eyes and their lace scarfs.&rdquo;
+</p>
+
+<p>
+&ldquo;Some are; others are hideous, just as you find women everywhere.&rdquo;
+</p>
+
+<p>
+&ldquo;What was she like&mdash;the one who gave you the pouch? You must have
+known her very well.&rdquo;
+</p>
+
+<p>
+&ldquo;She was very ordinary. She wasn&rsquo;t of the slightest importance. I
+knew her well enough.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you visit at her house? Was it interesting? I should like to know
+and hear about the people you met, and the impressions they made on you.&rdquo;
+</p>
+
+<p>
+&ldquo;There are some people who leave impressions not so lasting as the
+imprint of an oar upon the water.&rdquo;
+</p>
+
+<p>
+&ldquo;Was she such a one?&rdquo;
+</p>
+
+<p>
+&ldquo;It would be ungenerous for me to admit that she was of that order and
+kind.&rdquo; He thrust the pouch back in his pocket, as if to put away the
+subject with the trifle which had brought it up.
+</p>
+
+<p>
+Arobin dropped in with a message from Mrs. Merriman, to say that the card party
+was postponed on account of the illness of one of her children.
+</p>
+
+<p>
+&ldquo;How do you do, Arobin?&rdquo; said Robert, rising from the obscurity.
+</p>
+
+<p>
+&ldquo;Oh! Lebrun. To be sure! I heard yesterday you were back. How did they
+treat you down in Mexique?&rdquo;
+</p>
+
+<p>
+&ldquo;Fairly well.&rdquo;
+</p>
+
+<p>
+&ldquo;But not well enough to keep you there. Stunning girls, though, in
+Mexico. I thought I should never get away from Vera Cruz when I was down there
+a couple of years ago.&rdquo;
+</p>
+
+<p>
+&ldquo;Did they embroider slippers and tobacco pouches and hat-bands and things
+for you?&rdquo; asked Edna.
+</p>
+
+<p>
+&ldquo;Oh! my! no! I didn&rsquo;t get so deep in their regard. I fear they made
+more impression on me than I made on them.&rdquo;
+</p>
+
+<p>
+&ldquo;You were less fortunate than Robert, then.&rdquo;
+</p>
+
+<p>
+&ldquo;I am always less fortunate than Robert. Has he been imparting tender
+confidences?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve been imposing myself long enough,&rdquo; said Robert, rising,
+and shaking hands with Edna. &ldquo;Please convey my regards to Mr. Pontellier
+when you write.&rdquo;
+</p>
+
+<p>
+He shook hands with Arobin and went away.
+</p>
+
+<p>
+&ldquo;Fine fellow, that Lebrun,&rdquo; said Arobin when Robert had gone.
+&ldquo;I never heard you speak of him.&rdquo;
+</p>
+
+<p>
+&ldquo;I knew him last summer at Grand Isle,&rdquo; she replied. &ldquo;Here is
+that photograph of yours. Don&rsquo;t you want it?&rdquo;
+</p>
+
+<p>
+&ldquo;What do I want with it? Throw it away.&rdquo; She threw it back on the
+table.
+</p>
+
+<p>
+&ldquo;I&rsquo;m not going to Mrs. Merriman&rsquo;s,&rdquo; she said. &ldquo;If
+you see her, tell her so. But perhaps I had better write. I think I shall write
+now, and say that I am sorry her child is sick, and tell her not to count on
+me.&rdquo;
+</p>
+
+<p>
+&ldquo;It would be a good scheme,&rdquo; acquiesced Arobin. &ldquo;I
+don&rsquo;t blame you; stupid lot!&rdquo;
+</p>
+
+<p>
+Edna opened the blotter, and having procured paper and pen, began to write the
+note. Arobin lit a cigar and read the evening paper, which he had in his
+pocket.
+</p>
+
+<p>
+&ldquo;What is the date?&rdquo; she asked. He told her.
+</p>
+
+<p>
+&ldquo;Will you mail this for me when you go out?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly.&rdquo; He read to her little bits out of the newspaper, while
+she straightened things on the table.
+</p>
+
+<p>
+&ldquo;What do you want to do?&rdquo; he asked, throwing aside the paper.
+&ldquo;Do you want to go out for a walk or a drive or anything? It would be a
+fine night to drive.&rdquo;
+</p>
+
+<p>
+&ldquo;No; I don&rsquo;t want to do anything but just be quiet. You go away and
+amuse yourself. Don&rsquo;t stay.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll go away if I must; but I shan&rsquo;t amuse myself. You know
+that I only live when I am near you.&rdquo;
+</p>
+
+<p>
+He stood up to bid her good night.
+</p>
+
+<p>
+&ldquo;Is that one of the things you always say to women?&rdquo;
+</p>
+
+<p>
+&ldquo;I have said it before, but I don&rsquo;t think I ever came so near
+meaning it,&rdquo; he answered with a smile. There were no warm lights in her
+eyes; only a dreamy, absent look.
+</p>
+
+<p>
+&ldquo;Good night. I adore you. Sleep well,&rdquo; he said, and he kissed her
+hand and went away.
+</p>
+
+<p>
+She stayed alone in a kind of reverie&mdash;a sort of stupor. Step by step she
+lived over every instant of the time she had been with Robert after he had
+entered Mademoiselle Reisz&rsquo;s door. She recalled his words, his looks. How
+few and meager they had been for her hungry heart! A vision&mdash;a
+transcendently seductive vision of a Mexican girl arose before her. She writhed
+with a jealous pang. She wondered when he would come back. He had not said he
+would come back. She had been with him, had heard his voice and touched his
+hand. But some way he had seemed nearer to her off there in Mexico.
+</p>
+
+<h3><a name="link2H_4_0036" id="link2H_4_0036"></a>XXXV</h3>
+
+<p>
+The morning was full of sunlight and hope. Edna could see before her no
+denial&mdash;only the promise of excessive joy. She lay in bed awake, with
+bright eyes full of speculation. &ldquo;He loves you, poor fool.&rdquo; If she
+could but get that conviction firmly fixed in her mind, what mattered about the
+rest? She felt she had been childish and unwise the night before in giving
+herself over to despondency. She recapitulated the motives which no doubt
+explained Robert&rsquo;s reserve. They were not insurmountable; they would not
+hold if he really loved her; they could not hold against her own passion, which
+he must come to realize in time. She pictured him going to his business that
+morning. She even saw how he was dressed; how he walked down one street, and
+turned the corner of another; saw him bending over his desk, talking to people
+who entered the office, going to his lunch, and perhaps watching for her on the
+street. He would come to her in the afternoon or evening, sit and roll his
+cigarette, talk a little, and go away as he had done the night before. But how
+delicious it would be to have him there with her! She would have no regrets,
+nor seek to penetrate his reserve if he still chose to wear it.
+</p>
+
+<p>
+Edna ate her breakfast only half dressed. The maid brought her a delicious
+printed scrawl from Raoul, expressing his love, asking her to send him some
+bonbons, and telling her they had found that morning ten tiny white pigs all
+lying in a row beside Lidie&rsquo;s big white pig.
+</p>
+
+<p>
+A letter also came from her husband, saying he hoped to be back early in March,
+and then they would get ready for that journey abroad which he had promised her
+so long, which he felt now fully able to afford; he felt able to travel as
+people should, without any thought of small economies&mdash;thanks to his
+recent speculations in Wall Street.
+</p>
+
+<p>
+Much to her surprise she received a note from Arobin, written at midnight from
+the club. It was to say good morning to her, to hope she had slept well, to
+assure her of his devotion, which he trusted she in some faintest manner
+returned.
+</p>
+
+<p>
+All these letters were pleasing to her. She answered the children in a cheerful
+frame of mind, promising them bonbons, and congratulating them upon their happy
+find of the little pigs.
+</p>
+
+<p>
+She answered her husband with friendly evasiveness,&mdash;not with any fixed
+design to mislead him, only because all sense of reality had gone out of her
+life; she had abandoned herself to Fate, and awaited the consequences with
+indifference.
+</p>
+
+<p>
+To Arobin&rsquo;s note she made no reply. She put it under Celestine&rsquo;s
+stove-lid.
+</p>
+
+<p>
+Edna worked several hours with much spirit. She saw no one but a picture
+dealer, who asked her if it were true that she was going abroad to study in
+Paris.
+</p>
+
+<p>
+She said possibly she might, and he negotiated with her for some Parisian
+studies to reach him in time for the holiday trade in December.
+</p>
+
+<p>
+Robert did not come that day. She was keenly disappointed. He did not come the
+following day, nor the next. Each morning she awoke with hope, and each night
+she was a prey to despondency. She was tempted to seek him out. But far from
+yielding to the impulse, she avoided any occasion which might throw her in his
+way. She did not go to Mademoiselle Reisz&rsquo;s nor pass by Madame
+Lebrun&rsquo;s, as she might have done if he had still been in Mexico.
+</p>
+
+<p>
+When Arobin, one night, urged her to drive with him, she went&mdash;out to the
+lake, on the Shell Road. His horses were full of mettle, and even a little
+unmanageable. She liked the rapid gait at which they spun along, and the quick,
+sharp sound of the horses&rsquo; hoofs on the hard road. They did not stop
+anywhere to eat or to drink. Arobin was not needlessly imprudent. But they ate
+and they drank when they regained Edna&rsquo;s little dining-room&mdash;which
+was comparatively early in the evening.
+</p>
+
+<p>
+It was late when he left her. It was getting to be more than a passing whim
+with Arobin to see her and be with her. He had detected the latent sensuality,
+which unfolded under his delicate sense of her nature&rsquo;s requirements like
+a torpid, torrid, sensitive blossom.
+</p>
+
+<p>
+There was no despondency when she fell asleep that night; nor was there hope
+when she awoke in the morning.
+</p>
+
+<h3><a name="link2H_4_0037" id="link2H_4_0037"></a>XXXVI</h3>
+
+<p>
+There was a garden out in the suburbs; a small, leafy corner, with a few green
+tables under the orange trees. An old cat slept all day on the stone step in
+the sun, and an old <i>mulatresse</i> slept her idle hours away in her chair at
+the open window, till some one happened to knock on one of the green tables.
+She had milk and cream cheese to sell, and bread and butter. There was no one
+who could make such excellent coffee or fry a chicken so golden brown as she.
+</p>
+
+<p>
+The place was too modest to attract the attention of people of fashion, and so
+quiet as to have escaped the notice of those in search of pleasure and
+dissipation. Edna had discovered it accidentally one day when the high-board
+gate stood ajar. She caught sight of a little green table, blotched with the
+checkered sunlight that filtered through the quivering leaves overhead. Within
+she had found the slumbering <i>mulatresse</i>, the drowsy cat, and a glass of
+milk which reminded her of the milk she had tasted in Iberville.
+</p>
+
+<p>
+She often stopped there during her perambulations; sometimes taking a book with
+her, and sitting an hour or two under the trees when she found the place
+deserted. Once or twice she took a quiet dinner there alone, having instructed
+Celestine beforehand to prepare no dinner at home. It was the last place in the
+city where she would have expected to meet any one she knew.
+</p>
+
+<p>
+Still she was not astonished when, as she was partaking of a modest dinner late
+in the afternoon, looking into an open book, stroking the cat, which had made
+friends with her&mdash;she was not greatly astonished to see Robert come in at
+the tall garden gate.
+</p>
+
+<p>
+&ldquo;I am destined to see you only by accident,&rdquo; she said, shoving the
+cat off the chair beside her. He was surprised, ill at ease, almost embarrassed
+at meeting her thus so unexpectedly.
+</p>
+
+<p>
+&ldquo;Do you come here often?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;I almost live here,&rdquo; she said.
+</p>
+
+<p>
+&ldquo;I used to drop in very often for a cup of Catiche&rsquo;s good coffee.
+This is the first time since I came back.&rdquo;
+</p>
+
+<p>
+&ldquo;She&rsquo;ll bring you a plate, and you will share my dinner.
+There&rsquo;s always enough for two&mdash;even three.&rdquo; Edna had intended
+to be indifferent and as reserved as he when she met him; she had reached the
+determination by a laborious train of reasoning, incident to one of her
+despondent moods. But her resolve melted when she saw him before designing
+Providence had led him into her path.
+</p>
+
+<p>
+&ldquo;Why have you kept away from me, Robert?&rdquo; she asked, closing the
+book that lay open upon the table.
+</p>
+
+<p>
+&ldquo;Why are you so personal, Mrs. Pontellier? Why do you force me to idiotic
+subterfuges?&rdquo; he exclaimed with sudden warmth. &ldquo;I suppose
+there&rsquo;s no use telling you I&rsquo;ve been very busy, or that I&rsquo;ve
+been sick, or that I&rsquo;ve been to see you and not found you at home. Please
+let me off with any one of these excuses.&rdquo;
+</p>
+
+<p>
+&ldquo;You are the embodiment of selfishness,&rdquo; she said. &ldquo;You save
+yourself something&mdash;I don&rsquo;t know what&mdash;but there is some
+selfish motive, and in sparing yourself you never consider for a moment what I
+think, or how I feel your neglect and indifference. I suppose this is what you
+would call unwomanly; but I have got into a habit of expressing myself. It
+doesn&rsquo;t matter to me, and you may think me unwomanly if you like.&rdquo;
+</p>
+
+<p>
+&ldquo;No; I only think you cruel, as I said the other day. Maybe not
+intentionally cruel; but you seem to be forcing me into disclosures which can
+result in nothing; as if you would have me bare a wound for the pleasure of
+looking at it, without the intention or power of healing it.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m spoiling your dinner, Robert; never mind what I say. You
+haven&rsquo;t eaten a morsel.&rdquo;
+</p>
+
+<p>
+&ldquo;I only came in for a cup of coffee.&rdquo; His sensitive face was all
+disfigured with excitement.
+</p>
+
+<p>
+&ldquo;Isn&rsquo;t this a delightful place?&rdquo; she remarked. &ldquo;I am so
+glad it has never actually been discovered. It is so quiet, so sweet, here. Do
+you notice there is scarcely a sound to be heard? It&rsquo;s so out of the way;
+and a good walk from the car. However, I don&rsquo;t mind walking. I always
+feel so sorry for women who don&rsquo;t like to walk; they miss so
+much&mdash;so many rare little glimpses of life; and we women learn so little
+of life on the whole.
+</p>
+
+<p>
+&ldquo;Catiche&rsquo;s coffee is always hot. I don&rsquo;t know how she manages
+it, here in the open air. Celestine&rsquo;s coffee gets cold bringing it from
+the kitchen to the dining-room. Three lumps! How can you drink it so sweet?
+Take some of the cress with your chop; it&rsquo;s so biting and crisp. Then
+there&rsquo;s the advantage of being able to smoke with your coffee out here.
+Now, in the city&mdash;aren&rsquo;t you going to smoke?&rdquo;
+</p>
+
+<p>
+&ldquo;After a while,&rdquo; he said, laying a cigar on the table.
+</p>
+
+<p>
+&ldquo;Who gave it to you?&rdquo; she laughed.
+</p>
+
+<p>
+&ldquo;I bought it. I suppose I&rsquo;m getting reckless; I bought a whole
+box.&rdquo; She was determined not to be personal again and make him
+uncomfortable.
+</p>
+
+<p>
+The cat made friends with him, and climbed into his lap when he smoked his
+cigar. He stroked her silky fur, and talked a little about her. He looked at
+Edna&rsquo;s book, which he had read; and he told her the end, to save her the
+trouble of wading through it, he said.
+</p>
+
+<p>
+Again he accompanied her back to her home; and it was after dusk when they
+reached the little &ldquo;pigeon-house.&rdquo; She did not ask him to remain,
+which he was grateful for, as it permitted him to stay without the discomfort
+of blundering through an excuse which he had no intention of considering. He
+helped her to light the lamp; then she went into her room to take off her hat
+and to bathe her face and hands.
+</p>
+
+<p>
+When she came back Robert was not examining the pictures and magazines as
+before; he sat off in the shadow, leaning his head back on the chair as if in a
+reverie. Edna lingered a moment beside the table, arranging the books there.
+Then she went across the room to where he sat. She bent over the arm of his
+chair and called his name.
+</p>
+
+<p>
+&ldquo;Robert,&rdquo; she said, &ldquo;are you asleep?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; he answered, looking up at her.
+</p>
+
+<p>
+She leaned over and kissed him&mdash;a soft, cool, delicate kiss, whose
+voluptuous sting penetrated his whole being&mdash;then she moved away from him.
+He followed, and took her in his arms, just holding her close to him. She put
+her hand up to his face and pressed his cheek against her own. The action was
+full of love and tenderness. He sought her lips again. Then he drew her down
+upon the sofa beside him and held her hand in both of his.
+</p>
+
+<p>
+&ldquo;Now you know,&rdquo; he said, &ldquo;now you know what I have been
+fighting against since last summer at Grand Isle; what drove me away and drove
+me back again.&rdquo;
+</p>
+
+<p>
+&ldquo;Why have you been fighting against it?&rdquo; she asked. Her face glowed
+with soft lights.
+</p>
+
+<p>
+&ldquo;Why? Because you were not free; you were Léonce Pontellier&rsquo;s wife.
+I couldn&rsquo;t help loving you if you were ten times his wife; but so long as
+I went away from you and kept away I could help telling you so.&rdquo; She put
+her free hand up to his shoulder, and then against his cheek, rubbing it
+softly. He kissed her again. His face was warm and flushed.
+</p>
+
+<p>
+&ldquo;There in Mexico I was thinking of you all the time, and longing for
+you.&rdquo;
+</p>
+
+<p>
+&ldquo;But not writing to me,&rdquo; she interrupted.
+</p>
+
+<p>
+&ldquo;Something put into my head that you cared for me; and I lost my senses.
+I forgot everything but a wild dream of your some way becoming my wife.&rdquo;
+</p>
+
+<p>
+&ldquo;Your wife!&rdquo;
+</p>
+
+<p>
+&ldquo;Religion, loyalty, everything would give way if only you cared.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you must have forgotten that I was Léonce Pontellier&rsquo;s
+wife.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! I was demented, dreaming of wild, impossible things, recalling men
+who had set their wives free, we have heard of such things.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, we have heard of such things.&rdquo;
+</p>
+
+<p>
+&ldquo;I came back full of vague, mad intentions. And when I got
+here&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;When you got here you never came near me!&rdquo; She was still caressing
+his cheek.
+</p>
+
+<p>
+&ldquo;I realized what a cur I was to dream of such a thing, even if you had
+been willing.&rdquo;
+</p>
+
+<p>
+She took his face between her hands and looked into it as if she would never
+withdraw her eyes more. She kissed him on the forehead, the eyes, the cheeks,
+and the lips.
+</p>
+
+<p>
+&ldquo;You have been a very, very foolish boy, wasting your time dreaming of
+impossible things when you speak of Mr. Pontellier setting me free! I am no
+longer one of Mr. Pontellier&rsquo;s possessions to dispose of or not. I give
+myself where I choose. If he were to say, &lsquo;Here, Robert, take her and be
+happy; she is yours,&rsquo; I should laugh at you both.&rdquo;
+</p>
+
+<p>
+His face grew a little white. &ldquo;What do you mean?&rdquo; he asked.
+</p>
+
+<p>
+There was a knock at the door. Old Celestine came in to say that Madame
+Ratignolle&rsquo;s servant had come around the back way with a message that
+Madame had been taken sick and begged Mrs. Pontellier to go to her immediately.
+</p>
+
+<p>
+&ldquo;Yes, yes,&rdquo; said Edna, rising; &ldquo;I promised. Tell her
+yes&mdash;to wait for me. I&rsquo;ll go back with her.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me walk over with you,&rdquo; offered Robert.
+</p>
+
+<p>
+&ldquo;No,&rdquo; she said; &ldquo;I will go with the servant.&rdquo; She went
+into her room to put on her hat, and when she came in again she sat once more
+upon the sofa beside him. He had not stirred. She put her arms about his neck.
+</p>
+
+<p>
+&ldquo;Good-by, my sweet Robert. Tell me good-by.&rdquo; He kissed her with a
+degree of passion which had not before entered into his caress, and strained
+her to him.
+</p>
+
+<p>
+&ldquo;I love you,&rdquo; she whispered, &ldquo;only you; no one but you. It
+was you who awoke me last summer out of a life-long, stupid dream. Oh! you have
+made me so unhappy with your indifference. Oh! I have suffered, suffered! Now
+you are here we shall love each other, my Robert. We shall be everything to
+each other. Nothing else in the world is of any consequence. I must go to my
+friend; but you will wait for me? No matter how late; you will wait for me,
+Robert?&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t go; don&rsquo;t go! Oh! Edna, stay with me,&rdquo; he
+pleaded. &ldquo;Why should you go? Stay with me, stay with me.&rdquo;
+</p>
+
+<p>
+&ldquo;I shall come back as soon as I can; I shall find you here.&rdquo; She
+buried her face in his neck, and said good-by again. Her seductive voice,
+together with his great love for her, had enthralled his senses, had deprived
+him of every impulse but the longing to hold her and keep her.
+</p>
+
+<h3><a name="link2H_4_0038" id="link2H_4_0038"></a>XXXVII</h3>
+
+<p>
+Edna looked in at the drug store. Monsieur Ratignolle was putting up a mixture
+himself, very carefully, dropping a red liquid into a tiny glass. He was
+grateful to Edna for having come; her presence would be a comfort to his wife.
+Madame Ratignolle&rsquo;s sister, who had always been with her at such trying
+times, had not been able to come up from the plantation, and Adèle had been
+inconsolable until Mrs. Pontellier so kindly promised to come to her. The nurse
+had been with them at night for the past week, as she lived a great distance
+away. And Dr. Mandelet had been coming and going all the afternoon. They were
+then looking for him any moment.
+</p>
+
+<p>
+Edna hastened upstairs by a private stairway that led from the rear of the
+store to the apartments above. The children were all sleeping in a back room.
+Madame Ratignolle was in the salon, whither she had strayed in her suffering
+impatience. She sat on the sofa, clad in an ample white <i>peignoir</i>,
+holding a handkerchief tight in her hand with a nervous clutch. Her face was
+drawn and pinched, her sweet blue eyes haggard and unnatural. All her beautiful
+hair had been drawn back and plaited. It lay in a long braid on the sofa
+pillow, coiled like a golden serpent. The nurse, a comfortable looking Griffe
+woman in white apron and cap, was urging her to return to her bedroom.
+</p>
+
+<p>
+&ldquo;There is no use, there is no use,&rdquo; she said at once to Edna.
+&ldquo;We must get rid of Mandelet; he is getting too old and careless. He said
+he would be here at half-past seven; now it must be eight. See what time it is,
+Joséphine.&rdquo;
+</p>
+
+<p>
+The woman was possessed of a cheerful nature, and refused to take any situation
+too seriously, especially a situation with which she was so familiar. She urged
+Madame to have courage and patience. But Madame only set her teeth hard into
+her under lip, and Edna saw the sweat gather in beads on her white forehead.
+After a moment or two she uttered a profound sigh and wiped her face with the
+handkerchief rolled in a ball. She appeared exhausted. The nurse gave her a
+fresh handkerchief, sprinkled with cologne water.
+</p>
+
+<p>
+&ldquo;This is too much!&rdquo; she cried. &ldquo;Mandelet ought to be killed!
+Where is Alphonse? Is it possible I am to be abandoned like
+this&mdash;neglected by every one?&rdquo;
+</p>
+
+<p>
+&ldquo;Neglected, indeed!&rdquo; exclaimed the nurse. Wasn&rsquo;t she there?
+And here was Mrs. Pontellier leaving, no doubt, a pleasant evening at home to
+devote to her? And wasn&rsquo;t Monsieur Ratignolle coming that very instant
+through the hall? And Joséphine was quite sure she had heard Doctor
+Mandelet&rsquo;s coupé. Yes, there it was, down at the door.
+</p>
+
+<p>
+Adèle consented to go back to her room. She sat on the edge of a little low
+couch next to her bed.
+</p>
+
+<p>
+Doctor Mandelet paid no attention to Madame Ratignolle&rsquo;s upbraidings. He
+was accustomed to them at such times, and was too well convinced of her loyalty
+to doubt it.
+</p>
+
+<p>
+He was glad to see Edna, and wanted her to go with him into the salon and
+entertain him. But Madame Ratignolle would not consent that Edna should leave
+her for an instant. Between agonizing moments, she chatted a little, and said
+it took her mind off her sufferings.
+</p>
+
+<p>
+Edna began to feel uneasy. She was seized with a vague dread. Her own like
+experiences seemed far away, unreal, and only half remembered. She recalled
+faintly an ecstasy of pain, the heavy odor of chloroform, a stupor which had
+deadened sensation, and an awakening to find a little new life to which she had
+given being, added to the great unnumbered multitude of souls that come and go.
+</p>
+
+<p>
+She began to wish she had not come; her presence was not necessary. She might
+have invented a pretext for staying away; she might even invent a pretext now
+for going. But Edna did not go. With an inward agony, with a flaming, outspoken
+revolt against the ways of Nature, she witnessed the scene of torture.
+</p>
+
+<p>
+She was still stunned and speechless with emotion when later she leaned over
+her friend to kiss her and softly say good-by. Adèle, pressing her cheek,
+whispered in an exhausted voice: &ldquo;Think of the children, Edna. Oh think
+of the children! Remember them!&rdquo;
+</p>
+
+<h3><a name="link2H_4_0039" id="link2H_4_0039"></a>XXXVIII</h3>
+
+<p>
+Edna still felt dazed when she got outside in the open air. The Doctor&rsquo;s
+coupé had returned for him and stood before the <i>porte cochère</i>. She did
+not wish to enter the coupé, and told Doctor Mandelet she would walk; she was
+not afraid, and would go alone. He directed his carriage to meet him at Mrs.
+Pontellier&rsquo;s, and he started to walk home with her.
+</p>
+
+<p>
+Up&mdash;away up, over the narrow street between the tall houses, the stars
+were blazing. The air was mild and caressing, but cool with the breath of
+spring and the night. They walked slowly, the Doctor with a heavy, measured
+tread and his hands behind him; Edna, in an absent-minded way, as she had
+walked one night at Grand Isle, as if her thoughts had gone ahead of her and
+she was striving to overtake them.
+</p>
+
+<p>
+&ldquo;You shouldn&rsquo;t have been there, Mrs. Pontellier,&rdquo; he said.
+&ldquo;That was no place for you. Adèle is full of whims at such times. There
+were a dozen women she might have had with her, unimpressionable women. I felt
+that it was cruel, cruel. You shouldn&rsquo;t have gone.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, well!&rdquo; she answered, indifferently. &ldquo;I don&rsquo;t know
+that it matters after all. One has to think of the children some time or other;
+the sooner the better.&rdquo;
+</p>
+
+<p>
+&ldquo;When is Léonce coming back?&rdquo;
+</p>
+
+<p>
+&ldquo;Quite soon. Some time in March.&rdquo;
+</p>
+
+<p>
+&ldquo;And you are going abroad?&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps&mdash;no, I am not going. I&rsquo;m not going to be forced into
+doing things. I don&rsquo;t want to go abroad. I want to be let alone. Nobody
+has any right&mdash;except children, perhaps&mdash;and even then, it seems to
+me&mdash;or it did seem&mdash;&rdquo; She felt that her speech was voicing the
+incoherency of her thoughts, and stopped abruptly.
+</p>
+
+<p>
+&ldquo;The trouble is,&rdquo; sighed the Doctor, grasping her meaning
+intuitively, &ldquo;that youth is given up to illusions. It seems to be a
+provision of Nature; a decoy to secure mothers for the race. And Nature takes
+no account of moral consequences, of arbitrary conditions which we create, and
+which we feel obliged to maintain at any cost.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; she said. &ldquo;The years that are gone seem like
+dreams&mdash;if one might go on sleeping and dreaming&mdash;but to wake up and
+find&mdash;oh! well! perhaps it is better to wake up after all, even to suffer,
+rather than to remain a dupe to illusions all one&rsquo;s life.&rdquo;
+</p>
+
+<p>
+&ldquo;It seems to me, my dear child,&rdquo; said the Doctor at parting,
+holding her hand, &ldquo;you seem to me to be in trouble. I am not going to ask
+for your confidence. I will only say that if ever you feel moved to give it to
+me, perhaps I might help you. I know I would understand. And I tell you there
+are not many who would&mdash;not many, my dear.&rdquo;
+</p>
+
+<p>
+&ldquo;Some way I don&rsquo;t feel moved to speak of things that trouble me.
+Don&rsquo;t think I am ungrateful or that I don&rsquo;t appreciate your
+sympathy. There are periods of despondency and suffering which take possession
+of me. But I don&rsquo;t want anything but my own way. That is wanting a good
+deal, of course, when you have to trample upon the lives, the hearts, the
+prejudices of others&mdash;but no matter&mdash;still, I shouldn&rsquo;t want to
+trample upon the little lives. Oh! I don&rsquo;t know what I&rsquo;m saying,
+Doctor. Good night. Don&rsquo;t blame me for anything.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I will blame you if you don&rsquo;t come and see me soon. We will
+talk of things you never have dreamt of talking about before. It will do us
+both good. I don&rsquo;t want you to blame yourself, whatever comes. Good
+night, my child.&rdquo;
+</p>
+
+<p>
+She let herself in at the gate, but instead of entering she sat upon the step
+of the porch. The night was quiet and soothing. All the tearing emotion of the
+last few hours seemed to fall away from her like a somber, uncomfortable
+garment, which she had but to loosen to be rid of. She went back to that hour
+before Adèle had sent for her; and her senses kindled afresh in thinking of
+Robert&rsquo;s words, the pressure of his arms, and the feeling of his lips
+upon her own. She could picture at that moment no greater bliss on earth than
+possession of the beloved one. His expression of love had already given him to
+her in part. When she thought that he was there at hand, waiting for her, she
+grew numb with the intoxication of expectancy. It was so late; he would be
+asleep perhaps. She would awaken him with a kiss. She hoped he would be asleep
+that she might arouse him with her caresses.
+</p>
+
+<p>
+Still, she remembered Adèle&rsquo;s voice whispering, &ldquo;Think of the
+children; think of them.&rdquo; She meant to think of them; that determination
+had driven into her soul like a death wound&mdash;but not to-night. To-morrow
+would be time to think of everything.
+</p>
+
+<p>
+Robert was not waiting for her in the little parlor. He was nowhere at hand.
+The house was empty. But he had scrawled on a piece of paper that lay in the
+lamplight:
+</p>
+
+<p>
+&ldquo;I love you. Good-by&mdash;because I love you.&rdquo;
+</p>
+
+<p>
+Edna grew faint when she read the words. She went and sat on the sofa. Then she
+stretched herself out there, never uttering a sound. She did not sleep. She did
+not go to bed. The lamp sputtered and went out. She was still awake in the
+morning, when Celestine unlocked the kitchen door and came in to light the
+fire.
+</p>
+
+<h3><a name="link2H_4_0040" id="link2H_4_0040"></a>XXXIX</h3>
+
+<p>
+Victor, with hammer and nails and scraps of scantling, was patching a corner of
+one of the galleries. Mariequita sat near by, dangling her legs, watching him
+work, and handing him nails from the tool-box. The sun was beating down upon
+them. The girl had covered her head with her apron folded into a square pad.
+They had been talking for an hour or more. She was never tired of hearing
+Victor describe the dinner at Mrs. Pontellier&rsquo;s. He exaggerated every
+detail, making it appear a veritable Lucullean feast. The flowers were in tubs,
+he said. The champagne was quaffed from huge golden goblets. Venus rising from
+the foam could have presented no more entrancing a spectacle than Mrs.
+Pontellier, blazing with beauty and diamonds at the head of the board, while
+the other women were all of them youthful houris, possessed of incomparable
+charms. She got it into her head that Victor was in love with Mrs. Pontellier,
+and he gave her evasive answers, framed so as to confirm her belief. She grew
+sullen and cried a little, threatening to go off and leave him to his fine
+ladies. There were a dozen men crazy about her at the <i>Chênière;</i> and
+since it was the fashion to be in love with married people, why, she could run
+away any time she liked to New Orleans with Célina&rsquo;s husband.
+</p>
+
+<p>
+Célina&rsquo;s husband was a fool, a coward, and a pig, and to prove it to her,
+Victor intended to hammer his head into a jelly the next time he encountered
+him. This assurance was very consoling to Mariequita. She dried her eyes, and
+grew cheerful at the prospect.
+</p>
+
+<p>
+They were still talking of the dinner and the allurements of city life when
+Mrs. Pontellier herself slipped around the corner of the house. The two
+youngsters stayed dumb with amazement before what they considered to be an
+apparition. But it was really she in flesh and blood, looking tired and a
+little travel-stained.
+</p>
+
+<p>
+&ldquo;I walked up from the wharf,&rdquo; she said, &ldquo;and heard the
+hammering. I supposed it was you, mending the porch. It&rsquo;s a good thing. I
+was always tripping over those loose planks last summer. How dreary and
+deserted everything looks!&rdquo;
+</p>
+
+<p>
+It took Victor some little time to comprehend that she had come in
+Beaudelet&rsquo;s lugger, that she had come alone, and for no purpose but to
+rest.
+</p>
+
+<p>
+&ldquo;There&rsquo;s nothing fixed up yet, you see. I&rsquo;ll give you my
+room; it&rsquo;s the only place.&rdquo;
+</p>
+
+<p>
+&ldquo;Any corner will do,&rdquo; she assured him.
+</p>
+
+<p>
+&ldquo;And if you can stand Philomel&rsquo;s cooking,&rdquo; he went on,
+&ldquo;though I might try to get her mother while you are here. Do you think
+she would come?&rdquo; turning to Mariequita.
+</p>
+
+<p>
+Mariequita thought that perhaps Philomel&rsquo;s mother might come for a few
+days, and money enough.
+</p>
+
+<p>
+Beholding Mrs. Pontellier make her appearance, the girl had at once suspected a
+lovers&rsquo; rendezvous. But Victor&rsquo;s astonishment was so genuine, and
+Mrs. Pontellier&rsquo;s indifference so apparent, that the disturbing notion
+did not lodge long in her brain. She contemplated with the greatest interest
+this woman who gave the most sumptuous dinners in America, and who had all the
+men in New Orleans at her feet.
+</p>
+
+<p>
+&ldquo;What time will you have dinner?&rdquo; asked Edna. &ldquo;I&rsquo;m very
+hungry; but don&rsquo;t get anything extra.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll have it ready in little or no time,&rdquo; he said, bustling
+and packing away his tools. &ldquo;You may go to my room to brush up and rest
+yourself. Mariequita will show you.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you,&rdquo; said Edna. &ldquo;But, do you know, I have a notion to
+go down to the beach and take a good wash and even a little swim, before
+dinner?&rdquo;
+</p>
+
+<p>
+&ldquo;The water is too cold!&rdquo; they both exclaimed. &ldquo;Don&rsquo;t
+think of it.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I might go down and try&mdash;dip my toes in. Why, it seems to me
+the sun is hot enough to have warmed the very depths of the ocean. Could you
+get me a couple of towels? I&rsquo;d better go right away, so as to be back in
+time. It would be a little too chilly if I waited till this afternoon.&rdquo;
+</p>
+
+<p>
+Mariequita ran over to Victor&rsquo;s room, and returned with some towels,
+which she gave to Edna.
+</p>
+
+<p>
+&ldquo;I hope you have fish for dinner,&rdquo; said Edna, as she started to
+walk away; &ldquo;but don&rsquo;t do anything extra if you
+haven&rsquo;t.&rdquo;
+</p>
+
+<p>
+&ldquo;Run and find Philomel&rsquo;s mother,&rdquo; Victor instructed the girl.
+&ldquo;I&rsquo;ll go to the kitchen and see what I can do. By Gimminy! Women
+have no consideration! She might have sent me word.&rdquo;
+</p>
+
+<p>
+Edna walked on down to the beach rather mechanically, not noticing anything
+special except that the sun was hot. She was not dwelling upon any particular
+train of thought. She had done all the thinking which was necessary after
+Robert went away, when she lay awake upon the sofa till morning.
+</p>
+
+<p>
+She had said over and over to herself: &ldquo;To-day it is Arobin; to-morrow it
+will be some one else. It makes no difference to me, it doesn&rsquo;t matter
+about Léonce Pontellier&mdash;but Raoul and Etienne!&rdquo; She understood now
+clearly what she had meant long ago when she said to Adèle Ratignolle that she
+would give up the unessential, but she would never sacrifice herself for her
+children.
+</p>
+
+<p>
+Despondency had come upon her there in the wakeful night, and had never lifted.
+There was no one thing in the world that she desired. There was no human being
+whom she wanted near her except Robert; and she even realized that the day
+would come when he, too, and the thought of him would melt out of her
+existence, leaving her alone. The children appeared before her like antagonists
+who had overcome her; who had overpowered and sought to drag her into the
+soul&rsquo;s slavery for the rest of her days. But she knew a way to elude
+them. She was not thinking of these things when she walked down to the beach.
+</p>
+
+<p>
+The water of the Gulf stretched out before her, gleaming with the million
+lights of the sun. The voice of the sea is seductive, never ceasing,
+whispering, clamoring, murmuring, inviting the soul to wander in abysses of
+solitude. All along the white beach, up and down, there was no living thing in
+sight. A bird with a broken wing was beating the air above, reeling,
+fluttering, circling disabled down, down to the water.
+</p>
+
+<p>
+Edna had found her old bathing suit still hanging, faded, upon its accustomed
+peg.
+</p>
+
+<p>
+She put it on, leaving her clothing in the bath-house. But when she was there
+beside the sea, absolutely alone, she cast the unpleasant, pricking garments
+from her, and for the first time in her life she stood naked in the open air,
+at the mercy of the sun, the breeze that beat upon her, and the waves that
+invited her.
+</p>
+
+<p>
+How strange and awful it seemed to stand naked under the sky! how delicious!
+She felt like some new-born creature, opening its eyes in a familiar world that
+it had never known.
+</p>
+
+<p>
+The foamy wavelets curled up to her white feet, and coiled like serpents about
+her ankles. She walked out. The water was chill, but she walked on. The water
+was deep, but she lifted her white body and reached out with a long, sweeping
+stroke. The touch of the sea is sensuous, enfolding the body in its soft, close
+embrace.
+</p>
+
+<p>
+She went on and on. She remembered the night she swam far out, and recalled the
+terror that seized her at the fear of being unable to regain the shore. She did
+not look back now, but went on and on, thinking of the blue-grass meadow that
+she had traversed when a little child, believing that it had no beginning and
+no end.
+</p>
+
+<p>
+Her arms and legs were growing tired.
+</p>
+
+<p>
+She thought of Léonce and the children. They were a part of her life. But they
+need not have thought that they could possess her, body and soul. How
+Mademoiselle Reisz would have laughed, perhaps sneered, if she knew! &ldquo;And
+you call yourself an artist! What pretensions, Madame! The artist must possess
+the courageous soul that dares and defies.&rdquo;
+</p>
+
+<p>
+Exhaustion was pressing upon and overpowering her.
+</p>
+
+<p>
+&ldquo;Good-by&mdash;because I love you.&rdquo; He did not know; he did not
+understand. He would never understand. Perhaps Doctor Mandelet would have
+understood if she had seen him&mdash;but it was too late; the shore was far
+behind her, and her strength was gone.
+</p>
+
+<p>
+She looked into the distance, and the old terror flamed up for an instant, then
+sank again. Edna heard her father&rsquo;s voice and her sister
+Margaret&rsquo;s. She heard the barking of an old dog that was chained to the
+sycamore tree. The spurs of the cavalry officer clanged as he walked across the
+porch. There was the hum of bees, and the musky odor of pinks filled the air.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0041" id="link2H_4_0041"></a>BEYOND THE BAYOU</h2>
+
+<p>
+The bayou curved like a crescent around the point of land on which La
+Folle&rsquo;s cabin stood. Between the stream and the hut lay a big abandoned
+field, where cattle were pastured when the bayou supplied them with water
+enough. Through the woods that spread back into unknown regions the woman had
+drawn an imaginary line, and past this circle she never stepped. This was the
+form of her only mania.
+</p>
+
+<p>
+She was now a large, gaunt black woman, past thirty-five. Her real name was
+Jacqueline, but every one on the plantation called her La Folle, because in
+childhood she had been frightened literally &ldquo;out of her senses,&rdquo;
+and had never wholly regained them.
+</p>
+
+<p>
+It was when there had been skirmishing and sharpshooting all day in the woods.
+Evening was near when P&rsquo;tit Maître, black with powder and crimson with
+blood, had staggered into the cabin of Jacqueline&rsquo;s mother, his pursuers
+close at his heels. The sight had stunned her childish reason.
+</p>
+
+<p>
+She dwelt alone in her solitary cabin, for the rest of the quarters had long
+since been removed beyond her sight and knowledge. She had more physical
+strength than most men, and made her patch of cotton and corn and tobacco like
+the best of them. But of the world beyond the bayou she had long known nothing,
+save what her morbid fancy conceived.
+</p>
+
+<p>
+People at Bellissime had grown used to her and her way, and they thought
+nothing of it. Even when &ldquo;Old Mis&rsquo;&rdquo; died, they did not wonder
+that La Folle had not crossed the bayou, but had stood upon her side of it,
+wailing and lamenting.
+</p>
+
+<p>
+P&rsquo;tit Maître was now the owner of Bellissime. He was a middle-aged man,
+with a family of beautiful daughters about him, and a little son whom La Folle
+loved as if he had been her own. She called him Chéri, and so did every one
+else because she did.
+</p>
+
+<p>
+None of the girls had ever been to her what Chéri was. They had each and all
+loved to be with her, and to listen to her wondrous stories of things that
+always happened &ldquo;yonda, beyon&rsquo; de bayou.&rdquo;
+</p>
+
+<p>
+But none of them had stroked her black hand quite as Chéri did, nor rested
+their heads against her knee so confidingly, nor fallen asleep in her arms as
+he used to do. For Chéri hardly did such things now, since he had become the
+proud possessor of a gun, and had had his black curls cut off.
+</p>
+
+<p>
+That summer&mdash;the summer Chéri gave La Folle two black curls tied with a
+knot of red ribbon&mdash;the water ran so low in the bayou that even the little
+children at Bellissime were able to cross it on foot, and the cattle were sent
+to pasture down by the river. La Folle was sorry when they were gone, for she
+loved these dumb companions well, and liked to feel that they were there, and
+to hear them browsing by night up to her own enclosure.
+</p>
+
+<p>
+It was Saturday afternoon, when the fields were deserted. The men had flocked
+to a neighboring village to do their week&rsquo;s trading, and the women were
+occupied with household affairs,&mdash;La Folle as well as the others. It was
+then she mended and washed her handful of clothes, scoured her house, and did
+her baking.
+</p>
+
+<p>
+In this last employment she never forgot Chéri. To-day she had fashioned
+croquignoles of the most fantastic and alluring shapes for him. So when she saw
+the boy come trudging across the old field with his gleaming little new rifle
+on his shoulder, she called out gayly to him, &ldquo;Chéri! Chéri!&rdquo;
+</p>
+
+<p>
+But Chéri did not need the summons, for he was coming straight to her. His
+pockets all bulged out with almonds and raisins and an orange that he had
+secured for her from the very fine dinner which had been given that day up at
+his father&rsquo;s house.
+</p>
+
+<p>
+He was a sunny-faced youngster of ten. When he had emptied his pockets, La
+Folle patted his round red cheek, wiped his soiled hands on her apron, and
+smoothed his hair. Then she watched him as, with his cakes in his hand, he
+crossed her strip of cotton back of the cabin, and disappeared into the wood.
+</p>
+
+<p>
+He had boasted of the things he was going to do with his gun out there.
+</p>
+
+<p>
+&ldquo;You think they got plenty deer in the wood, La Folle?&rdquo; he had
+inquired, with the calculating air of an experienced hunter.
+</p>
+
+<p>
+&ldquo;<i>Non, non!</i>&rdquo; the woman laughed. &ldquo;Don&rsquo;t you look
+fo&rsquo; no deer, Chéri. Dat&rsquo;s too big. But you bring La Folle one good
+fat squirrel fo&rsquo; her dinner to-morrow, an&rsquo; she goin&rsquo; be
+satisfi&rsquo;.&rdquo;
+</p>
+
+<p>
+&ldquo;One squirrel ain&rsquo;t a bite. I&rsquo;ll bring you mo&rsquo;
+&rsquo;an one, La Folle,&rdquo; he had boasted pompously as he went away.
+</p>
+
+<p>
+When the woman, an hour later, heard the report of the boy&rsquo;s rifle close
+to the wood&rsquo;s edge, she would have thought nothing of it if a sharp cry
+of distress had not followed the sound.
+</p>
+
+<p>
+She withdrew her arms from the tub of suds in which they had been plunged,
+dried them upon her apron, and as quickly as her trembling limbs would bear
+her, hurried to the spot whence the ominous report had come.
+</p>
+
+<p>
+It was as she feared. There she found Chéri stretched upon the ground, with his
+rifle beside him. He moaned piteously:&mdash;
+</p>
+
+<p>
+&ldquo;I&rsquo;m dead, La Folle! I&rsquo;m dead! I&rsquo;m gone!&rdquo;
+</p>
+
+<p>
+&ldquo;<i>Non, non!</i>&rdquo; she exclaimed resolutely, as she knelt beside
+him. &ldquo;Put you&rsquo; arm &rsquo;roun&rsquo; La Folle&rsquo;s nake, Chéri.
+Dat&rsquo;s nuttin&rsquo;; dat goin&rsquo; be nuttin&rsquo;.&rdquo; She lifted
+him in her powerful arms.
+</p>
+
+<p>
+Chéri had carried his gun muzzle-downward. He had stumbled,&mdash;he did not
+know how. He only knew that he had a ball lodged somewhere in his leg, and he
+thought that his end was at hand. Now, with his head upon the woman&rsquo;s
+shoulder, he moaned and wept with pain and fright.
+</p>
+
+<p>
+&ldquo;Oh, La Folle! La Folle! it hurt so bad! I can&rsquo; stan&rsquo; it, La
+Folle!&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t cry, <i>mon bébé, mon bébé, mon Chéri!</i>&rdquo; the woman
+spoke soothingly as she covered the ground with long strides. &ldquo;La Folle
+goin&rsquo; mine you; Doctor Bonfils goin&rsquo; come make <i>mon Chéri</i>
+well agin.&rdquo;
+</p>
+
+<p>
+She had reached the abandoned field. As she crossed it with her precious
+burden, she looked constantly and restlessly from side to side. A terrible fear
+was upon her,&mdash;the fear of the world beyond the bayou, the morbid and
+insane dread she had been under since childhood.
+</p>
+
+<p>
+When she was at the bayou&rsquo;s edge she stood there, and shouted for help as
+if a life depended upon it:&mdash;
+</p>
+
+<p>
+&ldquo;Oh, P&rsquo;tit Maître! P&rsquo;tit Maître! Venez donc! Au secours! Au
+secours!&rdquo;
+</p>
+
+<p>
+No voice responded. Chéri&rsquo;s hot tears were scalding her neck. She called
+for each and every one upon the place, and still no answer came.
+</p>
+
+<p>
+She shouted, she wailed; but whether her voice remained unheard or unheeded, no
+reply came to her frenzied cries. And all the while Chéri moaned and wept and
+entreated to be taken home to his mother.
+</p>
+
+<p>
+La Folle gave a last despairing look around her. Extreme terror was upon her.
+She clasped the child close against her breast, where he could feel her heart
+beat like a muffled hammer. Then shutting her eyes, she ran suddenly down the
+shallow bank of the bayou, and never stopped till she had climbed the opposite
+shore.
+</p>
+
+<p>
+She stood there quivering an instant as she opened her eyes. Then she plunged
+into the footpath through the trees.
+</p>
+
+<p>
+She spoke no more to Chéri, but muttered constantly, &ldquo;Bon Dieu, ayez
+pitié La Folle! Bon Dieu, ayez pitié moi!&rdquo;
+</p>
+
+<p>
+Instinct seemed to guide her. When the pathway spread clear and smooth enough
+before her, she again closed her eyes tightly against the sight of that unknown
+and terrifying world.
+</p>
+
+<p>
+A child, playing in some weeds, caught sight of her as she neared the quarters.
+The little one uttered a cry of dismay.
+</p>
+
+<p>
+&ldquo;La Folle!&rdquo; she screamed, in her piercing treble. &ldquo;La Folle
+done cross de bayer!&rdquo;
+</p>
+
+<p>
+Quickly the cry passed down the line of cabins.
+</p>
+
+<p>
+&ldquo;Yonda, La Folle done cross de bayou!&rdquo;
+</p>
+
+<p>
+Children, old men, old women, young ones with infants in their arms, flocked to
+doors and windows to see this awe-inspiring spectacle. Most of them shuddered
+with superstitious dread of what it might portend. &ldquo;She totin&rsquo;
+Chéri!&rdquo; some of them shouted.
+</p>
+
+<p>
+Some of the more daring gathered about her, and followed at her heels, only to
+fall back with new terror when she turned her distorted face upon them. Her
+eyes were bloodshot and the saliva had gathered in a white foam on her black
+lips.
+</p>
+
+<p>
+Some one had run ahead of her to where P&rsquo;tit Maître sat with his family
+and guests upon the gallery.
+</p>
+
+<p>
+&ldquo;P&rsquo;tit Maître! La Folle done cross de bayou! Look her! Look her
+yonda totin&rsquo; Chéri!&rdquo; This startling intimation was the first which
+they had of the woman&rsquo;s approach.
+</p>
+
+<p>
+She was now near at hand. She walked with long strides. Her eyes were fixed
+desperately before her, and she breathed heavily, as a tired ox.
+</p>
+
+<p>
+At the foot of the stairway, which she could not have mounted, she laid the boy
+in his father&rsquo;s arms. Then the world that had looked red to La Folle
+suddenly turned black,&mdash;like that day she had seen powder and blood.
+</p>
+
+<p>
+She reeled for an instant. Before a sustaining arm could reach her, she fell
+heavily to the ground.
+</p>
+
+<p>
+When La Folle regained consciousness, she was at home again, in her own cabin
+and upon her own bed. The moon rays, streaming in through the open door and
+windows, gave what light was needed to the old black mammy who stood at the
+table concocting a tisane of fragrant herbs. It was very late.
+</p>
+
+<p>
+Others who had come, and found that the stupor clung to her, had gone again.
+P&rsquo;tit Maître had been there, and with him Doctor Bonfils, who said that
+La Folle might die.
+</p>
+
+<p>
+But death had passed her by. The voice was very clear and steady with which she
+spoke to Tante Lizette, brewing her tisane there in a corner.
+</p>
+
+<p>
+&ldquo;Ef you will give me one good drink tisane, Tante Lizette, I
+b&rsquo;lieve I&rsquo;m goin&rsquo; sleep, me.&rdquo;
+</p>
+
+<p>
+And she did sleep; so soundly, so healthfully, that old Lizette without
+compunction stole softly away, to creep back through the moonlit fields to her
+own cabin in the new quarters.
+</p>
+
+<p>
+The first touch of the cool gray morning awoke La Folle. She arose, calmly, as
+if no tempest had shaken and threatened her existence but yesterday.
+</p>
+
+<p>
+She donned her new blue cottonade and white apron, for she remembered that this
+was Sunday. When she had made for herself a cup of strong black coffee, and
+drunk it with relish, she quitted the cabin and walked across the old familiar
+field to the bayou&rsquo;s edge again.
+</p>
+
+<p>
+She did not stop there as she had always done before, but crossed with a long,
+steady stride as if she had done this all her life.
+</p>
+
+<p>
+When she had made her way through the brush and scrub cottonwood-trees that
+lined the opposite bank, she found herself upon the border of a field where the
+white, bursting cotton, with the dew upon it, gleamed for acres and acres like
+frosted silver in the early dawn.
+</p>
+
+<p>
+La Folle drew a long, deep breath as she gazed across the country. She walked
+slowly and uncertainly, like one who hardly knows how, looking about her as she
+went.
+</p>
+
+<p>
+The cabins, that yesterday had sent a clamor of voices to pursue her, were
+quiet now. No one was yet astir at Bellissime. Only the birds that darted here
+and there from hedges were awake, and singing their matins.
+</p>
+
+<p>
+When La Folle came to the broad stretch of velvety lawn that surrounded the
+house, she moved slowly and with delight over the springy turf, that was
+delicious beneath her tread.
+</p>
+
+<p>
+She stopped to find whence came those perfumes that were assailing her senses
+with memories from a time far gone.
+</p>
+
+<p>
+There they were, stealing up to her from the thousand blue violets that peeped
+out from green, luxuriant beds. There they were, showering down from the big
+waxen bells of the magnolias far above her head, and from the jessamine clumps
+around her.
+</p>
+
+<p>
+There were roses, too, without number. To right and left palms spread in broad
+and graceful curves. It all looked like enchantment beneath the sparkling sheen
+of dew.
+</p>
+
+<p>
+When La Folle had slowly and cautiously mounted the many steps that led up to
+the veranda, she turned to look back at the perilous ascent she had made. Then
+she caught sight of the river, bending like a silver bow at the foot of
+Bellissime. Exultation possessed her soul.
+</p>
+
+<p>
+La Folle rapped softly upon a door near at hand. Chéri&rsquo;s mother soon
+cautiously opened it. Quickly and cleverly she dissembled the astonishment she
+felt at seeing La Folle.
+</p>
+
+<p>
+&ldquo;Ah, La Folle! Is it you, so early?&rdquo;
+</p>
+
+<p>
+&ldquo;<i>Oui</i>, madame. I come ax how my po&rsquo; li&rsquo;le Chéri do,
+&rsquo;s mo&rsquo;nin&rsquo;.&rdquo;
+</p>
+
+<p>
+&ldquo;He is feeling easier, thank you, La Folle. Dr. Bonfils says it will be
+nothing serious. He&rsquo;s sleeping now. Will you come back when he
+awakes?&rdquo;
+</p>
+
+<p>
+&ldquo;<i>Non</i>, madame. I&rsquo;m goin&rsquo; wait yair tell Chéri wake
+up.&rdquo; La Folle seated herself upon the topmost step of the veranda.
+</p>
+
+<p>
+A look of wonder and deep content crept into her face as she watched for the
+first time the sun rise upon the new, the beautiful world beyond the bayou.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0042" id="link2H_4_0042"></a>MA&rsquo;AME PÉLAGIE</h2>
+
+<h3><a name="link2H_4_0043" id="link2H_4_0043"></a>I</h3>
+
+<p>
+When the war began, there stood on Côte Joyeuse an imposing mansion of red
+brick, shaped like the Pantheon. A grove of majestic live-oaks surrounded it.
+</p>
+
+<p>
+Thirty years later, only the thick walls were standing, with the dull red brick
+showing here and there through a matted growth of clinging vines. The huge
+round pillars were intact; so to some extent was the stone flagging of hall and
+portico. There had been no home so stately along the whole stretch of Côte
+Joyeuse. Every one knew that, as they knew it had cost Philippe Valmêt sixty
+thousand dollars to build, away back in 1840. No one was in danger of
+forgetting that fact, so long as his daughter Pélagie survived. She was a
+queenly, white-haired woman of fifty. &ldquo;Ma&rsquo;ame Pélagie,&rdquo; they
+called her, though she was unmarried, as was her sister Pauline, a child in
+Ma&rsquo;ame Pélagie&rsquo;s eyes; a child of thirty-five.
+</p>
+
+<p>
+The two lived alone in a three-roomed cabin, almost within the shadow of the
+ruin. They lived for a dream, for Ma&rsquo;ame Pélagie&rsquo;s dream, which was
+to rebuild the old home.
+</p>
+
+<p>
+It would be pitiful to tell how their days were spent to accomplish this end;
+how the dollars had been saved for thirty years and the picayunes hoarded; and
+yet, not half enough gathered! But Ma&rsquo;ame Pélagie felt sure of twenty
+years of life before her, and counted upon as many more for her sister. And
+what could not come to pass in twenty&mdash;in forty&mdash;years?
+</p>
+
+<p>
+Often, of pleasant afternoons, the two would drink their black coffee, seated
+upon the stone-flagged portico whose canopy was the blue sky of Louisiana. They
+loved to sit there in the silence, with only each other and the sheeny, prying
+lizards for company, talking of the old times and planning for the new; while
+light breezes stirred the tattered vines high up among the columns, where owls
+nested.
+</p>
+
+<p>
+&ldquo;We can never hope to have all just as it was, Pauline,&rdquo;
+Ma&rsquo;ame Pélagie would say; &ldquo;perhaps the marble pillars of the salon
+will have to be replaced by wooden ones, and the crystal candelabra left out.
+Should you be willing, Pauline?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes Sesoeur, I shall be willing.&rdquo; It was always, &ldquo;Yes,
+Sesoeur,&rdquo; or &ldquo;No, Sesoeur,&rdquo; &ldquo;Just as you please,
+Sesoeur,&rdquo; with poor little Mam&rsquo;selle Pauline. For what did she
+remember of that old life and that old spendor? Only a faint gleam here and
+there; the half-consciousness of a young, uneventful existence; and then a
+great crash. That meant the nearness of war; the revolt of slaves; confusion
+ending in fire and flame through which she was borne safely in the strong arms
+of Pélagie, and carried to the log cabin which was still their home. Their
+brother, Léandre, had known more of it all than Pauline, and not so much as
+Pélagie. He had left the management of the big plantation with all its memories
+and traditions to his older sister, and had gone away to dwell in cities. That
+was many years ago. Now, Léandre&rsquo;s business called him frequently and
+upon long journeys from home, and his motherless daughter was coming to stay
+with her aunts at Côte Joyeuse.
+</p>
+
+<p>
+They talked about it, sipping their coffee on the ruined portico.
+Mam&rsquo;selle Pauline was terribly excited; the flush that throbbed into her
+pale, nervous face showed it; and she locked her thin fingers in and out
+incessantly.
+</p>
+
+<p>
+&ldquo;But what shall we do with La Petite, Sesoeur? Where shall we put her?
+How shall we amuse her? Ah, Seigneur!&rdquo;
+</p>
+
+<p>
+&ldquo;She will sleep upon a cot in the room next to ours,&rdquo; responded
+Ma&rsquo;ame Pélagie, &ldquo;and live as we do. She knows how we live, and why
+we live; her father has told her. She knows we have money and could squander it
+if we chose. Do not fret, Pauline; let us hope La Petite is a true
+Valmêt.&rdquo;
+</p>
+
+<p>
+Then Ma&rsquo;ame Pélagie rose with stately deliberation and went to saddle her
+horse, for she had yet to make her last daily round through the fields; and
+Mam&rsquo;selle Pauline threaded her way slowly among the tangled grasses
+toward the cabin.
+</p>
+
+<p>
+The coming of La Petite, bringing with her as she did the pungent atmosphere of
+an outside and dimly known world, was a shock to these two, living their
+dream-life. The girl was quite as tall as her aunt Pélagie, with dark eyes that
+reflected joy as a still pool reflects the light of stars; and her rounded
+cheek was tinged like the pink crèpe myrtle. Mam&rsquo;selle Pauline kissed her
+and trembled. Ma&rsquo;ame Pélagie looked into her eyes with a searching gaze,
+which seemed to seek a likeness of the past in the living present.
+</p>
+
+<p>
+And they made room between them for this young life.
+</p>
+
+<h3><a name="link2H_4_0044" id="link2H_4_0044"></a>II</h3>
+
+<p>
+La Petite had determined upon trying to fit herself to the strange, narrow
+existence which she knew awaited her at Côte Joyeuse. It went well enough at
+first. Sometimes she followed Ma&rsquo;ame Pélagie into the fields to note how
+the cotton was opening, ripe and white; or to count the ears of corn upon the
+hardy stalks. But oftener she was with her aunt Pauline, assisting in household
+offices, chattering of her brief past, or walking with the older woman
+arm-in-arm under the trailing moss of the giant oaks.
+</p>
+
+<p>
+Mam&rsquo;selle Pauline&rsquo;s steps grew very buoyant that summer, and her
+eyes were sometimes as bright as a bird&rsquo;s, unless La Petite were away
+from her side, when they would lose all other light but one of uneasy
+expectancy. The girl seemed to love her well in return, and called her
+endearingly Tan&rsquo;tante. But as the time went by, La Petite became very
+quiet,&mdash;not listless, but thoughtful, and slow in her movements. Then her
+cheeks began to pale, till they were tinged like the creamy plumes of the white
+crèpe myrtle that grew in the ruin.
+</p>
+
+<p>
+One day when she sat within its shadow, between her aunts, holding a hand of
+each, she said: &ldquo;Tante Pélagie, I must tell you something, you and
+Tan&rsquo;tante.&rdquo; She spoke low, but clearly and firmly. &ldquo;I love
+you both,&mdash;please remember that I love you both. But I must go away from
+you. I can&rsquo;t live any longer here at Côte Joyeuse.&rdquo;
+</p>
+
+<p>
+A spasm passed through Mam&rsquo;selle Pauline&rsquo;s delicate frame. La
+Petite could feel the twitch of it in the wiry fingers that were intertwined
+with her own. Ma&rsquo;ame Pélagie remained unchanged and motionless. No human
+eye could penetrate so deep as to see the satisfaction which her soul felt. She
+said: &ldquo;What do you mean, Petite? Your father has sent you to us, and I am
+sure it is his wish that you remain.&rdquo;
+</p>
+
+<p>
+&ldquo;My father loves me, tante Pélagie, and such will not be his wish when he
+knows. Oh!&rdquo; she continued with a restless movement, &ldquo;it is as
+though a weight were pressing me backward here. I must live another life; the
+life I lived before. I want to know things that are happening from day to day
+over the world, and hear them talked about. I want my music, my books, my
+companions. If I had known no other life but this one of privation, I suppose
+it would be different. If I had to live this life, I should make the best of
+it. But I do not have to; and you know, tante Pélagie, you do not need to. It
+seems to me,&rdquo; she added in a whisper, &ldquo;that it is a sin against
+myself. Ah, Tan&rsquo;tante!&mdash;what is the matter with
+Tan&rsquo;tante?&rdquo;
+</p>
+
+<p>
+It was nothing; only a slight feeling of faintness, that would soon pass. She
+entreated them to take no notice; but they brought her some water and fanned
+her with a palmetto leaf.
+</p>
+
+<p>
+But that night, in the stillness of the room, Mam&rsquo;selle Pauline sobbed
+and would not be comforted. Ma&rsquo;ame Pélagie took her in her arms.
+</p>
+
+<p>
+&ldquo;Pauline, my little sister Pauline,&rdquo; she entreated, &ldquo;I never
+have seen you like this before. Do you no longer love me? Have we not been
+happy together, you and I?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes, Sesoeur.&rdquo;
+</p>
+
+<p>
+&ldquo;Is it because La Petite is going away?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, Sesoeur.&rdquo;
+</p>
+
+<p>
+&ldquo;Then she is dearer to you than I!&rdquo; spoke Ma&rsquo;ame Pélagie with
+sharp resentment. &ldquo;Than I, who held you and warmed you in my arms the day
+you were born; than I, your mother, father, sister, everything that could
+cherish you. Pauline, don&rsquo;t tell me that.&rdquo;
+</p>
+
+<p>
+Mam&rsquo;selle Pauline tried to talk through her sobs.
+</p>
+
+<p>
+&ldquo;I can&rsquo;t explain it to you, Sesoeur. I don&rsquo;t understand it
+myself. I love you as I have always loved you; next to God. But if La Petite
+goes away I shall die. I can&rsquo;t understand,&mdash;help me, Sesoeur. She
+seems&mdash;she seems like a saviour; like one who had come and taken me by the
+hand and was leading me somewhere&mdash;somewhere I want to go.&rdquo;
+</p>
+
+<p>
+Ma&rsquo;ame Pélagie had been sitting beside the bed in her <i>peignoir</i> and
+slippers. She held the hand of her sister who lay there, and smoothed down the
+woman&rsquo;s soft brown hair. She said not a word, and the silence was broken
+only by Mam&rsquo;selle Pauline&rsquo;s continued sobs. Once Ma&rsquo;ame
+Pélagie arose to mix a drink of orange-flower water, which she gave to her
+sister, as she would have offered it to a nervous, fretful child. Almost an
+hour passed before Ma&rsquo;ame Pélagie spoke again. Then she said:&mdash;
+</p>
+
+<p>
+&ldquo;Pauline, you must cease that sobbing, now, and sleep. You will make
+yourself ill. La Petite will not go away. Do you hear me? Do you understand?
+She will stay, I promise you.&rdquo;
+</p>
+
+<p>
+Mam&rsquo;selle Pauline could not clearly comprehend, but she had great faith
+in the word of her sister, and soothed by the promise and the touch of
+Ma&rsquo;ame Pélagie&rsquo;s strong, gentle hand, she fell asleep.
+</p>
+
+<h3><a name="link2H_4_0045" id="link2H_4_0045"></a>III</h3>
+
+<p>
+Ma&rsquo;ame Pélagie, when she saw that her sister slept, arose noiselessly and
+stepped outside upon the low-roofed narrow gallery. She did not linger there,
+but with a step that was hurried and agitated, she crossed the distance that
+divided her cabin from the ruin.
+</p>
+
+<p>
+The night was not a dark one, for the sky was clear and the moon resplendent.
+But light or dark would have made no difference to Ma&rsquo;ame Pélagie. It was
+not the first time she had stolen away to the ruin at night-time, when the
+whole plantation slept; but she never before had been there with a heart so
+nearly broken. She was going there for the last time to dream her dreams; to
+see the visions that hitherto had crowded her days and nights, and to bid them
+farewell.
+</p>
+
+<p>
+There was the first of them, awaiting her upon the very portal; a robust old
+white-haired man, chiding her for returning home so late. There are guests to
+be entertained. Does she not know it? Guests from the city and from the near
+plantations. Yes, she knows it is late. She had been abroad with Félix, and
+they did not notice how the time was speeding. Félix is there; he will explain
+it all. He is there beside her, but she does not want to hear what he will tell
+her father.
+</p>
+
+<p>
+Ma&rsquo;ame Pélagie had sunk upon the bench where she and her sister so often
+came to sit. Turning, she gazed in through the gaping chasm of the window at
+her side. The interior of the ruin is ablaze. Not with the moonlight, for that
+is faint beside the other one&mdash;the sparkle from the crystal candelabra,
+which negroes, moving noiselessly and respectfully about, are lighting, one
+after the other. How the gleam of them reflects and glances from the polished
+marble pillars!
+</p>
+
+<p>
+The room holds a number of guests. There is old Monsieur Lucien Santien,
+leaning against one of the pillars, and laughing at something which Monsieur
+Lafirme is telling him, till his fat shoulders shake. His son Jules is with
+him&mdash;Jules, who wants to marry her. She laughs. She wonders if Félix has
+told her father yet. There is young Jérôme Lafirme playing at checkers upon the
+sofa with Léandre. Little Pauline stands annoying them and disturbing the game.
+Léandre reproves her. She begins to cry, and old black Clementine, her nurse,
+who is not far off, limps across the room to pick her up and carry her away.
+How sensitive the little one is! But she trots about and takes care of herself
+better than she did a year or two ago, when she fell upon the stone hall floor
+and raised a great &ldquo;bo-bo&rdquo; on her forehead. Pélagie was hurt and
+angry enough about it; and she ordered rugs and buffalo robes to be brought and
+laid thick upon the tiles, till the little one&rsquo;s steps were surer.
+</p>
+
+<p>
+&ldquo;Il ne faut pas faire mal à Pauline.&rdquo; She was saying it
+aloud&mdash;&ldquo;faire mal a Pauline.&rdquo;
+</p>
+
+<p>
+But she gazes beyond the salon, back into the big dining hall, where the white
+crèpe myrtle grows. Ha! how low that bat has circled. It has struck
+Ma&rsquo;ame Pélagie full on the breast. She does not know it. She is beyond
+there in the dining hall, where her father sits with a group of friends over
+their wine. As usual they are talking politics. How tiresome! She has heard
+them say &ldquo;la guerre&rdquo; oftener than once. La guerre. Bah! She and
+Félix have something pleasanter to talk about, out under the oaks, or back in
+the shadow of the oleanders.
+</p>
+
+<p>
+But they were right! The sound of a cannon, shot at Sumter, has rolled across
+the Southern States, and its echo is heard along the whole stretch of Côte
+Joyeuse.
+</p>
+
+<p>
+Yet Pélagie does not believe it. Not till La Ricaneuse stands before her with
+bare, black arms akimbo, uttering a volley of vile abuse and of brazen
+impudence. Pélagie wants to kill her. But yet she will not believe. Not till
+Félix comes to her in the chamber above the dining hall&mdash;there where that
+trumpet vine hangs&mdash;comes to say good-by to her. The hurt which the big
+brass buttons of his new gray uniform pressed into the tender flesh of her
+bosom has never left it. She sits upon the sofa, and he beside her, both
+speechless with pain. That room would not have been altered. Even the sofa
+would have been there in the same spot, and Ma&rsquo;ame Pélagie had meant all
+along, for thirty years, all along, to lie there upon it some day when the time
+came to die.
+</p>
+
+<p>
+But there is no time to weep, with the enemy at the door. The door has been no
+barrier. They are clattering through the halls now, drinking the wines,
+shattering the crystal and glass, slashing the portraits.
+</p>
+
+<p>
+One of them stands before her and tells her to leave the house. She slaps his
+face. How the stigma stands out red as blood upon his blanched cheek!
+</p>
+
+<p>
+Now there is a roar of fire and the flames are bearing down upon her motionless
+figure. She wants to show them how a daughter of Louisiana can perish before
+her conquerors. But little Pauline clings to her knees in an agony of terror.
+Little Pauline must be saved.
+</p>
+
+<p>
+&ldquo;Il ne faut pas faire mal à Pauline.&rdquo; Again she is saying it
+aloud&mdash;&ldquo;faire mal à Pauline.&rdquo;
+</p>
+
+<p class="p2">
+The night was nearly spent; Ma&rsquo;ame Pélagie had glided from the bench upon
+which she had rested, and for hours lay prone upon the stone flagging,
+motionless. When she dragged herself to her feet it was to walk like one in a
+dream. About the great, solemn pillars, one after the other, she reached her
+arms, and pressed her cheek and her lips upon the senseless brick.
+</p>
+
+<p>
+&ldquo;Adieu, adieu!&rdquo; whispered Ma&rsquo;ame Pélagie.
+</p>
+
+<p>
+There was no longer the moon to guide her steps across the familiar pathway to
+the cabin. The brightest light in the sky was Venus, that swung low in the
+east. The bats had ceased to beat their wings about the ruin. Even the
+mocking-bird that had warbled for hours in the old mulberry-tree had sung
+himself asleep. That darkest hour before the day was mantling the earth.
+Ma&rsquo;ame Pélagie hurried through the wet, clinging grass, beating aside the
+heavy moss that swept across her face, walking on toward the cabin&mdash;toward
+Pauline. Not once did she look back upon the ruin that brooded like a huge
+monster&mdash;a black spot in the darkness that enveloped it.
+</p>
+
+<h3><a name="link2H_4_0046" id="link2H_4_0046"></a>IV</h3>
+
+<p>
+Little more than a year later the transformation which the old Valmêt place had
+undergone was the talk and wonder of Côte Joyeuse. One would have looked in
+vain for the ruin; it was no longer there; neither was the log cabin. But out
+in the open, where the sun shone upon it, and the breezes blew about it, was a
+shapely structure fashioned from woods that the forests of the State had
+furnished. It rested upon a solid foundation of brick.
+</p>
+
+<p>
+Upon a corner of the pleasant gallery sat Léandre smoking his afternoon cigar,
+and chatting with neighbors who had called. This was to be his <i>pied à
+terre</i> now; the home where his sisters and his daughter dwelt. The laughter
+of young people was heard out under the trees, and within the house where La
+Petite was playing upon the piano. With the enthusiasm of a young artist she
+drew from the keys strains that seemed marvelously beautiful to Mam&rsquo;selle
+Pauline, who stood enraptured near her. Mam&rsquo;selle Pauline had been
+touched by the re-creation of Valmêt. Her cheek was as full and almost as
+flushed as La Petite&rsquo;s. The years were falling away from her.
+</p>
+
+<p>
+Ma&rsquo;ame Pélagie had been conversing with her brother and his friends. Then
+she turned and walked away; stopping to listen awhile to the music which La
+Petite was making. But it was only for a moment. She went on around the curve
+of the veranda, where she found herself alone. She stayed there, erect, holding
+to the banister rail and looking out calmly in the distance across the fields.
+</p>
+
+<p>
+She was dressed in black, with the white kerchief she always wore folded across
+her bosom. Her thick, glossy hair rose like a silver diadem from her brow. In
+her deep, dark eyes smouldered the light of fires that would never flame. She
+had grown very old. Years instead of months seemed to have passed over her
+since the night she bade farewell to her visions.
+</p>
+
+<p>
+Poor Ma&rsquo;ame Pélagie! How could it be different! While the outward
+pressure of a young and joyous existence had forced her footsteps into the
+light, her soul had stayed in the shadow of the ruin.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0047" id="link2H_4_0047"></a>DÉSIRÉE&rsquo;S BABY</h2>
+
+<p>
+As the day was pleasant, Madame Valmondé drove over to L&rsquo;Abri to see
+Désirée and the baby.
+</p>
+
+<p>
+It made her laugh to think of Désirée with a baby. Why, it seemed but yesterday
+that Désirée was little more than a baby herself; when Monsieur in riding
+through the gateway of Valmondé had found her lying asleep in the shadow of the
+big stone pillar.
+</p>
+
+<p>
+The little one awoke in his arms and began to cry for &ldquo;Dada.&rdquo; That
+was as much as she could do or say. Some people thought she might have strayed
+there of her own accord, for she was of the toddling age. The prevailing belief
+was that she had been purposely left by a party of Texans, whose canvas-covered
+wagon, late in the day, had crossed the ferry that Coton Maïs kept, just below
+the plantation. In time Madame Valmondé abandoned every speculation but the one
+that Désirée had been sent to her by a beneficent Providence to be the child of
+her affection, seeing that she was without child of the flesh. For the girl
+grew to be beautiful and gentle, affectionate and sincere,&mdash;the idol of
+Valmondé.
+</p>
+
+<p>
+It was no wonder, when she stood one day against the stone pillar in whose
+shadow she had lain asleep, eighteen years before, that Armand Aubigny riding
+by and seeing her there, had fallen in love with her. That was the way all the
+Aubignys fell in love, as if struck by a pistol shot. The wonder was that he
+had not loved her before; for he had known her since his father brought him
+home from Paris, a boy of eight, after his mother died there. The passion that
+awoke in him that day, when he saw her at the gate, swept along like an
+avalanche, or like a prairie fire, or like anything that drives headlong over
+all obstacles.
+</p>
+
+<p>
+Monsieur Valmondé grew practical and wanted things well considered: that is,
+the girl&rsquo;s obscure origin. Armand looked into her eyes and did not care.
+He was reminded that she was nameless. What did it matter about a name when he
+could give her one of the oldest and proudest in Louisiana? He ordered the
+<i>corbeille</i> from Paris, and contained himself with what patience he could
+until it arrived; then they were married.
+</p>
+
+<p>
+Madame Valmondé had not seen Désirée and the baby for four weeks. When she
+reached L&rsquo;Abri she shuddered at the first sight of it, as she always did.
+It was a sad looking place, which for many years had not known the gentle
+presence of a mistress, old Monsieur Aubigny having married and buried his wife
+in France, and she having loved her own land too well ever to leave it. The
+roof came down steep and black like a cowl, reaching out beyond the wide
+galleries that encircled the yellow stuccoed house. Big, solemn oaks grew close
+to it, and their thick-leaved, far-reaching branches shadowed it like a pall.
+Young Aubigny&rsquo;s rule was a strict one, too, and under it his negroes had
+forgotten how to be gay, as they had been during the old master&rsquo;s
+easy-going and indulgent lifetime.
+</p>
+
+<p>
+The young mother was recovering slowly, and lay full length, in her soft white
+muslins and laces, upon a couch. The baby was beside her, upon her arm, where
+he had fallen asleep, at her breast. The yellow nurse woman sat beside a window
+fanning herself.
+</p>
+
+<p>
+Madame Valmondé bent her portly figure over Désirée and kissed her, holding her
+an instant tenderly in her arms. Then she turned to the child.
+</p>
+
+<p>
+&ldquo;This is not the baby!&rdquo; she exclaimed, in startled tones. French
+was the language spoken at Valmondé in those days.
+</p>
+
+<p>
+&ldquo;I knew you would be astonished,&rdquo; laughed Désirée, &ldquo;at the
+way he has grown. The little <i>cochon de lait!</i> Look at his legs, mamma,
+and his hands and finger-nails,&mdash;real finger-nails. Zandrine had to cut
+them this morning. Isn&rsquo;t it true, Zandrine?&rdquo;
+</p>
+
+<p>
+The woman bowed her turbaned head majestically, &ldquo;Mais si, Madame.&rdquo;
+</p>
+
+<p>
+&ldquo;And the way he cries,&rdquo; went on Désirée, &ldquo;is deafening.
+Armand heard him the other day as far away as La Blanche&rsquo;s cabin.&rdquo;
+</p>
+
+<p>
+Madame Valmondé had never removed her eyes from the child. She lifted it and
+walked with it over to the window that was lightest. She scanned the baby
+narrowly, then looked as searchingly at Zandrine, whose face was turned to gaze
+across the fields.
+</p>
+
+<p>
+&ldquo;Yes, the child has grown, has changed,&rdquo; said Madame Valmondé,
+slowly, as she replaced it beside its mother. &ldquo;What does Armand
+say?&rdquo;
+</p>
+
+<p>
+Désirée&rsquo;s face became suffused with a glow that was happiness itself.
+</p>
+
+<p>
+&ldquo;Oh, Armand is the proudest father in the parish, I believe, chiefly
+because it is a boy, to bear his name; though he says not,&mdash;that he would
+have loved a girl as well. But I know it isn&rsquo;t true. I know he says that
+to please me. And mamma,&rdquo; she added, drawing Madame Valmondé&rsquo;s head
+down to her, and speaking in a whisper, &ldquo;he hasn&rsquo;t punished one of
+them&mdash;not one of them&mdash;since baby is born. Even Négrillon, who
+pretended to have burnt his leg that he might rest from work&mdash;he only
+laughed, and said Négrillon was a great scamp. Oh, mamma, I&rsquo;m so happy;
+it frightens me.&rdquo;
+</p>
+
+<p>
+What Désirée said was true. Marriage, and later the birth of his son had
+softened Armand Aubigny&rsquo;s imperious and exacting nature greatly. This was
+what made the gentle Désirée so happy, for she loved him desperately. When he
+frowned she trembled, but loved him. When he smiled, she asked no greater
+blessing of God. But Armand&rsquo;s dark, handsome face had not often been
+disfigured by frowns since the day he fell in love with her.
+</p>
+
+<p>
+When the baby was about three months old, Désirée awoke one day to the
+conviction that there was something in the air menacing her peace. It was at
+first too subtle to grasp. It had only been a disquieting suggestion; an air of
+mystery among the blacks; unexpected visits from far-off neighbors who could
+hardly account for their coming. Then a strange, an awful change in her
+husband&rsquo;s manner, which she dared not ask him to explain. When he spoke
+to her, it was with averted eyes, from which the old love-light seemed to have
+gone out. He absented himself from home; and when there, avoided her presence
+and that of her child, without excuse. And the very spirit of Satan seemed
+suddenly to take hold of him in his dealings with the slaves. Désirée was
+miserable enough to die.
+</p>
+
+<p>
+She sat in her room, one hot afternoon, in her <i>peignoir</i>, listlessly
+drawing through her fingers the strands of her long, silky brown hair that hung
+about her shoulders. The baby, half naked, lay asleep upon her own great
+mahogany bed, that was like a sumptuous throne, with its satin-lined
+half-canopy. One of La Blanche&rsquo;s little quadroon boys&mdash;half naked
+too&mdash;stood fanning the child slowly with a fan of peacock feathers.
+Désirée&rsquo;s eyes had been fixed absently and sadly upon the baby, while she
+was striving to penetrate the threatening mist that she felt closing about her.
+She looked from her child to the boy who stood beside him, and back again; over
+and over. &ldquo;Ah!&rdquo; It was a cry that she could not help; which she was
+not conscious of having uttered. The blood turned like ice in her veins, and a
+clammy moisture gathered upon her face.
+</p>
+
+<p>
+She tried to speak to the little quadroon boy; but no sound would come, at
+first. When he heard his name uttered, he looked up, and his mistress was
+pointing to the door. He laid aside the great, soft fan, and obediently stole
+away, over the polished floor, on his bare tiptoes.
+</p>
+
+<p>
+She stayed motionless, with gaze riveted upon her child, and her face the
+picture of fright.
+</p>
+
+<p>
+Presently her husband entered the room, and without noticing her, went to a
+table and began to search among some papers which covered it.
+</p>
+
+<p>
+&ldquo;Armand,&rdquo; she called to him, in a voice which must have stabbed
+him, if he was human. But he did not notice. &ldquo;Armand,&rdquo; she said
+again. Then she rose and tottered towards him. &ldquo;Armand,&rdquo; she panted
+once more, clutching his arm, &ldquo;look at our child. What does it mean? tell
+me.&rdquo;
+</p>
+
+<p>
+He coldly but gently loosened her fingers from about his arm and thrust the
+hand away from him. &ldquo;Tell me what it means!&rdquo; she cried
+despairingly.
+</p>
+
+<p>
+&ldquo;It means,&rdquo; he answered lightly, &ldquo;that the child is not
+white; it means that you are not white.&rdquo;
+</p>
+
+<p>
+A quick conception of all that this accusation meant for her nerved her with
+unwonted courage to deny it. &ldquo;It is a lie; it is not true, I am white!
+Look at my hair, it is brown; and my eyes are gray, Armand, you know they are
+gray. And my skin is fair,&rdquo; seizing his wrist. &ldquo;Look at my hand;
+whiter than yours, Armand,&rdquo; she laughed hysterically.
+</p>
+
+<p>
+&ldquo;As white as La Blanche&rsquo;s,&rdquo; he returned cruelly; and went
+away leaving her alone with their child.
+</p>
+
+<p>
+When she could hold a pen in her hand, she sent a despairing letter to Madame
+Valmondé.
+</p>
+
+<p>
+&ldquo;My mother, they tell me I am not white. Armand has told me I am not
+white. For God&rsquo;s sake tell them it is not true. You must know it is not
+true. I shall die. I must die. I cannot be so unhappy, and live.&rdquo;
+</p>
+
+<p>
+The answer that came was brief:
+</p>
+
+<p>
+&ldquo;My own Désirée: Come home to Valmondé; back to your mother who loves
+you. Come with your child.&rdquo;
+</p>
+
+<p>
+When the letter reached Désirée she went with it to her husband&rsquo;s study,
+and laid it open upon the desk before which he sat. She was like a stone image:
+silent, white, motionless after she placed it there.
+</p>
+
+<p>
+In silence he ran his cold eyes over the written words.
+</p>
+
+<p>
+He said nothing. &ldquo;Shall I go, Armand?&rdquo; she asked in tones sharp
+with agonized suspense.
+</p>
+
+<p>
+&ldquo;Yes, go.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you want me to go?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I want you to go.&rdquo;
+</p>
+
+<p>
+He thought Almighty God had dealt cruelly and unjustly with him; and felt,
+somehow, that he was paying Him back in kind when he stabbed thus into his
+wife&rsquo;s soul. Moreover he no longer loved her, because of the unconscious
+injury she had brought upon his home and his name.
+</p>
+
+<p>
+She turned away like one stunned by a blow, and walked slowly towards the door,
+hoping he would call her back.
+</p>
+
+<p>
+&ldquo;Good-by, Armand,&rdquo; she moaned.
+</p>
+
+<p>
+He did not answer her. That was his last blow at fate.
+</p>
+
+<p>
+Désirée went in search of her child. Zandrine was pacing the sombre gallery
+with it. She took the little one from the nurse&rsquo;s arms with no word of
+explanation, and descending the steps, walked away, under the live-oak
+branches.
+</p>
+
+<p>
+It was an October afternoon; the sun was just sinking. Out in the still fields
+the negroes were picking cotton.
+</p>
+
+<p>
+Désirée had not changed the thin white garment nor the slippers which she wore.
+Her hair was uncovered and the sun&rsquo;s rays brought a golden gleam from its
+brown meshes. She did not take the broad, beaten road which led to the far-off
+plantation of Valmondé. She walked across a deserted field, where the stubble
+bruised her tender feet, so delicately shod, and tore her thin gown to shreds.
+</p>
+
+<p>
+She disappeared among the reeds and willows that grew thick along the banks of
+the deep, sluggish bayou; and she did not come back again.
+</p>
+
+<p class="p2">
+Some weeks later there was a curious scene enacted at L&rsquo;Abri. In the
+centre of the smoothly swept back yard was a great bonfire. Armand Aubigny sat
+in the wide hallway that commanded a view of the spectacle; and it was he who
+dealt out to a half dozen negroes the material which kept this fire ablaze.
+</p>
+
+<p>
+A graceful cradle of willow, with all its dainty furbishings, was laid upon the
+pyre, which had already been fed with the richness of a priceless
+<i>layette</i>. Then there were silk gowns, and velvet and satin ones added to
+these; laces, too, and embroideries; bonnets and gloves; for the
+<i>corbeille</i> had been of rare quality.
+</p>
+
+<p>
+The last thing to go was a tiny bundle of letters; innocent little scribblings
+that Désirée had sent to him during the days of their espousal. There was the
+remnant of one back in the drawer from which he took them. But it was not
+Désirée&rsquo;s; it was part of an old letter from his mother to his father. He
+read it. She was thanking God for the blessing of her husband&rsquo;s
+love:&mdash;
+</p>
+
+<p>
+&ldquo;But above all,&rdquo; she wrote, &ldquo;night and day, I thank the good
+God for having so arranged our lives that our dear Armand will never know that
+his mother, who adores him, belongs to the race that is cursed with the brand
+of slavery.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0048" id="link2H_4_0048"></a>A RESPECTABLE WOMAN</h2>
+
+<p>
+Mrs. Baroda was a little provoked to learn that her husband expected his
+friend, Gouvernail, up to spend a week or two on the plantation.
+</p>
+
+<p>
+They had entertained a good deal during the winter; much of the time had also
+been passed in New Orleans in various forms of mild dissipation. She was
+looking forward to a period of unbroken rest, now, and undisturbed tête-à-tête
+with her husband, when he informed her that Gouvernail was coming up to stay a
+week or two.
+</p>
+
+<p>
+This was a man she had heard much of but never seen. He had been her
+husband&rsquo;s college friend; was now a journalist, and in no sense a society
+man or &ldquo;a man about town,&rdquo; which were, perhaps, some of the reasons
+she had never met him. But she had unconsciously formed an image of him in her
+mind. She pictured him tall, slim, cynical; with eye-glasses, and his hands in
+his pockets; and she did not like him. Gouvernail was slim enough, but he
+wasn&rsquo;t very tall nor very cynical; neither did he wear eyeglasses nor
+carry his hands in his pockets. And she rather liked him when he first
+presented himself.
+</p>
+
+<p>
+But why she liked him she could not explain satisfactorily to herself when she
+partly attempted to do so. She could discover in him none of those brilliant
+and promising traits which Gaston, her husband, had often assured her that he
+possessed. On the contrary, he sat rather mute and receptive before her chatty
+eagerness to make him feel at home and in face of Gaston&rsquo;s frank and
+wordy hospitality. His manner was as courteous toward her as the most exacting
+woman could require; but he made no direct appeal to her approval or even
+esteem.
+</p>
+
+<p>
+Once settled at the plantation he seemed to like to sit upon the wide portico
+in the shade of one of the big Corinthian pillars, smoking his cigar lazily and
+listening attentively to Gaston&rsquo;s experience as a sugar planter.
+</p>
+
+<p>
+&ldquo;This is what I call living,&rdquo; he would utter with deep
+satisfaction, as the air that swept across the sugar field caressed him with
+its warm and scented velvety touch. It pleased him also to get on familiar
+terms with the big dogs that came about him, rubbing themselves sociably
+against his legs. He did not care to fish, and displayed no eagerness to go out
+and kill grosbecs when Gaston proposed doing so.
+</p>
+
+<p>
+Gouvernail&rsquo;s personality puzzled Mrs. Baroda, but she liked him. Indeed,
+he was a lovable, inoffensive fellow. After a few days, when she could
+understand him no better than at first, she gave over being puzzled and
+remained piqued. In this mood she left her husband and her guest, for the most
+part, alone together. Then finding that Gouvernail took no manner of exception
+to her action, she imposed her society upon him, accompanying him in his idle
+strolls to the mill and walks along the batture. She persistently sought to
+penetrate the reserve in which he had unconsciously enveloped himself.
+</p>
+
+<p>
+&ldquo;When is he going&mdash;your friend?&rdquo; she one day asked her
+husband. &ldquo;For my part, he tires me frightfully.&rdquo;
+</p>
+
+<p>
+&ldquo;Not for a week yet, dear. I can&rsquo;t understand; he gives you no
+trouble.&rdquo;
+</p>
+
+<p>
+&ldquo;No. I should like him better if he did; if he were more like others, and
+I had to plan somewhat for his comfort and enjoyment.&rdquo;
+</p>
+
+<p>
+Gaston took his wife&rsquo;s pretty face between his hands and looked tenderly
+and laughingly into her troubled eyes.
+</p>
+
+<p>
+They were making a bit of toilet sociably together in Mrs. Baroda&rsquo;s
+dressing-room.
+</p>
+
+<p>
+&ldquo;You are full of surprises, ma belle,&rdquo; he said to her. &ldquo;Even
+I can never count upon how you are going to act under given conditions.&rdquo;
+He kissed her and turned to fasten his cravat before the mirror.
+</p>
+
+<p>
+&ldquo;Here you are,&rdquo; he went on, &ldquo;taking poor Gouvernail seriously
+and making a commotion over him, the last thing he would desire or
+expect.&rdquo;
+</p>
+
+<p>
+&ldquo;Commotion!&rdquo; she hotly resented. &ldquo;Nonsense! How can you say
+such a thing? Commotion, indeed! But, you know, you said he was clever.&rdquo;
+</p>
+
+<p>
+&ldquo;So he is. But the poor fellow is run down by overwork now. That&rsquo;s
+why I asked him here to take a rest.&rdquo;
+</p>
+
+<p>
+&ldquo;You used to say he was a man of ideas,&rdquo; she retorted,
+unconciliated. &ldquo;I expected him to be interesting, at least. I&rsquo;m
+going to the city in the morning to have my spring gowns fitted. Let me know
+when Mr. Gouvernail is gone; I shall be at my Aunt Octavie&rsquo;s.&rdquo;
+</p>
+
+<p>
+That night she went and sat alone upon a bench that stood beneath a live oak
+tree at the edge of the gravel walk.
+</p>
+
+<p>
+She had never known her thoughts or her intentions to be so confused. She could
+gather nothing from them but the feeling of a distinct necessity to quit her
+home in the morning.
+</p>
+
+<p>
+Mrs. Baroda heard footsteps crunching the gravel; but could discern in the
+darkness only the approaching red point of a lighted cigar. She knew it was
+Gouvernail, for her husband did not smoke. She hoped to remain unnoticed, but
+her white gown revealed her to him. He threw away his cigar and seated himself
+upon the bench beside her; without a suspicion that she might object to his
+presence.
+</p>
+
+<p>
+&ldquo;Your husband told me to bring this to you, Mrs. Baroda,&rdquo; he said,
+handing her a filmy, white scarf with which she sometimes enveloped her head
+and shoulders. She accepted the scarf from him with a murmur of thanks, and let
+it lie in her lap.
+</p>
+
+<p>
+He made some commonplace observation upon the baneful effect of the night air
+at the season. Then as his gaze reached out into the darkness, he murmured,
+half to himself:
+</p>
+
+<p class="poem">
+&ldquo;&lsquo;Night of south winds&mdash;night of the large few stars!<br />
+Still nodding night&mdash;&rsquo;&rdquo;
+</p>
+
+<p>
+She made no reply to this apostrophe to the night, which, indeed, was not
+addressed to her.
+</p>
+
+<p>
+Gouvernail was in no sense a diffident man, for he was not a self-conscious
+one. His periods of reserve were not constitutional, but the result of moods.
+Sitting there beside Mrs. Baroda, his silence melted for the time.
+</p>
+
+<p>
+He talked freely and intimately in a low, hesitating drawl that was not
+unpleasant to hear. He talked of the old college days when he and Gaston had
+been a good deal to each other; of the days of keen and blind ambitions and
+large intentions. Now there was left with him, at least, a philosophic
+acquiescence to the existing order&mdash;only a desire to be permitted to
+exist, with now and then a little whiff of genuine life, such as he was
+breathing now.
+</p>
+
+<p>
+Her mind only vaguely grasped what he was saying. Her physical being was for
+the moment predominant. She was not thinking of his words, only drinking in the
+tones of his voice. She wanted to reach out her hand in the darkness and touch
+him with the sensitive tips of her fingers upon the face or the lips. She
+wanted to draw close to him and whisper against his cheek&mdash;she did not
+care what&mdash;as she might have done if she had not been a respectable woman.
+</p>
+
+<p>
+The stronger the impulse grew to bring herself near him, the further, in fact,
+did she draw away from him. As soon as she could do so without an appearance of
+too great rudeness, she rose and left him there alone.
+</p>
+
+<p>
+Before she reached the house, Gouvernail had lighted a fresh cigar and ended
+his apostrophe to the night.
+</p>
+
+<p>
+Mrs. Baroda was greatly tempted that night to tell her husband&mdash;who was
+also her friend&mdash;of this folly that had seized her. But she did not yield
+to the temptation. Beside being a respectable woman she was a very sensible
+one; and she knew there are some battles in life which a human being must fight
+alone.
+</p>
+
+<p>
+When Gaston arose in the morning, his wife had already departed. She had taken
+an early morning train to the city. She did not return till Gouvernail was gone
+from under her roof.
+</p>
+
+<p>
+There was some talk of having him back during the summer that followed. That
+is, Gaston greatly desired it; but this desire yielded to his wife&rsquo;s
+strenuous opposition.
+</p>
+
+<p>
+However, before the year ended, she proposed, wholly from herself, to have
+Gouvernail visit them again. Her husband was surprised and delighted with the
+suggestion coming from her.
+</p>
+
+<p>
+&ldquo;I am glad, chère amie, to know that you have finally overcome your
+dislike for him; truly he did not deserve it.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh,&rdquo; she told him, laughingly, after pressing a long, tender kiss
+upon his lips, &ldquo;I have overcome everything! you will see. This time I
+shall be very nice to him.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0049" id="link2H_4_0049"></a>THE KISS</h2>
+
+<p>
+It was still quite light out of doors, but inside with the curtains drawn and
+the smouldering fire sending out a dim, uncertain glow, the room was full of
+deep shadows.
+</p>
+
+<p>
+Brantain sat in one of these shadows; it had overtaken him and he did not mind.
+The obscurity lent him courage to keep his eyes fastened as ardently as he
+liked upon the girl who sat in the firelight.
+</p>
+
+<p>
+She was very handsome, with a certain fine, rich coloring that belongs to the
+healthy brune type. She was quite composed, as she idly stroked the satiny coat
+of the cat that lay curled in her lap, and she occasionally sent a slow glance
+into the shadow where her companion sat. They were talking low, of indifferent
+things which plainly were not the things that occupied their thoughts. She knew
+that he loved her&mdash;a frank, blustering fellow without guile enough to
+conceal his feelings, and no desire to do so. For two weeks past he had sought
+her society eagerly and persistently. She was confidently waiting for him to
+declare himself and she meant to accept him. The rather insignificant and
+unattractive Brantain was enormously rich; and she liked and required the
+entourage which wealth could give her.
+</p>
+
+<p>
+During one of the pauses between their talk of the last tea and the next
+reception the door opened and a young man entered whom Brantain knew quite
+well. The girl turned her face toward him. A stride or two brought him to her
+side, and bending over her chair&mdash;before she could suspect his intention,
+for she did not realize that he had not seen her visitor&mdash;he pressed an
+ardent, lingering kiss upon her lips.
+</p>
+
+<p>
+Brantain slowly arose; so did the girl arise, but quickly, and the newcomer
+stood between them, a little amusement and some defiance struggling with the
+confusion in his face.
+</p>
+
+<p>
+&ldquo;I believe,&rdquo; stammered Brantain, &ldquo;I see that I have stayed
+too long. I&mdash;I had no idea&mdash;that is, I must wish you good-by.&rdquo;
+He was clutching his hat with both hands, and probably did not perceive that
+she was extending her hand to him, her presence of mind had not completely
+deserted her; but she could not have trusted herself to speak.
+</p>
+
+<p>
+&ldquo;Hang me if I saw him sitting there, Nattie! I know it&rsquo;s deuced
+awkward for you. But I hope you&rsquo;ll forgive me this once&mdash;this very
+first break. Why, what&rsquo;s the matter?&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t touch me; don&rsquo;t come near me,&rdquo; she returned
+angrily. &ldquo;What do you mean by entering the house without ringing?&rdquo;
+</p>
+
+<p>
+&ldquo;I came in with your brother, as I often do,&rdquo; he answered coldly,
+in self-justification. &ldquo;We came in the side way. He went upstairs and I
+came in here hoping to find you. The explanation is simple enough and ought to
+satisfy you that the misadventure was unavoidable. But do say that you forgive
+me, Nathalie,&rdquo; he entreated, softening.
+</p>
+
+<p>
+&ldquo;Forgive you! You don&rsquo;t know what you are talking about. Let me
+pass. It depends upon&mdash;a good deal whether I ever forgive you.&rdquo;
+</p>
+
+<p>
+At that next reception which she and Brantain had been talking about she
+approached the young man with a delicious frankness of manner when she saw him
+there.
+</p>
+
+<p>
+&ldquo;Will you let me speak to you a moment or two, Mr. Brantain?&rdquo; she
+asked with an engaging but perturbed smile. He seemed extremely unhappy; but
+when she took his arm and walked away with him, seeking a retired corner, a ray
+of hope mingled with the almost comical misery of his expression. She was
+apparently very outspoken.
+</p>
+
+<p>
+&ldquo;Perhaps I should not have sought this interview, Mr. Brantain;
+but&mdash;but, oh, I have been very uncomfortable, almost miserable since that
+little encounter the other afternoon. When I thought how you might have
+misinterpreted it, and believed things&rdquo;&mdash;hope was plainly gaining
+the ascendancy over misery in Brantain&rsquo;s round, guileless
+face&mdash;&ldquo;Of course, I know it is nothing to you, but for my own sake I
+do want you to understand that Mr. Harvy is an intimate friend of long
+standing. Why, we have always been like cousins&mdash;like brother and sister,
+I may say. He is my brother&rsquo;s most intimate associate and often fancies
+that he is entitled to the same privileges as the family. Oh, I know it is
+absurd, uncalled for, to tell you this; undignified even,&rdquo; she was almost
+weeping, &ldquo;but it makes so much difference to me what you think
+of&mdash;of me.&rdquo; Her voice had grown very low and agitated. The misery
+had all disappeared from Brantain&rsquo;s face.
+</p>
+
+<p>
+&ldquo;Then you do really care what I think, Miss Nathalie? May I call you Miss
+Nathalie?&rdquo; They turned into a long, dim corridor that was lined on either
+side with tall, graceful plants. They walked slowly to the very end of it. When
+they turned to retrace their steps Brantain&rsquo;s face was radiant and hers
+was triumphant.
+</p>
+
+<p class="p2">
+Harvy was among the guests at the wedding; and he sought her out in a rare
+moment when she stood alone.
+</p>
+
+<p>
+&ldquo;Your husband,&rdquo; he said, smiling, &ldquo;has sent me over to kiss
+you.&rdquo;
+</p>
+
+<p>
+A quick blush suffused her face and round polished throat. &ldquo;I suppose
+it&rsquo;s natural for a man to feel and act generously on an occasion of this
+kind. He tells me he doesn&rsquo;t want his marriage to interrupt wholly that
+pleasant intimacy which has existed between you and me. I don&rsquo;t know what
+you&rsquo;ve been telling him,&rdquo; with an insolent smile, &ldquo;but he has
+sent me here to kiss you.&rdquo;
+</p>
+
+<p>
+She felt like a chess player who, by the clever handling of his pieces, sees
+the game taking the course intended. Her eyes were bright and tender with a
+smile as they glanced up into his; and her lips looked hungry for the kiss
+which they invited.
+</p>
+
+<p>
+&ldquo;But, you know,&rdquo; he went on quietly, &ldquo;I didn&rsquo;t tell him
+so, it would have seemed ungrateful, but I can tell you. I&rsquo;ve stopped
+kissing women; it&rsquo;s dangerous.&rdquo;
+</p>
+
+<p>
+Well, she had Brantain and his million left. A person can&rsquo;t have
+everything in this world; and it was a little unreasonable of her to expect it.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0050" id="link2H_4_0050"></a>A PAIR OF SILK
+STOCKINGS</h2>
+
+<p>
+Little Mrs. Sommers one day found herself the unexpected possessor of fifteen
+dollars. It seemed to her a very large amount of money, and the way in which it
+stuffed and bulged her worn old <i>porte-monnaie</i> gave her a feeling of
+importance such as she had not enjoyed for years.
+</p>
+
+<p>
+The question of investment was one that occupied her greatly. For a day or two
+she walked about apparently in a dreamy state, but really absorbed in
+speculation and calculation. She did not wish to act hastily, to do anything
+she might afterward regret. But it was during the still hours of the night when
+she lay awake revolving plans in her mind that she seemed to see her way
+clearly toward a proper and judicious use of the money.
+</p>
+
+<p>
+A dollar or two should be added to the price usually paid for Janie&rsquo;s
+shoes, which would insure their lasting an appreciable time longer than they
+usually did. She would buy so and so many yards of percale for new shirt waists
+for the boys and Janie and Mag. She had intended to make the old ones do by
+skilful patching. Mag should have another gown. She had seen some beautiful
+patterns, veritable bargains in the shop windows. And still there would be left
+enough for new stockings&mdash;two pairs apiece&mdash;and what darning that
+would save for a while! She would get caps for the boys and sailor-hats for the
+girls. The vision of her little brood looking fresh and dainty and new for once
+in their lives excited her and made her restless and wakeful with anticipation.
+</p>
+
+<p>
+The neighbors sometimes talked of certain &ldquo;better days&rdquo; that little
+Mrs. Sommers had known before she had ever thought of being Mrs. Sommers. She
+herself indulged in no such morbid retrospection. She had no time&mdash;no
+second of time to devote to the past. The needs of the present absorbed her
+every faculty. A vision of the future like some dim, gaunt monster sometimes
+appalled her, but luckily to-morrow never comes.
+</p>
+
+<p>
+Mrs. Sommers was one who knew the value of bargains; who could stand for hours
+making her way inch by inch toward the desired object that was selling below
+cost. She could elbow her way if need be; she had learned to clutch a piece of
+goods and hold it and stick to it with persistence and determination till her
+turn came to be served, no matter when it came.
+</p>
+
+<p>
+But that day she was a little faint and tired. She had swallowed a light
+luncheon&mdash;no! when she came to think of it, between getting the children
+fed and the place righted, and preparing herself for the shopping bout, she had
+actually forgotten to eat any luncheon at all!
+</p>
+
+<p>
+She sat herself upon a revolving stool before a counter that was comparatively
+deserted, trying to gather strength and courage to charge through an eager
+multitude that was besieging breastworks of shirting and figured lawn. An
+all-gone limp feeling had come over her and she rested her hand aimlessly upon
+the counter. She wore no gloves. By degrees she grew aware that her hand had
+encountered something very soothing, very pleasant to touch. She looked down to
+see that her hand lay upon a pile of silk stockings. A placard near by
+announced that they had been reduced in price from two dollars and fifty cents
+to one dollar and ninety-eight cents; and a young girl who stood behind the
+counter asked her if she wished to examine their line of silk hosiery. She
+smiled, just as if she had been asked to inspect a tiara of diamonds with the
+ultimate view of purchasing it. But she went on feeling the soft, sheeny
+luxurious things&mdash;with both hands now, holding them up to see them
+glisten, and to feel them glide serpent-like through her fingers.
+</p>
+
+<p>
+Two hectic blotches came suddenly into her pale cheeks. She looked up at the
+girl.
+</p>
+
+<p>
+&ldquo;Do you think there are any eights-and-a-half among these?&rdquo;
+</p>
+
+<p>
+There were any number of eights-and-a-half. In fact, there were more of that
+size than any other. Here was a light-blue pair; there were some lavender, some
+all black and various shades of tan and gray. Mrs. Sommers selected a black
+pair and looked at them very long and closely. She pretended to be examining
+their texture, which the clerk assured her was excellent.
+</p>
+
+<p>
+&ldquo;A dollar and ninety-eight cents,&rdquo; she mused aloud. &ldquo;Well,
+I&rsquo;ll take this pair.&rdquo; She handed the girl a five-dollar bill and
+waited for her change and for her parcel. What a very small parcel it was! It
+seemed lost in the depths of her shabby old shopping-bag.
+</p>
+
+<p>
+Mrs. Sommers after that did not move in the direction of the bargain counter.
+She took the elevator, which carried her to an upper floor into the region of
+the ladies&rsquo; waiting-rooms. Here, in a retired corner, she exchanged her
+cotton stockings for the new silk ones which she had just bought. She was not
+going through any acute mental process or reasoning with herself, nor was she
+striving to explain to her satisfaction the motive of her action. She was not
+thinking at all. She seemed for the time to be taking a rest from that
+laborious and fatiguing function and to have abandoned herself to some
+mechanical impulse that directed her actions and freed her of responsibility.
+</p>
+
+<p>
+How good was the touch of the raw silk to her flesh! She felt like lying back
+in the cushioned chair and reveling for a while in the luxury of it. She did
+for a little while. Then she replaced her shoes, rolled the cotton stockings
+together and thrust them into her bag. After doing this she crossed straight
+over to the shoe department and took her seat to be fitted.
+</p>
+
+<p>
+She was fastidious. The clerk could not make her out; he could not reconcile
+her shoes with her stockings, and she was not too easily pleased. She held back
+her skirts and turned her feet one way and her head another way as she glanced
+down at the polished, pointed-tipped boots. Her foot and ankle looked very
+pretty. She could not realize that they belonged to her and were a part of
+herself. She wanted an excellent and stylish fit, she told the young fellow who
+served her, and she did not mind the difference of a dollar or two more in the
+price so long as she got what she desired.
+</p>
+
+<p>
+It was a long time since Mrs. Sommers had been fitted with gloves. On rare
+occasions when she had bought a pair they were always &ldquo;bargains,&rdquo;
+so cheap that it would have been preposterous and unreasonable to have expected
+them to be fitted to the hand.
+</p>
+
+<p>
+Now she rested her elbow on the cushion of the glove counter, and a pretty,
+pleasant young creature, delicate and deft of touch, drew a long-wristed
+&ldquo;kid&rdquo; over Mrs. Sommers&rsquo;s hand. She smoothed it down over the
+wrist and buttoned it neatly, and both lost themselves for a second or two in
+admiring contemplation of the little symmetrical gloved hand. But there were
+other places where money might be spent.
+</p>
+
+<p>
+There were books and magazines piled up in the window of a stall a few paces
+down the street. Mrs. Sommers bought two high-priced magazines such as she had
+been accustomed to read in the days when she had been accustomed to other
+pleasant things. She carried them without wrapping. As well as she could she
+lifted her skirts at the crossings. Her stockings and boots and well fitting
+gloves had worked marvels in her bearing&mdash;had given her a feeling of
+assurance, a sense of belonging to the well-dressed multitude.
+</p>
+
+<p>
+She was very hungry. Another time she would have stilled the cravings for food
+until reaching her own home, where she would have brewed herself a cup of tea
+and taken a snack of anything that was available. But the impulse that was
+guiding her would not suffer her to entertain any such thought.
+</p>
+
+<p>
+There was a restaurant at the corner. She had never entered its doors; from the
+outside she had sometimes caught glimpses of spotless damask and shining
+crystal, and soft-stepping waiters serving people of fashion.
+</p>
+
+<p>
+When she entered her appearance created no surprise, no consternation, as she
+had half feared it might. She seated herself at a small table alone, and an
+attentive waiter at once approached to take her order. She did not want a
+profusion; she craved a nice and tasty bite&mdash;a half dozen blue-points, a
+plump chop with cress, a something sweet&mdash;a crème-frappée, for instance; a
+glass of Rhine wine, and after all a small cup of black coffee.
+</p>
+
+<p>
+While waiting to be served she removed her gloves very leisurely and laid them
+beside her. Then she picked up a magazine and glanced through it, cutting the
+pages with a blunt edge of her knife. It was all very agreeable. The damask was
+even more spotless than it had seemed through the window, and the crystal more
+sparkling. There were quiet ladies and gentlemen, who did not notice her,
+lunching at the small tables like her own. A soft, pleasing strain of music
+could be heard, and a gentle breeze was blowing through the window. She tasted
+a bite, and she read a word or two, and she sipped the amber wine and wiggled
+her toes in the silk stockings. The price of it made no difference. She counted
+the money out to the waiter and left an extra coin on his tray, whereupon he
+bowed before her as before a princess of royal blood.
+</p>
+
+<p>
+There was still money in her purse, and her next temptation presented itself in
+the shape of a matinee poster.
+</p>
+
+<p>
+It was a little later when she entered the theatre, the play had begun and the
+house seemed to her to be packed. But there were vacant seats here and there,
+and into one of them she was ushered, between brilliantly dressed women who had
+gone there to kill time and eat candy and display their gaudy attire. There
+were many others who were there solely for the play and acting. It is safe to
+say there was no one present who bore quite the attitude which Mrs. Sommers did
+to her surroundings. She gathered in the whole&mdash;stage and players and
+people in one wide impression, and absorbed it and enjoyed it. She laughed at
+the comedy and wept&mdash;she and the gaudy woman next to her wept over the
+tragedy. And they talked a little together over it. And the gaudy woman wiped
+her eyes and sniffled on a tiny square of filmy, perfumed lace and passed
+little Mrs. Sommers her box of candy.
+</p>
+
+<p>
+The play was over, the music ceased, the crowd filed out. It was like a dream
+ended. People scattered in all directions. Mrs. Sommers went to the corner and
+waited for the cable car.
+</p>
+
+<p>
+A man with keen eyes, who sat opposite to her, seemed to like the study of her
+small, pale face. It puzzled him to decipher what he saw there. In truth, he
+saw nothing&mdash;unless he were wizard enough to detect a poignant wish, a
+powerful longing that the cable car would never stop anywhere, but go on and on
+with her forever.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0051" id="link2H_4_0051"></a>THE LOCKET</h2>
+
+<h3><a name="link2H_4_0052" id="link2H_4_0052"></a>I</h3>
+
+<p>
+One night in autumn a few men were gathered about a fire on the slope of a
+hill. They belonged to a small detachment of Confederate forces and were
+awaiting orders to march. Their gray uniforms were worn beyond the point of
+shabbiness. One of the men was heating something in a tin cup over the embers.
+Two were lying at full length a little distance away, while a fourth was trying
+to decipher a letter and had drawn close to the light. He had unfastened his
+collar and a good bit of his flannel shirt front.
+</p>
+
+<p>
+&ldquo;What&rsquo;s that you got around your neck, Ned?&rdquo; asked one of the
+men lying in the obscurity.
+</p>
+
+<p>
+Ned&mdash;or Edmond&mdash;mechanically fastened another button of his shirt and
+did not reply. He went on reading his letter.
+</p>
+
+<p>
+&ldquo;Is it your sweet heart&rsquo;s picture?&rdquo;
+</p>
+
+<p>
+&ldquo;&rsquo;Taint no gal&rsquo;s picture,&rdquo; offered the man at the fire.
+He had removed his tin cup and was engaged in stirring its grimy contents with
+a small stick. &ldquo;That&rsquo;s a charm; some kind of hoodoo business that
+one o&rsquo; them priests gave him to keep him out o&rsquo; trouble. I know
+them Cath&rsquo;lics. That&rsquo;s how come Frenchy got permoted an never got a
+scratch sence he&rsquo;s been in the ranks. Hey, French! aint I right?&rdquo;
+Edmond looked up absently from his letter.
+</p>
+
+<p>
+&ldquo;What is it?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Aint that a charm you got round your neck?&rdquo;
+</p>
+
+<p>
+&ldquo;It must be, Nick,&rdquo; returned Edmond with a smile. &ldquo;I
+don&rsquo;t know how I could have gone through this year and a half without
+it.&rdquo;
+</p>
+
+<p>
+The letter had made Edmond heart sick and home sick. He stretched himself on
+his back and looked straight up at the blinking stars. But he was not thinking
+of them nor of anything but a certain spring day when the bees were humming in
+the clematis; when a girl was saying good bye to him. He could see her as she
+unclasped from her neck the locket which she fastened about his own. It was an
+old fashioned golden locket bearing miniatures of her father and mother with
+their names and the date of their marriage. It was her most precious earthly
+possession. Edmond could feel again the folds of the girl&rsquo;s soft white
+gown, and see the droop of the angel-sleeves as she circled her fair arms about
+his neck. Her sweet face, appealing, pathetic, tormented by the pain of
+parting, appeared before him as vividly as life. He turned over, burying his
+face in his arm and there he lay, still and motionless.
+</p>
+
+<p>
+The profound and treacherous night with its silence and semblance of peace
+settled upon the camp. He dreamed that the fair Octavie brought him a letter.
+He had no chair to offer her and was pained and embarrassed at the condition of
+his garments. He was ashamed of the poor food which comprised the dinner at
+which he begged her to join them.
+</p>
+
+<p>
+He dreamt of a serpent coiling around his throat, and when he strove to grasp
+it the slimy thing glided away from his clutch. Then his dream was clamor.
+</p>
+
+<p>
+&ldquo;Git your duds! you! Frenchy!&rdquo; Nick was bellowing in his face.
+There was what appeared to be a scramble and a rush rather than any regulated
+movement. The hill side was alive with clatter and motion; with sudden
+up-springing lights among the pines. In the east the dawn was unfolding out of
+the darkness. Its glimmer was yet dim in the plain below.
+</p>
+
+<p>
+&ldquo;What&rsquo;s it all about?&rdquo; wondered a big black bird perched in
+the top of the tallest tree. He was an old solitary and a wise one, yet he was
+not wise enough to guess what it was all about. So all day long he kept
+blinking and wondering.
+</p>
+
+<p>
+The noise reached far out over the plain and across the hills and awoke the
+little babes that were sleeping in their cradles. The smoke curled up toward
+the sun and shadowed the plain so that the stupid birds thought it was going to
+rain; but the wise one knew better.
+</p>
+
+<p>
+&ldquo;They are children playing a game,&rdquo; thought he. &ldquo;I shall know
+more about it if I watch long enough.&rdquo;
+</p>
+
+<p>
+At the approach of night they had all vanished away with their din and smoke.
+Then the old bird plumed his feathers. At last he had understood! With a flap
+of his great, black wings he shot downward, circling toward the plain.
+</p>
+
+<p>
+A man was picking his way across the plain. He was dressed in the garb of a
+clergyman. His mission was to administer the consolations of religion to any of
+the prostrate figures in whom there might yet linger a spark of life. A negro
+accompanied him, bearing a bucket of water and a flask of wine.
+</p>
+
+<p>
+There were no wounded here; they had been borne away. But the retreat had been
+hurried and the vultures and the good Samaritans would have to look to the
+dead.
+</p>
+
+<p>
+There was a soldier&mdash;a mere boy&mdash;lying with his face to the sky. His
+hands were clutching the sward on either side and his finger nails were stuffed
+with earth and bits of grass that he had gathered in his despairing grasp upon
+life. His musket was gone; he was hatless and his face and clothing were
+begrimed. Around his neck hung a gold chain and locket. The priest, bending
+over him, unclasped the chain and removed it from the dead soldier&rsquo;s
+neck. He had grown used to the terrors of war and could face them
+unflinchingly; but its pathos, someway, always brought the tears to his old,
+dim eyes.
+</p>
+
+<p>
+The angelus was ringing half a mile away. The priest and the negro knelt and
+murmured together the evening benediction and a prayer for the dead.
+</p>
+
+<h3><a name="link2H_4_0053" id="link2H_4_0053"></a>II</h3>
+
+<p>
+The peace and beauty of a spring day had descended upon the earth like a
+benediction. Along the leafy road which skirted a narrow, tortuous stream in
+central Louisiana, rumbled an old fashioned cabriolet, much the worse for hard
+and rough usage over country roads and lanes. The fat, black horses went in a
+slow, measured trot, notwithstanding constant urging on the part of the fat,
+black coachman. Within the vehicle were seated the fair Octavie and her old
+friend and neighbor, Judge Pillier, who had come to take her for a morning
+drive.
+</p>
+
+<p>
+Octavie wore a plain black dress, severe in its simplicity. A narrow belt held
+it at the waist and the sleeves were gathered into close fitting wristbands.
+She had discarded her hoopskirt and appeared not unlike a nun. Beneath the
+folds of her bodice nestled the old locket. She never displayed it now. It had
+returned to her sanctified in her eyes; made precious as material things
+sometimes are by being forever identified with a significant moment of
+one&rsquo;s existence.
+</p>
+
+<p>
+A hundred times she had read over the letter with which the locket had come
+back to her. No later than that morning she had again pored over it. As she sat
+beside the window, smoothing the letter out upon her knee, heavy and spiced
+odors stole in to her with the songs of birds and the humming of insects in the
+air.
+</p>
+
+<p>
+She was so young and the world was so beautiful that there came over her a
+sense of unreality as she read again and again the priest&rsquo;s letter. He
+told of that autumn day drawing to its close, with the gold and the red fading
+out of the west, and the night gathering its shadows to cover the faces of the
+dead. Oh! She could not believe that one of those dead was her own! with visage
+uplifted to the gray sky in an agony of supplication. A spasm of resistance and
+rebellion seized and swept over her. Why was the spring here with its flowers
+and its seductive breath if he was dead! Why was she here! What further had she
+to do with life and the living!
+</p>
+
+<p>
+Octavie had experienced many such moments of despair, but a blessed resignation
+had never failed to follow, and it fell then upon her like a mantle and
+enveloped her.
+</p>
+
+<p>
+&ldquo;I shall grow old and quiet and sad like poor Aunt Tavie,&rdquo; she
+murmured to herself as she folded the letter and replaced it in the secretary.
+Already she gave herself a little demure air like her Aunt Tavie. She walked
+with a slow glide in unconscious imitation of Mademoiselle Tavie whom some
+youthful affliction had robbed of earthly compensation while leaving her in
+possession of youth&rsquo;s illusions.
+</p>
+
+<p>
+As she sat in the old cabriolet beside the father of her dead lover, again
+there came to Octavie the terrible sense of loss which had assailed her so
+often before. The soul of her youth clamored for its rights; for a share in the
+world&rsquo;s glory and exultation. She leaned back and drew her veil a little
+closer about her face. It was an old black veil of her Aunt Tavie&rsquo;s. A
+whiff of dust from the road had blown in and she wiped her cheeks and her eyes
+with her soft, white handkerchief, a homemade handkerchief, fabricated from one
+of her old fine muslin petticoats.
+</p>
+
+<p>
+&ldquo;Will you do me the favor, Octavie,&rdquo; requested the judge in the
+courteous tone which he never abandoned, &ldquo;to remove that veil which you
+wear. It seems out of harmony, someway, with the beauty and promise of the
+day.&rdquo;
+</p>
+
+<p>
+The young girl obediently yielded to her old companion&rsquo;s wish and
+unpinning the cumbersome, sombre drapery from her bonnet, folded it neatly and
+laid it upon the seat in front of her.
+</p>
+
+<p>
+&ldquo;Ah! that is better; far better!&rdquo; he said in a tone expressing
+unbounded relief. &ldquo;Never put it on again, dear.&rdquo; Octavie felt a
+little hurt; as if he wished to debar her from share and parcel in the burden
+of affliction which had been placed upon all of them. Again she drew forth the
+old muslin handkerchief.
+</p>
+
+<p>
+They had left the big road and turned into a level plain which had formerly
+been an old meadow. There were clumps of thorn trees here and there, gorgeous
+in their spring radiance. Some cattle were grazing off in the distance in spots
+where the grass was tall and luscious. At the far end of the meadow was the
+towering lilac hedge, skirting the lane that led to Judge Pillier&rsquo;s
+house, and the scent of its heavy blossoms met them like a soft and tender
+embrace of welcome.
+</p>
+
+<p>
+As they neared the house the old gentleman placed an arm around the
+girl&rsquo;s shoulders and turning her face up to him he said: &ldquo;Do you
+not think that on a day like this, miracles might happen? When the whole earth
+is vibrant with life, does it not seem to you, Octavie, that heaven might for
+once relent and give us back our dead?&rdquo; He spoke very low, advisedly, and
+impressively. In his voice was an old quaver which was not habitual and there
+was agitation in every line of his visage. She gazed at him with eyes that were
+full of supplication and a certain terror of joy.
+</p>
+
+<p>
+They had been driving through the lane with the towering hedge on one side and
+the open meadow on the other. The horses had somewhat quickened their lazy
+pace. As they turned into the avenue leading to the house, a whole choir of
+feathered songsters fluted a sudden torrent of melodious greeting from their
+leafy hiding places.
+</p>
+
+<p>
+Octavie felt as if she had passed into a stage of existence which was like a
+dream, more poignant and real than life. There was the old gray house with its
+sloping eaves. Amid the blur of green, and dimly, she saw familiar faces and
+heard voices as if they came from far across the fields, and Edmond was holding
+her. Her dead Edmond; her living Edmond, and she felt the beating of his heart
+against her and the agonizing rapture of his kisses striving to awake her. It
+was as if the spirit of life and the awakening spring had given back the soul
+to her youth and bade her rejoice.
+</p>
+
+<p class="p2">
+It was many hours later that Octavie drew the locket from her bosom and looked
+at Edmond with a questioning appeal in her glance.
+</p>
+
+<p>
+&ldquo;It was the night before an engagement,&rdquo; he said. &ldquo;In the
+hurry of the encounter, and the retreat next day, I never missed it till the
+fight was over. I thought of course I had lost it in the heat of the struggle,
+but it was stolen.&rdquo;
+</p>
+
+<p>
+&ldquo;Stolen,&rdquo; she shuddered, and thought of the dead soldier with his
+face uplifted to the sky in an agony of supplication.
+</p>
+
+<p>
+Edmond said nothing; but he thought of his messmate; the one who had lain far
+back in the shadow; the one who had said nothing.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2H_4_0054" id="link2H_4_0054"></a>A REFLECTION</h2>
+
+<p>
+Some people are born with a vital and responsive energy. It not only enables
+them to keep abreast of the times; it qualifies them to furnish in their own
+personality a good bit of the motive power to the mad pace. They are fortunate
+beings. They do not need to apprehend the significance of things. They do not
+grow weary nor miss step, nor do they fall out of rank and sink by the wayside
+to be left contemplating the moving procession.
+</p>
+
+<p>
+Ah! that moving procession that has left me by the road-side! Its fantastic
+colors are more brilliant and beautiful than the sun on the undulating waters.
+What matter if souls and bodies are falling beneath the feet of the
+ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its
+discordant clashes sweep upward in one harmonious tone that blends with the
+music of other worlds&mdash;to complete God&rsquo;s orchestra.
+</p>
+
+<p>
+It is greater than the stars&mdash;that moving procession of human energy;
+greater than the palpitating earth and the things growing thereon. Oh! I could
+weep at being left by the wayside; left with the grass and the clouds and a few
+dumb animals. True, I feel at home in the society of these symbols of
+life&rsquo;s immutability. In the procession I should feel the crushing feet,
+the clashing discords, the ruthless hands and stifling breath. I could not hear
+the rhythm of the march.
+</p>
+
+<p>
+<i>Salve!</i> ye dumb hearts. Let us be still and wait by the roadside.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block;margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE AWAKENING AND SELECTED SHORT STORIES ***</div>
+<div style='display:block;margin:1em 0;'>This file should be named 160-h.htm or 160-h.zip</div>
+<div style='display:block;margin:1em 0;'>This and all associated files of various formats will be found in https://www.gutenberg.org/1/6/160/</div>
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</body>
+
+</html>
+
+
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..08c19bc
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #160 (https://www.gutenberg.org/ebooks/160)
diff --git a/old/160.txt b/old/160.txt
new file mode 100644
index 0000000..ea9d833
--- /dev/null
+++ b/old/160.txt
@@ -0,0 +1,7823 @@
+Project Gutenberg's The Awakening and Selected Short Stories, by Kate Chopin
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Awakening and Selected Short Stories
+
+Author: Kate Chopin
+
+Release Date: March 11, 2006 [EBook #160]
+[Last updated: May 25, 2011]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE AWAKENING AND SELECTED ***
+
+
+
+
+Produced by Judith Boss and David Widger
+
+
+
+
+
+THE AWAKENING
+
+AND SELECTED SHORT STORIES
+
+by Kate Chopin
+
+
+With an Introduction by Marilynne Robinson
+
+
+
+
+Contents:
+
+ The Awakening
+ Beyond The Bayou
+ Ma'ame Pelagie
+ Desiree's Baby
+ A Respectable Woman
+ The Kiss
+ A Pair Of Silk Stockings
+ The Locket
+ A Reflection
+
+
+
+
+
+THE AWAKENING
+
+
+
+
+I
+
+
+A green and yellow parrot, which hung in a cage outside the door, kept
+repeating over and over:
+
+"Allez vous-en! Allez vous-en! Sapristi! That's all right!"
+
+He could speak a little Spanish, and also a language which nobody
+understood, unless it was the mocking-bird that hung on the other
+side of the door, whistling his fluty notes out upon the breeze with
+maddening persistence.
+
+Mr. Pontellier, unable to read his newspaper with any degree of comfort,
+arose with an expression and an exclamation of disgust.
+
+He walked down the gallery and across the narrow "bridges" which
+connected the Lebrun cottages one with the other. He had been seated
+before the door of the main house. The parrot and the mockingbird were
+the property of Madame Lebrun, and they had the right to make all the
+noise they wished. Mr. Pontellier had the privilege of quitting their
+society when they ceased to be entertaining.
+
+He stopped before the door of his own cottage, which was the fourth one
+from the main building and next to the last. Seating himself in a wicker
+rocker which was there, he once more applied himself to the task of
+reading the newspaper. The day was Sunday; the paper was a day old. The
+Sunday papers had not yet reached Grand Isle. He was already acquainted
+with the market reports, and he glanced restlessly over the editorials
+and bits of news which he had not had time to read before quitting New
+Orleans the day before.
+
+Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height
+and rather slender build; he stooped a little. His hair was brown and
+straight, parted on one side. His beard was neatly and closely trimmed.
+
+Once in a while he withdrew his glance from the newspaper and looked
+about him. There was more noise than ever over at the house. The main
+building was called "the house," to distinguish it from the cottages.
+The chattering and whistling birds were still at it. Two young girls,
+the Farival twins, were playing a duet from "Zampa" upon the piano.
+Madame Lebrun was bustling in and out, giving orders in a high key to a
+yard-boy whenever she got inside the house, and directions in an equally
+high voice to a dining-room servant whenever she got outside. She was
+a fresh, pretty woman, clad always in white with elbow sleeves. Her
+starched skirts crinkled as she came and went. Farther down, before
+one of the cottages, a lady in black was walking demurely up and down,
+telling her beads. A good many persons of the pension had gone over to
+the Cheniere Caminada in Beaudelet's lugger to hear mass. Some young
+people were out under the wateroaks playing croquet. Mr. Pontellier's
+two children were there--sturdy little fellows of four and five. A
+quadroon nurse followed them about with a faraway, meditative air.
+
+Mr. Pontellier finally lit a cigar and began to smoke, letting the paper
+drag idly from his hand. He fixed his gaze upon a white sunshade that
+was advancing at snail's pace from the beach. He could see it plainly
+between the gaunt trunks of the water-oaks and across the stretch of
+yellow camomile. The gulf looked far away, melting hazily into the blue
+of the horizon. The sunshade continued to approach slowly. Beneath its
+pink-lined shelter were his wife, Mrs. Pontellier, and young Robert
+Lebrun. When they reached the cottage, the two seated themselves with
+some appearance of fatigue upon the upper step of the porch, facing each
+other, each leaning against a supporting post.
+
+"What folly! to bathe at such an hour in such heat!" exclaimed Mr.
+Pontellier. He himself had taken a plunge at daylight. That was why the
+morning seemed long to him.
+
+"You are burnt beyond recognition," he added, looking at his wife as one
+looks at a valuable piece of personal property which has suffered some
+damage. She held up her hands, strong, shapely hands, and surveyed them
+critically, drawing up her fawn sleeves above the wrists. Looking at
+them reminded her of her rings, which she had given to her husband
+before leaving for the beach. She silently reached out to him, and he,
+understanding, took the rings from his vest pocket and dropped them
+into her open palm. She slipped them upon her fingers; then clasping
+her knees, she looked across at Robert and began to laugh. The rings
+sparkled upon her fingers. He sent back an answering smile.
+
+"What is it?" asked Pontellier, looking lazily and amused from one to
+the other. It was some utter nonsense; some adventure out there in the
+water, and they both tried to relate it at once. It did not seem half
+so amusing when told. They realized this, and so did Mr. Pontellier. He
+yawned and stretched himself. Then he got up, saying he had half a mind
+to go over to Klein's hotel and play a game of billiards.
+
+"Come go along, Lebrun," he proposed to Robert. But Robert admitted
+quite frankly that he preferred to stay where he was and talk to Mrs.
+Pontellier.
+
+"Well, send him about his business when he bores you, Edna," instructed
+her husband as he prepared to leave.
+
+"Here, take the umbrella," she exclaimed, holding it out to him. He
+accepted the sunshade, and lifting it over his head descended the steps
+and walked away.
+
+"Coming back to dinner?" his wife called after him. He halted a moment
+and shrugged his shoulders. He felt in his vest pocket; there was a
+ten-dollar bill there. He did not know; perhaps he would return for the
+early dinner and perhaps he would not. It all depended upon the company
+which he found over at Klein's and the size of "the game." He did not
+say this, but she understood it, and laughed, nodding good-by to him.
+
+Both children wanted to follow their father when they saw him starting
+out. He kissed them and promised to bring them back bonbons and peanuts.
+
+
+
+
+II
+
+
+Mrs. Pontellier's eyes were quick and bright; they were a yellowish
+brown, about the color of her hair. She had a way of turning them
+swiftly upon an object and holding them there as if lost in some inward
+maze of contemplation or thought.
+
+Her eyebrows were a shade darker than her hair. They were thick and
+almost horizontal, emphasizing the depth of her eyes. She was rather
+handsome than beautiful. Her face was captivating by reason of a certain
+frankness of expression and a contradictory subtle play of features. Her
+manner was engaging.
+
+Robert rolled a cigarette. He smoked cigarettes because he could
+not afford cigars, he said. He had a cigar in his pocket which Mr.
+Pontellier had presented him with, and he was saving it for his
+after-dinner smoke.
+
+This seemed quite proper and natural on his part. In coloring he was
+not unlike his companion. A clean-shaved face made the resemblance more
+pronounced than it would otherwise have been. There rested no shadow of
+care upon his open countenance. His eyes gathered in and reflected the
+light and languor of the summer day.
+
+Mrs. Pontellier reached over for a palm-leaf fan that lay on the porch
+and began to fan herself, while Robert sent between his lips light puffs
+from his cigarette. They chatted incessantly: about the things around
+them; their amusing adventure out in the water--it had again assumed its
+entertaining aspect; about the wind, the trees, the people who had gone
+to the Cheniere; about the children playing croquet under the oaks, and
+the Farival twins, who were now performing the overture to "The Poet and
+the Peasant."
+
+Robert talked a good deal about himself. He was very young, and did not
+know any better. Mrs. Pontellier talked a little about herself for the
+same reason. Each was interested in what the other said. Robert spoke of
+his intention to go to Mexico in the autumn, where fortune awaited him.
+He was always intending to go to Mexico, but some way never got there.
+Meanwhile he held on to his modest position in a mercantile house in
+New Orleans, where an equal familiarity with English, French and Spanish
+gave him no small value as a clerk and correspondent.
+
+He was spending his summer vacation, as he always did, with his mother
+at Grand Isle. In former times, before Robert could remember, "the
+house" had been a summer luxury of the Lebruns. Now, flanked by its
+dozen or more cottages, which were always filled with exclusive visitors
+from the "Quartier Francais," it enabled Madame Lebrun to maintain the
+easy and comfortable existence which appeared to be her birthright.
+
+Mrs. Pontellier talked about her father's Mississippi plantation and her
+girlhood home in the old Kentucky bluegrass country. She was an American
+woman, with a small infusion of French which seemed to have been lost in
+dilution. She read a letter from her sister, who was away in the East,
+and who had engaged herself to be married. Robert was interested, and
+wanted to know what manner of girls the sisters were, what the father
+was like, and how long the mother had been dead.
+
+When Mrs. Pontellier folded the letter it was time for her to dress for
+the early dinner.
+
+"I see Leonce isn't coming back," she said, with a glance in the
+direction whence her husband had disappeared. Robert supposed he was
+not, as there were a good many New Orleans club men over at Klein's.
+
+When Mrs. Pontellier left him to enter her room, the young man descended
+the steps and strolled over toward the croquet players, where,
+during the half-hour before dinner, he amused himself with the little
+Pontellier children, who were very fond of him.
+
+
+
+
+III
+
+
+It was eleven o'clock that night when Mr. Pontellier returned from
+Klein's hotel. He was in an excellent humor, in high spirits, and very
+talkative. His entrance awoke his wife, who was in bed and fast asleep
+when he came in. He talked to her while he undressed, telling her
+anecdotes and bits of news and gossip that he had gathered during the
+day. From his trousers pockets he took a fistful of crumpled bank
+notes and a good deal of silver coin, which he piled on the bureau
+indiscriminately with keys, knife, handkerchief, and whatever else
+happened to be in his pockets. She was overcome with sleep, and answered
+him with little half utterances.
+
+He thought it very discouraging that his wife, who was the sole object
+of his existence, evinced so little interest in things which concerned
+him, and valued so little his conversation.
+
+Mr. Pontellier had forgotten the bonbons and peanuts for the boys.
+Notwithstanding he loved them very much, and went into the adjoining
+room where they slept to take a look at them and make sure that they
+were resting comfortably. The result of his investigation was far from
+satisfactory. He turned and shifted the youngsters about in bed. One of
+them began to kick and talk about a basket full of crabs.
+
+
+
+Mr. Pontellier returned to his wife with the information that Raoul had
+a high fever and needed looking after. Then he lit a cigar and went and
+sat near the open door to smoke it.
+
+Mrs. Pontellier was quite sure Raoul had no fever. He had gone to
+bed perfectly well, she said, and nothing had ailed him all day. Mr.
+Pontellier was too well acquainted with fever symptoms to be mistaken.
+He assured her the child was consuming at that moment in the next room.
+
+He reproached his wife with her inattention, her habitual neglect of the
+children. If it was not a mother's place to look after children, whose
+on earth was it? He himself had his hands full with his brokerage
+business. He could not be in two places at once; making a living for
+his family on the street, and staying at home to see that no harm befell
+them. He talked in a monotonous, insistent way.
+
+Mrs. Pontellier sprang out of bed and went into the next room. She soon
+came back and sat on the edge of the bed, leaning her head down on the
+pillow. She said nothing, and refused to answer her husband when he
+questioned her. When his cigar was smoked out he went to bed, and in
+half a minute he was fast asleep.
+
+Mrs. Pontellier was by that time thoroughly awake. She began to cry a
+little, and wiped her eyes on the sleeve of her peignoir. Blowing out
+the candle, which her husband had left burning, she slipped her bare
+feet into a pair of satin mules at the foot of the bed and went out
+on the porch, where she sat down in the wicker chair and began to rock
+gently to and fro.
+
+It was then past midnight. The cottages were all dark. A single faint
+light gleamed out from the hallway of the house. There was no sound
+abroad except the hooting of an old owl in the top of a water-oak, and
+the everlasting voice of the sea, that was not uplifted at that soft
+hour. It broke like a mournful lullaby upon the night.
+
+The tears came so fast to Mrs. Pontellier's eyes that the damp sleeve of
+her peignoir no longer served to dry them. She was holding the back
+of her chair with one hand; her loose sleeve had slipped almost to the
+shoulder of her uplifted arm. Turning, she thrust her face, steaming and
+wet, into the bend of her arm, and she went on crying there, not caring
+any longer to dry her face, her eyes, her arms. She could not have told
+why she was crying. Such experiences as the foregoing were not uncommon
+in her married life. They seemed never before to have weighed much
+against the abundance of her husband's kindness and a uniform devotion
+which had come to be tacit and self-understood.
+
+An indescribable oppression, which seemed to generate in some unfamiliar
+part of her consciousness, filled her whole being with a vague anguish.
+It was like a shadow, like a mist passing across her soul's summer day.
+It was strange and unfamiliar; it was a mood. She did not sit there
+inwardly upbraiding her husband, lamenting at Fate, which had directed
+her footsteps to the path which they had taken. She was just having a
+good cry all to herself. The mosquitoes made merry over her, biting her
+firm, round arms and nipping at her bare insteps.
+
+The little stinging, buzzing imps succeeded in dispelling a mood which
+might have held her there in the darkness half a night longer.
+
+The following morning Mr. Pontellier was up in good time to take the
+rockaway which was to convey him to the steamer at the wharf. He was
+returning to the city to his business, and they would not see him again
+at the Island till the coming Saturday. He had regained his composure,
+which seemed to have been somewhat impaired the night before. He was
+eager to be gone, as he looked forward to a lively week in Carondelet
+Street.
+
+Mr. Pontellier gave his wife half of the money which he had brought away
+from Klein's hotel the evening before. She liked money as well as most
+women, and accepted it with no little satisfaction.
+
+"It will buy a handsome wedding present for Sister Janet!" she
+exclaimed, smoothing out the bills as she counted them one by one.
+
+"Oh! we'll treat Sister Janet better than that, my dear," he laughed, as
+he prepared to kiss her good-by.
+
+The boys were tumbling about, clinging to his legs, imploring that
+numerous things be brought back to them. Mr. Pontellier was a great
+favorite, and ladies, men, children, even nurses, were always on hand to
+say goodby to him. His wife stood smiling and waving, the boys shouting,
+as he disappeared in the old rockaway down the sandy road.
+
+A few days later a box arrived for Mrs. Pontellier from New Orleans. It
+was from her husband. It was filled with friandises, with luscious
+and toothsome bits--the finest of fruits, pates, a rare bottle or two,
+delicious syrups, and bonbons in abundance.
+
+Mrs. Pontellier was always very generous with the contents of such a
+box; she was quite used to receiving them when away from home. The
+pates and fruit were brought to the dining-room; the bonbons were passed
+around. And the ladies, selecting with dainty and discriminating fingers
+and a little greedily, all declared that Mr. Pontellier was the best
+husband in the world. Mrs. Pontellier was forced to admit that she knew
+of none better.
+
+
+
+
+IV
+
+
+It would have been a difficult matter for Mr. Pontellier to define to
+his own satisfaction or any one else's wherein his wife failed in her
+duty toward their children. It was something which he felt rather than
+perceived, and he never voiced the feeling without subsequent regret and
+ample atonement.
+
+If one of the little Pontellier boys took a tumble whilst at play, he
+was not apt to rush crying to his mother's arms for comfort; he would
+more likely pick himself up, wipe the water out of his eyes and the
+sand out of his mouth, and go on playing. Tots as they were, they pulled
+together and stood their ground in childish battles with doubled
+fists and uplifted voices, which usually prevailed against the other
+mother-tots. The quadroon nurse was looked upon as a huge encumbrance,
+only good to button up waists and panties and to brush and part hair;
+since it seemed to be a law of society that hair must be parted and
+brushed.
+
+In short, Mrs. Pontellier was not a mother-woman. The mother-women
+seemed to prevail that summer at Grand Isle. It was easy to know them,
+fluttering about with extended, protecting wings when any harm, real or
+imaginary, threatened their precious brood. They were women who idolized
+their children, worshiped their husbands, and esteemed it a holy
+privilege to efface themselves as individuals and grow wings as
+ministering angels.
+
+Many of them were delicious in the role; one of them was the embodiment
+of every womanly grace and charm. If her husband did not adore her,
+he was a brute, deserving of death by slow torture. Her name was Adele
+Ratignolle. There are no words to describe her save the old ones that
+have served so often to picture the bygone heroine of romance and the
+fair lady of our dreams. There was nothing subtle or hidden about her
+charms; her beauty was all there, flaming and apparent: the spun-gold
+hair that comb nor confining pin could restrain; the blue eyes that were
+like nothing but sapphires; two lips that pouted, that were so red one
+could only think of cherries or some other delicious crimson fruit in
+looking at them. She was growing a little stout, but it did not seem to
+detract an iota from the grace of every step, pose, gesture. One would
+not have wanted her white neck a mite less full or her beautiful arms
+more slender. Never were hands more exquisite than hers, and it was a
+joy to look at them when she threaded her needle or adjusted her gold
+thimble to her taper middle finger as she sewed away on the little
+night-drawers or fashioned a bodice or a bib.
+
+Madame Ratignolle was very fond of Mrs. Pontellier, and often she took
+her sewing and went over to sit with her in the afternoons. She was
+sitting there the afternoon of the day the box arrived from New Orleans.
+She had possession of the rocker, and she was busily engaged in sewing
+upon a diminutive pair of night-drawers.
+
+She had brought the pattern of the drawers for Mrs. Pontellier to cut
+out--a marvel of construction, fashioned to enclose a baby's body so
+effectually that only two small eyes might look out from the garment,
+like an Eskimo's. They were designed for winter wear, when treacherous
+drafts came down chimneys and insidious currents of deadly cold found
+their way through key-holes.
+
+Mrs. Pontellier's mind was quite at rest concerning the present material
+needs of her children, and she could not see the use of anticipating and
+making winter night garments the subject of her summer meditations.
+But she did not want to appear unamiable and uninterested, so she
+had brought forth newspapers, which she spread upon the floor of the
+gallery, and under Madame Ratignolle's directions she had cut a pattern
+of the impervious garment.
+
+Robert was there, seated as he had been the Sunday before, and Mrs.
+Pontellier also occupied her former position on the upper step, leaning
+listlessly against the post. Beside her was a box of bonbons, which she
+held out at intervals to Madame Ratignolle.
+
+That lady seemed at a loss to make a selection, but finally settled upon
+a stick of nougat, wondering if it were not too rich; whether it could
+possibly hurt her. Madame Ratignolle had been married seven years. About
+every two years she had a baby. At that time she had three babies, and
+was beginning to think of a fourth one. She was always talking about her
+"condition." Her "condition" was in no way apparent, and no one would
+have known a thing about it but for her persistence in making it the
+subject of conversation.
+
+Robert started to reassure her, asserting that he had known a lady who
+had subsisted upon nougat during the entire--but seeing the color mount
+into Mrs. Pontellier's face he checked himself and changed the subject.
+
+Mrs. Pontellier, though she had married a Creole, was not thoroughly
+at home in the society of Creoles; never before had she been thrown so
+intimately among them. There were only Creoles that summer at Lebrun's.
+They all knew each other, and felt like one large family, among
+whom existed the most amicable relations. A characteristic which
+distinguished them and which impressed Mrs. Pontellier most forcibly
+was their entire absence of prudery. Their freedom of expression was
+at first incomprehensible to her, though she had no difficulty in
+reconciling it with a lofty chastity which in the Creole woman seems to
+be inborn and unmistakable.
+
+Never would Edna Pontellier forget the shock with which she heard Madame
+Ratignolle relating to old Monsieur Farival the harrowing story of one
+of her accouchements, withholding no intimate detail. She was growing
+accustomed to like shocks, but she could not keep the mounting color
+back from her cheeks. Oftener than once her coming had interrupted the
+droll story with which Robert was entertaining some amused group of
+married women.
+
+A book had gone the rounds of the pension. When it came her turn to read
+it, she did so with profound astonishment. She felt moved to read the
+book in secret and solitude, though none of the others had done so,--to
+hide it from view at the sound of approaching footsteps. It was openly
+criticised and freely discussed at table. Mrs. Pontellier gave over
+being astonished, and concluded that wonders would never cease.
+
+
+
+
+V
+
+
+They formed a congenial group sitting there that summer
+afternoon--Madame Ratignolle sewing away, often stopping to relate a
+story or incident with much expressive gesture of her perfect hands;
+Robert and Mrs. Pontellier sitting idle, exchanging occasional words,
+glances or smiles which indicated a certain advanced stage of intimacy
+and camaraderie.
+
+He had lived in her shadow during the past month. No one thought
+anything of it. Many had predicted that Robert would devote himself to
+Mrs. Pontellier when he arrived. Since the age of fifteen, which was
+eleven years before, Robert each summer at Grand Isle had constituted
+himself the devoted attendant of some fair dame or damsel. Sometimes
+it was a young girl, again a widow; but as often as not it was some
+interesting married woman.
+
+For two consecutive seasons he lived in the sunlight of Mademoiselle
+Duvigne's presence. But she died between summers; then Robert posed as
+an inconsolable, prostrating himself at the feet of Madame Ratignolle
+for whatever crumbs of sympathy and comfort she might be pleased to
+vouchsafe.
+
+Mrs. Pontellier liked to sit and gaze at her fair companion as she might
+look upon a faultless Madonna.
+
+"Could any one fathom the cruelty beneath that fair exterior?" murmured
+Robert. "She knew that I adored her once, and she let me adore her. It
+was 'Robert, come; go; stand up; sit down; do this; do that; see if the
+baby sleeps; my thimble, please, that I left God knows where. Come and
+read Daudet to me while I sew.'"
+
+"Par exemple! I never had to ask. You were always there under my feet,
+like a troublesome cat."
+
+"You mean like an adoring dog. And just as soon as Ratignolle appeared
+on the scene, then it WAS like a dog. 'Passez! Adieu! Allez vous-en!'"
+
+"Perhaps I feared to make Alphonse jealous," she interjoined, with
+excessive naivete. That made them all laugh. The right hand jealous of
+the left! The heart jealous of the soul! But for that matter, the Creole
+husband is never jealous; with him the gangrene passion is one which has
+become dwarfed by disuse.
+
+Meanwhile Robert, addressing Mrs Pontellier, continued to tell of his
+one time hopeless passion for Madame Ratignolle; of sleepless nights,
+of consuming flames till the very sea sizzled when he took his
+daily plunge. While the lady at the needle kept up a little running,
+contemptuous comment:
+
+"Blagueur--farceur--gros bete, va!"
+
+He never assumed this seriocomic tone when alone with Mrs. Pontellier.
+She never knew precisely what to make of it; at that moment it was
+impossible for her to guess how much of it was jest and what proportion
+was earnest. It was understood that he had often spoken words of love
+to Madame Ratignolle, without any thought of being taken seriously. Mrs.
+Pontellier was glad he had not assumed a similar role toward herself. It
+would have been unacceptable and annoying.
+
+Mrs. Pontellier had brought her sketching materials, which she sometimes
+dabbled with in an unprofessional way. She liked the dabbling. She felt
+in it satisfaction of a kind which no other employment afforded her.
+
+She had long wished to try herself on Madame Ratignolle. Never had that
+lady seemed a more tempting subject than at that moment, seated there
+like some sensuous Madonna, with the gleam of the fading day enriching
+her splendid color.
+
+Robert crossed over and seated himself upon the step below Mrs.
+Pontellier, that he might watch her work. She handled her brushes with
+a certain ease and freedom which came, not from long and close
+acquaintance with them, but from a natural aptitude. Robert followed her
+work with close attention, giving forth little ejaculatory expressions
+of appreciation in French, which he addressed to Madame Ratignolle.
+
+"Mais ce n'est pas mal! Elle s'y connait, elle a de la force, oui."
+
+During his oblivious attention he once quietly rested his head against
+Mrs. Pontellier's arm. As gently she repulsed him. Once again he
+repeated the offense. She could not but believe it to be thoughtlessness
+on his part; yet that was no reason she should submit to it. She did not
+remonstrate, except again to repulse him quietly but firmly. He
+offered no apology. The picture completed bore no resemblance to Madame
+Ratignolle. She was greatly disappointed to find that it did not look
+like her. But it was a fair enough piece of work, and in many respects
+satisfying.
+
+Mrs. Pontellier evidently did not think so. After surveying the sketch
+critically she drew a broad smudge of paint across its surface, and
+crumpled the paper between her hands.
+
+The youngsters came tumbling up the steps, the quadroon following at the
+respectful distance which they required her to observe. Mrs. Pontellier
+made them carry her paints and things into the house. She sought to
+detain them for a little talk and some pleasantry. But they were greatly
+in earnest. They had only come to investigate the contents of the bonbon
+box. They accepted without murmuring what she chose to give them, each
+holding out two chubby hands scoop-like, in the vain hope that they
+might be filled; and then away they went.
+
+The sun was low in the west, and the breeze soft and languorous that
+came up from the south, charged with the seductive odor of the sea.
+Children freshly befurbelowed, were gathering for their games under the
+oaks. Their voices were high and penetrating.
+
+Madame Ratignolle folded her sewing, placing thimble, scissors, and
+thread all neatly together in the roll, which she pinned securely. She
+complained of faintness. Mrs. Pontellier flew for the cologne water and
+a fan. She bathed Madame Ratignolle's face with cologne, while Robert
+plied the fan with unnecessary vigor.
+
+The spell was soon over, and Mrs. Pontellier could not help wondering if
+there were not a little imagination responsible for its origin, for the
+rose tint had never faded from her friend's face.
+
+She stood watching the fair woman walk down the long line of galleries
+with the grace and majesty which queens are sometimes supposed to
+possess. Her little ones ran to meet her. Two of them clung about her
+white skirts, the third she took from its nurse and with a thousand
+endearments bore it along in her own fond, encircling arms. Though, as
+everybody well knew, the doctor had forbidden her to lift so much as a
+pin!
+
+"Are you going bathing?" asked Robert of Mrs. Pontellier. It was not so
+much a question as a reminder.
+
+"Oh, no," she answered, with a tone of indecision. "I'm tired; I think
+not." Her glance wandered from his face away toward the Gulf, whose
+sonorous murmur reached her like a loving but imperative entreaty.
+
+"Oh, come!" he insisted. "You mustn't miss your bath. Come on. The water
+must be delicious; it will not hurt you. Come."
+
+He reached up for her big, rough straw hat that hung on a peg outside
+the door, and put it on her head. They descended the steps, and walked
+away together toward the beach. The sun was low in the west and the
+breeze was soft and warm.
+
+
+
+
+VI
+
+
+Edna Pontellier could not have told why, wishing to go to the beach with
+Robert, she should in the first place have declined, and in the second
+place have followed in obedience to one of the two contradictory
+impulses which impelled her.
+
+A certain light was beginning to dawn dimly within her,--the light
+which, showing the way, forbids it.
+
+At that early period it served but to bewilder her. It moved her to
+dreams, to thoughtfulness, to the shadowy anguish which had overcome her
+the midnight when she had abandoned herself to tears.
+
+In short, Mrs. Pontellier was beginning to realize her position in
+the universe as a human being, and to recognize her relations as an
+individual to the world within and about her. This may seem like a
+ponderous weight of wisdom to descend upon the soul of a young woman of
+twenty-eight--perhaps more wisdom than the Holy Ghost is usually pleased
+to vouchsafe to any woman.
+
+But the beginning of things, of a world especially, is necessarily
+vague, tangled, chaotic, and exceedingly disturbing. How few of us ever
+emerge from such beginning! How many souls perish in its tumult!
+
+The voice of the sea is seductive; never ceasing, whispering, clamoring,
+murmuring, inviting the soul to wander for a spell in abysses of
+solitude; to lose itself in mazes of inward contemplation.
+
+The voice of the sea speaks to the soul. The touch of the sea is
+sensuous, enfolding the body in its soft, close embrace.
+
+
+
+
+
+VII
+
+
+Mrs. Pontellier was not a woman given to confidences, a characteristic
+hitherto contrary to her nature. Even as a child she had lived her
+own small life all within herself. At a very early period she had
+apprehended instinctively the dual life--that outward existence which
+conforms, the inward life which questions.
+
+That summer at Grand Isle she began to loosen a little the mantle of
+reserve that had always enveloped her. There may have been--there
+must have been--influences, both subtle and apparent, working in their
+several ways to induce her to do this; but the most obvious was the
+influence of Adele Ratignolle. The excessive physical charm of the
+Creole had first attracted her, for Edna had a sensuous susceptibility
+to beauty. Then the candor of the woman's whole existence, which every
+one might read, and which formed so striking a contrast to her own
+habitual reserve--this might have furnished a link. Who can tell what
+metals the gods use in forging the subtle bond which we call sympathy,
+which we might as well call love.
+
+The two women went away one morning to the beach together, arm in arm,
+under the huge white sunshade. Edna had prevailed upon Madame Ratignolle
+to leave the children behind, though she could not induce her to
+relinquish a diminutive roll of needlework, which Adele begged to be
+allowed to slip into the depths of her pocket. In some unaccountable way
+they had escaped from Robert.
+
+The walk to the beach was no inconsiderable one, consisting as it did
+of a long, sandy path, upon which a sporadic and tangled growth that
+bordered it on either side made frequent and unexpected inroads. There
+were acres of yellow camomile reaching out on either hand. Further away
+still, vegetable gardens abounded, with frequent small plantations of
+orange or lemon trees intervening. The dark green clusters glistened
+from afar in the sun.
+
+The women were both of goodly height, Madame Ratignolle possessing
+the more feminine and matronly figure. The charm of Edna Pontellier's
+physique stole insensibly upon you. The lines of her body were long,
+clean and symmetrical; it was a body which occasionally fell into
+splendid poses; there was no suggestion of the trim, stereotyped
+fashion-plate about it. A casual and indiscriminating observer, in
+passing, might not cast a second glance upon the figure. But with more
+feeling and discernment he would have recognized the noble beauty of its
+modeling, and the graceful severity of poise and movement, which made
+Edna Pontellier different from the crowd.
+
+She wore a cool muslin that morning--white, with a waving vertical line
+of brown running through it; also a white linen collar and the big straw
+hat which she had taken from the peg outside the door. The hat rested
+any way on her yellow-brown hair, that waved a little, was heavy, and
+clung close to her head.
+
+Madame Ratignolle, more careful of her complexion, had twined a gauze
+veil about her head. She wore dogskin gloves, with gauntlets that
+protected her wrists. She was dressed in pure white, with a fluffiness
+of ruffles that became her. The draperies and fluttering things which
+she wore suited her rich, luxuriant beauty as a greater severity of line
+could not have done.
+
+There were a number of bath-houses along the beach, of rough but solid
+construction, built with small, protecting galleries facing the water.
+Each house consisted of two compartments, and each family at Lebrun's
+possessed a compartment for itself, fitted out with all the essential
+paraphernalia of the bath and whatever other conveniences the owners
+might desire. The two women had no intention of bathing; they had just
+strolled down to the beach for a walk and to be alone and near the
+water. The Pontellier and Ratignolle compartments adjoined one another
+under the same roof.
+
+Mrs. Pontellier had brought down her key through force of habit.
+Unlocking the door of her bath-room she went inside, and soon emerged,
+bringing a rug, which she spread upon the floor of the gallery, and two
+huge hair pillows covered with crash, which she placed against the front
+of the building.
+
+The two seated themselves there in the shade of the porch, side by side,
+with their backs against the pillows and their feet extended. Madame
+Ratignolle removed her veil, wiped her face with a rather delicate
+handkerchief, and fanned herself with the fan which she always carried
+suspended somewhere about her person by a long, narrow ribbon. Edna
+removed her collar and opened her dress at the throat. She took the fan
+from Madame Ratignolle and began to fan both herself and her companion.
+It was very warm, and for a while they did nothing but exchange remarks
+about the heat, the sun, the glare. But there was a breeze blowing, a
+choppy, stiff wind that whipped the water into froth. It fluttered the
+skirts of the two women and kept them for a while engaged in adjusting,
+readjusting, tucking in, securing hair-pins and hat-pins. A few persons
+were sporting some distance away in the water. The beach was very still
+of human sound at that hour. The lady in black was reading her morning
+devotions on the porch of a neighboring bathhouse. Two young lovers were
+exchanging their hearts' yearnings beneath the children's tent, which
+they had found unoccupied.
+
+Edna Pontellier, casting her eyes about, had finally kept them at rest
+upon the sea. The day was clear and carried the gaze out as far as the
+blue sky went; there were a few white clouds suspended idly over the
+horizon. A lateen sail was visible in the direction of Cat Island, and
+others to the south seemed almost motionless in the far distance.
+
+"Of whom--of what are you thinking?" asked Adele of her companion,
+whose countenance she had been watching with a little amused attention,
+arrested by the absorbed expression which seemed to have seized and
+fixed every feature into a statuesque repose.
+
+"Nothing," returned Mrs. Pontellier, with a start, adding at once: "How
+stupid! But it seems to me it is the reply we make instinctively to
+such a question. Let me see," she went on, throwing back her head and
+narrowing her fine eyes till they shone like two vivid points of light.
+"Let me see. I was really not conscious of thinking of anything; but
+perhaps I can retrace my thoughts."
+
+"Oh! never mind!" laughed Madame Ratignolle. "I am not quite so
+exacting. I will let you off this time. It is really too hot to think,
+especially to think about thinking."
+
+"But for the fun of it," persisted Edna. "First of all, the sight of the
+water stretching so far away, those motionless sails against the blue
+sky, made a delicious picture that I just wanted to sit and look at. The
+hot wind beating in my face made me think--without any connection that I
+can trace of a summer day in Kentucky, of a meadow that seemed as big as
+the ocean to the very little girl walking through the grass, which was
+higher than her waist. She threw out her arms as if swimming when she
+walked, beating the tall grass as one strikes out in the water. Oh, I
+see the connection now!"
+
+"Where were you going that day in Kentucky, walking through the grass?"
+
+"I don't remember now. I was just walking diagonally across a big field.
+My sun-bonnet obstructed the view. I could see only the stretch of green
+before me, and I felt as if I must walk on forever, without coming to
+the end of it. I don't remember whether I was frightened or pleased. I
+must have been entertained.
+
+"Likely as not it was Sunday," she laughed; "and I was running away from
+prayers, from the Presbyterian service, read in a spirit of gloom by my
+father that chills me yet to think of."
+
+"And have you been running away from prayers ever since, ma chere?"
+asked Madame Ratignolle, amused.
+
+"No! oh, no!" Edna hastened to say. "I was a little unthinking child in
+those days, just following a misleading impulse without question. On the
+contrary, during one period of my life religion took a firm hold upon
+me; after I was twelve and until-until--why, I suppose until now, though
+I never thought much about it--just driven along by habit. But do you
+know," she broke off, turning her quick eyes upon Madame Ratignolle and
+leaning forward a little so as to bring her face quite close to that
+of her companion, "sometimes I feel this summer as if I were walking
+through the green meadow again; idly, aimlessly, unthinking and
+unguided."
+
+Madame Ratignolle laid her hand over that of Mrs. Pontellier, which was
+near her. Seeing that the hand was not withdrawn, she clasped it firmly
+and warmly. She even stroked it a little, fondly, with the other hand,
+murmuring in an undertone, "Pauvre cherie."
+
+The action was at first a little confusing to Edna, but she soon lent
+herself readily to the Creole's gentle caress. She was not accustomed to
+an outward and spoken expression of affection, either in herself or in
+others. She and her younger sister, Janet, had quarreled a good deal
+through force of unfortunate habit. Her older sister, Margaret, was
+matronly and dignified, probably from having assumed matronly and
+housewifely responsibilities too early in life, their mother having
+died when they were quite young, Margaret was not effusive; she
+was practical. Edna had had an occasional girl friend, but whether
+accidentally or not, they seemed to have been all of one type--the
+self-contained. She never realized that the reserve of her own character
+had much, perhaps everything, to do with this. Her most intimate friend
+at school had been one of rather exceptional intellectual gifts, who
+wrote fine-sounding essays, which Edna admired and strove to imitate;
+and with her she talked and glowed over the English classics, and
+sometimes held religious and political controversies.
+
+Edna often wondered at one propensity which sometimes had inwardly
+disturbed her without causing any outward show or manifestation on her
+part. At a very early age--perhaps it was when she traversed the ocean
+of waving grass--she remembered that she had been passionately enamored
+of a dignified and sad-eyed cavalry officer who visited her father in
+Kentucky. She could not leave his presence when he was there, nor remove
+her eyes from his face, which was something like Napoleon's, with a
+lock of black hair failing across the forehead. But the cavalry officer
+melted imperceptibly out of her existence.
+
+At another time her affections were deeply engaged by a young gentleman
+who visited a lady on a neighboring plantation. It was after they went
+to Mississippi to live. The young man was engaged to be married to the
+young lady, and they sometimes called upon Margaret, driving over of
+afternoons in a buggy. Edna was a little miss, just merging into her
+teens; and the realization that she herself was nothing, nothing,
+nothing to the engaged young man was a bitter affliction to her. But he,
+too, went the way of dreams.
+
+She was a grown young woman when she was overtaken by what she supposed
+to be the climax of her fate. It was when the face and figure of a
+great tragedian began to haunt her imagination and stir her senses. The
+persistence of the infatuation lent it an aspect of genuineness. The
+hopelessness of it colored it with the lofty tones of a great passion.
+
+The picture of the tragedian stood enframed upon her desk. Any one
+may possess the portrait of a tragedian without exciting suspicion or
+comment. (This was a sinister reflection which she cherished.) In the
+presence of others she expressed admiration for his exalted gifts, as
+she handed the photograph around and dwelt upon the fidelity of the
+likeness. When alone she sometimes picked it up and kissed the cold
+glass passionately.
+
+Her marriage to Leonce Pontellier was purely an accident, in this
+respect resembling many other marriages which masquerade as the decrees
+of Fate. It was in the midst of her secret great passion that she met
+him. He fell in love, as men are in the habit of doing, and pressed his
+suit with an earnestness and an ardor which left nothing to be desired.
+He pleased her; his absolute devotion flattered her. She fancied there
+was a sympathy of thought and taste between them, in which fancy she
+was mistaken. Add to this the violent opposition of her father and her
+sister Margaret to her marriage with a Catholic, and we need seek no
+further for the motives which led her to accept Monsieur Pontellier for
+her husband.
+
+The acme of bliss, which would have been a marriage with the tragedian,
+was not for her in this world. As the devoted wife of a man who
+worshiped her, she felt she would take her place with a certain dignity
+in the world of reality, closing the portals forever behind her upon the
+realm of romance and dreams.
+
+But it was not long before the tragedian had gone to join the cavalry
+officer and the engaged young man and a few others; and Edna found
+herself face to face with the realities. She grew fond of her husband,
+realizing with some unaccountable satisfaction that no trace of passion
+or excessive and fictitious warmth colored her affection, thereby
+threatening its dissolution.
+
+She was fond of her children in an uneven, impulsive way. She would
+sometimes gather them passionately to her heart; she would sometimes
+forget them. The year before they had spent part of the summer with
+their grandmother Pontellier in Iberville. Feeling secure regarding
+their happiness and welfare, she did not miss them except with an
+occasional intense longing. Their absence was a sort of relief, though
+she did not admit this, even to herself. It seemed to free her of a
+responsibility which she had blindly assumed and for which Fate had not
+fitted her.
+
+Edna did not reveal so much as all this to Madame Ratignolle that summer
+day when they sat with faces turned to the sea. But a good part of it
+escaped her. She had put her head down on Madame Ratignolle's shoulder.
+She was flushed and felt intoxicated with the sound of her own voice and
+the unaccustomed taste of candor. It muddled her like wine, or like a
+first breath of freedom.
+
+There was the sound of approaching voices. It was Robert, surrounded by
+a troop of children, searching for them. The two little Pontelliers were
+with him, and he carried Madame Ratignolle's little girl in his arms.
+There were other children beside, and two nurse-maids followed, looking
+disagreeable and resigned.
+
+The women at once rose and began to shake out their draperies and relax
+their muscles. Mrs. Pontellier threw the cushions and rug into the
+bath-house. The children all scampered off to the awning, and they stood
+there in a line, gazing upon the intruding lovers, still exchanging
+their vows and sighs. The lovers got up, with only a silent protest, and
+walked slowly away somewhere else.
+
+The children possessed themselves of the tent, and Mrs. Pontellier went
+over to join them.
+
+Madame Ratignolle begged Robert to accompany her to the house; she
+complained of cramp in her limbs and stiffness of the joints. She leaned
+draggingly upon his arm as they walked.
+
+
+
+
+VIII
+
+
+"Do me a favor, Robert," spoke the pretty woman at his side, almost as
+soon as she and Robert had started their slow, homeward way. She looked
+up in his face, leaning on his arm beneath the encircling shadow of the
+umbrella which he had lifted.
+
+"Granted; as many as you like," he returned, glancing down into her eyes
+that were full of thoughtfulness and some speculation.
+
+"I only ask for one; let Mrs. Pontellier alone."
+
+"Tiens!" he exclaimed, with a sudden, boyish laugh. "Voila que Madame
+Ratignolle est jalouse!"
+
+"Nonsense! I'm in earnest; I mean what I say. Let Mrs. Pontellier
+alone."
+
+"Why?" he asked; himself growing serious at his companion's
+solicitation.
+
+"She is not one of us; she is not like us. She might make the
+unfortunate blunder of taking you seriously."
+
+His face flushed with annoyance, and taking off his soft hat he began
+to beat it impatiently against his leg as he walked. "Why shouldn't she
+take me seriously?" he demanded sharply. "Am I a comedian, a clown, a
+jack-in-the-box? Why shouldn't she? You Creoles! I have no patience with
+you! Am I always to be regarded as a feature of an amusing programme? I
+hope Mrs. Pontellier does take me seriously. I hope she has discernment
+enough to find in me something besides the blagueur. If I thought there
+was any doubt--"
+
+"Oh, enough, Robert!" she broke into his heated outburst. "You are
+not thinking of what you are saying. You speak with about as little
+reflection as we might expect from one of those children down there
+playing in the sand. If your attentions to any married women here were
+ever offered with any intention of being convincing, you would not be
+the gentleman we all know you to be, and you would be unfit to associate
+with the wives and daughters of the people who trust you."
+
+Madame Ratignolle had spoken what she believed to be the law and the
+gospel. The young man shrugged his shoulders impatiently.
+
+"Oh! well! That isn't it," slamming his hat down vehemently upon his
+head. "You ought to feel that such things are not flattering to say to a
+fellow."
+
+"Should our whole intercourse consist of an exchange of compliments? Ma
+foi!"
+
+"It isn't pleasant to have a woman tell you--" he went on, unheedingly,
+but breaking off suddenly: "Now if I were like Arobin-you remember Alcee
+Arobin and that story of the consul's wife at Biloxi?" And he related
+the story of Alcee Arobin and the consul's wife; and another about the
+tenor of the French Opera, who received letters which should never
+have been written; and still other stories, grave and gay, till Mrs.
+Pontellier and her possible propensity for taking young men seriously
+was apparently forgotten.
+
+Madame Ratignolle, when they had regained her cottage, went in to take
+the hour's rest which she considered helpful. Before leaving her, Robert
+begged her pardon for the impatience--he called it rudeness--with which
+he had received her well-meant caution.
+
+"You made one mistake, Adele," he said, with a light smile; "there is
+no earthly possibility of Mrs. Pontellier ever taking me seriously. You
+should have warned me against taking myself seriously. Your advice might
+then have carried some weight and given me subject for some reflection.
+Au revoir. But you look tired," he added, solicitously. "Would you like
+a cup of bouillon? Shall I stir you a toddy? Let me mix you a toddy with
+a drop of Angostura."
+
+She acceded to the suggestion of bouillon, which was grateful and
+acceptable. He went himself to the kitchen, which was a building apart
+from the cottages and lying to the rear of the house. And he himself
+brought her the golden-brown bouillon, in a dainty Sevres cup, with a
+flaky cracker or two on the saucer.
+
+She thrust a bare, white arm from the curtain which shielded her open
+door, and received the cup from his hands. She told him he was a bon
+garcon, and she meant it. Robert thanked her and turned away toward "the
+house."
+
+The lovers were just entering the grounds of the pension. They were
+leaning toward each other as the wateroaks bent from the sea. There was
+not a particle of earth beneath their feet. Their heads might have been
+turned upside-down, so absolutely did they tread upon blue ether. The
+lady in black, creeping behind them, looked a trifle paler and more
+jaded than usual. There was no sign of Mrs. Pontellier and the children.
+Robert scanned the distance for any such apparition. They would
+doubtless remain away till the dinner hour. The young man ascended to
+his mother's room. It was situated at the top of the house, made up of
+odd angles and a queer, sloping ceiling. Two broad dormer windows looked
+out toward the Gulf, and as far across it as a man's eye might reach.
+The furnishings of the room were light, cool, and practical.
+
+Madame Lebrun was busily engaged at the sewing-machine. A little black
+girl sat on the floor, and with her hands worked the treadle of the
+machine. The Creole woman does not take any chances which may be avoided
+of imperiling her health.
+
+Robert went over and seated himself on the broad sill of one of the
+dormer windows. He took a book from his pocket and began energetically
+to read it, judging by the precision and frequency with which he turned
+the leaves. The sewing-machine made a resounding clatter in the room;
+it was of a ponderous, by-gone make. In the lulls, Robert and his mother
+exchanged bits of desultory conversation.
+
+"Where is Mrs. Pontellier?"
+
+"Down at the beach with the children."
+
+"I promised to lend her the Goncourt. Don't forget to take it down when
+you go; it's there on the bookshelf over the small table." Clatter,
+clatter, clatter, bang! for the next five or eight minutes.
+
+"Where is Victor going with the rockaway?"
+
+"The rockaway? Victor?"
+
+"Yes; down there in front. He seems to be getting ready to drive away
+somewhere."
+
+"Call him." Clatter, clatter!
+
+Robert uttered a shrill, piercing whistle which might have been heard
+back at the wharf.
+
+"He won't look up."
+
+Madame Lebrun flew to the window. She called "Victor!" She waved a
+handkerchief and called again. The young fellow below got into the
+vehicle and started the horse off at a gallop.
+
+Madame Lebrun went back to the machine, crimson with annoyance. Victor
+was the younger son and brother--a tete montee, with a temper which
+invited violence and a will which no ax could break.
+
+"Whenever you say the word I'm ready to thrash any amount of reason into
+him that he's able to hold."
+
+"If your father had only lived!" Clatter, clatter, clatter, clatter,
+bang! It was a fixed belief with Madame Lebrun that the conduct of the
+universe and all things pertaining thereto would have been manifestly of
+a more intelligent and higher order had not Monsieur Lebrun been removed
+to other spheres during the early years of their married life.
+
+"What do you hear from Montel?" Montel was a middle-aged gentleman whose
+vain ambition and desire for the past twenty years had been to fill
+the void which Monsieur Lebrun's taking off had left in the Lebrun
+household. Clatter, clatter, bang, clatter!
+
+"I have a letter somewhere," looking in the machine drawer and finding
+the letter in the bottom of the workbasket. "He says to tell you he will
+be in Vera Cruz the beginning of next month,"--clatter, clatter!--"and
+if you still have the intention of joining him"--bang! clatter, clatter,
+bang!
+
+"Why didn't you tell me so before, mother? You know I wanted--" Clatter,
+clatter, clatter!
+
+"Do you see Mrs. Pontellier starting back with the children? She will
+be in late to luncheon again. She never starts to get ready for luncheon
+till the last minute." Clatter, clatter! "Where are you going?"
+
+"Where did you say the Goncourt was?"
+
+
+
+
+IX
+
+
+Every light in the hall was ablaze; every lamp turned as high as it
+could be without smoking the chimney or threatening explosion. The lamps
+were fixed at intervals against the wall, encircling the whole room.
+Some one had gathered orange and lemon branches, and with these
+fashioned graceful festoons between. The dark green of the branches
+stood out and glistened against the white muslin curtains which draped
+the windows, and which puffed, floated, and flapped at the capricious
+will of a stiff breeze that swept up from the Gulf.
+
+It was Saturday night a few weeks after the intimate conversation held
+between Robert and Madame Ratignolle on their way from the beach. An
+unusual number of husbands, fathers, and friends had come down to stay
+over Sunday; and they were being suitably entertained by their families,
+with the material help of Madame Lebrun. The dining tables had all been
+removed to one end of the hall, and the chairs ranged about in rows and
+in clusters. Each little family group had had its say and exchanged
+its domestic gossip earlier in the evening. There was now an apparent
+disposition to relax; to widen the circle of confidences and give a more
+general tone to the conversation.
+
+Many of the children had been permitted to sit up beyond their usual
+bedtime. A small band of them were lying on their stomachs on the floor
+looking at the colored sheets of the comic papers which Mr. Pontellier
+had brought down. The little Pontellier boys were permitting them to do
+so, and making their authority felt.
+
+Music, dancing, and a recitation or two were the entertainments
+furnished, or rather, offered. But there was nothing systematic about
+the programme, no appearance of prearrangement nor even premeditation.
+
+At an early hour in the evening the Farival twins were prevailed upon to
+play the piano. They were girls of fourteen, always clad in the Virgin's
+colors, blue and white, having been dedicated to the Blessed Virgin
+at their baptism. They played a duet from "Zampa," and at the earnest
+solicitation of every one present followed it with the overture to "The
+Poet and the Peasant."
+
+"Allez vous-en! Sapristi!" shrieked the parrot outside the door. He was
+the only being present who possessed sufficient candor to admit that he
+was not listening to these gracious performances for the first time that
+summer. Old Monsieur Farival, grandfather of the twins, grew indignant
+over the interruption, and insisted upon having the bird removed and
+consigned to regions of darkness. Victor Lebrun objected; and his
+decrees were as immutable as those of Fate. The parrot fortunately
+offered no further interruption to the entertainment, the whole venom
+of his nature apparently having been cherished up and hurled against the
+twins in that one impetuous outburst.
+
+Later a young brother and sister gave recitations, which every one
+present had heard many times at winter evening entertainments in the
+city.
+
+A little girl performed a skirt dance in the center of the floor.
+The mother played her accompaniments and at the same time watched her
+daughter with greedy admiration and nervous apprehension. She need have
+had no apprehension. The child was mistress of the situation. She had
+been properly dressed for the occasion in black tulle and black silk
+tights. Her little neck and arms were bare, and her hair, artificially
+crimped, stood out like fluffy black plumes over her head. Her poses
+were full of grace, and her little black-shod toes twinkled as they shot
+out and upward with a rapidity and suddenness which were bewildering.
+
+But there was no reason why every one should not dance. Madame
+Ratignolle could not, so it was she who gaily consented to play for the
+others. She played very well, keeping excellent waltz time and infusing
+an expression into the strains which was indeed inspiring. She was
+keeping up her music on account of the children, she said; because she
+and her husband both considered it a means of brightening the home and
+making it attractive.
+
+Almost every one danced but the twins, who could not be induced to
+separate during the brief period when one or the other should be
+whirling around the room in the arms of a man. They might have danced
+together, but they did not think of it.
+
+The children were sent to bed. Some went submissively; others with
+shrieks and protests as they were dragged away. They had been permitted
+to sit up till after the ice-cream, which naturally marked the limit of
+human indulgence.
+
+The ice-cream was passed around with cake--gold and silver cake arranged
+on platters in alternate slices; it had been made and frozen during the
+afternoon back of the kitchen by two black women, under the supervision
+of Victor. It was pronounced a great success--excellent if it had only
+contained a little less vanilla or a little more sugar, if it had been
+frozen a degree harder, and if the salt might have been kept out of
+portions of it. Victor was proud of his achievement, and went about
+recommending it and urging every one to partake of it to excess.
+
+After Mrs. Pontellier had danced twice with her husband, once with
+Robert, and once with Monsieur Ratignolle, who was thin and tall and
+swayed like a reed in the wind when he danced, she went out on the
+gallery and seated herself on the low window-sill, where she commanded a
+view of all that went on in the hall and could look out toward the Gulf.
+There was a soft effulgence in the east. The moon was coming up, and its
+mystic shimmer was casting a million lights across the distant, restless
+water.
+
+"Would you like to hear Mademoiselle Reisz play?" asked Robert, coming
+out on the porch where she was. Of course Edna would like to hear
+Mademoiselle Reisz play; but she feared it would be useless to entreat
+her.
+
+"I'll ask her," he said. "I'll tell her that you want to hear her. She
+likes you. She will come." He turned and hurried away to one of the far
+cottages, where Mademoiselle Reisz was shuffling away. She was dragging
+a chair in and out of her room, and at intervals objecting to the crying
+of a baby, which a nurse in the adjoining cottage was endeavoring to put
+to sleep. She was a disagreeable little woman, no longer young, who
+had quarreled with almost every one, owing to a temper which was
+self-assertive and a disposition to trample upon the rights of others.
+Robert prevailed upon her without any too great difficulty.
+
+She entered the hall with him during a lull in the dance. She made an
+awkward, imperious little bow as she went in. She was a homely woman,
+with a small weazened face and body and eyes that glowed. She had
+absolutely no taste in dress, and wore a batch of rusty black lace with
+a bunch of artificial violets pinned to the side of her hair.
+
+"Ask Mrs. Pontellier what she would like to hear me play," she requested
+of Robert. She sat perfectly still before the piano, not touching the
+keys, while Robert carried her message to Edna at the window. A general
+air of surprise and genuine satisfaction fell upon every one as they saw
+the pianist enter. There was a settling down, and a prevailing air
+of expectancy everywhere. Edna was a trifle embarrassed at being thus
+signaled out for the imperious little woman's favor. She would not dare
+to choose, and begged that Mademoiselle Reisz would please herself in
+her selections.
+
+Edna was what she herself called very fond of music. Musical strains,
+well rendered, had a way of evoking pictures in her mind. She sometimes
+liked to sit in the room of mornings when Madame Ratignolle played
+or practiced. One piece which that lady played Edna had entitled
+"Solitude." It was a short, plaintive, minor strain. The name of the
+piece was something else, but she called it "Solitude." When she heard
+it there came before her imagination the figure of a man standing beside
+a desolate rock on the seashore. He was naked. His attitude was one
+of hopeless resignation as he looked toward a distant bird winging its
+flight away from him.
+
+Another piece called to her mind a dainty young woman clad in an Empire
+gown, taking mincing dancing steps as she came down a long avenue
+between tall hedges. Again, another reminded her of children at play,
+and still another of nothing on earth but a demure lady stroking a cat.
+
+The very first chords which Mademoiselle Reisz struck upon the piano
+sent a keen tremor down Mrs. Pontellier's spinal column. It was not
+the first time she had heard an artist at the piano. Perhaps it was the
+first time she was ready, perhaps the first time her being was tempered
+to take an impress of the abiding truth.
+
+She waited for the material pictures which she thought would gather and
+blaze before her imagination. She waited in vain. She saw no pictures
+of solitude, of hope, of longing, or of despair. But the very passions
+themselves were aroused within her soul, swaying it, lashing it, as the
+waves daily beat upon her splendid body. She trembled, she was choking,
+and the tears blinded her.
+
+Mademoiselle had finished. She arose, and bowing her stiff, lofty bow,
+she went away, stopping for neither thanks nor applause. As she passed
+along the gallery she patted Edna upon the shoulder.
+
+"Well, how did you like my music?" she asked. The young woman was
+unable to answer; she pressed the hand of the pianist convulsively.
+Mademoiselle Reisz perceived her agitation and even her tears. She
+patted her again upon the shoulder as she said:
+
+"You are the only one worth playing for. Those others? Bah!" and she
+went shuffling and sidling on down the gallery toward her room.
+
+But she was mistaken about "those others." Her playing had aroused a
+fever of enthusiasm. "What passion!" "What an artist!" "I have always
+said no one could play Chopin like Mademoiselle Reisz!" "That last
+prelude! Bon Dieu! It shakes a man!"
+
+It was growing late, and there was a general disposition to disband. But
+some one, perhaps it was Robert, thought of a bath at that mystic hour
+and under that mystic moon.
+
+
+
+
+X
+
+
+At all events Robert proposed it, and there was not a dissenting voice.
+There was not one but was ready to follow when he led the way. He did
+not lead the way, however, he directed the way; and he himself loitered
+behind with the lovers, who had betrayed a disposition to linger and
+hold themselves apart. He walked between them, whether with malicious or
+mischievous intent was not wholly clear, even to himself.
+
+The Pontelliers and Ratignolles walked ahead; the women leaning upon the
+arms of their husbands. Edna could hear Robert's voice behind them,
+and could sometimes hear what he said. She wondered why he did not join
+them. It was unlike him not to. Of late he had sometimes held away from
+her for an entire day, redoubling his devotion upon the next and the
+next, as though to make up for hours that had been lost. She missed him
+the days when some pretext served to take him away from her, just as one
+misses the sun on a cloudy day without having thought much about the sun
+when it was shining.
+
+The people walked in little groups toward the beach. They talked and
+laughed; some of them sang. There was a band playing down at Klein's
+hotel, and the strains reached them faintly, tempered by the distance.
+There were strange, rare odors abroad--a tangle of the sea smell and of
+weeds and damp, new-plowed earth, mingled with the heavy perfume of a
+field of white blossoms somewhere near. But the night sat lightly upon
+the sea and the land. There was no weight of darkness; there were no
+shadows. The white light of the moon had fallen upon the world like the
+mystery and the softness of sleep.
+
+Most of them walked into the water as though into a native element. The
+sea was quiet now, and swelled lazily in broad billows that melted into
+one another and did not break except upon the beach in little foamy
+crests that coiled back like slow, white serpents.
+
+Edna had attempted all summer to learn to swim. She had received
+instructions from both the men and women; in some instances from the
+children. Robert had pursued a system of lessons almost daily; and he
+was nearly at the point of discouragement in realizing the futility of
+his efforts. A certain ungovernable dread hung about her when in the
+water, unless there was a hand near by that might reach out and reassure
+her.
+
+But that night she was like the little tottering, stumbling, clutching
+child, who of a sudden realizes its powers, and walks for the first time
+alone, boldly and with over-confidence. She could have shouted for joy.
+She did shout for joy, as with a sweeping stroke or two she lifted her
+body to the surface of the water.
+
+A feeling of exultation overtook her, as if some power of significant
+import had been given her to control the working of her body and her
+soul. She grew daring and reckless, overestimating her strength. She
+wanted to swim far out, where no woman had swum before.
+
+Her unlooked-for achievement was the subject of wonder, applause, and
+admiration. Each one congratulated himself that his special teachings
+had accomplished this desired end.
+
+"How easy it is!" she thought. "It is nothing," she said aloud; "why did
+I not discover before that it was nothing. Think of the time I have lost
+splashing about like a baby!" She would not join the groups in their
+sports and bouts, but intoxicated with her newly conquered power, she
+swam out alone.
+
+She turned her face seaward to gather in an impression of space and
+solitude, which the vast expanse of water, meeting and melting with the
+moonlit sky, conveyed to her excited fancy. As she swam she seemed to be
+reaching out for the unlimited in which to lose herself.
+
+Once she turned and looked toward the shore, toward the people she had
+left there. She had not gone any great distance--that is, what would
+have been a great distance for an experienced swimmer. But to her
+unaccustomed vision the stretch of water behind her assumed the aspect
+of a barrier which her unaided strength would never be able to overcome.
+
+A quick vision of death smote her soul, and for a second of time
+appalled and enfeebled her senses. But by an effort she rallied her
+staggering faculties and managed to regain the land.
+
+She made no mention of her encounter with death and her flash of terror,
+except to say to her husband, "I thought I should have perished out
+there alone."
+
+"You were not so very far, my dear; I was watching you," he told her.
+
+Edna went at once to the bath-house, and she had put on her dry clothes
+and was ready to return home before the others had left the water. She
+started to walk away alone. They all called to her and shouted to her.
+She waved a dissenting hand, and went on, paying no further heed to
+their renewed cries which sought to detain her.
+
+"Sometimes I am tempted to think that Mrs. Pontellier is capricious,"
+said Madame Lebrun, who was amusing herself immensely and feared that
+Edna's abrupt departure might put an end to the pleasure.
+
+"I know she is," assented Mr. Pontellier; "sometimes, not often."
+
+Edna had not traversed a quarter of the distance on her way home before
+she was overtaken by Robert.
+
+"Did you think I was afraid?" she asked him, without a shade of
+annoyance.
+
+"No; I knew you weren't afraid."
+
+"Then why did you come? Why didn't you stay out there with the others?"
+
+"I never thought of it."
+
+"Thought of what?"
+
+"Of anything. What difference does it make?"
+
+"I'm very tired," she uttered, complainingly.
+
+"I know you are."
+
+"You don't know anything about it. Why should you know? I never was so
+exhausted in my life. But it isn't unpleasant. A thousand emotions have
+swept through me to-night. I don't comprehend half of them. Don't mind
+what I'm saying; I am just thinking aloud. I wonder if I shall ever
+be stirred again as Mademoiselle Reisz's playing moved me to-night. I
+wonder if any night on earth will ever again be like this one. It is
+like a night in a dream. The people about me are like some uncanny,
+half-human beings. There must be spirits abroad to-night."
+
+"There are," whispered Robert, "Didn't you know this was the
+twenty-eighth of August?"
+
+"The twenty-eighth of August?"
+
+"Yes. On the twenty-eighth of August, at the hour of midnight, and if
+the moon is shining--the moon must be shining--a spirit that has haunted
+these shores for ages rises up from the Gulf. With its own penetrating
+vision the spirit seeks some one mortal worthy to hold him
+company, worthy of being exalted for a few hours into realms of the
+semi-celestials. His search has always hitherto been fruitless, and he
+has sunk back, disheartened, into the sea. But to-night he found Mrs.
+Pontellier. Perhaps he will never wholly release her from the spell.
+Perhaps she will never again suffer a poor, unworthy earthling to walk
+in the shadow of her divine presence."
+
+"Don't banter me," she said, wounded at what appeared to be his
+flippancy. He did not mind the entreaty, but the tone with its delicate
+note of pathos was like a reproach. He could not explain; he could not
+tell her that he had penetrated her mood and understood. He said
+nothing except to offer her his arm, for, by her own admission, she
+was exhausted. She had been walking alone with her arms hanging limp,
+letting her white skirts trail along the dewy path. She took his arm,
+but she did not lean upon it. She let her hand lie listlessly, as though
+her thoughts were elsewhere--somewhere in advance of her body, and she
+was striving to overtake them.
+
+Robert assisted her into the hammock which swung from the post before
+her door out to the trunk of a tree.
+
+"Will you stay out here and wait for Mr. Pontellier?" he asked.
+
+"I'll stay out here. Good-night."
+
+"Shall I get you a pillow?"
+
+"There's one here," she said, feeling about, for they were in the
+shadow.
+
+"It must be soiled; the children have been tumbling it about."
+
+"No matter." And having discovered the pillow, she adjusted it beneath
+her head. She extended herself in the hammock with a deep breath of
+relief. She was not a supercilious or an over-dainty woman. She was not
+much given to reclining in the hammock, and when she did so it was with
+no cat-like suggestion of voluptuous ease, but with a beneficent repose
+which seemed to invade her whole body.
+
+"Shall I stay with you till Mr. Pontellier comes?" asked Robert, seating
+himself on the outer edge of one of the steps and taking hold of the
+hammock rope which was fastened to the post.
+
+"If you wish. Don't swing the hammock. Will you get my white shawl which
+I left on the window-sill over at the house?"
+
+"Are you chilly?"
+
+"No; but I shall be presently."
+
+"Presently?" he laughed. "Do you know what time it is? How long are you
+going to stay out here?"
+
+"I don't know. Will you get the shawl?"
+
+"Of course I will," he said, rising. He went over to the house, walking
+along the grass. She watched his figure pass in and out of the strips of
+moonlight. It was past midnight. It was very quiet.
+
+When he returned with the shawl she took it and kept it in her hand. She
+did not put it around her.
+
+"Did you say I should stay till Mr. Pontellier came back?"
+
+"I said you might if you wished to."
+
+He seated himself again and rolled a cigarette, which he smoked in
+silence. Neither did Mrs. Pontellier speak. No multitude of words
+could have been more significant than those moments of silence, or more
+pregnant with the first-felt throbbings of desire.
+
+When the voices of the bathers were heard approaching, Robert said
+good-night. She did not answer him. He thought she was asleep. Again
+she watched his figure pass in and out of the strips of moonlight as he
+walked away.
+
+
+
+
+
+XI
+
+
+"What are you doing out here, Edna? I thought I should find you in bed,"
+said her husband, when he discovered her lying there. He had walked up
+with Madame Lebrun and left her at the house. His wife did not reply.
+
+"Are you asleep?" he asked, bending down close to look at her.
+
+"No." Her eyes gleamed bright and intense, with no sleepy shadows, as
+they looked into his.
+
+"Do you know it is past one o'clock? Come on," and he mounted the steps
+and went into their room.
+
+"Edna!" called Mr. Pontellier from within, after a few moments had gone
+by.
+
+"Don't wait for me," she answered. He thrust his head through the door.
+
+"You will take cold out there," he said, irritably. "What folly is this?
+Why don't you come in?"
+
+"It isn't cold; I have my shawl."
+
+"The mosquitoes will devour you."
+
+"There are no mosquitoes."
+
+She heard him moving about the room; every sound indicating impatience
+and irritation. Another time she would have gone in at his request. She
+would, through habit, have yielded to his desire; not with any sense of
+submission or obedience to his compelling wishes, but unthinkingly, as
+we walk, move, sit, stand, go through the daily treadmill of the life
+which has been portioned out to us.
+
+"Edna, dear, are you not coming in soon?" he asked again, this time
+fondly, with a note of entreaty.
+
+"No; I am going to stay out here."
+
+"This is more than folly," he blurted out. "I can't permit you to stay
+out there all night. You must come in the house instantly."
+
+With a writhing motion she settled herself more securely in the hammock.
+She perceived that her will had blazed up, stubborn and resistant. She
+could not at that moment have done other than denied and resisted. She
+wondered if her husband had ever spoken to her like that before, and if
+she had submitted to his command. Of course she had; she remembered that
+she had. But she could not realize why or how she should have yielded,
+feeling as she then did.
+
+"Leonce, go to bed," she said, "I mean to stay out here. I don't wish to
+go in, and I don't intend to. Don't speak to me like that again; I shall
+not answer you."
+
+Mr. Pontellier had prepared for bed, but he slipped on an extra garment.
+He opened a bottle of wine, of which he kept a small and select supply
+in a buffet of his own. He drank a glass of the wine and went out on the
+gallery and offered a glass to his wife. She did not wish any. He drew
+up the rocker, hoisted his slippered feet on the rail, and proceeded
+to smoke a cigar. He smoked two cigars; then he went inside and drank
+another glass of wine. Mrs. Pontellier again declined to accept a glass
+when it was offered to her. Mr. Pontellier once more seated himself with
+elevated feet, and after a reasonable interval of time smoked some more
+cigars.
+
+Edna began to feel like one who awakens gradually out of a dream, a
+delicious, grotesque, impossible dream, to feel again the realities
+pressing into her soul. The physical need for sleep began to overtake
+her; the exuberance which had sustained and exalted her spirit left her
+helpless and yielding to the conditions which crowded her in.
+
+The stillest hour of the night had come, the hour before dawn, when the
+world seems to hold its breath. The moon hung low, and had turned from
+silver to copper in the sleeping sky. The old owl no longer hooted, and
+the water-oaks had ceased to moan as they bent their heads.
+
+Edna arose, cramped from lying so long and still in the hammock. She
+tottered up the steps, clutching feebly at the post before passing into
+the house.
+
+"Are you coming in, Leonce?" she asked, turning her face toward her
+husband.
+
+"Yes, dear," he answered, with a glance following a misty puff of smoke.
+"Just as soon as I have finished my cigar."
+
+
+
+
+XII
+
+
+She slept but a few hours. They were troubled and feverish hours,
+disturbed with dreams that were intangible, that eluded her, leaving
+only an impression upon her half-awakened senses of something
+unattainable. She was up and dressed in the cool of the early morning.
+The air was invigorating and steadied somewhat her faculties. However,
+she was not seeking refreshment or help from any source, either external
+or from within. She was blindly following whatever impulse moved her,
+as if she had placed herself in alien hands for direction, and freed her
+soul of responsibility.
+
+Most of the people at that early hour were still in bed and asleep.
+A few, who intended to go over to the Cheniere for mass, were moving
+about. The lovers, who had laid their plans the night before, were
+already strolling toward the wharf. The lady in black, with her Sunday
+prayer-book, velvet and gold-clasped, and her Sunday silver beads, was
+following them at no great distance. Old Monsieur Farival was up, and
+was more than half inclined to do anything that suggested itself. He
+put on his big straw hat, and taking his umbrella from the stand in the
+hall, followed the lady in black, never overtaking her.
+
+The little negro girl who worked Madame Lebrun's sewing-machine was
+sweeping the galleries with long, absent-minded strokes of the broom.
+Edna sent her up into the house to awaken Robert.
+
+"Tell him I am going to the Cheniere. The boat is ready; tell him to
+hurry."
+
+He had soon joined her. She had never sent for him before. She had never
+asked for him. She had never seemed to want him before. She did not
+appear conscious that she had done anything unusual in commanding
+his presence. He was apparently equally unconscious of anything
+extraordinary in the situation. But his face was suffused with a quiet
+glow when he met her.
+
+They went together back to the kitchen to drink coffee. There was no
+time to wait for any nicety of service. They stood outside the window
+and the cook passed them their coffee and a roll, which they drank and
+ate from the window-sill. Edna said it tasted good.
+
+She had not thought of coffee nor of anything. He told her he had often
+noticed that she lacked forethought.
+
+"Wasn't it enough to think of going to the Cheniere and waking you up?"
+she laughed. "Do I have to think of everything?--as Leonce says when
+he's in a bad humor. I don't blame him; he'd never be in a bad humor if
+it weren't for me."
+
+They took a short cut across the sands. At a distance they could see
+the curious procession moving toward the wharf--the lovers, shoulder to
+shoulder, creeping; the lady in black, gaining steadily upon them; old
+Monsieur Farival, losing ground inch by inch, and a young barefooted
+Spanish girl, with a red kerchief on her head and a basket on her arm,
+bringing up the rear.
+
+Robert knew the girl, and he talked to her a little in the boat. No one
+present understood what they said. Her name was Mariequita. She had a
+round, sly, piquant face and pretty black eyes. Her hands were small,
+and she kept them folded over the handle of her basket. Her feet were
+broad and coarse. She did not strive to hide them. Edna looked at her
+feet, and noticed the sand and slime between her brown toes.
+
+Beaudelet grumbled because Mariequita was there, taking up so much room.
+In reality he was annoyed at having old Monsieur Farival, who considered
+himself the better sailor of the two. But he would not quarrel with
+so old a man as Monsieur Farival, so he quarreled with Mariequita. The
+girl was deprecatory at one moment, appealing to Robert. She was saucy
+the next, moving her head up and down, making "eyes" at Robert and
+making "mouths" at Beaudelet.
+
+The lovers were all alone. They saw nothing, they heard nothing. The
+lady in black was counting her beads for the third time. Old Monsieur
+Farival talked incessantly of what he knew about handling a boat, and of
+what Beaudelet did not know on the same subject.
+
+Edna liked it all. She looked Mariequita up and down, from her ugly
+brown toes to her pretty black eyes, and back again.
+
+"Why does she look at me like that?" inquired the girl of Robert.
+
+"Maybe she thinks you are pretty. Shall I ask her?"
+
+"No. Is she your sweetheart?"
+
+"She's a married lady, and has two children."
+
+"Oh! well! Francisco ran away with Sylvano's wife, who had four
+children. They took all his money and one of the children and stole his
+boat."
+
+"Shut up!"
+
+"Does she understand?"
+
+"Oh, hush!"
+
+"Are those two married over there--leaning on each other?"
+
+"Of course not," laughed Robert.
+
+"Of course not," echoed Mariequita, with a serious, confirmatory bob of
+the head.
+
+The sun was high up and beginning to bite. The swift breeze seemed
+to Edna to bury the sting of it into the pores of her face and hands.
+Robert held his umbrella over her. As they went cutting sidewise through
+the water, the sails bellied taut, with the wind filling and overflowing
+them. Old Monsieur Farival laughed sardonically at something as he
+looked at the sails, and Beaudelet swore at the old man under his
+breath.
+
+Sailing across the bay to the Cheniere Caminada, Edna felt as if she
+were being borne away from some anchorage which had held her fast, whose
+chains had been loosening--had snapped the night before when the mystic
+spirit was abroad, leaving her free to drift whithersoever she chose
+to set her sails. Robert spoke to her incessantly; he no longer noticed
+Mariequita. The girl had shrimps in her bamboo basket. They were covered
+with Spanish moss. She beat the moss down impatiently, and muttered to
+herself sullenly.
+
+"Let us go to Grande Terre to-morrow?" said Robert in a low voice.
+
+"What shall we do there?"
+
+"Climb up the hill to the old fort and look at the little wriggling gold
+snakes, and watch the lizards sun themselves."
+
+She gazed away toward Grande Terre and thought she would like to be
+alone there with Robert, in the sun, listening to the ocean's roar and
+watching the slimy lizards writhe in and out among the ruins of the old
+fort.
+
+"And the next day or the next we can sail to the Bayou Brulow," he went
+on.
+
+"What shall we do there?"
+
+"Anything--cast bait for fish."
+
+"No; we'll go back to Grande Terre. Let the fish alone."
+
+"We'll go wherever you like," he said. "I'll have Tonie come over and
+help me patch and trim my boat. We shall not need Beaudelet nor any one.
+Are you afraid of the pirogue?"
+
+"Oh, no."
+
+"Then I'll take you some night in the pirogue when the moon shines.
+Maybe your Gulf spirit will whisper to you in which of these islands the
+treasures are hidden--direct you to the very spot, perhaps."
+
+"And in a day we should be rich!" she laughed. "I'd give it all to you,
+the pirate gold and every bit of treasure we could dig up. I think you
+would know how to spend it. Pirate gold isn't a thing to be hoarded or
+utilized. It is something to squander and throw to the four winds, for
+the fun of seeing the golden specks fly."
+
+"We'd share it, and scatter it together," he said. His face flushed.
+
+They all went together up to the quaint little Gothic church of Our Lady
+of Lourdes, gleaming all brown and yellow with paint in the sun's glare.
+
+Only Beaudelet remained behind, tinkering at his boat, and Mariequita
+walked away with her basket of shrimps, casting a look of childish ill
+humor and reproach at Robert from the corner of her eye.
+
+
+
+
+XIII
+
+
+A feeling of oppression and drowsiness overcame Edna during the service.
+Her head began to ache, and the lights on the altar swayed before
+her eyes. Another time she might have made an effort to regain her
+composure; but her one thought was to quit the stifling atmosphere of
+the church and reach the open air. She arose, climbing over Robert's
+feet with a muttered apology. Old Monsieur Farival, flurried, curious,
+stood up, but upon seeing that Robert had followed Mrs. Pontellier, he
+sank back into his seat. He whispered an anxious inquiry of the lady in
+black, who did not notice him or reply, but kept her eyes fastened upon
+the pages of her velvet prayer-book.
+
+"I felt giddy and almost overcome," Edna said, lifting her hands
+instinctively to her head and pushing her straw hat up from her
+forehead. "I couldn't have stayed through the service." They were
+outside in the shadow of the church. Robert was full of solicitude.
+
+"It was folly to have thought of going in the first place, let alone
+staying. Come over to Madame Antoine's; you can rest there." He took her
+arm and led her away, looking anxiously and continuously down into her
+face.
+
+How still it was, with only the voice of the sea whispering through the
+reeds that grew in the salt-water pools! The long line of little gray,
+weather-beaten houses nestled peacefully among the orange trees. It must
+always have been God's day on that low, drowsy island, Edna thought.
+They stopped, leaning over a jagged fence made of sea-drift, to ask
+for water. A youth, a mild-faced Acadian, was drawing water from the
+cistern, which was nothing more than a rusty buoy, with an opening on
+one side, sunk in the ground. The water which the youth handed to them
+in a tin pail was not cold to taste, but it was cool to her heated face,
+and it greatly revived and refreshed her.
+
+Madame Antoine's cot was at the far end of the village. She welcomed
+them with all the native hospitality, as she would have opened her door
+to let the sunlight in. She was fat, and walked heavily and clumsily
+across the floor. She could speak no English, but when Robert made her
+understand that the lady who accompanied him was ill and desired to
+rest, she was all eagerness to make Edna feel at home and to dispose of
+her comfortably.
+
+The whole place was immaculately clean, and the big, four-posted bed,
+snow-white, invited one to repose. It stood in a small side room which
+looked out across a narrow grass plot toward the shed, where there was a
+disabled boat lying keel upward.
+
+Madame Antoine had not gone to mass. Her son Tonie had, but she supposed
+he would soon be back, and she invited Robert to be seated and wait for
+him. But he went and sat outside the door and smoked. Madame Antoine
+busied herself in the large front room preparing dinner. She was boiling
+mullets over a few red coals in the huge fireplace.
+
+Edna, left alone in the little side room, loosened her clothes, removing
+the greater part of them. She bathed her face, her neck and arms in
+the basin that stood between the windows. She took off her shoes and
+stockings and stretched herself in the very center of the high, white
+bed. How luxurious it felt to rest thus in a strange, quaint bed,
+with its sweet country odor of laurel lingering about the sheets and
+mattress! She stretched her strong limbs that ached a little. She ran
+her fingers through her loosened hair for a while. She looked at her
+round arms as she held them straight up and rubbed them one after the
+other, observing closely, as if it were something she saw for the first
+time, the fine, firm quality and texture of her flesh. She clasped her
+hands easily above her head, and it was thus she fell asleep.
+
+She slept lightly at first, half awake and drowsily attentive to the
+things about her. She could hear Madame Antoine's heavy, scraping tread
+as she walked back and forth on the sanded floor. Some chickens were
+clucking outside the windows, scratching for bits of gravel in the
+grass. Later she half heard the voices of Robert and Tonie talking under
+the shed. She did not stir. Even her eyelids rested numb and heavily
+over her sleepy eyes. The voices went on--Tonie's slow, Acadian drawl,
+Robert's quick, soft, smooth French. She understood French imperfectly
+unless directly addressed, and the voices were only part of the other
+drowsy, muffled sounds lulling her senses.
+
+When Edna awoke it was with the conviction that she had slept long and
+soundly. The voices were hushed under the shed. Madame Antoine's step
+was no longer to be heard in the adjoining room. Even the chickens had
+gone elsewhere to scratch and cluck. The mosquito bar was drawn over
+her; the old woman had come in while she slept and let down the bar.
+Edna arose quietly from the bed, and looking between the curtains of the
+window, she saw by the slanting rays of the sun that the afternoon was
+far advanced. Robert was out there under the shed, reclining in the
+shade against the sloping keel of the overturned boat. He was reading
+from a book. Tonie was no longer with him. She wondered what had become
+of the rest of the party. She peeped out at him two or three times as
+she stood washing herself in the little basin between the windows.
+
+Madame Antoine had laid some coarse, clean towels upon a chair, and had
+placed a box of poudre de riz within easy reach. Edna dabbed the powder
+upon her nose and cheeks as she looked at herself closely in the little
+distorted mirror which hung on the wall above the basin. Her eyes were
+bright and wide awake and her face glowed.
+
+When she had completed her toilet she walked into the adjoining room.
+She was very hungry. No one was there. But there was a cloth spread upon
+the table that stood against the wall, and a cover was laid for one,
+with a crusty brown loaf and a bottle of wine beside the plate. Edna bit
+a piece from the brown loaf, tearing it with her strong, white teeth.
+She poured some of the wine into the glass and drank it down. Then she
+went softly out of doors, and plucking an orange from the low-hanging
+bough of a tree, threw it at Robert, who did not know she was awake and
+up.
+
+An illumination broke over his whole face when he saw her and joined her
+under the orange tree.
+
+"How many years have I slept?" she inquired. "The whole island seems
+changed. A new race of beings must have sprung up, leaving only you and
+me as past relics. How many ages ago did Madame Antoine and Tonie die?
+and when did our people from Grand Isle disappear from the earth?"
+
+He familiarly adjusted a ruffle upon her shoulder.
+
+"You have slept precisely one hundred years. I was left here to guard
+your slumbers; and for one hundred years I have been out under the shed
+reading a book. The only evil I couldn't prevent was to keep a broiled
+fowl from drying up."
+
+"If it has turned to stone, still will I eat it," said Edna, moving with
+him into the house. "But really, what has become of Monsieur Farival and
+the others?"
+
+"Gone hours ago. When they found that you were sleeping they thought
+it best not to awake you. Any way, I wouldn't have let them. What was I
+here for?"
+
+"I wonder if Leonce will be uneasy!" she speculated, as she seated
+herself at table.
+
+"Of course not; he knows you are with me," Robert replied, as he
+busied himself among sundry pans and covered dishes which had been left
+standing on the hearth.
+
+"Where are Madame Antoine and her son?" asked Edna.
+
+"Gone to Vespers, and to visit some friends, I believe. I am to take you
+back in Tonie's boat whenever you are ready to go."
+
+He stirred the smoldering ashes till the broiled fowl began to sizzle
+afresh. He served her with no mean repast, dripping the coffee anew
+and sharing it with her. Madame Antoine had cooked little else than
+the mullets, but while Edna slept Robert had foraged the island. He was
+childishly gratified to discover her appetite, and to see the relish
+with which she ate the food which he had procured for her.
+
+"Shall we go right away?" she asked, after draining her glass and
+brushing together the crumbs of the crusty loaf.
+
+"The sun isn't as low as it will be in two hours," he answered.
+
+"The sun will be gone in two hours."
+
+"Well, let it go; who cares!"
+
+They waited a good while under the orange trees, till Madame Antoine
+came back, panting, waddling, with a thousand apologies to explain
+her absence. Tonie did not dare to return. He was shy, and would not
+willingly face any woman except his mother.
+
+It was very pleasant to stay there under the orange trees, while the sun
+dipped lower and lower, turning the western sky to flaming copper and
+gold. The shadows lengthened and crept out like stealthy, grotesque
+monsters across the grass.
+
+Edna and Robert both sat upon the ground--that is, he lay upon the
+ground beside her, occasionally picking at the hem of her muslin gown.
+
+Madame Antoine seated her fat body, broad and squat, upon a bench beside
+the door. She had been talking all the afternoon, and had wound herself
+up to the storytelling pitch.
+
+And what stories she told them! But twice in her life she had left the
+Cheniere Caminada, and then for the briefest span. All her years she
+had squatted and waddled there upon the island, gathering legends of the
+Baratarians and the sea. The night came on, with the moon to lighten
+it. Edna could hear the whispering voices of dead men and the click of
+muffled gold.
+
+When she and Robert stepped into Tonie's boat, with the red lateen sail,
+misty spirit forms were prowling in the shadows and among the reeds, and
+upon the water were phantom ships, speeding to cover.
+
+
+
+
+XIV
+
+
+The youngest boy, Etienne, had been very naughty, Madame Ratignolle
+said, as she delivered him into the hands of his mother. He had been
+unwilling to go to bed and had made a scene; whereupon she had taken
+charge of him and pacified him as well as she could. Raoul had been in
+bed and asleep for two hours.
+
+The youngster was in his long white nightgown, that kept tripping him
+up as Madame Ratignolle led him along by the hand. With the other chubby
+fist he rubbed his eyes, which were heavy with sleep and ill humor. Edna
+took him in her arms, and seating herself in the rocker, began to coddle
+and caress him, calling him all manner of tender names, soothing him to
+sleep.
+
+It was not more than nine o'clock. No one had yet gone to bed but the
+children.
+
+Leonce had been very uneasy at first, Madame Ratignolle said, and had
+wanted to start at once for the Cheniere. But Monsieur Farival had
+assured him that his wife was only overcome with sleep and fatigue, that
+Tonie would bring her safely back later in the day; and he had thus been
+dissuaded from crossing the bay. He had gone over to Klein's, looking
+up some cotton broker whom he wished to see in regard to securities,
+exchanges, stocks, bonds, or something of the sort, Madame Ratignolle
+did not remember what. He said he would not remain away late. She
+herself was suffering from heat and oppression, she said. She carried
+a bottle of salts and a large fan. She would not consent to remain
+with Edna, for Monsieur Ratignolle was alone, and he detested above all
+things to be left alone.
+
+When Etienne had fallen asleep Edna bore him into the back room, and
+Robert went and lifted the mosquito bar that she might lay the child
+comfortably in his bed. The quadroon had vanished. When they emerged
+from the cottage Robert bade Edna good-night.
+
+"Do you know we have been together the whole livelong day, Robert--since
+early this morning?" she said at parting.
+
+"All but the hundred years when you were sleeping. Goodnight."
+
+He pressed her hand and went away in the direction of the beach. He did
+not join any of the others, but walked alone toward the Gulf.
+
+Edna stayed outside, awaiting her husband's return. She had no desire
+to sleep or to retire; nor did she feel like going over to sit with the
+Ratignolles, or to join Madame Lebrun and a group whose animated voices
+reached her as they sat in conversation before the house. She let her
+mind wander back over her stay at Grand Isle; and she tried to discover
+wherein this summer had been different from any and every other summer
+of her life. She could only realize that she herself--her present
+self--was in some way different from the other self. That she was seeing
+with different eyes and making the acquaintance of new conditions
+in herself that colored and changed her environment, she did not yet
+suspect.
+
+She wondered why Robert had gone away and left her. It did not occur to
+her to think he might have grown tired of being with her the livelong
+day. She was not tired, and she felt that he was not. She regretted that
+he had gone. It was so much more natural to have him stay when he was
+not absolutely required to leave her.
+
+As Edna waited for her husband she sang low a little song that Robert
+had sung as they crossed the bay. It began with "Ah! Si tu savais," and
+every verse ended with "si tu savais."
+
+Robert's voice was not pretentious. It was musical and true. The voice,
+the notes, the whole refrain haunted her memory.
+
+
+
+
+XV
+
+
+When Edna entered the dining-room one evening a little late, as was her
+habit, an unusually animated conversation seemed to be going on. Several
+persons were talking at once, and Victor's voice was predominating,
+even over that of his mother. Edna had returned late from her bath, had
+dressed in some haste, and her face was flushed. Her head, set off by
+her dainty white gown, suggested a rich, rare blossom. She took her seat
+at table between old Monsieur Farival and Madame Ratignolle.
+
+As she seated herself and was about to begin to eat her soup, which
+had been served when she entered the room, several persons informed her
+simultaneously that Robert was going to Mexico. She laid her spoon down
+and looked about her bewildered. He had been with her, reading to her
+all the morning, and had never even mentioned such a place as Mexico.
+She had not seen him during the afternoon; she had heard some one say he
+was at the house, upstairs with his mother. This she had thought nothing
+of, though she was surprised when he did not join her later in the
+afternoon, when she went down to the beach.
+
+She looked across at him, where he sat beside Madame Lebrun, who
+presided. Edna's face was a blank picture of bewilderment, which she
+never thought of disguising. He lifted his eyebrows with the pretext
+of a smile as he returned her glance. He looked embarrassed and uneasy.
+"When is he going?" she asked of everybody in general, as if Robert were
+not there to answer for himself.
+
+"To-night!" "This very evening!" "Did you ever!" "What possesses him!"
+were some of the replies she gathered, uttered simultaneously in French
+and English.
+
+"Impossible!" she exclaimed. "How can a person start off from Grand Isle
+to Mexico at a moment's notice, as if he were going over to Klein's or
+to the wharf or down to the beach?"
+
+"I said all along I was going to Mexico; I've been saying so for years!"
+cried Robert, in an excited and irritable tone, with the air of a man
+defending himself against a swarm of stinging insects.
+
+Madame Lebrun knocked on the table with her knife handle.
+
+"Please let Robert explain why he is going, and why he is going
+to-night," she called out. "Really, this table is getting to be more and
+more like Bedlam every day, with everybody talking at once. Sometimes--I
+hope God will forgive me--but positively, sometimes I wish Victor would
+lose the power of speech."
+
+Victor laughed sardonically as he thanked his mother for her holy wish,
+of which he failed to see the benefit to anybody, except that it might
+afford her a more ample opportunity and license to talk herself.
+
+Monsieur Farival thought that Victor should have been taken out in
+mid-ocean in his earliest youth and drowned. Victor thought there would
+be more logic in thus disposing of old people with an established claim
+for making themselves universally obnoxious. Madame Lebrun grew a trifle
+hysterical; Robert called his brother some sharp, hard names.
+
+"There's nothing much to explain, mother," he said; though he explained,
+nevertheless--looking chiefly at Edna--that he could only meet the
+gentleman whom he intended to join at Vera Cruz by taking such and such
+a steamer, which left New Orleans on such a day; that Beaudelet was
+going out with his lugger-load of vegetables that night, which gave him
+an opportunity of reaching the city and making his vessel in time.
+
+"But when did you make up your mind to all this?" demanded Monsieur
+Farival.
+
+"This afternoon," returned Robert, with a shade of annoyance.
+
+"At what time this afternoon?" persisted the old gentleman, with nagging
+determination, as if he were cross-questioning a criminal in a court of
+justice.
+
+"At four o'clock this afternoon, Monsieur Farival," Robert replied, in
+a high voice and with a lofty air, which reminded Edna of some gentleman
+on the stage.
+
+She had forced herself to eat most of her soup, and now she was picking
+the flaky bits of a court bouillon with her fork.
+
+The lovers were profiting by the general conversation on Mexico to speak
+in whispers of matters which they rightly considered were interesting
+to no one but themselves. The lady in black had once received a pair
+of prayer-beads of curious workmanship from Mexico, with very special
+indulgence attached to them, but she had never been able to ascertain
+whether the indulgence extended outside the Mexican border. Father
+Fochel of the Cathedral had attempted to explain it; but he had not
+done so to her satisfaction. And she begged that Robert would interest
+himself, and discover, if possible, whether she was entitled to the
+indulgence accompanying the remarkably curious Mexican prayer-beads.
+
+Madame Ratignolle hoped that Robert would exercise extreme caution
+in dealing with the Mexicans, who, she considered, were a treacherous
+people, unscrupulous and revengeful. She trusted she did them no
+injustice in thus condemning them as a race. She had known personally
+but one Mexican, who made and sold excellent tamales, and whom she would
+have trusted implicitly, so soft-spoken was he. One day he was arrested
+for stabbing his wife. She never knew whether he had been hanged or not.
+
+Victor had grown hilarious, and was attempting to tell an anecdote
+about a Mexican girl who served chocolate one winter in a restaurant in
+Dauphine Street. No one would listen to him but old Monsieur Farival,
+who went into convulsions over the droll story.
+
+Edna wondered if they had all gone mad, to be talking and clamoring at
+that rate. She herself could think of nothing to say about Mexico or the
+Mexicans.
+
+"At what time do you leave?" she asked Robert.
+
+"At ten," he told her. "Beaudelet wants to wait for the moon."
+
+"Are you all ready to go?"
+
+"Quite ready. I shall only take a hand-bag, and shall pack my trunk in
+the city."
+
+He turned to answer some question put to him by his mother, and Edna,
+having finished her black coffee, left the table.
+
+She went directly to her room. The little cottage was close and stuffy
+after leaving the outer air. But she did not mind; there appeared to be
+a hundred different things demanding her attention indoors. She began
+to set the toilet-stand to rights, grumbling at the negligence of the
+quadroon, who was in the adjoining room putting the children to bed.
+She gathered together stray garments that were hanging on the backs of
+chairs, and put each where it belonged in closet or bureau drawer. She
+changed her gown for a more comfortable and commodious wrapper. She
+rearranged her hair, combing and brushing it with unusual energy. Then
+she went in and assisted the quadroon in getting the boys to bed.
+
+They were very playful and inclined to talk--to do anything but lie
+quiet and go to sleep. Edna sent the quadroon away to her supper and
+told her she need not return. Then she sat and told the children
+a story. Instead of soothing it excited them, and added to their
+wakefulness. She left them in heated argument, speculating about
+the conclusion of the tale which their mother promised to finish the
+following night.
+
+The little black girl came in to say that Madame Lebrun would like to
+have Mrs. Pontellier go and sit with them over at the house till Mr.
+Robert went away. Edna returned answer that she had already undressed,
+that she did not feel quite well, but perhaps she would go over to the
+house later. She started to dress again, and got as far advanced as to
+remove her peignoir. But changing her mind once more she resumed
+the peignoir, and went outside and sat down before her door. She was
+overheated and irritable, and fanned herself energetically for a while.
+Madame Ratignolle came down to discover what was the matter.
+
+"All that noise and confusion at the table must have upset me," replied
+Edna, "and moreover, I hate shocks and surprises. The idea of Robert
+starting off in such a ridiculously sudden and dramatic way! As if
+it were a matter of life and death! Never saying a word about it all
+morning when he was with me."
+
+"Yes," agreed Madame Ratignolle. "I think it was showing us all--you
+especially--very little consideration. It wouldn't have surprised me in
+any of the others; those Lebruns are all given to heroics. But I must
+say I should never have expected such a thing from Robert. Are you not
+coming down? Come on, dear; it doesn't look friendly."
+
+"No," said Edna, a little sullenly. "I can't go to the trouble of
+dressing again; I don't feel like it."
+
+"You needn't dress; you look all right; fasten a belt around your waist.
+Just look at me!"
+
+"No," persisted Edna; "but you go on. Madame Lebrun might be offended if
+we both stayed away."
+
+Madame Ratignolle kissed Edna good-night, and went away, being in truth
+rather desirous of joining in the general and animated conversation
+which was still in progress concerning Mexico and the Mexicans.
+
+Somewhat later Robert came up, carrying his hand-bag.
+
+"Aren't you feeling well?" he asked.
+
+"Oh, well enough. Are you going right away?"
+
+He lit a match and looked at his watch. "In twenty minutes," he said.
+The sudden and brief flare of the match emphasized the darkness for a
+while. He sat down upon a stool which the children had left out on the
+porch.
+
+"Get a chair," said Edna.
+
+"This will do," he replied. He put on his soft hat and nervously took it
+off again, and wiping his face with his handkerchief, complained of the
+heat.
+
+"Take the fan," said Edna, offering it to him.
+
+"Oh, no! Thank you. It does no good; you have to stop fanning some time,
+and feel all the more uncomfortable afterward."
+
+"That's one of the ridiculous things which men always say. I have never
+known one to speak otherwise of fanning. How long will you be gone?"
+
+"Forever, perhaps. I don't know. It depends upon a good many things."
+
+"Well, in case it shouldn't be forever, how long will it be?"
+
+"I don't know."
+
+"This seems to me perfectly preposterous and uncalled for. I don't like
+it. I don't understand your motive for silence and mystery, never saying
+a word to me about it this morning." He remained silent, not offering to
+defend himself. He only said, after a moment:
+
+"Don't part from me in any ill humor. I never knew you to be out of
+patience with me before."
+
+"I don't want to part in any ill humor," she said. "But can't you
+understand? I've grown used to seeing you, to having you with me all
+the time, and your action seems unfriendly, even unkind. You don't even
+offer an excuse for it. Why, I was planning to be together, thinking of
+how pleasant it would be to see you in the city next winter."
+
+"So was I," he blurted. "Perhaps that's the--" He stood up suddenly
+and held out his hand. "Good-by, my dear Mrs. Pontellier; good-by. You
+won't--I hope you won't completely forget me." She clung to his hand,
+striving to detain him.
+
+"Write to me when you get there, won't you, Robert?" she entreated.
+
+"I will, thank you. Good-by."
+
+How unlike Robert! The merest acquaintance would have said something
+more emphatic than "I will, thank you; good-by," to such a request.
+
+He had evidently already taken leave of the people over at the house,
+for he descended the steps and went to join Beaudelet, who was out there
+with an oar across his shoulder waiting for Robert. They walked away
+in the darkness. She could only hear Beaudelet's voice; Robert had
+apparently not even spoken a word of greeting to his companion.
+
+Edna bit her handkerchief convulsively, striving to hold back and to
+hide, even from herself as she would have hidden from another, the
+emotion which was troubling--tearing--her. Her eyes were brimming with
+tears.
+
+For the first time she recognized the symptoms of infatuation which she
+had felt incipiently as a child, as a girl in her earliest teens, and
+later as a young woman. The recognition did not lessen the reality, the
+poignancy of the revelation by any suggestion or promise of instability.
+The past was nothing to her; offered no lesson which she was willing to
+heed. The future was a mystery which she never attempted to penetrate.
+The present alone was significant; was hers, to torture her as it was
+doing then with the biting conviction that she had lost that which she
+had held, that she had been denied that which her impassioned, newly
+awakened being demanded.
+
+
+
+
+XVI
+
+
+"Do you miss your friend greatly?" asked Mademoiselle Reisz one morning
+as she came creeping up behind Edna, who had just left her cottage on
+her way to the beach. She spent much of her time in the water since she
+had acquired finally the art of swimming. As their stay at Grand Isle
+drew near its close, she felt that she could not give too much time to a
+diversion which afforded her the only real pleasurable moments that she
+knew. When Mademoiselle Reisz came and touched her upon the shoulder
+and spoke to her, the woman seemed to echo the thought which was ever in
+Edna's mind; or, better, the feeling which constantly possessed her.
+
+Robert's going had some way taken the brightness, the color, the meaning
+out of everything. The conditions of her life were in no way changed,
+but her whole existence was dulled, like a faded garment which seems to
+be no longer worth wearing. She sought him everywhere--in others whom
+she induced to talk about him. She went up in the mornings to Madame
+Lebrun's room, braving the clatter of the old sewing-machine. She sat
+there and chatted at intervals as Robert had done. She gazed around
+the room at the pictures and photographs hanging upon the wall, and
+discovered in some corner an old family album, which she examined with
+the keenest interest, appealing to Madame Lebrun for enlightenment
+concerning the many figures and faces which she discovered between its
+pages.
+
+There was a picture of Madame Lebrun with Robert as a baby, seated in
+her lap, a round-faced infant with a fist in his mouth. The eyes alone
+in the baby suggested the man. And that was he also in kilts, at the age
+of five, wearing long curls and holding a whip in his hand. It made Edna
+laugh, and she laughed, too, at the portrait in his first long trousers;
+while another interested her, taken when he left for college, looking
+thin, long-faced, with eyes full of fire, ambition and great intentions.
+But there was no recent picture, none which suggested the Robert who had
+gone away five days ago, leaving a void and wilderness behind him.
+
+"Oh, Robert stopped having his pictures taken when he had to pay for
+them himself! He found wiser use for his money, he says," explained
+Madame Lebrun. She had a letter from him, written before he left New
+Orleans. Edna wished to see the letter, and Madame Lebrun told her to
+look for it either on the table or the dresser, or perhaps it was on the
+mantelpiece.
+
+The letter was on the bookshelf. It possessed the greatest interest and
+attraction for Edna; the envelope, its size and shape, the post-mark,
+the handwriting. She examined every detail of the outside before opening
+it. There were only a few lines, setting forth that he would leave the
+city that afternoon, that he had packed his trunk in good shape, that
+he was well, and sent her his love and begged to be affectionately
+remembered to all. There was no special message to Edna except a
+postscript saying that if Mrs. Pontellier desired to finish the book
+which he had been reading to her, his mother would find it in his
+room, among other books there on the table. Edna experienced a pang of
+jealousy because he had written to his mother rather than to her.
+
+Every one seemed to take for granted that she missed him. Even her
+husband, when he came down the Saturday following Robert's departure,
+expressed regret that he had gone.
+
+"How do you get on without him, Edna?" he asked.
+
+"It's very dull without him," she admitted. Mr. Pontellier had seen
+Robert in the city, and Edna asked him a dozen questions or more. Where
+had they met? On Carondelet Street, in the morning. They had gone
+"in" and had a drink and a cigar together. What had they talked about?
+Chiefly about his prospects in Mexico, which Mr. Pontellier thought
+were promising. How did he look? How did he seem--grave, or gay, or how?
+Quite cheerful, and wholly taken up with the idea of his trip, which
+Mr. Pontellier found altogether natural in a young fellow about to seek
+fortune and adventure in a strange, queer country.
+
+Edna tapped her foot impatiently, and wondered why the children
+persisted in playing in the sun when they might be under the trees. She
+went down and led them out of the sun, scolding the quadroon for not
+being more attentive.
+
+It did not strike her as in the least grotesque that she should be
+making of Robert the object of conversation and leading her husband to
+speak of him. The sentiment which she entertained for Robert in no way
+resembled that which she felt for her husband, or had ever felt, or ever
+expected to feel. She had all her life long been accustomed to harbor
+thoughts and emotions which never voiced themselves. They had never
+taken the form of struggles. They belonged to her and were her own, and
+she entertained the conviction that she had a right to them and that
+they concerned no one but herself. Edna had once told Madame Ratignolle
+that she would never sacrifice herself for her children, or for any one.
+Then had followed a rather heated argument; the two women did not appear
+to understand each other or to be talking the same language. Edna tried
+to appease her friend, to explain.
+
+"I would give up the unessential; I would give my money, I would give my
+life for my children; but I wouldn't give myself. I can't make it more
+clear; it's only something which I am beginning to comprehend, which is
+revealing itself to me."
+
+"I don't know what you would call the essential, or what you mean by the
+unessential," said Madame Ratignolle, cheerfully; "but a woman who would
+give her life for her children could do no more than that--your Bible
+tells you so. I'm sure I couldn't do more than that."
+
+"Oh, yes you could!" laughed Edna.
+
+She was not surprised at Mademoiselle Reisz's question the morning that
+lady, following her to the beach, tapped her on the shoulder and asked
+if she did not greatly miss her young friend.
+
+"Oh, good morning, Mademoiselle; is it you? Why, of course I miss
+Robert. Are you going down to bathe?"
+
+"Why should I go down to bathe at the very end of the season when I
+haven't been in the surf all summer," replied the woman, disagreeably.
+
+"I beg your pardon," offered Edna, in some embarrassment, for she should
+have remembered that Mademoiselle Reisz's avoidance of the water had
+furnished a theme for much pleasantry. Some among them thought it was
+on account of her false hair, or the dread of getting the violets wet,
+while others attributed it to the natural aversion for water sometimes
+believed to accompany the artistic temperament. Mademoiselle offered
+Edna some chocolates in a paper bag, which she took from her pocket,
+by way of showing that she bore no ill feeling. She habitually ate
+chocolates for their sustaining quality; they contained much nutriment
+in small compass, she said. They saved her from starvation, as Madame
+Lebrun's table was utterly impossible; and no one save so impertinent a
+woman as Madame Lebrun could think of offering such food to people and
+requiring them to pay for it.
+
+"She must feel very lonely without her son," said Edna, desiring to
+change the subject. "Her favorite son, too. It must have been quite hard
+to let him go."
+
+Mademoiselle laughed maliciously.
+
+"Her favorite son! Oh, dear! Who could have been imposing such a tale
+upon you? Aline Lebrun lives for Victor, and for Victor alone. She has
+spoiled him into the worthless creature he is. She worships him and the
+ground he walks on. Robert is very well in a way, to give up all the
+money he can earn to the family, and keep the barest pittance for
+himself. Favorite son, indeed! I miss the poor fellow myself, my dear. I
+liked to see him and to hear him about the place the only Lebrun who is
+worth a pinch of salt. He comes to see me often in the city. I like
+to play to him. That Victor! hanging would be too good for him. It's a
+wonder Robert hasn't beaten him to death long ago."
+
+"I thought he had great patience with his brother," offered Edna, glad
+to be talking about Robert, no matter what was said.
+
+"Oh! he thrashed him well enough a year or two ago," said Mademoiselle.
+"It was about a Spanish girl, whom Victor considered that he had some
+sort of claim upon. He met Robert one day talking to the girl, or
+walking with her, or bathing with her, or carrying her basket--I don't
+remember what;--and he became so insulting and abusive that Robert gave
+him a thrashing on the spot that has kept him comparatively in order for
+a good while. It's about time he was getting another."
+
+"Was her name Mariequita?" asked Edna.
+
+"Mariequita--yes, that was it; Mariequita. I had forgotten. Oh, she's a
+sly one, and a bad one, that Mariequita!"
+
+Edna looked down at Mademoiselle Reisz and wondered how she could have
+listened to her venom so long. For some reason she felt depressed,
+almost unhappy. She had not intended to go into the water; but she
+donned her bathing suit, and left Mademoiselle alone, seated under the
+shade of the children's tent. The water was growing cooler as the season
+advanced. Edna plunged and swam about with an abandon that thrilled and
+invigorated her. She remained a long time in the water, half hoping that
+Mademoiselle Reisz would not wait for her.
+
+But Mademoiselle waited. She was very amiable during the walk back, and
+raved much over Edna's appearance in her bathing suit. She talked about
+music. She hoped that Edna would go to see her in the city, and wrote
+her address with the stub of a pencil on a piece of card which she found
+in her pocket.
+
+"When do you leave?" asked Edna.
+
+"Next Monday; and you?"
+
+"The following week," answered Edna, adding, "It has been a pleasant
+summer, hasn't it, Mademoiselle?"
+
+"Well," agreed Mademoiselle Reisz, with a shrug, "rather pleasant, if it
+hadn't been for the mosquitoes and the Farival twins."
+
+
+
+
+XVII
+
+
+The Pontelliers possessed a very charming home on Esplanade Street in
+New Orleans. It was a large, double cottage, with a broad front veranda,
+whose round, fluted columns supported the sloping roof. The house was
+painted a dazzling white; the outside shutters, or jalousies, were
+green. In the yard, which was kept scrupulously neat, were flowers and
+plants of every description which flourishes in South Louisiana. Within
+doors the appointments were perfect after the conventional type. The
+softest carpets and rugs covered the floors; rich and tasteful draperies
+hung at doors and windows. There were paintings, selected with judgment
+and discrimination, upon the walls. The cut glass, the silver, the heavy
+damask which daily appeared upon the table were the envy of many women
+whose husbands were less generous than Mr. Pontellier.
+
+Mr. Pontellier was very fond of walking about his house examining its
+various appointments and details, to see that nothing was amiss. He
+greatly valued his possessions, chiefly because they were his, and
+derived genuine pleasure from contemplating a painting, a statuette, a
+rare lace curtain--no matter what--after he had bought it and placed it
+among his household gods.
+
+On Tuesday afternoons--Tuesday being Mrs. Pontellier's reception
+day--there was a constant stream of callers--women who came in carriages
+or in the street cars, or walked when the air was soft and distance
+permitted. A light-colored mulatto boy, in dress coat and bearing a
+diminutive silver tray for the reception of cards, admitted them. A
+maid, in white fluted cap, offered the callers liqueur, coffee, or
+chocolate, as they might desire. Mrs. Pontellier, attired in a handsome
+reception gown, remained in the drawing-room the entire afternoon
+receiving her visitors. Men sometimes called in the evening with their
+wives.
+
+This had been the programme which Mrs. Pontellier had religiously
+followed since her marriage, six years before. Certain evenings during
+the week she and her husband attended the opera or sometimes the play.
+
+Mr. Pontellier left his home in the mornings between nine and ten
+o'clock, and rarely returned before half-past six or seven in the
+evening--dinner being served at half-past seven.
+
+He and his wife seated themselves at table one Tuesday evening, a few
+weeks after their return from Grand Isle. They were alone together.
+The boys were being put to bed; the patter of their bare, escaping
+feet could be heard occasionally, as well as the pursuing voice of the
+quadroon, lifted in mild protest and entreaty. Mrs. Pontellier did not
+wear her usual Tuesday reception gown; she was in ordinary house dress.
+Mr. Pontellier, who was observant about such things, noticed it, as he
+served the soup and handed it to the boy in waiting.
+
+"Tired out, Edna? Whom did you have? Many callers?" he asked. He
+tasted his soup and began to season it with pepper, salt, vinegar,
+mustard--everything within reach.
+
+"There were a good many," replied Edna, who was eating her soup with
+evident satisfaction. "I found their cards when I got home; I was out."
+
+"Out!" exclaimed her husband, with something like genuine consternation
+in his voice as he laid down the vinegar cruet and looked at her through
+his glasses. "Why, what could have taken you out on Tuesday? What did
+you have to do?"
+
+"Nothing. I simply felt like going out, and I went out."
+
+"Well, I hope you left some suitable excuse," said her husband, somewhat
+appeased, as he added a dash of cayenne pepper to the soup.
+
+"No, I left no excuse. I told Joe to say I was out, that was all."
+
+"Why, my dear, I should think you'd understand by this time that people
+don't do such things; we've got to observe les convenances if we ever
+expect to get on and keep up with the procession. If you felt that you
+had to leave home this afternoon, you should have left some suitable
+explanation for your absence.
+
+"This soup is really impossible; it's strange that woman hasn't learned
+yet to make a decent soup. Any free-lunch stand in town serves a better
+one. Was Mrs. Belthrop here?"
+
+"Bring the tray with the cards, Joe. I don't remember who was here."
+
+The boy retired and returned after a moment, bringing the tiny silver
+tray, which was covered with ladies' visiting cards. He handed it to
+Mrs. Pontellier.
+
+"Give it to Mr. Pontellier," she said.
+
+Joe offered the tray to Mr. Pontellier, and removed the soup.
+
+Mr. Pontellier scanned the names of his wife's callers, reading some of
+them aloud, with comments as he read.
+
+"'The Misses Delasidas.' I worked a big deal in futures for their father
+this morning; nice girls; it's time they were getting married. 'Mrs.
+Belthrop.' I tell you what it is, Edna; you can't afford to snub Mrs.
+Belthrop. Why, Belthrop could buy and sell us ten times over. His
+business is worth a good, round sum to me. You'd better write her a
+note. 'Mrs. James Highcamp.' Hugh! the less you have to do with Mrs.
+Highcamp, the better. 'Madame Laforce.' Came all the way from Carrolton,
+too, poor old soul. 'Miss Wiggs,' 'Mrs. Eleanor Boltons.'" He pushed the
+cards aside.
+
+"Mercy!" exclaimed Edna, who had been fuming. "Why are you taking the
+thing so seriously and making such a fuss over it?"
+
+"I'm not making any fuss over it. But it's just such seeming trifles
+that we've got to take seriously; such things count."
+
+The fish was scorched. Mr. Pontellier would not touch it. Edna said she
+did not mind a little scorched taste. The roast was in some way not to
+his fancy, and he did not like the manner in which the vegetables were
+served.
+
+"It seems to me," he said, "we spend money enough in this house to
+procure at least one meal a day which a man could eat and retain his
+self-respect."
+
+"You used to think the cook was a treasure," returned Edna,
+indifferently.
+
+"Perhaps she was when she first came; but cooks are only human. They
+need looking after, like any other class of persons that you employ.
+Suppose I didn't look after the clerks in my office, just let them
+run things their own way; they'd soon make a nice mess of me and my
+business."
+
+"Where are you going?" asked Edna, seeing that her husband arose
+from table without having eaten a morsel except a taste of the
+highly-seasoned soup.
+
+"I'm going to get my dinner at the club. Good night." He went into the
+hall, took his hat and stick from the stand, and left the house.
+
+She was somewhat familiar with such scenes. They had often made her very
+unhappy. On a few previous occasions she had been completely deprived of
+any desire to finish her dinner. Sometimes she had gone into the kitchen
+to administer a tardy rebuke to the cook. Once she went to her room and
+studied the cookbook during an entire evening, finally writing out a
+menu for the week, which left her harassed with a feeling that, after
+all, she had accomplished no good that was worth the name.
+
+But that evening Edna finished her dinner alone, with forced
+deliberation. Her face was flushed and her eyes flamed with some inward
+fire that lighted them. After finishing her dinner she went to her
+room, having instructed the boy to tell any other callers that she was
+indisposed.
+
+It was a large, beautiful room, rich and picturesque in the soft, dim
+light which the maid had turned low. She went and stood at an open
+window and looked out upon the deep tangle of the garden below. All the
+mystery and witchery of the night seemed to have gathered there amid the
+perfumes and the dusky and tortuous outlines of flowers and foliage.
+She was seeking herself and finding herself in just such sweet,
+half-darkness which met her moods. But the voices were not soothing
+that came to her from the darkness and the sky above and the stars. They
+jeered and sounded mournful notes without promise, devoid even of hope.
+She turned back into the room and began to walk to and fro down its
+whole length without stopping, without resting. She carried in her
+hands a thin handkerchief, which she tore into ribbons, rolled into a
+ball, and flung from her. Once she stopped, and taking off her wedding
+ring, flung it upon the carpet. When she saw it lying there, she stamped
+her heel upon it, striving to crush it. But her small boot heel did not
+make an indenture, not a mark upon the little glittering circlet.
+
+In a sweeping passion she seized a glass vase from the table and flung
+it upon the tiles of the hearth. She wanted to destroy something. The
+crash and clatter were what she wanted to hear.
+
+A maid, alarmed at the din of breaking glass, entered the room to
+discover what was the matter.
+
+"A vase fell upon the hearth," said Edna. "Never mind; leave it till
+morning."
+
+"Oh! you might get some of the glass in your feet, ma'am," insisted the
+young woman, picking up bits of the broken vase that were scattered upon
+the carpet. "And here's your ring, ma'am, under the chair."
+
+Edna held out her hand, and taking the ring, slipped it upon her finger.
+
+
+
+
+XVIII
+
+
+The following morning Mr. Pontellier, upon leaving for his office, asked
+Edna if she would not meet him in town in order to look at some new
+fixtures for the library.
+
+"I hardly think we need new fixtures, Leonce. Don't let us get anything
+new; you are too extravagant. I don't believe you ever think of saving
+or putting by."
+
+"The way to become rich is to make money, my dear Edna, not to save it,"
+he said. He regretted that she did not feel inclined to go with him and
+select new fixtures. He kissed her good-by, and told her she was not
+looking well and must take care of herself. She was unusually pale and
+very quiet.
+
+She stood on the front veranda as he quitted the house, and absently
+picked a few sprays of jessamine that grew upon a trellis near by. She
+inhaled the odor of the blossoms and thrust them into the bosom of her
+white morning gown. The boys were dragging along the banquette a small
+"express wagon," which they had filled with blocks and sticks. The
+quadroon was following them with little quick steps, having assumed a
+fictitious animation and alacrity for the occasion. A fruit vender was
+crying his wares in the street.
+
+Edna looked straight before her with a self-absorbed expression upon
+her face. She felt no interest in anything about her. The street, the
+children, the fruit vender, the flowers growing there under her eyes,
+were all part and parcel of an alien world which had suddenly become
+antagonistic.
+
+She went back into the house. She had thought of speaking to the cook
+concerning her blunders of the previous night; but Mr. Pontellier had
+saved her that disagreeable mission, for which she was so poorly fitted.
+Mr. Pontellier's arguments were usually convincing with those whom he
+employed. He left home feeling quite sure that he and Edna would sit
+down that evening, and possibly a few subsequent evenings, to a dinner
+deserving of the name.
+
+Edna spent an hour or two in looking over some of her old sketches.
+She could see their shortcomings and defects, which were glaring in her
+eyes. She tried to work a little, but found she was not in the humor.
+Finally she gathered together a few of the sketches--those which she
+considered the least discreditable; and she carried them with her when,
+a little later, she dressed and left the house. She looked handsome and
+distinguished in her street gown. The tan of the seashore had left
+her face, and her forehead was smooth, white, and polished beneath her
+heavy, yellow-brown hair. There were a few freckles on her face, and a
+small, dark mole near the under lip and one on the temple, half-hidden
+in her hair.
+
+As Edna walked along the street she was thinking of Robert. She was
+still under the spell of her infatuation. She had tried to forget him,
+realizing the inutility of remembering. But the thought of him was like
+an obsession, ever pressing itself upon her. It was not that she dwelt
+upon details of their acquaintance, or recalled in any special or
+peculiar way his personality; it was his being, his existence, which
+dominated her thought, fading sometimes as if it would melt into the
+mist of the forgotten, reviving again with an intensity which filled her
+with an incomprehensible longing.
+
+Edna was on her way to Madame Ratignolle's. Their intimacy, begun at
+Grand Isle, had not declined, and they had seen each other with some
+frequency since their return to the city. The Ratignolles lived at no
+great distance from Edna's home, on the corner of a side street, where
+Monsieur Ratignolle owned and conducted a drug store which enjoyed a
+steady and prosperous trade. His father had been in the business before
+him, and Monsieur Ratignolle stood well in the community and bore an
+enviable reputation for integrity and clearheadedness. His family lived
+in commodious apartments over the store, having an entrance on the side
+within the porte cochere. There was something which Edna thought very
+French, very foreign, about their whole manner of living. In the large
+and pleasant salon which extended across the width of the house, the
+Ratignolles entertained their friends once a fortnight with a soiree
+musicale, sometimes diversified by card-playing. There was a friend who
+played upon the 'cello. One brought his flute and another his violin,
+while there were some who sang and a number who performed upon the piano
+with various degrees of taste and agility. The Ratignolles' soirees
+musicales were widely known, and it was considered a privilege to be
+invited to them.
+
+Edna found her friend engaged in assorting the clothes which had
+returned that morning from the laundry. She at once abandoned her
+occupation upon seeing Edna, who had been ushered without ceremony into
+her presence.
+
+"'Cite can do it as well as I; it is really her business," she explained
+to Edna, who apologized for interrupting her. And she summoned a young
+black woman, whom she instructed, in French, to be very careful in
+checking off the list which she handed her. She told her to notice
+particularly if a fine linen handkerchief of Monsieur Ratignolle's,
+which was missing last week, had been returned; and to be sure to set to
+one side such pieces as required mending and darning.
+
+Then placing an arm around Edna's waist, she led her to the front of the
+house, to the salon, where it was cool and sweet with the odor of great
+roses that stood upon the hearth in jars.
+
+Madame Ratignolle looked more beautiful than ever there at home, in a
+neglige which left her arms almost wholly bare and exposed the rich,
+melting curves of her white throat.
+
+"Perhaps I shall be able to paint your picture some day," said Edna with
+a smile when they were seated. She produced the roll of sketches and
+started to unfold them. "I believe I ought to work again. I feel as if I
+wanted to be doing something. What do you think of them? Do you think it
+worth while to take it up again and study some more? I might study for a
+while with Laidpore."
+
+She knew that Madame Ratignolle's opinion in such a matter would be next
+to valueless, that she herself had not alone decided, but determined;
+but she sought the words of praise and encouragement that would help her
+to put heart into her venture.
+
+"Your talent is immense, dear!"
+
+"Nonsense!" protested Edna, well pleased.
+
+"Immense, I tell you," persisted Madame Ratignolle, surveying the
+sketches one by one, at close range, then holding them at arm's length,
+narrowing her eyes, and dropping her head on one side. "Surely, this
+Bavarian peasant is worthy of framing; and this basket of apples! never
+have I seen anything more lifelike. One might almost be tempted to reach
+out a hand and take one."
+
+Edna could not control a feeling which bordered upon complacency at
+her friend's praise, even realizing, as she did, its true worth.
+She retained a few of the sketches, and gave all the rest to Madame
+Ratignolle, who appreciated the gift far beyond its value and proudly
+exhibited the pictures to her husband when he came up from the store a
+little later for his midday dinner.
+
+Mr. Ratignolle was one of those men who are called the salt of the
+earth. His cheerfulness was unbounded, and it was matched by his
+goodness of heart, his broad charity, and common sense. He and his wife
+spoke English with an accent which was only discernible through its
+un-English emphasis and a certain carefulness and deliberation.
+Edna's husband spoke English with no accent whatever. The Ratignolles
+understood each other perfectly. If ever the fusion of two human beings
+into one has been accomplished on this sphere it was surely in their
+union.
+
+As Edna seated herself at table with them she thought, "Better a dinner
+of herbs," though it did not take her long to discover that it was no
+dinner of herbs, but a delicious repast, simple, choice, and in every
+way satisfying.
+
+Monsieur Ratignolle was delighted to see her, though he found her
+looking not so well as at Grand Isle, and he advised a tonic. He talked
+a good deal on various topics, a little politics, some city news and
+neighborhood gossip. He spoke with an animation and earnestness that
+gave an exaggerated importance to every syllable he uttered. His wife
+was keenly interested in everything he said, laying down her fork the
+better to listen, chiming in, taking the words out of his mouth.
+
+Edna felt depressed rather than soothed after leaving them. The little
+glimpse of domestic harmony which had been offered her, gave her no
+regret, no longing. It was not a condition of life which fitted her, and
+she could see in it but an appalling and hopeless ennui. She was moved
+by a kind of commiseration for Madame Ratignolle,--a pity for that
+colorless existence which never uplifted its possessor beyond the region
+of blind contentment, in which no moment of anguish ever visited her
+soul, in which she would never have the taste of life's delirium. Edna
+vaguely wondered what she meant by "life's delirium." It had crossed her
+thought like some unsought, extraneous impression.
+
+
+
+
+XIX
+
+
+Edna could not help but think that it was very foolish, very childish,
+to have stamped upon her wedding ring and smashed the crystal vase upon
+the tiles. She was visited by no more outbursts, moving her to such
+futile expedients. She began to do as she liked and to feel as she
+liked. She completely abandoned her Tuesdays at home, and did not return
+the visits of those who had called upon her. She made no ineffectual
+efforts to conduct her household en bonne menagere, going and coming as
+it suited her fancy, and, so far as she was able, lending herself to any
+passing caprice.
+
+Mr. Pontellier had been a rather courteous husband so long as he met
+a certain tacit submissiveness in his wife. But her new and unexpected
+line of conduct completely bewildered him. It shocked him. Then her
+absolute disregard for her duties as a wife angered him. When Mr.
+Pontellier became rude, Edna grew insolent. She had resolved never to
+take another step backward.
+
+"It seems to me the utmost folly for a woman at the head of a household,
+and the mother of children, to spend in an atelier days which would be
+better employed contriving for the comfort of her family."
+
+"I feel like painting," answered Edna. "Perhaps I shan't always feel
+like it."
+
+"Then in God's name paint! but don't let the family go to the devil.
+There's Madame Ratignolle; because she keeps up her music, she doesn't
+let everything else go to chaos. And she's more of a musician than you
+are a painter."
+
+"She isn't a musician, and I'm not a painter. It isn't on account of
+painting that I let things go."
+
+"On account of what, then?"
+
+"Oh! I don't know. Let me alone; you bother me."
+
+It sometimes entered Mr. Pontellier's mind to wonder if his wife were
+not growing a little unbalanced mentally. He could see plainly that she
+was not herself. That is, he could not see that she was becoming herself
+and daily casting aside that fictitious self which we assume like a
+garment with which to appear before the world.
+
+Her husband let her alone as she requested, and went away to his office.
+Edna went up to her atelier--a bright room in the top of the house.
+She was working with great energy and interest, without accomplishing
+anything, however, which satisfied her even in the smallest degree. For
+a time she had the whole household enrolled in the service of art. The
+boys posed for her. They thought it amusing at first, but the occupation
+soon lost its attractiveness when they discovered that it was not a game
+arranged especially for their entertainment. The quadroon sat for hours
+before Edna's palette, patient as a savage, while the house-maid took
+charge of the children, and the drawing-room went undusted. But the
+housemaid, too, served her term as model when Edna perceived that the
+young woman's back and shoulders were molded on classic lines, and that
+her hair, loosened from its confining cap, became an inspiration. While
+Edna worked she sometimes sang low the little air, "Ah! si tu savais!"
+
+It moved her with recollections. She could hear again the ripple of the
+water, the flapping sail. She could see the glint of the moon upon the
+bay, and could feel the soft, gusty beating of the hot south wind. A
+subtle current of desire passed through her body, weakening her hold
+upon the brushes and making her eyes burn.
+
+There were days when she was very happy without knowing why. She was
+happy to be alive and breathing, when her whole being seemed to be one
+with the sunlight, the color, the odors, the luxuriant warmth of some
+perfect Southern day. She liked then to wander alone into strange and
+unfamiliar places. She discovered many a sunny, sleepy corner, fashioned
+to dream in. And she found it good to dream and to be alone and
+unmolested.
+
+There were days when she was unhappy, she did not know why,--when it did
+not seem worth while to be glad or sorry, to be alive or dead; when life
+appeared to her like a grotesque pandemonium and humanity like worms
+struggling blindly toward inevitable annihilation. She could not work on
+such a day, nor weave fancies to stir her pulses and warm her blood.
+
+
+
+
+XX
+
+
+It was during such a mood that Edna hunted up Mademoiselle Reisz. She
+had not forgotten the rather disagreeable impression left upon her
+by their last interview; but she nevertheless felt a desire to see
+her--above all, to listen while she played upon the piano. Quite
+early in the afternoon she started upon her quest for the pianist.
+Unfortunately she had mislaid or lost Mademoiselle Reisz's card, and
+looking up her address in the city directory, she found that the woman
+lived on Bienville Street, some distance away. The directory which fell
+into her hands was a year or more old, however, and upon reaching the
+number indicated, Edna discovered that the house was occupied by a
+respectable family of mulattoes who had chambres garnies to let. They
+had been living there for six months, and knew absolutely nothing of
+a Mademoiselle Reisz. In fact, they knew nothing of any of their
+neighbors; their lodgers were all people of the highest distinction,
+they assured Edna. She did not linger to discuss class distinctions with
+Madame Pouponne, but hastened to a neighboring grocery store, feeling
+sure that Mademoiselle would have left her address with the proprietor.
+
+He knew Mademoiselle Reisz a good deal better than he wanted to know
+her, he informed his questioner. In truth, he did not want to know her
+at all, or anything concerning her--the most disagreeable and unpopular
+woman who ever lived in Bienville Street. He thanked heaven she had left
+the neighborhood, and was equally thankful that he did not know where
+she had gone.
+
+Edna's desire to see Mademoiselle Reisz had increased tenfold since
+these unlooked-for obstacles had arisen to thwart it. She was wondering
+who could give her the information she sought, when it suddenly occurred
+to her that Madame Lebrun would be the one most likely to do so. She
+knew it was useless to ask Madame Ratignolle, who was on the most
+distant terms with the musician, and preferred to know nothing
+concerning her. She had once been almost as emphatic in expressing
+herself upon the subject as the corner grocer.
+
+Edna knew that Madame Lebrun had returned to the city, for it was
+the middle of November. And she also knew where the Lebruns lived, on
+Chartres Street.
+
+Their home from the outside looked like a prison, with iron bars before
+the door and lower windows. The iron bars were a relic of the old
+regime, and no one had ever thought of dislodging them. At the side
+was a high fence enclosing the garden. A gate or door opening upon the
+street was locked. Edna rang the bell at this side garden gate, and
+stood upon the banquette, waiting to be admitted.
+
+It was Victor who opened the gate for her. A black woman, wiping her
+hands upon her apron, was close at his heels. Before she saw them Edna
+could hear them in altercation, the woman--plainly an anomaly--claiming
+the right to be allowed to perform her duties, one of which was to
+answer the bell.
+
+Victor was surprised and delighted to see Mrs. Pontellier, and he made
+no attempt to conceal either his astonishment or his delight. He was a
+dark-browed, good-looking youngster of nineteen, greatly resembling
+his mother, but with ten times her impetuosity. He instructed the
+black woman to go at once and inform Madame Lebrun that Mrs. Pontellier
+desired to see her. The woman grumbled a refusal to do part of her duty
+when she had not been permitted to do it all, and started back to her
+interrupted task of weeding the garden. Whereupon Victor administered
+a rebuke in the form of a volley of abuse, which, owing to its rapidity
+and incoherence, was all but incomprehensible to Edna. Whatever it
+was, the rebuke was convincing, for the woman dropped her hoe and went
+mumbling into the house.
+
+Edna did not wish to enter. It was very pleasant there on the side
+porch, where there were chairs, a wicker lounge, and a small table. She
+seated herself, for she was tired from her long tramp; and she began to
+rock gently and smooth out the folds of her silk parasol. Victor drew
+up his chair beside her. He at once explained that the black woman's
+offensive conduct was all due to imperfect training, as he was not there
+to take her in hand. He had only come up from the island the morning
+before, and expected to return next day. He stayed all winter at the
+island; he lived there, and kept the place in order and got things ready
+for the summer visitors.
+
+But a man needed occasional relaxation, he informed Mrs. Pontellier, and
+every now and again he drummed up a pretext to bring him to the city.
+My! but he had had a time of it the evening before! He wouldn't want his
+mother to know, and he began to talk in a whisper. He was scintillant
+with recollections. Of course, he couldn't think of telling Mrs.
+Pontellier all about it, she being a woman and not comprehending such
+things. But it all began with a girl peeping and smiling at him through
+the shutters as he passed by. Oh! but she was a beauty! Certainly he
+smiled back, and went up and talked to her. Mrs. Pontellier did not know
+him if she supposed he was one to let an opportunity like that escape
+him. Despite herself, the youngster amused her. She must have betrayed
+in her look some degree of interest or entertainment. The boy grew more
+daring, and Mrs. Pontellier might have found herself, in a little while,
+listening to a highly colored story but for the timely appearance of
+Madame Lebrun.
+
+That lady was still clad in white, according to her custom of the
+summer. Her eyes beamed an effusive welcome. Would not Mrs. Pontellier
+go inside? Would she partake of some refreshment? Why had she not been
+there before? How was that dear Mr. Pontellier and how were those sweet
+children? Had Mrs. Pontellier ever known such a warm November?
+
+Victor went and reclined on the wicker lounge behind his mother's chair,
+where he commanded a view of Edna's face. He had taken her parasol from
+her hands while he spoke to her, and he now lifted it and twirled it
+above him as he lay on his back. When Madame Lebrun complained that it
+was so dull coming back to the city; that she saw so few people now;
+that even Victor, when he came up from the island for a day or two, had
+so much to occupy him and engage his time; then it was that the youth
+went into contortions on the lounge and winked mischievously at Edna.
+She somehow felt like a confederate in crime, and tried to look severe
+and disapproving.
+
+There had been but two letters from Robert, with little in them, they
+told her. Victor said it was really not worth while to go inside for
+the letters, when his mother entreated him to go in search of them. He
+remembered the contents, which in truth he rattled off very glibly when
+put to the test.
+
+One letter was written from Vera Cruz and the other from the City
+of Mexico. He had met Montel, who was doing everything toward his
+advancement. So far, the financial situation was no improvement over the
+one he had left in New Orleans, but of course the prospects were vastly
+better. He wrote of the City of Mexico, the buildings, the people and
+their habits, the conditions of life which he found there. He sent his
+love to the family. He inclosed a check to his mother, and hoped she
+would affectionately remember him to all his friends. That was about the
+substance of the two letters. Edna felt that if there had been a message
+for her, she would have received it. The despondent frame of mind in
+which she had left home began again to overtake her, and she remembered
+that she wished to find Mademoiselle Reisz.
+
+Madame Lebrun knew where Mademoiselle Reisz lived. She gave Edna the
+address, regretting that she would not consent to stay and spend the
+remainder of the afternoon, and pay a visit to Mademoiselle Reisz some
+other day. The afternoon was already well advanced.
+
+Victor escorted her out upon the banquette, lifted her parasol, and held
+it over her while he walked to the car with her. He entreated her
+to bear in mind that the disclosures of the afternoon were strictly
+confidential. She laughed and bantered him a little, remembering too
+late that she should have been dignified and reserved.
+
+"How handsome Mrs. Pontellier looked!" said Madame Lebrun to her son.
+
+"Ravishing!" he admitted. "The city atmosphere has improved her. Some
+way she doesn't seem like the same woman."
+
+
+
+
+XXI
+
+
+Some people contended that the reason Mademoiselle Reisz always chose
+apartments up under the roof was to discourage the approach of beggars,
+peddlars and callers. There were plenty of windows in her little front
+room. They were for the most part dingy, but as they were nearly always
+open it did not make so much difference. They often admitted into the
+room a good deal of smoke and soot; but at the same time all the light
+and air that there was came through them. From her windows could be seen
+the crescent of the river, the masts of ships and the big chimneys of
+the Mississippi steamers. A magnificent piano crowded the apartment.
+In the next room she slept, and in the third and last she harbored a
+gasoline stove on which she cooked her meals when disinclined to descend
+to the neighboring restaurant. It was there also that she ate, keeping
+her belongings in a rare old buffet, dingy and battered from a hundred
+years of use.
+
+When Edna knocked at Mademoiselle Reisz's front room door and entered,
+she discovered that person standing beside the window, engaged in
+mending or patching an old prunella gaiter. The little musician laughed
+all over when she saw Edna. Her laugh consisted of a contortion of the
+face and all the muscles of the body. She seemed strikingly homely,
+standing there in the afternoon light. She still wore the shabby lace
+and the artificial bunch of violets on the side of her head.
+
+"So you remembered me at last," said Mademoiselle. "I had said to
+myself, 'Ah, bah! she will never come.'"
+
+"Did you want me to come?" asked Edna with a smile.
+
+"I had not thought much about it," answered Mademoiselle. The two had
+seated themselves on a little bumpy sofa which stood against the wall.
+"I am glad, however, that you came. I have the water boiling back there,
+and was just about to make some coffee. You will drink a cup with
+me. And how is la belle dame? Always handsome! always healthy! always
+contented!" She took Edna's hand between her strong wiry fingers,
+holding it loosely without warmth, and executing a sort of double theme
+upon the back and palm.
+
+"Yes," she went on; "I sometimes thought: 'She will never come. She
+promised as those women in society always do, without meaning it.
+She will not come.' For I really don't believe you like me, Mrs.
+Pontellier."
+
+"I don't know whether I like you or not," replied Edna, gazing down at
+the little woman with a quizzical look.
+
+The candor of Mrs. Pontellier's admission greatly pleased Mademoiselle
+Reisz. She expressed her gratification by repairing forthwith to the
+region of the gasoline stove and rewarding her guest with the promised
+cup of coffee. The coffee and the biscuit accompanying it proved very
+acceptable to Edna, who had declined refreshment at Madame Lebrun's and
+was now beginning to feel hungry. Mademoiselle set the tray which she
+brought in upon a small table near at hand, and seated herself once
+again on the lumpy sofa.
+
+"I have had a letter from your friend," she remarked, as she poured a
+little cream into Edna's cup and handed it to her.
+
+"My friend?"
+
+"Yes, your friend Robert. He wrote to me from the City of Mexico."
+
+"Wrote to YOU?" repeated Edna in amazement, stirring her coffee
+absently.
+
+"Yes, to me. Why not? Don't stir all the warmth out of your coffee;
+drink it. Though the letter might as well have been sent to you; it was
+nothing but Mrs. Pontellier from beginning to end."
+
+"Let me see it," requested the young woman, entreatingly.
+
+"No; a letter concerns no one but the person who writes it and the one
+to whom it is written."
+
+"Haven't you just said it concerned me from beginning to end?"
+
+"It was written about you, not to you. 'Have you seen Mrs. Pontellier?
+How is she looking?' he asks. 'As Mrs. Pontellier says,' or 'as Mrs.
+Pontellier once said.' 'If Mrs. Pontellier should call upon you, play
+for her that Impromptu of Chopin's, my favorite. I heard it here a day
+or two ago, but not as you play it. I should like to know how it affects
+her,' and so on, as if he supposed we were constantly in each other's
+society."
+
+"Let me see the letter."
+
+"Oh, no."
+
+"Have you answered it?"
+
+"No."
+
+"Let me see the letter."
+
+"No, and again, no."
+
+"Then play the Impromptu for me."
+
+"It is growing late; what time do you have to be home?"
+
+"Time doesn't concern me. Your question seems a little rude. Play the
+Impromptu."
+
+"But you have told me nothing of yourself. What are you doing?"
+
+"Painting!" laughed Edna. "I am becoming an artist. Think of it!"
+
+"Ah! an artist! You have pretensions, Madame."
+
+"Why pretensions? Do you think I could not become an artist?"
+
+"I do not know you well enough to say. I do not know your talent or
+your temperament. To be an artist includes much; one must possess many
+gifts--absolute gifts--which have not been acquired by one's own effort.
+And, moreover, to succeed, the artist must possess the courageous soul."
+
+"What do you mean by the courageous soul?"
+
+"Courageous, ma foi! The brave soul. The soul that dares and defies."
+
+"Show me the letter and play for me the Impromptu. You see that I have
+persistence. Does that quality count for anything in art?"
+
+"It counts with a foolish old woman whom you have captivated," replied
+Mademoiselle, with her wriggling laugh.
+
+The letter was right there at hand in the drawer of the little table
+upon which Edna had just placed her coffee cup. Mademoiselle opened
+the drawer and drew forth the letter, the topmost one. She placed it in
+Edna's hands, and without further comment arose and went to the piano.
+
+Mademoiselle played a soft interlude. It was an improvisation. She sat
+low at the instrument, and the lines of her body settled into ungraceful
+curves and angles that gave it an appearance of deformity. Gradually and
+imperceptibly the interlude melted into the soft opening minor chords of
+the Chopin Impromptu.
+
+Edna did not know when the Impromptu began or ended. She sat in the sofa
+corner reading Robert's letter by the fading light. Mademoiselle had
+glided from the Chopin into the quivering love notes of Isolde's song,
+and back again to the Impromptu with its soulful and poignant longing.
+
+The shadows deepened in the little room. The music grew strange and
+fantastic--turbulent, insistent, plaintive and soft with entreaty. The
+shadows grew deeper. The music filled the room. It floated out upon the
+night, over the housetops, the crescent of the river, losing itself in
+the silence of the upper air.
+
+Edna was sobbing, just as she had wept one midnight at Grand Isle when
+strange, new voices awoke in her. She arose in some agitation to take
+her departure. "May I come again, Mademoiselle?" she asked at the
+threshold.
+
+"Come whenever you feel like it. Be careful; the stairs and landings are
+dark; don't stumble."
+
+Mademoiselle reentered and lit a candle. Robert's letter was on the
+floor. She stooped and picked it up. It was crumpled and damp with
+tears. Mademoiselle smoothed the letter out, restored it to the
+envelope, and replaced it in the table drawer.
+
+
+
+
+XXII
+
+
+One morning on his way into town Mr. Pontellier stopped at the house of
+his old friend and family physician, Doctor Mandelet. The Doctor was a
+semi-retired physician, resting, as the saying is, upon his laurels.
+He bore a reputation for wisdom rather than skill--leaving the active
+practice of medicine to his assistants and younger contemporaries--and
+was much sought for in matters of consultation. A few families, united
+to him by bonds of friendship, he still attended when they required the
+services of a physician. The Pontelliers were among these.
+
+Mr. Pontellier found the Doctor reading at the open window of his study.
+His house stood rather far back from the street, in the center of
+a delightful garden, so that it was quiet and peaceful at the
+old gentleman's study window. He was a great reader. He stared up
+disapprovingly over his eye-glasses as Mr. Pontellier entered, wondering
+who had the temerity to disturb him at that hour of the morning.
+
+"Ah, Pontellier! Not sick, I hope. Come and have a seat. What news do
+you bring this morning?" He was quite portly, with a profusion of
+gray hair, and small blue eyes which age had robbed of much of their
+brightness but none of their penetration.
+
+"Oh! I'm never sick, Doctor. You know that I come of tough fiber--of
+that old Creole race of Pontelliers that dry up and finally blow away.
+I came to consult--no, not precisely to consult--to talk to you about
+Edna. I don't know what ails her."
+
+"Madame Pontellier not well," marveled the Doctor. "Why, I saw her--I
+think it was a week ago--walking along Canal Street, the picture of
+health, it seemed to me."
+
+"Yes, yes; she seems quite well," said Mr. Pontellier, leaning forward
+and whirling his stick between his two hands; "but she doesn't act well.
+She's odd, she's not like herself. I can't make her out, and I thought
+perhaps you'd help me."
+
+"How does she act?" inquired the Doctor.
+
+"Well, it isn't easy to explain," said Mr. Pontellier, throwing himself
+back in his chair. "She lets the housekeeping go to the dickens."
+
+"Well, well; women are not all alike, my dear Pontellier. We've got to
+consider--"
+
+"I know that; I told you I couldn't explain. Her whole attitude--toward
+me and everybody and everything--has changed. You know I have a quick
+temper, but I don't want to quarrel or be rude to a woman, especially my
+wife; yet I'm driven to it, and feel like ten thousand devils after I've
+made a fool of myself. She's making it devilishly uncomfortable for
+me," he went on nervously. "She's got some sort of notion in her head
+concerning the eternal rights of women; and--you understand--we meet in
+the morning at the breakfast table."
+
+The old gentleman lifted his shaggy eyebrows, protruded his thick nether
+lip, and tapped the arms of his chair with his cushioned fingertips.
+
+"What have you been doing to her, Pontellier?"
+
+"Doing! Parbleu!"
+
+"Has she," asked the Doctor, with a smile, "has she been associating
+of late with a circle of pseudo-intellectual women--super-spiritual
+superior beings? My wife has been telling me about them."
+
+"That's the trouble," broke in Mr. Pontellier, "she hasn't been
+associating with any one. She has abandoned her Tuesdays at home, has
+thrown over all her acquaintances, and goes tramping about by herself,
+moping in the street-cars, getting in after dark. I tell you she's
+peculiar. I don't like it; I feel a little worried over it."
+
+This was a new aspect for the Doctor. "Nothing hereditary?" he asked,
+seriously. "Nothing peculiar about her family antecedents, is there?"
+
+"Oh, no, indeed! She comes of sound old Presbyterian Kentucky stock. The
+old gentleman, her father, I have heard, used to atone for his weekday
+sins with his Sunday devotions. I know for a fact, that his race horses
+literally ran away with the prettiest bit of Kentucky farming land
+I ever laid eyes upon. Margaret--you know Margaret--she has all the
+Presbyterianism undiluted. And the youngest is something of a vixen. By
+the way, she gets married in a couple of weeks from now."
+
+"Send your wife up to the wedding," exclaimed the Doctor, foreseeing a
+happy solution. "Let her stay among her own people for a while; it will
+do her good."
+
+"That's what I want her to do. She won't go to the marriage. She says
+a wedding is one of the most lamentable spectacles on earth. Nice thing
+for a woman to say to her husband!" exclaimed Mr. Pontellier, fuming
+anew at the recollection.
+
+"Pontellier," said the Doctor, after a moment's reflection, "let your
+wife alone for a while. Don't bother her, and don't let her bother
+you. Woman, my dear friend, is a very peculiar and delicate organism--a
+sensitive and highly organized woman, such as I know Mrs. Pontellier to
+be, is especially peculiar. It would require an inspired psychologist to
+deal successfully with them. And when ordinary fellows like you and me
+attempt to cope with their idiosyncrasies the result is bungling. Most
+women are moody and whimsical. This is some passing whim of your wife,
+due to some cause or causes which you and I needn't try to fathom. But
+it will pass happily over, especially if you let her alone. Send her
+around to see me."
+
+"Oh! I couldn't do that; there'd be no reason for it," objected Mr.
+Pontellier.
+
+"Then I'll go around and see her," said the Doctor. "I'll drop in to
+dinner some evening en bon ami.
+
+"Do! by all means," urged Mr. Pontellier. "What evening will you come?
+Say Thursday. Will you come Thursday?" he asked, rising to take his
+leave.
+
+"Very well; Thursday. My wife may possibly have some engagement for
+me Thursday. In case she has, I shall let you know. Otherwise, you may
+expect me."
+
+Mr. Pontellier turned before leaving to say:
+
+"I am going to New York on business very soon. I have a big scheme on
+hand, and want to be on the field proper to pull the ropes and handle
+the ribbons. We'll let you in on the inside if you say so, Doctor," he
+laughed.
+
+"No, I thank you, my dear sir," returned the Doctor. "I leave such
+ventures to you younger men with the fever of life still in your blood."
+
+"What I wanted to say," continued Mr. Pontellier, with his hand on the
+knob; "I may have to be absent a good while. Would you advise me to take
+Edna along?"
+
+"By all means, if she wishes to go. If not, leave her here. Don't
+contradict her. The mood will pass, I assure you. It may take a month,
+two, three months--possibly longer, but it will pass; have patience."
+
+"Well, good-by, a jeudi," said Mr. Pontellier, as he let himself out.
+
+The Doctor would have liked during the course of conversation to ask,
+"Is there any man in the case?" but he knew his Creole too well to make
+such a blunder as that.
+
+He did not resume his book immediately, but sat for a while meditatively
+looking out into the garden.
+
+
+
+
+XXIII
+
+
+Edna's father was in the city, and had been with them several days.
+She was not very warmly or deeply attached to him, but they had certain
+tastes in common, and when together they were companionable. His coming
+was in the nature of a welcome disturbance; it seemed to furnish a new
+direction for her emotions.
+
+He had come to purchase a wedding gift for his daughter, Janet, and an
+outfit for himself in which he might make a creditable appearance at
+her marriage. Mr. Pontellier had selected the bridal gift, as every
+one immediately connected with him always deferred to his taste in such
+matters. And his suggestions on the question of dress--which too
+often assumes the nature of a problem--were of inestimable value to his
+father-in-law. But for the past few days the old gentleman had been upon
+Edna's hands, and in his society she was becoming acquainted with a new
+set of sensations. He had been a colonel in the Confederate army, and
+still maintained, with the title, the military bearing which had always
+accompanied it. His hair and mustache were white and silky, emphasizing
+the rugged bronze of his face. He was tall and thin, and wore his coats
+padded, which gave a fictitious breadth and depth to his shoulders
+and chest. Edna and her father looked very distinguished together, and
+excited a good deal of notice during their perambulations. Upon his
+arrival she began by introducing him to her atelier and making a sketch
+of him. He took the whole matter very seriously. If her talent had been
+ten-fold greater than it was, it would not have surprised him, convinced
+as he was that he had bequeathed to all of his daughters the germs of a
+masterful capability, which only depended upon their own efforts to be
+directed toward successful achievement.
+
+Before her pencil he sat rigid and unflinching, as he had faced the
+cannon's mouth in days gone by. He resented the intrusion of the
+children, who gaped with wondering eyes at him, sitting so stiff up
+there in their mother's bright atelier. When they drew near he motioned
+them away with an expressive action of the foot, loath to disturb the
+fixed lines of his countenance, his arms, or his rigid shoulders.
+
+Edna, anxious to entertain him, invited Mademoiselle Reisz to meet
+him, having promised him a treat in her piano playing; but Mademoiselle
+declined the invitation. So together they attended a soiree musicale
+at the Ratignolles'. Monsieur and Madame Ratignolle made much of the
+Colonel, installing him as the guest of honor and engaging him at
+once to dine with them the following Sunday, or any day which he might
+select. Madame coquetted with him in the most captivating and naive
+manner, with eyes, gestures, and a profusion of compliments, till the
+Colonel's old head felt thirty years younger on his padded shoulders.
+Edna marveled, not comprehending. She herself was almost devoid of
+coquetry.
+
+There were one or two men whom she observed at the soiree musicale;
+but she would never have felt moved to any kittenish display to attract
+their notice--to any feline or feminine wiles to express herself toward
+them. Their personality attracted her in an agreeable way. Her fancy
+selected them, and she was glad when a lull in the music gave them
+an opportunity to meet her and talk with her. Often on the street the
+glance of strange eyes had lingered in her memory, and sometimes had
+disturbed her.
+
+Mr. Pontellier did not attend these soirees musicales. He considered
+them bourgeois, and found more diversion at the club. To Madame
+Ratignolle he said the music dispensed at her soirees was too "heavy,"
+too far beyond his untrained comprehension. His excuse flattered her.
+But she disapproved of Mr. Pontellier's club, and she was frank enough
+to tell Edna so.
+
+"It's a pity Mr. Pontellier doesn't stay home more in the evenings.
+I think you would be more--well, if you don't mind my saying it--more
+united, if he did."
+
+"Oh! dear no!" said Edna, with a blank look in her eyes. "What should I
+do if he stayed home? We wouldn't have anything to say to each other."
+
+She had not much of anything to say to her father, for that matter; but
+he did not antagonize her. She discovered that he interested her, though
+she realized that he might not interest her long; and for the first time
+in her life she felt as if she were thoroughly acquainted with him. He
+kept her busy serving him and ministering to his wants. It amused her
+to do so. She would not permit a servant or one of the children to do
+anything for him which she might do herself. Her husband noticed, and
+thought it was the expression of a deep filial attachment which he had
+never suspected.
+
+The Colonel drank numerous "toddies" during the course of the day, which
+left him, however, imperturbed. He was an expert at concocting strong
+drinks. He had even invented some, to which he had given fantastic
+names, and for whose manufacture he required diverse ingredients that it
+devolved upon Edna to procure for him.
+
+When Doctor Mandelet dined with the Pontelliers on Thursday he could
+discern in Mrs. Pontellier no trace of that morbid condition which her
+husband had reported to him. She was excited and in a manner radiant.
+She and her father had been to the race course, and their thoughts when
+they seated themselves at table were still occupied with the events of
+the afternoon, and their talk was still of the track. The Doctor had not
+kept pace with turf affairs. He had certain recollections of racing
+in what he called "the good old times" when the Lecompte stables
+flourished, and he drew upon this fund of memories so that he might not
+be left out and seem wholly devoid of the modern spirit. But he failed
+to impose upon the Colonel, and was even far from impressing him with
+this trumped-up knowledge of bygone days. Edna had staked her father
+on his last venture, with the most gratifying results to both of them.
+Besides, they had met some very charming people, according to the
+Colonel's impressions. Mrs. Mortimer Merriman and Mrs. James Highcamp,
+who were there with Alcee Arobin, had joined them and had enlivened the
+hours in a fashion that warmed him to think of.
+
+Mr. Pontellier himself had no particular leaning toward horseracing, and
+was even rather inclined to discourage it as a pastime, especially
+when he considered the fate of that blue-grass farm in Kentucky. He
+endeavored, in a general way, to express a particular disapproval, and
+only succeeded in arousing the ire and opposition of his father-in-law.
+A pretty dispute followed, in which Edna warmly espoused her father's
+cause and the Doctor remained neutral.
+
+He observed his hostess attentively from under his shaggy brows, and
+noted a subtle change which had transformed her from the listless woman
+he had known into a being who, for the moment, seemed palpitant with
+the forces of life. Her speech was warm and energetic. There was no
+repression in her glance or gesture. She reminded him of some beautiful,
+sleek animal waking up in the sun.
+
+The dinner was excellent. The claret was warm and the champagne was
+cold, and under their beneficent influence the threatened unpleasantness
+melted and vanished with the fumes of the wine.
+
+Mr. Pontellier warmed up and grew reminiscent. He told some amusing
+plantation experiences, recollections of old Iberville and his youth,
+when he hunted 'possum in company with some friendly darky; thrashed
+the pecan trees, shot the grosbec, and roamed the woods and fields in
+mischievous idleness.
+
+The Colonel, with little sense of humor and of the fitness of things,
+related a somber episode of those dark and bitter days, in which he had
+acted a conspicuous part and always formed a central figure. Nor was
+the Doctor happier in his selection, when he told the old, ever new
+and curious story of the waning of a woman's love, seeking strange, new
+channels, only to return to its legitimate source after days of fierce
+unrest. It was one of the many little human documents which had been
+unfolded to him during his long career as a physician. The story did not
+seem especially to impress Edna. She had one of her own to tell, of a
+woman who paddled away with her lover one night in a pirogue and never
+came back. They were lost amid the Baratarian Islands, and no one ever
+heard of them or found trace of them from that day to this. It was a
+pure invention. She said that Madame Antoine had related it to her.
+That, also, was an invention. Perhaps it was a dream she had had. But
+every glowing word seemed real to those who listened. They could feel
+the hot breath of the Southern night; they could hear the long sweep of
+the pirogue through the glistening moonlit water, the beating of birds'
+wings, rising startled from among the reeds in the salt-water pools;
+they could see the faces of the lovers, pale, close together, rapt in
+oblivious forgetfulness, drifting into the unknown.
+
+The champagne was cold, and its subtle fumes played fantastic tricks
+with Edna's memory that night.
+
+Outside, away from the glow of the fire and the soft lamplight, the
+night was chill and murky. The Doctor doubled his old-fashioned cloak
+across his breast as he strode home through the darkness. He knew his
+fellow-creatures better than most men; knew that inner life which so
+seldom unfolds itself to unanointed eyes. He was sorry he had accepted
+Pontellier's invitation. He was growing old, and beginning to need rest
+and an imperturbed spirit. He did not want the secrets of other lives
+thrust upon him.
+
+"I hope it isn't Arobin," he muttered to himself as he walked. "I hope
+to heaven it isn't Alcee Arobin."
+
+
+
+
+XXIV
+
+
+Edna and her father had a warm, and almost violent dispute upon the
+subject of her refusal to attend her sister's wedding. Mr. Pontellier
+declined to interfere, to interpose either his influence or his
+authority. He was following Doctor Mandelet's advice, and letting her do
+as she liked. The Colonel reproached his daughter for her lack of
+filial kindness and respect, her want of sisterly affection and womanly
+consideration. His arguments were labored and unconvincing. He doubted
+if Janet would accept any excuse--forgetting that Edna had offered
+none. He doubted if Janet would ever speak to her again, and he was sure
+Margaret would not.
+
+Edna was glad to be rid of her father when he finally took himself
+off with his wedding garments and his bridal gifts, with his padded
+shoulders, his Bible reading, his "toddies" and ponderous oaths.
+
+Mr. Pontellier followed him closely. He meant to stop at the wedding
+on his way to New York and endeavor by every means which money and love
+could devise to atone somewhat for Edna's incomprehensible action.
+
+"You are too lenient, too lenient by far, Leonce," asserted the Colonel.
+"Authority, coercion are what is needed. Put your foot down good and
+hard; the only way to manage a wife. Take my word for it."
+
+The Colonel was perhaps unaware that he had coerced his own wife into
+her grave. Mr. Pontellier had a vague suspicion of it which he thought
+it needless to mention at that late day.
+
+Edna was not so consciously gratified at her husband's leaving home as
+she had been over the departure of her father. As the day approached
+when he was to leave her for a comparatively long stay, she grew melting
+and affectionate, remembering his many acts of consideration and his
+repeated expressions of an ardent attachment. She was solicitous about
+his health and his welfare. She bustled around, looking after his
+clothing, thinking about heavy underwear, quite as Madame Ratignolle
+would have done under similar circumstances. She cried when he went
+away, calling him her dear, good friend, and she was quite certain she
+would grow lonely before very long and go to join him in New York.
+
+But after all, a radiant peace settled upon her when she at last found
+herself alone. Even the children were gone. Old Madame Pontellier had
+come herself and carried them off to Iberville with their quadroon. The
+old madame did not venture to say she was afraid they would be neglected
+during Leonce's absence; she hardly ventured to think so. She was hungry
+for them--even a little fierce in her attachment. She did not want them
+to be wholly "children of the pavement," she always said when begging
+to have them for a space. She wished them to know the country, with its
+streams, its fields, its woods, its freedom, so delicious to the young.
+She wished them to taste something of the life their father had lived
+and known and loved when he, too, was a little child.
+
+When Edna was at last alone, she breathed a big, genuine sigh of relief.
+A feeling that was unfamiliar but very delicious came over her. She
+walked all through the house, from one room to another, as if inspecting
+it for the first time. She tried the various chairs and lounges, as if
+she had never sat and reclined upon them before. And she perambulated
+around the outside of the house, investigating, looking to see if
+windows and shutters were secure and in order. The flowers were like
+new acquaintances; she approached them in a familiar spirit, and made
+herself at home among them. The garden walks were damp, and Edna called
+to the maid to bring out her rubber sandals. And there she stayed, and
+stooped, digging around the plants, trimming, picking dead, dry leaves.
+The children's little dog came out, interfering, getting in her way. She
+scolded him, laughed at him, played with him. The garden smelled so good
+and looked so pretty in the afternoon sunlight. Edna plucked all the
+bright flowers she could find, and went into the house with them, she
+and the little dog.
+
+Even the kitchen assumed a sudden interesting character which she had
+never before perceived. She went in to give directions to the cook, to
+say that the butcher would have to bring much less meat, that they would
+require only half their usual quantity of bread, of milk and groceries.
+She told the cook that she herself would be greatly occupied during
+Mr. Pontellier's absence, and she begged her to take all thought and
+responsibility of the larder upon her own shoulders.
+
+That night Edna dined alone. The candelabra, with a few candles in the
+center of the table, gave all the light she needed. Outside the circle
+of light in which she sat, the large dining-room looked solemn and
+shadowy. The cook, placed upon her mettle, served a delicious repast--a
+luscious tenderloin broiled a point. The wine tasted good; the marron
+glace seemed to be just what she wanted. It was so pleasant, too, to
+dine in a comfortable peignoir.
+
+She thought a little sentimentally about Leonce and the children, and
+wondered what they were doing. As she gave a dainty scrap or two to the
+doggie, she talked intimately to him about Etienne and Raoul. He was
+beside himself with astonishment and delight over these companionable
+advances, and showed his appreciation by his little quick, snappy barks
+and a lively agitation.
+
+Then Edna sat in the library after dinner and read Emerson until she
+grew sleepy. She realized that she had neglected her reading, and
+determined to start anew upon a course of improving studies, now that
+her time was completely her own to do with as she liked.
+
+After a refreshing bath, Edna went to bed. And as she snuggled
+comfortably beneath the eiderdown a sense of restfulness invaded her,
+such as she had not known before.
+
+
+
+
+XXV
+
+
+When the weather was dark and cloudy Edna could not work. She needed the
+sun to mellow and temper her mood to the sticking point. She had reached
+a stage when she seemed to be no longer feeling her way, working, when
+in the humor, with sureness and ease. And being devoid of ambition, and
+striving not toward accomplishment, she drew satisfaction from the work
+in itself.
+
+On rainy or melancholy days Edna went out and sought the society of
+the friends she had made at Grand Isle. Or else she stayed indoors
+and nursed a mood with which she was becoming too familiar for her own
+comfort and peace of mind. It was not despair; but it seemed to her as
+if life were passing by, leaving its promise broken and unfulfilled.
+Yet there were other days when she listened, was led on and deceived by
+fresh promises which her youth held out to her.
+
+She went again to the races, and again. Alcee Arobin and Mrs. Highcamp
+called for her one bright afternoon in Arobin's drag. Mrs. Highcamp was
+a worldly but unaffected, intelligent, slim, tall blonde woman in the
+forties, with an indifferent manner and blue eyes that stared. She had
+a daughter who served her as a pretext for cultivating the society of
+young men of fashion. Alcee Arobin was one of them. He was a familiar
+figure at the race course, the opera, the fashionable clubs. There was
+a perpetual smile in his eyes, which seldom failed to awaken a
+corresponding cheerfulness in any one who looked into them and listened
+to his good-humored voice. His manner was quiet, and at times a little
+insolent. He possessed a good figure, a pleasing face, not overburdened
+with depth of thought or feeling; and his dress was that of the
+conventional man of fashion.
+
+He admired Edna extravagantly, after meeting her at the races with her
+father. He had met her before on other occasions, but she had seemed to
+him unapproachable until that day. It was at his instigation that Mrs.
+Highcamp called to ask her to go with them to the Jockey Club to witness
+the turf event of the season.
+
+There were possibly a few track men out there who knew the race horse as
+well as Edna, but there was certainly none who knew it better. She sat
+between her two companions as one having authority to speak. She laughed
+at Arobin's pretensions, and deplored Mrs. Highcamp's ignorance. The
+race horse was a friend and intimate associate of her childhood. The
+atmosphere of the stables and the breath of the blue grass paddock
+revived in her memory and lingered in her nostrils. She did not perceive
+that she was talking like her father as the sleek geldings ambled in
+review before them. She played for very high stakes, and fortune favored
+her. The fever of the game flamed in her cheeks and eyes, and it got
+into her blood and into her brain like an intoxicant. People turned
+their heads to look at her, and more than one lent an attentive ear to
+her utterances, hoping thereby to secure the elusive but ever-desired
+"tip." Arobin caught the contagion of excitement which drew him to
+Edna like a magnet. Mrs. Highcamp remained, as usual, unmoved, with her
+indifferent stare and uplifted eyebrows.
+
+Edna stayed and dined with Mrs. Highcamp upon being urged to do so.
+Arobin also remained and sent away his drag.
+
+The dinner was quiet and uninteresting, save for the cheerful efforts
+of Arobin to enliven things. Mrs. Highcamp deplored the absence of her
+daughter from the races, and tried to convey to her what she had missed
+by going to the "Dante reading" instead of joining them. The girl held
+a geranium leaf up to her nose and said nothing, but looked knowing and
+noncommittal. Mr. Highcamp was a plain, bald-headed man, who only
+talked under compulsion. He was unresponsive. Mrs. Highcamp was full of
+delicate courtesy and consideration toward her husband. She addressed
+most of her conversation to him at table. They sat in the library after
+dinner and read the evening papers together under the droplight; while
+the younger people went into the drawing-room near by and talked. Miss
+Highcamp played some selections from Grieg upon the piano. She seemed to
+have apprehended all of the composer's coldness and none of his poetry.
+While Edna listened she could not help wondering if she had lost her
+taste for music.
+
+When the time came for her to go home, Mr. Highcamp grunted a lame offer
+to escort her, looking down at his slippered feet with tactless concern.
+It was Arobin who took her home. The car ride was long, and it was late
+when they reached Esplanade Street. Arobin asked permission to enter for
+a second to light his cigarette--his match safe was empty. He filled his
+match safe, but did not light his cigarette until he left her, after she
+had expressed her willingness to go to the races with him again.
+
+Edna was neither tired nor sleepy. She was hungry again, for the
+Highcamp dinner, though of excellent quality, had lacked abundance. She
+rummaged in the larder and brought forth a slice of Gruyere and some
+crackers. She opened a bottle of beer which she found in the icebox.
+Edna felt extremely restless and excited. She vacantly hummed a
+fantastic tune as she poked at the wood embers on the hearth and munched
+a cracker.
+
+She wanted something to happen--something, anything; she did not know
+what. She regretted that she had not made Arobin stay a half hour to
+talk over the horses with her. She counted the money she had won. But
+there was nothing else to do, so she went to bed, and tossed there for
+hours in a sort of monotonous agitation.
+
+In the middle of the night she remembered that she had forgotten to
+write her regular letter to her husband; and she decided to do so next
+day and tell him about her afternoon at the Jockey Club. She lay wide
+awake composing a letter which was nothing like the one which she wrote
+next day. When the maid awoke her in the morning Edna was dreaming of
+Mr. Highcamp playing the piano at the entrance of a music store on Canal
+Street, while his wife was saying to Alcee Arobin, as they boarded an
+Esplanade Street car:
+
+"What a pity that so much talent has been neglected! but I must go."
+
+When, a few days later, Alcee Arobin again called for Edna in his drag,
+Mrs. Highcamp was not with him. He said they would pick her up. But as
+that lady had not been apprised of his intention of picking her up, she
+was not at home. The daughter was just leaving the house to attend the
+meeting of a branch Folk Lore Society, and regretted that she could not
+accompany them. Arobin appeared nonplused, and asked Edna if there were
+any one else she cared to ask.
+
+She did not deem it worth while to go in search of any of the
+fashionable acquaintances from whom she had withdrawn herself. She
+thought of Madame Ratignolle, but knew that her fair friend did not
+leave the house, except to take a languid walk around the block with her
+husband after nightfall. Mademoiselle Reisz would have laughed at such a
+request from Edna. Madame Lebrun might have enjoyed the outing, but for
+some reason Edna did not want her. So they went alone, she and Arobin.
+
+The afternoon was intensely interesting to her. The excitement came
+back upon her like a remittent fever. Her talk grew familiar and
+confidential. It was no labor to become intimate with Arobin. His manner
+invited easy confidence. The preliminary stage of becoming acquainted
+was one which he always endeavored to ignore when a pretty and engaging
+woman was concerned.
+
+He stayed and dined with Edna. He stayed and sat beside the wood fire.
+They laughed and talked; and before it was time to go he was telling
+her how different life might have been if he had known her years before.
+With ingenuous frankness he spoke of what a wicked, ill-disciplined boy
+he had been, and impulsively drew up his cuff to exhibit upon his wrist
+the scar from a saber cut which he had received in a duel outside of
+Paris when he was nineteen. She touched his hand as she scanned the red
+cicatrice on the inside of his white wrist. A quick impulse that was
+somewhat spasmodic impelled her fingers to close in a sort of clutch
+upon his hand. He felt the pressure of her pointed nails in the flesh of
+his palm.
+
+She arose hastily and walked toward the mantel.
+
+"The sight of a wound or scar always agitates and sickens me," she said.
+"I shouldn't have looked at it."
+
+"I beg your pardon," he entreated, following her; "it never occurred to
+me that it might be repulsive."
+
+He stood close to her, and the effrontery in his eyes repelled the old,
+vanishing self in her, yet drew all her awakening sensuousness. He saw
+enough in her face to impel him to take her hand and hold it while he
+said his lingering good night.
+
+"Will you go to the races again?" he asked.
+
+"No," she said. "I've had enough of the races. I don't want to lose all
+the money I've won, and I've got to work when the weather is bright,
+instead of--"
+
+"Yes; work; to be sure. You promised to show me your work. What morning
+may I come up to your atelier? To-morrow?"
+
+"No!"
+
+"Day after?"
+
+"No, no."
+
+"Oh, please don't refuse me! I know something of such things. I might
+help you with a stray suggestion or two."
+
+"No. Good night. Why don't you go after you have said good night? I
+don't like you," she went on in a high, excited pitch, attempting
+to draw away her hand. She felt that her words lacked dignity and
+sincerity, and she knew that he felt it.
+
+"I'm sorry you don't like me. I'm sorry I offended you. How have I
+offended you? What have I done? Can't you forgive me?" And he bent and
+pressed his lips upon her hand as if he wished never more to withdraw
+them.
+
+"Mr. Arobin," she complained, "I'm greatly upset by the excitement of
+the afternoon; I'm not myself. My manner must have misled you in some
+way. I wish you to go, please." She spoke in a monotonous, dull tone.
+He took his hat from the table, and stood with eyes turned from her,
+looking into the dying fire. For a moment or two he kept an impressive
+silence.
+
+"Your manner has not misled me, Mrs. Pontellier," he said finally. "My
+own emotions have done that. I couldn't help it. When I'm near you, how
+could I help it? Don't think anything of it, don't bother, please. You
+see, I go when you command me. If you wish me to stay away, I shall do
+so. If you let me come back, I--oh! you will let me come back?"
+
+He cast one appealing glance at her, to which she made no response.
+Alcee Arobin's manner was so genuine that it often deceived even
+himself.
+
+Edna did not care or think whether it were genuine or not. When she
+was alone she looked mechanically at the back of her hand which he had
+kissed so warmly. Then she leaned her head down on the mantelpiece. She
+felt somewhat like a woman who in a moment of passion is betrayed into
+an act of infidelity, and realizes the significance of the act without
+being wholly awakened from its glamour. The thought was passing vaguely
+through her mind, "What would he think?"
+
+She did not mean her husband; she was thinking of Robert Lebrun. Her
+husband seemed to her now like a person whom she had married without
+love as an excuse.
+
+She lit a candle and went up to her room. Alcee Arobin was absolutely
+nothing to her. Yet his presence, his manners, the warmth of his
+glances, and above all the touch of his lips upon her hand had acted
+like a narcotic upon her.
+
+She slept a languorous sleep, interwoven with vanishing dreams.
+
+
+
+
+XXVI
+
+
+Alcee Arobin wrote Edna an elaborate note of apology, palpitant with
+sincerity. It embarrassed her; for in a cooler, quieter moment it
+appeared to her, absurd that she should have taken his action so
+seriously, so dramatically. She felt sure that the significance of the
+whole occurrence had lain in her own self-consciousness. If she ignored
+his note it would give undue importance to a trivial affair. If she
+replied to it in a serious spirit it would still leave in his mind
+the impression that she had in a susceptible moment yielded to his
+influence. After all, it was no great matter to have one's hand kissed.
+She was provoked at his having written the apology. She answered in as
+light and bantering a spirit as she fancied it deserved, and said she
+would be glad to have him look in upon her at work whenever he felt the
+inclination and his business gave him the opportunity.
+
+He responded at once by presenting himself at her home with all his
+disarming naivete. And then there was scarcely a day which followed
+that she did not see him or was not reminded of him. He was prolific in
+pretexts. His attitude became one of good-humored subservience and tacit
+adoration. He was ready at all times to submit to her moods, which were
+as often kind as they were cold. She grew accustomed to him. They became
+intimate and friendly by imperceptible degrees, and then by leaps. He
+sometimes talked in a way that astonished her at first and brought the
+crimson into her face; in a way that pleased her at last, appealing to
+the animalism that stirred impatiently within her.
+
+There was nothing which so quieted the turmoil of Edna's senses as
+a visit to Mademoiselle Reisz. It was then, in the presence of that
+personality which was offensive to her, that the woman, by her divine
+art, seemed to reach Edna's spirit and set it free.
+
+It was misty, with heavy, lowering atmosphere, one afternoon, when
+Edna climbed the stairs to the pianist's apartments under the roof. Her
+clothes were dripping with moisture. She felt chilled and pinched as she
+entered the room. Mademoiselle was poking at a rusty stove that smoked a
+little and warmed the room indifferently. She was endeavoring to heat
+a pot of chocolate on the stove. The room looked cheerless and dingy to
+Edna as she entered. A bust of Beethoven, covered with a hood of dust,
+scowled at her from the mantelpiece.
+
+"Ah! here comes the sunlight!" exclaimed Mademoiselle, rising from her
+knees before the stove. "Now it will be warm and bright enough; I can
+let the fire alone."
+
+She closed the stove door with a bang, and approaching, assisted in
+removing Edna's dripping mackintosh.
+
+"You are cold; you look miserable. The chocolate will soon be hot. But
+would you rather have a taste of brandy? I have scarcely touched the
+bottle which you brought me for my cold." A piece of red flannel was
+wrapped around Mademoiselle's throat; a stiff neck compelled her to hold
+her head on one side.
+
+"I will take some brandy," said Edna, shivering as she removed her
+gloves and overshoes. She drank the liquor from the glass as a man would
+have done. Then flinging herself upon the uncomfortable sofa she said,
+"Mademoiselle, I am going to move away from my house on Esplanade
+Street."
+
+"Ah!" ejaculated the musician, neither surprised nor especially
+interested. Nothing ever seemed to astonish her very much. She was
+endeavoring to adjust the bunch of violets which had become loose from
+its fastening in her hair. Edna drew her down upon the sofa, and taking
+a pin from her own hair, secured the shabby artificial flowers in their
+accustomed place.
+
+"Aren't you astonished?"
+
+"Passably. Where are you going? to New York? to Iberville? to your
+father in Mississippi? where?"
+
+"Just two steps away," laughed Edna, "in a little four-room house around
+the corner. It looks so cozy, so inviting and restful, whenever I pass
+by; and it's for rent. I'm tired looking after that big house. It never
+seemed like mine, anyway--like home. It's too much trouble. I have to
+keep too many servants. I am tired bothering with them."
+
+"That is not your true reason, ma belle. There is no use in telling me
+lies. I don't know your reason, but you have not told me the truth."
+Edna did not protest or endeavor to justify herself.
+
+"The house, the money that provides for it, are not mine. Isn't that
+enough reason?"
+
+"They are your husband's," returned Mademoiselle, with a shrug and a
+malicious elevation of the eyebrows.
+
+"Oh! I see there is no deceiving you. Then let me tell you: It is a
+caprice. I have a little money of my own from my mother's estate, which
+my father sends me by driblets. I won a large sum this winter on the
+races, and I am beginning to sell my sketches. Laidpore is more and more
+pleased with my work; he says it grows in force and individuality. I
+cannot judge of that myself, but I feel that I have gained in ease
+and confidence. However, as I said, I have sold a good many through
+Laidpore. I can live in the tiny house for little or nothing, with one
+servant. Old Celestine, who works occasionally for me, says she will
+come stay with me and do my work. I know I shall like it, like the
+feeling of freedom and independence."
+
+"What does your husband say?"
+
+"I have not told him yet. I only thought of it this morning. He will
+think I am demented, no doubt. Perhaps you think so."
+
+Mademoiselle shook her head slowly. "Your reason is not yet clear to
+me," she said.
+
+Neither was it quite clear to Edna herself; but it unfolded itself as
+she sat for a while in silence. Instinct had prompted her to put away
+her husband's bounty in casting off her allegiance. She did not know how
+it would be when he returned. There would have to be an understanding,
+an explanation. Conditions would some way adjust themselves, she felt;
+but whatever came, she had resolved never again to belong to another
+than herself.
+
+"I shall give a grand dinner before I leave the old house!" Edna
+exclaimed. "You will have to come to it, Mademoiselle. I will give you
+everything that you like to eat and to drink. We shall sing and laugh
+and be merry for once." And she uttered a sigh that came from the very
+depths of her being.
+
+If Mademoiselle happened to have received a letter from Robert
+during the interval of Edna's visits, she would give her the letter
+unsolicited. And she would seat herself at the piano and play as her
+humor prompted her while the young woman read the letter.
+
+The little stove was roaring; it was red-hot, and the chocolate in the
+tin sizzled and sputtered. Edna went forward and opened the stove door,
+and Mademoiselle rising, took a letter from under the bust of Beethoven
+and handed it to Edna.
+
+"Another! so soon!" she exclaimed, her eyes filled with delight. "Tell
+me, Mademoiselle, does he know that I see his letters?"
+
+"Never in the world! He would be angry and would never write to me again
+if he thought so. Does he write to you? Never a line. Does he send you
+a message? Never a word. It is because he loves you, poor fool, and
+is trying to forget you, since you are not free to listen to him or to
+belong to him."
+
+"Why do you show me his letters, then?"
+
+"Haven't you begged for them? Can I refuse you anything? Oh! you cannot
+deceive me," and Mademoiselle approached her beloved instrument and
+began to play. Edna did not at once read the letter. She sat holding
+it in her hand, while the music penetrated her whole being like an
+effulgence, warming and brightening the dark places of her soul. It
+prepared her for joy and exultation.
+
+"Oh!" she exclaimed, letting the letter fall to the floor. "Why did
+you not tell me?" She went and grasped Mademoiselle's hands up from the
+keys. "Oh! unkind! malicious! Why did you not tell me?"
+
+"That he was coming back? No great news, ma foi. I wonder he did not
+come long ago."
+
+"But when, when?" cried Edna, impatiently. "He does not say when."
+
+"He says 'very soon.' You know as much about it as I do; it is all in
+the letter."
+
+"But why? Why is he coming? Oh, if I thought--" and she snatched the
+letter from the floor and turned the pages this way and that way,
+looking for the reason, which was left untold.
+
+"If I were young and in love with a man," said Mademoiselle, turning on
+the stool and pressing her wiry hands between her knees as she looked
+down at Edna, who sat on the floor holding the letter, "it seems to me
+he would have to be some grand esprit; a man with lofty aims and ability
+to reach them; one who stood high enough to attract the notice of his
+fellow-men. It seems to me if I were young and in love I should never
+deem a man of ordinary caliber worthy of my devotion."
+
+"Now it is you who are telling lies and seeking to deceive me,
+Mademoiselle; or else you have never been in love, and know nothing
+about it. Why," went on Edna, clasping her knees and looking up into
+Mademoiselle's twisted face, "do you suppose a woman knows why she
+loves? Does she select? Does she say to herself: 'Go to! Here is a
+distinguished statesman with presidential possibilities; I shall proceed
+to fall in love with him.' Or, 'I shall set my heart upon this musician,
+whose fame is on every tongue?' Or, 'This financier, who controls the
+world's money markets?'
+
+"You are purposely misunderstanding me, ma reine. Are you in love with
+Robert?"
+
+"Yes," said Edna. It was the first time she had admitted it, and a glow
+overspread her face, blotching it with red spots.
+
+"Why?" asked her companion. "Why do you love him when you ought not to?"
+
+Edna, with a motion or two, dragged herself on her knees before
+Mademoiselle Reisz, who took the glowing face between her two hands.
+
+"Why? Because his hair is brown and grows away from his temples; because
+he opens and shuts his eyes, and his nose is a little out of drawing;
+because he has two lips and a square chin, and a little finger which he
+can't straighten from having played baseball too energetically in his
+youth. Because--"
+
+"Because you do, in short," laughed Mademoiselle. "What will you do when
+he comes back?" she asked.
+
+"Do? Nothing, except feel glad and happy to be alive."
+
+She was already glad and happy to be alive at the mere thought of his
+return. The murky, lowering sky, which had depressed her a few hours
+before, seemed bracing and invigorating as she splashed through the
+streets on her way home.
+
+She stopped at a confectioner's and ordered a huge box of bonbons for
+the children in Iberville. She slipped a card in the box, on which she
+scribbled a tender message and sent an abundance of kisses.
+
+Before dinner in the evening Edna wrote a charming letter to her
+husband, telling him of her intention to move for a while into the
+little house around the block, and to give a farewell dinner before
+leaving, regretting that he was not there to share it, to help out
+with the menu and assist her in entertaining the guests. Her letter was
+brilliant and brimming with cheerfulness.
+
+
+
+
+XXVII
+
+
+"What is the matter with you?" asked Arobin that evening. "I never
+found you in such a happy mood." Edna was tired by that time, and was
+reclining on the lounge before the fire.
+
+"Don't you know the weather prophet has told us we shall see the sun
+pretty soon?"
+
+"Well, that ought to be reason enough," he acquiesced. "You wouldn't
+give me another if I sat here all night imploring you." He sat close to
+her on a low tabouret, and as he spoke his fingers lightly touched the
+hair that fell a little over her forehead. She liked the touch of his
+fingers through her hair, and closed her eyes sensitively.
+
+"One of these days," she said, "I'm going to pull myself together for a
+while and think--try to determine what character of a woman I am; for,
+candidly, I don't know. By all the codes which I am acquainted with,
+I am a devilishly wicked specimen of the sex. But some way I can't
+convince myself that I am. I must think about it."
+
+"Don't. What's the use? Why should you bother thinking about it when
+I can tell you what manner of woman you are." His fingers strayed
+occasionally down to her warm, smooth cheeks and firm chin, which was
+growing a little full and double.
+
+"Oh, yes! You will tell me that I am adorable; everything that is
+captivating. Spare yourself the effort."
+
+"No; I shan't tell you anything of the sort, though I shouldn't be lying
+if I did."
+
+"Do you know Mademoiselle Reisz?" she asked irrelevantly.
+
+"The pianist? I know her by sight. I've heard her play."
+
+"She says queer things sometimes in a bantering way that you don't
+notice at the time and you find yourself thinking about afterward."
+
+"For instance?"
+
+"Well, for instance, when I left her to-day, she put her arms around me
+and felt my shoulder blades, to see if my wings were strong, she
+said. 'The bird that would soar above the level plain of tradition
+and prejudice must have strong wings. It is a sad spectacle to see the
+weaklings bruised, exhausted, fluttering back to earth.' Whither would
+you soar?"
+
+"I'm not thinking of any extraordinary flights. I only half comprehend
+her."
+
+"I've heard she's partially demented," said Arobin.
+
+"She seems to me wonderfully sane," Edna replied.
+
+"I'm told she's extremely disagreeable and unpleasant. Why have you
+introduced her at a moment when I desired to talk of you?"
+
+"Oh! talk of me if you like," cried Edna, clasping her hands beneath her
+head; "but let me think of something else while you do."
+
+"I'm jealous of your thoughts tonight. They're making you a little
+kinder than usual; but some way I feel as if they were wandering, as if
+they were not here with me." She only looked at him and smiled. His eyes
+were very near. He leaned upon the lounge with an arm extended across
+her, while the other hand still rested upon her hair. They continued
+silently to look into each other's eyes. When he leaned forward and
+kissed her, she clasped his head, holding his lips to hers.
+
+It was the first kiss of her life to which her nature had really
+responded. It was a flaming torch that kindled desire.
+
+
+
+
+XXVIII
+
+
+Edna cried a little that night after Arobin left her. It was only one
+phase of the multitudinous emotions which had assailed her. There was
+with her an overwhelming feeling of irresponsibility. There was the
+shock of the unexpected and the unaccustomed. There was her husband's
+reproach looking at her from the external things around her which he had
+provided for her external existence. There was Robert's reproach making
+itself felt by a quicker, fiercer, more overpowering love, which had
+awakened within her toward him. Above all, there was understanding. She
+felt as if a mist had been lifted from her eyes, enabling her to took
+upon and comprehend the significance of life, that monster made up
+of beauty and brutality. But among the conflicting sensations which
+assailed her, there was neither shame nor remorse. There was a dull pang
+of regret because it was not the kiss of love which had inflamed her,
+because it was not love which had held this cup of life to her lips.
+
+
+
+
+XXIX
+
+
+Without even waiting for an answer from her husband regarding his
+opinion or wishes in the matter, Edna hastened her preparations for
+quitting her home on Esplanade Street and moving into the little house
+around the block. A feverish anxiety attended her every action in that
+direction. There was no moment of deliberation, no interval of repose
+between the thought and its fulfillment. Early upon the morning
+following those hours passed in Arobin's society, Edna set about
+securing her new abode and hurrying her arrangements for occupying it.
+Within the precincts of her home she felt like one who has entered and
+lingered within the portals of some forbidden temple in which a thousand
+muffled voices bade her begone.
+
+Whatever was her own in the house, everything which she had acquired
+aside from her husband's bounty, she caused to be transported to the
+other house, supplying simple and meager deficiencies from her own
+resources.
+
+Arobin found her with rolled sleeves, working in company with the
+house-maid when he looked in during the afternoon. She was splendid and
+robust, and had never appeared handsomer than in the old blue gown, with
+a red silk handkerchief knotted at random around her head to protect her
+hair from the dust. She was mounted upon a high stepladder, unhooking a
+picture from the wall when he entered. He had found the front door open,
+and had followed his ring by walking in unceremoniously.
+
+"Come down!" he said. "Do you want to kill yourself?" She greeted him
+with affected carelessness, and appeared absorbed in her occupation.
+
+If he had expected to find her languishing, reproachful, or indulging in
+sentimental tears, he must have been greatly surprised.
+
+He was no doubt prepared for any emergency, ready for any one of the
+foregoing attitudes, just as he bent himself easily and naturally to the
+situation which confronted him.
+
+"Please come down," he insisted, holding the ladder and looking up at
+her.
+
+"No," she answered; "Ellen is afraid to mount the ladder. Joe is working
+over at the 'pigeon house'--that's the name Ellen gives it, because it's
+so small and looks like a pigeon house--and some one has to do this."
+
+Arobin pulled off his coat, and expressed himself ready and willing to
+tempt fate in her place. Ellen brought him one of her dust-caps,
+and went into contortions of mirth, which she found it impossible to
+control, when she saw him put it on before the mirror as grotesquely as
+he could. Edna herself could not refrain from smiling when she fastened
+it at his request. So it was he who in turn mounted the ladder,
+unhooking pictures and curtains, and dislodging ornaments as Edna
+directed. When he had finished he took off his dust-cap and went out to
+wash his hands.
+
+Edna was sitting on the tabouret, idly brushing the tips of a feather
+duster along the carpet when he came in again.
+
+"Is there anything more you will let me do?" he asked.
+
+"That is all," she answered. "Ellen can manage the rest." She kept the
+young woman occupied in the drawing-room, unwilling to be left alone
+with Arobin.
+
+"What about the dinner?" he asked; "the grand event, the coup d'etat?"
+
+"It will be day after to-morrow. Why do you call it the 'coup d'etat?'
+Oh! it will be very fine; all my best of everything--crystal, silver and
+gold, Sevres, flowers, music, and champagne to swim in. I'll let Leonce
+pay the bills. I wonder what he'll say when he sees the bills.
+
+"And you ask me why I call it a coup d'etat?" Arobin had put on his
+coat, and he stood before her and asked if his cravat was plumb. She
+told him it was, looking no higher than the tip of his collar.
+
+"When do you go to the 'pigeon house?'--with all due acknowledgment to
+Ellen."
+
+"Day after to-morrow, after the dinner. I shall sleep there."
+
+"Ellen, will you very kindly get me a glass of water?" asked Arobin.
+"The dust in the curtains, if you will pardon me for hinting such a
+thing, has parched my throat to a crisp."
+
+"While Ellen gets the water," said Edna, rising, "I will say good-by and
+let you go. I must get rid of this grime, and I have a million things to
+do and think of."
+
+"When shall I see you?" asked Arobin, seeking to detain her, the maid
+having left the room.
+
+"At the dinner, of course. You are invited."
+
+"Not before?--not to-night or to-morrow morning or tomorrow noon or
+night? or the day after morning or noon? Can't you see yourself, without
+my telling you, what an eternity it is?"
+
+He had followed her into the hall and to the foot of the stairway,
+looking up at her as she mounted with her face half turned to him.
+
+"Not an instant sooner," she said. But she laughed and looked at him
+with eyes that at once gave him courage to wait and made it torture to
+wait.
+
+
+
+
+XXX
+
+
+Though Edna had spoken of the dinner as a very grand affair, it was
+in truth a very small affair and very select, in so much as the guests
+invited were few and were selected with discrimination. She had counted
+upon an even dozen seating themselves at her round mahogany board,
+forgetting for the moment that Madame Ratignolle was to the last degree
+souffrante and unpresentable, and not foreseeing that Madame Lebrun
+would send a thousand regrets at the last moment. So there were only
+ten, after all, which made a cozy, comfortable number.
+
+There were Mr. and Mrs. Merriman, a pretty, vivacious little woman in
+the thirties; her husband, a jovial fellow, something of a shallow-pate,
+who laughed a good deal at other people's witticisms, and had thereby
+made himself extremely popular. Mrs. Highcamp had accompanied them. Of
+course, there was Alcee Arobin; and Mademoiselle Reisz had consented
+to come. Edna had sent her a fresh bunch of violets with black lace
+trimmings for her hair. Monsieur Ratignolle brought himself and his
+wife's excuses. Victor Lebrun, who happened to be in the city, bent upon
+relaxation, had accepted with alacrity. There was a Miss Mayblunt, no
+longer in her teens, who looked at the world through lorgnettes and with
+the keenest interest. It was thought and said that she was intellectual;
+it was suspected of her that she wrote under a nom de guerre. She had
+come with a gentleman by the name of Gouvernail, connected with one of
+the daily papers, of whom nothing special could be said, except that he
+was observant and seemed quiet and inoffensive. Edna herself made the
+tenth, and at half-past eight they seated themselves at table, Arobin
+and Monsieur Ratignolle on either side of their hostess.
+
+Mrs. Highcamp sat between Arobin and Victor Lebrun. Then came Mrs.
+Merriman, Mr. Gouvernail, Miss Mayblunt, Mr. Merriman, and Mademoiselle
+Reisz next to Monsieur Ratignolle.
+
+There was something extremely gorgeous about the appearance of the
+table, an effect of splendor conveyed by a cover of pale yellow satin
+under strips of lace-work. There were wax candles, in massive brass
+candelabra, burning softly under yellow silk shades; full, fragrant
+roses, yellow and red, abounded. There were silver and gold, as she had
+said there would be, and crystal which glittered like the gems which the
+women wore.
+
+The ordinary stiff dining chairs had been discarded for the occasion and
+replaced by the most commodious and luxurious which could be collected
+throughout the house. Mademoiselle Reisz, being exceedingly diminutive,
+was elevated upon cushions, as small children are sometimes hoisted at
+table upon bulky volumes.
+
+"Something new, Edna?" exclaimed Miss Mayblunt, with lorgnette directed
+toward a magnificent cluster of diamonds that sparkled, that almost
+sputtered, in Edna's hair, just over the center of her forehead.
+
+"Quite new; 'brand' new, in fact; a present from my husband. It
+arrived this morning from New York. I may as well admit that this is my
+birthday, and that I am twenty-nine. In good time I expect you to drink
+my health. Meanwhile, I shall ask you to begin with this cocktail,
+composed--would you say 'composed?'" with an appeal to Miss
+Mayblunt--"composed by my father in honor of Sister Janet's wedding."
+
+Before each guest stood a tiny glass that looked and sparkled like a
+garnet gem.
+
+"Then, all things considered," spoke Arobin, "it might not be amiss
+to start out by drinking the Colonel's health in the cocktail which he
+composed, on the birthday of the most charming of women--the daughter
+whom he invented."
+
+Mr. Merriman's laugh at this sally was such a genuine outburst and so
+contagious that it started the dinner with an agreeable swing that never
+slackened.
+
+Miss Mayblunt begged to be allowed to keep her cocktail untouched before
+her, just to look at. The color was marvelous! She could compare it to
+nothing she had ever seen, and the garnet lights which it emitted were
+unspeakably rare. She pronounced the Colonel an artist, and stuck to it.
+
+Monsieur Ratignolle was prepared to take things seriously; the mets, the
+entre-mets, the service, the decorations, even the people. He looked
+up from his pompano and inquired of Arobin if he were related to the
+gentleman of that name who formed one of the firm of Laitner and Arobin,
+lawyers. The young man admitted that Laitner was a warm personal friend,
+who permitted Arobin's name to decorate the firm's letterheads and to
+appear upon a shingle that graced Perdido Street.
+
+"There are so many inquisitive people and institutions abounding," said
+Arobin, "that one is really forced as a matter of convenience these
+days to assume the virtue of an occupation if he has it not." Monsieur
+Ratignolle stared a little, and turned to ask Mademoiselle Reisz if she
+considered the symphony concerts up to the standard which had been set
+the previous winter. Mademoiselle Reisz answered Monsieur Ratignolle in
+French, which Edna thought a little rude, under the circumstances, but
+characteristic. Mademoiselle had only disagreeable things to say of the
+symphony concerts, and insulting remarks to make of all the musicians
+of New Orleans, singly and collectively. All her interest seemed to be
+centered upon the delicacies placed before her.
+
+Mr. Merriman said that Mr. Arobin's remark about inquisitive people
+reminded him of a man from Waco the other day at the St. Charles
+Hotel--but as Mr. Merriman's stories were always lame and lacking point,
+his wife seldom permitted him to complete them. She interrupted him to
+ask if he remembered the name of the author whose book she had bought
+the week before to send to a friend in Geneva. She was talking "books"
+with Mr. Gouvernail and trying to draw from him his opinion upon current
+literary topics. Her husband told the story of the Waco man privately
+to Miss Mayblunt, who pretended to be greatly amused and to think it
+extremely clever.
+
+Mrs. Highcamp hung with languid but unaffected interest upon the warm
+and impetuous volubility of her left-hand neighbor, Victor Lebrun.
+Her attention was never for a moment withdrawn from him after seating
+herself at table; and when he turned to Mrs. Merriman, who was prettier
+and more vivacious than Mrs. Highcamp, she waited with easy indifference
+for an opportunity to reclaim his attention. There was the occasional
+sound of music, of mandolins, sufficiently removed to be an agreeable
+accompaniment rather than an interruption to the conversation. Outside
+the soft, monotonous splash of a fountain could be heard; the sound
+penetrated into the room with the heavy odor of jessamine that came
+through the open windows.
+
+The golden shimmer of Edna's satin gown spread in rich folds on either
+side of her. There was a soft fall of lace encircling her shoulders.
+It was the color of her skin, without the glow, the myriad living tints
+that one may sometimes discover in vibrant flesh. There was something in
+her attitude, in her whole appearance when she leaned her head against
+the high-backed chair and spread her arms, which suggested the regal
+woman, the one who rules, who looks on, who stands alone.
+
+But as she sat there amid her guests, she felt the old ennui overtaking
+her; the hopelessness which so often assailed her, which came upon her
+like an obsession, like something extraneous, independent of volition.
+It was something which announced itself; a chill breath that seemed to
+issue from some vast cavern wherein discords waited. There came over her
+the acute longing which always summoned into her spiritual vision the
+presence of the beloved one, overpowering her at once with a sense of
+the unattainable.
+
+The moments glided on, while a feeling of good fellowship passed around
+the circle like a mystic cord, holding and binding these people together
+with jest and laughter. Monsieur Ratignolle was the first to break the
+pleasant charm. At ten o'clock he excused himself. Madame Ratignolle
+was waiting for him at home. She was bien souffrante, and she was filled
+with vague dread, which only her husband's presence could allay.
+
+Mademoiselle Reisz arose with Monsieur Ratignolle, who offered to escort
+her to the car. She had eaten well; she had tasted the good, rich wines,
+and they must have turned her head, for she bowed pleasantly to all
+as she withdrew from table. She kissed Edna upon the shoulder, and
+whispered: "Bonne nuit, ma reine; soyez sage." She had been a little
+bewildered upon rising, or rather, descending from her cushions, and
+Monsieur Ratignolle gallantly took her arm and led her away.
+
+Mrs. Highcamp was weaving a garland of roses, yellow and red. When she
+had finished the garland, she laid it lightly upon Victor's black curls.
+He was reclining far back in the luxurious chair, holding a glass of
+champagne to the light.
+
+As if a magician's wand had touched him, the garland of roses
+transformed him into a vision of Oriental beauty. His cheeks were the
+color of crushed grapes, and his dusky eyes glowed with a languishing
+fire.
+
+"Sapristi!" exclaimed Arobin.
+
+But Mrs. Highcamp had one more touch to add to the picture. She took
+from the back of her chair a white silken scarf, with which she had
+covered her shoulders in the early part of the evening. She draped it
+across the boy in graceful folds, and in a way to conceal his black,
+conventional evening dress. He did not seem to mind what she did to him,
+only smiled, showing a faint gleam of white teeth, while he continued to
+gaze with narrowing eyes at the light through his glass of champagne.
+
+"Oh! to be able to paint in color rather than in words!" exclaimed Miss
+Mayblunt, losing herself in a rhapsodic dream as she looked at him.
+
+"'There was a graven image of Desire Painted with red blood on a ground
+of gold.'" murmured Gouvernail, under his breath.
+
+The effect of the wine upon Victor was to change his accustomed
+volubility into silence. He seemed to have abandoned himself to a
+reverie, and to be seeing pleasing visions in the amber bead.
+
+"Sing," entreated Mrs. Highcamp. "Won't you sing to us?"
+
+"Let him alone," said Arobin.
+
+"He's posing," offered Mr. Merriman; "let him have it out."
+
+"I believe he's paralyzed," laughed Mrs. Merriman. And leaning over the
+youth's chair, she took the glass from his hand and held it to his lips.
+He sipped the wine slowly, and when he had drained the glass she laid it
+upon the table and wiped his lips with her little filmy handkerchief.
+
+"Yes, I'll sing for you," he said, turning in his chair toward Mrs.
+Highcamp. He clasped his hands behind his head, and looking up at the
+ceiling began to hum a little, trying his voice like a musician tuning
+an instrument. Then, looking at Edna, he began to sing:
+
+ "Ah! si tu savais!"
+
+"Stop!" she cried, "don't sing that. I don't want you to sing it,"
+and she laid her glass so impetuously and blindly upon the table as to
+shatter it against a carafe. The wine spilled over Arobin's legs and
+some of it trickled down upon Mrs. Highcamp's black gauze gown. Victor
+had lost all idea of courtesy, or else he thought his hostess was not in
+earnest, for he laughed and went on:
+
+
+ "Ah! si tu savais
+
+ Ce que tes yeux me disent"--
+
+"Oh! you mustn't! you mustn't," exclaimed Edna, and pushing back her
+chair she got up, and going behind him placed her hand over his mouth.
+He kissed the soft palm that pressed upon his lips.
+
+"No, no, I won't, Mrs. Pontellier. I didn't know you meant it," looking
+up at her with caressing eyes. The touch of his lips was like a pleasing
+sting to her hand. She lifted the garland of roses from his head and
+flung it across the room.
+
+"Come, Victor; you've posed long enough. Give Mrs. Highcamp her scarf."
+
+Mrs. Highcamp undraped the scarf from about him with her own hands. Miss
+Mayblunt and Mr. Gouvernail suddenly conceived the notion that it was
+time to say good night. And Mr. and Mrs. Merriman wondered how it could
+be so late.
+
+Before parting from Victor, Mrs. Highcamp invited him to call upon her
+daughter, who she knew would be charmed to meet him and talk French and
+sing French songs with him. Victor expressed his desire and intention to
+call upon Miss Highcamp at the first opportunity which presented itself.
+He asked if Arobin were going his way. Arobin was not.
+
+The mandolin players had long since stolen away. A profound stillness
+had fallen upon the broad, beautiful street. The voices of Edna's
+disbanding guests jarred like a discordant note upon the quiet harmony
+of the night.
+
+
+
+
+XXXI
+
+
+"Well?" questioned Arobin, who had remained with Edna after the others
+had departed.
+
+"Well," she reiterated, and stood up, stretching her arms, and feeling
+the need to relax her muscles after having been so long seated.
+
+"What next?" he asked.
+
+"The servants are all gone. They left when the musicians did. I have
+dismissed them. The house has to be closed and locked, and I shall trot
+around to the pigeon house, and shall send Celestine over in the morning
+to straighten things up."
+
+He looked around, and began to turn out some of the lights.
+
+"What about upstairs?" he inquired.
+
+"I think it is all right; but there may be a window or two unlatched. We
+had better look; you might take a candle and see. And bring me my wrap
+and hat on the foot of the bed in the middle room."
+
+He went up with the light, and Edna began closing doors and windows. She
+hated to shut in the smoke and the fumes of the wine. Arobin found her
+cape and hat, which he brought down and helped her to put on.
+
+When everything was secured and the lights put out, they left through
+the front door, Arobin locking it and taking the key, which he carried
+for Edna. He helped her down the steps.
+
+"Will you have a spray of jessamine?" he asked, breaking off a few
+blossoms as he passed.
+
+"No; I don't want anything."
+
+She seemed disheartened, and had nothing to say. She took his arm, which
+he offered her, holding up the weight of her satin train with the other
+hand. She looked down, noticing the black line of his leg moving in and
+out so close to her against the yellow shimmer of her gown. There
+was the whistle of a railway train somewhere in the distance, and the
+midnight bells were ringing. They met no one in their short walk.
+
+The "pigeon house" stood behind a locked gate, and a shallow parterre
+that had been somewhat neglected. There was a small front porch, upon
+which a long window and the front door opened. The door opened directly
+into the parlor; there was no side entry. Back in the yard was a room
+for servants, in which old Celestine had been ensconced.
+
+Edna had left a lamp burning low upon the table. She had succeeded in
+making the room look habitable and homelike. There were some books on
+the table and a lounge near at hand. On the floor was a fresh matting,
+covered with a rug or two; and on the walls hung a few tasteful
+pictures. But the room was filled with flowers. These were a surprise to
+her. Arobin had sent them, and had had Celestine distribute them during
+Edna's absence. Her bedroom was adjoining, and across a small passage
+were the dining-room and kitchen.
+
+Edna seated herself with every appearance of discomfort.
+
+"Are you tired?" he asked.
+
+"Yes, and chilled, and miserable. I feel as if I had been wound up to a
+certain pitch--too tight--and something inside of me had snapped." She
+rested her head against the table upon her bare arm.
+
+"You want to rest," he said, "and to be quiet. I'll go; I'll leave you
+and let you rest."
+
+"Yes," she replied.
+
+He stood up beside her and smoothed her hair with his soft, magnetic
+hand. His touch conveyed to her a certain physical comfort. She could
+have fallen quietly asleep there if he had continued to pass his hand
+over her hair. He brushed the hair upward from the nape of her neck.
+
+"I hope you will feel better and happier in the morning," he said. "You
+have tried to do too much in the past few days. The dinner was the last
+straw; you might have dispensed with it."
+
+"Yes," she admitted; "it was stupid."
+
+"No, it was delightful; but it has worn you out." His hand had strayed
+to her beautiful shoulders, and he could feel the response of her flesh
+to his touch. He seated himself beside her and kissed her lightly upon
+the shoulder.
+
+"I thought you were going away," she said, in an uneven voice.
+
+"I am, after I have said good night."
+
+"Good night," she murmured.
+
+He did not answer, except to continue to caress her. He did not say good
+night until she had become supple to his gentle, seductive entreaties.
+
+
+
+
+XXXII
+
+
+When Mr. Pontellier learned of his wife's intention to abandon her home
+and take up her residence elsewhere, he immediately wrote her a letter
+of unqualified disapproval and remonstrance. She had given reasons which
+he was unwilling to acknowledge as adequate. He hoped she had not acted
+upon her rash impulse; and he begged her to consider first, foremost,
+and above all else, what people would say. He was not dreaming of
+scandal when he uttered this warning; that was a thing which would never
+have entered into his mind to consider in connection with his wife's
+name or his own. He was simply thinking of his financial integrity. It
+might get noised about that the Pontelliers had met with reverses, and
+were forced to conduct their menage on a humbler scale than heretofore.
+It might do incalculable mischief to his business prospects.
+
+But remembering Edna's whimsical turn of mind of late, and foreseeing
+that she had immediately acted upon her impetuous determination, he
+grasped the situation with his usual promptness and handled it with his
+well-known business tact and cleverness.
+
+The same mail which brought to Edna his letter of disapproval carried
+instructions--the most minute instructions--to a well-known architect
+concerning the remodeling of his home, changes which he had long
+contemplated, and which he desired carried forward during his temporary
+absence.
+
+Expert and reliable packers and movers were engaged to convey the
+furniture, carpets, pictures--everything movable, in short--to places
+of security. And in an incredibly short time the Pontellier house
+was turned over to the artisans. There was to be an addition--a small
+snuggery; there was to be frescoing, and hardwood flooring was to be put
+into such rooms as had not yet been subjected to this improvement.
+
+Furthermore, in one of the daily papers appeared a brief notice to the
+effect that Mr. and Mrs. Pontellier were contemplating a summer sojourn
+abroad, and that their handsome residence on Esplanade Street was
+undergoing sumptuous alterations, and would not be ready for occupancy
+until their return. Mr. Pontellier had saved appearances!
+
+Edna admired the skill of his maneuver, and avoided any occasion to balk
+his intentions. When the situation as set forth by Mr. Pontellier was
+accepted and taken for granted, she was apparently satisfied that it
+should be so.
+
+The pigeon house pleased her. It at once assumed the intimate character
+of a home, while she herself invested it with a charm which it reflected
+like a warm glow. There was with her a feeling of having descended in
+the social scale, with a corresponding sense of having risen in the
+spiritual. Every step which she took toward relieving herself from
+obligations added to her strength and expansion as an individual. She
+began to look with her own eyes; to see and to apprehend the deeper
+undercurrents of life. No longer was she content to "feed upon opinion"
+when her own soul had invited her.
+
+After a little while, a few days, in fact, Edna went up and spent a week
+with her children in Iberville. They were delicious February days, with
+all the summer's promise hovering in the air.
+
+How glad she was to see the children! She wept for very pleasure when
+she felt their little arms clasping her; their hard, ruddy cheeks
+pressed against her own glowing cheeks. She looked into their faces with
+hungry eyes that could not be satisfied with looking. And what stories
+they had to tell their mother! About the pigs, the cows, the mules!
+About riding to the mill behind Gluglu; fishing back in the lake with
+their Uncle Jasper; picking pecans with Lidie's little black brood, and
+hauling chips in their express wagon. It was a thousand times more fun
+to haul real chips for old lame Susie's real fire than to drag painted
+blocks along the banquette on Esplanade Street!
+
+She went with them herself to see the pigs and the cows, to look at the
+darkies laying the cane, to thrash the pecan trees, and catch fish in
+the back lake. She lived with them a whole week long, giving them all of
+herself, and gathering and filling herself with their young existence.
+They listened, breathless, when she told them the house in Esplanade
+Street was crowded with workmen, hammering, nailing, sawing, and filling
+the place with clatter. They wanted to know where their bed was; what
+had been done with their rocking-horse; and where did Joe sleep, and
+where had Ellen gone, and the cook? But, above all, they were fired with
+a desire to see the little house around the block. Was there any
+place to play? Were there any boys next door? Raoul, with pessimistic
+foreboding, was convinced that there were only girls next door. Where
+would they sleep, and where would papa sleep? She told them the fairies
+would fix it all right.
+
+The old Madame was charmed with Edna's visit, and showered all manner
+of delicate attentions upon her. She was delighted to know that the
+Esplanade Street house was in a dismantled condition. It gave her the
+promise and pretext to keep the children indefinitely.
+
+It was with a wrench and a pang that Edna left her children. She carried
+away with her the sound of their voices and the touch of their cheeks.
+All along the journey homeward their presence lingered with her like the
+memory of a delicious song. But by the time she had regained the city
+the song no longer echoed in her soul. She was again alone.
+
+
+
+
+XXXIII
+
+
+It happened sometimes when Edna went to see Mademoiselle Reisz that
+the little musician was absent, giving a lesson or making some small
+necessary household purchase. The key was always left in a secret
+hiding-place in the entry, which Edna knew. If Mademoiselle happened to
+be away, Edna would usually enter and wait for her return.
+
+When she knocked at Mademoiselle Reisz's door one afternoon there was
+no response; so unlocking the door, as usual, she entered and found the
+apartment deserted, as she had expected. Her day had been quite filled
+up, and it was for a rest, for a refuge, and to talk about Robert, that
+she sought out her friend.
+
+She had worked at her canvas--a young Italian character study--all the
+morning, completing the work without the model; but there had been many
+interruptions, some incident to her modest housekeeping, and others of a
+social nature.
+
+Madame Ratignolle had dragged herself over, avoiding the too public
+thoroughfares, she said. She complained that Edna had neglected her
+much of late. Besides, she was consumed with curiosity to see the little
+house and the manner in which it was conducted. She wanted to hear all
+about the dinner party; Monsieur Ratignolle had left so early. What had
+happened after he left? The champagne and grapes which Edna sent over
+were TOO delicious. She had so little appetite; they had refreshed and
+toned her stomach. Where on earth was she going to put Mr. Pontellier in
+that little house, and the boys? And then she made Edna promise to go to
+her when her hour of trial overtook her.
+
+"At any time--any time of the day or night, dear," Edna assured her.
+
+Before leaving Madame Ratignolle said:
+
+"In some way you seem to me like a child, Edna. You seem to act without
+a certain amount of reflection which is necessary in this life. That is
+the reason I want to say you mustn't mind if I advise you to be a little
+careful while you are living here alone. Why don't you have some one
+come and stay with you? Wouldn't Mademoiselle Reisz come?"
+
+"No; she wouldn't wish to come, and I shouldn't want her always with
+me."
+
+"Well, the reason--you know how evil-minded the world is--some one was
+talking of Alcee Arobin visiting you. Of course, it wouldn't matter if
+Mr. Arobin had not such a dreadful reputation. Monsieur Ratignolle was
+telling me that his attentions alone are considered enough to ruin a
+woman's name."
+
+"Does he boast of his successes?" asked Edna, indifferently, squinting
+at her picture.
+
+"No, I think not. I believe he is a decent fellow as far as that goes.
+But his character is so well known among the men. I shan't be able to
+come back and see you; it was very, very imprudent to-day."
+
+"Mind the step!" cried Edna.
+
+"Don't neglect me," entreated Madame Ratignolle; "and don't mind what I
+said about Arobin, or having some one to stay with you.
+
+"Of course not," Edna laughed. "You may say anything you like to me."
+They kissed each other good-by. Madame Ratignolle had not far to go, and
+Edna stood on the porch a while watching her walk down the street.
+
+Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made their
+"party call." Edna felt that they might have dispensed with the
+formality. They had also come to invite her to play vingt-et-un one
+evening at Mrs. Merriman's. She was asked to go early, to dinner, and
+Mr. Merriman or Mr. Arobin would take her home. Edna accepted in a
+half-hearted way. She sometimes felt very tired of Mrs. Highcamp and
+Mrs. Merriman.
+
+Late in the afternoon she sought refuge with Mademoiselle Reisz, and
+stayed there alone, waiting for her, feeling a kind of repose invade her
+with the very atmosphere of the shabby, unpretentious little room.
+
+Edna sat at the window, which looked out over the house-tops and across
+the river. The window frame was filled with pots of flowers, and she sat
+and picked the dry leaves from a rose geranium. The day was warm, and
+the breeze which blew from the river was very pleasant. She removed her
+hat and laid it on the piano. She went on picking the leaves and
+digging around the plants with her hat pin. Once she thought she heard
+Mademoiselle Reisz approaching. But it was a young black girl, who
+came in, bringing a small bundle of laundry, which she deposited in the
+adjoining room, and went away.
+
+Edna seated herself at the piano, and softly picked out with one hand
+the bars of a piece of music which lay open before her. A half-hour went
+by. There was the occasional sound of people going and coming in the
+lower hall. She was growing interested in her occupation of picking out
+the aria, when there was a second rap at the door. She vaguely wondered
+what these people did when they found Mademoiselle's door locked.
+
+"Come in," she called, turning her face toward the door. And this time
+it was Robert Lebrun who presented himself. She attempted to rise; she
+could not have done so without betraying the agitation which mastered
+her at sight of him, so she fell back upon the stool, only exclaiming,
+"Why, Robert!"
+
+He came and clasped her hand, seemingly without knowing what he was
+saying or doing.
+
+"Mrs. Pontellier! How do you happen--oh! how well you look! Is
+Mademoiselle Reisz not here? I never expected to see you."
+
+"When did you come back?" asked Edna in an unsteady voice, wiping her
+face with her handkerchief. She seemed ill at ease on the piano stool,
+and he begged her to take the chair by the window.
+
+She did so, mechanically, while he seated himself on the stool.
+
+"I returned day before yesterday," he answered, while he leaned his arm
+on the keys, bringing forth a crash of discordant sound.
+
+"Day before yesterday!" she repeated, aloud; and went on thinking to
+herself, "day before yesterday," in a sort of an uncomprehending way.
+She had pictured him seeking her at the very first hour, and he had
+lived under the same sky since day before yesterday; while only by
+accident had he stumbled upon her. Mademoiselle must have lied when she
+said, "Poor fool, he loves you."
+
+"Day before yesterday," she repeated, breaking off a spray of
+Mademoiselle's geranium; "then if you had not met me here to-day you
+wouldn't--when--that is, didn't you mean to come and see me?"
+
+"Of course, I should have gone to see you. There have been so many
+things--" he turned the leaves of Mademoiselle's music nervously. "I
+started in at once yesterday with the old firm. After all there is as
+much chance for me here as there was there--that is, I might find it
+profitable some day. The Mexicans were not very congenial."
+
+So he had come back because the Mexicans were not congenial; because
+business was as profitable here as there; because of any reason, and not
+because he cared to be near her. She remembered the day she sat on the
+floor, turning the pages of his letter, seeking the reason which was
+left untold.
+
+She had not noticed how he looked--only feeling his presence; but she
+turned deliberately and observed him. After all, he had been absent but
+a few months, and was not changed. His hair--the color of hers--waved
+back from his temples in the same way as before. His skin was not more
+burned than it had been at Grand Isle. She found in his eyes, when he
+looked at her for one silent moment, the same tender caress, with an
+added warmth and entreaty which had not been there before the same
+glance which had penetrated to the sleeping places of her soul and
+awakened them.
+
+A hundred times Edna had pictured Robert's return, and imagined their
+first meeting. It was usually at her home, whither he had sought her out
+at once. She always fancied him expressing or betraying in some way his
+love for her. And here, the reality was that they sat ten feet apart,
+she at the window, crushing geranium leaves in her hand and smelling
+them, he twirling around on the piano stool, saying:
+
+"I was very much surprised to hear of Mr. Pontellier's absence; it's a
+wonder Mademoiselle Reisz did not tell me; and your moving--mother told
+me yesterday. I should think you would have gone to New York with him,
+or to Iberville with the children, rather than be bothered here with
+housekeeping. And you are going abroad, too, I hear. We shan't have
+you at Grand Isle next summer; it won't seem--do you see much of
+Mademoiselle Reisz? She often spoke of you in the few letters she
+wrote."
+
+"Do you remember that you promised to write to me when you went away?" A
+flush overspread his whole face.
+
+"I couldn't believe that my letters would be of any interest to you."
+
+"That is an excuse; it isn't the truth." Edna reached for her hat on the
+piano. She adjusted it, sticking the hat pin through the heavy coil of
+hair with some deliberation.
+
+"Are you not going to wait for Mademoiselle Reisz?" asked Robert.
+
+"No; I have found when she is absent this long, she is liable not to
+come back till late." She drew on her gloves, and Robert picked up his
+hat.
+
+"Won't you wait for her?" asked Edna.
+
+"Not if you think she will not be back till late," adding, as if
+suddenly aware of some discourtesy in his speech, "and I should miss the
+pleasure of walking home with you." Edna locked the door and put the key
+back in its hiding-place.
+
+They went together, picking their way across muddy streets and sidewalks
+encumbered with the cheap display of small tradesmen. Part of the
+distance they rode in the car, and after disembarking, passed the
+Pontellier mansion, which looked broken and half torn asunder. Robert
+had never known the house, and looked at it with interest.
+
+"I never knew you in your home," he remarked.
+
+"I am glad you did not."
+
+"Why?" She did not answer. They went on around the corner, and it seemed
+as if her dreams were coming true after all, when he followed her into
+the little house.
+
+"You must stay and dine with me, Robert. You see I am all alone, and it
+is so long since I have seen you. There is so much I want to ask you."
+
+She took off her hat and gloves. He stood irresolute, making some excuse
+about his mother who expected him; he even muttered something about an
+engagement. She struck a match and lit the lamp on the table; it was
+growing dusk. When he saw her face in the lamp-light, looking pained,
+with all the soft lines gone out of it, he threw his hat aside and
+seated himself.
+
+"Oh! you know I want to stay if you will let me!" he exclaimed. All
+the softness came back. She laughed, and went and put her hand on his
+shoulder.
+
+"This is the first moment you have seemed like the old Robert. I'll
+go tell Celestine." She hurried away to tell Celestine to set an extra
+place. She even sent her off in search of some added delicacy which
+she had not thought of for herself. And she recommended great care in
+dripping the coffee and having the omelet done to a proper turn.
+
+When she reentered, Robert was turning over magazines, sketches,
+and things that lay upon the table in great disorder. He picked up a
+photograph, and exclaimed:
+
+"Alcee Arobin! What on earth is his picture doing here?"
+
+"I tried to make a sketch of his head one day," answered Edna, "and
+he thought the photograph might help me. It was at the other house. I
+thought it had been left there. I must have packed it up with my drawing
+materials."
+
+"I should think you would give it back to him if you have finished with
+it."
+
+"Oh! I have a great many such photographs. I never think of returning
+them. They don't amount to anything." Robert kept on looking at the
+picture.
+
+"It seems to me--do you think his head worth drawing? Is he a friend of
+Mr. Pontellier's? You never said you knew him."
+
+"He isn't a friend of Mr. Pontellier's; he's a friend of mine. I always
+knew him--that is, it is only of late that I know him pretty well. But
+I'd rather talk about you, and know what you have been seeing and doing
+and feeling out there in Mexico." Robert threw aside the picture.
+
+"I've been seeing the waves and the white beach of Grand Isle; the
+quiet, grassy street of the Cheniere; the old fort at Grande Terre. I've
+been working like a machine, and feeling like a lost soul. There was
+nothing interesting."
+
+She leaned her head upon her hand to shade her eyes from the light.
+
+"And what have you been seeing and doing and feeling all these days?" he
+asked.
+
+"I've been seeing the waves and the white beach of Grand Isle; the
+quiet, grassy street of the Cheniere Caminada; the old sunny fort at
+Grande Terre. I've been working with a little more comprehension than
+a machine, and still feeling like a lost soul. There was nothing
+interesting."
+
+"Mrs. Pontellier, you are cruel," he said, with feeling, closing his
+eyes and resting his head back in his chair. They remained in silence
+till old Celestine announced dinner.
+
+
+
+
+XXXIV
+
+
+The dining-room was very small. Edna's round mahogany would have almost
+filled it. As it was there was but a step or two from the little table
+to the kitchen, to the mantel, the small buffet, and the side door that
+opened out on the narrow brick-paved yard.
+
+A certain degree of ceremony settled upon them with the announcement of
+dinner. There was no return to personalities. Robert related incidents
+of his sojourn in Mexico, and Edna talked of events likely to interest
+him, which had occurred during his absence. The dinner was of ordinary
+quality, except for the few delicacies which she had sent out to
+purchase. Old Celestine, with a bandana tignon twisted about her head,
+hobbled in and out, taking a personal interest in everything; and she
+lingered occasionally to talk patois with Robert, whom she had known as
+a boy.
+
+He went out to a neighboring cigar stand to purchase cigarette papers,
+and when he came back he found that Celestine had served the black
+coffee in the parlor.
+
+"Perhaps I shouldn't have come back," he said. "When you are tired of
+me, tell me to go."
+
+"You never tire me. You must have forgotten the hours and hours at
+Grand Isle in which we grew accustomed to each other and used to being
+together."
+
+"I have forgotten nothing at Grand Isle," he said, not looking at her,
+but rolling a cigarette. His tobacco pouch, which he laid upon the
+table, was a fantastic embroidered silk affair, evidently the handiwork
+of a woman.
+
+"You used to carry your tobacco in a rubber pouch," said Edna, picking
+up the pouch and examining the needlework.
+
+"Yes; it was lost."
+
+"Where did you buy this one? In Mexico?"
+
+"It was given to me by a Vera Cruz girl; they are very generous," he
+replied, striking a match and lighting his cigarette.
+
+"They are very handsome, I suppose, those Mexican women; very
+picturesque, with their black eyes and their lace scarfs."
+
+"Some are; others are hideous, just as you find women everywhere."
+
+"What was she like--the one who gave you the pouch? You must have known
+her very well."
+
+"She was very ordinary. She wasn't of the slightest importance. I knew
+her well enough."
+
+"Did you visit at her house? Was it interesting? I should like to know
+and hear about the people you met, and the impressions they made on
+you."
+
+"There are some people who leave impressions not so lasting as the
+imprint of an oar upon the water."
+
+"Was she such a one?"
+
+"It would be ungenerous for me to admit that she was of that order and
+kind." He thrust the pouch back in his pocket, as if to put away the
+subject with the trifle which had brought it up.
+
+Arobin dropped in with a message from Mrs. Merriman, to say that
+the card party was postponed on account of the illness of one of her
+children.
+
+"How do you do, Arobin?" said Robert, rising from the obscurity.
+
+"Oh! Lebrun. To be sure! I heard yesterday you were back. How did they
+treat you down in Mexique?"
+
+"Fairly well."
+
+"But not well enough to keep you there. Stunning girls, though, in
+Mexico. I thought I should never get away from Vera Cruz when I was down
+there a couple of years ago."
+
+"Did they embroider slippers and tobacco pouches and hat-bands and
+things for you?" asked Edna.
+
+"Oh! my! no! I didn't get so deep in their regard. I fear they made more
+impression on me than I made on them."
+
+"You were less fortunate than Robert, then."
+
+"I am always less fortunate than Robert. Has he been imparting tender
+confidences?"
+
+"I've been imposing myself long enough," said Robert, rising, and
+shaking hands with Edna. "Please convey my regards to Mr. Pontellier
+when you write."
+
+He shook hands with Arobin and went away.
+
+"Fine fellow, that Lebrun," said Arobin when Robert had gone. "I never
+heard you speak of him."
+
+"I knew him last summer at Grand Isle," she replied. "Here is that
+photograph of yours. Don't you want it?"
+
+"What do I want with it? Throw it away." She threw it back on the table.
+
+"I'm not going to Mrs. Merriman's," she said. "If you see her, tell her
+so. But perhaps I had better write. I think I shall write now, and say
+that I am sorry her child is sick, and tell her not to count on me."
+
+"It would be a good scheme," acquiesced Arobin. "I don't blame you;
+stupid lot!"
+
+Edna opened the blotter, and having procured paper and pen, began to
+write the note. Arobin lit a cigar and read the evening paper, which he
+had in his pocket.
+
+"What is the date?" she asked. He told her.
+
+"Will you mail this for me when you go out?"
+
+"Certainly." He read to her little bits out of the newspaper, while she
+straightened things on the table.
+
+"What do you want to do?" he asked, throwing aside the paper. "Do you
+want to go out for a walk or a drive or anything? It would be a fine
+night to drive."
+
+"No; I don't want to do anything but just be quiet. You go away and
+amuse yourself. Don't stay."
+
+"I'll go away if I must; but I shan't amuse myself. You know that I only
+live when I am near you."
+
+He stood up to bid her good night.
+
+"Is that one of the things you always say to women?"
+
+"I have said it before, but I don't think I ever came so near meaning
+it," he answered with a smile. There were no warm lights in her eyes;
+only a dreamy, absent look.
+
+"Good night. I adore you. Sleep well," he said, and he kissed her hand
+and went away.
+
+She stayed alone in a kind of reverie--a sort of stupor. Step by step
+she lived over every instant of the time she had been with Robert after
+he had entered Mademoiselle Reisz's door. She recalled his words,
+his looks. How few and meager they had been for her hungry heart! A
+vision--a transcendently seductive vision of a Mexican girl arose before
+her. She writhed with a jealous pang. She wondered when he would come
+back. He had not said he would come back. She had been with him, had
+heard his voice and touched his hand. But some way he had seemed nearer
+to her off there in Mexico.
+
+
+
+
+XXXV
+
+
+The morning was full of sunlight and hope. Edna could see before her no
+denial--only the promise of excessive joy. She lay in bed awake, with
+bright eyes full of speculation. "He loves you, poor fool." If she could
+but get that conviction firmly fixed in her mind, what mattered about
+the rest? She felt she had been childish and unwise the night before in
+giving herself over to despondency. She recapitulated the motives which
+no doubt explained Robert's reserve. They were not insurmountable; they
+would not hold if he really loved her; they could not hold against her
+own passion, which he must come to realize in time. She pictured him
+going to his business that morning. She even saw how he was dressed;
+how he walked down one street, and turned the corner of another; saw him
+bending over his desk, talking to people who entered the office, going
+to his lunch, and perhaps watching for her on the street. He would come
+to her in the afternoon or evening, sit and roll his cigarette, talk a
+little, and go away as he had done the night before. But how delicious
+it would be to have him there with her! She would have no regrets, nor
+seek to penetrate his reserve if he still chose to wear it.
+
+Edna ate her breakfast only half dressed. The maid brought her a
+delicious printed scrawl from Raoul, expressing his love, asking her to
+send him some bonbons, and telling her they had found that morning ten
+tiny white pigs all lying in a row beside Lidie's big white pig.
+
+A letter also came from her husband, saying he hoped to be back early
+in March, and then they would get ready for that journey abroad which
+he had promised her so long, which he felt now fully able to afford;
+he felt able to travel as people should, without any thought of small
+economies--thanks to his recent speculations in Wall Street.
+
+Much to her surprise she received a note from Arobin, written at
+midnight from the club. It was to say good morning to her, to hope she
+had slept well, to assure her of his devotion, which he trusted she in
+some faintest manner returned.
+
+All these letters were pleasing to her. She answered the children in a
+cheerful frame of mind, promising them bonbons, and congratulating them
+upon their happy find of the little pigs.
+
+She answered her husband with friendly evasiveness,--not with any fixed
+design to mislead him, only because all sense of reality had gone out
+of her life; she had abandoned herself to Fate, and awaited the
+consequences with indifference.
+
+To Arobin's note she made no reply. She put it under Celestine's
+stove-lid.
+
+Edna worked several hours with much spirit. She saw no one but a picture
+dealer, who asked her if it were true that she was going abroad to study
+in Paris.
+
+She said possibly she might, and he negotiated with her for some
+Parisian studies to reach him in time for the holiday trade in December.
+
+Robert did not come that day. She was keenly disappointed. He did not
+come the following day, nor the next. Each morning she awoke with hope,
+and each night she was a prey to despondency. She was tempted to seek
+him out. But far from yielding to the impulse, she avoided any occasion
+which might throw her in his way. She did not go to Mademoiselle Reisz's
+nor pass by Madame Lebrun's, as she might have done if he had still been
+in Mexico.
+
+When Arobin, one night, urged her to drive with him, she went--out to
+the lake, on the Shell Road. His horses were full of mettle, and even a
+little unmanageable. She liked the rapid gait at which they spun along,
+and the quick, sharp sound of the horses' hoofs on the hard road. They
+did not stop anywhere to eat or to drink. Arobin was not needlessly
+imprudent. But they ate and they drank when they regained Edna's little
+dining-room--which was comparatively early in the evening.
+
+It was late when he left her. It was getting to be more than a passing
+whim with Arobin to see her and be with her. He had detected the latent
+sensuality, which unfolded under his delicate sense of her nature's
+requirements like a torpid, torrid, sensitive blossom.
+
+There was no despondency when she fell asleep that night; nor was there
+hope when she awoke in the morning.
+
+
+
+
+XXXVI
+
+
+There was a garden out in the suburbs; a small, leafy corner, with a
+few green tables under the orange trees. An old cat slept all day on the
+stone step in the sun, and an old mulatresse slept her idle hours away
+in her chair at the open window, till some one happened to knock on one
+of the green tables. She had milk and cream cheese to sell, and bread
+and butter. There was no one who could make such excellent coffee or fry
+a chicken so golden brown as she.
+
+The place was too modest to attract the attention of people of fashion,
+and so quiet as to have escaped the notice of those in search of
+pleasure and dissipation. Edna had discovered it accidentally one day
+when the high-board gate stood ajar. She caught sight of a little green
+table, blotched with the checkered sunlight that filtered through
+the quivering leaves overhead. Within she had found the slumbering
+mulatresse, the drowsy cat, and a glass of milk which reminded her of
+the milk she had tasted in Iberville.
+
+She often stopped there during her perambulations; sometimes taking a
+book with her, and sitting an hour or two under the trees when she found
+the place deserted. Once or twice she took a quiet dinner there alone,
+having instructed Celestine beforehand to prepare no dinner at home. It
+was the last place in the city where she would have expected to meet any
+one she knew.
+
+Still she was not astonished when, as she was partaking of a modest
+dinner late in the afternoon, looking into an open book, stroking the
+cat, which had made friends with her--she was not greatly astonished to
+see Robert come in at the tall garden gate.
+
+"I am destined to see you only by accident," she said, shoving the
+cat off the chair beside her. He was surprised, ill at ease, almost
+embarrassed at meeting her thus so unexpectedly.
+
+"Do you come here often?" he asked.
+
+"I almost live here," she said.
+
+"I used to drop in very often for a cup of Catiche's good coffee. This
+is the first time since I came back."
+
+"She'll bring you a plate, and you will share my dinner. There's always
+enough for two--even three." Edna had intended to be indifferent and as
+reserved as he when she met him; she had reached the determination by a
+laborious train of reasoning, incident to one of her despondent moods.
+But her resolve melted when she saw him before designing Providence had
+led him into her path.
+
+"Why have you kept away from me, Robert?" she asked, closing the book
+that lay open upon the table.
+
+"Why are you so personal, Mrs. Pontellier? Why do you force me to
+idiotic subterfuges?" he exclaimed with sudden warmth. "I suppose
+there's no use telling you I've been very busy, or that I've been sick,
+or that I've been to see you and not found you at home. Please let me
+off with any one of these excuses."
+
+"You are the embodiment of selfishness," she said. "You save yourself
+something--I don't know what--but there is some selfish motive, and in
+sparing yourself you never consider for a moment what I think, or how
+I feel your neglect and indifference. I suppose this is what you would
+call unwomanly; but I have got into a habit of expressing myself. It
+doesn't matter to me, and you may think me unwomanly if you like."
+
+"No; I only think you cruel, as I said the other day. Maybe not
+intentionally cruel; but you seem to be forcing me into disclosures
+which can result in nothing; as if you would have me bare a wound for
+the pleasure of looking at it, without the intention or power of healing
+it."
+
+"I'm spoiling your dinner, Robert; never mind what I say. You haven't
+eaten a morsel."
+
+"I only came in for a cup of coffee." His sensitive face was all
+disfigured with excitement.
+
+"Isn't this a delightful place?" she remarked. "I am so glad it has
+never actually been discovered. It is so quiet, so sweet, here. Do you
+notice there is scarcely a sound to be heard? It's so out of the way;
+and a good walk from the car. However, I don't mind walking. I always
+feel so sorry for women who don't like to walk; they miss so much--so
+many rare little glimpses of life; and we women learn so little of life
+on the whole.
+
+"Catiche's coffee is always hot. I don't know how she manages it, here
+in the open air. Celestine's coffee gets cold bringing it from the
+kitchen to the dining-room. Three lumps! How can you drink it so sweet?
+Take some of the cress with your chop; it's so biting and crisp. Then
+there's the advantage of being able to smoke with your coffee out here.
+Now, in the city--aren't you going to smoke?"
+
+"After a while," he said, laying a cigar on the table.
+
+"Who gave it to you?" she laughed.
+
+"I bought it. I suppose I'm getting reckless; I bought a whole box." She
+was determined not to be personal again and make him uncomfortable.
+
+The cat made friends with him, and climbed into his lap when he smoked
+his cigar. He stroked her silky fur, and talked a little about her. He
+looked at Edna's book, which he had read; and he told her the end, to
+save her the trouble of wading through it, he said.
+
+Again he accompanied her back to her home; and it was after dusk when
+they reached the little "pigeon-house." She did not ask him to remain,
+which he was grateful for, as it permitted him to stay without the
+discomfort of blundering through an excuse which he had no intention
+of considering. He helped her to light the lamp; then she went into her
+room to take off her hat and to bathe her face and hands.
+
+When she came back Robert was not examining the pictures and magazines
+as before; he sat off in the shadow, leaning his head back on the chair
+as if in a reverie. Edna lingered a moment beside the table, arranging
+the books there. Then she went across the room to where he sat. She bent
+over the arm of his chair and called his name.
+
+"Robert," she said, "are you asleep?"
+
+"No," he answered, looking up at her.
+
+She leaned over and kissed him--a soft, cool, delicate kiss, whose
+voluptuous sting penetrated his whole being-then she moved away from
+him. He followed, and took her in his arms, just holding her close to
+him. She put her hand up to his face and pressed his cheek against her
+own. The action was full of love and tenderness. He sought her lips
+again. Then he drew her down upon the sofa beside him and held her hand
+in both of his.
+
+"Now you know," he said, "now you know what I have been fighting against
+since last summer at Grand Isle; what drove me away and drove me back
+again."
+
+"Why have you been fighting against it?" she asked. Her face glowed with
+soft lights.
+
+"Why? Because you were not free; you were Leonce Pontellier's wife. I
+couldn't help loving you if you were ten times his wife; but so long as
+I went away from you and kept away I could help telling you so." She put
+her free hand up to his shoulder, and then against his cheek, rubbing it
+softly. He kissed her again. His face was warm and flushed.
+
+"There in Mexico I was thinking of you all the time, and longing for
+you."
+
+"But not writing to me," she interrupted.
+
+"Something put into my head that you cared for me; and I lost my senses.
+I forgot everything but a wild dream of your some way becoming my wife."
+
+"Your wife!"
+
+"Religion, loyalty, everything would give way if only you cared."
+
+"Then you must have forgotten that I was Leonce Pontellier's wife."
+
+"Oh! I was demented, dreaming of wild, impossible things, recalling men
+who had set their wives free, we have heard of such things."
+
+"Yes, we have heard of such things."
+
+"I came back full of vague, mad intentions. And when I got here--"
+
+"When you got here you never came near me!" She was still caressing his
+cheek.
+
+"I realized what a cur I was to dream of such a thing, even if you had
+been willing."
+
+She took his face between her hands and looked into it as if she would
+never withdraw her eyes more. She kissed him on the forehead, the eyes,
+the cheeks, and the lips.
+
+"You have been a very, very foolish boy, wasting your time dreaming of
+impossible things when you speak of Mr. Pontellier setting me free! I
+am no longer one of Mr. Pontellier's possessions to dispose of or not.
+I give myself where I choose. If he were to say, 'Here, Robert, take her
+and be happy; she is yours,' I should laugh at you both."
+
+His face grew a little white. "What do you mean?" he asked.
+
+There was a knock at the door. Old Celestine came in to say that Madame
+Ratignolle's servant had come around the back way with a message that
+Madame had been taken sick and begged Mrs. Pontellier to go to her
+immediately.
+
+"Yes, yes," said Edna, rising; "I promised. Tell her yes--to wait for
+me. I'll go back with her."
+
+"Let me walk over with you," offered Robert.
+
+"No," she said; "I will go with the servant." She went into her room to
+put on her hat, and when she came in again she sat once more upon the
+sofa beside him. He had not stirred. She put her arms about his neck.
+
+"Good-by, my sweet Robert. Tell me good-by." He kissed her with a degree
+of passion which had not before entered into his caress, and strained
+her to him.
+
+"I love you," she whispered, "only you; no one but you. It was you who
+awoke me last summer out of a life-long, stupid dream. Oh! you have made
+me so unhappy with your indifference. Oh! I have suffered, suffered! Now
+you are here we shall love each other, my Robert. We shall be everything
+to each other. Nothing else in the world is of any consequence. I must
+go to my friend; but you will wait for me? No matter how late; you will
+wait for me, Robert?"
+
+"Don't go; don't go! Oh! Edna, stay with me," he pleaded. "Why should
+you go? Stay with me, stay with me."
+
+"I shall come back as soon as I can; I shall find you here." She buried
+her face in his neck, and said good-by again. Her seductive voice,
+together with his great love for her, had enthralled his senses, had
+deprived him of every impulse but the longing to hold her and keep her.
+
+
+
+
+XXXVII
+
+
+Edna looked in at the drug store. Monsieur Ratignolle was putting up
+a mixture himself, very carefully, dropping a red liquid into a tiny
+glass. He was grateful to Edna for having come; her presence would be
+a comfort to his wife. Madame Ratignolle's sister, who had always been
+with her at such trying times, had not been able to come up from the
+plantation, and Adele had been inconsolable until Mrs. Pontellier so
+kindly promised to come to her. The nurse had been with them at night
+for the past week, as she lived a great distance away. And Dr. Mandelet
+had been coming and going all the afternoon. They were then looking for
+him any moment.
+
+Edna hastened upstairs by a private stairway that led from the rear of
+the store to the apartments above. The children were all sleeping in a
+back room. Madame Ratignolle was in the salon, whither she had strayed
+in her suffering impatience. She sat on the sofa, clad in an ample
+white peignoir, holding a handkerchief tight in her hand with a nervous
+clutch. Her face was drawn and pinched, her sweet blue eyes haggard and
+unnatural. All her beautiful hair had been drawn back and plaited. It
+lay in a long braid on the sofa pillow, coiled like a golden serpent.
+The nurse, a comfortable looking Griffe woman in white apron and cap,
+was urging her to return to her bedroom.
+
+"There is no use, there is no use," she said at once to Edna. "We must
+get rid of Mandelet; he is getting too old and careless. He said he
+would be here at half-past seven; now it must be eight. See what time it
+is, Josephine."
+
+The woman was possessed of a cheerful nature, and refused to take any
+situation too seriously, especially a situation with which she was so
+familiar. She urged Madame to have courage and patience. But Madame only
+set her teeth hard into her under lip, and Edna saw the sweat gather
+in beads on her white forehead. After a moment or two she uttered a
+profound sigh and wiped her face with the handkerchief rolled in a
+ball. She appeared exhausted. The nurse gave her a fresh handkerchief,
+sprinkled with cologne water.
+
+"This is too much!" she cried. "Mandelet ought to be killed! Where is
+Alphonse? Is it possible I am to be abandoned like this--neglected by
+every one?"
+
+"Neglected, indeed!" exclaimed the nurse. Wasn't she there? And here was
+Mrs. Pontellier leaving, no doubt, a pleasant evening at home to devote
+to her? And wasn't Monsieur Ratignolle coming that very instant through
+the hall? And Josephine was quite sure she had heard Doctor Mandelet's
+coupe. Yes, there it was, down at the door.
+
+Adele consented to go back to her room. She sat on the edge of a little
+low couch next to her bed.
+
+Doctor Mandelet paid no attention to Madame Ratignolle's upbraidings. He
+was accustomed to them at such times, and was too well convinced of her
+loyalty to doubt it.
+
+He was glad to see Edna, and wanted her to go with him into the salon
+and entertain him. But Madame Ratignolle would not consent that Edna
+should leave her for an instant. Between agonizing moments, she chatted
+a little, and said it took her mind off her sufferings.
+
+Edna began to feel uneasy. She was seized with a vague dread. Her own
+like experiences seemed far away, unreal, and only half remembered. She
+recalled faintly an ecstasy of pain, the heavy odor of chloroform, a
+stupor which had deadened sensation, and an awakening to find a little
+new life to which she had given being, added to the great unnumbered
+multitude of souls that come and go.
+
+She began to wish she had not come; her presence was not necessary. She
+might have invented a pretext for staying away; she might even invent a
+pretext now for going. But Edna did not go. With an inward agony, with a
+flaming, outspoken revolt against the ways of Nature, she witnessed the
+scene of torture.
+
+She was still stunned and speechless with emotion when later she leaned
+over her friend to kiss her and softly say good-by. Adele, pressing her
+cheek, whispered in an exhausted voice: "Think of the children, Edna. Oh
+think of the children! Remember them!"
+
+
+
+
+XXXVIII
+
+
+Edna still felt dazed when she got outside in the open air. The Doctor's
+coupe had returned for him and stood before the porte cochere. She did
+not wish to enter the coupe, and told Doctor Mandelet she would walk;
+she was not afraid, and would go alone. He directed his carriage to meet
+him at Mrs. Pontellier's, and he started to walk home with her.
+
+Up--away up, over the narrow street between the tall houses, the stars
+were blazing. The air was mild and caressing, but cool with the breath
+of spring and the night. They walked slowly, the Doctor with a heavy,
+measured tread and his hands behind him; Edna, in an absent-minded way,
+as she had walked one night at Grand Isle, as if her thoughts had gone
+ahead of her and she was striving to overtake them.
+
+"You shouldn't have been there, Mrs. Pontellier," he said. "That was no
+place for you. Adele is full of whims at such times. There were a dozen
+women she might have had with her, unimpressionable women. I felt that
+it was cruel, cruel. You shouldn't have gone."
+
+"Oh, well!" she answered, indifferently. "I don't know that it matters
+after all. One has to think of the children some time or other; the
+sooner the better."
+
+"When is Leonce coming back?"
+
+"Quite soon. Some time in March."
+
+"And you are going abroad?"
+
+"Perhaps--no, I am not going. I'm not going to be forced into doing
+things. I don't want to go abroad. I want to be let alone. Nobody has
+any right--except children, perhaps--and even then, it seems to me--or
+it did seem--" She felt that her speech was voicing the incoherency of
+her thoughts, and stopped abruptly.
+
+"The trouble is," sighed the Doctor, grasping her meaning intuitively,
+"that youth is given up to illusions. It seems to be a provision of
+Nature; a decoy to secure mothers for the race. And Nature takes no
+account of moral consequences, of arbitrary conditions which we create,
+and which we feel obliged to maintain at any cost."
+
+"Yes," she said. "The years that are gone seem like dreams--if one might
+go on sleeping and dreaming--but to wake up and find--oh! well! perhaps
+it is better to wake up after all, even to suffer, rather than to remain
+a dupe to illusions all one's life."
+
+"It seems to me, my dear child," said the Doctor at parting, holding her
+hand, "you seem to me to be in trouble. I am not going to ask for your
+confidence. I will only say that if ever you feel moved to give it to
+me, perhaps I might help you. I know I would understand. And I tell you
+there are not many who would--not many, my dear."
+
+"Some way I don't feel moved to speak of things that trouble me. Don't
+think I am ungrateful or that I don't appreciate your sympathy. There
+are periods of despondency and suffering which take possession of me.
+But I don't want anything but my own way. That is wanting a good deal,
+of course, when you have to trample upon the lives, the hearts, the
+prejudices of others--but no matter--still, I shouldn't want to trample
+upon the little lives. Oh! I don't know what I'm saying, Doctor. Good
+night. Don't blame me for anything."
+
+"Yes, I will blame you if you don't come and see me soon. We will talk
+of things you never have dreamt of talking about before. It will do
+us both good. I don't want you to blame yourself, whatever comes. Good
+night, my child."
+
+She let herself in at the gate, but instead of entering she sat upon
+the step of the porch. The night was quiet and soothing. All the tearing
+emotion of the last few hours seemed to fall away from her like a
+somber, uncomfortable garment, which she had but to loosen to be rid of.
+She went back to that hour before Adele had sent for her; and her senses
+kindled afresh in thinking of Robert's words, the pressure of his arms,
+and the feeling of his lips upon her own. She could picture at that
+moment no greater bliss on earth than possession of the beloved one.
+His expression of love had already given him to her in part. When she
+thought that he was there at hand, waiting for her, she grew numb with
+the intoxication of expectancy. It was so late; he would be asleep
+perhaps. She would awaken him with a kiss. She hoped he would be asleep
+that she might arouse him with her caresses.
+
+Still, she remembered Adele's voice whispering, "Think of the children;
+think of them." She meant to think of them; that determination had
+driven into her soul like a death wound--but not to-night. To-morrow
+would be time to think of everything.
+
+Robert was not waiting for her in the little parlor. He was nowhere at
+hand. The house was empty. But he had scrawled on a piece of paper that
+lay in the lamplight:
+
+"I love you. Good-by--because I love you."
+
+Edna grew faint when she read the words. She went and sat on the sofa.
+Then she stretched herself out there, never uttering a sound. She did
+not sleep. She did not go to bed. The lamp sputtered and went out. She
+was still awake in the morning, when Celestine unlocked the kitchen door
+and came in to light the fire.
+
+
+
+
+XXXIX
+
+
+Victor, with hammer and nails and scraps of scantling, was patching a
+corner of one of the galleries. Mariequita sat near by, dangling her
+legs, watching him work, and handing him nails from the tool-box. The
+sun was beating down upon them. The girl had covered her head with her
+apron folded into a square pad. They had been talking for an hour or
+more. She was never tired of hearing Victor describe the dinner at Mrs.
+Pontellier's. He exaggerated every detail, making it appear a veritable
+Lucullean feast. The flowers were in tubs, he said. The champagne was
+quaffed from huge golden goblets. Venus rising from the foam could have
+presented no more entrancing a spectacle than Mrs. Pontellier, blazing
+with beauty and diamonds at the head of the board, while the other women
+were all of them youthful houris, possessed of incomparable charms. She
+got it into her head that Victor was in love with Mrs. Pontellier, and
+he gave her evasive answers, framed so as to confirm her belief. She
+grew sullen and cried a little, threatening to go off and leave him to
+his fine ladies. There were a dozen men crazy about her at the Cheniere;
+and since it was the fashion to be in love with married people, why, she
+could run away any time she liked to New Orleans with Celina's husband.
+
+Celina's husband was a fool, a coward, and a pig, and to prove it to
+her, Victor intended to hammer his head into a jelly the next time he
+encountered him. This assurance was very consoling to Mariequita. She
+dried her eyes, and grew cheerful at the prospect.
+
+They were still talking of the dinner and the allurements of city life
+when Mrs. Pontellier herself slipped around the corner of the house. The
+two youngsters stayed dumb with amazement before what they considered
+to be an apparition. But it was really she in flesh and blood, looking
+tired and a little travel-stained.
+
+"I walked up from the wharf," she said, "and heard the hammering. I
+supposed it was you, mending the porch. It's a good thing. I was always
+tripping over those loose planks last summer. How dreary and deserted
+everything looks!"
+
+It took Victor some little time to comprehend that she had come in
+Beaudelet's lugger, that she had come alone, and for no purpose but to
+rest.
+
+"There's nothing fixed up yet, you see. I'll give you my room; it's the
+only place."
+
+"Any corner will do," she assured him.
+
+"And if you can stand Philomel's cooking," he went on, "though I might
+try to get her mother while you are here. Do you think she would come?"
+turning to Mariequita.
+
+Mariequita thought that perhaps Philomel's mother might come for a few
+days, and money enough.
+
+Beholding Mrs. Pontellier make her appearance, the girl had at once
+suspected a lovers' rendezvous. But Victor's astonishment was so
+genuine, and Mrs. Pontellier's indifference so apparent, that the
+disturbing notion did not lodge long in her brain. She contemplated with
+the greatest interest this woman who gave the most sumptuous dinners in
+America, and who had all the men in New Orleans at her feet.
+
+"What time will you have dinner?" asked Edna. "I'm very hungry; but
+don't get anything extra."
+
+"I'll have it ready in little or no time," he said, bustling and packing
+away his tools. "You may go to my room to brush up and rest yourself.
+Mariequita will show you."
+
+"Thank you," said Edna. "But, do you know, I have a notion to go down to
+the beach and take a good wash and even a little swim, before dinner?"
+
+"The water is too cold!" they both exclaimed. "Don't think of it."
+
+"Well, I might go down and try--dip my toes in. Why, it seems to me the
+sun is hot enough to have warmed the very depths of the ocean. Could you
+get me a couple of towels? I'd better go right away, so as to be back in
+time. It would be a little too chilly if I waited till this afternoon."
+
+Mariequita ran over to Victor's room, and returned with some towels,
+which she gave to Edna.
+
+"I hope you have fish for dinner," said Edna, as she started to walk
+away; "but don't do anything extra if you haven't."
+
+"Run and find Philomel's mother," Victor instructed the girl. "I'll
+go to the kitchen and see what I can do. By Gimminy! Women have no
+consideration! She might have sent me word."
+
+Edna walked on down to the beach rather mechanically, not noticing
+anything special except that the sun was hot. She was not dwelling upon
+any particular train of thought. She had done all the thinking which was
+necessary after Robert went away, when she lay awake upon the sofa till
+morning.
+
+She had said over and over to herself: "To-day it is Arobin; to-morrow
+it will be some one else. It makes no difference to me, it doesn't
+matter about Leonce Pontellier--but Raoul and Etienne!" She understood
+now clearly what she had meant long ago when she said to Adele
+Ratignolle that she would give up the unessential, but she would never
+sacrifice herself for her children.
+
+Despondency had come upon her there in the wakeful night, and had never
+lifted. There was no one thing in the world that she desired. There
+was no human being whom she wanted near her except Robert; and she even
+realized that the day would come when he, too, and the thought of
+him would melt out of her existence, leaving her alone. The children
+appeared before her like antagonists who had overcome her; who had
+overpowered and sought to drag her into the soul's slavery for the rest
+of her days. But she knew a way to elude them. She was not thinking of
+these things when she walked down to the beach.
+
+The water of the Gulf stretched out before her, gleaming with the
+million lights of the sun. The voice of the sea is seductive, never
+ceasing, whispering, clamoring, murmuring, inviting the soul to wander
+in abysses of solitude. All along the white beach, up and down, there
+was no living thing in sight. A bird with a broken wing was beating
+the air above, reeling, fluttering, circling disabled down, down to the
+water.
+
+Edna had found her old bathing suit still hanging, faded, upon its
+accustomed peg.
+
+She put it on, leaving her clothing in the bath-house. But when she
+was there beside the sea, absolutely alone, she cast the unpleasant,
+pricking garments from her, and for the first time in her life she stood
+naked in the open air, at the mercy of the sun, the breeze that beat
+upon her, and the waves that invited her.
+
+How strange and awful it seemed to stand naked under the sky! how
+delicious! She felt like some new-born creature, opening its eyes in a
+familiar world that it had never known.
+
+The foamy wavelets curled up to her white feet, and coiled like serpents
+about her ankles. She walked out. The water was chill, but she walked
+on. The water was deep, but she lifted her white body and reached
+out with a long, sweeping stroke. The touch of the sea is sensuous,
+enfolding the body in its soft, close embrace.
+
+She went on and on. She remembered the night she swam far out, and
+recalled the terror that seized her at the fear of being unable to
+regain the shore. She did not look back now, but went on and on,
+thinking of the blue-grass meadow that she had traversed when a little
+child, believing that it had no beginning and no end.
+
+Her arms and legs were growing tired.
+
+She thought of Leonce and the children. They were a part of her life.
+But they need not have thought that they could possess her, body and
+soul. How Mademoiselle Reisz would have laughed, perhaps sneered, if she
+knew! "And you call yourself an artist! What pretensions, Madame! The
+artist must possess the courageous soul that dares and defies."
+
+Exhaustion was pressing upon and overpowering her.
+
+"Good-by--because I love you." He did not know; he did not understand.
+He would never understand. Perhaps Doctor Mandelet would have understood
+if she had seen him--but it was too late; the shore was far behind her,
+and her strength was gone.
+
+She looked into the distance, and the old terror flamed up for an
+instant, then sank again. Edna heard her father's voice and her sister
+Margaret's. She heard the barking of an old dog that was chained to the
+sycamore tree. The spurs of the cavalry officer clanged as he walked
+across the porch. There was the hum of bees, and the musky odor of pinks
+filled the air.
+
+
+
+
+*****
+
+
+
+
+BEYOND THE BAYOU
+
+
+The bayou curved like a crescent around the point of land on which La
+Folle's cabin stood. Between the stream and the hut lay a big abandoned
+field, where cattle were pastured when the bayou supplied them with
+water enough. Through the woods that spread back into unknown regions
+the woman had drawn an imaginary line, and past this circle she never
+stepped. This was the form of her only mania.
+
+She was now a large, gaunt black woman, past thirty-five. Her real name
+was Jacqueline, but every one on the plantation called her La Folle,
+because in childhood she had been frightened literally "out of her
+senses," and had never wholly regained them.
+
+It was when there had been skirmishing and sharpshooting all day in the
+woods. Evening was near when P'tit Maitre, black with powder and crimson
+with blood, had staggered into the cabin of Jacqueline's mother, his
+pursuers close at his heels. The sight had stunned her childish reason.
+
+She dwelt alone in her solitary cabin, for the rest of the quarters had
+long since been removed beyond her sight and knowledge. She had more
+physical strength than most men, and made her patch of cotton and corn
+and tobacco like the best of them. But of the world beyond the bayou she
+had long known nothing, save what her morbid fancy conceived.
+
+People at Bellissime had grown used to her and her way, and they thought
+nothing of it. Even when "Old Mis'" died, they did not wonder that La
+Folle had not crossed the bayou, but had stood upon her side of it,
+wailing and lamenting.
+
+P'tit Maitre was now the owner of Bellissime. He was a middle-aged man,
+with a family of beautiful daughters about him, and a little son whom La
+Folle loved as if he had been her own. She called him Cheri, and so did
+every one else because she did.
+
+None of the girls had ever been to her what Cheri was. They had each
+and all loved to be with her, and to listen to her wondrous stories of
+things that always happened "yonda, beyon' de bayou."
+
+But none of them had stroked her black hand quite as Cheri did, nor
+rested their heads against her knee so confidingly, nor fallen asleep in
+her arms as he used to do. For Cheri hardly did such things now, since
+he had become the proud possessor of a gun, and had had his black curls
+cut off.
+
+That summer--the summer Cheri gave La Folle two black curls tied with
+a knot of red ribbon--the water ran so low in the bayou that even the
+little children at Bellissime were able to cross it on foot, and the
+cattle were sent to pasture down by the river. La Folle was sorry when
+they were gone, for she loved these dumb companions well, and liked to
+feel that they were there, and to hear them browsing by night up to her
+own enclosure.
+
+It was Saturday afternoon, when the fields were deserted. The men had
+flocked to a neighboring village to do their week's trading, and the
+women were occupied with household affairs,--La Folle as well as the
+others. It was then she mended and washed her handful of clothes,
+scoured her house, and did her baking.
+
+In this last employment she never forgot Cheri. To-day she had fashioned
+croquignoles of the most fantastic and alluring shapes for him. So when
+she saw the boy come trudging across the old field with his gleaming
+little new rifle on his shoulder, she called out gayly to him, "Cheri!
+Cheri!"
+
+But Cheri did not need the summons, for he was coming straight to her.
+His pockets all bulged out with almonds and raisins and an orange that
+he had secured for her from the very fine dinner which had been given
+that day up at his father's house.
+
+He was a sunny-faced youngster of ten. When he had emptied his pockets,
+La Folle patted his round red cheek, wiped his soiled hands on her
+apron, and smoothed his hair. Then she watched him as, with his cakes
+in his hand, he crossed her strip of cotton back of the cabin, and
+disappeared into the wood.
+
+He had boasted of the things he was going to do with his gun out there.
+
+"You think they got plenty deer in the wood, La Folle?" he had inquired,
+with the calculating air of an experienced hunter.
+
+"Non, non!" the woman laughed. "Don't you look fo' no deer, Cheri. Dat's
+too big. But you bring La Folle one good fat squirrel fo' her dinner
+to-morrow, an' she goin' be satisfi'."
+
+"One squirrel ain't a bite. I'll bring you mo' 'an one, La Folle," he
+had boasted pompously as he went away.
+
+When the woman, an hour later, heard the report of the boy's rifle close
+to the wood's edge, she would have thought nothing of it if a sharp cry
+of distress had not followed the sound.
+
+She withdrew her arms from the tub of suds in which they had been
+plunged, dried them upon her apron, and as quickly as her trembling
+limbs would bear her, hurried to the spot whence the ominous report had
+come.
+
+It was as she feared. There she found Cheri stretched upon the ground,
+with his rifle beside him. He moaned piteously:--
+
+"I'm dead, La Folle! I'm dead! I'm gone!"
+
+"Non, non!" she exclaimed resolutely, as she knelt beside him. "Put you'
+arm 'roun' La Folle's nake, Cheri. Dat's nuttin'; dat goin' be nuttin'."
+She lifted him in her powerful arms.
+
+Cheri had carried his gun muzzle-downward. He had stumbled,--he did not
+know how. He only knew that he had a ball lodged somewhere in his leg,
+and he thought that his end was at hand. Now, with his head upon the
+woman's shoulder, he moaned and wept with pain and fright.
+
+"Oh, La Folle! La Folle! it hurt so bad! I can' stan' it, La Folle!"
+
+"Don't cry, mon bebe, mon bebe, mon Cheri!" the woman spoke soothingly
+as she covered the ground with long strides. "La Folle goin' mine you;
+Doctor Bonfils goin' come make mon Cheri well agin."
+
+She had reached the abandoned field. As she crossed it with her precious
+burden, she looked constantly and restlessly from side to side. A
+terrible fear was upon her,--the fear of the world beyond the bayou, the
+morbid and insane dread she had been under since childhood.
+
+When she was at the bayou's edge she stood there, and shouted for help
+as if a life depended upon it:--
+
+"Oh, P'tit Maitre! P'tit Maitre! Venez donc! Au secours! Au secours!"
+
+No voice responded. Cheri's hot tears were scalding her neck. She called
+for each and every one upon the place, and still no answer came.
+
+She shouted, she wailed; but whether her voice remained unheard or
+unheeded, no reply came to her frenzied cries. And all the while Cheri
+moaned and wept and entreated to be taken home to his mother.
+
+La Folle gave a last despairing look around her. Extreme terror was upon
+her. She clasped the child close against her breast, where he could feel
+her heart beat like a muffled hammer. Then shutting her eyes, she ran
+suddenly down the shallow bank of the bayou, and never stopped till she
+had climbed the opposite shore.
+
+She stood there quivering an instant as she opened her eyes. Then she
+plunged into the footpath through the trees.
+
+She spoke no more to Cheri, but muttered constantly, "Bon Dieu, ayez
+pitie La Folle! Bon Dieu, ayez pitie moi!"
+
+Instinct seemed to guide her. When the pathway spread clear and smooth
+enough before her, she again closed her eyes tightly against the sight
+of that unknown and terrifying world.
+
+A child, playing in some weeds, caught sight of her as she neared the
+quarters. The little one uttered a cry of dismay.
+
+"La Folle!" she screamed, in her piercing treble. "La Folle done cross
+de bayer!"
+
+Quickly the cry passed down the line of cabins.
+
+"Yonda, La Folle done cross de bayou!"
+
+Children, old men, old women, young ones with infants in their arms,
+flocked to doors and windows to see this awe-inspiring spectacle. Most
+of them shuddered with superstitious dread of what it might portend.
+"She totin' Cheri!" some of them shouted.
+
+Some of the more daring gathered about her, and followed at her heels,
+only to fall back with new terror when she turned her distorted face
+upon them. Her eyes were bloodshot and the saliva had gathered in a
+white foam on her black lips.
+
+Some one had run ahead of her to where P'tit Maitre sat with his family
+and guests upon the gallery.
+
+"P'tit Maitre! La Folle done cross de bayou! Look her! Look her yonda
+totin' Cheri!" This startling intimation was the first which they had of
+the woman's approach.
+
+She was now near at hand. She walked with long strides. Her eyes were
+fixed desperately before her, and she breathed heavily, as a tired ox.
+
+At the foot of the stairway, which she could not have mounted, she laid
+the boy in his father's arms. Then the world that had looked red to
+La Folle suddenly turned black,--like that day she had seen powder and
+blood.
+
+She reeled for an instant. Before a sustaining arm could reach her, she
+fell heavily to the ground.
+
+When La Folle regained consciousness, she was at home again, in her own
+cabin and upon her own bed. The moon rays, streaming in through the open
+door and windows, gave what light was needed to the old black mammy who
+stood at the table concocting a tisane of fragrant herbs. It was very
+late.
+
+Others who had come, and found that the stupor clung to her, had gone
+again. P'tit Maitre had been there, and with him Doctor Bonfils, who
+said that La Folle might die.
+
+But death had passed her by. The voice was very clear and steady with
+which she spoke to Tante Lizette, brewing her tisane there in a corner.
+
+"Ef you will give me one good drink tisane, Tante Lizette, I b'lieve I'm
+goin' sleep, me."
+
+And she did sleep; so soundly, so healthfully, that old Lizette without
+compunction stole softly away, to creep back through the moonlit fields
+to her own cabin in the new quarters.
+
+The first touch of the cool gray morning awoke La Folle. She arose,
+calmly, as if no tempest had shaken and threatened her existence but
+yesterday.
+
+She donned her new blue cottonade and white apron, for she remembered
+that this was Sunday. When she had made for herself a cup of strong
+black coffee, and drunk it with relish, she quitted the cabin and walked
+across the old familiar field to the bayou's edge again.
+
+She did not stop there as she had always done before, but crossed with a
+long, steady stride as if she had done this all her life.
+
+When she had made her way through the brush and scrub cottonwood-trees
+that lined the opposite bank, she found herself upon the border of a
+field where the white, bursting cotton, with the dew upon it, gleamed
+for acres and acres like frosted silver in the early dawn.
+
+La Folle drew a long, deep breath as she gazed across the country. She
+walked slowly and uncertainly, like one who hardly knows how, looking
+about her as she went.
+
+The cabins, that yesterday had sent a clamor of voices to pursue her,
+were quiet now. No one was yet astir at Bellissime. Only the birds that
+darted here and there from hedges were awake, and singing their matins.
+
+When La Folle came to the broad stretch of velvety lawn that surrounded
+the house, she moved slowly and with delight over the springy turf, that
+was delicious beneath her tread.
+
+She stopped to find whence came those perfumes that were assailing her
+senses with memories from a time far gone.
+
+There they were, stealing up to her from the thousand blue violets that
+peeped out from green, luxuriant beds. There they were, showering down
+from the big waxen bells of the magnolias far above her head, and from
+the jessamine clumps around her.
+
+There were roses, too, without number. To right and left palms spread
+in broad and graceful curves. It all looked like enchantment beneath the
+sparkling sheen of dew.
+
+When La Folle had slowly and cautiously mounted the many steps that led
+up to the veranda, she turned to look back at the perilous ascent she
+had made. Then she caught sight of the river, bending like a silver bow
+at the foot of Bellissime. Exultation possessed her soul.
+
+La Folle rapped softly upon a door near at hand. Cheri's mother
+soon cautiously opened it. Quickly and cleverly she dissembled the
+astonishment she felt at seeing La Folle.
+
+"Ah, La Folle! Is it you, so early?"
+
+"Oui, madame. I come ax how my po' li'le Cheri do, 's mo'nin'."
+
+"He is feeling easier, thank you, La Folle. Dr. Bonfils says it will be
+nothing serious. He's sleeping now. Will you come back when he awakes?"
+
+"Non, madame. I'm goin' wait yair tell Cheri wake up." La Folle seated
+herself upon the topmost step of the veranda.
+
+A look of wonder and deep content crept into her face as she watched for
+the first time the sun rise upon the new, the beautiful world beyond the
+bayou.
+
+
+
+
+
+MA'AME PELAGIE
+
+
+
+
+I
+
+
+When the war began, there stood on Cote Joyeuse an imposing mansion
+of red brick, shaped like the Pantheon. A grove of majestic live-oaks
+surrounded it.
+
+Thirty years later, only the thick walls were standing, with the dull
+red brick showing here and there through a matted growth of clinging
+vines. The huge round pillars were intact; so to some extent was the
+stone flagging of hall and portico. There had been no home so stately
+along the whole stretch of Cote Joyeuse. Every one knew that, as they
+knew it had cost Philippe Valmet sixty thousand dollars to build, away
+back in 1840. No one was in danger of forgetting that fact, so long as
+his daughter Pelagie survived. She was a queenly, white-haired woman of
+fifty. "Ma'ame Pelagie," they called her, though she was unmarried, as
+was her sister Pauline, a child in Ma'ame Pelagie's eyes; a child of
+thirty-five.
+
+The two lived alone in a three-roomed cabin, almost within the shadow of
+the ruin. They lived for a dream, for Ma'ame Pelagie's dream, which was
+to rebuild the old home.
+
+It would be pitiful to tell how their days were spent to accomplish this
+end; how the dollars had been saved for thirty years and the picayunes
+hoarded; and yet, not half enough gathered! But Ma'ame Pelagie felt sure
+of twenty years of life before her, and counted upon as many more for
+her sister. And what could not come to pass in twenty--in forty--years?
+
+Often, of pleasant afternoons, the two would drink their black coffee,
+seated upon the stone-flagged portico whose canopy was the blue sky of
+Louisiana. They loved to sit there in the silence, with only each other
+and the sheeny, prying lizards for company, talking of the old times
+and planning for the new; while light breezes stirred the tattered vines
+high up among the columns, where owls nested.
+
+"We can never hope to have all just as it was, Pauline," Ma'ame Pelagie
+would say; "perhaps the marble pillars of the salon will have to be
+replaced by wooden ones, and the crystal candelabra left out. Should you
+be willing, Pauline?"
+
+"Oh, yes Sesoeur, I shall be willing." It was always, "Yes, Sesoeur," or
+"No, Sesoeur," "Just as you please, Sesoeur," with poor little Mam'selle
+Pauline. For what did she remember of that old life and that old
+spendor? Only a faint gleam here and there; the half-consciousness of
+a young, uneventful existence; and then a great crash. That meant the
+nearness of war; the revolt of slaves; confusion ending in fire and
+flame through which she was borne safely in the strong arms of Pelagie,
+and carried to the log cabin which was still their home. Their brother,
+Leandre, had known more of it all than Pauline, and not so much as
+Pelagie. He had left the management of the big plantation with all its
+memories and traditions to his older sister, and had gone away to dwell
+in cities. That was many years ago. Now, Leandre's business called him
+frequently and upon long journeys from home, and his motherless daughter
+was coming to stay with her aunts at Cote Joyeuse.
+
+They talked about it, sipping their coffee on the ruined portico.
+Mam'selle Pauline was terribly excited; the flush that throbbed into her
+pale, nervous face showed it; and she locked her thin fingers in and out
+incessantly.
+
+"But what shall we do with La Petite, Sesoeur? Where shall we put her?
+How shall we amuse her? Ah, Seigneur!"
+
+"She will sleep upon a cot in the room next to ours," responded Ma'ame
+Pelagie, "and live as we do. She knows how we live, and why we live; her
+father has told her. She knows we have money and could squander it if we
+chose. Do not fret, Pauline; let us hope La Petite is a true Valmet."
+
+Then Ma'ame Pelagie rose with stately deliberation and went to saddle
+her horse, for she had yet to make her last daily round through the
+fields; and Mam'selle Pauline threaded her way slowly among the tangled
+grasses toward the cabin.
+
+The coming of La Petite, bringing with her as she did the pungent
+atmosphere of an outside and dimly known world, was a shock to these
+two, living their dream-life. The girl was quite as tall as her aunt
+Pelagie, with dark eyes that reflected joy as a still pool reflects the
+light of stars; and her rounded cheek was tinged like the pink crepe
+myrtle. Mam'selle Pauline kissed her and trembled. Ma'ame Pelagie looked
+into her eyes with a searching gaze, which seemed to seek a likeness of
+the past in the living present.
+
+And they made room between them for this young life.
+
+
+
+
+II
+
+
+La Petite had determined upon trying to fit herself to the strange,
+narrow existence which she knew awaited her at Cote Joyeuse. It went
+well enough at first. Sometimes she followed Ma'ame Pelagie into the
+fields to note how the cotton was opening, ripe and white; or to count
+the ears of corn upon the hardy stalks. But oftener she was with her
+aunt Pauline, assisting in household offices, chattering of her brief
+past, or walking with the older woman arm-in-arm under the trailing moss
+of the giant oaks.
+
+Mam'selle Pauline's steps grew very buoyant that summer, and her eyes
+were sometimes as bright as a bird's, unless La Petite were away
+from her side, when they would lose all other light but one of uneasy
+expectancy. The girl seemed to love her well in return, and called her
+endearingly Tan'tante. But as the time went by, La Petite became very
+quiet,--not listless, but thoughtful, and slow in her movements. Then
+her cheeks began to pale, till they were tinged like the creamy plumes
+of the white crepe myrtle that grew in the ruin.
+
+One day when she sat within its shadow, between her aunts, holding a
+hand of each, she said: "Tante Pelagie, I must tell you something,
+you and Tan'tante." She spoke low, but clearly and firmly. "I love you
+both,--please remember that I love you both. But I must go away from
+you. I can't live any longer here at Cote Joyeuse."
+
+A spasm passed through Mam'selle Pauline's delicate frame. La Petite
+could feel the twitch of it in the wiry fingers that were intertwined
+with her own. Ma'ame Pelagie remained unchanged and motionless. No human
+eye could penetrate so deep as to see the satisfaction which her soul
+felt. She said: "What do you mean, Petite? Your father has sent you to
+us, and I am sure it is his wish that you remain."
+
+"My father loves me, tante Pelagie, and such will not be his wish when
+he knows. Oh!" she continued with a restless, movement, "it is as though
+a weight were pressing me backward here. I must live another life; the
+life I lived before. I want to know things that are happening from day
+to day over the world, and hear them talked about. I want my music,
+my books, my companions. If I had known no other life but this one of
+privation, I suppose it would be different. If I had to live this life,
+I should make the best of it. But I do not have to; and you know, tante
+Pelagie, you do not need to. It seems to me," she added in a whisper,
+"that it is a sin against myself. Ah, Tan'tante!--what is the matter
+with Tan'tante?"
+
+It was nothing; only a slight feeling of faintness, that would soon
+pass. She entreated them to take no notice; but they brought her some
+water and fanned her with a palmetto leaf.
+
+But that night, in the stillness of the room, Mam'selle Pauline sobbed
+and would not be comforted. Ma'ame Pelagie took her in her arms.
+
+"Pauline, my little sister Pauline," she entreated, "I never have seen
+you like this before. Do you no longer love me? Have we not been happy
+together, you and I?"
+
+"Oh, yes, Sesoeur."
+
+"Is it because La Petite is going away?"
+
+"Yes, Sesoeur."
+
+"Then she is dearer to you than I!" spoke Ma'ame Pelagie with sharp
+resentment. "Than I, who held you and warmed you in my arms the day you
+were born; than I, your mother, father, sister, everything that could
+cherish you. Pauline, don't tell me that."
+
+Mam'selle Pauline tried to talk through her sobs.
+
+"I can't explain it to you, Sesoeur. I don't understand it myself. I
+love you as I have always loved you; next to God. But if La Petite goes
+away I shall die. I can't understand,--help me, Sesoeur. She seems--she
+seems like a saviour; like one who had come and taken me by the hand and
+was leading me somewhere-somewhere I want to go."
+
+Ma'ame Pelagie had been sitting beside the bed in her peignoir and
+slippers. She held the hand of her sister who lay there, and smoothed
+down the woman's soft brown hair. She said not a word, and the silence
+was broken only by Mam'selle Pauline's continued sobs. Once Ma'ame
+Pelagie arose to mix a drink of orange-flower water, which she gave to
+her sister, as she would have offered it to a nervous, fretful child.
+Almost an hour passed before Ma'ame Pelagie spoke again. Then she
+said:--
+
+"Pauline, you must cease that sobbing, now, and sleep. You will make
+yourself ill. La Petite will not go away. Do you hear me? Do you
+understand? She will stay, I promise you."
+
+Mam'selle Pauline could not clearly comprehend, but she had great faith
+in the word of her sister, and soothed by the promise and the touch of
+Ma'ame Pelagie's strong, gentle hand, she fell asleep.
+
+
+
+
+III
+
+
+Ma'ame Pelagie, when she saw that her sister slept, arose noiselessly
+and stepped outside upon the low-roofed narrow gallery. She did not
+linger there, but with a step that was hurried and agitated, she crossed
+the distance that divided her cabin from the ruin.
+
+The night was not a dark one, for the sky was clear and the moon
+resplendent. But light or dark would have made no difference to Ma'ame
+Pelagie. It was not the first time she had stolen away to the ruin at
+night-time, when the whole plantation slept; but she never before had
+been there with a heart so nearly broken. She was going there for the
+last time to dream her dreams; to see the visions that hitherto had
+crowded her days and nights, and to bid them farewell.
+
+There was the first of them, awaiting her upon the very portal; a robust
+old white-haired man, chiding her for returning home so late. There are
+guests to be entertained. Does she not know it? Guests from the city
+and from the near plantations. Yes, she knows it is late. She had been
+abroad with Felix, and they did not notice how the time was speeding.
+Felix is there; he will explain it all. He is there beside her, but she
+does not want to hear what he will tell her father.
+
+Ma'ame Pelagie had sunk upon the bench where she and her sister so
+often came to sit. Turning, she gazed in through the gaping chasm of
+the window at her side. The interior of the ruin is ablaze. Not with the
+moonlight, for that is faint beside the other one--the sparkle from the
+crystal candelabra, which negroes, moving noiselessly and respectfully
+about, are lighting, one after the other. How the gleam of them reflects
+and glances from the polished marble pillars!
+
+The room holds a number of guests. There is old Monsieur Lucien Santien,
+leaning against one of the pillars, and laughing at something which
+Monsieur Lafirme is telling him, till his fat shoulders shake. His
+son Jules is with him--Jules, who wants to marry her. She laughs. She
+wonders if Felix has told her father yet. There is young Jerome Lafirme
+playing at checkers upon the sofa with Leandre. Little Pauline stands
+annoying them and disturbing the game. Leandre reproves her. She begins
+to cry, and old black Clementine, her nurse, who is not far off, limps
+across the room to pick her up and carry her away. How sensitive the
+little one is! But she trots about and takes care of herself better than
+she did a year or two ago, when she fell upon the stone hall floor
+and raised a great "bo-bo" on her forehead. Pelagie was hurt and angry
+enough about it; and she ordered rugs and buffalo robes to be brought
+and laid thick upon the tiles, till the little one's steps were surer.
+
+"Il ne faut pas faire mal a Pauline." She was saying it aloud--"faire
+mal a Pauline."
+
+But she gazes beyond the salon, back into the big dining hall, where
+the white crepe myrtle grows. Ha! how low that bat has circled. It has
+struck Ma'ame Pelagie full on the breast. She does not know it. She is
+beyond there in the dining hall, where her father sits with a group
+of friends over their wine. As usual they are talking politics. How
+tiresome! She has heard them say "la guerre" oftener than once. La
+guerre. Bah! She and Felix have something pleasanter to talk about, out
+under the oaks, or back in the shadow of the oleanders.
+
+But they were right! The sound of a cannon, shot at Sumter, has rolled
+across the Southern States, and its echo is heard along the whole
+stretch of Cote Joyeuse.
+
+Yet Pelagie does not believe it. Not till La Ricaneuse stands before
+her with bare, black arms akimbo, uttering a volley of vile abuse and
+of brazen impudence. Pelagie wants to kill her. But yet she will not
+believe. Not till Felix comes to her in the chamber above the dining
+hall--there where that trumpet vine hangs--comes to say good-by to her.
+The hurt which the big brass buttons of his new gray uniform pressed
+into the tender flesh of her bosom has never left it. She sits upon the
+sofa, and he beside her, both speechless with pain. That room would not
+have been altered. Even the sofa would have been there in the same spot,
+and Ma'ame Pelagie had meant all along, for thirty years, all along, to
+lie there upon it some day when the time came to die.
+
+But there is no time to weep, with the enemy at the door. The door has
+been no barrier. They are clattering through the halls now, drinking the
+wines, shattering the crystal and glass, slashing the portraits.
+
+One of them stands before her and tells her to leave the house. She
+slaps his face. How the stigma stands out red as blood upon his blanched
+cheek!
+
+Now there is a roar of fire and the flames are bearing down upon her
+motionless figure. She wants to show them how a daughter of Louisiana
+can perish before her conquerors. But little Pauline clings to her knees
+in an agony of terror. Little Pauline must be saved.
+
+"Il ne faut pas faire mal a Pauline." Again she is saying it
+aloud--"faire mal a Pauline."
+
+The night was nearly spent; Ma'ame Pelagie had glided from the bench
+upon which she had rested, and for hours lay prone upon the stone
+flagging, motionless. When she dragged herself to her feet it was to
+walk like one in a dream. About the great, solemn pillars, one after the
+other, she reached her arms, and pressed her cheek and her lips upon the
+senseless brick.
+
+"Adieu, adieu!" whispered Ma'ame Pelagie.
+
+There was no longer the moon to guide her steps across the familiar
+pathway to the cabin. The brightest light in the sky was Venus, that
+swung low in the east. The bats had ceased to beat their wings about
+the ruin. Even the mocking-bird that had warbled for hours in the old
+mulberry-tree had sung himself asleep. That darkest hour before the day
+was mantling the earth. Ma'ame Pelagie hurried through the wet, clinging
+grass, beating aside the heavy moss that swept across her face, walking
+on toward the cabin-toward Pauline. Not once did she look back upon the
+ruin that brooded like a huge monster--a black spot in the darkness that
+enveloped it.
+
+
+
+
+IV
+
+
+Little more than a year later the transformation which the old Valmet
+place had undergone was the talk and wonder of Cote Joyeuse. One would
+have looked in vain for the ruin; it was no longer there; neither was
+the log cabin. But out in the open, where the sun shone upon it, and the
+breezes blew about it, was a shapely structure fashioned from woods
+that the forests of the State had furnished. It rested upon a solid
+foundation of brick.
+
+Upon a corner of the pleasant gallery sat Leandre smoking his afternoon
+cigar, and chatting with neighbors who had called. This was to be his
+pied a terre now; the home where his sisters and his daughter dwelt. The
+laughter of young people was heard out under the trees, and within the
+house where La Petite was playing upon the piano. With the enthusiasm
+of a young artist she drew from the keys strains that seemed marvelously
+beautiful to Mam'selle Pauline, who stood enraptured near her. Mam'selle
+Pauline had been touched by the re-creation of Valmet. Her cheek was as
+full and almost as flushed as La Petite's. The years were falling away
+from her.
+
+Ma'ame Pelagie had been conversing with her brother and his friends.
+Then she turned and walked away; stopping to listen awhile to the music
+which La Petite was making. But it was only for a moment. She went on
+around the curve of the veranda, where she found herself alone. She
+stayed there, erect, holding to the banister rail and looking out calmly
+in the distance across the fields.
+
+She was dressed in black, with the white kerchief she always wore folded
+across her bosom. Her thick, glossy hair rose like a silver diadem from
+her brow. In her deep, dark eyes smouldered the light of fires that
+would never flame. She had grown very old. Years instead of months
+seemed to have passed over her since the night she bade farewell to her
+visions.
+
+Poor Ma'ame Pelagie! How could it be different! While the outward
+pressure of a young and joyous existence had forced her footsteps into
+the light, her soul had stayed in the shadow of the ruin.
+
+
+
+
+
+DESIREE'S BABY
+
+
+As the day was pleasant, Madame Valmonde drove over to L'Abri to see
+Desiree and the baby.
+
+It made her laugh to think of Desiree with a baby. Why, it seemed
+but yesterday that Desiree was little more than a baby herself; when
+Monsieur in riding through the gateway of Valmonde had found her lying
+asleep in the shadow of the big stone pillar.
+
+The little one awoke in his arms and began to cry for "Dada." That
+was as much as she could do or say. Some people thought she might have
+strayed there of her own accord, for she was of the toddling age. The
+prevailing belief was that she had been purposely left by a party of
+Texans, whose canvas-covered wagon, late in the day, had crossed the
+ferry that Coton Mais kept, just below the plantation. In time Madame
+Valmonde abandoned every speculation but the one that Desiree had been
+sent to her by a beneficent Providence to be the child of her affection,
+seeing that she was without child of the flesh. For the girl grew to be
+beautiful and gentle, affectionate and sincere,--the idol of Valmonde.
+
+It was no wonder, when she stood one day against the stone pillar in
+whose shadow she had lain asleep, eighteen years before, that Armand
+Aubigny riding by and seeing her there, had fallen in love with her.
+That was the way all the Aubignys fell in love, as if struck by a pistol
+shot. The wonder was that he had not loved her before; for he had known
+her since his father brought him home from Paris, a boy of eight, after
+his mother died there. The passion that awoke in him that day, when he
+saw her at the gate, swept along like an avalanche, or like a prairie
+fire, or like anything that drives headlong over all obstacles.
+
+Monsieur Valmonde grew practical and wanted things well considered: that
+is, the girl's obscure origin. Armand looked into her eyes and did not
+care. He was reminded that she was nameless. What did it matter about a
+name when he could give her one of the oldest and proudest in Louisiana?
+He ordered the corbeille from Paris, and contained himself with what
+patience he could until it arrived; then they were married.
+
+Madame Valmonde had not seen Desiree and the baby for four weeks. When
+she reached L'Abri she shuddered at the first sight of it, as she always
+did. It was a sad looking place, which for many years had not known the
+gentle presence of a mistress, old Monsieur Aubigny having married and
+buried his wife in France, and she having loved her own land too well
+ever to leave it. The roof came down steep and black like a cowl,
+reaching out beyond the wide galleries that encircled the yellow
+stuccoed house. Big, solemn oaks grew close to it, and their
+thick-leaved, far-reaching branches shadowed it like a pall. Young
+Aubigny's rule was a strict one, too, and under it his negroes had
+forgotten how to be gay, as they had been during the old master's
+easy-going and indulgent lifetime.
+
+The young mother was recovering slowly, and lay full length, in her soft
+white muslins and laces, upon a couch. The baby was beside her, upon her
+arm, where he had fallen asleep, at her breast. The yellow nurse woman
+sat beside a window fanning herself.
+
+Madame Valmonde bent her portly figure over Desiree and kissed her,
+holding her an instant tenderly in her arms. Then she turned to the
+child.
+
+"This is not the baby!" she exclaimed, in startled tones. French was the
+language spoken at Valmonde in those days.
+
+"I knew you would be astonished," laughed Desiree, "at the way he has
+grown. The little cochon de lait! Look at his legs, mamma, and his
+hands and fingernails,--real finger-nails. Zandrine had to cut them this
+morning. Isn't it true, Zandrine?"
+
+The woman bowed her turbaned head majestically, "Mais si, Madame."
+
+"And the way he cries," went on Desiree, "is deafening. Armand heard him
+the other day as far away as La Blanche's cabin."
+
+Madame Valmonde had never removed her eyes from the child. She lifted it
+and walked with it over to the window that was lightest. She scanned the
+baby narrowly, then looked as searchingly at Zandrine, whose face was
+turned to gaze across the fields.
+
+"Yes, the child has grown, has changed," said Madame Valmonde, slowly,
+as she replaced it beside its mother. "What does Armand say?"
+
+Desiree's face became suffused with a glow that was happiness itself.
+
+"Oh, Armand is the proudest father in the parish, I believe, chiefly
+because it is a boy, to bear his name; though he says not,--that he
+would have loved a girl as well. But I know it isn't true. I know he
+says that to please me. And mamma," she added, drawing Madame Valmonde's
+head down to her, and speaking in a whisper, "he hasn't punished one of
+them--not one of them--since baby is born. Even Negrillon, who pretended
+to have burnt his leg that he might rest from work--he only laughed, and
+said Negrillon was a great scamp. Oh, mamma, I'm so happy; it frightens
+me."
+
+What Desiree said was true. Marriage, and later the birth of his son had
+softened Armand Aubigny's imperious and exacting nature greatly.
+This was what made the gentle Desiree so happy, for she loved him
+desperately. When he frowned she trembled, but loved him. When he
+smiled, she asked no greater blessing of God. But Armand's dark,
+handsome face had not often been disfigured by frowns since the day he
+fell in love with her.
+
+When the baby was about three months old, Desiree awoke one day to the
+conviction that there was something in the air menacing her peace.
+It was at first too subtle to grasp. It had only been a disquieting
+suggestion; an air of mystery among the blacks; unexpected visits from
+far-off neighbors who could hardly account for their coming. Then a
+strange, an awful change in her husband's manner, which she dared not
+ask him to explain. When he spoke to her, it was with averted eyes, from
+which the old love-light seemed to have gone out. He absented himself
+from home; and when there, avoided her presence and that of her child,
+without excuse. And the very spirit of Satan seemed suddenly to take
+hold of him in his dealings with the slaves. Desiree was miserable
+enough to die.
+
+She sat in her room, one hot afternoon, in her peignoir, listlessly
+drawing through her fingers the strands of her long, silky brown hair
+that hung about her shoulders. The baby, half naked, lay asleep upon
+her own great mahogany bed, that was like a sumptuous throne, with its
+satin-lined half-canopy. One of La Blanche's little quadroon boys--half
+naked too--stood fanning the child slowly with a fan of peacock
+feathers. Desiree's eyes had been fixed absently and sadly upon the
+baby, while she was striving to penetrate the threatening mist that she
+felt closing about her. She looked from her child to the boy who stood
+beside him, and back again; over and over. "Ah!" It was a cry that she
+could not help; which she was not conscious of having uttered. The blood
+turned like ice in her veins, and a clammy moisture gathered upon her
+face.
+
+She tried to speak to the little quadroon boy; but no sound would come,
+at first. When he heard his name uttered, he looked up, and his mistress
+was pointing to the door. He laid aside the great, soft fan, and
+obediently stole away, over the polished floor, on his bare tiptoes.
+
+She stayed motionless, with gaze riveted upon her child, and her face
+the picture of fright.
+
+Presently her husband entered the room, and without noticing her, went
+to a table and began to search among some papers which covered it.
+
+"Armand," she called to him, in a voice which must have stabbed him, if
+he was human. But he did not notice. "Armand," she said again. Then she
+rose and tottered towards him. "Armand," she panted once more, clutching
+his arm, "look at our child. What does it mean? tell me."
+
+He coldly but gently loosened her fingers from about his arm and thrust
+the hand away from him. "Tell me what it means!" she cried despairingly.
+
+"It means," he answered lightly, "that the child is not white; it means
+that you are not white."
+
+A quick conception of all that this accusation meant for her nerved her
+with unwonted courage to deny it. "It is a lie; it is not true, I am
+white! Look at my hair, it is brown; and my eyes are gray, Armand, you
+know they are gray. And my skin is fair," seizing his wrist. "Look at my
+hand; whiter than yours, Armand," she laughed hysterically.
+
+"As white as La Blanche's," he returned cruelly; and went away leaving
+her alone with their child.
+
+When she could hold a pen in her hand, she sent a despairing letter to
+Madame Valmonde.
+
+"My mother, they tell me I am not white. Armand has told me I am not
+white. For God's sake tell them it is not true. You must know it is not
+true. I shall die. I must die. I cannot be so unhappy, and live."
+
+The answer that came was brief:
+
+"My own Desiree: Come home to Valmonde; back to your mother who loves
+you. Come with your child."
+
+When the letter reached Desiree she went with it to her husband's study,
+and laid it open upon the desk before which he sat. She was like a stone
+image: silent, white, motionless after she placed it there.
+
+In silence he ran his cold eyes over the written words.
+
+He said nothing. "Shall I go, Armand?" she asked in tones sharp with
+agonized suspense.
+
+"Yes, go."
+
+"Do you want me to go?"
+
+"Yes, I want you to go."
+
+He thought Almighty God had dealt cruelly and unjustly with him; and
+felt, somehow, that he was paying Him back in kind when he stabbed thus
+into his wife's soul. Moreover he no longer loved her, because of the
+unconscious injury she had brought upon his home and his name.
+
+She turned away like one stunned by a blow, and walked slowly towards
+the door, hoping he would call her back.
+
+"Good-by, Armand," she moaned.
+
+He did not answer her. That was his last blow at fate.
+
+Desiree went in search of her child. Zandrine was pacing the sombre
+gallery with it. She took the little one from the nurse's arms with no
+word of explanation, and descending the steps, walked away, under the
+live-oak branches.
+
+It was an October afternoon; the sun was just sinking. Out in the still
+fields the negroes were picking cotton.
+
+Desiree had not changed the thin white garment nor the slippers which
+she wore. Her hair was uncovered and the sun's rays brought a golden
+gleam from its brown meshes. She did not take the broad, beaten road
+which led to the far-off plantation of Valmonde. She walked across a
+deserted field, where the stubble bruised her tender feet, so delicately
+shod, and tore her thin gown to shreds.
+
+She disappeared among the reeds and willows that grew thick along the
+banks of the deep, sluggish bayou; and she did not come back again.
+
+
+
+Some weeks later there was a curious scene enacted at L'Abri. In the
+centre of the smoothly swept back yard was a great bonfire. Armand
+Aubigny sat in the wide hallway that commanded a view of the spectacle;
+and it was he who dealt out to a half dozen negroes the material which
+kept this fire ablaze.
+
+A graceful cradle of willow, with all its dainty furbishings, was
+laid upon the pyre, which had already been fed with the richness of a
+priceless layette. Then there were silk gowns, and velvet and satin ones
+added to these; laces, too, and embroideries; bonnets and gloves; for
+the corbeille had been of rare quality.
+
+The last thing to go was a tiny bundle of letters; innocent little
+scribblings that Desiree had sent to him during the days of their
+espousal. There was the remnant of one back in the drawer from which he
+took them. But it was not Desiree's; it was part of an old letter from
+his mother to his father. He read it. She was thanking God for the
+blessing of her husband's love:--
+
+"But above all," she wrote, "night and day, I thank the good God for
+having so arranged our lives that our dear Armand will never know that
+his mother, who adores him, belongs to the race that is cursed with the
+brand of slavery."
+
+
+
+
+
+A RESPECTABLE WOMAN
+
+
+Mrs. Baroda was a little provoked to learn that her husband expected his
+friend, Gouvernail, up to spend a week or two on the plantation.
+
+They had entertained a good deal during the winter; much of the time had
+also been passed in New Orleans in various forms of mild dissipation.
+She was looking forward to a period of unbroken rest, now, and
+undisturbed tete-a-tete with her husband, when he informed her that
+Gouvernail was coming up to stay a week or two.
+
+This was a man she had heard much of but never seen. He had been her
+husband's college friend; was now a journalist, and in no sense a
+society man or "a man about town," which were, perhaps, some of the
+reasons she had never met him. But she had unconsciously formed an
+image of him in her mind. She pictured him tall, slim, cynical; with
+eye-glasses, and his hands in his pockets; and she did not like him.
+Gouvernail was slim enough, but he wasn't very tall nor very cynical;
+neither did he wear eyeglasses nor carry his hands in his pockets. And
+she rather liked him when he first presented himself.
+
+But why she liked him she could not explain satisfactorily to herself
+when she partly attempted to do so. She could discover in him none of
+those brilliant and promising traits which Gaston, her husband, had
+often assured her that he possessed. On the contrary, he sat rather mute
+and receptive before her chatty eagerness to make him feel at home
+and in face of Gaston's frank and wordy hospitality. His manner was as
+courteous toward her as the most exacting woman could require; but he
+made no direct appeal to her approval or even esteem.
+
+Once settled at the plantation he seemed to like to sit upon the wide
+portico in the shade of one of the big Corinthian pillars, smoking his
+cigar lazily and listening attentively to Gaston's experience as a sugar
+planter.
+
+"This is what I call living," he would utter with deep satisfaction, as
+the air that swept across the sugar field caressed him with its warm and
+scented velvety touch. It pleased him also to get on familiar terms with
+the big dogs that came about him, rubbing themselves sociably against
+his legs. He did not care to fish, and displayed no eagerness to go out
+and kill grosbecs when Gaston proposed doing so.
+
+Gouvernail's personality puzzled Mrs. Baroda, but she liked him. Indeed,
+he was a lovable, inoffensive fellow. After a few days, when she could
+understand him no better than at first, she gave over being puzzled and
+remained piqued. In this mood she left her husband and her guest, for
+the most part, alone together. Then finding that Gouvernail took no
+manner of exception to her action, she imposed her society upon him,
+accompanying him in his idle strolls to the mill and walks along the
+batture. She persistently sought to penetrate the reserve in which he
+had unconsciously enveloped himself.
+
+"When is he going--your friend?" she one day asked her husband. "For my
+part, he tires me frightfully."
+
+"Not for a week yet, dear. I can't understand; he gives you no trouble."
+
+"No. I should like him better if he did; if he were more like others,
+and I had to plan somewhat for his comfort and enjoyment."
+
+Gaston took his wife's pretty face between his hands and looked tenderly
+and laughingly into her troubled eyes.
+
+They were making a bit of toilet sociably together in Mrs. Baroda's
+dressing-room.
+
+"You are full of surprises, ma belle," he said to her. "Even I can never
+count upon how you are going to act under given conditions." He kissed
+her and turned to fasten his cravat before the mirror.
+
+"Here you are," he went on, "taking poor Gouvernail seriously and making
+a commotion over him, the last thing he would desire or expect."
+
+"Commotion!" she hotly resented. "Nonsense! How can you say such a
+thing? Commotion, indeed! But, you know, you said he was clever."
+
+"So he is. But the poor fellow is run down by overwork now. That's why I
+asked him here to take a rest."
+
+"You used to say he was a man of ideas," she retorted, unconciliated. "I
+expected him to be interesting, at least. I'm going to the city in the
+morning to have my spring gowns fitted. Let me know when Mr. Gouvernail
+is gone; I shall be at my Aunt Octavie's."
+
+That night she went and sat alone upon a bench that stood beneath a live
+oak tree at the edge of the gravel walk.
+
+She had never known her thoughts or her intentions to be so confused.
+She could gather nothing from them but the feeling of a distinct
+necessity to quit her home in the morning.
+
+Mrs. Baroda heard footsteps crunching the gravel; but could discern in
+the darkness only the approaching red point of a lighted cigar. She knew
+it was Gouvernail, for her husband did not smoke. She hoped to remain
+unnoticed, but her white gown revealed her to him. He threw away his
+cigar and seated himself upon the bench beside her; without a suspicion
+that she might object to his presence.
+
+"Your husband told me to bring this to you, Mrs. Baroda," he said,
+handing her a filmy, white scarf with which she sometimes enveloped her
+head and shoulders. She accepted the scarf from him with a murmur of
+thanks, and let it lie in her lap.
+
+He made some commonplace observation upon the baneful effect of the
+night air at the season. Then as his gaze reached out into the darkness,
+he murmured, half to himself:
+
+"'Night of south winds--night of the large few stars! Still nodding
+night--'"
+
+She made no reply to this apostrophe to the night, which, indeed, was
+not addressed to her.
+
+Gouvernail was in no sense a diffident man, for he was not a
+self-conscious one. His periods of reserve were not constitutional,
+but the result of moods. Sitting there beside Mrs. Baroda, his silence
+melted for the time.
+
+He talked freely and intimately in a low, hesitating drawl that was not
+unpleasant to hear. He talked of the old college days when he and
+Gaston had been a good deal to each other; of the days of keen and blind
+ambitions and large intentions. Now there was left with him, at least,
+a philosophic acquiescence to the existing order--only a desire to be
+permitted to exist, with now and then a little whiff of genuine life,
+such as he was breathing now.
+
+Her mind only vaguely grasped what he was saying. Her physical being
+was for the moment predominant. She was not thinking of his words, only
+drinking in the tones of his voice. She wanted to reach out her hand in
+the darkness and touch him with the sensitive tips of her fingers
+upon the face or the lips. She wanted to draw close to him and whisper
+against his cheek--she did not care what--as she might have done if she
+had not been a respectable woman.
+
+The stronger the impulse grew to bring herself near him, the further, in
+fact, did she draw away from him. As soon as she could do so without an
+appearance of too great rudeness, she rose and left him there alone.
+
+Before she reached the house, Gouvernail had lighted a fresh cigar and
+ended his apostrophe to the night.
+
+Mrs. Baroda was greatly tempted that night to tell her husband--who
+was also her friend--of this folly that had seized her. But she did not
+yield to the temptation. Beside being a respectable woman she was a very
+sensible one; and she knew there are some battles in life which a human
+being must fight alone.
+
+When Gaston arose in the morning, his wife had already departed. She
+had taken an early morning train to the city. She did not return till
+Gouvernail was gone from under her roof.
+
+There was some talk of having him back during the summer that followed.
+That is, Gaston greatly desired it; but this desire yielded to his
+wife's strenuous opposition.
+
+However, before the year ended, she proposed, wholly from herself,
+to have Gouvernail visit them again. Her husband was surprised and
+delighted with the suggestion coming from her.
+
+"I am glad, chere amie, to know that you have finally overcome your
+dislike for him; truly he did not deserve it."
+
+"Oh," she told him, laughingly, after pressing a long, tender kiss upon
+his lips, "I have overcome everything! you will see. This time I shall
+be very nice to him."
+
+
+
+
+
+THE KISS
+
+
+It was still quite light out of doors, but inside with the curtains
+drawn and the smouldering fire sending out a dim, uncertain glow, the
+room was full of deep shadows.
+
+Brantain sat in one of these shadows; it had overtaken him and he did
+not mind. The obscurity lent him courage to keep his eyes fastened as
+ardently as he liked upon the girl who sat in the firelight.
+
+She was very handsome, with a certain fine, rich coloring that belongs
+to the healthy brune type. She was quite composed, as she idly
+stroked the satiny coat of the cat that lay curled in her lap, and she
+occasionally sent a slow glance into the shadow where her companion sat.
+They were talking low, of indifferent things which plainly were not
+the things that occupied their thoughts. She knew that he loved her--a
+frank, blustering fellow without guile enough to conceal his feelings,
+and no desire to do so. For two weeks past he had sought her society
+eagerly and persistently. She was confidently waiting for him to declare
+himself and she meant to accept him. The rather insignificant and
+unattractive Brantain was enormously rich; and she liked and required
+the entourage which wealth could give her.
+
+During one of the pauses between their talk of the last tea and the next
+reception the door opened and a young man entered whom Brantain knew
+quite well. The girl turned her face toward him. A stride or two brought
+him to her side, and bending over her chair--before she could suspect
+his intention, for she did not realize that he had not seen her
+visitor--he pressed an ardent, lingering kiss upon her lips.
+
+Brantain slowly arose; so did the girl arise, but quickly, and the
+newcomer stood between them, a little amusement and some defiance
+struggling with the confusion in his face.
+
+"I believe," stammered Brantain, "I see that I have stayed too long.
+I--I had no idea--that is, I must wish you good-by." He was clutching
+his hat with both hands, and probably did not perceive that she was
+extending her hand to him, her presence of mind had not completely
+deserted her; but she could not have trusted herself to speak.
+
+"Hang me if I saw him sitting there, Nattie! I know it's deuced awkward
+for you. But I hope you'll forgive me this once--this very first break.
+Why, what's the matter?"
+
+"Don't touch me; don't come near me," she returned angrily. "What do you
+mean by entering the house without ringing?"
+
+"I came in with your brother, as I often do," he answered coldly, in
+self-justification. "We came in the side way. He went upstairs and I
+came in here hoping to find you. The explanation is simple enough and
+ought to satisfy you that the misadventure was unavoidable. But do say
+that you forgive me, Nathalie," he entreated, softening.
+
+"Forgive you! You don't know what you are talking about. Let me pass. It
+depends upon--a good deal whether I ever forgive you."
+
+At that next reception which she and Brantain had been talking about she
+approached the young man with a delicious frankness of manner when she
+saw him there.
+
+"Will you let me speak to you a moment or two, Mr. Brantain?" she asked
+with an engaging but perturbed smile. He seemed extremely unhappy;
+but when she took his arm and walked away with him, seeking a retired
+corner, a ray of hope mingled with the almost comical misery of his
+expression. She was apparently very outspoken.
+
+"Perhaps I should not have sought this interview, Mr. Brantain;
+but--but, oh, I have been very uncomfortable, almost miserable since
+that little encounter the other afternoon. When I thought how you might
+have misinterpreted it, and believed things"--hope was plainly gaining
+the ascendancy over misery in Brantain's round, guileless face--"Of
+course, I know it is nothing to you, but for my own sake I do want you
+to understand that Mr. Harvy is an intimate friend of long standing.
+Why, we have always been like cousins--like brother and sister, I may
+say. He is my brother's most intimate associate and often fancies that
+he is entitled to the same privileges as the family. Oh, I know it
+is absurd, uncalled for, to tell you this; undignified even," she was
+almost weeping, "but it makes so much difference to me what you think
+of--of me." Her voice had grown very low and agitated. The misery had
+all disappeared from Brantain's face.
+
+"Then you do really care what I think, Miss Nathalie? May I call you
+Miss Nathalie?" They turned into a long, dim corridor that was lined on
+either side with tall, graceful plants. They walked slowly to the very
+end of it. When they turned to retrace their steps Brantain's face was
+radiant and hers was triumphant.
+
+
+
+Harvy was among the guests at the wedding; and he sought her out in a
+rare moment when she stood alone.
+
+"Your husband," he said, smiling, "has sent me over to kiss you."
+
+A quick blush suffused her face and round polished throat. "I suppose
+it's natural for a man to feel and act generously on an occasion of this
+kind. He tells me he doesn't want his marriage to interrupt wholly that
+pleasant intimacy which has existed between you and me. I don't know
+what you've been telling him," with an insolent smile, "but he has sent
+me here to kiss you."
+
+She felt like a chess player who, by the clever handling of his pieces,
+sees the game taking the course intended. Her eyes were bright and
+tender with a smile as they glanced up into his; and her lips looked
+hungry for the kiss which they invited.
+
+"But, you know," he went on quietly, "I didn't tell him so, it would
+have seemed ungrateful, but I can tell you. I've stopped kissing women;
+it's dangerous."
+
+Well, she had Brantain and his million left. A person can't have
+everything in this world; and it was a little unreasonable of her to
+expect it.
+
+
+
+
+
+A PAIR OF SILK STOCKINGS
+
+
+Little Mrs. Sommers one day found herself the unexpected possessor of
+fifteen dollars. It seemed to her a very large amount of money, and the
+way in which it stuffed and bulged her worn old porte-monnaie gave her a
+feeling of importance such as she had not enjoyed for years.
+
+The question of investment was one that occupied her greatly. For a
+day or two she walked about apparently in a dreamy state, but really
+absorbed in speculation and calculation. She did not wish to act
+hastily, to do anything she might afterward regret. But it was during
+the still hours of the night when she lay awake revolving plans in
+her mind that she seemed to see her way clearly toward a proper and
+judicious use of the money.
+
+A dollar or two should be added to the price usually paid for Janie's
+shoes, which would insure their lasting an appreciable time longer than
+they usually did. She would buy so and so many yards of percale for new
+shirt waists for the boys and Janie and Mag. She had intended to make
+the old ones do by skilful patching. Mag should have another gown.
+She had seen some beautiful patterns, veritable bargains in the shop
+windows. And still there would be left enough for new stockings--two
+pairs apiece--and what darning that would save for a while! She would
+get caps for the boys and sailor-hats for the girls. The vision of her
+little brood looking fresh and dainty and new for once in their lives
+excited her and made her restless and wakeful with anticipation.
+
+The neighbors sometimes talked of certain "better days" that little Mrs.
+Sommers had known before she had ever thought of being Mrs. Sommers. She
+herself indulged in no such morbid retrospection. She had no time--no
+second of time to devote to the past. The needs of the present absorbed
+her every faculty. A vision of the future like some dim, gaunt monster
+sometimes appalled her, but luckily to-morrow never comes.
+
+Mrs. Sommers was one who knew the value of bargains; who could stand
+for hours making her way inch by inch toward the desired object that was
+selling below cost. She could elbow her way if need be; she had learned
+to clutch a piece of goods and hold it and stick to it with persistence
+and determination till her turn came to be served, no matter when it
+came.
+
+But that day she was a little faint and tired. She had swallowed a light
+luncheon--no! when she came to think of it, between getting the children
+fed and the place righted, and preparing herself for the shopping bout,
+she had actually forgotten to eat any luncheon at all!
+
+She sat herself upon a revolving stool before a counter that was
+comparatively deserted, trying to gather strength and courage to charge
+through an eager multitude that was besieging breastworks of shirting
+and figured lawn. An all-gone limp feeling had come over her and she
+rested her hand aimlessly upon the counter. She wore no gloves. By
+degrees she grew aware that her hand had encountered something very
+soothing, very pleasant to touch. She looked down to see that her hand
+lay upon a pile of silk stockings. A placard near by announced that they
+had been reduced in price from two dollars and fifty cents to one dollar
+and ninety-eight cents; and a young girl who stood behind the counter
+asked her if she wished to examine their line of silk hosiery. She
+smiled, just as if she had been asked to inspect a tiara of diamonds
+with the ultimate view of purchasing it. But she went on feeling the
+soft, sheeny luxurious things--with both hands now, holding them up
+to see them glisten, and to feel them glide serpent-like through her
+fingers.
+
+Two hectic blotches came suddenly into her pale cheeks. She looked up at
+the girl.
+
+"Do you think there are any eights-and-a-half among these?"
+
+There were any number of eights-and-a-half. In fact, there were more of
+that size than any other. Here was a light-blue pair; there were some
+lavender, some all black and various shades of tan and gray. Mrs.
+Sommers selected a black pair and looked at them very long and closely.
+She pretended to be examining their texture, which the clerk assured her
+was excellent.
+
+"A dollar and ninety-eight cents," she mused aloud. "Well, I'll take
+this pair." She handed the girl a five-dollar bill and waited for her
+change and for her parcel. What a very small parcel it was! It seemed
+lost in the depths of her shabby old shopping-bag.
+
+Mrs. Sommers after that did not move in the direction of the bargain
+counter. She took the elevator, which carried her to an upper floor into
+the region of the ladies' waiting-rooms. Here, in a retired corner, she
+exchanged her cotton stockings for the new silk ones which she had just
+bought. She was not going through any acute mental process or reasoning
+with herself, nor was she striving to explain to her satisfaction the
+motive of her action. She was not thinking at all. She seemed for the
+time to be taking a rest from that laborious and fatiguing function and
+to have abandoned herself to some mechanical impulse that directed her
+actions and freed her of responsibility.
+
+How good was the touch of the raw silk to her flesh! She felt like lying
+back in the cushioned chair and reveling for a while in the luxury of
+it. She did for a little while. Then she replaced her shoes, rolled the
+cotton stockings together and thrust them into her bag. After doing this
+she crossed straight over to the shoe department and took her seat to be
+fitted.
+
+She was fastidious. The clerk could not make her out; he could not
+reconcile her shoes with her stockings, and she was not too easily
+pleased. She held back her skirts and turned her feet one way and her
+head another way as she glanced down at the polished, pointed-tipped
+boots. Her foot and ankle looked very pretty. She could not realize that
+they belonged to her and were a part of herself. She wanted an excellent
+and stylish fit, she told the young fellow who served her, and she did
+not mind the difference of a dollar or two more in the price so long as
+she got what she desired.
+
+It was a long time since Mrs. Sommers had been fitted with gloves. On
+rare occasions when she had bought a pair they were always "bargains,"
+so cheap that it would have been preposterous and unreasonable to have
+expected them to be fitted to the hand.
+
+Now she rested her elbow on the cushion of the glove counter, and a
+pretty, pleasant young creature, delicate and deft of touch, drew a
+long-wristed "kid" over Mrs. Sommers's hand. She smoothed it down over
+the wrist and buttoned it neatly, and both lost themselves for a second
+or two in admiring contemplation of the little symmetrical gloved hand.
+But there were other places where money might be spent.
+
+There were books and magazines piled up in the window of a stall a few
+paces down the street. Mrs. Sommers bought two high-priced magazines
+such as she had been accustomed to read in the days when she had been
+accustomed to other pleasant things. She carried them without wrapping.
+As well as she could she lifted her skirts at the crossings. Her
+stockings and boots and well fitting gloves had worked marvels in her
+bearing--had given her a feeling of assurance, a sense of belonging to
+the well-dressed multitude.
+
+She was very hungry. Another time she would have stilled the cravings
+for food until reaching her own home, where she would have brewed
+herself a cup of tea and taken a snack of anything that was available.
+But the impulse that was guiding her would not suffer her to entertain
+any such thought.
+
+There was a restaurant at the corner. She had never entered its doors;
+from the outside she had sometimes caught glimpses of spotless damask
+and shining crystal, and soft-stepping waiters serving people of
+fashion.
+
+When she entered her appearance created no surprise, no consternation,
+as she had half feared it might. She seated herself at a small table
+alone, and an attentive waiter at once approached to take her order. She
+did not want a profusion; she craved a nice and tasty bite--a half
+dozen blue-points, a plump chop with cress, a something sweet--a
+creme-frappee, for instance; a glass of Rhine wine, and after all a
+small cup of black coffee.
+
+While waiting to be served she removed her gloves very leisurely and
+laid them beside her. Then she picked up a magazine and glanced through
+it, cutting the pages with a blunt edge of her knife. It was all very
+agreeable. The damask was even more spotless than it had seemed through
+the window, and the crystal more sparkling. There were quiet ladies and
+gentlemen, who did not notice her, lunching at the small tables like
+her own. A soft, pleasing strain of music could be heard, and a gentle
+breeze, was blowing through the window. She tasted a bite, and she read
+a word or two, and she sipped the amber wine and wiggled her toes in
+the silk stockings. The price of it made no difference. She counted the
+money out to the waiter and left an extra coin on his tray, whereupon he
+bowed before her as before a princess of royal blood.
+
+There was still money in her purse, and her next temptation presented
+itself in the shape of a matinee poster.
+
+It was a little later when she entered the theatre, the play had begun
+and the house seemed to her to be packed. But there were vacant
+seats here and there, and into one of them she was ushered, between
+brilliantly dressed women who had gone there to kill time and eat candy
+and display their gaudy attire. There were many others who were there
+solely for the play and acting. It is safe to say there was no one
+present who bore quite the attitude which Mrs. Sommers did to her
+surroundings. She gathered in the whole--stage and players and people in
+one wide impression, and absorbed it and enjoyed it. She laughed at
+the comedy and wept--she and the gaudy woman next to her wept over the
+tragedy. And they talked a little together over it. And the gaudy woman
+wiped her eyes and sniffled on a tiny square of filmy, perfumed lace and
+passed little Mrs. Sommers her box of candy.
+
+The play was over, the music ceased, the crowd filed out. It was like
+a dream ended. People scattered in all directions. Mrs. Sommers went to
+the corner and waited for the cable car.
+
+A man with keen eyes, who sat opposite to her, seemed to like the study
+of her small, pale face. It puzzled him to decipher what he saw there.
+In truth, he saw nothing-unless he were wizard enough to detect a
+poignant wish, a powerful longing that the cable car would never stop
+anywhere, but go on and on with her forever.
+
+
+
+
+
+THE LOCKET
+
+
+
+
+I
+
+
+One night in autumn a few men were gathered about a fire on the slope
+of a hill. They belonged to a small detachment of Confederate forces and
+were awaiting orders to march. Their gray uniforms were worn beyond the
+point of shabbiness. One of the men was heating something in a tin cup
+over the embers. Two were lying at full length a little distance away,
+while a fourth was trying to decipher a letter and had drawn close to
+the light. He had unfastened his collar and a good bit of his flannel
+shirt front.
+
+"What's that you got around your neck, Ned?" asked one of the men lying
+in the obscurity.
+
+Ned--or Edmond--mechanically fastened another button of his shirt and
+did not reply. He went on reading his letter.
+
+"Is it your sweet heart's picture?"
+
+"'Taint no gal's picture," offered the man at the fire. He had removed
+his tin cup and was engaged in stirring its grimy contents with a small
+stick. "That's a charm; some kind of hoodoo business that one o' them
+priests gave him to keep him out o' trouble. I know them Cath'lics.
+That's how come Frenchy got permoted an never got a scratch sence he's
+been in the ranks. Hey, French! aint I right?" Edmond looked up absently
+from his letter.
+
+"What is it?" he asked.
+
+"Aint that a charm you got round your neck?"
+
+"It must be, Nick," returned Edmond with a smile. "I don't know how I
+could have gone through this year and a half without it."
+
+The letter had made Edmond heart sick and home sick. He stretched
+himself on his back and looked straight up at the blinking stars. But he
+was not thinking of them nor of anything but a certain spring day when
+the bees were humming in the clematis; when a girl was saying good bye
+to him. He could see her as she unclasped from her neck the locket
+which she fastened about his own. It was an old fashioned golden locket
+bearing miniatures of her father and mother with their names and the
+date of their marriage. It was her most precious earthly possession.
+Edmond could feel again the folds of the girl's soft white gown, and see
+the droop of the angel-sleeves as she circled her fair arms about his
+neck. Her sweet face, appealing, pathetic, tormented by the pain of
+parting, appeared before him as vividly as life. He turned over, burying
+his face in his arm and there he lay, still and motionless.
+
+The profound and treacherous night with its silence and semblance of
+peace settled upon the camp. He dreamed that the fair Octavie
+brought him a letter. He had no chair to offer her and was pained and
+embarrassed at the condition of his garments. He was ashamed of the poor
+food which comprised the dinner at which he begged her to join them.
+
+He dreamt of a serpent coiling around his throat, and when he strove to
+grasp it the slimy thing glided away from his clutch. Then his dream was
+clamor.
+
+"Git your duds! you! Frenchy!" Nick was bellowing in his face. There
+was what appeared to be a scramble and a rush rather than any regulated
+movement. The hill side was alive with clatter and motion; with sudden
+up-springing lights among the pines. In the east the dawn was unfolding
+out of the darkness. Its glimmer was yet dim in the plain below.
+
+"What's it all about?" wondered a big black bird perched in the top of
+the tallest tree. He was an old solitary and a wise one, yet he was
+not wise enough to guess what it was all about. So all day long he kept
+blinking and wondering.
+
+The noise reached far out over the plain and across the hills and awoke
+the little babes that were sleeping in their cradles. The smoke curled
+up toward the sun and shadowed the plain so that the stupid birds
+thought it was going to rain; but the wise one knew better.
+
+"They are children playing a game," thought he. "I shall know more about
+it if I watch long enough."
+
+At the approach of night they had all vanished away with their din and
+smoke. Then the old bird plumed his feathers. At last he had understood!
+With a flap of his great, black wings he shot downward, circling toward
+the plain.
+
+A man was picking his way across the plain. He was dressed in the
+garb of a clergyman. His mission was to administer the consolations of
+religion to any of the prostrate figures in whom there might yet linger
+a spark of life. A negro accompanied him, bearing a bucket of water and
+a flask of wine.
+
+There were no wounded here; they had been borne away. But the retreat
+had been hurried and the vultures and the good Samaritans would have to
+look to the dead.
+
+There was a soldier--a mere boy--lying with his face to the sky. His
+hands were clutching the sward on either side and his finger nails
+were stuffed with earth and bits of grass that he had gathered in his
+despairing grasp upon life. His musket was gone; he was hatless and his
+face and clothing were begrimed. Around his neck hung a gold chain and
+locket. The priest, bending over him, unclasped the chain and removed
+it from the dead soldier's neck. He had grown used to the terrors of
+war and could face them unflinchingly; but its pathos, someway, always
+brought the tears to his old, dim eyes.
+
+The angelus was ringing half a mile away. The priest and the negro knelt
+and murmured together the evening benediction and a prayer for the dead.
+
+
+
+
+II
+
+
+The peace and beauty of a spring day had descended upon the earth like
+a benediction. Along the leafy road which skirted a narrow, tortuous
+stream in central Louisiana, rumbled an old fashioned cabriolet, much
+the worse for hard and rough usage over country roads and lanes.
+The fat, black horses went in a slow, measured trot, notwithstanding
+constant urging on the part of the fat, black coachman. Within the
+vehicle were seated the fair Octavie and her old friend and neighbor,
+Judge Pillier, who had come to take her for a morning drive.
+
+Octavie wore a plain black dress, severe in its simplicity. A narrow
+belt held it at the waist and the sleeves were gathered into close
+fitting wristbands. She had discarded her hoopskirt and appeared not
+unlike a nun. Beneath the folds of her bodice nestled the old locket.
+She never displayed it now. It had returned to her sanctified in her
+eyes; made precious as material things sometimes are by being forever
+identified with a significant moment of one's existence.
+
+A hundred times she had read over the letter with which the locket had
+come back to her. No later than that morning she had again pored over
+it. As she sat beside the window, smoothing the letter out upon her
+knee, heavy and spiced odors stole in to her with the songs of birds and
+the humming of insects in the air.
+
+She was so young and the world was so beautiful that there came over her
+a sense of unreality as she read again and again the priest's letter. He
+told of that autumn day drawing to its close, with the gold and the red
+fading out of the west, and the night gathering its shadows to cover the
+faces of the dead. Oh! She could not believe that one of those dead
+was her own! with visage uplifted to the gray sky in an agony of
+supplication. A spasm of resistance and rebellion seized and swept over
+her. Why was the spring here with its flowers and its seductive breath
+if he was dead! Why was she here! What further had she to do with life
+and the living!
+
+Octavie had experienced many such moments of despair, but a blessed
+resignation had never failed to follow, and it fell then upon her like a
+mantle and enveloped her.
+
+"I shall grow old and quiet and sad like poor Aunt Tavie," she murmured
+to herself as she folded the letter and replaced it in the secretary.
+Already she gave herself a little demure air like her Aunt Tavie. She
+walked with a slow glide in unconscious imitation of Mademoiselle Tavie
+whom some youthful affliction had robbed of earthly compensation while
+leaving her in possession of youth's illusions.
+
+As she sat in the old cabriolet beside the father of her dead lover,
+again there came to Octavie the terrible sense of loss which had
+assailed her so often before. The soul of her youth clamored for its
+rights; for a share in the world's glory and exultation. She leaned back
+and drew her veil a little closer about her face. It was an old black
+veil of her Aunt Tavie's. A whiff of dust from the road had blown in and
+she wiped her cheeks and her eyes with her soft, white handkerchief,
+a homemade handkerchief, fabricated from one of her old fine muslin
+petticoats.
+
+"Will you do me the favor, Octavie," requested the judge in the
+courteous tone which he never abandoned, "to remove that veil which you
+wear. It seems out of harmony, someway, with the beauty and promise of
+the day."
+
+The young girl obediently yielded to her old companion's wish and
+unpinning the cumbersome, sombre drapery from her bonnet, folded it
+neatly and laid it upon the seat in front of her.
+
+"Ah! that is better; far better!" he said in a tone expressing unbounded
+relief. "Never put it on again, dear." Octavie felt a little hurt; as if
+he wished to debar her from share and parcel in the burden of affliction
+which had been placed upon all of them. Again she drew forth the old
+muslin handkerchief.
+
+They had left the big road and turned into a level plain which had
+formerly been an old meadow. There were clumps of thorn trees here and
+there, gorgeous in their spring radiance. Some cattle were grazing off
+in the distance in spots where the grass was tall and luscious. At the
+far end of the meadow was the towering lilac hedge, skirting the lane
+that led to Judge Pillier's house, and the scent of its heavy blossoms
+met them like a soft and tender embrace of welcome.
+
+As they neared the house the old gentleman placed an arm around the
+girl's shoulders and turning her face up to him he said: "Do you not
+think that on a day like this, miracles might happen? When the whole
+earth is vibrant with life, does it not seem to you, Octavie, that
+heaven might for once relent and give us back our dead?" He spoke very
+low, advisedly, and impressively. In his voice was an old quaver which
+was not habitual and there was agitation in every line of his visage.
+She gazed at him with eyes that were full of supplication and a certain
+terror of joy.
+
+They had been driving through the lane with the towering hedge on one
+side and the open meadow on the other. The horses had somewhat quickened
+their lazy pace. As they turned into the avenue leading to the house, a
+whole choir of feathered songsters fluted a sudden torrent of melodious
+greeting from their leafy hiding places.
+
+Octavie felt as if she had passed into a stage of existence which was
+like a dream, more poignant and real than life. There was the old gray
+house with its sloping eaves. Amid the blur of green, and dimly, she
+saw familiar faces and heard voices as if they came from far across the
+fields, and Edmond was holding her. Her dead Edmond; her living Edmond,
+and she felt the beating of his heart against her and the agonizing
+rapture of his kisses striving to awake her. It was as if the spirit of
+life and the awakening spring had given back the soul to her youth and
+bade her rejoice.
+
+It was many hours later that Octavie drew the locket from her bosom and
+looked at Edmond with a questioning appeal in her glance.
+
+"It was the night before an engagement," he said. "In the hurry of the
+encounter, and the retreat next day, I never missed it till the fight
+was over. I thought of course I had lost it in the heat of the struggle,
+but it was stolen."
+
+"Stolen," she shuddered, and thought of the dead soldier with his face
+uplifted to the sky in an agony of supplication.
+
+Edmond said nothing; but he thought of his messmate; the one who had
+lain far back in the shadow; the one who had said nothing.
+
+
+
+
+
+A REFLECTION
+
+
+Some people are born with a vital and responsive energy. It not only
+enables them to keep abreast of the times; it qualifies them to furnish
+in their own personality a good bit of the motive power to the mad
+pace. They are fortunate beings. They do not need to apprehend the
+significance of things. They do not grow weary nor miss step, nor do
+they fall out of rank and sink by the wayside to be left contemplating
+the moving procession.
+
+Ah! that moving procession that has left me by the road-side! Its
+fantastic colors are more brilliant and beautiful than the sun on the
+undulating waters. What matter if souls and bodies are failing beneath
+the feet of the ever-pressing multitude! It moves with the majestic
+rhythm of the spheres. Its discordant clashes sweep upward in one
+harmonious tone that blends with the music of other worlds--to complete
+God's orchestra.
+
+It is greater than the stars--that moving procession of human energy;
+greater than the palpitating earth and the things growing thereon. Oh!
+I could weep at being left by the wayside; left with the grass and the
+clouds and a few dumb animals. True, I feel at home in the society of
+these symbols of life's immutability. In the procession I should
+feel the crushing feet, the clashing discords, the ruthless hands and
+stifling breath. I could not hear the rhythm of the march.
+
+Salve! ye dumb hearts. Let us be still and wait by the roadside.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Awakening and Selected Short
+Stories, by Kate Chopin
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE AWAKENING AND SELECTED ***
+
+***** This file should be named 160.txt or 160.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/160/
+
+Produced by Judith Boss and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/160.zip b/old/160.zip
new file mode 100644
index 0000000..1b53e2f
--- /dev/null
+++ b/old/160.zip
Binary files differ
diff --git a/old/awakn10.txt b/old/awakn10.txt
new file mode 100644
index 0000000..80fb9b0
--- /dev/null
+++ b/old/awakn10.txt
@@ -0,0 +1,8208 @@
+The Project Gutenberg Etext of Awakening & Selected Short Stories
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+The Awakening and Selected Short Stories
+
+by Kate Chopin
+
+
+August, 1994 [Etext #160]
+
+***The Awakening and Selected Short Stories, by Kate Chopin***
+*****This file should be named awakn10.txt or awakn10.zip*****
+
+Corrected EDITIONS of our etexts get a new NUMBER, awakn11.txt.
+VERSIONS based on separate sources get new LETTER, awakn10a.txt.
+
+
+This etext was created by Judith Boss, Omaha, Nebraska.
+The equipment: an IBM-compatible 486/50, a Hewlett-Packard
+ScanJet IIc flatbed scanner, and a copy of Calera Recognition
+Systems' M/600 Series Professional OCR software and RISC
+accelerator board donated by Calera.
+
+Calera Recognition Systems
+475 Potrero
+Sunnyvale, CA 94086
+1-408-720-8300
+mikel@calera.com Mike Lynch
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing. We
+have this as a goal to accomplish by the end of the year but we
+cannot guarantee to stay that far ahead every month after that.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $4
+million dollars per hour this year as we release some eight text
+files per month: thus upping our productivity from $2 million.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is 10% of the expected number of computer users by the end
+of the year 2001.
+
+We need your donations more than ever!
+
+All donations should be made to "Project Gutenberg/IBC", and are
+tax deductible to the extent allowable by law ("IBC" is Illinois
+Benedictine College). (Subscriptions to our paper newsletter go
+to IBC, too)
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Michael S. Hart, Executive
+Director:
+hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet)
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp mrcnext.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext91
+or cd etext92
+or cd etext93 [for new books] [now also in cd etext/etext93]
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET 0INDEX.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT
+GUTENBERGtm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Illinois Benedictine College (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+pro- cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association / Illinois
+ Benedictine College" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Illinois Benedictine College".
+
+This "Small Print!" by Charles B. Kramer, Attorney
+Internet (72600.2026@compuserve.com); TEL: (212-254-5093)
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+The Awakening
+and Selected
+Short Stories
+by Kate Chopin
+
+With an Introduction by
+Marilynne Robinson
+
+
+
+THE AWAKENING
+
+
+
+
+I
+
+
+
+A green and yellow parrot, which hung in a cage outside the
+door, kept repeating over and over:
+
+"Allez vous-en! Allez vous-en! Sapristi! That's all right!"
+
+He could speak a little Spanish, and also a language which
+nobody understood, unless it was the mocking-bird that hung on the
+other side of the door, whistling his fluty notes out upon the
+breeze with maddening persistence.
+
+Mr. Pontellier, unable to read his newspaper with any degree
+of comfort, arose with an expression and an exclamation of disgust.
+
+He walked down the gallery and across the narrow "bridges" which
+connected the Lebrun cottages one with the other. He had been
+seated before the door of the main house. The parrot and the
+mockingbird were the property of Madame Lebrun, and they had the
+right to make all the noise they wished. Mr. Pontellier had the
+privilege of quitting their society when they ceased to be
+entertaining.
+
+He stopped before the door of his own cottage, which was the
+fourth one from the main building and next to the last. Seating
+himself in a wicker rocker which was there, he once more applied
+himself to the task of reading the newspaper. The day was Sunday;
+the paper was a day old. The Sunday papers had not yet reached
+Grand Isle. He was already acquainted with the market reports,
+and he glanced restlessly over the editorials and bits of news which
+he had not had time to read before quitting New Orleans the day before.
+
+Mr. Pontellier wore eye-glasses. He was a man of forty, of
+medium height and rather slender build; he stooped a little. His
+hair was brown and straight, parted on one side. His beard was
+neatly and closely trimmed.
+
+Once in a while he withdrew his glance from the newspaper and
+looked about him. There was more noise than ever over at the
+house. The main building was called "the house," to distinguish it
+from the cottages. The chattering and whistling birds were still
+at it. Two young girls, the Farival twins, were playing a duet
+from "Zampa" upon the piano. Madame Lebrun was bustling in and
+out, giving orders in a high key to a yard-boy whenever she got
+inside the house, and directions in an equally high voice to a
+dining-room servant whenever she got outside. She was a fresh,
+pretty woman, clad always in white with elbow sleeves. Her
+starched skirts crinkled as she came and went. Farther down,
+before one of the cottages, a lady in black was walking demurely up
+and down, telling her beads. A good many persons of the pension
+had gone over to the Cheniere Caminada in Beaudelet's
+lugger to hear mass. Some young people were out under the
+wateroaks playing croquet. Mr. Pontellier's two children were there
+sturdy little fellows of four and five. A quadroon nurse followed
+them about with a faraway, meditative air.
+
+Mr. Pontellier finally lit a cigar and began to smoke, letting
+the paper drag idly from his hand. He fixed his gaze upon a white
+sunshade that was advancing at snail's pace from the beach. He
+could see it plainly between the gaunt trunks of the water-oaks and
+across the stretch of yellow camomile. The gulf looked far away,
+melting hazily into the blue of the horizon. The sunshade
+continued to approach slowly. Beneath its pink-lined shelter were
+his wife, Mrs. Pontellier, and young Robert Lebrun. When they
+reached the cottage, the two seated themselves with some appearance
+of fatigue upon the upper step of the porch, facing each other,
+each leaning against a supporting post.
+
+"What folly! to bathe at such an hour in such heat!" exclaimed
+Mr. Pontellier. He himself had taken a plunge at daylight. That
+was why the morning seemed long to him.
+
+"You are burnt beyond recognition," he added, looking at his
+wife as one looks at a valuable piece of personal property which
+has suffered some damage. She held up her hands, strong, shapely
+hands, and surveyed them critically, drawing up her fawn sleeves
+above the wrists. Looking at them reminded her of her rings, which
+she had given to her husband before leaving for the beach. She
+silently reached out to him, and he, understanding, took the rings
+from his vest pocket and dropped them into her open palm. She
+slipped them upon her fingers; then clasping her knees, she looked
+across at Robert and began to laugh. The rings sparkled upon her
+fingers. He sent back an answering smile.
+
+"What is it?" asked Pontellier, looking lazily and amused from
+one to the other. It was some utter nonsense; some adventure out
+there in the water, and they both tried to relate it at once. It
+did not seem half so amusing when told. They realized this, and so
+did Mr. Pontellier. He yawned and stretched himself. Then he got
+up, saying he had half a mind to go over to Klein's hotel and play
+a game of billiards.
+
+"Come go along, Lebrun," he proposed to Robert. But Robert
+admitted quite frankly that he preferred to stay where he was and
+talk to Mrs. Pontellier.
+
+"Well, send him about his business when he bores you, Edna,"
+instructed her husband as he prepared to leave.
+
+"Here, take the umbrella," she exclaimed, holding it out to
+him. He accepted the sunshade, and lifting it over his head
+descended the steps and walked away.
+
+"Coming back to dinner?" his wife called after him. He halted
+a moment and shrugged his shoulders. He felt in his vest pocket;
+there was a ten-dollar bill there. He did not know; perhaps he
+would return for the early dinner and perhaps he would not.
+It all depended upon the company which he found over at Klein's
+and the size of "the game." He did not say this, but she understood it,
+and laughed, nodding good-by to him.
+
+Both children wanted to follow their father when they saw him
+starting out. He kissed them and promised to bring them back
+bonbons and peanuts.
+
+
+
+
+II
+
+
+
+Mrs. Pontellier's eyes were quick and bright; they were a
+yellowish brown, about the color of her hair. She had a way of
+turning them swiftly upon an object and holding them there as if
+lost in some inward maze of contemplation or thought.
+
+Her eyebrows were a shade darker than her hair. They were
+thick and almost horizontal, emphasizing the depth of her eyes.
+She was rather handsome than beautiful. Her face was captivating
+by reason of a certain frankness of expression and a contradictory
+subtle play of features. Her manner was engaging.
+
+Robert rolled a cigarette. He smoked cigarettes because he
+could not afford cigars, he said. He had a cigar in his pocket
+which Mr. Pontellier had presented him with, and he was saving it
+for his after-dinner smoke.
+
+This seemed quite proper and natural on his part. In coloring
+he was not unlike his companion. A clean-shaved face made the
+resemblance more pronounced than it would otherwise have been.
+There rested no shadow of care upon his open countenance. His eyes
+gathered in and reflected the light and languor of the summer day.
+
+Mrs. Pontellier reached over for a palm-leaf fan that lay on
+the porch and began to fan herself, while Robert sent between his
+lips light puffs from his cigarette. They chatted incessantly:
+about the things around them; their amusing adventure out in the
+water-it had again assumed its entertaining aspect; about the wind, the trees,
+the people who had gone to the Cheniere; about the children playing croquet
+under the oaks, and the Farival twins, who were now performing the overture
+to "The Poet and the Peasant."
+
+Robert talked a good deal about himself. He was very young,
+and did not know any better. Mrs. Pontellier talked a little about
+herself for the same reason. Each was interested in what the other
+said. Robert spoke of his intention to go to Mexico in the autumn,
+where fortune awaited him. He was always intending to go to
+Mexico, but some way never got there. Meanwhile he held on to his
+modest position in a mercantile house in New Orleans, where an
+equal familiarity with English, French and Spanish gave him no
+small value as a clerk and correspondent.
+
+He was spending his summer vacation, as he always did, with
+his mother at Grand Isle. In former times, before Robert could
+remember, "the house" had been a summer luxury of the Lebruns.
+Now, flanked by its dozen or more cottages, which were always
+filled with exclusive visitors from the "Quartier Francais,"
+it enabled Madame Lebrun to maintain the easy and comfortable
+existence which appeared to be her birthright.
+
+Mrs. Pontellier talked about her father's Mississippi
+plantation and her girlhood home in the old Kentucky bluegrass
+country. She was an American woman, with a small infusion of
+French which seemed to have been lost in dilution. She read a
+letter from her sister, who was away in the East, and who had
+engaged herself to be married. Robert was interested, and wanted
+to know what manner of girls the sisters were, what the father was
+like, and how long the mother had been dead.
+
+When Mrs. Pontellier folded the letter it was time for her to
+dress for the early dinner.
+
+"I see Leonce isn't coming back," she said, with a glance in
+the direction whence her husband had disappeared. Robert supposed
+he was not, as there were a good many New Orleans club men over at Klein's.
+
+When Mrs. Pontellier left him to enter her room, the young man
+descended the steps and strolled over toward the croquet players,
+where, during the half-hour before dinner, he amused himself with
+the little Pontellier children, who were very fond of him.
+
+
+
+
+III
+
+
+
+It was eleven o'clock that night when Mr. Pontellier returned
+from Klein's hotel. He was in an excellent humor, in high spirits,
+and very talkative. His entrance awoke his wife, who was in bed
+and fast asleep when he came in. He talked to her while he
+undressed, telling her anecdotes and bits of news and gossip that
+he had gathered during the day. From his trousers pockets he took
+a fistful of crumpled bank notes and a good deal of silver coin,
+which he piled on the bureau indiscriminately with keys, knife,
+handkerchief, and whatever else happened to be in his pockets. She
+was overcome with sleep, and answered him with little half
+utterances.
+
+He thought it very discouraging that his wife, who was the
+sole object of his existence, evinced so little interest in things
+which concerned him, and valued so little his conversation.
+
+Mr. Pontellier had forgotten the bonbons and peanuts for the
+boys. Notwithstanding he loved them very much, and went into the
+adjoining room where they slept to take a look at them and make
+sure that they were resting comfortably. The result of his
+investigation was far from satisfactory. He turned and shifted the
+youngsters about in bed. One of them began to kick and talk about
+a basket full of crabs.
+
+
+
+Mr. Pontellier returned to his wife with the information that
+Raoul had a high fever and needed looking after. Then he lit a
+cigar and went and sat near the open door
+to smoke it.
+
+Mrs. Pontellier was quite sure Raoul had no fever. He had
+gone to bed perfectly well, she said, and nothing had ailed him all
+day. Mr. Pontellier was too well acquainted with fever symptoms to
+be mistaken. He assured her the child was consuming at that moment
+in the next room.
+
+He reproached his wife with her inattention, her habitual
+neglect of the children. If it was not a mother's place to look
+after children, whose on earth was it? He himself had his hands
+full with his brokerage business. He could not be in two places at
+once; making a living for his family on the street, and staying at
+home to see that no harm befell them. He talked in a monotonous,
+insistent way.
+
+Mrs. Pontellier sprang out of bed and went into the next room.
+She soon came back and sat on the edge of the bed, leaning her head
+down on the pillow. She said nothing, and refused to answer her
+husband when he questioned her. When his cigar was smoked out he
+went to bed, and in half a minute he was fast asleep.
+
+Mrs. Pontellier was by that time thoroughly awake. She began
+to cry a little, and wiped her eyes on the sleeve of her peignoir.
+Blowing out the candle, which her husband had left burning,
+she slipped her bare feet into a pair of satin mules
+at the foot of the bed and went out on the porch, where she sat
+down in the wicker chair and began to rock gently to and fro.
+
+It was then past midnight. The cottages were all dark.
+A single faint light gleamed out from the hallway of the house.
+There was no sound abroad except the hooting of an old owl in the
+top of a water-oak, and the everlasting voice of the sea, that was
+not uplifted at that soft hour. It broke like a mournful lullaby
+upon the night.
+
+The tears came so fast to Mrs. Pontellier's eyes that the
+damp sleeve of her peignoir no longer served to dry them.
+She was holding the back of her chair with one hand; her loose sleeve
+had slipped almost to the shoulder of her uplifted arm. Turning,
+she thrust her face, steaming and wet, into the bend of her arm,
+and she went on crying there, not caring any longer to dry her face,
+her eyes, her arms. She could not have told why she was crying.
+Such experiences as the foregoing were not uncommon in her married life.
+They seemed never before to have weighed much against the abundance
+of her husband's kindness and a uniform devotion which had come to
+be tacit and self-understood.
+
+An indescribable oppression, which seemed to generate in some
+unfamiliar part of her consciousness, filled her whole being with
+a vague anguish. It was like a shadow, like a mist passing across
+her soul's summer day. It was strange and unfamiliar; it was a
+mood. She did not sit there inwardly upbraiding her husband,
+lamenting at Fate, which had directed her footsteps to the path
+which they had taken. She was just having a good cry all to
+herself. The mosquitoes made merry over her, biting her firm,
+round arms and nipping at her bare insteps.
+
+The little stinging, buzzing imps succeeded in dispelling a
+mood which might have held her there in the darkness half a night
+longer.
+
+The following morning Mr. Pontellier was up in good time to
+take the rockaway which was to convey him to the steamer at the
+wharf. He was returning to the city to his business, and they
+would not see him again at the Island till the coming Saturday. He
+had regained his composure, which seemed to have been somewhat
+impaired the night before. He was eager to be gone, as he looked
+forward to a lively week in Carondelet Street.
+
+Mr. Pontellier gave his wife half of the money which he had
+brought away from Klein's hotel the evening before. She liked
+money as well as most women, and, accepted it with no little
+satisfaction.
+
+"It will buy a handsome wedding present for Sister Janet!" she
+exclaimed, smoothing out the bills as she counted them one by one.
+
+"Oh! we'll treat Sister Janet better than that, my dear," he
+laughed, as he prepared to kiss her good-by.
+
+The boys were tumbling about, clinging to his legs, imploring
+that numerous things be brought back to them. Mr. Pontellier was
+a great favorite, and ladies, men, children, even nurses, were
+always on hand to say goodby to him. His wife stood smiling and
+waving, the boys shouting, as he disappeared in the old rockaway
+down the sandy road.
+
+A few days later a box arrived for Mrs. Pontellier from
+New Orleans. It was from her husband. It was filled with
+friandises, with luscious and toothsome bits--the finest of
+fruits, pates, a rare bottle or two, delicious syrups, and
+bonbons in abundance.
+
+Mrs. Pontellier was always very generous with the contents of
+such a box; she was quite used to receiving them when away from
+home. The pates and fruit were brought to the dining-room; the
+bonbons were passed around. And the ladies, selecting with dainty
+and discriminating fingers and a little greedily, all declared that
+Mr. Pontellier was the best husband in the world. Mrs. Pontellier
+was forced to admit that she knew of none better.
+
+
+
+
+IV
+
+
+
+It would have been a difficult matter for Mr. Pontellier to
+define to his own satisfaction or any one else's wherein his wife
+failed in her duty toward their children. It was something which
+he felt rather than perceived, and he never voiced the feeling
+without subsequent regret and ample atonement.
+
+If one of the little Pontellier boys took a tumble whilst at
+play, he was not apt to rush crying to his mother's arms for comfort;
+he would more likely pick himself up, wipe the water out of his eves
+and the sand out of his mouth, and go on playing. Tots as they were,
+they pulled together and stood their ground in childish battles with
+doubled fists and uplifted voices, which usually prevailed against
+the other mother-tots. The quadroon nurse was looked upon as a
+huge encumbrance, only good to button up waists and panties
+and to brush and part hair; since it seemed to be a law of society
+that hair must be parted and brushed.
+
+In short, Mrs. Pontellier was not a mother-woman. The
+motherwomen seemed to prevail that summer at Grand Isle. It was easy to
+know them, fluttering about with extended, protecting wings when
+any harm, real or imaginary, threatened their precious brood. They
+were women who idolized their children, worshiped their husbands,
+and esteemed it a holy privilege to efface themselves as
+individuals and grow wings as ministering angels.
+
+Many of them were delicious in the role; one of them was the
+embodiment of every womanly grace and charm. If her husband did
+not adore her, he was a brute, deserving of death by slow torture.
+Her name was Adele Ratignolle. There are no words to describe her
+save the old ones that have served so often to picture the bygone
+heroine of romance and the fair lady of our dreams. There was
+nothing subtle or hidden about her charms; her beauty was all
+there, flaming and apparent: the spun-gold hair that comb nor
+confining pin could restrain; the blue eyes that were like nothing
+but sapphires; two lips that pouted, that were so red one could
+only think of cherries or some other delicious crimson fruit in
+looking at them. She was growing a little stout, but it did not
+seem to detract an iota from the grace of every step, pose,
+gesture. One would not have wanted her white neck a mite less full
+or her beautiful arms more slender. Never were hands more
+exquisite than hers, and it was a joy to look at them when she
+threaded her needle or adjusted her gold thimble to her taper
+middle finger as she sewed away on the little night-drawers
+or fashioned a bodice or a bib.
+
+Madame Ratignolle was very fond of Mrs. Pontellier, and often
+she took her sewing and went over to sit with her in the afternoons.
+She was sitting there the afternoon of the day the box arrived from
+New Orleans. She had possession of the rocker, and she was busily
+engaged in sewing upon a diminutive pair of night-drawers.
+
+She had brought the pattern of the drawers for Mrs. Pontellier
+to cut out--a marvel of construction, fashioned to enclose a baby's
+body so effectually that only two small eyes might look out from
+the garment, like an Eskimo's. They were designed for winter wear,
+when treacherous drafts came down chimneys and insidious currents
+of deadly cold found their way through key-holes.
+
+Mrs. Pontellier's mind was quite at rest concerning the
+present material needs of her children, and she could not see the
+use of anticipating and making winter night garments the subject of
+her summer meditations. But she did not want to appear unamiable
+and uninterested, so she had brought forth newspapers, which she
+spread upon the floor of the gallery, and under Madame Ratignolle's
+directions she had cut a pattern of the impervious garment.
+
+Robert was there, seated as he had been the Sunday before, and
+Mrs. Pontellier also occupied her former position on the upper
+step, leaning listlessly against the post. Beside her was a box of
+bonbons, which she held out at intervals to Madame Ratignolle.
+
+That lady seemed at a loss to make a selection, but finally
+settled upon a stick of nougat, wondering if it were not too rich;
+whether it could possibly hurt her. Madame Ratignolle had been
+married seven years. About every two years she had a baby. At
+that time she had three babies, and was beginning to think of a
+fourth one. She was always talking about her "condition." Her
+"condition" was in no way apparent, and no one would have known a
+thing about it but for her persistence in making it the subject of
+conversation.
+
+Robert started to reassure her, asserting that he had known a
+lady who had subsisted upon nougat during the entire--but seeing
+the color mount into Mrs. Pontellier's face he checked himself and
+changed the subject.
+
+Mrs. Pontellier, though she had married a Creole, was not
+thoroughly at home in the society of Creoles; never before had she
+been thrown so intimately among them. There were only Creoles that
+summer at Lebrun's. They all knew each other, and felt like one
+large family, among whom existed the most amicable relations. A
+characteristic which distinguished them and which impressed Mrs.
+Pontellier most forcibly was their entire absence of prudery.
+Their freedom of expression was at first incomprehensible to her,
+though she had no difficulty in reconciling it with a lofty
+chastity which in the Creole woman seems to be inborn and
+unmistakable.
+
+Never would Edna Pontellier forget the shock with which she
+heard Madame Ratignolle relating to old Monsieur Farival the
+harrowing story of one of her accouchements, withholding no
+intimate detail. She was growing accustomed to like shocks, but
+she could not keep the mounting color back from her cheeks.
+Oftener than once her coming had interrupted the droll story with
+which Robert was entertaining some amused group of married women.
+
+A book had gone the rounds of the pension. When it came
+her turn to read it, she did so with profound astonishment. She
+felt moved to read the book in secret and solitude, though none of
+the others had done so,--to hide it from view at the sound of
+approaching footsteps. It was openly criticised and freely
+discussed at table. Mrs. Pontellier gave over being astonished,
+and concluded that wonders would never cease.
+
+
+
+
+V
+
+
+
+They formed a congenial group sitting there that summer
+afternoon--Madame Ratignolle sewing away, often stopping to relate
+a story or incident with much expressive gesture of her perfect
+hands; Robert and Mrs. Pontellier sitting idle, exchanging
+occasional words, glances or smiles which indicated a certain
+advanced stage of intimacy and camaraderie.
+
+He had lived in her shadow during the past month. No one
+thought anything of it. Many had predicted that Robert would
+devote himself to Mrs. Pontellier when he arrived. Since the age
+of fifteen, which was eleven years before, Robert each summer at
+Grand Isle had constituted himself the devoted attendant of some
+fair dame or damsel. Sometimes it was a young girl, again a widow;
+but as often as not it was some interesting married woman.
+
+For two consecutive seasons he lived in the sunlight of
+Mademoiselle Duvigne's presence. But she died between summers;
+then Robert posed as an inconsolable, prostrating himself at the
+feet of Madame Ratignolle for whatever crumbs of sympathy and
+comfort she might be pleased to vouchsafe.
+
+Mrs. Pontellier liked to sit and gaze at her fair companion as
+she might look upon a faultless Madonna.
+
+"Could any one fathom the cruelty beneath that fair exterior?"
+murmured Robert. "She knew that I adored her once, and she let me
+adore her. It was `Robert, come; go; stand up; sit down; do this;
+do that; see if the baby sleeps; my thimble, please, that I left
+God knows where. Come and read Daudet to me while I sew.'"
+
+"Par exemple! I never had to ask. You were always there
+under my feet, like a troublesome cat."
+
+"You mean like an adoring dog. And just as soon as Ratignolle
+appeared on the scene, then it WAS like a dog. `Passez! Adieu!
+Allez vous-en!'"
+
+"Perhaps I feared to make Alphonse jealous," she interjoined, with
+excessive naivete. That made them all laugh. The right hand
+jealous of the left! The heart jealous of the soul! But for that
+matter, the Creole husband is never jealous; with him the gangrene
+passion is one which has become dwarfed by disuse.
+
+Meanwhile Robert, addressing Mrs Pontellier, continued to tell
+of his one time hopeless passion for Madame Ratignolle; of
+sleepless nights, of consuming flames till the very sea sizzled
+when he took his daily plunge. While the lady at the needle kept
+up a little running, contemptuous comment:
+
+"Blagueur--farceur--gros bete, va!"
+
+He never assumed this seriocomic tone when alone with Mrs.
+Pontellier. She never knew precisely what to make of it; at that
+moment it was impossible for her to guess how much of it was jest
+and what proportion was earnest. It was understood that he had
+often spoken words of love to Madame Ratignolle, without any
+thought of being taken seriously. Mrs. Pontellier was glad he had
+not assumed a similar role toward herself. It would have been
+unacceptable and annoying.
+
+Mrs. Pontellier had brought her sketching materials, which she
+sometimes dabbled with in an unprofessional way. She liked the
+dabbling. She felt in it satisfaction of a kind which no other
+employment afforded her.
+
+She had long wished to try herself on Madame Ratignolle.
+Never had that lady seemed a more tempting subject than at that
+moment, seated there like some sensuous Madonna, with the gleam of
+the fading day enriching her splendid color.
+
+Robert crossed over and seated himself upon the step below
+Mrs. Pontellier, that he might watch her work. She handled her
+brushes with a certain ease and freedom which came, not from long
+and close acquaintance with them, but from a natural aptitude.
+Robert followed her work with close attention, giving forth little
+ejaculatory expressions of appreciation in French, which he addressed to
+Madame Ratignolle.
+
+"Mais ce n'est pas mal! Elle s'y connait, elle a de la force, oui."
+
+During his oblivious attention he once quietly rested his head
+against Mrs. Pontellier's arm. As gently she repulsed him. Once
+again he repeated the offense. She could not but believe it to be
+thoughtlessness on his part; yet that was no reason she should
+submit to it. She did not remonstrate, except again to repulse him
+quietly but firmly. He offered no apology.
+ The picture completed bore no resemblance to Madame Ratignolle.
+She was greatly disappointed to find that it did not look like her.
+But it was a fair enough piece of work, and in many respects
+satisfying.
+
+Mrs. Pontellier evidently did not think so. After surveying
+the sketch critically she drew a broad smudge of paint across its
+surface, and crumpled the paper between her hands.
+
+The youngsters came tumbling up the steps, the quadroon
+following at the respectful distance which they required her to
+observe. Mrs. Pontellier made them carry her paints and things
+into the house. She sought to detain them for a little talk and
+some pleasantry. But they were greatly in earnest. They had only
+come to investigate the contents of the bonbon box. They accepted
+without murmuring what she chose to give them, each holding out two
+chubby hands scoop-like, in the vain hope that they might be
+filled; and then away they went.
+
+The sun was low in the west, and the breeze soft and
+languorous that came up from the south, charged with the seductive
+odor of the sea. Children freshly befurbelowed, were gathering for
+their games under the oaks. Their voices were high and
+penetrating.
+
+Madame Ratignolle folded her sewing, placing thimble,
+scissors, and thread all neatly together in the roll, which she
+pinned securely. She complained of faintness. Mrs. Pontellier
+flew for the cologne water and a fan. She bathed Madame Ratignolle's
+face with cologne, while Robert plied the fan with unnecessary vigor.
+
+The spell was soon over, and Mrs. Pontellier could not help
+wondering if there were not a little imagination responsible for
+its origin, for the rose tint had never faded from her friend's face.
+
+She stood watching the fair woman walk down the long line of
+galleries with the grace and majesty which queens are sometimes
+supposed to possess. Her little ones ran to meet her. Two of them
+clung about her white skirts, the third she took from its nurse and
+with a thousand endearments bore it along in her own fond,
+encircling arms. Though, as everybody well knew, the doctor had
+forbidden her to lift so much as a pin!
+
+"Are you going bathing?" asked Robert of Mrs. Pontellier. It
+was not so much a question as a reminder.
+
+"Oh, no," she answered, with a tone of indecision. "I'm
+tired; I think not." Her glance wandered from his face away toward
+the Gulf, whose sonorous murmur reached her like a loving but
+imperative entreaty.
+
+"Oh, come!" he insisted. "You mustn't miss your bath. Come
+on. The water must be delicious; it will not hurt you. Come."
+
+He reached up for her big, rough straw hat that hung on a peg
+outside the door, and put it on her head. They descended the
+steps, and walked away together toward the beach. The sun was low
+in the west and the breeze was soft and warm.
+
+
+
+
+VI
+
+
+
+Edna Pontellier could not have told why, wishing to go to the
+beach with Robert, she should in the first place have declined, and
+in the second place have followed in obedience to one of the two
+contradictory impulses which impelled her.
+
+A certain light was beginning to dawn dimly within her,--the
+light which, showing the way, forbids it.
+
+At that early period it served but to bewilder her. It moved
+her to dreams, to thoughtfulness, to the shadowy anguish which had
+overcome her the midnight when she had abandoned herself to tears.
+
+In short, Mrs. Pontellier was beginning to realize her
+position in the universe as a human being, and to recognize her
+relations as an individual to the world within and about her. This
+may seem like a ponderous weight of wisdom to descend upon the soul
+of a young woman of twenty-eight--perhaps more wisdom than the Holy
+Ghost is usually pleased to vouchsafe to any woman.
+
+But the beginning of things, of a world especially, is
+necessarily vague, tangled, chaotic, and exceedingly disturbing.
+How few of us ever emerge from such beginning! How many souls
+perish in its tumult!
+
+The voice of the sea is seductive; never ceasing, whispering,
+clamoring, murmuring, inviting the soul to wander for a spell in
+abysses of solitude; to lose itself in mazes of inward
+contemplation.
+
+The voice of the sea speaks to the soul. The touch of the sea
+is sensuous, enfolding the body in its soft, close embrace.
+
+
+
+
+
+VII
+
+
+
+Mrs. Pontellier was not a woman given to confidences, a
+characteristic hitherto contrary to her nature. Even as a child
+she had lived her own small life all within herself. At a very
+early period she had apprehended instinctively the dual life--that
+outward existence which conforms, the inward life which questions.
+
+That summer at Grand Isle she began to loosen a little the
+mantle of reserve that had always enveloped her. There may have
+been--there must have been--influences, both subtle and apparent,
+working in their several ways to induce her to do this; but the
+most obvious was the influence of Adele Ratignolle. The excessive
+physical charm of the Creole had first attracted her, for Edna had
+a sensuous susceptibility to beauty. Then the candor of the
+woman's whole existence, which every one might read, and which
+formed so striking a contrast to her own habitual reserve--this
+might have furnished a link. Who can tell what metals the gods use
+in forging the subtle bond which we call sympathy, which we might
+as well call love.
+
+The two women went away one morning to the beach together,
+arm in arm, under the huge white sunshade. Edna had prevailed upon
+Madame Ratignolle to leave the children behind, though she could
+not induce her to relinquish a diminutive roll of needlework, which
+Adele begged to be allowed to slip into the depths of her pocket.
+In some unaccountable way they had escaped from Robert.
+
+The walk to the beach was no inconsiderable one, consisting as
+it did of a long, sandy path, upon which a sporadic and tangled growth
+that bordered it on either side made frequent and unexpected inroads.
+There were acres of yellow camomile reaching out on either hand.
+Further away still, vegetable gardens abounded, with frequent
+small plantations of orange or lemon trees intervening.
+The dark green clusters glistened from afar in the sun.
+
+The women were both of goodly height, Madame Ratignolle
+possessing the more feminine and matronly figure. The charm of
+Edna Pontellier's physique stole insensibly upon you. The lines of
+her body were long, clean and symmetrical; it was a body which
+occasionally fell into splendid poses; there was no suggestion of
+the trim, stereotyped fashion-plate about it. A casual and
+indiscriminating observer, in passing, might not cast a second
+glance upon the figure. But with more feeling and discernment he
+would have recognized the noble beauty of its modeling, and the
+graceful severity of poise and movement, which made Edna Pontellier
+different from the crowd.
+
+She wore a cool muslin that morning--white, with a waving
+vertical line of brown running through it; also a white linen
+collar and the big straw hat which she had taken from the peg
+outside the door. The hat rested any way on her yellow-brown hair,
+that waved a little, was heavy, and clung close to her head.
+
+Madame Ratignolle, more careful of her complexion, had twined
+a gauze veil about her head. She wore dogskin gloves, with
+gauntlets that protected her wrists. She was dressed in pure
+white, with a fluffiness of ruffles that became her. The draperies
+and fluttering things which she wore suited her rich, luxuriant
+beauty as a greater severity of line could not have done.
+
+There were a number of bath-houses along the beach, of rough
+but solid construction, built with small, protecting galleries
+facing the water. Each house consisted of two compartments, and
+each family at Lebrun's possessed a compartment for itself, fitted
+out with all the essential paraphernalia of the bath and whatever
+other conveniences the owners might desire. The two women had no
+intention of bathing; they had just strolled down to the beach for
+a walk and to be alone and near the water. The Pontellier and
+Ratignolle compartments adjoined one another under the same roof.
+
+Mrs. Pontellier had brought down her key through force of
+habit. Unlocking the door of her bath-room she went inside, and
+soon emerged, bringing a rug, which she spread upon the floor of
+the gallery, and two huge hair pillows covered with crash, which
+she placed against the front of the building.
+
+The two seated themselves there in the shade of the porch,
+side by side, with their backs against the pillows and their feet
+extended. Madame Ratignolle removed her veil, wiped her face with
+a rather delicate handkerchief, and fanned herself with the fan
+which she always carried suspended somewhere about her person by a
+long, narrow ribbon. Edna removed her collar and opened her dress
+at the throat. She took the fan from Madame Ratignolle and began
+to fan both herself and her companion. It was very warm, and for
+a while they did nothing but exchange remarks about the heat, the
+sun, the glare. But there was a breeze blowing, a choppy, stiff
+wind that whipped the water into froth. It fluttered the skirts of
+the two women and kept them for a while engaged in adjusting,
+readjusting, tucking in, securing hair-pins and hat-pins. A few
+persons were sporting some distance away in the water. The beach
+was very still of human sound at that hour. The lady in black was
+reading her morning devotions on the porch of a neighboring
+bathhouse. Two young lovers were exchanging their hearts' yearnings
+beneath the children's tent, which they had found unoccupied.
+
+Edna Pontellier, casting her eyes about, had finally kept them
+at rest upon the sea. The day was clear and carried the gaze out
+as far as the blue sky went; there were a few white clouds
+suspended idly over the horizon. A lateen sail was visible in the
+direction of Cat Island, and others to the south seemed almost
+motionless in the far distance.
+
+"Of whom--of what are you thinking?" asked Adele of her
+companion, whose countenance she had been watching with a little
+amused attention, arrested by the absorbed expression which seemed
+to have seized and fixed every feature into a statuesque repose.
+
+"Nothing," returned Mrs. Pontellier, with a start, adding at
+once: "How stupid! But it seems to me it is the reply we make
+instinctively to such a question. Let me see," she went on,
+throwing back her head and narrowing her fine eyes till they shone
+like two vivid points of light. "Let me see. I was really not
+conscious of thinking of anything; but perhaps I can retrace my
+thoughts."
+
+"Oh! never mind!" laughed Madame Ratignolle. "I am not quite
+so exacting. I will let you off this time. It is really too hot
+to think, especially to think about thinking."
+
+"But for the fun of it," persisted Edna. "First of all, the
+sight of the water stretching so far away, those motionless sails
+against the blue sky, made a delicious picture that I just wanted
+to sit and look at. The hot wind beating in my face made me
+think--without any connection that I can trace of a summer day in
+Kentucky, of a meadow that seemed as big as the ocean to the very
+little girl walking through the grass, which was higher than her
+waist. She threw out her arms as if swimming when she walked,
+beating the tall grass as one strikes out in the water. Oh, I see
+the connection now!"
+
+"Where were you going that day in Kentucky, walking through
+the grass?"
+
+"I don't remember now. I was just walking diagonally across
+a big field. My sun-bonnet obstructed the view. I could see only
+the stretch of green before me, and I felt as if I must walk on
+forever, without coming to the end of it. I don't remember whether
+I was frightened or pleased. I must have been entertained.
+
+"Likely as not it was Sunday," she laughed; "and I was running
+away from prayers, from the Presbyterian service, read in a spirit
+of gloom by my father that chills me yet to think of."
+
+"And have you been running away from prayers ever since, ma
+chere?" asked Madame Ratignolle, amused.
+
+"No! oh, no!" Edna hastened to say. "I was a little
+unthinking child in those days, just following a misleading impulse
+without question. On the contrary, during one period of my life
+religion took a firm hold upon me; after I was twelve and
+until-until--why, I suppose until now, though I never thought much about
+it--just driven along by habit. But do you know," she broke off,
+turning her quick eyes upon Madame Ratignolle and leaning forward
+a little so as to bring her face quite close to that of her companion,
+"sometimes I feel this summer as if I were walking through the green
+meadow again; idly, aimlessly, unthinking and unguided."
+
+Madame Ratignolle laid her hand over that of Mrs. Pontellier,
+which was near her. Seeing that the hand was not withdrawn, she
+clasped it firmly and warmly. She even stroked it a little, fondly,
+with the other hand, murmuring in an undertone, "Pauvre cherie."
+
+The action was at first a little confusing to Edna, but she
+soon lent herself readily to the Creole's gentle caress. She was
+not accustomed to an outward and spoken expression of affection,
+either in herself or in others. She and her younger sister, Janet,
+had quarreled a good deal through force of unfortunate habit. Her
+older sister, Margaret, was matronly and dignified, probably from
+having assumed matronly and housewifely responsibilities too early
+in life, their mother having died when they were quite young,
+Margaret was not effusive; she was practical. Edna had had an
+occasional girl friend, but whether accidentally or not, they
+seemed to have been all of one type--the self-contained. She never
+realized that the reserve of her own character had much, perhaps
+everything, to do with this. Her most intimate friend at school
+had been one of rather exceptional intellectual gifts, who wrote
+fine-sounding essays, which Edna admired and strove to imitate; and
+with her she talked and glowed over the English classics, and
+sometimes held religious and political controversies.
+
+Edna often wondered at one propensity which sometimes had
+inwardly disturbed her without causing any outward show or
+manifestation on her part. At a very early age--perhaps it was
+when she traversed the ocean of waving grass--she remembered that
+she had been passionately enamored of a dignified and sad-eyed
+cavalry officer who visited her father in Kentucky. She could not
+leave his presence when he was there, nor remove her eyes from his face,
+which was something like Napoleon's, with a lock of black hair failing
+across the forehead. But the cavalry officer melted imperceptibly out
+of her existence.
+
+At another time her affections were deeply engaged by a young
+gentleman who visited a lady on a neighboring plantation. It was
+after they went to Mississippi to live. The young man was engaged
+to be married to the young lady, and they sometimes called upon
+Margaret, driving over of afternoons in a buggy. Edna was a little
+miss, just merging into her teens; and the realization that she
+herself was nothing, nothing, nothing to the engaged young man was
+a bitter affliction to her. But he, too, went the way of dreams.
+
+She was a grown young woman when she was overtaken by what she
+supposed to be the climax of her fate. It was when the face and
+figure of a great tragedian began to haunt her imagination and stir
+her senses. The persistence of the infatuation lent it an aspect
+of genuineness. The hopelessness of it colored it with the lofty
+tones of a great passion.
+
+The picture of the tragedian stood enframed upon her desk.
+Any one may possess the portrait of a tragedian without exciting
+suspicion or comment. (This was a sinister reflection which she
+cherished.) In the presence of others she expressed admiration for
+his exalted gifts, as she handed the photograph around and dwelt
+upon the fidelity of the likeness. When alone she sometimes picked
+it up and kissed the cold glass passionately.
+
+Her marriage to Leonce Pontellier was purely an accident, in
+this respect resembling many other marriages which masquerade as
+the decrees of Fate. It was in the midst of her secret great
+passion that she met him. He fell in love, as men are in the habit
+of doing, and pressed his suit with an earnestness and an ardor which
+left nothing to be desired. He pleased her; his absolute devotion
+flattered her. She fancied there was a sympathy of thought and taste
+between them, in which fancy she was mistaken. Add to this the violent
+opposition of her father and her sister Margaret to her marriage with
+a Catholic, and we need seek no further for the motives which led her
+to accept Monsieur Pontellier. for her husband.
+
+The acme of bliss, which would have been a marriage with the
+tragedian, was not for her in this world. As the devoted wife of
+a man who worshiped her, she felt she would take her place with a
+certain dignity in the world of reality, closing the portals
+forever behind her upon the realm of romance and dreams.
+
+But it was not long before the tragedian had gone to join the
+cavalry officer and the engaged young man and a few others; and
+Edna found herself face to face with the realities. She grew fond
+of her husband, realizing with some unaccountable satisfaction that
+no trace of passion or excessive and fictitious warmth colored her
+affection, thereby threatening its dissolution.
+
+She was fond of her children in an uneven, impulsive way. She
+would sometimes gather them passionately to her heart; she would
+sometimes forget them. The year before they had spent part of the
+summer with their grandmother Pontellier in Iberville. Feeling
+secure regarding their happiness and welfare, she did not miss them
+except with an occasional intense longing. Their absence was a
+sort of relief, though she did not admit this, even to herself. It
+seemed to free her of a responsibility which she had blindly
+assumed and for which Fate had not fitted her.
+
+Edna did not reveal so much as all this to Madame Ratignolle
+that summer day when they sat with faces turned to the sea. But a
+good part of it escaped her. She had put her head down on Madame
+Ratignolle's shoulder. She was flushed and felt intoxicated with
+the sound of her own voice and the unaccustomed taste of candor.
+It muddled her like wine, or like a first breath of freedom.
+
+There was the sound of approaching voices. It was Robert,
+surrounded by a troop of children, searching for them. The two
+little Pontelliers were with him, and he carried Madame
+Ratignolle's little girl in his arms. There were other children
+beside, and two nurse-maids followed, looking disagreeable and
+resigned.
+
+The women at once rose and began to shake out their draperies
+and relax their muscles. Mrs. Pontellier threw the cushions and
+rug into the bath-house. The children all scampered off to the
+awning, and they stood there in a line, gazing upon the intruding
+lovers, still exchanging their vows and sighs. The lovers got up,
+with only a silent protest, and walked slowly away somewhere else.
+
+The children possessed themselves of the tent, and Mrs.
+Pontellier went over to join them.
+
+Madame Ratignolle begged Robert to accompany her to the house;
+she complained of cramp in her limbs and stiffness of the joints.
+She leaned draggingly upon his arm as they walked.
+
+
+
+
+VIII
+
+
+
+"Do me a favor, Robert," spoke the pretty woman at his side,
+almost as soon as she and Robert had started their slow, homeward
+way. She looked up in his face, leaning on his arm beneath the
+encircling shadow of the umbrella which he had lifted.
+
+"Granted; as many as you like," he returned, glancing down
+into her eyes that were full of thoughtfulness and some
+speculation.
+
+"I only ask for one; let Mrs. Pontellier alone."
+
+"Tiens!" he exclaimed, with a sudden, boyish laugh.
+"Voila que Madame Ratignolle est jalouse!"
+
+"Nonsense! I'm in earnest; I mean what I say. Let Mrs.
+Pontellier alone."
+
+"Why?" he asked; himself growing serious at his companion's
+solicitation.
+
+"She is not one of us; she is not like us. She might make the
+unfortunate blunder of taking you seriously."
+
+His face flushed with annoyance, and taking off his soft hat
+he began to beat it impatiently against his leg as he walked. "Why
+shouldn't she take me seriously?" he demanded sharply. "Am I a
+comedian, a clown, a jack-in-the-box? Why shouldn't she? You
+Creoles! I have no patience with you! Am I always to be regarded as
+a feature of an amusing programme? I hope Mrs. Pontellier does take
+me seriously. I hope she has discernment enough to find in me
+something besides the blagueur. If I thought there was any doubt--"
+
+"Oh, enough, Robert!" she broke into his heated outburst.
+"You are not thinking of what you are saying. You speak with about
+as little reflection as we might expect from one of those children
+down there playing in the sand. If your attentions to any married
+women here were ever offered with any intention of being
+convincing, you would not be the gentleman we all know you to be,
+and you would be unfit to associate with the wives and daughters of
+the people who trust you."
+
+Madame Ratignolle had spoken what she believed to be the law
+and the gospel. The young man shrugged his shoulders impatiently.
+
+"Oh! well! That isn't it," slamming his hat down vehemently
+upon his head. "You ought to feel that such things are not
+flattering to say to a fellow."
+
+"Should our whole intercourse consist of an exchange of
+compliments? Ma foi!"
+
+"It isn't pleasant to have a woman tell you--" he went on,
+unheedingly, but breaking off suddenly: "Now if I were like
+Arobin-you remember Alcee Arobin and that story of the consul's wife at
+Biloxi?" And he related the story of Alcee Arobin and the consul's
+wife; and another about the tenor of the French Opera, who received
+letters which should never have been written; and still other stories,
+grave and gay, till Mrs. Pontellier and her possible propensity for
+taking young men seriously was apparently forgotten.
+
+Madame Ratignolle, when they had regained her cottage, went in
+to take the hour's rest which she considered helpful. Before
+leaving her, Robert begged her pardon for the impatience--he called
+it rudeness--with which he had received her well-meant caution.
+
+"You made one mistake, Adele," he said, with a light smile;
+"there is no earthly possibility of Mrs. Pontellier ever taking me
+seriously. You should have warned me against taking myself
+seriously. Your advice might then have carried some weight and
+given me subject for some reflection. Au revoir. But you look
+tired," he added, solicitously. "Would you like a cup of bouillon?
+Shall I stir you a toddy? Let me mix you a toddy with a drop of
+Angostura."
+
+She acceded to the suggestion of bouillon, which was grateful
+and acceptable. He went himself to the kitchen, which was a
+building apart from the cottages and lying to the rear of the
+house. And he himself brought her the golden-brown bouillon, in a
+dainty Sevres cup, with a flaky cracker or two on the saucer.
+
+She thrust a bare, white arm from the curtain which shielded
+her open door, and received the cup from his hands. She told him
+he was a bon garcon, and she meant it. Robert thanked her and
+turned away toward "the house."
+
+The lovers were just entering the grounds of the pension.
+They were leaning toward each other as the wateroaks bent from the
+sea. There was not a particle of earth beneath their feet. Their
+heads might have been turned upside-down, so absolutely did they
+tread upon blue ether. The lady in black, creeping behind them,
+looked a trifle paler and more jaded than usual. There was no sign
+of Mrs. Pontellier and the children. Robert scanned the distance
+for any such apparition. They would doubtless remain away till the
+dinner hour. The young man ascended to his mother's room. It was
+situated at the top of the house, made up of odd angles and a queer,
+sloping ceiling. Two broad dormer windows looked out toward the Gulf,
+and as far across it as a man's eye might reach. The furnishings
+of the room were light, cool, and practical.
+
+Madame Lebrun was busily engaged at the sewing-machine. A
+little black girl sat on the floor, and with her hands worked the
+treadle of the machine. The Creole woman does not take any chances
+which may be avoided of imperiling her health.
+
+Robert went over and seated himself on the broad sill of one
+of the dormer windows. He took a book from his pocket and began
+energetically to read it, judging by the precision and frequency
+with which he turned the leaves. The sewing-machine made a
+resounding clatter in the room; it was of a ponderous, by-gone
+make. In the lulls, Robert and his mother exchanged bits of
+desultory conversation.
+
+"Where is Mrs. Pontellier?"
+
+"Down at the beach with the children."
+
+"I promised to lend her the Goncourt. Don't forget to take it
+down when you go; it's there on the bookshelf over the small
+table." Clatter, clatter, clatter, bang! for the next five or eight
+minutes.
+
+"Where is Victor going with the rockaway?"
+
+"The rockaway? Victor?"
+
+"Yes; down there in front. He seems to be getting ready to
+drive away somewhere."
+
+"Call him." Clatter, clatter!
+
+Robert uttered a shrill, piercing whistle which might have
+been heard back at the wharf.
+
+"He won't look up."
+
+Madame Lebrun flew to the window. She called "Victor!" She
+waved a handkerchief and called again. The young fellow below got
+into the vehicle and started the horse off at a gallop.
+
+Madame Lebrun went back to the machine, crimson with
+annoyance. Victor was the younger son and brother--a tete
+montee, with a temper which invited violence and a will which no
+ax could break.
+
+"Whenever you say the word I'm ready to thrash any amount of
+reason into him that he's able to hold."
+
+"If your father had only lived!" Clatter, clatter, clatter,
+clatter, bang! It was a fixed belief with Madame Lebrun that the
+conduct of the universe and all things pertaining thereto would
+have been manifestly of a more intelligent and higher order had not
+Monsieur Lebrun been removed to other spheres during the early
+years of their married life.
+
+"What do you hear from Montel?" Montel was a middleaged
+gentleman whose vain ambition and desire for the past twenty years
+had been to fill the void which Monsieur Lebrun's taking off had
+left in the Lebrun household. Clatter, clatter, bang, clatter!
+
+"I have a letter somewhere," looking in the machine drawer
+and finding the letter in the bottom of the workbasket.
+"He says to tell you he will be in Vera Cruz the beginning of
+next month,"-- clatter, clatter!--"and if you still have
+the intention of joining him"--bang! clatter, clatter, bang!
+
+"Why didn't you tell me so before, mother? You know I
+wanted--"Clatter, clatter, clatter!
+
+"Do you see Mrs. Pontellier starting back with the children?
+She will be in late to luncheon again. She never starts to get
+ready for luncheon till the last minute." Clatter, clatter!
+"Where are you going?"
+
+"Where did you say the Goncourt was?"
+
+
+
+
+IX
+
+
+
+Every light in the hall was ablaze; every lamp turned as high
+as it could be without smoking the chimney or threatening explosion.
+The lamps were fixed at intervals against the wall, encircling the whole room.
+Some one had gathered orange and lemon branches, and with these fashioned
+graceful festoons between. The dark green of the branches stood out
+and glistened against the white muslin curtains which draped the windows,
+and which puffed, floated, and flapped at the capricious will of a stiff
+breeze that swept up from the Gulf.
+
+It was Saturday night a few weeks after the intimate
+conversation held between Robert and Madame Ratignolle on their way
+from the beach. An unusual number of husbands, fathers, and
+friends had come down to stay over Sunday; and they were being
+suitably entertained by their families, with the material help of
+Madame Lebrun. The dining tables had all been removed to one end
+of the hall, and the chairs ranged about in rows and in clusters.
+Each little family group had had its say and exchanged its domestic
+gossip earlier in the evening. There was now an apparent
+disposition to relax; to widen the circle of confidences and give
+a more general tone to the conversation.
+
+Many of the children had been permitted to sit up beyond their
+usual bedtime. A small band of them were lying on their stomachs
+on the floor looking at the colored sheets of the comic papers
+which Mr. Pontellier had brought down. The little Pontellier boys
+were permitting them to do so, and making their authority felt.
+
+Music, dancing, and a recitation or two were the
+entertainments furnished, or rather, offered. But there was nothing
+systematic about the programme, no appearance of prearrangement nor
+even premeditation.
+
+At an early hour in the evening the Farival twins were
+prevailed upon to play the piano. They were girls of fourteen,
+always clad in the Virgin's colors, blue and white, having been
+dedicated to the Blessed Virgin at their baptism. They played a
+duet from "Zampa," and at the earnest solicitation of every one
+present followed it with the overture to "The Poet and the
+Peasant."
+
+"Allez vous-en! Sapristi!" shrieked the parrot outside the
+door. He was the only being present who possessed sufficient
+candor to admit that he was not listening to these gracious
+performances for the first time that summer. Old Monsieur Farival,
+grandfather of the twins, grew indignant over the interruption,
+and insisted upon having the bird removed and consigned
+to regions of darkness. Victor Lebrun objected;
+and his decrees were as immutable as those of Fate.
+The parrot fortunately offered no further interruption
+to the entertainment, the whole venom of his nature
+apparently having been cherished up and hurled against
+the twins in that one impetuous outburst.
+
+Later a young brother and sister gave recitations, which every
+one present had heard many times at winter evening entertainments
+in the city.
+
+A little girl performed a skirt dance in the center of the
+floor. The mother played her accompaniments and at the same time
+watched her daughter with greedy admiration and nervous
+apprehension. She need have had no apprehension. The child was
+mistress of the situation. She had been properly dressed for the
+occasion in black tulle and black silk tights. Her little neck and
+arms were bare, and her hair, artificially crimped, stood out like
+fluffy black plumes over her head. Her poses were full of grace,
+and her little black-shod toes twinkled as they shot out and upward
+with a rapidity and suddenness which were bewildering.
+
+But there was no reason why every one should not dance.
+Madame Ratignolle could not, so it was she who gaily consented to
+play for the others. She played very well, keeping excellent waltz
+time and infusing an expression into the strains which was indeed
+inspiring. She was keeping up her music on account of the
+children, she said; because she and her husband both considered it
+a means of brightening the home and making it attractive.
+
+Almost every one danced but the twins, who could not be
+induced to separate during the brief period when one or the other
+should be whirling around the room in the arms of a man. They
+might have danced together, but they did not think of it.
+
+The children were sent to bed. Some went submissively;
+others with shrieks and protests as they were dragged away.
+They had been permitted to sit up till after the ice-cream,
+which naturally marked the limit of human indulgence.
+
+The ice-cream was passed around with cake--gold and silver
+cake arranged on platters in alternate slices; it had been made and
+frozen during the afternoon back of the kitchen by two black women,
+under the supervision of Victor. It was pronounced a great
+success--excellent if it had only contained a little less vanilla
+or a little more sugar, if it had been frozen a degree harder, and
+if the salt might have been kept out of portions of it. Victor was
+proud of his achievement, and went about recommending it and urging
+every one to partake of it to excess.
+
+After Mrs. Pontellier had danced twice with her husband, once
+with Robert, and once with Monsieur Ratignolle, who was thin and
+tall and swayed like a reed in the wind when he danced, she went
+out on the gallery and seated herself on the low window-sill, where
+she commanded a view of all that went on in the hall and could look
+out toward the Gulf. There was a soft effulgence in the east. The
+moon was coming up, and its mystic shimmer was casting a million
+lights across the distant, restless water.
+
+"Would you like to hear Mademoiselle Reisz play?" asked
+Robert, coming out on the porch where she was. Of course Edna
+would like to hear Mademoiselle Reisz play; but she feared it would
+be useless to entreat her.
+
+"I'll ask her," he said. "I'll tell her that you want to hear
+her. She likes you. She will come." He turned and hurried away to
+one of the far cottages, where Mademoiselle Reisz was shuffling
+away. She was dragging a chair in and out of her room, and at
+intervals objecting to the crying of a baby, which a nurse in the
+adjoining cottage was endeavoring to put to sleep. She was a
+disagreeable little woman, no longer young, who had quarreled with
+almost every one, owing to a temper which was self-assertive and a
+disposition to trample upon the rights of others. Robert prevailed
+upon her without any too great difficulty.
+
+She entered the hall with him during a lull in the dance. She
+made an awkward, imperious little bow as she went in. She was a
+homely woman, with a small weazened face and body and eyes that
+glowed. She had absolutely no taste in dress, and wore a batch of
+rusty black lace with a bunch of artificial violets pinned to the
+side of her hair.
+
+"Ask Mrs. Pontellier what she would like to hear me play," she
+requested of Robert. She sat perfectly still before the piano, not
+touching the keys, while Robert carried her message to Edna at the
+window. A general air of surprise and genuine satisfaction fell
+upon every one as they saw the pianist enter. There was a settling
+down, and a prevailing air of expectancy everywhere. Edna was a
+trifle embarrassed at being thus signaled out for the imperious
+little woman's favor. She would not dare to choose, and begged
+that Mademoiselle Reisz would please herself in her selections.
+
+Edna was what she herself called very fond of music. Musical
+strains, well rendered, had a way of evoking pictures in her mind.
+She sometimes liked to sit in the room of mornings when Madame
+Ratignolle played or practiced. One piece which that lady played
+Edna had entitled "Solitude." It was a short, plaintive, minor
+strain. The name of the piece was something else, but she called
+it "Solitude." When she heard it there came before her imagination
+the figure of a man standing beside a desolate rock on the
+seashore. He was naked. His attitude was one of hopeless
+resignation as he looked toward a distant bird winging its flight
+away from him.
+
+Another piece called to her mind a dainty young woman clad in
+an Empire gown, taking mincing dancing steps as she came down a
+long avenue between tall hedges. Again, another reminded her of
+children at play, and still another of nothing on earth but a
+demure lady stroking a cat.
+
+The very first chords which Mademoiselle Reisz struck upon the
+piano sent a keen tremor down Mrs. Pontellier's spinal column. It
+was not the first time she had heard an artist at the piano.
+Perhaps it was the first time she was ready, perhaps the first time
+her being was tempered to take an impress of the abiding truth.
+
+She waited for the material pictures which she thought would
+gather and blaze before her imagination. She waited in vain. She
+saw no pictures of solitude, of hope, of longing, or of despair.
+But the very passions themselves were aroused within her soul,
+swaying it, lashing it, as the waves daily beat upon her splendid
+body. She trembled, she was choking, and the tears blinded her.
+
+Mademoiselle had finished. She arose, and bowing her stiff,
+lofty bow, she went away, stopping for neither, thanks nor
+applause. As she passed along the gallery she patted Edna upon the
+shoulder.
+
+"Well, how did you like my music?" she asked. The young woman
+was unable to answer; she pressed the hand of the pianist
+convulsively. Mademoiselle Reisz perceived her agitation and even
+her tears. She patted her again upon the shoulder as she said:
+
+"You are the only one worth playing for. Those others? Bah!"
+and she went shuffling and sidling on down the gallery toward her
+room.
+
+But she was mistaken about "those others." Her playing had
+aroused a fever of enthusiasm. "What passion!" "What an artist!"
+"I have always said no one could play Chopin like Mademoiselle
+Reisz!" "That last prelude! Bon Dieu! It shakes a man!"
+
+It was growing late, and there was a general disposition to
+disband. But some one, perhaps it was Robert, thought of a bath at
+that mystic hour and under that mystic moon.
+
+
+
+
+X
+
+
+
+At all events Robert proposed it, and there was not a
+dissenting voice. There was not one but was ready to follow when
+he led the way. He did not lead the way, however, he directed the
+way; and he himself loitered behind with the lovers, who had
+betrayed a disposition to linger and hold themselves apart. He
+walked between them, whether with malicious or mischievous intent
+was not wholly clear, even to himself.
+
+The Pontelliers and Ratignolles walked ahead; the women
+leaning upon the arms of their husbands. Edna could hear Robert's
+voice behind them, and could sometimes hear what he said. She
+wondered why he did not join them. It was unlike him not to. Of
+late he had sometimes held away from her for an entire day,
+redoubling his devotion upon the next and the next, as though to
+make up for hours that had been lost. She missed him the days when
+some pretext served to take him away from her, just as one misses
+the sun on a cloudy day without having thought much about the sun
+when it was shining.
+
+The people walked in little groups toward the beach. They
+talked and laughed; some of them sang. There was a band playing
+down at Klein's hotel, and the strains reached them faintly,
+tempered by the distance. There were strange, rare odors abroad--
+a tangle of the sea smell and of weeds and damp, new-plowed earth,
+mingled with the heavy perfume of a field of white blossoms
+somewhere near. But the night sat lightly upon the sea and the
+land. There was no weight of darkness; there were no shadows. The
+white light of the moon had fallen upon the world like the mystery
+and the softness of sleep.
+
+Most of them walked into the water as though into a native element.
+The sea was quiet now, and swelled lazily in broad billows that melted
+into one another and did not break except upon the beach in little
+foamy crests that coiled back like slow, white serpents.
+
+Edna had attempted all summer to learn to swim. She had
+received instructions from both the men and women; in some
+instances from the children. Robert had pursued a system of
+lessons almost daily; and he was nearly at the point of
+discouragement in realizing the futility of his efforts. A certain
+ungovernable dread hung about her when in the water, unless there
+was a hand near by that might reach out and reassure her.
+
+But that night she was like the little tottering, stumbling,
+clutching child, who of a sudden realizes its powers, and walks for
+the first time alone, boldly and with over-confidence. She could
+have shouted for joy. She did shout for joy, as with a sweeping
+stroke or two she lifted her body to the surface of the water.
+
+A feeling of exultation overtook her, as if some power of
+significant import had been given her to control the working of her
+body and her soul. She grew daring and reckless, overestimating
+her strength. She wanted to swim far out, where no woman had swum
+before.
+
+Her unlooked-for achievement was the subject of wonder,
+applause, and admiration. Each one congratulated himself that his
+special teachings had accomplished this desired end.
+
+"How easy it is!" she thought. "It is nothing," she said
+aloud; "why did I not discover before that it was nothing. Think
+of the time I have lost splashing about like a baby!" She would not
+join the groups in their sports and bouts, but intoxicated with her
+newly conquered power, she swam out alone.
+
+She turned her face seaward to gather in an impression of
+space and solitude, which the vast expanse of water, meeting and
+melting with the moonlit sky, conveyed to her excited fancy. As
+she swam she seemed to be reaching out for the unlimited in which
+to lose herself.
+
+Once she turned and looked toward the shore, toward the people
+she had left there. She had not gone any great distance that is,
+what would have been a great distance for an experienced swimmer.
+But to her unaccustomed vision the stretch of water behind her
+assumed the aspect of a barrier which her unaided strength
+would never be able to overcome.
+
+A quick vision of death smote her soul, and for a second of
+time appalled and enfeebled her senses. But by an effort she
+rallied her staggering faculties and managed to regain the land.
+
+She made no mention of her encounter with death and her flash
+of terror, except to say to her husband, "I thought I should have
+perished out there alone."
+
+"You were not so very far, my dear; I was watching you", he
+told her.
+
+Edna went at once to the bath-house, and she had put on her
+dry clothes and was ready to return home before the others had left
+the water. She started to walk away alone. They all called to her
+and shouted to her. She waved a dissenting hand, and went on,
+paying no further heed to their renewed cries which sought to
+detain her.
+
+"Sometimes I am tempted to think that Mrs. Pontellier is
+capricious," said Madame Lebrun, who was amusing herself immensely
+and feared that Edna's abrupt departure might put an end to the
+pleasure.
+
+"I know she is," assented Mr. Pontellier; "sometimes, not
+often."
+
+Edna had not traversed a quarter of the distance on her way
+home before she was overtaken by Robert.
+
+"Did you think I was afraid?" she asked him, without a shade
+of annoyance.
+
+"No; I knew you weren't afraid."
+
+"Then why did you come? Why didn't you stay out there with the
+others?"
+
+"I never thought of it."
+
+"Thought of what?"
+
+"Of anything. What difference does it make?"
+
+"I'm very tired," she uttered, complainingly.
+
+"I know you are."
+
+"You don't know anything about it. Why should you know? I
+never was so exhausted in my life. But it isn't unpleasant. A
+thousand emotions have swept through me to-night. I don't
+comprehend half of them. Don't mind what I'm saying; I am just
+thinking aloud. I wonder if I shall ever be stirred again as
+Mademoiselle Reisz's playing moved me to-night. I wonder if any
+night on earth will ever again be like this one. It is like a
+night in a dream. The people about me are like some uncanny,
+half-human beings. There must be spirits abroad to-night."
+
+"There are," whispered Robert, "Didn't you know this was
+the twenty-eighth of August?"
+
+"The twenty-eighth of August?"
+
+"Yes. On the twenty-eighth of August, at the hour of
+midnight, and if the moon is shining--the moon must be shining--a
+spirit that has haunted these shores for ages rises up from the
+Gulf. With its own penetrating vision the spirit seeks some one
+mortal worthy to hold him company, worthy of being exalted for a
+few hours into realms of the semi-celestials. His search has
+always hitherto been fruitless, and he has sunk back, disheartened,
+into the sea. But to-night he found Mrs. Pontellier. Perhaps he
+will never wholly release her from the spell. Perhaps she will
+never again suffer a poor, unworthy earthling to walk in the shadow
+of her divine presence."
+
+"Don't banter me," she said, wounded at what appeared to be
+his flippancy. He did not mind the entreaty, but the tone with its
+delicate note of pathos was like a reproach. He could not explain;
+he could not tell her that he had penetrated her mood and
+understood. He said nothing except to offer her his arm, for, by
+her own admission, she was exhausted. She had been walking alone
+with her arms hanging limp, letting her white skirts trail along
+the dewy path. She took his arm, but she did not lean upon it.
+She let her hand lie listlessly, as though her thoughts were
+elsewhere--somewhere in advance of her body, and she was striving
+to overtake them.
+
+Robert assisted her into the hammock which swung from the post
+before her door out to the trunk of a tree.
+
+"Will you stay out here and wait for Mr. Pontellier?" he
+asked.
+
+"I'll stay out here. Good-night."
+
+"Shall I get you a pillow?"
+
+"There's one here," she said, feeling about, for they were in
+the shadow.
+
+"It must be soiled; the children have been tumbling it about."
+
+"No matter." And having discovered the pillow, she adjusted it
+beneath her head. She extended herself in the hammock with a deep
+breath of relief. She was not a supercilious or an over-dainty
+woman. She was not much given to reclining in the hammock, and
+when she did so it was with no cat-like suggestion of voluptuous
+ease, but with a beneficent repose which seemed to invade her whole
+body.
+
+"Shall I stay with you till Mr. Pontellier comes?" asked
+Robert, seating himself on the outer edge of one of the steps and
+taking hold of the hammock rope which was fastened to the post.
+
+"If you wish. Don't swing the hammock. Will you get my white
+shawl which I left on the window-sill over at the house?"
+
+"Are you chilly?"
+
+"No; but I shall be presently."
+
+"Presently?" he laughed. "Do you know what time it is?
+How long are you going to stay out here?"
+
+"I don't know. Will you get the shawl?"
+
+"Of course I will," he said, rising. He went over to the
+house, walking along the grass. She watched his figure pass in and
+out of the strips of moonlight. It was past midnight. It was very
+quiet.
+
+When he returned with the shawl she took it and kept it in her
+hand. She did not put it around her.
+
+"Did you say I should stay till Mr. Pontellier came back?"
+
+"I said you might if you wished to."
+
+He seated himself again and rolled a cigarette, which he
+smoked in silence. Neither did Mrs. Pontellier speak.
+No multitude of words could have been more significant than those
+moments of silence, or more pregnant with the first-felt throbbings
+of desire.
+
+When the voices of the bathers were heard approaching, Robert
+said good-night. She did not answer him. He thought she was
+asleep. Again she watched his figure pass in and out of the strips
+of moonlight as he walked away.
+
+
+
+
+
+XI
+
+
+
+
+
+"What are you doing out here, Edna? I thought I should find
+you in bed," said her husband, when he discovered her lying there.
+He had walked up with Madame Lebrun and left her at the house. His
+wife did not reply.
+
+"Are you asleep?" he asked, bending down close to look at her.
+
+"No." Her eyes gleamed bright and intense, with no sleepy
+shadows, as they looked into his.
+
+"Do you know it is past one o'clock? Come on," and he mounted
+the steps and went into their room.
+
+"Edna!" called Mr. Pontellier from within, after a few moments
+had gone by.
+
+"Don't wait for me," she answered. He thrust his head through
+the door.
+
+"You will take cold out there," he said, irritably. "What
+folly is this? Why don't you come in?"
+
+"It isn't cold; I have my shawl."
+
+"The mosquitoes will devour you."
+
+"There are no mosquitoes."
+
+She heard him moving about the room; every sound indicating
+impatience and irritation. Another time she would have gone in at
+his request. She would, through habit, have yielded to his desire;
+not with any sense of submission or obedience to his compelling wishes, but unthinkingly,
+as we walk, move, sit, stand, go through the daily treadmill of the
+life which has been portioned out to us.
+
+"Edna, dear, are you not coming in soon?" he asked again, this
+time fondly, with a note of entreaty.
+
+"No; I am going to stay out here."
+
+"This is more than folly," he blurted out. "I can't permit
+you to stay out there all night. You must come in the house
+instantly."
+
+With a writhing motion she settled herself more securely in
+the hammock. She perceived that her will had blazed up, stubborn
+and resistant. She could not at that moment have done other than
+denied and resisted. She wondered if her husband had ever spoken
+to her like that before, and if she had submitted to his command.
+Of course she had; she remembered that she had. But she could not
+realize why or how she should have yielded, feeling as she then
+did.
+
+"Leonce, go to bed, " she said I mean to stay out here. I
+don't wish to go in, and I don't intend to. Don't speak to me like
+that again; I shall not answer you."
+
+Mr. Pontellier had prepared for bed, but he slipped on an
+extra garment. He opened a bottle of wine, of which he kept a
+small and select supply in a buffet of his own. He drank a glass
+of the wine and went out on the gallery and offered a glass to his
+wife. She did not wish any. He drew up the rocker, hoisted his
+slippered feet on the rail, and proceeded to smoke a cigar. He
+smoked two cigars; then he went inside and drank another glass of
+wine. Mrs. Pontellier again declined to accept a glass when it was
+offered to her. Mr. Pontellier once more seated himself with
+elevated feet, and after a reasonable interval of time smoked some
+more cigars.
+
+Edna began to feel like one who awakens gradually out of a
+dream, a delicious, grotesque, impossible dream, to feel again the
+realities pressing into her soul. The physical need for sleep
+began to overtake her; the exuberance which had sustained and
+exalted her spirit left her helpless and yielding to the conditions
+which crowded her in.
+
+The stillest hour of the night had come, the hour before dawn,
+when the world seems to hold its breath. The moon hung low, and
+had turned from silver to copper in the sleeping sky. The old owl
+no longer hooted, and the water-oaks had ceased to moan as they
+bent their heads.
+
+Edna arose, cramped from lying so long and still in the
+hammock. She tottered up the steps, clutching feebly at the post
+before passing into the house.
+
+"Are you coming in, Leonce?" she asked, turning her face
+toward her husband.
+
+"Yes, dear," he answered, with a glance following a misty puff
+of smoke. "Just as soon as I have finished my cigar.
+
+
+
+
+XII
+
+
+
+She slept but a few hours. They were troubled and feverish
+hours, disturbed with dreams that were intangible, that eluded her,
+leaving only an impression upon her half-awakened senses of
+something unattainable. She was up and dressed in the cool of the
+early morning. The air was invigorating and steadied somewhat her
+faculties. However, she was not seeking refreshment or help from
+any source, either external or from within. She was blindly
+following whatever impulse moved her, as if she had placed herself
+in alien hands for direction, and freed her soul of responsibility.
+
+Most of the people at that early hour were still in bed and
+asleep. A few, who intended to go over to the Cheniere for
+mass, were moving about. The lovers, who had laid their plans the
+night before, were already strolling toward the wharf. The lady in
+black, with her Sunday prayer-book, velvet and gold-clasped,
+and her Sunday silver beads, was following them at no great distance.
+Old Monsieur Farival was up, and was more than half inclined to do
+anything that suggested itself. He put on his big straw hat,
+and taking his umbrella from the stand in the hall, followed
+the lady in black, never overtaking her.
+
+The little negro girl who worked Madame Lebrun's sewing-machine
+was sweeping the galleries with long, absent-minded strokes
+of the broom. Edna sent her up into the house to awaken Robert.
+
+"Tell him I am going to the Cheniere. The boat is ready;
+tell him to hurry."
+
+He had soon joined her. She had never sent for him before.
+She had never asked for him. She had never seemed to want him
+before. She did not appear conscious that she had done anything
+unusual in commanding his presence. He was apparently equally
+unconscious of anything extraordinary in the situation. But his
+face was suffused with a quiet glow when he met her.
+
+They went together back to the kitchen to drink coffee. There
+was no time to wait for any nicety of service. They stood outside
+the window and the cook passed them their coffee and a roll, which
+they drank and ate from the window-sill. Edna said it tasted good.
+
+She had not thought of coffee nor of anything. He told her he had
+often noticed that she lacked forethought.
+
+"Wasn't it enough to think of going to the Cheniere and
+waking you up?" she laughed. "Do I have to think of
+everything?--as Leonce says when he's in a bad humor.
+I don't blame him; he'd never be in a bad humor if it weren't for me."
+
+They took a short cut across the sands. At a distance they
+could see the curious procession moving toward the wharf--the
+lovers, shoulder to shoulder, creeping; the lady in black, gaining
+steadily upon them; old Monsieur Farival, losing ground inch by
+inch, and a young barefooted Spanish girl, with a red kerchief on
+her head and a basket on her arm, bringing up the rear.
+
+Robert knew the girl, and he talked to her a little in the boat.
+No one present understood what they said. Her name was Mariequita.
+She had a round, sly, piquant face and pretty black eyes.
+Her hands were small, and she kept them folded over the
+handle of her basket. Her feet were broad and coarse.
+She did not strive to hide them. Edna looked at her feet,
+and noticed the sand and slime between her brown toes.
+
+Beaudelet grumbled because Mariequita was there, taking up so
+much room. In reality he was annoyed at having old Monsieur Farival,
+who considered himself the better sailor of the two. But he
+he would not quarrel with so old a man as Monsieur Farival, so he
+quarreled with Mariequita. The girl was deprecatory at one moment,
+appealing to Robert. She was saucy the next, moving her head up
+and down, making "eyes" at Robert and making "mouths" at Beaudelet.
+
+The lovers were all alone. They saw nothing, they heard
+nothing. The lady in black was counting her beads for the third
+time. Old Monsieur Farival talked incessantly of what he knew
+about handling a boat, and of what Beaudelet did not know on the
+same subject.
+
+Edna liked it all. She looked Mariequita up and down, from
+her ugly brown toes to her pretty black eyes, and
+back again.
+
+"Why does she look at me like that?" inquired the girl of Robert.
+
+"Maybe she thinks you are pretty. Shall I ask her?"
+
+"No. Is she your sweetheart?"
+
+"She's a married lady, and has two children."
+
+"Oh! well! Francisco ran away with Sylvano's wife, who had
+four children. They took all his money and one of the children and
+stole his boat."
+
+"Shut up!"
+
+"Does she understand?"
+
+"Oh, hush!"
+
+"Are those two married over there--leaning on each other?"
+
+"Of course not," laughed Robert.
+
+"Of course not," echoed Mariequita, with a serious,
+confirmatory bob of the head.
+
+The sun was high up and beginning to bite. The swift breeze
+seemed to Edna to bury the sting of it into the pores of her face
+and hands. Robert held his umbrella over her. As they went
+cutting sidewise through the water, the sails bellied taut, with
+the wind filling and overflowing them. Old Monsieur Farival
+laughed sardonically at something as he looked at the sails, and
+Beaudelet swore at the old man under his breath.
+
+Sailing across the bay to the Cheniere Caminada, Edna felt
+as if she were being borne away from some anchorage which had held
+her fast, whose chains had been loosening--had snapped the night
+before when the mystic spirit was abroad, leaving her free to drift
+whithersoever she chose to set her sails. Robert spoke to her
+incessantly; he no longer noticed Mariequita. The girl had shrimps
+in her bamboo basket. They were covered with Spanish moss. She
+beat the moss down impatiently, and muttered to herself sullenly.
+
+"Let us go to Grande Terre to-morrow?" said Robert in a low
+voice.
+
+"What shall we do there?"
+
+"Climb up the hill to the old fort and look at the little
+wriggling gold snakes, and watch the lizards sun themselves."
+
+She gazed away toward Grande Terre and thought she would like
+to be alone there with Robert, in the sun, listening to the ocean's
+roar and watching the slimy lizards writhe in and out among the
+ruins of the old fort.
+
+"And the next day or the next we can sail to the Bayou
+Brulow," he went on.
+
+"What shall we do there?"
+
+"Anything--cast bait for fish."
+
+"No; we'll go back to Grande Terre. Let the fish alone."
+
+"We'll go wherever you like," he said. "I'll have Tonie come
+over and help me patch and trim my boat. We shall not need Beaudelet
+nor any one. Are you afraid of the pirogue?"
+
+"Oh, no."
+
+"Then I'll take you some night in the pirogue when the moon
+shines. Maybe your Gulf spirit will whisper to you in which of
+these islands the treasures are hidden--direct you to the very
+spot, perhaps."
+
+"And in a day we should be rich!" she laughed. "I'd give it
+all to you, the pirate gold and every bit of treasure we could dig
+up. I think you would know how to spend it. Pirate gold isn't a
+thing to be hoarded or utilized. It is something to squander and
+throw to the four winds, for the fun of seeing the golden specks
+fly."
+
+"We'd share it, and scatter it together," he said. His face
+flushed.
+
+They all went together up to the quaint little Gothic church
+of Our Lady of Lourdes, gleaming all brown and yellow with paint in
+the sun's glare.
+
+Only Beaudelet remained behind, tinkering at his boat, and
+Mariequita walked away with her basket of shrimps, casting a look
+of childish ill humor and reproach at Robert from the corner of her
+eye.
+
+
+
+
+XIII
+
+
+
+A feeling of oppression and drowsiness overcame Edna during
+the service. Her head began to ache, and the lights on the altar
+swayed before her eyes. Another time she might have made an effort
+to regain her composure; but her one thought was to quit the
+stifling atmosphere of the church and reach the open air. She
+arose, climbing over Robert's feet with a muttered apology. Old
+Monsieur Farival, flurried, curious, stood up, but upon seeing that
+Robert had followed Mrs. Pontellier, he sank back into his seat.
+He whispered an anxious inquiry of the lady in black, who did not notice
+him or reply, but kept her eyes fastened upon the pages of her velvet
+prayer-book.
+
+"I felt giddy and almost overcome," Edna said, lifting her
+hands instinctively to her head and pushing her straw hat up from
+her forehead. "I couldn't have stayed through the service." They
+were outside in the shadow of the church. Robert was full of
+solicitude.
+
+"It was folly to have thought of going in the first place, let
+alone staying. Come over to Madame Antoine's; you can rest there."
+He took her arm and led her away, looking anxiously and
+continuously down into her face.
+
+How still it was, with only the voice of the sea whispering
+through the reeds that grew in the salt-water pools! The long line
+of little gray, weather-beaten houses nestled peacefully among the
+orange trees. It must always have been God's day on that low,
+drowsy island, Edna thought. They stopped, leaning over a jagged
+fence made of sea-drift, to ask for water. A youth, a mild-faced
+Acadian, was drawing water from the cistern, which was nothing more
+than a rusty buoy, with an opening on one side, sunk in the ground.
+The water which the youth handed to them in a tin pail was not cold
+to taste, but it was cool to her heated face, and it greatly
+revived and refreshed her.
+
+Madame Antoine's cot was at the far end of the village. She
+welcomed them with all the native hospitality, as she would have
+opened her door to let the sunlight in. She was fat, and walked
+heavily and clumsily across the floor. She could speak no English,
+but when Robert made her understand that the lady who accompanied
+him was ill and desired to rest, she was all eagerness to make Edna
+feel at home and to dispose of her comfortably.
+
+The whole place was immaculately clean, and the big,
+four-posted bed, snow-white, invited one to repose. It stood in a small
+side room which looked out across a narrow grass plot toward the
+shed, where there was a disabled boat lying keel upward.
+
+Madame Antoine had not gone to mass. Her son Tonie had,
+but she supposed he would soon be back, and she invited Robert
+to be seated and wait for him. But he went and sat outside the
+door and smoked. Madame Antoine busied herself in the large front
+room preparing dinner. She was boiling mullets over a few red
+coals in the huge fireplace.
+
+Edna, left alone in the little side room, loosened her
+clothes, removing the greater part of them. She bathed her face,
+her neck and arms in the basin that stood between the windows. She
+took off her shoes and stockings and stretched herself in the very
+center of the high, white bed. How luxurious it felt to rest thus
+in a strange, quaint bed, with its sweet country odor of laurel
+lingering about the sheets and mattress! She stretched her strong
+limbs that ached a little. She ran her fingers through her
+loosened hair for a while. She looked at her round arms as she
+held them straight up and rubbed them one after the other,
+observing closely, as if it were something she saw for the first
+time, the fine, firm quality and texture of her flesh. She clasped
+her hands easily above her head, and it was thus she fell asleep.
+
+She slept lightly at first, half awake and drowsily attentive
+to the things about her. She could hear Madame Antoine's heavy,
+scraping tread as she walked back and forth on the sanded floor.
+Some chickens were clucking outside the windows, scratching for
+bits of gravel in the grass. Later she half heard the voices of
+Robert and Tonie talking under the shed. She did not stir. Even
+her eyelids rested numb and heavily over her sleepy eyes. The
+voices went on--Tonie's slow, Acadian drawl, Robert's quick, soft,
+smooth French. She understood French imperfectly unless directly
+addressed, and the voices were only part of the other drowsy,
+muffled sounds lulling her senses.
+
+When Edna awoke it was with the conviction that she had slept
+long and soundly. The voices were hushed under the shed. Madame
+Antoine's step was no longer to be heard in the adjoining room.
+Even the chickens had gone elsewhere to scratch and cluck. The
+mosquito bar was drawn over her; the old woman had come in while
+she slept and let down the bar. Edna arose quietly from the bed,
+and looking between the curtains of the window, she saw by the
+slanting rays of the sun that the afternoon was far advanced.
+Robert was out there under the shed, reclining in the shade against
+the sloping keel of the overturned boat. He was reading from a
+book. Tonie was no longer with him. She wondered what had become
+of the rest of the party. She peeped out at him two or three times
+as she stood washing herself in the little basin between the
+windows.
+
+Madame Antoine had laid some coarse, clean towels upon a
+chair, and had placed a box of poudre de riz within easy reach.
+Edna dabbed the powder upon her nose and cheeks as she looked at
+herself closely in the little distorted mirror which hung on the
+wall above the basin. Her eyes were bright and wide awake and her
+face glowed.
+
+When she had completed her toilet she walked into the
+adjoining room. She was very hungry. No one was there. But there
+was a cloth spread upon the table that stood against the wall, and
+a cover was laid for one, with a crusty brown loaf and a bottle of
+wine beside the plate. Edna bit a piece from the brown loaf,
+tearing it with her strong, white teeth. She poured some of the
+wine into the glass and drank it down. Then she went softly out of
+doors, and plucking an orange from the low-hanging bough of a tree,
+threw it at Robert, who did not know she was awake and up.
+
+An illumination broke over his whole face when he saw her and
+joined her under the orange tree.
+
+"How many years have I slept?" she inquired. "The whole
+island seems changed. A new race of beings must have sprung up,
+leaving only you and me as past relics. How many ages ago did
+Madame Antoine and Tonie die? and when did our people from Grand
+Isle disappear from the earth?"
+
+He familiarly adjusted a ruffle upon her shoulder.
+
+"You have slept precisely one hundred years. I was left here
+to guard your slumbers; and for one hundred years I have been out
+under the shed reading a book. The only evil I couldn't prevent
+was to keep a broiled fowl from drying up."
+
+"If it has turned to stone, still will I eat it," said Edna,
+moving with him into the house. "But really, what has become of
+Monsieur Farival and the others?"
+
+"Gone hours ago. When they found that you were sleeping they
+thought it best not to awake you. Any way, I wouldn't have let
+them. What was I here for?"
+
+"I wonder if Leonce will be uneasy!" she speculated, as she
+seated herself at table.
+
+"Of course not; he knows you are with me," Robert replied, as
+he busied himself among sundry pans and covered dishes which had
+been left standing on the hearth.
+
+"Where are Madame Antoine and her son?" asked Edna.
+
+"Gone to Vespers, and to visit some friends, I believe. I am
+to take you back in Tonie's boat whenever you are ready to go."
+
+He stirred the smoldering ashes till the broiled fowl began to
+sizzle afresh. He served her with no mean repast, dripping the
+coffee anew and sharing it with her. Madame Antoine had cooked
+little else than the mullets, but while Edna slept Robert had
+foraged the island. He was childishly gratified to discover her
+appetite, and to see the relish with which she ate the food which
+he had procured for her.
+
+"Shall we go right away?" she asked, after draining her glass
+and brushing together the crumbs of the crusty loaf.
+
+"The sun isn't as low as it will be in two hours," he
+answered.
+
+"The sun will be gone in two hours."
+
+"Well, let it go; who cares!"
+
+They waited a good while under the orange trees, till Madame
+Antoine came back, panting, waddling, with a thousand apologies to
+explain her absence. Tonie did not dare to return. He was shy,
+and would not willingly face any woman except his mother.
+
+It was very pleasant to stay there under the orange trees,
+while the sun dipped lower and lower, turning the western sky to
+flaming copper and gold. The shadows lengthened and crept out
+like stealthy, grotesque monsters across the grass.
+
+Edna and Robert both sat upon the ground--that is, he lay upon
+the ground beside her, occasionally picking at the hem of her
+muslin gown.
+
+Madame Antoine seated her fat body, broad and squat, upon a
+bench beside the door. She had been talking all the afternoon, and
+had wound herself up to the storytelling pitch.
+
+And what stories she told them! But twice in her life she had
+left the Cheniere Caminada, and then for the briefest span.
+All her years she had squatted and waddled there upon the island,
+gathering legends of the Baratarians and the sea. The night came
+on, with the moon to lighten it. Edna could hear the whispering
+voices of dead men and the click of muffled gold.
+
+When she and Robert stepped into Tonie's boat, with the red
+lateen sail, misty spirit forms were prowling in the shadows and
+among the reeds, and upon the water were phantom ships, speeding to
+cover.
+
+
+
+
+XIV
+
+
+
+The youngest boy, Etienne, had been very naughty, Madame
+Ratignolle said, as she delivered him into the hands of his mother.
+He had been unwilling to go to bed and had made a scene; whereupon
+she had taken charge of him and pacified him as well as she could.
+Raoul had been in bed and asleep for two hours.
+
+The youngster was in his long white nightgown, that kept
+tripping him up as Madame Ratignolle led him along by the hand.
+With the other chubby fist he rubbed his eyes, which were heavy
+with sleep and ill humor. Edna took him in her arms, and seating
+herself in the rocker, began to coddle and caress him, calling him
+all manner of tender names, soothing him to sleep.
+
+It was not more than nine o'clock. No one had yet gone to bed
+but the children.
+
+Leonce had been very uneasy at first, Madame Ratignolle said,
+and had wanted to start at once for the Cheniere. But
+Monsieur Farival had assured him that his wife was only overcome
+with sleep and fatigue, that Tonie would bring her safely back
+later in the day; and he had thus been dissuaded from crossing the
+bay. He had gone over to Klein's, looking up some cotton broker
+whom he wished to see in regard to securities, exchanges, stocks,
+bonds, or something of the sort, Madame Ratignolle did not remember
+what. He said he would not remain away late. She herself was
+suffering from heat and oppression, she said. She carried a bottle
+of salts and a large fan. She would not consent to remain with
+Edna, for Monsieur Ratignolle was alone, and he detested above all
+things to be left alone.
+
+When Etienne had fallen asleep Edna bore him into the back
+room, and Robert went and lifted the mosquito bar that she might
+lay the child comfortably in his bed. The quadroon had vanished.
+When they emerged from the cottage Robert bade Edna good-night.
+
+"Do you know we have been together the whole livelong day,
+Robert--since early this morning?" she said at parting.
+
+"All but the hundred years when you were sleeping.
+Goodnight."
+
+He pressed her hand and went away in the direction of the
+beach. He did not join any of the others, but walked alone toward
+the Gulf.
+
+Edna stayed outside, awaiting her husband's return. She had
+no desire to sleep or to retire; nor did she feel like going over
+to sit with the Ratignolles, or to join Madame Lebrun and a group
+whose animated voices reached her as they sat in conversation
+before the house. She let her mind wander back over her stay at
+Grand Isle; and she tried to discover wherein this summer had been
+different from any and every other summer of her life. She could
+only realize that she herself--her present self--was in some way
+different from the other self. That she was seeing with different
+eyes and making the acquaintance of new conditions in herself that
+colored and changed her environment, she did not yet suspect.
+
+She wondered why Robert had gone away and left her. It did
+not occur to her to think he might have grown tired of being with
+her the livelong day. She was not tired, and she felt that he was
+not. She regretted that he had gone. It was so much more natural
+to have him stay when he was not absolutely required to leave her.
+
+As Edna waited for her husband she sang low a little song that
+Robert had sung as they crossed the bay. It began with "Ah!
+Si tu savais," and every verse ended with "si tu savais."
+
+Robert's voice was not pretentious. It was musical and true.
+The voice, the notes, the whole refrain haunted her memory.
+
+
+
+
+XV
+
+
+
+When Edna entered the dining-room one evening a little late,
+as was her habit, an unusually animated conversation seemed to be
+going on. Several persons were talking at once, and Victor's voice
+was predominating, even over that of his mother. Edna had returned
+late from her bath, had dressed in some haste, and her face was
+flushed. Her head, set off by her dainty white gown, suggested a
+rich, rare blossom. She took her seat at table between old
+Monsieur Farival and Madame Ratignolle.
+
+As she seated herself and was about to begin to eat her soup,
+which had been served when she entered the room, several persons
+informed her simultaneously that Robert was going to Mexico.
+She laid her spoon down and looked about her bewildered.
+He had been with her, reading to her all the morning,
+and had never even mentioned such a place as Mexico.
+She had not seen him during the afternoon; she had heard
+some one say he was at the house, upstairs with his mother.
+This she had thought nothing of, though she was surprised
+when he did not join her later in the afternoon,
+when she went down to the beach.
+
+She looked across at him, where he sat beside Madame Lebrun,
+who presided. Edna's face was a blank picture of bewilderment,
+which she never thought of disguising. He lifted his eyebrows with
+the pretext of a smile as he returned her glance. He looked
+embarrassed and uneasy. "When is he going?" she asked of everybody
+in general, as if Robert were not there to answer for himself.
+
+"To-night!" "This very evening!" "Did you ever!"
+"What possesses him!" were some of the replies she gathered,
+uttered simultaneously in French and English.
+
+"Impossible!" she exclaimed. "How can a person start off from
+Grand Isle to Mexico at a moment's notice, as if he were going over
+to Klein's or to the wharf or down to the beach?"
+
+"I said all along I was going to Mexico; I've been saying so
+for years!" cried Robert, in an excited and irritable tone, with
+the air of a man defending himself against a swarm of stinging
+insects.
+
+Madame Lebrun knocked on the table with her knife handle.
+
+"Please let Robert explain why he is going, and why he is
+going to-night," she called out. "Really, this table is getting to
+be more and more like Bedlam every day, with everybody talking at
+once. Sometimes--I hope God will forgive me--but positively,
+sometimes I wish Victor would lose the power of speech."
+
+Victor laughed sardonically as he thanked his mother for her
+holy wish, of which he failed to see the benefit to anybody, except
+that it might afford her a more ample opportunity and license to
+talk herself.
+
+Monsieur Farival thought that Victor should have been taken
+out in mid-ocean in his earliest youth and drowned. Victor thought
+there would be more logic in thus disposing of old people with an
+established claim for making themselves universally obnoxious.
+Madame Lebrun grew a trifle hysterical; Robert called his brother
+some sharp, hard names.
+
+"There's nothing much to explain, mother," he said; though he
+explained, nevertheless--looking chiefly at Edna--that he could
+only meet the gentleman whom he intended to join at Vera Cruz by
+taking such and such a steamer, which left New Orleans on such a
+day; that Beaudelet was going out with his lugger-load of
+vegetables that night, which gave him an opportunity of reaching
+the city and making his vessel in time.
+
+"But when did you make up your mind to all this?" demanded
+Monsieur Farival.
+
+"This afternoon," returned Robert, with a shade of annoyance.
+
+"At what time this afternoon?" persisted the old gentleman,
+with nagging determination, as if he were cross-questioning a
+criminal in a court of justice.
+
+"At four o'clock this afternoon, Monsieur Farival," Robert
+replied, in a high voice and with a lofty air, which reminded Edna
+of some gentleman on the stage.
+
+She had forced herself to eat most of her soup, and now she
+was picking the flaky bits of a court bouillon with her fork.
+
+The lovers were profiting by the general conversation on
+Mexico to speak in whispers of matters which they rightly
+considered were interesting to no one but themselves. The lady in
+black had once received a pair of prayer-beads of curious
+workmanship from Mexico, with very special indulgence attached to
+them, but she had never been able to ascertain whether the
+indulgence extended outside the Mexican border. Father Fochel of
+the Cathedral had attempted to explain it; but he had not done so
+to her satisfaction. And she begged that Robert would interest
+himself, and discover, if possible, whether she was entitled to
+the indulgence accompanying the remarkably curious Mexican prayer-beads.
+
+Madame Ratignolle hoped that Robert would exercise extreme
+caution in dealing with the Mexicans, who, she considered, were a
+treacherous people, unscrupulous and revengeful. She trusted she
+did them no injustice in thus condemning them as a race. She had
+known personally but one Mexican, who made and sold excellent
+tamales, and whom she would have trusted implicitly, so softspoken
+was he. One day he was arrested for stabbing his wife. She never
+knew whether he had been hanged or not.
+
+Victor had grown hilarious, and was attempting to tell an
+anecdote about a Mexican girl who served chocolate one winter in a
+restaurant in Dauphine Street. No one would listen to him but old
+Monsieur Farival, who went into convulsions over the droll story.
+
+Edna wondered if they had all gone mad, to be talking and
+clamoring at that rate. She herself could think of nothing to say
+about Mexico or the Mexicans.
+
+"At what time do you leave?" she asked Robert.
+
+"At ten," he told her. "Beaudelet wants to wait for the moon."
+
+"Are you all ready to go?"
+
+"Quite ready. I shall only take a hand-bag, and shall pack my
+trunk in the city."
+
+He turned to answer some question put to him by his mother,
+and Edna, having finished her black coffee, left the table.
+
+She went directly to her room. The little cottage was close
+and stuffy after leaving the outer air. But she did not mind;
+there appeared to be a hundred different things demanding her
+attention indoors. She began to set the toilet-stand to rights,
+grumbling at the negligence of the quadroon, who was in the
+adjoining room putting the children to bed. She gathered together
+stray garments that were hanging on the backs of chairs, and put
+each where it belonged in closet or bureau drawer. She changed her
+gown for a more comfortable and commodious wrapper. She rearranged
+her hair, combing and brushing it with unusual energy. Then she went in
+and assisted the quadroon in getting the boys to bed.
+
+They were very playful and inclined to talk--to do anything
+but lie quiet and go to sleep. Edna sent the quadroon away to her
+supper and told her she need not return. Then she sat and told the
+children a story. Instead of soothing it excited them, and added
+to their wakefulness. She left them in heated argument,
+speculating about the conclusion of the tale which their mother
+promised to finish the following night.
+
+The little black girl came in to say that Madame Lebrun would
+like to have Mrs. Pontellier go and sit with them over at the house
+till Mr. Robert went away. Edna returned answer that she had
+already undressed, that she did not feel quite well, but perhaps
+she would go over to the house later. She started to dress again,
+and got as far advanced as to remove her peignoir. But
+changing her mind once more she resumed the peignoir, and went
+outside and sat down before her door. She was overheated and
+irritable, and fanned herself energetically for a while. Madame
+Ratignolle came down to discover what was the matter.
+
+"All that noise and confusion at the table must have upset
+me," replied Edna, "and moreover, I hate shocks and surprises.
+The idea of Robert starting off in such a ridiculously sudden
+and dramatic way! As if it were a matter of life and death!
+Never saying a word about it all morning when he was with me."
+
+"Yes," agreed Madame Ratignolle. "I think it was showing us
+all--you especially--very little consideration. It wouldn't have
+surprised me in any of the others; those Lebruns are all given to
+heroics. But I must say I should never have expected such a thing
+from Robert. Are you not coming down? Come on, dear; it doesn't
+look friendly."
+
+"No," said Edna, a little sullenly. "I can't go to the
+trouble of dressing again; I don't feel like it."
+
+"You needn't dress; you look all right; fasten a belt around
+your waist. Just look at me!"
+
+"No," persisted Edna; "but you go on. Madame Lebrun might be
+offended if we both stayed away."
+
+Madame Ratignolle kissed Edna good-night, and went away, being
+in truth rather desirous of joining in the general and animated
+conversation which was still in progress concerning Mexico and the
+Mexicans.
+
+Somewhat later Robert came up, carrying his hand-bag.
+
+"Aren't you feeling well?" he asked.
+
+"Oh, well enough. Are you going right away?"
+
+He lit a match and looked at his watch. "In twenty minutes,"
+he said. The sudden and brief flare of the match emphasized the
+darkness for a while. He sat down upon a stool which the children
+had left out on the porch.
+
+"Get a chair," said Edna.
+
+"This will do," he replied. He put on his soft hat and
+nervously took it off again, and wiping his face with his
+handkerchief, complained of the heat.
+
+"Take the fan," said Edna, offering it to him.
+
+"Oh, no! Thank you. It does no good; you have to stop fanning
+some time, and feel all the more uncomfortable afterward."
+
+"That's one of the ridiculous things which men always say. I
+have never known one to speak otherwise of fanning. How long will
+you be gone?"
+
+"Forever, perhaps. I don't know. It depends upon a good many things."
+
+"Well, in case it shouldn't be forever, how long will it be?"
+
+"I don't know."
+
+"This seems to me perfectly preposterous and uncalled for. I
+don't like it. I don't understand your motive for silence and
+mystery, never saying a word to me about it this morning." He
+remained silent, not offering to defend himself. He only said,
+after a moment:
+
+"Don't part from me in any ill humor. I never knew you to be
+out of patience with me before."
+
+"I don't want to part in any ill humor," she said. "But can't
+you understand? I've grown used to seeing you, to having you with
+me all the time, and your action seems unfriendly, even unkind.
+You don't even offer an excuse for it. Why, I was planning to be together,
+thinking of how pleasant it would be to see you in the city next winter."
+
+"So was I," he blurted. "Perhaps that's the--" He stood up
+suddenly and held out his hand. "Good-by, my dear Mrs. Pontellier;
+good-by. You won't--I hope you won't completely forget me."
+She clung to his hand, striving to detain him.
+
+"Write to me when you get there, won't you, Robert?" she entreated.
+
+"I will, thank you. Good-by."
+
+How unlike Robert! The merest acquaintance would have said
+something more emphatic than "I will, thank you; good-by," to such
+a request.
+
+He had evidently already taken leave of the people over at the
+house, for he descended the steps and went to join Beaudelet, who
+was out there with an oar across his shoulder waiting for Robert.
+They walked away in the darkness. She could only hear Beaudelet's
+voice; Robert had apparently not even spoken a word of greeting to
+his companion.
+
+Edna bit her handkerchief convulsively, striving to hold back
+and to hide, even from herself as she would have hidden from
+another, the emotion which was troubling--tearing--her. Her eyes
+were brimming with tears.
+
+For the first time she recognized the symptoms of infatuation
+which she had felt incipiently as a child, as a girl in her
+earliest teens, and later as a young woman. The recognition did
+not lessen the reality, the poignancy of the revelation by any
+suggestion or promise of instability. The past was nothing to her;
+offered no lesson which she was willing to heed. The future was a
+mystery which she never attempted to penetrate. The present alone
+was significant; was hers, to torture her as it was doing then with
+the biting conviction that she had lost that which she had held,
+that she had been denied that which her impassioned, newly awakened
+being demanded.
+
+
+
+
+XVI
+
+
+
+"Do you miss your friend greatly?" asked Mademoiselle Reisz
+one morning as she came creeping up behind Edna, who had just left
+her cottage on her way to the beach. She spent much of her time in
+the water since she had acquired finally the art of swimming. As
+their stay at Grand Isle drew near its close, she felt that she
+could not give too much time to a diversion which afforded her the
+only real pleasurable moments that she knew. When Mademoiselle
+Reisz came and touched her upon the shoulder and spoke to her, the
+woman seemed to echo the thought which was ever in Edna's mind; or,
+better, the feeling which constantly possessed her.
+
+Robert's going had some way taken the brightness, the color,
+the meaning out of everything. The conditions of her life were in
+no way changed, but her whole existence was dulled, like a faded
+garment which seems to be no longer worth wearing. She sought him
+everywhere--in others whom she induced to talk about him. She went
+up in the mornings to Madame Lebrun's room, braving the clatter of
+the old sewing-machine. She sat there and chatted at intervals as
+Robert had done. She gazed around the room at the pictures and
+photographs hanging upon the wall, and discovered in some corner an
+old family album, which she examined with the keenest interest,
+appealing to Madame Lebrun for enlightenment concerning the many
+figures and faces which she discovered between its pages.
+
+There was a picture of Madame Lebrun with Robert as a baby,
+seated in her lap, a round-faced infant with a fist in his mouth.
+The eyes alone in the baby suggested the man. And that was he also
+in kilts, at the age of five, wearing long curls and holding a whip
+in his hand. It made Edna laugh, and she laughed, too, at the portrait
+in his first long trousers; while another interested her, taken when he
+left for college, looking thin, long-faced, with eyes full of fire,
+ambition and great intentions. But there was no recent picture,
+none which suggested the Robert who had gone away five days ago,
+leaving a void and wilderness behind him.
+
+"Oh, Robert stopped having his pictures taken when he had to
+pay for them himself! He found wiser use for his money, he says,"
+explained Madame Lebrun. She had a letter from him, written before
+he left New Orleans. Edna wished to see the letter, and Madame
+Lebrun told her to look for it either on the table or the dresser,
+or perhaps it was on the mantelpiece.
+
+The letter was on the bookshelf. It possessed the greatest
+interest and attraction for Edna; the envelope, its size and shape,
+the post-mark, the handwriting. She examined every detail of the
+outside before opening it. There were only a few lines, setting
+forth that he would leave the city that afternoon, that he had
+packed his trunk in good shape, that he was well, and sent her his
+love and begged to be affectionately remembered to all. There was
+no special message to Edna except a postscript saying that if Mrs.
+Pontellier desired to finish the book which he had been reading to
+her, his mother would find it in his room, among other books there
+on the table. Edna experienced a pang of jealousy because he had
+written to his mother rather than to her.
+
+Every one seemed to take for granted that she missed him.
+Even her husband, when he came down the Saturday following Robert's
+departure, expressed regret that he had gone.
+
+"How do you get on without him, Edna?" he asked.
+
+"It's very dull without him," she admitted. Mr. Pontellier
+had seen Robert in the city, and Edna asked him a dozen questions
+or more. Where had they met? On Carondelet Street, in the morning.
+They had gone "in" and had a drink and a cigar together. What had
+they talked about? Chiefly about his prospects in Mexico, which
+Mr. Pontellier thought were promising. How did he look? How did
+he seem--grave, or gay, or how? Quite cheerful, and wholly
+taken up with the idea of his trip, which Mr. Pontellier found
+altogether natural in a young fellow about to seek fortune
+and adventure in a strange, queer country.
+
+Edna tapped her foot impatiently, and wondered why the
+children persisted in playing in the sun when they might be under
+the trees. She went down and led them out of the sun, scolding the
+quadroon for not being more attentive.
+
+It did not strike her as in the least grotesque that she
+should be making of Robert the object of conversation and leading
+her husband to speak of him. The sentiment which she entertained
+for Robert in no way resembled that which she felt for her husband,
+or had ever felt, or ever expected to feel. She had all her life
+long been accustomed to harbor thoughts and emotions which never
+voiced themselves. They had never taken the form of struggles.
+They belonged to her and were her own, and she entertained the
+conviction that she had a right to them and that they concerned no
+one but herself. Edna had once told Madame Ratignolle that she
+would never sacrifice herself for her children, or for any one.
+Then had followed a rather heated argument; the two women did not
+appear to understand each other or to be talking the same language.
+Edna tried to appease her friend, to explain.
+
+"I would give up the unessential; I would give my money, I
+would give my life for my children; but I wouldn't give myself. I
+can't make it more clear; it's only something which I am beginning
+to comprehend, which is revealing itself to me."
+
+"I don't know what you would call the essential, or what you
+mean by the unessential," said Madame Ratignolle, cheerfully; "but
+a woman who would give her life for her children could do no more
+than that--your Bible tells you so. I'm sure I couldn't do more
+than that."
+
+"Oh, yes you could!" laughed Edna.
+
+She was not surprised at Mademoiselle Reisz's question the
+morning that lady, following her to the beach, tapped her on the
+shoulder and asked if she did not greatly miss her young friend.
+
+"Oh, good morning, Mademoiselle; is it you? Why, of course I
+miss Robert. Are you going down to bathe?"
+
+"Why should I go down to bathe at the very end of the season
+when I haven't been in the surf all summer," replied the woman,
+disagreeably.
+
+"I beg your pardon," offered Edna, in some embarrassment, for
+she should have remembered that Mademoiselle Reisz's avoidance of
+the water had furnished a theme for much pleasantry. Some among
+them thought it was on account of her false hair, or the dread of
+getting the violets wet, while others attributed it to the natural
+aversion for water sometimes believed to accompany the artistic
+temperament. Mademoiselle offered Edna some chocolates in a paper
+bag, which she took from her pocket, by way of showing that she
+bore no ill feeling. She habitually ate chocolates for their
+sustaining quality; they contained much nutriment in small compass,
+she said. They saved her from starvation, as Madame Lebrun's table
+was utterly impossible; and no one save so impertinent a woman as
+Madame Lebrun could think of offering such food to people and
+requiring them to pay for it.
+
+ "She must feel very lonely without her son," said Edna,
+desiring to change the subject. "Her favorite son, too. It must
+have been quite hard to let him go."
+
+Mademoiselle laughed maliciously.
+
+"Her favorite son! Oh, dear! Who could have been imposing such
+a tale upon you? Aline Lebrun lives for Victor, and for Victor
+alone. She has spoiled him into the worthless creature he is. She
+worships him and the ground he walks on. Robert is very well in a
+way, to give up all the money he can earn to the family, and keep
+the barest pittance for himself. Favorite son, indeed! I miss the
+poor fellow myself, my dear. I liked to see him and to hear him
+about the place the only Lebrun who is worth a pinch of salt.
+He comes to see me often in the city. I like to play to
+him. That Victor! hanging would be too good for him.
+It's a wonder Robert hasn't beaten him to death long ago."
+
+"I thought he had great patience with his brother," offered
+Edna, glad to be talking about Robert, no matter what was said.
+
+"Oh! he thrashed him well enough a year or two ago," said
+Mademoiselle. "It was about a Spanish girl, whom Victor considered
+that he had some sort of claim upon. He met Robert one day talking
+to the girl, or walking with her, or bathing with her, or carrying
+her basket--I don't remember what;--and he became so insulting and
+abusive that Robert gave him a thrashing on the spot that has kept
+him comparatively in order for a good while. It's about time he
+was getting another."
+
+"Was her name Mariequita?" asked Edna.
+
+"Mariequita--yes, that was it; Mariequita. I had forgotten.
+Oh, she's a sly one, and a bad one, that Mariequita!"
+
+Edna looked down at Mademoiselle Reisz and wondered how she
+could have listened to her venom so long. For some reason she felt
+depressed, almost unhappy. She had not intended to go into the
+water; but she donned her bathing suit, and left Mademoiselle
+alone, seated under the shade of the children's tent. The water
+was growing cooler as the season advanced. Edna plunged and swam
+about with an abandon that thrilled and invigorated her. She
+remained a long time in the water, half hoping that Mademoiselle
+Reisz would not wait for her.
+
+But Mademoiselle waited. She was very amiable during the walk
+back, and raved much over Edna's appearance in her bathing suit.
+She talked about music. She hoped that Edna would go to see her in
+the city, and wrote her address with the stub of a pencil on a
+piece of card which she found in her pocket.
+
+"When do you leave?" asked Edna.
+
+"Next Monday; and you?"
+
+"The following week," answered Edna, adding, "It has been
+a pleasant summer, hasn't it, Mademoiselle?"
+
+"Well," agreed Mademoiselle Reisz, with a shrug, "rather pleasant,
+if it hadn't been for the mosquitoes and the Farival twins."
+
+
+
+
+XVII
+
+
+
+The Pontelliers possessed a very charming home on Esplanade
+Street in New Orleans. It was a large, double cottage, with a
+broad front veranda, whose round, fluted columns supported the
+sloping roof. The house was painted a dazzling white; the outside
+shutters, or jalousies, were green. In the yard, which was kept
+scrupulously neat, were flowers and plants of every description
+which flourishes in South Louisiana. Within doors the appointments
+were perfect after the conventional type. The softest carpets and
+rugs covered the floors; rich and tasteful draperies hung at doors
+and windows. There were paintings, selected with judgment and
+discrimination, upon the walls. The cut glass, the silver, the
+heavy damask which daily appeared upon the table were the envy of
+many women whose husbands were less generous than Mr. Pontellier.
+
+Mr. Pontellier was very fond of walking about his house
+examining its various appointments and details, to see that nothing
+was amiss. He greatly valued his possessions, chiefly because they
+were his, and derived genuine pleasure from contemplating a
+painting, a statuette, a rare lace curtain--no matter what--after
+he had bought it and placed it among his household gods.
+
+On Tuesday afternoons--Tuesday being Mrs. Pontellier's
+reception day--there was a constant stream of callers--women who
+came in carriages or in the street cars, or walked when the air was
+soft and distance permitted. A light-colored mulatto boy,
+in dress coat and bearing a diminutive silver tray
+for the reception of cards, admitted them. A maid,
+in white fluted cap, offered the callers liqueur, coffee,
+or chocolate, as they might desire. Mrs. Pontellier, attired in a
+handsome reception gown, remained in the drawing-room the entire
+afternoon receiving her visitors. Men sometimes called in the
+evening with their wives.
+
+This had been the programme which Mrs. Pontellier had
+religiously followed since her marriage, six years before. Certain
+evenings during the week she and her husband attended the opera or
+sometimes the play.
+
+Mr. Pontellier left his home in the mornings between nine and
+ten o'clock, and rarely returned before half-past six or seven in
+the evening--dinner being served at half-past seven.
+
+He and his wife seated themselves at table one Tuesday
+evening, a few weeks after their return from Grand Isle. They were
+alone together. The boys were being put to bed; the patter of
+their bare, escaping feet could be heard occasionally, as well as
+the pursuing voice of the quadroon, lifted in mild protest and
+entreaty. Mrs. Pontellier did not wear her usual Tuesday reception
+gown; she was in ordinary house dress. Mr. Pontellier, who was
+observant about such things, noticed it, as he served the soup and
+handed it to the boy in waiting.
+
+"Tired out, Edna? Whom did you have? Many callers?" he asked.
+He tasted his soup and began to season it with pepper, salt,
+vinegar, mustard--everything within reach.
+
+"There were a good many," replied Edna, who was eating her
+soup with evident satisfaction. "I found their cards when I got
+home; I was out."
+
+"Out!" exclaimed her husband, with something like genuine
+consternation in his voice as he laid down the vinegar cruet and
+looked at her through his glasses. "Why, what could have taken you
+out on Tuesday? What did you have to do?"
+
+"Nothing. I simply felt like going out, and I went out."
+
+"Well, I hope you left some suitable excuse," said her husband,
+somewhat appeased, as he added a dash of cayenne pepper to the soup.
+
+"No, I left no excuse. I told Joe to say I was out, that was all."
+
+"Why, my dear, I should think you'd understand by this time
+that people don't do such things; we've got to observe les
+convenances if we ever expect to get on and keep up with the
+procession. If you felt that you had to leave home this afternoon,
+you should have left some suitable explanation for your absence.
+
+"This soup is really impossible; it's strange that woman
+hasn't learned yet to make a decent soup. Any free-lunch stand in
+town serves a better one. Was Mrs. Belthrop here?"
+
+"Bring the tray with the cards, Joe. I don't remember who was here."
+
+The boy retired and returned after a moment, bringing the tiny
+silver tray, which was covered with ladies' visiting cards. He
+handed it to Mrs. Pontellier.
+
+"Give it to Mr. Pontellier," she said.
+
+Joe offered the tray to Mr. Pontellier, and removed the soup.
+
+Mr. Pontellier scanned the names of his wife's callers,
+reading some of them aloud, with comments as he read.
+
+"`The Misses Delasidas.' I worked a big deal in futures for
+their father this morning; nice girls; it's time they were getting
+married. `Mrs. Belthrop.' I tell you what it is, Edna; you can't
+afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us
+ten times over. His business is worth a good, round sum to me.
+You'd better write her a note. `Mrs. James Highcamp.' Hugh! the
+less you have to do with Mrs. Highcamp, the better. `Madame
+Laforce.' Came all the way from Carrolton, too, poor old soul.
+'Miss Wiggs,' `Mrs. Eleanor Boltons.'" He pushed the cards aside.
+
+"Mercy!" exclaimed Edna, who had been fuming. "Why are you
+taking the thing so seriously and making such a fuss over it?"
+
+"I'm not making any fuss over it. But it's just such seeming trifles
+that we've got to take seriously; such things count."
+
+The fish was scorched. Mr. Pontellier would not touch it.
+Edna said she did not mind a little scorched taste. The roast was
+in some way not to his fancy, and he did not like the manner in
+which the vegetables were served.
+
+"It seems to me," he said, "we spend money enough in this
+house to procure at least one meal a day which a man could eat and
+retain his self-respect."
+
+"You used to think the cook was a treasure," returned Edna,
+indifferently.
+
+"Perhaps she was when she first came; but cooks are only
+human. They need looking after, like any other class of persons
+that you employ. Suppose I didn't look after the clerks in my
+office, just let them run things their own way; they'd soon make a
+nice mess of me and my business."
+
+"Where are you going?" asked Edna, seeing that her husband
+arose from table without having eaten a morsel except a taste of
+the highly-seasoned soup.
+
+"I'm going to get my dinner at the club. Good night." He went
+into the hall, took his hat and stick from the stand, and left the
+house.
+
+She was somewhat familiar with such scenes. They had often
+made her very unhappy. On a few previous occasions she had been
+completely deprived of any desire to finish her dinner. Sometimes
+she had gone into the kitchen to administer a tardy rebuke to the
+cook. Once she went to her room and studied the cookbook during an
+entire evening, finally writing out a menu for the week, which left
+her harassed with a feeling that, after all, she had accomplished
+no good that was worth the name.
+
+But that evening Edna finished her dinner alone, with forced
+deliberation. Her face was flushed and her eyes flamed with some
+inward fire that lighted them. After finishing her dinner she went
+to her room, having instructed the boy to tell any other callers
+that she was indisposed.
+
+It was a large, beautiful room, rich and picturesque in
+the soft, dim light which the maid had turned low. She went
+and stood at an open window and looked out upon the deep tangle
+of the garden below. All the mystery and witchery of the night
+seemed to have gathered there amid the perfumes and the dusky
+and tortuous outlines of flowers and foliage. She was seeking
+herself and finding herself in just such sweet, half-darkness which
+met her moods. But the voices were not soothing that came to her
+from the darkness and the sky above and the stars. They jeered and
+sounded mournful notes without promise, devoid even of hope. She
+turned back into the room and began to walk to and fro down its
+whole length, without stopping, without resting. She carried in
+her hands a thin handkerchief, which she tore into ribbons, rolled
+into a ball, and flung from her. Once she stopped, and taking off
+her wedding ring, flung it upon the carpet. When she saw it lying
+there, she stamped her heel upon it, striving to crush it. But her
+small boot heel did not make an indenture, not a mark upon the
+little glittering circlet.
+
+In a sweeping passion she seized a glass vase from the table
+and flung it upon the tiles of the hearth. She wanted to destroy
+something. The crash and clatter were what she wanted to hear.
+
+A maid, alarmed at the din of breaking glass, entered the room
+to discover what was the matter.
+
+"A vase fell upon the hearth," said Edna. "Never mind; leave
+it till morning."
+
+"Oh! you might get some of the glass in your feet, ma'am,"
+insisted the young woman, picking up bits of the broken vase that
+were scattered upon the carpet. "And here's your ring, ma'am,
+under the chair."
+
+Edna held out her hand, and taking the ring, slipped it upon
+her finger.
+
+
+
+
+XVIII
+
+
+
+The following morning Mr. Pontellier, upon leaving for his
+office, asked Edna if she would not meet him in town in order to
+look at some new fixtures for the library.
+
+"I hardly think we need new fixtures, Leonce. Don't let us
+get anything new; you are too extravagant. I don't believe you
+ever think of saving or putting by."
+
+"The way to become rich is to make money, my dear Edna, not to
+save it," he said. He regretted that she did not feel inclined to
+go with him and select new fixtures. He kissed her good-by, and
+told her she was not looking well and must take care of herself.
+She was unusually pale and very quiet.
+
+She stood on the front veranda as he quitted the house, and
+absently picked a few sprays of jessamine that grew upon a trellis
+near by. She inhaled the odor of the blossoms and thrust them into
+the bosom of her white morning gown. The boys were dragging along
+the banquette a small "express wagon," which they had filled with
+blocks and sticks. The quadroon was following them with little
+quick steps, having assumed a fictitious animation and alacrity for
+the occasion. A fruit vender was crying his wares in the street.
+
+Edna looked straight before her with a self-absorbed
+expression upon her face. She felt no interest in anything about
+her. The street, the children, the fruit vender, the flowers
+growing there under her eyes, were all part and parcel of an alien
+world which had suddenly become antagonistic.
+
+She went back into the house. She had thought of speaking to
+the cook concerning her blunders of the previous night; but Mr.
+Pontellier had saved her that disagreeable mission, for which
+she was so poorly fitted. Mr. Pontellier's arguments were usually
+convincing with those whom he employed. He left home feeling quite sure
+that he and Edna would sit down that evening, and possibly a few
+subsequent evenings, to a dinner deserving of the name.
+
+Edna spent an hour or two in looking over some of her old
+sketches. She could see their shortcomings and defects, which were
+glaring in her eyes. She tried to work a little, but found she was
+not in the humor. Finally she gathered together a few of the
+sketches--those which she considered the least discreditable; and
+she carried them with her when, a little later, she dressed and
+left the house. She looked handsome and distinguished in her
+street gown. The tan of the seashore had left her face, and her
+forehead was smooth, white, and polished beneath her heavy,
+yellow-brown hair. There were a few freckles on her face, and a small,
+dark mole near the under lip and one on the temple, half-hidden in
+her hair.
+
+As Edna walked along the street she was thinking of Robert.
+She was still under the spell of her infatuation. She had tried to
+forget him, realizing the inutility of remembering. But the
+thought of him was like an obsession, ever pressing itself upon
+her. It was not that she dwelt upon details of their acquaintance,
+or recalled in any special or peculiar way his personality; it was
+his being, his existence, which dominated her thought, fading
+sometimes as if it would melt into the mist of the forgotten,
+reviving again with an intensity which filled her with an
+incomprehensible longing.
+
+Edna was on her way to Madame Ratignolle's. Their intimacy,
+begun at Grand Isle, had not declined, and they had seen each other
+with some frequency since their return to the city. The
+Ratignolles lived at no great distance from Edna's home, on the
+corner of a side street, where Monsieur Ratignolle owned and
+conducted a drug store which enjoyed a steady and prosperous trade.
+His father had been in the business before him, and Monsieur
+Ratignolle stood well in the community and bore an enviable
+reputation for integrity and clearheadedness. His family
+lived in commodious apartments over the store, having an entrance
+on the side within the porte cochere. There was something
+which Edna thought very French, very foreign, about their whole
+manner of living. In the large and pleasant salon which extended
+across the width of the house, the Ratignolles entertained their
+friends once a fortnight with a soiree musicale, sometimes
+diversified by card-playing. There was a friend who played upon
+the 'cello. One brought his flute and another his violin, while
+there were some who sang and a number who performed upon the piano
+with various degrees of taste and agility. The Ratignolles' soirees
+musicales were widely known, and it was considered a privilege
+to be invited to them.
+
+Edna found her friend engaged in assorting the clothes which
+had returned that morning from the laundry. She at once abandoned
+her occupation upon seeing Edna, who had been ushered without
+ceremony into her presence.
+
+"`Cite can do it as well as I; it is really her business," she
+explained to Edna, who apologized for interrupting her. And she
+summoned a young black woman, whom she instructed, in French, to be
+very careful in checking off the list which she handed her. She
+told her to notice particularly if a fine linen handkerchief of
+Monsieur Ratignolle's, which was missing last week, had been
+returned; and to be sure to set to one side such pieces as required
+mending and darning.
+
+Then placing an arm around Edna's waist, she led her to the
+front of the house, to the salon, where it was cool and sweet with
+the odor of great roses that stood upon the hearth in jars.
+
+Madame Ratignolle looked more beautiful than ever there at
+home, in a neglige which left her arms almost wholly bare and
+exposed the rich, melting curves of her white throat.
+
+"Perhaps I shall be able to paint your picture some day," said
+Edna with a smile when they were seated. She produced the roll of
+sketches and started to unfold them. "I believe I ought to work again.
+I feel as if I wanted to be doing something. What do you think of them?
+Do you think it worth while to take it up again and study some more?
+I might study for a while with Laidpore."
+
+She knew that Madame Ratignolle's opinion in such a matter
+would be next to valueless, that she herself had not alone decided,
+but determined; but she sought the words of praise and
+encouragement that would help her to put heart into her venture.
+
+"Your talent is immense, dear!"
+
+"Nonsense!" protested Edna, well pleased.
+
+"Immense, I tell you," persisted Madame Ratignolle, surveying
+the sketches one by one, at close range, then holding them at arm's
+length, narrowing her eyes, and dropping her head on one side.
+"Surely, this Bavarian peasant is worthy of framing; and this
+basket of apples! never have I seen anything more lifelike. One
+might almost be tempted to reach out a hand and take one."
+
+Edna could not control a feeling which bordered upon
+complacency at her friend's praise, even realizing, as she did, its
+true worth. She retained a few of the sketches, and gave all the
+rest to Madame Ratignolle, who appreciated the gift far beyond its
+value and proudly exhibited the pictures to her husband when he
+came up from the store a little later for his midday dinner.
+
+Mr. Ratignolle was one of those men who are called the salt of
+the earth. His cheerfulness was unbounded, and it was matched by
+his goodness of heart, his broad charity, and common sense. He and
+his wife spoke English with an accent which was only discernible
+through its un-English emphasis and a certain carefulness and
+deliberation. Edna's husband spoke English with no accent
+whatever. The Ratignolles understood each other perfectly. If
+ever the fusion of two human beings into one has been accomplished
+on this sphere it was surely in their union.
+
+As Edna seated herself at table with them she thought, "Better
+a dinner of herbs," though it did not take her long to discover
+that it was no dinner of herbs, but a delicious repast,
+simple, choice, and in every way satisfying.
+
+Monsieur Ratignolle was delighted to see her, though he found
+her looking not so well as at Grand Isle, and he advised a tonic.
+He talked a good deal on various topics, a little politics, some
+city news and neighborhood gossip. He spoke with an animation and
+earnestness that gave an exaggerated importance to every syllable
+he uttered. His wife was keenly interested in everything he said,
+laying down her fork the better to listen, chiming in, taking the
+words out of his mouth.
+
+Edna felt depressed rather than soothed after leaving them.
+The little glimpse of domestic harmony which had been offered her,
+gave her no regret, no longing. It was not a condition of life
+which fitted her, and she could see in it but an appalling and
+hopeless ennui. She was moved by a kind of commiseration for
+Madame Ratignolle,--a pity for that colorless existence which never
+uplifted its possessor beyond the region of blind contentment, in
+which no moment of anguish ever visited her soul, in which she
+would never have the taste of life's delirium. Edna vaguely
+wondered what she meant by "life's delirium." It had crossed her
+thought like some unsought, extraneous impression.
+
+
+
+
+XIX
+
+
+
+Edna could not help but think that it was very foolish, very
+childish, to have stamped upon her wedding ring and smashed the
+crystal vase upon the tiles. She was visited by no more outbursts,
+moving her to such futile expedients. She began to do as she liked
+and to feel as she liked. She completely abandoned her Tuesdays at
+home, and did not return the visits of those who had called upon her.
+She made no ineffectual efforts to conduct her household en
+bonne menagere, going and coming as it suited her fancy, and,
+so far as she was able, lending herself to any passing caprice.
+
+Mr. Pontellier had been a rather courteous husband so long as
+he met a certain tacit submissiveness in his wife. But her new and
+unexpected line of conduct completely bewildered him. It shocked
+him. Then her absolute disregard for her duties as a wife angered
+him. When Mr. Pontellier became rude, Edna grew insolent. She had
+resolved never to take another step backward.
+
+"It seems to me the utmost folly for a woman at the head of a
+household, and the mother of children, to spend in an atelier days
+which would be better employed contriving for the comfort of her
+family."
+
+"I feel like painting," answered Edna. "Perhaps I shan't
+always feel like it."
+
+"Then in God's name paint! but don't let the family go to the
+devil. There's Madame Ratignolle; because she keeps up her music,
+she doesn't let everything else go to chaos. And she's more of a
+musician than you are a painter."
+
+"She isn't a musician, and I'm not a painter. It isn't on
+account of painting that I let things go."
+
+"On account of what, then?"
+
+"Oh! I don't know. Let me alone; you bother me."
+
+It sometimes entered Mr. Pontellier's mind to wonder if his
+wife were not growing a little unbalanced mentally. He could see
+plainly that she was not herself. That is, he could not see that
+she was becoming herself and daily casting aside that fictitious
+self which we assume like a garment with which to appear before the
+world.
+
+Her husband let her alone as she requested, and went away to
+his office. Edna went up to her atelier--a bright room in the top
+of the house. She was working with great energy and interest,
+without accomplishing anything, however, which satisfied her even
+in the smallest degree. For a time she had the whole household
+enrolled in the service of art. The boys posed for her. They thought
+it amusing at first, but the occupation soon lost its attractiveness
+when they discovered that it was not a game arranged especially for
+their entertainment. The quadroon sat for hours before Edna's
+palette, patient as a savage, while the house-maid took charge of
+the children, and the drawing-room went undusted. But the
+housemaid, too, served her term as model when Edna perceived that the
+young woman's back and shoulders were molded on classic lines, and
+that her hair, loosened from its confining cap, became an
+inspiration. While Edna worked she sometimes sang low the little
+air, "Ah! si tu savais!"
+
+It moved her with recollections. She could hear again the
+ripple of the water, the flapping sail. She could see the glint of
+the moon upon the bay, and could feel the soft, gusty beating of
+the hot south wind. A subtle current of desire passed through her
+body, weakening her hold upon the brushes and making her eyes burn.
+
+There were days when she was very happy without knowing why.
+She was happy to be alive and breathing, when her whole being
+seemed to be one with the sunlight, the color, the odors, the
+luxuriant warmth of some perfect Southern day. She liked then to
+wander alone into strange and unfamiliar places. She discovered
+many a sunny, sleepy corner, fashioned to dream in. And she found
+it good to dream and to be alone and unmolested.
+
+There were days when she was unhappy, she did not know
+why,--when it did not seem worth while to be glad or sorry, to be alive
+or dead; when life appeared to her like a grotesque pandemonium and
+humanity like worms struggling blindly toward inevitable
+annihilation. She could not work on such a day, nor weave fancies
+to stir her pulses and warm her blood.
+
+
+
+
+XX
+
+
+
+It was during such a mood that Edna hunted up Mademoiselle
+Reisz. She had not forgotten the rather disagreeable impression
+left upon her by their last interview; but she nevertheless felt a
+desire to see her--above all, to listen while she played upon the
+piano. Quite early in the afternoon she started upon her quest for
+the pianist. Unfortunately she had mislaid or lost Mademoiselle
+Reisz's card, and looking up her address in the city directory, she
+found that the woman lived on Bienville Street, some distance away.
+The directory which fell into her hands was a year or more old,
+however, and upon reaching the number indicated, Edna discovered
+that the house was occupied by a respectable family of mulattoes
+who had chambres garnies to let. They had been living there
+for six months, and knew absolutely nothing of a Mademoiselle
+Reisz. In fact, they knew nothing of any of their neighbors; their
+lodgers were all people of the highest distinction, they assured
+Edna. She did not linger to discuss class distinctions with Madame
+Pouponne, but hastened to a neighboring grocery store, feeling sure
+that Mademoiselle would have left her address with the proprietor.
+
+He knew Mademoiselle Reisz a good deal better than he wanted
+to know her, he informed his questioner. In truth, he did not want
+to know her at all, or anything concerning her--the most
+disagreeable and unpopular woman who ever lived in Bienville
+Street. He thanked heaven she had left the neighborhood, and was
+equally thankful that he did not know where she had gone.
+
+Edna's desire to see Mademoiselle Reisz had increased tenfold
+since these unlooked-for obstacles had arisen to thwart it.
+She was wondering who could give her the information she sought,
+when it suddenly occurred to her that Madame Lebrun would be
+the one most likely to do so. She knew it was useless to ask
+Madame Ratignolle, who was on the most distant terms with
+the musician, and preferred to know nothing concerning her.
+She had once been almost as emphatic in expressing herself
+upon the subject as the corner grocer.
+
+Edna knew that Madame Lebrun had returned to the city, for it
+was the middle of November. And she also knew where the Lebruns
+lived, on Chartres Street.
+
+Their home from the outside looked like a prison, with iron
+bars before the door and lower windows. The iron bars were a relic
+of the old regime, and no one had ever thought of dislodging
+them. At the side was a high fence enclosing the garden. A gate
+or door opening upon the street was locked. Edna rang the bell at
+this side garden gate, and stood upon the banquette, waiting to be
+admitted.
+
+It was Victor who opened the gate for her. A black woman,
+wiping her hands upon her apron, was close at his heels. Before
+she saw them Edna could hear them in altercation, the
+woman--plainly an anomaly--claiming the right to be allowed to perform her
+duties, one of which was to answer the bell.
+
+Victor was surprised and delighted to see Mrs. Pontellier, and
+he made no attempt to conceal either his astonishment or his
+delight. He was a dark-browed, good-looking youngster of nineteen,
+greatly resembling his mother, but with ten times her impetuosity.
+He instructed the black woman to go at once and inform Madame
+Lebrun that Mrs. Pontellier desired to see her. The woman grumbled
+a refusal to do part of her duty when she had not been permitted to
+do it all, and started back to her interrupted task of weeding the
+garden. Whereupon Victor administered a rebuke in the form of a
+volley of abuse, which, owing to its rapidity and incoherence, was
+all but incomprehensible to Edna. Whatever it was, the rebuke was
+convincing, for the woman dropped her hoe and went mumbling into
+the house.
+
+Edna did not wish to enter. It was very pleasant there on the
+side porch, where there were chairs, a wicker lounge, and a small
+table. She seated herself, for she was tired from her long tramp;
+and she began to rock gently and smooth out the folds of her silk
+parasol. Victor drew up his chair beside her. He at once
+explained that the black woman's offensive conduct was all due to
+imperfect training, as he was not there to take her in hand. He
+had only come up from the island the morning before, and expected
+to return next day. He stayed all winter at the island; he lived
+there, and kept the place in order and got things ready for the
+summer visitors.
+
+But a man needed occasional relaxation, he informed Mrs.
+Pontellier, and every now and again he drummed up a pretext to
+bring him to the city. My! but he had had a time of it the evening
+before! He wouldn't want his mother to know, and he began to talk
+in a whisper. He was scintillant with recollections. Of course,
+he couldn't think of telling Mrs. Pontellier all about it, she
+being a woman and not comprehending such things. But it all began
+with a girl peeping and smiling at him through the shutters as he
+passed by. Oh! but she was a beauty! Certainly he smiled back, and
+went up and talked to her. Mrs. Pontellier did not know him if she
+supposed he was one to let an opportunity like that escape him.
+Despite herself, the youngster amused her. She must have betrayed
+in her look some degree of interest or entertainment. The boy grew
+more daring, and Mrs. Pontellier might have found herself, in a
+little while, listening to a highly colored story but for the
+timely appearance of Madame Lebrun.
+
+That lady was still clad in white, according to her custom of the summer.
+Her eyes beamed an effusive welcome. Would not Mrs. Pontellier go inside?
+Would she partake of some refreshment? Why had she not been there before?
+How was that dear Mr. Pontellier and how were those sweet children?
+Had Mrs. Pontellier ever known such a warm November?
+
+Victor went and reclined on the wicker lounge behind his mother's chair,
+where he commanded a view of Edna's face. He had taken her parasol
+from her hands while he spoke to her, and he now lifted it and
+twirled it above him as he lay on his back. When Madame Lebrun
+complained that it was so dull coming back to the city;
+that she saw so few people now; that even Victor, when he came
+up from the island for a day or two, had so much to occupy him
+and engage his time; then it was that the youth went into
+contortions on the lounge and winked mischievously at Edna.
+She somehow felt like a confederate in crime, and tried to look
+severe and disapproving.
+
+There had been but two letters from Robert, with little in
+them, they told her. Victor said it was really not worth while to
+go inside for the letters, when his mother entreated him to go in
+search of them. He remembered the contents, which in truth he
+rattled off very glibly when put to the test.
+
+One letter was written from Vera Cruz and the other from the
+City of Mexico. He had met Montel, who was doing everything toward
+his advancement. So far, the financial situation was no
+improvement over the one he had left in New Orleans, but of course
+the prospects were vastly better. He wrote of the City of Mexico,
+the buildings, the people and their habits, the conditions of life
+which he found there. He sent his love to the family. He inclosed
+a check to his mother, and hoped she would affectionately remember
+him to all his friends. That was about the substance of the two
+letters. Edna felt that if there had been a message for her, she
+would have received it. The despondent frame of mind in which she
+had left home began again to overtake her, and she remembered that
+she wished to find Mademoiselle Reisz.
+
+Madame Lebrun knew where Mademoiselle Reisz lived. She gave
+Edna the address, regretting that she would not consent to stay and
+spend the remainder of the afternoon, and pay a visit to
+Mademoiselle Reisz some other day. The afternoon was already well
+advanced.
+
+Victor escorted her out upon the banquette, lifted her parasol,
+and held it over her while he walked to the car with her.
+He entreated her to bear in mind that the disclosures of
+the afternoon were strictly confidential. She laughed
+and bantered him a little, remembering too late that she
+should have been dignified and reserved.
+
+"How handsome Mrs. Pontellier looked!" said Madame Lebrun
+to her son.
+
+"Ravishing!" he admitted. "The city atmosphere has improved her.
+Some way she doesn't seem like the same woman."
+
+
+
+
+XXI
+
+
+
+Some people contended that the reason Mademoiselle Reisz
+always chose apartments up under the roof was to discourage the
+approach of beggars, peddlars and callers. There were plenty of
+windows in her little front room. They were for the most part
+dingy, but as they were nearly always open it did not make so much
+difference. They often admitted into the room a good deal of smoke
+and soot; but at the same time all the light and air that there was
+came through them. From her windows could be seen the crescent of
+the river, the masts of ships and the big chimneys of the
+Mississippi steamers. A magnificent piano crowded the apartment.
+In the next room she slept, and in the third and last she harbored
+a gasoline stove on which she cooked her meals when disinclined to
+descend to the neighboring restaurant. It was there also that she
+ate, keeping her belongings in a rare old buffet, dingy and
+battered from a hundred years of use.
+
+When Edna knocked at Mademoiselle Reisz's front room door and
+entered, she discovered that person standing beside the window,
+engaged in mending or patching an old prunella gaiter. The little
+musician laughed all over when she saw Edna. Her laugh consisted
+of a contortion of the face and all the muscles of the body.
+She seemed strikingly homely, standing there in the afternoon light.
+She still wore the shabby lace and the artificial bunch of violets
+on the side of her head.
+
+"So you remembered me at last," said Mademoiselle.
+"I had said to myself, `Ah, bah! she will never come.'"
+
+"Did you want me to come?" asked Edna with a smile.
+
+"I had not thought much about it," answered Mademoiselle. The
+two had seated themselves on a little bumpy sofa which stood
+against the wall. "I am glad, however, that you came. I have the
+water boiling back there, and was just about to make some coffee.
+You will drink a cup with me. And how is la belle dame?
+Always handsome! always healthy! always contented!" She took Edna's
+hand between her strong wiry fingers, holding it loosely without warmth,
+and executing a sort of double theme upon the back and palm.
+
+"Yes," she went on; "I sometimes thought: `She will never
+come. She promised as those women in society always do, without
+meaning it. She will not come.' For I really don't believe you
+like me, Mrs. Pontellier."
+
+"I don't know whether I like you or not," replied Edna, gazing
+down at the little woman with a quizzical look.
+
+The candor of Mrs. Pontellier's admission greatly pleased
+Mademoiselle Reisz. She expressed her gratification by repairing
+forthwith to the region of the gasoline stove and rewarding her
+guest with the promised cup of coffee. The coffee and the biscuit
+accompanying it proved very acceptable to Edna, who had declined
+refreshment at Madame Lebrun's and was now beginning to feel
+hungry. Mademoiselle set the tray which she brought in upon a
+small table near at hand, and seated herself once again on the
+lumpy sofa.
+
+"I have had a letter from your friend," she remarked, as she
+poured a little cream into Edna's cup and handed it to her.
+
+"My friend?"
+
+"Yes, your friend Robert. He wrote to me from the City of Mexico."
+
+"Wrote to YOU?" repeated Edna in amazement, stirring her coffee absently.
+
+"Yes, to me. Why not? Don't stir all the warmth out of your
+coffee; drink it. Though the letter might as well have been sent
+to you; it was nothing but Mrs. Pontellier from beginning to end."
+
+"Let me see it," requested the young woman, entreatingly.
+
+"No; a letter concerns no one but the person who writes it and
+the one to whom it is written."
+
+"Haven't you just said it concerned me from beginning to end?"
+
+"It was written about you, not to you. `Have you seen Mrs.
+Pontellier? How is she looking?' he asks. `As Mrs. Pontellier
+says,' or `as Mrs. Pontellier once said.' `If Mrs. Pontellier
+should call upon you, play for her that Impromptu of Chopin's, my
+favorite. I heard it here a day or two ago, but not as you play
+it. I should like to know how it affects her,' and so on, as if he
+supposed we were constantly in each other's society."
+
+"Let me see the letter."
+
+"Oh, no."
+
+"Have you answered it?"
+
+"No."
+
+"Let me see the letter."
+
+"No, and again, no."
+
+"Then play the Impromptu for me."
+
+"It is growing late; what time do you have to be home?"
+
+"Time doesn't concern me. Your question seems a little rude.
+Play the Impromptu."
+
+"But you have told me nothing of yourself. What are you doing?"
+
+"Painting!" laughed Edna. "I am becoming an artist. Think of it!"
+
+"Ah! an artist! You have pretensions, Madame."
+
+"Why pretensions? Do you think I could not become an artist?"
+
+"I do not know you well enough to say. I do not know your
+talent or your temperament. To be an artist includes much;
+one must possess many gifts--absolute gifts--which have not
+been acquired by one's own effort. And, moreover, to succeed, the
+artist must possess the courageous soul."
+
+"What do you mean by the courageous soul?"
+
+"Courageous, ma foi! The brave soul. The soul that dares
+and defies."
+
+"Show me the letter and play for me the Impromptu. You see that
+I have persistence. Does that quality count for anything in art?"
+
+"It counts with a foolish old woman whom you have captivated,"
+replied Mademoiselle, with her wriggling laugh.
+
+The letter was right there at hand in the drawer of the little
+table upon which Edna had just placed her coffee cup. Mademoiselle
+opened the drawer and drew forth the letter, the topmost one. She
+placed it in Edna's hands, and without further comment arose and
+went to the piano.
+
+Mademoiselle played a soft interlude. It was an
+improvisation. She sat low at the instrument, and the lines of her body
+settled into ungraceful curves and angles that gave it an
+appearance of deformity. Gradually and imperceptibly the interlude
+melted into the soft opening minor chords of the Chopin Impromptu.
+
+Edna did not know when the Impromptu began or ended. She sat
+in the sofa corner reading Robert's letter by the fading light.
+Mademoiselle had glided from the Chopin into the quivering
+lovenotes of Isolde's song, and back again to the Impromptu with its
+soulful and poignant longing.
+
+The shadows deepened in the little room. The music grew
+strange and fantastic--turbulent, insistent, plaintive and soft
+with entreaty. The shadows grew deeper. The music filled the
+room. It floated out upon the night, over the housetops, the
+crescent of the river, losing itself in the silence of the upper
+air.
+
+Edna was sobbing, just as she had wept one midnight at Grand
+Isle when strange, new voices awoke in her. She arose in some agitation
+to take her departure. "May I come again, Mademoiselle?" she asked
+at the threshold.
+
+"Come whenever you feel like it. Be careful; the stairs and
+landings are dark; don't stumble."
+
+Mademoiselle reentered and lit a candle. Robert's letter was
+on the floor. She stooped and picked it up. It was crumpled and
+damp with tears. Mademoiselle smoothed the letter out, restored it
+to the envelope, and replaced it in the table drawer.
+
+
+
+
+XXII
+
+
+
+One morning on his way into town Mr. Pontellier stopped at the
+house of his old friend and family physician, Doctor Mandelet. The
+Doctor was a semi-retired physician, resting, as the saying is,
+upon his laurels. He bore a reputation for wisdom rather than
+skill--leaving the active practice of medicine to his assistants
+and younger contemporaries--and was much sought for in matters of
+consultation. A few families, united to him by bonds of
+friendship, he still attended when they required the services of a
+physician. The Pontelliers were among these.
+
+Mr. Pontellier found the Doctor reading at the open window of
+his study. His house stood rather far back from the street, in the
+center of a delightful garden, so that it was quiet and peaceful at
+the old gentleman's study window. He was a great reader. He
+stared up disapprovingly over his eye-glasses as Mr. Pontellier
+entered, wondering who had the temerity to disturb him at that hour
+of the morning.
+
+"Ah, Pontellier! Not sick, I hope. Come and have a seat.
+What news do you bring this morning?" He was quite portly, with a
+profusion of gray hair, and small blue eyes which age had robbed
+of much of their brightness but none of their penetration.
+
+"Oh! I'm never sick, Doctor. You know that I come of tough
+fiber--of that old Creole race of Pontelliers that dry up and
+finally blow away. I came to consult--no, not precisely to
+consult--to talk to you about Edna. I don't know what ails her."
+
+"Madame Pontellier not well," marveled the Doctor. "Why, I
+saw her--I think it was a week ago--walking along Canal Street, the
+picture of health, it seemed to me."
+
+"Yes, yes; she seems quite well," said Mr. Pontellier, leaning
+forward and whirling his stick between his two hands; "but she
+doesn't act well. She's odd, she's not like herself. I can't make
+her out, and I thought perhaps you'd help me."
+
+"How does she act?" inquired the Doctor.
+
+"Well, it isn't easy to explain," said Mr. Pontellier,
+throwing himself back in his chair. "She lets the housekeeping go
+to the dickens."
+
+"Well, well; women are not all alike, my dear Pontellier.
+We've got to consider--"
+
+"I know that; I told you I couldn't explain. Her whole
+attitude--toward me and everybody and everything--has changed. You
+know I have a quick temper, but I don't want to quarrel or be rude
+to a woman, especially my wife; yet I'm driven to it, and feel like
+ten thousand devils after I've made a fool of myself. She's making
+it devilishly uncomfortable for me," he went on nervously. "She's
+got some sort of notion in her head concerning the eternal rights
+of women; and--you understand--we meet in the morning at the
+breakfast table."
+
+The old gentleman lifted his shaggy eyebrows, protruded his
+thick nether lip, and tapped the arms of his chair with his
+cushioned fingertips.
+
+"What have you been doing to her, Pontellier?"
+
+"Doing! Parbleu!"
+
+"Has she," asked the Doctor, with a smile, "has she been associating
+of late with a circle of pseudo-intellectual women--super-spiritual
+superior beings? My wife has been telling me about them."
+
+"That's the trouble," broke in Mr. Pontellier, "she hasn't
+been associating with any one. She has abandoned her Tuesdays at
+home, has thrown over all her acquaintances, and goes tramping
+about by herself, moping in the street-cars, getting in after dark.
+I tell you she's peculiar. I don't like it; I feel a little
+worried over it."
+
+This was a new aspect for the Doctor. "Nothing hereditary?"
+he asked, seriously. "Nothing peculiar about her family
+antecedents, is there?"
+
+"Oh, no, indeed! She comes of sound old Presbyterian Kentucky
+stock. The old gentleman, her father, I have heard, used to atone
+for his weekday sins with his Sunday devotions. I know for a fact,
+that his race horses literally ran away with the prettiest bit of
+Kentucky farming land I ever laid eyes upon. Margaret--you know
+Margaret--she has all the Presbyterianism undiluted. And the
+youngest is something of a vixen. By the way, she gets married in a
+couple of weeks from now."
+
+"Send your wife up to the wedding," exclaimed the Doctor,
+foreseeing a happy solution. "Let her stay among her own people
+for a while; it will do her good."
+
+"That's what I want her to do. She won't go to the marriage.
+She says a wedding is one of the most lamentable spectacles on
+earth. Nice thing for a woman to say to her husband!" exclaimed
+Mr. Pontellier, fuming anew at the recollection.
+
+"Pontellier," said the Doctor, after a moment's reflection,
+"let your wife alone for a while. Don't bother her, and don't let
+her bother you. Woman, my dear friend, is a very peculiar and
+delicate organism--a sensitive and highly organized woman, such as
+I know Mrs. Pontellier to be, is especially peculiar. It would
+require an inspired psychologist to deal successfully with them.
+And when ordinary fellows like you and me attempt to cope with
+their idiosyncrasies the result is bungling. Most women are moody
+and whimsical. This is some passing whim of your wife, due to some
+cause or causes which you and I needn't try to fathom.
+But it will pass happily over, especially if you let her alone.
+Send her around to see me."
+
+"Oh! I couldn't do that; there'd be no reason for it,"
+objected Mr. Pontellier.
+
+"Then I'll go around and see her," said the Doctor. "I'll
+drop in to dinner some evening en bon ami.
+
+"Do! by all means," urged Mr. Pontellier. "What evening will
+you come? Say Thursday. Will you come Thursday?" he asked, rising
+to take his leave.
+
+"Very well; Thursday. My wife may possibly have some
+engagement for me Thursday. In case she has, I shall let you know.
+Otherwise, you may expect me."
+
+Mr. Pontellier turned before leaving to say:
+
+"I am going to New York on business very soon. I have a big
+scheme on hand, and want to be on the field proper to pull the
+ropes and handle the ribbons. We'll let you in on the inside if
+you say so, Doctor," he laughed.
+
+"No, I thank you, my dear sir," returned the Doctor. "I leave
+such ventures to you younger men with the fever of life still in
+your blood."
+
+"What I wanted to say," continued Mr. Pontellier, with his
+hand on the knob; "I may have to be absent a good while. Would you
+advise me to take Edna along?"
+
+"By all means, if she wishes to go. If not, leave her here.
+Don't contradict her. The mood will pass, I assure you. It may
+take a month, two, three months--possibly longer, but it will pass;
+have patience."
+
+"Well, good-by, a jeudi, " said Mr. Pontellier, as he let
+himself out.
+
+The Doctor would have liked during the course of conversation
+to ask, "Is there any man in the case?" but he knew his Creole too
+well to make such a blunder as that.
+
+He did not resume his book immediately, but sat for a while
+meditatively looking out into the garden.
+
+
+
+
+XXIII
+
+
+
+Edna's father was in the city, and had been with them several
+days. She was not very warmly or deeply attached to him, but they
+had certain tastes in common, and when together they were
+companionable. His coming was in the nature of a welcome
+disturbance; it seemed to furnish a new direction for her emotions.
+
+He had come to purchase a wedding gift for his daughter,
+Janet, and an outfit for himself in which he might make a
+creditable appearance at her marriage. Mr. Pontellier had selected
+the bridal gift, as every one immediately connected with him always
+deferred to his taste in such matters. And his suggestions on the
+question of dress--which too often assumes the nature of a
+problemwere of inestimable value to his father-in-law. But for the past
+few days the old gentleman had been upon Edna's hands, and in his
+society she was becoming acquainted with a new set of sensations.
+He had been a colonel in the Confederate army, and still
+maintained, with the title, the military bearing which had always
+accompanied it. His hair and mustache were white and silky,
+emphasizing the rugged bronze of his face. He was tall and thin, and
+wore his coats padded, which gave a fictitious breadth and depth to
+his shoulders and chest. Edna and her father looked very
+distinguished together, and excited a good deal of notice during
+their perambulations. Upon his arrival she began by introducing
+him to her atelier and making a sketch of him. He took the whole
+matter very seriously. If her talent had been ten-fold greater
+than it was, it would not have surprised him, convinced as he was
+that he had bequeathed to all of his daughters the germs of a
+masterful capability, which only depended upon their own efforts
+to be directed toward successful achievement.
+
+Before her pencil he sat rigid and unflinching, as he had
+faced the cannon's mouth in days gone by. He resented the
+intrusion of the children, who gaped with wondering eyes at him,
+sitting so stiff up there in their mother's bright atelier. When
+they drew near he motioned them away with an expressive action of
+the foot, loath to disturb the fixed lines of his countenance, his
+arms, or his rigid shoulders.
+
+Edna, anxious to entertain him, invited Mademoiselle Reisz to
+meet him, having promised him a treat in her piano playing; but
+Mademoiselle declined the invitation. So together they attended a
+soiree musicale at the Ratignolles'. Monsieur and Madame
+Ratignolle made much of the Colonel, installing him as the guest of
+honor and engaging him at once to dine with them the following
+Sunday, or any day which he might select. Madame coquetted with
+him in the most captivating and naive manner, with eyes, gestures,
+and a profusion of compliments, till the Colonel's old head felt
+thirty years younger on his padded shoulders. Edna marveled, not
+comprehending. She herself was almost devoid of coquetry.
+
+There were one or two men whom she observed at the soiree
+musicale; but she would never have felt moved to any kittenish
+display to attract their notice--to any feline or feminine wiles to
+express herself toward them. Their personality attracted her in an
+agreeable way. Her fancy selected them, and she was glad when a
+lull in the music gave them an opportunity to meet her and talk
+with her. Often on the street the glance of strange eyes had
+lingered in her memory, and sometimes had disturbed her.
+
+Mr. Pontellier did not attend these soirees musicales.
+He considered them bourgeois, and found more diversion at the club.
+To Madame Ratignolle he said the music dispensed at her soirees
+was too "heavy," too far beyond his untrained comprehension. His
+excuse flattered her. But she disapproved of Mr. Pontellier's
+club, and she was frank enough to tell Edna so.
+
+"It's a pity Mr. Pontellier doesn't stay home more in the
+evenings. I think you would be more--well, if you don't mind my
+saying it--more united, if he did."
+
+"Oh! dear no!" said Edna, with a blank look in her eyes.
+"What should I do if he stayed home? We wouldn't have anything to
+say to each other."
+
+She had not much of anything to say to her father, for that
+matter; but he did not antagonize her. She discovered that he
+interested her, though she realized that he might not interest her
+long; and for the first time in her life she felt as if she were
+thoroughly acquainted with him. He kept her busy serving him and
+ministering to his wants. It amused her to do so. She would not
+permit a servant or one of the children to do anything for him
+which she might do herself. Her husband noticed, and thought it
+was the expression of a deep filial attachment which he had never
+suspected.
+
+The Colonel drank numerous "toddies" during the course of the
+day, which left him, however, imperturbed. He was an expert at
+concocting strong drinks. He had even invented some, to which he
+had given fantastic names, and for whose manufacture he required
+diverse ingredients that it devolved upon Edna to procure for him.
+
+When Doctor Mandelet dined with the Pontelliers on Thursday he
+could discern in Mrs. Pontellier no trace of that morbid condition
+which her husband had reported to him. She was excited and in a
+manner radiant. She and her father had been to the race course,
+and their thoughts when they seated themselves at table were still
+occupied with the events of the afternoon, and their talk was still
+of the track. The Doctor had not kept pace with turf affairs. He
+had certain recollections of racing in what he called "the good old
+times" when the Lecompte stables flourished, and he drew upon this
+fund of memories so that he might not be left out and seem wholly
+devoid of the modern spirit. But he failed to impose upon the
+Colonel, and was even far from impressing him with this trumped-up
+knowledge of bygone days. Edna had staked her father on his last
+venture, with the most gratifying results to both of them.
+Besides, they had met some very charming people, according
+to the Colonel's impressions. Mrs. Mortimer Merriman and
+Mrs. James Highcamp, who were there with Alcee Arobin,
+had joined them and had enlivened the hours in a fashion
+that warmed him to think of.
+
+Mr. Pontellier himself had no particular leaning toward
+horseracing, and was even rather inclined to discourage it as a pastime,
+especially when he considered the fate of that blue-grass farm in
+Kentucky. He endeavored, in a general way, to express a particular
+disapproval, and only succeeded in arousing the ire and opposition
+of his father-in-law. A pretty dispute followed, in which Edna
+warmly espoused her father's cause and the Doctor remained neutral.
+
+He observed his hostess attentively from under his shaggy
+brows, and noted a subtle change which had transformed her from the
+listless woman he had known into a being who, for the moment,
+seemed palpitant with the forces of life. Her speech was warm and
+energetic. There was no repression in her glance or gesture. She
+reminded him of some beautiful, sleek animal waking up in the sun.
+
+The dinner was excellent. The claret was warm and the
+champagne was cold, and under their beneficent influence the
+threatened unpleasantness melted and vanished with the fumes of the
+wine.
+
+Mr. Pontellier warmed up and grew reminiscent. He told some
+amusing plantation experiences, recollections of old Iberville and
+his youth, when he hunted `possum in company with some friendly
+darky; thrashed the pecan trees, shot the grosbec, and roamed the
+woods and fields in mischievous idleness.
+
+The Colonel, with little sense of humor and of the fitness of
+things, related a somber episode of those dark and bitter days, in
+which he had acted a conspicuous part and always formed a central
+figure. Nor was the Doctor happier in his selection, when he told
+the old, ever new and curious story of the waning of a woman's love,
+seeking strange, new channels, only to return to its legitimate source
+after days of fierce unrest. It was one of the many little human
+documents which had been unfolded to him during his long career as
+a physician. The story did not seem especially to impress Edna.
+She had one of her own to tell, of a woman who paddled away with
+her lover one night in a pirogue and never came back. They were
+lost amid the Baratarian Islands, and no one ever heard of them or
+found trace of them from that day to this. It was a pure
+invention. She said that Madame Antoine had related it to her.
+That, also, was an invention. Perhaps it was a dream she had had.
+But every glowing word seemed real to those who listened. They
+could feel the hot breath of the Southern night; they could hear
+the long sweep of the pirogue through the glistening moonlit water,
+the beating of birds' wings, rising startled from among the reeds
+in the salt-water pools; they could see the faces of the lovers,
+pale, close together, rapt in oblivious forgetfulness, drifting
+into the unknown.
+
+The champagne was cold, and its subtle fumes played fantastic
+tricks with Edna's memory that night.
+
+Outside, away from the glow of the fire and the soft
+lamplight, the night was chill and murky. The Doctor doubled his
+old-fashioned cloak across his breast as he strode home through the
+darkness. He knew his fellow-creatures better than most men; knew
+that inner life which so seldom unfolds itself to unanointed* eyes.
+He was sorry he had accepted Pontellier's invitation. He was
+growing old, and beginning to need rest and an imperturbed spirit.
+He did not want the secrets of other lives thrust upon him.
+
+"I hope it isn't Arobin," he muttered to himself as he walked.
+"I hope to heaven it isn't Alcee Arobin."
+
+
+
+
+XXIV
+
+
+
+Edna and her father had a warm, and almost violent dispute
+upon the subject of her refusal to attend her sister's wedding.
+Mr. Pontellier declined to interfere, to interpose either his
+influence or his authority. He was following Doctor Mandelet's
+advice, and letting her do as she liked. The Colonel reproached
+his daughter for her lack of filial kindness and respect, her want
+of sisterly affection and womanly consideration. His arguments
+were labored and unconvincing. He doubted if Janet would accept
+any excuse--forgetting that Edna had offered none. He doubted if
+Janet would ever speak to her again, and he was sure Margaret would
+not.
+
+Edna was glad to be rid of her father when he finally took
+himself off with his wedding garments and his bridal gifts, with
+his padded shoulders, his Bible reading, his "toddies" and
+ponderous oaths.
+
+Mr. Pontellier followed him closely. He meant to stop at the
+wedding on his way to New York and endeavor by every means which
+money and love could devise to atone somewhat for Edna's
+incomprehensible action.
+
+"You are too lenient, too lenient by far, Leonce," asserted
+the Colonel. "Authority, coercion are what is needed. Put your
+foot down good and hard; the only way to manage a wife. Take my
+word for it."
+
+The Colonel was perhaps unaware that he had coerced his own
+wife into her grave. Mr. Pontellier had a vague suspicion of it
+which he thought it needless to mention at that late day.
+
+Edna was not so consciously gratified at her husband's leaving
+home as she had been over the departure of her father. As the day
+approached when he was to leave her for a comparatively long stay,
+she grew melting and affectionate, remembering his many acts of consideration
+and his repeated expressions of an ardent attachment. She was solicitous
+about his health and his welfare. She bustled around, looking after
+his clothing, thinking about heavy underwear, quite as Madame Ratignolle
+would have done under similar circumstances. She cried when he went away,
+calling him her dear, good friend, and she was quite certain she would
+grow lonely before very long and go to join him in New York.
+
+But after all, a radiant peace settled upon her when she at
+last found herself alone. Even the children were gone. Old Madame
+Pontellier had come herself and carried them off to Iberville with
+their quadroon. The old madame did not venture to say she was
+afraid they would be neglected during Leonce's absence; she hardly
+ventured to think so. She was hungry for them--even a little
+fierce in her attachment. She did not want them to be wholly
+"children of the pavement," she always said when begging to have
+them for a space. She wished them to know the country, with its
+streams, its fields, its woods, its freedom, so delicious to the
+young. She wished them to taste something of the life their father
+had lived and known and loved when he, too, was a little child.
+
+When Edna was at last alone, she breathed a big, genuine sigh
+of relief. A feeling that was unfamiliar but very delicious came
+over her. She walked all through the house, from one room to
+another, as if inspecting it for the first time. She tried the
+various chairs and lounges, as if she had never sat and reclined
+upon them before. And she perambulated around the outside of the
+house, investigating, looking to see if windows and shutters were
+secure and in order. The flowers were like new acquaintances; she
+approached them in a familiar spirit, and made herself at home
+among them. The garden walks were damp, and Edna called to the
+maid to bring out her rubber sandals. And there she stayed, and
+stooped, digging around the plants, trimming, picking dead, dry
+leaves. The children's little dog came out, interfering, getting
+in her way. She scolded him, laughed at him, played with him.
+The garden smelled so good and looked so pretty in the afternoon
+sunlight. Edna plucked all the bright flowers she could find,
+and went into the house with them, she and the little dog.
+
+Even the kitchen assumed a sudden interesting character which
+she had never before perceived. She went in to give directions to
+the cook, to say that the butcher would have to bring much less
+meat, that they would require only half their usual quantity of
+bread, of milk and groceries. She told the cook that she herself
+would be greatly occupied during Mr. Pontellier's absence, and she
+begged her to take all thought and responsibility of the larder
+upon her own shoulders.
+
+That night Edna dined alone. The candelabra, with a few
+candies in the center of the table, gave all the light she needed.
+Outside the circle of light in which she sat, the large dining-room
+looked solemn and shadowy. The cook, placed upon her mettle,
+served a delicious repast--a luscious tenderloin broiled a
+point. The wine tasted good; the marron glace seemed to be
+just what she wanted. It was so pleasant, too, to dine in a
+comfortable peignoir.
+
+She thought a little sentimentally about Leonce and the
+children, and wondered what they were doing. As she gave a dainty
+scrap or two to the doggie, she talked intimately to him about
+Etienne and Raoul. He was beside himself with astonishment and
+delight over these companionable advances, and showed his
+appreciation by his little quick, snappy barks and a lively
+agitation.
+
+Then Edna sat in the library after dinner and read Emerson
+until she grew sleepy. She realized that she had neglected her
+reading, and determined to start anew upon a course of improving
+studies, now that her time was completely her own to do with as she
+liked.
+
+After a refreshing bath, Edna went to bed. And as she
+snuggled comfortably beneath the eiderdown a sense of restfulness
+invaded her, such as she had not known before.
+
+
+
+
+XXV
+
+
+
+When the weather was dark and cloudy Edna could not work. She
+needed the sun to mellow and temper her mood to the sticking point.
+She had reached a stage when she seemed to be no longer feeling her
+way, working, when in the humor, with sureness and ease. And being
+devoid of ambition, and striving not toward accomplishment, she
+drew satisfaction from the work in itself.
+
+On rainy or melancholy days Edna went out and sought the
+society of the friends she had made at Grand Isle. Or else she
+stayed indoors and nursed a mood with which she was becoming too
+familiar for her own comfort and peace of mind. It was not
+despair; but it seemed to her as if life were passing by, leaving
+its promise broken and unfulfilled. Yet there were other days when
+she listened, was led on and deceived by fresh promises which her
+youth held out to her.
+
+She went again to the races, and again. Alcee Arobin and Mrs.
+Highcamp called for her one bright afternoon in Arobin's drag.
+Mrs. Highcamp was a worldly but unaffected, intelligent, slim, tall
+blonde woman in the forties, with an indifferent manner and blue
+eyes that stared. She had a daughter who served her as a pretext
+for cultivating the society of young men of fashion. Alcee Arobin
+was one of them. He was a familiar figure at the race course, the
+opera, the fashionable clubs. There was a perpetual smile in his
+eyes, which seldom failed to awaken a corresponding cheerfulness in
+any one who looked into them and listened to his good-humored
+voice. His manner was quiet, and at times a little insolent. He
+possessed a good figure, a pleasing face, not overburdened with
+depth of thought or feeling; and his dress was that of the conventional
+man of fashion.
+
+He admired Edna extravagantly, after meeting her at the races
+with her father. He had met her before on other occasions, but she
+had seemed to him unapproachable until that day. It was at his
+instigation that Mrs. Highcamp called to ask her to go with them to
+the Jockey Club to witness the turf event of the season.
+
+There were possibly a few track men out there who knew the
+race horse as well as Edna, but there was certainly none who knew
+it better. She sat between her two companions as one having
+authority to speak. She laughed at Arobin's pretensions, and
+deplored Mrs. Highcamp's ignorance. The race horse was a friend
+and intimate associate of her childhood. The atmosphere of the
+stables and the breath of the blue grass paddock revived in her
+memory and lingered in her nostrils. She did not perceive that she
+was talking like her father as the sleek geldings ambled in review
+before them. She played for very high stakes, and fortune favored
+her. The fever of the game flamed in her cheeks and eves, and it
+got into her blood and into her brain like an intoxicant. People
+turned their heads to look at her, and more than one lent an
+attentive car to her utterances, hoping thereby to secure the
+elusive but ever-desired "tip." Arobin caught the contagion of
+excitement which drew him to Edna like a magnet. Mrs. Highcamp
+remained, as usual, unmoved, with her indifferent stare and
+uplifted eyebrows.
+
+Edna stayed and dined with Mrs. Highcamp upon being urged to
+do so. Arobin also remained and sent away his drag.
+
+The dinner was quiet and uninteresting, save for the cheerful
+efforts of Arobin to enliven things. Mrs. Highcamp deplored the
+absence of her daughter from the races, and tried to convey to her
+what she had missed by going to the "Dante reading" instead of
+joining them. The girl held a geranium leaf up to her nose and
+said nothing, but looked knowing and noncommittal. Mr. Highcamp
+was a plain, bald-headed man, who only talked under compulsion.
+He was unresponsive. Mrs. Highcamp was full of delicate courtesy
+and consideration toward her husband. She addressed most of her
+conversation to him at table. They sat in the library after dinner
+and read the evening papers together under the droplight; while the
+younger people went into the drawing-room near by and talked. Miss
+Highcamp played some selections from Grieg upon the piano. She
+seemed to have apprehended all of the composer's coldness and none
+of his poetry. While Edna listened she could not help wondering if
+she had lost her taste for music.
+
+When the time came for her to go home, Mr. Highcamp grunted a
+lame offer to escort her, looking down at his slippered feet with
+tactless concern. It was Arobin who took her home. The car ride
+was long, and it was late when they reached Esplanade Street.
+Arobin asked permission to enter for a second to light his
+cigarette--his match safe was empty. He filled his match safe, but
+did not light his cigarette until he left her, after she had
+expressed her willingness to go to the races with him again.
+
+Edna was neither tired nor sleepy. She was hungry again, for
+the Highcamp dinner, though of excellent quality, had lacked
+abundance. She rummaged in the larder and brought forth a slice of
+Gruyere and some crackers. She opened a bottle of beer which she
+found in the icebox. Edna felt extremely restless and excited.
+She vacantly hummed a fantastic tune as she poked at the wood
+embers on the hearth and munched a cracker.
+
+She wanted something to happen--something, anything; she did
+not know what. She regretted that she had not made Arobin stay a
+half hour to talk over the horses with her. She counted the money
+she had won. But there was nothing else to do, so she went to bed,
+and tossed there for hours in a sort of monotonous agitation.
+
+In the middle of the night she remembered that she had
+forgotten to write her regular letter to her husband; and she
+decided to do so next day and tell him about her afternoon at the
+Jockey Club. She lay wide awake composing a letter which was
+nothing like the one which she wrote next day. When the maid
+awoke her in the morning Edna was dreaming of Mr. Highcamp
+playing the piano at the entrance of a music store on Canal Street,
+while his wife was saying to Alcee Arobin, as they boarded an
+Esplanade Street car:
+
+"What a pity that so much talent has been neglected! but I must go."
+
+When, a few days later, Alcee Arobin again called for Edna in
+his drag, Mrs. Highcamp was not with him. He said they would pick
+her up. But as that lady had not been apprised of his intention of
+picking her up, she was not at home. The daughter was just leaving
+the house to attend the meeting of a branch Folk Lore Society, and
+regretted that she could not accompany them. Arobin appeared
+nonplused, and asked Edna if there were any one else she cared to
+ask.
+
+She did not deem it worth while to go in search of any of the
+fashionable acquaintances from whom she had withdrawn herself. She
+thought of Madame Ratignolle, but knew that her fair friend did not
+leave the house, except to take a languid walk around the block
+with her husband after nightfall. Mademoiselle Reisz would have
+laughed at such a request from Edna. Madame Lebrun might have
+enjoyed the outing, but for some reason Edna did not want her. So
+they went alone, she and Arobin.
+
+The afternoon was intensely interesting to her. The
+excitement came back upon her like a remittent fever. Her talk
+grew familiar and confidential. It was no labor to become intimate
+with Arobin. His manner invited easy confidence. The preliminary
+stage of becoming acquainted was one which he always endeavored to
+ignore when a pretty and engaging woman was concerned.
+
+He stayed and dined with Edna. He stayed and sat beside the
+wood fire. They laughed and talked; and before it was time to go
+he was telling her how different life might have been if he had
+known her years before. With ingenuous frankness he spoke of what
+a wicked, ill-disciplined boy he had been, and impulsively drew up
+his cuff to exhibit upon his wrist the scar from a saber cut which
+he had received in a duel outside of Paris when he was nineteen.
+She touched his hand as she scanned the red cicatrice on the inside
+of his white wrist. A quick impulse that was somewhat spasmodic
+impelled her fingers to close in a sort of clutch upon his hand.
+He felt the pressure of her pointed nails in the flesh of his palm.
+
+She arose hastily and walked toward the mantel.
+
+"The sight of a wound or scar always agitates and sickens me,"
+she said. "I shouldn't have looked at it."
+
+"I beg your pardon," he entreated, following her; "it never
+occurred to me that it might be repulsive."
+
+He stood close to her, and the effrontery in his eyes repelled
+the old, vanishing self in her, yet drew all her awakening
+sensuousness. He saw enough in her face to impel him to take her
+hand and hold it while he said his lingering good night.
+
+"Will you go to the races again?" he asked.
+
+"No," she said. "I've had enough of the races. I don't want
+to lose all the money I've won, and I've got to work when the
+weather is bright, instead of--"
+
+"Yes; work; to be sure. You promised to show me your work.
+What morning may I come up to your atelier? To-morrow?"
+
+"No!"
+
+"Day after?"
+
+"No, no."
+
+"Oh, please don't refuse me! I know something of such things.
+I might help you with a stray suggestion or two."
+
+"No. Good night. Why don't you go after you have said good
+night? I don't like you," she went on in a high, excited pitch,
+attempting to draw away her hand. She felt that her words lacked
+dignity and sincerity, and she knew that he felt it.
+
+"I'm sorry you don't like me. I'm sorry I offended you. How
+have I offended you? What have I done? Can't you forgive me?"
+And he bent and pressed his lips upon her hand as if he wished
+never more to withdraw them.
+
+"Mr. Arobin," she complained, "I'm greatly upset by the excitement
+of the afternoon; I'm not myself. My manner must have misled you
+in some way. I wish you to go, please." She spoke in a monotonous,
+dull tone. He took his hat from the table, and stood with eyes turned
+from her, looking into the dying fire. For a moment or two he kept an
+impressive silence.
+
+"Your manner has not misled me, Mrs. Pontellier," he said
+finally. "My own emotions have done that. I couldn't help it.
+When I'm near you, how could I help it? Don't think anything of it,
+don't bother, please. You see, I go when you command me. If you
+wish me to stay away, I shall do so. If you let me come back,
+I--oh! you will let me come back?"
+
+He cast one appealing glance at her, to which she made no
+response. Alcee Arobin's manner was so genuine that it often
+deceived even himself.
+
+Edna did not care or think whether it were genuine or not.
+When she was alone she looked mechanically at the back of her hand
+which he had kissed so warmly. Then she leaned her head down on
+the mantelpiece. She felt somewhat like a woman who in a moment of
+passion is betrayed into an act of infidelity, and realizes the
+significance of the act without being wholly awakened from its
+glamour. The thought was passing vaguely through her mind, "What
+would he think?"
+
+She did not mean her husband; she was thinking of Robert
+Lebrun. Her husband seemed to her now like a person whom she had
+married without love as an excuse.
+
+She lit a candle and went up to her room. Alcee Arobin was
+absolutely nothing to her. Yet his presence, his manners, the
+warmth of his glances, and above all the touch of his lips upon her
+hand had acted like a narcotic upon her.
+
+She slept a languorous sleep, interwoven with vanishing
+dreams.
+
+
+
+
+XXVI
+
+
+
+Alcee Arobin wrote Edna an elaborate note of apology,
+palpitant with sincerity. It embarrassed her; for in a cooler,
+quieter moment it appeared to her, absurd that she should have
+taken his action so seriously, so dramatically. She felt sure that
+the significance of the whole occurrence had lain in her own
+self-consciousness. If she ignored his note it would give undue
+importance to a trivial affair. If she replied to it in a serious
+spirit it would still leave in his mind the impression that she had
+in a susceptible moment yielded to his influence. After all, it
+was no great matter to have one's hand kissed. She was provoked at
+his having written the apology. She answered in as light and
+bantering a spirit as she fancied it deserved, and said she would
+be glad to have him look in upon her at work whenever he felt the
+inclination and his business gave him the opportunity.
+
+He responded at once by presenting himself at her home with
+all his disarming naivete. And then there was scarcely a day which
+followed that she did not see him or was not reminded of him. He
+was prolific in pretexts. His attitude became one of good-humored
+subservience and tacit adoration. He was ready at all times to
+submit to her moods, which were as often kind as they were cold.
+She grew accustomed to him. They became intimate and friendly by
+imperceptible degrees, and then by leaps. He sometimes talked in
+a way that astonished her at first and brought the crimson into her
+face; in a way that pleased her at last, appealing to the animalism
+that stirred impatiently within her.
+
+There was nothing which so quieted the turmoil of Edna's
+senses as a visit to Mademoiselle Reisz. It was then,
+in the presence of that personality which was offensive to her,
+that the woman, by her divine art, seemed to reach Edna's spirit
+and set it free.
+
+It was misty, with heavy, lowering atmosphere, one afternoon,
+when Edna climbed the stairs to the pianist's apartments under the
+roof. Her clothes were dripping with moisture. She felt chilled
+and pinched as she entered the room. Mademoiselle was poking at a
+rusty stove that smoked a little and warmed the room indifferently.
+She was endeavoring to heat a pot of chocolate on the stove. The
+room looked cheerless and dingy to Edna as she entered. A bust of
+Beethoven, covered with a hood of dust, scowled at her from the
+mantelpiece.
+
+"Ah! here comes the sunlight!" exclaimed Mademoiselle, rising
+from her knees before the stove. "Now it will be warm and bright
+enough; I can let the fire alone."
+
+She closed the stove door with a bang, and approaching,
+assisted in removing Edna's dripping mackintosh.
+
+"You are cold; you look miserable. The chocolate will soon be hot.
+But would you rather have a taste of brandy? I have scarcely
+touched the bottle which you brought me for my cold." A piece of
+red flannel was wrapped around Mademoiselle's throat; a stiff neck
+compelled her to hold her head on one side.
+
+"I will take some brandy," said Edna, shivering as she removed
+her gloves and overshoes. She drank the liquor from the glass as
+a man would have done. Then flinging herself upon the
+uncomfortable sofa she said, "Mademoiselle, I am going to move
+away from my house on Esplanade Street."
+
+"Ah!" ejaculated the musician, neither surprised nor especially interested.
+Nothing ever seemed to astonish her very much. She was endeavoring to adjust
+the bunch of violets which had become loose from its fastening in her hair.
+Edna drew her down upon the sofa, and taking a pin from her own hair,
+secured the shabby artificial flowers in their accustomed place.
+
+"Aren't you astonished?"
+
+"Passably. Where are you going? to New York? to Iberville?
+to your father in Mississippi? where?"
+
+"Just two steps away," laughed Edna, "in a little four-room
+house around the corner. It looks so cozy, so inviting and
+restful, whenever I pass by; and it's for rent. I'm tired looking
+after that big house. It never seemed like mine, anyway--like
+home. It's too much trouble. I have to keep too many servants.
+I am tired bothering with them."
+
+"That is not your true reason, ma belle. There is no use
+in telling me lies. I don't know your reason, but you have not
+told me the truth." Edna did not protest or endeavor to justify
+herself.
+
+"The house, the money that provides for it, are not mine.
+Isn't that enough reason?"
+
+"They are your husband's," returned Mademoiselle, with a shrug
+and a malicious elevation of the eyebrows.
+
+"Oh! I see there is no deceiving you. Then let me tell you:
+It is a caprice. I have a little money of my own from my mother's
+estate, which my father sends me by driblets. I won a large sum
+this winter on the races, and I am beginning to sell my sketches.
+Laidpore is more and more pleased with my work; he says it grows in
+force and individuality. I cannot judge of that myself, but I feel
+that I have gained in ease and confidence. However, as I said, I
+have sold a good many through Laidpore. I can live in the tiny
+house for little or nothing, with one servant. Old Celestine, who
+works occasionally for me, says she will come stay with me and do
+my work. I know I shall like it, like the feeling of freedom and
+independence."
+
+"What does your husband say?"
+
+"I have not told him yet. I only thought of it this morning.
+He will think I am demented, no doubt. Perhaps you think so."
+
+Mademoiselle shook her head slowly. "Your reason is not yet
+clear to me," she said.
+
+Neither was it quite clear to Edna herself; but it unfolded
+itself as she sat for a while in silence. Instinct had prompted
+her to put away her husband's bounty in casting off her allegiance.
+She did not know how it would be when he returned. There would
+have to be an understanding, an explanation. Conditions would
+some way adjust themselves, she felt; but whatever came,
+she had resolved never again to belong to another than herself.
+
+"I shall give a grand dinner before I leave the old house!"
+Edna exclaimed. "You will have to come to it, Mademoiselle.
+I will give you everything that you like to eat and to drink.
+We shall sing and laugh and be merry for once." And she uttered
+a sigh that came from the very depths of her being.
+
+If Mademoiselle happened to have received a letter from Robert
+during the interval of Edna's visits, she would give her the letter
+unsolicited. And she would seat herself at the piano and play as
+her humor prompted her while the young woman read the letter.
+
+The little stove was roaring; it was red-hot, and the
+chocolate in the tin sizzled and sputtered. Edna went forward and
+opened the stove door, and Mademoiselle rising, took a letter from
+under the bust of Beethoven and handed it to Edna.
+
+"Another! so soon!" she exclaimed, her eyes filled with
+delight. "Tell me, Mademoiselle, does he know that I see his
+letters?"
+
+"Never in the world! He would be angry and would never write
+to me again if he thought so. Does he write to you? Never a line.
+Does he send you a message? Never a word. It is because he loves
+you, poor fool, and is trying to forget you, since you are not free
+to listen to him or to belong to him."
+
+"Why do you show me his letters, then?"
+
+"Haven't you begged for them? Can I refuse you anything? Oh!
+you cannot deceive me," and Mademoiselle approached her beloved
+instrument and began to play. Edna did not at once read the
+letter. She sat holding it in her hand, while the music penetrated
+her whole being like an effulgence, warming and brightening the
+dark places of her soul. It prepared her for joy and exultation.
+
+"Oh!" she exclaimed, letting the letter fall to the floor.
+"Why did you not tell me?" She went and grasped Mademoiselle's hands
+up from the keys. "Oh! unkind! malicious! Why did you not tell me?"
+
+"That he was coming back? No great news, ma foi. I wonder
+he did not come long ago."
+
+"But when, when?" cried Edna, impatiently. "He does not say when."
+
+"He says `very soon.' You know as much about it as I do; it is
+all in the letter."
+
+"But why? Why is he coming? Oh, if I thought--" and she
+snatched the letter from the floor and turned the pages this way
+and that way, looking for the reason, which was left untold.
+
+"If I were young and in love with a man," said Mademoiselle,
+turning on the stool and pressing her wiry hands between her knees
+as she looked down at Edna, who sat on the floor holding the
+letter, "it seems to me he would have to be some grand esprit;
+a man with lofty aims and ability to reach them; one who stood high
+enough to attract the notice of his fellow-men. It seems to me if
+I were young and in love I should never deem a man of ordinary
+caliber worthy of my devotion."
+
+"Now it is you who are telling lies and seeking to deceive me,
+Mademoiselle; or else you have never been in love, and know nothing
+about it. Why," went on Edna, clasping her knees and looking up
+into Mademoiselle's twisted face, "do you suppose a woman knows why
+she loves? Does she select? Does she say to herself: `Go to! Here
+is a distinguished statesman with presidential possibilities; I
+shall proceed to fall in love with him.' Or, `I shall set my heart
+upon this musician, whose fame is on every tongue?' Or, `This
+financier, who controls the world's money markets?'
+
+"You are purposely misunderstanding me, ma reine. Are you
+in love with Robert?"
+
+"Yes," said Edna. It was the first time she had admitted it,
+and a glow overspread her face, blotching it with red spots.
+
+"Why?" asked her companion. "Why do you love him when you
+ought not to?"
+
+Edna, with a motion or two, dragged herself on her knees
+before Mademoiselle Reisz, who took the glowing face between her
+two hands.
+
+"Why? Because his hair is brown and grows away from his
+temples; because he opens and shuts his eyes, and his nose is a
+little out of drawing; because he has two lips and a square chin,
+and a little finger which he can't straighten from having played
+baseball too energetically in his youth. Because--"
+
+"Because you do, in short," laughed Mademoiselle. "What will
+you do when he comes back?" she asked.
+
+"Do? Nothing, except feel glad and happy to be alive."
+
+She was already glad and happy to be alive at the mere thought
+of his return. The murky, lowering sky, which had depressed her a
+few hours before, seemed bracing and invigorating as she splashed
+through the streets on her way home.
+
+She stopped at a confectioner's and ordered a huge box of
+bonbons for the children in Iberville. She slipped a card in the
+box, on which she scribbled a tender message and sent an abundance
+of kisses.
+
+Before dinner in the evening Edna wrote a charming letter to
+her husband, telling him of her intention to move for a while into
+the little house around the block, and to give a farewell dinner
+before leaving, regretting that he was not there to share it, to
+help out with the menu and assist her in entertaining the guests.
+Her letter was brilliant and brimming with cheerfulness.
+
+
+
+
+XXVII
+
+
+
+"What is the matter with you?" asked Arobin that evening. "I
+never found you in such a happy mood." Edna was tired by that time,
+and was reclining on the lounge before the fire.
+
+"Don't you know the weather prophet has told us we shall see
+the sun pretty soon?"
+
+"Well, that ought to be reason enough," he acquiesced. "You
+wouldn't give me another if I sat here all night imploring you." He
+sat close to her on a low tabouret, and as he spoke his fingers
+lightly touched the hair that fell a little over her forehead. She
+liked the touch of his fingers through her hair, and closed her
+eyes sensitively.
+
+"One of these days," she said, "I'm going to pull myself
+together for a while and think--try to determine what character of
+a woman I am; for, candidly, I don't know. By all the codes which
+I am acquainted with, I am a devilishly wicked specimen of the sex.
+But some way I can't convince myself that I am. I must think about it."
+
+"Don't. What's the use? Why should you bother thinking about
+it when I can tell you what manner of woman you are." His fingers
+strayed occasionally down to her warm, smooth cheeks and firm chin,
+which was growing a little full and double.
+
+"Oh, yes! You will tell me that I am adorable; everything that
+is captivating. Spare yourself the effort."
+
+"No; I shan't tell you anything of the sort, though I
+shouldn't be lying if I did."
+
+"Do you know Mademoiselle Reisz?" she asked irrelevantly.
+
+"The pianist? I know her by sight. I've heard her play."
+
+"She says queer things sometimes in a bantering way that you don't notice
+at the time and you find yourself thinking about afterward."
+
+"For instance?"
+
+"Well, for instance, when I left her to-day, she put her arms
+around me and felt my shoulder blades, to see if my wings were
+strong, she said. `The bird that would soar above the level plain
+of tradition and prejudice must have strong wings. It is a sad
+spectacle to see the weaklings bruised, exhausted, fluttering back
+to earth.' "Whither would you soar?"
+
+"I'm not thinking of any extraordinary flights. I only half
+comprehend her."
+
+"I've heard she's partially demented," said Arobin.
+
+"She seems to me wonderfully sane," Edna replied.
+
+"I'm told she's extremely disagreeable and unpleasant. Why
+have you introduced her at a moment when I desired to talk of you?"
+
+"Oh! talk of me if you like," cried Edna, clasping her hands
+beneath her head; "but let me think of something else while you do."
+
+"I'm jealous of your thoughts tonight. They're making you a
+little kinder than usual; but some way I feel as if they were
+wandering, as if they were not here with me." She only looked at
+him and smiled. His eyes were very near. He leaned upon the
+lounge with an arm extended across her, while the other hand still
+rested upon her hair. They continued silently to look into each
+other's eyes. When he leaned forward and kissed her, she clasped
+his head, holding his lips to hers.
+
+It was the first kiss of her life to which her nature had
+really responded. It was a flaming torch that kindled desire.
+
+
+
+
+XXVIII
+
+
+
+Edna cried a little that night after Arobin left her. It was
+only one phase of the multitudinous emotions which had assailed
+her. There was with her an overwhelming feeling of
+irresponsibility. There was the shock of the unexpected and the
+unaccustomed. There was her husband's reproach looking at her from
+the external things around her which he had provided for her
+external existence. There was Robert's reproach making itself felt
+by a quicker, fiercer, more overpowering love, which had awakened
+within her toward him. Above all, there was understanding. She
+felt as if a mist had been lifted from her eyes, enabling her to
+took upon and comprehend the significance of life, that monster
+made up of beauty and brutality. But among the conflicting
+sensations which assailed her, there was neither shame nor remorse.
+There was a dull pang of regret because it was not the kiss of love
+which had inflamed her, because it was not love which had held this
+cup of life to her lips.
+
+
+
+
+XXIX
+
+
+
+Without even waiting for an answer from her husband regarding
+his opinion or wishes in the matter, Edna hastened her preparations
+for quitting her home on Esplanade Street and moving into the
+little house around the block. A feverish anxiety attended her
+every action in that direction. There was no moment of deliberation,
+no interval of repose between the thought and its fulfillment.
+Early upon the morning following those hours passed in Arobin's society,
+Edna set about securing her new abode and hurrying her arrangements
+for occupying it. Within the precincts of her home she felt like
+one who has entered and lingered within the portals of some
+forbidden temple in which a thousand muffled voices bade her begone.
+
+Whatever was her own in the house, everything which she had
+acquired aside from her husband's bounty, she caused to be
+transported to the other house, supplying simple and meager
+deficiencies from her own resources.
+
+Arobin found her with rolled sleeves, working in company with
+the house-maid when he looked in during the afternoon. She was
+splendid and robust, and had never appeared handsomer than in the
+old blue gown, with a red silk handkerchief knotted at random
+around her head to protect her hair from the dust. She was mounted
+upon a high stepladder, unhooking a picture from the wall when he
+entered. He had found the front door open, and had followed his
+ring by walking in unceremoniously.
+
+"Come down!" he said. "Do you want to kill yourself?" She greeted him
+with affected carelessness, and appeared absorbed in her occupation.
+
+If he had expected to find her languishing, reproachful, or indulging
+in sentimental tears, he must have been greatly surprised.
+
+He was no doubt prepared for any emergency, ready for any one
+of the foregoing attitudes, just as he bent himself easily and
+naturally to the situation which confronted him.
+
+"Please come down," he insisted, holding the ladder and
+looking up at her.
+
+"No," she answered; "Ellen is afraid to mount the ladder. Joe
+is working over at the `pigeon house'--that's the name Ellen gives
+it, because it's so small and looks like a pigeon house--and some
+one has to do this."
+
+Arobin pulled off his coat, and expressed himself ready and
+willing to tempt fate in her place. Ellen brought him one of her
+dust-caps, and went into contortions of mirth, which she found
+it impossible to control, when she saw him put it on before
+the mirror as grotesquely as he could. Edna herself could not
+refrain from smiling when she fastened it at his request. So it
+was he who in turn mounted the ladder, unhooking pictures and
+curtains, and dislodging ornaments as Edna directed. When he had
+finished he took off his dust-cap and went out to wash his hands.
+
+Edna was sitting on the tabouret, idly brushing the tips of a
+feather duster along the carpet when he came in again.
+
+"Is there anything more you will let me do?" he asked.
+
+"That is all," she answered. "Ellen can manage the rest." She
+kept the young woman occupied in the drawing-room, unwilling to be
+left alone with Arobin.
+
+"What about the dinner?" he asked; "the grand event, the coup d'etat?"
+
+"It will be day after to-morrow. Why do you call it the `coup d'etat?'
+Oh! it will be very fine; all my best of everything--crystal, silver and gold,
+Sevres, flowers, music, and champagne to swim in. I'll let Leonce pay
+the bills. I wonder what he'll say when he sees the bills.
+
+"And you ask me why I call it a coup d'etat?" Arobin had
+put on his coat, and he stood before her and asked if his cravat
+was plumb. She told him it was, looking no higher than the tip of
+his collar.
+
+"When do you go to the `pigeon house?'--with all due
+acknowledgment to Ellen."
+
+"Day after to-morrow, after the dinner. I shall sleep there."
+
+"Ellen, will you very kindly get me a glass of water?" asked
+Arobin. "The dust in the curtains, if you will pardon me for
+hinting such a thing, has parched my throat to a crisp."
+
+"While Ellen gets the water," said Edna, rising, "I will say
+good-by and let you go. I must get rid of this grime, and I have
+a million things to do and think of."
+
+"When shall I see you?" asked Arobin, seeking to detain her,
+the maid having left the room.
+
+"At the dinner, of course. You are invited."
+
+"Not before?--not to-night or to-morrow morning or tomorrow
+noon or night? or the day after morning or noon? Can't you see
+yourself, without my telling you, what an eternity it is?"
+
+He had followed her into the hall and to the foot of the
+stairway, looking up at her as she mounted with her face half
+turned to him.
+
+"Not an instant sooner," she said. But she laughed and looked
+at him with eyes that at once gave him courage to wait and made it
+torture to wait.
+
+
+
+
+XXX
+
+
+
+Though Edna had spoken of the dinner as a very grand affair,
+it was in truth a very small affair and very select, in so much as
+the guests invited were few and were selected with discrimination.
+She had counted upon an even dozen seating themselves at her round
+mahogany board, forgetting for the moment that Madame Ratignolle
+was to the last degree souffrante and unpresentable, and not
+foreseeing that Madame Lebrun would send a thousand regrets at the
+last moment. So there were only ten, after all, which made a cozy,
+comfortable number.
+
+There were Mr. and Mrs. Merriman, a pretty, vivacious little
+woman in the thirties; her husband, a jovial fellow, something of
+a shallow-pate, who laughed a good deal at other people's
+witticisms, and had thereby made himself extremely popular. Mrs.
+Highcamp had accompanied them. Of course, there was Alcee Arobin;
+and Mademoiselle Reisz had consented to come. Edna had sent her a
+fresh bunch of violets with black lace trimmings for her hair.
+Monsieur Ratignolle brought himself and his wife's excuses.
+Victor Lebrun, who happened to be in the city, bent upon relaxation,
+had accepted with alacrity. There was a Miss Mayblunt, no longer
+in her teens, who looked at the world through lorgnettes and with
+the keenest interest. It was thought and said that she was
+intellectual; it was suspected of her that she wrote under a
+nom de guerre. She had come with a gentleman by the name of Gouvernail,
+connected with one of the daily papers, of whom nothing special could be said,
+except that he was observant and seemed quiet and inoffensive. Edna herself
+made the tenth, and at half-past eight they seated themselves at table,
+Arobin and Monsieur Ratignolle on either side of their hostess.
+
+Mrs. Highcamp sat between Arobin and Victor Lebrun. Then came
+Mrs. Merriman, Mr. Gouvernail, Miss Mayblunt, Mr. Merriman, and
+Mademoiselle Reisz next to Monsieur Ratignolle.
+
+There was something extremely gorgeous about the appearance of
+the table, an effect of splendor conveyed by a cover of pale yellow
+satin under strips of lace-work. There were wax candles, in
+massive brass candelabra, burning softly under yellow silk shades;
+full, fragrant roses, yellow and red, abounded. There were silver
+and gold, as she had said there would be, and crystal which
+glittered like the gems which the women wore.
+
+The ordinary stiff dining chairs had been discarded for the
+occasion and replaced by the most commodious and luxurious which
+could be collected throughout the house. Mademoiselle Reisz, being
+exceedingly diminutive, was elevated upon cushions, as small
+children are sometimes hoisted at table upon bulky volumes.
+
+"Something new, Edna?" exclaimed Miss Mayblunt, with lorgnette
+directed toward a magnificent cluster of diamonds that sparkled,
+that almost sputtered, in Edna's hair, just over the center of her
+forehead.
+
+"Quite new; `brand' new, in fact; a present from my husband.
+It arrived this morning from New York. I may as well admit that
+this is my birthday, and that I am twenty-nine. In good time
+I expect you to drink my health. Meanwhile, I shall ask you
+to begin with this cocktail, composed--would you say `composed?'"
+with an appeal to Miss Mayblunt--"composed by my father
+in honor of Sister Janet's wedding."
+
+Before each guest stood a tiny glass that looked and sparkled
+like a garnet gem.
+
+"Then, all things considered," spoke Arobin, "it might not be
+amiss to start out by drinking the Colonel's health in the cocktail
+which he composed, on the birthday of the most charming of
+women--the daughter whom he invented."
+
+Mr. Merriman's laugh at this sally was such a genuine outburst
+and so contagious that it started the dinner with an agreeable
+swing that never slackened.
+
+Miss Mayblunt begged to be allowed to keep her cocktail
+untouched before her, just to look at. The color was marvelous!
+She could compare it to nothing she had ever seen, and the garnet
+lights which it emitted were unspeakably rare. She pronounced the
+Colonel an artist, and stuck to it.
+
+Monsieur Ratignolle was prepared to take things seriously;
+the mets, the entre-mets, the service, the decorations, even
+the people. He looked up from his pompano and inquired of Arobin
+if he were related to the gentleman of that name who formed one of
+the firm of Laitner and Arobin, lawyers. The young man admitted
+that Laitner was a warm personal friend, who permitted Arobin's
+name to decorate the firm's letterheads and to appear upon a
+shingle that graced Perdido Street.
+
+"There are so many inquisitive people and institutions
+abounding," said Arobin, "that one is really forced as a matter of
+convenience these days to assume the virtue of an occupation if he
+has it not."
+ Monsieur Ratignolle stared a little, and turned to ask
+Mademoiselle Reisz if she considered the symphony concerts up to
+the standard which had been set the previous winter. Mademoiselle
+Reisz answered Monsieur Ratignolle in French, which Edna thought a
+little rude, under the circumstances, but characteristic. Mademoiselle
+had only disagreeable things to say of the symphony concerts,
+and insulting remarks to make of all the musicians of New Orleans,
+singly and collectively. All her interest seemed to be centered upon
+the delicacies placed before her.
+
+Mr. Merriman said that Mr. Arobin's remark about inquisitive
+people reminded him of a man from Waco the other day at the St.
+Charles Hotel--but as Mr. Merriman's stories were always lame and
+lacking point, his wife seldom permitted him to complete them. She
+interrupted him to ask if he remembered the name of the author
+whose book she had bought the week before to send to a friend in
+Geneva. She was talking "books" with Mr. Gouvernail and trying to
+draw from him his opinion upon current literary topics. Her
+husband told the story of the Waco man privately to Miss Mayblunt,
+who pretended to be greatly amused and to think it extremely clever.
+
+Mrs. Highcamp hung with languid but unaffected interest upon
+the warm and impetuous volubility of her left-hand neighbor, Victor
+Lebrun. Her attention was never for a moment withdrawn from him
+after seating herself at table; and when he turned to Mrs.
+Merriman, who was prettier and more vivacious than Mrs. Highcamp,
+she waited with easy indifference for an opportunity to reclaim his
+attention. There was the occasional sound of music, of mandolins,
+sufficiently removed to be an agreeable accompaniment rather than
+an interruption to the conversation. Outside the soft, monotonous
+splash of a fountain could be heard; the sound penetrated into the
+room with the heavy odor of jessamine that came through the open
+windows.
+
+The golden shimmer of Edna's satin gown spread in rich folds
+on either side of her. There was a soft fall of lace encircling
+her shoulders. It was the color of her skin, without the glow, the
+myriad living tints that one may sometimes discover in vibrant
+flesh. There was something in her attitude, in her whole
+appearance when she leaned her head against the high-backed chair
+and spread her arms, which suggested the regal woman, the one who rules,
+who looks on, who stands alone.
+
+But as she sat there amid her guests, she felt the old ennui
+overtaking her; the hopelessness which so often assailed her, which
+came upon her like an obsession, like something extraneous,
+independent of volition. It was something which announced itself;
+a chill breath that seemed to issue from some vast cavern wherein
+discords waited. There came over her the acute longing which
+always summoned into her spiritual vision the presence of the
+beloved one, overpowering her at once with a sense of the
+unattainable.
+
+The moments glided on, while a feeling of good fellowship
+passed around the circle like a mystic cord, holding and binding
+these people together with jest and laughter. Monsieur Ratignolle
+was the first to break the pleasant charm. At ten o'clock he
+excused himself. Madame Ratignolle was waiting for him at home.
+She was bien souffrante, and she was filled with vague dread,
+which only her husband's presence could allay.
+
+Mademoiselle Reisz arose with Monsieur Ratignolle, who offered
+to escort her to the car. She had eaten well; she had tasted the
+good, rich wines, and they must have turned her head, for she bowed
+pleasantly to all as she withdrew from table. She kissed Edna upon
+the shoulder, and whispered: "Bonne nuit, ma reine; soyez sage."
+She had been a little bewildered upon rising, or rather,
+descending from her cushions, and Monsieur Ratignolle gallantly
+took her arm and led her away.
+
+Mrs. Highcamp was weaving a garland of roses, yellow and red.
+When she had finished the garland, she laid it lightly upon
+Victor's black curls. He was reclining far back in the luxurious
+chair, holding a glass of champagne to the light.
+
+As if a magician's wand had touched him, the garland of roses
+transformed him into a vision of Oriental beauty. His cheeks were
+the color of crushed grapes, and his dusky eyes glowed with a
+languishing fire.
+
+"Sapristi!" exclaimed Arobin.
+
+But Mrs. Highcamp had one more touch to add to the picture.
+She took from the back of her chair a white silken scarf, with
+which she had covered her shoulders in the early part of the
+evening. She draped it across the boy in graceful folds, and in a
+way to conceal his black, conventional evening dress. He did not
+seem to mind what she did to him, only smiled, showing a faint
+gleam of white teeth, while he continued to gaze with narrowing
+eyes at the light through his glass of champagne.
+
+"Oh! to be able to paint in color rather than in words!"
+exclaimed Miss Mayblunt, losing herself in a rhapsodic dream
+as she looked at him,
+
+"`There was a graven image of Desire Painted with red blood on
+a ground of gold.'" murmured Gouvernail, under his breath.
+
+The effect of the wine upon Victor was to change his
+accustomed volubility into silence. He seemed to have abandoned
+himself to a reverie, and to be seeing pleasing visions in the
+amber bead.
+
+"Sing," entreated Mrs. Highcamp. "Won't you sing to us?"
+
+"Let him alone," said Arobin.
+
+"He's posing," offered Mr. Merriman; "let him have it out."
+
+"I believe he's paralyzed," laughed Mrs. Merriman. And
+leaning over the youth's chair, she took the glass from his hand
+and held it to his lips. He sipped the wine slowly, and when he
+had drained the glass she laid it upon the table and wiped his lips
+with her little filmy handkerchief.
+
+"Yes, I'll sing for you," he said, turning in his chair toward
+Mrs. Highcamp. He clasped his hands behind his head, and looking
+up at the ceiling began to hum a little, trying his voice like a
+musician tuning an instrument. Then, looking at Edna, he began to
+sing:
+
+ "Ah! si tu savais!"
+
+"Stop!" she cried, "don't sing that. I don't want you to sing
+it," and she laid her glass so impetuously and blindly upon the
+table as to shatter it against a carafe. The wine spilled over
+Arobin's legs and some of it trickled down upon Mrs. Highcamp's
+black gauze gown. Victor had lost all idea of courtesy, or else he
+thought his hostess was not in earnest, for he laughed and went on:
+
+
+
+ "Ah! si tu savais
+
+ Ce que tes yeux me disent"--
+
+
+
+"Oh! you mustn't! you mustn't," exclaimed Edna, and pushing
+back her chair she got up, and going behind him placed her hand
+over his mouth. He kissed the soft palm that pressed upon his
+lips.
+
+"No, no, I won't, Mrs. Pontellier. I didn't know you meant
+it," looking up at her with caressing eyes. The touch of his lips
+was like a pleasing sting to her hand. She lifted the garland of
+roses from his head and flung it across the room.
+
+"Come, Victor; you've posed long enough. Give Mrs. Highcamp
+her scarf."
+
+Mrs. Highcamp undraped the scarf from about him with her own
+hands. Miss Mayblunt and Mr. Gouvernail suddenly conceived the
+notion that it was time to say good night. And Mr. and Mrs.
+Merriman wondered how it could be so late.
+
+Before parting from Victor, Mrs. Highcamp invited him to call
+upon her daughter, who she knew would be charmed to meet him and
+talk French and sing French songs with him. Victor expressed his
+desire and intention to call upon Miss Highcamp at the first
+opportunity which presented itself. He asked if Arobin were going
+his way. Arobin was not.
+
+The mandolin players had long since stolen away. A profound
+stillness had fallen upon the broad, beautiful street. The voices
+of Edna's disbanding guests jarred like a discordant note upon the
+quiet harmony of the night.
+
+
+
+
+XXXI
+
+
+
+"Well?" questioned Arobin, who had remained with Edna after
+the others had departed.
+
+"Well," she reiterated, and stood up, stretching her arms, and
+feeling the need to relax her muscles after having been so long
+seated.
+
+"What next?" he asked.
+
+"The servants are all gone. They left when the musicians did.
+I have dismissed them. The house has to be closed and locked, and
+I shall trot around to the pigeon house, and shall send Celestine
+over in the morning to straighten things up."
+
+He looked around, and began to turn out some of the lights.
+
+"What about upstairs?" he inquired.
+
+"I think it is all right; but there may be a window or two
+unlatched. We had better look; you might take a candle and see.
+And bring me my wrap and hat on the foot of the bed in the middle
+room."
+
+He went up with the light, and Edna began closing doors and
+windows. She hated to shut in the smoke and the fumes of the wine.
+Arobin found her cape and hat, which he brought down and helped her
+to put on.
+
+When everything was secured and the lights put out, they left
+through the front door, Arobin locking it and taking the key, which
+he carried for Edna. He helped her down the steps.
+
+"Will you have a spray of jessamine?" he asked, breaking off
+a few blossoms as he passed.
+
+"No; I don't want anything."
+
+She seemed disheartened, and had nothing to say. She took his
+arm, which he offered her, holding up the weight of her satin train
+with the other hand. She looked down, noticing the black line of his leg
+moving in and out so close to her against the yellow shimmer of her gown.
+There was the whistle of a railway train somewhere in the distance,
+and the midnight bells were ringing. They met no one in their short walk.
+
+The "pigeon house" stood behind a locked gate, and a shallow
+parterre that had been somewhat neglected. There was a small
+front porch, upon which a long window and the front door opened.
+The door opened directly into the parlor; there was no side entry.
+Back in the yard was a room for servants, in which old Celestine
+had been ensconced.
+
+Edna had left a lamp burning low upon the table. She had
+succeeded in making the room look habitable and homelike. There
+were some books on the table and a lounge near at hand. On the
+floor was a fresh matting, covered with a rug or two; and on the
+walls hung a few tasteful pictures. But the room was filled with
+flowers. These were a surprise to her. Arobin had sent them, and
+had had Celestine distribute them during Edna's absence. Her
+bedroom was adjoining, and across a small passage were the
+diningroom and kitchen.
+
+Edna seated herself with every appearance of discomfort.
+
+"Are you tired?" he asked.
+
+"Yes, and chilled, and miserable. I feel as if I had been
+wound up to a certain pitch--too tight--and something inside of me
+had snapped." She rested her head against the table upon her bare arm.
+
+"You want to rest," he said, "and to be quiet. I'll go;
+I'll leave you and let you rest."
+
+"Yes," she replied.
+
+He stood up beside her and smoothed her hair with his soft,
+magnetic hand. His touch conveyed to her a certain physical
+comfort. She could have fallen quietly asleep there if he had
+continued to pass his hand over her hair. He brushed the hair
+upward from the nape of her neck.
+
+"I hope you will feel better and happier in the morning," he
+said. "You have tried to do too much in the past few days.
+The dinner was the last straw; you might have dispensed with it."
+
+"Yes," she admitted; "it was stupid."
+
+"No, it was delightful; but it has worn you out." His hand had
+strayed to her beautiful shoulders, and he could feel the response
+of her flesh to his touch. He seated himself beside her and kissed
+her lightly upon the shoulder.
+
+"I thought you were going away," she said, in an uneven voice.
+
+"I am, after I have said good night."
+
+"Good night," she murmured.
+
+He did not answer, except to continue to caress her. He did
+not say good night until she had become supple to his gentle,
+seductive entreaties.
+
+
+
+
+XXXII
+
+
+
+When Mr. Pontellier learned of his wife's intention to abandon
+her home and take up her residence elsewhere, he immediately wrote
+her a letter of unqualified disapproval and remonstrance. She had
+given reasons which he was unwilling to acknowledge as adequate.
+He hoped she had not acted upon her rash impulse; and he begged her
+to consider first, foremost, and above all else, what people would
+say. He was not dreaming of scandal when he uttered this warning;
+that was a thing which would never have entered into his mind to
+consider in connection with his wife's name or his own. He was
+simply thinking of his financial integrity. It might get noised
+about that the Pontelliers had met with reverses, and were forced
+to conduct their menage on a humbler scale than heretofore. It
+might do incalculable mischief to his business prospects.
+
+But remembering Edna's whimsical turn of mind of late, and
+foreseeing that she had immediately acted upon her impetuous determination,
+he grasped the situation with his usual promptness and handled it with
+his well-known business tact and cleverness.
+
+The same mail which brought. to Edna his letter of disapproval
+carried instructions--the most minute instructions--to a well-known
+architect concerning the remodeling of his home, changes which he
+had long contemplated, and which he desired carried forward during
+his temporary absence.
+
+Expert and reliable packers and movers were engaged to convey
+the furniture, carpets, pictures --everything movable, in short--to
+places of security. And in an incredibly short time the Pontellier
+house was turned over to the artisans. There was to be an
+addition--a small snuggery; there was to be frescoing, and hardwood
+flooring was to be put into such rooms as had not yet been
+subjected to this improvement.
+
+Furthermore, in one of the daily papers appeared a brief
+notice to the effect that Mr. and Mrs. Pontellier were
+contemplating a summer sojourn abroad, and that their handsome
+residence on Esplanade Street was undergoing sumptuous alterations,
+and would not be ready for occupancy until their return. Mr.
+Pontellier had saved appearances!
+
+Edna admired the skill of his maneuver, and avoided any
+occasion to balk his intentions. When the situation as set forth
+by Mr. Pontellier was accepted and taken for granted, she was
+apparently satisfied that it should be so.
+
+The pigeon house pleased her. It at once assumed the intimate
+character of a home, while she herself invested it with a charm
+which it reflected like a warm glow. There was with her a feeling
+of having descended in the social scale, with a corresponding sense
+of having risen in the spiritual. Every step which she took toward
+relieving herself from obligations added to her strength and
+expansion as an individual. She began to look with her own eyes; to see
+and to apprehend the deeper undercurrents of life. No longer was
+she content to "feed upon opinion" when her own soul had invited her.
+
+After a little while, a few days, in fact, Edna went up and
+spent a week with her children in Iberville. They were delicious
+February days, with all the summer's promise hovering in the air.
+
+How glad she was to see the children! She wept for very
+pleasure when she felt their little arms clasping her; their hard,
+ruddy cheeks pressed against her own glowing cheeks. She looked
+into their faces with hungry eyes that could not be satisfied with
+looking. And what stories they had to tell their mother! About the
+pigs, the cows, the mules! About riding to the mill behind Gluglu;
+fishing back in the lake with their Uncle Jasper; picking pecans
+with Lidie's little black brood, and hauling chips in their express
+wagon. It was a thousand times more fun to haul real chips for old
+lame Susie's real fire than to drag painted blocks along the
+banquette on Esplanade Street!
+
+She went with them herself to see the pigs and the cows, to
+look at the darkies laying the cane, to thrash the pecan trees, and
+catch fish in the back lake. She lived with them a whole week
+long, giving them all of herself, and gathering and filling herself
+with their young existence. They listened, breathless, when she
+told them the house in Esplanade Street was crowded with workmen,
+hammering, nailing, sawing, and filling the place with clatter.
+They wanted. to know where their bed was; what had been done with
+their rocking-horse; and where did Joe sleep, and where had Ellen
+gone, and the cook? But, above all, they were fired with a desire
+to see the little house around the block. Was there any place to
+play? Were there any boys next door? Raoul, with pessimistic
+foreboding, was convinced that there were only girls next door.
+Where would they sleep, and where would papa sleep? She told them
+the fairies would fix it all right.
+
+The old Madame was charmed with Edna's visit, and showered all
+manner of delicate attentions upon her. She was delighted to know
+that the Esplanade Street house was in a dismantled condition. It
+gave her the promise and pretext to keep the children indefinitely.
+
+It was with a wrench and a pang that Edna left her children.
+She carried away with her the sound of their voices and
+the touch of their cheeks. All along the journey homeward their
+presence lingered with her like the memory of a delicious song.
+But by the time she had regained the city the song no longer echoed
+in her soul. She was again alone.
+
+
+
+
+XXXIII
+
+
+
+It happened sometimes when Edna went to see Mademoiselle Reisz
+that the little musician was absent, giving a lesson or making some
+small necessary household purchase. The key was always left in a
+secret hiding-place in the entry, which Edna knew. If Mademoiselle
+happened to be away, Edna would usually enter and wait for her
+return.
+
+When she knocked at Mademoiselle Reisz's door one afternoon
+there was no response; so unlocking the door, as usual, she entered
+and found the apartment deserted, as she had expected. Her day had
+been quite filled up, and it was for a rest, for a refuge, and to
+talk about Robert, that she sought out her friend.
+
+She had worked at her canvas--a young Italian character
+study--all the morning, completing the work without the model; but
+there had been many interruptions, some incident to her modest
+housekeeping, and others of a social nature.
+
+Madame Ratignolle had dragged herself over, avoiding the too
+public thoroughfares, she said. She complained that Edna had
+neglected her much of late. Besides, she was consumed with
+curiosity to see the little house and the manner in which it was
+conducted. She wanted to hear all about the dinner party; Monsieur
+Ratignolle had left so early. What had happened after he left?
+The champagne and grapes which Edna sent over were TOO delicious.
+She had so little appetite; they had refreshed and toned her stomach.
+Where on earth was she going to put Mr. Pontellier in that little house,
+and the boys? And then she made Edna promise to go to her when her hour
+of trial overtook her.
+
+"At any time--any time of the day or night, dear," Edna
+assured her.
+
+Before leaving Madame Ratignolle said:
+
+"In some way you seem to me like a child, Edna. You seem to
+act without a certain amount of reflection which is necessary in
+this life. That is the reason I want to say you mustn't mind if I
+advise you to be a little careful while you are living here alone.
+Why don't you have some one come and stay with you? Wouldn't
+Mademoiselle Reisz come?"
+
+"No; she wouldn't wish to come, and I shouldn't want her
+always with me."
+
+"Well, the reason--you know how evil-minded the world is--some
+one was talking of Alcee Arobin visiting you. Of course, it
+wouldn't matter if Mr. Arobin had not such a dreadful reputation.
+Monsieur Ratignolle was telling me that his attentions alone are
+considered enough to ruin a woman s name."
+
+"Does he boast of his successes?" asked Edna, indifferently,
+squinting at her picture.
+
+"No, I think not. I believe he is a decent fellow as far as
+that goes. But his character is so well known among the men. I
+shan't be able to come back and see you; it was very, very
+imprudent to-day."
+
+"Mind the step!" cried Edna.
+
+"Don't neglect me," entreated Madame Ratignolle; "and don't
+mind what I said about Arobin, or having some one to stay with you.
+
+"Of course not," Edna laughed. "You may say anything you like
+to me." They kissed each other good-by. Madame Ratignolle had not
+far to go, and Edna stood on the porch a while watching her walk
+down the street.
+
+Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made
+their "party call." Edna felt that they might have dispensed
+with the formality. They had also come to invite her to play
+vingt-et-un one evening at Mrs. Merriman's. She was asked to go early,
+to dinner, and Mr. Merriman or Mr. Arobin would take her home.
+Edna accepted in a half-hearted way. She sometimes felt very tired
+of Mrs. Highcamp and Mrs. Merriman.
+
+Late in the afternoon she sought refuge with Mademoiselle
+Reisz, and stayed there alone, waiting for her, feeling a kind of
+repose invade her with the very atmosphere of the shabby,
+unpretentious little room.
+
+Edna sat at the window, which looked out over the house-tops
+and across the river. The window frame was filled with pots of
+flowers, and she sat and picked the dry leaves from a rose
+geranium. The day was warm, and the breeze which blew from the
+river was very pleasant. She removed her hat and laid it on the
+piano. She went on picking the leaves and digging around the
+plants with her hat pin. Once she thought she heard Mademoiselle
+Reisz approaching. But it was a young black girl, who came in,
+bringing a small bundle of laundry, which she deposited in the
+adjoining room, and went away.
+
+Edna seated herself at the piano, and softly picked out with
+one hand the bars of a piece of music which lay open before her.
+A half-hour went by. There was the occasional sound of people
+going and coming in the lower hall. She was growing interested in
+her occupation of picking out the aria, when there was a second rap
+at the door. She vaguely wondered what these people did when they
+found Mademoiselle's door locked.
+
+"Come in," she called, turning her face toward the door. And
+this time it was Robert Lebrun who presented himself. She
+attempted to rise; she could not have done so without betraying the
+agitation which mastered her at sight of him, so she fell back upon
+the stool, only exclaiming, "Why, Robert!"
+
+He came and clasped her hand, seemingly without knowing what
+he was saying or doing.
+
+"Mrs. Pontellier! How do you happen--oh! how well you look!
+Is Mademoiselle Reisz not here? I never expected to see you."
+
+"When did you come back?" asked Edna in an unsteady voice,
+wiping her face with her handkerchief. She seemed ill at ease on
+the piano stool, and he begged her to take the chair by the window.
+
+She did so, mechanically, while he seated himself on the stool.
+
+"I returned day before yesterday," he answered, while he
+leaned his arm on the keys, bringing forth a crash of discordant
+sound.
+
+"Day before yesterday!" she repeated, aloud; and went on
+thinking to herself, "day before yesterday," in a sort of an
+uncomprehending way. She had pictured him seeking her at the very
+first hour, and he had lived under the same sky since day before
+yesterday; while only by accident had he stumbled upon her.
+Mademoiselle must have lied when she said, "Poor fool, he loves
+you."
+
+"Day before yesterday," she repeated, breaking off a spray of
+Mademoiselle's geranium; "then if you had not met me here to-day
+you wouldn't--when--that is, didn't you mean to come and see me?"
+
+"Of course, I should have gone to see you. There have been so
+many things--" he turned the leaves of Mademoiselle's music
+nervously. "I started in at once yesterday with the old firm.
+After all there is as much chance for me here as there was
+there--that is, I might find it profitable some day. The Mexicans were
+not very congenial."
+
+So he had come back because the Mexicans were not congenial;
+because business was as profitable here as there; because of any
+reason, and not because he cared to be near her. She remembered
+the day she sat on the floor, turning the pages of his letter,
+seeking the reason which was left untold.
+
+She had not noticed how he looked--only feeling his presence;
+but she turned deliberately and observed him. After all, he had
+been absent but a few months, and was not changed. His hair--the
+color of hers--waved back from his temples in the same way as
+before. His skin was not more burned than it had been at Grand Isle.
+She found in his eyes, when he looked at her for one silent moment,
+the same tender caress, with an added warmth and entreaty which had
+not been there before the same glance which had penetrated to the
+sleeping places of her soul and awakened them.
+
+A hundred times Edna had pictured Robert's return, and
+imagined their first meeting. It was usually at her home, whither
+he had sought her out at once. She always fancied him expressing
+or betraying in some way his love for her. And here, the reality
+was that they sat ten feet apart, she at the window, crushing
+geranium leaves in her hand and smelling them, he twirling around
+on the piano stool, saying:
+
+"I was very much surprised to hear of Mr. Pontellier's
+absence; it's a wonder Mademoiselle Reisz did not tell me; and your
+moving--mother told me yesterday. I should think you would have
+gone to New York with him, or to Iberville with the children,
+rather than be bothered here with housekeeping. And you are going
+abroad, too, I hear. We shan't have you at Grand Isle next summer;
+it won't seem--do you see much of Mademoiselle Reisz? She often
+spoke of you in the few letters she wrote."
+
+"Do you remember that you promised to write to me when you
+went away?" A flush overspread his whole face.
+
+"I couldn't believe that my letters would be of any interest
+to you."
+
+"That is an excuse; it isn't the truth." Edna reached for her
+hat on the piano. She adjusted it, sticking the hat pin through
+the heavy coil of hair with some deliberation.
+
+"Are you not going to wait for Mademoiselle Reisz?" asked
+Robert.
+
+"No; I have found when she is absent this long, she is liable
+not to come back till late." She drew on her gloves, and Robert
+picked up his hat.
+
+"Won't you wait for her?" asked Edna.
+
+"Not if you think she will not be back till late," adding, as
+if suddenly aware of some discourtesy in his speech, "and I should
+miss the pleasure of walking home with you." Edna locked the door
+and put the key back in its hiding-place.
+
+They went together, picking their way across muddy streets and
+sidewalks encumbered with the cheap display of small tradesmen.
+Part of the distance they rode in the car, and after disembarking,
+passed the Pontellier mansion, which looked broken and half torn
+asunder. Robert had never known the house, and looked at it with
+interest.
+
+"I never knew you in your home," he remarked.
+
+"I am glad you did not."
+
+"Why?" She did not answer. They went on around the corner,
+and it seemed as if her dreams were coming true after all, when he
+followed her into the little house.
+
+"You must stay and dine with me, Robert. You see I am all
+alone, and it is so long since I have seen you. There is so much
+I want to ask you."
+
+She took off her hat and gloves. He stood irresolute, making
+some excuse about his mother who expected him; he even muttered
+something about an engagement. She struck a match and lit the lamp
+on the table; it was growing dusk. When he saw her face in the
+lamp-light, looking pained, with all the soft lines gone out of it,
+he threw his hat aside and seated himself.
+
+"Oh! you know I want to stay if you will let me!" he
+exclaimed. All the softness came back. She laughed, and went and
+put her hand on his shoulder.
+
+"This is the first moment you have seemed like the old Robert.
+I'll go tell Celestine." She hurried away to tell Celestine to set
+an extra place. She even sent her off in search of some added
+delicacy which she had not thought of for herself. And she
+recommended great care in dripping the coffee and having the omelet
+done to a proper turn.
+
+When she reentered, Robert was turning over magazines,
+sketches, and things that lay upon the table in great disorder. He
+picked up a photograph, and exclaimed:
+
+"Alcee Arobin! What on earth is his picture doing here?"
+
+"I tried to make a sketch of his head one day," answered Edna,
+"and he thought the photograph might help me. It was at the other house.
+I thought it had been left there. I must have packed it up with
+my drawing materials."
+
+"I should think you would give it back to him if you have finished with it."
+
+"Oh! I have a great many such photographs. I never think of returning them.
+They don't amount to anything." Robert kept on looking at the picture.
+
+"It seems to me--do you think his head worth drawing?
+Is he a friend of Mr. Pontellier's? You never said you knew him."
+
+"He isn't a friend of Mr. Pontellier's; he's a friend of mine.
+I always knew him--that is, it is only of late that I know him
+pretty well. But I'd rather talk about you, and know what you have
+been seeing and doing and feeling out there in Mexico." Robert
+threw aside the picture.
+
+"I've been seeing the waves and the white beach of Grand Isle;
+the quiet, grassy street of the Cheniere; the old fort at
+Grande Terre. I've been working like a machine, and feeling like
+a lost soul. There was nothing interesting."
+
+She leaned her head upon her hand to shade her eyes
+from the light.
+
+"And what have you been seeing and doing and feeling
+all these days?" he asked.
+
+"I've been seeing the waves and the white beach of Grand Isle;
+the quiet, grassy street of the Cheniere Caminada; the old
+sunny fort at Grande Terre. I've been working with a little more
+comprehension than a machine, and still feeling like a lost soul.
+There was nothing interesting."
+
+"Mrs. Pontellier, you are cruel," he said, with feeling,
+closing his eyes and resting his head back in his chair. They
+remained in silence till old Celestine announced dinner.
+
+
+
+
+XXXIV
+
+
+
+The dining-room was very small. Edna's round mahogany would
+have almost filled it. As it was there was but a step or two from
+the little table to the kitchen, to the mantel, the small buffet,
+and the side door that opened out on the narrow brick-paved yard.
+
+A certain degree of ceremony settled upon them with the
+announcement of dinner. There was no return to personalities.
+Robert related incidents of his sojourn in Mexico, and Edna talked
+of events likely to interest him, which had occurred during his
+absence. The dinner was of ordinary quality, except for the few
+delicacies which she had sent out to purchase. Old Celestine, with
+a bandana tignon twisted about her head, hobbled in and out,
+taking a personal interest in everything; and she lingered
+occasionally to talk patois with Robert, whom she had known as a
+boy.
+
+He went out to a neighboring cigar stand to purchase cigarette
+papers, and when he came back he found that Celestine had served
+the black coffee in the parlor.
+
+"Perhaps I shouldn't have come back," he said. "When you are
+tired of me, tell me to go."
+
+"You never tire me. You must have forgotten the hours and
+hours at Grand Isle in which we grew accustomed to each other and
+used to being together."
+
+"I have forgotten nothing at Grand Isle," he said, not looking
+at her, but rolling a cigarette. His tobacco pouch, which he laid
+upon the table, was a fantastic embroidered silk affair, evidently
+the handiwork of a woman.
+
+"You used to carry your tobacco in a rubber pouch," said Edna,
+picking up the pouch and examining the needlework.
+
+"Yes; it was lost."
+
+"Where did you buy this one? In Mexico?"
+
+"It was given to me by a Vera Cruz girl; they are very
+generous," he replied, striking a match and lighting his cigarette.
+
+"They are very handsome, I suppose, those Mexican women; very
+picturesque, with their black eyes and their lace scarfs."
+
+"Some are; others are hideous. just as you find women
+everywhere."
+
+"What was she like--the one who gave you the pouch? You must
+have known her very well."
+
+"She was very ordinary. She wasn't of the slightest
+importance. I knew her well enough."
+
+"Did you visit at her house? Was it interesting? I should like
+to know and hear about the people you met, and the impressions they
+made on you."
+
+"There are some people who leave impressions not so lasting as
+the imprint of an oar upon the water."
+
+"Was she such a one?"
+
+"It would be ungenerous for me to admit that she was of that
+order and kind." He thrust the pouch back in his pocket, as if to
+put away the subject with the trifle which had brought it up.
+
+Arobin dropped in with a message from Mrs. Merriman, to say
+that the card party was postponed on account of the illness of one
+of her children.
+
+"How do you do, Arobin?" said Robert, rising from the
+obscurity.
+
+"Oh! Lebrun. To be sure! I heard yesterday you were back.
+How did they treat you down in Mexique?"
+
+"Fairly well."
+
+"But not well enough to keep you there. Stunning girls,
+though, in Mexico. I thought I should never get away from Vera
+Cruz when I was down there a couple of years ago."
+
+"Did they embroider slippers and tobacco pouches and hat-bands
+and things for you?" asked Edna.
+
+"Oh! my! no! I didn't get so deep in their regard.
+I fear they made more impression on me than I made on them."
+
+"You were less fortunate than Robert, then."
+
+"I am always less fortunate than Robert. Has he been
+imparting tender confidences?"
+
+"I've been imposing myself long enough," said Robert, rising,
+and shaking hands with Edna. "Please convey my regards to Mr.
+Pontellier when you write."
+
+He shook hands with Arobin and went away.
+
+"Fine fellow, that Lebrun," said Arobin when Robert had gone.
+"I never heard you speak of him."
+
+"I knew him last summer at Grand Isle," she replied. "Here is
+that photograph of yours. Don't you want it?"
+
+"What do I want with it? Throw it away." She threw it back on
+the table.
+
+"I'm not going to Mrs. Merriman's," she said. "If you see
+her, tell her so. But perhaps I had better write. I think I shall
+write now, and say that I am sorry her child is sick, and tell her
+not to count on me."
+
+"It would be a good scheme," acquiesced Arobin. "I don't blame you;
+stupid lot!"
+
+Edna opened the blotter, and having procured paper and pen,
+began to write the note. Arobin lit a cigar and read the evening
+paper, which he had in his pocket.
+
+"What is the date?" she asked. He told her.
+
+"Will you mail this for me when you go out?"
+
+"Certainly." He read to her little bits out of the newspaper,
+while she straightened things on the table.
+
+"What do you want to do?" he asked, throwing aside the paper.
+"Do you want to go out for a walk or a drive or anything? It would
+be a fine night to drive."
+
+"No; I don't want to do anything but just be quiet. You go
+away and amuse yourself. Don't stay."
+
+"I'll go away if I must; but I shan't amuse myself. You know
+that I only live when I am near you."
+
+He stood up to bid her good night.
+
+"Is that one of the things you always say to women?"
+
+"I have said it before, but I don't think I ever came so near
+meaning it," he answered with a smile. There were no warm lights
+in her eyes; only a dreamy, absent look.
+
+"Good night. I adore you. Sleep well," he said, and he
+kissed her hand and went away.
+
+She stayed alone in a kind of reverie--a sort of stupor. Step
+by step she lived over every instant of the time she had been with
+Robert after he had entered Mademoiselle Reisz's door. She
+recalled his words, his looks. How few and meager they had been
+for her hungry heart! A vision--a transcendently seductive vision
+of a Mexican girl arose before her. She writhed with a jealous
+pang. She wondered when he would come back. He had not said he
+would come back. She had been with him, had heard his voice and
+touched his hand. But some way he had seemed nearer to her off
+there in Mexico.
+
+
+
+
+XXXV
+
+
+
+The morning was full of sunlight and hope. Edna could see
+before her no denial--only the promise of excessive joy. She lay
+in bed awake, with bright eyes full of speculation. "He loves you,
+poor fool." If she could but get that conviction firmly fixed in
+her mind, what mattered about the rest? She felt she had been
+childish and unwise the night before in giving herself over to
+despondency. She recapitulated the motives which no doubt
+explained Robert's reserve. They were not insurmountable; they
+would not hold if he really loved her; they could not hold against
+her own passion, which he must come to realize in time. She
+pictured him going to his business that morning. She even saw how
+he was dressed; how he walked down one street, and turned the
+corner of another; saw him bending over his desk, talking to people
+who entered the office, going to his lunch, and perhaps watching
+for her on the street. He would come to her in the afternoon or
+evening, sit and roll his cigarette, talk a little, and go away as
+he had done the night before. But how delicious it would be to have
+him there with her! She would have no regrets, nor seek to penetrate
+his reserve if he still chose to wear it.
+
+Edna ate her breakfast only half dressed. The maid brought
+her a delicious printed scrawl from Raoul, expressing his love,
+asking her to send him some bonbons, and telling her they had found
+that morning ten tiny white pigs all lying in a row beside Lidie's
+big white pig.
+
+A letter also came from her husband, saying he hoped to be
+back early in March, and then they would get ready for that journey
+abroad which he had promised her so long, which he felt now fully
+able to afford; he felt able to travel as people should, without
+any thought of small economies--thanks to his recent speculations
+in Wall Street.
+
+Much to her surprise she received a note from Arobin, written
+at midnight from the club. It was to say good morning to her, to
+hope she had slept well, to assure her of his devotion, which he
+trusted she in some faintest manner returned.
+
+All these letters were pleasing to her. She answered the
+children in a cheerful frame of mind, promising them bonbons, and
+congratulating them upon their happy find of the little pigs.
+
+She answered her husband with friendly evasiveness, --not with
+any fixed design to mislead him, only because all sense of reality
+had gone out of her life; she had abandoned herself to Fate, and
+awaited the consequences with indifference.
+
+To Arobin's note she made no reply. She put it under
+Celestine's stove-lid.
+
+Edna worked several hours with much spirit. She saw no one
+but a picture dealer, who asked her if it were true that she was
+going abroad to study in Paris.
+
+She said possibly she might, and he negotiated with her for
+some Parisian studies to reach him in time for the holiday trade in
+December.
+
+Robert did not come that day. She was keenly disappointed.
+He did not come the following day, nor the next. Each morning
+she awoke with hope, and each night she was a prey to despondency.
+She was tempted to seek him out. But far from yielding to the impulse,
+she avoided any occasion which might throw her in his way. She did not
+go to Mademoiselle Reisz's nor pass by Madame Lebrun's, as she might
+have done if he had still been in Mexico.
+
+When Arobin, one night, urged her to drive with him, she
+went--out to the lake, on the Shell Road. His horses were full of
+mettle, and even a little unmanageable. She liked the rapid gait
+at which they spun along, and the quick, sharp sound of the horses'
+hoofs on the hard road. They did not stop anywhere to eat or to
+drink. Arobin was not needlessly imprudent. But they ate and they
+drank when they regained Edna's little dining-room--which was
+comparatively early in the evening.
+
+It was late when he left her. It was getting to be more than
+a passing whim with Arobin to see her and be with her. He had
+detected the latent sensuality, which unfolded under his delicate
+sense of her nature's requirements like a torpid, torrid, sensitive
+blossom.
+
+There was no despondency when she fell asleep that night; nor
+was there hope when she awoke in the morning.
+
+
+
+
+XXXVI
+
+
+
+There was a garden out in the suburbs; a small, leafy corner,
+with a few green tables under the orange trees. An old cat slept
+all day on the stone step in the sun, and an old mulatresse
+slept her idle hours away in her chair at the open window, till,
+some one happened to knock on one of the green tables. She had
+milk and cream cheese to sell, and bread and butter. There was no
+one who could make such excellent coffee or fry a chicken so
+golden brown as she.
+
+The place was too modest to attract the attention of people of
+fashion, and so quiet as to have escaped the notice of those in
+search of pleasure and dissipation. Edna had discovered it
+accidentally one day when the high-board gate stood ajar. She
+caught sight of a little green table, blotched with the checkered
+sunlight that filtered through the quivering leaves overhead.
+Within she had found the slumbering mulatresse, the drowsy cat,
+and a glass of milk which reminded her of the milk she had tasted
+in Iberville.
+
+She often stopped there during her perambulations; sometimes
+taking a book with her, and sitting an hour or two under the trees
+when she found the place deserted. Once or twice she took a quiet
+dinner there alone, having instructed Celestine beforehand to
+prepare no dinner at home. It was the last place in the city where
+she would have expected to meet any one she knew.
+
+Still she was not astonished when, as she was partaking of a
+modest dinner late in the afternoon, looking into an open book,
+stroking the cat, which had made friends with her--she was not
+greatly astonished to see Robert come in at the tall garden gate.
+
+"I am destined to see you only by accident," she said, shoving
+the cat off the chair beside her. He was surprised, ill at ease,
+almost embarrassed at meeting her thus so unexpectedly.
+
+"Do you come here often?" he asked.
+
+"I almost live here," she said.
+
+"I used to drop in very often for a cup of Catiche's good
+coffee. This is the first time since I came back."
+
+"She'll bring you a plate, and you will share my dinner.
+There's always enough for two--even three." Edna had intended to be
+indifferent and as reserved as he when she met him; she had reached
+the determination by a laborious train of reasoning, incident to
+one of her despondent moods. But her resolve melted when she saw
+him before designing Providence had led him into her path.
+
+"Why have you kept away from me, Robert?" she asked, closing
+the book that lay open upon the table.
+
+"Why are you so personal, Mrs. Pontellier? Why do you force me
+to idiotic subterfuges?" he exclaimed with sudden warmth. "I
+suppose there's no use telling you I've been very busy, or that
+I've been sick, or that I've been to see you and not found you at
+home. Please let me off with any one of these excuses."
+
+"You are the embodiment of selfishness," she said. "You save
+yourself something--I don't know what--but there is some selfish
+motive, and in sparing yourself you never consider for a moment
+what I think, or how I feel your neglect and indifference. I
+suppose this is what you would call unwomanly; but I have got into
+a habit of expressing myself. It doesn't matter to me, and you may
+think me unwomanly if you like."
+
+"No; I only think you cruel, as I said the other day. Maybe
+not intentionally cruel; but you seem to be forcing me into
+disclosures which can result in nothing; as if you would have me
+bare a wound for the pleasure of looking at it, without the
+intention or power of healing it."
+
+"I'm spoiling your dinner, Robert; never mind what I say. You
+haven't eaten a morsel."
+
+"I only came in for a cup of coffee." His sensitive face was
+all disfigured with excitement.
+
+"Isn't this a delightful place?" she remarked. "I am so glad
+it has never actually been discovered. It is so quiet, so sweet,
+here. Do you notice there is scarcely a sound to be heard? It's so
+out of the way; and a good walk from the car. However, I don't
+mind walking. I always feel so sorry for women who don't like to
+walk; they miss so much--so many rare little glimpses of life; and
+we women learn so little of life on the whole.
+
+"Catiche's coffee is always hot. I don't know how she
+manages it, here in the open air. Celestine's coffee gets cold
+bringing it from the kitchen to the dining-room. Three lumps!
+How can you drink it so sweet? Take some of the cress with your chop;
+it's so biting and crisp. Then there's the advantage of being able to
+smoke with your coffee out here. Now, in the city--aren't you going to smoke?"
+
+"After a while," he said, laying a cigar on the table.
+
+"Who gave it to you?" she laughed.
+
+"I bought it. I suppose I'm getting reckless; I bought a
+whole box." She was determined not to be personal again and make
+him uncomfortable.
+
+The cat made friends with him, and climbed into his lap when
+he smoked his cigar. He stroked her silky fur, and talked a little
+about her. He looked at Edna's book, which he had read; and he
+told her the end, to save her the trouble of wading through it, he
+said.
+
+Again he accompanied her back to her home; and it was after
+dusk when they reached the little "pigeon-house." She did not ask
+him to remain, which he was grateful for, as it permitted him to
+stay without the discomfort of blundering through an excuse which
+he had no intention of considering. He helped her to light the
+lamp; then she went into her room to take off her hat and to bathe
+her face and hands.
+
+When she came back Robert was not examining the pictures and
+magazines as before; he sat off in the shadow, leaning his head
+back on the chair as if in a reverie. Edna lingered a moment
+beside the table, arranging the books there. Then she went across
+the room to where he sat. She bent over the arm of his chair and
+called his name.
+
+"Robert," she said, "are you asleep?"
+
+"No," he answered, looking up at her.
+
+She leaned over and kissed him--a soft, cool, delicate kiss,
+whose voluptuous sting penetrated his whole being-then she moved
+away from him. He followed, and took her in his arms, just holding
+her close to him. She put her hand up to his face and pressed his
+cheek against her own. The action was full of love and tenderness.
+He sought her lips again. Then he drew her down upon the sofa
+beside him and held her hand in both of his.
+
+"Now you know," he said, "now you know what I have been
+fighting against since last summer at Grand Isle; what drove me
+away and drove me back again."
+
+"Why have you been fighting against it?" she asked. Her face
+glowed with soft lights.
+
+"Why? Because you were not free; you were Leonce Pontellier's
+wife. I couldn't help loving you if you were ten times his wife;
+but so long as I went away from you and kept away I could help
+telling you so." She put her free hand up to his shoulder, and then
+against his cheek, rubbing it softly. He kissed her again. His
+face was warm and flushed.
+
+"There in Mexico I was thinking of you all the time, and
+longing for you."
+
+"But not writing to me," she interrupted.
+
+"Something put into my head that you cared for me; and I lost
+my senses. I forgot everything but a wild dream of your some way
+becoming my wife."
+
+"Your wife!"
+
+"Religion, loyalty, everything would give way if only you cared."
+
+"Then you must have forgotten that I was Leonce Pontellier's wife."
+
+"Oh! I was demented, dreaming of wild, impossible things,
+recalling men who had set their wives free,
+we have heard of such things."
+
+"Yes, we have heard of such things."
+
+"I came back full of vague, mad intentions. And when I got here--"
+
+"When you got here you never came near me!" She was still
+caressing his cheek.
+
+"I realized what a cur I was to dream of such a thing, even if
+you had been willing."
+
+She took his face between her hands and looked into it as if
+she would never withdraw her eyes more. She kissed him on the
+forehead, the eyes, the cheeks, and the lips.
+
+"You have been a very, very foolish boy, wasting your time
+dreaming of impossible things when you speak of Mr. Pontellier
+setting me free! I am no longer one of Mr. Pontellier's possessions
+to dispose of or not. I give myself where I choose. If he were to say,
+'Here, Robert, take her and be happy; she is yours,' I should laugh
+at you both."
+
+His face grew a little white. "What do you mean?" he asked.
+
+There was a knock at the door. Old Celestine came in to say
+that Madame Ratignolle's servant had come around the back way with
+a message that Madame had been taken sick and begged Mrs.
+Pontellier to go to her immediately.
+
+"Yes, yes," said Edna, rising; "I promised. Tell her yes--to
+wait for me. I'll go back with her."
+
+"Let me walk over with you," offered Robert.
+
+"No," she said; "I will go with the servant. She went into
+her room to put on her hat, and when she came in again she sat once
+more upon the sofa beside him. He had not stirred. She put her
+arms about his neck.
+
+"Good-by, my sweet Robert. Tell me good-by." He kissed her
+with a degree of passion which had not before entered into his
+caress, and strained her to him.
+
+"I love you," she whispered, "only you; no one but you. It
+was you who awoke me last summer out of a life-long, stupid dream.
+Oh! you have made me so unhappy with your indifference. Oh! I have
+suffered, suffered! Now you are here we shall love each other, my
+Robert. We shall be everything to each other. Nothing else in the
+world is of any consequence. I must go to my friend; but you will
+wait for me? No matter how late; you will wait for me, Robert?"
+
+"Don't go; don't go! Oh! Edna, stay with me," he pleaded.
+"Why should you go? Stay with me, stay with me."
+
+"I shall come back as soon as I can; I shall find you here."
+She buried her face in his neck, and said good-by again. Her
+seductive voice, together with his great love for her, had
+enthralled his senses, had deprived him of every impulse but the
+longing to hold her and keep her.
+
+
+
+
+XXXVII
+
+
+
+Edna looked in at the drug store. Monsieur Ratignolle was
+putting up a mixture himself, very carefully, dropping a red liquid
+into a tiny glass. He was grateful to Edna for having come; her
+presence would be a comfort to his wife. Madame Ratignolle's
+sister, who had always been with her at such trying times, had not
+been able to come up from the plantation, and Adele had been
+inconsolable until Mrs. Pontellier so kindly promised to come to
+her. The nurse had been with them at night for the past week, as
+she lived a great distance away. And Dr. Mandelet had been coming
+and going all the afternoon. They were then looking for him any
+moment.
+
+Edna hastened upstairs by a private stairway that led from the
+rear of the store to the apartments above. The children were all
+sleeping in a back room. Madame Ratignolle was in the salon,
+whither she had strayed in her suffering impatience. She sat on
+the sofa, clad in an ample white peignoir, holding a
+handkerchief tight in her hand with a nervous clutch. Her face was
+drawn and pinched, her sweet blue eyes haggard and unnatural. All
+her beautiful hair had been drawn back and plaited. It lay in a
+long braid on the sofa pillow, coiled like a golden serpent. The
+nurse, a comfortable looking Griffe woman in white apron and
+cap, was urging her to return to her bedroom.
+
+"There is no use, there is no use," she said at once to Edna.
+"We must get rid of Mandelet; he is getting too old and careless.
+He said he would be here at half-past seven; now it must be eight.
+See what time it is, Josephine."
+
+The woman was possessed of a cheerful nature, and refused
+to take any situation too seriously, especially a situation
+withwhich she was so familiar. She urged Madame to have
+courage and patience. But Madame only set her teeth hard
+into her under lip, and Edna saw the sweat gather in beads
+on her white forehead. After a moment or two she uttered
+a profound sigh and wiped her face with the handkerchief
+rolled in a ball. She appeared exhausted. The nurse gave her
+a fresh handkerchief, sprinkled with cologne water.
+
+"This is too much!" she cried. "Mandelet ought to be killed!
+Where is Alphonse? Is it possible I am to be abandoned like
+this-neglected by every one?"
+
+"Neglected, indeed!" exclaimed the nurse. Wasn't she there?
+And here was Mrs. Pontellier leaving, no doubt, a pleasant evening
+at home to devote to her? And wasn't Monsieur Ratignolle coming
+that very instant through the hall? And Josephine was quite sure
+she had heard Doctor Mandelet's coupe. Yes, there it was,
+down at the door.
+
+Adele consented to go back to her room. She sat on the edge
+of a little low couch next to her bed.
+
+Doctor Mandelet paid no attention to Madame Ratignolle's
+upbraidings. He was accustomed to them at such times, and was too
+well convinced of her loyalty to doubt it.
+
+He was glad to see Edna, and wanted her to go with him into
+the salon and entertain him. But Madame Ratignolle would not
+consent that Edna should leave her for an instant. Between
+agonizing moments, she chatted a little, and said it took her mind
+off her sufferings.
+
+Edna began to feel uneasy. She was seized with a vague dread.
+Her own like experiences seemed far away, unreal, and only half
+remembered. She recalled faintly an ecstasy of pain, the heavy
+odor of chloroform, a stupor which had deadened sensation, and an
+awakening to find a little new life to which she had given being,
+added to the great unnumbered multitude of souls that come and go.
+
+She began to wish she had not come; her presence was not
+necessary. She might have invented a pretext for staying away; she
+might even invent a pretext now for going. But Edna did not go.
+With an inward agony, with a flaming, outspoken revolt against
+the ways of Nature, she witnessed the scene of torture.
+
+She was still stunned and speechless with emotion when later
+she leaned over her friend to kiss her and softly say good-by.
+Adele, pressing her cheek, whispered in an exhausted voice:
+"Think of the children, Edna. Oh think of the children! Remember them!"
+
+
+
+
+XXXVIII
+
+
+
+Edna still felt dazed when she got outside in the open air.
+The Doctor's coupe had returned for him and stood before the
+porte cochere. She did not wish to enter the coupe, and told
+Doctor Mandelet she would walk; she was not afraid, and would go
+alone. He directed his carriage to meet him at Mrs. Pontellier's,
+and he started to walk home with her.
+
+Up--away up, over the narrow street between the tall houses,
+the stars were blazing. The air was mild and caressing, but cool
+with the breath of spring and the night. They walked slowly, the
+Doctor with a heavy, measured tread and his hands behind him; Edna,
+in an absent-minded way, as she had walked one night at Grand Isle,
+as if her thoughts had gone ahead of her and she was striving to
+overtake them.
+
+"You shouldn't have been there, Mrs. Pontellier," he said.
+"That was no place for you. Adele is full of whims at such times.
+There were a dozen women she might have had with her,
+unimpressionable women. I felt that it was cruel, cruel. You
+shouldn't have gone."
+
+"Oh, well!" she answered, indifferently. "I don't know that
+it matters after all. One has to think of the children some time
+or other; the sooner the better."
+
+"When is Leonce coming back?"
+
+"Quite soon. Some time in March."
+
+"And you are going abroad?"
+
+"Perhaps--no, I am not going. I'm not going to be forced into
+doing things. I don't want to go abroad. I want to be let alone.
+Nobody has any right--except children, perhaps--and even then, it
+seems to me--or it did seem--" She felt that her speech was voicing
+the incoherency of her thoughts, and stopped abruptly.
+
+"The trouble is," sighed the Doctor, grasping her meaning
+intuitively, "that youth is given up to illusions. It seems to be
+a provision of Nature; a decoy to secure mothers for the race. And
+Nature takes no account of moral consequences, of arbitrary
+conditions which we create, and which we feel obliged to maintain
+at any cost."
+
+"Yes," she said. "The years that are gone seem like
+dreams--if one might go on sleeping and dreaming--but to wake up and
+find--oh! well! perhaps it is better to wake up after all, even to
+suffer, rather than to remain a dupe to illusions all one's life."
+
+"It seems to me, my dear child," said the Doctor at parting,
+holding her hand, "you seem to me to be in trouble. I am not going
+to ask for your confidence. I will only say that if ever you feel
+moved to give it to me, perhaps I might help you. I know I would
+understand, And I tell you there are not many who would--not many,
+my dear."
+
+"Some way I don't feel moved to speak of things that trouble
+me. Don't think I am ungrateful or that I don't appreciate your
+sympathy. There are periods of despondency and suffering which
+take possession of me. But I don't want anything but my own way.
+That is wanting a good deal, of course, when you have to trample
+upon the lives, the hearts, the prejudices of others--but no
+matter-still, I shouldn't want to trample upon the little lives.
+Oh! I don't know what I'm saying, Doctor. Good night. Don't blame
+me for anything."
+
+"Yes, I will blame you if you don't come and see me soon.
+We will talk of things you never have dreamt of talking
+about before. It will do us both good. I don't want you
+to blame yourself, whatever comes. Good night, my child."
+
+She let herself in at the gate, but instead of entering she
+sat upon the step of the porch. The night was quiet and soothing.
+All the tearing emotion of the last few hours seemed to fall away
+from her like a somber, uncomfortable garment, which she had but to
+loosen to be rid of. She went back to that hour before Adele had
+sent for her; and her senses kindled afresh in thinking of Robert's
+words, the pressure of his arms, and the feeling of his lips upon
+her own. She could picture at that moment no greater bliss on
+earth than possession of the beloved one. His expression of love
+had already given him to her in part. When she thought that he was
+there at hand, waiting for her, she grew numb with the intoxication
+of expectancy. It was so late; he would be asleep perhaps. She
+would awaken him with a kiss. She hoped he would be asleep that
+she might arouse him with her caresses.
+
+Still, she remembered Adele's voice whispering, "Think of the
+children; think of them." She meant to think of them; that
+determination had driven into her soul like a death wound--but not
+to-night. To-morrow would be time to think of everything.
+
+Robert was not waiting for her in the little parlor. He was
+nowhere at hand. The house was empty. But he had scrawled on a
+piece of paper that lay in the lamplight:
+
+"I love you. Good-by--because I love you."
+
+Edna grew faint when she read the words. She went and sat on
+the sofa. Then she stretched herself out there, never uttering a
+sound. She did not sleep. She did not go to bed. The lamp
+sputtered and went out. She was still awake in the morning, when
+Celestine unlocked the kitchen door and came in to light the fire.
+
+
+
+
+XXXIX
+
+
+
+Victor, with hammer and nails and scraps of scantling, was
+patching a corner of one of the galleries. Mariequita sat near by,
+dangling her legs, watching him work, and handing him nails from
+the tool-box. The sun was beating down upon them. The girl had
+covered her head with her apron folded into a square pad. They had
+been talking for an hour or more. She was never tired of hearing
+Victor describe the dinner at Mrs. Pontellier's. He exaggerated
+every detail, making it appear a veritable Lucullean feast. The
+flowers were in tubs, he said. The champagne was quaffed from huge
+golden goblets. Venus rising from the foam could have presented no
+more entrancing a spectacle than Mrs. Pontellier, blazing with
+beauty and diamonds at the head of the board, while the other women
+were all of them youthful houris, possessed of incomparable charms.
+She got it into her head that Victor was in love with Mrs.
+Pontellier, and he gave her evasive answers, framed so as to
+confirm her belief. She grew sullen and cried a little,
+threatening to go off and leave him to his fine ladies. There were
+a dozen men crazy about her at the Cheniere; and since it was
+the fashion to be in love with married people, why, she could run
+away any time she liked to New Orleans with Celina's husband.
+
+Celina's husband was a fool, a coward, and a pig, and to prove
+it to her, Victor intended to hammer his head into a jelly the next
+time he encountered him. This assurance was very consoling to
+Mariequita. She dried her eyes, and grew cheerful at the prospect.
+
+They were still talking of the dinner and the allurements of city life
+when Mrs. Pontellier herself slipped around the corner of the house.
+The two youngsters stayed dumb with amazement before what they considered
+to be an apparition. But it was really she in flesh and blood,
+looking tired and a little travel-stained.
+
+"I walked up from the wharf", she said, "and heard the hammering.
+I supposed it was you, mending the porch. It's a good thing.
+I was always tripping over those loose planks last summer.
+How dreary and deserted everything looks!"
+
+It took Victor some little time to comprehend that she had
+come in Beaudelet's lugger, that she had come alone, and for no
+purpose but to rest.
+
+"There's nothing fixed up yet, you see. I'll give you my room;
+it's the only place."
+
+"Any corner will do," she assured him.
+
+"And if you can stand Philomel's cooking," he went on, "though
+I might try to get her mother while you are here. Do you think she
+would come?" turning to Mariequita.
+
+Mariequita thought that perhaps Philomel's mother might come
+for a few days, and money enough.
+
+Beholding Mrs. Pontellier make her appearance, the girl had at
+once suspected a lovers' rendezvous. But Victor's astonishment was
+so genuine, and Mrs. Pontellier's indifference so apparent, that
+the disturbing notion did not lodge long in her brain. She
+contemplated with the greatest interest this woman who gave the
+most sumptuous dinners in America, and who had all the men in New
+Orleans at her feet.
+
+"What time will you have dinner?" asked Edna. "I'm very
+hungry; but don't get anything extra."
+
+"I'll have it ready in little or no time," he said, bustling
+and packing away his tools. "You may go to my room to brush up and
+rest yourself. Mariequita will show you."
+
+"Thank you", said Edna. "But, do you know, I have a notion to
+go down to the beach and take a good wash and even a little swim,
+before dinner?"
+
+"The water is too cold!" they both exclaimed. "Don't think of it."
+
+"Well, I might go down and try--dip my toes in. Why, it seems to me
+the sun is hot enough to have warmed the very depths of the ocean.
+Could you get me a couple of towels? I'd better go right away,
+so as to be back in time. It would be a little too chilly
+if I waited till this afternoon."
+
+Mariequita ran over to Victor's room, and returned
+with some towels, which she gave to Edna.
+
+"I hope you have fish for dinner," said Edna, as she started
+to walk away; "but don't do anything extra if you haven't."
+
+"Run and find Philomel's mother," Victor instructed the girl.
+"I'll go to the kitchen and see what I can do. By Gimminy!
+Women have no consideration! She might have sent me word."
+
+Edna walked on down to the beach rather mechanically, not
+noticing anything special except that the sun was hot. She was not
+dwelling upon any particular train of thought. She had done all
+the thinking which was necessary after Robert went away, when she
+lay awake upon the sofa till morning.
+
+She had said over and over to herself: "To-day it is Arobin;
+to-morrow it will be some one else. It makes no difference to me,
+it doesn't matter about Leonce Pontellier--but Raoul and Etienne!"
+She understood now clearly what she had meant long ago when she
+said to Adele Ratignolle that she would give up the unessential,
+but she would never sacrifice herself for her children.
+
+Despondency had come upon her there in the wakeful night, and
+had never lifted. There was no one thing in the world that she
+desired. There was no human being whom she wanted near her except
+Robert; and she even realized that the day would come when he, too,
+and the thought of him would melt out of her existence, leaving her
+alone. The children appeared before her like antagonists who had
+overcome her; who had overpowered and sought to drag her into the
+soul's slavery for the rest of her days. But she knew a way to
+elude them. She was not thinking of these things when she walked
+down to the beach.
+
+The water of the Gulf stretched out before her, gleaming with
+the million lights of the sun. The voice of the sea is seductive,
+never ceasing, whispering, clamoring, murmuring, inviting the soul
+to wander in abysses of solitude. All along the white beach,
+up and down, there was no living thing in sight. A bird
+with a broken wing was beating the air above, reeling,
+fluttering, circling disabled down, down to the water.
+
+Edna had found her old bathing suit still hanging, faded,
+upon its accustomed peg.
+
+She put it on, leaving her clothing in the bath-house. But
+when she was there beside the sea, absolutely alone, she cast the
+unpleasant, pricking garments from her, and for the first time in
+her life she stood naked in the open air, at the mercy of the sun,
+the breeze that beat upon her, and the waves that invited her.
+
+How strange and awful it seemed to stand naked under the sky!
+how delicious! She felt like some new-born creature, opening its
+eyes in a familiar world that it had never known.
+
+The foamy wavelets curled up to her white feet, and coiled
+like serpents about her ankles. She walked out. The water was
+chill, but she walked on. The water was deep, but she lifted her
+white body and reached out with a long, sweeping stroke. The touch
+of the sea is sensuous, enfolding the body in its soft, close
+embrace.
+
+She went on and on. She remembered the night she swam far
+out, and recalled the terror that seized her at the fear of being
+unable to regain the shore. She did not look back now, but went on
+and on, thinking of the blue-grass meadow that she had traversed
+when a little child, believing that it had no beginning and no end.
+
+Her arms and legs were growing tired.
+
+She thought of Leonce and the children. They were a part of
+her life. But they need not have thought that they could possess
+her, body and soul. How Mademoiselle Reisz would have laughed,
+perhaps sneered, if she knew! "And you call yourself an artist!
+What pretensions, Madame! The artist must possess the courageous
+soul that dares and defies."
+
+Exhaustion was pressing upon and overpowering her.
+
+"Good-by--because I love you." He did not know; he did not
+understand. He would never understand. Perhaps Doctor Mandelet
+would have understood if she had seen him--but it was too late; the
+shore was far behind her, and her strength was gone.
+
+She looked into the distance, and the old terror flamed up for
+an instant, then sank again. Edna heard her father's voice and her
+sister Margaret's. She heard the barking of an old dog that was
+chained to the sycamore tree. The spurs of the cavalry officer
+clanged as he walked across the porch. There was the hum of bees,
+and the musky odor of pinks filled the air.
+
+
+
+
+
+
+
+
+
+Beyond the Bayou
+
+
+
+The bayou curved like a crescent around the point of land on
+which La Folle's cabin stood. Between the stream and the hut lay
+a big abandoned field, where cattle were pastured when the bayou
+supplied them with water enough. Through the woods that spread
+back into unknown regions the woman had drawn an imaginary line,
+and past this circle she never stepped. This was the form of her
+only mania.
+
+She was now a large, gaunt black woman, past thirty-five. Her
+real name was Jacqueline, but every one on the plantation called
+her La Folle, because in childhood she had been frightened
+literally "out of her senses," and had never wholly regained them.
+
+It was when there had been skirmishing and sharpshooting all
+day in the woods. Evening was near when P'tit Maitre, black with
+powder and crimson with blood, had staggered into the cabin of
+Jacqueline's mother, his pursuers close at his heels. The sight
+had stunned her childish reason.
+
+She dwelt alone in her solitary cabin, for the rest of the
+quarters had long since been removed beyond her sight and
+knowledge. She had more physical strength than most men, and made
+her patch of cotton and corn and tobacco like the best of them.
+But of the world beyond the bayou she had long known nothing,
+save what her morbid fancy conceived.
+
+People at Bellissime had grown used to her and her way, and
+they thought nothing of it. Even when "Old Mis'" died, they did
+not wonder that La Folle had not crossed the bayou, but had stood
+upon her side of it, wailing and lamenting.
+
+P'tit Maitre was now the owner of Bellissime. He was a
+middle-aged man, with a family of beautiful daughters about him,
+and a little son whom La Folle loved as if he had been her own.
+She called him Cheri, and so did every one else because she did.
+
+None of the girls had ever been to her what Cheri was. They
+had each and all loved to be with her, and to listen to her
+wondrous stories of things that always happened "yonda, beyon' de
+bayou."
+
+But none of them had stroked her black hand quite as Cheri
+did, nor rested their heads against her knee so confidingly, nor
+fallen asleep in her arms as he used to do. For Cheri hardly did
+such things now, since he had become the proud possessor of a gun,
+and had had his black curls cut off.
+
+That summer--the summer Cheri gave La Folle two black curls
+tied with a knot of red ribbon--the water ran so low in the bayou
+that even the little children at Bellissime were able to cross it
+on foot, and the cattle were sent to pasture down by the river. La
+Folle was sorry when they were gone, for she loved these dumb
+companions well, and liked to feel that they were there, and to
+hear them browsing by night up to her own enclosure.
+
+It was Saturday afternoon, when the fields were deserted. The
+men had flocked to a neighboring village to do their week's
+trading, and the women were occupied with household affairs,--La
+Folle as well as the others. It was then she mended and washed her
+handful of clothes, scoured her house, and did her baking.
+
+In this last employment she never forgot Cheri. To-day
+she had fashioned croquignoles of the most fantastic and
+alluring shapes for him. So when she saw the boy come trudging
+across the old field with his gleaming little new rifle on his
+shoulder, she called out gayly to him, "Cheri! Cheri!"
+
+But Cheri did not need the summons, for he was coming straight
+to her. His pockets all bulged out with almonds and raisins and an
+orange that he had secured for her from the very fine dinner which
+had been given that day up at his father's house.
+
+He was a sunny-faced youngster of ten. When he had emptied
+his pockets, La Folle patted his round red cheek, wiped his soiled
+hands on her apron, and smoothed his hair. Then she watched him
+as, with his cakes in his hand, he crossed her strip of cotton back
+of the cabin, and disappeared into the wood.
+
+He had boasted of the things he was going to do with his gun
+out there.
+
+"You think they got plenty deer in the wood, La Folle?" he had
+inquired, with the calculating air of an experienced hunter.
+
+"Non, non!" the woman laughed. "Don't you look fo' no deer, Cheri.
+Dat's too big. But you bring La Folle one good fat squirrel
+fo' her dinner to-morrow, an' she goin' be satisfi'."
+
+"One squirrel ain't a bite. I'll bring you mo' 'an one, La
+Folle," he had boasted pompously as he went away.
+
+When the woman, an hour later, heard the report of the boy's
+rifle close to the wood's edge, she would have thought nothing of
+it if a sharp cry of distress had not followed the sound.
+
+She withdrew her arms from the tub of suds in which they had
+been plunged, dried them upon her apron, and as quickly as her
+trembling limbs would bear her, hurried to the spot whence the
+ominous report had come.
+
+It was as she feared. There she found Cheri stretched upon
+the ground, with his rifle beside him. He moaned
+piteously:--
+"I'm dead, La Folle! I'm dead! I'm gone!"
+
+"Non, non!" she exclaimed resolutely, as she knelt beside
+him. "Put you' arm 'roun' La Folle's nake, Cheri. Dat's nuttin';
+dat goin' be nuttin'." She lifted him in her powerful arms.
+
+Cheri had carried his gun muzzle-downward. He had
+stumbled,--he did not know how. He only knew that he had a ball lodged
+somewhere in his leg, and he thought that his end was at hand.
+Now, with his head upon the woman's shoulder, he moaned and wept
+with pain and fright.
+
+"Oh, La Folle! La Folle! it hurt so bad! I can' stan' it, La Folle!"
+
+"Don't cry, mon bebe, mon bebe, mon Cheri!" the woman
+spoke soothingly as she covered the ground with long strides.
+"La Folle goin' mine you; Doctor Bonfils goin' come make
+mon Cheri well agin."
+
+She had reached the abandoned field. As she crossed it with
+her precious burden, she looked constantly and restlessly from side
+to side. A terrible fear was upon her, --the fear of the world
+beyond the bayou, the morbid and insane dread she had been under
+since childhood.
+
+When she was at the bayou's edge she stood there, and shouted
+for help as if a life depended upon
+it:--
+"Oh, P'tit Maitre! P'tit Maitre! Venez donc! Au secours! Au secours!"
+
+No voice responded. Cheri's hot tears were scalding her neck.
+She called for each and every one upon the place, and still no
+answer came.
+
+She shouted, she wailed; but whether her voice remained
+unheard or unheeded, no reply came to her frenzied cries. And all
+the while Cheri moaned and wept and entreated to be taken home to
+his mother.
+
+La Folle gave a last despairing look around her. Extreme
+terror was upon her. She clasped the child close against her
+breast, where he could feel her heart beat like a muffled hammer.
+Then shutting her eyes, she ran suddenly down the shallow bank of
+the bayou, and never stopped till she had climbed the opposite
+shore.
+
+She stood there quivering an instant as she opened her eyes.
+Then she plunged into the footpath through the trees.
+
+She spoke no more to Cheri, but muttered constantly, "Bon
+Dieu, ayez pitie La Folle! Bon Dieu, ayez pitie moi!"
+
+Instinct seemed to guide her. When the pathway spread clear
+and smooth enough before her, she again closed her eyes tightly
+against the sight of that unknown and terrifying world.
+
+A child, playing in some weeds, caught sight of her as she
+neared the quarters. The little one uttered a cry of dismay.
+
+"La Folle!" she screamed, in her piercing treble. "La Folle
+done cross de bayer!"
+
+Quickly the cry passed down the line of cabins.
+
+"Yonda, La Folle done cross de bayou!"
+
+Children, old men, old women, young ones with infants in their
+arms, flocked to doors and windows to see this awe-inspiring
+spectacle. Most of them shuddered with superstitious dread of what
+it might portend. "She totin' Cheri!" some of them shouted.
+
+Some of the more daring gathered about her, and followed at
+her heels, only to fall back with new terror when she turned her
+distorted face upon them. Her eyes were bloodshot and the saliva
+had gathered in a white foam on her black lips.
+
+Some one had run ahead of her to where P'tit Maitre sat with
+his family and guests upon the gallery.
+
+"P'tit Maitre! La Folle done cross de bayou! Look her! Look
+her yonda totin' Cheri!" This startling intimation was the first
+which they had of the woman's approach.
+
+She was now near at hand. She walked with long strides. Her
+eyes were fixed desperately before her, and she breathed heavily,
+as a tired ox.
+
+At the foot of the stairway, which she could not have mounted,
+she laid the boy in his father's arms. Then the world that had
+looked red to La Folle suddenly turned black,--like that day she
+had seen powder and blood.
+
+She reeled for an instant. Before a sustaining arm could
+reach her, she fell heavily to the ground.
+
+When La Folle regained consciousness, she was at home again,
+in her own cabin and upon her own bed. The moon rays, streaming in
+through the open door and windows, gave what light was needed to
+the old black mammy who stood at the table concocting a tisane of
+fragrant herbs. It was very late.
+
+Others who had come, and found that the stupor clung to her,
+had gone again. P'tit Maitre had been there, and with him Doctor
+Bonfils, who said that La Folle might die.
+
+But death had passed her by. The voice was very clear and
+steady with which she spoke to Tante Lizette, brewing her tisane
+there in a corner.
+
+"Ef you will give me one good drink tisane, Tante Lizette, I
+b'lieve I'm goin' sleep, me."
+
+And she did sleep; so soundly, so healthfully, that old
+Lizette without compunction stole softly away, to creep back
+through the moonlit fields to her own cabin in the new quarters.
+
+The first touch of the cool gray morning awoke La Folle. She
+arose, calmly, as if no tempest had shaken and threatened her
+existence but yesterday.
+
+She donned her new blue cottonade and white apron, for she
+remembered that this was Sunday. When she had made for herself a
+cup of strong black coffee, and drunk it with relish, she quitted
+the cabin and walked across the old familiar field to the bayou's
+edge again.
+
+She did not stop there as she had always done before, but
+crossed with a long, steady stride as if she had done this all her
+life.
+
+When she had made her way through the brush and scrub
+cottonwood-trees that lined the opposite bank, she found herself
+upon the border of a field where the white, bursting cotton, with
+the dew upon it, gleamed for acres and acres like frosted silver in
+the early dawn.
+
+La Folle drew a long, deep breath as she gazed across
+the country. She walked slowly and uncertainly, like one who
+hardly knows how, looking about her as she went.
+
+The cabins, that yesterday had sent a clamor of voices to
+pursue her, were quiet now. No one was yet astir at Bellissime.
+Only the birds that darted here and there from hedges were awake,
+and singing their matins.
+
+When La Folle came to the broad stretch of velvety lawn that
+surrounded the house, she moved slowly and with delight over the
+springy turf, that was delicious beneath her tread.
+
+She stopped to find whence came those perfumes that were
+assailing her senses with memories from a time far gone.
+
+There they were, stealing up to her from the thousand blue
+violets that peeped out from green, luxuriant beds. There they
+were, showering down from the big waxen bells of the magnolias far
+above her head, and from the jessamine clumps around her.
+
+There were roses, too, without number. To right and left
+palms spread in broad and graceful curves. It all looked like
+enchantment beneath the sparkling sheen of dew.
+
+When La Folle had slowly and cautiously mounted the many steps
+that led up to the veranda, she turned to look back at the perilous
+ascent she had made. Then she caught sight of the river, bending
+like a silver bow at the foot of Bellissime. Exultation possessed
+her soul.
+
+La Folle rapped softly upon a door near at hand. Cheri's
+mother soon cautiously opened it. Quickly and cleverly she
+dissembled the astonishment she felt at seeing La Folle.
+
+"Ah, La Folle! Is it you, so early?"
+
+"Oui, madame. I come ax how my po' li'le Cheri do, 's mo'nin'."
+
+"He is feeling easier, thank you, La Folle. Dr. Bonfils says
+it will be nothing serious. He's sleeping now. Will you come back
+when he awakes?"
+
+"Non, madame. I'm goin' wait yair tell Cheri wake
+up." La Folle seated herself upon the topmost step of the veranda.
+
+A look of wonder and deep content crept into her face as she
+watched for the first time the sun rise upon the new, the beautiful
+world beyond the bayou.
+
+
+
+
+
+
+
+Ma'ame Pelagie
+
+
+
+
+I
+
+
+
+When the war began, there stood on Cote Joyeuse an imposing
+mansion of red brick, shaped like the Pantheon. A grove of
+majestic live-oaks surrounded it.
+
+Thirty years later, only the thick walls were standing, with
+the dull red brick showing here and there through a matted growth
+of clinging vines. The huge round pillars were intact; so to some
+extent was the stone flagging of hall and portico. There had been
+no home so stately along the whole stretch of Cote Joyeuse. Every
+one knew that, as they knew it had cost Philippe Valmet sixty
+thousand dollars to build, away back in 1840. No one was in danger
+of forgetting that fact, so long as his daughter Pelagie survived.
+She was a queenly, white-haired woman of fifty. "Ma'ame Pelagie,"
+they called her, though she was unmarried, as was her sister
+Pauline, a child in Ma'ame Pelagie's eyes; a child of thirty-five.
+
+The two lived alone in a three-roomed cabin, almost within the
+shadow of the ruin. They lived for a dream, for Ma'ame Pelagie's
+dream, which was to rebuild the old home.
+
+It would be pitiful to tell how their days were spent to
+accomplish this end; how the dollars had been saved for thirty
+years and the picayunes hoarded; and yet, not half enough gathered!
+But Ma'ame Pelagie felt sure of twenty years of life before her,
+and counted upon as many more for her sister. And what could not
+come to pass in twenty--in forty--years?
+
+Often, of pleasant afternoons, the two would drink their black
+coffee, seated upon the stone-flagged portico whose canopy was the
+blue sky of Louisiana. They loved to sit there in the silence,
+with only each other and the sheeny, prying lizards for company,
+talking of the old times and planning for the new; while light
+breezes stirred the tattered vines high up among the columns, where
+owls nested.
+
+"We can never hope to have all just as it was, Pauline,"
+Ma'ame Pelagie would say; "perhaps the marble pillars of the salon
+will have to be replaced by wooden ones, and the crystal candelabra
+left out. Should you be willing, Pauline?"
+
+"Oh, yes Sesoeur, I shall be willing." It was always, "Yes,
+Sesoeur," or "No, Sesoeur," "Just as you please, Sesoeur," with
+poor little Mam'selle Pauline. For what did she remember of that
+old life and that old spendor? Only a faint gleam here and there;
+the half-consciousness of a young, uneventful existence; and then
+a great crash. That meant the nearness of war; the revolt of
+slaves; confusion ending in fire and flame through which she was
+borne safely in the strong arms of Pelagie, and carried to the log
+cabin which was still their home. Their brother, Leandre, had
+known more of it all than Pauline, and not so much as Pelagie. He
+had left the management of the big plantation with all its memories
+and traditions to his older sister, and had gone away to dwell in
+cities. That was many years ago. Now, Leandre's business called
+him frequently and upon long journeys from home, and his motherless
+daughter was coming to stay with her aunts at Cote Joyeuse.
+
+They talked about it, sipping their coffee on the ruined
+portico. Mam'selle Pauline was terribly excited; the flush that
+throbbed into her pale, nervous face showed it; and she locked her
+thin fingers in and out incessantly.
+
+"But what shall we do with La Petite, Sesoeur? Where shall we
+put her? How shall we amuse her? Ah, Seigneur!"
+
+"She will sleep upon a cot in the room next to ours,"
+responded Ma'ame Pelagie, "and live as we do. She knows how we
+live, and why we live; her father has told her. She knows we have
+money and could squander it if we chose. Do not fret, Pauline; let
+us hope La Petite is a true Valmet."
+
+Then Ma'ame Pelagie rose with stately deliberation and went to
+saddle her horse, for she had yet to make her last daily round
+through the fields; and Mam'selle Pauline threaded her way slowly
+among the tangled grasses toward the cabin.
+
+The coming of La Petite, bringing with her as she did the
+pungent atmosphere of an outside and dimly known world, was a shock
+to these two, living their dream-life. The girl was quite as tall
+as her aunt Pelagie, with dark eyes that reflected joy as a still
+pool reflects the light of stars; and her rounded cheek was tinged
+like the pink crepe myrtle. Mam'selle Pauline kissed her and
+trembled. Ma'ame Pelagie looked into her eyes with a searching
+gaze, which seemed to seek a likeness of the past in the living
+present.
+
+And they made room between them for this young life.
+
+
+
+
+II
+
+La Petite had determined upon trying to fit herself to the
+strange, narrow existence which she knew awaited her at Cote
+Joyeuse. It went well enough at first. Sometimes she followed
+Ma'ame Pelagie into the fields to note how the cotton was opening,
+ripe and white; or to count the ears of corn upon the hardy stalks.
+But oftener she was with her aunt Pauline, assisting in household
+offices, chattering of her brief past, or walking with the older
+woman arm-in-arm under the trailing moss of the giant oaks.
+
+Mam'selle Pauline's steps grew very buoyant that summer, and
+her eyes were sometimes as bright as a bird's, unless La Petite
+were away from her side, when they would lose all other light but
+one of uneasy expectancy. The girl seemed to love her well in
+return, and called her endearingly Tan'tante. But as the time went
+by, La Petite became very quiet,--not listless, but thoughtful, and
+slow in her movements. Then her cheeks began to pale, till they
+were tinged like the creamy plumes of the white crepe myrtle that
+grew in the ruin.
+
+One day when she sat within its shadow, between her aunts,
+holding a hand of each, she said: "Tante Pelagie, I must tell you
+something, you and Tan'tante." She spoke low, but clearly and firmly.
+"I love you both,--please remember that I love you both. But I must go
+away from you. I can't live any longer here at Cote Joyeuse. "
+
+A spasm passed through Mam'selle Pauline's delicate frame. La Petite
+could feel the twitch of it in the wiry fingers that were intertwined
+with her own. Ma'ame Pelagie remained unchanged and motionless.
+No human eye could penetrate so deep as to see the satisfaction
+which her soul felt. She said: "What do you mean, Petite?
+Your father has sent you to us, and I am sure it is his wish that you remain."
+
+"My father loves me, tante Pelagie, and such will not be his
+wish when he knows. Oh!" she continued with a restless, movement,
+"it is as though a weight were pressing me backward here. I must
+live another life; the life I lived before. I want to know things
+that are happening from day to day over the world, and hear them
+talked about. I want my music, my books, my companions. If I had
+known no other life but this one of privation, I suppose it would
+be different. If I had to live this life, I should make the best
+of it. But I do not have to; and you know, tante Pelagie, you do
+not need to. It seems to me," she added in a whisper, "that it is
+a sin against myself. Ah, Tan'tante!--what is the matter with
+Tan'tante?"
+
+It was nothing; only a slight feeling of faintness, that would
+soon pass. She entreated them to take no notice; but they brought
+her some water and fanned her with a palmetto leaf.
+
+But that night, in the stillness of the room, Mam'selle
+Pauline sobbed and would not be comforted. Ma'ame Pelagie took her
+in her arms.
+
+"Pauline, my little sister Pauline," she entreated, "I never
+have seen you like this before. Do you no longer love me?
+Have we not been happy together, you and I?"
+
+"Oh, yes, Sesoeur."
+
+"Is it because La Petite is going away?"
+
+"Yes, Sesoeur."
+
+"Then she is dearer to you than I!" spoke Ma'ame Pelagie with
+sharp resentment. "Than I, who held you and warmed you in my arms
+the day you were born; than I, your mother, father, sister,
+everything that could cherish you. Pauline, don't tell me that."
+
+Mam'selle Pauline tried to talk through her sobs.
+
+"I can't explain it to you, Sesoeur. I don't understand it
+myself. I love you as I have always loved you; next to God. But if
+La Petite goes away I shall die. I can't understand,--help me,
+Sesoeur. She seems--she seems like a saviour; like one who had
+come and taken me by the hand and was leading me
+somewhere-somewhere I want to go."
+
+Ma'ame Pelagie had been sitting beside the bed in her peignoir
+and slippers. She held the hand of her sister who lay there, and
+smoothed down the woman's soft brown hair. She said not a word,
+and the silence was broken only by Mam'selle Pauline's continued
+sobs. Once Ma'ame Pelagie arose to mix a drink of orange-flower
+water, which she gave to her sister, as she would have offered it
+to a nervous, fretful child. Almost an hour passed before Ma'ame
+Pelagie spoke again. Then she said:--
+
+"Pauline, you must cease that sobbing, now, and sleep. You will
+make yourself ill. La Petite will not go away. Do you hear me?
+Do you understand? She will stay, I promise you."
+
+Mam'selle Pauline could not clearly comprehend, but she had
+great faith in the word of her sister, and soothed by the promise
+and the touch of Ma'ame Pelagie's strong, gentle hand, she fell asleep.
+
+
+
+
+III
+
+
+
+Ma'ame Pelagie, when she saw that her sister slept, arose
+noiselessly and stepped outside upon the low-roofed narrow gallery.
+She did not linger there, but with a step that was hurried and agitated,
+she crossed the distance that divided her cabin from the ruin.
+
+The night was not a dark one, for the sky was clear and the
+moon resplendent. But light or dark would have made no difference
+to Ma'ame Pelagie. It was not the first time she had stolen away
+to the ruin at night-time, when the whole plantation slept; but she
+never before had been there with a heart so nearly broken. She was
+going there for the last time to dream her dreams; to see the
+visions that hitherto had crowded her days and nights, and to bid
+them farewell.
+
+There was the first of them, awaiting her upon the very
+portal; a robust old white-haired man, chiding her for returning
+home so late. There are guests to be entertained. Does she not
+know it? Guests from the city and from the near plantations. Yes,
+she knows it is late. She had been abroad with Felix, and they did
+not notice how the time was speeding. Felix is there; he will
+explain it all. He is there beside her, but she does not want to
+hear what he will tell her father.
+
+Ma'ame Pelagie had sunk upon the bench where she and her
+sister so often came to sit. Turning, she gazed in through the
+gaping chasm of the window at her side. The interior of the ruin
+is ablaze. Not with the moonlight, for that is faint beside the
+other one--the sparkle from the crystal candelabra, which negroes,
+moving noiselessly and respectfully about, are lighting, one after
+the other. How the gleam of them reflects and glances from the
+polished marble pillars!
+
+The room holds a number of guests. There is old Monsieur
+Lucien Santien, leaning against one of the pillars, and laughing at
+something which Monsieur Lafirme is telling him, till his fat
+shoulders shake. His son Jules is with him--Jules, who wants to
+marry her. She laughs. She wonders if Felix has told her father
+yet. There is young Jerome Lafirme playing at checkers upon the
+sofa with Leandre. Little Pauline stands annoying them and
+disturbing the game. Leandre reproves her. She begins to cry, and
+old black Clementine, her nurse, who is not far off, limps across
+the room to pick her up and carry her away. How sensitive the
+little one is! But she trots about and takes care of herself
+better than she did a year or two ago, when she fell upon
+the stone hall floor and raised a great "bo-bo" on her forehead.
+Pelagie was hurt and angry enough about it; and she ordered rugs
+and buffalo robes to be brought and laid thick upon the tiles, till
+the little one's steps were surer.
+
+"Il ne faut pas faire mal a Pauline." She was saying it aloud
+--"faire mal a Pauline."
+
+But she gazes beyond the salon, back into the big dining hall,
+where the white crepe myrtle grows. Ha! how low that bat has
+circled. It has struck Ma'ame Pelagie full on the breast. She
+does not know it. She is beyond there in the dining hall, where
+her father sits with a group of friends over their wine. As usual
+they are talking politics. How tiresome! She has heard them say
+"la guerre" oftener than once. La guerre. Bah! She and Felix have
+something pleasanter to talk about, out under the oaks, or back in
+the shadow of the oleanders.
+
+But they were right! The sound of a cannon, shot at Sumter,
+has rolled across the Southern States, and its echo is heard along
+the whole stretch of Cote Joyeuse.
+
+Yet Pelagie does not believe it. Not till La Ricaneuse stands
+before her with bare, black arms akimbo, uttering a volley of vile
+abuse and of brazen impudence. Pelagie wants to kill her. But yet
+she will not believe. Not till Felix comes to her in the chamber
+above the dining hall--there where that trumpet vine hangs--comes
+to say good-by to her. The hurt which the big brass buttons of his
+new gray uniform pressed into the tender flesh of her bosom has
+never left it. She sits upon the sofa, and he beside her, both
+speechless with pain. That room would not have been altered. Even
+the sofa would have been there in the same spot, and Ma'ame Pelagie
+had meant all along, for thirty years, all along, to lie there upon
+it some day when the time came to die.
+
+But there is no time to weep, with the enemy at the door. The
+door has been no barrier. They are clattering through the halls
+now, drinking the wines, shattering the crystal and glass, slashing
+the portraits.
+
+One of them stands before her and tells her to leave the
+house. She slaps his face. How the stigma stands out red as blood
+upon his blanched cheek!
+
+Now there is a roar of fire and the flames are bearing down
+upon her motionless figure. She wants to show them how a daughter
+of Louisiana can perish before her conquerors. But little Pauline
+clings to her knees in an agony of terror. Little Pauline must be
+saved.
+
+"Il ne faut pas faire mal a Pauline." Again she is saying it
+aloud--"faire mal a Pauline."
+
+The night was nearly spent; Ma'ame Pelagie had glided from the
+bench upon which she had rested, and for hours lay prone upon the
+stone flagging, motionless. When she dragged herself to her feet
+it was to walk like one in a dream. About the great, solemn
+pillars, one after the other, she reached her arms, and pressed her
+cheek and her lips upon the senseless brick.
+
+"Adieu, adieu!" whispered Ma'ame Pelagie.
+
+There was no longer the moon to guide her steps across the
+familiar pathway to the cabin. The brightest light in the sky was
+Venus, that swung low in the east. The bats had ceased to beat
+their wings about the ruin. Even the mocking-bird that had warbled
+for hours in the old mulberry-tree had sung himself asleep. That
+darkest hour before the day was mantling the earth. Ma'ame Pelagie
+hurried through the wet, clinging grass, beating aside the heavy
+moss that swept across her face, walking on toward the cabin-toward
+Pauline. Not once did she look back upon the ruin that brooded
+like a huge monster--a black spot in the darkness that enveloped
+it.
+
+
+
+
+IV
+
+
+
+Little more than a year later the transformation which the old
+Valmet place had undergone was the talk and wonder of Cote Joyeuse.
+One would have looked in vain for the ruin; it was no longer there;
+neither was the log cabin. But out in the open, where the sun
+shone upon it, and the breezes blew about it, was a shapely
+structure fashioned from woods that the forests of the State had
+furnished. It rested upon a solid foundation of brick.
+
+Upon a corner of the pleasant gallery sat Leandre smoking his
+afternoon cigar, and chatting with neighbors who had called. This
+was to be his pied a terre now; the home where his sisters and
+his daughter dwelt. The laughter of young people was heard out
+under the trees, and within the house where La Petite was playing
+upon the piano. With the enthusiasm of a young artist she drew
+from the keys strains that seemed marvelously beautiful to
+Mam'selle Pauline, who stood enraptured near her. Mam'selle
+Pauline had been touched by the re-creation of Valmet. Her cheek
+was as full and almost as flushed as La Petite's. The years were
+falling away from her.
+
+Ma'ame Pelagie had been conversing with her brother and his
+friends. Then she turned and walked away; stopping to listen
+awhile to the music which La Petite was making. But it was only
+for a moment. She went on around the curve of the veranda, where
+she found herself alone. She stayed there, erect, holding to the
+banister rail and looking out calmly in the distance across the
+fields.
+
+She was dressed in black, with the white kerchief she always wore
+folded across her bosom. Her thick, glossy hair rose like a silver
+diadem from her brow. In her deep, dark eyes smouldered the light
+of fires that would never flame. She had grown very old.
+Years instead of months seemed to have passed over her
+since the night she bade farewell to her visions.
+
+Poor Ma'ame Pelagie! How could it be different! While the
+outward pressure of a young and joyous existence had forced her
+footsteps into the light, her soul had stayed in the shadow of the
+ruin.
+
+
+
+
+
+Desiree's Baby
+
+
+
+As the day was pleasant, Madame Valmonde drove over to L'Abri
+to see Desiree and the baby.
+
+It made her laugh to think of Desiree with a baby. Why, it
+seemed but yesterday that Desiree was little more than a baby
+herself; when Monsieur in riding through the gateway of Valmonde
+had found her lying asleep in the shadow of the big stone pillar.
+
+The little one awoke in his arms and began to cry for "Dada."
+That was as much as she could do or say. Some people thought she
+might have strayed there of her own accord, for she was of the
+toddling age. The prevailing belief was that she had been
+purposely left by a party of Texans, whose canvas-covered wagon,
+late in the day, had crossed the ferry that Coton Mais kept, just
+below the plantation. In time Madame Valmonde abandoned every
+speculation but the one that Desiree had been sent to her by a
+beneficent Providence to be the child of her affection, seeing that
+she was without child of the flesh. For the girl grew to be
+beautiful and gentle, affectionate and sincere,--the idol of Valmonde.
+
+It was no wonder, when she stood one day against the stone
+pillar in whose shadow she had lain asleep, eighteen years before,
+that Armand Aubigny riding by and seeing her there, had fallen in
+love with her. That was the way all the Aubignys fell in love,
+as if struck by a pistol shot. The wonder was that he had not
+loved her before; for he had known her since his father brought
+him home from Paris, a boy of eight, after his mother died there.
+The passion that awoke in him that day, when he saw her at the gate,
+swept along like an avalanche, or like a prairie fire, or like
+anything that drives headlong over all obstacles.
+
+Monsieur Valmonde grew practical and wanted things well considered:
+that is, the girl's obscure origin. Armand looked into her eyes
+and did not care. He was reminded that she was nameless.
+What did it matter about a name when he could give her one of the
+oldest and proudest in Louisiana? He ordered the corbeille from
+Paris, and contained himself with what patience he could until it
+arrived; then they were married.
+
+Madame Valmonde had not seen Desiree and the baby for four
+weeks. When she reached L'Abri she shuddered at the first sight of
+it, as she always did. It was a sad looking place, which for many
+years had not known the gentle presence of a mistress, old Monsieur
+Aubigny having married and buried his wife in France, and she
+having loved her own land too well ever to leave it. The roof came
+down steep and black like a cowl, reaching out beyond the wide
+galleries that encircled the yellow stuccoed house. Big, solemn
+oaks grew close to it, and their thick-leaved, far-reaching
+branches shadowed it like a pall. Young Aubigny's rule was a
+strict one, too, and under it his negroes had forgotten how to be
+gay, as they had been during the old master's easy-going and
+indulgent lifetime.
+
+The young mother was recovering slowly, and lay full length,
+in her soft white muslins and laces, upon a couch. The baby was
+beside her, upon her arm, where he had fallen asleep, at her
+breast. The yellow nurse woman sat beside a window fanning
+herself.
+
+Madame Valmonde bent her portly figure over Desiree and kissed
+her, holding her an instant tenderly in her arms. Then she turned
+to the child.
+
+"This is not the baby!" she exclaimed, in startled tones.
+French was the language spoken at Valmonde in those days.
+
+"I knew you would be astonished," laughed Desiree, "at the way
+he has grown. The little cochon de lait! Look at his legs,
+mamma, and his hands and fingernails,--real finger-nails. Zandrine
+had to cut them this morning. Isn't it true, Zandrine?"
+
+The woman bowed her turbaned head majestically, "Mais si, Madame."
+
+"And the way he cries," went on Desiree, "is deafening.
+Armand heard him the other day as far away as La Blanche's cabin."
+
+Madame Valmonde had never removed her eyes from the child.
+She lifted it and walked with it over to the window that was
+lightest. She scanned the baby narrowly, then looked as
+searchingly at Zandrine, whose face was turned to gaze across the
+fields.
+
+"Yes, the child has grown, has changed," said Madame Valmonde,
+slowly, as she replaced it beside its mother. "What does Armand say?"
+
+Desiree's face became suffused with a glow that was happiness itself.
+
+"Oh, Armand is the proudest father in the parish, I believe,
+chiefly because it is a boy, to bear his name; though he says
+not,--that he would have loved a girl as well. But I know it isn't
+true. I know he says that to please me. And mamma," she added,
+drawing Madame Valmonde's head down to her, and speaking in a
+whisper, "he hasn't punished one of them--not one of them--since
+baby is born. Even Negrillon, who pretended to have burnt his leg
+that he might rest from work--he only laughed, and said Negrillon
+was a great scamp. oh, mamma, I'm so happy; it frightens me."
+
+What Desiree said was true. Marriage, and later the birth of
+his son had softened Armand Aubigny's imperious and exacting nature
+greatly. This was what made the gentle Desiree so happy, for she
+loved him desperately. When he frowned she trembled, but loved
+him. When he smiled, she asked no greater blessing of God.
+But Armand's dark, handsome face had not often been disfigured
+by frowns since the day he fell in love with her.
+
+When the baby was about three months old, Desiree awoke one
+day to the conviction that there was something in the air menacing
+her peace. It was at first too subtle to grasp. It had only been
+a disquieting suggestion; an air of mystery among the blacks;
+unexpected visits from far-off neighbors who could hardly account
+for their coming. Then a strange, an awful change in her husband's
+manner, which she dared not ask him to explain. When he spoke to
+her, it was with averted eyes, from which the old love-light seemed
+to have gone out. He absented himself from home; and when there,
+avoided her presence and that of her child, without excuse. And
+the very spirit of Satan seemed suddenly to take hold of him in his
+dealings with the slaves. Desiree was miserable enough to die.
+
+She sat in her room, one hot afternoon, in her peignoir,
+listlessly drawing through her fingers the strands of her long,
+silky brown hair that hung about her shoulders. The baby, half
+naked, lay asleep upon her own great mahogany bed, that was like a
+sumptuous throne, with its satin-lined half-canopy. One of La
+Blanche's little quadroon boys--half naked too--stood fanning the
+child slowly with a fan of peacock feathers. Desiree's eyes had
+been fixed absently and sadly upon the baby, while she was striving
+to penetrate the threatening mist that she felt closing about her.
+She looked from her child to the boy who stood beside him, and back
+again; over and over. "Ah!" It was a cry that she could not help;
+which she was not conscious of having uttered. The blood turned
+like ice in her veins, and a clammy moisture gathered upon her face.
+
+She tried to speak to the little quadroon boy; but no sound
+would come, at first. When he heard his name uttered, he looked
+up, and his mistress was pointing to the door. He laid aside the
+great, soft fan, and obediently stole away, over the polished
+floor, on his bare tiptoes.
+
+She stayed motionless, with gaze riveted upon her child, and
+her face the picture of fright.
+
+Presently her husband entered the room, and without noticing
+her, went to a table and began to search among some papers which
+covered it.
+
+"Armand," she called to him, in a voice which must have
+stabbed him, if he was human. But he did not notice. "Armand,"
+she said again. Then she rose and tottered towards him. "Armand,"
+she panted once more, clutching his arm, "look at our child. What
+does it mean? tell me."
+
+He coldly but gently loosened her fingers from about his arm
+and thrust the hand away from him. "Tell me what it means!"
+she cried despairingly.
+
+"It means," he answered lightly, "that the child is not white;
+it means that you are not white."
+
+A quick conception of all that this accusation meant for her
+nerved her with unwonted courage to deny it. "It is a lie; it is
+not true, I am white! Look at my hair, it is brown; and my eyes
+are gray, Armand, you know they are gray. And my skin is fair,"
+seizing his wrist. "Look at my hand; whiter than yours, Armand,"
+she laughed hysterically.
+
+"As white as La Blanche's," he returned cruelly; and went away
+leaving her alone with their child.
+
+When she could hold a pen in her hand, she sent a despairing
+letter to Madame Valmonde.
+
+"My mother, they tell me I am not white. Armand has told me
+I am not white. For God's sake tell them it is not true. You must
+know it is not true. I shall die. I must die. I cannot be so
+unhappy, and live."
+
+The answer that came was brief:
+
+"My own Desiree: Come home to Valmonde; back to your mother
+who loves you. Come with your child."
+
+When the letter reached Desiree she went with it to her
+husband's study, and laid it open upon the desk before which he
+sat. She was like a stone image: silent, white, motionless after
+she placed it there.
+
+In silence he ran his cold eyes over the written words.
+
+He said nothing. "Shall I go, Armand?" she asked in tones sharp
+with agonized suspense.
+
+"Yes, go."
+
+"Do you want me to go?"
+
+"Yes, I want you to go."
+
+He thought Almighty God had dealt cruelly and unjustly with
+him; and felt, somehow, that he was paying Him back in kind when he
+stabbed thus into his wife's soul. Moreover he no longer loved
+her, because of the unconscious injury she had brought upon his
+home and his name.
+
+She turned away like one stunned by a blow, and walked slowly
+towards the door, hoping he would call her back.
+
+"Good-by, Armand," she moaned.
+
+He did not answer her. That was his last blow at fate.
+
+Desiree went in search of her child. Zandrine was pacing the
+sombre gallery with it. She took the little one from the nurse's
+arms with no word of explanation, and descending the steps, walked
+away, under the live-oak branches.
+
+It was an October afternoon; the sun was just sinking. Out in
+the still fields the negroes were picking cotton.
+
+Desiree had not changed the thin white garment nor the
+slippers which she wore. Her hair was uncovered and the sun's rays
+brought a golden gleam from its brown meshes. She did not take the
+broad, beaten road which led to the far-off plantation of Valmonde.
+She walked across a deserted field, where the stubble bruised her
+tender feet, so delicately shod, and tore her thin gown to shreds.
+
+She disappeared among the reeds and willows that grew thick
+along the banks of the deep, sluggish bayou; and she did not come
+back again.
+
+
+
+Some weeks later there was a curious scene enacted at L'Abri.
+In the centre of the smoothly swept back yard was a great bonfire.
+Armand Aubigny sat in the wide hallway that commanded a view of the
+spectacle; and it was he who dealt out to a half dozen negroes the
+material which kept this fire ablaze.
+
+A graceful cradle of willow, with all its dainty furbishings,
+was laid upon the pyre, which had already been fed with the
+richness of a priceless layette. Then there were silk gowns,
+and velvet and satin ones added to these; laces, too, and
+embroideries; bonnets and gloves; for the corbeille had been of
+rare quality.
+
+The last thing to go was a tiny bundle of letters; innocent
+little scribblings that Desiree had sent to him during the days of
+their espousal. There was the remnant of one back in the drawer
+from which he took them. But it was not Desiree's; it was part of
+an old letter from his mother to his father. He read it. She was
+thanking God for the blessing of her husband's love:--
+
+"But above all," she wrote, "night and day, I thank the good
+God for having so arranged our lives that our dear Armand will
+never know that his mother, who adores him, belongs to the race
+that is cursed with the brand of slavery."
+
+
+
+
+
+
+
+A Respectable Woman
+
+
+
+Mrs. Baroda was a little provoked to learn that her husband
+expected his friend, Gouvernail, up to spend a week or two on the
+plantation.
+
+They had entertained a good deal during the winter; much of
+the time had also been passed in New Orleans in various forms of
+mild dissipation. She was looking forward to a period of unbroken
+rest, now, and undisturbed tete-a-tete with her husband, when he
+informed her that Gouvernail was coming up to stay a week or two.
+
+This was a man she had heard much of but never seen. He had
+been her husband's college friend; was now a journalist, and in no
+sense a society man or "a man about town," which were, perhaps,
+some of the reasons she had never met him. But she had
+unconsciously formed an image of him in her mind. She pictured him
+tall, slim, cynical; with eye-glasses, and his hands in his
+pockets; and she did not like him. Gouvernail was slim enough, but
+he wasn't very tall nor very cynical; neither did he wear
+eyeglasses nor carry his hands in his pockets. And she rather liked
+him when he first presented himself.
+
+But why she liked him she could not explain satisfactorily to
+herself when she partly attempted to do so. She could discover in
+him none of those brilliant and promising traits which Gaston, her
+husband, had often assured her that he possessed. On the contrary,
+he sat rather mute and receptive before her chatty eagerness to
+make him feel at home and in face of Gaston's frank and wordy hospitality.
+His manner was as courteous toward her as the most exacting woman
+could require; but he made no direct appeal to her approval or even esteem.
+
+Once settled at the plantation he seemed to like to sit upon
+the wide portico in the shade of one of the big Corinthian pillars,
+smoking his cigar lazily and listening attentively to Gaston's
+experience as a sugar planter.
+
+"This is what I call living," he would utter with deep
+satisfaction, as the air that swept across the sugar field caressed
+him with its warm and scented velvety touch. It pleased him also
+to get on familiar terms with the big dogs that came about him,
+rubbing themselves sociably against his legs. He did not care to
+fish, and displayed no eagerness to go out and kill grosbecs when
+Gaston proposed doing so.
+
+Gouvernail's personality puzzled Mrs. Baroda, but she liked
+him. Indeed, he was a lovable, inoffensive fellow. After a few
+days, when she could understand him no better than at first, she
+gave over being puzzled and remained piqued. In this mood she left
+her husband and her guest, for the most part, alone together. Then
+finding that Gouvernail took no manner of exception to her action,
+she imposed her society upon him, accompanying him in his idle
+strolls to the mill and walks along the batture. She persistently
+sought to penetrate the reserve in which he had unconsciously
+enveloped himself.
+
+"When is he going--your friend?" she one day asked her
+husband. "For my part, he tires me frightfully."
+
+"Not for a week yet, dear. I can't understand; he gives you
+no trouble."
+
+"No. I should like him better if he did; if he were more like
+others, and I had to plan somewhat for his comfort and enjoyment."
+
+Gaston took his wife's pretty face between his hands and
+looked tenderly and laughingly into her troubled eyes.
+
+They were making a bit of toilet sociably together in Mrs. Baroda's
+dressing-room.
+
+"You are full of surprises, ma belle," he said to her. "Even
+I can never count upon how you are going to act under given
+conditions." He kissed her and turned to fasten his cravat before
+the mirror.
+
+"Here you are," he went on, "taking poor Gouvernail seriously
+and making a commotion over him, the last thing he would desire or
+expect."
+
+"Commotion!" she hotly resented. "Nonsense! How can you say
+such a thing? Commotion, indeed! But, you know, you said he was clever."
+
+"So he is. But the poor fellow is run down by overwork now.
+That's why I asked him here to take a rest."
+
+"You used to say he was a man of ideas," she retorted,
+unconciliated. "I expected him to be interesting, at least. I'm
+going to the city in the morning to have my spring gowns fitted.
+Let me know when Mr. Gouvernail is gone; I shall be at my Aunt
+Octavie's."
+
+That night she went and sat alone upon a bench that stood
+beneath a live oak tree at the edge of the gravel walk.
+
+She had never known her thoughts or her intentions to be so
+confused. She could gather nothing from them but the feeling of a
+distinct necessity to quit her home in the morning.
+
+Mrs. Baroda heard footsteps crunching the gravel; but could
+discern in the darkness only the approaching red point of a lighted
+cigar. She knew it was Gouvernail, for her husband did not smoke.
+She hoped to remain unnoticed, but her white gown revealed her to
+him. He threw away his cigar and seated himself upon the bench
+beside her; without a suspicion that she might object to his
+presence.
+
+"Your husband told me to bring this to you, Mrs. Baroda," he
+said, handing her a filmy, white scarf with which she sometimes
+enveloped her head and shoulders. She accepted the scarf from him
+with a murmur of thanks, and let it lie in her lap.
+
+He made some commonplace observation upon the baneful effect
+of the night air at the season. Then as his gaze reached out into
+the darkness, he murmured, half to himself:
+
+
+
+"`Night of south winds--night of the large few stars!
+
+Still nodding night--'"
+
+
+
+She made no reply to this apostrophe to the night, which,
+indeed, was not addressed to her.
+
+Gouvernail was in no sense a diffident man, for he was not a
+self-conscious one. His periods of reserve were not
+constitutional, but the result of moods. Sitting there beside Mrs.
+Baroda, his silence melted for the time.
+
+He talked freely and intimately in a low, hesitating drawl
+that was not unpleasant to hear. He talked of the old college days
+when he and Gaston had been a good deal to each other; of the days
+of keen and blind ambitions and large intentions. Now there was
+left with him, at least, a philosophic acquiescence to the existing
+order--only a desire to be permitted to exist, with now and then a
+little whiff of genuine life, such as he was breathing now.
+
+Her mind only vaguely grasped what he was saying. Her
+physical being was for the moment predominant. She was not
+thinking of his words, only drinking in the tones of his voice.
+She wanted to reach out her hand in the darkness and touch him with
+the sensitive tips of her fingers upon the face or the lips. She
+wanted to draw close to him and whisper against his cheek--she did
+not care what--as she might have done if she had not been a
+respectable woman.
+
+The stronger the impulse grew to bring herself near him, the
+further, in fact, did she draw away from him. As soon as she could
+do so without an appearance of too great rudeness, she rose and
+left him there alone.
+
+Before she reached the house, Gouvernail had lighted a fresh
+cigar and ended his apostrophe to the night.
+
+Mrs. Baroda was greatly tempted that night to tell her
+husband--who was also her friend--of this folly that had
+seized her. But she did not yield to the temptation. Beside being
+a respectable woman she was a very sensible one; and she knew there
+are some battles in life which a human being must fight alone.
+
+When Gaston arose in the morning, his wife had already
+departed. She had taken an early morning train to the city. She
+did not return till Gouvernail was gone from under her roof.
+
+There was some talk of having him back during the summer that
+followed. That is, Gaston greatly desired it; but this desire
+yielded to his wife's strenuous opposition.
+
+However, before the year ended, she proposed, wholly from
+herself, to have Gouvernail visit them again. Her husband was
+surprised and delighted with the suggestion coming from her.
+
+"I am glad, chere amie, to know that you have finally overcome
+your dislike for him; truly he did not deserve it."
+
+"Oh," she told him, laughingly, after pressing a long, tender
+kiss upon his lips, "I have overcome everything! you will see.
+This time I shall be very nice to him."
+
+
+
+
+
+
+
+The Kiss
+
+
+
+It was still quite light out of doors, but inside with the
+curtains drawn and the smouldering fire sending out a dim,
+uncertain glow, the room was full of deep shadows.
+
+Brantain sat in one of these shadows; it had overtaken him and
+he did not mind. The obscurity lent him courage to keep his eves
+fastened as ardently as he liked upon the girl who sat in the
+firelight.
+
+She was very handsome, with a certain fine, rich coloring that
+belongs to the healthy brune type. She was quite composed, as she
+idly stroked the satiny coat of the cat that lay curled in her lap,
+and she occasionally sent a slow glance into the shadow where her
+companion sat. They were talking low, of indifferent things which
+plainly were not the things that occupied their thoughts. She knew
+that he loved her--a frank, blustering fellow without guile enough
+to conceal his feelings, and no desire to do so. For two weeks past
+he had sought her society eagerly and persistently. She was
+confidently waiting for him to declare himself and she meant to
+accept him. The rather insignificant and unattractive Brantain was
+enormously rich; and she liked and required the entourage which
+wealth could give her.
+
+During one of the pauses between their talk of the last tea
+and the next reception the door opened and a young man
+entered whom Brantain knew quite well. The girl turned her
+face toward him. A stride or two brought him to her side, and
+bending over her chair--before she could suspect his intention,
+for she did not realize that he had not seen her visitor--he pressed
+an ardent, lingering kiss upon her lips.
+
+Brantain slowly arose; so did the girl arise, but quickly, and
+the newcomer stood between them, a little amusement and some
+defiance struggling with the confusion in his face.
+
+"I believe," stammered Brantain, "I see that I have stayed too long.
+I--I had no idea--that is, I must wish you good-by." He was clutching
+his hat with both hands, and probably did not perceive that she was
+extending her hand to him, her presence of mind had not completely
+deserted her; but she could not have trusted herself to speak.
+
+"Hang me if I saw him sitting there, Nattie! I know it's
+deuced awkward for you. But I hope you'll forgive me this
+once--this very first break. Why, what's the matter?"
+
+"Don't touch me; don't come near me," she returned angrily.
+"What do you mean by entering the house without ringing?"
+
+"I came in with your brother, as I often do," he answered
+coldly, in self-justification. "We came in the side way. He went
+upstairs and I came in here hoping to find you. The explanation is
+simple enough and ought to satisfy you that the misadventure was
+unavoidable. But do say that you forgive me, Nathalie," he
+entreated, softening.
+
+"Forgive you! You don't know what you are talking about. Let
+me pass. It depends upon--a good deal whether I ever forgive you."
+
+At that next reception which she and Brantain had been talking
+about she approached the young man with a delicious frankness of
+manner when she saw him there.
+
+"Will you let me speak to you a moment or two, Mr. Brantain?"
+she asked with an engaging but perturbed smile. He seemed
+extremely unhappy; but when she took his arm and walked
+away with him, seeking a retired corner, a ray of hope
+mingled with the almost comical misery of his expression.
+She was apparently very outspoken.
+
+"Perhaps I should not have sought this interview, Mr.
+Brantain; but--but, oh, I have been very uncomfortable, almost
+miserable since that little encounter the other afternoon. When I
+thought how you might have misinterpreted it, and believed things"
+--hope was plainly gaining the ascendancy over misery in Brantain's
+round, guileless face--"Of course, I know it is nothing to you, but
+for my own sake I do want you to understand that Mr. Harvy is an
+intimate friend of long standing. Why, we have always been like
+cousins--like brother and sister, I may say. He is my brother's
+most intimate associate and often fancies that he is entitled to
+the same privileges as the family. Oh, I know it is absurd,
+uncalled for, to tell you this; undignified even," she was almost
+weeping, "but it makes so much difference to me what you think
+of--of me." Her voice had grown very low and agitated. The misery had
+all disappeared from Brantain's face.
+
+"Then you do really care what I think, Miss Nathalie? May I
+call you Miss Nathalie?" They turned into a long, dim corridor that
+was lined on either side with tall, graceful plants. They walked
+slowly to the very end of it. When they turned to retrace their
+steps Brantain's face was radiant and hers was triumphant.
+
+
+
+Harvy was among the guests at the wedding; and he sought her
+out in a rare moment when she stood alone.
+
+"Your husband," he said, smiling, "has sent me over to kiss
+you. "
+
+A quick blush suffused her face and round polished throat. "I
+suppose it's natural for a man to feel and act generously on an
+occasion of this kind. He tells me he doesn't want his marriage to
+interrupt wholly that pleasant intimacy which has existed between
+you and me. I don't know what you've been telling him," with an
+insolent smile, "but he has sent me here to kiss you."
+
+She felt like a chess player who, by the clever handling of
+his pieces, sees the game taking the course intended. Her eyes
+were bright and tender with a smile as they glanced up into his;
+and her lips looked hungry for the kiss which they invited.
+
+"But, you know," he went on quietly, "I didn't tell him
+so, it would have seemed ungrateful, but I can tell you. I've
+stopped kissing women; it's dangerous."
+
+Well, she had Brantain and his million left. A person can't
+have everything in this world; and it was a little unreasonable of
+her to expect it.
+
+
+
+
+
+
+
+A Pair of Silk Stockings
+
+
+
+Little Mrs. Sommers one day found herself the unexpected
+possessor of fifteen dollars. It seemed to her a very large amount
+of money, and the way in which it stuffed and bulged her worn old
+porte-monnaie gave her a feeling of importance such as she had
+not enjoyed for years.
+
+The question of investment was one that occupied her greatly.
+For a day or two she walked about apparently in a dreamy state, but
+really absorbed in speculation and calculation. She did not wish
+to act hastily, to do anything she might afterward regret. But it
+was during the still hours of the night when she lay awake
+revolving plans in her mind that she seemed to see her way clearly
+toward a proper and judicious use of the money.
+
+A dollar or two should be added to the price usually paid for
+Janie's shoes, which would insure their lasting an appreciable time
+longer than they usually did. She would buy so and so many yards
+of percale for new shirt waists for the boys and Janie and Mag.
+She had intended to make the old ones do by skilful patching. Mag
+should have another gown. She had seen some beautiful patterns,
+veritable bargains in the shop windows. And still there would be
+left enough for new stockings--two pairs apiece--and what darning
+that would save for a while! She would get caps for the boys and
+sailor-hats for the girls. The vision of her little brood
+looking fresh and dainty and new for once in their lives
+excited her and made her restless and wakeful with anticipation.
+
+The neighbors sometimes talked of certain "better days" that
+little Mrs. Sommers had known before she had ever thought of being
+Mrs. Sommers. She herself indulged in no such morbid
+retrospection. She had no time--no second of time to devote to the
+past. The needs of the present absorbed her every faculty. A
+vision of the future like some dim, gaunt monster sometimes
+appalled her, but luckily to-morrow never comes.
+
+Mrs. Sommers was one who knew the value of bargains; who could
+stand for hours making her way inch by inch toward the desired
+object that was selling below cost. She could elbow her way if
+need be; she had learned to clutch a piece of goods and hold it and
+stick to it with persistence and determination till her turn came
+to be served, no matter when it came.
+
+But that day she was a little faint and tired. She had
+swallowed a light luncheon--no! when she came to think of it,
+between getting the children fed and the place righted, and
+preparing herself for the shopping bout, she had actually forgotten
+to eat any luncheon at all!
+
+She sat herself upon a revolving stool before a counter that
+was comparatively deserted, trying to gather strength and courage
+to charge through an eager multitude that was besieging
+breastworks of shirting and figured lawn. An all-gone limp feeling had
+come over her and she rested her hand aimlessly upon the counter.
+She wore no gloves. By degrees she grew aware that her hand had
+encountered something very soothing, very pleasant to touch. She
+looked down to see that her hand lay upon a pile of silk stockings.
+A placard near by announced that they had been reduced in price
+from two dollars and fifty cents to one dollar and ninety-eight
+cents; and a young girl who stood behind the counter asked her if
+she wished to examine their line of silk hosiery. She smiled,
+just as if she had been asked to inspect a tiara of diamonds
+with the ultimate view of purchasing it. But she went on
+feeling the soft, sheeny luxurious things--with both hands now,
+holding them up to see them glisten, and to feel them glide
+serpent-like through her fingers.
+
+Two hectic blotches came suddenly into her pale cheeks. She
+looked up at the girl.
+
+"Do you think there are any eights-and-a-half among these?"
+
+There were any number of eights-and-a-half. In fact, there
+were more of that size than any other. Here was a light-blue pair;
+there were some lavender, some all black and various shades of tan
+and gray. Mrs. Sommers selected a black pair and looked at them
+very long and closely. She pretended to be examining their
+texture, which the clerk assured her was excellent.
+
+"A dollar and ninety-eight cents," she mused aloud. "Well,
+I'll take this pair." She handed the girl a five-dollar bill and
+waited for her change and for her parcel. What a very small parcel
+it was! It seemed lost in the depths of her shabby old shopping-bag.
+
+Mrs. Sommers after that did not move in the direction of the
+bargain counter. She took the elevator, which carried her to an
+upper floor into the region of the ladies' waiting-rooms. Here, in
+a retired corner, she exchanged her cotton stockings for the new
+silk ones which she had just bought. She was not going through any
+acute mental process or reasoning with herself, nor was she
+striving to explain to her satisfaction the motive of her action.
+She was not thinking at all. She seemed for the time to be taking
+a rest from that laborious and fatiguing function and to have
+abandoned herself to some mechanical impulse that directed her
+actions and freed her of responsibility.
+
+How good was the touch of the raw silk to her flesh! She felt
+like lying back in the cushioned chair and reveling for a while in
+the luxury of it. She did for a little while. Then she replaced
+her shoes, rolled the cotton stockings together and thrust them
+into her bag. After doing this she crossed straight over to the
+shoe department and took her seat to be fitted.
+
+She was fastidious. The clerk could not make her out; he
+could not reconcile her shoes with her stockings, and she was not
+too easily pleased. She held back her skirts and turned her feet
+one way and her head another way as she glanced down at the
+polished, pointed-tipped boots. Her foot and ankle looked very
+pretty. She could not realize that they belonged to her and were
+a part of herself. She wanted an excellent and stylish fit, she
+told the young fellow who served her, and she did not mind the
+difference of a dollar or two more in the price so long as she got
+what she desired.
+
+It was a long time since Mrs. Sommers had been fitted with
+gloves. On rare occasions when she had bought a pair they were
+always "bargains," so cheap that it would have been preposterous
+and unreasonable to have expected them to be fitted to the hand.
+
+Now she rested her elbow on the cushion of the glove counter,
+and a pretty, pleasant young creature, delicate and deft of touch,
+drew a long-wristed "kid" over Mrs. Sommers's hand. She smoothed
+it down over the wrist and buttoned it neatly, and both lost
+themselves for a second or two in admiring contemplation of the
+little symmetrical gloved hand. But there were other places where
+money might be spent.
+
+There were books and magazines piled up in the window of a
+stall a few paces down the street. Mrs. Sommers bought two
+high-priced magazines such as she had been accustomed to read in the
+days when she had been accustomed to other pleasant things. She
+carried them without wrapping. As well as she could she lifted her
+skirts at the crossings. Her stockings and boots and well fitting
+gloves had worked marvels in her bearing--had given her a feeling
+of assurance, a sense of belonging to the well-dressed multitude.
+
+She was very hungry. Another time she would have stilled the
+cravings for food until reaching her own home, where she would have
+brewed herself a cup of tea and taken a snack of anything that was
+available. But the impulse that was guiding her would not suffer her
+to entertain any such thought.
+
+There was a restaurant at the corner. She had never entered
+its doors; from the outside she had sometimes caught glimpses of
+spotless damask and shining crystal, and soft-stepping waiters
+serving people of fashion.
+
+When she entered her appearance created no surprise, no
+consternation, as she had half feared it might. She seated herself
+at a small table alone, and an attentive waiter at once approached
+to take her order. She did not want a profusion; she craved a nice
+and tasty bite--a half dozen blue-points, a plump chop with cress,
+a something sweet--a creme-frappee, for instance; a glass of Rhine
+wine, and after all a small cup of black coffee.
+
+While waiting to be served she removed her gloves very
+leisurely and laid them beside her. Then she picked up a magazine
+and glanced through it, cutting the pages with a blunt edge of her
+knife. It was all very agreeable. The damask was even more
+spotless than it had seemed through the window, and the crystal
+more sparkling. There were quiet ladies and gentlemen, who did not
+notice her, lunching at the small tables like her own. A soft,
+pleasing strain of music could be heard, and a gentle breeze, was
+blowing through the window. She tasted a bite, and she read a word
+or two, and she sipped the amber wine and wiggled her toes in the
+silk stockings. The price of it made no difference. She counted
+the money out to the waiter and left an extra coin on his tray,
+whereupon he bowed before her as before a princess of royal blood.
+
+There was still money in her purse, and her next temptation
+presented itself in the shape of a matinee poster.
+
+It was a little later when she entered the theatre, the play
+had begun and the house seemed to her to be packed. But there were
+vacant seats here and there, and into one of them she was ushered,
+between brilliantly dressed women who had gone there to kill time
+and eat candy and display their gaudy attire. There were many
+others who were there solely for the play and acting. It is safe
+to say there was no one present who bore quite the attitude which Mrs.
+Sommers did to her surroundings. She gathered in the whole--stage
+and players and people in one wide impression, and absorbed it and
+enjoyed it. She laughed at the comedy and wept--she and the gaudy
+woman next to her wept over the tragedy. And they talked a little
+together over it. And the gaudy woman wiped her eyes and sniffled
+on a tiny square of filmy, perfumed lace and passed little Mrs.
+Sommers her box of candy.
+
+The play was over, the music ceased, the crowd filed out. It
+was like a dream ended. People scattered in all directions. Mrs.
+Sommers went to the corner and waited for the cable car.
+
+A man with keen eyes, who sat opposite to her, seemed to like
+the study of her small, pale face. It puzzled him to decipher what
+he saw there. In truth, he saw nothing-unless he were wizard
+enough to detect a poignant wish, a powerful longing that the cable
+car would never stop anywhere, but go on and on with her forever.
+
+
+
+
+
+
+
+The Locket
+
+
+
+
+I
+
+
+
+One night in autumn a few men were gathered about a fire on
+the slope of a hill. They belonged to a small detachment of
+Confederate forces and were awaiting orders to march. Their gray
+uniforms were worn beyond the point of shabbiness. One of the men
+was heating something in a tin cup over the embers. Two were lying
+at full length a little distance away, while a fourth was trying to
+decipher a letter and had drawn close to the light. He had
+unfastened his collar and a good bit of his flannel shirt front.
+
+"What's that you got around your neck, Ned?" asked one of the
+men lying in the obscurity.
+
+Ned--or Edmond--mechanically fastened another button of his
+shirt and did not reply. He went on reading his letter.
+
+"Is it your sweet heart's picture?"
+
+"`Taint no gal's picture," offered the man at the fire. He
+had removed his tin cup and was engaged in stirring its grimy
+contents with a small stick. "That's a charm; some kind of hoodoo
+business that one o' them priests gave him to keep him out o'
+trouble. I know them Cath'lics. That's how come Frenchy got
+permoted an never got a scratch sence he's been in the ranks. Hey,
+French! aint I right?" Edmond looked up absently from his letter.
+
+"What is it?" he asked.
+
+"Aint that a charm you got round your neck?"
+
+"It must be, Nick," returned Edmond with a smile. "I don't know
+how I could have gone through this year and a half without it."
+
+The letter had made Edmond heart sick and home sick. He
+stretched himself on his back and looked straight up at the
+blinking stars. But he was not thinking of them nor of anything
+but a certain spring day when the bees were humming in the
+clematis; when a girl was saying good bye to him. He could see her
+as she unclasped from her neck the locket which she fastened about
+his own. It was an old fashioned golden locket bearing miniatures
+of her father and mother with their names and the date of their
+marriage. It was her most precious earthly possession. Edmond
+could feel again the folds of the girl's soft white gown, and see
+the droop of the angel-sleeves as she circled her fair arms about
+his neck. Her sweet face, appealing, pathetic, tormented by the
+pain of parting, appeared before him as vividly as life. He turned
+over, burying his face in his arm and there he lay, still and
+motionless.
+
+The profound and treacherous night with its silence and
+semblance of peace settled upon the camp. He dreamed that the fair
+Octavie brought him a letter. He had no chair to offer her and was
+pained and embarrassed at the condition of his garments. He was
+ashamed of the poor food which comprised the dinner at which he
+begged her to join them.
+
+He dreamt of a serpent coiling around his throat, and when he
+strove to grasp it the slimy thing glided away from his clutch.
+Then his dream was clamor.
+
+"Git your duds! you! Frenchy!" Nick was bellowing in his face.
+There was what appeared to be a scramble and a rush rather than
+any regulated movement. The hill side was alive with clatter
+and motion; with sudden up-springing lights among the pines.
+In the east the dawn was unfolding out of the darkness.
+Its glimmer was yet dim in the plain below.
+
+"What's it all about?" wondered a big black bird perched in
+the top of the tallest tree. He was an old solitary and a wise
+one, yet he was not wise enough to guess what it was all about.
+So all day long he kept blinking and wondering.
+
+The noise reached far out over the plain and across the hills
+and awoke the little babes that were sleeping in their cradles.
+The smoke curled up toward the sun and shadowed the plain so that
+the stupid birds thought it was going to rain; but the wise one
+knew better.
+
+"They are children playing a game," thought he. "I shall know
+more about it if I watch long enough."
+
+At the approach of night they had all vanished away with their
+din and smoke. Then the old bird plumed his feathers. At last he
+had understood! With a flap of his great, black wings he shot
+downward, circling toward the plain.
+
+A man was picking his way across the plain. He was dressed in
+the garb of a clergyman. His mission was to administer the
+consolations of religion to any of the prostrate figures in whom
+there might yet linger a spark of life. A negro accompanied him,
+bearing a bucket of water and a flask of wine.
+
+There were no wounded here; they had been borne away. But the
+retreat had been hurried and the vultures and the good Samaritans
+would have to look to the dead.
+
+There was a soldier--a mere boy--lying with his face to the
+sky. His hands were clutching the sward on either side and his
+finger nails were stuffed with earth and bits of grass that he had
+gathered in his despairing grasp upon life. His musket was gone;
+he was hatless and his face and clothing were begrimed. Around his
+neck hung a gold chain and locket. The priest, bending over him,
+unclasped the chain and removed it from the dead soldier's neck.
+He had grown used to the terrors of war and could face them
+unflinchingly; but its pathos, someway, always brought the tears
+to his old, dim eyes.
+
+The angelus was ringing half a mile away. The priest and the
+negro knelt and murmured together the evening benediction and a
+prayer for the dead.
+
+
+
+
+II
+
+
+
+The peace and beauty of a spring day had descended upon the
+earth like a benediction. Along the leafy road which skirted a
+narrow, tortuous stream in central Louisiana, rumbled an old
+fashioned cabriolet, much the worse for hard and rough usage over
+country roads and lanes. The fat, black horses went in a slow,
+measured trot, notwithstanding constant urging on the part of the
+fat, black coachman. Within the vehicle were seated the fair
+Octavie and her old friend and neighbor, Judge Pillier, who had
+come to take her for a morning drive.
+
+Octavie wore a plain black dress, severe in its simplicity. A
+narrow belt held it at the waist and the sleeves were gathered into
+close fitting wristbands. She had discarded her hoopskirt and
+appeared not unlike a nun. Beneath the folds of her bodice nestled
+the old locket. She never displayed it now. It had returned to
+her sanctified in her eyes; made precious as material things
+sometimes are by being forever identified with a significant moment
+of one's existence.
+
+A hundred times she had read over the letter with which the
+locket had come back to her. No later than that morning she had
+again pored over it. As she sat beside the window, smoothing the
+letter out upon her knee, heavy and spiced odors stole in to her
+with the songs of birds and the humming of insects in the air.
+
+She was so young and the world was so beautiful that there
+came over her a sense of unreality as she read again and again the
+priest's letter. He told of that autumn day drawing to its close,
+with the gold and the red fading out of the west, and the night
+gathering its shadows to cover the faces of the dead. Oh! She
+could not believe that one of those dead was her own! with visage
+uplifted to the gray sky in an agony of supplication. A spasm of
+resistance and rebellion seized and swept over her. Why was the
+spring here with its flowers and its seductive breath if he was
+dead! Why was she here! What further had she to do with life and
+the living!
+
+Octavie had experienced many such moments of despair, but a
+blessed resignation had never failed to follow, and it fell then
+upon her like a mantle and enveloped her.
+
+"I shall grow old and quiet and sad like poor Aunt Tavie," she
+murmured to herself as she folded the letter and replaced it in the
+secretary. Already she gave herself a little demure air like her
+Aunt Tavie. She walked with a slow glide in unconscious imitation
+of Mademoiselle Tavie whom some youthful affliction had robbed of
+earthly compensation while leaving her in possession of youth's
+illusions.
+
+As she sat in the old cabriolet beside the father of her dead
+lover, again there came to Octavie the terrible sense of loss which
+had assailed her so often before. The soul of her youth clamored
+for its rights; for a share in the world's glory and exultation.
+She leaned back and drew her veil a little closer about her face.
+It was an old black veil of her Aunt Tavie's. A whiff of dust from
+the road had blown in and she wiped her cheeks and her eyes with
+her soft, white handkerchief, a homemade handkerchief, fabricated
+from one of her old fine muslin petticoats.
+
+"Will you do me the favor, Octavie," requested the judge in
+the courteous tone which he never abandoned, "to remove that veil
+which you wear. It seems out of harmony, someway, with the beauty
+and promise of the day."
+
+The young girl obediently yielded to her old companion's wish
+and unpinning the cumbersome, sombre drapery from her bonnet,
+folded it neatly and laid it upon the seat in front of her.
+
+"Ah! that is better; far better!" he said in a tone expressing
+unbounded relief. "Never put it on again, dear." Octavie felt a
+little hurt; as if he wished to debar her from share and parcel in
+the burden of affliction which had been placed upon all of them.
+Again she drew forth the old muslin handkerchief.
+
+They had left the big road and turned into a level plain which
+had formerly been an old meadow. There were clumps of thorn trees
+here and there, gorgeous in their spring radiance. Some cattle
+were grazing off in the distance in spots where the grass was tall
+and luscious. At the far end of the meadow was the towering lilac
+hedge, skirting the lane that led to Judge Pillier's house, and the
+scent of its heavy blossoms met them like a soft and tender embrace
+of welcome.
+
+As they neared the house the old gentleman placed an arm
+around the girl's shoulders and turning her face up to him he said:
+"Do you not think that on a day like this, miracles might happen?
+When the whole earth is vibrant with life, does it not seem to you,
+Octavie, that heaven might for once relent and give us back our
+dead?" He spoke very low, advisedly, and impressively. In his
+voice was an old quaver which was not habitual and there was
+agitation in every line of his visage. She gazed at him with eyes
+that were full of supplication and a certain terror of joy.
+
+They had been driving through the lane with the towering hedge
+on one side and the open meadow on the other. The horses had
+somewhat quickened their lazy pace. As they turned into the avenue
+leading to the house, a whole choir of feathered songsters fluted
+a sudden torrent of melodious greeting from their leafy hiding
+places.
+
+Octavie felt as if she had passed into a stage of existence
+which was like a dream, more poignant and real than life.
+There was the old gray house with its sloping eaves.
+Amid the blur of green, and dimly, she saw familiar faces
+and heard voices as if they came from far across the fields,
+and Edmond was holding her. Her dead Edmond; her living Edmond,
+and she felt the beating of his heart against her and the agonizing
+rapture of his kisses striving to awake her. It was as if the spirit
+of life and the awakening spring had given back the soul to her youth
+and bade her rejoice.
+
+It was many hours later that Octavie drew the locket from her
+bosom and looked at Edmond with a questioning appeal in her glance.
+
+"It was the night before an engagement," he said. "In the
+hurry of the encounter, and the retreat next day, I never missed it
+till the fight was over. I thought of course I had lost it in the
+heat of the struggle, but it was stolen."
+
+"Stolen," she shuddered, and thought of the dead soldier with
+his face uplifted to the sky in an agony of supplication.
+
+Edmond said nothing; but he thought of his messmate; the one
+who had lain far back in the shadow; the one who had said nothing.
+
+
+
+
+
+
+
+A Reflection
+
+
+
+Some people are born with a vital and responsive energy. It
+not only enables them to keep abreast of the times; it qualifies
+them to furnish in their own personality a good bit of the motive
+power to the mad pace. They are fortunate beings. They do not
+need to apprehend the significance of things. They do not grow
+weary nor miss step, nor do they fall out of rank and sink by the
+wayside to be left contemplating the moving procession.
+
+Ah! that moving procession that has left me by the road-side!
+Its fantastic colors are more brilliant and beautiful than the sun
+on the undulating waters. What matter if souls and bodies are
+failing beneath the feet of the ever-pressing multitude! It moves
+with the majestic rhythm of the spheres. Its discordant clashes
+sweep upward in one harmonious tone that blends with the music of
+other worlds--to complete God's orchestra.
+
+It is greater than the stars--that moving procession of human
+energy; greater than the palpitating earth and the things growing
+thereon. Oh! I could weep at being left by the wayside; left with
+the grass and the clouds and a few dumb animals. True, I feel at
+home in the society of these symbols of life's immutability.
+In the procession I should feel the crushing feet,
+the clashing discords, the ruthless hands and stifling breath.
+I could not hear the rhythm of the march.
+
+Salve! ye dumb hearts. Let us be still and wait by the roadside.
+
+
+
+
+End of the Project Gutenberg Etext of Awakening & Selected Short Stories
+
+
+
+
diff --git a/old/awakn10.zip b/old/awakn10.zip
new file mode 100644
index 0000000..b27da0a
--- /dev/null
+++ b/old/awakn10.zip
Binary files differ