diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:45:39 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:45:39 -0700 |
| commit | ff5761415269bbf6464cc61bed4cfa5b86868abc (patch) | |
| tree | 91f5367105ab26ed2f015631a14cc550fde91f2a | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 14924-8.txt | 2424 | ||||
| -rw-r--r-- | 14924-8.zip | bin | 0 -> 47668 bytes | |||
| -rw-r--r-- | 14924-h.zip | bin | 0 -> 816460 bytes | |||
| -rw-r--r-- | 14924-h/14924-h.htm | 2582 | ||||
| -rw-r--r-- | 14924-h/images/006-01.png | bin | 0 -> 21425 bytes | |||
| -rw-r--r-- | 14924-h/images/006-02.png | bin | 0 -> 4640 bytes | |||
| -rw-r--r-- | 14924-h/images/006-03.png | bin | 0 -> 6609 bytes | |||
| -rw-r--r-- | 14924-h/images/006-04.png | bin | 0 -> 9775 bytes | |||
| -rw-r--r-- | 14924-h/images/006-05.png | bin | 0 -> 7523 bytes | |||
| -rw-r--r-- | 14924-h/images/006-06.png | bin | 0 -> 5643 bytes | |||
| -rw-r--r-- | 14924-h/images/006-07.png | bin | 0 -> 6397 bytes | |||
| -rw-r--r-- | 14924-h/images/006-08.png | bin | 0 -> 6700 bytes | |||
| -rw-r--r-- | 14924-h/images/006-09.png | bin | 0 -> 7128 bytes | |||
| -rw-r--r-- | 14924-h/images/006-10.png | bin | 0 -> 3399 bytes | |||
| -rw-r--r-- | 14924-h/images/006-11.png | bin | 0 -> 5763 bytes | |||
| -rw-r--r-- | 14924-h/images/006-12.png | bin | 0 -> 4543 bytes | |||
| -rw-r--r-- | 14924-h/images/006-13.png | bin | 0 -> 8574 bytes | |||
| -rw-r--r-- | 14924-h/images/006-14.png | bin | 0 -> 5947 bytes | |||
| -rw-r--r-- | 14924-h/images/006-15.png | bin | 0 -> 5937 bytes | |||
| -rw-r--r-- | 14924-h/images/006-16.png | bin | 0 -> 5823 bytes | |||
| -rw-r--r-- | 14924-h/images/006-17.png | bin | 0 -> 7357 bytes | |||
| -rw-r--r-- | 14924-h/images/006-18.png | bin | 0 -> 4914 bytes | |||
| -rw-r--r-- | 14924-h/images/006-19.png | bin | 0 -> 6032 bytes | |||
| -rw-r--r-- | 14924-h/images/006-20.png | bin | 0 -> 2651 bytes | |||
| -rw-r--r-- | 14924-h/images/006-21.png | bin | 0 -> 4094 bytes | |||
| -rw-r--r-- | 14924-h/images/006-22.png | bin | 0 -> 7579 bytes | |||
| -rw-r--r-- | 14924-h/images/006-23.png | bin | 0 -> 5266 bytes | |||
| -rw-r--r-- | 14924-h/images/006-24.png | bin | 0 -> 8781 bytes | |||
| -rw-r--r-- | 14924-h/images/006-25.png | bin | 0 -> 7078 bytes | |||
| -rw-r--r-- | 14924-h/images/006-26.png | bin | 0 -> 11961 bytes | |||
| -rw-r--r-- | 14924-h/images/006-27.png | bin | 0 -> 9663 bytes | |||
| -rw-r--r-- | 14924-h/images/006-28.png | bin | 0 -> 75342 bytes | |||
| -rw-r--r-- | 14924-h/images/006-29.png | bin | 0 -> 474933 bytes | |||
| -rw-r--r-- | 14924-h/images/006-30.png | bin | 0 -> 7629 bytes | |||
| -rw-r--r-- | 14924-h/images/006-31.png | bin | 0 -> 5609 bytes | |||
| -rw-r--r-- | 14924-h/images/006-32.png | bin | 0 -> 6892 bytes | |||
| -rw-r--r-- | 14924.txt | 2424 | ||||
| -rw-r--r-- | 14924.zip | bin | 0 -> 47609 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
41 files changed, 7446 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/14924-8.txt b/14924-8.txt new file mode 100644 index 0000000..49e0372 --- /dev/null +++ b/14924-8.txt @@ -0,0 +1,2424 @@ +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 1, +August 21, 1841, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 1, August 21, 1841 + +Author: Various + +Release Date: February 7, 2005 [EBook #14924] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + + + + + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 1. + + + +FOR THE WEEK ENDING AUGUST 21, 1841. + + * * * * * + + +THE WIFE-CATCHERS. + +A LEGEND OF MY UNCLE'S BOOTS. + +_In Four Chapters._ + + +CHAPTER IV. + + +[Illustration: T]The conversation now subsided into "private and +confidential" whispers, from which I could learn that Miss O'Brannigan had +consented to quit her father's halls with Terence that very night, and, +before the priest, to become his true and lawful wife. + +It had been previously understood that those of the guests who lived at a +distance from the lodge should sleep there that night. Nothing could have +been more favourable for the designs of the lovers; and it was arranged +between them, that Miss Biddy was to steal from her chamber into the yard, +at daybreak, and apprise her lover of her presence by flinging a handful of +gravel against his window. Terence's horse was warranted to carry double, +and the lady had taken the precaution to secure the key of the stable where +he was placed. + +It was long after midnight before the company began to separate;--cloaks, +shawls, and tippets were called for; a jug of punch of extra strength was +compounded, and a _doch an dhurris_[1] of the steaming beverage +administered to every individual before they were permitted to depart. At +length the house was cleared of its guests, with the exception of those who +were to remain and take beds there. Amongst the number were the haberdasher +and your uncle. The latter was shown into a chamber in which a pleasant +turf fire was burning on the hearth. + + [1] A drink at the door;--a farewell cup. + +Although Terence's mind was full of sweet anticipations and visions of +future grandeur, he could not avoid feeling a disagreeable sensation +arising from the soaked state of his boots; and calculating that it still +wanted three or four hours of daybreak, he resolved to have us dry and +comfortable for his morning's adventure. With this intention he drew us +off, and placed us on the hearth before the fire, and threw himself on the +bed--not to sleep--he would sooner have committed suicide--but to meditate +upon the charms of Miss Biddy and her thousand pounds. + +But our strongest resolutions are overthrown by circumstances--the ducking, +the dancing, and the _potteen_, had so exhausted Terence, that he +unconsciously shut, first, one eye, then the other, and, finally, he fell +fast asleep, and dreamed of running away with the heiress on his back, +through a shaking bog, in which he sank up to the middle at every step. His +vision was, however, suddenly dispelled by a smart rattle against his +window. A moment was sufficient to recall him to his senses--he knew it was +Miss Biddy's signal, and, jumping from the bed, drew back the cotton +window-curtains and peered earnestly out: but though the day had begun to +break, it was still too dark to enable him to distinguish any person on the +lawn. In a violent hurry he seized on your humble servant, and endeavoured +to draw me on; but, alas! the heat of the fire had so shrank me from my +natural dimensions, that he might as well have attempted to introduce his +leg and foot into an eel-skin. Flinging me in a rage to the further corner +of the room, he essayed to thrust his foot into my companion, which had +been reduced to the same shrunken state as myself. In vain he tugged, +swore, and strained; first with one, and then with another, until the +stitches in our sides grinned with perfect torture; the perspiration rolled +down his forehead--his eyes were staring, his teeth set, and every nerve in +his body was quivering with his exertions--but still he could not force us +on. + +"What's to be done!" he ejaculated in despairing accents. A bright thought +struck him suddenly, that he might find a pair of boots belonging to some +of the other visitors, with which he might make free on so pressing an +emergency. It was but sending them back, with an apology for the mistake, +on the following day. With this idea he sallied from his room, and groped +his way down stairs to find the scullery, where he knew the boots were +deposited by the servant at night. This scullery was detached from the main +building, and to reach it it was necessary to cross an angle of the yard. +Terence cautiously undid the bolts and fastenings of the back door, and was +stealthily picking his steps over the rough stones of the yard, when he was +startled by a fierce roar behind him, and at the same moment the teeth of +Towser, the great watch-dog, were fastened in his nether garments. Though +very much alarmed, he concealed his feelings, and presuming on a slight +previous intimacy with his assailant, he addressed him in a most familiar +manner, calling him "poor fellow" and "old Towser," explained to him the +ungentlemanly liberty he was taking with his buckskins, and requested him +to let go his hold, as he had quite enough of that sport. Towser was, +however, not to be talked out of his private notions; he foully suspected +your uncle of being on no good design, and replied to every remonstrance he +made with a growl and a shake, that left no doubt he would resort to more +vigorous measures in case of opposition. Afraid or ashamed to call for +help, Terence was kept in this disagreeable state, nearly frozen to death +with cold and trembling with terror, until the morning was considerably +advanced, when he was discovered by some of the servants, who released him +from the guardianship of his surly captor. Without waiting to account for +the extraordinary circumstances in which he had been found, he bolted into +the house, rushed up to his bed-chamber, and, locking the door, threw +himself into a chair, overwhelmed with shame and vexation. + +But poor Terence's troubles were not half over. The beautiful heiress, +after having discharged several volleys of sand and small pebbles against +his window without effect, was returning to her chamber, swelling with +indignation, when she was encountered on the stairs by Tibbins, who, no +doubt prompted by the demon of jealousy, had been watching her movements. +He could not have chosen a more favourable moment to plead his suit; her +mortified vanity, and her anger at what she deemed the culpable +indifference of her lover, made her eager to be revenged on him. It +required, therefore, little persuasion to obtain her consent to elope with +the haberdasher. The key of the stable was in her pocket, and in less than +ten minutes she was sitting beside him in his gig, taking the shortest road +to the priest's. + +I cannot attempt to describe the rage that Terence flew into, as soon as he +learned the trick he had been served; he vowed to be the death of Tibbins, +and it is probable he would have carried his threat into effect, if the +haberdasher had not prudently kept out of his way until his anger had grown +cool. + +"So," said I, addressing the narrator, "you lost the opportunity of +figuring at Miss Biddy's wedding?" + +"Yes," replied the 'wife-catcher;' "but Terence soon retrieved his credit, +for in less than three months after his disappointment with the heiress, we +were legging it as his wedding with Miss Debby Doolan, a greater fortune +and a prettier girl than the one he had lost: and, by-the-bye, that reminds +me of a funny scene which took place when the bride came to throw the +stocking--hoo! hoo! hoo! hoo!" + +Here my friends, the boots, burst into a long and loud fit of laughter; +while I, ignorant of the cause of their mirth, looked gravely on, wondering +when it would subside. Instead, however, of their laughter lessening, the +cachinnations became so violent that I began to feel seriously alarmed. + +"My dear friends!" said I. + +"Hoo! hoo! hoo! hoo! hoo!" shouted the pair. + +"This excessive mirth may be dangerous"-- + +A peal of laughter shook their leathern sides, and they rolled from side to +side on their chair. Fearful of their falling, I put out my hand to support +them, when a sense of acute pain made me suddenly withdraw it. I started, +opened my eyes, and discovered that I had laid hold of the burning remains +of the renowned "wife-catchers," which I had in my sleep placed upon the +fire. + +As I gazed mournfully upon the smoking relics of the ancient allies of our +house, I resolved to record this strange adventure; but you know I never +had much taste for writing, Jack, so I now confide the task to you. As he +concluded, my uncle raised his tumbler to his lips, and I could perceive a +tear sparkling in his eye--a genuine tribute of regard to the memory of the +venerated "_Wife Catchers_." + + * * * * * + + +CORRESPONDENCE EXTRAORDINARY. + + Wrote Paget to Pollen, + With face bright as brass, + "T'other day in the Town Hall + You mention'd an ass: + + "Now, for family reasons, + I'd like much to know, + If on me you intended + That name to bestow?" + + "My lord," says Jack Pollen, + "Believe me, ('tis true,) + I'd be sorry to slander + A donkey or you." + + "Being grateful," says Paget, + "I'd ask you to lunch; + But just, Sir John, tell me. + Did you call me PUNCH?" + + "In wit, PUNCH is equalled," + Says Pollen, "by few; + In naming him, therefore, + I couldn't mean you," + + "Thanks! thanks! To bear malice," + Save Paget, "I'm loath; + Two answers I've got, and I'm + Charm'd with them both." + + * * * * * + + +EPIGRAMS. + +1.--THE CAUSE. + + Lisette has lost her wanton wiles-- + What secret care consumes her youth, + And circumscribes her smiles?-- + _A spec on a front tooth!_ + + +2.--PRIDE. + + Fitzsmall, who drinks with knights and lords, + To steal a share of notoriety, + Will tell you, in important words, + He _mixes_ in the best society. + + * * * * * + + +ENGLISH AND AMERICAN PRODUCE. + +We find, by the _Times_ of Saturday, the British _teasel_ crops in the +parish of Melksham have fallen entirely to the ground, and from their +appearance denote a complete failure. Another paragraph in the same paper +speaks quite as discouragingly of the appearance of the American _Teazle_ +at the Haymarket. + + * * * * * + + +NURSERY EDUCATION REPORT.--No. 2. + +THE ROYAL RHYTHMICAL ALPHABET, + +_To be said or sung by the Infant Princess._ + +[Illustration] + +A stands for ARISTOCRACY, a thing I should admire; + +[Illustration] + +B stands for a BISHOP, who is clothed in soft attire; + +[Illustration] + +C beginneth CABINET, where Mamma keeps her _tools_; + +[Illustration] + +D doth stand for DOWNING-STREET, the "Paradise of Fools;" + +[Illustration] + +E beginneth ENGLAND, that granteth the supplies; + +[Illustration] + +F doth stand for FOREIGNERS, whom I should patronize; + +[Illustration] + +G doth stand for GOLD--good gold!--for which man freedom barters; + +[Illustration] + +H beginneth HONORS--that is, ribbons, stars, and garters; + +[Illustration] + +I stands for my INCOME (several thousand pounds per ann.); + +[Illustration] + +J stands for JOHNNY BULL, a soft and easy kind of man; + +[Illustration] + +K beginneth KING, who rules the land by "right divine;" + +[Illustration] + +L's for MRS. LILLY, who was once a nurse of mine. + +[Illustration] + +M beginneth MELBOURNE, who rules _the roast_ and State; + +[Illustration] + +N stands for a NOBLEMAN, who's _always_ good and great. + +[Illustration] + +O is for the OPERA, that I should only grace; + +[Illustration] + +P stands for the PENSION LIST, for "servants out of place." + +[Illustration] + +Q's the QUARTER'S SALARY, for which true patriots long; + +[Illustration] + +R's for MRS. RATSEY, who taught _me_ this pretty song; + +[Illustration] + +S stands for the SPEECH, which Mummy learns to say; + +[Illustration] + +T doth stand for TAXES, which the people ought to pay; + +[Illustration] + +U's for the UNION WORK-HOUSE, which horrid paupers shun; + +[Illustration] + +V is for VICTORIA, "the Bess of forty-one;" + +[Illustration] + +W stands for WAR, the "noble game" which Monarchs play; + +[Illustration] + +X is for the TREBLE X--Lilly drank three times a day; + +[Illustration] + +And Y Z's for the WISE HEADS, who admire all I say. + + * * * * * + + +THE GENTLEMAN'S OWN BOOK. + +A COMPLETE ENCYCLOPÆDIA OF ALL THE REQUISITES, DECORATIVE, EDUCATIONAL, AND +RECREATIVE, FOR GENTILITY. + + +INTRODUCTION. + +A popular encyclopædia of the requisites for gentility--a companion to the +toilet, the _salons_, the Queen's Bench, the streets, and the +police-stations, has long been felt to be a desideratum by every one +aspiring to good-breeding. The few works which treat on the subject have +all become as obselete as "hot cockles" and "crambo." "The geste of King +Horne," the "[Greek: BASILIKON]" of King Jamie, "Peacham's Complete +Gentleman," "The Poesye of princelye Practice," "Dame Juliana Berners' Book +of St. Alban's," and "The Jewel for Gentrie," are now confined to +bibliopoles and bookstalls. Even more modern productions have shared the +same fate. "The Whole Duty of Man" has long been consigned to the +trunk-maker, "Chesterfield's Letters" are now dead letters, and the "Young +Man" lights his cigar with his "Best Companion." It is true, that in lieu +of these, several works have emanated from the press, adapted to the change +of manners, and consequently admirably calculated to supply their places. +We need only instance "The Flash Dictionary," "The Book of Etiquette," "A +Guide to the Kens and Cribs of London," "The whole Art of Tying the +Cravat," and "The Hand-book of Boxing;" but it remains for us to remove the +disadvantages which attend the acquirement of each of these noble arts and +sciences in a detached form. + +The possessor of an inquiring and genteel mind has now to wander for his +politeness to Paternoster-row[2]; to Pierce Egan, for his knowledge of men +and manners; and to Owen Swift, for his knightly accomplishments, and +exercises of chivalry. + + [2] "Book of Etiquette." Longman and Co. + +We undertake to collect and condense these scattered radii into one +brilliant focus, so that a gentleman, by reading his "own book," may be +made acquainted with the best means of ornamenting his own, or disfiguring +a policeman's, person--how to conduct himself at the dinner-table, or at +the bar of Bow-street--how to turn a compliment to a lady, or carry on a +chaff with a cabman. + +These are high and noble objects! A wider field for social elevation cannot +well be imagined. Our plan embraces the enlightenment and refinement of +every scion of a noble house, and all the junior clerks in the government +offices--from the happy recipient of an allowance of 50£ per month from +"the Governor," to the dashing acceptor of a salary of thirty shillings a +week from a highly-respectable house in the City--from the gentleman who +occupies a suite of apartments in the Clarendon, to the lodger in the +three-pair back, in an excessively back street at Somers Town. + +With these incentives, we will proceed at once to our great and glorious +task, confident that our exertions will be appreciated, and obtain for us +an introduction into the best circles. + +PRELUDE. + +We trust that our polite readers will commence the perusal of our pages +with a pleasure equal to that which we feel in sitting down to write them; +for they call up welcome recollections of those days (we are literary and +seedy now!) when our coats emanated from the laboratory of Stultz, our +pantaloons from Buckmaster, and our boots from Hoby, whilst our glossy +beaver--now, alas! supplanted by a rusty goss--was fabricated by no less a +thatcher than the illustrious Moore. They will remind us of our Coryphean +conquests at the Opera--our triumphs in Rotten row--our dinners at Long's +and the Clarendon--our nights at Offley's and the watch-house--our glorious +runs with the Beaufort hounds, and our exhilarating runs from the sheriffs' +officers--our month's sporting on the heathery moors, and our day rule when +rusticating in the Bench! + +We are in "the sear and yellow leaf"--there is nothing green about us now! +We have put down our seasoned hunter, and have mounted the winged Pegasus. +The brilliant Burgundy and sparkling Hock no longer mantle in our glass; +but Barclay's beer--nectar of gods and coalheavers--mixed with +hippocrene--the Muses' "cold without"--is at present our only beverage. The +grouse are by us undisturbed in their bloomy mountain covert. We are now +content to climb Parnassus and our garret stairs. The Albany, that +sanctuary of erring bachelors, with its guardian beadle, are to us but +memories, for we have become the denizens of a roomy attic (ring the top +bell twice), and are only saluted by an Hebe of all-work and our printer's +devil! + +ON DRESS IN GENERAL.--_L'habit fait le moine_.--It has been laid down by +Brummel, Bulwer, and other great authorities, that "the tailor makes the +man;" and he would be the most daring of sceptics who would endeavour to +controvert this axiom. Your first duty, therefore, is to place yourself in +the hands of some distinguished schneider, and from him take out your +patent of gentility--for a man with an "elegant coat" to his back is like a +bill at sight endorsed with a good name; whilst a seedy or ill-cut garment +resembles a protested note of hand labelled "No effects." It will also be +necessary for you to consult "The Monthly Book of Fashions," and to +imitate, as closely as possible, those elegant and artistical productions +of the gifted _burin_, which show to perfection "What a piece of work is +man! How noble in reason! How infinite in faculties!" &c.--You must not +consult your own ease and taste (if you have any), for nothing is so vulgar +as to suit your convenience in these matters, as you should remember that +you dress to please others, and not yourself. We have heard of some +eccentric individuals connected with noble families, who have departed from +this rule; but they invariably paid the penalty of their rashness, being +frequently mistaken for men of intellect; and it should not be forgotten, +that any exercise of the mind is a species of labour utterly incompatible +with the perfect man of fashion. + +The confiding characters of tailors being generally acknowledged, it is +almost needless to state, that the _faintest_ indication of seediness will +be fatal to your reputation; and as a presentation at the Insolvent Court +is equally fashionable with that of St. James, any squeamishness respecting +your inability to pay could only be looked upon as a want of moral courage +upon your part, and + +[Illustration: UTTERLY UNWORTHY OF A GENTLEMAN.] + +[The subject of _dress in particular_ will form the subject of our next +chapter.] + + * * * * * + + +IF I HAD A THOUSAND A-YEAR. + +A BACHELOR'S LYRIC. + + If I had a thousand a-year, + (How my heart at the bright vision glows!) + I should never be crusty or queer, + But all would be _couleur de rose_. + I'd pay all my debts, though _outré_, + And of duns and embarrassments clear, + Life would pass like a bright summer day, + If I had a thousand a-year. + + I'd have such a spicy turn-out, + And a horse of such mettle and breed-- + Whose points not a jockey should doubt, + When I put him at top of his speed. + On the foot-board, behind me to swing, + A tiger so small should appear, + All the nobs should protest "'twas the thing!" + If I had a thousand a-year. + + A villa I'd have near the Park, + From Town just an appetite-ride; + With fairy-like grounds, and a bark + O'er its miniature waters to glide. + There oft, 'neath the pale twilight star, + Or the moonlight unruffled and clear, + My meerschaum I'd smoke, or cigar, + If I had a thousand a-year. + + I'd have pictures and statues, with taste-- + Such as ladies unblushing might view-- + In my drawing and dining-rooms placed, + With many a gem of virtù. + My study should be an affair + The heart of a book-worm to cheer-- + All compact, with its easy spring chair, + If I had a thousand a-year. + + A cellar I'd have quite complete + With wines, so _recherché_, well stored; + And jovial guests often should meet + Round my social and well-garnish'd board. + But I would have a favourite few, + To my heart and my friendship _more_ dear; + And I'd marry--I mustn't tell who-- + If I had a thousand a-year. + + With comforts so many, what more + Could I ask of kind Fortune to grant? + Humph! a few olive branches--say four-- + As pets for my old maiden aunt. + Then, with health, there'd be nought to append. + To perfect my happiness here; + For the _utile et duloc_ would blend. + If I had a thousand a-year. + + * * * * * + + +MY UNCLE BUCKET. + +The Buckets are a large family! I am one of them--my uncle Job Bucket is +another. We, the Buckets, are atoms of creation; yet we, the Buckets, are +living types of the immensity of the world's inhabitants. We illustrate +their ups and downs--their fulness and their emptiness--their risings and +their falling--and all the several goods and ills, the world's denizens in +general, and Buckets in particular, are undoubted heirs to. + +It hath ever been the fate of the fulness of one Bucket to guarantee the +emptiness of another; and (mark the moral!) the rising Bucket is the +richly-stored one; its sinking brother's attributes, like Gratiano's wit, +being "an infinite deal of nothing." Hence the adoption of our name for the +wooden utensils that have so aptly fished up this fact from the deep well +of truth. + +There be certain rods that attract the lightning. We are inclined to think +there be certain Buckets that invite kicking, and our uncle Job was one of +them. He was birched at school for everybody but himself, for he never +deserved it! He was plucked at college--because some practical joker placed +a utensil, bearing his name, outside the door of the examining master, and +our uncle Job Bucket being unfortunately present, laughed at the consequent +abrasion of his, the examining master's, shins. He was called to the bar. +His first case was, "Jane Smith _versus_ James Smith" (no relations). His +client was the female. She had been violently assaulted. He mistook the +initial--pleaded warmly for the opposing Smith, and glowingly described the +disgraceful conduct of the veriest virago a legal adviser ever had the pain +of speaking of. The verdict was, as he thought, on his side. The lady +favoured him with a living evidence of all the attributes he was pleased to +invent for her benefit, and left him with a proof impression of her nails +upon his face, carrying with her, by way of _souvenir_, an ample portion of +the skin thereof. Had the condensed heels of all the horses whose +subscription hairs were wrought into his wig, with one united effort +presented him with a kick in his abdominals, he could not have been more +completely "knocked out of time" than he was by the mistake of those cursed +initials. "_What about Smith?_" sent him out of court! At length he + + "Cursed the bar, and declined." + +He next turned his attention to building. Things went on swimmingly during +the erection--so did the houses when built. The proprietorship of the +ground was disputed--our uncle Job had paid the wrong person. The buildings +were knocked down (by Mr. Robins), and the individual who had benefited by +the suppositionary ownership of the acres let on the building lease "bought +the lot," and sent uncle Job a peculiarly well-worded legal notice, +intimating, "his respectable presence would, for the future, approximate to +a nuisance and trespass, and he (Job) would be proceeded against as the +statutes directed, if guilty of the same." + +It is impossible to follow him through all his various strivings to do +well: he commenced a small-beer brewery, and the thunder turned it all into +vinegar; he tried vinegar, and nothing on earth could make it sour; he +opened a milk-walk, and the parish pump failed; he invented a waterproof +composition--there was fourteen weeks of drought; he sold his patent for +two-and-sixpence, and had the satisfaction of walking home for the next +three months wet through, from his gossamer to his _ci-devant_ Wellingtons, +now literally, from their hydraulic powers, "_pumps_." + +He lost everything but his heart! And uncle Bucket was all heart! a red +cabbage couldn't exceed it in size, and, like that, it seemed naturally +predestined to be everlastingly in a pickle! Still it was a heart! You were +welcomed to his venison when he had it--his present saveloy was equally at +your service. He must have been remarkably attached to facetious elderly +poultry of the masculine gender, as his invariable salute to the tenants of +his "heart's core" was, "How are you, my jolly old cock?" Coats became +threadbare, and defunct trousers vanished; waistcoats were never replaced; +gossamers floated down the tide of Time; boots, deprived of all hope of +future renovation by the loss of their _soles_, mouldered in obscurity; but +the clear voice and chuckling salute were changeless as the statutes of the +Medes and Persians, the price and size of penny tarts, or the accumulating +six-and-eightpences gracing a lawyer's bill. + +Poor uncle Job Bucket's fortune had driven "him down the rough tide of +power," when first and last we met; all was blighted save the royal heart; +and yet, with shame we own the truth, we blushed to meet him. Why? ay, why? +We own the weakness!--the heart, the goodly heart, was almost cased in +rags! + +"Puppy!" + +Right, reader, right; we were a puppy. Lash on, we richly deserve it! but, +consider the fearful influence of worn-out cloth! Can a long series of +unchanging kindness balance patched elbows? are not cracked boots receipts +in full for hours of anxious love and care? does not the kindness of a life +fade "like the baseless fabric of a vision" before the withering touch of +poverty's stern stamp? Have you ever felt-- + +"Eh? what? No--stuff! Yes, yes--go on, go on." + +We will!--we blushed for our uncle's coat! His heart, God bless it, never +caused a blush on the cheek of man, woman, child, or even angel, to rise +for that. We will confess. Let's see, we are sixty now (we don't look so +much, but we are sixty). Well, be it so. We were handsome once--is this +vanity at sixty? if so, our grey hairs are a hatchment for the past. We +were "swells once!--hurrah!--we were!" Stop, this is indecent--let us be +calm--our action was like the proceeding of the denuder of well-sustained +and thriving pigs, he who deprives them of their extreme obesive +selvage--_vulgo_, "_we cut it fat_." Bond-street was cherished by our +smile, and Ranelagh was rendered happy by the exhibition of our symmetry. +Behold us hessianed in our haunts, touching the tips of well-gloved fingers +to our passing friends; then fancy the opening and shutting of our back, +just as Lord Adolphus Nutmeg claimed the affinity of "kid to kid," to find +our other hand close prisoner made by our uncle Bucket. + +"How are you, old cock?" + +"Who's that, eh?" + +"A lunatic, my lord (what lies men tell!), and dangerous!" + +"Good day! [_Exit my lord_]. This way." We followed our uncle--the end of a +blind alley gave us a resting-place. + +"Bravo!" exclaimed our uncle Bucket, "this is rare! I live here--dine with +me!" + +A mob surrounded us--we acquiesced, in hopes to reach a place of shelter. + +"All right!" exclaimed he of the maternal side, "stand three-halfpence for +your feed." + +We shelled the necessary out--he dived into a baker's shop--the mob +increased--he hailed us from the door. + +"Thank God, this is your house, then." + +"Only my kitchen. Lend a hand!" + +A dish of steaming baked potatoes, surmounted by a fractional rib of +consumptive beef, was deposited between the lemon-coloured receptacles of +our thumbs and fingers--an outcry was raised at the court's end--we were +almost mad. + +"Turn to the right--three-pair back--cut away while it's warm, and make +yourself at home! I'll come with the beer!" + +We wished our _I_ had been in that bier! We rushed out--the gravy basted +our _pants_, and greased our hessians! Lord Adolphus Nutmeg appeared at the +entrance of the court. As we proceeded to our announced +destination,--"Great God!" exclaimed his lordship, "the Bedlamite has +bitten him!" A peal of laughter rang in our ears--we rushed into the wrong +room, and our uncle Job Bucket picked us, the shattered dish, the reeking +potatoes, and dislodged beef, from the inmost recesses of a wicker-cradle, +where, spite the thumps and entreaties of a distracted parent, we were all +engaged in overlaying a couple of remarkably promising twins! We can say no +more on this frightful subject. But-- + + "Once again we met!" + +Our pride wanted cutting, and fate appeared determined to perform the +operation with a jagged saw! + +Tom Racket died! His disease was infectious, and we had been the last +person to call upon him, consequently we were mournful. Thick-coming +fancies brooded in our brain--all things conspired against us; the day was +damp and wretched--the church-bells emulated each other in announcing the +mortalities of earth's bipeds--each _toll'd_ its tale of death. We thought +upon our "absent friend." A funeral approached. We were still more gloomy. +Could it be his? if so, what were his thoughts? Could ghosts but speak, +what would he say? The coffin was coeval with us--sheets were rubicund +compared to our cheeks. A low deep voice sounded from its very bowels--the +words were addressed to us--they were, "Take no notice; it's the first +time; it will soon be over!" + +"Will it?" we groaned. + +"Yes. I'm glad you know me. I'll tell you more when I come back." + +"Gracious powers! do you expect to return?" + +"Certainly! We'll have a screw together yet! There's room for us both in my +place. I'll make you comfortable." + +The cold perspiration streamed from us. Was there ever anything so awful! +Here was an unhappy subject threatening to call and see us at night, and +then screw us down and make us comfortable. + +"Will you come?" exclaimed the dead again. + +"Never!" we vociferated with fearful energy. + +"Then let it alone; I didn't think you'd have cut me now; but wait till I +show you my face." + +Horror of horrors!--the pall moved--a long white face peered from it. We +gasped for breath, and only felt new life when we recognised our uncle Job +Bucket, as the author of the conversation, and one of the bearers of the +coffin! He had turned mute!--but that was a failure--no one ever died in +his parish after his adopting that profession! + + * * * * * + +He has been seen once since in the backwoods of America. His fate seemed +still to follow him, and his good temper appeared immortal--his situation +was more peculiar than pleasant. He was seated on a log, three hundred +miles from any civilised habitation, smiling blandly at a broken axe (his +only one), the half of which was tightly grasped in his right hand, +pointing to the truant iron in the trunk of a huge tree, the first of a +thriving forest of fifty acres he purposed felling; and, thus occupied, a +solitary traveller passed our uncle Job Bucket, serene as the melting +sunshine, and thoughtless as the wild insect that sported round the owner +"of the lightest of light hearts."--PEACE BE WITH HIM. FUSBOS. + + * * * * * + + +IMPORTANT DISCOVERY. + +A gentleman of the name of Stuckey has discovered a new filtering process, +by which "a stream from a most impure source may be rendered perfectly +translucent and fit for all purposes." In the name of our rights and +liberties! in the name of Judy and our country! we call upon the proper +authorities to have this invaluable apparatus erected in the lobby of the +House of Commons, and so, by compelling every member to submit to the +operation of filtration, cleanse the house from its present accumulation of +corruption, though we defy Stuckey himself to give it _brightness_. + + * * * * * + + +A THING UNFIT TO A(P)PEAR. + + New honours heaped on _roué_ Segrave's name! + A cuckold's horn is then the trump of fame. + + * * * * * + + +FINE ARTS. + +EXTERNAL EXHIBITIONS. + + +Under this head it is our intention, from time to time, to revert to +numberless free exhibitions, which, in this advancement-of-education age, +have been magnanimously founded with a desire to inculcate a knowledge of, +and disseminate, by these liberal means, an increased taste for the arts in +this vast metropolis. We commence not with any feelings of favouritism, nor +in any order of ability, our pleasures being too numerously divided to be +able to settle as to which ought to be No. 1, but because it is necessary +to commence--consequently we would wish to settle down in company with the +amiable reader in front of a tobacconist's shop in the Regent Circus, +Piccadilly; and as the principal attractions glare upon the astonishment of +the spectators from the south window, it is there in imagination that we +are irresistibly fixed. Before we dilate upon the delicious peculiarities +of the exhibition, we deem it absolutely a matter of justice to the +noble-hearted patriot who, imitative of the Greeks and Athenians of old, +who gave the porticoes of their public buildings, and other convenient +spots, for the display of their artists' productions, has most generously +appropriated the chief space of his shop front to the use and advantage of +the painter, and has thus set a bright example to the high-minded havannah +merchants and contractors for cubas and c'naster, which we trust will not +be suffered to pass unobserved by them. + +The principal feature, or, rather mass of features, which enchain the +beholder, is a whole-length portrait of a gentleman (_par excellence_) +seated in a luxuriating, Whitechapel style of ease, the envy, we venture to +affirm, of every omnibus cad and coachman, whose loiterings near this spot +afford them occasional peeps at him. He is most decidedly the greatest +cigar in the shop--not only the mildest, if his countenance deceive us not, +but evidently the most full-flavoured. The artist has, moreover, by some +extraordinary adaptation or strange coincidence, made him typical of the +locality--we allude to the Bull-and-Mouth--seated at a table evidently made +and garnished for the article. The said gentleman herein depicted is in the +act of drinking his own health, or that of "all absent friends," probably +coupling with it some little compliment to a favourite dog, one of the true +Regent-street-and-pink-ribbon breed, who appears to be paying suitable +attention. A huge pine-apple on the table, and a champagne cork or two upon +the ground, contribute a gallant air of reckless expenditure to this +spirited work. In reference to the artistic qualities, it gives us +immoderate satisfaction to state that the whole is conceived and executed +with that characteristic attention so observable in the works of this +master[3], and that the fruit-knife, fork, cork-screw, decanter, and +chiaro-scuro (as the critic of the _Art Union_ would have it), are truly +excellent. The only drawback upon the originality of the subject is the +handkerchief on the knee, which (although painted as vigorously as any +other portion of the picture) we do not strictly approve of, inasmuch as it +may, with the utmost impartiality, be assumed as an imitation of Sir Thomas +Lawrence's portrait of George the Fourth; nevertheless, we in part excuse +this, from the known difficulty attendant upon the representation of a +gentleman seated in enjoyment, and parading his bandana, without +associating it with a veritable footman, who, upon the occasion of his +"Sunday out," may, perchance, be seen in one of the front lower tenements +in Belgrave-square, or some such _locale_, paying violent attentions to the +housemaid, and the hot toast, decorated with the order of the handkerchief, +to preserve his crimson plush in all its glowing purity. We cannot take +leave of this interesting work without declaring our opinion that the +composition (of the frame) is highly creditable. + + [3] We have forgotten the artist's name--perhaps never knew it; but + we believe it is the same gentleman who painted the great + author of "Jack Sheppard." + +Placed on the right of the last-mentioned work of art, is a representation +of a young lady, as seen when presenting a full-blown flower to a favourite +parrot. There is a delicate simplicity in the attitude and expression of +the damsel, which, though you fail to discover the like in the tortuous +figures of Taglioni or Cerito, we have often observed in the conduct of +ladies many years in the seniority of the one under notice, who, ever +mindful of the idol of their thoughts and affections--a feline +companion--may be seen carrying a precious morsel, safely skewered, in +advance of them; this gentleness the artist has been careful to retain to +eminent success. We are, nevertheless, woefully at a loss to divine what +the allegory can possibly be (for as such we view it), what the analogy +between a pretty poll and a pol-yanthus. We are unlearned in the language +of flowers, or, perhaps, might probe the mystery by a little floral +discussion. We are, however, compelled to leave it to the noble order of +freemasons, and shall therefore wait patiently an opportunity of +communicating with his Royal Highness the Duke of Sussex. In the meantime +we shall not he silent upon the remaining qualities of the work as a +general whole--the young lady--the parrot--the polyanthus, and the +chiaro-scuro, are as excellent as usual in this our most amusing painter's +productions. + +As a pendant to this, we are favoured with the portrait of a young +gentleman upon a half-holiday--and, equipped with cricket means, his +dexter-hand grasps his favourite bat, whilst the left arm gracefully +encircles a hat, in which is seductively shown a genuine "Duke." The +sentiment of this picture is unparalleled, and to the young hero of any +parish eleven is given a stern expression of Lord's Marylebone ground. We +can already (aided by perspective and imagination) see him before a future +generation of cricketers, "shoulder his bat, and show how games were won." +The bat is well drawn and coloured with much truth, and with that strict +observance of harmony which is so characteristic of the excellences of art. +The artist has felicitously blended the tone and character of the bat with +that of the young gentleman's head. As to the ball, we do not recollect +ever to have seen one in the works of any of the old masters so true to +nature. In conclusion, the buttons on the jacket, and the button-holes, +companions thereto, would baffle the criticism of the most hyper-fastidious +stab-rag; and the shirt collar, with every other detail--never forgetting +the chiaro-scuro--are equal to any of the preceding. + + * * * * * + + +CURIOUS COINCIDENCE. + +We had prepared an announcement of certain theatricals extraordinary, with +which we had intended to favour the public, when the following bill reached +us. We feel that its contents partake so strongly of what we had heretofore +conceived the exclusive character of PUNCH, that to avoid the charge of +plagiarism, as well as to prevent any confusion of interests, we have +resolved to give insertion to both. + +As PUNCH is above all petty rivalry, we accord our _collaborateurs_ the +preference. + +_Red Lion Court, Fleet Street._ + +SIR,--Allow me to solicit your kindness so far, as to give publicity to +this bill, by _placing it in some conspicuous part of your Establishment_. +The success of the undertaking will prove so advantageous to the public at +large, that I fear not your compliance in so good a cause. + +I am, Sir, your's very obediently, +C. MITCHELL + + * * * * * + +VIVANT REGINA ET PRINCEPS. + +THEATRE ROYAL + +ENGLISH OPERA HOUSE, + +WELLINGTON-STREET NORTH, STRAND. + +_Conducted by the Council of the Dramatic Authors' Theatre, established for +the full encouragement of English Living Dramatists._ + + +ADDRESS TO THE PUBLIC. + +The generous National feelings of the British Public are proverbially +interested in every endeavour to obtain "a Free Stage and Fair Play." The +Council of the Dramatic Authors' Theatre seek to achieve both, for every +English Living Dramatist. Compelled, by the state of the _Law_, to present +on the Stage a high Tragic Composition IN AN IRREGULAR FORM (in effecting +which, nevertheless, regard has been had to those elements of human nature, +which must constitute the essential principles of every genuine Dramatic +Production), they hope for such kind consideration as may be due to a work +brought forward in obedient accordance with the regulations of _Acts of +Parliament_, though labouring thereby under some consequent difficulties; +the _Law_ for the Small Theatres Royal, and the _Law_ for the Large +Theatres Royal, _not_ being one and the same _Law_. If, by these efforts, a +beneficial alteration in such Law, which presses so fatally on Dramatic +Genius, and which militates against the revival of the highest class of +Drama, should be effected, they feel assured that the Public will +Participate in their Triumph. + +On THURSDAY, the 26th of AUGUST, will be presented, for the First Time, + +(_Interspersed with Songs and Music_). + +MARTINUZZI. + +BY GEORGE STEPHENS, ESQ. + +Taken by him from his "magnificent" Dramatic Poem, entitled, _The Hungarian +Daughter_. + +The Solos, Duets, Chorusses, and every other Musical arrangement the _Law_ +may require, by Mr. DAVID LEE. + +The following Opinions of the Press on the Actable qualities of the +Dramatic Poem, are selected from a vast mass of similar notices. + +"Worthy of _the Stage_ in its best days."--The Courier. + +"Effective situations; if well acted, it _could not fail of +success_."--_New Bell's Messenger_. + +"The mantle of the Elizabethan Poets seems to have fallen on Mr. Stephens, +for we have scarcely ever met with, in the works of modern dramatists, the +truthful delineations of human passion, the chaste and splendid imagery, +and continuous strain of fine poetry to be found in _The Hungarian +Daughter_."--_Cambridge Journal_. + +"Equal to Goethe. All is impassioned and effective. The Poet has availed +himself of every tragic point, and brought together every element; nor, +with the exception, of Mr. Knowles's _Love_, has there been a single Drama, +within the last four years, presented on _the Stage_ at all +comparable."--_Monthly Magazine_. + +After which will be performed, also for the First Time, An Original +Entertainment in One Act, Entitled + +THE CLOAK AND THE BONNET! + +By the Author of _Jacob Faithful_, _Peter Simple_, _&c. &c._ + +No Orders admitted.--No Free List, the Public Press excepted. + + * * * * * + +Now for _our_ penny trumpet. + +THEATRICALS EXTRAORDINARY. + + +READER,--Allow us to solicit your kindness so far as to give publicity to +the following announcement, _by buying up and distributing among your +friends the whole of the unsold copies of this number_. The success of this +undertaking will prove so advantageous to the public at large, and of so +little benefit to ourselves, that we fear not your compliance in so good a +cause. + +Yours obediently, + +PUNCH. + + +VIVANT KANT ET TOMFOOLERIE. + +THEATRE ROYAL + +PERIPATETIC, + +WELLINGTON-STREET SOUTH, STRAND. + +_Conducted by the Council of the Fanatic Association established for the +full encouragement of Timber Actors and Wooden-headed Dramatists_. + +ADDRESS TO THE PUBLIC; + +OR, PUNCH BLOWING HIS OWN TRUMPET, + +The general National feelings of the British Public are proverbially +interested in every endeavour to obtain "a blind alley, and no Fantoccini." +Compelled by the New Police Act to move on, and so present our high tragic +composition by small instalments (in effecting which, nevertheless, regard +has been had--_This parenthesis to be continued in our next_), we hope for +such kind consideration as may be due, when it is remembered that the _law_ +for the _out-door_ PUNCH and the _law_ for the _in-door_ PUNCH is not one +and the same _law_. Oh, law! + +On SATURDAY, the 28th of AUGUST, will be presented, + +(_Interspersed with Drum and Mouth Organ_), + +PUNCHINUZZI, + +BY EGO SCRIBLERUS, ESQ. + +Taken from his "magnificent" Dramatic Poem, entitled, "PUNCH NUTS UPON +HIMSELF." + +The following Opinions on the Actable qualities of _Punchinuzzi_, are +selected from a vast mass of similar notices. + +"This ere play 'ud draw at ony fare."--_The late Mr. Richardson_. + +"This happy poetic drama would be certain to command crowded and elegant +_courts_."--_La Belle Assemblée_. + +"We have read _Punchinuzzi_, and we fearlessly declare that the mantle of +that metropolitan bard, the late Mr. William Waters, has descended upon the +gifted author."--_Observer_. + +"Worthy of the _streets_ in their best days."--_Fudge_. + +No Orders! No Free List! No Money!!. + + * * * * * + + +THE WHIGS' LAST DYING SPEECH, AS DELIVERED BY THE QUEEN + +It is with no common pride that PUNCH avails himself of the opportunity +presented to him, from sources exclusively his own, of laying before his +readers a copy of the original draft of the Speech decided upon at a late +Cabinet Council. There is a novelty about it which pre-eminently +distinguishes it from all preceding orations from the throne or the +woolsack, for it has a purpose, and evinces much kind consideration on the +part of the Sovereign, in rendering this monody on departed Whiggism as +grateful as possible to its surviving friends and admirers. + +There is much of the eulogistic fervour of George Robins, combined with the +rich poetic feeling of Mechi, running throughout the oration. Indeed, it +remained for the Whigs to add this crowning triumph to their policy; for +who but Melbourne and Co. would have conceived the happy idea of converting +the mouth of the monarch into an organ for puffing, and transforming +Majesty itself into a _National Advertiser_? + + +THE QUEEN'S SPEECH. + + MY LORDS AND GENTLEMEN, + + I have the satisfaction to inform you, that, through the invaluable + policy of my present talented and highly disinterested advisers, I + continue to receive from foreign powers assurances of their + amicable disposition towards, and unbounded respect for, my elegant + and enlightened Secretary of State for Foreign Affairs, and of + their earnest desire to remain on terms of friendship with the rest + of my gifted, liberal, and amiable Cabinet. + + The posture of affairs in China is certainly not of the most + pacific character, but I have the assurance of my infallible Privy + Council, and of that profound statesman my Secretary of State for + Foreign Affairs, in particular, that the present disagreement + arises entirely from the barbarous character of the Chinese, and + their determined opposition to the progress of temperance in this + happy country. + + I have also the satisfaction to inform you, that, by the acute + diplomatic skill of my never-to-be-sufficiently-eulogised Secretary + of State for Foreign Affairs, that, after innumerable and + complicated negotiations, he has at length succeeded in seducing + his Majesty the King of the French to render to England the tardy + justice of commemorating, by a _fête_ and inauguration at Boulogne, + the disinclination of the French, at a former period, to invade the + British dominions. + + + GENTLEMEN OF THE HOUSE OF COMMONS, + + I have directed the _estimates for the next fortnight_ to be laid + before you, which, I am happy to inform you, will be amply + sufficient for the exigencies of my _present_ disinterested + advisers. + + The unequalled fiscal and arithmetical talents of my Chancellor of + the Exchequer have, by the most rigid economy, succeeded in + reducing the revenue very considerably below the actual expenditure + of the state. + + + MY LORDS AND GENTLEMEN, + + Measures will be speedily submitted to you for carrying out the + admirable plans of my Secretary of State for the Colonial + Department, and the brilliant author of "Don Carlos," for the + prevention of apoplexy among paupers, and the reduction of the + present extravagant dietary of the Unions. + + I have the gratification to announce that a commission is in + progress, by which it is proposed by my _non_-patronage Ministers + to call into requisition the talents of several literary + gentlemen--all intimate friends or relations of my deeply erudite + and profoundly philosophic Secretary of State for the Home + Department, and author of "Yes and No," (three vols. Colburn) for + the purpose of extending the knowledge of reading and writing, and + the encouragement of circulating libraries all over the kingdom. + + My consistent and uncompromising Secretary of State for the + Colonies, having, since the publication of his spirited "Essays by + a gentleman who has lately left his lodgings," totally changed his + opinions on the subject of the Corn Laws, a measure is in the + course of preparation with a view to the repeal of those laws, and + the continuance in office of my invaluable, tenacious, and + incomparable ministry. + +CAUTION.--We have just heard from a friend in Somerset House, that it is +the intention of the Commissioners of Stamps, from the glaring puffs +embodied in the above speech, to proceed for the advertisement duty against +all newspapers in which it is inserted. For ourselves, we will cheerfully +pay. + + * * * * * + + +A German, resident in New York, has such a remarkably hard name, that he +spoils a gross of steel pens indorsing a bill. + + * * * * * + + +A NEW VERSION OF BELSHAZZAR'S FEAST. + +[Illustration: OLD GLORY'S WHIG TOP-BOOTS REFUSING TO CARRY HIM TO THE +DINNER TO CAPTAIN ROUS.] + +Such, we are credibly assured, was the determination of these liberal and +enlightened leathers. They had heard frequent whispers of a general +indisposition on the part of all lovers of consistency to stand in their +master's shoes, and taking the insult to themselves, they lately came to +the resolution of cutting the connexion. They felt that his liberality and +his boots were all that constituted the idea of Burdett; and now that he +had forsaken his old party and joined Peel's, the "tops" magnanimously +decided to forsake him, and force him to take to--Wellingtons. We have been +favoured with a report of the conversation that took place upon the +occasion, and may perhaps indulge our readers with a copy of it next week. + +In the mean time, we beg to subjoin a few lines, suggested by the +circumstance of Burdett taking the chair at Rous's feast, which strongly +remind us of Byron's Vision of Belshazzar. + + Burdett was in the chair-- + The Tories throng'd the hall-- + A thousand lamps were there, + O'er that mad festival. + His crystal cup contain'd + The grape-blood of the Rhine; + Draught after draught he drain'd, + To drown his thoughts in wine. + + In that same hour and hall + A shade like "Glory" came, + And wrote upon the wall + The records of his shame. + And at its fingers traced + The words, as with a wand, + The traitorous and debased + Upraised his palsied hand. + + And in his chair he shook, + And could no more rejoice; + All bloodless wax'd his look, + And tremulous his voice. + "What words are those appear, + To mar my fancied mirth! + What bringeth 'Glory' here + To tell of faded worth?" + + "False renegade! thy name + Was once the star which led + The free; but, oh! what shame + Encircles now thine head! + Thou'rt in the balance weigh'd, + And worthless found at last. + All! all! thou hast betray'd!"-- + And so the spirit pass'd. + + * * * * * + + +PUNCH'S PENCILLINGS.--No. VI. + +[Illustration: + +ANIMAL MAGNETISM: + +SIR RHUBARB PILL MESMERISING THE BRITISH LION.] + + * * * * * + + +SUPREME COURT OF THE LORD HIGH INQUISITOR PUNCH. + +PAT V. THE WHIG JUSTICE COMPANY. + +This is a cause of thorough orthodox equity standing, having commenced +before the time of legal memory, with every prospect of obtaining a final +decree on its merits somewhere about the next Greek Kalends. In the present +term, + +COUNSELLOR BAYWIG moved, on the part of the plaintiff, who sues _in formâ +pauperis_, for an injunction to restrain the Whig Justice Company from +setting a hungry Scotchman--one of their own creatures, without local or +professional knowledge--over the lands of which the plaintiff is the legal, +though unfortunately not the beneficial owner, as keeper and head manager +thereof, to the gross wrong of the tenants, the depreciation of the lands +themselves, the further reduction of the funds standing in the name of the +cause, the insult to the feelings and the disregard of the rights of +gentlemen living on the estate, and perfectly acquainted with its +management; and finally, to an unblushing and barefaced denial of justice +to all parties. The learned counsel proceeded to state, that the company, +in order to make an excuse for thus saddling the impoverished estates with +an additional incubus, had committed a double wrong, by forcing from the +office a man eminently qualified to discharge its functions--who had lived +and grown white with honourable years in the actual discharge of these +functions--and by thrusting into his place their own needy retainer, who, +instead of being the propounder of the laws which govern the estates, would +be merely the apprentice to learn them; and this too at a time when the +company was on the eve of bankruptcy, and when the possession which they +had usurped so long was about to pass into the hands of their official +assignees. + +LORD HIGH INQUISITOR.--What authorities can you cite for this application? + +COUNSELLOR BAYWIG.--My lord, I fear the cases are, on the whole, rather +adverse to us. Men have, undoubtedly, been chosen to administer the laws of +this fine estate, and to guard it from waste, who have studied its customs, +been thoroughly learned in its statistics, and interested, by blood and +connexion, in its prosperity; but this number is very small. However, when +injustice of the most grievous kind is manifest, it should not be continued +merely because it is the custom, or because it is an "old institution of +the country." + +LORD HIGH INQUISITOR.--I am quite astonished at your broaching such +abominable doctrines here, sir. You a lawyer, and yet talk of justice in a +Court of Equity! By Bacon, Blackstone, and Eldon, 'tis marvellous! Mr. +Baywig, if you proceed, I shall feel it my duty to commit you for a +contempt of court. + +COUNSELLOR BAYWIG.--My lord, in that case I decline the honour of +addressing your lordship further; but certainly my poor client is wronged +in his land, in himself, and in his kindred. It is shocking personal insult +added to terrible pecuniary punishment. + +LORD HIGH INQUISITOR.--_Serve_ him right! We dismiss the application with +costs. + + * * * * * + + +THE ADVANTAGES OF STYLE. + +Some of the uninitiated in the art and mystery of book-making conceive the +chief tax must be upon the compiler's brain. We give the following as a +direct proof to the contrary--one that has the authority of Lord Hamlet, +who summed the matter up in three + + "Words! Words! Words!" + +In one column we give a common-place household and familiar term--in the +other we render it into the true Bulwerian phraseology: + + Does your mother know | Is your maternal parent's natural solicitude + you are out? | allayed by the information, that you have for + | the present vacated your domestic roof? + | + You don't lodge here, | You are geographically and statistically + Mr. Ferguson. | misinformed; this is by no means the + | accustomed place of your occupancy, Mr. + | Ferguson. + | + See! there he goes | Behold! he proceeds totally deprived of one + with his eye out. | moiety of his visual organs! + | + Don't you wish you | Pray confess, are you not really particularly + may get it? | anxious to obtain the desired object? + | + More t'other. | Infinitely, peculiarly, and most intensely + | the entire extreme and the absolute reverse. + | + | + Quite different. | Dissimilar as the far-extended poles, or the + | deep-tinctured ebon skins of the dark + | denizens of Sol's sultry plains and the fair + | rivals of descending flakes of virgin snow, + | melting with envy on the peerless breast of + | fair Circassia's ten-fold white-washed + | daughters. + | + Over the left. | Decidedly in the ascendant of the sinister. + + * * * * * + + +From the nobleman who is selected to move the address in the House of +Lords, it would seem that the Whigs, tired of any further experiments in +turning their coats, are about to try what effect they can produce with an +_old Spencer_. + + * * * * * + + +As the weather is to decide the question of the corn-laws, the rains that +have lately fallen may be called, with truth, the _reins_ of government. + + * * * * * + + +SPORTING IN DOWNING STREET. + +"COME OUT--WILL YOU!" + +The extraordinary attachment which the Whigs have displayed for office has +been almost without parallel in the history of ministerial fidelity. +Zoologists talk of the local affection of cats, but in what animal shall we +discover such a strong love of place as in the present government? Lord +John is a very badger in the courageous manner in which he has resisted the +repeated attacks of the Tory terriers. The odds, however, are too great for +even _his_ powers of defence; he has given some of the most forward of the +curs who have tried to drag him from his burrow some shrewd bites and +scratches that they will not forget in a hurry; but, overpowered by +numbers, he must "come out" at last, and yield the victory to his numerous +persecutors, who will, no doubt, plume themselves upon their dexterity at +drawing a badger. + + * * * * * + + +PUNCH'S EXTRA DRAMATIC INTELLIGENCE + +(BY THE CORRESPONDENT OF THE OBSERVER.) + +The dramatic world has been in a state of bustle all the week, and parties +are going about declaring--not that we put any faith in what they say--that +Macready has already given a large sum for a manuscript. If he has done +this, we think he is much to blame, unless he has very good reasons, as he +most likely has, for doing so; and if such is the case, though we doubt the +policy of the step, there can be no question of his having acted very +properly in taking it. His lease begins in October, when, it is said, he +will certainly open, if he can; but, as he positively cannot, the reports +of his opening are rather premature, to say the least of them. For our +parts, we never think of putting any credit in what we hear, but we give +everything just as it reaches us. + + * * * * * + + +THE MONEY MARKET + +Tin is twopence a hundredweight dearer at Hamburgh than at Paris, which +gives an exchange of 247 mille in favour of the latter capital. + +A good deal of conversation has been excited by a report of its being +intended by some parties in the City to establish a Bank of Issue upon +equitable principles. The plan is a novel one, for there is to be no +capital actually subscribed, it being expected that sufficient assets will +be derived from the depositors. Shares are to be issued, to which a nominal +price will be attached, and a dividend is to be declared immediately. + +The association for supplying London with periwinkles does not progress +very rapidly. A wharf has been taken; but nothing more has been done, which +is, we believe, caused by the difficulty found in dealing with existing +interests. + + * * * * * + + +SIGNS OF THE TIMES. + +The Tories are coming into office, and the Parliament House is surrounded +with scaffolds! + + * * * * * + + +TO BAKERS AND FISHMONGERS. + +Want places, in either of the above lines, three highly practical and +experienced hands, fully capable and highly accomplished in the arduous +duties of "looking after any quantity of loaves and fishes." A ten years' +character can be produced from their last places, which they leave because +the concern is for the present disposed of to persons equally capable. No +objection to look after the till. Wages not so much an object as an +extensive trade, the applicants being desirous of keeping their hands in. +Apply to Messrs. Russell, Melbourne, and Palmerston, Downing-street +Without. + + * * * * * + + +"It is very odd," said Sergeant Channell to Thessiger, "that Tindal should +have decided against me on that point of law which, to me, seemed as plain +as A B C." "Yes," replied Thessiger, "but of what use is it that it should +have been A B C to you, if the judge was determined to be D E F to it?" + + * * * * * + + +CLEVER ROGUES. + +The _Belfast Vindicator_ has a story of a sailor who pledged a sixpence for +threepence, having it described on the duplicate ticket as "a piece of +silver plate of beautiful workmanship," by which means he disposed of the +ticket for two-and-sixpence. The Tories are so struck with this display of +congenial roguery, that they intend pawning their "BOB," and having him +described as "a rare piece of vertu(e) _première qualité_" in the +expectation of securing a _crown_ by it. + + * * * * * + + +MUNTZ ON THE STATE OF THE CROPS. + +Mr. Muntz requests us to state, in answer to numerous inquiries as to the +motives which induce him to cultivate his beard, that he is actuated purely +by a spirit of economy, having, for the last few years, _grown his own +mattresses_, a practice which he earnestly recommends to the attention of +all prudent and hirsute individuals. He finds, by experience, that nine +square inches of chin will produce, on an average, about a sofa per annum. +The whiskers, if properly attended to, may be made to yield about an easy +chair in the same space of time; whilst luxuriant moustachios will give a +pair of anti-rheumatic attrition gloves every six months. Mr. M. +recommends, as the best mode of cultivation for barren soils, to plough +with a cat's-paw, and manure with Macassar. + + * * * * * + + +The Earl of Stair has been created Lord Oxenford. Theodore Hook thinks that +the more appropriate title for a _Stair_, in raising him a step higher, +would have been Lord _Landing-place_, or Viscount _Bannister_. + + * * * * * + + +LORD MELBOURNE'S LETTER-BAG. + +The Augean task of cleansing the Treasury has commenced, and brooms and +scrubbing-brushes are at a premium--a little anticipative, it is true, of +the approaching turn-out; but the dilatory idleness and muddle-headed +confusion of those who will soon be termed its late occupiers, rendered +this a work of absolute time and labour. That the change in office had long +been expected, is evident from the number of hoards discovered, which the +unfortunate _employés_ had saved up against the rainy day arrived. The +routing-out of this conglomeration was only equalled in trouble by the +removal of the birdlime with which the various benches were covered, and +which adhered with most pertinacious obstinacy, in spite of every effort to +get rid of it. From one of the wicker baskets used for the purpose of +receiving the torn-up letters and documents, the following papers were +extracted. We contrived to match the pieces together, and have succeeded +tolerably well in forming some connected epistles from the disjointed +fragments. We offer no comment, but allow them to speak for themselves. +They are selected at random from dozens of others, with which the poor man +must have been overwhelmed during the past two months:-- + + +1. + +MY LORD,--In the present critical state of your lordship's situation, it +behoves every lover of his country and her friends, to endeavour to +assuage, as much as possible, the awkward predicament in which your +lordship and colleagues will soon be thrown. My dining-rooms in +Broad-street, St. Giles's, have long been held in high estimation by my +customers, for + +[Illustration: BEEF A-LA-MODE;] + +and I can offer you an excellent basin of leg-of-beef soup, with bread and +potatoes, for threepence. Imitated by all, equalled by none. + +N.B. Please observe the address--Broad-street, St. Giles's. + + +2. + +A widow lady, superintendent of a boarding-house, in an airy and cheerful +part of Kentish Town, will be happy to receive Lord Melbourne as an inmate, +when an ungrateful nation shall have induced his retirement from office. +Her establishment is chiefly composed of single ladies, addicted to +backgammon, birds, and bible meetings, who would, nevertheless, feel +delighted in the society of a man of Lord Melbourne's acknowledged +gallantry. The dinner-table is particularly well furnished, and a rubber is +generally got up every evening, at which Lord M. could play long penny +points if he wished it. + +Address S.M., Post-office, Kentish Town. + + +3. + +Grosjean, Restaurateur, _Castle-street, Leicester-square_, a l'honneur de +prévenir Milord Melbourne qu'il se trouvera bien servi à son établissement. +Il peut commander un bon potage an choux, trois plats, avec pain à +discretion, et une pinte de demi-et-demi; enfin, il pourra parfaitement +avoir ses sacs soufflés[4] pour un schilling. La société est très +comme-il-faut, et on ne donne rien au garçon. + + [4] French idiom--"He will be well able to blow his bags + out!"--PUNCH, with the assistance of his friend in the + show--the foreign gentleman. + + +4. + +(Rose-coloured paper, scented. At first supposed to be from a lady of the +bedchamber, but contradicted by the sequel.) + +Flattering deceiver, and man of many loves, + +My fond heart still clings to your cherished memory. Why have I listened to +the honied silver of your seducing accents? Your adored image haunts me +night and day. How is the treasury?--can you still spare me ten shillings? +YOURS, + +AMANDA. + + +5. + +JOHN MARVAT respectfully begs to offer to the notice of Lord Melbourne his +Bachelor's Dispatch, or portable kitchen. It will roast, bake, boil, stew, +steam, melt butter, toast bread, and diffuse a genial warmth at one and the +same time, for the outlay of one halfpenny. It is peculiarly suited for +_lamb_, in any form, which requires delicate dressing, and is admirably +adapted for concocting mint-sauce, which delightful adjunct Lord Melbourne +may, ere long, find some little difficulty in procuring. + +High Holborn. + + +6. + +May it plese my Lord,--i have gest time to Rite and let you kno' wot a sad +plite we are inn, On account off your lordship's inwitayshun to queen +Wictory and Prince Allbut to come and Pick a bit with you, becos There is +nothink for them wen they comes, and the Kitchin-range is chok'd up with +the sut as has falln down the last fore yeers, and no poletry but too old +cox, which is two tuff to be agreerble; But, praps, we Can git sum cold +meet from the in, wot as bin left at the farmers' markut-dinner; and may I +ask you my lord without fear of your + +[Illustration: TAKING A FENCE] + +on the reseat of this To send down sum ham and beef to me--two pound will +be Enuff--or a quarter kitt off pickuld sammun, if you can git it, and I +wish you may; and sum german silver spoons, to complement prince Allbut +with; and, praps, as he and his missus knos they've come to Take pot-luck +like, they won't be patickler, and I think we had better order the beer +from the Jerry-shop, for owr own Is rayther hard, and the brooer says, that +a fore and a harf gallon, at sixpence A gallon, won't keep no Time, unless +it's drunk; and so we guv some to the man as brort the bushel of coles, and +he sed It only wanted another Hop, and then it woud have hopped into water; +and John is a-going to set some trimmers in The ditches to kitch some fish; +and, praps, if yure lordship comes, you may kitch sum too, from + +Yure obedient Humbl servent and housekeeper, + +MISSES RUMMIN. + + +7. + +MY LORD,--Probably your cellars will be full of choke-damp when the door is +opened, from long disuse and confined air. I have men, accustomed to +descend dangerous wells and shafts, who will undertake the job at a +moderate price. Should you labour under any temporary pecuniary +embarrassment in paying me, I shall be happy to take it out in your wine, +which I should think had been some years in bottle. Your Lordship's most +humble servant, + +RICHARD ROSE, + +Dealer in Marine Stores. + +Gray's-inn-lane. + + * * * * * + + +LAYS OF THE LAZY. + + I've wander'd on the distant shore, + I've braved the dangers of the deep, + I've very often pass'd the Nore-- + At Greenwich climb'd the well-known steep; + I've sometimes dined at Conduit House, + I've taken at Chalk Farm my tea, + I've at the Eagle talk'd with Rouse-- + But I have NOT _forgotten thee_! + + "I've stood amid the glittering throng" + Of mountebanks at Greenwich fair, + Where I have heard the Chinese gong + Filling, with brazen voice, the air. + I've join'd wild revellers at night-- + I've crouch'd beneath the old oak tree, + Wet through, and in a pretty plight, + But, oh! I've NOT _forgotten thee_! + + I've earn'd, at times, a pound a week-- + Alas! I'm earning nothing now; + Chalk scarcely shames my whiten'd cheek, + Grief has plough'd furrows in my brow. + I only get one meal a day, + And that one meal--oh, God!--my tea; + I'm wasting silently away, + But I have NOT _forgotten thee_! + + My days are drawing to their end-- + I've now, alas! no end in view; + I never had a real friend-- + I wear a worn-out black _surtout_, + My heart is darken'd o'er with woe, + My trousers whiten'd at the knee, + My boot forgets to hide my toe-- + But I have NOT _forgotten thee_! + + * * * * * + + +MATERNAL SOLICITUDE. + +The business habits of her gracious Majesty have long been the theme of +admiration with her loving subjects. A further proof of her attention to +general affairs, and consideration for the accidents of the future, has +occurred lately. The lodge at Frogmore, which was, during the lifetime of +Queen Charlotte, an out-of-town nursery for little highnesses, has been +constructed (by command of the Queen) into a Royal Eccalleobion for a +similar purpose. + +[Illustration: FAMILIES SUPPLIED.] + + * * * * * + + +WIT WITHOUT MONEY: + +OR, HOW TO LIVE UPON NOTHING. + +BY VAMPYRE HORSELEECH, ESQ + + +CHAPTER II. + +"A clever fellow, that Horseleech!" "When Vampyre is once drawn out, what a +great creature it is!" These, and similar ecstatic eulogiums, have I +frequently heard murmured forth from muzzy mouths into tinged and tingling +ears, as I have been leaving a company of choice spirits. There never was a +greater mistake. Horseleech, to be candid, far from being a clever fellow, +is one of the most barren rascals on record. Vampyre, whether drawn out or +held in, is a poor creature, not a great creature--opaque, not luminous--in +a word, by nature, a very dull dog indeed. + +But you see the necessity of appearing otherwise.--Hunger may be said to +be a moral Mechi, which invents a strop upon which the bluntest wits are +sharpened to admiration. Believe me, by industry and perseverance--which +necessity will inevitably superinduce--the most dreary dullard that ever +carried timber between his shoulders in the shape of a head, may speedily +convert himself into a seeming Sheridan--a substitutional Sydney Smith--a +second Sam Rogers, without the drawback of having written Jacqueline. + +Take it for granted that no professed diner-out ever possessed a particle +of native wit. His stock-in-trade, like that of Field-lane chapmen, is all +plunder. Not a joke issues from his mouth, but has shaken sides long since +quiescent. Whoso would be a diner-out must do likewise. + +The real diner-out is he whose card-rack or mantelpiece (I was going to say +groans, but) laughingly rejoices in respectful well-worded invitations to +luxuriously-appointed tables. I count not him, hapless wretch! as one who, +singling out "a friend," drops in just at pudding-time, and ravens horrible +remnants of last Tuesday's joint, cognizant of curses in the throat of his +host, and of intensest sable on the brows of his hostess. No struggle +there, on the part of the children, "to share the good man's knee;" but +protruded eyes, round as spectacles, and almost as large, fixed alternately +upon his flushed face and that absorbing epigastrium which is making their +miserable flesh-pot to wane most wretchedly. + +To be jocose is not the sole requisite of him who would fain be a universal +diner-out. Lively with the light--airy with the sparkling--brilliant with +the blithe, he must also be grave with the serious--heavy with the +profound--solemn with the stupid. He must be able to snivel with the +sentimental--to condole with the afflicted--to prove with the practical--to +be a theorist with the speculative. + +To be jocose is his most valuable acquisition. As there is a tradition that +birds may be caught by sprinkling salt upon their tails, so the best and +the most numerous dinners are secured by a judicious management of Attic +salt. + +I fear me that the works of Josephus, and of his imitators--of that Joseph +and his brethren, I mean, whom a friend of mine calls "_The_ Miller and his +men"--I fear me, I say, that these are well-nigh exhausted. Yet I have +known very ancient jokes turned with advantage, so as to look almost equal +to new. But this requires long practice, ere the final skill be attained. + +Etherege, Sedley, Wycherley, and Vanbrugh are very little read, and were +pretty fellows in their day; I think they may be safely consulted, and +rendered available. But, have a care. Be sure you mingle some of your own +dulness with their brighter matter, or you will overshoot the mark. You +will be too witty--a fatal error. True wits eat no dinners, save of their +own providing; and, depend upon it, it is not their wit that will +now-a-days get them their dinner. True wits are feared, not fed. + +When you tell an anecdote, never ascribe it to a man well known. The time +is gone by for dwelling upon--"Dean Swift said"--"Quin, the actor, +remarked"--"The facetious Foote was once"--"That reminds me of what +Sheridan"--"Ha! ha! Sydney Smith was dining the other day with"--and the +like. Your ha! ha!--especially should it precede the name of Sam +Rogers--would inevitably cost you a hecatomb of dinners. It would be +changed into oh! oh! too surely, and too soon. _Verbum sat_. + +I would have you be careful to _sort_ your pleasantries. Your soup jokes +(never hazard that one about Marshal _Turenne_, it is really _too_ +ancient,) your fish, your flesh, your fowl jests--your side-shakers for the +side dishes--your puns for the pastry--your after-dinner excruciators. + +Sometimes, from negligence (but be not negligent) or ill-luck, which is +unavoidable, and attends the best directed efforts, you sit down to table +with your stock ill arranged or incomplete, or of an inferior quality. Your +object is to make men laugh. It must be done. I have known a pathetic +passage, quoted timely and with a happy emphasis from a popular novel--say, +"Alice, or the Mysteries"--I have known it, I say, do more execution upon +the congregated amount of midriff, than the best joke of the evening. +(There is one passage in that "thrilling" performance, where Alice, +overjoyed that her lover is restored to her, is represented as frisking +about him like a dog around his long-absent proprietor, which, whenever I +have taken it in hand, has been rewarded with the most vociferous and +gleesome laughter.) + +And this reminds me that I should say a word about laughers. I know not +whether it be prudent to come to terms with any man, however stentorian his +lungs, or flexible his facial organs, with a view to engage him as a +cachinnatory machine. A confederate may become a traitor--a rival he is +pretty certain of becoming. Besides, strive as you may, you can never +secure an altogether unexceptionable individual--one who will "go the whole +hyaena," and be at the same time the entire jackal. If he once start "lion" +on his own account, furnished with your original roar, with which you +yourself have supplied him, good-bye to your supremacy. "Farewell, my +trim-built wherry"--he is in the same boat only to capsise you. + + "And the first lion thinks the last a bore," + +and rightly so thinks. No; the best and safest plan is to work out your own +ends, independent of aid which at best is foreign, and is likely to be +formidable. + +I may perhaps resume this subject more at large at a future time. My space +at present is limited, but I feel I have hardly as yet entered upon the +subject. + + * * * * * + + +LAM(B)ENTATIONS. + + Ye banks and braes o' Buckingham, + How can ye bloom sae fresh and fair, + When I am on my latest legs, + And may not bask amang ye mair! + And you, sweet maids of honour,--come, + Come, darlings, let us jointly mourn, + For your old flame must now depart, + Depart, oh! never to return! + + Oft have I roam'd o'er Buckingham, + From room to room, from height to height; + It was such pleasant exercise, + And gave me _such_ an appetite! + Yes! when the _dinner-hour_ arrived, + For me they never had to wait, + I was the first to take my chair, + And spread my ample napkin straight. + + And if they did not quickly come, + After the dinner-bell had knoll'd, + I just ran up my _private stairs_, + To say the things were getting cold! + But now, farewell, ye pantry steams, + (The sweets of premiership to me), + Ye gravies, relishes, and creams, + Malmsey and Port, and Burgundy! + + Full well I mind the days gone by,-- + 'Twas nought but sleep, and wake, and dine; + Then _John_ and _Pal_ sang o' _their_ luck, + And fondly sae sang I o' mine! + But now, how sad the scene, and changed! + _Johnny_ and _Pal_ are glad nae mair! + Oh! banks and braes o' Buckingham! + How _can_ you bloom sae fresh and fair! + + * * * * * + + +CHELSEA. + +(From our own Correspondent.) + +This delightful watering-place is filling rapidly. The steam-boats bring +down hundreds every day, and in the evening take them all back again. Mr. +Jones has engaged a lodging for the week, and other families are spoken of. +A ball is also talked about; but it is not yet settled who is to give it, +nor where it is to be given. The promenading along the wooden pier is very +general at the leaving of the packets, and on their arrival a great number +of persons pass over it. There are whispers of a band being engaged for the +season; but, as there will not be room on the pier for more than one +musician, it has been suggested to negotiate with the talented artist who +plays the drum with his knee, the cymbals with his elbow, the triangle with +his shoulder, the bells with this head, and the Pan's pipes with his +mouth--thus uniting the powers of a full orchestra with the compactness of +an individual. An immense number of Margate slippers and donkeys have been +imported within the last few days, and there is every probability of this +pretty little peninsula becoming a formidable rival to the old-established +watering-places. + + * * * * * + + +THE DRAMA. + +FOREIGN AFFAIRS, + +OR, THE COURT OF QUEEN ANNE. + + +Perhaps it was the fashion at the court of Queen Anne, for young gentlemen +who had attained the age of sixteen to marry and be given in marriage. At +all events, some conjecture of the sort is necessary to make the plot of +the piece we are noticing somewhat probable--that being the precise +circumstance upon which it hinges. The _Count St. Louis_, a youthful +_attaché_ of the French embassy, becomes attached, by a marriage contract, +to _Lady Bell_, a maid of honour to Queen Anne. The husband at sixteen, of +a wife quite nineteen, would, according to the natural course of things, be +very considerably hen-pecked; and _St. Louis_, foreseeing this, determines +to begin. Well, he insists upon having "article five" of the marriage +contract cancelled; for, by this stipulation, he is to be separated from +his wife, on the evening of the ceremony (which fast approaches), for five +years. He storms, swears, and is laughed at; somebody sends him a wedding +present of sugar-plums--everybody calls him a boy, and makes merry at his +expense--the wife treats him with contempt, and plays the scornful. The +hobble-de-hoy husband, fired with indignation, determines to prove himself +a man. + +At the court of Queen Anne this seems to have been an easy matter. _St. +Louis_ writes love-letters to several maids of honour and to a citizen's +wife, finishing the first act by invading the private apartments of the +maiden ladies belonging to the court of the chaste Queen Anne. + +The second act discovers him confined to his apartments by order of the +Queen, having amused himself, while the intrigues begun by the love-letters +are hatching, by running into debt, and being surrounded by duns. The +intrigues are not long in coming to a head, for two ladies visit him +separately in secret, and allow themselves to be hid in those never-failing +adjuncts to a piece of dramatic intrigue--a couple of closets, which are +used exactly in the same manner in "Foreign Affairs," as in all the farces +within the memory of man--_ex. gr._:--The hero is alone; one lady enters +cautiously. A tender interchange of sentiment ensues--a noise is heard, and +the lady screams. "Ah! that closet!" Into which exit lady. Then enter lady +No. 2. A second interchange of tender things--another noise behind. "No +escape?" "None! and yet, happy thought, that closet." Exit lady No. 2, into +closet No. 2. + +This is exactly as it happens in "Foreign Affairs." The second noise is +made by the husband of one of the concealed ladies, and the lover of the +other. Here, out of the old "closet" materials, the dramatist has worked up +one of the best situations--to use an actor's word--we ever remember to +have witnessed. It cannot be described; but it is really worth all the +money to go and see it. Let our readers do so. The "Affairs" end by the boy +fighting a couple of duels with the injured men; and thus, crowning the +proof of his manhood, gets his wife to tolerate--to love him. + +The piece was, as it deserved to be, highly successful; it was admirably +acted by Mr. Webster as one of the injured lovers--Mr. Strickland and Mrs. +Stirling, as a vulgar citizen and citizeness--by Miss P. Horton as _Lady +Bell_--and even by a Mr. Clarke, who played a very small part--that of a +barber--with great skill. Lastly, Madlle. Celeste, as the hero, acquitted +herself to admiration. We suppose the farce is called "Foreign Affairs" out +of compliment to this lady, who is the only "Foreign Affair" we could +discover in the whole piece, if we except that it is translated from the +French, which is, strictly, an affair of the author's. + + * * * * * + + +MARY CLIFFORD. + +If, dear readers, you have a taste for refined morality and delicate +sentiment, for chaste acting and spirited dialogue, for scenery painted on +the spot, but like nothing in nature except canvas and colour--go to the +Victoria and see "Mary Clifford." It may, perhaps, startle you to learn +that the incidents are faithfully copied from the "Newgate Calendar," and +that the subject is Mother Brownrigg of apprentice-killing notoriety; but +be not alarmed, there is nothing horrible or revolting in the drama--it is +merely laughable. + +"Mary Clifford, or the foundling apprentice girl," is very appropriately +introduced to the auditor, first outside the gates of that "noble +charity-school," taking leave of some of her accidental companions. Here +sympathy is first awakened. Mary is just going out to "place," and instead +of saying "good bye," which we have been led to believe is the usual form +of farewell amongst charity-girls, she sings a song with such heart-rending +expression, that everybody cries except the musicians and the audience. To +assist in this lachrymose operation, the girls on the stage are supplied +with clean white aprons--time out mind a charity-girl's +pocket-handkerchief. In the next scene we are introduced to Mr. and Mrs. +Brownrigg's domestic arrangements, and are made acquainted with their +private characters--a fine stroke of policy on the part of the author; for +one naturally pities a poor girl who can sing so nicely, and can get the +corners of so many white aprons wetted on leaving her last place, when one +sees into whose hands she is going to fall. The fact is, the whole family +are people of taste--peculiar, to be sure, and not refined. Mrs. B. has a +taste for starving apprentices--her son, Mr. Jolin B., for seducing +them--and Mr. B. longs only for a quiet life, a pot of porter, and a pipe. +Into the bosom of this amiable family Mary Clifford enters; and we tremble +for her virtue and her meals! not, alas, in vain, for Mr. John is not slow +in commencing his gallantries, which are exceedingly offensive to Mary, +seeing that she has already formed a liaison with a school-fellow, one +William Clipson, who happily resides at the very next door with a baker. +During the struggles that ensue she calls upon her "heart's master," the +journeyman baker. But there is another and more terrible invocation. In +classic plays they invoke "the gods"--in Catholic I ones, "the saints"--the +stage Arab appeals to "Allah"--the light comedian swears "by the lord +Harry"--but _Mary Clifford_ adds a new and impressive invocative to the +list. When young Brownrigg attempts to kiss, or his mother to flog her, she +casts her eyes upward, kneels, and placing her hands together in an +attitude of prayer, solemnly calls upon--"the governors of the Foundling +Hospital!!" Nothing can exceed the terrific effect this seems to produce +upon her persecutors! They release her instantly--they slink back abashed +and trembling--they hide their diminished heads, and leave their victim a +clear stage for a soliloquy or a song. + +We really _must_ stop here, to point out to dramatic authors the importance +of this novel form of conjuration. When the history of Fauntleroy comes to +be dramatised, the lover will, of course, be a banker's clerk: in the +depths of distress and despair into which he will have to be plunged, a +prayer-like appeal to "the Governor and Company of the Bank of England," +will, most assuredly, draw tears from the most insensible audience. The old +exclamations of "Gracious powers!"--"Great heavens!"--"By heaven, I swear!" +&c. &c., may now be abandoned; and, after "Mary Clifford," Bob Acres' +tasteful system of swearing may not only be safely introduced into the +tragic drama, but considerably augmented. + +But to return. Dreading lest Miss Mary should really "go and tell" the +illustrious governors, she is kept a close prisoner, and finishes the first +act by a conspiracy with a fellow-apprentice, and an attempt to escape. + +Mr. Brownrigg, we are informed, carried on business at No. 12, Fetter-lane, +in the oil, paint, pickles, vinegar, plumbing, glazing, and pepper-line; +and, in the next act, a correct view is exhibited of the exterior of his +shop, painted, we are told, from the most indisputable authorities of the +time. Here, in Fetter, lane, the romance of the tale begins:--A lady +enters, who, being of a communicative disposition, begins, unasked, +unquestioned, to tell the audience a story--how that she married in early +life--that her husband was pressed to sea a day or two after the +wedding--that she in due time became a mother, and (affectionate creature!) +left the dear little pledge at the door of the Foundling Hospital. That was +sixteen years ago. Since then fortune has smiled, and she wants her baby +back again; but on going to the hospital, says, that they informed her that +her daughter has been just "put apprentice" in the very house before which +she tells the story--part of it as great a fib as ever was told; for +children once inside the walls of that "noble charity," never know who left +them there; and any attempt to find each other out, by parent or child, is +punished with the instant withdrawal of the omnipotent protection of the +awful "governors." This lady, who bears all the romance of the piece upon +her own shoulders, expects to meet her long-lost husband at the Ship, in +Wapping, and instead of seeking her daughter, repairs thither, having done +all the author required, by emptying her budget of fibs. + +The next scene is harrowing in the extreme. The bills describe it as _Mrs. +Brownrigg's_ "wash-house, kitchen, and skylight"--the sky-light forming a +most impressive object. Poor _Mary Clifford_ is chained to the floor, her +face begrimed, her dress in rags, and herself exceedingly hungry. Here the +heroine describes the weakness of her body with energy and stentorian +eloquence, but is interrupted by _Mr. Clipson_, whose face appears framed +and glazed in the broken sky-light. A pathetic dialogue ensues, and the +lover swears he will rescue his mistress, or "perish in the attempt," +"calling upon Mr. Owen, the parish overseer," to make known her sufferings. +The Ship, in Wapping, is next shown; and _Toby Bensling_, alias _Richard +Clifford_, enters to inform his hearers that he is the missing father of +the injured foundling, and has that moment stepped ashore, after a short +voyage, lasting sixteen years! He is on his way to the "Admiralty," to +receive some pay--the more particularly, we imagine, as they always pay +sailors at Somerset House--and _then_ to look after his wife. But she saves +him the trouble by entering with _Mr. William Clipson_. The usual "Whom do +I see?"--"Can it be?"--"After so long an absence!" &c. &c., having been +duly uttered and begged to, they all go to see after _Mary_, find her in a +cupboard in Mrs. B.'s back-parlour, and--the act-drop falls. + +We must confess we approach a description of the third act with diffidence. +Such intense pathos, we feel, demands words of more sombre sound--ink of a +darker hue, than we can command. The third scene is, in particular, too +extravagantly touching for ordinary nerves to witness. _Mary Clifford_ is +in bed--French bedstead (especially selected, perhaps, because such things +were not thought of in the days of Mother Brownrigg) stands exactly in the +middle of the stage--a chest of drawers is placed behind, and a table on +each side, to balance the picture. The lover leans over the head, the +mother sits at the foot, the father stands at the side: _Mary Clifford_ is +insane, with lucid intervals, and is, moreover, dying. The consequence is, +she has all the talk to herself, which consists of a discourse concerning +the great "governors," her cruel mistress, and her naughty young master, +interlarded with insane ejaculations, always considered stage property, +such as, "Ah, she comes!" "Nay, strike me not--I am guiltless!" Again, +"Villain! what do you take me for?--unhand me!" and all that. Then the +dying part comes, and she sees an angel in the flies, and informs it that +she is coming soon (here it is usual for a lady to be removed from the +gallery in strong hysterics), and keeps her word by letting her arm fall +upon the bed-clothes and shutting her eyes, whereupon somebody says that +she is dead, and the prompter whistles for the scene to be changed. + +In the last scene, criminal justice takes its course. _Mrs. Brownrigg_, +having been sentenced to the gallows, is seen in the condemned cell; her +son by her side, and the fatal cart in the back-ground. Having been brought +up genteelly, she declines the mode of conveyance provided for her journey +to Tyburn with the utmost volubility. Being about to be hanged merely does +not seem to affect her so poignantly as the disgraceful "drag" she is +doomed to take her last journey in. She swoons at the idea; and the curtain +falls to end her wicked career, and the sufferings of an innocent audience. + + * * * * * + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +1, August 21, 1841, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 14924-8.txt or 14924-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/9/2/14924/ + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/14924-8.zip b/14924-8.zip Binary files differnew file mode 100644 index 0000000..2cf01d1 --- /dev/null +++ b/14924-8.zip diff --git a/14924-h.zip b/14924-h.zip Binary files differnew file mode 100644 index 0000000..fdadf75 --- /dev/null +++ b/14924-h.zip diff --git a/14924-h/14924-h.htm b/14924-h/14924-h.htm new file mode 100644 index 0000000..5a88a93 --- /dev/null +++ b/14924-h/14924-h.htm @@ -0,0 +1,2582 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta name="generator" content= +"HTML Tidy for Mac OS X (vers 1st August 2004), see www.w3.org" /> +<meta http-equiv="content-type" content= +"text/html; charset=us-ascii" /> +<title>Punch, or the London Charivari. August 21, 1841.</title> + +<style type="text/css"> +/*<![CDATA[*/ + +<!-- + body {margin-left: 10%; margin-right: 15%;} + p {text-align: justify;} + blockquote {text-align: justify;} + h1,h2,h3,h4,h5,h6 {text-align: center;} + pre {font-size: 0.7em;} + + hr {text-align: center; width: 50%;} + html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;} + ul {list-style-type:none;} + .note {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + + span.pagenum + {position: absolute; left: 1%; right: 91%; font-size: 8pt;} + + .poem + {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 1em;} + .poem p.i4 {margin-left: 2em;} + .poem p.i6 {margin-left: 3em;} + .poem p.i8 {margin-left:4em;} + .poem p.i10 {margin-left:5em;} + p.cen {text-align:center;} + p.rgt {text-align:right;} + + .figure, .figcenter, .figright, .figleft {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;} +.figure img, .figcenter img, .figright img, .figleft img {border: none;} +.figure p, .figcenter p, .figright p, .figleft p {margin: 0; text-indent: 1em;} +.figcenter>p {text-align:center;} +.figcenter {margin: auto;} +.figright {float: right; width:25%;} +.figleft, .dropcap {float: left;width:25%;} + span.sidenote {position: absolute; right: 1%; left: 87%; font-size: .7em;text-align:left;text-indent:0em;} + sup{font-size:.7em;} + span.sc {font-variant:small-caps;} + span.emph {font-size:125%;font-weight:bolder;} + a:link{text-decoration:none;} +.hide {display: none;} + --> +/*]]>*/ +</style> +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 1, +August 21, 1841, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 1, August 21, 1841 + +Author: Various + +Release Date: February 7, 2005 [EBook #14924] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + + + + + +</pre> + +<h1>PUNCH,<br /> +OR THE LONDON CHARIVARI.</h1> +<h2>VOL. 1.</h2> +<hr class="full" /> +<span class="pagenum"><a id="page61" name="page61"></a>[pg +61]</span> +<h2>AUGUST 21, 1841.</h2> +<hr class="full" /> +<h2>THE WIFE-CATCHERS.</h2> +<h3>A LEGEND OF MY UNCLE’S BOOTS.</h3> +<h4><em>In Four Chapters.</em></h4> +<h3>CHAPTER IV.</h3> +<div class="dropcap"><a href="images/006-01.png"><img src= +"images/006-01.png" alt="A man in stocks forms the letter T" id= +"img006-01" name="img006-01" width="100%" /></a></div> +<p><span class="hide">T</span>he conversation now subsided into +“private and confidential” whispers, from which I could +learn that Miss O’Brannigan had consented to quit her +father’s halls with Terence that very night, and, before the +priest, to become his true and lawful wife.</p> +<p>It had been previously understood that those of the guests who +lived at a distance from the lodge should sleep there that night. +Nothing could have been more favourable for the designs of the +lovers; and it was arranged between them, that Miss Biddy was to +steal from her chamber into the yard, at daybreak, and apprise her +lover of her presence by flinging a handful of gravel against his +window. Terence’s horse was warranted to carry double, and +the lady had taken the precaution to secure the key of the stable +where he was placed.</p> +<p>It was long after midnight before the company began to +separate;—cloaks, shawls, and tippets were called for; a jug +of punch of extra strength was compounded, and a <em>doch an +dhurris</em><sup>1</sup><span class="sidenote">1. A drink at the +door;—a farewell cup.</span> of the steaming beverage +administered to every individual before they were permitted to +depart. At length the house was cleared of its guests, with the +exception of those who were to remain and take beds there. Amongst +the number were the haberdasher and your uncle. The latter was +shown into a chamber in which a pleasant turf fire was burning on +the hearth.</p> +<p>Although Terence’s mind was full of sweet anticipations +and visions of future grandeur, he could not avoid feeling a +disagreeable sensation arising from the soaked state of his boots; +and calculating that it still wanted three or four hours of +daybreak, he resolved to have us dry and comfortable for his +morning’s adventure. With this intention he drew us off, and +placed us on the hearth before the fire, and threw himself on the +bed—not to sleep—he would sooner have committed +suicide—but to meditate upon the charms of Miss Biddy and her +thousand pounds.</p> +<p>But our strongest resolutions are overthrown by +circumstances—the ducking, the dancing, and the +<em>potteen</em>, had so exhausted Terence, that he unconsciously +shut, first, one eye, then the other, and, finally, he fell fast +asleep, and dreamed of running away with the heiress on his back, +through a shaking bog, in which he sank up to the middle at every +step. His vision was, however, suddenly dispelled by a smart rattle +against his window. A moment was sufficient to recall him to his +senses—he knew it was Miss Biddy’s signal, and, jumping +from the bed, drew back the cotton window-curtains and peered +earnestly out: but though the day had begun to break, it was still +too dark to enable him to distinguish any person on the lawn. In a +violent hurry he seized on your humble servant, and endeavoured to +draw me on; but, alas! the heat of the fire had so shrank me from +my natural dimensions, that he might as well have attempted to +introduce his leg and foot into an eel-skin. Flinging me in a rage +to the further corner of the room, he essayed to thrust his foot +into my companion, which had been reduced to the same shrunken +state as myself. In vain he tugged, swore, and strained; first with +one, and then with another, until the stitches in our sides grinned +with perfect torture; the perspiration rolled down his +forehead—his eyes were staring, his teeth set, and every +nerve in his body was quivering with his exertions—but still +he could not force us on.</p> +<p>“What’s to be done!” he ejaculated in +despairing accents. A bright thought struck him suddenly, that he +might find a pair of boots belonging to some of the other visitors, +with which he might make free on so pressing an emergency. It was +but sending them back, with an apology for the mistake, on the +following day. With this idea he sallied from his room, and groped +his way down stairs to find the scullery, where he knew the boots +were deposited by the servant at night. This scullery was detached +from the main building, and to reach it it was necessary to cross +an angle of the yard. Terence cautiously undid the bolts and +fastenings of the back door, and was stealthily picking his steps +over the rough stones of the yard, when he was startled by a fierce +roar behind him, and at the same moment the teeth of Towser, the +great watch-dog, were fastened in his nether garments. Though very +much alarmed, he concealed his feelings, and presuming on a slight +previous intimacy with his assailant, he addressed him in a most +familiar manner, calling him “poor fellow” and +“old Towser,” explained to him the ungentlemanly +liberty he was taking with his buckskins, and requested him to let +go his hold, as he had quite enough of that sport. Towser was, +however, not to be talked out of his private notions; he foully +suspected your uncle of being on no good design, and replied to +every remonstrance he made with a growl and a shake, that left no +doubt he would resort to more vigorous measures in case of +opposition. Afraid or ashamed to call for help, Terence was kept in +this disagreeable state, nearly frozen to death with cold and +trembling with terror, until the morning was considerably advanced, +when he was discovered by some of the servants, who released him +from the guardianship of his surly captor. Without waiting to +account for the extraordinary circumstances in which he had been +found, he bolted into the house, rushed up to his bed-chamber, and, +locking the door, threw himself into a chair, overwhelmed with +shame and vexation.</p> +<p>But poor Terence’s troubles were not half over. The +beautiful heiress, after having discharged several volleys of sand +and small pebbles against his window without effect, was returning +to her chamber, swelling with indignation, when she was encountered +on the stairs by Tibbins, who, no doubt prompted by the demon of +jealousy, had been watching her movements. He could not have chosen +a more favourable moment to plead his suit; her mortified vanity, +and her anger at what she deemed the culpable indifference of her +lover, made her eager to be revenged on him. It required, +therefore, little persuasion to obtain her consent to elope with +the haberdasher. The key of the stable was in her pocket, and in +less than ten minutes she was sitting beside him in his gig, taking +the shortest road to the priest’s.</p> +<p>I cannot attempt to describe the rage that Terence flew into, as +soon as he learned the trick he had been served; he vowed to be the +death of Tibbins, and it is probable he would have carried his +threat into effect, if the haberdasher had not prudently kept out +of his way until his anger had grown cool.</p> +<p>“So,” said I, addressing the narrator, “you +lost the opportunity of figuring at Miss Biddy’s +wedding?”</p> +<p>“Yes,” replied the ‘wife-catcher;’ +“but Terence soon retrieved his credit, for in less than +three months after his disappointment with the heiress, we were +legging it as his wedding with Miss Debby Doolan, a greater fortune +and a prettier girl than the one he had lost: and, by-the-bye, that +reminds me of a funny scene which took place when the bride came to +throw the stocking—hoo! hoo! hoo! hoo!”</p> +<p>Here my friends, the boots, burst into a long and loud fit of +laughter; while I, ignorant of the cause of their mirth, looked +gravely on, wondering when it would subside. Instead, however, of +their laughter lessening, the cachinnations became so violent that +I began to feel seriously alarmed.</p> +<p>“My dear friends!” said I.</p> +<p>“Hoo! hoo! hoo! hoo! hoo!” shouted the pair.</p> +<p>“This excessive mirth may be dangerous”—</p> +<p>A peal of laughter shook their leathern sides, and they rolled +from side to side on their chair. Fearful of their falling, I put +out my hand to support them, when a sense of acute pain made me +suddenly withdraw it. I started, opened my eyes, and discovered +that I had laid hold of the burning remains of the renowned +“wife-catchers,” which I had in my sleep placed upon +the fire.</p> +<p>As I gazed mournfully upon the smoking relics of the ancient +allies of our house, I resolved to record this strange adventure; +but you know I never had much taste for writing, Jack, so I now +confide the task to you. As he concluded, my uncle raised his +tumbler to his lips, and I could perceive a tear sparkling in his +eye—a genuine tribute of regard to the memory of the +venerated “<em>Wife Catchers</em>.”</p> +<hr /> +<h3>CORRESPONDENCE EXTRAORDINARY.</h3> +<div class="poem"> +<div class="stanza"> +<p>Wrote Paget to Pollen,</p> +<p class="i2">With face bright as brass,</p> +<p>“T’other day in the Town Hall</p> +<p class="i2">You mention’d an ass:</p> +</div> +<div class="stanza"> +<p>“Now, for family reasons,</p> +<p class="i2">I’d like much to know,</p> +<p>If on me you intended</p> +<p class="i2">That name to bestow?”</p> +</div> +<div class="stanza"> +<p>“My lord,” says Jack Pollen,</p> +<p class="i2">“Believe me, (’tis true,)</p> +<p>I’d be sorry to slander</p> +<p class="i2">A donkey or you.”</p> +</div> +<div class="stanza"> +<p>“Being grateful,” says Paget,</p> +<p class="i2">“I’d ask you to lunch;</p> +<p>But just, Sir John, tell me.</p> +<p class="i2">Did you call me PUNCH?”</p> +</div> +<div class="stanza"> +<p>“In wit, PUNCH is equalled,”</p> +<p class="i2">Says Pollen, “by few;</p> +<p>In naming him, therefore,</p> +<p class="i2">I couldn’t mean you,”</p> +</div> +<div class="stanza"> +<p>“Thanks! thanks! To bear malice,”</p> +<p class="i2">Save Paget, “I’m loath;</p> +<p>Two answers I’ve got, and I’m</p> +<p class="i2">Charm’d with them both.”</p> +</div> +</div> +<hr /> +<h3>EPIGRAMS.</h3> +<h4>1.—THE CAUSE.</h4> +<div class="poem"> +<div class="stanza"> +<p>Lisette has lost her wanton wiles—</p> +<p class="i2">What secret care consumes her youth,</p> +<p>And circumscribes her smiles?—</p> +<p class="i2"><em>A spec on a front tooth!</em></p> +</div> +</div> +<h4>2.—PRIDE.</h4> +<div class="poem"> +<div class="stanza"> +<p>Fitzsmall, who drinks with knights and lords,</p> +<p class="i2">To steal a share of notoriety,</p> +<p>Will tell you, in important words,</p> +<p class="i2">He <em>mixes</em> in the best society.</p> +</div> +</div> +<hr /> +<h3>ENGLISH AND AMERICAN PRODUCE.</h3> +<p>We find, by the <em>Times</em> of Saturday, the British +<em>teasel</em> crops in the parish of Melksham have fallen +entirely to the ground, and from their appearance denote a complete +failure. Another paragraph in the same paper speaks quite as +discouragingly of the appearance of the American <em>Teazle</em> at +the Haymarket.</p> +<hr class="full" /> +<span class="pagenum"><a id="page62" name="page62"></a>[pg +62]</span> +<h2>NURSERY EDUCATION REPORT.—No. 2.</h2> +<h3>THE ROYAL RHYTHMICAL ALPHABET,</h3> +<h4><em>To be said or sung by the Infant Princess.</em></h4> +<table summary="Royal Alphabet"> +<tr> +<td width="40%"><a href="images/006-02.png"><img src= +"images/006-02.png" alt="A gentleman attacks another man." id= +"img006-02" name="img006-02" width="100%" /></a></td> +<td><span class="emph">A</span> stands for <span class= +"sc">Aristocracy</span>, a thing I should admire;</td> +</tr> +<tr> +<td><a href="images/006-03.png"><img src="images/006-03.png" alt= +"A bishop eats a suckling pig." id="img006-03" name="img006-03" +width="100%" /></a></td> +<td><span class="emph">B</span> stands for a <span class= +"sc">Bishop</span>, who is clothed in soft attire;</td> +</tr> +<tr> +<td><a href="images/006-04.png"><img src="images/006-04.png" alt= +"A group of people seated around a table that is in a cabinet." id= +"img006-04" name="img006-04" width="100%" /></a></td> +<td><span class="emph">C</span> beginneth <span class= +"sc">Cabinet</span>, where Mamma keeps her <em>tools</em>;</td> +</tr> +<tr> +<td><a href="images/006-05.png"><img src="images/006-05.png" alt= +"A man in a clown hat hands something to another man in a clown hat." +id="img006-05" name="img006-05" width="100%" /></a></td> +<td><span class="emph">D</span> doth stand for <span class= +"sc">Downing-street</span>, the “Paradise of +Fools;”</td> +</tr> +<tr> +<td><a href="images/006-06.png"><img src="images/006-06.png" alt= +"A guard pulls a lion in a toy wagon." id="img006-06" name= +"img006-06" width="100%" /></a></td> +<td><span class="emph">E</span> beginneth <span class= +"sc">England</span>, that granteth the supplies;</td> +</tr> +<tr> +<td><a href="images/006-07.png"><img src="images/006-07.png" alt= +"An orchestra." id="img006-07" name="img006-07" width= +"100%" /></a></td> +<td><span class="emph">F</span> doth stand for <span class= +"sc">Foreigners</span>, whom I should patronize;</td> +</tr> +<tr> +<td><a href="images/006-08.png"><img src="images/006-08.png" alt= +"Two politicians offer PUNCH a bag of money for his vote." id= +"img006-08" name="img006-08" width="100%" /></a></td> +<td><span class="emph">G</span> doth stand for <span class= +"sc">Gold</span>—good gold!—for which man freedom +barters;</td> +</tr> +<tr> +<td><a href="images/006-09.png"><img src="images/006-09.png" alt= +"A fat snooty fellow walks from a fancy carriage into a door marked 'Lords.'" +id="img006-09" name="img006-09" width="100%" /></a></td> +<td><span class="emph">H</span> beginneth <span class= +"sc">Honors</span>—that is, ribbons, stars, and garters;</td> +</tr> +<tr> +<td><a href="images/006-10.png"><img src="images/006-10.png" alt= +"A parasol with money bags hanging from it." id="img006-10" name= +"img006-10" width="100%" /></a></td> +<td><span class="emph">I</span> stands for my <span class= +"sc">Income</span> (several thousand pounds per ann.);</td> +</tr> +<tr> +<td><a href="images/006-11.png"><img src="images/006-11.png" alt= +"A man plays with a baby while his pockets are being picked." id= +"img006-11" name="img006-11" width="100%" /></a></td> +<td><span class="emph">J</span> stands for <span class="sc">Johnny +Bull</span>, a soft and easy kind of man;</td> +</tr> +<tr> +<td><a href="images/006-12.png"><img src="images/006-12.png" alt= +"A king-puppet is being worked by a right hand." id="img006-12" +name="img006-12" width="100%" /></a></td> +<td><span class="emph">K</span> beginneth <span class= +"sc">King</span>, who rules the land by “right +divine;”</td> +</tr> +<tr> +<td><a href="images/006-13.png"><img src="images/006-13.png" alt= +"A woman courtier tries to feed a screaming princess while in a curtsey." +id="img006-13" name="img006-13" width="100%" /></a></td> +<td><span class="emph">L</span>’s for <span class="sc">Mrs. +Lilly</span>, who was once a nurse of mine.</td> +</tr> +<tr> +<td><a href="images/006-14.png"><img src="images/006-14.png" alt= +"A man bastes a spit of meat." id="img006-14" name="img006-14" +width="100%" /></a></td> +<td><span class="emph">M</span> beginneth <span class= +"sc">Melbourne</span>, who rules <em>the roast</em> and State;</td> +</tr> +<tr> +<td><a href="images/006-15.png"><img src="images/006-15.png" alt= +"Two smoking men wearing tophats try to pull a door knocker off of a door." +id="img006-15" name="img006-15" width="100%" /></a></td> +<td><span class="emph">N</span> stands for a <span class= +"sc">Nobleman</span>, who’s <em>always</em> good and +great.</td> +</tr> +<tr> +<td><a href="images/006-16.png"><img src="images/006-16.png" alt= +"A woman dances on a stage." id="img006-16" name="img006-16" width= +"100%" /></a></td> +<td><span class="emph">O</span> is for the <span class= +"sc">Opera</span>, that I should only grace;</td> +</tr> +<tr> +<td><a href="images/006-17.png"><img src="images/006-17.png" alt= +"A man throws money to a group of men in robes." id="img006-17" +name="img006-17" width="100%" /></a></td> +<td><span class="emph">P</span> stands for the <span class= +"sc">Pension List,</span> for “servants out of +place.”</td> +</tr> +<tr> +<td><a href="images/006-18.png"><img src="images/006-18.png" alt= +"A man carrying a box marked 'RENT' faces away while a uniformed man takes something from it." +id="img006-18" name="img006-18" width="100%" /></a></td> +<td><span class="emph">Q</span>’s the <span class= +"sc">Quarter’s Salary</span>, for which true patriots +long;</td> +</tr> +<tr> +<td><a href="images/006-19.png"><img src="images/006-19.png" alt= +"A woman leads a group of girls in a flag-waving musical." id= +"img006-19" name="img006-19" width="100%" /></a></td> +<td><span class="emph">R</span>’s for <span class="sc">Mrs. +Ratsey</span>, who taught <em>me</em> this pretty song;</td> +</tr> +<tr> +<td><a href="images/006-20.png"><img src="images/006-20.png" alt= +"A pipe blows a big bubble." id="img006-20" name="img006-20" width= +"100%" /></a></td> +<td><span class="emph">S</span> stands for the <span class= +"sc">Speech</span>, which Mummy learns to say;</td> +</tr> +<tr> +<td><a href="images/006-21.png"><img src="images/006-21.png" alt= +"A man holds another man upside down by the ankles and makes all of his pocket money fall out." +id="img006-21" name="img006-21" width="100%" /></a></td> +<td><span class="emph">T</span> doth stand for <span class= +"sc">Taxes</span>, which the people ought to pay;</td> +</tr> +<tr> +<td><a href="images/006-22.png"><img src="images/006-22.png" alt= +"A three-headed dog guards a door marked 'UNION'." id="img006-22" +name="img006-22" width="100%" /></a></td> +<td><span class="emph">U</span>’s for the <span class= +"sc">Union Work-house</span>, which horrid paupers shun;</td> +</tr> +<tr> +<td><a href="images/006-23.png"><img src="images/006-23.png" alt= +"A coin with Victoria's profile." id="img006-23" name="img006-23" +width="100%" /></a></td> +<td><span class="emph">V</span> is for <span class= +"sc">Victoria</span>, “the Bess of forty-one;”</td> +</tr> +<tr> +<td><a href="images/006-24.png"><img src="images/006-24.png" alt= +"A skelton in military uniform lights a cannon and wields a sword." +id="img006-24" name="img006-24" width="100%" /></a></td> +<td><span class="emph">W</span> stands for <span class= +"sc">War</span>, the “noble game” which Monarchs +play;</td> +</tr> +<tr> +<td><a href="images/006-25.png"><img src="images/006-25.png" alt= +"A man pours liquid from a watering can marked XXX into the waiting mouth of a flower." +id="img006-25" name="img006-25" width="100%" /></a></td> +<td><span class="emph">X</span> is for the <span class="sc">Treble +X</span>—Lilly drank three times a day;</td> +</tr> +<tr> +<td><a href="images/006-26.png"><img src="images/006-26.png" alt= +"A woman on a dias is surrounded by applauding courtiers." id= +"img006-26" name="img006-26" width="100%" /></a></td> +<td>And <span class="emph">Y Z</span>’s for the <span class= +"sc">Wise Heads</span>, who admire all I say.</td> +</tr> +</table> +<hr class="full" /> +<span class="pagenum"><a id="page63" name="page63"></a>[pg +63]</span> +<h2>THE GENTLEMAN’S OWN BOOK.</h2> +<h3>A COMPLETE ENCYCLOPÆDIA OF ALL THE REQUISITES, +DECORATIVE, EDUCATIONAL, AND RECREATIVE, FOR GENTILITY.</h3> +<h4>INTRODUCTION.</h4> +<p>A popular encyclopædia of the requisites for +gentility—a companion to the toilet, the <em>salons</em>, the +Queen’s Bench, the streets, and the police-stations, has long +been felt to be a desideratum by every one aspiring to +good-breeding. The few works which treat on the subject have all +become as obselete as “hot cockles” and +“crambo.” “The geste of King Horne,” the +“ΒΑΣΙΛΙΚΟΝ” +of King Jamie, “Peacham’s Complete Gentleman,” +“The Poesye of princelye Practice,” “Dame Juliana +Berners’ Book of St. Alban’s,” and “The +Jewel for Gentrie,” are now confined to bibliopoles and +bookstalls. Even more modern productions have shared the same fate. +“The Whole Duty of Man” has long been consigned to the +trunk-maker, “Chesterfield’s Letters” are now +dead letters, and the “Young Man” lights his cigar with +his “Best Companion.” It is true, that in lieu of +these, several works have emanated from the press, adapted to the +change of manners, and consequently admirably calculated to supply +their places. We need only instance “The Flash +Dictionary,” “The Book of Etiquette,” “A +Guide to the Kens and Cribs of London,” “The whole Art +of Tying the Cravat,” and “The Hand-book of +Boxing;” but it remains for us to remove the disadvantages +which attend the acquirement of each of these noble arts and +sciences in a detached form.</p> +<p>The possessor of an inquiring and genteel mind has now to wander +for his politeness to Paternoster-row<sup>2</sup><span class= +"sidenote">2. “Book of Etiquette.” Longman and +Co.</span>; to Pierce Egan, for his knowledge of men and manners; +and to Owen Swift, for his knightly accomplishments, and exercises +of chivalry.</p> +<p>We undertake to collect and condense these scattered radii into +one brilliant focus, so that a gentleman, by reading his “own +book,” may be made acquainted with the best means of +ornamenting his own, or disfiguring a policeman’s, +person—how to conduct himself at the dinner-table, or at the +bar of Bow-street—how to turn a compliment to a lady, or +carry on a chaff with a cabman.</p> +<p>These are high and noble objects! A wider field for social +elevation cannot well be imagined. Our plan embraces the +enlightenment and refinement of every scion of a noble house, and +all the junior clerks in the government offices—from the +happy recipient of an allowance of 50£ per month from +“the Governor,” to the dashing acceptor of a salary of +thirty shillings a week from a highly-respectable house in the +City—from the gentleman who occupies a suite of apartments in +the Clarendon, to the lodger in the three-pair back, in an +excessively back street at Somers Town.</p> +<p>With these incentives, we will proceed at once to our great and +glorious task, confident that our exertions will be appreciated, +and obtain for us an introduction into the best circles.</p> +<h4>PRELUDE.</h4> +<p>We trust that our polite readers will commence the perusal of +our pages with a pleasure equal to that which we feel in sitting +down to write them; for they call up welcome recollections of those +days (we are literary and seedy now!) when our coats emanated from +the laboratory of Stultz, our pantaloons from Buckmaster, and our +boots from Hoby, whilst our glossy beaver—now, alas! +supplanted by a rusty goss—was fabricated by no less a +thatcher than the illustrious Moore. They will remind us of our +Coryphean conquests at the Opera—our triumphs in Rotten +row—our dinners at Long’s and the Clarendon—our +nights at Offley’s and the watch-house—our glorious +runs with the Beaufort hounds, and our exhilarating runs from the +sheriffs’ officers—our month’s sporting on the +heathery moors, and our day rule when rusticating in the Bench!</p> +<p>We are in “the sear and yellow leaf”—there is +nothing green about us now! We have put down our seasoned hunter, +and have mounted the winged Pegasus. The brilliant Burgundy and +sparkling Hock no longer mantle in our glass; but Barclay’s +beer—nectar of gods and coalheavers—mixed with +hippocrene—the Muses’ “cold +without”—is at present our only beverage. The grouse +are by us undisturbed in their bloomy mountain covert. We are now +content to climb Parnassus and our garret stairs. The Albany, that +sanctuary of erring bachelors, with its guardian beadle, are to us +but memories, for we have become the denizens of a roomy attic +(ring the top bell twice), and are only saluted by an Hebe of +all-work and our printer’s devil!</p> +<p>ON DRESS IN GENERAL.—<em>L’habit fait le +moine</em>.—It has been laid down by Brummel, Bulwer, and +other great authorities, that “the tailor makes the +man;” and he would be the most daring of sceptics who would +endeavour to controvert this axiom. Your first duty, therefore, is +to place yourself in the hands of some distinguished schneider, and +from him take out your patent of gentility—for a man with an +“elegant coat” to his back is like a bill at sight +endorsed with a good name; whilst a seedy or ill-cut garment +resembles a protested note of hand labelled “No +effects.” It will also be necessary for you to consult +“The Monthly Book of Fashions,” and to imitate, as +closely as possible, those elegant and artistical productions of +the gifted <em>burin</em>, which show to perfection “What a +piece of work is man! How noble in reason! How infinite in +faculties!” &c.—You must not consult your own ease +and taste (if you have any), for nothing is so vulgar as to suit +your convenience in these matters, as you should remember that you +dress to please others, and not yourself. We have heard of some +eccentric individuals connected with noble families, who have +departed from this rule; but they invariably paid the penalty of +their rashness, being frequently mistaken for men of intellect; and +it should not be forgotten, that any exercise of the mind is a +species of labour utterly incompatible with the perfect man of +fashion.</p> +<p>The confiding characters of tailors being generally +acknowledged, it is almost needless to state, that the +<em>faintest</em> indication of seediness will be fatal to your +reputation; and as a presentation at the Insolvent Court is equally +fashionable with that of St. James, any squeamishness respecting +your inability to pay could only be looked upon as a want of moral +courage upon your part, and</p> +<div class="figcenter"><a href="images/006-27.png"><img src= +"images/006-27.png" alt= +"A nicely dressed man passes by a scarecrow." id="img006-27" name= +"img006-27" width="50%" /></a> +<p>UTTERLY UNWORTHY OF A GENTLEMAN.</p> +</div> +<p>[The subject of <em>dress in particular</em> will form the +subject of our next chapter.]</p> +<hr /> +<h3>IF I HAD A THOUSAND A-YEAR.</h3> +<h4>A BACHELOR’S LYRIC.</h4> +<div class="poem"> +<div class="stanza"> +<p>If I had a thousand a-year,</p> +<p class="i2">(How my heart at the bright vision glows!)</p> +<p>I should never be crusty or queer,</p> +<p class="i2">But all would be <em>couleur de rose</em>.</p> +<p>I’d pay all my debts, though <em>outré</em>,</p> +<p class="i2">And of duns and embarrassments clear,</p> +<p>Life would pass like a bright summer day,</p> +<p class="i2">If I had a thousand a-year.</p> +</div> +<div class="stanza"> +<p>I’d have such a spicy turn-out,</p> +<p class="i2">And a horse of such mettle and breed—</p> +<p>Whose points not a jockey should doubt,</p> +<p class="i2">When I put him at top of his speed.</p> +<p>On the foot-board, behind me to swing,</p> +<p class="i2">A tiger so small should appear,</p> +<p>All the nobs should protest “’twas the +thing!”</p> +<p class="i2">If I had a thousand a-year.</p> +</div> +<div class="stanza"> +<p>A villa I’d have near the Park,</p> +<p class="i2">From Town just an appetite-ride;</p> +<p>With fairy-like grounds, and a bark</p> +<p class="i2">O’er its miniature waters to glide.</p> +<p>There oft, ’neath the pale twilight star,</p> +<p class="i2">Or the moonlight unruffled and clear,</p> +<p>My meerschaum I’d smoke, or cigar,</p> +<p class="i2">If I had a thousand a-year.</p> +</div> +<div class="stanza"> +<p>I’d have pictures and statues, with taste—</p> +<p class="i2">Such as ladies unblushing might view—</p> +<p>In my drawing and dining-rooms placed,</p> +<p class="i2">With many a gem of virtù.</p> +<p>My study should be an affair</p> +<p class="i2">The heart of a book-worm to cheer—</p> +<p>All compact, with its easy spring chair,</p> +<p class="i2">If I had a thousand a-year.</p> +</div> +<div class="stanza"> +<p>A cellar I’d have quite complete</p> +<p class="i2">With wines, so <em>recherché</em>, well +stored;</p> +<p>And jovial guests often should meet</p> +<p class="i2">Round my social and well-garnish’d board.</p> +<p>But I would have a favourite few,</p> +<p class="i2">To my heart and my friendship <em>more</em> dear;</p> +<p>And I’d marry—I mustn’t tell who—</p> +<p class="i2">If I had a thousand a-year.</p> +</div> +<div class="stanza"> +<p>With comforts so many, what more</p> +<p class="i2">Could I ask of kind Fortune to grant?</p> +<p>Humph! a few olive branches—say four—</p> +<p class="i2">As pets for my old maiden aunt.</p> +<p>Then, with health, there’d be nought to append.</p> +<p class="i2">To perfect my happiness here;</p> +<p>For the <em>utile et duloc</em> would blend.</p> +<p class="i2">If I had a thousand a-year.</p> +</div> +</div> +<hr class="full" /> +<span class="pagenum"><a id="page64" name="page64"></a>[pg +64]</span> +<h2>MY UNCLE BUCKET.</h2> +<p>The Buckets are a large family! I am one of them—my uncle +Job Bucket is another. We, the Buckets, are atoms of creation; yet +we, the Buckets, are living types of the immensity of the +world’s inhabitants. We illustrate their ups and +downs—their fulness and their emptiness—their risings +and their falling—and all the several goods and ills, the +world’s denizens in general, and Buckets in particular, are +undoubted heirs to.</p> +<p>It hath ever been the fate of the fulness of one Bucket to +guarantee the emptiness of another; and (mark the moral!) the +rising Bucket is the richly-stored one; its sinking brother’s +attributes, like Gratiano’s wit, being “an infinite +deal of nothing.” Hence the adoption of our name for the +wooden utensils that have so aptly fished up this fact from the +deep well of truth.</p> +<p>There be certain rods that attract the lightning. We are +inclined to think there be certain Buckets that invite kicking, and +our uncle Job was one of them. He was birched at school for +everybody but himself, for he never deserved it! He was plucked at +college—because some practical joker placed a utensil, +bearing his name, outside the door of the examining master, and our +uncle Job Bucket being unfortunately present, laughed at the +consequent abrasion of his, the examining master’s, shins. He +was called to the bar. His first case was, “Jane Smith +<em>versus</em> James Smith” (no relations). His client was +the female. She had been violently assaulted. He mistook the +initial—pleaded warmly for the opposing Smith, and glowingly +described the disgraceful conduct of the veriest virago a legal +adviser ever had the pain of speaking of. The verdict was, as he +thought, on his side. The lady favoured him with a living evidence +of all the attributes he was pleased to invent for her benefit, and +left him with a proof impression of her nails upon his face, +carrying with her, by way of <em>souvenir</em>, an ample portion of +the skin thereof. Had the condensed heels of all the horses whose +subscription hairs were wrought into his wig, with one united +effort presented him with a kick in his abdominals, he could not +have been more completely “knocked out of time” than he +was by the mistake of those cursed initials. “<em>What about +Smith?</em>” sent him out of court! At length he</p> +<div class="poem"> +<div class="stanza"> +<p>“Cursed the bar, and declined.”</p> +</div> +</div> +<p>He next turned his attention to building. Things went on +swimmingly during the erection—so did the houses when built. +The proprietorship of the ground was disputed—our uncle Job +had paid the wrong person. The buildings were knocked down (by Mr. +Robins), and the individual who had benefited by the suppositionary +ownership of the acres let on the building lease “bought the +lot,” and sent uncle Job a peculiarly well-worded legal +notice, intimating, “his respectable presence would, for the +future, approximate to a nuisance and trespass, and he (Job) would +be proceeded against as the statutes directed, if guilty of the +same.”</p> +<p>It is impossible to follow him through all his various strivings +to do well: he commenced a small-beer brewery, and the thunder +turned it all into vinegar; he tried vinegar, and nothing on earth +could make it sour; he opened a milk-walk, and the parish pump +failed; he invented a waterproof composition—there was +fourteen weeks of drought; he sold his patent for two-and-sixpence, +and had the satisfaction of walking home for the next three months +wet through, from his gossamer to his <em>ci-devant</em> +Wellingtons, now literally, from their hydraulic powers, +“<em>pumps</em>.”</p> +<p>He lost everything but his heart! And uncle Bucket was all +heart! a red cabbage couldn’t exceed it in size, and, like +that, it seemed naturally predestined to be everlastingly in a +pickle! Still it was a heart! You were welcomed to his venison when +he had it—his present saveloy was equally at your service. He +must have been remarkably attached to facetious elderly poultry of +the masculine gender, as his invariable salute to the tenants of +his “heart’s core” was, “How are you, my +jolly old cock?” Coats became threadbare, and defunct +trousers vanished; waistcoats were never replaced; gossamers +floated down the tide of Time; boots, deprived of all hope of +future renovation by the loss of their <em>soles</em>, mouldered in +obscurity; but the clear voice and chuckling salute were changeless +as the statutes of the Medes and Persians, the price and size of +penny tarts, or the accumulating six-and-eightpences gracing a +lawyer’s bill.</p> +<p>Poor uncle Job Bucket’s fortune had driven “him down +the rough tide of power,” when first and last we met; all was +blighted save the royal heart; and yet, with shame we own the +truth, we blushed to meet him. Why? ay, why? We own the +weakness!—the heart, the goodly heart, was almost cased in +rags!</p> +<p>“Puppy!”</p> +<p>Right, reader, right; we were a puppy. Lash on, we richly +deserve it! but, consider the fearful influence of worn-out cloth! +Can a long series of unchanging kindness balance patched elbows? +are not cracked boots receipts in full for hours of anxious love +and care? does not the kindness of a life fade “like the +baseless fabric of a vision” before the withering touch of +poverty’s stern stamp? Have you ever felt—</p> +<p>“Eh? what? No—stuff! Yes, yes—go on, go +on.”</p> +<p>We will!—we blushed for our uncle’s coat! His heart, +God bless it, never caused a blush on the cheek of man, woman, +child, or even angel, to rise for that. We will confess. +Let’s see, we are sixty now (we don’t look so much, but +we are sixty). Well, be it so. We were handsome once—is this +vanity at sixty? if so, our grey hairs are a hatchment for the +past. We were “swells once!—hurrah!—we +were!” Stop, this is indecent—let us be calm—our +action was like the proceeding of the denuder of well-sustained and +thriving pigs, he who deprives them of their extreme obesive +selvage—<em>vulgo</em>, “<em>we cut it fat</em>.” +Bond-street was cherished by our smile, and Ranelagh was rendered +happy by the exhibition of our symmetry. Behold us hessianed in our +haunts, touching the tips of well-gloved fingers to our passing +friends; then fancy the opening and shutting of our back, just as +Lord Adolphus Nutmeg claimed the affinity of “kid to +kid,” to find our other hand close prisoner made by our uncle +Bucket.</p> +<p>“How are you, old cock?”</p> +<p>“Who’s that, eh?”</p> +<p>“A lunatic, my lord (what lies men tell!), and +dangerous!”</p> +<p>“Good day! [<em>Exit my lord</em>]. This way.” We +followed our uncle—the end of a blind alley gave us a +resting-place.</p> +<p>“Bravo!” exclaimed our uncle Bucket, “this is +rare! I live here—dine with me!”</p> +<p>A mob surrounded us—we acquiesced, in hopes to reach a +place of shelter.</p> +<p>“All right!” exclaimed he of the maternal side, +“stand three-halfpence for your feed.”</p> +<p>We shelled the necessary out—he dived into a baker’s +shop—the mob increased—he hailed us from the door.</p> +<p>“Thank God, this is your house, then.”</p> +<p>“Only my kitchen. Lend a hand!”</p> +<p>A dish of steaming baked potatoes, surmounted by a fractional +rib of consumptive beef, was deposited between the lemon-coloured +receptacles of our thumbs and fingers—an outcry was raised at +the court’s end—we were almost mad.</p> +<p>“Turn to the right—three-pair back—cut away +while it’s warm, and make yourself at home! I’ll come +with the beer!”</p> +<p>We wished our <em>I</em> had been in that bier! We rushed +out—the gravy basted our <em>pants</em>, and greased our +hessians! Lord Adolphus Nutmeg appeared at the entrance of the +court. As we proceeded to our announced +destination,—“Great God!” exclaimed his lordship, +“the Bedlamite has bitten him!” A peal of laughter rang +in our ears—we rushed into the wrong room, and our uncle Job +Bucket picked us, the shattered dish, the reeking potatoes, and +dislodged beef, from the inmost recesses of a wicker-cradle, where, +spite the thumps and entreaties of a distracted parent, we were all +engaged in overlaying a couple of remarkably promising twins! We +can say no more on this frightful subject. But—</p> +<p>“Once again we met!”</p> +<p>Our pride wanted cutting, and fate appeared determined to +perform the operation with a jagged saw!</p> +<p>Tom Racket died! His disease was infectious, and we had been the +last person to call upon him, consequently we were mournful. +Thick-coming fancies brooded in our brain—all things +conspired against us; the day was damp and wretched—the +church-bells emulated each other in announcing the mortalities of +earth’s bipeds—each <em>toll’d</em> its tale of +death. We thought upon our “absent friend.” A funeral +approached. We were still more gloomy. Could it be his? if so, what +were his thoughts? Could ghosts but speak, what would he say? The +coffin was coeval with us—sheets were rubicund compared to +our cheeks. A low deep voice sounded from its very bowels—the +words were addressed to us—they were, “Take no notice; +it’s the first time; it will soon be over!”</p> +<p>“Will it?” we groaned.</p> +<p>“Yes. I’m glad you know me. I’ll tell you more +when I come back.”</p> +<p>“Gracious powers! do you expect to return?”</p> +<p>“Certainly! We’ll have a screw together yet! +There’s room for us both in my place. I’ll make you +comfortable.”</p> +<p>The cold perspiration streamed from us. Was there ever anything +so awful! Here was an unhappy subject threatening to call and see +us at night, and then screw us down and make us comfortable.</p> +<p>“Will you come?” exclaimed the dead again.</p> +<p>“Never!” we vociferated with fearful energy.</p> +<p>“Then let it alone; I didn’t think you’d have +cut me now; but wait till I show you my face.”</p> +<p>Horror of horrors!—the pall moved—a long white face +peered from it. We gasped for breath, and only felt new life when +we recognised our uncle Job Bucket, as the author of the +conversation, and one of the bearers of the coffin! He had turned +mute!—but that was a failure—no one ever died in his +parish after his adopting that profession!</p> +<hr class="short" /> +<p>He has been seen once since in the backwoods of America. His +fate seemed still to follow him, and his good temper appeared +immortal—his situation was more peculiar than pleasant. He +was seated on a log, three hundred miles from any civilised +habitation, smiling blandly at a broken axe (his only one), the +half of which was tightly grasped in his right hand, pointing to +the truant iron in the trunk of a huge tree, the first of a +thriving forest of fifty acres he purposed felling; and, thus +occupied, a solitary traveller passed our uncle Job Bucket, serene +as the melting sunshine, and thoughtless as the wild insect that +sported round the owner “of the lightest of light +hearts.”—PEACE BE WITH HIM.</p> +<p class="rgt">FUSBOS.</p> +<hr /> +<h3>IMPORTANT DISCOVERY.</h3> +<p>A gentleman of the name of Stuckey has discovered a new +filtering process, by which “a stream from a most impure +source may be rendered perfectly translucent and fit for all +purposes.” In the name of our rights and liberties! in the +name of Judy and our country! we call upon the proper authorities +to have this invaluable apparatus erected in the lobby of the House +of Commons, and so, by compelling every member to submit to the +operation of filtration, cleanse the house from its present +accumulation of corruption, though we defy Stuckey himself to give +it <em>brightness</em>.</p> +<hr /> +<h3>A THING UNFIT TO A(P)PEAR.</h3> +<div class="poem"> +<div class="stanza"> +<p>New honours heaped on <em>roué</em> Segrave’s +name!</p> +<p>A cuckold’s horn is then the trump of fame.</p> +</div> +</div> +<hr class="full" /> +<span class="pagenum"><a id="page65" name="page65"></a>[pg +65]</span> +<h2>FINE ARTS.</h2> +<h3>EXTERNAL EXHIBITIONS.</h3> +<p>Under this head it is our intention, from time to time, to +revert to numberless free exhibitions, which, in this +advancement-of-education age, have been magnanimously founded with +a desire to inculcate a knowledge of, and disseminate, by these +liberal means, an increased taste for the arts in this vast +metropolis. We commence not with any feelings of favouritism, nor +in any order of ability, our pleasures being too numerously divided +to be able to settle as to which ought to be No. 1, but because it +is necessary to commence—consequently we would wish to settle +down in company with the amiable reader in front of a +tobacconist’s shop in the Regent Circus, Piccadilly; and as +the principal attractions glare upon the astonishment of the +spectators from the south window, it is there in imagination that +we are irresistibly fixed. Before we dilate upon the delicious +peculiarities of the exhibition, we deem it absolutely a matter of +justice to the noble-hearted patriot who, imitative of the Greeks +and Athenians of old, who gave the porticoes of their public +buildings, and other convenient spots, for the display of their +artists’ productions, has most generously appropriated the +chief space of his shop front to the use and advantage of the +painter, and has thus set a bright example to the high-minded +havannah merchants and contractors for cubas and c’naster, +which we trust will not be suffered to pass unobserved by them.</p> +<p>The principal feature, or, rather mass of features, which +enchain the beholder, is a whole-length portrait of a gentleman +(<em>par excellence</em>) seated in a luxuriating, Whitechapel +style of ease, the envy, we venture to affirm, of every omnibus cad +and coachman, whose loiterings near this spot afford them +occasional peeps at him. He is most decidedly the greatest cigar in +the shop—not only the mildest, if his countenance deceive us +not, but evidently the most full-flavoured. The artist has, +moreover, by some extraordinary adaptation or strange coincidence, +made him typical of the locality—we allude to the +Bull-and-Mouth—seated at a table evidently made and garnished +for the article. The said gentleman herein depicted is in the act +of drinking his own health, or that of “all absent +friends,” probably coupling with it some little compliment to +a favourite dog, one of the true Regent-street-and-pink-ribbon +breed, who appears to be paying suitable attention. A huge +pine-apple on the table, and a champagne cork or two upon the +ground, contribute a gallant air of reckless expenditure to this +spirited work. In reference to the artistic qualities, it gives us +immoderate satisfaction to state that the whole is conceived and +executed with that characteristic attention so observable in the +works of this master<sup>3</sup><span class= +"sidenote">3</span><span class="sidenote">3. We have forgotten the +artist’s name—perhaps never knew it; but we believe it +is the same gentleman who painted the great author of “Jack +Sheppard.”</span>, and that the fruit-knife, fork, +cork-screw, decanter, and chiaro-scuro (as the critic of the +<em>Art Union</em> would have it), are truly excellent. The only +drawback upon the originality of the subject is the handkerchief on +the knee, which (although painted as vigorously as any other +portion of the picture) we do not strictly approve of, inasmuch as +it may, with the utmost impartiality, be assumed as an imitation of +Sir Thomas Lawrence’s portrait of George the Fourth; +nevertheless, we in part excuse this, from the known difficulty +attendant upon the representation of a gentleman seated in +enjoyment, and parading his bandana, without associating it with a +veritable footman, who, upon the occasion of his “Sunday +out,” may, perchance, be seen in one of the front lower +tenements in Belgrave-square, or some such <em>locale</em>, paying +violent attentions to the housemaid, and the hot toast, decorated +with the order of the handkerchief, to preserve his crimson plush +in all its glowing purity. We cannot take leave of this interesting +work without declaring our opinion that the composition (of the +frame) is highly creditable.</p> +<p>Placed on the right of the last-mentioned work of art, is a +representation of a young lady, as seen when presenting a +full-blown flower to a favourite parrot. There is a delicate +simplicity in the attitude and expression of the damsel, which, +though you fail to discover the like in the tortuous figures of +Taglioni or Cerito, we have often observed in the conduct of ladies +many years in the seniority of the one under notice, who, ever +mindful of the idol of their thoughts and affections—a feline +companion—may be seen carrying a precious morsel, safely +skewered, in advance of them; this gentleness the artist has been +careful to retain to eminent success. We are, nevertheless, +woefully at a loss to divine what the allegory can possibly be (for +as such we view it), what the analogy between a pretty poll and a +pol-yanthus. We are unlearned in the language of flowers, or, +perhaps, might probe the mystery by a little floral discussion. We +are, however, compelled to leave it to the noble order of +freemasons, and shall therefore wait patiently an opportunity of +communicating with his Royal Highness the Duke of Sussex. In the +meantime we shall not he silent upon the remaining qualities of the +work as a general whole—the young lady—the +parrot—the polyanthus, and the chiaro-scuro, are as excellent +as usual in this our most amusing painter’s productions.</p> +<p>As a pendant to this, we are favoured with the portrait of a +young gentleman upon a half-holiday—and, equipped with +cricket means, his dexter-hand grasps his favourite bat, whilst the +left arm gracefully encircles a hat, in which is seductively shown +a genuine “Duke.” The sentiment of this picture is +unparalleled, and to the young hero of any parish eleven is given a +stern expression of Lord’s Marylebone ground. We can already +(aided by perspective and imagination) see him before a future +generation of cricketers, “shoulder his bat, and show how +games were won.” The bat is well drawn and coloured with much +truth, and with that strict observance of harmony which is so +characteristic of the excellences of art. The artist has +felicitously blended the tone and character of the bat with that of +the young gentleman’s head. As to the ball, we do not +recollect ever to have seen one in the works of any of the old +masters so true to nature. In conclusion, the buttons on the +jacket, and the button-holes, companions thereto, would baffle the +criticism of the most hyper-fastidious stab-rag; and the shirt +collar, with every other detail—never forgetting the +chiaro-scuro—are equal to any of the preceding.</p> +<hr class="full" /> +<h2>CURIOUS COINCIDENCE.</h2> +<p>We had prepared an announcement of certain theatricals +extraordinary, with which we had intended to favour the public, +when the following bill reached us. We feel that its contents +partake so strongly of what we had heretofore conceived the +exclusive character of PUNCH, that to avoid the charge of +plagiarism, as well as to prevent any confusion of interests, we +have resolved to give insertion to both.</p> +<p>As PUNCH is above all petty rivalry, we accord our +<em>collaborateurs</em> the preference.</p> +<table summary="Theatrical Extraordinary part 1"> +<tr> +<td style= +"width:35%;font-size:0.8em;border-style:solid;border:1px 1px 1px 1px;padding:0px 5px 0px 5px;"> +<p style="margin-top:0em;"><em>Red Lion Court, Fleet +Street.</em></p> +<p>SIR,—Allow me to solicit your kindness so far, as to give +publicity to this bill, by <em>placing it in some conspicuous part +of your Establishment</em>. The success of the undertaking will +prove so advantageous to the public at large, that I fear not your +compliance in so good a cause.</p> +<p style="margin-bottom:0em;">I am, Sir, your’s very +obediently,<br /> +C. MITCHELL</p> +</td> +<td> +<h6>VIVANT REGINA ET PRINCEPS.</h6> +<h5>THEATRE ROYAL</h5> +<h3>ENGLISH OPERA HOUSE,</h3> +<h6>WELLINGTON-STREET NORTH, STRAND.</h6> +<p><em>Conducted by the Council of the Dramatic Authors’ +Theatre, established for the full encouragement of English Living +Dramatists.</em></p> +</td> +</tr> +</table> +<h4>ADDRESS TO THE PUBLIC.</h4> +<p>The generous National feelings of the British Public are +proverbially interested in every endeavour to obtain “a Free +Stage and Fair Play.” The Council of the Dramatic +Authors’ Theatre seek to achieve both, for every English +Living Dramatist. Compelled, by the state of the <em>Law</em>, to +present on the Stage a high Tragic Composition IN AN IRREGULAR FORM +(in effecting which, nevertheless, regard has been had to those +elements of human nature, which must constitute the essential +principles of every genuine Dramatic Production), they hope for +such kind consideration as may be due to a work brought forward in +obedient accordance with the regulations of <em>Acts of +Parliament</em>, though labouring thereby under some consequent +difficulties; the <em>Law</em> for the Small Theatres Royal, and +the <em>Law</em> for the Large Theatres Royal, <em>not</em> being +one and the same <em>Law</em>. If, by these efforts, a beneficial +alteration in such Law, which presses so fatally on Dramatic +Genius, and which militates against the revival of the highest +class of Drama, should be effected, they feel assured that the +Public will Participate in their Triumph.</p> +<p>On THURSDAY, the 26th of AUGUST, will be presented, for the +First Time,</p> +<p class="cen">(<em>Interspersed with Songs and Music</em>).</p> +<h3>MARTINUZZI.</h3> +<h5>BY GEORGE STEPHENS, ESQ.</h5> +<p class="cen">Taken by him from his “magnificent” +Dramatic Poem, entitled, <em>The Hungarian Daughter</em>.</p> +<p class="cen">The Solos, Duets, Chorusses, and every other Musical +arrangement the <em>Law</em> may require, by Mr. DAVID LEE.</p> +<p class="cen">The following Opinions of the Press on the Actable +qualities of the Dramatic Poem, are selected from a vast mass of +similar notices.</p> +<p>“Worthy of <em>the Stage</em> in its best +days.”—The Courier.</p> +<p>“Effective situations; if well acted, it <em>could not +fail of success</em>.”—<em>New Bell’s +Messenger</em>.</p> +<p>“The mantle of the Elizabethan Poets seems to have fallen +on Mr. Stephens, for we have scarcely ever met with, in the works +of modern dramatists, the truthful delineations of human passion, +the chaste and splendid imagery, and continuous strain of fine +poetry to be found in <em>The Hungarian +Daughter</em>.”—<em>Cambridge Journal</em>.</p> +<p>“Equal to Goethe. All is impassioned and effective. The +Poet has availed himself of every tragic point, and brought +together every element; nor, with the exception, of Mr. +Knowles’s <em>Love</em>, has there been a single Drama, +within the last four years, presented on <em>the Stage</em> at all +comparable.—<em>Monthly Magazine</em>.</p> +<hr class="short" /> +<p class="cen">After which will be performed, also for the First +Time, An Original Entertainment in One Act, Entitled</p> +<h3>THE CLOAK AND THE BONNET!</h3> +<p class="cen">By the Author of <em>Jacob Faithful</em>, <em>Peter +Simple</em>, <em>&c. &c.</em></p> +<hr class="short" /> +<p class="cen">No Orders admitted.—No Free List, the Public +Press excepted.</p> +<hr /> +<p>Now for <em>our</em> penny trumpet.</p> +<h4>THEATRICALS EXTRAORDINARY.</h4> +<table summary="Theatrical Extraordinary part 2"> +<tr> +<td style= +"width:35%;font-size:0.8em;border-style:solid;border:1px 1px 1px 1px;padding:0px 5px 0px"> +<p>READER,—Allow us to solicit your kindness so far as to +give publicity to the following announcement, <em>by buying up and +distributing among your friends the whole of the unsold copies of +this number</em>. The success of this undertaking will prove so +advantageous to the public at large, and of so little benefit to +ourselves, that we fear not your compliance in so good a cause.</p> +<p>Yours obediently,<br /> +PUNCH.</p> +</td> +<td> +<h6>VIVANT KANT ET TOMFOOLERIE.</h6> +<h5>THEATRE ROYAL</h5> +<h6>PERIPATETIC,</h6> +<h3>WELLINGTON-STREET SOUTH, STRAND.</h3> +<p><em>Conducted by the Council of the Fanatic Association +established for the full encouragement of Timber Actors and +Wooden-headed Dramatists</em>.</p> +</td> +</tr> +</table> +<h4>ADDRESS TO THE PUBLIC;</h4> +<h5>OR, PUNCH BLOWING HIS OWN TRUMPET,</h5> +<p>The general National feelings of the British Public are +proverbially interested in every endeavour to obtain “a blind +alley, and no Fantoccini.” Compelled by the New Police Act to +move on, and so present our high tragic composition by small +instalments (in effecting which, nevertheless, regard has been +had—<em>This parenthesis to be continued in our next</em>), +we hope for such kind consideration as may be due, when it is +remembered that the <em>law</em> for the <em>out-door</em> PUNCH +and the <em>law</em> for the <em>in-door</em> PUNCH is not one and +the same <em>law</em>. Oh, law!</p> +<p class="cen">On SATURDAY, the 28th of AUGUST, will be +presented,</p> +<p class="cen">(<em>Interspersed with Drum and Mouth +Organ</em>),</p> +<h3>PUNCHINUZZI,</h3> +<h5>BY EGO SCRIBLERUS, ESQ.</h5> +<p class="cen">Taken from his “magnificent” Dramatic +Poem, entitled, “PUNCH NUTS UPON HIMSELF.”</p> +<p class="cen">The following Opinions on the Actable qualities of +<em>Punchinuzzi</em>, are selected from a vast mass of similar +notices.</p> +<p>“This ere play ‘ud draw at ony +fare.”—<em>The late Mr. Richardson</em>.</p> +<p>“This happy poetic drama would be certain to command +crowded and elegant <em>courts</em>.”—<em>La Belle +Assemblée</em>.</p> +<p>“We have read <em>Punchinuzzi</em>, and we fearlessly +declare that the mantle of that metropolitan bard, the late Mr. +William Waters, has descended upon the gifted +author.”—<em>Observer</em>.</p> +<p>“Worthy of the <em>streets</em> in their best +days.”—<em>Fudge</em>.</p> +<hr class="short" /> +<p class="cen">No Orders! No Free List! No Money!!.</p> +<hr class="full" /> +<span class="pagenum"><a id="page66" name="page66"></a>[pg +66]</span> +<h2>THE WHIGS’ LAST DYING SPEECH, AS DELIVERED BY THE +QUEEN</h2> +<p>It is with no common pride that PUNCH avails himself of the +opportunity presented to him, from sources exclusively his own, of +laying before his readers a copy of the original draft of the +Speech decided upon at a late Cabinet Council. There is a novelty +about it which pre-eminently distinguishes it from all preceding +orations from the throne or the woolsack, for it has a purpose, and +evinces much kind consideration on the part of the Sovereign, in +rendering this monody on departed Whiggism as grateful as possible +to its surviving friends and admirers.</p> +<p>There is much of the eulogistic fervour of George Robins, +combined with the rich poetic feeling of Mechi, running throughout +the oration. Indeed, it remained for the Whigs to add this crowning +triumph to their policy; for who but Melbourne and Co. would have +conceived the happy idea of converting the mouth of the monarch +into an organ for puffing, and transforming Majesty itself into a +<em>National Advertiser</em>?</p> +<h3>THE QUEEN’S SPEECH.</h3> +<blockquote> +<p>MY LORDS AND GENTLEMEN,</p> +<p>I have the satisfaction to inform you, that, through the +invaluable policy of my present talented and highly disinterested +advisers, I continue to receive from foreign powers assurances of +their amicable disposition towards, and unbounded respect for, my +elegant and enlightened Secretary of State for Foreign Affairs, and +of their earnest desire to remain on terms of friendship with the +rest of my gifted, liberal, and amiable Cabinet.</p> +<p>The posture of affairs in China is certainly not of the most +pacific character, but I have the assurance of my infallible Privy +Council, and of that profound statesman my Secretary of State for +Foreign Affairs, in particular, that the present disagreement +arises entirely from the barbarous character of the Chinese, and +their determined opposition to the progress of temperance in this +happy country.</p> +<p>I have also the satisfaction to inform you, that, by the acute +diplomatic skill of my never-to-be-sufficiently-eulogised Secretary +of State for Foreign Affairs, that, after innumerable and +complicated negotiations, he has at length succeeded in seducing +his Majesty the King of the French to render to England the tardy +justice of commemorating, by a <em>fête</em> and inauguration +at Boulogne, the disinclination of the French, at a former period, +to invade the British dominions.</p> +<p>GENTLEMEN OF THE HOUSE OF COMMONS,</p> +<p>I have directed the <em>estimates for the next fortnight</em> to +be laid before you, which, I am happy to inform you, will be amply +sufficient for the exigencies of my <em>present</em> disinterested +advisers.</p> +<p>The unequalled fiscal and arithmetical talents of my Chancellor +of the Exchequer have, by the most rigid economy, succeeded in +reducing the revenue very considerably below the actual expenditure +of the state.</p> +<p>MY LORDS AND GENTLEMEN,</p> +<p>Measures will be speedily submitted to you for carrying out the +admirable plans of my Secretary of State for the Colonial +Department, and the brilliant author of “Don Carlos,” +for the prevention of apoplexy among paupers, and the reduction of +the present extravagant dietary of the Unions.</p> +<p>I have the gratification to announce that a commission is in +progress, by which it is proposed by my <em>non</em>-patronage +Ministers to call into requisition the talents of several literary +gentlemen—all intimate friends or relations of my deeply +erudite and profoundly philosophic Secretary of State for the Home +Department, and author of “Yes and No,” (three vols. +Colburn) for the purpose of extending the knowledge of reading and +writing, and the encouragement of circulating libraries all over +the kingdom.</p> +<p>My consistent and uncompromising Secretary of State for the +Colonies, having, since the publication of his spirited +“Essays by a gentleman who has lately left his +lodgings,” totally changed his opinions on the subject of the +Corn Laws, a measure is in the course of preparation with a view to +the repeal of those laws, and the continuance in office of my +invaluable, tenacious, and incomparable ministry.</p> +</blockquote> +<p>CAUTION.—We have just heard from a friend in Somerset +House, that it is the intention of the Commissioners of Stamps, +from the glaring puffs embodied in the above speech, to proceed for +the advertisement duty against all newspapers in which it is +inserted. For ourselves, we will cheerfully pay.</p> +<hr /> +<p>A German, resident in New York, has such a remarkably hard name, +that he spoils a gross of steel pens indorsing a bill.</p> +<hr class="full" /> +<h2>A NEW VERSION OF BELSHAZZAR’S FEAST.</h2> +<div class="figcenter"><a href="images/006-28.png"><img src= +"images/006-28.png" alt= +"A slender man tries to get out of a chair while his boots run away." +id="img006-28" name="img006-28" width="60%" /></a> +<p>OLD GLORY’S WHIG TOP-BOOTS REFUSING TO CARRY HIM TO THE +DINNER TO CAPTAIN ROUS.</p> +</div> +<p>Such, we are credibly assured, was the determination of these +liberal and enlightened leathers. They had heard frequent whispers +of a general indisposition on the part of all lovers of consistency +to stand in their master’s shoes, and taking the insult to +themselves, they lately came to the resolution of cutting the +connexion. They felt that his liberality and his boots were all +that constituted the idea of Burdett; and now that he had forsaken +his old party and joined Peel’s, the “tops” +magnanimously decided to forsake him, and force him to take +to—Wellingtons. We have been favoured with a report of the +conversation that took place upon the occasion, and may perhaps +indulge our readers with a copy of it next week.</p> +<p>In the mean time, we beg to subjoin a few lines, suggested by +the circumstance of Burdett taking the chair at Rous’s feast, +which strongly remind us of Byron’s Vision of Belshazzar.</p> +<div class="poem"> +<div class="stanza"> +<p>Burdett was in the chair—</p> +<p class="i2">The Tories throng’d the hall—</p> +<p>A thousand lamps were there,</p> +<p class="i2">O’er that mad festival.</p> +<p>His crystal cup contain’d</p> +<p class="i2">The grape-blood of the Rhine;</p> +<p>Draught after draught he drain’d,</p> +<p class="i2">To drown his thoughts in wine.</p> +</div> +<div class="stanza"> +<p>In that same hour and hall</p> +<p class="i2">A shade like “Glory” came,</p> +<p>And wrote upon the wall</p> +<p class="i2">The records of his shame.</p> +<p>And at its fingers traced</p> +<p class="i2">The words, as with a wand,</p> +<p>The traitorous and debased</p> +<p class="i2">Upraised his palsied hand.</p> +</div> +<div class="stanza"> +<p>And in his chair he shook,</p> +<p class="i2">And could no more rejoice;</p> +<p>All bloodless wax’d his look,</p> +<p class="i2">And tremulous his voice.</p> +<p>“What words are those appear,</p> +<p class="i2">To mar my fancied mirth!</p> +<p>What bringeth ‘Glory’ here</p> +<p class="i2">To tell of faded worth?”</p> +</div> +<div class="stanza"> +<p>“False renegade! thy name</p> +<p class="i2">Was once the star which led</p> +<p>The free; but, oh! what shame</p> +<p class="i2">Encircles now thine head!</p> +<p>Thou’rt in the balance weigh’d,</p> +<p class="i2">And worthless found at last.</p> +<p>All! all! thou hast betray’d!”—</p> +<p class="i2">And so the spirit pass’d.</p> +</div> +</div> +<hr class="full" /> +<span class="pagenum"><a id="page67" name="page67"></a>[pg +67]</span> +<h2>PUNCH’S PENCILLINGS.—No. VI.</h2> +<div class="figcenter"><a href="images/006-29.png"><img src= +"images/006-29.png" alt= +"A man in a tophat mesmerises a lion seated in a throne while a ghost and a crowd of people watch." +id="img006-29" name="img006-29" width="100%" /></a> +<p>ANIMAL MAGNETISM:<br /> +SIR RHUBARB PILL MESMERISING THE BRITISH LION.</p> +</div> +<!-- [pg 68] --> +<hr class="full" /> +<span class="pagenum"><a id="page69" name="page69"></a>[pg +69]</span> +<h2>SUPREME COURT OF THE LORD HIGH INQUISITOR PUNCH.</h2> +<h3>PAT V. THE WHIG JUSTICE COMPANY.</h3> +<p>This is a cause of thorough orthodox equity standing, having +commenced before the time of legal memory, with every prospect of +obtaining a final decree on its merits somewhere about the next +Greek Kalends. In the present term,</p> +<p>COUNSELLOR BAYWIG moved, on the part of the plaintiff, who sues +<em>in formâ pauperis</em>, for an injunction to restrain the +Whig Justice Company from setting a hungry Scotchman—one of +their own creatures, without local or professional +knowledge—over the lands of which the plaintiff is the legal, +though unfortunately not the beneficial owner, as keeper and head +manager thereof, to the gross wrong of the tenants, the +depreciation of the lands themselves, the further reduction of the +funds standing in the name of the cause, the insult to the feelings +and the disregard of the rights of gentlemen living on the estate, +and perfectly acquainted with its management; and finally, to an +unblushing and barefaced denial of justice to all parties. The +learned counsel proceeded to state, that the company, in order to +make an excuse for thus saddling the impoverished estates with an +additional incubus, had committed a double wrong, by forcing from +the office a man eminently qualified to discharge its +functions—who had lived and grown white with honourable years +in the actual discharge of these functions—and by thrusting +into his place their own needy retainer, who, instead of being the +propounder of the laws which govern the estates, would be merely +the apprentice to learn them; and this too at a time when the +company was on the eve of bankruptcy, and when the possession which +they had usurped so long was about to pass into the hands of their +official assignees.</p> +<p>LORD HIGH INQUISITOR.—What authorities can you cite for +this application?</p> +<p>COUNSELLOR BAYWIG.—My lord, I fear the cases are, on the +whole, rather adverse to us. Men have, undoubtedly, been chosen to +administer the laws of this fine estate, and to guard it from +waste, who have studied its customs, been thoroughly learned in its +statistics, and interested, by blood and connexion, in its +prosperity; but this number is very small. However, when injustice +of the most grievous kind is manifest, it should not be continued +merely because it is the custom, or because it is an “old +institution of the country.”</p> +<p>LORD HIGH INQUISITOR.—I am quite astonished at your +broaching such abominable doctrines here, sir. You a lawyer, and +yet talk of justice in a Court of Equity! By Bacon, Blackstone, and +Eldon, ‘tis marvellous! Mr. Baywig, if you proceed, I shall +feel it my duty to commit you for a contempt of court.</p> +<p>COUNSELLOR BAYWIG.—My lord, in that case I decline the +honour of addressing your lordship further; but certainly my poor +client is wronged in his land, in himself, and in his kindred. It +is shocking personal insult added to terrible pecuniary +punishment.</p> +<p>LORD HIGH INQUISITOR.—<em>Serve</em> him right! We dismiss +the application with costs.</p> +<hr /> +<h3>THE ADVANTAGES OF STYLE.</h3> +<p>Some of the uninitiated in the art and mystery of book-making +conceive the chief tax must be upon the compiler’s brain. We +give the following as a direct proof to the contrary—one that +has the authority of Lord Hamlet, who summed the matter up in +three</p> +<div class="poem"> +<div class="stanza"> +<p>“Words! Words! Words!”</p> +</div> +</div> +<p>In one column we give a common-place household and familiar +term—in the other we render it into the true Bulwerian +phraseology:</p> +<table summary="Bulwarian Phraseology" style= +"width:80%;margin:auto;"> +<tr> +<td width="30%" style="border-right:solid 1px;">Does your mother +know you are out?</td> +<td style="padding-left:5px;">Is your maternal parent’s +natural solicitude allayed by the information, that you have for +the present vacated your domestic roof?</td> +</tr> +<tr> +<td style="border-right:solid 1px;">You don’t lodge here, Mr. +Ferguson.</td> +<td style="padding-left:5px;">You are geographically and +statistically misinformed; this is by no means the accustomed place +of your occupancy, Mr. Ferguson.</td> +</tr> +<tr> +<td style="border-right:solid 1px;">See! there he goes with his eye +out.</td> +<td style="padding-left:5px;">Behold! he proceeds totally deprived +of one moiety of his visual organs!</td> +</tr> +<tr> +<td style="border-right:solid 1px;">Don’t you wish you may +get it?</td> +<td style="padding-left:5px;">Pray confess, are you not really +particularly anxious to obtain the desired object?</td> +</tr> +<tr> +<td style="border-right:solid 1px;">More t’other.</td> +<td style="padding-left:5px;">Infinitely, peculiarly, and most +intensely the entire extreme and the absolute reverse.</td> +</tr> +<tr> +<td style="border-right:solid 1px;">Quite different.</td> +<td style="padding-left:5px;">Dissimilar as the far-extended poles, +or the deep-tinctured ebon skins of the dark denizens of +Sol’s sultry plains and the fair rivals of descending flakes +of virgin snow, melting with envy on the peerless breast of fair +Circassia’s ten-fold white-washed daughters.</td> +</tr> +<tr> +<td style="border-right:solid 1px;">Over the left.</td> +<td style="padding-left:5px;">Decidedly in the ascendant of the +sinister.</td> +</tr> +</table> +<hr /> +<p>From the nobleman who is selected to move the address in the +House of Lords, it would seem that the Whigs, tired of any further +experiments in turning their coats, are about to try what effect +they can produce with an <em>old Spencer</em>.</p> +<hr /> +<p>As the weather is to decide the question of the corn-laws, the +rains that have lately fallen may be called, with truth, the +<em>reins</em> of government.</p> +<hr /> +<h3>SPORTING IN DOWNING STREET.</h3> +<h5>“COME OUT—WILL YOU!”</h5> +<p>The extraordinary attachment which the Whigs have displayed for +office has been almost without parallel in the history of +ministerial fidelity. Zoologists talk of the local affection of +cats, but in what animal shall we discover such a strong love of +place as in the present government? Lord John is a very badger in +the courageous manner in which he has resisted the repeated attacks +of the Tory terriers. The odds, however, are too great for even +<em>his</em> powers of defence; he has given some of the most +forward of the curs who have tried to drag him from his burrow some +shrewd bites and scratches that they will not forget in a hurry; +but, overpowered by numbers, he must “come out” at +last, and yield the victory to his numerous persecutors, who will, +no doubt, plume themselves upon their dexterity at drawing a +badger.</p> +<hr /> +<h3>PUNCH’S EXTRA DRAMATIC INTELLIGENCE</h3> +<h5>(BY THE CORRESPONDENT OF THE OBSERVER.)</h5> +<p>The dramatic world has been in a state of bustle all the week, +and parties are going about declaring—not that we put any +faith in what they say—that Macready has already given a +large sum for a manuscript. If he has done this, we think he is +much to blame, unless he has very good reasons, as he most likely +has, for doing so; and if such is the case, though we doubt the +policy of the step, there can be no question of his having acted +very properly in taking it. His lease begins in October, when, it +is said, he will certainly open, if he can; but, as he positively +cannot, the reports of his opening are rather premature, to say the +least of them. For our parts, we never think of putting any credit +in what we hear, but we give everything just as it reaches us.</p> +<hr /> +<h3>THE MONEY MARKET</h3> +<p>Tin is twopence a hundredweight dearer at Hamburgh than at +Paris, which gives an exchange of 247 mille in favour of the latter +capital.</p> +<p>A good deal of conversation has been excited by a report of its +being intended by some parties in the City to establish a Bank of +Issue upon equitable principles. The plan is a novel one, for there +is to be no capital actually subscribed, it being expected that +sufficient assets will be derived from the depositors. Shares are +to be issued, to which a nominal price will be attached, and a +dividend is to be declared immediately.</p> +<p>The association for supplying London with periwinkles does not +progress very rapidly. A wharf has been taken; but nothing more has +been done, which is, we believe, caused by the difficulty found in +dealing with existing interests.</p> +<hr /> +<h3>SIGNS OF THE TIMES.</h3> +<p>The Tories are coming into office, and the Parliament House is +surrounded with scaffolds!</p> +<hr /> +<h3>TO BAKERS AND FISHMONGERS.</h3> +<p>Want places, in either of the above lines, three highly +practical and experienced hands, fully capable and highly +accomplished in the arduous duties of “looking after any +quantity of loaves and fishes.” A ten years’ character +can be produced from their last places, which they leave because +the concern is for the present disposed of to persons equally +capable. No objection to look after the till. Wages not so much an +object as an extensive trade, the applicants being desirous of +keeping their hands in. Apply to Messrs. Russell, Melbourne, and +Palmerston, Downing-street Without.</p> +<hr /> +<p>“It is very odd,” said Sergeant Channell to +Thessiger, “that Tindal should have decided against me on +that point of law which, to me, seemed as plain as A B C.” +“Yes,” replied Thessiger, “but of what use is it +that it should have been A B C to you, if the judge was determined +to be D E F to it?”</p> +<hr /> +<h3>CLEVER ROGUES.</h3> +<p>The <em>Belfast Vindicator</em> has a story of a sailor who +pledged a sixpence for threepence, having it described on the +duplicate ticket as “a piece of silver plate of beautiful +workmanship,” by which means he disposed of the ticket for +two-and-sixpence. The Tories are so struck with this display of +congenial roguery, that they intend pawning their +“BOB,” and having him described as “a rare piece +of vertu(e) <em>première qualité</em>” in the +expectation of securing a <em>crown</em> by it.</p> +<hr /> +<h3>MUNTZ ON THE STATE OF THE CROPS.</h3> +<p>Mr. Muntz requests us to state, in answer to numerous inquiries +as to the motives which induce him to cultivate his beard, that he +is actuated purely by a spirit of economy, having, for the last few +years, <em>grown his own mattresses</em>, a practice which he +earnestly recommends to the attention of all prudent and hirsute +individuals. He finds, by experience, that nine square inches of +chin will produce, on an average, about a sofa per annum. The +whiskers, if properly attended to, may be made to yield about an +easy chair in the same space of time; whilst luxuriant moustachios +will give a pair of anti-rheumatic attrition gloves every six +months. Mr. M. recommends, as the best mode of cultivation for +barren soils, to plough with a cat’s-paw, and manure with +Macassar.</p> +<hr /> +<p>The Earl of Stair has been created Lord Oxenford. Theodore Hook +thinks that the more appropriate title for a <em>Stair</em>, in +raising him a step higher, would have been Lord +<em>Landing-place</em>, or Viscount <em>Bannister</em>.</p> +<hr class="full" /> +<span class="pagenum"><a id="page70" name="page70"></a>[pg +70]</span> +<h2>LORD MELBOURNE’S LETTER-BAG.</h2> +<p>The Augean task of cleansing the Treasury has commenced, and +brooms and scrubbing-brushes are at a premium—a little +anticipative, it is true, of the approaching turn-out; but the +dilatory idleness and muddle-headed confusion of those who will +soon be termed its late occupiers, rendered this a work of absolute +time and labour. That the change in office had long been expected, +is evident from the number of hoards discovered, which the +unfortunate <em>employés</em> had saved up against the rainy +day arrived. The routing-out of this conglomeration was only +equalled in trouble by the removal of the birdlime with which the +various benches were covered, and which adhered with most +pertinacious obstinacy, in spite of every effort to get rid of it. +From one of the wicker baskets used for the purpose of receiving +the torn-up letters and documents, the following papers were +extracted. We contrived to match the pieces together, and have +succeeded tolerably well in forming some connected epistles from +the disjointed fragments. We offer no comment, but allow them to +speak for themselves. They are selected at random from dozens of +others, with which the poor man must have been overwhelmed during +the past two months:—</p> +<h4>1.</h4> +<p>MY LORD,—In the present critical state of your +lordship’s situation, it behoves every lover of his country +and her friends, to endeavour to assuage, as much as possible, the +awkward predicament in which your lordship and colleagues will soon +be thrown. My dining-rooms in Broad-street, St. Giles’s, have +long been held in high estimation by my customers, for</p> +<div class="figcenter"><a href="images/006-30.png"><img src= +"images/006-30.png" alt= +"The rear end of a bull, with a braided tail and striped stockings." +id="img006-30" name="img006-30" width="50%" /></a> +<p>BEEF A-LA-MODE;</p> +</div> +<p>and I can offer you an excellent basin of leg-of-beef soup, with +bread and potatoes, for threepence. Imitated by all, equalled by +none.</p> +<p class="cen">N.B. Please observe the address—Broad-street, +St. Giles’s.</p> +<h4>2.</h4> +<p>A widow lady, superintendent of a boarding-house, in an airy and +cheerful part of Kentish Town, will be happy to receive Lord +Melbourne as an inmate, when an ungrateful nation shall have +induced his retirement from office. Her establishment is chiefly +composed of single ladies, addicted to backgammon, birds, and bible +meetings, who would, nevertheless, feel delighted in the society of +a man of Lord Melbourne’s acknowledged gallantry. The +dinner-table is particularly well furnished, and a rubber is +generally got up every evening, at which Lord M. could play long +penny points if he wished it.</p> +<p class="cen">Address S.M., Post-office, Kentish Town.</p> +<h4>3.</h4> +<p>Grosjean, Restaurateur, <em>Castle-street, +Leicester-square</em>, a l’honneur de prévenir Milord +Melbourne qu’il se trouvera bien servi à son +établissement. Il peut commander un bon potage an choux, +trois plats, avec pain à discretion, et une pinte de +demi-et-demi; enfin, il pourra parfaitement avoir ses sacs +soufflés<sup>4</sup><span class="sidenote">4. French +idiom—“He will be well able to blow his bags +out!”—PUNCH, with the assistance of his friend in the +show—the foreign gentleman.</span> pour un schilling. La +société est très comme-il-faut, et on ne donne +rien au garçon.</p> +<h4>4.</h4> +<p>(Rose-coloured paper, scented. At first supposed to be from a +lady of the bedchamber, but contradicted by the sequel.)</p> +<p>Flattering deceiver, and man of many loves,</p> +<p>My fond heart still clings to your cherished memory. Why have I +listened to the honied silver of your seducing accents? Your adored +image haunts me night and day. How is the treasury?—can you +still spare me ten shillings?</p> +<p class="rgt">YOURS,<br /> +AMANDA.</p> +<h4>5.</h4> +<p>JOHN MARVAT respectfully begs to offer to the notice of Lord +Melbourne his Bachelor’s Dispatch, or portable kitchen. It +will roast, bake, boil, stew, steam, melt butter, toast bread, and +diffuse a genial warmth at one and the same time, for the outlay of +one halfpenny. It is peculiarly suited for <em>lamb</em>, in any +form, which requires delicate dressing, and is admirably adapted +for concocting mint-sauce, which delightful adjunct Lord Melbourne +may, ere long, find some little difficulty in procuring.</p> +<p>High Holborn.</p> +<h4>6.</h4> +<p>May it plese my Lord,—i have gest time to Rite and let you +kno’ wot a sad plite we are inn, On account off your +lordship’s inwitayshun to queen Wictory and Prince Allbut to +come and Pick a bit with you, becos There is nothink for them wen +they comes, and the Kitchin-range is chok’d up with the sut +as has falln down the last fore yeers, and no poletry but too old +cox, which is two tuff to be agreerble; But, praps, we Can git sum +cold meet from the in, wot as bin left at the farmers’ +markut-dinner; and may I ask you my lord without fear of your</p> +<div class="figcenter"><a href="images/006-31.png"><img src= +"images/006-31.png" alt="An official-looking man nabs another." id= +"img006-31" name="img006-31" width="50%" /></a> +<p>TAKING A FENCE</p> +</div> +<p>on the reseat of this To send down sum ham and beef to +me—two pound will be Enuff—or a quarter kitt off +pickuld sammun, if you can git it, and I wish you may; and sum +german silver spoons, to complement prince Allbut with; and, praps, +as he and his missus knos they’ve come to Take pot-luck like, +they won’t be patickler, and I think we had better order the +beer from the Jerry-shop, for owr own Is rayther hard, and the +brooer says, that a fore and a harf gallon, at sixpence A gallon, +won’t keep no Time, unless it’s drunk; and so we guv +some to the man as brort the bushel of coles, and he sed It only +wanted another Hop, and then it woud have hopped into water; and +John is a-going to set some trimmers in The ditches to kitch some +fish; and, praps, if yure lordship comes, you may kitch sum too, +from</p> +<p class="cen">Yure obedient Humbl servent and housekeeper,</p> +<p class="rgt">MISSES RUMMIN.</p> +<h4>7.</h4> +<p>MY LORD,—Probably your cellars will be full of choke-damp +when the door is opened, from long disuse and confined air. I have +men, accustomed to descend dangerous wells and shafts, who will +undertake the job at a moderate price. Should you labour under any +temporary pecuniary embarrassment in paying me, I shall be happy to +take it out in your wine, which I should think had been some years +in bottle. Your Lordship’s most humble servant,</p> +<p>RICHARD ROSE,<br /> +Dealer in Marine Stores.<br /> +Gray’s-inn-lane.</p> +<hr /> +<h3>LAYS OF THE LAZY.</h3> +<div class="poem"> +<div class="stanza"> +<p>I’ve wander’d on the distant shore,</p> +<p class="i2">I’ve braved the dangers of the deep,</p> +<p>I’ve very often pass’d the Nore—</p> +<p class="i2">At Greenwich climb’d the well-known steep;</p> +<p>I’ve sometimes dined at Conduit House,</p> +<p class="i2">I’ve taken at Chalk Farm my tea,</p> +<p>I’ve at the Eagle talk’d with Rouse—</p> +<p class="i2">But I have NOT <em>forgotten thee</em>!</p> +</div> +<div class="stanza"> +<p>“I’ve stood amid the glittering throng”</p> +<p class="i2">Of mountebanks at Greenwich fair,</p> +<p>Where I have heard the Chinese gong</p> +<p class="i2">Filling, with brazen voice, the air.</p> +<p>I’ve join’d wild revellers at night—</p> +<p class="i2">I’ve crouch’d beneath the old oak +tree,</p> +<p>Wet through, and in a pretty plight,</p> +<p class="i2">But, oh! I’ve NOT <em>forgotten thee</em>!</p> +</div> +<div class="stanza"> +<p>I’ve earn’d, at times, a pound a week—</p> +<p class="i2">Alas! I’m earning nothing now;</p> +<p>Chalk scarcely shames my whiten’d cheek,</p> +<p class="i2">Grief has plough’d furrows in my brow.</p> +<p>I only get one meal a day,</p> +<p class="i2">And that one meal—oh, God!—my tea;</p> +<p>I’m wasting silently away,</p> +<p class="i2">But I have NOT <em>forgotten thee</em>!</p> +</div> +<div class="stanza"> +<p>My days are drawing to their end—</p> +<p class="i2">I’ve now, alas! no end in view;</p> +<p>I never had a real friend—</p> +<p class="i2">I wear a worn-out black <em>surtout</em>,</p> +<p>My heart is darken’d o’er with woe,</p> +<p class="i2">My trousers whiten’d at the knee,</p> +<p>My boot forgets to hide my toe—</p> +<p class="i2">But I have NOT <em>forgotten thee</em>!</p> +</div> +</div> +<hr /> +<h3>MATERNAL SOLICITUDE.</h3> +<p>The business habits of her gracious Majesty have long been the +theme of admiration with her loving subjects. A further proof of +her attention to general affairs, and consideration for the +accidents of the future, has occurred lately. The lodge at +Frogmore, which was, during the lifetime of Queen Charlotte, an +out-of-town nursery for little highnesses, has been constructed (by +command of the Queen) into a Royal Eccalleobion for a similar +purpose.</p> +<div class="figcenter"><a href="images/006-32.png"><img src= +"images/006-32.png" alt="A man takes a chicken into a cellar." id= +"img006-32" name="img006-32" width="50%" /></a> +<p>FAMILIES SUPPLIED.</p> +</div> +<hr class="full" /> +<span class="pagenum"><a id="page71" name="page71"></a>[pg 71]</span> +<h2>WIT WITHOUT MONEY:</h2> +<h3>OR, HOW TO LIVE UPON NOTHING.</h3> +<h4>BY VAMPYRE HORSELEECH, ESQ</h4> +<h3>CHAPTER II.</h3> +<p>“A clever fellow, that Horseleech!” “When +Vampyre is once drawn out, what a great creature it is!” +These, and similar ecstatic eulogiums, have I frequently heard +murmured forth from muzzy mouths into tinged and tingling ears, as +I have been leaving a company of choice spirits. There never was a +greater mistake. Horseleech, to be candid, far from being a clever +fellow, is one of the most barren rascals on record. Vampyre, +whether drawn out or held in, is a poor creature, not a great +creature—opaque, not luminous—in a word, by nature, a +very dull dog indeed.</p> +<p>But you see the necessity of appearing otherwise.—Hunger +may be said to be a moral Mechi, which invents a strop upon which +the bluntest wits are sharpened to admiration. Believe me, by +industry and perseverance—which necessity will inevitably +superinduce—the most dreary dullard that ever carried timber +between his shoulders in the shape of a head, may speedily convert +himself into a seeming Sheridan—a substitutional Sydney +Smith—a second Sam Rogers, without the drawback of having +written Jacqueline.</p> +<p>Take it for granted that no professed diner-out ever possessed a +particle of native wit. His stock-in-trade, like that of Field-lane +chapmen, is all plunder. Not a joke issues from his mouth, but has +shaken sides long since quiescent. Whoso would be a diner-out must +do likewise.</p> +<p>The real diner-out is he whose card-rack or mantelpiece (I was +going to say groans, but) laughingly rejoices in respectful +well-worded invitations to luxuriously-appointed tables. I count +not him, hapless wretch! as one who, singling out “a +friend,” drops in just at pudding-time, and ravens horrible +remnants of last Tuesday’s joint, cognizant of curses in the +throat of his host, and of intensest sable on the brows of his +hostess. No struggle there, on the part of the children, “to +share the good man’s knee;” but protruded eyes, round +as spectacles, and almost as large, fixed alternately upon his +flushed face and that absorbing epigastrium which is making their +miserable flesh-pot to wane most wretchedly.</p> +<p>To be jocose is not the sole requisite of him who would fain be +a universal diner-out. Lively with the light—airy with the +sparkling—brilliant with the blithe, he must also be grave +with the serious—heavy with the profound—solemn with +the stupid. He must be able to snivel with the sentimental—to +condole with the afflicted—to prove with the +practical—to be a theorist with the speculative.</p> +<p>To be jocose is his most valuable acquisition. As there is a +tradition that birds may be caught by sprinkling salt upon their +tails, so the best and the most numerous dinners are secured by a +judicious management of Attic salt.</p> +<p>I fear me that the works of Josephus, and of his +imitators—of that Joseph and his brethren, I mean, whom a +friend of mine calls “<em>The</em> Miller and his +men”—I fear me, I say, that these are well-nigh +exhausted. Yet I have known very ancient jokes turned with +advantage, so as to look almost equal to new. But this requires +long practice, ere the final skill be attained.</p> +<p>Etherege, Sedley, Wycherley, and Vanbrugh are very little read, +and were pretty fellows in their day; I think they may be safely +consulted, and rendered available. But, have a care. Be sure you +mingle some of your own dulness with their brighter matter, or you +will overshoot the mark. You will be too witty—a fatal error. +True wits eat no dinners, save of their own providing; and, depend +upon it, it is not their wit that will now-a-days get them their +dinner. True wits are feared, not fed.</p> +<p>When you tell an anecdote, never ascribe it to a man well known. +The time is gone by for dwelling upon—“Dean Swift +said”—“Quin, the actor, +remarked”—“The facetious Foote was +once”—“That reminds me of what +Sheridan”—“Ha! ha! Sydney Smith was dining the +other day with”—and the like. Your ha! +ha!—especially should it precede the name of Sam +Rogers—would inevitably cost you a hecatomb of dinners. It +would be changed into oh! oh! too surely, and too soon. <em>Verbum +sat</em>.</p> +<p>I would have you be careful to <em>sort</em> your pleasantries. +Your soup jokes (never hazard that one about Marshal +<em>Turenne</em>, it is really <em>too</em> ancient,) your fish, +your flesh, your fowl jests—your side-shakers for the side +dishes—your puns for the pastry—your after-dinner +excruciators.</p> +<p>Sometimes, from negligence (but be not negligent) or ill-luck, +which is unavoidable, and attends the best directed efforts, you +sit down to table with your stock ill arranged or incomplete, or of +an inferior quality. Your object is to make men laugh. It must be +done. I have known a pathetic passage, quoted timely and with a +happy emphasis from a popular novel—say, “Alice, or the +Mysteries”—I have known it, I say, do more execution +upon the congregated amount of midriff, than the best joke of the +evening. (There is one passage in that “thrilling” +performance, where Alice, overjoyed that her lover is restored to +her, is represented as frisking about him like a dog around his +long-absent proprietor, which, whenever I have taken it in hand, +has been rewarded with the most vociferous and gleesome +laughter.)</p> +<p>And this reminds me that I should say a word about laughers. I +know not whether it be prudent to come to terms with any man, +however stentorian his lungs, or flexible his facial organs, with a +view to engage him as a cachinnatory machine. A confederate may +become a traitor—a rival he is pretty certain of becoming. +Besides, strive as you may, you can never secure an altogether +unexceptionable individual—one who will “go the whole +hyaena,” and be at the same time the entire jackal. If he +once start “lion” on his own account, furnished with +your original roar, with which you yourself have supplied him, +good-bye to your supremacy. “Farewell, my trim-built +wherry”—he is in the same boat only to capsise you.</p> +<p>“And the first lion thinks the last a bore,”</p> +<p>and rightly so thinks. No; the best and safest plan is to work +out your own ends, independent of aid which at best is foreign, and +is likely to be formidable.</p> +<p>I may perhaps resume this subject more at large at a future +time. My space at present is limited, but I feel I have hardly as +yet entered upon the subject.</p> +<hr /> +<h3>LAM(B)ENTATIONS.</h3> +<div class="poem"> +<div class="stanza"> +<p>Ye banks and braes o’ Buckingham,</p> +<p>How can ye bloom sae fresh and fair,</p> +<p>When I am on my latest legs,</p> +<p>And may not bask amang ye mair!</p> +<p>And you, sweet maids of honour,—come,</p> +<p>Come, darlings, let us jointly mourn,</p> +<p>For your old flame must now depart,</p> +<p>Depart, oh! never to return!</p> +</div> +<div class="stanza"> +<p>Oft have I roam’d o’er Buckingham,</p> +<p>From room to room, from height to height;</p> +<p>It was such pleasant exercise,</p> +<p>And gave me <em>such</em> an appetite!</p> +<p>Yes! when the <em>dinner-hour</em> arrived,</p> +<p>For me they never had to wait,</p> +<p>I was the first to take my chair,</p> +<p>And spread my ample napkin straight.</p> +</div> +<div class="stanza"> +<p>And if they did not quickly come,</p> +<p>After the dinner-bell had knoll’d,</p> +<p>I just ran up my <em>private stairs</em>,</p> +<p>To say the things were getting cold!</p> +<p>But now, farewell, ye pantry steams,</p> +<p>(The sweets of premiership to me),</p> +<p>Ye gravies, relishes, and creams,</p> +<p>Malmsey and Port, and Burgundy!</p> +</div> +<div class="stanza"> +<p>Full well I mind the days gone by,—</p> +<p>‘Twas nought but sleep, and wake, and dine;</p> +<p>Then <em>John</em> and <em>Pal</em> sang o’ <em>their</em> +luck,</p> +<p>And fondly sae sang I o’ mine!</p> +<p>But now, how sad the scene, and changed!</p> +<p><em>Johnny</em> and <em>Pal</em> are glad nae mair!</p> +<p>Oh! banks and braes o’ Buckingham!</p> +<p>How <em>can</em> you bloom sae fresh and fair!</p> +</div> +</div> +<hr /> +<h3>CHELSEA.</h3> +<h4>(From our own Correspondent.)</h4> +<p>This delightful watering-place is filling rapidly. The +steam-boats bring down hundreds every day, and in the evening take +them all back again. Mr. Jones has engaged a lodging for the week, +and other families are spoken of. A ball is also talked about; but +it is not yet settled who is to give it, nor where it is to be +given. The promenading along the wooden pier is very general at the +leaving of the packets, and on their arrival a great number of +persons pass over it. There are whispers of a band being engaged +for the season; but, as there will not be room on the pier for more +than one musician, it has been suggested to negotiate with the +talented artist who plays the drum with his knee, the cymbals with +his elbow, the triangle with his shoulder, the bells with this +head, and the Pan’s pipes with his mouth—thus uniting +the powers of a full orchestra with the compactness of an +individual. An immense number of Margate slippers and donkeys have +been imported within the last few days, and there is every +probability of this pretty little peninsula becoming a formidable +rival to the old-established watering-places.</p> +<hr class="full" /> +<span class="pagenum"><a id="page72" name="page72"></a>[pg 72]</span> +<h2>THE DRAMA.</h2> +<h3>FOREIGN AFFAIRS,</h3> +<h4>OR, THE COURT OF QUEEN ANNE.</h4> +<p>Perhaps it was the fashion at the court of Queen Anne, for young +gentlemen who had attained the age of sixteen to marry and be given +in marriage. At all events, some conjecture of the sort is +necessary to make the plot of the piece we are noticing somewhat +probable—that being the precise circumstance upon which it +hinges. The <em>Count St. Louis</em>, a youthful +<em>attaché</em> of the French embassy, becomes attached, by +a marriage contract, to <em>Lady Bell</em>, a maid of honour to +Queen Anne. The husband at sixteen, of a wife quite nineteen, +would, according to the natural course of things, be very +considerably hen-pecked; and <em>St. Louis</em>, foreseeing this, +determines to begin. Well, he insists upon having “article +five” of the marriage contract cancelled; for, by this +stipulation, he is to be separated from his wife, on the evening of +the ceremony (which fast approaches), for five years. He storms, +swears, and is laughed at; somebody sends him a wedding present of +sugar-plums—everybody calls him a boy, and makes merry at his +expense—the wife treats him with contempt, and plays the +scornful. The hobble-de-hoy husband, fired with indignation, +determines to prove himself a man.</p> +<p>At the court of Queen Anne this seems to have been an easy +matter. <em>St. Louis</em> writes love-letters to several maids of +honour and to a citizen’s wife, finishing the first act by +invading the private apartments of the maiden ladies belonging to +the court of the chaste Queen Anne.</p> +<p>The second act discovers him confined to his apartments by order +of the Queen, having amused himself, while the intrigues begun by +the love-letters are hatching, by running into debt, and being +surrounded by duns. The intrigues are not long in coming to a head, +for two ladies visit him separately in secret, and allow themselves +to be hid in those never-failing adjuncts to a piece of dramatic +intrigue—a couple of closets, which are used exactly in the +same manner in “Foreign Affairs,” as in all the farces +within the memory of man—<em>ex. gr.</em>:—The hero is +alone; one lady enters cautiously. A tender interchange of +sentiment ensues—a noise is heard, and the lady screams. +“Ah! that closet!” Into which exit lady. Then enter +lady No. 2. A second interchange of tender things—another +noise behind. “No escape?” “None! and yet, happy +thought, that closet.” Exit lady No. 2, into closet No. +2.</p> +<p>This is exactly as it happens in “Foreign Affairs.” +The second noise is made by the husband of one of the concealed +ladies, and the lover of the other. Here, out of the old +“closet” materials, the dramatist has worked up one of +the best situations—to use an actor’s word—we +ever remember to have witnessed. It cannot be described; but it is +really worth all the money to go and see it. Let our readers do so. +The “Affairs” end by the boy fighting a couple of duels +with the injured men; and thus, crowning the proof of his manhood, +gets his wife to tolerate—to love him.</p> +<p>The piece was, as it deserved to be, highly successful; it was +admirably acted by Mr. Webster as one of the injured +lovers—Mr. Strickland and Mrs. Stirling, as a vulgar citizen +and citizeness—by Miss P. Horton as <em>Lady +Bell</em>—and even by a Mr. Clarke, who played a very small +part—that of a barber—with great skill. Lastly, Madlle. +Celeste, as the hero, acquitted herself to admiration. We suppose +the farce is called “Foreign Affairs” out of compliment +to this lady, who is the only “Foreign Affair” we could +discover in the whole piece, if we except that it is translated +from the French, which is, strictly, an affair of the +author’s.</p> +<hr /> +<h3>MARY CLIFFORD.</h3> +<p>If, dear readers, you have a taste for refined morality and +delicate sentiment, for chaste acting and spirited dialogue, for +scenery painted on the spot, but like nothing in nature except +canvas and colour—go to the Victoria and see “Mary +Clifford.” It may, perhaps, startle you to learn that the +incidents are faithfully copied from the “Newgate +Calendar,” and that the subject is Mother Brownrigg of +apprentice-killing notoriety; but be not alarmed, there is nothing +horrible or revolting in the drama—it is merely +laughable.</p> +<p>“Mary Clifford, or the foundling apprentice girl,” +is very appropriately introduced to the auditor, first outside the +gates of that “noble charity-school,” taking leave of +some of her accidental companions. Here sympathy is first awakened. +Mary is just going out to “place,” and instead of +saying “good bye,” which we have been led to believe is +the usual form of farewell amongst charity-girls, she sings a song +with such heart-rending expression, that everybody cries except the +musicians and the audience. To assist in this lachrymose operation, +the girls on the stage are supplied with clean white +aprons—time out mind a charity-girl’s +pocket-handkerchief. In the next scene we are introduced to Mr. and +Mrs. Brownrigg’s domestic arrangements, and are made +acquainted with their private characters—a fine stroke of +policy on the part of the author; for one naturally pities a poor +girl who can sing so nicely, and can get the corners of so many +white aprons wetted on leaving her last place, when one sees into +whose hands she is going to fall. The fact is, the whole family are +people of taste—peculiar, to be sure, and not refined. Mrs. +B. has a taste for starving apprentices—her son, Mr. Jolin +B., for seducing them—and Mr. B. longs only for a quiet life, +a pot of porter, and a pipe. Into the bosom of this amiable family +Mary Clifford enters; and we tremble for her virtue and her meals! +not, alas, in vain, for Mr. John is not slow in commencing his +gallantries, which are exceedingly offensive to Mary, seeing that +she has already formed a liaison with a school-fellow, one William +Clipson, who happily resides at the very next door with a baker. +During the struggles that ensue she calls upon her +“heart’s master,” the journeyman baker. But there +is another and more terrible invocation. In classic plays they +invoke “the gods”—in Catholic I ones, “the +saints”—the stage Arab appeals to +“Allah”—the light comedian swears “by the +lord Harry”—but <em>Mary Clifford</em> adds a new and +impressive invocative to the list. When young Brownrigg attempts to +kiss, or his mother to flog her, she casts her eyes upward, kneels, +and placing her hands together in an attitude of prayer, solemnly +calls upon—“the governors of the Foundling +Hospital!!” Nothing can exceed the terrific effect this seems +to produce upon her persecutors! They release her +instantly—they slink back abashed and trembling—they +hide their diminished heads, and leave their victim a clear stage +for a soliloquy or a song.</p> +<p>We really <em>must</em> stop here, to point out to dramatic +authors the importance of this novel form of conjuration. When the +history of Fauntleroy comes to be dramatised, the lover will, of +course, be a banker’s clerk: in the depths of distress and +despair into which he will have to be plunged, a prayer-like appeal +to “the Governor and Company of the Bank of England,” +will, most assuredly, draw tears from the most insensible audience. +The old exclamations of “Gracious +powers!”—“Great heavens!”—“By +heaven, I swear!” &c. &c., may now be abandoned; and, +after “Mary Clifford,” Bob Acres’ tasteful system +of swearing may not only be safely introduced into the tragic +drama, but considerably augmented.</p> +<p>But to return. Dreading lest Miss Mary should really “go +and tell” the illustrious governors, she is kept a close +prisoner, and finishes the first act by a conspiracy with a +fellow-apprentice, and an attempt to escape.</p> +<p>Mr. Brownrigg, we are informed, carried on business at No. 12, +Fetter-lane, in the oil, paint, pickles, vinegar, plumbing, +glazing, and pepper-line; and, in the next act, a correct view is +exhibited of the exterior of his shop, painted, we are told, from +the most indisputable authorities of the time. Here, in Fetter, +lane, the romance of the tale begins:—A lady enters, who, +being of a communicative disposition, begins, unasked, +unquestioned, to tell the audience a story—how that she +married in early life—that her husband was pressed to sea a +day or two after the wedding—that she in due time became a +mother, and (affectionate creature!) left the dear little pledge at +the door of the Foundling Hospital. That was sixteen years ago. +Since then fortune has smiled, and she wants her baby back again; +but on going to the hospital, says, that they informed her that her +daughter has been just “put apprentice” in the very +house before which she tells the story—part of it as great a +fib as ever was told; for children once inside the walls of that +“noble charity,” never know who left them there; and +any attempt to find each other out, by parent or child, is punished +with the instant withdrawal of the omnipotent protection of the +awful “governors.” This lady, who bears all the romance +of the piece upon her own shoulders, expects to meet her long-lost +husband at the Ship, in Wapping, and instead of seeking her +daughter, repairs thither, having done all the author required, by +emptying her budget of fibs.</p> +<p>The next scene is harrowing in the extreme. The bills describe +it as <em>Mrs. Brownrigg’s</em> “wash-house, kitchen, +and skylight”—the sky-light forming a most impressive +object. Poor <em>Mary Clifford</em> is chained to the floor, her +face begrimed, her dress in rags, and herself exceedingly hungry. +Here the heroine describes the weakness of her body with energy and +stentorian eloquence, but is interrupted by <em>Mr. Clipson</em>, +whose face appears framed and glazed in the broken sky-light. A +pathetic dialogue ensues, and the lover swears he will rescue his +mistress, or “perish in the attempt,” “calling +upon Mr. Owen, the parish overseer,” to make known her +sufferings. The Ship, in Wapping, is next shown; and <em>Toby +Bensling</em>, alias <em>Richard Clifford</em>, enters to inform +his hearers that he is the missing father of the injured foundling, +and has that moment stepped ashore, after a short voyage, lasting +sixteen years! He is on his way to the “Admiralty,” to +receive some pay—the more particularly, we imagine, as they +always pay sailors at Somerset House—and <em>then</em> to +look after his wife. But she saves him the trouble by entering with +<em>Mr. William Clipson</em>. The usual “Whom do I +see?”—“Can it be?”—“After so +long an absence!” &c. &c., having been duly uttered +and begged to, they all go to see after <em>Mary</em>, find her in +a cupboard in Mrs. B.’s back-parlour, and—the act-drop +falls.</p> +<p>We must confess we approach a description of the third act with +diffidence. Such intense pathos, we feel, demands words of more +sombre sound—ink of a darker hue, than we can command. The +third scene is, in particular, too extravagantly touching for +ordinary nerves to witness. <em>Mary Clifford</em> is in +bed—French bedstead (especially selected, perhaps, because +such things were not thought of in the days of Mother Brownrigg) +stands exactly in the middle of the stage—a chest of drawers +is placed behind, and a table on each side, to balance the picture. +The lover leans over the head, the mother sits at the foot, the +father stands at the side: <em>Mary Clifford</em> is insane, with +lucid intervals, and is, moreover, dying. The consequence is, she +has all the talk to herself, which consists of a discourse +concerning the great “governors,” her cruel mistress, +and her naughty young master, interlarded with insane ejaculations, +always considered stage property, such as, “Ah, she +comes!” “Nay, strike me not—I am +guiltless!” Again, “Villain! what do you take me +for?—unhand me!” and all that. Then the dying part +comes, and she sees an angel in the flies, and informs it that she +is coming soon (here it is usual for a lady to be removed from the +gallery in strong hysterics), and keeps her word by letting her arm +fall upon the bed-clothes and shutting her eyes, whereupon somebody +says that she is dead, and the prompter whistles for the scene to +be changed.</p> +<p>In the last scene, criminal justice takes its course. <em>Mrs. +Brownrigg</em>, having been sentenced to the gallows, is seen in +the condemned cell; her son by her side, and the fatal cart in the +back-ground. Having been brought up genteelly, she declines the +mode of conveyance provided for her journey to Tyburn with the +utmost volubility. Being about to be hanged merely does not seem to +affect her so poignantly as the disgraceful “drag” she +is doomed to take her last journey in. She swoons at the idea; and +the curtain falls to end her wicked career, and the sufferings of +an innocent audience.</p> +<hr class="full" /> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +1, August 21, 1841, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 14924-h.htm or 14924-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/9/2/14924/ + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/14924-h/images/006-01.png b/14924-h/images/006-01.png Binary files differnew file mode 100644 index 0000000..6dafa56 --- /dev/null +++ b/14924-h/images/006-01.png diff --git a/14924-h/images/006-02.png b/14924-h/images/006-02.png Binary files differnew file mode 100644 index 0000000..1c7a0e5 --- /dev/null +++ b/14924-h/images/006-02.png diff --git a/14924-h/images/006-03.png b/14924-h/images/006-03.png Binary files differnew file mode 100644 index 0000000..a4d37f3 --- /dev/null +++ b/14924-h/images/006-03.png diff --git a/14924-h/images/006-04.png b/14924-h/images/006-04.png Binary files differnew file mode 100644 index 0000000..c6a6bac --- /dev/null +++ b/14924-h/images/006-04.png diff --git a/14924-h/images/006-05.png b/14924-h/images/006-05.png Binary files differnew file mode 100644 index 0000000..0b65aeb --- /dev/null +++ b/14924-h/images/006-05.png diff --git a/14924-h/images/006-06.png b/14924-h/images/006-06.png Binary files differnew file mode 100644 index 0000000..309b67b --- /dev/null +++ b/14924-h/images/006-06.png diff --git a/14924-h/images/006-07.png b/14924-h/images/006-07.png Binary files differnew file mode 100644 index 0000000..64fc814 --- /dev/null +++ b/14924-h/images/006-07.png diff --git a/14924-h/images/006-08.png b/14924-h/images/006-08.png Binary files differnew file mode 100644 index 0000000..a9768b0 --- /dev/null +++ b/14924-h/images/006-08.png diff --git a/14924-h/images/006-09.png b/14924-h/images/006-09.png Binary files differnew file mode 100644 index 0000000..6dd20f4 --- /dev/null +++ b/14924-h/images/006-09.png diff --git a/14924-h/images/006-10.png b/14924-h/images/006-10.png Binary files differnew file mode 100644 index 0000000..5a10491 --- /dev/null +++ b/14924-h/images/006-10.png diff --git a/14924-h/images/006-11.png b/14924-h/images/006-11.png Binary files differnew file mode 100644 index 0000000..ee74ec2 --- /dev/null +++ b/14924-h/images/006-11.png diff --git a/14924-h/images/006-12.png b/14924-h/images/006-12.png Binary files differnew file mode 100644 index 0000000..989d5b6 --- /dev/null +++ b/14924-h/images/006-12.png diff --git a/14924-h/images/006-13.png b/14924-h/images/006-13.png Binary files differnew file mode 100644 index 0000000..2d10bde --- /dev/null +++ b/14924-h/images/006-13.png diff --git a/14924-h/images/006-14.png b/14924-h/images/006-14.png Binary files differnew file mode 100644 index 0000000..704514d --- /dev/null +++ b/14924-h/images/006-14.png diff --git a/14924-h/images/006-15.png b/14924-h/images/006-15.png Binary files differnew file mode 100644 index 0000000..dd8ceaf --- /dev/null +++ b/14924-h/images/006-15.png diff --git a/14924-h/images/006-16.png b/14924-h/images/006-16.png Binary files differnew file mode 100644 index 0000000..6bc5a33 --- /dev/null +++ b/14924-h/images/006-16.png diff --git a/14924-h/images/006-17.png b/14924-h/images/006-17.png Binary files differnew file mode 100644 index 0000000..dec465b --- /dev/null +++ b/14924-h/images/006-17.png diff --git a/14924-h/images/006-18.png b/14924-h/images/006-18.png Binary files differnew file mode 100644 index 0000000..e4fe3d8 --- /dev/null +++ b/14924-h/images/006-18.png diff --git a/14924-h/images/006-19.png b/14924-h/images/006-19.png Binary files differnew file mode 100644 index 0000000..f8714c7 --- /dev/null +++ b/14924-h/images/006-19.png diff --git a/14924-h/images/006-20.png b/14924-h/images/006-20.png Binary files differnew file mode 100644 index 0000000..489433f --- /dev/null +++ b/14924-h/images/006-20.png diff --git a/14924-h/images/006-21.png b/14924-h/images/006-21.png Binary files differnew file mode 100644 index 0000000..33eccd6 --- /dev/null +++ b/14924-h/images/006-21.png diff --git a/14924-h/images/006-22.png b/14924-h/images/006-22.png Binary files differnew file mode 100644 index 0000000..5a6dd08 --- /dev/null +++ b/14924-h/images/006-22.png diff --git a/14924-h/images/006-23.png b/14924-h/images/006-23.png Binary files differnew file mode 100644 index 0000000..bafd77c --- /dev/null +++ b/14924-h/images/006-23.png diff --git a/14924-h/images/006-24.png b/14924-h/images/006-24.png Binary files differnew file mode 100644 index 0000000..a21c3f6 --- /dev/null +++ b/14924-h/images/006-24.png diff --git a/14924-h/images/006-25.png b/14924-h/images/006-25.png Binary files differnew file mode 100644 index 0000000..bf586e4 --- /dev/null +++ b/14924-h/images/006-25.png diff --git a/14924-h/images/006-26.png b/14924-h/images/006-26.png Binary files differnew file mode 100644 index 0000000..d314bea --- /dev/null +++ b/14924-h/images/006-26.png diff --git a/14924-h/images/006-27.png b/14924-h/images/006-27.png Binary files differnew file mode 100644 index 0000000..0da3591 --- /dev/null +++ b/14924-h/images/006-27.png diff --git a/14924-h/images/006-28.png b/14924-h/images/006-28.png Binary files differnew file mode 100644 index 0000000..746e992 --- /dev/null +++ b/14924-h/images/006-28.png diff --git a/14924-h/images/006-29.png b/14924-h/images/006-29.png Binary files differnew file mode 100644 index 0000000..f84c7d0 --- /dev/null +++ b/14924-h/images/006-29.png diff --git a/14924-h/images/006-30.png b/14924-h/images/006-30.png Binary files differnew file mode 100644 index 0000000..e263129 --- /dev/null +++ b/14924-h/images/006-30.png diff --git a/14924-h/images/006-31.png b/14924-h/images/006-31.png Binary files differnew file mode 100644 index 0000000..0d35bc6 --- /dev/null +++ b/14924-h/images/006-31.png diff --git a/14924-h/images/006-32.png b/14924-h/images/006-32.png Binary files differnew file mode 100644 index 0000000..6a8fa07 --- /dev/null +++ b/14924-h/images/006-32.png diff --git a/14924.txt b/14924.txt new file mode 100644 index 0000000..df8e384 --- /dev/null +++ b/14924.txt @@ -0,0 +1,2424 @@ +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 1, +August 21, 1841, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 1, August 21, 1841 + +Author: Various + +Release Date: February 7, 2005 [EBook #14924] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + + + + + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 1. + + + +FOR THE WEEK ENDING AUGUST 21, 1841. + + * * * * * + + +THE WIFE-CATCHERS. + +A LEGEND OF MY UNCLE'S BOOTS. + +_In Four Chapters._ + + +CHAPTER IV. + + +[Illustration: T]The conversation now subsided into "private and +confidential" whispers, from which I could learn that Miss O'Brannigan had +consented to quit her father's halls with Terence that very night, and, +before the priest, to become his true and lawful wife. + +It had been previously understood that those of the guests who lived at a +distance from the lodge should sleep there that night. Nothing could have +been more favourable for the designs of the lovers; and it was arranged +between them, that Miss Biddy was to steal from her chamber into the yard, +at daybreak, and apprise her lover of her presence by flinging a handful of +gravel against his window. Terence's horse was warranted to carry double, +and the lady had taken the precaution to secure the key of the stable where +he was placed. + +It was long after midnight before the company began to separate;--cloaks, +shawls, and tippets were called for; a jug of punch of extra strength was +compounded, and a _doch an dhurris_[1] of the steaming beverage +administered to every individual before they were permitted to depart. At +length the house was cleared of its guests, with the exception of those who +were to remain and take beds there. Amongst the number were the haberdasher +and your uncle. The latter was shown into a chamber in which a pleasant +turf fire was burning on the hearth. + + [1] A drink at the door;--a farewell cup. + +Although Terence's mind was full of sweet anticipations and visions of +future grandeur, he could not avoid feeling a disagreeable sensation +arising from the soaked state of his boots; and calculating that it still +wanted three or four hours of daybreak, he resolved to have us dry and +comfortable for his morning's adventure. With this intention he drew us +off, and placed us on the hearth before the fire, and threw himself on the +bed--not to sleep--he would sooner have committed suicide--but to meditate +upon the charms of Miss Biddy and her thousand pounds. + +But our strongest resolutions are overthrown by circumstances--the ducking, +the dancing, and the _potteen_, had so exhausted Terence, that he +unconsciously shut, first, one eye, then the other, and, finally, he fell +fast asleep, and dreamed of running away with the heiress on his back, +through a shaking bog, in which he sank up to the middle at every step. His +vision was, however, suddenly dispelled by a smart rattle against his +window. A moment was sufficient to recall him to his senses--he knew it was +Miss Biddy's signal, and, jumping from the bed, drew back the cotton +window-curtains and peered earnestly out: but though the day had begun to +break, it was still too dark to enable him to distinguish any person on the +lawn. In a violent hurry he seized on your humble servant, and endeavoured +to draw me on; but, alas! the heat of the fire had so shrank me from my +natural dimensions, that he might as well have attempted to introduce his +leg and foot into an eel-skin. Flinging me in a rage to the further corner +of the room, he essayed to thrust his foot into my companion, which had +been reduced to the same shrunken state as myself. In vain he tugged, +swore, and strained; first with one, and then with another, until the +stitches in our sides grinned with perfect torture; the perspiration rolled +down his forehead--his eyes were staring, his teeth set, and every nerve in +his body was quivering with his exertions--but still he could not force us +on. + +"What's to be done!" he ejaculated in despairing accents. A bright thought +struck him suddenly, that he might find a pair of boots belonging to some +of the other visitors, with which he might make free on so pressing an +emergency. It was but sending them back, with an apology for the mistake, +on the following day. With this idea he sallied from his room, and groped +his way down stairs to find the scullery, where he knew the boots were +deposited by the servant at night. This scullery was detached from the main +building, and to reach it it was necessary to cross an angle of the yard. +Terence cautiously undid the bolts and fastenings of the back door, and was +stealthily picking his steps over the rough stones of the yard, when he was +startled by a fierce roar behind him, and at the same moment the teeth of +Towser, the great watch-dog, were fastened in his nether garments. Though +very much alarmed, he concealed his feelings, and presuming on a slight +previous intimacy with his assailant, he addressed him in a most familiar +manner, calling him "poor fellow" and "old Towser," explained to him the +ungentlemanly liberty he was taking with his buckskins, and requested him +to let go his hold, as he had quite enough of that sport. Towser was, +however, not to be talked out of his private notions; he foully suspected +your uncle of being on no good design, and replied to every remonstrance he +made with a growl and a shake, that left no doubt he would resort to more +vigorous measures in case of opposition. Afraid or ashamed to call for +help, Terence was kept in this disagreeable state, nearly frozen to death +with cold and trembling with terror, until the morning was considerably +advanced, when he was discovered by some of the servants, who released him +from the guardianship of his surly captor. Without waiting to account for +the extraordinary circumstances in which he had been found, he bolted into +the house, rushed up to his bed-chamber, and, locking the door, threw +himself into a chair, overwhelmed with shame and vexation. + +But poor Terence's troubles were not half over. The beautiful heiress, +after having discharged several volleys of sand and small pebbles against +his window without effect, was returning to her chamber, swelling with +indignation, when she was encountered on the stairs by Tibbins, who, no +doubt prompted by the demon of jealousy, had been watching her movements. +He could not have chosen a more favourable moment to plead his suit; her +mortified vanity, and her anger at what she deemed the culpable +indifference of her lover, made her eager to be revenged on him. It +required, therefore, little persuasion to obtain her consent to elope with +the haberdasher. The key of the stable was in her pocket, and in less than +ten minutes she was sitting beside him in his gig, taking the shortest road +to the priest's. + +I cannot attempt to describe the rage that Terence flew into, as soon as he +learned the trick he had been served; he vowed to be the death of Tibbins, +and it is probable he would have carried his threat into effect, if the +haberdasher had not prudently kept out of his way until his anger had grown +cool. + +"So," said I, addressing the narrator, "you lost the opportunity of +figuring at Miss Biddy's wedding?" + +"Yes," replied the 'wife-catcher;' "but Terence soon retrieved his credit, +for in less than three months after his disappointment with the heiress, we +were legging it as his wedding with Miss Debby Doolan, a greater fortune +and a prettier girl than the one he had lost: and, by-the-bye, that reminds +me of a funny scene which took place when the bride came to throw the +stocking--hoo! hoo! hoo! hoo!" + +Here my friends, the boots, burst into a long and loud fit of laughter; +while I, ignorant of the cause of their mirth, looked gravely on, wondering +when it would subside. Instead, however, of their laughter lessening, the +cachinnations became so violent that I began to feel seriously alarmed. + +"My dear friends!" said I. + +"Hoo! hoo! hoo! hoo! hoo!" shouted the pair. + +"This excessive mirth may be dangerous"-- + +A peal of laughter shook their leathern sides, and they rolled from side to +side on their chair. Fearful of their falling, I put out my hand to support +them, when a sense of acute pain made me suddenly withdraw it. I started, +opened my eyes, and discovered that I had laid hold of the burning remains +of the renowned "wife-catchers," which I had in my sleep placed upon the +fire. + +As I gazed mournfully upon the smoking relics of the ancient allies of our +house, I resolved to record this strange adventure; but you know I never +had much taste for writing, Jack, so I now confide the task to you. As he +concluded, my uncle raised his tumbler to his lips, and I could perceive a +tear sparkling in his eye--a genuine tribute of regard to the memory of the +venerated "_Wife Catchers_." + + * * * * * + + +CORRESPONDENCE EXTRAORDINARY. + + Wrote Paget to Pollen, + With face bright as brass, + "T'other day in the Town Hall + You mention'd an ass: + + "Now, for family reasons, + I'd like much to know, + If on me you intended + That name to bestow?" + + "My lord," says Jack Pollen, + "Believe me, ('tis true,) + I'd be sorry to slander + A donkey or you." + + "Being grateful," says Paget, + "I'd ask you to lunch; + But just, Sir John, tell me. + Did you call me PUNCH?" + + "In wit, PUNCH is equalled," + Says Pollen, "by few; + In naming him, therefore, + I couldn't mean you," + + "Thanks! thanks! To bear malice," + Save Paget, "I'm loath; + Two answers I've got, and I'm + Charm'd with them both." + + * * * * * + + +EPIGRAMS. + +1.--THE CAUSE. + + Lisette has lost her wanton wiles-- + What secret care consumes her youth, + And circumscribes her smiles?-- + _A spec on a front tooth!_ + + +2.--PRIDE. + + Fitzsmall, who drinks with knights and lords, + To steal a share of notoriety, + Will tell you, in important words, + He _mixes_ in the best society. + + * * * * * + + +ENGLISH AND AMERICAN PRODUCE. + +We find, by the _Times_ of Saturday, the British _teasel_ crops in the +parish of Melksham have fallen entirely to the ground, and from their +appearance denote a complete failure. Another paragraph in the same paper +speaks quite as discouragingly of the appearance of the American _Teazle_ +at the Haymarket. + + * * * * * + + +NURSERY EDUCATION REPORT.--No. 2. + +THE ROYAL RHYTHMICAL ALPHABET, + +_To be said or sung by the Infant Princess._ + +[Illustration] + +A stands for ARISTOCRACY, a thing I should admire; + +[Illustration] + +B stands for a BISHOP, who is clothed in soft attire; + +[Illustration] + +C beginneth CABINET, where Mamma keeps her _tools_; + +[Illustration] + +D doth stand for DOWNING-STREET, the "Paradise of Fools;" + +[Illustration] + +E beginneth ENGLAND, that granteth the supplies; + +[Illustration] + +F doth stand for FOREIGNERS, whom I should patronize; + +[Illustration] + +G doth stand for GOLD--good gold!--for which man freedom barters; + +[Illustration] + +H beginneth HONORS--that is, ribbons, stars, and garters; + +[Illustration] + +I stands for my INCOME (several thousand pounds per ann.); + +[Illustration] + +J stands for JOHNNY BULL, a soft and easy kind of man; + +[Illustration] + +K beginneth KING, who rules the land by "right divine;" + +[Illustration] + +L's for MRS. LILLY, who was once a nurse of mine. + +[Illustration] + +M beginneth MELBOURNE, who rules _the roast_ and State; + +[Illustration] + +N stands for a NOBLEMAN, who's _always_ good and great. + +[Illustration] + +O is for the OPERA, that I should only grace; + +[Illustration] + +P stands for the PENSION LIST, for "servants out of place." + +[Illustration] + +Q's the QUARTER'S SALARY, for which true patriots long; + +[Illustration] + +R's for MRS. RATSEY, who taught _me_ this pretty song; + +[Illustration] + +S stands for the SPEECH, which Mummy learns to say; + +[Illustration] + +T doth stand for TAXES, which the people ought to pay; + +[Illustration] + +U's for the UNION WORK-HOUSE, which horrid paupers shun; + +[Illustration] + +V is for VICTORIA, "the Bess of forty-one;" + +[Illustration] + +W stands for WAR, the "noble game" which Monarchs play; + +[Illustration] + +X is for the TREBLE X--Lilly drank three times a day; + +[Illustration] + +And Y Z's for the WISE HEADS, who admire all I say. + + * * * * * + + +THE GENTLEMAN'S OWN BOOK. + +A COMPLETE ENCYCLOPAEDIA OF ALL THE REQUISITES, DECORATIVE, EDUCATIONAL, AND +RECREATIVE, FOR GENTILITY. + + +INTRODUCTION. + +A popular encyclopaedia of the requisites for gentility--a companion to the +toilet, the _salons_, the Queen's Bench, the streets, and the +police-stations, has long been felt to be a desideratum by every one +aspiring to good-breeding. The few works which treat on the subject have +all become as obselete as "hot cockles" and "crambo." "The geste of King +Horne," the "[Greek: BASILIKON]" of King Jamie, "Peacham's Complete +Gentleman," "The Poesye of princelye Practice," "Dame Juliana Berners' Book +of St. Alban's," and "The Jewel for Gentrie," are now confined to +bibliopoles and bookstalls. Even more modern productions have shared the +same fate. "The Whole Duty of Man" has long been consigned to the +trunk-maker, "Chesterfield's Letters" are now dead letters, and the "Young +Man" lights his cigar with his "Best Companion." It is true, that in lieu +of these, several works have emanated from the press, adapted to the change +of manners, and consequently admirably calculated to supply their places. +We need only instance "The Flash Dictionary," "The Book of Etiquette," "A +Guide to the Kens and Cribs of London," "The whole Art of Tying the +Cravat," and "The Hand-book of Boxing;" but it remains for us to remove the +disadvantages which attend the acquirement of each of these noble arts and +sciences in a detached form. + +The possessor of an inquiring and genteel mind has now to wander for his +politeness to Paternoster-row[2]; to Pierce Egan, for his knowledge of men +and manners; and to Owen Swift, for his knightly accomplishments, and +exercises of chivalry. + + [2] "Book of Etiquette." Longman and Co. + +We undertake to collect and condense these scattered radii into one +brilliant focus, so that a gentleman, by reading his "own book," may be +made acquainted with the best means of ornamenting his own, or disfiguring +a policeman's, person--how to conduct himself at the dinner-table, or at +the bar of Bow-street--how to turn a compliment to a lady, or carry on a +chaff with a cabman. + +These are high and noble objects! A wider field for social elevation cannot +well be imagined. Our plan embraces the enlightenment and refinement of +every scion of a noble house, and all the junior clerks in the government +offices--from the happy recipient of an allowance of 50L per month from +"the Governor," to the dashing acceptor of a salary of thirty shillings a +week from a highly-respectable house in the City--from the gentleman who +occupies a suite of apartments in the Clarendon, to the lodger in the +three-pair back, in an excessively back street at Somers Town. + +With these incentives, we will proceed at once to our great and glorious +task, confident that our exertions will be appreciated, and obtain for us +an introduction into the best circles. + +PRELUDE. + +We trust that our polite readers will commence the perusal of our pages +with a pleasure equal to that which we feel in sitting down to write them; +for they call up welcome recollections of those days (we are literary and +seedy now!) when our coats emanated from the laboratory of Stultz, our +pantaloons from Buckmaster, and our boots from Hoby, whilst our glossy +beaver--now, alas! supplanted by a rusty goss--was fabricated by no less a +thatcher than the illustrious Moore. They will remind us of our Coryphean +conquests at the Opera--our triumphs in Rotten row--our dinners at Long's +and the Clarendon--our nights at Offley's and the watch-house--our glorious +runs with the Beaufort hounds, and our exhilarating runs from the sheriffs' +officers--our month's sporting on the heathery moors, and our day rule when +rusticating in the Bench! + +We are in "the sear and yellow leaf"--there is nothing green about us now! +We have put down our seasoned hunter, and have mounted the winged Pegasus. +The brilliant Burgundy and sparkling Hock no longer mantle in our glass; +but Barclay's beer--nectar of gods and coalheavers--mixed with +hippocrene--the Muses' "cold without"--is at present our only beverage. The +grouse are by us undisturbed in their bloomy mountain covert. We are now +content to climb Parnassus and our garret stairs. The Albany, that +sanctuary of erring bachelors, with its guardian beadle, are to us but +memories, for we have become the denizens of a roomy attic (ring the top +bell twice), and are only saluted by an Hebe of all-work and our printer's +devil! + +ON DRESS IN GENERAL.--_L'habit fait le moine_.--It has been laid down by +Brummel, Bulwer, and other great authorities, that "the tailor makes the +man;" and he would be the most daring of sceptics who would endeavour to +controvert this axiom. Your first duty, therefore, is to place yourself in +the hands of some distinguished schneider, and from him take out your +patent of gentility--for a man with an "elegant coat" to his back is like a +bill at sight endorsed with a good name; whilst a seedy or ill-cut garment +resembles a protested note of hand labelled "No effects." It will also be +necessary for you to consult "The Monthly Book of Fashions," and to +imitate, as closely as possible, those elegant and artistical productions +of the gifted _burin_, which show to perfection "What a piece of work is +man! How noble in reason! How infinite in faculties!" &c.--You must not +consult your own ease and taste (if you have any), for nothing is so vulgar +as to suit your convenience in these matters, as you should remember that +you dress to please others, and not yourself. We have heard of some +eccentric individuals connected with noble families, who have departed from +this rule; but they invariably paid the penalty of their rashness, being +frequently mistaken for men of intellect; and it should not be forgotten, +that any exercise of the mind is a species of labour utterly incompatible +with the perfect man of fashion. + +The confiding characters of tailors being generally acknowledged, it is +almost needless to state, that the _faintest_ indication of seediness will +be fatal to your reputation; and as a presentation at the Insolvent Court +is equally fashionable with that of St. James, any squeamishness respecting +your inability to pay could only be looked upon as a want of moral courage +upon your part, and + +[Illustration: UTTERLY UNWORTHY OF A GENTLEMAN.] + +[The subject of _dress in particular_ will form the subject of our next +chapter.] + + * * * * * + + +IF I HAD A THOUSAND A-YEAR. + +A BACHELOR'S LYRIC. + + If I had a thousand a-year, + (How my heart at the bright vision glows!) + I should never be crusty or queer, + But all would be _couleur de rose_. + I'd pay all my debts, though _outre_, + And of duns and embarrassments clear, + Life would pass like a bright summer day, + If I had a thousand a-year. + + I'd have such a spicy turn-out, + And a horse of such mettle and breed-- + Whose points not a jockey should doubt, + When I put him at top of his speed. + On the foot-board, behind me to swing, + A tiger so small should appear, + All the nobs should protest "'twas the thing!" + If I had a thousand a-year. + + A villa I'd have near the Park, + From Town just an appetite-ride; + With fairy-like grounds, and a bark + O'er its miniature waters to glide. + There oft, 'neath the pale twilight star, + Or the moonlight unruffled and clear, + My meerschaum I'd smoke, or cigar, + If I had a thousand a-year. + + I'd have pictures and statues, with taste-- + Such as ladies unblushing might view-- + In my drawing and dining-rooms placed, + With many a gem of virtu. + My study should be an affair + The heart of a book-worm to cheer-- + All compact, with its easy spring chair, + If I had a thousand a-year. + + A cellar I'd have quite complete + With wines, so _recherche_, well stored; + And jovial guests often should meet + Round my social and well-garnish'd board. + But I would have a favourite few, + To my heart and my friendship _more_ dear; + And I'd marry--I mustn't tell who-- + If I had a thousand a-year. + + With comforts so many, what more + Could I ask of kind Fortune to grant? + Humph! a few olive branches--say four-- + As pets for my old maiden aunt. + Then, with health, there'd be nought to append. + To perfect my happiness here; + For the _utile et duloc_ would blend. + If I had a thousand a-year. + + * * * * * + + +MY UNCLE BUCKET. + +The Buckets are a large family! I am one of them--my uncle Job Bucket is +another. We, the Buckets, are atoms of creation; yet we, the Buckets, are +living types of the immensity of the world's inhabitants. We illustrate +their ups and downs--their fulness and their emptiness--their risings and +their falling--and all the several goods and ills, the world's denizens in +general, and Buckets in particular, are undoubted heirs to. + +It hath ever been the fate of the fulness of one Bucket to guarantee the +emptiness of another; and (mark the moral!) the rising Bucket is the +richly-stored one; its sinking brother's attributes, like Gratiano's wit, +being "an infinite deal of nothing." Hence the adoption of our name for the +wooden utensils that have so aptly fished up this fact from the deep well +of truth. + +There be certain rods that attract the lightning. We are inclined to think +there be certain Buckets that invite kicking, and our uncle Job was one of +them. He was birched at school for everybody but himself, for he never +deserved it! He was plucked at college--because some practical joker placed +a utensil, bearing his name, outside the door of the examining master, and +our uncle Job Bucket being unfortunately present, laughed at the consequent +abrasion of his, the examining master's, shins. He was called to the bar. +His first case was, "Jane Smith _versus_ James Smith" (no relations). His +client was the female. She had been violently assaulted. He mistook the +initial--pleaded warmly for the opposing Smith, and glowingly described the +disgraceful conduct of the veriest virago a legal adviser ever had the pain +of speaking of. The verdict was, as he thought, on his side. The lady +favoured him with a living evidence of all the attributes he was pleased to +invent for her benefit, and left him with a proof impression of her nails +upon his face, carrying with her, by way of _souvenir_, an ample portion of +the skin thereof. Had the condensed heels of all the horses whose +subscription hairs were wrought into his wig, with one united effort +presented him with a kick in his abdominals, he could not have been more +completely "knocked out of time" than he was by the mistake of those cursed +initials. "_What about Smith?_" sent him out of court! At length he + + "Cursed the bar, and declined." + +He next turned his attention to building. Things went on swimmingly during +the erection--so did the houses when built. The proprietorship of the +ground was disputed--our uncle Job had paid the wrong person. The buildings +were knocked down (by Mr. Robins), and the individual who had benefited by +the suppositionary ownership of the acres let on the building lease "bought +the lot," and sent uncle Job a peculiarly well-worded legal notice, +intimating, "his respectable presence would, for the future, approximate to +a nuisance and trespass, and he (Job) would be proceeded against as the +statutes directed, if guilty of the same." + +It is impossible to follow him through all his various strivings to do +well: he commenced a small-beer brewery, and the thunder turned it all into +vinegar; he tried vinegar, and nothing on earth could make it sour; he +opened a milk-walk, and the parish pump failed; he invented a waterproof +composition--there was fourteen weeks of drought; he sold his patent for +two-and-sixpence, and had the satisfaction of walking home for the next +three months wet through, from his gossamer to his _ci-devant_ Wellingtons, +now literally, from their hydraulic powers, "_pumps_." + +He lost everything but his heart! And uncle Bucket was all heart! a red +cabbage couldn't exceed it in size, and, like that, it seemed naturally +predestined to be everlastingly in a pickle! Still it was a heart! You were +welcomed to his venison when he had it--his present saveloy was equally at +your service. He must have been remarkably attached to facetious elderly +poultry of the masculine gender, as his invariable salute to the tenants of +his "heart's core" was, "How are you, my jolly old cock?" Coats became +threadbare, and defunct trousers vanished; waistcoats were never replaced; +gossamers floated down the tide of Time; boots, deprived of all hope of +future renovation by the loss of their _soles_, mouldered in obscurity; but +the clear voice and chuckling salute were changeless as the statutes of the +Medes and Persians, the price and size of penny tarts, or the accumulating +six-and-eightpences gracing a lawyer's bill. + +Poor uncle Job Bucket's fortune had driven "him down the rough tide of +power," when first and last we met; all was blighted save the royal heart; +and yet, with shame we own the truth, we blushed to meet him. Why? ay, why? +We own the weakness!--the heart, the goodly heart, was almost cased in +rags! + +"Puppy!" + +Right, reader, right; we were a puppy. Lash on, we richly deserve it! but, +consider the fearful influence of worn-out cloth! Can a long series of +unchanging kindness balance patched elbows? are not cracked boots receipts +in full for hours of anxious love and care? does not the kindness of a life +fade "like the baseless fabric of a vision" before the withering touch of +poverty's stern stamp? Have you ever felt-- + +"Eh? what? No--stuff! Yes, yes--go on, go on." + +We will!--we blushed for our uncle's coat! His heart, God bless it, never +caused a blush on the cheek of man, woman, child, or even angel, to rise +for that. We will confess. Let's see, we are sixty now (we don't look so +much, but we are sixty). Well, be it so. We were handsome once--is this +vanity at sixty? if so, our grey hairs are a hatchment for the past. We +were "swells once!--hurrah!--we were!" Stop, this is indecent--let us be +calm--our action was like the proceeding of the denuder of well-sustained +and thriving pigs, he who deprives them of their extreme obesive +selvage--_vulgo_, "_we cut it fat_." Bond-street was cherished by our +smile, and Ranelagh was rendered happy by the exhibition of our symmetry. +Behold us hessianed in our haunts, touching the tips of well-gloved fingers +to our passing friends; then fancy the opening and shutting of our back, +just as Lord Adolphus Nutmeg claimed the affinity of "kid to kid," to find +our other hand close prisoner made by our uncle Bucket. + +"How are you, old cock?" + +"Who's that, eh?" + +"A lunatic, my lord (what lies men tell!), and dangerous!" + +"Good day! [_Exit my lord_]. This way." We followed our uncle--the end of a +blind alley gave us a resting-place. + +"Bravo!" exclaimed our uncle Bucket, "this is rare! I live here--dine with +me!" + +A mob surrounded us--we acquiesced, in hopes to reach a place of shelter. + +"All right!" exclaimed he of the maternal side, "stand three-halfpence for +your feed." + +We shelled the necessary out--he dived into a baker's shop--the mob +increased--he hailed us from the door. + +"Thank God, this is your house, then." + +"Only my kitchen. Lend a hand!" + +A dish of steaming baked potatoes, surmounted by a fractional rib of +consumptive beef, was deposited between the lemon-coloured receptacles of +our thumbs and fingers--an outcry was raised at the court's end--we were +almost mad. + +"Turn to the right--three-pair back--cut away while it's warm, and make +yourself at home! I'll come with the beer!" + +We wished our _I_ had been in that bier! We rushed out--the gravy basted +our _pants_, and greased our hessians! Lord Adolphus Nutmeg appeared at the +entrance of the court. As we proceeded to our announced +destination,--"Great God!" exclaimed his lordship, "the Bedlamite has +bitten him!" A peal of laughter rang in our ears--we rushed into the wrong +room, and our uncle Job Bucket picked us, the shattered dish, the reeking +potatoes, and dislodged beef, from the inmost recesses of a wicker-cradle, +where, spite the thumps and entreaties of a distracted parent, we were all +engaged in overlaying a couple of remarkably promising twins! We can say no +more on this frightful subject. But-- + + "Once again we met!" + +Our pride wanted cutting, and fate appeared determined to perform the +operation with a jagged saw! + +Tom Racket died! His disease was infectious, and we had been the last +person to call upon him, consequently we were mournful. Thick-coming +fancies brooded in our brain--all things conspired against us; the day was +damp and wretched--the church-bells emulated each other in announcing the +mortalities of earth's bipeds--each _toll'd_ its tale of death. We thought +upon our "absent friend." A funeral approached. We were still more gloomy. +Could it be his? if so, what were his thoughts? Could ghosts but speak, +what would he say? The coffin was coeval with us--sheets were rubicund +compared to our cheeks. A low deep voice sounded from its very bowels--the +words were addressed to us--they were, "Take no notice; it's the first +time; it will soon be over!" + +"Will it?" we groaned. + +"Yes. I'm glad you know me. I'll tell you more when I come back." + +"Gracious powers! do you expect to return?" + +"Certainly! We'll have a screw together yet! There's room for us both in my +place. I'll make you comfortable." + +The cold perspiration streamed from us. Was there ever anything so awful! +Here was an unhappy subject threatening to call and see us at night, and +then screw us down and make us comfortable. + +"Will you come?" exclaimed the dead again. + +"Never!" we vociferated with fearful energy. + +"Then let it alone; I didn't think you'd have cut me now; but wait till I +show you my face." + +Horror of horrors!--the pall moved--a long white face peered from it. We +gasped for breath, and only felt new life when we recognised our uncle Job +Bucket, as the author of the conversation, and one of the bearers of the +coffin! He had turned mute!--but that was a failure--no one ever died in +his parish after his adopting that profession! + + * * * * * + +He has been seen once since in the backwoods of America. His fate seemed +still to follow him, and his good temper appeared immortal--his situation +was more peculiar than pleasant. He was seated on a log, three hundred +miles from any civilised habitation, smiling blandly at a broken axe (his +only one), the half of which was tightly grasped in his right hand, +pointing to the truant iron in the trunk of a huge tree, the first of a +thriving forest of fifty acres he purposed felling; and, thus occupied, a +solitary traveller passed our uncle Job Bucket, serene as the melting +sunshine, and thoughtless as the wild insect that sported round the owner +"of the lightest of light hearts."--PEACE BE WITH HIM. FUSBOS. + + * * * * * + + +IMPORTANT DISCOVERY. + +A gentleman of the name of Stuckey has discovered a new filtering process, +by which "a stream from a most impure source may be rendered perfectly +translucent and fit for all purposes." In the name of our rights and +liberties! in the name of Judy and our country! we call upon the proper +authorities to have this invaluable apparatus erected in the lobby of the +House of Commons, and so, by compelling every member to submit to the +operation of filtration, cleanse the house from its present accumulation of +corruption, though we defy Stuckey himself to give it _brightness_. + + * * * * * + + +A THING UNFIT TO A(P)PEAR. + + New honours heaped on _roue_ Segrave's name! + A cuckold's horn is then the trump of fame. + + * * * * * + + +FINE ARTS. + +EXTERNAL EXHIBITIONS. + + +Under this head it is our intention, from time to time, to revert to +numberless free exhibitions, which, in this advancement-of-education age, +have been magnanimously founded with a desire to inculcate a knowledge of, +and disseminate, by these liberal means, an increased taste for the arts in +this vast metropolis. We commence not with any feelings of favouritism, nor +in any order of ability, our pleasures being too numerously divided to be +able to settle as to which ought to be No. 1, but because it is necessary +to commence--consequently we would wish to settle down in company with the +amiable reader in front of a tobacconist's shop in the Regent Circus, +Piccadilly; and as the principal attractions glare upon the astonishment of +the spectators from the south window, it is there in imagination that we +are irresistibly fixed. Before we dilate upon the delicious peculiarities +of the exhibition, we deem it absolutely a matter of justice to the +noble-hearted patriot who, imitative of the Greeks and Athenians of old, +who gave the porticoes of their public buildings, and other convenient +spots, for the display of their artists' productions, has most generously +appropriated the chief space of his shop front to the use and advantage of +the painter, and has thus set a bright example to the high-minded havannah +merchants and contractors for cubas and c'naster, which we trust will not +be suffered to pass unobserved by them. + +The principal feature, or, rather mass of features, which enchain the +beholder, is a whole-length portrait of a gentleman (_par excellence_) +seated in a luxuriating, Whitechapel style of ease, the envy, we venture to +affirm, of every omnibus cad and coachman, whose loiterings near this spot +afford them occasional peeps at him. He is most decidedly the greatest +cigar in the shop--not only the mildest, if his countenance deceive us not, +but evidently the most full-flavoured. The artist has, moreover, by some +extraordinary adaptation or strange coincidence, made him typical of the +locality--we allude to the Bull-and-Mouth--seated at a table evidently made +and garnished for the article. The said gentleman herein depicted is in the +act of drinking his own health, or that of "all absent friends," probably +coupling with it some little compliment to a favourite dog, one of the true +Regent-street-and-pink-ribbon breed, who appears to be paying suitable +attention. A huge pine-apple on the table, and a champagne cork or two upon +the ground, contribute a gallant air of reckless expenditure to this +spirited work. In reference to the artistic qualities, it gives us +immoderate satisfaction to state that the whole is conceived and executed +with that characteristic attention so observable in the works of this +master[3], and that the fruit-knife, fork, cork-screw, decanter, and +chiaro-scuro (as the critic of the _Art Union_ would have it), are truly +excellent. The only drawback upon the originality of the subject is the +handkerchief on the knee, which (although painted as vigorously as any +other portion of the picture) we do not strictly approve of, inasmuch as it +may, with the utmost impartiality, be assumed as an imitation of Sir Thomas +Lawrence's portrait of George the Fourth; nevertheless, we in part excuse +this, from the known difficulty attendant upon the representation of a +gentleman seated in enjoyment, and parading his bandana, without +associating it with a veritable footman, who, upon the occasion of his +"Sunday out," may, perchance, be seen in one of the front lower tenements +in Belgrave-square, or some such _locale_, paying violent attentions to the +housemaid, and the hot toast, decorated with the order of the handkerchief, +to preserve his crimson plush in all its glowing purity. We cannot take +leave of this interesting work without declaring our opinion that the +composition (of the frame) is highly creditable. + + [3] We have forgotten the artist's name--perhaps never knew it; but + we believe it is the same gentleman who painted the great + author of "Jack Sheppard." + +Placed on the right of the last-mentioned work of art, is a representation +of a young lady, as seen when presenting a full-blown flower to a favourite +parrot. There is a delicate simplicity in the attitude and expression of +the damsel, which, though you fail to discover the like in the tortuous +figures of Taglioni or Cerito, we have often observed in the conduct of +ladies many years in the seniority of the one under notice, who, ever +mindful of the idol of their thoughts and affections--a feline +companion--may be seen carrying a precious morsel, safely skewered, in +advance of them; this gentleness the artist has been careful to retain to +eminent success. We are, nevertheless, woefully at a loss to divine what +the allegory can possibly be (for as such we view it), what the analogy +between a pretty poll and a pol-yanthus. We are unlearned in the language +of flowers, or, perhaps, might probe the mystery by a little floral +discussion. We are, however, compelled to leave it to the noble order of +freemasons, and shall therefore wait patiently an opportunity of +communicating with his Royal Highness the Duke of Sussex. In the meantime +we shall not he silent upon the remaining qualities of the work as a +general whole--the young lady--the parrot--the polyanthus, and the +chiaro-scuro, are as excellent as usual in this our most amusing painter's +productions. + +As a pendant to this, we are favoured with the portrait of a young +gentleman upon a half-holiday--and, equipped with cricket means, his +dexter-hand grasps his favourite bat, whilst the left arm gracefully +encircles a hat, in which is seductively shown a genuine "Duke." The +sentiment of this picture is unparalleled, and to the young hero of any +parish eleven is given a stern expression of Lord's Marylebone ground. We +can already (aided by perspective and imagination) see him before a future +generation of cricketers, "shoulder his bat, and show how games were won." +The bat is well drawn and coloured with much truth, and with that strict +observance of harmony which is so characteristic of the excellences of art. +The artist has felicitously blended the tone and character of the bat with +that of the young gentleman's head. As to the ball, we do not recollect +ever to have seen one in the works of any of the old masters so true to +nature. In conclusion, the buttons on the jacket, and the button-holes, +companions thereto, would baffle the criticism of the most hyper-fastidious +stab-rag; and the shirt collar, with every other detail--never forgetting +the chiaro-scuro--are equal to any of the preceding. + + * * * * * + + +CURIOUS COINCIDENCE. + +We had prepared an announcement of certain theatricals extraordinary, with +which we had intended to favour the public, when the following bill reached +us. We feel that its contents partake so strongly of what we had heretofore +conceived the exclusive character of PUNCH, that to avoid the charge of +plagiarism, as well as to prevent any confusion of interests, we have +resolved to give insertion to both. + +As PUNCH is above all petty rivalry, we accord our _collaborateurs_ the +preference. + +_Red Lion Court, Fleet Street._ + +SIR,--Allow me to solicit your kindness so far, as to give publicity to +this bill, by _placing it in some conspicuous part of your Establishment_. +The success of the undertaking will prove so advantageous to the public at +large, that I fear not your compliance in so good a cause. + +I am, Sir, your's very obediently, +C. MITCHELL + + * * * * * + +VIVANT REGINA ET PRINCEPS. + +THEATRE ROYAL + +ENGLISH OPERA HOUSE, + +WELLINGTON-STREET NORTH, STRAND. + +_Conducted by the Council of the Dramatic Authors' Theatre, established for +the full encouragement of English Living Dramatists._ + + +ADDRESS TO THE PUBLIC. + +The generous National feelings of the British Public are proverbially +interested in every endeavour to obtain "a Free Stage and Fair Play." The +Council of the Dramatic Authors' Theatre seek to achieve both, for every +English Living Dramatist. Compelled, by the state of the _Law_, to present +on the Stage a high Tragic Composition IN AN IRREGULAR FORM (in effecting +which, nevertheless, regard has been had to those elements of human nature, +which must constitute the essential principles of every genuine Dramatic +Production), they hope for such kind consideration as may be due to a work +brought forward in obedient accordance with the regulations of _Acts of +Parliament_, though labouring thereby under some consequent difficulties; +the _Law_ for the Small Theatres Royal, and the _Law_ for the Large +Theatres Royal, _not_ being one and the same _Law_. If, by these efforts, a +beneficial alteration in such Law, which presses so fatally on Dramatic +Genius, and which militates against the revival of the highest class of +Drama, should be effected, they feel assured that the Public will +Participate in their Triumph. + +On THURSDAY, the 26th of AUGUST, will be presented, for the First Time, + +(_Interspersed with Songs and Music_). + +MARTINUZZI. + +BY GEORGE STEPHENS, ESQ. + +Taken by him from his "magnificent" Dramatic Poem, entitled, _The Hungarian +Daughter_. + +The Solos, Duets, Chorusses, and every other Musical arrangement the _Law_ +may require, by Mr. DAVID LEE. + +The following Opinions of the Press on the Actable qualities of the +Dramatic Poem, are selected from a vast mass of similar notices. + +"Worthy of _the Stage_ in its best days."--The Courier. + +"Effective situations; if well acted, it _could not fail of +success_."--_New Bell's Messenger_. + +"The mantle of the Elizabethan Poets seems to have fallen on Mr. Stephens, +for we have scarcely ever met with, in the works of modern dramatists, the +truthful delineations of human passion, the chaste and splendid imagery, +and continuous strain of fine poetry to be found in _The Hungarian +Daughter_."--_Cambridge Journal_. + +"Equal to Goethe. All is impassioned and effective. The Poet has availed +himself of every tragic point, and brought together every element; nor, +with the exception, of Mr. Knowles's _Love_, has there been a single Drama, +within the last four years, presented on _the Stage_ at all +comparable."--_Monthly Magazine_. + +After which will be performed, also for the First Time, An Original +Entertainment in One Act, Entitled + +THE CLOAK AND THE BONNET! + +By the Author of _Jacob Faithful_, _Peter Simple_, _&c. &c._ + +No Orders admitted.--No Free List, the Public Press excepted. + + * * * * * + +Now for _our_ penny trumpet. + +THEATRICALS EXTRAORDINARY. + + +READER,--Allow us to solicit your kindness so far as to give publicity to +the following announcement, _by buying up and distributing among your +friends the whole of the unsold copies of this number_. The success of this +undertaking will prove so advantageous to the public at large, and of so +little benefit to ourselves, that we fear not your compliance in so good a +cause. + +Yours obediently, + +PUNCH. + + +VIVANT KANT ET TOMFOOLERIE. + +THEATRE ROYAL + +PERIPATETIC, + +WELLINGTON-STREET SOUTH, STRAND. + +_Conducted by the Council of the Fanatic Association established for the +full encouragement of Timber Actors and Wooden-headed Dramatists_. + +ADDRESS TO THE PUBLIC; + +OR, PUNCH BLOWING HIS OWN TRUMPET, + +The general National feelings of the British Public are proverbially +interested in every endeavour to obtain "a blind alley, and no Fantoccini." +Compelled by the New Police Act to move on, and so present our high tragic +composition by small instalments (in effecting which, nevertheless, regard +has been had--_This parenthesis to be continued in our next_), we hope for +such kind consideration as may be due, when it is remembered that the _law_ +for the _out-door_ PUNCH and the _law_ for the _in-door_ PUNCH is not one +and the same _law_. Oh, law! + +On SATURDAY, the 28th of AUGUST, will be presented, + +(_Interspersed with Drum and Mouth Organ_), + +PUNCHINUZZI, + +BY EGO SCRIBLERUS, ESQ. + +Taken from his "magnificent" Dramatic Poem, entitled, "PUNCH NUTS UPON +HIMSELF." + +The following Opinions on the Actable qualities of _Punchinuzzi_, are +selected from a vast mass of similar notices. + +"This ere play 'ud draw at ony fare."--_The late Mr. Richardson_. + +"This happy poetic drama would be certain to command crowded and elegant +_courts_."--_La Belle Assemblee_. + +"We have read _Punchinuzzi_, and we fearlessly declare that the mantle of +that metropolitan bard, the late Mr. William Waters, has descended upon the +gifted author."--_Observer_. + +"Worthy of the _streets_ in their best days."--_Fudge_. + +No Orders! No Free List! No Money!!. + + * * * * * + + +THE WHIGS' LAST DYING SPEECH, AS DELIVERED BY THE QUEEN + +It is with no common pride that PUNCH avails himself of the opportunity +presented to him, from sources exclusively his own, of laying before his +readers a copy of the original draft of the Speech decided upon at a late +Cabinet Council. There is a novelty about it which pre-eminently +distinguishes it from all preceding orations from the throne or the +woolsack, for it has a purpose, and evinces much kind consideration on the +part of the Sovereign, in rendering this monody on departed Whiggism as +grateful as possible to its surviving friends and admirers. + +There is much of the eulogistic fervour of George Robins, combined with the +rich poetic feeling of Mechi, running throughout the oration. Indeed, it +remained for the Whigs to add this crowning triumph to their policy; for +who but Melbourne and Co. would have conceived the happy idea of converting +the mouth of the monarch into an organ for puffing, and transforming +Majesty itself into a _National Advertiser_? + + +THE QUEEN'S SPEECH. + + MY LORDS AND GENTLEMEN, + + I have the satisfaction to inform you, that, through the invaluable + policy of my present talented and highly disinterested advisers, I + continue to receive from foreign powers assurances of their + amicable disposition towards, and unbounded respect for, my elegant + and enlightened Secretary of State for Foreign Affairs, and of + their earnest desire to remain on terms of friendship with the rest + of my gifted, liberal, and amiable Cabinet. + + The posture of affairs in China is certainly not of the most + pacific character, but I have the assurance of my infallible Privy + Council, and of that profound statesman my Secretary of State for + Foreign Affairs, in particular, that the present disagreement + arises entirely from the barbarous character of the Chinese, and + their determined opposition to the progress of temperance in this + happy country. + + I have also the satisfaction to inform you, that, by the acute + diplomatic skill of my never-to-be-sufficiently-eulogised Secretary + of State for Foreign Affairs, that, after innumerable and + complicated negotiations, he has at length succeeded in seducing + his Majesty the King of the French to render to England the tardy + justice of commemorating, by a _fete_ and inauguration at Boulogne, + the disinclination of the French, at a former period, to invade the + British dominions. + + + GENTLEMEN OF THE HOUSE OF COMMONS, + + I have directed the _estimates for the next fortnight_ to be laid + before you, which, I am happy to inform you, will be amply + sufficient for the exigencies of my _present_ disinterested + advisers. + + The unequalled fiscal and arithmetical talents of my Chancellor of + the Exchequer have, by the most rigid economy, succeeded in + reducing the revenue very considerably below the actual expenditure + of the state. + + + MY LORDS AND GENTLEMEN, + + Measures will be speedily submitted to you for carrying out the + admirable plans of my Secretary of State for the Colonial + Department, and the brilliant author of "Don Carlos," for the + prevention of apoplexy among paupers, and the reduction of the + present extravagant dietary of the Unions. + + I have the gratification to announce that a commission is in + progress, by which it is proposed by my _non_-patronage Ministers + to call into requisition the talents of several literary + gentlemen--all intimate friends or relations of my deeply erudite + and profoundly philosophic Secretary of State for the Home + Department, and author of "Yes and No," (three vols. Colburn) for + the purpose of extending the knowledge of reading and writing, and + the encouragement of circulating libraries all over the kingdom. + + My consistent and uncompromising Secretary of State for the + Colonies, having, since the publication of his spirited "Essays by + a gentleman who has lately left his lodgings," totally changed his + opinions on the subject of the Corn Laws, a measure is in the + course of preparation with a view to the repeal of those laws, and + the continuance in office of my invaluable, tenacious, and + incomparable ministry. + +CAUTION.--We have just heard from a friend in Somerset House, that it is +the intention of the Commissioners of Stamps, from the glaring puffs +embodied in the above speech, to proceed for the advertisement duty against +all newspapers in which it is inserted. For ourselves, we will cheerfully +pay. + + * * * * * + + +A German, resident in New York, has such a remarkably hard name, that he +spoils a gross of steel pens indorsing a bill. + + * * * * * + + +A NEW VERSION OF BELSHAZZAR'S FEAST. + +[Illustration: OLD GLORY'S WHIG TOP-BOOTS REFUSING TO CARRY HIM TO THE +DINNER TO CAPTAIN ROUS.] + +Such, we are credibly assured, was the determination of these liberal and +enlightened leathers. They had heard frequent whispers of a general +indisposition on the part of all lovers of consistency to stand in their +master's shoes, and taking the insult to themselves, they lately came to +the resolution of cutting the connexion. They felt that his liberality and +his boots were all that constituted the idea of Burdett; and now that he +had forsaken his old party and joined Peel's, the "tops" magnanimously +decided to forsake him, and force him to take to--Wellingtons. We have been +favoured with a report of the conversation that took place upon the +occasion, and may perhaps indulge our readers with a copy of it next week. + +In the mean time, we beg to subjoin a few lines, suggested by the +circumstance of Burdett taking the chair at Rous's feast, which strongly +remind us of Byron's Vision of Belshazzar. + + Burdett was in the chair-- + The Tories throng'd the hall-- + A thousand lamps were there, + O'er that mad festival. + His crystal cup contain'd + The grape-blood of the Rhine; + Draught after draught he drain'd, + To drown his thoughts in wine. + + In that same hour and hall + A shade like "Glory" came, + And wrote upon the wall + The records of his shame. + And at its fingers traced + The words, as with a wand, + The traitorous and debased + Upraised his palsied hand. + + And in his chair he shook, + And could no more rejoice; + All bloodless wax'd his look, + And tremulous his voice. + "What words are those appear, + To mar my fancied mirth! + What bringeth 'Glory' here + To tell of faded worth?" + + "False renegade! thy name + Was once the star which led + The free; but, oh! what shame + Encircles now thine head! + Thou'rt in the balance weigh'd, + And worthless found at last. + All! all! thou hast betray'd!"-- + And so the spirit pass'd. + + * * * * * + + +PUNCH'S PENCILLINGS.--No. VI. + +[Illustration: + +ANIMAL MAGNETISM: + +SIR RHUBARB PILL MESMERISING THE BRITISH LION.] + + * * * * * + + +SUPREME COURT OF THE LORD HIGH INQUISITOR PUNCH. + +PAT V. THE WHIG JUSTICE COMPANY. + +This is a cause of thorough orthodox equity standing, having commenced +before the time of legal memory, with every prospect of obtaining a final +decree on its merits somewhere about the next Greek Kalends. In the present +term, + +COUNSELLOR BAYWIG moved, on the part of the plaintiff, who sues _in forma +pauperis_, for an injunction to restrain the Whig Justice Company from +setting a hungry Scotchman--one of their own creatures, without local or +professional knowledge--over the lands of which the plaintiff is the legal, +though unfortunately not the beneficial owner, as keeper and head manager +thereof, to the gross wrong of the tenants, the depreciation of the lands +themselves, the further reduction of the funds standing in the name of the +cause, the insult to the feelings and the disregard of the rights of +gentlemen living on the estate, and perfectly acquainted with its +management; and finally, to an unblushing and barefaced denial of justice +to all parties. The learned counsel proceeded to state, that the company, +in order to make an excuse for thus saddling the impoverished estates with +an additional incubus, had committed a double wrong, by forcing from the +office a man eminently qualified to discharge its functions--who had lived +and grown white with honourable years in the actual discharge of these +functions--and by thrusting into his place their own needy retainer, who, +instead of being the propounder of the laws which govern the estates, would +be merely the apprentice to learn them; and this too at a time when the +company was on the eve of bankruptcy, and when the possession which they +had usurped so long was about to pass into the hands of their official +assignees. + +LORD HIGH INQUISITOR.--What authorities can you cite for this application? + +COUNSELLOR BAYWIG.--My lord, I fear the cases are, on the whole, rather +adverse to us. Men have, undoubtedly, been chosen to administer the laws of +this fine estate, and to guard it from waste, who have studied its customs, +been thoroughly learned in its statistics, and interested, by blood and +connexion, in its prosperity; but this number is very small. However, when +injustice of the most grievous kind is manifest, it should not be continued +merely because it is the custom, or because it is an "old institution of +the country." + +LORD HIGH INQUISITOR.--I am quite astonished at your broaching such +abominable doctrines here, sir. You a lawyer, and yet talk of justice in a +Court of Equity! By Bacon, Blackstone, and Eldon, 'tis marvellous! Mr. +Baywig, if you proceed, I shall feel it my duty to commit you for a +contempt of court. + +COUNSELLOR BAYWIG.--My lord, in that case I decline the honour of +addressing your lordship further; but certainly my poor client is wronged +in his land, in himself, and in his kindred. It is shocking personal insult +added to terrible pecuniary punishment. + +LORD HIGH INQUISITOR.--_Serve_ him right! We dismiss the application with +costs. + + * * * * * + + +THE ADVANTAGES OF STYLE. + +Some of the uninitiated in the art and mystery of book-making conceive the +chief tax must be upon the compiler's brain. We give the following as a +direct proof to the contrary--one that has the authority of Lord Hamlet, +who summed the matter up in three + + "Words! Words! Words!" + +In one column we give a common-place household and familiar term--in the +other we render it into the true Bulwerian phraseology: + + Does your mother know | Is your maternal parent's natural solicitude + you are out? | allayed by the information, that you have for + | the present vacated your domestic roof? + | + You don't lodge here, | You are geographically and statistically + Mr. Ferguson. | misinformed; this is by no means the + | accustomed place of your occupancy, Mr. + | Ferguson. + | + See! there he goes | Behold! he proceeds totally deprived of one + with his eye out. | moiety of his visual organs! + | + Don't you wish you | Pray confess, are you not really particularly + may get it? | anxious to obtain the desired object? + | + More t'other. | Infinitely, peculiarly, and most intensely + | the entire extreme and the absolute reverse. + | + | + Quite different. | Dissimilar as the far-extended poles, or the + | deep-tinctured ebon skins of the dark + | denizens of Sol's sultry plains and the fair + | rivals of descending flakes of virgin snow, + | melting with envy on the peerless breast of + | fair Circassia's ten-fold white-washed + | daughters. + | + Over the left. | Decidedly in the ascendant of the sinister. + + * * * * * + + +From the nobleman who is selected to move the address in the House of +Lords, it would seem that the Whigs, tired of any further experiments in +turning their coats, are about to try what effect they can produce with an +_old Spencer_. + + * * * * * + + +As the weather is to decide the question of the corn-laws, the rains that +have lately fallen may be called, with truth, the _reins_ of government. + + * * * * * + + +SPORTING IN DOWNING STREET. + +"COME OUT--WILL YOU!" + +The extraordinary attachment which the Whigs have displayed for office has +been almost without parallel in the history of ministerial fidelity. +Zoologists talk of the local affection of cats, but in what animal shall we +discover such a strong love of place as in the present government? Lord +John is a very badger in the courageous manner in which he has resisted the +repeated attacks of the Tory terriers. The odds, however, are too great for +even _his_ powers of defence; he has given some of the most forward of the +curs who have tried to drag him from his burrow some shrewd bites and +scratches that they will not forget in a hurry; but, overpowered by +numbers, he must "come out" at last, and yield the victory to his numerous +persecutors, who will, no doubt, plume themselves upon their dexterity at +drawing a badger. + + * * * * * + + +PUNCH'S EXTRA DRAMATIC INTELLIGENCE + +(BY THE CORRESPONDENT OF THE OBSERVER.) + +The dramatic world has been in a state of bustle all the week, and parties +are going about declaring--not that we put any faith in what they say--that +Macready has already given a large sum for a manuscript. If he has done +this, we think he is much to blame, unless he has very good reasons, as he +most likely has, for doing so; and if such is the case, though we doubt the +policy of the step, there can be no question of his having acted very +properly in taking it. His lease begins in October, when, it is said, he +will certainly open, if he can; but, as he positively cannot, the reports +of his opening are rather premature, to say the least of them. For our +parts, we never think of putting any credit in what we hear, but we give +everything just as it reaches us. + + * * * * * + + +THE MONEY MARKET + +Tin is twopence a hundredweight dearer at Hamburgh than at Paris, which +gives an exchange of 247 mille in favour of the latter capital. + +A good deal of conversation has been excited by a report of its being +intended by some parties in the City to establish a Bank of Issue upon +equitable principles. The plan is a novel one, for there is to be no +capital actually subscribed, it being expected that sufficient assets will +be derived from the depositors. Shares are to be issued, to which a nominal +price will be attached, and a dividend is to be declared immediately. + +The association for supplying London with periwinkles does not progress +very rapidly. A wharf has been taken; but nothing more has been done, which +is, we believe, caused by the difficulty found in dealing with existing +interests. + + * * * * * + + +SIGNS OF THE TIMES. + +The Tories are coming into office, and the Parliament House is surrounded +with scaffolds! + + * * * * * + + +TO BAKERS AND FISHMONGERS. + +Want places, in either of the above lines, three highly practical and +experienced hands, fully capable and highly accomplished in the arduous +duties of "looking after any quantity of loaves and fishes." A ten years' +character can be produced from their last places, which they leave because +the concern is for the present disposed of to persons equally capable. No +objection to look after the till. Wages not so much an object as an +extensive trade, the applicants being desirous of keeping their hands in. +Apply to Messrs. Russell, Melbourne, and Palmerston, Downing-street +Without. + + * * * * * + + +"It is very odd," said Sergeant Channell to Thessiger, "that Tindal should +have decided against me on that point of law which, to me, seemed as plain +as A B C." "Yes," replied Thessiger, "but of what use is it that it should +have been A B C to you, if the judge was determined to be D E F to it?" + + * * * * * + + +CLEVER ROGUES. + +The _Belfast Vindicator_ has a story of a sailor who pledged a sixpence for +threepence, having it described on the duplicate ticket as "a piece of +silver plate of beautiful workmanship," by which means he disposed of the +ticket for two-and-sixpence. The Tories are so struck with this display of +congenial roguery, that they intend pawning their "BOB," and having him +described as "a rare piece of vertu(e) _premiere qualite_" in the +expectation of securing a _crown_ by it. + + * * * * * + + +MUNTZ ON THE STATE OF THE CROPS. + +Mr. Muntz requests us to state, in answer to numerous inquiries as to the +motives which induce him to cultivate his beard, that he is actuated purely +by a spirit of economy, having, for the last few years, _grown his own +mattresses_, a practice which he earnestly recommends to the attention of +all prudent and hirsute individuals. He finds, by experience, that nine +square inches of chin will produce, on an average, about a sofa per annum. +The whiskers, if properly attended to, may be made to yield about an easy +chair in the same space of time; whilst luxuriant moustachios will give a +pair of anti-rheumatic attrition gloves every six months. Mr. M. +recommends, as the best mode of cultivation for barren soils, to plough +with a cat's-paw, and manure with Macassar. + + * * * * * + + +The Earl of Stair has been created Lord Oxenford. Theodore Hook thinks that +the more appropriate title for a _Stair_, in raising him a step higher, +would have been Lord _Landing-place_, or Viscount _Bannister_. + + * * * * * + + +LORD MELBOURNE'S LETTER-BAG. + +The Augean task of cleansing the Treasury has commenced, and brooms and +scrubbing-brushes are at a premium--a little anticipative, it is true, of +the approaching turn-out; but the dilatory idleness and muddle-headed +confusion of those who will soon be termed its late occupiers, rendered +this a work of absolute time and labour. That the change in office had long +been expected, is evident from the number of hoards discovered, which the +unfortunate _employes_ had saved up against the rainy day arrived. The +routing-out of this conglomeration was only equalled in trouble by the +removal of the birdlime with which the various benches were covered, and +which adhered with most pertinacious obstinacy, in spite of every effort to +get rid of it. From one of the wicker baskets used for the purpose of +receiving the torn-up letters and documents, the following papers were +extracted. We contrived to match the pieces together, and have succeeded +tolerably well in forming some connected epistles from the disjointed +fragments. We offer no comment, but allow them to speak for themselves. +They are selected at random from dozens of others, with which the poor man +must have been overwhelmed during the past two months:-- + + +1. + +MY LORD,--In the present critical state of your lordship's situation, it +behoves every lover of his country and her friends, to endeavour to +assuage, as much as possible, the awkward predicament in which your +lordship and colleagues will soon be thrown. My dining-rooms in +Broad-street, St. Giles's, have long been held in high estimation by my +customers, for + +[Illustration: BEEF A-LA-MODE;] + +and I can offer you an excellent basin of leg-of-beef soup, with bread and +potatoes, for threepence. Imitated by all, equalled by none. + +N.B. Please observe the address--Broad-street, St. Giles's. + + +2. + +A widow lady, superintendent of a boarding-house, in an airy and cheerful +part of Kentish Town, will be happy to receive Lord Melbourne as an inmate, +when an ungrateful nation shall have induced his retirement from office. +Her establishment is chiefly composed of single ladies, addicted to +backgammon, birds, and bible meetings, who would, nevertheless, feel +delighted in the society of a man of Lord Melbourne's acknowledged +gallantry. The dinner-table is particularly well furnished, and a rubber is +generally got up every evening, at which Lord M. could play long penny +points if he wished it. + +Address S.M., Post-office, Kentish Town. + + +3. + +Grosjean, Restaurateur, _Castle-street, Leicester-square_, a l'honneur de +prevenir Milord Melbourne qu'il se trouvera bien servi a son etablissement. +Il peut commander un bon potage an choux, trois plats, avec pain a +discretion, et une pinte de demi-et-demi; enfin, il pourra parfaitement +avoir ses sacs souffles[4] pour un schilling. La societe est tres +comme-il-faut, et on ne donne rien au garcon. + + [4] French idiom--"He will be well able to blow his bags + out!"--PUNCH, with the assistance of his friend in the + show--the foreign gentleman. + + +4. + +(Rose-coloured paper, scented. At first supposed to be from a lady of the +bedchamber, but contradicted by the sequel.) + +Flattering deceiver, and man of many loves, + +My fond heart still clings to your cherished memory. Why have I listened to +the honied silver of your seducing accents? Your adored image haunts me +night and day. How is the treasury?--can you still spare me ten shillings? +YOURS, + +AMANDA. + + +5. + +JOHN MARVAT respectfully begs to offer to the notice of Lord Melbourne his +Bachelor's Dispatch, or portable kitchen. It will roast, bake, boil, stew, +steam, melt butter, toast bread, and diffuse a genial warmth at one and the +same time, for the outlay of one halfpenny. It is peculiarly suited for +_lamb_, in any form, which requires delicate dressing, and is admirably +adapted for concocting mint-sauce, which delightful adjunct Lord Melbourne +may, ere long, find some little difficulty in procuring. + +High Holborn. + + +6. + +May it plese my Lord,--i have gest time to Rite and let you kno' wot a sad +plite we are inn, On account off your lordship's inwitayshun to queen +Wictory and Prince Allbut to come and Pick a bit with you, becos There is +nothink for them wen they comes, and the Kitchin-range is chok'd up with +the sut as has falln down the last fore yeers, and no poletry but too old +cox, which is two tuff to be agreerble; But, praps, we Can git sum cold +meet from the in, wot as bin left at the farmers' markut-dinner; and may I +ask you my lord without fear of your + +[Illustration: TAKING A FENCE] + +on the reseat of this To send down sum ham and beef to me--two pound will +be Enuff--or a quarter kitt off pickuld sammun, if you can git it, and I +wish you may; and sum german silver spoons, to complement prince Allbut +with; and, praps, as he and his missus knos they've come to Take pot-luck +like, they won't be patickler, and I think we had better order the beer +from the Jerry-shop, for owr own Is rayther hard, and the brooer says, that +a fore and a harf gallon, at sixpence A gallon, won't keep no Time, unless +it's drunk; and so we guv some to the man as brort the bushel of coles, and +he sed It only wanted another Hop, and then it woud have hopped into water; +and John is a-going to set some trimmers in The ditches to kitch some fish; +and, praps, if yure lordship comes, you may kitch sum too, from + +Yure obedient Humbl servent and housekeeper, + +MISSES RUMMIN. + + +7. + +MY LORD,--Probably your cellars will be full of choke-damp when the door is +opened, from long disuse and confined air. I have men, accustomed to +descend dangerous wells and shafts, who will undertake the job at a +moderate price. Should you labour under any temporary pecuniary +embarrassment in paying me, I shall be happy to take it out in your wine, +which I should think had been some years in bottle. Your Lordship's most +humble servant, + +RICHARD ROSE, + +Dealer in Marine Stores. + +Gray's-inn-lane. + + * * * * * + + +LAYS OF THE LAZY. + + I've wander'd on the distant shore, + I've braved the dangers of the deep, + I've very often pass'd the Nore-- + At Greenwich climb'd the well-known steep; + I've sometimes dined at Conduit House, + I've taken at Chalk Farm my tea, + I've at the Eagle talk'd with Rouse-- + But I have NOT _forgotten thee_! + + "I've stood amid the glittering throng" + Of mountebanks at Greenwich fair, + Where I have heard the Chinese gong + Filling, with brazen voice, the air. + I've join'd wild revellers at night-- + I've crouch'd beneath the old oak tree, + Wet through, and in a pretty plight, + But, oh! I've NOT _forgotten thee_! + + I've earn'd, at times, a pound a week-- + Alas! I'm earning nothing now; + Chalk scarcely shames my whiten'd cheek, + Grief has plough'd furrows in my brow. + I only get one meal a day, + And that one meal--oh, God!--my tea; + I'm wasting silently away, + But I have NOT _forgotten thee_! + + My days are drawing to their end-- + I've now, alas! no end in view; + I never had a real friend-- + I wear a worn-out black _surtout_, + My heart is darken'd o'er with woe, + My trousers whiten'd at the knee, + My boot forgets to hide my toe-- + But I have NOT _forgotten thee_! + + * * * * * + + +MATERNAL SOLICITUDE. + +The business habits of her gracious Majesty have long been the theme of +admiration with her loving subjects. A further proof of her attention to +general affairs, and consideration for the accidents of the future, has +occurred lately. The lodge at Frogmore, which was, during the lifetime of +Queen Charlotte, an out-of-town nursery for little highnesses, has been +constructed (by command of the Queen) into a Royal Eccalleobion for a +similar purpose. + +[Illustration: FAMILIES SUPPLIED.] + + * * * * * + + +WIT WITHOUT MONEY: + +OR, HOW TO LIVE UPON NOTHING. + +BY VAMPYRE HORSELEECH, ESQ + + +CHAPTER II. + +"A clever fellow, that Horseleech!" "When Vampyre is once drawn out, what a +great creature it is!" These, and similar ecstatic eulogiums, have I +frequently heard murmured forth from muzzy mouths into tinged and tingling +ears, as I have been leaving a company of choice spirits. There never was a +greater mistake. Horseleech, to be candid, far from being a clever fellow, +is one of the most barren rascals on record. Vampyre, whether drawn out or +held in, is a poor creature, not a great creature--opaque, not luminous--in +a word, by nature, a very dull dog indeed. + +But you see the necessity of appearing otherwise.--Hunger may be said to +be a moral Mechi, which invents a strop upon which the bluntest wits are +sharpened to admiration. Believe me, by industry and perseverance--which +necessity will inevitably superinduce--the most dreary dullard that ever +carried timber between his shoulders in the shape of a head, may speedily +convert himself into a seeming Sheridan--a substitutional Sydney Smith--a +second Sam Rogers, without the drawback of having written Jacqueline. + +Take it for granted that no professed diner-out ever possessed a particle +of native wit. His stock-in-trade, like that of Field-lane chapmen, is all +plunder. Not a joke issues from his mouth, but has shaken sides long since +quiescent. Whoso would be a diner-out must do likewise. + +The real diner-out is he whose card-rack or mantelpiece (I was going to say +groans, but) laughingly rejoices in respectful well-worded invitations to +luxuriously-appointed tables. I count not him, hapless wretch! as one who, +singling out "a friend," drops in just at pudding-time, and ravens horrible +remnants of last Tuesday's joint, cognizant of curses in the throat of his +host, and of intensest sable on the brows of his hostess. No struggle +there, on the part of the children, "to share the good man's knee;" but +protruded eyes, round as spectacles, and almost as large, fixed alternately +upon his flushed face and that absorbing epigastrium which is making their +miserable flesh-pot to wane most wretchedly. + +To be jocose is not the sole requisite of him who would fain be a universal +diner-out. Lively with the light--airy with the sparkling--brilliant with +the blithe, he must also be grave with the serious--heavy with the +profound--solemn with the stupid. He must be able to snivel with the +sentimental--to condole with the afflicted--to prove with the practical--to +be a theorist with the speculative. + +To be jocose is his most valuable acquisition. As there is a tradition that +birds may be caught by sprinkling salt upon their tails, so the best and +the most numerous dinners are secured by a judicious management of Attic +salt. + +I fear me that the works of Josephus, and of his imitators--of that Joseph +and his brethren, I mean, whom a friend of mine calls "_The_ Miller and his +men"--I fear me, I say, that these are well-nigh exhausted. Yet I have +known very ancient jokes turned with advantage, so as to look almost equal +to new. But this requires long practice, ere the final skill be attained. + +Etherege, Sedley, Wycherley, and Vanbrugh are very little read, and were +pretty fellows in their day; I think they may be safely consulted, and +rendered available. But, have a care. Be sure you mingle some of your own +dulness with their brighter matter, or you will overshoot the mark. You +will be too witty--a fatal error. True wits eat no dinners, save of their +own providing; and, depend upon it, it is not their wit that will +now-a-days get them their dinner. True wits are feared, not fed. + +When you tell an anecdote, never ascribe it to a man well known. The time +is gone by for dwelling upon--"Dean Swift said"--"Quin, the actor, +remarked"--"The facetious Foote was once"--"That reminds me of what +Sheridan"--"Ha! ha! Sydney Smith was dining the other day with"--and the +like. Your ha! ha!--especially should it precede the name of Sam +Rogers--would inevitably cost you a hecatomb of dinners. It would be +changed into oh! oh! too surely, and too soon. _Verbum sat_. + +I would have you be careful to _sort_ your pleasantries. Your soup jokes +(never hazard that one about Marshal _Turenne_, it is really _too_ +ancient,) your fish, your flesh, your fowl jests--your side-shakers for the +side dishes--your puns for the pastry--your after-dinner excruciators. + +Sometimes, from negligence (but be not negligent) or ill-luck, which is +unavoidable, and attends the best directed efforts, you sit down to table +with your stock ill arranged or incomplete, or of an inferior quality. Your +object is to make men laugh. It must be done. I have known a pathetic +passage, quoted timely and with a happy emphasis from a popular novel--say, +"Alice, or the Mysteries"--I have known it, I say, do more execution upon +the congregated amount of midriff, than the best joke of the evening. +(There is one passage in that "thrilling" performance, where Alice, +overjoyed that her lover is restored to her, is represented as frisking +about him like a dog around his long-absent proprietor, which, whenever I +have taken it in hand, has been rewarded with the most vociferous and +gleesome laughter.) + +And this reminds me that I should say a word about laughers. I know not +whether it be prudent to come to terms with any man, however stentorian his +lungs, or flexible his facial organs, with a view to engage him as a +cachinnatory machine. A confederate may become a traitor--a rival he is +pretty certain of becoming. Besides, strive as you may, you can never +secure an altogether unexceptionable individual--one who will "go the whole +hyaena," and be at the same time the entire jackal. If he once start "lion" +on his own account, furnished with your original roar, with which you +yourself have supplied him, good-bye to your supremacy. "Farewell, my +trim-built wherry"--he is in the same boat only to capsise you. + + "And the first lion thinks the last a bore," + +and rightly so thinks. No; the best and safest plan is to work out your own +ends, independent of aid which at best is foreign, and is likely to be +formidable. + +I may perhaps resume this subject more at large at a future time. My space +at present is limited, but I feel I have hardly as yet entered upon the +subject. + + * * * * * + + +LAM(B)ENTATIONS. + + Ye banks and braes o' Buckingham, + How can ye bloom sae fresh and fair, + When I am on my latest legs, + And may not bask amang ye mair! + And you, sweet maids of honour,--come, + Come, darlings, let us jointly mourn, + For your old flame must now depart, + Depart, oh! never to return! + + Oft have I roam'd o'er Buckingham, + From room to room, from height to height; + It was such pleasant exercise, + And gave me _such_ an appetite! + Yes! when the _dinner-hour_ arrived, + For me they never had to wait, + I was the first to take my chair, + And spread my ample napkin straight. + + And if they did not quickly come, + After the dinner-bell had knoll'd, + I just ran up my _private stairs_, + To say the things were getting cold! + But now, farewell, ye pantry steams, + (The sweets of premiership to me), + Ye gravies, relishes, and creams, + Malmsey and Port, and Burgundy! + + Full well I mind the days gone by,-- + 'Twas nought but sleep, and wake, and dine; + Then _John_ and _Pal_ sang o' _their_ luck, + And fondly sae sang I o' mine! + But now, how sad the scene, and changed! + _Johnny_ and _Pal_ are glad nae mair! + Oh! banks and braes o' Buckingham! + How _can_ you bloom sae fresh and fair! + + * * * * * + + +CHELSEA. + +(From our own Correspondent.) + +This delightful watering-place is filling rapidly. The steam-boats bring +down hundreds every day, and in the evening take them all back again. Mr. +Jones has engaged a lodging for the week, and other families are spoken of. +A ball is also talked about; but it is not yet settled who is to give it, +nor where it is to be given. The promenading along the wooden pier is very +general at the leaving of the packets, and on their arrival a great number +of persons pass over it. There are whispers of a band being engaged for the +season; but, as there will not be room on the pier for more than one +musician, it has been suggested to negotiate with the talented artist who +plays the drum with his knee, the cymbals with his elbow, the triangle with +his shoulder, the bells with this head, and the Pan's pipes with his +mouth--thus uniting the powers of a full orchestra with the compactness of +an individual. An immense number of Margate slippers and donkeys have been +imported within the last few days, and there is every probability of this +pretty little peninsula becoming a formidable rival to the old-established +watering-places. + + * * * * * + + +THE DRAMA. + +FOREIGN AFFAIRS, + +OR, THE COURT OF QUEEN ANNE. + + +Perhaps it was the fashion at the court of Queen Anne, for young gentlemen +who had attained the age of sixteen to marry and be given in marriage. At +all events, some conjecture of the sort is necessary to make the plot of +the piece we are noticing somewhat probable--that being the precise +circumstance upon which it hinges. The _Count St. Louis_, a youthful +_attache_ of the French embassy, becomes attached, by a marriage contract, +to _Lady Bell_, a maid of honour to Queen Anne. The husband at sixteen, of +a wife quite nineteen, would, according to the natural course of things, be +very considerably hen-pecked; and _St. Louis_, foreseeing this, determines +to begin. Well, he insists upon having "article five" of the marriage +contract cancelled; for, by this stipulation, he is to be separated from +his wife, on the evening of the ceremony (which fast approaches), for five +years. He storms, swears, and is laughed at; somebody sends him a wedding +present of sugar-plums--everybody calls him a boy, and makes merry at his +expense--the wife treats him with contempt, and plays the scornful. The +hobble-de-hoy husband, fired with indignation, determines to prove himself +a man. + +At the court of Queen Anne this seems to have been an easy matter. _St. +Louis_ writes love-letters to several maids of honour and to a citizen's +wife, finishing the first act by invading the private apartments of the +maiden ladies belonging to the court of the chaste Queen Anne. + +The second act discovers him confined to his apartments by order of the +Queen, having amused himself, while the intrigues begun by the love-letters +are hatching, by running into debt, and being surrounded by duns. The +intrigues are not long in coming to a head, for two ladies visit him +separately in secret, and allow themselves to be hid in those never-failing +adjuncts to a piece of dramatic intrigue--a couple of closets, which are +used exactly in the same manner in "Foreign Affairs," as in all the farces +within the memory of man--_ex. gr._:--The hero is alone; one lady enters +cautiously. A tender interchange of sentiment ensues--a noise is heard, and +the lady screams. "Ah! that closet!" Into which exit lady. Then enter lady +No. 2. A second interchange of tender things--another noise behind. "No +escape?" "None! and yet, happy thought, that closet." Exit lady No. 2, into +closet No. 2. + +This is exactly as it happens in "Foreign Affairs." The second noise is +made by the husband of one of the concealed ladies, and the lover of the +other. Here, out of the old "closet" materials, the dramatist has worked up +one of the best situations--to use an actor's word--we ever remember to +have witnessed. It cannot be described; but it is really worth all the +money to go and see it. Let our readers do so. The "Affairs" end by the boy +fighting a couple of duels with the injured men; and thus, crowning the +proof of his manhood, gets his wife to tolerate--to love him. + +The piece was, as it deserved to be, highly successful; it was admirably +acted by Mr. Webster as one of the injured lovers--Mr. Strickland and Mrs. +Stirling, as a vulgar citizen and citizeness--by Miss P. Horton as _Lady +Bell_--and even by a Mr. Clarke, who played a very small part--that of a +barber--with great skill. Lastly, Madlle. Celeste, as the hero, acquitted +herself to admiration. We suppose the farce is called "Foreign Affairs" out +of compliment to this lady, who is the only "Foreign Affair" we could +discover in the whole piece, if we except that it is translated from the +French, which is, strictly, an affair of the author's. + + * * * * * + + +MARY CLIFFORD. + +If, dear readers, you have a taste for refined morality and delicate +sentiment, for chaste acting and spirited dialogue, for scenery painted on +the spot, but like nothing in nature except canvas and colour--go to the +Victoria and see "Mary Clifford." It may, perhaps, startle you to learn +that the incidents are faithfully copied from the "Newgate Calendar," and +that the subject is Mother Brownrigg of apprentice-killing notoriety; but +be not alarmed, there is nothing horrible or revolting in the drama--it is +merely laughable. + +"Mary Clifford, or the foundling apprentice girl," is very appropriately +introduced to the auditor, first outside the gates of that "noble +charity-school," taking leave of some of her accidental companions. Here +sympathy is first awakened. Mary is just going out to "place," and instead +of saying "good bye," which we have been led to believe is the usual form +of farewell amongst charity-girls, she sings a song with such heart-rending +expression, that everybody cries except the musicians and the audience. To +assist in this lachrymose operation, the girls on the stage are supplied +with clean white aprons--time out mind a charity-girl's +pocket-handkerchief. In the next scene we are introduced to Mr. and Mrs. +Brownrigg's domestic arrangements, and are made acquainted with their +private characters--a fine stroke of policy on the part of the author; for +one naturally pities a poor girl who can sing so nicely, and can get the +corners of so many white aprons wetted on leaving her last place, when one +sees into whose hands she is going to fall. The fact is, the whole family +are people of taste--peculiar, to be sure, and not refined. Mrs. B. has a +taste for starving apprentices--her son, Mr. Jolin B., for seducing +them--and Mr. B. longs only for a quiet life, a pot of porter, and a pipe. +Into the bosom of this amiable family Mary Clifford enters; and we tremble +for her virtue and her meals! not, alas, in vain, for Mr. John is not slow +in commencing his gallantries, which are exceedingly offensive to Mary, +seeing that she has already formed a liaison with a school-fellow, one +William Clipson, who happily resides at the very next door with a baker. +During the struggles that ensue she calls upon her "heart's master," the +journeyman baker. But there is another and more terrible invocation. In +classic plays they invoke "the gods"--in Catholic I ones, "the saints"--the +stage Arab appeals to "Allah"--the light comedian swears "by the lord +Harry"--but _Mary Clifford_ adds a new and impressive invocative to the +list. When young Brownrigg attempts to kiss, or his mother to flog her, she +casts her eyes upward, kneels, and placing her hands together in an +attitude of prayer, solemnly calls upon--"the governors of the Foundling +Hospital!!" Nothing can exceed the terrific effect this seems to produce +upon her persecutors! They release her instantly--they slink back abashed +and trembling--they hide their diminished heads, and leave their victim a +clear stage for a soliloquy or a song. + +We really _must_ stop here, to point out to dramatic authors the importance +of this novel form of conjuration. When the history of Fauntleroy comes to +be dramatised, the lover will, of course, be a banker's clerk: in the +depths of distress and despair into which he will have to be plunged, a +prayer-like appeal to "the Governor and Company of the Bank of England," +will, most assuredly, draw tears from the most insensible audience. The old +exclamations of "Gracious powers!"--"Great heavens!"--"By heaven, I swear!" +&c. &c., may now be abandoned; and, after "Mary Clifford," Bob Acres' +tasteful system of swearing may not only be safely introduced into the +tragic drama, but considerably augmented. + +But to return. Dreading lest Miss Mary should really "go and tell" the +illustrious governors, she is kept a close prisoner, and finishes the first +act by a conspiracy with a fellow-apprentice, and an attempt to escape. + +Mr. Brownrigg, we are informed, carried on business at No. 12, Fetter-lane, +in the oil, paint, pickles, vinegar, plumbing, glazing, and pepper-line; +and, in the next act, a correct view is exhibited of the exterior of his +shop, painted, we are told, from the most indisputable authorities of the +time. Here, in Fetter, lane, the romance of the tale begins:--A lady +enters, who, being of a communicative disposition, begins, unasked, +unquestioned, to tell the audience a story--how that she married in early +life--that her husband was pressed to sea a day or two after the +wedding--that she in due time became a mother, and (affectionate creature!) +left the dear little pledge at the door of the Foundling Hospital. That was +sixteen years ago. Since then fortune has smiled, and she wants her baby +back again; but on going to the hospital, says, that they informed her that +her daughter has been just "put apprentice" in the very house before which +she tells the story--part of it as great a fib as ever was told; for +children once inside the walls of that "noble charity," never know who left +them there; and any attempt to find each other out, by parent or child, is +punished with the instant withdrawal of the omnipotent protection of the +awful "governors." This lady, who bears all the romance of the piece upon +her own shoulders, expects to meet her long-lost husband at the Ship, in +Wapping, and instead of seeking her daughter, repairs thither, having done +all the author required, by emptying her budget of fibs. + +The next scene is harrowing in the extreme. The bills describe it as _Mrs. +Brownrigg's_ "wash-house, kitchen, and skylight"--the sky-light forming a +most impressive object. Poor _Mary Clifford_ is chained to the floor, her +face begrimed, her dress in rags, and herself exceedingly hungry. Here the +heroine describes the weakness of her body with energy and stentorian +eloquence, but is interrupted by _Mr. Clipson_, whose face appears framed +and glazed in the broken sky-light. A pathetic dialogue ensues, and the +lover swears he will rescue his mistress, or "perish in the attempt," +"calling upon Mr. Owen, the parish overseer," to make known her sufferings. +The Ship, in Wapping, is next shown; and _Toby Bensling_, alias _Richard +Clifford_, enters to inform his hearers that he is the missing father of +the injured foundling, and has that moment stepped ashore, after a short +voyage, lasting sixteen years! He is on his way to the "Admiralty," to +receive some pay--the more particularly, we imagine, as they always pay +sailors at Somerset House--and _then_ to look after his wife. But she saves +him the trouble by entering with _Mr. William Clipson_. The usual "Whom do +I see?"--"Can it be?"--"After so long an absence!" &c. &c., having been +duly uttered and begged to, they all go to see after _Mary_, find her in a +cupboard in Mrs. B.'s back-parlour, and--the act-drop falls. + +We must confess we approach a description of the third act with diffidence. +Such intense pathos, we feel, demands words of more sombre sound--ink of a +darker hue, than we can command. The third scene is, in particular, too +extravagantly touching for ordinary nerves to witness. _Mary Clifford_ is +in bed--French bedstead (especially selected, perhaps, because such things +were not thought of in the days of Mother Brownrigg) stands exactly in the +middle of the stage--a chest of drawers is placed behind, and a table on +each side, to balance the picture. The lover leans over the head, the +mother sits at the foot, the father stands at the side: _Mary Clifford_ is +insane, with lucid intervals, and is, moreover, dying. The consequence is, +she has all the talk to herself, which consists of a discourse concerning +the great "governors," her cruel mistress, and her naughty young master, +interlarded with insane ejaculations, always considered stage property, +such as, "Ah, she comes!" "Nay, strike me not--I am guiltless!" Again, +"Villain! what do you take me for?--unhand me!" and all that. Then the +dying part comes, and she sees an angel in the flies, and informs it that +she is coming soon (here it is usual for a lady to be removed from the +gallery in strong hysterics), and keeps her word by letting her arm fall +upon the bed-clothes and shutting her eyes, whereupon somebody says that +she is dead, and the prompter whistles for the scene to be changed. + +In the last scene, criminal justice takes its course. _Mrs. Brownrigg_, +having been sentenced to the gallows, is seen in the condemned cell; her +son by her side, and the fatal cart in the back-ground. Having been brought +up genteelly, she declines the mode of conveyance provided for her journey +to Tyburn with the utmost volubility. Being about to be hanged merely does +not seem to affect her so poignantly as the disgraceful "drag" she is +doomed to take her last journey in. She swoons at the idea; and the curtain +falls to end her wicked career, and the sufferings of an innocent audience. + + * * * * * + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +1, August 21, 1841, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 14924.txt or 14924.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/9/2/14924/ + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/14924.zip b/14924.zip Binary files differnew file mode 100644 index 0000000..9b68870 --- /dev/null +++ b/14924.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..dabf8a5 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #14924 (https://www.gutenberg.org/ebooks/14924) |
