summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--1428-0.txt962
-rw-r--r--1428-h/1428-h.htm1133
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/1428-0.txt1351
-rw-r--r--old/1428-0.zipbin0 -> 28767 bytes
-rw-r--r--old/1428-h.zipbin0 -> 30525 bytes
-rw-r--r--old/1428-h/1428-h.htm1538
-rw-r--r--old/1428.txt1350
-rw-r--r--old/1428.zipbin0 -> 28644 bytes
-rw-r--r--old/old/20041027-1428.txt1368
-rw-r--r--old/old/20041027-1428.zipbin0 -> 28687 bytes
-rw-r--r--old/old/grndr10.txt1248
-rw-r--r--old/old/grndr10.zipbin0 -> 26449 bytes
15 files changed, 8966 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/1428-0.txt b/1428-0.txt
new file mode 100644
index 0000000..7a0b5ae
--- /dev/null
+++ b/1428-0.txt
@@ -0,0 +1,962 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 1428 ***
+
+LA GRENADIERE
+
+
+By Honore De Balzac
+
+
+
+Translated By Ellen Marriage
+
+
+
+ To D. W.
+
+
+
+
+
+LA GRENADIERE
+
+
+La Grenadiere is a little house on the right bank of the Loire as you go
+down stream, about a mile below the bridge of Tours. At this point the
+river, broad as a lake, and covered with scattered green islands, flows
+between two lines of cliff, where country houses built uniformly of
+white stone stand among their gardens and vineyards. The finest fruit
+in the world ripens there with a southern exposure. The patient toil of
+many generations has cut terraces in the cliff, so that the face of the
+rock reflects the rays of the sun, and the produce of hot climates may
+be grown out of doors in an artificially high temperature.
+
+
+
+A church spire, rising out of one of the shallower dips in the line of
+cliffs, marks the little village of Saint-Cyr, to which the scattered
+houses all belong. And yet a little further the Choisille flows into the
+Loire, through a fertile valley cut in the long low downs.
+
+La Grenadiere itself, half-way up the hillside, and about a hundred
+paces from the church, is one of those old-fashioned houses dating back
+some two or three hundred years, which you find in every picturesque
+spot in Touraine. A fissure in the rock affords convenient space for a
+flight of steps descending gradually to the “dike”--the local name for
+the embankment made at the foot of the cliffs to keep the Loire in its
+bed, and serve as a causeway for the highroad from Paris to Nantes. At
+the top of the steps a gate opens upon a narrow stony footpath between
+two terraces, for here the soil is banked up, and walls are built
+to prevent landslips. These earthworks, as it were, are crowned with
+trellises and espaliers, so that the steep path that lies at the foot of
+the upper wall is almost hidden by the trees that grow on the top of the
+lower, upon which it lies. The view of the river widens out before you
+at every step as you climb to the house.
+
+At the end you come to a second gateway, a Gothic archway covered
+with simple ornament, now crumbling into ruin and overgrown with
+wildflowers--moss and ivy, wallflowers and pellitory. Every stone wall
+on the hillside is decked with this ineradicable plant-life, which
+springs up along the cracks afresh with new wreaths for every time of
+year.
+
+The worm-eaten gate gives into a little garden, a strip of turf, a few
+trees, and a wilderness of flowers and rose bushes--a garden won from
+the rock on the highest terrace of all, with the dark, old balustrade
+along its edge. Opposite the gateway, a wooden summer-house stands
+against the neighboring wall, the posts are covered with jessamine and
+honeysuckle, vines and clematis.
+
+The house itself stands in the middle of this highest garden, above a
+vine-covered flight of steps, with an arched doorway beneath that
+leads to vast cellars hollowed out in the rock. All about the dwelling
+trellised vines and pomegranate-trees (the _grenadiers_, which give the
+name to the little close) are growing out in the open air. The front
+of the house consists of two large windows on either side of a very
+rustic-looking house door, and three dormer windows in the roof--a slate
+roof with two gables, prodigiously high-pitched in proportion to the low
+ground-floor. The house walls are washed with yellow color; and door,
+and first-floor shutters, all the Venetian shutters of the attic
+windows, all are painted green.
+
+Entering the house, you find yourself in a little lobby with a crooked
+staircase straight in front of you. It is a crazy wooden structure, the
+spiral balusters are brown with age, and the steps themselves take a
+new angle at every turn. The great old-fashioned paneled dining-room,
+floored with square white tiles from Chateau-Regnault, is on your right;
+to the left is the sitting-room, equally large, but here the walls
+are not paneled; they have been covered instead with a saffron-colored
+paper, bordered with green. The walnut-wood rafters are left visible,
+and the intervening spaces filled with a kind of white plaster.
+
+The first story consists of two large whitewashed bedrooms with stone
+chimney-pieces, less elaborately carved than those in the rooms beneath.
+Every door and window is on the south side of the house, save a single
+door to the north, contrived behind the staircase to give access to the
+vineyard. Against the western wall stands a supplementary timber-framed
+structure, all the woodwork exposed to the weather being fledged with
+slates, so that the walls are checkered with bluish lines. This shed
+(for it is little more) is the kitchen of the establishment. You can
+pass from it into the house without going outside; but, nevertheless,
+it boasts an entrance door of its own, and a short flight of steps that
+brings you to a deep well, and a very rustical-looking pump, half hidden
+by water-plants and savin bushes and tall grasses. The kitchen is a
+modern addition, proving beyond doubt that La Grenadiere was originally
+nothing but a simple _vendangeoir_--a vintage-house belonging to
+townsfolk in Tours, from which Saint-Cyr is separated by the vast
+river-bed of the Loire. The owners only came over for the day for
+a picnic, or at the vintage-time, sending provisions across in the
+morning, and scarcely ever spent the night there except during the
+grape harvest; but the English settled down on Touraine like a cloud of
+locusts, and La Grenadiere must, of course, be completed if it was to
+find tenants. Luckily, however, this recent appendage is hidden from
+sight by the first two trees of a lime-tree avenue planted in a gully
+below the vineyards.
+
+There are only two acres of vineyard at most, the ground rising at the
+back of the house so steeply that it is no very easy matter to scramble
+up among the vines. The slope, covered with green trailing shoots, ends
+within about five feet of the house wall in a ditch-like passage always
+damp and cold and full of strong growing green things, fed by the
+drainage of the highly cultivated ground above, for rainy weather washes
+down the manure into the garden on the terrace.
+
+A vinedresser’s cottage also leans against the western gable, and is
+in some sort a continuation of the kitchen. Stone walls or espaliers
+surround the property, and all sorts of fruit-trees are planted among
+the vines; in short, not an inch of this precious soil is wasted. If
+by chance man overlooks some dry cranny in the rocks, Nature puts in a
+fig-tree, or sows wildflowers or strawberries in sheltered nooks among
+the stones.
+
+Nowhere else in all the world will you find a human dwelling so humble
+and yet so imposing, so rich in fruit, and fragrant scents, and
+wide views of country. Here is a miniature Touraine in the heart of
+Touraine--all its flowers and fruits and all the characteristic beauty
+of the land are fully represented. Here are grapes of every district,
+figs and peaches and pears of every kind; melons are grown out of doors
+as easily as licorice plants, Spanish broom, Italian oleanders, and
+jessamines from the Azores. The Loire lies at your feet. You look down
+from the terrace upon the ever-changing river nearly two hundred feet
+below; and in the evening the breeze brings a fresh scent of the sea,
+with the fragrance of far-off flowers gathered upon its way. Some cloud
+wandering in space, changing its color and form at every moment as
+it crosses the pure blue of the sky, can alter every detail in the
+widespread wonderful landscape in a thousand ways, from every point
+of view. The eye embraces first of all the south bank of the Loire,
+stretching away as far as Amboise, then Tours with its suburbs and
+buildings, and the Plessis rising out of the fertile plain; further
+away, between Vouvray and Saint-Symphorien, you see a sort of crescent
+of gray cliff full of sunny vineyards; the only limits to your view are
+the low, rich hills along the Cher, a bluish line of horizon broken by
+many a chateau and the wooded masses of many a park. Out to the west you
+lose yourself in the immense river, where vessels come and go, spreading
+their white sails to the winds which seldom fail them in the wide
+Loire basin. A prince might build a summer palace at La Grenadiere,
+but certainly it will always be the home of a poet’s desire, and the
+sweetest of retreats for two young lovers--for this vintage house,
+which belongs to a substantial burgess of Tours, has charms for every
+imagination, for the humblest and dullest as well as for the most
+impassioned and lofty. No one can dwell there without feeling that
+happiness is in the air, without a glimpse of all that is meant by a
+peaceful life without care or ambition. There is that in the air and the
+sound of the river that sets you dreaming; the sands have a language,
+and are joyous or dreary, golden or wan; and the owner of the vineyard
+may sit motionless amid perennial flowers and tempting fruit, and feel
+all the stir of the world about him.
+
+If an Englishman takes the house for the summer, he is asked a thousand
+francs for six months, the produce of the vineyard not included. If
+the tenant wishes for the orchard fruit, the rent is doubled; for the
+vintage, it is doubled again. What can La Grenadiere be worth, you
+wonder; La Grenadiere, with its stone staircase, its beaten path and
+triple terrace, its two acres of vineyard, its flowering roses about
+the balustrades, its worn steps, well-head, rampant clematis, and
+cosmopolitan trees? It is idle to make a bid! La Grenadiere will never
+be in the market; it was brought once and sold, but that was in 1690;
+and the owner parted with it for forty thousand francs, reluctant as
+any Arab of the desert to relinquish a favorite horse. Since then it
+has remained in the same family, its pride, its patrimonial jewel, its
+Regent diamond. “While you behold, you have and hold,” says the bard.
+And from La Grenadiere you behold three valleys of Touraine and the
+cathedral towers aloft in air like a bit of filigree work. How can one
+pay for such treasures? Could one ever pay for the health recovered
+there under the linden-trees?
+
+In the spring of one of the brightest years of the Restoration, a lady
+with her housekeeper and her two children (the oldest a boy thirteen
+years old, the youngest apparently about eight) came to Tours to look
+for a house. She saw La Grenadiere and took it. Perhaps the distance
+from the town was an inducement to live there.
+
+She made a bedroom of the drawing-room, gave the children the two rooms
+above, and the housekeeper slept in a closet behind the kitchen. The
+dining-room was sitting-room and drawing-room all in one for the little
+family. The house was furnished very simply but tastefully; there was
+nothing superfluous in it, and no trace of luxury. The walnut-wood
+furniture chosen by the stranger lady was perfectly plain, and the
+whole charm of the house consisted in its neatness and harmony with its
+surroundings.
+
+It was rather difficult, therefore, to say whether the strange lady
+(Mme. Willemsens, as she styled herself) belonged to the upper middle or
+higher classes, or to an equivocal, unclassified feminine species. Her
+plain dress gave rise to the most contradictory suppositions, but her
+manners might be held to confirm those favorable to her. She had not
+lived at Saint-Cyr, moreover, for very long before her reserve excited
+the curiosity of idle people, who always, and especially in the country,
+watch anybody or anything that promises to bring some interest into
+their narrow lives.
+
+Mme. Willemsens was rather tall; she was thin and slender, but
+delicately shaped. She had pretty feet, more remarkable for the grace
+of her instep and ankle than for the more ordinary merit of slenderness;
+her gloved hands, too, were shapely. There were flitting patches of deep
+red in a pale face, which must have been fresh and softly colored once.
+Premature wrinkles had withered the delicately modeled forehead beneath
+the coronet of soft, well-set chestnut hair, invariably wound about her
+head in two plaits, a girlish coiffure which suited the melancholy face.
+There was a deceptive look of calm in the dark eyes, with the hollow,
+shadowy circles about them; sometimes, when she was off her guard, their
+expression told of secret anguish. The oval of her face was somewhat
+long; but happiness and health had perhaps filled and perfected the
+outlines. A forced smile, full of quiet sadness, hovered continually on
+her pale lips; but when the children, who were always with her, looked
+up at their mother, or asked one of the incessant idle questions which
+convey so much to a mother’s ears, then the smile brightened, and
+expressed the joys of a mother’s love. Her gait was slow and dignified.
+Her dress never varied; evidently she had made up her mind to think no
+more of her toilette, and to forget a world by which she meant no doubt
+to be forgotten. She wore a long, black gown, confined at the waist by
+a watered-silk ribbon, and by way of scarf a lawn handkerchief with a
+broad hem, the two ends passed carelessly through her waistband. The
+instinct of dress showed itself in that she was daintily shod, and gray
+silk stockings carried out the suggestion of mourning in this unvarying
+costume. Lastly, she always wore a bonnet after the English fashion,
+always of the same shape and the same gray material, and a black veil.
+Her health apparently was extremely weak; she looked very ill. On fine
+evenings she would take her only walk, down to the bridge of Tours,
+bringing the two children with her to breathe the fresh, cool air along
+the Loire, and to watch the sunset effects on a landscape as wide as the
+Bay of Naples or the Lake of Geneva.
+
+During the whole time of her stay at La Grenadiere she went but twice
+into Tours; once to call on the headmaster of the school, to ask him
+to give her the names of the best masters of Latin, drawing, and
+mathematics; and a second time to make arrangements for the children’s
+lessons. But her appearance on the bridge of an evening, once or twice
+a week, was quite enough to excite the interest of almost all the
+inhabitants of Tours, who make a regular promenade of the bridge.
+Still, in spite of a kind of spy system, by which no harm is meant,
+a provincial habit bred of want of occupation and the restless
+inquisitiveness of the principal society, nothing was known for certain
+of the newcomer’s rank, fortune, or real condition. Only, the owner of
+La Grenadiere told one or two of his friends that the name under which
+the stranger had signed the lease (her real name, therefore, in all
+probability) was Augusta Willemsens, Countess of Brandon. This, of
+course, must be her husband’s name. Events, which will be narrated in
+their place, confirmed this revelation; but it went no further than the
+little world of men of business known to the landlord.
+
+So Madame Willemsens was a continual mystery to people of condition.
+Hers was no ordinary nature; her manners were simple and delightfully
+natural, the tones of her voice were divinely sweet,--this was all that
+she suffered others to discover. In her complete seclusion, her sadness,
+her beauty so passionately obscured, nay, almost blighted, there was so
+much to charm, that several young gentlemen fell in love; but the more
+sincere the lover, the more timid he became; and besides, the lady
+inspired awe, and it was a difficult matter to find enough courage to
+speak to her. Finally, if a few of the bolder sort wrote to her, their
+letters must have been burned unread. It was Mme. Willemsens’ practice
+to throw all the letters which she received into the fire, as if she
+meant that the time spent in Touraine should be untroubled by any
+outside cares even of the slightest. She might have come to the
+enchanting retreat to give herself up wholly to the joy of living.
+
+The three masters whose presence was allowed at La Grenadiere spoke with
+something like admiring reverence of the touching picture that they saw
+there of the close, unclouded intimacy of the life led by this woman and
+the children.
+
+The two little boys also aroused no small interest. Mothers could
+not see them without a feeling of envy. Both children were like Mme.
+Willemsens, who was, in fact, their mother. They had the transparent
+complexion and bright color, the clear, liquid eyes, the long lashes,
+the fresh outlines, the dazzling characteristics of childish beauty.
+
+The elder, Louis-Gaston, had dark hair and fearless eyes. Everything
+about him spoke as plainly of robust, physical health as his broad, high
+brow, with its gracious curves, spoke of energy of character. He was
+quick and alert in his movements, and strong of limb, without a trace
+of awkwardness. Nothing took him unawares, and he seemed to think about
+everything that he saw.
+
+Marie-Gaston, the other child, had hair that was almost golden, though
+a lock here and there had deepened to the mother’s chestnut tint.
+Marie-Gaston was slender; he had the delicate features and the subtle
+grace so charming in Mme. Willemsens. He did not look strong. There was
+a gentle look in his gray eyes; his face was pale, there was something
+feminine about the child. He still wore his hair in long, wavy curls,
+and his mother would not have him give up embroidered collars, and
+little jackets fastened with frogs and spindle-shaped buttons; evidently
+she took a thoroughly feminine pleasure in the costume, a source of as
+much interest to the mother as to the child. The elder boy’s plain white
+collar, turned down over a closely fitting jacket, made a contrast with
+his brother’s clothing, but the color and material were the same; the
+two brothers were otherwise dressed alike, and looked alike.
+
+No one could see them without feeling touched by the way in which Louis
+took care of Marie. There was an almost fatherly look in the older boy’s
+eyes; and Marie, child though he was, seemed to be full of gratitude to
+Louis. They were like two buds, scarcely separated from the stem that
+bore them, swayed by the same breeze, lying in the same ray of sunlight;
+but the one was a brightly colored flower, the other somewhat bleached
+and pale. At a glance, a word, an inflection in their mother’s voice,
+they grew heedful, turned to look at her and listened, and did at once
+what they were bidden, or asked, or recommended to do. Mme. Willemsens
+had so accustomed them to understand her wishes and desires, that the
+three seemed to have their thoughts in common. When they went for a
+walk, and the children, absorbed in their play, ran away to gather
+a flower or to look at some insect, she watched them with such deep
+tenderness in her eyes, that the most indifferent passer-by would feel
+moved, and stop and smile at the children, and give the mother a glance
+of friendly greeting. Who would not have admired the dainty neatness of
+their dress, their sweet, childish voices, the grace of their movements,
+the promise in their faces, the innate something that told of careful
+training from the cradle? They seemed as if they had never shed tears
+nor wailed like other children. Their mother knew, as it were, by
+electrically swift intuition, the desires and the pains which she
+anticipated and relieved. She seemed to dread a complaint from one of
+them more than the loss of her soul. Everything in her children did
+honor to their mother’s training. Their threefold life, seemingly
+one life, called up vague, fond thoughts; it was like a vision of the
+dreamed-of bliss of a better world. And the three, so attuned to each
+other, lived in truth such a life as one might picture for them at first
+sight--the ordered, simple, and regular life best suited for a child’s
+education.
+
+Both children rose an hour after daybreak and repeated a short prayer,
+a habit learned in their babyhood. For seven years the sincere petition
+had been put up every morning on their mother’s bed, and begun and ended
+by a kiss. Then the two brothers went through their morning toilet as
+scrupulously as any pretty woman; doubtless they had been trained in
+habits of minute attention to the person, so necessary to health of
+body and mind, habits in some sort conducive to a sense of wellbeing.
+Conscientiously they went through their duties, so afraid were they
+lest their mother should say when she kissed them at breakfast-time,
+“My darling children, where can you have been to have such black
+finger-nails already?” Then the two went out into the garden and shook
+off the dreams of the night in the morning air and dew, until sweeping
+and dusting operations were completed, and they could learn their
+lessons in the sitting-room until their mother joined them. But although
+it was understood that they must not go to their mother’s room before a
+certain hour, they peeped in at the door continually; and these morning
+inroads, made in defiance of the original compact, were delicious
+moments for all three. Marie sprang upon the bed to put his arms around
+his idolized mother, and Louis, kneeling by the pillow, took her hand
+in his. Then came inquiries, anxious as a lover’s, followed by angelic
+laughter, passionate childish kisses, eloquent silences, lisping words,
+and the little ones’ stories interrupted and resumed by a kiss, stories
+seldom finished, though the listener’s interest never failed.
+
+“Have you been industrious?” their mother would ask, but in tones
+so sweet and so kindly that she seemed ready to pity laziness as a
+misfortune, and to glance through tears at the child who was satisfied
+with himself.
+
+She knew that the thought of pleasing her put energy into the children’s
+work; and they knew that their mother lived for them, and that all her
+thoughts and her time were given to them. A wonderful instinct, neither
+selfishness nor reason, perhaps the first innocent beginnings of
+sentiment teaches children to know whether or not they are the first and
+sole thought, to find out those who love to think of them and for them.
+If you really love children, the dear little ones, with open hearts and
+unerring sense of justice, are marvelously ready to respond to love.
+Their love knows passion and jealousy and the most gracious delicacy
+of feeling; they find the tenderest words of expression; they trust
+you--put an entire belief in you. Perhaps there are no undutiful
+children without undutiful mothers, for a child’s affection is always
+in proportion to the affection that it receives--in early care, in the
+first words that it hears, in the response of the eyes to which a child
+first looks for love and life. All these things draw them closer to the
+mother or drive them apart. God lays the child under the mother’s heart,
+that she may learn that for a long time to come her heart must be
+its home. And yet--there are mothers cruelly slighted, mothers whose
+sublime, pathetic tenderness meets only a harsh return, a hideous
+ingratitude which shows how difficult it is to lay down hard-and-fast
+rules in matters of feeling.
+
+Here, not one of all the thousand heart ties that bind child and mother
+had been broken. The three were alone in the world; they lived one life,
+a life of close sympathy. If Mme. Willemsens was silent in the morning,
+Louis and Marie would not speak, respecting everything in her, even
+those thoughts which they did not share. But the older boy, with a
+precocious power of thought, would not rest satisfied with his mother’s
+assertion that she was perfectly well. He scanned her face with uneasy
+forebodings; the exact danger he did not know, but dimly he felt it
+threatening in those purple rings about her eyes, in the deepening
+hollows under them, and the feverish red that deepened in her face. If
+Marie’s play began to tire her, his sensitive tact was quick to discover
+this, and he would call to his brother:
+
+“Come, Marie! let us run in to breakfast, I am hungry!”
+
+But when they reached the door, he would look back to catch the
+expression on his mother’s face. She still could find a smile for him,
+nay, often there were tears in her eyes when some little thing revealed
+her child’s exquisite feeling, a too early comprehension of sorrow.
+
+Mme. Willemsens dressed during the children’s early breakfast and game
+of play; she was coquettish for her darlings; she wished to be pleasing
+in their eyes; for them she would fain be in all things lovely, a
+gracious vision, with the charm of some sweet perfume of which one can
+never have enough.
+
+She was always dressed in time to hear their lessons, which lasted from
+ten till three, with an interval at noon for lunch, the three taking the
+meal together in the summer-house. After lunch the children played for
+an hour, while she--poor woman and happy mother--lay on a long sofa
+in the summer-house, so placed that she could look out over the soft,
+ever-changing country of Touraine, a land that you learn to see afresh
+in all the thousand chance effects produced by daylight and sky and the
+time of year.
+
+The children scampered through the orchard, scrambled about the
+terraces, chased the lizards, scarcely less nimble than they;
+investigating flowers and seeds and insects, continually referring all
+questions to their mother, running to and fro between the garden and the
+summer-house. Children have no need of toys in the country, everything
+amuses them.
+
+Mme. Willemsens sat at her embroidery during their lessons. She
+never spoke, nor did she look at masters or pupils; but she followed
+attentively all that was said, striving to gather the sense of the words
+to gain a general idea of Louis’ progress. If Louis asked a question
+that puzzled his master, his mother’s eyes suddenly lighted up, and she
+would smile and glance at him with hope in her eyes. Of Marie she asked
+little. Her desire was with her eldest son. Already she treated him,
+as it were, respectfully, using all a woman’s, all a mother’s tact to
+arouse the spirit of high endeavor in the boy, to teach him to think of
+himself as capable of great things. She did this with a secret purpose,
+which Louis was to understand in the future; nay, he understood it
+already.
+
+Always, the lesson over, she went as far as the gate with the master,
+and asked strict account of Louis’ progress. So kindly and so winning
+was her manner, that his tutors told her the truth, pointing out where
+Louis was weak, so that she might help him in his lessons. Then came
+dinner, and play after dinner, then a walk, and lessons were learned
+till bedtime.
+
+So their days went. It was a uniform but full life; work and amusements
+left them not a dull hour in the day. Discouragement and quarreling
+were impossible. The mother’s boundless love made everything smooth.
+She taught her little sons moderation by refusing them nothing, and
+submission by making them see underlying Necessity in its many forms;
+she put heart into them with timely praise; developing and strengthening
+all that was best in their natures with the care of a good fairy. Tears
+sometimes rose to her burning eyes as she watched them play, and thought
+how they had never caused her the slightest vexation. Happiness
+so far-reaching and complete brings such tears, because for us it
+represents the dim imaginings of Heaven which we all of us form in our
+minds.
+
+Those were delicious hours spent on that sofa in the garden-house,
+in looking out on sunny days over the wide stretches of river and the
+picturesque landscape, listening to the sound of her children’s voices
+as they laughed at their own laughter, to the little quarrels that told
+most plainly of their union of heart, of Louis’ paternal care of Marie,
+of the love that both of them felt for her. They spoke English
+and French equally well (they had had an English nurse since their
+babyhood), so their mother talked to them in both languages; directing
+the bent of their childish minds with admirable skill, admitting
+no fallacious reasoning, no bad principle. She ruled by kindness,
+concealing nothing, explaining everything. If Louis wished for books,
+she was careful to give him interesting yet accurate books--books of
+biography, the lives of great seamen, great captains, and famous men,
+for little incidents in their history gave her numberless opportunities
+of explaining the world and life to her children. She would point
+out the ways in which men, really great in themselves, had risen from
+obscurity; how they had started from the lowest ranks of society, with
+no one to look to but themselves, and achieved noble destinies.
+
+These readings, and they were not the least useful of Louis’ lessons,
+took place while little Marie slept on his mother’s knee in the quiet of
+the summer night, and the Loire reflected the sky; but when they ended,
+this adorable woman’s sadness always seemed to be doubled; she would
+cease to speak, and sit motionless and pensive, and her eyes would fill
+with tears.
+
+“Mother, why are you crying?” Louis asked one balmy June evening, just
+as the twilight of a soft-lit night succeeded to a hot day.
+
+Deeply moved by his trouble, she put her arm about the child’s neck and
+drew him to her.
+
+“Because, my boy, the lot of Jameray Duval, the poor and friendless lad
+who succeeded at last, will be your lot, yours and your brother’s, and
+I have brought it upon you. Before very long, dear child, you will be
+alone in the world, with no one to help or befriend you. While you are
+still children, I shall leave you, and yet, if only I could wait till
+you are big enough and know enough to be Marie’s guardian! But I shall
+not live so long. I love you so much that it makes me very unhappy to
+think of it. Dear children, if only you do not curse me some day!----”
+
+“But why should I curse you some day, mother?”
+
+“Some day,” she said, kissing him on the forehead, “you will find out
+that I have wronged you. I am going to leave you, here, without money,
+without”--and she hesitated--“without a father,” she added, and at the
+word she burst into tears and put the boy from her gently. A sort of
+intuition told Louis that his mother wished to be alone, and he carried
+off Marie, now half awake. An hour later, when his brother was in bed,
+he stole down and out to the summer-house where his mother was sitting.
+
+“Louis! come here.”
+
+The words were spoken in tones delicious to his heart. The boy sprang to
+his mother’s arms, and the two held each other in an almost convulsive
+embrace.
+
+“_Cherie_,” he said at last, the name by which he often called her,
+finding that even loving words were too weak to express his feeling,
+“_cherie_, why are you afraid that you are going to die?”
+
+“I am ill, my poor darling; every day I am losing strength, and there is
+no cure for my illness; I know that.”
+
+“What is the matter with you?”
+
+“Something that I ought to forget; something that you must never
+know.--You must not know what caused my death.”
+
+The boy was silent for a while. He stole a glance now and again at
+his mother; and she, with her eyes raised to the sky, was watching the
+clouds. It was a sad, sweet moment. Louis could not believe that his
+mother would die soon, but instinctively he felt trouble which he could
+not guess. He respected her long musings. If he had been rather older,
+he would have read happy memories blended with thoughts of repentance,
+the whole story of a woman’s life in that sublime face--the careless
+childhood, the loveless marriage, a terrible passion, flowers springing
+up in storm and struck down by the thunderbolt into an abyss from which
+there is no return.
+
+“Darling mother,” Louis said at last, “why do you hide your pain from
+me?”
+
+“My boy, we ought to hide our troubles from strangers,” she said; “we
+should show them a smiling face, never speak of ourselves to them, nor
+think about ourselves; and these rules, put in practice in family life,
+conduce to its happiness. You will have much to bear one day! Ah me!
+then think of your poor mother who died smiling before your eyes, hiding
+her sufferings from you, and you will take courage to endure the ills of
+life.”
+
+She choked back her tears, and tried to make the boy understand
+the mechanism of existence, the value of money, the standing and
+consideration that it gives, and its bearing on social position;
+the honorable means of gaining a livelihood, and the necessity of a
+training. Then she told him that one of the chief causes of her sadness
+and her tears was the thought that, on the morrow of her death, he and
+Marie would be left almost resourceless, with but a slender stock of
+money, and no friend but God.
+
+“How quick I must be about learning!” cried Louis, giving her a piteous,
+searching look.
+
+“Oh! how happy I am!” she said, showering kisses and tears on her son.
+“He understands me!--Louis,” she went on, “you will be your brother’s
+guardian, will you not? You promise me that? You are no longer a child!”
+
+“Yes, I promise,” he said; “but you are not going to die yet--say that
+you are not going to die!”
+
+“Poor little ones!” she replied, “love for you keeps the life in me. And
+this country is so sunny, the air is so bracing, perhaps----”
+
+“You make me love Touraine more than ever,” said the child.
+
+From that day, when Mme. Willemsens, foreseeing the approach of death,
+spoke to Louis of his future, he concentrated his attention on his work,
+grew more industrious, and less inclined to play than heretofore. When
+he had coaxed Marie to read a book and to give up boisterous games,
+there was less noise in the hollow pathways and gardens and terraced
+walks of La Grenadiere. They adapted their lives to their mother’s
+melancholy. Day by day her face was growing pale and wan, there were
+hollows now in her temples, the lines in her forehead grew deeper night
+after night.
+
+August came. The little family had been five months at La Grenadiere,
+and their whole life was changed. The old servant grew anxious and
+gloomy as she watched the almost imperceptible symptoms of slow decline
+in the mistress, who seemed to be kept in life by an impassioned soul
+and intense love of her children. Old Annette seemed to see that death
+was very near. That mistress, beautiful still, was more careful of her
+appearance than she had ever been; she was at pains to adorn her wasted
+self, and wore paint on her cheeks; but often while she walked on the
+upper terrace with the children, Annette’s wrinkled face would peer out
+from between the savin trees by the pump. The old woman would forget her
+work, and stand with wet linen in her hands, scarce able to keep back
+her tears at the sight of Mme. Willemsens, so little like the enchanting
+woman she once had been.
+
+The pretty house itself, once so gay and bright, looked melancholy; it
+was a very quiet house now, and the family seldom left it, for the walk
+to the bridge was too great an effort for Mme. Willemsens. Louis had
+almost identified himself, as it were, with his mother, and with his
+suddenly developed powers of imagination he saw the weariness and
+exhaustion under the red color, and constantly found reasons for taking
+some shorter walk.
+
+So happy couples coming to Saint-Cyr, then the Petite Courtille of
+Tours, and knots of folk out for their evening walk along the “dike,”
+ saw a pale, thin figure dressed in black, a woman with a worn yet bright
+face, gliding like a shadow along the terraces. Great suffering
+cannot be concealed. The vinedresser’s household had grown quiet also.
+Sometimes the laborer and his wife and children were gathered about the
+door of their cottage, while Annette was washing linen at the well-head,
+and Mme. Willemsens and the children sat in the summer-house, and there
+was not the faintest sound in those gardens gay with flowers. Unknown to
+Mme. Willemsens, all eyes grew pitiful at the sight of her, she was
+so good, so thoughtful, so dignified with those with whom she came in
+contact.
+
+And as for her.--When the autumn days came on, days so sunny and bright
+in Touraine, bringing with them grapes and ripe fruits and healthful
+influences which must surely prolong life in spite of the ravages of
+mysterious disease--she saw no one but her children, taking the utmost
+that the hour could give her, as if each hour had been her last.
+
+Louis had worked at night, unknown to his mother, and made immense
+progress between June and September. In algebra he had come as far
+as equations with two unknown quantities; he had studied descriptive
+geometry, and drew admirably well; in fact, he was prepared to pass the
+entrance examination of the Ecole polytechnique.
+
+Sometimes of an evening he went down to the bridge of Tours. There was
+a lieutenant there on half-pay, an Imperial naval officer, whose manly
+face, medal, and gait had made an impression on the boy’s imagination,
+and the officer on his side had taken a liking to the lad, whose eyes
+sparkled with energy. Louis, hungering for tales of adventure, and eager
+for information, used to follow in the lieutenant’s wake for the chance
+of a chat with him. It so happened that the sailor had a friend and
+comrade in the colonel of a regiment of infantry, struck off the rolls
+like himself; and young Louis-Gaston had a chance of learning what
+life was like in camp or on board a man-of-war. Of course, he plied
+the veterans with questions; and when he had made up his mind to the
+hardships of their rough callings, he asked his mother’s leave to take
+country walks by way of amusement. Mme. Willemsens was beyond measure
+glad that he should ask; the boy’s astonished masters had told her that
+he was overworking himself. So Louis went for long walks. He tried to
+inure himself to fatigue, climbed the tallest trees with incredible
+quickness, learned to swim, watched through the night. He was not like
+the same boy; he was a young man already, with a sunburned face, and a
+something in his expression that told of deep purpose.
+
+When October came, Mme. Willemsens could only rise at noon. The
+sunshine, reflected by the surface of the Loire, and stored up by the
+rocks, raised the temperature of the air till it was almost as warm
+and soft as the atmosphere of the Bay of Naples, for which reason the
+faculty recommend the place of abode. At mid-day she came out to sit
+under the shade of green leaves with the two boys, who never wandered
+from her now. Lessons had come to an end. Mother and children wished to
+live the life of heart and heart together, with no disturbing element,
+no outside cares. No tears now, no joyous outcries. The elder boy, lying
+in the grass at his mother’s side, basked in her eyes like a lover and
+kissed her feet. Marie, the restless one, gathered flowers for her, and
+brought them with a subdued look, standing on tiptoe to put a girlish
+kiss on her lips. And the pale woman, with the great tired eyes and
+languid movements, never uttered a word of complaint, and smiled upon
+her children, so full of life and health--it was a sublime picture,
+lacking no melancholy autumn pomp of yellow leaves and half-despoiled
+branches, nor the softened sunlight and pale clouds of the skies of
+Touraine.
+
+At last the doctor forbade Mme. Willemsens to leave her room. Every day
+it was brightened by the flowers that she loved, and her children were
+always with her. One day, early in November, she sat at the piano for
+the last time. A picture--a Swiss landscape--hung above the instrument;
+and at the window she could see her children standing with their heads
+close together. Again and again she looked from the children to the
+landscape, and then again at the children. Her face flushed, her fingers
+flew with passionate feeling over the ivory keys. This was her last
+great day, an unmarked day of festival, held in her own soul by the
+spirit of her memories. When the doctor came, he ordered her to stay in
+bed. The alarming dictum was received with bewildered silence.
+
+When the doctor had gone, she turned to the older boy.
+
+“Louis,” she said, “take me out on the terrace, so that I may see my
+country once more.”
+
+The boy gave his arm at those simply uttered words, and brought his
+mother out upon the terrace; but her eyes turned, perhaps unconsciously,
+to heaven rather than to the earth, and indeed, it would have been hard
+to say whether heaven or earth was the fairer--for the clouds traced
+shadowy outlines, like the grandest Alpine glaciers, against the sky.
+Mme. Willemsens’ brows contracted vehemently; there was a look of
+anguish and remorse in her eyes. She caught the children’s hands, and
+clutched them to a heavily-throbbing heart.
+
+“‘Parentage unknown!’” she cried, with a look that went to their hearts.
+“Poor angels, what will become of you? And when you are twenty years
+old, what strict account may you not require of my life and your own?”
+
+She put the children from her, and leaning her arms upon the balustrade,
+stood for a while hiding her face, alone with herself, fearful of all
+eyes. When she recovered from the paroxysm, she saw Louis and Marie
+kneeling on either side of her, like two angels; they watched the
+expression of her face, and smiled lovingly at her.
+
+“If only I could take that smile with me!” she said, drying her eyes.
+
+Then she went into the house and took to the bed, which she would only
+leave for her coffin.
+
+A week went by, one day exactly like another. Old Annette and Louis took
+it in turns to sit up with Mme. Willemsens, never taking their eyes
+from the invalid. It was the deeply tragical hour that comes in all
+our lives, the hour of listening in terror to every deep breath lest it
+should be the last, a dark hour protracted over many days. On the fifth
+day of that fatal week the doctor interdicted flowers in the room. The
+illusions of life were going one by one.
+
+Then Marie and his brother felt their mother’s lips hot as fire beneath
+their kisses; and at last, on the Saturday evening, Mme. Willemsens was
+too ill to bear the slightest sound, and her room was left in disorder.
+This neglect for a woman of refined taste, who clung so persistently to
+the graces of life, meant the beginning of the death-agony. After this,
+Louis refused to leave his mother. On Sunday night, in the midst of the
+deepest silence, when Louis thought that she had grown drowsy, he saw a
+white, moist hand move the curtain in the lamplight.
+
+“My son!” she said. There was something so solemn in the dying woman’s
+tones, that the power of her wrought-up soul produced a violent reaction
+on the boy; he felt an intense heat pass through the marrow of his
+bones.
+
+“What is it, mother?”
+
+“Listen! To-morrow all will be over for me. We shall see each other no
+more. To-morrow you will be a man, my child. So I am obliged to make
+some arrangements, which must remain a secret, known only to us. Take
+the key of my little table. That is it. Now open the drawer. You will
+find two sealed papers to the left. There is the name of LOUIS on one,
+and on the other MARIE.”
+
+“Here they are, mother.”
+
+“Those are your certificates of birth, darling; you will want them. Give
+them to our poor, old Annette to keep for you; ask her for them when
+you need them. Now,” she continued, “is there not another paper as well,
+something in my handwriting?”
+
+“Yes, mother,” and Louis began to read, “_Marie Willemsens, born
+at_----”
+
+“That is enough,” she broke in quickly, “do not go on. When I am
+dead, give that paper, too, to Annette, and tell her to send it to the
+registrar at Saint-Cyr; it will be wanted if my certificate of death
+is to be made out in due form. Now find writing materials for a letter
+which I will dictate to you.”
+
+When she saw that he was ready to begin, and turned towards her for the
+words, they came from her quietly:--
+
+“Monsieur le Comte, your wife, Lady Brandon, died at Saint-Cyr, near
+Tours, in the department of Indre-et-Loire. She forgave you.”
+
+“Sign yourself----” she stopped, hesitating and perturbed.
+
+“Are you feeling worse?” asked Louis.
+
+“Put ‘Louis-Gaston,’” she went on.
+
+She sighed, then she went on.
+
+“Seal the letter, and direct it. To Lord Brandon, Brandon Square, Hyde
+Park, London, Angleterre.--That is right. When I am dead, post the
+letter in Tours, and prepay the postage.--Now,” she added, after a
+pause, “take the little pocketbook that you know, and come here, my dear
+child.... There are twelve thousand francs in it,” she said, when Louis
+had returned to her side. “That is all your own. Oh me! you would have
+been better off if your father----”
+
+“My father,” cried the boy, “where is he?”
+
+“He is dead,” she said, laying her finger on her lips; “he died to save
+my honor and my life.”
+
+She looked upwards. If any tears had been left to her, she would have
+wept for pain.
+
+“Louis,” she continued, “swear to me, as I lie here, that you will
+forget all that you have written, all that I have told you.”
+
+“Yes, mother.”
+
+“Kiss me, dear angel.”
+
+She was silent for a long while, she seemed to be drawing strength from
+God, and to be measuring her words by the life that remained in her.
+
+“Listen,” she began. “Those twelve thousand francs are all that you have
+in the world. You must keep the money upon you, because when I am dead
+the lawyers will come and seal everything up. Nothing will be yours
+then, not even your mother. All that remains for you to do will be to go
+out, poor orphan children, God knows where. I have made Annette’s future
+secure. She will have an annuity of a hundred crowns, and she will stay
+at Tours no doubt. But what will you do for yourself and your brother?”
+
+She raised herself, and looked at the brave child, standing by her
+bedside. There were drops of perspiration on his forehead, he was pale
+with emotion, and his eyes were dim with tears.
+
+“I have thought it over, mother,” he answered in a deep voice. “I will
+take Marie to the school here in Tours. I will give ten thousand francs
+to our old Annette, and ask her to take care of them, and to look after
+Marie. Then, with the remaining two thousand francs, I will go to Brest,
+and go to sea as an apprentice. While Marie is at school, I will rise to
+be a lieutenant on board a man-of-war. There, after all, die in peace,
+my mother; I shall come back again a rich man, and our little one shall
+go to the Ecole polytechnique, and I will find a career to suit his
+bent.”
+
+A gleam of joy shone in the dying woman’s eyes. Two tears brimmed over,
+and fell over her fevered cheeks; then a deep sigh escaped between her
+lips. The sudden joy of finding the father’s spirit in the son, who had
+grown all at once to be a man, almost killed her.
+
+“Angel of heaven,” she cried, weeping, “by one word you have effaced all
+my sorrows. Ah! I can bear them.--This is my son,” she said, “I bore, I
+reared this man,” and she raised her hands above her, and clasped them
+as if in ecstasy, then she lay back on the pillow.
+
+“Mother, your face is growing pale!” cried the lad.
+
+“Some one must go for a priest,” she answered, with a dying voice.
+
+Louis wakened Annette, and the terrified old woman hurried to the
+parsonage at Saint-Cyr.
+
+When morning came, Mme. Willemsens received the sacrament amid the most
+touching surroundings. Her children were kneeling in the room, with
+Annette and the vinedresser’s family, simple folk, who had already
+become part of the household. The silver crucifix, carried by a
+chorister, a peasant child from the village, was lifted up, and the
+dying mother received the Viaticum from an aged priest. The Viaticum!
+sublime word, containing an idea yet more sublime, an idea only
+possessed by the apostolic religion of the Roman church.
+
+“This woman has suffered greatly!” the old cure said in his simple way.
+
+Marie Willemsens heard no voices now, but her eyes were still fixed upon
+her children. Those about her listened in terror to her breathing in the
+deep silence; already it came more slowly, though at intervals a deep
+sigh told them that she still lived, and of a struggle within her; then
+at last it ceased. Every one burst into tears except Marie. He, poor
+child, was still too young to know what death meant.
+
+Annette and the vinedresser’s wife closed the eyes of the adorable
+woman, whose beauty shone out in all its radiance after death. Then the
+women took possession of the chamber of death, removed the furniture,
+wrapped the dead in her winding-sheet, and laid her upon the couch. They
+lit tapers about her, and arranged everything--the crucifix, the sprigs
+of box, and the holy-water stoup--after the custom of the countryside,
+bolting the shutters and drawing the curtains. Later the curate came to
+pass the night in prayer with Louis, who refused to leave his mother. On
+Tuesday morning an old woman and two children and a vinedresser’s wife
+followed the dead to her grave. These were the only mourners. Yet
+this was a woman whose wit and beauty and charm had won a European
+reputation, a woman whose funeral, if it had taken place in London,
+would have been recorded in pompous newspaper paragraphs, as a sort of
+aristocratic rite, if she had not committed the sweetest of crimes, a
+crime always expiated in this world, so that the pardoned spirit may
+enter heaven. Marie cried when they threw the earth on his mother’s
+coffin; he understood that he should see her no more.
+
+A simple, wooden cross, set up to mark her grave, bore this inscription,
+due to the cure of Saint-Cyr:--
+
+ HERE LIES
+ AN UNHAPPY WOMAN,
+ WHO DIED AT THE AGE OF THIRTY-SIX.
+ KNOWN IN HEAVEN BY THE NAME OF AUGUSTA.
+ _Pray for her!_
+
+When all was over, the children came back to La Grenadiere to take a
+last look at their home; then, hand in hand, they turned to go with
+Annette, leaving the vinedresser in charge, with directions to hand over
+everything duly to the proper authorities.
+
+At this moment, Annette called to Louis from the steps by the kitchen
+door, and took him aside with, “Here is madame’s ring, Monsieur Louis.”
+
+The sight of this vivid remembrance of his dead mother moved him so
+deeply that he wept. In his fortitude, he had not even thought of this
+supreme piety; and he flung his arms round the old woman’s neck. Then
+the three set out down the beaten path, and the stone staircase, and so
+to Tours, without turning their heads.
+
+“Mamma used to come there!” Marie said when they reached the bridge.
+
+Annette had a relative, a retired dressmaker, who lived in the Rue de la
+Guerche. She took the two children to this cousin’s house, meaning that
+they should live together thenceforth. But Louis told her of his plans,
+gave Marie’s certificate of birth and the ten thousand francs into her
+keeping, and the two went the next morning to take Marie to school.
+
+Louis very briefly explained his position to the headmaster, and went.
+Marie came with him as far as the gateway. There Louis gave solemn
+parting words of the tenderest counsel, telling Marie that he would now
+be left alone in the world. He looked at his brother for a moment, and
+put his arms about him, took one more long look, brushed a tear from his
+eyes, and went, turning again and again till the very last to see his
+brother standing there in the gateway of the school.
+
+
+
+A month later Louis-Gaston, now an apprentice on board a man-of-war,
+left the harbor of Rochefort. Leaning over the bulwarks of the corvette
+Iris, he watched the coast of France receding swiftly till it became
+indistinguishable from the faint blue horizon line. In a little while
+he felt that he was really alone, and lost in the wide ocean, lost and
+alone in the world and in life.
+
+“There is no need to cry, lad; there is a God for us all,” said an old
+sailor, with rough kindliness in his thick voice.
+
+The boy thanked him with pride in his eyes. Then he bowed his head, and
+resigned himself to a sailor’s life. He was a father.
+
+
+ANGOULEME, August, 1832.
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+ Brandon, Lady Marie Augusta
+ The Member for Arcis
+ The Lily of the Valley
+ La Grenadiere
+
+ Gaston, Louis
+ La Grenadiere
+ Letters of Two Brides
+
+ Gaston, Marie
+ La Grenadiere
+ Letters of Two Brides
+ The Member for Arcis
+
+
+
+
+
+
+End of the Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+*** END OF THE PROJECT GUTENBERG EBOOK 1428 ***
diff --git a/1428-h/1428-h.htm b/1428-h/1428-h.htm
new file mode 100644
index 0000000..370e2c0
--- /dev/null
+++ b/1428-h/1428-h.htm
@@ -0,0 +1,1133 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ La Grenadiere, by Honore de Balzac
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 1428 ***</div>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ LA GRENADIERE
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Honore De Balzac
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Translated By Ellen Marriage
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ To D. W.
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ <a href="#link2H_4_0001"> LA GRENADIERE </a><br /><br /> <a
+ href="#link2H_4_0002"> ADDENDUM </a>
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h1>
+ LA GRENADIERE
+ </h1>
+ <p>
+ <br />
+ </p>
+ <p>
+ La Grenadiere is a little house on the right bank of the Loire as you go
+ down stream, about a mile below the bridge of Tours. At this point the
+ river, broad as a lake, and covered with scattered green islands, flows
+ between two lines of cliff, where country houses built uniformly of white
+ stone stand among their gardens and vineyards. The finest fruit in the
+ world ripens there with a southern exposure. The patient toil of many
+ generations has cut terraces in the cliff, so that the face of the rock
+ reflects the rays of the sun, and the produce of hot climates may be grown
+ out of doors in an artificially high temperature.
+ </p>
+ <p>
+ A church spire, rising out of one of the shallower dips in the line of
+ cliffs, marks the little village of Saint-Cyr, to which the scattered
+ houses all belong. And yet a little further the Choisille flows into the
+ Loire, through a fertile valley cut in the long low downs.
+ </p>
+ <p>
+ La Grenadiere itself, half-way up the hillside, and about a hundred paces
+ from the church, is one of those old-fashioned houses dating back some two
+ or three hundred years, which you find in every picturesque spot in
+ Touraine. A fissure in the rock affords convenient space for a flight of
+ steps descending gradually to the &ldquo;dike&rdquo;&mdash;the local name for the
+ embankment made at the foot of the cliffs to keep the Loire in its bed,
+ and serve as a causeway for the highroad from Paris to Nantes. At the top
+ of the steps a gate opens upon a narrow stony footpath between two
+ terraces, for here the soil is banked up, and walls are built to prevent
+ landslips. These earthworks, as it were, are crowned with trellises and
+ espaliers, so that the steep path that lies at the foot of the upper wall
+ is almost hidden by the trees that grow on the top of the lower, upon
+ which it lies. The view of the river widens out before you at every step
+ as you climb to the house.
+ </p>
+ <p>
+ At the end you come to a second gateway, a Gothic archway covered with
+ simple ornament, now crumbling into ruin and overgrown with wildflowers&mdash;moss
+ and ivy, wallflowers and pellitory. Every stone wall on the hillside is
+ decked with this ineradicable plant-life, which springs up along the
+ cracks afresh with new wreaths for every time of year.
+ </p>
+ <p>
+ The worm-eaten gate gives into a little garden, a strip of turf, a few
+ trees, and a wilderness of flowers and rose bushes&mdash;a garden won from
+ the rock on the highest terrace of all, with the dark, old balustrade
+ along its edge. Opposite the gateway, a wooden summer-house stands against
+ the neighboring wall, the posts are covered with jessamine and
+ honeysuckle, vines and clematis.
+ </p>
+ <p>
+ The house itself stands in the middle of this highest garden, above a
+ vine-covered flight of steps, with an arched doorway beneath that leads to
+ vast cellars hollowed out in the rock. All about the dwelling trellised
+ vines and pomegranate-trees (the <i>grenadiers</i>, which give the name to
+ the little close) are growing out in the open air. The front of the house
+ consists of two large windows on either side of a very rustic-looking
+ house door, and three dormer windows in the roof&mdash;a slate roof with
+ two gables, prodigiously high-pitched in proportion to the low
+ ground-floor. The house walls are washed with yellow color; and door, and
+ first-floor shutters, all the Venetian shutters of the attic windows, all
+ are painted green.
+ </p>
+ <p>
+ Entering the house, you find yourself in a little lobby with a crooked
+ staircase straight in front of you. It is a crazy wooden structure, the
+ spiral balusters are brown with age, and the steps themselves take a new
+ angle at every turn. The great old-fashioned paneled dining-room, floored
+ with square white tiles from Chateau-Regnault, is on your right; to the
+ left is the sitting-room, equally large, but here the walls are not
+ paneled; they have been covered instead with a saffron-colored paper,
+ bordered with green. The walnut-wood rafters are left visible, and the
+ intervening spaces filled with a kind of white plaster.
+ </p>
+ <p>
+ The first story consists of two large whitewashed bedrooms with stone
+ chimney-pieces, less elaborately carved than those in the rooms beneath.
+ Every door and window is on the south side of the house, save a single
+ door to the north, contrived behind the staircase to give access to the
+ vineyard. Against the western wall stands a supplementary timber-framed
+ structure, all the woodwork exposed to the weather being fledged with
+ slates, so that the walls are checkered with bluish lines. This shed (for
+ it is little more) is the kitchen of the establishment. You can pass from
+ it into the house without going outside; but, nevertheless, it boasts an
+ entrance door of its own, and a short flight of steps that brings you to a
+ deep well, and a very rustical-looking pump, half hidden by water-plants
+ and savin bushes and tall grasses. The kitchen is a modern addition,
+ proving beyond doubt that La Grenadiere was originally nothing but a
+ simple <i>vendangeoir</i>&mdash;a vintage-house belonging to townsfolk in
+ Tours, from which Saint-Cyr is separated by the vast river-bed of the
+ Loire. The owners only came over for the day for a picnic, or at the
+ vintage-time, sending provisions across in the morning, and scarcely ever
+ spent the night there except during the grape harvest; but the English
+ settled down on Touraine like a cloud of locusts, and La Grenadiere must,
+ of course, be completed if it was to find tenants. Luckily, however, this
+ recent appendage is hidden from sight by the first two trees of a
+ lime-tree avenue planted in a gully below the vineyards.
+ </p>
+ <p>
+ There are only two acres of vineyard at most, the ground rising at the
+ back of the house so steeply that it is no very easy matter to scramble up
+ among the vines. The slope, covered with green trailing shoots, ends
+ within about five feet of the house wall in a ditch-like passage always
+ damp and cold and full of strong growing green things, fed by the drainage
+ of the highly cultivated ground above, for rainy weather washes down the
+ manure into the garden on the terrace.
+ </p>
+ <p>
+ A vinedresser&rsquo;s cottage also leans against the western gable, and is in
+ some sort a continuation of the kitchen. Stone walls or espaliers surround
+ the property, and all sorts of fruit-trees are planted among the vines; in
+ short, not an inch of this precious soil is wasted. If by chance man
+ overlooks some dry cranny in the rocks, Nature puts in a fig-tree, or sows
+ wildflowers or strawberries in sheltered nooks among the stones.
+ </p>
+ <p>
+ Nowhere else in all the world will you find a human dwelling so humble and
+ yet so imposing, so rich in fruit, and fragrant scents, and wide views of
+ country. Here is a miniature Touraine in the heart of Touraine&mdash;all
+ its flowers and fruits and all the characteristic beauty of the land are
+ fully represented. Here are grapes of every district, figs and peaches and
+ pears of every kind; melons are grown out of doors as easily as licorice
+ plants, Spanish broom, Italian oleanders, and jessamines from the Azores.
+ The Loire lies at your feet. You look down from the terrace upon the
+ ever-changing river nearly two hundred feet below; and in the evening the
+ breeze brings a fresh scent of the sea, with the fragrance of far-off
+ flowers gathered upon its way. Some cloud wandering in space, changing its
+ color and form at every moment as it crosses the pure blue of the sky, can
+ alter every detail in the widespread wonderful landscape in a thousand
+ ways, from every point of view. The eye embraces first of all the south
+ bank of the Loire, stretching away as far as Amboise, then Tours with its
+ suburbs and buildings, and the Plessis rising out of the fertile plain;
+ further away, between Vouvray and Saint-Symphorien, you see a sort of
+ crescent of gray cliff full of sunny vineyards; the only limits to your
+ view are the low, rich hills along the Cher, a bluish line of horizon
+ broken by many a chateau and the wooded masses of many a park. Out to the
+ west you lose yourself in the immense river, where vessels come and go,
+ spreading their white sails to the winds which seldom fail them in the
+ wide Loire basin. A prince might build a summer palace at La Grenadiere,
+ but certainly it will always be the home of a poet&rsquo;s desire, and the
+ sweetest of retreats for two young lovers&mdash;for this vintage house,
+ which belongs to a substantial burgess of Tours, has charms for every
+ imagination, for the humblest and dullest as well as for the most
+ impassioned and lofty. No one can dwell there without feeling that
+ happiness is in the air, without a glimpse of all that is meant by a
+ peaceful life without care or ambition. There is that in the air and the
+ sound of the river that sets you dreaming; the sands have a language, and
+ are joyous or dreary, golden or wan; and the owner of the vineyard may sit
+ motionless amid perennial flowers and tempting fruit, and feel all the
+ stir of the world about him.
+ </p>
+ <p>
+ If an Englishman takes the house for the summer, he is asked a thousand
+ francs for six months, the produce of the vineyard not included. If the
+ tenant wishes for the orchard fruit, the rent is doubled; for the vintage,
+ it is doubled again. What can La Grenadiere be worth, you wonder; La
+ Grenadiere, with its stone staircase, its beaten path and triple terrace,
+ its two acres of vineyard, its flowering roses about the balustrades, its
+ worn steps, well-head, rampant clematis, and cosmopolitan trees? It is
+ idle to make a bid! La Grenadiere will never be in the market; it was
+ brought once and sold, but that was in 1690; and the owner parted with it
+ for forty thousand francs, reluctant as any Arab of the desert to
+ relinquish a favorite horse. Since then it has remained in the same
+ family, its pride, its patrimonial jewel, its Regent diamond. &ldquo;While you
+ behold, you have and hold,&rdquo; says the bard. And from La Grenadiere you
+ behold three valleys of Touraine and the cathedral towers aloft in air
+ like a bit of filigree work. How can one pay for such treasures? Could one
+ ever pay for the health recovered there under the linden-trees?
+ </p>
+ <p>
+ In the spring of one of the brightest years of the Restoration, a lady
+ with her housekeeper and her two children (the oldest a boy thirteen years
+ old, the youngest apparently about eight) came to Tours to look for a
+ house. She saw La Grenadiere and took it. Perhaps the distance from the
+ town was an inducement to live there.
+ </p>
+ <p>
+ She made a bedroom of the drawing-room, gave the children the two rooms
+ above, and the housekeeper slept in a closet behind the kitchen. The
+ dining-room was sitting-room and drawing-room all in one for the little
+ family. The house was furnished very simply but tastefully; there was
+ nothing superfluous in it, and no trace of luxury. The walnut-wood
+ furniture chosen by the stranger lady was perfectly plain, and the whole
+ charm of the house consisted in its neatness and harmony with its
+ surroundings.
+ </p>
+ <p>
+ It was rather difficult, therefore, to say whether the strange lady (Mme.
+ Willemsens, as she styled herself) belonged to the upper middle or higher
+ classes, or to an equivocal, unclassified feminine species. Her plain
+ dress gave rise to the most contradictory suppositions, but her manners
+ might be held to confirm those favorable to her. She had not lived at
+ Saint-Cyr, moreover, for very long before her reserve excited the
+ curiosity of idle people, who always, and especially in the country, watch
+ anybody or anything that promises to bring some interest into their narrow
+ lives.
+ </p>
+ <p>
+ Mme. Willemsens was rather tall; she was thin and slender, but delicately
+ shaped. She had pretty feet, more remarkable for the grace of her instep
+ and ankle than for the more ordinary merit of slenderness; her gloved
+ hands, too, were shapely. There were flitting patches of deep red in a
+ pale face, which must have been fresh and softly colored once. Premature
+ wrinkles had withered the delicately modeled forehead beneath the coronet
+ of soft, well-set chestnut hair, invariably wound about her head in two
+ plaits, a girlish coiffure which suited the melancholy face. There was a
+ deceptive look of calm in the dark eyes, with the hollow, shadowy circles
+ about them; sometimes, when she was off her guard, their expression told
+ of secret anguish. The oval of her face was somewhat long; but happiness
+ and health had perhaps filled and perfected the outlines. A forced smile,
+ full of quiet sadness, hovered continually on her pale lips; but when the
+ children, who were always with her, looked up at their mother, or asked
+ one of the incessant idle questions which convey so much to a mother&rsquo;s
+ ears, then the smile brightened, and expressed the joys of a mother&rsquo;s
+ love. Her gait was slow and dignified. Her dress never varied; evidently
+ she had made up her mind to think no more of her toilette, and to forget a
+ world by which she meant no doubt to be forgotten. She wore a long, black
+ gown, confined at the waist by a watered-silk ribbon, and by way of scarf
+ a lawn handkerchief with a broad hem, the two ends passed carelessly
+ through her waistband. The instinct of dress showed itself in that she was
+ daintily shod, and gray silk stockings carried out the suggestion of
+ mourning in this unvarying costume. Lastly, she always wore a bonnet after
+ the English fashion, always of the same shape and the same gray material,
+ and a black veil. Her health apparently was extremely weak; she looked
+ very ill. On fine evenings she would take her only walk, down to the
+ bridge of Tours, bringing the two children with her to breathe the fresh,
+ cool air along the Loire, and to watch the sunset effects on a landscape
+ as wide as the Bay of Naples or the Lake of Geneva.
+ </p>
+ <p>
+ During the whole time of her stay at La Grenadiere she went but twice into
+ Tours; once to call on the headmaster of the school, to ask him to give
+ her the names of the best masters of Latin, drawing, and mathematics; and
+ a second time to make arrangements for the children&rsquo;s lessons. But her
+ appearance on the bridge of an evening, once or twice a week, was quite
+ enough to excite the interest of almost all the inhabitants of Tours, who
+ make a regular promenade of the bridge. Still, in spite of a kind of spy
+ system, by which no harm is meant, a provincial habit bred of want of
+ occupation and the restless inquisitiveness of the principal society,
+ nothing was known for certain of the newcomer&rsquo;s rank, fortune, or real
+ condition. Only, the owner of La Grenadiere told one or two of his friends
+ that the name under which the stranger had signed the lease (her real
+ name, therefore, in all probability) was Augusta Willemsens, Countess of
+ Brandon. This, of course, must be her husband&rsquo;s name. Events, which will
+ be narrated in their place, confirmed this revelation; but it went no
+ further than the little world of men of business known to the landlord.
+ </p>
+ <p>
+ So Madame Willemsens was a continual mystery to people of condition. Hers
+ was no ordinary nature; her manners were simple and delightfully natural,
+ the tones of her voice were divinely sweet,&mdash;this was all that she
+ suffered others to discover. In her complete seclusion, her sadness, her
+ beauty so passionately obscured, nay, almost blighted, there was so much
+ to charm, that several young gentlemen fell in love; but the more sincere
+ the lover, the more timid he became; and besides, the lady inspired awe,
+ and it was a difficult matter to find enough courage to speak to her.
+ Finally, if a few of the bolder sort wrote to her, their letters must have
+ been burned unread. It was Mme. Willemsens&rsquo; practice to throw all the
+ letters which she received into the fire, as if she meant that the time
+ spent in Touraine should be untroubled by any outside cares even of the
+ slightest. She might have come to the enchanting retreat to give herself
+ up wholly to the joy of living.
+ </p>
+ <p>
+ The three masters whose presence was allowed at La Grenadiere spoke with
+ something like admiring reverence of the touching picture that they saw
+ there of the close, unclouded intimacy of the life led by this woman and
+ the children.
+ </p>
+ <p>
+ The two little boys also aroused no small interest. Mothers could not see
+ them without a feeling of envy. Both children were like Mme. Willemsens,
+ who was, in fact, their mother. They had the transparent complexion and
+ bright color, the clear, liquid eyes, the long lashes, the fresh outlines,
+ the dazzling characteristics of childish beauty.
+ </p>
+ <p>
+ The elder, Louis-Gaston, had dark hair and fearless eyes. Everything about
+ him spoke as plainly of robust, physical health as his broad, high brow,
+ with its gracious curves, spoke of energy of character. He was quick and
+ alert in his movements, and strong of limb, without a trace of
+ awkwardness. Nothing took him unawares, and he seemed to think about
+ everything that he saw.
+ </p>
+ <p>
+ Marie-Gaston, the other child, had hair that was almost golden, though a
+ lock here and there had deepened to the mother&rsquo;s chestnut tint.
+ Marie-Gaston was slender; he had the delicate features and the subtle
+ grace so charming in Mme. Willemsens. He did not look strong. There was a
+ gentle look in his gray eyes; his face was pale, there was something
+ feminine about the child. He still wore his hair in long, wavy curls, and
+ his mother would not have him give up embroidered collars, and little
+ jackets fastened with frogs and spindle-shaped buttons; evidently she took
+ a thoroughly feminine pleasure in the costume, a source of as much
+ interest to the mother as to the child. The elder boy&rsquo;s plain white
+ collar, turned down over a closely fitting jacket, made a contrast with
+ his brother&rsquo;s clothing, but the color and material were the same; the two
+ brothers were otherwise dressed alike, and looked alike.
+ </p>
+ <p>
+ No one could see them without feeling touched by the way in which Louis
+ took care of Marie. There was an almost fatherly look in the older boy&rsquo;s
+ eyes; and Marie, child though he was, seemed to be full of gratitude to
+ Louis. They were like two buds, scarcely separated from the stem that bore
+ them, swayed by the same breeze, lying in the same ray of sunlight; but
+ the one was a brightly colored flower, the other somewhat bleached and
+ pale. At a glance, a word, an inflection in their mother&rsquo;s voice, they
+ grew heedful, turned to look at her and listened, and did at once what
+ they were bidden, or asked, or recommended to do. Mme. Willemsens had so
+ accustomed them to understand her wishes and desires, that the three
+ seemed to have their thoughts in common. When they went for a walk, and
+ the children, absorbed in their play, ran away to gather a flower or to
+ look at some insect, she watched them with such deep tenderness in her
+ eyes, that the most indifferent passer-by would feel moved, and stop and
+ smile at the children, and give the mother a glance of friendly greeting.
+ Who would not have admired the dainty neatness of their dress, their
+ sweet, childish voices, the grace of their movements, the promise in their
+ faces, the innate something that told of careful training from the cradle?
+ They seemed as if they had never shed tears nor wailed like other
+ children. Their mother knew, as it were, by electrically swift intuition,
+ the desires and the pains which she anticipated and relieved. She seemed
+ to dread a complaint from one of them more than the loss of her soul.
+ Everything in her children did honor to their mother&rsquo;s training. Their
+ threefold life, seemingly one life, called up vague, fond thoughts; it was
+ like a vision of the dreamed-of bliss of a better world. And the three, so
+ attuned to each other, lived in truth such a life as one might picture for
+ them at first sight&mdash;the ordered, simple, and regular life best
+ suited for a child&rsquo;s education.
+ </p>
+ <p>
+ Both children rose an hour after daybreak and repeated a short prayer, a
+ habit learned in their babyhood. For seven years the sincere petition had
+ been put up every morning on their mother&rsquo;s bed, and begun and ended by a
+ kiss. Then the two brothers went through their morning toilet as
+ scrupulously as any pretty woman; doubtless they had been trained in
+ habits of minute attention to the person, so necessary to health of body
+ and mind, habits in some sort conducive to a sense of wellbeing.
+ Conscientiously they went through their duties, so afraid were they lest
+ their mother should say when she kissed them at breakfast-time, &ldquo;My
+ darling children, where can you have been to have such black finger-nails
+ already?&rdquo; Then the two went out into the garden and shook off the dreams
+ of the night in the morning air and dew, until sweeping and dusting
+ operations were completed, and they could learn their lessons in the
+ sitting-room until their mother joined them. But although it was
+ understood that they must not go to their mother&rsquo;s room before a certain
+ hour, they peeped in at the door continually; and these morning inroads,
+ made in defiance of the original compact, were delicious moments for all
+ three. Marie sprang upon the bed to put his arms around his idolized
+ mother, and Louis, kneeling by the pillow, took her hand in his. Then came
+ inquiries, anxious as a lover&rsquo;s, followed by angelic laughter, passionate
+ childish kisses, eloquent silences, lisping words, and the little ones&rsquo;
+ stories interrupted and resumed by a kiss, stories seldom finished, though
+ the listener&rsquo;s interest never failed.
+ </p>
+ <p>
+ &ldquo;Have you been industrious?&rdquo; their mother would ask, but in tones so sweet
+ and so kindly that she seemed ready to pity laziness as a misfortune, and
+ to glance through tears at the child who was satisfied with himself.
+ </p>
+ <p>
+ She knew that the thought of pleasing her put energy into the children&rsquo;s
+ work; and they knew that their mother lived for them, and that all her
+ thoughts and her time were given to them. A wonderful instinct, neither
+ selfishness nor reason, perhaps the first innocent beginnings of sentiment
+ teaches children to know whether or not they are the first and sole
+ thought, to find out those who love to think of them and for them. If you
+ really love children, the dear little ones, with open hearts and unerring
+ sense of justice, are marvelously ready to respond to love. Their love
+ knows passion and jealousy and the most gracious delicacy of feeling; they
+ find the tenderest words of expression; they trust you&mdash;put an entire
+ belief in you. Perhaps there are no undutiful children without undutiful
+ mothers, for a child&rsquo;s affection is always in proportion to the affection
+ that it receives&mdash;in early care, in the first words that it hears, in
+ the response of the eyes to which a child first looks for love and life.
+ All these things draw them closer to the mother or drive them apart. God
+ lays the child under the mother&rsquo;s heart, that she may learn that for a
+ long time to come her heart must be its home. And yet&mdash;there are
+ mothers cruelly slighted, mothers whose sublime, pathetic tenderness meets
+ only a harsh return, a hideous ingratitude which shows how difficult it is
+ to lay down hard-and-fast rules in matters of feeling.
+ </p>
+ <p>
+ Here, not one of all the thousand heart ties that bind child and mother
+ had been broken. The three were alone in the world; they lived one life, a
+ life of close sympathy. If Mme. Willemsens was silent in the morning,
+ Louis and Marie would not speak, respecting everything in her, even those
+ thoughts which they did not share. But the older boy, with a precocious
+ power of thought, would not rest satisfied with his mother&rsquo;s assertion
+ that she was perfectly well. He scanned her face with uneasy forebodings;
+ the exact danger he did not know, but dimly he felt it threatening in
+ those purple rings about her eyes, in the deepening hollows under them,
+ and the feverish red that deepened in her face. If Marie&rsquo;s play began to
+ tire her, his sensitive tact was quick to discover this, and he would call
+ to his brother:
+ </p>
+ <p>
+ &ldquo;Come, Marie! let us run in to breakfast, I am hungry!&rdquo;
+ </p>
+ <p>
+ But when they reached the door, he would look back to catch the expression
+ on his mother&rsquo;s face. She still could find a smile for him, nay, often
+ there were tears in her eyes when some little thing revealed her child&rsquo;s
+ exquisite feeling, a too early comprehension of sorrow.
+ </p>
+ <p>
+ Mme. Willemsens dressed during the children&rsquo;s early breakfast and game of
+ play; she was coquettish for her darlings; she wished to be pleasing in
+ their eyes; for them she would fain be in all things lovely, a gracious
+ vision, with the charm of some sweet perfume of which one can never have
+ enough.
+ </p>
+ <p>
+ She was always dressed in time to hear their lessons, which lasted from
+ ten till three, with an interval at noon for lunch, the three taking the
+ meal together in the summer-house. After lunch the children played for an
+ hour, while she&mdash;poor woman and happy mother&mdash;lay on a long sofa
+ in the summer-house, so placed that she could look out over the soft,
+ ever-changing country of Touraine, a land that you learn to see afresh in
+ all the thousand chance effects produced by daylight and sky and the time
+ of year.
+ </p>
+ <p>
+ The children scampered through the orchard, scrambled about the terraces,
+ chased the lizards, scarcely less nimble than they; investigating flowers
+ and seeds and insects, continually referring all questions to their
+ mother, running to and fro between the garden and the summer-house.
+ Children have no need of toys in the country, everything amuses them.
+ </p>
+ <p>
+ Mme. Willemsens sat at her embroidery during their lessons. She never
+ spoke, nor did she look at masters or pupils; but she followed attentively
+ all that was said, striving to gather the sense of the words to gain a
+ general idea of Louis&rsquo; progress. If Louis asked a question that puzzled
+ his master, his mother&rsquo;s eyes suddenly lighted up, and she would smile and
+ glance at him with hope in her eyes. Of Marie she asked little. Her desire
+ was with her eldest son. Already she treated him, as it were,
+ respectfully, using all a woman&rsquo;s, all a mother&rsquo;s tact to arouse the
+ spirit of high endeavor in the boy, to teach him to think of himself as
+ capable of great things. She did this with a secret purpose, which Louis
+ was to understand in the future; nay, he understood it already.
+ </p>
+ <p>
+ Always, the lesson over, she went as far as the gate with the master, and
+ asked strict account of Louis&rsquo; progress. So kindly and so winning was her
+ manner, that his tutors told her the truth, pointing out where Louis was
+ weak, so that she might help him in his lessons. Then came dinner, and
+ play after dinner, then a walk, and lessons were learned till bedtime.
+ </p>
+ <p>
+ So their days went. It was a uniform but full life; work and amusements
+ left them not a dull hour in the day. Discouragement and quarreling were
+ impossible. The mother&rsquo;s boundless love made everything smooth. She taught
+ her little sons moderation by refusing them nothing, and submission by
+ making them see underlying Necessity in its many forms; she put heart into
+ them with timely praise; developing and strengthening all that was best in
+ their natures with the care of a good fairy. Tears sometimes rose to her
+ burning eyes as she watched them play, and thought how they had never
+ caused her the slightest vexation. Happiness so far-reaching and complete
+ brings such tears, because for us it represents the dim imaginings of
+ Heaven which we all of us form in our minds.
+ </p>
+ <p>
+ Those were delicious hours spent on that sofa in the garden-house, in
+ looking out on sunny days over the wide stretches of river and the
+ picturesque landscape, listening to the sound of her children&rsquo;s voices as
+ they laughed at their own laughter, to the little quarrels that told most
+ plainly of their union of heart, of Louis&rsquo; paternal care of Marie, of the
+ love that both of them felt for her. They spoke English and French equally
+ well (they had had an English nurse since their babyhood), so their mother
+ talked to them in both languages; directing the bent of their childish
+ minds with admirable skill, admitting no fallacious reasoning, no bad
+ principle. She ruled by kindness, concealing nothing, explaining
+ everything. If Louis wished for books, she was careful to give him
+ interesting yet accurate books&mdash;books of biography, the lives of
+ great seamen, great captains, and famous men, for little incidents in
+ their history gave her numberless opportunities of explaining the world
+ and life to her children. She would point out the ways in which men,
+ really great in themselves, had risen from obscurity; how they had started
+ from the lowest ranks of society, with no one to look to but themselves,
+ and achieved noble destinies.
+ </p>
+ <p>
+ These readings, and they were not the least useful of Louis&rsquo; lessons, took
+ place while little Marie slept on his mother&rsquo;s knee in the quiet of the
+ summer night, and the Loire reflected the sky; but when they ended, this
+ adorable woman&rsquo;s sadness always seemed to be doubled; she would cease to
+ speak, and sit motionless and pensive, and her eyes would fill with tears.
+ </p>
+ <p>
+ &ldquo;Mother, why are you crying?&rdquo; Louis asked one balmy June evening, just as
+ the twilight of a soft-lit night succeeded to a hot day.
+ </p>
+ <p>
+ Deeply moved by his trouble, she put her arm about the child&rsquo;s neck and
+ drew him to her.
+ </p>
+ <p>
+ &ldquo;Because, my boy, the lot of Jameray Duval, the poor and friendless lad
+ who succeeded at last, will be your lot, yours and your brother&rsquo;s, and I
+ have brought it upon you. Before very long, dear child, you will be alone
+ in the world, with no one to help or befriend you. While you are still
+ children, I shall leave you, and yet, if only I could wait till you are
+ big enough and know enough to be Marie&rsquo;s guardian! But I shall not live so
+ long. I love you so much that it makes me very unhappy to think of it.
+ Dear children, if only you do not curse me some day!&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But why should I curse you some day, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;Some day,&rdquo; she said, kissing him on the forehead, &ldquo;you will find out that
+ I have wronged you. I am going to leave you, here, without money, without&rdquo;&mdash;and
+ she hesitated&mdash;&ldquo;without a father,&rdquo; she added, and at the word she
+ burst into tears and put the boy from her gently. A sort of intuition told
+ Louis that his mother wished to be alone, and he carried off Marie, now
+ half awake. An hour later, when his brother was in bed, he stole down and
+ out to the summer-house where his mother was sitting.
+ </p>
+ <p>
+ &ldquo;Louis! come here.&rdquo;
+ </p>
+ <p>
+ The words were spoken in tones delicious to his heart. The boy sprang to
+ his mother&rsquo;s arms, and the two held each other in an almost convulsive
+ embrace.
+ </p>
+ <p>
+ &ldquo;<i>Cherie</i>,&rdquo; he said at last, the name by which he often called her,
+ finding that even loving words were too weak to express his feeling, &ldquo;<i>cherie</i>,
+ why are you afraid that you are going to die?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am ill, my poor darling; every day I am losing strength, and there is
+ no cure for my illness; I know that.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is the matter with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Something that I ought to forget; something that you must never know.&mdash;You
+ must not know what caused my death.&rdquo;
+ </p>
+ <p>
+ The boy was silent for a while. He stole a glance now and again at his
+ mother; and she, with her eyes raised to the sky, was watching the clouds.
+ It was a sad, sweet moment. Louis could not believe that his mother would
+ die soon, but instinctively he felt trouble which he could not guess. He
+ respected her long musings. If he had been rather older, he would have
+ read happy memories blended with thoughts of repentance, the whole story
+ of a woman&rsquo;s life in that sublime face&mdash;the careless childhood, the
+ loveless marriage, a terrible passion, flowers springing up in storm and
+ struck down by the thunderbolt into an abyss from which there is no
+ return.
+ </p>
+ <p>
+ &ldquo;Darling mother,&rdquo; Louis said at last, &ldquo;why do you hide your pain from me?&rdquo;
+ </p>
+ <p>
+ &ldquo;My boy, we ought to hide our troubles from strangers,&rdquo; she said; &ldquo;we
+ should show them a smiling face, never speak of ourselves to them, nor
+ think about ourselves; and these rules, put in practice in family life,
+ conduce to its happiness. You will have much to bear one day! Ah me! then
+ think of your poor mother who died smiling before your eyes, hiding her
+ sufferings from you, and you will take courage to endure the ills of
+ life.&rdquo;
+ </p>
+ <p>
+ She choked back her tears, and tried to make the boy understand the
+ mechanism of existence, the value of money, the standing and consideration
+ that it gives, and its bearing on social position; the honorable means of
+ gaining a livelihood, and the necessity of a training. Then she told him
+ that one of the chief causes of her sadness and her tears was the thought
+ that, on the morrow of her death, he and Marie would be left almost
+ resourceless, with but a slender stock of money, and no friend but God.
+ </p>
+ <p>
+ &ldquo;How quick I must be about learning!&rdquo; cried Louis, giving her a piteous,
+ searching look.
+ </p>
+ <p>
+ &ldquo;Oh! how happy I am!&rdquo; she said, showering kisses and tears on her son. &ldquo;He
+ understands me!&mdash;Louis,&rdquo; she went on, &ldquo;you will be your brother&rsquo;s
+ guardian, will you not? You promise me that? You are no longer a child!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I promise,&rdquo; he said; &ldquo;but you are not going to die yet&mdash;say
+ that you are not going to die!&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor little ones!&rdquo; she replied, &ldquo;love for you keeps the life in me. And
+ this country is so sunny, the air is so bracing, perhaps&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You make me love Touraine more than ever,&rdquo; said the child.
+ </p>
+ <p>
+ From that day, when Mme. Willemsens, foreseeing the approach of death,
+ spoke to Louis of his future, he concentrated his attention on his work,
+ grew more industrious, and less inclined to play than heretofore. When he
+ had coaxed Marie to read a book and to give up boisterous games, there was
+ less noise in the hollow pathways and gardens and terraced walks of La
+ Grenadiere. They adapted their lives to their mother&rsquo;s melancholy. Day by
+ day her face was growing pale and wan, there were hollows now in her
+ temples, the lines in her forehead grew deeper night after night.
+ </p>
+ <p>
+ August came. The little family had been five months at La Grenadiere, and
+ their whole life was changed. The old servant grew anxious and gloomy as
+ she watched the almost imperceptible symptoms of slow decline in the
+ mistress, who seemed to be kept in life by an impassioned soul and intense
+ love of her children. Old Annette seemed to see that death was very near.
+ That mistress, beautiful still, was more careful of her appearance than
+ she had ever been; she was at pains to adorn her wasted self, and wore
+ paint on her cheeks; but often while she walked on the upper terrace with
+ the children, Annette&rsquo;s wrinkled face would peer out from between the
+ savin trees by the pump. The old woman would forget her work, and stand
+ with wet linen in her hands, scarce able to keep back her tears at the
+ sight of Mme. Willemsens, so little like the enchanting woman she once had
+ been.
+ </p>
+ <p>
+ The pretty house itself, once so gay and bright, looked melancholy; it was
+ a very quiet house now, and the family seldom left it, for the walk to the
+ bridge was too great an effort for Mme. Willemsens. Louis had almost
+ identified himself, as it were, with his mother, and with his suddenly
+ developed powers of imagination he saw the weariness and exhaustion under
+ the red color, and constantly found reasons for taking some shorter walk.
+ </p>
+ <p>
+ So happy couples coming to Saint-Cyr, then the Petite Courtille of Tours,
+ and knots of folk out for their evening walk along the &ldquo;dike,&rdquo; saw a pale,
+ thin figure dressed in black, a woman with a worn yet bright face, gliding
+ like a shadow along the terraces. Great suffering cannot be concealed. The
+ vinedresser&rsquo;s household had grown quiet also. Sometimes the laborer and
+ his wife and children were gathered about the door of their cottage, while
+ Annette was washing linen at the well-head, and Mme. Willemsens and the
+ children sat in the summer-house, and there was not the faintest sound in
+ those gardens gay with flowers. Unknown to Mme. Willemsens, all eyes grew
+ pitiful at the sight of her, she was so good, so thoughtful, so dignified
+ with those with whom she came in contact.
+ </p>
+ <p>
+ And as for her.&mdash;When the autumn days came on, days so sunny and
+ bright in Touraine, bringing with them grapes and ripe fruits and
+ healthful influences which must surely prolong life in spite of the
+ ravages of mysterious disease&mdash;she saw no one but her children,
+ taking the utmost that the hour could give her, as if each hour had been
+ her last.
+ </p>
+ <p>
+ Louis had worked at night, unknown to his mother, and made immense
+ progress between June and September. In algebra he had come as far as
+ equations with two unknown quantities; he had studied descriptive
+ geometry, and drew admirably well; in fact, he was prepared to pass the
+ entrance examination of the Ecole polytechnique.
+ </p>
+ <p>
+ Sometimes of an evening he went down to the bridge of Tours. There was a
+ lieutenant there on half-pay, an Imperial naval officer, whose manly face,
+ medal, and gait had made an impression on the boy&rsquo;s imagination, and the
+ officer on his side had taken a liking to the lad, whose eyes sparkled
+ with energy. Louis, hungering for tales of adventure, and eager for
+ information, used to follow in the lieutenant&rsquo;s wake for the chance of a
+ chat with him. It so happened that the sailor had a friend and comrade in
+ the colonel of a regiment of infantry, struck off the rolls like himself;
+ and young Louis-Gaston had a chance of learning what life was like in camp
+ or on board a man-of-war. Of course, he plied the veterans with questions;
+ and when he had made up his mind to the hardships of their rough callings,
+ he asked his mother&rsquo;s leave to take country walks by way of amusement.
+ Mme. Willemsens was beyond measure glad that he should ask; the boy&rsquo;s
+ astonished masters had told her that he was overworking himself. So Louis
+ went for long walks. He tried to inure himself to fatigue, climbed the
+ tallest trees with incredible quickness, learned to swim, watched through
+ the night. He was not like the same boy; he was a young man already, with
+ a sunburned face, and a something in his expression that told of deep
+ purpose.
+ </p>
+ <p>
+ When October came, Mme. Willemsens could only rise at noon. The sunshine,
+ reflected by the surface of the Loire, and stored up by the rocks, raised
+ the temperature of the air till it was almost as warm and soft as the
+ atmosphere of the Bay of Naples, for which reason the faculty recommend
+ the place of abode. At mid-day she came out to sit under the shade of
+ green leaves with the two boys, who never wandered from her now. Lessons
+ had come to an end. Mother and children wished to live the life of heart
+ and heart together, with no disturbing element, no outside cares. No tears
+ now, no joyous outcries. The elder boy, lying in the grass at his mother&rsquo;s
+ side, basked in her eyes like a lover and kissed her feet. Marie, the
+ restless one, gathered flowers for her, and brought them with a subdued
+ look, standing on tiptoe to put a girlish kiss on her lips. And the pale
+ woman, with the great tired eyes and languid movements, never uttered a
+ word of complaint, and smiled upon her children, so full of life and
+ health&mdash;it was a sublime picture, lacking no melancholy autumn pomp
+ of yellow leaves and half-despoiled branches, nor the softened sunlight
+ and pale clouds of the skies of Touraine.
+ </p>
+ <p>
+ At last the doctor forbade Mme. Willemsens to leave her room. Every day it
+ was brightened by the flowers that she loved, and her children were always
+ with her. One day, early in November, she sat at the piano for the last
+ time. A picture&mdash;a Swiss landscape&mdash;hung above the instrument;
+ and at the window she could see her children standing with their heads
+ close together. Again and again she looked from the children to the
+ landscape, and then again at the children. Her face flushed, her fingers
+ flew with passionate feeling over the ivory keys. This was her last great
+ day, an unmarked day of festival, held in her own soul by the spirit of
+ her memories. When the doctor came, he ordered her to stay in bed. The
+ alarming dictum was received with bewildered silence.
+ </p>
+ <p>
+ When the doctor had gone, she turned to the older boy.
+ </p>
+ <p>
+ &ldquo;Louis,&rdquo; she said, &ldquo;take me out on the terrace, so that I may see my
+ country once more.&rdquo;
+ </p>
+ <p>
+ The boy gave his arm at those simply uttered words, and brought his mother
+ out upon the terrace; but her eyes turned, perhaps unconsciously, to
+ heaven rather than to the earth, and indeed, it would have been hard to
+ say whether heaven or earth was the fairer&mdash;for the clouds traced
+ shadowy outlines, like the grandest Alpine glaciers, against the sky. Mme.
+ Willemsens&rsquo; brows contracted vehemently; there was a look of anguish and
+ remorse in her eyes. She caught the children&rsquo;s hands, and clutched them to
+ a heavily-throbbing heart.
+ </p>
+ <p>
+ &ldquo;&lsquo;Parentage unknown!&rsquo;&rdquo; she cried, with a look that went to their hearts.
+ &ldquo;Poor angels, what will become of you? And when you are twenty years old,
+ what strict account may you not require of my life and your own?&rdquo;
+ </p>
+ <p>
+ She put the children from her, and leaning her arms upon the balustrade,
+ stood for a while hiding her face, alone with herself, fearful of all
+ eyes. When she recovered from the paroxysm, she saw Louis and Marie
+ kneeling on either side of her, like two angels; they watched the
+ expression of her face, and smiled lovingly at her.
+ </p>
+ <p>
+ &ldquo;If only I could take that smile with me!&rdquo; she said, drying her eyes.
+ </p>
+ <p>
+ Then she went into the house and took to the bed, which she would only
+ leave for her coffin.
+ </p>
+ <p>
+ A week went by, one day exactly like another. Old Annette and Louis took
+ it in turns to sit up with Mme. Willemsens, never taking their eyes from
+ the invalid. It was the deeply tragical hour that comes in all our lives,
+ the hour of listening in terror to every deep breath lest it should be the
+ last, a dark hour protracted over many days. On the fifth day of that
+ fatal week the doctor interdicted flowers in the room. The illusions of
+ life were going one by one.
+ </p>
+ <p>
+ Then Marie and his brother felt their mother&rsquo;s lips hot as fire beneath
+ their kisses; and at last, on the Saturday evening, Mme. Willemsens was
+ too ill to bear the slightest sound, and her room was left in disorder.
+ This neglect for a woman of refined taste, who clung so persistently to
+ the graces of life, meant the beginning of the death-agony. After this,
+ Louis refused to leave his mother. On Sunday night, in the midst of the
+ deepest silence, when Louis thought that she had grown drowsy, he saw a
+ white, moist hand move the curtain in the lamplight.
+ </p>
+ <p>
+ &ldquo;My son!&rdquo; she said. There was something so solemn in the dying woman&rsquo;s
+ tones, that the power of her wrought-up soul produced a violent reaction
+ on the boy; he felt an intense heat pass through the marrow of his bones.
+ </p>
+ <p>
+ &ldquo;What is it, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;Listen! To-morrow all will be over for me. We shall see each other no
+ more. To-morrow you will be a man, my child. So I am obliged to make some
+ arrangements, which must remain a secret, known only to us. Take the key
+ of my little table. That is it. Now open the drawer. You will find two
+ sealed papers to the left. There is the name of LOUIS on one, and on the
+ other MARIE.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here they are, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Those are your certificates of birth, darling; you will want them. Give
+ them to our poor, old Annette to keep for you; ask her for them when you
+ need them. Now,&rdquo; she continued, &ldquo;is there not another paper as well,
+ something in my handwriting?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, mother,&rdquo; and Louis began to read, &ldquo;<i>Marie Willemsens, born at</i>&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That is enough,&rdquo; she broke in quickly, &ldquo;do not go on. When I am dead,
+ give that paper, too, to Annette, and tell her to send it to the registrar
+ at Saint-Cyr; it will be wanted if my certificate of death is to be made
+ out in due form. Now find writing materials for a letter which I will
+ dictate to you.&rdquo;
+ </p>
+ <p>
+ When she saw that he was ready to begin, and turned towards her for the
+ words, they came from her quietly:&mdash;
+ </p>
+ <p>
+ &ldquo;Monsieur le Comte, your wife, Lady Brandon, died at Saint-Cyr, near
+ Tours, in the department of Indre-et-Loire. She forgave you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sign yourself&mdash;&mdash;&rdquo; she stopped, hesitating and perturbed.
+ </p>
+ <p>
+ &ldquo;Are you feeling worse?&rdquo; asked Louis.
+ </p>
+ <p>
+ &ldquo;Put &lsquo;Louis-Gaston,&rsquo;&rdquo; she went on.
+ </p>
+ <p>
+ She sighed, then she went on.
+ </p>
+ <p>
+ &ldquo;Seal the letter, and direct it. To Lord Brandon, Brandon Square, Hyde
+ Park, London, Angleterre.&mdash;That is right. When I am dead, post the
+ letter in Tours, and prepay the postage.&mdash;Now,&rdquo; she added, after a
+ pause, &ldquo;take the little pocketbook that you know, and come here, my dear
+ child.... There are twelve thousand francs in it,&rdquo; she said, when Louis
+ had returned to her side. &ldquo;That is all your own. Oh me! you would have
+ been better off if your father&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My father,&rdquo; cried the boy, &ldquo;where is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is dead,&rdquo; she said, laying her finger on her lips; &ldquo;he died to save my
+ honor and my life.&rdquo;
+ </p>
+ <p>
+ She looked upwards. If any tears had been left to her, she would have wept
+ for pain.
+ </p>
+ <p>
+ &ldquo;Louis,&rdquo; she continued, &ldquo;swear to me, as I lie here, that you will forget
+ all that you have written, all that I have told you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Kiss me, dear angel.&rdquo;
+ </p>
+ <p>
+ She was silent for a long while, she seemed to be drawing strength from
+ God, and to be measuring her words by the life that remained in her.
+ </p>
+ <p>
+ &ldquo;Listen,&rdquo; she began. &ldquo;Those twelve thousand francs are all that you have
+ in the world. You must keep the money upon you, because when I am dead the
+ lawyers will come and seal everything up. Nothing will be yours then, not
+ even your mother. All that remains for you to do will be to go out, poor
+ orphan children, God knows where. I have made Annette&rsquo;s future secure. She
+ will have an annuity of a hundred crowns, and she will stay at Tours no
+ doubt. But what will you do for yourself and your brother?&rdquo;
+ </p>
+ <p>
+ She raised herself, and looked at the brave child, standing by her
+ bedside. There were drops of perspiration on his forehead, he was pale
+ with emotion, and his eyes were dim with tears.
+ </p>
+ <p>
+ &ldquo;I have thought it over, mother,&rdquo; he answered in a deep voice. &ldquo;I will
+ take Marie to the school here in Tours. I will give ten thousand francs to
+ our old Annette, and ask her to take care of them, and to look after
+ Marie. Then, with the remaining two thousand francs, I will go to Brest,
+ and go to sea as an apprentice. While Marie is at school, I will rise to
+ be a lieutenant on board a man-of-war. There, after all, die in peace, my
+ mother; I shall come back again a rich man, and our little one shall go to
+ the Ecole polytechnique, and I will find a career to suit his bent.&rdquo;
+ </p>
+ <p>
+ A gleam of joy shone in the dying woman&rsquo;s eyes. Two tears brimmed over,
+ and fell over her fevered cheeks; then a deep sigh escaped between her
+ lips. The sudden joy of finding the father&rsquo;s spirit in the son, who had
+ grown all at once to be a man, almost killed her.
+ </p>
+ <p>
+ &ldquo;Angel of heaven,&rdquo; she cried, weeping, &ldquo;by one word you have effaced all
+ my sorrows. Ah! I can bear them.&mdash;This is my son,&rdquo; she said, &ldquo;I bore,
+ I reared this man,&rdquo; and she raised her hands above her, and clasped them
+ as if in ecstasy, then she lay back on the pillow.
+ </p>
+ <p>
+ &ldquo;Mother, your face is growing pale!&rdquo; cried the lad.
+ </p>
+ <p>
+ &ldquo;Some one must go for a priest,&rdquo; she answered, with a dying voice.
+ </p>
+ <p>
+ Louis wakened Annette, and the terrified old woman hurried to the
+ parsonage at Saint-Cyr.
+ </p>
+ <p>
+ When morning came, Mme. Willemsens received the sacrament amid the most
+ touching surroundings. Her children were kneeling in the room, with
+ Annette and the vinedresser&rsquo;s family, simple folk, who had already become
+ part of the household. The silver crucifix, carried by a chorister, a
+ peasant child from the village, was lifted up, and the dying mother
+ received the Viaticum from an aged priest. The Viaticum! sublime word,
+ containing an idea yet more sublime, an idea only possessed by the
+ apostolic religion of the Roman church.
+ </p>
+ <p>
+ &ldquo;This woman has suffered greatly!&rdquo; the old cure said in his simple way.
+ </p>
+ <p>
+ Marie Willemsens heard no voices now, but her eyes were still fixed upon
+ her children. Those about her listened in terror to her breathing in the
+ deep silence; already it came more slowly, though at intervals a deep sigh
+ told them that she still lived, and of a struggle within her; then at last
+ it ceased. Every one burst into tears except Marie. He, poor child, was
+ still too young to know what death meant.
+ </p>
+ <p>
+ Annette and the vinedresser&rsquo;s wife closed the eyes of the adorable woman,
+ whose beauty shone out in all its radiance after death. Then the women
+ took possession of the chamber of death, removed the furniture, wrapped
+ the dead in her winding-sheet, and laid her upon the couch. They lit
+ tapers about her, and arranged everything&mdash;the crucifix, the sprigs
+ of box, and the holy-water stoup&mdash;after the custom of the
+ countryside, bolting the shutters and drawing the curtains. Later the
+ curate came to pass the night in prayer with Louis, who refused to leave
+ his mother. On Tuesday morning an old woman and two children and a
+ vinedresser&rsquo;s wife followed the dead to her grave. These were the only
+ mourners. Yet this was a woman whose wit and beauty and charm had won a
+ European reputation, a woman whose funeral, if it had taken place in
+ London, would have been recorded in pompous newspaper paragraphs, as a
+ sort of aristocratic rite, if she had not committed the sweetest of
+ crimes, a crime always expiated in this world, so that the pardoned spirit
+ may enter heaven. Marie cried when they threw the earth on his mother&rsquo;s
+ coffin; he understood that he should see her no more.
+ </p>
+ <p>
+ A simple, wooden cross, set up to mark her grave, bore this inscription,
+ due to the cure of Saint-Cyr:&mdash;
+ </p>
+<pre xml:space="preserve">
+ HERE LIES
+ AN UNHAPPY WOMAN,
+ WHO DIED AT THE AGE OF THIRTY-SIX.
+ KNOWN IN HEAVEN BY THE NAME OF AUGUSTA.
+ <i>Pray for her!</i>
+</pre>
+ <p>
+ When all was over, the children came back to La Grenadiere to take a last
+ look at their home; then, hand in hand, they turned to go with Annette,
+ leaving the vinedresser in charge, with directions to hand over everything
+ duly to the proper authorities.
+ </p>
+ <p>
+ At this moment, Annette called to Louis from the steps by the kitchen
+ door, and took him aside with, &ldquo;Here is madame&rsquo;s ring, Monsieur Louis.&rdquo;
+ </p>
+ <p>
+ The sight of this vivid remembrance of his dead mother moved him so deeply
+ that he wept. In his fortitude, he had not even thought of this supreme
+ piety; and he flung his arms round the old woman&rsquo;s neck. Then the three
+ set out down the beaten path, and the stone staircase, and so to Tours,
+ without turning their heads.
+ </p>
+ <p>
+ &ldquo;Mamma used to come there!&rdquo; Marie said when they reached the bridge.
+ </p>
+ <p>
+ Annette had a relative, a retired dressmaker, who lived in the Rue de la
+ Guerche. She took the two children to this cousin&rsquo;s house, meaning that
+ they should live together thenceforth. But Louis told her of his plans,
+ gave Marie&rsquo;s certificate of birth and the ten thousand francs into her
+ keeping, and the two went the next morning to take Marie to school.
+ </p>
+ <p>
+ Louis very briefly explained his position to the headmaster, and went.
+ Marie came with him as far as the gateway. There Louis gave solemn parting
+ words of the tenderest counsel, telling Marie that he would now be left
+ alone in the world. He looked at his brother for a moment, and put his
+ arms about him, took one more long look, brushed a tear from his eyes, and
+ went, turning again and again till the very last to see his brother
+ standing there in the gateway of the school.
+ </p>
+ <p>
+ A month later Louis-Gaston, now an apprentice on board a man-of-war, left
+ the harbor of Rochefort. Leaning over the bulwarks of the corvette Iris,
+ he watched the coast of France receding swiftly till it became
+ indistinguishable from the faint blue horizon line. In a little while he
+ felt that he was really alone, and lost in the wide ocean, lost and alone
+ in the world and in life.
+ </p>
+ <p>
+ &ldquo;There is no need to cry, lad; there is a God for us all,&rdquo; said an old
+ sailor, with rough kindliness in his thick voice.
+ </p>
+ <p>
+ The boy thanked him with pride in his eyes. Then he bowed his head, and
+ resigned himself to a sailor&rsquo;s life. He was a father.
+ </p>
+ <p>
+ ANGOULEME, August, 1832.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ADDENDUM
+ </h2>
+ <h3>
+ The following personages appear in other stories of the Human Comedy.
+ </h3>
+<pre xml:space="preserve">
+ Brandon, Lady Marie Augusta
+ The Member for Arcis
+ The Lily of the Valley
+ La Grenadiere
+
+ Gaston, Louis
+ La Grenadiere
+ Letters of Two Brides
+
+ Gaston, Marie
+ La Grenadiere
+ Letters of Two Brides
+ The Member for Arcis
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <div>*** END OF THE PROJECT GUTENBERG EBOOK 1428 ***</div>
+</body>
+</html>
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..f09ec0c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #1428 (https://www.gutenberg.org/ebooks/1428)
diff --git a/old/1428-0.txt b/old/1428-0.txt
new file mode 100644
index 0000000..9389e26
--- /dev/null
+++ b/old/1428-0.txt
@@ -0,0 +1,1351 @@
+The Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: La Grenadiere
+
+Author: Honore de Balzac
+
+Translator: Ellen Marriage
+
+Release Date: August, 1998 [Etext #1428]
+Posting Date: February 24, 2010
+Last Updated: November 22, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+
+
+
+Produced by John Bickers, and Dagny
+
+
+
+
+
+LA GRENADIERE
+
+
+By Honore De Balzac
+
+
+
+Translated By Ellen Marriage
+
+
+
+ To D. W.
+
+
+
+
+
+LA GRENADIERE
+
+
+La Grenadiere is a little house on the right bank of the Loire as you go
+down stream, about a mile below the bridge of Tours. At this point the
+river, broad as a lake, and covered with scattered green islands, flows
+between two lines of cliff, where country houses built uniformly of
+white stone stand among their gardens and vineyards. The finest fruit
+in the world ripens there with a southern exposure. The patient toil of
+many generations has cut terraces in the cliff, so that the face of the
+rock reflects the rays of the sun, and the produce of hot climates may
+be grown out of doors in an artificially high temperature.
+
+
+
+A church spire, rising out of one of the shallower dips in the line of
+cliffs, marks the little village of Saint-Cyr, to which the scattered
+houses all belong. And yet a little further the Choisille flows into the
+Loire, through a fertile valley cut in the long low downs.
+
+La Grenadiere itself, half-way up the hillside, and about a hundred
+paces from the church, is one of those old-fashioned houses dating back
+some two or three hundred years, which you find in every picturesque
+spot in Touraine. A fissure in the rock affords convenient space for a
+flight of steps descending gradually to the “dike”--the local name for
+the embankment made at the foot of the cliffs to keep the Loire in its
+bed, and serve as a causeway for the highroad from Paris to Nantes. At
+the top of the steps a gate opens upon a narrow stony footpath between
+two terraces, for here the soil is banked up, and walls are built
+to prevent landslips. These earthworks, as it were, are crowned with
+trellises and espaliers, so that the steep path that lies at the foot of
+the upper wall is almost hidden by the trees that grow on the top of the
+lower, upon which it lies. The view of the river widens out before you
+at every step as you climb to the house.
+
+At the end you come to a second gateway, a Gothic archway covered
+with simple ornament, now crumbling into ruin and overgrown with
+wildflowers--moss and ivy, wallflowers and pellitory. Every stone wall
+on the hillside is decked with this ineradicable plant-life, which
+springs up along the cracks afresh with new wreaths for every time of
+year.
+
+The worm-eaten gate gives into a little garden, a strip of turf, a few
+trees, and a wilderness of flowers and rose bushes--a garden won from
+the rock on the highest terrace of all, with the dark, old balustrade
+along its edge. Opposite the gateway, a wooden summer-house stands
+against the neighboring wall, the posts are covered with jessamine and
+honeysuckle, vines and clematis.
+
+The house itself stands in the middle of this highest garden, above a
+vine-covered flight of steps, with an arched doorway beneath that
+leads to vast cellars hollowed out in the rock. All about the dwelling
+trellised vines and pomegranate-trees (the _grenadiers_, which give the
+name to the little close) are growing out in the open air. The front
+of the house consists of two large windows on either side of a very
+rustic-looking house door, and three dormer windows in the roof--a slate
+roof with two gables, prodigiously high-pitched in proportion to the low
+ground-floor. The house walls are washed with yellow color; and door,
+and first-floor shutters, all the Venetian shutters of the attic
+windows, all are painted green.
+
+Entering the house, you find yourself in a little lobby with a crooked
+staircase straight in front of you. It is a crazy wooden structure, the
+spiral balusters are brown with age, and the steps themselves take a
+new angle at every turn. The great old-fashioned paneled dining-room,
+floored with square white tiles from Chateau-Regnault, is on your right;
+to the left is the sitting-room, equally large, but here the walls
+are not paneled; they have been covered instead with a saffron-colored
+paper, bordered with green. The walnut-wood rafters are left visible,
+and the intervening spaces filled with a kind of white plaster.
+
+The first story consists of two large whitewashed bedrooms with stone
+chimney-pieces, less elaborately carved than those in the rooms beneath.
+Every door and window is on the south side of the house, save a single
+door to the north, contrived behind the staircase to give access to the
+vineyard. Against the western wall stands a supplementary timber-framed
+structure, all the woodwork exposed to the weather being fledged with
+slates, so that the walls are checkered with bluish lines. This shed
+(for it is little more) is the kitchen of the establishment. You can
+pass from it into the house without going outside; but, nevertheless,
+it boasts an entrance door of its own, and a short flight of steps that
+brings you to a deep well, and a very rustical-looking pump, half hidden
+by water-plants and savin bushes and tall grasses. The kitchen is a
+modern addition, proving beyond doubt that La Grenadiere was originally
+nothing but a simple _vendangeoir_--a vintage-house belonging to
+townsfolk in Tours, from which Saint-Cyr is separated by the vast
+river-bed of the Loire. The owners only came over for the day for
+a picnic, or at the vintage-time, sending provisions across in the
+morning, and scarcely ever spent the night there except during the
+grape harvest; but the English settled down on Touraine like a cloud of
+locusts, and La Grenadiere must, of course, be completed if it was to
+find tenants. Luckily, however, this recent appendage is hidden from
+sight by the first two trees of a lime-tree avenue planted in a gully
+below the vineyards.
+
+There are only two acres of vineyard at most, the ground rising at the
+back of the house so steeply that it is no very easy matter to scramble
+up among the vines. The slope, covered with green trailing shoots, ends
+within about five feet of the house wall in a ditch-like passage always
+damp and cold and full of strong growing green things, fed by the
+drainage of the highly cultivated ground above, for rainy weather washes
+down the manure into the garden on the terrace.
+
+A vinedresser’s cottage also leans against the western gable, and is
+in some sort a continuation of the kitchen. Stone walls or espaliers
+surround the property, and all sorts of fruit-trees are planted among
+the vines; in short, not an inch of this precious soil is wasted. If
+by chance man overlooks some dry cranny in the rocks, Nature puts in a
+fig-tree, or sows wildflowers or strawberries in sheltered nooks among
+the stones.
+
+Nowhere else in all the world will you find a human dwelling so humble
+and yet so imposing, so rich in fruit, and fragrant scents, and
+wide views of country. Here is a miniature Touraine in the heart of
+Touraine--all its flowers and fruits and all the characteristic beauty
+of the land are fully represented. Here are grapes of every district,
+figs and peaches and pears of every kind; melons are grown out of doors
+as easily as licorice plants, Spanish broom, Italian oleanders, and
+jessamines from the Azores. The Loire lies at your feet. You look down
+from the terrace upon the ever-changing river nearly two hundred feet
+below; and in the evening the breeze brings a fresh scent of the sea,
+with the fragrance of far-off flowers gathered upon its way. Some cloud
+wandering in space, changing its color and form at every moment as
+it crosses the pure blue of the sky, can alter every detail in the
+widespread wonderful landscape in a thousand ways, from every point
+of view. The eye embraces first of all the south bank of the Loire,
+stretching away as far as Amboise, then Tours with its suburbs and
+buildings, and the Plessis rising out of the fertile plain; further
+away, between Vouvray and Saint-Symphorien, you see a sort of crescent
+of gray cliff full of sunny vineyards; the only limits to your view are
+the low, rich hills along the Cher, a bluish line of horizon broken by
+many a chateau and the wooded masses of many a park. Out to the west you
+lose yourself in the immense river, where vessels come and go, spreading
+their white sails to the winds which seldom fail them in the wide
+Loire basin. A prince might build a summer palace at La Grenadiere,
+but certainly it will always be the home of a poet’s desire, and the
+sweetest of retreats for two young lovers--for this vintage house,
+which belongs to a substantial burgess of Tours, has charms for every
+imagination, for the humblest and dullest as well as for the most
+impassioned and lofty. No one can dwell there without feeling that
+happiness is in the air, without a glimpse of all that is meant by a
+peaceful life without care or ambition. There is that in the air and the
+sound of the river that sets you dreaming; the sands have a language,
+and are joyous or dreary, golden or wan; and the owner of the vineyard
+may sit motionless amid perennial flowers and tempting fruit, and feel
+all the stir of the world about him.
+
+If an Englishman takes the house for the summer, he is asked a thousand
+francs for six months, the produce of the vineyard not included. If
+the tenant wishes for the orchard fruit, the rent is doubled; for the
+vintage, it is doubled again. What can La Grenadiere be worth, you
+wonder; La Grenadiere, with its stone staircase, its beaten path and
+triple terrace, its two acres of vineyard, its flowering roses about
+the balustrades, its worn steps, well-head, rampant clematis, and
+cosmopolitan trees? It is idle to make a bid! La Grenadiere will never
+be in the market; it was brought once and sold, but that was in 1690;
+and the owner parted with it for forty thousand francs, reluctant as
+any Arab of the desert to relinquish a favorite horse. Since then it
+has remained in the same family, its pride, its patrimonial jewel, its
+Regent diamond. “While you behold, you have and hold,” says the bard.
+And from La Grenadiere you behold three valleys of Touraine and the
+cathedral towers aloft in air like a bit of filigree work. How can one
+pay for such treasures? Could one ever pay for the health recovered
+there under the linden-trees?
+
+In the spring of one of the brightest years of the Restoration, a lady
+with her housekeeper and her two children (the oldest a boy thirteen
+years old, the youngest apparently about eight) came to Tours to look
+for a house. She saw La Grenadiere and took it. Perhaps the distance
+from the town was an inducement to live there.
+
+She made a bedroom of the drawing-room, gave the children the two rooms
+above, and the housekeeper slept in a closet behind the kitchen. The
+dining-room was sitting-room and drawing-room all in one for the little
+family. The house was furnished very simply but tastefully; there was
+nothing superfluous in it, and no trace of luxury. The walnut-wood
+furniture chosen by the stranger lady was perfectly plain, and the
+whole charm of the house consisted in its neatness and harmony with its
+surroundings.
+
+It was rather difficult, therefore, to say whether the strange lady
+(Mme. Willemsens, as she styled herself) belonged to the upper middle or
+higher classes, or to an equivocal, unclassified feminine species. Her
+plain dress gave rise to the most contradictory suppositions, but her
+manners might be held to confirm those favorable to her. She had not
+lived at Saint-Cyr, moreover, for very long before her reserve excited
+the curiosity of idle people, who always, and especially in the country,
+watch anybody or anything that promises to bring some interest into
+their narrow lives.
+
+Mme. Willemsens was rather tall; she was thin and slender, but
+delicately shaped. She had pretty feet, more remarkable for the grace
+of her instep and ankle than for the more ordinary merit of slenderness;
+her gloved hands, too, were shapely. There were flitting patches of deep
+red in a pale face, which must have been fresh and softly colored once.
+Premature wrinkles had withered the delicately modeled forehead beneath
+the coronet of soft, well-set chestnut hair, invariably wound about her
+head in two plaits, a girlish coiffure which suited the melancholy face.
+There was a deceptive look of calm in the dark eyes, with the hollow,
+shadowy circles about them; sometimes, when she was off her guard, their
+expression told of secret anguish. The oval of her face was somewhat
+long; but happiness and health had perhaps filled and perfected the
+outlines. A forced smile, full of quiet sadness, hovered continually on
+her pale lips; but when the children, who were always with her, looked
+up at their mother, or asked one of the incessant idle questions which
+convey so much to a mother’s ears, then the smile brightened, and
+expressed the joys of a mother’s love. Her gait was slow and dignified.
+Her dress never varied; evidently she had made up her mind to think no
+more of her toilette, and to forget a world by which she meant no doubt
+to be forgotten. She wore a long, black gown, confined at the waist by
+a watered-silk ribbon, and by way of scarf a lawn handkerchief with a
+broad hem, the two ends passed carelessly through her waistband. The
+instinct of dress showed itself in that she was daintily shod, and gray
+silk stockings carried out the suggestion of mourning in this unvarying
+costume. Lastly, she always wore a bonnet after the English fashion,
+always of the same shape and the same gray material, and a black veil.
+Her health apparently was extremely weak; she looked very ill. On fine
+evenings she would take her only walk, down to the bridge of Tours,
+bringing the two children with her to breathe the fresh, cool air along
+the Loire, and to watch the sunset effects on a landscape as wide as the
+Bay of Naples or the Lake of Geneva.
+
+During the whole time of her stay at La Grenadiere she went but twice
+into Tours; once to call on the headmaster of the school, to ask him
+to give her the names of the best masters of Latin, drawing, and
+mathematics; and a second time to make arrangements for the children’s
+lessons. But her appearance on the bridge of an evening, once or twice
+a week, was quite enough to excite the interest of almost all the
+inhabitants of Tours, who make a regular promenade of the bridge.
+Still, in spite of a kind of spy system, by which no harm is meant,
+a provincial habit bred of want of occupation and the restless
+inquisitiveness of the principal society, nothing was known for certain
+of the newcomer’s rank, fortune, or real condition. Only, the owner of
+La Grenadiere told one or two of his friends that the name under which
+the stranger had signed the lease (her real name, therefore, in all
+probability) was Augusta Willemsens, Countess of Brandon. This, of
+course, must be her husband’s name. Events, which will be narrated in
+their place, confirmed this revelation; but it went no further than the
+little world of men of business known to the landlord.
+
+So Madame Willemsens was a continual mystery to people of condition.
+Hers was no ordinary nature; her manners were simple and delightfully
+natural, the tones of her voice were divinely sweet,--this was all that
+she suffered others to discover. In her complete seclusion, her sadness,
+her beauty so passionately obscured, nay, almost blighted, there was so
+much to charm, that several young gentlemen fell in love; but the more
+sincere the lover, the more timid he became; and besides, the lady
+inspired awe, and it was a difficult matter to find enough courage to
+speak to her. Finally, if a few of the bolder sort wrote to her, their
+letters must have been burned unread. It was Mme. Willemsens’ practice
+to throw all the letters which she received into the fire, as if she
+meant that the time spent in Touraine should be untroubled by any
+outside cares even of the slightest. She might have come to the
+enchanting retreat to give herself up wholly to the joy of living.
+
+The three masters whose presence was allowed at La Grenadiere spoke with
+something like admiring reverence of the touching picture that they saw
+there of the close, unclouded intimacy of the life led by this woman and
+the children.
+
+The two little boys also aroused no small interest. Mothers could
+not see them without a feeling of envy. Both children were like Mme.
+Willemsens, who was, in fact, their mother. They had the transparent
+complexion and bright color, the clear, liquid eyes, the long lashes,
+the fresh outlines, the dazzling characteristics of childish beauty.
+
+The elder, Louis-Gaston, had dark hair and fearless eyes. Everything
+about him spoke as plainly of robust, physical health as his broad, high
+brow, with its gracious curves, spoke of energy of character. He was
+quick and alert in his movements, and strong of limb, without a trace
+of awkwardness. Nothing took him unawares, and he seemed to think about
+everything that he saw.
+
+Marie-Gaston, the other child, had hair that was almost golden, though
+a lock here and there had deepened to the mother’s chestnut tint.
+Marie-Gaston was slender; he had the delicate features and the subtle
+grace so charming in Mme. Willemsens. He did not look strong. There was
+a gentle look in his gray eyes; his face was pale, there was something
+feminine about the child. He still wore his hair in long, wavy curls,
+and his mother would not have him give up embroidered collars, and
+little jackets fastened with frogs and spindle-shaped buttons; evidently
+she took a thoroughly feminine pleasure in the costume, a source of as
+much interest to the mother as to the child. The elder boy’s plain white
+collar, turned down over a closely fitting jacket, made a contrast with
+his brother’s clothing, but the color and material were the same; the
+two brothers were otherwise dressed alike, and looked alike.
+
+No one could see them without feeling touched by the way in which Louis
+took care of Marie. There was an almost fatherly look in the older boy’s
+eyes; and Marie, child though he was, seemed to be full of gratitude to
+Louis. They were like two buds, scarcely separated from the stem that
+bore them, swayed by the same breeze, lying in the same ray of sunlight;
+but the one was a brightly colored flower, the other somewhat bleached
+and pale. At a glance, a word, an inflection in their mother’s voice,
+they grew heedful, turned to look at her and listened, and did at once
+what they were bidden, or asked, or recommended to do. Mme. Willemsens
+had so accustomed them to understand her wishes and desires, that the
+three seemed to have their thoughts in common. When they went for a
+walk, and the children, absorbed in their play, ran away to gather
+a flower or to look at some insect, she watched them with such deep
+tenderness in her eyes, that the most indifferent passer-by would feel
+moved, and stop and smile at the children, and give the mother a glance
+of friendly greeting. Who would not have admired the dainty neatness of
+their dress, their sweet, childish voices, the grace of their movements,
+the promise in their faces, the innate something that told of careful
+training from the cradle? They seemed as if they had never shed tears
+nor wailed like other children. Their mother knew, as it were, by
+electrically swift intuition, the desires and the pains which she
+anticipated and relieved. She seemed to dread a complaint from one of
+them more than the loss of her soul. Everything in her children did
+honor to their mother’s training. Their threefold life, seemingly
+one life, called up vague, fond thoughts; it was like a vision of the
+dreamed-of bliss of a better world. And the three, so attuned to each
+other, lived in truth such a life as one might picture for them at first
+sight--the ordered, simple, and regular life best suited for a child’s
+education.
+
+Both children rose an hour after daybreak and repeated a short prayer,
+a habit learned in their babyhood. For seven years the sincere petition
+had been put up every morning on their mother’s bed, and begun and ended
+by a kiss. Then the two brothers went through their morning toilet as
+scrupulously as any pretty woman; doubtless they had been trained in
+habits of minute attention to the person, so necessary to health of
+body and mind, habits in some sort conducive to a sense of wellbeing.
+Conscientiously they went through their duties, so afraid were they
+lest their mother should say when she kissed them at breakfast-time,
+“My darling children, where can you have been to have such black
+finger-nails already?” Then the two went out into the garden and shook
+off the dreams of the night in the morning air and dew, until sweeping
+and dusting operations were completed, and they could learn their
+lessons in the sitting-room until their mother joined them. But although
+it was understood that they must not go to their mother’s room before a
+certain hour, they peeped in at the door continually; and these morning
+inroads, made in defiance of the original compact, were delicious
+moments for all three. Marie sprang upon the bed to put his arms around
+his idolized mother, and Louis, kneeling by the pillow, took her hand
+in his. Then came inquiries, anxious as a lover’s, followed by angelic
+laughter, passionate childish kisses, eloquent silences, lisping words,
+and the little ones’ stories interrupted and resumed by a kiss, stories
+seldom finished, though the listener’s interest never failed.
+
+“Have you been industrious?” their mother would ask, but in tones
+so sweet and so kindly that she seemed ready to pity laziness as a
+misfortune, and to glance through tears at the child who was satisfied
+with himself.
+
+She knew that the thought of pleasing her put energy into the children’s
+work; and they knew that their mother lived for them, and that all her
+thoughts and her time were given to them. A wonderful instinct, neither
+selfishness nor reason, perhaps the first innocent beginnings of
+sentiment teaches children to know whether or not they are the first and
+sole thought, to find out those who love to think of them and for them.
+If you really love children, the dear little ones, with open hearts and
+unerring sense of justice, are marvelously ready to respond to love.
+Their love knows passion and jealousy and the most gracious delicacy
+of feeling; they find the tenderest words of expression; they trust
+you--put an entire belief in you. Perhaps there are no undutiful
+children without undutiful mothers, for a child’s affection is always
+in proportion to the affection that it receives--in early care, in the
+first words that it hears, in the response of the eyes to which a child
+first looks for love and life. All these things draw them closer to the
+mother or drive them apart. God lays the child under the mother’s heart,
+that she may learn that for a long time to come her heart must be
+its home. And yet--there are mothers cruelly slighted, mothers whose
+sublime, pathetic tenderness meets only a harsh return, a hideous
+ingratitude which shows how difficult it is to lay down hard-and-fast
+rules in matters of feeling.
+
+Here, not one of all the thousand heart ties that bind child and mother
+had been broken. The three were alone in the world; they lived one life,
+a life of close sympathy. If Mme. Willemsens was silent in the morning,
+Louis and Marie would not speak, respecting everything in her, even
+those thoughts which they did not share. But the older boy, with a
+precocious power of thought, would not rest satisfied with his mother’s
+assertion that she was perfectly well. He scanned her face with uneasy
+forebodings; the exact danger he did not know, but dimly he felt it
+threatening in those purple rings about her eyes, in the deepening
+hollows under them, and the feverish red that deepened in her face. If
+Marie’s play began to tire her, his sensitive tact was quick to discover
+this, and he would call to his brother:
+
+“Come, Marie! let us run in to breakfast, I am hungry!”
+
+But when they reached the door, he would look back to catch the
+expression on his mother’s face. She still could find a smile for him,
+nay, often there were tears in her eyes when some little thing revealed
+her child’s exquisite feeling, a too early comprehension of sorrow.
+
+Mme. Willemsens dressed during the children’s early breakfast and game
+of play; she was coquettish for her darlings; she wished to be pleasing
+in their eyes; for them she would fain be in all things lovely, a
+gracious vision, with the charm of some sweet perfume of which one can
+never have enough.
+
+She was always dressed in time to hear their lessons, which lasted from
+ten till three, with an interval at noon for lunch, the three taking the
+meal together in the summer-house. After lunch the children played for
+an hour, while she--poor woman and happy mother--lay on a long sofa
+in the summer-house, so placed that she could look out over the soft,
+ever-changing country of Touraine, a land that you learn to see afresh
+in all the thousand chance effects produced by daylight and sky and the
+time of year.
+
+The children scampered through the orchard, scrambled about the
+terraces, chased the lizards, scarcely less nimble than they;
+investigating flowers and seeds and insects, continually referring all
+questions to their mother, running to and fro between the garden and the
+summer-house. Children have no need of toys in the country, everything
+amuses them.
+
+Mme. Willemsens sat at her embroidery during their lessons. She
+never spoke, nor did she look at masters or pupils; but she followed
+attentively all that was said, striving to gather the sense of the words
+to gain a general idea of Louis’ progress. If Louis asked a question
+that puzzled his master, his mother’s eyes suddenly lighted up, and she
+would smile and glance at him with hope in her eyes. Of Marie she asked
+little. Her desire was with her eldest son. Already she treated him,
+as it were, respectfully, using all a woman’s, all a mother’s tact to
+arouse the spirit of high endeavor in the boy, to teach him to think of
+himself as capable of great things. She did this with a secret purpose,
+which Louis was to understand in the future; nay, he understood it
+already.
+
+Always, the lesson over, she went as far as the gate with the master,
+and asked strict account of Louis’ progress. So kindly and so winning
+was her manner, that his tutors told her the truth, pointing out where
+Louis was weak, so that she might help him in his lessons. Then came
+dinner, and play after dinner, then a walk, and lessons were learned
+till bedtime.
+
+So their days went. It was a uniform but full life; work and amusements
+left them not a dull hour in the day. Discouragement and quarreling
+were impossible. The mother’s boundless love made everything smooth.
+She taught her little sons moderation by refusing them nothing, and
+submission by making them see underlying Necessity in its many forms;
+she put heart into them with timely praise; developing and strengthening
+all that was best in their natures with the care of a good fairy. Tears
+sometimes rose to her burning eyes as she watched them play, and thought
+how they had never caused her the slightest vexation. Happiness
+so far-reaching and complete brings such tears, because for us it
+represents the dim imaginings of Heaven which we all of us form in our
+minds.
+
+Those were delicious hours spent on that sofa in the garden-house,
+in looking out on sunny days over the wide stretches of river and the
+picturesque landscape, listening to the sound of her children’s voices
+as they laughed at their own laughter, to the little quarrels that told
+most plainly of their union of heart, of Louis’ paternal care of Marie,
+of the love that both of them felt for her. They spoke English
+and French equally well (they had had an English nurse since their
+babyhood), so their mother talked to them in both languages; directing
+the bent of their childish minds with admirable skill, admitting
+no fallacious reasoning, no bad principle. She ruled by kindness,
+concealing nothing, explaining everything. If Louis wished for books,
+she was careful to give him interesting yet accurate books--books of
+biography, the lives of great seamen, great captains, and famous men,
+for little incidents in their history gave her numberless opportunities
+of explaining the world and life to her children. She would point
+out the ways in which men, really great in themselves, had risen from
+obscurity; how they had started from the lowest ranks of society, with
+no one to look to but themselves, and achieved noble destinies.
+
+These readings, and they were not the least useful of Louis’ lessons,
+took place while little Marie slept on his mother’s knee in the quiet of
+the summer night, and the Loire reflected the sky; but when they ended,
+this adorable woman’s sadness always seemed to be doubled; she would
+cease to speak, and sit motionless and pensive, and her eyes would fill
+with tears.
+
+“Mother, why are you crying?” Louis asked one balmy June evening, just
+as the twilight of a soft-lit night succeeded to a hot day.
+
+Deeply moved by his trouble, she put her arm about the child’s neck and
+drew him to her.
+
+“Because, my boy, the lot of Jameray Duval, the poor and friendless lad
+who succeeded at last, will be your lot, yours and your brother’s, and
+I have brought it upon you. Before very long, dear child, you will be
+alone in the world, with no one to help or befriend you. While you are
+still children, I shall leave you, and yet, if only I could wait till
+you are big enough and know enough to be Marie’s guardian! But I shall
+not live so long. I love you so much that it makes me very unhappy to
+think of it. Dear children, if only you do not curse me some day!----”
+
+“But why should I curse you some day, mother?”
+
+“Some day,” she said, kissing him on the forehead, “you will find out
+that I have wronged you. I am going to leave you, here, without money,
+without”--and she hesitated--“without a father,” she added, and at the
+word she burst into tears and put the boy from her gently. A sort of
+intuition told Louis that his mother wished to be alone, and he carried
+off Marie, now half awake. An hour later, when his brother was in bed,
+he stole down and out to the summer-house where his mother was sitting.
+
+“Louis! come here.”
+
+The words were spoken in tones delicious to his heart. The boy sprang to
+his mother’s arms, and the two held each other in an almost convulsive
+embrace.
+
+“_Cherie_,” he said at last, the name by which he often called her,
+finding that even loving words were too weak to express his feeling,
+“_cherie_, why are you afraid that you are going to die?”
+
+“I am ill, my poor darling; every day I am losing strength, and there is
+no cure for my illness; I know that.”
+
+“What is the matter with you?”
+
+“Something that I ought to forget; something that you must never
+know.--You must not know what caused my death.”
+
+The boy was silent for a while. He stole a glance now and again at
+his mother; and she, with her eyes raised to the sky, was watching the
+clouds. It was a sad, sweet moment. Louis could not believe that his
+mother would die soon, but instinctively he felt trouble which he could
+not guess. He respected her long musings. If he had been rather older,
+he would have read happy memories blended with thoughts of repentance,
+the whole story of a woman’s life in that sublime face--the careless
+childhood, the loveless marriage, a terrible passion, flowers springing
+up in storm and struck down by the thunderbolt into an abyss from which
+there is no return.
+
+“Darling mother,” Louis said at last, “why do you hide your pain from
+me?”
+
+“My boy, we ought to hide our troubles from strangers,” she said; “we
+should show them a smiling face, never speak of ourselves to them, nor
+think about ourselves; and these rules, put in practice in family life,
+conduce to its happiness. You will have much to bear one day! Ah me!
+then think of your poor mother who died smiling before your eyes, hiding
+her sufferings from you, and you will take courage to endure the ills of
+life.”
+
+She choked back her tears, and tried to make the boy understand
+the mechanism of existence, the value of money, the standing and
+consideration that it gives, and its bearing on social position;
+the honorable means of gaining a livelihood, and the necessity of a
+training. Then she told him that one of the chief causes of her sadness
+and her tears was the thought that, on the morrow of her death, he and
+Marie would be left almost resourceless, with but a slender stock of
+money, and no friend but God.
+
+“How quick I must be about learning!” cried Louis, giving her a piteous,
+searching look.
+
+“Oh! how happy I am!” she said, showering kisses and tears on her son.
+“He understands me!--Louis,” she went on, “you will be your brother’s
+guardian, will you not? You promise me that? You are no longer a child!”
+
+“Yes, I promise,” he said; “but you are not going to die yet--say that
+you are not going to die!”
+
+“Poor little ones!” she replied, “love for you keeps the life in me. And
+this country is so sunny, the air is so bracing, perhaps----”
+
+“You make me love Touraine more than ever,” said the child.
+
+From that day, when Mme. Willemsens, foreseeing the approach of death,
+spoke to Louis of his future, he concentrated his attention on his work,
+grew more industrious, and less inclined to play than heretofore. When
+he had coaxed Marie to read a book and to give up boisterous games,
+there was less noise in the hollow pathways and gardens and terraced
+walks of La Grenadiere. They adapted their lives to their mother’s
+melancholy. Day by day her face was growing pale and wan, there were
+hollows now in her temples, the lines in her forehead grew deeper night
+after night.
+
+August came. The little family had been five months at La Grenadiere,
+and their whole life was changed. The old servant grew anxious and
+gloomy as she watched the almost imperceptible symptoms of slow decline
+in the mistress, who seemed to be kept in life by an impassioned soul
+and intense love of her children. Old Annette seemed to see that death
+was very near. That mistress, beautiful still, was more careful of her
+appearance than she had ever been; she was at pains to adorn her wasted
+self, and wore paint on her cheeks; but often while she walked on the
+upper terrace with the children, Annette’s wrinkled face would peer out
+from between the savin trees by the pump. The old woman would forget her
+work, and stand with wet linen in her hands, scarce able to keep back
+her tears at the sight of Mme. Willemsens, so little like the enchanting
+woman she once had been.
+
+The pretty house itself, once so gay and bright, looked melancholy; it
+was a very quiet house now, and the family seldom left it, for the walk
+to the bridge was too great an effort for Mme. Willemsens. Louis had
+almost identified himself, as it were, with his mother, and with his
+suddenly developed powers of imagination he saw the weariness and
+exhaustion under the red color, and constantly found reasons for taking
+some shorter walk.
+
+So happy couples coming to Saint-Cyr, then the Petite Courtille of
+Tours, and knots of folk out for their evening walk along the “dike,”
+ saw a pale, thin figure dressed in black, a woman with a worn yet bright
+face, gliding like a shadow along the terraces. Great suffering
+cannot be concealed. The vinedresser’s household had grown quiet also.
+Sometimes the laborer and his wife and children were gathered about the
+door of their cottage, while Annette was washing linen at the well-head,
+and Mme. Willemsens and the children sat in the summer-house, and there
+was not the faintest sound in those gardens gay with flowers. Unknown to
+Mme. Willemsens, all eyes grew pitiful at the sight of her, she was
+so good, so thoughtful, so dignified with those with whom she came in
+contact.
+
+And as for her.--When the autumn days came on, days so sunny and bright
+in Touraine, bringing with them grapes and ripe fruits and healthful
+influences which must surely prolong life in spite of the ravages of
+mysterious disease--she saw no one but her children, taking the utmost
+that the hour could give her, as if each hour had been her last.
+
+Louis had worked at night, unknown to his mother, and made immense
+progress between June and September. In algebra he had come as far
+as equations with two unknown quantities; he had studied descriptive
+geometry, and drew admirably well; in fact, he was prepared to pass the
+entrance examination of the Ecole polytechnique.
+
+Sometimes of an evening he went down to the bridge of Tours. There was
+a lieutenant there on half-pay, an Imperial naval officer, whose manly
+face, medal, and gait had made an impression on the boy’s imagination,
+and the officer on his side had taken a liking to the lad, whose eyes
+sparkled with energy. Louis, hungering for tales of adventure, and eager
+for information, used to follow in the lieutenant’s wake for the chance
+of a chat with him. It so happened that the sailor had a friend and
+comrade in the colonel of a regiment of infantry, struck off the rolls
+like himself; and young Louis-Gaston had a chance of learning what
+life was like in camp or on board a man-of-war. Of course, he plied
+the veterans with questions; and when he had made up his mind to the
+hardships of their rough callings, he asked his mother’s leave to take
+country walks by way of amusement. Mme. Willemsens was beyond measure
+glad that he should ask; the boy’s astonished masters had told her that
+he was overworking himself. So Louis went for long walks. He tried to
+inure himself to fatigue, climbed the tallest trees with incredible
+quickness, learned to swim, watched through the night. He was not like
+the same boy; he was a young man already, with a sunburned face, and a
+something in his expression that told of deep purpose.
+
+When October came, Mme. Willemsens could only rise at noon. The
+sunshine, reflected by the surface of the Loire, and stored up by the
+rocks, raised the temperature of the air till it was almost as warm
+and soft as the atmosphere of the Bay of Naples, for which reason the
+faculty recommend the place of abode. At mid-day she came out to sit
+under the shade of green leaves with the two boys, who never wandered
+from her now. Lessons had come to an end. Mother and children wished to
+live the life of heart and heart together, with no disturbing element,
+no outside cares. No tears now, no joyous outcries. The elder boy, lying
+in the grass at his mother’s side, basked in her eyes like a lover and
+kissed her feet. Marie, the restless one, gathered flowers for her, and
+brought them with a subdued look, standing on tiptoe to put a girlish
+kiss on her lips. And the pale woman, with the great tired eyes and
+languid movements, never uttered a word of complaint, and smiled upon
+her children, so full of life and health--it was a sublime picture,
+lacking no melancholy autumn pomp of yellow leaves and half-despoiled
+branches, nor the softened sunlight and pale clouds of the skies of
+Touraine.
+
+At last the doctor forbade Mme. Willemsens to leave her room. Every day
+it was brightened by the flowers that she loved, and her children were
+always with her. One day, early in November, she sat at the piano for
+the last time. A picture--a Swiss landscape--hung above the instrument;
+and at the window she could see her children standing with their heads
+close together. Again and again she looked from the children to the
+landscape, and then again at the children. Her face flushed, her fingers
+flew with passionate feeling over the ivory keys. This was her last
+great day, an unmarked day of festival, held in her own soul by the
+spirit of her memories. When the doctor came, he ordered her to stay in
+bed. The alarming dictum was received with bewildered silence.
+
+When the doctor had gone, she turned to the older boy.
+
+“Louis,” she said, “take me out on the terrace, so that I may see my
+country once more.”
+
+The boy gave his arm at those simply uttered words, and brought his
+mother out upon the terrace; but her eyes turned, perhaps unconsciously,
+to heaven rather than to the earth, and indeed, it would have been hard
+to say whether heaven or earth was the fairer--for the clouds traced
+shadowy outlines, like the grandest Alpine glaciers, against the sky.
+Mme. Willemsens’ brows contracted vehemently; there was a look of
+anguish and remorse in her eyes. She caught the children’s hands, and
+clutched them to a heavily-throbbing heart.
+
+“‘Parentage unknown!’” she cried, with a look that went to their hearts.
+“Poor angels, what will become of you? And when you are twenty years
+old, what strict account may you not require of my life and your own?”
+
+She put the children from her, and leaning her arms upon the balustrade,
+stood for a while hiding her face, alone with herself, fearful of all
+eyes. When she recovered from the paroxysm, she saw Louis and Marie
+kneeling on either side of her, like two angels; they watched the
+expression of her face, and smiled lovingly at her.
+
+“If only I could take that smile with me!” she said, drying her eyes.
+
+Then she went into the house and took to the bed, which she would only
+leave for her coffin.
+
+A week went by, one day exactly like another. Old Annette and Louis took
+it in turns to sit up with Mme. Willemsens, never taking their eyes
+from the invalid. It was the deeply tragical hour that comes in all
+our lives, the hour of listening in terror to every deep breath lest it
+should be the last, a dark hour protracted over many days. On the fifth
+day of that fatal week the doctor interdicted flowers in the room. The
+illusions of life were going one by one.
+
+Then Marie and his brother felt their mother’s lips hot as fire beneath
+their kisses; and at last, on the Saturday evening, Mme. Willemsens was
+too ill to bear the slightest sound, and her room was left in disorder.
+This neglect for a woman of refined taste, who clung so persistently to
+the graces of life, meant the beginning of the death-agony. After this,
+Louis refused to leave his mother. On Sunday night, in the midst of the
+deepest silence, when Louis thought that she had grown drowsy, he saw a
+white, moist hand move the curtain in the lamplight.
+
+“My son!” she said. There was something so solemn in the dying woman’s
+tones, that the power of her wrought-up soul produced a violent reaction
+on the boy; he felt an intense heat pass through the marrow of his
+bones.
+
+“What is it, mother?”
+
+“Listen! To-morrow all will be over for me. We shall see each other no
+more. To-morrow you will be a man, my child. So I am obliged to make
+some arrangements, which must remain a secret, known only to us. Take
+the key of my little table. That is it. Now open the drawer. You will
+find two sealed papers to the left. There is the name of LOUIS on one,
+and on the other MARIE.”
+
+“Here they are, mother.”
+
+“Those are your certificates of birth, darling; you will want them. Give
+them to our poor, old Annette to keep for you; ask her for them when
+you need them. Now,” she continued, “is there not another paper as well,
+something in my handwriting?”
+
+“Yes, mother,” and Louis began to read, “_Marie Willemsens, born
+at_----”
+
+“That is enough,” she broke in quickly, “do not go on. When I am
+dead, give that paper, too, to Annette, and tell her to send it to the
+registrar at Saint-Cyr; it will be wanted if my certificate of death
+is to be made out in due form. Now find writing materials for a letter
+which I will dictate to you.”
+
+When she saw that he was ready to begin, and turned towards her for the
+words, they came from her quietly:--
+
+“Monsieur le Comte, your wife, Lady Brandon, died at Saint-Cyr, near
+Tours, in the department of Indre-et-Loire. She forgave you.”
+
+“Sign yourself----” she stopped, hesitating and perturbed.
+
+“Are you feeling worse?” asked Louis.
+
+“Put ‘Louis-Gaston,’” she went on.
+
+She sighed, then she went on.
+
+“Seal the letter, and direct it. To Lord Brandon, Brandon Square, Hyde
+Park, London, Angleterre.--That is right. When I am dead, post the
+letter in Tours, and prepay the postage.--Now,” she added, after a
+pause, “take the little pocketbook that you know, and come here, my dear
+child.... There are twelve thousand francs in it,” she said, when Louis
+had returned to her side. “That is all your own. Oh me! you would have
+been better off if your father----”
+
+“My father,” cried the boy, “where is he?”
+
+“He is dead,” she said, laying her finger on her lips; “he died to save
+my honor and my life.”
+
+She looked upwards. If any tears had been left to her, she would have
+wept for pain.
+
+“Louis,” she continued, “swear to me, as I lie here, that you will
+forget all that you have written, all that I have told you.”
+
+“Yes, mother.”
+
+“Kiss me, dear angel.”
+
+She was silent for a long while, she seemed to be drawing strength from
+God, and to be measuring her words by the life that remained in her.
+
+“Listen,” she began. “Those twelve thousand francs are all that you have
+in the world. You must keep the money upon you, because when I am dead
+the lawyers will come and seal everything up. Nothing will be yours
+then, not even your mother. All that remains for you to do will be to go
+out, poor orphan children, God knows where. I have made Annette’s future
+secure. She will have an annuity of a hundred crowns, and she will stay
+at Tours no doubt. But what will you do for yourself and your brother?”
+
+She raised herself, and looked at the brave child, standing by her
+bedside. There were drops of perspiration on his forehead, he was pale
+with emotion, and his eyes were dim with tears.
+
+“I have thought it over, mother,” he answered in a deep voice. “I will
+take Marie to the school here in Tours. I will give ten thousand francs
+to our old Annette, and ask her to take care of them, and to look after
+Marie. Then, with the remaining two thousand francs, I will go to Brest,
+and go to sea as an apprentice. While Marie is at school, I will rise to
+be a lieutenant on board a man-of-war. There, after all, die in peace,
+my mother; I shall come back again a rich man, and our little one shall
+go to the Ecole polytechnique, and I will find a career to suit his
+bent.”
+
+A gleam of joy shone in the dying woman’s eyes. Two tears brimmed over,
+and fell over her fevered cheeks; then a deep sigh escaped between her
+lips. The sudden joy of finding the father’s spirit in the son, who had
+grown all at once to be a man, almost killed her.
+
+“Angel of heaven,” she cried, weeping, “by one word you have effaced all
+my sorrows. Ah! I can bear them.--This is my son,” she said, “I bore, I
+reared this man,” and she raised her hands above her, and clasped them
+as if in ecstasy, then she lay back on the pillow.
+
+“Mother, your face is growing pale!” cried the lad.
+
+“Some one must go for a priest,” she answered, with a dying voice.
+
+Louis wakened Annette, and the terrified old woman hurried to the
+parsonage at Saint-Cyr.
+
+When morning came, Mme. Willemsens received the sacrament amid the most
+touching surroundings. Her children were kneeling in the room, with
+Annette and the vinedresser’s family, simple folk, who had already
+become part of the household. The silver crucifix, carried by a
+chorister, a peasant child from the village, was lifted up, and the
+dying mother received the Viaticum from an aged priest. The Viaticum!
+sublime word, containing an idea yet more sublime, an idea only
+possessed by the apostolic religion of the Roman church.
+
+“This woman has suffered greatly!” the old cure said in his simple way.
+
+Marie Willemsens heard no voices now, but her eyes were still fixed upon
+her children. Those about her listened in terror to her breathing in the
+deep silence; already it came more slowly, though at intervals a deep
+sigh told them that she still lived, and of a struggle within her; then
+at last it ceased. Every one burst into tears except Marie. He, poor
+child, was still too young to know what death meant.
+
+Annette and the vinedresser’s wife closed the eyes of the adorable
+woman, whose beauty shone out in all its radiance after death. Then the
+women took possession of the chamber of death, removed the furniture,
+wrapped the dead in her winding-sheet, and laid her upon the couch. They
+lit tapers about her, and arranged everything--the crucifix, the sprigs
+of box, and the holy-water stoup--after the custom of the countryside,
+bolting the shutters and drawing the curtains. Later the curate came to
+pass the night in prayer with Louis, who refused to leave his mother. On
+Tuesday morning an old woman and two children and a vinedresser’s wife
+followed the dead to her grave. These were the only mourners. Yet
+this was a woman whose wit and beauty and charm had won a European
+reputation, a woman whose funeral, if it had taken place in London,
+would have been recorded in pompous newspaper paragraphs, as a sort of
+aristocratic rite, if she had not committed the sweetest of crimes, a
+crime always expiated in this world, so that the pardoned spirit may
+enter heaven. Marie cried when they threw the earth on his mother’s
+coffin; he understood that he should see her no more.
+
+A simple, wooden cross, set up to mark her grave, bore this inscription,
+due to the cure of Saint-Cyr:--
+
+ HERE LIES
+ AN UNHAPPY WOMAN,
+ WHO DIED AT THE AGE OF THIRTY-SIX.
+ KNOWN IN HEAVEN BY THE NAME OF AUGUSTA.
+ _Pray for her!_
+
+When all was over, the children came back to La Grenadiere to take a
+last look at their home; then, hand in hand, they turned to go with
+Annette, leaving the vinedresser in charge, with directions to hand over
+everything duly to the proper authorities.
+
+At this moment, Annette called to Louis from the steps by the kitchen
+door, and took him aside with, “Here is madame’s ring, Monsieur Louis.”
+
+The sight of this vivid remembrance of his dead mother moved him so
+deeply that he wept. In his fortitude, he had not even thought of this
+supreme piety; and he flung his arms round the old woman’s neck. Then
+the three set out down the beaten path, and the stone staircase, and so
+to Tours, without turning their heads.
+
+“Mamma used to come there!” Marie said when they reached the bridge.
+
+Annette had a relative, a retired dressmaker, who lived in the Rue de la
+Guerche. She took the two children to this cousin’s house, meaning that
+they should live together thenceforth. But Louis told her of his plans,
+gave Marie’s certificate of birth and the ten thousand francs into her
+keeping, and the two went the next morning to take Marie to school.
+
+Louis very briefly explained his position to the headmaster, and went.
+Marie came with him as far as the gateway. There Louis gave solemn
+parting words of the tenderest counsel, telling Marie that he would now
+be left alone in the world. He looked at his brother for a moment, and
+put his arms about him, took one more long look, brushed a tear from his
+eyes, and went, turning again and again till the very last to see his
+brother standing there in the gateway of the school.
+
+
+
+A month later Louis-Gaston, now an apprentice on board a man-of-war,
+left the harbor of Rochefort. Leaning over the bulwarks of the corvette
+Iris, he watched the coast of France receding swiftly till it became
+indistinguishable from the faint blue horizon line. In a little while
+he felt that he was really alone, and lost in the wide ocean, lost and
+alone in the world and in life.
+
+“There is no need to cry, lad; there is a God for us all,” said an old
+sailor, with rough kindliness in his thick voice.
+
+The boy thanked him with pride in his eyes. Then he bowed his head, and
+resigned himself to a sailor’s life. He was a father.
+
+
+ANGOULEME, August, 1832.
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+ Brandon, Lady Marie Augusta
+ The Member for Arcis
+ The Lily of the Valley
+ La Grenadiere
+
+ Gaston, Louis
+ La Grenadiere
+ Letters of Two Brides
+
+ Gaston, Marie
+ La Grenadiere
+ Letters of Two Brides
+ The Member for Arcis
+
+
+
+
+
+
+End of the Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+***** This file should be named 1428-0.txt or 1428-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/4/2/1428/
+
+Produced by John Bickers, and Dagny
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/1428-0.zip b/old/1428-0.zip
new file mode 100644
index 0000000..6261846
--- /dev/null
+++ b/old/1428-0.zip
Binary files differ
diff --git a/old/1428-h.zip b/old/1428-h.zip
new file mode 100644
index 0000000..f992f7a
--- /dev/null
+++ b/old/1428-h.zip
Binary files differ
diff --git a/old/1428-h/1428-h.htm b/old/1428-h/1428-h.htm
new file mode 100644
index 0000000..1e503c3
--- /dev/null
+++ b/old/1428-h/1428-h.htm
@@ -0,0 +1,1538 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ La Grenadiere, by Honore de Balzac
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: La Grenadiere
+
+Author: Honore de Balzac
+
+Translator: Ellen Marriage
+
+Release Date: February 24, 2010 [EBook #1428]
+Last Updated: November 22, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+
+
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ LA GRENADIERE
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Honore De Balzac
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Translated By Ellen Marriage
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ To D. W.
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ <a href="#link2H_4_0001"> LA GRENADIERE </a><br /><br /> <a
+ href="#link2H_4_0002"> ADDENDUM </a>
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h1>
+ LA GRENADIERE
+ </h1>
+ <p>
+ <br />
+ </p>
+ <p>
+ La Grenadiere is a little house on the right bank of the Loire as you go
+ down stream, about a mile below the bridge of Tours. At this point the
+ river, broad as a lake, and covered with scattered green islands, flows
+ between two lines of cliff, where country houses built uniformly of white
+ stone stand among their gardens and vineyards. The finest fruit in the
+ world ripens there with a southern exposure. The patient toil of many
+ generations has cut terraces in the cliff, so that the face of the rock
+ reflects the rays of the sun, and the produce of hot climates may be grown
+ out of doors in an artificially high temperature.
+ </p>
+ <p>
+ A church spire, rising out of one of the shallower dips in the line of
+ cliffs, marks the little village of Saint-Cyr, to which the scattered
+ houses all belong. And yet a little further the Choisille flows into the
+ Loire, through a fertile valley cut in the long low downs.
+ </p>
+ <p>
+ La Grenadiere itself, half-way up the hillside, and about a hundred paces
+ from the church, is one of those old-fashioned houses dating back some two
+ or three hundred years, which you find in every picturesque spot in
+ Touraine. A fissure in the rock affords convenient space for a flight of
+ steps descending gradually to the &ldquo;dike&rdquo;&mdash;the local name for the
+ embankment made at the foot of the cliffs to keep the Loire in its bed,
+ and serve as a causeway for the highroad from Paris to Nantes. At the top
+ of the steps a gate opens upon a narrow stony footpath between two
+ terraces, for here the soil is banked up, and walls are built to prevent
+ landslips. These earthworks, as it were, are crowned with trellises and
+ espaliers, so that the steep path that lies at the foot of the upper wall
+ is almost hidden by the trees that grow on the top of the lower, upon
+ which it lies. The view of the river widens out before you at every step
+ as you climb to the house.
+ </p>
+ <p>
+ At the end you come to a second gateway, a Gothic archway covered with
+ simple ornament, now crumbling into ruin and overgrown with wildflowers&mdash;moss
+ and ivy, wallflowers and pellitory. Every stone wall on the hillside is
+ decked with this ineradicable plant-life, which springs up along the
+ cracks afresh with new wreaths for every time of year.
+ </p>
+ <p>
+ The worm-eaten gate gives into a little garden, a strip of turf, a few
+ trees, and a wilderness of flowers and rose bushes&mdash;a garden won from
+ the rock on the highest terrace of all, with the dark, old balustrade
+ along its edge. Opposite the gateway, a wooden summer-house stands against
+ the neighboring wall, the posts are covered with jessamine and
+ honeysuckle, vines and clematis.
+ </p>
+ <p>
+ The house itself stands in the middle of this highest garden, above a
+ vine-covered flight of steps, with an arched doorway beneath that leads to
+ vast cellars hollowed out in the rock. All about the dwelling trellised
+ vines and pomegranate-trees (the <i>grenadiers</i>, which give the name to
+ the little close) are growing out in the open air. The front of the house
+ consists of two large windows on either side of a very rustic-looking
+ house door, and three dormer windows in the roof&mdash;a slate roof with
+ two gables, prodigiously high-pitched in proportion to the low
+ ground-floor. The house walls are washed with yellow color; and door, and
+ first-floor shutters, all the Venetian shutters of the attic windows, all
+ are painted green.
+ </p>
+ <p>
+ Entering the house, you find yourself in a little lobby with a crooked
+ staircase straight in front of you. It is a crazy wooden structure, the
+ spiral balusters are brown with age, and the steps themselves take a new
+ angle at every turn. The great old-fashioned paneled dining-room, floored
+ with square white tiles from Chateau-Regnault, is on your right; to the
+ left is the sitting-room, equally large, but here the walls are not
+ paneled; they have been covered instead with a saffron-colored paper,
+ bordered with green. The walnut-wood rafters are left visible, and the
+ intervening spaces filled with a kind of white plaster.
+ </p>
+ <p>
+ The first story consists of two large whitewashed bedrooms with stone
+ chimney-pieces, less elaborately carved than those in the rooms beneath.
+ Every door and window is on the south side of the house, save a single
+ door to the north, contrived behind the staircase to give access to the
+ vineyard. Against the western wall stands a supplementary timber-framed
+ structure, all the woodwork exposed to the weather being fledged with
+ slates, so that the walls are checkered with bluish lines. This shed (for
+ it is little more) is the kitchen of the establishment. You can pass from
+ it into the house without going outside; but, nevertheless, it boasts an
+ entrance door of its own, and a short flight of steps that brings you to a
+ deep well, and a very rustical-looking pump, half hidden by water-plants
+ and savin bushes and tall grasses. The kitchen is a modern addition,
+ proving beyond doubt that La Grenadiere was originally nothing but a
+ simple <i>vendangeoir</i>&mdash;a vintage-house belonging to townsfolk in
+ Tours, from which Saint-Cyr is separated by the vast river-bed of the
+ Loire. The owners only came over for the day for a picnic, or at the
+ vintage-time, sending provisions across in the morning, and scarcely ever
+ spent the night there except during the grape harvest; but the English
+ settled down on Touraine like a cloud of locusts, and La Grenadiere must,
+ of course, be completed if it was to find tenants. Luckily, however, this
+ recent appendage is hidden from sight by the first two trees of a
+ lime-tree avenue planted in a gully below the vineyards.
+ </p>
+ <p>
+ There are only two acres of vineyard at most, the ground rising at the
+ back of the house so steeply that it is no very easy matter to scramble up
+ among the vines. The slope, covered with green trailing shoots, ends
+ within about five feet of the house wall in a ditch-like passage always
+ damp and cold and full of strong growing green things, fed by the drainage
+ of the highly cultivated ground above, for rainy weather washes down the
+ manure into the garden on the terrace.
+ </p>
+ <p>
+ A vinedresser&rsquo;s cottage also leans against the western gable, and is in
+ some sort a continuation of the kitchen. Stone walls or espaliers surround
+ the property, and all sorts of fruit-trees are planted among the vines; in
+ short, not an inch of this precious soil is wasted. If by chance man
+ overlooks some dry cranny in the rocks, Nature puts in a fig-tree, or sows
+ wildflowers or strawberries in sheltered nooks among the stones.
+ </p>
+ <p>
+ Nowhere else in all the world will you find a human dwelling so humble and
+ yet so imposing, so rich in fruit, and fragrant scents, and wide views of
+ country. Here is a miniature Touraine in the heart of Touraine&mdash;all
+ its flowers and fruits and all the characteristic beauty of the land are
+ fully represented. Here are grapes of every district, figs and peaches and
+ pears of every kind; melons are grown out of doors as easily as licorice
+ plants, Spanish broom, Italian oleanders, and jessamines from the Azores.
+ The Loire lies at your feet. You look down from the terrace upon the
+ ever-changing river nearly two hundred feet below; and in the evening the
+ breeze brings a fresh scent of the sea, with the fragrance of far-off
+ flowers gathered upon its way. Some cloud wandering in space, changing its
+ color and form at every moment as it crosses the pure blue of the sky, can
+ alter every detail in the widespread wonderful landscape in a thousand
+ ways, from every point of view. The eye embraces first of all the south
+ bank of the Loire, stretching away as far as Amboise, then Tours with its
+ suburbs and buildings, and the Plessis rising out of the fertile plain;
+ further away, between Vouvray and Saint-Symphorien, you see a sort of
+ crescent of gray cliff full of sunny vineyards; the only limits to your
+ view are the low, rich hills along the Cher, a bluish line of horizon
+ broken by many a chateau and the wooded masses of many a park. Out to the
+ west you lose yourself in the immense river, where vessels come and go,
+ spreading their white sails to the winds which seldom fail them in the
+ wide Loire basin. A prince might build a summer palace at La Grenadiere,
+ but certainly it will always be the home of a poet&rsquo;s desire, and the
+ sweetest of retreats for two young lovers&mdash;for this vintage house,
+ which belongs to a substantial burgess of Tours, has charms for every
+ imagination, for the humblest and dullest as well as for the most
+ impassioned and lofty. No one can dwell there without feeling that
+ happiness is in the air, without a glimpse of all that is meant by a
+ peaceful life without care or ambition. There is that in the air and the
+ sound of the river that sets you dreaming; the sands have a language, and
+ are joyous or dreary, golden or wan; and the owner of the vineyard may sit
+ motionless amid perennial flowers and tempting fruit, and feel all the
+ stir of the world about him.
+ </p>
+ <p>
+ If an Englishman takes the house for the summer, he is asked a thousand
+ francs for six months, the produce of the vineyard not included. If the
+ tenant wishes for the orchard fruit, the rent is doubled; for the vintage,
+ it is doubled again. What can La Grenadiere be worth, you wonder; La
+ Grenadiere, with its stone staircase, its beaten path and triple terrace,
+ its two acres of vineyard, its flowering roses about the balustrades, its
+ worn steps, well-head, rampant clematis, and cosmopolitan trees? It is
+ idle to make a bid! La Grenadiere will never be in the market; it was
+ brought once and sold, but that was in 1690; and the owner parted with it
+ for forty thousand francs, reluctant as any Arab of the desert to
+ relinquish a favorite horse. Since then it has remained in the same
+ family, its pride, its patrimonial jewel, its Regent diamond. &ldquo;While you
+ behold, you have and hold,&rdquo; says the bard. And from La Grenadiere you
+ behold three valleys of Touraine and the cathedral towers aloft in air
+ like a bit of filigree work. How can one pay for such treasures? Could one
+ ever pay for the health recovered there under the linden-trees?
+ </p>
+ <p>
+ In the spring of one of the brightest years of the Restoration, a lady
+ with her housekeeper and her two children (the oldest a boy thirteen years
+ old, the youngest apparently about eight) came to Tours to look for a
+ house. She saw La Grenadiere and took it. Perhaps the distance from the
+ town was an inducement to live there.
+ </p>
+ <p>
+ She made a bedroom of the drawing-room, gave the children the two rooms
+ above, and the housekeeper slept in a closet behind the kitchen. The
+ dining-room was sitting-room and drawing-room all in one for the little
+ family. The house was furnished very simply but tastefully; there was
+ nothing superfluous in it, and no trace of luxury. The walnut-wood
+ furniture chosen by the stranger lady was perfectly plain, and the whole
+ charm of the house consisted in its neatness and harmony with its
+ surroundings.
+ </p>
+ <p>
+ It was rather difficult, therefore, to say whether the strange lady (Mme.
+ Willemsens, as she styled herself) belonged to the upper middle or higher
+ classes, or to an equivocal, unclassified feminine species. Her plain
+ dress gave rise to the most contradictory suppositions, but her manners
+ might be held to confirm those favorable to her. She had not lived at
+ Saint-Cyr, moreover, for very long before her reserve excited the
+ curiosity of idle people, who always, and especially in the country, watch
+ anybody or anything that promises to bring some interest into their narrow
+ lives.
+ </p>
+ <p>
+ Mme. Willemsens was rather tall; she was thin and slender, but delicately
+ shaped. She had pretty feet, more remarkable for the grace of her instep
+ and ankle than for the more ordinary merit of slenderness; her gloved
+ hands, too, were shapely. There were flitting patches of deep red in a
+ pale face, which must have been fresh and softly colored once. Premature
+ wrinkles had withered the delicately modeled forehead beneath the coronet
+ of soft, well-set chestnut hair, invariably wound about her head in two
+ plaits, a girlish coiffure which suited the melancholy face. There was a
+ deceptive look of calm in the dark eyes, with the hollow, shadowy circles
+ about them; sometimes, when she was off her guard, their expression told
+ of secret anguish. The oval of her face was somewhat long; but happiness
+ and health had perhaps filled and perfected the outlines. A forced smile,
+ full of quiet sadness, hovered continually on her pale lips; but when the
+ children, who were always with her, looked up at their mother, or asked
+ one of the incessant idle questions which convey so much to a mother&rsquo;s
+ ears, then the smile brightened, and expressed the joys of a mother&rsquo;s
+ love. Her gait was slow and dignified. Her dress never varied; evidently
+ she had made up her mind to think no more of her toilette, and to forget a
+ world by which she meant no doubt to be forgotten. She wore a long, black
+ gown, confined at the waist by a watered-silk ribbon, and by way of scarf
+ a lawn handkerchief with a broad hem, the two ends passed carelessly
+ through her waistband. The instinct of dress showed itself in that she was
+ daintily shod, and gray silk stockings carried out the suggestion of
+ mourning in this unvarying costume. Lastly, she always wore a bonnet after
+ the English fashion, always of the same shape and the same gray material,
+ and a black veil. Her health apparently was extremely weak; she looked
+ very ill. On fine evenings she would take her only walk, down to the
+ bridge of Tours, bringing the two children with her to breathe the fresh,
+ cool air along the Loire, and to watch the sunset effects on a landscape
+ as wide as the Bay of Naples or the Lake of Geneva.
+ </p>
+ <p>
+ During the whole time of her stay at La Grenadiere she went but twice into
+ Tours; once to call on the headmaster of the school, to ask him to give
+ her the names of the best masters of Latin, drawing, and mathematics; and
+ a second time to make arrangements for the children&rsquo;s lessons. But her
+ appearance on the bridge of an evening, once or twice a week, was quite
+ enough to excite the interest of almost all the inhabitants of Tours, who
+ make a regular promenade of the bridge. Still, in spite of a kind of spy
+ system, by which no harm is meant, a provincial habit bred of want of
+ occupation and the restless inquisitiveness of the principal society,
+ nothing was known for certain of the newcomer&rsquo;s rank, fortune, or real
+ condition. Only, the owner of La Grenadiere told one or two of his friends
+ that the name under which the stranger had signed the lease (her real
+ name, therefore, in all probability) was Augusta Willemsens, Countess of
+ Brandon. This, of course, must be her husband&rsquo;s name. Events, which will
+ be narrated in their place, confirmed this revelation; but it went no
+ further than the little world of men of business known to the landlord.
+ </p>
+ <p>
+ So Madame Willemsens was a continual mystery to people of condition. Hers
+ was no ordinary nature; her manners were simple and delightfully natural,
+ the tones of her voice were divinely sweet,&mdash;this was all that she
+ suffered others to discover. In her complete seclusion, her sadness, her
+ beauty so passionately obscured, nay, almost blighted, there was so much
+ to charm, that several young gentlemen fell in love; but the more sincere
+ the lover, the more timid he became; and besides, the lady inspired awe,
+ and it was a difficult matter to find enough courage to speak to her.
+ Finally, if a few of the bolder sort wrote to her, their letters must have
+ been burned unread. It was Mme. Willemsens&rsquo; practice to throw all the
+ letters which she received into the fire, as if she meant that the time
+ spent in Touraine should be untroubled by any outside cares even of the
+ slightest. She might have come to the enchanting retreat to give herself
+ up wholly to the joy of living.
+ </p>
+ <p>
+ The three masters whose presence was allowed at La Grenadiere spoke with
+ something like admiring reverence of the touching picture that they saw
+ there of the close, unclouded intimacy of the life led by this woman and
+ the children.
+ </p>
+ <p>
+ The two little boys also aroused no small interest. Mothers could not see
+ them without a feeling of envy. Both children were like Mme. Willemsens,
+ who was, in fact, their mother. They had the transparent complexion and
+ bright color, the clear, liquid eyes, the long lashes, the fresh outlines,
+ the dazzling characteristics of childish beauty.
+ </p>
+ <p>
+ The elder, Louis-Gaston, had dark hair and fearless eyes. Everything about
+ him spoke as plainly of robust, physical health as his broad, high brow,
+ with its gracious curves, spoke of energy of character. He was quick and
+ alert in his movements, and strong of limb, without a trace of
+ awkwardness. Nothing took him unawares, and he seemed to think about
+ everything that he saw.
+ </p>
+ <p>
+ Marie-Gaston, the other child, had hair that was almost golden, though a
+ lock here and there had deepened to the mother&rsquo;s chestnut tint.
+ Marie-Gaston was slender; he had the delicate features and the subtle
+ grace so charming in Mme. Willemsens. He did not look strong. There was a
+ gentle look in his gray eyes; his face was pale, there was something
+ feminine about the child. He still wore his hair in long, wavy curls, and
+ his mother would not have him give up embroidered collars, and little
+ jackets fastened with frogs and spindle-shaped buttons; evidently she took
+ a thoroughly feminine pleasure in the costume, a source of as much
+ interest to the mother as to the child. The elder boy&rsquo;s plain white
+ collar, turned down over a closely fitting jacket, made a contrast with
+ his brother&rsquo;s clothing, but the color and material were the same; the two
+ brothers were otherwise dressed alike, and looked alike.
+ </p>
+ <p>
+ No one could see them without feeling touched by the way in which Louis
+ took care of Marie. There was an almost fatherly look in the older boy&rsquo;s
+ eyes; and Marie, child though he was, seemed to be full of gratitude to
+ Louis. They were like two buds, scarcely separated from the stem that bore
+ them, swayed by the same breeze, lying in the same ray of sunlight; but
+ the one was a brightly colored flower, the other somewhat bleached and
+ pale. At a glance, a word, an inflection in their mother&rsquo;s voice, they
+ grew heedful, turned to look at her and listened, and did at once what
+ they were bidden, or asked, or recommended to do. Mme. Willemsens had so
+ accustomed them to understand her wishes and desires, that the three
+ seemed to have their thoughts in common. When they went for a walk, and
+ the children, absorbed in their play, ran away to gather a flower or to
+ look at some insect, she watched them with such deep tenderness in her
+ eyes, that the most indifferent passer-by would feel moved, and stop and
+ smile at the children, and give the mother a glance of friendly greeting.
+ Who would not have admired the dainty neatness of their dress, their
+ sweet, childish voices, the grace of their movements, the promise in their
+ faces, the innate something that told of careful training from the cradle?
+ They seemed as if they had never shed tears nor wailed like other
+ children. Their mother knew, as it were, by electrically swift intuition,
+ the desires and the pains which she anticipated and relieved. She seemed
+ to dread a complaint from one of them more than the loss of her soul.
+ Everything in her children did honor to their mother&rsquo;s training. Their
+ threefold life, seemingly one life, called up vague, fond thoughts; it was
+ like a vision of the dreamed-of bliss of a better world. And the three, so
+ attuned to each other, lived in truth such a life as one might picture for
+ them at first sight&mdash;the ordered, simple, and regular life best
+ suited for a child&rsquo;s education.
+ </p>
+ <p>
+ Both children rose an hour after daybreak and repeated a short prayer, a
+ habit learned in their babyhood. For seven years the sincere petition had
+ been put up every morning on their mother&rsquo;s bed, and begun and ended by a
+ kiss. Then the two brothers went through their morning toilet as
+ scrupulously as any pretty woman; doubtless they had been trained in
+ habits of minute attention to the person, so necessary to health of body
+ and mind, habits in some sort conducive to a sense of wellbeing.
+ Conscientiously they went through their duties, so afraid were they lest
+ their mother should say when she kissed them at breakfast-time, &ldquo;My
+ darling children, where can you have been to have such black finger-nails
+ already?&rdquo; Then the two went out into the garden and shook off the dreams
+ of the night in the morning air and dew, until sweeping and dusting
+ operations were completed, and they could learn their lessons in the
+ sitting-room until their mother joined them. But although it was
+ understood that they must not go to their mother&rsquo;s room before a certain
+ hour, they peeped in at the door continually; and these morning inroads,
+ made in defiance of the original compact, were delicious moments for all
+ three. Marie sprang upon the bed to put his arms around his idolized
+ mother, and Louis, kneeling by the pillow, took her hand in his. Then came
+ inquiries, anxious as a lover&rsquo;s, followed by angelic laughter, passionate
+ childish kisses, eloquent silences, lisping words, and the little ones&rsquo;
+ stories interrupted and resumed by a kiss, stories seldom finished, though
+ the listener&rsquo;s interest never failed.
+ </p>
+ <p>
+ &ldquo;Have you been industrious?&rdquo; their mother would ask, but in tones so sweet
+ and so kindly that she seemed ready to pity laziness as a misfortune, and
+ to glance through tears at the child who was satisfied with himself.
+ </p>
+ <p>
+ She knew that the thought of pleasing her put energy into the children&rsquo;s
+ work; and they knew that their mother lived for them, and that all her
+ thoughts and her time were given to them. A wonderful instinct, neither
+ selfishness nor reason, perhaps the first innocent beginnings of sentiment
+ teaches children to know whether or not they are the first and sole
+ thought, to find out those who love to think of them and for them. If you
+ really love children, the dear little ones, with open hearts and unerring
+ sense of justice, are marvelously ready to respond to love. Their love
+ knows passion and jealousy and the most gracious delicacy of feeling; they
+ find the tenderest words of expression; they trust you&mdash;put an entire
+ belief in you. Perhaps there are no undutiful children without undutiful
+ mothers, for a child&rsquo;s affection is always in proportion to the affection
+ that it receives&mdash;in early care, in the first words that it hears, in
+ the response of the eyes to which a child first looks for love and life.
+ All these things draw them closer to the mother or drive them apart. God
+ lays the child under the mother&rsquo;s heart, that she may learn that for a
+ long time to come her heart must be its home. And yet&mdash;there are
+ mothers cruelly slighted, mothers whose sublime, pathetic tenderness meets
+ only a harsh return, a hideous ingratitude which shows how difficult it is
+ to lay down hard-and-fast rules in matters of feeling.
+ </p>
+ <p>
+ Here, not one of all the thousand heart ties that bind child and mother
+ had been broken. The three were alone in the world; they lived one life, a
+ life of close sympathy. If Mme. Willemsens was silent in the morning,
+ Louis and Marie would not speak, respecting everything in her, even those
+ thoughts which they did not share. But the older boy, with a precocious
+ power of thought, would not rest satisfied with his mother&rsquo;s assertion
+ that she was perfectly well. He scanned her face with uneasy forebodings;
+ the exact danger he did not know, but dimly he felt it threatening in
+ those purple rings about her eyes, in the deepening hollows under them,
+ and the feverish red that deepened in her face. If Marie&rsquo;s play began to
+ tire her, his sensitive tact was quick to discover this, and he would call
+ to his brother:
+ </p>
+ <p>
+ &ldquo;Come, Marie! let us run in to breakfast, I am hungry!&rdquo;
+ </p>
+ <p>
+ But when they reached the door, he would look back to catch the expression
+ on his mother&rsquo;s face. She still could find a smile for him, nay, often
+ there were tears in her eyes when some little thing revealed her child&rsquo;s
+ exquisite feeling, a too early comprehension of sorrow.
+ </p>
+ <p>
+ Mme. Willemsens dressed during the children&rsquo;s early breakfast and game of
+ play; she was coquettish for her darlings; she wished to be pleasing in
+ their eyes; for them she would fain be in all things lovely, a gracious
+ vision, with the charm of some sweet perfume of which one can never have
+ enough.
+ </p>
+ <p>
+ She was always dressed in time to hear their lessons, which lasted from
+ ten till three, with an interval at noon for lunch, the three taking the
+ meal together in the summer-house. After lunch the children played for an
+ hour, while she&mdash;poor woman and happy mother&mdash;lay on a long sofa
+ in the summer-house, so placed that she could look out over the soft,
+ ever-changing country of Touraine, a land that you learn to see afresh in
+ all the thousand chance effects produced by daylight and sky and the time
+ of year.
+ </p>
+ <p>
+ The children scampered through the orchard, scrambled about the terraces,
+ chased the lizards, scarcely less nimble than they; investigating flowers
+ and seeds and insects, continually referring all questions to their
+ mother, running to and fro between the garden and the summer-house.
+ Children have no need of toys in the country, everything amuses them.
+ </p>
+ <p>
+ Mme. Willemsens sat at her embroidery during their lessons. She never
+ spoke, nor did she look at masters or pupils; but she followed attentively
+ all that was said, striving to gather the sense of the words to gain a
+ general idea of Louis&rsquo; progress. If Louis asked a question that puzzled
+ his master, his mother&rsquo;s eyes suddenly lighted up, and she would smile and
+ glance at him with hope in her eyes. Of Marie she asked little. Her desire
+ was with her eldest son. Already she treated him, as it were,
+ respectfully, using all a woman&rsquo;s, all a mother&rsquo;s tact to arouse the
+ spirit of high endeavor in the boy, to teach him to think of himself as
+ capable of great things. She did this with a secret purpose, which Louis
+ was to understand in the future; nay, he understood it already.
+ </p>
+ <p>
+ Always, the lesson over, she went as far as the gate with the master, and
+ asked strict account of Louis&rsquo; progress. So kindly and so winning was her
+ manner, that his tutors told her the truth, pointing out where Louis was
+ weak, so that she might help him in his lessons. Then came dinner, and
+ play after dinner, then a walk, and lessons were learned till bedtime.
+ </p>
+ <p>
+ So their days went. It was a uniform but full life; work and amusements
+ left them not a dull hour in the day. Discouragement and quarreling were
+ impossible. The mother&rsquo;s boundless love made everything smooth. She taught
+ her little sons moderation by refusing them nothing, and submission by
+ making them see underlying Necessity in its many forms; she put heart into
+ them with timely praise; developing and strengthening all that was best in
+ their natures with the care of a good fairy. Tears sometimes rose to her
+ burning eyes as she watched them play, and thought how they had never
+ caused her the slightest vexation. Happiness so far-reaching and complete
+ brings such tears, because for us it represents the dim imaginings of
+ Heaven which we all of us form in our minds.
+ </p>
+ <p>
+ Those were delicious hours spent on that sofa in the garden-house, in
+ looking out on sunny days over the wide stretches of river and the
+ picturesque landscape, listening to the sound of her children&rsquo;s voices as
+ they laughed at their own laughter, to the little quarrels that told most
+ plainly of their union of heart, of Louis&rsquo; paternal care of Marie, of the
+ love that both of them felt for her. They spoke English and French equally
+ well (they had had an English nurse since their babyhood), so their mother
+ talked to them in both languages; directing the bent of their childish
+ minds with admirable skill, admitting no fallacious reasoning, no bad
+ principle. She ruled by kindness, concealing nothing, explaining
+ everything. If Louis wished for books, she was careful to give him
+ interesting yet accurate books&mdash;books of biography, the lives of
+ great seamen, great captains, and famous men, for little incidents in
+ their history gave her numberless opportunities of explaining the world
+ and life to her children. She would point out the ways in which men,
+ really great in themselves, had risen from obscurity; how they had started
+ from the lowest ranks of society, with no one to look to but themselves,
+ and achieved noble destinies.
+ </p>
+ <p>
+ These readings, and they were not the least useful of Louis&rsquo; lessons, took
+ place while little Marie slept on his mother&rsquo;s knee in the quiet of the
+ summer night, and the Loire reflected the sky; but when they ended, this
+ adorable woman&rsquo;s sadness always seemed to be doubled; she would cease to
+ speak, and sit motionless and pensive, and her eyes would fill with tears.
+ </p>
+ <p>
+ &ldquo;Mother, why are you crying?&rdquo; Louis asked one balmy June evening, just as
+ the twilight of a soft-lit night succeeded to a hot day.
+ </p>
+ <p>
+ Deeply moved by his trouble, she put her arm about the child&rsquo;s neck and
+ drew him to her.
+ </p>
+ <p>
+ &ldquo;Because, my boy, the lot of Jameray Duval, the poor and friendless lad
+ who succeeded at last, will be your lot, yours and your brother&rsquo;s, and I
+ have brought it upon you. Before very long, dear child, you will be alone
+ in the world, with no one to help or befriend you. While you are still
+ children, I shall leave you, and yet, if only I could wait till you are
+ big enough and know enough to be Marie&rsquo;s guardian! But I shall not live so
+ long. I love you so much that it makes me very unhappy to think of it.
+ Dear children, if only you do not curse me some day!&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But why should I curse you some day, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;Some day,&rdquo; she said, kissing him on the forehead, &ldquo;you will find out that
+ I have wronged you. I am going to leave you, here, without money, without&rdquo;&mdash;and
+ she hesitated&mdash;&ldquo;without a father,&rdquo; she added, and at the word she
+ burst into tears and put the boy from her gently. A sort of intuition told
+ Louis that his mother wished to be alone, and he carried off Marie, now
+ half awake. An hour later, when his brother was in bed, he stole down and
+ out to the summer-house where his mother was sitting.
+ </p>
+ <p>
+ &ldquo;Louis! come here.&rdquo;
+ </p>
+ <p>
+ The words were spoken in tones delicious to his heart. The boy sprang to
+ his mother&rsquo;s arms, and the two held each other in an almost convulsive
+ embrace.
+ </p>
+ <p>
+ &ldquo;<i>Cherie</i>,&rdquo; he said at last, the name by which he often called her,
+ finding that even loving words were too weak to express his feeling, &ldquo;<i>cherie</i>,
+ why are you afraid that you are going to die?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am ill, my poor darling; every day I am losing strength, and there is
+ no cure for my illness; I know that.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is the matter with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Something that I ought to forget; something that you must never know.&mdash;You
+ must not know what caused my death.&rdquo;
+ </p>
+ <p>
+ The boy was silent for a while. He stole a glance now and again at his
+ mother; and she, with her eyes raised to the sky, was watching the clouds.
+ It was a sad, sweet moment. Louis could not believe that his mother would
+ die soon, but instinctively he felt trouble which he could not guess. He
+ respected her long musings. If he had been rather older, he would have
+ read happy memories blended with thoughts of repentance, the whole story
+ of a woman&rsquo;s life in that sublime face&mdash;the careless childhood, the
+ loveless marriage, a terrible passion, flowers springing up in storm and
+ struck down by the thunderbolt into an abyss from which there is no
+ return.
+ </p>
+ <p>
+ &ldquo;Darling mother,&rdquo; Louis said at last, &ldquo;why do you hide your pain from me?&rdquo;
+ </p>
+ <p>
+ &ldquo;My boy, we ought to hide our troubles from strangers,&rdquo; she said; &ldquo;we
+ should show them a smiling face, never speak of ourselves to them, nor
+ think about ourselves; and these rules, put in practice in family life,
+ conduce to its happiness. You will have much to bear one day! Ah me! then
+ think of your poor mother who died smiling before your eyes, hiding her
+ sufferings from you, and you will take courage to endure the ills of
+ life.&rdquo;
+ </p>
+ <p>
+ She choked back her tears, and tried to make the boy understand the
+ mechanism of existence, the value of money, the standing and consideration
+ that it gives, and its bearing on social position; the honorable means of
+ gaining a livelihood, and the necessity of a training. Then she told him
+ that one of the chief causes of her sadness and her tears was the thought
+ that, on the morrow of her death, he and Marie would be left almost
+ resourceless, with but a slender stock of money, and no friend but God.
+ </p>
+ <p>
+ &ldquo;How quick I must be about learning!&rdquo; cried Louis, giving her a piteous,
+ searching look.
+ </p>
+ <p>
+ &ldquo;Oh! how happy I am!&rdquo; she said, showering kisses and tears on her son. &ldquo;He
+ understands me!&mdash;Louis,&rdquo; she went on, &ldquo;you will be your brother&rsquo;s
+ guardian, will you not? You promise me that? You are no longer a child!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I promise,&rdquo; he said; &ldquo;but you are not going to die yet&mdash;say
+ that you are not going to die!&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor little ones!&rdquo; she replied, &ldquo;love for you keeps the life in me. And
+ this country is so sunny, the air is so bracing, perhaps&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You make me love Touraine more than ever,&rdquo; said the child.
+ </p>
+ <p>
+ From that day, when Mme. Willemsens, foreseeing the approach of death,
+ spoke to Louis of his future, he concentrated his attention on his work,
+ grew more industrious, and less inclined to play than heretofore. When he
+ had coaxed Marie to read a book and to give up boisterous games, there was
+ less noise in the hollow pathways and gardens and terraced walks of La
+ Grenadiere. They adapted their lives to their mother&rsquo;s melancholy. Day by
+ day her face was growing pale and wan, there were hollows now in her
+ temples, the lines in her forehead grew deeper night after night.
+ </p>
+ <p>
+ August came. The little family had been five months at La Grenadiere, and
+ their whole life was changed. The old servant grew anxious and gloomy as
+ she watched the almost imperceptible symptoms of slow decline in the
+ mistress, who seemed to be kept in life by an impassioned soul and intense
+ love of her children. Old Annette seemed to see that death was very near.
+ That mistress, beautiful still, was more careful of her appearance than
+ she had ever been; she was at pains to adorn her wasted self, and wore
+ paint on her cheeks; but often while she walked on the upper terrace with
+ the children, Annette&rsquo;s wrinkled face would peer out from between the
+ savin trees by the pump. The old woman would forget her work, and stand
+ with wet linen in her hands, scarce able to keep back her tears at the
+ sight of Mme. Willemsens, so little like the enchanting woman she once had
+ been.
+ </p>
+ <p>
+ The pretty house itself, once so gay and bright, looked melancholy; it was
+ a very quiet house now, and the family seldom left it, for the walk to the
+ bridge was too great an effort for Mme. Willemsens. Louis had almost
+ identified himself, as it were, with his mother, and with his suddenly
+ developed powers of imagination he saw the weariness and exhaustion under
+ the red color, and constantly found reasons for taking some shorter walk.
+ </p>
+ <p>
+ So happy couples coming to Saint-Cyr, then the Petite Courtille of Tours,
+ and knots of folk out for their evening walk along the &ldquo;dike,&rdquo; saw a pale,
+ thin figure dressed in black, a woman with a worn yet bright face, gliding
+ like a shadow along the terraces. Great suffering cannot be concealed. The
+ vinedresser&rsquo;s household had grown quiet also. Sometimes the laborer and
+ his wife and children were gathered about the door of their cottage, while
+ Annette was washing linen at the well-head, and Mme. Willemsens and the
+ children sat in the summer-house, and there was not the faintest sound in
+ those gardens gay with flowers. Unknown to Mme. Willemsens, all eyes grew
+ pitiful at the sight of her, she was so good, so thoughtful, so dignified
+ with those with whom she came in contact.
+ </p>
+ <p>
+ And as for her.&mdash;When the autumn days came on, days so sunny and
+ bright in Touraine, bringing with them grapes and ripe fruits and
+ healthful influences which must surely prolong life in spite of the
+ ravages of mysterious disease&mdash;she saw no one but her children,
+ taking the utmost that the hour could give her, as if each hour had been
+ her last.
+ </p>
+ <p>
+ Louis had worked at night, unknown to his mother, and made immense
+ progress between June and September. In algebra he had come as far as
+ equations with two unknown quantities; he had studied descriptive
+ geometry, and drew admirably well; in fact, he was prepared to pass the
+ entrance examination of the Ecole polytechnique.
+ </p>
+ <p>
+ Sometimes of an evening he went down to the bridge of Tours. There was a
+ lieutenant there on half-pay, an Imperial naval officer, whose manly face,
+ medal, and gait had made an impression on the boy&rsquo;s imagination, and the
+ officer on his side had taken a liking to the lad, whose eyes sparkled
+ with energy. Louis, hungering for tales of adventure, and eager for
+ information, used to follow in the lieutenant&rsquo;s wake for the chance of a
+ chat with him. It so happened that the sailor had a friend and comrade in
+ the colonel of a regiment of infantry, struck off the rolls like himself;
+ and young Louis-Gaston had a chance of learning what life was like in camp
+ or on board a man-of-war. Of course, he plied the veterans with questions;
+ and when he had made up his mind to the hardships of their rough callings,
+ he asked his mother&rsquo;s leave to take country walks by way of amusement.
+ Mme. Willemsens was beyond measure glad that he should ask; the boy&rsquo;s
+ astonished masters had told her that he was overworking himself. So Louis
+ went for long walks. He tried to inure himself to fatigue, climbed the
+ tallest trees with incredible quickness, learned to swim, watched through
+ the night. He was not like the same boy; he was a young man already, with
+ a sunburned face, and a something in his expression that told of deep
+ purpose.
+ </p>
+ <p>
+ When October came, Mme. Willemsens could only rise at noon. The sunshine,
+ reflected by the surface of the Loire, and stored up by the rocks, raised
+ the temperature of the air till it was almost as warm and soft as the
+ atmosphere of the Bay of Naples, for which reason the faculty recommend
+ the place of abode. At mid-day she came out to sit under the shade of
+ green leaves with the two boys, who never wandered from her now. Lessons
+ had come to an end. Mother and children wished to live the life of heart
+ and heart together, with no disturbing element, no outside cares. No tears
+ now, no joyous outcries. The elder boy, lying in the grass at his mother&rsquo;s
+ side, basked in her eyes like a lover and kissed her feet. Marie, the
+ restless one, gathered flowers for her, and brought them with a subdued
+ look, standing on tiptoe to put a girlish kiss on her lips. And the pale
+ woman, with the great tired eyes and languid movements, never uttered a
+ word of complaint, and smiled upon her children, so full of life and
+ health&mdash;it was a sublime picture, lacking no melancholy autumn pomp
+ of yellow leaves and half-despoiled branches, nor the softened sunlight
+ and pale clouds of the skies of Touraine.
+ </p>
+ <p>
+ At last the doctor forbade Mme. Willemsens to leave her room. Every day it
+ was brightened by the flowers that she loved, and her children were always
+ with her. One day, early in November, she sat at the piano for the last
+ time. A picture&mdash;a Swiss landscape&mdash;hung above the instrument;
+ and at the window she could see her children standing with their heads
+ close together. Again and again she looked from the children to the
+ landscape, and then again at the children. Her face flushed, her fingers
+ flew with passionate feeling over the ivory keys. This was her last great
+ day, an unmarked day of festival, held in her own soul by the spirit of
+ her memories. When the doctor came, he ordered her to stay in bed. The
+ alarming dictum was received with bewildered silence.
+ </p>
+ <p>
+ When the doctor had gone, she turned to the older boy.
+ </p>
+ <p>
+ &ldquo;Louis,&rdquo; she said, &ldquo;take me out on the terrace, so that I may see my
+ country once more.&rdquo;
+ </p>
+ <p>
+ The boy gave his arm at those simply uttered words, and brought his mother
+ out upon the terrace; but her eyes turned, perhaps unconsciously, to
+ heaven rather than to the earth, and indeed, it would have been hard to
+ say whether heaven or earth was the fairer&mdash;for the clouds traced
+ shadowy outlines, like the grandest Alpine glaciers, against the sky. Mme.
+ Willemsens&rsquo; brows contracted vehemently; there was a look of anguish and
+ remorse in her eyes. She caught the children&rsquo;s hands, and clutched them to
+ a heavily-throbbing heart.
+ </p>
+ <p>
+ &ldquo;&lsquo;Parentage unknown!&rsquo;&rdquo; she cried, with a look that went to their hearts.
+ &ldquo;Poor angels, what will become of you? And when you are twenty years old,
+ what strict account may you not require of my life and your own?&rdquo;
+ </p>
+ <p>
+ She put the children from her, and leaning her arms upon the balustrade,
+ stood for a while hiding her face, alone with herself, fearful of all
+ eyes. When she recovered from the paroxysm, she saw Louis and Marie
+ kneeling on either side of her, like two angels; they watched the
+ expression of her face, and smiled lovingly at her.
+ </p>
+ <p>
+ &ldquo;If only I could take that smile with me!&rdquo; she said, drying her eyes.
+ </p>
+ <p>
+ Then she went into the house and took to the bed, which she would only
+ leave for her coffin.
+ </p>
+ <p>
+ A week went by, one day exactly like another. Old Annette and Louis took
+ it in turns to sit up with Mme. Willemsens, never taking their eyes from
+ the invalid. It was the deeply tragical hour that comes in all our lives,
+ the hour of listening in terror to every deep breath lest it should be the
+ last, a dark hour protracted over many days. On the fifth day of that
+ fatal week the doctor interdicted flowers in the room. The illusions of
+ life were going one by one.
+ </p>
+ <p>
+ Then Marie and his brother felt their mother&rsquo;s lips hot as fire beneath
+ their kisses; and at last, on the Saturday evening, Mme. Willemsens was
+ too ill to bear the slightest sound, and her room was left in disorder.
+ This neglect for a woman of refined taste, who clung so persistently to
+ the graces of life, meant the beginning of the death-agony. After this,
+ Louis refused to leave his mother. On Sunday night, in the midst of the
+ deepest silence, when Louis thought that she had grown drowsy, he saw a
+ white, moist hand move the curtain in the lamplight.
+ </p>
+ <p>
+ &ldquo;My son!&rdquo; she said. There was something so solemn in the dying woman&rsquo;s
+ tones, that the power of her wrought-up soul produced a violent reaction
+ on the boy; he felt an intense heat pass through the marrow of his bones.
+ </p>
+ <p>
+ &ldquo;What is it, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;Listen! To-morrow all will be over for me. We shall see each other no
+ more. To-morrow you will be a man, my child. So I am obliged to make some
+ arrangements, which must remain a secret, known only to us. Take the key
+ of my little table. That is it. Now open the drawer. You will find two
+ sealed papers to the left. There is the name of LOUIS on one, and on the
+ other MARIE.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here they are, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Those are your certificates of birth, darling; you will want them. Give
+ them to our poor, old Annette to keep for you; ask her for them when you
+ need them. Now,&rdquo; she continued, &ldquo;is there not another paper as well,
+ something in my handwriting?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, mother,&rdquo; and Louis began to read, &ldquo;<i>Marie Willemsens, born at</i>&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That is enough,&rdquo; she broke in quickly, &ldquo;do not go on. When I am dead,
+ give that paper, too, to Annette, and tell her to send it to the registrar
+ at Saint-Cyr; it will be wanted if my certificate of death is to be made
+ out in due form. Now find writing materials for a letter which I will
+ dictate to you.&rdquo;
+ </p>
+ <p>
+ When she saw that he was ready to begin, and turned towards her for the
+ words, they came from her quietly:&mdash;
+ </p>
+ <p>
+ &ldquo;Monsieur le Comte, your wife, Lady Brandon, died at Saint-Cyr, near
+ Tours, in the department of Indre-et-Loire. She forgave you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sign yourself&mdash;&mdash;&rdquo; she stopped, hesitating and perturbed.
+ </p>
+ <p>
+ &ldquo;Are you feeling worse?&rdquo; asked Louis.
+ </p>
+ <p>
+ &ldquo;Put &lsquo;Louis-Gaston,&rsquo;&rdquo; she went on.
+ </p>
+ <p>
+ She sighed, then she went on.
+ </p>
+ <p>
+ &ldquo;Seal the letter, and direct it. To Lord Brandon, Brandon Square, Hyde
+ Park, London, Angleterre.&mdash;That is right. When I am dead, post the
+ letter in Tours, and prepay the postage.&mdash;Now,&rdquo; she added, after a
+ pause, &ldquo;take the little pocketbook that you know, and come here, my dear
+ child.... There are twelve thousand francs in it,&rdquo; she said, when Louis
+ had returned to her side. &ldquo;That is all your own. Oh me! you would have
+ been better off if your father&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My father,&rdquo; cried the boy, &ldquo;where is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is dead,&rdquo; she said, laying her finger on her lips; &ldquo;he died to save my
+ honor and my life.&rdquo;
+ </p>
+ <p>
+ She looked upwards. If any tears had been left to her, she would have wept
+ for pain.
+ </p>
+ <p>
+ &ldquo;Louis,&rdquo; she continued, &ldquo;swear to me, as I lie here, that you will forget
+ all that you have written, all that I have told you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Kiss me, dear angel.&rdquo;
+ </p>
+ <p>
+ She was silent for a long while, she seemed to be drawing strength from
+ God, and to be measuring her words by the life that remained in her.
+ </p>
+ <p>
+ &ldquo;Listen,&rdquo; she began. &ldquo;Those twelve thousand francs are all that you have
+ in the world. You must keep the money upon you, because when I am dead the
+ lawyers will come and seal everything up. Nothing will be yours then, not
+ even your mother. All that remains for you to do will be to go out, poor
+ orphan children, God knows where. I have made Annette&rsquo;s future secure. She
+ will have an annuity of a hundred crowns, and she will stay at Tours no
+ doubt. But what will you do for yourself and your brother?&rdquo;
+ </p>
+ <p>
+ She raised herself, and looked at the brave child, standing by her
+ bedside. There were drops of perspiration on his forehead, he was pale
+ with emotion, and his eyes were dim with tears.
+ </p>
+ <p>
+ &ldquo;I have thought it over, mother,&rdquo; he answered in a deep voice. &ldquo;I will
+ take Marie to the school here in Tours. I will give ten thousand francs to
+ our old Annette, and ask her to take care of them, and to look after
+ Marie. Then, with the remaining two thousand francs, I will go to Brest,
+ and go to sea as an apprentice. While Marie is at school, I will rise to
+ be a lieutenant on board a man-of-war. There, after all, die in peace, my
+ mother; I shall come back again a rich man, and our little one shall go to
+ the Ecole polytechnique, and I will find a career to suit his bent.&rdquo;
+ </p>
+ <p>
+ A gleam of joy shone in the dying woman&rsquo;s eyes. Two tears brimmed over,
+ and fell over her fevered cheeks; then a deep sigh escaped between her
+ lips. The sudden joy of finding the father&rsquo;s spirit in the son, who had
+ grown all at once to be a man, almost killed her.
+ </p>
+ <p>
+ &ldquo;Angel of heaven,&rdquo; she cried, weeping, &ldquo;by one word you have effaced all
+ my sorrows. Ah! I can bear them.&mdash;This is my son,&rdquo; she said, &ldquo;I bore,
+ I reared this man,&rdquo; and she raised her hands above her, and clasped them
+ as if in ecstasy, then she lay back on the pillow.
+ </p>
+ <p>
+ &ldquo;Mother, your face is growing pale!&rdquo; cried the lad.
+ </p>
+ <p>
+ &ldquo;Some one must go for a priest,&rdquo; she answered, with a dying voice.
+ </p>
+ <p>
+ Louis wakened Annette, and the terrified old woman hurried to the
+ parsonage at Saint-Cyr.
+ </p>
+ <p>
+ When morning came, Mme. Willemsens received the sacrament amid the most
+ touching surroundings. Her children were kneeling in the room, with
+ Annette and the vinedresser&rsquo;s family, simple folk, who had already become
+ part of the household. The silver crucifix, carried by a chorister, a
+ peasant child from the village, was lifted up, and the dying mother
+ received the Viaticum from an aged priest. The Viaticum! sublime word,
+ containing an idea yet more sublime, an idea only possessed by the
+ apostolic religion of the Roman church.
+ </p>
+ <p>
+ &ldquo;This woman has suffered greatly!&rdquo; the old cure said in his simple way.
+ </p>
+ <p>
+ Marie Willemsens heard no voices now, but her eyes were still fixed upon
+ her children. Those about her listened in terror to her breathing in the
+ deep silence; already it came more slowly, though at intervals a deep sigh
+ told them that she still lived, and of a struggle within her; then at last
+ it ceased. Every one burst into tears except Marie. He, poor child, was
+ still too young to know what death meant.
+ </p>
+ <p>
+ Annette and the vinedresser&rsquo;s wife closed the eyes of the adorable woman,
+ whose beauty shone out in all its radiance after death. Then the women
+ took possession of the chamber of death, removed the furniture, wrapped
+ the dead in her winding-sheet, and laid her upon the couch. They lit
+ tapers about her, and arranged everything&mdash;the crucifix, the sprigs
+ of box, and the holy-water stoup&mdash;after the custom of the
+ countryside, bolting the shutters and drawing the curtains. Later the
+ curate came to pass the night in prayer with Louis, who refused to leave
+ his mother. On Tuesday morning an old woman and two children and a
+ vinedresser&rsquo;s wife followed the dead to her grave. These were the only
+ mourners. Yet this was a woman whose wit and beauty and charm had won a
+ European reputation, a woman whose funeral, if it had taken place in
+ London, would have been recorded in pompous newspaper paragraphs, as a
+ sort of aristocratic rite, if she had not committed the sweetest of
+ crimes, a crime always expiated in this world, so that the pardoned spirit
+ may enter heaven. Marie cried when they threw the earth on his mother&rsquo;s
+ coffin; he understood that he should see her no more.
+ </p>
+ <p>
+ A simple, wooden cross, set up to mark her grave, bore this inscription,
+ due to the cure of Saint-Cyr:&mdash;
+ </p>
+<pre xml:space="preserve">
+ HERE LIES
+ AN UNHAPPY WOMAN,
+ WHO DIED AT THE AGE OF THIRTY-SIX.
+ KNOWN IN HEAVEN BY THE NAME OF AUGUSTA.
+ <i>Pray for her!</i>
+</pre>
+ <p>
+ When all was over, the children came back to La Grenadiere to take a last
+ look at their home; then, hand in hand, they turned to go with Annette,
+ leaving the vinedresser in charge, with directions to hand over everything
+ duly to the proper authorities.
+ </p>
+ <p>
+ At this moment, Annette called to Louis from the steps by the kitchen
+ door, and took him aside with, &ldquo;Here is madame&rsquo;s ring, Monsieur Louis.&rdquo;
+ </p>
+ <p>
+ The sight of this vivid remembrance of his dead mother moved him so deeply
+ that he wept. In his fortitude, he had not even thought of this supreme
+ piety; and he flung his arms round the old woman&rsquo;s neck. Then the three
+ set out down the beaten path, and the stone staircase, and so to Tours,
+ without turning their heads.
+ </p>
+ <p>
+ &ldquo;Mamma used to come there!&rdquo; Marie said when they reached the bridge.
+ </p>
+ <p>
+ Annette had a relative, a retired dressmaker, who lived in the Rue de la
+ Guerche. She took the two children to this cousin&rsquo;s house, meaning that
+ they should live together thenceforth. But Louis told her of his plans,
+ gave Marie&rsquo;s certificate of birth and the ten thousand francs into her
+ keeping, and the two went the next morning to take Marie to school.
+ </p>
+ <p>
+ Louis very briefly explained his position to the headmaster, and went.
+ Marie came with him as far as the gateway. There Louis gave solemn parting
+ words of the tenderest counsel, telling Marie that he would now be left
+ alone in the world. He looked at his brother for a moment, and put his
+ arms about him, took one more long look, brushed a tear from his eyes, and
+ went, turning again and again till the very last to see his brother
+ standing there in the gateway of the school.
+ </p>
+ <p>
+ A month later Louis-Gaston, now an apprentice on board a man-of-war, left
+ the harbor of Rochefort. Leaning over the bulwarks of the corvette Iris,
+ he watched the coast of France receding swiftly till it became
+ indistinguishable from the faint blue horizon line. In a little while he
+ felt that he was really alone, and lost in the wide ocean, lost and alone
+ in the world and in life.
+ </p>
+ <p>
+ &ldquo;There is no need to cry, lad; there is a God for us all,&rdquo; said an old
+ sailor, with rough kindliness in his thick voice.
+ </p>
+ <p>
+ The boy thanked him with pride in his eyes. Then he bowed his head, and
+ resigned himself to a sailor&rsquo;s life. He was a father.
+ </p>
+ <p>
+ ANGOULEME, August, 1832.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ADDENDUM
+ </h2>
+ <h3>
+ The following personages appear in other stories of the Human Comedy.
+ </h3>
+<pre xml:space="preserve">
+ Brandon, Lady Marie Augusta
+ The Member for Arcis
+ The Lily of the Valley
+ La Grenadiere
+
+ Gaston, Louis
+ La Grenadiere
+ Letters of Two Brides
+
+ Gaston, Marie
+ La Grenadiere
+ Letters of Two Brides
+ The Member for Arcis
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+***** This file should be named 1428-h.htm or 1428-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/4/2/1428/
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/old/1428.txt b/old/1428.txt
new file mode 100644
index 0000000..feaef69
--- /dev/null
+++ b/old/1428.txt
@@ -0,0 +1,1350 @@
+The Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: La Grenadiere
+
+Author: Honore de Balzac
+
+Translator: Ellen Marriage
+
+Release Date: August, 1998 [Etext #1428]
+Posting Date: February 24, 2010
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+
+
+
+Produced by John Bickers, and Dagny
+
+
+
+
+
+LA GRENADIERE
+
+
+By Honore De Balzac
+
+
+
+Translated By Ellen Marriage
+
+
+
+ To D. W.
+
+
+
+
+
+LA GRENADIERE
+
+
+La Grenadiere is a little house on the right bank of the Loire as you go
+down stream, about a mile below the bridge of Tours. At this point the
+river, broad as a lake, and covered with scattered green islands, flows
+between two lines of cliff, where country houses built uniformly of
+white stone stand among their gardens and vineyards. The finest fruit
+in the world ripens there with a southern exposure. The patient toil of
+many generations has cut terraces in the cliff, so that the face of the
+rock reflects the rays of the sun, and the produce of hot climates may
+be grown out of doors in an artificially high temperature.
+
+
+
+A church spire, rising out of one of the shallower dips in the line of
+cliffs, marks the little village of Saint-Cyr, to which the scattered
+houses all belong. And yet a little further the Choisille flows into the
+Loire, through a fertile valley cut in the long low downs.
+
+La Grenadiere itself, half-way up the hillside, and about a hundred
+paces from the church, is one of those old-fashioned houses dating back
+some two or three hundred years, which you find in every picturesque
+spot in Touraine. A fissure in the rock affords convenient space for a
+flight of steps descending gradually to the "dike"--the local name for
+the embankment made at the foot of the cliffs to keep the Loire in its
+bed, and serve as a causeway for the highroad from Paris to Nantes. At
+the top of the steps a gate opens upon a narrow stony footpath between
+two terraces, for here the soil is banked up, and walls are built
+to prevent landslips. These earthworks, as it were, are crowned with
+trellises and espaliers, so that the steep path that lies at the foot of
+the upper wall is almost hidden by the trees that grow on the top of the
+lower, upon which it lies. The view of the river widens out before you
+at every step as you climb to the house.
+
+At the end you come to a second gateway, a Gothic archway covered
+with simple ornament, now crumbling into ruin and overgrown with
+wildflowers--moss and ivy, wallflowers and pellitory. Every stone wall
+on the hillside is decked with this ineradicable plant-life, which
+springs up along the cracks afresh with new wreaths for every time of
+year.
+
+The worm-eaten gate gives into a little garden, a strip of turf, a few
+trees, and a wilderness of flowers and rose bushes--a garden won from
+the rock on the highest terrace of all, with the dark, old balustrade
+along its edge. Opposite the gateway, a wooden summer-house stands
+against the neighboring wall, the posts are covered with jessamine and
+honeysuckle, vines and clematis.
+
+The house itself stands in the middle of this highest garden, above a
+vine-covered flight of steps, with an arched doorway beneath that
+leads to vast cellars hollowed out in the rock. All about the dwelling
+trellised vines and pomegranate-trees (the _grenadiers_, which give the
+name to the little close) are growing out in the open air. The front
+of the house consists of two large windows on either side of a very
+rustic-looking house door, and three dormer windows in the roof--a slate
+roof with two gables, prodigiously high-pitched in proportion to the low
+ground-floor. The house walls are washed with yellow color; and door,
+and first-floor shutters, all the Venetian shutters of the attic
+windows, all are painted green.
+
+Entering the house, you find yourself in a little lobby with a crooked
+staircase straight in front of you. It is a crazy wooden structure, the
+spiral balusters are brown with age, and the steps themselves take a
+new angle at every turn. The great old-fashioned paneled dining-room,
+floored with square white tiles from Chateau-Regnault, is on your right;
+to the left is the sitting-room, equally large, but here the walls
+are not paneled; they have been covered instead with a saffron-colored
+paper, bordered with green. The walnut-wood rafters are left visible,
+and the intervening spaces filled with a kind of white plaster.
+
+The first story consists of two large whitewashed bedrooms with stone
+chimney-pieces, less elaborately carved than those in the rooms beneath.
+Every door and window is on the south side of the house, save a single
+door to the north, contrived behind the staircase to give access to the
+vineyard. Against the western wall stands a supplementary timber-framed
+structure, all the woodwork exposed to the weather being fledged with
+slates, so that the walls are checkered with bluish lines. This shed
+(for it is little more) is the kitchen of the establishment. You can
+pass from it into the house without going outside; but, nevertheless,
+it boasts an entrance door of its own, and a short flight of steps that
+brings you to a deep well, and a very rustical-looking pump, half hidden
+by water-plants and savin bushes and tall grasses. The kitchen is a
+modern addition, proving beyond doubt that La Grenadiere was originally
+nothing but a simple _vendangeoir_--a vintage-house belonging to
+townsfolk in Tours, from which Saint-Cyr is separated by the vast
+river-bed of the Loire. The owners only came over for the day for
+a picnic, or at the vintage-time, sending provisions across in the
+morning, and scarcely ever spent the night there except during the
+grape harvest; but the English settled down on Touraine like a cloud of
+locusts, and La Grenadiere must, of course, be completed if it was to
+find tenants. Luckily, however, this recent appendage is hidden from
+sight by the first two trees of a lime-tree avenue planted in a gully
+below the vineyards.
+
+There are only two acres of vineyard at most, the ground rising at the
+back of the house so steeply that it is no very easy matter to scramble
+up among the vines. The slope, covered with green trailing shoots, ends
+within about five feet of the house wall in a ditch-like passage always
+damp and cold and full of strong growing green things, fed by the
+drainage of the highly cultivated ground above, for rainy weather washes
+down the manure into the garden on the terrace.
+
+A vinedresser's cottage also leans against the western gable, and is
+in some sort a continuation of the kitchen. Stone walls or espaliers
+surround the property, and all sorts of fruit-trees are planted among
+the vines; in short, not an inch of this precious soil is wasted. If
+by chance man overlooks some dry cranny in the rocks, Nature puts in a
+fig-tree, or sows wildflowers or strawberries in sheltered nooks among
+the stones.
+
+Nowhere else in all the world will you find a human dwelling so humble
+and yet so imposing, so rich in fruit, and fragrant scents, and
+wide views of country. Here is a miniature Touraine in the heart of
+Touraine--all its flowers and fruits and all the characteristic beauty
+of the land are fully represented. Here are grapes of every district,
+figs and peaches and pears of every kind; melons are grown out of doors
+as easily as licorice plants, Spanish broom, Italian oleanders, and
+jessamines from the Azores. The Loire lies at your feet. You look down
+from the terrace upon the ever-changing river nearly two hundred feet
+below; and in the evening the breeze brings a fresh scent of the sea,
+with the fragrance of far-off flowers gathered upon its way. Some cloud
+wandering in space, changing its color and form at every moment as
+it crosses the pure blue of the sky, can alter every detail in the
+widespread wonderful landscape in a thousand ways, from every point
+of view. The eye embraces first of all the south bank of the Loire,
+stretching away as far as Amboise, then Tours with its suburbs and
+buildings, and the Plessis rising out of the fertile plain; further
+away, between Vouvray and Saint-Symphorien, you see a sort of crescent
+of gray cliff full of sunny vineyards; the only limits to your view are
+the low, rich hills along the Cher, a bluish line of horizon broken by
+many a chateau and the wooded masses of many a park. Out to the west you
+lose yourself in the immense river, where vessels come and go, spreading
+their white sails to the winds which seldom fail them in the wide
+Loire basin. A prince might build a summer palace at La Grenadiere,
+but certainly it will always be the home of a poet's desire, and the
+sweetest of retreats for two young lovers--for this vintage house,
+which belongs to a substantial burgess of Tours, has charms for every
+imagination, for the humblest and dullest as well as for the most
+impassioned and lofty. No one can dwell there without feeling that
+happiness is in the air, without a glimpse of all that is meant by a
+peaceful life without care or ambition. There is that in the air and the
+sound of the river that sets you dreaming; the sands have a language,
+and are joyous or dreary, golden or wan; and the owner of the vineyard
+may sit motionless amid perennial flowers and tempting fruit, and feel
+all the stir of the world about him.
+
+If an Englishman takes the house for the summer, he is asked a thousand
+francs for six months, the produce of the vineyard not included. If
+the tenant wishes for the orchard fruit, the rent is doubled; for the
+vintage, it is doubled again. What can La Grenadiere be worth, you
+wonder; La Grenadiere, with its stone staircase, its beaten path and
+triple terrace, its two acres of vineyard, its flowering roses about
+the balustrades, its worn steps, well-head, rampant clematis, and
+cosmopolitan trees? It is idle to make a bid! La Grenadiere will never
+be in the market; it was brought once and sold, but that was in 1690;
+and the owner parted with it for forty thousand francs, reluctant as
+any Arab of the desert to relinquish a favorite horse. Since then it
+has remained in the same family, its pride, its patrimonial jewel, its
+Regent diamond. "While you behold, you have and hold," says the bard.
+And from La Grenadiere you behold three valleys of Touraine and the
+cathedral towers aloft in air like a bit of filigree work. How can one
+pay for such treasures? Could one ever pay for the health recovered
+there under the linden-trees?
+
+In the spring of one of the brightest years of the Restoration, a lady
+with her housekeeper and her two children (the oldest a boy thirteen
+years old, the youngest apparently about eight) came to Tours to look
+for a house. She saw La Grenadiere and took it. Perhaps the distance
+from the town was an inducement to live there.
+
+She made a bedroom of the drawing-room, gave the children the two rooms
+above, and the housekeeper slept in a closet behind the kitchen. The
+dining-room was sitting-room and drawing-room all in one for the little
+family. The house was furnished very simply but tastefully; there was
+nothing superfluous in it, and no trace of luxury. The walnut-wood
+furniture chosen by the stranger lady was perfectly plain, and the
+whole charm of the house consisted in its neatness and harmony with its
+surroundings.
+
+It was rather difficult, therefore, to say whether the strange lady
+(Mme. Willemsens, as she styled herself) belonged to the upper middle or
+higher classes, or to an equivocal, unclassified feminine species. Her
+plain dress gave rise to the most contradictory suppositions, but her
+manners might be held to confirm those favorable to her. She had not
+lived at Saint-Cyr, moreover, for very long before her reserve excited
+the curiosity of idle people, who always, and especially in the country,
+watch anybody or anything that promises to bring some interest into
+their narrow lives.
+
+Mme. Willemsens was rather tall; she was thin and slender, but
+delicately shaped. She had pretty feet, more remarkable for the grace
+of her instep and ankle than for the more ordinary merit of slenderness;
+her gloved hands, too, were shapely. There were flitting patches of deep
+red in a pale face, which must have been fresh and softly colored once.
+Premature wrinkles had withered the delicately modeled forehead beneath
+the coronet of soft, well-set chestnut hair, invariably wound about her
+head in two plaits, a girlish coiffure which suited the melancholy face.
+There was a deceptive look of calm in the dark eyes, with the hollow,
+shadowy circles about them; sometimes, when she was off her guard, their
+expression told of secret anguish. The oval of her face was somewhat
+long; but happiness and health had perhaps filled and perfected the
+outlines. A forced smile, full of quiet sadness, hovered continually on
+her pale lips; but when the children, who were always with her, looked
+up at their mother, or asked one of the incessant idle questions which
+convey so much to a mother's ears, then the smile brightened, and
+expressed the joys of a mother's love. Her gait was slow and dignified.
+Her dress never varied; evidently she had made up her mind to think no
+more of her toilette, and to forget a world by which she meant no doubt
+to be forgotten. She wore a long, black gown, confined at the waist by
+a watered-silk ribbon, and by way of scarf a lawn handkerchief with a
+broad hem, the two ends passed carelessly through her waistband. The
+instinct of dress showed itself in that she was daintily shod, and gray
+silk stockings carried out the suggestion of mourning in this unvarying
+costume. Lastly, she always wore a bonnet after the English fashion,
+always of the same shape and the same gray material, and a black veil.
+Her health apparently was extremely weak; she looked very ill. On fine
+evenings she would take her only walk, down to the bridge of Tours,
+bringing the two children with her to breathe the fresh, cool air along
+the Loire, and to watch the sunset effects on a landscape as wide as the
+Bay of Naples or the Lake of Geneva.
+
+During the whole time of her stay at La Grenadiere she went but twice
+into Tours; once to call on the headmaster of the school, to ask him
+to give her the names of the best masters of Latin, drawing, and
+mathematics; and a second time to make arrangements for the children's
+lessons. But her appearance on the bridge of an evening, once or twice
+a week, was quite enough to excite the interest of almost all the
+inhabitants of Tours, who make a regular promenade of the bridge.
+Still, in spite of a kind of spy system, by which no harm is meant,
+a provincial habit bred of want of occupation and the restless
+inquisitiveness of the principal society, nothing was known for certain
+of the newcomer's rank, fortune, or real condition. Only, the owner of
+La Grenadiere told one or two of his friends that the name under which
+the stranger had signed the lease (her real name, therefore, in all
+probability) was Augusta Willemsens, Countess of Brandon. This, of
+course, must be her husband's name. Events, which will be narrated in
+their place, confirmed this revelation; but it went no further than the
+little world of men of business known to the landlord.
+
+So Madame Willemsens was a continual mystery to people of condition.
+Hers was no ordinary nature; her manners were simple and delightfully
+natural, the tones of her voice were divinely sweet,--this was all that
+she suffered others to discover. In her complete seclusion, her sadness,
+her beauty so passionately obscured, nay, almost blighted, there was so
+much to charm, that several young gentlemen fell in love; but the more
+sincere the lover, the more timid he became; and besides, the lady
+inspired awe, and it was a difficult matter to find enough courage to
+speak to her. Finally, if a few of the bolder sort wrote to her, their
+letters must have been burned unread. It was Mme. Willemsens' practice
+to throw all the letters which she received into the fire, as if she
+meant that the time spent in Touraine should be untroubled by any
+outside cares even of the slightest. She might have come to the
+enchanting retreat to give herself up wholly to the joy of living.
+
+The three masters whose presence was allowed at La Grenadiere spoke with
+something like admiring reverence of the touching picture that they saw
+there of the close, unclouded intimacy of the life led by this woman and
+the children.
+
+The two little boys also aroused no small interest. Mothers could
+not see them without a feeling of envy. Both children were like Mme.
+Willemsens, who was, in fact, their mother. They had the transparent
+complexion and bright color, the clear, liquid eyes, the long lashes,
+the fresh outlines, the dazzling characteristics of childish beauty.
+
+The elder, Louis-Gaston, had dark hair and fearless eyes. Everything
+about him spoke as plainly of robust, physical health as his broad, high
+brow, with its gracious curves, spoke of energy of character. He was
+quick and alert in his movements, and strong of limb, without a trace
+of awkwardness. Nothing took him unawares, and he seemed to think about
+everything that he saw.
+
+Marie-Gaston, the other child, had hair that was almost golden, though
+a lock here and there had deepened to the mother's chestnut tint.
+Marie-Gaston was slender; he had the delicate features and the subtle
+grace so charming in Mme. Willemsens. He did not look strong. There was
+a gentle look in his gray eyes; his face was pale, there was something
+feminine about the child. He still wore his hair in long, wavy curls,
+and his mother would not have him give up embroidered collars, and
+little jackets fastened with frogs and spindle-shaped buttons; evidently
+she took a thoroughly feminine pleasure in the costume, a source of as
+much interest to the mother as to the child. The elder boy's plain white
+collar, turned down over a closely fitting jacket, made a contrast with
+his brother's clothing, but the color and material were the same; the
+two brothers were otherwise dressed alike, and looked alike.
+
+No one could see them without feeling touched by the way in which Louis
+took care of Marie. There was an almost fatherly look in the older boy's
+eyes; and Marie, child though he was, seemed to be full of gratitude to
+Louis. They were like two buds, scarcely separated from the stem that
+bore them, swayed by the same breeze, lying in the same ray of sunlight;
+but the one was a brightly colored flower, the other somewhat bleached
+and pale. At a glance, a word, an inflection in their mother's voice,
+they grew heedful, turned to look at her and listened, and did at once
+what they were bidden, or asked, or recommended to do. Mme. Willemsens
+had so accustomed them to understand her wishes and desires, that the
+three seemed to have their thoughts in common. When they went for a
+walk, and the children, absorbed in their play, ran away to gather
+a flower or to look at some insect, she watched them with such deep
+tenderness in her eyes, that the most indifferent passer-by would feel
+moved, and stop and smile at the children, and give the mother a glance
+of friendly greeting. Who would not have admired the dainty neatness of
+their dress, their sweet, childish voices, the grace of their movements,
+the promise in their faces, the innate something that told of careful
+training from the cradle? They seemed as if they had never shed tears
+nor wailed like other children. Their mother knew, as it were, by
+electrically swift intuition, the desires and the pains which she
+anticipated and relieved. She seemed to dread a complaint from one of
+them more than the loss of her soul. Everything in her children did
+honor to their mother's training. Their threefold life, seemingly
+one life, called up vague, fond thoughts; it was like a vision of the
+dreamed-of bliss of a better world. And the three, so attuned to each
+other, lived in truth such a life as one might picture for them at first
+sight--the ordered, simple, and regular life best suited for a child's
+education.
+
+Both children rose an hour after daybreak and repeated a short prayer,
+a habit learned in their babyhood. For seven years the sincere petition
+had been put up every morning on their mother's bed, and begun and ended
+by a kiss. Then the two brothers went through their morning toilet as
+scrupulously as any pretty woman; doubtless they had been trained in
+habits of minute attention to the person, so necessary to health of
+body and mind, habits in some sort conducive to a sense of wellbeing.
+Conscientiously they went through their duties, so afraid were they
+lest their mother should say when she kissed them at breakfast-time,
+"My darling children, where can you have been to have such black
+finger-nails already?" Then the two went out into the garden and shook
+off the dreams of the night in the morning air and dew, until sweeping
+and dusting operations were completed, and they could learn their
+lessons in the sitting-room until their mother joined them. But although
+it was understood that they must not go to their mother's room before a
+certain hour, they peeped in at the door continually; and these morning
+inroads, made in defiance of the original compact, were delicious
+moments for all three. Marie sprang upon the bed to put his arms around
+his idolized mother, and Louis, kneeling by the pillow, took her hand
+in his. Then came inquiries, anxious as a lover's, followed by angelic
+laughter, passionate childish kisses, eloquent silences, lisping words,
+and the little ones' stories interrupted and resumed by a kiss, stories
+seldom finished, though the listener's interest never failed.
+
+"Have you been industrious?" their mother would ask, but in tones
+so sweet and so kindly that she seemed ready to pity laziness as a
+misfortune, and to glance through tears at the child who was satisfied
+with himself.
+
+She knew that the thought of pleasing her put energy into the children's
+work; and they knew that their mother lived for them, and that all her
+thoughts and her time were given to them. A wonderful instinct, neither
+selfishness nor reason, perhaps the first innocent beginnings of
+sentiment teaches children to know whether or not they are the first and
+sole thought, to find out those who love to think of them and for them.
+If you really love children, the dear little ones, with open hearts and
+unerring sense of justice, are marvelously ready to respond to love.
+Their love knows passion and jealousy and the most gracious delicacy
+of feeling; they find the tenderest words of expression; they trust
+you--put an entire belief in you. Perhaps there are no undutiful
+children without undutiful mothers, for a child's affection is always
+in proportion to the affection that it receives--in early care, in the
+first words that it hears, in the response of the eyes to which a child
+first looks for love and life. All these things draw them closer to the
+mother or drive them apart. God lays the child under the mother's heart,
+that she may learn that for a long time to come her heart must be
+its home. And yet--there are mothers cruelly slighted, mothers whose
+sublime, pathetic tenderness meets only a harsh return, a hideous
+ingratitude which shows how difficult it is to lay down hard-and-fast
+rules in matters of feeling.
+
+Here, not one of all the thousand heart ties that bind child and mother
+had been broken. The three were alone in the world; they lived one life,
+a life of close sympathy. If Mme. Willemsens was silent in the morning,
+Louis and Marie would not speak, respecting everything in her, even
+those thoughts which they did not share. But the older boy, with a
+precocious power of thought, would not rest satisfied with his mother's
+assertion that she was perfectly well. He scanned her face with uneasy
+forebodings; the exact danger he did not know, but dimly he felt it
+threatening in those purple rings about her eyes, in the deepening
+hollows under them, and the feverish red that deepened in her face. If
+Marie's play began to tire her, his sensitive tact was quick to discover
+this, and he would call to his brother:
+
+"Come, Marie! let us run in to breakfast, I am hungry!"
+
+But when they reached the door, he would look back to catch the
+expression on his mother's face. She still could find a smile for him,
+nay, often there were tears in her eyes when some little thing revealed
+her child's exquisite feeling, a too early comprehension of sorrow.
+
+Mme. Willemsens dressed during the children's early breakfast and game
+of play; she was coquettish for her darlings; she wished to be pleasing
+in their eyes; for them she would fain be in all things lovely, a
+gracious vision, with the charm of some sweet perfume of which one can
+never have enough.
+
+She was always dressed in time to hear their lessons, which lasted from
+ten till three, with an interval at noon for lunch, the three taking the
+meal together in the summer-house. After lunch the children played for
+an hour, while she--poor woman and happy mother--lay on a long sofa
+in the summer-house, so placed that she could look out over the soft,
+ever-changing country of Touraine, a land that you learn to see afresh
+in all the thousand chance effects produced by daylight and sky and the
+time of year.
+
+The children scampered through the orchard, scrambled about the
+terraces, chased the lizards, scarcely less nimble than they;
+investigating flowers and seeds and insects, continually referring all
+questions to their mother, running to and fro between the garden and the
+summer-house. Children have no need of toys in the country, everything
+amuses them.
+
+Mme. Willemsens sat at her embroidery during their lessons. She
+never spoke, nor did she look at masters or pupils; but she followed
+attentively all that was said, striving to gather the sense of the words
+to gain a general idea of Louis' progress. If Louis asked a question
+that puzzled his master, his mother's eyes suddenly lighted up, and she
+would smile and glance at him with hope in her eyes. Of Marie she asked
+little. Her desire was with her eldest son. Already she treated him,
+as it were, respectfully, using all a woman's, all a mother's tact to
+arouse the spirit of high endeavor in the boy, to teach him to think of
+himself as capable of great things. She did this with a secret purpose,
+which Louis was to understand in the future; nay, he understood it
+already.
+
+Always, the lesson over, she went as far as the gate with the master,
+and asked strict account of Louis' progress. So kindly and so winning
+was her manner, that his tutors told her the truth, pointing out where
+Louis was weak, so that she might help him in his lessons. Then came
+dinner, and play after dinner, then a walk, and lessons were learned
+till bedtime.
+
+So their days went. It was a uniform but full life; work and amusements
+left them not a dull hour in the day. Discouragement and quarreling
+were impossible. The mother's boundless love made everything smooth.
+She taught her little sons moderation by refusing them nothing, and
+submission by making them see underlying Necessity in its many forms;
+she put heart into them with timely praise; developing and strengthening
+all that was best in their natures with the care of a good fairy. Tears
+sometimes rose to her burning eyes as she watched them play, and thought
+how they had never caused her the slightest vexation. Happiness
+so far-reaching and complete brings such tears, because for us it
+represents the dim imaginings of Heaven which we all of us form in our
+minds.
+
+Those were delicious hours spent on that sofa in the garden-house,
+in looking out on sunny days over the wide stretches of river and the
+picturesque landscape, listening to the sound of her children's voices
+as they laughed at their own laughter, to the little quarrels that told
+most plainly of their union of heart, of Louis' paternal care of Marie,
+of the love that both of them felt for her. They spoke English
+and French equally well (they had had an English nurse since their
+babyhood), so their mother talked to them in both languages; directing
+the bent of their childish minds with admirable skill, admitting
+no fallacious reasoning, no bad principle. She ruled by kindness,
+concealing nothing, explaining everything. If Louis wished for books,
+she was careful to give him interesting yet accurate books--books of
+biography, the lives of great seamen, great captains, and famous men,
+for little incidents in their history gave her numberless opportunities
+of explaining the world and life to her children. She would point
+out the ways in which men, really great in themselves, had risen from
+obscurity; how they had started from the lowest ranks of society, with
+no one to look to but themselves, and achieved noble destinies.
+
+These readings, and they were not the least useful of Louis' lessons,
+took place while little Marie slept on his mother's knee in the quiet of
+the summer night, and the Loire reflected the sky; but when they ended,
+this adorable woman's sadness always seemed to be doubled; she would
+cease to speak, and sit motionless and pensive, and her eyes would fill
+with tears.
+
+"Mother, why are you crying?" Louis asked one balmy June evening, just
+as the twilight of a soft-lit night succeeded to a hot day.
+
+Deeply moved by his trouble, she put her arm about the child's neck and
+drew him to her.
+
+"Because, my boy, the lot of Jameray Duval, the poor and friendless lad
+who succeeded at last, will be your lot, yours and your brother's, and
+I have brought it upon you. Before very long, dear child, you will be
+alone in the world, with no one to help or befriend you. While you are
+still children, I shall leave you, and yet, if only I could wait till
+you are big enough and know enough to be Marie's guardian! But I shall
+not live so long. I love you so much that it makes me very unhappy to
+think of it. Dear children, if only you do not curse me some day!----"
+
+"But why should I curse you some day, mother?"
+
+"Some day," she said, kissing him on the forehead, "you will find out
+that I have wronged you. I am going to leave you, here, without money,
+without"--and she hesitated--"without a father," she added, and at the
+word she burst into tears and put the boy from her gently. A sort of
+intuition told Louis that his mother wished to be alone, and he carried
+off Marie, now half awake. An hour later, when his brother was in bed,
+he stole down and out to the summer-house where his mother was sitting.
+
+"Louis! come here."
+
+The words were spoken in tones delicious to his heart. The boy sprang to
+his mother's arms, and the two held each other in an almost convulsive
+embrace.
+
+"_Cherie_," he said at last, the name by which he often called her,
+finding that even loving words were too weak to express his feeling,
+"_cherie_, why are you afraid that you are going to die?"
+
+"I am ill, my poor darling; every day I am losing strength, and there is
+no cure for my illness; I know that."
+
+"What is the matter with you?"
+
+"Something that I ought to forget; something that you must never
+know.--You must not know what caused my death."
+
+The boy was silent for a while. He stole a glance now and again at
+his mother; and she, with her eyes raised to the sky, was watching the
+clouds. It was a sad, sweet moment. Louis could not believe that his
+mother would die soon, but instinctively he felt trouble which he could
+not guess. He respected her long musings. If he had been rather older,
+he would have read happy memories blended with thoughts of repentance,
+the whole story of a woman's life in that sublime face--the careless
+childhood, the loveless marriage, a terrible passion, flowers springing
+up in storm and struck down by the thunderbolt into an abyss from which
+there is no return.
+
+"Darling mother," Louis said at last, "why do you hide your pain from
+me?"
+
+"My boy, we ought to hide our troubles from strangers," she said; "we
+should show them a smiling face, never speak of ourselves to them, nor
+think about ourselves; and these rules, put in practice in family life,
+conduce to its happiness. You will have much to bear one day! Ah me!
+then think of your poor mother who died smiling before your eyes, hiding
+her sufferings from you, and you will take courage to endure the ills of
+life."
+
+She choked back her tears, and tried to make the boy understand
+the mechanism of existence, the value of money, the standing and
+consideration that it gives, and its bearing on social position;
+the honorable means of gaining a livelihood, and the necessity of a
+training. Then she told him that one of the chief causes of her sadness
+and her tears was the thought that, on the morrow of her death, he and
+Marie would be left almost resourceless, with but a slender stock of
+money, and no friend but God.
+
+"How quick I must be about learning!" cried Louis, giving her a piteous,
+searching look.
+
+"Oh! how happy I am!" she said, showering kisses and tears on her son.
+"He understands me!--Louis," she went on, "you will be your brother's
+guardian, will you not? You promise me that? You are no longer a child!"
+
+"Yes, I promise," he said; "but you are not going to die yet--say that
+you are not going to die!"
+
+"Poor little ones!" she replied, "love for you keeps the life in me. And
+this country is so sunny, the air is so bracing, perhaps----"
+
+"You make me love Touraine more than ever," said the child.
+
+From that day, when Mme. Willemsens, foreseeing the approach of death,
+spoke to Louis of his future, he concentrated his attention on his work,
+grew more industrious, and less inclined to play than heretofore. When
+he had coaxed Marie to read a book and to give up boisterous games,
+there was less noise in the hollow pathways and gardens and terraced
+walks of La Grenadiere. They adapted their lives to their mother's
+melancholy. Day by day her face was growing pale and wan, there were
+hollows now in her temples, the lines in her forehead grew deeper night
+after night.
+
+August came. The little family had been five months at La Grenadiere,
+and their whole life was changed. The old servant grew anxious and
+gloomy as she watched the almost imperceptible symptoms of slow decline
+in the mistress, who seemed to be kept in life by an impassioned soul
+and intense love of her children. Old Annette seemed to see that death
+was very near. That mistress, beautiful still, was more careful of her
+appearance than she had ever been; she was at pains to adorn her wasted
+self, and wore paint on her cheeks; but often while she walked on the
+upper terrace with the children, Annette's wrinkled face would peer out
+from between the savin trees by the pump. The old woman would forget her
+work, and stand with wet linen in her hands, scarce able to keep back
+her tears at the sight of Mme. Willemsens, so little like the enchanting
+woman she once had been.
+
+The pretty house itself, once so gay and bright, looked melancholy; it
+was a very quiet house now, and the family seldom left it, for the walk
+to the bridge was too great an effort for Mme. Willemsens. Louis had
+almost identified himself, as it were, with his mother, and with his
+suddenly developed powers of imagination he saw the weariness and
+exhaustion under the red color, and constantly found reasons for taking
+some shorter walk.
+
+So happy couples coming to Saint-Cyr, then the Petite Courtille of
+Tours, and knots of folk out for their evening walk along the "dike,"
+saw a pale, thin figure dressed in black, a woman with a worn yet bright
+face, gliding like a shadow along the terraces. Great suffering
+cannot be concealed. The vinedresser's household had grown quiet also.
+Sometimes the laborer and his wife and children were gathered about the
+door of their cottage, while Annette was washing linen at the well-head,
+and Mme. Willemsens and the children sat in the summer-house, and there
+was not the faintest sound in those gardens gay with flowers. Unknown to
+Mme. Willemsens, all eyes grew pitiful at the sight of her, she was
+so good, so thoughtful, so dignified with those with whom she came in
+contact.
+
+And as for her.--When the autumn days came on, days so sunny and bright
+in Touraine, bringing with them grapes and ripe fruits and healthful
+influences which must surely prolong life in spite of the ravages of
+mysterious disease--she saw no one but her children, taking the utmost
+that the hour could give her, as if each hour had been her last.
+
+Louis had worked at night, unknown to his mother, and made immense
+progress between June and September. In algebra he had come as far
+as equations with two unknown quantities; he had studied descriptive
+geometry, and drew admirably well; in fact, he was prepared to pass the
+entrance examination of the Ecole polytechnique.
+
+Sometimes of an evening he went down to the bridge of Tours. There was
+a lieutenant there on half-pay, an Imperial naval officer, whose manly
+face, medal, and gait had made an impression on the boy's imagination,
+and the officer on his side had taken a liking to the lad, whose eyes
+sparkled with energy. Louis, hungering for tales of adventure, and eager
+for information, used to follow in the lieutenant's wake for the chance
+of a chat with him. It so happened that the sailor had a friend and
+comrade in the colonel of a regiment of infantry, struck off the rolls
+like himself; and young Louis-Gaston had a chance of learning what
+life was like in camp or on board a man-of-war. Of course, he plied
+the veterans with questions; and when he had made up his mind to the
+hardships of their rough callings, he asked his mother's leave to take
+country walks by way of amusement. Mme. Willemsens was beyond measure
+glad that he should ask; the boy's astonished masters had told her that
+he was overworking himself. So Louis went for long walks. He tried to
+inure himself to fatigue, climbed the tallest trees with incredible
+quickness, learned to swim, watched through the night. He was not like
+the same boy; he was a young man already, with a sunburned face, and a
+something in his expression that told of deep purpose.
+
+When October came, Mme. Willemsens could only rise at noon. The
+sunshine, reflected by the surface of the Loire, and stored up by the
+rocks, raised the temperature of the air till it was almost as warm
+and soft as the atmosphere of the Bay of Naples, for which reason the
+faculty recommend the place of abode. At mid-day she came out to sit
+under the shade of green leaves with the two boys, who never wandered
+from her now. Lessons had come to an end. Mother and children wished to
+live the life of heart and heart together, with no disturbing element,
+no outside cares. No tears now, no joyous outcries. The elder boy, lying
+in the grass at his mother's side, basked in her eyes like a lover and
+kissed her feet. Marie, the restless one, gathered flowers for her, and
+brought them with a subdued look, standing on tiptoe to put a girlish
+kiss on her lips. And the pale woman, with the great tired eyes and
+languid movements, never uttered a word of complaint, and smiled upon
+her children, so full of life and health--it was a sublime picture,
+lacking no melancholy autumn pomp of yellow leaves and half-despoiled
+branches, nor the softened sunlight and pale clouds of the skies of
+Touraine.
+
+At last the doctor forbade Mme. Willemsens to leave her room. Every day
+it was brightened by the flowers that she loved, and her children were
+always with her. One day, early in November, she sat at the piano for
+the last time. A picture--a Swiss landscape--hung above the instrument;
+and at the window she could see her children standing with their heads
+close together. Again and again she looked from the children to the
+landscape, and then again at the children. Her face flushed, her fingers
+flew with passionate feeling over the ivory keys. This was her last
+great day, an unmarked day of festival, held in her own soul by the
+spirit of her memories. When the doctor came, he ordered her to stay in
+bed. The alarming dictum was received with bewildered silence.
+
+When the doctor had gone, she turned to the older boy.
+
+"Louis," she said, "take me out on the terrace, so that I may see my
+country once more."
+
+The boy gave his arm at those simply uttered words, and brought his
+mother out upon the terrace; but her eyes turned, perhaps unconsciously,
+to heaven rather than to the earth, and indeed, it would have been hard
+to say whether heaven or earth was the fairer--for the clouds traced
+shadowy outlines, like the grandest Alpine glaciers, against the sky.
+Mme. Willemsens' brows contracted vehemently; there was a look of
+anguish and remorse in her eyes. She caught the children's hands, and
+clutched them to a heavily-throbbing heart.
+
+"'Parentage unknown!'" she cried, with a look that went to their hearts.
+"Poor angels, what will become of you? And when you are twenty years
+old, what strict account may you not require of my life and your own?"
+
+She put the children from her, and leaning her arms upon the balustrade,
+stood for a while hiding her face, alone with herself, fearful of all
+eyes. When she recovered from the paroxysm, she saw Louis and Marie
+kneeling on either side of her, like two angels; they watched the
+expression of her face, and smiled lovingly at her.
+
+"If only I could take that smile with me!" she said, drying her eyes.
+
+Then she went into the house and took to the bed, which she would only
+leave for her coffin.
+
+A week went by, one day exactly like another. Old Annette and Louis took
+it in turns to sit up with Mme. Willemsens, never taking their eyes
+from the invalid. It was the deeply tragical hour that comes in all
+our lives, the hour of listening in terror to every deep breath lest it
+should be the last, a dark hour protracted over many days. On the fifth
+day of that fatal week the doctor interdicted flowers in the room. The
+illusions of life were going one by one.
+
+Then Marie and his brother felt their mother's lips hot as fire beneath
+their kisses; and at last, on the Saturday evening, Mme. Willemsens was
+too ill to bear the slightest sound, and her room was left in disorder.
+This neglect for a woman of refined taste, who clung so persistently to
+the graces of life, meant the beginning of the death-agony. After this,
+Louis refused to leave his mother. On Sunday night, in the midst of the
+deepest silence, when Louis thought that she had grown drowsy, he saw a
+white, moist hand move the curtain in the lamplight.
+
+"My son!" she said. There was something so solemn in the dying woman's
+tones, that the power of her wrought-up soul produced a violent reaction
+on the boy; he felt an intense heat pass through the marrow of his
+bones.
+
+"What is it, mother?"
+
+"Listen! To-morrow all will be over for me. We shall see each other no
+more. To-morrow you will be a man, my child. So I am obliged to make
+some arrangements, which must remain a secret, known only to us. Take
+the key of my little table. That is it. Now open the drawer. You will
+find two sealed papers to the left. There is the name of LOUIS on one,
+and on the other MARIE."
+
+"Here they are, mother."
+
+"Those are your certificates of birth, darling; you will want them. Give
+them to our poor, old Annette to keep for you; ask her for them when
+you need them. Now," she continued, "is there not another paper as well,
+something in my handwriting?"
+
+"Yes, mother," and Louis began to read, "_Marie Willemsens, born
+at_----"
+
+"That is enough," she broke in quickly, "do not go on. When I am
+dead, give that paper, too, to Annette, and tell her to send it to the
+registrar at Saint-Cyr; it will be wanted if my certificate of death
+is to be made out in due form. Now find writing materials for a letter
+which I will dictate to you."
+
+When she saw that he was ready to begin, and turned towards her for the
+words, they came from her quietly:--
+
+"Monsieur le Comte, your wife, Lady Brandon, died at Saint-Cyr, near
+Tours, in the department of Indre-et-Loire. She forgave you."
+
+"Sign yourself----" she stopped, hesitating and perturbed.
+
+"Are you feeling worse?" asked Louis.
+
+"Put 'Louis-Gaston,'" she went on.
+
+She sighed, then she went on.
+
+"Seal the letter, and direct it. To Lord Brandon, Brandon Square, Hyde
+Park, London, Angleterre.--That is right. When I am dead, post the
+letter in Tours, and prepay the postage.--Now," she added, after a
+pause, "take the little pocketbook that you know, and come here, my dear
+child.... There are twelve thousand francs in it," she said, when Louis
+had returned to her side. "That is all your own. Oh me! you would have
+been better off if your father----"
+
+"My father," cried the boy, "where is he?"
+
+"He is dead," she said, laying her finger on her lips; "he died to save
+my honor and my life."
+
+She looked upwards. If any tears had been left to her, she would have
+wept for pain.
+
+"Louis," she continued, "swear to me, as I lie here, that you will
+forget all that you have written, all that I have told you."
+
+"Yes, mother."
+
+"Kiss me, dear angel."
+
+She was silent for a long while, she seemed to be drawing strength from
+God, and to be measuring her words by the life that remained in her.
+
+"Listen," she began. "Those twelve thousand francs are all that you have
+in the world. You must keep the money upon you, because when I am dead
+the lawyers will come and seal everything up. Nothing will be yours
+then, not even your mother. All that remains for you to do will be to go
+out, poor orphan children, God knows where. I have made Annette's future
+secure. She will have an annuity of a hundred crowns, and she will stay
+at Tours no doubt. But what will you do for yourself and your brother?"
+
+She raised herself, and looked at the brave child, standing by her
+bedside. There were drops of perspiration on his forehead, he was pale
+with emotion, and his eyes were dim with tears.
+
+"I have thought it over, mother," he answered in a deep voice. "I will
+take Marie to the school here in Tours. I will give ten thousand francs
+to our old Annette, and ask her to take care of them, and to look after
+Marie. Then, with the remaining two thousand francs, I will go to Brest,
+and go to sea as an apprentice. While Marie is at school, I will rise to
+be a lieutenant on board a man-of-war. There, after all, die in peace,
+my mother; I shall come back again a rich man, and our little one shall
+go to the Ecole polytechnique, and I will find a career to suit his
+bent."
+
+A gleam of joy shone in the dying woman's eyes. Two tears brimmed over,
+and fell over her fevered cheeks; then a deep sigh escaped between her
+lips. The sudden joy of finding the father's spirit in the son, who had
+grown all at once to be a man, almost killed her.
+
+"Angel of heaven," she cried, weeping, "by one word you have effaced all
+my sorrows. Ah! I can bear them.--This is my son," she said, "I bore, I
+reared this man," and she raised her hands above her, and clasped them
+as if in ecstasy, then she lay back on the pillow.
+
+"Mother, your face is growing pale!" cried the lad.
+
+"Some one must go for a priest," she answered, with a dying voice.
+
+Louis wakened Annette, and the terrified old woman hurried to the
+parsonage at Saint-Cyr.
+
+When morning came, Mme. Willemsens received the sacrament amid the most
+touching surroundings. Her children were kneeling in the room, with
+Annette and the vinedresser's family, simple folk, who had already
+become part of the household. The silver crucifix, carried by a
+chorister, a peasant child from the village, was lifted up, and the
+dying mother received the Viaticum from an aged priest. The Viaticum!
+sublime word, containing an idea yet more sublime, an idea only
+possessed by the apostolic religion of the Roman church.
+
+"This woman has suffered greatly!" the old cure said in his simple way.
+
+Marie Willemsens heard no voices now, but her eyes were still fixed upon
+her children. Those about her listened in terror to her breathing in the
+deep silence; already it came more slowly, though at intervals a deep
+sigh told them that she still lived, and of a struggle within her; then
+at last it ceased. Every one burst into tears except Marie. He, poor
+child, was still too young to know what death meant.
+
+Annette and the vinedresser's wife closed the eyes of the adorable
+woman, whose beauty shone out in all its radiance after death. Then the
+women took possession of the chamber of death, removed the furniture,
+wrapped the dead in her winding-sheet, and laid her upon the couch. They
+lit tapers about her, and arranged everything--the crucifix, the sprigs
+of box, and the holy-water stoup--after the custom of the countryside,
+bolting the shutters and drawing the curtains. Later the curate came to
+pass the night in prayer with Louis, who refused to leave his mother. On
+Tuesday morning an old woman and two children and a vinedresser's wife
+followed the dead to her grave. These were the only mourners. Yet
+this was a woman whose wit and beauty and charm had won a European
+reputation, a woman whose funeral, if it had taken place in London,
+would have been recorded in pompous newspaper paragraphs, as a sort of
+aristocratic rite, if she had not committed the sweetest of crimes, a
+crime always expiated in this world, so that the pardoned spirit may
+enter heaven. Marie cried when they threw the earth on his mother's
+coffin; he understood that he should see her no more.
+
+A simple, wooden cross, set up to mark her grave, bore this inscription,
+due to the cure of Saint-Cyr:--
+
+ HERE LIES
+ AN UNHAPPY WOMAN,
+ WHO DIED AT THE AGE OF THIRTY-SIX.
+ KNOWN IN HEAVEN BY THE NAME OF AUGUSTA.
+ _Pray for her!_
+
+When all was over, the children came back to La Grenadiere to take a
+last look at their home; then, hand in hand, they turned to go with
+Annette, leaving the vinedresser in charge, with directions to hand over
+everything duly to the proper authorities.
+
+At this moment, Annette called to Louis from the steps by the kitchen
+door, and took him aside with, "Here is madame's ring, Monsieur Louis."
+
+The sight of this vivid remembrance of his dead mother moved him so
+deeply that he wept. In his fortitude, he had not even thought of this
+supreme piety; and he flung his arms round the old woman's neck. Then
+the three set out down the beaten path, and the stone staircase, and so
+to Tours, without turning their heads.
+
+"Mamma used to come there!" Marie said when they reached the bridge.
+
+Annette had a relative, a retired dressmaker, who lived in the Rue de la
+Guerche. She took the two children to this cousin's house, meaning that
+they should live together thenceforth. But Louis told her of his plans,
+gave Marie's certificate of birth and the ten thousand francs into her
+keeping, and the two went the next morning to take Marie to school.
+
+Louis very briefly explained his position to the headmaster, and went.
+Marie came with him as far as the gateway. There Louis gave solemn
+parting words of the tenderest counsel, telling Marie that he would now
+be left alone in the world. He looked at his brother for a moment, and
+put his arms about him, took one more long look, brushed a tear from his
+eyes, and went, turning again and again till the very last to see his
+brother standing there in the gateway of the school.
+
+
+
+A month later Louis-Gaston, now an apprentice on board a man-of-war,
+left the harbor of Rochefort. Leaning over the bulwarks of the corvette
+Iris, he watched the coast of France receding swiftly till it became
+indistinguishable from the faint blue horizon line. In a little while
+he felt that he was really alone, and lost in the wide ocean, lost and
+alone in the world and in life.
+
+"There is no need to cry, lad; there is a God for us all," said an old
+sailor, with rough kindliness in his thick voice.
+
+The boy thanked him with pride in his eyes. Then he bowed his head, and
+resigned himself to a sailor's life. He was a father.
+
+
+ANGOULEME, August, 1832.
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+ Brandon, Lady Marie Augusta
+ The Member for Arcis
+ The Lily of the Valley
+ La Grenadiere
+
+ Gaston, Louis
+ La Grenadiere
+ Letters of Two Brides
+
+ Gaston, Marie
+ La Grenadiere
+ Letters of Two Brides
+ The Member for Arcis
+
+
+
+
+
+
+End of the Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+***** This file should be named 1428.txt or 1428.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/4/2/1428/
+
+Produced by John Bickers, and Dagny
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/1428.zip b/old/1428.zip
new file mode 100644
index 0000000..2cea7bc
--- /dev/null
+++ b/old/1428.zip
Binary files differ
diff --git a/old/old/20041027-1428.txt b/old/old/20041027-1428.txt
new file mode 100644
index 0000000..4ed8dd2
--- /dev/null
+++ b/old/old/20041027-1428.txt
@@ -0,0 +1,1368 @@
+The Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+
+Title: La Grenadiere
+
+Author: Honore de Balzac
+
+Release Date: October 27, 2004 [EBook #1428]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+
+
+
+Produced by Dagny, and John Bickers
+
+
+
+
+
+ LA GRENADIERE
+
+ BY
+
+ HONORE DE BALZAC
+
+
+ Translated By
+ Ellen Marriage
+
+
+
+ To D. W.
+
+
+
+La Grenadiere is a little house on the right bank of the Loire as you
+go down stream, about a mile below the bridge of Tours. At this point
+the river, broad as a lake, and covered with scattered green islands,
+flows between two lines of cliff, where country houses built uniformly
+of white stone stand among their gardens and vineyards. The finest
+fruit in the world ripens there with a southern exposure. The patient
+toil of many generations has cut terraces in the cliff, so that the
+face of the rock reflects the rays of the sun, and the produce of hot
+climates may be grown out of doors in an artificially high temperature.
+
+
+
+A church spire, rising out of one of the shallower dips in the line of
+cliffs, marks the little village of Saint-Cyr, to which the scattered
+houses all belong. And yet a little further the Choisille flows into
+the Loire, through a fertile valley cut in the long low downs.
+
+La Grenadiere itself, half-way up the hillside, and about a hundred
+paces from the church, is one of those old-fashioned houses dating
+back some two or three hundred years, which you find in every
+picturesque spot in Touraine. A fissure in the rock affords convenient
+space for a flight of steps descending gradually to the "dike"--the
+local name for the embankment made at the foot of the cliffs to keep
+the Loire in its bed, and serve as a causeway for the highroad from
+Paris to Nantes. At the top of the steps a gate opens upon a narrow
+stony footpath between two terraces, for here the soil is banked up,
+and walls are built to prevent landslips. These earthworks, as it
+were, are crowned with trellises and espaliers, so that the steep path
+that lies at the foot of the upper wall is almost hidden by the trees
+that grow on the top of the lower, upon which it lies. The view of the
+river widens out before you at every step as you climb to the house.
+
+At the end you come to a second gateway, a Gothic archway covered with
+simple ornament, now crumbling into ruin and overgrown with
+wildflowers--moss and ivy, wallflowers and pellitory. Every stone wall
+on the hillside is decked with this ineradicable plant-life, which
+springs up along the cracks afresh with new wreaths for every time of
+year.
+
+The worm-eaten gate gives into a little garden, a strip of turf, a few
+trees, and a wilderness of flowers and rose bushes--a garden won from
+the rock on the highest terrace of all, with the dark, old balustrade
+along its edge. Opposite the gateway, a wooden summer-house stands
+against the neighboring wall, the posts are covered with jessamine and
+honeysuckle, vines and clematis.
+
+The house itself stands in the middle of this highest garden, above a
+vine-covered flight of steps, with an arched doorway beneath that
+leads to vast cellars hollowed out in the rock. All about the dwelling
+trellised vines and pomegranate-trees (the _grenadiers_, which give the
+name to the little close) are growing out in the open air. The front
+of the house consists of two large windows on either side of a very
+rustic-looking house door, and three dormer windows in the roof--a
+slate roof with two gables, prodigiously high-pitched in proportion to
+the low ground-floor. The house walls are washed with yellow color;
+and door, and first-floor shutters, all the Venetian shutters of the
+attic windows, all are painted green.
+
+Entering the house, you find yourself in a little lobby with a crooked
+staircase straight in front of you. It is a crazy wooden structure,
+the spiral balusters are brown with age, and the steps themselves
+take a new angle at every turn. The great old-fashioned paneled
+dining-room, floored with square white tiles from Chateau-Regnault, is
+on your right; to the left is the sitting-room, equally large, but here
+the walls are not paneled; they have been covered instead with a
+saffron-colored paper, bordered with green. The walnut-wood rafters
+are left visible, and the intervening spaces filled with a kind of
+white plaster.
+
+The first story consists of two large whitewashed bedrooms with stone
+chimney-pieces, less elaborately carved than those in the rooms
+beneath. Every door and window is on the south side of the house, save
+a single door to the north, contrived behind the staircase to give
+access to the vineyard. Against the western wall stands a
+supplementary timber-framed structure, all the woodwork exposed to the
+weather being fledged with slates, so that the walls are checkered
+with bluish lines. This shed (for it is little more) is the kitchen of
+the establishment. You can pass from it into the house without going
+outside; but, nevertheless, it boasts an entrance door of its own, and
+a short flight of steps that brings you to a deep well, and a very
+rustical-looking pump, half hidden by water-plants and savin bushes
+and tall grasses. The kitchen is a modern addition, proving beyond
+doubt that La Grenadiere was originally nothing but a simple
+_vendangeoir_--a vintage-house belonging to townsfolk in Tours, from
+which Saint-Cyr is separated by the vast river-bed of the Loire. The
+owners only came over for the day for a picnic, or at the
+vintage-time, sending provisions across in the morning, and scarcely
+ever spent the night there except during the grape harvest; but the
+English settled down on Touraine like a cloud of locusts, and La
+Grenadiere must, of course, be completed if it was to find tenants.
+Luckily, however, this recent appendage is hidden from sight by the
+first two trees of a lime-tree avenue planted in a gully below the
+vineyards.
+
+There are only two acres of vineyard at most, the ground rising at the
+back of the house so steeply that it is no very easy matter to
+scramble up among the vines. The slope, covered with green trailing
+shoots, ends within about five feet of the house wall in a ditch-like
+passage always damp and cold and full of strong growing green things,
+fed by the drainage of the highly cultivated ground above, for rainy
+weather washes down the manure into the garden on the terrace.
+
+A vinedresser's cottage also leans against the western gable, and is
+in some sort a continuation of the kitchen. Stone walls or espaliers
+surround the property, and all sorts of fruit-trees are planted among
+the vines; in short, not an inch of this precious soil is wasted. If
+by chance man overlooks some dry cranny in the rocks, Nature puts in a
+fig-tree, or sows wildflowers or strawberries in sheltered nooks among
+the stones.
+
+Nowhere else in all the world will you find a human dwelling so humble
+and yet so imposing, so rich in fruit, and fragrant scents, and wide
+views of country. Here is a miniature Touraine in the heart of
+Touraine--all its flowers and fruits and all the characteristic beauty
+of the land are fully represented. Here are grapes of every district,
+figs and peaches and pears of every kind; melons are grown out of
+doors as easily as licorice plants, Spanish broom, Italian oleanders,
+and jessamines from the Azores. The Loire lies at your feet. You look
+down from the terrace upon the ever-changing river nearly two hundred
+feet below; and in the evening the breeze brings a fresh scent of the
+sea, with the fragrance of far-off flowers gathered upon its way. Some
+cloud wandering in space, changing its color and form at every moment
+as it crosses the pure blue of the sky, can alter every detail in the
+widespread wonderful landscape in a thousand ways, from every point of
+view. The eye embraces first of all the south bank of the Loire,
+stretching away as far as Amboise, then Tours with its suburbs and
+buildings, and the Plessis rising out of the fertile plain; further
+away, between Vouvray and Saint-Symphorien, you see a sort of crescent
+of gray cliff full of sunny vineyards; the only limits to your view
+are the low, rich hills along the Cher, a bluish line of horizon
+broken by many a chateau and the wooded masses of many a park. Out to
+the west you lose yourself in the immense river, where vessels come
+and go, spreading their white sails to the winds which seldom fail
+them in the wide Loire basin. A prince might build a summer palace at
+La Grenadiere, but certainly it will always be the home of a poet's
+desire, and the sweetest of retreats for two young lovers--for this
+vintage house, which belongs to a substantial burgess of Tours, has
+charms for every imagination, for the humblest and dullest as well as
+for the most impassioned and lofty. No one can dwell there without
+feeling that happiness is in the air, without a glimpse of all that is
+meant by a peaceful life without care or ambition. There is that in
+the air and the sound of the river that sets you dreaming; the sands
+have a language, and are joyous or dreary, golden or wan; and the
+owner of the vineyard may sit motionless amid perennial flowers and
+tempting fruit, and feel all the stir of the world about him.
+
+If an Englishman takes the house for the summer, he is asked a
+thousand francs for six months, the produce of the vineyard not
+included. If the tenant wishes for the orchard fruit, the rent is
+doubled; for the vintage, it is doubled again. What can La Grenadiere
+be worth, you wonder; La Grenadiere, with its stone staircase, its
+beaten path and triple terrace, its two acres of vineyard, its
+flowering roses about the balustrades, its worn steps, well-head,
+rampant clematis, and cosmopolitan trees? It is idle to make a bid! La
+Grenadiere will never be in the market; it was brought once and sold,
+but that was in 1690; and the owner parted with it for forty thousand
+francs, reluctant as any Arab of the desert to relinquish a favorite
+horse. Since then it has remained in the same family, its pride, its
+patrimonial jewel, its Regent diamond. "While you behold, you have and
+hold," says the bard. And from La Grenadiere you behold three valleys
+of Touraine and the cathedral towers aloft in air like a bit of
+filigree work. How can one pay for such treasures? Could one ever pay
+for the health recovered there under the linden-trees?
+
+In the spring of one of the brightest years of the Restoration, a lady
+with her housekeeper and her two children (the oldest a boy thirteen
+years old, the youngest apparently about eight) came to Tours to look
+for a house. She saw La Grenadiere and took it. Perhaps the distance
+from the town was an inducement to live there.
+
+She made a bedroom of the drawing-room, gave the children the two
+rooms above, and the housekeeper slept in a closet behind the kitchen.
+The dining-room was sitting-room and drawing-room all in one for the
+little family. The house was furnished very simply but tastefully;
+there was nothing superfluous in it, and no trace of luxury. The
+walnut-wood furniture chosen by the stranger lady was perfectly plain,
+and the whole charm of the house consisted in its neatness and harmony
+with its surroundings.
+
+It was rather difficult, therefore, to say whether the strange lady
+(Mme. Willemsens, as she styled herself) belonged to the upper middle
+or higher classes, or to an equivocal, unclassified feminine species.
+Her plain dress gave rise to the most contradictory suppositions, but
+her manners might be held to confirm those favorable to her. She had
+not lived at Saint-Cyr, moreover, for very long before her reserve
+excited the curiosity of idle people, who always, and especially in
+the country, watch anybody or anything that promises to bring some
+interest into their narrow lives.
+
+Mme. Willemsens was rather tall; she was thin and slender, but
+delicately shaped. She had pretty feet, more remarkable for the grace
+of her instep and ankle than for the more ordinary merit of
+slenderness; her gloved hands, too, were shapely. There were flitting
+patches of deep red in a pale face, which must have been fresh and
+softly colored once. Premature wrinkles had withered the delicately
+modeled forehead beneath the coronet of soft, well-set chestnut hair,
+invariably wound about her head in two plaits, a girlish coiffure
+which suited the melancholy face. There was a deceptive look of calm
+in the dark eyes, with the hollow, shadowy circles about them;
+sometimes, when she was off her guard, their expression told of secret
+anguish. The oval of her face was somewhat long; but happiness and
+health had perhaps filled and perfected the outlines. A forced smile,
+full of quiet sadness, hovered continually on her pale lips; but when
+the children, who were always with her, looked up at their mother, or
+asked one of the incessant idle questions which convey so much to a
+mother's ears, then the smile brightened, and expressed the joys of a
+mother's love. Her gait was slow and dignified. Her dress never
+varied; evidently she had made up her mind to think no more of her
+toilette, and to forget a world by which she meant no doubt to be
+forgotten. She wore a long, black gown, confined at the waist by a
+watered-silk ribbon, and by way of scarf a lawn handkerchief with a
+broad hem, the two ends passed carelessly through her waistband. The
+instinct of dress showed itself in that she was daintily shod, and
+gray silk stockings carried out the suggestion of mourning in this
+unvarying costume. Lastly, she always wore a bonnet after the English
+fashion, always of the same shape and the same gray material, and a
+black veil. Her health apparently was extremely weak; she looked very
+ill. On fine evenings she would take her only walk, down to the bridge
+of Tours, bringing the two children with her to breathe the fresh,
+cool air along the Loire, and to watch the sunset effects on a
+landscape as wide as the Bay of Naples or the Lake of Geneva.
+
+During the whole time of her stay at La Grenadiere she went but twice
+into Tours; once to call on the headmaster of the school, to ask him
+to give her the names of the best masters of Latin, drawing, and
+mathematics; and a second time to make arrangements for the children's
+lessons. But her appearance on the bridge of an evening, once or twice
+a week, was quite enough to excite the interest of almost all the
+inhabitants of Tours, who make a regular promenade of the bridge.
+Still, in spite of a kind of spy system, by which no harm is meant, a
+provincial habit bred of want of occupation and the restless
+inquisitiveness of the principal society, nothing was known for
+certain of the newcomer's rank, fortune, or real condition. Only, the
+owner of La Grenadiere told one or two of his friends that the name
+under which the stranger had signed the lease (her real name,
+therefore, in all probability) was Augusta Willemsens, Countess of
+Brandon. This, of course, must be her husband's name. Events, which
+will be narrated in their place, confirmed this revelation; but it
+went no further than the little world of men of business known to the
+landlord.
+
+So Madame Willemsens was a continual mystery to people of condition.
+Hers was no ordinary nature; her manners were simple and delightfully
+natural, the tones of her voice were divinely sweet,--this was all
+that she suffered others to discover. In her complete seclusion, her
+sadness, her beauty so passionately obscured, nay, almost blighted,
+there was so much to charm, that several young gentlemen fell in love;
+but the more sincere the lover, the more timid he became; and besides,
+the lady inspired awe, and it was a difficult matter to find enough
+courage to speak to her. Finally, if a few of the bolder sort wrote to
+her, their letters must have been burned unread. It was Mme.
+Willemsens' practice to throw all the letters which she received into
+the fire, as if she meant that the time spent in Touraine should be
+untroubled by any outside cares even of the slightest. She might have
+come to the enchanting retreat to give herself up wholly to the joy of
+living.
+
+The three masters whose presence was allowed at La Grenadiere spoke
+with something like admiring reverence of the touching picture that
+they saw there of the close, unclouded intimacy of the life led by
+this woman and the children.
+
+The two little boys also aroused no small interest. Mothers could not
+see them without a feeling of envy. Both children were like Mme.
+Willemsens, who was, in fact, their mother. They had the transparent
+complexion and bright color, the clear, liquid eyes, the long lashes,
+the fresh outlines, the dazzling characteristics of childish beauty.
+
+The elder, Louis-Gaston, had dark hair and fearless eyes. Everything
+about him spoke as plainly of robust, physical health as his broad,
+high brow, with its gracious curves, spoke of energy of character. He
+was quick and alert in his movements, and strong of limb, without a
+trace of awkwardness. Nothing took him unawares, and he seemed to
+think about everything that he saw.
+
+Marie-Gaston, the other child, had hair that was almost golden, though
+a lock here and there had deepened to the mother's chestnut tint.
+Marie-Gaston was slender; he had the delicate features and the subtle
+grace so charming in Mme. Willemsens. He did not look strong. There
+was a gentle look in his gray eyes; his face was pale, there was
+something feminine about the child. He still wore his hair in long,
+wavy curls, and his mother would not have him give up embroidered
+collars, and little jackets fastened with frogs and spindle-shaped
+buttons; evidently she took a thoroughly feminine pleasure in the
+costume, a source of as much interest to the mother as to the child.
+The elder boy's plain white collar, turned down over a closely fitting
+jacket, made a contrast with his brother's clothing, but the color and
+material were the same; the two brothers were otherwise dressed alike,
+and looked alike.
+
+No one could see them without feeling touched by the way in which
+Louis took care of Marie. There was an almost fatherly look in the
+older boy's eyes; and Marie, child though he was, seemed to be full of
+gratitude to Louis. They were like two buds, scarcely separated from
+the stem that bore them, swayed by the same breeze, lying in the same
+ray of sunlight; but the one was a brightly colored flower, the other
+somewhat bleached and pale. At a glance, a word, an inflection in
+their mother's voice, they grew heedful, turned to look at her and
+listened, and did at once what they were bidden, or asked, or
+recommended to do. Mme. Willemsens had so accustomed them to
+understand her wishes and desires, that the three seemed to have their
+thoughts in common. When they went for a walk, and the children,
+absorbed in their play, ran away to gather a flower or to look at some
+insect, she watched them with such deep tenderness in her eyes, that
+the most indifferent passer-by would feel moved, and stop and smile at
+the children, and give the mother a glance of friendly greeting. Who
+would not have admired the dainty neatness of their dress, their
+sweet, childish voices, the grace of their movements, the promise in
+their faces, the innate something that told of careful training from
+the cradle? They seemed as if they had never shed tears nor wailed
+like other children. Their mother knew, as it were, by electrically
+swift intuition, the desires and the pains which she anticipated and
+relieved. She seemed to dread a complaint from one of them more than
+the loss of her soul. Everything in her children did honor to their
+mother's training. Their threefold life, seemingly one life, called up
+vague, fond thoughts; it was like a vision of the dreamed-of bliss of
+a better world. And the three, so attuned to each other, lived in
+truth such a life as one might picture for them at first sight--the
+ordered, simple, and regular life best suited for a child's education.
+
+Both children rose an hour after daybreak and repeated a short prayer,
+a habit learned in their babyhood. For seven years the sincere
+petition had been put up every morning on their mother's bed, and
+begun and ended by a kiss. Then the two brothers went through their
+morning toilet as scrupulously as any pretty woman; doubtless they had
+been trained in habits of minute attention to the person, so necessary
+to health of body and mind, habits in some sort conducive to a sense
+of wellbeing. Conscientiously they went through their duties, so
+afraid were they lest their mother should say when she kissed them at
+breakfast-time, "My darling children, where can you have been to have
+such black finger-nails already?" Then the two went out into the
+garden and shook off the dreams of the night in the morning air and
+dew, until sweeping and dusting operations were completed, and they
+could learn their lessons in the sitting-room until their mother
+joined them. But although it was understood that they must not go to
+their mother's room before a certain hour, they peeped in at the door
+continually; and these morning inroads, made in defiance of the
+original compact, were delicious moments for all three. Marie sprang
+upon the bed to put his arms around his idolized mother, and Louis,
+kneeling by the pillow, took her hand in his. Then came inquiries,
+anxious as a lover's, followed by angelic laughter, passionate
+childish kisses, eloquent silences, lisping words, and the little
+ones' stories interrupted and resumed by a kiss, stories seldom
+finished, though the listener's interest never failed.
+
+"Have you been industrious?" their mother would ask, but in tones so
+sweet and so kindly that she seemed ready to pity laziness as a
+misfortune, and to glance through tears at the child who was satisfied
+with himself.
+
+She knew that the thought of pleasing her put energy into the
+children's work; and they knew that their mother lived for them, and
+that all her thoughts and her time were given to them. A wonderful
+instinct, neither selfishness nor reason, perhaps the first innocent
+beginnings of sentiment teaches children to know whether or not they
+are the first and sole thought, to find out those who love to think of
+them and for them. If you really love children, the dear little ones,
+with open hearts and unerring sense of justice, are marvelously ready
+to respond to love. Their love knows passion and jealousy and the most
+gracious delicacy of feeling; they find the tenderest words of
+expression; they trust you--put an entire belief in you. Perhaps there
+are no undutiful children without undutiful mothers, for a child's
+affection is always in proportion to the affection that it receives
+--in early care, in the first words that it hears, in the response of
+the eyes to which a child first looks for love and life. All these
+things draw them closer to the mother or drive them apart. God lays
+the child under the mother's heart, that she may learn that for a long
+time to come her heart must be its home. And yet--there are mothers
+cruelly slighted, mothers whose sublime, pathetic tenderness meets
+only a harsh return, a hideous ingratitude which shows how difficult
+it is to lay down hard-and-fast rules in matters of feeling.
+
+Here, not one of all the thousand heart ties that bind child and
+mother had been broken. The three were alone in the world; they lived
+one life, a life of close sympathy. If Mme. Willemsens was silent in
+the morning, Louis and Marie would not speak, respecting everything in
+her, even those thoughts which they did not share. But the older boy,
+with a precocious power of thought, would not rest satisfied with his
+mother's assertion that she was perfectly well. He scanned her face
+with uneasy forebodings; the exact danger he did not know, but dimly
+he felt it threatening in those purple rings about her eyes, in the
+deepening hollows under them, and the feverish red that deepened in
+her face. If Marie's play began to tire her, his sensitive tact was
+quick to discover this, and he would call to his brother:
+
+"Come, Marie! let us run in to breakfast, I am hungry!"
+
+But when they reached the door, he would look back to catch the
+expression on his mother's face. She still could find a smile for him,
+nay, often there were tears in her eyes when some little thing
+revealed her child's exquisite feeling, a too early comprehension of
+sorrow.
+
+Mme. Willemsens dressed during the children's early breakfast and game
+of play; she was coquettish for her darlings; she wished to be
+pleasing in their eyes; for them she would fain be in all things
+lovely, a gracious vision, with the charm of some sweet perfume of
+which one can never have enough.
+
+She was always dressed in time to hear their lessons, which lasted
+from ten till three, with an interval at noon for lunch, the three
+taking the meal together in the summer-house. After lunch the children
+played for an hour, while she--poor woman and happy mother--lay on a
+long sofa in the summer-house, so placed that she could look out over
+the soft, ever-changing country of Touraine, a land that you learn to
+see afresh in all the thousand chance effects produced by daylight and
+sky and the time of year.
+
+The children scampered through the orchard, scrambled about the
+terraces, chased the lizards, scarcely less nimble than they;
+investigating flowers and seeds and insects, continually referring all
+questions to their mother, running to and fro between the garden and
+the summer-house. Children have no need of toys in the country,
+everything amuses them.
+
+Mme. Willemsens sat at her embroidery during their lessons. She never
+spoke, nor did she look at masters or pupils; but she followed
+attentively all that was said, striving to gather the sense of the
+words to gain a general idea of Louis' progress. If Louis asked a
+question that puzzled his master, his mother's eyes suddenly lighted
+up, and she would smile and glance at him with hope in her eyes. Of
+Marie she asked little. Her desire was with her eldest son. Already
+she treated him, as it were, respectfully, using all a woman's, all a
+mother's tact to arouse the spirit of high endeavor in the boy, to
+teach him to think of himself as capable of great things. She did this
+with a secret purpose, which Louis was to understand in the future;
+nay, he understood it already.
+
+Always, the lesson over, she went as far as the gate with the master,
+and asked strict account of Louis' progress. So kindly and so winning
+was her manner, that his tutors told her the truth, pointing out where
+Louis was weak, so that she might help him in his lessons. Then came
+dinner, and play after dinner, then a walk, and lessons were learned
+till bedtime.
+
+So their days went. It was a uniform but full life; work and
+amusements left them not a dull hour in the day. Discouragement and
+quarreling were impossible. The mother's boundless love made
+everything smooth. She taught her little sons moderation by refusing
+them nothing, and submission by making them see underlying Necessity
+in its many forms; she put heart into them with timely praise;
+developing and strengthening all that was best in their natures with
+the care of a good fairy. Tears sometimes rose to her burning eyes as
+she watched them play, and thought how they had never caused her the
+slightest vexation. Happiness so far-reaching and complete brings such
+tears, because for us it represents the dim imaginings of Heaven which
+we all of us form in our minds.
+
+Those were delicious hours spent on that sofa in the garden-house, in
+looking out on sunny days over the wide stretches of river and the
+picturesque landscape, listening to the sound of her children's voices
+as they laughed at their own laughter, to the little quarrels that
+told most plainly of their union of heart, of Louis' paternal care of
+Marie, of the love that both of them felt for her. They spoke English
+and French equally well (they had had an English nurse since their
+babyhood), so their mother talked to them in both languages; directing
+the bent of their childish minds with admirable skill, admitting no
+fallacious reasoning, no bad principle. She ruled by kindness,
+concealing nothing, explaining everything. If Louis wished for books,
+she was careful to give him interesting yet accurate books--books of
+biography, the lives of great seamen, great captains, and famous men,
+for little incidents in their history gave her numberless
+opportunities of explaining the world and life to her children. She
+would point out the ways in which men, really great in themselves, had
+risen from obscurity; how they had started from the lowest ranks of
+society, with no one to look to but themselves, and achieved noble
+destinies.
+
+These readings, and they were not the least useful of Louis' lessons,
+took place while little Marie slept on his mother's knee in the quiet
+of the summer night, and the Loire reflected the sky; but when they
+ended, this adorable woman's sadness always seemed to be doubled; she
+would cease to speak, and sit motionless and pensive, and her eyes
+would fill with tears.
+
+"Mother, why are you crying?" Louis asked one balmy June evening, just
+as the twilight of a soft-lit night succeeded to a hot day.
+
+Deeply moved by his trouble, she put her arm about the child's neck
+and drew him to her.
+
+"Because, my boy, the lot of Jameray Duval, the poor and friendless
+lad who succeeded at last, will be your lot, yours and your brother's,
+and I have brought it upon you. Before very long, dear child, you will
+be alone in the world, with no one to help or befriend you. While you
+are still children, I shall leave you, and yet, if only I could wait
+till you are big enough and know enough to be Marie's guardian! But I
+shall not live so long. I love you so much that it makes me very
+unhappy to think of it. Dear children, if only you do not curse me
+some day!----"
+
+"But why should I curse you some day, mother?"
+
+"Some day," she said, kissing him on the forehead, "you will find out
+that I have wronged you. I am going to leave you, here, without money,
+without"--and she hesitated--"without a father," she added, and at the
+word she burst into tears and put the boy from her gently. A sort of
+intuition told Louis that his mother wished to be alone, and he
+carried off Marie, now half awake. An hour later, when his brother was
+in bed, he stole down and out to the summer-house where his mother was
+sitting.
+
+"Louis! come here."
+
+The words were spoken in tones delicious to his heart. The boy sprang
+to his mother's arms, and the two held each other in an almost
+convulsive embrace.
+
+"_Cherie_," he said at last, the name by which he often called her,
+finding that even loving words were too weak to express his feeling,
+"_cherie_, why are you afraid that you are going to die?"
+
+"I am ill, my poor darling; every day I am losing strength, and there
+is no cure for my illness; I know that."
+
+"What is the matter with you?"
+
+"Something that I ought to forget; something that you must never know.
+--You must not know what caused my death."
+
+The boy was silent for a while. He stole a glance now and again at his
+mother; and she, with her eyes raised to the sky, was watching the
+clouds. It was a sad, sweet moment. Louis could not believe that his
+mother would die soon, but instinctively he felt trouble which he
+could not guess. He respected her long musings. If he had been rather
+older, he would have read happy memories blended with thoughts of
+repentance, the whole story of a woman's life in that sublime face
+--the careless childhood, the loveless marriage, a terrible passion,
+flowers springing up in storm and struck down by the thunderbolt into
+an abyss from which there is no return.
+
+"Darling mother," Louis said at last, "why do you hide your pain from
+me?"
+
+"My boy, we ought to hide our troubles from strangers," she said; "we
+should show them a smiling face, never speak of ourselves to them, nor
+think about ourselves; and these rules, put in practice in family
+life, conduce to its happiness. You will have much to bear one day! Ah
+me! then think of your poor mother who died smiling before your eyes,
+hiding her sufferings from you, and you will take courage to endure
+the ills of life."
+
+She choked back her tears, and tried to make the boy understand the
+mechanism of existence, the value of money, the standing and
+consideration that it gives, and its bearing on social position; the
+honorable means of gaining a livelihood, and the necessity of a
+training. Then she told him that one of the chief causes of her
+sadness and her tears was the thought that, on the morrow of her
+death, he and Marie would be left almost resourceless, with but a
+slender stock of money, and no friend but God.
+
+"How quick I must be about learning!" cried Louis, giving her a
+piteous, searching look.
+
+"Oh! how happy I am!" she said, showering kisses and tears on her son.
+"He understands me!--Louis," she went on, "you will be your brother's
+guardian, will you not? You promise me that? You are no longer a
+child!"
+
+"Yes, I promise," he said; "but you are not going to die yet--say that
+you are not going to die!"
+
+"Poor little ones!" she replied, "love for you keeps the life in me.
+And this country is so sunny, the air is so bracing, perhaps----"
+
+"You make me love Touraine more than ever," said the child.
+
+From that day, when Mme. Willemsens, foreseeing the approach of death,
+spoke to Louis of his future, he concentrated his attention on his
+work, grew more industrious, and less inclined to play than
+heretofore. When he had coaxed Marie to read a book and to give up
+boisterous games, there was less noise in the hollow pathways and
+gardens and terraced walks of La Grenadiere. They adapted their lives
+to their mother's melancholy. Day by day her face was growing pale and
+wan, there were hollows now in her temples, the lines in her forehead
+grew deeper night after night.
+
+August came. The little family had been five months at La Grenadiere,
+and their whole life was changed. The old servant grew anxious and
+gloomy as she watched the almost imperceptible symptoms of slow
+decline in the mistress, who seemed to be kept in life by an
+impassioned soul and intense love of her children. Old Annette seemed
+to see that death was very near. That mistress, beautiful still, was
+more careful of her appearance than she had ever been; she was at
+pains to adorn her wasted self, and wore paint on her cheeks; but
+often while she walked on the upper terrace with the children,
+Annette's wrinkled face would peer out from between the savin trees by
+the pump. The old woman would forget her work, and stand with wet
+linen in her hands, scarce able to keep back her tears at the sight of
+Mme. Willemsens, so little like the enchanting woman she once had
+been.
+
+The pretty house itself, once so gay and bright, looked melancholy; it
+was a very quiet house now, and the family seldom left it, for the
+walk to the bridge was too great an effort for Mme. Willemsens. Louis
+had almost identified himself, as it were, with his mother, and with
+his suddenly developed powers of imagination he saw the weariness and
+exhaustion under the red color, and constantly found reasons for
+taking some shorter walk.
+
+So happy couples coming to Saint-Cyr, then the Petite Courtille of
+Tours, and knots of folk out for their evening walk along the "dike,"
+saw a pale, thin figure dressed in black, a woman with a worn yet
+bright face, gliding like a shadow along the terraces. Great suffering
+cannot be concealed. The vinedresser's household had grown quiet also.
+Sometimes the laborer and his wife and children were gathered about
+the door of their cottage, while Annette was washing linen at the
+well-head, and Mme. Willemsens and the children sat in the
+summer-house, and there was not the faintest sound in those gardens gay
+with flowers. Unknown to Mme. Willemsens, all eyes grew pitiful at the
+sight of her, she was so good, so thoughtful, so dignified with those
+with whom she came in contact.
+
+And as for her.--When the autumn days came on, days so sunny and
+bright in Touraine, bringing with them grapes and ripe fruits and
+healthful influences which must surely prolong life in spite of the
+ravages of mysterious disease--she saw no one but her children, taking
+the utmost that the hour could give her, as if each hour had been her
+last.
+
+Louis had worked at night, unknown to his mother, and made immense
+progress between June and September. In algebra he had come as far as
+equations with two unknown quantities; he had studied descriptive
+geometry, and drew admirably well; in fact, he was prepared to pass
+the entrance examination of the Ecole polytechnique.
+
+Sometimes of an evening he went down to the bridge of Tours. There was
+a lieutenant there on half-pay, an Imperial naval officer, whose manly
+face, medal, and gait had made an impression on the boy's imagination,
+and the officer on his side had taken a liking to the lad, whose eyes
+sparkled with energy. Louis, hungering for tales of adventure, and
+eager for information, used to follow in the lieutenant's wake for the
+chance of a chat with him. It so happened that the sailor had a friend
+and comrade in the colonel of a regiment of infantry, struck off the
+rolls like himself; and young Louis-Gaston had a chance of learning
+what life was like in camp or on board a man-of-war. Of course, he
+plied the veterans with questions; and when he had made up his mind to
+the hardships of their rough callings, he asked his mother's leave to
+take country walks by way of amusement. Mme. Willemsens was beyond
+measure glad that he should ask; the boy's astonished masters had told
+her that he was overworking himself. So Louis went for long walks. He
+tried to inure himself to fatigue, climbed the tallest trees with
+incredible quickness, learned to swim, watched through the night. He
+was not like the same boy; he was a young man already, with a
+sunburned face, and a something in his expression that told of deep
+purpose.
+
+When October came, Mme. Willemsens could only rise at noon. The
+sunshine, reflected by the surface of the Loire, and stored up by the
+rocks, raised the temperature of the air till it was almost as warm
+and soft as the atmosphere of the Bay of Naples, for which reason the
+faculty recommend the place of abode. At mid-day she came out to sit
+under the shade of green leaves with the two boys, who never wandered
+from her now. Lessons had come to an end. Mother and children wished
+to live the life of heart and heart together, with no disturbing
+element, no outside cares. No tears now, no joyous outcries. The elder
+boy, lying in the grass at his mother's side, basked in her eyes like
+a lover and kissed her feet. Marie, the restless one, gathered flowers
+for her, and brought them with a subdued look, standing on tiptoe to
+put a girlish kiss on her lips. And the pale woman, with the great
+tired eyes and languid movements, never uttered a word of complaint,
+and smiled upon her children, so full of life and health--it was a
+sublime picture, lacking no melancholy autumn pomp of yellow leaves
+and half-despoiled branches, nor the softened sunlight and pale clouds
+of the skies of Touraine.
+
+At last the doctor forbade Mme. Willemsens to leave her room. Every
+day it was brightened by the flowers that she loved, and her children
+were always with her. One day, early in November, she sat at the piano
+for the last time. A picture--a Swiss landscape--hung above the
+instrument; and at the window she could see her children standing with
+their heads close together. Again and again she looked from the
+children to the landscape, and then again at the children. Her face
+flushed, her fingers flew with passionate feeling over the ivory keys.
+This was her last great day, an unmarked day of festival, held in her
+own soul by the spirit of her memories. When the doctor came, he
+ordered her to stay in bed. The alarming dictum was received with
+bewildered silence.
+
+When the doctor had gone, she turned to the older boy.
+
+"Louis," she said, "take me out on the terrace, so that I may see my
+country once more."
+
+The boy gave his arm at those simply uttered words, and brought his
+mother out upon the terrace; but her eyes turned, perhaps
+unconsciously, to heaven rather than to the earth, and indeed, it
+would have been hard to say whether heaven or earth was the fairer
+--for the clouds traced shadowy outlines, like the grandest Alpine
+glaciers, against the sky. Mme. Willemsens' brows contracted
+vehemently; there was a look of anguish and remorse in her eyes. She
+caught the children's hands, and clutched them to a heavily-throbbing
+heart.
+
+"'Parentage unknown!'" she cried, with a look that went to their
+hearts. "Poor angels, what will become of you? And when you are twenty
+years old, what strict account may you not require of my life and your
+own?"
+
+She put the children from her, and leaning her arms upon the
+balustrade, stood for a while hiding her face, alone with herself,
+fearful of all eyes. When she recovered from the paroxysm, she saw
+Louis and Marie kneeling on either side of her, like two angels; they
+watched the expression of her face, and smiled lovingly at her.
+
+"If only I could take that smile with me!" she said, drying her eyes.
+
+Then she went into the house and took to the bed, which she would only
+leave for her coffin.
+
+A week went by, one day exactly like another. Old Annette and Louis
+took it in turns to sit up with Mme. Willemsens, never taking their
+eyes from the invalid. It was the deeply tragical hour that comes in
+all our lives, the hour of listening in terror to every deep breath
+lest it should be the last, a dark hour protracted over many days. On
+the fifth day of that fatal week the doctor interdicted flowers in the
+room. The illusions of life were going one by one.
+
+Then Marie and his brother felt their mother's lips hot as fire
+beneath their kisses; and at last, on the Saturday evening, Mme.
+Willemsens was too ill to bear the slightest sound, and her room was
+left in disorder. This neglect for a woman of refined taste, who clung
+so persistently to the graces of life, meant the beginning of the
+death-agony. After this, Louis refused to leave his mother. On Sunday
+night, in the midst of the deepest silence, when Louis thought that
+she had grown drowsy, he saw a white, moist hand move the curtain in
+the lamplight.
+
+"My son!" she said. There was something so solemn in the dying woman's
+tones, that the power of her wrought-up soul produced a violent
+reaction on the boy; he felt an intense heat pass through the marrow
+of his bones.
+
+"What is it, mother?"
+
+"Listen! To-morrow all will be over for me. We shall see each other no
+more. To-morrow you will be a man, my child. So I am obliged to make
+some arrangements, which must remain a secret, known only to us. Take
+the key of my little table. That is it. Now open the drawer. You will
+find two sealed papers to the left. There is the name of LOUIS on one,
+and on the other MARIE."
+
+"Here they are, mother."
+
+"Those are your certificates of birth, darling; you will want them.
+Give them to our poor, old Annette to keep for you; ask her for them
+when you need them. Now," she continued, "is there not another paper
+as well, something in my handwriting?"
+
+"Yes, mother," and Louis began to read, "_Marie Willemsens, born
+at_----"
+
+"That is enough," she broke in quickly, "do not go on. When I am dead,
+give that paper, too, to Annette, and tell her to send it to the
+registrar at Saint-Cyr; it will be wanted if my certificate of death
+is to be made out in due form. Now find writing materials for a letter
+which I will dictate to you."
+
+When she saw that he was ready to begin, and turned towards her for
+the words, they came from her quietly:--
+
+"Monsieur le Comte, your wife, Lady Brandon, died at Saint-Cyr, near
+Tours, in the department of Indre-et-Loire. She forgave you."
+
+"Sign yourself----" she stopped, hesitating and perturbed.
+
+"Are you feeling worse?" asked Louis.
+
+"Put 'Louis-Gaston,'" she went on.
+
+She sighed, then she went on.
+
+"Seal the letter, and direct it. To Lord Brandon, Brandon Square, Hyde
+Park, London, Angleterre.--That is right. When I am dead, post the
+letter in Tours, and prepay the postage.--Now," she added, after a
+pause, "take the little pocketbook that you know, and come here, my
+dear child. . . . There are twelve thousand francs in it," she said,
+when Louis had returned to her side. "That is all your own. Oh me! you
+would have been better off if your father----"
+
+"My father," cried the boy, "where is he?"
+
+"He is dead," she said, laying her finger on her lips; "he died to
+save my honor and my life."
+
+She looked upwards. If any tears had been left to her, she would have
+wept for pain.
+
+"Louis," she continued, "swear to me, as I lie here, that you will
+forget all that you have written, all that I have told you."
+
+"Yes, mother."
+
+"Kiss me, dear angel."
+
+She was silent for a long while, she seemed to be drawing strength
+from God, and to be measuring her words by the life that remained in
+her.
+
+"Listen," she began. "Those twelve thousand francs are all that you
+have in the world. You must keep the money upon you, because when I am
+dead the lawyers will come and seal everything up. Nothing will be
+yours then, not even your mother. All that remains for you to do will
+be to go out, poor orphan children, God knows where. I have made
+Annette's future secure. She will have an annuity of a hundred crowns,
+and she will stay at Tours no doubt. But what will you do for yourself
+and your brother?"
+
+She raised herself, and looked at the brave child, standing by her
+bedside. There were drops of perspiration on his forehead, he was pale
+with emotion, and his eyes were dim with tears.
+
+"I have thought it over, mother," he answered in a deep voice. "I will
+take Marie to the school here in Tours. I will give ten thousand
+francs to our old Annette, and ask her to take care of them, and to
+look after Marie. Then, with the remaining two thousand francs, I will
+go to Brest, and go to sea as an apprentice. While Marie is at school,
+I will rise to be a lieutenant on board a man-of-war. There, after
+all, die in peace, my mother; I shall come back again a rich man, and
+our little one shall go to the Ecole polytechnique, and I will find a
+career to suit his bent."
+
+A gleam of joy shone in the dying woman's eyes. Two tears brimmed
+over, and fell over her fevered cheeks; then a deep sigh escaped
+between her lips. The sudden joy of finding the father's spirit in the
+son, who had grown all at once to be a man, almost killed her.
+
+"Angel of heaven," she cried, weeping, "by one word you have effaced
+all my sorrows. Ah! I can bear them.--This is my son," she said, "I
+bore, I reared this man," and she raised her hands above her, and
+clasped them as if in ecstasy, then she lay back on the pillow.
+
+"Mother, your face is growing pale!" cried the lad.
+
+"Some one must go for a priest," she answered, with a dying voice.
+
+Louis wakened Annette, and the terrified old woman hurried to the
+parsonage at Saint-Cyr.
+
+When morning came, Mme. Willemsens received the sacrament amid the
+most touching surroundings. Her children were kneeling in the room,
+with Annette and the vinedresser's family, simple folk, who had
+already become part of the household. The silver crucifix, carried by
+a chorister, a peasant child from the village, was lifted up, and the
+dying mother received the Viaticum from an aged priest. The Viaticum!
+sublime word, containing an idea yet more sublime, an idea only
+possessed by the apostolic religion of the Roman church.
+
+"This woman has suffered greatly!" the old cure said in his simple
+way.
+
+Marie Willemsens heard no voices now, but her eyes were still fixed
+upon her children. Those about her listened in terror to her breathing
+in the deep silence; already it came more slowly, though at intervals
+a deep sigh told them that she still lived, and of a struggle within
+her; then at last it ceased. Every one burst into tears except Marie.
+He, poor child, was still too young to know what death meant.
+
+Annette and the vinedresser's wife closed the eyes of the adorable
+woman, whose beauty shone out in all its radiance after death. Then
+the women took possession of the chamber of death, removed the
+furniture, wrapped the dead in her winding-sheet, and laid her upon
+the couch. They lit tapers about her, and arranged everything--the
+crucifix, the sprigs of box, and the holy-water stoup--after the
+custom of the countryside, bolting the shutters and drawing the
+curtains. Later the curate came to pass the night in prayer with
+Louis, who refused to leave his mother. On Tuesday morning an old
+woman and two children and a vinedresser's wife followed the dead to
+her grave. These were the only mourners. Yet this was a woman whose
+wit and beauty and charm had won a European reputation, a woman whose
+funeral, if it had taken place in London, would have been recorded in
+pompous newspaper paragraphs, as a sort of aristocratic rite, if she
+had not committed the sweetest of crimes, a crime always expiated in
+this world, so that the pardoned spirit may enter heaven. Marie cried
+when they threw the earth on his mother's coffin; he understood that
+he should see her no more.
+
+A simple, wooden cross, set up to mark her grave, bore this
+inscription, due to the cure of Saint-Cyr:--
+
+ HERE LIES
+ AN UNHAPPY WOMAN,
+ WHO DIED AT THE AGE OF THIRTY-SIX.
+ KNOWN IN HEAVEN BY THE NAME OF AUGUSTA.
+ _Pray for her!_
+
+When all was over, the children came back to La Grenadiere to take a
+last look at their home; then, hand in hand, they turned to go with
+Annette, leaving the vinedresser in charge, with directions to hand
+over everything duly to the proper authorities.
+
+At this moment, Annette called to Louis from the steps by the kitchen
+door, and took him aside with, "Here is madame's ring, Monsieur
+Louis."
+
+The sight of this vivid remembrance of his dead mother moved him so
+deeply that he wept. In his fortitude, he had not even thought of this
+supreme piety; and he flung his arms round the old woman's neck. Then
+the three set out down the beaten path, and the stone staircase, and
+so to Tours, without turning their heads.
+
+"Mamma used to come there!" Marie said when they reached the bridge.
+
+Annette had a relative, a retired dressmaker, who lived in the Rue de
+la Guerche. She took the two children to this cousin's house, meaning
+that they should live together thenceforth. But Louis told her of his
+plans, gave Marie's certificate of birth and the ten thousand francs
+into her keeping, and the two went the next morning to take Marie to
+school.
+
+Louis very briefly explained his position to the headmaster, and went.
+Marie came with him as far as the gateway. There Louis gave solemn
+parting words of the tenderest counsel, telling Marie that he would
+now be left alone in the world. He looked at his brother for a moment,
+and put his arms about him, took one more long look, brushed a tear
+from his eyes, and went, turning again and again till the very last to
+see his brother standing there in the gateway of the school.
+
+
+
+A month later Louis-Gaston, now an apprentice on board a man-of-war,
+left the harbor of Rochefort. Leaning over the bulwarks of the
+corvette Iris, he watched the coast of France receding swiftly till it
+became indistinguishable from the faint blue horizon line. In a little
+while he felt that he was really alone, and lost in the wide ocean,
+lost and alone in the world and in life.
+
+"There is no need to cry, lad; there is a God for us all," said an old
+sailor, with rough kindliness in his thick voice.
+
+The boy thanked him with pride in his eyes. Then he bowed his head,
+and resigned himself to a sailor's life. He was a father.
+
+
+
+ANGOULEME, August, 1832.
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+Brandon, Lady Marie Augusta
+ The Member for Arcis
+ The Lily of the Valley
+ La Grenadiere
+
+Gaston, Louis
+ La Grenadiere
+ Letters of Two Brides
+
+Gaston, Marie
+ La Grenadiere
+ Letters of Two Brides
+ The Member for Arcis
+
+
+
+
+
+End of the Project Gutenberg EBook of La Grenadiere, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LA GRENADIERE ***
+
+***** This file should be named 1428.txt or 1428.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.net/1/4/2/1428/
+
+Produced by Dagny, and John Bickers
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.net/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.net
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/old/20041027-1428.zip b/old/old/20041027-1428.zip
new file mode 100644
index 0000000..4048c67
--- /dev/null
+++ b/old/old/20041027-1428.zip
Binary files differ
diff --git a/old/old/grndr10.txt b/old/old/grndr10.txt
new file mode 100644
index 0000000..c2eb01a
--- /dev/null
+++ b/old/old/grndr10.txt
@@ -0,0 +1,1248 @@
+Project Gutenberg's Etext of La Grenadiere, by Honore de Balzac
+#33 in our series by Balzac
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+La Grenadiere
+
+by Honore de Balzac
+
+Translated by Ellen Marriage
+
+August, 1998 [Etext #1428]
+
+
+Project Gutenberg's Etext of La Grenadiere, by Honore de Balzac
+*****This file should be named grndr10.txt or grndr10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, grndr11.txt.
+VERSIONS based on separate sources get new LETTER, grndr10a.txt.
+
+
+Etext prepared by Dagny, dagnyj@hotmail.com
+and John Bickers, jbickers@templar.actrix.gen.nz
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-two text
+files per month, or 384 more Etexts in 1997 for a total of 1000+
+If these reach just 10% of the computerized population, then the
+total should reach over 100 billion Etexts given away.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only 10% of the present number of computer users. 2001
+should have at least twice as many computer users as that, so it
+will require us reaching less than 5% of the users in 2001.
+
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp uiarchive.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext96
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+Etext prepared by Dagny, dagnyj@hotmail.com
+and John Bickers, jbickers@templar.actrix.gen.nz
+
+
+
+
+
+LA GRENADIERE
+
+BY
+
+HONORE DE BALZAC
+
+
+
+
+Translated By
+Ellen Marriage
+
+
+
+To D. W.
+
+
+
+La Grenadiere is a little house on the right bank of the Loire as you
+go down stream, about a mile below the bridge of Tours. At this point
+the river, broad as a lake, and covered with scattered green islands,
+flows between two lines of cliff, where country houses built uniformly
+of white stone stand among their gardens and vineyards. The finest
+fruit in the world ripens there with a southern exposure. The patient
+toil of many generations has cut terraces in the cliff, so that the
+face of the rock reflects the rays of the sun, and the produce of hot
+climates may be grown out of doors in an artificially high temperature.
+
+
+
+A church spire, rising out of one of the shallower dips in the line of
+cliffs, marks the little village of Saint-Cyr, to which the scattered
+houses all belong. And yet a little further the Choisille flows into
+the Loire, through a fertile valley cut in the long low downs.
+
+La Grenadiere itself, half-way up the hillside, and about a hundred
+paces from the church, is one of those old-fashioned houses dating
+back some two or three hundred years, which you find in every
+picturesque spot in Touraine. A fissure in the rock affords convenient
+space for a flight of steps descending gradually to the "dike"--the
+local name for the embankment made at the foot of the cliffs to keep
+the Loire in its bed, and serve as a causeway for the highroad from
+Paris to Nantes. At the top of the steps a gate opens upon a narrow
+stony footpath between two terraces, for here the soil is banked up,
+and walls are built to prevent landslips. These earthworks, as it
+were, are crowned with trellises and espaliers, so that the steep path
+that lies at the foot of the upper wall is almost hidden by the trees
+that grow on the top of the lower, upon which it lies. The view of the
+river widens out before you at every step as you climb to the house.
+
+At the end you come to a second gateway, a Gothic archway covered with
+simple ornament, now crumbling into ruin and overgrown with
+wildflowers--moss and ivy, wallflowers and pellitory. Every stone wall
+on the hillside is decked with this ineradicable plant-life, which
+springs up along the cracks afresh with new wreaths for every time of
+year.
+
+The worm-eaten gate gives into a little garden, a strip of turf, a few
+trees, and a wilderness of flowers and rose bushes--a garden won from
+the rock on the highest terrace of all, with the dark, old balustrade
+along its edge. Opposite the gateway, a wooden summer-house stands
+against the neighboring wall, the posts are covered with jessamine and
+honeysuckle, vines and clematis.
+
+The house itself stands in the middle of this highest garden, above a
+vine-covered flight of steps, with an arched doorway beneath that
+leads to vast cellars hollowed out in the rock. All about the dwelling
+trellised vines and pomegranate-trees (the grenadiers, which give the
+name to the little close) are growing out in the open air. The front
+of the house consists of two large windows on either side of a very
+rustic-looking house door, and three dormer windows in the roof--a
+slate roof with two gables, prodigiously high-pitched in proportion to
+the low ground-floor. The house walls are washed with yellow color;
+and door, and first-floor shutters, all the Venetian shutters of the
+attic windows, all are painted green.
+
+Entering the house, you find yourself in a little lobby with a crooked
+staircase straight in front of you. It is a crazy wooden structure,
+the spiral balusters are brown with age, and the steps themselves take
+a new angle at every turn. The great old-fashioned paneled dining-
+room, floored with square white tiles from Chateau-Regnault, is on
+your right; to the left is the sitting-room, equally large, but here
+the walls are not paneled; they have been covered instead with a
+saffron-colored paper, bordered with green. The walnut-wood rafters
+are left visible, and the intervening spaces filled with a kind of
+white plaster.
+
+The first story consists of two large whitewashed bedrooms with stone
+chimney-pieces, less elaborately carved than those in the rooms
+beneath. Every door and window is on the south side of the house, save
+a single door to the north, contrived behind the staircase to give
+access to the vineyard. Against the western wall stands a
+supplementary timber-framed structure, all the woodwork exposed to the
+weather being fledged with slates, so that the walls are checkered
+with bluish lines. This shed (for it is little more) is the kitchen of
+the establishment. You can pass from it into the house without going
+outside; but, nevertheless, it boasts an entrance door of its own, and
+a short flight of steps that brings you to a deep well, and a very
+rustical-looking pump, half hidden by water-plants and savin bushes
+and tall grasses. The kitchen is a modern addition, proving beyond
+doubt that La Grenadiere was originally nothing but a simple
+vendangeoir--a vintage-house belonging to townsfolk in Tours, from
+which Saint-Cyr is separated by the vast river-bed of the Loire. The
+owners only came over for the day for a picnic, or at the vintage-
+time, sending provisions across in the morning, and scarcely ever
+spent the night there except during the grape harvest; but the English
+settled down on Touraine like a cloud of locusts, and La Grenadiere
+must, of course, be completed if it was to find tenants. Luckily,
+however, this recent appendage is hidden from sight by the first two
+trees of a lime-tree avenue planted in a gully below the vineyards.
+
+There are only two acres of vineyard at most, the ground rising at the
+back of the house so steeply that it is no very easy matter to
+scramble up among the vines. The slope, covered with green trailing
+shoots, ends within about five feet of the house wall in a ditch-like
+passage always damp and cold and full of strong growing green things,
+fed by the drainage of the highly cultivated ground above, for rainy
+weather washes down the manure into the garden on the terrace.
+
+A vinedresser's cottage also leans against the western gable, and is
+in some sort a continuation of the kitchen. Stone walls or espaliers
+surround the property, and all sorts of fruit-trees are planted among
+the vines; in short, not an inch of this precious soil is wasted. If
+by chance man overlooks some dry cranny in the rocks, Nature puts in a
+fig-tree, or sows wildflowers or strawberries in sheltered nooks among
+the stones.
+
+Nowhere else in all the world will you find a human dwelling so humble
+and yet so imposing, so rich in fruit, and fragrant scents, and wide
+views of country. Here is a miniature Touraine in the heart of
+Touraine--all its flowers and fruits and all the characteristic beauty
+of the land are fully represented. Here are grapes of every district,
+figs and peaches and pears of every kind; melons are grown out of
+doors as easily as licorice plants, Spanish broom, Italian oleanders,
+and jessamines from the Azores. The Loire lies at your feet. You look
+down from the terrace upon the ever-changing river nearly two hundred
+feet below; and in the evening the breeze brings a fresh scent of the
+sea, with the fragrance of far-off flowers gathered upon its way. Some
+cloud wandering in space, changing its color and form at every moment
+as it crosses the pure blue of the sky, can alter every detail in the
+widespread wonderful landscape in a thousand ways, from every point of
+view. The eye embraces first of all the south bank of the Loire,
+stretching away as far as Amboise, then Tours with its suburbs and
+buildings, and the Plessis rising out of the fertile plain; further
+away, between Vouvray and Saint-Symphorien, you see a sort of crescent
+of gray cliff full of sunny vineyards; the only limits to your view
+are the low, rich hills along the Cher, a bluish line of horizon
+broken by many a chateau and the wooded masses of many a park. Out to
+the west you lose yourself in the immense river, where vessels come
+and go, spreading their white sails to the winds which seldom fail
+them in the wide Loire basin. A prince might build a summer palace at
+La Grenadiere, but certainly it will always be the home of a poet's
+desire, and the sweetest of retreats for two young lovers--for this
+vintage house, which belongs to a substantial burgess of Tours, has
+charms for every imagination, for the humblest and dullest as well as
+for the most impassioned and lofty. No one can dwell there without
+feeling that happiness is in the air, without a glimpse of all that is
+meant by a peaceful life without care or ambition. There is that in
+the air and the sound of the river that sets you dreaming; the sands
+have a language, and are joyous or dreary, golden or wan; and the
+owner of the vineyard may sit motionless amid perennial flowers and
+tempting fruit, and feel all the stir of the world about him.
+
+If an Englishman takes the house for the summer, he is asked a
+thousand francs for six months, the produce of the vineyard not
+included. If the tenant wishes for the orchard fruit, the rent is
+doubled; for the vintage, it is doubled again. What can La Grenadiere
+be worth, you wonder; La Grenadiere, with its stone staircase, its
+beaten path and triple terrace, its two acres of vineyard, its
+flowering roses about the balustrades, its worn steps, well-head,
+rampant clematis, and cosmopolitan trees? It is idle to make a bid! La
+Grenadiere will never be in the market; it was brought once and sold,
+but that was in 1690; and the owner parted with it for forty thousand
+francs, reluctant as any Arab of the desert to relinquish a favorite
+horse. Since then it has remained in the same family, its pride, its
+patrimonial jewel, its Regent diamond. "While you behold, you have and
+hold," says the bard. And from La Grenadiere you behold three valleys
+of Touraine and the cathedral towers aloft in air like a bit of
+filigree work. How can one pay for such treasures? Could one ever pay
+for the health recovered there under the linden-trees?
+
+In the spring of one of the brightest years of the Restoration, a lady
+with her housekeeper and her two children (the oldest a boy thirteen
+years old, the youngest apparently about eight) came to Tours to look
+for a house. She saw La Grenadiere and took it. Perhaps the distance
+from the town was an inducement to live there.
+
+She made a bedroom of the drawing-room, gave the children the two
+rooms above, and the housekeeper slept in a closet behind the kitchen.
+The dining-room was sitting-room and drawing-room all in one for the
+little family. The house was furnished very simply but tastefully;
+there was nothing superfluous in it, and no trace of luxury. The
+walnut-wood furniture chosen by the stranger lady was perfectly plain,
+and the whole charm of the house consisted in its neatness and harmony
+with its surroundings.
+
+It was rather difficult, therefore, to say whether the strange lady
+(Mme. Willemsens, as she styled herself) belonged to the upper middle
+or higher classes, or to an equivocal, unclassified feminine species.
+Her plain dress gave rise to the most contradictory suppositions, but
+her manners might be held to confirm those favorable to her. She had
+not lived at Saint-Cyr, moreover, for very long before her reserve
+excited the curiosity of idle people, who always, and especially in
+the country, watch anybody or anything that promises to bring some
+interest into their narrow lives.
+
+Mme. Willemsens was rather tall; she was thin and slender, but
+delicately shaped. She had pretty feet, more remarkable for the grace
+of her instep and ankle than for the more ordinary merit of
+slenderness; her gloved hands, too, were shapely. There were flitting
+patches of deep red in a pale face, which must have been fresh and
+softly colored once. Premature wrinkles had withered the delicately
+modeled forehead beneath the coronet of soft, well-set chestnut hair,
+invariably wound about her head in two plaits, a girlish coiffure
+which suited the melancholy face. There was a deceptive look of calm
+in the dark eyes, with the hollow, shadowy circles about them;
+sometimes, when she was off her guard, their expression told of secret
+anguish. The oval of her face was somewhat long; but happiness and
+health had perhaps filled and perfected the outlines. A forced smile,
+full of quiet sadness, hovered continually on her pale lips; but when
+the children, who were always with her, looked up at their mother, or
+asked one of the incessant idle questions which convey so much to a
+mother's ears, then the smile brightened, and expressed the joys of a
+mother's love. Her gait was slow and dignified. Her dress never
+varied; evidently she had made up her mind to think no more of her
+toilette, and to forget a world by which she meant no doubt to be
+forgotten. She wore a long, black gown, confined at the waist by a
+watered-silk ribbon, and by way of scarf a lawn handkerchief with a
+broad hem, the two ends passed carelessly through her waistband. The
+instinct of dress showed itself in that she was daintily shod, and
+gray silk stockings carried out the suggestion of mourning in this
+unvarying costume. Lastly, she always wore a bonnet after the English
+fashion, always of the same shape and the same gray material, and a
+black veil. Her health apparently was extremely weak; she looked very
+ill. On fine evenings she would take her only walk, down to the bridge
+of Tours, bringing the two children with her to breathe the fresh,
+cool air along the Loire, and to watch the sunset effects on a
+landscape as wide as the Bay of Naples or the Lake of Geneva.
+
+During the whole time of her stay at La Grenadiere she went but twice
+into Tours; once to call on the headmaster of the school, to ask him
+to give her the names of the best masters of Latin, drawing, and
+mathematics; and a second time to make arrangements for the children's
+lessons. But her appearance on the bridge of an evening, once or twice
+a week, was quite enough to excite the interest of almost all the
+inhabitants of Tours, who make a regular promenade of the bridge.
+Still, in spite of a kind of spy system, by which no harm is meant, a
+provincial habit bred of want of occupation and the restless
+inquisitiveness of the principal society, nothing was known for
+certain of the newcomer's rank, fortune, or real condition. Only, the
+owner of La Grenadiere told one or two of his friends that the name
+under which the stranger had signed the lease (her real name,
+therefore, in all probability) was Augusta Willemsens, Countess of
+Brandon. This, of course, must be her husband's name. Events, which
+will be narrated in their place, confirmed this revelation; but it
+went no further than the little world of men of business known to the
+landlord.
+
+So Madame Willemsens was a continual mystery to people of condition.
+Hers was no ordinary nature; her manners were simple and delightfully
+natural, the tones of her voice were divinely sweet,--this was all
+that she suffered others to discover. In her complete seclusion, her
+sadness, her beauty so passionately obscured, nay, almost blighted,
+there was so much to charm, that several young gentlemen fell in love;
+but the more sincere the lover, the more timid he became; and besides,
+the lady inspired awe, and it was a difficult matter to find enough
+courage to speak to her. Finally, if a few of the bolder sort wrote to
+her, their letters must have been burned unread. It was Mme.
+Willemsens' practice to throw all the letters which she received into
+the fire, as if she meant that the time spent in Touraine should be
+untroubled by any outside cares even of the slightest. She might have
+come to the enchanting retreat to give herself up wholly to the joy of
+living.
+
+The three masters whose presence was allowed at La Grenadiere spoke
+with something like admiring reverence of the touching picture that
+they saw there of the close, unclouded intimacy of the life led by
+this woman and the children.
+
+The two little boys also aroused no small interest. Mothers could not
+see them without a feeling of envy. Both children were like Mme.
+Willemsens, who was, in fact, their mother. They had the transparent
+complexion and bright color, the clear, liquid eyes, the long lashes,
+the fresh outlines, the dazzling characteristics of childish beauty.
+
+The elder, Louis-Gaston, had dark hair and fearless eyes. Everything
+about him spoke as plainly of robust, physical health as his broad,
+high brow, with its gracious curves, spoke of energy of character. He
+was quick and alert in his movements, and strong of limb, without a
+trace of awkwardness. Nothing took him unawares, and he seemed to
+think about everything that he saw.
+
+Marie-Gaston, the other child, had hair that was almost golden, though
+a lock here and there had deepened to the mother's chestnut tint.
+Marie-Gaston was slender; he had the delicate features and the subtle
+grace so charming in Mme. Willemsens. He did not look strong. There
+was a gentle look in his gray eyes; his face was pale, there was
+something feminine about the child. He still wore his hair in long,
+wavy curls, and his mother would not have him give up embroidered
+collars, and little jackets fastened with frogs and spindle-shaped
+buttons; evidently she took a thoroughly feminine pleasure in the
+costume, a source of as much interest to the mother as to the child.
+The elder boy's plain white collar, turned down over a closely fitting
+jacket, made a contrast with his brother's clothing, but the color and
+material were the same; the two brothers were otherwise dressed alike,
+and looked alike.
+
+No one could see them without feeling touched by the way in which
+Louis took care of Marie. There was an almost fatherly look in the
+older boy's eyes; and Marie, child though he was, seemed to be full of
+gratitude to Louis. They were like two buds, scarcely separated from
+the stem that bore them, swayed by the same breeze, lying in the same
+ray of sunlight; but the one was a brightly colored flower, the other
+somewhat bleached and pale. At a glance, a word, an inflection in
+their mother's voice, they grew heedful, turned to look at her and
+listened, and did at once what they were bidden, or asked, or
+recommended to do. Mme. Willemsens had so accustomed them to
+understand her wishes and desires, that the three seemed to have their
+thoughts in common. When they went for a walk, and the children,
+absorbed in their play, ran away to gather a flower or to look at some
+insect, she watched them with such deep tenderness in her eyes, that
+the most indifferent passer-by would feel moved, and stop and smile at
+the children, and give the mother a glance of friendly greeting. Who
+would not have admired the dainty neatness of their dress, their
+sweet, childish voices, the grace of their movements, the promise in
+their faces, the innate something that told of careful training from
+the cradle? They seemed as if they had never shed tears nor wailed
+like other children. Their mother knew, as it were, by electrically
+swift intuition, the desires and the pains which she anticipated and
+relieved. She seemed to dread a complaint from one of them more than
+the loss of her soul. Everything in her children did honor to their
+mother's training. Their threefold life, seemingly one life, called up
+vague, fond thoughts; it was like a vision of the dreamed-of bliss of
+a better world. And the three, so attuned to each other, lived in
+truth such a life as one might picture for them at first sight--the
+ordered, simple, and regular life best suited for a child's education.
+
+Both children rose an hour after daybreak and repeated a short prayer,
+a habit learned in their babyhood. For seven years the sincere
+petition had been put up every morning on their mother's bed, and
+begun and ended by a kiss. Then the two brothers went through their
+morning toilet as scrupulously as any pretty woman; doubtless they had
+been trained in habits of minute attention to the person, so necessary
+to health of body and mind, habits in some sort conducive to a sense
+of wellbeing. Conscientiously they went through their duties, so
+afraid were they lest their mother should say when she kissed them at
+breakfast-time, "My darling children, where can you have been to have
+such black finger-nails already?" Then the two went out into the
+garden and shook off the dreams of the night in the morning air and
+dew, until sweeping and dusting operations were completed, and they
+could learn their lessons in the sitting-room until their mother
+joined them. But although it was understood that they must not go to
+their mother's room before a certain hour, they peeped in at the door
+continually; and these morning inroads, made in defiance of the
+original compact, were delicious moments for all three. Marie sprang
+upon the bed to put his arms around his idolized mother, and Louis,
+kneeling by the pillow, took her hand in his. Then came inquiries,
+anxious as a lover's, followed by angelic laughter, passionate
+childish kisses, eloquent silences, lisping words, and the little
+ones' stories interrupted and resumed by a kiss, stories seldom
+finished, though the listener's interest never failed.
+
+"Have you been industrious?" their mother would ask, but in tones so
+sweet and so kindly that she seemed ready to pity laziness as a
+misfortune, and to glance through tears at the child who was satisfied
+with himself.
+
+She knew that the thought of pleasing her put energy into the
+children's work; and they knew that their mother lived for them, and
+that all her thoughts and her time were given to them. A wonderful
+instinct, neither selfishness nor reason, perhaps the first innocent
+beginnings of sentiment teaches children to know whether or not they
+are the first and sole thought, to find out those who love to think of
+them and for them. If you really love children, the dear little ones,
+with open hearts and unerring sense of justice, are marvelously ready
+to respond to love. Their love knows passion and jealousy and the most
+gracious delicacy of feeling; they find the tenderest words of
+expression; they trust you--put an entire belief in you. Perhaps there
+are no undutiful children without undutiful mothers, for a child's
+affection is always in proportion to the affection that it receives--
+in early care, in the first words that it hears, in the response of
+the eyes to which a child first looks for love and life. All these
+things draw them closer to the mother or drive them apart. God lays
+the child under the mother's heart, that she may learn that for a long
+time to come her heart must be its home. And yet--there are mothers
+cruelly slighted, mothers whose sublime, pathetic tenderness meets
+only a harsh return, a hideous ingratitude which shows how difficult
+it is to lay down hard-and-fast rules in matters of feeling.
+
+Here, not one of all the thousand heart ties that bind child and
+mother had been broken. The three were alone in the world; they lived
+one life, a life of close sympathy. If Mme. Willemsens was silent in
+the morning, Louis and Marie would not speak, respecting everything in
+her, even those thoughts which they did not share. But the older boy,
+with a precocious power of thought, would not rest satisfied with his
+mother's assertion that she was perfectly well. He scanned her face
+with uneasy forebodings; the exact danger he did not know, but dimly
+he felt it threatening in those purple rings about her eyes, in the
+deepening hollows under them, and the feverish red that deepened in
+her face. If Marie's play began to tire her, his sensitive tact was
+quick to discover this, and he would call to his brother:
+
+"Come, Marie! let us run in to breakfast, I am hungry!"
+
+But when they reached the door, he would look back to catch the
+expression on his mother's face. She still could find a smile for him,
+nay, often there were tears in her eyes when some little thing
+revealed her child's exquisite feeling, a too early comprehension of
+sorrow.
+
+Mme. Willemsens dressed during the children's early breakfast and game
+of play; she was coquettish for her darlings; she wished to be
+pleasing in their eyes; for them she would fain be in all things
+lovely, a gracious vision, with the charm of some sweet perfume of
+which one can never have enough.
+
+She was always dressed in time to hear their lessons, which lasted
+from ten till three, with an interval at noon for lunch, the three
+taking the meal together in the summer-house. After lunch the children
+played for an hour, while she--poor woman and happy mother--lay on a
+long sofa in the summer-house, so placed that she could look out over
+the soft, ever-changing country of Touraine, a land that you learn to
+see afresh in all the thousand chance effects produced by daylight and
+sky and the time of year.
+
+The children scampered through the orchard, scrambled about the
+terraces, chased the lizards, scarcely less nimble than they;
+investigating flowers and seeds and insects, continually referring all
+questions to their mother, running to and fro between the garden and
+the summer-house. Children have no need of toys in the country,
+everything amuses them.
+
+Mme. Willemsens sat at her embroidery during their lessons. She never
+spoke, nor did she look at masters or pupils; but she followed
+attentively all that was said, striving to gather the sense of the
+words to gain a general idea of Louis' progress. If Louis asked a
+question that puzzled his master, his mother's eyes suddenly lighted
+up, and she would smile and glance at him with hope in her eyes. Of
+Marie she asked little. Her desire was with her eldest son. Already
+she treated him, as it were, respectfully, using all a woman's, all a
+mother's tact to arouse the spirit of high endeavor in the boy, to
+teach him to think of himself as capable of great things. She did this
+with a secret purpose, which Louis was to understand in the future;
+nay, he understood it already.
+
+Always, the lesson over, she went as far as the gate with the master,
+and asked strict account of Louis' progress. So kindly and so winning
+was her manner, that his tutors told her the truth, pointing out where
+Louis was weak, so that she might help him in his lessons. Then came
+dinner, and play after dinner, then a walk, and lessons were learned
+till bedtime.
+
+So their days went. It was a uniform but full life; work and
+amusements left them not a dull hour in the day. Discouragement and
+quarreling were impossible. The mother's boundless love made
+everything smooth. She taught her little sons moderation by refusing
+them nothing, and submission by making them see underlying Necessity
+in its many forms; she put heart into them with timely praise;
+developing and strengthening all that was best in their natures with
+the care of a good fairy. Tears sometimes rose to her burning eyes as
+she watched them play, and thought how they had never caused her the
+slightest vexation. Happiness so far-reaching and complete brings such
+tears, because for us it represents the dim imaginings of Heaven which
+we all of us form in our minds.
+
+Those were delicious hours spent on that sofa in the garden-house, in
+looking out on sunny days over the wide stretches of river and the
+picturesque landscape, listening to the sound of her children's voices
+as they laughed at their own laughter, to the little quarrels that
+told most plainly of their union of heart, of Louis' paternal care of
+Marie, of the love that both of them felt for her. They spoke English
+and French equally well (they had had an English nurse since their
+babyhood), so their mother talked to them in both languages; directing
+the bent of their childish minds with admirable skill, admitting no
+fallacious reasoning, no bad principle. She ruled by kindness,
+concealing nothing, explaining everything. If Louis wished for books,
+she was careful to give him interesting yet accurate books--books of
+biography, the lives of great seamen, great captains, and famous men,
+for little incidents in their history gave her numberless
+opportunities of explaining the world and life to her children. She
+would point out the ways in which men, really great in themselves, had
+risen from obscurity; how they had started from the lowest ranks of
+society, with no one to look to but themselves, and achieved noble
+destinies.
+
+These readings, and they were not the least useful of Louis' lessons,
+took place while little Marie slept on his mother's knee in the quiet
+of the summer night, and the Loire reflected the sky; but when they
+ended, this adorable woman's sadness always seemed to be doubled; she
+would cease to speak, and sit motionless and pensive, and her eyes
+would fill with tears.
+
+"Mother, why are you crying?" Louis asked one balmy June evening, just
+as the twilight of a soft-lit night succeeded to a hot day.
+
+Deeply moved by his trouble, she put her arm about the child's neck
+and drew him to her.
+
+"Because, my boy, the lot of Jameray Duval, the poor and friendless
+lad who succeeded at last, will be your lot, yours and your brother's,
+and I have brought it upon you. Before very long, dear child, you will
+be alone in the world, with no one to help or befriend you. While you
+are still children, I shall leave you, and yet, if only I could wait
+till you are big enough and know enough to be Marie's guardian! But I
+shall not live so long. I love you so much that it makes me very
+unhappy to think of it. Dear children, if only you do not curse me
+some day!----"
+
+"But why should I curse you some day, mother?"
+
+"Some day," she said, kissing him on the forehead, "you will find out
+that I have wronged you. I am going to leave you, here, without money,
+without"--and she hesitated--"without a father," she added, and at the
+word she burst into tears and put the boy from her gently. A sort of
+intuition told Louis that his mother wished to be alone, and he
+carried off Marie, now half awake. An hour later, when his brother was
+in bed, he stole down and out to the summer-house where his mother was
+sitting.
+
+"Louis! come here."
+
+The words were spoken in tones delicious to his heart. The boy sprang
+to his mother's arms, and the two held each other in an almost
+convulsive embrace.
+
+"Cherie," he said at last, the name by which he often called her,
+finding that even loving words were too weak to express his feeling,
+"cherie, why are you afraid that you are going to die?"
+
+"I am ill, my poor darling; every day I am losing strength, and there
+is no cure for my illness; I know that."
+
+"What is the matter with you?"
+
+"Something that I ought to forget; something that you must never know.
+--You must not know what caused my death."
+
+The boy was silent for a while. He stole a glance now and again at his
+mother; and she, with her eyes raised to the sky, was watching the
+clouds. It was a sad, sweet moment. Louis could not believe that his
+mother would die soon, but instinctively he felt trouble which he
+could not guess. He respected her long musings. If he had been rather
+older, he would have read happy memories blended with thoughts of
+repentance, the whole story of a woman's life in that sublime face--
+the careless childhood, the loveless marriage, a terrible passion,
+flowers springing up in storm and struck down by the thunderbolt into
+an abyss from which there is no return.
+
+"Darling mother," Louis said at last, "why do you hide your pain from
+me?"
+
+"My boy, we ought to hide our troubles from strangers," she said; "we
+should show them a smiling face, never speak of ourselves to them, nor
+think about ourselves; and these rules, put in practice in family
+life, conduce to its happiness. You will have much to bear one day! Ah
+me! then think of your poor mother who died smiling before your eyes,
+hiding her sufferings from you, and you will take courage to endure
+the ills of life."
+
+She choked back her tears, and tried to make the boy understand the
+mechanism of existence, the value of money, the standing and
+consideration that it gives, and its bearing on social position; the
+honorable means of gaining a livelihood, and the necessity of a
+training. Then she told him that one of the chief causes of her
+sadness and her tears was the thought that, on the morrow of her
+death, he and Marie would be left almost resourceless, with but a
+slender stock of money, and no friend but God.
+
+"How quick I must be about learning!" cried Louis, giving her a
+piteous, searching look.
+
+"Oh! how happy I am!" she said, showering kisses and tears on her son.
+"He understands me!--Louis," she went on, "you will be your brother's
+guardian, will you not? You promise me that? You are no longer a
+child!"
+
+"Yes, I promise," he said; "but you are not going to die yet--say that
+you are not going to die!"
+
+"Poor little ones!" she replied, "love for you keeps the life in me.
+And this country is so sunny, the air is so bracing, perhaps----"
+
+"You make me love Touraine more than ever," said the child.
+
+From that day, when Mme. Willemsens, foreseeing the approach of death,
+spoke to Louis of his future, he concentrated his attention on his
+work, grew more industrious, and less inclined to play than
+heretofore. When he had coaxed Marie to read a book and to give up
+boisterous games, there was less noise in the hollow pathways and
+gardens and terraced walks of La Grenadiere. They adapted their lives
+to their mother's melancholy. Day by day her face was growing pale and
+wan, there were hollows now in her temples, the lines in her forehead
+grew deeper night after night.
+
+August came. The little family had been five months at La Grenadiere,
+and their whole life was changed. The old servant grew anxious and
+gloomy as she watched the almost imperceptible symptoms of slow
+decline in the mistress, who seemed to be kept in life by an
+impassioned soul and intense love of her children. Old Annette seemed
+to see that death was very near. That mistress, beautiful still, was
+more careful of her appearance than she had ever been; she was at
+pains to adorn her wasted self, and wore paint on her cheeks; but
+often while she walked on the upper terrace with the children,
+Annette's wrinkled face would peer out from between the savin trees by
+the pump. The old woman would forget her work, and stand with wet
+linen in her hands, scarce able to keep back her tears at the sight of
+Mme. Willemsens, so little like the enchanting woman she once had
+been.
+
+The pretty house itself, once so gay and bright, looked melancholy; it
+was a very quiet house now, and the family seldom left it, for the
+walk to the bridge was too great an effort for Mme. Willemsens. Louis
+had almost identified himself, as it were, with his mother, and with
+his suddenly developed powers of imagination he saw the weariness and
+exhaustion under the red color, and constantly found reasons for
+taking some shorter walk.
+
+So happy couples coming to Saint-Cyr, then the Petite Courtille of
+Tours, and knots of folk out for their evening walk along the "dike,"
+saw a pale, thin figure dressed in black, a woman with a worn yet
+bright face, gliding like a shadow along the terraces. Great suffering
+cannot be concealed. The vinedresser's household had grown quiet also.
+Sometimes the laborer and his wife and children were gathered about
+the door of their cottage, while Annette was washing linen at the
+well-head, and Mme. Willemsens and the children sat in the summer-
+house, and there was not the faintest sound in those gardens gay with
+flowers. Unknown to Mme. Willemsens, all eyes grew pitiful at the
+sight of her, she was so good, so thoughtful, so dignified with those
+with whom she came in contact.
+
+And as for her.--When the autumn days came on, days so sunny and
+bright in Touraine, bringing with them grapes and ripe fruits and
+healthful influences which must surely prolong life in spite of the
+ravages of mysterious disease--she saw no one but her children, taking
+the utmost that the hour could give her, as if each hour had been her
+last.
+
+Louis had worked at night, unknown to his mother, and made immense
+progress between June and September. In algebra he had come as far as
+equations with two unknown quantities; he had studied descriptive
+geometry, and drew admirably well; in fact, he was prepared to pass
+the entrance examination of the Ecole polytechnique.
+
+Sometimes of an evening he went down to the bridge of Tours. There was
+a lieutenant there on half-pay, an Imperial naval officer, whose manly
+face, medal, and gait had made an impression on the boy's imagination,
+and the officer on his side had taken a liking to the lad, whose eyes
+sparkled with energy. Louis, hungering for tales of adventure, and
+eager for information, used to follow in the lieutenant's wake for the
+chance of a chat with him. It so happened that the sailor had a friend
+and comrade in the colonel of a regiment of infantry, struck off the
+rolls like himself; and young Louis-Gaston had a chance of learning
+what life was like in camp or on board a man-of-war. Of course, he
+plied the veterans with questions; and when he had made up his mind to
+the hardships of their rough callings, he asked his mother's leave to
+take country walks by way of amusement. Mme. Willemsens was beyond
+measure glad that he should ask; the boy's astonished masters had told
+her that he was overworking himself. So Louis went for long walks. He
+tried to inure himself to fatigue, climbed the tallest trees with
+incredible quickness, learned to swim, watched through the night. He
+was not like the same boy; he was a young man already, with a
+sunburned face, and a something in his expression that told of deep
+purpose.
+
+When October came, Mme. Willemsens could only rise at noon. The
+sunshine, reflected by the surface of the Loire, and stored up by the
+rocks, raised the temperature of the air till it was almost as warm
+and soft as the atmosphere of the Bay of Naples, for which reason the
+faculty recommend the place of abode. At mid-day she came out to sit
+under the shade of green leaves with the two boys, who never wandered
+from her now. Lessons had come to an end. Mother and children wished
+to live the life of heart and heart together, with no disturbing
+element, no outside cares. No tears now, no joyous outcries. The elder
+boy, lying in the grass at his mother's side, basked in her eyes like
+a lover and kissed her feet. Marie, the restless one, gathered flowers
+for her, and brought them with a subdued look, standing on tiptoe to
+put a girlish kiss on her lips. And the pale woman, with the great
+tired eyes and languid movements, never uttered a word of complaint,
+and smiled upon her children, so full of life and health--it was a
+sublime picture, lacking no melancholy autumn pomp of yellow leaves
+and half-despoiled branches, nor the softened sunlight and pale clouds
+of the skies of Touraine.
+
+At last the doctor forbade Mme. Willemsens to leave her room. Every
+day it was brightened by the flowers that she loved, and her children
+were always with her. One day, early in November, she sat at the piano
+for the last time. A picture--a Swiss landscape--hung above the
+instrument; and at the window she could see her children standing with
+their heads close together. Again and again she looked from the
+children to the landscape, and then again at the children. Her face
+flushed, her fingers flew with passionate feeling over the ivory keys.
+This was her last great day, an unmarked day of festival, held in her
+own soul by the spirit of her memories. When the doctor came, he
+ordered her to stay in bed. The alarming dictum was received with
+bewildered silence.
+
+When the doctor had gone, she turned to the older boy.
+
+"Louis," she said, "take me out on the terrace, so that I may see my
+country once more."
+
+The boy gave his arm at those simply uttered words, and brought his
+mother out upon the terrace; but her eyes turned, perhaps
+unconsciously, to heaven rather than to the earth, and indeed, it
+would have been hard to say whether heaven or earth was the fairer--
+for the clouds traced shadowy outlines, like the grandest Alpine
+glaciers, against the sky. Mme. Willemsens' brows contracted
+vehemently; there was a look of anguish and remorse in her eyes. She
+caught the children's hands, and clutched them to a heavily-throbbing
+heart.
+
+" 'Parentage unknown!' " she cried, with a look that went to their
+hearts. "Poor angels, what will become of you? And when you are twenty
+years old, what strict account may you not require of my life and your
+own?"
+
+She put the children from her, and leaning her arms upon the
+balustrade, stood for a while hiding her face, alone with herself,
+fearful of all eyes. When she recovered from the paroxysm, she saw
+Louis and Marie kneeling on either side of her, like two angels; they
+watched the expression of her face, and smiled lovingly at her.
+
+"If only I could take that smile with me!" she said, drying her eyes.
+
+Then she went into the house and took to the bed, which she would only
+leave for her coffin.
+
+A week went by, one day exactly like another. Old Annette and Louis
+took it in turns to sit up with Mme. Willemsens, never taking their
+eyes from the invalid. It was the deeply tragical hour that comes in
+all our lives, the hour of listening in terror to every deep breath
+lest it should be the last, a dark hour protracted over many days. On
+the fifth day of that fatal week the doctor interdicted flowers in the
+room. The illusions of life were going one by one.
+
+Then Marie and his brother felt their mother's lips hot as fire
+beneath their kisses; and at last, on the Saturday evening, Mme.
+Willemsens was too ill to bear the slightest sound, and her room was
+left in disorder. This neglect for a woman of refined taste, who clung
+so persistently to the graces of life, meant the beginning of the
+death-agony. After this, Louis refused to leave his mother. On Sunday
+night, in the midst of the deepest silence, when Louis thought that
+she had grown drowsy, he saw a white, moist hand move the curtain in
+the lamplight.
+
+"My son!" she said. There was something so solemn in the dying woman's
+tones, that the power of her wrought-up soul produced a violent
+reaction on the boy; he felt an intense heat pass through the marrow
+of his bones.
+
+"What is it, mother?"
+
+"Listen! To-morrow all will be over for me. We shall see each other no
+more. To-morrow you will be a man, my child. So I am obliged to make
+some arrangements, which must remain a secret, known only to us. Take
+the key of my little table. That is it. Now open the drawer. You will
+find two sealed papers to the left. There is the name of LOUIS on one,
+and on the other MARIE."
+
+"Here they are, mother."
+
+"Those are your certificates of birth, darling; you will want them.
+Give them to our poor, old Annette to keep for you; ask her for them
+when you need them. Now," she continued, "is there not another paper
+as well, something in my handwriting?"
+
+"Yes, mother," and Louis began to read, "MARIE WILLEMSENS, BORN
+AT----"
+
+"That is enough," she broke in quickly, "do not go on. When I am dead,
+give that paper, too, to Annette, and tell her to send it to the
+registrar at Saint-Cyr; it will be wanted if my certificate of death
+is to be made out in due form. Now find writing materials for a letter
+which I will dictate to you."
+
+When she saw that he was ready to begin, and turned towards her for
+the words, they came from her quietly:--
+
+"Monsieur le Comte, your wife, Lady Brandon, died at Saint-Cyr, near
+Tours, in the department of Indre-et-Loire. She forgave you."
+
+"Sign yourself----" she stopped, hesitating and perturbed.
+
+"Are you feeling worse?" asked Louis.
+
+"Put 'Louis-Gaston,' " she went on.
+
+She sighed, then she went on.
+
+"Seal the letter, and direct it. To Lord Brandon, Brandon Square, Hyde
+Park, London, Angleterre.--That is right. When I am dead, post the
+letter in Tours, and prepay the postage.--Now," she added, after a
+pause, "take the little pocketbook that you know, and come here, my
+dear child. . . . There are twelve thousand francs in it," she said,
+when Louis had returned to her side. "That is all your own. Oh me! you
+would have been better off if your father----"
+
+"My father," cried the boy, "where is he?"
+
+"He is dead," she said, laying her finger on her lips; "he died to
+save my honor and my life."
+
+She looked upwards. If any tears had been left to her, she would have
+wept for pain.
+
+"Louis," she continued, "swear to me, as I lie here, that you will
+forget all that you have written, all that I have told you."
+
+"Yes, mother."
+
+"Kiss me, dear angel."
+
+She was silent for a long while, she seemed to be drawing strength
+from God, and to be measuring her words by the life that remained in
+her.
+
+"Listen," she began. "Those twelve thousand francs are all that you
+have in the world. You must keep the money upon you, because when I am
+dead the lawyers will come and seal everything up. Nothing will be
+yours then, not even your mother. All that remains for you to do will
+be to go out, poor orphan children, God knows where. I have made
+Annette's future secure. She will have an annuity of a hundred crowns,
+and she will stay at Tours no doubt. But what will you do for yourself
+and your brother?"
+
+She raised herself, and looked at the brave child, standing by her
+bedside. There were drops of perspiration on his forehead, he was pale
+with emotion, and his eyes were dim with tears.
+
+"I have thought it over, mother," he answered in a deep voice. "I will
+take Marie to the school here in Tours. I will give ten thousand
+francs to our old Annette, and ask her to take care of them, and to
+look after Marie. Then, with the remaining two thousand francs, I will
+go to Brest, and go to sea as an apprentice. While Marie is at school,
+I will rise to be a lieutenant on board a man-of-war. There, after
+all, die in peace, my mother; I shall come back again a rich man, and
+our little one shall go to the Ecole polytechnique, and I will find a
+career to suit his bent."
+
+A gleam of joy shone in the dying woman's eyes. Two tears brimmed
+over, and fell over her fevered cheeks; then a deep sigh escaped
+between her lips. The sudden joy of finding the father's spirit in the
+son, who had grown all at once to be a man, almost killed her.
+
+"Angel of heaven," she cried, weeping, "by one word you have effaced
+all my sorrows. Ah! I can bear them.--This is my son," she said, "I
+bore, I reared this man," and she raised her hands above her, and
+clasped them as if in ecstasy, then she lay back on the pillow.
+
+"Mother, your face is growing pale!" cried the lad.
+
+"Some one must go for a priest," she answered, with a dying voice.
+
+Louis wakened Annette, and the terrified old woman hurried to the
+parsonage at Saint-Cyr.
+
+When morning came, Mme. Willemsens received the sacrament amid the
+most touching surroundings. Her children were kneeling in the room,
+with Annette and the vinedresser's family, simple folk, who had
+already become part of the household. The silver crucifix, carried by
+a chorister, a peasant child from the village, was lifted up, and the
+dying mother received the Viaticum from an aged priest. The Viaticum!
+sublime word, containing an idea yet more sublime, an idea only
+possessed by the apostolic religion of the Roman church.
+
+"This woman has suffered greatly!" the old cure said in his simple
+way.
+
+Marie Willemsens heard no voices now, but her eyes were still fixed
+upon her children. Those about her listened in terror to her breathing
+in the deep silence; already it came more slowly, though at intervals
+a deep sigh told them that she still lived, and of a struggle within
+her; then at last it ceased. Every one burst into tears except Marie.
+He, poor child, was still too young to know what death meant.
+
+Annette and the vinedresser's wife closed the eyes of the adorable
+woman, whose beauty shone out in all its radiance after death. Then
+the women took possession of the chamber of death, removed the
+furniture, wrapped the dead in her winding-sheet, and laid her upon
+the couch. They lit tapers about her, and arranged everything--the
+crucifix, the sprigs of box, and the holy-water stoup--after the
+custom of the countryside, bolting the shutters and drawing the
+curtains. Later the curate came to pass the night in prayer with
+Louis, who refused to leave his mother. On Tuesday morning an old
+woman and two children and a vinedresser's wife followed the dead to
+her grave. These were the only mourners. Yet this was a woman whose
+wit and beauty and charm had won a European reputation, a woman whose
+funeral, if it had taken place in London, would have been recorded in
+pompous newspaper paragraphs, as a sort of aristocratic rite, if she
+had not committed the sweetest of crimes, a crime always expiated in
+this world, so that the pardoned spirit may enter heaven. Marie cried
+when they threw the earth on his mother's coffin; he understood that
+he should see her no more.
+
+A simple, wooden cross, set up to mark her grave, bore this
+inscription, due to the cure of Saint-Cyr:--
+
+ HERE LIES
+ AN UNHAPPY WOMAN,
+ WHO DIED AT THE AGE OF THIRTY-SIX.
+KNOWN IN HEAVEN BY THE NAME OF AUGUSTA.
+ Pray for her!
+
+When all was over, the children came back to La Grenadiere to take a
+last look at their home; then, hand in hand, they turned to go with
+Annette, leaving the vinedresser in charge, with directions to hand
+over everything duly to the proper authorities.
+
+At this moment, Annette called to Louis from the steps by the kitchen
+door, and took him aside with, "Here is madame's ring, Monsieur
+Louis."
+
+The sight of this vivid remembrance of his dead mother moved him so
+deeply that he wept. In his fortitude, he had not even thought of this
+supreme piety; and he flung his arms round the old woman's neck. Then
+the three set out down the beaten path, and the stone staircase, and
+so to Tours, without turning their heads.
+
+"Mamma used to come there!" Marie said when they reached the bridge.
+
+Annette had a relative, a retired dressmaker, who lived in the Rue de
+la Guerche. She took the two children to this cousin's house, meaning
+that they should live together thenceforth. But Louis told her of his
+plans, gave Marie's certificate of birth and the ten thousand francs
+into her keeping, and the two went the next morning to take Marie to
+school.
+
+Louis very briefly explained his position to the headmaster, and went.
+Marie came with him as far as the gateway. There Louis gave solemn
+parting words of the tenderest counsel, telling Marie that he would
+now be left alone in the world. He looked at his brother for a moment,
+and put his arms about him, took one more long look, brushed a tear
+from his eyes, and went, turning again and again till the very last to
+see his brother standing there in the gateway of the school.
+
+
+
+A month later Louis-Gaston, now an apprentice on board a man-of-war,
+left the harbor of Rochefort. Leaning over the bulwarks of the
+corvette Iris, he watched the coast of France receding swiftly till it
+became indistinguishable from the faint blue horizon line. In a little
+while he felt that he was really alone, and lost in the wide ocean,
+lost and alone in the world and in life.
+
+"There is no need to cry, lad; there is a God for us all," said an old
+sailor, with rough kindliness in his thick voice.
+
+The boy thanked him with pride in his eyes. Then he bowed his head,
+and resigned himself to a sailor's life. He was a father.
+
+
+
+ANGOULEME, August, 1832.
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+Brandon, Lady Marie Augusta
+ The Member for Arcis
+ The Lily of the Valley
+ La Grenadiere
+
+Gaston, Louis
+ La Grenadiere
+ Letters of Two Brides
+
+Gaston, Marie
+ La Grenadiere
+ Letters of Two Brides
+ The Member for Arcis
+
+
+
+
+
+End of Project Gutenberg's Etext of La Grenadiere, by Honore de Balzac
+
diff --git a/old/old/grndr10.zip b/old/old/grndr10.zip
new file mode 100644
index 0000000..2ca9774
--- /dev/null
+++ b/old/old/grndr10.zip
Binary files differ