summaryrefslogtreecommitdiff
path: root/old/14057.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/14057.txt')
-rw-r--r--old/14057.txt1746
1 files changed, 1746 insertions, 0 deletions
diff --git a/old/14057.txt b/old/14057.txt
new file mode 100644
index 0000000..e84d2b3
--- /dev/null
+++ b/old/14057.txt
@@ -0,0 +1,1746 @@
+The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 101.
+October 24, 1891, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, Or The London Charivari, Vol. 101. October 24, 1891
+
+Author: Various
+
+Release Date: November 15, 2004 [EBook #14057]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 101 ***
+
+
+
+
+Produced by Malcolm Farmer, William Flis, and the PG Online
+Distributed Proofreading Team
+
+
+
+
+
+PUNCH,
+
+OR THE LONDON CHARIVARI.
+
+VOL. 101.
+
+
+
+October 24, 1891.
+
+
+
+
+LAISSEZ FAIRE.
+
+(_INSCRIPTION FOR A FREE PUBLIC LIBRARY._)
+
+[Illustration]
+
+ Here is an Institution doomed to scare
+ The furious devotees of _Laissez Faire_.
+ What mental shock, indeed, could prove immenser
+ To Mumbo Jumbo--or to HERBERT SPENCER?
+ Free Books? Reading provided from the Rates?
+ Oh, that means Freedom's ruin, and the State's!
+ Self-help's all right,--e'en if you rob a brother--
+ But human creatures must _not_ help each other!
+ The "Self-made Man," whom SAMUEL SMILES so praises,
+ Who on his fellows' necks his footing raises,
+ The systematic "Sweater," who sucks wealth
+ From toiling crowds by cunning and by stealth,--
+ _He_ is all right, _he_ has no maudlin twist,
+ _He_ does not shock the Individualist!
+ But rate yourselves to give the poor free reading?
+ The Pelican to warm her nestlings bleeding,
+ Was no such monument of feeble folly.
+ _Let folks alone_, and all will then be jolly.
+ Let the poor perish, let the ignorant sink,
+ The tempted tumble, and the drunkard drink!
+ Let--no, _don't_ let the low-born robber rob,
+ Because,--well, that would rather spoil the job.
+ If footpad-freedom brooked no interference,
+ Of Capital there might be a great clearance;
+ But, Wealth well-guarded, let all else alone.
+ 'Tis thus our race hath to true manhood grown:
+ To make the general good the common care,
+ Breaks through the sacred law of _Laissez Faire_!
+
+ * * * * *
+
+A REMONSTRANCE.
+
+_TO LUKE'S LITTLE SUMMER._
+
+[Illustration]
+
+ Ah, Summer! now thy wayward race is run,
+ With soft, appeasing smiles thou com'st, like one
+ Who keeps a pageant waiting all the day,
+ Till half the guests and all the joy is gone,
+ And hearts are heavy that awoke so gay.
+
+ What though the faithful trees, still gladly green,
+ Show fretted depths of blue their boughs between,
+ Though placid sunlight sleeps upon the lawn,
+ It only tells us of what might have been
+ Of fickle favours wantonly withdrawn.
+
+ Blown with rude winds, and beaten down with rain,
+ How can the roses dare to trust again
+ The tricksy mistress whom they once adored?
+ Even the glad heaven, chilled with stormy stain,
+ Grudges its skylark pilgrims of its hoard.
+
+ Poor is the vintage that the wild bee quiffs,
+ When the tall simple lilies--the giraffes
+ That browse on loftier air than other flowers--
+ When all the blooms, wherewith late Summer laughs,
+ Like chidden children droop among the bowers.
+
+ Oft like a moorhen scuttling to the reeds,
+ The cricket-ball sped o'er the plashy meads,
+ And rainbow-blended blazers shrank and ran
+ When showers, in mockery of his moist needs,
+ Half-drown'd the water-loving river man.
+
+ What woman's rights have crazed thee?
+ Would'st thou be
+ A Winter Amazon, more fierce than he?
+ Can Summer birds thy shrew-heroics sing?
+ Wilt tend no more the daisies on the lea,
+ Nor wake thy cowslips up on May morning?
+
+ What, shall we brew us possets by the fire
+ And let the wild rose shiver on the brier.
+ The cowslip tremble in the meadows chill,
+ While thy unlovely battle-call wails higher
+ And dusty squadrons charge adown the hill?
+
+ It is too late; thou art no love of mine;
+ I answer not this sigh, this kiss divine;
+ The sunlight penitently streaming down
+ Shines through the paling leaf like thinnest wine
+ Quaff'd in the clear air of a mountain town.
+
+ Farewell! For old love's sake I kiss thy hands;
+ Go on thy way; away to other lands
+ That love thee less, and need thee less than we;
+ Pour out thy passion on some desert sands,
+ Forget thy lover of the Northern Sea.
+
+ Away with fond pretence; let winter come
+ With snow that strikes the heaviest footfall dumb.
+ We know the worst, and face his rage with glee;
+ And, though the world without be ne'er so glum,
+ Sit by the hearth, and dream and talk--of thee.
+
+ Yes, come again with earliest April; stay,
+ Thyself once more, through the fair time when day
+ Clasps hand with day, through the brief hush of night--
+ A twilight bower of roses, where in play
+ Dance little maidens through from light to light.
+
+ * * * * *
+
+BIRDS OF A FEATHER.
+
+ [Lord HAWKE's team of Cricketers were beaten at Manheim by
+ the Philadelphians by eight wickets whereat the _Philadelphia
+ Ledger_ cockadoodles considerably. The Britishers, however,
+ won the return match somewhat easily.]
+
+ The Yankee Eagle well might squeal and squawk
+ At having licked the British bird (Lord) HAWKE.
+ But when that HAWKE his brood had "pulled together,"
+ That Eagle found it yet might "moult a feather."
+ Go it, ye friendly-fighting fowls! But know
+ 'Tis only "Roosters" who o'er conquest _crow_!
+
+ * * * * *
+
+HOME SWEET HOME!
+
+(_BY ONE WHO BELIEVES THERE'S NO PLACE LIKE IT._)
+
+[Illustration]
+
+ Sweet to return (for home the Briton hankers,
+ After an exile of two months or so,
+ Swiss or Italian). Sweet--to find your Banker's
+ Balance getting low.
+
+ Sweet to return from Como or Sorrento.
+ Meshed in their shimmering net of drowsy sheen,
+ Into a climate that you know not when to
+ Really call serene.
+
+ Sweet to return from hostelries whose waiters
+ Rush to fulfil your slightest word or whim,
+ Back to a cook who passionately caters
+ Not for you, but _him_.
+
+ Sweet to return from _Table-d'Hotes_ disgusting
+ (Oh, how you grumbled at the _Sauce Romaine_!)
+ Fresh to the filmy succulence incrusting
+ Solid joints again.
+
+ Sweet to return from Innkeepers demurely
+ Pricing your candle at a franc unshamed,
+ Back to a land where perquisites are surely
+ Never, never claimed.
+
+ Sweet to return from bargaining, disputing,
+ _Pourboires_ and _Trinkgelds_ grudgingly bestowed--
+ Unto the simple charioteers of Tooting,
+ Or the Cromwell Road.
+
+ Sweet to return from "all those dreadful tourists,"
+ Such mixed society as chance allots,
+ E'en to the social splendour of the purists
+ Of those sparkling spots.
+
+ Sweet to return to bills and fogs and duty!
+ (Some of the latter at our Custom House)
+ Sweet, after smaller game, to hail the beauty
+ Of the British mouse!
+
+ Sweet too the sight of cockchafer; and sweet'll
+ Welcome the pilgrim, doomed too long to roam,
+ England's tried sentinel, the black, black beetle
+ With his "Home, sweet Home!"
+
+ * * * * *
+
+[Illustration: LONDON'S DILEMMA; OR, "FAIR ROSAMOND" UP TO DATE.
+
+(_Lately-discovered Fragments of a valuable and interesting "Variant"
+of the old Ballad Story._)]
+
+ * * * * *
+
+ When as VICTORIA rulde this land,
+ The firste of that greate name,
+ Faire Loundonne, of the cockneyes lovde,
+ Attaynd to power and fame.
+
+ Most peerlesse was her splendoure founde,
+ Her favour, and her face;
+ Yet was there one thing marred her weale,
+ And wroughte her dire disgrace.
+
+ Her dower was all that showered golde,
+ Like Danae's, could her lende,
+ Yet dwelt she in the ogreish holde
+ Of fell and fearsome fiende.
+
+ Yea Loundonne Towne, faire Loundonne Towne,
+ Her name was called so,
+ To whom the Witch Monopolie
+ Was known a deadlye foe.
+
+ * * * * *
+
+ Now when ye Countie Councile woke,
+ And FARRER rose to fame,
+ With envious heart Monopolie
+ To Loundonne straightway came.
+
+ "Cast off from thee those schemes," said she,
+ "That greate and costlye bee,
+ And drinke thou up this deadlye cup,
+ Which I have brought to thee!"
+
+ "Take pitty on my awkward plight!"
+ Faire Loundonne she dyd crye,
+ "And lett me not with poison stronge
+ Enforced be to dye!"
+
+ Then out and laught that wicked Witch:
+ "If that you will not drinke,
+ This dagger choose! Though you be riche,
+ You'll shrinke from _that_, I thinke."
+
+ The dagger was a magic blayde,
+ With figures graven o'er,
+ Which, as you gazed thereon, did seeme
+ To growe to more and more.
+
+ "Nay," quothe faire Loundonne, "'tis but choyce
+ 'Twixt dyvill and deepe sea!
+ I praye thee take thyself awaye,
+ And leave the jobbe to me!"
+
+ But nothynge could this grasping Witch
+ Therewith appeased be.
+ The cup of deadlye poison stronge,
+ As she knelt on her knee,
+
+ She gave this comely dame to drinke,
+ Who tooke it in her hande,
+ Then from her bended knees arose,
+ And on her feet did stande.
+
+ And casting Council-wards her eyes,
+ She did for rescue call,
+ When--[_Fragmentes further may be founde,_
+ _At presente thys is alle!_
+
+ _If close researche, as welle we hope,_
+ _Perchaunce complete ye texte,_
+ _This ballade, as scribes saye, shall be_
+ _"Continued in our next!"_]
+
+ * * * * *
+
+ADVERTISEMENT EXTRAORDINARY.
+
+[Illustration]
+
+Wanted, a few good extra Judges, who will be prepared to do all the
+work at present delayed or neglected by the existing members of the
+Bench. They will be expected to dispense with all vacations except a
+week at Christmas, five days at Easter, and a fortnight from the first
+to the fifteenth of October. They will devote their entire time to the
+service of the State, both day and night. Their day will be devoted to
+business in the High Court of Justice in the Strand, and when required
+they will go Circuit (by special express) sitting at the various
+assizes from 9 P.M. until 3 A.M., returning to London by trains timed
+to reach the Metropolis sufficiently early to allow of the usual
+morning sitting. They will be further required to consider their
+leisure (if any) entirely at the disposal of those members of the
+Bar and Solicitors who require it. If they do this punctually and
+diligently, without knocking up, they will be permitted to draw
+salaries computed at the rate of about one-third of the emoluments
+received by a third-rate Queen's Counsel; and if they grow lazy, or
+are incapacitated by illness, they will be rewarded by a number of
+personal attacks in the London newspapers. Applications to be sent
+to the Lord Chancellor (endorsed "Extra Judges to suppress outside
+clamour") as early as possible. Every candidate for an appointment
+will be expected to be as strong as a horse, and as insensible to
+feeling as the back of a rhinoceros.
+
+ * * * * *
+
+Big Drinkers, Moderate Drinkers, and Little Drinkers--this is the
+Tipple Alliance!
+
+ * * * * *
+
+[Illustration: "WHEN A MAN DOES NOT LOOK HIS BEST."--NO. 3.
+
+WHEN HIS DENTIST _WILL_ SUSPEND OPERATIONS TO TELL HIM FUNNY STORIES.]
+
+ * * * * *
+
+GILBERT A BECKETT.
+
+BORN, APRIL 7, 1837. DIED, OCT. 15, 1891.
+
+ "Wearing the white flower of a blameless life."
+
+TENNYSON.
+
+ GILBERT the Good! Title, though high, well earned
+ By him through whose rare nature brightly burned
+ The fire of purity,
+ Undimmed, unflickering, like some altar flame
+ Sky-pointing ever. Friend, what thought of blame
+ Hath coldest heart for thee?
+
+ A knightly-priest or priestly-knight wert thou,
+ Man of the radiant eye and reverent brow;
+ Chivalry closely knit
+ With fervent faith in thee indeed were blent;
+ Thought upon high ideals still intent,
+ And a most lambent wit.
+
+ Serene, though with a power of scathing scorn
+ For all things mean or base. Sorrow long borne,
+ Though bowing, soured not thee.
+ Bereaved, health-broken, still that patient smile
+ Wreathed the pale lips which never greed or guile
+ Shaped to hypocrisy.
+
+ A saintly-hearted wit, a satirist pure,
+ Mover of mirth spontaneous as sure,
+ And innocent as mad;
+ Incongruous freak and frolic phantasy
+ Were thy familiar spirits, quickening glee
+ And wakening laughter glad.
+
+ Dainty as _Ariel_, yet as _Puck_ profuse
+ Of the "preposterous," was that wit, whose use
+ Was ever held "within
+ The limits of becoming mirth." His whim
+ Never shy delicacy's glance could dim,
+ Or move the cynic grin.
+
+ But that fate's hampering hand lay on him long
+ He might have won in drama and in song
+ A more enduring name.
+ But he is gone, the gentle, loyal, just,
+ Whence all these things fall earthward with the dust
+ Of fleeting earthly fame.
+
+ Gone from our hoard, gone from the home he loved!
+ With what compassion are his comrades moved
+ For those who sit alone
+ With memories of him! Gracious memories all!
+ A thought to lighten, like that flower, his pall,
+ And hush love's troubled moan.
+
+ Farewell, fine spirit! To be owned thy friend
+ Was something to illume the unwelcome end
+ Of comradeship below.
+ A loving memory long our board will grace,
+ In fancy, with that sweet ascetic face.
+ That brow's benignant glow.
+
+ * * * * *
+
+RHYME AT RHYL.
+
+(_BY A LISTENING LAYMAN._)
+
+ If Cleric Congresses could only care
+ A little less for the mere Church and Steeple,
+ Parochial pomp and power in lion's share,
+ And have one aim--to purify the People,
+ They need not shrink from Disestablishment,
+ Or any other secular enormity;
+ Unselfish love of Man destroys Dissent,
+ True Charity provokes no Nonconformity.
+
+ * * * * *
+
+THE TRAVELLING COMPANIONS.
+
+NO. XI.
+
+ SCENE--_A Balcony outside the Musik-Saal of the Insel Hotel,
+ Constance. Miss PRENDERGAST is seated; CULCHARD is leaning
+ against the railing close by. It is about nine; the moon has
+ risen, big and yellow, behind the mountains at the further
+ end of the lake; small black boats are shooting in and out of
+ her track upon the water; the beat of the steamers' paddles
+ is heard as they come into harbour. CULCHARD has just
+ proposed._
+
+_Miss Prendergast_ (_after a silence_). I have always felt very
+strongly with RUSKIN, that no girl should have the cruelty to refuse a
+proposal--
+
+_Culchard_ (_with alacrity_). RUSKIN is always so right.
+And--er--where there is such complete sympathy in tastes and ideas, as
+I venture to think exists in our own case, the cruelty would--
+
+[Illustration: "It does seem rather rough on fellows, don't you
+know."]
+
+_Miss P._ Pray allow me to finish! "Refuse a proposal _at once_" is
+RUSKIN's expression. He also says (if my memory does not betray me),
+that "no lover should have the insolence to think of being accepted at
+once." You will find the passage somewhere in "_Fors_."
+
+_Culch._ (_whose jaw has visibly fallen_). I cannot say I recall it
+at this moment. Does he hold that a lover should expect to be accepted
+by--er--instalments, because, if so--
+
+_Miss P._ I think I can quote his exact words. "If she simply doesn't
+like him, she may send him away for seven years--"
+
+_Culch._ (_stiffly_). No doubt that course is open to her. But why
+seven, and where is he expected to go?
+
+_Miss P._ (_continuing calmly_). "He vowing to live on cresses and
+wear sackcloth meanwhile, or the like penance."
+
+_Culch._ I feel bound to state at once that, in my own case, my
+position at Somerset House would render anything of that sort utterly
+impracticable.
+
+_Miss P._ Wait, please,--you are so impetuous. "If she likes him a
+little,"--(_CULCHARD's brow relaxes_)--"or thinks she might come to
+like him in time, she may let him stay near her,"--(_CULCHARD makes
+a movement of relief and gratitude_)--"putting him always on sharp
+trial, and requiring, figuratively, as many lion-skins or giants'
+heads as she thinks herself worth."
+
+_Culch._ (_grimly_). "Figuratively" is a distinct concession on
+RUSKIN's part. Still, I should be glad to know--
+
+_Miss P._ If you will have a little more patience, I will make myself
+clear. I have always determined that when the--ah--occasion presented
+itself, I would deal with it on Ruskinian principles. I propose in
+your case--presuming of course that you are willing to be under vow
+for me--to adopt a middle course.
+
+_Culch._ You are extremely good. And what precise form of--er--penance
+did you think of?
+
+_Miss P._ The trial I impose is, that you leave Constance
+to-morrow--with Mr. PODBURY.
+
+_Culch._ (_firmly_). If you expect me to travel for seven years with
+him, permit me to mention that I simply cannot do it. My leave expires
+in three weeks.
+
+_Miss P._ I mentioned no term, I believe. Long before three weeks
+are over we shall meet again, and I shall be able to see how you
+have borne the test. I wish you to correct, if possible, a certain
+intolerance in your attitude towards Mr. PODBURY. Do you accept this
+probation, or not?
+
+_Culch._ I--ah--suppose I have no choice. But you really must allow me
+to say that it is _not_ precisely the reception I anticipated. Still,
+in your service, I am willing to endure even PODBURY--for a strictly
+limited period; that I _do_ stipulate for.
+
+_Miss P._ That, as I have already said, is quite understood. Now go
+and arrange with Mr. PODBURY.
+
+_Culch._ (_to himself, as he retires_). It is _most_ unsatisfactory;
+but at least PODBURY is disposed of!
+
+ _The same Scene, a quarter of an hour later. PODBURY and
+ Miss PRENDERGAST._
+
+_Podbury_ (_with a very long face_). No, I _say_, though! RUSKIN
+doesn't say all that?
+
+_Miss P._ I am not in the habit of misquoting. If you wish to verify
+the quotation, however, I daresay I could find you the reference in
+_Fors Clavigera_.
+
+_Podb._ (_ruefully_). Thanks--I won't trouble you. Only it does seem
+rather rough on fellows, don't you know. If everyone went on his
+plan--well, there wouldn't be many marriages! Still, I never thought
+you'd say "Yes" right off. It's like my cheek, I know, to ask you at
+all; you're so awfully clever and that. And if there's a chance for
+me, I'm game for anything in the way of a trial. Don't make it stiffer
+than you can help, that's all!
+
+_Miss P._ All I ask of you is to leave me for a short time, and go and
+travel with Mr. CULCHARD again.
+
+_Podb._ Oh, I say, Miss PRENDERGAST, you know. Make it something else.
+_Do!_
+
+_Miss P._ That is the task I require, and I can accept no other. It is
+nothing, after all, but what you came out here to do.
+
+_Podb._ I didn't know him _then_, you see. And what made me agree
+to come away with him at all is beyond me. It was all HUGHIE
+ROSE's doing--he said we should get on together like blazes. So we
+have--_very_ like blazes!
+
+_Miss P._ Never mind that. Are you willing to accept the trial or not?
+
+_Podb._ If you only knew what he's like when he's nasty, you'd let
+me off--you would, really. But there, to please you, I'll do it. I'll
+stand him as long as ever I can--'pon my honour I will. Only you'll
+make it up to me afterwards, won't you now?
+
+_Miss P._ I will make no promises--a true knight should expect no
+reward for his service, Mr. PODBURY.
+
+_Podb._ (_blankly_). Shouldn't he? I'm a little new to the business,
+you see, and it _does_ strike me--but never mind. When am I to trot
+him off?
+
+_Miss P._ As soon as you can induce him to go--to-morrow, if possible.
+
+_Podb._ I don't believe he'll _go_, you know, for one thing!
+
+_Miss P._ (_demurely_). I think you will find him open to persuasion.
+But go and try, Mr. PODBURY.
+
+_Podb._ (_to himself, as he withdraws_). Well, I've let myself in for
+a nice thing! Rummest way of treating a proposal _I_ ever heard of.
+I should just like to tell that fellow RUSKIN what I think of his
+precious ideas. But there's _one_ thing, though--she can't care about
+CULCHARD, or she wouldn't want him carted off like this.... Hooray, I
+never thought of that before! Why, there he is, dodging about to find
+out how _I've_ got on. I'll tackle him straight off.
+
+ [_CULCHARD and PODBURY meet at the head of the staircase,
+ and speak at the same moment._
+
+_Culch._ Er--PODBURY it has }
+occurred to me that we might-- }
+ } leave this place to-morrow!
+_Podb._ I say, CULCHARD, we }
+really ought to-- }
+
+_Podb._ Hullo! we're both of one mind for once, eh? (_To himself_.)
+Poor old beggar! Got the sack! That explains a lot. Well, I won't tell
+him anything about this business just now.
+
+_Culch._ So it appears. (_To himself_.) (Had his _quietus_, evidently.
+Ah, well, I won't exult over him.
+
+ [_They go off together to consult a time-table._
+
+_Miss. P._ (_on the balcony, musing_). Poor fellows! I couldn't very
+well say anything more definite at present. By the time I see them
+again, I may understand my own heart better. Really, it is rather an
+exciting sensation, having two suitors under vow and doing penance at
+the same time--and all for my sake! I hope, though, they won't mention
+it to one another--or to BOB. BOB does not understand these things,
+and he might-- But, after all, there are only _two_ of them. And
+RUSKIN distinctly says that every girl who is worth _anything_ ought
+always to have half-a-dozen or so. Two is really _quite_ moderate.
+
+ * * * * *
+
+A TOO-ENGAGING MAIDEN'S REPLY.
+
+(_BY MR. PUNCH'S KIND PERMISSION._)
+
+[Illustration]
+
+ Yes, I read your effusion that lately got printed,
+ And at first never guessed there was anything meant.
+ But when someone suggested that something was hinted,
+ On your verses some time I reluctantly spent.
+ They are fair--and perhaps _you_ consider them clever,
+ You're a poet, no doubt, of a _minor_ degree,
+ But I never was startled so strangely--no, never!
+ As to learn that the lady you mentioned was me!
+
+ In the coolest of ways you sum up my attractions,
+ Pray allow me to turn my attention to _you_.
+ You are good, I believe, at the vulgarest fractions,
+ You have cheek and assurance sufficient for two.
+ You are what people reckon "a nice sort of fellow,"
+ Your sense of importance very strongly you feel.
+ You are bilious, you've got a complexion of yellow,
+ You are plainer than I am--which says a good deal.
+
+ "Am I free altogether from blame in the matter?"--
+ And as to my frowning, I don't know the way--
+ Do you really imagine that insolent chatter
+ Can affect me, or that _I_ care for what people say?
+ With fervent adorers around by the dozen,
+ For whom but my word is the law of their life.
+ Do you think I'd occasion to pitch on a cousin,
+ And announce that _you_ wanted myself as your wife?
+
+ Do not think I am angry, I am good at forgiving,
+ Have my constant refusals then made you so sour?
+ Even poets in _Punch_ have to write for their living,
+ And must wear their poor lives out at so much the hour.
+ I am weary and tired of being proposed to,
+ And at times I'm afraid it will injure my brain,
+ But my heart for the future yourself, mind, is closed to,
+ So don't, I implore, come proposing again.
+
+ * * * * *
+
+A REAL BURNING QUESTION.--What should be done with the mischievous and
+malicious noodles who communicate false alarms (to the number of 518
+in one year) to the London Fire Brigade, by means of the fire-alarm
+posts fixed for public convenience and protection in the public
+thoroughfares? The almost appropriate Stake is out of date, but _Mr.
+Punch_ opines that the Pillory would be none too bad for them.
+
+ * * * * *
+
+THE BULL, THE BEAR, AND THE OXUS.--Russia, it is asserted, "intends to
+annex the whole of the elevated plateaus known as the Pamirs, and all
+parts of Afghanistan north of a straight line drawn from Lake Victoria
+to the junction of the Kotcha River with the Oxus." JOHN BULL might
+say, "I should like to Kotcha at it!"
+
+ * * * * *
+
+SOME LONDON "FIENDS."
+
+(_HOW TO EXORCISE, AFTER READING CORRESPONDENCE ON THE SUBJECT IN
+SEVERAL "DAILIES."_)
+
+_THE "WALKING-STICK AND UMBRELLA FIEND."_
+
+[Illustration]
+
+Provide yourself with a steel-plated umbrella (carriage size), with
+a "non-conducting" handle. When open in a shower, where people are
+hurrying, let the framework bristle with sharp penknife points. Held
+firmly in front of you, you will find everyone get out of your way.
+In entering a crowded omnibus or railway carriage, by touching a knob,
+let the heat generated by the electric current instantly cause the
+whole to become "red-hot." Dexterously moved about in front of you,
+you will find this a most thoroughly protecting weapon, clearing
+instantly a large space on each side of you, and even sometimes
+involving the summoning of the conductor or guard, with a view to your
+removal either to another compartment, or even a general request for
+your expulsion from the vehicle altogether. This may lead possibly to
+your enjoyment of an entire compartment to yourself; for, of course,
+you will point out that you cannot be expected to travel without your
+umbrella, which, after all, happens merely to be constructed on a
+newly-patented principle.
+
+_THE "HANSOM CAB FIEND."_
+
+This is easily overcome. You have merely to employ an agent to
+purchase a second-hand steam-roller for you, put in a high-pressure
+boiler, and the thing is done. With practice, you can easily get eight
+miles an hour out of one of these excellent machines, and you will
+find a general indifference as to the rule of the road, especially
+if you turn a corner or two at a stiff pace, act as a capital
+"road-clearer." Even the smartest butcher's cart will do its best to
+get out of your way when it sees you coming.
+
+_THE "PIANO ORGAN, GERMAN BAND, AND GENERAL STREET MUSIC FIEND."_
+
+Get (your best way is through a friend at the Admiralty) several
+fog-horns rejected by the Department on account of their excessive and
+unbearable shrillness. Whenever any sort of street music commences at
+either end of your street, turn on, by an apparatus specially
+arranged in your area, the full force of the above. This will not only
+overpower your would-be tormentors, but bring every householder in
+the neighbourhood to his street-door begging you to desist. You
+have merely to say, "When they stop, _I_ turn off," to get them to
+comprehend the situation. It may possibly lead to the intervention of
+the police, probably in some force; but the net result will be that
+you will, for that morning, at least, enjoy a quiet street.
+
+There are other London fiends removable by various measures,
+concerning which much might be said if they were not actionable.
+
+ * * * * *
+
+[Illustration: PORTRAIT OF A GENTLEMAN "BREAKING IN" HIS
+SHOOTING-BOOTS.]
+
+ * * * * *
+
+"GRATITUDE--A SENSE OF FAVOURS TO COME."--Mr. SWINBURNE unexpectedly
+says a good word for the much be-mocked BOWDLER. "No man (he says),
+ever did better service to SHAKSPEARE than the man who made it
+possible to put him into the hands of intelligent and imaginative
+children." Can Mr. SWINBURNE be "proticipating" the period when
+another BOWDLER may be called upon to do a similar "service" for the
+author of _Poems and Ballads?_
+
+ * * * * *
+
+[Illustration: FRENCH AND ENGLISH.
+
+(_As zey are Spoke at ze Country 'Ouse._)
+
+_Hostess_. "OH--ER--J'ESPAIR KER VOOS AVVY TROOVY
+VOTRE--VOTRE--ER--ER--VOTRE _COLLAR STUD_, BARRONG?"
+
+_M. le Baron_. "OH, I ZANK YOU, YES! I FIND 'EEM ON MY _CHEST OF
+TROWSERS_!"]
+
+ * * * * *
+
+"AFTER YOU!"
+
+ ["I am sure I may say, on behalf of all those whose names are
+ mentioned (for the Leadership of the House of Commons),
+ that we do not understand what selfishness is in the Public
+ Service. Everyone of us would prefer that someone else should
+ hold that high and honourable office."--_Sir M. Hicks-Beach at
+ Stockton-on-Tees_.]
+
+_Eminent official Altruist loquitur_:--
+
+ Oh, _is_ there such a vice as unholy love of self.
+ In the Public Service, too? 'Tis a thing I can't believe.
+ If I thought we could be moved by the love of power or pelf,
+ To compete for premier office I should very greatly grieve.
+ But oh no, oh deary no! I am sure it can't be so.
+ We don't even "understand it," so of course it isn't true.
+ When we're called upon to go, each will say, all louting low,
+ "After _you_!"
+
+ We are not "competitive," like those naughty goddesses
+ Who poor Paris fluttered so upon Ida's pine-clad peak.
+ Of his "choice"--through selfishness--that young shepherd made a mess,
+ But our Shepherd, SALISBURY, will not be so wildly weak;
+ And our claims _we_ shall not urge to compulsion's very verge,
+ On the contrary each one thinks that "another" best will do.
+ "No, loved comrade" (each will say) "let me make my 'splendid splurge'
+ "After _you_!"
+
+ Look at GOSCHEN! Can't you see he regards with perfect glee
+ The prospect of promotion of his faithful friend BALFOUR.
+ _He_ doesn't want to lead. Ah no, indeed, indeed!
+ Do you think that off friend ARTHUR JOACHIM can wish to score?
+ Upon the Treasury Bench did he ever try to trench
+ On the province of the Leader for the time, no matter who?
+ He would cry, "Dear ARTHUR, No! from priority I blench,--
+ "After _you_!"
+
+ Then bland BALFOUR in his turn such crude selfishness would spurn
+ As the wish to prove himself popular more than soft J.G.,
+ With a most becoming blush his pale cheek, I'm sure, would burn,
+ If his uncle should cry, "Come, nephew dear, and second me!"
+ He would hint at nepotism, and the chance of secret schism.
+ "Let the mild ex-Liberal lead, I will be his henchman true!"
+ He would cry, with selfless joy on his brow like a pure chrism,
+ "After _you_!"
+
+ And as for simple Me! Oh, it's utter fiddle-de-dee
+ To suppose that I possess, or desire, the least look in.
+ No, selfishness, my friends, we unitedly agree
+ In Party life is just _the_ unpardonable sin,
+ Which "we do not understand," like that other little game
+ That AH-SIN, reluctant, played, with some small success 'tis true.
+ But _we_'ve no sleeve-hidden card as we cry, with modest shame,
+ "After _you_!"
+
+ * * * * *
+
+WHAT'S IN A NAME?--The _St. James's Gazette_ says:--"There are
+forty-seven divorces in the United States for every one in the United
+Kingdom." Evidently "United" is something more than _anagrammatically_
+identical with "Untied."
+
+ * * * * *
+
+"GRAY'S ELEGY" AMENDED.
+
+ ["I have often thought that GRAY's _Elegy_ was defective
+ in having no verse commemorative of the sequestered and
+ unsophisticated philanthropy of the village doctor."--_Sir
+ James Crichton-Browne at the Yorkshire College, Leeds._]
+
+ And one lies here of whom the scoffer said,
+ He did his best the green churchyard to fill;
+ None ever looks upon his lowly bed,
+ Without the recollection of a pill.
+
+ He lived sequestered, and he died unknown,
+ A truly unsophisticated man;
+ A medicine-glass adorns his humble stone,
+ And thus the epitaph they graved him ran:
+
+ "Here Doctor BOLUS lies, to dose no more;
+ His charge was moderate, but quite enough:
+ Death left a last prescription at the door,
+ And then the doctor had his '_Quantum suff._'"
+
+ * * * * *
+
+[Illustration: "AFTER YOU!"
+
+"HE BELIEVED THAT EVERYONE OF THEM WOULD PREFER THAT SOMEONE ELSE
+SHOULD HOLD THAT HIGH AND HONOURABLE OFFICE."--SIR MICHAEL HICKS-BEACH
+_at Stockton-on-Tees_.]
+
+ * * * * *
+
+[Illustration: WATER V. WINE. "HOLD! ENOUGH!"]
+
+ * * * * *
+
+HARRYING OUR HAKIMS.
+
+ [A medical journal suggests that all candidates for Medical
+ Degrees should be required to give proof of good handwriting,
+ in order to put an end to indistinct prescriptions.]
+
+A few additional requirements, we believe, have been under
+consideration, of which the following are a sample:--
+
+All candidates for the M.B. Degree to be able to count up to fifty.
+Candidates who are more than fifty not to count.
+
+Nobody to become a Member of the Royal College of Surgeons until he
+has mastered Simple Addition and Compound Fractures.
+
+Members of the Royal College of Physicians will henceforth be expected
+to know their Weights (with boots off) and Measures (round the
+waist). Troy weight only. "Scruples" not allowed. Good knowledge of
+Multiplication Table indispensable for dispensers.
+
+No candidate to be accepted for a Degree unless he either has a good
+"bedside manner," or undertakes to develop one as soon as possible.
+
+Any candidate to be at once ploughed unless he can answer all the
+following questions:--
+
+1. What would you do if asked to hold a consultation with a
+practitioner whom you have every reason to suppose an incapable quack?
+
+2. If a good paying patient, suffering from no ailment whatever,
+called you in with a view to getting a week's holiday at the seaside
+by medical orders, how would you reconcile a desire to oblige that
+pardonable weakness with a strict regard for veracity?
+
+3. When the parents of a large family, who do their duty manfully
+by calling you in about twice a week, and from whom therefore you
+derive a not inconsiderable proportion of your income, object to have
+an infant vaccinated at the proper time, because they erroneously
+consider it to be unfit for the operation, which would you feel
+inclined to strain--friendship, or the law?
+
+4. Do you believe in Influenza?
+
+5. Have you ever seen a Microbe?
+
+6. "In the multitude of visits there is safety." Comment on this
+declaration. How many visits do you think a common catarrh will
+support? Give reasons.
+
+7. What is the etiquette about Red Lamps?
+
+ * * * * *
+
+"HORSE AND 'RYDER'".--Last week, on the 15th, as was reported in the
+_Globe_, and elsewhere, "a humble crossing-sweeper," named RYDER,
+stopped a runaway cab-horse (a great rarity this, too) just as he was
+about to descend headlong the steps of the Duke of York's column, and
+so saved the two passengers, who, we hope, in consideration of what he
+has done for _their_ lives, have settled something hansom upon him for
+_his_ life. If not, the proposition is here made, and after the prop
+comes the RYDER.
+
+ * * * * *
+
+GHOSTLY COUNSEL.--Prizes are being offered for "Good Ghost Stories."
+This may mean _Stories of Good Ghosts_; but supplying the hyphen and
+supposing that the requirement is for "Good Ghost-stories," then _Mr.
+Punch_ makes a present of a good title to any sanguine amateur who
+may compete. Let him call his story, "A Ghost of a Chance." And _Mr.
+Punch_ wishes he may get it!
+
+ * * * * *
+
+PENNY FOOLISH.--Somebody has published a penny _A B C of Theosophy_.
+To the appeal of this Occult A B C the enlightened public will
+probably be D E F.
+
+ * * * * *
+
+"QUI DORT, DINE," ET "QUI DINE, DORT."--A man who "goes nap" _at_
+dinner, is pretty safe to go nap immediately _after_ it.
+
+ * * * * *
+
+ONLY FANCY!
+
+(_FROM MR. PUNCH'S OWN HUMOURISTS._)
+
+It is not generally known that the Emperor of RUSSIA visited London
+the other day on his way to Paris, where he is to hold an important
+secret conference with the President of the Republic and M. BLOWITZ.
+His Imperial Majesty's disguise was complete, consisting as it did of
+an aquiline nose of considerable size, and a secondhand gaberdine of
+primitive cut. He visited the principal Music Halls of the Metropolis
+and left by the last train for Surbiton, where his private yacht was
+in waiting to convey him to Marseilles, and so on to Paris by the new
+French canal system.
+
+ * * * * *
+
+Monaco has adhered to the Triple Alliance. The negotiations thus
+brought to a successful issue, have been for a long time in progress.
+Obligations of honour, which no longer exist, have hitherto compelled
+me, as your Correspondent, to keep secret the fact that amongst the
+_croupiers_ of the _trente-et-quarante_ tables at the Casino for the
+past three months have been the Chancellors of the German and Austrian
+Empires, and the MARCHESE DI RUDINI, who, thus disguised, carried out
+their delicate mission to the Court of Monaco. By this post I send
+you the draft treaty by which Monaco engages, in the event of war, to
+furnish a completely equipped contingent of ten men.
+
+ * * * * *
+
+The BARON DE BOOK-WORMS arrived in town yesterday afternoon and
+transacted business at his office in Bouverie Street, afterwards
+returning to his country seat at Stow-in-the-Wold.
+
+ * * * * *
+
+BROWNING SOCIETY VERSES.
+
+ [Dr. FURNIVALL announces that the Browning Society is about to
+ be dissolved.]
+
+ Hark! 'tis the knell of the Browning Society,
+ Wind-bags are bursting all round us to-day;
+ FURNIVALL fails, and for want of his diet he
+ Pines like a love-stricken maiden away.
+
+ Long has he fed upon cackle and platitude,
+ FURNIVALL sauce to a dish full of dearth,
+ Still, in the favourite FURNIVALL attitude,
+ Grubbing about like a mole in the earth.
+
+ Now must he vanish, the mole-hills are flat again,
+ (Follies grow fewer it seems by degrees);
+ Lovers of BROWNING may laugh and grow fat again,
+ Rid of the jargon of Furnivallese.
+
+ * * * * *
+
+NEW AND OLD TERMS.--"Slate, Slite, Slote, Slitten," is the title of
+an amusing article in the _Saturday Review_, on the derivation of the
+verb "to slate." How "slote" comes in is not quite evident, but that
+when the pages of a dull book are "slitten" by the paper-knife, it
+will be read and slated by a critic, and then "slited" (or "slighted")
+by the public, is quite sufficient without "putting a penny in the
+'slote'" on the chance of getting something better.
+
+ * * * * *
+
+SO LIKE HIM!--Tuesday last week was the seventieth birthday of
+Professor VIRCHOW. He has refused all titles and emoluments, observing
+that "VIRCHOW is its own reward."
+
+ * * * * *
+
+VERY POP-ULAR!--Through the _Times_ came the information that, since
+the famine, the Russian Officers have given up drinking champagne.
+Their conduct is really quite Magnuminous!
+
+ * * * * *
+
+[Illustration: "GRANDOLPH AD LEONES."]
+
+ * * * * *
+
+"ADSCRIPTUS GLEBAE."
+
+ ["He (Mr. GOSCHEN) was in favour of giving the agricultural
+ labourer every opportunity of becoming more attached to the
+ soil."--_Mr. Goschen at Cambridge_.]
+
+ Attached to the soil! Pretty optimist phrase
+ We are so, and have been, from _Gurth's_ simpler days,
+ Though now platform flowers of speech--pleasant joke!--
+ May wreath the serf's ring till men scarce see the yoke.
+ Attached to the soil! The soil clings to our souls!
+ Young labour's scant guerdon, cold charity's doles,
+ The crow-scarer's pittance, the poor-house's aid
+ All smell of it! Tramping with boots thickly clayed
+ From brown field or furrow, or lowered at last
+ In our special six-feet by the sexton up-cast,
+ We smack of the earth, till we earthy have grown,
+ Like the mound that Death gives us--best friend--for our own.
+ We tramp it, we delve it, we plough it, this soil,
+ And a grave is the final reward of our toil.
+ Attached? The attachment of love is one thing,
+ The attachment of profit another. _Gurth's_ ring
+ Is _our_ form of attachment at bottom, Sir, still,
+ And to favour _that_ bond HODGE doubts not your good will.
+ But when others talk of improving our lot
+ By possession of more than a burial plot,
+ By pay for our toil, and by balm for our troubles,
+ You ban all such prospects as "radiant bubbles."
+ Declare "under-currents of plunder" run through
+ All plans for our aid save those favoured by you,
+ Attached to the soil! Ah! how many approve
+ _That_ attachment, when founded on labour and love!
+ But about "confiscation" they chatter and fuss
+ At all talk of attaching the soil to poor us!
+
+ * * * * *
+
+FREE AND INDEPENDENT.
+
+ SCENE--_Manager's Room of the Ideal Theatre.
+ Present--Committee of Taste._
+
+[Illustration]
+
+_Manager_. Now, you fellows, I think we have settled what to do next.
+Carry out the notion of an afternoon performance of the Ideal Drama.
+We have got the moderate guarantee, and the good stock company, and
+hope to receive the cooperation of the leading artists from other
+theatres. Isn't that so?
+
+_Auditor_. Yes, I can answer for the moderate guarantee--about L20--in
+the bank.
+
+_Stage Manager_. And the good stock company was imported early this
+morning from Ireland. All very good Shakspearian actors with a taste
+of a brogue to give their remarks pungency.
+
+_Manager_. That's all right. And what is the play?
+
+_First Member of the Committee of Taste_. "_Demons_," by the Master.
+
+_Second Ditto_. No, let us have something newer. Why not an adaptation
+(by myself) of that charming work by SODALA--I call it _Blood and
+Thunder_?
+
+_Manager_ (_producing halfpenny_). By the rules of the Company we toss
+for it. (_Throws up coin._) Heads!--_Blood and Thunder_ wins. We
+will do _Blood and Thunder_. Well, now as to casting it. Anything for
+IRVING in it?
+
+_Second Mem._ Oh, yes--if he would play it. A Policeman who dies
+by cutting his throat in Scene 1. Not the sort of part he usually
+selects, but capital.
+
+_First Mem._ It is not for Mr. IRVING to pick and choose, it is the
+cause of Art we serve.
+
+_Second Mem._ Well, yes. We might telephone and learn his views on the
+subject.
+
+ [_Subordinate takes instructions_.
+
+_Manager_. All right! Ah, here we have the piece! Rather long, but
+the parts seem mild enough. Who's to do this soldier--a sort of heavy
+dragoon, with a cold, who dies in the First Scene of the Second Act?
+
+_Second Mem._ Oh, anybody! KENDAL or FARREN; or if they can't, then
+HARE or LIONEL BROUGH.
+
+_Manager_. But do you think they will like it? You see they each have
+their line, and--
+
+_First Mem._ In the cause of Art they will be prepared to do anything.
+At least, they ought to be.
+
+_Manager_. Well, we will telephone to them too. (_Subordinate takes
+further instructions_.) And now, how about the Ladies?
+
+_Second Mem._ Oh, there are a lot of school-girls, and a woman who
+dies by degrees of general paralysis. The girls, of course will be all
+right with--say, Miss EMERY, Miss LINDEN, Miss ALMA MURRAY, and Mrs.
+KENDAL. But we want two people to play the woman. First Act, Miss
+ELLEN TERRY; second and third, Miss GENEVIEVE WARD. To be properly
+played, both should be in it.
+
+_Manager_. But how will that do? I do not think that Miss TERRY will
+care to--
+
+_First Mem._ Nonsense! She is a most charming person, and will do
+anything in the cause of Art.
+
+_Subordinate_ (_returning from telephone_). Beg pardon, Gentlemen, but
+Messrs. KENDAL, FARREN, BROUGH and HARE say they are very sorry, but
+they are not at home; and Mr. IRVING presents his compliments,
+and would be delighted to do what we wish, but he fears he will be
+otherwise engaged. However, he says you have his sympathy, and his
+heart goes out to you. [_Exit._
+
+_Manager_. Well, what shall we do?
+
+_Second Mem._ Oh, there's VEZIN, and TERRIS, and PAULTON, and a heap
+more!
+
+_Subordinate_ (_returning_). Just heard from the Ladies, Gentlemen,
+and they send their kindest regards, but they are out too!
+
+_Acting Manager_ (_entering_). Well, how about the performance?
+
+_Members of the Council_ (_together_). Oh, it's nearly arranged!
+
+_Acting Man._ Well, if I might suggest, as a person of considerable
+experience, it doesn't matter a jot whether you get a company together
+or not.
+
+_Members_ (_as before_). Why?
+
+_Acting Man._ Because you won't get an audience!
+
+ [_Scene closes in upon farther consultation._
+
+ * * * * *
+
+[Illustration: MODEST AMBITION.
+
+_The Squire_ (_to his Eldest Son, just home from the 'Varsity_).
+"WELL, MY BOY, AND WHAT HAVE YOU SETTLED TO BE?"
+
+_The Squire's Son_. "JUST A _PLAIN COUNTRY GENTLEMAN_ LIKE YOU,
+FATHER!"]
+
+ * * * * *
+
+THEOSOPHIC TOOLS.
+
+(_BY AN OPPONENT OF OCCULTISM._)
+
+ The Theosophic Boom, its wordy strife
+ And futile fuss are fading out in "fizzle."
+ They talk a deal about their "_planes_ of life,"
+ 'Tis plain to me the fitter term were "chisel."
+
+ * * * * *
+
+POPULAR SONGS RE-SUNG:
+
+OR, MISS BOWDLER AT THE MUSIC HALLS.
+
+"A nod is as good as a wink to a blind horse," says the old saw, and
+a wink is no doubt as good as a smile to a purblind ass. But the wink
+is indeed one of the worst uses to which the human eye can he put. It
+signifies usually the vulgarisation of humour, and the degradation of
+mirth. It is the favourite eye-language of the cynical cad, the coarse
+jester, the crapulous clown, and--above all--the chuckling cheat.
+
+[Illustration]
+
+It must be admitted, that the Muse of the Music Hall--in her Momus
+mood--has a strong leaning towards the glorification of cynical
+'cuteness of the _Autolycus_ sort. It is a weakness which she seems
+to share with party scribes and Colonial politicians. If she had any
+classic leanings, which she has not, her favourite deity would be
+Mercury, the "winking Cyllenian Argophont" of the Homeric Hymn, the
+"little cradled rogue," the Apollo-cheating babe, "the lord of those
+who swindle, house-break, sheep-steal and shop-lift," under whom
+_Autolycus_ prided himself upon having been "littered." _Autolycus's_
+complacent self-gratulation, "How bless'd are we that are not simple
+men!" would appeal to the heart of the Music-hall votary. "Ha, ha!
+what a fool Honesty is! and Trust his sworn brother, a very simple
+gentleman" is, virtually, the burthen of dozens of the most favourite
+of the Music-hall ditties.
+
+Sly-scheming Hermes "winked" knowingly at Jupiter when he was
+"pitching his yarn" about the stolen oxen, and Jupiter "according to
+his wont,"
+
+ "Laughed heartily to hear the subtle witted
+ Infant give such a plausible account,
+ And every word a lie."
+
+So the Music-hall Muse "winks" knowingly, and knavishly, at her
+audience, and her audience "laugh heartily," in Jovian guffaws, at her
+winks. What wonder then that she should lyrically apostrophise "The
+Wink" in laudatory numbers?
+
+ "Say, boys, now is it quite the thing?"
+
+she cries in sham deprecation, but all the while she "winks the other
+eye" in a way her hearers quite understand. "Cabby knows his fare,"
+and the Music-hall Muse knows her clients. What, we wonder, would
+be her reception did she really carry out her ironically pretended
+protest and sing to the chuckling cads who applaud her, the following
+version of her favourite lay?
+
+NO. II.--THE WINK OF ROGUERY'S EYE.
+
+AIR--"_WINK THE OTHER EYE_."
+
+ Say, boys, whatever do men mean
+ When they wink the other eye?
+ Why, when "sharps" say the world is "green,"
+ Do they wink the other eye?
+ The Radicals and Tories both tell stories, not a few,
+ About Measures falsely promised, and reforms long overdue;
+ And when the simple Mob believes that every word is true.
+ Then they--wink the other eye!
+
+ _Chorus_.--Say, boys, now is it quite the thing!
+ Say, should we let them have their fling?
+ Ah, when they get us "on a string"
+ Then they wink the other eye!
+
+ Say, boys are Leaders to be loved,
+ When they wink the other eye?
+ By artful speech the Mob is moved,
+ Till _it_ winks the other eye;
+ The optic Wink's the language of the sly and sordid soul,
+ The mute freemasonry of Fraud, sign-post to Roguery's goal.
+ When Circe sees her votaries swine ready in sludge to roll
+ Then _she_ winks the other eye!
+
+ _Chorus_.--Say, boys, _is_ it so fine a thing,
+ Low Cunning, which Cheat's laureates sing,
+ The Comus of the Mart and Ring,
+ Who--winks the other eye?
+
+ Say, boys, is Cunning's promise good,
+ When she winks the other eye?
+ Noodledom seeks her neighbourhood,
+ And winks _its_ other eye.
+ For no one winks so freely as a fool who _thinks_ he's sly;
+ The dupe of deeper knavery smirks in shallow mimicry
+ Of the smirking JERRY DIDDLER who is sucking him so dry,
+ And who winks the other eye.
+
+ _Chorus_.--Say, boys, now is the Wink a thing
+ Worthy of worship; will you fling
+ Your caps in air for the Knave-King
+ Who--winks the other eye?
+
+ The Politician plucks his geese,
+ Then he winks the other eye.
+ Brazen Fraud steals Trade's Golden Fleece,
+ Then he winks the other eye.
+ _Autolycus_ pipes ballads; public pockets are his aim;
+ _Rabagas_ raves of "liberty"; advancement is his game;
+ And when their dupes aren't looking all these rogues do just the same,
+ They--wink the other eye!
+
+ _Chorus_.--Say, boys, paeans will you sing
+ To winking harpies all a-wing
+ To prey on fools; who steal, and sting,
+ And--wink the other eye?
+
+ Wisdom may smile, but Cunning can't,
+ She winks the other eye.
+ Humour shall chortle, Mockery shan't,
+ She winks the other eye.
+ The stars above us twinkle and the dews beneath us blink,
+ All the eyes of Nature sparkle, and from merriment do not shrink,
+ The Language of the Eye of Cynic Knavery is--the Wink!
+ _Roguery_ "winks the other eye!"
+
+ _Chorus_.--Say, boys, is it quite the thing?
+ "Ducdame"[1] to fools the Diddlers sing;
+ Trust me 'tis Rascals in a Ring
+ Who wink the other eye!
+
+[Footnote 1:
+
+ _Amiens_. What's that "ducdame"?
+
+ _Jaques_. 'Tis a Greek invocation to call fools into a circle.
+
+"_As You Like It_," _Act II., Sc. 5._]
+
+ * * * * *
+
+THE EVOLUTION OF TOMMY'S PRIVATE-SCHOOL REPORT.
+
+1. _A rough draught, written by the under-master, who certainly has
+had rather a trying week with_ TOMMY.
+
+"I am unable to speak highly of either his intelligence or his
+industry; but occasionally he works well, and has undoubtedly made
+some progress this term. His conduct is not always good."
+
+2. _Second rough draught_; TOMMY _in the meantime has missed a
+repetition and accidentally knocked down the black-board._
+
+"Exceptionally stupid and idle. Cannot be said to have made any
+progress whatever this term, although he has had every effort made
+with him. His conduct is abominable, noisy and unruly in the extreme."
+
+3. _Fair copy to be submitted to the principal; of course_, TOMMY _had
+not intended to be overheard when he spoke of the under-master as_
+"_Old Pig-face_," _but this is the result._
+
+"A more idle and utterly worthless boy it has never been my misfortune
+to teach. Seems to have gone steadily backward all the term. Is most
+objectionable in his manners, and has no sense of honour."
+
+4. _Fair copy, as amended by the principal; how was_ TOMMY _to
+know that stone would break the conservatory window, and drive the
+principal to alter the report to this?_
+
+"Would be better suited in a reformatory than in a school of this
+standing. Utterly depraved, vicious and idle, with marked criminal
+instincts. In intellect verges on the imbecile. Unless there is a
+marked improvement next term, I cannot keep him."
+
+5. _Principal's final copy; it_ was _fortunate that_ TOMMY _happened
+to remark that he had four cousins who were, perhaps, coming next
+term. One can't lose four pupils, even if it makes it necessary to
+write like this._
+
+"A singularly bright and high-spirited boy; a little given to
+mischief, as all boys are, but quite amenable to discipline. My
+assistant speaks most highly of his progress this term, and of his
+general intelligence. He seems well suited by our system. His conduct
+is, on the whole, admirable. He is truthful and conscientious."
+
+ * * * * *
+
+COUPLET BY A CYNIC.
+
+ "Poetry does not sell!" cry plaintive pleaders.
+ Alas! most modern Poetry _does_--its readers!
+
+ * * * * *
+
+NOTICE.--Rejected Communications or Contributions, whether MS.,
+Printed Matter, Drawings, or Pictures of any description, will in no
+case be returned, not even when accompanied by a Stamped and Addressed
+Envelope, Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
+101. October 24, 1891, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 101 ***
+
+***** This file should be named 14057.txt or 14057.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/4/0/5/14057/
+
+Produced by Malcolm Farmer, William Flis, and the PG Online
+Distributed Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.