summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:16:59 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:16:59 -0700
commit7c569494b0999e4b44c4d9e3605afe835a945c36 (patch)
treeedb90d4f6341d78088e9cb67ce2ab5b820cb7687 /old
initial commit of ebook 1369HEADmain
Diffstat (limited to 'old')
-rw-r--r--old/1369-0.txt2570
-rw-r--r--old/1369-0.zipbin0 -> 51663 bytes
-rw-r--r--old/1369-h.zipbin0 -> 54754 bytes
-rw-r--r--old/1369-h/1369-h.htm2995
-rw-r--r--old/1369.txt2569
-rw-r--r--old/1369.zipbin0 -> 51340 bytes
-rw-r--r--old/old/20050606-1369.txt2595
-rw-r--r--old/old/20050606-1369.zipbin0 -> 51360 bytes
-rw-r--r--old/old/pzhdb10.txt2478
-rw-r--r--old/old/pzhdb10.zipbin0 -> 49116 bytes
10 files changed, 13207 insertions, 0 deletions
diff --git a/old/1369-0.txt b/old/1369-0.txt
new file mode 100644
index 0000000..9f7f685
--- /dev/null
+++ b/old/1369-0.txt
@@ -0,0 +1,2570 @@
+The Project Gutenberg EBook of Paz, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Paz
+ (La Fausse Maitresse)
+
+Author: Honore de Balzac
+
+Translator: Katharine Prescott Wormeley
+
+Release Date: July, 1998 [Etext #1369]
+Posting Date: February 23, 2010
+Last Updated: November 23, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+
+
+
+Produced by John Bickers, and Dagny
+
+
+
+
+
+PAZ
+
+(La Fausse Maitresse)
+
+
+By Honore De Balzac
+
+
+
+Translated by Katharine Prescott Wormeley
+
+
+
+ DEDICATION
+
+ Dedicated to the Comtesse Clara Maffei.
+
+
+
+
+
+PAZ
+
+(LA FAUSSE MAITRESSE)
+
+
+
+
+I
+
+
+In September, 1835, one of the richest heiresses of the faubourg
+Saint-Germain, Mademoiselle du Rouvre, the only daughter of the Marquis
+du Rouvre, married Comte Adam Mitgislas Laginski, a young Polish exile.
+
+We ask permission to write these Polish names as they are pronounced,
+to spare our readers the aspect of the fortifications of consonants
+by which the Slave language protects its vowels,--probably not to lose
+them, considering how few there are.
+
+The Marquis du Rouvre had squandered nearly the whole of a princely
+fortune, which he obtained originally through his marriage with a
+Demoiselle de Ronquerolles. Therefore, on her mother’s side Clementine
+du Rouvre had the Marquis de Ronquerolles for uncle, and Madame de
+Serizy for aunt. On her father’s side she had another uncle in the
+eccentric person of the Chevalier du Rouvre, a younger son of the house,
+an old bachelor who had become very rich by speculating in lands and
+houses. The Marquis de Ronquerolles had the misfortune to lose both
+his children at the time of the cholera, and the only son of Madame
+de Serizy, a young soldier of great promise, perished in Africa in
+the affair of the Makta. In these days rich families stand between the
+danger of impoverishing their children if they have too many, or of
+extinguishing their names if they have too few,--a singular result of
+the Code which Napoleon never thought of. By a curious turn of fortune
+Clementine became, in spite of her father having squandered his
+substance on Florine (one of the most charming actresses in Paris), a
+great heiress. The Marquis de Ronquerolles, a clever diplomatist under
+the new dynasty, his sister, Madame de Serizy, and the Chevalier du
+Rouvre agreed, in order to save their fortunes from the dissipations of
+the marquis, to settle them on their niece, to whom, moreover, they each
+pledged themselves to pay ten thousand francs a year from the day of her
+marriage.
+
+It is quite unnecessary to say that the Polish count, though an exile,
+was no expense to the French government. Comte Adam Laginski belonged
+to one of the oldest and most illustrious families in Poland, which was
+allied to many of the princely houses of Germany,--Sapieha, Radziwill,
+Mniszech, Rzewuski, Czartoryski, Leczinski, Lubormirski, and all the
+other great Sarmatian SKIS. But heraldic knowledge is not the most
+distinguishing feature of the French nation under Louis-Philippe, and
+Polish nobility was no great recommendation to the bourgeoisie who were
+lording it in those days. Besides, when Adam first made his appearance,
+in 1833, on the boulevard des Italiens, at Frascati, and at the
+Jockey-Club, he was leading the life of a young man who, having lost his
+political prospects, was taking his pleasure in Parisian dissipation. At
+first he was thought to be a student.
+
+The Polish nationality had at this period fallen as low in French
+estimation, thanks to a shameful governmental reaction, as the
+republicans had sought to raise it. The singular struggle of the
+Movement against Resistance (two words which will be inexplicable thirty
+years hence) made sport of what ought to have been truly respected,--the
+name of a conquered nation to whom the French had offered hospitality,
+for whom fetes had been given (with songs and dances by subscription),
+above all, a nation which in the Napoleonic struggle between France and
+Europe had given us six thousand men, and what men!
+
+Do not infer from this that either side is taken here; either that
+of the Emperor Nicholas against Poland, or that of Poland against the
+Emperor. It would be a foolish thing to slip political discussion into
+tales that are intended to amuse or interest. Besides, Russia and Poland
+were both right,--one to wish the unity of its empire, the other
+to desire its liberty. Let us say in passing that Poland might have
+conquered Russia by the influence of her morals instead of fighting her
+with weapons; she should have imitated China which, in the end, Chinesed
+the Tartars, and will, it is to be hoped, Chinese the English. Poland
+ought to have Polonized Russia. Poniatowski tried to do so in the
+least favorable portion of the empire; but as a king he was little
+understood,--because, possibly, he did not fully understand himself.
+
+But how could the Parisians avoid disliking an unfortunate people who
+were the cause of that shameful falsehood enacted during the famous
+review at which all Paris declared its will to succor Poland? The Poles
+were held up to them as the allies of the republican party, and they
+never once remembered that Poland was a republic of aristocrats. From
+that day forth the bourgeoisie treated with base contempt the exiles of
+the nation it had worshipped a few days earlier. The wind of a riot
+is always enough to veer the Parisians from north to south under any
+regime. It is necessary to remember these sudden fluctuations of feeling
+in order to understand why it was that in 1835 the word “Pole” conveyed
+a derisive meaning to a people who consider themselves the wittiest and
+most courteous nation on earth, and their city of Paris the focus of
+enlightenment, with the sceptre of arts and literature within its grasp.
+
+There are, alas! two sorts of Polish exiles,--the republican Poles,
+sons of Lelewel, and the noble Poles, at the head of whom is Prince Adam
+Czartoryski. The two classes are like fire and water; but why complain
+of that? Such divisions are always to be found among exiles, no matter
+of what nation they may be, or in what countries they take refuge. They
+carry their countries and their hatreds with them. Two French priests,
+who had emigrated to Brussels during the Revolution, showed the utmost
+horror of each other, and when one of them was asked why, he replied
+with a glance at his companion in misery: “Why? because he’s a
+Jansenist!” Dante would gladly have stabbed a Guelf had he met him in
+exile. This explains the virulent attacks of the French against the
+venerable Prince Adam Czartoryski, and the dislike shown to the better
+class of Polish exiles by the shopkeeping Caesars and the licensed
+Alexanders of Paris.
+
+In 1834, therefore, Adam Mitgislas Laginski was something of a butt for
+Parisian pleasantry.
+
+“He is rather nice, though he is a Pole,” said Rastignac.
+
+“All these Poles pretend to be great lords,” said Maxime de Trailles,
+“but this one does pay his gambling debts, and I begin to think he must
+have property.”
+
+Without wishing to offend these banished men, it may be allowable to
+remark that the light-hearted, careless inconsistency of the Sarmatian
+character does justify in some degree the satire of the Parisians, who,
+by the bye, would behave in like circumstances exactly as the Poles do.
+The French aristocracy, so nobly succored during the Revolution by the
+Polish lords, certainly did not return the kindness in 1832. Let us
+have the melancholy courage to admit this, and to say that the faubourg
+Saint-Germain is still the debtor of Poland.
+
+Was Comte Adam rich, or was he poor, or was he an adventurer?
+This problem was long unsolved. The diplomatic salons, faithful to
+instructions, imitated the silence of the Emperor Nicholas, who held
+that all Polish exiles were virtually dead and buried. The court of the
+Tuileries, and all who took their cue from it, gave striking proof of
+the political quality which was then dignified by the name of sagacity.
+They turned their backs on a Russian prince with whom they had all been
+on intimate terms during the Emigration, merely because it was said that
+the Emperor Nicholas gave him the cold shoulder. Between the caution
+of the court and the prudence of the diplomates, the Polish exiles of
+distinction lived in Paris in the Biblical solitude of “super flumina
+Babylonis,” or else they haunted a few salons which were the neutral
+ground of all opinions. In a city of pleasure, like Paris, where
+amusements abound on all sides, the heedless gayety of a Pole finds
+twice as many encouragements as it needs to a life of dissipation.
+
+It must be said, however, that Adam had two points against him,--his
+appearance, and his mental equipment. There are two species of Pole, as
+there are two species of Englishwoman. When an Englishwoman is not
+very handsome she is horribly ugly. Comte Adam belonged in the second
+category of human beings. His small face, rather sharp in expression,
+looked as if it had been pressed in a vise. His short nose, and fair
+hair, and reddish beard and moustache made him look all the more like a
+goat because he was small and thin, and his tarnished yellow eyes caught
+you with that oblique look which Virgil celebrates. How came he, in
+spite of such obvious disadvantages, to possess really exquisite manners
+and a distinguished air? The problem is solved partly by the care and
+elegance of his dress, and partly by the training given him by his
+mother, a Radziwill. His courage amounted to daring, but his mind
+was not more than was needed for the ephemeral talk and pleasantry of
+Parisian conversation. And yet it would have been difficult to find
+among the young men of fashion in Paris a single one who was his
+superior. Young men talk a great deal too much in these days of horses,
+money, taxes, deputies; French _conversation_ is no longer what it was.
+Brilliancy of mind needs leisure and certain social inequalities to
+bring it out. There is, probably, more real conversation in Vienna or
+St. Petersburg than in Paris. Equals do not need to employ delicacy or
+shrewdness in speech; they blurt out things as they are. Consequently
+the dandies of Paris did not discover the great seigneur in the rather
+heedless young fellow who, in their talks, would flit from one subject
+to another, all the more intent upon amusement because he had just
+escaped from a great peril, and, finding himself in a city where his
+family was unknown, felt at liberty to lead a loose life without the
+risk of disgracing his name.
+
+But one fine day in 1834 Adam suddenly bought a house in the rue de la
+Pepiniere. Six months later his style of living was second to none in
+Paris. About the time when he thus began to take himself seriously he
+had seen Clementine du Rouvre at the Opera and had fallen in love with
+her. A year later the marriage took place. The salon of Madame d’Espard
+was the first to sound his praises. Mothers of daughters then learned
+too late that as far back as the year 900 the family of the Laginski was
+among the most illustrious of the North. By an act of prudence which was
+very unPolish, the mother of the young count had mortgaged her entire
+property on the breaking out of the insurrection for an immense sum
+lent by two Jewish bankers in Paris. Comte Adam was now in possession of
+eighty thousand francs a year. When this was discovered society ceased
+to be surprised at the imprudence which had been laid to the charge
+of Madame de Serizy, the Marquis de Ronquerolles, and the Chevalier du
+Rouvre in yielding to the foolish passion of their niece. People jumped,
+as usual, from one extreme of judgment to the other.
+
+During the winter of 1836 Comte Adam was the fashion, and Clementine
+Laginska one of the queens of Paris. Madame Laginska is now a member
+of that charming circle of young women represented by Mesdames de
+Lestorade, de Portenduere, Marie de Vandenesse, du Guenic, and de
+Maufrigneuse, the flowers of our present Paris, who live at such
+immeasurable distance from the parvenus, the vulgarians, and the
+speculators of the new regime.
+
+This preamble is necessary to show the sphere in which was done one
+of those noble actions, less rare than the calumniators of our time
+admit,--actions which, like pearls, the fruit of pain and suffering, are
+hidden within rough shells, lost in the gulf, the sea, the tossing waves
+of what we call society, the century, Paris, London, St. Petersburg,--or
+what you will.
+
+If the axiom that architecture is the expression of manner and morals
+was ever proved, it was certainly after the insurrection of 1830, during
+the present reign of the house of Orleans. As all the old fortunes
+are diminishing in France, the majestic mansions of our ancestors are
+constantly being demolished and replaced by species of phalansteries, in
+which the peers of July occupy the third floor above some newly
+enriched empirics on the lower floors. A mixture of styles is confusedly
+employed. As there is no longer a real court or nobility to give the
+tone, there is no harmony in the production of art. Never, on the other
+hand, has architecture discovered so many economical ways of imitating
+the real and the solid, or displayed more resources, more talent, in
+distributing them. Propose to an architect to build upon the garden
+at the back of an old mansion, and he will run you up a little Louvre
+overloaded with ornament. He will manage to get in a courtyard, stables,
+and if you care for it, a garden. Inside the house he will accommodate a
+quantity of little rooms and passages. He is so clever in deceiving the
+eye that you think you will have plenty of space; but it is only a nest
+of small rooms, after all, in which a ducal family has to turn itself
+about in the space that its own bakehouse formerly occupied.
+
+The hotel of the Comtesse Laginska, rue de la Pepiniere, is one of these
+creations, and stands between court and garden. On the right, in the
+court, are the kitchens and offices; to the left the coachhouse and
+stables. The porter’s lodge is between two charming portes-cocheres. The
+chief luxury of the house is a delightful greenhouse contrived at the
+end of a boudoir on the ground-floor which opens upon an admirable
+suite of reception rooms. An English philanthropist had built this
+architectural bijou, designed the garden, added the greenhouse, polished
+the doors, bricked the courtyard, painted the window-frames green,
+and realized, in short, a dream which resembled (proportions excepted)
+George the Fourth’s Pavilion at Brighton. The inventive and industrious
+Parisian workmen had moulded the doors and window-frames; the ceilings
+were imitated from the middle-ages or those of a Venetian palace; marble
+veneering abounded on the outer walls. Steinbock and Francois Souchet
+had designed the mantel-pieces and the panels above the doors; Schinner
+had painted the ceilings in his masterly manner. The beauties of the
+staircase, white as a woman’s arm, defied those of the hotel Rothschild.
+On account of the riots and the unsettled times, the cost of this folly
+was only about eleven hundred thousand francs,--to an Englishman a mere
+nothing. All this luxury, called princely by persons who do not know
+what real princes are, was built in the garden of the house of a
+purveyor made a Croesus by the Revolution, who had escaped to Brussels
+and died there after going into bankruptcy. The Englishman died in
+Paris, of Paris; for to many persons Paris is a disease,--sometimes
+several diseases. His widow, a Methodist, had a horror of the little
+nabob establishment, and ordered it to be sold. Comte Adam bought it at
+a bargain; and how he came to do so shall presently be made known, for
+bargains were not at all in his line as a grand seigneur.
+
+Behind the house lay the verdant velvet of an English lawn shaded at
+the lower end by a clump of exotic trees, in the midst of which stood a
+Chinese pagoda with soundless belfries and motionless golden eggs. The
+greenhouse concealed the garden wall on the northern side, the opposite
+wall was covered with climbing plants trained upon poles painted green
+and connected with crossway trellises. This lawn, this world of flowers,
+the gravelled paths, the simulated forest, the verdant palisades, were
+contained within the space of five and twenty square rods, which are
+worth to-day four hundred thousand francs,--the value of an actual
+forest. Here, in this solitude in the middle of Paris, the birds
+sang, thrushes, nightingales, warblers, bulfinches, and sparrows. The
+greenhouse was like an immense jardiniere, filling the air with perfume
+in winter as in summer. The means by which its atmosphere was made
+to order, torrid as in China or temperate as in Italy, were cleverly
+concealed. Pipes in which hot water circulated, or steam, were either
+hidden under ground or festooned with plants overhead. The boudoir was a
+large room. The miracle of the modern Parisian fairy named Architecture
+is to get all these many and great things out of a limited bit of
+ground.
+
+The boudoir of the young countess was arranged to suit the taste of the
+artist to whom Comte Adam entrusted the decoration of the house. It is
+too full of pretty nothings to be a place for repose; one scarce knows
+where to sit down among carved Chinese work-tables with their myriads
+of fantastic figures inlaid in ivory, cups of yellow topaz mounted on
+filagree, mosaics which inspire theft, Dutch pictures in the style which
+Schinner has adopted, angels such as Steinbock conceived but often could
+not execute, statuettes modelled by genius pursued by creditors (the
+real explanation of the Arabian myth), superb sketches by our best
+artists, lids of chests made into panels alternating with fluted
+draperies of Italian silk, portieres hanging from rods of old oak
+in tapestried masses on which the figures of some hunting scene are
+swarming, pieces of furniture worthy to have belonged to Madame de
+Pompadour, Persian rugs, et cetera. For a last graceful touch, all these
+elegant things were subdued by the half-light which filtered through
+embroidered curtains and added to their charm. On a table between the
+windows, among various curiosities, lay a whip, the handle designed
+by Mademoiselle de Fauveau, which proved that the countess rode on
+horseback.
+
+Such is a lady’s boudoir in 1837,--an exhibition of the contents of many
+shops, which amuse the eye, as if ennui were the one thing to be dreaded
+by the social world of the liveliest and most stirring capital in
+Europe. Why is there nothing of an inner life? nothing which leads to
+revery, nothing reposeful? Why indeed? Because no one in our day is sure
+of the future; we are living our lives like prodigal annuitants.
+
+One morning Clementine appeared to be thinking of something. She was
+lying at full length on one of those marvellous couches from which it
+is almost impossible to rise, the upholsterer having invented them for
+lovers of the “far niente” and its attendant joys of laziness to sink
+into. The doors of the greenhouse were open, letting the odors of
+vegetation and the perfume of the tropics pervade the room. The young
+wife was looking at her husband who was smoking a narghile, the only
+form of pipe she would have suffered in that room. The portieres, held
+back by cords, gave a vista through two elegant salons, one white and
+gold, comparable only to that of the hotel Forbin-Janson, the other in
+the style of the Renaissance. The dining-room, which had no rival in
+Paris except that of the Baron de Nucingen, was at the end of a short
+gallery decorated in the manner of the middle-ages. This gallery opened
+on the side of the courtyard upon a large antechamber, through which
+could be seen the beauties of the staircase.
+
+The count and countess had just finished breakfast; the sky was a sheet
+of azure without a cloud, April was nearly over. They had been married
+two years, and Clementine had just discovered for the first time that
+there was something resembling a secret or a mystery in her household.
+The Pole, let us say it to his honor, is usually helpless before a
+woman; he is so full of tenderness for her that in Poland he becomes her
+inferior, though Polish women make admirable wives. Now a Pole is still
+more easily vanquished by a Parisian woman. Consequently Comte Adam,
+pressed by questions, did not even attempt the innocent roguery of
+selling the suspected secret. It is always wise with a woman to get
+some good out of a mystery; she will like you the better for it, as a
+swindler respects an honest man the more when he finds he cannot swindle
+him. Brave in heart but not in speech, Comte Adam merely stipulated that
+he should not be compelled to answer until he had finished his narghile.
+
+“If any difficulty occurred when we were travelling,” said Clementine,
+“you always dismissed it by saying, ‘Paz will settle that.’ You never
+wrote to any one but Paz. When we returned here everybody kept saying,
+‘the captain, the captain.’ If I want the carriage--‘the captain.’ Is
+there a bill to pay--‘the captain.’ If my horse is not properly
+bitted, they must speak to Captain Paz. In short, it is like a game of
+dominoes--Paz is everywhere. I hear of nothing but Paz, but I never see
+Paz. Who and what is Paz? Why don’t you bring forth your Paz?”
+
+“Isn’t everything going on right?” asked the count, taking the
+“bocchettino” of his narghile from his lips.
+
+“Everything is going on so right that other people with an income of two
+hundred thousand francs would ruin themselves by going at our pace, and
+we have only one hundred and ten thousand.”
+
+So saying she pulled the bell-cord (an exquisite bit of needlework). A
+footman entered, dressed like a minister.
+
+“Tell Captain Paz that I wish to see him.”
+
+“If you think you are going to find out anything that way--” said Comte
+Adam, laughing.
+
+It is well to mention that Adam and Clementine, married in December,
+1835, had gone soon after the wedding to Italy, Switzerland, and
+Germany, where they spent the greater part of two years. Returning to
+Paris in November, 1837, the countess entered society for the first time
+as a married woman during the winter which had just ended, and she then
+became aware of the existence, half-suppressed and wholly dumb but very
+useful, of a species of factotum who was personally invisible, named
+Paz,--spelt thus, but pronounced “Patz.”
+
+“Monsieur le capitaine Paz begs Madame la comtesse to excuse him,” said
+the footman, returning. “He is at the stables; as soon as he has changed
+his dress Comte Paz will present himself to Madame.”
+
+“What was he doing at the stables?”
+
+“He was showing them how to groom Madame’s horse,” said the man. “He was
+not pleased with the way Constantin did it.”
+
+The countess looked at the footman. He was perfectly serious and did not
+add to his words the sort of smile by which servants usually comment
+on the actions of a superior who seems to them to derogate from his
+position.
+
+“Ah! he was grooming Cora.”
+
+“Madame la comtesse intends to ride out this morning?” said the footman,
+leaving the room without further answer.
+
+“Is Paz a Pole?” asked Clementine, turning to her husband, who nodded by
+way of affirmation.
+
+Madame Laginska was silent, examining Adam. With her feet extended upon
+a cushion and her head poised like that of a bird on the edge of
+its nest listening to the noises in a grove, she would have seemed
+enchanting even to a blase man. Fair and slender, and wearing her
+hair in curls, she was not unlike those semi-romantic pictures in
+the Keepsakes, especially when dressed, as she was this morning, in a
+breakfast gown of Persian silk, the folds of which could not disguise
+the beauty of her figure or the slimness of her waist. The silk with its
+brilliant colors being crossed upon the bosom showed the spring of the
+neck,--its whiteness contrasting delightfully against the tones of a
+guipure lace which lay upon her shoulders. Her eyes and their long
+black lashes added at this moment to the expression of curiosity which
+puckered her pretty mouth. On the forehead, which was well modelled,
+an observer would have noticed a roundness characteristic of the true
+Parisian woman,--self-willed, merry, well-informed, but inaccessible
+to vulgar seductions. Her hands, which were almost transparent, were
+hanging down at the end of each arm of her chair; the tapering fingers,
+slightly turned up at their points, showed nails like almonds, which
+caught the light. Adam smiled at his wife’s impatience, and looked at
+her with a glance which two years of married life had not yet chilled.
+Already the little countess had made herself mistress of the situation,
+for she scarcely paid attention to her husband’s admiration. In fact,
+in the look which she occasionally cast at him, there seemed to be the
+consciousness of a Frenchwoman’s ascendancy over the puny, volatile, and
+red-haired Pole.
+
+“Here comes Paz,” said the count, hearing a step which echoed through
+the gallery.
+
+The countess beheld a tall and handsome man, well-made, and bearing
+on his face the signs of pain which come of inward strength and secret
+endurance of sorrow. He wore one of those tight, frogged overcoats which
+were then called “polonaise.” Thick, black hair, rather unkempt, covered
+his square head, and Clementine noticed his broad forehead shining like
+a block of white marble, for Paz held his visored cap in his hand.
+The hand itself was like that of the Infant Hercules. Robust health
+flourished on his face, which was divided by a large Roman nose and
+reminded Clementine of some handsome Transteverino. A black silk cravat
+added to the martial appearance of this six-foot mystery, with eyes of
+jet and Italian fervor. The amplitude of his pleated trousers, which
+allowed only the tips of his boots to be seen, revealed his faithfulness
+to the fashions of his own land. There was something really burlesque
+to a romantic woman in the striking contrast no one could fail to remark
+between the captain and the count, the little Pole with his pinched face
+and the stalwart soldier.
+
+“Good morning, Adam,” he said familiarly. Then he bowed courteously as
+he asked Clementine what he could do for her.
+
+“You are Laginski’s friend!” exclaimed the countess.
+
+“For life and death,” answered Paz, to whom the count threw a smile of
+affection as he drew a last puff from his perfumed pipe.
+
+“Then why don’t you take your meals with us? why did you not accompany
+us to Italy and Switzerland? why do you hide yourself in such a way that
+I am unable to thank you for the constant services that you do for us?”
+ said the countess, with much vivacity of manner but no feeling.
+
+In fact, she thought she perceived in Paz a sort of voluntary servitude.
+Such an idea carried with it in her mind a certain contempt for a social
+amphibian, a being half-secretary, half-bailiff, and yet neither the one
+nor the other, a poor relation, an embarrassing friend.
+
+“Because, countess,” he answered with perfect ease of manner, “there are
+no thanks due. I am Adam’s friend, and it gives me pleasure to take care
+of his interests.”
+
+“And you remain standing for your pleasure, too,” remarked Comte Adam.
+
+Paz sat down on a chair near the door.
+
+“I remember seeing you about the time I was married, and afterwards
+in the courtyard,” said Clementine. “But why do you put yourself in a
+position of inferiority,--you, Adam’s friend?”
+
+“I am perfectly indifferent to the opinion of the Parisians,” he
+replied. “I live for myself, or, if you like, for you two.”
+
+“But the opinion of the world as to a friend of my husband is not
+indifferent to me--”
+
+“Ah, madame, the world will be satisfied if you tell them I am ‘an
+original.’”
+
+After a moment’s silence he added, “Are you going out to-day?”
+
+“Will you come with us to the Bois?”
+
+“Certainly.”
+
+So saying, Paz bowed and withdrew.
+
+“What a good soul he is!” said Adam. “He has all the simplicity of a
+child.”
+
+“Now tell me all about your relations with him,” said Clementine.
+
+“Paz, my dear,” said Laginski, “belongs to a noble family as old and
+illustrious as our own. One of the Pazzi of Florence, at the time of
+their disasters, fled to Poland, where he settled with some of his
+property and founded the Paz family, to which the title of count was
+granted. This family, which distinguished itself greatly in the glorious
+days of our royal republic, became rich. The graft from the tree that
+was felled in Italy flourished so vigorously in Poland that there are
+several branches of the family still there. I need not tell you that
+some are rich and some are poor. Our Paz is the scion of a poor branch.
+He was an orphan, without other fortune than his sword, when he served
+in the regiment of the Grand Duke Constantine at the time of our
+revolution. Joining the Polish cause, he fought like a Pole, like a
+patriot, like a man who has nothing,--three good reasons for fighting
+well. In his last affair, thinking he was followed by his men, he dashed
+upon a Russian battery and was taken prisoner. I was there. His brave
+act roused me. ‘Let us go and get him!’ I said to my troop, and we
+charged the battery like a lot of foragers. I got Paz--I was the seventh
+man; we started twenty and came back eight, counting Paz. After Warsaw
+was sold we were forced to escape those Russians. By a curious chance,
+Paz and I happened to come together again, at the same hour and the same
+place, on the other side of the Vistula. I saw the poor captain arrested
+by some Prussians, who made themselves the blood-hounds of the Russians.
+When we have fished a man out of the Styx we cling to him. This new
+danger for poor Paz made me so unhappy that I let myself be taken too,
+thinking I could help him. Two men can get away where one will
+perish. Thanks to my name and some family connections in Prussia, the
+authorities shut their eyes to my escape. I got my dear captain through
+as a man of no consequence, a family servant, and we reached Dantzic.
+There we got on board a Dutch vessel and went to London. It took us two
+months to get there. My mother was ill in England, and expecting me.
+Paz and I took care of her till her death, which the Polish troubles
+hastened. Then we left London and came to France. Men who go through
+such adversities become like brothers. When I reached Paris, at
+twenty-two years of age, and found I had an income of over sixty
+thousand francs a year, without counting the proceeds of the diamonds
+and the pictures sold by my mother, I wanted to secure the future of
+my dear Paz before I launched into dissipation. I had often noticed the
+sadness in his eyes--sometimes tears were in them. I had had good reason
+to understand his soul, which is noble, grand, and generous to the core.
+I thought he might not like to be bound by benefits to a friend who
+was six years younger than himself, unless he could repay them. I was
+careless and frivolous, just as a young fellow is, and I knew I was
+certain to ruin myself at play, or get inveigled by some woman, and Paz
+and I might then be parted; and though I had every intention of always
+looking out for him, I knew I might sometime or other forget to provide
+for him. In short, my dear angel, I wanted to spare him the pain and
+mortification of having to ask me for money, or of having to hunt me up
+if he got into distress. SO, one morning, after breakfast, when we were
+sitting with our feet on the andirons smoking pipes, I produced,--with
+the utmost precaution, for I saw him look at me uneasily,--a certificate
+of the Funds payable to bearer for a certain sum of money a year.”
+
+Clementine jumped up and went and seated herself on Adam’s knee, put
+her arms round his neck, and kissed him. “Dear treasure!” she said, “how
+handsome he is! Well, what did Paz do?”
+
+“Thaddeus turned pale,” said the count, “but he didn’t say a word.”
+
+“Oh! his name is Thaddeus, is it?”
+
+“Yes; Thaddeus folded the paper and gave it back to me, and then he
+said: ‘I thought, Adam, that we were one for life or death, and that we
+should never part. Do you want to be rid of me?’ ‘Oh!’ I said, ‘if you
+take it that way, Thaddeus, don’t let us say another word about it. If
+I ruin myself you shall be ruined too.’ ‘You haven’t fortune enough to
+live as a Laginski should,’ he said, ‘and you need a friend who will
+take care of your affairs, and be a father and a brother and a trusty
+confidant.’ My dear child, as Paz said that he had in his look and
+voice, calm as they were, a maternal emotion, and also the gratitude
+of an Arab, the fidelity of a dog, the friendship of a savage,--not
+displayed, but ever ready. Faith! I seized him, as we Poles do, with
+a hand on each shoulder, and I kissed him on the lips. ‘For life and
+death, then! all that I have is yours--do what you will with it.’ It was
+he who found me this house and bought it for next to nothing. He sold my
+Funds high and bought in low, and we have paid for this barrack with
+the profits. He knows horses, and he manages to buy and sell at such
+advantage that my stable really costs very little; and yet I have the
+finest horses and the most elegant equipages in all Paris. Our servants,
+brave Polish soldiers chosen by him, would go through fire and water
+for us. I seem, as you say, to be ruining myself; and yet Paz keeps the
+house with such method and economy that he has even repaired some of my
+foolish losses at play,--the thoughtless folly of a young man. My dear,
+Thaddeus is as shrewd as two Genoese, as eager for gain as a Polish Jew,
+and provident as a good housekeeper. I never could force him to live as
+I did when I was a bachelor. Sometimes I had to use a sort of friendly
+coercion to make him go to the theatre with me when I was alone, or to
+the jovial little dinners I used to give at a tavern. He doesn’t like
+social life.”
+
+“What does he like, then?” asked Clementine.
+
+“Poland; he loves Poland and pines for it. His only spendings are
+sums he gives, more in my name than in his own, to some of our poor
+brother-exiles.”
+
+“Well, I shall love him, the fine fellow!” said the countess, “he looks
+to me as simple-hearted as he is grand.”
+
+“All these pretty things you have about you,” continued Adam, who
+praised his friend in the noblest sincerity, “he picked up; he bought
+them at auction, or as bargains from the dealers. Oh! he’s keener than
+they are themselves. If you see him rubbing his hands in the courtyard,
+you may be sure he has traded away one good horse for a better. He lives
+for me; his happiness is to see me elegant, in a perfectly appointed
+equipage. The duties he takes upon himself are all accomplished without
+fuss or emphasis. One evening I lost twenty thousand francs at whist.
+‘What will Paz say?’ thought I as I walked home. Paz paid them to me,
+not without a sigh; but he never reproached me, even by a look. But
+that sigh of his restrained me more than the remonstrances of uncles,
+mothers, or wives could have done. ‘Do you regret the money?’ I said
+to him. ‘Not for you or me, no,’ he replied; ‘but I was thinking
+that twenty poor Poles could have lived a year on that sum.’ You must
+understand that the Pazzi are fully the equal of the Laginski, so I
+couldn’t regard my dear Paz as an inferior. I never went out or came in
+without going first to Paz, as I would to my father. My fortune is his;
+and Thaddeus knows that if danger threatened him I would fling myself
+into it and drag him out, as I have done before.”
+
+“And that is saying a good deal, my dear friend,” said the countess.
+“Devotion is like a flash of lightning. Men devote themselves in battle,
+but they no longer have the heart for it in Paris.”
+
+“Well,” replied Adam, “I am always ready, as in battle, to devote
+myself to Paz. Our two characters have kept their natural asperities
+and defects, but the mutual comprehension of our souls has tightened the
+bond already close between us. It is quite possible to save a man’s life
+and kill him afterwards if we find him a bad fellow; but Paz and I know
+THAT of each other which makes our friendship indissoluble. There’s
+a constant exchange of happy thoughts and impressions between us; and
+really, perhaps, such a friendship as ours is richer than love.”
+
+A pretty hand closed the count’s mouth so promptly that the action was
+somewhat like a blow.
+
+“Yes,” he said, “friendship, my dear angel, knows nothing of bankrupt
+sentiments and collapsed joys. Love, after giving more than it has, ends
+by giving less than it receives.”
+
+“One side as well as the other,” remarked Clementine laughing.
+
+“Yes,” continued Adam, “whereas friendship only increases. You need not
+pucker up your lips at that, for we are, you and I, as much friends as
+lovers; we have, at least I hope so, combined the two sentiments in our
+happy marriage.”
+
+“I’ll explain to you what it is that has made you and Thaddeus such good
+friends,” said Clementine. “The difference in the lives you lead
+comes from your tastes and from necessity; from your likings, not your
+positions. As far as one can judge from merely seeing a man once, and
+also from what you tell me, there are times when the subaltern might
+become the superior.”
+
+“Oh, Paz is truly my superior,” said Adam, naively; “I have no advantage
+over him except mere luck.”
+
+His wife kissed him for the generosity of those words.
+
+“The extreme care with which he hides the grandeur of his feelings is
+one form of his superiority,” continued the count. “I said to him once:
+‘You are a sly one; you have in your heart a vast domain within which
+you live and think.’ He has a right to the title of count; but in Paris
+he won’t be called anything but captain.”
+
+“The fact is that the Florentine of the middle-ages has reappeared in
+our century,” said the countess. “Dante and Michael Angelo are in him.”
+
+“That’s the very truth,” cried Adam. “He is a poet in soul.”
+
+“So here I am, married to two Poles,” said the young countess, with a
+gesture worthy of some genius of the stage.
+
+“Dear child!” said Adam, pressing her to him, “it would have made me
+very unhappy if my friend did not please you. We were both rather afraid
+of it, he and I, though he was delighted at my marriage. You will
+make him very happy if you tell him that you love him,--yes, as an old
+friend.”
+
+“I’ll go and dress, the day is so fine; and we will all three ride
+together,” said Clementine, ringing for her maid.
+
+
+
+
+II
+
+
+Paz was leading so subterranean a life that the fashionable world of
+Paris asked who he was when the Comtesse Laginska was seen in the Bois
+de Boulogne riding between her husband and a stranger. During the ride
+Clementine insisted that Thaddeus should dine with them. This caprice of
+the sovereign lady compelled Paz to make an evening toilet. Clementine
+dressed for the occasion with a certain coquetry, in a style that
+impressed even Adam himself when she entered the salon where the two
+friends awaited her.
+
+“Comte Paz,” she said, “you must go with us to the Opera.”
+
+This was said in the tone which, coming from a woman means: “If you
+refuse we shall quarrel.”
+
+“Willingly, madame,” replied the captain. “But as I have not the fortune
+of a count, have the kindness to call me captain.”
+
+“Very good, captain; give me your arm,” she said,--taking it and
+leading the way to the dining-room with the flattering familiarity which
+enchants all lovers.
+
+The countess placed the captain beside her; his behavior was that of
+a poor sub-lieutenant dining at his general’s table. He let Clementine
+talk, listened deferentially as to a superior, did not differ with her
+in anything, and waited to be questioned before he spoke at all. He
+seemed actually stupid to the countess, whose coquettish little ways
+missed their mark in presence of such frigid gravity and conventional
+respect. In vain Adam kept saying: “Do be lively, Thaddeus; one would
+really suppose you were not at home. You must have made a wager to
+disconcert Clementine.” Thaddeus continued heavy and half asleep.
+When the servants left the room at the end of the dessert the captain
+explained that his habits were diametrically opposite to those of
+society,--he went to bed at eight o’clock and got up very early in the
+morning; and he excused his dulness on the ground of being sleepy.
+
+“My intention in taking you to the Opera was to amuse you, captain; but
+do as you prefer,” said Clementine, rather piqued.
+
+“I will go,” said Paz.
+
+“Duprez sings ‘Guillaume Tell,’” remarked Adam. “But perhaps you would
+rather go to the ‘Varietes’?”
+
+The captain smiled and rang the bell. “Tell Constantin,” he said to the
+footman, “to put the horses to the carriage instead of the coupe. We
+should be rather squeezed otherwise,” he said to the count.
+
+“A Frenchman would have forgotten that,” remarked Clementine, smiling.
+
+“Ah! but we are Florentines transplanted to the North,” answered
+Thaddeus with a refinement of accent and a look in his eyes which
+made his conduct at table seem assumed for the occasion. There was
+too evident a contrast between his involuntary self-revelation in this
+speech and his behavior during dinner. Clementine examined the captain
+with a few of those covert glances which show a woman’s surprise and
+also her capacity for observation.
+
+It resulted from this little incident that silence reigned in the salon
+while the three took their coffee, a silence rather annoying to Adam,
+who was incapable of imagining the cause of it. Clementine no longer
+tried to draw out Thaddeus. The captain, on the other hand, retreated
+within his military stiffness and came out of it no more, neither on the
+way to the Opera nor in the box, where he seemed to be asleep.
+
+“You see, madame, that I am a very stupid man,” he said during the dance
+in the last act of “Guillaume Tell.” “Am I not right to keep, as the
+saying is, to my own specialty?”
+
+“In truth, my dear captain, you are neither a talker nor a man of the
+world, but you are perhaps Polish.”
+
+“Therefore leave me to look after your pleasures, your property, your
+household--it is all I am good for.”
+
+“Tartufe! pooh!” cried Adam, laughing. “My dear, he is full of ardor;
+he is thoroughly educated; he can, if he chooses, hold his own in any
+salon. Clementine, don’t believe his modesty.”
+
+“Adieu, comtesse; I have obeyed your wishes so far; and now I will take
+the carriage and go home to bed and send it back for you.”
+
+Clementine bowed her head and let him go without replying.
+
+“What a bear!” she said to the count. “You are a great deal nicer.”
+
+Adam pressed her hand when no one was looking.
+
+“Poor, dear Thaddeus,” he said, “he is trying to make himself
+disagreeable where most men would try to seem more amiable than I.”
+
+“Oh!” she said, “I am not sure but what there is some _calculation_ in
+his behavior; he would have taken in an ordinary woman.”
+
+Half an hour later, when the chasseur, Boleslas, called out “Gate!” and
+the carriage was waiting for it to swing back, Clementine said to her
+husband, “Where does the captain perch?”
+
+“Why, there!” replied Adam, pointing to a floor above the porte-cochere
+which had one window looking on the street. “His apartments are over the
+coachhouse.”
+
+“Who lives on the other side?” asked the countess.
+
+“No one as yet,” said Adam; “I mean that apartment for our children and
+their instructors.”
+
+“He didn’t go to bed,” said the countess, observing lights in Thaddeus’s
+rooms when the carriage had passed under the portico supported by
+columns copied from those of the Tuileries, which replaced a vulgar zinc
+awning painted in stripes like cloth.
+
+The captain, in his dressing-gown with a pipe in his mouth, was watching
+Clementine as she entered the vestibule. The day had been a hard one for
+him. And here is the reason why: A great and terrible emotion had taken
+possession of his heart on the day when Adam made him go to the Opera
+to see and give his opinion on Mademoiselle du Rouvre; and again when he
+saw her on the occasion of her marriage, and recognized in her the woman
+whom a man is forced to love exclusively. For this reason Paz strongly
+advised and promoted the long journey to Italy and elsewhere after the
+marriage. At peace so long as Clementine was away, his trial was renewed
+on the return of the happy household. As he sat at his window on this
+memorable night, smoking his latakia in a pipe of wild-cherry wood
+six feet long, given to him by Adam, these are the thoughts that were
+passing through his mind:--
+
+“I, and God, who will reward me for suffering in silence, alone know
+how I love her! But how shall I manage to have neither her love nor her
+dislike?”
+
+And his thoughts travelled far on this strange theme.
+
+It must not be supposed that Thaddeus was living without pleasure, in
+the midst of his sufferings. The deceptions of this day, for instance,
+were a source of inward joy to him. Since the return of the count and
+countess he had daily felt ineffable satisfactions in knowing himself
+necessary to a household which, without his devotion to its interests,
+would infallibly have gone to ruin. What fortune can bear the strain of
+reckless prodigality? Clementine, brought up by a spendthrift father,
+knew nothing of the management of a household which the women of the
+present day, however rich or noble they are, are often compelled to
+undertake themselves. How few, in these days, keep a steward. Adam, on
+the other hand, son of one of the great Polish lords who let themselves
+be preyed on by the Jews, and are wholly incapable of managing even the
+wreck of their vast fortunes (for fortunes are vast in Poland), was
+not of a nature to check his own fancies or those of his wife. Left to
+himself he would probably have been ruined before his marriage. Paz had
+prevented him from gambling at the Bourse, and that says all.
+
+Under these circumstances, Thaddeus, feeling that he loved Clementine
+in spite of himself, had not the resource of leaving the house and
+travelling in other lands to forget his passion. Gratitude, the key-note
+of his life, held him bound to that household where he alone could look
+after the affairs of the heedless owners. The long absence of Adam
+and Clementine had given him peace. But the countess had returned
+more lovely than ever, enjoying the freedom which marriage brings to a
+Parisian woman, displaying the graces of a young wife and the nameless
+attraction she gains from the happiness, or the independence, bestowed
+upon her by a young man as trustful, as chivalric, and as much in
+love as Adam. To know that he was the pivot on which the splendor the
+household depended, to see Clementine when she got out of her carriage
+on returning from some fete, or got into it in the morning when she took
+her drive, to meet her on the boulevards in her pretty equipage,
+looking like a flower in a whorl of leaves, inspired poor Thaddeus with
+mysterious delights, which glowed in the depths of his heart but gave no
+signs upon his face.
+
+How happened it that for five whole months the countess had never
+perceived the captain? Because he hid himself from her knowledge, and
+carefully concealed the pains he took to avoid her. Nothing so resembles
+the Divine love as hopeless human love. A man must have great depth of
+heart to devote himself in silence and obscurity to a woman. In such
+a heart is the worship of love for love’s sake only--sublime avarice,
+sublime because ever generous and founded on the mysterious existence
+of the principles of creation. _Effect_ is nature, and nature is
+enchanting; it belongs to man, to the poet, the painter, the lover. But
+_Cause_, to a few privileged souls and to certain mighty thinkers,
+is superior to nature. Cause is God. In the sphere of causes live
+the Newtons and all such thinkers as Laplace, Kepler, Descartes,
+Malebranche, Spinoza, Buffon; also the true poets and solitarys of
+the second Christian century, and the Saint Teresas of Spain, and such
+sublime ecstatics. All human sentiments bear analogy to these conditions
+whenever the mind abandons Effect for Cause. Thaddeus had reached this
+height, at which all things change their relative aspect. Filled with
+the joys unutterable of a creator he had attained in his love to all
+that genius has revealed to us of grandeur.
+
+“No,” he was thinking to himself as he watched the curling smoke of his
+pipe, “she was not entirely deceived. She might break up my friendship
+with Adam if she took a dislike to me; but if she coquetted with me to
+amuse herself, what would become of me?”
+
+The conceit of this last supposition was so foreign to the modest
+nature and Teutonic timidity of the captain that he scolded himself for
+admitting it, and went to bed, resolved to await events before deciding
+on a course.
+
+The next day Clementine breakfasted very contentedly without Paz, and
+without even noticing his disobedience to her orders. It happened to be
+her reception day, when the house was thrown open with a splendor that
+was semi-royal. She paid no attention to the absence of Comte Paz, on
+whom all the burden of these parade days fell.
+
+“Good!” thought he, as he heard the last carriages driving away at two
+in the morning; “it was only the caprice or the curiosity of a Parisian
+woman that made her want to see me.”
+
+After that the captain went back to his ordinary habits and ways, which
+had been somewhat upset by this incident. Diverted by her Parisian
+occupations, Clementine appeared to have forgotten Paz. It must not be
+thought an easy matter to reign a queen over fickle Paris. Does any one
+suppose that fortunes alone are risked in the great game? The winters
+are to fashionable women what a campaign once was to the soldiers of the
+Empire. What works of art and genius are expended on a gown or a garland
+in which to make a sensation! A fragile, delicate creature will wear
+her stiff and brilliant harness of flowers and diamonds, silk and steel,
+from nine at night till two and often three o’clock in the morning. She
+eats little, to attract remark to her slender waist; she satisfied her
+hunger with debilitating tea, sugared cakes, ices which heat her, or
+slices of heavy pastry. The stomach is made to yield to the orders of
+coquetry. The awakening comes too late. A fashionable woman’s whole life
+is in contradiction to the laws of nature, and nature is pitiless. She
+has no sooner risen than she makes an elaborate morning toilet, and
+thinks of the one which she means to wear in the afternoon. The moment
+she is dressed she has to receive and make visits, and go to the Bois
+either on horseback or in a carriage. She must practise the art of
+smiling, and must keep her mind on the stretch to invent new compliments
+which shall seem neither common nor far-fetched. All women do not
+succeed in this. It is no surprise, therefore, to find a young woman who
+entered fashionable society fresh and healthy, faded and worn out at the
+end of three years. Six months spent in the country will hardly heal the
+wounds of the winter. We hear continually, in these days, of mysterious
+ailments,--gastritis, and so forth,--ills unknown to women when they
+busied themselves about their households. In the olden time women only
+appeared in the world at intervals; now they are always on the scene.
+Clementine found she had to struggle for her supremacy. She was cited,
+and that alone brought jealousies; and the care and watchfulness exacted
+by this contest with her rivals left little time even to love her
+husband. Paz might well be forgotten. Nevertheless, in the month of
+May, as she drove home from the Bois, just before she left Paris for
+Ronquerolles, her uncle’s estate in Burgundy, she noticed Thaddeus,
+elegantly dressed, sauntering on one of the side-paths of the
+Champs-Elysees, in the seventh heaven of delight at seeing his beautiful
+countess in her elegant carriage with its spirited horses and sparkling
+liveries,--in short, his beloved family the admired of all.
+
+“There’s the captain,” she said to her husband.
+
+“He’s happy!” said Adam. “This is his delight. He knows there’s no
+equipage more elegant than ours, and he is rejoicing to think that some
+people envy it. Have you only just noticed him? I see him there nearly
+every day.”
+
+“I wonder what he is thinking about now,” said Clementine.
+
+“He is thinking that this winter has cost a good deal, and that it is
+time we went to economize with your old uncle Ronquerolles,” replied
+Adam.
+
+The countess stopped the carriage near Paz, and bade him take the seat
+beside her. Thaddeus grew as red as a cherry.
+
+“I shall poison you,” he said; “I have been smoking.”
+
+“Doesn’t Adam poison me?” she said.
+
+“Yes, but he is Adam,” returned the captain.
+
+“And why can’t Thaddeus have the same privileges?” asked the countess,
+smiling.
+
+That divine smile had a power which triumphed over the heroic
+resolutions of poor Paz; he looked at Clementine with all the fire of
+his soul in his eyes, though, even so, its flame was tempered by the
+angelic gratitude of the man whose life was based upon that virtue.
+The countess folded her arms in her shawl, lay back pensively on her
+cushions, ruffling the feathers of her pretty bonnet, and looked at the
+people who passed her. That flash of a great and hitherto resigned soul
+reached her sensibilities. What was Adam’s merit in her eyes? It was
+natural enough to have courage and generosity. But Thaddeus--surely
+Thaddeus possessed, or seemed to possess, some great superiority
+over Adam. They were dangerous thoughts which took possession of the
+countess’s mind as she again noticed the contrast of the fine presence
+that distinguished Thaddeus, and the puny frame in which Adam showed
+the degenerating effects of intermarriage among the Polish aristocratic
+families. The devil alone knew the thoughts that were in Clementine’s
+head, for she sat still, with thoughtful, dreamy eyes, and without
+saying a word until they reached home.
+
+“You will dine with us; I shall be angry if you disobey me,” she said as
+the carriage turned in. “You are Thaddeus to me, as you are to Adam. I
+know your obligations to him, but I also know those we are under to you.
+Both generosities are natural--but you are generous every day and all
+day. My father dines here to-day, also my uncle Ronquerolles and my aunt
+Madame de Serizy. Dress yourself therefore,” she said, taking the hand
+he offered to assist her from the carriage.
+
+Thaddeus went to his own room to dress with a joyful heart, though
+shaken by an inward dread. He went down at the last moment and behaved
+through dinner as he had done on the first occasion, that is, like a
+soldier fit only for his duties as a steward. But this time Clementine
+was not his dupe; his glance had enlightened her. The Marquis de
+Ronquerolles, one of the ablest diplomates after Talleyrand, who had
+served with de Marsay during his short ministry, had been informed by
+his niece of the real worth and character of Comte Paz, and knew how
+modestly he made himself the steward of his friend Laginski.
+
+“And why is this the first time I have the pleasure of seeing Comte
+Paz?” asked the marquis.
+
+“Because he is so shy and retiring,” replied Clementine with a look at
+Paz telling him to change his behavior.
+
+Alas! that we should have to avow it, at the risk of rendering the
+captain less interesting, but Paz, though superior to his friend
+Adam, was not a man of parts. His apparent superiority was due to his
+misfortunes. In his lonely and poverty-stricken life in Warsaw he had
+read and taught himself a good deal; he had compared and meditated. But
+the gift of original thought which makes a great man he did not possess,
+and it can never be acquired. Paz, great in heart only, approached in
+heart to the sublime; but in the sphere of sentiments, being more a man
+of action than of thought, he kept his thoughts to himself; and they
+only served therefore to eat his heart out. What, after all, is a
+thought unexpressed?
+
+After Clementine’s little speech, the Marquis de Ronquerolles and his
+sister exchanged a singular glance, embracing their niece, Comte Adam,
+and Paz. It was one of those rapid scenes which take place only in
+France and Italy,--the two regions of the world (all courts excepted)
+where eyes can say everything. To communicate to the eye the full power
+of the soul, to give it the value of speech, needs either the pressure
+of extreme servitude, or complete liberty. Adam, the Marquis du Rouvre,
+and Clementine did not observe this luminous by-play of the old coquette
+and the old diplomatist, but Paz, the faithful watchdog, understood
+its meaning. It was, we must remark, an affair of two seconds; but to
+describe the tempest it roused in the captain’s soul would take far too
+much space in this brief history.
+
+“What!” he said to himself, “do the aunt and uncle think I might be
+loved? Then my happiness only depends on my own audacity! But Adam--”
+
+Ideal love and desire clashed with gratitude and friendship, all equally
+powerful, and, for a moment, love prevailed. The lover would have his
+day. Paz became brilliant, he tried to please, he told the story of the
+Polish insurrection in noble words, being questioned about it by the
+diplomatist. By the end of dinner Paz saw Clementine hanging upon
+his lips and regarding him as a hero, forgetting that Adam too, after
+sacrificing a third of his vast fortune, had been an exile. At nine
+o’clock, after coffee had been served, Madame de Serizy kissed her niece
+on the forehead, pressed her hand, and went away, taking Adam with her
+and leaving the Marquis de Ronquerolles and the Marquis du Rouvre, who
+soon followed. Paz and Clementine were alone together.
+
+“I will leave you now, madame,” said Thaddeus. “You will of course
+rejoin them at the Opera?”
+
+“No,” she answered, “I don’t like dancing, and they give an odious
+ballet to-night ‘La Revolte au Serail.’”
+
+There was a moment’s silence.
+
+“Two years ago Adam would not have gone to the Opera without me,” said
+Clementine, not looking at Paz.
+
+“He loves you madly,” replied Thaddeus.
+
+“Yes, and because he loves me madly he is all the more likely not to
+love me to-morrow,” said the countess.
+
+“How inexplicable Parisian women are!” exclaimed Thaddeus. “When they
+are loved to madness they want to be loved reasonably: and when they are
+loved reasonably they reproach a man for not loving them at all.”
+
+“And they are quite right. Thaddeus,” she went on, smiling, “I know
+Adam well; I am not angry with him; he is volatile and above all grand
+seigneur. He will always be content to have me as his wife and he will
+never oppose any of my tastes, but--”
+
+“Where is the marriage in which there are no ‘buts’?” said Thaddeus,
+gently, trying to give another direction to Clementine’s mind.
+
+The least presuming of men might well have had the thought which came
+near rendering this poor lover beside himself; it was this: “If I do not
+tell her now that I love her I am a fool,” he kept saying to himself.
+
+Neither spoke; and there came between the pair one of those deep
+silences that are crowded with thoughts. The countess examined Paz
+covertly, and Paz observed her in a mirror. Buried in an armchair like
+a man digesting his dinner, the image of a husband or an indifferent
+old man, Paz crossed his hands upon his stomach and twirled his thumbs
+mechanically, looking stupidly at them.
+
+“Why don’t you tell me something good of Adam?” cried Clementine
+suddenly. “Tell me that he is not volatile, you who know him so well.”
+
+The cry was fine.
+
+“Now is the time,” thought poor Paz, “to put an insurmountable barrier
+between us. Tell you good of Adam?” he said aloud. “I love him; you
+would not believe me; and I am incapable of telling you harm. My
+position is very difficult between you.”
+
+Clementine lowered her head and looked down at the tips of his varnished
+boots.
+
+“You Northern men have nothing but physical courage,” she said
+complainingly; “you have no constancy in your opinions.”
+
+“How will you amuse yourself alone, madame?” said Paz, assuming a
+careless air.
+
+“Are not you going to keep me company?”
+
+“Excuse me for leaving you.”
+
+“What do you mean? Where are you going?”
+
+The thought of a heroic falsehood had come into his head.
+
+“I--I am going to the Circus in the Champs Elysees; it opens to-night,
+and I can’t miss it.”
+
+“Why not?” said Clementine, questioning him by a look that was
+half-anger.
+
+“Must I tell you why?” he said, coloring; “must I confide to you what I
+hide from Adam, who thinks my only love is Poland.”
+
+“Ah! a secret in our noble captain?”
+
+“A disgraceful one--which you will perhaps understand, and pity.”
+
+“You, disgraced?”
+
+“Yes, I, Comte Paz; I am madly in love with a girl who travels all over
+France with the Bouthor family,--people who have the rival circus to
+Franconi; but they play only at fairs. I have made the director at the
+Cirque-Olympique engage her.”
+
+“Is she handsome?”
+
+“To my thinking,” said Paz, in a melancholy tone. “Malaga (that’s her
+stage name) is strong, active, and supple. Why do I prefer her to all
+other women in the world?--well, I can’t tell you. When I look at her,
+with her black hair tied with a blue satin ribbon, floating on her bare
+and olive-colored shoulders, and when she is dressed in a white tunic
+with a gold edge, and a knitted silk bodice that makes her look like a
+living Greek statue, and when I see her carrying those flags in her hand
+to the sound of martial music, and jumping through the paper hoops which
+tear as she goes through, and lighting so gracefully on the galloping
+horse to such applause,--no hired clapping,--well, all that moves me.”
+
+“More than a handsome woman in a ballroom?” asked Clementine, with
+amazement and curiosity.
+
+“Yes,” answered Paz, in a choking voice. “Such agility, such grace under
+constant danger seems to me the height of triumph for a woman. Yes,
+madame, Cinti and Malibran, Grisi and Taglioni, Pasta and Ellsler, all
+who reign or have reigned on the stage, can’t be compared, to my mind,
+with Malaga, who can jump on or off a horse at full gallop, or stand
+on the point of one foot and fall easily into the saddle, and knit
+stockings, break eggs, and make an omelette with the horse at full
+speed, to the admiration of the people,--the real people, peasants and
+soldiers. Malaga, madame, is dexterity personified; her little wrist or
+her little foot can rid her of three or four men. She is the goddess of
+gymnastics.”
+
+“She must be stupid--”
+
+“Oh, no,” said Paz, “I find her as amusing as the heroine of ‘Peveril
+of the Peak.’ Thoughtless as a Bohemian, she says everything that comes
+into her head; she thinks no more about the future than you do of
+the sous you fling to the poor. She says grand things sometimes. You
+couldn’t make her believe that an old diplomatist was a handsome young
+man, not if you offered her a million of francs. Such love as hers is
+perpetual flattery to a man. Her health is positively insolent, and she
+has thirty-two oriental pearls in lips of coral. Her muzzle--that’s what
+she calls the lower part of her face--has, as Shakespeare expresses
+it, the savor of a heifer’s nose. She can make a man unhappy. She likes
+handsome men, strong men, Alexanders, gymnasts, clowns. Her trainer, a
+horrible brute, used to beat her to make her supple, and graceful, and
+intrepid--”
+
+“You are positively intoxicated with Malaga.”
+
+“Oh, she is called Malaga only on the posters,” said Paz, with a piqued
+air. “She lives in the rue Saint-Lazare, in a pretty apartment on the
+third story, all velvet and silk, like a princess. She has two lives,
+her circus life and the life of a pretty woman.”
+
+“Does she love you?”
+
+“She loves me--now you will laugh--solely because I’m a Pole. She saw
+an engraving of Poles rushing with Poniatowski into the Elster,--for all
+France persists in thinking that the Elster, where it is impossible
+to get drowned, is an impetuous flood, in which Poniatowski and his
+followers were engulfed. But in the midst of all this I am very unhappy,
+madame.”
+
+A tear of rage fell from his eyes and affected the countess.
+
+“You men have such a passion for singularity.”
+
+“And you?” said Thaddeus.
+
+“I know Adam so well that I am certain he could forget me for some
+mountebank like your Malaga. Where did you first see her?”
+
+“At Saint-Cloud, last September, on the fete-day. She was at a corner of
+a booth covered with flags, where the shows are given. Her comrades,
+all in Polish costumes, were making a horrible racket. I watched her
+standing there, silent and dumb, and I thought I saw a melancholy
+expression in her face; in truth there was enough about her to sadden a
+girl of twenty. That touched me.”
+
+The countess was sitting in a delicious attitude, pensive and rather
+melancholy.
+
+“Poor, poor Thaddeus!” she exclaimed. Then, with the kindliness of a
+true great lady she added, not without a malicious smile, “Well go, go
+to your Circus.”
+
+Thaddeus took her hand, kissed it, leaving a hot tear upon it, and went
+out.
+
+Having invented this passion for a circus-rider, he bethought him
+that he must give it some reality. The only truth in his tale was the
+momentary attention he had given to Malaga at Saint-Cloud; and he had
+since seen her name on the posters of the Circus, where the clown, for
+a tip of five francs, had told him that the girl was a foundling, stolen
+perhaps. Thaddeus now went to the Circus and saw her again. For ten
+francs one of the grooms (who take the place in circuses of the dressers
+at a theatre) informed him that Malaga was named Marguerite Turquet, and
+lived on the fifth story of a house in the rue des Fosses-du-Temple.
+
+The following day Paz went to the faubourg du Temple, found the house,
+and asked to see Mademoiselle Turquet, who during the summer was
+substituting for the leading horsewoman at the Cirque-Olympique, and a
+supernumerary at a boulevard theatre in winter.
+
+“Malaga!” cried the portress, rushing into the attic, “there’s a fine
+gentleman wanting you. He is getting information from Chapuzot, who is
+playing him off to give me time to tell you.”
+
+“Thank you, M’ame Chapuzot; but what will he think of me if he finds me
+ironing my gown?”
+
+“Pooh! when a man’s in love he loves everything about us.”
+
+“Is he an Englishman? they are fond of horses.”
+
+“No, he looks to me Spanish.”
+
+“That’s a pity; they say Spaniards are always poor. Stay here with me,
+M’ame Chapuzot; I don’t want him to think I’m deserted.”
+
+“Who is it you are looking for, monsieur?” asked Madame Chapuzot,
+opening the door for Thaddeus, who had now come upstairs.
+
+“Mademoiselle Turquet.”
+
+“My dear,” said the portress, with an air of importance, “here is some
+one to see you.”
+
+A line on which the clothes were drying caught the captain’s hat and
+knocked it off.
+
+“What is it you wish, monsieur?” said Malaga, picking up the hat and
+giving it to him.
+
+“I saw you at the Circus,” said Thaddeus, “and you reminded me of a
+daughter whom I have lost, mademoiselle; and out of affection for my
+Heloise, whom you resemble in a most striking manner, I should like to
+be of some service to you, if you will permit me.”
+
+“Why, certainly; pray sit down, general,” said Madame Chapuzot; “nothing
+could be more straightforward, more gallant.”
+
+“But I am not gallant, my good lady,” exclaimed Paz. “I am an
+unfortunate father who tries to deceive himself by a resemblance.”
+
+“Then am I to pass for your daughter?” said Malaga, slyly, and not in
+the least suspecting the perfect sincerity of his proposal.
+
+“Yes,” said Paz, “and I’ll come and see you sometimes. But you shall be
+lodged in better rooms, comfortably furnished.”
+
+“I shall have furniture!” cried Malaga, looking at Madame Chapuzot.
+
+“And servants,” said Paz, “and all you want.”
+
+Malaga looked at the stranger suspiciously.
+
+“What countryman is monsieur?”
+
+“I am a Pole.”
+
+“Oh! then I accept,” she said.
+
+Paz departed, promising to return.
+
+“Well, that’s a stiff one!” said Marguerite Turquet, looking at Madame
+Chapuzot; “I’m half afraid he is wheedling me, to carry out some fancy
+of his own--Pooh! I’ll risk it.”
+
+A month after this eccentric interview the circus-rider was living in
+a comfortable apartment furnished by Comte Adam’s own upholsterer, Paz
+having judged it desirable to have his folly talked about at the hotel
+Laginski. Malaga, to whom this adventure was like a leaf out of the
+Arabian Nights, was served by Monsieur and Madame Chapuzot in the double
+capacity of friends and servants. The Chapuzots and Marguerite were
+constantly expecting some result of all this; but at the end of three
+months none of them were able to make out the meaning of the Polish
+count’s caprice. Paz arrived duly and passed about an hour there once
+a week, during which time he sat in the salon, and never went
+into Malaga’s boudoir nor into her bedroom, in spite of the clever
+manoeuvring of the Chapuzots and Malaga to get him there. The count
+would ask questions as to the small events of Marguerite’s life, and
+each time that he came he left two gold pieces of forty francs each on
+the mantel-piece.
+
+“He looks as if he didn’t care to be here,” said Madame Chapuzot.
+
+“Yes,” said Malaga, “the man’s as cold as an icicle.”
+
+“But he’s a good fellow all the same,” cried Chapuzot, who was happy in
+a new suit of clothes made of blue cloth, in which he looked like the
+servant of some minister.
+
+The sum which Paz deposited weekly on the mantel-piece, joined to
+Malaga’s meagre salary, gave her the means of sumptuous living compared
+with her former poverty. Wonderful stories went the rounds of the Circus
+about Malaga’s good-luck. Her vanity increased the six thousand francs
+which Paz had spent on her furniture to sixty thousand. According to
+the clowns and the supers, Malaga was squandering money; and she now
+appeared at the Circus wearing burnous and shawls and elegant scarfs.
+The Pole, it was agreed on all sides, was the best sort of man a
+circus-rider had ever encountered, not fault-finding nor jealous, and
+willing to let Malaga do just what she liked.
+
+“Some women have the luck of it,” said Malaga’s rival, “and I’m not one
+of them,--though I do draw a third of the receipts.”
+
+Malaga wore pretty things, and occasionally “showed her head” (a term in
+the lexicon of such characters) in the Bois, where the fashionable young
+men of the day began to remark her. In fact, before long Malaga was
+very much talked about in the questionable world of equivocal women, who
+presently attacked her good fortune by calumnies. They said she was
+a somnambulist, and the Pole was a magnetizer who was using her to
+discover the philosopher’s stone. Some even more envenomed scandals
+drove her to a curiosity that was greater than Psyche’s. She reported
+them in tears to Paz.
+
+“When I want to injure a woman,” she said in conclusion, “I don’t
+calumniate her; I don’t declare that some one magnetizes her to get
+stones out of her, but I say plainly that she is humpbacked, and I prove
+it. Why do you compromise me in this way?”
+
+Paz maintained a cruel silence. Madame Chapuzot was not long in
+discovering the name and title of Comte Paz; then she heard certain
+positive facts at the hotel Laginski: for instance, that Paz was a
+bachelor, and had never been known to have a daughter, alive or dead,
+in Poland or in France. After that Malaga could not control a feeling of
+terror.
+
+“My dear child,” Madame Chapuzot would say, “that monster--” (a man who
+contented himself with only looking, in a sly way,--not daring to come
+out and say things,--and such a beautiful creature too, as Malaga,--of
+course such a man was a monster, according to Madame Chapuzot’s ideas)
+“--that monster is trying to get a hold upon you, and make you do
+something illegal and criminal. Holy Father, if you should get into
+the police-courts! it makes me tremble from head to foot; suppose they
+should put you in the newspapers! I’ll tell you what I should do in your
+place; I’d warn the police.”
+
+One particular day, after many foolish notions had fermented for
+some time in Malaga’s mind, Paz having laid his money as usual on the
+mantel-piece, she seized the bits of gold and flung them in his face,
+crying out, “I don’t want stolen money!”
+
+The captain gave the gold to Chapuzot, went away without a word, and did
+not return.
+
+Clementine was at this time at her uncle’s place in Burgundy.
+
+When the Circus troop discovered that Malaga had lost her Polish count,
+much excitement was produced among them. Malaga’s display of honor was
+considered folly by some, and shrewdness by others. The conduct of the
+Pole, however, even when discussed by the cleverest of women, seemed
+inexplicable. Thaddeus received in the course of the next week
+thirty-seven letters from women of their kind. Happily for him, his
+astonishing reserve did not excite the curiosity of the fashionable
+world, and was only discussed in the demi-mondaine regions.
+
+Two weeks later the handsome circus-rider, crippled by debt, wrote the
+following letter to Comte Paz, which, having fallen into the hands
+of Comte Adam, was read by several of the dandies of the day, who
+pronounced it a masterpiece:--
+
+ “You, whom I still dare to call my friend, will you not pity me
+ after all that has passed,--which you have so ill understood? My
+ heart disavows whatever may have wounded your feelings. If I was
+ fortunate enough to charm you and keep you beside me in the past,
+ return to me; otherwise, I shall fall into despair. Poverty has
+ overtaken me, and you do not know what _horrid things_ it brings
+ with it. Yesterday I lived on a herring at two sous, and one sou
+ of bread. Is that a breakfast for the woman you loved? The
+ Chapuzots have left me, though they seemed so devoted. Your
+ desertion has caused me to see to the bottom of all human
+ attachments. The dog we feed does not leave us, but the Chapuzots
+ have gone. A sheriff has seized everything on behalf of the
+ landlord, who has no heart, and the jeweller, who refused to wait
+ even ten days,--for when we lose the confidence of such as you,
+ credit goes too. What a position for women who have nothing to
+ reproach themselves with but the happiness they have given! My
+ friend, I have taken all I have of any value to _my uncle’s_; I have
+ nothing but the memory of you left, and here is the winter coming
+ on. I shall be fireless when it turns cold; for the boulevards are
+ to play only melodramas, in which I have nothing but little bits
+ of parts which don’t _pose_ a woman. How could you misunderstand the
+ nobleness of my feelings for you?--for there are two ways of
+ expressing gratitude. You who seemed so happy in seeing me
+ well-off, how can you leave me in poverty? Oh, my sole friend on
+ earth, before I go back to the country fairs with Bouthor’s circus,
+ where I can at least make a living, forgive me if I wish to know
+ whether I have lost you forever. If I were to let myself think of
+ you when I jump through the hoops, I should be sure to break my legs
+ by losing _a time_. Whatever may be the result, I am yours for life.
+
+“Marguerite Turquet.”
+
+
+“That letter,” thought Thaddeus, shouting with laughter, “is worth the
+ten thousand francs I have spent upon her.”
+
+
+
+
+III
+
+
+Clementine came home the next day, and the day after that Paz beheld her
+again, more beautiful and graceful than ever. After dinner, during which
+the countess treated Paz with an air of perfect indifference, a little
+scene took place in the salon between the count and his wife when
+Thaddeus had left them. On pretence of asking Adam’s advice, Thaddeus
+had left Malaga’s letter with him, as if by mistake.
+
+“Poor Thaddeus!” said Adam, as Paz disappeared, “what a misfortune for
+a man of his distinction to be the plaything of the lowest kind of
+circus-rider. He will lose everything, and get lower and lower, and
+won’t be recognizable before long. Here, read that,” added the count,
+giving Malaga’s letter to his wife.
+
+Clementine read the letter, which smelt of tobacco, and threw it from
+her with a look of disgust.
+
+“Thick as the bandage is over his eyes,” continued Adam, “he must have
+found out something; Malaga tricked him, no doubt.”
+
+“But he goes back to her,” said Clementine, “and he will forgive her! It
+is for such horrible women as that that you men have indulgence.”
+
+“Well, they need it,” said Adam.
+
+“Thaddeus used to show some decency--in living apart from us,” she
+remarked. “He had better go altogether.”
+
+“Oh, my dear angel, that’s going too far,” said the count, who did not
+want the death of the sinner.
+
+Paz, who knew Adam thoroughly, had enjoined him to secrecy, pretending
+to excuse his dissipations, and had asked his friend to lend him a few
+thousand francs for Malaga.
+
+“He is a very firm fellow,” said Adam.
+
+“How so?” asked Clementine.
+
+“Why, for having spent no more than ten thousand francs on her, and
+letting her send him that letter before he would ask me for enough to
+pay her debts. For a Pole, I call that firm.”
+
+“He will ruin you,” said Clementine, in the sharp tone of a Parisian
+woman, when she shows her feline distrusts.
+
+“Oh, I know him,” said Adam; “he will sacrifice Malaga, if I ask him.”
+
+“We shall see,” remarked the countess.
+
+“If it is best for his own happiness, I sha’n’t hesitate to ask him to
+leave her. Constantin says that since Paz has been with her he, sober
+as he is, has sometimes come home quite excited. If he takes to
+intoxication I shall be just as grieved as if he were my own son.”
+
+“Don’t tell me anything more about it,” cried the countess, with a
+gesture of disgust.
+
+Two days later the captain perceived in the manner, the tones of voice,
+but, above all, in the eyes of the countess, the terrible results of
+Adam’s confidences. Contempt had opened a gulf between the beloved woman
+and himself. He was suddenly plunged into the deepest distress of mind,
+for the thought gnawed him, “I have myself made her despise me!” His own
+folly stared him in the face. Life then became a burden to him, the very
+sun turned gray. And yet, amid all these bitter thoughts, he found again
+some moments of pure joy. There were times when he could give himself
+up wholly to his admiration for his mistress, who paid not the
+slightest attention to him. Hanging about in corners at her parties
+and receptions, silent, all heart and eyes, he never lost one of her
+attitudes, nor a tone of her voice when she sang. He lived in her life;
+he groomed the horse which _she_ rode, he studied the ways and means of
+that splendid establishment, to the interests of which he was now more
+devoted than ever. These silent pleasures were buried in his heart like
+those of a mother, whose heart a child never knows; for is it knowing
+anything unless we know it all? His love was more perfect than the love
+of Petrarch for Laura, which found its ultimate reward in the treasures
+of fame, the triumph of the poem which she had inspired. Surely the
+emotion that the Chevalier d’Assas felt in dying must have been to him
+a lifetime of joy. Such emotions as these Paz enjoyed daily,--without
+dying, but also without the guerdon of immortality.
+
+But what is Love, that, in spite of all these ineffable delights, Paz
+should still have been unhappy? The Catholic religion has so magnified
+Love that she has wedded it indissolubly to respect and nobility of
+spirit. Love is therefore attended by those sentiments and qualities
+of which mankind is proud; it is rare to find true Love existing where
+contempt is felt. Thaddeus was suffering from the wounds his own hand
+had given him. The trial of his former life, when he lived beside his
+mistress, unknown, unappreciated, but generously working for her, was
+better than this. Yes, he wanted the reward of his virtue, her respect,
+and he had lost it. He grew thin and yellow, and so ill with constant
+low fever that during the month of January he was obliged to keep his
+bed, though he refused to see a doctor. Comte Adam became very uneasy
+about him; but the countess had the cruelty to remark: “Let him alone;
+don’t you see it is only some Olympian trouble?” This remark, being
+repeated to Thaddeus, gave him the courage of despair; he left his bed,
+went out, tried a few amusements, and recovered his health.
+
+About the end of February Adam lost a large sum of money at the
+Jockey-Club, and as he was afraid of his wife, he begged Thaddeus to let
+the sum appear in the accounts as if he had spent it on Malaga.
+
+“There’s nothing surprising in your spending that sum on the girl;
+but if the countess finds out that I have lost it at cards I shall be
+lowered in her opinion, and she will always be suspicious in future.”
+
+“Ha! this, too!” exclaimed Thaddeus, with a sigh.
+
+“Now, Thaddeus, if you will do me this service we shall be forever
+quits,--though, indeed, I am your debtor now.”
+
+“Adam, you will have children; don’t gamble any more,” said Paz.
+
+“So Malaga has cost us another twenty thousand francs,” cried the
+countess, some time later, when she discovered this new generosity to
+Paz. “First, ten thousand, now twenty more,--thirty thousand! the income
+of which is fifteen hundred! the cost of my box at the Opera, and the
+whole fortune of many a bourgeois. Oh, you Poles!” she said, gathering
+some flowers in her greenhouse; “you are really incomprehensible. Why
+are you not furious with him?”
+
+“Poor Paz is--”
+
+“Poor Paz, poor Paz, indeed!” she cried, interrupting him, “what good
+does he do us? I shall take the management of the household myself. You
+can give him the allowance he refused, and let him settle it as he likes
+with his Circus.”
+
+“He is very useful to us, Clementine. He has certainly saved over forty
+thousand francs this last year. And besides, my dear angel, he has
+managed to put a hundred thousand with Nucingen, which a steward would
+have pocketed.”
+
+Clementine softened down; but she was none the less hard in her feelings
+to Thaddeus. A few days later, she requested him to come to that boudoir
+where, one year earlier, she had been surprised into comparing him with
+her husband. This time she received him alone, without perceiving the
+slightest danger in so doing.
+
+“My dear Paz,” she said, with the condescending familiarity of the great
+to their inferiors, “if you love Adam as you say you do, you will do
+a thing which he will not ask of you, but which I, his wife, do not
+hesitate to exact.”
+
+“About Malaga?” said Thaddeus, with bitterness in his heart.
+
+“Well, yes,” she said; “if you wish to end your days in this house
+and continue good friends with us, you must give her up. How an old
+soldier--”
+
+“I am only thirty-five, and haven’t a white hair.”
+
+“You look old,” she said, “and that’s the same thing. How so careful a
+manager, so distinguished a--”
+
+The horrible part of all this was her evident intention to rouse a sense
+of honor in his soul which she thought extinct.
+
+“--so distinguished a man as you are, Thaddeus,” she resumed after a
+momentary pause which a gesture of his hand had led her to make, “can
+allow yourself to be caught like a boy! Your proceedings have made that
+woman celebrated. My uncle wanted to see her, and he did see her. My
+uncle is not the only one; Malaga receives a great many gentlemen. I did
+think you such a noble soul. For shame! Will she be such a loss that you
+can’t replace her?”
+
+“Madame, if I knew any sacrifice I could make to recover your esteem I
+would make it; but to give up Malaga is not one--”
+
+“In your position, that is what I should say myself, if I were a man,”
+ replied Clementine. “Well, if I accept it as a great sacrifice there can
+be no ill-will between us.”
+
+Paz left the room, fearing he might commit some great folly, and feeling
+that wild ideas were getting the better of him. He went to walk in the
+open air, lightly dressed in spite of the cold, but without being able
+to cool the fire in his cheeks or on his brow.
+
+“I thought you had a noble soul,”--the words still rang in his ears.
+
+“A year ago,” he said to himself, “she thought me a hero who could fight
+the Russians single-handed!”
+
+He thought of leaving the hotel Laginski, and taking service with the
+spahis and getting killed in Africa, but the same great fear checked
+him. “Without me,” he thought, “what would become of them? they would
+soon be ruined. Poor countess! what a horrible life it would be for her
+if she were reduced to even thirty thousand francs a year. No, since all
+is lost for me in this world,--courage! I will keep on as I am.”
+
+Every one knows that since 1830 the carnival in Paris has undergone a
+transformation which has made it European, and far more burlesque
+and otherwise lively than the late Carnival of Venice. Is it that the
+diminishing fortunes of the present time have led Parisians to invent a
+way of amusing themselves collectively, as for instance at their clubs,
+where they hold salons without hostesses and without manners, but very
+cheaply? However this may be, the month of March was prodigal of balls,
+at which dancing, joking, coarse fun, excitement, grotesque figures, and
+the sharp satire of Parisian wit, produced extravagant effects. These
+carnival follies had their special Pandemonium in the rue Saint-Honore
+and their Napoleon in Musard, a small man born expressly to lead an
+orchestra as noisy as the disorderly audience, and to set the time for
+the galop, that witches’ dance, which was one of Auber’s triumphs, for
+it did not really take form or poesy till the grand galop in “Gustave”
+ was given to the world. That tremendous finale might serve as the symbol
+of an epoch in which for the last fifty years all things have hurried by
+with the rapidity of a dream.
+
+Now, it happened that the grave Thaddeus, with one divine and immaculate
+image in his heart, proposed to Malaga, the queen of the carnival
+dances, to spend an evening at the Musard ball; because he knew the
+countess, disguised to the teeth, intended to come there with two
+friends, all three accompanied by their husbands, and look on at the
+curious spectacle of one of these crowded balls.
+
+On Shrove Tuesday, of the year 1838, at four o’clock in the morning, the
+countess, wrapped in a black domino and sitting on the lower step of the
+platform in the Babylonian hall, where Valentino has since then given
+his concerts, beheld Thaddeus, as Robert Macaire, threading the galop
+with Malaga in the dress of a savage, her head garnished with plumes
+like the horse of a hearse, and bounding through the crowd like a
+will-o-the-wisp.
+
+“Ah!” said Clementine to her husband, “you Poles have no honor at all!
+I did believe in Thaddeus. He gave me his word that he would leave that
+woman; he did not know that I should be here, seeing all unseen.”
+
+A few days later she requested Paz to dine with them. After dinner Adam
+left them alone together, and Clementine reproved Paz and let him know
+very plainly that she did not wish him to live in her house any longer.
+
+“Yes, madame,” said Paz, humbly, “you are right; I am a wretch; I did
+give you my word. But you see how it is; I put off leaving Malaga till
+after the carnival. Besides, that woman exerts an influence over me
+which--”
+
+“An influence!--a woman who ought to be turned out of Musard’s by the
+police for such dancing!”
+
+“I agree to all that; I accept the condemnation and I’ll leave your
+house. But you know Adam. If I give up the management of your property
+you must show energy yourself. I may have been to blame about Malaga,
+but I have taken the whole charge of your affairs, managed your
+servants, and looked after the very least details. I cannot leave you
+until I see you prepared to continue my management. You have now
+been married three years, and you are safe from the temptations to
+extravagance which come with the honeymoon. I see that Parisian
+women, and even titled ones, do manage both their fortunes and their
+households. Well, as soon as I am certain not so much of your capacity
+as of your perseverance I shall leave Paris.”
+
+“It is Thaddeus of Warsaw, and not that Circus Thaddeus who speaks now,”
+ said Clementine. “Go, and come back cured.”
+
+“Cured! never,” said Paz, his eyes lowered and fixed on Clementine’s
+pretty feet. “You do not know, countess, what charm, what unexpected
+piquancy of mind she has.” Then, feeling his courage fail him, he added
+hastily, “There is not a woman in society, with her mincing airs, that
+is worth the honest nature of that young animal.”
+
+“At any rate, I wish nothing of the animal about me,” said the countess,
+with a glance like that of an angry viper.
+
+After that evening Comte Paz showed Clementine the exact state of
+her affairs; he made himself her tutor, taught her the methods and
+difficulties of the management of property, the proper prices to pay for
+things, and how to avoid being cheated by her servants. He told her
+she could rely on Constantin and make him her major-domo. Thaddeus had
+trained the man thoroughly. By the end of May he thought the countess
+fully competent to carry on her affairs alone; for Clementine was one of
+those far-sighted women, full of instinct, who have an innate genius as
+mistress of a household.
+
+This position of affairs, which Thaddeus had led up to naturally, did
+not end without further cruel trials; his sufferings were fated not to
+be as sweet and tender as he was trying to make them. The poor lover
+forgot to reckon on the hazard of events. Adam fell seriously ill, and
+Thaddeus, instead of leaving the house, stayed to nurse his friend. His
+devotion was unwearied. A woman who had any interest in employing her
+perspicacity might have seen in this devotion a sort of punishment
+imposed by a noble soul to repress an involuntary evil thought; but
+women see all, or see nothing, according to the condition of their
+souls--love is their sole illuminator.
+
+During forty-five days Paz watched and tended Adam without appearing
+to think of Malaga, for the very good reason that he never did think of
+her. Clementine, feeling that Adam was at the point of death though he
+did not die, sent for all the leading doctors of Paris in consultation.
+
+“If he comes safely out of this,” said the most distinguished of them
+all, “it will only be by an effort of nature. It is for those who nurse
+him to watch for the moment when they must second nature. The count’s
+life is in the hands of his nurses.”
+
+Thaddeus went to find Clementine and tell her this result of the
+consultation. He found her sitting in the Chinese pavilion, as much for
+a little rest as to leave the field to the doctors and not embarrass
+them. As he walked along the winding gravelled path which led to the
+pavilion, Thaddeus seemed to himself in the depths of an abyss described
+by Dante. The unfortunate man had never dreamed that the possibility
+might arise of becoming Clementine’s husband, and now he had drowned
+himself in a ditch of mud. His face was convulsed, when he reached
+the kiosk, with an agony of grief; his head, like Medusa’s, conveyed
+despair.
+
+“Is he dead?” said Clementine.
+
+“They have given him up; that is, they leave him to nature. Do not go
+in; they are still there, and Bianchon is changing the dressings.”
+
+“Poor Adam! I ask myself if I have not sometimes pained him,” she said.
+
+“You have made him very happy,” said Thaddeus; “you ought to be easy on
+that score, for you have shown every indulgence for him.”
+
+“My loss would be irreparable.”
+
+“But, dear, you judged him justly.”
+
+“I was never blind to his faults,” she said, “but I loved him as a wife
+should love her husband.”
+
+“Then you ought, in case you lose him,” said Thaddeus, in a voice which
+Clementine had never heard him use, “to grieve for him less than if you
+lost a man who was your pride, your love, and all your life,--as some
+men are to you women. Surely you can be frank at this moment with a
+friend like me. I shall grieve, too; long before your marriage I had
+made him my child, I had sacrificed my life to him. If he dies I shall
+be without an interest on earth; but life is still beautiful to a widow
+of twenty-four.”
+
+“Ah! but you know that I love no one,” she said, with the impatience of
+grief.
+
+“You don’t yet know what it is to love,” said Thaddeus.
+
+“Oh, as husbands are, I have sense enough to prefer a child like my poor
+Adam to a superior man. It is now over a month that we have been saying
+to each other, ‘Will he live?’ and these alternations have prepared me,
+as they have you, for this loss. I can be frank with you. Well, I would
+give my life to save Adam. What is a woman’s independence in Paris?
+the freedom to let herself be taken in by ruined or dissipated men who
+pretend to love her. I pray to God to leave me this husband who is so
+kind, so obliging, so little fault-finding, and who is beginning to
+stand in awe of me.”
+
+“You are honest, and I love you the better for it,” said Thaddeus,
+taking her hand which she yielded to him, and kissing it. “In solemn
+moments like these there is unspeakable satisfaction in finding a woman
+without hypocrisy. It is possible to converse with you. Let us look to
+the future. Suppose that God does not grant your prayer,--and no one
+cries to him more than I do, ‘Leave me my friend!’ Yes, these fifty
+nights have not weakened me; if thirty more days and nights are needed
+I can give them while you sleep,--yes, I will tear him from death if, as
+the doctors say, nursing can save him. But suppose that in spite of you
+and me, the count dies,--well, then, if you were loved, oh, adored, by a
+man of a heart and soul that are worthy of you--”
+
+“I may have wished for such love, foolishly, but I have never met with
+it.”
+
+“Perhaps you are mistaken--”
+
+Clementine looked fixedly at Thaddeus, imagining that there was less of
+love than of cupidity in his thoughts; her eyes measured him from head
+to foot and poured contempt upon him; then she crushed him with the
+words, “Poor Malaga!” uttered in tones which a great lady alone can
+find to give expression to her disdain. She rose, leaving Thaddeus half
+unconscious behind her, slowly re-entered her boudoir, and went back to
+Adam’s chamber.
+
+An hour later Paz returned to the sick-room, and began anew, with death
+in his heart, his care of the count. From that moment he said nothing.
+He was forced to struggle with the patient, whom he managed in a way
+that excited the admiration of the doctors. At all hours his watchful
+eyes were like lamps always lighted. He showed no resentment to
+Clementine, and listened to her thanks without accepting them; he seemed
+both dumb and deaf. To himself he was saying, “She shall owe his life to
+me,” and he wrote the thought as it were in letters of fire on the walls
+of Adam’s room. On the fifteenth day Clementine was forced to give up
+the nursing, lest she should utterly break down. Paz was unwearied. At
+last, towards the end of August, Bianchon, the family physician, told
+Clementine that Adam was out of danger.
+
+“Ah, madame, you are under no obligation to me,” he said; “without his
+friend, Comte Paz, we could not have saved him.”
+
+The day after the meeting of Paz and Clementine in the kiosk, the
+Marquis de Ronquerolles came to see his nephew. He was on the eve of
+starting for Russia on a secret diplomatic mission. Paz took occasion
+to say a few words to him. The first day that Adam was able to drive
+out with his wife and Thaddeus, a gentleman entered the courtyard as the
+carriage was about to leave it, and asked for Comte Paz. Thaddeus, who
+was sitting on the front seat of the caleche, turned to take a letter
+which bore the stamp of the ministry of Foreign affairs. Having read it,
+he put it into his pocket in a manner which prevented Clementine or Adam
+from speaking of it. Nevertheless, by the time they reached the porte
+Maillot, Adam, full of curiosity, used the privilege of a sick man
+whose caprices are to be gratified, and said to Thaddeus: “There’s no
+indiscretion between brothers who love each other,--tell me what there
+is in that despatch; I’m in a fever of curiosity.”
+
+Clementine glanced at Thaddeus with a vexed air, and remarked to her
+husband: “He has been so sulky with me for the last two months that I
+shall never ask him anything again.”
+
+“Oh, as for that,” replied Paz, “I can’t keep it out of the newspapers,
+so I may as well tell you at once. The Emperor Nicholas has had the
+grace to appoint me captain in a regiment which is to take part in the
+expedition to Khiva.”
+
+“You are not going?” cried Adam.
+
+“Yes, I shall go, my dear fellow. Captain I came, and captain I return.
+We shall dine together to-morrow for the last time. If I don’t start at
+once for St. Petersburg I shall have to make the journey by land, and I
+am not rich, and I must leave Malaga a little independence. I ought to
+think of the only woman who has been able to understand me; she thinks
+me grand, superior. I dare say she is faithless, but she would jump--”
+
+“Through the hoop, for your sake and come down safely on the back of her
+horse,” said Clementine sharply.
+
+“Oh, you don’t know Malaga,” said the captain, bitterly, with a
+sarcastic look in his eyes which made Clementine thoughtful and uneasy.
+
+“Good-by to the young trees of this beautiful Bois, which you Parisians
+love, and the exiles who find a home here love too,” he said,
+presently. “My eyes will never again see the evergreens of the avenue de
+Mademoiselle, nor the acacias nor the cedars of the rond-points. On
+the borders of Asia, fighting for the Emperor, promoted to the command,
+perhaps, by force of courage and by risking my life, it may happen that
+I shall regret these Champs-Elysees where I have driven beside you, and
+where you pass. Yes, I shall grieve for Malaga’s hardness--the Malaga of
+whom I am now speaking.”
+
+This was said in a manner that made Clementine tremble.
+
+“Then you do love Malaga very much?” she asked.
+
+“I have sacrificed for her the honor that no man should ever sacrifice.”
+
+“What honor?”
+
+“That which we desire to keep at any cost in the eyes of our idol.”
+
+After that reply Thaddeus said no more; he was silent until, as they
+passed a wooden building on the Champs Elysees, he said, pointing to it,
+“That is the Circus.”
+
+He went to the Russian Embassy before dinner, and thence to the Foreign
+office, and the next morning he had started for Havre before the count
+and countess were up.
+
+“I have lost a friend,” said Adam, with tears in his eyes, when he heard
+that Paz had gone,--“a friend in the true meaning of the word. I don’t
+know what has made him abandon me as if a pestilence were in my house.
+We are not friends to quarrel about a woman,” he said, looking intently
+at Clementine. “You heard what he said yesterday about Malaga. Well, he
+has never so much as touched the little finger of that girl.”
+
+“How do you know that?” said Clementine.
+
+“I had the natural curiosity to go and see Mademoiselle Turquet, and
+the poor girl can’t explain even to herself the absolute reserve which
+Thad--”
+
+“Enough!” said the countess, retreating into her bedroom. “Can it be
+that I am the victim of some noble mystification?” she asked herself.
+The thought had hardly crossed her mind when Constantin brought her the
+following letter written by Thaddeus during the night:--
+
+ “Countess,--To seek death in the Caucasus and carry with me your
+ contempt is more than I can bear. A man should die untainted. When
+ I saw you for the first time I loved you as we love a woman whom
+ we shall love forever, even though she be unfaithful to us. I
+ loved you thus,--I, the friend of the man you had chosen and were
+ about to marry; I, poor; I, the steward,--a voluntary service, but
+ still the steward of your household.
+
+ “In this immense misfortune I found a happy life. To be to you an
+ indispensable machine, to know myself useful to your comfort, your
+ luxury, has been the source of deep enjoyments. If these
+ enjoyments were great when I thought only of Adam, think what they
+ were to my soul when the woman I loved was the mainspring of all I
+ did. I have known the pleasures of maternity in my love. I
+ accepted life thus. Like the paupers who live along the great
+ highways, I built myself a hut on the borders of your beautiful
+ domain, though I never sought to approach you. Poor and lonely,
+ struck blind by Adam’s good fortune, I was, nevertheless, the
+ giver. Yes, you were surrounded by a love as pure as a
+ guardian-angel’s; it waked while you slept; it caressed you with a
+ look as you passed; it was happy in its own existence,--you were
+ the sun of my native land to me, poor exile, who now writes to you
+ with tears in his eyes as he thinks of the happiness of those first
+ days.
+
+ “When I was eighteen years old, having no one to love, I took for
+ my ideal mistress a charming woman in Warsaw, to whom I confided
+ all my thoughts, my wishes; I made her the queen of my nights and
+ days. She knew nothing of all this; why should she? I loved my
+ love.
+
+ “You can fancy from this incident of my youth how happy I was
+ merely to live in the sphere of your existence, to groom your
+ horse, to find the new-coined gold for your purse, to prepare the
+ splendor of your dinners and your balls, to see you eclipsing the
+ elegance of those whose fortunes were greater than yours, and all
+ by my own good management. Ah! with what ardor I have ransacked
+ Paris when Adam would say to me, ‘_She_ wants this or that.’ It was
+ a joy such as I can never express to you. You wished for a trifle
+ at one time which kept me seven hours in a cab scouring the city;
+ and what delight it was to weary myself for you. Ah! when I saw
+ you, unseen by you, smiling among your flowers, I could forget
+ that no one loved me. On certain days, when my happiness turned my
+ head, I went at night and kissed the spot where, to me, your feet
+ had left their luminous traces. The air you had breathed was
+ balmy; in it I breathed in more of life; I inhaled, as they say
+ persons do in the tropics, a vapor laden with creative principles.
+
+ “I _must_ tell you these things to explain the strange presumption
+ of my involuntary thoughts,--I would have died rather than avow it
+ until now.
+
+ “You will remember those few days of curiosity when you wished to
+ know the man who performed the household miracles you had
+ sometimes noticed. I thought,--forgive me, madame,--I believed you
+ might love me. Your good-will, your glances interpreted by me, a
+ lover, seemed to me so dangerous--for me--that I invented that
+ story of Malaga, knowing it was the sort of liaison which women
+ cannot forgive. I did it in a moment when I felt that my love
+ would be communicated, fatally, to you. Despise me, crush me with
+ the contempt you have so often cast upon me when I did not deserve
+ it; and yet I am certain that, if, on that evening when your aunt
+ took Adam away from you, I had said what I have now written to
+ you, I should, like the tamed tiger that sets his teeth once more
+ in living flesh, and scents the blood, and--
+
+ “Midnight.”
+
+ “I could not go on; the memory of that hour is still too living.
+ Yes, I was maddened. Was there hope for me in your eyes? then
+ victory with its scarlet banners would have flamed in mine and
+ fascinated yours. My crime has been to think all this; perhaps
+ wrongly. You alone can judge of that dreadful scene when I drove
+ back love, desire, all the most invincible forces of our manhood,
+ with the cold hand of gratitude,--gratitude which must be eternal.
+
+ “Your terrible contempt has been my punishment. You have shown me
+ there is no return from loathing or disdain. I love you madly. I
+ should have gone had Adam died; all the more must I go because he
+ lives. A man does not tear his friend from the arms of death to
+ betray him. Besides, my going is my punishment for the thought
+ that came to me that I would let him die, when the doctors said
+ that his life depended on his nursing.
+
+ “Adieu, madame; in leaving Paris I lose all, but you lose nothing
+ now in my being no longer near you.
+
+ “Your devoted
+
+ “Thaddeus Paz.”
+
+
+“If my poor Adam says he has lost a friend, what have I lost?” thought
+Clementine, sinking into a chair with her eyes fixed on the carpet.
+
+The following letter Constantin had orders to give privately to the
+count:--
+
+ “My dear Adam,--Malaga has told me all. In the name of all your
+ future happiness, never let a word escape you to Clementine about
+ your visits to that girl; let her think that Malaga has cost me a
+ hundred thousand francs. I know Clementine’s character; she will
+ never forgive you either your losses at cards or your visits to
+ Malaga.
+
+ “I am not going to Khiva, but to the Caucasus. I have the spleen;
+ and at the pace at which I mean to go I shall be either Prince
+ Paz in three years, or dead. Good-by; though I have taken
+ sixty-thousand francs from Nucingen, our accounts are even.
+
+“Thaddeus.”
+
+
+“Idiot that I was,” thought Adam; “I came near to cutting my throat just
+now, talking about Malaga.”
+
+It is now three years since Paz went away. The newspapers have as yet
+said nothing about any Prince Paz. The Comtesse Laginska is immensely
+interested in the expeditions of the Emperor Nicholas; she is Russian to
+the core, and reads with a sort of avidity all the news that comes from
+that distant land. Once or twice every winter she says to the Russian
+ambassador, with an air of indifference, “Do you know what has become of
+our poor Comte Paz?”
+
+Alas! most Parisian women, those beings who think themselves so clever
+and clear-sighted, pass and repass beside a Paz and never recognize
+him. Yes, many a Paz is unknown and misconceived, but--horrible to think
+of!--some are misconceived even though they are loved. The simplest
+women in society exact a certain amount of conventional sham from
+the greatest men. A noble love signifies nothing to them if rough and
+unpolished; it needs the cutting and setting of a jeweller to give it
+value in their eyes.
+
+In January, 1842, the Comtesse Laginska, with her charm of gentle
+melancholy, inspired a violent passion in the Comte de La Palferine, one
+of the most daring and presumptuous lions of the day. La Palferine was
+well aware that the conquest of a woman so guarded by reserve as the
+Comtesse Laginska was difficult, but he thought he could inveigle this
+charming creature into committing herself if he took her unawares, by
+the assistance of a certain friend of her own, a woman already jealous
+of her.
+
+Quite incapable, in spite of her intelligence, of suspecting such
+treachery, the Comtesse Laginska committed the imprudence of going with
+her so-called friend to a masked ball at the Opera. About three in the
+morning, led away by the excitement of the scene, Clementine, on whom La
+Palferine had expended his seductions, consented to accept a supper,
+and was about to enter the carriage of her faithless friend. At this
+critical moment her arm was grasped by a powerful hand, and she was
+taken, in spite of her struggles, to her own carriage, the door of which
+stood open, though she did not know it was there.
+
+“He has never left Paris!” she exclaimed to herself as she recognized
+Thaddeus, who disappeared when the carriage drove away.
+
+Did any woman ever have a like romance in her life? Clementine is
+constantly hoping she may again see Paz.
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+ Bianchon, Horace
+ Father Goriot
+ The Atheist’s Mass
+ Cesar Birotteau
+ The Commission in Lunacy
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor’s Establishment
+ The Secrets of a Princess
+ The Government Clerks
+ Pierrette
+ A Study of Woman
+ Scenes from a Courtesan’s Life
+ Honorine
+ The Seamy Side of History
+ The Magic Skin
+ A Second Home
+ A Prince of Bohemia
+ Letters of Two Brides
+ The Muse of the Department
+ The Middle Classes
+ Cousin Betty
+ The Country Parson
+ In addition, M. Bianchon narrated the following:
+ Another Study of Woman
+ La Grande Breteche
+
+ Laginski, Comte Adam Mitgislas
+ Another Study of Woman
+ Cousin Betty
+
+ La Palferine, Comte de
+ A Prince of Bohemia
+ A Man of Business
+ Cousin Betty
+ Beatrix
+
+ Lelewel
+ The Seamy Side of History
+
+ Nathan, Madame Raoul
+ The Muse of the Department
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Scenes from a Courtesan’s Life
+ The Government Clerks
+ A Bachelor’s Establishment
+ Ursule Mirouet
+ Eugenie Grandet
+ A Prince of Bohemia
+ A Daughter of Eve
+ The Unconscious Humorists
+
+ Paz, Thaddee
+ Cousin Betty
+
+ Ronquerolles, Marquis de
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Thirteen
+ The Member for Arcis
+
+ Rouvre, Marquis du
+ A Start in Life
+ Ursule Mirouet
+
+ Rouvre, Chevalier du
+ Ursule Mirouet
+
+ Schinner, Hippolyte
+ The Purse
+ A Bachelor’s Establishment
+ Pierre Grassou
+ A Start in Life
+ Albert Savarus
+ The Government Clerks
+ Modeste Mignon
+ The Unconscious Humorists
+
+ Serizy, Comtesse de
+ A Start in Life
+ The Thirteen
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan’s Life
+ Another Study of Woman
+
+ Serizy, Vicomte de
+ A Start in Life
+ Modeste Mignon
+
+ Souchet, Francois
+ The Purse
+ A Daughter of Eve
+
+ Steinbock, Count Wenceslas
+ Cousin Betty
+
+ Turquet, Marguerite
+ The Muse of the Department
+ A Man of Business
+ Cousin Betty
+
+
+
+
+
+End of the Project Gutenberg EBook of Paz, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+***** This file should be named 1369-0.txt or 1369-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/3/6/1369/
+
+Produced by John Bickers, and Dagny
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/1369-0.zip b/old/1369-0.zip
new file mode 100644
index 0000000..33a09b8
--- /dev/null
+++ b/old/1369-0.zip
Binary files differ
diff --git a/old/1369-h.zip b/old/1369-h.zip
new file mode 100644
index 0000000..7cce500
--- /dev/null
+++ b/old/1369-h.zip
Binary files differ
diff --git a/old/1369-h/1369-h.htm b/old/1369-h/1369-h.htm
new file mode 100644
index 0000000..8a736b0
--- /dev/null
+++ b/old/1369-h/1369-h.htm
@@ -0,0 +1,2995 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Paz, by Honore de Balzac
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Paz, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Paz
+ (La Fausse Maitresse)
+
+Author: Honore de Balzac
+
+Translator: Katharine Prescott Wormeley
+
+Release Date: February 23, 2010 [EBook #1369]
+Last Updated: November 23, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+
+
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ PAZ
+ </h1>
+ <h2>
+ (La Fausse Maitresse)
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Honore De Balzac
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Translated by Katharine Prescott Wormeley
+ </h3>
+ <p>
+ <br /> <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ DEDICATION<br /><br /> Dedicated to the Comtesse Clara Maffei.<br />
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <h3>
+ <a href="#link2H_4_0001"> PAZ </a>
+ </h3>
+ <h3>
+ </h3>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0002"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> III </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <h3>
+ <a href="#link2H_4_0005"> ADDENDUM </a>
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h1>
+ PAZ
+ </h1>
+ <h3>
+ (LA FAUSSE MAITRESSE)
+ </h3>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <p>
+ In September, 1835, one of the richest heiresses of the faubourg
+ Saint-Germain, Mademoiselle du Rouvre, the only daughter of the Marquis du
+ Rouvre, married Comte Adam Mitgislas Laginski, a young Polish exile.
+ </p>
+ <p>
+ We ask permission to write these Polish names as they are pronounced, to
+ spare our readers the aspect of the fortifications of consonants by which
+ the Slave language protects its vowels,&mdash;probably not to lose them,
+ considering how few there are.
+ </p>
+ <p>
+ The Marquis du Rouvre had squandered nearly the whole of a princely
+ fortune, which he obtained originally through his marriage with a
+ Demoiselle de Ronquerolles. Therefore, on her mother&rsquo;s side Clementine du
+ Rouvre had the Marquis de Ronquerolles for uncle, and Madame de Serizy for
+ aunt. On her father&rsquo;s side she had another uncle in the eccentric person
+ of the Chevalier du Rouvre, a younger son of the house, an old bachelor
+ who had become very rich by speculating in lands and houses. The Marquis
+ de Ronquerolles had the misfortune to lose both his children at the time
+ of the cholera, and the only son of Madame de Serizy, a young soldier of
+ great promise, perished in Africa in the affair of the Makta. In these
+ days rich families stand between the danger of impoverishing their
+ children if they have too many, or of extinguishing their names if they
+ have too few,&mdash;a singular result of the Code which Napoleon never
+ thought of. By a curious turn of fortune Clementine became, in spite of
+ her father having squandered his substance on Florine (one of the most
+ charming actresses in Paris), a great heiress. The Marquis de
+ Ronquerolles, a clever diplomatist under the new dynasty, his sister,
+ Madame de Serizy, and the Chevalier du Rouvre agreed, in order to save
+ their fortunes from the dissipations of the marquis, to settle them on
+ their niece, to whom, moreover, they each pledged themselves to pay ten
+ thousand francs a year from the day of her marriage.
+ </p>
+ <p>
+ It is quite unnecessary to say that the Polish count, though an exile, was
+ no expense to the French government. Comte Adam Laginski belonged to one
+ of the oldest and most illustrious families in Poland, which was allied to
+ many of the princely houses of Germany,&mdash;Sapieha, Radziwill,
+ Mniszech, Rzewuski, Czartoryski, Leczinski, Lubormirski, and all the other
+ great Sarmatian SKIS. But heraldic knowledge is not the most
+ distinguishing feature of the French nation under Louis-Philippe, and
+ Polish nobility was no great recommendation to the bourgeoisie who were
+ lording it in those days. Besides, when Adam first made his appearance, in
+ 1833, on the boulevard des Italiens, at Frascati, and at the Jockey-Club,
+ he was leading the life of a young man who, having lost his political
+ prospects, was taking his pleasure in Parisian dissipation. At first he
+ was thought to be a student.
+ </p>
+ <p>
+ The Polish nationality had at this period fallen as low in French
+ estimation, thanks to a shameful governmental reaction, as the republicans
+ had sought to raise it. The singular struggle of the Movement against
+ Resistance (two words which will be inexplicable thirty years hence) made
+ sport of what ought to have been truly respected,&mdash;the name of a
+ conquered nation to whom the French had offered hospitality, for whom
+ fetes had been given (with songs and dances by subscription), above all, a
+ nation which in the Napoleonic struggle between France and Europe had
+ given us six thousand men, and what men!
+ </p>
+ <p>
+ Do not infer from this that either side is taken here; either that of the
+ Emperor Nicholas against Poland, or that of Poland against the Emperor. It
+ would be a foolish thing to slip political discussion into tales that are
+ intended to amuse or interest. Besides, Russia and Poland were both right,&mdash;one
+ to wish the unity of its empire, the other to desire its liberty. Let us
+ say in passing that Poland might have conquered Russia by the influence of
+ her morals instead of fighting her with weapons; she should have imitated
+ China which, in the end, Chinesed the Tartars, and will, it is to be
+ hoped, Chinese the English. Poland ought to have Polonized Russia.
+ Poniatowski tried to do so in the least favorable portion of the empire;
+ but as a king he was little understood,&mdash;because, possibly, he did
+ not fully understand himself.
+ </p>
+ <p>
+ But how could the Parisians avoid disliking an unfortunate people who were
+ the cause of that shameful falsehood enacted during the famous review at
+ which all Paris declared its will to succor Poland? The Poles were held up
+ to them as the allies of the republican party, and they never once
+ remembered that Poland was a republic of aristocrats. From that day forth
+ the bourgeoisie treated with base contempt the exiles of the nation it had
+ worshipped a few days earlier. The wind of a riot is always enough to veer
+ the Parisians from north to south under any regime. It is necessary to
+ remember these sudden fluctuations of feeling in order to understand why
+ it was that in 1835 the word &ldquo;Pole&rdquo; conveyed a derisive meaning to a
+ people who consider themselves the wittiest and most courteous nation on
+ earth, and their city of Paris the focus of enlightenment, with the
+ sceptre of arts and literature within its grasp.
+ </p>
+ <p>
+ There are, alas! two sorts of Polish exiles,&mdash;the republican Poles,
+ sons of Lelewel, and the noble Poles, at the head of whom is Prince Adam
+ Czartoryski. The two classes are like fire and water; but why complain of
+ that? Such divisions are always to be found among exiles, no matter of
+ what nation they may be, or in what countries they take refuge. They carry
+ their countries and their hatreds with them. Two French priests, who had
+ emigrated to Brussels during the Revolution, showed the utmost horror of
+ each other, and when one of them was asked why, he replied with a glance
+ at his companion in misery: &ldquo;Why? because he&rsquo;s a Jansenist!&rdquo; Dante would
+ gladly have stabbed a Guelf had he met him in exile. This explains the
+ virulent attacks of the French against the venerable Prince Adam
+ Czartoryski, and the dislike shown to the better class of Polish exiles by
+ the shopkeeping Caesars and the licensed Alexanders of Paris.
+ </p>
+ <p>
+ In 1834, therefore, Adam Mitgislas Laginski was something of a butt for
+ Parisian pleasantry.
+ </p>
+ <p>
+ &ldquo;He is rather nice, though he is a Pole,&rdquo; said Rastignac.
+ </p>
+ <p>
+ &ldquo;All these Poles pretend to be great lords,&rdquo; said Maxime de Trailles, &ldquo;but
+ this one does pay his gambling debts, and I begin to think he must have
+ property.&rdquo;
+ </p>
+ <p>
+ Without wishing to offend these banished men, it may be allowable to
+ remark that the light-hearted, careless inconsistency of the Sarmatian
+ character does justify in some degree the satire of the Parisians, who, by
+ the bye, would behave in like circumstances exactly as the Poles do. The
+ French aristocracy, so nobly succored during the Revolution by the Polish
+ lords, certainly did not return the kindness in 1832. Let us have the
+ melancholy courage to admit this, and to say that the faubourg
+ Saint-Germain is still the debtor of Poland.
+ </p>
+ <p>
+ Was Comte Adam rich, or was he poor, or was he an adventurer? This problem
+ was long unsolved. The diplomatic salons, faithful to instructions,
+ imitated the silence of the Emperor Nicholas, who held that all Polish
+ exiles were virtually dead and buried. The court of the Tuileries, and all
+ who took their cue from it, gave striking proof of the political quality
+ which was then dignified by the name of sagacity. They turned their backs
+ on a Russian prince with whom they had all been on intimate terms during
+ the Emigration, merely because it was said that the Emperor Nicholas gave
+ him the cold shoulder. Between the caution of the court and the prudence
+ of the diplomates, the Polish exiles of distinction lived in Paris in the
+ Biblical solitude of &ldquo;super flumina Babylonis,&rdquo; or else they haunted a few
+ salons which were the neutral ground of all opinions. In a city of
+ pleasure, like Paris, where amusements abound on all sides, the heedless
+ gayety of a Pole finds twice as many encouragements as it needs to a life
+ of dissipation.
+ </p>
+ <p>
+ It must be said, however, that Adam had two points against him,&mdash;his
+ appearance, and his mental equipment. There are two species of Pole, as
+ there are two species of Englishwoman. When an Englishwoman is not very
+ handsome she is horribly ugly. Comte Adam belonged in the second category
+ of human beings. His small face, rather sharp in expression, looked as if
+ it had been pressed in a vise. His short nose, and fair hair, and reddish
+ beard and moustache made him look all the more like a goat because he was
+ small and thin, and his tarnished yellow eyes caught you with that oblique
+ look which Virgil celebrates. How came he, in spite of such obvious
+ disadvantages, to possess really exquisite manners and a distinguished
+ air? The problem is solved partly by the care and elegance of his dress,
+ and partly by the training given him by his mother, a Radziwill. His
+ courage amounted to daring, but his mind was not more than was needed for
+ the ephemeral talk and pleasantry of Parisian conversation. And yet it
+ would have been difficult to find among the young men of fashion in Paris
+ a single one who was his superior. Young men talk a great deal too much in
+ these days of horses, money, taxes, deputies; French <i>conversation</i>
+ is no longer what it was. Brilliancy of mind needs leisure and certain
+ social inequalities to bring it out. There is, probably, more real
+ conversation in Vienna or St. Petersburg than in Paris. Equals do not need
+ to employ delicacy or shrewdness in speech; they blurt out things as they
+ are. Consequently the dandies of Paris did not discover the great seigneur
+ in the rather heedless young fellow who, in their talks, would flit from
+ one subject to another, all the more intent upon amusement because he had
+ just escaped from a great peril, and, finding himself in a city where his
+ family was unknown, felt at liberty to lead a loose life without the risk
+ of disgracing his name.
+ </p>
+ <p>
+ But one fine day in 1834 Adam suddenly bought a house in the rue de la
+ Pepiniere. Six months later his style of living was second to none in
+ Paris. About the time when he thus began to take himself seriously he had
+ seen Clementine du Rouvre at the Opera and had fallen in love with her. A
+ year later the marriage took place. The salon of Madame d&rsquo;Espard was the
+ first to sound his praises. Mothers of daughters then learned too late
+ that as far back as the year 900 the family of the Laginski was among the
+ most illustrious of the North. By an act of prudence which was very
+ unPolish, the mother of the young count had mortgaged her entire property
+ on the breaking out of the insurrection for an immense sum lent by two
+ Jewish bankers in Paris. Comte Adam was now in possession of eighty
+ thousand francs a year. When this was discovered society ceased to be
+ surprised at the imprudence which had been laid to the charge of Madame de
+ Serizy, the Marquis de Ronquerolles, and the Chevalier du Rouvre in
+ yielding to the foolish passion of their niece. People jumped, as usual,
+ from one extreme of judgment to the other.
+ </p>
+ <p>
+ During the winter of 1836 Comte Adam was the fashion, and Clementine
+ Laginska one of the queens of Paris. Madame Laginska is now a member of
+ that charming circle of young women represented by Mesdames de Lestorade,
+ de Portenduere, Marie de Vandenesse, du Guenic, and de Maufrigneuse, the
+ flowers of our present Paris, who live at such immeasurable distance from
+ the parvenus, the vulgarians, and the speculators of the new regime.
+ </p>
+ <p>
+ This preamble is necessary to show the sphere in which was done one of
+ those noble actions, less rare than the calumniators of our time admit,&mdash;actions
+ which, like pearls, the fruit of pain and suffering, are hidden within
+ rough shells, lost in the gulf, the sea, the tossing waves of what we call
+ society, the century, Paris, London, St. Petersburg,&mdash;or what you
+ will.
+ </p>
+ <p>
+ If the axiom that architecture is the expression of manner and morals was
+ ever proved, it was certainly after the insurrection of 1830, during the
+ present reign of the house of Orleans. As all the old fortunes are
+ diminishing in France, the majestic mansions of our ancestors are
+ constantly being demolished and replaced by species of phalansteries, in
+ which the peers of July occupy the third floor above some newly enriched
+ empirics on the lower floors. A mixture of styles is confusedly employed.
+ As there is no longer a real court or nobility to give the tone, there is
+ no harmony in the production of art. Never, on the other hand, has
+ architecture discovered so many economical ways of imitating the real and
+ the solid, or displayed more resources, more talent, in distributing them.
+ Propose to an architect to build upon the garden at the back of an old
+ mansion, and he will run you up a little Louvre overloaded with ornament.
+ He will manage to get in a courtyard, stables, and if you care for it, a
+ garden. Inside the house he will accommodate a quantity of little rooms
+ and passages. He is so clever in deceiving the eye that you think you will
+ have plenty of space; but it is only a nest of small rooms, after all, in
+ which a ducal family has to turn itself about in the space that its own
+ bakehouse formerly occupied.
+ </p>
+ <p>
+ The hotel of the Comtesse Laginska, rue de la Pepiniere, is one of these
+ creations, and stands between court and garden. On the right, in the
+ court, are the kitchens and offices; to the left the coachhouse and
+ stables. The porter&rsquo;s lodge is between two charming portes-cocheres. The
+ chief luxury of the house is a delightful greenhouse contrived at the end
+ of a boudoir on the ground-floor which opens upon an admirable suite of
+ reception rooms. An English philanthropist had built this architectural
+ bijou, designed the garden, added the greenhouse, polished the doors,
+ bricked the courtyard, painted the window-frames green, and realized, in
+ short, a dream which resembled (proportions excepted) George the Fourth&rsquo;s
+ Pavilion at Brighton. The inventive and industrious Parisian workmen had
+ moulded the doors and window-frames; the ceilings were imitated from the
+ middle-ages or those of a Venetian palace; marble veneering abounded on
+ the outer walls. Steinbock and Francois Souchet had designed the
+ mantel-pieces and the panels above the doors; Schinner had painted the
+ ceilings in his masterly manner. The beauties of the staircase, white as a
+ woman&rsquo;s arm, defied those of the hotel Rothschild. On account of the riots
+ and the unsettled times, the cost of this folly was only about eleven
+ hundred thousand francs,&mdash;to an Englishman a mere nothing. All this
+ luxury, called princely by persons who do not know what real princes are,
+ was built in the garden of the house of a purveyor made a Croesus by the
+ Revolution, who had escaped to Brussels and died there after going into
+ bankruptcy. The Englishman died in Paris, of Paris; for to many persons
+ Paris is a disease,&mdash;sometimes several diseases. His widow, a
+ Methodist, had a horror of the little nabob establishment, and ordered it
+ to be sold. Comte Adam bought it at a bargain; and how he came to do so
+ shall presently be made known, for bargains were not at all in his line as
+ a grand seigneur.
+ </p>
+ <p>
+ Behind the house lay the verdant velvet of an English lawn shaded at the
+ lower end by a clump of exotic trees, in the midst of which stood a
+ Chinese pagoda with soundless belfries and motionless golden eggs. The
+ greenhouse concealed the garden wall on the northern side, the opposite
+ wall was covered with climbing plants trained upon poles painted green and
+ connected with crossway trellises. This lawn, this world of flowers, the
+ gravelled paths, the simulated forest, the verdant palisades, were
+ contained within the space of five and twenty square rods, which are worth
+ to-day four hundred thousand francs,&mdash;the value of an actual forest.
+ Here, in this solitude in the middle of Paris, the birds sang, thrushes,
+ nightingales, warblers, bulfinches, and sparrows. The greenhouse was like
+ an immense jardiniere, filling the air with perfume in winter as in
+ summer. The means by which its atmosphere was made to order, torrid as in
+ China or temperate as in Italy, were cleverly concealed. Pipes in which
+ hot water circulated, or steam, were either hidden under ground or
+ festooned with plants overhead. The boudoir was a large room. The miracle
+ of the modern Parisian fairy named Architecture is to get all these many
+ and great things out of a limited bit of ground.
+ </p>
+ <p>
+ The boudoir of the young countess was arranged to suit the taste of the
+ artist to whom Comte Adam entrusted the decoration of the house. It is too
+ full of pretty nothings to be a place for repose; one scarce knows where
+ to sit down among carved Chinese work-tables with their myriads of
+ fantastic figures inlaid in ivory, cups of yellow topaz mounted on
+ filagree, mosaics which inspire theft, Dutch pictures in the style which
+ Schinner has adopted, angels such as Steinbock conceived but often could
+ not execute, statuettes modelled by genius pursued by creditors (the real
+ explanation of the Arabian myth), superb sketches by our best artists,
+ lids of chests made into panels alternating with fluted draperies of
+ Italian silk, portieres hanging from rods of old oak in tapestried masses
+ on which the figures of some hunting scene are swarming, pieces of
+ furniture worthy to have belonged to Madame de Pompadour, Persian rugs, et
+ cetera. For a last graceful touch, all these elegant things were subdued
+ by the half-light which filtered through embroidered curtains and added to
+ their charm. On a table between the windows, among various curiosities,
+ lay a whip, the handle designed by Mademoiselle de Fauveau, which proved
+ that the countess rode on horseback.
+ </p>
+ <p>
+ Such is a lady&rsquo;s boudoir in 1837,&mdash;an exhibition of the contents of
+ many shops, which amuse the eye, as if ennui were the one thing to be
+ dreaded by the social world of the liveliest and most stirring capital in
+ Europe. Why is there nothing of an inner life? nothing which leads to
+ revery, nothing reposeful? Why indeed? Because no one in our day is sure
+ of the future; we are living our lives like prodigal annuitants.
+ </p>
+ <p>
+ One morning Clementine appeared to be thinking of something. She was lying
+ at full length on one of those marvellous couches from which it is almost
+ impossible to rise, the upholsterer having invented them for lovers of the
+ &ldquo;far niente&rdquo; and its attendant joys of laziness to sink into. The doors of
+ the greenhouse were open, letting the odors of vegetation and the perfume
+ of the tropics pervade the room. The young wife was looking at her husband
+ who was smoking a narghile, the only form of pipe she would have suffered
+ in that room. The portieres, held back by cords, gave a vista through two
+ elegant salons, one white and gold, comparable only to that of the hotel
+ Forbin-Janson, the other in the style of the Renaissance. The dining-room,
+ which had no rival in Paris except that of the Baron de Nucingen, was at
+ the end of a short gallery decorated in the manner of the middle-ages.
+ This gallery opened on the side of the courtyard upon a large antechamber,
+ through which could be seen the beauties of the staircase.
+ </p>
+ <p>
+ The count and countess had just finished breakfast; the sky was a sheet of
+ azure without a cloud, April was nearly over. They had been married two
+ years, and Clementine had just discovered for the first time that there
+ was something resembling a secret or a mystery in her household. The Pole,
+ let us say it to his honor, is usually helpless before a woman; he is so
+ full of tenderness for her that in Poland he becomes her inferior, though
+ Polish women make admirable wives. Now a Pole is still more easily
+ vanquished by a Parisian woman. Consequently Comte Adam, pressed by
+ questions, did not even attempt the innocent roguery of selling the
+ suspected secret. It is always wise with a woman to get some good out of a
+ mystery; she will like you the better for it, as a swindler respects an
+ honest man the more when he finds he cannot swindle him. Brave in heart
+ but not in speech, Comte Adam merely stipulated that he should not be
+ compelled to answer until he had finished his narghile.
+ </p>
+ <p>
+ &ldquo;If any difficulty occurred when we were travelling,&rdquo; said Clementine,
+ &ldquo;you always dismissed it by saying, &lsquo;Paz will settle that.&rsquo; You never
+ wrote to any one but Paz. When we returned here everybody kept saying,
+ &lsquo;the captain, the captain.&rsquo; If I want the carriage&mdash;&lsquo;the captain.&rsquo; Is
+ there a bill to pay&mdash;&lsquo;the captain.&rsquo; If my horse is not properly
+ bitted, they must speak to Captain Paz. In short, it is like a game of
+ dominoes&mdash;Paz is everywhere. I hear of nothing but Paz, but I never
+ see Paz. Who and what is Paz? Why don&rsquo;t you bring forth your Paz?&rdquo;
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t everything going on right?&rdquo; asked the count, taking the
+ &ldquo;bocchettino&rdquo; of his narghile from his lips.
+ </p>
+ <p>
+ &ldquo;Everything is going on so right that other people with an income of two
+ hundred thousand francs would ruin themselves by going at our pace, and we
+ have only one hundred and ten thousand.&rdquo;
+ </p>
+ <p>
+ So saying she pulled the bell-cord (an exquisite bit of needlework). A
+ footman entered, dressed like a minister.
+ </p>
+ <p>
+ &ldquo;Tell Captain Paz that I wish to see him.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you think you are going to find out anything that way&mdash;&rdquo; said
+ Comte Adam, laughing.
+ </p>
+ <p>
+ It is well to mention that Adam and Clementine, married in December, 1835,
+ had gone soon after the wedding to Italy, Switzerland, and Germany, where
+ they spent the greater part of two years. Returning to Paris in November,
+ 1837, the countess entered society for the first time as a married woman
+ during the winter which had just ended, and she then became aware of the
+ existence, half-suppressed and wholly dumb but very useful, of a species
+ of factotum who was personally invisible, named Paz,&mdash;spelt thus, but
+ pronounced &ldquo;Patz.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur le capitaine Paz begs Madame la comtesse to excuse him,&rdquo; said
+ the footman, returning. &ldquo;He is at the stables; as soon as he has changed
+ his dress Comte Paz will present himself to Madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was he doing at the stables?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was showing them how to groom Madame&rsquo;s horse,&rdquo; said the man. &ldquo;He was
+ not pleased with the way Constantin did it.&rdquo;
+ </p>
+ <p>
+ The countess looked at the footman. He was perfectly serious and did not
+ add to his words the sort of smile by which servants usually comment on
+ the actions of a superior who seems to them to derogate from his position.
+ </p>
+ <p>
+ &ldquo;Ah! he was grooming Cora.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame la comtesse intends to ride out this morning?&rdquo; said the footman,
+ leaving the room without further answer.
+ </p>
+ <p>
+ &ldquo;Is Paz a Pole?&rdquo; asked Clementine, turning to her husband, who nodded by
+ way of affirmation.
+ </p>
+ <p>
+ Madame Laginska was silent, examining Adam. With her feet extended upon a
+ cushion and her head poised like that of a bird on the edge of its nest
+ listening to the noises in a grove, she would have seemed enchanting even
+ to a blase man. Fair and slender, and wearing her hair in curls, she was
+ not unlike those semi-romantic pictures in the Keepsakes, especially when
+ dressed, as she was this morning, in a breakfast gown of Persian silk, the
+ folds of which could not disguise the beauty of her figure or the slimness
+ of her waist. The silk with its brilliant colors being crossed upon the
+ bosom showed the spring of the neck,&mdash;its whiteness contrasting
+ delightfully against the tones of a guipure lace which lay upon her
+ shoulders. Her eyes and their long black lashes added at this moment to
+ the expression of curiosity which puckered her pretty mouth. On the
+ forehead, which was well modelled, an observer would have noticed a
+ roundness characteristic of the true Parisian woman,&mdash;self-willed,
+ merry, well-informed, but inaccessible to vulgar seductions. Her hands,
+ which were almost transparent, were hanging down at the end of each arm of
+ her chair; the tapering fingers, slightly turned up at their points,
+ showed nails like almonds, which caught the light. Adam smiled at his
+ wife&rsquo;s impatience, and looked at her with a glance which two years of
+ married life had not yet chilled. Already the little countess had made
+ herself mistress of the situation, for she scarcely paid attention to her
+ husband&rsquo;s admiration. In fact, in the look which she occasionally cast at
+ him, there seemed to be the consciousness of a Frenchwoman&rsquo;s ascendancy
+ over the puny, volatile, and red-haired Pole.
+ </p>
+ <p>
+ &ldquo;Here comes Paz,&rdquo; said the count, hearing a step which echoed through the
+ gallery.
+ </p>
+ <p>
+ The countess beheld a tall and handsome man, well-made, and bearing on his
+ face the signs of pain which come of inward strength and secret endurance
+ of sorrow. He wore one of those tight, frogged overcoats which were then
+ called &ldquo;polonaise.&rdquo; Thick, black hair, rather unkempt, covered his square
+ head, and Clementine noticed his broad forehead shining like a block of
+ white marble, for Paz held his visored cap in his hand. The hand itself
+ was like that of the Infant Hercules. Robust health flourished on his
+ face, which was divided by a large Roman nose and reminded Clementine of
+ some handsome Transteverino. A black silk cravat added to the martial
+ appearance of this six-foot mystery, with eyes of jet and Italian fervor.
+ The amplitude of his pleated trousers, which allowed only the tips of his
+ boots to be seen, revealed his faithfulness to the fashions of his own
+ land. There was something really burlesque to a romantic woman in the
+ striking contrast no one could fail to remark between the captain and the
+ count, the little Pole with his pinched face and the stalwart soldier.
+ </p>
+ <p>
+ &ldquo;Good morning, Adam,&rdquo; he said familiarly. Then he bowed courteously as he
+ asked Clementine what he could do for her.
+ </p>
+ <p>
+ &ldquo;You are Laginski&rsquo;s friend!&rdquo; exclaimed the countess.
+ </p>
+ <p>
+ &ldquo;For life and death,&rdquo; answered Paz, to whom the count threw a smile of
+ affection as he drew a last puff from his perfumed pipe.
+ </p>
+ <p>
+ &ldquo;Then why don&rsquo;t you take your meals with us? why did you not accompany us
+ to Italy and Switzerland? why do you hide yourself in such a way that I am
+ unable to thank you for the constant services that you do for us?&rdquo; said
+ the countess, with much vivacity of manner but no feeling.
+ </p>
+ <p>
+ In fact, she thought she perceived in Paz a sort of voluntary servitude.
+ Such an idea carried with it in her mind a certain contempt for a social
+ amphibian, a being half-secretary, half-bailiff, and yet neither the one
+ nor the other, a poor relation, an embarrassing friend.
+ </p>
+ <p>
+ &ldquo;Because, countess,&rdquo; he answered with perfect ease of manner, &ldquo;there are
+ no thanks due. I am Adam&rsquo;s friend, and it gives me pleasure to take care
+ of his interests.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you remain standing for your pleasure, too,&rdquo; remarked Comte Adam.
+ </p>
+ <p>
+ Paz sat down on a chair near the door.
+ </p>
+ <p>
+ &ldquo;I remember seeing you about the time I was married, and afterwards in the
+ courtyard,&rdquo; said Clementine. &ldquo;But why do you put yourself in a position of
+ inferiority,&mdash;you, Adam&rsquo;s friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am perfectly indifferent to the opinion of the Parisians,&rdquo; he replied.
+ &ldquo;I live for myself, or, if you like, for you two.&rdquo;
+ </p>
+ <p>
+ &ldquo;But the opinion of the world as to a friend of my husband is not
+ indifferent to me&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, madame, the world will be satisfied if you tell them I am &lsquo;an
+ original.&rsquo;&rdquo;
+ </p>
+ <p>
+ After a moment&rsquo;s silence he added, &ldquo;Are you going out to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;Will you come with us to the Bois?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly.&rdquo;
+ </p>
+ <p>
+ So saying, Paz bowed and withdrew.
+ </p>
+ <p>
+ &ldquo;What a good soul he is!&rdquo; said Adam. &ldquo;He has all the simplicity of a
+ child.&rdquo;
+ </p>
+ <p>
+ &ldquo;Now tell me all about your relations with him,&rdquo; said Clementine.
+ </p>
+ <p>
+ &ldquo;Paz, my dear,&rdquo; said Laginski, &ldquo;belongs to a noble family as old and
+ illustrious as our own. One of the Pazzi of Florence, at the time of their
+ disasters, fled to Poland, where he settled with some of his property and
+ founded the Paz family, to which the title of count was granted. This
+ family, which distinguished itself greatly in the glorious days of our
+ royal republic, became rich. The graft from the tree that was felled in
+ Italy flourished so vigorously in Poland that there are several branches
+ of the family still there. I need not tell you that some are rich and some
+ are poor. Our Paz is the scion of a poor branch. He was an orphan, without
+ other fortune than his sword, when he served in the regiment of the Grand
+ Duke Constantine at the time of our revolution. Joining the Polish cause,
+ he fought like a Pole, like a patriot, like a man who has nothing,&mdash;three
+ good reasons for fighting well. In his last affair, thinking he was
+ followed by his men, he dashed upon a Russian battery and was taken
+ prisoner. I was there. His brave act roused me. &lsquo;Let us go and get him!&rsquo; I
+ said to my troop, and we charged the battery like a lot of foragers. I got
+ Paz&mdash;I was the seventh man; we started twenty and came back eight,
+ counting Paz. After Warsaw was sold we were forced to escape those
+ Russians. By a curious chance, Paz and I happened to come together again,
+ at the same hour and the same place, on the other side of the Vistula. I
+ saw the poor captain arrested by some Prussians, who made themselves the
+ blood-hounds of the Russians. When we have fished a man out of the Styx we
+ cling to him. This new danger for poor Paz made me so unhappy that I let
+ myself be taken too, thinking I could help him. Two men can get away where
+ one will perish. Thanks to my name and some family connections in Prussia,
+ the authorities shut their eyes to my escape. I got my dear captain
+ through as a man of no consequence, a family servant, and we reached
+ Dantzic. There we got on board a Dutch vessel and went to London. It took
+ us two months to get there. My mother was ill in England, and expecting
+ me. Paz and I took care of her till her death, which the Polish troubles
+ hastened. Then we left London and came to France. Men who go through such
+ adversities become like brothers. When I reached Paris, at twenty-two
+ years of age, and found I had an income of over sixty thousand francs a
+ year, without counting the proceeds of the diamonds and the pictures sold
+ by my mother, I wanted to secure the future of my dear Paz before I
+ launched into dissipation. I had often noticed the sadness in his eyes&mdash;sometimes
+ tears were in them. I had had good reason to understand his soul, which is
+ noble, grand, and generous to the core. I thought he might not like to be
+ bound by benefits to a friend who was six years younger than himself,
+ unless he could repay them. I was careless and frivolous, just as a young
+ fellow is, and I knew I was certain to ruin myself at play, or get
+ inveigled by some woman, and Paz and I might then be parted; and though I
+ had every intention of always looking out for him, I knew I might sometime
+ or other forget to provide for him. In short, my dear angel, I wanted to
+ spare him the pain and mortification of having to ask me for money, or of
+ having to hunt me up if he got into distress. SO, one morning, after
+ breakfast, when we were sitting with our feet on the andirons smoking
+ pipes, I produced,&mdash;with the utmost precaution, for I saw him look at
+ me uneasily,&mdash;a certificate of the Funds payable to bearer for a
+ certain sum of money a year.&rdquo;
+ </p>
+ <p>
+ Clementine jumped up and went and seated herself on Adam&rsquo;s knee, put her
+ arms round his neck, and kissed him. &ldquo;Dear treasure!&rdquo; she said, &ldquo;how
+ handsome he is! Well, what did Paz do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Thaddeus turned pale,&rdquo; said the count, &ldquo;but he didn&rsquo;t say a word.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! his name is Thaddeus, is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; Thaddeus folded the paper and gave it back to me, and then he said:
+ &lsquo;I thought, Adam, that we were one for life or death, and that we should
+ never part. Do you want to be rid of me?&rsquo; &lsquo;Oh!&rsquo; I said, &lsquo;if you take it
+ that way, Thaddeus, don&rsquo;t let us say another word about it. If I ruin
+ myself you shall be ruined too.&rsquo; &lsquo;You haven&rsquo;t fortune enough to live as a
+ Laginski should,&rsquo; he said, &lsquo;and you need a friend who will take care of
+ your affairs, and be a father and a brother and a trusty confidant.&rsquo; My
+ dear child, as Paz said that he had in his look and voice, calm as they
+ were, a maternal emotion, and also the gratitude of an Arab, the fidelity
+ of a dog, the friendship of a savage,&mdash;not displayed, but ever ready.
+ Faith! I seized him, as we Poles do, with a hand on each shoulder, and I
+ kissed him on the lips. &lsquo;For life and death, then! all that I have is
+ yours&mdash;do what you will with it.&rsquo; It was he who found me this house
+ and bought it for next to nothing. He sold my Funds high and bought in
+ low, and we have paid for this barrack with the profits. He knows horses,
+ and he manages to buy and sell at such advantage that my stable really
+ costs very little; and yet I have the finest horses and the most elegant
+ equipages in all Paris. Our servants, brave Polish soldiers chosen by him,
+ would go through fire and water for us. I seem, as you say, to be ruining
+ myself; and yet Paz keeps the house with such method and economy that he
+ has even repaired some of my foolish losses at play,&mdash;the thoughtless
+ folly of a young man. My dear, Thaddeus is as shrewd as two Genoese, as
+ eager for gain as a Polish Jew, and provident as a good housekeeper. I
+ never could force him to live as I did when I was a bachelor. Sometimes I
+ had to use a sort of friendly coercion to make him go to the theatre with
+ me when I was alone, or to the jovial little dinners I used to give at a
+ tavern. He doesn&rsquo;t like social life.&rdquo;
+ </p>
+ <p>
+ &ldquo;What does he like, then?&rdquo; asked Clementine.
+ </p>
+ <p>
+ &ldquo;Poland; he loves Poland and pines for it. His only spendings are sums he
+ gives, more in my name than in his own, to some of our poor
+ brother-exiles.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I shall love him, the fine fellow!&rdquo; said the countess, &ldquo;he looks to
+ me as simple-hearted as he is grand.&rdquo;
+ </p>
+ <p>
+ &ldquo;All these pretty things you have about you,&rdquo; continued Adam, who praised
+ his friend in the noblest sincerity, &ldquo;he picked up; he bought them at
+ auction, or as bargains from the dealers. Oh! he&rsquo;s keener than they are
+ themselves. If you see him rubbing his hands in the courtyard, you may be
+ sure he has traded away one good horse for a better. He lives for me; his
+ happiness is to see me elegant, in a perfectly appointed equipage. The
+ duties he takes upon himself are all accomplished without fuss or
+ emphasis. One evening I lost twenty thousand francs at whist. &lsquo;What will
+ Paz say?&rsquo; thought I as I walked home. Paz paid them to me, not without a
+ sigh; but he never reproached me, even by a look. But that sigh of his
+ restrained me more than the remonstrances of uncles, mothers, or wives
+ could have done. &lsquo;Do you regret the money?&rsquo; I said to him. &lsquo;Not for you or
+ me, no,&rsquo; he replied; &lsquo;but I was thinking that twenty poor Poles could have
+ lived a year on that sum.&rsquo; You must understand that the Pazzi are fully
+ the equal of the Laginski, so I couldn&rsquo;t regard my dear Paz as an
+ inferior. I never went out or came in without going first to Paz, as I
+ would to my father. My fortune is his; and Thaddeus knows that if danger
+ threatened him I would fling myself into it and drag him out, as I have
+ done before.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that is saying a good deal, my dear friend,&rdquo; said the countess.
+ &ldquo;Devotion is like a flash of lightning. Men devote themselves in battle,
+ but they no longer have the heart for it in Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; replied Adam, &ldquo;I am always ready, as in battle, to devote myself
+ to Paz. Our two characters have kept their natural asperities and defects,
+ but the mutual comprehension of our souls has tightened the bond already
+ close between us. It is quite possible to save a man&rsquo;s life and kill him
+ afterwards if we find him a bad fellow; but Paz and I know THAT of each
+ other which makes our friendship indissoluble. There&rsquo;s a constant exchange
+ of happy thoughts and impressions between us; and really, perhaps, such a
+ friendship as ours is richer than love.&rdquo;
+ </p>
+ <p>
+ A pretty hand closed the count&rsquo;s mouth so promptly that the action was
+ somewhat like a blow.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, &ldquo;friendship, my dear angel, knows nothing of bankrupt
+ sentiments and collapsed joys. Love, after giving more than it has, ends
+ by giving less than it receives.&rdquo;
+ </p>
+ <p>
+ &ldquo;One side as well as the other,&rdquo; remarked Clementine laughing.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; continued Adam, &ldquo;whereas friendship only increases. You need not
+ pucker up your lips at that, for we are, you and I, as much friends as
+ lovers; we have, at least I hope so, combined the two sentiments in our
+ happy marriage.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll explain to you what it is that has made you and Thaddeus such good
+ friends,&rdquo; said Clementine. &ldquo;The difference in the lives you lead comes
+ from your tastes and from necessity; from your likings, not your
+ positions. As far as one can judge from merely seeing a man once, and also
+ from what you tell me, there are times when the subaltern might become the
+ superior.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Paz is truly my superior,&rdquo; said Adam, naively; &ldquo;I have no advantage
+ over him except mere luck.&rdquo;
+ </p>
+ <p>
+ His wife kissed him for the generosity of those words.
+ </p>
+ <p>
+ &ldquo;The extreme care with which he hides the grandeur of his feelings is one
+ form of his superiority,&rdquo; continued the count. &ldquo;I said to him once: &lsquo;You
+ are a sly one; you have in your heart a vast domain within which you live
+ and think.&rsquo; He has a right to the title of count; but in Paris he won&rsquo;t be
+ called anything but captain.&rdquo;
+ </p>
+ <p>
+ &ldquo;The fact is that the Florentine of the middle-ages has reappeared in our
+ century,&rdquo; said the countess. &ldquo;Dante and Michael Angelo are in him.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s the very truth,&rdquo; cried Adam. &ldquo;He is a poet in soul.&rdquo;
+ </p>
+ <p>
+ &ldquo;So here I am, married to two Poles,&rdquo; said the young countess, with a
+ gesture worthy of some genius of the stage.
+ </p>
+ <p>
+ &ldquo;Dear child!&rdquo; said Adam, pressing her to him, &ldquo;it would have made me very
+ unhappy if my friend did not please you. We were both rather afraid of it,
+ he and I, though he was delighted at my marriage. You will make him very
+ happy if you tell him that you love him,&mdash;yes, as an old friend.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll go and dress, the day is so fine; and we will all three ride
+ together,&rdquo; said Clementine, ringing for her maid.
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <p>
+ Paz was leading so subterranean a life that the fashionable world of Paris
+ asked who he was when the Comtesse Laginska was seen in the Bois de
+ Boulogne riding between her husband and a stranger. During the ride
+ Clementine insisted that Thaddeus should dine with them. This caprice of
+ the sovereign lady compelled Paz to make an evening toilet. Clementine
+ dressed for the occasion with a certain coquetry, in a style that
+ impressed even Adam himself when she entered the salon where the two
+ friends awaited her.
+ </p>
+ <p>
+ &ldquo;Comte Paz,&rdquo; she said, &ldquo;you must go with us to the Opera.&rdquo;
+ </p>
+ <p>
+ This was said in the tone which, coming from a woman means: &ldquo;If you refuse
+ we shall quarrel.&rdquo;
+ </p>
+ <p>
+ &ldquo;Willingly, madame,&rdquo; replied the captain. &ldquo;But as I have not the fortune
+ of a count, have the kindness to call me captain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good, captain; give me your arm,&rdquo; she said,&mdash;taking it and
+ leading the way to the dining-room with the flattering familiarity which
+ enchants all lovers.
+ </p>
+ <p>
+ The countess placed the captain beside her; his behavior was that of a
+ poor sub-lieutenant dining at his general&rsquo;s table. He let Clementine talk,
+ listened deferentially as to a superior, did not differ with her in
+ anything, and waited to be questioned before he spoke at all. He seemed
+ actually stupid to the countess, whose coquettish little ways missed their
+ mark in presence of such frigid gravity and conventional respect. In vain
+ Adam kept saying: &ldquo;Do be lively, Thaddeus; one would really suppose you
+ were not at home. You must have made a wager to disconcert Clementine.&rdquo;
+ Thaddeus continued heavy and half asleep. When the servants left the room
+ at the end of the dessert the captain explained that his habits were
+ diametrically opposite to those of society,&mdash;he went to bed at eight
+ o&rsquo;clock and got up very early in the morning; and he excused his dulness
+ on the ground of being sleepy.
+ </p>
+ <p>
+ &ldquo;My intention in taking you to the Opera was to amuse you, captain; but do
+ as you prefer,&rdquo; said Clementine, rather piqued.
+ </p>
+ <p>
+ &ldquo;I will go,&rdquo; said Paz.
+ </p>
+ <p>
+ &ldquo;Duprez sings &lsquo;Guillaume Tell,&rsquo;&rdquo; remarked Adam. &ldquo;But perhaps you would
+ rather go to the &lsquo;Varietes&rsquo;?&rdquo;
+ </p>
+ <p>
+ The captain smiled and rang the bell. &ldquo;Tell Constantin,&rdquo; he said to the
+ footman, &ldquo;to put the horses to the carriage instead of the coupe. We
+ should be rather squeezed otherwise,&rdquo; he said to the count.
+ </p>
+ <p>
+ &ldquo;A Frenchman would have forgotten that,&rdquo; remarked Clementine, smiling.
+ </p>
+ <p>
+ &ldquo;Ah! but we are Florentines transplanted to the North,&rdquo; answered Thaddeus
+ with a refinement of accent and a look in his eyes which made his conduct
+ at table seem assumed for the occasion. There was too evident a contrast
+ between his involuntary self-revelation in this speech and his behavior
+ during dinner. Clementine examined the captain with a few of those covert
+ glances which show a woman&rsquo;s surprise and also her capacity for
+ observation.
+ </p>
+ <p>
+ It resulted from this little incident that silence reigned in the salon
+ while the three took their coffee, a silence rather annoying to Adam, who
+ was incapable of imagining the cause of it. Clementine no longer tried to
+ draw out Thaddeus. The captain, on the other hand, retreated within his
+ military stiffness and came out of it no more, neither on the way to the
+ Opera nor in the box, where he seemed to be asleep.
+ </p>
+ <p>
+ &ldquo;You see, madame, that I am a very stupid man,&rdquo; he said during the dance
+ in the last act of &ldquo;Guillaume Tell.&rdquo; &ldquo;Am I not right to keep, as the
+ saying is, to my own specialty?&rdquo;
+ </p>
+ <p>
+ &ldquo;In truth, my dear captain, you are neither a talker nor a man of the
+ world, but you are perhaps Polish.&rdquo;
+ </p>
+ <p>
+ &ldquo;Therefore leave me to look after your pleasures, your property, your
+ household&mdash;it is all I am good for.&rdquo;
+ </p>
+ <p>
+ &ldquo;Tartufe! pooh!&rdquo; cried Adam, laughing. &ldquo;My dear, he is full of ardor; he
+ is thoroughly educated; he can, if he chooses, hold his own in any salon.
+ Clementine, don&rsquo;t believe his modesty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Adieu, comtesse; I have obeyed your wishes so far; and now I will take
+ the carriage and go home to bed and send it back for you.&rdquo;
+ </p>
+ <p>
+ Clementine bowed her head and let him go without replying.
+ </p>
+ <p>
+ &ldquo;What a bear!&rdquo; she said to the count. &ldquo;You are a great deal nicer.&rdquo;
+ </p>
+ <p>
+ Adam pressed her hand when no one was looking.
+ </p>
+ <p>
+ &ldquo;Poor, dear Thaddeus,&rdquo; he said, &ldquo;he is trying to make himself disagreeable
+ where most men would try to seem more amiable than I.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; she said, &ldquo;I am not sure but what there is some <i>calculation</i>
+ in his behavior; he would have taken in an ordinary woman.&rdquo;
+ </p>
+ <p>
+ Half an hour later, when the chasseur, Boleslas, called out &ldquo;Gate!&rdquo; and
+ the carriage was waiting for it to swing back, Clementine said to her
+ husband, &ldquo;Where does the captain perch?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, there!&rdquo; replied Adam, pointing to a floor above the porte-cochere
+ which had one window looking on the street. &ldquo;His apartments are over the
+ coachhouse.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who lives on the other side?&rdquo; asked the countess.
+ </p>
+ <p>
+ &ldquo;No one as yet,&rdquo; said Adam; &ldquo;I mean that apartment for our children and
+ their instructors.&rdquo;
+ </p>
+ <p>
+ &ldquo;He didn&rsquo;t go to bed,&rdquo; said the countess, observing lights in Thaddeus&rsquo;s
+ rooms when the carriage had passed under the portico supported by columns
+ copied from those of the Tuileries, which replaced a vulgar zinc awning
+ painted in stripes like cloth.
+ </p>
+ <p>
+ The captain, in his dressing-gown with a pipe in his mouth, was watching
+ Clementine as she entered the vestibule. The day had been a hard one for
+ him. And here is the reason why: A great and terrible emotion had taken
+ possession of his heart on the day when Adam made him go to the Opera to
+ see and give his opinion on Mademoiselle du Rouvre; and again when he saw
+ her on the occasion of her marriage, and recognized in her the woman whom
+ a man is forced to love exclusively. For this reason Paz strongly advised
+ and promoted the long journey to Italy and elsewhere after the marriage.
+ At peace so long as Clementine was away, his trial was renewed on the
+ return of the happy household. As he sat at his window on this memorable
+ night, smoking his latakia in a pipe of wild-cherry wood six feet long,
+ given to him by Adam, these are the thoughts that were passing through his
+ mind:&mdash;
+ </p>
+ <p>
+ &ldquo;I, and God, who will reward me for suffering in silence, alone know how I
+ love her! But how shall I manage to have neither her love nor her
+ dislike?&rdquo;
+ </p>
+ <p>
+ And his thoughts travelled far on this strange theme.
+ </p>
+ <p>
+ It must not be supposed that Thaddeus was living without pleasure, in the
+ midst of his sufferings. The deceptions of this day, for instance, were a
+ source of inward joy to him. Since the return of the count and countess he
+ had daily felt ineffable satisfactions in knowing himself necessary to a
+ household which, without his devotion to its interests, would infallibly
+ have gone to ruin. What fortune can bear the strain of reckless
+ prodigality? Clementine, brought up by a spendthrift father, knew nothing
+ of the management of a household which the women of the present day,
+ however rich or noble they are, are often compelled to undertake
+ themselves. How few, in these days, keep a steward. Adam, on the other
+ hand, son of one of the great Polish lords who let themselves be preyed on
+ by the Jews, and are wholly incapable of managing even the wreck of their
+ vast fortunes (for fortunes are vast in Poland), was not of a nature to
+ check his own fancies or those of his wife. Left to himself he would
+ probably have been ruined before his marriage. Paz had prevented him from
+ gambling at the Bourse, and that says all.
+ </p>
+ <p>
+ Under these circumstances, Thaddeus, feeling that he loved Clementine in
+ spite of himself, had not the resource of leaving the house and travelling
+ in other lands to forget his passion. Gratitude, the key-note of his life,
+ held him bound to that household where he alone could look after the
+ affairs of the heedless owners. The long absence of Adam and Clementine
+ had given him peace. But the countess had returned more lovely than ever,
+ enjoying the freedom which marriage brings to a Parisian woman, displaying
+ the graces of a young wife and the nameless attraction she gains from the
+ happiness, or the independence, bestowed upon her by a young man as
+ trustful, as chivalric, and as much in love as Adam. To know that he was
+ the pivot on which the splendor the household depended, to see Clementine
+ when she got out of her carriage on returning from some fete, or got into
+ it in the morning when she took her drive, to meet her on the boulevards
+ in her pretty equipage, looking like a flower in a whorl of leaves,
+ inspired poor Thaddeus with mysterious delights, which glowed in the
+ depths of his heart but gave no signs upon his face.
+ </p>
+ <p>
+ How happened it that for five whole months the countess had never
+ perceived the captain? Because he hid himself from her knowledge, and
+ carefully concealed the pains he took to avoid her. Nothing so resembles
+ the Divine love as hopeless human love. A man must have great depth of
+ heart to devote himself in silence and obscurity to a woman. In such a
+ heart is the worship of love for love&rsquo;s sake only&mdash;sublime avarice,
+ sublime because ever generous and founded on the mysterious existence of
+ the principles of creation. <i>Effect</i> is nature, and nature is
+ enchanting; it belongs to man, to the poet, the painter, the lover. But <i>Cause</i>,
+ to a few privileged souls and to certain mighty thinkers, is superior to
+ nature. Cause is God. In the sphere of causes live the Newtons and all
+ such thinkers as Laplace, Kepler, Descartes, Malebranche, Spinoza, Buffon;
+ also the true poets and solitarys of the second Christian century, and the
+ Saint Teresas of Spain, and such sublime ecstatics. All human sentiments
+ bear analogy to these conditions whenever the mind abandons Effect for
+ Cause. Thaddeus had reached this height, at which all things change their
+ relative aspect. Filled with the joys unutterable of a creator he had
+ attained in his love to all that genius has revealed to us of grandeur.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he was thinking to himself as he watched the curling smoke of his
+ pipe, &ldquo;she was not entirely deceived. She might break up my friendship
+ with Adam if she took a dislike to me; but if she coquetted with me to
+ amuse herself, what would become of me?&rdquo;
+ </p>
+ <p>
+ The conceit of this last supposition was so foreign to the modest nature
+ and Teutonic timidity of the captain that he scolded himself for admitting
+ it, and went to bed, resolved to await events before deciding on a course.
+ </p>
+ <p>
+ The next day Clementine breakfasted very contentedly without Paz, and
+ without even noticing his disobedience to her orders. It happened to be
+ her reception day, when the house was thrown open with a splendor that was
+ semi-royal. She paid no attention to the absence of Comte Paz, on whom all
+ the burden of these parade days fell.
+ </p>
+ <p>
+ &ldquo;Good!&rdquo; thought he, as he heard the last carriages driving away at two in
+ the morning; &ldquo;it was only the caprice or the curiosity of a Parisian woman
+ that made her want to see me.&rdquo;
+ </p>
+ <p>
+ After that the captain went back to his ordinary habits and ways, which
+ had been somewhat upset by this incident. Diverted by her Parisian
+ occupations, Clementine appeared to have forgotten Paz. It must not be
+ thought an easy matter to reign a queen over fickle Paris. Does any one
+ suppose that fortunes alone are risked in the great game? The winters are
+ to fashionable women what a campaign once was to the soldiers of the
+ Empire. What works of art and genius are expended on a gown or a garland
+ in which to make a sensation! A fragile, delicate creature will wear her
+ stiff and brilliant harness of flowers and diamonds, silk and steel, from
+ nine at night till two and often three o&rsquo;clock in the morning. She eats
+ little, to attract remark to her slender waist; she satisfied her hunger
+ with debilitating tea, sugared cakes, ices which heat her, or slices of
+ heavy pastry. The stomach is made to yield to the orders of coquetry. The
+ awakening comes too late. A fashionable woman&rsquo;s whole life is in
+ contradiction to the laws of nature, and nature is pitiless. She has no
+ sooner risen than she makes an elaborate morning toilet, and thinks of the
+ one which she means to wear in the afternoon. The moment she is dressed
+ she has to receive and make visits, and go to the Bois either on horseback
+ or in a carriage. She must practise the art of smiling, and must keep her
+ mind on the stretch to invent new compliments which shall seem neither
+ common nor far-fetched. All women do not succeed in this. It is no
+ surprise, therefore, to find a young woman who entered fashionable society
+ fresh and healthy, faded and worn out at the end of three years. Six
+ months spent in the country will hardly heal the wounds of the winter. We
+ hear continually, in these days, of mysterious ailments,&mdash;gastritis,
+ and so forth,&mdash;ills unknown to women when they busied themselves
+ about their households. In the olden time women only appeared in the world
+ at intervals; now they are always on the scene. Clementine found she had
+ to struggle for her supremacy. She was cited, and that alone brought
+ jealousies; and the care and watchfulness exacted by this contest with her
+ rivals left little time even to love her husband. Paz might well be
+ forgotten. Nevertheless, in the month of May, as she drove home from the
+ Bois, just before she left Paris for Ronquerolles, her uncle&rsquo;s estate in
+ Burgundy, she noticed Thaddeus, elegantly dressed, sauntering on one of
+ the side-paths of the Champs-Elysees, in the seventh heaven of delight at
+ seeing his beautiful countess in her elegant carriage with its spirited
+ horses and sparkling liveries,&mdash;in short, his beloved family the
+ admired of all.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s the captain,&rdquo; she said to her husband.
+ </p>
+ <p>
+ &ldquo;He&rsquo;s happy!&rdquo; said Adam. &ldquo;This is his delight. He knows there&rsquo;s no
+ equipage more elegant than ours, and he is rejoicing to think that some
+ people envy it. Have you only just noticed him? I see him there nearly
+ every day.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wonder what he is thinking about now,&rdquo; said Clementine.
+ </p>
+ <p>
+ &ldquo;He is thinking that this winter has cost a good deal, and that it is time
+ we went to economize with your old uncle Ronquerolles,&rdquo; replied Adam.
+ </p>
+ <p>
+ The countess stopped the carriage near Paz, and bade him take the seat
+ beside her. Thaddeus grew as red as a cherry.
+ </p>
+ <p>
+ &ldquo;I shall poison you,&rdquo; he said; &ldquo;I have been smoking.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doesn&rsquo;t Adam poison me?&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;Yes, but he is Adam,&rdquo; returned the captain.
+ </p>
+ <p>
+ &ldquo;And why can&rsquo;t Thaddeus have the same privileges?&rdquo; asked the countess,
+ smiling.
+ </p>
+ <p>
+ That divine smile had a power which triumphed over the heroic resolutions
+ of poor Paz; he looked at Clementine with all the fire of his soul in his
+ eyes, though, even so, its flame was tempered by the angelic gratitude of
+ the man whose life was based upon that virtue. The countess folded her
+ arms in her shawl, lay back pensively on her cushions, ruffling the
+ feathers of her pretty bonnet, and looked at the people who passed her.
+ That flash of a great and hitherto resigned soul reached her
+ sensibilities. What was Adam&rsquo;s merit in her eyes? It was natural enough to
+ have courage and generosity. But Thaddeus&mdash;surely Thaddeus possessed,
+ or seemed to possess, some great superiority over Adam. They were
+ dangerous thoughts which took possession of the countess&rsquo;s mind as she
+ again noticed the contrast of the fine presence that distinguished
+ Thaddeus, and the puny frame in which Adam showed the degenerating effects
+ of intermarriage among the Polish aristocratic families. The devil alone
+ knew the thoughts that were in Clementine&rsquo;s head, for she sat still, with
+ thoughtful, dreamy eyes, and without saying a word until they reached
+ home.
+ </p>
+ <p>
+ &ldquo;You will dine with us; I shall be angry if you disobey me,&rdquo; she said as
+ the carriage turned in. &ldquo;You are Thaddeus to me, as you are to Adam. I
+ know your obligations to him, but I also know those we are under to you.
+ Both generosities are natural&mdash;but you are generous every day and all
+ day. My father dines here to-day, also my uncle Ronquerolles and my aunt
+ Madame de Serizy. Dress yourself therefore,&rdquo; she said, taking the hand he
+ offered to assist her from the carriage.
+ </p>
+ <p>
+ Thaddeus went to his own room to dress with a joyful heart, though shaken
+ by an inward dread. He went down at the last moment and behaved through
+ dinner as he had done on the first occasion, that is, like a soldier fit
+ only for his duties as a steward. But this time Clementine was not his
+ dupe; his glance had enlightened her. The Marquis de Ronquerolles, one of
+ the ablest diplomates after Talleyrand, who had served with de Marsay
+ during his short ministry, had been informed by his niece of the real
+ worth and character of Comte Paz, and knew how modestly he made himself
+ the steward of his friend Laginski.
+ </p>
+ <p>
+ &ldquo;And why is this the first time I have the pleasure of seeing Comte Paz?&rdquo;
+ asked the marquis.
+ </p>
+ <p>
+ &ldquo;Because he is so shy and retiring,&rdquo; replied Clementine with a look at Paz
+ telling him to change his behavior.
+ </p>
+ <p>
+ Alas! that we should have to avow it, at the risk of rendering the captain
+ less interesting, but Paz, though superior to his friend Adam, was not a
+ man of parts. His apparent superiority was due to his misfortunes. In his
+ lonely and poverty-stricken life in Warsaw he had read and taught himself
+ a good deal; he had compared and meditated. But the gift of original
+ thought which makes a great man he did not possess, and it can never be
+ acquired. Paz, great in heart only, approached in heart to the sublime;
+ but in the sphere of sentiments, being more a man of action than of
+ thought, he kept his thoughts to himself; and they only served therefore
+ to eat his heart out. What, after all, is a thought unexpressed?
+ </p>
+ <p>
+ After Clementine&rsquo;s little speech, the Marquis de Ronquerolles and his
+ sister exchanged a singular glance, embracing their niece, Comte Adam, and
+ Paz. It was one of those rapid scenes which take place only in France and
+ Italy,&mdash;the two regions of the world (all courts excepted) where eyes
+ can say everything. To communicate to the eye the full power of the soul,
+ to give it the value of speech, needs either the pressure of extreme
+ servitude, or complete liberty. Adam, the Marquis du Rouvre, and
+ Clementine did not observe this luminous by-play of the old coquette and
+ the old diplomatist, but Paz, the faithful watchdog, understood its
+ meaning. It was, we must remark, an affair of two seconds; but to describe
+ the tempest it roused in the captain&rsquo;s soul would take far too much space
+ in this brief history.
+ </p>
+ <p>
+ &ldquo;What!&rdquo; he said to himself, &ldquo;do the aunt and uncle think I might be loved?
+ Then my happiness only depends on my own audacity! But Adam&mdash;&rdquo;
+ </p>
+ <p>
+ Ideal love and desire clashed with gratitude and friendship, all equally
+ powerful, and, for a moment, love prevailed. The lover would have his day.
+ Paz became brilliant, he tried to please, he told the story of the Polish
+ insurrection in noble words, being questioned about it by the diplomatist.
+ By the end of dinner Paz saw Clementine hanging upon his lips and
+ regarding him as a hero, forgetting that Adam too, after sacrificing a
+ third of his vast fortune, had been an exile. At nine o&rsquo;clock, after
+ coffee had been served, Madame de Serizy kissed her niece on the forehead,
+ pressed her hand, and went away, taking Adam with her and leaving the
+ Marquis de Ronquerolles and the Marquis du Rouvre, who soon followed. Paz
+ and Clementine were alone together.
+ </p>
+ <p>
+ &ldquo;I will leave you now, madame,&rdquo; said Thaddeus. &ldquo;You will of course rejoin
+ them at the Opera?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she answered, &ldquo;I don&rsquo;t like dancing, and they give an odious ballet
+ to-night &lsquo;La Revolte au Serail.&rsquo;&rdquo;
+ </p>
+ <p>
+ There was a moment&rsquo;s silence.
+ </p>
+ <p>
+ &ldquo;Two years ago Adam would not have gone to the Opera without me,&rdquo; said
+ Clementine, not looking at Paz.
+ </p>
+ <p>
+ &ldquo;He loves you madly,&rdquo; replied Thaddeus.
+ </p>
+ <p>
+ &ldquo;Yes, and because he loves me madly he is all the more likely not to love
+ me to-morrow,&rdquo; said the countess.
+ </p>
+ <p>
+ &ldquo;How inexplicable Parisian women are!&rdquo; exclaimed Thaddeus. &ldquo;When they are
+ loved to madness they want to be loved reasonably: and when they are loved
+ reasonably they reproach a man for not loving them at all.&rdquo;
+ </p>
+ <p>
+ &ldquo;And they are quite right. Thaddeus,&rdquo; she went on, smiling, &ldquo;I know Adam
+ well; I am not angry with him; he is volatile and above all grand
+ seigneur. He will always be content to have me as his wife and he will
+ never oppose any of my tastes, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is the marriage in which there are no &lsquo;buts&rsquo;?&rdquo; said Thaddeus,
+ gently, trying to give another direction to Clementine&rsquo;s mind.
+ </p>
+ <p>
+ The least presuming of men might well have had the thought which came near
+ rendering this poor lover beside himself; it was this: &ldquo;If I do not tell
+ her now that I love her I am a fool,&rdquo; he kept saying to himself.
+ </p>
+ <p>
+ Neither spoke; and there came between the pair one of those deep silences
+ that are crowded with thoughts. The countess examined Paz covertly, and
+ Paz observed her in a mirror. Buried in an armchair like a man digesting
+ his dinner, the image of a husband or an indifferent old man, Paz crossed
+ his hands upon his stomach and twirled his thumbs mechanically, looking
+ stupidly at them.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you tell me something good of Adam?&rdquo; cried Clementine suddenly.
+ &ldquo;Tell me that he is not volatile, you who know him so well.&rdquo;
+ </p>
+ <p>
+ The cry was fine.
+ </p>
+ <p>
+ &ldquo;Now is the time,&rdquo; thought poor Paz, &ldquo;to put an insurmountable barrier
+ between us. Tell you good of Adam?&rdquo; he said aloud. &ldquo;I love him; you would
+ not believe me; and I am incapable of telling you harm. My position is
+ very difficult between you.&rdquo;
+ </p>
+ <p>
+ Clementine lowered her head and looked down at the tips of his varnished
+ boots.
+ </p>
+ <p>
+ &ldquo;You Northern men have nothing but physical courage,&rdquo; she said
+ complainingly; &ldquo;you have no constancy in your opinions.&rdquo;
+ </p>
+ <p>
+ &ldquo;How will you amuse yourself alone, madame?&rdquo; said Paz, assuming a careless
+ air.
+ </p>
+ <p>
+ &ldquo;Are not you going to keep me company?&rdquo;
+ </p>
+ <p>
+ &ldquo;Excuse me for leaving you.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean? Where are you going?&rdquo;
+ </p>
+ <p>
+ The thought of a heroic falsehood had come into his head.
+ </p>
+ <p>
+ &ldquo;I&mdash;I am going to the Circus in the Champs Elysees; it opens
+ to-night, and I can&rsquo;t miss it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo; said Clementine, questioning him by a look that was half-anger.
+ </p>
+ <p>
+ &ldquo;Must I tell you why?&rdquo; he said, coloring; &ldquo;must I confide to you what I
+ hide from Adam, who thinks my only love is Poland.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! a secret in our noble captain?&rdquo;
+ </p>
+ <p>
+ &ldquo;A disgraceful one&mdash;which you will perhaps understand, and pity.&rdquo;
+ </p>
+ <p>
+ &ldquo;You, disgraced?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I, Comte Paz; I am madly in love with a girl who travels all over
+ France with the Bouthor family,&mdash;people who have the rival circus to
+ Franconi; but they play only at fairs. I have made the director at the
+ Cirque-Olympique engage her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is she handsome?&rdquo;
+ </p>
+ <p>
+ &ldquo;To my thinking,&rdquo; said Paz, in a melancholy tone. &ldquo;Malaga (that&rsquo;s her
+ stage name) is strong, active, and supple. Why do I prefer her to all
+ other women in the world?&mdash;well, I can&rsquo;t tell you. When I look at
+ her, with her black hair tied with a blue satin ribbon, floating on her
+ bare and olive-colored shoulders, and when she is dressed in a white tunic
+ with a gold edge, and a knitted silk bodice that makes her look like a
+ living Greek statue, and when I see her carrying those flags in her hand
+ to the sound of martial music, and jumping through the paper hoops which
+ tear as she goes through, and lighting so gracefully on the galloping
+ horse to such applause,&mdash;no hired clapping,&mdash;well, all that
+ moves me.&rdquo;
+ </p>
+ <p>
+ &ldquo;More than a handsome woman in a ballroom?&rdquo; asked Clementine, with
+ amazement and curiosity.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered Paz, in a choking voice. &ldquo;Such agility, such grace under
+ constant danger seems to me the height of triumph for a woman. Yes,
+ madame, Cinti and Malibran, Grisi and Taglioni, Pasta and Ellsler, all who
+ reign or have reigned on the stage, can&rsquo;t be compared, to my mind, with
+ Malaga, who can jump on or off a horse at full gallop, or stand on the
+ point of one foot and fall easily into the saddle, and knit stockings,
+ break eggs, and make an omelette with the horse at full speed, to the
+ admiration of the people,&mdash;the real people, peasants and soldiers.
+ Malaga, madame, is dexterity personified; her little wrist or her little
+ foot can rid her of three or four men. She is the goddess of gymnastics.&rdquo;
+ </p>
+ <p>
+ &ldquo;She must be stupid&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no,&rdquo; said Paz, &ldquo;I find her as amusing as the heroine of &lsquo;Peveril of
+ the Peak.&rsquo; Thoughtless as a Bohemian, she says everything that comes into
+ her head; she thinks no more about the future than you do of the sous you
+ fling to the poor. She says grand things sometimes. You couldn&rsquo;t make her
+ believe that an old diplomatist was a handsome young man, not if you
+ offered her a million of francs. Such love as hers is perpetual flattery
+ to a man. Her health is positively insolent, and she has thirty-two
+ oriental pearls in lips of coral. Her muzzle&mdash;that&rsquo;s what she calls
+ the lower part of her face&mdash;has, as Shakespeare expresses it, the
+ savor of a heifer&rsquo;s nose. She can make a man unhappy. She likes handsome
+ men, strong men, Alexanders, gymnasts, clowns. Her trainer, a horrible
+ brute, used to beat her to make her supple, and graceful, and intrepid&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You are positively intoxicated with Malaga.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, she is called Malaga only on the posters,&rdquo; said Paz, with a piqued
+ air. &ldquo;She lives in the rue Saint-Lazare, in a pretty apartment on the
+ third story, all velvet and silk, like a princess. She has two lives, her
+ circus life and the life of a pretty woman.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does she love you?&rdquo;
+ </p>
+ <p>
+ &ldquo;She loves me&mdash;now you will laugh&mdash;solely because I&rsquo;m a Pole.
+ She saw an engraving of Poles rushing with Poniatowski into the Elster,&mdash;for
+ all France persists in thinking that the Elster, where it is impossible to
+ get drowned, is an impetuous flood, in which Poniatowski and his followers
+ were engulfed. But in the midst of all this I am very unhappy, madame.&rdquo;
+ </p>
+ <p>
+ A tear of rage fell from his eyes and affected the countess.
+ </p>
+ <p>
+ &ldquo;You men have such a passion for singularity.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you?&rdquo; said Thaddeus.
+ </p>
+ <p>
+ &ldquo;I know Adam so well that I am certain he could forget me for some
+ mountebank like your Malaga. Where did you first see her?&rdquo;
+ </p>
+ <p>
+ &ldquo;At Saint-Cloud, last September, on the fete-day. She was at a corner of a
+ booth covered with flags, where the shows are given. Her comrades, all in
+ Polish costumes, were making a horrible racket. I watched her standing
+ there, silent and dumb, and I thought I saw a melancholy expression in her
+ face; in truth there was enough about her to sadden a girl of twenty. That
+ touched me.&rdquo;
+ </p>
+ <p>
+ The countess was sitting in a delicious attitude, pensive and rather
+ melancholy.
+ </p>
+ <p>
+ &ldquo;Poor, poor Thaddeus!&rdquo; she exclaimed. Then, with the kindliness of a true
+ great lady she added, not without a malicious smile, &ldquo;Well go, go to your
+ Circus.&rdquo;
+ </p>
+ <p>
+ Thaddeus took her hand, kissed it, leaving a hot tear upon it, and went
+ out.
+ </p>
+ <p>
+ Having invented this passion for a circus-rider, he bethought him that he
+ must give it some reality. The only truth in his tale was the momentary
+ attention he had given to Malaga at Saint-Cloud; and he had since seen her
+ name on the posters of the Circus, where the clown, for a tip of five
+ francs, had told him that the girl was a foundling, stolen perhaps.
+ Thaddeus now went to the Circus and saw her again. For ten francs one of
+ the grooms (who take the place in circuses of the dressers at a theatre)
+ informed him that Malaga was named Marguerite Turquet, and lived on the
+ fifth story of a house in the rue des Fosses-du-Temple.
+ </p>
+ <p>
+ The following day Paz went to the faubourg du Temple, found the house, and
+ asked to see Mademoiselle Turquet, who during the summer was substituting
+ for the leading horsewoman at the Cirque-Olympique, and a supernumerary at
+ a boulevard theatre in winter.
+ </p>
+ <p>
+ &ldquo;Malaga!&rdquo; cried the portress, rushing into the attic, &ldquo;there&rsquo;s a fine
+ gentleman wanting you. He is getting information from Chapuzot, who is
+ playing him off to give me time to tell you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you, M&rsquo;ame Chapuzot; but what will he think of me if he finds me
+ ironing my gown?&rdquo;
+ </p>
+ <p>
+ &ldquo;Pooh! when a man&rsquo;s in love he loves everything about us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is he an Englishman? they are fond of horses.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he looks to me Spanish.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s a pity; they say Spaniards are always poor. Stay here with me,
+ M&rsquo;ame Chapuzot; I don&rsquo;t want him to think I&rsquo;m deserted.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who is it you are looking for, monsieur?&rdquo; asked Madame Chapuzot, opening
+ the door for Thaddeus, who had now come upstairs.
+ </p>
+ <p>
+ &ldquo;Mademoiselle Turquet.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear,&rdquo; said the portress, with an air of importance, &ldquo;here is some one
+ to see you.&rdquo;
+ </p>
+ <p>
+ A line on which the clothes were drying caught the captain&rsquo;s hat and
+ knocked it off.
+ </p>
+ <p>
+ &ldquo;What is it you wish, monsieur?&rdquo; said Malaga, picking up the hat and
+ giving it to him.
+ </p>
+ <p>
+ &ldquo;I saw you at the Circus,&rdquo; said Thaddeus, &ldquo;and you reminded me of a
+ daughter whom I have lost, mademoiselle; and out of affection for my
+ Heloise, whom you resemble in a most striking manner, I should like to be
+ of some service to you, if you will permit me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, certainly; pray sit down, general,&rdquo; said Madame Chapuzot; &ldquo;nothing
+ could be more straightforward, more gallant.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I am not gallant, my good lady,&rdquo; exclaimed Paz. &ldquo;I am an unfortunate
+ father who tries to deceive himself by a resemblance.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then am I to pass for your daughter?&rdquo; said Malaga, slyly, and not in the
+ least suspecting the perfect sincerity of his proposal.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Paz, &ldquo;and I&rsquo;ll come and see you sometimes. But you shall be
+ lodged in better rooms, comfortably furnished.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall have furniture!&rdquo; cried Malaga, looking at Madame Chapuzot.
+ </p>
+ <p>
+ &ldquo;And servants,&rdquo; said Paz, &ldquo;and all you want.&rdquo;
+ </p>
+ <p>
+ Malaga looked at the stranger suspiciously.
+ </p>
+ <p>
+ &ldquo;What countryman is monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a Pole.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! then I accept,&rdquo; she said.
+ </p>
+ <p>
+ Paz departed, promising to return.
+ </p>
+ <p>
+ &ldquo;Well, that&rsquo;s a stiff one!&rdquo; said Marguerite Turquet, looking at Madame
+ Chapuzot; &ldquo;I&rsquo;m half afraid he is wheedling me, to carry out some fancy of
+ his own&mdash;Pooh! I&rsquo;ll risk it.&rdquo;
+ </p>
+ <p>
+ A month after this eccentric interview the circus-rider was living in a
+ comfortable apartment furnished by Comte Adam&rsquo;s own upholsterer, Paz
+ having judged it desirable to have his folly talked about at the hotel
+ Laginski. Malaga, to whom this adventure was like a leaf out of the
+ Arabian Nights, was served by Monsieur and Madame Chapuzot in the double
+ capacity of friends and servants. The Chapuzots and Marguerite were
+ constantly expecting some result of all this; but at the end of three
+ months none of them were able to make out the meaning of the Polish
+ count&rsquo;s caprice. Paz arrived duly and passed about an hour there once a
+ week, during which time he sat in the salon, and never went into Malaga&rsquo;s
+ boudoir nor into her bedroom, in spite of the clever manoeuvring of the
+ Chapuzots and Malaga to get him there. The count would ask questions as to
+ the small events of Marguerite&rsquo;s life, and each time that he came he left
+ two gold pieces of forty francs each on the mantel-piece.
+ </p>
+ <p>
+ &ldquo;He looks as if he didn&rsquo;t care to be here,&rdquo; said Madame Chapuzot.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Malaga, &ldquo;the man&rsquo;s as cold as an icicle.&rdquo;
+ </p>
+ <p>
+ &ldquo;But he&rsquo;s a good fellow all the same,&rdquo; cried Chapuzot, who was happy in a
+ new suit of clothes made of blue cloth, in which he looked like the
+ servant of some minister.
+ </p>
+ <p>
+ The sum which Paz deposited weekly on the mantel-piece, joined to Malaga&rsquo;s
+ meagre salary, gave her the means of sumptuous living compared with her
+ former poverty. Wonderful stories went the rounds of the Circus about
+ Malaga&rsquo;s good-luck. Her vanity increased the six thousand francs which Paz
+ had spent on her furniture to sixty thousand. According to the clowns and
+ the supers, Malaga was squandering money; and she now appeared at the
+ Circus wearing burnous and shawls and elegant scarfs. The Pole, it was
+ agreed on all sides, was the best sort of man a circus-rider had ever
+ encountered, not fault-finding nor jealous, and willing to let Malaga do
+ just what she liked.
+ </p>
+ <p>
+ &ldquo;Some women have the luck of it,&rdquo; said Malaga&rsquo;s rival, &ldquo;and I&rsquo;m not one of
+ them,&mdash;though I do draw a third of the receipts.&rdquo;
+ </p>
+ <p>
+ Malaga wore pretty things, and occasionally &ldquo;showed her head&rdquo; (a term in
+ the lexicon of such characters) in the Bois, where the fashionable young
+ men of the day began to remark her. In fact, before long Malaga was very
+ much talked about in the questionable world of equivocal women, who
+ presently attacked her good fortune by calumnies. They said she was a
+ somnambulist, and the Pole was a magnetizer who was using her to discover
+ the philosopher&rsquo;s stone. Some even more envenomed scandals drove her to a
+ curiosity that was greater than Psyche&rsquo;s. She reported them in tears to
+ Paz.
+ </p>
+ <p>
+ &ldquo;When I want to injure a woman,&rdquo; she said in conclusion, &ldquo;I don&rsquo;t
+ calumniate her; I don&rsquo;t declare that some one magnetizes her to get stones
+ out of her, but I say plainly that she is humpbacked, and I prove it. Why
+ do you compromise me in this way?&rdquo;
+ </p>
+ <p>
+ Paz maintained a cruel silence. Madame Chapuzot was not long in
+ discovering the name and title of Comte Paz; then she heard certain
+ positive facts at the hotel Laginski: for instance, that Paz was a
+ bachelor, and had never been known to have a daughter, alive or dead, in
+ Poland or in France. After that Malaga could not control a feeling of
+ terror.
+ </p>
+ <p>
+ &ldquo;My dear child,&rdquo; Madame Chapuzot would say, &ldquo;that monster&mdash;&rdquo; (a man
+ who contented himself with only looking, in a sly way,&mdash;not daring to
+ come out and say things,&mdash;and such a beautiful creature too, as
+ Malaga,&mdash;of course such a man was a monster, according to Madame
+ Chapuzot&rsquo;s ideas) &ldquo;&mdash;that monster is trying to get a hold upon you,
+ and make you do something illegal and criminal. Holy Father, if you should
+ get into the police-courts! it makes me tremble from head to foot; suppose
+ they should put you in the newspapers! I&rsquo;ll tell you what I should do in
+ your place; I&rsquo;d warn the police.&rdquo;
+ </p>
+ <p>
+ One particular day, after many foolish notions had fermented for some time
+ in Malaga&rsquo;s mind, Paz having laid his money as usual on the mantel-piece,
+ she seized the bits of gold and flung them in his face, crying out, &ldquo;I
+ don&rsquo;t want stolen money!&rdquo;
+ </p>
+ <p>
+ The captain gave the gold to Chapuzot, went away without a word, and did
+ not return.
+ </p>
+ <p>
+ Clementine was at this time at her uncle&rsquo;s place in Burgundy.
+ </p>
+ <p>
+ When the Circus troop discovered that Malaga had lost her Polish count,
+ much excitement was produced among them. Malaga&rsquo;s display of honor was
+ considered folly by some, and shrewdness by others. The conduct of the
+ Pole, however, even when discussed by the cleverest of women, seemed
+ inexplicable. Thaddeus received in the course of the next week
+ thirty-seven letters from women of their kind. Happily for him, his
+ astonishing reserve did not excite the curiosity of the fashionable world,
+ and was only discussed in the demi-mondaine regions.
+ </p>
+ <p>
+ Two weeks later the handsome circus-rider, crippled by debt, wrote the
+ following letter to Comte Paz, which, having fallen into the hands of
+ Comte Adam, was read by several of the dandies of the day, who pronounced
+ it a masterpiece:&mdash;
+ </p>
+<pre xml:space="preserve">
+ &ldquo;You, whom I still dare to call my friend, will you not pity me
+ after all that has passed,&mdash;which you have so ill understood? My
+ heart disavows whatever may have wounded your feelings. If I was
+ fortunate enough to charm you and keep you beside me in the past,
+ return to me; otherwise, I shall fall into despair. Poverty has
+ overtaken me, and you do not know what <i>horrid things</i> it brings
+ with it. Yesterday I lived on a herring at two sous, and one sou
+ of bread. Is that a breakfast for the woman you loved? The
+ Chapuzots have left me, though they seemed so devoted. Your
+ desertion has caused me to see to the bottom of all human
+ attachments. The dog we feed does not leave us, but the Chapuzots
+ have gone. A sheriff has seized everything on behalf of the
+ landlord, who has no heart, and the jeweller, who refused to wait
+ even ten days,&mdash;for when we lose the confidence of such as you,
+ credit goes too. What a position for women who have nothing to
+ reproach themselves with but the happiness they have given! My
+ friend, I have taken all I have of any value to <i>my uncle&rsquo;s</i>; I have
+ nothing but the memory of you left, and here is the winter coming
+ on. I shall be fireless when it turns cold; for the boulevards are
+ to play only melodramas, in which I have nothing but little bits
+ of parts which don&rsquo;t <i>pose</i> a woman. How could you misunderstand the
+ nobleness of my feelings for you?&mdash;for there are two ways of
+ expressing gratitude. You who seemed so happy in seeing me
+ well-off, how can you leave me in poverty? Oh, my sole friend on
+ earth, before I go back to the country fairs with Bouthor&rsquo;s circus,
+ where I can at least make a living, forgive me if I wish to know
+ whether I have lost you forever. If I were to let myself think of
+ you when I jump through the hoops, I should be sure to break my legs
+ by losing <i>a time</i>. Whatever may be the result, I am yours for life.
+</pre>
+ <p>
+ &ldquo;Marguerite Turquet.&rdquo;
+ </p>
+ <p>
+ &ldquo;That letter,&rdquo; thought Thaddeus, shouting with laughter, &ldquo;is worth the ten
+ thousand francs I have spent upon her.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <p>
+ Clementine came home the next day, and the day after that Paz beheld her
+ again, more beautiful and graceful than ever. After dinner, during which
+ the countess treated Paz with an air of perfect indifference, a little
+ scene took place in the salon between the count and his wife when Thaddeus
+ had left them. On pretence of asking Adam&rsquo;s advice, Thaddeus had left
+ Malaga&rsquo;s letter with him, as if by mistake.
+ </p>
+ <p>
+ &ldquo;Poor Thaddeus!&rdquo; said Adam, as Paz disappeared, &ldquo;what a misfortune for a
+ man of his distinction to be the plaything of the lowest kind of
+ circus-rider. He will lose everything, and get lower and lower, and won&rsquo;t
+ be recognizable before long. Here, read that,&rdquo; added the count, giving
+ Malaga&rsquo;s letter to his wife.
+ </p>
+ <p>
+ Clementine read the letter, which smelt of tobacco, and threw it from her
+ with a look of disgust.
+ </p>
+ <p>
+ &ldquo;Thick as the bandage is over his eyes,&rdquo; continued Adam, &ldquo;he must have
+ found out something; Malaga tricked him, no doubt.&rdquo;
+ </p>
+ <p>
+ &ldquo;But he goes back to her,&rdquo; said Clementine, &ldquo;and he will forgive her! It
+ is for such horrible women as that that you men have indulgence.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, they need it,&rdquo; said Adam.
+ </p>
+ <p>
+ &ldquo;Thaddeus used to show some decency&mdash;in living apart from us,&rdquo; she
+ remarked. &ldquo;He had better go altogether.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, my dear angel, that&rsquo;s going too far,&rdquo; said the count, who did not
+ want the death of the sinner.
+ </p>
+ <p>
+ Paz, who knew Adam thoroughly, had enjoined him to secrecy, pretending to
+ excuse his dissipations, and had asked his friend to lend him a few
+ thousand francs for Malaga.
+ </p>
+ <p>
+ &ldquo;He is a very firm fellow,&rdquo; said Adam.
+ </p>
+ <p>
+ &ldquo;How so?&rdquo; asked Clementine.
+ </p>
+ <p>
+ &ldquo;Why, for having spent no more than ten thousand francs on her, and
+ letting her send him that letter before he would ask me for enough to pay
+ her debts. For a Pole, I call that firm.&rdquo;
+ </p>
+ <p>
+ &ldquo;He will ruin you,&rdquo; said Clementine, in the sharp tone of a Parisian
+ woman, when she shows her feline distrusts.
+ </p>
+ <p>
+ &ldquo;Oh, I know him,&rdquo; said Adam; &ldquo;he will sacrifice Malaga, if I ask him.&rdquo;
+ </p>
+ <p>
+ &ldquo;We shall see,&rdquo; remarked the countess.
+ </p>
+ <p>
+ &ldquo;If it is best for his own happiness, I sha&rsquo;n&rsquo;t hesitate to ask him to
+ leave her. Constantin says that since Paz has been with her he, sober as
+ he is, has sometimes come home quite excited. If he takes to intoxication
+ I shall be just as grieved as if he were my own son.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t tell me anything more about it,&rdquo; cried the countess, with a gesture
+ of disgust.
+ </p>
+ <p>
+ Two days later the captain perceived in the manner, the tones of voice,
+ but, above all, in the eyes of the countess, the terrible results of
+ Adam&rsquo;s confidences. Contempt had opened a gulf between the beloved woman
+ and himself. He was suddenly plunged into the deepest distress of mind,
+ for the thought gnawed him, &ldquo;I have myself made her despise me!&rdquo; His own
+ folly stared him in the face. Life then became a burden to him, the very
+ sun turned gray. And yet, amid all these bitter thoughts, he found again
+ some moments of pure joy. There were times when he could give himself up
+ wholly to his admiration for his mistress, who paid not the slightest
+ attention to him. Hanging about in corners at her parties and receptions,
+ silent, all heart and eyes, he never lost one of her attitudes, nor a tone
+ of her voice when she sang. He lived in her life; he groomed the horse
+ which <i>she</i> rode, he studied the ways and means of that splendid
+ establishment, to the interests of which he was now more devoted than
+ ever. These silent pleasures were buried in his heart like those of a
+ mother, whose heart a child never knows; for is it knowing anything unless
+ we know it all? His love was more perfect than the love of Petrarch for
+ Laura, which found its ultimate reward in the treasures of fame, the
+ triumph of the poem which she had inspired. Surely the emotion that the
+ Chevalier d&rsquo;Assas felt in dying must have been to him a lifetime of joy.
+ Such emotions as these Paz enjoyed daily,&mdash;without dying, but also
+ without the guerdon of immortality.
+ </p>
+ <p>
+ But what is Love, that, in spite of all these ineffable delights, Paz
+ should still have been unhappy? The Catholic religion has so magnified
+ Love that she has wedded it indissolubly to respect and nobility of
+ spirit. Love is therefore attended by those sentiments and qualities of
+ which mankind is proud; it is rare to find true Love existing where
+ contempt is felt. Thaddeus was suffering from the wounds his own hand had
+ given him. The trial of his former life, when he lived beside his
+ mistress, unknown, unappreciated, but generously working for her, was
+ better than this. Yes, he wanted the reward of his virtue, her respect,
+ and he had lost it. He grew thin and yellow, and so ill with constant low
+ fever that during the month of January he was obliged to keep his bed,
+ though he refused to see a doctor. Comte Adam became very uneasy about
+ him; but the countess had the cruelty to remark: &ldquo;Let him alone; don&rsquo;t you
+ see it is only some Olympian trouble?&rdquo; This remark, being repeated to
+ Thaddeus, gave him the courage of despair; he left his bed, went out,
+ tried a few amusements, and recovered his health.
+ </p>
+ <p>
+ About the end of February Adam lost a large sum of money at the
+ Jockey-Club, and as he was afraid of his wife, he begged Thaddeus to let
+ the sum appear in the accounts as if he had spent it on Malaga.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s nothing surprising in your spending that sum on the girl; but if
+ the countess finds out that I have lost it at cards I shall be lowered in
+ her opinion, and she will always be suspicious in future.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha! this, too!&rdquo; exclaimed Thaddeus, with a sigh.
+ </p>
+ <p>
+ &ldquo;Now, Thaddeus, if you will do me this service we shall be forever quits,&mdash;though,
+ indeed, I am your debtor now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Adam, you will have children; don&rsquo;t gamble any more,&rdquo; said Paz.
+ </p>
+ <p>
+ &ldquo;So Malaga has cost us another twenty thousand francs,&rdquo; cried the
+ countess, some time later, when she discovered this new generosity to Paz.
+ &ldquo;First, ten thousand, now twenty more,&mdash;thirty thousand! the income
+ of which is fifteen hundred! the cost of my box at the Opera, and the
+ whole fortune of many a bourgeois. Oh, you Poles!&rdquo; she said, gathering
+ some flowers in her greenhouse; &ldquo;you are really incomprehensible. Why are
+ you not furious with him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor Paz is&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor Paz, poor Paz, indeed!&rdquo; she cried, interrupting him, &ldquo;what good does
+ he do us? I shall take the management of the household myself. You can
+ give him the allowance he refused, and let him settle it as he likes with
+ his Circus.&rdquo;
+ </p>
+ <p>
+ &ldquo;He is very useful to us, Clementine. He has certainly saved over forty
+ thousand francs this last year. And besides, my dear angel, he has managed
+ to put a hundred thousand with Nucingen, which a steward would have
+ pocketed.&rdquo;
+ </p>
+ <p>
+ Clementine softened down; but she was none the less hard in her feelings
+ to Thaddeus. A few days later, she requested him to come to that boudoir
+ where, one year earlier, she had been surprised into comparing him with
+ her husband. This time she received him alone, without perceiving the
+ slightest danger in so doing.
+ </p>
+ <p>
+ &ldquo;My dear Paz,&rdquo; she said, with the condescending familiarity of the great
+ to their inferiors, &ldquo;if you love Adam as you say you do, you will do a
+ thing which he will not ask of you, but which I, his wife, do not hesitate
+ to exact.&rdquo;
+ </p>
+ <p>
+ &ldquo;About Malaga?&rdquo; said Thaddeus, with bitterness in his heart.
+ </p>
+ <p>
+ &ldquo;Well, yes,&rdquo; she said; &ldquo;if you wish to end your days in this house and
+ continue good friends with us, you must give her up. How an old soldier&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I am only thirty-five, and haven&rsquo;t a white hair.&rdquo;
+ </p>
+ <p>
+ &ldquo;You look old,&rdquo; she said, &ldquo;and that&rsquo;s the same thing. How so careful a
+ manager, so distinguished a&mdash;&rdquo;
+ </p>
+ <p>
+ The horrible part of all this was her evident intention to rouse a sense
+ of honor in his soul which she thought extinct.
+ </p>
+ <p>
+ &ldquo;&mdash;so distinguished a man as you are, Thaddeus,&rdquo; she resumed after a
+ momentary pause which a gesture of his hand had led her to make, &ldquo;can
+ allow yourself to be caught like a boy! Your proceedings have made that
+ woman celebrated. My uncle wanted to see her, and he did see her. My uncle
+ is not the only one; Malaga receives a great many gentlemen. I did think
+ you such a noble soul. For shame! Will she be such a loss that you can&rsquo;t
+ replace her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame, if I knew any sacrifice I could make to recover your esteem I
+ would make it; but to give up Malaga is not one&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;In your position, that is what I should say myself, if I were a man,&rdquo;
+ replied Clementine. &ldquo;Well, if I accept it as a great sacrifice there can
+ be no ill-will between us.&rdquo;
+ </p>
+ <p>
+ Paz left the room, fearing he might commit some great folly, and feeling
+ that wild ideas were getting the better of him. He went to walk in the
+ open air, lightly dressed in spite of the cold, but without being able to
+ cool the fire in his cheeks or on his brow.
+ </p>
+ <p>
+ &ldquo;I thought you had a noble soul,&rdquo;&mdash;the words still rang in his ears.
+ </p>
+ <p>
+ &ldquo;A year ago,&rdquo; he said to himself, &ldquo;she thought me a hero who could fight
+ the Russians single-handed!&rdquo;
+ </p>
+ <p>
+ He thought of leaving the hotel Laginski, and taking service with the
+ spahis and getting killed in Africa, but the same great fear checked him.
+ &ldquo;Without me,&rdquo; he thought, &ldquo;what would become of them? they would soon be
+ ruined. Poor countess! what a horrible life it would be for her if she
+ were reduced to even thirty thousand francs a year. No, since all is lost
+ for me in this world,&mdash;courage! I will keep on as I am.&rdquo;
+ </p>
+ <p>
+ Every one knows that since 1830 the carnival in Paris has undergone a
+ transformation which has made it European, and far more burlesque and
+ otherwise lively than the late Carnival of Venice. Is it that the
+ diminishing fortunes of the present time have led Parisians to invent a
+ way of amusing themselves collectively, as for instance at their clubs,
+ where they hold salons without hostesses and without manners, but very
+ cheaply? However this may be, the month of March was prodigal of balls, at
+ which dancing, joking, coarse fun, excitement, grotesque figures, and the
+ sharp satire of Parisian wit, produced extravagant effects. These carnival
+ follies had their special Pandemonium in the rue Saint-Honore and their
+ Napoleon in Musard, a small man born expressly to lead an orchestra as
+ noisy as the disorderly audience, and to set the time for the galop, that
+ witches&rsquo; dance, which was one of Auber&rsquo;s triumphs, for it did not really
+ take form or poesy till the grand galop in &ldquo;Gustave&rdquo; was given to the
+ world. That tremendous finale might serve as the symbol of an epoch in
+ which for the last fifty years all things have hurried by with the
+ rapidity of a dream.
+ </p>
+ <p>
+ Now, it happened that the grave Thaddeus, with one divine and immaculate
+ image in his heart, proposed to Malaga, the queen of the carnival dances,
+ to spend an evening at the Musard ball; because he knew the countess,
+ disguised to the teeth, intended to come there with two friends, all three
+ accompanied by their husbands, and look on at the curious spectacle of one
+ of these crowded balls.
+ </p>
+ <p>
+ On Shrove Tuesday, of the year 1838, at four o&rsquo;clock in the morning, the
+ countess, wrapped in a black domino and sitting on the lower step of the
+ platform in the Babylonian hall, where Valentino has since then given his
+ concerts, beheld Thaddeus, as Robert Macaire, threading the galop with
+ Malaga in the dress of a savage, her head garnished with plumes like the
+ horse of a hearse, and bounding through the crowd like a will-o-the-wisp.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Clementine to her husband, &ldquo;you Poles have no honor at all! I
+ did believe in Thaddeus. He gave me his word that he would leave that
+ woman; he did not know that I should be here, seeing all unseen.&rdquo;
+ </p>
+ <p>
+ A few days later she requested Paz to dine with them. After dinner Adam
+ left them alone together, and Clementine reproved Paz and let him know
+ very plainly that she did not wish him to live in her house any longer.
+ </p>
+ <p>
+ &ldquo;Yes, madame,&rdquo; said Paz, humbly, &ldquo;you are right; I am a wretch; I did give
+ you my word. But you see how it is; I put off leaving Malaga till after
+ the carnival. Besides, that woman exerts an influence over me which&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;An influence!&mdash;a woman who ought to be turned out of Musard&rsquo;s by the
+ police for such dancing!&rdquo;
+ </p>
+ <p>
+ &ldquo;I agree to all that; I accept the condemnation and I&rsquo;ll leave your house.
+ But you know Adam. If I give up the management of your property you must
+ show energy yourself. I may have been to blame about Malaga, but I have
+ taken the whole charge of your affairs, managed your servants, and looked
+ after the very least details. I cannot leave you until I see you prepared
+ to continue my management. You have now been married three years, and you
+ are safe from the temptations to extravagance which come with the
+ honeymoon. I see that Parisian women, and even titled ones, do manage both
+ their fortunes and their households. Well, as soon as I am certain not so
+ much of your capacity as of your perseverance I shall leave Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is Thaddeus of Warsaw, and not that Circus Thaddeus who speaks now,&rdquo;
+ said Clementine. &ldquo;Go, and come back cured.&rdquo;
+ </p>
+ <p>
+ &ldquo;Cured! never,&rdquo; said Paz, his eyes lowered and fixed on Clementine&rsquo;s
+ pretty feet. &ldquo;You do not know, countess, what charm, what unexpected
+ piquancy of mind she has.&rdquo; Then, feeling his courage fail him, he added
+ hastily, &ldquo;There is not a woman in society, with her mincing airs, that is
+ worth the honest nature of that young animal.&rdquo;
+ </p>
+ <p>
+ &ldquo;At any rate, I wish nothing of the animal about me,&rdquo; said the countess,
+ with a glance like that of an angry viper.
+ </p>
+ <p>
+ After that evening Comte Paz showed Clementine the exact state of her
+ affairs; he made himself her tutor, taught her the methods and
+ difficulties of the management of property, the proper prices to pay for
+ things, and how to avoid being cheated by her servants. He told her she
+ could rely on Constantin and make him her major-domo. Thaddeus had trained
+ the man thoroughly. By the end of May he thought the countess fully
+ competent to carry on her affairs alone; for Clementine was one of those
+ far-sighted women, full of instinct, who have an innate genius as mistress
+ of a household.
+ </p>
+ <p>
+ This position of affairs, which Thaddeus had led up to naturally, did not
+ end without further cruel trials; his sufferings were fated not to be as
+ sweet and tender as he was trying to make them. The poor lover forgot to
+ reckon on the hazard of events. Adam fell seriously ill, and Thaddeus,
+ instead of leaving the house, stayed to nurse his friend. His devotion was
+ unwearied. A woman who had any interest in employing her perspicacity
+ might have seen in this devotion a sort of punishment imposed by a noble
+ soul to repress an involuntary evil thought; but women see all, or see
+ nothing, according to the condition of their souls&mdash;love is their
+ sole illuminator.
+ </p>
+ <p>
+ During forty-five days Paz watched and tended Adam without appearing to
+ think of Malaga, for the very good reason that he never did think of her.
+ Clementine, feeling that Adam was at the point of death though he did not
+ die, sent for all the leading doctors of Paris in consultation.
+ </p>
+ <p>
+ &ldquo;If he comes safely out of this,&rdquo; said the most distinguished of them all,
+ &ldquo;it will only be by an effort of nature. It is for those who nurse him to
+ watch for the moment when they must second nature. The count&rsquo;s life is in
+ the hands of his nurses.&rdquo;
+ </p>
+ <p>
+ Thaddeus went to find Clementine and tell her this result of the
+ consultation. He found her sitting in the Chinese pavilion, as much for a
+ little rest as to leave the field to the doctors and not embarrass them.
+ As he walked along the winding gravelled path which led to the pavilion,
+ Thaddeus seemed to himself in the depths of an abyss described by Dante.
+ The unfortunate man had never dreamed that the possibility might arise of
+ becoming Clementine&rsquo;s husband, and now he had drowned himself in a ditch
+ of mud. His face was convulsed, when he reached the kiosk, with an agony
+ of grief; his head, like Medusa&rsquo;s, conveyed despair.
+ </p>
+ <p>
+ &ldquo;Is he dead?&rdquo; said Clementine.
+ </p>
+ <p>
+ &ldquo;They have given him up; that is, they leave him to nature. Do not go in;
+ they are still there, and Bianchon is changing the dressings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor Adam! I ask myself if I have not sometimes pained him,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;You have made him very happy,&rdquo; said Thaddeus; &ldquo;you ought to be easy on
+ that score, for you have shown every indulgence for him.&rdquo;
+ </p>
+ <p>
+ &ldquo;My loss would be irreparable.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, dear, you judged him justly.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was never blind to his faults,&rdquo; she said, &ldquo;but I loved him as a wife
+ should love her husband.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you ought, in case you lose him,&rdquo; said Thaddeus, in a voice which
+ Clementine had never heard him use, &ldquo;to grieve for him less than if you
+ lost a man who was your pride, your love, and all your life,&mdash;as some
+ men are to you women. Surely you can be frank at this moment with a friend
+ like me. I shall grieve, too; long before your marriage I had made him my
+ child, I had sacrificed my life to him. If he dies I shall be without an
+ interest on earth; but life is still beautiful to a widow of twenty-four.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! but you know that I love no one,&rdquo; she said, with the impatience of
+ grief.
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t yet know what it is to love,&rdquo; said Thaddeus.
+ </p>
+ <p>
+ &ldquo;Oh, as husbands are, I have sense enough to prefer a child like my poor
+ Adam to a superior man. It is now over a month that we have been saying to
+ each other, &lsquo;Will he live?&rsquo; and these alternations have prepared me, as
+ they have you, for this loss. I can be frank with you. Well, I would give
+ my life to save Adam. What is a woman&rsquo;s independence in Paris? the freedom
+ to let herself be taken in by ruined or dissipated men who pretend to love
+ her. I pray to God to leave me this husband who is so kind, so obliging,
+ so little fault-finding, and who is beginning to stand in awe of me.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are honest, and I love you the better for it,&rdquo; said Thaddeus, taking
+ her hand which she yielded to him, and kissing it. &ldquo;In solemn moments like
+ these there is unspeakable satisfaction in finding a woman without
+ hypocrisy. It is possible to converse with you. Let us look to the future.
+ Suppose that God does not grant your prayer,&mdash;and no one cries to him
+ more than I do, &lsquo;Leave me my friend!&rsquo; Yes, these fifty nights have not
+ weakened me; if thirty more days and nights are needed I can give them
+ while you sleep,&mdash;yes, I will tear him from death if, as the doctors
+ say, nursing can save him. But suppose that in spite of you and me, the
+ count dies,&mdash;well, then, if you were loved, oh, adored, by a man of a
+ heart and soul that are worthy of you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I may have wished for such love, foolishly, but I have never met with
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps you are mistaken&mdash;&rdquo;
+ </p>
+ <p>
+ Clementine looked fixedly at Thaddeus, imagining that there was less of
+ love than of cupidity in his thoughts; her eyes measured him from head to
+ foot and poured contempt upon him; then she crushed him with the words,
+ &ldquo;Poor Malaga!&rdquo; uttered in tones which a great lady alone can find to give
+ expression to her disdain. She rose, leaving Thaddeus half unconscious
+ behind her, slowly re-entered her boudoir, and went back to Adam&rsquo;s
+ chamber.
+ </p>
+ <p>
+ An hour later Paz returned to the sick-room, and began anew, with death in
+ his heart, his care of the count. From that moment he said nothing. He was
+ forced to struggle with the patient, whom he managed in a way that excited
+ the admiration of the doctors. At all hours his watchful eyes were like
+ lamps always lighted. He showed no resentment to Clementine, and listened
+ to her thanks without accepting them; he seemed both dumb and deaf. To
+ himself he was saying, &ldquo;She shall owe his life to me,&rdquo; and he wrote the
+ thought as it were in letters of fire on the walls of Adam&rsquo;s room. On the
+ fifteenth day Clementine was forced to give up the nursing, lest she
+ should utterly break down. Paz was unwearied. At last, towards the end of
+ August, Bianchon, the family physician, told Clementine that Adam was out
+ of danger.
+ </p>
+ <p>
+ &ldquo;Ah, madame, you are under no obligation to me,&rdquo; he said; &ldquo;without his
+ friend, Comte Paz, we could not have saved him.&rdquo;
+ </p>
+ <p>
+ The day after the meeting of Paz and Clementine in the kiosk, the Marquis
+ de Ronquerolles came to see his nephew. He was on the eve of starting for
+ Russia on a secret diplomatic mission. Paz took occasion to say a few
+ words to him. The first day that Adam was able to drive out with his wife
+ and Thaddeus, a gentleman entered the courtyard as the carriage was about
+ to leave it, and asked for Comte Paz. Thaddeus, who was sitting on the
+ front seat of the caleche, turned to take a letter which bore the stamp of
+ the ministry of Foreign affairs. Having read it, he put it into his pocket
+ in a manner which prevented Clementine or Adam from speaking of it.
+ Nevertheless, by the time they reached the porte Maillot, Adam, full of
+ curiosity, used the privilege of a sick man whose caprices are to be
+ gratified, and said to Thaddeus: &ldquo;There&rsquo;s no indiscretion between brothers
+ who love each other,&mdash;tell me what there is in that despatch; I&rsquo;m in
+ a fever of curiosity.&rdquo;
+ </p>
+ <p>
+ Clementine glanced at Thaddeus with a vexed air, and remarked to her
+ husband: &ldquo;He has been so sulky with me for the last two months that I
+ shall never ask him anything again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, as for that,&rdquo; replied Paz, &ldquo;I can&rsquo;t keep it out of the newspapers, so
+ I may as well tell you at once. The Emperor Nicholas has had the grace to
+ appoint me captain in a regiment which is to take part in the expedition
+ to Khiva.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are not going?&rdquo; cried Adam.
+ </p>
+ <p>
+ &ldquo;Yes, I shall go, my dear fellow. Captain I came, and captain I return. We
+ shall dine together to-morrow for the last time. If I don&rsquo;t start at once
+ for St. Petersburg I shall have to make the journey by land, and I am not
+ rich, and I must leave Malaga a little independence. I ought to think of
+ the only woman who has been able to understand me; she thinks me grand,
+ superior. I dare say she is faithless, but she would jump&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Through the hoop, for your sake and come down safely on the back of her
+ horse,&rdquo; said Clementine sharply.
+ </p>
+ <p>
+ &ldquo;Oh, you don&rsquo;t know Malaga,&rdquo; said the captain, bitterly, with a sarcastic
+ look in his eyes which made Clementine thoughtful and uneasy.
+ </p>
+ <p>
+ &ldquo;Good-by to the young trees of this beautiful Bois, which you Parisians
+ love, and the exiles who find a home here love too,&rdquo; he said, presently.
+ &ldquo;My eyes will never again see the evergreens of the avenue de
+ Mademoiselle, nor the acacias nor the cedars of the rond-points. On the
+ borders of Asia, fighting for the Emperor, promoted to the command,
+ perhaps, by force of courage and by risking my life, it may happen that I
+ shall regret these Champs-Elysees where I have driven beside you, and
+ where you pass. Yes, I shall grieve for Malaga&rsquo;s hardness&mdash;the Malaga
+ of whom I am now speaking.&rdquo;
+ </p>
+ <p>
+ This was said in a manner that made Clementine tremble.
+ </p>
+ <p>
+ &ldquo;Then you do love Malaga very much?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;I have sacrificed for her the honor that no man should ever sacrifice.&rdquo;
+ </p>
+ <p>
+ &ldquo;What honor?&rdquo;
+ </p>
+ <p>
+ &ldquo;That which we desire to keep at any cost in the eyes of our idol.&rdquo;
+ </p>
+ <p>
+ After that reply Thaddeus said no more; he was silent until, as they
+ passed a wooden building on the Champs Elysees, he said, pointing to it,
+ &ldquo;That is the Circus.&rdquo;
+ </p>
+ <p>
+ He went to the Russian Embassy before dinner, and thence to the Foreign
+ office, and the next morning he had started for Havre before the count and
+ countess were up.
+ </p>
+ <p>
+ &ldquo;I have lost a friend,&rdquo; said Adam, with tears in his eyes, when he heard
+ that Paz had gone,&mdash;&ldquo;a friend in the true meaning of the word. I
+ don&rsquo;t know what has made him abandon me as if a pestilence were in my
+ house. We are not friends to quarrel about a woman,&rdquo; he said, looking
+ intently at Clementine. &ldquo;You heard what he said yesterday about Malaga.
+ Well, he has never so much as touched the little finger of that girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;How do you know that?&rdquo; said Clementine.
+ </p>
+ <p>
+ &ldquo;I had the natural curiosity to go and see Mademoiselle Turquet, and the
+ poor girl can&rsquo;t explain even to herself the absolute reserve which Thad&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Enough!&rdquo; said the countess, retreating into her bedroom. &ldquo;Can it be that
+ I am the victim of some noble mystification?&rdquo; she asked herself. The
+ thought had hardly crossed her mind when Constantin brought her the
+ following letter written by Thaddeus during the night:&mdash;
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Countess,&mdash;To seek death in the Caucasus and carry with me your
+ contempt is more than I can bear. A man should die untainted. When
+ I saw you for the first time I loved you as we love a woman whom
+ we shall love forever, even though she be unfaithful to us. I
+ loved you thus,&mdash;I, the friend of the man you had chosen and were
+ about to marry; I, poor; I, the steward,&mdash;a voluntary service, but
+ still the steward of your household.
+
+ &ldquo;In this immense misfortune I found a happy life. To be to you an
+ indispensable machine, to know myself useful to your comfort, your
+ luxury, has been the source of deep enjoyments. If these
+ enjoyments were great when I thought only of Adam, think what they
+ were to my soul when the woman I loved was the mainspring of all I
+ did. I have known the pleasures of maternity in my love. I
+ accepted life thus. Like the paupers who live along the great
+ highways, I built myself a hut on the borders of your beautiful
+ domain, though I never sought to approach you. Poor and lonely,
+ struck blind by Adam&rsquo;s good fortune, I was, nevertheless, the
+ giver. Yes, you were surrounded by a love as pure as a
+ guardian-angel&rsquo;s; it waked while you slept; it caressed you with a
+ look as you passed; it was happy in its own existence,&mdash;you were
+ the sun of my native land to me, poor exile, who now writes to you
+ with tears in his eyes as he thinks of the happiness of those first
+ days.
+
+ &ldquo;When I was eighteen years old, having no one to love, I took for
+ my ideal mistress a charming woman in Warsaw, to whom I confided
+ all my thoughts, my wishes; I made her the queen of my nights and
+ days. She knew nothing of all this; why should she? I loved my
+ love.
+
+ &ldquo;You can fancy from this incident of my youth how happy I was
+ merely to live in the sphere of your existence, to groom your
+ horse, to find the new-coined gold for your purse, to prepare the
+ splendor of your dinners and your balls, to see you eclipsing the
+ elegance of those whose fortunes were greater than yours, and all
+ by my own good management. Ah! with what ardor I have ransacked
+ Paris when Adam would say to me, &lsquo;<i>She</i> wants this or that.&rsquo; It was
+ a joy such as I can never express to you. You wished for a trifle
+ at one time which kept me seven hours in a cab scouring the city;
+ and what delight it was to weary myself for you. Ah! when I saw
+ you, unseen by you, smiling among your flowers, I could forget
+ that no one loved me. On certain days, when my happiness turned my
+ head, I went at night and kissed the spot where, to me, your feet
+ had left their luminous traces. The air you had breathed was
+ balmy; in it I breathed in more of life; I inhaled, as they say
+ persons do in the tropics, a vapor laden with creative principles.
+
+ &ldquo;I <i>must</i> tell you these things to explain the strange presumption
+ of my involuntary thoughts,&mdash;I would have died rather than avow it
+ until now.
+
+ &ldquo;You will remember those few days of curiosity when you wished to
+ know the man who performed the household miracles you had
+ sometimes noticed. I thought,&mdash;forgive me, madame,&mdash;I believed you
+ might love me. Your good-will, your glances interpreted by me, a
+ lover, seemed to me so dangerous&mdash;for me&mdash;that I invented that
+ story of Malaga, knowing it was the sort of liaison which women
+ cannot forgive. I did it in a moment when I felt that my love
+ would be communicated, fatally, to you. Despise me, crush me with
+ the contempt you have so often cast upon me when I did not deserve
+ it; and yet I am certain that, if, on that evening when your aunt
+ took Adam away from you, I had said what I have now written to
+ you, I should, like the tamed tiger that sets his teeth once more
+ in living flesh, and scents the blood, and&mdash;
+
+ &ldquo;Midnight.&rdquo;
+
+ &ldquo;I could not go on; the memory of that hour is still too living.
+ Yes, I was maddened. Was there hope for me in your eyes? then
+ victory with its scarlet banners would have flamed in mine and
+ fascinated yours. My crime has been to think all this; perhaps
+ wrongly. You alone can judge of that dreadful scene when I drove
+ back love, desire, all the most invincible forces of our manhood,
+ with the cold hand of gratitude,&mdash;gratitude which must be eternal.
+
+ &ldquo;Your terrible contempt has been my punishment. You have shown me
+ there is no return from loathing or disdain. I love you madly. I
+ should have gone had Adam died; all the more must I go because he
+ lives. A man does not tear his friend from the arms of death to
+ betray him. Besides, my going is my punishment for the thought
+ that came to me that I would let him die, when the doctors said
+ that his life depended on his nursing.
+
+ &ldquo;Adieu, madame; in leaving Paris I lose all, but you lose nothing
+ now in my being no longer near you.
+
+ &ldquo;Your devoted
+
+ &ldquo;Thaddeus Paz.&rdquo;
+ </pre>
+ <p>
+ &ldquo;If my poor Adam says he has lost a friend, what have I lost?&rdquo; thought
+ Clementine, sinking into a chair with her eyes fixed on the carpet.
+ </p>
+ <p>
+ The following letter Constantin had orders to give privately to the count:&mdash;
+ </p>
+<pre xml:space="preserve">
+ &ldquo;My dear Adam,&mdash;Malaga has told me all. In the name of all your
+ future happiness, never let a word escape you to Clementine about
+ your visits to that girl; let her think that Malaga has cost me a
+ hundred thousand francs. I know Clementine&rsquo;s character; she will
+ never forgive you either your losses at cards or your visits to
+ Malaga.
+
+ &ldquo;I am not going to Khiva, but to the Caucasus. I have the spleen;
+ and at the pace at which I mean to go I shall be either Prince
+ Paz in three years, or dead. Good-by; though I have taken
+ sixty-thousand francs from Nucingen, our accounts are even.
+</pre>
+ <p>
+ &ldquo;Thaddeus.&rdquo;
+ </p>
+ <p>
+ &ldquo;Idiot that I was,&rdquo; thought Adam; &ldquo;I came near to cutting my throat just
+ now, talking about Malaga.&rdquo;
+ </p>
+ <p>
+ It is now three years since Paz went away. The newspapers have as yet said
+ nothing about any Prince Paz. The Comtesse Laginska is immensely
+ interested in the expeditions of the Emperor Nicholas; she is Russian to
+ the core, and reads with a sort of avidity all the news that comes from
+ that distant land. Once or twice every winter she says to the Russian
+ ambassador, with an air of indifference, &ldquo;Do you know what has become of
+ our poor Comte Paz?&rdquo;
+ </p>
+ <p>
+ Alas! most Parisian women, those beings who think themselves so clever and
+ clear-sighted, pass and repass beside a Paz and never recognize him. Yes,
+ many a Paz is unknown and misconceived, but&mdash;horrible to think of!&mdash;some
+ are misconceived even though they are loved. The simplest women in society
+ exact a certain amount of conventional sham from the greatest men. A noble
+ love signifies nothing to them if rough and unpolished; it needs the
+ cutting and setting of a jeweller to give it value in their eyes.
+ </p>
+ <p>
+ In January, 1842, the Comtesse Laginska, with her charm of gentle
+ melancholy, inspired a violent passion in the Comte de La Palferine, one
+ of the most daring and presumptuous lions of the day. La Palferine was
+ well aware that the conquest of a woman so guarded by reserve as the
+ Comtesse Laginska was difficult, but he thought he could inveigle this
+ charming creature into committing herself if he took her unawares, by the
+ assistance of a certain friend of her own, a woman already jealous of her.
+ </p>
+ <p>
+ Quite incapable, in spite of her intelligence, of suspecting such
+ treachery, the Comtesse Laginska committed the imprudence of going with
+ her so-called friend to a masked ball at the Opera. About three in the
+ morning, led away by the excitement of the scene, Clementine, on whom La
+ Palferine had expended his seductions, consented to accept a supper, and
+ was about to enter the carriage of her faithless friend. At this critical
+ moment her arm was grasped by a powerful hand, and she was taken, in spite
+ of her struggles, to her own carriage, the door of which stood open,
+ though she did not know it was there.
+ </p>
+ <p>
+ &ldquo;He has never left Paris!&rdquo; she exclaimed to herself as she recognized
+ Thaddeus, who disappeared when the carriage drove away.
+ </p>
+ <p>
+ Did any woman ever have a like romance in her life? Clementine is
+ constantly hoping she may again see Paz.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ ADDENDUM
+ </h2>
+ <h3>
+ The following personages appear in other stories of the Human Comedy.
+ </h3>
+<pre xml:space="preserve">
+ Bianchon, Horace
+ Father Goriot
+ The Atheist&rsquo;s Mass
+ Cesar Birotteau
+ The Commission in Lunacy
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor&rsquo;s Establishment
+ The Secrets of a Princess
+ The Government Clerks
+ Pierrette
+ A Study of Woman
+ Scenes from a Courtesan&rsquo;s Life
+ Honorine
+ The Seamy Side of History
+ The Magic Skin
+ A Second Home
+ A Prince of Bohemia
+ Letters of Two Brides
+ The Muse of the Department
+ The Middle Classes
+ Cousin Betty
+ The Country Parson
+ In addition, M. Bianchon narrated the following:
+ Another Study of Woman
+ La Grande Breteche
+
+ Laginski, Comte Adam Mitgislas
+ Another Study of Woman
+ Cousin Betty
+
+ La Palferine, Comte de
+ A Prince of Bohemia
+ A Man of Business
+ Cousin Betty
+ Beatrix
+
+ Lelewel
+ The Seamy Side of History
+
+ Nathan, Madame Raoul
+ The Muse of the Department
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Scenes from a Courtesan&rsquo;s Life
+ The Government Clerks
+ A Bachelor&rsquo;s Establishment
+ Ursule Mirouet
+ Eugenie Grandet
+ A Prince of Bohemia
+ A Daughter of Eve
+ The Unconscious Humorists
+
+ Paz, Thaddee
+ Cousin Betty
+
+ Ronquerolles, Marquis de
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Thirteen
+ The Member for Arcis
+
+ Rouvre, Marquis du
+ A Start in Life
+ Ursule Mirouet
+
+ Rouvre, Chevalier du
+ Ursule Mirouet
+
+ Schinner, Hippolyte
+ The Purse
+ A Bachelor&rsquo;s Establishment
+ Pierre Grassou
+ A Start in Life
+ Albert Savarus
+ The Government Clerks
+ Modeste Mignon
+ The Unconscious Humorists
+
+ Serizy, Comtesse de
+ A Start in Life
+ The Thirteen
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan&rsquo;s Life
+ Another Study of Woman
+
+ Serizy, Vicomte de
+ A Start in Life
+ Modeste Mignon
+
+ Souchet, Francois
+ The Purse
+ A Daughter of Eve
+
+ Steinbock, Count Wenceslas
+ Cousin Betty
+
+ Turquet, Marguerite
+ The Muse of the Department
+ A Man of Business
+ Cousin Betty
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Paz, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+***** This file should be named 1369-h.htm or 1369-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/3/6/1369/
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/old/1369.txt b/old/1369.txt
new file mode 100644
index 0000000..48669e9
--- /dev/null
+++ b/old/1369.txt
@@ -0,0 +1,2569 @@
+The Project Gutenberg EBook of Paz, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Paz
+ (La Fausse Maitresse)
+
+Author: Honore de Balzac
+
+Translator: Katharine Prescott Wormeley
+
+Release Date: July, 1998 [Etext #1369]
+Posting Date: February 23, 2010
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+
+
+
+Produced by John Bickers, and Dagny
+
+
+
+
+
+PAZ
+
+(La Fausse Maitresse)
+
+
+By Honore De Balzac
+
+
+
+Translated by Katharine Prescott Wormeley
+
+
+
+ DEDICATION
+
+ Dedicated to the Comtesse Clara Maffei.
+
+
+
+
+
+PAZ
+
+(LA FAUSSE MAITRESSE)
+
+
+
+
+I
+
+
+In September, 1835, one of the richest heiresses of the faubourg
+Saint-Germain, Mademoiselle du Rouvre, the only daughter of the Marquis
+du Rouvre, married Comte Adam Mitgislas Laginski, a young Polish exile.
+
+We ask permission to write these Polish names as they are pronounced,
+to spare our readers the aspect of the fortifications of consonants
+by which the Slave language protects its vowels,--probably not to lose
+them, considering how few there are.
+
+The Marquis du Rouvre had squandered nearly the whole of a princely
+fortune, which he obtained originally through his marriage with a
+Demoiselle de Ronquerolles. Therefore, on her mother's side Clementine
+du Rouvre had the Marquis de Ronquerolles for uncle, and Madame de
+Serizy for aunt. On her father's side she had another uncle in the
+eccentric person of the Chevalier du Rouvre, a younger son of the house,
+an old bachelor who had become very rich by speculating in lands and
+houses. The Marquis de Ronquerolles had the misfortune to lose both
+his children at the time of the cholera, and the only son of Madame
+de Serizy, a young soldier of great promise, perished in Africa in
+the affair of the Makta. In these days rich families stand between the
+danger of impoverishing their children if they have too many, or of
+extinguishing their names if they have too few,--a singular result of
+the Code which Napoleon never thought of. By a curious turn of fortune
+Clementine became, in spite of her father having squandered his
+substance on Florine (one of the most charming actresses in Paris), a
+great heiress. The Marquis de Ronquerolles, a clever diplomatist under
+the new dynasty, his sister, Madame de Serizy, and the Chevalier du
+Rouvre agreed, in order to save their fortunes from the dissipations of
+the marquis, to settle them on their niece, to whom, moreover, they each
+pledged themselves to pay ten thousand francs a year from the day of her
+marriage.
+
+It is quite unnecessary to say that the Polish count, though an exile,
+was no expense to the French government. Comte Adam Laginski belonged
+to one of the oldest and most illustrious families in Poland, which was
+allied to many of the princely houses of Germany,--Sapieha, Radziwill,
+Mniszech, Rzewuski, Czartoryski, Leczinski, Lubormirski, and all the
+other great Sarmatian SKIS. But heraldic knowledge is not the most
+distinguishing feature of the French nation under Louis-Philippe, and
+Polish nobility was no great recommendation to the bourgeoisie who were
+lording it in those days. Besides, when Adam first made his appearance,
+in 1833, on the boulevard des Italiens, at Frascati, and at the
+Jockey-Club, he was leading the life of a young man who, having lost his
+political prospects, was taking his pleasure in Parisian dissipation. At
+first he was thought to be a student.
+
+The Polish nationality had at this period fallen as low in French
+estimation, thanks to a shameful governmental reaction, as the
+republicans had sought to raise it. The singular struggle of the
+Movement against Resistance (two words which will be inexplicable thirty
+years hence) made sport of what ought to have been truly respected,--the
+name of a conquered nation to whom the French had offered hospitality,
+for whom fetes had been given (with songs and dances by subscription),
+above all, a nation which in the Napoleonic struggle between France and
+Europe had given us six thousand men, and what men!
+
+Do not infer from this that either side is taken here; either that
+of the Emperor Nicholas against Poland, or that of Poland against the
+Emperor. It would be a foolish thing to slip political discussion into
+tales that are intended to amuse or interest. Besides, Russia and Poland
+were both right,--one to wish the unity of its empire, the other
+to desire its liberty. Let us say in passing that Poland might have
+conquered Russia by the influence of her morals instead of fighting her
+with weapons; she should have imitated China which, in the end, Chinesed
+the Tartars, and will, it is to be hoped, Chinese the English. Poland
+ought to have Polonized Russia. Poniatowski tried to do so in the
+least favorable portion of the empire; but as a king he was little
+understood,--because, possibly, he did not fully understand himself.
+
+But how could the Parisians avoid disliking an unfortunate people who
+were the cause of that shameful falsehood enacted during the famous
+review at which all Paris declared its will to succor Poland? The Poles
+were held up to them as the allies of the republican party, and they
+never once remembered that Poland was a republic of aristocrats. From
+that day forth the bourgeoisie treated with base contempt the exiles of
+the nation it had worshipped a few days earlier. The wind of a riot
+is always enough to veer the Parisians from north to south under any
+regime. It is necessary to remember these sudden fluctuations of feeling
+in order to understand why it was that in 1835 the word "Pole" conveyed
+a derisive meaning to a people who consider themselves the wittiest and
+most courteous nation on earth, and their city of Paris the focus of
+enlightenment, with the sceptre of arts and literature within its grasp.
+
+There are, alas! two sorts of Polish exiles,--the republican Poles,
+sons of Lelewel, and the noble Poles, at the head of whom is Prince Adam
+Czartoryski. The two classes are like fire and water; but why complain
+of that? Such divisions are always to be found among exiles, no matter
+of what nation they may be, or in what countries they take refuge. They
+carry their countries and their hatreds with them. Two French priests,
+who had emigrated to Brussels during the Revolution, showed the utmost
+horror of each other, and when one of them was asked why, he replied
+with a glance at his companion in misery: "Why? because he's a
+Jansenist!" Dante would gladly have stabbed a Guelf had he met him in
+exile. This explains the virulent attacks of the French against the
+venerable Prince Adam Czartoryski, and the dislike shown to the better
+class of Polish exiles by the shopkeeping Caesars and the licensed
+Alexanders of Paris.
+
+In 1834, therefore, Adam Mitgislas Laginski was something of a butt for
+Parisian pleasantry.
+
+"He is rather nice, though he is a Pole," said Rastignac.
+
+"All these Poles pretend to be great lords," said Maxime de Trailles,
+"but this one does pay his gambling debts, and I begin to think he must
+have property."
+
+Without wishing to offend these banished men, it may be allowable to
+remark that the light-hearted, careless inconsistency of the Sarmatian
+character does justify in some degree the satire of the Parisians, who,
+by the bye, would behave in like circumstances exactly as the Poles do.
+The French aristocracy, so nobly succored during the Revolution by the
+Polish lords, certainly did not return the kindness in 1832. Let us
+have the melancholy courage to admit this, and to say that the faubourg
+Saint-Germain is still the debtor of Poland.
+
+Was Comte Adam rich, or was he poor, or was he an adventurer?
+This problem was long unsolved. The diplomatic salons, faithful to
+instructions, imitated the silence of the Emperor Nicholas, who held
+that all Polish exiles were virtually dead and buried. The court of the
+Tuileries, and all who took their cue from it, gave striking proof of
+the political quality which was then dignified by the name of sagacity.
+They turned their backs on a Russian prince with whom they had all been
+on intimate terms during the Emigration, merely because it was said that
+the Emperor Nicholas gave him the cold shoulder. Between the caution
+of the court and the prudence of the diplomates, the Polish exiles of
+distinction lived in Paris in the Biblical solitude of "super flumina
+Babylonis," or else they haunted a few salons which were the neutral
+ground of all opinions. In a city of pleasure, like Paris, where
+amusements abound on all sides, the heedless gayety of a Pole finds
+twice as many encouragements as it needs to a life of dissipation.
+
+It must be said, however, that Adam had two points against him,--his
+appearance, and his mental equipment. There are two species of Pole, as
+there are two species of Englishwoman. When an Englishwoman is not
+very handsome she is horribly ugly. Comte Adam belonged in the second
+category of human beings. His small face, rather sharp in expression,
+looked as if it had been pressed in a vise. His short nose, and fair
+hair, and reddish beard and moustache made him look all the more like a
+goat because he was small and thin, and his tarnished yellow eyes caught
+you with that oblique look which Virgil celebrates. How came he, in
+spite of such obvious disadvantages, to possess really exquisite manners
+and a distinguished air? The problem is solved partly by the care and
+elegance of his dress, and partly by the training given him by his
+mother, a Radziwill. His courage amounted to daring, but his mind
+was not more than was needed for the ephemeral talk and pleasantry of
+Parisian conversation. And yet it would have been difficult to find
+among the young men of fashion in Paris a single one who was his
+superior. Young men talk a great deal too much in these days of horses,
+money, taxes, deputies; French _conversation_ is no longer what it was.
+Brilliancy of mind needs leisure and certain social inequalities to
+bring it out. There is, probably, more real conversation in Vienna or
+St. Petersburg than in Paris. Equals do not need to employ delicacy or
+shrewdness in speech; they blurt out things as they are. Consequently
+the dandies of Paris did not discover the great seigneur in the rather
+heedless young fellow who, in their talks, would flit from one subject
+to another, all the more intent upon amusement because he had just
+escaped from a great peril, and, finding himself in a city where his
+family was unknown, felt at liberty to lead a loose life without the
+risk of disgracing his name.
+
+But one fine day in 1834 Adam suddenly bought a house in the rue de la
+Pepiniere. Six months later his style of living was second to none in
+Paris. About the time when he thus began to take himself seriously he
+had seen Clementine du Rouvre at the Opera and had fallen in love with
+her. A year later the marriage took place. The salon of Madame d'Espard
+was the first to sound his praises. Mothers of daughters then learned
+too late that as far back as the year 900 the family of the Laginski was
+among the most illustrious of the North. By an act of prudence which was
+very unPolish, the mother of the young count had mortgaged her entire
+property on the breaking out of the insurrection for an immense sum
+lent by two Jewish bankers in Paris. Comte Adam was now in possession of
+eighty thousand francs a year. When this was discovered society ceased
+to be surprised at the imprudence which had been laid to the charge
+of Madame de Serizy, the Marquis de Ronquerolles, and the Chevalier du
+Rouvre in yielding to the foolish passion of their niece. People jumped,
+as usual, from one extreme of judgment to the other.
+
+During the winter of 1836 Comte Adam was the fashion, and Clementine
+Laginska one of the queens of Paris. Madame Laginska is now a member
+of that charming circle of young women represented by Mesdames de
+Lestorade, de Portenduere, Marie de Vandenesse, du Guenic, and de
+Maufrigneuse, the flowers of our present Paris, who live at such
+immeasurable distance from the parvenus, the vulgarians, and the
+speculators of the new regime.
+
+This preamble is necessary to show the sphere in which was done one
+of those noble actions, less rare than the calumniators of our time
+admit,--actions which, like pearls, the fruit of pain and suffering, are
+hidden within rough shells, lost in the gulf, the sea, the tossing waves
+of what we call society, the century, Paris, London, St. Petersburg,--or
+what you will.
+
+If the axiom that architecture is the expression of manner and morals
+was ever proved, it was certainly after the insurrection of 1830, during
+the present reign of the house of Orleans. As all the old fortunes
+are diminishing in France, the majestic mansions of our ancestors are
+constantly being demolished and replaced by species of phalansteries, in
+which the peers of July occupy the third floor above some newly
+enriched empirics on the lower floors. A mixture of styles is confusedly
+employed. As there is no longer a real court or nobility to give the
+tone, there is no harmony in the production of art. Never, on the other
+hand, has architecture discovered so many economical ways of imitating
+the real and the solid, or displayed more resources, more talent, in
+distributing them. Propose to an architect to build upon the garden
+at the back of an old mansion, and he will run you up a little Louvre
+overloaded with ornament. He will manage to get in a courtyard, stables,
+and if you care for it, a garden. Inside the house he will accommodate a
+quantity of little rooms and passages. He is so clever in deceiving the
+eye that you think you will have plenty of space; but it is only a nest
+of small rooms, after all, in which a ducal family has to turn itself
+about in the space that its own bakehouse formerly occupied.
+
+The hotel of the Comtesse Laginska, rue de la Pepiniere, is one of these
+creations, and stands between court and garden. On the right, in the
+court, are the kitchens and offices; to the left the coachhouse and
+stables. The porter's lodge is between two charming portes-cocheres. The
+chief luxury of the house is a delightful greenhouse contrived at the
+end of a boudoir on the ground-floor which opens upon an admirable
+suite of reception rooms. An English philanthropist had built this
+architectural bijou, designed the garden, added the greenhouse, polished
+the doors, bricked the courtyard, painted the window-frames green,
+and realized, in short, a dream which resembled (proportions excepted)
+George the Fourth's Pavilion at Brighton. The inventive and industrious
+Parisian workmen had moulded the doors and window-frames; the ceilings
+were imitated from the middle-ages or those of a Venetian palace; marble
+veneering abounded on the outer walls. Steinbock and Francois Souchet
+had designed the mantel-pieces and the panels above the doors; Schinner
+had painted the ceilings in his masterly manner. The beauties of the
+staircase, white as a woman's arm, defied those of the hotel Rothschild.
+On account of the riots and the unsettled times, the cost of this folly
+was only about eleven hundred thousand francs,--to an Englishman a mere
+nothing. All this luxury, called princely by persons who do not know
+what real princes are, was built in the garden of the house of a
+purveyor made a Croesus by the Revolution, who had escaped to Brussels
+and died there after going into bankruptcy. The Englishman died in
+Paris, of Paris; for to many persons Paris is a disease,--sometimes
+several diseases. His widow, a Methodist, had a horror of the little
+nabob establishment, and ordered it to be sold. Comte Adam bought it at
+a bargain; and how he came to do so shall presently be made known, for
+bargains were not at all in his line as a grand seigneur.
+
+Behind the house lay the verdant velvet of an English lawn shaded at
+the lower end by a clump of exotic trees, in the midst of which stood a
+Chinese pagoda with soundless belfries and motionless golden eggs. The
+greenhouse concealed the garden wall on the northern side, the opposite
+wall was covered with climbing plants trained upon poles painted green
+and connected with crossway trellises. This lawn, this world of flowers,
+the gravelled paths, the simulated forest, the verdant palisades, were
+contained within the space of five and twenty square rods, which are
+worth to-day four hundred thousand francs,--the value of an actual
+forest. Here, in this solitude in the middle of Paris, the birds
+sang, thrushes, nightingales, warblers, bulfinches, and sparrows. The
+greenhouse was like an immense jardiniere, filling the air with perfume
+in winter as in summer. The means by which its atmosphere was made
+to order, torrid as in China or temperate as in Italy, were cleverly
+concealed. Pipes in which hot water circulated, or steam, were either
+hidden under ground or festooned with plants overhead. The boudoir was a
+large room. The miracle of the modern Parisian fairy named Architecture
+is to get all these many and great things out of a limited bit of
+ground.
+
+The boudoir of the young countess was arranged to suit the taste of the
+artist to whom Comte Adam entrusted the decoration of the house. It is
+too full of pretty nothings to be a place for repose; one scarce knows
+where to sit down among carved Chinese work-tables with their myriads
+of fantastic figures inlaid in ivory, cups of yellow topaz mounted on
+filagree, mosaics which inspire theft, Dutch pictures in the style which
+Schinner has adopted, angels such as Steinbock conceived but often could
+not execute, statuettes modelled by genius pursued by creditors (the
+real explanation of the Arabian myth), superb sketches by our best
+artists, lids of chests made into panels alternating with fluted
+draperies of Italian silk, portieres hanging from rods of old oak
+in tapestried masses on which the figures of some hunting scene are
+swarming, pieces of furniture worthy to have belonged to Madame de
+Pompadour, Persian rugs, et cetera. For a last graceful touch, all these
+elegant things were subdued by the half-light which filtered through
+embroidered curtains and added to their charm. On a table between the
+windows, among various curiosities, lay a whip, the handle designed
+by Mademoiselle de Fauveau, which proved that the countess rode on
+horseback.
+
+Such is a lady's boudoir in 1837,--an exhibition of the contents of many
+shops, which amuse the eye, as if ennui were the one thing to be dreaded
+by the social world of the liveliest and most stirring capital in
+Europe. Why is there nothing of an inner life? nothing which leads to
+revery, nothing reposeful? Why indeed? Because no one in our day is sure
+of the future; we are living our lives like prodigal annuitants.
+
+One morning Clementine appeared to be thinking of something. She was
+lying at full length on one of those marvellous couches from which it
+is almost impossible to rise, the upholsterer having invented them for
+lovers of the "far niente" and its attendant joys of laziness to sink
+into. The doors of the greenhouse were open, letting the odors of
+vegetation and the perfume of the tropics pervade the room. The young
+wife was looking at her husband who was smoking a narghile, the only
+form of pipe she would have suffered in that room. The portieres, held
+back by cords, gave a vista through two elegant salons, one white and
+gold, comparable only to that of the hotel Forbin-Janson, the other in
+the style of the Renaissance. The dining-room, which had no rival in
+Paris except that of the Baron de Nucingen, was at the end of a short
+gallery decorated in the manner of the middle-ages. This gallery opened
+on the side of the courtyard upon a large antechamber, through which
+could be seen the beauties of the staircase.
+
+The count and countess had just finished breakfast; the sky was a sheet
+of azure without a cloud, April was nearly over. They had been married
+two years, and Clementine had just discovered for the first time that
+there was something resembling a secret or a mystery in her household.
+The Pole, let us say it to his honor, is usually helpless before a
+woman; he is so full of tenderness for her that in Poland he becomes her
+inferior, though Polish women make admirable wives. Now a Pole is still
+more easily vanquished by a Parisian woman. Consequently Comte Adam,
+pressed by questions, did not even attempt the innocent roguery of
+selling the suspected secret. It is always wise with a woman to get
+some good out of a mystery; she will like you the better for it, as a
+swindler respects an honest man the more when he finds he cannot swindle
+him. Brave in heart but not in speech, Comte Adam merely stipulated that
+he should not be compelled to answer until he had finished his narghile.
+
+"If any difficulty occurred when we were travelling," said Clementine,
+"you always dismissed it by saying, 'Paz will settle that.' You never
+wrote to any one but Paz. When we returned here everybody kept saying,
+'the captain, the captain.' If I want the carriage--'the captain.' Is
+there a bill to pay--'the captain.' If my horse is not properly
+bitted, they must speak to Captain Paz. In short, it is like a game of
+dominoes--Paz is everywhere. I hear of nothing but Paz, but I never see
+Paz. Who and what is Paz? Why don't you bring forth your Paz?"
+
+"Isn't everything going on right?" asked the count, taking the
+"bocchettino" of his narghile from his lips.
+
+"Everything is going on so right that other people with an income of two
+hundred thousand francs would ruin themselves by going at our pace, and
+we have only one hundred and ten thousand."
+
+So saying she pulled the bell-cord (an exquisite bit of needlework). A
+footman entered, dressed like a minister.
+
+"Tell Captain Paz that I wish to see him."
+
+"If you think you are going to find out anything that way--" said Comte
+Adam, laughing.
+
+It is well to mention that Adam and Clementine, married in December,
+1835, had gone soon after the wedding to Italy, Switzerland, and
+Germany, where they spent the greater part of two years. Returning to
+Paris in November, 1837, the countess entered society for the first time
+as a married woman during the winter which had just ended, and she then
+became aware of the existence, half-suppressed and wholly dumb but very
+useful, of a species of factotum who was personally invisible, named
+Paz,--spelt thus, but pronounced "Patz."
+
+"Monsieur le capitaine Paz begs Madame la comtesse to excuse him," said
+the footman, returning. "He is at the stables; as soon as he has changed
+his dress Comte Paz will present himself to Madame."
+
+"What was he doing at the stables?"
+
+"He was showing them how to groom Madame's horse," said the man. "He was
+not pleased with the way Constantin did it."
+
+The countess looked at the footman. He was perfectly serious and did not
+add to his words the sort of smile by which servants usually comment
+on the actions of a superior who seems to them to derogate from his
+position.
+
+"Ah! he was grooming Cora."
+
+"Madame la comtesse intends to ride out this morning?" said the footman,
+leaving the room without further answer.
+
+"Is Paz a Pole?" asked Clementine, turning to her husband, who nodded by
+way of affirmation.
+
+Madame Laginska was silent, examining Adam. With her feet extended upon
+a cushion and her head poised like that of a bird on the edge of
+its nest listening to the noises in a grove, she would have seemed
+enchanting even to a blase man. Fair and slender, and wearing her
+hair in curls, she was not unlike those semi-romantic pictures in
+the Keepsakes, especially when dressed, as she was this morning, in a
+breakfast gown of Persian silk, the folds of which could not disguise
+the beauty of her figure or the slimness of her waist. The silk with its
+brilliant colors being crossed upon the bosom showed the spring of the
+neck,--its whiteness contrasting delightfully against the tones of a
+guipure lace which lay upon her shoulders. Her eyes and their long
+black lashes added at this moment to the expression of curiosity which
+puckered her pretty mouth. On the forehead, which was well modelled,
+an observer would have noticed a roundness characteristic of the true
+Parisian woman,--self-willed, merry, well-informed, but inaccessible
+to vulgar seductions. Her hands, which were almost transparent, were
+hanging down at the end of each arm of her chair; the tapering fingers,
+slightly turned up at their points, showed nails like almonds, which
+caught the light. Adam smiled at his wife's impatience, and looked at
+her with a glance which two years of married life had not yet chilled.
+Already the little countess had made herself mistress of the situation,
+for she scarcely paid attention to her husband's admiration. In fact,
+in the look which she occasionally cast at him, there seemed to be the
+consciousness of a Frenchwoman's ascendancy over the puny, volatile, and
+red-haired Pole.
+
+"Here comes Paz," said the count, hearing a step which echoed through
+the gallery.
+
+The countess beheld a tall and handsome man, well-made, and bearing
+on his face the signs of pain which come of inward strength and secret
+endurance of sorrow. He wore one of those tight, frogged overcoats which
+were then called "polonaise." Thick, black hair, rather unkempt, covered
+his square head, and Clementine noticed his broad forehead shining like
+a block of white marble, for Paz held his visored cap in his hand.
+The hand itself was like that of the Infant Hercules. Robust health
+flourished on his face, which was divided by a large Roman nose and
+reminded Clementine of some handsome Transteverino. A black silk cravat
+added to the martial appearance of this six-foot mystery, with eyes of
+jet and Italian fervor. The amplitude of his pleated trousers, which
+allowed only the tips of his boots to be seen, revealed his faithfulness
+to the fashions of his own land. There was something really burlesque
+to a romantic woman in the striking contrast no one could fail to remark
+between the captain and the count, the little Pole with his pinched face
+and the stalwart soldier.
+
+"Good morning, Adam," he said familiarly. Then he bowed courteously as
+he asked Clementine what he could do for her.
+
+"You are Laginski's friend!" exclaimed the countess.
+
+"For life and death," answered Paz, to whom the count threw a smile of
+affection as he drew a last puff from his perfumed pipe.
+
+"Then why don't you take your meals with us? why did you not accompany
+us to Italy and Switzerland? why do you hide yourself in such a way that
+I am unable to thank you for the constant services that you do for us?"
+said the countess, with much vivacity of manner but no feeling.
+
+In fact, she thought she perceived in Paz a sort of voluntary servitude.
+Such an idea carried with it in her mind a certain contempt for a social
+amphibian, a being half-secretary, half-bailiff, and yet neither the one
+nor the other, a poor relation, an embarrassing friend.
+
+"Because, countess," he answered with perfect ease of manner, "there are
+no thanks due. I am Adam's friend, and it gives me pleasure to take care
+of his interests."
+
+"And you remain standing for your pleasure, too," remarked Comte Adam.
+
+Paz sat down on a chair near the door.
+
+"I remember seeing you about the time I was married, and afterwards
+in the courtyard," said Clementine. "But why do you put yourself in a
+position of inferiority,--you, Adam's friend?"
+
+"I am perfectly indifferent to the opinion of the Parisians," he
+replied. "I live for myself, or, if you like, for you two."
+
+"But the opinion of the world as to a friend of my husband is not
+indifferent to me--"
+
+"Ah, madame, the world will be satisfied if you tell them I am 'an
+original.'"
+
+After a moment's silence he added, "Are you going out to-day?"
+
+"Will you come with us to the Bois?"
+
+"Certainly."
+
+So saying, Paz bowed and withdrew.
+
+"What a good soul he is!" said Adam. "He has all the simplicity of a
+child."
+
+"Now tell me all about your relations with him," said Clementine.
+
+"Paz, my dear," said Laginski, "belongs to a noble family as old and
+illustrious as our own. One of the Pazzi of Florence, at the time of
+their disasters, fled to Poland, where he settled with some of his
+property and founded the Paz family, to which the title of count was
+granted. This family, which distinguished itself greatly in the glorious
+days of our royal republic, became rich. The graft from the tree that
+was felled in Italy flourished so vigorously in Poland that there are
+several branches of the family still there. I need not tell you that
+some are rich and some are poor. Our Paz is the scion of a poor branch.
+He was an orphan, without other fortune than his sword, when he served
+in the regiment of the Grand Duke Constantine at the time of our
+revolution. Joining the Polish cause, he fought like a Pole, like a
+patriot, like a man who has nothing,--three good reasons for fighting
+well. In his last affair, thinking he was followed by his men, he dashed
+upon a Russian battery and was taken prisoner. I was there. His brave
+act roused me. 'Let us go and get him!' I said to my troop, and we
+charged the battery like a lot of foragers. I got Paz--I was the seventh
+man; we started twenty and came back eight, counting Paz. After Warsaw
+was sold we were forced to escape those Russians. By a curious chance,
+Paz and I happened to come together again, at the same hour and the same
+place, on the other side of the Vistula. I saw the poor captain arrested
+by some Prussians, who made themselves the blood-hounds of the Russians.
+When we have fished a man out of the Styx we cling to him. This new
+danger for poor Paz made me so unhappy that I let myself be taken too,
+thinking I could help him. Two men can get away where one will
+perish. Thanks to my name and some family connections in Prussia, the
+authorities shut their eyes to my escape. I got my dear captain through
+as a man of no consequence, a family servant, and we reached Dantzic.
+There we got on board a Dutch vessel and went to London. It took us two
+months to get there. My mother was ill in England, and expecting me.
+Paz and I took care of her till her death, which the Polish troubles
+hastened. Then we left London and came to France. Men who go through
+such adversities become like brothers. When I reached Paris, at
+twenty-two years of age, and found I had an income of over sixty
+thousand francs a year, without counting the proceeds of the diamonds
+and the pictures sold by my mother, I wanted to secure the future of
+my dear Paz before I launched into dissipation. I had often noticed the
+sadness in his eyes--sometimes tears were in them. I had had good reason
+to understand his soul, which is noble, grand, and generous to the core.
+I thought he might not like to be bound by benefits to a friend who
+was six years younger than himself, unless he could repay them. I was
+careless and frivolous, just as a young fellow is, and I knew I was
+certain to ruin myself at play, or get inveigled by some woman, and Paz
+and I might then be parted; and though I had every intention of always
+looking out for him, I knew I might sometime or other forget to provide
+for him. In short, my dear angel, I wanted to spare him the pain and
+mortification of having to ask me for money, or of having to hunt me up
+if he got into distress. SO, one morning, after breakfast, when we were
+sitting with our feet on the andirons smoking pipes, I produced,--with
+the utmost precaution, for I saw him look at me uneasily,--a certificate
+of the Funds payable to bearer for a certain sum of money a year."
+
+Clementine jumped up and went and seated herself on Adam's knee, put
+her arms round his neck, and kissed him. "Dear treasure!" she said, "how
+handsome he is! Well, what did Paz do?"
+
+"Thaddeus turned pale," said the count, "but he didn't say a word."
+
+"Oh! his name is Thaddeus, is it?"
+
+"Yes; Thaddeus folded the paper and gave it back to me, and then he
+said: 'I thought, Adam, that we were one for life or death, and that we
+should never part. Do you want to be rid of me?' 'Oh!' I said, 'if you
+take it that way, Thaddeus, don't let us say another word about it. If
+I ruin myself you shall be ruined too.' 'You haven't fortune enough to
+live as a Laginski should,' he said, 'and you need a friend who will
+take care of your affairs, and be a father and a brother and a trusty
+confidant.' My dear child, as Paz said that he had in his look and
+voice, calm as they were, a maternal emotion, and also the gratitude
+of an Arab, the fidelity of a dog, the friendship of a savage,--not
+displayed, but ever ready. Faith! I seized him, as we Poles do, with
+a hand on each shoulder, and I kissed him on the lips. 'For life and
+death, then! all that I have is yours--do what you will with it.' It was
+he who found me this house and bought it for next to nothing. He sold my
+Funds high and bought in low, and we have paid for this barrack with
+the profits. He knows horses, and he manages to buy and sell at such
+advantage that my stable really costs very little; and yet I have the
+finest horses and the most elegant equipages in all Paris. Our servants,
+brave Polish soldiers chosen by him, would go through fire and water
+for us. I seem, as you say, to be ruining myself; and yet Paz keeps the
+house with such method and economy that he has even repaired some of my
+foolish losses at play,--the thoughtless folly of a young man. My dear,
+Thaddeus is as shrewd as two Genoese, as eager for gain as a Polish Jew,
+and provident as a good housekeeper. I never could force him to live as
+I did when I was a bachelor. Sometimes I had to use a sort of friendly
+coercion to make him go to the theatre with me when I was alone, or to
+the jovial little dinners I used to give at a tavern. He doesn't like
+social life."
+
+"What does he like, then?" asked Clementine.
+
+"Poland; he loves Poland and pines for it. His only spendings are
+sums he gives, more in my name than in his own, to some of our poor
+brother-exiles."
+
+"Well, I shall love him, the fine fellow!" said the countess, "he looks
+to me as simple-hearted as he is grand."
+
+"All these pretty things you have about you," continued Adam, who
+praised his friend in the noblest sincerity, "he picked up; he bought
+them at auction, or as bargains from the dealers. Oh! he's keener than
+they are themselves. If you see him rubbing his hands in the courtyard,
+you may be sure he has traded away one good horse for a better. He lives
+for me; his happiness is to see me elegant, in a perfectly appointed
+equipage. The duties he takes upon himself are all accomplished without
+fuss or emphasis. One evening I lost twenty thousand francs at whist.
+'What will Paz say?' thought I as I walked home. Paz paid them to me,
+not without a sigh; but he never reproached me, even by a look. But
+that sigh of his restrained me more than the remonstrances of uncles,
+mothers, or wives could have done. 'Do you regret the money?' I said
+to him. 'Not for you or me, no,' he replied; 'but I was thinking
+that twenty poor Poles could have lived a year on that sum.' You must
+understand that the Pazzi are fully the equal of the Laginski, so I
+couldn't regard my dear Paz as an inferior. I never went out or came in
+without going first to Paz, as I would to my father. My fortune is his;
+and Thaddeus knows that if danger threatened him I would fling myself
+into it and drag him out, as I have done before."
+
+"And that is saying a good deal, my dear friend," said the countess.
+"Devotion is like a flash of lightning. Men devote themselves in battle,
+but they no longer have the heart for it in Paris."
+
+"Well," replied Adam, "I am always ready, as in battle, to devote
+myself to Paz. Our two characters have kept their natural asperities
+and defects, but the mutual comprehension of our souls has tightened the
+bond already close between us. It is quite possible to save a man's life
+and kill him afterwards if we find him a bad fellow; but Paz and I know
+THAT of each other which makes our friendship indissoluble. There's
+a constant exchange of happy thoughts and impressions between us; and
+really, perhaps, such a friendship as ours is richer than love."
+
+A pretty hand closed the count's mouth so promptly that the action was
+somewhat like a blow.
+
+"Yes," he said, "friendship, my dear angel, knows nothing of bankrupt
+sentiments and collapsed joys. Love, after giving more than it has, ends
+by giving less than it receives."
+
+"One side as well as the other," remarked Clementine laughing.
+
+"Yes," continued Adam, "whereas friendship only increases. You need not
+pucker up your lips at that, for we are, you and I, as much friends as
+lovers; we have, at least I hope so, combined the two sentiments in our
+happy marriage."
+
+"I'll explain to you what it is that has made you and Thaddeus such good
+friends," said Clementine. "The difference in the lives you lead
+comes from your tastes and from necessity; from your likings, not your
+positions. As far as one can judge from merely seeing a man once, and
+also from what you tell me, there are times when the subaltern might
+become the superior."
+
+"Oh, Paz is truly my superior," said Adam, naively; "I have no advantage
+over him except mere luck."
+
+His wife kissed him for the generosity of those words.
+
+"The extreme care with which he hides the grandeur of his feelings is
+one form of his superiority," continued the count. "I said to him once:
+'You are a sly one; you have in your heart a vast domain within which
+you live and think.' He has a right to the title of count; but in Paris
+he won't be called anything but captain."
+
+"The fact is that the Florentine of the middle-ages has reappeared in
+our century," said the countess. "Dante and Michael Angelo are in him."
+
+"That's the very truth," cried Adam. "He is a poet in soul."
+
+"So here I am, married to two Poles," said the young countess, with a
+gesture worthy of some genius of the stage.
+
+"Dear child!" said Adam, pressing her to him, "it would have made me
+very unhappy if my friend did not please you. We were both rather afraid
+of it, he and I, though he was delighted at my marriage. You will
+make him very happy if you tell him that you love him,--yes, as an old
+friend."
+
+"I'll go and dress, the day is so fine; and we will all three ride
+together," said Clementine, ringing for her maid.
+
+
+
+
+II
+
+
+Paz was leading so subterranean a life that the fashionable world of
+Paris asked who he was when the Comtesse Laginska was seen in the Bois
+de Boulogne riding between her husband and a stranger. During the ride
+Clementine insisted that Thaddeus should dine with them. This caprice of
+the sovereign lady compelled Paz to make an evening toilet. Clementine
+dressed for the occasion with a certain coquetry, in a style that
+impressed even Adam himself when she entered the salon where the two
+friends awaited her.
+
+"Comte Paz," she said, "you must go with us to the Opera."
+
+This was said in the tone which, coming from a woman means: "If you
+refuse we shall quarrel."
+
+"Willingly, madame," replied the captain. "But as I have not the fortune
+of a count, have the kindness to call me captain."
+
+"Very good, captain; give me your arm," she said,--taking it and
+leading the way to the dining-room with the flattering familiarity which
+enchants all lovers.
+
+The countess placed the captain beside her; his behavior was that of
+a poor sub-lieutenant dining at his general's table. He let Clementine
+talk, listened deferentially as to a superior, did not differ with her
+in anything, and waited to be questioned before he spoke at all. He
+seemed actually stupid to the countess, whose coquettish little ways
+missed their mark in presence of such frigid gravity and conventional
+respect. In vain Adam kept saying: "Do be lively, Thaddeus; one would
+really suppose you were not at home. You must have made a wager to
+disconcert Clementine." Thaddeus continued heavy and half asleep.
+When the servants left the room at the end of the dessert the captain
+explained that his habits were diametrically opposite to those of
+society,--he went to bed at eight o'clock and got up very early in the
+morning; and he excused his dulness on the ground of being sleepy.
+
+"My intention in taking you to the Opera was to amuse you, captain; but
+do as you prefer," said Clementine, rather piqued.
+
+"I will go," said Paz.
+
+"Duprez sings 'Guillaume Tell,'" remarked Adam. "But perhaps you would
+rather go to the 'Varietes'?"
+
+The captain smiled and rang the bell. "Tell Constantin," he said to the
+footman, "to put the horses to the carriage instead of the coupe. We
+should be rather squeezed otherwise," he said to the count.
+
+"A Frenchman would have forgotten that," remarked Clementine, smiling.
+
+"Ah! but we are Florentines transplanted to the North," answered
+Thaddeus with a refinement of accent and a look in his eyes which
+made his conduct at table seem assumed for the occasion. There was
+too evident a contrast between his involuntary self-revelation in this
+speech and his behavior during dinner. Clementine examined the captain
+with a few of those covert glances which show a woman's surprise and
+also her capacity for observation.
+
+It resulted from this little incident that silence reigned in the salon
+while the three took their coffee, a silence rather annoying to Adam,
+who was incapable of imagining the cause of it. Clementine no longer
+tried to draw out Thaddeus. The captain, on the other hand, retreated
+within his military stiffness and came out of it no more, neither on the
+way to the Opera nor in the box, where he seemed to be asleep.
+
+"You see, madame, that I am a very stupid man," he said during the dance
+in the last act of "Guillaume Tell." "Am I not right to keep, as the
+saying is, to my own specialty?"
+
+"In truth, my dear captain, you are neither a talker nor a man of the
+world, but you are perhaps Polish."
+
+"Therefore leave me to look after your pleasures, your property, your
+household--it is all I am good for."
+
+"Tartufe! pooh!" cried Adam, laughing. "My dear, he is full of ardor;
+he is thoroughly educated; he can, if he chooses, hold his own in any
+salon. Clementine, don't believe his modesty."
+
+"Adieu, comtesse; I have obeyed your wishes so far; and now I will take
+the carriage and go home to bed and send it back for you."
+
+Clementine bowed her head and let him go without replying.
+
+"What a bear!" she said to the count. "You are a great deal nicer."
+
+Adam pressed her hand when no one was looking.
+
+"Poor, dear Thaddeus," he said, "he is trying to make himself
+disagreeable where most men would try to seem more amiable than I."
+
+"Oh!" she said, "I am not sure but what there is some _calculation_ in
+his behavior; he would have taken in an ordinary woman."
+
+Half an hour later, when the chasseur, Boleslas, called out "Gate!" and
+the carriage was waiting for it to swing back, Clementine said to her
+husband, "Where does the captain perch?"
+
+"Why, there!" replied Adam, pointing to a floor above the porte-cochere
+which had one window looking on the street. "His apartments are over the
+coachhouse."
+
+"Who lives on the other side?" asked the countess.
+
+"No one as yet," said Adam; "I mean that apartment for our children and
+their instructors."
+
+"He didn't go to bed," said the countess, observing lights in Thaddeus's
+rooms when the carriage had passed under the portico supported by
+columns copied from those of the Tuileries, which replaced a vulgar zinc
+awning painted in stripes like cloth.
+
+The captain, in his dressing-gown with a pipe in his mouth, was watching
+Clementine as she entered the vestibule. The day had been a hard one for
+him. And here is the reason why: A great and terrible emotion had taken
+possession of his heart on the day when Adam made him go to the Opera
+to see and give his opinion on Mademoiselle du Rouvre; and again when he
+saw her on the occasion of her marriage, and recognized in her the woman
+whom a man is forced to love exclusively. For this reason Paz strongly
+advised and promoted the long journey to Italy and elsewhere after the
+marriage. At peace so long as Clementine was away, his trial was renewed
+on the return of the happy household. As he sat at his window on this
+memorable night, smoking his latakia in a pipe of wild-cherry wood
+six feet long, given to him by Adam, these are the thoughts that were
+passing through his mind:--
+
+"I, and God, who will reward me for suffering in silence, alone know
+how I love her! But how shall I manage to have neither her love nor her
+dislike?"
+
+And his thoughts travelled far on this strange theme.
+
+It must not be supposed that Thaddeus was living without pleasure, in
+the midst of his sufferings. The deceptions of this day, for instance,
+were a source of inward joy to him. Since the return of the count and
+countess he had daily felt ineffable satisfactions in knowing himself
+necessary to a household which, without his devotion to its interests,
+would infallibly have gone to ruin. What fortune can bear the strain of
+reckless prodigality? Clementine, brought up by a spendthrift father,
+knew nothing of the management of a household which the women of the
+present day, however rich or noble they are, are often compelled to
+undertake themselves. How few, in these days, keep a steward. Adam, on
+the other hand, son of one of the great Polish lords who let themselves
+be preyed on by the Jews, and are wholly incapable of managing even the
+wreck of their vast fortunes (for fortunes are vast in Poland), was
+not of a nature to check his own fancies or those of his wife. Left to
+himself he would probably have been ruined before his marriage. Paz had
+prevented him from gambling at the Bourse, and that says all.
+
+Under these circumstances, Thaddeus, feeling that he loved Clementine
+in spite of himself, had not the resource of leaving the house and
+travelling in other lands to forget his passion. Gratitude, the key-note
+of his life, held him bound to that household where he alone could look
+after the affairs of the heedless owners. The long absence of Adam
+and Clementine had given him peace. But the countess had returned
+more lovely than ever, enjoying the freedom which marriage brings to a
+Parisian woman, displaying the graces of a young wife and the nameless
+attraction she gains from the happiness, or the independence, bestowed
+upon her by a young man as trustful, as chivalric, and as much in
+love as Adam. To know that he was the pivot on which the splendor the
+household depended, to see Clementine when she got out of her carriage
+on returning from some fete, or got into it in the morning when she took
+her drive, to meet her on the boulevards in her pretty equipage,
+looking like a flower in a whorl of leaves, inspired poor Thaddeus with
+mysterious delights, which glowed in the depths of his heart but gave no
+signs upon his face.
+
+How happened it that for five whole months the countess had never
+perceived the captain? Because he hid himself from her knowledge, and
+carefully concealed the pains he took to avoid her. Nothing so resembles
+the Divine love as hopeless human love. A man must have great depth of
+heart to devote himself in silence and obscurity to a woman. In such
+a heart is the worship of love for love's sake only--sublime avarice,
+sublime because ever generous and founded on the mysterious existence
+of the principles of creation. _Effect_ is nature, and nature is
+enchanting; it belongs to man, to the poet, the painter, the lover. But
+_Cause_, to a few privileged souls and to certain mighty thinkers,
+is superior to nature. Cause is God. In the sphere of causes live
+the Newtons and all such thinkers as Laplace, Kepler, Descartes,
+Malebranche, Spinoza, Buffon; also the true poets and solitarys of
+the second Christian century, and the Saint Teresas of Spain, and such
+sublime ecstatics. All human sentiments bear analogy to these conditions
+whenever the mind abandons Effect for Cause. Thaddeus had reached this
+height, at which all things change their relative aspect. Filled with
+the joys unutterable of a creator he had attained in his love to all
+that genius has revealed to us of grandeur.
+
+"No," he was thinking to himself as he watched the curling smoke of his
+pipe, "she was not entirely deceived. She might break up my friendship
+with Adam if she took a dislike to me; but if she coquetted with me to
+amuse herself, what would become of me?"
+
+The conceit of this last supposition was so foreign to the modest
+nature and Teutonic timidity of the captain that he scolded himself for
+admitting it, and went to bed, resolved to await events before deciding
+on a course.
+
+The next day Clementine breakfasted very contentedly without Paz, and
+without even noticing his disobedience to her orders. It happened to be
+her reception day, when the house was thrown open with a splendor that
+was semi-royal. She paid no attention to the absence of Comte Paz, on
+whom all the burden of these parade days fell.
+
+"Good!" thought he, as he heard the last carriages driving away at two
+in the morning; "it was only the caprice or the curiosity of a Parisian
+woman that made her want to see me."
+
+After that the captain went back to his ordinary habits and ways, which
+had been somewhat upset by this incident. Diverted by her Parisian
+occupations, Clementine appeared to have forgotten Paz. It must not be
+thought an easy matter to reign a queen over fickle Paris. Does any one
+suppose that fortunes alone are risked in the great game? The winters
+are to fashionable women what a campaign once was to the soldiers of the
+Empire. What works of art and genius are expended on a gown or a garland
+in which to make a sensation! A fragile, delicate creature will wear
+her stiff and brilliant harness of flowers and diamonds, silk and steel,
+from nine at night till two and often three o'clock in the morning. She
+eats little, to attract remark to her slender waist; she satisfied her
+hunger with debilitating tea, sugared cakes, ices which heat her, or
+slices of heavy pastry. The stomach is made to yield to the orders of
+coquetry. The awakening comes too late. A fashionable woman's whole life
+is in contradiction to the laws of nature, and nature is pitiless. She
+has no sooner risen than she makes an elaborate morning toilet, and
+thinks of the one which she means to wear in the afternoon. The moment
+she is dressed she has to receive and make visits, and go to the Bois
+either on horseback or in a carriage. She must practise the art of
+smiling, and must keep her mind on the stretch to invent new compliments
+which shall seem neither common nor far-fetched. All women do not
+succeed in this. It is no surprise, therefore, to find a young woman who
+entered fashionable society fresh and healthy, faded and worn out at the
+end of three years. Six months spent in the country will hardly heal the
+wounds of the winter. We hear continually, in these days, of mysterious
+ailments,--gastritis, and so forth,--ills unknown to women when they
+busied themselves about their households. In the olden time women only
+appeared in the world at intervals; now they are always on the scene.
+Clementine found she had to struggle for her supremacy. She was cited,
+and that alone brought jealousies; and the care and watchfulness exacted
+by this contest with her rivals left little time even to love her
+husband. Paz might well be forgotten. Nevertheless, in the month of
+May, as she drove home from the Bois, just before she left Paris for
+Ronquerolles, her uncle's estate in Burgundy, she noticed Thaddeus,
+elegantly dressed, sauntering on one of the side-paths of the
+Champs-Elysees, in the seventh heaven of delight at seeing his beautiful
+countess in her elegant carriage with its spirited horses and sparkling
+liveries,--in short, his beloved family the admired of all.
+
+"There's the captain," she said to her husband.
+
+"He's happy!" said Adam. "This is his delight. He knows there's no
+equipage more elegant than ours, and he is rejoicing to think that some
+people envy it. Have you only just noticed him? I see him there nearly
+every day."
+
+"I wonder what he is thinking about now," said Clementine.
+
+"He is thinking that this winter has cost a good deal, and that it is
+time we went to economize with your old uncle Ronquerolles," replied
+Adam.
+
+The countess stopped the carriage near Paz, and bade him take the seat
+beside her. Thaddeus grew as red as a cherry.
+
+"I shall poison you," he said; "I have been smoking."
+
+"Doesn't Adam poison me?" she said.
+
+"Yes, but he is Adam," returned the captain.
+
+"And why can't Thaddeus have the same privileges?" asked the countess,
+smiling.
+
+That divine smile had a power which triumphed over the heroic
+resolutions of poor Paz; he looked at Clementine with all the fire of
+his soul in his eyes, though, even so, its flame was tempered by the
+angelic gratitude of the man whose life was based upon that virtue.
+The countess folded her arms in her shawl, lay back pensively on her
+cushions, ruffling the feathers of her pretty bonnet, and looked at the
+people who passed her. That flash of a great and hitherto resigned soul
+reached her sensibilities. What was Adam's merit in her eyes? It was
+natural enough to have courage and generosity. But Thaddeus--surely
+Thaddeus possessed, or seemed to possess, some great superiority
+over Adam. They were dangerous thoughts which took possession of the
+countess's mind as she again noticed the contrast of the fine presence
+that distinguished Thaddeus, and the puny frame in which Adam showed
+the degenerating effects of intermarriage among the Polish aristocratic
+families. The devil alone knew the thoughts that were in Clementine's
+head, for she sat still, with thoughtful, dreamy eyes, and without
+saying a word until they reached home.
+
+"You will dine with us; I shall be angry if you disobey me," she said as
+the carriage turned in. "You are Thaddeus to me, as you are to Adam. I
+know your obligations to him, but I also know those we are under to you.
+Both generosities are natural--but you are generous every day and all
+day. My father dines here to-day, also my uncle Ronquerolles and my aunt
+Madame de Serizy. Dress yourself therefore," she said, taking the hand
+he offered to assist her from the carriage.
+
+Thaddeus went to his own room to dress with a joyful heart, though
+shaken by an inward dread. He went down at the last moment and behaved
+through dinner as he had done on the first occasion, that is, like a
+soldier fit only for his duties as a steward. But this time Clementine
+was not his dupe; his glance had enlightened her. The Marquis de
+Ronquerolles, one of the ablest diplomates after Talleyrand, who had
+served with de Marsay during his short ministry, had been informed by
+his niece of the real worth and character of Comte Paz, and knew how
+modestly he made himself the steward of his friend Laginski.
+
+"And why is this the first time I have the pleasure of seeing Comte
+Paz?" asked the marquis.
+
+"Because he is so shy and retiring," replied Clementine with a look at
+Paz telling him to change his behavior.
+
+Alas! that we should have to avow it, at the risk of rendering the
+captain less interesting, but Paz, though superior to his friend
+Adam, was not a man of parts. His apparent superiority was due to his
+misfortunes. In his lonely and poverty-stricken life in Warsaw he had
+read and taught himself a good deal; he had compared and meditated. But
+the gift of original thought which makes a great man he did not possess,
+and it can never be acquired. Paz, great in heart only, approached in
+heart to the sublime; but in the sphere of sentiments, being more a man
+of action than of thought, he kept his thoughts to himself; and they
+only served therefore to eat his heart out. What, after all, is a
+thought unexpressed?
+
+After Clementine's little speech, the Marquis de Ronquerolles and his
+sister exchanged a singular glance, embracing their niece, Comte Adam,
+and Paz. It was one of those rapid scenes which take place only in
+France and Italy,--the two regions of the world (all courts excepted)
+where eyes can say everything. To communicate to the eye the full power
+of the soul, to give it the value of speech, needs either the pressure
+of extreme servitude, or complete liberty. Adam, the Marquis du Rouvre,
+and Clementine did not observe this luminous by-play of the old coquette
+and the old diplomatist, but Paz, the faithful watchdog, understood
+its meaning. It was, we must remark, an affair of two seconds; but to
+describe the tempest it roused in the captain's soul would take far too
+much space in this brief history.
+
+"What!" he said to himself, "do the aunt and uncle think I might be
+loved? Then my happiness only depends on my own audacity! But Adam--"
+
+Ideal love and desire clashed with gratitude and friendship, all equally
+powerful, and, for a moment, love prevailed. The lover would have his
+day. Paz became brilliant, he tried to please, he told the story of the
+Polish insurrection in noble words, being questioned about it by the
+diplomatist. By the end of dinner Paz saw Clementine hanging upon
+his lips and regarding him as a hero, forgetting that Adam too, after
+sacrificing a third of his vast fortune, had been an exile. At nine
+o'clock, after coffee had been served, Madame de Serizy kissed her niece
+on the forehead, pressed her hand, and went away, taking Adam with her
+and leaving the Marquis de Ronquerolles and the Marquis du Rouvre, who
+soon followed. Paz and Clementine were alone together.
+
+"I will leave you now, madame," said Thaddeus. "You will of course
+rejoin them at the Opera?"
+
+"No," she answered, "I don't like dancing, and they give an odious
+ballet to-night 'La Revolte au Serail.'"
+
+There was a moment's silence.
+
+"Two years ago Adam would not have gone to the Opera without me," said
+Clementine, not looking at Paz.
+
+"He loves you madly," replied Thaddeus.
+
+"Yes, and because he loves me madly he is all the more likely not to
+love me to-morrow," said the countess.
+
+"How inexplicable Parisian women are!" exclaimed Thaddeus. "When they
+are loved to madness they want to be loved reasonably: and when they are
+loved reasonably they reproach a man for not loving them at all."
+
+"And they are quite right. Thaddeus," she went on, smiling, "I know
+Adam well; I am not angry with him; he is volatile and above all grand
+seigneur. He will always be content to have me as his wife and he will
+never oppose any of my tastes, but--"
+
+"Where is the marriage in which there are no 'buts'?" said Thaddeus,
+gently, trying to give another direction to Clementine's mind.
+
+The least presuming of men might well have had the thought which came
+near rendering this poor lover beside himself; it was this: "If I do not
+tell her now that I love her I am a fool," he kept saying to himself.
+
+Neither spoke; and there came between the pair one of those deep
+silences that are crowded with thoughts. The countess examined Paz
+covertly, and Paz observed her in a mirror. Buried in an armchair like
+a man digesting his dinner, the image of a husband or an indifferent
+old man, Paz crossed his hands upon his stomach and twirled his thumbs
+mechanically, looking stupidly at them.
+
+"Why don't you tell me something good of Adam?" cried Clementine
+suddenly. "Tell me that he is not volatile, you who know him so well."
+
+The cry was fine.
+
+"Now is the time," thought poor Paz, "to put an insurmountable barrier
+between us. Tell you good of Adam?" he said aloud. "I love him; you
+would not believe me; and I am incapable of telling you harm. My
+position is very difficult between you."
+
+Clementine lowered her head and looked down at the tips of his varnished
+boots.
+
+"You Northern men have nothing but physical courage," she said
+complainingly; "you have no constancy in your opinions."
+
+"How will you amuse yourself alone, madame?" said Paz, assuming a
+careless air.
+
+"Are not you going to keep me company?"
+
+"Excuse me for leaving you."
+
+"What do you mean? Where are you going?"
+
+The thought of a heroic falsehood had come into his head.
+
+"I--I am going to the Circus in the Champs Elysees; it opens to-night,
+and I can't miss it."
+
+"Why not?" said Clementine, questioning him by a look that was
+half-anger.
+
+"Must I tell you why?" he said, coloring; "must I confide to you what I
+hide from Adam, who thinks my only love is Poland."
+
+"Ah! a secret in our noble captain?"
+
+"A disgraceful one--which you will perhaps understand, and pity."
+
+"You, disgraced?"
+
+"Yes, I, Comte Paz; I am madly in love with a girl who travels all over
+France with the Bouthor family,--people who have the rival circus to
+Franconi; but they play only at fairs. I have made the director at the
+Cirque-Olympique engage her."
+
+"Is she handsome?"
+
+"To my thinking," said Paz, in a melancholy tone. "Malaga (that's her
+stage name) is strong, active, and supple. Why do I prefer her to all
+other women in the world?--well, I can't tell you. When I look at her,
+with her black hair tied with a blue satin ribbon, floating on her bare
+and olive-colored shoulders, and when she is dressed in a white tunic
+with a gold edge, and a knitted silk bodice that makes her look like a
+living Greek statue, and when I see her carrying those flags in her hand
+to the sound of martial music, and jumping through the paper hoops which
+tear as she goes through, and lighting so gracefully on the galloping
+horse to such applause,--no hired clapping,--well, all that moves me."
+
+"More than a handsome woman in a ballroom?" asked Clementine, with
+amazement and curiosity.
+
+"Yes," answered Paz, in a choking voice. "Such agility, such grace under
+constant danger seems to me the height of triumph for a woman. Yes,
+madame, Cinti and Malibran, Grisi and Taglioni, Pasta and Ellsler, all
+who reign or have reigned on the stage, can't be compared, to my mind,
+with Malaga, who can jump on or off a horse at full gallop, or stand
+on the point of one foot and fall easily into the saddle, and knit
+stockings, break eggs, and make an omelette with the horse at full
+speed, to the admiration of the people,--the real people, peasants and
+soldiers. Malaga, madame, is dexterity personified; her little wrist or
+her little foot can rid her of three or four men. She is the goddess of
+gymnastics."
+
+"She must be stupid--"
+
+"Oh, no," said Paz, "I find her as amusing as the heroine of 'Peveril
+of the Peak.' Thoughtless as a Bohemian, she says everything that comes
+into her head; she thinks no more about the future than you do of
+the sous you fling to the poor. She says grand things sometimes. You
+couldn't make her believe that an old diplomatist was a handsome young
+man, not if you offered her a million of francs. Such love as hers is
+perpetual flattery to a man. Her health is positively insolent, and she
+has thirty-two oriental pearls in lips of coral. Her muzzle--that's what
+she calls the lower part of her face--has, as Shakespeare expresses
+it, the savor of a heifer's nose. She can make a man unhappy. She likes
+handsome men, strong men, Alexanders, gymnasts, clowns. Her trainer, a
+horrible brute, used to beat her to make her supple, and graceful, and
+intrepid--"
+
+"You are positively intoxicated with Malaga."
+
+"Oh, she is called Malaga only on the posters," said Paz, with a piqued
+air. "She lives in the rue Saint-Lazare, in a pretty apartment on the
+third story, all velvet and silk, like a princess. She has two lives,
+her circus life and the life of a pretty woman."
+
+"Does she love you?"
+
+"She loves me--now you will laugh--solely because I'm a Pole. She saw
+an engraving of Poles rushing with Poniatowski into the Elster,--for all
+France persists in thinking that the Elster, where it is impossible
+to get drowned, is an impetuous flood, in which Poniatowski and his
+followers were engulfed. But in the midst of all this I am very unhappy,
+madame."
+
+A tear of rage fell from his eyes and affected the countess.
+
+"You men have such a passion for singularity."
+
+"And you?" said Thaddeus.
+
+"I know Adam so well that I am certain he could forget me for some
+mountebank like your Malaga. Where did you first see her?"
+
+"At Saint-Cloud, last September, on the fete-day. She was at a corner of
+a booth covered with flags, where the shows are given. Her comrades,
+all in Polish costumes, were making a horrible racket. I watched her
+standing there, silent and dumb, and I thought I saw a melancholy
+expression in her face; in truth there was enough about her to sadden a
+girl of twenty. That touched me."
+
+The countess was sitting in a delicious attitude, pensive and rather
+melancholy.
+
+"Poor, poor Thaddeus!" she exclaimed. Then, with the kindliness of a
+true great lady she added, not without a malicious smile, "Well go, go
+to your Circus."
+
+Thaddeus took her hand, kissed it, leaving a hot tear upon it, and went
+out.
+
+Having invented this passion for a circus-rider, he bethought him
+that he must give it some reality. The only truth in his tale was the
+momentary attention he had given to Malaga at Saint-Cloud; and he had
+since seen her name on the posters of the Circus, where the clown, for
+a tip of five francs, had told him that the girl was a foundling, stolen
+perhaps. Thaddeus now went to the Circus and saw her again. For ten
+francs one of the grooms (who take the place in circuses of the dressers
+at a theatre) informed him that Malaga was named Marguerite Turquet, and
+lived on the fifth story of a house in the rue des Fosses-du-Temple.
+
+The following day Paz went to the faubourg du Temple, found the house,
+and asked to see Mademoiselle Turquet, who during the summer was
+substituting for the leading horsewoman at the Cirque-Olympique, and a
+supernumerary at a boulevard theatre in winter.
+
+"Malaga!" cried the portress, rushing into the attic, "there's a fine
+gentleman wanting you. He is getting information from Chapuzot, who is
+playing him off to give me time to tell you."
+
+"Thank you, M'ame Chapuzot; but what will he think of me if he finds me
+ironing my gown?"
+
+"Pooh! when a man's in love he loves everything about us."
+
+"Is he an Englishman? they are fond of horses."
+
+"No, he looks to me Spanish."
+
+"That's a pity; they say Spaniards are always poor. Stay here with me,
+M'ame Chapuzot; I don't want him to think I'm deserted."
+
+"Who is it you are looking for, monsieur?" asked Madame Chapuzot,
+opening the door for Thaddeus, who had now come upstairs.
+
+"Mademoiselle Turquet."
+
+"My dear," said the portress, with an air of importance, "here is some
+one to see you."
+
+A line on which the clothes were drying caught the captain's hat and
+knocked it off.
+
+"What is it you wish, monsieur?" said Malaga, picking up the hat and
+giving it to him.
+
+"I saw you at the Circus," said Thaddeus, "and you reminded me of a
+daughter whom I have lost, mademoiselle; and out of affection for my
+Heloise, whom you resemble in a most striking manner, I should like to
+be of some service to you, if you will permit me."
+
+"Why, certainly; pray sit down, general," said Madame Chapuzot; "nothing
+could be more straightforward, more gallant."
+
+"But I am not gallant, my good lady," exclaimed Paz. "I am an
+unfortunate father who tries to deceive himself by a resemblance."
+
+"Then am I to pass for your daughter?" said Malaga, slyly, and not in
+the least suspecting the perfect sincerity of his proposal.
+
+"Yes," said Paz, "and I'll come and see you sometimes. But you shall be
+lodged in better rooms, comfortably furnished."
+
+"I shall have furniture!" cried Malaga, looking at Madame Chapuzot.
+
+"And servants," said Paz, "and all you want."
+
+Malaga looked at the stranger suspiciously.
+
+"What countryman is monsieur?"
+
+"I am a Pole."
+
+"Oh! then I accept," she said.
+
+Paz departed, promising to return.
+
+"Well, that's a stiff one!" said Marguerite Turquet, looking at Madame
+Chapuzot; "I'm half afraid he is wheedling me, to carry out some fancy
+of his own--Pooh! I'll risk it."
+
+A month after this eccentric interview the circus-rider was living in
+a comfortable apartment furnished by Comte Adam's own upholsterer, Paz
+having judged it desirable to have his folly talked about at the hotel
+Laginski. Malaga, to whom this adventure was like a leaf out of the
+Arabian Nights, was served by Monsieur and Madame Chapuzot in the double
+capacity of friends and servants. The Chapuzots and Marguerite were
+constantly expecting some result of all this; but at the end of three
+months none of them were able to make out the meaning of the Polish
+count's caprice. Paz arrived duly and passed about an hour there once
+a week, during which time he sat in the salon, and never went
+into Malaga's boudoir nor into her bedroom, in spite of the clever
+manoeuvring of the Chapuzots and Malaga to get him there. The count
+would ask questions as to the small events of Marguerite's life, and
+each time that he came he left two gold pieces of forty francs each on
+the mantel-piece.
+
+"He looks as if he didn't care to be here," said Madame Chapuzot.
+
+"Yes," said Malaga, "the man's as cold as an icicle."
+
+"But he's a good fellow all the same," cried Chapuzot, who was happy in
+a new suit of clothes made of blue cloth, in which he looked like the
+servant of some minister.
+
+The sum which Paz deposited weekly on the mantel-piece, joined to
+Malaga's meagre salary, gave her the means of sumptuous living compared
+with her former poverty. Wonderful stories went the rounds of the Circus
+about Malaga's good-luck. Her vanity increased the six thousand francs
+which Paz had spent on her furniture to sixty thousand. According to
+the clowns and the supers, Malaga was squandering money; and she now
+appeared at the Circus wearing burnous and shawls and elegant scarfs.
+The Pole, it was agreed on all sides, was the best sort of man a
+circus-rider had ever encountered, not fault-finding nor jealous, and
+willing to let Malaga do just what she liked.
+
+"Some women have the luck of it," said Malaga's rival, "and I'm not one
+of them,--though I do draw a third of the receipts."
+
+Malaga wore pretty things, and occasionally "showed her head" (a term in
+the lexicon of such characters) in the Bois, where the fashionable young
+men of the day began to remark her. In fact, before long Malaga was
+very much talked about in the questionable world of equivocal women, who
+presently attacked her good fortune by calumnies. They said she was
+a somnambulist, and the Pole was a magnetizer who was using her to
+discover the philosopher's stone. Some even more envenomed scandals
+drove her to a curiosity that was greater than Psyche's. She reported
+them in tears to Paz.
+
+"When I want to injure a woman," she said in conclusion, "I don't
+calumniate her; I don't declare that some one magnetizes her to get
+stones out of her, but I say plainly that she is humpbacked, and I prove
+it. Why do you compromise me in this way?"
+
+Paz maintained a cruel silence. Madame Chapuzot was not long in
+discovering the name and title of Comte Paz; then she heard certain
+positive facts at the hotel Laginski: for instance, that Paz was a
+bachelor, and had never been known to have a daughter, alive or dead,
+in Poland or in France. After that Malaga could not control a feeling of
+terror.
+
+"My dear child," Madame Chapuzot would say, "that monster--" (a man who
+contented himself with only looking, in a sly way,--not daring to come
+out and say things,--and such a beautiful creature too, as Malaga,--of
+course such a man was a monster, according to Madame Chapuzot's ideas)
+"--that monster is trying to get a hold upon you, and make you do
+something illegal and criminal. Holy Father, if you should get into
+the police-courts! it makes me tremble from head to foot; suppose they
+should put you in the newspapers! I'll tell you what I should do in your
+place; I'd warn the police."
+
+One particular day, after many foolish notions had fermented for
+some time in Malaga's mind, Paz having laid his money as usual on the
+mantel-piece, she seized the bits of gold and flung them in his face,
+crying out, "I don't want stolen money!"
+
+The captain gave the gold to Chapuzot, went away without a word, and did
+not return.
+
+Clementine was at this time at her uncle's place in Burgundy.
+
+When the Circus troop discovered that Malaga had lost her Polish count,
+much excitement was produced among them. Malaga's display of honor was
+considered folly by some, and shrewdness by others. The conduct of the
+Pole, however, even when discussed by the cleverest of women, seemed
+inexplicable. Thaddeus received in the course of the next week
+thirty-seven letters from women of their kind. Happily for him, his
+astonishing reserve did not excite the curiosity of the fashionable
+world, and was only discussed in the demi-mondaine regions.
+
+Two weeks later the handsome circus-rider, crippled by debt, wrote the
+following letter to Comte Paz, which, having fallen into the hands
+of Comte Adam, was read by several of the dandies of the day, who
+pronounced it a masterpiece:--
+
+ "You, whom I still dare to call my friend, will you not pity me
+ after all that has passed,--which you have so ill understood? My
+ heart disavows whatever may have wounded your feelings. If I was
+ fortunate enough to charm you and keep you beside me in the past,
+ return to me; otherwise, I shall fall into despair. Poverty has
+ overtaken me, and you do not know what _horrid things_ it brings
+ with it. Yesterday I lived on a herring at two sous, and one sou
+ of bread. Is that a breakfast for the woman you loved? The
+ Chapuzots have left me, though they seemed so devoted. Your
+ desertion has caused me to see to the bottom of all human
+ attachments. The dog we feed does not leave us, but the Chapuzots
+ have gone. A sheriff has seized everything on behalf of the
+ landlord, who has no heart, and the jeweller, who refused to wait
+ even ten days,--for when we lose the confidence of such as you,
+ credit goes too. What a position for women who have nothing to
+ reproach themselves with but the happiness they have given! My
+ friend, I have taken all I have of any value to _my uncle's_; I have
+ nothing but the memory of you left, and here is the winter coming
+ on. I shall be fireless when it turns cold; for the boulevards are
+ to play only melodramas, in which I have nothing but little bits
+ of parts which don't _pose_ a woman. How could you misunderstand the
+ nobleness of my feelings for you?--for there are two ways of
+ expressing gratitude. You who seemed so happy in seeing me
+ well-off, how can you leave me in poverty? Oh, my sole friend on
+ earth, before I go back to the country fairs with Bouthor's circus,
+ where I can at least make a living, forgive me if I wish to know
+ whether I have lost you forever. If I were to let myself think of
+ you when I jump through the hoops, I should be sure to break my legs
+ by losing _a time_. Whatever may be the result, I am yours for life.
+
+"Marguerite Turquet."
+
+
+"That letter," thought Thaddeus, shouting with laughter, "is worth the
+ten thousand francs I have spent upon her."
+
+
+
+
+III
+
+
+Clementine came home the next day, and the day after that Paz beheld her
+again, more beautiful and graceful than ever. After dinner, during which
+the countess treated Paz with an air of perfect indifference, a little
+scene took place in the salon between the count and his wife when
+Thaddeus had left them. On pretence of asking Adam's advice, Thaddeus
+had left Malaga's letter with him, as if by mistake.
+
+"Poor Thaddeus!" said Adam, as Paz disappeared, "what a misfortune for
+a man of his distinction to be the plaything of the lowest kind of
+circus-rider. He will lose everything, and get lower and lower, and
+won't be recognizable before long. Here, read that," added the count,
+giving Malaga's letter to his wife.
+
+Clementine read the letter, which smelt of tobacco, and threw it from
+her with a look of disgust.
+
+"Thick as the bandage is over his eyes," continued Adam, "he must have
+found out something; Malaga tricked him, no doubt."
+
+"But he goes back to her," said Clementine, "and he will forgive her! It
+is for such horrible women as that that you men have indulgence."
+
+"Well, they need it," said Adam.
+
+"Thaddeus used to show some decency--in living apart from us," she
+remarked. "He had better go altogether."
+
+"Oh, my dear angel, that's going too far," said the count, who did not
+want the death of the sinner.
+
+Paz, who knew Adam thoroughly, had enjoined him to secrecy, pretending
+to excuse his dissipations, and had asked his friend to lend him a few
+thousand francs for Malaga.
+
+"He is a very firm fellow," said Adam.
+
+"How so?" asked Clementine.
+
+"Why, for having spent no more than ten thousand francs on her, and
+letting her send him that letter before he would ask me for enough to
+pay her debts. For a Pole, I call that firm."
+
+"He will ruin you," said Clementine, in the sharp tone of a Parisian
+woman, when she shows her feline distrusts.
+
+"Oh, I know him," said Adam; "he will sacrifice Malaga, if I ask him."
+
+"We shall see," remarked the countess.
+
+"If it is best for his own happiness, I sha'n't hesitate to ask him to
+leave her. Constantin says that since Paz has been with her he, sober
+as he is, has sometimes come home quite excited. If he takes to
+intoxication I shall be just as grieved as if he were my own son."
+
+"Don't tell me anything more about it," cried the countess, with a
+gesture of disgust.
+
+Two days later the captain perceived in the manner, the tones of voice,
+but, above all, in the eyes of the countess, the terrible results of
+Adam's confidences. Contempt had opened a gulf between the beloved woman
+and himself. He was suddenly plunged into the deepest distress of mind,
+for the thought gnawed him, "I have myself made her despise me!" His own
+folly stared him in the face. Life then became a burden to him, the very
+sun turned gray. And yet, amid all these bitter thoughts, he found again
+some moments of pure joy. There were times when he could give himself
+up wholly to his admiration for his mistress, who paid not the
+slightest attention to him. Hanging about in corners at her parties
+and receptions, silent, all heart and eyes, he never lost one of her
+attitudes, nor a tone of her voice when she sang. He lived in her life;
+he groomed the horse which _she_ rode, he studied the ways and means of
+that splendid establishment, to the interests of which he was now more
+devoted than ever. These silent pleasures were buried in his heart like
+those of a mother, whose heart a child never knows; for is it knowing
+anything unless we know it all? His love was more perfect than the love
+of Petrarch for Laura, which found its ultimate reward in the treasures
+of fame, the triumph of the poem which she had inspired. Surely the
+emotion that the Chevalier d'Assas felt in dying must have been to him
+a lifetime of joy. Such emotions as these Paz enjoyed daily,--without
+dying, but also without the guerdon of immortality.
+
+But what is Love, that, in spite of all these ineffable delights, Paz
+should still have been unhappy? The Catholic religion has so magnified
+Love that she has wedded it indissolubly to respect and nobility of
+spirit. Love is therefore attended by those sentiments and qualities
+of which mankind is proud; it is rare to find true Love existing where
+contempt is felt. Thaddeus was suffering from the wounds his own hand
+had given him. The trial of his former life, when he lived beside his
+mistress, unknown, unappreciated, but generously working for her, was
+better than this. Yes, he wanted the reward of his virtue, her respect,
+and he had lost it. He grew thin and yellow, and so ill with constant
+low fever that during the month of January he was obliged to keep his
+bed, though he refused to see a doctor. Comte Adam became very uneasy
+about him; but the countess had the cruelty to remark: "Let him alone;
+don't you see it is only some Olympian trouble?" This remark, being
+repeated to Thaddeus, gave him the courage of despair; he left his bed,
+went out, tried a few amusements, and recovered his health.
+
+About the end of February Adam lost a large sum of money at the
+Jockey-Club, and as he was afraid of his wife, he begged Thaddeus to let
+the sum appear in the accounts as if he had spent it on Malaga.
+
+"There's nothing surprising in your spending that sum on the girl;
+but if the countess finds out that I have lost it at cards I shall be
+lowered in her opinion, and she will always be suspicious in future."
+
+"Ha! this, too!" exclaimed Thaddeus, with a sigh.
+
+"Now, Thaddeus, if you will do me this service we shall be forever
+quits,--though, indeed, I am your debtor now."
+
+"Adam, you will have children; don't gamble any more," said Paz.
+
+"So Malaga has cost us another twenty thousand francs," cried the
+countess, some time later, when she discovered this new generosity to
+Paz. "First, ten thousand, now twenty more,--thirty thousand! the income
+of which is fifteen hundred! the cost of my box at the Opera, and the
+whole fortune of many a bourgeois. Oh, you Poles!" she said, gathering
+some flowers in her greenhouse; "you are really incomprehensible. Why
+are you not furious with him?"
+
+"Poor Paz is--"
+
+"Poor Paz, poor Paz, indeed!" she cried, interrupting him, "what good
+does he do us? I shall take the management of the household myself. You
+can give him the allowance he refused, and let him settle it as he likes
+with his Circus."
+
+"He is very useful to us, Clementine. He has certainly saved over forty
+thousand francs this last year. And besides, my dear angel, he has
+managed to put a hundred thousand with Nucingen, which a steward would
+have pocketed."
+
+Clementine softened down; but she was none the less hard in her feelings
+to Thaddeus. A few days later, she requested him to come to that boudoir
+where, one year earlier, she had been surprised into comparing him with
+her husband. This time she received him alone, without perceiving the
+slightest danger in so doing.
+
+"My dear Paz," she said, with the condescending familiarity of the great
+to their inferiors, "if you love Adam as you say you do, you will do
+a thing which he will not ask of you, but which I, his wife, do not
+hesitate to exact."
+
+"About Malaga?" said Thaddeus, with bitterness in his heart.
+
+"Well, yes," she said; "if you wish to end your days in this house
+and continue good friends with us, you must give her up. How an old
+soldier--"
+
+"I am only thirty-five, and haven't a white hair."
+
+"You look old," she said, "and that's the same thing. How so careful a
+manager, so distinguished a--"
+
+The horrible part of all this was her evident intention to rouse a sense
+of honor in his soul which she thought extinct.
+
+"--so distinguished a man as you are, Thaddeus," she resumed after a
+momentary pause which a gesture of his hand had led her to make, "can
+allow yourself to be caught like a boy! Your proceedings have made that
+woman celebrated. My uncle wanted to see her, and he did see her. My
+uncle is not the only one; Malaga receives a great many gentlemen. I did
+think you such a noble soul. For shame! Will she be such a loss that you
+can't replace her?"
+
+"Madame, if I knew any sacrifice I could make to recover your esteem I
+would make it; but to give up Malaga is not one--"
+
+"In your position, that is what I should say myself, if I were a man,"
+replied Clementine. "Well, if I accept it as a great sacrifice there can
+be no ill-will between us."
+
+Paz left the room, fearing he might commit some great folly, and feeling
+that wild ideas were getting the better of him. He went to walk in the
+open air, lightly dressed in spite of the cold, but without being able
+to cool the fire in his cheeks or on his brow.
+
+"I thought you had a noble soul,"--the words still rang in his ears.
+
+"A year ago," he said to himself, "she thought me a hero who could fight
+the Russians single-handed!"
+
+He thought of leaving the hotel Laginski, and taking service with the
+spahis and getting killed in Africa, but the same great fear checked
+him. "Without me," he thought, "what would become of them? they would
+soon be ruined. Poor countess! what a horrible life it would be for her
+if she were reduced to even thirty thousand francs a year. No, since all
+is lost for me in this world,--courage! I will keep on as I am."
+
+Every one knows that since 1830 the carnival in Paris has undergone a
+transformation which has made it European, and far more burlesque
+and otherwise lively than the late Carnival of Venice. Is it that the
+diminishing fortunes of the present time have led Parisians to invent a
+way of amusing themselves collectively, as for instance at their clubs,
+where they hold salons without hostesses and without manners, but very
+cheaply? However this may be, the month of March was prodigal of balls,
+at which dancing, joking, coarse fun, excitement, grotesque figures, and
+the sharp satire of Parisian wit, produced extravagant effects. These
+carnival follies had their special Pandemonium in the rue Saint-Honore
+and their Napoleon in Musard, a small man born expressly to lead an
+orchestra as noisy as the disorderly audience, and to set the time for
+the galop, that witches' dance, which was one of Auber's triumphs, for
+it did not really take form or poesy till the grand galop in "Gustave"
+was given to the world. That tremendous finale might serve as the symbol
+of an epoch in which for the last fifty years all things have hurried by
+with the rapidity of a dream.
+
+Now, it happened that the grave Thaddeus, with one divine and immaculate
+image in his heart, proposed to Malaga, the queen of the carnival
+dances, to spend an evening at the Musard ball; because he knew the
+countess, disguised to the teeth, intended to come there with two
+friends, all three accompanied by their husbands, and look on at the
+curious spectacle of one of these crowded balls.
+
+On Shrove Tuesday, of the year 1838, at four o'clock in the morning, the
+countess, wrapped in a black domino and sitting on the lower step of the
+platform in the Babylonian hall, where Valentino has since then given
+his concerts, beheld Thaddeus, as Robert Macaire, threading the galop
+with Malaga in the dress of a savage, her head garnished with plumes
+like the horse of a hearse, and bounding through the crowd like a
+will-o-the-wisp.
+
+"Ah!" said Clementine to her husband, "you Poles have no honor at all!
+I did believe in Thaddeus. He gave me his word that he would leave that
+woman; he did not know that I should be here, seeing all unseen."
+
+A few days later she requested Paz to dine with them. After dinner Adam
+left them alone together, and Clementine reproved Paz and let him know
+very plainly that she did not wish him to live in her house any longer.
+
+"Yes, madame," said Paz, humbly, "you are right; I am a wretch; I did
+give you my word. But you see how it is; I put off leaving Malaga till
+after the carnival. Besides, that woman exerts an influence over me
+which--"
+
+"An influence!--a woman who ought to be turned out of Musard's by the
+police for such dancing!"
+
+"I agree to all that; I accept the condemnation and I'll leave your
+house. But you know Adam. If I give up the management of your property
+you must show energy yourself. I may have been to blame about Malaga,
+but I have taken the whole charge of your affairs, managed your
+servants, and looked after the very least details. I cannot leave you
+until I see you prepared to continue my management. You have now
+been married three years, and you are safe from the temptations to
+extravagance which come with the honeymoon. I see that Parisian
+women, and even titled ones, do manage both their fortunes and their
+households. Well, as soon as I am certain not so much of your capacity
+as of your perseverance I shall leave Paris."
+
+"It is Thaddeus of Warsaw, and not that Circus Thaddeus who speaks now,"
+said Clementine. "Go, and come back cured."
+
+"Cured! never," said Paz, his eyes lowered and fixed on Clementine's
+pretty feet. "You do not know, countess, what charm, what unexpected
+piquancy of mind she has." Then, feeling his courage fail him, he added
+hastily, "There is not a woman in society, with her mincing airs, that
+is worth the honest nature of that young animal."
+
+"At any rate, I wish nothing of the animal about me," said the countess,
+with a glance like that of an angry viper.
+
+After that evening Comte Paz showed Clementine the exact state of
+her affairs; he made himself her tutor, taught her the methods and
+difficulties of the management of property, the proper prices to pay for
+things, and how to avoid being cheated by her servants. He told her
+she could rely on Constantin and make him her major-domo. Thaddeus had
+trained the man thoroughly. By the end of May he thought the countess
+fully competent to carry on her affairs alone; for Clementine was one of
+those far-sighted women, full of instinct, who have an innate genius as
+mistress of a household.
+
+This position of affairs, which Thaddeus had led up to naturally, did
+not end without further cruel trials; his sufferings were fated not to
+be as sweet and tender as he was trying to make them. The poor lover
+forgot to reckon on the hazard of events. Adam fell seriously ill, and
+Thaddeus, instead of leaving the house, stayed to nurse his friend. His
+devotion was unwearied. A woman who had any interest in employing her
+perspicacity might have seen in this devotion a sort of punishment
+imposed by a noble soul to repress an involuntary evil thought; but
+women see all, or see nothing, according to the condition of their
+souls--love is their sole illuminator.
+
+During forty-five days Paz watched and tended Adam without appearing
+to think of Malaga, for the very good reason that he never did think of
+her. Clementine, feeling that Adam was at the point of death though he
+did not die, sent for all the leading doctors of Paris in consultation.
+
+"If he comes safely out of this," said the most distinguished of them
+all, "it will only be by an effort of nature. It is for those who nurse
+him to watch for the moment when they must second nature. The count's
+life is in the hands of his nurses."
+
+Thaddeus went to find Clementine and tell her this result of the
+consultation. He found her sitting in the Chinese pavilion, as much for
+a little rest as to leave the field to the doctors and not embarrass
+them. As he walked along the winding gravelled path which led to the
+pavilion, Thaddeus seemed to himself in the depths of an abyss described
+by Dante. The unfortunate man had never dreamed that the possibility
+might arise of becoming Clementine's husband, and now he had drowned
+himself in a ditch of mud. His face was convulsed, when he reached
+the kiosk, with an agony of grief; his head, like Medusa's, conveyed
+despair.
+
+"Is he dead?" said Clementine.
+
+"They have given him up; that is, they leave him to nature. Do not go
+in; they are still there, and Bianchon is changing the dressings."
+
+"Poor Adam! I ask myself if I have not sometimes pained him," she said.
+
+"You have made him very happy," said Thaddeus; "you ought to be easy on
+that score, for you have shown every indulgence for him."
+
+"My loss would be irreparable."
+
+"But, dear, you judged him justly."
+
+"I was never blind to his faults," she said, "but I loved him as a wife
+should love her husband."
+
+"Then you ought, in case you lose him," said Thaddeus, in a voice which
+Clementine had never heard him use, "to grieve for him less than if you
+lost a man who was your pride, your love, and all your life,--as some
+men are to you women. Surely you can be frank at this moment with a
+friend like me. I shall grieve, too; long before your marriage I had
+made him my child, I had sacrificed my life to him. If he dies I shall
+be without an interest on earth; but life is still beautiful to a widow
+of twenty-four."
+
+"Ah! but you know that I love no one," she said, with the impatience of
+grief.
+
+"You don't yet know what it is to love," said Thaddeus.
+
+"Oh, as husbands are, I have sense enough to prefer a child like my poor
+Adam to a superior man. It is now over a month that we have been saying
+to each other, 'Will he live?' and these alternations have prepared me,
+as they have you, for this loss. I can be frank with you. Well, I would
+give my life to save Adam. What is a woman's independence in Paris?
+the freedom to let herself be taken in by ruined or dissipated men who
+pretend to love her. I pray to God to leave me this husband who is so
+kind, so obliging, so little fault-finding, and who is beginning to
+stand in awe of me."
+
+"You are honest, and I love you the better for it," said Thaddeus,
+taking her hand which she yielded to him, and kissing it. "In solemn
+moments like these there is unspeakable satisfaction in finding a woman
+without hypocrisy. It is possible to converse with you. Let us look to
+the future. Suppose that God does not grant your prayer,--and no one
+cries to him more than I do, 'Leave me my friend!' Yes, these fifty
+nights have not weakened me; if thirty more days and nights are needed
+I can give them while you sleep,--yes, I will tear him from death if, as
+the doctors say, nursing can save him. But suppose that in spite of you
+and me, the count dies,--well, then, if you were loved, oh, adored, by a
+man of a heart and soul that are worthy of you--"
+
+"I may have wished for such love, foolishly, but I have never met with
+it."
+
+"Perhaps you are mistaken--"
+
+Clementine looked fixedly at Thaddeus, imagining that there was less of
+love than of cupidity in his thoughts; her eyes measured him from head
+to foot and poured contempt upon him; then she crushed him with the
+words, "Poor Malaga!" uttered in tones which a great lady alone can
+find to give expression to her disdain. She rose, leaving Thaddeus half
+unconscious behind her, slowly re-entered her boudoir, and went back to
+Adam's chamber.
+
+An hour later Paz returned to the sick-room, and began anew, with death
+in his heart, his care of the count. From that moment he said nothing.
+He was forced to struggle with the patient, whom he managed in a way
+that excited the admiration of the doctors. At all hours his watchful
+eyes were like lamps always lighted. He showed no resentment to
+Clementine, and listened to her thanks without accepting them; he seemed
+both dumb and deaf. To himself he was saying, "She shall owe his life to
+me," and he wrote the thought as it were in letters of fire on the walls
+of Adam's room. On the fifteenth day Clementine was forced to give up
+the nursing, lest she should utterly break down. Paz was unwearied. At
+last, towards the end of August, Bianchon, the family physician, told
+Clementine that Adam was out of danger.
+
+"Ah, madame, you are under no obligation to me," he said; "without his
+friend, Comte Paz, we could not have saved him."
+
+The day after the meeting of Paz and Clementine in the kiosk, the
+Marquis de Ronquerolles came to see his nephew. He was on the eve of
+starting for Russia on a secret diplomatic mission. Paz took occasion
+to say a few words to him. The first day that Adam was able to drive
+out with his wife and Thaddeus, a gentleman entered the courtyard as the
+carriage was about to leave it, and asked for Comte Paz. Thaddeus, who
+was sitting on the front seat of the caleche, turned to take a letter
+which bore the stamp of the ministry of Foreign affairs. Having read it,
+he put it into his pocket in a manner which prevented Clementine or Adam
+from speaking of it. Nevertheless, by the time they reached the porte
+Maillot, Adam, full of curiosity, used the privilege of a sick man
+whose caprices are to be gratified, and said to Thaddeus: "There's no
+indiscretion between brothers who love each other,--tell me what there
+is in that despatch; I'm in a fever of curiosity."
+
+Clementine glanced at Thaddeus with a vexed air, and remarked to her
+husband: "He has been so sulky with me for the last two months that I
+shall never ask him anything again."
+
+"Oh, as for that," replied Paz, "I can't keep it out of the newspapers,
+so I may as well tell you at once. The Emperor Nicholas has had the
+grace to appoint me captain in a regiment which is to take part in the
+expedition to Khiva."
+
+"You are not going?" cried Adam.
+
+"Yes, I shall go, my dear fellow. Captain I came, and captain I return.
+We shall dine together to-morrow for the last time. If I don't start at
+once for St. Petersburg I shall have to make the journey by land, and I
+am not rich, and I must leave Malaga a little independence. I ought to
+think of the only woman who has been able to understand me; she thinks
+me grand, superior. I dare say she is faithless, but she would jump--"
+
+"Through the hoop, for your sake and come down safely on the back of her
+horse," said Clementine sharply.
+
+"Oh, you don't know Malaga," said the captain, bitterly, with a
+sarcastic look in his eyes which made Clementine thoughtful and uneasy.
+
+"Good-by to the young trees of this beautiful Bois, which you Parisians
+love, and the exiles who find a home here love too," he said,
+presently. "My eyes will never again see the evergreens of the avenue de
+Mademoiselle, nor the acacias nor the cedars of the rond-points. On
+the borders of Asia, fighting for the Emperor, promoted to the command,
+perhaps, by force of courage and by risking my life, it may happen that
+I shall regret these Champs-Elysees where I have driven beside you, and
+where you pass. Yes, I shall grieve for Malaga's hardness--the Malaga of
+whom I am now speaking."
+
+This was said in a manner that made Clementine tremble.
+
+"Then you do love Malaga very much?" she asked.
+
+"I have sacrificed for her the honor that no man should ever sacrifice."
+
+"What honor?"
+
+"That which we desire to keep at any cost in the eyes of our idol."
+
+After that reply Thaddeus said no more; he was silent until, as they
+passed a wooden building on the Champs Elysees, he said, pointing to it,
+"That is the Circus."
+
+He went to the Russian Embassy before dinner, and thence to the Foreign
+office, and the next morning he had started for Havre before the count
+and countess were up.
+
+"I have lost a friend," said Adam, with tears in his eyes, when he heard
+that Paz had gone,--"a friend in the true meaning of the word. I don't
+know what has made him abandon me as if a pestilence were in my house.
+We are not friends to quarrel about a woman," he said, looking intently
+at Clementine. "You heard what he said yesterday about Malaga. Well, he
+has never so much as touched the little finger of that girl."
+
+"How do you know that?" said Clementine.
+
+"I had the natural curiosity to go and see Mademoiselle Turquet, and
+the poor girl can't explain even to herself the absolute reserve which
+Thad--"
+
+"Enough!" said the countess, retreating into her bedroom. "Can it be
+that I am the victim of some noble mystification?" she asked herself.
+The thought had hardly crossed her mind when Constantin brought her the
+following letter written by Thaddeus during the night:--
+
+ "Countess,--To seek death in the Caucasus and carry with me your
+ contempt is more than I can bear. A man should die untainted. When
+ I saw you for the first time I loved you as we love a woman whom
+ we shall love forever, even though she be unfaithful to us. I
+ loved you thus,--I, the friend of the man you had chosen and were
+ about to marry; I, poor; I, the steward,--a voluntary service, but
+ still the steward of your household.
+
+ "In this immense misfortune I found a happy life. To be to you an
+ indispensable machine, to know myself useful to your comfort, your
+ luxury, has been the source of deep enjoyments. If these
+ enjoyments were great when I thought only of Adam, think what they
+ were to my soul when the woman I loved was the mainspring of all I
+ did. I have known the pleasures of maternity in my love. I
+ accepted life thus. Like the paupers who live along the great
+ highways, I built myself a hut on the borders of your beautiful
+ domain, though I never sought to approach you. Poor and lonely,
+ struck blind by Adam's good fortune, I was, nevertheless, the
+ giver. Yes, you were surrounded by a love as pure as a
+ guardian-angel's; it waked while you slept; it caressed you with a
+ look as you passed; it was happy in its own existence,--you were
+ the sun of my native land to me, poor exile, who now writes to you
+ with tears in his eyes as he thinks of the happiness of those first
+ days.
+
+ "When I was eighteen years old, having no one to love, I took for
+ my ideal mistress a charming woman in Warsaw, to whom I confided
+ all my thoughts, my wishes; I made her the queen of my nights and
+ days. She knew nothing of all this; why should she? I loved my
+ love.
+
+ "You can fancy from this incident of my youth how happy I was
+ merely to live in the sphere of your existence, to groom your
+ horse, to find the new-coined gold for your purse, to prepare the
+ splendor of your dinners and your balls, to see you eclipsing the
+ elegance of those whose fortunes were greater than yours, and all
+ by my own good management. Ah! with what ardor I have ransacked
+ Paris when Adam would say to me, '_She_ wants this or that.' It was
+ a joy such as I can never express to you. You wished for a trifle
+ at one time which kept me seven hours in a cab scouring the city;
+ and what delight it was to weary myself for you. Ah! when I saw
+ you, unseen by you, smiling among your flowers, I could forget
+ that no one loved me. On certain days, when my happiness turned my
+ head, I went at night and kissed the spot where, to me, your feet
+ had left their luminous traces. The air you had breathed was
+ balmy; in it I breathed in more of life; I inhaled, as they say
+ persons do in the tropics, a vapor laden with creative principles.
+
+ "I _must_ tell you these things to explain the strange presumption
+ of my involuntary thoughts,--I would have died rather than avow it
+ until now.
+
+ "You will remember those few days of curiosity when you wished to
+ know the man who performed the household miracles you had
+ sometimes noticed. I thought,--forgive me, madame,--I believed you
+ might love me. Your good-will, your glances interpreted by me, a
+ lover, seemed to me so dangerous--for me--that I invented that
+ story of Malaga, knowing it was the sort of liaison which women
+ cannot forgive. I did it in a moment when I felt that my love
+ would be communicated, fatally, to you. Despise me, crush me with
+ the contempt you have so often cast upon me when I did not deserve
+ it; and yet I am certain that, if, on that evening when your aunt
+ took Adam away from you, I had said what I have now written to
+ you, I should, like the tamed tiger that sets his teeth once more
+ in living flesh, and scents the blood, and--
+
+ "Midnight."
+
+ "I could not go on; the memory of that hour is still too living.
+ Yes, I was maddened. Was there hope for me in your eyes? then
+ victory with its scarlet banners would have flamed in mine and
+ fascinated yours. My crime has been to think all this; perhaps
+ wrongly. You alone can judge of that dreadful scene when I drove
+ back love, desire, all the most invincible forces of our manhood,
+ with the cold hand of gratitude,--gratitude which must be eternal.
+
+ "Your terrible contempt has been my punishment. You have shown me
+ there is no return from loathing or disdain. I love you madly. I
+ should have gone had Adam died; all the more must I go because he
+ lives. A man does not tear his friend from the arms of death to
+ betray him. Besides, my going is my punishment for the thought
+ that came to me that I would let him die, when the doctors said
+ that his life depended on his nursing.
+
+ "Adieu, madame; in leaving Paris I lose all, but you lose nothing
+ now in my being no longer near you.
+
+ "Your devoted
+
+ "Thaddeus Paz."
+
+
+"If my poor Adam says he has lost a friend, what have I lost?" thought
+Clementine, sinking into a chair with her eyes fixed on the carpet.
+
+The following letter Constantin had orders to give privately to the
+count:--
+
+ "My dear Adam,--Malaga has told me all. In the name of all your
+ future happiness, never let a word escape you to Clementine about
+ your visits to that girl; let her think that Malaga has cost me a
+ hundred thousand francs. I know Clementine's character; she will
+ never forgive you either your losses at cards or your visits to
+ Malaga.
+
+ "I am not going to Khiva, but to the Caucasus. I have the spleen;
+ and at the pace at which I mean to go I shall be either Prince
+ Paz in three years, or dead. Good-by; though I have taken
+ sixty-thousand francs from Nucingen, our accounts are even.
+
+"Thaddeus."
+
+
+"Idiot that I was," thought Adam; "I came near to cutting my throat just
+now, talking about Malaga."
+
+It is now three years since Paz went away. The newspapers have as yet
+said nothing about any Prince Paz. The Comtesse Laginska is immensely
+interested in the expeditions of the Emperor Nicholas; she is Russian to
+the core, and reads with a sort of avidity all the news that comes from
+that distant land. Once or twice every winter she says to the Russian
+ambassador, with an air of indifference, "Do you know what has become of
+our poor Comte Paz?"
+
+Alas! most Parisian women, those beings who think themselves so clever
+and clear-sighted, pass and repass beside a Paz and never recognize
+him. Yes, many a Paz is unknown and misconceived, but--horrible to think
+of!--some are misconceived even though they are loved. The simplest
+women in society exact a certain amount of conventional sham from
+the greatest men. A noble love signifies nothing to them if rough and
+unpolished; it needs the cutting and setting of a jeweller to give it
+value in their eyes.
+
+In January, 1842, the Comtesse Laginska, with her charm of gentle
+melancholy, inspired a violent passion in the Comte de La Palferine, one
+of the most daring and presumptuous lions of the day. La Palferine was
+well aware that the conquest of a woman so guarded by reserve as the
+Comtesse Laginska was difficult, but he thought he could inveigle this
+charming creature into committing herself if he took her unawares, by
+the assistance of a certain friend of her own, a woman already jealous
+of her.
+
+Quite incapable, in spite of her intelligence, of suspecting such
+treachery, the Comtesse Laginska committed the imprudence of going with
+her so-called friend to a masked ball at the Opera. About three in the
+morning, led away by the excitement of the scene, Clementine, on whom La
+Palferine had expended his seductions, consented to accept a supper,
+and was about to enter the carriage of her faithless friend. At this
+critical moment her arm was grasped by a powerful hand, and she was
+taken, in spite of her struggles, to her own carriage, the door of which
+stood open, though she did not know it was there.
+
+"He has never left Paris!" she exclaimed to herself as she recognized
+Thaddeus, who disappeared when the carriage drove away.
+
+Did any woman ever have a like romance in her life? Clementine is
+constantly hoping she may again see Paz.
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+ Bianchon, Horace
+ Father Goriot
+ The Atheist's Mass
+ Cesar Birotteau
+ The Commission in Lunacy
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ The Secrets of a Princess
+ The Government Clerks
+ Pierrette
+ A Study of Woman
+ Scenes from a Courtesan's Life
+ Honorine
+ The Seamy Side of History
+ The Magic Skin
+ A Second Home
+ A Prince of Bohemia
+ Letters of Two Brides
+ The Muse of the Department
+ The Middle Classes
+ Cousin Betty
+ The Country Parson
+ In addition, M. Bianchon narrated the following:
+ Another Study of Woman
+ La Grande Breteche
+
+ Laginski, Comte Adam Mitgislas
+ Another Study of Woman
+ Cousin Betty
+
+ La Palferine, Comte de
+ A Prince of Bohemia
+ A Man of Business
+ Cousin Betty
+ Beatrix
+
+ Lelewel
+ The Seamy Side of History
+
+ Nathan, Madame Raoul
+ The Muse of the Department
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Scenes from a Courtesan's Life
+ The Government Clerks
+ A Bachelor's Establishment
+ Ursule Mirouet
+ Eugenie Grandet
+ A Prince of Bohemia
+ A Daughter of Eve
+ The Unconscious Humorists
+
+ Paz, Thaddee
+ Cousin Betty
+
+ Ronquerolles, Marquis de
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Thirteen
+ The Member for Arcis
+
+ Rouvre, Marquis du
+ A Start in Life
+ Ursule Mirouet
+
+ Rouvre, Chevalier du
+ Ursule Mirouet
+
+ Schinner, Hippolyte
+ The Purse
+ A Bachelor's Establishment
+ Pierre Grassou
+ A Start in Life
+ Albert Savarus
+ The Government Clerks
+ Modeste Mignon
+ The Unconscious Humorists
+
+ Serizy, Comtesse de
+ A Start in Life
+ The Thirteen
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+
+ Serizy, Vicomte de
+ A Start in Life
+ Modeste Mignon
+
+ Souchet, Francois
+ The Purse
+ A Daughter of Eve
+
+ Steinbock, Count Wenceslas
+ Cousin Betty
+
+ Turquet, Marguerite
+ The Muse of the Department
+ A Man of Business
+ Cousin Betty
+
+
+
+
+
+End of the Project Gutenberg EBook of Paz, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+***** This file should be named 1369.txt or 1369.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/3/6/1369/
+
+Produced by John Bickers, and Dagny
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/1369.zip b/old/1369.zip
new file mode 100644
index 0000000..4e87afe
--- /dev/null
+++ b/old/1369.zip
Binary files differ
diff --git a/old/old/20050606-1369.txt b/old/old/20050606-1369.txt
new file mode 100644
index 0000000..4a1f3c5
--- /dev/null
+++ b/old/old/20050606-1369.txt
@@ -0,0 +1,2595 @@
+The Project Gutenberg EBook of Paz, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+
+Title: Paz
+
+Author: Honore de Balzac
+
+Release Date: June 6, 2005 [EBook #1369]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+
+
+
+Produced by John Bickers, and Dagny
+
+
+
+
+
+ PAZ
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+ Translated by
+
+ Katharine Prescott Wormeley
+
+
+
+ DEDICATION
+
+ Dedicated to the Comtesse Clara Maffei.
+
+
+
+
+ PAZ
+ (LA FAUSSE MAITRESSE)
+
+
+
+ I
+
+In September, 1835, one of the richest heiresses of the faubourg
+Saint-Germain, Mademoiselle du Rouvre, the only daughter of the
+Marquis du Rouvre, married Comte Adam Mitgislas Laginski, a young
+Polish exile.
+
+We ask permission to write these Polish names as they are pronounced,
+to spare our readers the aspect of the fortifications of consonants by
+which the Slave language protects its vowels,--probably not to lose
+them, considering how few there are.
+
+The Marquis du Rouvre had squandered nearly the whole of a princely
+fortune, which he obtained originally through his marriage with a
+Demoiselle de Ronquerolles. Therefore, on her mother's side Clementine
+du Rouvre had the Marquis de Ronquerolles for uncle, and Madame de
+Serizy for aunt. On her father's side she had another uncle in the
+eccentric person of the Chevalier du Rouvre, a younger son of the
+house, an old bachelor who had become very rich by speculating in
+lands and houses. The Marquis de Ronquerolles had the misfortune to
+lose both his children at the time of the cholera, and the only son of
+Madame de Serizy, a young soldier of great promise, perished in Africa
+in the affair of the Makta. In these days rich families stand between
+the danger of impoverishing their children if they have too many, or
+of extinguishing their names if they have too few,--a singular result
+of the Code which Napoleon never thought of. By a curious turn of
+fortune Clementine became, in spite of her father having squandered
+his substance on Florine (one of the most charming actresses in
+Paris), a great heiress. The Marquis de Ronquerolles, a clever
+diplomatist under the new dynasty, his sister, Madame de Serizy, and
+the Chevalier du Rouvre agreed, in order to save their fortunes from
+the dissipations of the marquis, to settle them on their niece, to
+whom, moreover, they each pledged themselves to pay ten thousand
+francs a year from the day of her marriage.
+
+It is quite unnecessary to say that the Polish count, though an exile,
+was no expense to the French government. Comte Adam Laginski belonged
+to one of the oldest and most illustrious families in Poland, which
+was allied to many of the princely houses of Germany,--Sapieha,
+Radziwill, Mniszech, Rzewuski, Czartoryski, Leczinski, Lubormirski,
+and all the other great Sarmatian SKIS. But heraldic knowledge is not
+the most distinguishing feature of the French nation under
+Louis-Philippe, and Polish nobility was no great recommendation to
+The bourgeoisie who were lording it in those days. Besides, when Adam
+first made his appearance, in 1833, on the boulevard des Italiens, at
+Frascati, and at the Jockey-Club, he was leading the life of a young
+man who, having lost his political prospects, was taking his pleasure
+in Parisian dissipation. At first he was thought to be a student.
+
+The Polish nationality had at this period fallen as low in French
+estimation, thanks to a shameful governmental reaction, as the
+republicans had sought to raise it. The singular struggle of the
+Movement against Resistance (two words which will be inexplicable
+thirty years hence) made sport of what ought to have been truly
+respected,--the name of a conquered nation to whom the French had
+offered hospitality, for whom fetes had been given (with songs and
+dances by subscription), above all, a nation which in the Napoleonic
+struggle between France and Europe had given us six thousand men, and
+what men!
+
+Do not infer from this that either side is taken here; either that of
+the Emperor Nicholas against Poland, or that of Poland against the
+Emperor. It would be a foolish thing to slip political discussion into
+tales that are intended to amuse or interest. Besides, Russia and
+Poland were both right,--one to wish the unity of its empire, the
+other to desire its liberty. Let us say in passing that Poland might
+have conquered Russia by the influence of her morals instead of
+fighting her with weapons; she should have imitated China which, in
+the end, Chinesed the Tartars, and will, it is to be hoped, Chinese
+the English. Poland ought to have Polonized Russia. Poniatowski tried
+to do so in the least favorable portion of the empire; but as a king
+he was little understood,--because, possibly, he did not fully
+understand himself.
+
+But how could the Parisians avoid disliking an unfortunate people who
+were the cause of that shameful falsehood enacted during the famous
+review at which all Paris declared its will to succor Poland? The
+Poles were held up to them as the allies of the republican party, and
+they never once remembered that Poland was a republic of aristocrats.
+From that day forth the bourgeoisie treated with base contempt the
+exiles of the nation it had worshipped a few days earlier. The wind of
+a riot is always enough to veer the Parisians from north to south
+under any regime. It is necessary to remember these sudden
+fluctuations of feeling in order to understand why it was that in 1835
+the word "Pole" conveyed a derisive meaning to a people who consider
+themselves the wittiest and most courteous nation on earth, and their
+city of Paris the focus of enlightenment, with the sceptre of arts and
+literature within its grasp.
+
+There are, alas! two sorts of Polish exiles,--the republican Poles,
+sons of Lelewel, and the noble Poles, at the head of whom is Prince
+Adam Czartoryski. The two classes are like fire and water; but why
+complain of that? Such divisions are always to be found among exiles,
+no matter of what nation they may be, or in what countries they take
+refuge. They carry their countries and their hatreds with them. Two
+French priests, who had emigrated to Brussels during the Revolution,
+showed the utmost horror of each other, and when one of them was asked
+why, he replied with a glance at his companion in misery: "Why?
+because he's a Jansenist!" Dante would gladly have stabbed a Guelf had
+he met him in exile. This explains the virulent attacks of the French
+against the venerable Prince Adam Czartoryski, and the dislike shown
+to the better class of Polish exiles by the shopkeeping Caesars and
+the licensed Alexanders of Paris.
+
+In 1834, therefore, Adam Mitgislas Laginski was something of a butt
+for Parisian pleasantry.
+
+"He is rather nice, though he is a Pole," said Rastignac.
+
+"All these Poles pretend to be great lords," said Maxime de Trailles,
+"but this one does pay his gambling debts, and I begin to think he
+must have property."
+
+Without wishing to offend these banished men, it may be allowable to
+remark that the light-hearted, careless inconsistency of the Sarmatian
+character does justify in some degree the satire of the Parisians,
+who, by the bye, would behave in like circumstances exactly as the
+Poles do. The French aristocracy, so nobly succored during the
+Revolution by the Polish lords, certainly did not return the kindness
+in 1832. Let us have the melancholy courage to admit this, and to say
+that the faubourg Saint-Germain is still the debtor of Poland.
+
+Was Comte Adam rich, or was he poor, or was he an adventurer? This
+problem was long unsolved. The diplomatic salons, faithful to
+instructions, imitated the silence of the Emperor Nicholas, who held
+that all Polish exiles were virtually dead and buried. The court of
+the Tuileries, and all who took their cue from it, gave striking proof
+of the political quality which was then dignified by the name of
+sagacity. They turned their backs on a Russian prince with whom they
+had all been on intimate terms during the Emigration, merely because
+it was said that the Emperor Nicholas gave him the cold shoulder.
+Between the caution of the court and the prudence of the diplomates,
+the Polish exiles of distinction lived in Paris in the Biblical
+solitude of "super flumina Babylonis," or else they haunted a few
+salons which were the neutral ground of all opinions. In a city of
+pleasure, like Paris, where amusements abound on all sides, the
+heedless gayety of a Pole finds twice as many encouragements as it
+needs to a life of dissipation.
+
+It must be said, however, that Adam had two points against him,--his
+appearance, and his mental equipment. There are two species of Pole,
+as there are two species of Englishwoman. When an Englishwoman is not
+very handsome she is horribly ugly. Comte Adam belonged in the second
+category of human beings. His small face, rather sharp in expression,
+looked as if it had been pressed in a vise. His short nose, and fair
+hair, and reddish beard and moustache made him look all the more like
+a goat because he was small and thin, and his tarnished yellow eyes
+caught you with that oblique look which Virgil celebrates. How came
+he, in spite of such obvious disadvantages, to possess really
+exquisite manners and a distinguished air? The problem is solved
+partly by the care and elegance of his dress, and partly by the
+training given him by his mother, a Radziwill. His courage amounted to
+daring, but his mind was not more than was needed for the ephemeral
+talk and pleasantry of Parisian conversation. And yet it would have
+been difficult to find among the young men of fashion in Paris a
+single one who was his superior. Young men talk a great deal too much
+in these days of horses, money, taxes, deputies; French _conversation_
+is no longer what it was. Brilliancy of mind needs leisure and certain
+social inequalities to bring it out. There is, probably, more real
+conversation in Vienna or St. Petersburg than in Paris. Equals do not
+need to employ delicacy or shrewdness in speech; they blurt out things
+as they are. Consequently the dandies of Paris did not discover the
+great seigneur in the rather heedless young fellow who, in their
+talks, would flit from one subject to another, all the more intent
+upon amusement because he had just escaped from a great peril, and,
+finding himself in a city where his family was unknown, felt at
+liberty to lead a loose life without the risk of disgracing his name.
+
+But one fine day in 1834 Adam suddenly bought a house in the rue de la
+Pepiniere. Six months later his style of living was second to none in
+Paris. About the time when he thus began to take himself seriously he
+had seen Clementine du Rouvre at the Opera and had fallen in love with
+her. A year later the marriage took place. The salon of Madame
+d'Espard was the first to sound his praises. Mothers of daughters then
+learned too late that as far back as the year 900 the family of the
+Laginski was among the most illustrious of the North. By an act of
+prudence which was very unPolish, the mother of the young count had
+mortgaged her entire property on the breaking out of the insurrection
+for an immense sum lent by two Jewish bankers in Paris. Comte Adam was
+now in possession of eighty thousand francs a year. When this was
+discovered society ceased to be surprised at the imprudence which had
+been laid to the charge of Madame de Serizy, the Marquis de
+Ronquerolles, and the Chevalier du Rouvre in yielding to the foolish
+passion of their niece. People jumped, as usual, from one extreme of
+judgment to the other.
+
+During the winter of 1836 Comte Adam was the fashion, and Clementine
+Laginska one of the queens of Paris. Madame Laginska is now a member
+of that charming circle of young women represented by Mesdames de
+Lestorade, de Portenduere, Marie de Vandenesse, du Guenic, and de
+Maufrigneuse, the flowers of our present Paris, who live at such
+immeasurable distance from the parvenus, the vulgarians, and the
+speculators of the new regime.
+
+This preamble is necessary to show the sphere in which was done one of
+those noble actions, less rare than the calumniators of our time
+admit,--actions which, like pearls, the fruit of pain and suffering,
+are hidden within rough shells, lost in the gulf, the sea, the tossing
+waves of what we call society, the century, Paris, London, St.
+Petersburg,--or what you will.
+
+If the axiom that architecture is the expression of manner and morals
+was ever proved, it was certainly after the insurrection of 1830,
+during the present reign of the house of Orleans. As all the old
+fortunes are diminishing in France, the majestic mansions of our
+ancestors are constantly being demolished and replaced by species of
+phalansteries, in which the peers of July occupy the third floor above
+some newly enriched empirics on the lower floors. A mixture of styles
+is confusedly employed. As there is no longer a real court or nobility
+to give the tone, there is no harmony in the production of art. Never,
+on the other hand, has architecture discovered so many economical ways
+of imitating the real and the solid, or displayed more resources, more
+talent, in distributing them. Propose to an architect to build upon
+the garden at the back of an old mansion, and he will run you up a
+little Louvre overloaded with ornament. He will manage to get in a
+courtyard, stables, and if you care for it, a garden. Inside the house
+he will accommodate a quantity of little rooms and passages. He is so
+clever in deceiving the eye that you think you will have plenty of
+space; but it is only a nest of small rooms, after all, in which a
+ducal family has to turn itself about in the space that its own
+bakehouse formerly occupied.
+
+The hotel of the Comtesse Laginska, rue de la Pepiniere, is one of
+these creations, and stands between court and garden. On the right, in
+the court, are the kitchens and offices; to the left the coachhouse
+and stables. The porter's lodge is between two charming
+portes-cocheres. The chief luxury of the house is a delightful
+greenhouse contrived at the end of a boudoir on the ground-floor which
+opens upon an admirable suite of reception rooms. An English
+philanthropist had built this architectural bijou, designed the garden,
+added the greenhouse, polished the doors, bricked the courtyard, painted
+the window-frames green, and realized, in short, a dream which resembled
+(proportions excepted) George the Fourth's Pavilion at Brighton. The
+inventive and industrious Parisian workmen had moulded the doors and
+window-frames; the ceilings were imitated from the middle-ages or
+those of a Venetian palace; marble veneering abounded on the outer
+walls. Steinbock and Francois Souchet had designed the mantel-pieces
+and the panels above the doors; Schinner had painted the ceilings in
+his masterly manner. The beauties of the staircase, white as a woman's
+arm, defied those of the hotel Rothschild. On account of the riots and
+the unsettled times, the cost of this folly was only about eleven
+hundred thousand francs,--to an Englishman a mere nothing. All this
+luxury, called princely by persons who do not know what real princes
+are, was built in the garden of the house of a purveyor made a Croesus
+by the Revolution, who had escaped to Brussels and died there after
+going into bankruptcy. The Englishman died in Paris, of Paris; for to
+many persons Paris is a disease,--sometimes several diseases. His
+widow, a Methodist, had a horror of the little nabob establishment,
+and ordered it to be sold. Comte Adam bought it at a bargain; and how
+he came to do so shall presently be made known, for bargains were not
+at all in his line as a grand seigneur.
+
+Behind the house lay the verdant velvet of an English lawn shaded at
+the lower end by a clump of exotic trees, in the midst of which stood
+a Chinese pagoda with soundless belfries and motionless golden eggs.
+The greenhouse concealed the garden wall on the northern side, the
+opposite wall was covered with climbing plants trained upon poles
+painted green and connected with crossway trellises. This lawn, this
+world of flowers, the gravelled paths, the simulated forest, the
+verdant palisades, were contained within the space of five and twenty
+square rods, which are worth to-day four hundred thousand francs,--the
+value of an actual forest. Here, in this solitude in the middle of
+Paris, the birds sang, thrushes, nightingales, warblers, bulfinches,
+and sparrows. The greenhouse was like an immense jardiniere, filling
+the air with perfume in winter as in summer. The means by which its
+atmosphere was made to order, torrid as in China or temperate as in
+Italy, were cleverly concealed. Pipes in which hot water circulated,
+or steam, were either hidden under ground or festooned with plants
+overhead. The boudoir was a large room. The miracle of the modern
+Parisian fairy named Architecture is to get all these many and great
+things out of a limited bit of ground.
+
+The boudoir of the young countess was arranged to suit the taste of
+the artist to whom Comte Adam entrusted the decoration of the house.
+It is too full of pretty nothings to be a place for repose; one scarce
+knows where to sit down among carved Chinese work-tables with their
+myriads of fantastic figures inlaid in ivory, cups of yellow topaz
+mounted on filagree, mosaics which inspire theft, Dutch pictures in
+the style which Schinner has adopted, angels such as Steinbock
+conceived but often could not execute, statuettes modelled by genius
+pursued by creditors (the real explanation of the Arabian myth),
+superb sketches by our best artists, lids of chests made into panels
+alternating with fluted draperies of Italian silk, portieres hanging
+from rods of old oak in tapestried masses on which the figures of some
+hunting scene are swarming, pieces of furniture worthy to have
+belonged to Madame de Pompadour, Persian rugs, et cetera. For a last
+graceful touch, all these elegant things were subdued by the
+half-light which filtered through embroidered curtains and added to
+their charm. On a table between the windows, among various curiosities,
+lay a whip, the handle designed by Mademoiselle de Fauveau, which
+proved that the countess rode on horseback.
+
+Such is a lady's boudoir in 1837,--an exhibition of the contents of
+many shops, which amuse the eye, as if ennui were the one thing to be
+dreaded by the social world of the liveliest and most stirring capital
+in Europe. Why is there nothing of an inner life? nothing which leads
+to revery, nothing reposeful? Why indeed? Because no one in our day is
+sure of the future; we are living our lives like prodigal annuitants.
+
+One morning Clementine appeared to be thinking of something. She was
+lying at full length on one of those marvellous couches from which it
+is almost impossible to rise, the upholsterer having invented them for
+lovers of the "far niente" and its attendant joys of laziness to sink
+into. The doors of the greenhouse were open, letting the odors of
+vegetation and the perfume of the tropics pervade the room. The young
+wife was looking at her husband who was smoking a narghile, the only
+form of pipe she would have suffered in that room. The portieres, held
+back by cords, gave a vista through two elegant salons, one white and
+gold, comparable only to that of the hotel Forbin-Janson, the other in
+the style of the Renaissance. The dining-room, which had no rival in
+Paris except that of the Baron de Nucingen, was at the end of a short
+gallery decorated in the manner of the middle-ages. This gallery
+opened on the side of the courtyard upon a large antechamber, through
+which could be seen the beauties of the staircase.
+
+The count and countess had just finished breakfast; the sky was a
+sheet of azure without a cloud, April was nearly over. They had been
+married two years, and Clementine had just discovered for the first
+time that there was something resembling a secret or a mystery in her
+household. The Pole, let us say it to his honor, is usually helpless
+before a woman; he is so full of tenderness for her that in Poland he
+becomes her inferior, though Polish women make admirable wives. Now a
+Pole is still more easily vanquished by a Parisian woman. Consequently
+Comte Adam, pressed by questions, did not even attempt the innocent
+roguery of selling the suspected secret. It is always wise with a
+woman to get some good out of a mystery; she will like you the better
+for it, as a swindler respects an honest man the more when he finds he
+cannot swindle him. Brave in heart but not in speech, Comte Adam
+merely stipulated that he should not be compelled to answer until he
+had finished his narghile.
+
+"If any difficulty occurred when we were travelling," said Clementine,
+"you always dismissed it by saying, 'Paz will settle that.' You never
+wrote to any one but Paz. When we returned here everybody kept saying,
+'the captain, the captain.' If I want the carriage--'the captain.' Is
+there a bill to pay--'the captain.' If my horse is not properly
+bitted, they must speak to Captain Paz. In short, it is like a game of
+dominoes--Paz is everywhere. I hear of nothing but Paz, but I never
+see Paz. Who and what is Paz? Why don't you bring forth your Paz?"
+
+"Isn't everything going on right?" asked the count, taking the
+"bocchettino" of his narghile from his lips.
+
+"Everything is going on so right that other people with an income of
+two hundred thousand francs would ruin themselves by going at our
+pace, and we have only one hundred and ten thousand."
+
+So saying she pulled the bell-cord (an exquisite bit of needlework). A
+footman entered, dressed like a minister.
+
+"Tell Captain Paz that I wish to see him."
+
+"If you think you are going to find out anything that way--" said
+Comte Adam, laughing.
+
+It is well to mention that Adam and Clementine, married in December,
+1835, had gone soon after the wedding to Italy, Switzerland, and
+Germany, where they spent the greater part of two years. Returning to
+Paris in November, 1837, the countess entered society for the first
+time as a married woman during the winter which had just ended, and
+she then became aware of the existence, half-suppressed and wholly
+dumb but very useful, of a species of factotum who was personally
+invisible, named Paz,--spelt thus, but pronounced "Patz."
+
+"Monsieur le capitaine Paz begs Madame la comtesse to excuse him,"
+said the footman, returning. "He is at the stables; as soon as he has
+changed his dress Comte Paz will present himself to Madame."
+
+"What was he doing at the stables?"
+
+"He was showing them how to groom Madame's horse," said the man. "He
+was not pleased with the way Constantin did it."
+
+The countess looked at the footman. He was perfectly serious and did
+not add to his words the sort of smile by which servants usually
+comment on the actions of a superior who seems to them to derogate
+from his position.
+
+"Ah! he was grooming Cora."
+
+"Madame la comtesse intends to ride out this morning?" said the
+footman, leaving the room without further answer.
+
+"Is Paz a Pole?" asked Clementine, turning to her husband, who nodded
+by way of affirmation.
+
+Madame Laginska was silent, examining Adam. With her feet extended
+upon a cushion and her head poised like that of a bird on the edge of
+its nest listening to the noises in a grove, she would have seemed
+enchanting even to a blase man. Fair and slender, and wearing her hair
+in curls, she was not unlike those semi-romantic pictures in the
+Keepsakes, especially when dressed, as she was this morning, in a
+breakfast gown of Persian silk, the folds of which could not disguise
+the beauty of her figure or the slimness of her waist. The silk with
+its brilliant colors being crossed upon the bosom showed the spring of
+the neck,--its whiteness contrasting delightfully against the tones of
+a guipure lace which lay upon her shoulders. Her eyes and their long
+black lashes added at this moment to the expression of curiosity which
+puckered her pretty mouth. On the forehead, which was well modelled,
+an observer would have noticed a roundness characteristic of the true
+Parisian woman,--self-willed, merry, well-informed, but inaccessible
+to vulgar seductions. Her hands, which were almost transparent, were
+hanging down at the end of each arm of her chair; the tapering
+fingers, slightly turned up at their points, showed nails like
+almonds, which caught the light. Adam smiled at his wife's impatience,
+and looked at her with a glance which two years of married life had
+not yet chilled. Already the little countess had made herself mistress
+of the situation, for she scarcely paid attention to her husband's
+admiration. In fact, in the look which she occasionally cast at him,
+there seemed to be the consciousness of a Frenchwoman's ascendancy
+over the puny, volatile, and red-haired Pole.
+
+"Here comes Paz," said the count, hearing a step which echoed through
+the gallery.
+
+The countess beheld a tall and handsome man, well-made, and bearing on
+his face the signs of pain which come of inward strength and secret
+endurance of sorrow. He wore one of those tight, frogged overcoats
+which were then called "polonaise." Thick, black hair, rather unkempt,
+covered his square head, and Clementine noticed his broad forehead
+shining like a block of white marble, for Paz held his visored cap in
+his hand. The hand itself was like that of the Infant Hercules. Robust
+health flourished on his face, which was divided by a large Roman nose
+and reminded Clementine of some handsome Transteverino. A black silk
+cravat added to the martial appearance of this six-foot mystery, with
+eyes of jet and Italian fervor. The amplitude of his pleated trousers,
+which allowed only the tips of his boots to be seen, revealed his
+faithfulness to the fashions of his own land. There was something
+really burlesque to a romantic woman in the striking contrast no one
+could fail to remark between the captain and the count, the little
+Pole with his pinched face and the stalwart soldier.
+
+"Good morning, Adam," he said familiarly. Then he bowed courteously as
+he asked Clementine what he could do for her.
+
+"You are Laginski's friend!" exclaimed the countess.
+
+"For life and death," answered Paz, to whom the count threw a smile of
+affection as he drew a last puff from his perfumed pipe.
+
+"Then why don't you take your meals with us? why did you not accompany
+us to Italy and Switzerland? why do you hide yourself in such a way
+that I am unable to thank you for the constant services that you do
+for us?" said the countess, with much vivacity of manner but no
+feeling.
+
+In fact, she thought she perceived in Paz a sort of voluntary
+servitude. Such an idea carried with it in her mind a certain contempt
+for a social amphibian, a being half-secretary, half-bailiff, and yet
+neither the one nor the other, a poor relation, an embarrassing
+friend.
+
+"Because, countess," he answered with perfect ease of manner, "there
+are no thanks due. I am Adam's friend, and it gives me pleasure to
+take care of his interests."
+
+"And you remain standing for your pleasure, too," remarked Comte Adam.
+
+Paz sat down on a chair near the door.
+
+"I remember seeing you about the time I was married, and afterwards in
+the courtyard," said Clementine. "But why do you put yourself in a
+position of inferiority,--you, Adam's friend?"
+
+"I am perfectly indifferent to the opinion of the Parisians," he
+replied. "I live for myself, or, if you like, for you two."
+
+"But the opinion of the world as to a friend of my husband is not
+indifferent to me--"
+
+"Ah, madame, the world will be satisfied if you tell them I am 'an
+original.'"
+
+After a moment's silence he added, "Are you going out to-day?"
+
+"Will you come with us to the Bois?"
+
+"Certainly."
+
+So saying, Paz bowed and withdrew.
+
+"What a good soul he is!" said Adam. "He has all the simplicity of a
+child."
+
+"Now tell me all about your relations with him," said Clementine.
+
+"Paz, my dear," said Laginski, "belongs to a noble family as old and
+illustrious as our own. One of the Pazzi of Florence, at the time of
+their disasters, fled to Poland, where he settled with some of his
+property and founded the Paz family, to which the title of count was
+granted. This family, which distinguished itself greatly in the
+glorious days of our royal republic, became rich. The graft from the
+tree that was felled in Italy flourished so vigorously in Poland that
+there are several branches of the family still there. I need not tell
+you that some are rich and some are poor. Our Paz is the scion of a
+poor branch. He was an orphan, without other fortune than his sword,
+when he served in the regiment of the Grand Duke Constantine at the
+time of our revolution. Joining the Polish cause, he fought like a
+Pole, like a patriot, like a man who has nothing,--three good reasons
+for fighting well. In his last affair, thinking he was followed by his
+men, he dashed upon a Russian battery and was taken prisoner. I was
+there. His brave act roused me. 'Let us go and get him!' I said to my
+troop, and we charged the battery like a lot of foragers. I got Paz--I
+was the seventh man; we started twenty and came back eight, counting
+Paz. After Warsaw was sold we were forced to escape those Russians. By
+a curious chance, Paz and I happened to come together again, at the
+same hour and the same place, on the other side of the Vistula. I saw
+the poor captain arrested by some Prussians, who made themselves the
+blood-hounds of the Russians. When we have fished a man out of the
+Styx we cling to him. This new danger for poor Paz made me so unhappy
+that I let myself be taken too, thinking I could help him. Two men can
+get away where one will perish. Thanks to my name and some family
+connections in Prussia, the authorities shut their eyes to my escape.
+I got my dear captain through as a man of no consequence, a family
+servant, and we reached Dantzic. There we got on board a Dutch vessel
+and went to London. It took us two months to get there. My mother was
+ill in England, and expecting me. Paz and I took care of her till her
+death, which the Polish troubles hastened. Then we left London and
+came to France. Men who go through such adversities become like
+brothers. When I reached Paris, at twenty-two years of age, and found
+I had an income of over sixty thousand francs a year, without counting
+the proceeds of the diamonds and the pictures sold by my mother, I
+wanted to secure the future of my dear Paz before I launched into
+dissipation. I had often noticed the sadness in his eyes--sometimes
+tears were in them. I had had good reason to understand his soul,
+which is noble, grand, and generous to the core. I thought he might
+not like to be bound by benefits to a friend who was six years younger
+than himself, unless he could repay them. I was careless and
+frivolous, just as a young fellow is, and I knew I was certain to ruin
+myself at play, or get inveigled by some woman, and Paz and I might
+then be parted; and though I had every intention of always looking out
+for him, I knew I might sometime or other forget to provide for him.
+In short, my dear angel, I wanted to spare him the pain and
+mortification of having to ask me for money, or of having to hunt me
+up if he got into distress. SO, one morning, after breakfast, when we
+were sitting with our feet on the andirons smoking pipes, I produced,
+--with the utmost precaution, for I saw him look at me uneasily,--a
+certificate of the Funds payable to bearer for a certain sum of money
+a year."
+
+Clementine jumped up and went and seated herself on Adam's knee, put
+her arms round his neck, and kissed him. "Dear treasure!" she said,
+"how handsome he is! Well, what did Paz do?"
+
+"Thaddeus turned pale," said the count, "but he didn't say a word."
+
+"Oh! his name is Thaddeus, is it?"
+
+"Yes; Thaddeus folded the paper and gave it back to me, and then he
+said: 'I thought, Adam, that we were one for life or death, and that
+we should never part. Do you want to be rid of me?' 'Oh!' I said, 'if
+you take it that way, Thaddeus, don't let us say another word about
+it. If I ruin myself you shall be ruined too.' 'You haven't fortune
+enough to live as a Laginski should,' he said, 'and you need a friend
+who will take care of your affairs, and be a father and a brother and
+a trusty confidant.' My dear child, as Paz said that he had in his
+look and voice, calm as they were, a maternal emotion, and also the
+gratitude of an Arab, the fidelity of a dog, the friendship of a
+savage,--not displayed, but ever ready. Faith! I seized him, as we
+Poles do, with a hand on each shoulder, and I kissed him on the lips.
+'For life and death, then! all that I have is yours--do what you will
+with it.' It was he who found me this house and bought it for next to
+nothing. He sold my Funds high and bought in low, and we have paid for
+this barrack with the profits. He knows horses, and he manages to buy
+and sell at such advantage that my stable really costs very little;
+and yet I have the finest horses and the most elegant equipages in all
+Paris. Our servants, brave Polish soldiers chosen by him, would go
+through fire and water for us. I seem, as you say, to be ruining
+myself; and yet Paz keeps the house with such method and economy that
+he has even repaired some of my foolish losses at play,--the
+thoughtless folly of a young man. My dear, Thaddeus is as shrewd as
+two Genoese, as eager for gain as a Polish Jew, and provident as a
+good housekeeper. I never could force him to live as I did when I was
+a bachelor. Sometimes I had to use a sort of friendly coercion to make
+him go to the theatre with me when I was alone, or to the jovial
+little dinners I used to give at a tavern. He doesn't like social
+life."
+
+"What does he like, then?" asked Clementine.
+
+"Poland; he loves Poland and pines for it. His only spendings are sums
+he gives, more in my name than in his own, to some of our poor
+brother-exiles."
+
+"Well, I shall love him, the fine fellow!" said the countess, "he
+looks to me as simple-hearted as he is grand."
+
+"All these pretty things you have about you," continued Adam, who
+praised his friend in the noblest sincerity, "he picked up; he bought
+them at auction, or as bargains from the dealers. Oh! he's keener than
+they are themselves. If you see him rubbing his hands in the
+courtyard, you may be sure he has traded away one good horse for a
+better. He lives for me; his happiness is to see me elegant, in a
+perfectly appointed equipage. The duties he takes upon himself are all
+accomplished without fuss or emphasis. One evening I lost twenty
+thousand francs at whist. 'What will Paz say?' thought I as I walked
+home. Paz paid them to me, not without a sigh; but he never reproached
+me, even by a look. But that sigh of his restrained me more than the
+remonstrances of uncles, mothers, or wives could have done. 'Do you
+regret the money?' I said to him. 'Not for you or me, no,' he replied;
+'but I was thinking that twenty poor Poles could have lived a year on
+that sum.' You must understand that the Pazzi are fully the equal of
+the Laginski, so I couldn't regard my dear Paz as an inferior. I never
+went out or came in without going first to Paz, as I would to my
+father. My fortune is his; and Thaddeus knows that if danger
+threatened him I would fling myself into it and drag him out, as I
+have done before."
+
+"And that is saying a good deal, my dear friend," said the countess.
+"Devotion is like a flash of lightning. Men devote themselves in
+battle, but they no longer have the heart for it in Paris."
+
+"Well," replied Adam, "I am always ready, as in battle, to devote
+myself to Paz. Our two characters have kept their natural asperities
+and defects, but the mutual comprehension of our souls has tightened
+the bond already close between us. It is quite possible to save a
+man's life and kill him afterwards if we find him a bad fellow; but
+Paz and I know THAT of each other which makes our friendship
+indissoluble. There's a constant exchange of happy thoughts and
+impressions between us; and really, perhaps, such a friendship as ours
+is richer than love."
+
+A pretty hand closed the count's mouth so promptly that the action was
+somewhat like a blow.
+
+"Yes," he said, "friendship, my dear angel, knows nothing of bankrupt
+sentiments and collapsed joys. Love, after giving more than it has,
+ends by giving less than it receives."
+
+"One side as well as the other," remarked Clementine laughing.
+
+"Yes," continued Adam, "whereas friendship only increases. You need
+not pucker up your lips at that, for we are, you and I, as much
+friends as lovers; we have, at least I hope so, combined the two
+sentiments in our happy marriage."
+
+"I'll explain to you what it is that has made you and Thaddeus such
+good friends," said Clementine. "The difference in the lives you lead
+comes from your tastes and from necessity; from your likings, not your
+positions. As far as one can judge from merely seeing a man once, and
+also from what you tell me, there are times when the subaltern might
+become the superior."
+
+"Oh, Paz is truly my superior," said Adam, naively; "I have no
+advantage over him except mere luck."
+
+His wife kissed him for the generosity of those words.
+
+"The extreme care with which he hides the grandeur of his feelings is
+one form of his superiority," continued the count. "I said to him
+once: 'You are a sly one; you have in your heart a vast domain within
+which you live and think.' He has a right to the title of count; but
+in Paris he won't be called anything but captain."
+
+"The fact is that the Florentine of the middle-ages has reappeared in
+our century," said the countess. "Dante and Michael Angelo are in
+him."
+
+"That's the very truth," cried Adam. "He is a poet in soul."
+
+"So here I am, married to two Poles," said the young countess, with a
+gesture worthy of some genius of the stage.
+
+"Dear child!" said Adam, pressing her to him, "it would have made me
+very unhappy if my friend did not please you. We were both rather
+afraid of it, he and I, though he was delighted at my marriage. You
+will make him very happy if you tell him that you love him,--yes, as
+an old friend."
+
+"I'll go and dress, the day is so fine; and we will all three ride
+together," said Clementine, ringing for her maid.
+
+
+
+ II
+
+Paz was leading so subterranean a life that the fashionable world of
+Paris asked who he was when the Comtesse Laginska was seen in the Bois
+de Boulogne riding between her husband and a stranger. During the ride
+Clementine insisted that Thaddeus should dine with them. This caprice
+of the sovereign lady compelled Paz to make an evening toilet.
+Clementine dressed for the occasion with a certain coquetry, in a
+style that impressed even Adam himself when she entered the salon
+where the two friends awaited her.
+
+"Comte Paz," she said, "you must go with us to the Opera."
+
+This was said in the tone which, coming from a woman means: "If you
+refuse we shall quarrel."
+
+"Willingly, madame," replied the captain. "But as I have not the
+fortune of a count, have the kindness to call me captain."
+
+"Very good, captain; give me your arm," she said,--taking it and
+leading the way to the dining-room with the flattering familiarity
+which enchants all lovers.
+
+The countess placed the captain beside her; his behavior was that of a
+poor sub-lieutenant dining at his general's table. He let Clementine
+talk, listened deferentially as to a superior, did not differ with her
+in anything, and waited to be questioned before he spoke at all. He
+seemed actually stupid to the countess, whose coquettish little ways
+missed their mark in presence of such frigid gravity and conventional
+respect. In vain Adam kept saying: "Do be lively, Thaddeus; one would
+really suppose you were not at home. You must have made a wager to
+disconcert Clementine." Thaddeus continued heavy and half asleep. When
+the servants left the room at the end of the dessert the captain
+explained that his habits were diametrically opposite to those of
+society,--he went to bed at eight o'clock and got up very early in the
+morning; and he excused his dulness on the ground of being sleepy.
+
+"My intention in taking you to the Opera was to amuse you, captain;
+but do as you prefer," said Clementine, rather piqued.
+
+"I will go," said Paz.
+
+"Duprez sings 'Guillaume Tell,'" remarked Adam. "But perhaps you would
+rather go to the 'Varietes'?"
+
+The captain smiled and rang the bell. "Tell Constantin," he said to
+the footman, "to put the horses to the carriage instead of the coupe.
+We should be rather squeezed otherwise," he said to the count.
+
+"A Frenchman would have forgotten that," remarked Clementine, smiling.
+
+"Ah! but we are Florentines transplanted to the North," answered
+Thaddeus with a refinement of accent and a look in his eyes which made
+his conduct at table seem assumed for the occasion. There was too
+evident a contrast between his involuntary self-revelation in this
+speech and his behavior during dinner. Clementine examined the captain
+with a few of those covert glances which show a woman's surprise and
+also her capacity for observation.
+
+It resulted from this little incident that silence reigned in the
+salon while the three took their coffee, a silence rather annoying to
+Adam, who was incapable of imagining the cause of it. Clementine no
+longer tried to draw out Thaddeus. The captain, on the other hand,
+retreated within his military stiffness and came out of it no more,
+neither on the way to the Opera nor in the box, where he seemed to be
+asleep.
+
+"You see, madame, that I am a very stupid man," he said during the
+dance in the last act of "Guillaume Tell." "Am I not right to keep, as
+the saying is, to my own specialty?"
+
+"In truth, my dear captain, you are neither a talker nor a man of the
+world, but you are perhaps Polish."
+
+"Therefore leave me to look after your pleasures, your property, your
+household--it is all I am good for."
+
+"Tartufe! pooh!" cried Adam, laughing. "My dear, he is full of ardor;
+he is thoroughly educated; he can, if he chooses, hold his own in any
+salon. Clementine, don't believe his modesty."
+
+"Adieu, comtesse; I have obeyed your wishes so far; and now I will
+take the carriage and go home to bed and send it back for you."
+
+Clementine bowed her head and let him go without replying.
+
+"What a bear!" she said to the count. "You are a great deal nicer."
+
+Adam pressed her hand when no one was looking.
+
+"Poor, dear Thaddeus," he said, "he is trying to make himself
+disagreeable where most men would try to seem more amiable than I."
+
+"Oh!" she said, "I am not sure but what there is some _calculation_
+in his behavior; he would have taken in an ordinary woman."
+
+Half an hour later, when the chasseur, Boleslas, called out "Gate!"
+and the carriage was waiting for it to swing back, Clementine said to
+her husband, "Where does the captain perch?"
+
+"Why, there!" replied Adam, pointing to a floor above the
+porte-cochere which had one window looking on the street. "His
+apartments are over the coachhouse."
+
+"Who lives on the other side?" asked the countess.
+
+"No one as yet," said Adam; "I mean that apartment for our children
+and their instructors."
+
+"He didn't go to bed," said the countess, observing lights in
+Thaddeus's rooms when the carriage had passed under the portico
+supported by columns copied from those of the Tuileries, which
+replaced a vulgar zinc awning painted in stripes like cloth.
+
+The captain, in his dressing-gown with a pipe in his mouth, was
+watching Clementine as she entered the vestibule. The day had been a
+hard one for him. And here is the reason why: A great and terrible
+emotion had taken possession of his heart on the day when Adam made
+him go to the Opera to see and give his opinion on Mademoiselle du
+Rouvre; and again when he saw her on the occasion of her marriage, and
+recognized in her the woman whom a man is forced to love exclusively.
+For this reason Paz strongly advised and promoted the long journey to
+Italy and elsewhere after the marriage. At peace so long as Clementine
+was away, his trial was renewed on the return of the happy household.
+As he sat at his window on this memorable night, smoking his latakia
+in a pipe of wild-cherry wood six feet long, given to him by Adam,
+these are the thoughts that were passing through his mind:--
+
+"I, and God, who will reward me for suffering in silence, alone know
+how I love her! But how shall I manage to have neither her love nor
+her dislike?"
+
+And his thoughts travelled far on this strange theme.
+
+It must not be supposed that Thaddeus was living without pleasure, in
+the midst of his sufferings. The deceptions of this day, for instance,
+were a source of inward joy to him. Since the return of the count and
+countess he had daily felt ineffable satisfactions in knowing himself
+necessary to a household which, without his devotion to its interests,
+would infallibly have gone to ruin. What fortune can bear the strain
+of reckless prodigality? Clementine, brought up by a spendthrift
+father, knew nothing of the management of a household which the women
+of the present day, however rich or noble they are, are often
+compelled to undertake themselves. How few, in these days, keep a
+steward. Adam, on the other hand, son of one of the great Polish lords
+who let themselves be preyed on by the Jews, and are wholly incapable
+of managing even the wreck of their vast fortunes (for fortunes are
+vast in Poland), was not of a nature to check his own fancies or those
+of his wife. Left to himself he would probably have been ruined before
+his marriage. Paz had prevented him from gambling at the Bourse, and
+that says all.
+
+Under these circumstances, Thaddeus, feeling that he loved Clementine
+in spite of himself, had not the resource of leaving the house and
+travelling in other lands to forget his passion. Gratitude, the
+key-note of his life, held him bound to that household where he alone
+could look after the affairs of the heedless owners. The long absence
+of Adam and Clementine had given him peace. But the countess had
+returned more lovely than ever, enjoying the freedom which marriage
+brings to a Parisian woman, displaying the graces of a young wife and
+the nameless attraction she gains from the happiness, or the
+independence, bestowed upon her by a young man as trustful, as
+chivalric, and as much in love as Adam. To know that he was the pivot
+on which the splendor the household depended, to see Clementine when
+she got out of her carriage on returning from some fete, or got into
+it in the morning when she took her drive, to meet her on the
+boulevards in her pretty equipage, looking like a flower in a whorl of
+leaves, inspired poor Thaddeus with mysterious delights, which glowed
+in the depths of his heart but gave no signs upon his face.
+
+How happened it that for five whole months the countess had never
+perceived the captain? Because he hid himself from her knowledge, and
+carefully concealed the pains he took to avoid her. Nothing so
+resembles the Divine love as hopeless human love. A man must have
+great depth of heart to devote himself in silence and obscurity to a
+woman. In such a heart is the worship of love for love's sake only
+--sublime avarice, sublime because ever generous and founded on the
+mysterious existence of the principles of creation. _Effect_ is nature,
+and nature is enchanting; it belongs to man, to the poet, the painter,
+the lover. But _Cause_, to a few privileged souls and to certain mighty
+thinkers, is superior to nature. Cause is God. In the sphere of causes
+live the Newtons and all such thinkers as Laplace, Kepler, Descartes,
+Malebranche, Spinoza, Buffon; also the true poets and solitarys of the
+second Christian century, and the Saint Teresas of Spain, and such
+sublime ecstatics. All human sentiments bear analogy to these
+conditions whenever the mind abandons Effect for Cause. Thaddeus had
+reached this height, at which all things change their relative aspect.
+Filled with the joys unutterable of a creator he had attained in his
+love to all that genius has revealed to us of grandeur.
+
+"No," he was thinking to himself as he watched the curling smoke of
+his pipe, "she was not entirely deceived. She might break up my
+friendship with Adam if she took a dislike to me; but if she coquetted
+with me to amuse herself, what would become of me?"
+
+The conceit of this last supposition was so foreign to the modest
+nature and Teutonic timidity of the captain that he scolded himself
+for admitting it, and went to bed, resolved to await events before
+deciding on a course.
+
+The next day Clementine breakfasted very contentedly without Paz, and
+without even noticing his disobedience to her orders. It happened to
+be her reception day, when the house was thrown open with a splendor
+that was semi-royal. She paid no attention to the absence of Comte
+Paz, on whom all the burden of these parade days fell.
+
+"Good!" thought he, as he heard the last carriages driving away at two
+in the morning; "it was only the caprice or the curiosity of a
+Parisian woman that made her want to see me."
+
+After that the captain went back to his ordinary habits and ways,
+which had been somewhat upset by this incident. Diverted by her
+Parisian occupations, Clementine appeared to have forgotten Paz. It
+must not be thought an easy matter to reign a queen over fickle Paris.
+Does any one suppose that fortunes alone are risked in the great game?
+The winters are to fashionable women what a campaign once was to the
+soldiers of the Empire. What works of art and genius are expended on a
+gown or a garland in which to make a sensation! A fragile, delicate
+creature will wear her stiff and brilliant harness of flowers and
+diamonds, silk and steel, from nine at night till two and often three
+o'clock in the morning. She eats little, to attract remark to her
+slender waist; she satisfied her hunger with debilitating tea, sugared
+cakes, ices which heat her, or slices of heavy pastry. The stomach is
+made to yield to the orders of coquetry. The awakening comes too late.
+A fashionable woman's whole life is in contradiction to the laws of
+nature, and nature is pitiless. She has no sooner risen than she makes
+an elaborate morning toilet, and thinks of the one which she means to
+wear in the afternoon. The moment she is dressed she has to receive
+and make visits, and go to the Bois either on horseback or in a
+carriage. She must practise the art of smiling, and must keep her mind
+on the stretch to invent new compliments which shall seem neither
+common nor far-fetched. All women do not succeed in this. It is no
+surprise, therefore, to find a young woman who entered fashionable
+society fresh and healthy, faded and worn out at the end of three
+years. Six months spent in the country will hardly heal the wounds of
+the winter. We hear continually, in these days, of mysterious
+ailments,--gastritis, and so forth,--ills unknown to women when they
+busied themselves about their households. In the olden time women only
+appeared in the world at intervals; now they are always on the scene.
+Clementine found she had to struggle for her supremacy. She was cited,
+and that alone brought jealousies; and the care and watchfulness
+exacted by this contest with her rivals left little time even to love
+her husband. Paz might well be forgotten. Nevertheless, in the month
+of May, as she drove home from the Bois, just before she left Paris
+for Ronquerolles, her uncle's estate in Burgundy, she noticed
+Thaddeus, elegantly dressed, sauntering on one of the side-paths of
+the Champs-Elysees, in the seventh heaven of delight at seeing his
+beautiful countess in her elegant carriage with its spirited horses
+and sparkling liveries,--in short, his beloved family the admired of
+all.
+
+"There's the captain," she said to her husband.
+
+"He's happy!" said Adam. "This is his delight. He knows there's no
+equipage more elegant than ours, and he is rejoicing to think that
+some people envy it. Have you only just noticed him? I see him there
+nearly every day."
+
+"I wonder what he is thinking about now," said Clementine.
+
+"He is thinking that this winter has cost a good deal, and that it is
+time we went to economize with your old uncle Ronquerolles," replied
+Adam.
+
+The countess stopped the carriage near Paz, and bade him take the seat
+beside her. Thaddeus grew as red as a cherry.
+
+"I shall poison you," he said; "I have been smoking."
+
+"Doesn't Adam poison me?" she said.
+
+"Yes, but he is Adam," returned the captain.
+
+"And why can't Thaddeus have the same privileges?" asked the countess,
+smiling.
+
+That divine smile had a power which triumphed over the heroic
+resolutions of poor Paz; he looked at Clementine with all the fire of
+his soul in his eyes, though, even so, its flame was tempered by the
+angelic gratitude of the man whose life was based upon that virtue.
+The countess folded her arms in her shawl, lay back pensively on her
+cushions, ruffling the feathers of her pretty bonnet, and looked at
+the people who passed her. That flash of a great and hitherto resigned
+soul reached her sensibilities. What was Adam's merit in her eyes? It
+was natural enough to have courage and generosity. But Thaddeus
+--surely Thaddeus possessed, or seemed to possess, some great
+superiority over Adam. They were dangerous thoughts which took
+possession of the countess's mind as she again noticed the contrast of
+the fine presence that distinguished Thaddeus, and the puny frame in
+which Adam showed the degenerating effects of intermarriage among the
+Polish aristocratic families. The devil alone knew the thoughts that
+were in Clementine's head, for she sat still, with thoughtful, dreamy
+eyes, and without saying a word until they reached home.
+
+"You will dine with us; I shall be angry if you disobey me," she said
+as the carriage turned in. "You are Thaddeus to me, as you are to
+Adam. I know your obligations to him, but I also know those we are
+under to you. Both generosities are natural--but you are generous
+every day and all day. My father dines here to-day, also my uncle
+Ronquerolles and my aunt Madame de Serizy. Dress yourself therefore,"
+she said, taking the hand he offered to assist her from the carriage.
+
+Thaddeus went to his own room to dress with a joyful heart, though
+shaken by an inward dread. He went down at the last moment and behaved
+through dinner as he had done on the first occasion, that is, like a
+soldier fit only for his duties as a steward. But this time Clementine
+was not his dupe; his glance had enlightened her. The Marquis de
+Ronquerolles, one of the ablest diplomates after Talleyrand, who had
+served with de Marsay during his short ministry, had been informed by
+his niece of the real worth and character of Comte Paz, and knew how
+modestly he made himself the steward of his friend Laginski.
+
+"And why is this the first time I have the pleasure of seeing Comte
+Paz?" asked the marquis.
+
+"Because he is so shy and retiring," replied Clementine with a look at
+Paz telling him to change his behavior.
+
+Alas! that we should have to avow it, at the risk of rendering the
+captain less interesting, but Paz, though superior to his friend Adam,
+was not a man of parts. His apparent superiority was due to his
+misfortunes. In his lonely and poverty-stricken life in Warsaw he had
+read and taught himself a good deal; he had compared and meditated.
+But the gift of original thought which makes a great man he did not
+possess, and it can never be acquired. Paz, great in heart only,
+approached in heart to the sublime; but in the sphere of sentiments,
+being more a man of action than of thought, he kept his thoughts to
+himself; and they only served therefore to eat his heart out. What,
+after all, is a thought unexpressed?
+
+After Clementine's little speech, the Marquis de Ronquerolles and his
+sister exchanged a singular glance, embracing their niece, Comte Adam,
+and Paz. It was one of those rapid scenes which take place only in
+France and Italy,--the two regions of the world (all courts excepted)
+where eyes can say everything. To communicate to the eye the full
+power of the soul, to give it the value of speech, needs either the
+pressure of extreme servitude, or complete liberty. Adam, the Marquis
+du Rouvre, and Clementine did not observe this luminous by-play of the
+old coquette and the old diplomatist, but Paz, the faithful watchdog,
+understood its meaning. It was, we must remark, an affair of two
+seconds; but to describe the tempest it roused in the captain's soul
+would take far too much space in this brief history.
+
+"What!" he said to himself, "do the aunt and uncle think I might be
+loved? Then my happiness only depends on my own audacity! But Adam--"
+
+Ideal love and desire clashed with gratitude and friendship, all
+equally powerful, and, for a moment, love prevailed. The lover would
+have his day. Paz became brilliant, he tried to please, he told the
+story of the Polish insurrection in noble words, being questioned
+about it by the diplomatist. By the end of dinner Paz saw Clementine
+hanging upon his lips and regarding him as a hero, forgetting that
+Adam too, after sacrificing a third of his vast fortune, had been an
+exile. At nine o'clock, after coffee had been served, Madame de Serizy
+kissed her niece on the forehead, pressed her hand, and went away,
+taking Adam with her and leaving the Marquis de Ronquerolles and the
+Marquis du Rouvre, who soon followed. Paz and Clementine were alone
+together.
+
+"I will leave you now, madame," said Thaddeus. "You will of course
+rejoin them at the Opera?"
+
+"No," she answered, "I don't like dancing, and they give an odious
+ballet to-night 'La Revolte au Serail.'"
+
+There was a moment's silence.
+
+"Two years ago Adam would not have gone to the Opera without me," said
+Clementine, not looking at Paz.
+
+"He loves you madly," replied Thaddeus.
+
+"Yes, and because he loves me madly he is all the more likely not to
+love me to-morrow," said the countess.
+
+"How inexplicable Parisian women are!" exclaimed Thaddeus. "When they
+are loved to madness they want to be loved reasonably: and when they
+are loved reasonably they reproach a man for not loving them at all."
+
+"And they are quite right. Thaddeus," she went on, smiling, "I know
+Adam well; I am not angry with him; he is volatile and above all grand
+seigneur. He will always be content to have me as his wife and he will
+never oppose any of my tastes, but--"
+
+"Where is the marriage in which there are no 'buts'?" said Thaddeus,
+gently, trying to give another direction to Clementine's mind.
+
+The least presuming of men might well have had the thought which came
+near rendering this poor lover beside himself; it was this: "If I do
+not tell her now that I love her I am a fool," he kept saying to
+himself.
+
+Neither spoke; and there came between the pair one of those deep
+silences that are crowded with thoughts. The countess examined Paz
+covertly, and Paz observed her in a mirror. Buried in an armchair like
+a man digesting his dinner, the image of a husband or an indifferent
+old man, Paz crossed his hands upon his stomach and twirled his thumbs
+mechanically, looking stupidly at them.
+
+"Why don't you tell me something good of Adam?" cried Clementine
+suddenly. "Tell me that he is not volatile, you who know him so well."
+
+The cry was fine.
+
+"Now is the time," thought poor Paz, "to put an insurmountable barrier
+between us. Tell you good of Adam?" he said aloud. "I love him; you
+would not believe me; and I am incapable of telling you harm. My
+position is very difficult between you."
+
+Clementine lowered her head and looked down at the tips of his
+varnished boots.
+
+"You Northern men have nothing but physical courage," she said
+complainingly; "you have no constancy in your opinions."
+
+"How will you amuse yourself alone, madame?" said Paz, assuming a
+careless air.
+
+"Are not you going to keep me company?"
+
+"Excuse me for leaving you."
+
+"What do you mean? Where are you going?"
+
+The thought of a heroic falsehood had come into his head.
+
+"I--I am going to the Circus in the Champs Elysees; it opens to-night,
+and I can't miss it."
+
+"Why not?" said Clementine, questioning him by a look that was
+half-anger.
+
+"Must I tell you why?" he said, coloring; "must I confide to you what
+I hide from Adam, who thinks my only love is Poland."
+
+"Ah! a secret in our noble captain?"
+
+"A disgraceful one--which you will perhaps understand, and pity."
+
+"You, disgraced?"
+
+"Yes, I, Comte Paz; I am madly in love with a girl who travels all
+over France with the Bouthor family,--people who have the rival circus
+to Franconi; but they play only at fairs. I have made the director at
+the Cirque-Olympique engage her."
+
+"Is she handsome?"
+
+"To my thinking," said Paz, in a melancholy tone. "Malaga (that's her
+stage name) is strong, active, and supple. Why do I prefer her to all
+other women in the world?--well, I can't tell you. When I look at her,
+with her black hair tied with a blue satin ribbon, floating on her
+bare and olive-colored shoulders, and when she is dressed in a white
+tunic with a gold edge, and a knitted silk bodice that makes her look
+like a living Greek statue, and when I see her carrying those flags in
+her hand to the sound of martial music, and jumping through the paper
+hoops which tear as she goes through, and lighting so gracefully on
+the galloping horse to such applause,--no hired clapping,--well, all
+that moves me."
+
+"More than a handsome woman in a ballroom?" asked Clementine, with
+amazement and curiosity.
+
+"Yes," answered Paz, in a choking voice. "Such agility, such grace
+under constant danger seems to me the height of triumph for a woman.
+Yes, madame, Cinti and Malibran, Grisi and Taglioni, Pasta and
+Ellsler, all who reign or have reigned on the stage, can't be
+compared, to my mind, with Malaga, who can jump on or off a horse at
+full gallop, or stand on the point of one foot and fall easily into
+the saddle, and knit stockings, break eggs, and make an omelette with
+the horse at full speed, to the admiration of the people,--the real
+people, peasants and soldiers. Malaga, madame, is dexterity
+personified; her little wrist or her little foot can rid her of three
+or four men. She is the goddess of gymnastics."
+
+"She must be stupid--"
+
+"Oh, no," said Paz, "I find her as amusing as the heroine of 'Peveril
+of the Peak.' Thoughtless as a Bohemian, she says everything that
+comes into her head; she thinks no more about the future than you do
+of the sous you fling to the poor. She says grand things sometimes.
+You couldn't make her believe that an old diplomatist was a handsome
+young man, not if you offered her a million of francs. Such love as
+hers is perpetual flattery to a man. Her health is positively
+insolent, and she has thirty-two oriental pearls in lips of coral. Her
+muzzle--that's what she calls the lower part of her face--has, as
+Shakespeare expresses it, the savor of a heifer's nose. She can make a
+man unhappy. She likes handsome men, strong men, Alexanders, gymnasts,
+clowns. Her trainer, a horrible brute, used to beat her to make her
+supple, and graceful, and intrepid--"
+
+"You are positively intoxicated with Malaga."
+
+"Oh, she is called Malaga only on the posters," said Paz, with a
+piqued air. "She lives in the rue Saint-Lazare, in a pretty apartment
+on the third story, all velvet and silk, like a princess. She has two
+lives, her circus life and the life of a pretty woman."
+
+"Does she love you?"
+
+"She loves me--now you will laugh--solely because I'm a Pole. She saw
+an engraving of Poles rushing with Poniatowski into the Elster,--for
+all France persists in thinking that the Elster, where it is
+impossible to get drowned, is an impetuous flood, in which Poniatowski
+and his followers were engulfed. But in the midst of all this I am
+very unhappy, madame."
+
+A tear of rage fell from his eyes and affected the countess.
+
+"You men have such a passion for singularity."
+
+"And you?" said Thaddeus.
+
+"I know Adam so well that I am certain he could forget me for some
+mountebank like your Malaga. Where did you first see her?"
+
+"At Saint-Cloud, last September, on the fete-day. She was at a corner
+of a booth covered with flags, where the shows are given. Her
+comrades, all in Polish costumes, were making a horrible racket. I
+watched her standing there, silent and dumb, and I thought I saw a
+melancholy expression in her face; in truth there was enough about her
+to sadden a girl of twenty. That touched me."
+
+The countess was sitting in a delicious attitude, pensive and rather
+melancholy.
+
+"Poor, poor Thaddeus!" she exclaimed. Then, with the kindliness of a
+true great lady she added, not without a malicious smile, "Well go, go
+to your Circus."
+
+Thaddeus took her hand, kissed it, leaving a hot tear upon it, and
+went out.
+
+Having invented this passion for a circus-rider, he bethought him that
+he must give it some reality. The only truth in his tale was the
+momentary attention he had given to Malaga at Saint-Cloud; and he had
+since seen her name on the posters of the Circus, where the clown, for
+a tip of five francs, had told him that the girl was a foundling,
+stolen perhaps. Thaddeus now went to the Circus and saw her again. For
+ten francs one of the grooms (who take the place in circuses of the
+dressers at a theatre) informed him that Malaga was named Marguerite
+Turquet, and lived on the fifth story of a house in the rue des
+Fosses-du-Temple.
+
+The following day Paz went to the faubourg du Temple, found the house,
+and asked to see Mademoiselle Turquet, who during the summer was
+substituting for the leading horsewoman at the Cirque-Olympique, and a
+supernumerary at a boulevard theatre in winter.
+
+"Malaga!" cried the portress, rushing into the attic, "there's a fine
+gentleman wanting you. He is getting information from Chapuzot, who is
+playing him off to give me time to tell you."
+
+"Thank you, M'ame Chapuzot; but what will he think of me if he finds
+me ironing my gown?"
+
+"Pooh! when a man's in love he loves everything about us."
+
+"Is he an Englishman? they are fond of horses."
+
+"No, he looks to me Spanish."
+
+"That's a pity; they say Spaniards are always poor. Stay here with me,
+M'ame Chapuzot; I don't want him to think I'm deserted."
+
+"Who is it you are looking for, monsieur?" asked Madame Chapuzot,
+opening the door for Thaddeus, who had now come upstairs.
+
+"Mademoiselle Turquet."
+
+"My dear," said the portress, with an air of importance, "here is some
+one to see you."
+
+A line on which the clothes were drying caught the captain's hat and
+knocked it off.
+
+"What is it you wish, monsieur?" said Malaga, picking up the hat and
+giving it to him.
+
+"I saw you at the Circus," said Thaddeus, "and you reminded me of a
+daughter whom I have lost, mademoiselle; and out of affection for my
+Heloise, whom you resemble in a most striking manner, I should like to
+be of some service to you, if you will permit me."
+
+"Why, certainly; pray sit down, general," said Madame Chapuzot;
+"nothing could be more straightforward, more gallant."
+
+"But I am not gallant, my good lady," exclaimed Paz. "I am an
+unfortunate father who tries to deceive himself by a resemblance."
+
+"Then am I to pass for your daughter?" said Malaga, slyly, and not in
+the least suspecting the perfect sincerity of his proposal.
+
+"Yes," said Paz, "and I'll come and see you sometimes. But you shall
+be lodged in better rooms, comfortably furnished."
+
+"I shall have furniture!" cried Malaga, looking at Madame Chapuzot.
+
+"And servants," said Paz, "and all you want."
+
+Malaga looked at the stranger suspiciously.
+
+"What countryman is monsieur?"
+
+"I am a Pole."
+
+"Oh! then I accept," she said.
+
+Paz departed, promising to return.
+
+"Well, that's a stiff one!" said Marguerite Turquet, looking at Madame
+Chapuzot; "I'm half afraid he is wheedling me, to carry out some fancy
+of his own--Pooh! I'll risk it."
+
+A month after this eccentric interview the circus-rider was living in
+a comfortable apartment furnished by Comte Adam's own upholsterer, Paz
+having judged it desirable to have his folly talked about at the hotel
+Laginski. Malaga, to whom this adventure was like a leaf out of the
+Arabian Nights, was served by Monsieur and Madame Chapuzot in the
+double capacity of friends and servants. The Chapuzots and Marguerite
+were constantly expecting some result of all this; but at the end of
+three months none of them were able to make out the meaning of the
+Polish count's caprice. Paz arrived duly and passed about an hour
+there once a week, during which time he sat in the salon, and never
+went into Malaga's boudoir nor into her bedroom, in spite of the
+clever manoeuvring of the Chapuzots and Malaga to get him there. The
+count would ask questions as to the small events of Marguerite's life,
+and each time that he came he left two gold pieces of forty francs
+each on the mantel-piece.
+
+"He looks as if he didn't care to be here," said Madame Chapuzot.
+
+"Yes," said Malaga, "the man's as cold as an icicle."
+
+"But he's a good fellow all the same," cried Chapuzot, who was happy
+in a new suit of clothes made of blue cloth, in which he looked like
+the servant of some minister.
+
+The sum which Paz deposited weekly on the mantel-piece, joined to
+Malaga's meagre salary, gave her the means of sumptuous living
+compared with her former poverty. Wonderful stories went the rounds of
+the Circus about Malaga's good-luck. Her vanity increased the six
+thousand francs which Paz had spent on her furniture to sixty
+thousand. According to the clowns and the supers, Malaga was
+squandering money; and she now appeared at the Circus wearing burnous
+and shawls and elegant scarfs. The Pole, it was agreed on all sides,
+was the best sort of man a circus-rider had ever encountered, not
+fault-finding nor jealous, and willing to let Malaga do just what she
+liked.
+
+"Some women have the luck of it," said Malaga's rival, "and I'm not
+one of them,--though I do draw a third of the receipts."
+
+Malaga wore pretty things, and occasionally "showed her head" (a term
+in the lexicon of such characters) in the Bois, where the fashionable
+young men of the day began to remark her. In fact, before long Malaga
+was very much talked about in the questionable world of equivocal
+women, who presently attacked her good fortune by calumnies. They said
+she was a somnambulist, and the Pole was a magnetizer who was using
+her to discover the philosopher's stone. Some even more envenomed
+scandals drove her to a curiosity that was greater than Psyche's. She
+reported them in tears to Paz.
+
+"When I want to injure a woman," she said in conclusion, "I don't
+calumniate her; I don't declare that some one magnetizes her to get
+stones out of her, but I say plainly that she is humpbacked, and I
+prove it. Why do you compromise me in this way?"
+
+Paz maintained a cruel silence. Madame Chapuzot was not long in
+discovering the name and title of Comte Paz; then she heard certain
+positive facts at the hotel Laginski: for instance, that Paz was a
+bachelor, and had never been known to have a daughter, alive or dead,
+in Poland or in France. After that Malaga could not control a feeling
+of terror.
+
+"My dear child," Madame Chapuzot would say, "that monster--" (a man
+who contented himself with only looking, in a sly way,--not daring to
+come out and say things,--and such a beautiful creature too, as
+Malaga,--of course such a man was a monster, according to Madame
+Chapuzot's ideas) "--that monster is trying to get a hold upon you,
+and make you do something illegal and criminal. Holy Father, if you
+should get into the police-courts! it makes me tremble from head to
+foot; suppose they should put you in the newspapers! I'll tell you
+what I should do in your place; I'd warn the police."
+
+One particular day, after many foolish notions had fermented for some
+time in Malaga's mind, Paz having laid his money as usual on the
+mantel-piece, she seized the bits of gold and flung them in his face,
+crying out, "I don't want stolen money!"
+
+The captain gave the gold to Chapuzot, went away without a word, and
+did not return.
+
+Clementine was at this time at her uncle's place in Burgundy.
+
+When the Circus troop discovered that Malaga had lost her Polish
+count, much excitement was produced among them. Malaga's display of
+honor was considered folly by some, and shrewdness by others. The
+conduct of the Pole, however, even when discussed by the cleverest of
+women, seemed inexplicable. Thaddeus received in the course of the
+next week thirty-seven letters from women of their kind. Happily for
+him, his astonishing reserve did not excite the curiosity of the
+fashionable world, and was only discussed in the demi-mondaine
+regions.
+
+Two weeks later the handsome circus-rider, crippled by debt, wrote the
+following letter to Comte Paz, which, having fallen into the hands of
+Comte Adam, was read by several of the dandies of the day, who
+pronounced it a masterpiece:--
+
+ "You, whom I still dare to call my friend, will you not pity me
+ after all that has passed,--which you have so ill understood? My
+ heart disavows whatever may have wounded your feelings. If I was
+ fortunate enough to charm you and keep you beside me in the past,
+ return to me; otherwise, I shall fall into despair. Poverty has
+ overtaken me, and you do not know what _horrid things_ it brings
+ with it. Yesterday I lived on a herring at two sous, and one sou
+ of bread. Is that a breakfast for the woman you loved? The
+ Chapuzots have left me, though they seemed so devoted. Your
+ desertion has caused me to see to the bottom of all human
+ attachments. The dog we feed does not leave us, but the Chapuzots
+ have gone. A sheriff has seized everything on behalf of the
+ landlord, who has no heart, and the jeweller, who refused to wait
+ even ten days,--for when we lose the confidence of such as you,
+ credit goes too. What a position for women who have nothing to
+ reproach themselves with but the happiness they have given! My
+ friend, I have taken all I have of any value to _my uncle's_; I have
+ nothing but the memory of you left, and here is the winter coming
+ on. I shall be fireless when it turns cold; for the boulevards are
+ to play only melodramas, in which I have nothing but little bits
+ of parts which don't _pose_ a woman. How could you misunderstand the
+ nobleness of my feelings for you?--for there are two ways of
+ expressing gratitude. You who seemed so happy in seeing me
+ well-off, how can you leave me in poverty? Oh, my sole friend on
+ earth, before I go back to the country fairs with Bouthor's circus,
+ where I can at least make a living, forgive me if I wish to know
+ whether I have lost you forever. If I were to let myself think of
+ you when I jump through the hoops, I should be sure to break my legs
+ by losing _a time_. Whatever may be the result, I am yours for life.
+
+"Marguerite Turquet."
+
+
+"That letter," thought Thaddeus, shouting with laughter, "is worth the
+ten thousand francs I have spent upon her."
+
+
+
+ III
+
+Clementine came home the next day, and the day after that Paz beheld
+her again, more beautiful and graceful than ever. After dinner, during
+which the countess treated Paz with an air of perfect indifference, a
+little scene took place in the salon between the count and his wife
+when Thaddeus had left them. On pretence of asking Adam's advice,
+Thaddeus had left Malaga's letter with him, as if by mistake.
+
+"Poor Thaddeus!" said Adam, as Paz disappeared, "what a misfortune for
+a man of his distinction to be the plaything of the lowest kind of
+circus-rider. He will lose everything, and get lower and lower, and
+won't be recognizable before long. Here, read that," added the count,
+giving Malaga's letter to his wife.
+
+Clementine read the letter, which smelt of tobacco, and threw it from
+her with a look of disgust.
+
+"Thick as the bandage is over his eyes," continued Adam, "he must have
+found out something; Malaga tricked him, no doubt."
+
+"But he goes back to her," said Clementine, "and he will forgive her!
+It is for such horrible women as that that you men have indulgence."
+
+"Well, they need it," said Adam.
+
+"Thaddeus used to show some decency--in living apart from us," she
+remarked. "He had better go altogether."
+
+"Oh, my dear angel, that's going too far," said the count, who did not
+want the death of the sinner.
+
+Paz, who knew Adam thoroughly, had enjoined him to secrecy, pretending
+to excuse his dissipations, and had asked his friend to lend him a few
+thousand francs for Malaga.
+
+"He is a very firm fellow," said Adam.
+
+"How so?" asked Clementine.
+
+"Why, for having spent no more than ten thousand francs on her, and
+letting her send him that letter before he would ask me for enough to
+pay her debts. For a Pole, I call that firm."
+
+"He will ruin you," said Clementine, in the sharp tone of a Parisian
+woman, when she shows her feline distrusts.
+
+"Oh, I know him," said Adam; "he will sacrifice Malaga, if I ask him."
+
+"We shall see," remarked the countess.
+
+"If it is best for his own happiness, I sha'n't hesitate to ask him to
+leave her. Constantin says that since Paz has been with her he, sober
+as he is, has sometimes come home quite excited. If he takes to
+intoxication I shall be just as grieved as if he were my own son."
+
+"Don't tell me anything more about it," cried the countess, with a
+gesture of disgust.
+
+Two days later the captain perceived in the manner, the tones of
+voice, but, above all, in the eyes of the countess, the terrible
+results of Adam's confidences. Contempt had opened a gulf between the
+beloved woman and himself. He was suddenly plunged into the deepest
+distress of mind, for the thought gnawed him, "I have myself made her
+despise me!" His own folly stared him in the face. Life then became a
+burden to him, the very sun turned gray. And yet, amid all these
+bitter thoughts, he found again some moments of pure joy. There were
+times when he could give himself up wholly to his admiration for his
+mistress, who paid not the slightest attention to him. Hanging about
+in corners at her parties and receptions, silent, all heart and eyes,
+he never lost one of her attitudes, nor a tone of her voice when she
+sang. He lived in her life; he groomed the horse which _she_ rode, he
+studied the ways and means of that splendid establishment, to the
+interests of which he was now more devoted than ever. These silent
+pleasures were buried in his heart like those of a mother, whose heart
+a child never knows; for is it knowing anything unless we know it all?
+His love was more perfect than the love of Petrarch for Laura, which
+found its ultimate reward in the treasures of fame, the triumph of the
+poem which she had inspired. Surely the emotion that the Chevalier
+d'Assas felt in dying must have been to him a lifetime of joy. Such
+emotions as these Paz enjoyed daily,--without dying, but also without
+the guerdon of immortality.
+
+But what is Love, that, in spite of all these ineffable delights, Paz
+should still have been unhappy? The Catholic religion has so magnified
+Love that she has wedded it indissolubly to respect and nobility of
+spirit. Love is therefore attended by those sentiments and qualities
+of which mankind is proud; it is rare to find true Love existing where
+contempt is felt. Thaddeus was suffering from the wounds his own hand
+had given him. The trial of his former life, when he lived beside his
+mistress, unknown, unappreciated, but generously working for her, was
+better than this. Yes, he wanted the reward of his virtue, her
+respect, and he had lost it. He grew thin and yellow, and so ill with
+constant low fever that during the month of January he was obliged to
+keep his bed, though he refused to see a doctor. Comte Adam became
+very uneasy about him; but the countess had the cruelty to remark:
+"Let him alone; don't you see it is only some Olympian trouble?" This
+remark, being repeated to Thaddeus, gave him the courage of despair;
+he left his bed, went out, tried a few amusements, and recovered his
+health.
+
+About the end of February Adam lost a large sum of money at the
+Jockey-Club, and as he was afraid of his wife, he begged Thaddeus to
+let the sum appear in the accounts as if he had spent it on Malaga.
+
+"There's nothing surprising in your spending that sum on the girl; but
+if the countess finds out that I have lost it at cards I shall be
+lowered in her opinion, and she will always be suspicious in future."
+
+"Ha! this, too!" exclaimed Thaddeus, with a sigh.
+
+"Now, Thaddeus, if you will do me this service we shall be forever
+quits,--though, indeed, I am your debtor now."
+
+"Adam, you will have children; don't gamble any more," said Paz.
+
+"So Malaga has cost us another twenty thousand francs," cried the
+countess, some time later, when she discovered this new generosity to
+Paz. "First, ten thousand, now twenty more,--thirty thousand! the
+income of which is fifteen hundred! the cost of my box at the Opera,
+and the whole fortune of many a bourgeois. Oh, you Poles!" she said,
+gathering some flowers in her greenhouse; "you are really
+incomprehensible. Why are you not furious with him?"
+
+"Poor Paz is--"
+
+"Poor Paz, poor Paz, indeed!" she cried, interrupting him, "what good
+does he do us? I shall take the management of the household myself.
+You can give him the allowance he refused, and let him settle it as he
+likes with his Circus."
+
+"He is very useful to us, Clementine. He has certainly saved over
+forty thousand francs this last year. And besides, my dear angel, he
+has managed to put a hundred thousand with Nucingen, which a steward
+would have pocketed."
+
+Clementine softened down; but she was none the less hard in her
+feelings to Thaddeus. A few days later, she requested him to come to
+that boudoir where, one year earlier, she had been surprised into
+comparing him with her husband. This time she received him alone,
+without perceiving the slightest danger in so doing.
+
+"My dear Paz," she said, with the condescending familiarity of the
+great to their inferiors, "if you love Adam as you say you do, you
+will do a thing which he will not ask of you, but which I, his wife,
+do not hesitate to exact."
+
+"About Malaga?" said Thaddeus, with bitterness in his heart.
+
+"Well, yes," she said; "if you wish to end your days in this house and
+continue good friends with us, you must give her up. How an old
+soldier--"
+
+"I am only thirty-five, and haven't a white hair."
+
+"You look old," she said, "and that's the same thing. How so careful a
+manager, so distinguished a--"
+
+The horrible part of all this was her evident intention to rouse a
+sense of honor in his soul which she thought extinct.
+
+"--so distinguished a man as you are, Thaddeus," she resumed after a
+momentary pause which a gesture of his hand had led her to make, "can
+allow yourself to be caught like a boy! Your proceedings have made
+that woman celebrated. My uncle wanted to see her, and he did see her.
+My uncle is not the only one; Malaga receives a great many gentlemen.
+I did think you such a noble soul. For shame! Will she be such a loss
+that you can't replace her?"
+
+"Madame, if I knew any sacrifice I could make to recover your esteem I
+would make it; but to give up Malaga is not one--"
+
+"In your position, that is what I should say myself, if I were a man,"
+replied Clementine. "Well, if I accept it as a great sacrifice there
+can be no ill-will between us."
+
+Paz left the room, fearing he might commit some great folly, and
+feeling that wild ideas were getting the better of him. He went to
+walk in the open air, lightly dressed in spite of the cold, but
+without being able to cool the fire in his cheeks or on his brow.
+
+"I thought you had a noble soul,"--the words still rang in his ears.
+
+"A year ago," he said to himself, "she thought me a hero who could
+fight the Russians single-handed!"
+
+He thought of leaving the hotel Laginski, and taking service with the
+spahis and getting killed in Africa, but the same great fear checked
+him. "Without me," he thought, "what would become of them? they would
+soon be ruined. Poor countess! what a horrible life it would be for
+her if she were reduced to even thirty thousand francs a year. No,
+since all is lost for me in this world,--courage! I will keep on as I
+am."
+
+Every one knows that since 1830 the carnival in Paris has undergone a
+transformation which has made it European, and far more burlesque and
+otherwise lively than the late Carnival of Venice. Is it that the
+diminishing fortunes of the present time have led Parisians to invent
+a way of amusing themselves collectively, as for instance at their
+clubs, where they hold salons without hostesses and without manners,
+but very cheaply? However this may be, the month of March was prodigal
+of balls, at which dancing, joking, coarse fun, excitement, grotesque
+figures, and the sharp satire of Parisian wit, produced extravagant
+effects. These carnival follies had their special Pandemonium in the
+rue Saint-Honore and their Napoleon in Musard, a small man born
+expressly to lead an orchestra as noisy as the disorderly audience,
+and to set the time for the galop, that witches' dance, which was one
+of Auber's triumphs, for it did not really take form or poesy till the
+grand galop in "Gustave" was given to the world. That tremendous
+finale might serve as the symbol of an epoch in which for the last
+fifty years all things have hurried by with the rapidity of a dream.
+
+Now, it happened that the grave Thaddeus, with one divine and
+immaculate image in his heart, proposed to Malaga, the queen of the
+carnival dances, to spend an evening at the Musard ball; because he
+knew the countess, disguised to the teeth, intended to come there with
+two friends, all three accompanied by their husbands, and look on at
+the curious spectacle of one of these crowded balls.
+
+On Shrove Tuesday, of the year 1838, at four o'clock in the morning,
+the countess, wrapped in a black domino and sitting on the lower step
+of the platform in the Babylonian hall, where Valentino has since then
+given his concerts, beheld Thaddeus, as Robert Macaire, threading the
+galop with Malaga in the dress of a savage, her head garnished with
+plumes like the horse of a hearse, and bounding through the crowd like
+a will-o-the-wisp.
+
+"Ah!" said Clementine to her husband, "you Poles have no honor at all!
+I did believe in Thaddeus. He gave me his word that he would leave
+that woman; he did not know that I should be here, seeing all unseen."
+
+A few days later she requested Paz to dine with them. After dinner
+Adam left them alone together, and Clementine reproved Paz and let him
+know very plainly that she did not wish him to live in her house any
+longer.
+
+"Yes, madame," said Paz, humbly, "you are right; I am a wretch; I did
+give you my word. But you see how it is; I put off leaving Malaga till
+after the carnival. Besides, that woman exerts an influence over me
+which--"
+
+"An influence!--a woman who ought to be turned out of Musard's by the
+police for such dancing!"
+
+"I agree to all that; I accept the condemnation and I'll leave your
+house. But you know Adam. If I give up the management of your property
+you must show energy yourself. I may have been to blame about Malaga,
+but I have taken the whole charge of your affairs, managed your
+servants, and looked after the very least details. I cannot leave you
+until I see you prepared to continue my management. You have now been
+married three years, and you are safe from the temptations to
+extravagance which come with the honeymoon. I see that Parisian women,
+and even titled ones, do manage both their fortunes and their
+households. Well, as soon as I am certain not so much of your capacity
+as of your perseverance I shall leave Paris."
+
+"It is Thaddeus of Warsaw, and not that Circus Thaddeus who speaks
+now," said Clementine. "Go, and come back cured."
+
+"Cured! never," said Paz, his eyes lowered and fixed on Clementine's
+pretty feet. "You do not know, countess, what charm, what unexpected
+piquancy of mind she has." Then, feeling his courage fail him, he
+added hastily, "There is not a woman in society, with her mincing
+airs, that is worth the honest nature of that young animal."
+
+"At any rate, I wish nothing of the animal about me," said the
+countess, with a glance like that of an angry viper.
+
+After that evening Comte Paz showed Clementine the exact state of her
+affairs; he made himself her tutor, taught her the methods and
+difficulties of the management of property, the proper prices to pay
+for things, and how to avoid being cheated by her servants. He told
+her she could rely on Constantin and make him her major-domo. Thaddeus
+had trained the man thoroughly. By the end of May he thought the
+countess fully competent to carry on her affairs alone; for Clementine
+was one of those far-sighted women, full of instinct, who have an
+innate genius as mistress of a household.
+
+This position of affairs, which Thaddeus had led up to naturally, did
+not end without further cruel trials; his sufferings were fated not to
+be as sweet and tender as he was trying to make them. The poor lover
+forgot to reckon on the hazard of events. Adam fell seriously ill, and
+Thaddeus, instead of leaving the house, stayed to nurse his friend.
+His devotion was unwearied. A woman who had any interest in employing
+her perspicacity might have seen in this devotion a sort of punishment
+imposed by a noble soul to repress an involuntary evil thought; but
+women see all, or see nothing, according to the condition of their
+souls--love is their sole illuminator.
+
+During forty-five days Paz watched and tended Adam without appearing
+to think of Malaga, for the very good reason that he never did think of
+her. Clementine, feeling that Adam was at the point of death though he
+did not die, sent for all the leading doctors of Paris in
+consultation.
+
+"If he comes safely out of this," said the most distinguished of them
+all, "it will only be by an effort of nature. It is for those who
+nurse him to watch for the moment when they must second nature. The
+count's life is in the hands of his nurses."
+
+Thaddeus went to find Clementine and tell her this result of the
+consultation. He found her sitting in the Chinese pavilion, as much
+for a little rest as to leave the field to the doctors and not
+embarrass them. As he walked along the winding gravelled path which
+led to the pavilion, Thaddeus seemed to himself in the depths of an
+abyss described by Dante. The unfortunate man had never dreamed that
+the possibility might arise of becoming Clementine's husband, and now
+he had drowned himself in a ditch of mud. His face was convulsed, when
+he reached the kiosk, with an agony of grief; his head, like Medusa's,
+conveyed despair.
+
+"Is he dead?" said Clementine.
+
+"They have given him up; that is, they leave him to nature. Do not go
+in; they are still there, and Bianchon is changing the dressings."
+
+"Poor Adam! I ask myself if I have not sometimes pained him," she
+said.
+
+"You have made him very happy," said Thaddeus; "you ought to be easy
+on that score, for you have shown every indulgence for him."
+
+"My loss would be irreparable."
+
+"But, dear, you judged him justly."
+
+"I was never blind to his faults," she said, "but I loved him as a
+wife should love her husband."
+
+"Then you ought, in case you lose him," said Thaddeus, in a voice
+which Clementine had never heard him use, "to grieve for him less than
+if you lost a man who was your pride, your love, and all your life,
+--as some men are to you women. Surely you can be frank at this moment
+with a friend like me. I shall grieve, too; long before your marriage
+I had made him my child, I had sacrificed my life to him. If he dies I
+shall be without an interest on earth; but life is still beautiful to
+a widow of twenty-four."
+
+"Ah! but you know that I love no one," she said, with the impatience
+of grief.
+
+"You don't yet know what it is to love," said Thaddeus.
+
+"Oh, as husbands are, I have sense enough to prefer a child like my
+poor Adam to a superior man. It is now over a month that we have been
+saying to each other, 'Will he live?' and these alternations have
+prepared me, as they have you, for this loss. I can be frank with you.
+Well, I would give my life to save Adam. What is a woman's
+independence in Paris? the freedom to let herself be taken in by
+ruined or dissipated men who pretend to love her. I pray to God to
+leave me this husband who is so kind, so obliging, so little
+fault-finding, and who is beginning to stand in awe of me."
+
+"You are honest, and I love you the better for it," said Thaddeus,
+taking her hand which she yielded to him, and kissing it. "In solemn
+moments like these there is unspeakable satisfaction in finding a
+woman without hypocrisy. It is possible to converse with you. Let us
+look to the future. Suppose that God does not grant your prayer,--and
+no one cries to him more than I do, 'Leave me my friend!' Yes, these
+fifty nights have not weakened me; if thirty more days and nights are
+needed I can give them while you sleep,--yes, I will tear him from
+death if, as the doctors say, nursing can save him. But suppose that
+in spite of you and me, the count dies,--well, then, if you were
+loved, oh, adored, by a man of a heart and soul that are worthy of
+you--"
+
+"I may have wished for such love, foolishly, but I have never met with
+it."
+
+"Perhaps you are mistaken--"
+
+Clementine looked fixedly at Thaddeus, imagining that there was less
+of love than of cupidity in his thoughts; her eyes measured him from
+head to foot and poured contempt upon him; then she crushed him with
+the words, "Poor Malaga!" uttered in tones which a great lady alone
+can find to give expression to her disdain. She rose, leaving Thaddeus
+half unconscious behind her, slowly re-entered her boudoir, and went
+back to Adam's chamber.
+
+An hour later Paz returned to the sick-room, and began anew, with
+death in his heart, his care of the count. From that moment he said
+nothing. He was forced to struggle with the patient, whom he managed
+in a way that excited the admiration of the doctors. At all hours his
+watchful eyes were like lamps always lighted. He showed no resentment
+to Clementine, and listened to her thanks without accepting them; he
+seemed both dumb and deaf. To himself he was saying, "She shall owe
+his life to me," and he wrote the thought as it were in letters of
+fire on the walls of Adam's room. On the fifteenth day Clementine was
+forced to give up the nursing, lest she should utterly break down. Paz
+was unwearied. At last, towards the end of August, Bianchon, the
+family physician, told Clementine that Adam was out of danger.
+
+"Ah, madame, you are under no obligation to me," he said; "without his
+friend, Comte Paz, we could not have saved him."
+
+The day after the meeting of Paz and Clementine in the kiosk, the
+Marquis de Ronquerolles came to see his nephew. He was on the eve of
+starting for Russia on a secret diplomatic mission. Paz took occasion
+to say a few words to him. The first day that Adam was able to drive
+out with his wife and Thaddeus, a gentleman entered the courtyard as
+the carriage was about to leave it, and asked for Comte Paz. Thaddeus,
+who was sitting on the front seat of the caleche, turned to take a
+letter which bore the stamp of the ministry of Foreign affairs. Having
+read it, he put it into his pocket in a manner which prevented
+Clementine or Adam from speaking of it. Nevertheless, by the time they
+reached the porte Maillot, Adam, full of curiosity, used the privilege
+of a sick man whose caprices are to be gratified, and said to
+Thaddeus: "There's no indiscretion between brothers who love each
+other,--tell me what there is in that despatch; I'm in a fever of
+curiosity."
+
+Clementine glanced at Thaddeus with a vexed air, and remarked to her
+husband: "He has been so sulky with me for the last two months that I
+shall never ask him anything again."
+
+"Oh, as for that," replied Paz, "I can't keep it out of the
+newspapers, so I may as well tell you at once. The Emperor Nicholas
+has had the grace to appoint me captain in a regiment which is to take
+part in the expedition to Khiva."
+
+"You are not going?" cried Adam.
+
+"Yes, I shall go, my dear fellow. Captain I came, and captain I
+return. We shall dine together to-morrow for the last time. If I don't
+start at once for St. Petersburg I shall have to make the journey by
+land, and I am not rich, and I must leave Malaga a little
+independence. I ought to think of the only woman who has been able to
+understand me; she thinks me grand, superior. I dare say she is
+faithless, but she would jump--"
+
+"Through the hoop, for your sake and come down safely on the back of
+her horse," said Clementine sharply.
+
+"Oh, you don't know Malaga," said the captain, bitterly, with a
+sarcastic look in his eyes which made Clementine thoughtful and
+uneasy.
+
+"Good-by to the young trees of this beautiful Bois, which you
+Parisians love, and the exiles who find a home here love too," he
+said, presently. "My eyes will never again see the evergreens of the
+avenue de Mademoiselle, nor the acacias nor the cedars of the
+rond-points. On the borders of Asia, fighting for the Emperor,
+promoted to the command, perhaps, by force of courage and by risking
+my life, it may happen that I shall regret these Champs-Elysees where
+I have driven beside you, and where you pass. Yes, I shall grieve for
+Malaga's hardness--the Malaga of whom I am now speaking."
+
+This was said in a manner that made Clementine tremble.
+
+"Then you do love Malaga very much?" she asked.
+
+"I have sacrificed for her the honor that no man should ever
+sacrifice."
+
+"What honor?"
+
+"That which we desire to keep at any cost in the eyes of our idol."
+
+After that reply Thaddeus said no more; he was silent until, as they
+passed a wooden building on the Champs Elysees, he said, pointing to
+it, "That is the Circus."
+
+He went to the Russian Embassy before dinner, and thence to the
+Foreign office, and the next morning he had started for Havre before
+the count and countess were up.
+
+"I have lost a friend," said Adam, with tears in his eyes, when he
+heard that Paz had gone,--"a friend in the true meaning of the word. I
+don't know what has made him abandon me as if a pestilence were in my
+house. We are not friends to quarrel about a woman," he said, looking
+intently at Clementine. "You heard what he said yesterday about
+Malaga. Well, he has never so much as touched the little finger of
+that girl."
+
+"How do you know that?" said Clementine.
+
+"I had the natural curiosity to go and see Mademoiselle Turquet, and
+the poor girl can't explain even to herself the absolute reserve which
+Thad--"
+
+"Enough!" said the countess, retreating into her bedroom. "Can it be
+that I am the victim of some noble mystification?" she asked herself.
+The thought had hardly crossed her mind when Constantin brought her
+the following letter written by Thaddeus during the night:--
+
+ "Countess,--To seek death in the Caucasus and carry with me your
+ contempt is more than I can bear. A man should die untainted. When
+ I saw you for the first time I loved you as we love a woman whom
+ we shall love forever, even though she be unfaithful to us. I
+ loved you thus,--I, the friend of the man you had chosen and were
+ about to marry; I, poor; I, the steward,--a voluntary service, but
+ still the steward of your household.
+
+ "In this immense misfortune I found a happy life. To be to you an
+ indispensable machine, to know myself useful to your comfort, your
+ luxury, has been the source of deep enjoyments. If these
+ enjoyments were great when I thought only of Adam, think what they
+ were to my soul when the woman I loved was the mainspring of all I
+ did. I have known the pleasures of maternity in my love. I
+ accepted life thus. Like the paupers who live along the great
+ highways, I built myself a hut on the borders of your beautiful
+ domain, though I never sought to approach you. Poor and lonely,
+ struck blind by Adam's good fortune, I was, nevertheless, the
+ giver. Yes, you were surrounded by a love as pure as a
+ guardian-angel's; it waked while you slept; it caressed you with a
+ look as you passed; it was happy in its own existence,--you were
+ the sun of my native land to me, poor exile, who now writes to you
+ with tears in his eyes as he thinks of the happiness of those first
+ days.
+
+ "When I was eighteen years old, having no one to love, I took for
+ my ideal mistress a charming woman in Warsaw, to whom I confided
+ all my thoughts, my wishes; I made her the queen of my nights and
+ days. She knew nothing of all this; why should she? I loved my
+ love.
+
+ "You can fancy from this incident of my youth how happy I was
+ merely to live in the sphere of your existence, to groom your
+ horse, to find the new-coined gold for your purse, to prepare the
+ splendor of your dinners and your balls, to see you eclipsing the
+ elegance of those whose fortunes were greater than yours, and all
+ by my own good management. Ah! with what ardor I have ransacked
+ Paris when Adam would say to me, '_She_ wants this or that.' It was
+ a joy such as I can never express to you. You wished for a trifle
+ at one time which kept me seven hours in a cab scouring the city;
+ and what delight it was to weary myself for you. Ah! when I saw
+ you, unseen by you, smiling among your flowers, I could forget
+ that no one loved me. On certain days, when my happiness turned my
+ head, I went at night and kissed the spot where, to me, your feet
+ had left their luminous traces. The air you had breathed was
+ balmy; in it I breathed in more of life; I inhaled, as they say
+ persons do in the tropics, a vapor laden with creative principles.
+
+ "I _must_ tell you these things to explain the strange presumption
+ of my involuntary thoughts,--I would have died rather than avow it
+ until now.
+
+ "You will remember those few days of curiosity when you wished to
+ know the man who performed the household miracles you had
+ sometimes noticed. I thought,--forgive me, madame,--I believed you
+ might love me. Your good-will, your glances interpreted by me, a
+ lover, seemed to me so dangerous--for me--that I invented that
+ story of Malaga, knowing it was the sort of liaison which women
+ cannot forgive. I did it in a moment when I felt that my love
+ would be communicated, fatally, to you. Despise me, crush me with
+ the contempt you have so often cast upon me when I did not deserve
+ it; and yet I am certain that, if, on that evening when your aunt
+ took Adam away from you, I had said what I have now written to
+ you, I should, like the tamed tiger that sets his teeth once more
+ in living flesh, and scents the blood, and--
+
+ "Midnight.
+
+ "I could not go on; the memory of that hour is still too living.
+ Yes, I was maddened. Was there hope for me in your eyes? then
+ victory with its scarlet banners would have flamed in mine and
+ fascinated yours. My crime has been to think all this; perhaps
+ wrongly. You alone can judge of that dreadful scene when I drove
+ back love, desire, all the most invincible forces of our manhood,
+ with the cold hand of gratitude,--gratitude which must be eternal.
+
+ "Your terrible contempt has been my punishment. You have shown me
+ there is no return from loathing or disdain. I love you madly. I
+ should have gone had Adam died; all the more must I go because he
+ lives. A man does not tear his friend from the arms of death to
+ betray him. Besides, my going is my punishment for the thought
+ that came to me that I would let him die, when the doctors said
+ that his life depended on his nursing.
+
+ "Adieu, madame; in leaving Paris I lose all, but you lose nothing
+ now in my being no longer near you.
+
+"Your devoted
+"Thaddeus Paz."
+
+
+"If my poor Adam says he has lost a friend, what have I lost?" thought
+Clementine, sinking into a chair with her eyes fixed on the carpet.
+
+The following letter Constantin had orders to give privately to the
+count:--
+
+ "My dear Adam,--Malaga has told me all. In the name of all your
+ future happiness, never let a word escape you to Clementine about
+ your visits to that girl; let her think that Malaga has cost me a
+ hundred thousand francs. I know Clementine's character; she will
+ never forgive you either your losses at cards or your visits to
+ Malaga.
+
+ "I am not going to Khiva, but to the Caucasus. I have the spleen;
+ and at the pace at which I mean to go I shall be either Prince
+ Paz in three years, or dead. Good-by; though I have taken
+ sixty-thousand francs from Nucingen, our accounts are even.
+
+"Thaddeus."
+
+
+"Idiot that I was," thought Adam; "I came near to cutting my throat
+just now, talking about Malaga."
+
+It is now three years since Paz went away. The newspapers have as yet
+said nothing about any Prince Paz. The Comtesse Laginska is immensely
+interested in the expeditions of the Emperor Nicholas; she is Russian
+to the core, and reads with a sort of avidity all the news that comes
+from that distant land. Once or twice every winter she says to the
+Russian ambassador, with an air of indifference, "Do you know what has
+become of our poor Comte Paz?"
+
+Alas! most Parisian women, those beings who think themselves so clever
+and clear-sighted, pass and repass beside a Paz and never recognize
+him. Yes, many a Paz is unknown and misconceived, but--horrible to
+think of!--some are misconceived even though they are loved. The
+simplest women in society exact a certain amount of conventional sham
+from the greatest men. A noble love signifies nothing to them if rough
+and unpolished; it needs the cutting and setting of a jeweller to give
+it value in their eyes.
+
+In January, 1842, the Comtesse Laginska, with her charm of gentle
+melancholy, inspired a violent passion in the Comte de La Palferine,
+one of the most daring and presumptuous lions of the day. La Palferine
+was well aware that the conquest of a woman so guarded by reserve as
+the Comtesse Laginska was difficult, but he thought he could inveigle
+this charming creature into committing herself if he took her
+unawares, by the assistance of a certain friend of her own, a woman
+already jealous of her.
+
+Quite incapable, in spite of her intelligence, of suspecting such
+treachery, the Comtesse Laginska committed the imprudence of going
+with her so-called friend to a masked ball at the Opera. About three
+in the morning, led away by the excitement of the scene, Clementine,
+on whom La Palferine had expended his seductions, consented to accept
+a supper, and was about to enter the carriage of her faithless friend.
+At this critical moment her arm was grasped by a powerful hand, and
+she was taken, in spite of her struggles, to her own carriage, the
+door of which stood open, though she did not know it was there.
+
+"He has never left Paris!" she exclaimed to herself as she recognized
+Thaddeus, who disappeared when the carriage drove away.
+
+Did any woman ever have a like romance in her life? Clementine is
+constantly hoping she may again see Paz.
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+Bianchon, Horace
+ Father Goriot
+ The Atheist's Mass
+ Cesar Birotteau
+ The Commission in Lunacy
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ The Secrets of a Princess
+ The Government Clerks
+ Pierrette
+ A Study of Woman
+ Scenes from a Courtesan's Life
+ Honorine
+ The Seamy Side of History
+ The Magic Skin
+ A Second Home
+ A Prince of Bohemia
+ Letters of Two Brides
+ The Muse of the Department
+ The Middle Classes
+ Cousin Betty
+ The Country Parson
+In addition, M. Bianchon narrated the following:
+ Another Study of Woman
+ La Grande Breteche
+
+Laginski, Comte Adam Mitgislas
+ Another Study of Woman
+ Cousin Betty
+
+La Palferine, Comte de
+ A Prince of Bohemia
+ A Man of Business
+ Cousin Betty
+ Beatrix
+
+Lelewel
+ The Seamy Side of History
+
+Nathan, Madame Raoul
+ The Muse of the Department
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Scenes from a Courtesan's Life
+ The Government Clerks
+ A Bachelor's Establishment
+ Ursule Mirouet
+ Eugenie Grandet
+ A Prince of Bohemia
+ A Daughter of Eve
+ The Unconscious Humorists
+
+Paz, Thaddee
+ Cousin Betty
+
+Ronquerolles, Marquis de
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Thirteen
+ The Member for Arcis
+
+Rouvre, Marquis du
+ A Start in Life
+ Ursule Mirouet
+
+Rouvre, Chevalier du
+ Ursule Mirouet
+
+Schinner, Hippolyte
+ The Purse
+ A Bachelor's Establishment
+ Pierre Grassou
+ A Start in Life
+ Albert Savarus
+ The Government Clerks
+ Modeste Mignon
+ The Unconscious Humorists
+
+Serizy, Comtesse de
+ A Start in Life
+ The Thirteen
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+
+Serizy, Vicomte de
+ A Start in Life
+ Modeste Mignon
+
+Souchet, Francois
+ The Purse
+ A Daughter of Eve
+
+Steinbock, Count Wenceslas
+ Cousin Betty
+
+Turquet, Marguerite
+ The Muse of the Department
+ A Man of Business
+ Cousin Betty
+
+
+
+
+
+End of the Project Gutenberg EBook of Paz, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PAZ ***
+
+***** This file should be named 1369.txt or 1369.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/3/6/1369/
+
+Produced by John Bickers, and Dagny
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.net/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.net
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/old/20050606-1369.zip b/old/old/20050606-1369.zip
new file mode 100644
index 0000000..d6a21da
--- /dev/null
+++ b/old/old/20050606-1369.zip
Binary files differ
diff --git a/old/old/pzhdb10.txt b/old/old/pzhdb10.txt
new file mode 100644
index 0000000..521a083
--- /dev/null
+++ b/old/old/pzhdb10.txt
@@ -0,0 +1,2478 @@
+****The Project Gutenberg Etext of Paz, by Honore de Balzac****
+#20 in our series by Honore de Balzac
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Paz
+
+by Honore de Balzac
+
+Translated by Katharine Prescott Wormeley
+
+July, 1998 [Etext #1369]
+
+
+****The Project Gutenberg Etext of Paz, by Honore de Balzac****
+*****This file should be named pzhdb10.txt or pzhdb10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, pzhdb11.txt.
+VERSIONS based on separate sources get new LETTER, pzhdb10a.txt.
+
+
+Etext prepared by John Bickers, jbickers@templar.actrix.gen.nz
+and Dagny, dagnyj@hotmail.com
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-two text
+files per month, or 384 more Etexts in 1997 for a total of 1000+
+If these reach just 10% of the computerized population, then the
+total should reach over 100 billion Etexts given away.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only 10% of the present number of computer users. 2001
+should have at least twice as many computer users as that, so it
+will require us reaching less than 5% of the users in 2001.
+
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp uiarchive.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext96
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+PAZ
+by Honore de Balzac (transl. Katharine Prescott Wormeley)
+
+Etext prepared by John Bickers, jbickers@templar.actrix.gen.nz
+and Dagny, dagnyj@hotmail.com
+
+
+
+
+
+PAZ
+
+BY
+
+HONORE DE BALZAC
+
+
+
+
+Translated By
+Katharine Prescott Wormeley
+
+
+
+
+DEDICATION
+
+Dedicated to the Comtesse Clara Maffei.
+
+
+
+
+PAZ
+(LA FAUSSE MAITRESSE)
+
+
+
+I
+
+In September, 1835, one of the richest heiresses of the faubourg
+Saint-Germain, Mademoiselle du Rouvre, the only daughter of the
+Marquis du Rouvre, married Comte Adam Mitgislas Laginski, a young
+Polish exile.
+
+We ask permission to write these Polish names as they are pronounced,
+to spare our readers the aspect of the fortifications of consonants by
+which the Slave language protects its vowels,--probably not to lose
+them, considering how few there are.
+
+The Marquis du Rouvre had squandered nearly the whole of a princely
+fortune, which he obtained originally through his marriage with a
+Demoiselle de Ronquerolles. Therefore, on her mother's side Clementine
+du Rouvre had the Marquis de Ronquerolles for uncle, and Madame de
+Serizy for aunt. On her father's side she had another uncle in the
+eccentric person of the Chevalier du Rouvre, a younger son of the
+house, an old bachelor who had become very rich by speculating in
+lands and houses. The Marquis de Ronquerolles had the misfortune to
+lose both his children at the time of the cholera, and the only son of
+Madame de Serizy, a young soldier of great promise, perished in Africa
+in the affair of the Makta. In these days rich families stand between
+the danger of impoverishing their children if they have too many, or
+of extinguishing their names if they have too few,--a singular result
+of the Code which Napoleon never thought of. By a curious turn of
+fortune Clementine became, in spite of her father having squandered
+his substance on Florine (one of the most charming actresses in
+Paris), a great heiress. The Marquis de Ronquerolles, a clever
+diplomatist under the new dynasty, his sister, Madame de Serizy, and
+the Chevalier du Rouvre agreed, in order to save their fortunes from
+the dissipations of the marquis, to settle them on their niece, to
+whom, moreover, they each pledged themselves to pay ten thousand
+francs a year from the day of her marriage.
+
+It is quite unnecessary to say that the Polish count, though an exile,
+was no expense to the French government. Comte Adam Laginski belonged
+to one of the oldest and most illustrious families in Poland, which
+was allied to many of the princely houses of Germany,--Sapieha,
+Radziwill, Mniszech, Rzewuski, Czartoryski, Leczinski, Lubormirski,
+and all the other great Sarmatian SKIS. But heraldic knowledge is not
+the most distinguishing feature of the French nation under Louis-
+Philippe, and Polish nobility was no great recommendation to the
+bourgeoisie who were lording it in those days. Besides, when Adam
+first made his appearance, in 1833, on the boulevard des Italiens, at
+Frascati, and at the Jockey-Club, he was leading the life of a young
+man who, having lost his political prospects, was taking his pleasure
+in Parisian dissipation. At first he was thought to be a student.
+
+The Polish nationality had at this period fallen as low in French
+estimation, thanks to a shameful governmental reaction, as the
+republicans had sought to raise it. The singular struggle of the
+Movement against Resistance (two words which will be inexplicable
+thirty years hence) made sport of what ought to have been truly
+respected,--the name of a conquered nation to whom the French had
+offered hospitality, for whom fetes had been given (with songs and
+dances by subscription), above all, a nation which in the Napoleonic
+struggle between France and Europe had given us six thousand men, and
+what men!
+
+Do not infer from this that either side is taken here; either that of
+the Emperor Nicholas against Poland, or that of Poland against the
+Emperor. It would be a foolish thing to slip political discussion into
+tales that are intended to amuse or interest. Besides, Russia and
+Poland were both right,--one to wish the unity of its empire, the
+other to desire its liberty. Let us say in passing that Poland might
+have conquered Russia by the influence of her morals instead of
+fighting her with weapons; she should have imitated China which, in
+the end, Chinesed the Tartars, and will, it is to be hoped, Chinese
+the English. Poland ought to have Polonized Russia. Poniatowski tried
+to do so in the least favorable portion of the empire; but as a king
+he was little understood,--because, possibly, he did not fully
+understand himself.
+
+But how could the Parisians avoid disliking an unfortunate people who
+were the cause of that shameful falsehood enacted during the famous
+review at which all Paris declared its will to succor Poland? The
+Poles were held up to them as the allies of the republican party, and
+they never once remembered that Poland was a republic of aristocrats.
+From that day forth the bourgeoisie treated with base contempt the
+exiles of the nation it had worshipped a few days earlier. The wind of
+a riot is always enough to veer the Parisians from north to south
+under any regime. It is necessary to remember these sudden
+fluctuations of feeling in order to understand why it was that in 1835
+the word "Pole" conveyed a derisive meaning to a people who consider
+themselves the wittiest and most courteous nation on earth, and their
+city of Paris the focus of enlightenment, with the sceptre of arts and
+literature within its grasp.
+
+There are, alas! two sorts of Polish exiles,--the republican Poles,
+sons of Lelewel, and the noble Poles, at the head of whom is Prince
+Adam Czartoryski. The two classes are like fire and water; but why
+complain of that? Such divisions are always to be found among exiles,
+no matter of what nation they may be, or in what countries they take
+refuge. They carry their countries and their hatreds with them. Two
+French priests, who had emigrated to Brussels during the Revolution,
+showed the utmost horror of each other, and when one of them was asked
+why, he replied with a glance at his companion in misery: "Why?
+because he's a Jansenist!" Dante would gladly have stabbed a Guelf had
+he met him in exile. This explains the virulent attacks of the French
+against the venerable Prince Adam Czartoryski, and the dislike shown
+to the better class of Polish exiles by the shopkeeping Caesars and
+the licensed Alexanders of Paris.
+
+In 1834, therefore, Adam Mitgislas Laginski was something of a butt
+for Parisian pleasantry.
+
+"He is rather nice, though he is a Pole," said Rastignac.
+
+"All these Poles pretend to be great lords," said Maxime de Trailles,
+"but this one does pay his gambling debts, and I begin to think he
+must have property."
+
+Without wishing to offend these banished men, it may be allowable to
+remark that the light-hearted, careless inconsistency of the Sarmatian
+character does justify in some degree the satire of the Parisians,
+who, by the bye, would behave in like circumstances exactly as the
+Poles do. The French aristocracy, so nobly succored during the
+Revolution by the Polish lords, certainly did not return the kindness
+in 1832. Let us have the melancholy courage to admit this, and to say
+that the faubourg Saint-Germain is still the debtor of Poland.
+
+Was Comte Adam rich, or was he poor, or was he an adventurer? This
+problem was long unsolved. The diplomatic salons, faithful to
+instructions, imitated the silence of the Emperor Nicholas, who held
+that all Polish exiles were virtually dead and buried. The court of
+the Tuileries, and all who took their cue from it, gave striking proof
+of the political quality which was then dignified by the name of
+sagacity. They turned their backs on a Russian prince with whom they
+had all been on intimate terms during the Emigration, merely because
+it was said that the Emperor Nicholas gave him the cold shoulder.
+Between the caution of the court and the prudence of the diplomates,
+the Polish exiles of distinction lived in Paris in the Biblical
+solitude of "super flumina Babylonis," or else they haunted a few
+salons which were the neutral ground of all opinions. In a city of
+pleasure, like Paris, where amusements abound on all sides, the
+heedless gayety of a Pole finds twice as many encouragements as it
+needs to a life of dissipation.
+
+It must be said, however, that Adam had two points against him,--his
+appearance, and his mental equipment. There are two species of Pole,
+as there are two species of Englishwoman. When an Englishwoman is not
+very handsome she is horribly ugly. Comte Adam belonged in the second
+category of human beings. His small face, rather sharp in expression,
+looked as if it had been pressed in a vise. His short nose, and fair
+hair, and reddish beard and moustache made him look all the more like
+a goat because he was small and thin, and his tarnished yellow eyes
+caught you with that oblique look which Virgil celebrates. How came
+he, in spite of such obvious disadvantages, to possess really
+exquisite manners and a distinguished air? The problem is solved
+partly by the care and elegance of his dress, and partly by the
+training given him by his mother, a Radziwill. His courage amounted to
+daring, but his mind was not more than was needed for the ephemeral
+talk and pleasantry of Parisian conversation. And yet it would have
+been difficult to find among the young men of fashion in Paris a
+single one who was his superior. Young men talk a great deal too much
+in these days of horses, money, taxes, deputies; French CONVERSATION
+is no longer what it was. Brilliancy of mind needs leisure and certain
+social inequalities to bring it out. There is, probably, more real
+conversation in Vienna or St. Petersburg than in Paris. Equals do not
+need to employ delicacy or shrewdness in speech; they blurt out things
+as they are. Consequently the dandies of Paris did not discover the
+great seigneur in the rather heedless young fellow who, in their
+talks, would flit from one subject to another, all the more intent
+upon amusement because he had just escaped from a great peril, and,
+finding himself in a city where his family was unknown, felt at
+liberty to lead a loose life without the risk of disgracing his name.
+
+But one fine day in 1834 Adam suddenly bought a house in the rue de la
+Pepiniere. Six months later his style of living was second to none in
+Paris. About the time when he thus began to take himself seriously he
+had seen Clementine du Rouvre at the Opera and had fallen in love with
+her. A year later the marriage took place. The salon of Madame
+d'Espard was the first to sound his praises. Mothers of daughters then
+learned too late that as far back as the year 900 the family of the
+Laginski was among the most illustrious of the North. By an act of
+prudence which was very unPolish, the mother of the young count had
+mortgaged her entire property on the breaking out of the insurrection
+for an immense sum lent by two Jewish bankers in Paris. Comte Adam was
+now in possession of eighty thousand francs a year. When this was
+discovered society ceased to be surprised at the imprudence which had
+been laid to the charge of Madame de Serizy, the Marquis de
+Ronquerolles, and the Chevalier du Rouvre in yielding to the foolish
+passion of their niece. People jumped, as usual, from one extreme of
+judgment to the other.
+
+During the winter of 1836 Comte Adam was the fashion, and Clementine
+Laginska one of the queens of Paris. Madame Laginska is now a member
+of that charming circle of young women represented by Mesdames de
+Lestorade, de Portenduere, Marie de Vandenesse, du Guenic, and de
+Maufrigneuse, the flowers of our present Paris, who live at such
+immeasurable distance from the parvenus, the vulgarians, and the
+speculators of the new regime.
+
+This preamble is necessary to show the sphere in which was done one of
+those noble actions, less rare than the calumniators of our time
+admit,--actions which, like pearls, the fruit of pain and suffering,
+are hidden within rough shells, lost in the gulf, the sea, the tossing
+waves of what we call society, the century, Paris, London, St.
+Petersburg,--or what you will.
+
+If the axiom that architecture is the expression of manner and morals
+was ever proved, it was certainly after the insurrection of 1830,
+during the present reign of the house of Orleans. As all the old
+fortunes are diminishing in France, the majestic mansions of our
+ancestors are constantly being demolished and replaced by species of
+phalansteries, in which the peers of July occupy the third floor above
+some newly enriched empirics on the lower floors. A mixture of styles
+is confusedly employed. As there is no longer a real court or nobility
+to give the tone, there is no harmony in the production of art. Never,
+on the other hand, has architecture discovered so many economical ways
+of imitating the real and the solid, or displayed more resources, more
+talent, in distributing them. Propose to an architect to build upon
+the garden at the back of an old mansion, and he will run you up a
+little Louvre overloaded with ornament. He will manage to get in a
+courtyard, stables, and if you care for it, a garden. Inside the house
+he will accommodate a quantity of little rooms and passages. He is so
+clever in deceiving the eye that you think you will have plenty of
+space; but it is only a nest of small rooms, after all, in which a
+ducal family has to turn itself about in the space that its own
+bakehouse formerly occupied.
+
+The hotel of the Comtesse Laginska, rue de la Pepiniere, is one of
+these creations, and stands between court and garden. On the right, in
+the court, are the kitchens and offices; to the left the coachhouse
+and stables. The porter's lodge is between two charming portes-
+cocheres. The chief luxury of the house is a delightful greenhouse
+contrived at the end of a boudoir on the ground-floor which opens upon
+an admirable suite of reception rooms. An English philanthropist had
+built this architectural bijou, designed the garden, added the
+greenhouse, polished the doors, bricked the courtyard, painted the
+window-frames green, and realized, in short, a dream which resembled
+(proportions excepted) George the Fourth's Pavilion at Brighton. The
+inventive and industrious Parisian workmen had moulded the doors and
+window-frames; the ceilings were imitated from the middle-ages or
+those of a Venetian palace; marble veneering abounded on the outer
+walls. Steinbock and Francois Souchet had designed the mantel-pieces
+and the panels above the doors; Schinner had painted the ceilings in
+his masterly manner. The beauties of the staircase, white as a woman's
+arm, defied those of the hotel Rothschild. On account of the riots and
+the unsettled times, the cost of this folly was only about eleven
+hundred thousand francs,--to an Englishman a mere nothing. All this
+luxury, called princely by persons who do not know what real princes
+are, was built in the garden of the house of a purveyor made a Croesus
+by the Revolution, who had escaped to Brussels and died there after
+going into bankruptcy. The Englishman died in Paris, of Paris; for to
+many persons Paris is a disease,--sometimes several diseases. His
+widow, a Methodist, had a horror of the little nabob establishment,
+and ordered it to be sold. Comte Adam bought it at a bargain; and how
+he came to do so shall presently be made known, for bargains were not
+at all in his line as a grand seigneur.
+
+Behind the house lay the verdant velvet of an English lawn shaded at
+the lower end by a clump of exotic trees, in the midst of which stood
+a Chinese pagoda with soundless belfries and motionless golden eggs.
+The greenhouse concealed the garden wall on the northern side, the
+opposite wall was covered with climbing plants trained upon poles
+painted green and connected with crossway trellises. This lawn, this
+world of flowers, the gravelled paths, the simulated forest, the
+verdant palisades, were contained within the space of five and twenty
+square rods, which are worth to-day four hundred thousand francs,--the
+value of an actual forest. Here, in this solitude in the middle of
+Paris, the birds sang, thrushes, nightingales, warblers, bulfinches,
+and sparrows. The greenhouse was like an immense jardiniere, filling
+the air with perfume in winter as in summer. The means by which its
+atmosphere was made to order, torrid as in China or temperate as in
+Italy, were cleverly concealed. Pipes in which hot water circulated,
+or steam, were either hidden under ground or festooned with plants
+overhead. The boudoir was a large room. The miracle of the modern
+Parisian fairy named Architecture is to get all these many and great
+things out of a limited bit of ground.
+
+The boudoir of the young countess was arranged to suit the taste of
+the artist to whom Comte Adam entrusted the decoration of the house.
+It is too full of pretty nothings to be a place for repose; one scarce
+knows where to sit down among carved Chinese work-tables with their
+myriads of fantastic figures inlaid in ivory, cups of yellow topaz
+mounted on filagree, mosaics which inspire theft, Dutch pictures in
+the style which Schinner has adopted, angels such as Steinbock
+conceived but often could not execute, statuettes modelled by genius
+pursued by creditors (the real explanation of the Arabian myth),
+superb sketches by our best artists, lids of chests made into panels
+alternating with fluted draperies of Italian silk, portieres hanging
+from rods of old oak in tapestried masses on which the figures of some
+hunting scene are swarming, pieces of furniture worthy to have
+belonged to Madame de Pompadour, Persian rugs, et cetera. For a last
+graceful touch, all these elegant things were subdued by the half-
+light which filtered through embroidered curtains and added to their
+charm. On a table between the windows, among various curiosities, lay
+a whip, the handle designed by Mademoiselle de Fauveau, which proved
+that the countess rode on horseback.
+
+Such is a lady's boudoir in 1837,--an exhibition of the contents of
+many shops, which amuse the eye, as if ennui were the one thing to be
+dreaded by the social world of the liveliest and most stirring capital
+in Europe. Why is there nothing of an inner life? nothing which leads
+to revery, nothing reposeful? Why indeed? Because no one in our day is
+sure of the future; we are living our lives like prodigal annuitants.
+
+One morning Clementine appeared to be thinking of something. She was
+lying at full length on one of those marvellous couches from which it
+is almost impossible to rise, the upholsterer having invented them for
+lovers of the "far niente" and its attendant joys of laziness to sink
+into. The doors of the greenhouse were open, letting the odors of
+vegetation and the perfume of the tropics pervade the room. The young
+wife was looking at her husband who was smoking a narghile, the only
+form of pipe she would have suffered in that room. The portieres, held
+back by cords, gave a vista through two elegant salons, one white and
+gold, comparable only to that of the hotel Forbin-Janson, the other in
+the style of the Renaissance. The dining-room, which had no rival in
+Paris except that of the Baron de Nucingen, was at the end of a short
+gallery decorated in the manner of the middle-ages. This gallery
+opened on the side of the courtyard upon a large antechamber, through
+which could be seen the beauties of the staircase.
+
+The count and countess had just finished breakfast; the sky was a
+sheet of azure without a cloud, April was nearly over. They had been
+married two years, and Clementine had just discovered for the first
+time that there was something resembling a secret or a mystery in her
+household. The Pole, let us say it to his honor, is usually helpless
+before a woman; he is so full of tenderness for her that in Poland he
+becomes her inferior, though Polish women make admirable wives. Now a
+Pole is still more easily vanquished by a Parisian woman. Consequently
+Comte Adam, pressed by questions, did not even attempt the innocent
+roguery of selling the suspected secret. It is always wise with a
+woman to get some good out of a mystery; she will like you the better
+for it, as a swindler respects an honest man the more when he finds he
+cannot swindle him. Brave in heart but not in speech, Comte Adam
+merely stipulated that he should not be compelled to answer until he
+had finished his narghile.
+
+"If any difficulty occurred when we were travelling," said Clementine,
+"you always dismissed it by saying, 'Paz will settle that.' You never
+wrote to any one but Paz. When we returned here everybody kept saying,
+'the captain, the captain.' If I want the carriage--'the captain.' Is
+there a bill to pay--'the captain.' If my horse is not properly
+bitted, they must speak to Captain Paz. In short, it is like a game of
+dominoes--Paz is everywhere. I hear of nothing but Paz, but I never
+see Paz. Who and what is Paz? Why don't you bring forth your Paz?"
+
+"Isn't everything going on right?" asked the count, taking the
+"bocchettino" of his narghile from his lips.
+
+"Everything is going on so right that other people with an income of
+two hundred thousand francs would ruin themselves by going at our
+pace, and we have only one hundred and ten thousand."
+
+So saying she pulled the bell-cord (an exquisite bit of needlework). A
+footman entered, dressed like a minister.
+
+"Tell Captain Paz that I wish to see him."
+
+"If you think you are going to find out anything that way--" said
+Comte Adam, laughing.
+
+It is well to mention that Adam and Clementine, married in December,
+1835, had gone soon after the wedding to Italy, Switzerland, and
+Germany, where they spent the greater part of two years. Returning to
+Paris in November, 1837, the countess entered society for the first
+time as a married woman during the winter which had just ended, and
+she then became aware of the existence, half-suppressed and wholly
+dumb but very useful, of a species of factotum who was personally
+invisible, named Paz,--spelt thus, but pronounced "Patz."
+
+"Monsieur le capitaine Paz begs Madame la comtesse to excuse him,"
+said the footman, returning. "He is at the stables; as soon as he has
+changed his dress Comte Paz will present himself to Madame."
+
+"What was he doing at the stables?"
+
+"He was showing them how to groom Madame's horse," said the man. "He
+was not pleased with the way Constantin did it."
+
+The countess looked at the footman. He was perfectly serious and did
+not add to his words the sort of smile by which servants usually
+comment on the actions of a superior who seems to them to derogate
+from his position.
+
+"Ah! he was grooming Cora."
+
+"Madame la comtesse intends to ride out this morning?" said the
+footman, leaving the room without further answer.
+
+"Is Paz a Pole?" asked Clementine, turning to her husband, who nodded
+by way of affirmation.
+
+Madame Laginska was silent, examining Adam. With her feet extended
+upon a cushion and her head poised like that of a bird on the edge of
+its nest listening to the noises in a grove, she would have seemed
+enchanting even to a blase man. Fair and slender, and wearing her hair
+in curls, she was not unlike those semi-romantic pictures in the
+Keepsakes, especially when dressed, as she was this morning, in a
+breakfast gown of Persian silk, the folds of which could not disguise
+the beauty of her figure or the slimness of her waist. The silk with
+its brilliant colors being crossed upon the bosom showed the spring of
+the neck,--its whiteness contrasting delightfully against the tones of
+a guipure lace which lay upon her shoulders. Her eyes and their long
+black lashes added at this moment to the expression of curiosity which
+puckered her pretty mouth. On the forehead, which was well modelled,
+an observer would have noticed a roundness characteristic of the true
+Parisian woman,--self-willed, merry, well-informed, but inaccessible
+to vulgar seductions. Her hands, which were almost transparent, were
+hanging down at the end of each arm of her chair; the tapering
+fingers, slightly turned up at their points, showed nails like
+almonds, which caught the light. Adam smiled at his wife's impatience,
+and looked at her with a glance which two years of married life had
+not yet chilled. Already the little countess had made herself mistress
+of the situation, for she scarcely paid attention to her husband's
+admiration. In fact, in the look which she occasionally cast at him,
+there seemed to be the consciousness of a Frenchwoman's ascendancy
+over the puny, volatile, and red-haired Pole.
+
+"Here comes Paz," said the count, hearing a step which echoed through
+the gallery.
+
+The countess beheld a tall and handsome man, well-made, and bearing on
+his face the signs of pain which come of inward strength and secret
+endurance of sorrow. He wore one of those tight, frogged overcoats
+which were then called "polonaise." Thick, black hair, rather unkempt,
+covered his square head, and Clementine noticed his broad forehead
+shining like a block of white marble, for Paz held his visored cap in
+his hand. The hand itself was like that of the Infant Hercules. Robust
+health flourished on his face, which was divided by a large Roman nose
+and reminded Clementine of some handsome Transteverino. A black silk
+cravat added to the martial appearance of this six-foot mystery, with
+eyes of jet and Italian fervor. The amplitude of his pleated trousers,
+which allowed only the tips of his boots to be seen, revealed his
+faithfulness to the fashions of his own land. There was something
+really burlesque to a romantic woman in the striking contrast no one
+could fail to remark between the captain and the count, the little
+Pole with his pinched face and the stalwart soldier.
+
+"Good morning, Adam," he said familiarly. Then he bowed courteously as
+he asked Clementine what he could do for her.
+
+"You are Laginski's friend!" exclaimed the countess.
+
+"For life and death," answered Paz, to whom the count threw a smile of
+affection as he drew a last puff from his perfumed pipe.
+
+"Then why don't you take your meals with us? why did you not accompany
+us to Italy and Switzerland? why do you hide yourself in such a way
+that I am unable to thank you for the constant services that you do
+for us?" said the countess, with much vivacity of manner but no
+feeling.
+
+In fact, she thought she perceived in Paz a sort of voluntary
+servitude. Such an idea carried with it in her mind a certain contempt
+for a social amphibian, a being half-secretary, half-bailiff, and yet
+neither the one nor the other, a poor relation, an embarrassing
+friend.
+
+"Because, countess," he answered with perfect ease of manner, "there
+are no thanks due. I am Adam's friend, and it gives me pleasure to
+take care of his interests."
+
+"And you remain standing for your pleasure, too," remarked Comte Adam.
+
+Paz sat down on a chair near the door.
+
+"I remember seeing you about the time I was married, and afterwards in
+the courtyard," said Clementine. "But why do you put yourself in a
+position of inferiority,--you, Adam's friend?"
+
+"I am perfectly indifferent to the opinion of the Parisians," he
+replied. "I live for myself, or, if you like, for you two."
+
+"But the opinion of the world as to a friend of my husband is not
+indifferent to me--"
+
+"Ah, madame, the world will be satisfied if you tell them I am 'an
+original.'"
+
+After a moment's silence he added, "Are you going out to-day?"
+
+"Will you come with us to the Bois?"
+
+"Certainly."
+
+So saying, Paz bowed and withdrew.
+
+"What a good soul he is!" said Adam. "He has all the simplicity of a
+child."
+
+"Now tell me all about your relations with him," said Clementine.
+
+"Paz, my dear," said Laginski, "belongs to a noble family as old and
+illustrious as our own. One of the Pazzi of Florence, at the time of
+their disasters, fled to Poland, where he settled with some of his
+property and founded the Paz family, to which the title of count was
+granted. This family, which distinguished itself greatly in the
+glorious days of our royal republic, became rich. The graft from the
+tree that was felled in Italy flourished so vigorously in Poland that
+there are several branches of the family still there. I need not tell
+you that some are rich and some are poor. Our Paz is the scion of a
+poor branch. He was an orphan, without other fortune than his sword,
+when he served in the regiment of the Grand Duke Constantine at the
+time of our revolution. Joining the Polish cause, he fought like a
+Pole, like a patriot, like a man who has nothing,--three good reasons
+for fighting well. In his last affair, thinking he was followed by his
+men, he dashed upon a Russian battery and was taken prisoner. I was
+there. His brave act roused me. 'Let us go and get him!' I said to my
+troop, and we charged the battery like a lot of foragers. I got Paz--I
+was the seventh man; we started twenty and came back eight, counting
+Paz. After Warsaw was sold we were forced to escape those Russians. By
+a curious chance, Paz and I happened to come together again, at the
+same hour and the same place, on the other side of the Vistula. I saw
+the poor captain arrested by some Prussians, who made themselves the
+blood-hounds of the Russians. When we have fished a man out of the
+Styx we cling to him. This new danger for poor Paz made me so unhappy
+that I let myself be taken too, thinking I could help him. Two men can
+get away where one will perish. Thanks to my name and some family
+connections in Prussia, the authorities shut their eyes to my escape.
+I got my dear captain through as a man of no consequence, a family
+servant, and we reached Dantzic. There we got on board a Dutch vessel
+and went to London. It took us two months to get there. My mother was
+ill in England, and expecting me. Paz and I took care of her till her
+death, which the Polish troubles hastened. Then we left London and
+came to France. Men who go through such adversities become like
+brothers. When I reached Paris, at twenty-two years of age, and found
+I had an income of over sixty thousand francs a year, without counting
+the proceeds of the diamonds and the pictures sold by my mother, I
+wanted to secure the future of my dear Paz before I launched into
+dissipation. I had often noticed the sadness in his eyes--sometimes
+tears were in them. I had had good reason to understand his soul,
+which is noble, grand, and generous to the core. I thought he might
+not like to be bound by benefits to a friend who was six years younger
+than himself, unless he could repay them. I was careless and
+frivolous, just as a young fellow is, and I knew I was certain to ruin
+myself at play, or get inveigled by some woman, and Paz and I might
+then be parted; and though I had every intention of always looking out
+for him, I knew I might sometime or other forget to provide for him.
+In short, my dear angel, I wanted to spare him the pain and
+mortification of having to ask me for money, or of having to hunt me
+up if he got into distress. SO, one morning, after breakfast, when we
+were sitting with our feet on the andirons smoking pipes, I produced,
+--with the utmost precaution, for I saw him look at me uneasily,--a
+certificate of the Funds payable to bearer for a certain sum of money
+a year."
+
+Clementine jumped up and went and seated herself on Adam's knee, put
+her arms round his neck, and kissed him. "Dear treasure!" she said,
+"how handsome he is! Well, what did Paz do?"
+
+"Thaddeus turned pale," said the count, "but he didn't say a word."
+
+"Oh! his name is Thaddeus, is it?"
+
+"Yes; Thaddeus folded the paper and gave it back to me, and then he
+said: 'I thought, Adam, that we were one for life or death, and that
+we should never part. Do you want to be rid of me?' 'Oh!' I said, 'if
+you take it that way, Thaddeus, don't let us say another word about
+it. If I ruin myself you shall be ruined too.' 'You haven't fortune
+enough to live as a Laginski should,' he said, 'and you need a friend
+who will take care of your affairs, and be a father and a brother and
+a trusty confidant.' My dear child, as Paz said that he had in his
+look and voice, calm as they were, a maternal emotion, and also the
+gratitude of an Arab, the fidelity of a dog, the friendship of a
+savage,--not displayed, but ever ready. Faith! I seized him, as we
+Poles do, with a hand on each shoulder, and I kissed him on the lips.
+'For life and death, then! all that I have is yours--do what you will
+with it.' It was he who found me this house and bought it for next to
+nothing. He sold my Funds high and bought in low, and we have paid for
+this barrack with the profits. He knows horses, and he manages to buy
+and sell at such advantage that my stable really costs very little;
+and yet I have the finest horses and the most elegant equipages in all
+Paris. Our servants, brave Polish soldiers chosen by him, would go
+through fire and water for us. I seem, as you say, to be ruining
+myself; and yet Paz keeps the house with such method and economy that
+he has even repaired some of my foolish losses at play,--the
+thoughtless folly of a young man. My dear, Thaddeus is as shrewd as
+two Genoese, as eager for gain as a Polish Jew, and provident as a
+good housekeeper. I never could force him to live as I did when I was
+a bachelor. Sometimes I had to use a sort of friendly coercion to make
+him go to the theatre with me when I was alone, or to the jovial
+little dinners I used to give at a tavern. He doesn't like social
+life."
+
+"What does he like, then?" asked Clementine.
+
+"Poland; he loves Poland and pines for it. His only spendings are sums
+he gives, more in my name than in his own, to some of our poor
+brother-exiles."
+
+"Well, I shall love him, the fine fellow!" said the countess, "he
+looks to me as simple-hearted as he is grand."
+
+"All these pretty things you have about you," continued Adam, who
+praised his friend in the noblest sincerity, "he picked up; he bought
+them at auction, or as bargains from the dealers. Oh! he's keener than
+they are themselves. If you see him rubbing his hands in the
+courtyard, you may be sure he has traded away one good horse for a
+better. He lives for me; his happiness is to see me elegant, in a
+perfectly appointed equipage. The duties he takes upon himself are all
+accomplished without fuss or emphasis. One evening I lost twenty
+thousand francs at whist. 'What will Paz say?' thought I as I walked
+home. Paz paid them to me, not without a sigh; but he never reproached
+me, even by a look. But that sigh of his restrained me more than the
+remonstrances of uncles, mothers, or wives could have done. 'Do you
+regret the money?' I said to him. 'Not for you or me, no,' he replied;
+'but I was thinking that twenty poor Poles could have lived a year on
+that sum.' You must understand that the Pazzi are fully the equal of
+the Laginski, so I couldn't regard my dear Paz as an inferior. I never
+went out or came in without going first to Paz, as I would to my
+father. My fortune is his; and Thaddeus knows that if danger
+threatened him I would fling myself into it and drag him out, as I
+have done before."
+
+"And that is saying a good deal, my dear friend," said the countess.
+"Devotion is like a flash of lightning. Men devote themselves in
+battle, but they no longer have the heart for it in Paris."
+
+"Well," replied Adam, "I am always ready, as in battle, to devote
+myself to Paz. Our two characters have kept their natural asperities
+and defects, but the mutual comprehension of our souls has tightened
+the bond already close between us. It is quite possible to save a
+man's life and kill him afterwards if we find him a bad fellow; but
+Paz and I know THAT of each other which makes our friendship
+indissoluble. There's a constant exchange of happy thoughts and
+impressions between us; and really, perhaps, such a friendship as ours
+is richer than love."
+
+A pretty hand closed the count's mouth so promptly that the action was
+somewhat like a blow.
+
+"Yes," he said, "friendship, my dear angel, knows nothing of bankrupt
+sentiments and collapsed joys. Love, after giving more than it has,
+ends by giving less than it receives."
+
+"One side as well as the other," remarked Clementine laughing.
+
+"Yes," continued Adam, "whereas friendship only increases. You need
+not pucker up your lips at that, for we are, you and I, as much
+friends as lovers; we have, at least I hope so, combined the two
+sentiments in our happy marriage."
+
+"I'll explain to you what it is that has made you and Thaddeus such
+good friends," said Clementine. "The difference in the lives you lead
+comes from your tastes and from necessity; from your likings, not your
+positions. As far as one can judge from merely seeing a man once, and
+also from what you tell me, there are times when the subaltern might
+become the superior."
+
+"Oh, Paz is truly my superior," said Adam, naively; "I have no
+advantage over him except mere luck."
+
+His wife kissed him for the generosity of those words.
+
+"The extreme care with which he hides the grandeur of his feelings is
+one form of his superiority," continued the count. "I said to him
+once: 'You are a sly one; you have in your heart a vast domain within
+which you live and think.' He has a right to the title of count; but
+in Paris he won't be called anything but captain."
+
+"The fact is that the Florentine of the middle-ages has reappeared in
+our century," said the countess. "Dante and Michael Angelo are in
+him."
+
+"That's the very truth," cried Adam. "He is a poet in soul."
+
+"So here I am, married to two Poles," said the young countess, with a
+gesture worthy of some genius of the stage.
+
+"Dear child!" said Adam, pressing her to him, "it would have made me
+very unhappy if my friend did not please you. We were both rather
+afraid of it, he and I, though he was delighted at my marriage. You
+will make him very happy if you tell him that you love him,--yes, as
+an old friend."
+
+"I'll go and dress, the day is so fine; and we will all three ride
+together," said Clementine, ringing for her maid.
+
+
+
+II
+
+Paz was leading so subterranean a life that the fashionable world of
+Paris asked who he was when the Comtesse Laginska was seen in the Bois
+de Boulogne riding between her husband and a stranger. During the ride
+Clementine insisted that Thaddeus should dine with them. This caprice
+of the sovereign lady compelled Paz to make an evening toilet.
+Clementine dressed for the occasion with a certain coquetry, in a
+style that impressed even Adam himself when she entered the salon
+where the two friends awaited her.
+
+"Comte Paz," she said, "you must go with us to the Opera."
+
+This was said in the tone which, coming from a woman means: "If you
+refuse we shall quarrel."
+
+"Willingly, madame," replied the captain. "But as I have not the
+fortune of a count, have the kindness to call me captain."
+
+"Very good, captain; give me your arm," she said,--taking it and
+leading the way to the dining-room with the flattering familiarity
+which enchants all lovers.
+
+The countess placed the captain beside her; his behavior was that of a
+poor sub-lieutenant dining at his general's table. He let Clementine
+talk, listened deferentially as to a superior, did not differ with her
+in anything, and waited to be questioned before he spoke at all. He
+seemed actually stupid to the countess, whose coquettish little ways
+missed their mark in presence of such frigid gravity and conventional
+respect. In vain Adam kept saying: "Do be lively, Thaddeus; one would
+really suppose you were not at home. You must have made a wager to
+disconcert Clementine." Thaddeus continued heavy and half asleep. When
+the servants left the room at the end of the dessert the captain
+explained that his habits were diametrically opposite to those of
+society,--he went to bed at eight o'clock and got up very early in the
+morning; and he excused his dulness on the ground of being sleepy.
+
+"My intention in taking you to the Opera was to amuse you, captain;
+but do as you prefer," said Clementine, rather piqued.
+
+"I will go," said Paz.
+
+"Duprez sings 'Guillaume Tell,'" remarked Adam. "But perhaps you would
+rather go to the 'Varietes'?"
+
+The captain smiled and rang the bell. "Tell Constantin," he said to
+the footman, "to put the horses to the carriage instead of the coupe.
+We should be rather squeezed otherwise," he said to the count.
+
+"A Frenchman would have forgotten that," remarked Clementine, smiling.
+
+"Ah! but we are Florentines transplanted to the North," answered
+Thaddeus with a refinement of accent and a look in his eyes which made
+his conduct at table seem assumed for the occasion. There was too
+evident a contrast between his involuntary self-revelation in this
+speech and his behavior during dinner. Clementine examined the captain
+with a few of those covert glances which show a woman's surprise and
+also her capacity for observation.
+
+It resulted from this little incident that silence reigned in the
+salon while the three took their coffee, a silence rather annoying to
+Adam, who was incapable of imagining the cause of it. Clementine no
+longer tried to draw out Thaddeus. The captain, on the other hand,
+retreated within his military stiffness and came out of it no more,
+neither on the way to the Opera nor in the box, where he seemed to be
+asleep.
+
+"You see, madame, that I am a very stupid man," he said during the
+dance in the last act of "Guillaume Tell." "Am I not right to keep, as
+the saying is, to my own specialty?"
+
+"In truth, my dear captain, you are neither a talker nor a man of the
+world, but you are perhaps Polish."
+
+"Therefore leave me to look after your pleasures, your property, your
+household--it is all I am good for."
+
+"Tartufe! pooh!" cried Adam, laughing. "My dear, he is full of ardor;
+he is thoroughly educated; he can, if he chooses, hold his own in any
+salon. Clementine, don't believe his modesty."
+
+"Adieu, comtesse; I have obeyed your wishes so far; and now I will
+take the carriage and go home to bed and send it back for you."
+
+Clementine bowed her head and let him go without replying.
+
+"What a bear!" she said to the count. "You are a great deal nicer."
+
+Adam pressed her hand when no one was looking.
+
+"Poor, dear Thaddeus," he said, "he is trying to make himself
+disagreeable where most men would try to seem more amiable than I."
+
+"Oh!" she said, "I am not sure but what there is some CALCULATION in
+his behavior; he would have taken in an ordinary woman."
+
+Half an hour later, when the chasseur, Boleslas, called out "Gate!"
+and the carriage was waiting for it to swing back, Clementine said to
+her husband, "Where does the captain perch?"
+
+"Why, there!" replied Adam, pointing to a floor above the porte-
+cochere which had one window looking on the street. "His apartments
+are over the coachhouse."
+
+"Who lives on the other side?" asked the countess.
+
+"No one as yet," said Adam; "I mean that apartment for our children
+and their instructors."
+
+"He didn't go to bed," said the countess, observing lights in
+Thaddeus's rooms when the carriage had passed under the portico
+supported by columns copied from those of the Tuileries, which
+replaced a vulgar zinc awning painted in stripes like cloth.
+
+The captain, in his dressing-gown with a pipe in his mouth, was
+watching Clementine as she entered the vestibule. The day had been a
+hard one for him. And here is the reason why: A great and terrible
+emotion had taken possession of his heart on the day when Adam made
+him go to the Opera to see and give his opinion on Mademoiselle du
+Rouvre; and again when he saw her on the occasion of her marriage, and
+recognized in her the woman whom a man is forced to love exclusively.
+For this reason Paz strongly advised and promoted the long journey to
+Italy and elsewhere after the marriage. At peace so long as Clementine
+was away, his trial was renewed on the return of the happy household.
+As he sat at his window on this memorable night, smoking his latakia
+in a pipe of wild-cherry wood six feet long, given to him by Adam,
+these are the thoughts that were passing through his mind:--
+
+"I, and God, who will reward me for suffering in silence, alone know
+how I love her! But how shall I manage to have neither her love nor
+her dislike?"
+
+And his thoughts travelled far on this strange theme.
+
+It must not be supposed that Thaddeus was living without pleasure, in
+the midst of his sufferings. The deceptions of this day, for instance,
+were a source of inward joy to him. Since the return of the count and
+countess he had daily felt ineffable satisfactions in knowing himself
+necessary to a household which, without his devotion to its interests,
+would infallibly have gone to ruin. What fortune can bear the strain
+of reckless prodigality? Clementine, brought up by a spendthrift
+father, knew nothing of the management of a household which the women
+of the present day, however rich or noble they are, are often
+compelled to undertake themselves. How few, in these days, keep a
+steward. Adam, on the other hand, son of one of the great Polish lords
+who let themselves be preyed on by the Jews, and are wholly incapable
+of managing even the wreck of their vast fortunes (for fortunes are
+vast in Poland), was not of a nature to check his own fancies or those
+of his wife. Left to himself he would probably have been ruined before
+his marriage. Paz had prevented him from gambling at the Bourse, and
+that says all.
+
+Under these circumstances, Thaddeus, feeling that he loved Clementine
+in spite of himself, had not the resource of leaving the house and
+travelling in other lands to forget his passion. Gratitude, the key-
+note of his life, held him bound to that household where he alone
+could look after the affairs of the heedless owners. The long absence
+of Adam and Clementine had given him peace. But the countess had
+returned more lovely than ever, enjoying the freedom which marriage
+brings to a Parisian woman, displaying the graces of a young wife and
+the nameless attraction she gains from the happiness, or the
+independence, bestowed upon her by a young man as trustful, as
+chivalric, and as much in love as Adam. To know that he was the pivot
+on which the splendor the household depended, to see Clementine when
+she got out of her carriage on returning from some fete, or got into
+it in the morning when she took her drive, to meet her on the
+boulevards in her pretty equipage, looking like a flower in a whorl of
+leaves, inspired poor Thaddeus with mysterious delights, which glowed
+in the depths of his heart but gave no signs upon his face.
+
+How happened it that for five whole months the countess had never
+perceived the captain? Because he hid himself from her knowledge, and
+carefully concealed the pains he took to avoid her. Nothing so
+resembles the Divine love as hopeless human love. A man must have
+great depth of heart to devote himself in silence and obscurity to a
+woman. In such a heart is the worship of love for love's sake only--
+sublime avarice, sublime because ever generous and founded on the
+mysterious existence of the principles of creation. EFFECT is nature,
+and nature is enchanting; it belongs to man, to the poet, the painter,
+the lover. But CAUSE, to a few privileged souls and to certain mighty
+thinkers, is superior to nature. Cause is God. In the sphere of causes
+live the Newtons and all such thinkers as Laplace, Kepler, Descartes,
+Malebranche, Spinoza, Buffon; also the true poets and solitarys of the
+second Christian century, and the Saint Teresas of Spain, and such
+sublime ecstatics. All human sentiments bear analogy to these
+conditions whenever the mind abandons Effect for Cause. Thaddeus had
+reached this height, at which all things change their relative aspect.
+Filled with the joys unutterable of a creator he had attained in his
+love to all that genius has revealed to us of grandeur.
+
+"No," he was thinking to himself as he watched the curling smoke of
+his pipe, "she was not entirely deceived. She might break up my
+friendship with Adam if she took a dislike to me; but if she coquetted
+with me to amuse herself, what would become of me?"
+
+The conceit of this last supposition was so foreign to the modest
+nature and Teutonic timidity of the captain that he scolded himself
+for admitting it, and went to bed, resolved to await events before
+deciding on a course.
+
+The next day Clementine breakfasted very contentedly without Paz, and
+without even noticing his disobedience to her orders. It happened to
+be her reception day, when the house was thrown open with a splendor
+that was semi-royal. She paid no attention to the absence of Comte
+Paz, on whom all the burden of these parade days fell.
+
+"Good!" thought he, as he heard the last carriages driving away at two
+in the morning; "it was only the caprice or the curiosity of a
+Parisian woman that made her want to see me."
+
+After that the captain went back to his ordinary habits and ways,
+which had been somewhat upset by this incident. Diverted by her
+Parisian occupations, Clementine appeared to have forgotten Paz. It
+must not be thought an easy matter to reign a queen over fickle Paris.
+Does any one suppose that fortunes alone are risked in the great game?
+The winters are to fashionable women what a campaign once was to the
+soldiers of the Empire. What works of art and genius are expended on a
+gown or a garland in which to make a sensation! A fragile, delicate
+creature will wear her stiff and brilliant harness of flowers and
+diamonds, silk and steel, from nine at night till two and often three
+o'clock in the morning. She eats little, to attract remark to her
+slender waist; she satisfied her hunger with debilitating tea, sugared
+cakes, ices which heat her, or slices of heavy pastry. The stomach is
+made to yield to the orders of coquetry. The awakening comes too late.
+A fashionable woman's whole life is in contradiction to the laws of
+nature, and nature is pitiless. She has no sooner risen than she makes
+an elaborate morning toilet, and thinks of the one which she means to
+wear in the afternoon. The moment she is dressed she has to receive
+and make visits, and go to the Bois either on horseback or in a
+carriage. She must practise the art of smiling, and must keep her mind
+on the stretch to invent new compliments which shall seem neither
+common nor far-fetched. All women do not succeed in this. It is no
+surprise, therefore, to find a young woman who entered fashionable
+society fresh and healthy, faded and worn out at the end of three
+years. Six months spent in the country will hardly heal the wounds of
+the winter. We hear continually, in these days, of mysterious
+ailments,--gastritis, and so forth,--ills unknown to women when they
+busied themselves about their households. In the olden time women only
+appeared in the world at intervals; now they are always on the scene.
+Clementine found she had to struggle for her supremacy. She was cited,
+and that alone brought jealousies; and the care and watchfulness
+exacted by this contest with her rivals left little time even to love
+her husband. Paz might well be forgotten. Nevertheless, in the month
+of May, as she drove home from the Bois, just before she left Paris
+for Ronquerolles, her uncle's estate in Burgundy, she noticed
+Thaddeus, elegantly dressed, sauntering on one of the side-paths of
+the Champs-Elysees, in the seventh heaven of delight at seeing his
+beautiful countess in her elegant carriage with its spirited horses
+and sparkling liveries,--in short, his beloved family the admired of
+all.
+
+"There's the captain," she said to her husband.
+
+"He's happy!" said Adam. "This is his delight. He knows there's no
+equipage more elegant than ours, and he is rejoicing to think that
+some people envy it. Have you only just noticed him? I see him there
+nearly every day."
+
+"I wonder what he is thinking about now," said Clementine.
+
+"He is thinking that this winter has cost a good deal, and that it is
+time we went to economize with your old uncle Ronquerolles," replied
+Adam.
+
+The countess stopped the carriage near Paz, and bade him take the seat
+beside her. Thaddeus grew as red as a cherry.
+
+"I shall poison you," he said; "I have been smoking."
+
+"Doesn't Adam poison me?" she said.
+
+"Yes, but he is Adam," returned the captain.
+
+"And why can't Thaddeus have the same privileges?" asked the countess,
+smiling.
+
+That divine smile had a power which triumphed over the heroic
+resolutions of poor Paz; he looked at Clementine with all the fire of
+his soul in his eyes, though, even so, its flame was tempered by the
+angelic gratitude of the man whose life was based upon that virtue.
+The countess folded her arms in her shawl, lay back pensively on her
+cushions, ruffling the feathers of her pretty bonnet, and looked at
+the people who passed her. That flash of a great and hitherto resigned
+soul reached her sensibilities. What was Adam's merit in her eyes? It
+was natural enough to have courage and generosity. But Thaddeus--
+surely Thaddeus possessed, or seemed to possess, some great
+superiority over Adam. They were dangerous thoughts which took
+possession of the countess's mind as she again noticed the contrast of
+the fine presence that distinguished Thaddeus, and the puny frame in
+which Adam showed the degenerating effects of intermarriage among the
+Polish aristocratic families. The devil alone knew the thoughts that
+were in Clementine's head, for she sat still, with thoughtful, dreamy
+eyes, and without saying a word until they reached home.
+
+"You will dine with us; I shall be angry if you disobey me," she said
+as the carriage turned in. "You are Thaddeus to me, as you are to
+Adam. I know your obligations to him, but I also know those we are
+under to you. Both generosities are natural--but you are generous
+every day and all day. My father dines here to-day, also my uncle
+Ronquerolles and my aunt Madame de Serizy. Dress yourself therefore,"
+she said, taking the hand he offered to assist her from the carriage.
+
+Thaddeus went to his own room to dress with a joyful heart, though
+shaken by an inward dread. He went down at the last moment and behaved
+through dinner as he had done on the first occasion, that is, like a
+soldier fit only for his duties as a steward. But this time Clementine
+was not his dupe; his glance had enlightened her. The Marquis de
+Ronquerolles, one of the ablest diplomates after Talleyrand, who had
+served with de Marsay during his short ministry, had been informed by
+his niece of the real worth and character of Comte Paz, and knew how
+modestly he made himself the steward of his friend Laginski.
+
+"And why is this the first time I have the pleasure of seeing Comte
+Paz?" asked the marquis.
+
+"Because he is so shy and retiring," replied Clementine with a look at
+Paz telling him to change his behavior.
+
+Alas! that we should have to avow it, at the risk of rendering the
+captain less interesting, but Paz, though superior to his friend Adam,
+was not a man of parts. His apparent superiority was due to his
+misfortunes. In his lonely and poverty-stricken life in Warsaw he had
+read and taught himself a good deal; he had compared and meditated.
+But the gift of original thought which makes a great man he did not
+possess, and it can never be acquired. Paz, great in heart only,
+approached in heart to the sublime; but in the sphere of sentiments,
+being more a man of action than of thought, he kept his thoughts to
+himself; and they only served therefore to eat his heart out. What,
+after all, is a thought unexpressed?
+
+After Clementine's little speech, the Marquis de Ronquerolles and his
+sister exchanged a singular glance, embracing their niece, Comte Adam,
+and Paz. It was one of those rapid scenes which take place only in
+France and Italy,--the two regions of the world (all courts excepted)
+where eyes can say everything. To communicate to the eye the full
+power of the soul, to give it the value of speech, needs either the
+pressure of extreme servitude, or complete liberty. Adam, the Marquis
+du Rouvre, and Clementine did not observe this luminous by-play of the
+old coquette and the old diplomatist, but Paz, the faithful watchdog,
+understood its meaning. It was, we must remark, an affair of two
+seconds; but to describe the tempest it roused in the captain's soul
+would take far too much space in this brief history.
+
+"What!" he said to himself, "do the aunt and uncle think I might be
+loved? Then my happiness only depends on my own audacity! But Adam--"
+
+Ideal love and desire clashed with gratitude and friendship, all
+equally powerful, and, for a moment, love prevailed. The lover would
+have his day. Paz became brilliant, he tried to please, he told the
+story of the Polish insurrection in noble words, being questioned
+about it by the diplomatist. By the end of dinner Paz saw Clementine
+hanging upon his lips and regarding him as a hero, forgetting that
+Adam too, after sacrificing a third of his vast fortune, had been an
+exile. At nine o'clock, after coffee had been served, Madame de Serizy
+kissed her niece on the forehead, pressed her hand, and went away,
+taking Adam with her and leaving the Marquis de Ronquerolles and the
+Marquis du Rouvre, who soon followed. Paz and Clementine were alone
+together.
+
+"I will leave you now, madame," said Thaddeus. "You will of course
+rejoin them at the Opera?"
+
+"No," she answered, "I don't like dancing, and they give an odious
+ballet to-night 'La Revolte au Serail.'"
+
+There was a moment's silence.
+
+"Two years ago Adam would not have gone to the Opera without me," said
+Clementine, not looking at Paz.
+
+"He loves you madly," replied Thaddeus.
+
+"Yes, and because he loves me madly he is all the more likely not to
+love me to-morrow," said the countess.
+
+"How inexplicable Parisian women are!" exclaimed Thaddeus. "When they
+are loved to madness they want to be loved reasonably: and when they
+are loved reasonably they reproach a man for not loving them at all."
+
+"And they are quite right. Thaddeus," she went on, smiling, "I know
+Adam well; I am not angry with him; he is volatile and above all grand
+seigneur. He will always be content to have me as his wife and he will
+never oppose any of my tastes, but--"
+
+"Where is the marriage in which there are no 'buts'?" said Thaddeus,
+gently, trying to give another direction to Clementine's mind.
+
+The least presuming of men might well have had the thought which came
+near rendering this poor lover beside himself; it was this: "If I do
+not tell her now that I love her I am a fool," he kept saying to
+himself.
+
+Neither spoke; and there came between the pair one of those deep
+silences that are crowded with thoughts. The countess examined Paz
+covertly, and Paz observed her in a mirror. Buried in an armchair like
+a man digesting his dinner, the image of a husband or an indifferent
+old man, Paz crossed his hands upon his stomach and twirled his thumbs
+mechanically, looking stupidly at them.
+
+"Why don't you tell me something good of Adam?" cried Clementine
+suddenly. "Tell me that he is not volatile, you who know him so well."
+
+The cry was fine.
+
+"Now is the time," thought poor Paz, "to put an insurmountable barrier
+between us. Tell you good of Adam?" he said aloud. "I love him; you
+would not believe me; and I am incapable of telling you harm. My
+position is very difficult between you."
+
+Clementine lowered her head and looked down at the tips of his
+varnished boots.
+
+"You Northern men have nothing but physical courage," she said
+complainingly; "you have no constancy in your opinions."
+
+"How will you amuse yourself alone, madame?" said Paz, assuming a
+careless air.
+
+"Are not you going to keep me company?"
+
+"Excuse me for leaving you."
+
+"What do you mean? Where are you going?"
+
+The thought of a heroic falsehood had come into his head.
+
+"I--I am going to the Circus in the Champs Elysees; it opens to-night,
+and I can't miss it."
+
+"Why not?" said Clementine, questioning him by a look that was half-
+anger.
+
+"Must I tell you why?" he said, coloring; "must I confide to you what
+I hide from Adam, who thinks my only love is Poland."
+
+"Ah! a secret in our noble captain?"
+
+"A disgraceful one--which you will perhaps understand, and pity."
+
+"You, disgraced?"
+
+"Yes, I, Comte Paz; I am madly in love with a girl who travels all
+over France with the Bouthor family,--people who have the rival circus
+to Franconi; but they play only at fairs. I have made the director at
+the Cirque-Olympique engage her."
+
+"Is she handsome?"
+
+"To my thinking," said Paz, in a melancholy tone. "Malaga (that's her
+stage name) is strong, active, and supple. Why do I prefer her to all
+other women in the world?--well, I can't tell you. When I look at her,
+with her black hair tied with a blue satin ribbon, floating on her
+bare and olive-colored shoulders, and when she is dressed in a white
+tunic with a gold edge, and a knitted silk bodice that makes her look
+like a living Greek statue, and when I see her carrying those flags in
+her hand to the sound of martial music, and jumping through the paper
+hoops which tear as she goes through, and lighting so gracefully on
+the galloping horse to such applause,--no hired clapping,--well, all
+that moves me."
+
+"More than a handsome woman in a ballroom?" asked Clementine, with
+amazement and curiosity.
+
+"Yes," answered Paz, in a choking voice. "Such agility, such grace
+under constant danger seems to me the height of triumph for a woman.
+Yes, madame, Cinti and Malibran, Grisi and Taglioni, Pasta and
+Ellsler, all who reign or have reigned on the stage, can't be
+compared, to my mind, with Malaga, who can jump on or off a horse at
+full gallop, or stand on the point of one foot and fall easily into
+the saddle, and knit stockings, break eggs, and make an omelette with
+the horse at full speed, to the admiration of the people,--the real
+people, peasants and soldiers. Malaga, madame, is dexterity
+personified; her little wrist or her little foot can rid her of three
+or four men. She is the goddess of gymnastics."
+
+"She must be stupid--"
+
+"Oh, no," said Paz, "I find her as amusing as the heroine of 'Peveril
+of the Peak.' Thoughtless as a Bohemian, she says everything that
+comes into her head; she thinks no more about the future than you do
+of the sous you fling to the poor. She says grand things sometimes.
+You couldn't make her believe that an old diplomatist was a handsome
+young man, not if you offered her a million of francs. Such love as
+hers is perpetual flattery to a man. Her health is positively
+insolent, and she has thirty-two oriental pearls in lips of coral. Her
+muzzle--that's what she calls the lower part of her face--has, as
+Shakespeare expresses it, the savor of a heifer's nose. She can make a
+man unhappy. She likes handsome men, strong men, Alexanders, gymnasts,
+clowns. Her trainer, a horrible brute, used to beat her to make her
+supple, and graceful, and intrepid--"
+
+"You are positively intoxicated with Malaga."
+
+"Oh, she is called Malaga only on the posters," said Paz, with a
+piqued air. "She lives in the rue Saint-Lazare, in a pretty apartment
+on the third story, all velvet and silk, like a princess. She has two
+lives, her circus life and the life of a pretty woman."
+
+"Does she love you?"
+
+"She loves me--now you will laugh--solely because I'm a Pole. She saw
+an engraving of Poles rushing with Poniatowski into the Elster,--for
+all France persists in thinking that the Elster, where it is
+impossible to get drowned, is an impetuous flood, in which Poniatowski
+and his followers were engulfed. But in the midst of all this I am
+very unhappy, madame."
+
+A tear of rage fell from his eyes and affected the countess.
+
+"You men have such a passion for singularity."
+
+"And you?" said Thaddeus.
+
+"I know Adam so well that I am certain he could forget me for some
+mountebank like your Malaga. Where did you first see her?"
+
+"At Saint-Cloud, last September, on the fete-day. She was at a corner
+of a booth covered with flags, where the shows are given. Her
+comrades, all in Polish costumes, were making a horrible racket. I
+watched her standing there, silent and dumb, and I thought I saw a
+melancholy expression in her face; in truth there was enough about her
+to sadden a girl of twenty. That touched me."
+
+The countess was sitting in a delicious attitude, pensive and rather
+melancholy.
+
+"Poor, poor Thaddeus!" she exclaimed. Then, with the kindliness of a
+true great lady she added, not without a malicious smile, "Well go, go
+to your Circus."
+
+Thaddeus took her hand, kissed it, leaving a hot tear upon it, and
+went out.
+
+Having invented this passion for a circus-rider, he bethought him that
+he must give it some reality. The only truth in his tale was the
+momentary attention he had given to Malaga at Saint-Cloud; and he had
+since seen her name on the posters of the Circus, where the clown, for
+a tip of five francs, had told him that the girl was a foundling,
+stolen perhaps. Thaddeus now went to the Circus and saw her again. For
+ten francs one of the grooms (who take the place in circuses of the
+dressers at a theatre) informed him that Malaga was named Marguerite
+Turquet, and lived on the fifth story of a house in the rue des
+Fosses-du-Temple.
+
+The following day Paz went to the faubourg du Temple, found the house,
+and asked to see Mademoiselle Turquet, who during the summer was
+substituting for the leading horsewoman at the Cirque-Olympique, and a
+supernumerary at a boulevard theatre in winter.
+
+"Malaga!" cried the portress, rushing into the attic, "there's a fine
+gentleman wanting you. He is getting information from Chapuzot, who is
+playing him off to give me time to tell you."
+
+"Thank you, M'ame Chapuzot; but what will he think of me if he finds
+me ironing my gown?"
+
+"Pooh! when a man's in love he loves everything about us."
+
+"Is he an Englishman? they are fond of horses."
+
+"No, he looks to me Spanish."
+
+"That's a pity; they say Spaniards are always poor. Stay here with me,
+M'ame Chapuzot; I don't want him to think I'm deserted."
+
+"Who is it you are looking for, monsieur?" asked Madame Chapuzot,
+opening the door for Thaddeus, who had now come upstairs.
+
+"Mademoiselle Turquet."
+
+"My dear," said the portress, with an air of importance, "here is some
+one to see you."
+
+A line on which the clothes were drying caught the captain's hat and
+knocked it off.
+
+"What is it you wish, monsieur?" said Malaga, picking up the hat and
+giving it to him.
+
+"I saw you at the Circus," said Thaddeus, "and you reminded me of a
+daughter whom I have lost, mademoiselle; and out of affection for my
+Heloise, whom you resemble in a most striking manner, I should like to
+be of some service to you, if you will permit me."
+
+"Why, certainly; pray sit down, general," said Madame Chapuzot;
+"nothing could be more straightforward, more gallant."
+
+"But I am not gallant, my good lady," exclaimed Paz. "I am an
+unfortunate father who tries to deceive himself by a resemblance."
+
+"Then am I to pass for your daughter?" said Malaga, slyly, and not in
+the least suspecting the perfect sincerity of his proposal.
+
+"Yes," said Paz, "and I'll come and see you sometimes. But you shall
+be lodged in better rooms, comfortably furnished."
+
+"I shall have furniture!" cried Malaga, looking at Madame Chapuzot.
+
+"And servants," said Paz, "and all you want."
+
+Malaga looked at the stranger suspiciously.
+
+"What countryman is monsieur?"
+
+"I am a Pole."
+
+"Oh! then I accept," she said.
+
+Paz departed, promising to return.
+
+"Well, that's a stiff one!" said Marguerite Turquet, looking at Madame
+Chapuzot; "I'm half afraid he is wheedling me, to carry out some fancy
+of his own--Pooh! I'll risk it."
+
+A month after this eccentric interview the circus-rider was living in
+a comfortable apartment furnished by Comte Adam's own upholsterer, Paz
+having judged it desirable to have his folly talked about at the hotel
+Laginski. Malaga, to whom this adventure was like a leaf out of the
+Arabian Nights, was served by Monsieur and Madame Chapuzot in the
+double capacity of friends and servants. The Chapuzots and Marguerite
+were constantly expecting some result of all this; but at the end of
+three months none of them were able to make out the meaning of the
+Polish count's caprice. Paz arrived duly and passed about an hour
+there once a week, during which time he sat in the salon, and never
+went into Malaga's boudoir nor into her bedroom, in spite of the
+clever manoeuvring of the Chapuzots and Malaga to get him there. The
+count would ask questions as to the small events of Marguerite's life,
+and each time that he came he left two gold pieces of forty francs
+each on the mantel-piece.
+
+"He looks as if he didn't care to be here," said Madame Chapuzot.
+
+"Yes," said Malaga, "the man's as cold as an icicle."
+
+"But he's a good fellow all the same," cried Chapuzot, who was happy
+in a new suit of clothes made of blue cloth, in which he looked like
+the servant of some minister.
+
+The sum which Paz deposited weekly on the mantel-piece, joined to
+Malaga's meagre salary, gave her the means of sumptuous living
+compared with her former poverty. Wonderful stories went the rounds of
+the Circus about Malaga's good-luck. Her vanity increased the six
+thousand francs which Paz had spent on her furniture to sixty
+thousand. According to the clowns and the supers, Malaga was
+squandering money; and she now appeared at the Circus wearing burnous
+and shawls and elegant scarfs. The Pole, it was agreed on all sides,
+was the best sort of man a circus-rider had ever encountered, not
+fault-finding nor jealous, and willing to let Malaga do just what she
+liked.
+
+"Some women have the luck of it," said Malaga's rival, "and I'm not
+one of them,--though I do draw a third of the receipts."
+
+Malaga wore pretty things, and occasionally "showed her head" (a term
+in the lexicon of such characters) in the Bois, where the fashionable
+young men of the day began to remark her. In fact, before long Malaga
+was very much talked about in the questionable world of equivocal
+women, who presently attacked her good fortune by calumnies. They said
+she was a somnambulist, and the Pole was a magnetizer who was using
+her to discover the philosopher's stone. Some even more envenomed
+scandals drove her to a curiosity that was greater than Psyche's. She
+reported them in tears to Paz.
+
+"When I want to injure a woman," she said in conclusion, "I don't
+calumniate her; I don't declare that some one magnetizes her to get
+stones out of her, but I say plainly that she is humpbacked, and I
+prove it. Why do you compromise me in this way?"
+
+Paz maintained a cruel silence. Madame Chapuzot was not long in
+discovering the name and title of Comte Paz; then she heard certain
+positive facts at the hotel Laginski: for instance, that Paz was a
+bachelor, and had never been known to have a daughter, alive or dead,
+in Poland or in France. After that Malaga could not control a feeling
+of terror.
+
+"My dear child," Madame Chapuzot would say, "that monster--" (a man
+who contented himself with only looking, in a sly way,--not daring to
+come out and say things,--and such a beautiful creature too, as
+Malaga,--of course such a man was a monster, according to Madame
+Chapuzot's ideas) "--that monster is trying to get a hold upon you,
+and make you do something illegal and criminal. Holy Father, if you
+should get into the police-courts! it makes me tremble from head to
+foot; suppose they should put you in the newspapers! I'll tell you
+what I should do in your place; I'd warn the police."
+
+One particular day, after many foolish notions had fermented for some
+time in Malaga's mind, Paz having laid his money as usual on the
+mantel-piece, she seized the bits of gold and flung them in his face,
+crying out, "I don't want stolen money!"
+
+The captain gave the gold to Chapuzot, went away without a word, and
+did not return.
+
+Clementine was at this time at her uncle's place in Burgundy.
+
+When the Circus troop discovered that Malaga had lost her Polish
+count, much excitement was produced among them. Malaga's display of
+honor was considered folly by some, and shrewdness by others. The
+conduct of the Pole, however, even when discussed by the cleverest of
+women, seemed inexplicable. Thaddeus received in the course of the
+next week thirty-seven letters from women of their kind. Happily for
+him, his astonishing reserve did not excite the curiosity of the
+fashionable world, and was only discussed in the demi-mondaine
+regions.
+
+Two weeks later the handsome circus-rider, crippled by debt, wrote the
+following letter to Comte Paz, which, having fallen into the hands of
+Comte Adam, was read by several of the dandies of the day, who
+pronounced it a masterpiece:--
+
+ "You, whom I still dare to call my friend, will you not pity me
+ after all that has passed,--which you have so ill understood? My
+ heart disavows whatever may have wounded your feelings. If I was
+ fortunate enough to charm you and keep you beside me in the past,
+ return to me; otherwise, I shall fall into despair. Poverty has
+ overtaken me, and you do not know what HORRID THINGS it brings
+ with it. Yesterday I lived on a herring at two sous, and one sou
+ of bread. Is that a breakfast for the woman you loved? The
+ Chapuzots have left me, though they seemed so devoted. Your
+ desertion has caused me to see to the bottom of all human
+ attachments. The dog we feed does not leave us, but the Chapuzots
+ have gone. A sheriff has seized everything on behalf of the
+ landlord, who has no heart, and the jeweller, who refused to wait
+ even ten days,--for when we lose the confidence of such as you,
+ credit goes too. What a position for women who have nothing to
+ reproach themselves with but the happiness they have given! My
+ friend, I have taken all I have of any value to MY UNCLE'S; I have
+ nothing but the memory of you left, and here is the winter coming
+ on. I shall be fireless when it turns cold; for the boulevards are
+ to play only melodramas, in which I have nothing but little bits
+ of parts which don't POSE a woman. How could you misunderstand the
+ nobleness of my feelings for you?--for there are two ways of
+ expressing gratitude. You who seemed so happy in seeing me well-
+ off, how can you leave me in poverty? Oh, my sole friend on earth,
+ before I go back to the country fairs with Bouthor's circus, where
+ I can at least make a living, forgive me if I wish to know whether
+ I have lost you forever. If I were to let myself think of you when
+ I jump through the hoops, I should be sure to break my legs by
+ losing A TIME. Whatever may be the result, I am yours for life.
+
+"Marguerite Turquet."
+
+
+"That letter," thought Thaddeus, shouting with laughter, "is worth the
+ten thousand francs I have spent upon her."
+
+
+
+III
+
+Clementine came home the next day, and the day after that Paz beheld
+her again, more beautiful and graceful than ever. After dinner, during
+which the countess treated Paz with an air of perfect indifference, a
+little scene took place in the salon between the count and his wife
+when Thaddeus had left them. On pretence of asking Adam's advice,
+Thaddeus had left Malaga's letter with him, as if by mistake.
+
+"Poor Thaddeus!" said Adam, as Paz disappeared, "what a misfortune for
+a man of his distinction to be the plaything of the lowest kind of
+circus-rider. He will lose everything, and get lower and lower, and
+won't be recognizable before long. Here, read that," added the count,
+giving Malaga's letter to his wife.
+
+Clementine read the letter, which smelt of tobacco, and threw it from
+her with a look of disgust.
+
+"Thick as the bandage is over his eyes," continued Adam, "he must have
+found out something; Malaga tricked him, no doubt."
+
+"But he goes back to her," said Clementine, "and he will forgive her!
+It is for such horrible women as that that you men have indulgence."
+
+"Well, they need it," said Adam.
+
+"Thaddeus used to show some decency--in living apart from us," she
+remarked. "He had better go altogether."
+
+"Oh, my dear angel, that's going too far," said the count, who did not
+want the death of the sinner.
+
+Paz, who knew Adam thoroughly, had enjoined him to secrecy, pretending
+to excuse his dissipations, and had asked his friend to lend him a few
+thousand francs for Malaga.
+
+"He is a very firm fellow," said Adam.
+
+"How so?" asked Clementine.
+
+"Why, for having spent no more than ten thousand francs on her, and
+letting her send him that letter before he would ask me for enough to
+pay her debts. For a Pole, I call that firm."
+
+"He will ruin you," said Clementine, in the sharp tone of a Parisian
+woman, when she shows her feline distrusts.
+
+"Oh, I know him," said Adam; "he will sacrifice Malaga, if I ask him."
+
+"We shall see," remarked the countess.
+
+"If it is best for his own happiness, I sha'n't hesitate to ask him to
+leave her. Constantin says that since Paz has been with her he, sober
+as he is, has sometimes come home quite excited. If he takes to
+intoxication I shall be just as grieved as if he were my own son."
+
+"Don't tell me anything more about it," cried the countess, with a
+gesture of disgust.
+
+Two days later the captain perceived in the manner, the tones of
+voice, but, above all, in the eyes of the countess, the terrible
+results of Adam's confidences. Contempt had opened a gulf between the
+beloved woman and himself. He was suddenly plunged into the deepest
+distress of mind, for the thought gnawed him, "I have myself made her
+despise me!" His own folly stared him in the face. Life then became a
+burden to him, the very sun turned gray. And yet, amid all these
+bitter thoughts, he found again some moments of pure joy. There were
+times when he could give himself up wholly to his admiration for his
+mistress, who paid not the slightest attention to him. Hanging about
+in corners at her parties and receptions, silent, all heart and eyes,
+he never lost one of her attitudes, nor a tone of her voice when she
+sang. He lived in her life; he groomed the horse which SHE rode, he
+studied the ways and means of that splendid establishment, to the
+interests of which he was now more devoted than ever. These silent
+pleasures were buried in his heart like those of a mother, whose heart
+a child never knows; for is it knowing anything unless we know it all?
+His love was more perfect than the love of Petrarch for Laura, which
+found its ultimate reward in the treasures of fame, the triumph of the
+poem which she had inspired. Surely the emotion that the Chevalier
+d'Assas felt in dying must have been to him a lifetime of joy. Such
+emotions as these Paz enjoyed daily,--without dying, but also without
+the guerdon of immortality.
+
+But what is Love, that, in spite of all these ineffable delights, Paz
+should still have been unhappy? The Catholic religion has so magnified
+Love that she has wedded it indissolubly to respect and nobility of
+spirit. Love is therefore attended by those sentiments and qualities
+of which mankind is proud; it is rare to find true Love existing where
+contempt is felt. Thaddeus was suffering from the wounds his own hand
+had given him. The trial of his former life, when he lived beside his
+mistress, unknown, unappreciated, but generously working for her, was
+better than this. Yes, he wanted the reward of his virtue, her
+respect, and he had lost it. He grew thin and yellow, and so ill with
+constant low fever that during the month of January he was obliged to
+keep his bed, though he refused to see a doctor. Comte Adam became
+very uneasy about him; but the countess had the cruelty to remark:
+"Let him alone; don't you see it is only some Olympian trouble?" This
+remark, being repeated to Thaddeus, gave him the courage of despair;
+he left his bed, went out, tried a few amusements, and recovered his
+health.
+
+About the end of February Adam lost a large sum of money at the
+Jockey-Club, and as he was afraid of his wife, he begged Thaddeus to
+let the sum appear in the accounts as if he had spent it on Malaga.
+
+"There's nothing surprising in your spending that sum on the girl; but
+if the countess finds out that I have lost it at cards I shall be
+lowered in her opinion, and she will always be suspicious in future."
+
+"Ha! this, too!" exclaimed Thaddeus, with a sigh.
+
+"Now, Thaddeus, if you will do me this service we shall be forever
+quits,--though, indeed, I am your debtor now."
+
+"Adam, you will have children; don't gamble any more," said Paz.
+
+"So Malaga has cost us another twenty thousand francs," cried the
+countess, some time later, when she discovered this new generosity to
+Paz. "First, ten thousand, now twenty more,--thirty thousand! the
+income of which is fifteen hundred! the cost of my box at the Opera,
+and the whole fortune of many a bourgeois. Oh, you Poles!" she said,
+gathering some flowers in her greenhouse; "you are really
+incomprehensible. Why are you not furious with him?"
+
+"Poor Paz is--"
+
+"Poor Paz, poor Paz, indeed!" she cried, interrupting him, "what good
+does he do us? I shall take the management of the household myself.
+You can give him the allowance he refused, and let him settle it as he
+likes with his Circus."
+
+"He is very useful to us, Clementine. He has certainly saved over
+forty thousand francs this last year. And besides, my dear angel, he
+has managed to put a hundred thousand with Nucingen, which a steward
+would have pocketed."
+
+Clementine softened down; but she was none the less hard in her
+feelings to Thaddeus. A few days later, she requested him to come to
+that boudoir where, one year earlier, she had been surprised into
+comparing him with her husband. This time she received him alone,
+without perceiving the slightest danger in so doing.
+
+"My dear Paz," she said, with the condescending familiarity of the
+great to their inferiors, "if you love Adam as you say you do, you
+will do a thing which he will not ask of you, but which I, his wife,
+do not hesitate to exact."
+
+"About Malaga?" said Thaddeus, with bitterness in his heart.
+
+"Well, yes," she said; "if you wish to end your days in this house and
+continue good friends with us, you must give her up. How an old
+soldier--"
+
+"I am only thirty-five, and haven't a white hair."
+
+"You look old," she said, "and that's the same thing. How so careful a
+manager, so distinguished a--"
+
+The horrible part of all this was her evident intention to rouse a
+sense of honor in his soul which she thought extinct.
+
+"--so distinguished a man as you are, Thaddeus," she resumed after a
+momentary pause which a gesture of his hand had led her to make, "can
+allow yourself to be caught like a boy! Your proceedings have made
+that woman celebrated. My uncle wanted to see her, and he did see her.
+My uncle is not the only one; Malaga receives a great many gentlemen.
+I did think you such a noble soul. For shame! Will she be such a loss
+that you can't replace her?"
+
+"Madame, if I knew any sacrifice I could make to recover your esteem I
+would make it; but to give up Malaga is not one--"
+
+"In your position, that is what I should say myself, if I were a man,"
+replied Clementine. "Well, if I accept it as a great sacrifice there
+can be no ill-will between us."
+
+Paz left the room, fearing he might commit some great folly, and
+feeling that wild ideas were getting the better of him. He went to
+walk in the open air, lightly dressed in spite of the cold, but
+without being able to cool the fire in his cheeks or on his brow.
+
+"I thought you had a noble soul,"--the words still rang in his ears.
+
+"A year ago," he said to himself, "she thought me a hero who could
+fight the Russians single-handed!"
+
+He thought of leaving the hotel Laginski, and taking service with the
+spahis and getting killed in Africa, but the same great fear checked
+him. "Without me," he thought, "what would become of them? they would
+soon be ruined. Poor countess! what a horrible life it would be for
+her if she were reduced to even thirty thousand francs a year. No,
+since all is lost for me in this world,--courage! I will keep on as I
+am."
+
+Every one knows that since 1830 the carnival in Paris has undergone a
+transformation which has made it European, and far more burlesque and
+otherwise lively than the late Carnival of Venice. Is it that the
+diminishing fortunes of the present time have led Parisians to invent
+a way of amusing themselves collectively, as for instance at their
+clubs, where they hold salons without hostesses and without manners,
+but very cheaply? However this may be, the month of March was prodigal
+of balls, at which dancing, joking, coarse fun, excitement, grotesque
+figures, and the sharp satire of Parisian wit, produced extravagant
+effects. These carnival follies had their special Pandemonium in the
+rue Saint-Honore and their Napoleon in Musard, a small man born
+expressly to lead an orchestra as noisy as the disorderly audience,
+and to set the time for the galop, that witches' dance, which was one
+of Auber's triumphs, for it did not really take form or poesy till the
+grand galop in "Gustave" was given to the world. That tremendous
+finale might serve as the symbol of an epoch in which for the last
+fifty years all things have hurried by with the rapidity of a dream.
+
+Now, it happened that the grave Thaddeus, with one divine and
+immaculate image in his heart, proposed to Malaga, the queen of the
+carnival dances, to spend an evening at the Musard ball; because he
+knew the countess, disguised to the teeth, intended to come there with
+two friends, all three accompanied by their husbands, and look on at
+the curious spectacle of one of these crowded balls.
+
+On Shrove Tuesday, of the year 1838, at four o'clock in the morning,
+the countess, wrapped in a black domino and sitting on the lower step
+of the platform in the Babylonian hall, where Valentino has since then
+given his concerts, beheld Thaddeus, as Robert Macaire, threading the
+galop with Malaga in the dress of a savage, her head garnished with
+plumes like the horse of a hearse, and bounding through the crowd like
+a will-o-the-wisp.
+
+"Ah!" said Clementine to her husband, "you Poles have no honor at all!
+I did believe in Thaddeus. He gave me his word that he would leave
+that woman; he did not know that I should be here, seeing all unseen."
+
+A few days later she requested Paz to dine with them. After dinner
+Adam left them alone together, and Clementine reproved Paz and let him
+know very plainly that she did not wish him to live in her house any
+longer.
+
+"Yes, madame," said Paz, humbly, "you are right; I am a wretch; I did
+give you my word. But you see how it is; I put off leaving Malaga till
+after the carnival. Besides, that woman exerts an influence over me
+which--"
+
+"An influence!--a woman who ought to be turned out of Musard's by the
+police for such dancing!"
+
+"I agree to all that; I accept the condemnation and I'll leave your
+house. But you know Adam. If I give up the management of your property
+you must show energy yourself. I may have been to blame about Malaga,
+but I have taken the whole charge of your affairs, managed your
+servants, and looked after the very least details. I cannot leave you
+until I see you prepared to continue my management. You have now been
+married three years, and you are safe from the temptations to
+extravagance which come with the honeymoon. I see that Parisian women,
+and even titled ones, do manage both their fortunes and their
+households. Well, as soon as I am certain not so much of your capacity
+as of your perseverance I shall leave Paris."
+
+"It is Thaddeus of Warsaw, and not that Circus Thaddeus who speaks
+now," said Clementine. "Go, and come back cured."
+
+"Cured! never," said Paz, his eyes lowered and fixed on Clementine's
+pretty feet. "You do not know, countess, what charm, what unexpected
+piquancy of mind she has." Then, feeling his courage fail him, he
+added hastily, "There is not a woman in society, with her mincing
+airs, that is worth the honest nature of that young animal."
+
+"At any rate, I wish nothing of the animal about me," said the
+countess, with a glance like that of an angry viper.
+
+After that evening Comte Paz showed Clementine the exact state of her
+affairs; he made himself her tutor, taught her the methods and
+difficulties of the management of property, the proper prices to pay
+for things, and how to avoid being cheated by her servants. He told
+her she could rely on Constantin and make him her major-domo. Thaddeus
+had trained the man thoroughly. By the end of May he thought the
+countess fully competent to carry on her affairs alone; for Clementine
+was one of those far-sighted women, full of instinct, who have an
+innate genius as mistress of a household.
+
+This position of affairs, which Thaddeus had led up to naturally, did
+not end without further cruel trials; his sufferings were fated not to
+be as sweet and tender as he was trying to make them. The poor lover
+forgot to reckon on the hazard of events. Adam fell seriously ill, and
+Thaddeus, instead of leaving the house, stayed to nurse his friend.
+His devotion was unwearied. A woman who had any interest in employing
+her perspicacity might have seen in this devotion a sort of punishment
+imposed by a noble soul to repress an involuntary evil thought; but
+women see all, or see nothing, according to the condition of their
+souls--love is their sole illuminator.
+
+During forty-five days Paz watched and tended Adam without appearing
+to think of Malaga, for the very good reason that he never did think of
+her. Clementine, feeling that Adam was at the point of death though he
+did not die, sent for all the leading doctors of Paris in
+consultation.
+
+"If he comes safely out of this," said the most distinguished of them
+all, "it will only be by an effort of nature. It is for those who
+nurse him to watch for the moment when they must second nature. The
+count's life is in the hands of his nurses."
+
+Thaddeus went to find Clementine and tell her this result of the
+consultation. He found her sitting in the Chinese pavilion, as much
+for a little rest as to leave the field to the doctors and not
+embarrass them. As he walked along the winding gravelled path which
+led to the pavilion, Thaddeus seemed to himself in the depths of an
+abyss described by Dante. The unfortunate man had never dreamed that
+the possibility might arise of becoming Clementine's husband, and now
+he had drowned himself in a ditch of mud. His face was convulsed, when
+he reached the kiosk, with an agony of grief; his head, like Medusa's,
+conveyed despair.
+
+"Is he dead?" said Clementine.
+
+"They have given him up; that is, they leave him to nature. Do not go
+in; they are still there, and Bianchon is changing the dressings."
+
+"Poor Adam! I ask myself if I have not sometimes pained him," she
+said.
+
+"You have made him very happy," said Thaddeus; "you ought to be easy
+on that score, for you have shown every indulgence for him."
+
+"My loss would be irreparable."
+
+"But, dear, you judged him justly."
+
+"I was never blind to his faults," she said, "but I loved him as a
+wife should love her husband."
+
+"Then you ought, in case you lose him," said Thaddeus, in a voice
+which Clementine had never heard him use, "to grieve for him less than
+if you lost a man who was your pride, your love, and all your life,--
+as some men are to you women. Surely you can be frank at this moment
+with a friend like me. I shall grieve, too; long before your marriage
+I had made him my child, I had sacrificed my life to him. If he dies I
+shall be without an interest on earth; but life is still beautiful to
+a widow of twenty-four."
+
+"Ah! but you know that I love no one," she said, with the impatience
+of grief.
+
+"You don't yet know what it is to love," said Thaddeus.
+
+"Oh, as husbands are, I have sense enough to prefer a child like my
+poor Adam to a superior man. It is now over a month that we have been
+saying to each other, 'Will he live?' and these alternations have
+prepared me, as they have you, for this loss. I can be frank with you.
+Well, I would give my life to save Adam. What is a woman's
+independence in Paris? the freedom to let herself be taken in by
+ruined or dissipated men who pretend to love her. I pray to God to
+leave me this husband who is so kind, so obliging, so little fault-
+finding, and who is beginning to stand in awe of me."
+
+"You are honest, and I love you the better for it," said Thaddeus,
+taking her hand which she yielded to him, and kissing it. "In solemn
+moments like these there is unspeakable satisfaction in finding a
+woman without hypocrisy. It is possible to converse with you. Let us
+look to the future. Suppose that God does not grant your prayer,--and
+no one cries to him more than I do, 'Leave me my friend!' Yes, these
+fifty nights have not weakened me; if thirty more days and nights are
+needed I can give them while you sleep,--yes, I will tear him from
+death if, as the doctors say, nursing can save him. But suppose that
+in spite of you and me, the count dies,--well, then, if you were
+loved, oh, adored, by a man of a heart and soul that are worthy of
+you--"
+
+"I may have wished for such love, foolishly, but I have never met with
+it."
+
+"Perhaps you are mistaken--"
+
+Clementine looked fixedly at Thaddeus, imagining that there was less
+of love than of cupidity in his thoughts; her eyes measured him from
+head to foot and poured contempt upon him; then she crushed him with
+the words, "Poor Malaga!" uttered in tones which a great lady alone
+can find to give expression to her disdain. She rose, leaving Thaddeus
+half unconscious behind her, slowly re-entered her boudoir, and went
+back to Adam's chamber.
+
+An hour later Paz returned to the sick-room, and began anew, with
+death in his heart, his care of the count. From that moment he said
+nothing. He was forced to struggle with the patient, whom he managed
+in a way that excited the admiration of the doctors. At all hours his
+watchful eyes were like lamps always lighted. He showed no resentment
+to Clementine, and listened to her thanks without accepting them; he
+seemed both dumb and deaf. To himself he was saying, "She shall owe
+his life to me," and he wrote the thought as it were in letters of
+fire on the walls of Adam's room. On the fifteenth day Clementine was
+forced to give up the nursing, lest she should utterly break down. Paz
+was unwearied. At last, towards the end of August, Bianchon, the
+family physician, told Clementine that Adam was out of danger.
+
+"Ah, madame, you are under no obligation to me," he said; "without his
+friend, Comte Paz, we could not have saved him."
+
+The day after the meeting of Paz and Clementine in the kiosk, the
+Marquis de Ronquerolles came to see his nephew. He was on the eve of
+starting for Russia on a secret diplomatic mission. Paz took occasion
+to say a few words to him. The first day that Adam was able to drive
+out with his wife and Thaddeus, a gentleman entered the courtyard as
+the carriage was about to leave it, and asked for Comte Paz. Thaddeus,
+who was sitting on the front seat of the caleche, turned to take a
+letter which bore the stamp of the ministry of Foreign affairs. Having
+read it, he put it into his pocket in a manner which prevented
+Clementine or Adam from speaking of it. Nevertheless, by the time they
+reached the porte Maillot, Adam, full of curiosity, used the privilege
+of a sick man whose caprices are to be gratified, and said to
+Thaddeus: "There's no indiscretion between brothers who love each
+other,--tell me what there is in that despatch; I'm in a fever of
+curiosity."
+
+Clementine glanced at Thaddeus with a vexed air, and remarked to her
+husband: "He has been so sulky with me for the last two months that I
+shall never ask him anything again."
+
+"Oh, as for that," replied Paz, "I can't keep it out of the
+newspapers, so I may as well tell you at once. The Emperor Nicholas
+has had the grace to appoint me captain in a regiment which is to take
+part in the expedition to Khiva."
+
+"You are not going?" cried Adam.
+
+"Yes, I shall go, my dear fellow. Captain I came, and captain I
+return. We shall dine together to-morrow for the last time. If I don't
+start at once for St. Petersburg I shall have to make the journey by
+land, and I am not rich, and I must leave Malaga a little
+independence. I ought to think of the only woman who has been able to
+understand me; she thinks me grand, superior. I dare say she is
+faithless, but she would jump--"
+
+"Through the hoop, for your sake and come down safely on the back of
+her horse," said Clementine sharply.
+
+"Oh, you don't know Malaga," said the captain, bitterly, with a
+sarcastic look in his eyes which made Clementine thoughtful and
+uneasy.
+
+"Good-by to the young trees of this beautiful Bois, which you
+Parisians love, and the exiles who find a home here love too," he
+said, presently. "My eyes will never again see the evergreens of the
+avenue de Mademoiselle, nor the acacias nor the cedars of the rond-
+points. On the borders of Asia, fighting for the Emperor, promoted to
+the command, perhaps, by force of courage and by risking my life, it
+may happen that I shall regret these Champs-Elysees where I have
+driven beside you, and where you pass. Yes, I shall grieve for
+Malaga's hardness--the Malaga of whom I am now speaking."
+
+This was said in a manner that made Clementine tremble.
+
+"Then you do love Malaga very much?" she asked.
+
+"I have sacrificed for her the honor that no man should ever
+sacrifice."
+
+"What honor?"
+
+"That which we desire to keep at any cost in the eyes of our idol."
+
+After that reply Thaddeus said no more; he was silent until, as they
+passed a wooden building on the Champs Elysees, he said, pointing to
+it, "That is the Circus."
+
+He went to the Russian Embassy before dinner, and thence to the
+Foreign office, and the next morning he had started for Havre before
+the count and countess were up.
+
+"I have lost a friend," said Adam, with tears in his eyes, when he
+heard that Paz had gone,--"a friend in the true meaning of the word. I
+don't know what has made him abandon me as if a pestilence were in my
+house. We are not friends to quarrel about a woman," he said, looking
+intently at Clementine. "You heard what he said yesterday about
+Malaga. Well, he has never so much as touched the little finger of
+that girl."
+
+"How do you know that?" said Clementine.
+
+"I had the natural curiosity to go and see Mademoiselle Turquet, and
+the poor girl can't explain even to herself the absolute reserve which
+Thad--"
+
+"Enough!" said the countess, retreating into her bedroom. "Can it be
+that I am the victim of some noble mystification?" she asked herself.
+The thought had hardly crossed her mind when Constantin brought her
+the following letter written by Thaddeus during the night:--
+
+ "Countess,--To seek death in the Caucasus and carry with me your
+ contempt is more than I can bear. A man should die untainted. When
+ I saw you for the first time I loved you as we love a woman whom
+ we shall love forever, even though she be unfaithful to us. I
+ loved you thus,--I, the friend of the man you had chosen and were
+ about to marry; I, poor; I, the steward,--a voluntary service, but
+ still the steward of your household.
+
+ "In this immense misfortune I found a happy life. To be to you an
+ indispensable machine, to know myself useful to your comfort, your
+ luxury, has been the source of deep enjoyments. If these
+ enjoyments were great when I thought only of Adam, think what they
+ were to my soul when the woman I loved was the mainspring of all I
+ did. I have known the pleasures of maternity in my love. I
+ accepted life thus. Like the paupers who live along the great
+ highways, I built myself a hut on the borders of your beautiful
+ domain, though I never sought to approach you. Poor and lonely,
+ struck blind by Adam's good fortune, I was, nevertheless, the
+ giver. Yes, you were surrounded by a love as pure as a guardian-
+ angel's; it waked while you slept; it caressed you with a look as
+ you passed; it was happy in its own existence,--you were the sun
+ of my native land to me, poor exile, who now writes to you with
+ tears in his eyes as he thinks of the happiness of those first
+ days.
+
+ "When I was eighteen years old, having no one to love, I took for
+ my ideal mistress a charming woman in Warsaw, to whom I confided
+ all my thoughts, my wishes; I made her the queen of my nights and
+ days. She knew nothing of all this; why should she? I loved my
+ love.
+
+ "You can fancy from this incident of my youth how happy I was
+ merely to live in the sphere of your existence, to groom your
+ horse, to find the new-coined gold for your purse, to prepare the
+ splendor of your dinners and your balls, to see you eclipsing the
+ elegance of those whose fortunes were greater than yours, and all
+ by my own good management. Ah! with what ardor I have ransacked
+ Paris when Adam would say to me, 'SHE wants this or that.' It was
+ a joy such as I can never express to you. You wished for a trifle
+ at one time which kept me seven hours in a cab scouring the city;
+ and what delight it was to weary myself for you. Ah! when I saw
+ you, unseen by you, smiling among your flowers, I could forget
+ that no one loved me. On certain days, when my happiness turned my
+ head, I went at night and kissed the spot where, to me, your feet
+ had left their luminous traces. The air you had breathed was
+ balmy; in it I breathed in more of life; I inhaled, as they say
+ persons do in the tropics, a vapor laden with creative principles.
+
+ "I MUST tell you these things to explain the strange presumption
+ of my involuntary thoughts,--I would have died rather than avow it
+ until now.
+
+ "You will remember those few days of curiosity when you wished to
+ know the man who performed the household miracles you had
+ sometimes noticed. I thought,--forgive me, madame,--I believed you
+ might love me. Your good-will, your glances interpreted by me, a
+ lover, seemed to me so dangerous--for me--that I invented that
+ story of Malaga, knowing it was the sort of liaison which women
+ cannot forgive. I did it in a moment when I felt that my love
+ would be communicated, fatally, to you. Despise me, crush me with
+ the contempt you have so often cast upon me when I did not deserve
+ it; and yet I am certain that, if, on that evening when your aunt
+ took Adam away from you, I had said what I have now written to
+ you, I should, like the tamed tiger that sets his teeth once more
+ in living flesh, and scents the blood, and--
+
+ "Midnight.
+
+ "I could not go on; the memory of that hour is still too living.
+ Yes, I was maddened. Was there hope for me in your eyes? then
+ victory with its scarlet banners would have flamed in mine and
+ fascinated yours. My crime has been to think all this; perhaps
+ wrongly. You alone can judge of that dreadful scene when I drove
+ back love, desire, all the most invincible forces of our manhood,
+ with the cold hand of gratitude,--gratitude which must be eternal.
+
+ "Your terrible contempt has been my punishment. You have shown me
+ there is no return from loathing or disdain. I love you madly. I
+ should have gone had Adam died; all the more must I go because he
+ lives. A man does not tear his friend from the arms of death to
+ betray him. Besides, my going is my punishment for the thought
+ that came to me that I would let him die, when the doctors said
+ that his life depended on his nursing.
+
+ "Adieu, madame; in leaving Paris I lose all, but you lose nothing
+ now in my being no longer near you.
+
+"Your devoted
+"Thaddeus Paz."
+
+
+"If my poor Adam says he has lost a friend, what have I lost?" thought
+Clementine, sinking into a chair with her eyes fixed on the carpet.
+
+The following letter Constantin had orders to give privately to the
+count:--
+
+ "My dear Adam,--Malaga has told me all. In the name of all your
+ future happiness, never let a word escape you to Clementine about
+ your visits to that girl; let her think that Malaga has cost me a
+ hundred thousand francs. I know Clementine's character; she will
+ never forgive you either your losses at cards or your visits to
+ Malaga.
+
+ "I am not going to Khiva, but to the Caucasus. I have the spleen;
+ and at the pace at which I mean to go I shall be either Prince Paz
+ in three years, or dead. Good-by; though I have taken sixty-
+ thousand francs from Nucingen, our accounts are even.
+
+"Thaddeus."
+
+
+"Idiot that I was," thought Adam; "I came near to cutting my throat
+just now, talking about Malaga."
+
+It is now three years since Paz went away. The newspapers have as yet
+said nothing about any Prince Paz. The Comtesse Laginska is immensely
+interested in the expeditions of the Emperor Nicholas; she is Russian
+to the core, and reads with a sort of avidity all the news that comes
+from that distant land. Once or twice every winter she says to the
+Russian ambassador, with an air of indifference, "Do you know what has
+become of our poor Comte Paz?"
+
+Alas! most Parisian women, those beings who think themselves so clever
+and clear-sighted, pass and repass beside a Paz and never recognize
+him. Yes, many a Paz is unknown and misconceived, but--horrible to
+think of!--some are misconceived even though they are loved. The
+simplest women in society exact a certain amount of conventional sham
+from the greatest men. A noble love signifies nothing to them if rough
+and unpolished; it needs the cutting and setting of a jeweller to give
+it value in their eyes.
+
+In January, 1842, the Comtesse Laginska, with her charm of gentle
+melancholy, inspired a violent passion in the Comte de La Palferine,
+one of the most daring and presumptuous lions of the day. La Palferine
+was well aware that the conquest of a woman so guarded by reserve as
+the Comtesse Laginska was difficult, but he thought he could inveigle
+this charming creature into committing herself if he took her
+unawares, by the assistance of a certain friend of her own, a woman
+already jealous of her.
+
+Quite incapable, in spite of her intelligence, of suspecting such
+treachery, the Comtesse Laginska committed the imprudence of going
+with her so-called friend to a masked ball at the Opera. About three
+in the morning, led away by the excitement of the scene, Clementine,
+on whom La Palferine had expended his seductions, consented to accept
+a supper, and was about to enter the carriage of her faithless friend.
+At this critical moment her arm was grasped by a powerful hand, and
+she was taken, in spite of her struggles, to her own carriage, the
+door of which stood open, though she did not know it was there.
+
+"He has never left Paris!" she exclaimed to herself as she recognized
+Thaddeus, who disappeared when the carriage drove away.
+
+Did any woman ever have a like romance in her life? Clementine is
+constantly hoping she may again see Paz.
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+Bianchon, Horace
+ Father Goriot
+ The Atheist's Mass
+ Cesar Birotteau
+ The Commission in Lunacy
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ The Secrets of a Princess
+ The Government Clerks
+ Pierrette
+ A Study of Woman
+ Scenes from a Courtesan's Life
+ Honorine
+ The Seamy Side of History
+ The Magic Skin
+ A Second Home
+ A Prince of Bohemia
+ Letters of Two Brides
+ The Muse of the Department
+ The Middle Classes
+ Cousin Betty
+ The Country Parson
+In addition, M. Bianchon narrated the following:
+ Another Study of Woman
+ La Grande Breteche
+
+Laginski, Comte Adam Mitgislas
+ Another Study of Woman
+ Cousin Betty
+
+La Palferine, Comte de
+ A Prince of Bohemia
+ A Man of Business
+ Cousin Betty
+ Beatrix
+
+Lelewel
+ The Seamy Side of History
+
+Nathan, Madame Raoul
+ The Muse of the Department
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Scenes from a Courtesan's Life
+ The Government Clerks
+ A Bachelor's Establishment
+ Ursule Mirouet
+ Eugenie Grandet
+ A Prince of Bohemia
+ A Daughter of Eve
+ The Unconscious Humorists
+
+Paz, Thaddee
+ Cousin Betty
+
+Ronquerolles, Marquis de
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Thirteen
+ The Member for Arcis
+
+Rouvre, Marquis du
+ A Start in Life
+ Ursule Mirouet
+
+Rouvre, Chevalier du
+ Ursule Mirouet
+
+Schinner, Hippolyte
+ The Purse
+ A Bachelor's Establishment
+ Pierre Grassou
+ A Start in Life
+ Albert Savarus
+ The Government Clerks
+ Modeste Mignon
+ The Unconscious Humorists
+
+Serizy, Comtesse de
+ A Start in Life
+ The Thirteen
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+
+Serizy, Vicomte de
+ A Start in Life
+ Modeste Mignon
+
+Souchet, Francois
+ The Purse
+ A Daughter of Eve
+
+Steinbock, Count Wenceslas
+ Cousin Betty
+
+Turquet, Marguerite
+ The Muse of the Department
+ A Man of Business
+ Cousin Betty
+
+
+
+
+
+End of The Project Gutenberg Etext of Paz, by Honore de Balzac
+
diff --git a/old/old/pzhdb10.zip b/old/old/pzhdb10.zip
new file mode 100644
index 0000000..0baac4b
--- /dev/null
+++ b/old/old/pzhdb10.zip
Binary files differ