diff options
Diffstat (limited to 'old/11033-h')
| -rw-r--r-- | old/11033-h/11033-h.htm | 885 | ||||
| -rw-r--r-- | old/11033-h/images/02.png | bin | 0 -> 99292 bytes |
2 files changed, 885 insertions, 0 deletions
diff --git a/old/11033-h/11033-h.htm b/old/11033-h/11033-h.htm new file mode 100644 index 0000000..5446d5c --- /dev/null +++ b/old/11033-h/11033-h.htm @@ -0,0 +1,885 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> + <head> + <meta http-equiv="Content-Type" content= + "text/html; charset=iso-8859-1"> + <title> + The Project Gutenberg eBook of The Angel Over The Right Shoulder, by Elizabeth Wooster Stuart Phelps. + </title> + <style type="text/css"> + <!-- + * { font-family: Times;} + P { text-indent: 1em; + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; } + HR { width: 33%; + margin-top: 1em; + margin-bottom: 1em;} + BODY{margin-left: 10%; + margin-right: 10%;} + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .note {margin-left: 2em; margin-right: 2em; margin-bottom: 1em;} /* block indent */ + .pagenum {position: absolute; left: 92%; right: 100%; font-size: 8pt; justify: right;} /* page numbers */ + // --> + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Angel Over the Right Shoulder +by Elizabeth Wooster Stuart Phelps + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Angel Over the Right Shoulder + The Beginning of a New Year + +Author: Elizabeth Wooster Stuart Phelps + +Release Date: February 11, 2004 [EBook #11033] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OVER THE RIGHT SHOULDER *** + + + + +Produced by Internet Archive; University of Florida, Children, and the +Online Distributed Proofreading Team. + + + + + + +</pre> + + +<h1>The Angel over the Right Shoulder</h1> + +<center><img src="./images/02.png" width="450" height="623" alt="Image of an Angel" /></center> + + + +<hr style="width: 65%;"> +<a name="The_Angel_over_the_Right_Shoulder"></a><h2>The Angel over the Right Shoulder</h2> + +<center>or the</center> +<br> + +<center>BEGINNING OF A NEW YEAR.</center> +<br><br> +<center>BY</center> + +<center>THE AUTHOR OF "SUNNY SIDE."</center> +<br> +<br> + +<center>1852.</center> + + + +<hr style="width: 65%;"> + + + + +<hr style="width: 65%;"> +<a name="The_Angel_over_the_Right_Shoulder"></a><h2>The Angel over the Right Shoulder</h2> + +<hr style="width: 45%;"> + +<p>"There! a woman's work is never done," said Mrs. James; "I thought, for +once, I was through; but just look at that lamp, now! it will not burn, +and I must go and spend half an hour over it."</p> + +<p>"Don't you wish you had never been married?" said Mr. James, with a +good-natured laugh.</p> + +<p>"Yes"—rose to her lips, but was checked by a glance at the group upon +the floor, where her husband was stretched out, and two little urchins +with sparkling eyes and glowing cheeks, were climbing and tumbling over +him, as if they found in this play the very essence of fun.</p> + +<p>She did say, "I should like the good, without the evil, if I could have +it."</p> + +<p>"You have no evils to endure," replied her husband.</p> + +<p>"That is just all you gentlemen know about it. What would you think, if +you could not get an uninterrupted half hour to yourself, from morning +till night? I believe you would give up trying to do anything."</p> + +<p>"There is no need of that; all you want, is <i>system</i>. If you arranged +your work systematically, you would find that you could command your +time."</p> + +<p>"Well," was the reply, "all I wish is, that you could just follow me +around for one day, and see what I have to do. If you could reduce it +all to system, I think you would show yourself a genius."</p> + +<p>When the lamp was trimmed, the conversation was resumed. Mr. James had +employed the "half hour," in meditating on this subject.</p> + +<p>"Wife," said he, as she came in, "I have a plan to propose to you, and I +wish you to promise me beforehand, that you will accede to it. It is to +be an experiment, I acknowledge, but I wish it to have a fair trial. Now +to please me, will you promise?"</p> + +<p>Mrs. James hesitated. She felt almost sure that his plan would be quite +impracticable, for what does a man know of a woman's work? yet she +promised.</p> + +<p>"Now I wish you," said he, "to set apart two hours of every day for your +own private use. Make a point of going to your room and locking yourself +in; and also make up your mind to let the work which is not done, go +undone, if it must. Spend this time on just those things which will be +most profitable to yourself. I shall bind you to your promise for one +month—then, if it has proved a total failure, we will devise something +else."</p> + +<p>"When shall I begin?"</p> + +<p>"To-morrow."</p> + +<p>The morrow came. Mrs. James had chosen the two hours before dinner as +being, on the whole, the most convenient and the least liable to +interruption. They dined at one o'clock. She wished to finish her +morning work, get dressed for the day, and enter her room at eleven.</p> + +<p>Hearty as were her efforts to accomplish this, the hour of eleven found +her with her work but half done; yet, true to her promise, she left all, +retired to her room and locked the door.</p> + +<p>With some interest and hope, she immediately marked out a course of +reading and study, for these two precious hours; then, arranging her +table, her books, pen and paper, she commenced a schedule of her work +with much enthusiasm. Scarcely had she dipped her pen in ink, when she +heard the tramping of little feet along the hall, and then a pounding at +her door.</p> + +<p>"Mamma! mamma! I cannot find my mittens, and Hannah is going to slide +without me."</p> + +<p>"Go to Amy, my dear; mamma is busy."</p> + +<p>"So Amy busy too; she say she can't leave baby."</p> + +<p>The child began to cry, still standing close to the fastened door. Mrs. +James knew the easiest, and indeed the only way of settling the trouble, +was to go herself and hunt up the missing mittens. Then a parley must +be held with Frank, to induce him to wait for his sister, and the +child's tears must be dried, and little hearts must be all set right +before the children went out to play; and so favorable an opportunity +must not be suffered to slip, without impressing on young minds the +importance of having a "place for everything and everything in its +place;" this took time; and when Mrs. James returned to her study, her +watch told her that <i>half</i> her portion had gone. Quietly resuming her +work, she was endeavoring to mend her broken train of thought, when +heavier steps were heard in the hall, and the fastened door was once +more besieged. Now, Mr. James must be admitted.</p> + +<p>"Mary," said he, "cannot you come and sew a string on for me? I do +believe there is not a bosom in my drawer in order, and I am in a great +hurry. I ought to have been down town an hour ago."</p> + +<p>The schedule was thrown aside, the workbasket taken, and Mrs. James +followed him. She soon sewed on the tape, but then a button needed +fastening—and at last a rip in his glove, was to be mended. As Mrs. +James stitched away on the glove, a smile lurked in the corners of her +mouth, which her husband observed.</p> + +<p>"What are you laughing at?" asked he.</p> + +<p>"To think how famously your plan works."</p> + +<p>"I declare!" said he, "is this your study hour? I am sorry, but what can +a man do? He cannot go down town without a shirt bosom!"</p> + +<p>"Certainly not," said his wife, quietly.</p> + +<p>When her liege lord was fairly equipped and off, Mrs. James returned to +her room. A half an hour yet remained to her, and of this she +determined to make the most. But scarcely had she resumed her pen, when +there was another disturbance in the entry. Amy had returned from +walking out with the baby, and she entered the nursery with him, that +she might get him to sleep. Now it happened that the only room in the +house which Mrs. James could have to herself with a fire, was the one +adjoining the nursery. She had become so accustomed to the ordinary +noise of the children, that it did not disturb her; but the very +extraordinary noise which master Charley sometimes felt called upon to +make, when he was fairly on his back in the cradle, did disturb the +unity of her thoughts. The words which she was reading rose and fell +with the screams and lulls of the child, and she felt obliged to close +her book, until the storm was over. When quiet was restored in the +cradle, the children came in from sliding, crying with cold fingers—and +just as she was going to them, the dinner-bell rang.</p> + +<p>"How did your new plan work this morning?" inquired Mr. James.</p> + +<p>"Famously," was the reply, "I read about seventy pages of German, and as +many more in French."</p> + +<p>"I am sure <i>I</i> did not hinder you long."</p> + +<p>"No—yours was only one of a dozen interruptions."</p> + +<p>"O, well! you must not get discouraged. Nothing succeeds well the first +time. Persist in your arrangement, and by and by the family will learn +that if they want anything of you, they must wait until after dinner."</p> + +<p>"But what can a man do?" replied his wife; "he cannot go down town +without a shirt-bosom."</p> + +<p>"I was in a bad case," replied Mr. James, "it may not happen again. I am +anxious to have you try the month out faithfully, and then we will see +what has come of it."</p> + +<p>The second day of trial was a stormy one. As the morning was dark, +Bridget over-slept, and consequently breakfast was too late by an hour. +This lost hour Mrs. James could not recover. When the clock struck +eleven, she seemed but to have commenced her morning's work, so much +remained to be done. With mind disturbed and spirits depressed, she left +her household matters "in the suds," as they were, and punctually +retired to her study. She soon found, however, that she could not fix +her attention upon any intellectual pursuit. Neglected duties haunted +her, like ghosts around the guilty conscience. Perceiving that she was +doing nothing with her books, and not wishing to lose the morning +wholly, she commenced writing a letter. Bridget interrupted her before +she had proceeded far on the first page.</p> + +<p>"What, ma'am, shall we have for dinner? No marketing ha'n't come."</p> + +<p>"Have some steaks, then."</p> + +<p>"We ha'n't got none, ma'am."</p> + +<p>"I will send out for some, directly."</p> + +<p>Now there was no one to send but Amy, and Mrs. James knew it. With a +sigh, she put down her letter and went into the nursery.</p> + +<p>"Amy, Mr. James has forgotten our marketing. I should like to have you +run over to the provision store, and order some beef-steaks. I will stay +with the baby."</p> + +<p>Amy was not much pleased to be sent out on this errand. She remarked, +that "she must change her dress first."</p> + +<p>"Be as quick as possible," said Mrs. James, "for I am particularly +engaged at this hour."</p> + +<p>Amy neither obeyed, nor disobeyed, but managed to take her own time, +without any very deliberate intention to do so. Mrs. James, hoping to +get along with a sentence or two, took her German book into the nursery. +But this arrangement was not to master Charley's mind. A fig did he care +for German, but "the kitties," he must have, whether or no—and kitties +he would find in that particular book—so he turned its leaves over in +great haste. Half of the time on the second day of trial had gone, when +Amy returned and Mrs. James with a sigh, left her nursery. Before one +o'clock, she was twice called into the kitchen to superintend some +important dinner arrangement, and thus it turned out that she did not +finish one page of her letter.</p> + +<p>On the third morning the sun shone, and Mrs. James rose early, made +every provision which she deemed necessary for dinner, and for the +comfort of her family; and then, elated by her success, in good spirits, +and with good courage, she entered her study precisely at eleven +o'clock, and locked her door. Her books were opened, and the challenge +given to a hard German lesson. Scarcely had she made the first onset, +when the door-bell was heard to ring, and soon Bridget coming nearer and +nearer—then tapping at the door.</p> + +<p>"Somebodies wants to see you in the parlor, ma'am."</p> + +<p>"Tell them I am engaged, Bridget."</p> + +<p>"I told 'em you were to-home, ma'am, and they sent up their names, but I +ha'n't got 'em, jist."</p> + +<p>There was no help for it—Mrs. James must go down to receive her +callers. She had to smile when she felt little like it—to be sociable +when her thoughts were busy with her task. Her friends made a long +call—they had nothing else to do with their time, and when they went, +others came. In very unsatisfactory chit-chat, her morning slipped away.</p> + +<p>On the next day, Mr. James invited company to tea, and her morning was +devoted to preparing for it; she did not enter her study. On the day +following, a sick-head-ache confined her to her bed, and on Saturday the +care of the baby devolved upon her, as Amy had extra work to do. Thus +passed the first week.</p> + +<p>True to her promise, Mrs. James patiently persevered for a month, in her +efforts to secure for herself this little fragment of her broken time, +but with what success, the first week's history can tell. With its +close, closed the month of December.</p> + +<p>On the last day of the old year, she was so much occupied in her +preparations for the morrow's festival, that the last hour of the day +was approaching, before she made her good night's call in the nursery. +She first went to the crib and looked at the baby. There he lay in his +innocence and beauty, fast asleep. She softly stroked his golden +hair—she kissed gently his rosy cheek—she pressed the little dimpled +hand in hers, and then, carefully drawing the coverlet over it, tucked +it in, and stealing yet another kiss—she left him to his peaceful +dreams and sat down on her daughter's bed. She also slept sweetly, with +her dolly hugged to her bosom. At this her mother smiled, but soon grave +thoughts entered her mind, and these deepened into sad ones. She thought +of her disappointment and the failure of her plans. To her, not only the +past month but the whole past year, seemed to have been one of fruitless +effort—all broken and disjointed—even her hours of religious duty had +been encroached upon, and disturbed. She had accomplished nothing, that +she could see, but to keep her house and family in order, and even this, +to her saddened mind, seemed to have been but indifferently done. She +was conscious of yearnings for a more earnest life than this. +Unsatisfied longings for something which she had not attained, often +clouded what, otherwise, would have been a bright day to her; and yet +the causes of these feelings seemed to lie in a dim and misty region, +which her eye could not penetrate.</p> + +<p>What then did she need? To see some <i>results</i> from her life's work? To +know that a golden cord bound her life-threads together into <i>unity</i> of +purpose—notwithstanding they seemed, so often, single and broken?</p> + +<p>She was quite sure that she felt no desire to shrink from duty, however +humble, but she sighed for some comforting assurance of what <i>was duty</i>. +Her employments, conflicting as they did with her tastes, seemed to her +frivolous and useless. It seemed to her that there was some better way +of living, which she, from deficiency in energy of character, or of +principle, had failed to discover. As she leaned over her child, her +tears fell fast upon its young brow.</p> + +<p>Most earnestly did she wish, that she could shield that child from the +disappointments and mistakes and self-reproach from which the mother was +then suffering; that the little one might take up life where she could +give it to her—all mended by her own experience. It would have been a +comfort to have felt, that in fighting the battle, she had fought for +both; yet she knew that so it could not be—that for ourselves must we +all learn what are those things which "make for our peace."</p> + +<p>The tears were in her eyes, as she gave the good-night to her sleeping +daughter—then with soft steps she entered an adjoining room, and there +fairly kissed out the old year on another chubby cheek, which nestled +among the pillows. At length she sought her own rest.</p> + +<p>Soon she found herself in a singular place. She was traversing a vast +plain. No trees were visible, save those which skirted the distant +horizon, and on their broad tops rested wreaths of golden clouds. Before +her was a female, who was journeying towards that region of light. +Little children were about her, now in her arms, now running by her +side, and as they travelled, she occupied herself in caring for them. +She taught them how to place their little feet—she gave them timely +warnings of the pit-falls—she gently lifted them over the +stumbling-blocks. When they were weary, she soothed them by singing of +that brighter land, which she kept ever in view, and towards which she +seemed hastening with her little flock. But what was most remarkable +was, that, all unknown to her, she was constantly watched by two angels, +who reposed on two golden clouds which floated above her. Before each +was a golden book, and a pen of gold. One angel, with mild and loving +eyes, peered constantly over her right shoulder—another kept as strict +watch over her left. Not a deed, not a word, not a look, escaped their +notice. When a good deed, word, look, went from her, the angel over the +right shoulder with a glad smile, wrote it down in his book; when an +evil, however trivial, the angel over the left shoulder recorded it in +his book—then with sorrowful eyes followed the pilgrim until he +observed penitence for the wrong, upon which he dropped a tear on the +record, and blotted it out, and both angels rejoiced.</p> + +<p>To the looker-on, it seemed that the traveller did nothing which was +worthy of such careful record. Sometimes she did but bathe the weary +feet of her little children, but the angel over the <i>right +shoulder</i>—wrote it down. Sometimes she did but patiently wait to lure +back a little truant who had turned his face away from the distant +light, but the angel over the <i>right shoulder</i>—wrote it down. Sometimes +she did but soothe an angry feeling or raise a drooping eye-lid, or kiss +away a little grief; but the angel over the right shoulder—<i>wrote it +down</i>.</p> + +<p>Sometimes, her eye was fixed so intently on that golden horizon, and she +became so eager to make progress thither, that the little ones, missing +her care, did languish or stray. Then it was that the angel over the +<i>left shoulder</i>, lifted his golden pen, and made the entry, and followed +her with sorrowful eyes, until he could blot it out. Sometimes she +seemed to advance rapidly, but in her haste the little ones had fallen +back, and it was the sorrowing angel who recorded her progress. +Sometimes so intent was she to gird up her loins and have her lamp +trimmed and burning, that the little children wandered away quite into +forbidden paths, and it was the angel over the <i>left shoulder</i> who +recorded her diligence.</p> + +<p>Now the observer as she looked, felt that this was a faithful and true +record, and was to be kept to that journey's end. The strong clasps of +gold on those golden books, also impressed her with the conviction that, +when they were closed, it would only be for a future opening.</p> + +<p>Her sympathies were warmly enlisted for the gentle traveller, and with a +beating heart she quickened her steps that she might overtake her. She +wished to tell her of the angels keeping watch above her—to entreat her +to be faithful and patient to the end—for her life's work was all +written down—every item of it—and the <i>results</i> would be known when +those golden books should be unclasped. She wished to beg of her to +think no duty trivial which must be done, for over her right shoulder +and over her left were recording angels, who would surely take note of +all!</p> + +<p>Eager to warn the traveller of what she had seen, she touched her. The +traveller turned, and she recognized or seemed to recognize <i>herself</i>. +Startled and alarmed she awoke in tears. The gray light of morning +struggled through the half-open shutter, the door was ajar and merry +faces were peeping in.</p> + +<p>"Wish you a happy new year, mamma,"—"Wish you a <i>Happy new Year</i>"—"a +happy noo ear."</p> + +<p>She returned the merry greeting most heartily. It seemed to her as if +she had entered upon a new existence. She had found her way through the +thicket in which she had been entangled, and a light was now about her +path. The <i>Angel over the Right Shoulder</i> whom she had seen in her +dream, would bind up in his golden book her life's work, if it were but +well done. He required of her no great deeds, but faithfulness and +patience to the end of the race which was set before her. Now she could +see plainly enough, that though it was right and important for her to +cultivate her own mind and heart, it was equally right and equally +important, to meet and perform faithfully all those little household +cares and duties on which the comfort and virtue of her family depended; +for into these things the angels carefully looked—and these duties and +cares acquired a dignity from the strokes of that golden, pen—they +could not be neglected without danger.</p> + +<p>Sad thoughts and sadder misgivings—undefined yearnings and ungratified +longings seemed to have taken their flight with the Old Year, and it was +with fresh resolution and cheerful hope, and a happy heart, she welcomed +the <i>Glad</i> New Year. The <i>Angel over the Right Shoulder</i> would go with +her, and if she were found faithful, would strengthen and comfort her to +its close.</p> + +<p>END. </p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Angel Over the Right Shoulder +by Elizabeth Wooster Stuart Phelps + +*** END OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OVER THE RIGHT SHOULDER *** + +***** This file should be named 11033-h.htm or 11033-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/1/0/3/11033/ + +Produced by Internet Archive; University of Florida, Children, and the +Online Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + + + +</pre> + +</body> +</html> diff --git a/old/11033-h/images/02.png b/old/11033-h/images/02.png Binary files differnew file mode 100644 index 0000000..0fe4710 --- /dev/null +++ b/old/11033-h/images/02.png |
