summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/11033-h.zipbin0 -> 116387 bytes
-rw-r--r--old/11033-h/11033-h.htm885
-rw-r--r--old/11033-h/images/02.pngbin0 -> 99292 bytes
-rw-r--r--old/11033.txt832
-rw-r--r--old/11033.zipbin0 -> 15808 bytes
5 files changed, 1717 insertions, 0 deletions
diff --git a/old/11033-h.zip b/old/11033-h.zip
new file mode 100644
index 0000000..aa10e87
--- /dev/null
+++ b/old/11033-h.zip
Binary files differ
diff --git a/old/11033-h/11033-h.htm b/old/11033-h/11033-h.htm
new file mode 100644
index 0000000..5446d5c
--- /dev/null
+++ b/old/11033-h/11033-h.htm
@@ -0,0 +1,885 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+ <head>
+ <meta http-equiv="Content-Type" content=
+ "text/html; charset=iso-8859-1">
+ <title>
+ The Project Gutenberg eBook of The Angel Over The Right Shoulder, by Elizabeth Wooster Stuart Phelps.
+ </title>
+ <style type="text/css">
+ <!--
+ * { font-family: Times;}
+ P { text-indent: 1em;
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; }
+ HR { width: 33%;
+ margin-top: 1em;
+ margin-bottom: 1em;}
+ BODY{margin-left: 10%;
+ margin-right: 10%;}
+ .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */
+ .note {margin-left: 2em; margin-right: 2em; margin-bottom: 1em;} /* block indent */
+ .pagenum {position: absolute; left: 92%; right: 100%; font-size: 8pt; justify: right;} /* page numbers */
+ // -->
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Angel Over the Right Shoulder
+by Elizabeth Wooster Stuart Phelps
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Angel Over the Right Shoulder
+ The Beginning of a New Year
+
+Author: Elizabeth Wooster Stuart Phelps
+
+Release Date: February 11, 2004 [EBook #11033]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OVER THE RIGHT SHOULDER ***
+
+
+
+
+Produced by Internet Archive; University of Florida, Children, and the
+Online Distributed Proofreading Team.
+
+
+
+
+
+
+</pre>
+
+
+<h1>The Angel over the Right Shoulder</h1>
+
+<center><img src="./images/02.png" width="450" height="623" alt="Image of an Angel" /></center>
+
+
+
+<hr style="width: 65%;">
+<a name="The_Angel_over_the_Right_Shoulder"></a><h2>The Angel over the Right Shoulder</h2>
+
+<center>or the</center>
+<br>
+
+<center>BEGINNING OF A NEW YEAR.</center>
+<br><br>
+<center>BY</center>
+
+<center>THE AUTHOR OF &quot;SUNNY SIDE.&quot;</center>
+<br>
+<br>
+
+<center>1852.</center>
+
+
+
+<hr style="width: 65%;">
+
+
+
+
+<hr style="width: 65%;">
+<a name="The_Angel_over_the_Right_Shoulder"></a><h2>The Angel over the Right Shoulder</h2>
+
+<hr style="width: 45%;">
+
+<p>&quot;There! a woman's work is never done,&quot; said Mrs. James; &quot;I thought, for
+once, I was through; but just look at that lamp, now! it will not burn,
+and I must go and spend half an hour over it.&quot;</p>
+
+<p>&quot;Don't you wish you had never been married?&quot; said Mr. James, with a
+good-natured laugh.</p>
+
+<p>&quot;Yes&quot;&mdash;rose to her lips, but was checked by a glance at the group upon
+the floor, where her husband was stretched out, and two little urchins
+with sparkling eyes and glowing cheeks, were climbing and tumbling over
+him, as if they found in this play the very essence of fun.</p>
+
+<p>She did say, &quot;I should like the good, without the evil, if I could have
+it.&quot;</p>
+
+<p>&quot;You have no evils to endure,&quot; replied her husband.</p>
+
+<p>&quot;That is just all you gentlemen know about it. What would you think, if
+you could not get an uninterrupted half hour to yourself, from morning
+till night? I believe you would give up trying to do anything.&quot;</p>
+
+<p>&quot;There is no need of that; all you want, is <i>system</i>. If you arranged
+your work systematically, you would find that you could command your
+time.&quot;</p>
+
+<p>&quot;Well,&quot; was the reply, &quot;all I wish is, that you could just follow me
+around for one day, and see what I have to do. If you could reduce it
+all to system, I think you would show yourself a genius.&quot;</p>
+
+<p>When the lamp was trimmed, the conversation was resumed. Mr. James had
+employed the &quot;half hour,&quot; in meditating on this subject.</p>
+
+<p>&quot;Wife,&quot; said he, as she came in, &quot;I have a plan to propose to you, and I
+wish you to promise me beforehand, that you will accede to it. It is to
+be an experiment, I acknowledge, but I wish it to have a fair trial. Now
+to please me, will you promise?&quot;</p>
+
+<p>Mrs. James hesitated. She felt almost sure that his plan would be quite
+impracticable, for what does a man know of a woman's work? yet she
+promised.</p>
+
+<p>&quot;Now I wish you,&quot; said he, &quot;to set apart two hours of every day for your
+own private use. Make a point of going to your room and locking yourself
+in; and also make up your mind to let the work which is not done, go
+undone, if it must. Spend this time on just those things which will be
+most profitable to yourself. I shall bind you to your promise for one
+month&mdash;then, if it has proved a total failure, we will devise something
+else.&quot;</p>
+
+<p>&quot;When shall I begin?&quot;</p>
+
+<p>&quot;To-morrow.&quot;</p>
+
+<p>The morrow came. Mrs. James had chosen the two hours before dinner as
+being, on the whole, the most convenient and the least liable to
+interruption. They dined at one o'clock. She wished to finish her
+morning work, get dressed for the day, and enter her room at eleven.</p>
+
+<p>Hearty as were her efforts to accomplish this, the hour of eleven found
+her with her work but half done; yet, true to her promise, she left all,
+retired to her room and locked the door.</p>
+
+<p>With some interest and hope, she immediately marked out a course of
+reading and study, for these two precious hours; then, arranging her
+table, her books, pen and paper, she commenced a schedule of her work
+with much enthusiasm. Scarcely had she dipped her pen in ink, when she
+heard the tramping of little feet along the hall, and then a pounding at
+her door.</p>
+
+<p>&quot;Mamma! mamma! I cannot find my mittens, and Hannah is going to slide
+without me.&quot;</p>
+
+<p>&quot;Go to Amy, my dear; mamma is busy.&quot;</p>
+
+<p>&quot;So Amy busy too; she say she can't leave baby.&quot;</p>
+
+<p>The child began to cry, still standing close to the fastened door. Mrs.
+James knew the easiest, and indeed the only way of settling the trouble,
+was to go herself and hunt up the missing mittens. Then a parley must
+be held with Frank, to induce him to wait for his sister, and the
+child's tears must be dried, and little hearts must be all set right
+before the children went out to play; and so favorable an opportunity
+must not be suffered to slip, without impressing on young minds the
+importance of having a &quot;place for everything and everything in its
+place;&quot; this took time; and when Mrs. James returned to her study, her
+watch told her that <i>half</i> her portion had gone. Quietly resuming her
+work, she was endeavoring to mend her broken train of thought, when
+heavier steps were heard in the hall, and the fastened door was once
+more besieged. Now, Mr. James must be admitted.</p>
+
+<p>&quot;Mary,&quot; said he, &quot;cannot you come and sew a string on for me? I do
+believe there is not a bosom in my drawer in order, and I am in a great
+hurry. I ought to have been down town an hour ago.&quot;</p>
+
+<p>The schedule was thrown aside, the workbasket taken, and Mrs. James
+followed him. She soon sewed on the tape, but then a button needed
+fastening&mdash;and at last a rip in his glove, was to be mended. As Mrs.
+James stitched away on the glove, a smile lurked in the corners of her
+mouth, which her husband observed.</p>
+
+<p>&quot;What are you laughing at?&quot; asked he.</p>
+
+<p>&quot;To think how famously your plan works.&quot;</p>
+
+<p>&quot;I declare!&quot; said he, &quot;is this your study hour? I am sorry, but what can
+a man do? He cannot go down town without a shirt bosom!&quot;</p>
+
+<p>&quot;Certainly not,&quot; said his wife, quietly.</p>
+
+<p>When her liege lord was fairly equipped and off, Mrs. James returned to
+her room. A half an hour yet remained to her, and of this she
+determined to make the most. But scarcely had she resumed her pen, when
+there was another disturbance in the entry. Amy had returned from
+walking out with the baby, and she entered the nursery with him, that
+she might get him to sleep. Now it happened that the only room in the
+house which Mrs. James could have to herself with a fire, was the one
+adjoining the nursery. She had become so accustomed to the ordinary
+noise of the children, that it did not disturb her; but the very
+extraordinary noise which master Charley sometimes felt called upon to
+make, when he was fairly on his back in the cradle, did disturb the
+unity of her thoughts. The words which she was reading rose and fell
+with the screams and lulls of the child, and she felt obliged to close
+her book, until the storm was over. When quiet was restored in the
+cradle, the children came in from sliding, crying with cold fingers&mdash;and
+just as she was going to them, the dinner-bell rang.</p>
+
+<p>&quot;How did your new plan work this morning?&quot; inquired Mr. James.</p>
+
+<p>&quot;Famously,&quot; was the reply, &quot;I read about seventy pages of German, and as
+many more in French.&quot;</p>
+
+<p>&quot;I am sure <i>I</i> did not hinder you long.&quot;</p>
+
+<p>&quot;No&mdash;yours was only one of a dozen interruptions.&quot;</p>
+
+<p>&quot;O, well! you must not get discouraged. Nothing succeeds well the first
+time. Persist in your arrangement, and by and by the family will learn
+that if they want anything of you, they must wait until after dinner.&quot;</p>
+
+<p>&quot;But what can a man do?&quot; replied his wife; &quot;he cannot go down town
+without a shirt-bosom.&quot;</p>
+
+<p>&quot;I was in a bad case,&quot; replied Mr. James, &quot;it may not happen again. I am
+anxious to have you try the month out faithfully, and then we will see
+what has come of it.&quot;</p>
+
+<p>The second day of trial was a stormy one. As the morning was dark,
+Bridget over-slept, and consequently breakfast was too late by an hour.
+This lost hour Mrs. James could not recover. When the clock struck
+eleven, she seemed but to have commenced her morning's work, so much
+remained to be done. With mind disturbed and spirits depressed, she left
+her household matters &quot;in the suds,&quot; as they were, and punctually
+retired to her study. She soon found, however, that she could not fix
+her attention upon any intellectual pursuit. Neglected duties haunted
+her, like ghosts around the guilty conscience. Perceiving that she was
+doing nothing with her books, and not wishing to lose the morning
+wholly, she commenced writing a letter. Bridget interrupted her before
+she had proceeded far on the first page.</p>
+
+<p>&quot;What, ma'am, shall we have for dinner? No marketing ha'n't come.&quot;</p>
+
+<p>&quot;Have some steaks, then.&quot;</p>
+
+<p>&quot;We ha'n't got none, ma'am.&quot;</p>
+
+<p>&quot;I will send out for some, directly.&quot;</p>
+
+<p>Now there was no one to send but Amy, and Mrs. James knew it. With a
+sigh, she put down her letter and went into the nursery.</p>
+
+<p>&quot;Amy, Mr. James has forgotten our marketing. I should like to have you
+run over to the provision store, and order some beef-steaks. I will stay
+with the baby.&quot;</p>
+
+<p>Amy was not much pleased to be sent out on this errand. She remarked,
+that &quot;she must change her dress first.&quot;</p>
+
+<p>&quot;Be as quick as possible,&quot; said Mrs. James, &quot;for I am particularly
+engaged at this hour.&quot;</p>
+
+<p>Amy neither obeyed, nor disobeyed, but managed to take her own time,
+without any very deliberate intention to do so. Mrs. James, hoping to
+get along with a sentence or two, took her German book into the nursery.
+But this arrangement was not to master Charley's mind. A fig did he care
+for German, but &quot;the kitties,&quot; he must have, whether or no&mdash;and kitties
+he would find in that particular book&mdash;so he turned its leaves over in
+great haste. Half of the time on the second day of trial had gone, when
+Amy returned and Mrs. James with a sigh, left her nursery. Before one
+o'clock, she was twice called into the kitchen to superintend some
+important dinner arrangement, and thus it turned out that she did not
+finish one page of her letter.</p>
+
+<p>On the third morning the sun shone, and Mrs. James rose early, made
+every provision which she deemed necessary for dinner, and for the
+comfort of her family; and then, elated by her success, in good spirits,
+and with good courage, she entered her study precisely at eleven
+o'clock, and locked her door. Her books were opened, and the challenge
+given to a hard German lesson. Scarcely had she made the first onset,
+when the door-bell was heard to ring, and soon Bridget coming nearer and
+nearer&mdash;then tapping at the door.</p>
+
+<p>&quot;Somebodies wants to see you in the parlor, ma'am.&quot;</p>
+
+<p>&quot;Tell them I am engaged, Bridget.&quot;</p>
+
+<p>&quot;I told 'em you were to-home, ma'am, and they sent up their names, but I
+ha'n't got 'em, jist.&quot;</p>
+
+<p>There was no help for it&mdash;Mrs. James must go down to receive her
+callers. She had to smile when she felt little like it&mdash;to be sociable
+when her thoughts were busy with her task. Her friends made a long
+call&mdash;they had nothing else to do with their time, and when they went,
+others came. In very unsatisfactory chit-chat, her morning slipped away.</p>
+
+<p>On the next day, Mr. James invited company to tea, and her morning was
+devoted to preparing for it; she did not enter her study. On the day
+following, a sick-head-ache confined her to her bed, and on Saturday the
+care of the baby devolved upon her, as Amy had extra work to do. Thus
+passed the first week.</p>
+
+<p>True to her promise, Mrs. James patiently persevered for a month, in her
+efforts to secure for herself this little fragment of her broken time,
+but with what success, the first week's history can tell. With its
+close, closed the month of December.</p>
+
+<p>On the last day of the old year, she was so much occupied in her
+preparations for the morrow's festival, that the last hour of the day
+was approaching, before she made her good night's call in the nursery.
+She first went to the crib and looked at the baby. There he lay in his
+innocence and beauty, fast asleep. She softly stroked his golden
+hair&mdash;she kissed gently his rosy cheek&mdash;she pressed the little dimpled
+hand in hers, and then, carefully drawing the coverlet over it, tucked
+it in, and stealing yet another kiss&mdash;she left him to his peaceful
+dreams and sat down on her daughter's bed. She also slept sweetly, with
+her dolly hugged to her bosom. At this her mother smiled, but soon grave
+thoughts entered her mind, and these deepened into sad ones. She thought
+of her disappointment and the failure of her plans. To her, not only the
+past month but the whole past year, seemed to have been one of fruitless
+effort&mdash;all broken and disjointed&mdash;even her hours of religious duty had
+been encroached upon, and disturbed. She had accomplished nothing, that
+she could see, but to keep her house and family in order, and even this,
+to her saddened mind, seemed to have been but indifferently done. She
+was conscious of yearnings for a more earnest life than this.
+Unsatisfied longings for something which she had not attained, often
+clouded what, otherwise, would have been a bright day to her; and yet
+the causes of these feelings seemed to lie in a dim and misty region,
+which her eye could not penetrate.</p>
+
+<p>What then did she need? To see some <i>results</i> from her life's work? To
+know that a golden cord bound her life-threads together into <i>unity</i> of
+purpose&mdash;notwithstanding they seemed, so often, single and broken?</p>
+
+<p>She was quite sure that she felt no desire to shrink from duty, however
+humble, but she sighed for some comforting assurance of what <i>was duty</i>.
+Her employments, conflicting as they did with her tastes, seemed to her
+frivolous and useless. It seemed to her that there was some better way
+of living, which she, from deficiency in energy of character, or of
+principle, had failed to discover. As she leaned over her child, her
+tears fell fast upon its young brow.</p>
+
+<p>Most earnestly did she wish, that she could shield that child from the
+disappointments and mistakes and self-reproach from which the mother was
+then suffering; that the little one might take up life where she could
+give it to her&mdash;all mended by her own experience. It would have been a
+comfort to have felt, that in fighting the battle, she had fought for
+both; yet she knew that so it could not be&mdash;that for ourselves must we
+all learn what are those things which &quot;make for our peace.&quot;</p>
+
+<p>The tears were in her eyes, as she gave the good-night to her sleeping
+daughter&mdash;then with soft steps she entered an adjoining room, and there
+fairly kissed out the old year on another chubby cheek, which nestled
+among the pillows. At length she sought her own rest.</p>
+
+<p>Soon she found herself in a singular place. She was traversing a vast
+plain. No trees were visible, save those which skirted the distant
+horizon, and on their broad tops rested wreaths of golden clouds. Before
+her was a female, who was journeying towards that region of light.
+Little children were about her, now in her arms, now running by her
+side, and as they travelled, she occupied herself in caring for them.
+She taught them how to place their little feet&mdash;she gave them timely
+warnings of the pit-falls&mdash;she gently lifted them over the
+stumbling-blocks. When they were weary, she soothed them by singing of
+that brighter land, which she kept ever in view, and towards which she
+seemed hastening with her little flock. But what was most remarkable
+was, that, all unknown to her, she was constantly watched by two angels,
+who reposed on two golden clouds which floated above her. Before each
+was a golden book, and a pen of gold. One angel, with mild and loving
+eyes, peered constantly over her right shoulder&mdash;another kept as strict
+watch over her left. Not a deed, not a word, not a look, escaped their
+notice. When a good deed, word, look, went from her, the angel over the
+right shoulder with a glad smile, wrote it down in his book; when an
+evil, however trivial, the angel over the left shoulder recorded it in
+his book&mdash;then with sorrowful eyes followed the pilgrim until he
+observed penitence for the wrong, upon which he dropped a tear on the
+record, and blotted it out, and both angels rejoiced.</p>
+
+<p>To the looker-on, it seemed that the traveller did nothing which was
+worthy of such careful record. Sometimes she did but bathe the weary
+feet of her little children, but the angel over the <i>right
+shoulder</i>&mdash;wrote it down. Sometimes she did but patiently wait to lure
+back a little truant who had turned his face away from the distant
+light, but the angel over the <i>right shoulder</i>&mdash;wrote it down. Sometimes
+she did but soothe an angry feeling or raise a drooping eye-lid, or kiss
+away a little grief; but the angel over the right shoulder&mdash;<i>wrote it
+down</i>.</p>
+
+<p>Sometimes, her eye was fixed so intently on that golden horizon, and she
+became so eager to make progress thither, that the little ones, missing
+her care, did languish or stray. Then it was that the angel over the
+<i>left shoulder</i>, lifted his golden pen, and made the entry, and followed
+her with sorrowful eyes, until he could blot it out. Sometimes she
+seemed to advance rapidly, but in her haste the little ones had fallen
+back, and it was the sorrowing angel who recorded her progress.
+Sometimes so intent was she to gird up her loins and have her lamp
+trimmed and burning, that the little children wandered away quite into
+forbidden paths, and it was the angel over the <i>left shoulder</i> who
+recorded her diligence.</p>
+
+<p>Now the observer as she looked, felt that this was a faithful and true
+record, and was to be kept to that journey's end. The strong clasps of
+gold on those golden books, also impressed her with the conviction that,
+when they were closed, it would only be for a future opening.</p>
+
+<p>Her sympathies were warmly enlisted for the gentle traveller, and with a
+beating heart she quickened her steps that she might overtake her. She
+wished to tell her of the angels keeping watch above her&mdash;to entreat her
+to be faithful and patient to the end&mdash;for her life's work was all
+written down&mdash;every item of it&mdash;and the <i>results</i> would be known when
+those golden books should be unclasped. She wished to beg of her to
+think no duty trivial which must be done, for over her right shoulder
+and over her left were recording angels, who would surely take note of
+all!</p>
+
+<p>Eager to warn the traveller of what she had seen, she touched her. The
+traveller turned, and she recognized or seemed to recognize <i>herself</i>.
+Startled and alarmed she awoke in tears. The gray light of morning
+struggled through the half-open shutter, the door was ajar and merry
+faces were peeping in.</p>
+
+<p>&quot;Wish you a happy new year, mamma,&quot;&mdash;&quot;Wish you a <i>Happy new Year</i>&quot;&mdash;&quot;a
+happy noo ear.&quot;</p>
+
+<p>She returned the merry greeting most heartily. It seemed to her as if
+she had entered upon a new existence. She had found her way through the
+thicket in which she had been entangled, and a light was now about her
+path. The <i>Angel over the Right Shoulder</i> whom she had seen in her
+dream, would bind up in his golden book her life's work, if it were but
+well done. He required of her no great deeds, but faithfulness and
+patience to the end of the race which was set before her. Now she could
+see plainly enough, that though it was right and important for her to
+cultivate her own mind and heart, it was equally right and equally
+important, to meet and perform faithfully all those little household
+cares and duties on which the comfort and virtue of her family depended;
+for into these things the angels carefully looked&mdash;and these duties and
+cares acquired a dignity from the strokes of that golden, pen&mdash;they
+could not be neglected without danger.</p>
+
+<p>Sad thoughts and sadder misgivings&mdash;undefined yearnings and ungratified
+longings seemed to have taken their flight with the Old Year, and it was
+with fresh resolution and cheerful hope, and a happy heart, she welcomed
+the <i>Glad</i> New Year. The <i>Angel over the Right Shoulder</i> would go with
+her, and if she were found faithful, would strengthen and comfort her to
+its close.</p>
+
+<p>END. </p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Angel Over the Right Shoulder
+by Elizabeth Wooster Stuart Phelps
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OVER THE RIGHT SHOULDER ***
+
+***** This file should be named 11033-h.htm or 11033-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/3/11033/
+
+Produced by Internet Archive; University of Florida, Children, and the
+Online Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/11033-h/images/02.png b/old/11033-h/images/02.png
new file mode 100644
index 0000000..0fe4710
--- /dev/null
+++ b/old/11033-h/images/02.png
Binary files differ
diff --git a/old/11033.txt b/old/11033.txt
new file mode 100644
index 0000000..913547d
--- /dev/null
+++ b/old/11033.txt
@@ -0,0 +1,832 @@
+The Project Gutenberg EBook of The Angel Over the Right Shoulder
+by Elizabeth Wooster Stuart Phelps
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Angel Over the Right Shoulder
+ The Beginning of a New Year
+
+Author: Elizabeth Wooster Stuart Phelps
+
+Release Date: February 11, 2004 [EBook #11033]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OVER THE RIGHT SHOULDER ***
+
+
+
+
+Produced by Internet Archive; University of Florida, Children, and the
+Online Distributed Proofreading Team.
+
+
+
+
+
+[Illustration:]
+
+The Angel over the Right Shoulder
+
+[Illustration:]
+
+
+
+
+The Angel over the Right Shoulder
+
+or the
+
+BEGINNING OF A NEW YEAR.
+
+BY
+
+THE AUTHOR OF "SUNNY SIDE."
+
+
+
+1852.
+
+
+
+
+The Angel over the Right Shoulder
+
+ * * * * *
+
+"There! a woman's work is never done," said Mrs. James; "I thought, for
+once, I was through; but just look at that lamp, now! it will not burn,
+and I must go and spend half an hour over it."
+
+"Don't you wish you had never been married?" said Mr. James, with a
+good-natured laugh.
+
+"Yes"--rose to her lips, but was checked by a glance at the group upon
+the floor, where her husband was stretched out, and two little urchins
+with sparkling eyes and glowing cheeks, were climbing and tumbling over
+him, as if they found in this play the very essence of fun.
+
+She did say, "I should like the good, without the evil, if I could have
+it."
+
+"You have no evils to endure," replied her husband.
+
+"That is just all you gentlemen know about it. What would you think, if
+you could not get an uninterrupted half hour to yourself, from morning
+till night? I believe you would give up trying to do anything."
+
+"There is no need of that; all you want, is _system_. If you arranged
+your work systematically, you would find that you could command your
+time."
+
+"Well," was the reply, "all I wish is, that you could just follow me
+around for one day, and see what I have to do. If you could reduce it
+all to system, I think you would show yourself a genius."
+
+When the lamp was trimmed, the conversation was resumed. Mr. James had
+employed the "half hour," in meditating on this subject.
+
+"Wife," said he, as she came in, "I have a plan to propose to you, and I
+wish you to promise me beforehand, that you will accede to it. It is to
+be an experiment, I acknowledge, but I wish it to have a fair trial. Now
+to please me, will you promise?"
+
+Mrs. James hesitated. She felt almost sure that his plan would be quite
+impracticable, for what does a man know of a woman's work? yet she
+promised.
+
+"Now I wish you," said he, "to set apart two hours of every day for your
+own private use. Make a point of going to your room and locking yourself
+in; and also make up your mind to let the work which is not done, go
+undone, if it must. Spend this time on just those things which will be
+most profitable to yourself. I shall bind you to your promise for one
+month--then, if it has proved a total failure, we will devise something
+else."
+
+"When shall I begin?"
+
+"To-morrow."
+
+The morrow came. Mrs. James had chosen the two hours before dinner as
+being, on the whole, the most convenient and the least liable to
+interruption. They dined at one o'clock. She wished to finish her
+morning work, get dressed for the day, and enter her room at eleven.
+
+Hearty as were her efforts to accomplish this, the hour of eleven found
+her with her work but half done; yet, true to her promise, she left all,
+retired to her room and locked the door.
+
+With some interest and hope, she immediately marked out a course of
+reading and study, for these two precious hours; then, arranging her
+table, her books, pen and paper, she commenced a schedule of her work
+with much enthusiasm. Scarcely had she dipped her pen in ink, when she
+heard the tramping of little feet along the hall, and then a pounding at
+her door.
+
+"Mamma! mamma! I cannot find my mittens, and Hannah is going to slide
+without me."
+
+"Go to Amy, my dear; mamma is busy."
+
+"So Amy busy too; she say she can't leave baby."
+
+The child began to cry, still standing close to the fastened door. Mrs.
+James knew the easiest, and indeed the only way of settling the trouble,
+was to go herself and hunt up the missing mittens. Then a parley must
+be held with Frank, to induce him to wait for his sister, and the
+child's tears must be dried, and little hearts must be all set right
+before the children went out to play; and so favorable an opportunity
+must not be suffered to slip, without impressing on young minds the
+importance of having a "place for everything and everything in its
+place;" this took time; and when Mrs. James returned to her study, her
+watch told her that _half_ her portion had gone. Quietly resuming her
+work, she was endeavoring to mend her broken train of thought, when
+heavier steps were heard in the hall, and the fastened door was once
+more besieged. Now, Mr. James must be admitted.
+
+"Mary," said he, "cannot you come and sew a string on for me? I do
+believe there is not a bosom in my drawer in order, and I am in a great
+hurry. I ought to have been down town an hour ago."
+
+The schedule was thrown aside, the workbasket taken, and Mrs. James
+followed him. She soon sewed on the tape, but then a button needed
+fastening--and at last a rip in his glove, was to be mended. As Mrs.
+James stitched away on the glove, a smile lurked in the corners of her
+mouth, which her husband observed.
+
+"What are you laughing at?" asked he.
+
+"To think how famously your plan works."
+
+"I declare!" said he, "is this your study hour? I am sorry, but what can
+a man do? He cannot go down town without a shirt bosom!"
+
+"Certainly not," said his wife, quietly.
+
+When her liege lord was fairly equipped and off, Mrs. James returned to
+her room. A half an hour yet remained to her, and of this she
+determined to make the most. But scarcely had she resumed her pen, when
+there was another disturbance in the entry. Amy had returned from
+walking out with the baby, and she entered the nursery with him, that
+she might get him to sleep. Now it happened that the only room in the
+house which Mrs. James could have to herself with a fire, was the one
+adjoining the nursery. She had become so accustomed to the ordinary
+noise of the children, that it did not disturb her; but the very
+extraordinary noise which master Charley sometimes felt called upon to
+make, when he was fairly on his back in the cradle, did disturb the
+unity of her thoughts. The words which she was reading rose and fell
+with the screams and lulls of the child, and she felt obliged to close
+her book, until the storm was over. When quiet was restored in the
+cradle, the children came in from sliding, crying with cold fingers--and
+just as she was going to them, the dinner-bell rang.
+
+"How did your new plan work this morning?" inquired Mr. James.
+
+"Famously," was the reply, "I read about seventy pages of German, and as
+many more in French."
+
+"I am sure _I_ did not hinder you long."
+
+"No--yours was only one of a dozen interruptions."
+
+"O, well! you must not get discouraged. Nothing succeeds well the first
+time. Persist in your arrangement, and by and by the family will learn
+that if they want anything of you, they must wait until after dinner."
+
+"But what can a man do?" replied his wife; "he cannot go down town
+without a shirt-bosom."
+
+"I was in a bad case," replied Mr. James, "it may not happen again. I am
+anxious to have you try the month out faithfully, and then we will see
+what has come of it."
+
+The second day of trial was a stormy one. As the morning was dark,
+Bridget over-slept, and consequently breakfast was too late by an hour.
+This lost hour Mrs. James could not recover. When the clock struck
+eleven, she seemed but to have commenced her morning's work, so much
+remained to be done. With mind disturbed and spirits depressed, she left
+her household matters "in the suds," as they were, and punctually
+retired to her study. She soon found, however, that she could not fix
+her attention upon any intellectual pursuit. Neglected duties haunted
+her, like ghosts around the guilty conscience. Perceiving that she was
+doing nothing with her books, and not wishing to lose the morning
+wholly, she commenced writing a letter. Bridget interrupted her before
+she had proceeded far on the first page.
+
+"What, ma'am, shall we have for dinner? No marketing ha'n't come."
+
+"Have some steaks, then."
+
+"We ha'n't got none, ma'am."
+
+"I will send out for some, directly."
+
+Now there was no one to send but Amy, and Mrs. James knew it. With a
+sigh, she put down her letter and went into the nursery.
+
+"Amy, Mr. James has forgotten our marketing. I should like to have you
+run over to the provision store, and order some beef-steaks. I will stay
+with the baby."
+
+Amy was not much pleased to be sent out on this errand. She remarked,
+that "she must change her dress first."
+
+"Be as quick as possible," said Mrs. James, "for I am particularly
+engaged at this hour."
+
+Amy neither obeyed, nor disobeyed, but managed to take her own time,
+without any very deliberate intention to do so. Mrs. James, hoping to
+get along with a sentence or two, took her German book into the nursery.
+But this arrangement was not to master Charley's mind. A fig did he care
+for German, but "the kitties," he must have, whether or no--and kitties
+he would find in that particular book--so he turned its leaves over in
+great haste. Half of the time on the second day of trial had gone, when
+Amy returned and Mrs. James with a sigh, left her nursery. Before one
+o'clock, she was twice called into the kitchen to superintend some
+important dinner arrangement, and thus it turned out that she did not
+finish one page of her letter.
+
+On the third morning the sun shone, and Mrs. James rose early, made
+every provision which she deemed necessary for dinner, and for the
+comfort of her family; and then, elated by her success, in good spirits,
+and with good courage, she entered her study precisely at eleven
+o'clock, and locked her door. Her books were opened, and the challenge
+given to a hard German lesson. Scarcely had she made the first onset,
+when the door-bell was heard to ring, and soon Bridget coming nearer and
+nearer--then tapping at the door.
+
+"Somebodies wants to see you in the parlor, ma'am."
+
+"Tell them I am engaged, Bridget."
+
+"I told 'em you were to-home, ma'am, and they sent up their names, but I
+ha'n't got 'em, jist."
+
+There was no help for it--Mrs. James must go down to receive her
+callers. She had to smile when she felt little like it--to be sociable
+when her thoughts were busy with her task. Her friends made a long
+call--they had nothing else to do with their time, and when they went,
+others came. In very unsatisfactory chit-chat, her morning slipped away.
+
+On the next day, Mr. James invited company to tea, and her morning was
+devoted to preparing for it; she did not enter her study. On the day
+following, a sick-head-ache confined her to her bed, and on Saturday the
+care of the baby devolved upon her, as Amy had extra work to do. Thus
+passed the first week.
+
+True to her promise, Mrs. James patiently persevered for a month, in her
+efforts to secure for herself this little fragment of her broken time,
+but with what success, the first week's history can tell. With its
+close, closed the month of December.
+
+On the last day of the old year, she was so much occupied in her
+preparations for the morrow's festival, that the last hour of the day
+was approaching, before she made her good night's call in the nursery.
+She first went to the crib and looked at the baby. There he lay in his
+innocence and beauty, fast asleep. She softly stroked his golden
+hair--she kissed gently his rosy cheek--she pressed the little dimpled
+hand in hers, and then, carefully drawing the coverlet over it, tucked
+it in, and stealing yet another kiss--she left him to his peaceful
+dreams and sat down on her daughter's bed. She also slept sweetly, with
+her dolly hugged to her bosom. At this her mother smiled, but soon grave
+thoughts entered her mind, and these deepened into sad ones. She thought
+of her disappointment and the failure of her plans. To her, not only the
+past month but the whole past year, seemed to have been one of fruitless
+effort--all broken and disjointed--even her hours of religious duty had
+been encroached upon, and disturbed. She had accomplished nothing, that
+she could see, but to keep her house and family in order, and even this,
+to her saddened mind, seemed to have been but indifferently done. She
+was conscious of yearnings for a more earnest life than this.
+Unsatisfied longings for something which she had not attained, often
+clouded what, otherwise, would have been a bright day to her; and yet
+the causes of these feelings seemed to lie in a dim and misty region,
+which her eye could not penetrate.
+
+What then did she need? To see some _results_ from her life's work? To
+know that a golden cord bound her life-threads together into _unity_ of
+purpose--notwithstanding they seemed, so often, single and broken?
+
+She was quite sure that she felt no desire to shrink from duty, however
+humble, but she sighed for some comforting assurance of what _was duty_.
+Her employments, conflicting as they did with her tastes, seemed to her
+frivolous and useless. It seemed to her that there was some better way
+of living, which she, from deficiency in energy of character, or of
+principle, had failed to discover. As she leaned over her child, her
+tears fell fast upon its young brow.
+
+Most earnestly did she wish, that she could shield that child from the
+disappointments and mistakes and self-reproach from which the mother was
+then suffering; that the little one might take up life where she could
+give it to her--all mended by her own experience. It would have been a
+comfort to have felt, that in fighting the battle, she had fought for
+both; yet she knew that so it could not be--that for ourselves must we
+all learn what are those things which "make for our peace."
+
+The tears were in her eyes, as she gave the good-night to her sleeping
+daughter--then with soft steps she entered an adjoining room, and there
+fairly kissed out the old year on another chubby cheek, which nestled
+among the pillows. At length she sought her own rest.
+
+Soon she found herself in a singular place. She was traversing a vast
+plain. No trees were visible, save those which skirted the distant
+horizon, and on their broad tops rested wreaths of golden clouds. Before
+her was a female, who was journeying towards that region of light.
+Little children were about her, now in her arms, now running by her
+side, and as they travelled, she occupied herself in caring for them.
+She taught them how to place their little feet--she gave them timely
+warnings of the pit-falls--she gently lifted them over the
+stumbling-blocks. When they were weary, she soothed them by singing of
+that brighter land, which she kept ever in view, and towards which she
+seemed hastening with her little flock. But what was most remarkable
+was, that, all unknown to her, she was constantly watched by two angels,
+who reposed on two golden clouds which floated above her. Before each
+was a golden book, and a pen of gold. One angel, with mild and loving
+eyes, peered constantly over her right shoulder--another kept as strict
+watch over her left. Not a deed, not a word, not a look, escaped their
+notice. When a good deed, word, look, went from her, the angel over the
+right shoulder with a glad smile, wrote it down in his book; when an
+evil, however trivial, the angel over the left shoulder recorded it in
+his book--then with sorrowful eyes followed the pilgrim until he
+observed penitence for the wrong, upon which he dropped a tear on the
+record, and blotted it out, and both angels rejoiced.
+
+To the looker-on, it seemed that the traveller did nothing which was
+worthy of such careful record. Sometimes she did but bathe the weary
+feet of her little children, but the angel over the _right
+shoulder_--wrote it down. Sometimes she did but patiently wait to lure
+back a little truant who had turned his face away from the distant
+light, but the angel over the _right shoulder_--wrote it down. Sometimes
+she did but soothe an angry feeling or raise a drooping eye-lid, or kiss
+away a little grief; but the angel over the right shoulder--_wrote it
+down_.
+
+Sometimes, her eye was fixed so intently on that golden horizon, and she
+became so eager to make progress thither, that the little ones, missing
+her care, did languish or stray. Then it was that the angel over the
+_left shoulder_, lifted his golden pen, and made the entry, and followed
+her with sorrowful eyes, until he could blot it out. Sometimes she
+seemed to advance rapidly, but in her haste the little ones had fallen
+back, and it was the sorrowing angel who recorded her progress.
+Sometimes so intent was she to gird up her loins and have her lamp
+trimmed and burning, that the little children wandered away quite into
+forbidden paths, and it was the angel over the _left shoulder_ who
+recorded her diligence.
+
+Now the observer as she looked, felt that this was a faithful and true
+record, and was to be kept to that journey's end. The strong clasps of
+gold on those golden books, also impressed her with the conviction that,
+when they were closed, it would only be for a future opening.
+
+Her sympathies were warmly enlisted for the gentle traveller, and with a
+beating heart she quickened her steps that she might overtake her. She
+wished to tell her of the angels keeping watch above her--to entreat her
+to be faithful and patient to the end--for her life's work was all
+written down--every item of it--and the _results_ would be known when
+those golden books should be unclasped. She wished to beg of her to
+think no duty trivial which must be done, for over her right shoulder
+and over her left were recording angels, who would surely take note of
+all!
+
+Eager to warn the traveller of what she had seen, she touched her. The
+traveller turned, and she recognized or seemed to recognize _herself_.
+Startled and alarmed she awoke in tears. The gray light of morning
+struggled through the half-open shutter, the door was ajar and merry
+faces were peeping in.
+
+"Wish you a happy new year, mamma,"--"Wish you a _Happy new Year_"--"a
+happy noo ear."
+
+She returned the merry greeting most heartily. It seemed to her as if
+she had entered upon a new existence. She had found her way through the
+thicket in which she had been entangled, and a light was now about her
+path. The _Angel over the Right Shoulder_ whom she had seen in her
+dream, would bind up in his golden book her life's work, if it were but
+well done. He required of her no great deeds, but faithfulness and
+patience to the end of the race which was set before her. Now she could
+see plainly enough, that though it was right and important for her to
+cultivate her own mind and heart, it was equally right and equally
+important, to meet and perform faithfully all those little household
+cares and duties on which the comfort and virtue of her family depended;
+for into these things the angels carefully looked--and these duties and
+cares acquired a dignity from the strokes of that golden, pen--they
+could not be neglected without danger.
+
+Sad thoughts and sadder misgivings--undefined yearnings and ungratified
+longings seemed to have taken their flight with the Old Year, and it was
+with fresh resolution and cheerful hope, and a happy heart, she welcomed
+the _Glad_ New Year. The _Angel over the Right Shoulder_ would go with
+her, and if she were found faithful, would strengthen and comfort her to
+its close.
+
+END.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Angel Over the Right Shoulder
+by Elizabeth Wooster Stuart Phelps
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OVER THE RIGHT SHOULDER ***
+
+***** This file should be named 11033.txt or 11033.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/3/11033/
+
+Produced by Internet Archive; University of Florida, Children, and the
+Online Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/11033.zip b/old/11033.zip
new file mode 100644
index 0000000..3cd058c
--- /dev/null
+++ b/old/11033.zip
Binary files differ