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+<title>The Project Gutenberg eBook of The Yellow Streak, by Valentine Williams</title>
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+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Yellow Streak, by Valentine Williams</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Yellow Streak</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Valentine Williams</div>
+<div style='display:block; margin:1em 0'>Release Date: November 5, 2003 [eBook #9974]<br />
+[Most recently updated: October 14, 2021]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Juliet Sutherland, Dave Morgan and the PG Online Distributed Proofreading Team</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE YELLOW STREAK ***</div>
+
+<div class="fig" style="width:55%;">
+<img src="images/cover.jpg" style="width:100%;" alt="[Illustration]" />
+</div>
+
+<h1>The Yellow Streak</h1>
+
+<h2 class="no-break">by Valentine Williams</h2>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap01">CHAPTER I. THE MASTER OF HARKINGS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">CHAPTER II. AT TWILIGHT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">CHAPTER III. A DISCOVERY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">CHAPTER IV. BETWEEN THE DESK AND THE WINDOW</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">CHAPTER V. IN WHICH BUDE LOOKS AT ROBIN GREVE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">CHAPTER VI. THE LETTER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">CHAPTER VII. VOICES IN THE LIBRARY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">CHAPTER VIII. ROBIN GOES TO MARY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">CHAPTER IX. MR. MANDERTON</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap10">CHAPTER X. A SMOKING CHIMNEY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap11">CHAPTER XI. &ldquo;... SPEED THE PARTING GUEST!&rdquo;</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap12">CHAPTER XII. MR. MANDERTON IS NONPLUSSED</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap13">CHAPTER XIII. JEEKES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap14">CHAPTER XIV. A SHEET OF BLUE PAPER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap15">CHAPTER XV. SHADOWS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap16">CHAPTER XVI. THE INTRUDER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap17">CHAPTER XVII. A FRESH CLUE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap18">CHAPTER XVIII. THE SILENT SHOT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap19">CHAPTER XIX. MR. MANDERTON LAYS HIS CARDS ON THE TABLE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap20">CHAPTER XX. THE CODE KING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap21">CHAPTER XXI. A WORD WITH MR. JEEKES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap22">CHAPTER XXII. THE MAN WITH THE YELLOW FACE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap23">CHAPTER XXIII. TWO’S COMPANY ...</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap24">CHAPTER XXIV. THE METAMORPHOSIS OF MR. SCHULZ</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap25">CHAPTER XXV. THE READING OF THE RIDDLE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap26">CHAPTER XXVI. THE FIGURE IN THE DOORWAY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap27">CHAPTER XXVII. AN INTERRUPTION FROM BEYOND</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap28">CHAPTER XXVIII. THE DEATH OF HARTLEY PARRISH</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2>THE YELLOW STREAK</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>CHAPTER I.<br />
+THE MASTER OF HARKINGS</h2>
+
+<p>
+Of all the luxuries of which Hartley Parrish&rsquo;s sudden rise to wealth gave
+him possession, Bude, his butler, was the acquisition in which he took the
+greatest delight and pride. Bude was a large and comfortable-looking person,
+triple-chinned like an archdeacon, bald-headed except for a respectable and
+saving edging of dark down, clean-shaven, benign of countenance, with a bold
+nose which to the psychologist bespoke both ambition and inborn cleverness. He
+had a thin, tight mouth which in itself alone was a symbol of discreet
+reticence, the hall-mark of the trusted family retainer.
+</p>
+
+<p>
+Bude had spent his life in the service of the English aristocracy. The Earl of
+Tipperary, Major-General Lord Bannister, the Dowager Marchioness of Wiltshire,
+and Sir Herbert Marcobrunner, Bart., had in turn watched his gradual progress
+from pantry-boy to butler. Bude was a man whose maxim had been the French
+saying, &ldquo;<i>Je prends mon bien où je le trouve</i>.&rdquo;
+</p>
+
+<p>
+In his thirty years&rsquo; service he had always sought to discover and draw
+from those sources of knowledge which were at his disposal. From MacTavish, who
+had supervised Lord Tipperary&rsquo;s world-famous gardens, he had learnt a
+great deal about flowers, so that the arrangement of the floral decorations was
+always one of the features at Hartley Parrish&rsquo;s <i>soigné</i>
+dinner-parties. From Brun, the unsurpassed <i>chef</i>, whom Lord Bannister had
+picked up when serving with the Guards in Egypt, he had gathered sufficient
+knowledge of the higher branches of the cuisine to enable Hartley Parrish to
+leave the arrangement of the menu in his butler&rsquo;s hands.
+</p>
+
+<p>
+Bude would have been the first to admit that, socially speaking, his present
+situation was not the equal of the positions he had held. There was none of the
+staid dignity about his present employer which was inborn in men like Lord
+Tipperary or Lord Bannister, and which Sir Herbert Marcobrunner, with the easy
+assimilative faculty of his race, had very successfully acquired. Below middle
+height, thick-set and powerfully built, with a big head, narrow eyes, and a
+massive chin, Hartley Parrish, in his absorbed concentration on his business,
+had no time for the acquisition or practice of the Eton manner.
+</p>
+
+<p>
+It was characteristic of Parrish that, seeing Bude at a dinner-party at
+Marcobrunner&rsquo;s, he should have engaged him on the spot. It took Bude a
+week to get over his shock at the manner in which the offer was made. Parrish
+had approached him as he was supervising the departure of the guests. Waving
+aside the footman who offered to help him into his overcoat, Parrish had asked
+Bude point-blank what wages he was getting. Bude mentioned the generous
+remuneration he was receiving from Sir Herbert Marcobrunner, whereupon Parrish
+had remarked:
+</p>
+
+<p>
+&ldquo;Come to me and I&rsquo;ll double it. I&rsquo;ll give you a week to think
+it over. Let my secretary know!&rdquo;
+</p>
+
+<p>
+After a few discreet enquiries, Bude, faithful to his maxim, had accepted
+Parrish&rsquo;s offer. Marcobrunner was furiously angry, but, being anxious to
+interest Parrish in a deal, sagely kept his feelings to himself. And Bude had
+never regretted the change. He found Parrish an exacting, but withal a just and
+a generous master, and he was not long in realizing that, as long as he kept
+Harkings, Parrish&rsquo;s country place where he spent the greater part of his
+time, running smoothly according to Parrish&rsquo;s schedule, he could count on
+a life situation.
+</p>
+
+<p>
+The polish of manner, the sober dignity of dress, acquired from years of acute
+observation in the service of the nobility, were to be seen as, at the hour of
+five, in the twilight of this bleak autumn afternoon, Bude moved majestically
+into the lounge-hall of Harkings and leisurely pounded the gong for tea.
+</p>
+
+<p>
+The muffled notes of the gong swelled out brazenly through the silent house.
+They echoed down the softly carpeted corridors to the library where the master
+of the house sat at his desk. For days he had been immersed in the figures of
+the new issue which Hornaway&rsquo;s, the vast engineering business of his
+creation, was about to put on the market. They reverberated up the fine old oak
+staircase to the luxurious Louis XV bedroom, where Lady Margaret Trevert lay on
+her bed idly smiling through an amusing novel. They crashed through the thickly
+padded baize doors leading to the servants&rsquo; hall, where, at sixpence a
+hundred, Parrish&rsquo;s man, Jay, was partnering Lady Margaret&rsquo;s maid
+against Mrs. Heever, the housekeeper, and Robert, the chauffeur, at a friendly
+game of bridge. And they even boomed distantly into the far-away billiard-room
+and broke into the talk which Robin Greve was having with Mary Trevert.
+</p>
+
+<p>
+&ldquo;Damn!&rdquo; exclaimed Greve savagely, as the distant gonging came to
+his ears.
+</p>
+
+<p>
+&ldquo;It&rsquo;s the gong for tea,&rdquo; said Mary demurely.
+</p>
+
+<p>
+She was sitting on one of the big leather sofas lining the long room. Robin, as
+he gazed down at her from where he stood with his back against the edge of the
+billiard-table, thought what an attractive picture she made in the half-light.
+</p>
+
+<p>
+The lamps over the table were lit, but the rest of the room was almost dark. In
+that lighting the thickly waving dark hair brought out the fine whiteness of
+the girl&rsquo;s skin. There was love, and a great desire for love, in her
+large dark eyes, but the clear-cut features, the well-shaped chin, and the firm
+mouth, the lips a little full, spoke of ambition and the love of power.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve been here three whole days,&rdquo; said Robin, &ldquo;and
+I&rsquo;ve not had two words with you alone, Mary. And hardly have I got you to
+myself for a quiet game of pills when that rotten gong goes ...&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m sorry you&rsquo;re disappointed at missing your game,&rdquo;
+the girl replied mischievously, &ldquo;but I expect you will be able to get a
+game with Horace or one of the others after tea ...&rdquo;
+</p>
+
+<p>
+Robin kicked the carpet savagely.
+</p>
+
+<p>
+&ldquo;You know perfectly well I don&rsquo;t want to play billiards ...&rdquo;
+</p>
+
+<p>
+He looked up and caught the girl&rsquo;s eye. For a fraction of a second he saw
+in it the expression which every man at least once in his life looks to see in
+the eyes of one particular woman. In the girl&rsquo;s dark-blue eyes fringed
+with long black lashes he saw the dumb appeal, the mute surrender, which, as
+surely as the white flag on the battlements in war, is the signal of
+capitulation in woman.
+</p>
+
+<p>
+But the expression was gone on the instant. It passed so swiftly that, for a
+second, Robin, seeing the gently mocking glance that succeeded it, wondered
+whether he had been mistaken.
+</p>
+
+<p>
+But he was a man of action&mdash;a glance at his long, well-moulded head, his
+quick, wide-open eye, and his square jaw would have told you that&mdash;and he
+spoke.
+</p>
+
+<p>
+&ldquo;It&rsquo;s no use beating about the bush,&rdquo; he said. &ldquo;Mary,
+I&rsquo;ve got so fond of you that I&rsquo;m just miserable when you&rsquo;re
+away from me ...&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, Robin, please ...&rdquo;
+</p>
+
+<p>
+Mary Trevert stood up and remained standing, her head turned a little away from
+him, a charming silhouette in her heather-blue shooting-suit.
+</p>
+
+<p>
+The young man took her listless hand.
+</p>
+
+<p>
+&ldquo;My dear,&rdquo; he said, &ldquo;you and I have been pals all our lives.
+It was only at the front that I began to realize just how much you meant to me.
+And now I know I can&rsquo;t do without you. I&rsquo;ve never met any one who
+has been to me just what you are. And, Mary, I must have you as my wife
+...&rdquo;
+</p>
+
+<p>
+The girl remained motionless. She kept her face averted. The room seemed very
+still.
+</p>
+
+<p>
+&ldquo;Oh, Robin, please ...&rdquo; she murmured again.
+</p>
+
+<p>
+Resolutely the young man put an arm about her and drew her to him. Slowly,
+reluctantly, she let him have his way. But she would not look at him.
+</p>
+
+<p>
+&ldquo;Oh, my dear,&rdquo; he whispered, kissing her hair, &ldquo;don&rsquo;t
+you care a little?&rdquo;
+</p>
+
+<p>
+She remained silent.
+</p>
+
+<p>
+&ldquo;Won&rsquo;t you look at me, Mary?&rdquo;
+</p>
+
+<p>
+There was a hint of huskiness in his voice. He raised her face to his.
+</p>
+
+<p>
+&ldquo;I saw in your eyes just now that you cared for me,&rdquo; he whispered;
+&ldquo;oh, my Mary, say that you do!&rdquo;
+</p>
+
+<p>
+Then he bent down and kissed her. For a brief instant their lips met and he
+felt the caress of the girl&rsquo;s arm about his neck.
+</p>
+
+<p>
+&ldquo;Oh, Robin!&rdquo; she said.
+</p>
+
+<p>
+That was all.
+</p>
+
+<p>
+But then she drew away.
+</p>
+
+<p>
+Reluctantly the man let her go. The colour had faded from his cheeks when she
+looked at him again as he stood facing her in the twilight of the
+billiard-room.
+</p>
+
+<p>
+&ldquo;Robin, dear,&rdquo; she said, &ldquo;I&rsquo;m going to hurt you.&rdquo;
+</p>
+
+<p>
+The young man seemed to have had a premonition of what was coming, for he
+betrayed no sign of surprise, but remained motionless, very erect, very pale.
+</p>
+
+<p>
+&ldquo;Dear,&rdquo; said the girl with a little despairing shrug,
+&ldquo;it&rsquo;s hopeless! We can&rsquo;t afford to marry!&rdquo;
+</p>
+
+<p>
+&ldquo;Not yet, I know,&rdquo; said Robin, &ldquo;but I&rsquo;m getting on
+well, Mary, and in another year or two ...&rdquo;
+</p>
+
+<p>
+The girl looked down at the point of her little brogue shoe.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know what you will think of me,&rdquo; she said,
+&ldquo;but I can&rsquo;t accept ... I can&rsquo;t face ... I ...&rdquo;
+</p>
+
+<p>
+&ldquo;You can&rsquo;t face the idea of being the wife of a man who has his way
+to make. Is that it?&rdquo;
+</p>
+
+<p>
+The voice was rather stern.
+</p>
+
+<p>
+The girl looked up impulsively.
+</p>
+
+<p>
+&ldquo;I can&rsquo;t, Robin. I should never make you happy. Mother and I are as
+poor as church-mice. All the money in the family goes to keep Horace in the
+Army and pay for my clothes.&rdquo;
+</p>
+
+<p>
+She looked disdainfully at her pretty suit.
+</p>
+
+<p>
+&ldquo;All this,&rdquo; she went on with a little hopeless gesture indicating
+her tailor-made, &ldquo;is Mother&rsquo;s investment. No, no, it&rsquo;s true
+... I can tell you as a friend, Robin, dear, we are living on our capital until
+I have caught a rich husband ...&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, my dear,&rdquo; said Robin softly, &ldquo;don&rsquo;t say things
+like that ...&rdquo;
+</p>
+
+<p>
+The girl laughed a little defiantly.
+</p>
+
+<p>
+&ldquo;But it&rsquo;s true,&rdquo; she answered. &ldquo;The war has halved
+Mother&rsquo;s income and there&rsquo;s nothing between us and bankruptcy but a
+year or so ... unless I get married!&rdquo;
+</p>
+
+<p>
+Her voice trembled a little and she turned away.
+</p>
+
+<p>
+&ldquo;Mary,&rdquo; said the young man hoarsely, &ldquo;for God&rsquo;s sake,
+don&rsquo;t do that!&rdquo;
+</p>
+
+<p>
+He moved a step towards her, but she drew back.
+</p>
+
+<p>
+&ldquo;It&rsquo;s all right,&rdquo; she said with the tears glistening wet on
+her face, and dabbed at her eyes with her tiny handkerchief, &ldquo;but, oh,
+Robin boy, why couldn&rsquo;t you have held your tongue?&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose I had no right to speak ...&rdquo; the young man began.
+</p>
+
+<p>
+The girl sighed.
+</p>
+
+<p>
+&ldquo;I oughtn&rsquo;t to say it ... now,&rdquo; she said slowly, and looked
+across at Robin with shining eyes, &ldquo;but, Robin dear, I&rsquo;m ...
+I&rsquo;m glad you did!&rdquo;
+</p>
+
+<p>
+She paused a moment as though turning something over in her mind.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve ... I&rsquo;ve got something to tell you, Robin,&rdquo; she
+began. &ldquo;No, stay where you are! We must be sensible now.&rdquo;
+</p>
+
+<p>
+She paused and looked at him.
+</p>
+
+<p>
+&ldquo;Robin,&rdquo; she said slowly, &ldquo;I&rsquo;ve promised to marry
+somebody else ...&rdquo;
+</p>
+
+<p>
+There was a moment&rsquo;s silence.
+</p>
+
+<p>
+&ldquo;Who is it?&rdquo; Robin asked in a hard voice.
+</p>
+
+<p>
+The girl made no answer.
+</p>
+
+<p>
+&ldquo;Who is it? Do I know him?&rdquo;
+</p>
+
+<p>
+Still the girl was silent, but she gave a hardly perceptible nod.
+</p>
+
+<p>
+&ldquo;Not ...? No, no, Mary, it isn&rsquo;t true? It can&rsquo;t be
+true?&rdquo;
+</p>
+
+<p>
+The girl nodded, her eyes to the ground.
+</p>
+
+<p>
+&ldquo;It&rsquo;s a secret still,&rdquo; she said. &ldquo;No one knows but
+Mother. Hartley doesn&rsquo;t want it announced yet!&rdquo;
+</p>
+
+<p>
+The sound of the Christian name suddenly seemed to infuriate Greve.
+</p>
+
+<p>
+&ldquo;By God!&rdquo; he cried, &ldquo;it shan&rsquo;t be! You must be mad,
+Mary, to think of marrying a man like Hartley Parrish. A fellow who&rsquo;s
+years older than you, who thinks of nothing but money, who stood out of the war
+and made a fortune while men of his own age were doing the fighting for him!
+It&rsquo;s unthinkable ... it&rsquo;s ... it&rsquo;s damnable to think of a
+gross, ill-bred creature like Parrish ...&rdquo;
+</p>
+
+<p>
+&ldquo;Robin!&rdquo; the girl cried, &ldquo;you seem to forget that we&rsquo;re
+staying in his house. In spite of all you say he seems to be good enough for
+you to come and stay with ...&rdquo;
+</p>
+
+<p>
+&ldquo;I only came because you were to be here. You know that perfectly well. I
+admit one oughtn&rsquo;t to blackguard one&rsquo;s host, but, Mary, you must
+see that this marriage is absolutely out of the question!&rdquo;
+</p>
+
+<p>
+The girl began to bridle up,
+</p>
+
+<p>
+&ldquo;Why?&rdquo; she asked loftily.
+</p>
+
+<p>
+&ldquo;Because ... because Parrish is not the sort of man who will make you
+happy ...&rdquo;
+</p>
+
+<p>
+&ldquo;And why not, may I ask? He&rsquo;s very kind and very generous, and I
+believe he likes me ...&rdquo;
+</p>
+
+<p>
+Robin Greve made a gesture of despair.
+</p>
+
+<p>
+&ldquo;My dear girl,&rdquo; he said, trying to control himself to speak
+quietly, &ldquo;what do you know about this man? Nothing. But there are beastly
+stories circulating about his life ...&rdquo;
+</p>
+
+<p>
+Mary Trevert laughed cynically.
+</p>
+
+<p>
+&ldquo;My dear old Robin,&rdquo; she said, &ldquo;they tell stories about every
+bachelor. And I hardly think you are an unbiassed judge ...&rdquo;
+</p>
+
+<p>
+Robin Greve was pacing up and down the floor.
+</p>
+
+<p>
+&ldquo;You&rsquo;re crazy, Mary,&rdquo; he said, stopping in front of her,
+&ldquo;to dream you can ever be happy with a man like Hartley Parrish. The
+man&rsquo;s a ruthless egoist. He thinks of nothing but money and he&rsquo;s
+out to buy you just exactly as you ...&rdquo;
+</p>
+
+<p>
+&ldquo;As I am ready to sell myself!&rdquo; the girl echoed. &ldquo;And I
+<i>am</i> ready, Robin. It&rsquo;s all very well for you to stand there and
+preach ideals at me, but I&rsquo;m sick and disgusted at the life we&rsquo;ve
+been leading for the past three years, hovering on the verge of ruin all the
+time, dunned by tradesmen and having to borrow even from servants ... yes, from
+old servants of the family ... to pay Mother&rsquo;s bridge debts.
+Mother&rsquo;s a good sort. Father spent all her money for her and she was
+brought up in exactly the same helpless way as she brought up me. I can do
+absolutely nothing except the sort of elementary nursing which we all learnt in
+the war, and if I don&rsquo;t marry well Mother will have to keep a
+boarding-house or do something ghastly like that. I&rsquo;m not going to
+pretend that I&rsquo;m thinking only of her, because I&rsquo;m not. I
+can&rsquo;t face a long engagement with no prospects except castles in Spain. I
+don&rsquo;t mean to be callous, Robin, but I expect I am naturally hard.
+Hartley Parrish is a good sort. He&rsquo;s very fond of me, and he will see
+that Mother lives comfortably for the rest of her life. I&rsquo;ve promised to
+marry him because I like him and he&rsquo;s a suitable match. And I don&rsquo;t
+see by what right you try and run him down to me behind his back! If it&rsquo;s
+jealousy, then it shows a very petty spirit!&rdquo;
+</p>
+
+<p>
+Robin Greve stepped close up to Mary Trevert. His eyes were very angry and his
+jaw was set very square.
+</p>
+
+<p>
+&ldquo;If you are determined to sell yourself to the highest bidder,&rdquo; he
+said, &ldquo;I suppose there&rsquo;s no stopping you. But you&rsquo;re making a
+mistake. If Parrish were all you claim for him, you might not repent of his
+marriage so long as you did not care for somebody else. But I know you love me,
+and it breaks my heart to see you blundering into everlasting unhappiness
+...&rdquo;
+</p>
+
+<p>
+&ldquo;At least Hartley will be able to keep me,&rdquo; the girl flashed out.
+Directly she had spoken she regretted her words.
+</p>
+
+<p>
+A red flush spread slowly over Robin Greve&rsquo;s face.
+</p>
+
+<p>
+Then he laughed drily.
+</p>
+
+<p>
+&ldquo;You won&rsquo;t be the first woman he&rsquo;s kept!&rdquo; he retorted,
+and stamped out of the billiard-room.
+</p>
+
+<p>
+The girl gave a little gasp. Then she reddened with anger.
+</p>
+
+<p>
+&ldquo;How dare he?&rdquo; she cried, stamping her foot; &ldquo;how dare
+he?&rdquo;
+</p>
+
+<p>
+She sank on the lounge and, burying her face in her hands, burst into tears.
+</p>
+
+<p>
+&ldquo;Oh, Robin, Robin, dear!&rdquo; she sobbed&mdash;incomprehensibly, for
+she was a woman.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>CHAPTER II.<br />
+AT TWILIGHT</h2>
+
+<p>
+There is a delicious snugness, a charming lack of formality, about the ceremony
+of afternoon tea in an English country-house&mdash;it is much too indefinite a
+rite to dignify it by the name of meal&mdash;which makes it the most pleasant
+reunion of the day. For English country-house parties consist, for the most
+part, of a succession of meals to which the guests flock the more congenially
+as, in the interval, they have contrived to avoid one another&rsquo;s
+companionship.
+</p>
+
+<p>
+And so, scarcely had the last reverberation of Bude&rsquo;s measured gonging
+died away than the French window leading from the lounge-hall on to the terrace
+was pushed open and two of Hartley Parrish&rsquo;s guests emerged from the
+falling darkness without into the pleasant comfort of the firelit room.
+</p>
+
+<p>
+They were an oddly matched pair. The one was a tubby little man with short
+bristly grey hair and a short bristly grey moustache to match. His stumpy legs
+looked ridiculous in his baggy golf knickers of rough tweed, which he wore with
+gaiters extending half-way up his short, stout calves. As he came in, he slung
+off the heavy tweed shooting-cloak he had been wearing and placed it with his
+Homburg hat on a chair.
+</p>
+
+<p>
+This was Dr. Romain, whose name thus written seems indecently naked without the
+string of complementary initials indicative of the honours and degrees which
+years of bacteriological research had heaped upon him. His companion was a
+tall, slim, fair-haired young man, about as good a specimen of the young
+Englishman turned out by the English public school as one could find. He was
+extremely good-looking with a proud eye and finely chiselled features, but the
+suggestion of youth in his face and figure was countered by a certain poise, a
+kind of latent seriousness which contrasted strangely with the general cheery
+<i>insouciance</i> of his type.
+</p>
+
+<p>
+A soldier would have spotted the symptoms at once, &ldquo;Five years of
+war!&rdquo; would have been his verdict&mdash;that long and strange entry into
+life of so many thousands of England&rsquo;s manhood which impressed the stamp
+of premature seriousness on all those who came through. And Captain Sir Horace
+Trevert, Bart., D.S.O., had gone from his famous school straight into a famous
+regiment, had won his decoration before he was twenty-one, and been twice
+wounded into the bargain.
+</p>
+
+<p>
+&ldquo;Where&rsquo;s everybody?&rdquo; queried the doctor, rubbing his hands at
+the blazing log-fire.
+</p>
+
+<p>
+&ldquo;Robin and Mary went off to play billiards,&rdquo; said the young man,
+&ldquo;and I left old Parrish after lunch settling down for an
+afternoon&rsquo;s work in the library ...&rdquo;
+</p>
+
+<p>
+He crossed the room to the fire and stood with his back to the flame.
+</p>
+
+<p>
+&ldquo;What a worker that man is!&rdquo; ejaculated the doctor. &ldquo;He had
+one of his secretaries down this morning with a car full of portfolios,
+blue-prints, specifications, and God knows what else. Parrish polished the
+whole lot off and packed the fellow back to London before mid-day. Some of
+Hornaway&rsquo;s people who were waiting went in next, and he was through with
+them by lunch-time!&rdquo;
+</p>
+
+<p>
+Trevert wagged his head in admiration.
+</p>
+
+<p>
+&ldquo;And he told me he wanted to have a quiet week-end!&rdquo; he said.
+&ldquo;That&rsquo;s why he has no secretary living in the house.&rdquo;
+</p>
+
+<p>
+&ldquo;A quiet week-end!&rdquo; repeated Romain drily. &ldquo;Ye gods!&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;s a marvel for work,&rdquo; said the young man.
+</p>
+
+<p>
+&ldquo;He certainly is,&rdquo; replied the doctor. &ldquo;He&rsquo;s done
+wonders with Hornaway&rsquo;s. When he took the place over at the beginning of
+the war, they were telling me, it was a little potty concern making toy air
+guns or lead soldiers or something of the sort. And they never stop coining
+money now, it seems. Parrish must be worth millions ...&rdquo;
+</p>
+
+<p>
+&ldquo;Lucky devil!&rdquo; said Trevert genially.
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; observed the doctor sententiously, &ldquo;but he&rsquo;s had
+to work for it, mark you! He&rsquo;s had the most extraordinary life, they tell
+me. He was at one period of his career a bartender on the Rand, a man was
+saying at the club the other day. But most of his life he&rsquo;s lived in
+Canada, I gather. He was telling us the other evening, before you and Mary came
+down, that he was once a brakeman on the Canadian Pacific Railway. He said he
+invested all his savings in books on engineering and read them in his
+brakeman&rsquo;s van on his trips across the Dominion. Ah! he&rsquo;s a fine
+fellow!&rdquo;
+</p>
+
+<p>
+He lowered his voice discreetly.
+</p>
+
+<p>
+&ldquo;And a devilish good match, eh, Horace?&rdquo;
+</p>
+
+<p>
+The young man flushed slightly.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said unwillingly.
+</p>
+
+<p>
+&ldquo;A dam&rsquo; good match for somebody,&rdquo; urged the doctor with a
+malicious twinkle in his eye.
+</p>
+
+<p>
+&ldquo;Here, Doc,&rdquo; said Horace, suddenly turning on him, &ldquo;you stick
+to your bugs and germs. What do you know about matchmaking, anyway?&rdquo;
+</p>
+
+<p>
+Dr. Romain chuckled.
+</p>
+
+<p>
+&ldquo;We bacteriologists are trained observers. One learns a lot watching the
+life and habits of the bacillus, Horace, my boy. And between ourselves, Parrish
+would be a lucky fellow if ...&rdquo;
+</p>
+
+<p>
+Trevert turned to him. His face was quite serious, and there was a little touch
+of hauteur in his voice. He was the 17th Baronet.
+</p>
+
+<p>
+&ldquo;My dear Doc,&rdquo; he said, &ldquo;aren&rsquo;t you going a bit fast?
+Parrish is a very good chap, but one knows nothing about him ...&rdquo;
+</p>
+
+<p>
+Sagely the doctor nodded his grizzled head.
+</p>
+
+<p>
+&ldquo;That&rsquo;s true,&rdquo; he agreed. &ldquo;He appears to have no
+relatives and nobody over here seems to have heard of him before the war. A man
+was saying at the Athenaeum the other day ...&rdquo;
+</p>
+
+<p>
+Trevert touched his elbow. Bude had appeared, portly, imperturbable, bearing a
+silver tray set out with the appliances for tea.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo; cried Trevert, &ldquo;don&rsquo;t tell me there are no
+tea-cakes again!&rdquo;
+</p>
+
+<p>
+&ldquo;On the contrairey, sir,&rdquo; answered the butler in the richly
+sonorous voice pitched a little below the normal register which he employed
+abovestairs, &ldquo;the cook has had her attention drawn to it. There are
+tea-cakes, sir!&rdquo;
+</p>
+
+<p>
+With a certain dramatic effect&mdash;for Bude was a trifle theatrical in
+everything he did&mdash;he whipped the cover off a dish and displayed a smoking
+pile of deliciously browned scones.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo; said Trevert, &ldquo;when I&rsquo;m a Field Marshal,
+I&rsquo;ll see you get the O.B.E. for this!&rdquo;
+</p>
+
+<p>
+The butler smiled a nicely regulated three-by-one smile, a little deprecatory
+as was his wont. Then, like a tank taking a corner, he wheeled majestically and
+turned to cross the lounge. To reach the green baize door leading to the
+servants&rsquo; quarters he had to cross the outer hall from which led
+corridors on the right and left. That on the right led to the billiard-room;
+that on the left to the big drawing-room with the library beyond.
+</p>
+
+<p>
+As Bude reached the great screen of tooled Spanish leather which separated a
+corner of the lounge from the outer hall, Robin Greve came hastily through the
+glass door of the corridor leading from the billiard-room. The butler with a
+pleasant smile drew back a little to allow the young man to pass, thinking he
+was going into the lounge for tea.
+</p>
+
+<p>
+&ldquo;Tea is ...&rdquo; he began, but abruptly ended the sentence on catching
+sight of the young man&rsquo;s face. For Robin, habitually so self-possessed,
+looked positively haggard. His face was set and there was a weary look in his
+eyes. The young man appeared so utterly different from his wonted self that
+Bude fairly stared at him.
+</p>
+
+<p>
+But Robin, without paying the least attention either to the butler or to the
+sound of voices in the lounge, strode across the outer hall and disappeared
+through the glass door of the corridor leading to the great drawing-room and
+the library.
+</p>
+
+<p>
+Bude stood an instant gazing after him in perplexity, then moved across the
+hall to the servants&rsquo; quarters.
+</p>
+
+<p>
+In the meantime in the lounge the little doctor snapped the case of his watch
+and opined that he wanted his tea.
+</p>
+
+<p>
+&ldquo;Where on earth has everybody got to? What&rsquo;s become of Lady
+Margaret? I haven&rsquo;t seen her since lunch....&rdquo;
+</p>
+
+<p>
+That lady answered his question by appearing in person.
+</p>
+
+<p>
+Lady Margaret was tall and hard and glittering. Like so many Englishwomen of
+good family, she was so saturated with the traditions of her class that her
+manner was almost indistinguishable from that of a man. Well-mannered,
+broadminded, wholly cynical, and absolutely fearless, she went through life
+exactly as though she were following a path carefully taped out for her by a
+suitably instructed Providence. Somewhere beneath the mask of smiling
+indifference she presented so bravely to a difficult world, she had a heart,
+but so carefully did she hide it that Horace had only discovered it on a
+certain grey November morning when he had started out for the first time on
+active service. For ever afterwards a certain weighing-machine at Waterloo
+Station, by which he had had a startling vision of his mother standing with
+heaving bosom and tear-stained face, possessed in his mind the attributes of
+some secret and sacred shrine.
+</p>
+
+<p>
+But now she was cool and well-gowned and self-contained as ever.
+</p>
+
+<p>
+&ldquo;What a perfectly dreadful day!&rdquo; she exclaimed in her pleasant,
+well-bred voice. &ldquo;Horace, you must positively go and see Henry
+What&rsquo;s-his-name in the Foreign Office and get me a passport for Cannes.
+The weather in England in the winter is incredibly exaggerated!&rdquo;
+</p>
+
+<p>
+&ldquo;At least,&rdquo; said the doctor, rubbing his back as he warmed himself
+at the fire, &ldquo;we have fuel in England. Give me England, climate and all,
+but don&rsquo;t take away my fire. The sun doesn&rsquo;t shine on the Riviera
+at night, you know!&rdquo;
+</p>
+
+<p>
+Lady Margaret busied herself at the tea-table with its fine Queen Anne silver
+and dainty yellow cups. It was the custom at Harkings to serve tea in the
+winter without other illumination than the light of the great log-fire that
+spat and leaped in the open hearth. Beyond the semi-circle of ruddy light the
+great lounge was all in darkness, and beyond that again was the absolute
+stillness of the English country on a winter&rsquo;s evening.
+</p>
+
+<p>
+And so with a gentle clatter of teacups and the accompaniment of pleasantly
+modulated voices they sat and chatted&mdash;Lady Margaret, who was always
+surprising in what she said, the doctor who was incredibly opinionated, and
+young Trevert, who like all of the younger generation was daringly flippant. He
+was airing his views on what he called &ldquo;Boche music&rdquo; when he broke
+off and cried:
+</p>
+
+<p>
+&ldquo;Hullo, here&rsquo;s Mary! Mary, you owe me half a crown. Bude has come
+up to scratch and there are tea-cakes after ... but, I say, what on
+earth&rsquo;s the matter?&rdquo;
+</p>
+
+<p>
+The girl had come into the room and was standing in the centre of the lounge in
+the ruddy glow of the fire. Her face was deathly pale and she was shuddering
+violently. She held her little cambric handkerchief crushed up into a ball to
+her lips. Her eyes were fixed, almost glazed, like one who walks in a trance.
+</p>
+
+<p>
+She stood like that for an instant surveying the group&mdash;Lady Margaret, a
+silver tea-pot in one hand, looking at her with uplifted brows. Horace, who in
+his amazement had taken a step forward, and the doctor at his side scrutinizing
+her beneath his shaggy eyebrows.
+</p>
+
+<p>
+&ldquo;My dear Mary &ldquo;&mdash;it was Lady Margaret&rsquo;s smooth and
+pleasant voice which broke the silence&mdash;&ldquo;whatever is the matter?
+Have you seen a ghost!&rdquo;
+</p>
+
+<p>
+The girl swayed a little and opened her lips as if to speak. A log, crashing
+from the fire into the grate, fell upon the silence of the darkening room. It
+seemed to break the spell.
+</p>
+
+<p>
+&ldquo;Hartley!&rdquo;
+</p>
+
+<p>
+The name came hoarsely from the girl. Everybody, except Lady Margaret, sprang
+to his feet It was the doctor who spoke first.
+</p>
+
+<p>
+&ldquo;Miss Mary,&rdquo; he said, &ldquo;you seem frightened, what ...&rdquo;
+</p>
+
+<p>
+His voice was very soothing.
+</p>
+
+<p>
+Mary Trevert made a vague gesture towards the shadows about the staircase.
+</p>
+
+<p>
+&ldquo;There ... in the library ... he&rsquo;s got the door locked ... there
+was a shot ...&rdquo;
+</p>
+
+<p>
+Then she suddenly screamed aloud.
+</p>
+
+<p>
+In a stride both the doctor and her brother were by her side. But she motioned
+them away.
+</p>
+
+<p>
+&ldquo;I&rsquo;m frightened about Hartley,&rdquo; she said in a low voice,
+&ldquo;please go at once and see what ... that shot ... and he doesn&rsquo;t
+answer!&rdquo;
+</p>
+
+<p>
+&ldquo;Come on, Doctor!&rdquo;
+</p>
+
+<p>
+Horace Trevert was halfway to the big screen separating the lounge from the
+outer hall. As he passed the bell, he pressed it.
+</p>
+
+<p>
+&ldquo;Send Bude to us, Mother, when he comes, please!&rdquo; he called as he
+and the doctor hurried away.
+</p>
+
+<p>
+Lady Margaret had risen and stood, one arm about her daughter, on the Persian
+rug spread out before the cheerful fire. So the women stood in the firelight in
+Hartley Parrish&rsquo;s house, surrounded by all the treasures which his wealth
+had bought, and listened to the footsteps clattering away through the silence.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>CHAPTER III.<br />
+A DISCOVERY</h2>
+
+<p>
+Harkings was not a large house. Some three hundred years ago it had been a
+farm, but in the intervening years successive owners had so altered it by
+pulling down and building on, that, when it passed into the possession of
+Hartley Parrish, little else than the open fireplace in the lounge remained to
+tell of the original farm. It was a queer, rambling house of only two stories
+whose elongated shape was accentuated by the additional wing which Hartley
+Parrish had built on.
+</p>
+
+<p>
+For the decoration of his country-house, Parrish had placed himself
+unreservedly in the hands of the firm entrusted with the work. Their architect
+was given <i>carte blanche</i> to produce a house of character out of the
+rather dingy, out-of-date country villa which Harkings was when Hartley
+Parrish, attracted by the view from the gardens, first discovered it.
+</p>
+
+<p>
+The architect had gone to his work with a zest. He had ripped up walls and
+ceilings and torn down irrational matchwood partitions, discovering some fine
+old oak wainscot and the blackened roof-beams of the original farmstead. In the
+upshot he transformed Harkings into a very fair semblance of a late Jacobean
+house, fitted with every modern convenience and extremely comfortable.
+Furnished throughout with genuine &ldquo;period&rdquo; furniture, with fine
+dark oak panelling and parquet floors, it was altogether picturesque. Neither
+within nor without, it is true, would a connoisseur have been able to give it a
+date.
+</p>
+
+<p>
+But that did not worry Hartley Parrish. He loved a bargain and he had bought
+the house cheap. It was situated in beautiful country and was within easy reach
+by car of his town-house in St. James&rsquo;s Square where he lived for the
+greater part of the week. Last but not least Harkings was the casket enshrining
+a treasure, the realization of a lifelong wish. This was the library,
+Parrish&rsquo;s own room, designed by himself and furnished to his own
+individual taste.
+</p>
+
+<p>
+It stood apart from the rest of the house at the end of the wing which Parrish
+had constructed. The wing consisted of a single ground floor and contained the
+drawing-room&mdash;which was scarcely ever used, as both Parrish and his guests
+preferred the more congenial surroundings of the lounge&mdash;and the library.
+A long corridor panelled in oak led off the hall to the new wing. On to this
+corridor both the drawing-room and the library gave. Halfway down the corridor
+a small passage ran off. It separated the drawing-room from the library and
+ended in a door leading into the gardens at the back of the house.
+</p>
+
+<p>
+It was to the new wing that Horace Trevert and Dr. Romain now hastened. They
+hurried across the hall, where the big lamp of dulled glass threw a soft yellow
+light, and entered the corridor through the heavy oak door which shut it off
+from the hall. The corridor was wrapt in silence. Halfway down, where the small
+passage ran to the garden door, the electric light was burning.
+</p>
+
+<p>
+Horace Trevert ran down the corridor ahead of the doctor and was the first to
+reach the library door. He knocked sharply, then turned the handle. The door
+was locked.
+</p>
+
+<p>
+&ldquo;Hartley!&rdquo; he cried and rapped again. &ldquo;Ha-a-artley! Open the
+door! It&rsquo;s me, Horace!&rdquo;
+</p>
+
+<p>
+Again he knocked and rattled the handle. Not a sound came from the locked room.
+There was an instant&rsquo;s silence. Horace and the doctor exchanged an
+interrogatory look.
+</p>
+
+<p>
+From behind the closed door came the steady ticking of a clock. The silence was
+so absolute that both men heard it.
+</p>
+
+<p>
+Then the door at the end of the corridor was flung open and Bude appeared. He
+was running at a quick ambling trot, his heavy tread shaking the passage.
+</p>
+
+<p>
+&ldquo;Oh? sir,&rdquo; he cried, &ldquo;whatever is it? What has
+happened?&rdquo;
+</p>
+
+<p>
+Horace spoke quickly, incisively.
+</p>
+
+<p>
+&ldquo;Something&rsquo;s happened to Mr. Parrish, Bude,&rdquo; he said.
+&ldquo;The door&rsquo;s locked and he doesn&rsquo;t answer. We&rsquo;ll have to
+break the door down.&rdquo;
+</p>
+
+<p>
+Bude shook his head.
+</p>
+
+<p>
+&ldquo;It&rsquo;s solid oak, sir,&rdquo; he began.
+</p>
+
+<p>
+Then he raised his hand.
+</p>
+
+<p>
+&ldquo;Pardon me, gentlemen,&rdquo; he said, as though an idea had struck him.
+&ldquo;If we were to go out by the garden door here, we might get in through
+the window. We could break the glass if needs be!&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s it!&rdquo; exclaimed Horace. &ldquo;Come on, Doctor!&rdquo;
+</p>
+
+<p>
+He dashed down the corridor towards the little passage. The doctor laid a hand
+on Bude&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;One of us had better stay here,&rdquo; he said with a meaning glance at
+the closed door.
+</p>
+
+<p>
+The butler raised an affrighted face to his.
+</p>
+
+<p>
+&ldquo;Go with Sir Horace, Bude,&rdquo; said the doctor. &ldquo;I&rsquo;ll
+stay!&rdquo;
+</p>
+
+<p>
+Outside in the gardens of Harkings it was a raw, damp evening, pitch-black now,
+with little gusts of wind which shook the naked bushes of the rosery. The
+garden door led by a couple of shallow steps on to a gravel path which ran all
+along the back of the house. The path extended right up to the wall of the
+house. On the other side it flanked the rosery.
+</p>
+
+<p>
+The glass door was banging to and fro in the night wind as Bude, his
+coat-collar turned up, hurried out into the darkness. The library, which formed
+the corner of the new wing, had two windows, the one immediately above the
+gravel path looking out over the rosery, the other round the corner of the
+house giving on the same path, beyond which ran a high hedge of clipped box
+surrounding the so-called Pleasure Ground, a plot of smooth grass with a
+sundial in the centre.
+</p>
+
+<p>
+A glow of light came from the library window, and in its radiance Bude saw
+silhouetted the tall, well-knit figure of young Trevert. As the butler came up,
+the boy raised something in his hand and there was a crash of broken glass.
+</p>
+
+<p>
+The curtains were drawn, but with the breaking of the window they began to flap
+about. With the iron grating he had picked up from the drain below the window
+young Trevert smashed the rest of the glass away, then thrust an arm through
+the empty window-frame, fumbling for the window-catch.
+</p>
+
+<p>
+&ldquo;The catch is not fastened,&rdquo; he whispered, and with a resolute
+thrust he pushed the window up. The curtains leapt up wildly, revealing a
+glimpse of the pleasant, book-lined room. Both men from the darkness without
+saw Parrish&rsquo;s desk littered with his papers and his habitual chair beyond
+it, pushed back empty.
+</p>
+
+<p>
+Trevert turned an instant, a hand on the window-sill.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo; he said, &ldquo;there&rsquo;s no one there!&rdquo;
+</p>
+
+<p>
+&ldquo;Best look and see, sir,&rdquo; replied the butler, his coat-tails
+flapping in the wind.
+</p>
+
+<p>
+Trevert hoisted himself easily on to the window-sill, knelt there for an
+instant, then thrust his legs over the sill and dropped into the room. As he
+did so he stumbled, cried aloud.
+</p>
+
+<p>
+Then the heavy grey curtains were flung back and the butler saw the boy&rsquo;s
+face, rather white, at the open window.
+</p>
+
+<p>
+&ldquo;My God,&rdquo; he said slowly, &ldquo;he&rsquo;s dead!&rdquo;
+</p>
+
+<p>
+A moment later Dr. Romain, waiting in the corridor, heard the key turn in the
+lock of the library door. The door was flung open. Horace Trevert stood there,
+silhouetted in a dull glow of light from the room. He was pointing to the open
+window, beneath which Hartley Parrish lay on his back motionless.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>CHAPTER IV.<br />
+BETWEEN THE DESK AND THE WINDOW</h2>
+
+<p>
+Hartley Parrish&rsquo;s library was a splendid room, square in shape, lofty and
+well proportioned. It was lined with books arranged in shelves of dark brown
+oak running round the four walls, but sunk level with them and reaching up to a
+broad band of perfectly plain white plasterwork.
+</p>
+
+<p>
+It was a cheerful, comfortable, eminently modern room, half library, half
+office. The oak was solid, but uncompromisingly new. The great leather
+armchairs were designed on modern lines&mdash;for comfort rather than for
+appearance. There were no pictures; but vases of chrysanthemums stood here and
+there about the room. A dictaphone in a case was in a corner, but beside it was
+a little table on which were set out some rare bits of old Chelsea. There was
+also a gramophone, but it was enclosed in a superb case of genuine old
+black-and-gold lacquer. The very books in their shelves carried on this
+contrast of business with recreation. For while one set of shelves contained
+row upon row of technical works, company reports, and all manner of business
+reference books bound in leather, on another were to be found the vellum-bound
+volumes of the Kelmscott Press.
+</p>
+
+<p>
+A sober note of grey or mole colour was the colour scheme of the room. The
+heavy pile carpet which stretched right up to the walls was of this quiet
+neutral shade: so were the easy-chairs, and the colour of the heavy curtains,
+which hung in front of the two high windows, was in harmony with the restful
+decorative scheme of the room.
+</p>
+
+<p>
+The massive oaken door stood opposite the window overlooking the
+rosery&mdash;the window through which Horace Trevert had entered.
+Parrish&rsquo;s desk was in front of this window, between it and the door in
+consequence. By the other window, which, as has been stated, looked out on the
+clipped hedge surrounding the Pleasure Ground, was the little table with the
+Chelsea china, the dictaphone, and one of the easy-chairs. The centre of the
+room was clear so that nothing lay between the door and the carved mahogany
+chair at the desk. Here, as they all knew, Parrish was accustomed to sit when
+working, his back to the door, his face to the window overlooking the rosery.
+</p>
+
+<p>
+The desk stood about ten feet from the window. On it was a large brass lamp
+which cast a brilliant circle of light upon the broad flat top of the desk with
+its orderly array of letter-trays, its handsome silver-edged blotter and silver
+and tortoise-shell writing appurtenances. By the light of this lamp Dr. Romain,
+looking from the doorway, saw that Hartley Parrish&rsquo;s chair was vacant,
+pushed back a little way from the desk. The rest of the room was wrapt in
+unrevealing half-light.
+</p>
+
+<p>
+&ldquo;He&rsquo;s there by the window!&rdquo;
+</p>
+
+<p>
+Horace was whispering to the doctor. Romain strode over to the desk and picked
+up the lamp. As he did so, his eyes fell upon the pale face of Hartley Parrish.
+He lay on his back in the space between the desk and the window. His head was
+flung back, his eyes, bluish-grey,&mdash;the narrow, rather expressionless eyes
+of the successful business man,&mdash;were wide open and fixed in a sightless
+stare, his rather full mouth, with its clean-shaven lips, was rigid and stern.
+With the broad forehead, the prominent brows, the bold, aggressive nose, and
+the square bony jaw, it was a fighter&rsquo;s face, a fine face save for the
+evil promise of that sensuous mouth. So thought the doctor with the swift
+psychological process of his trade.
+</p>
+
+<p>
+From the face his gaze travelled to the body. And then Romain could not repress
+an involuntary start, albeit he saw what he had half expected to see. The
+fleshy right hand of Hartley Parrish grasped convulsively an automatic pistol.
+His clutching index finger was crooked about the trigger and the barrel was
+pressed into the yielding pile of the carpet. His other hand with clawing
+fingers was flung out away from the body on the other side. One leg was
+stretched out to its fullest extent and the foot just touched the hem of the
+grey window curtains. The other leg was slightly drawn up.
+</p>
+
+<p>
+The doctor raised the lamp from the desk and, dropping on one knee, placed it
+on the ground beside the body. With gentle fingers he manipulated the eyes,
+opened the blue serge coat and waistcoat which Parrish was wearing. As he
+unbuttoned the waistcoat, he laid bare a dark red stain on the breast of the
+fine silk shirt. He opened shirt and under-vest, bent an ear to the still form,
+and then, with a little helpless gesture, rose to his feet.
+</p>
+
+<p>
+&ldquo;Dead?&rdquo; queried Trevert.
+</p>
+
+<p>
+Romain nodded shortly.
+</p>
+
+<p>
+&ldquo;Shot through the heart!&rdquo; he said.
+</p>
+
+<p>
+&ldquo;He looked so ... so limp,&rdquo; the boy said, shrinking back a little,
+&ldquo;I thought he was dead. But I never thought old Hartley would have done a
+thing like that ...&rdquo;
+</p>
+
+<p>
+The doctor pursed up his lips as if to speak. But he remained silent for a
+moment. Then he said:
+</p>
+
+<p>
+&ldquo;Horace, the police must be informed. We can do that on the telephone.
+This room must be left just as it is until they come. I can do nothing more for
+poor Hartley. And we shall have to tell the others. I&rsquo;d better do that
+myself. I wonder where Greve is? I haven&rsquo;t seen him all the afternoon. As
+a barrister he should be able to advise us about&mdash;er, the technicalities:
+the police and all that ...&rdquo;
+</p>
+
+<p>
+Rapid footsteps reverberated down the corridor. Robin Greve appeared at the
+door. The fat and frightened face of Bude appeared over his shoulder.
+</p>
+
+<p>
+&ldquo;Good God, Doctor!&rdquo; he cried, &ldquo;what&rsquo;s this Bude tells
+me?&rdquo;
+</p>
+
+<p>
+The doctor cleared his throat.
+</p>
+
+<p>
+&ldquo;Our poor friend is dead, Greve,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;But how? How?&rdquo;
+</p>
+
+<p>
+Greve stood opposite the doctor in the centre of the library. He had switched
+on the light at the door as he had come in, and the room was flooded with soft
+light thrown by concealed lamps set around the cornice of the ceiling.
+</p>
+
+<p>
+&ldquo;Look!&rdquo; responded the doctor by way of answer and stepped aside to
+let the young man come up to the desk. &ldquo;He has a pistol in his
+hand!&rdquo;
+</p>
+
+<p>
+Robin Greve took a step forward and stopped dead. He gazed for an instant
+without speaking on the dead face of his host and rival.
+</p>
+
+<p>
+&ldquo;Suicide!&rdquo;
+</p>
+
+<p>
+It was an affirmation rather than a question, and the little doctor took it up.
+He was not a young man and the shock and the excitement were beginning to tell
+on his nerves.
+</p>
+
+<p>
+&ldquo;I am not a police surgeon,&rdquo; he said with some asperity; &ldquo;in
+fact, I may say I have not seen a dead body since my hospital days. I ... I ...
+know nothing about these things. This is a matter for the police. They must be
+summoned at once. Where&rsquo;s Bude?&rdquo;
+</p>
+
+<p>
+Robin Greve turned quickly.
+</p>
+
+<p>
+&ldquo;Get on to the police station at Stevenish at once, Bude,&rdquo; he
+ordered. &ldquo;Do you know the Inspector?&rdquo;
+</p>
+
+<p>
+&ldquo;Yessir,&rdquo; the butler answered in a hollow voice. His hands were
+trembling violently, and he seemed to control himself with difficulty.
+&ldquo;Mr. Humphries, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;Well, ring him up and tell him that Mr. Parrish ... Hullo, what do all
+these people want?&rdquo;
+</p>
+
+<p>
+There was a commotion at the door. Frightened faces were framed in the doorway.
+Outside there was the sound of a woman whimpering. A tall, dark young man in a
+tail coat came in quickly. He stopped short when he saw the solemn faces of the
+group at the desk. It was Parrish&rsquo;s man, Jay. He stepped forward to the
+desk and in a frightened sort of way peered at the body as it lay on the floor.
+</p>
+
+<p>
+&ldquo;Oh, sir,&rdquo; he said breathlessly, addressing Greve, &ldquo;what ever
+has happened to Mr. Parrish? It can&rsquo;t be true ...&rdquo;
+</p>
+
+<p>
+Greve put his hand on the young man&rsquo;s shoulder.
+</p>
+
+<p>
+&ldquo;I&rsquo;m sorry to say it is true, Jay,&rdquo; he answered.
+</p>
+
+<p>
+&ldquo;He was very good to us all,&rdquo; the valet replied in a broken voice.
+He remained by the desk staring at the body in a dazed fashion.
+</p>
+
+<p>
+&ldquo;Who is that crying outside?&rdquo; Greve demanded. &ldquo;This is no
+place for women ...&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;s Mrs. Heever, the housekeeper,&rdquo; Bude answered.
+</p>
+
+<p>
+&ldquo;Well, she must go back to her room. Send all those servants away. Jay,
+will you see to it? And take care that Lady Margaret and Miss Trevert
+don&rsquo;t come in here, either.&rdquo;
+</p>
+
+<p>
+&ldquo;Sir Horace is with them, sir, in the lounge,&rdquo; said Jay and went
+out.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll go to them. I think I&rsquo;d better,&rdquo; exclaimed the
+doctor. &ldquo;I shall be in the lounge when they want me. A dreadful affair!
+Dreadful!&rdquo;
+</p>
+
+<p>
+The little doctor bustled out, leaving Greve and the butler alone in the room
+with the mortal remains of Hartley Parrish lying where he had fallen on the
+soft grey carpet.
+</p>
+
+<p>
+&ldquo;Now, Bude,&rdquo; said Greve incisively, &ldquo;get on to the police at
+once. You&rsquo;d better telephone from the servant&rsquo;s hall. I&rsquo;ll
+have a look round here in the meantime!&rdquo;
+</p>
+
+<p>
+Bude stood for an instant irresolute. He glanced shrewdly at the young man.
+</p>
+
+<p>
+&ldquo;Go on,&rdquo; said Robin quickly; &ldquo;what are you waiting for, man?
+There&rsquo;s no time to lose.&rdquo;
+</p>
+
+<p>
+Slowly the butler turned and tiptoed away, his ungainly body swaying about as
+he stole across the heavy pile carpet. He went out of the room, closing the
+door softly behind him. He left Greve sunk in a reverie at the desk, gazing
+with unseeing eyes upon the dead face of the master of Harkings.
+</p>
+
+<p>
+That sprawling corpse, the startled realization of death stamped for ever in
+the wide, staring eyes, was indeed a subject for meditation. There, in the
+midst of all the evidences of Hartley Parrish&rsquo;s meteoric rise to
+affluence and power, Greve pondered for an instant on the strange pranks which
+Fate plays us poor mortals.
+</p>
+
+<p>
+Parrish had risen, as Greve and all the world knew, from the bottom rung of the
+ladder. He had had a bitter fight for existence, had made his money, as Greve
+had heard, with a blind and ruthless determination which spoke of the stern
+struggle of other days. And Robin, who, too, had had his own way to make in the
+world, knew how the memory of earlier struggles went to sweeten the flavour of
+ultimate success.
+</p>
+
+<p>
+Yet here was Hartley Parrish, with his vast financial undertakings, his soaring
+political ambitions, his social aims which, Robin realized bitterly, had more
+than a little to do with his project for marrying Mary Trevert, stricken down
+suddenly, without warning, in the very heyday of success.
+</p>
+
+<p>
+&ldquo;Why should he have done it?&rdquo; he whispered to himself, &ldquo;why,
+my God, why?&rdquo;
+</p>
+
+<p>
+But the mask-like face at his feet, as he bent to scan it once more, gave no
+answer to the riddle. Determination, ambition, was portrayed on the keen, eager
+face even in death.
+</p>
+
+<p>
+With a little hopeless gesture the young barrister glanced round the room. His
+eye fell upon the desk. He saw a neat array of letter-trays, costly silver and
+tortoise-shell writing appointments, a couple of heavy gold fountain pens, and
+an orderly collection of pencils. Lying flat on the great silver-edged blotter
+was a long brown envelope which had been opened. Propped up against the large
+crystal ink-well was a letter addressed simply &ldquo;Miss Mary Trevert&rdquo;
+in Hartley Parrish&rsquo;s big, vigorous, and sprawling handwriting.
+</p>
+
+<p>
+The letter to Mary Trevert, Robin did not touch. But he picked up the long
+brown envelope. On the back it bore a printed seal. The envelope contained a
+document and a letter. At the sight of it the young man started. It was Hartley
+Parrish&rsquo;s will. The letter was merely a covering note from Mr. Bardy, of
+the firm of Jerringham, Bardy and Company, a well-known firm of solicitors,
+dated the previous evening. Robin replaced letter and document in their
+envelope without reading them.
+</p>
+
+<p>
+&ldquo;So that&rsquo;s it!&rdquo; he murmured to himself. &ldquo;Suicide? But
+why?&rdquo;
+</p>
+
+<p>
+All the letter-trays save one were empty. In this was a little heap of papers
+and letters. Robin glanced through them. There were two or three prospectuses,
+a notice of a golf match, a couple of notes from West End tradesmen enclosing
+receipts and an acknowledgement from the bank. There was only one personal
+letter&mdash;a business communication from a Rotterdam firm. Robin glanced at
+the letter. It was typewritten on paper of a dark slatey-blue shade. It was
+headed, &ldquo;ELIAS VAN DER SPYCK &amp; Co., GENERAL IMPORTERS,
+ROTTERDAM,&rdquo; and dealt with steel shipments.
+</p>
+
+<p>
+Robin dropped the letter back into the tray and turned to survey the room. It
+was in perfect order. Except for the still form lying on the floor and the
+broken pane of glass in the window, there was nothing to tell of the tragedy
+which had been enacted there that afternoon. There were no papers to hint at a
+crisis save the prosaic-looking envelope containing the will, and
+Parrish&rsquo;s note for Mary. The waste-paper basket, a large and
+business-like affair in white wicker, had been cleared.
+</p>
+
+<p>
+Robin walked across to the fireplace. The flames leapt eagerly about a great
+oak log which hissed fitfully on top of the glowing coals contained in the big
+iron fire-basket. The grate was bare and tidy. As the young man looked at the
+fire, a little whirl of blue smoke whisked out of the wide fireplace and eddied
+into the room. Robin sniffed. The room smelt smoky. Now he remembered he had
+noticed it as he came in.
+</p>
+
+<p>
+He stood an instant gazing thoughtfully at the blazing and leaping fire. He
+threw a quick glance at the window where the curtains tossed fitfully in the
+breeze coming through the broken pane. Suddenly he stepped quickly across the
+room and, lifting the reading-lamp from the table, bore it over to the window
+which he scrutinized narrowly by its light. Then he dropped on one knee beside
+the dead body, placing the lamp on the floor beside him.
+</p>
+
+<p>
+He lifted the dead man&rsquo;s left hand and narrowly examined the nails.
+Without touching the right hand which clasped the revolver, he studied its
+nails too. He rose and took the gold-mounted reading-glass from the desk and
+scrutinized the nails of both hands through the glass.
+</p>
+
+<p>
+Then he rose to his feet again and, having replaced lamp and reading-glass on
+the desk, stood there thoughtfully, his brown hands clasped before him. His
+eyes wandered from the desk to the window and from the window to the corpse.
+Then he noticed on the carpet between the dead body and the desk a little ball
+of slatey-blue paper. He bent down and picked it up. He had begun to unroll it
+when the library door was flung open. Robin thrust the scrap of paper in his
+pocket and turned to face the door.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>CHAPTER V.<br />
+IN WHICH BUDE LOOKS AT ROBIN GREVE</h2>
+
+<p>
+The library door opened. A large, square-built, florid man in the braided
+uniform of a police inspector stood on the threshold of the room. Beside him
+was Bude who, with an air of dignity and respectful mourning suitably blended,
+waved him into the room.
+</p>
+
+<p>
+&ldquo;The&mdash;ahem!&mdash;body is in here, Mr. Humphries, sir!&rdquo;
+</p>
+
+<p>
+Inspector Humphries stepped quickly into the room. A little countryfied in
+appearance and accent, he had the careful politeness, the measured restraint,
+and the shrewd eye of the typical police officer. In thirty years&rsquo;
+service he had risen from village constable to be Inspector of county police.
+Slow to anger, rather stolid, and with an excellent heart, he had a vein of
+shrewd common sense not uncommonly found in that fast disappearing species, the
+English peasant.
+</p>
+
+<p>
+He nodded shortly to Greve, and with a tread that shook the room strode across
+to where Hartley Parrish was lying dead. In the meantime a harassed-looking man
+with a short grey beard, wearing a shabby frock coat, had slipped into the room
+behind the Inspector. He approached Greve.
+</p>
+
+<p>
+&ldquo;Dr. Romain?&rdquo; he queried, peering through his gold spectacles,
+&ldquo;the butler said ...&rdquo;
+</p>
+
+<p>
+&ldquo;No, my name is Greve,&rdquo; answered Robin. &ldquo;I am staying in the
+house. This is Dr. Romain.&rdquo;
+</p>
+
+<p>
+He motioned to the door. Dr. Romain came bustling into the room.
+</p>
+
+<p>
+&ldquo;Glad to see you here so promptly, Inspector,&rdquo; he said. &ldquo;A
+shocking business, very. Is this the doctor? I am Dr. Romain ...&rdquo;
+</p>
+
+<p>
+Dr. Redstone bowed with alacrity.
+</p>
+
+<p>
+&ldquo;A great privilege, sir,&rdquo; he said staidly. &ldquo;I have followed
+your work....&rdquo;
+</p>
+
+<p>
+But the other did not let him finish.
+</p>
+
+<p>
+&ldquo;Shot through the heart ... instantaneous death ... severe haemorrhage
+... the pistol is there ... in his hand. A man with everything he wanted in the
+world ... I can&rsquo;t understand it. &rsquo;Pon my soul, I
+can&rsquo;t!&rdquo;
+</p>
+
+<p>
+The Inspector, who had been kneeling by the corpse, motioned with his head to
+the village doctor. Dr. Redstone went to him and began a cursory examination of
+the body. The Inspector rose.
+</p>
+
+<p>
+&ldquo;I understand from the butler, gentlemen,&rdquo; he said, &ldquo;that it
+was Miss Trevert, a lady staying in the house, who heard the shot fired. I
+should like to see her, please. And you, sir, are you a relation of ...&rdquo;
+</p>
+
+<p>
+Greve, thus addressed, hastily replied.
+</p>
+
+<p>
+&ldquo;Only a friend, Inspector. I am staying in the house. I am a barrister.
+Perhaps I may be able to assist you ...&rdquo;
+</p>
+
+<p>
+Humphries shot a slow, shrewd glance at him from beneath his shaggy blond
+eyebrows.
+</p>
+
+<p>
+&ldquo;Thank you, sir, much obliged, I&rsquo;m sure. Now&rdquo;&mdash;he thrust
+a hand into his tunic and produced a large leather-bound
+notebook&mdash;&ldquo;do you know anything as would throw a light on this
+business?&rdquo;
+</p>
+
+<p>
+Greve shook his head.
+</p>
+
+<p>
+&ldquo;He seemed perfectly cheerful at lunch. He left the dining-room directly
+after he had taken his coffee.&rdquo;
+</p>
+
+<p>
+&ldquo;Where did he go?&rdquo;
+</p>
+
+<p>
+&ldquo;He came here to work. He told us at lunch that he was going to shut
+himself up in the library for the whole afternoon as he had a lot of work to
+get through.&rdquo;
+</p>
+
+<p>
+The Inspector made a note or two in his book. Then he paused thoughtfully
+tapping the end of his pencil against his teeth.
+</p>
+
+<p>
+&ldquo;It was Miss Trevert, you say, who found the body?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; Greve replied. &ldquo;Her brother, Sir Horace Trevert. It was
+Miss Trevert who heard the shot fired.&rdquo;
+</p>
+
+<p>
+&ldquo;The door was locked, I think?&rdquo;
+</p>
+
+<p>
+&ldquo;On the inside. But here is Sir Horace Trevert. He will tell you how he
+got through the window and discovered the body.&rdquo;
+</p>
+
+<p>
+Horace Trevert gave a brief account of his entry into the library. Again the
+Inspector scribbled in his notebook.
+</p>
+
+<p>
+&ldquo;One or two more questions, gentlemen, please,&rdquo; he said, &ldquo;and
+then I should wish to see Miss Trevert. Firstly, who saw Mr. Hartley Parrish
+last: and at what time?&rdquo;
+</p>
+
+<p>
+Horace Trevert looked at Greve.
+</p>
+
+<p>
+&ldquo;It would be when he left us after lunch, wouldn&rsquo;t it?&rdquo; he
+said.
+</p>
+
+<p>
+&ldquo;Certainly, certainly,&rdquo; Dr. Romain broke in. &ldquo;He left us all
+together in the dining-room, you, Horace and Robin and Lady Margaret and Mary
+... Miss Trevert and her mother, you know,&rdquo; he added by way of
+explanation to the Inspector.
+</p>
+
+<p>
+&ldquo;And he went straight to the library?&rdquo;
+</p>
+
+<p>
+&ldquo;Straight away, Mr. Humphries, sir,&rdquo; broke in Bude. &ldquo;Mr.
+Parrish crossed me in the hall and gave me particular instructions that he was
+not to be disturbed.&rdquo;
+</p>
+
+<p>
+&ldquo;That was at what time?&rdquo;
+</p>
+
+<p>
+&ldquo;About two-thirty, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you were the last person to see him before ...&rdquo;
+</p>
+
+<p>
+&ldquo;Why, no ... that is, unless ...&rdquo;
+</p>
+
+<p>
+The butler hesitated, casting a quick glance round his audience.
+</p>
+
+<p>
+&ldquo;What do you mean?&rdquo; rapped out the Inspector, looking up from his
+notebook. &ldquo;Did anybody else see Mr. Parrish in spite of his
+orders?&rdquo;
+</p>
+
+<p>
+Bude was silent. He was looking at Greve.
+</p>
+
+<p>
+&ldquo;Come on,&rdquo; said Humphries sternly. &ldquo;You heard my question?
+What makes you think anybody else had access to Mr. Parrish before the shot was
+heard?&rdquo;
+</p>
+
+<p>
+Bude made a little resigned gesture of the hands.
+</p>
+
+<p>
+&ldquo;Well, sir, I thought ... I made sure that Mr. Greve ...&rdquo;
+</p>
+
+<p>
+There was a moment&rsquo;s tense silence.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; snapped Humphries.
+</p>
+
+<p>
+&ldquo;I was going to say I made certain that Mr. Greve was going to Mr.
+Parrish in the library to tell him tea was ready. Mr. Greve passed me in the
+hall and went down the library corridor just after I had served the tea.&rdquo;
+</p>
+
+<p>
+All eyes turned to Robin.
+</p>
+
+<p>
+&ldquo;It&rsquo;s perfectly true,&rdquo; he said. &ldquo;I went out into the
+gardens for a mouthful of fresh air just before tea. I left the house by the
+side door off the corridor here. I didn&rsquo;t go to the library, though. It
+is an understood thing in this house that no one ever disturbs Mr. Parrish when
+he ...&rdquo;
+</p>
+
+<p>
+He broke off sharply.
+</p>
+
+<p>
+&ldquo;My God, Mary,&rdquo; he cried, &ldquo;you mustn&rsquo;t come in
+here!&rdquo;
+</p>
+
+<p>
+All turned round at his loud exclamation. Mary Trevert stood in the doorway.
+Dr. Romain darted forward.
+</p>
+
+<p>
+&ldquo;My dear,&rdquo; he said soothingly, &ldquo;you mustn&rsquo;t be here
+...&rdquo;
+</p>
+
+<p>
+Passively she let him lead her into the corridor. The Inspector continued his
+examination.
+</p>
+
+<p>
+&ldquo;At what time did you come along this corridor, sir?&rdquo; he asked
+Robin.
+</p>
+
+<p>
+&ldquo;It was not long after the tea gong went,&rdquo; answered Robin,
+&ldquo;about ten minutes past five, I should say ...&rdquo;
+</p>
+
+<p>
+&ldquo;And you heard nothing?&rdquo;
+</p>
+
+<p>
+Robin shook his head.
+</p>
+
+<p>
+&ldquo;Absolutely nothing,&rdquo; he replied. &ldquo;The corridor was perfectly
+quiet. I stepped out into the grounds, went for a turn round the house, but it
+was raining, so I came in almost at once.&rdquo;
+</p>
+
+<p>
+&ldquo;At what time was that?&rdquo;
+</p>
+
+<p>
+&ldquo;When I came in ... oh, about two or three minutes later, say about a
+quarter past five.&rdquo;
+</p>
+
+<p>
+Humphries turned to Horace Trevert.
+</p>
+
+<p>
+&ldquo;What time was it when Miss Trevert heard the shot?&rdquo;
+</p>
+
+<p>
+Horace puckered up his brow.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; he said, &ldquo;I don&rsquo;t quite know. We were having
+tea. It wasn&rsquo;t much after five&mdash;I should say about a quarter
+past.&rdquo;
+</p>
+
+<p>
+&ldquo;Then the shot that Miss Trevert heard would have been fired just about
+the time that you, sir,&rdquo; he turned to Robin, &ldquo;were coming in from
+your stroll.&rdquo;
+</p>
+
+<p>
+&ldquo;Somewhere about that time, I should say!&rdquo; Robin answered rather
+thoughtfully.
+</p>
+
+<p>
+&ldquo;Did you hear it?&rdquo; queried the Inspector.
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Robin.
+</p>
+
+<p>
+&ldquo;But surely you must have been at or near the side door at the time as
+you were coming in ...&rdquo;
+</p>
+
+<p>
+&ldquo;I came in by the front door,&rdquo; said Robin, &ldquo;on the other side
+of the house ...&rdquo;
+</p>
+
+<p>
+Very carefully the Inspector closed his notebook, thrust the pencil back in its
+place along the back, fastened the elastic about the book, and turned to Horace
+Trevert.
+</p>
+
+<p>
+&ldquo;And now, sir, if I might speak to Miss Trevert alone for a minute
+...&rdquo;
+</p>
+
+<p>
+&ldquo;I say, though,&rdquo; expostulated Horace, &ldquo;my sister&rsquo;s
+awfully upset, you know. Is it absolutely necessary?&rdquo;
+</p>
+
+<p>
+&ldquo;Aye, sir, it is!&rdquo; said the Inspector. &ldquo;But there&rsquo;s no
+need for me to see her in here. Perhaps in some other room ...&rdquo;
+</p>
+
+<p>
+&ldquo;The drawing-room is next to this,&rdquo; the butler put in;
+&ldquo;they&rsquo;d be nice and quiet in there, Sir Horace.&rdquo;
+</p>
+
+<p>
+The Inspector acquiesced. Dr. Redstone drew him aside for a whispered colloquy.
+</p>
+
+<p>
+The Inspector came back to Robin and Horace.
+</p>
+
+<p>
+&ldquo;The doctor would like to have the body taken upstairs to Mr.
+Parrish&rsquo;s room,&rdquo; he said. &ldquo;He wishes to make a more detailed
+examination if Dr. Romain would help him. If one of you gentlemen could give
+orders about this ... I have two officers outside who would lend a hand. And
+this room must then be shut and locked. Sergeant Harris!&rdquo; he called.
+</p>
+
+<p>
+&ldquo;Sir!&rdquo;
+</p>
+
+<p>
+A stout sergeant appeared at the library door.
+</p>
+
+<p>
+&ldquo;As soon as the body has been removed, you will lock the room and bring
+the key to me. And you will return here and see that no one attempts to get
+into the room. Understand?&rdquo;
+</p>
+
+<p>
+&ldquo;Yessir!&rdquo;
+</p>
+
+<p>
+&ldquo;Inspector!&rdquo;
+</p>
+
+<p>
+Robin Greve called Inspector Humphries as the latter was preparing to follow
+Bude to the drawing-room.
+</p>
+
+<p>
+&ldquo;Mr. Parrish seems to have written a note for Miss Trevert,&rdquo; he
+said, pointing at the desk. &ldquo;And in that envelope you will find Mr.
+Parrish&rsquo;s will. I discovered it there on the desk just before you
+arrived!&rdquo;
+</p>
+
+<p>
+Again the Inspector shot one of his swift glances at the young man. He went
+over to the desk, shook the document and letter from their envelope, glanced at
+them, and replaced them.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t rightly know that this concerns me, gentlemen,&rdquo; he
+said slowly. &ldquo;I think I&rsquo;ll just take charge of it. And I&rsquo;ll
+give Miss Trevert her letter.&rdquo;
+</p>
+
+<p>
+Taking the two envelopes, he tramped heavily out of the room.
+</p>
+
+<p>
+Then in a little while Bude and Jay and two bucolic-looking policemen came to
+the library to move the body of the master of Harkings. Robin stood by and
+watched the little procession pass slowly with silent feet across the soft pile
+carpet and out into the corridor. But his thoughts were not with Parrish. He
+was haunted by the look which Mary Trevert had given him as she had stood for
+an instant at the library door, a look of fear, of suspicion. And it made his
+heart ache.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>CHAPTER VI.<br />
+THE LETTER</h2>
+
+<p>
+The great drawing-room of Harkings was ablaze with light. The cluster of lights
+in the heavy crystal chandelier and the green-shaded electric lamps in their
+gilt sconces on the plain white-panelled walls coldly lit up the formal,
+little-used room with its gilt furniture, painted piano, and huge marble
+fireplace.
+</p>
+
+<p>
+This glittering Louis Seize environment seemed altogether too much for the
+homely Inspector. Whilst waiting for Mary Trevert to come to him, he tried
+several attitudes in turn. The empty hearth frightened him away from the
+mantelpiece, the fragile appearance of a gilt settee decided him against
+risking his sixteen stone weight on its silken cushions, and the vastness of
+the room overawed him when he took up his position in the centre of the
+Aubusson carpet. Finally he selected an ornate chair, rather more solid-looking
+than the rest, which he drew up to a small table on the far side of the room.
+There he sat down, his large red hands spread out upon his knees in an attitude
+of singular embarrassment.
+</p>
+
+<p>
+But Mary Trevert set him quickly at his ease when presently she came to him.
+She was pale, but quite self-possessed. Indeed, the effort she had made to
+regain her self-control was so marked that it would have scarcely escaped the
+attention of the Inspector, even if he had not had a brief vision of her as she
+had stood for that instant at the library door, pale, distraught, and
+trembling. He was astonished to find her cool, collected, almost business-like
+in the way she sat down, motioned him to his seat, and expressed her readiness
+to tell him all she knew.
+</p>
+
+<p>
+The phrases he had been laboriously preparing&mdash;&ldquo;This has been a bad
+shock for you, ma&rsquo;am&rdquo;; &ldquo;You will forgive me, I&rsquo;m sure,
+ma&rsquo;am, for calling upon you at a moment such as this&rdquo;&mdash;died
+away on his lips as Mary Trevert said:
+</p>
+
+<p>
+&ldquo;Ask me any questions you wish, Inspector. I will tell you everything I
+can.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s very good of you, ma&rsquo;am, I&rsquo;m sure,&rdquo;
+answered the Inspector, unstrapping his notebook, &ldquo;and I&rsquo;ll try and
+not detain you long. Now, then, tell me what you know of this sad affair
+...&rdquo;
+</p>
+
+<p>
+Mary Trevert plucked an instant nervously at her little cambric handerchief in
+her lap. Then she said:
+</p>
+
+<p>
+&ldquo;I went to the library from the billiard-room ...&rdquo;
+</p>
+
+<p>
+&ldquo;A moment,&rdquo; interposed the Inspector. &ldquo;What time was
+that?&rdquo;
+</p>
+
+<p>
+&ldquo;A little after five. The tea gong had gone some time. I was going to the
+library to tell Mr. Parrish that tea was ready ...&rdquo;
+</p>
+
+<p>
+Mr. Humphries made a note. He nodded to show he was listening.
+</p>
+
+<p>
+&ldquo;I crossed the hall and went down the library corridor. I knocked on the
+library door. There was no reply. Then I heard a shot and a sort of
+thud.&rdquo;
+</p>
+
+<p>
+Despite her effort to remain calm, the girl&rsquo;s voice shook a little. She
+made a little helpless gesture of her hands. A diamond ring she was wearing on
+her finger caught the light and blazed for an instant.
+</p>
+
+<p>
+&ldquo;Then I got frightened. I ran back along the corridor to the lounge where
+the others were and told them.&rdquo;
+</p>
+
+<p>
+&ldquo;When you knocked at the door, you say there was no reply. I suppose,
+now, you tried the handle first.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes ...&rdquo;
+</p>
+
+<p>
+&ldquo;Then Mr. Parrish would have heard the two sounds? The turning of the
+handle and then the knocking on the door? That&rsquo;s so, isn&rsquo;t
+it?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I suppose so ...&rdquo;
+</p>
+
+<p>
+&ldquo;Yet you say there was no reply?&rdquo;
+</p>
+
+<p>
+&ldquo;No. None at all.&rdquo;
+</p>
+
+<p>
+The Inspector jotted a word or two in his notebook as it lay open flat upon the
+table.
+</p>
+
+<p>
+&ldquo;The shot, then, was fired immediately after you had knocked? Not while
+you were knocking?&rdquo;
+</p>
+
+<p>
+&ldquo;No. I knocked and waited, expecting Mr. Parrish to answer. Instead of
+him answering, there came this shot ...&rdquo;
+</p>
+
+<p>
+&ldquo;I see. And after the shot was fired there was a crash?&rdquo;
+</p>
+
+<p>
+&ldquo;A sort of thud&mdash;like something heavy falling down.&rdquo;
+</p>
+
+<p>
+&ldquo;And you heard no groan or cry?&rdquo;
+</p>
+
+<p>
+The girl knit her brows for a moment.
+</p>
+
+<p>
+&ldquo;I ... I ... was frightened by the shot. I ... I ... don&rsquo;t seem
+able to remember what happened afterwards. Let me think ... let me think
+...&rdquo;
+</p>
+
+<p>
+&ldquo;There, there,&rdquo; said the Inspector paternally, &ldquo;don&rsquo;t
+upset yourself like this. Just try and think what happened after you heard the
+shot fired ...&rdquo;
+</p>
+
+<p>
+Mary Trevert shuddered, one slim white hand pressed against her cheek.
+</p>
+
+<p>
+&ldquo;I do remember now,&rdquo; she said, &ldquo;there <i>was</i> a cry. It
+was more like a sharp exclamation ...&rdquo;
+</p>
+
+<p>
+&ldquo;And then you heard this crash?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes ...&rdquo;
+</p>
+
+<p>
+The girl had somewhat regained her self-possession. She dabbed her eyes with
+her handkerchief quickly as though ashamed of her weakness.
+</p>
+
+<p>
+&ldquo;Now,&rdquo; said Humphries, clearing his throat, as though to indicate
+that the conversation had changed, &ldquo;you and Lady Margaret Trevert knew
+Mr. Parrish pretty well, I believe, Miss Trevert. Have you any idea why he
+should have done this thing?&rdquo;
+</p>
+
+<p>
+Mary Trevert shook her dark head rather wearily.
+</p>
+
+<p>
+&ldquo;It is inconceivable to me ... to all of us,&rdquo; she answered.
+</p>
+
+<p>
+&ldquo;Do you happen to know whether Mr. Parrish had any business
+worries?&rdquo;
+</p>
+
+<p>
+&ldquo;He always had a great deal of business on hand and he has had a great
+deal to do lately over some big deal.&rdquo;
+</p>
+
+<p>
+&ldquo;What was it, do you know?&rdquo;
+</p>
+
+<p>
+&ldquo;He was raising fresh capital for Hornaway&rsquo;s&mdash;that is the big
+engineering firm he controls ...&rdquo;
+</p>
+
+<p>
+&ldquo;Do you know if he was pleased with the way things were shaping?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes. He told me last night that everything would be finished this
+week. He seemed quite satisfied.&rdquo;
+</p>
+
+<p>
+The Inspector paused to make a note.
+</p>
+
+<p>
+Then he thrust a hand into the side-pocket of his tunic and produced Hartley
+Parrish&rsquo;s letter.
+</p>
+
+<p>
+&ldquo;This,&rdquo; he said, eyeing the girl as he handed her the letter,
+&ldquo;may throw some light on the affair!&rdquo;
+</p>
+
+<p>
+Open-eyed, a little surprised, she took the plain white envelope from his hand
+and gazed an instant without speaking, on the bold sprawling address&mdash;
+</p>
+
+<p class="letter">
+<i>&ldquo;Miss Mary Trevert.&rdquo;</i>
+</p>
+
+<p>
+&ldquo;Open it, please,&rdquo; said the Inspector gently.
+</p>
+
+<p>
+The girl tore open the envelope. Humphries saw her eyes fill, watched the
+emotion grip her and shake her in her self-control so that she could not speak
+when, her reading done, she gave him back the letter.
+</p>
+
+<p>
+Without asking her permission, he took the sheet of fine, expensive paper with
+its neat engraved heading and postal directions, and read Hartley
+Parrish&rsquo;s last message.
+</p>
+
+<p class="letter">
+My dear [it ran], I signed my will at Bardy&rsquo;s office yesterday, and he
+sent it back to me to-day. Just this line to let you know you are properly
+provided for should anything happen to me. I wanted to fix things so that you
+and Lady Margaret would not have to worry any more. I just had to <i>write</i>.
+I guess you understand why.
+</p>
+
+<p class="right">
+H.
+</p>
+
+<p>
+There was a long and impressive silence while the Inspector deliberately read
+the note. Then he looked interrogatively at the girl.
+</p>
+
+<p>
+&ldquo;We were engaged, Inspector,&rdquo; she said. &ldquo;We were to have been
+married very soon.&rdquo;
+</p>
+
+<p>
+A deep flush crept slowly over Mr. Humphries&rsquo;s florid face and spread
+into the roots of his tawny fair hair.
+</p>
+
+<p>
+&ldquo;But what does he mean by &lsquo;having to write&rsquo;?&rdquo; he asked.
+</p>
+
+<p>
+The girl replied hastily, her eyes on the ground.
+</p>
+
+<p>
+&ldquo;Mr. Parrish was under the impression that ... that ... without his money
+I should not have cared for him. That is what he means ...&rdquo;
+</p>
+
+<p>
+&ldquo;You knew he had provided for you in his will?&rdquo;
+</p>
+
+<p>
+&ldquo;He told me several times that he intended to leave me everything. You
+see, he has no relatives!&rdquo;
+</p>
+
+<p>
+&ldquo;I see!&rdquo; said the Inspector in a reflective voice.
+</p>
+
+<p>
+&ldquo;Had he any enemies, do you know? Anybody who would drive him to a thing
+like this?&rdquo;
+</p>
+
+<p>
+The girl shook her head vehemently.
+</p>
+
+<p>
+&ldquo;No!&rdquo;
+</p>
+
+<p>
+The monosyllable came out emphatically. Again the Inspector darted one of his
+quick, shrewd glances at the girl. She met his scrutiny with her habitual
+serene and candid gaze. The Inspector dropped his eyes and scribbled in his
+book.
+</p>
+
+<p>
+&ldquo;Was his health good?&rdquo;
+</p>
+
+<p>
+&ldquo;He smoked far too much,&rdquo; the girl said, &ldquo;and it made him
+rather nervy. But otherwise he never had a day&rsquo;s illness in his
+life.&rdquo;
+</p>
+
+<p>
+Humphries ran his eye over the notes he had made.
+</p>
+
+<p>
+&ldquo;There is just one more question I should like to ask you, Miss
+Trevert,&rdquo; he said, &ldquo;rather a personal question.&rdquo;
+</p>
+
+<p>
+Mary Trevert&rsquo;s hands twisted the cambric handkerchief into a little ball
+and slowly unwound it again. But her face remained quite calm.
+</p>
+
+<p>
+&ldquo;About your engagement to Mr. Parrish ... when did it take place?&rdquo;
+</p>
+
+<p>
+&ldquo;Some days ago. It has not yet been announced.&rdquo;
+</p>
+
+<p>
+The Inspector coughed.
+</p>
+
+<p>
+&ldquo;I was only wondering whether, perhaps, Mr. Parrish was not quite ...
+whether he was, maybe, a little disturbed in his mind about the engagement
+...&rdquo;
+</p>
+
+<p>
+The girl hesitated. Then she said firmly:
+</p>
+
+<p>
+&ldquo;Mr. Parrish was perfectly happy about it. He was looking forward to our
+being married in the spring.&rdquo;
+</p>
+
+<p>
+Mr. Humphries shut his notebook with a snap and rose to his feet.
+</p>
+
+<p>
+&ldquo;Thank you very much, ma&rsquo;am,&rdquo; he said with a little formal
+bow. &ldquo;If you will excuse me now. I have the doctor to see again and
+there&rsquo;s the Coroner to be warned ...&rdquo;
+</p>
+
+<p>
+He bowed again and tramped towards the door with a tread that made the
+chandelier tinkle melodiously.
+</p>
+
+<p>
+The door closed behind him and his heavy footsteps died away along the
+corridor. Mary Trevert had risen to her feet calm and impassive. But when he
+had gone, her bosom began to heave and a spasm of pain shot across her face.
+Again the tears welled up in her eyes, brimmed over and stole down her cheeks.
+</p>
+
+<p>
+&ldquo;If I only <i>knew!</i>&rdquo; she sobbed, &ldquo;if I only
+<i>knew!</i>&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap07"></a>CHAPTER VII.<br />
+VOICES IN THE LIBRARY</h2>
+
+<p>
+The swift tragedy of the winter afternoon had convulsed the well-organized
+repose of Hartley Parrish&rsquo;s household. Nowhere had his master grasp of
+detail been seen to better advantage than in the management of his country
+home. Overwhelmed with work though he constantly was, accustomed to carry his
+business and often part of his business staff to Harkings with him for the
+week-ends, there was never the least confusion about the house. The methodical
+calm of Harkings was that of a convent.
+</p>
+
+<p>
+Hartley Parrish was wont to say that he paid his butler and housekeeper well to
+save himself from worry. It was rather to ensure his orders being punctiliously
+and promptly carried out. His was the mind behind the method which ensured that
+meals were punctually served and trains at Stevenish Station never missed.
+</p>
+
+<p>
+But it was into a house in turmoil that Mary Trevert stepped when she left the
+drawing-room and passed along the corridor to go to her room. Doors slammed and
+there was the heavy thud of footsteps on the floor above. The glass door
+leading into the gardens was open, as Mary passed it, swinging in the gusts of
+cold rain. In the gardens without there was a confused murmur of voices and the
+flash of lanterns.
+</p>
+
+<p>
+In the hall a knot of servants were gossiping in frightened whispers with a
+couple of large, rather bovine country constables who, bareheaded, without
+their helmets, which they held under their arms, looked curiously undressed.
+</p>
+
+<p>
+The whispers died away as Mary crossed the hall. All eyes followed her with
+interest as she went. It was as though an echo of her talk with the Inspector
+had by some occult means already spread through the little household. Through
+the half-open green baize door leading to the servants&rsquo; quarters some
+unseen person was bawling down the telephone in a heated controversy with the
+exchange about a long-distance call to London. And but an hour since, the girl
+reflected sadly, as she mounted the oaken staircase, the house had been wrapt
+in its wonted evening silence in response to that firm and dominating
+personality who had passed out in the gloom of the winter twilight.
+</p>
+
+<p>
+When, about six months before, Mary and her mother had begun to be regular
+visitors at Harkings, Hartley Parrish had insisted on giving Mary a boudoir to
+herself. This, in response to a chance remark of Mary&rsquo;s in admiration of
+a Chinese room she had seen at a friend&rsquo;s house, Parrish had had
+decorated in the Chinese style with black walls and black-and-gold lacquer
+furniture. The room had been transformed from a rather prosaic morning-room
+with old oak and chintz in the space of three days as a surprise for Mary. She
+remembered now how Parrish had left her to make the discovery of the change for
+herself. She loved colour and line, and the contrast between this quaint and
+delightful room with her rather shabby bedroom in her mother&rsquo;s small
+house in Brompton had made this surprise one of the most delightful she had
+ever experienced.
+</p>
+
+<p>
+She rang the bell and sat down listlessly in a charmingly lacquered Louis Seize
+armchair in front of the log-fire blazing brightly in the fireplace. She was
+conscious that a great disaster had overtaken her, but only dimly conscious.
+For more poignantly than this dull sense of tragedy she was aware of a great
+aching at her heart, and her thoughts, after hovering over the events of the
+afternoon, settled down upon her talk that afternoon ... already how far off it
+seemed ... with Robin Greve in the library.
+</p>
+
+<p>
+Robin had always been her hero. She could see him now in the glow of the fire
+as he had been when in the holidays he had come and snatched her away from a
+home already drab and difficult for a matinée and an orgy of cream cakes at
+Gunter&rsquo;s afterwards. He was then a long, slim, handsome boy of
+irrepressible spirits and impulsive generosity which usually left him, after
+the first few days of his holidays, in a state of lamentable impecuniosity. All
+their lives, it seemed to her, they had been friends, but with no stronger
+feeling between them until Robin, having joined the Army on the outbreak of
+war, had come to say good-bye on being ordered to France.
+</p>
+
+<p>
+But by that time money troubles at home with which, as it seemed to her, she
+had been surrounded all her life, had grown so pressing that, apart from Lady
+Margaret&rsquo;s reiterated counsels, she herself had come to recognize that a
+suitable marriage was the only way out of their ever-increasing embarrassment.
+</p>
+
+<p>
+She and Robin, she recalled with a feeling of relief, had never discussed the
+matter. He, too, had understood and had sailed for France without seeking to
+take advantage of the circumstance.
+</p>
+
+<p>
+Outside in the black night a car throbbed. Footsteps crunched the gravel
+beneath her window. The sounds brought her back to the present with a sudden
+pang. She began to think of Hartley Parrish. All her life she had been so very
+poor that, until she had met this big, vigorous, intensely vital man, she had
+never known what a lavish command of money meant. Hartley Parrish did things in
+a big way. If he wanted a thing he bought it, as he had bought Bude, as he had
+bought a car he had seen standing outside a Pall Mall club and admired. He had
+rooted the owner out, bade him name his price, and had paid it, there and then,
+by cheque, and driven Mary off to a lawn tennis tournament at Queen&rsquo;s,
+hugely delighted by her bewilderment.
+</p>
+
+<p>
+She did not love him. She could never have learnt to love him. There was a
+gleeful zest in his enjoyment of his money, an ostentatious parade of his
+riches which repelled her. And there was a look in his face, those narrow eyes,
+that hard mouth, which revealed to her womanly intuition a ruthlessness which
+she guessed he kept for his business. But she liked him, especially his
+reverent and chivalrous devotion to her, and the thought that his dominating
+and vital personality was extinguished for ever made her conscious of a great
+void in her life.
+</p>
+
+<p>
+And now she was rich. Hartley Parrish&rsquo;s idea of &ldquo;proper
+provision&rdquo; for her, she knew, meant wealth for her beyond anything she
+had ever dreamed. The perpetual debasing struggle with poverty which she and
+her mother had carried on for years was a thing of the past. Money meant
+freedom, freedom to live ... and to love.
+</p>
+
+<p>
+She stretched her hands out to the blaze. Was she free to love? What had driven
+Hartley Parrish to suicide? Or who? She went over in her mind her interview
+with Robin Greve in the billiard-room. He had spoken of other women in
+connection with Hartley Parrish. Had he used that knowledge to threaten his
+rival? What had Robin done after he had left her that afternoon with his final
+taunt?
+</p>
+
+<p>
+She felt the blood rise to her cheeks as she thought of it. Mary Trevert had
+all the pride of her ancient race. The recollection of that taunt galled her.
+Her loyalty to the man from whom she had received nothing but chivalry, whose
+fortune was to banish a hideous nightmare from her life, rose up in arms. What
+had Robin done? She must know the truth ...
+</p>
+
+<p>
+A tap came at the door. Bude appeared.
+</p>
+
+<p>
+&ldquo;I think you rang, Miss,&rdquo; he said in his quiet, deep voice.
+&ldquo;I was with the Inspector, Miss, and I couldn&rsquo;t come before. Was
+there anything?...&rdquo;
+</p>
+
+<p>
+The girl turned in her chair.
+</p>
+
+<p>
+&ldquo;Come in and shut the door, Bude,&rdquo; she said. &ldquo;I want to speak
+to you.&rdquo;
+</p>
+
+<p>
+The butler obeyed and came over to where she sat. He seemed ill at ease and
+rather apprehensive.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo; said the girl, &ldquo;I want you to tell me why you were
+certain that Mr. Greve was going to Mr. Parrish in the library when he passed
+you in the hall this afternoon!&rdquo;
+</p>
+
+<p>
+The butler smoothed his hands down his trousers in embarrassment.
+</p>
+
+<p>
+&ldquo;I thought he ... Mr. Greve ... would be sure to be going to fetch Mr.
+Parrish in to tea, Miss ...&rdquo; he replied, eyeing the girl anxiously.
+</p>
+
+<p>
+Mary Trevert continued gazing into the fire.
+</p>
+
+<p>
+&ldquo;You know it is a rule in this house, Bude,&rdquo; she said, &ldquo;that
+Mr. Parrish is never disturbed in the library ...&rdquo;
+</p>
+
+<p>
+The butler changed his position uneasily.
+</p>
+
+<p>
+&ldquo;Yes, Miss, but I thought ...&rdquo;
+</p>
+
+<p>
+Slowly Mary Trevert turned and looked at the man.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo;&mdash;her voice was very calm,&mdash;&ldquo;I want you to
+tell me the truth. You know that Mr. Greve went in to Mr. Parrish ...&rdquo;
+</p>
+
+<p>
+Bude looked uneasily about him.
+</p>
+
+<p>
+&ldquo;Oh, Miss,&rdquo; he answered, almost in a whisper, &ldquo;whatever are
+you saying?&rdquo;
+</p>
+
+<p>
+&ldquo;I want your answer, Bude,&rdquo; the girl said coldly.
+</p>
+
+<p>
+Bude did not speak. He rubbed his hands up and down his trousers in
+desperation.
+</p>
+
+<p>
+&ldquo;I wish to know why Mr. Parrish did this thing, Bude. I mean to know. And
+I think you are keeping something back!&rdquo;
+</p>
+
+<p>
+The challenge resounded clearly, firmly.
+</p>
+
+<p>
+&ldquo;Miss Trevert, ma&rsquo;am,&rdquo; the butler said in a low voice,
+&ldquo;I wouldn&rsquo;t take it upon me to say anything as would get anybody in
+this house into trouble....&rdquo;
+</p>
+
+<p>
+&ldquo;You saw Mr. Greve go into Mr. Parrish?&rdquo;
+</p>
+
+<p>
+The butler raised his hands in a quick gesture of denial.
+</p>
+
+<p>
+&ldquo;God forbid, Miss!&rdquo; he ejaculated in horror.
+</p>
+
+<p>
+&ldquo;What, then, do you know that is likely to get anybody here into
+trouble?&rdquo;
+</p>
+
+<p>
+The butler hesitated an instant. Then he spoke.
+</p>
+
+<p>
+&ldquo;That Inspector Humphries has been asking me questions, Miss, in a nasty,
+suspicious sort o&rsquo; way. I told him, what I told him already, that just
+after I&rsquo;d done serving the tea Mr. Greve crossed the hall and went down
+the library corridor....&rdquo;
+</p>
+
+<p>
+&ldquo;You didn&rsquo;t tell him everything, Bude?&rdquo;
+</p>
+
+<p>
+The butler took a step nearer.
+</p>
+
+<p>
+&ldquo;Oh, Miss,&rdquo; he said, lowering his voice, &ldquo;if you&rsquo;ll
+pardon my frankness, but I know as how you and Mr. Greve are old friends, and I
+wouldn&rsquo;t take it upon me to tell the police anything as might ...&rdquo;
+</p>
+
+<p>
+Mary Trevert stood up and faced the man.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo; said she, &ldquo;Mr. Parrish was your master, a kind and
+generous master as he was kind and generous to every one in this house. We must
+clear up the mystery of his ... of his death. Neither you nor I nor Mr. Greve
+nor anybody must stand in the way. Now, tell me the truth!&rdquo;
+</p>
+
+<p>
+She dropped back into her chair. She gave the order imperiously like the
+mistress of the house. The butler, trained through life to receive orders,
+surrendered.
+</p>
+
+<p>
+&ldquo;There&rsquo;s nothing much to tell, Miss. When Mr. Humphries asked me if
+I were the last person to see Mr. Parrish alive, I made sure that Mr. Greve
+would say he had been in to tell him tea was ready. But Mr. Greve, who heard
+the Inspector&rsquo;s question and my answer, said nothing. So I thought,
+maybe, he had his reasons and I did not feel exactly as how it was my place
+...&rdquo;
+</p>
+
+<p>
+Mary Trevert tapped with her foot impatiently.
+</p>
+
+<p>
+&ldquo;But what grounds have you for saying that Mr. Greve went in to Mr.
+Parrish? Mr. Greve declared quite positively that he went out by the side door
+and did not go into the library at all.&rdquo;
+</p>
+
+<p>
+&ldquo;But, Miss, I heard him speaking to Mr. Parrish ...&rdquo;
+</p>
+
+<p>
+The girl turned round and the man saw fear in her wide-open eyes.
+</p>
+
+<p>
+The butler put his hand on the back of her chair and leaned forward.
+</p>
+
+<p>
+&ldquo;Better leave things where they are, Miss,&rdquo; he said in a low voice.
+&ldquo;Mr. Parrish, I dare say, had his reasons. He&rsquo;s gone to his last
+account now. What does it matter why he done it ...&rdquo;
+</p>
+
+<p>
+The man was agitated, and in his emotion his carefully studied English was
+forsaking him.
+</p>
+
+<p>
+But the girl broke in incisively.
+</p>
+
+<p>
+&ldquo;Please explain what you mean!&rdquo; she commanded.
+</p>
+
+<p>
+&ldquo;Why, Miss,&rdquo; replied the butler, &ldquo;we know that Mr. Greve had
+no call to like Mr. Parrish seeing how things were between you and the master
+...&rdquo;
+</p>
+
+<p>
+&ldquo;You mean the servants know that Mr. Parrish and I were engaged
+...&rdquo;
+</p>
+
+<p>
+Bude made a deprecatory gesture.
+</p>
+
+<p>
+&ldquo;Know, Miss? I wouldn&rsquo;t go so far as to say &lsquo;know.&rsquo; But
+there has been some talk in the servants&rsquo; &rsquo;all, Miss. You know what
+young female servants are, Miss ...&rdquo;
+</p>
+
+<p>
+&ldquo;And you think that Mr. Greve went to Mr. Parrish to talk about ...
+me?&rdquo;
+</p>
+
+<p>
+Mary Trevert&rsquo;s voice faltered a little. She looked eagerly at the
+other&rsquo;s fat, smooth face.
+</p>
+
+<p>
+&ldquo;I presoomed as much, Miss, I must confess!&rdquo;
+</p>
+
+<p>
+&ldquo;But what did you hear Mr. Greve say?&rdquo;
+</p>
+
+<p>
+&ldquo;I heard nothing, Miss, except just only the sound of voices. After Mr.
+Greve had crossed me in the hall, I took the salver I was carrying into the
+butler&rsquo;s pantry. I stayed there a minute or two, and then I remembered I
+had not collected the letters from the box in the hall for the chauffeur to
+take to the post, the same as he does every evening. I went back to the hall,
+and just as I opened the green baize door I heard voices from the library
+...&rdquo;
+</p>
+
+<p>
+&ldquo;Was it Mr. Greve&rsquo;s voice?&rdquo;
+</p>
+
+<p>
+&ldquo;I cannot say, Miss. It was just the sound of voices, rather loud-like. I
+caught the sound because the door leading from the hall to the library corridor
+was ajar. Mr. Greve must have forgotten to shut it.&rdquo;
+</p>
+
+<p>
+&ldquo;What did you do?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, Miss, I closed the corridor door ...&rdquo;
+</p>
+
+<p>
+&ldquo;Why did you do that?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, Miss, seeing the voices sounded angry-like, I thought perhaps it
+would be better not to let any one else hear.... And Mr. Greve looked
+upset-like when he passed me. He gave me quite a turn, he did, when I saw his
+face under the hall lamp....&rdquo;
+</p>
+
+<p>
+&ldquo;Did you stay there ... and listen?&rdquo;
+</p>
+
+<p>
+Bude drew himself up.
+</p>
+
+<p>
+&ldquo;That is not my &rsquo;abit, Miss, not &rsquo;ere nor in hany of the
+&rsquo;ouses where I &rsquo;ave seen service....&rdquo;
+</p>
+
+<p>
+The butler broke off. The <i>h</i>&rsquo;s were too much for him in his
+indignation.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t mean to suggest anything underhand,&rdquo; the girl said
+quickly. &ldquo;I mean, did you hear any more?&rdquo;
+</p>
+
+<p>
+&ldquo;No, Miss. I emptied the letter-box and took the letters to the
+servants&rsquo; hall.&rdquo;
+</p>
+
+<p>
+&ldquo;But,&rdquo; said Mary in a puzzled way, &ldquo;why do you say it was Mr.
+Greve if you didn&rsquo;t hear his voice?&rdquo;
+</p>
+
+<p>
+Bude spread out his hands in bewilderment.
+</p>
+
+<p>
+&ldquo;Who else should it have been, Miss? Sir Horace and the doctor were in
+the lounge at tea. Jay and Robert were in the servants&rsquo; hall. It could
+have been nobody else....&rdquo;
+</p>
+
+<p>
+The girl&rsquo;s head sank slowly on her breast. She was silent. The butler
+shifted his position.
+</p>
+
+<p>
+&ldquo;Was there anything more, Miss?&rdquo; he asked after a little while.
+</p>
+
+<p>
+&ldquo;There is nothing further, thank you, Bude,&rdquo; replied Mary.
+&ldquo;About Mr. Greve, I am sure there must be some mistake. He cannot have
+understood Mr. Humphries&rsquo;s question. I&rsquo;ll ask him about it when I
+see him. I don&rsquo;t think I should say anything to the Inspector about it,
+at any rate, not until I&rsquo;ve seen Mr. Greve. He&rsquo;ll probably speak to
+you about it himself....&rdquo;
+</p>
+
+<p>
+Bude made a motion as though he were going to say something. Then apparently he
+thought better of it, for he made a little formal bow and in his usual slow and
+dignified manner made his exit from the room.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap08"></a>CHAPTER VIII.<br />
+ROBIN GOES TO MARY</h2>
+
+<p>
+The house telephone, standing on the long and gracefully designed desk with its
+elaborately lacquered top, whirred. Mary started from her reverie in her chair
+by the fire. By the clock on the mantelshelf she saw that it was a quarter past
+eight. She remembered that once her mother had knocked at her door and bidden
+her come down to dinner. She had refused the invitation, declining to unlock
+the door.
+</p>
+
+<p>
+She lifted the receiver.
+</p>
+
+<p>
+&ldquo;That you, Mary?&rdquo;
+</p>
+
+<p>
+Robin was speaking.
+</p>
+
+<p>
+&ldquo;May I come up and see you? Or would you rather be left alone?&rdquo;
+</p>
+
+<p>
+His firm, pleasant voice greatly comforted her. Only then she realized how
+greatly she craved sympathy. But the recollection of Bude&rsquo;s story
+suddenly interposed itself like a barrier between them.
+</p>
+
+<p>
+&ldquo;Yes, come up,&rdquo; she said, &ldquo;I want to speak to you!&rdquo;
+</p>
+
+<p>
+Her voice was dispirited,
+</p>
+
+<p>
+&ldquo;I don&rsquo;t want to see him,&rdquo; she told herself as she replaced
+the receiver, got up, and unlocked the door, &ldquo;but I must
+<i>know</i>!&rdquo;
+</p>
+
+<p>
+A gentle tap came at the door. Robin came in quickly and crossed to where she
+stood by the fire.
+</p>
+
+<p>
+&ldquo;My dear!&rdquo; he said and put out his two hands.
+</p>
+
+<p>
+Her hands were behind her back, the fingers nervously intertwining. She kept
+them there and made no sign that she had observed his gesture.
+</p>
+
+<p>
+He looked at her in surprise.
+</p>
+
+<p>
+&ldquo;This has been terrible for you, Mary,&rdquo; he said. &ldquo;I wish to
+God I could make you realize how very, very much I feel for you in what you
+must be going through....&rdquo;
+</p>
+
+<p>
+The phrase was formal and he brought it out irresolutely, chilled as he was by
+her reception. She was looking at him dispassionately, her forehead a little
+puckered, her eyes a trifle hard.
+</p>
+
+<p>
+&ldquo;Won&rsquo;t you sit down,&rdquo; she said. &ldquo;There is something I
+wanted to say!&rdquo;
+</p>
+
+<p>
+He was looking at her now in a puzzled fashion. With rather feigned
+deliberation he chose a chair and sat down facing the fire. A lamp on the
+mantelpiece&mdash;the only light in the room&mdash;threw its rays on his face.
+His chin was set rather more squarely than his wont and his eyes were shining.
+</p>
+
+<p>
+&ldquo;Mary,&rdquo;&mdash;he leant forward towards her,&mdash;&ldquo;please
+forget what I said this afternoon. It was beastly of me, but I hardly knew what
+I was doing....&rdquo;
+</p>
+
+<p>
+She made a little gesture as if to wave his apology aside. Then, with her hands
+clasped in front of her, scanning the nails, she asked, almost casually:
+</p>
+
+<p>
+&ldquo;What did you say to Hartley Parrish in the library this
+afternoon?&rdquo;
+</p>
+
+<p>
+Robin stared at her in amazement.
+</p>
+
+<p>
+&ldquo;But I was not in the library!&rdquo; he answered.
+</p>
+
+<p>
+The girl dropped her hands sharply to her side.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t quibble with me, Robin,&rdquo; she said. &ldquo;What did you
+say to Hartley Parrish after you left me this afternoon in the
+billiard-room?&rdquo;
+</p>
+
+<p>
+He was still staring at her, but now there was a deep furrow between his brows.
+He was breathing rather hard.
+</p>
+
+<p>
+&ldquo;I did not speak to Parrish at all after I left you.&rdquo;
+</p>
+
+<p>
+His answer was curt and incisive.
+</p>
+
+<p>
+&ldquo;Do you mean to tell me,&rdquo; Mary said, &ldquo;that, after you left me
+and went down the corridor towards the library, you neither went in to Hartley
+nor spoke to him!&rdquo;
+</p>
+
+<p>
+&ldquo;I do!&rdquo;
+</p>
+
+<p>
+&ldquo;Then how do you account for the fact that, almost immediately after you
+had crossed Bude in the hall, he heard the sound of voices in the
+library?&rdquo;
+</p>
+
+<p>
+Robin Greve stood up abruptly.
+</p>
+
+<p>
+&ldquo;Bude, you say, makes this statement?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly!&rdquo;
+</p>
+
+<p>
+&ldquo;To whom, may I ask?&rdquo;
+</p>
+
+<p>
+He spoke sharply and there was a challenging ring in his voice. It nettled the
+girl.
+</p>
+
+<p>
+&ldquo;Only to me,&rdquo; she said quickly, and added: &ldquo;You needn&rsquo;t
+think he has told the police!&rdquo;
+</p>
+
+<p>
+Very deliberately Robin plucked his handkerchief from his sleeve, wiped his
+lips, and replaced it. The girl saw that his hands were trembling.
+</p>
+
+<p>
+&ldquo;Why do you say that to me?&rdquo; he demanded rather fiercely.
+</p>
+
+<p>
+Mary Trevert shrugged her shoulders.
+</p>
+
+<p>
+&ldquo;This afternoon,&rdquo; she said, &ldquo;when I told you of my engagement
+to Hartley, you began by abusing him to me, you rushed from the room making
+straight for the library where we all know that Hartley was working, and a few
+minutes after Bude hears voices raised in anger proceeding from there. The next
+thing we know is that Hartley has ...&rdquo;
+</p>
+
+<p>
+She broke off and looked away.
+</p>
+
+<p>
+&ldquo;Mary,&rdquo;&mdash;Robin&rsquo;s voice was grave, and he had mastered
+all signs of irritation,&mdash;&ldquo;you and I have known one another all our
+lives. You ought to know me well enough by now to understand that I don&rsquo;t
+tell you lies. When I say I haven&rsquo;t seen or spoken to Hartley Parrish
+since lunch this afternoon, that is the truth!&rdquo;
+</p>
+
+<p>
+&ldquo;How can it be the truth?&rdquo; the girl insisted. &ldquo;Horace and Dr.
+Romain were both in the lounge-hall, Bude was in the hall, the other
+menservants were in the servants&rsquo; hall. You are the only man in the house
+not accounted for, and a minute before Bude heard these voices you go down the
+corridor towards the library. I can understand you wanting to keep it from the
+police, but why do you want to deceive <i>me</i>?&rdquo;
+</p>
+
+<p>
+&ldquo;Mary,&rdquo; answered the young man sternly, &ldquo;I know you&rsquo;re
+upset, but that&rsquo;s no justification for persisting in this stupid charge
+against me. I tell you I never saw Parrish or spoke to him, either, between
+lunch and when I saw him lying dead in the library. I am not going to repeat
+the denial. But you may as well understand now that I am not in the habit of
+allowing my friends to doubt my word!&rdquo;
+</p>
+
+<p>
+Mary flamed up at his tone.
+</p>
+
+<p>
+&ldquo;If you are my friend,&rdquo; she cried, &ldquo;why can&rsquo;t you trust
+me? Why should I find this out from Bude? Why should I be humiliated by hearing
+from the butler that he kept this evidence from the police in order to please
+me because you and I are friends? I am only trying to help you, to shield you
+...&rdquo;
+</p>
+
+<p>
+&ldquo;That will do, Mary,&rdquo; he said. &ldquo;No, you must hear what I have
+to say. If you insist on disbelieving me, you must. But I don&rsquo;t want you
+to help me. I don&rsquo;t want you to shield me. I shall make it my business to
+see that Bude&rsquo;s evidence is brought before the detective inspector from
+Scotland Yard who is being brought down here to handle the case ...&rdquo;
+</p>
+
+<p>
+&ldquo;A detective from Scotland Yard?&rdquo; the girl repeated.
+</p>
+
+<p>
+&ldquo;Yes, a detective. Humphries is puzzled by several points about this case
+and has asked for assistance from London. He is right. Neither the
+circumstances of Parrish&rsquo;s death nor the motive of his act are clear.
+Bude&rsquo;s evidence is sufficient proof that somebody did gain access to the
+library this afternoon. In that case....&rdquo;
+</p>
+
+<p>
+&ldquo;Yes....&rdquo;
+</p>
+
+<p>
+&ldquo;In that case,&rdquo; said Greve slowly, &ldquo;it may not be
+suicide....&rdquo;
+</p>
+
+<p>
+Mary put one hand suddenly to her face as women do when they are frightened.
+She shrank back.
+</p>
+
+<p>
+&ldquo;You mean....&rdquo;
+</p>
+
+<p>
+He nodded.
+</p>
+
+<p>
+&ldquo;Murder!&rdquo;
+</p>
+
+<p>
+The girl gave a little gasp. Then she stretched out her hand and touched his
+arm.
+</p>
+
+<p>
+&ldquo;But, Robin,&rdquo; she spoke in quick gasps,&mdash;&ldquo;you
+can&rsquo;t give the police this evidence of Bude&rsquo;s. Don&rsquo;t you see
+it incriminates <i>you?</i> Don&rsquo;t you realize that every scrap of
+evidence points to you as being the man that visited Mr. Parrish in the library
+this afternoon? You&rsquo;re a lawyer, Robin. You understand these things.
+Don&rsquo;t you see what I mean?&rdquo;
+</p>
+
+<p>
+He nodded curtly.
+</p>
+
+<p>
+&ldquo;Perfectly,&rdquo; he replied coldly.
+</p>
+
+<p>
+&ldquo;Bude will do what I tell him,&rdquo; the girl hurried on. &ldquo;There
+is no need for the police to know....&rdquo;
+</p>
+
+<p>
+&ldquo;On the contrary,&rdquo; said the other imperturbably, &ldquo;it is
+essential they should be told at once.&rdquo;
+</p>
+
+<p>
+The girl grasped the lapels of his coat in her two hands. Her breath came
+quickly and she trembled all over.
+</p>
+
+<p>
+&ldquo;Are you mad, Robin?&rdquo; she cried. &ldquo;Who could have wanted to
+kill poor Hartley? Why should you put these ideas into the heads of the police?
+Bude may have imagined everything. Now, you&rsquo;ll be sensible, promise
+me....&rdquo;
+</p>
+
+<p>
+Very gently he detached the two slim hands that held his coat. His mouth was
+set in a firm line.
+</p>
+
+<p>
+&ldquo;We are going to sift this thing to the bottom, Mary,&rdquo; he said,
+&ldquo;no matter what are the consequences. You owe it to Parrish and you owe
+it to me....&rdquo;
+</p>
+
+<p>
+The telephone trilled suddenly.
+</p>
+
+<p>
+Robin picked up the receiver,
+</p>
+
+<p>
+&ldquo;Yes, Bude,&rdquo; he said.
+</p>
+
+<p>
+There was a moment&rsquo;s silence in the room broken as the clock on the
+mantelpiece chimed nine times. Then Robin said into the telephone:
+</p>
+
+<p>
+&ldquo;Right! Tell him I&rsquo;ll be down immediately!&rdquo;
+</p>
+
+<p>
+He put down the receiver and turned to Mary.
+</p>
+
+<p>
+&ldquo;A detective inspector has arrived from London. He is asking to see me. I
+must go downstairs.&rdquo;
+</p>
+
+<p>
+Mary, her elbows on the mantelpiece, was staring into the fire. At the sound of
+his voice she swung round quickly.
+</p>
+
+<p>
+&ldquo;Robin!&rdquo; she cried.
+</p>
+
+<p>
+But she spoke too late.
+</p>
+
+<p>
+Robin Greve had left the room.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap09"></a>CHAPTER IX.<br />
+MR. MANDERTON</h2>
+
+<p>
+A quality which had gone far to lay the foundations of the name which Robin
+Greve was rapidly making at the bar was his strong intuitive sense. He had the
+rare ability of correctly &lsquo;sensing&rsquo; an atmosphere, an uncanny
+<i>flair</i> for driving instantly at the heart of a situation, which rendered
+him in the courts a dexterous advocate and a redoubtable opponent.
+</p>
+
+<p>
+Now, as he came into the lounge from the big oak staircase, he instantly
+realized that he had entered an unfriendly atmosphere. The concealed lights
+which were set all round the cornice of the room were turned on, flooding the
+pleasantly snug room with soft reflected light. A little group stood about the
+fire, Bude, Jay, Hartley Parrish&rsquo;s man, and a stranger. Jay was engaged
+in earnest conversation with the stranger. But at the sound of Greve&rsquo;s
+foot upon the staircase, the conversation ceased and a silence fell on the
+group.
+</p>
+
+<p>
+Greve&rsquo;s attention was immediately attracted towards the stranger, whom he
+surmised to be the detective from Scotland Yard. He was a big, burly man with a
+heavy dark moustache, straight and rather thin black hair, and coarse features.
+He looked a full-blooded, plethoric person with reddish-blue veins on his
+florid face, and a heavy jowl which over-feeding, Robin surmised, had made
+fullish. He was very neatly dressed in his black overcoat with velvet collar
+carefully brushed, his natty black tie with its pearl pin, and well-polished
+boots. His black bowler hat, with a pair of heavy dogskin gloves, neatly
+folded, lay on the table.
+</p>
+
+<p>
+&ldquo;This Mr. Greve?&rdquo;
+</p>
+
+<p>
+Bude and Jay fell back as Robin joined the group. The detective bent his gaze
+on the young barrister as he put his question, and Robin for the first time
+noticed his eyes. Keen and clear, they were ill-suited, he thought, to the
+rather gross features of the man. By right he should have had either the small
+and roguish or the pale and expressionless eyes which are habitually found in
+individuals of the sanguine temperament.
+</p>
+
+<p>
+The detective had a trick of dropping his eyes to his boots. When he raised
+them, the effect was to alter his whole expression. His eyes, well-open, keenly
+observant, in perpetual motion, lent an air of alertness, of shrewdness, to his
+heavy, florid countenance.
+</p>
+
+<p>
+&ldquo;That is my name,&rdquo; said Robin, answering his question. &ldquo;I am
+a barrister. I have met some of your people at the Yard, but I don&rsquo;t
+think....&rdquo;
+</p>
+
+<p>
+&ldquo;Detective-Inspector Manderton,&rdquo; interjected the big man, and
+paused as though to say, &ldquo;Let that sink in!&rdquo;
+</p>
+
+<p>
+Robin knew him well by repute. His qualities were those of the bull-dog,
+slow-moving, obstinately brave, and desperately tenacious. His was a name to
+conjure with among the criminal classes, and his career was starred with
+various sensational tussles with desperate criminals, for Detective-Inspector
+Manderton, when engaged on a case, invariably &ldquo;took a hand
+himself,&rdquo; as he phrased it, when an arrest was to be made. A bullet-hole
+in his right thigh and an imperfectly knitted right collar-bone remained to
+remind him of this propensity of his. His motto, as he was fond of saying, was,
+&ldquo;What I have I hold!&rdquo;
+</p>
+
+<p>
+&ldquo;Well, Mr. Greve,&rdquo; said the detective in a loud, hectoring voice,
+&ldquo;perhaps you will be good enough to tell me what you know of this
+affair?&rdquo;
+</p>
+
+<p>
+Robin flushed angrily at the man&rsquo;s manner. But there was no trace of
+resentment in his voice as he replied. He told Manderton what he had already
+told Humphries: how he had gone from the billiard-room across the hall and down
+the library corridor to the side-door into the grounds, intending to have a
+stroll before tea, but, finding that it was threatening rain, had returned to
+the house by the front door.
+</p>
+
+<p>
+The detective scanned the young man&rsquo;s face closely as he spoke. When
+Robin had finished, the other dropped his eyes and seemed to be examining the
+brilliant polish of his boots. He said nothing, and again Robin became aware of
+the atmosphere of hostility towards him which this man radiated.
+</p>
+
+<p>
+&ldquo;It is dark at five o&rsquo;clock?&rdquo;
+</p>
+
+<p>
+Manderton turned to Bude.
+</p>
+
+<p>
+&ldquo;Getting on that way, sir,&rdquo; the butler agreed.
+</p>
+
+<p>
+&ldquo;Are you in the habit, sir,&rdquo;&mdash;the detective turned to Robin
+now,&mdash;&ldquo;of going out for walks in the dark?&rdquo;
+</p>
+
+<p>
+Greve shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;I had been sitting in the billiard-room. It was rather stuffy, so I
+thought I&rsquo;d like some air before tea!&rdquo;
+</p>
+
+<p>
+&ldquo;You left Miss Trevert in the billiard-room?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes!&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo;
+</p>
+
+<p>
+Greve put a hand to his throat and eased his collar.
+</p>
+
+<p>
+&ldquo;The gong had sounded for tea,&rdquo; the detective went on
+imperturbably; &ldquo;surely it would have been more natural for you to have
+brought Miss Trevert with you?&rdquo;
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t wish to!&rdquo;
+</p>
+
+<p>
+Mr. Manderton cleared his throat.
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; he grunted. &ldquo;You didn&rsquo;t wish to. I should like
+you to be frank with me, Mr. Greve, please. Was it not a fact that you and Miss
+Trevert had words?&rdquo;
+</p>
+
+<p>
+He looked up sharply at him with contracted pupils.
+</p>
+
+<p>
+&ldquo;You took a certain interest in this young lady?&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Manderton,&rdquo;&mdash;Robin spoke with a certain
+<i>hauteur</i>,&mdash;&ldquo;don&rsquo;t you think we might leave Miss
+Trevert&rsquo;s name out of this?&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Greve,&rdquo; replied the detective bluntly, &ldquo;I
+don&rsquo;t!&rdquo;
+</p>
+
+<p>
+Robin made a little gesture of resignation.
+</p>
+
+<p>
+&ldquo;Before the servants....&rdquo;
+</p>
+
+<p>
+&ldquo;Come, come, sir,&rdquo; the detective broke in, &ldquo;with all respect
+to the young lady and yourself, it was a matter of common knowledge in the
+house that she and you were ... well, old friends. It was remarked, Mr. Greve,
+I may remind you, that you looked very upset-like when you left the
+billiard-room to&rdquo;&mdash;he paused perceptibly&mdash;&ldquo;to go for your
+stroll in the dark.&rdquo;
+</p>
+
+<p>
+Robin glanced quickly round the group. Jay averted his eyes. As for Bude, he
+was the picture of embarrassment.
+</p>
+
+<p>
+&ldquo;You seem to be singularly well posted in the gossip of the
+servants&rsquo; hall, Mr. Manderton!&rdquo; said Robin hotly.
+</p>
+
+<p>
+It was a foolish remark, and Robin regretted it the moment the words had left
+his mouth.
+</p>
+
+<p>
+&ldquo;Well, yes,&rdquo; commented the detective slowly, &ldquo;I am. I shall
+be well posted on the whole of this case, presently, I hope, sir!&rdquo;
+</p>
+
+<p>
+His manner was perfectly respectful, but reserved almost to a tone of menace.
+</p>
+
+<p>
+&ldquo;In that case,&rdquo; said Robin, &ldquo;I&rsquo;ll tell you something
+you don&rsquo;t know, Mr. Manderton. Has Bude told you what he heard after I
+had passed him in the hall?&rdquo;
+</p>
+
+<p>
+Interest flashed at once into the detective&rsquo;s face. He turned quickly to
+the butler. Robin felt he had scored.
+</p>
+
+<p>
+&ldquo;What did you hear?&rdquo; he said sharply.
+</p>
+
+<p>
+Bude looked round wildly. His large, fish-like mouth twitched, and he made a
+few feeble gestures with his hands.
+</p>
+
+<p>
+&ldquo;It was only perhaps an idea of mine, sir,&rdquo; he
+stammered,&mdash;&ldquo;just a sort of idea ... I dare say I was mistaken. My
+hearing ain&rsquo;t what it was, sir....&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you try to hoodwink me,&rdquo; said Manderton, with sudden
+ferocity, knitting his brows and frowning at the unfortunate butler.
+&ldquo;Come on and tell us what you heard. Mr. Greve knows and I mean to. Out
+with it!&rdquo;
+</p>
+
+<p>
+Bude cast a reproachful glance at Robin. Then he said:
+</p>
+
+<p>
+&ldquo;Well, sir, a minute or two after Mr. Greve had passed me, I went back to
+the hall and through the open door of the corridor leading to the library, I
+heard voices!&rdquo;
+</p>
+
+<p>
+&ldquo;Voices, eh? Did you recognize them?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir. It was just the sound of talking!&rdquo;
+</p>
+
+<p>
+&ldquo;You told Miss Trevert they were loud voices, Bude!&rdquo; Robin
+interrupted.
+</p>
+
+<p>
+&ldquo;Yes, sir,&rdquo; replied the butler, &ldquo;they were loudish in a
+manner o&rsquo; speaking, else I shouldn&rsquo;t have heard them!&rdquo;
+</p>
+
+<p>
+&ldquo;Why not?&rdquo;
+</p>
+
+<p>
+The detective rapped the question out sharply.
+</p>
+
+<p>
+&ldquo;Why, because the library door was locked, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;How do you know that?&rdquo;
+</p>
+
+<p>
+&ldquo;Because Miss Trevert and Dr. Romain both tried the handle and
+couldn&rsquo;t get in!&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; said Manderton, &ldquo;you mean the door was locked <i>when
+the body was found!</i> Now, as to these voices. Were they men&rsquo;s
+voices?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir, I should say so.&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo;
+</p>
+
+<p>
+&ldquo;Because they were deep-like!&rdquo;
+</p>
+
+<p>
+&ldquo;Was Mr. Hartley Parrish&rsquo;s voice one of them?&rdquo;
+</p>
+
+<p>
+The butler spread out his hands.
+</p>
+
+<p>
+&ldquo;That I couldn&rsquo;t say! I just heard the murmur-like, then shut the
+passage door quickly ...&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir, I thought ... I didn&rsquo;t want to listen....&rdquo;
+</p>
+
+<p>
+&ldquo;You thought one of the voices was Mr. Greve&rsquo;s, eh? Having a row
+with Mr. Parrish, eh? About the lady, isn&rsquo;t that right?&rdquo;
+</p>
+
+<p>
+&ldquo;Aren&rsquo;t you going rather too fast?&rdquo; said Robin quietly.
+</p>
+
+<p>
+But the detective ignored him.
+</p>
+
+<p>
+&ldquo;Come on and answer my question, my man,&rdquo; he said harshly.
+&ldquo;Didn&rsquo;t you think it was Mr. Hartley Parrish and Mr. Greve here
+having a bit of a dust-up about the young lady being engaged to Mr.
+Parrish?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, perhaps I did, but....&rdquo;
+</p>
+
+<p>
+Like a flash the detective turned on Robin.
+</p>
+
+<p>
+&ldquo;What do you know about this?&rdquo; he demanded fiercely.
+</p>
+
+<p>
+&ldquo;Nothing,&rdquo; said Greve. &ldquo;As I have told you already, I did not
+see Mr. Parrish alive again after lunch, nor did I speak to him. What I would
+suggest to you now is that upon this evidence of Bude&rsquo;s depends the
+vitally important question of how Mr. Parrish met his death. Though he was
+found with a revolver in his hand, none of us in this house know of any good
+motive for his suicide. I put it to you that the man who can furnish us with
+this motive is the owner of the voice heard by Bude in conversation with Mr.
+Parrish, since obviously nobody other than Mr. Parrish and possibly this
+unknown person was in the library block at the time. And I would further
+remark, Mr. Manderton, that, until the bullet has been extracted, we do not
+know that Mr. Parrish killed <i>himself</i>...&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said the detective significantly, &ldquo;we
+don&rsquo;t!&rdquo;
+</p>
+
+<p>
+He had dropped his eyes to the ground now and was studying the pattern of the
+hearth-rug.
+</p>
+
+<p>
+&ldquo;You say you heard no shot?&rdquo; he suddenly asked Robin.
+</p>
+
+<p>
+&ldquo;No!&rdquo;
+</p>
+
+<p>
+&ldquo;No one other than Miss Trevert, I gather, heard the shot?&rdquo;
+</p>
+
+<p>
+&ldquo;That is so!&rdquo;
+</p>
+
+<p>
+Mr. Manderton consulted a slip of paper which he drew from his pocket.
+</p>
+
+<p>
+&ldquo;Inspector Humphries,&rdquo; he said, &ldquo;has drawn up a rough
+time-table of events leading up to Mr. Parrish&rsquo;s death, based on the
+evidence he has taken here this evening. You will tell me if it tallies.&rdquo;
+</p>
+
+<p>
+He read from the slip:
+</p>
+
+<p class="letter">
+5 P.M. Bude sounds the gong for tea.
+</p>
+
+<p class="letter">
+5.10 Mr. Greve passes Bude in the hall and goes down the corridor leading to
+the library. Mr. Greve states he went straight out by the side door into the
+gardens.
+</p>
+
+<p>
+The detective looked up from his reading.
+</p>
+
+<p>
+&ldquo;At 5.12, let us say, Bude comes back from the servants&rsquo; quarters
+to the hall and hears voices from the library. He closes the passage door. Is
+that right?&rdquo;
+</p>
+
+<p>
+Bude nodded.
+</p>
+
+<p>
+&ldquo;It would be about two minutes after I saw Mr. Greve the first
+time,&rdquo; he agreed.
+</p>
+
+<p>
+&ldquo;Very well!&rdquo;
+</p>
+
+<p>
+The detective resumed his reading.
+</p>
+
+<p class="letter">
+5.15 P.M. Miss Trevert goes to fetch Mr. Parrish in to tea. She finds the
+library door locked. Tries the handle and hears a shot.
+</p>
+
+<p class="letter">
+5.18 (say) Miss Trevert comes into the lounge hall and gives the alarm.
+</p>
+
+<p>
+&ldquo;Now, sir,&rdquo; said Mr. Manderton briskly, &ldquo;I should like to ask
+you one or two further questions. Firstly, how long were you out on your stroll
+in the dark?&rdquo;
+</p>
+
+<p>
+&ldquo;I should think about two or three minutes.&rdquo;
+</p>
+
+<p>
+&ldquo;That is to say, if you left the house by the side door at 5.10, you were
+back in the house by 5.13.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, that would be right,&rdquo; Robin agreed.
+</p>
+
+<p>
+&ldquo;And what did you do when you came in?&rdquo;
+</p>
+
+<p>
+&ldquo;I went up to my room to fetch a letter for the post.&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert heard the shot fired at 5.15. Where were you at that
+time?&rdquo;
+</p>
+
+<p>
+&ldquo;In my bedroom, I should say. I was there for a few minutes as I had to
+write a cheque....&rdquo;
+</p>
+
+<p>
+&ldquo;And where is your bedroom?&rdquo;
+</p>
+
+<p>
+&ldquo;In the other wing above the billiard-room.&rdquo;
+</p>
+
+<p>
+&ldquo;Hm! A pistol shot makes a great deal of noise. It seems strange that
+nobody in the house should have heard it.&rdquo;
+</p>
+
+<p>
+Here Bude interposed.
+</p>
+
+<p>
+&ldquo;Mr. Parrish, sir, was very particular about noise. He had the library
+door and the door leading from the front hall to the library corridor specially
+felted so that he should not hear any sounds from the house when he was working
+in the library. That library wing was absolutely shut off from the rest of the
+house. It was always uncommon quiet....&rdquo;
+</p>
+
+<p>
+But the detective, ignoring him, turned to Robin again.
+</p>
+
+<p>
+&ldquo;I have been round the house,&rdquo; he said. &ldquo;It does not seem to
+me it ought to take you three or even two minutes to walk from the side door to
+the front door. I should say it would be a matter of about thirty
+seconds!&rdquo;
+</p>
+
+<p>
+&ldquo;Excuse me,&rdquo; Robin answered quickly, &ldquo;I didn&rsquo;t say I
+went straight from the side to the front door. I went through the gardens
+following the path that leads to the main drive. There I turned and came back
+to the front door.&rdquo;
+</p>
+
+<p>
+&ldquo;And you assert that you heard nothing?&rdquo;
+</p>
+
+<p>
+&ldquo;I heard nothing.&rdquo;
+</p>
+
+<p>
+&ldquo;Neither the &lsquo;loud voices&rsquo; which the butler heard within two
+minutes of your leaving the house nor the shot fired five minutes later?&rdquo;
+</p>
+
+<p>
+&ldquo;I heard nothing.&rdquo;
+</p>
+
+<p>
+Mr. Manderton examined the toes of his boots carefully.
+</p>
+
+<p>
+&ldquo;You heard nothing!&rdquo; he repeated.
+</p>
+
+<p>
+The door opened suddenly and Dr. Romain appeared. With him was the village
+practitioner and Inspector Humphries.
+</p>
+
+<p>
+Dr. Redstone carried in his hand a little pad of cotton wool. He bore it over
+to the fireplace and unwrapping the lint showed a twisted fragment of lead
+lying on the bloodstained dressing.
+</p>
+
+<p>
+&ldquo;Straight through the heart and lodged in the spine,&rdquo; he said.
+&ldquo;Death was absolutely instantaneous.&rdquo;
+</p>
+
+<p>
+The detective picked up the bullet and scrutinized it closely.
+</p>
+
+<p>
+&ldquo;Browning pistol ammunition,&rdquo; observed Humphries; &ldquo;it fits
+the gun he used. There&rsquo;s half a dozen spare rounds in one of the drawers
+of his dressing-room upstairs.&rdquo;
+</p>
+
+<p>
+Mr. Manderton drew Inspector Humphries and Dr. Redstone into a corner of the
+room where they conversed in undertones. Bude and Jay had vanished. Dr. Romain
+turned to Robin Greve, who stood lost in a reverie, staring into the fire.
+</p>
+
+<p>
+&ldquo;A clear case of suicide,&rdquo; he said. &ldquo;The medical evidence is
+conclusive on that point. A most amazing affair. I can&rsquo;t conceive what
+drove him to it. Why <i>did</i> he do it?&rdquo;
+</p>
+
+<p>
+&ldquo;Ah! why?&rdquo; said Robin.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap10"></a>CHAPTER X.<br />
+A SMOKING CHIMNEY</h2>
+
+<p>
+A Red sun glowed dully through a thin mist when, on the following morning,
+Robin Greve emerged from the side door into the gardens of Harkings. It was a
+still, mild day. Moisture from the night&rsquo;s rain yet hung translucent on
+the black limbs of the bare trees and glistened like diamonds on the closely
+cropped turf of the lawn. In the air was a pleasant smell of damp earth.
+</p>
+
+<p>
+Robin paused an instant outside the door in the library corridor and inhaled
+the morning air greedily. He had spent a restless, fitful night. His sleep had
+been haunted by the riddle which, since the previous evening, had cast its
+shadow over the pleasant house. The mystery of Hartley Parrish&rsquo;s death
+obsessed him. If it was suicide,&mdash;and the doctors were both positive on
+the point&mdash;the motive eluded him utterly.
+</p>
+
+<p>
+His mind, trained to logical processes of reasoning by his practice of the law,
+baulked at the theory. When he thought of Hartley Parrish as he had seen him at
+luncheon on the day before, striding with his quick, vigorous step into the
+room, boyishly curious to know what the <i>chef</i> was giving them to eat,
+devouring his lunch with obvious animal enjoyment, brimful of energy,
+dominating the table with his forceful, eager personality....
+</p>
+
+<p>
+The sound of voices in the library broke in upon his thoughts. Robin raised his
+head and listened. Some one appeared to be talking in a loud voice ... no, not
+talking ... rather declaiming.
+</p>
+
+<p>
+Stepping quietly on the hard gravel path, Robin turned the corner of the house
+and came into view of the library window. The window-pane gaped, shattered
+where Horace Trevert had broken the glass on the previous evening when
+effecting an entrance into the room. Framed in the ragged outline of the
+splintered glass, bulked the large form of Sergeant Harris. He stood half
+turned from the window so as to catch the light on a copy of <i>The Times</i>
+which he held in his red and freckled hands. He was reading aloud in stentorian
+tones from a leading article.
+</p>
+
+<p>
+&ldquo;While this country,&rdquo; he bawled sonorously, &ldquo;cannot ... in
+h&rsquo;our belief ... hevade ... er ... responsibility ... er ... h&rsquo;m
+disquieting sitwation ...&rdquo;
+</p>
+
+<p>
+&ldquo;Dear me!&rdquo; thought Robin to himself, &ldquo;what a very
+extraordinary morning pursuit for our police!&rdquo;
+</p>
+
+<p>
+Suddenly the reading was interrupted.
+</p>
+
+<p>
+Robin heard the library door open. Then Manderton&rsquo;s voice cried:
+</p>
+
+<p>
+&ldquo;That&rsquo;ll do, thank you, Sergeant!&rdquo;
+</p>
+
+<p>
+&ldquo;Did you &rsquo;ear me, sir?&rdquo; asked the sergeant, who seemed very
+much relieved to be quit of his task.
+</p>
+
+<p>
+&ldquo;Not a word!&rdquo; was the reply. &ldquo;But we&rsquo;ll try with the
+library door open! I&rsquo;ll go back to the hall and you start again!&rdquo;
+</p>
+
+<p>
+A thoughtful look on his face, Robin turned quickly and, hurrying round the
+side of the house, entered by the front door. Standing by the door leading to
+the library corridor he found Manderton.
+</p>
+
+<p>
+The detective did not seem particularly glad to see him.
+</p>
+
+<p>
+&ldquo;Good-morning, Inspector,&rdquo; said Robin affably, &ldquo;you&rsquo;re
+early to work, I see. Having a little experiment, eh?&rdquo;
+</p>
+
+<p>
+Manderton nodded without replying. Then the stentorian tones of Sergeant Harris
+proclaiming the views of &ldquo;The Thunderer&rdquo; on the Silesian situation
+rolled down the corridor and struck distinctly on the ears of the listeners in
+the hall.
+</p>
+
+<p>
+Presently Manderton closed the corridor door, shutting off the sound abruptly.
+</p>
+
+<p>
+&ldquo;I think you said you could not hear the sergeant with the library door
+shut?&rdquo; queried Robin suavely.
+</p>
+
+<p>
+&ldquo;With the door shut&mdash;no,&rdquo; answered the detective shortly.
+&ldquo;But with the door open ...&rdquo;
+</p>
+
+<p>
+He broke off significantly and dropped his eyes to his boots.
+</p>
+
+<p>
+&ldquo;Would it be troubling you,&rdquo; Robin struck in, &ldquo;if we pushed
+your experiment one step farther?&rdquo;
+</p>
+
+<p>
+Manderton lifted his eyes and looked at the young man, Robin met his gaze
+unflinchingly.
+</p>
+
+<p>
+&ldquo;Well?&rdquo;
+</p>
+
+<p>
+There was no invitation in his voice, but Robin affected to disregard the
+other&rsquo;s coldness.
+</p>
+
+<p>
+&ldquo;Let the library door be shut,&rdquo; said Robin, &ldquo;but leave the
+glass door leading into the garden open. Then give Sergeant Harris another
+trial at his reading....&rdquo;
+</p>
+
+<p>
+The detective smiled rather condescendingly.
+</p>
+
+<p>
+&ldquo;With the library door shut, you&rsquo;ll hear nothing,&rdquo; he
+remarked.
+</p>
+
+<p>
+&ldquo;The library window is open,&rdquo; Robin retorted, &ldquo;or rather it
+is as good as open, as one of the two big panes is smashed....&rdquo;
+</p>
+
+<p>
+His voice vibrated with eagerness. The detective looked at him curiously.
+</p>
+
+<p>
+&ldquo;Oh, try if you like,&rdquo; he said carelessly.
+</p>
+
+<p>
+Without waiting for his assent, Robin had already plucked open the corridor
+door and was halfway down the passage as the other replied. He was back again
+almost at once and, motioning the detective to silence, took his place at his
+side by the open door. Then the sound of the policeman&rsquo;s voice was heard
+from the corridor. It was muffled and indistinct so that the sense of his words
+could not be made out. But the voice was audible enough.
+</p>
+
+<p>
+Robin turned to the detective.
+</p>
+
+<p>
+&ldquo;Bude could make out no words,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;But how do we know that the glass door was open?&rdquo; queried the
+detective sceptically.
+</p>
+
+<p>
+&ldquo;Because I left it open myself,&rdquo; Robin countered promptly,
+&ldquo;when I went out for my walk before tea. Sir Horace told me that he found
+the door banging about in the wind when he went out to get into the library by
+the window.&rdquo;
+</p>
+
+<p>
+Mr. Manderton allowed his fat, serious face to expand very slowly into a broad,
+superior smile.
+</p>
+
+<p>
+&ldquo;Doesn&rsquo;t it seem a little curious,&rdquo; he said, &ldquo;that Mr.
+Hartley Parrish should choose to sit and work in the library on a gusty and
+dark winter evening with the window wide open? You&rsquo;ll allow, I think,
+that the window was not broken until after his death ...&rdquo;
+</p>
+
+<p>
+Robin&rsquo;s nerves were ragged. The man&rsquo;s tone nettled him exceedingly.
+But he confined himself to making a little gesture of impatience.
+</p>
+
+<p>
+&ldquo;No, no, sir,&rdquo; said Mr. Manderton, very decidedly, &ldquo;I prefer
+to think that the library door was open, left open by the party who went in to
+speak to Mr. Parrish yesterday afternoon ... and who knows more about the
+gentleman&rsquo;s suicide than he would have people think ...&rdquo;
+</p>
+
+<p>
+Robin boiled over fairly at this.
+</p>
+
+<p>
+&ldquo;Good God, man!&rdquo; he exclaimed, &ldquo;do you accept this theory of
+suicide as blandly as all that? Have you examined the body? Don&rsquo;t you use
+your eyes? I tell you ... bah, what&rsquo;s the use? I&rsquo;m not here to do
+your work for you!...&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir,&rdquo; said the detective, quite unruffled, &ldquo;you are not.
+And I think I&rsquo;ll continue to see about it myself!&rdquo;
+</p>
+
+<p>
+With that he opened the corridor door and vanished down the passage.
+</p>
+
+<p>
+With great deliberation Robin selected a cigarette from his case, lit it, and
+walked out through the front door into the fresh air again. More than ever he
+felt the riddle of Hartley Parrish&rsquo;s death weighing upon his mind.
+</p>
+
+<p>
+His intuitive sense rebelled against the theory of suicide, despite the medical
+evidence, despite the revolver in the dead man&rsquo;s hand, despite the
+detective&rsquo;s assurance. And floating about in his brain, like the gossamer
+on the glistening bushes in the gardens, were broken threads of vague
+suspicions, of half-formed theories, leading from his hasty observations in the
+death chamber ...
+</p>
+
+<p>
+In itself the death of Hartley Parrish left him cold. Yes, he must admit that.
+But the look in Mary Trevert&rsquo;s eyes, as she had urged him to shield
+himself from the suspicion of having driven Hartley Parrish to his death,
+haunted him. Already dimly he was beginning to realize that Hartley Parrish in
+death might prove as insuperable a bar between him and Mary Trevert as ever he
+had been in life ...
+</p>
+
+<p>
+She was now a wealthy woman. Hartley Parrish&rsquo;s will had ensured that, he
+knew. But it was not the barrier of riches that Robin Greve feared. He had
+asked Mary Trevert to be his wife before there was any thought of her
+inheriting Parrish&rsquo;s fortune. He derived a little consolation from that
+reflection. At least he could not appear as a fortune-hunter in her eyes. But,
+until he could clear himself of the suspicion lurking in Mary Trevert&rsquo;s
+mind that he, Robin Greve, was in some way implicated in Hartley
+Parrish&rsquo;s death, the dead man, he felt, would always stand between them.
+And so ...
+</p>
+
+<p>
+Robin pitched the stump of his cigarette into a rose bush with a little gesture
+of resignation. Almost without knowing it, he had strolled into the rosery up a
+shallow flight of steps cut into the bank of green turf, which ran along the
+side of the house facing the library window to the corner of the house where it
+met the clipped box-hedge of the Pleasure Ground.
+</p>
+
+<p>
+The rosery was a pleasant rectangle framed in a sort of rustic bower which in
+the summer was covered with superb roses of every hue and variety. Gravel paths
+intersected rose-beds cut into all manner of fantastic shapes where stood the
+slender shoots of the young rose-trees each with its tag setting forth its
+kind, for Hartley Parrish had been an enthusiastic amateur in this direction.
+</p>
+
+<p>
+Robin turned round and faced the house. From his elevation he could look down
+into the library through the window with its shattered pane. He could see the
+gleaming polish on Hartley Parrish&rsquo;s big desk and the great arm-chair
+pushed back as Hartley Parrish had pushed it from him just before his death.
+</p>
+
+<p>
+The bare poles of the woodwork festooned with the black arms of the creeping
+roses, standing out dark in the fast falling winter evening, must, he
+reflected, have been the last view that Hartley Parrish had had before ...
+</p>
+
+<p>
+But then he broke off his meditations abruptly. His eye had fallen on a narrow
+white patch standing out on one of the uprights supporting the clambering
+roses.
+</p>
+
+<p>
+It was a stout young tree, the light brown bark left adhering to its surface.
+It was a long blaze on the bark on the side of the trunk which had caught his
+eye. Robin walked round the gravel path until he was within a foot of the pole
+to get a better view.
+</p>
+
+<p>
+The pole stood almost exactly opposite the library window. The scar in the bark
+was high up and diagonal and quite freshly made, for the wood was dead white
+and much splintered.
+</p>
+
+<p>
+The young man put a hand on the upright for support and leant forward,
+carefully refraining from putting his foot on the soft brown mould of the
+flower-bed which fringed the path between it and the rustic woodwork. Then he
+ran lightly down the steps until he stood with his back to the library window.
+From here he carefully surveyed the upright again, then, returning to the
+rosery, began a careful scrutiny of the gravel paths and the beds.
+</p>
+
+<p>
+Apparently his search gave little result, for he presently abandoned it and
+turned his attention to the wooden framework on the other side of the
+rectangular rose-garden. He plunged boldly in among the rose-bushes and
+examined each upright in turn. He spent about half an hour in this meticulous
+investigation, and then, his boots covered with mould, his rough shooting-coat
+glistening with moisture, he walked slowly down the steps and reentered the
+house.
+</p>
+
+<p>
+As he was wiping the mud off his boots on the great mat in the front hall, Bude
+came out of the lounge hall with a pile of dishes on a tray.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo; said Robin, &ldquo;can you tell me if the fire in the
+library has been smoking of late?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir,&rdquo; replied the butler, &ldquo;we&rsquo;ve always had
+trouble with that chimdy when the wind&rsquo;s in the southwest.&rdquo;
+</p>
+
+<p>
+&ldquo;Has it been smoking lately?&rdquo; The young man reiterated his question
+impatiently.
+</p>
+
+<p>
+The man looked up in surprise.
+</p>
+
+<p>
+&ldquo;Well, sir, now you come to mention it, it has. As a matter o&rsquo;fact,
+sir, the sweep was ordered for to-day ...&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir, Mr. Parrish had mentioned it to me ...&rdquo;
+</p>
+
+<p>
+&ldquo;When?&rdquo;
+</p>
+
+<p>
+The question came out like a pistol shot.
+</p>
+
+<p>
+&ldquo;Yesterday, sir,&rdquo; answered the butler blandly. &ldquo;Just before
+luncheon, it was, sir. Mr. Parrish told me to have that chimdy seen to at once.
+And I telephoned for the sweep immediately after luncheon, sir ...&rdquo;
+</p>
+
+<p>
+&ldquo;Did Mr. Parrish say anything else, Bude?&rdquo;
+</p>
+
+<p>
+Robin eagerly scanned the butler&rsquo;s fat, unimpressive countenance. Bude,
+his tray held out stiffly in front of him, contracted his bushy eyebrows in
+thought.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know as he did, sir ...&rdquo;
+</p>
+
+<p>
+&ldquo;Think, man, think!&rdquo; Robin urged.
+</p>
+
+<p>
+&ldquo;Well, sir,&rdquo; said Bude, unmoved, &ldquo;I believe, now I come to
+think of it, that Mr. Parrish did say something about the wind blowing his
+papers about ...&rdquo;
+</p>
+
+<p>
+&ldquo;That is to say, he had been working with the window open?&rdquo;
+</p>
+
+<p>
+Robin Greve&rsquo;s question rang out sharply. It was an affirmation more than
+a question.
+</p>
+
+<p>
+&ldquo;Yes, sir, leastways I suppose so, sir ...&rdquo;
+</p>
+
+<p>
+&ldquo;Which window?&rdquo;
+</p>
+
+<p>
+&ldquo;Why, the one Mr. Parrish always liked to have open in the warm weather,
+sir, ... the one opposite the desk. The other window was never opened, sir,
+because of the dictaphone as stands in front of it. The damp affects the
+mechanism ...&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, Bude,&rdquo; said the young man.
+</p>
+
+<p>
+With his accustomed majesty the butler wheeled to go. In the turn of his head
+as he moved there was a faint suggestion of a shake ... a shake of
+uncomprehending pity.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap11"></a>CHAPTER XI.<br />
+&ldquo;... SPEED THE PARTING GUEST!&rdquo;</h2>
+
+<p>
+Dr. Romain was just finishing his breakfast as Robin Greve entered the
+dining-room, a cosy oak-panelled room with a bow window fitted with cushioned
+window-seats. Horace Trevert stood with his back to the fire. There was no sign
+of either Lady Margaret or of Mary. Silence seemed to fall on both the doctor
+and his companion as Robin came in. They wore that rather abashed look which
+people unconsciously assume when they break off a conversation on an unexpected
+entry.
+</p>
+
+<p>
+&ldquo;Morning, Horace! Morning, Doctor!&rdquo; said Robin, crossing to the
+sideboard. &ldquo;Any sign of Lady Margaret or Mary yet?&rdquo;
+</p>
+
+<p>
+The doctor had risen hastily to his feet.
+</p>
+
+<p>
+&ldquo;I rather think Dr. Redstone is expecting me,&rdquo; he said rapidly;
+&ldquo;I half promised to go over to Stevenish ... think I&rsquo;ll just run
+over. The walk&rsquo;ll do me good ...&rdquo;
+</p>
+
+<p>
+He looked rather wildly about him, then fairly bolted from the room.
+</p>
+
+<p>
+Robin, the cover of the porridge dish in his hand, turned and stared at him.
+</p>
+
+<p>
+&ldquo;Why, whatever&rsquo;s the matter with Romain?&rdquo; he began.
+</p>
+
+<p>
+But Horace, who had not spoken a word, was himself halfway to the door.
+</p>
+
+<p>
+&ldquo;Horace!&rdquo; called out Robin sharply.
+</p>
+
+<p>
+The boy stopped with his back towards the other. But he did not turn round.
+</p>
+
+<p>
+Robin put the cover back on the porridge dish and crossed the room.
+</p>
+
+<p>
+&ldquo;You all seem in the deuce of a hurry this morning ...&rdquo; he said.
+</p>
+
+<p>
+Still the boy made no reply.
+</p>
+
+<p>
+&ldquo;Why, Horace, what&rsquo;s the matter?&rdquo;
+</p>
+
+<p>
+Robin put his hand on young Trevert&rsquo;s shoulder. Horace shook him roughly
+off.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t care to discuss it with you, Robin!&rdquo; he said.
+</p>
+
+<p>
+Robin deliberately swung the boy round until he faced him.
+</p>
+
+<p>
+&ldquo;My dear old thing,&rdquo; he expostulated. &ldquo;What does it all mean?
+<i>What</i> won&rsquo;t you discuss with me?&rdquo;
+</p>
+
+<p>
+Horace Trevert looked straight at the speaker. His upper lip was pouted and
+trembled a little.
+</p>
+
+<p>
+&ldquo;What&rsquo;s the use of talking?&rdquo; he said. &ldquo;You know what I
+mean. Or would you like me to be plainer ...&rdquo;
+</p>
+
+<p>
+Robin met his gaze unflinchingly.
+</p>
+
+<p>
+&ldquo;I certainly would,&rdquo; he said, &ldquo;if it&rsquo;s going to
+enlighten me as to why you should suddenly choose to behave like a lunatic
+...&rdquo;
+</p>
+
+<p>
+Horace Trevert leant back and thrust his hands into his pockets.
+</p>
+
+<p>
+&ldquo;After what happened here yesterday,&rdquo; he said, speaking very
+clearly and deliberately, &ldquo;I wonder you have the nerve to stay ...&rdquo;
+</p>
+
+<p>
+&ldquo;My dear Horace,&rdquo; said Robin quite impassively, &ldquo;would you
+mind being a little more explicit? What precisely are you accusing me of? What
+have I done?&rdquo;
+</p>
+
+<p>
+&ldquo;Done?&rdquo; exclaimed the young man heatedly. &ldquo;Done? Good God!
+Don&rsquo;t you realize that you have dragged my sister into this wretched
+business? Don&rsquo;t you understand that her name will be bandied about before
+a lot of rotten yokels at the inquest?&rdquo;
+</p>
+
+<p>
+Robin Greve&rsquo;s eyes glittered dangerously.
+</p>
+
+<p>
+&ldquo;I confess,&rdquo; he said, with elaborate politeness, &ldquo;I scarcely
+understand what it has to do with me that Hartley Parrish should apparently
+commit suicide within a few days of becoming engaged to your sister ...&rdquo;
+</p>
+
+<p>
+&ldquo;Ha!&rdquo;
+</p>
+
+<p>
+Horace Trevert snorted indignantly.
+</p>
+
+<p>
+&ldquo;You don&rsquo;t understand, don&rsquo;t you? We don&rsquo;t understand
+either. But, I must say, we thought <i>you</i> did!&rdquo;
+</p>
+
+<p>
+With that he turned to go. But Robin caught him by the arm.
+</p>
+
+<p>
+&ldquo;Listen to me, Horace,&rdquo; he said. &ldquo;I&rsquo;m not going to
+quarrel with you in this house of death. But you&rsquo;re going to tell here
+and now what you meant by that remark. Do you understand? I&rsquo;m going to
+know!&rdquo;
+</p>
+
+<p>
+Horace Trevert shook himself free.
+</p>
+
+<p>
+&ldquo;Certainly you shall know,&rdquo; he answered with <i>hauteur</i>,
+&ldquo;but I must say I should have thought that, as a lawyer and so on, you
+would have guessed my meaning without my having to explain. What I mean is
+that, now that Hartley Parrish is dead, there is only one man who knows what
+drove him to his death. And that&rsquo;s yourself! Do you want it plainer than
+that?&rdquo;
+</p>
+
+<p>
+Robin took a step back and looked at his friend. But he did not speak.
+</p>
+
+<p>
+&ldquo;And now,&rdquo; the boy continued, &ldquo;perhaps you will realize that
+your presence here is disagreeable to Mary ...&rdquo;
+</p>
+
+<p>
+&ldquo;Did Mary ask you to tell me this?&rdquo; Robin broke in.
+</p>
+
+<p>
+His voice had lost its hardness. It was almost wistful. The change of tone was
+so marked that it struck Horace. He hesitated an instant.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he blurted out. &ldquo;She doesn&rsquo;t want to see you
+again. I don&rsquo;t want to be offensive, Robin..&rdquo;
+</p>
+
+<p>
+&ldquo;Please don&rsquo;t apologize,&rdquo; said Greve. &ldquo;I quite
+understand that this is your sister&rsquo;s house now and, of course, I shall
+leave at once. I&rsquo;ll ask Jay to pack my things if you could order the car
+...&rdquo;
+</p>
+
+<p>
+The boy moved towards the door. Before he reached it Robin called him back.
+</p>
+
+<p>
+&ldquo;Horace,&rdquo; he said pleasantly, &ldquo;before you go I want you to
+answer me a question. Think before you speak, because it&rsquo;s very
+important. When you got into the library yesterday evening through the window,
+you smashed the glass, didn&rsquo;t you?&rdquo;
+</p>
+
+<p>
+Horace Trevert nodded.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he replied, looking hard at Robin.
+</p>
+
+<p>
+&ldquo;Why?&rdquo;
+</p>
+
+<p>
+&ldquo;To get into the room, of course!&rdquo;
+</p>
+
+<p>
+&ldquo;Was the window bolted?&rdquo;
+</p>
+
+<p>
+The boy stopped and thought.
+</p>
+
+<p>
+&ldquo;No,&rdquo; he said slowly, &ldquo;now I come to think of it, I
+don&rsquo;t believe it was. No, of course, it wasn&rsquo;t. I just put my arm
+through the broken pane and shoved the window up. But why do you ask?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, nothing,&rdquo; answered Robin nonchalantly. &ldquo;I just was
+curious to know, that&rsquo;s all!&rdquo;
+</p>
+
+<p>
+Horace stood and looked at him for an instant. Then he went out.
+</p>
+
+<p>
+A quarter of an hour later, Hartley Parrish&rsquo;s Rolls-Royce glided through
+the straggling main street of Stevenish. A chapel bell tinkled unmusically, and
+on the pavements, gleaming with wet, went a procession of neatly dressed
+townsfolk bound, prayer-book in hand, for their respective places of worship. A
+newsboy, sorting out the Sunday newspapers which had just come down by train
+from London, was the only figure visible on the little station platform. Robin
+bought a selection.
+</p>
+
+<p>
+&ldquo;There&rsquo;s all about Mr. Parrish,&rdquo; said the boy,
+&ldquo;&rsquo;im as they found dead up at &rsquo;Arkings las&rsquo; night. And
+the noospapers &rsquo;asn&rsquo;t &rsquo;arf been sendin&rsquo; down to-day ...
+reporters and photographers ... you oughter seen the crowd as come by the
+mornin&rsquo; train ...&rdquo;
+</p>
+
+<p>
+&ldquo;I wonder what they&rsquo;ll get out of Manderton,&rdquo; commented Robin
+rather grimly to himself as his train puffed leisurely, after the habit of
+Sunday trains, into the quiet little station.
+</p>
+
+<p>
+In the solitude of his first-class smoker he unfolded the newspapers. None had
+more than the brief fact that Hartley Parrish had been found dead with a pistol
+in his hand, but they made up for the briefness of their reports by long
+accounts of the dead man&rsquo;s &ldquo;meteoric career.&rdquo; And, Robin
+noted with relief, hitherto Mary Trevert&rsquo;s name was out of the picture.
+</p>
+
+<p>
+He dropped the papers on to the seat, and, as the train steamed serenely
+through the Sunday calm of the country towards London&rsquo;s outer suburbs, he
+reviewed in his mind such facts as he had gleaned regarding the circumstances
+of his late host&rsquo;s death.
+</p>
+
+<p>
+He would, he told himself, accept for the time being as <i>facts</i> what, he
+admitted to himself, so far only seemed to be such. Hartley Parrish, then, had
+been seated in his library at his desk with the door locked. The fire was
+smoking, and therefore he had opened the window. According to Horace Trevert,
+the window had not been bolted when he had entered the library, for, after
+smashing the pane in the assumption that the bolt was shot, he had had no
+difficulty in pushing up the window. Hartley Parrish had opened the window
+himself, for on the nail of the middle finger of his left hand Robin had seen,
+with the aid of the magnifying-glass, a tiny fragment of white paint.
+</p>
+
+<p>
+Who had closed it? He had no answer ready to <i>that</i> question.
+</p>
+
+<p>
+Now, as to the circumstances of the shooting. The suicide theory invited one to
+believe that Hartley Parrish had got up from his desk, pushing back his chair,
+had gone round it until he stood between the desk and the window, and had there
+shot himself through the heart. Why should he have done this?
+</p>
+
+<p>
+Robin had no answer ready to this question either. He passed on again. Bude had
+heard loud voices a very few minutes before Mary had heard the shot. That
+morning&rsquo;s experiments had shown that Bude could have heard these sounds
+only by way of the open window of the library and the open doors of the garden
+and the library corridor. Additional proof, if Bude had heard aright, that the
+library window was open.
+</p>
+
+<p>
+Leaning back in his seat, his finger-tips pressed together, Robin Greve
+resolutely faced the situation to which his deductions were leading him.
+</p>
+
+<p>
+&ldquo;The voice heard at the open window,&rdquo; he told himself, &ldquo;was
+the voice of the man who murdered Parrish and who closed the window, that is,
+of course, if the murder theory proves more conclusive than that of
+suicide.&rdquo;
+</p>
+
+<p>
+This brought him back to his investigations in the rosery. The abrasure he had
+discovered on the timber upright was the mark of a bullet and a mark freshly
+made at that. Moreover, it had almost certainly been fired from the library
+window&mdash;from the window which Parrish had opened; the angle at which it
+had struck and marked the tree showed that almost conclusively.
+</p>
+
+<p>
+Yet there had been but one shot! If only he had been able to find that bullet
+in the rosery! Robin thought ruefully of his long hunt among the sopping
+rose-bushes.
+</p>
+
+<p>
+Yes, there had been only one shot. Mary Trevert had stated it definitely.
+Besides, the bullet that had killed Hartley Parrish had been fired from his own
+revolver and had been found in the body. Robin Greve felt the murder theory
+collapsing about him. But the suicide theory did not stand up, either. What
+possible, probable motive had Hartley Parrish for taking his own life?
+</p>
+
+<p>
+&ldquo;He wasn&rsquo;t the man to do it!&rdquo;
+</p>
+
+<p>
+The wheels of the train took up the rhythm of the phrase and dinned it into his
+ears.
+</p>
+
+<p>
+&ldquo;He wasn&rsquo;t the man to do it!&rdquo;
+</p>
+
+<p>
+The riddle seemed more baffling than ever.
+</p>
+
+<p>
+Robin thrust one hand into his right-hand pocket to get his pipe, his other
+hand into his left-hand pocket to find his pouch. His left hand came into
+contact with a little ball of paper.
+</p>
+
+<p>
+He drew it out. It was the little ball of slatey-blue paper he had found on the
+floor of the library beside Hartley Parrish&rsquo;s dead body.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap12"></a>CHAPTER XII.<br />
+MR. MANDERTON IS NONPLUSSED</h2>
+
+<p>
+Horace Trevert walked abruptly into Mary&rsquo;s Chinese boudoir. Lady Margaret
+and the girl were standing by the fire.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; said Horace, dropping into a chair, &ldquo;he&rsquo;s
+gone!&rdquo;
+</p>
+
+<p>
+&ldquo;Who?&rdquo; said Lady Margaret.
+</p>
+
+<p>
+&ldquo;Robin,&rdquo; answered the boy, &ldquo;and I must say he took it very
+well ...&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t mean to tell me, Horace,&rdquo; said his mother,
+&ldquo;that you have actually sent Robin Greve away ...?&rdquo;
+</p>
+
+<p>
+Mary Trevert put her hand on her mother&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;I wished it, Mother. I asked Horace to send him away ...&rdquo;
+</p>
+
+<p>
+&ldquo;But, my dear,&rdquo; protested Lady Margaret.
+</p>
+
+<p>
+Mary interrupted her impatiently.
+</p>
+
+<p>
+&ldquo;Robin Greve was impossible here. I had to ask him to go. I suppose he
+can come back if ... if they want him for the inquest ...&rdquo;
+</p>
+
+<p>
+Lady Margaret was looking at her daughter in a puzzled way. She was a woman of
+the world and had brought her daughter up to be a woman of the world. She knew
+that Mary was not impulsive by nature. She knew that there was a wealth of good
+sense behind those steady eyes.
+</p>
+
+<p>
+In response to a look from his mother, Horace got up and left the room.
+</p>
+
+<p>
+&ldquo;Mary, dear,&rdquo; said the older woman, &ldquo;don&rsquo;t you think
+you are making a mistake?&rdquo;
+</p>
+
+<p>
+The girl turned away, one slim shoe tapping restlessly against the brass rail
+of the fireplace.
+</p>
+
+<p>
+&ldquo;My dear,&rdquo; her mother went on, &ldquo;remember I have known Robin
+Greve all his life. His father, the Admiral, was a very old friend of mine. He
+was the very personification of honour. Robin is very fond of you ... no, he
+has told me nothing, but I <i>know</i>. Don&rsquo;t you think it is rather hard
+on an old friend to turn him away just when you most want him?&rdquo;
+</p>
+
+<p>
+There was a heightened colour in the girl&rsquo;s face as she turned and looked
+her mother in the face.
+</p>
+
+<p>
+&ldquo;Robin has not behaved like a friend, Mother,&rdquo; she answered.
+&ldquo;He knows more than he pretends about ... about this. And he lets me find
+out things from the servants when he ought to have told me himself. If he is
+suspected of having said something to Hartley which made him do this dreadful
+thing, he has only himself to thank. I <i>did</i> try to shield
+him&mdash;before I knew. But I&rsquo;m not going to do so any more. If he stays
+I shall have the police suspecting me all the time. And I owe something to
+Hartley ...&rdquo;
+</p>
+
+<p>
+Her mother sighed a soft little sigh. She said nothing. She was a very wise
+woman.
+</p>
+
+<p>
+&ldquo;Robin left me to go to the library ... I am sure of that ...&rdquo; Mary
+went on breathlessly.
+</p>
+
+<p>
+&ldquo;Why?&rdquo; her mother asked.
+</p>
+
+<p>
+The girl hesitated.
+</p>
+
+<p>
+Then she said slowly:
+</p>
+
+<p>
+&ldquo;You and I have always been good pals, Mother, so I may as well tell you.
+Robin had just asked me to marry him. So I told him I was engaged to Hartley.
+He went on in the most awful way, and said that I was selling myself and that I
+would not be the first girl that Hartley had kept ...&rdquo;
+</p>
+
+<p>
+She broke off and raised her hands to her face. Then she put her elbows on the
+mantel-shelf and burst into tears.
+</p>
+
+<p>
+&ldquo;Oh, it was hateful,&rdquo; she sobbed.
+</p>
+
+<p>
+Her mother put her arm round her soothingly.
+</p>
+
+<p>
+&ldquo;Well, my dear,&rdquo; she said, &ldquo;Robin was always fond of you, and
+I dare say it was a shock to him. When men feel like that about a girl they
+generally say things they don&rsquo;t mean ...&rdquo;
+</p>
+
+<p>
+Mary Trevert straightened herself up and dropped her hands to her side. She
+faced her mother, the tear-drops glistening on her long lashes.
+</p>
+
+<p>
+&ldquo;He meant it, every word of it. And he was perfectly right. I <i>was</i>
+selling myself, and you know I was, Mother. Do you think we can go on for ever
+like this, living on credit and dodging tradesmen? I meant to marry Hartley and
+stick to him. But I never thought ... I never guessed ... that Robin ...&rdquo;
+</p>
+
+<p>
+&ldquo;I know, my dear,&rdquo; her mother interposed, &ldquo;I know. Perhaps it
+doesn&rsquo;t sound a very proper thing to say in the circumstances, but now
+that poor Hartley is gone, there is no reason whatsoever why you and Robin
+...&rdquo;
+</p>
+
+<p>
+The Treverts were a hot-tempered race. Lady Margaret&rsquo;s unfinished
+sentence seemed to infuriate the girl.
+</p>
+
+<p>
+&ldquo;Do you think I&rsquo;d marry Robin Greve as long as I thought he knew
+the mystery of Hartley&rsquo;s death!&rdquo; she cried passionately. &ldquo;I
+was willing to give up my self-respect once to save us from ruin, but I
+won&rsquo;t do it again. I&rsquo;m not surprised to find you thinking I am
+ready to marry Robin and live happy ever after on poor Hartley&rsquo;s money.
+But I&rsquo;ve not sunk so low as that! If you ever mention this to me again,
+Mother, I promise you I&rsquo;ll go away and never come back!&rdquo;
+</p>
+
+<p>
+&ldquo;My dear child,&rdquo; temporized Lady Margaret, eyebrows raised in
+protest at this outburst, &ldquo;of course, it shall be as you wish. I only
+thought ...&rdquo;
+</p>
+
+<p>
+But Mary Trevert was not listening. She leant on the mantel-shelf, her dark
+head in her hands, and she murmured:
+</p>
+
+<p>
+&ldquo;The tragedy of it! My God, the tragedy of it!&rdquo;
+</p>
+
+<p>
+Lady Margaret twisted the rings on her long white fingers.
+</p>
+
+<p>
+&ldquo;The tragedy of it, my dear,&rdquo; she said, &ldquo;is that you have
+sent away the man you love at a time when you will never need him so badly
+again ...&rdquo;
+</p>
+
+<p>
+There was a discreet tapping at the door.
+</p>
+
+<p>
+&ldquo;Come in!&rdquo; said Lady Margaret.
+</p>
+
+<p>
+Bude appeared.
+</p>
+
+<p>
+&ldquo;Mr. Manderton, the detective, my lady, was wishing to know whether he
+might see Miss Trevert ...&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. Ask him to come up here,&rdquo; commanded Lady Margaret.
+</p>
+
+<p>
+&ldquo;He is without&mdash;in the corridor, my lady!&rdquo;
+</p>
+
+<p>
+He stepped back and in a moment Mr. Manderton stepped into the room, big,
+burly, and determined.
+</p>
+
+<p>
+He made a little stiff bow to the two ladies and halted irresolute near the
+door.
+</p>
+
+<p>
+&ldquo;You wished to see my daughter, Mr. Manderton,&rdquo; said Lady Margaret.
+</p>
+
+<p>
+The detective bowed again.
+</p>
+
+<p>
+&ldquo;And you, too, my lady,&rdquo; he said. &ldquo;Allow me!&rdquo;
+</p>
+
+<p>
+He closed the door, then crossed to the fireplace.
+</p>
+
+<p>
+&ldquo;After I had seen you and Miss Trevert last night, my lady,&rdquo; he
+began, &ldquo;I had a talk with Mr. Jeekes, Mr. Parrish&rsquo;s principal
+secretary, who came down by car from London as soon as he heard the news. My
+lady, I think this is a fairly simple case!&rdquo;
+</p>
+
+<p>
+He paused and scanned the carpet.
+</p>
+
+<p>
+&ldquo;Mr. Jeekes tells me, my lady,&rdquo; he went on presently, &ldquo;that
+Mr. Parrish had been suffering from neurasthenia and a weak heart brought on by
+too much smoking. It appears that he had consulted, within the last two months,
+two leading specialists of Harley Street about his health. One of these
+gentlemen, Sir Winterton Maire, ordered him to knock off all work and all
+smoking for at least three months. He will give evidence to this effect at the
+inquest. Mr. Parrish disregarded these orders as he was wishful to put through
+his scheme for Hornaway&rsquo;s before taking a rest. Mr. Jeekes can prove
+that. In these circumstances, my lady....&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo;
+</p>
+
+<p>
+Lady Margaret, in her black crêpe de chine dress, setting off the silvery
+whiteness of her hair, was a calm, unemotional figure as she sat in her lacquer
+chair.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; she asked again.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; said the detective, &ldquo;the verdict will be one of
+&lsquo;Suicide whilst of unsound mind,&rsquo; and in my opinion the medical
+evidence will be sufficient to bring that in. There will not be occasion, I
+fancy, my lady, to probe any farther into the motives of Mr. Parrish&rsquo;s
+action....&rdquo;
+</p>
+
+<p>
+&ldquo;And are you personally satisfied&rdquo;&mdash;Mary&rsquo;s voice broke
+in clear and unimpassioned&mdash;&ldquo;are you personally satisfied, Mr.
+Manderton, that Mr. Parrish shot himself?&rdquo;
+</p>
+
+<p>
+The detective cast an appealing glance at the tips of his well-burnished boots.
+</p>
+
+<p>
+&ldquo;Yes, Miss, I think I may say I am....&rdquo;
+</p>
+
+<p>
+&ldquo;And what about the evidence of Bude, who said he heard voices in the
+library....&rdquo;
+</p>
+
+<p>
+Mr. Manderton gave his shoulders the merest suspicion of a shrug, raised his
+hands, and dropped them to his sides.
+</p>
+
+<p>
+&ldquo;I had hoped, my lady,&rdquo; he said, throwing a glance at Lady
+Margaret, &ldquo;and you, Miss, that I had made it clear that in the
+circumstances we need not pursue that matter any further....&rdquo;
+</p>
+
+<p>
+Lady Margaret rose. Her dominating personality seemed to fill the room.
+</p>
+
+<p>
+&ldquo;We are extremely obliged to you, Mr. Manderton,&rdquo; she said,
+&ldquo;for the able and discreet way in which you have handled this case. I
+sometimes meet the Chief Commissioner at dinner. I shall write to Sir Maurice
+and tell him my opinion.&rdquo;
+</p>
+
+<p>
+Mr. Manderton reddened a little.
+</p>
+
+<p>
+&ldquo;Your ladyship is too good,&rdquo; he said.
+</p>
+
+<p>
+Lady Margaret bowed to signify that the interview was at an end. But Mary
+Trevert left her side and walked to the door.
+</p>
+
+<p>
+&ldquo;Will you come downstairs with me, Mr. Manderton,&rdquo; she said.
+&ldquo;I should like to speak to you alone for a minute!&rdquo;
+</p>
+
+<p>
+She led the way downstairs through the hall and out into the drive. A pale sun
+shone down from a grey and rainy sky, and the damp breeze blowing from the
+sodden trees played among the ringlets of her dark hair.
+</p>
+
+<p>
+&ldquo;We will walk down the drive,&rdquo; she said to the detective, who,
+rather astonished, had followed her. &ldquo;We can talk freely out of
+doors.&rdquo;
+</p>
+
+<p>
+They took a dozen steps in silence. Then she said:
+</p>
+
+<p>
+&ldquo;Who was it speaking to Mr. Parrish in the library?&rdquo;
+</p>
+
+<p>
+&ldquo;Undoubtedly Mr. Greve,&rdquo; replied the man without hesitation.
+</p>
+
+<p>
+&ldquo;Why undoubtedly?&rdquo; asked the girl.
+</p>
+
+<p>
+&ldquo;It could have been no one else. We know that he left you hot to get at
+Mr. Parrish and have words with him. Bude heard them talking with voices raised
+aloud....&rdquo;
+</p>
+
+<p>
+&ldquo;But if the door were locked?&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Parrish may have opened it and locked it again, Mr. Greve getting
+out by the window. But there are no traces of that ... one would look to find
+marks on the paint on the inside. Besides, a little test we made this morning
+suggests that Mr. Greve spoke to Mr. Parrish through the window....&rdquo;
+</p>
+
+<p>
+&ldquo;Was the window open?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, Miss, it probably was. The fire had been smoking in the library.
+Mr. Parrish had complained to Bude about it. Besides, we have found Mr.
+Parrish&rsquo;s finger-prints on the inside of the window-frame. Outside we
+found other finger-prints ... Sir Horace&rsquo;s. Sir Horace was good enough to
+allow his to be taken.&rdquo;
+</p>
+
+<p>
+The girl looked at the detective quickly.
+</p>
+
+<p>
+&ldquo;Were there any other finger-prints except Horace&rsquo;s on the
+outside?&rdquo; she asked.
+</p>
+
+<p>
+Mr. Manderton shook his head.
+</p>
+
+<p>
+&ldquo;No, Miss,&rdquo; he answered.
+</p>
+
+<p>
+They had reached the lodge-gates at the beginning of the drive and turned to
+retrace their steps to the house.
+</p>
+
+<p>
+&ldquo;Then we shall never know exactly why Mr. Parrish did this thing?&rdquo;
+hazarded Mary.
+</p>
+
+<p>
+Mr. Manderton darted her a surreptitious glance.
+</p>
+
+<p>
+&ldquo;We shall see about that,&rdquo; he said.
+</p>
+
+<p>
+There was menace in his voice.
+</p>
+
+<p>
+Mary Trevert stopped. She put her hand on the detective&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;Mr. Manderton,&rdquo; she said, &ldquo;if you are satisfied, then,
+believe me, I am!&rdquo;
+</p>
+
+<p>
+The detective bowed.
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo; he said,&mdash;and he spoke perfectly respectfully
+though his words were blunt,&mdash;&ldquo;I can well believe that!&rdquo;
+</p>
+
+<p>
+The girl looked up quickly. She scanned his face rather apprehensively.
+</p>
+
+<p>
+&ldquo;What do you mean?&rdquo; she asked, &ldquo;I don&rsquo;t
+understand....&rdquo;
+</p>
+
+<p>
+&ldquo;I mean,&rdquo; was the detective&rsquo;s answer, given in his quiet,
+level voice, &ldquo;that when you attempted to mislead Inspector Humphries you
+did nobody any good!&rdquo;
+</p>
+
+<p>
+The girl bent her head without replying, and in silence they regained the
+house. At the house door they parted, Mary going indoors while the detective
+remained standing on the drive. Very deliberately he produced a short briar
+pipe, cut a stub of dark plug tobacco from a flat piece he carried in his
+pocket, crammed the tobacco into his pipe, and lit it. Reflectively he blew a
+thin spiral of smoke into the still air.
+</p>
+
+<p>
+&ldquo;<i>He</i> told me about that fat butler&rsquo;s evidence,&rdquo; he said
+to himself; &ldquo;<i>he</i> put me wise about that window being open;
+<i>he</i> gave me the office about the paint on the finger-nails of Mr.
+H.P.&rdquo;
+</p>
+
+<p>
+He ticked off each point on his fingers with the stem of his pipe.
+</p>
+
+<p>
+&ldquo;Why?&rdquo; said Mr. Manderton aloud, addressing a laurel-bush.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap13"></a>CHAPTER XIII.<br />
+JEEKES</h2>
+
+<p>
+Mr. Albert Edward Jeekes, Hartley Parrish&rsquo;s principal private secretary,
+lunched with Lady Margaret, Mary and Horace. Dr. Romain seemed not to have got
+over his embarrassment of the morning, for he did not put in an appearance.
+</p>
+
+<p>
+Mr. Jeekes was an old young man who supported bravely the weight of his
+Christian names, a reminder of his mother having occupied some small post in
+the household of Queen Victoria the Good. He might have been any age between 35
+and 50 with his thin sandy hair, his myopic gaze, and his habitual expression
+of worried perplexity.
+</p>
+
+<p>
+He was a shorthand-writer and typist of incredible dexterity and speed which,
+combined with an unquenchable energy, had recommended him to Hartley Parrish.
+Accordingly, in consideration of a salary which he would have been the first to
+describe as &ldquo;princely,&rdquo; he had during the past four years devoted
+some fifteen hours a day to the service of Mr. Hartley Parrish.
+</p>
+
+<p>
+He was unmarried. When not on duty, either at St. James&rsquo;s Square,
+Harkings, or Hartley Parrish&rsquo;s palatial offices in Broad Street, he was
+to be found at one of those immense and gloomy clubs of indiscriminate
+membership which are dotted about the parish of St. James&rsquo;s, S.W., and to
+which Mr. Jeekes was in the habit of referring in Early-Victorian accents of
+respect.
+</p>
+
+<p>
+&ldquo;When I heard the news at the club, Miss Trevert,&rdquo; said Jeekes,
+&ldquo;you could have knocked me down with a feather. Mr. Parrish, as all of us
+knew, worked himself a great deal too hard, sometimes not knocking off for his
+tea, even, and wore his nerves all to pieces. But I never dreamed it would come
+to this. Ah! he&rsquo;s a great loss, and what we shall do without him I
+don&rsquo;t know. There was a piece in one of the papers about him
+to-day&mdash;perhaps you saw it?&mdash;it called him &lsquo;one of the captains
+of industry of modern England.&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;You were always a great help to him, Mr. Jeekes,&rdquo; said Mary, who
+was touched by the little man&rsquo;s hero-worship; &ldquo;I am sure you
+realized that he appreciated you.&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; replied Mr. Jeekes, rubbing the palms of his hands
+together, &ldquo;he did a great deal for <i>me</i>. Took me out of a City
+office where I was getting two pound five a week. That&rsquo;s what he did. It
+was a shipping firm. I tell you this because it has a bearing, Miss Trevert, on
+what is to follow. Why did he pick me? I&rsquo;ll tell you.
+</p>
+
+<p>
+&ldquo;He was passing through the front office with one of our principals when
+he asked him, just casually, what Union Pacific stood at. The boss didn&rsquo;t
+know.
+</p>
+
+<p>
+&ldquo;&lsquo;A hundred and eighty-seven London parity,&rsquo; says I. He
+turned round and looked at me. &lsquo;How do you know that?&rsquo; says he,
+rather surprised, this being in a shipping office, you understand.
+</p>
+
+<p>
+&ldquo;&lsquo;I take an interest in the markets,&rsquo; I replied. &lsquo;Do
+you?&rsquo; he says. &lsquo;Then you might do for me,&rsquo; and tells me to
+come and see him.&rdquo;
+</p>
+
+<p>
+&ldquo;I went. He made me an offer. When I heard the figure ... my word!&rdquo;
+</p>
+
+<p>
+Mr. Jeekes paused. Then added sadly:
+</p>
+
+<p>
+&ldquo;And I had meant to work for him to my dying day!&rdquo;
+</p>
+
+<p>
+They were in the billiard-room seated on the selfsame settee, Mary reflected,
+on which she and Robin had sat&mdash;how long ago it seemed, though only
+yesterday! Mary had carried the secretary off after luncheon in order to unfold
+to him a plan which she had been turning over in her mind ever since her
+conversation with the detective.
+</p>
+
+<p>
+&ldquo;And what are you going to do now, Mr. Jeekes?&rdquo; she asked.
+</p>
+
+<p>
+The little man pursed up his lips.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; he said, &ldquo;I&rsquo;ll have to get something else, I
+expect. I&rsquo;m not expecting to find anything so good as I had with Mr.
+Parrish. And things are pretty crowded in the City, Miss Trevert, what with all
+the boys back from the war, God bless &rsquo;em, and glad we are to see
+&rsquo;em, I&rsquo;m sure. I hope you&rsquo;ll realize, Miss Trevert, that
+anything I can do to help to put Mr. Parrish&rsquo;s affairs
+straight....&rdquo;
+</p>
+
+<p>
+&ldquo;I was just about to say,&rdquo; Mary broke in, &ldquo;that I hope you
+will not contemplate any change, Mr. Jeekes. You know more about Mr.
+Parrish&rsquo;s affairs than anybody else, and I shall be very glad if you will
+stay on and help me. You know I have been left sole executrix....&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo;&mdash;the little man stammered in his
+embarrassment,&mdash;&ldquo;this is handsome of you. I surely thought you would
+have wished to make your own arrangements, appoint your own
+secretaries....&rdquo;
+</p>
+
+<p>
+Mr. Jeekes broke off and looked at her, blinking hard.
+</p>
+
+<p>
+&ldquo;Not at all,&rdquo; said Mary. &ldquo;Everything shall be as it was. I am
+sure that Mr. Bardy will approve. Besides, Mr. Jeekes, I want your assistance
+in something else....&rdquo;
+</p>
+
+<p>
+&ldquo;Anything in my power....&rdquo; began Jeekes.
+</p>
+
+<p>
+&ldquo;Listen,&rdquo; said Mary.
+</p>
+
+<p>
+She was all her old self-composed self now, a charming figure in her plain blue
+serge suit with a white silken shirt and black tie&mdash;the best approach to
+mourning her wardrobe could afford. Already the short winter afternoon was
+drawing in. Mysterious shadows lurked in the corners of the long and narrow
+room.
+</p>
+
+<p>
+&ldquo;Listen,&rdquo; said Mary, leaning forward. &ldquo;I want to know why Mr.
+Parrish killed himself. I mean to know. And I want you, Mr. Jeekes, to help me
+to find out.&rdquo;
+</p>
+
+<p>
+Something stirred ever so faintly in the remote recesses of the billiard-room.
+A loose board or something creaked softly and was silent.
+</p>
+
+<p>
+&ldquo;What was that?&rdquo; the girl called out sharply. &ldquo;Who&rsquo;s
+there?&rdquo;
+</p>
+
+<p>
+Mr. Jeekes got up and walked over to the door. It was ajar. He closed it.
+</p>
+
+<p>
+&ldquo;Just a board creaking,&rdquo; he said as he resumed his seat.
+</p>
+
+<p>
+&ldquo;I want your aid in finding out the motive for this terrible
+deed,&rdquo;&mdash;Mary Trevert was speaking again,&mdash;&ldquo;I can&rsquo;t
+understand.... I don&rsquo;t see clear....&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo; said Mr. Jeekes, clearing his throat fussily,
+&ldquo;I fear we must look for the motive in the state of poor Mr.
+Parrish&rsquo;s nerves. An uncommonly high-strung man he always was, and he
+smoked those long black strong cigars of his from morning till night. Sir
+Winterton Maire told him flatly&mdash;Mr. Parrish, I recollect, repeated his
+very words to me after Sir Winterton had examined him&mdash;that, if he did not
+take a complete rest and give up smoking, he would not be answerable for the
+consequences. Therefore, Miss Trevert....&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Jeekes,&rdquo; answered the girl, &ldquo;I knew Mr. Parrish pretty
+well. A woman, you know, gets to the heart of a man&rsquo;s character very
+often quicker than his daily associates in business. And I know that Mr.
+Parrish was the last man in the world to have done a thing like that. He was so
+... so undaunted. He made nothing of difficulties. He relied wholly on himself.
+That was the secret of his success. For him to have killed himself like this
+makes me feel convinced that there was some hidden reason, far stronger, far
+more terrible, than any question of nerves....&rdquo;
+</p>
+
+<p>
+Leaning forward, her hands clasped tightly in front of her, Mary Trevert raised
+her dark eyes to the little secretary&rsquo;s face.
+</p>
+
+<p>
+&ldquo;Many men have a secret in their lives,&rdquo; she said in a low voice.
+&ldquo;Do you know of anything in Mr. Parrish&rsquo;s life which an enemy might
+have made use of to drive him to his death?&rdquo;
+</p>
+
+<p>
+Her manner was so intense that Mr. Jeekes quite lost his self-composure. He
+clutched at his <i>pince-nez</i> and readjusted them upon his nose to cover his
+embarrassment. The secretary was not used to gazing at beautiful women whose
+expressive features showed as clearly as this the play of the emotions.
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo; he said presently, &ldquo;I know of no such secret.
+But then what do I&mdash;what does any one&mdash;know of Mr. Parrish&rsquo;s
+former life?&rdquo;
+</p>
+
+<p>
+&ldquo;We might make enquiries in South Africa?&rdquo; ventured the girl.
+</p>
+
+<p>
+&ldquo;I doubt if we should learn anything much through that,&rdquo; said the
+secretary. &ldquo;Of course, Mr. Parrish had great responsibilities and
+responsibility means worry....&rdquo;
+</p>
+
+<p>
+A silence fell on them both. From somewhere in the dark shadows above the fire
+glowing red through the falling twilight a clock chimed once. There was a faint
+rustling from the neighborhood of the door. Mr. Jeekes started violently. A
+coal dropped noisily into the fireplace.
+</p>
+
+<p>
+&ldquo;There was something else,&rdquo; said Mary, ignoring the interruption,
+and paused. She did not look up when she spoke again.
+</p>
+
+<p>
+&ldquo;There is often a woman in cases like this,&rdquo; she began reluctantly.
+</p>
+
+<p>
+Mr. Jeekes looked extremely uncomfortable.
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo; he said, &ldquo;I beg you will not press me on that
+score....&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo; asked the girl bluntly.
+</p>
+
+<p>
+&ldquo;Because ... because&rdquo;&mdash;Mr. Jeekes stumbled sadly over his
+words&mdash;&ldquo;because, dear me, there are some things which really I
+couldn&rsquo;t possibly discuss ... if you&rsquo;ll excuse me....&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, but you can discuss everything, Mr. Jeekes,&rdquo; replied Mary
+Trevert composedly. &ldquo;I am not a child, you know. I am perfectly well
+aware that there&rsquo;s a woman somewhere in the life of every man, very often
+two or three. I haven&rsquo;t got any illusions on the subject, I assure you. I
+never supposed for a moment that I was the first woman in Mr. Parrish&rsquo;s
+life....&rdquo;
+</p>
+
+<p>
+This candour seemed to administer a knock-out blow to the little
+secretary&rsquo;s Victorian mind. He was speechless. He took off his
+<i>pince-nez</i>, blindly polished them with his pocket-handkerchief and
+replaced them upon his nose. His fingers trembled violently.
+</p>
+
+<p>
+&ldquo;I have no wish to appear vulgarly curious,&rdquo; the girl went
+on,&mdash;Mr. Jeekes made a quick gesture of dissent,&mdash;&ldquo;but I am
+anxious to know whether Mr. Parrish was being blackmailed ... or anything like
+that....&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, no, Miss Trevert, I do assure you,&rdquo; the little man
+expostulated in hasty denial, &ldquo;nothing like that, I am convinced. At
+least, that is to say ...&rdquo;
+</p>
+
+<p>
+He rose to his feet, clutching the little <i>attaché</i> case which he
+invariably carried with him as a kind of emblem of office.
+</p>
+
+<p>
+&ldquo;And now, if you&rsquo;ll excuse me, Miss Trevert,&rdquo; he muttered,
+&ldquo;I should really be going. I am due at Mr. Bardy&rsquo;s office at five
+o&rsquo;clock. He is coming up from the country specially to meet me. There is
+so much to discuss with regard to this terrible affair.&rdquo;
+</p>
+
+<p>
+He glanced at his watch.
+</p>
+
+<p>
+&ldquo;With the roads as greasy as they are,&rdquo; he added, &ldquo;it will
+take me all my time in the car to ...&rdquo;
+</p>
+
+<p>
+He cast a panic-stricken glance around him. But Mary Trevert held him fast.
+</p>
+
+<p>
+&ldquo;You didn&rsquo;t finish what you were saying about Mr. Parrish, Mr.
+Jeekes,&rdquo; she said impassively. The secretary made no sign. But he looked
+a trifle sullen.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think you realize, Mr. Jeekes,&rdquo; she said,
+&ldquo;that other people besides myself are keenly interested in the motives
+for Mr. Parrish&rsquo;s suicide. The police profess to be willing to accept the
+testimony of the specialists as satisfactory medical evidence about his state
+of mind. But I distrust that man, Manderton. He is not satisfied, Mr. Jeekes.
+He won&rsquo;t rest until he knows the truth.&rdquo;
+</p>
+
+<p>
+The secretary cast her a frightened glance.
+</p>
+
+<p>
+&ldquo;But Mr. Manderton told me himself, Miss Trevert,&rdquo; he affirmed,
+&ldquo;that the verdict would be, &lsquo;Suicide while temporarily
+insane,&rsquo; on Sir Winterton Maire&rsquo;s evidence alone ...&rdquo;
+</p>
+
+<p>
+Mary Trevert tapped the ground impatiently with her foot.
+</p>
+
+<p>
+&ldquo;Manderton will get at the truth, I tell you,&rdquo; she said.
+&ldquo;He&rsquo;s that kind of man. Do you want me to find out from them? At
+the inquest, perhaps?&rdquo;
+</p>
+
+<p>
+The secretary put his <i>attaché</i> case down on the lounge again.
+</p>
+
+<p>
+&ldquo;Of course, that would be most improper, Miss Trevert,&rdquo; he said.
+&ldquo;But your question embarrasses me. It embarrasses me very much ...&rdquo;
+</p>
+
+<p>
+&ldquo;What are you keeping back from me, Mr. Jeekes?&rdquo; the girl demanded
+imperiously.
+</p>
+
+<p>
+The secretary mopped his forehead with his handkerchief. Then, as though with
+an effort, he spoke.
+</p>
+
+<p>
+&ldquo;There is a lady, a French lady, who draws an income from Mr. Parrish
+...&rdquo;
+</p>
+
+<p>
+The girl remained impassive, but her eyes grew rather hard.
+</p>
+
+<p>
+&ldquo;These payments are still going on?&rdquo; she asked.
+</p>
+
+<p>
+Jeekes hesitated. Then he nodded,
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Well? Was she blackmailing ... him?&rdquo;
+</p>
+
+<p>
+&ldquo;No, no,&rdquo; Mr. Jeekes averred hastily. &ldquo;But there was some
+unpleasantness some months ago ... er ... a county court action, to be precise,
+about some bills she owed. Mr. Parrish was very angry about it and settled to
+prevent it coming into court. But there was some talk about it ... in legal
+circles ...&rdquo;
+</p>
+
+<p>
+He threw a rather scared glance at the girl.
+</p>
+
+<p>
+&ldquo;Please explain yourself, Mr. Jeekes,&rdquo; she said coldly. &ldquo;I
+don&rsquo;t understand ...&rdquo;
+</p>
+
+<p>
+&ldquo;Her lawyer was Le Hagen&mdash;it&rsquo;s a shady firm with a big
+criminal practice. They sometimes brief Mr. Greve ...&rdquo;
+</p>
+
+<p>
+Mary Trevert clasped and unclasped her hands quickly.
+</p>
+
+<p>
+&ldquo;I quite understand, Mr. Jeekes,&rdquo; she said. &ldquo;You
+needn&rsquo;t say any more ...&rdquo;
+</p>
+
+<p>
+She turned away in a manner that implied dismissal. It was as though she had
+forgotten the secretary&rsquo;s existence. He picked up his <i>attaché</i> case
+and walked slowly to the door.
+</p>
+
+<p>
+A sharp exclamation broke from his lips.
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo; he cried, &ldquo;the door ... I shut it a little
+while back ... look, it&rsquo;s ajar!&rdquo;
+</p>
+
+<p>
+The girl who stood at the fire switched on the electric light by the
+mantelpiece.
+</p>
+
+<p>
+&ldquo;Is ... is ... the door defective? Doesn&rsquo;t it shut properly?&rdquo;
+</p>
+
+<p>
+The little secretary forced out the questions in an agitated voice.
+</p>
+
+<p>
+The girl walked across the room and shut the door. It closed perfectly, a piece
+of solid, well-fitting oak.
+</p>
+
+<p>
+&ldquo;What does it mean?&rdquo; said Mr. Jeekes in a whisper. &ldquo;You
+understand, I should not wish what I told you just now about Mr. Parrish to be
+overheard ...&rdquo;
+</p>
+
+<p>
+They opened the door again. The dusky corridor was empty.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap14"></a>CHAPTER XIV.<br />
+A SHEET OF BLUE PAPER</h2>
+
+<p>
+The sight of that crumpled ball of slatey-blue paper brought back to
+Robin&rsquo;s mind with astonishing vividness every detail of the scene in the
+library. Once more he looked into Hartley Parrish&rsquo;s staring, unseeing
+eyes, saw the firelight gleam again on the heavy gold signet ring on the dead
+man&rsquo;s hand, the tag of the dead man&rsquo;s bootlace as it trailed from
+one sprawling foot across the carpet. Once more he felt the dark cloud of the
+mystery envelop him as a mist and with a little sigh he smoothed out the
+crumpled paper.
+</p>
+
+<p>
+It was an ordinary quarto sheet of stoutish paper, with a glazed surface, of an
+unusual shade of blue, darker than what the stationers call
+&ldquo;azure,&rdquo; yet lighter than legal blue. At the top right-hand corner
+was typewritten a date: &ldquo;Nov. 25.&rdquo; Otherwise the sheet was blank.
+</p>
+
+<p>
+The curious thing about it was that a number of rectangular slits had been cut
+in the paper. Robin counted them. There were seven. They were of varying sizes,
+the largest a little over an inch, the smallest not more than a quarter of an
+inch, in length. In depth they measured about an eighth of an inch.
+</p>
+
+<p>
+Robin stared at the paper uncomprehendingly. He remembered perfectly where he
+had found it on the floor of the library at Harkings, between the dead body and
+the waste-paper basket. The basket, he recalled, stood out in the open just
+clear of the desk on the left-hand side. From the position in which it was
+lying the ball of paper might have been aimed for the waste-paper basket and,
+missing it, have fallen on the carpet.
+</p>
+
+<p>
+Robin turned the sheet over. The back was blank. Then he held the paper up to
+the light. Yes, there was a water-mark. Now it was easily discernible.
+&ldquo;EGMONT FF. QU.&rdquo; he made out.
+</p>
+
+<p>
+The train was slowing down. Robin glanced out of the window and saw that they
+were crossing the river in the mirky gloom of a London winter Sunday. He
+balanced the sheet of paper in his hands for a moment. Then he folded it
+carefully into four and stowed it away in his cigarette-case. The next moment
+the train thumped its way into Charing Cross.
+</p>
+
+<p>
+A taxi deposited him at the Middle Temple Gate. He walked the short distance to
+the set of chambers he occupied. On his front door a piece of paper was pinned.
+By the rambling calligraphy and the phonetic English he recognized the hand of
+his &ldquo;laundress.&rdquo;
+</p>
+
+<p class="letter">
+Dere sir [it ran], mr rite call he want to see u pertikler i tole im as you was
+in country &amp; give im ur adress hope i dun rite mrs bragg
+</p>
+
+<p>
+Robin had scarcely got his key in the door of his &ldquo;oak&rdquo; when there
+was a step on the stair. A nice-looking young man with close-cropped fair hair
+appeared round the turn of the staircase.
+</p>
+
+<p>
+&ldquo;Hullo, Robin,&rdquo; he exclaimed impetuously, &ldquo;I <i>am</i> glad
+to have caught you like this. Your woman gave me your address, so I rang up
+Harkings at once and they told me you had just gone back to town. So I came
+straight here. You remember me, don&rsquo;t you? Bruce Wright ... But perhaps
+I&rsquo;m butting in. If you&rsquo;d rather see me some other time....&rdquo;
+</p>
+
+<p>
+&ldquo;My dear boy,&rdquo; said Robin, motioning him into the flat, &ldquo;of
+course I remember you. Only I didn&rsquo;t recognize you just for the minute.
+Shove your hat down here in the hall. And as for butting in,&rdquo;&mdash;he
+threw open the door of the living-room,&mdash;&ldquo;why! I think there is no
+other man in England I would so gladly see at this very moment as
+yourself.&rdquo;
+</p>
+
+<p>
+The living-room was a bright and cheery place, tastefully furnished in old oak
+with gay chintz curtains. It looked out on an old-world paved court in the
+centre of which stood a solitary soot-laden plane-tree.
+</p>
+
+<p>
+&ldquo;What&rsquo;s this rot about Parrish having committed suicide?&rdquo;
+demanded the boy abruptly.
+</p>
+
+<p>
+Robin gave him in the briefest terms an outline of the tragedy.
+</p>
+
+<p>
+&ldquo;Poor old H.P., eh?&rdquo; mused young Wright; &ldquo;who&rsquo;d have
+thought it?&rdquo;
+</p>
+
+<p>
+&ldquo;But the idea of suicide is preposterous,&rdquo; he broke out suddenly.
+&ldquo;I knew Parrish probably better than anybody. He would never have done a
+thing like that. It must have been an accident....&rdquo;
+</p>
+
+<p>
+Robin shook his head.
+</p>
+
+<p>
+&ldquo;That possibility is ruled out by the medical evidence,&rdquo; he said,
+and stopped short.
+</p>
+
+<p>
+Bruce Wright, who had been pacing up and down the room, halted in front of the
+barrister.
+</p>
+
+<p>
+&ldquo;I tell you that Parrish was not the man to commit suicide. Nothing would
+have even forced him to take his own life. You know, I was working with him as
+his personal secretary every day for more than two years, and I am sure!&rdquo;
+</p>
+
+<p>
+He resumed his pacing up and down the room.
+</p>
+
+<p>
+&ldquo;Has it ever occurred to you, Robin,&rdquo; he said presently,
+&ldquo;that practically nothing is known of H.P.&rsquo;s antecedents? For
+instance, do you know where he was born?&rdquo;
+</p>
+
+<p>
+&ldquo;I understand he was a Canadian,&rdquo; replied Robin with a shrewd
+glance at the flushed face of the boy.
+</p>
+
+<p>
+&ldquo;He&rsquo;s lived in Canada,&rdquo; said Wright, &ldquo;but originally he
+was a Cockney, from the London slums. And I believe I am the only person who
+knows that....&rdquo;
+</p>
+
+<p>
+Robin pushed an armchair at his companion.
+</p>
+
+<p>
+&ldquo;Sit down and tell me about it,&rdquo; he commanded.
+</p>
+
+<p>
+The boy dropped into the chair.
+</p>
+
+<p>
+&ldquo;It was after I had been only a few months with him,&rdquo; he began,
+&ldquo;shortly after I was discharged from the army with that lung wound of
+mine. We were driving back in the car from some munition works near Baling, and
+the chauffeur took a wrong turning near Wormwood Scrubs and got into a maze of
+dirty streets round there....&rdquo;
+</p>
+
+<p>
+&ldquo;I know,&rdquo; commented Robin, &ldquo;Notting Dale, they call
+it....&rdquo;
+</p>
+
+<p>
+&ldquo;H.P. wasn&rsquo;t noticing much,&rdquo; Wright went on, &ldquo;as he was
+dictating letters to me,&mdash;we used to do a lot of work in the Rolls-Royce
+in those rush days,&mdash;but, directly he noticed that the chauffeur was
+uncertain of the road, he shoved his head out of the window and put him right
+at once. I suppose I seemed surprised at his knowing his way about those parts,
+for he laughed at me and said: &lsquo;I was born and brought up down here,
+Bruce, in a little greengrocer&rsquo;s shop just off the Latimer Road.&rsquo; I
+said nothing because I didn&rsquo;t want to interrupt his train of thought. He
+had never talked to me or Jeekes or any of us like that before.
+</p>
+
+<p>
+&ldquo;&lsquo;By Gad,&rsquo; he went on, &lsquo;how the smell of the place
+brings back those days to me&mdash;the smell of decayed fruit, of stale fish,
+of dirt! Why, it seems like yesterday that Victor Marbran and I used to drive
+round uncle&rsquo;s cart with vegetables and coal. What a life to escape from,
+Bruce, my boy! Gad, you can count yourself lucky!&rsquo;
+</p>
+
+<p>
+&ldquo;He was like a man talking to himself. I asked him how he had broken away
+from it all. At that he laughed, a bitter, hard sort of laugh. &lsquo;By having
+the guts to break away from it, boy,&rsquo; he said. &lsquo;It was I who made
+Victor Marbran come away with me. We worked our passages out to the Cape and
+made our way up-country to Matabeleland. That was in the early days of Rhodes
+and Barney Barnato&mdash;long before I went to Canada. I made Victor&rsquo;s
+fortune for him and mine as well. But I made more than Victor and he never
+forgave me. He&rsquo;d do me a bad turn if he could ...&rsquo;
+</p>
+
+<p>
+&ldquo;Then he broke off short and went on with his dictating ...&rdquo;
+</p>
+
+<p>
+&ldquo;Did he ever come back to this phase of his life?&rdquo;
+</p>
+
+<p>
+&ldquo;Only when we got out of the car that morning. He said to me:
+&lsquo;Forget what I told you to-day, young fellow. Never rake up a man&rsquo;s
+past!&rsquo; And he never mentioned the subject again. Of course, I
+didn&rsquo;t either ...&rdquo;
+</p>
+
+<p>
+Stretched full length in his chair, his eyes fixed on the ceiling, Robin
+remained lost in thought.
+</p>
+
+<p>
+&ldquo;The conversation came back to me to-day,&rdquo; said the boy,
+&ldquo;when I read of Parrish&rsquo;s death. And I wondered ...&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo;
+</p>
+
+<p>
+&ldquo;Whether the secret of his death may not be found somewhere in his
+adventurous past. You see he said that Victor Marbran was an enemy. Then there
+was something else. I never told you&mdash;when you took all that trouble to
+get me another job after Parrish had sacked me&mdash;the exact reason for my
+dismissal. You never asked me either. That was decent of you, Robin ...&rdquo;
+</p>
+
+<p>
+&ldquo;I liked you, Bruce,&rdquo; said Robin shortly.
+</p>
+
+<p>
+&ldquo;Well, I&rsquo;ll tell you now,&rdquo; he said. &ldquo;When I joined
+H.P.&rsquo;s staff after I got out of the Army, I was put under old Jeekes, of
+course, to learn the work. One of the first injunctions he gave me was with
+regard to Mr. Parrish&rsquo;s letters. I suppose you know more or less how
+secretaries of a big business man like Hartley Parrish work. They open all
+letters, lay the important ones before the big man for him to deal with
+personally, make a digest of the others or deal with them direct ...&rdquo;
+</p>
+
+<p>
+Robin nodded.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; the boy resumed, &ldquo;the first thing old Jeekes told me
+was that letters arriving in a blue envelope and marked &lsquo;Personal&rsquo;
+were never to be opened ...&rdquo;
+</p>
+
+<p>
+&ldquo;In a blue envelope?&rdquo; echoed Robin quickly.
+</p>
+
+<p>
+&ldquo;Yes, a particular kind of blue&mdash;a sort of slatey-blue&mdash;Jeekes
+showed me one as a guide. Well, these letters were to be handed to Mr. Parrish
+unopened.&rdquo;
+</p>
+
+<p>
+Robin had stood up.
+</p>
+
+<p>
+&ldquo;That&rsquo;s odd,&rdquo; he said, diving in his pocket.
+</p>
+
+<p>
+&ldquo;I say, hold on a bit,&rdquo; protested the boy, &ldquo;this is really
+rather important what I am telling you. I&rsquo;ll never finish if you keep on
+interrupting.&rdquo;
+</p>
+
+<p>
+&ldquo;Sorry, Bruce,&rdquo; said Robin, and sat down again.
+</p>
+
+<p>
+But he began to play restlessly with his cigarette case which he had drawn from
+his pocket.
+</p>
+
+<p>
+&ldquo;Well, of course,&rdquo; Bruce resumed, &ldquo;I wasn&rsquo;t much of a
+private secretary really, and one day I forgot all about this injunction. Some
+days old H.P. got as many as three hundred letters. I was alone at Harkings
+with him, I remember, Jeekes was up at Sheffield and the other secretaries were
+away ill or something, and in the rush of dealing with this enormous mail I
+slit one of these blue envelopes open with the rest. I discovered what I had
+done only after I had got all the letters sorted out, this one with the rest.
+So I went straight to old H.P. and told him. By Jove!&rdquo;
+</p>
+
+<p>
+&ldquo;What happened?&rdquo; said Robin.
+</p>
+
+<p>
+&ldquo;He got into the most paralytic rage,&rdquo; said Bruce. &ldquo;I have
+never seen a man in such an absolute frenzy of passion. He went right off the
+hooks, just like that! He fairly put the wind up me. For a minute I thought he
+was going to kill me. He snatched the letter out of my hand, called me every
+name under the sun, and finally shouted: &lsquo;You&rsquo;re fired, d&rsquo;ye
+hear? I won&rsquo;t employ men who disobey my orders! Get out of this before I
+do you a mischief! I went straight off. And I never saw him again ...&rdquo;
+</p>
+
+<p>
+Robin Greve looked very serious. But his face displayed no emotion as he asked:
+</p>
+
+<p>
+&ldquo;And what was in the letter for him to make such a fuss about?&rdquo;
+</p>
+
+<p>
+The boy shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;That was the extraordinary part of it. The letter was perfectly
+harmless. It was an ordinary business letter from a firm in Holland ...&rdquo;
+</p>
+
+<p>
+&ldquo;In Holland?&rdquo; cried Greve. &ldquo;Did you say in Holland? Tell me
+the name! No, wait, see if I can remember. &lsquo;Van&rsquo;
+something&mdash;&lsquo;Speck&rsquo; or &lsquo;Spike&rsquo; ...&rdquo;
+</p>
+
+<p>
+&ldquo;I remember the name perfectly,&rdquo; answered Bruce, rather puzzled by
+the other&rsquo;s sudden outburst; &ldquo;it was Van der Spyck and Co. of
+Rotterdam. We had a good deal of correspondence with them ...&rdquo;
+</p>
+
+<p>
+Robin Greve had opened his cigarette-case and drawn from it a creased square of
+blue paper folded twice across. Unfolding it, he held up the sheet he had found
+in the library at Harkings.
+</p>
+
+<p>
+&ldquo;Is that the paper those letters were written on?&rdquo; he asked.
+</p>
+
+<p>
+Bruce took the sheet from him. He held it up to the light.
+</p>
+
+<p>
+&ldquo;Why, yes,&rdquo; came the prompt answer. &ldquo;I&rsquo;d know it in a
+minute. Look, it&rsquo;s the same water-mark. &lsquo;Egmont.&rsquo; Where did
+you get hold of it?&rdquo;
+</p>
+
+<p>
+&ldquo;Bruce,&rdquo; said Robin gravely, without answering the question,
+&ldquo;we&rsquo;re getting into deep water, boy!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap15"></a>CHAPTER XV.<br />
+SHADOWS</h2>
+
+<p>
+Robert Greve stood for an instant in silence by the window of his rooms. His
+fingers hammered out a tattoo on the pane. His eyes were fixed on the windows
+of the chambers across the court. But they did not take in the pleasant
+prospect of the tall, ivy-framed casements in their mellow setting of warm red
+brick. He was trying to fix a mental photograph of a letter&mdash;typewritten
+on paper of dark slatey blue&mdash;which he had seen on Hartley Parrish&rsquo;s
+desk in the library at Harkings on the previous afternoon.
+</p>
+
+<p>
+Prompted by Bruce Wright, he could now recall the heading clearly. &ldquo;ELIAS
+VAN DER SPYCK &amp; Co., GENERAL IMPORTERS, ROTTERDAM,&rdquo; stood printed
+before his eyes as plainly as though he still held the typewritten sheet in
+front of him. But the mind plays curious tricks. Robin&rsquo;s brain had
+registered the name; yet it recorded no impression of the contents of the
+letter. Beyond the fact that it dealt in plain commercial fashion with some
+shipments or other, he could recall no particular whatever of it.
+</p>
+
+<p>
+&ldquo;But where did you get hold of this sheet of paper?&rdquo; Bruce
+Wright&rsquo;s voice broke in impatiently behind him. &ldquo;I&rsquo;m most
+frightfully interested to know ...&rdquo;
+</p>
+
+<p>
+&ldquo;Found it on the floor beside Parrish&rsquo;s body,&rdquo; answered Robin
+briefly. &ldquo;There was a letter, too, on the same paper ...&rdquo;
+</p>
+
+<p>
+&ldquo;By Gad!&rdquo; exclaimed the boy eagerly, &ldquo;have you got that
+too?&rdquo;
+</p>
+
+<p>
+Robin shook his head.
+</p>
+
+<p>
+&ldquo;It was only your story that made me think of it. I had the letter. But I
+left it where I found it&mdash;on Parrish&rsquo;s desk in the library
+...&rdquo;
+</p>
+
+<p>
+&ldquo;But you read it ... you know what was in it?&rdquo;
+</p>
+
+<p>
+Robin shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;It was a perfectly straightforward business letter ... something about
+steel shipments ... I don&rsquo;t remember any more ...&rdquo;
+</p>
+
+<p>
+&ldquo;A straightforward business letter,&rdquo; commented the boy. &ldquo;Like
+the letter I read, eh?...&rdquo;
+</p>
+
+<p>
+&ldquo;Tell me, Bruce,&rdquo; said Robin, after a moment&rsquo;s silence,
+&ldquo;during the time you were with Hartley Parrish, I suppose these blue
+letters came pretty often?&rdquo;
+</p>
+
+<p>
+Young Wright wrinkled his brow in thought.
+</p>
+
+<p>
+&ldquo;It&rsquo;s rather difficult to say. You see, there were three of us
+besides old Jeekes, and, of course, these letters might have come without my
+knowledge anything about it. But during the seven months I worked with H.P. I
+suppose about half a dozen of these letters passed through my hands. They used
+to worry H.P., you know, Robin ...&rdquo;
+</p>
+
+<p>
+&ldquo;Worry him?&rdquo; exclaimed Robin sharply; &ldquo;how do you
+mean?&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; said Bruce, &ldquo;Parrish was a very easygoing fellow, you
+know. He worked every one&mdash;himself included&mdash;like the devil, of
+course. But he was hardly ever nervy or grumpy. And so I was a bit surprised to
+find&mdash;after I had been with him for a time&mdash;that every now and then
+he sort of shrivelled up. He used to look ... well, careworn and ... and
+haggard. And at these times he was pretty short with all of us. It was such an
+extraordinary change from his usual cheery, optimistic self that sometimes I
+suspected him of dope or some horror like that ...&rdquo;
+</p>
+
+<p>
+Robin shook his head. He had a sudden vision of Hartley Parrish, one of his
+long, black Partagas thrust at an aggressive angle from a corner of his mouth,
+virile, battling, strong.
+</p>
+
+<p>
+&ldquo;Oh, no,&rdquo; he said, &ldquo;not dope ...&rdquo;
+</p>
+
+<p>
+&ldquo;No, no, I know,&rdquo; the boy went on quickly. &ldquo;It wasn&rsquo;t
+dope. It was fear ...&rdquo;
+</p>
+
+<p>
+Robin swung round from the window.
+</p>
+
+<p>
+&ldquo;Fear? Fear of what?&rdquo;
+</p>
+
+<p>
+The boy cast a frightened glance over his shoulder rather as if he fancied he
+might be overheard.
+</p>
+
+<p>
+&ldquo;Of those letters,&rdquo; he replied. &ldquo;I am sure it was that. I
+watched him and ... and I <i>know</i>. Every time he got one of those letters
+in the bluish envelopes, these curious fits of gloom came over him. Robin
+...&rdquo;
+</p>
+
+<p>
+&ldquo;What, Bruce?&rdquo;
+</p>
+
+<p>
+&ldquo;I think he was being blackmailed!&rdquo;
+</p>
+
+<p>
+The barrister nodded thoughtfully.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you agree?&rdquo;
+</p>
+
+<p>
+The boy awaited his answer eagerly.
+</p>
+
+<p>
+&ldquo;Something very like that,&rdquo; replied the other.
+</p>
+
+<p>
+Then suddenly he smashed his fist into the open palm of his other hand.
+</p>
+
+<p>
+&ldquo;But he wouldn&rsquo;t have taken it lying down!&rdquo; he cried.
+&ldquo;Hartley Parrish was a fighter, Bruce. Did you ever know a man who could
+best him? No, no, it won&rsquo;t fit! Besides ...&rdquo;
+</p>
+
+<p>
+He broke off and thought for an instant.
+</p>
+
+<p>
+&ldquo;We must get that letter from Harkings,&rdquo; he said presently.
+&ldquo;Jeekes will have it. We can do nothing until ...&rdquo;
+</p>
+
+<p>
+His voice died away. Bruce, sunk in one of the big leather armchairs, was
+astonished to see him slip quickly away from the window and ensconce himself
+behind one of the chintz curtains.
+</p>
+
+<p>
+&ldquo;Here, Bruce,&rdquo; Robin called softly across the room. &ldquo;Just
+come here. But take care not to show yourself. Look out, keep behind the
+curtain and here ... peep out through this chink!&rdquo;
+</p>
+
+<p>
+Young Wright peered through a narrow slit between the curtain and the
+window-frame. In the far corner of the courtyard beneath the windows, where a
+short round iron post marked a narrow passage leading to the adjoining court, a
+man was standing. He wore a shabby suit and a blue handkerchief knotted about
+his neck served him as a substitute for the more conventional collar and tie.
+His body was more than half concealed by the side of the house along which the
+passage ran. But his face was clearly distinguishable&mdash;a peaky, thin face,
+the upper part in the shadow of the peak of a discoloured tweed cap.
+</p>
+
+<p>
+&ldquo;He&rsquo;s been there on and off all the time we&rsquo;ve been
+talking,&rdquo; said Robin. &ldquo;I wasn&rsquo;t sure at first. But now
+I&rsquo;m certain. He&rsquo;s watching these windows! Look!&rdquo;
+</p>
+
+<p>
+Briskly the watcher&rsquo;s head was withdrawn to emerge again, slowly and
+cautiously, in a little while.
+</p>
+
+<p>
+&ldquo;But who is he? What does he want?&rdquo; asked Bruce.
+</p>
+
+<p>
+&ldquo;I haven&rsquo;t an idea,&rdquo; retorted Robin Greve. &ldquo;But I could
+guess. Tell me, Bruce,&rdquo; he went on, stepping back from the window and
+motioning the boy to do the same, &ldquo;did you notice anybody following you
+when you came here?&rdquo;
+</p>
+
+<p>
+Bruce shook his head.
+</p>
+
+<p>
+&ldquo;I&rsquo;m pretty sure nobody did. You see, I came in from the Strand,
+down Middle Temple Lane. Once service has started at Temple Church
+there&rsquo;s not a mouse stirring in the Inn till the church is out. I think I
+should have noticed if any one had followed me up to your chambers ...&rdquo;
+</p>
+
+<p>
+Robin set his chin squarely.
+</p>
+
+<p>
+&ldquo;Then he came after me,&rdquo; he said. &ldquo;Bruce, you&rsquo;ll have
+to go to Harkings and get that letter!&rdquo;
+</p>
+
+<p>
+&ldquo;By all means,&rdquo; answered the boy. &ldquo;But, I say, they
+won&rsquo;t much like me butting in, will they?&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll have to say you came down to offer your sympathy, ...
+volunteer your services ... oh, anything. But you <i>must</i> get that letter!
+Do you understand, Bruce? <i>You must get that letter</i>&mdash;if you have to
+steal it!&rdquo;
+</p>
+
+<p>
+The boy gave a long whistle.
+</p>
+
+<p>
+&ldquo;That&rsquo;s rather a tall order, isn&rsquo;t it?&rdquo; he said.
+</p>
+
+<p>
+Robin nodded. His face was very grave.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said presently, &ldquo;I suppose it is. But there is
+something ... something horrible behind this case, Bruce, something dark and
+... and mysterious. And I mean to get to the bottom of it. With your help. Or
+alone!&rdquo;
+</p>
+
+<p>
+Bruce put his hand impulsively on the other&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;You can count on me, you know,&rdquo; he said. &ldquo;But don&rsquo;t
+you think ...&rdquo;
+</p>
+
+<p>
+He broke off shyly.
+</p>
+
+<p>
+&ldquo;What?&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you think you&rsquo;d better tell me what you know. And what
+you suspect!&rdquo;
+</p>
+
+<p>
+Robin hesitated.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said, &ldquo;that&rsquo;s fair. I suppose I ought. But
+there&rsquo;s not much to tell, Bruce. Just before Hartley Parrish was found
+dead, I asked Miss Trevert to marry me. I was too late. She was already engaged
+to Hartley Parrish. I was horrified ... I know some things about Parrish ... we
+had words and I went off. Five minutes later Miss Trevert went to fetch Parrish
+in to tea and heard a shot behind the locked door of the library. Horace
+Trevert got in through the window and found Parrish dead. Every one down at
+Harkings believes that I went in and threatened Parrish so that he committed
+suicide ...&rdquo;
+</p>
+
+<p>
+&ldquo;Whom do you mean by every one?&rdquo;
+</p>
+
+<p>
+Robin laughed drily. &ldquo;Mary Trevert, her mother, Horace Trevert ...&rdquo;
+</p>
+
+<p>
+&ldquo;The police, too?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly. The police more than anybody!&rdquo;
+</p>
+
+<p>
+&ldquo;By Jove!&rdquo; commented the boy.
+</p>
+
+<p>
+&ldquo;You ask me what I suspect,&rdquo; Robin continued. &ldquo;I admit I have
+no positive proof. But I suspect that Hartley Parrish did not die by his own
+hand!&rdquo;
+</p>
+
+<p>
+Bruce Wright looked up with a startled expression on his face.
+</p>
+
+<p>
+&ldquo;You mean that he was murdered?&rdquo;
+</p>
+
+<p>
+&ldquo;I do!&rdquo;
+</p>
+
+<p>
+&ldquo;But how? Why?&rdquo;
+</p>
+
+<p>
+Then Robin told him of the experiment in the library, of the open window and of
+the bullet mark he had discovered in the rosery.
+</p>
+
+<p>
+&ldquo;What I want to know,&rdquo; he said, &ldquo;and what I am determined to
+find out beyond any possible doubt, is whether the bullet found in Hartley
+Parrish&rsquo;s body was fired from <i>his</i> pistol. But before we reach that
+point we have to explain how it happened that only one shot was heard and how a
+bullet which <i>apparently</i> came from Parrish&rsquo;s pistol was found in
+his body ...&rdquo;
+</p>
+
+<p>
+&ldquo;If Mr. Parrish was murdered, the murderer might have turned the gun
+round in Parrish&rsquo;s hand and forced him to shoot himself ...&rdquo;
+</p>
+
+<p>
+&ldquo;Hardly,&rdquo; said Robin. &ldquo;Remember, Mary Trevert was at the door
+when the shot was fired. Your theory presupposes the employment of force, in
+other words, a struggle. Miss Trevert heard no scuffling. No, I&rsquo;ve
+thought of that.. it won&rsquo;t do ...&rdquo;
+</p>
+
+<p>
+&ldquo;Have you any suspicion of who the murderer might be?&rdquo;
+</p>
+
+<p>
+Robin shook his head decidedly.
+</p>
+
+<p>
+&ldquo;Not a shadow of an idea,&rdquo; he affirmed positively. &ldquo;But I
+have a notion that we shall find a clue in this letter which, like a blithering
+fool, I left on Parrish&rsquo;s desk. It&rsquo;s the first glimmer of hope
+I&rsquo;ve seen yet ...&rdquo;
+</p>
+
+<p>
+Bruce Wright squared his shoulders and threw his head back.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll get it for you,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Good boy,&rdquo; said Robin. &ldquo;But, Bruce,&rdquo; he went on,
+&ldquo;you&rsquo;ll have to go carefully. My name is mud in that house. You
+mustn&rsquo;t say you come from me. And if you ask boldly for the letter, they
+won&rsquo;t give it to you. Jeekes might, if he&rsquo;s there and you approach
+him cautiously. But, for Heaven&rsquo;s sake, don&rsquo;t try any diplomacy on
+Manderton ... that&rsquo;s the Scotland Yard man. He&rsquo;s as wary as a fox
+and sharp as needles.&rdquo;
+</p>
+
+<p>
+Bruce Wright buttoned up his coat with an air of finality.
+</p>
+
+<p>
+&ldquo;Leave it to me,&rdquo; he said, &ldquo;I know Harkings like my pocket.
+Besides I&rsquo;ve got a friend there ...&rdquo;
+</p>
+
+<p>
+&ldquo;Who might that be?&rdquo; queried the barrister.
+</p>
+
+<p>
+&ldquo;Bude,&rdquo; answered the boy and laid a finger on his lips.
+</p>
+
+<p>
+&ldquo;But,&rdquo; he pursued, jerking his head in the direction of the window,
+&ldquo;what are we going to do about him out there?&rdquo;
+</p>
+
+<p>
+Robin laughed.
+</p>
+
+<p>
+&ldquo;Him?&rdquo; he said. &ldquo;Oh, I&rsquo;m going to take him out for an
+airing!&rdquo;
+</p>
+
+<p>
+Robin stepped out into the hall. He returned wearing his hat and overcoat. In
+his hand were two yale keys strung on a wisp of pink tape.
+</p>
+
+<p>
+&ldquo;Listen, Bruce,&rdquo; he said. &ldquo;Give me ten minutes&rsquo; start
+to get rid of this jackal. Then clear out. There&rsquo;s a train to Stevenish
+at 3.23. If you get on the Underground at the Temple you ought to be able to
+make it easily. Here are the keys of the chambers. I can put you up here
+to-night if you like. I&rsquo;ll expect you when I see you ... with that
+letter. Savvy?&rdquo;
+</p>
+
+<p>
+The boy stood up.
+</p>
+
+<p>
+&ldquo;You&rsquo;ll have that letter to-night,&rdquo; he answered. &ldquo;But
+in the meantime,&rdquo;&mdash;he waved the blue sheet with its mysterious slots
+at Robin,&mdash;&ldquo;what do you make of this?&rdquo;
+</p>
+
+<p>
+Robin took the sheet of paper from him and replaced it in his cigarette-case.
+</p>
+
+<p>
+&ldquo;Perhaps, when we have the letter,&rdquo; he replied, &ldquo;I shall be
+able to answer that question!&rdquo;
+</p>
+
+<p>
+Then he lit a cigarette, gave the boy his hand, and a minute later Bruce
+Wright, watching through the chink of the curtain from the window of Robin
+Greve&rsquo;s chambers, saw a lanky form shuffle across the court and follow
+Robin round the angle of the house.
+</p>
+
+<p>
+Robin strode quickly through the maze of narrow passages and tranquil, echoing
+courts into the Sabbath stillness of the Strand. An occasional halt at a
+shop-window was sufficient to assure him that the watcher of the Temple was
+still on his heels. The man, he was interested to see, played his part very
+unobtrusively, shambling along in nonchalant fashion, mostly hugging the sides
+of the houses, ready to dart out of sight into a doorway or down a side
+turning, should he by any mischance arrive too close on the heels of his
+quarry.
+</p>
+
+<p>
+As he walked along, Robin turned over in his mind the best means for getting
+rid of his shadow. Should he dive into a Tube station and plunge headlong down
+the steps? He rejected this idea as calculated to let the tracker know that his
+presence was suspected. Then he reviewed in his mind the various establishments
+he knew of in London with double entrances, thinking that he might slip in by
+the one entrance and emerge by the other.
+</p>
+
+<p>
+In Pall Mall he came upon Tony Grandell, whom he had last seen playing bridge
+in the company dugout on the Flesquieres Ridge. Then he had been in
+&ldquo;battle order,&rdquo; camouflaged as a private soldier, as officers were
+ordered to go over the top in the latter phases of the war. Now he was
+resplendent in what the invitation cards call &ldquo;Morning Dress&rdquo;
+crowned by what must certainly have been the most relucent top-hat in London.
+</p>
+
+<p>
+&ldquo;Hullo, hullo, hullo!&rdquo; cried Tony, on catching sight of him;
+&ldquo;stand to your kits and so forth! And how is my merry company commander?
+Robin, dear, come and relieve the medieval gloom of lunch with my aunt at
+Mart&rsquo;s!&rdquo;
+</p>
+
+<p>
+He linked his arm affectionately in Robin&rsquo;s.
+</p>
+
+<p>
+Mart&rsquo;s! Robin&rsquo;s brain snatched at the word. Mart&rsquo;s! most
+respectable of &ldquo;family hotels,&rdquo; wedged in between two quiet streets
+off Piccadilly with an entrance from both. If ever a man wanted to dodge a
+sleuth, especially a grimy tatterdemalion like the one sidling up Pall Mall
+behind them ...
+</p>
+
+<p>
+&ldquo;Tony, old son,&rdquo; said Robin, &ldquo;I won&rsquo;t lunch with you
+even to set the board in a roar at your aunt&rsquo;s luncheon-party. But
+I&rsquo;ll walk up to Mart&rsquo;s with you, for I&rsquo;m going there myself
+...&rdquo;
+</p>
+
+<p>
+They entered Mart&rsquo;s together and parted in the vestibule, where Tony
+gravely informed his &ldquo;dear old scream&rdquo; that he must fly to his
+&ldquo;avuncular luncheon.&rdquo; Robin walked quickly through the hotel and
+left by the other entrance. The street was almost deserted. Of the man with the
+dingy neckerchief there was no sign. Robin hurried into Piccadilly and hopped
+on a &rsquo;bus which put him down at his club facing the Green Park.
+</p>
+
+<p>
+He had a late lunch there and afterwards took a taxi back to the Temple. The
+daylight was failing as he crossed the courtyard in front of his chambers. In
+the centre the smoke-blackened plane-tree throned it in unchallenged solitude.
+But, as Robin&rsquo;s footsteps echoed across the flags, something more
+substantial than a shadow seemed to melt into the gathering dusk in the corner
+where the narrow passage ran.
+</p>
+
+<p>
+Robin stopped to listen at the entrance to his chambers. As he stood there he
+heard a heavy tread on the stone steps within. He turned to face a solidly
+built swarthy-looking man who emerged from the building.
+</p>
+
+<p>
+He favoured Robin with a leisurely, searching stare, then strode heavily across
+the courtyard to the little passage where he disappeared from view.
+</p>
+
+<p>
+Robin looked after him. The man was a stranger: the occupants of the other
+chambers were all known to him. With a thoughtful expression on his face Robin
+entered the house and mounted to his rooms.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap16"></a>CHAPTER XVI.<br />
+THE INTRUDER</h2>
+
+<p>
+&ldquo;D&mdash;&mdash;!&rdquo; exclaimed Bruce Wright.
+</p>
+
+<p>
+He stood in the great porch at Harkings, his finger on the electric bell. No
+sound came in response to the pressure, nor any one to open the door. Thus he
+had stood for fully ten minutes listening in vain for any sound within the
+house. All was still as death. He began to think that the bell was out of
+order. He had forgotten Hartley Parrish&rsquo;s insistence on quiet. All bells
+at Harkings rang, discreetly muted, in the servants&rsquo; hall.
+</p>
+
+<p>
+He stepped out of the porch on to the drive. The weather had improved and,
+under a freshening wind, the country was drying up. As he reached the hard
+gravel, he heard footsteps, Bude appeared, his collar turned up, his
+swallow-tails floating in the wind.
+</p>
+
+<p>
+&ldquo;Now, be off with you!&rdquo; he cried as soon as he caught sight of the
+trim figure in the grey overcoat; &ldquo;how many more of ye have I to tell
+there&rsquo;s nothing for you to get here! Go on, get out before I put the dog
+on you!&rdquo;
+</p>
+
+<p>
+He waved an imperious hand at Bruce.
+</p>
+
+<p>
+&ldquo;Hullo, Bude,&rdquo; said the boy, &ldquo;you&rsquo;ve grown very
+inhospitable all of a sudden!&rdquo;
+</p>
+
+<p>
+&ldquo;God bless my soul if it isn&rsquo;t young Mr. Wright!&rdquo; exclaimed
+the butler. &ldquo;And I thought it was another of those dratted reporters.
+It&rsquo;s been ring, ring, ring the whole blessed morning, sir, you can
+believe me, as if they owned the place, wanting to interview me and Mr. Jeekes
+and Miss Trevert and the Lord knows who else. Lot of interfering busybodies,
+<i>I</i> call &rsquo;em! I&rsquo;d shut up all noospapers by law if I had my
+way ...&rdquo;
+</p>
+
+<p>
+&ldquo;Is Mr. Jeekes here, Bude?&rdquo; asked Bruce.
+</p>
+
+<p>
+&ldquo;He&rsquo;s gone off to London in the car, sir ... But won&rsquo;t you
+come in, Mr. Wright? If you wouldn&rsquo;t mind coming in by the side door. I
+have to keep the front door closed to shut them scribbling fellows out. One of
+them had the face to ask me to let him into the library to take a photograph
+...&rdquo;
+</p>
+
+<p>
+He led the way round the side of the house to the glass door in the library
+corridor.
+</p>
+
+<p>
+&ldquo;This is a sad business, Bude!&rdquo; said Bruce.
+</p>
+
+<p>
+&ldquo;Ah, indeed, it is, sir,&rdquo; he sighed. &ldquo;He had his faults had
+Mr. Parrish, as well <i>you</i> know, Mr. Wright. But he was an open-handed
+gentleman, that I will say, and we&rsquo;ll all miss him at Harkings ...&rdquo;
+</p>
+
+<p>
+They were now in the corridor. Bude jerked a thumb over his shoulder.
+</p>
+
+<p>
+&ldquo;It was in there they found him,&rdquo; he said in a low voice,
+&ldquo;with a hole plumb over the heart.&rdquo;
+</p>
+
+<p>
+His voice sank to a whisper. &ldquo;There&rsquo;s blood on the carpet!&rdquo;
+he added impressively.
+</p>
+
+<p>
+&ldquo;I should like just to take a peep at the room, Bude,&rdquo; ventured the
+boy, casting a sidelong glance at the butler.
+</p>
+
+<p>
+&ldquo;Can&rsquo;t be done, sir,&rdquo; said Bude, shaking his head;
+&ldquo;orders of Detective-Inspector Manderton. The police is very strict, Mr.
+Wright, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;There seems to be no one around just now, Bude,&rdquo; the young man
+wheedled. &ldquo;There can&rsquo;t be any harm in my just going in for a
+second?...&rdquo;
+</p>
+
+<p>
+&ldquo;Go in you should, Mr. Wright, sir,&rdquo; said the butler genially,
+&ldquo;if I had my way. But the door&rsquo;s locked. And, what&rsquo;s more,
+the police have the key.&rdquo;
+</p>
+
+<p>
+&ldquo;Is the detective anywhere about?&rdquo; asked Bruce.
+</p>
+
+<p>
+&ldquo;No, sir,&rdquo; answered Bude. &ldquo;He&rsquo;s gone off to town, too!
+And he don&rsquo;t expect to be back before the inquest. That&rsquo;s for
+Toosday!&rdquo;
+</p>
+
+<p>
+&ldquo;But isn&rsquo;t there another key anywhere?&rdquo; persisted the boy.
+</p>
+
+<p>
+&ldquo;No, sir,&rdquo; said Bude positively, &ldquo;there isn&rsquo;t but the
+one. And that&rsquo;s in Mr. Manderton&rsquo;s vest pocket!&rdquo;
+</p>
+
+<p>
+Young Wright wrinkled his brow in perplexity. He was very young, but he had a
+fine strain of perseverance in him. He was not nearly at the end of his
+resources, he told himself.
+</p>
+
+<p>
+&ldquo;Well, then,&rdquo; he said suddenly, &ldquo;I&rsquo;m going outside to
+have a look through the window. I remember you can see into the library from
+the path round the house!&rdquo;
+</p>
+
+<p>
+He darted out, the butler, protesting, lumbering along behind him.
+</p>
+
+<p>
+&ldquo;Mr. Wright,&rdquo; he panted as he ran, &ldquo;you didn&rsquo;t reelly
+ought ... If any one should come ...&rdquo;
+</p>
+
+<p>
+But Bruce Wright was already at the window. The butler found him leaning on the
+sill, peering with an air of frightened curiosity into the empty room.
+</p>
+
+<p>
+&ldquo;The glazier from Stevenish&rdquo;&mdash;Bude&rsquo;s voice breathed the
+words hoarsely in Wright&rsquo;s ear&mdash;&ldquo;is coming to-morrow morning
+to put the window in. He wouldn&rsquo;t come to-day, him being a chapel-goer
+and religious. It was there we found poor Mr. Parrish&mdash;d&rsquo;you see,
+sir, just between the window and the desk!&rdquo;
+</p>
+
+<p>
+But Bruce Wright did not heed him. His eyes were fixed on the big writing-desk,
+on the line of black japanned letter-trays set out in orderly array. Outside,
+the short winter afternoon was drawing in fast, and the light was failing.
+Dusky shadows within the library made it difficult to distinguish objects
+clearly.
+</p>
+
+<p>
+A voice close at hand cried out sharply:
+</p>
+
+<p>
+&ldquo;Mr. Bude! Mr. Bu-u-ude!&rdquo;
+</p>
+
+<p>
+&ldquo;They&rsquo;re calling me!&rdquo; whispered the butler in his ear with a
+tug at his sleeve; &ldquo;come away, sir!&rdquo;
+</p>
+
+<p>
+But Bruce shook him off. He heard the man&rsquo;s heavy tread on the gravel,
+then a door slam.
+</p>
+
+<p>
+How dark the room was growing, to be sure! Strain his eyes as he might, he
+could not get a clear view of the contents of the letter-trays on the desk. But
+their high backs hid their contents from his eyes. Even when he hoisted himself
+on to the window-sill he could not get a better view.
+</p>
+
+<p>
+He dropped back on to the gravel path and listened. The wind soughed sadly in
+the bare tree-tops, somewhere in the distance a dog barked hoarsely,
+insistently; otherwise not a sound was to be heard. He cast a cautious glance
+round the side of the house. The glass door was shut; the lamp in the corridor
+had not been lit.
+</p>
+
+<p>
+Hoisting himself up to the window-sill again, he crooked one knee on the rough
+edge and thrusting one arm through the broken pane of glass, unbolted the
+window. Then, steadying himself with one hand, with the other he very gently
+pushed up the window, threw his legs across the sill, and dropped into the
+library. Very deliberately, he turned and pushed the window softly down behind
+him.
+</p>
+
+<p>
+Some unconscious prompting, perhaps an unfamiliar surface beneath his feet,
+made him look down. Where his feet rested on the mole-grey carpet a wide dark
+patch stood out from the delicate shade of the rug. For a moment a spasm of
+physical nausea caught him.
+</p>
+
+<p>
+&ldquo;How beastly!&rdquo; he whispered to himself and took a step towards the
+desk.
+</p>
+
+<p>
+Hartley Parrish&rsquo;s desk was arranged just as he always remembered it to
+have been. All the letter-trays save one were empty. In that was a little pile
+of papers held down by a massive marble paper-weight. Quickly he stepped round
+the desk.
+</p>
+
+<p>
+He had put out his hand to lift the weight when there was a gentle rattle at
+the door.
+</p>
+
+<p>
+Bruce Wright wheeled instantly round, back to the desk, to face the door,
+which, in the gathering dusk, was now but a squarer patch of darkness among the
+shadows at the far end of the library. He stood absolutely still, rooted to the
+spot, his heart thumping so fast that, in that silent room, he could hear the
+rapid beats.
+</p>
+
+<p>
+Some one was unlocking the library door. As realization came to the boy, he
+tiptoed rapidly round the desk, the sound of his feet muffled by the heavy pile
+carpet, and reached the window. There was a click as the lock of the door was
+shot back. Without further hesitation Bruce stepped behind the long curtains
+which fell from the top of the window to the floor.
+</p>
+
+<p>
+The curtains, of some heavy grey material, were quite opaque. Bruce realized,
+with a sinking heart, that he must depend on his ears to discover the identity
+of this mysterious interloper. He dared not look out from his
+hiding-place&mdash;at least not until he could be sure that the newcomer had
+his back to the window. He remained, rigid and vigilant, straining his ears to
+catch the slightest sound, scarcely daring to breathe.
+</p>
+
+<p>
+He heard the door open, heard it softly close again. Then ... silence. Not
+another sound. The boy remembered the heavy pile carpet and cursed his luck. He
+would have to risk a peep round the curtains. But not yet! He must wait ...
+</p>
+
+<p>
+A very slight rustling, a faint prolonged rustling, caught his ear. It came
+nearer, then stopped. There was a little rattling noise from somewhere close at
+hand, a small clinking sound.
+</p>
+
+<p>
+Then silence fell again.
+</p>
+
+<p>
+The wind whooshed sadly round the house, the window clattered dismally in its
+frame, the curtains tugged fretfully before the cold breeze which blew in at
+the broken pane. But the silence in the room was absolute.
+</p>
+
+<p>
+It began to oppress the boy. It frightened him. He felt an uncontrollable
+desire to look out into the room and establish the identity of the mysterious
+entrant. He glided his hand towards the window-frame in the hope that he might
+find a chink between curtain and wall through which he might risk a peep into
+the room. But the curtain was fastened to the wall.
+</p>
+
+<p>
+The room was almost entirely dark now. Only behind him was a patch of grey
+light where the lowering evening sky was framed in the window. He began to draw
+the curtain very slowly towards him, at the same time leaning to the right.
+Very cautiously he applied one eye to the edge of the curtain.
+</p>
+
+<p>
+As he did so a bright light struck him full in the face. It streamed full from
+a lamp on the desk and almost blinded him. It was a reading-lamp and the bulb
+had been turned up so as to throw a beam on the curtain behind which the boy
+was sheltering.
+</p>
+
+<p>
+Behind the desk, straining back in terror, stood a slim, girlish figure. The
+details of her dress were lost in the gathering shadows, but her face stood out
+in the gloom, a pale oval. Bruce could see the dark line made by the lashes on
+her cheek.
+</p>
+
+<p>
+At the sight of her, he stepped boldly forth from his hiding-place, shielding
+his eyes from the light with his hand.
+</p>
+
+<p>
+&ldquo;It&rsquo;s Bruce Wright, Miss Trevert,&rdquo; he said,
+&ldquo;don&rsquo;t you remember me?&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap17"></a>CHAPTER XVII.<br />
+A FRESH CLUE</h2>
+
+<p>
+&ldquo;Oh!&rdquo; cried the girl, &ldquo;you frightened me! You frightened me!
+What do you want here ... in this horrible room?&rdquo;
+</p>
+
+<p>
+She was trembling. One slim hand plucked nervously at her dress. Her breath
+came and went quickly.
+</p>
+
+<p>
+&ldquo;I saw the curtain move. I thought it was the wind at first. But then I
+saw the outline of your fingers. And I imagined it was he ... come back
+...&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo; said the boy abashed, &ldquo;I must have frightened
+you terribly. I had no idea it was you!&rdquo;
+</p>
+
+<p>
+&ldquo;But why are you hiding here? How did you get in? What do you want in
+this house?&rdquo;
+</p>
+
+<p>
+She spoke quickly, nervously. Some papers she held in her hand shook with her
+emotion. Bruce Wright stepped to the desk and turned the bulb of the
+reading-lamp down into its normal position.
+</p>
+
+<p>
+&ldquo;I must apologize most sincerely for the fright I gave you,&rdquo; he
+said. &ldquo;But, believe me, Miss Trevert, I had no idea that anybody could
+gain access to this room. I climbed in through the window. Bude told me that
+the police had taken away the key ...&rdquo;
+</p>
+
+<p>
+The girl made an impatient gesture.
+</p>
+
+<p>
+&ldquo;But why have you come here?&rdquo; she said. &ldquo;What do you
+want?&rdquo;
+</p>
+
+<p>
+The boy measured her with a narrow glance. He was young, but he was shrewd. He
+saw her frank eyes, her candid, open mien, and he took a rapid decision.
+</p>
+
+<p>
+&ldquo;I think I have come,&rdquo; he answered slowly, &ldquo;for the same
+purpose as yourself!&rdquo;
+</p>
+
+<p>
+And he looked at the papers in her hand.
+</p>
+
+<p>
+&ldquo;I used to be Mr. Parrish&rsquo;s secretary, you know,&rdquo; he said.
+</p>
+
+<p>
+The girl sighed&mdash;a little fluttering sigh&mdash;and looked earnestly at
+him.
+</p>
+
+<p>
+&ldquo;I remember,&rdquo; she said. &ldquo;Hartley liked you. He was sorry that
+he sent you away. He often spoke of you to me. But why have you come back? What
+do you mean by saying you have come for the same purpose as myself?&rdquo;
+</p>
+
+<p>
+Bruce Wright looked at the array of letter-trays. The marble paper-weight had
+been displaced. The tray in which it had lain was empty. He looked at the sheaf
+of papers in the girl&rsquo;s hand.
+</p>
+
+<p>
+&ldquo;I wanted to see,&rdquo; he replied, &ldquo;whether there was anything
+here ... on his desk ... which would explain the mystery of his death
+...&rdquo;
+</p>
+
+<p>
+The girl spread out the papers in her hand on the big blotter.
+</p>
+
+<p>
+She laid the papers out in a row and leant forward, her white arms resting on
+the desk. From the other side of the desk the boy leant eagerly forward and
+scanned the line of papers.
+</p>
+
+<p>
+At the first glimpse his face fell. The girl, eyeing him closely, marked the
+change which came over his features.
+</p>
+
+<p>
+There were seven papers of various kinds, both printed and written, and they
+were all on white paper.
+</p>
+
+<p>
+The boy shook his head and swept the papers together into a heap.
+</p>
+
+<p>
+&ldquo;It&rsquo;s not there?&rdquo; queried the girl eagerly.
+</p>
+
+<p>
+&ldquo;No!&rdquo; said Bruce absent-mindedly, glancing round the desk.
+</p>
+
+<p>
+&ldquo;What isn&rsquo;t?&rdquo; flashed back the girl.
+</p>
+
+<p>
+Bruce Wright felt his face redden with vexation. What sort of a confidential
+emissary was he to fall into a simple trap like this?
+</p>
+
+<p>
+The girl smiled rather wanly.
+</p>
+
+<p>
+&ldquo;Now I know what you meant by saying you had come for the same purpose as
+myself,&rdquo; she said. &ldquo;I suppose we both thought we might find
+something, a letter, perhaps, which would explain why Mr. Parrish did this
+dreadful thing, something to relieve this awful uncertainty about ... about his
+motive. Well, I&rsquo;ve searched the desk ... and there&rsquo;s nothing!
+Nothing but just these prospectuses and receipts which were in the letter-tray
+here. They must have come by the post yesterday morning. And there&rsquo;s
+nothing of any importance in the drawers ... only household receipts and the
+wages book and a few odd things like that! You can see for yourself ...&rdquo;
+</p>
+
+<p>
+The lower part of the desk consisted of three drawers flanked on either side by
+cupboards. Mary Trevert pulled out the drawers and opened the cupboards. Two of
+the drawers were entirely empty and one of the cupboards contained nothing but
+a stack of cigar boxes. One drawer held various papers appertaining to the
+house. There was no sign of any letter written on the slatey-blue paper.
+</p>
+
+<p>
+The boy looked very hard at Mary.
+</p>
+
+<p>
+&ldquo;You say there was nothing in the letter-tray but these papers
+here?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Nothing but these,&rdquo; replied the girl.
+</p>
+
+<p>
+&ldquo;You didn&rsquo;t notice any official-looking letter on bluish
+paper?&rdquo; he ventured to ask.
+</p>
+
+<p>
+&ldquo;No,&rdquo; answered the girl. &ldquo;I found nothing but these.&rdquo;
+</p>
+
+<p>
+The boy thought for a moment.
+</p>
+
+<p>
+&ldquo;Do you know,&rdquo; he asked, &ldquo;whether the police or anybody have
+been through the desk?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know at all,&rdquo; said Mary, smoothing back a lock of
+hair from her temple; &ldquo;I daresay Mr. Jeekes had a look round, as he had a
+meeting with Mr. Parrish&rsquo;s lawyer in town this afternoon!&rdquo;
+</p>
+
+<p>
+She had lost all trace of her fright and was now quite calm and collected.
+</p>
+
+<p>
+&ldquo;Do you know for certain whether Mr. Jeekes was in here?&rdquo; asked
+Bruce.
+</p>
+
+<p>
+&ldquo;Oh, yes. The first thing he did on arriving last night was to go to the
+library.&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose Jeekes is coming back here to-night?&rdquo;
+</p>
+
+<p>
+No, she told him. Mr. Jeekes did not expect to return to Harkings until the
+inquest on Tuesday.
+</p>
+
+<p>
+Bruce Wright picked up his hat.
+</p>
+
+<p>
+&ldquo;I must apologize again, Miss Trevert,&rdquo; he said, &ldquo;for making
+such an unconventional entrance and giving you such a fright. But I felt I
+could not rest until I had investigated matters for myself. I would have
+presented myself in the ordinary way, but, as I told you, Bude told me the
+police had locked up the room and taken away the key ...&rdquo;
+</p>
+
+<p>
+Mary Trevert smiled forgivingly.
+</p>
+
+<p>
+&ldquo;So they did,&rdquo; she said. &ldquo;But Jay&mdash;Mr. Parrish&rsquo;s
+man, you know&mdash;had another key. He brought it to me.&rdquo;
+</p>
+
+<p>
+She looked at Bruce with a whimsical little smile.
+</p>
+
+<p>
+&ldquo;You must have been very uncomfortable behind those curtains,&rdquo; she
+said. &ldquo;I believe you were just as frightened as I was.&rdquo;
+</p>
+
+<p>
+She walked round the desk to the window.
+</p>
+
+<p>
+&ldquo;It was a good hiding-place,&rdquo; she remarked, &ldquo;but not much
+good as an observation post. Why! you could see nothing of the room. The
+curtains are much too thick!&rdquo;
+</p>
+
+<p>
+&ldquo;Not a thing,&rdquo; Bruce agreed rather ruefully. &ldquo;I thought you
+were the detective!&rdquo;
+</p>
+
+<p>
+He held out his hand to take his leave with a smile. He was a charming-looking
+boy with a remarkably serene expression which went well with close-cropped
+golden hair.
+</p>
+
+<p>
+Mary Trevert did not take his hand for an instant. Looking down at the point of
+her small black suede shoe she said shyly:
+</p>
+
+<p>
+&ldquo;Mr. Wright, you are a friend of Mr. Greve, aren&rsquo;t you?&rdquo;
+</p>
+
+<p>
+&ldquo;Rather!&rdquo; was the enthusiastic answer.
+</p>
+
+<p>
+&ldquo;Do you see him often?&rdquo;
+</p>
+
+<p>
+The boy&rsquo;s eyes narrowed suddenly. Was this a cross-examination?
+</p>
+
+<p>
+&ldquo;Oh, yes,&rdquo; he replied, &ldquo;every now and then!&rdquo;
+</p>
+
+<p>
+Mary Trevert raised her eyes to his.
+</p>
+
+<p>
+&ldquo;Will you do something for me?&rdquo; she said. &ldquo;Tell Mr. Greve not
+to trust Manderton. He will know whom I mean. Tell him to be on his guard
+against that man. Say he means mischief. Tell him, above all things, to be
+careful. Make him go away ... go abroad until this thing has blown over
+...&rdquo;
+</p>
+
+<p>
+She spoke with intense earnestness, her dark eyes fixed on Bruce Wright&rsquo;s
+face.
+</p>
+
+<p>
+&ldquo;But promise me you won&rsquo;t say this comes from me! Do you
+understand? There are reasons, very strong reasons, for this. Will you
+promise?&rdquo;
+</p>
+
+<p>
+&ldquo;Of course!&rdquo;
+</p>
+
+<p>
+She took Bruce&rsquo;s outstretched hand.
+</p>
+
+<p>
+&ldquo;I promise,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;You mustn&rsquo;t go without tea,&rdquo; said the girl.
+&ldquo;Besides,&rdquo;&mdash;she glanced at a little platinum watch on her
+wrist,&mdash;&ldquo;there&rsquo;s not another train until six. There is no need
+for you to start yet. I don&rsquo;t like being left alone. Mother has one of
+her headaches, and Horace and Dr. Romain have gone to Stevenish. Come up to my
+sitting-room!&rdquo;
+</p>
+
+<p>
+She led the way out of the library, locking the door behind them, and together
+they went up to the Chinese boudoir where tea was laid on a low table before a
+bright fire. In the dainty room with its bright colours they seemed far removed
+from the tragedy which had darkened Harkings.
+</p>
+
+<p>
+They had finished tea when a tap came at the door. Bude appeared. He cast a
+reproachful look at Bruce.
+</p>
+
+<p>
+&ldquo;Jay would be glad to have a word with you, Miss,&rdquo; he said.
+</p>
+
+<p>
+The girl excused herself and left the room. She was absent for about ten
+minutes. When she returned, she had a little furrow of perplexity between her
+brows. She walked over to the open fireplace and stood silent for an instant,
+her foot tapping the hearth-rug.
+</p>
+
+<p>
+&ldquo;Mr. Wright,&rdquo; she said presently, &ldquo;I&rsquo;m going to tell
+you something that Jay has just told me. I want your advice ...&rdquo;
+</p>
+
+<p>
+The boy looked at her interrogatively. But he did not speak.
+</p>
+
+<p>
+&ldquo;I think this is rather important,&rdquo; the girl went on, &ldquo;but I
+don&rsquo;t quite understand in what way it is. Jay tells me that Mr. Parrish
+had on his pistol a sort of steel fitting attached to the end ... you know, the
+part you shoot out of. Mr. Parrish used to keep his automatic in a drawer in
+his dressing-room, and Jay has often seen it there with this attachment fitted
+on. Well, when Mr. Parrish was discovered in the library yesterday, this thing
+was no longer on the pistol. And Jay says it&rsquo;s not to be found!...&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s rather strange!&rdquo; commented Bruce. &ldquo;But what was
+this steel contraption for, do you know? Was it a patent sight or
+something?&rdquo;
+</p>
+
+<p>
+&ldquo;Jay doesn&rsquo;t know,&rdquo; answered the girl.
+</p>
+
+<p>
+&ldquo;Would you mind if I spoke to Jay myself?&rdquo; asked the young man.
+</p>
+
+<p>
+In reply the girl touched the bell beside the fireplace. Bude answered the
+summons and was despatched to find Jay. He appeared in due course, a tall,
+dark, sleek young man wearing a swallow-tail coat and striped trousers.
+</p>
+
+<p>
+&ldquo;How are you, Jay?&rdquo; said Bruce affably.
+</p>
+
+<p>
+&ldquo;Very well, thank you, sir,&rdquo; replied the valet.
+</p>
+
+<p>
+&ldquo;Miss Trevert was telling me about this appliance which you say Mr.
+Parrish had on his automatic. Could you describe it to me?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir,&rdquo; answered the man rather haltingly, &ldquo;it was a
+little sort of cup made of steel or gun-metal fitting closely over the barrel
+...&rdquo;
+</p>
+
+<p>
+&ldquo;And you don&rsquo;t know what it was for?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;Was it a sight, do you think?&rdquo;
+</p>
+
+<p>
+&ldquo;I can&rsquo;t say, I&rsquo;m sure, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;You know what a sight looks like, I suppose. Was there a bead on it or
+anything like it?&rdquo;
+</p>
+
+<p>
+&ldquo;I can&rsquo;t say, I&rsquo;m sure, sir. I never gave any particular heed
+to it. I used to see the automatic lying in the drawer of the wardrobe in Mr.
+Parrish&rsquo;s room in a wash-leather case. I noticed this steel appliance,
+sir, because the case wouldn&rsquo;t shut over the pistol with it on and the
+butt used to stick out.&rdquo;
+</p>
+
+<p>
+&ldquo;When did you last notice Mr. Parrish&rsquo;s automatic?&rdquo;
+</p>
+
+<p>
+&ldquo;It would be Thursday or Friday, sir. I went to that drawer to get Mr.
+Parrish an old stock to go riding in as some new ones he had bought were stiff
+and hurt him.&rdquo;
+</p>
+
+<p>
+&ldquo;And this steel cup was on the pistol then?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;And you say it was not on the pistol when Mr. Parrish&rsquo;s body was
+found?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;Are you sure of this?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir. I was one of the first in the room, and I saw the pistol in
+Mr. Parrish&rsquo;s hand, and there was no sign of the cup, sir. So I&rsquo;ve
+had a good look among his things and I can&rsquo;t find it anywhere!&rdquo;
+</p>
+
+<p>
+Bruce Wright pondered a minute.
+</p>
+
+<p>
+&ldquo;Try and think, Jay,&rdquo; he said, &ldquo;if you can&rsquo;t remember
+anything more about this steel cup, as you call it. Where did Mr. Parrish buy
+it?&rdquo;
+</p>
+
+<p>
+&ldquo;Can&rsquo;t say, I&rsquo;m sure, sir. He had it before ever I took
+service with him!&rdquo;
+</p>
+
+<p>
+Jay put his hand to his forehead for an instant.
+</p>
+
+<p>
+&ldquo;Now I come to think of it,&rdquo; he said, &ldquo;there was the name of
+the shop or maker on it, stamped on the steel. &lsquo;Maxim,&rsquo; that was
+the name, now I put my mind back, with a number ...&rdquo;
+</p>
+
+<p>
+&ldquo;Maxim?&rdquo; echoed Bruce Wright. &ldquo;Did you say Maxim?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir! That was the name!&rdquo; replied the valet impassively.
+</p>
+
+<p>
+&ldquo;By Jove!&rdquo; said the boy half to himself. Then he said aloud to Jay:
+</p>
+
+<p>
+&ldquo;Did you tell the police about this?&rdquo;
+</p>
+
+<p>
+Jay looked somewhat uncomfortable.
+</p>
+
+<p>
+&ldquo;No, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Why not?&rdquo;
+</p>
+
+<p>
+Jay looked at Mary Trevert.
+</p>
+
+<p>
+&ldquo;Well, sir, I thought perhaps I&rsquo;d better tell Miss Trevert first.
+Bude thought so, too. That there Manderton has made so much unpleasantness in
+the house with his prying ways that I said to myself, sir ...&rdquo;
+</p>
+
+<p>
+Bruce Wright looked at Mary.
+</p>
+
+<p>
+&ldquo;Would you mind if I asked Jay not to say anything about this to anybody
+just for the present?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;You hear what Mr. Wright says, Jay,&rdquo; said Mary. &ldquo;I
+don&rsquo;t want you to say anything about this matter just yet. Do you
+understand?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, Miss. Will that be all, Miss?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, thank you, Jay!&rdquo;
+</p>
+
+<p>
+&ldquo;Thanks very much, Jay,&rdquo; said the boy. &ldquo;This may be
+important. Mum&rsquo;s the word, though!&rdquo;
+</p>
+
+<p>
+&ldquo;I <i>quite</i> understand, sir,&rdquo; answered the valet and left the
+room.
+</p>
+
+<p>
+Hardly had the door closed on him than the girl turned eagerly to Bruce.
+</p>
+
+<p>
+&ldquo;It <i>is</i> important?&rdquo; she asked.
+</p>
+
+<p>
+&ldquo;It may be,&rdquo; was the guarded reply.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t leave me in the dark like this,&rdquo; the girl pleaded.
+&ldquo;This horrible affair goes on growing and growing, and at every step it
+seems more bewildering ... more ghastly. Tell me where it is leading, Mr.
+Wright! I can&rsquo;t stand the suspense much more!&rdquo;
+</p>
+
+<p>
+Her voice broke, and she turned her face away.
+</p>
+
+<p>
+&ldquo;You must be brave, Miss Trevert,&rdquo; said the boy, putting his hand
+on her shoulder. &ldquo;Don&rsquo;t ask me to tell you more now. Your friends
+are working to get at the truth ...&rdquo;
+</p>
+
+<p>
+&ldquo;The truth!&rdquo; cried the girl. &ldquo;God knows where the truth will
+lead us!&rdquo;
+</p>
+
+<p>
+Bruce Wright hesitated a moment.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think you have any need to fear the truth!&rdquo; he said
+presently.
+</p>
+
+<p>
+The girl took her handkerchief from her face and looked at him with brimming
+eyes.
+</p>
+
+<p>
+&ldquo;You know more than you let me think you did,&rdquo; she said brokenly.
+&ldquo;But you are a friend of mine, aren&rsquo;t you?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Bruce, and added boldly:
+</p>
+
+<p>
+&ldquo;And of his too!&rdquo;
+</p>
+
+<p>
+She did not speak again, but gave him her hand. He clasped it and went out
+hurriedly to catch his train back to London.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap18"></a>CHAPTER XVIII.<br />
+THE SILENT SHOT</h2>
+
+<p>
+That faithful servitor of Fleet Street, the Law Courts clock, had just finished
+striking seven. It boomed out the hour, stroke by stroke, solemnly, inexorably,
+like a grim old judge summing up and driving home, point by point, an
+irrefutable charge. The heavy strokes broke in upon the fitful doze into which
+Robin Greve, stretched out in an armchair in his living-room, had dropped.
+</p>
+
+<p>
+He roused up with a start. There was the click of a key in the lock of his
+front door. Bruce Wright burst into the room.
+</p>
+
+<p>
+The boy shut the door quickly and locked it. He was rather pale and seemed
+perturbed. On seeing Robin he jerked his head in the direction of the
+courtyard.
+</p>
+
+<p>
+&ldquo;I suppose you know they&rsquo;re still outside?&rdquo; he said.
+</p>
+
+<p>
+Robin nodded nonchalantly.
+</p>
+
+<p>
+&ldquo;There are three of them now,&rdquo; the boy went on. &ldquo;Robin, I
+don&rsquo;t like it. Something&rsquo;s going to happen. You&rsquo;ll want to
+mind yourself ... if it&rsquo;s not too late already!&rdquo;
+</p>
+
+<p>
+He stepped across to the window and bending down, peered cautiously round the
+curtain.
+</p>
+
+<p>
+Robin Greve laughed.
+</p>
+
+<p>
+&ldquo;Bah!&rdquo; he said, &ldquo;they can&rsquo;t touch me!&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re wrong,&rdquo; Bruce retorted without changing his position.
+&ldquo;They can and they will. Don&rsquo;t think Manderton is a fool, Robin. He
+means mischief ...&rdquo;
+</p>
+
+<p>
+Robin raised his eyebrows.
+</p>
+
+<p>
+&ldquo;Does he?&rdquo; he said. &ldquo;Now I wonder who told you that
+...&rdquo;
+</p>
+
+<p>
+&ldquo;Friends of yours at Harkings asked me to warn you ...&rdquo; began Bruce
+awkwardly.
+</p>
+
+<p>
+&ldquo;My friends are scarcely in the majority there,&rdquo; retorted Robin.
+&ldquo;Whom do you mean exactly?&rdquo;
+</p>
+
+<p>
+But the boy ignored the question.
+</p>
+
+<p>
+&ldquo;Three men watching the house!&rdquo; he exclaimed; &ldquo;don&rsquo;t
+you think that <i>this</i> looks as though Manderton meant business?&rdquo;
+</p>
+
+<p>
+He returned to his post of observation at the curtain.
+</p>
+
+<p>
+Robin laughed cynically.
+</p>
+
+<p>
+&ldquo;Manderton doesn&rsquo;t worry me any,&rdquo; he said cheerfully.
+&ldquo;The man&rsquo;s the victim of an <i>idée fixe</i>. He believes Parrish
+killed himself just as firmly as he believes that I frightened or bullied
+Parrish into doing it ...&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t be too sure about that, Robin,&rdquo; said the boy, dropping
+the curtain and coming back to Robin&rsquo;s chair. &ldquo;He may want you to
+think that. But how can we tell how much he knows?&rdquo;
+</p>
+
+<p>
+Robin flicked the ash off his cigarette disdainfully.
+</p>
+
+<p>
+&ldquo;These promoted policemen make me tired,&rdquo; he said.
+</p>
+
+<p>
+Bruce Wright shook his head quickly with a little gesture of exasperation.
+</p>
+
+<p>
+&ldquo;You don&rsquo;t understand,&rdquo; he said. &ldquo;There&rsquo;s fresh
+evidence ...&rdquo;
+</p>
+
+<p>
+Robin Greve looked up with real interest in his eyes. His bantering manner had
+vanished.
+</p>
+
+<p>
+&ldquo;You&rsquo;ve got that letter?&rdquo; he asked eagerly.
+</p>
+
+<p>
+Bruce shook his head.
+</p>
+
+<p>
+&ldquo;No, not that,&rdquo; he said. Then leaning forward he added in a low
+voice:
+</p>
+
+<p>
+&ldquo;Have you ever heard of the Maxim silencer?&rdquo;
+</p>
+
+<p>
+&ldquo;I believe I have, vaguely,&rdquo; replied Robin. &ldquo;Isn&rsquo;t it
+something to do with a motor engine?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Bruce. &ldquo;It&rsquo;s an extraordinary invention
+which absolutely suppresses the noise of the discharge of a gun.&rdquo;
+</p>
+
+<p>
+Robin shot a quick glance at the speaker.
+</p>
+
+<p>
+&ldquo;Go on,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;It&rsquo;s a marvelous thing, really,&rdquo; the boy continued, warming
+to his theme. &ldquo;A man at Havre had one when I was at the base there,
+during the war. It&rsquo;s a little cup-shaped steel fitting that goes over the
+barrel. You can fire a rifle fitted with one of these silencers in a small room
+and it makes no more noise than a fairly loud sneeze ...&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo;
+</p>
+
+<p>
+Robin was listening intently now.
+</p>
+
+<p>
+&ldquo;Parrish had a Maxim silencer,&rdquo; Bruce went on impressively.
+</p>
+
+<p>
+&ldquo;<i>Parrish</i> had?&rdquo;
+</p>
+
+<p>
+&ldquo;It was fitted on his automatic pistol, the one he had in his hand when
+they found him ...&rdquo;
+</p>
+
+<p>
+&ldquo;There was no attachment of any kind on the gun Parrish was holding when
+he was discovered yesterday afternoon,&rdquo; declared Robin positively;
+&ldquo;I can vouch for that. I was there almost immediately after they found
+him. And if there had been anything of the kind Horace Trevert would certainly
+have mentioned it ...&rdquo;
+</p>
+
+<p>
+&ldquo;I know. Jay, who came in soon after you, was surprised to see that the
+silencer was not on the pistol. And he made a point of looking for it
+...&rdquo;
+</p>
+
+<p>
+&ldquo;But how do you know that Parrish had it on the pistol?...&rdquo;
+</p>
+
+<p>
+&ldquo;Well, we don&rsquo;t know for certain. But we do know that it was
+permanently fitted to his automatic. Jay has often seen it. And if Parrish did
+remove it, he didn&rsquo;t leave it lying around any where. Jay has looked all
+through his things without finding it ...&rdquo;
+</p>
+
+<p>
+&ldquo;When did Jay see it last?&rdquo;
+</p>
+
+<p>
+&ldquo;On Thursday!&rdquo;
+</p>
+
+<p>
+&ldquo;But are you sure that this is the same pistol as the one which Jay has
+been in the habit of seeing?&rdquo;
+</p>
+
+<p>
+&ldquo;Jay is absolutely sure. He says that Parrish only had the one automatic
+which he always kept in the same drawer in his dressing-room ...&rdquo;
+</p>
+
+<p>
+Robin was silent for a moment. Very deliberately he filled his pipe, lit it,
+and drew until it burned comfortably. Then he said slowly:
+</p>
+
+<p>
+&ldquo;This means that Hartley Parrish was murdered, Bruce, old man. All
+through I have been puzzling my mind to reconcile the unquestionable
+circumstance that two bullets were fired&mdash;I told you of the bullet mark I
+found on the upright in the rosery&mdash;with the undoubted fact that only one
+report was heard. We can therefore presume, either that Hartley Parrish first
+fired one shot from his pistol with the silencer fitted and then removed the
+silencer and fired another shot without it, thereby killing himself, or that
+the second shot was fired by the person whose interest it was to get rid of the
+silencer. There is no possible or plausible reason why Parrish should have
+fired first one shot with the silencer and then one without. Therefore, I find
+myself irresistibly compelled to the conclusion that the shot heard by Mary
+Trevert was fired by the person who killed Parrish. Do I make myself
+clear?&rdquo;
+</p>
+
+<p>
+&ldquo;Perfectly,&rdquo; answered Bruce.
+</p>
+
+<p>
+&ldquo;Now, then,&rdquo; the barrister proceeded, thoughtfully puffing at his
+pipe, &ldquo;one weak point about my deductions is that they all hang on the
+question as to whether, at the time of the tragedy, Parrish actually had the
+silencer on his pistol or not. That is really the acid test of
+Manderton&rsquo;s suicide theory. You said, I think, that a rifle fired with
+the silencer attachment makes no more noise than the sound of a loud
+sneeze!&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s right,&rdquo; agreed Bruce; &ldquo;a sort of harsh,
+spluttering noise. Not so loud either, Robin. Ph ... t-t-t! Like that!&rdquo;
+</p>
+
+<p>
+&ldquo;Loud enough to be heard through a door, would you say?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I think so!&rdquo;
+</p>
+
+<p>
+Robin thought intently for a moment.
+</p>
+
+<p>
+&ldquo;Then Mary is the only one who can put us right on that point. Assuming
+that two shots were fired&mdash;and that bullet mark in the rosery is, I think,
+conclusive on that head&mdash;and knowing that she heard the loud report of the
+one, presumably, if Parrish had the silencer on his automatic, Mary must have
+heard the <i>muffled</i> report of the other. What it comes to is this, Mary
+heard the shot fired that killed Parrish. Did she hear the shot he fired at his
+murderer?&rdquo;
+</p>
+
+<p>
+&ldquo;By Gad!&rdquo; exclaimed Bruce Wright impressively, &ldquo;I believe
+you&rsquo;ve got it, Robin! Parrish fired at somebody at the window&mdash;a
+silent shot&mdash;and the other fellow fired back the shot that Mary Trevert
+heard, the shot that killed Parrish. Isn&rsquo;t that the way you figure it
+out?&rdquo;
+</p>
+
+<p>
+&ldquo;Not so fast, young man,&rdquo; remarked Robin. &ldquo;Let&rsquo;s first
+find out whether Mary actually heard the muffled shot and, if so, <i>when ...
+before</i> or <i>after</i> the loud report.&rdquo;
+</p>
+
+<p>
+He glanced across at the window and then at Bruce,
+</p>
+
+<p>
+&ldquo;I suppose this discovery about the silencer is responsible for the
+deputation waiting in the courtyard,&rdquo; he said drily.
+</p>
+
+<p>
+&ldquo;The police don&rsquo;t know about it yet,&rdquo; replied Bruce;
+&ldquo;at least they didn&rsquo;t when I left.&rdquo;
+</p>
+
+<p>
+Robin shook his head dubiously.
+</p>
+
+<p>
+&ldquo;If the servants know it, Manderton will worm it out of them.
+Hasn&rsquo;t he cross-examined Jay?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Bruce. &ldquo;But he got nothing out of him about this.
+Manderton seems to have put everybody&rsquo;s back up. He gets nothing out of
+the servants ...&rdquo;
+</p>
+
+<p>
+&ldquo;If Parrish had had this silencer for some time, you may be sure that
+other people know about it. These silencers must be pretty rare in England. You
+see, an average person like myself didn&rsquo;t know what it was. By the way,
+another point which we haven&rsquo;t yet cleared up is this: supposing we are
+right in believing Parrish to have been murdered, how do you explain the fact
+that the bullet removed from his body fitted his pistol?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s a puzzler, I must say!&rdquo; said Bruce.
+</p>
+
+<p>
+&ldquo;There&rsquo;s only one possible explanation, I think,&rdquo; Robin went
+on, &ldquo;and that is that Parrish was shot by a pistol of exactly the same
+calibre as his own. For the murderer to have killed Parrish with his own weapon
+would have been difficult without a struggle. But Miss Trevert heard no
+struggle. For murderer and his victim to have pistols of the same calibre
+argues a rather remarkable coincidence, I grant you. But then life is full of
+coincidences! We meet them every day in the law. Though, I admit, this is a
+coincidence which requires some explaining ...&rdquo;
+</p>
+
+<p>
+He fell into a brown study which Bruce interrupted by suddenly remembering that
+he had had no lunch.
+</p>
+
+<p>
+For answer Robin pointed at the sideboard.
+</p>
+
+<p>
+&ldquo;There&rsquo;s a cloth in there,&rdquo; he said, &ldquo;also the whisky,
+if my laundress has left any, and a siphon and there should be some
+claret&mdash;Mrs. Bragg doesn&rsquo;t care about red wine. Set the table, and
+I&rsquo;ll take a root round in the kitchen and dig up some tinned
+stuff.&rdquo;
+</p>
+
+<p>
+They supped off a tinned tongue and some <i>pâté de foie gras</i>. Over their
+meal Bruce told Robin of his adventure in the library at Harkings.
+</p>
+
+<p>
+&ldquo;Jeekes must have collected that letter,&rdquo; Bruce said. &ldquo;Before
+I came to you, I went to Lincoln&rsquo;s Inn Fields to see if he was still at
+Bardy&rsquo;s&mdash;Parrish&rsquo;s solicitor, you know. But the office was
+closed, and the place in darkness. I went on to the Junior Pantheon,
+that&rsquo;s Jeekes&rsquo;s club, but he wasn&rsquo;t in. He hadn&rsquo;t been
+there all day, the porter told me. So I left a note asking him to ring you up
+here ...&rdquo;
+</p>
+
+<p>
+&ldquo;The case reeks of blackmail,&rdquo; said Robin thoughtfully, &ldquo;but
+I am wondering how much we shall glean from this precious letter when we do see
+it. I am glad you asked Jeekes to ring me up, though. He should be able to tell
+us something about these mysterious letters on the blue paper that used to put
+Parrish in such a stew ... Hullo, who can that be?&rdquo;
+</p>
+
+<p>
+An electric bell trilled through the flat. It rang once ... twice ... and then
+a third time, a long, insistent peal.
+</p>
+
+<p>
+&ldquo;See who&rsquo;s there, will you, Bruce?&rdquo; said Robin.
+</p>
+
+<p>
+&ldquo;Suppose it&rsquo;s the police ...&rdquo; began the boy.
+</p>
+
+<p>
+Robin shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;You can say I&rsquo;m at home and ask them in,&rdquo; he said.
+</p>
+
+<p>
+He heard the heavy oaken door swing open, a murmur of voices in the hall. The
+next moment Detective-Inspector Manderton entered the sitting-room.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap19"></a>CHAPTER XIX.<br />
+MR. MANDERTON LAYS HIS CARDS ON THE TABLE</h2>
+
+<p>
+The detective&rsquo;s manner had undergone some subtle change which Robin,
+watching him closely as he came into the room, was quick to note. Mr. Manderton
+made an effort to retain his old air of rather patronizing swagger; but he
+seemed less sure of himself than was his wont. In fact, he appeared to be a
+little anxious.
+</p>
+
+<p>
+He walked briskly into the sitting-room and looked quickly from Bruce to Robin.
+</p>
+
+<p>
+&ldquo;Mr. Greve,&rdquo; he said, &ldquo;you can help me if you will by
+answering a few questions ...&rdquo;
+</p>
+
+<p>
+With another glance at Bruce Wright he added:
+</p>
+
+<p>
+&ldquo;... in private.&rdquo;
+</p>
+
+<p>
+Bruce, obedient to a sign from Robin, said he would ring up in the morning and
+prepared to take his leave. Robin turned to the detective.
+</p>
+
+<p>
+&ldquo;There are some of your men, I believe,&rdquo; he said coldly,
+&ldquo;watching this house. Would it be asking too much to request that my
+friend here might be permitted to return home unescorted?&rdquo;
+</p>
+
+<p>
+&ldquo;He needn&rsquo;t worry,&rdquo; replied Manderton with a significant
+smile. &ldquo;There&rsquo;s no one outside now!...&rdquo;
+</p>
+
+<p>
+They watched Bruce Wright pass into the hall and collect his hat and coat. As
+the front door slammed behind him, the detective added:
+</p>
+
+<p>
+&ldquo;I took &rsquo;em off myself soon after seven o&rsquo;clock!&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo; asked Robin bluntly.
+</p>
+
+<p>
+Mr. Manderton dropped his heavy form into a chair.
+</p>
+
+<p>
+&ldquo;I&rsquo;m a plain man, Mr. Greve,&rdquo; he said, &ldquo;and I&rsquo;m
+not above owning to it, I hope, when I&rsquo;m wrong. For some little time now
+it has struck me that our lines of investigation run parallel ...&rdquo;
+</p>
+
+<p>
+&ldquo;Instead of crossing!&rdquo;
+</p>
+
+<p>
+&ldquo;Instead of crossing&mdash;exactly!&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;s a pity you did not grasp that very obvious fact
+earlier,&rdquo; observed Robin pointedly.
+</p>
+
+<p>
+Mr. Manderton crossed one leg over the other and, his finger-tips pressed
+together, looked at Robin.
+</p>
+
+<p>
+&ldquo;Will you help me?&rdquo; he asked simply.
+</p>
+
+<p>
+&ldquo;Do you want my help?&rdquo;
+</p>
+
+<p>
+Mr. Manderton nodded.
+</p>
+
+<p>
+&ldquo;Allies, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Allies it is!&rdquo;
+</p>
+
+<p>
+Robin pointed to the table.
+</p>
+
+<p>
+&ldquo;It&rsquo;s dry work talking,&rdquo; he said. &ldquo;Won&rsquo;t you take
+a drink?&rdquo;
+</p>
+
+<p>
+&ldquo;Thanks, I don&rsquo;t drink. But I&rsquo;ll have a cigar if I may. Thank
+you!&rdquo;
+</p>
+
+<p>
+The detective helped himself to a cheroot from a box on the table and lit up.
+Then, affecting to scan the end of his cigar with great attention, he asked
+abruptly:
+</p>
+
+<p>
+&ldquo;What do you know of the woman calling herself Madame de Malpas?&rdquo;
+</p>
+
+<p>
+Robin pursed up his lips rather disdainfully.
+</p>
+
+<p>
+&ldquo;One of the late Mr. Parrish&rsquo;s lady friends,&rdquo; he replied.
+&ldquo;I expect you know that!&rdquo;
+</p>
+
+<p>
+&ldquo;Do you know where she lives?&rdquo; pursued the detective, ignoring the
+implied question.
+</p>
+
+<p>
+&ldquo;She&rsquo;s dead.&rdquo;
+</p>
+
+<p>
+A flicker of interest appeared for an instant in Mr. Manderton&rsquo;s keen
+eyes.
+</p>
+
+<p>
+&ldquo;You&rsquo;re sure of that?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly,&rdquo; answered Robin.
+</p>
+
+<p>
+&ldquo;Who told you?&rdquo;
+</p>
+
+<p>
+&ldquo;Le Hagen&mdash;the solicitor, you know. He acted for this Malpas woman
+on one or two occasions.&rdquo;
+</p>
+
+<p>
+&ldquo;When did she die?&rdquo;
+</p>
+
+<p>
+&ldquo;Six or seven months ago ...&rdquo;
+</p>
+
+<p>
+&ldquo;Did Jeekes know about it?&rdquo;
+</p>
+
+<p>
+&ldquo;Jeekes? Do you mean Parrish&rsquo;s secretary?
+</p>
+
+<p>
+&ldquo;It&rsquo;s funny your asking that. As a matter of fact, it was through
+Jeekes that I heard the lady was dead. I was in Le Hagen&rsquo;s office one day
+when Jeekes came in, and Le Hagen told me Jeekes had come to pay in a cheque
+for the cost of the funeral and the transport of the body to France.&rdquo;
+</p>
+
+<p>
+&ldquo;This was six or seven months ago, you say? I take it, then, that any
+allowance that Parrish was in the habit of making to this woman has
+ceased?&rdquo;
+</p>
+
+<p>
+&ldquo;I tell you the lady is dead!&rdquo;
+</p>
+
+<p>
+&ldquo;Then what would you say if I informed you that Mr. Jeekes had declared
+that these payments were still going on ...&rdquo;
+</p>
+
+<p>
+Robin shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;I should say he was lying ...&rdquo;
+</p>
+
+<p>
+&ldquo;I agree. But why?&rdquo;
+</p>
+
+<p>
+&ldquo;Whom did he tell this to?&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert!&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert?&rdquo;
+</p>
+
+<p>
+Robin repeated the name in amazement.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t understand,&rdquo; he said. &ldquo;Why on earth should
+Jeekes blacken his employer&rsquo;s character to Miss Trevert? What conceivable
+motive could he have had? Did she tell you this?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Manderton; &ldquo;I heard him tell her myself.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you mean to tell me,&rdquo; protested Robin, growing more and more
+puzzled, &ldquo;that Jeekes told Miss Trevert this offensive and deliberate lie
+in your presence!&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; remarked Mr. Manderton slowly, &ldquo;I don&rsquo;t know
+about his saying this in my presence exactly. But I heard him tell her for all
+that. Walls have ears, you know&mdash;particularly if the door is ajar!&rdquo;
+</p>
+
+<p>
+He looked shrewdly at Robin, then dropped his eyes to the floor.
+</p>
+
+<p>
+&ldquo;He also told her that Le Hagen and you were in business relations
+...&rdquo;
+</p>
+
+<p>
+Robin sat up at this.
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; he said shortly. &ldquo;I see what you&rsquo;re getting at
+now. Our friend has been trying to set Miss Trevert against me, eh? But why? I
+don&rsquo;t even know this man Jeekes except to have nodded
+&lsquo;Good-morning&rsquo; to him a few times. Why on earth should he of all
+men go out of his way to slander me to Miss Trevert, to throw suspicion
+...&rdquo;
+</p>
+
+<p>
+He broke off short and looked at the detective.
+</p>
+
+<p>
+Mr. Manderton caressed his big black moustache.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he repeated suavely, &ldquo;you were saying &lsquo;to cast
+suspicion&rsquo; ...&rdquo;
+</p>
+
+<p>
+The eyes of the two men met. Then the detective leaned back in his chair and,
+blowing a cloud of smoke from his lips, said:
+</p>
+
+<p>
+&ldquo;Mr. Greve, you&rsquo;ve been thinking ahead of me on this case. What
+you&rsquo;ve told me so far I&rsquo;ve checked. And you&rsquo;re right. Dead
+right. And since you&rsquo;re, in a manner of speaking, one of the parties
+interested in getting things cleared up, I&rsquo;d like you to tell me just
+simply what idea you&rsquo;ve formed about it ...&rdquo;
+</p>
+
+<p>
+&ldquo;Gladly,&rdquo; answered the barrister. &ldquo;And to start with let me
+tell you that the case stinks of blackmail ...&rdquo;
+</p>
+
+<p>
+&ldquo;Steady on,&rdquo; interposed the detective. &ldquo;I thought so, too, at
+first. I&rsquo;ve been into all that. Mr. Parrish made a clean break with the
+last of his lady friends about two months since; and, as far as our
+investigations go, there has been no blackmail in connection with any of his
+women pals. Vine Street knows all about Master Parrish. There were complaints
+about some of his little parties up in town. But I don&rsquo;t believe
+there&rsquo;s a woman in this case ...&rdquo;
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t say there was,&rdquo; retorted Robin. &ldquo;The
+blackmail is probably being levied from Holland. A threat of violence was
+finally carried into effect on Saturday evening between 5 and 5.15 P.M. by some
+one conversant with the lie of the land at Harkings. This individual, armed
+with an automatic Browning of the same calibre as Mr. Parrish&rsquo;s, shot at
+Parrish through the open window of the library and killed him&mdash;probably in
+self-defence, after Parrish had had a shot at him ...&rdquo;
+</p>
+
+<p>
+&ldquo;Steady there, whoa!&rdquo; said Mr. Manderton in a jocular way clearly
+expressive of his incredulity; &ldquo;there was only one shot ...&rdquo;
+</p>
+
+<p>
+&ldquo;There were <i>two</i>,&rdquo; was Robin&rsquo;s dispassionate reply.
+&ldquo;Though maybe only one was heard. Parrish had a Maxim silencer on his gun
+...&rdquo;
+</p>
+
+<p>
+Mr. Manderton was now thoroughly alert.
+</p>
+
+<p>
+&ldquo;How did you find that out?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Jay, Parrish&rsquo;s man, came forward and volunteered this evidence
+...&rdquo;
+</p>
+
+<p>
+&ldquo;He said nothing about it when I questioned him,&rdquo; grumbled the
+detective.
+</p>
+
+<p>
+Robin laughed.
+</p>
+
+<p>
+&ldquo;You&rsquo;re a terror to the confirmed criminal, they tell me,
+Manderton,&rdquo; he said, &ldquo;but you obviously don&rsquo;t understand that
+complicated mechanism known as the domestic servant. No servant at Harkings
+will voluntarily tell <i>you</i> anything ...&rdquo;
+</p>
+
+<p>
+Mr. Manderton, who had stood up, shook his big frame impatiently.
+</p>
+
+<p>
+&ldquo;Explain the rest of your theories,&rdquo; he said harshly.
+&ldquo;What&rsquo;s all this about blackmail being levied from Holland?&rdquo;
+</p>
+
+<p>
+Then Robin Greve told him of the letters written on the slatey-blue paper and
+of their effect upon Parrish, and of the letter headed, &ldquo;Elias van der
+Spyck &amp; Co., General Importers, Rotterdam,&rdquo; which had lain on the
+desk in the library when Parrish&rsquo;s dead body had been found.
+</p>
+
+<p>
+Manderton nodded gloomily.
+</p>
+
+<p>
+&ldquo;It was there right enough,&rdquo; he remarked. &ldquo;I saw it. A letter
+about steel shipments and the dockers&rsquo; strike, wasn&rsquo;t it? As there
+seemed nothing to it, I left it with the other papers for Jeekes, the secretary
+chap. But what evidence is there that this was blackmail?&rdquo;
+</p>
+
+<p>
+&ldquo;This,&rdquo; said Robin, and showed the detective the sheet of blue
+paper with its series of slits. &ldquo;Manderton,&rdquo; he said, &ldquo;these
+letters written on this blue paper were in code, I feel sure. Why should not
+this be the key? You see it bears a date&mdash;&lsquo;Nov. 25.&rsquo; May it
+not refer to that letter? I found it by Parrish&rsquo;s body on the carpet in
+the library. I would have given it to you at Harkings, but I shoved it in my
+pocket and forgot all about it until I was in the train coming up to town this
+morning.&rdquo;
+</p>
+
+<p>
+Mr. Manderton took the sheet of paper, turned it over, and held it up to the
+light. Then, without comment, he put it away in the pocket of his jacket.
+</p>
+
+<p>
+&ldquo;If Parrish killed himself,&rdquo; Robin went on earnestly, &ldquo;that
+letter drove him to it. If, on the other hand, he was murdered, may not that
+letter have contained a warning?&rdquo;
+</p>
+
+<p>
+&ldquo;I should prefer to suspend judgment until we&rsquo;ve seen the letter,
+Mr. Greve,&rdquo; said the detective bluntly. &ldquo;We must get it from
+Jeekes. In the meantime, what makes you think that the murderer (to follow up
+your theory) was conversant with the lay of the land at Harkings?&rdquo;
+</p>
+
+<p>
+&ldquo;Because,&rdquo; answered Robin, &ldquo;the murderer left no tracks on
+the grass or flower-beds. He stuck to the hard gravel path throughout. That
+path, which runs from the drive through the rosery to the gravel path round the
+house just under the library window, is precious hard to find in the dark,
+especially where it leaves the drive, as at the outset it is a mere thread
+between the rhododendron bushes. And, as I know from experience, unless you are
+acquainted with the turns in the path, it is very easy to get off it in the
+dark, especially in the rosery, and go blundering on to the flower-beds. And
+I&rsquo;ll tell you something else about the murderer. He&mdash;or
+she&mdash;was of small stature&mdash;not much above five foot six in height.
+The upward diagonal course of the bullet through Parrish&rsquo;s heart shows
+that ...&rdquo;
+</p>
+
+<p>
+Mr. Manderton shook his head dubiously.
+</p>
+
+<p>
+&ldquo;Very ingenious,&rdquo; he commented. &ldquo;But you go rather fast, Mr.
+Greve. We must test your theory link by link. There may be an explanation for
+Jeekes&rsquo;s apparently inexplicable lie to the young lady. Let&rsquo;s see
+him and hear what he says. The grounds at Harkings must be searched for this
+second bullet, if second bullet there is, the mark on the tree examined by an
+expert. And since two bullets argue two pistols in this case, let us see what
+result we get from our enquiries as to where Mr. Parrish bought his pistol. He
+may have had two pistols ...&rdquo;
+</p>
+
+<p>
+&ldquo;If Parrish used a silencer,&rdquo; remarked Robin, quite undisconcerted
+by the other&rsquo;s lack of enthusiasm, &ldquo;and my theory that two shots
+were fired is correct, there must have been two reports, a loud one and a
+muffled one. Miss Trevert heard one report, as we know. Did she hear a
+second?&rdquo;
+</p>
+
+<p>
+&ldquo;She said nothing about it,&rdquo; remarked the detective.
+</p>
+
+<p>
+&ldquo;She was probably asked nothing about it. But we can get this point
+cleared up at once. There&rsquo;s the telephone. Ring up Harkings and ask her
+now.&rdquo;
+</p>
+
+<p>
+&ldquo;Why not?&rdquo; said Mr. Manderton and moved to the telephone.
+</p>
+
+<p>
+There is little delay on the long-distance lines on a Sunday evening, and the
+call to Harkins came through almost at once. Bude answered the telephone at
+Harkings. Manderton asked for Miss Trevert. The butler replied that Miss
+Trevert was no longer at Harkings. She had gone to the Continent for a few
+days.
+</p>
+
+<p>
+This plain statement, retailed in the fortissimo voice which Bude reserved for
+use on the telephone, produced a remarkable effect on the detective. He grew
+red in the face.
+</p>
+
+<p>
+&ldquo;What&rsquo;s that?&rdquo; he cried assertively. &ldquo;Gone to the
+Continent? I should have been told about this. Why wasn&rsquo;t I informed?
+What part of the Continent has she gone to?&rdquo;
+</p>
+
+<p>
+Mr. Manderton&rsquo;s questions, rapped out with a rasping vigour that recalled
+a machine-gun firing, brought Robin to his feet in an instant. He crossed over
+to the desk on which the telephone stood.
+</p>
+
+<p>
+Manderton placed one big palm over the transmitter and turned to Robin.
+</p>
+
+<p>
+&ldquo;She&rsquo;s gone to the Continent and left no address,&rdquo; he said
+quickly.
+</p>
+
+<p>
+&ldquo;Ask him if Lady Margaret is there,&rdquo; suggested Robin.
+</p>
+
+<p>
+Mr. Manderton spoke into the telephone again. Lady Margaret had gone to bed,
+Bude answered, and her ladyship was much put out by Miss Trevert gallivanting
+off like that by herself with only a scribbled note left to say that she had
+gone.
+</p>
+
+<p>
+Had Bude got the note?
+</p>
+
+<p>
+No, Mr. Manderton, sir, he had not. But Lady Margaret had shown it to him. It
+had simply stated that Miss Trevert had gone off to the Continent and would be
+back in a few days.
+</p>
+
+<p>
+Again the detective turned to Robin at his elbow.
+</p>
+
+<p>
+&ldquo;These country bumpkins!&rdquo; he said savagely. &ldquo;I must go to the
+Yard and get Humphries on the &rsquo;phone. He may have telegraphed me about
+it. You stay here and I&rsquo;ll ring you later if there&rsquo;s any news. What
+do you make of it, Mr. Greve?&rdquo;
+</p>
+
+<p>
+&ldquo;It beats me,&rdquo; was Robin&rsquo;s rueful comment. &ldquo;And what
+about the inquest? It&rsquo;s for Tuesday, isn&rsquo;t it? Miss Trevert will
+have to give evidence, I take it?...&rdquo;
+</p>
+
+<p>
+&ldquo;Oh,&rdquo; said Mr. Manderton, picking up his hat and speaking in an
+offhand way, &ldquo;I&rsquo;m getting <i>that</i> adjourned for a week!&rdquo;
+</p>
+
+<p>
+&ldquo;The inquest adjourned! Why?&rdquo;
+</p>
+
+<p>
+There was a twinkle in the detective&rsquo;s eye as he replied.
+</p>
+
+<p>
+&ldquo;I thought, maybe, I might get further evidence ...&rdquo;
+</p>
+
+<p>
+Robin caught the expression and smiled.
+</p>
+
+<p>
+&ldquo;And when did you come to this decision, may I ask?&rdquo;
+</p>
+
+<p>
+&ldquo;After our little experiment in the garden this morning,&rdquo; was the
+detective&rsquo;s prompt reply.
+</p>
+
+<p>
+Robin looked at him fixedly.
+</p>
+
+<p>
+&ldquo;But, see here,&rdquo; he said, &ldquo;apparently it was to the
+deductions you formed from the result of that experiment that I owe the
+attentions of your colleagues who have been hanging round the house all day.
+And yet you now come to me and invite my assistance. Mr. Manderton, I
+don&rsquo;t get it at all!&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Greve,&rdquo; replied the detective, &ldquo;Miss Trevert tried to
+shield you. That made me suspicious. You tried to force my investigations into
+an entirely new path. That deepened my suspicions. I believed it to be my duty
+to ascertain your movements after leaving Harkings. But then I heard Jeekes
+make an apparently gratuitously false statement to Miss Trevert with an
+implication against you. That, to some extent, cleared you in my eyes. I say
+&lsquo;to some extent&rsquo; because I will not deny that I thought I might be
+taking a risk in coming to you like this. You see I am frank!...&rdquo;
+</p>
+
+<p>
+The smile had left Greve&rsquo;s face and he looked rather grim.
+</p>
+
+<p>
+&ldquo;You&rsquo;re pretty deep, aren&rsquo;t you?&rdquo; was his brief
+comment.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap20"></a>CHAPTER XX.<br />
+THE CODE KING</h2>
+
+<p>
+Major Euan MacTavish was packing. A heavy and well-worn leather portmanteau,
+much adorned with foreign luggage labels, stood in the centre of the floor.
+From a litter of objects piled up on a side table the Major was transferring to
+it various brown-paper packages which he checked by a list in his hand.
+</p>
+
+<p>
+The Major always packed for himself. He packed with the neatness and rapidity
+derived from long experience of travel. As a matter of fact, he could not
+afford a manservant any more than he could allow himself quarters more
+luxurious than the rather grimy bedroom in Bury Street which housed him during
+his transient appearances in town. The remuneration doled out by the Foreign
+Office to the quiet and unobtrusive gentlemen known as King&rsquo;s messengers
+is, in point of fact, out of all proportion to the prestige and glamour
+surrounding the silver greyhound badge, an example of which was tucked away in
+a pocket of the Major&rsquo;s blue serge jacket hanging over the back of a
+chair.
+</p>
+
+<p>
+&ldquo;Let&rsquo;s see,&rdquo; said the Major, addressing a large brown-paper
+covered package standing in the corner of the room, &ldquo;you&rsquo;re the
+bird-cage for Lady Sylvia at The Hague. Two pounds of candles for Mrs. Harry
+Deepdale at Berlin; the razor blades for Sir Archibald at Prague; the Teddy
+bear for Marjorie; polo-balls for the Hussars at Constantinople&mdash;there! I
+think that&rsquo;s the lot! Hullo, hullo, who the devil&rsquo;s that?&rdquo;
+</p>
+
+<p>
+With a groaning of wires a jangling bell tinkled through the hall (the
+Major&rsquo;s bedroom was on the ground floor). Sims, the aged ex-butler, who,
+with his wife, &ldquo;did for&rdquo; his lodgers in more ways than one, was out
+and the single servant-maid had her Sunday off. Euan MacTavish glanced at his
+wrist watch. It showed the hour to be ten minutes past nine. A flowered silk
+smoking-coat over his evening clothes and a briar pipe in his mouth, he went
+out into the hall and opened the front door.
+</p>
+
+<p>
+It was a drenching night. The lamps from a taxi which throbbed dully in the
+street outside the house threw a gleaming band of light on the shining
+pavement. At the door stood a taxi-driver.
+</p>
+
+<p>
+&ldquo;There&rsquo;s a lady asking for Major MacTavish,&rdquo; he said,
+pointing at the cab. The Major stepped across to the cab and opened the door.
+</p>
+
+<p>
+&ldquo;Oh, Euan,&rdquo; said a girl&rsquo;s voice, &ldquo;how lucky I am to
+catch you!&rdquo;
+</p>
+
+<p>
+&ldquo;Why, Mary,&rdquo; exclaimed the Major, &ldquo;what on earth brings you
+round to me on a night like this? I only came up from the country this
+afternoon and I&rsquo;m off for Constantinople in the morning!&rdquo;
+</p>
+
+<p>
+&ldquo;Euan,&rdquo; said Mary Trevert, &ldquo;I want to talk to you. Where can
+we talk?&rdquo;
+</p>
+
+<p>
+The Major raised his eyebrows. He was a little man with grizzled hair and
+finely cut, rather sharp features.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; he remarked, &ldquo;there&rsquo;s not a soul in the house,
+and I&rsquo;ve only got a bedroom here. Though we&rsquo;re cousins, Mary, my
+dear, I don&rsquo;t know that you ought to....&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re a silly old-fashioned old dear,&rdquo; exclaimed the girl,
+&ldquo;and I&rsquo;m coming in. No, I&rsquo;ll keep the cab. We shall want
+it!&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; said the Major, helping her to alight. &ldquo;I tell
+you what. We&rsquo;ll go into Harry Prankhurst&rsquo;s sitting-room. He&rsquo;s
+away for the week-end, anyway!&rdquo;
+</p>
+
+<p>
+He took Mary Trevert into a room off the hall and switched on the electric
+light. Then for the first time he saw how pale she looked.
+</p>
+
+<p>
+&ldquo;My dear,&rdquo; he said, &ldquo;I know what an awful shock you&rsquo;ve
+had....&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ve heard about it?&rdquo;
+</p>
+
+<p>
+&ldquo;I saw it in the Sunday papers. I was going to write to you.&rdquo;
+</p>
+
+<p>
+&ldquo;Euan,&rdquo; the girl began in a nervous, hasty way, &ldquo;I have to go
+to Holland at once. There is not a moment to lose. I want you to help me get my
+passport viséed.&rdquo;
+</p>
+
+<p>
+&ldquo;But, my dear girl,&rdquo; exclaimed the Major, aghast, &ldquo;you
+can&rsquo;t go to Holland like this alone. Does your mother know about
+it?&rdquo;
+</p>
+
+<p>
+The girl shook her head.
+</p>
+
+<p>
+&ldquo;It&rsquo;s no good trying to stop me, Euan,&rdquo; she declared.
+&ldquo;I mean to go, anyway. As a matter of fact, Mother doesn&rsquo;t know. I
+merely left word that I had gone to the Continent for a few days. Nobody knows
+about Holland except you. And if you won&rsquo;t help me I suppose I shall have
+to go to Harry Tadworth at the Foreign Office. I came to you first because
+he&rsquo;s always so stuffy ...&rdquo;
+</p>
+
+<p>
+Euan MacTavish pushed the girl into a chair and gave her a cigarette. He lit it
+for her and took one himself. His pipe had vanished into his pocket.
+</p>
+
+<p>
+&ldquo;Of course, I&rsquo;ll help you,&rdquo; he said. &ldquo;Now, tell me all
+about it!&rdquo;
+</p>
+
+<p>
+&ldquo;Before ... this happened I had promised Hartley Parrish to marry
+him,&rdquo; began the girl. &ldquo;The doctors say his nerves were wrong. I
+don&rsquo;t believe a word of it. He was full of the joy of life. He was very
+fond of me. He was always talking of what we should do when we were married. He
+never would have killed himself without some tremendously powerful motive. Even
+then I can&rsquo;t believe it possible ...&rdquo;
+</p>
+
+<p>
+She made a little nervous gesture.
+</p>
+
+<p>
+&ldquo;After he ... did it,&rdquo; she went on, &ldquo;I found this letter on
+his desk. It came to him from Holland. I mean to see the people who wrote it
+and discover if they can throw any light on ... on ... the affair ...&rdquo;
+</p>
+
+<p>
+She had taken from her muff a letter, folded in four, written on paper of a
+curious dark slatey-blue colour.
+</p>
+
+<p>
+&ldquo;Won&rsquo;t you show me the letter?&rdquo;
+</p>
+
+<p>
+&ldquo;You promise to say nothing about it to any one?&rdquo;
+</p>
+
+<p>
+He nodded.
+</p>
+
+<p>
+&ldquo;Of course.&rdquo;
+</p>
+
+<p>
+Without a word the girl gave him the letter. With slow deliberation he unfolded
+it. The letter was typewritten and headed: &ldquo;Elias van der Spyck &amp; Co.
+General Importers, Rotterdam.&rdquo;
+</p>
+
+<p>
+This was the letter:
+</p>
+
+<p class="letter">
+ELIAS VAN DER SPYCK &amp; CO.<br />
+GENERAL IMPORTERS<br />
+ROTTERDAM Rotterdam 25th Nov.
+</p>
+
+<p class="letter">
+<i>Codes</i><br />
+A.B.C.<br />
+Liebler&rsquo;s
+</p>
+
+<p class="letter">
+<i>Personal</i><br />
+Dear Mr. Parrish,
+</p>
+
+<p class="letter">
+Your favor of even date to hand and contents noted. The last delivery of steel
+was to time but we have had warning from the railway authorities that labour
+troubles at the docks are likely to delay future consignments. If you
+don&rsquo;t mind we should prefer to settle the question of future delivery by
+Nov. 27 as we have a board meeting on the 30th inst. While we fully appreciate
+your own difficulties with labour at home, you will understand that this is a
+question which we cannot afford to adjourn <i>sine die</i>.
+</p>
+
+<p class="right">
+Yours faithfully,<br />
+pro ELIAS VAN DER SPYCK &amp; CO.
+</p>
+
+<p>
+The signature was illegible.
+</p>
+
+<p>
+Euan MacTavish folded the letter again and handed it back to Mary.
+</p>
+
+<p>
+&ldquo;That doesn&rsquo;t take me any farther,&rdquo; he said. &ldquo;What do
+the police think of it?&rdquo;
+</p>
+
+<p>
+&ldquo;They haven&rsquo;t seen it,&rdquo; was the girl&rsquo;s reply. &ldquo;I
+took it without them knowing. I mean to make my own investigations about this
+...&rdquo;
+</p>
+
+<p>
+&ldquo;But, my dear Mary,&rdquo; exclaimed the little Major in a shocked voice,
+&ldquo;you can&rsquo;t do things that way! Don&rsquo;t you see you may be
+hindering the course of justice? The police may attach the greatest importance
+to this letter ...&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re quite right,&rdquo; retorted the girl, &ldquo;they
+do!&rdquo;
+</p>
+
+<p>
+&ldquo;Then why have you kept it from them?&rdquo;
+</p>
+
+<p>
+Mary Trevert dropped her eyes and a little band of crimson flushed into her
+cheeks.
+</p>
+
+<p>
+&ldquo;Because,&rdquo; she commenced, &ldquo;because ... well, because they are
+trying to implicate a friend of mine ...&rdquo;
+</p>
+
+<p>
+The Major took the girl&rsquo;s hand.
+</p>
+
+<p>
+&ldquo;Mary,&rdquo; he said, &ldquo;I&rsquo;ve known you all your life.
+I&rsquo;ve knocked about a good bit and know something of the world, I believe.
+Suppose you tell me all about it ...&rdquo;
+</p>
+
+<p>
+Mary Trevert hesitated. Then she said, her hands nervously toying with her
+muff:
+</p>
+
+<p>
+&ldquo;We believe that Robin Greve&mdash;you know whom I mean&mdash;had a
+conversation with Hartley just before he ... he shot himself. That very
+afternoon Robin had asked me to marry him, but I told him about my engagement.
+He said some awful things about Hartley and rushed away. Ten minutes later
+Hartley Parrish committed suicide. And there <i>was</i> some one talking to him
+in the library. Bude, the butler, heard the voices. This afternoon I went down
+to the library alone ... to see if I could discover anything likely to throw
+any light on poor Hartley&rsquo;s death. This was the only letter I could find.
+It was tucked away between two letter-trays. One tray fitted into the other,
+and this letter had slipped between. It seems to have been overlooked both by
+Mr. Parrish&rsquo;s secretary and the police ...&rdquo;
+</p>
+
+<p>
+&ldquo;But I confess,&rdquo; argued the Major, &ldquo;that I don&rsquo;t see
+how this letter, which appears to be a very ordinary business communication,
+implicates anybody at all. Why shouldn&rsquo;t the police see it?...&rdquo;
+</p>
+
+<p>
+&ldquo;Because,&rdquo; said Mary, &ldquo;directly after discovering it I found
+Bruce Wright, who used to be one of Mr. Parrish&rsquo;s private secretaries,
+hiding behind the curtains in the library. Now, Bruce Wright is a great friend
+of Robin Greve&rsquo;s, and I immediately suspected that Robin had sent him to
+Harkings, particularly as ...&rdquo;
+</p>
+
+<p>
+&ldquo;As what?...&rdquo;
+</p>
+
+<p>
+&ldquo;As he practically admitted to me, that he had come for a letter written
+on slatey-blue official-looking paper.&rdquo;
+</p>
+
+<p>
+The girl held up the letter from Rotterdam.
+</p>
+
+<p>
+&ldquo;All this,&rdquo; the girl continued, &ldquo;made me think that this
+letter must have had something to do with Hartley&rsquo;s death ...&rdquo;
+</p>
+
+<p>
+&ldquo;Surely an additional reason for giving it to the police!...&rdquo;
+</p>
+
+<p>
+Mary Trevert set her mouth in an obstinate line.
+</p>
+
+<p>
+&ldquo;No!&rdquo; she affirmed uncompromisingly. &ldquo;The police believe
+that, as the result of a scene between Hartley and Robin, Hartley killed
+himself. Until I&rsquo;ve found out for certain whether this letter implicates
+Robin or not, I sha&rsquo;n&rsquo;t give it to the police ...&rdquo;
+</p>
+
+<p>
+&ldquo;But, if Greve really had nothing to do with this shocking tragedy, the
+police can very easily clear him. Surely they are the best judges of his guilt
+...&rdquo;
+</p>
+
+<p>
+Again a touch of warm colour suffused the girl&rsquo;s cheeks. Euan MacTavish
+remarked it and looked at her wistfully.
+</p>
+
+<p>
+&ldquo;Well, well,&rdquo; he observed gently, &ldquo;perhaps they&rsquo;re not,
+after all!&rdquo;
+</p>
+
+<p>
+The girl looked up at him.
+</p>
+
+<p>
+&ldquo;Euan, dear,&rdquo; she said impulsively, &ldquo;I knew you&rsquo;d
+understand. Robin and Hartley may have had a row, but it was nothing worse.
+Robin is incapable of having threatened&mdash;blackmailed&mdash;Hartley, as the
+police seem to imagine. I am greatly upset by it all; I can&rsquo;t see things
+clear at all; but I&rsquo;m determined not to give the police a weapon like
+this to use against Robin until I know whether it is sharp or blunt, until I
+have found out what bearing, if any, this letter had on Hartley Parrish&rsquo;s
+death ...&rdquo;
+</p>
+
+<p>
+Euan MacTavish leant back in his chair and said nothing. He finished his
+cigarette, pitched the butt into the fender, and turned to Mary. He asked her
+to let him see the letter again. Once more he read it over. Then, handing it
+back to her, he said:
+</p>
+
+<p>
+&ldquo;It&rsquo;s all so simple-looking that there may well be something behind
+it. But, if you do go to Holland, how are you going to set about your
+enquiries?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s where you can help me, Euan, dear,&rdquo; answered the
+girl. &ldquo;I want to find somebody at Rotterdam who will help me to make some
+confidential enquiries about this firm. Do you know any one? An Englishman
+would be best, of course ...&rdquo;
+</p>
+
+<p>
+But Euan MacTavish was halfway to the door.
+</p>
+
+<p>
+&ldquo;Wait there,&rdquo; he commanded, &ldquo;till I telephone the one man in
+the world who can help us.&rdquo;
+</p>
+
+<p>
+He vanished into the hall where Mary heard him at the instrument.
+</p>
+
+<p>
+&ldquo;We are going round to the Albany,&rdquo; he said, &ldquo;to see my
+friend, Ernest Dulkinghorn, of the War Office. He can help us if any one can.
+But, Mary, you must promise me one thing before we go ... you must agree to do
+what old Ernest tells you. You needn&rsquo;t be afraid. He is the most
+unconventional of men, capable of even approving this madcap scheme of
+yours!&rdquo;
+</p>
+
+<p>
+&ldquo;I agree,&rdquo; said Mary, &ldquo;but how you waste time, Euan! We could
+have been at the Albany by this time!&rdquo;
+</p>
+
+<p>
+In a first-floor oak-panelled suite at the Albany, overlooking the covered walk
+that runs from Piccadilly to Burlington Gardens, they found an excessively
+fair, loose-limbed man whose air of rather helpless timidity was heightened by
+a pair of large tortoise-shell spectacles. He appeared excessively embarrassed
+at the sight of MacTavish&rsquo;s extremely good-looking companion.
+</p>
+
+<p>
+&ldquo;You never told me you were bringing a lady, Euan,&rdquo; he said
+reproachfully, &ldquo;or I should have attempted to have made myself more
+presentable.&rdquo;
+</p>
+
+<p>
+He looked down at his old flannel suit and made an apologetic gesture which
+took in the table littered with books and papers and the sofa on which lay a
+number of heavy tomes with marked slips sticking out between the pages.
+</p>
+
+<p>
+&ldquo;I am working at a code,&rdquo; he explained.
+</p>
+
+<p>
+&ldquo;Ernest here,&rdquo; said MacTavish, turning to Mary, &ldquo;is the code
+king. Your pals in the Intelligence tell me, Ernest, that you&rsquo;ve never
+been beaten by a code ...&rdquo;
+</p>
+
+<p>
+The fair man laughed nervously.
+</p>
+
+<p>
+&ldquo;They&rsquo;ve been pullin&rsquo; your leg, Euan,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you believe him, Mary,&rdquo; retorted her cousin.
+&ldquo;This is the man who probably did more than any one man to beat the
+Boche. Whenever the brother Hun changed his code, Brother Ernest was called in
+and he produced a key in one, two, three!...&rdquo;
+</p>
+
+<p>
+&ldquo;What rot you talk, Euan!&rdquo; said Dulkinghorn. &ldquo;Working out a
+code is a combination of mathematics, perseverance, and inspiration with a good
+slice of luck thrown in! But isn&rsquo;t Miss Trevert going to sit down?&rdquo;
+</p>
+
+<p>
+He cleared the sofa with a sweep of his arm which sent the books flying on to
+the floor.
+</p>
+
+<p>
+&ldquo;Ernest,&rdquo; said MacTavish, &ldquo;I want you to give Miss Trevert
+here a letter to some reliable fellow in Rotterdam who can assist her in making
+a few enquiries of a very delicate nature!&rdquo;
+</p>
+
+<p>
+&ldquo;What sort of enquiries?&rdquo; asked Dulkinghorn bluntly.
+</p>
+
+<p>
+&ldquo;About a firm called Elias van der Spyck,&rdquo; replied Euan.
+</p>
+
+<p>
+&ldquo;Of Rotterdam?&rdquo; enquired the other sharply.
+</p>
+
+<p>
+&ldquo;That&rsquo;s right! Do you know them?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve heard the name. They do a big business. But hadn&rsquo;t Miss
+Trevert better tell her story herself?&rdquo;
+</p>
+
+<p>
+Mary told him of the death of Hartley Parrish and of the letter she had found
+upon his desk. She said nothing of the part played by Robin Greve.
+</p>
+
+<p>
+&ldquo;Hmph!&rdquo; said Dulkinghorn. &ldquo;You think it might be blackmail,
+eh? Well, well, it might be. Have you got this letter about you? Hand it over
+and let&rsquo;s have a look at it.&rdquo;
+</p>
+
+<p>
+His nervous manner had vanished. His face seemed to take on a much keener
+expression. He took the letter from Mary and read it through. Then he crossed
+the room to a wall cupboard which he unlocked with a key on a chain, produced a
+small tray on which stood a number of small bottles, some paint-brushes and
+pens, and several little open dishes such as are used for developing
+photographs. He bore the tray to the table, cleared a space on a corner by
+knocking a pile of books and papers on the floor, and set it down.
+</p>
+
+<p>
+&ldquo;Just poke the fire!&rdquo; he said to Euan.
+</p>
+
+<p>
+From a drawer in the table he produced a board on which he pinned down the
+letter with a drawing-pin at each corner. Then he dipped a paint-brush into one
+of the bottles and carefully painted the whole surface of the sheet with some
+invisible fluid.
+</p>
+
+<p>
+&ldquo;So!&rdquo; he said, &ldquo;we&rsquo;ll leave that to dry and see if we
+can find out any little secrets, eh? That little tray&rsquo;ll do the trick if
+there&rsquo;s any monkey business to this letter of yours, Miss Trevert.
+That&rsquo;ll do the trick, eh, what?&rdquo;
+</p>
+
+<p>
+He paced the room as he talked, not waiting for an answer, but running on as
+though he were soliloquizing. Presently he turned and swooped down on the
+board.
+</p>
+
+<p>
+&ldquo;Nothing,&rdquo; he ejaculated. &ldquo;Now for the acids!&rdquo;
+</p>
+
+<p>
+With a little piece of sponge he carefully wiped the surface of the letter and
+painted it again with a substance from another bottle.
+</p>
+
+<p>
+&ldquo;Just hold that to the fire, would you, Euan?&rdquo; he said, and gave
+MacTavish the board. He resumed his pacing, but this time he hummed in the most
+unmelodious voice imaginable:
+</p>
+
+<p class="poem">
+She was bright as a butterfly, as fair as a queen,<br />
+Was pretty little Polly Perkins, of Paddington Green.
+</p>
+
+<p>
+&ldquo;It&rsquo;s dry!&rdquo;
+</p>
+
+<p>
+MacTavish&rsquo;s voice broke in upon the pacing and the discordant song.
+</p>
+
+<p>
+&ldquo;Well?&rdquo;
+</p>
+
+<p>
+Dulkinghorn snapped out the question.
+</p>
+
+<p>
+&ldquo;No result!&rdquo; said Euan. He handed him the board.
+</p>
+
+<p>
+Dulkinghorn cast a glance at it, swiftly removed the letter, held it for an
+instant up to the electric light, fingered the paper for a moment, and handed
+the letter back to Mary.
+</p>
+
+<p>
+&ldquo;If it&rsquo;s code,&rdquo; he said, &ldquo;it&rsquo;s a conventional
+code and that always beats the expert ... at first. Go to Rotterdam and call on
+my friend, Mr. William Schulz. I&rsquo;ll give you a letter for him and
+he&rsquo;ll place himself entirely at your disposition. Euan will take you
+over. Holland is on your beat, ain&rsquo;t it, Euan? When do you go
+next?&rdquo;
+</p>
+
+<p>
+&ldquo;To-morrow,&rdquo; said the King&rsquo;s Messenger. &ldquo;The boat train
+leaves Liverpool Street at ten o&rsquo;clock.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll want a passport,&rdquo; said Dulkinghorn, turning to the
+girl. &ldquo;You&rsquo;ve got it there? Good. Leave it with me. You shall have
+it back properly viséed by nine o&rsquo;clock to-morrow morning. Where are you
+stayin&rsquo;? Almond&rsquo;s Hotel. Good. I&rsquo;ll send the letter for Mr.
+William Schulz with it!&rdquo;
+</p>
+
+<p>
+&ldquo;But,&rdquo; Euan interjected mildly, after making several ineffectual
+efforts to stem the torrent of speech, &ldquo;do you really think that Miss
+Trevert will be well advised to risk this trip to Holland alone? Hadn&rsquo;t
+the police better take the matter in hand?&rdquo;
+</p>
+
+<p>
+&ldquo;Police be damned!&rdquo; replied Dulkinghorn heartily. &ldquo;Miss
+Trevert will be better than a dozen heavy-handed, heavy-footed plain-clothes
+men. When you get to Rotterdam, Miss Trevert, you trot along and call on
+William Schulz. He&rsquo;ll see you through.&rdquo;
+</p>
+
+<p>
+Then, to indicate without any possibility of misunderstanding, that his work
+had been interrupted long enough, Dulkinghorn got up, and, opening the
+sitting-room door, led the way into the hall. As he stood with his hand on the
+latch of the front door, Mary Trevert asked him:
+</p>
+
+<p>
+&ldquo;Is this Mr. Schulz an Englishman?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll let you into a secret,&rdquo; answered Bulkinghorn; &ldquo;he
+<i>was</i>. But he isn&rsquo;t now! No, no, I can&rsquo;t say anything more.
+You must work it out for yourself. But I will give you a piece of advice. The
+less you say about Mr. William Schulz and about your private affairs generally
+when you are on the other side, the better it will be for you!
+Good-night&mdash;and good luck!&rdquo;
+</p>
+
+<p>
+Euan MacTavish escorted Mary to Almond&rsquo;s Hotel.
+</p>
+
+<p>
+&ldquo;I&rsquo;m very much afraid,&rdquo; he said to her as they walked along,
+&ldquo;that you&rsquo;re butting that pretty head of yours into a wasps&rsquo;
+nest, Mary!&rdquo;
+</p>
+
+<p>
+&ldquo;Nonsense!&rdquo; retorted the girl decisively; &ldquo;I can take care of
+myself!&rdquo;
+</p>
+
+<p>
+&ldquo;If I consent to let you go off like this,&rdquo; said Euan, &ldquo;it is
+only on one condition ... you must tell Lady Margaret where you are going
+...&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;ll spoil everything,&rdquo; answered Mary, pouting;
+&ldquo;Mother will want to come with me!&rdquo;
+</p>
+
+<p>
+&ldquo;No, she won&rsquo;t,&rdquo; urged her cousin, &ldquo;not if I tell her.
+She&rsquo;ll worry herself to death, Mary, if she doesn&rsquo;t know what has
+become of you. You&rsquo;d better let me ring her up from the club and tell her
+you&rsquo;re running over to Rotterdam for a few days. Look here, I&rsquo;ll
+tell her you&rsquo;re going with me. She&rsquo;ll be perfectly happy if she
+thinks I&rsquo;m to be with you ...&rdquo;
+</p>
+
+<p>
+On that Mary surrendered.
+</p>
+
+<p>
+&ldquo;Have it your own way,&rdquo; she said.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll pick you up here at a quarter-past nine in the
+morning,&rdquo; said Euan as he bade the girl good-night at her hotel,
+&ldquo;then we&rsquo;ll run down to the F.O. and collect my bags and go on to
+the station!&rdquo;
+</p>
+
+<p>
+&ldquo;Euan,&rdquo; the girl asked as she gave him her hand, &ldquo;who is this
+man Schulz, do you think?&rdquo;
+</p>
+
+<p>
+The King&rsquo;s messenger leant over and whispered:
+</p>
+
+<p>
+&ldquo;Secret Service!&rdquo;
+</p>
+
+<p>
+&ldquo;Secret Service!&rdquo;
+</p>
+
+<p>
+The girl repeated the words in a hushed voice.
+</p>
+
+<p>
+&ldquo;Then Mr. Dulkinghorn ... is he ... that too?&rdquo;
+</p>
+
+<p>
+Euan nodded shortly.
+</p>
+
+<p>
+&ldquo;One of their leadin&rsquo; lights!&rdquo; he answered.
+</p>
+
+<p>
+&ldquo;But, Euan,&rdquo;&mdash;the girl was very serious now,&mdash;&ldquo;what
+has the Secret Service to do with Hartley Parrish&rsquo;s clients in
+Holland?&rdquo;
+</p>
+
+<p>
+The King&rsquo;s messenger laid a lean finger along his nose.
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; he said, &ldquo;what? That&rsquo;s what is beginning to
+interest me!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap21"></a>CHAPTER XXI.<br />
+A WORD WITH MR. JEEKES</h2>
+
+<p>
+Life is like a kaleidoscope, that ingenious toy which was the delight of the
+Victorian nursery. Like the glass fragments in its slide, different in colour
+and shape, men&rsquo;s lives lie about without seeming connection; then Fate
+gives the instrument a shake, and behold! the fragments slide into position and
+form an intricate mosaic....
+</p>
+
+<p>
+Mark how Fate proceeded on the wet and raw Sunday evening when Bruce Wright, at
+the instance of Mr. Manderton, quitted Robin Greve&rsquo;s chambers in the
+Temple, leaving his friend and the detective alone together. To tell the truth,
+Bruce Wright was in no mood for facing the provincial gloom of a wet Sunday
+evening in London, nor did he find alluring the prospect of a suburban
+supper-party at the quiet house where he lived with his widowed mother and
+sisters in South Kensington. So, in an irresolute, unsettled frame of mind, he
+let himself drift down the Strand unable to bring himself to go home or,
+indeed, to form any plan.
+</p>
+
+<p>
+He crossed Trafalgar Square, a nocturne in yellow and black&mdash;lights
+reflected yellow in pavements shining dark with wet&mdash;and by and by found
+himself in Pall Mall. Here it was that Fate took a hand. At this moment it
+administered a preliminary jog to the kaleidoscope and brought the fragment
+labelled Bruce Wright into immediate proximity with the piece entitled Albert
+Edward Jeekes.
+</p>
+
+<p>
+As Bruce Wright came along Pall Mall, he saw Mr. Jeekes standing on the steps
+of his club. The little secretary appeared to be lost in thought, his chin
+thrust down on the crutch-handle of the umbrella he clutched to himself. So
+absorbed was he in his meditations that he did not observe Bruce Wright stop
+and regard him. It was not until our young man had touched him on the arm that
+he looked up with a start.
+</p>
+
+<p>
+&ldquo;God bless my soul!&rdquo; he exclaimed, &ldquo;if it isn&rsquo;t young
+Wright!&rdquo;
+</p>
+
+<p>
+Now the sight of Jeekes had put a great idea into the head of our young friend.
+He had been more chagrined than he had let it appear to Robin Greve at his
+failure to recover the missing letter from the library at Harkings. To obtain
+the letter&mdash;or, at any rate, a copy of it&mdash;from Jeekes and to hand it
+to Robin Greve would, thought Bruce, restore his prestige as an amateur
+detective, at any rate in his own eyes. Moreover, a chat with Jeekes over the
+whole affair seemed a Heaven-sent exit from the <i>impasse</i> of boredom into
+which he had drifted this wet Sunday evening.
+</p>
+
+<p>
+&ldquo;How are you, Mr. Jeekes?&rdquo; said Bruce briskly. (&ldquo;Mr.&rdquo;
+Jeekes was the form of address always accorded to the principal secretary in
+the Hartley Parrish establishment and Bruce resumed it instinctively.) &ldquo;I
+was anxious to see you. I called in at the club this afternoon. Did you get my
+message?&rdquo;
+</p>
+
+<p>
+The little secretary blinked at him through his <i>pince-nez</i>.
+</p>
+
+<p>
+&ldquo;There have been so many messages about this shocking affair that really
+I forget ...&rdquo;
+</p>
+
+<p>
+He sighed heavily.
+</p>
+
+<p>
+&ldquo;Couldn&rsquo;t I come in and have a yarn now?&rdquo;
+</p>
+
+<p>
+Bruce spoke cajolingly. But Mr. Jeekes wrinkled his brow fussily.
+</p>
+
+<p>
+There was so much to do; he had had a long day; if Wright would excuse him ...
+</p>
+
+<p>
+&ldquo;As a matter of fact,&rdquo; explained Bruce with an eye on his man,
+&ldquo;I wanted to see you particularly about a letter ...&rdquo;
+</p>
+
+<p>
+&ldquo;Some other time ... to-morrow ...&rdquo;
+</p>
+
+<p>
+&ldquo;Written on dark-blue paper ... you know, one of those letters H.P. made
+all the fuss about.&rdquo;
+</p>
+
+<p>
+Mr. Jeekes took his <i>pince-nez</i> from his nose, gave the glasses a hasty
+rub with his pocket-handkerchief, and replaced them. He slanted a long narrow
+look at the young man.
+</p>
+
+<p>
+Then, &ldquo;What letter do you mean?&rdquo; he asked composedly.
+</p>
+
+<p>
+&ldquo;A letter which lay on H.P.&rsquo;s desk in the library at Harkings when
+they found the body ...&rdquo;
+</p>
+
+<p>
+&ldquo;There <i>was</i> a letter there then ...?&rdquo;
+</p>
+
+<p>
+&ldquo;Haven&rsquo;t <i>you</i> got it?&rdquo;
+</p>
+
+<p>
+Jeekes shook his head.
+</p>
+
+<p>
+&ldquo;Come inside for a minute and tell me about this,&rdquo; he said.
+</p>
+
+<p>
+He led Bruce into the vast smoking-room of the club. They took seats in a
+distant corner near the blazing fire. The room was practically deserted.
+</p>
+
+<p>
+Now, Mr. Jeekes&rsquo;s excessive carefulness about money had been a
+long-standing joke amongst his assistants when Bruce Wright had belonged to
+Hartley Parrish&rsquo;s secretarial staff. Thrift had become with him more than
+a habit. It was a positive obsession. It revealed itself in such petty
+meannesses as a perpetual cadging for matches or small change and a careful
+abstention from any offer of hospitality. Never in the whole course of his
+service had Bruce Wright heard of Mr. Jeekes taking anybody out to lunch or
+extending any of the usual hospitalities of life. He was not a little
+surprised, therefore, to hear Jeekes ask him what he would take.
+</p>
+
+<p>
+Bruce said he would take some coffee.
+</p>
+
+<p>
+&ldquo;Have a liqueur? Have a cigar?&rdquo; said Jeekes, turning to Bruce from
+the somnolent waiter who had answered the bell.
+</p>
+
+<p>
+There was a strange eagerness, a sort of over-done cordiality, in the
+invitation which contrasted so strongly with the secretary&rsquo;s habits that
+Robin felt dimly suspicious. He suddenly formed the idea that Mr. Jeekes wanted
+to pump him. He refused the liqueur, but accepted a cigar. Jeekes waited until
+they had been served and the waiter had withdrawn silently into the dim
+vastness of the great room before he spoke.
+</p>
+
+<p>
+&ldquo;Now, then, young Wright,&rdquo; he said, &ldquo;what&rsquo;s this about
+a letter? Tell me from the beginning ...&rdquo;
+</p>
+
+<p>
+Bruce told him of the letter from Elias van der Spyck &amp; Co. which Robin had
+seen upon the desk in the library at Harkings, of his (Bruce&rsquo;s) journey
+down to Harkings that afternoon and of his failure to find the letter.
+</p>
+
+<p>
+&ldquo;But why do you assume that I&rsquo;ve got it?&rdquo;
+</p>
+
+<p>
+There was an air of forced joviality about Mr. Jeekes as he put the question
+which did not in the least, as he undoubtedly intended it should, disguise his
+eagerness. On the contrary, it lent his rather undistinguished features an
+expression of cunning which can only be described as knavish. Bruce Wright,
+who, as will already have been seen, was a young man with all his wits about
+him, did not fail to remark it. The result was that he hastily revised an
+intention half-formed in his mind of taking Jeekes a little way into his
+confidence regarding Robin Greve&rsquo;s doubts and suspicions about Hartley
+Parrish&rsquo;s death.
+</p>
+
+<p>
+But he answered the secretary&rsquo;s question readily enough.
+</p>
+
+<p>
+&ldquo;Because Miss Trevert told me you went to the library immediately you
+arrived at Harkings last night. I consequently assumed that you must have taken
+away the letter seen by Robin Greve ...&rdquo;
+</p>
+
+<p>
+Mr. Jeekes drew in his breath with a sucking sound. It was a little trick of
+his when about to speak.
+</p>
+
+<p>
+&ldquo;So you saw Miss Trevert at Harkings, eh?&rdquo;
+</p>
+
+<p>
+Bruce laughed.
+</p>
+
+<p>
+&ldquo;I did,&rdquo; he said. &ldquo;We had quite a dramatic meeting,
+too&mdash;it was like a scene from a film!&rdquo;
+</p>
+
+<p>
+And, with a little good-humoured exaggeration, he gave Mr. Jeekes a description
+of his encounter with Mary. And lest it should seem that young Wright was
+allowing Mr. Jeekes to pump him, it should be stated that Bruce was well aware
+of one of the secretary&rsquo;s most notable characteristics, a common failing,
+be it remarked, of the small-minded, and that was an overpowering suspicion of
+anything resembling a leading question. In order, therefore, to gain his
+confidence, he willingly satisfied the other&rsquo;s curiosity regarding his
+visit to Harkings hoping thereby to extract some information as to the
+whereabouts of the letter on the slatey-blue paper.
+</p>
+
+<p>
+&ldquo;There was no letter of this description on the desk, you say, when you
+and Miss Trevert looked?&rdquo; asked Jeekes when Bruce had finished his story.
+</p>
+
+<p>
+&ldquo;Nothing but circulars and bills,&rdquo; Bruce replied.
+</p>
+
+<p>
+Mr. Jeekes leaned forward and drank off his coffee with a swift movement. Then
+he said carelessly:
+</p>
+
+<p>
+&ldquo;From what you tell me, Miss Trevert would have been perhaps a minute
+alone in the room without your seeing her?&rdquo;
+</p>
+
+<p>
+Bruce agreed with a nod.
+</p>
+
+<p>
+Adjusting his <i>pince-nez</i> on his nose the secretary rose to his feet.
+</p>
+
+<p>
+&ldquo;Very glad to have seen you again, Wright,&rdquo; he said, thrusting out
+a limp hand; &ldquo;must run off now&mdash;mass of work to get through
+...&rdquo;
+</p>
+
+<p>
+Then Bruce risked his leading question.
+</p>
+
+<p>
+&ldquo;If you haven&rsquo;t got this letter,&rdquo; he observed, &ldquo;what
+has become of it? Obviously the police are not likely to have taken it because
+they know nothing of its significance ...&rdquo;
+</p>
+
+<p>
+&ldquo;Quite, quite,&rdquo; answered Mr. Jeekes absently, but without replying
+to the young man&rsquo;s question.
+</p>
+
+<p>
+&ldquo;Why,&rdquo; asked Bruce boldly, &ldquo;did old H.P. make such a mystery
+about these letters on the slatey-blue paper, Mr. Jeekes?&rdquo;
+</p>
+
+<p>
+The secretary wrinkled up his thin lips and sharp nose into a cunning smile.
+</p>
+
+<p>
+&ldquo;When you get to be my age, young Wright,&rdquo; he made answer,
+&ldquo;you will understand that every man has a private side to his life. And,
+if you have learnt your job properly, you will also know that a private
+secretary&rsquo;s first duty is to mind his own business. About this letter
+now&mdash;it&rsquo;s the first I&rsquo;ve heard of it. Take my advice and
+don&rsquo;t bother your head about it. <i>If</i> it exists ...&rdquo;
+</p>
+
+<p>
+&ldquo;But it <i>does</i> exist,&rdquo; broke in Bruce quickly. &ldquo;Mr.
+Greve saw it and read it himself ...&rdquo;
+</p>
+
+<p>
+Mr. Jeekes laughed drily.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you forget, young Wright,&rdquo; he said, jerking his chin
+towards the youngster in a confidential sort of way, &ldquo;don&rsquo;t you
+forget that Mr. Greve is anxious to find a plausible motive for Mr.
+Parrish&rsquo;s suicide. People are talking, you understand! That&rsquo;s all
+I&rsquo;ve got to say! Just you think it over ...&rdquo;
+</p>
+
+<p>
+Bruce Wright bristled up hotly at this.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t see you have any reason to try and impugn Greve&rsquo;s
+motive for wishing to get at the bottom of this mysterious affair ...&rdquo;
+</p>
+
+<p>
+Mr. Jeekes affected to be engrossed in the manicuring of his nails. Very
+intently he rubbed the nails of one hand against the palm of the other.
+</p>
+
+<p>
+&ldquo;No mystery!&rdquo; he said decisively with a shake of the head:
+&ldquo;no mystery whatsoever about it, young Wright, except what the amateur
+detectives will try and make it out to be. Or has Mr. Greve discovered a
+mystery already?&rdquo;
+</p>
+
+<p>
+The question came out artfully. But in the quick glance which accompanied it,
+there was an intent watchfulness which startled Bruce accustomed as he was to
+the mild and unemotional ways of the little secretary.
+</p>
+
+<p>
+&ldquo;Not that I know of,&rdquo; said Bruce. &ldquo;Greve is only puzzled like
+all of us that H.P. should have done a thing like this!&rdquo;
+</p>
+
+<p>
+Mr. Jeekes was perfectly impassive again.
+</p>
+
+<p>
+&ldquo;The nerves, young Wright! The nerves!&rdquo; he said impressively.
+&ldquo;Harley Street, not Mr. Greve, will supply the motive to this sad affair,
+believe me!&rdquo;
+</p>
+
+<p>
+With that he accompanied the young man to the door of the club and from the
+vestibule watched him sally forth into the rain of Pall Mall.
+</p>
+
+<p>
+Then Mr. Jeekes turned to the hall porter.
+</p>
+
+<p>
+&ldquo;Please get me Stevenish one-three-seven,&rdquo; he said,
+&ldquo;it&rsquo;s a trunk call. Don&rsquo;t let them put you off with &lsquo;No
+reply.&rsquo; It&rsquo;s Harkings, and they are expecting me to ring them. I
+shall be in the writing room.&rdquo;
+</p>
+
+<p>
+When, twenty minutes later, Mr. Jeekes emerged from the trunk call telephone
+box in the club vestibule, his mouth was drooping at the corners and his hands
+trembled curiously. He stood for an instant in thought tapping his foot on the
+marble floor of the deserted hall dimly lit by a single electric bulb burning
+over the hall porter&rsquo;s box. Then he went back to the writing-room and
+returned with a yellow telegram form.
+</p>
+
+<p>
+&ldquo;Send a boy down to Charing Cross with that at once, please,&rdquo; he
+said to the night porter.
+</p>
+
+<p>
+Fate which had brought Bruce Wright face to face with Mr. Jeekes gave the
+kaleidoscope another jerk that night. As Bruce Wright entered the Tube Station
+at Dover Street to go home to South Kensington, it occurred to him that he
+would ring up Robin Greve at his chambers in the Temple and give him an outline
+of his (Bruce&rsquo;s) talk with Jeekes. Bruce went to the public callbox in
+the station, but the rhythmic &ldquo;Zoom-er! Zoom-er! Zoom-er!&rdquo; which
+announces that a number is engaged was all the satisfaction he got. The
+prospect of waiting about the draughty station exit did not appeal to him, so
+he decided to go home and telephone Robin, as originally arranged, in the
+morning.
+</p>
+
+<p>
+Just about the time that he made this resolve, Robin in his rooms in the Temple
+was hanging up the receiver of his telephone with a dazed expression in his
+eyes. Mr. Manderton had rung him up with a piece of intelligence which fairly
+bewildered him. It bewildered Mr. Manderton also, as the detective was frank
+enough to acknowledge.
+</p>
+
+<p>
+Mary Trevert had gone to Rotterdam for a few days in company with her cousin,
+Major Euan MacTavish. Mr. Manderton had received this astonishing information
+by telephone from Harkings a few minutes before.
+</p>
+
+<p>
+&ldquo;It bothers me properly, Mr. Greve, sir,&rdquo; the detective had added.
+</p>
+
+<p>
+&ldquo;There&rsquo;s only one thing for it, Manderton,&rdquo; Robin had said;
+&ldquo;I&rsquo;ll have to go after her ...&rdquo;
+</p>
+
+<p>
+&ldquo;The very thing I was about to suggest myself, Mr. Greve. You&rsquo;re
+unofficial-like and can be more helpful than if we detailed one of our own
+people from the Yard. And with the investigation in its present stage I
+don&rsquo;t reely feel justified in going off on a wild-goose chase myself.
+There are several important enquiries going forward now, notably as to where
+Mr. Parrish bought his pistol. But we certainly ought to find out what takes
+Miss Trevert careering off to Rotterdam in this way ...&rdquo;
+</p>
+
+<p>
+&ldquo;It seems almost incredible,&rdquo; Robin had said, &ldquo;but it looks
+to me as though Miss Trevert must have found out something about the letter
+...&rdquo;
+</p>
+
+<p>
+&ldquo;Or found it herself ...&rdquo;
+</p>
+
+<p>
+&ldquo;By Jove! She was in the library when Bruce Wright was there. This
+settles it, Manderton. I must go!&rdquo;
+</p>
+
+<p>
+&ldquo;Then,&rdquo; said the detective, &ldquo;I&rsquo;m going to entrust you
+with that slotted sheet of paper again. For I have an idea, Mr. Greve, that you
+may get a glimpse of that letter before I do. I&rsquo;ll send a messenger round
+with it at once.&rdquo;
+</p>
+
+<p>
+Then a difficulty arose. Manderton had not got the girl&rsquo;s address. They
+had no address at Harkings. Nor did he know what train Miss Trevert had taken.
+She might have gone by the 9 P.M. that night. Had Mr. Greve got a passport?
+Yes, Robin had a passport, but it was not viséed for Holland. That meant he
+could not leave until the following evening. Then Robin had a &ldquo;brain
+wave.&rdquo;
+</p>
+
+<p>
+&ldquo;There&rsquo;s an air service to Rotterdam!&rdquo; he exclaimed.
+&ldquo;It doesn&rsquo;t leave till noon. A pal of mine went across by it only
+last week. That will leave me time to get my passport stamped at the Dutch
+Consulate, to catch the air mail, and be in Rotterdam by tea-time! And,
+Manderton, I shall go to the Grand Hotel. That&rsquo;s where my friend stopped.
+Wire me there if there&rsquo;s any news ...&rdquo;
+</p>
+
+<p>
+Air travel is so comfortably regulated at the present day that Robin Greve,
+looking back at his trip by air from Croydon Aerodrome to the big
+landing-ground outside Rotterdam, acknowledged that he had more excitement in
+his efforts to stir into action a lethargic Dutch passport official in London,
+so as to enable him to catch the air mail, than in the smooth and uneventful
+voyage across the Channel. He reached Rotterdam on a dull and muggy afternoon
+and lost no time in depositing his bag at the Grand Hotel. An enquiry at the
+office there satisfied him that Mary Trevert had not registered her name in the
+hotel book. Then he set out in a taxi upon a dreary round of the principal
+hotels.
+</p>
+
+<p>
+But fate, which loves to make a sport of lovers, played him a scurvy trick. In
+the course of his search it brought Robin to that very hotel towards which, at
+the selfsame moment, Mary Trevert was driving from the station. By the time she
+arrived, Robin was gone and, with despair in his heart, had started on a tour
+of the second-class hotels, checking them by the Baedeker he had bought in the
+Strand that morning. It was eight o&rsquo;clock by the time he had finished. He
+had drawn a blank.
+</p>
+
+<p>
+The sight of a huge, plate-glass-fronted café reminded him that in the
+day&rsquo;s rush he had omitted to lunch. So he paid off his taxi and dined off
+succulent Dutch beefsteak, pounded as soft as velvet and swimming with butter
+and served in a bed of deliciously browned &lsquo;earth apples,&rsquo; as the
+Holländers call potatoes. The café was stiflingly hot; there was a large and
+noisy orchestra in the front part and a vast billiard-saloon in the
+back&mdash;a place of shaded lights, clicking balls, and guttural exclamations.
+The heat of the place, the noise and the cries combined with the effect of his
+long journey in the fresh air to make him very drowsy. When he had finished
+dinner he was content to postpone his investigations until the morrow and go to
+bed. Emerging from the café he found to his relief that his hotel was but a few
+houses away.
+</p>
+
+<p>
+As he sat at breakfast the next morning, enjoying the admirable Dutch coffee,
+he reviewed the situation very calmly but very thoroughly. He told himself that
+he had no indication as to Mary Trevert&rsquo;s business in Rotterdam save the
+supposition that she had found the van der Spyck letter and had come to
+Rotterdam to investigate the matter for herself. He realized that the
+hypothesis was thin, for, in the first place, Mary could have no inkling as to
+the hidden significance of the document, and, in the second place, she was
+undoubtedly under the impression that Hartley Parrish was driven to suicide by
+his (Robin&rsquo;s) threats.
+</p>
+
+<p>
+But, in the absence of any other apparent explanation of the girl&rsquo;s
+extraordinary decision to come to Rotterdam, Robin decided he would accept the
+theory that she had come about the van der Spyck letter. How like Mary, after
+all, he mused, self-willed, fearless, independent, to rush off to Holland on
+her own on a quest like this! Where would her investigations lead her? To the
+offices of Elias van der Spyck &amp; Co., to be sure! Robin threw his napkin
+down on the table, thrust back his chair, and went off to the hotel porter to
+locate the address of the firm.
+</p>
+
+<p>
+The telephone directory showed that the offices were situated in the
+Oranien-Straat, about ten minutes&rsquo; walk from the hotel, in the business
+quarter of the city round the Bourse. Robin glanced at the clock. It was twenty
+minutes to ten. The principals, he reflected, were not likely to be at the
+office before ten o&rsquo;clock. It was a fine morning and he decided to walk.
+The hotel porter gave him a few simple directions: the gentleman could not miss
+the way, he said; so Robin started off, hope high in his breast of getting a
+step nearer to the elucidation of the mystery of the library at Harkings.
+</p>
+
+<p>
+A brisk walk of about ten minutes through the roaring streets of the city
+brought him to a big open square from which, he had been instructed, the
+Oranien-Straat turned off. He was just passing a large and important-looking
+post-office&mdash;he remarked it because he looked up at a big clock in the
+window to see the time&mdash;when a man came hastily through the swing-door and
+stopped irresolutely on the pavement in front, glancing to right and left as a
+man does who is looking for a cab.
+</p>
+
+<p>
+At the sight of him Robin could scarcely suppress an expression of amazement.
+It was Mr. Jeekes.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap22"></a>CHAPTER XXII.<br />
+THE MAN WITH THE YELLOW FACE</h2>
+
+<p>
+In a narrow, drowsy side street at Rotterdam, bisected by a somnolent canal,
+stood flush with the red-brick sidewalk a small clean house. Wire blinds
+affixed to the windows of its ground and first floors gave it a curious
+blinking air as though its eyes were only half open. To the neat green front
+door was affixed a large brass plate inscribed with the single name:
+&ldquo;Schulz.&rdquo;
+</p>
+
+<p>
+A large woman, in a pink print dress with a white cloth bound about her head,
+was vigorously polishing the plate as, on the morning following her departure
+from London, Mary Trevert, Dulkinghorn&rsquo;s letter of introduction in her
+pocket, arrived in front of the residence of Mr. William Schulz. Euan MacTavish
+had, on the previous evening, seen her to her hotel and had then&mdash;very
+reluctantly, as it seemed to Mary&mdash;departed to continue his journey to The
+Hague, his taxi piled high with white-and-green Foreign Office bags, heavily
+sealed with scarlet wax.
+</p>
+
+<p>
+Mary Trevert approached the woman, her letter of introduction, which
+Dulkinghorn, being an unusual person, had fastened down, in her hand.
+</p>
+
+<p>
+&ldquo;Schulz?&rdquo; she said interrogatively.
+</p>
+
+<p>
+&ldquo;<i>Nicht da</i>,&rdquo; replied the woman without looking up from her
+rubbing.
+</p>
+
+<p>
+&ldquo;Has he gone out?&rdquo; asked Mary in English.
+</p>
+
+<p>
+&ldquo;<i>Verstehe nicht</i>!&rdquo; mumbled the woman.
+</p>
+
+<p>
+But she put down her cleaning-rag and, breathing heavily, mustered the girl
+with a leisurely stare.
+</p>
+
+<p>
+Mary repeated the question in German whereupon the woman brightened up
+considerably.
+</p>
+
+<p>
+The <i>Herr</i> was not at home. The <i>Herr</i> had gone out. On business,
+<i>jawohl</i>. To the bank, perhaps. But the <i>Herr</i> would be back in time
+for <i>Mittagessen</i> at noon. There was beer soup followed by
+<i>Rindfleisch</i> ...
+</p>
+
+<p>
+Mary hesitated an instant. She was wondering whether she should leave her
+letter of introduction. She decided she would leave it. So she wrote on her
+card: &ldquo;Anxious to see you as soon as possible&rdquo; and the name of her
+hotel, and gave it, with the letter, to the woman.
+</p>
+
+<p>
+&ldquo;Please see that Herr Schulz gets that directly he comes in,&rdquo; she
+said. &ldquo;It is important!&rdquo;
+</p>
+
+<p>
+&ldquo;<i>Gut, gut</i>!&rdquo; said the woman, wiping her hands on her apron.
+She took the card and letter, and Mary, thanking her, set off to go back to her
+hotel.
+</p>
+
+<p>
+About twenty yards from Mr. Schulz&rsquo;s house a narrow alley ran off. As
+Mary turned to regain the little footbridge across the canal to return to the
+noisy street which would take her back to the hotel, she caught sight of a man
+disappearing down this alley.
+</p>
+
+<p>
+She only had a glimpse of him, but it was sufficient to startle her
+considerably. He was a small man wearing a tweed cap and a tweed travelling
+ulster of a vivid brown. It was not these details, however, which took her
+aback. It was the fact that in the glimpse she had had of the man&rsquo;s face
+she had seemed to recognize the features of Mr. Albert Edward Jeekes.
+</p>
+
+<p>
+&ldquo;What an extraordinary thing!&rdquo; Mary said to herself. &ldquo;It
+<i>can&rsquo;t</i> be Mr. Jeekes. But if it is not, it is some one strikingly
+like him!&rdquo;
+</p>
+
+<p>
+To get another view of the stranger she hurried to the corner of the alley. It
+was a mere thread of a lane, not above six yards wide, running between the
+houses a distance of some sixty yards to the next street. But the alley was
+empty. The stranger had disappeared.
+</p>
+
+<p>
+Mary went a little way down the lane. A wooden fence ran down it on either
+side, with doors at intervals apparently giving on the back yards of the houses
+in the street. There was no sign of Mr. Jeekes&rsquo;s double, so she retraced
+her steps and returned to her hotel without further incident.
+</p>
+
+<p>
+She had not been back more than half an hour when a waiter came in to the
+lounge where she was sitting.
+</p>
+
+<p>
+&ldquo;Miss Trevert?&rdquo; he said. &ldquo;Zey ask for you at ze
+delephone!&rdquo;
+</p>
+
+<p>
+He took her to a cabin under the main staircase.
+</p>
+
+<p>
+&ldquo;This is Miss Trevert speaking!&rdquo; said Mary.
+</p>
+
+<p>
+&ldquo;I am speaking for Mr. Schulz,&rdquo; a man&rsquo;s voice
+answered&mdash;rather a nasal voice with a shade of foreign
+inflexion&mdash;&ldquo;he has had your letter. He is very sorry he has been
+detained in the country, but would be very glad if you would lunch with him
+to-day at his country-house.&rdquo;
+</p>
+
+<p>
+&ldquo;I shall be very pleased,&rdquo; the girl replied. &ldquo;Is it
+far?&rdquo;
+</p>
+
+<p>
+&ldquo;Only just outside Rotterdam,&rdquo; the voice responded. &ldquo;Mr.
+Schulz will send the car to the hotel to pick you up at 11.45. The driver will
+ask for you. Is that all right?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly,&rdquo; said Mary. &ldquo;Please thank Mr. Schulz and tell him
+I will expect the car at a quarter to twelve!&rdquo;
+</p>
+
+<p>
+Punctually at the appointed hour an open touring-car drove up to the hotel.
+Mary was waiting at the entrance. The driver was a young Dutchman in a blue
+serge suit. He jumped out and came up to Mary.
+</p>
+
+<p>
+&ldquo;Mees Trevert?&rdquo; he said.
+</p>
+
+<p>
+Mary nodded, whereupon he helped her into the car, then got back into the
+driving-seat and they drove away.
+</p>
+
+<p>
+A run of about twenty minutes through trim suburbs brought them out on a long
+straight road, paved with bricks and lined with poplars. The day was fine with
+a little bright sunshine from time to time and a high wind which kept the sails
+of the windmills dotting the landscape turning briskly. They followed the road
+for a bit, then branched off down a side turning which led to a black gate. It
+bore the name &ldquo;Villa Bergendal&rdquo; in white letters. The gate opened
+into a short drive fringed by thick laurel bushes which presently brought them
+in view of an ugly square red-brick house.
+</p>
+
+<p>
+The car drew up at a creeper-hung porch paved in red tiles. The chauffeur
+helped Mary to alight and, pushing open a glass door, ushered the girl into a
+square, comfortably furnished hall. Some handsome Oriental rugs were spread
+about: trophies of native weapons hung on the walls, and there were some fine
+specimens of old Dutch chests and blue Delft ware.
+</p>
+
+<p>
+The chauffeur led the way across the hall to a door at the far end. As Mary
+followed him, something bright lying on one of the chests caught her eye. It
+was a vivid brown travelling ulster and on it lay a brown tweed cap.
+</p>
+
+<p>
+Mary Trevert was no fool. She was, on the contrary, a remarkably quick-witted
+young person. The sight of that rather &ldquo;loud&rdquo; overcoat instantly
+recalled the stranger so strikingly resembling Mr. Jeekes who had disappeared
+down the lane as she was coming away from Mr. Schulz&rsquo;s house. Mr. Jeekes
+<i>was</i> in Rotterdam then, and had, of course, been sent by her mother to
+look after her. What a fool she had been to allow Euan MacTavish to persuade
+her to tell her mother of her plans!
+</p>
+
+<p>
+Mary suddenly felt very angry. How dare Mr. Jeekes spy on her like this! She
+was quite capable, she told herself, of handling her own affairs, and she
+intended to tell the secretary so very plainly. And if, as she was beginning to
+believe, Mr. Schulz were acting hand in glove with Mr. Jeekes, she would let
+him know equally plainly that she had no intention of troubling him, but would
+make her own investigations independently. With a heightened colour she
+followed the chauffeur and passed through the door he held open for her.
+</p>
+
+<p>
+She found herself in a small, pleasant room with a bright note of colour in the
+royal blue carpet and window-curtains. A log-fire burned cheerfully in the
+fireplace before which a large red-leather Chesterfield was drawn up. On the
+walls hung some good old Dutch prints, and there were a couple of bookcases
+containing books which, by their bindings at least, seemed old and valuable.
+</p>
+
+<p>
+At the farther end of the room was another door across which a curtain of royal
+blue was drawn. Mary had scarcely entered the room when this door opened and a
+man appeared.
+</p>
+
+<p>
+He was carefully dressed in a well-cut suit of some dark material and wore a
+handsome pearl pin in his black tie. He was a dark, sallow type of man, his
+skin yellowed as though from long residence in the tropics. A small black
+moustache, carefully trained outwards from the lips, disclosed, as he smiled a
+greeting at his visitor, a line of broken yellow teeth. His hair, which was
+grizzled at the temples, was black and oily and brushed right back off the
+forehead. With his coarse black hair, his sallow skin, and his small beady
+eyes, rather like a snake&rsquo;s, there was something decidedly un-English
+about him. As Mary Trevert looked at him, somewhat taken aback by his sudden
+appearance, she became conscious of a vague feeling of mistrust welling up
+within her.
+</p>
+
+<p>
+The man closed the door behind him and advanced into the room, his hand
+extended. Mary took it. It was dank and cold to the touch.
+</p>
+
+<p>
+&ldquo;A thousand apologies, my dear Miss Trevert,&rdquo; he said in a soft,
+silky voice, a trifle nasal, with a touch of Continental inflexion, &ldquo;for
+asking you to come out here to see me. The fact is I had an important business
+conference here this morning and I have a second one this afternoon. It was
+materially impossible for me to come into Rotterdam ... But I am forgetting my
+manners. Let me introduce myself. I am Mr. Schulz ...&rdquo;
+</p>
+
+<p>
+Mary Trevert looked at him thoughtfully. Was this the friend of Ernest
+Dulkinghorn, the man of confidence to whom he had recommended her? A feeling of
+great uneasiness came over her. She listened. The house was absolutely still.
+From the utter silence enveloping it&mdash;for aught she knew&mdash;she and her
+unsavoury-looking companion might be the only persons in it. And then she
+realized that, on the faith of a telephone call, she had blindly come out to a
+house, the very address of which was utterly unknown to her.
+</p>
+
+<p>
+She fought down a sudden sensation of panic that made her want to scream, to
+bolt from the room into the fresh air, anywhere away from those snake eyes,
+that soft voice, that clammy hand. She collected her thoughts, remembered that
+Jeekes must be somewhere in the house, as his outdoor things were in the hall.
+The recollection reminded her of her determination to tolerate no interference
+from Jeekes or her mother.
+</p>
+
+<p>
+So she merely answered: &ldquo;It was no trouble to come,&rdquo; and waited for
+the man to speak again.
+</p>
+
+<p>
+He pulled forward the Chesterfield and made her sit down beside him.
+</p>
+
+<p>
+&ldquo;I had the letter of introduction,&rdquo; he said, &ldquo;and I want you
+to know that my services are entirely at your disposal. Now, what can I do for
+you?&rdquo;
+</p>
+
+<p>
+He looked at the girl intently&mdash;rather anxiously, she thought.
+</p>
+
+<p>
+&ldquo;That was explained in the letter,&rdquo; she answered, meeting his gaze
+unflinchingly.
+</p>
+
+<p>
+&ldquo;Yes, yes, of course, I know. I meant in what way do you propose to make
+use of my ... my local knowledge?&rdquo;
+</p>
+
+<p>
+&ldquo;I will tell you that, Mr. Schulz,&rdquo; Mary Trevert said in a measured
+voice, &ldquo;when you tell me what you think of the mission which has brought
+me here ...&rdquo;
+</p>
+
+<p>
+The snake&rsquo;s eyes narrowed a little.
+</p>
+
+<p>
+&ldquo;For a young lady to have come out alone to Holland on a mission of this
+description speaks volumes for your pluck and self-reliance, Miss Trevert
+...&rdquo;
+</p>
+
+<p>
+&ldquo;I asked you what you thought of my mission to Holland, Mr.
+Schulz,&rdquo; Mary interposed coldly.
+</p>
+
+<p>
+It was beginning to dawn on her that Mr. Schulz did not seem to know anything
+about the object of her visit, but, on the contrary, was seeking to elicit this
+from her by a process of adroit cross-examination. She was rather puzzled,
+therefore, but also somewhat relieved when he said:
+</p>
+
+<p>
+&ldquo;I can give my opinion better after you have shown me the letter
+...&rdquo;
+</p>
+
+<p>
+&ldquo;What letter?&rdquo; said the girl.
+</p>
+
+<p>
+&ldquo;The letter from Elias van der Spyck and Company, to be sure,&rdquo;
+retorted the other quickly.
+</p>
+
+<p>
+Mary dipped her hand into her black fox muff. Then she hesitated. She could not
+rid herself of the suspicion that this man with the sallow face and the yellow
+fangs was not to be trusted. She withdrew her hand.
+</p>
+
+<p>
+&ldquo;This is a very delicate matter, Mr. Schulz,&rdquo; she said. &ldquo;Our
+appointment was made by telephone, and I think therefore I should ask you to
+show me Mr. Dulkinghorn&rsquo;s letter of introduction before I go any further,
+so that I may feel quite sure in my mind that I am dealing with one in whom I
+know Mr. Dulkinghorn to have every confidence ...&rdquo;
+</p>
+
+<p>
+Mr. Schulz&rsquo;s yellow face went a shade yellower. His mouth twisted itself
+into a wry smile, his thin lips fleshing his discoloured teeth. He stood up
+rather stiffly.
+</p>
+
+<p>
+&ldquo;You are a guest in my house, Miss Trevert,&rdquo; he said with offended
+dignity, &ldquo;I scarcely expected you to impugn my good faith. Surely my word
+is sufficient ...&rdquo;
+</p>
+
+<p>
+He turned his back on her and took a couple of paces into the room in apparent
+vexation. Then he returned and stood at the back of the Chesterfield behind
+her. His feet made no sound on the thick carpet, but some vague instinct made
+Mary Trevert turn her head. She saw him standing there, twisting his hands
+nervously behind his back.
+</p>
+
+<p>
+&ldquo;Surely my word is sufficient ...&rdquo; he repeated.
+</p>
+
+<p>
+&ldquo;In business,&rdquo; said Mary boldly, &ldquo;one cannot be too
+careful.&rdquo;
+</p>
+
+<p>
+&ldquo;Besides,&rdquo; Mr. Schulz urged, &ldquo;this was a private letter which
+Mr. ... Mr. Dulkinghorn certainly did not expect you to see. That makes it
+awkward ...&rdquo;
+</p>
+
+<p>
+&ldquo;I think in the circumstances,&rdquo; said Mary, &ldquo;I must insist,
+Mr. Schulz!&rdquo;
+</p>
+
+<p>
+She was now feeling horribly frightened. She strained her ears in vain for a
+sound. The whole house seemed wrapped in a grave-like quiet. The smile had
+never left Mr. Schulz&rsquo;s face. But it was a cruel, wolfish grin without a
+ray of kindliness in it. The girl felt her heart turn cold within her every
+time her eyes fell on the mask-like face.
+</p>
+
+<p>
+Mr. Schulz shrugged shoulders.
+</p>
+
+<p>
+&ldquo;Since you insist ...&rdquo; he remarked. &ldquo;But I think it is
+scarcely fair on our friend Dulkinghorn. The letter is in the safe in my office
+next door. If you come along I will get it out and show it to you ...&rdquo;
+</p>
+
+<p>
+He spoke unconcernedly, but stiffly, as though to emphasize the slight put upon
+his dignity. One hand thrust jauntily in his jacket pocket, he stepped across
+the carpet to the door with the blue curtain. He opened it, then stood back for
+the girl to pass in before him.
+</p>
+
+<p>
+&ldquo;After you!&rdquo; he said.
+</p>
+
+<p>
+He had placed himself so close to the doorway that the black fox about her neck
+brushed his face as she passed. Suddenly a warm, sickly whiff of some
+sweet-smelling odour came to her. She stopped on the instant, irresolute,
+alarmed. Then a dank hand was clapped on her face, covering nostrils and mouth
+with a soft cloth reeking with a horrible cloying drug. An arm with muscles
+like steel was passed round her waist and held her in a vice-like grip against
+which she struggled in vain. She felt her senses slipping, slipping ...
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap23"></a>CHAPTER XXIII.<br />
+TWO&rsquo;S COMPANY ...</h2>
+
+<p>
+On the pavement opposite the post-office stood one of those high pillars which
+are commonly used in Continental cities for the display of theatre and concert
+advertisements. Robin instantly stepped behind it. It was not that he wished to
+avoid being seen by Jeekes as much as that he had not decided in his mind what
+course he had best pursue. From behind the cover of the pillar he mustered his
+man.
+</p>
+
+<p>
+The little secretary looked strange and unfamiliar in a sporting sort of
+travelling ulster of a tawny brown hue and a cap of the same stuff. But there
+was no mistaking the watery eyes, the sharp nose, the features. He had
+obviously not seen Robin. His whole attention was rivetted on the street. He
+kept peering nervously to right and left as though expecting some one.
+</p>
+
+<p>
+Suddenly he stepped forward quickly to the kerb. Then Robin saw an open car
+detach itself from the press of traffic in the square and, driven very fast,
+approach the post-office. It was a large car with a grey body; a sallow man
+wearing a black felt hat sat at the wheel. The car drew up at the kerb and
+halted within a few feet of the advertisement pillar. Robin backed hastily
+round it to escape observation. He had resolved to do nothing until he had
+ascertained who Jeekes&rsquo;s friend was and what business the secretary had
+with him.
+</p>
+
+<p>
+&ldquo;It&rsquo;s all right,&rdquo; Robin heard the man in the car say in
+English; &ldquo;I telephoned the girl and she&rsquo;s coming. What a piece of
+luck, eh?&rdquo;
+</p>
+
+<p>
+Robin heard the click of the car door as it swung open.
+</p>
+
+<p>
+&ldquo;... better get along out there at once,&rdquo; he heard the man in the
+car say, &ldquo;I&rsquo;m sending Jan in the car for her at ...&rdquo;
+</p>
+
+<p>
+Then Robin stepped out unexpectedly from behind his pillar and cannoned into
+Mr. Jeekes, who was just entering the car.
+</p>
+
+<p>
+&ldquo;Good-morning,&rdquo; said Robin with easy assurance; &ldquo;I&rsquo;m
+delighted to hear that you&rsquo;ve found Miss Trevert, Jeekes, for, to tell
+the truth, I was feeling somewhat uneasy about her ...&rdquo;
+</p>
+
+<p>
+The secretary&rsquo;s face was a study. The surprise of seeing Robin, who had
+dropped, it seemed to him, out of the clouds into the city of Rotterdam,
+deprived him of speech for an instant. He blinked his eyes, looked this way and
+that, and finally, with a sort of blind gesture, readjusted his
+<i>pince-nez</i> and glared at the intruder.
+</p>
+
+<p>
+Then, without a word, he got into the car. But Robin, with a firm hand, stayed
+the door which Jeekes would have closed behind him.
+</p>
+
+<p>
+&ldquo;Excuse me,&rdquo; Robin remarked decidedly, &ldquo;but I&rsquo;m coming
+with you if your friend&rdquo;&mdash;at this he looked at the man in the
+driving-seat&mdash;&ldquo;has no objection ...&rdquo;
+</p>
+
+<p>
+Mr. Jeekes cast a frightened glance at the sallow man.
+</p>
+
+<p>
+The latter said impatiently:
+</p>
+
+<p>
+&ldquo;We&rsquo;re wasting time, Jeekes. Who is this gentleman?&rdquo;
+</p>
+
+<p>
+&ldquo;This is Mr. Greve,&rdquo; said the little secretary hurriedly, &ldquo;a
+friend of Mr. Parrish and Miss Trevert. He was staying in the house at the time
+of the tragedy. He has, I understand, taken a prominent part in the
+investigations as to the motive of our poor friend&rsquo;s sad end ...&rdquo;
+</p>
+
+<p>
+Mr. Jeekes looked to Robin as he said this as though for confirmation. The man
+at the driving-wheel turned and gave the little secretary a quick glance. Then
+he mustered Robin with a slow, insolent stare. He had a yellow face and small
+black eyes quick and full of intelligence.
+</p>
+
+<p>
+Then he bowed.
+</p>
+
+<p>
+&ldquo;My name is Victor,&rdquo; he said. &ldquo;The sad news about Mr. Parrish
+was a great shock to me. I met him several times in London. Were you anxious to
+see Miss ... er ... Trevert? She has come to Rotterdam (so my friend Jeekes
+tells me) to look into certain important business transactions which the late
+Mr. Parrish had in hand at the time of his death. Did I understand you to say
+that you were uneasy about this lady? Is there any mystery about her
+journey?...&rdquo;
+</p>
+
+<p>
+For the moment Robin felt somewhat abashed. The question was rather a poser.
+Was there, in effect, any mystery about Mary&rsquo;s trip to Rotterdam
+accompanied by her cousin? She had acquainted her people at Harkings with her
+plans. What if, after all, everything was open and above-board, and she had
+merely come to Rotterdam on business? It seemed difficult to believe. Surely in
+such a case the solicitor, Bardy, would have been the more suitable emissary
+...
+</p>
+
+<p>
+&ldquo;You&rsquo;ll forgive us, I&rsquo;m sure,&rdquo; the yellow-faced man
+remarked suavely, &ldquo;but we&rsquo;re in a great hurry. Would you mind
+closing that door?...&rdquo;
+</p>
+
+<p>
+Robin closed the door. But he got into the car first. As he had stood on the
+pavement in doubt, the recollection of Jeekes&rsquo;s inexplicable lie about
+the payments made by Parrish for the French lady in the Mayfair flat came back
+to him and deepened the suspicion in his mind. It would in any case, he told
+himself, do no harm to find out who this rather unsavoury-looking Rotterdam
+friend of Jeekes&rsquo;s was ...
+</p>
+
+<p>
+So Robin jumped into the car and sat down on the back seat next to the
+secretary.
+</p>
+
+<p>
+&ldquo;It happens,&rdquo; he said, &ldquo;that I am particularly anxious to see
+Miss Trevert. As I gather you are going to meet her, I feel sure you
+won&rsquo;t mind my accompanying you ...&rdquo;
+</p>
+
+<p>
+The yellow-faced man turned with an easy smile.
+</p>
+
+<p>
+&ldquo;Sorry,&rdquo; he said, &ldquo;but we are having a meeting with Miss
+Trevert on private business and I&rsquo;m afraid we cannot take you along.
+Jeekes here, however, could take a message to Miss Trevert and if she
+<i>wanted</i> to see you ...&rdquo;
+</p>
+
+<p>
+He broke off significantly and smiled slily at the secretary. Robin felt
+himself flush. So Jeekes had been telling tales out of school to Mr. Victor,
+had he? The young man squared his jaw. That settled it. He would stay.
+</p>
+
+<p>
+&ldquo;I promise not to butt in on your private business,&rdquo; he replied,
+&ldquo;but I simply must see Miss Trevert before I go back to London. So, if
+you don&rsquo;t mind, I think I&rsquo;ll come along ...&rdquo;
+</p>
+
+<p>
+The yellow-faced man glanced at his wrist watch.
+</p>
+
+<p>
+&ldquo;I can&rsquo;t prevent you!&rdquo; he exclaimed. Then he rapped out
+something in Dutch to Jeekes. The secretary leaned forward to catch the remark.
+The yellow-faced man threw in the clutch.
+</p>
+
+<p>
+&ldquo;Goed!&rdquo; (good), answered Jeekes in the same language, and resumed
+his seat as the car glided smoothly away from the kerb into the traffic of the
+busy square. Robin settled himself back in the seat with an inaudible sigh of
+satisfaction. He did not like the look of Jeekes&rsquo;s companion, he told
+himself, and Mr. Victor, whoever he was, had certainly manifested no great
+desire for Robin&rsquo;s company. But he was going to see Mary. That was all
+that counted for the moment.
+</p>
+
+<p>
+They threaded their way through the streets in silence. It passed through
+Robin&rsquo;s mind to start a discussion with Jeekes about the death of Hartley
+Parrish. But in the circumstances he conceived it might easily assume a
+controversial character, and he did not want to take any risk of jeopardizing
+his chance of meeting Mary again. And no other subject of conversation occurred
+to him. He did not know Jeekes at all well, knew him in fact only as a week-end
+guest knows the private secretary of his host, a shadowy personality,
+indispensable and part of the household, but scarcely more than a name ...
+</p>
+
+<p>
+The car had put on speed as they left the more crowded streets and emerged into
+the suburbs. Now they were running over a broad straight main road lined with
+poplars. Robin wondered whither they were bound. He was about to put the
+question to the secretary when the man Victor turned his head and said over his
+shoulder:
+</p>
+
+<p>
+&ldquo;<i>Nu</i>!&rdquo;
+</p>
+
+<p>
+At the same moment the speed of the car sensibly diminished.
+</p>
+
+<p>
+Jeekes put his arm across the young man at his side.
+</p>
+
+<p>
+&ldquo;That door,&rdquo; he said, touching his sleeve, &ldquo;doesn&rsquo;t
+seem to be properly shut. Would you mind ...&rdquo;
+</p>
+
+<p>
+Robin pushed the door with his hand.
+</p>
+
+<p>
+&ldquo;It seems all right,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Permit me ...&rdquo;
+</p>
+
+<p>
+The secretary stretched across and pulled back the latch, releasing the door.
+It swung out.
+</p>
+
+<p>
+&ldquo;Now close it,&rdquo; said Mr. Jeekes.
+</p>
+
+<p>
+The door was flapping to and fro with the swaying of the car over the rough
+road and Robin had to half rise in order to comply with the request. He was
+leaning forward, steadying himself with one hand grasping the back of the
+driving-seat, when he received a tremendous shove in the back. At the same
+moment the car seemed to leap forward: he made a desperate effort to regain his
+balance, failed, and was whirled out head foremost on to the side of the road.
+</p>
+
+<p>
+Fortunately for himself he fell soft. The road ran here through a little wood
+of young oak and beech which came right down to the edge of the
+<i>chaussée</i>. The ground was deep in withered leaves which, with the rain
+and the water draining from the road&rsquo;s high camber, were soft and soggy.
+Robin went full length into this muss with a thud that shook every bone in his
+body. His left leg, catching in a bare gorse-bush, acted as a brake and stopped
+him from rolling farther. He sat up, his mouth full of mud and his hair full of
+wet leaves, and felt himself carefully over. He contemplated rather ruefully a
+long rent in the left leg of his trousers just across the knee.
+</p>
+
+<p>
+&ldquo;Jeekes!&rdquo; he murmured; &ldquo;he pushed me out! The dirty
+dog!&rdquo;
+</p>
+
+<p>
+Then he remembered that, with the men in the car gone, he had lost trace again
+of Mary Trevert. His forcible ejection from the car was evidence enough of
+their determination to deal with Mary without interference from outside. It
+looked ominous. Robin sprang to his feet and rushed to the middle of the road.
+</p>
+
+<p>
+The <i>chaussée</i> was absolutely empty. About a hundred yards from where he
+stood in the direction in which the car had been travelling the road made a
+sharp bend to the right, thus curtailing his view. Robin did not hesitate. Not
+waiting to retrieve his hat or even to wipe the mud from his face, he started
+off at a brisk run along the road in the direction in which the car had
+disappeared. He had not gone far before he found that his heavy overcoat was
+seriously impeding him. He stripped it off and, folding it, hid it beneath a
+bush just inside the plantation. Then he ran on again.
+</p>
+
+<p>
+Fresh disappointment awaited him when he rounded the bend in the road. A few
+hundred yards on the road turned again. There was no sign of the car. A cart
+piled high with manure was approaching, the driver, wearing wooden shoes and
+cracking at intervals a huge whip, trudging at the side.
+</p>
+
+<p>
+Robin stopped him.
+</p>
+
+<p>
+&ldquo;Motor-car? Automobile?&rdquo; he asked pointing in the direction from
+which the cart had come. The driver stared at him with a look of owlish
+stupidity.
+</p>
+
+<p>
+&ldquo;Automobile?&rdquo; repeated Robin. &ldquo;Tuff-Tuff?&rdquo;
+</p>
+
+<p>
+Very slowly a grin suffused the carter&rsquo;s grimy face. He showed a row of
+broken black teeth. A tiny stream of saliva escaped from the corner of his
+mouth and trickled over the reddish stubble on his chin. Then he continued his
+way, turning his head every now and then to display his idiot&rsquo;s grin.
+</p>
+
+<p>
+&ldquo;Damnation!&rdquo; exclaimed Robin, starting to run again. &ldquo;Not a
+soul to ask in this accursed desert except the village idiot! Oh! that Jeekes!
+I&rsquo;ll wring his blinking neck when I get hold of him!&rdquo;
+</p>
+
+<p>
+He was furious with himself for the abject way in which he had been fooled. The
+man Victor had given Jeekes his orders in Dutch and had purposely picked a soft
+spot on the roadside and slowed down the car in order that the unwelcome
+intruder might be ejected as safely as possible. And to think that Robin had
+blandly allowed Jeekes to open the door and throw him out on the road!
+</p>
+
+<p>
+He was round the second bend now. The sun was shining with a quite respectable
+warmth and the steamy air made him desperately hot. The perspiration rolled off
+his face. But he never slackened his gait. Robin knew these Continental roads
+and their habit of running straight. He reckoned confidently on presently
+coming upon a long stretch where he might discern the car.
+</p>
+
+<p>
+He was not deceived. After the second bend the <i>chaussée</i>, just as he
+anticipated, straightened out and ran clear away between an ever-narrowing
+double line of poplars to become a bluish blob on the horizon. But of the car
+nothing was to be seen.
+</p>
+
+<p>
+For the second time Robin pulled up. He took serious counsel with himself. He
+estimated that he could see for about three miles along the road. Less than
+three minutes had elapsed since his misadventure, and therefore he was
+confident that the car should yet be in sight, unless it had left the road, for
+it could not have warmed up to a speed exceeding sixty miles an hour in the
+time. There was no sign of the car on the road, consequently it must have left
+it. Robin had passed no side roads between the scene of the accident and the
+second bend; therefore, he argued, he had the car before him still. He would go
+on.
+</p>
+
+<p>
+When he started off for the third time, it was at a brisk walking pace. As he
+went he kept a sharp lookout to right and left of the road for any trace of the
+car. It never occurred to him that to follow on foot a swift car bound for an
+unknown destination was the maddest kind of wild-goose chase. He was profoundly
+uneasy about Mary, but at the same time immeasurably angered by the trick
+played upon him&mdash;angered not so much against Jeekes as against the
+sallow-faced man whom he recognized as its inceptor. He had no thought for
+anything else.
+</p>
+
+<p>
+The flat Dutch landscape stretched away on either side of the road. A windmill
+or two, the inevitable irrigation canals with their little sluices, and an
+occasional tree alone broke the monotony of the scene. But away to the right
+Robin noticed a clump of trees which, he surmised, might conceivably enclose a
+house.
+</p>
+
+<p>
+As he walked, he scrutinized the roadway for any track of a car. But on the
+hard brick <i>pavé</i> wheels left no mark. The first side road he came to was
+likewise paved in brick. In grave perplexity Robin came to a halt.
+</p>
+
+<p>
+Then his eye fell upon a puddle. It lay on the edge of the footpath bordering
+the <i>chaussée</i> about five yards beyond the turning. The soft mud which
+skirted it showed the punched-out pattern of a studded tyre! The car had not
+taken this side road, at any rate. It had probably pulled over on to the
+footpath to pass the manure cart which Robin had met. He pushed on again
+valiantly.
+</p>
+
+<p>
+Another hundred yards brought him to a second side road. There was no
+<i>pavé</i> here, but a soft sandy surface. And it bore, clearly imprinted in
+the mud, the fresh tracks of a car as it had turned off the road.
+</p>
+
+<p>
+Breaking into a run Robin followed the track down the turning. It led him to a
+black gate beyond which was a twisting gravel drive fringed with high laurels.
+And the gravel showed the same tyre marks as the road.
+</p>
+
+<p>
+He vaulted the gate lightly and ran up the drive. He was revolving in his head
+what his next move should be. Should he walk boldly into the house and confront
+Jeekes and his rascally looking companion or should he first spy out the ground
+and try to ascertain whether Mary had arrived? He decided on the latter course.
+</p>
+
+<p>
+Accordingly, when an unexpected turn of the drive brought him in view of a
+white porch, he left the avenue and took cover behind the laurel bushes.
+Walking softly on the wet grass and keeping well down behind the laurels, he
+went forward parallel with the drive. It ran into a clean courtyard with a
+coachhouse or garage on one side and a small green door, seemingly a side
+entrance into the house, on the other.
+</p>
+
+<p>
+There was no one in the courtyard and the house seemed perfectly quiet. From
+his post of observation behind the laurels, Robin observed that a tall window
+beside the green door commanded the view across the courtyard. He therefore
+retraced his steps by the way he had come. When he was past the corner of the
+house, he returned to the drive and keeping close to the bushes walked quietly
+into the courtyard. There, hugging the wall, he crept round past the closed
+doors of the garage until he found himself beside the tall window adjoining the
+green door.
+</p>
+
+<p>
+The window was open a few inches at the top. From within the sound of voices
+reached him. Jeekes was speaking. Robin recognized his rather grating voice at
+once.
+</p>
+
+<p>
+&ldquo;... no more violence,&rdquo; he was saying; &ldquo;first Greve and now
+the girl. I don&rsquo;t like your methods, Victor ...&rdquo;
+</p>
+
+<p>
+Very cautiously Robin dropped on one knee and shuffled forward in this position
+until his eyes were on a level with the window-sill. He found himself looking
+into a narrow room, well lighted by a second window at the farther end. It was
+apparently an office, for there was a high desk running down the centre and a
+large safe occupied a prominent place against the wall.
+</p>
+
+<p>
+Jeekes and the man Victor stood chatting at the desk. The yellow-faced man was
+grinning sardonically.
+</p>
+
+<p>
+&ldquo;Parrish don&rsquo;t like your methods, I&rsquo;ll be bound,&rdquo; he
+retorted. &ldquo;Don&rsquo;t you worry about the little lady, Jeekes! Bless
+your heart, I won&rsquo;t hurt her unless ...&rdquo;
+</p>
+
+<p>
+The loud throbbing of a car at the front of the house made Robin duck his head
+hastily. The car, he guessed, might be round at the garage any moment and it
+would not do for him to be discovered. He got clear of the window, rose to his
+feet, and tiptoed round the house by the way he had come. Then he crossed the
+drive and regained the shelter of the laurels. Crawling along until he came
+level with the porch, he peeped through.
+</p>
+
+<p>
+Mary Trevert was just entering the house.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap24"></a>CHAPTER XXIV.<br />
+THE METAMORPHOSIS OF MR. SCHULZ</h2>
+
+<p>
+As the girl collapsed, the yellow-faced man, with an adroit movement, whisked
+the handkerchief off her face and crammed it into his pocket. Then, while he
+supported her with one arm, with the other he thrust at the door to close it.
+Without paying further attention to it, he turned and, bending down, lifted the
+girl without an effort off her feet and carried her across the room to the
+Chesterfield, upon which he laid her at full length. Then he seized her muff,
+which dangled from her neck by a thin platinum chain.
+</p>
+
+<p>
+Suddenly he heard the door behind him creak. In a flash he remembered that he
+had not heard the click of the lock as he had thrust the door to. He was
+springing erect when a firm hand gripped him by the back of the collar and
+pulled him away from the couch. He staggered back, striving to regain his
+balance, but then a savage shove flung him head foremost into the fireplace. He
+fell with a crash among the fire-irons. But he was on his feet again in an
+instant.
+</p>
+
+<p>
+He saw a tall, athletic-looking young man standing at the couch. He had a
+remarkably square jaw; his eyes were shining and he breathed heavily. He wore a
+blue serge suit which was heavily besmeared with white plaster and the trousers
+were rent across one knee. Straight at his throat sprang the yellow-faced man.
+</p>
+
+<p>
+Something struck him halfway. The young man had waited composedly for his
+coming, but as his assailant advanced, had shot out his left hand. There was a
+sharp crack and the yellow-faced man, reeling, dropped face downwards on the
+carpet without a sound. In his fall his foot caught a small table on which a
+vase of chrysanthemums stood, and the whole thing went over with a loud crash.
+He made a spasmodic effort to rise, hoisted himself on to his knees, swayed
+again, and then collapsed full length on the floor, where he lay motionless.
+</p>
+
+<p>
+The sound of the fall seemed to awaken the girl. She stirred uneasily once or
+twice.
+</p>
+
+<p>
+&ldquo;What ... what is it?&rdquo; she muttered, and was still again.
+</p>
+
+<p>
+Bending down, the young man gathered her up in his arms and bore her out
+through the door with the blue curtain, through a plainly furnished sort of
+office with high desks and stools, and out by a side door into a paved yard.
+There an open car was standing. The fresh air seemed to revive the girl
+further. As the young man laid her on the seat, she struggled up into a sitting
+position and passed her hand across her forehead.
+</p>
+
+<p>
+&ldquo;What is the matter with me?&rdquo; she said in a dazed voice; &ldquo;I
+feel so ill!&rdquo;
+</p>
+
+<p>
+Then, catching sight of the young man as he peered into her face, she
+exclaimed:
+</p>
+
+<p>
+&ldquo;Robin!&rdquo;
+</p>
+
+<p>
+&ldquo;Thank God, you&rsquo;re all right, Mary,&rdquo; said Robin.
+&ldquo;We&rsquo;ve not got a moment to lose. We must get away from here
+quick!&rdquo;
+</p>
+
+<p>
+He was at the bonnet cranking up the car. But the engine, chilled by the cold
+air, refused to start. As he was straining at the handle, a man dashed suddenly
+into the yard by the office door.
+</p>
+
+<p>
+It was Jeekes. The little secretary was a changed man. He still wore his
+<i>pince-nez</i>. But his mild air had utterly forsaken him. His face was
+livid, the eyes bulged horribly from his head, and his whole body was trembling
+with emotion. In his hand he held an automatic pistol. He came so fast that he
+was at the car and had covered Robin with his weapon before the other had seen
+him come.
+</p>
+
+<p>
+Mr. Jeekes left Robin no time to act. He called out in a voice that rang like a
+pistol shot:
+</p>
+
+<p>
+&ldquo;Hands up, Mr. Smartie! Quick, d&rsquo;you hear? Put &rsquo;em up, damn
+you!&rdquo;
+</p>
+
+<p>
+Slowly, defiantly the young man raised his arms above his head.
+</p>
+
+<p>
+Mr. Jeekes stood close to the driver&rsquo;s seat, having prudently put the car
+between himself and Robin. As he stood there, his automatic levelled at the
+young man, a remarkable thing happened. A black, soft surface suddenly fell
+over his face and was pulled back with a brisk tug. Mary Trevert, standing up
+in the back seat of the car, had flung her fur over the secretary&rsquo;s head
+from behind and caught him in a noose. Before Mr. Jeekes could disentangle
+himself, Robin was at his throat and had borne him to the ground. The pistol
+was knocked skilfully from his hand and fell clattering on the flags. Robin
+pounced down on it. Then for the first time he smiled, a sunny smile that lit
+up his blue eyes.
+</p>
+
+<p>
+&ldquo;Bravo, Mary!&rdquo; he said. &ldquo;That <i>was</i> an idea! Now, then,
+Jeekes,&rdquo; he ordered, &ldquo;crank up that car. And be quick about it! We
+want to be off!&rdquo;
+</p>
+
+<p>
+The little secretary was a lamentable sight. He was bleeding from a cut on the
+forehead, his clothes were covered with dust, and his glasses had been broken
+in his fall. Peering helplessly about him, he walked to the bonnet of the car
+and sullenly grasped the handle. The smile had left Robin&rsquo;s face, and
+Mary noticed that he looked several times anxiously at the office door.
+</p>
+
+<p>
+And then suddenly the engine bit. Handing the pistol to the girl, Robin warned
+her to keep the secretary covered and, leaping into the driving-seat, turned
+the car into the avenue which curved round the house.
+</p>
+
+<p>
+Mr. Jeekes made no further show of fight. He remained standing in the centre of
+the courtyard, a ludicrous, rather pathetic, figure. As the tyres of the car
+gritted on the gravel of the drive, the office door was flung open and the
+yellow-faced man ran out, brandishing a big revolver.
+</p>
+
+<p>
+&ldquo;Stop!&rdquo; he shouted and levelled his weapon. The car seemed to leap
+forward and took the sharp turn on two wheels just as the man fired. The bullet
+struck the wall of the house and sent up a shower of plaster. Before he could
+fire again the car was round the house and out of sight. But as the car whizzed
+round the turn an instant before the yellow-faced man fired, the girl heard a
+sharp cry from Jeekes:
+</p>
+
+<p>
+&ldquo;Don&rsquo;t, Victor ...!&rdquo;
+</p>
+
+<p>
+The rest of the sentence was lost in the roar of the engine as the car raced
+away down the drive.
+</p>
+
+<p>
+They left the avenue in a splutter of wet gravel. The gate still stood open.
+They wheeled furiously into the side road and regained the <i>chaussée</i>. As
+yet there was no sign of pursuit. The car rocked dangerously over the broken
+<i>pavé</i>, so Robin, after a glance behind, steadied her down to an easier
+pace. Mary, who looked very pale and ill, was lying back on the back seat with
+her eyes closed.
+</p>
+
+<p>
+They ran easily into Rotterdam as, with a terrific jangle of tunes played
+jerkily on the chimes, the clocks were striking two. Robin slowed down as they
+approached the centre of the city.
+</p>
+
+<p>
+&ldquo;Where are you staying, Mary?&rdquo; he asked.
+</p>
+
+<p>
+He had to repeat the question several times before she gave him the address.
+Then he found himself in a quandary. He was in a strange town and did not know
+a word of the language so as to be able to ask the way. However, he solved the
+difficulty without great trouble. He beckoned to a newspaper boy on the square
+outside the Bourse and, holding up a two-gulden piece, indicated by signs that
+he desired him as a guide. The boy comprehended readily enough and, springing
+on the footboard of the car, brought them safely to the hotel.
+</p>
+
+<p>
+Robin left Mary and the car in charge of the boy and went to the office and
+asked to see the manager. He had decided upon the story he must tell.
+</p>
+
+<p>
+&ldquo;Miss Trevert,&rdquo; he said, when the manager, a blond and suave Swiss,
+had presented himself, &ldquo;has been to the dentist and has been rather upset
+by the gas. Would you get one of the maids to help her up to her room and in
+the meantime telephone for a doctor. If there is an English doctor in
+Rotterdam, I should prefer to have him!&rdquo;
+</p>
+
+<p>
+The manager clicked in sympathy. He despatched a lady typist and a chambermaid
+to help Mary out of the car.
+</p>
+
+<p>
+&ldquo;For a doctor,&rdquo; he said, &ldquo;it ees fortunate. We &rsquo;ave an
+English doctor staying in ze hotel now&mdash;a sheep&rsquo;s doctor. He is in
+ze lounge. Eef you come, <i>hein?</i>&rdquo;
+</p>
+
+<p>
+The &ldquo;sheep&rsquo;s doctor&rdquo; proved to be a doctor off one of the big
+liners, a clean-shaven, red-faced, hearty sort of person who readily
+volunteered his services. As Robin was about to follow him into the lift, the
+manager stopped him.
+</p>
+
+<p>
+&ldquo;Zere was a shentleman call to see Mees Trevert,&rdquo; he said,
+&ldquo;two or three time &rsquo;e been &rsquo;ere ... a Sherman shentleman.
+&rsquo;E leave &rsquo;er a note ... will you take it?&rdquo;
+</p>
+
+<p>
+Greatly puzzled, Robin Greve balanced in his hands the letter which the manager
+produced from a pigeon-hole. Then he tore open the envelope.
+</p>
+
+<p class="letter">
+D<small>EAR</small> M<small>ISS</small> T<small>REVERT</small> [he read], I was
+extremely sorry to miss you this morning. Directly I received your message I
+called at your hotel, but, though I have been back twice, I have not found you
+in. Circumstances have arisen which make it imperative that I should see you as
+soon as possible. This is <i>most urgent</i>. I will come back at four
+o&rsquo;clock, as I cannot get away before. Do not leave the hotel <i>on any
+pretext</i> until you have seen me and Dulkinghorn&rsquo;s letter as
+identification. You are in <i>grave danger</i>.
+</p>
+
+<p>
+The note was signed &ldquo;W. Schulz.&rdquo;
+</p>
+
+<p>
+&ldquo;H&rsquo;m,&rdquo; was Robin&rsquo;s comment; &ldquo;he writes like an
+Englishman, anyway.&rdquo;
+</p>
+
+<p>
+He ascertained the number of Mary Trevert&rsquo;s room and went up to her floor
+in the lift. He waited in the corridor outside the room for the doctor to
+emerge, and lit a cigarette to while away the time. It was not until he had
+nearly finished his second cigarette that the doctor appeared.
+</p>
+
+<p>
+The doctor hesitated on seeing Robin. Then he stepped close up to him. Robin
+noticed that his red face was more flushed than usual and his eyes were
+troubled.
+</p>
+
+<p>
+&ldquo;What&rsquo;s this cock-and-bull story about gas you&rsquo;ve put up to
+the manager?&rdquo; he said bluntly in a low voice. &ldquo;The girl&rsquo;s
+been doped with chloroform, as well you know. You&rsquo;ll be good enough to
+come downstairs to the manager with me ...&rdquo;
+</p>
+
+<p>
+Robin took out his note-case and produced a card.
+</p>
+
+<p>
+&ldquo;That&rsquo;s my name,&rdquo; he said. &ldquo;You&rsquo;ll see that
+I&rsquo;m a barrister ...&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo; said the doctor in a non-committal voice after he had read
+the card.
+</p>
+
+<p>
+&ldquo;I&rsquo;m not surprised to hear you say that Miss Trevert has been
+doped,&rdquo; Robin remarked. &ldquo;I found her here in a house on the
+outskirts of Rotterdam in the hands of two men, one of whom is believed to be
+implicated in a mysterious case of suspected murder in England. Through the
+part he played this morning, he has probably run his head into the noose. But
+he&rsquo;ll have it out again if we delay an instant. I told the manager that
+yarn about the dentist to avoid enquiries and waste of time. I have here a note
+from some man I don&rsquo;t know, addressed to Miss Trevert, warning her of a
+grave danger threatening her. It corroborates to some extent what I have told
+you. Here ... read it for yourself!&rdquo;
+</p>
+
+<p>
+He handed the doctor the note signed &ldquo;W. Schulz.&rdquo;
+</p>
+
+<p>
+The doctor read it through carefully.
+</p>
+
+<p>
+&ldquo;What I would propose to you,&rdquo; said Robin, &ldquo;is that we two
+should go off at once to this Herr Schulz and find out exactly what he knows.
+Then we can decide what action there is to be taken ...&rdquo;
+</p>
+
+<p>
+He paused for the doctor&rsquo;s reply. The latter searched Robin&rsquo;s face
+with a glance.
+</p>
+
+<p>
+&ldquo;I&rsquo;m your man,&rdquo; he said shortly. &ldquo;And, by the way, my
+name&rsquo;s Collingwood ... Robert Collingwood.&rdquo;
+</p>
+
+<p>
+&ldquo;There&rsquo;s a car downstairs,&rdquo; said Robin, &ldquo;and a guide to
+show us the way. Shall we go?&rdquo;
+</p>
+
+<p>
+Five minutes later, under the newsboy&rsquo;s expert guidance, the car drew up
+in front of the small clean house with the neat green door bearing the name of
+&ldquo;Schulz.&rdquo; Leaving the boy to mind the car, they rang the bell. The
+door was opened by the fat woman in the pink print dress.
+</p>
+
+<p>
+Robin gave the woman his card. On it he had written &ldquo;About Miss
+Trevert.&rdquo; Speaking in German the woman bade them rather roughly to bide
+where they were, and departed after closing the front door in their faces. She
+did not keep them waiting long, however, for in about a minute she returned.
+Herr Schulz would receive the gentlemen, she said.
+</p>
+
+<p>
+Within, the house was spotlessly clean with that characteristic German house
+odour which always seems to be a compound of cleaning material and hot grease.
+Up a narrow staircase, furnished in plain oil-cloth with brass stair-rods, they
+went to a landing on the first floor. Here the woman motioned them back and,
+bending her head in a listening attitude, knocked.
+</p>
+
+<p>
+&ldquo;<i>Herein</i>!&rdquo; cried a guttural German voice.
+</p>
+
+<p>
+The room into which they entered would have been entitled to a place in any
+museum for showing the mode of life of the twentieth-century Germans. With its
+stuffy red rep curtains, its big green majolica stove, its heavy mahogany
+furniture, its oleographs of Bismarck, Roon, and Moltke, it might have been
+lifted bodily from a bourgeois house in the Fatherland.
+</p>
+
+<p>
+A man was sitting at a mahogany roll-top desk as they entered. The air in the
+room was thick with the fumes of the cheap Dutch cigar he was smoking. He was a
+sturdily built fellow with blond hair shaven so close to the skull that at a
+distance he seemed to be bald.
+</p>
+
+<p>
+At the sound of their entrance, he rose and faced them. When he stood erect the
+sturdiness of his build became accentuated, and they saw he was a man of medium
+height, but so muscular that he looked much shorter. A pair of large
+tortoise-shell spectacles straddled a big beak-like nose, and he wore a
+heavyish blond moustache with its points trained upwards and outwards rather
+after the fashion made famous in the Fatherland by William Hohenzollern. In his
+ill-cut suit of cheap-looking blue serge, which he wore with a pea-green tie,
+Robin thought he looked altogether a typical specimen of the German of the
+non-commissioned officer class.
+</p>
+
+<p>
+&ldquo;You ask for me?&rdquo; he said in deep guttural accents, looking at
+Robin; &ldquo;I am Herr Schulz!&rdquo;
+</p>
+
+<p>
+The German&rsquo;s manner was cold and formal and Robin felt a little dashed.
+</p>
+
+<p>
+&ldquo;My name is Greve,&rdquo; he began rather hurriedly. &ldquo;I understand
+you received a visit to-day from a young English lady, a Miss Trevert
+...&rdquo;
+</p>
+
+<p>
+The German let his eyes travel slowly from Robin to the doctor and back again.
+He did not offer them a chair and all three remained standing.
+</p>
+
+<p>
+&ldquo;Ye-es, and what if I did?&rdquo;
+</p>
+
+<p>
+Robin felt his temper rising.
+</p>
+
+<p>
+&ldquo;You wrote a note to Miss Trevert at her hotel warning her that she was
+in danger. I want to know why you warned her. What led you to suppose that she
+was threatened?&rdquo;
+</p>
+
+<p>
+Herr Schulz made a little gesture of the hand.
+</p>
+
+<p>
+&ldquo;Wass I not right to warn her?&rdquo;
+</p>
+
+<p>
+&ldquo;Indeed, you were,&rdquo; Robin asserted with conviction. &ldquo;She was
+spirited away and drugged.&rdquo;
+</p>
+
+<p>
+The German started. A frowning pucker appeared just above the bridge of his big
+spectacles and he raised his head quickly.
+</p>
+
+<p>
+&ldquo;Drugged?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Certainly,&rdquo; said Robin. &ldquo;This gentleman with me is a doctor
+... Dr. Robert Collingwood, of the Red Lion Line. He has examined Miss Trevert
+and can corroborate my statement.&rdquo;
+</p>
+
+<p>
+&ldquo;By Gad!&rdquo; exclaimed Herr Schulz&mdash;and this time his English was
+faultless and fluent&mdash;&ldquo;Shut that door behind you, Mr. Greve, and
+shoot the bolt&mdash;that&rsquo;s it just below the knob! Sit down, sit down,
+and while I mix you a drink, you shall tell me about this!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap25"></a>CHAPTER XXV.<br />
+THE READING OF THE RIDDLE</h2>
+
+<p>
+In uttering those words Herr Schulz seemed suddenly to become loose-limbed and
+easy. His plethoric rigidity of manner vanished, and, though he spoke with a
+brisk air of authority, there was a jovial ring in his voice which instantly
+inspired confidence. With the change the illusion supported by his appalling
+clothes was broken and he looked like a man dressed up for charades.
+</p>
+
+<p>
+&ldquo;Are you&mdash;English?&rdquo; asked Robin in astonishment.
+</p>
+
+<p>
+&ldquo;Only in this room,&rdquo; was the dry reply, &ldquo;and don&rsquo;t you
+or our friend, the doctor, here forget it. You&rsquo;ll both take whisky? Three
+fingers will do you good, Mr. Greve, for I see you&rsquo;ve had a roughish time
+this morning. Say when!&rdquo;
+</p>
+
+<p>
+He spurted a siphon into three glasses.
+</p>
+
+<p>
+&ldquo;Before we go any farther,&rdquo; he went on, &ldquo;perhaps I had better
+identify myself&mdash;to save any further misunderstandings, don&rsquo;t you
+know? Do either of you gentlemen happen to know a party called Dulkinghorn? You
+may have heard of him, Mr. Greve, for I can see you have been in the army
+...&rdquo;
+</p>
+
+<p>
+&ldquo;Not Ernest Dulkinghorn, of the War Office?&rdquo; asked Robin.
+</p>
+
+<p>
+&ldquo;The identical party!&rdquo;
+</p>
+
+<p>
+&ldquo;I never met him,&rdquo; said Robin. &ldquo;But I was at the War Office
+for a bit before I was demobilized and I heard fellows speak of him.
+Counter-espionage, isn&rsquo;t he?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s right,&rdquo; nodded Herr Schulz. &ldquo;You can read his
+letter to me introducing Miss Trevert.&rdquo;
+</p>
+
+<p>
+He handed a sheet of paper to Robin.
+</p>
+
+<p class="letter">
+D<small>EAR</small> S<small>CHULZ</small> [it ran], Victor Marbran&rsquo;s push
+appear to be connected with Hartley Parrish, who has just met his death under
+suspicious circumstances. You will have read about it in the English papers.
+Miss Trevert was engaged to H.P. and has a letter from Elias van der Spyck and
+Company which she found on Parrish&rsquo;s desk after his death. I should say
+that the Marbran-Parrish connection would repay investigation.
+</p>
+
+<p class="right">
+Yours<br />
+E. D<small>ULKINGHORN</small>
+</p>
+
+<p class="letter">
+P.S. The letter is, of course, in conventional code.
+</p>
+
+<p class="letter">
+P.P.S. Don&rsquo;t frighten the life out of the Trevert girl, you unsympathetic
+brute!
+</p>
+
+<p>
+Robin read the letter through to the end.
+</p>
+
+<p>
+&ldquo;Then Mary Trevert has this letter from Rotterdam which we have been
+hunting for!&rdquo; he cried. &ldquo;Have you seen it?&rdquo;
+</p>
+
+<p>
+Herr Schulz shook his head.
+</p>
+
+<p>
+&ldquo;Miss Trevert called here this morning,&rdquo; he said, &ldquo;when I was
+out. She gave her letter to Frau Wirth, my housekeeper, with her card and
+address. Frau Wirth was cleaning the plate on the front door and, a moment
+after Miss Trevert had gone, a fellow appeared and said he was a friend of Miss
+Trevert who had made a mistake and left the wrong letter. My housekeeper is
+well trained and wouldn&rsquo;t give the letter up. But she made the fatal
+mistake of telling the fellow exactly what he wanted to know, and that was who
+the letter was addressed to. &lsquo;The letter is addressed to Herr
+Schulz,&rsquo; said this excellent woman, &lsquo;and if there&rsquo;s any
+mistake he will find it out when he opens it.&rsquo; And with that she told him
+to clear out. Which, having got all he wanted, he was glad enough to do!&rdquo;
+</p>
+
+<p>
+&ldquo;What was this chap like?&rdquo; asked Robin.
+</p>
+
+<p>
+The big man shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;I can teach my servants discretion,&rdquo; he replied whimsically,
+&ldquo;but I can&rsquo;t teach &rsquo;em to use their eyes. Frau Wirth could
+remember nothing about this fellow except that he wasn&rsquo;t tall and wore a
+brown overcoat ...&rdquo;
+</p>
+
+<p>
+&ldquo;Jeekes!&rdquo; cried Robin, slapping his thigh. &ldquo;He must have been
+actually coming away from your place when I met him ...&rdquo;
+</p>
+
+<p>
+&ldquo;And who,&rdquo; asked the big man, reflectively contemplating the amber
+fluid in his glass, &ldquo;who is Jeekes?&rdquo;
+</p>
+
+<p>
+In reply Robin told him the story of Hartley Parrish&rsquo;s death, his growing
+certainty that the millionaire had been murdered, the mysterious letters on
+slatey-blue paper, and Jeekes&rsquo;s endeavor to burke the investigations by
+throwing on Robin the suspicion of having driven Parrish to suicide by threats.
+He told of his chance meeting with Jeekes in Rotterdam that morning, his
+adventure at the Villa Bergendal, his finding and rescue of Mary Trevert, and
+their escape.
+</p>
+
+<p>
+Herr Schulz listened attentively and without interruption until Robin had
+reached the end of his story.
+</p>
+
+<p>
+&ldquo;There&rsquo;s one thing you haven&rsquo;t explained,&rdquo; he said,
+&ldquo;and that&rsquo;s how Miss Trevert came to walk into the hands of these
+precious ruffians ...&rdquo;
+</p>
+
+<p>
+&ldquo;There, perhaps, I can help you,&rdquo; said the doctor from behind one
+of Herr Schulz&rsquo;s rank cigars; &ldquo;I have it from Miss Trevert herself.
+Some one impersonating you Mr.&mdash;er, ahem,&mdash;Schulz&mdash;telephoned
+her this morning, after she had left her letter of introduction here, asking
+her to come out to lunch at your country-house. She suspected nothing and went
+off in the car they sent for her ...&rdquo;
+</p>
+
+<p>
+&ldquo;By George!&rdquo; said the big man thoughtfully; &ldquo;I suspected some
+game of this kind when I heard of the attempt to get at that letter of
+introduction. If I only could have got hold of Marbran this morning ...&rdquo;
+</p>
+
+<p>
+&ldquo;Marbran!&rdquo; said Robin thoughtfully. &ldquo;When I read
+Dulkinghorn&rsquo;s letter just now I thought I had heard that name before. Of
+course&mdash;Victor Marbran! That was it! I remember now! He knew Hartley
+Parrish in the old days. Parrish once said that Marbran would do him an injury
+if he could. Who is Marbran, sir?&rdquo;
+</p>
+
+<p>
+All unconsciously he paid the tribute of &lsquo;sir&rsquo; to Herr
+Schulz&rsquo;s undoubted habit of command.
+</p>
+
+<p>
+&ldquo;Victor Marbran,&rdquo; replied the big man, &ldquo;is Elias van der
+Spyck &amp; Co., a firm which made millions in the war by trading with the
+enemy. In every neutral country there were, of course, firms which specialized
+in importing contraband for the use of the Germans, but van der Spyck &amp; Co.
+brought the evasion of the blockade to a fine art. They covered up their
+tracks, however, with such consummate art that we could never bring anything
+home to them. In fact, it was only after the armistice that we began to learn
+something of the immense scope of their operations. There was a master brain
+behind them. But it was never discovered. It strikes me, however, that we are
+on the right track at last ...&rdquo;
+</p>
+
+<p>
+&ldquo;By Jove ...!&rdquo; exclaimed Robin impressively. &ldquo;Hartley
+Parrish!...&rdquo;
+</p>
+
+<p>
+The big man raised a hand.
+</p>
+
+<p>
+&ldquo;<i>Attentions!</i>&rdquo; he interposed suavely. &ldquo;The chain is not
+yet complete. I wonder what this van der Spyck letter of Miss Trevert&rsquo;s
+contained that made Victor Marbran and the secretary chap so desperately
+anxious to get hold of it. For you understand, don&rsquo;t you?&rdquo; he said
+briskly, turning to Robin, &ldquo;that they were after that and that alone. And
+they risked penal servitude in this country to get it ...&rdquo;
+</p>
+
+<p>
+Robin nodded.
+</p>
+
+<p>
+&ldquo;To save their necks in another,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;I have the letter here,&rdquo; mildly remarked the doctor from his
+corner of the room. &ldquo;Miss Trevert gave it to me!&rdquo;
+</p>
+
+<p>
+He produced a white envelope and drew from it a folded square of slatey-blue
+paper. In great excitement Robin sprang forward.
+</p>
+
+<p>
+&ldquo;You&rsquo;re a downy bird, Doctor, I must say,&rdquo; he remarked,
+&ldquo;fancy keeping it up your sleeve all this time!&rdquo;
+</p>
+
+<p>
+He eagerly took the letter, spread it out on the table, and read it through
+whilst Herr Schulz looked over his shoulder.
+</p>
+
+<p>
+&ldquo;Code, eh?&rdquo; commented the big man, shaking his head humorously.
+&ldquo;If it beats Dulkinghorn, it beats me!&rdquo;
+</p>
+
+<p>
+From his note-case Robin now drew a folded square of paper identical in colour
+with the letter spread out before them.
+</p>
+
+<p>
+&ldquo;I found this on the carpet beside Parrish&rsquo;s body,&rdquo; he said.
+&ldquo;Look, it&rsquo;s exactly the same paper ...&rdquo;
+</p>
+
+<p>
+Behind the tortoise-shell spectacles the big man&rsquo;s eyes narrowed down to
+pin-points as he caught sight of the sheet which Robin unfolded and its series
+of slits.
+</p>
+
+<p>
+&ldquo;Aha!&rdquo; he cried&mdash;and his voice rang out clear through the
+room&mdash;&ldquo;the grill, eh? Well, well, to think of that!&rdquo;
+</p>
+
+<p>
+He took the slotted sheet of paper from Robin&rsquo;s hands and laid it over
+the letter so that it exactly covered it, edge to edge and corner to corner. In
+this way the greater part of the typewriting in the letter was covered over,
+and only the words appearing in the slots could be read. And thus it was that
+Robin Greve, Herr Schulz, and Dr. Collingwood, leaning shoulder to shoulder,
+read the message that came to Hartley Parrish in the library at Harkings....
+</p>
+
+<p class="letter">
+ELIAS VAN DER SPYCK &amp; CO.
+</p>
+
+<p class="letter">
+GENERAL IMPORTERS
+</p>
+
+<p class="letter">
+ROTTERDAM Rotterdam 25th Nov.
+</p>
+
+<p class="letter">
+<i>Codes</i><br />
+A.B.C.<br />
+Liebler&rsquo;s
+</p>
+
+<p class="letter">
+<i>Personal</i>
+</p>
+
+<p class="letter">
+Dear Mr. Parrish,
+</p>
+
+<p class="letter">
+Your favour of even date to hand and contents noted. <i>The last</i> delivery
+of steel was to time but we have had <i>warning</i> from the railway
+authorities that labour troubles at the docks are likely to delay future
+consignments. <i>If you don&rsquo;t</i> mind we should prefer to <i>settle</i>
+the question of future delivery <i>by Nov. 27</i> as we have a board meeting on
+the 30th inst. While we fully appreciate your own difficulties with labour at
+home, <i>you</i> will understand that this is a question which we cannot afford
+to adjourn <i>sine</i> <i>die.</i>
+</p>
+
+<p class="right">
+Yours faithfully,<br />
+pro ELIAS VAN DER SPYCK &amp; CO.
+</p>
+
+<p>
+&ldquo;&lsquo;The last ... warning,&rsquo;&rdquo; Robin read out,
+&ldquo;&lsquo;if you don&rsquo;t ... settle ... by Nov. 27 ... you ... die
+...!&rsquo;&rdquo;
+</p>
+
+<p>
+He looked up. &ldquo;Last Saturday,&rdquo; he said, &ldquo;was the 27th, the
+day that Parrish died ...&rdquo;
+</p>
+
+<p>
+&ldquo;The grill,&rdquo; remarked the big man authoritatively, &ldquo;is one of
+the oldest dodges known to the Secret Service. It renders a conventional code
+absolutely undecipherable as long as it is skilfully worded, as it is in this
+case. You send your conventional code by one route, your key by another. I make
+no doubt that this was the way in which van der Spyck &amp; Co. transacted
+their business with Hartley Parrish. They simply posted their conventional code
+letters through the post in the ordinary way, confident that there was nothing
+in them to catch the eye of the Censor&rsquo;s Department. The key might be
+sent in half a dozen different ways, by hand, concealed in a newspaper, in a
+parcel ...&rdquo;
+</p>
+
+<p>
+&ldquo;So this,&rdquo; said Robin, pointing at the letter, &ldquo;was what
+caused Hartley Parrish to make his will. It would lead one to suppose that it
+was what induced him to commit suicide were not the presumption so strong that
+he was murdered. But who killed him? Was it Jeekes or Marbran?&rdquo;
+</p>
+
+<p>
+Herr Schulz pitched his cigar-stump into an ash-tray.
+</p>
+
+<p>
+&ldquo;That,&rdquo; he said, &ldquo;is the question which I am going to ask you
+gentlemen to help me answer. You will realize that legally we have not a leg to
+stand on. We are in a foreign country where, without first getting a warrant
+from London, we can take no steps whatever to run these fellows in. To get the
+Dutch police to move against these gentry in the matter of the assault upon
+Miss Trevert would waste valuable time. And we have to move
+quickly&mdash;before these two lads can get away. I therefore propose that we
+start this instant for the Villa Bergendal and try, if we are not too late, to
+force Marbran or Jeekes or both of them to a confession. That done, we can hold
+them if possible until we can get the Dutch police to apprehend them at the
+instance of Miss Trevert. Then we can communicate with the English police.
+It&rsquo;s all quite illegal, of course! You have a car, I think, Mr. Greve!
+You will come with us, Dr. Collingwood? Good! Then let us start at once!&rdquo;
+</p>
+
+<p>
+Robin intervened with a proposal that they should call <i>en route</i> at his
+hotel to see if there were any telegrams for him.
+</p>
+
+<p>
+&ldquo;Manderton knows I am in Rotterdam,&rdquo; he explained, &ldquo;and he
+promised to wire me the latest developments in the enquiry he is
+conducting.&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert should be fully recovered by this,&rdquo; put in the
+doctor; &ldquo;apart from a little sickness she is really none the worse for
+her disagreeable experience. If there was anything you wanted to ask her
+...&rdquo;
+</p>
+
+<p>
+&ldquo;There is,&rdquo; said Robin promptly. &ldquo;Her reply to one
+question,&rdquo; he explained, turning to Herr Schulz, &ldquo;will give us the
+certainty that Parrish was murdered and did not commit suicide. It will not
+delay us more than five minutes to stop at her hotel in passing, We will then
+call in at my place. We should be at the Villa within half an hour from now
+...&rdquo;
+</p>
+
+<p>
+&ldquo;Gentlemen,&rdquo; said Herr Schulz as they prepared to go, &ldquo;I know
+my Mr. Victor Marbran. You should all be armed.&rdquo;
+</p>
+
+<p>
+Robin produced the pistol he had taken from Jeekes. Herr Schulz slipped a
+Browning pistol into the breast-pocket of his jacket and, producing a
+long-barrelled service revolver, gave it to the doctor.
+</p>
+
+<p>
+&ldquo;There are three of them, I gather, counting the chauffeur,&rdquo;
+commented the big man, pulling on his overcoat, &ldquo;so we shall be equally
+matched.&rdquo;
+</p>
+
+<p>
+Darkness had fallen upon Rotterdam and the lights from the houses made yellow
+streaks in the water of the canal as the car, piloted by Robin, drove the party
+to Mary Trevert&rsquo;s hotel.
+</p>
+
+<p>
+They found the girl, pale and anxious, in the lounge.
+</p>
+
+<p>
+&ldquo;Well, now,&rdquo; cried the doctor breezily, &ldquo;and how are you
+feeling? Did you take my advice and have some tea?&rdquo;
+</p>
+
+<p>
+&ldquo;What has happened?&rdquo; asked the girl; &ldquo;I have been so anxious
+about you ...&rdquo;
+</p>
+
+<p>
+Her words were addressed to the doctor, but she looked at Robin.
+</p>
+
+<p>
+&ldquo;Mary,&rdquo; said Robin, &ldquo;we are very near the truth now. But
+there is one thing you can tell us. It is very important. When you heard the
+shot in the library at Harkings, did you notice any other sound&mdash;before or
+after?&rdquo;
+</p>
+
+<p>
+The girl paused to think.
+</p>
+
+<p>
+&ldquo;There was a sort of sharp cry and a thud ...&rdquo;
+</p>
+
+<p>
+&ldquo;I know. But was there anything else? Do try and remember. It&rsquo;s so
+important!&rdquo;
+</p>
+
+<p>
+The girl was silent for a moment. Then she said slowly:
+</p>
+
+<p>
+&ldquo;Yes, there was, now I come to think of it. Just as I tried the
+door&mdash;it was locked, you know&mdash;there was a sort of hiss, harsh and
+rather loud, from the room ...&rdquo;
+</p>
+
+<p>
+&ldquo;A sort of hiss, eh? Something like a sneeze?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. Only louder and ... and ... harsher!&rdquo;
+</p>
+
+<p>
+&ldquo;Now, answer me carefully! Was this before or after the shot?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, before! Just as I was rattling the doorhandle. The shot broke in
+upon it....&rdquo;
+</p>
+
+<p>
+Robin turned to Herr Schulz, who stood with a grave face by his side.
+</p>
+
+<p>
+&ldquo;The silencer, you see, sir!&rdquo; he said. Then to Mary he added:
+&ldquo;Mary, we are going off now. But we will be back within the hour
+and....&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, Robin,&rdquo; the girl broke in, &ldquo;don&rsquo;t leave me alone!
+I don&rsquo;t feel safe in this place after this morning. I&rsquo;d much rather
+come with you....&rdquo;
+</p>
+
+<p>
+&ldquo;Mary, it&rsquo;s quite impossible....&rdquo; Robin began.
+</p>
+
+<p>
+But the girl had turned to a table and taken from it her hat and fur.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t care!&rdquo; she exclaimed wilfully; &ldquo;I&rsquo;m
+coming anyhow. I refuse to be left behind!&rdquo;
+</p>
+
+<p>
+She smiled at Herr Schulz as she spoke, and that gentleman&rsquo;s rather grim
+face relaxed as he looked at her.
+</p>
+
+<p>
+&ldquo;I&rsquo;m not sure I wouldn&rsquo;t say the same!&rdquo; he remarked.
+</p>
+
+<p>
+The upshot of it was that, despite Robin&rsquo;s objections, Mary Trevert
+accompanied the party. She sat on the back seat, rather flushed and excited,
+between Herr Schulz and the doctor, while Robin took the wheel again. A few
+minutes&rsquo; drive took them to the big hotel where Robin had booked a room.
+They all waited in the car whilst he went to the office.
+</p>
+
+<p>
+He was back in a minute, an open telegram in his hand.
+</p>
+
+<p>
+&ldquo;I believe I&rsquo;ve got in my pocket,&rdquo; he cried, &ldquo;the
+actual weapon with which Hartley Parrish was killed!&rdquo;
+</p>
+
+<p>
+And he read from the telegram:
+</p>
+
+<p>
+&ldquo;Mastertons gunsmiths sold last July pair of Browning automatics
+identical with that found on Parrish to Jeekes who paid with Parrish&rsquo;s
+cheque.&rdquo;
+</p>
+
+<p>
+The message was signed &ldquo;Manderton.&rdquo;
+</p>
+
+<p>
+At that moment a man wearing a black bowler hat and a heavy frieze overcoat
+came hurrying out of the hotel.
+</p>
+
+<p>
+&ldquo;Mr. Greve!&rdquo; he cried as Robin, who was back in the driving-seat,
+was releasing the brake. &ldquo;Did you have the wire from the Yard saying I
+was coming?&rdquo; he asked. &ldquo;Probably I beat the telegraph, though. I
+came by air!&rdquo;
+</p>
+
+<p>
+Then he tipped his hat respectfully at Herr Schulz.
+</p>
+
+<p>
+&ldquo;This is Detective-Inspector Manderton, of Scotland Yard, sir,&rdquo;
+said Robin.
+</p>
+
+<p>
+The big man beamed a smile of friendly recognition.
+</p>
+
+<p>
+&ldquo;Mr. Manderton and I are old friends,&rdquo; he said. &ldquo;How are you,
+Manderton? I didn&rsquo;t expect you to recognize me in these duds ...&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;d know you anywhere, sir,&rdquo; said the detective with
+unwonted cordiality.
+</p>
+
+<p>
+&ldquo;Have you got your warrant, Manderton?&rdquo; asked Herr Schulz.
+</p>
+
+<p>
+&ldquo;Aye, I have, sir,&rdquo; replied the detective. &ldquo;And I&rsquo;ve a
+colleague from the Dutch police who&rsquo;s going along with me to effect the
+arrest ...&rdquo;
+</p>
+
+<p>
+&ldquo;Jeekes, eh?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s the party, sir, charged with wilful murder.... This is
+Commissary Boomjes, of the Rotterdam Criminal Investigation Department!&rdquo;
+</p>
+
+<p>
+A tall man with a short black beard had approached the car. It was decided that
+the whole party should proceed to the Villa Bergendal immediately. Manderton
+sat next to Robin and the Dutch police officer perched himself on the
+footboard.
+</p>
+
+<p>
+&ldquo;And where did you pick <i>him</i> up, I&rsquo;d like to know?&rdquo;
+whispered Manderton in Robin&rsquo;s ear with a backward jerk of the head, as
+they glided through the brightly lit streets.
+</p>
+
+<p>
+&ldquo;D&rsquo;you mean the doctor?&rdquo; asked Robin.
+</p>
+
+<p>
+&ldquo;No, your other friend!&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Trevert had a letter to him. Something in the Secret Service,
+isn&rsquo;t he?&rdquo;
+</p>
+
+<p>
+Mr. Manderton snorted.
+</p>
+
+<p>
+&ldquo;&lsquo;Something in the Secret Service,&rsquo;&rdquo; he repeated
+disdainfully. &ldquo;Well, I should say he was. If you want to know, Mr. Greve,
+he&rsquo;s the head!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap26"></a>CHAPTER XXVI.<br />
+THE FIGURE IN THE DOORWAY</h2>
+
+<p>
+The rain was coming down in torrents and the night was black as pitch when,
+leaving the lights of Rotterdam behind, the car swung out on to the main road
+leading to the Villa Bergendal. Thanks to a powerful headlight, Robin was able
+to get a good turn of speed out of her as soon as they were clear of the city.
+As they slowed down at the gate in the side road Herr Schulz tapped him on the
+shoulder.
+</p>
+
+<p>
+&ldquo;Better leave the car here and put the lights out,&rdquo; he counselled.
+&ldquo;And Miss Trevert should stay if the doctor here would remain to look
+after her ...&rdquo;
+</p>
+
+<p>
+&ldquo;You think there&rsquo;ll be a scrap?&rdquo; whispered the doctor.
+</p>
+
+<p>
+&ldquo;With a man like Marbran,&rdquo; returned the Chief, &ldquo;you never
+know what may happen ...&rdquo;
+</p>
+
+<p>
+&ldquo;Zere will be no faight,&rdquo; commented the Dutch police officer in
+lugubrious accents, &ldquo;my vriends, ve are too laite ...&rdquo;
+</p>
+
+<p>
+But the Chief insisted that Mary should stay behind and the doctor agreed to
+act as her escort. Then in single file the party proceeded up the drive, Robin
+in front, then the Dutchman, after him the Chief, and Mr. Manderton in the
+rear.
+</p>
+
+<p>
+They walked on the grass edging the avenue. On the wet turf their feet made no
+sound. When they came in view of the house, they saw it was in darkness. No
+light shone in any window, and the only sound to be heard was the melancholy
+patter of the rain drops on the laurel bushes. When they saw the porch looking
+black before them, they left the grass and stepped gently across the drive, the
+gravel crunching softly beneath their feet. Robin led the way boldly under the
+porch and laid a hand on the doorknob. The door opened easily and the next
+moment the four men were in the hall.
+</p>
+
+<p>
+As Robin moved to the wall to find the electric light switch, a torch was
+silently thrust into his hand.
+</p>
+
+<p>
+&ldquo;Better have this, sir,&rdquo; whispered Manderton. &ldquo;I have my
+finger on the switch now, but we&rsquo;d best wait to put the light up until we
+know where they are. Where do we go first?&rdquo;
+</p>
+
+<p>
+&ldquo;Into the sitting-room,&rdquo; Robin returned.
+</p>
+
+<p>
+Switching the torch on and off only as he required it, he crept silently over
+the heavy carpet to the door of the room in which that morning he had come upon
+Mary. Manderton remained at the switch in the hall whilst the other two men
+followed Robin through the door.
+</p>
+
+<p>
+The room was in darkness. It struck chill; for the fire had gone out. The beam
+of the torch flitting from wall to wall showed the room to be empty.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t believe there&rsquo;s a soul in the house,&rdquo;
+whispered the Chief to Robin.
+</p>
+
+<p>
+&ldquo;Ve are too laite; I have said it!&rdquo; muttered the Dutchman.
+</p>
+
+<p>
+&ldquo;There is another room leading out of this,&rdquo; replied Robin, turning
+the torch on to the blue curtain covering the door leading into the office.
+&ldquo;We&rsquo;ll have a look in there and then try upstairs. Manderton will
+give us warning if anybody comes down ...&rdquo;
+</p>
+
+<p>
+So saying he drew the curtain aside and pushed open the door. Instantly a gush
+of cold air blew the curtain back in his face. Before he could disentangle
+himself the door slammed to with a crash that shook the house.
+</p>
+
+<p>
+&ldquo;That&rsquo;s done it!&rdquo; muttered the Chief.
+</p>
+
+<p>
+The three men stood and listened. They heard the dripping of the rain, the
+soughing of the wind, but no sound of human kind came to their ears.
+</p>
+
+<p>
+&ldquo;The place is empty,&rdquo; whispered the Chief. &ldquo;They&rsquo;ve
+cleared ...&rdquo;
+</p>
+
+<p>
+&ldquo;It is too laite; I have said it.&rdquo; The Dutchman spoke in a hoarse
+bass.
+</p>
+
+<p>
+&ldquo;We&rsquo;ll go in here, anyway,&rdquo; answered Robin, lifting up the
+curtain again. &ldquo;They may have heard us and be hiding ...&rdquo;
+</p>
+
+<p>
+He opened the door, steadying it with his foot. The curtain flapped wildly
+round them as they crossed the threshold. The broad white beam of the electric
+torch swung from window to desk, from desk to safe.
+</p>
+
+<p>
+&ldquo;The door over there is open,&rdquo; exclaimed the Chief;
+&ldquo;that&rsquo;s the way they&rsquo;ve gone.&rdquo;
+</p>
+
+<p>
+Suddenly he clutched Robin&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;Steady,&rdquo; he whispered, &ldquo;look there ... in the doorway ...
+there&rsquo;s somebody moving ... quick, the torch!&rdquo;
+</p>
+
+<p>
+The light flashed across the room, blazed for an instant on a window-pane, then
+picked out a man&rsquo;s form swaying in the doorway. He had his back to the
+room and was rocking gently to and fro with the wind which they felt cold on
+their faces.
+</p>
+
+<p>
+&ldquo;It&rsquo;s only a coat and trousers hanging in the door ...&rdquo; began
+Robin.
+</p>
+
+<p>
+Then, with a suddenness which pained the eyes, the room was flooded with light.
+The Dutch detective stepped from the electric light switch and moved to the
+open door.
+</p>
+
+<p>
+&ldquo;Too laite!&rdquo; he cried, shaking his head; &ldquo;have I not tell
+you?&rdquo;
+</p>
+
+<p>
+Suspended by a strip of coloured stuff, the body of Mr. Jeekes dangled from the
+cross-beam of the door. The corpse oscillated in the breeze, silhouetted
+against an oblong of black sky, turning this way and that, loose, unnatural,
+horrible, and, as the body, twisting gently, faced the room, it gave a glimpse
+of startling eyes, swollen, empurpled features, protruding tongue.
+</p>
+
+<p>
+Without the least trace of emotion the black-bearded detective picked up a
+rush-bottom chair and gathering up the corpse by its collar hoisted it up
+without an effort so that the feet rested on the chair. Then, producing a
+clasp-knife, he mounted the chair and, with a vigorous slash, cut the coloured
+strip which had been fastened to a staple projecting from the brickwork above
+the door on the outside of the house.
+</p>
+
+<p>
+He caught the body in his arms and laid it face upwards on the matting which
+covered the floor. He busied himself for an instant at the neck, then rose with
+a twisted strip of coloured material in his hand.
+</p>
+
+<p>
+&ldquo;His braces,&rdquo; he remarked, &ldquo;very common. The stool what he
+has stood upon and knocked avay, she lies outsaide! My vriends, ve are too
+laite!&rdquo;
+</p>
+
+<p>
+The doctor, fetched in haste by Manderton, examined the body. The man had been
+dead, he said, for several hours. Mary remained in the hall with Manderton
+while Robin and the Dutch detective went over the house. There was no trace
+either of Marbran or of the chauffeur. In the two bedrooms which showed signs
+of occupation the beds had been made up, but the ward-robes were empty.
+</p>
+
+<p>
+&ldquo;Marbran&rsquo;s made a bolt for it,&rdquo; said Robin, coming into the
+office where he had left the Chief, &ldquo;and taken everything with him
+...&rdquo;
+</p>
+
+<p>
+&ldquo;I gathered as much,&rdquo; answered that astute gentleman, pointing at
+the fireplace. A pile of charred paper filled the grate. &ldquo;There&rsquo;s
+nothing here, and I think we can wipe Mr. Victor Marbran off the slate. I doubt
+if we shall see him again. At any rate we can leave him to the tender mercies
+of our black-bearded friend here. As for us, I don&rsquo;t really see that
+there is anything more to detain us here ...&rdquo;
+</p>
+
+<p>
+&ldquo;But,&rdquo; remarked Robin, looking at the still figure on the floor,
+the face now mercifully covered by the doctor&rsquo;s white handkerchief,
+&ldquo;surely this is a confession of guilt. Has he left nothing behind in
+writing? No account of the crime?&rdquo;
+</p>
+
+<p>
+&ldquo;Not a thing,&rdquo; responded the Chief, &ldquo;and I&rsquo;ve been
+through every drawer. Even the safe is open ... and empty!&rdquo;
+</p>
+
+<p>
+&ldquo;But how does it happen then,&rdquo; asked Robin, &ldquo;that Marbran has
+legged it while Jeekes here ...&rdquo;
+</p>
+
+<p>
+&ldquo;Marbran left him in the lurch,&rdquo; the Chief broke in decisively.
+&ldquo;I think that&rsquo;s clear. While you were upstairs with our Dutch
+friend, I went through the dead man&rsquo;s pockets. He had no money, Greve,
+except a few coppers and a little Dutch change. He had not even got a return
+ticket to London. Which makes me think that Master Jeekes had left old England
+for good.&rdquo;
+</p>
+
+<p>
+&ldquo;Another thing that puzzles me,&rdquo; remarked Robin, &ldquo;is how
+Jeekes knew that Miss Trevert had a letter to you, sir? Or, for a matter of
+that, how he knew that she had gone to Rotterdam at all?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s not hard to answer,&rdquo; said Mr. Manderton, who had just
+entered the room. &ldquo;On Sunday night Jeekes rang up Harkings from his club
+and asked to speak to Miss Trevert. Bude told him she had gone away. Jeekes
+then asked to speak to Sir Horace Trevert, who told him that his sister had
+gone to Rotterdam. Jeekes takes the first available train in the morning,
+recognizes Miss Trevert on the way across, and tags her to her hotel in
+Rotterdam. The next morning he follows her again, shadows her to Sir ... to
+this gentleman&rsquo;s rooms, and there, as we know, contrived by a trick to
+see to whom she had a letter.&rdquo;
+</p>
+
+<p>
+&ldquo;But why did he not attempt to get the letter away from her as soon as
+she arrived? Miss Trevert never suspected Jeekes. She might have shown him the
+letter if he&rsquo;d asked her for it ...&rdquo;
+</p>
+
+<p>
+The detective shook his head sagely.
+</p>
+
+<p>
+&ldquo;Jeekes was pretty &rsquo;cute,&rdquo; he said. &ldquo;Before letting the
+girl know he was in Rotterdam, he wanted to find out what she wanted here and
+whom she knew. Remember, he had no means of knowing if the girl suspected him
+or not ...&rdquo;
+</p>
+
+<p>
+&ldquo;So he devised this trick of impersonating Mr. Schulz on the telephone,
+eh?&rdquo;
+</p>
+
+<p>
+&ldquo;Bah!&rdquo; broke in the Chief; &ldquo;I bet that was Marbran&rsquo;s
+idea. Look at Jeekes&rsquo;s face and tell me if you see in it any feature
+indicating the bold, ingenious will to try a bluff like that. I never knew this
+fellow here. But I know Marbran, a resolute, undaunted type. You can take it
+from me, Marbran directed&mdash;Jeekes merely carried out instructions. What do
+you say, Manderton?&rdquo;
+</p>
+
+<p>
+But the detective had retired into his shell again.
+</p>
+
+<p>
+&ldquo;If you will come to Harkings with me the day after to-morrow, sir, I
+shall hope to show you exactly how Mr. Parrish met his death ...&rdquo;
+</p>
+
+<p>
+&ldquo;No, no, Manderton,&rdquo; responded the Chief; &ldquo;I can&rsquo;t
+leave here for a bit. There are bigger murderers than Jeekes at liberty in
+Holland to-day ...&rdquo;
+</p>
+
+<p>
+The detective slapped his thigh.
+</p>
+
+<p>
+&ldquo;I&rsquo;d have laid a shade of odds,&rdquo; he cried merrily,
+&ldquo;that you were watching the gentleman at Amerongen, sir ...&rdquo;
+</p>
+
+<p>
+&ldquo;Tut, tut, Manderton,&rdquo; said the Chief, raising his hand to silence
+the other; &ldquo;you run on too fast, my friend! I wish,&rdquo; he went on,
+changing the subject, &ldquo;I could be with you at Harkings to-morrow to
+witness your reconstruction of the crime, Manderton. You&rsquo;ll go, I
+suppose, Greve?&rdquo;
+</p>
+
+<p>
+&ldquo;I certainly shall,&rdquo; answered the barrister, &ldquo;I have had some
+experience of criminals, but I must say I never saw one less endowed with
+criminal characteristics than little Jeekes. A strange character!...&rdquo;
+</p>
+
+<p>
+The Chief laughed sardonically.
+</p>
+
+<p>
+&ldquo;Anyway,&rdquo; he remarked, &ldquo;he had a damn good notion of the end
+that befitted him ...&rdquo;
+</p>
+
+<p class="p2">
+It was a still, starry night. The Flushing boat stood out of harbour on a calm
+sea. The high arc lamps threw a blue gleam over the deserted moles and glinted
+in the oily swell lapping the quays. From the fast-receding quayside the
+rasping of a winch echoed noisily across the silent water. On the upper deck of
+the mail-boat Robin Greve and Mary Trevert stood side by side at the rail. They
+had the deck to themselves. Above their heads on the bridge the captain stood
+immobile, a square black figure, the helmsman at his elbow. Otherwise, between
+the stars and the sea, the man and the girl were alone.
+</p>
+
+<p>
+Thus they had stood ever since the mail-boat had cast off from the quay. Robin
+had made some banal attempt at conversation, urging (but without much
+sincerity) that, after her experiences of the day, the girl should go to her
+cabin and rest. But Mary Trevert had merely shaken her head impatiently,
+without speaking.
+</p>
+
+<p>
+Presently he put his arm through hers. He felt against his wrist the warm
+softness of her travelling-coat, and it seemed to him that, though the girl
+made no sign, some slight answering pressure met his touch. So they leaned upon
+the rail for a space watching the water fall hissing from the vessel&rsquo;s
+side as the steamer, jarring and quivering, met the long steady roll from the
+open sea.
+</p>
+
+<p>
+Then Mary Trevert spoke.
+</p>
+
+<p>
+&ldquo;Robin,&rdquo; she said gently, &ldquo;I owe you an apology ...&rdquo;
+</p>
+
+<p>
+Robin Greve looked at her quickly. But Mary had her eyes fixed seaward in
+contemplation of a distant light that flared and died with persistent
+regularity.
+</p>
+
+<p>
+&ldquo;My dear,&rdquo; he answered, &ldquo;I&rsquo;ve only myself to blame.
+When you told me you were going to marry Hartley Parrish, I should have known
+that you had your reasons and that those reasons were good. I should have held
+my tongue ...&rdquo;
+</p>
+
+<p>
+This time the girl stole a glance at him. But now he was gazing away to the
+horizon where the light came and went.
+</p>
+
+<p>
+&ldquo;All this misunderstanding between us,&rdquo; he went on, &ldquo;came
+about because of what I said in the billiard-room that afternoon ...&rdquo;
+</p>
+
+<p>
+The girl shook her head resolutely.
+</p>
+
+<p>
+&ldquo;No,&rdquo; she answered, &ldquo;it was my fault. I&rsquo;m a proud
+devil, Robin, and what you said about Hartley and ... and ... other women,
+Robin, hurt and ... and made me angry. No, no, don&rsquo;t apologize again. You
+and I are old enough friends, my dear, to tell one another the truth. You made
+me angry because what you said was true. I <i>was</i> selling myself, selling
+myself with my eyes open, too, and you&rsquo;ve got a perfect right never to
+speak to me again ...&rdquo;
+</p>
+
+<p>
+She did not finish the sentence but broke off. Her voice died away quaveringly.
+Robin took her hand in his.
+</p>
+
+<p>
+&ldquo;Dear,&rdquo; he said, &ldquo;don&rsquo;t cry! It&rsquo;s over and done
+with now ...&rdquo;
+</p>
+
+<p>
+Mary shook herself with an angry gesture.
+</p>
+
+<p>
+&ldquo;What&rsquo;s the good of telling me not to cry?&rdquo; she protested
+tearfully; &ldquo;I&rsquo;ve disgraced myself in my own eyes as well as in
+yours. If you can&rsquo;t forget what I was ready to do, I never shall
+...&rdquo;
+</p>
+
+<p>
+Very gently the young man turned the girl towards him.
+</p>
+
+<p>
+&ldquo;I&rsquo;m not such a prig as all that,&rdquo; he said. &ldquo;We all
+make mistakes. You know I understand the position you were in. Parrish is dead.
+I shall forget the rest ...&rdquo;
+</p>
+
+<p>
+Slowly the girl withdrew her hands from his grasp.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; she said wearily, &ldquo;you will find it easy to
+forget!&rdquo;
+</p>
+
+<p>
+She drew her fur closer about her neck and turned her back on the sea.
+</p>
+
+<p>
+&ldquo;I must go down,&rdquo; she said. And waited for the man to stand aside.
+He did not move and their eyes met. Suddenly, like a child, she buried her face
+in her arm flung out across his chest. She began to sob bitterly.
+</p>
+
+<p>
+&ldquo;That afternoon ... in the billiard-room ...&rdquo; she sobbed,
+&ldquo;you will forget ... that ... too ... I suppose ...&rdquo;
+</p>
+
+<p>
+Robin took her face in his hands, a hot, tear-stained face, and detached it
+from the sheltering arm.
+</p>
+
+<p>
+&ldquo;My dear,&rdquo; he said, &ldquo;I shall have to try to forget it. But I
+know I shan&rsquo;t succeed. To the end of my life I shall remember the kiss
+you gave me. But we are farther apart than ever now!&rdquo;
+</p>
+
+<p>
+There was a great sadness in his voice. It arrested the girl&rsquo;s attention
+as he dropped his hands and turned back to the rail.
+</p>
+
+<p>
+&ldquo;Why?&rdquo; she said in a low voice, without looking up.
+</p>
+
+<p>
+&ldquo;Because,&rdquo; replied the young man steadily, &ldquo;you&rsquo;re rich
+now, Mary ...&rdquo;
+</p>
+
+<p>
+The girl looked up quickly.
+</p>
+
+<p>
+&ldquo;Will men ever understand women?&rdquo; she cried, a new note in her
+voice. She stepped forward and, putting her two hands on the young man&rsquo;s
+shoulders, swung him round to face her.
+</p>
+
+<p>
+&ldquo;I&rsquo;m as poor as ever I was,&rdquo; she said, &ldquo;for Hartley
+Parrish&rsquo;s money is not for me ...&rdquo;
+</p>
+
+<p>
+&ldquo;Mary!&rdquo; exclaimed the young man joyfully.
+</p>
+
+<p>
+&ldquo;Robin Greve,&rdquo; cried the girl, &ldquo;do you mean to tell me
+you&rsquo;d stand there thinking I&rsquo;d accept money made like that
+...&rdquo;
+</p>
+
+<p>
+But now she was in his arms. With a little fluttering sigh she yielded to his
+kiss.
+</p>
+
+<p>
+&ldquo;Oh, the man on the bridge!...&rdquo; she murmured with her woman&rsquo;s
+instinct for the conventions.
+</p>
+
+<p>
+&ldquo;Come behind the boat, then!&rdquo; commanded Robin.
+</p>
+
+<p>
+And in the shadow of a weather-stained davit he kissed her again.
+</p>
+
+<p>
+&ldquo;So you&rsquo;ll wait for me, after all, Mary?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; retorted the girl firmly. &ldquo;We&rsquo;ll read the Riot
+Act to Mother and you must marry me at once!&rdquo;
+</p>
+
+<p>
+The wind blew cold from the North Sea. It rattled in the rigging, flapped the
+ensign standing out stiffly at the stern, and whirled the black smoke from the
+steamer&rsquo;s funnels out into a dark aerial wake as far as the eye could
+reach. With a gentle rhythmic motion the vessel rose and fell, while the stars
+began to pale and faint grey shadows appeared in the eastern sky. Still the man
+and the girl stood by the swaying lifeboat and talked the things that lovers
+say. Step by step they went over their thoughts for one another in each
+successive phase of the dark tragedy through which they had passed.
+</p>
+
+<p>
+&ldquo;And that van der Spyck letter,&rdquo; asked Robin; &ldquo;how did you
+get hold of it? I&rsquo;ve been wanting to ask you that ever since this
+afternoon ...&rdquo;
+</p>
+
+<p>
+&ldquo;I found it in the library,&rdquo; replied the girl, &ldquo;on the desk.
+It had got tucked away between two letter-trays&mdash;one fits into the other,
+you know.&rdquo;
+</p>
+
+<p>
+&ldquo;I wondered how Jeekes had come to miss it,&rdquo; said Robin. &ldquo;But
+when was this?&rdquo; he added.
+</p>
+
+<p>
+&ldquo;On Sunday afternoon.&rdquo;
+</p>
+
+<p>
+&ldquo;But what were you doing in the library?&rdquo;
+</p>
+
+<p>
+The girl became a little embarrassed.
+</p>
+
+<p>
+&ldquo;I knew Mr. Manderton was suspicious of you. I heard him telephoning
+instructions to London to have you watched. So I thought I&rsquo;d go to the
+library to see if I could find anything which would show what they had against
+you exactly. And I found this letter. Then I noticed some one hiding behind the
+curtains, and, as I had the letter in my hand, I hid it in my dress. When I
+discovered that Bruce Wright was after it too, I pretended I had found nothing
+...&rdquo;
+</p>
+
+<p>
+&ldquo;But, darling, why?&rdquo;
+</p>
+
+<p>
+&ldquo;I wanted to make sure for myself why you had sent Bruce Wright, for I
+guessed he had come from you, to look for this letter. So I thought I&rsquo;d
+go to Rotterdam to investigate ...&rdquo;
+</p>
+
+<p>
+Robin laughed affectionately.
+</p>
+
+<p>
+&ldquo;Surely it would have been simpler to have given the letter to the police
+...&rdquo;
+</p>
+
+<p>
+Mary gave him a look of indignant surprise.
+</p>
+
+<p>
+&ldquo;But it might have incriminated you!&rdquo; she exclaimed.
+</p>
+
+<p>
+At that Robin kissed her again.
+</p>
+
+<p>
+&ldquo;Will men <i>ever</i> understand women?&rdquo; he asked, looking into her
+tranquil grey eyes.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap27"></a>CHAPTER XXVII.<br />
+AN INTERRUPTION FROM BEYOND</h2>
+
+<p>
+Sudden frost had laid an icy finger on the gardens of Harkings. The smooth
+green lawns were all dappled with white and wore a pinched and chilly look save
+under the big and solemn firs where the ground, warmed by its canopy of
+branches and coverlet of cones, had thawed in dark patches. The gravel walks
+were firm and dry; and in the rosery the bare skeleton of the pergolas stood
+out in clear-cut silhouette against a white and woolly sky.
+</p>
+
+<p>
+Overnight the frost had come. It had taken even the birds by surprise. They
+hopped forlornly about the paths as though wondering where they would get their
+breakfast. Robin Greve, idly watching them from the library window, found
+himself contrasting the cheerful winter landscape with the depressing
+conditions of the previous day. In wind and rain the master of Harkings had
+been laid to rest in the quiet little churchyard of Stevenish. The ceremony had
+been arranged in haste, as soon as the coroner&rsquo;s jury had viewed the
+body. Robin Greve, that morning arrived from Rotterdam, Bude, and Mr. Bardy the
+solicitor, had been the only mourners. As Robin looked out upon the wintry
+scene, his mind reverted to the hurried funeral with its depressing
+accompaniment of gleaming umbrellas, mud from the freshly turned clay, and
+dripping trees.
+</p>
+
+<p>
+Beneath the window of the library, its shattered pane now replaced, a cluster
+of starlings whistled gaily, darting bright-eyed glances, full of anticipation,
+at the closed window.
+</p>
+
+<p>
+&ldquo;<i>He</i> used to give them crumbs every morning after breakfast,&rdquo;
+said Mary. &ldquo;See, Robin, how they are looking up! It seems a shame to
+disappoint them....&rdquo;
+</p>
+
+<p>
+As though relieved to be quit of his dark thoughts, Robin, with a glad smile,
+turned to the girl. Dipping his hand into his pocket, he produced a hunk of
+bread and put it in her hand.
+</p>
+
+<p>
+&ldquo;You think of everything!&rdquo; she said, smiling back at him prettily.
+</p>
+
+<p>
+He pushed up the window and she crumbled the bread for the birds. He rested one
+hand on her shoulder.
+</p>
+
+<p>
+&ldquo;He thought of everything, too,&rdquo; was his comment, &ldquo;even down
+to the birds. It&rsquo;s extraordinary! No detail was too small for
+him!...&rdquo;
+</p>
+
+<p>
+&ldquo;He <i>was</i> remarkable, Robin,&rdquo; answered the girl soberly;
+&ldquo;there was something magnetic about his personality that made people like
+him. Even now that he is dead, even in spite of what we know, I can feel his
+attraction still. And the whole house is impregnated with his personality.
+Particularly this room. Don&rsquo;t you feel it? I don&rsquo;t mind being here
+with you, Robin, but I shouldn&rsquo;t like to be here alone. I was dreadfully
+frightened on Sunday evening when I came here. And when I saw the curtains move
+... oh! I thought my heart would stop beating! Dear, I&rsquo;m glad we are
+giving this place up. I don&rsquo;t feel that I could ever be happy here ...
+even with you!&rdquo;
+</p>
+
+<p>
+&ldquo;Poor devil!&rdquo; said Robin. And then again he said: &ldquo;Poor
+devil!&rdquo;
+</p>
+
+<p>
+&ldquo;It was terrible ... to die like that!&rdquo; replied Mary.
+</p>
+
+<p>
+&ldquo;It was terrible for him to lose <i>you</i>!&rdquo; answered the young
+man.
+</p>
+
+<p>
+She gave his hand a little, tender squeeze, but relinquished it quickly as the
+door opened.
+</p>
+
+<p>
+Mr. Manderton was there, broad-shouldered and burly. Behind came Dr. Romain
+with a purple nose and eyes watering with the cold, Horace Trevert in plain
+clothes, Mr. Bardy, the solicitor, plump, middle-aged, and prim, with a broad,
+smooth-shaven face and an eyeglass on a black silk riband. In the background
+loomed the large form of Inspector Humphries, ruddy of cheek as of hair. Lady
+Margaret did not appear.
+</p>
+
+<p>
+Mr. Manderton slapped his bowler hat briskly on a side table and with a little
+bow to Mary walked to the desk.
+</p>
+
+<p>
+&ldquo;Now,&rdquo; said Mr. Manderton with a long, shrewd look that
+comprehended the company, individually and collectively, and the entire room,
+&ldquo;if Inspector Humphries will kindly close the door, we will reconstruct
+the crime in the light of the evidence we have collected.&rdquo;
+</p>
+
+<p>
+He turned round to the desk and pulled back the chair ... Hartley
+Parrish&rsquo;s empty chair.
+</p>
+
+<p>
+&ldquo;It is just on five o&rsquo;clock on Saturday evening, November
+27,&rdquo; he began, &ldquo;and growing dark outside. Mr. Parrish is sitting
+here&rdquo;&mdash;he tapped the chair&mdash;&ldquo;with all the lights in the
+room turned off except this one on the desk.&rdquo;
+</p>
+
+<p>
+Here he put a large hand on the reading-lamp.
+</p>
+
+<p>
+&ldquo;The assumption that Mr. Parrish spent the afternoon, as he had spent the
+morning, over papers in connection with the business of Hornaway&rsquo;s in
+which he was interested is not correct. Mr. Archer, one of Mr. Parrish&rsquo;s
+secretaries who brought down a number of papers and letters for Mr. Parrish to
+sign in the morning, states that as far as Hornaway&rsquo;s or any other office
+business was concerned, Mr. Parrish was through with it by lunch. This is
+corroborated by the fact that no business papers of this description, with the
+exception of one, which I am coming to directly, were found on the desk here
+after Mr. Parrish&rsquo;s death. Nor were there any traces of burnt paper in or
+about the fire. These two facts were established by my colleague, Inspector
+Humphries.&rdquo;
+</p>
+
+<p>
+At this everybody turned and looked at the Inspector, who blushed until the
+tint of his hair positively paled by comparison with that of his face.
+</p>
+
+<p>
+&ldquo;What Mr. Archer <i>did</i> leave with Mr. Parrish, however,&rdquo; Mr.
+Manderton resumed, looking round the group and emphasising the
+&ldquo;did,&rdquo; &ldquo;was his will and this letter ...&rdquo;&mdash;he held
+up a typewritten sheet of slatey-blue paper&mdash;&ldquo;which, a
+straightforward business communication in appearance, was in reality a threat
+against his life. It was with these two documents that Mr. Parrish spent the
+last few hours before he was found dead in this room. A few odd papers found
+lying on the desk have nothing to do with the case and may therefore be
+dismissed.&rdquo;
+</p>
+
+<p>
+Mr. Manderton paused and then, with the deliberation which distinguished his
+every movement, walked round the desk to the window.
+</p>
+
+<p>
+&ldquo;The fire in this room,&rdquo; he said, turning and facing his audience,
+&ldquo;was smoking. The butler will testify to this and state that Mr. Parrish
+complained about it to him with the result that the sweep was ordered for
+Monday morning. Owing to the smoke in the room Mr. Parrish opened the window.
+His finger-prints were on the inside of the window-frame and a small fragment
+of white paint was still adhering to one of his finger-nails.
+</p>
+
+<p>
+&ldquo;The window, then, was open as it is now. Mr. Parrish sat at his desk,
+read through his will, and wrote a letter to Miss Trevert informing her that,
+under the will, she was left sole legatee. This letter, with the will, was
+found on the desk after Mr. Parrish&rsquo;s death. Presumably in view of the
+threat against his life contained in this letter,&rdquo;&mdash;the detective
+held up the slatey-blue paper,&mdash;&ldquo;Mr. Parrish had either in his
+pocket or, as I am more inclined to think, lying on the desk in front of him,
+his Browning automatic pistol. This pistol was fitted with a Maxim silencer, an
+invention for suppressing the report of a firearm, which was sent to Mr.
+Parrish by a friend in America some years ago and which he kept permanently
+attached to the weapon.&rdquo;
+</p>
+
+<p>
+Mr. Manderton came to an impressive full stop and glanced round his circle of
+listeners. He gave his explanations easily and fluently, but in a plain,
+matter-of-fact tone such as a police constable employs in the witness-box. He
+had marshalled his facts well, and his measured advance towards his
+<i>dénouement</i> was not without its effect on his audience. Dr. Romain,
+nursing his knee on a leather settee, Horace Trevert, a tall slim figure
+eagerly watching the detective from his perch on the arm of the Chesterfield,
+and Robin and Mary, standing, very close together, behind the empty chair at
+the desk&mdash;each and every one was listening with rapt attention. Inspector
+Humphries, propping his big bulk uneasily against the wall near the door, was
+the only one who appeared to be oblivious of the strain.
+</p>
+
+<p>
+The detective walked round the desk and seated himself in the chair.
+</p>
+
+<p>
+&ldquo;Mr. Parrish is seated at the desk here,&rdquo; he resumed, &ldquo;when
+his attention is directed to the window.&rdquo;
+</p>
+
+<p>
+And here Mr. Manderton raised his head and looked out towards the frost-strewn
+gardens.
+</p>
+
+<p>
+&ldquo;Maybe he hears a step, more probably he sees a face staring at him out
+of the dark. Very much to his surprise he recognizes Jeekes, his principal
+private secretary&mdash;I say to his surprise because he must have believed
+Jeekes, who had the week-end free, to be in London. And at that, perhaps
+because he thinks he has made a mistake&mdash;in any case to make sure&mdash;he
+gets up....&rdquo;
+</p>
+
+<p>
+The detective suited the action to the word. He pushed back the chair and rose
+to his feet. They saw he held a large automatic pistol in his hand.
+</p>
+
+<p>
+&ldquo;He has had this threatening letter, remember, so he takes his pistol
+with him. And he reaches the window ...&rdquo;
+</p>
+
+<p>
+The detective was at the window now, his back to the room.
+</p>
+
+<p>
+&ldquo;He speaks to Jeekes, angrily, maybe&mdash;the butler heard the sound of
+loud voices&mdash;they have words. And then ...&rdquo;
+</p>
+
+<p>
+There came a knock at the library door. It was not a loud knock. It was in
+reality scarcely more than a gentle tap. But it fell upon a silence of
+Manderton&rsquo;s own creating, a rapt silence following a pause which preceded
+the climax of his narrative. So the discreet knocking resounded loud and clear
+through the library.
+</p>
+
+<p>
+&ldquo;Who is that? What is it?&rdquo; rapped out Dr. Romain irritably.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t let any one disturb us, Inspector!&rdquo; called out Horace
+Trevert to Inspector Humphries, who had opened the door.
+</p>
+
+<p>
+Bude&rsquo;s face appeared in the doorway. He had a short altercation with the
+Inspector, who resolutely interposed his massive form between the butler and
+the room.
+</p>
+
+<p>
+&ldquo;What is it, Bude?&rdquo; asked Robin, going to the door.
+</p>
+
+<p>
+&ldquo;It&rsquo;s a letter for Miss Trevert, sir!&rdquo; said Bude.
+</p>
+
+<p>
+&ldquo;Well, leave it in the hall. Miss Trevert can&rsquo;t be disturbed at
+present ...&rdquo;
+</p>
+
+<p>
+&ldquo;But ... but, sir,&rdquo; the butler protested. Then Robin noticed that
+he was trembling with excitement and that his features were all distraught.
+</p>
+
+<p>
+&ldquo;What&rsquo;s the matter with you, Bude?&rdquo; Robin demanded.
+</p>
+
+<p>
+Humphries had stood on one side and Robin now faced the butler.
+</p>
+
+<p>
+&ldquo;It&rsquo;s a letter from ... that Jeekes!&rdquo; faltered Bude, holding
+out a salver. &ldquo;I know his writing, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;For Miss Trevert?&rdquo;
+</p>
+
+<p>
+Robin gathered up the plain white envelope. It bore a Dutch stamp. The postmark
+was Rotterdam. He gave the letter to Mary. It was bulky and heavy.
+</p>
+
+<p>
+&ldquo;For you,&rdquo; he said, and stood beside her while she broke the seal.
+By this they had all gathered round her.
+</p>
+
+<p>
+The envelope fluttered to the floor. Mary was unfolding a wad of sheets of
+writing-paper folded once across. She glanced at the topmost sheet, then handed
+the bundle to Robin.
+</p>
+
+<p>
+&ldquo;It&rsquo;s a confession!&rdquo; she said.
+</p>
+
+<p>
+From beyond the grave the little secretary had spoken and spoiled Mr.
+Manderton&rsquo;s <i>dénouement</i>.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap28"></a>CHAPTER XXVIII.<br />
+THE DEATH OF HARTLEY PARRISH</h2>
+
+<p>
+&ldquo;For Miss Trevert.&rdquo;
+</p>
+
+<p>
+Thus, in Jeekes&rsquo;s round and flowing commercial hand, the document began:
+</p>
+
+<p class="letter">
+Last Statement of Albert Edward Jeekes, made at Rotterdam, this twenty-first
+Day of January, in the Year of Our Lord One Thousand Nine Hundred and...
+</p>
+
+<p>
+Mr. Bardy, the solicitor, to whom, by common consent, the reading of the
+confession had been entrusted, raised his eyebrows, thereby letting his
+eyeglass fall, and looked round at the company.
+</p>
+
+<p>
+&ldquo;Pon my soul,&rdquo; he remarked, &ldquo;for a man about to take his own
+life, our friend seems to have been the coolest customer imaginable. Look at
+it! Written in a firm hand and almost without an erasure. Very remarkable! Very
+remarkable, indeed!...&rdquo;
+</p>
+
+<p>
+&ldquo;Hm!&rdquo; grunted Mr. Manderton, &ldquo;not so uncommon as you suppose,
+Mr. Bardy, sir. Hendriks, the Palmers Green poisoner, typed out his confession
+on cream inlaid paper before dosing himself. But let&rsquo;s hear what the
+gentleman has to tell us....&rdquo;
+</p>
+
+<p>
+This was the last digression. Thenceforth Mr. Bardy read out the confession to
+the end without interruption.
+</p>
+
+<p class="letter">
+<i>For Miss Trevert</i>:
+</p>
+
+<p class="letter">
+<i>Madam</i>,
+</p>
+
+<p>
+I slew, but I am not a murderer: I Killed, but without deliberation.
+</p>
+
+<p>
+Victor Marbran has gone and left me to meet a shameful death. But I cannot face
+the scaffold. As men go, I do not believe I am a coward and I am not afraid to
+die. But the inexorable deliberation of justice appals me. When I have written
+what I have to write, I shall be hangman to myself. My pistol they have taken
+away.
+</p>
+
+<p>
+Victor Marbran has abandoned me. He had prepared everything for his flight.
+Even if the law can indict him as the virtual murderer of Hartley Parrish, the
+law will never lay hands on him. Victor Marbran neglects no detail. He will
+never be caught. But from the Great Unknown for which I shall presently set
+out, I shall stretch forth my hand and see that, here or there, he does not
+escape the punishment he merits for bringing down shame and disgrace upon me.
+</p>
+
+<p>
+Just now he bade me stay in the office and finish burning the papers in his
+desk. He promised he would take me with him to a secure hiding-place which he
+had made ready for some such emergency as this. I believed him and,
+unsuspecting, stayed. And now he has slipped away. He is gone and the house is
+empty. I cannot follow him even did I know where he has gone. I have only a
+very little money left and I am tired. Very tired. I feel I cannot support the
+hue-and-cry they will raise. Everything is still about me. The quiet of the
+country is very soothing. To die like this, with darkness falling and no sound
+but the rustling rain, is the better way ...
+</p>
+
+<p>
+Hartley Parrish was the man behind the great syndicate which systematically ran
+the British blockade of Germany in the war. He financed Marbran and the
+international riff-raff of profiteers with whom Marbran worked. Parrish
+supplied the funds, often the goods as well,&mdash;at any rate, until they
+tightened up the blockade,&mdash;while Marbran and the rest of the bunch in
+neutral countries did the trading with the enemy.
+</p>
+
+<p>
+Parrish was a deep one. I say nothing against him. He was a kind employer to me
+and I played him false, for which I have been bitterly punished. To have
+swindled Victor Marbran&mdash;I count it as nothing against him, for that
+heartless, cruel man is deserving of no pity ...
+</p>
+
+<p>
+Parrish was the heart and soul, brains and muscle of the syndicate. He lurked
+far in the background. Any and every trail which might possibly lead back to
+him was carefully effaced. He was secure as long as Marbran and one or two
+other big men in the business kept faith with him. Now and then, when the
+British Intelligence were too hot on the trail, Parrish and Marbran would give
+away one of the small fry belonging to the organization and thus stave off
+suspicion. They could do this in complete safety, for so perfect was their
+organization that the small fry only knew the small fry in the shallows and
+never the big fish in the deep ...
+</p>
+
+<p>
+But Hartley Parrish was in Marbran&rsquo;s hands. They stood or fell together.
+Parrish knew this. But he was a born gambler and insanely self-confident. He
+took a chance with Marbran. It cost him his life.
+</p>
+
+<p>
+All payments were made to Parrish. He was treasurer and banker of the
+syndicate. Money came in by all sorts of devious routes, sometimes from as far
+afield as South or Central America. Parrish distributed the profits. Everything
+was in his hands.
+</p>
+
+<p>
+By the time the armistice came, the game had got too hot. All the big fish
+except Marbran had cleared out with their pile. But Marbran, like Parrish, was
+a gambler. He stuck it out and stayed on.
+</p>
+
+<p>
+Parrish played fair until the war was over. The armistice, of course, put an
+end to the business. But some months after the armistice a sum of £150,000 was
+paid to Parrish through a Spanish bank in settlement, Marbran told me, for
+petrol indirectly delivered to the German Admiralty. Parrish pouched the lot.
+Not a penny did Marbran get.
+</p>
+
+<p>
+Parrish and Marbran were old friends. They were young men together on the Rand
+gold-fields in the early days. In fact, I believe they went out to South Africa
+together as penniless London lads. But Marbran hated Parrish, though Parrish
+had, I believe, been his benefactor in many ways. Marbran was fiercely envious
+of the other because he realized that, starting with an equal chance, Parrish
+had left him far behind. Everything that Parrish touched prospered, while
+Marbran was in perpetual financial straits. He was Parrish&rsquo;s equal in
+courage, but not in judgment.
+</p>
+
+<p>
+Parrish calculated that Marbran would not dare to denounce him. He had always
+taken the lead in their schemes and he affected to disregard Marbran
+altogether. So he left the latter&rsquo;s letters unanswered and laughed at his
+threats. He was quite sure that Marbran would never risk losing his pile by
+giving Parrish away, for they were, of course, both British subjects and both
+in it together ...
+</p>
+
+<p>
+Marbran always distrusted Parrish, and long before the breach came, he picked
+on me to act the spy on my employer. I, too, was born a gambler, but, like
+Marbran, I lacked the lucky touch which made Parrish a millionaire. Speculation
+proved my ruin. I have often thanked my God on my bended knees&mdash;as I shall
+do again to-night before I pass over&mdash;that my insane folly has ruined no
+one but myself ...
+</p>
+
+<p>
+Already, when Hartley Parrish engaged me, I was up to the neck in speculation.
+Up to that time, however, I had managed to keep my head above water, but the
+large salary on which Parrish started me dazzled me. I tried a flutter in oil
+on a much larger scale than anything I had hitherto attempted, with the result
+that one day I found myself with a debt of nine hundred pounds to meet and no
+assets to meet it with. And I was two hundred pounds in debt to Hartley
+Parrish&rsquo;s petty cash account, which I kept.
+</p>
+
+<p>
+It was Victor Marbran who came to my rescue. Parrish had sent me over to
+Rotterdam to fetch some papers from Marbran. At this time I knew nothing of
+Parrish&rsquo;s blockade-running business. Parrish never took me into his
+confidence about it and the whole of the correspondence went direct to him
+through a number of secret channels with which I only gradually became
+acquainted behind his back.
+</p>
+
+<p>
+I had met Marbran several times in London and also at Rotterdam. It had struck
+me that he had formed a liking for me. On this particular visit to Rotterdam
+Marbran took me out to dinner and encouraged me to speak about myself. He was
+very sympathetic, and this, coupled with the wine I had taken, led me to open
+my heart to him. Without giving myself away, I let him understand that I was in
+considerable financial difficulties, which I set down to the high cost of
+living as the result of the war.
+</p>
+
+<p>
+Without a word of warning Marbran pulled out his cheque-book.
+</p>
+
+<p>
+&ldquo;How much do you want,&rdquo; he asked, &ldquo;to put you
+straight?&rdquo;
+</p>
+
+<p>
+Nine hundred pounds, I told him.
+</p>
+
+<p>
+He wrote the cheque at once there at the table. He would advance me the money,
+he said, and put me down for shares in a business in which he was interested.
+It was a safe thing and profits were very high. I could repay him at my
+leisure.
+</p>
+
+<p>
+In this way I became a shareholder in Parrish&rsquo;s blockade-running
+syndicate. The return I was to make was to spy on my employer and to report to
+Marbran the letters which Parrish received and the names of the people whom he
+interviewed.
+</p>
+
+<p>
+Of course, Marbran did not propose this plan at once. When I took leave of him
+that night, I remember, I all but broke down at the thought of his unsolicited
+generosity. I have had a hard life, Miss Trevert, and his seeming kindness
+broke me all up. But I might have known.
+</p>
+
+<p>
+I cashed Marbran&rsquo;s cheque and put back the two hundred pounds I had taken
+from the petty cash account. But I went on speculating. You see, I did not
+believe Marbran&rsquo;s story about the shares he said he would put me down
+for. I thought it was a charitable tale to spare my feelings. So I plunged once
+more in the confident hope of recovering enough to repay my debt to Marbran.
+</p>
+
+<p>
+A month later Marbran sent me a cheque for one hundred pounds. He said it was
+the balance of fifteen hundred pounds due to me as profits on my shares less
+the nine hundred pounds I owed him and five hundred pounds for my shares. But
+my speculations had by this time gone wrong again, and I was heartily glad
+presently to receive a further cheque for two hundred pounds from Marbran. From
+that time on I got from Marbran sums varying between one hundred and fifty
+pounds and five hundred pounds a month.
+</p>
+
+<p>
+When Marbran made me his shameful offer, I rejected it with indignation. But I
+was fast in the trap. Marbran explained to me in great detail and with the
+utmost candour the working of the Parrish syndicate. He let me know very
+plainly that I was as deeply implicated as Parrish and he. I was a shareholder;
+I had received and was receiving my share of the profits. In my distress and
+shame I threatened to expose the pair of them. Had I known the source of his
+money, I told him, I should never have accepted it. At that Marbran laughed
+contemptuously.
+</p>
+
+<p>
+&ldquo;You tell that yarn to the police,&rdquo; he sneered, &ldquo;and hear
+what they say!&rdquo;
+</p>
+
+<p>
+And then I realized that I was in the net.
+</p>
+
+<p>
+I make no excuses for myself. I shall make none to the Great Judge before whom
+in a little while I shall appear. I had not the moral force to resist Marbran.
+I did his bidding: I continued to take his money and I held my peace.
+</p>
+
+<p>
+And then came the breach between Parrish and Marbran. I was the cause of it.
+But for me, his trusty spy, Marbran would have known nothing of this payment of
+£150,000 which Parrish received from Spain, and this tragedy would not have
+happened. God forgive me ...
+</p>
+
+<p>
+Marbran appealed to Parrish in vain. What he wrote I never knew, for, shortly
+after, Parrish quietly and without any explanation took the confidential work
+out of my hands. I believe he suspected then who Marbran&rsquo;s spy was. But
+he said nothing to me of his suspicions at that time ...
+</p>
+
+<p>
+Finally, Marbran came to London. It was on Tuesday of last week. I had been up
+in Sheffield on business, and on my return I found Marbran waiting for me at my
+rooms.
+</p>
+
+<p>
+He was like a man possessed. Never before have I witnessed such an outburst of
+ungovernable rage. Parrish, it appears, had declined to see him. He swore that
+Parrish should not get the better of him if he had to kill him first. I can see
+Marbran now as he sat on my bed, his livid face distorted with fury.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll give him a last chance,&rdquo; he cried, &ldquo;and then, by
+God, let our smart Alec look out!&rdquo;
+</p>
+
+<p>
+This sort of talk frightened me. I knew Marbran meant mischief. He was a bad
+man to cross. I was desperately afraid he would waylay Parrish and bring down
+disaster on the three of us. I did my utmost to put the idea of violence out of
+his mind. I begged him to content himself with trying to frighten Parrish into
+paying up before trying other means.
+</p>
+
+<p>
+My suggestion seemed to awaken some old memory in Marbran&rsquo;s mind.
+</p>
+
+<p>
+&ldquo;By Gad, Jeekes,&rdquo; he said, after a moment&rsquo;s thought,
+&ldquo;you&rsquo;ve given me an idea. Parrish has a yellow streak. He&rsquo;s
+scared of a gun. I saw it once, years ago, in a roughhouse we got into at
+Krugersdorp on the Rand. Damn it, I know how to bring the yellow dog to heel,
+and I&rsquo;ll tell you how we&rsquo;ll do it ...&rdquo;
+</p>
+
+<p>
+He then unfolded his plan. He would send Parrish a last demand for a
+settlement, threatening him with death if he did not pay up. The warning would
+reach Parrish on the following Saturday. Marbran would contrive that he should
+receive it by the first post. As soon as possible thereafter I was to go to
+Parrish boldly and demand his answer.
+</p>
+
+<p>
+&ldquo;And you&rsquo;ll take a gun,&rdquo; Marbran said, peering at me with his
+cunning little eyes, &ldquo;and you&rsquo;ll show it. And if at the sight of it
+you don&rsquo;t get the brass, then I don&rsquo;t know my old pal, Mister
+Hartley Parrish, Esquire!&rdquo;
+</p>
+
+<p>
+The proposal appalled me. I knew nothing of Hartley Parrish&rsquo;s
+&ldquo;yellow streak.&rdquo; I knew him only as a hard and resolute man, swift
+in decision and ruthless in action. Whatever happened, I argued, Parrish would
+discharge me and there was every prospect of his handing me over to the police
+as well.
+</p>
+
+<p>
+Marbran was deaf to my reasoning. I had nothing to fear, he protested. Parrish
+would collapse at the first sign of force. And as for my losing my job, Marbran
+would find me another and a better one in his office at Rotterdam.
+</p>
+
+<p>
+Still I held out. The chance of losing my position, even of being sent to gaol,
+daunted me less, I think, than the admission to Parrish of the blackly
+ungrateful role I had played towards him. In the end I told Marbran to do his
+dirty work himself.
+</p>
+
+<p>
+But I spoke without conviction. I realized that Marbran held me in a cleft
+stick and that he realized it, too. He wasted no further time in argument. I
+knew what I had to do, he said, and I would do it. Otherwise ...
+</p>
+
+<p>
+He left me in an agony of mental stress. At that time, I swear to Heaven, Miss
+Trevert, I was determined to let Marbran do his worst rather than lend myself
+to this odious blackmailing trick, my own suggestion, as I bitterly remembered.
+But for the rest of the week his parting threat rang in my ears. Unless he
+heard by the following Sunday that I had confronted Parrish and called his
+bluff, as he put it, the British police should have word, not only of
+Parrish&rsquo;s activities in trading with the enemy, but of mine as well.
+</p>
+
+<p>
+It was no idle threat. Parrish and Marbran had put men away before. I could
+give you the names ...
+</p>
+
+<p>
+It is quite dark now. It must be an hour since Greve took you away. Soon he
+will be back with the police to arrest me and I must have finished by then,
+finished with the story, finished with life ...
+</p>
+
+<p>
+Last week I worked at Parrish&rsquo;s city office. I told you how he kept me
+off his confidential work. On Saturday morning I went round to the house in St.
+James&rsquo;s Square to see whether Marbran had really sent his warning.
+Archer, my colleague, who was acting as confidential secretary in my stead, was
+there. Parrish was at Harkings, he told me. Archer was going down by car that
+morning with his mail. It included two &ldquo;blue letters&rdquo; which Archer
+would, according to orders, hand to Parrish unopened.
+</p>
+
+<p>
+These &ldquo;blue letters,&rdquo; as we secretaries used to call them, written
+on a striking bluish paper, were the means by which all communications passed
+between Parrish and Marbran on the syndicate&rsquo;s business. They were
+drafted in conventional code and came to Parrish from all parts of Europe and
+in all kinds of ways. No one saw them except himself. By his strict
+injunctions, they were to be opened only by himself in person.
+</p>
+
+<p>
+When Archer told me that two &ldquo;blue letters&rdquo; had come, I knew that
+Marbran had kept his word. Though my mind was not made up, instinct told me I
+was going to play my part ...
+</p>
+
+<p>
+I could not face the shame of exposure. I was brought up in a decent English
+home. To stand in the dock charged with prolonging the sufferings of our
+soldiers and sailors in order to make money was a prospect I could not even
+contemplate.
+</p>
+
+<p>
+I thought it all out that Saturday morning as I stood at the dressing-table in
+my bedroom by the open drawer in which my automatic pistol lay. It was one
+given me by Parrish some years before at a time when he thought we might be
+going on a trip to Rumania ...
+</p>
+
+<p>
+I slipped the pistol into my pocket. I felt like a man in a dream. I believe I
+went down to Harkings by train, but I have no clear recollection of the
+journey. I seemed to come to my senses only when I found myself standing on the
+high bank of the rosery at Harkings, looking down upon the library window.
+</p>
+
+<p>
+Outside in the gardens it was nearly dark, but from the window fell a stream of
+subdued light. The curtains had not been drawn and the window was open at the
+bottom. Parrish sat at the desk. Only the desk-lamp was lit, so that his face
+was in shadow, but his two hands, stretched out on the blotter in front of him,
+lay in a pool of light, and I caught the gleam of his gold signet ring.
+</p>
+
+<p>
+He was not writing or working. He seemed to be thinking. I watched him in a
+fascinated sort of way. I had never seen him sit thus idly at his desk before
+...
+</p>
+
+<p>
+My brain worked quite lucidly now. As I looked at him, I suddenly realised that
+I had a golden opportunity for speaking to him unobserved. The gardens were
+absolutely deserted: the library wing was very still. If he were a man to be
+frightened into submission, my sudden appearance, following upon the receipt of
+the threatening letter, would be likely to help in achieving this result.
+</p>
+
+<p>
+I walked softly down the steps to the window. I stood close up to the sill.
+</p>
+
+<p>
+&ldquo;Mr. Parrish,&rdquo; I said, &ldquo;Victor Marbran has sent me for his
+answer.&rdquo;
+</p>
+
+<p>
+In a flash he was on his feet.
+</p>
+
+<p>
+&ldquo;Who&rsquo;s there?&rdquo; he cried out in alarm.
+</p>
+
+<p>
+His voice shook, and I could see his hand tremble in the lamplight as he
+clutched at the desk. Then I knew that he was badly frightened, and the
+discovery gave me courage.
+</p>
+
+<p>
+&ldquo;Are you going to settle with Marbran or are you not?&rdquo; I said.
+</p>
+
+<p>
+At that he peered forward. All of a sudden his manner changed.
+</p>
+
+<p>
+&ldquo;What in hell does this mean, Jeekes?&rdquo;
+</p>
+
+<p>
+His voice quavered no longer. It was hard and menacing.
+</p>
+
+<p>
+But I had burnt my boats behind me now.
+</p>
+
+<p>
+&ldquo;It means,&rdquo; I answered boldly, &ldquo;that you&rsquo;ve got to pay
+up. And you&rsquo;ve got to pay up now!&rdquo;
+</p>
+
+<p>
+In a couple of quick strides he was round the desk and coming at me as I stood
+with my chest pressing against the window-sill. His hands were thrust in his
+jacket pockets. His face was red with anger.
+</p>
+
+<p>
+&ldquo;You dawggorn dirty little rathole spy,&rdquo;&mdash;he spat the words at
+me in a low, threatening voice,&mdash;&ldquo;I guessed that lowdown skunk
+Marbran had been getting at some of my people!&rdquo;
+</p>
+
+<p>
+His voice rose in a sudden gust of passion.
+</p>
+
+<p>
+&ldquo;You rotten little worm! You&rsquo;d try and bounce me, would you?
+You&rsquo;ve come to the wrong shop for that, Mr. Spying Jeekes ...&rdquo;
+</p>
+
+<p>
+His manner was incredibly insulting. So was the utter contempt with which he
+looked at me. This man, who had trembled with fear at the unknown, recovered
+his self-control on finding that the menace came from the menial, the hireling,
+he despised. I felt the blood rush in a hot flood to my head. I lost all
+self-control. I screamed aloud at him.
+</p>
+
+<p>
+&ldquo;There&rsquo;s no bounce about it this time! If you don&rsquo;t pay up,
+you know what to expect!&rdquo;
+</p>
+
+<p>
+I had been holding my pistol out of his sight below the window-ledge, but on
+this I swung it up and levelled it at him.
+</p>
+
+<p>
+He sprang back a pace, the colour fading on the instant from his face, his
+mouth twisted awry in a horrid paroxysm of fear. Even in that subdued light I
+could see that his cheeks were as white as paper.
+</p>
+
+<p>
+But then in a flash his right hand went up. I saw the pistol he held, but
+before I could make a movement there was a loud, raucous hiss of air and a
+bullet whistled past my ear into the darkness of the gardens. How he missed me
+at that range I don&rsquo;t know, but, seeing me standing there, he came at me
+again with the pistol in his hand ...
+</p>
+
+<p>
+And then you, Miss Trevert, cried out, &ldquo;Hartley,&rdquo; and rattled the
+handle of the door. Your cry merged in a deafening report. Parrish, who was
+quite close to me, and advancing, stopped short with a little startled
+exclamation, his eyes reproachful, full of surprise. He stood there and swayed,
+looking at me all the time, then crashed backwards on the floor. And I found
+myself staring at the smoking pistol in my hand ...
+</p>
+
+<p>
+It was your scream that brought me to my senses. My mind cleared instantly. I
+knew I must act quickly. The house would be alarmed directly, and before that
+happened, I must be clear of the grounds. Yet I knew that before I went I must
+do something to make myself safe ...
+</p>
+
+<p>
+I stood at the window staring down at the dead man. His eyes were terrible.
+Like a suicide he looked, I thought. And then it flashed across my mind that
+only one shot had been heard and that our pistols were identical and fired the
+same ammunition. The silencer! The silencer could save me. With that removed,
+the suicide theory might pass muster: at any rate, it would delay other
+investigations and give me a start ...
+</p>
+
+<p>
+In a matter of a second or two I believe I thought of everything. I did not
+overlook the danger of leaving finger-prints or foot-marks about. I had not
+taken off my gloves, and my boots were perfectly dry. In climbing into the room
+I was most careful to see that I did not mark the window-sill or scratch the
+paintwork ...
+</p>
+
+<p>
+I stood beside the body and I caught the dead man&rsquo;s hand. It was fat and
+soft and still warm. The touch of it made me reel with horror. I turned my face
+away from his so as not to see his eyes again....
+</p>
+
+<p>
+I got the silencer. Parrish had shown it to me and I knew how to detach it....
+</p>
+
+<p>
+I went back through the window as carefully as I had come in. And I pushed the
+window down. Parrish would have done that, I thought, if he had meant to commit
+suicide. And then my nerve went. The window frightened me. The blank glass with
+the silent room beyond;&mdash;it reminded me of Parrish&rsquo;s sightless gaze.
+I turned and ran....
+</p>
+
+<p>
+I did not mean to kill. As there is a God in ...
+</p>
+
+<p class="p2">
+On that unfinished sentence the confession ended.
+</p>
+
+<hr />
+
+<p>
+Mr. Bardy put the bundle of manuscript down on the desk and, dropping his
+eyeglass from his eye, caught it deftly and began to polish it vigorously with
+his pocket handkerchief. As no one spoke, he said:
+</p>
+
+<p>
+&ldquo;That&rsquo;s all. It ends there!&rdquo;
+</p>
+
+<p>
+He looked round the circle of earnest faces. Then Horace Trevert crossed to the
+desk.
+</p>
+
+<p>
+&ldquo;Robin,&rdquo; he said, and held out his hand, &ldquo;I want to
+apologize. I ... we ... behaved very badly ...&rdquo;
+</p>
+
+<p>
+Robin grasped the boy&rsquo;s hand.
+</p>
+
+<p>
+&ldquo;Not a word about that, Horace, old boy,&rdquo; he said. &ldquo;Besides,
+Mary is putting all that right, you know!&rdquo;
+</p>
+
+<p>
+&ldquo;She told me,&rdquo; replied Horace; &ldquo;and, Robin, I&rsquo;m
+tremendously glad!&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Greve!&rdquo;
+</p>
+
+<p>
+Robin turned to find Mr. Manderton, large and impressive, at his elbow.
+</p>
+
+<p>
+&ldquo;Might I have a word with you?&rdquo;
+</p>
+
+<p>
+Robin followed the detective across the room to the window.
+</p>
+
+<p>
+Mr. Manderton seemed a trifle embarrassed.
+</p>
+
+<p>
+&ldquo;Er&mdash;- Mr. Greve,&rdquo; he said, clearing his throat rather
+nervously, &ldquo;I should like to&mdash;er,&mdash;offer you my congratulations
+on the remarkably accurate view you took of this case. I should have been able
+to prove to you, I believe, but for this curious interruption, that your view
+and mine practically coincided. It has been a pleasure to work with you,
+sir!&rdquo;
+</p>
+
+<p>
+He cast a hasty glance over his shoulder at the other occupants of the room,
+who were gathered round the desk.
+</p>
+
+<p>
+&ldquo;I&rsquo;m not a society man, Mr. Greve,&rdquo; he added, &ldquo;and I
+have a lot of work on my hands regarding the case. So I think I&rsquo;ll run
+off now ...&rdquo;
+</p>
+
+<p>
+He broke off, gave Robin a large hand, and, looking neither to right nor to
+left, made a hurried exit from the room, taking Inspector Humphries with him.
+</p>
+
+<p>
+&ldquo;Now that we are just among ourselves&rdquo;&mdash;the solicitor was
+speaking&mdash;&ldquo;I think I may seize the opportunity of saying a word
+about Mr. Parrish&rsquo;s will. Miss Trevert, as you know, is made principal
+legatee, but I understand from her that she does not propose to accept the
+inheritance. I will not comment on this decision of hers, which does her moral
+sense, at any rate, infinite credit, but I should observe that Mr. Parrish has
+left directions for the payment of an allowance&mdash;I may say, a most
+handsome allowance&mdash;to Lady Margaret Trevert during her ladyship&rsquo;s
+lifetime. This is a provision over which Miss Trevert&rsquo;s decision, of
+course, can have no influence. I would only remark that, according to Mr.
+Parrish&rsquo;s instructions, this allowance will be paid from the dividends on
+a percentage of his holdings in Hornaway&rsquo;s under the new scheme. I have
+not yet had an opportunity of looking further into Mr. Parrish&rsquo;s affairs
+in the light of the information which Mr. Greve obtained in Rotterdam, but I
+have reason to believe that he kept his interest in Hornaway&rsquo;s and
+his&mdash;ahem!&mdash;other activities entirely separate. If this can be
+definitely established to my own satisfaction and to yours, my dear Miss
+Trevert, I see no reason why you should not modify your decision at least in
+respect of Mr. Parrish&rsquo;s interest in Hornaway&rsquo;s.&rdquo;
+</p>
+
+<p>
+Mary Trevert looked at Robin and then at the solicitor.
+</p>
+
+<p>
+&ldquo;No!&rdquo; she said; &ldquo;not a penny as far as I am concerned. With
+Mother the case is different. I told her last night of my decision in the
+matter. She disapproves of it. That is why she is not here to-day. But my mind
+is made up.&rdquo;
+</p>
+
+<p>
+Mr. Bardy adjusted his eyeglass in his eye and gazed at the girl. His face wore
+an expression of pain mingled with compassion.
+</p>
+
+<p>
+&ldquo;I will see Lady Margaret after lunch,&rdquo; he said rather stiffly.
+</p>
+
+<p>
+Then the door opened and Bude appeared.
+</p>
+
+<p>
+&ldquo;Luncheon is served, Miss!&rdquo;
+</p>
+
+<p>
+He stood there, a portly, dignified figure in sober black, solemn of visage,
+sonorous of voice, a living example of the triumph of established tradition
+over the most savage buffetings of Fate. His enunciation was, if anything, more
+mellow, his demeanour more pontifical than of yore.
+</p>
+
+<p>
+Bude was once more in the service of a County Family.
+</p>
+
+<p class="center">
+THE END
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE YELLOW STREAK ***</div>
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