summaryrefslogtreecommitdiff
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Title: The Story of the Invention of Steel Pens
       With a Description of the Manufacturing Process by Which They Are Produced

Author: Henry Bore

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*** START OF THE PROJECT GUTENBERG EBOOK INVENTION OF STEEL PENS ***





</pre>


<br>
<br>
<h3 align="center">
THE STORY<br>
OF THE INVENTION<br>
OF STEEL PENS<br>
</h3>
<br>
<h4 align="center">
WITH A DESCRIPTION OF<br>
</h4>
<h3 align="center">
THE MANUFACTURING PROCESS BY<br>
WHICH THEY ARE PRODUCED<br>
<br>
BY HENRY BORE<br>
LONDON<br>
</h3>
<br>
<h4 align="center">
NEW YORK<br>
</h4>
<h3 align="center">
1890
</h3>

<br><br><br>
<center>
<a href="#mfg">Click Here to go straight to "The Manufacturing Processes of Steel Pens"</a><br>
<a href="#perry">Click Here to go straight to "History of the Perryian Pen Works"</a>
</center>
<br><br><br>
<p>
In these days of Public Schools and extended facilities for popular
education it would be difficult to find many people unaccustomed to
the use of steel pens, but although the manufacture of this article by
presses and tools must have been introduced during the first quarter
of the present century, the inquirer after knowledge would scarcely
find a dozen persons who could give any definite information as to
when, where, and by whom this invention was made.  Less than two
decades ago there were three men living who could have answered this
question, but two of them passed away without making any sign, and the
third&mdash;Sir Josiah Mason&mdash;has left on record that his friend and
patron&mdash;Mr.  Samuel Harrison&mdash;about the year 1780, made a steel pen
for Dr. Priestley.
</p>

<p>
This interesting fact does not contribute anything toward solving the
question, Who was the first manufacturer of steel pens by mechanical
appliances?  In the absence of any definite information, the balance
of testimony tends to prove that steel pens were first made by tools,
worked by a screw press, about the beginning of the third decade of
the present century, and the names associated with their manufacture
were John Mitchell, Joseph Gillott, and Josiah Mason, each, in his own
way, doing something toward perfecting the manufacture by mechanical
means.
</p>

<p>The earliest references to pens are probably those in the Bible, and
are to be found in Judges v. 14, 1st Kings xxi. 8, Job xix. 24, Psalm
xlv. 1., Isaiah viii. 1, Jeremiah viii. 8 and xvii. 1. But these
chiefly refer to the iron stylus, though the first in Jeremiah&mdash;taken
in reference to the mention of a penknife, xxxvi. 23&mdash;would seem to
imply that a reed was in use at that period
</p>

<p>
There is a reference to &ldquo;pen and ink&rdquo; in the 3d Epistle of John xiii.
5, which was written about A.D. 85, and as pens made in brass and
silver were used in the Greek and Roman Empires at that time, it is
probable that a metallic pen or reed was alluded to.
</p>

<p>
Pens and reeds made in the precious metals and bronze appear to have
been in use at the commencement of the present era.  The following are
a few notable instances:
</p>

<blockquote>
&ldquo;The Queen of Hungary, in the year 1540, had a silver pen bestowed
upon her, which had this inscription upon it: <i>'Publii Ovidii
Calamus,'</i> found under the ruins of some monument in that country, as
Mr. Sands, in the Life of Ovid (prefixed to his Metamorphosis)
relates.  &mdash;<i>&ldquo;Humane Industry; or, a History of Mechanical Arts&rdquo;, by
Thos. Powell, D.D.: London, 1661, page 61.</i>
</blockquote>

<p>
This was probably a silver reed, and, from the locality in which it
was found, was once the property of the poet Ovid.  Publius Ovidius
Naso was born in the year 43 B.C., and died 18 A.D.  He was exiled at
the age of 30 to Tomi, a town south of the delta of the Danube.  This
at present is in modern Bulgaria, but at the period mentioned was in
the ancient kingdom of Hungary.
</p>

<p>
From &ldquo;Notes and Queries,&rdquo; in Birmingham <i>Weekly Post</i>, we take the
following:
</p>

<blockquote> &ldquo;EARLY METALLIC PENS.&mdash;-Metallic pens are generally supposed to have
been unknown before the early part of the last century, when gold and
silver pens are occasionally referred to as novel luxuries.  I have,
however, recently found a description and an engraving of one found in
excavating Pompeii, and which is now preserved in the Museum at
Naples.  It is described in the quarto volume 'Les Monuments du Mus&eacute;e
National de Naples, grav&eacute;s sur cuivre par les meillures artistes
Italienes.  Texte par Domenico Monaco, Conservateur du m&ecirc;me Mus&eacute;e,
Naples, 1882,' and is in the Catalogue:<br><br>
 &ldquo;' Plate I26 (v) Plume en bronze, taill&eacute;e parfaitement a la facon de
nos plumes 0.13 cent.
<br>

&ldquo;' Plate I26 (y) Plume en roseau [reed] trouv&eacute;e pr&egrave;s d'un papyrus &agrave;
Herculaneum.'
<br>

&ldquo;The former (v) is engraved to look like an ordinary reed pen, as now
used universally in the East; and the other (y) has a spear shape, or
almond shape (like many modern metallic pens), but with a sort of
fillet or ring on the stem, which indicates that the 'y' example is
not a reed, but a metallic stylus, or pen, while the 'v' example is
shown clearly as a 'reed.' The two are, however, certainly older than
A.D. 79, when Pompeii and Herculaneum were buried by the eruption of
Vesuvius.&rdquo;
</blockquote>

<p>
According to Father Montfaucon, the patriarchs of Constantinople,
under the Greek Empire, were accustomed to sign their allocutions with
tubular pens of silver, similar in shape to the reed pens which are
still used by Oriental nations.
</p>

<p>
The following are translated from the French &ldquo;Notes and Queries &ldquo;&mdash;
<i>L'Interm&eacute;mediare:</i>
</p>

<blockquote> &ldquo;A METALLIC PEN IN THE FOURTEENTH CENTURY.&mdash;M. Reni de Bellwal, in a
very learned volume which he has published recently, on the first
campaign of Edward III. in France, says (p. 95) with respect to the
fictitious pieces (documents) fabricated by Robert d'Artois, that a
clerk of Jeanne wrote the deeds, and made use of a bronze pen to
enable him the better to disguise his writing.  This plainly refers to
a pen, and not to a stylus.  Is there any record of the use of
metallic pens at any period anterior to the fourteenth century?  It is
very satisfactory, however, to establish (as the French used to say)
<i>'les preuves de 1300.'</i>&rdquo;&mdash;<i>L'Interm&eacute;mediare.</i>
<br>
<br>
In the <i>Vieux-Neuf</i> of M. Ed. Fournier (vol. ii., p. 22, note) there
is mentioned&mdash;according to the documents used in the prosecution of
Robert d'Artois, which are in the Archives&mdash;'the bronze pen' with
which the forgers in the pay of the count wrote the false papers which
he required.  M. Fournier also quotes from 'Montfaucon' 'the silver
reeds' with which the Constantinople patriarchs used to write their
letters.&rdquo;&mdash;CUTHBERT, <i>L'Interm&eacute;mediare,</i> 1st June, 1864.
<br>
<br>
&ldquo;METALLIC PENS (XV., 68).-Writing was done in the Middle Ages
sometimes with a metal <i>stylus,</i> or perhaps with a metal pen; with the
former on wax, and with the pen on parchment or vellum.  'At Trinity
College, Cambridge, is a manuscript illustration of Eadwine, a monk of
Canterbury, and at the end the writer is represented with a metal pen
in his hand.'  (See Bibliomania in the Middle Ages, p. 103).  I have
in my possession a metal pen of Dutch manufacture, dating certainly
from the year 1717, mounted on the same pencilholder, with a piece of
solid plumbago, in a memorandum book of the same year.&rdquo;&mdash;SAM: TIMMINS.
<br>
<br>
&ldquo;Mr. Le Chauvin&eacute; Gal, Prior of the collegiate of St. Peter and St.
Bars at Aosta, had in his collection of Roman antiquities a bronze
pen, slit, found in a tomb, among a number of lamps and lachrymatory
vases.  M. Aubert has given a drawing and description of it in a work
on Aosta.  It was subsequently stolen from him by a collector.&rdquo;&mdash;CHAMBERY, Un Savoyard, <i>L'Interm&eacute;mediare,</i> 25th May, 1868.
<br>
<br>
&ldquo;METALLIC PENS,&mdash;In a precious volume (an account of the books of the
Decretalia) preserved in the library of Saint Antoine, of Padua, the
following notice is to be found at the bottom of the last page: 'This
work is fashioned and by diligence finished for the service of God,
not with ink of quill nor with brazen reed, but with a certain
invention of printing or reproducing by John Fust, citizen of Mayence,
and Peter Schoeiffer, of Gernsheim, Dec.  17th, 1465, A.D.'  Here,
then, we have a document proving the existence of metallic pens in the
Middle Ages.  But has any such pen come down to us?  If so, could a
detailed description of it be obtained?  On the other hand, I am
curious to know if it is possible that platinum was used in the
eighteenth century in the manufacture of pens, or whether it is
necessary to attribute a peculiar meaning to the 'platinum pen' in the
following passage of the system of shorthand by Bertin (edit. of the
year iv., p. 93) (1793).  'Those of steel and platinum are most
convenient; these latter have the advantage of all others, in that
they hold the ink a long time, and run over the paper easily, and are
not liable to corrosion by any simple acid.'  I am ignorant of what
the same author means when he mentions the endless pen, which would
certainly be the best. &ldquo;'&mdash;J.  CAMUS, <i>L'Interm&eacute;mediare.</i>
<br>
<br>
&ldquo;Metallic pens were used before the fifteenth century; they were in
use at the court of Augustus.&rdquo; See <i>L'Interm&eacute;med.</i> (I. 69, 94, 141; II.
319.)  Consult also <i>Le Vieux-Neuf</i> Ed. Fournier.&mdash;A.D.
</blockquote>

<p>
The following extracts show there have been several claimants, on the
Continent, who profess to have invented metallic pens, made from
steel, in the early part of the eighteenth century; but the reader had
better suspend his judgment until he has read the notes that follow
them:
</p>

<blockquote>&ldquo;A manuscript, entitled 'Historical Chronicle of Aix-la-Chapelle,
second book, 1748,' places on record the claims of Johann Janssen, a
magistrate of that place, as the inventor of steel pens.  'Just at the
meeting of the congress [after the Austrian war] I may without boasting, claim the honour of having invented a new pen.  It is, perhaps,
not an accident that God should have inspired me at the present time
with the idea of making steel pens, for all the envoys here assembled
have bought the first that have been made; therewith, as may be hoped,
to sign a treaty of peace, which, with God's blessing, shall be as
permanent as the hard steel with which it is written.  Of these pens,
as I have invented them, no man hath before seen or heard.  If kept
clean and free from rust and ink, they will continue fit for use for
many years.  Indeed, a man may write twenty reams of paper with one,
and the last line would be written as well as the first.  They are now
sent into every corner of the world as a rare thing&mdash;to Spain, France,
England and Holland.  Others will no doubt make imitations of my pens,
but I am the man who first invented and made them.  I have sold a
great number of them at home and abroad at 1s. each, and I dispose of
them as quickly as I can make them.&rdquo;'
</blockquote>

<p>
In an article on Writing Instruments, which appeared in the Berlin
<i>Paper Zeitung,</i> on the 19th of May, 1887, the author says:
</p>

<blockquote> &ldquo;A school teacher of Koningberg, named Burger, in the year 1808, made
pens from metal, but he got poor by his trials.  After this time, and
probably imitating the pens of Burger, the English began to take in
hand the manufacture of pens; <i>especially Perry,</i> he having perfected
the pens, as he did not restrict himself to the simple straight slit,
but he made cuts in the sides of different kinds.&rdquo;
</blockquote>

<p>
In a pamphlet upon the manufacture of steel pens, published in Paris,
in 1884, the writer says:
</p>

<blockquote> &ldquo;The invention of the metallic pen is due to a French mechanic&mdash;
Arnoux&mdash;who lived in the eighteenth century, who made as far back as
1750 a number of metallic pens as a curiosity.  This invention did not
have any immediate result in France but spread to England, and became
in Birmingham, about 1830, a very prosperous industry.  A very curious
fact about this trade is that, in England, it does not exist out of
Birmingham, where there are about ten manufactories.  In France it has
become localized in Boulogne.&rdquo;
</blockquote>

<p>
There is also the &ldquo;nameless Sheffield Artisan,&rdquo; who so frequently
figures in newspaper paragraphs as the inventor of steel pens; and
William Gadsby, a mathematical instrument maker, who for his own use
constructed a clumsy article from the mainspring of a watch; but it is
not till the beginning of the eighteenth century that we get anything
authentic respecting the making of metallic pens.  &ldquo;Este,&rdquo; writing in &ldquo;Local Notes and Queries&rdquo; <i>(Birmingham Weekly Post)</i> mentions a
remarkable little volume supplied to the members of the States General
of Holland, in the possession of Mr. W. Bragge, of Sheffield, dated
1717.  It contained a silver pencil case, in two parts, one holding a
piece of plumbago, mounted like a crayon, and the other a <i>metallic
pen.</i>  We have seen this unique book (now the property of Mr. Sam:
Timmins).  The pen is of the barrel shape, apparently silver, and it
must be regarded as the earliest authentic metallic pen.  Of the date
there can be no doubt, as the pen is made to pass through loops in the
cover of the volume to keep it closed, after the manner of pocket
books, and the book bears the date, printed on the title page, 1717.
</p>

<p>
Pope, about the same time, received from Lady Frances Shirley a
present of a standish, containing a STEEL and a gold pen.  In
acknowledging the receipt of this present, the poet wrote an ode, in
which the following lines occur:
</p>

<p>
&emsp; &emsp; &emsp;  &ldquo;Take at this hand celestial arms;<br>
&emsp; &emsp; &emsp; &emsp; Secure the radiant weapons wield; <br>
&emsp; &emsp; &emsp;    This <i>golden</i> lance shall guard desert, <br>
&emsp; &emsp; &emsp; &emsp;  And, if a vice dares keep the field, <br>
&emsp; &emsp; &emsp;    This <i>steel</i> shall stab it to the heart. <br>
&emsp; &emsp; &emsp; &emsp;  Awed, on my bended knees I fell, <br>
&emsp; &emsp; &emsp;    Received the weapons of the sky, <br>
&emsp; &emsp; &emsp; &emsp;  And dipped them in the sable well&mdash; <br>
&emsp; &emsp; &emsp;    The fount of fame or infamy. <br>
&emsp; &emsp; &emsp; &emsp;  What well? What weapon? Flavia cries, <br>
&emsp; &emsp; &emsp;    A standish, <i>steel and golden pen!</i><br>
&emsp; &emsp; &emsp; &emsp;  It came from <i>Bertrand's,</i>* not the skies,<br>
&emsp; &emsp; &emsp;    I gave it you to write again.&rdquo; <br>
</p>

<p>
*<i>Bertrand</i> kept a fancy shop in Bath.  He died in 1755.  His wife is
mentioned by Horace Walpole, in his letter to George Montague, May
18th, 1749, which letter is printed in his Correspondence.
</p>

<p>
In No. 503 of the <i>Spectator,</i> bearing the date of October 7, 1712,
Steele, mentioning the conspicuous manner in which a certain lady
conducted herself in church, says:
</p>

<p> &ldquo;For she fixed her eyes upon the preacher, and as he said anything she
approved, with one of Charles Mather's fine tablets, she set down the
sentence, at once showing her fine hand, the <i>gold pen,</i> her readiness
in writing, and her judgments in choosing what to write.&rdquo;
</p>

<p>
Edmund Waller, about the middle of the seventeenth century,
acknowledged the receipt of a <i>silver pen</i> from a lady, in the
following verses:
</p>

<p>
&emsp; &emsp; &emsp; Madam! intending to have try'd,<br>
&emsp; &emsp; &emsp; &emsp;   The silver favour which you gave, <br>
&emsp; &emsp; &emsp;  In ink the shining point I dy'd, <br>
&emsp; &emsp; &emsp; &emsp;   And drench'd it in the sable wave<br>
&emsp; &emsp; &emsp;  When, grieved to be so foully stained, <br>
&emsp; &emsp; &emsp; &emsp;   On you it thus to me complained. <br>
</p>

<p>
&emsp; &emsp; &emsp;  So I, the wronged pen to please, <br>
&emsp; &emsp; &emsp; &emsp;   Made it my humble thanks express<br>
&emsp; &emsp; &emsp;  Unto your Ladyship, in these, <br>
&emsp; &emsp; &emsp; &emsp;   And now 'tis forced to confess<br>
&emsp; &emsp; &emsp;  That your great self did ne'er indite<br>
&emsp; &emsp; &emsp; &emsp;   Nor that to me more noble write.&rdquo;<br>
</p>

<p>
Mr. G. A. Lomas, writing to the <i>Scientific American,</i> November 23,
1878, says:
</p>

<blockquote> &ldquo;I write to inquire if you can give me information concerning the
manufacture of metal pens in this country.  I may be vain in the
supposition, but I am persuaded that my people&mdash;the Shakers&mdash;were the
originators of metal pens.  I write this to you with a silver pen, one
slit, that was made in the vear 1819, at this village, by the Shakers.
Two or three years previously to the use of silver pens, our people
used brass plates for their manufacture, but soon found silver
preferable.  Some people sold these pens in the year 1819, at this
village, for twenty-five cents, and disposed of all that could be
made.&rdquo;
</blockquote>

<p>
The writer further says the metal was made from silver coins.
</p>

<p>
This communication called forth the following from another
correspondent:
</p>

<blockquote> &ldquo;The letter in the <i>Scientific American,</i> November 23, 1878, with
regard to the early manufacture of steel pens, reminds me of the following note which appeared in the <i>Boston Mechanic,</i> for August, 1835.
'The inventor of steel pens,' says the <i>Journal of Commerce,</i> was an
American and a well-known resident of our city (New York), Mr. Peregrine Williamson.  In the year 1800, Mr.W., then a working jeweler, at
Baltimore, while attending an evening school, finding some difficulty
in making a quill pen to suit him, made one of steel.  It would not
write well, however, for want of flexibility.  After a while he made
an additional slit on each side of the main one, and the pens were so
much improved that Mr. W. was called to make them in such numbers as
to eventually occupy his whole time, and that of a journeyman.  At
first the business was very profitable and enabled Mr. W. to realize
for the labor of himself and journeyman a clear profit of six hundred
dollars per month.  The English soon borrowed the invention, and some
who first engaged in the business realized immense fortunes.&rdquo;'
</blockquote>

<p>
We do not know how much reliance may be placed upon this statement,
but, if the last assertion &ldquo;that those who first engaged in the
business realized immense fortunes&rdquo; may be taken as a test, the whole
must be received with a grain of salt.  The letter appeared in the
<i>Boston Mechanic,</i> in 1835, and at that date there were penmakers who
had made a modest competence, but in no case were they possessed of
immense fortunes.
</p>

<p>
In London <i>Notes and Queries,</i> the following appears respecting early
steel pens:
</p>

<blockquote> &ldquo;THE FIRST STEEL PEN.&mdash;(5th S., iii., 395.)  Ten years before Dr.
Priestley was born steel pens were in use.  There are references to
them in the Diary of John Byrom, who required them when writing shorthand.  In a letter to his sister Phoebe, dated August, 1723, he
mentions them as follows: 'Alas! alas! I cannot meet with a steel pen,
no manner of where I believe I have asked at 375 places, but that
which I have is at your service, as the owner himself always is.&rdquo;'
(Remains, Vol. i., 39.)
</blockquote>

<p>
Mr. Ralph N. James, writing to <i>Notes and Queries,</i> gives the
following extract from the very amusing &ldquo;journey to Paris,&rdquo; by Dr.
Martin Lister, 1698:
</p>

<blockquote> &ldquo;There was one thing very curious, and that was a <i>Writing lnstrument</i>
of thick and strong silver wire, bound up like a hollow button or
screw, with both ends pointing one way, and at a distance, so that a
man might easily put his forefinger betwixt the two points, and the
point divided in two, just like <i>our steel pens.</i>&rdquo;&mdash;<i>London Notes and
Queries,</i> vol. iii., page 346.
</blockquote>

<p>
This note caused another writer, Mr. C.A. Ward, to send the following:
</p>

<p> &ldquo;STEEL PENS.&mdash;The extract given from Dr. M. Lister's, by Mr. Ralph N.
James, is very interesting.  The doctor there speaks of <i>'our steel
pens,'</i> as if they were not at all uncommon.  When the poet
Churchill's effects were sold up, after his death, Nov. 10, 1764, they
fetched extravagant prices; 'a common steel pen' brought L.5.&rdquo;&mdash;<i>London Notes and Queries,</i> vol iii., page 474.
</p>

<p>
The following extract from <i>London Notes and Queries</i> gives very
plausible reasons against placing confidence in the preceding and
other notices of ancient steel pens:
</p>

<blockquote> &ldquo;STEEL PENS. (5th S., vol. iii., pp. 346, 474.)  May I ask whether, in
giving the interesting references to the use of <i>steel pens</i> before
the time of Priestley (one reference even going so far back as the
seventeenth century) your correspondents have carefully considered
what is meant by the terms.  For my own part (of course I maybe quite
wrong) I should naturally have anticipated <i>steel pens</i> in these
references to mean not the modern steel nib for ordinary penmanship,
but the ancient steel pen for drawing lines or ruling circles, such as
is contained in every box of mathematical instruments.  This would
explain (to some extent) the great price fetched for a good one of
Churchill's; a mere old steel nib would scarcely enter into a sale at
all.  It would explain, too, why a special process of hardening should
be applied to a quill, in order to make it do duty for the steel
instrument.  One would scarcely think of hardening a quill in order to
enable it to compete with a steel nib in some of the least desirable
qualities, though one often wishes one could accomplish the reverse
process, and soften or supple a steel 'stick frog,' so as to give it
the elasticity of the grey goose quill. &ldquo;&mdash;V. H. I. L. L. C. IV. (iv.,
37, 5th S., <i>London Notes and Queries.</i>)
</blockquote>

<p>
Mr. R. Prosser, author of &ldquo;Birmingham Inventors and Inventions,&rdquo; in
writing to the compiler of this work, says:
</p>

<blockquote> &ldquo;It has often occurred to me that some of the very early references to
metallic pens may perhaps mean the draughtsman's 'ruling pen,' and not
an instrument made after the fashion of a quill pen with a slit in it.
That it is possible to write with such an instrument this paragraph
will show, but I must admit that it is not equal to one of Perry's
J's.&rdquo;
</blockquote>

<p>
From an entry in &ldquo;Pepys' Diary,&rdquo; October 24, 1660, <i>drawing pens</i>
appear to have been in use in London, at the time of the Restoration:
</p>

<blockquote> &ldquo;To Mr. Lilly's, where, not finding Mr. Spong, I went to Mr.
Greatorex, where I met him, and where I bought a <i>drawing pen.</i>&rdquo;
</blockquote>

<p>
In London <i>Notes and Queries</i> (4th S., xi., 440), the Rev.  E.
Smedley, editor of the <i>Encyclopoedia Metropolitana,</i> writing to his
friend, Mr. H. Hawkins, April 10, 1833, says:
</p>

<blockquote> &ldquo;The process of nibbing and shaving is one which I always abominated,
and for years past I have taken refuge under the <i>Perryian</i> pens.  The
one with which I now write has been in use daily, and all day long,
for more than a fortnight, and I consider that it still owes me quite
as much worth as it has already furnished.  Every packet contains nine
pens, and on an average two out of that number fail to suit my hand,
but the remaining seven are faithful servants, and their price is 2s.&rdquo;
</blockquote>

<p>
In <i>London Notes and Queries</i> (4th S., xii., 57) a writer says:
</p>

<blockquote> &ldquo;I bought my first steel pen from Bramah, Piccadilly, in 1825.  The
price was 1s. 6d.  It was very thick and hard, with very little
elasticity.  In 1829 I read advertised in the <i>Times,</i> steel pens,
with holder, 3s. per dozen, at Kendal's, in Holborn.  They were hand
made, and much easier to write with than Bramah's.  Soon after the
price fell, and steel pens became common.&rdquo;
</blockquote>

<p>
In <i>London Notes and Queries</i> (4th S., x., 309), October 19, 1872, Mr.
William Bates, speaking of a visit he paid to an old lady, at Studley
(Worcestershire) about 1825, says that he saw an exquisitely-finished
inkstand of pure gold, the gift of one of the Earls of Plymouth to her
father, 100 years before.  The inkstand was provided with a jointed
gold penholder, terminating in a barrel (one slit) pen, resembling the
metallic pen of the present day, except that he found that it would
not write.
</p>

<p>
In &ldquo;Local Notes and Queries,&rdquo; published in the <i>Birmingham Journal and
Weekly Post,</i> there have appeared a number of contributions relating
to the early manufacture of steel pens.  We reproduce them here.  A
correspondent writing on June 22, 1869, says: &ldquo;Daniel Fellows, of
Sedgley, made steel pens about 1800.&rdquo;
</p>

<p>
Another writer, on the same date, says, &ldquo;The first makers of steel
pens were John Edwards, Hill Street, and Francis Heeley, Mount Street,
Birmingham.&rdquo;
</p>

<p>
Respecting, the former of these, in <i>Wrightson's Birmingham Directory,</i>
1823, the following advertisement appears: &ldquo;John Edwards, manufacturer
of improved gold, silver, and <i>elastic sleel pens,</i> mounted in all
kinds of cases, and desk handles, No. 40 Hill Street.  N.B.&mdash;The pens
are warranted to write exceedingly fine and free.&rdquo;
</p>

<p>
This advertisement contained engravings of a barrel and &ldquo;nibbed&rdquo; or &ldquo;slip&rdquo; pen.
</p>

<p>
J. Sargent, writing from Tettenhall, June 28, 1869, says:
</p>

<blockquote> &ldquo;A journeyman blacksmith, named Fellows, of Sedgley, was the first
originator of steel pens.  I resided at Sedgley in 1822, when Sheldon,
Fellows's apprentice, made some of these pens.  He made two for me.  I
wrote very well with them.  Sheldon himself told me that Mr. Gillott
commenced making the pen from seeing some of his (Sheldon's) make.&rdquo;
</blockquote>

<p>
Some one writing under the <i>nom de plume</i> of &ldquo;Un Qui Sait,&rdquo; says:
</p>

<blockquote> &ldquo;I distinctly recollect, about the year 1806, being at Fellows's home
in Sedgley, and there seeing Thomas Sheldon, his apprentice, making
steel pens.  He knew of an entry in his books of pens bought from
Fellows in 1807.  He paid Sheldon L.100 in 1822. He believed Fellows
made pens in 1793.  Beilby and Knott (Birmingham stationers) sold
these pens in considerable quantities from 1818 to 1828.  Sheldon
continued the trade until it was destroyed through inability to
compete with the machine-made pens of Mitchell and Gillott.&rdquo;
</blockquote>

<p>
Another writer, &ldquo;T. S.,&rdquo; says:
</p>

<blockquote> &ldquo;In 1815, an uncle of mine used to purchase these pens from Sheldon,
of Sedgley.  The price was eighteen shillings per dozen, ten per cent.
for cash.  They were barrel shape.  B. Smith and Co. had in their
pattern book of engravings of steel toys a drawing of one of these
pens, which were sold at thirty shillings per dozen; also one in a
bone handle, the top of which screwed off, for carrying in the pocket,
at thirty-six shillings per dozen.&rdquo;
</blockquote>

<p>
Another correspondent, writing on July 24, 1869, mentions (on
authority of the late Mr. Alderman Yates) that an old man named
Spittle made steel pens before any of the present makers.
</p>

<p>
In note 319 this man Spittle is mentioned by another writer, who says:
</p>

<blockquote> &ldquo;A man named Spittle, one of the earliest makers of steel pens, lived
in Chequers' Walk, Bath Row, Birmingham.  He made steel pens for sale,
and charged one shilling each for them.  They were made with a tube to
fit on a quill.  I bought one from him forty-five years ago (1824).&rdquo;
</blockquote>

<p> &ldquo;E.W.,&rdquo; writing in 1869, says:
</p>

<blockquote> &ldquo;In 1821 there was a B. Smith, steel toy maker, St. Paul's [Mary's]
Square, Birmingham.  He had a book of engravings of steel toys, among
which were steel pens, made to screw on and off.  This pattern book
might have been one hundred years old.  I sold his pens in 1823.&rdquo;
</blockquote>

<p>
The Editor of &ldquo;Notes and Queries&rdquo; says &ldquo;Smith's pattern book was
probably fifty years old,&rdquo; and further remarks that steel pens must
have been a regular article of manufacture before they appeared in a
steel toy maker's pattern book.
</p>

<p> &ldquo;C.J.,&rdquo; in note 372, says:
</p>

<blockquote> &ldquo;The pattern book of John Barnes, Eagle Works, Wolverhampton, contains
engravings of early steel pens.&rdquo;
</blockquote>

<p>
Mr. Robert Griffin says:
</p>

<blockquote> &ldquo;In 1824 I wrote very much with a steel pen made under the direction
of James Perry&mdash;a pen that lasted about eight or nine weeks, writing
eight hours a day.&rdquo;
</blockquote>

<p>
In note 344, &ldquo;Anon&rdquo; says he remembered his father (who had premises in
Water Street, Birmingham), in the summer of 1823, bringing a tall,
quiet, respectable man to the manufactory.  He had a piece of iron, or
steel, which he required to be cut up into strips of about two inches
wide.  The man said he was going to get the strips rolled to make into
steel pens.  He gave the writer of the note sixpence and a barrel pen
for his trouble.  In answer to inquiries the writer put to his father,
the latter stated he did not know the man's name nor where he lived,
but &ldquo;that he met with him in a smoke room, where he (the father)
sometimes spent his evenings.&rdquo;  The writer further remarks: &ldquo;Where the
man had got his ideas from which induced him to try his hand at making
steel pens I do not know, but I have an impression that there were
several experimenters in existence at that time; and very soon
afterward Mr. William (Joseph) Gillott, with whom my father was on
terms of intimacy, came into notice as a maker of steel pens.&rdquo;  This
is a very important statement, as it fixes a date respecting pens
being made from sheet steel.
</p>

<p>
One of the oldest toolmakers in the trade has informed us that, about
the year 1823 or 1824, he was frequently taken by his father to visit
an uncle named Clulee, who rented power at the Water Street mill.  On
these occasions his father and uncle would talk about the visits of
Gillott to the latter, and the hopeful manner in which he spoke of the
experiments he was then making.  Gillott rented power at the Water
Street mill, and was engaged in grinding and finishing penknife
blades, which were inserted in one end of a silver pencil case, which
his relative&mdash;Mitchell&mdash;was then making.
</p>

<p>
Now, who was this &ldquo;tall, quiet, respectable man?&rdquo;  It could not have
been Gillott, as he was not tall and the father of &ldquo;Anon&rdquo; knew him;
and Mitchell was also a short man.  We have failed to trace him, and
his identity is lost among the &ldquo;sowers&rdquo; who failed to reap the harvest
of their inventions.
</p>

<p>
Mr. George Wallis, speaking of steel pens, remarks:
</p>

<blockquote> &ldquo;I wrote with one when a boy (1822 to 1826), having found several in a
stock of old steel waste in the warehouse of a relative, a retired
ornamental steel worker, at Wolverhampton.  These pens were made (so I
was told) for the London market, late in the last or early in the
present century.  Certainly they were made fifteen or, perhaps, twenty
years, when I found them, as the manufactory in which they had been
produced had been closed the former number of years.  They consisted
of a holder of steel, with flutings and facets.  One was solid and
tapered to lighten it; the other had a barrel with an internal screw.
The pen had two screws; one was used to screw the pen into the barrel
for use, and the other to secure it when turned inwards as a protection when not in use, or to carry in the pocket.&rdquo;
</blockquote>

<p>
The following letter from Mr. Alderman Manton to Mr. Sam: Timmins
makes us acquainted with another manufacturer of steel pens:
</p>

<blockquote> &ldquo;THE METAL PENS OF 1823.&mdash;In a badly-constructed and unsanitary
manufactory (Mr.  James Collins's), at the back of 119 Suffolk Street,
(Birm.), I witnessed the process of making silver and <i>steel</i> pens.
As both metals were manufactured in the same manner, one description
will serve.  It will be remembered by a few that at that time there
was a patent silver pencil case somewhat extensively manufactured,
which in addition to the pencil, had a penknife, <i>pen</i> and toothpick
provided.  The penknife was supplied by two brothers&mdash;<i>Joseph and
William Gillott</i>&mdash;who at that time rented a small shop in a corner of
the yard belonging to the rolling mill of George and P.F. Muntz, Water
Street, and from whose engine they obtained the small amount of steam
power needed.  The process of making the pens was as follows: Two narrow strips were cut from a sheet of silver or steel; they were then,
by the help of the hammer and a lead cake, or piece of hard wood,
curved.  Afterwards the two strips were placed opposite to each other
on a well-polished steel wire, and drawn through a draw-plate, the
wire and plate being supplied by Wm. Billings, a celebrated tool
manufacturer, occupying premises near the top of Snow Hill (Birm.).
By the aid of a press, a small hole was made at a distance of half an
inch or five-eighths from the end, the slit was then made by a fine
saw made of watch springs.  A bent pair of shears was used for cutting
the end of strip into the shape of a pen; and a half-round file or
smooth was used for finishing the pen.  The pen was then sawn off the
strip by the same saw which was used for slitting the pen.  The only
hardening process was the friction of the draw-plate and steel wire.
I not only witnessed the process, but was a manipulator.  The cost of
making at that time, by a journeyman, was 2d. each; by an apprentice,
about one-third of that amount.  Within less than thirty years of that
time, in a manufactory adjoining my own, pens were made and sold
(wholesale) at 2d. per gross, and a box containing them into the
bargain.&rdquo; <i>(Signed)</i> Henry Manton, September 15, 1886.
</blockquote>

<p>
Mr. T. Vary writes that James Perry began making steel pens in
Manchester, and quotes the <i>Saturday Magazine</i> to show that metallic
pens were given by him as rewards of merit in schools as far back as
1819.
</p>

<p>
Mr. James Cocker, writing in the <i>Sheffield Daily Telegraph,</i> in 1869,
says: &ldquo;That he rolled steel wire for James Perry for penmaking in
1829.&rdquo;
</p>

<p>
The death of Mr. Gillott seems to have revived the discussion of the
origin of steel pens, and a correspondent in the Sheffield <i>Daily
Telegraph,</i> in the issue of January 11, 1872, in the following letter,
puts forth a claim on behalf of a Sheffield man:
</p>

<blockquote> &ldquo;The well-written and well-merited memoir of the late Mr. Gillott, the
Birmingham steel pen maker, which has just appeared in the newspapers,
affords a curious and instructive illustration of the success which
not seldom attends the combined action of ingenuity, industry, shrewdness, and integrity among our labouring classes.  Born in the humblest
rank of our local workmen, a steady scholar in our Boys' Lancasterian
School, and apprenticed to a scissors grinder, the deceased worked his
way upwards into a position of influence and opulence as a
manufacturer, which entitled him to take social rank with the merchant
princes of the land.  And if his name has long since ceased to be
familiar among his once contemporary workmen in Sheffield, and is not
even mentioned in the Directory, it has for several years past been
recognized and respected by the visitors at the annual exhibitions of
our School of Art, in connection with the many rare and valuable pictures lent by him on those occasions.  The printed <i>fac-simile</i> of the
autograph appeared in the 'advertising columns' of almost every newspaper in the world, and perhaps, as an expert might have said, was
characteristic.  In the admirable account of his life above referred
to stress is laid upon one prominent and praiseworthy feature of his
character, viz., his readiness to acknowledge the obscurity of his
origin and the steps of his industrial success.  In those details no
mention is made of his Sheffield master and predecessor in the
ingenious art of steel pen making.  And as the notice alluded to is
without dates, it is difficult to furnish information on the material
point of priority, though the fact of supremacy in the trade is clear
enough.  In one of the columns of Lardner's Cyclopedia, published in
1833, the names of Perry, Heeley, and Skinner are mentioned as steel
pen makers.  With the latter, who if he did not make wealth, certainly
earned a wide reputation for the low price and excellent temper of his
'steel nibs,' Mr. Gillett was a workman, in Nursery Street, Sheffield,
having gone with his master from the scissors grinding stone to the
making of polished steel ornaments for ladies' work, then fashionable.
How much, in what way, or whether at all, he was indebted to his
experience in Mr. Skinner's establishment may be questionable, but
that he learnt and first saw practised in Sheffield the art that
ultimately enriched him in Birmingham, he would probably be the last
to deny.  It is well remembered by a worthy dealer in almost every
useful article, from a mouse-trap to a railroad wagon, that Gillott,
soon after his establishment in Birmingham, came into our townsman's
shop, and seeing on the counter a model steam engine of half-horse
power, at once purchased and carried it off to give motion to some
part of his pen machinery.  Brass pens were made in Sheffield before
the close of the last century.  They mostly accompanied an 'inkpot,'
called from its users an 'exciseman.'  The writer of this paragraph
himself made hundreds of dozens of them, which, however, be never
used, nor steel ones either, as long as he could get a 'goose quill,'
good, bad or indifferent.  The matter of slitting the nib was kept
secret by Skinner, and the double slit of Gillott more than doubled
the value of his old master's invention; but a 'four-slit' pen, <i>i.e.,
with five points,</i> if possible to make, would be useless.  The
earliest experimenter in form and material was Perry, flexibility
being the great desideratum; but it is curious to see how world-wide a
currency Gillott's name and trade have given to the simplest shape;
and still more curious to note how the makers of writing ink and paper
have conformed these articles to the requirements of the uses of the
steel pen.  It is always gratifying, and not unprofitable, to contrast
the small and feeble beginnings of any manufacturing enterprise with a
large and well-merited success.&rdquo;
</blockquote>

<p>
This communication appears to have caused a Mr. William Levesley to
call upon the writer of the preceding epistle, and the following which
appeared in the <i>Sheffield Daily Telegraph,</i> January 30, 1872, was
written:
</p>

<blockquote> &ldquo;I have to thank you for the insertion of my queries as to the early
connection of Sheffield with steel pen making.  In consequence of the
appearance of my letter in the <i>Telegraph,</i> a cutlery manufacturer of
the name of William Levesley, called upon me, and informed me that he
was not only an early associate with the late Mr.  Gillott, of Birmingham, but the first person who made a steel pen out of London.
Stress has been laid upon Gillott's ability 'to forge and grind a
knifeblade.'  It is not likely he ever used the hammer on hot steel,
but he was when young, and working with father, accounted an excellent
penknife grinder; Skinner being a scissors grinder, and Levesley a
workboard hand for the same master.  A man of the name of Mitchell
having married Gillott's mother, went to Birmingham, and began the
cutlery business, the latter removing thither to grind for his father-
in-law.  His brother had also gone thither, and commenced making an
article that had some run, and may be said to have united the
ingenious handicrafts of Birmingham, viz., the insertion of a penknife
blade at the end of a silver pencil case.  Meanwhile, about the year
1825, Levesley saw a steel pen, made by Perry, of London, in Ridge's
shop window, in High Street.  He bought it for one shilling, and
immediately set about making tools to imitate and improve upon it.  He
spent, he said, L.30 in not unsuccessful, though unremunerative,
experiments.  The flypress was at least as well known in Sheffield as
in Birmingham, and its power was at once brought into requisition to
work the tools for shaping, bending, and slitting the pens which were
made out of sheet steel, Perry's being made out of thick wire, rolled
flat, by Cocker, in Nursery Street.  In 1829, Levesley was making pens
for sale, and that year is said to be the earliest date of actual
sales in Skinner's ledger.  In 1831 he was doing a considerable
business in Sheffield, and making experiments upon the article, as
appears from specimens before me bearing his name.  Stress has been
laid upon the improvement of the double slit, introduced by Gillott,
but if Levesley's statement is to be taken literally, he was the
inventor of a specialty upon which, even more than on excellence of
material, the merit of a steel pen is found to depend, viz., the
grinding of a small hollow at the back of the nib, and about the
eighth of an inch from the point.  My informant described not only the
beneficial action of this thinning of the metal, as well in yielding
the gradual flow of the ink as in flexibility of writing, but the
pleasure with which he took a specimen to Birmingham to show Gillott,
and the surprise of the latter at so great and so beneficial an
effect, provided by so small a cause.  He at once adopted an
improvement of which every pen made by him bears evidence; and when
his friend visited him he told him he had fifty women employed in
grinding pen points.  It is pleasant to add that Gillott never visited
Sheffield without calling to see his old friend Levesley, while the
latter spoke of his early and later life with respect and
commendation, especially in his domestic relations.  It is pleasing to
review a life of such humble beginnings, culminating in opulence and
usefulness like that of the late Joseph Gillott, of Birmingham; nor is
it less to name in connection therewith, as an early experimenter in
steel pen making, our worthy townsman, William Levesley, to whose
ingenious improvement every writer is so much indebted, and of whose
verbal communication to me the foregoing is an imperfect sketch.&rdquo;
</blockquote>

<p>
Now, in this statement, there are some dales given, but others are
omitted, and that is a very unfortunate circumstance.  Levesley told
the writer of the article in the <i>Sheffield Daily Telegraph</i> that he
made use of the fly press for working tools for shaping, bending, and
slitting pens.  If the writer had only given the date of this it would
have been a valuable contribution toward a history of the invention.
The claim of Levesley to having invented the process of grinding pens
and teaching Gillott seems, to say the least, curious, because the
latter was a Sheffield grinder, and the idea would certainly be quite
as likely to occur to Gillott as Levesley.  Besides, why did Levesley
communicate the idea to Gillott in preference to Skinner, with whom he
had business relations?  The statement that Gillott had fifty girls
employed when Levesley* called upon him on his next visit to
Birmingham looks like a mistake.  Fifty girls would grind on an
average seven thousand gross of pens in a week, and as this
correspondence appears to refer to the early part of Gillott's career,
it is scarcely possible that such a number of pens were produced
weekly at that period.  Besides, as a matter of fact, boys were, in
the first instance, employed to grind pens.
</p>

<blockquote>
* Mr. Sam: Timmins says, &ldquo;that Levesley told him that Gillott started
in Birmingham as a jobbing cutler; that Mitchell had the secret of pen
making; that Mitchell sent for Gillott to come to Birmingham, and that
he (J.G.) first lived at the top of Water Street; that Gillott began
to make pens in Bread Street; that Perry made pens from flattened
steel wire, the breadth of the pen (the steel was 3s. 6d. per lb., and
drawn at Old Ford); that he had seen cross grinding (at Gillott's) in
Newhall Street, and fifty women at work; and that pens had double
slits and cut holes.  Levesley certainly knew all the Gillott family,
personally, in Sheffield, and he (S. T.) had a long interview with him
shortly before his death, when he mentioned all the facts given here.&rdquo;
</blockquote>

<p>
Herr Ignaz Nagel, in his &ldquo;Report on Writing, Drawing, and Painters'
Requisites,&rdquo; at the Vienna Exhibition, 1873, says:
</p>

<blockquote> &ldquo;From careful inquiries that we made in Birmingham, we learned that a
knife cutler, of Sheffield, was the first man who had the idea of
making pens of steel, and that a tinman of the name of Skipper
[Skinner], of Sheffield, afterwards manufactured the pens in great
quantities.  His son developed the idea still further.  This,
according to our informant, was fifty years ago.  A steel pen artisan,
working in Birmingham, remembers perfectly well reading the
announcement in a window of the High Street, in Sheffield, 1816:
'Steel pens are repaired here at sixpence apiece.' There was a man
named Spittle, in Birmingham, who used to make steel pens by hand.  He
was succeeded by the brothers John and William Mitchell, who were
manufacturers of steel pens, wholesale and by machinery, about forty-
five years ago.  Perry came afterwards, and took out a patent for the
first steel pens, and after him Gillott, who had learnt the business
with the Mitchells.&rdquo;
</blockquote>

<p>
A writer in <i>Herbert's Encyclopoedia</i> published in 1837, says
</p>

<blockquote> &ldquo;The first decided attempt to introduce metallic pens to general use
was made by Mr. Wise, whose perpetual pens will doubtless be remembered by many of our readers.  The name of Wise was rendered conspicuous in most of our stationers' shops some twenty-five or thirty
years since, as the original inventor and general manufacturer of the
steel pens.&rdquo;
</blockquote>

<p>
We stated at the beginning of this article that of three men&mdash;
Mitchell, Gillott, and Mason&mdash;who might have done something toward
fixing the date of the invention of manufacturing pens by the
adaptation of tools worked by the screw press, only one&mdash;Mason&mdash;made a
statement:
</p>

<blockquote> &ldquo;The first making of steel pens that I know of was about the year
1780, by my late friend Mr.  Harrison, for Dr. Priestley.  He took
sheet steel, made a tube of it, and the part joined formed the slit of
the pen.  He then filed away the barrel and formed the pen.  I found
some of the identical pens amongst other articles and used them for a
long time.
<br>
<br>
&ldquo;The second mode of making pens was by punching a rough blank out of
thin sheet steel.  This blank formed the well-known barrel pen.  It
was brought into the barrel shape by rounding, but before rounding it
had to be filed into a better form about the nib, and when rounded in
the soft state, a sharp chisel was used to mark the inside of the pen
which became the slit, after hardening.  Before tempering, this mark
was 'tabbered' with a small hammer, and it would crack where the
inside mark was made.  Then it was tempered and underwent grinding,
and shaping the nib until a point suitable for fine or broad, as
required.
<br>
<br>
&ldquo;I made barrel pens in 1828, and 'slip' pens for Perry in 1829, and
the first lot of 100 at <i>one time</i> was sent November 20, 1830.  Frequently, lots of 20 or 30 gross were sent between 1829 and 1830, and
in 1831 I sent pens to Perry amounting to L.1421, 1s. 3d.
<br>
<br>
&ldquo;Perry certainly never made a pen as they are now made, viz., the
slit cut <i>with press tools</i>; all he made were <i>cracked</i> slit.
<br>
<br>
&ldquo;I made steel barrel pens some time before I made 'slip' pens for
Perry.
<br>
<br>
&ldquo;It is doubtful when metal pens were made.  The first I know of were
made by Mr. Harrison, for Dr. Priestley.  Perry was certainly not the
first maker of steel pens, but I have no doubt that he was the first
steel <i>slip pen</i> maker, and no doubt the first to use a <i>goose quill</i>
for a pen holder, hence the slip pen.
<br>
<br>
&ldquo;The first stick pen holders I made for Perry in 1832, and for Gillott
in 1835, and sold sticks to Gillott in 1840&mdash;L.293 18s. 7d.&rdquo;
</blockquote>

<p>
Mason claimed to have made barrel pens for Perry, of London, in 1828,
and &ldquo;slip or nibbed&rdquo; pens in 1829; but he does not appear to have made
any claim to priority of invention over Mitchell and Gillott.
</p>

<p>
Now, although Mitchell made no claim himself, on the death of Mr.
Gillott the following letter appeared in the <i>Daily Post:</i>
</p>

<blockquote> &ldquo;The remarks which have appeared in a local paper upon the death of
Mr. J. Gillott, that the steel pen owes its existence to him, and that
the adaptation of machinery to the manufacture of metallic pens was
his invention, lead the public to wrong conclusions.  It is due to the
memory of my late father&mdash;John Mitchell&mdash;that I should state that he
not only made steel pens, but used machinery in their production, for
some time before Mr. Gillott commenced in that branch of business.&rdquo;&mdash;
HENRY MITCHELL, January 12, 1872.
</blockquote>

<p>
In October, 1876, Mr. Henry Mitchell writes to <i>Aris's Gazette,</i> and
says:
</p>

<blockquote> &ldquo;You review, in your impression of the 23d inst., a work entitled
'British Manufacturing Industries&mdash;the Birmingham Trades,' in which
the history of steel pens forms a prominent chapter.  I beg to point
out that my late father's name&mdash;John Mitchell&mdash;is certainly mentioned
in a list of the manufacturers of the article, and, to my great
surprise, simply so.  In a part of the work the author states that
'The early history of steel pens is involved in obscurity.'  My object
in writing to you is to remove that obscurity, as I am satisfied you
will be equally desirous of giving honor to whom honor is due.  I
claim that honor for my late father&mdash;John Mitchell&mdash;who was the first
to introduce the making of steel pens by means of tools, which were
purely his own invention, and I will leave it to an enlightened public
to judge if it is not one of the greatest benefits conferred on any
civilized community.  Whatever others may have done does not remove
the fact that the inventor I have named was my father; and it is only
due to him that posterity should know who originated the means whereby
millions of human beings of the present time, and generations yet unborn are, and will be, enabled to communicate their thoughts to each
other with a facility they otherwise would not have had.  For, unless
the steel pen had been manufactured by tools and machinery, that useful article would virtually be at a prohibitory price.  The date of
the invention I believe to be 1822 or thereabouts.&rdquo;
</blockquote>

<p>
This is very emphatic; but how far may it be taken as an unprejudiced
statement of facts? Well, it has never been contradicted; and Gillott
never made a claim on his own behalf, as having made pens before
Mitchell.  Mason gave the year 1828 as the date when he commenced
making pens, so that the evidence is in favor of Mitchell.
</p>

<p>
We have heard this statement of Henry Mitchell confirmed by a man who
worked for Mitchell, as a boy, and who remembered pens being made for
Sheldon by Mitchell.  It is probable at this early period the pens
were made for a few dealers, and the general public was unacquainted
with the names of the manufacturers.  This circumstance has no doubt
contributed to involve in  obscurity the early operations of Mitchell
and Gillott.  In a notice in <i>Lardner's Cyclopoedia</i> (written by Mr.
John Holland, of Sheffield), published in 1833, the names of three
penmakers only are given&mdash;Perry, Heeley, and Skinner.  From this it
might be supposed that there were no other penmakers at this date; but
Gillott had taken out a patent in 1831, and the names of both Mitchell
and Gillott appeared as penmakers in <i>Wrightson's Birmingham
Directory</i> for 1830.  It cannot be supposed that Mr. Holland wilfully
omitted to mention the names of Mitchell and Gillott, for this writer
was an impartial and painstaking collector of facts, but it is
probable the notice was written some time before it was published;
and, like many little masters, Mitchell and Gillot were only known as
penmakers to the wholesale dealers in Birmingham, upon whom they
depended for orders, consequently Mr. Holland would be ignorant of
their existence.
</p>

<p>
In speaking of the demand for steel pens, the writer in Lardner's
says: &ldquo;The rage originated chiefly, if not altogether, in the
successful speculations of Mr. James Perry, of London, whose pens,
however short their merits may fall of the praise of the inventor, are
certainly superior to most others composed of a like material.  Perry
began to make steel pens, in Manchester, in 1819, and in London in
1824.&rdquo;  The press and tools with which these pens were made are still
in the possession of Perry and Co., at their warehouse in the Holburn
Viaduct.  This fact tends to confirm the statement that Mr. James
Perry was one of the earliest experimenters in the manufacture of the
article.  Levesley says he bought one of Perry's pens, which he saw in
a shop window in Sheffield, in 1825, and he took it to his workshop
and improved upon it. This is somewhat similar to the account given by
Mason of his first experiment in pen making.  Mason saw a pen of
Perry's in the window of a bookseller named Peart, in Bull Street,
Birmingham, in 1828, which he purchased and took home.  Finding he
could produce a better article, which could be sold at a cheaper rate,
he made some and sent them to Mr. James Perry, in, London, and that
gentleman shortly after waited upon Josiah Mason, at his place of
business in Lancaster Street, and the interview resulted in Mason
beginning to make pens for Perry.  It will be remembered that the
writer in the <i>Sheffield Daily Telegraph</i> stated that the earliest
experimenter in form and material was Perry.
</p>

<p>
Leaving the honor of having originated the application of labor-saving
machinery for the manufacture of steel pens to Mitchell, it would
appear that the merit of having popularized the article is due to
Perry.  In 1830, Mr. James Perry issued a circular containing a series
of engravings of metallic pens, showing the improvements he had
patented in their manufacture.  In this circular it is stated: &ldquo;Till
about six months ago the public had heard little of metallic pens.  At
present, it would seem that comparatively few of any other kind are in
the hands of any class of the community.  This sudden transition may
clearly be traced to the announcement of the Patent Perryian Pens in
various periodicals, about six months ago, and to the general demand
which ensued for that pen in every part of the empire,&rdquo;
</p>

<p>
Although this might be regarded as an <i>ex-parte</i> statement, it is
confirmed by independent testimony that Perry popularized the article.
The <i>Saturday Magazine,</i> 1838, says:
</p>

<blockquote> &ldquo;About twelve years ago (1825), the celebrated Perryian pens first appeared.  Mr. Perry may be regarded in the light of a great improver;
many of his pens are ingenious and original in construction.  He arranges his pens into <i>genera</i> and <i>species.</i>  Mr. Perry first overcame
the rigidity complained of in steel pens by introducing apertures
between the shoulder and point of the pen, thus transferring the
elasticity of the pen to a position below instead of above the
shoulder.  This was the subject of his patent in 1830.&rdquo;
</blockquote>

<p>
Mr. Sam: Timmins, in 1866, writes:
</p>

<blockquote> &ldquo;No skill in manufacture, however, could conquer the prejudice against
any metallic pen, and to Mr. James Perry the world is much indebted
for persevering advocacy of the steel pen, and for one of the most
important improvements in its form.  Mr. Perry, with his characteristic energy, almost forced the steel pen into use, and was
supplied with pens of a first-class quality by Mr. Josiah Mason, of
this town.&rdquo;
</blockquote>

<p>
Furthermore, it is certain that about this time, steel pens began
rapidly to supersede the use of quills,* and the trade was recognized
as a rising industry.  It is true that it still retained the secretive
character with which its operations were conducted in its earlier
days, which indeed in some respects distinguish it at the present
time.  Its activity or dullness seldom troubles the writers of the &ldquo;Trade Reports&rdquo; in the local press, although they sometimes inform
their readers about good orders having been placed for mousetraps,
stove screws, snuffer trays, candle extinguishers, and sad irons.
</p>

<blockquote>
*In a humorous article, &ldquo;The Web-footed Interests,&rdquo; which appeared in
Tait's Edinburgh Magazine, vol. iii., page 280 (1833), there is a
petition to the House of Commons, from Ganders, Geese &amp; Goslings,
setting forth the evils likely to ensue from the use of metallic pens.
It prognosticates depression in agriculture and manufactures
consequent upon a diminution in the amount of grain consumed, and a
falling off in the demand for penknives; and draws an alarming picture
of the possible failure of the supply of iron ware, and the total
extinction of literature, likely to ensue through a stoppage in the
supply of steel pens,&mdash;the web-footed interest being supposed to have
ceased to exist. The petition concludes with a prayer that the
manufacture of metallic pens be prohibited.
</blockquote>

<p>
To the writers of the present generation, who can purchase fairly-good
pens at one shilling or one shilling and sixpence per gross, it seems
hard to realize that people once gave one shilling each for
substitutes for quills.  It is true that quills could then be bought
for a halfpenny and penny each, but how difficult it was to acquire
the art of successfully manipulating the same into a pen the following
anecdote from &ldquo;Edwards' Life of Rowland Hill&rdquo; will testify:
</p>

<blockquote> &ldquo;Mrs. Sinkinson, of Jamaica Row, Birmingham, tells me she went to a
school in Hurst Street, and that she remembered that old Mr. Hill came
one day a week to teach arithmetic, and Rowland [Sir Rowland Hill] on
another to teach writing.  In those days there were no steel pens, and
Rowland couldn't mend a pen, so that whenever he came he was
accompanied by his brother, Matthew Davenport, whose office it was to
mend the pens used by the pupils the preceding week.&rdquo;
</blockquote>

<p>
Sir Josiah Mason used to relate a similar circumstance in his own
life, when at Kidderminster, that he accompanied his brother Richard,
who was a Sunday-school teacher, to mend the pens.
</p>

<p>
Comparing the crude specimens of early steel pens with the finished
productions of the present day, we may be inclined to think that some
praise was due to the people who persevered in the use of them; but
that the purchasers of these early productions did appreciate them we
have the testimony of Mr. Robert Griffin, who says that he wrote for
eight weeks, eight hours a day, with a pen made by Perry, in 1824.
Now, the old <i>&rdquo;scribes,&rdquo;</i> as the law stationers' writers were called,
were generally allowed one quill a day, and as the work of the day
usually wore out the longest quill, a considerable amount of time must
have been occupied in the renovation of the article.* This would be a
serious inconvenience to those who could manufacture a quill into a
pen, but as this was by no means an universal accomplishment, we can
form an idea how even these clumsy substitutes found purchasers at
such high prices.
</p>

<blockquote>
*The writer recollects the tedious waiting for the patient usher, who
from desk to desk with his penknife, mending pens, and paying very
little attention to anything else; also the wonder felt and expressed
at the first sight of steel nibs, and how they dug into the paper.
</blockquote>

<p>

Tom Hood, in his &ldquo;Whims and Oddities,&rdquo; gives some idea of the pre-
steel-pen era:
</p>

<p>
&emsp; &emsp; &emsp; In times begone, when each man cut his quill,<br>
&emsp; &emsp; &emsp; &emsp; &emsp; &emsp;      With little Perryian skill; <br>
&emsp; &emsp; &emsp;  What horrid, awkward, bungling tools of trade<br>
&emsp; &emsp; &emsp;  Appeared the writing instruments, home made! <br>
&emsp; &emsp; &emsp;  What pens were sliced, hewed, hacked, and haggled out, <br>
&emsp; &emsp; &emsp;  Slit or unslit, with many a various snout, <br>
&emsp; &emsp; &emsp;  Aquiline, Roman, crooked, square, and snubby,<br>
&emsp; &emsp; &emsp; &emsp; &emsp; &emsp;      Humpy and stubby;<br>
&emsp; &emsp; &emsp;  Some capable of ladye-billets neat,<br>
&emsp; &emsp; &emsp;  Some only fit for ledger-keeping clerk,<br>
&emsp; &emsp; &emsp;  And some to grub down, Peter Stubbs, his mark,<br>
&emsp; &emsp; &emsp;  Or smudge through some illegible receipt,<br>
&emsp; &emsp; &emsp;  Others in florid caligraphic plans,<br>
&emsp; &emsp; &emsp;  Equal to ships, and wiggy heads, and swans!<br>
&emsp; &emsp; &emsp;  To try in any common inkstands then,<br>
&emsp; &emsp; &emsp;  With all their miscellaneous stocks,<br>
&emsp; &emsp; &emsp; &emsp; &emsp; &emsp;      To find a decent pen,<br>
&emsp; &emsp; &emsp;  Was like a dip into a lucky-box;<br>
&emsp; &emsp; &emsp;  You drew, and got one very curly,<br>
&emsp; &emsp; &emsp;  And split like endive in some hurly-burly;<br>
&emsp; &emsp; &emsp;  The next unslit, a square at end, a spade;<br>
&emsp; &emsp; &emsp;  The third, incipient pop-gun, not yet made;<br>
&emsp; &emsp; &emsp;  The fourth a broom; the fifth of no avail,<br>
&emsp; &emsp; &emsp;  Turned upwards, like a rabbit's tail;<br>
&emsp; &emsp; &emsp;  And last, not least, by way of a relief,<br>
&emsp; &emsp; &emsp;  A stump that Master Richard, James, or John<br>
&emsp; &emsp; &emsp;  Had tried his candle cookery upon,<br>
&emsp; &emsp; &emsp; &emsp; &emsp; &emsp;      Making 'roast beef!'&rdquo;<br>
</p>

<p>
These early pens were at first made from a piece of steel formed into
a tube, and filed into the shape of a pen by hand, the joint of the
two edges forming the slit.  Afterward a blank was roughly punched
out, filed into shape, and the slit marked out with a chisel while the
blank was in a soft state.  It was then shaped, hardened, tempered,
ground, and the slit cracked through by means of a hammer and tool at
the place where the mark had been made.  The engravings of the pens by
Edwards, which appeared in <i>Wrightson's Directory,</i> 1823, seem to
indicate that the piercing, side cutting and slitting were executed by
mechanical appliances.  Possibly, Edwards was not a manufacturer
himself, but had his pens made for him by Mitchell.
</p>

<p>
In the pre-steel-pen era there were many attempts made to supersede
quills.  In &ldquo;Peveril of the Peak,&rdquo; Mistress Chiffinch speaks of her
<i>diamond pen.</i>  There was a pen the nibs of which were of ruby, set in
gold, made by Doughty.  Dr. Wollaston made gold pens tipped with,
rhodium.
</p>

<p>
During the time the early makers of steel pens were perfecting the
article, several experimenters were offering to the public writing
instruments made from various materials.  Bramah patented <i>&rdquo;quill
nibs,&rdquo;</i> made by splitting quills and cutting the semi-cylinders into
sections, which were shaped into pens, and adapted to be placed in a
holder.  Hawkins and Mordan, in 1823, made use of horn and tortoise-
shell, which was cut into &ldquo;nibs,&rdquo; softened in water, and small pieces
of ruby and other precious stones were then embedded in by pressure.
In this way they insured durability and great elasticity.  In order to
give stability to the nib thin pieces of gold or other metal were
affixed to the tortoise-shell.
</p>

<p>
Looking back at the early operations of the trade, and considering
that steel pens were made by hand at the beginning of the present
century, we can scarcely understand why the idea of cheapening the
production by the application of labor-saving contrivances did not
occur to those inventive geniuses, the proprietors of Soho.  Boulton
had expended some time in perfecting the manufacture of steel buttons.
That local Admirable Crichton, Humphrey Jefferies, does not appear to
have ever directed his attention to the manufacture of this article,
which has now become a prime necessity of civilization.  Yet we hear
of his success in the improvement of buttons, and button-makers must
have used the screw press and tools for cutting out the blank and
shaping it into form; and the process of slitting had been
anticipated, for printers had a brass rule-cutting machine in use, the
cutters of which bore a strong resemblance to those now used for
slitting steel pens.  Like most of the pioneers in the path of
invention, the majority of the early makers of pens were men whose
business pursuits gave them no special facilities for entering upon
the manufacture of steel pens.  The progress of the trade from 1829
(with the exception of the period when Perry and Gillott first
commenced advertising) had been gradual, but satisfactory.  In one of
Gillott's early advertisements, he stated that he made 490,361 gross
in 1842, and 730,031 in 1843.  This was an advance by leaps and bounds
which has not since been maintained.  Although Mason commenced making
pens for Perry in the year 1828, yet it was not till 1861 that his
name became known in England as a steel-pen maker.  Many merchants in
Birmingham and Wolverhampton, who purchased steel rings from him, had
no idea that he was a maker of pens; yet on the Continent of Europe
pens bearing his name were eagerly sought after.  Subsequent to 1861
he was associated with Perry, until, in 1876, the trade-marks,
patents, etc., were purchased by a limited liability company, who now,
under the name of &ldquo;Perry &amp; Co.,&rdquo; have become the largest manufacturers
of pens in the world.
</p>

<p>
At the present time (1889) there are thirteen firms engaged in the
trade in Birmingham, and they make up about twenty-four tons of steel
per week into pens and penholder tips.  Making due allowance for the
material used in the latter article, this consumption would probably
represent a weekly average production of 200,000 grosses of pens.  The
Birmingham penmakers employ about 3,500 women and girls, and 650 men
and boys; and besides these the number of women and girls working at
making paper boxes, in which the pens are packed, would probably
exceed 300.  In addition to this there are several mills where steel
is rolled for those firms who have not sufficient power on their own
premises, but there is a difficulty in stating the number of hands employed.  The wages of the females range from four shillings to fifteen
shillings; those of the boys from five shillings to ten shillings.
The unskilled workmen earn from twelve shillings to twenty-four
shillings; and skilled men, or toolmakers, command wages varying from
twenty-five shillings to three pounds.  Most of the females work upon
the piece-work system, but the men are paid weekly wages.
</p>

<p>
In 1835, upon the authority of a writer in the <i>Mechanics' Magazine,</i>
two tons two hundred weight of steel were used weekly in the
manufacture of pens.  Mr. Sam: Timmins made an approximate estimate
that six and a half tons of steel were used per week for steel pens in
1849, and again, in 1886, he gives the amount of steel as having
increased to ten tons.  It is at all times difficult to form an
accurate estimate of the quantity of material used, but we believe we
are within the mark in putting down the present consumption of steel
at twenty-two tons weekly.  From this it would appear that the trade
has doubled its production during the last twenty years.  Besides
these Birmingham houses there are some four or five manufactories on
the Continent, and two in the United States, but their productions
have not increased in the same ratio as that of their English rivals.
</p>

<p>
During the last twenty years a great improvement has taken place in
the style of boxes and labels in which the pens are packed.  Formerly
(with the exception of the goods issued by Gillott and Sommerville)
most of the pens were sold in boxes of the plainest description; now
the covers or labels are printed in a number of colors from elaborate
designs, by first-class artists, and in some cases the boxes are
ornamented with well-executed portraits of royal, political, literary,
or artistic celebrities.  There are many peculiarities connected with
the public taste as manifested in the demand for pens.  The Germans
use a greater variety of patterns than any other nation.  The English
taste is more restricted, and is generally confined to articles of the
plainer shapes.  Autocratic Russia and democratic America make use of
the fewest patterns.  By a regulation of the Imperial Government, pens
in boxes, bearing portraits of the Russian royal family are prevented
from entering the country, and in America public taste does not favor
a demand for portrait boxes.  By a law which came into operation the
1st of January, 1886, no pens can be imported into Russia bearing the
name of a Russian firm.  The probable purpose of this law was to
encourage the establishment of a Russian manufactory.  At present
there are no pen works in Russia.  An attempt was made in Moscow, in
1876-8, to manufacture steel pens, but the experiment proved a
failure.  The Germans and French are the largest buyers of first-class
pens, but the Italians are content with articles of the commonest
character.  The chief demand for three-pointed pens comes from Spain.
At present the demand for steel pens is chiefly confined to European
nations and their descendants.  The great Asiatic nations still write
with pens made from reeds, or camel-hair pencils.  A few of the
natives of India and Japan, and some of the subjects of the Sultan and
Khe'dive are beginning to make use of steel pens adapted to the
peculiarities of their writing.  From this it would appear that the
possibilities of the progress of the trade in the future are very
favorable; but in the meantime its productions are scattered over the
globe, and even in some of the darkest corners of the earth pioneers
of civilization are to be found transcribing the results of their
experience with the aid of that great factor of nineteenth-century
progress&mdash;an English Steel Pen.
</p>
<br>
<br>
<br>
<a name="mfg"></a>
<h3 align="center">
         THE MANUFACTURING PROCESSES<br>
               OF STEEL PENS.<br>
</h3>
<p>
The steel from which the greater part of the metallic pens are
manufactured comes from Sheffield.  Notwithstanding the many names
given by the venders of steel pens to the material from which they are
manufactured there are but two sorts&mdash;good and bad&mdash;and therefore
Peruvian, Damascus, Amalgam, and Silver Steel are but fancy names.  As
a matter of fact, where a number of prefixes are used to describe the
quality of an article it is generally found to have no claim to any of
them.
</p>

<p>
The raw material is received from Sheffield in sheets six feet in
length, one foot five inches in width, and 23 or 26 Birmingham wire-
gauge in thickness. The first operation is the cutting of these sheets
into strips of convenient width.  They are then packed in an oblong
iron box, placed with the open top downward in another box of the same
material, and the interstices are filled up with a composition to
exclude the air.  The boxes are placed in a muffle, where they remain
until they have gradually attained a dull red heat, and the muffle is
allowed to gradually cool, or else the boxes are placed in a cooling
chamber.  When the boxes have been reduced to a temperature which will
admit of their being handled, the contents (technically called a
charge) are emptied out.  Now, it will be found that the strips of
steel are covered with bits of small scale, sticking to them like a
loose skin, and if this were not removed before the next process&mdash;
rolling&mdash;the steel, instead of being perfectly smooth, would be marked
with a number of indentations, rendering it very unsightly.  In order
to get rid of this excrescence, the strips are immersed in a bath of
diluted sulphuric acid, which loosens the scale, and are then placed
in wood barrels to which broken pebbles and water are added.  The
barrels are kept revolving until the whole of the scaly substance has
been removed and the strips have assumed a silver-gray appearance.
The steel is now ready for manipulation in the rolling mill, where it
is passed between successive pairs of rolls until it has been reduced
to the required gauge, and this operation has to be performed with
such nicety that a variation of one thousand part of an inch in the
thickness of the strip would make such an alteration in the
flexibility of the pens made from it as to cause considerable
dissatisfaction to the purchasers of the article.
</p>

<img alt="illustration--Rolling the Steel" src="rolling.jpg"/>
<p>
The steel on leaving the mill is conveyed to the gauging room, and it
will be found to have increased to three times its original length,
and now appears with a bright surface.  Hitherto the operations have
been conducted by men and boys; but now, in the course of manufacture,
the pens will enter on a series of processes in which the quick and
delicate fingers of women and girls play an important part.  The
strips of steel are now given out to the cutters.  The <i>Toolmaker,</i>
who, as a rule, both makes and sets the tools, has placed in what is
known as a bolster a die, having a hole perforated through it of the
exact shape of the blank to be cut; and attached to the bottom of the
screwed bolt of the press is a punch, also bearing the exact shape of
the blank.  The girl with her left hand introduces one of the strips
of steel at the back of the press, and, pulling the handle toward her
with the right hand, the screw descends, driving the punch into the
bed, and in so doing has perforated the strip of steel with a
scissors-like cut, making a blank which falls through the opening in
the die into a drawer below.  Now, with her left hand she pulls the
strip toward her until it is stopped by a little projection called a
guide; and again the right hand moves the handle, the screw descends,
and another blank is cut.  The operation is continued until the whole
of one side of the strip is perforated; it is then reversed and the
other side treated in a similar way.  If you were to hold up the strip
thus manipulated&mdash;now called scrap&mdash;you would find that in some
particular part the perforations approach so nearly to each other as
to form a slight bar, which breaks easily between the thumb and
finger.  This is rendered necessary from the fact that steel scrap is
worth only one-fifth of the value of the raw material, and, as under
the most favorable conditions, the scrap averages one-third the
original weight given out for cutting, it behooves the manufacturer to
reduce the scrap as much as practicable.  If these blanks are
examined, a small V-shaped indentation, looking like a defect, will be
found upon the upper edge of that part inserted in the holder.  This
small mark plays an important part in the succeeding processes.  To a
casual observer there does not appear much difference between the two
sides of the blank; but, however well the tools are made, that side of
the blank which is uppermost in cutting out will be rougher than the
under side.  This mark enables the operator to distinguish at a glance
the smooth side, and by always keeping the rough side upward the burr
is polished off in a later process.
</p>

<img alt="illustration--Cutting Blanks" src="cutting.jpg"/>

<p>The blanks are now ready to be
passed to the next process&mdash;<i>marking.</i>  This operation is performed by
a female, with the aid of a stamp.  The precise mark required is cut
upon a piece of steel, and, being placed in the hammer of the stamp,
the girl puts her right foot into a stirrup attached to a rope, which
is passed round a pulley, and, pressing downward, causes the hammer to
ascend. Taking a handful of blanks with her left hand, by a dexterous
motion she makes a little train of them between the thumb and finger
in parallel order, presenting the first in the most ready position to
be passed to the other hand.  The right hand is brought toward the
left, and, taking a blank, places it with the point toward the worker
in a guide upon the bed of the stamp, then by suddenly letting the
hammer descend a blow is struck upon the blank, which gives an
impression of the name cut upon the punch.  The quick fingers of the
operator pass backward and forward with such rapidity that a skillful
girl will mark from two hundred to two hundred and fifty gross per
day.  If the mark required is unusually large, the marking process is
deferred until after the pen has been pierced, in order that the blank
may be annealed (or softened), which takes the impression more readily
than the hard steel.
</p>

<img alt="illustration--Marking" src="marking.jpg"/>

<p>
Now, in order to make a metallic pen suitable for writing it is
necessary to consider some means of producing elasticity, and also to
devise some method by which the smooth steel shall cause the ink to
attach itself to the pen.  This is brought about by the next process&mdash;
<i>piercing.</i>  In this operation the tools are of a very delicate
character, and as the center pierce (the aperture in which the slit
terminates) is frequently of an ornamental design the tools, being
small, have to be made with great precision.  The piercing punch and
bed having been fixed in a screw press, and an ingenious arrangement
of guides fastened thereto, the girl selects a blank from a tray on
her left hand, and, placing it in its proper position by the aid of
the guides, pushes the fly of the press from her, the screw descends,
driving the punch into the bed, and the operation of piercing is
completed.
</p>

<img alt="illustration--Piercing" src="piercing.jpg"/>

<p>
The blanks are still moderately hard, and before they can be made to
take the shape of a pen it is necessary that they should be softened,
which is effected by the process called <i>annealing.</i>  The blanks
having been freed from the dust and garbase that has become attached
to them are carefully placed in round iron pots, which are again
inclosed in larger ones and covered over with charcoal dust to prevent
the entrance of gases, and put into the muffle, heated to a dull red,
and then allowed to cool.
</p>

<p>
The blanks are now soft and pliable, readily taking the various shapes
into which pens are made by the next process, called <i>raising.</i>  This
operation is performed by the aid of a punch and die fitted into a
screw-press.  The punch is fitted into a contrivance called a false
nose, fixed in the bottom of the screw of the press; and the die or
bed is placed in a cylindrical piece of steel (called a bolster) with
a groove cut for the reception of the die, the bolster being fastened
to the bottom of the press by a screw underneath.  The punch and die
being fixed so as to exactly fit each other, the toolmaker places a
small piece of tissue paper between them, takes an impression,
examines it, and proceeds to rectify any inequality in the pressure,
so as to insure perfection in the shape.  This being accomplished, the
toolmaker fixes four pieces of steel (called guides) to the bolster in
such positions that the operator is enabled to slide the blank into
the bed, where it is held by the guides till the punch descends,
forces the blank into the bed, and gives the pen its shape.  The
article is now narrower than it was in its blank form, and the girl
pushes it through the tools with a small stick held in the hand with
which she works the press handle, while with the other hand she places
another blank in its position in the bed.
</p>

<img alt="illustration--Raising" src="raising.jpg"/>

<p>
The pen is now shaped or raised, but it is still soft, and
consequently another process is necessitated&mdash;<i>hardening.</i>  This is
effected by placing the pens in thin layers in round pans with lids.
They are placed in the muffle for a period varying from twenty to
thirty minutes, during which time they have acquired a bright red
heat.  The workman then withdraws them and empties the contents into a
large bucket immersed in a tank of oil.  The bucket is perforated at
the bottom, and being elevated, the oil drains off.  The pens are next
placed in a perforated cylinder, which, being set in motion, revolves
and drains off the remainder of the oil.  The pens are still greasy,
and as brittle as glass; and in order to free them from the grease
they are again placed in perforated buckets and immersed in a tank of
boiling soda water.  After they are freed from the grease the pens are
put into an iron cylinder, which is kept revolving over a charcoal
fire until they are softened or tempered down to the special degree
required.  In this process the workman is guided by the color, which
indicates the varying temperature of the metal of which the articles
are made.  Brittleness has given place to pliability, but the pens are
black in color and scratch at the point, and to remedy this defect
they are subjected to the next process&mdash;<i>scouring.</i>  In order to do
this the pens are dipped in a bath of diluted sulphuric acid&mdash;called
pickle&mdash;which frees the articles from any extraneous substances they
may have acquired in the hardening and tempering processes.  This
requires to be done with great care, or the acid would injure the
steel.  The pens are then placed in iron barrels with a quantity of
water and small pebbly-looking material.  This latter material is
composed of annealing pots broken and ground fine enough to pass
readily through a fine riddle.  The barrel being set in motion, the
pens are scoured for periods varying from five to eight hours, and are
placed again in barrels with dry pot for about the same period, after
which they are put into other barrels together with a quantity of dry
sawdust.  On being taken out of these barrels the body of the pen has
acquired a bright silver color, and the point has been rounded.
</p>

<img alt="illustration--Hardening" src="hardenin.jpg"/>

<img alt="illustration--Scouring or Barelling" src="scouring.jpg"/>

<p>
The article has now the shape and appearance of a finished pen, and
yet it possesses none of its characteristics, and, if tried, will be
found to have no more action than a lead pencil, as it is deficient in
that important part of a writing instrument&mdash;the slit.  Before being
slit the pen is ground between the centre pierce and the point.  This
process is performed by girls, with the aid of what is called a &ldquo;bob&rdquo;
or &ldquo;glazer.&rdquo;  The &ldquo;bob&rdquo; is a circular piece of alder wood about ten
and a half inches in diameter and half an inch in width.  Round this a
piece of leather is stretched and dressed with emery.  A spindle is
driven through the centre, and the two ends placed in sockets.  The &ldquo;bob&rdquo; is set in motion by means of a leather band, and the girl
holding a pen firmly, with a light touch grinds off a portion of the
surface.
</p>

<img alt="illustration--Grinding" src="grinding.jpg"/>

<img alt="illustration--Slitting Room" align="right" src="slitting.jpg"/>
<p>
This operation being completed, the last and most important mechanical
operation has to be performed&mdash;<i>slitting.</i>  The tools with which this
process is effected are two oblong pieces of steel about an inch and a
half long, three-eighths of an inch thick, and an inch and a quarter
wide.  These are called the cutters, and upon the preparation and
setting of these the successful issue of the process depends.  The
edges of these cutters are equal in delicacy to the cutting edge of a
razor, but the shape is more suggestive of a portion cut from the
thickest part of a large pair of shears.  The cutter being fixed in
the press, a pair of guides are screwed on either side, and a small
tool called a table, or rest, being attached to the contrivance called
a bolster, which holds the bottom cutter, the operator takes a pen,
places it on the table, pushes the point up toward the guide, pulls
the handle, the upper cutter descends, meets the lower one, and the
process of slitting is completed.
</p>

<p>
Now, although this operation completes the mechanical processes of pen
making, the article is by no means finished.  If you examine the pen
now you will find that the outer edge of each point is smooth, while
the inside edges which have just been made by the slit are sharp and
scratch.  To remove this defect the operation of &ldquo;barreling&rdquo; has to be
again resorted to.  The pens are again placed in the iron barrels with
pounded pot, kept revolving from five to six hours, and finally
polished in sawdust.
</p>

<p>
The pens are now of a bright silver-steel color and perfectly smooth,
but as they are required in various tints, they are colored and
afterward varnished to prevent rust.  To accomplish the first of these
results the articles are placed in a copper or iron cylinder and kept
revolving over a coke fire until the requisite tint is obtained, the
color depending upon the temperature of the cylinder.  If the pens are
intended to be lacquered they are placed in a solution of shellac
dissolved in methylated spirits.  The spirit is drained off, and the
pens are placed in wire cylinders and kept revolving until the action
of the air dries the lacquer.  They are then scattered upon iron
trays, inserted in an oven, and the heat diffuses the lacquer equally
over the surface of the pens, so that when they have cooled down they
have a glossy appearance, which gives to them an air of finish and
prevents rust.
</p>

<p>
The pen is now finished as far as manufacturing processes are
concerned, yet before it can be offered to the public it has to
undergo a rigid examination called <i>&rdquo;looking over.&rdquo;</i>  This is
performed by trained girls, and when the defective ones have been
sorted  out the good pens are sent to the finished warehouse to be put
up into boxes.  These boxes are of various descriptions, adapted to
suit the markets for which they are intended.  In many instances the
labels which form the covers of the boxes are elaborately printed from
first-class designs, and some of them have highly-finished steel
engravings of royal personages and celebrities in the scientific,
literary, musical, and political world.  The quantities contained in
these boxes vary with the countries for which they are intended; for
the manufacturers study the wants of their customers, and do not offer
articles counted in dozens to people who reckon by tens.
</p>

<p>
We have now traced the manufacture of this little article from its
beginning as a plain piece of steel through all its stages until it
has developed into that indispensable requisite of daily life&mdash;a pen.
</p>
<br>
<br>
<br>
<a name="perry"></a>
<h3 align="center">
           HISTORY OF THE PERRYIAN<br>
                 PEN WORKS.<br>
</h3>

<p>
The firm of Messrs. Perry &amp; Co., London, was founded in the year 1824
by Mr. James Perry, who carried on business originally in Manchester,
then in London.  Mr. James Perry died in the year 1843.  Mr. Stephen
Perry, who conducted the business afterward in partnership with Mr.
Hayes and others, died in the year 1873, and was succeeded by his
sons, Messrs. Joseph John and Lewis Henry Perry.  The firm of Perry &amp;
Co. was known all over Europe as the house which first introduced to
the commercial world steel pens of a superior quality, and in many
countries steel pens are now known under the general denomination of
<i>&rdquo;Perry pens.&rdquo;</i>  The first pens were manufactured by Perry &amp; Co. in
London, principally from flattened or ribbon steel wire, and in the
year 1828 Mr. Josiah, afterward Sir Josiah, Mason, <i>then a
manufacturer of steel split rings,</i> produced steel pens so much
superior to the pens made up to that period that Messrs.  Perry &amp; Co.
entered into contracts with him for the sole supply of all the pens
they might require; this connection continued up to the time of the
formation of this company.  In the meantime, Messrs. Perry &amp; Co. had
also introduced the sale of elastic bands and pencil cases; the
production of the latter was confided to Mr. W.E. Wiley, who, in the
year 1850, began the manufacture first of gold pens, afterward of
pencil cases.  Messrs. Perry &amp; Co. also contracted with Mr. Wiley for
the purchase of all the pencil cases they might dispose of, and thus
Mr. Wiley's works assumed gigantic proportions.  Mr. Alfred
Sommerville, who had been connected with the steel-pen trade since its
infancy, established the firm of A. Sommerville &amp; Co. in the year
1851. Although he, in the year 1857, began manufacturing steel pens in
connection with a partner, he likewise contracted with Mr. Josiah
Mason for a superior class of steel pens, principally intended for the
Continental markets, and many of which were either his own invention
or suggested by him.  Mr. Sommerville desiring to retire from
business, Sir Josiah Mason purchased his trade in the year 1870, but
continued to carry it on under the old style of A. Sommerville &amp; Co.
These four businesses being so intimately connected and dependent upon
each other, some gentlemen of eminence in the manufacturing town of
Birmingham decided, in conjunction with some of the leading
proprietors, to establish a limited company, for the purpose of
uniting and amalgamating inseparably the various establishments, and
thus the company of <i>&rdquo;Perry &amp; Co., Limited,&rdquo;</i> was formed.
</p>

<img alt="illustration--The Late Sir Josiah Mason" src="mason.jpg"/>

<p>
On the spot forming the principal entrance to the works, Mr. Samuel
Harrison, in the year 1778, founded a manufactory in which he carried
on his invention of steel split rings; but Mr. Harrison, who was an
ingenious mechanic, also manufactured mathematical instruments, some
of which were used by Dr. Priestley in his researches, and on one
occasion he made a steel pen for Dr. Priestley, probably the first
steel pen ever produced.  Mr. Josiah Mason succeeded to the business
of Mr. Harrison in 1823, and in 1828 began the manufacture of steel
pens.  For several years he gave his whole attention to improvements
in the manufacture of steel pens, and Mr. Perry took out several most
important patents for the improvement of steel pens, many of which
have not been surpassed in ingenuity or in utility, and the principal
among them, the so-called &ldquo;double patent,&rdquo; is universally applied by
the pen trade to a great number of pens to this very day.  In 1842 Mr.
Mason's attention was absorbed by the process of electroplating and
gilding, at that time invented and carried on by Mr. Elkington, in
partnership with whom he founded the great firm of Elkington, Mason &amp;
Co. For some years the production of pens flagged, but in 1852 a
nephew of Sir Josiah Mason, Mr. Isaac Smith (deceased in 1868), gave a
new stimulus to the manufacture of pens, and from that time the
production gradually increased until it assumed its present
proportions.  The manufactory now covers nearly two acres; it occupies
a whole square and fronts four streets.  In the building fronting
Lancaster Street (five stories high) the offices, warehouses and
storerooms of finished goods are distributed.  The underground floor
forms a huge machine shop, in which all the presses, rolls, and
general iron and machine work employed throughout the manufactory are
produced by skillful mechanics.  Behind the front building there are
several courtyards and quadrangles, in the largest of which are placed
in a row five double-flue boilers, each 20 feet long by 7 feet
diameter, working at a pressure of more than 55 lb. to the square
inch, supplying the steam power both for propelling the steam engines
and for heating  the manufactory.  In the rolling mill, measuing 64 by
38 feet, three double-cylinder engines, working up to 293 indicated
horsepower, give motion to 18 pairs  of rolls, rolling four to six
tons of steel per week.  The largest workshops are the slitting  and
grinding rooms, 64 by 38 feet, the latter 24 feet high.  In the
slitting room 90 girls apply the last mechanical process to the
manufacture of steel pens, in slitting them by presses of ingenious
construction.  In the grinding room more than 160 girls are busily
employed cross and straight grinding steel pens on wood cylinders
covered with emery.  The room in which the finished pens are placed in
boxes measures 54 by 30 feet, and in it alone are employed 50 girls
boxing and labeling steel pens, or fitting penholder tips on handles
of various materials, principally of cedar.  In that part of the
building having a frontage on Corporation Street there is a dining
room 86 feet 6 inches long by 68 feet wide, fitted up with tables to
accommodate 600 people.  Here the employees are served with a warm
dinner at prices varying from 2d. to 6d.  At one end of the room there
is a stage, where dramatic entertainments and concerts are given in
the winter season by the workpeople.  At the other end there is a
library, in a glazed partition, containing about 2,000 volumes of
standard works.  These books are issued to the hands employed by the
firm free.  One of the important features of this manufactory is the
employment of muffles heated by gas produced from Siemens's gas
generators.  These muffles allow the heat to be regulated to a nicety,
and enable the company to carry on the process of annealing and
hardening to very great perfection.
</p>

<img alt="illustration--The Birmingham Factory" src="factory.jpg"/>

<p>
The manufacture of steel pens employs in all about 900 workpeople, the
weekly production is 45,000 gross, which quantity will shortly be
increased to 50,000 gross, per week.  Six smaller steam engines are
employed independently of those already mentioned in various parts of
the works.  The manufacture of penholder sticks is carried on in two
separate buildings.  Penholder sticks were produced by Mr. Mason as
far back as 1835, but their manufacture had lapsed; it was only
resumed eight years ago, since which time, by new and ingenious machinery, principally the inventions of Mr. W. E. Wiley, the managing
director, it has assumed proportions of great magnitude.
</p>

<p>
The pencil case and solitaire works carried on by Mr. Wiley, first
alone, and then in co-partnership with his son in Graham Street, have
now been transferred to Lancaster Street.
</p>

<p>
Pencil cases, first introduced by Messrs. Mordan &amp; Lund, in London,
have undergone various changes and improvements, the principal of
which was a lead holder passing through the point of the pencil case,
which was slit for that purpose.  This invention was patented by Mr.
Wiley in the year 1857, and created a complete revolution in the
pencil-case trade, as it enabled the manufacturers to use a thicker
and longer lead, which could be propelled and withdrawn at will and
would last in daily use more than six months.  This patented mechanism
was introduced into cases made from hard wood, bone and ivory, but
since the year 1868 a composition called aluminium gold, so resembling
gold that it cannot be distinguished from it, and resisting the
effects of oxidation, consequently free from tarnish, made a further
revolution in the pencil-case trade, enabling the million to possess
an elegant and highly-wrought pencil case at a very moderate price.
Messrs. Perry &amp; Co., of London, gave to this manufacture publicity in
every part of Europe, and the quantities produced and sold are
incredible.
</p>

<img alt="illustration--The Late W.S. Perry" src="perry.jpg"/>

<p>
In 1874 a new patent was added to the many inventions for which this
establishment was famous.  Its purpose was to produce a solitaire stud
made in two parts, so as to enable its ready application without the
trouble of passing a button of large diameter through a small
buttonhole.  A self-acting steel spring is fixed in the upper part of
the stud, and snaps as soon as inserted into the lower part, where a
slight pressure on two projections releases the springs and permits
the separation of the two parts.  These solitaires are manufactured of
gold, silver, and a variety of other metals, the principal of which is
gold plate.  There are now more than five hundred patterns in
existence, and this useful manufacture grows daily in extension.
Perry &amp; Co.'s paper binders, an article now universally used for
fastening together loose papers, cloth patterns, etc., are produced in
infinite styles and sizes, principally by self-acting machinery.
</p>

<p>
The total number of workpeople employed in the company's manufactories
exceeds 1,300.
</p>

<img alt="illustration--London House, Holborn Viaduct" align="right" src="store.jpg"/>
<p>
The business of Perry &amp; Co. was carried on for more than forty years
at 37 Red Lion Square, London, but the increase of business and the
reconstruction of London required that a more central position should
be found for the development of the commercial department of the
company.  Large and handsome warehouses having been constructed on the
Holborn Viaduct, the company transferred their London depot to a
building five stories high on the side fronting the Holborn Viaduct
and eight stories high at the back.  In this immense warehouse are
stored not only the produce of the manufactories of this company, but
also special articles for which this firm has been famous for the last
thirty years, principally the elastic or endless bands, patented by
Mr. Daft and Mr. Stephen Perry, and originally introduced by Perry &amp;
Co. in conjunction with McIntosh &amp; Co., afterward in conjunction with
Warne &amp; Co.  Perry's Royal Aromatic Bands are now an indispensable
article, and may be procured in every city of the world.  Every
fancy article required by stationers can be found in these vast
stores.  An illustrated price current which appears monthly, and which
numbers more than 120 pages, gives fair idea of the variety of
articles of which samples and stock can be found ready for daily
delivery.  The increase of business has been so rapid that the company
found it necessary to lease the adjoining premises, which is stored
with some of the two thousand articles forming the staple trade of the
London depot, and the principal of which are the following: American
Letter Files, Clips (now manufactured in Lancaster Street), Marking
and other Inks, Aromatic Bands, Audascript Pens, Bostonite Goods,
Cigar Lighters, Copying Ink and Copying Ink Powder, Copying Ink
Pencils, Copying Presses, Corrugated Imperial Bands, Essence of Ink,
Grease Extractors, India Rubber for Erasing, Ink and Pencil Erasers,
Ink Extractors, Patent and other Inkstands in every variety, Key
Rings, Letter Clips, Letter Files, Metallic Books, Paper Binders,
Pencil Point Protectors, Pencils and Pencil Cases, Penholders, Pen
Knives, Pen Racks, Gold Pens, Portfolios, Presses, Scotch Tartan Fancy
Goods, Solitaires or Sleeve Links, etc., etc., etc.
</p>

<p>
This establishment is under the exclusive management of Mr. Joseph J.
Perry, managing director.
</p>

<p>
<i>[The illustrations in this work are engraved from pen-and-ink
sketches executed by Walter Langley with a Perry's No. 25 pen.]</i>
</p>

<img alt="illustration--Advertisement for Perry's Steel Pens" src="ad1.jpg"/>
<img alt="illustration--2nd Page of Advertisement for Perry's Steel Pens" src="ad2.jpg"/>
<img alt="illustration--3d Page of Advertisement for Perry's Steel Pens" src="ad3.jpg"/>
<br>
<br>
<br>
<h3 align="center"> THE PENS <br>
OF THE FUTURE</h3>
<hr>
<img alt="illustration--Logo for Perry's Planished Pointed Pens" src="ad4.jpg"/>
<hr>
<p>
THIS NOVELTY (PROTECTED BY LETTERS PATTENT)EMBODIES AN IMPROVEMENT WHICH BIDS FAIR
TO MAKE PENS MANUFACTURED ON THIS PRINCIPLE THE WRITING INSTRUMENTS OF THE FUTURE.
BY A PECULIAR PROCESS THAT PORTION OF THE POINT WHICH COMES IN CONTACT WITH THE
PAPER IS SHAPED OUT OF THE THICKNESS OF THE METAL INTO A ROUNDED FORM, WHICH ENABLES
THE WRITER TO GLIDE OVER THE ROUGHEST PAPER WITH EASE AND RAPIDITY.
</p>
<h4 align="center">SOLD RETAIL BY ALL STATIONERS</h4>
<h3 align="center">Wholesale&mdash;Perry &amp; Co., L'd, London</h3>
<h5 align="center">SOLE AGENTS FOR THE UNITED STATES</h5>
<h3 align="center">Ivison, Blakeman &amp; Company, New York</h3>










<pre>





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