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<h1>Byron's <i>Letter and Journals</i></h1><br>
<br><br>

<b>Volume 2 <i><br>
<br>
<br>
(August 1811-April 1814)</i><br>


<br>
<br>
Part of <i>Byron's Works</i><br><br>
<br>
<br>

<br>
a New, Revised and Enlarged Edition,
with Illustrations.<br>
<br><br>
<br>
<br>



This volume edited by

Rowland E. Prothero<br>
<br>
1898</b><br>
<br>
<br>
<br>
<br>
<br>


<p><b><a name="toc">Table of Contents</a></b></p>
<ul>
<li><a href="#introduction">Preface</a></li>
</ul>
<ul>
<li><a href="#section1">List of Letters</a></li>
<li><a href="#section1a">List of Journal Entries</a></li>
<li><a href="#section1c">Detailed Contents of Appendices</a></li>
</ul>
<ul>
<li><a href="#section2">Chapter V&mdash;<i>Childe Harold</i>, Cantos I, II</a></li>
<li><a href="#section3">Chapter VI&mdash;The Idol of Society&mdash;The Drury Lane Address&mdash;Second Speech in Parliament</a></li>
<li><a href="#section4">Chapter VII&mdash;The <i>Giaour</i> and <i>Bride of Abydos</i></a></li>
<li><a href="#section5">Chapter VIII&mdash;Journal: November 14, 1813-April 19, 1814</a></li>
</ul>
<ul>
<li><a href="#app1">Appendix I&mdash;Articles from <i>The Monthly Review</i></a></li>
<li><a href="#app2">Appendix II&mdash;Parliamentary Speeches</a></li>
<li><a href="#app3">Appendix III&mdash;Lady Caroline Lamb and Byron</a></li>
<li><a href="#app4">Appendix IV&mdash;Letters of Bernard Barton</a></li>
<li><a href="#app5">Appendix V&mdash;Correspondence with Walter Scott</a></li>
<li><a href="#app6">Appendix VI&mdash;"The Giant and the Dwarf"</a></li>
<li><a href="#app7">Appendix VII&mdash;Attacks upon Byron in the Newspapers for February and March, 1814</a></li>
</ul>
<br>
<br>
<br>
<br>
<br>
<br>
<hr>
<br>
<br>
<h2><a name="introduction">Preface</a></h2>
<br>
The second volume of Mr. Murray's edition of Byron's <i>Letters and
Journals</i> carries the autobiographical record of the poet's life from
August, 1811, to April, 1814. Between these dates were published
<i>Childe Harold</i> (Cantos I., II.), <i>The Waltz, The Giaour, The
Bride of Abydos</i>, the <i>Ode to Napoleon Buonaparte</i>. At the
beginning of this period Byron had suddenly become the idol of society;
towards its close his personal popularity almost as rapidly declined
before a storm of political vituperation.<br>
<br>
<a name="fr1">Three</a> great collections of Byron's letters, as was noted in the Preface
to the previous volume<a href="#f1"><sup>1</sup></a>, are in existence. The first is contained in
Moore's <i>Life</i> (1830); the second was published in America, in
FitzGreene Halleck's edition of Byron's <i>Works</i> (1847); of the
third, edited by Mr. W. E. Henley, only the first volume has yet
appeared. A comparison between the letters contained in these three
collections and in that of Mr. Murray, down to December, 1813, shows the
following results: Moore prints 152 letters; Halleck, 192; Mr. Henley,
231. Mr. Murray's edition adds 236 letters to Moore, 196 to Halleck, and
to Mr. Henley 157. It should also be noticed that the material added to
Moore's <i>Life</i> in the second and third collections consists almost
entirely of letters which were already in print, and had been, for the
most part, seen and rejected by the biographer. The material added in
Mr. Murray's edition, on the contrary, consists mainly of letters which
have never before been published, and were inaccessible to Moore when he
wrote his <i>Life</i> of Byron.<br>
<br>
These necessary comparisons suggest some further remarks. It would have
been easy, not only to indicate what letters or portions of letters are
new, but also to state the sources whence they are derived. But, in the
circumstances, such a course, at all events for the present, is so
impolitic as to be impossible. On the other hand, anxiety has been
expressed as to the authority for the text which is adopted in these
volumes. To satisfy this anxiety, so far as circumstances allow, the
following details are given.<br>
<br>
The material contained in these two volumes consists partly of letters
now for the first time printed; partly of letters already published by
Moore, Dallas, and Leigh Hunt, or in such books as Galt's <i>Life of
Lord Byron</i>, and the <i>Memoirs of Francis Hodgson</i>. Speaking
generally, it may be said that the text of the new matter, with the few
exceptions noted below, has been prepared from the original letters, and
that it has proved impossible to authenticate the text of most of the
old material by any such process.<br>
<br>
<a name="Cr1">The</a> point may be treated in greater detail. Out of the 388 letters
contained in these two volumes, 220 have been printed from the original
letters. In these 220 are included practically the whole of the new
material. Among the letters thus collated with the originals are those
to Mrs. Byron (with four exceptions), all those to the Hon. Augusta
Byron, to the Hanson family, to James Wedderburn Webster, and to John
Murray, twelve of those to Francis Hodgson, those to the younger
Rushton, William Gifford, John Cam Hobhouse, Lady Caroline Lamb, Mrs.
Parker, Bernard Barton, and others. The two letters to Charles Gordon
(30, 33), the three to Captain Leacroft (62, 63, 64), and the one to
Ensign Long (vol. ii. p. 19, <a href="#f81"><i>note</i></a>), are printed from copies only.<br>
<br>
The old material stands in a different position. Efforts have been made
to discover the original letters, and sometimes with success. But it
still remains true that, speaking generally, the printed text of the
letters published by Moore, Dallas, Leigh Hunt, and others, has not been
collated with the originals. The fact is important. Moore, who, it is
believed, destroyed not only his own letters from Byron, but also many
of those entrusted to him for the preparation of the <i>Life</i>,
allowed himself unusual liberties as an editor. The examples of this
licence given in Mr. Clayden's <i>Rogers and his Contemporaries</i>
throw suspicion on his text, even where no apparent motive exists for
his suppressions. But, as Byron's letters became more bitter in tone,
and his criticisms of his contemporaries more outspoken, Moore felt
himself more justified in omitting passages which referred to persons
who were still living in 1830. From 1816 onwards, it will be found that
he has transferred passages from one letter to another, or printed two
letters as one, and <i>vice versâ</i>, or made such large omissions as
to shorten letters, in some instances, by a third or even a half. No
collation with the originals has ever been attempted, and the garbled
text which Moore printed is the only text at present available for an
edition of the most important of Byron's letters. But the originals of
the majority of the letters published in the <i>Life</i>, from 1816 to
1824, are in the possession or control of Mr. Murray, and in his edition
they will be for the first time printed as they were written. If any
passages are omitted, the omissions will be indicated.<br>
<br>
Besides the new letters contained in this volume, passages have been
restored from Byron's manuscript notes (<i>Detached Thoughts</i>, 1821).
To these have been added Sir Walter Scott's comments, collated with the
originals, and, in several instances, now for the first time published.<br>
<br>
<a href="#App7">Appendix VII.</a> contains a collection of the attacks made upon him in the
Tory press for February and March, 1814, which led him, for the moment,
to resolve on abandoning his literary work.<br>
<br>
In conclusion, I wish to repeat my acknowledgment of the invaluable aid
of the <i>National Dictionary of Biography</i>, both in the facts which
it supplies and the sources of information which it suggests.<br>
<br>
<b>R. E. Prothero.</b><br>
<br>
September, 1898.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Also available from <a href="http://promo.net/pg">Project Gutenberg</a> in text and html form.<br>
<a href="#fr1">return to footnote mark</a><br>
<br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h2><a name="section1">List of Letters</a></h2>
<br>
<table summary="List of Letters" border="0" cellspacing="5" cellpadding="5">
<tr align="left" valign="top">
	<td><b>number</b></td>
	<td><b>date</b></td>
	<td><b>address</b></td>
</tr>
<tr align="left" valign="top">
	<td></td>
	<td><b><span style="color: #00CC66;">1811</span></b></td>
	<td></td>
</tr>
<tr align="left" valign="top">
	<td>169</td>
	<td>Aug. 23</td>
	<td><a href="#L169">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>170</td>
	<td>Aug. 24</td>
	<td><a href="#L170">To James Wedderburn Webster</a></td>
</tr>
<tr align="left" valign="top">
	<td>171</td>
	<td>Aug. 25</td>
	<td><a href="#L171">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>172</td>
	<td>Aug. 27</td>
	<td><a href="#L172">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>173</td>
	<td>Aug. 30</td>
	<td><a href="#L173">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>174</td>
	<td>Aug. 30</td>
	<td><a href="#L174">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>175</td>
	<td>Aug. 31</td>
	<td><a href="#L175">To James Wedderburn Webster </a></td>
</tr>
<tr align="left" valign="top">
	<td>176</td>
	<td>Sept. 2</td>
	<td><a href="#L176">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>177</td>
	<td>Sept. 3</td>
	<td><a href="#L177">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>178</td>
	<td>Sept. 4</td>
	<td><a href="#L178">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp2">179</a></td>
	<td>Sept. 5</td>
	<td><a href="#L179"> To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>180</td>
	<td>Sept. 7</td>
	<td><a href="#L180">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>181</td>
	<td>Sept. 9</td>
	<td><a href="#L181">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>182</td>
	<td>Sept. 9</td>
	<td><a href="#L182">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>183</td>
	<td>Sept. 10</td>
	<td><a href="#L183">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>184</td>
	<td>Sept. 13</td>
	<td><a href="#L184">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>185</td>
	<td>Sept. 14</td>
	<td><a href="#L185">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>186</td>
	<td>Sept. 15</td>
	<td><a href="#L186">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>187</td>
	<td>Sept. 16</td>
	<td><a href="#L187">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>188</td>
	<td>Sept. 16</td>
	<td><a href="#L188">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>189</td>
	<td>Sept. 17</td>
	<td><a href="#L189">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>190</td>
	<td>Sept. 17</td>
	<td><a href="#L190">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>191</td>
	<td>Sept. 21</td>
	<td><a href="#L191">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>192</td>
	<td>Sept. 23</td>
	<td><a href="#L192">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>193</td>
	<td>Sept. 25</td>
	<td><a href="#L193">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>194</td>
	<td>Sept. 26</td>
	<td><a href="#L194">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp3">195</a></td>
	<td>Oct. 10</td>
	<td><a href="#L195">To James Wedderburn Webster </a></td>
</tr>
<tr align="left" valign="top">
	<td>196</td>
	<td>Oct. 10</td>
	<td><a href="#L196">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>197</td>
	<td>Oct. 11</td>
	<td><a href="#L197">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>198</td>
	<td>Oct. 13</td>
	<td><a href="#L198">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>199</td>
	<td>Oct. 14</td>
	<td><a href="#L199">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>200</td>
	<td>Oct. 16</td>
	<td><a href="#L200">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>201</td>
	<td>Oct. 25</td>
	<td><a href="#L201">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>202</td>
	<td>Oct. 27</td>
	<td><a href="#L202">To Thomas Moore</a> </td>
</tr>
<tr align="left" valign="top">
	<td>203</td>
	<td>Oct. 29</td>
	<td><a href="#L203">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>204</td>
	<td>Oct. 29</td>
	<td><a href="#L204">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>205</td>
	<td>Oct. 30</td>
	<td><a href="#L205">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>206</td>
	<td>Oct. 31</td>
	<td><a href="#L206">To R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>207</td>
	<td>Nov. 1</td>
	<td><a href="#L207">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>208</td>
	<td>Nov. 17</td>
	<td><a href="#L208">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>209</td>
	<td>Dec. 4</td>
	<td><a href="#L209">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>210</td>
	<td>Dec. 6</td>
	<td><a href="#L210">To William Harness</a></td>
</tr>
<tr align="left" valign="top">
	<td>211</td>
	<td>Dec. 7</td>
	<td><a href="#L211">To James Wedderburn Webster</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp4">212</a></td>
	<td>Dec. 8</td>
	<td><a href="#L212">To William Harness</a></td>
</tr>
<tr align="left" valign="top">
	<td>213</td>
	<td>Dec. 8</td>
	<td><a href="#L213">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>214</td>
	<td>Dec. 11</td>
	<td><a href="#L214">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>215</td>
	<td>Dec. 12</td>
	<td><a href="#L215">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>216</td>
	<td>undated</td>
	<td><a href="#L216">R.C. Dallas</a></td>
</tr>
<tr align="left" valign="top">
	<td>217</td>
	<td>Dec. 15</td>
	<td><a href="#L217">To William Harness</a></td>
</tr>
<tr align="left" valign="top">
	<td></td>
	<td><b><span style="color: #00CC66;">1812</span></b></td>
	<td></td>
</tr>
<tr align="left" valign="top">
	<td>218</td>
	<td>Jan. 21</td>
	<td><a href="#L218">To Robert Rushton</a></td>
</tr>
<tr align="left" valign="top">
	<td>219</td>
	<td>Jan. 25</td>
	<td><a href="#L219">To Robert Rushton</a></td>
</tr>
<tr align="left" valign="top">
	<td>220</td>
	<td>Jan. 29</td>
	<td><a href="#L220">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>221</td>
	<td>Feb. 1</td>
	<td><a href="#L221">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>222</td>
	<td>Feb. 4</td>
	<td><a href="#L222">To Samuel Rogers</a></td>
</tr>
<tr align="left" valign="top">
	<td>223</td>
	<td>Feb. 12</td>
	<td><a href="#L223">To Master John Cowell</a></td>
</tr>
<tr align="left" valign="top">
	<td>224</td>
	<td>Feb. 16</td>
	<td><a href="#L224">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>225</td>
	<td>Feb. 21</td>
	<td><a href="#L225">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>226</td>
	<td>Feb. 25</td>
	<td><a href="#L226">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>227</td>
	<td>March 5</td>
	<td><a href="#L227">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>228</td>
	<td>March 5</td>
	<td><a href="#L228">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp5">229</a></td>
	<td>undated</td>
	<td><a href="#L229">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>230</td>
	<td>undated</td>
	<td><a href="#L230">To William Bankes</a></td>
</tr>
<tr align="left" valign="top">
	<td>231</td>
	<td>March 25</td>
	<td><a href="#L231">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>232</td>
	<td>undated</td>
	<td><a href="#L232">To Lady Caroline Lamb</a></td>
</tr>
<tr align="left" valign="top">
	<td>233</td>
	<td>April 20</td>
	<td><a href="#L233">To William Bankes</a></td>
</tr>
<tr align="left" valign="top">
	<td>234</td>
	<td>undated</td>
	<td><a href="#L234">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>235</td>
	<td>May 1</td>
	<td><a href="#L235">To Lady Caroline Lamb</a></td>
</tr>
<tr align="left" valign="top">
	<td>236</td>
	<td>May 8</td>
	<td><a href="#L236">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>237</td>
	<td>May 20</td>
	<td><a href="#L237">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>238</td>
	<td>June 1</td>
	<td><a href="#L238">To Bernard Barton</a></td>
</tr>
<tr align="left" valign="top">
	<td>239</td>
	<td>June 25</td>
	<td><a href="#L239">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>240</td>
	<td>June 26</td>
	<td><a href="#L240">To Professor Clarke</a></td>
</tr>
<tr align="left" valign="top">
	<td>241</td>
	<td>July 6</td>
	<td><a href="#L241">To Walter Scott</a></td>
</tr>
<tr align="left" valign="top">
	<td>242</td>
	<td>undated</td>
	<td><a href="#L242">To Lady Caroline Lambt</a></td>
</tr>
<tr align="left" valign="top">
	<td>243</td>
	<td>Sept. 5</td>
	<td><a href="#L243">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>244</td>
	<td>Sept. 10</td>
	<td><a href="#L244">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>245</td>
	<td>Sept. 14</td>
	<td><a href="#L245">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp6">246</a></td>
	<td>Sept. 22</td>
	<td><a href="#L246">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>247</td>
	<td>Sept. 23</td>
	<td><a href="#L247">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>248</td>
	<td>Sept. 24</td>
	<td><a href="#L248">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>249</td>
	<td>Sept. 25</td>
	<td><a href="#L249">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>250</td>
	<td>Sept. 26</td>
	<td><a href="#L250">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>251</td>
	<td>Sept. 27</td>
	<td><a href="#L251">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>252</td>
	<td>Sept. 27</td>
	<td><a href="#L252">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>253</td>
	<td>Sept. 27</td>
	<td><a href="#L253"> To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>254</td>
	<td>Sept. 28</td>
	<td><a href="#L254">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>255</td>
	<td>Sept. 28</td>
	<td><a href="#L255">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>256</td>
	<td>Sept. 28</td>
	<td><a href="#L256">To William Bankes</a></td>
</tr>
<tr align="left" valign="top">
	<td>257</td>
	<td>Sept. 29</td>
	<td><a href="#L257">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>258</td>
	<td>Sept. 30</td>
	<td><a href="#L258">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>259</td>
	<td>Sept. 30</td>
	<td><a href="#L259">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>260</td>
	<td>Oct. 2</td>
	<td><a href="#L260">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>261</td>
	<td>Oct. 12</td>
	<td><a href="#L261">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp7">262</a></td>
	<td>Oct. 14</td>
	<td><a href="#L262">To Lord Holland</a></td>
</tr>
<tr align="left" valign="top">
	<td>263</td>
	<td>Oct. 18</td>
	<td><a href="#L263">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>264</td>
	<td>Oct. 18</td>
	<td><a href="#L264">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>265</td>
	<td>Oct. 18</td>
	<td><a href="#L265">To Robert Rushton</a></td>
</tr>
<tr align="left" valign="top">
	<td>266</td>
	<td>Oct. 19</td>
	<td><a href="#L266">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>267</td>
	<td>Oct. 22</td>
	<td><a href="#L267">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>268</td>
	<td>Oct. 23</td>
	<td><a href="#L268">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>269</td>
	<td>Oct. 31</td>
	<td><a href="#L269">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>270</td>
	<td>Nov. 8</td>
	<td><a href="#L270">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>271</td>
	<td>Nov. 16</td>
	<td><a href="#L271">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>272</td>
	<td>Nov. 22</td>
	<td><a href="#L272">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>273</td>
	<td>Dec. 26</td>
	<td><a href="#L273">To William Bankes</a></td>
</tr>
<tr align="left" valign="top">
	<td></td>
	<td><b><span style="color: #00CC66;">1813</span></b></td>
	<td></td>
</tr>
<tr align="left" valign="top">
	<td>274</td>
	<td>Jan. 8</td>
	<td><a href="#L274">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>275</td>
	<td>Feb. 3</td>
	<td><a href="#L275">To Francis Hodgson </a></td>
</tr>
<tr align="left" valign="top">
	<td>276</td>
	<td>Feb. 3</td>
	<td><a href="#L276">To John Hanson</a></td>
</tr>

<tr align="left" valign="top">
	<td>277</td>
	<td>Feb. 20</td>
	<td><a href="#L277">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp8">278</a></td>
	<td>Feb. 24</td>
	<td><a href="#L278">To Robert Rushton</a></td>
</tr>
<tr align="left" valign="top">
	<td>279</td>
	<td>Feb. 27</td>
	<td><a href="#L279">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>280</td>
	<td>March 1</td>
	<td><a href="#L280">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>281</td>
	<td>March 5</td>
	<td><a href="#L281">To&mdash;&mdash;Corbet</a></td>
</tr>
<tr align="left" valign="top">
	<td>282</td>
	<td>March 6</td>
	<td><a href="#L282">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>283</td>
	<td>March 24</td>
	<td><a href="#L283">To Charles Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>284</td>
	<td>March 25</td>
	<td><a href="#L284">To Samuel Rogers</a></td>
</tr>
<tr align="left" valign="top">
	<td>285</td>
	<td>March 26</td>
	<td><a href="#L285">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>286</td>
	<td>March 29</td>
	<td><a href="#L286">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>287</td>
	<td>April 15</td>
	<td><a href="#L287">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>288</td>
	<td>April 17</td>
	<td><a href="#L288">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>289</td>
	<td>April 21</td>
	<td><a href="#L289">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>290</td>
	<td>May 13</td>
	<td><a href="#L290">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>291</td>
	<td>May 19</td>
	<td><a href="#L291">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>292</td>
	<td>May 22</td>
	<td><a href="#L292">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>293</td>
	<td>May 23</td>
	<td><a href="#L293">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>294</td>
	<td>June 2</td>
	<td><a href="#L294">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp9">295</a></td>
	<td>undated</td>
	<td><a href="#L295">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>296</td>
	<td>June 3</td>
	<td><a href="#L296">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>297</td>
	<td>June 6</td>
	<td><a href="#L297">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>298</td>
	<td>June 8</td>
	<td><a href="#L298">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>299</td>
	<td>June 9</td>
	<td><a href="#L299">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>300</td>
	<td>June 12</td>
	<td><a href="#L300">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>301</td>
	<td>June 13</td>
	<td><a href="#L301">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>302</td>
	<td>June 18</td>
	<td><a href="#L302">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>303</td>
	<td>June 18</td>
	<td><a href="#L303">To W. Gifford </a></td>
</tr>
<tr align="left" valign="top">
	<td>304</td>
	<td>June 22</td>
	<td><a href="#L304">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>305</td>
	<td>June 22</td>
	<td><a href="#L305">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>306</td>
	<td>June 26</td>
	<td><a href="#L306">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>307</td>
	<td>undated</td>
	<td><a href="#L307">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>308</td>
	<td>June 27</td>
	<td><a href="#L308">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>309</td>
	<td>July 1</td>
	<td><a href="#L309">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>310</td>
	<td>July 8</td>
	<td><a href="#L310">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp10">311</a></td>
	<td>July 13</td>
	<td><a href="#L311">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>312</td>
	<td>July 18</td>
	<td><a href="#L312">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>313</td>
	<td>July 22</td>
	<td><a href="#L313">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>314</td>
	<td>July 25</td>
	<td><a href="#L314">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>315</td>
	<td>July 27</td>
	<td><a href="#L315">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>316</td>
	<td>July 28</td>
	<td><a href="#L316">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>317</td>
	<td>July 31</td>
	<td><a href="#L317">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>318</td>
	<td>Aug. 2</td>
	<td><a href="#L318">To John Wilson Croker</a> </td>
</tr>
<tr align="left" valign="top">
	<td>319</td>
	<td>undated</td>
	<td><a href="#L319">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>320</td>
	<td>Aug. 10</td>
	<td><a href="#L320">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>321</td>
	<td>Aug. 12</td>
	<td><a href="#L321">To James Wedderburn Webster</a></td>
</tr>
<tr align="left" valign="top">
	<td>322</td>
	<td>Aug. 22</td>
	<td><a href="#L322">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>323</td>
	<td>Aug. 26</td>
	<td><a href="#L323">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>324</td>
	<td>Aug. 28</td>
	<td><a href="#L324">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>325</td>
	<td>Sept. 1</td>
	<td><a href="#L325">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>326</td>
	<td>Sept. 2</td>
	<td><a href="#L326">To James Wedderburn Webster</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp11">327</a></td>
	<td>Sept. 5</td>
	<td><a href="#L327">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>328</td>
	<td>Sept. 8</td>
	<td><a href="#L328">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>329</td>
	<td>Sept. 9</td>
	<td><a href="#L329">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>330</td>
	<td>Sept. 15</td>
	<td><a href="#L330">To James Wedderburn Webster</a></td>
</tr>
<tr align="left" valign="top">
	<td>331</td>
	<td>Sept. 15</td>
	<td><a href="#L331">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>332</td>
	<td>Sept. 15</td>
	<td><a href="#L332">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>333</td>
	<td>Sept. 25</td>
	<td><a href="#L333">To&mdash;&mdash;Bolton</a></td>
</tr>
<tr align="left" valign="top">
	<td>334</td>
	<td>Sept. 27</td>
	<td><a href="#L334">To Sir James Mackintosh</a></td>
</tr>
<tr align="left" valign="top">
	<td>335</td>
	<td>Sept. 27</td>
	<td><a href="#L335">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>336</td>
	<td>Sept. 29</td>
	<td><a href="#L336">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>337</td>
	<td>Sept. 30</td>
	<td><a href="#L337">To James Wedderburn Webster </a></td>
</tr>
<tr align="left" valign="top">
	<td>338</td>
	<td>Oct. 1</td>
	<td><a href="#L338">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>339</td>
	<td>Oct. 2</td>
	<td><a href="#L339">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>340</td>
	<td>Oct. 3</td>
	<td><a href="#L340">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>341</td>
	<td>Oct. 10</td>
	<td><a href="#L341">To John Hanson</a></td>
</tr>
<tr align="left" valign="top">
	<td>342</td>
	<td>Oct. 10</td>
	<td><a href="#L342">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>343</td>
	<td>Oct. 12</td>
	<td><a href="#L343">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp12"></a>344</td>
	<td>Nov. 8</td>
	<td><a href="#L344">To the Hon. Augusta Leigh</a></td>
</tr>
<tr align="left" valign="top">
	<td>345</td>
	<td>Nov. 12</td>
	<td><a href="#L345">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>346</td>
	<td>Nov. 12</td>
	<td><a href="#L346">To William Gifford</a></td>
</tr>
<tr align="left" valign="top">
	<td>347</td>
	<td>Nov. 12</td>
	<td><a href="#L347">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>348</td>
	<td>Nov. 13</td>
	<td><a href="#L348">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>349</td>
	<td>undated</td>
	<td><a href="#L349">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>350</td>
	<td>Nov. 13</td>
	<td><a href="#L350">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>351</td>
	<td>Nov. 14</td>
	<td><a href="#L351">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>352</td>
	<td>Nov. 15</td>
	<td><a href="#L352">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>353</td>
	<td>Nov. 17</td>
	<td><a href="#L353">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>354</td>
	<td>Nov. 20</td>
	<td><a href="#L354">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>355</td>
	<td>Nov. 22</td>
	<td><a href="#L355">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>356</td>
	<td>Nov. 23</td>
	<td><a href="#L356">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>357</td>
	<td>Nov. 24</td>
	<td><a href="#L357">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>358</td>
	<td>Nov. 27</td>
	<td><a href="#L358">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>359</td>
	<td>Nov. 28</td>
	<td><a href="#L359">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>360</td>
	<td>Nov. 29</td>
	<td><a href="#L360">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp13"></a>361</td>
	<td>Nov. 29</td>
	<td><a href="#L361">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>362</td>
	<td>Nov. 29</td>
	<td><a href="#L362">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>363</td>
	<td>Nov. 30</td>
	<td><a href="#L363">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>364</td>
	<td>Dec. 1</td>
	<td><a href="#L364">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>365</td>
	<td>Dec. 1</td>
	<td><a href="#L365">To Francis Hodgson</a></td>
</tr>
<tr align="left" valign="top">
	<td>366</td>
	<td>Dec. 2</td>
	<td><a href="#L366">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>367</td>
	<td>Dec. 2</td>
	<td><a href="#L367">To Leigh Hunt</a></td>
</tr>
<tr align="left" valign="top">
	<td>368</td>
	<td>Dec. 3</td>
	<td><a href="#L368">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>369</td>
	<td>Dec. 3</td>
	<td><a href="#L369">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>370</td>
	<td>undated</td>
	<td><a href="#L370">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>371</td>
	<td>Dec. 4</td>
	<td><a href="#L371">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>372</td>
	<td>Dec. 6</td>
	<td><a href="#L372">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>373</td>
	<td>Dec. 8</td>
	<td><a href="#L373">To Thomas Moore</a></td>
</tr>
<tr align="left" valign="top">
	<td>374</td>
	<td>Dec. 11</td>
	<td><a href="#L374">To John Galt</a></td>
</tr>
<tr align="left" valign="top">
	<td>375</td>
	<td>Dec. 14</td>
	<td><a href="#L375">To John Murray</a></td>
</tr>
<tr align="left" valign="top">
	<td>376</td>
	<td>Dec. 14</td>
	<td><a href="#L376">To Thomas Ashe</a></td>
</tr>
<tr align="left" valign="top">
	<td>377</td>
	<td>Dec. 15</td>
	<td><a href="#L377">To Professor Clarke</a></td>
</tr>
<tr align="left" valign="top">
	<td><a name="lp14"></a>378</td>
	<td>Dec. 22</td>
	<td><a href="#L378">To Leigh Hunt</a></td>
</tr>
<tr align="left" valign="top">
	<td>379</td>
	<td>Dec. 27</td>
	<td><a href="#L379">To John Murray</a></td>
</tr>
</table><br>
<br>
<a href="#toc">Contents</a><br>

<hr><br><br>

<a name="section1a"></a><h2>List of Journal Entries</h2>
<br>
<ul>
<li><a href="#nov161813">November 16th, 1813</a></li>
<li><a href="#nov171813">November 17th, 1813</a></li>
<li><a href="#nov221813">November 22nd, 1813</a></li>
<li><a href="#nov231813">November 23rd, 1813</a></li>
<li><a href="#nov241813">November 24th, 1813</a></li>
<li><a href="#12mn">'Mezza Notte'</a></li>
<li><a href="#nov261813">November 26th, 1813</a></li>
<li><a href="#nov271813">November 27th, 1813</a></li>
<li><a href="#nov301813">November 30th, 1813</a></li>
<li><a href="#dec11813">December 1st, 1813</a></li>
<li><a href="#dec51813">December 5th, 1813</a></li>
<li><a href="#dec61813">December 6th, 1813</a></li>
<li><a href="#dec71813">December 7th, 1813</a></li>
<li><a href="#dec101813">December 10th, 1813</a></li>
<li><a href="#dec121813">December 12th, 1813</a></li>
<li><a href="#dec131813">December 13th, 1813</a></li>
<li><a href="#dec11415161813">December 14th, 15th, 16th, 1813</a></li>
<li><a href="#dec17181813">December 17th, 18th, 1813</a></li>
<li><a href="#jan161814">January 16th, 1814</a></li>
<li><a href="#feb181814">February 18th, 1814</a></li>
<li><a href="#feb191814">February 19th, 1814</a></li>
<li><a href="#feb201814">February 20th, 1814</a></li>
<li><a href="#feb271814">February 27th, 1814</a></li>
<li><a href="#mar61814">March 6th, 1814</a></li>
<li><a href="#mar71814">March 7th, 1814</a></li>
<li><a href="#mar101814">March 10th, 1814</a></li>
<li><a name="jp2"></a><a href="#mar151814">March 15th, 1814</a></li>
<li><a href="#mar171814">March 17th, 1814</a></li>
<li><a href="#mar201814">March 20th, 1814</a></li>
<li><a href="#mar221814">March 22nd, 1814</a></li>
<li><a href="#mar281814">March 28th, 1814</a></li>
<li><a href="#apr81814">April 8th, 1814</a></li>
<li><a href="#apr91814">April 9th, 1814</a></li>
<li><a href="#apr101814">April 10th, 1814</a></li>
<li><a href="#apr191814">April 19th, 1814</a></li>
</ul><br>
<br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="section1c"></a><h3>Detailed Contents of Appendices</h3>
<br>
<ul>
<li><a href="#app1">Appendix I&mdash;Articles from <i>The Monthly Review</i></a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app1a"><i>Poems</i>, by W. R. Spencer</a></li>
<li><a href="#app1b"><i>Neglected Genius</i>, by W. H. Ireland</a></li>
</ol>
</ul>
<ul>
<li><a href="#app2">Appendix II&mdash;Parliamentary Speeches</a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app2a">Debate on the Frame-Work Bill</a></li>
<li><a href="#app2b">Debate <i>re.</i> the Roman Catholic Claims</a></li>
<li><a href="#app2c">Debate on Major Cartwright's Petition</a></li>
</ol>
</ul>
<ul>
<li><a href="#app3">Appendix III&mdash;Lady Caroline Lamb and Byron</a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app3a">Early Letter from Lady Caroline Lamb to Byron</a></li>
<li><a href="#app3b">Lines Written by Lady Caroline, Spoken while Burning him in Effigy</a></li>
<li><a href="#app3c">Letter from Lady Caroline to Byron, Written on Meeting him Again</a></li>
<li><a href="#app3d">Letter from Lady Caroline to Byron, Written at Rumours of the Marital Separation</a></li>
<li><a href="#app3e">Letter from Lady Caroline to Byron, Written at Publication of "Fare Thee Well"</a></li>
<li><a href="#app3f">Two Letters Written by Lady Caroline after Byron's Death</a></li>
</ol>
</ul>
<ul>
<li><a href="#app4">Appendix IV&mdash;Letters of Bernard Barton</a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app4a">April 14th, 1814</a></li>
<li><a href="#app4b">April 15th, 1814</a></li>
<li><a href="#app4c">Part of a Draft of Byron's Reply</a></li>
</ol>
</ul>
<ul>
<li><a href="#app5">Appendix V&mdash;Correspondence with Walter Scott</a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app5a">Scott's Reply to Byron's Letter of July 6, 1812</a></li>
</ol>
</ul>
<ul>
<li><a href="#app6">Appendix VI&mdash;"The Giant and the Dwarf"</a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app6a">the Poem written by Leigh Hunt's Friends in Reply to Moore</a></li>
</ol>
</ul>
<ul>
<li><a name="ap2"></a><a href="#app7">Appendix VII&mdash;Attacks upon Byron in the Newspapers for February and March, 1814</a></li>
<li style="list-style: none">
<ol type="I">
<li><a href="#app7a"><i>The Courier</i></a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app7a1"><i>Lord Byron</i>: February 1, 1814</a></li>
<li><a href="#app7a2">February 2, 1814</a></li>
<li><a href="#app7a3">February 3, 1814</a></li>
<li><a href="#app7a4"><i>Byroniana No. 1</i>: February 5, 1814</a></li>
<li><a href="#app7a5"><i>Byroniana No. 2</i>: February 8, 1814</a></li>
<li><a href="#app7a6"><i>Byroniana No. 3</i>: February 12, 1814</a></li>
<li><a href="#app7a7"><i>Byroniana No. 4</i>: February 17, 1814</a></li>
<li><a href="#app7a8"><i>Byroniana No. 5</i>: February 19, 1814</a></li>
<li><a href="#app7a9">March 15, 1814</a></li>

</ol>
<li><a href="#app7b"><i>The Morning Post</i></a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app7b1"><i>Verses</i>: February 5, 1814</a></li>
<li><a href="#app7b2"><i>To Lord Byron</i>: February 7, 1814</a></li>
<li><a href="#app7b3"><i>Lord Byron</i>: February 8, 1814</a></li>
<li><a href="#app7b4"><i>Lines</i>: February 8, 1814</a></li>
<li><a href="#app7b5"><i>Lines</i>: February 11, 1814</a></li>
<li><a href="#app7b6"><i>To Lord Byron</i>: February 15, 1814</a></li>
<li><a href="#app7b7"><i>To Lord Byron</i>: February 16, 1814</a></li>
<li><a href="#app7b8"><i>Verses Addressed To Lord Byron</i>: February 16, 1814</a></li>
<li><a href="#app7b9"><i>Patronage Extraordinary</i>: February 17, 1814</a></li>
<li><a href="#app7b10"><i>Lord Byron</i>: February 18, 1814</a></li>
</ol>
<li><a href="#app7c"><i>The Sun</i></a></li>
<li style="list-style: none">
<ol type="1">
<li><a href="#app7c1">February 4, 1814</a></li>
<li><a href="#app7c2"><i>Epigram</i>: February 8, 1814</a></li>
<li><a href="#app7c3"><i>Lord Byron</i>: February 11, 1814</a></li>
<li><a href="#app7c4"><i>Parody</i>: February 16, 1814</a></li>
</ol>
</ol>
</ul>
<br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h2><a name="section2">Chapter V&mdash;<i>Childe Harold</i>, Cantos I, II </a></h2>
<br>
<b>August, 1811-March, 1812</b><br>
<br>
<hr width="50%" align="left"><br>


<h3><a name="L169"></a>Letter No. 169&mdash;to John Murray<a href="#f11"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Newstead Abbey, Notts., August 23, 1811.<br><br>

<br>
Sir,&mdash;<a name="fr12">A</a> domestic calamity in the death of a near relation<a href="#f12"><sup>2</sup></a> has
hitherto prevented my addressing you on the subject of this letter. <a name="fr13">My</a>
friend, Mr. Dallas<a href="#f13"><sup>3</sup></a>, has placed in your hands a manuscript poem
written by me in Greece, which he tells me you do not object to
publishing. <a name="fr14">But</a> he also informed me in London that you wished to send
the MS. to Mr. Gifford<a href="#f14"><sup>4</sup></a>. Now, though no one would feel more gratified
by the chance of obtaining his observations on a work than myself, there
is in such a proceeding a kind of petition for praise, that neither my
pride&mdash;or whatever you please to call it&mdash;will admit.<br>
<br>
Mr. G. is not only the first satirist of the day, but editor of one of
the principal reviews. As such, he is the last man whose censure
(however eager to avoid it) I would deprecate by clandestine means. You
will therefore retain the manuscript in your own care, or, if it must
needs be shown, send it to another. Though not very patient of censure,
I would fain obtain fairly any little praise my rhymes might deserve, at
all events not by extortion, and the humble solicitations of a
bandied-about MS. I am sure a little consideration will convince you it
would be wrong.<br>
<br>
If you determine on publication, I have some smaller poems (never
published), a few notes, and a short dissertation on the literature of
the modern Greeks (written at Athens), which will come in at the end of
the volume.&mdash; And, if the present poem should succeed, it is my
intention, at some subsequent period, to publish some selections from my
first work,&mdash;my Satire,&mdash;another nearly the same length, and a few other
things, with the MS. now in your hands, in two volumes.&mdash;But of these
hereafter. You will apprize me of your determination.<br>
<br>
I am, Sir, your very obedient, humble servant,<br>
<br>
<b>Byron</b>.
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; For John Murray, see <i>Letters</i>, vol. i. p. 334,
<i>note</i> 1. [Footnote 1 to Letter 167]<br>
<a href="#L169">return to footnote mark</a><br>
<br>
<br>
<a name="f12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Mrs. Byron died August I, 1811.<br>
<a href="#fr12">return</a><br>
<br>
<br>
<a name="f13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; For R. C. Dallas, see <i>Letters</i>, vol. i. p. 168,
<i>note</i> I. [Footnote 1 to Letter 87.]<br>
<a href="#fr13">return</a><br>
<br>
<br>
<a name="f14"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; For Gifford, the editor of the <i>Quarterly Review</i>, see
<i>Letters</i>, vol. i. p. 198, <i>note</i> 2. [Footnote 4 of Letter 102.]<br>
<a href="#fr14">return</a><br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L170">170&mdash;to James Wedderburn Webster</a><a href="#f21"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Newstead Abbey, August 24th, 1811.<br><br>

<br>
<b>My Dear W.</b>,&mdash;<a name="fr22">Conceiving</a> your wrath to be somewhat evaporated, and your
Dignity recovered from the <i>Hysterics</i> into which my innocent note
from London had thrown it, I should feel happy to be informed how you
have determined on the disposal of this accursed Coach<a href="#f22"><sup>2</sup></a>, which has
driven us out of our Good humour and Good manners to a complete
Standstill, from which I begin to apprehend that I am to lose altogether
your valuable correspondence. <a name="fr23">Your</a> angry letter arrived at a moment, to
which I shall not allude further, as my happiness is best consulted in
forgetting it<a href="#f23"><sup>3</sup></a>.<br>
<br>
You have perhaps heard also of the death of poor Matthews, whom you
recollect to have met at Newstead. He was one whom his friends will find
it difficult to replace, nor will Cambridge ever see his equal.<br>
<br>
I trust you are on the point of adding to your relatives instead of
losing them, and of <I>friends</I> a man of fortune will always have a
plentiful stock&mdash;at his Table.<br>
<br>
I dare say now you are gay, and connubial, and popular, so that in the
next parliament we shall be having you a County Member. But beware your
Tutor, for I am sure he Germanized that sanguinary letter; you must not
write such another to your Constituents; for myself (as the mildest of
men) I shall say no more about it.<br>
<br>
Seriously, <I>mio Caro W.</I>, if you can spare a moment from Matrimony,
I shall be glad to hear that you have recovered from the pucker into
which this <I>Vis</I> (one would think it had been a <I>Sulky</I>) has
thrown you; you know I wish you well, and if I have not inflicted my
society upon you according to your own Invitation, it is only because I
am not a social animal, and should feel sadly at a loss amongst
Countesses and Maids of Honour, particularly being just come from a far
Country, where Ladies are neither carved for, or fought for, or danced
after, or mixed at all (publicly) with the Men-folks, so that you must
make allowances for my natural <I>diffidence</I> and two years travel.<br>
<br>
But (God and yourself willing) I shall certes pay my promised visit, as
I shall be in town, if Parliament meets, in October.<br>
<br>
In the mean time let me hear from you (without a privy Council), and
believe me in sober sadness,<br>
<br>
Yours very sincerely,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; James Wedderburn Webster (1789-1840), grandson of Sir A.
Wedderburn, Bart., whose third son, David, assumed the additional name
of Webster, was the author of <i>Waterloo, and other Poems</i> (1816),
and <i>A Genealogical Account of the Wedderburn Family</i> (privately
printed, 1819). He was with Byron, possibly at Cambridge, certainly at
Athens in 1810. He married, in 1810, Lady Frances Caroline Annesley,
daughter of Arthur, first Earl of Mountnorris and eighth Viscount
Valencia. He was knighted in 1822. Byron, in 1813, lent him £1000. Lady
Frances died in 1837, and her husband in 1840.<br>
<br>
Moore (<i>Memoirs, Journals, etc.</i>, vol. iii. p. 112) mentions dining
with Webster at Paris in 1820.

  <blockquote>"He told me," writes Moore, "that, one day, travelling from Newstead
  to town with Lord Byron in his vis-a-vis, the latter kept his pistols
  beside him, and continued silent for hours, with the most ferocious
  expression possible on his countenance.<br>
<br>
    'For God's sake, my dear B.,' said W&mdash;&mdash; at last, 'what are you
    thinking of? Are you about to commit murder? or what other dreadful
    thing are you meditating?' <br>
<br>
  To which Byron answered that he always had a sort of presentiment that
  his own life would be attacked some time or other; and that this was
  the reason of his always going armed, as it was also the subject of
  his thoughts at that moment." </blockquote>

Moore also adds (<i>ibid</i>., p. 292),

<blockquote>"W. W. owes Lord Byron, he says,
£1000, and does not seem to have the slightest intention of paying him."
</blockquote>
Lady Frances was the lady to whom Byron seriously devoted himself in
1813-4. Subsequently she was practically separated from her husband, and
Byron, in 1823, endeavoured to reconcile them. Moore (<i>Memoirs,
Journals, etc</i>., vol. ii. p. 249) writes,

  <blockquote>"To the Devizes ball in the evening; Lady Frances W. there; introduced
  to her, and had much conversation, chiefly about our friend Lord B.
  Several of those beautiful things, published (if I remember right)
  with the <i>Bride</i>, were addressed to her. She must have been very
  pretty when she had more of the freshness of youth, though she is
  still but five or six and twenty; but she looks faded already" (1819).</blockquote>

In the Court of Common Pleas, February 16, 1816, the libel action of
<i>Webster v. Baldwin</i> was heard. The plaintiff obtained £2000 in
damages for a libel charging Lady Frances and the Duke of Wellington
with adultery.<br>
<a href="#L170">return to footnote mark</a><br>
<a href="#fd11">cross-reference: return to Footnote 1 of Letter 218</a><br>
<a href="#fu72">cross-reference: return to Footnote 12 of Journal entry for November 17th, 1813</a><br>
<br>
<br>
<a name="f22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; On his return to London in July, 1811, Byron ordered a
<i>vis-a-vis</i> to be built by Goodall. This he exchanged for a
carriage belonging to Webster, who, within a few weeks, resold the
<i>vis-a-vis</i> to Byron. The two following letters from Byron to
Webster explain the transaction:

  <blockquote>"Reddish's Hotel, 29th July, 1811.<br>
<br>
  "<b>My Dear Webster</b>,&mdash;As this eternal <i>vis-a-vis</i> seems to sit heavy
  on your soul, I beg leave to apprize you that I have arranged with
  Goodall: you are to give me the promised Wheels, and the lining, with
  'the Box at Brighton,' and I am to pay the stipulated sum.<br>
<br>
  "I am obliged to you for your favourable opinion, and trust that the
  happiness you talk so much of will be stationary, and not take those
  freaks to which the felicity of common mortals is subject. I do very
  sincerely wish you well, and am so convinced of the justice of your
  matrimonial arguments, that I shall follow your example as soon as I
  can get a sufficient price for my coronet. In the mean time I should
  be happy to drill for my new situation under your auspices; but
  business, inexorable business, keeps me here. Your letters are
  forwarded. If I can serve you in any way, command me. I will endeavour
  to fulfil your requests as awkwardly as another. I shall pay you a
  visit, perhaps, in the autumn. Believe me, dear W.,<br>
<br>
  Yours unintelligibly,<br>
<br>
  B."<br>
<br>
<hr width="25%" align="left"><br>
<br>
  "Reddish's Hotel, July 31st, 1811.<br>
<br>
  <b>My Dear W. W</b>.,&mdash;I always understood that the <i>lining</i> was to
  accompany the <i>carriage</i>; if not, the <i>carriage</i> may
  accompany the <i>lining</i>, for I will have neither the one nor the
  other. In short, to prevent squabbling, this is my determination, so
  decide;&mdash;if you leave it to my <i>feelings</i> (as you say) they are
  very strongly in favour of the said lining. Two hundred guineas for a
  carriage with ancient lining!!! Rags and rubbish! You must write
  another pamphlet, my dear W., before; but pray do not waste your time
  and eloquence in expostulation, because it will do neither of us any
  good, but decide&mdash;content or <i>not</i> content. The best thing you
  can do for the Tutor you speak of will be to send him in your Vis
  (with the lining) to 'the U-Niversity of Göttingen.' How can you
  suppose (now that my own Bear is dead) that I have any situation for a
  German genius of this kind, till I get another, or some children? I am
  infinitely obliged by your invitations, but I can't pay so high for a
  second-hand chaise to make my friends a visit. The coronet will not
  <i>grace</i> the 'pretty Vis,' till your tattered lining ceases to
  <i>dis</i>grace it. Pray favour me with an answer, as we must finish
  the affair one way or another immediately,&mdash;before next week.<br>
<br>
  Believe me, yours truly,<br>
<br>
  <b>Byron</b>."</blockquote>


  "Byron," says Webster, in a note, "was more than strict about
  "trifles."<br>
<a href="#fr22">return</a><br>
<br>
<br>
<a name="f23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; The death of Mrs. Byron, August 1, 1811.<br>
<a href="#fr23">return</a>
<br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L171"></a>171&mdash;to R. C. Dallas</h3>
<br>
Newstead Abbey, August 25, 1811.<br><br>

<br>
Being fortunately enabled to frank, I do not spare scribbling, having
sent you packets within the last ten days. <a name="fr31">I</a> am passing solitary, and do
not expect my agent to accompany me to Rochdale<a href="#f31"><sup>1</sup></a> before the second
week in September; a delay which perplexes me, as I wish the business
over, and should at present welcome employment. I sent you exordiums,
annotations, etc., for the forthcoming quarto, if quarto it is to be:
and <a name="fr32">I</a> also have written to Mr. Murray my objection to sending the MS. to
Juvenal<a href="#f32"><sup>2</sup></a>, but allowing him to show it to any others of the calling.
Hobhouse<a href="#f33"><sup>3</sup></a> is <a name="fr33">amongst</a> the types already: so, between his prose and my
verse, the world will be decently drawn upon for its paper-money and
patience. <a name="fr34">Besides</a> all this, my <i>Imitation of Horace</i><a href="#f34"><sup>4</sup></a> is gasping
for the press at Cawthorn's, but I am hesitating as to the how and the
when, the single or the double, the present or the future. You must
excuse all this, for I have nothing to say in this lone mansion but of
myself, and yet I would willingly talk or think of aught else.<br>
<br>
What are you about to do? Do you think of perching in Cumberland, as you
opined when I was in the metropolis? <a name="fr35">If</a> you mean to retire, why not
occupy Miss Milbanke's "Cottage of Friendship," late the seat of Cobbler
Joe<a href="#f35"><sup>5</sup></a>, for whose death you and others are answerable? His "Orphan
Daughter" (pathetic Pratt!) will, certes, turn out a shoemaking Sappho.
Have you no remorse? I think that elegant address to Miss Dallas should
be inscribed on the cenotaph which Miss Milbanke means to stitch to his
memory.<br>
<br>
<a name="fr36">The</a> newspapers seem much disappointed at his Majesty's not dying, or
doing something better<a href="#f36"><sup>6</sup></a>. I presume it is almost over. If parliament
meets in October, I shall be in town to attend. I am also invited to
Cambridge for the beginning of that month, but am first to jaunt to
Rochdale. <a name="fr37">Now</a> Matthews<a href="#f37"><sup>7</sup></a> is gone, and Hobhouse in Ireland, I have
hardly one left there to bid me welcome, except my inviter. At
three-and-twenty I am left alone, and what more can we be at seventy? It
is true I am young enough to begin again, but with whom can I retrace
the laughing part of life? It is odd how few of my friends have died a
quiet death,&mdash;I mean, in their beds. But a quiet life is of more
consequence. Yet one loves squabbling and jostling better than yawning.
This <i>last word</i> admonishes me to relieve you from<br>
<br>
Yours very truly, etc.
<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; For Byron's Rochdale property, which was supposed to
contain a quantity of coal, see <i>Letters</i>, vol. i. p. 78,
<i>note</i> 2. [Footnote 2 of Letter 34]<br>
<a href="#fr31">return to footnote mark</a><br>
<br>
<br>
<a name="f32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;  Gifford.<br>
<a href="#fr32">return</a><br>
<br>
<br>
<a name="f33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;  For John Cam Hobhouse, see <i>Letters</i>, vol. i. p. 163,
<i>note</i> 1. [Footnote 1 of Letter 86]<br>
<a href="#fr33">return</a><br>
<br>
<br>
<a name="f34"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;  The poem remained unpublished till after Byron's death.
(See <a href="#f91"><i>note</i></a>, p. 23, and <i>Poems</i>, ed. 1898, vol. i. pp.
385-450.)<br>
<a href="#fr34">return</a><br>
<br>
<br>
<a name="f35"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;

  <blockquote>"In Seaham churchyard, without any memorial," says Mr. Surtees, "rest
  the remains of Joseph Blacket, an unfortunate child of genius, whose
  last days were soothed by the generous attention of the family of
  Milbanke."</blockquote>

<i>Hist. of Durham</i>, vol. i. p. 272. (See also <i>Letters</i>, vol.
i. p. 314, <i>note</i> 2 [Footnote 2 of Letter 154]. For Miss Milbanke, afterwards Lady Byron, see
p. 118, <i>note</i> 4.) [Footnote 1 of Letter 7]<br>
<a href="#fr35">return</a><br>
<a href="#fe41">cross-reference: return to Footnote 1 of Letter 235</a><br>
<br>
<br>
<a name="f36"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; On July 28, 1811, Lord Grenville wrote to Lord Auckland,

  <blockquote>"It is, I believe, certainly true that the King has taken for the last
  three days scarcely any food at all, and that, unless a change takes
  place very shortly in that respect, he cannot survive many days"</blockquote>

(A<i>uckland Correspondence</i>, vol. iv. p. 366). <br>
It was, however, the
mind, and not the physical strength that failed.

  <blockquote>"The King, I should suppose," wrote Lord Buckinghamshire, on August
  13, "is not likely to die soon, but I fear his mental recovery is
  hardly to be expected "</blockquote>

(<i>ibid</i>., vol. iv. p. 367). <br>
George III. never, except for brief
intervals, recovered his reason.<br>
<a href="#fr36">return</a><br>
<br>
<br>
<a name="f37"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; For C. S. Matthews, see <i>Letters</i>, vol. i. p. 150,
<i>note</i> 3.[Footnote 2 of Letter 84]<br>
<a href="#fr37">return</a><br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L172">172&mdash;to R. C. Dallas</a><a href="#f41"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Newstead Abbey, Aug. 27, 1811.<br>
<br><br>

I was so sincere in my note on the late Charles Matthews, and do feel
myself so totally unable to do justice to his talents, that the passage
must stand for the very reason you bring against it. To him all the men
I ever knew were pigmies. He was an intellectual giant. <a name="fr42">It</a> is true I
loved Wingfield<a href="#f42"><sup>2</sup></a> better; he was the earliest and the dearest, and one
of the few one could never repent of having loved: but in ability&mdash;ah!
you did not know Matthews!<br>
<br>
<I>Childe Harold</I> may wait and welcome&mdash;books are never the worse for
delay in the publication. <a name="fr43">So</a> you have got our heir, George Anson Byron<a href="#f43"><sup>3</sup></a>, and his
sister, with you.<br>
<br>
<a name="fr44">You</a> may say what you please, but you are one of the <I>murderers</I> of
Blackett, and yet you won't allow Harry White's genius<a href="#f44"><sup>4</sup></a>.<br>
<br>
Setting aside his bigotry, he surely ranks next Chatterton. It is
astonishing how little he was known; and at Cambridge no one thought or
heard of such a man till his death rendered all notice useless. For my
own part, I should have been most proud of such an acquaintance: his
very prejudices were respectable. <a name="fr45">There</a> is a sucking epic poet at
Granta, a Mr. Townsend<a href="#f45"><sup>5</sup></a>, <i>protégé</i> of the late Cumberland. Did
you ever hear of him and his <i>Armageddon</i>? I think his plan (the
man I don't know) borders on the sublime: though, perhaps, the
anticipation of the "Last Day" (according to you Nazarenes) is a little
too daring: at least, it looks like telling the Lord what he is to do,
and might remind an ill-natured person of the line,

<blockquote>"And fools rush in where angels fear to tread."</blockquote>

But I don't mean to cavil, only other folks will, and he may bring all
the lambs of Jacob Behmen about his ears. However, I hope he will bring
it to a conclusion, though Milton is in his way.<br>
<br>
Write to me&mdash;I dote on gossip&mdash;and make a bow to Ju&mdash;, and shake George
by the hand for me; but, take care, for he has a sad sea paw.<br>
<br>
P.S.&mdash;I would ask George here, but I don't know how to amuse him&mdash;all my
horses were sold when I left England, and I have not had time to replace
them. Nevertheless, if he will come down and shoot in September, he will
be very welcome: but he must bring a gun, for I gave away all mine to
Ali Pacha, and other Turks. Dogs, a keeper, and plenty of game, with a
very large manor, I have&mdash;a lake, a boat, houseroom, and <i>neat
wines</i>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Dallas, writing to Byron, August 18, 1811, had said,

 <blockquote> "I have been reading the <i>Remains</i> of Kirke White, and find that
  you have to answer for misleading me. He does not, in my opinion,
  merit the high praise you have bestowed upon him." </blockquote>

Writing again, August 26, he objected to the <i>note</i> on Matthews in
<i>Childe Harold</i>:

  <blockquote>"In your note, as it stands, it strikes me that the eulogy on Matthews
  is a <i>little</i> at the expense of Wingfield and others whom you
  <i>have</i> commemorated. I should think it quite enough to say that
  his Powers and Attainments were above all praise, without expressly
  admitting them to be above that of a Muse who soars high in the praise
  of others."</blockquote>
<a href="#L172">return to footnote mark</a><br>
<br>
<br>
<a name="f42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For Wingfield, see <i>Letters</i>, vol. i, p. 180,
<i>note</i> 1. [Footnote 2 of Letter 92]<br>
<a href="#fr42">return</a><br>
<br>
<br>
<a name="f43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;For George Anson Byron, afterwards Lord Byron, and his sister
Julia, see <i>Letters</i>, vol. i, p. 188, <i>note</i> 1. [Footnote 1 of Letter 96]<br>
<a href="#fr43">return</a><br>
<br>
<br>
<a name="f44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; For H. K. White, see <i>Letters</i>, vol. i, p. 336,
<i>note</i> 2. [Footnote 3 of Letter 167]<br>
<a href="#fr44">return</a><br>
<br>
<br>
<a name="f45"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; The Rev. George Townsend (1788-1857) of Trinity College,
Cambridge, published <i>Poems</i> in 1810, and eight books of his
<i>Armageddon</i> in 1815. The remaining four books were never
published. Townsend became a Canon of Durham in 1825, and held the stall
till his death in 1857. Richard Cumberland, dramatist, novelist, and
essayist (1732-1811), the "Sir Fretful Plagiary" of <i>The Critic</i>,
announced the forthcoming poem in the <i>London Review</i>; but, as
Townsend says, in the Preface to <i>Armageddon</i>, praised him "too
abundantly and prematurely." "My talents," he adds, "were neither equal
to my own ambition, nor his zeal to serve me." (See <i>Hints from
Horace</i>, lines 191-212, and Byron's <i>note</i> to line 191,
<i>Poems</i>, ed. 1898, vol. i. p. 403.)<br>
<a href="#fr45">return</a><br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L173">173&mdash;To the Hon. Augusta Leigh</a><a href="#f51"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Newstead Abbey, August 30th, 1811.<br>
<br><br>

My Dear Augusta,&mdash;The embarrassments you mention in your last letter I
never heard of before, but that disease is epidemic in our family.
Neither have I been apprised of any of the changes at which you hint,
indeed how should I? On the borders of the Black Sea, we heard only of
the Russians. So you have much to tell, and all will be novelty.<br>
<br>
<a name="fr52">I</a> don't know what Scrope Davies<a href="#f52"><sup>2</sup></a> meant by telling you I liked
Children, I abominate the sight of them so much that I have always had
the greatest respect for the character of Herod. But, as my house here
is large enough for us all, we should go on very well, and I need not
tell you that I long to see <i>you</i>. I really do not perceive any
thing so formidable in a Journey hither of two days, but all this comes
of Matrimony, you have a Nurse and all the etceteras of a family. Well,
I must marry to repair the ravages of myself and prodigal ancestry, but
if I am ever so unfortunate as to be presented with an Heir, instead of
a <i>Rattle</i> he shall be provided with a <i>Gag</i>.<br>
<br>
I shall perhaps be able to accept D's invitation to Cambridge, but I
fear my stay in Lancashire will be prolonged, I proceed there in the 2d
week in Septr to arrange my coal concerns, &amp; then if I can't persuade
some wealthy dowdy to ennoble the dirty puddle of her mercantile
Blood,&mdash;why&mdash;I shall leave England and all it's clouds for the East
again; I am very sick of it already. Joe<a href="#f53"><sup>3</sup></a> has <a name="fr53">been</a> getting well
of a disease that would have killed a troop of horse; he promises to
bear away the palm of longevity from old Parr. As you won't come, you
will write; I <a name="fr54">long</a> to hear all those unutterable things, being utterly
unable to guess at any of them, unless they concern <i>your</i> relative
the Thane of Carlisle<a href="#f54"><sup>4</sup></a>, though I had great hopes we had done with
him.<br>
<br>
I have little to add that you do not already know, and being quite
alone, have no great variety of incident to gossip with; I am but rarely
pestered with visiters, and the few I have I get rid of as soon as
possible. I will now take leave of you in the Jargon of 1794. "Health &amp;
<i>Fraternity!"</i><br>
<br>
Yours alway, B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;For the Hon. Augusta Leigh, see <i>Letters</i>, vol. i. p.
18, <i>note</i> 1. [Footnote 1 of Letter 7] Byron's letter is in answer to the following from his
half-sister:


 <blockquote> "6 Mile Bottom, Aug. 27th.<br>
<br>
  "My Dearest Brother,&mdash;Your letter was stupidly sent to Town to me on
  Sunday, from whence I arrived at home yesterday; consequently I have
  not received it so soon as I ought to have done. I feel so very happy
  to have the pleasure of hearing from you that I will not delay a
  moment answering it, altho' I am in all the delights of
  <i>unpacking</i>, and afraid of being too late for the Post.<br>
<br>
  "I have been a fortnight in Town, and went up on my <i>eldest</i>
  little girl's account. She had been very unwell for some time, and I
  could not feel happy till I had better advice than this neighbourhood
  affords. She is, thank Heaven! much better, and I hope in a fair way
  to be quite <i>herself</i> again. Mr. Davies flattered me by saying
  she was exactly the sort of child <i>you</i> would delight in. I am
  determined not to say another word in her praise for fear you should
  accuse me of partiality and expect too much. The youngest
  (<i>little</i> Augusta) is just 6 months old, and has no particular
  merit at present but a very sweet placid temper.<br>
<br>
  "Oh! that I could immediately set out to Newstead and shew them to
  you. I can't tell you <i>half</i> the happiness it would give me to
  see it and <i>you</i>; but, my dearest B., it is a long journey and
  serious undertaking all things considered. Mr. Davies writes me word
  you promise to make him a visit bye and bye; <i>pray do</i>, you can
  then so easily come here. I have set my heart upon it. Consider how
  very long it is since I've seen you.<br>
<br>
  "I have indeed <i>much</i> to tell you; but it is more easily
  <i>said</i> than <i>written</i>. Probably you have heard of many
  changes in our situation since you left England; in a <i>pecuniary</i>
  point of view it is materially altered for the worse; perhaps in other
  respects better. Col. Leigh has been in Dorsetshire and Sussex during
  my stay in Town. I expect him at home towards the end of this week,
  and hope to make him acquainted with you ere long.<br>
<br>
  "I have not time to write half I have to say, for my letter must go;
  but I prefer writing in a hurry to not writing at all. You can't think
  how much I feel for your griefs and losses, or how much and constantly
  I have thought of you lately. I began a letter to you in Town, but
  destroyed it, from the fear of appearing troublesome. There are times,
  I know, when one cannot write with any degree of comfort or
  satisfaction. I intend to do so again shortly, so I hope yon won't
  think me a bore.<br>
<br>
  Remember me most kindly to Old Joe. I rejoice to hear of his health
  and prosperity. Your letter (some parts of it at least) made me laugh.
  I am so very glad to hear you have sufficiently overcome your
  prejudices against the <i>fair sex</i> to have determined upon
  marrying; but I shall be most anxious that my future <i>Belle
  Soeur</i> should have more attractions than merely money, though to be
  sure <i>that</i> is somewhat necessary. I have not another moment,
  dearest B., so forgive me if I write again very soon, and believe me,<br>
<br>
  Your most affec'tn Sister, A. L.<br>
<br>
  Do write if you can."</blockquote>
<a href="#L173">return to footnote mark</a><br>
<br>
<br>
<a name="f52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For Scrope Berdmore Davies, see <i>Letters</i>, vol. i. p.
165, <i>note</i> 2. [Footnote 2 of Letter 86] The following story is told of him by Byron, in a
passage of his <i>Detached Thoughts</i> (Ravenna, 1821):

<blockquote>"One night Scrope Davies at a Gaming house (before I was of age), being
tipsy as he usually was at the Midnight hour, and having lost monies,
was in vain intreated by his friends, one degree less intoxicated than
himself, to come or go home. In despair, he was left to himself and to
the demons of the dice-box.<br>
<br>
Next day, being visited about two of the Clock, by some friends just
risen with a severe headache and empty pockets (who had left him losing
at four or five in the morning), he was found in a sound sleep, without
a night-cap, and not particularly encumbered with bed-cloathes: a
Chamber-pot stood by his bed-side, brim-full of&mdash;-<i>Bank Notes!</i>,
all won, God knows how, and crammed, Scrope knew not where; but <b>There</b>
they were, all good legitimate notes, and to the amount of some thousand
pounds."</blockquote>
<a href="#fr52">return</a><br>
<br>
<br>
<a name="f53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;For Joe Murray, see <i>Letters</i>, vol. i. p. 21,
<i>note</i> 3. [Footnote 4 of Letter 7]<br>
<a href="#fr53">return</a><br>
<br>
<br>
<a name="f54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; For the Earl of Carlisle, see <i>Letters</i>, vol. i. p.
36, <i>note</i> 2. [Footnote 3 of Letter 13]<br>
<a href="#fr54">return</a><br>
<br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L174"></a>174&mdash;To the Hon. Augusta Leigh</h3>
<br>
Newstead Abbey, Aug'st 30th, 1811.<br><br>

<br>
<b>My Dear Augusta</b>,&mdash;I wrote to you yesterday, and as you will not be very
sorry to hear from me again, considering our long separation, I shall
fill up this sheet before I go to bed. I have heard something of a
quarrel between your spouse and the Prince, I don't wish to pry into
family secrets or to hear anything more of the matter, but I can't help
regretting on your account that so long an intimacy should be dissolved
at the very moment when your husband might have derived some advantage
from his R. H.'s friendship. However, at all events, and in all
Situations, you have a brother in me, and a home here.<br>
<br>
I am led into this train of thinking by a part of your letter which
hints at pecuniary losses. I know how delicate one ought to be on such
subjects, but you are probably the only being on Earth <i>now</i>
interested in my welfare, certainly the only relative, and I should be
very ungrateful if I did not feel the obligation. You must excuse my
being a little cynical, knowing how my <i>temper</i> was tried in my
Non-age; the manner in which I was brought up must necessarily have
broken a meek Spirit, or rendered a fiery one ungovernable; the effect
it has had on mine I need not state.<br>
<br>
However, buffeting with the World has brought me a little to reason, and
two years travel in distant and barbarous countries has accustomed me to
bear privations, and consequently to laugh at many things which would
have made me angry before. But I am wandering &mdash;in short I only want to
assure you that I love you, and that you must not think I am
indifferent, because I don't shew my affection in the usual way.<br>
<br>
Pray can't you contrive to pay me a visit between this and Xmas? or
shall I carry you down with me from Cambridge, supposing it practicable
for me to come? You will do what you please, without our interfering
with each other; the premises are so delightfully extensive, that two
people might live together without ever seeing, hearing or meeting,&mdash;but
I can't feel the comfort of this till I marry. In short it would be the
most amiable matrimonial mansion, and that is another great inducement
to my plan,&mdash;my wife and I shall be so happy,&mdash;one in each Wing. If this
description won't make you come, I can't tell what will, you must please
yourself. Good night, I have to walk half a mile to my Bed chamber.<br>
Yours ever, <b>Byron</b>.<br>
<br>
<p><a href="#section1">List of Letters</a><<br>
<p><a href="#toc">Contents</a>/p>
<hr><br><br>

<h3><a name="L175"></a>175&mdash;To James Wedderburn Webster</h3>
<br>
Newstead Abbey, Notts., Aug'st 31st, 1811.<br>
<br><br>


<b>My Dear W.</b>,&mdash;I send you back your friend's letter, and, though I don't
agree with his Canons of Criticism, they are not the worse for that. <a name="fr61">My</a>
friend Hodgson<a href="#f61"><sup>1</sup></a> is not much honoured by the comparison to the
<i>Pursuits of L.</i>, which is notoriously, as far as the <i>poetry</i>
goes, the worst written of its kind; the World has been long but of one
opinion, viz. that it's sole merit lies in the Notes, which are
indisputably excellent.<br>
<br>
Had Hodgson's "Alterative" been placed with the <i>Baviad</i> the
compliment had been higher to both; for, surely, the <i>Baviad</i> is as
much superior to H.'s poem, as I do firmly believe H.'s poem to be to
the <i>Pursuits of Literature</i>.<br>
<br>
Your correspondent talks for talking's sake when he says "Lady J. Grey"
is neither "Epic, dramatic, or legendary." Who ever said it was "epic"
or "dramatic"? he might as well say his letter was neither "epic or
dramatic;" the poem makes no pretensions to either character.
"Legendary" it certainly is, but what has that to do with its merits?
All stories of that kind founded on facts are in a certain degree
legendary, but they may be well or ill written without the smallest
alteration in that respect. When Mr. Hare prattles about the "Economy,"
etc., he sinks sadly;&mdash;all such expressions are the mere cant of a
schoolboy hovering round the Skirts of Criticism.<br>
<br>
Hodgson's tale is one of the best efforts of his Muse, and Mr. H.'s
approbation must be of more consequence, before any body will reduce it
to a "Scale," or be much affected by "the place" he "assigns" to the
productions of a man like Hodgson.<br>
<br>
But I have said more than I intended and only beg you never to allow
yourself to be imposed upon by such "common place" as the 6th form
letter you sent me. Judge for yourself.<br>
<br>
I <a name="fr62">know</a> the Mr. Bankes<a href="#f62"><sup>2</sup></a>  you mention though not to that "extreme" you
seem to think, but I am flattered by his "boasting" on such a subject
(as you say), for I never thought him likely to "boast" of any thing
which was not his own. I am not "<i>melancholish</i>"&mdash;pray what
"<i>folk</i>" dare to say any such thing? I must contradict them by
being <i>merry</i> at their expence.<br>
<br>
I shall invade you in the course of the winter, out of envy, as Lucifer
looked at Adam and Eve.<br>
<br>
Pray be as happy as you can, and write to me that I may catch the
infection.<br>
<br>
Yours ever, <b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Webster had sent Byron a letter from Naylor Hare, in which
the latter criticized Hodgson's poems, <i>Lady Jane Grey, a Tale; and
other Poems (1809)</i> (see <i>Letters</i>, vol. i. p. 195, <i>note
1</i> [Footnote 1 of Letter 102]). <br>
<br>
In the volume (pp. 56-77) was printed his "Gentle Alterative
prepared for the Reviewers," which Hare apparently compared to <i>The
Pursuits of Literature (1794-97)</i>, by T. J. Mathias. <br>
<br>
To this
criticism Byron objected, saying that the "Alterative" might be more
fairly compared to Gifford's <i>Baviad</i> (1794).<br>
<a href="#fr61">return to footnote mark</a><br>
<br>
<br>
<a name="f62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For William John Bankes, see <i>Letters</i>, vol. i. p.
120, <i>note</i> 1. [Footnote 1 of Letter 67]<br>
<a href="#fr62">return</a><br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L176">176&mdash;To the Hon. Augusta Leigh</a><a href="#f71"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Newstead Abbey, Sept. 2d, 1811.<br><br>

<br>
My dear Augusta,&mdash;I wrote you a vastly dutiful letter since my answer to
your second epistle, and I now write you a third, for which you have to
thank Silence and Solitude. <a name="fr72">Mr</a>. Hanson<a href="#f72"><sup>2</sup></a> comes hither on the 14th, and
I am going to Rochdale on business, but that need not prevent you from
coming here, you will find Joe, and the house and the cellar and all
therein very much at your Service.<br>
<br>
As to Lady B., when I discover one rich enough to suit me and foolish
enough to have me, I will give her leave to make me miserable if she
can. Money is the magnet; as to Women, one is as well as another, the
older the better, we have then a chance of getting her to Heaven. So,
your Spouse does not like brats better than myself; now those who beget
them have no right to find fault, but <i>I</i> may rail with great
propriety.<br>
<br>
My "Satire!"&mdash;I am glad it made you laugh for Somebody told me in Greece
that you was angry, and I was sorry, as you were perhaps the only person
whom I did <i>not</i> want to <i>make angry</i>.<br>
<br>
But how you will make <i>me laugh</i> I don't know, for it is a vastly
<i>serious</i> subject to me I assure you; therefore take care, or I
shall hitch <i>you</i> into the next Edition to make up our family
party. Nothing so fretful, so despicable as a Scribbler, see what
<i>I</i> am, and what a parcel of Scoundrels I have brought about my
ears, and what language I have been obliged to treat them with to deal
with them in their own way;&mdash;all this comes of Authorship, but now I am
in for it, and shall be at war with Grubstreet, till I find some better
amusement.<br>
<br>
You will write to me your Intentions and may almost depend on my being
at Cambridge in October. You say you mean to be etc. in the
<i>Autumn</i>; I should be glad to know what you call this present
Season, it would be Winter in every other Country which I have seen. If
we meet in October we will travel in my <i>Vis</i>. and can have a cage
for the children and a cart for the Nurse. Or perhaps we can forward
them by the Canal. Do let us know all about it, your "<i>bright
thought</i>" is a little clouded, like the Moon in this preposterous
climate. <br>
<br>
Good even, Child. <br>
<br>
Yours ever, B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The following is Mrs. Leigh's letter, to which the above is
an answer:

  <blockquote>"6 Mile Bottom, Saturday, 31 Aug.<br>
<br>
  My dearest brother,&mdash;I hope you don't dislike receiving letters so
  much as writing them, for you would in that case pronounce me a great
  torment. But as I prepared you in my last for its being followed very
  soon by another, I hope you will have reconciled your mind to the
  impending toil. I really wrote in such a hurry that I did not say half
  I wished; but I did not like to delay telling you how happy you made
  me by writing. I have been dwelling constantly upon the idea of going
  to Newstead ever since I had your wish to see me there. At last a
  <i>bright thought</i> struck me.<br>
<br>
  We intend, I believe, to go to Yorkshire in the autumn. Now, if I
  could contrive to pay you a visit <i>en passant</i>, it would be
  delightful, and give me the greatest pleasure. But I fear you would be
  obliged to make up your mind to receive my <i>Brats</i> too. As for my
  husband, he prefers the <i>outside of the Mail</i> to <i>the inside of
  a Post-Chaise</i>, particularly when partly occupied by Nurse and
  Children, so that we always travel <i>independent</i> of each other.<br>
<br>
  So much for this, my dear B. I can only say I should <i>much</i> like
  to see you at Newstead. The former I hope I shall at all events, as
  you must not be shabby, but come to Cambridge as you promised. Are you
  staying at Newstead now for any time? I saw George Byron in Town for
  one day, and he promised to call or write again, but has not done
  either, so I begin to think he has gone back to Lisbon. I think it is
  impossible not to like him; he is so good-natured and natural. We
  talked much of you; he told me you were grown very thin; as you don't
  complain, I hope you are not the worse for being so, and I remember
  you used to wish it. Don't you think <i>it a great shame</i> that
  George B. is not promoted? I wish there was any possibility of
  assisting him about it; but all I know who <i>could</i> do any good
  with you <i>present</i> Ministers, I don't for many reasons like to
  ask. Perhaps there may be a change bye and bye.<br>
<br>
  Fred Howard is married to Miss <i>Lambton</i>. I saw them in town in
  their way to Castle Howard. I hope he will be happy with all my heart;
  his kindness and friendship to us last year, when Col. <i>Leigh</i>
  was placed in one of the most perplexing situations that I think
  anybody could be in, is never to be forgotten. I think he used to be a
  greater favourite with you than some others of his family. <i>Mrs.
  F.H.</i> is very pretty, <i>very</i> young (not quite 17), and appears
  gentle and pleasing, which is all one can expect [to discover from] a
  very slight acquaintance.<br>
<br>
  Now, my dearest Byron, pray let me hear from you. I shall be daily
  expecting to hear of a <i>Lady Byron</i>, since you have confided to
  me your determination of marrying, in which I really hope you are
  serious, being convinced such an event would contribute greatly to
  your happiness, <b>provided</b> <i>her Ladyship</i> was the sort of person
  that would suit you; and you won't be angry with me for saying that it
  is not <b>every</b> <i>one</i> who would; therefore don't be too
  <i>precipitate</i>. You will <i>wish me hanged</i>, I fear, for boring
  you so unmercifully, so God bless you, my dearest Bro.; and, when you
  have time, do write. Are you going to amuse us with any more
  <i>Satires</i>? Oh, <i>English Bards!</i> I shall make you laugh (when
  we meet) about it.<br>
<br>
  Ever your most affectionate Sis. and Friend, <br>
<br>
  A.L.</blockquote>
<a href="#L176">return to footnote mark</a><br>
<br>
<br>
<a name="f72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;For John Hanson, see Letters, vol. i. p. 8, note 2. [Footnote 1 of Letter 3]<br>
<a href="#fr72">return</a><br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L177">177&mdash;To To Francis Hodgson</a></h3>
<br>
Newstead Abbey, Sept. 3, 1811.<br><br>

<br>
<b>My Dear Hodgson</b>,&mdash;I <a name="fr81">will</a> have nothing to do with your immortality<a href="#f81"><sup>1</sup></a>;
we are miserable enough in this life, without the absurdity of
speculating upon another. If men are to live, why die at all? and if
they die, why disturb the sweet and sound sleep that "knows no waking"?

<blockquote>"<a name="fr82">Post</a> Mortem nihil est, ipsaque Mors nihil ... quæris quo jaceas post
obitum loco? Quo <i>non</i> Nata jacent."<a href="#f82"><sup>2</sup></a></blockquote>

As to revealed religion, Christ came to save men; but a good Pagan will
go to heaven, and a bad Nazarene to hell; "Argal" (I argue like the
gravedigger) why are not all men Christians? or why are any? If mankind
may be saved who never heard or dreamt, at Timbuctoo, Otaheite, Terra
Incognita, etc., of Galilee and its Prophet, Christianity is of no
avail: if they cannot be saved without, why are not all orthodox? It is
a little hard to send a man preaching to Judæa, and leave the rest of
the world&mdash;Negers and what not&mdash;<i>dark</i> as their complexions,
without a ray of light for so many years to lead them on high; and who
will believe that God will damn men for not knowing what they were never
taught? I hope I am sincere; I was so at least on a bed of sickness in a
far-distant country, when I had neither friend, nor comforter, nor hope,
to sustain me. I looked to death as a relief from pain, without a wish
for an after-life, but a confidence that the God who punishes in this
existence had left that last asylum for the <a name="fr83">weary</a>.

<blockquote><a href="#f83"><img src="images/BG1.gif" width="320" height="36" border="1" alt="Greek: Hon ho theòs agapáei apothnáeskei néos."></a></blockquote>

I am no Platonist, I am nothing at all; but I would sooner be a
Paulician, Manichean, Spinozist, Gentile, Pyrrhonian, Zoroastrian, than
one of the seventy-two villainous sects who are tearing each other to
pieces for the love of the Lord and hatred of each other. Talk of
Galileeism? Show me the effects&mdash;are you better, wiser, kinder by your
precepts? I will bring you ten Mussulmans shall shame you in all
goodwill towards men, prayer to God, and duty to their neighbours. <a name="fr84">And</a>
is there a Talapoin<a href="#f84"><sup>4</sup></a>, or a Bonze, who is not superior to a
fox-hunting curate? But I will say no more on this endless theme; let me
live, well if possible, and die without pain. The rest is with God, who
assuredly, had He <i>come</i> or <i>sent</i>, would have made Himself
manifest to nations, and intelligible to all.<br>
<br>
I shall rejoice to see you. My present intention is to accept Scrope
Davies's invitation; and then, if you accept mine, we shall meet
<i>here</i> and <i>there</i>. Did you know poor Matthews? I shall miss
him much at Cambridge.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The religious discussion arose out of the opening stanzas
of <i>Childe Harold</i>, Canto II., which Hodgson was helping to correct
for the press.<br>
<br>
Byron's opinions were not newly formed, as is shown by the following
letter to Ensign Long (see <i>Letters</i>, vol. i. p. 73, <i>note
2</i> [Footnote 2 of Letter 31]), which reached the Editor too late for insertion in its proper
place:

  <blockquote>Southwell, Ap: 16th, 1807.<br>
<br>
  "Your Epistle, my dear Standard Bearer, augurs not much in favour of
  your new life, particularly the latter part, where you say your
  happiest Days are over. I most sincerely hope not. The past has
  certainly in some parts been pleasant, but I trust will be equalled,
  if not exceeded by the future. You hope it is not so with me.<br>
<br>
  "To be plain with Regard to myself. Nature stampt me in the Die of
  Indifference. I consider myself as destined never to be happy,
  although in some instances fortunate. I am an isolated Being on the
  Earth, without a Tie to attach me to life, except a few
  School-fellows, and a <i>score of females.</i> Let me but 'hear my
  fame on the winds' and the song of the Bards in my Norman house, I ask
  no more and don't expect so much. Of Religion I know nothing, at least
  in its <i>favour</i>. We have <i>fools</i> in all sects and Impostors
  in most; why should I believe mysteries no one understands, because
  written by men who chose to mistake madness for Inspiration, and style
  themselves <i>Evangelicals?</i> However enough on this subject. Your
  <i>piety</i> will be <i>aghast,</i> and I wish for no proselytes. This
  much I will venture to affirm, that all the virtues and pious
  <i>Deeds</i> performed on Earth can never entitle a man to Everlasting
  happiness in a future State; nor on the other hand can such a Scene as
  a Seat of eternal punishment exist, it is incompatible with the benign
  attributes of a Deity to suppose so.<br>
<br>
  "I am surrounded here by parsons and methodists, but, as you will
  see, not infected with the mania. I have lived a <i>Deist</i>, what I
  shall die I know not; however, come what may, <i>ridens moriar</i>.<br>
<br>
  "Nothing detains me here but the publication, which will not be
  complete till June. About 20 of the present pieces will be cut out,
  and a number of new things added. Amongst them a complete Episode of
  Nisus and Euryalus from Virgil, some Odes from Anacreon, and several
  original Odes, the whole will cover 170 pages. My last production has
  been a poem in imitation of Ossian, which I shall not publish, having
  enough without it. Many of the present poems are enlarged and altered,
  in short you will behold an 'Old friend with a new face.' Were I to
  publish all I have written in Rhyme, I should fill a decent Quarto;
  however, half is quite enough at present. You shall have <i>all</i>
  when we meet.<br>
<br>
  "I grow thin daily; since the commencement of my System I have lost 23
  lbs. in my weight <i>(i.e.)</i> 1 st. and 9 lbs. When I began I
  weighed 14 st. 6 lbs., and on Tuesday I found myself reduced to 12 st.
  11 lb. What sayest thou, Ned? do you not envy?  I shall still proceed
  till I arrive at 12 st. and then stop, at least if I am not too fat,
  but shall always live temperately and take much exercise.<br>
<br>
  "If there is a possibility we shall meet in June. I shall be in Town,
  before I proceed to Granta, and if the 'mountain will not come to
  Mahomet, Mahomet will go to the mountain.' I don't mean, by comparing
  you to the mountain, to insinuate anything on the Subject of your
  Size. Xerxes, it is said, formed Mount Athos into the Shape of a
  Woman; had he lived now, and taken a peep at Chatham, he would have
  spared himself the trouble and made it unnecessary by finding a
  <i>Hill</i> ready cut to his wishes.<br>
<br>
  "Adieu, dear Mont Blanc, or rather <i>Mont Rouge</i>; don't, for
  Heaven's sake, turn Volcanic, at least roll the Lava of your
  indignation in any other Channel, and not consume Your's ever, <br>
<br>
<b>Byron</b>.<br>
<br>
"<i>Write Immediately</i>."</blockquote>
<a href="#Cr1">cross-reference: return to Preface</a><br>
<br>
Byron lived to modify these opinions, as is shown by the following
passages from his <i>Detached Thoughts</i>:


<blockquote>  "If I were to live over again, I do not know what I would change in my
  life, unless it were <i>for&mdash;not to have lived at all</i>. All history
  and experience, and the rest, teaches us that the good and evil are
  pretty equally balanced in this existence, and that what is most to be
  desired is an easy passage out of it. What can it give us but years?
  and those have little of good but their ending.<br>
<br>
  "Of the immortality of the soul it appears to me that there can be
  little doubt, if we attend for a moment to the action of mind; it is
  in perpetual activity. I used to doubt of it, but reflection has
  taught me better. It acts also so very independent of body&mdash;in dreams,
  for instance;&mdash;incoherently and <i>madly</i>, I grant you, but still
  it is mind, and much more mind than when we are awake. Now that this
  should not act <i>separately</i>, as well as jointly, who can
  pronounce? The stoics, Epictetus and Marcus Aurelius, call the present
  state 'a soul which drags a carcass,'&mdash;a heavy chain, to be sure; but
  all chains being material may be shaken off. How far our future life
  will be <i>individual</i>, or, rather, how far it will at all resemble
  our <i>present</i> existence, is another question; but that the mind
  is eternal seems as probable as that the body is not so. Of course I
  here venture upon the question without recurring to Revelation, which,
  however, is at least as rational a solution of it as any other. A
  <i>material</i> resurrection seems strange, and even absurd, except
  for purposes of punishment; and all punishment which is to
  <i>revenge</i> rather than <i>correct</i> must be <i>morally
  wrong</i>; and <i>when the world is at an end</i>, what moral or
  warning purpose <i>can</i> eternal tortures answer? Human passions
  have probably disfigured the divine doctrines here;&mdash;but the whole
  thing is inscrutable."<br>
<br>
  "It is useless to tell me <i>not</i> to <i>reason</i>, but to
  <i>believe</i>. You might as well tell a man not to wake, but
  <i>sleep</i>. And then to <i>bully</i> with torments, and all that! I
  cannot help thinking that the <i>menace</i> of hell makes as many
  devils as the severe penal codes of inhuman humanity make villains."<br>
<br>
  "Man is born <i>passionate</i> of body, but with an innate though
  secret tendency to the love of good in his main-spring of mind. But,
  God help us all! it is at present a sad jar of atoms."</blockquote>
<a href="#fr81">return to footnote mark</a><br>
<br>
<br>
<a name="f82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The lines are quoted from Seneca's <i>Troades</i> (act ii.
et seqq.):

  <blockquote>"Post mortem nihil est, ipsaque mors nihil.<br>
  ........<br>
  ........<br>
  Quæris, quo jaceas post obitum loco?<br>
  Quo non nata jacent."</blockquote>
<a href="#fr82">return</a><br>
<br>
<br>
<a name="f83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; The sentiment is found in one of the <img src="images/BG2.gif" width="119" height="30" border="1" alt="Greek: monóstichoi"> of Menander (<i>Menandri et Philemonis reliquiæ,</i> edidit Augustus Meineke, p. 48). It is thus quoted by Stobæus (<i>Florilegium</i>, cxx. 8) as an iambic:

<blockquote><img src="images/BG3.gif" width="375" height="30" border="1" alt="Greek: Hon oi theoì philoûsin apothnáeskei néos."></blockquote>

In the <i>Comicorum Græcorum Sententiæ, id est</i> <img src="images/BG4.gif" width="83" height="30" border="1" alt="Greek: gnômai"> (p. 219, ed, Henricus Stephanus, MDLXIX.) it is quoted as a leonine verse:

<blockquote><img src="images/BG5.gif" width="312" height="30" border="1" alt="Greek: Hon gàr philei theòs apothnáeskei néos."></blockquote>

Plautus gives it thus (<i>Bacchides</i>, iv. 7):

<blockquote>"Quem di diligunt adolescens moritur."</blockquote>
<a href="#fr83">return</a><br>
<br>
<br>
<a name="f84"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;The word is said to be illegible, and the conclusion of the
letter to be lost (<i>Memoir of the Rev. Francis Hodgson</i>, vol. i. p.
196). Only the latter statement is correct. The word is perfectly
legible. Talapoin (Yule's <i>Glossary of Anglo-Indian Words, sub
voce</i>) is the name used by the Portuguese, and after them by the
French writers, and by English travellers of the seventeenth century
(Hakluyt, ed. 1807, vol. ii. p. 93; and Purchas, ed. 1645, vol. ii. p.
1747), to designate the Buddhist monks of Ceylon and the Indo-Chinese
countries. Pallegoix (<i>Description du Royaume Thai ou Siam</i>, vol.
ii. p. 23) says,

  <blockquote>"Les Européens les ont appelés <i>talapoins</i>, probablement du nom
  de l'éventail qu'ils tiennent à la main, lequel s'appelle
  <i>talapat</i>, qui signifie <i>feuille de palmier</i>."</blockquote>

Possibly Byron knew the word through Voltaire (<i>Dial.</i> xxii.,
<i>André des Couches à Siam</i>);

  <table summary="Byron 1" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td>"<i>A. des C.</i>:</td>
	<td>Combien avez-vous de soldats?</td>
</tr>
<tr align="left" valign="top">
	<td>  <i>Croutef.</i>:</td>
	<td>Quatre-vingt mille, fort médiocrement payés.</td>
</tr>
<tr align="left" valign="top">
	<td>  <i>A. des C.</i>:</td>
	<td> Et de talapoins?</td>
</tr>
<tr align="left" valign="top">
	<td>  <i>Cr.</i>:</td>
	<td>Cent vingt-mille, tous fainéans et trés riches," etc.</td>
</tr>
</table><br>
<a href="#fr84">return</a><br>
<br>
<p><a href="#section1">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L178">178&mdash;to R.C. Dallas</a></h3>
<br>
Newstead Abbey, September 4th, 1811.<br>
<br><br>

My dear Sir,&mdash;<a name="fr91">I</a> am at present anxious, as Cawthorn seems to wish it, to
have a small edition of the <i>Hints from Horace</i><a href="#f91"><sup>1</sup></a> published
immediately, but the Latin (the most difficult poem in the language)
renders it necessary to be very particular not only in correcting the
proofs with Horace open, but in adapting the parallel passages of the
imitation in such places to the original as may enable the reader not to
lose sight of the allusion. I don't know whether I ought to ask you to
do this, but I am too far off to do it for myself; and if you condescend
to my school-boy erudition, you will oblige me by setting this thing
going, though you will smile at the importance I attach to it.<br>
<br>
Believe me, ever yours,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="f91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Hints from Horace</i>, written during Byron's second
stay at Athens, March 11-14, 1811, and subsequently added to, had been
placed in the hands of Cawthorn, the publisher of <i>English Bards, and
Scotch Reviewers</i>, for publication. Byron afterwards changed his
mind, and the poem remained unpublished till after his death.<br>
<br>
The following letter from Cawthorn shows that considerable progress had
been made with the printing of the poem, and that Byron also
contemplated another edition of <i>English Bards, and Scotch
Reviewers</i>. The advice of his friends led him to abandon both plans;
but his letter to Cawthorn, printed below, is evidence that in September
he was still at work on <i>Hints from Horace</i>:

 <blockquote> "24, Cockspur Street, Aug. 22'd, 1811.<br>
<br>
  "My Lord,&mdash;Mr. Green the Amanuensis has finished the Latin of the
  Horace, and I shall be happy to do with it as your Lordship may
  direct, either to forward it to Newstead, or keep it in Town. Would it
  not be better to print a small edition seperate (<i>sic</i>), and
  afterwards print the two satires together? This I leave to your
  Lordship's consideration. Four Sheets of the <i>Travels</i> are
  already printed, and one of the plates (Albanian Solain) is executed.
  I sent it Capt. H[obhouse] yesterday to Cork, to see if it meets his
  approbation. The work is printed in quarto, for which I may be in some
  measure indebted to your Lordship, as I urged it so strongly. I shall
  be extremely sorry if Capt. H. is not pleased with it, but I think he
  will. Your Lordship's goodness will excuse me for saying how much the
  very sudden and melancholy events that have lately transpired&mdash;I
  regret&mdash;Capt. Hobhouse has written me since the decease of Mr.
  Mathews. I am told Capt. H. is very much affected at it. I have
  received some drawings of costumes from him, which I am to deliver to your Lordship. Is it
  likely we shall see your Lordship in Town soon?<br>
<br>
  "I have the honour to be your Lordship's<br>
<br>
  "Most respectful and greatly obliged Servt.,<br>
<br>
  "<b>James Cawthorn</b>.<br>
<br>
  "If a small edition is printed of '<i>Horace</i>' for the first"
  [words erased] "that, and I think in all probability the '<i>E.
  Bards</i>' will want reprinting about March next, when both could be
  done together. Do not think me too sanguine."</blockquote>

A few days later, Byron writes to Cawthom as follows:

  <blockquote>"Newstead Abbey, September 4th, 1811.<br>
<br>
  "More notes for the '<i>Hints</i>'! You mistake me much by thinking me
  inattentive to this publication. If I had a friend willing and able to
  correct the press, it should be out with my good will immediately.
  Pray attend to annexing additional notes in their proper places, and
  let them be added immediately.<br>
<br>
  "Yours, etc.,<br>
<br>
  "<b>Byron</b>."</blockquote>
<a href="#fr91">return</a><br>
<a href="#f34">cross-reference: return to Footnote 1 of Letter 231</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L179">179&mdash;to John Murray</a><a href="#fa1"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Newstead Abbey, Notts., Sept. 5, 1811.<br>
<br><br>

<b>Sir</b>,&mdash;The time seems to be past when (as Dr. Johnson said) a man was
certain to "hear the truth from his bookseller," for you have paid me
so many compliments, that, if I was not the veriest scribbler on earth,
I should feel affronted. As I accept your compliments, it is but fair I
should give equal or greater credit to your objections, the more so as I
believe them to be well founded. With regard to the political and
metaphysical parts, I am afraid I can alter nothing; but I have high
authority for my Errors in that point, for even the <i>Æneid</i> was a
<i>political</i> poem, and written for a <i>political</i> purpose; and
as to my unlucky opinions on Subjects of more importance, I am too
sincere in them for recantation. <a name="fra2">On</a> Spanish affairs I have said what I
saw, and every day confirms me in that notion of the result formed on
the Spot; and I rather think honest John Bull is beginning to come round
again to that Sobriety which Massena's retreat<a href="#fa2"><sup>2</sup></a> had begun to reel
from its centre&mdash;the usual consequence of <i>un</i>usual success. So you
perceive I cannot alter the Sentiments; but if there are any alterations
in the structure of the versification you would wish to be made, I will
tag rhymes and turn stanzas as much as you please. As for the
"<i>Orthodox</i>," let us hope they will buy, on purpose to abuse&mdash;you
will forgive the one, if they will do the other. You are aware that any
thing from my pen must expect no quarter, on many accounts; and as the
present publication is of a nature very different from the former, we
must not be sanguine.<br>
<br>
<a name="fra3">You</a> have given me no answer to my question&mdash;tell me fairly, did you show
the MS. to some of your corps<a href="#fa3"><sup>3</sup></a>?<br>
<br>
I sent an introductory stanza to Mr. Dallas, that it might be
forwarded to you; the poem else will open too abruptly. The Stanzas had
better be numbered in Roman characters, there is a disquisition on the
literature of the modern Greeks, and some smaller poems to come in at
the close. These are now at Newstead, but will be sent in time. If Mr.
D. has lost the Stanza and note annexed to it, write, and I will send it
myself.&mdash;You tell me to add two cantos, but I am about to visit my
<i>Collieries</i> in Lancashire on the 15th instant, which is so
<i>unpoetical</i> an employment that I need say no more.<br>
<br>
I am, sir, your most obedient, etc., etc.,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The following is Murray's letter, to which Byron replies:

  <blockquote>"London, Sept. 4, 1811, Wednesday.<br>
<br>
  "<b>My Lord</b>,&mdash;An absence of some days, passed in the country, has
  prevented me from writing earlier in answer to your obliging letter. I
  have now, however, the pleasure of sending under a separate cover, the
  first proof sheet of your Lordship's <i>Poem</i>, which is so good as
  to be entitled to all your care to render perfect. Besides its general
  merit, there are parts, which, I am tempted to believe, far excel
  anything that your Lordship has hitherto published, and it were
  therefore grievous indeed, if you do not condescend to bestow upon it
  all the improvement of which your Lordship's mind is so capable; every
  correction already made is valuable, and this circumstance renders me
  more confident in soliciting for it your further attention.<br>
<br>
  "There are some expressions, too, concerning Spain and Portugal,
  which, however just, and particularly so at the time they were
  conceived, yet as they do not harmonize with the general feeling,
  would so greatly interfere with the popularity which the poem is, in
  other respects, so certainly calculated to excite, that, in compassion
  to your publisher, who does not presume to reason upon the subject,
  otherwise than as a mere matter of business, I hope your Lordship's
  goodness will induce you to obviate them, and, with them, perhaps,
  some religious feelings which may deprive me of some customers amongst
  the <i>Orthodox</i>.<br>
<br>
  "Could I flatter myself that these suggestions were not obtrusive, I
  would hazard another, in an earnest solicitation that your Lordship
  would add the two promised Cantos, and complete the <i>Poem</i>. It
  were cruel indeed not to perfect a work which contains so much that is
  excellent; your Fame, my Lord, demands it; you are raising a Monument
  that will outlive your present feelings, and it should therefore be so
  constructed as to excite no other associations than those of respect
  and admiration for your Lordship's Character and Genius.<br>
<br>
  "I trust that you will pardon the warmth of this address when I assure
  your Lordship that it arises, in the greatest degree, in a sincere
  regard for your lasting reputation, with, however, some view to that
  portion of it, which must attend the Publisher of so beautiful a Poem,
  as your Lordship is capable of rendering<br>
<br>
  "<i>The Romaunt of Childe Harold</i>.<br>
<br>
  "I have the honour to be, My Lord,<br>
<br>
  "Your Lordship's<br>
<br>
  "Obedient and faithful servant,<br>
<br>
  "<b>John Murray</b>."
  </blockquote>
<a href="#L179">return</a><br>
<br>
<br>
<a name="fa2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; On the night of March 5, 1811, Massena retreated from his
camp at Santarem, whence he had watched Wellington at Torres Vedras, and
on April 4 he crossed the Coa into Spain.<br>
<a href="#fra2">return</a><br>
<br>
<br>
<a name="fa3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Murray had shown the MS. to Gifford for advice as to its
publication. Byron seems to have resented this on the ground that it
might look like an attempt to propitiate the <i>Quarterly Review</i>.<br>
<a href="#fra3">return</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L180"></a>180&mdash;to R. C. Dallas</h3>
<br>
Newstead Abbey, September 7, 1811.<br><br>

<br>
As Gifford has been ever my "Magnus Apollo," any approbation, such as
you mention, <a name="fra11">would</a>, of course, be more welcome than "all Bocara's
vaunted gold", than all "the gems of Samarcand."<a href="#fa11"><sup>1</sup></a> But I am sorry the
MS. was shown to him in such a manner, and had written to Murray to say
as much, before I was aware that it was too late.<br>
<br>
Your objection to the expression "central line" I can only meet by
saying that, before Childe Harold left England, it was his full
intention to traverse Persia, and return by India, which he could not
have done without passing the equinoctial.<br>
<br>
The other errors you mention, I must correct in the progress through the
press. I feel honoured by the wish of such men that the poem should be
continued, but to do that I must return to Greece and Asia; I must have
a warm sun, a blue sky; I cannot describe scenes so dear to me by a
sea-coal fire. I had projected an additional canto when I was in the
Troad and Constantinople, and if I saw them again, it would go on; but
under existing circumstances and <i>sensations</i>, I have neither harp,
"heart, nor voice" to proceed, I feel that <i>you are all right</i> as
to the metaphysical part; but I also feel that I am sincere, <a name="fra12">and</a> that if
I am only to write "ad captandum vulgus," I might as well edit a
magazine at once, or spin canzonettas for Vauxhall<a href="#fa12"><sup>2</sup></a>.<br>
<br>
My work must make its way as well as it can; I know I have every thing
against me, angry poets and prejudices; but if the poem is a
<i>poem</i>, it will surmount these obstacles, and if <i>not</i>, it
deserves its fate. <a name="fra13">Your</a> friend's Ode<a href="#fa13"><sup>3</sup></a> I have read&mdash;it is no great
compliment to pronounce it far superior to Smythe's on the same subject,
or to the merits of the new Chancellor. It is evidently the production
of a man of taste, and a poet, <a name="fra14">though</a> I should not be willing to say it
was fully equal to what might be expected from the author of "<i>Horæ
Ionicæ</i>."<a href="#fa14"><sup>4</sup></a> I thank you for it, and that is more than I would do
for any other Ode of the present day.<br>
<br>
I am very sensible of your good wishes, and, indeed, I have need of
them. My whole life has been at variance with propriety, not to say
decency; my circumstances are become involved; my friends are dead or
estranged, and my existence a dreary void. In Matthews I have lost my
"guide, philosopher, and friend;" in Wingfield a friend only, but one
whom I could have wished to have preceded in his long journey.<br>
<br>
Matthews was indeed an extraordinary man; it has not entered into the
heart of a stranger to conceive such a man: there was the stamp of
immortality in all he said or did;&mdash;and now what is he? When we see such
men pass away and be no more&mdash;men, who seem created to display what the
Creator <i>could make</i> his creatures, gathered into corruption,
before the maturity of minds that might have been the pride of
posterity, what are we to conclude? For my own part, I am bewildered. To
me he was much, to Hobhouse every thing. My poor Hobhouse doted on
Matthews. For me, I did not love quite so much as I honoured him; I was
indeed so sensible of his infinite superiority, that though I did not
envy, I stood in awe of it. He, Hobhouse, Davies, and myself, formed a
coterie of our own at Cambridge and elsewhere. Davies is a wit and man
of the world, and feels as much as such a character can do; but not as
Hobhouse has been affected. Davies, who is not a scribbler, has always
beaten us all in the war of words, and by his colloquial powers at once
delighted and kept us in order. Hobhouse and myself always had the worst
of it with the other two; and even Matthews yielded to the dashing
vivacity of Scrope Davies. But I am talking to you of men, or boys, as
if you cared about such beings.<br>
<br>
I expect mine agent down on the I4th to proceed to Lancashire, where I
hear from all quarters that I have a very valuable property in coals,
etc. I then intend to accept an invitation to Cambridge in October, and
shall, perhaps, run up to town. I have four invitations&mdash;to Wales,
Dorset, Cambridge, and Chester; but I must be a man of business. I am
quite alone, as these long letters sadly testify. I perceive, by
referring to your letter, that the Ode is from the author; make my
thanks acceptable to him. His muse is worthy a nobler theme. You will
write as usual, I hope. I wish you good evening, and am, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The lines, which are parodied in Byron's unpublished
<i>Barmaid</i>, are from Sir W. Jones's translation of a song by Hafiz
(<i>Works</i>, vol. x. p. 251):

  <blockquote>"Sweet maid, if thou would'st charm my sight,<br>
  And bid these arms thy neck infold;<br>
  That rosy cheek, that lily hand,<br>
  Would give thy poet more delight,<br>
  Than all Bocara's vaunted gold,<br>
  Than all the gems of Samarcand."</blockquote>
<a href="#fra11">return to footnote mark</a><br>
<br>
<br>
<a name="fa12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Vauxhall Gardens (1661 to July 25, 1859) were still not
only a popular but a fashionable resort, though fireworks and
masquerades threatened to expel musicians and vocalists. At this time
the principal singers were Charles Dignum (1765-1827); Maria Theresa
Bland (1769-1838), a famous ballad-singer; Rosoman Mountain, <i>née</i>
Wilkinson (1768-1841), whose husband was a violinist and leader at
Vauxhall.&mdash;(<i>The London Pleasure Gardens</i>, pp. 286-326.)<br>
<a href="#fra12">return</a><br>
<br>
<br>
<a name="fa13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; On June 29, 1811, the Duke of Gloucester was installed as
Chancellor of the University of Cambridge. The Installation Ode, written
by W. Smyth, of Peterhouse (1765-1849), Professor of Modern History at
Cambridge, and author of <i>English Lyrics</i> (1797) and other works,
was set to music by Hague, and performed in the Senate House, Braham and
Ashe, it is said, particularly distinguishing themselves among the
performers. The Ode is given in the <i>Annual Register</i> for 1811, pp.
593-596. The rival Ode, which Byron preferred, was by Walter Rodwell
Wright.<br>
<a href="#fra13">return</a><br>
<br>
<br>
<a name="fa14"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; For Walter Rodwell Wright, author of <i>Horæ Ionicæ</i>
(1809), see Letters, vol. i. p. 336, <i>note</i> 1. [Footnote 2 of Letter 167]<br>
<a href="#fra14">return</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L181">181&mdash;to the Hon. Augusta Leigh</a></h3>
<br>
[Six Mile Bottom, Newmarket.]<br>
<br>
Newstead Abbey, Sept. 9th, 1811.<br><br>

<br>
My Dear Augusta,&mdash;My Rochdale affairs are understood to be settled as
far as the Law can settle them, and indeed I am told that the most
valuable part is that which was never disputed; but I have never reaped
any advantage from them, and God knows if I ever shall. Mr. H., my
agent, is a good man and able, but the most dilatory in the world. I
expect him down on the 14th to accompany me to Rochdale, where something
will be decided as to selling or working the Collieries. I am Lord of
the Manor (a most extensive one), and they want to enclose, which cannot
be done without me; but I go there in the worst humour possible and am
afraid I shall do or say something not very conciliatory. In short all
my affairs are going on as badly as possible, and I have no hopes or
plans to better them as I long ago pledged myself never to sell
Newstead, which I mean to hold in defiance of the Devil and Man.<br>
<br>
I am quite alone and never see strangers without being sick, but I am
nevertheless on good terms with my neighbours, for I neither ride or
shoot or move over my Garden walls, but I fence and box and swim and run
a good deal to keep me in exercise and get me to sleep. Poor Murray is
ill again, and one of my Greek servants is ill too, and my valet has got
a pestilent cough, so that we are in a peck of troubles; my family
Surgeon sent an Emetic this morning for <i>one</i> of them, I did not
very well know <i>which</i>, but I swore <i>Somebody</i> should take it,
so after a deal of discussion the Greek swallowed it with tears in his
eyes, and by the blessing of it, and the <i>Virgin</i> whom he invoked
to assist <i>it</i> and <i>him</i>, I suppose he'll be well tomorrow, if
not, <i>another</i> shall have the <i>next</i>. So your Spouse likes
children, <i>that</i> is lucky as he will have to bring them up; for my
part (since I lost my Newfoundland dog,) I like nobody except his
successor a Dutch Mastiff and three land Tortoises brought with me from
Greece.<br>
<br>
I thank you for your letters and am always glad to hear from you, but if
you won't come here before Xmas, I very much fear we shall not meet
<i>here</i> at all, for I shall be off somewhere or other very soon out
of this land of Paper credit (or rather no credit at all, for every body
seems on the high road to Bankruptcy), and if I quit it again I shall
not be back in a hurry.<br>
<br>
However, I shall endeavour to see you somewhere, and make my bow with
decorum before I return to the Ottomans, I believe I shall turn
Mussulman in the end.<br>
<br>
<a name="fra21">You</a> ask after my health; I am in tolerable leanness, which I promote by
exercise and abstinence. I don't know that I have acquired any thing by
my travels but a smattering of two languages and a habit of chewing
Tobacco<a href="#fa21"><sup>1</sup></a>.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; To appease the pangs of hunger, and keep down his fat,
Byron was in the habit of chewing gum-mastic and tobacco. For the same
reason, at a later date, he took opium. The mistake which he makes in
his letter to Hodgson (December 8,1811), "I do nothing but eschew
tobacco," is repeated in <i>Don Juan</i> (Canto XII. stanza xiiii.):

  <blockquote>"In fact, there's nothing makes me so much grieve,<br>
  As that abominable tittle-tattle,<br>
  Which is the cud eschewed by human cattle."</blockquote>
<a href="#fra21">return to footnote mark</a><br>
<a href="#fc66">cross-reference: return to Footnote 6 of Letter 213</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L182">182&mdash;to Francis Hodgson</a></h3>
<br>
Newstead Abbey, Sept. 9, 1811.<br>
<br>
<br>
Dear Hodgson,&mdash;I <a name="fra31">have</a> been a good deal in your company lately, for I
have been reading <i>Juvenal</i> and <i>Lady Jane</i><a href="#fa31"><sup>1</sup></a>, etc., for the
first time since my return. The Tenth Sat'e has always been my
favourite, as I suppose indeed of everybody's. It is the finest recipe
for making one miserable with his life, and content to walk out of it,
in any language. I should think it might be redde with great effect to a
man dying without much pain, in preference to all the stuff that ever
was said or sung in churches. But you are a deacon, and I say no more.
Ah! you <a name="fra32">will</a> marry and become lethargic, like poor Hal of Harrow<a href="#fa32"><sup>2</sup></a>,
who yawns at 10 o' nights, and orders caudle annually.<br>
<br>
I wrote an answer to yours fully some days ago, and, being quite alone
and able to frank, you must excuse this subsequent epistle, which will
cost nothing but the trouble of deciphering. I am expectant of agents to
accompany me to Rochdale, a journey not to be anticipated with pleasure;
though I feel very restless where I am, and shall probably ship off for
Greece again; what nonsense it is to talk of Soul, when a cloud makes it
<i>melancholy</i> and wine makes it <i>mad</i>.<br>
<br>
Collet of Staines, your "most kind host," has lost that girl you saw of
his. She grew to five feet eleven, and might have been God knows how
high if it had pleased Him to renew the race of Anak; but she fell by a
ptisick, a fresh proof of the folly of begetting children. You knew
Matthews. Was he not an intellectual giant? I knew few better or more
intimately, and none who deserved more admiration in point of ability.<br>
<br>
Scrope Davies has been here on his way to Harrowgate; I am his guest in
October at King's, where we will "drink deep ere we depart." "<a name="fra33">Won't</a> you,
won't you, won't you, won't you come, Mr. Mug?"<a href="#fa33"><sup>3</sup></a> We did not
amalgamate properly at Harrow; it was somehow rainy, and then a wife
makes such a damp; but in a seat of celibacy I will have revenge. Don't
you hate helping first, and losing the wings of chicken? And then,
conversation is always flabby. Oh! in the East women are in their proper
sphere, and one has&mdash;no conversation at all. My house here is a
delightful matrimonial mansion. When I wed, my spouse and I will be so
happy!&mdash;one in each wing.<br>
<br>
I <a name="fra34">presume</a> you are in motion from your Herefordshire station<a href="#fa34"><sup>4</sup></a>, and
Drury must be gone back to Gerund Grinding. I have not been at Cambridge
since I took my M.A. degree in 1808. <i>Eheu fugaces!</i> I look forward
to meeting you and Scrope there with the feelings of other times. Capt.
Hobhouse is at Enniscorthy in Juverna. I wish he was in England.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See <i>Letters</i>, vol. i. p. 195, <i>note</i> I. [Footnote 1 of Letter 102]<br>
<a href="#fra31">return to footnote mark</a><br>
<br>
<br>
<a name="fa32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For Henry Drury, see <i>Letters</i>, vol. i. p. 41,
<i>note</i> 2. [Footnote 1 of Letter 14]<br>
<a href="#fra32">return</a><br>
<br>
<br>
<a name="fa33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Byron may possibly allude to "Matthew Mug," a character in
Foote's <i>Mayor of Garratt</i>, said to be intended for the Duke of
Newcastle. In act ii. sc. 2 of the comedy occurs this passage&mdash;

  <blockquote>"<i>Heel-Tap</i>. Now, neighbours, have a good caution that this
  Master Mug does not cajole you; he is a damn'd palavering fellow." </blockquote>

But there is no passage in the play which exactly corresponds with
Byron's quotation.<br>
<a href="#fra33">return</a><br>
<br>
<br>
<a name="fa34"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Hodgson was staying with his uncle, the Rev. Richard Coke,
of Lower Moor, Herefordshire.<br>
<a href="#fra34">return</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L183">183&mdash;To R.C. Dallas</a></h3>
<br>
Newstead Abbey, Sept. 10, 1811.<br>
<br><br>

Dear Sir,&mdash;I rather think in one of the opening stanzas of <i>Childe
Harold</i> there is this line:

<blockquote>'Tis said at times the sullen tear would start.</blockquote>

Now, a line or two after, I have a repetition of the epithet
"<i>sullen</i> reverie;" so (if it be so) let us have "speechless
reverie," or "silent reverie;" but, at all events, do away the
recurrence.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L184">184&mdash;To Francis Hodgson</a></h3>
<br>
Newstead Abbey, September 13, 1811.<br>
<br><br>

My Dear Hodgson,&mdash;I <a name="fra41">thank</a> you for your song, or, rather, your two
songs,&mdash;your new song on love, and your <i>old song</i> on
<i>religion</i><a href="#fa41"><sup>1</sup></a>. I admire the <i>first</i> sincerely, and in turn
call upon you to <i>admire</i> the following on Anacreon Moore's new
operatic farce<a href="#fa42"><sup>2</sup></a>, or farcical opera&mdash;call it which you will:

<blockquote>Good plays are scarce,<br>
So Moore writes <i>Farce</i>;<br>
    Is Fame like his so brittle?<br>
We knew before<br>
That "<i>Little's" Moore</i>,<br>
    But now <i>'tis Moore</i> that's <i>Little</i>.</blockquote>

I won't dispute with you on the Arcana of your new calling; they are
Bagatelles like the King of Poland's rosary. One remark, and I have
done; the basis of your religion is <i>injustice</i>; the <i>Son</i> of
<i>God</i>, the <i>pure</i>, the <i>immaculate</i>, the <i>innocent</i>,
is sacrificed for the <i>Guilty</i>. This proves <i>His</i> heroism; but
no more does away <i>man's</i> guilt than a schoolboy's volunteering to
be flogged for another would exculpate the dunce from negligence, or
preserve him from the Rod. You degrade the Creator, in the first place,
by making Him a begetter of children; and in the next you convert Him
into a Tyrant over an immaculate and injured Being, who is sent into
existence to suffer death for the benefit of some millions of
Scoundrels, who, after all, seem as likely to be damned as ever. As to
miracles, I agree with Hume that it is more probable men should
<i>lie</i> or be <i>deceived</i>, than that things out of the course of
Nature should so happen. Mahomet wrought <a name="fra43">miracles</a>, Brothers<a href="#fa43"><sup>3</sup></a> the prophet had <i>proselytes</i>, and so would Breslaw<a href="#fa44"><sup>4</sup></a> the conjuror, had he lived in the time
of Tiberius.<br>
<br>
Besides I trust that God is not a <i>Jew</i>, but the God of all
Mankind; and as you allow that a virtuous Gentile may be saved, you do
away the necessity of being a Jew or a Christian.<br>
<br>
I do not believe in any revealed religion, because no religion is
revealed: and if it pleases the Church to damn me for not allowing a
<i>nonentity</i>, I throw myself on the mercy of the "<i>Great First
Cause, least understood</i>," who must do what is most proper; though I
conceive He never made anything to be tortured in another life, whatever
it may in this. I will neither read <i>pro</i> nor <i>con</i>. God would
have made His will known without books, considering how very few could
read them when Jesus of Nazareth lived, had it been His pleasure to
ratify any peculiar mode of worship. As to your immortality, if people
are to live, why die? And our carcases, which are to rise again, are
they worth raising? I hope, if mine is, that I shall have a better
<i>pair of legs</i> than I have moved on these two-and-twenty years, or
I shall be sadly behind in the squeeze into Paradise. Did you ever read
"Malthus on Population"? If <a name="fra45">he</a> be right, war and pestilence are our best
friends, to save us from being eaten alive, in this "best of all
possible Worlds."<a href="#fa45"><sup>5</sup></a><br>
<br>
I will write, read, and think no more; indeed, I do not wish to shock
your prejudices by saying all I do think. Let us make the most of life,
and leave dreams to Emanuel Swedenborg. Now to dreams of another
genus&mdash;Poesies. I like your song much; but I will say no more, for fear
you should think I wanted to scratch you into approbation of my past,
present, or future acrostics. I shall not be at Cambridge before the
middle of October; but, when I go, I should certes like to see you there
before you are dubbed a deacon. Write to me, and I will rejoin.<br>
<br>
Yours ever, <b>Byron</b><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The lines in which Hodgson answered Byron's letter on his
religious opinions are quoted in the <i>Memoir of the Rev. F.
Hodgson</i>, vol. i. pp. 199, 200.<br>
<a href="#fra41">return to footnote mark</a><br>
<br>
<br>
<a name="fa42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Moore's <i>M.P., or The Bluestocking</i>, was played at the
Lyceum, September 9, 1811, but was soon withdrawn.<br>
<a href="#fra41">return</a><br>
<br>
<br>
<a name="fa43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Richard Brothers (1757-1824) believed that, in 1795, he was
to be revealed as Prince of the Hebrews and ruler of the world. In that
year he was arrested, and confined first as a criminal lunatic,
afterwards in a private asylum, where he remained till 1806. A portrait
of "Richard Brothers, Prince of the Hebrews," was engraved, April, 1795,
by William Sharp, with the following inscription:

  <blockquote><i>"Fully believing this to be the Man whom God has appointed, I
  engrave this likeness. William Sharp."</i></blockquote>
<a href="#fra43">return</a><br>
<br>
<br>
<a name="fa44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; See <i>Breslaw's Last Legacy; or, the Magical
Companion</i>. Including the various exhibitions of those wonderful
Artists, Breslaw, Sieur Comus, Jonas, etc. (1784).<br>
<a href="#fra43">return</a><br>
<br>
<br>
<a name="fa45"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; <i>Candide, ou l'Optimisms</i> (chapitre xxx.);

 <blockquote> "et Pangloss disait quelquefois à Candide; Tous les événements sont
  enchainés dans le meilleur des mondes possibles," etc. </blockquote>

Hodgson replies (September 18, 1811):

 <blockquote> "Your last letter has unfeignedly grieved me. Believing, as I do from
  my heart, that you would be better and happier by thoroughly examining
  the evidences for Christianity, how can I hear you say you will not
  read any book on the subject, without being pained? But God bless you
  under all circumstances. I will say no more. Only do not talk of
  'shocking my prejudices,' or of 'rushing to see me <i>before</i> I am
  a Deacon.' I wish to see you at all times; and as to our different
  opinions, we can easily keep them to ourselves." </blockquote>

The next day he writes again:

  <blockquote>"Let me make one other effort. You mentioned an opinion of Hume's
  about miracles. For God's sake,&mdash;hear me, Byron, for God's
  sake&mdash;examine Paley's answer to that opinion; examine the whole of
  Paley's <i>Evidences</i>. The two volumes may be read carefully in
  less than a week. Let me for the last time by our friendship, implore
  you to read them."</blockquote>
<a href="#fra45">return</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L185">185&mdash;To John Murray</a><a href="#fa51"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Newstead Abbey, Notts., Sept. 14, 1811.<br><br>

<br>
Sir,&mdash;Since your former letter, Mr. Dallas informs me that the MS. has
been submitted to the perusal of Mr. Gifford, most contrary to my
wishes, as Mr. D. could have explained, and as my own letter to you did,
in fact, explain, with my motives for objecting to such a proceeding.
Some late domestic events, of which you are probably aware, prevented my
letter from being sent before; indeed, I hardly conceived you would have
so hastily thrust my productions into the hands of a Stranger, who could
be as little pleased by receiving them, as their author is at their
being offered, in such a manner, and to such a Man.<br>
<br>
My address, when I leave Newstead, will be to "Rochdale, Lancashire;"
but I have not yet fixed the day of departure, and I will apprise you
when ready to set off.<br>
<br>
You have placed me in a very ridiculous situation, but it is past, and
nothing more is to be said on the subject. You hinted to me that you
wished some alterations to be made; if they have nothing to do with
politics or religion, I will make them with great readiness.<br>
<br>
I am, Sir, etc., etc., <b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;As soon as Byron came to town, he was a frequent visitor at
32, Fleet Street, while the sheets of <i>Childe Harold</i> were passing
through the press.

  <blockquote>"Fresh from the fencing rooms of Angelo and Jackson, he used to amuse
  himself by renewing his practice of <i>Carte et Tierce</i>, with his
  walking-cane directed against the bookshelves, while Murray was
  reading passages from the poem with occasional ejaculations of
  admiration, on which Byron would say, 'You think that a good idea, do
  you, Murray?' Then he would fence and lunge with his walking-stick at
  some special book which he had picked out on the shelves before him.
  As Murray afterwards said, 'I was often very glad to get rid of him!'" </blockquote>

(Smiles's <i>Memoir of John Murray</i>, vol. i. p. 207).<br>
<a href="#L185">return to footnote mark</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L186"></a>186&mdash;To R. C. Dallas</h3>
<br>
Newstead Abbey, Sept. 15, 1811.<br><br>

<br>
My dear Sir,&mdash;My agent will not he here for at least a week, and even
afterwards my letters will be forwarded to Rochdale. I am sorry that
Murray should <i>groan</i> on my account, tho' <i>that</i> is better
than the anticipation of applause, of which men and books are generally
disappointed.<br>
<br>
The notes I sent are <i>merely matter</i> to be divided, arranged, and
published for <i>notes</i> hereafter, in proper places; at present I am
too much occupied with earthly cares to waste time or trouble upon
rhyme, or its modern indispensables, annotations.<br>
<br>
Pray let me hear from you, when at leisure. I have written to abuse
Murray for showing the MS. to Mr. G., who must certainly think it was
done by my wish, though you know the contrary.&mdash;Believe me, Yours ever,<br>
B .<br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L187">187&mdash;to John Murray</a></h3>
<br>
Newstead Abbey, Sept. 16, 1811.<br>
<br><br>

<b>Dear Sir</b>,&mdash;I return the proof, which I should wish to be shown to Mr.
Dallas, who understands typographical arrangements much better than I
can pretend to do. The printer may place the notes in his <i>own
way</i>, or any <i>way</i>, so that they are out of <i>my way</i>; I
care nothing about types or margins.<br>
<br>
If you have any communication to make, I shall be here at least a week
or ten days longer. I am, Sir, etc., etc., <br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L188">188&mdash;To R. C. Dallas</a></h3>
<br>
Newstead Abbey, Sept. 16, 1811.<br>
<br><br>


<b>Dear Sir</b>,&mdash;I send you a <i>motto</i>:

  <blockquote>"L'univers est une espèce de livre, dont on n'a lu que la première
  page quand on n'a vu que son pays. J'en ai feuilleté un assez grand
  nombre, que j'ai trouvé également mauvaises. Cet examen ne m'a point
  été infructueux. Je haïssais ma patrie. Toutes les impertinences des
  peuples divers, parmi lesquels j'ai vécu, m'ont réconcilié avec elle.
  Quand je n'aurais tiré d'autre bénéfice de mes voyages que celui-là,
  je n'en regretterais ni les frais, ni les fatigues."</blockquote>

"<a name="fra61">Le</a> Cosmopolite."<a href="#fa61"><sup>1</sup></a>

If not too long, I think it will suit the book. The passage is from a
little French volume, a great favourite with me, which I picked up in
the Archipelago. I don't think it is well known in England; Monbron is
the author; but it is a work sixty years old.<br>
<br>
Good morning! I won't take up your time.<br>
<br>
Yours ever,<br>
<b>Byron</b>.<br><br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Fougeret de Monbron, born at Péronne, served in the
<i>Gardes du Corps</i>, but abandoned the sword for the pen, and
published <i>Henriade Travestie</i> (1745); <i>Préservatif Centre
l'Anglomanie</i> (1787); and <i>Le Cosmopolite</i> (1750). His novels,
<i>Margot la Ravaudeuse, Thérlsé Philosophe</i>, and others, appeared
under the name of Fougeret. He died in 1761. In that year was published
in London an edition of <i>Le Cosmopolite, ou le Citoyen du Monde</i>,
par Mr. de Monbron, with the motto, "Patria est ubicunque est bene"
(Cic. 5, Tusc. 37).<br>
<br>
Byron's quotation is the opening paragraph of the book. The author, who
had travelled in England, returns to France a complete "Jacques
Rôt-de-Bif." He then visits Holland, the Low Countries, Constantinople,
Italy, Spain, Portugal, and England a second time. He finds that the
charm has vanished, and that the English are no better than their
neighbours. It is a cynical little book, abounding in such sayings as.
"Make acquaintances, not friends; intimacy breeds disgust;" "The best
fruit of travelling is the justification of instinctive dislikes."
Monbron, like Byron, ridicules the traveller's passion for collecting
broken statues and antiques.<br>
<a href="#fra61">return to footnote mark</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L189">189&mdash;to R. C. Dallas</a></h3>
<br>
Newstead Abbey, Sept. 17, 1811.<br>
<br><br>

I can easily excuse your not writing, as you have, I hope, something
better to do, and you must pardon my frequent invasions on your
attention, because I have at this moment nothing to interpose between
you and my epistles.<br>
<br>
I cannot settle to any thing, and my days pass, with the exception of
bodily exercise to some extent, with uniform indolence, and idle
insipidity. I have been expecting, and still expect, my agent, when I
shall have enough to occupy my reflections in business of no very
pleasant aspect. Before my journey to Rochdale, you shall have due
notice where to address me&mdash;I believe at the post-office of that
township. From Murray I received a second proof of the same pages, which
I requested him to show you, that any thing which may have escaped my
observation may be detected before the printer lays the corner-stone of
an <i>errata</i> column.<br>
<br>
I <a name="fra71">am</a> now not quite alone, having an old acquaintance and school-fellow<a href="#fa71"><sup>1</sup></a> with me, so <i>old</i>, indeed, that we have nothing <i>new</i> to
say on any subject, and yawn at each other in a sort of <i>quiet
inquietude</i>. I <a name="fra72">hear</a> nothing from Cawthorn, or Captain Hobhouse; and
<i>their quarto</i> &mdash;Lord have mercy on mankind! We come on like
Cerberus with our triple publications<a href="#fa72"><sup>2</sup></a>. As for <i>myself</i>, by
<i>myself</i>, I must be satisfied with a comparison to <i>Janus</i>.<br>
<br>
I am not at all pleased with Murray for showing the MS.; and I am
certain Gifford must see it in the same light that I do. His praise is
nothing to the purpose: what could he say? He could not spit in the face
of one who had praised him in every possible way. I must own that I wish
to have the impression removed from his mind, that I had any concern in
such a paltry transaction. The more I think, the more it disquiets me;
so I will say no more about it. It is bad enough to be a scribbler,
without having recourse to such shifts to extort praise, or deprecate
censure. It is anticipating, it is begging, kneeling, adulating,&mdash;the
devil! the devil! the devil! and all without my wish, and contrary to my
express desire. I <a name="fra73">wish</a> Murray had been tied to <i>Payne's</i> neck when
he jumped into the Paddington Canal<a href="#fa73"><sup>3</sup></a>, and so tell him,&mdash;<i>that</i>
is the proper receptacle for publishers. You have thought of settling in
the country, why not try Notts.? I think there are places which would
suit you in all points, and then you are nearer the metropolis. But of
this anon.<br>
<br>
I am, yours, etc., <br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; John Claridge. (See <i>Letters</i>, vol. i. p. 267,
<i>note</i> 2.) [Footnote 4 of Letter 136]<br>
<a href="#fra71">return to footnote mark</a><br>
<br>
<br>
<a name="fa72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;<i>i. e. Childe Harold, Hints from Horace</i>, and
<i>Travels in Albania.</i><br>
<a href="#fra72">return</a><br>
<br>
<br>
<a name="fa73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Mr. Payne, of the firm of Payne and Mackinlay, the
publishers of Hodgson's <i>Juvenal</i>, committed suicide by drowning
himself in the Paddington Canal. Byron, in a note to <i>Hints from
Horace</i>, line 657, thus applies the incident:

  <blockquote>"A literary friend of mine, walking out one lovely evening last
  summer, on the eleventh bridge of the Paddington canal, was alarmed by
  the cry of 'one in jeopardy:' he rushed along, collected a body of
  Irish haymakers (supping on buttermilk in an adjacent paddock),
  procured three rakes, one eel spear and a landing-net, and at last
  (<i>horresco referens</i>) pulled out&mdash;his own publisher. The
  unfortunate man was gone for ever, and so was a large quarto wherewith
  he had taken the leap, which proved, on inquiry, to have been Mr.
  Southey's last work. Its 'alacrity of sinking' was so great, that it
  has never since been heard of; though some maintain that it is at this
  moment concealed at Alderman Birch's pastry-premises, Cornhill. Be
  this as it may, the coroner's inquest brought in a verdict of '<i>Felo
  de Bibliopolâ</i>' against a quarto unknown,' and circumstantial
  evidence being since strong against the <i>Curse of Kehama</i> (of
  which the above words are an exact description), it will be tried by
  its peers next session, in Grub Street&mdash;Arthur, Alfred, Davideis,
  Richard Coeur de Lion, Exodus, Exodiad, Epigoniad, Calvary, Fall of
  Cambria, Siege of Acre, Don Roderick, and Tom Thumb the Great, are the
  names of the twelve jurors. The judges are Pye, Bowles, and the
  bell-man of St. Sepulchre's."</blockquote>
<a href="#fra73">return</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L190">190&mdash;to R.C. Dallas</a></h3>
<br>
Newstead Abbey, Sept. 17, 1811.<br>
<br><br>

Dear Sir,&mdash;I have just discovered some pages of observations on the
modern Greeks, written at Athens by me, under the title of <i>Noctes
Atticæ</i>. They will do to <i>cut up</i> into notes, and to be <i>cut
up</i> afterwards, which is all that notes are generally good for. They
were written at Athens, as you will see by the date.<br>
<br>
Yours ever, <br>
B.<br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L191">191&mdash;to R. C. Dallas</a></h3>
<br>
Newstead Abbey, Sept, 21, 1811.<br>
<br><br>

I have shown my respect for your suggestions by adopting them; but I
have made many alterations in the first proof, over and above; as, for
example:

<blockquote>Oh Thou, in <i>Hellas</i> deem'd of heavenly birth, <br>
etc., etc.<br>
  <br>
  Since <i>shamed full oft</i> by <i>later lyres</i> on earth, <br>
  Mine, etc.<br>
  <br>
  Yet there <i>I've wandered</i> by the vaunted rill;</blockquote>

and so on. So I have got rid of Dr. Lowth and "drunk" to boot, and very
glad I am to say so. I have also sullenised the line as heretofore, and
in short have been quite conformable.<br>
<br>
Pray write; you shall hear when I remove to Lancashire. I have brought
you and my friend Juvenal Hodgson upon my back, on the score of
revelation. You are fervent, but he is quite <i>glowing</i>; and if he
take half the pains to save his own soul, which he volunteers to redeem
mine, great will be his reward hereafter. I honour and thank you both,
but am convinced by neither. Now for notes. Besides those I have sent, I
shall send the observations on the Edinburgh Reviewer's remarks on the
modern Greek, an Albanian song in the Albanian (<i>not Greek</i>)
language, specimens of modern Greek from their New Testament, a comedy
of Goldoni's translated, <i>one scene</i>, a prospectus of a friend's
book, and perhaps a song or two, <i>all</i> in Romaic, besides their
Pater Noster; so there will be enough, if not too much, with what I have
already sent. Have you received the <i>Noctes Atticæ</i>?<br>
<br>
I sent also an annotation on Portugal. <a name="fra81">Hobhouse</a> is also forthcoming<a href="#fa81"><sup>1</sup></a>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; That is, with his <i>Travels in Albania</i>, in part of
which Byron and his Greek servant, Demetrius, were assisting him with
notes and other material.<br>
<a href="#fra81">return to footnote mark</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L192">192&mdash;to R. C. Dallas.</a></h3>
<br>
Newstead Abbey, Sept. 23, 1811.<br>
<br><br>

<i>Lisboa</i><a href="#fa91"><sup>1</sup></a> is <a name="fra91">the</a> Portuguese word, consequently the very best.
Ulissipont is pedantic; and as I have <i>Hellas</i> and <i>Eros</i> not
long before, there would be something like an affectation of Greek
terms, which I wish to avoid, since I shall have a perilous quantity of
<i>modern</i> Greek in my notes, as specimens of the tongue; therefore
Lisboa may keep its place. You are right about the <i>Hints</i>; they
must not precede the <i>Romaunt</i>; but Cawthorn will be savage if they
don't; however, keep <i>them</i> back, and <i>him</i> in <i>good
humour</i>, if we can, but do not let him publish.<br>
<br>
I have adopted, I believe, most of your suggestions, but "Lisboa" will
be an exception to prove the rule. I have sent a quantity of notes, and
shall continue; but pray let them be copied; no devil can read my hand.
<a name="fra92">By</a> the by, I do not mean to exchange the ninth verse of the "Good
Night."<a href="#fa92"><sup>2</sup></a> I have no reason to suppose my dog better than his brother
brutes, mankind; and <i>Argus</i> we know to be a fable. The
<i>Cosmopolite</i> was an acquisition abroad. I do not believe it is to
be found in England. It is an amusing little volume, and full of French
flippancy. I read, though I do not speak the language.<br>
<br>
I <i>will</i> be <a name="fra93">angry</a> with Murray. It was a bookselling, back-shop,
Paternoster-row, paltry proceeding; and if the experiment had turned out
as it deserved, I would have raised all Fleet Street, and borrowed the
giant's staff from St. Dunstan's church<a href="#fa93"><sup>3</sup></a>, to immolate the betrayer of
trust. I have written to him as he never was written to before by an
author, I'll be sworn, and I hope you will amplify my wrath, till it has
an effect upon him. You tell me always you have much to write about.
Write it, but let us drop metaphysics;&mdash;on that point we shall never
agree. I am dull and drowsy, as usual. I do nothing, and even that
nothing fatigues me. <br>
Adieu.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fa91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See <i>Childe Harold</i>, Canto I. stanza xvi., and Byron's
<i>note</i>.<br>
<a href="#fra91">return to footnote mark</a><br>
<br>
<br>
<a name="fa92"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; See <i>Childe Harold</i>, Canto I. The "Good Night" is
placed between stanzas xiii. and xiv.

 <blockquote> "And now I'm in the world alone,<br>
    Upon the wide, wide sea;<br>
  But why should I for others groan,<br>
    When none will sigh for me?<br>
  Perchance my dog will whine in vain,<br>
    Till fed by stranger hands;<br>
  But long ere I come back again<br>
    He'd tear me where he stands."</blockquote>
<a href="#fra92">return</a><br>
<br>
<br>
<a name="fa93"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; St. Dunstan's in the West, before its rebuilding by Shaw
(1831-33), was one of the oldest churches in London. The clock, which
projected over the street, and had two wooden figures of wild men who
struck the hours with their clubs, was set up in 1671. Unless there was
a similar clock before this date, as is not improbable, Scott is wrong
in <i>The Fortunes of Nigel</i>, where he makes Moniplies stand
"astonished as old Adam and Eve ply their ding-dong." The figures, the
removal of which, it is said, brought tears to the eyes of Charles Lamb,
were bought by the Marquis of Hertford to adorn his villa in Regent's
Park, still called St. Dunstan's. Murray's shop at 32, Fleet Street,
stood opposite the church, the yard of which was surrounded with
stationers' shops, where many famous books of the seventeenth century
were published.<br>
<a href="#fra93">return</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L193">193&mdash;to Francis Hodgson</a></h3>
<br>
Newstead Abbey, Sept. 25, 1811.<br>
<br><br>

<b>My Dear Hodgson</b>,&mdash;I fear that before the latest of October or the first
of November, I shall hardly be able to make Cambridge. My everlasting
agent puts off his coming like the accomplishment of a prophecy.
However, finding me growing serious he hath promised to be here on
Thursday, and about Monday we shall remove to Rochdale. I have only to
give discharges to the tenantry here (it seems the poor creatures must
be raised, though I wish it was not necessary), and arrange the receipt
of sums, and the liquidation of some debts, and I shall be ready to
enter upon new subjects of vexation. I intend to visit you in Granta,
and hope to prevail on you to accompany me here or there or anywhere.<br>
<br>
I am plucking up my spirits, and have begun to gather my little sensual
comforts together. Lucy is extracted from Warwickshire; some very bad
faces have been warned off the premises, and more promising substituted
in their stead; the partridges are plentiful, hares fairish, pheasants
not quite so good, and the Girls on the Manor &mdash;&mdash; Just as I had
formed a tolerable establishment my travels commenced, and on my return
I find all to do over again; my former flock were all scattered; some
married, not before it was needful. As I am a great disciplinarian, I
have just issued an edict for the abolition of caps; no hair to be cut
on any pretext; stays permitted, but not too low before; full uniform
always in the evening; Lucinda to be commander&mdash;<i>vice</i> the present,
about to be wedded (<i>mem</i>. she is 35 with a flat face and a
squeaking voice), of all the makers and unmakers of beds in the
household.<br>
<br>
My tortoises (all Athenians), my hedgehog, my mastiff and the other live
Greek, are all purely. The tortoises lay eggs, and I have hired a hen to
hatch them. I am writing notes for <i>my</i> quarto (Murray would have
it a <i>quarto</i>), and Hobhouse is writing text for <i>his</i> quarto;
if you call on Murray or Cawthorn you will hear news of either. I <a name="frb1">have</a>
attacked De Pauw<a href="#fb1"><sup>1</sup></a>, Thornton<a href="#fb1"><sup>1</sup></a>, Lord Elgin<a href="#fb2"><sup>2</sup></a>, Spain, Portugal, the
<i>Edinburgh Review</i><a href="#fb3"><sup>3</sup></a>, travellers, Painters, Antiquarians, and
others, so you see what a dish of Sour Crout Controversy I shall prepare
for myself. It would not answer for me to give way, now; as I was forced
into bitterness at the beginning, I will go through to the last. <i>Væ
Victis</i>! If I fall, I shall fall gloriously, fighting against a host.<br>
<br>
<i>Felicissima Notte a Voss. Signoria,</i><br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb1"><span style="color: #FF0000;">Footnotes 1:</span></a> &nbsp; <i>Childe Harold</i>, Canto II. note D, part ii.<br>
<a href="#frb1">return to footnote mark</a><br>
<br>
<br>
<a name="fb2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>Ibid</i>., note A.<br>
<a href="#frb1">return</a><br>
<br>
<br>
<a name="fb3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;<i>Ibid</i>., note D, part iii.<br>
<a href="#frb1">return</a><br>
<br>
<p><a href="#lp2">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L194">194&mdash;to R. C. Dallas</a></h3>
<br>
Newstead Abbey, Sept. 26, 1811.<br>
<br><br>

<b>My Dear Sir</b>,-In a stanza towards the end of canto 1st, there is in the
concluding line,

<blockquote>Some bitter bubbles up, and e'en on roses stings.</blockquote>

I have altered it as follows:

<blockquote>Full from the heart of joy's delicious springs<br>
Some bitter o'er the flowers its bubbling venom flings.</blockquote>

If <a name="frb11">you</a> will point out the stanzas on Cintra<a href="#fb11"><sup>1</sup></a> which you wish recast, I
will send you mine answer. Be good enough to address your letters here,
and they will either be forwarded or saved till my return. My agent
comes tomorrow, and we shall set out immediately.<br>
<br>
The press must not proceed of course without my seeing the proofs, as I
have much to do. <a name="frb12">Pray</a>, do you think any alterations should be made in
the stanzas on Vathek<a href="#fb12"><sup>2</sup></a>?<br>
<br>
I should be sorry to make any improper allusion, as I merely wish to
adduce an example of wasted wealth, and the reflection which arose in
surveying the most desolate mansion in the most beautiful spot I ever
beheld.<br>
<br>
Pray keep Cawthorn back; he was not to begin till November, and even
that will be two months too soon. I am so sorry my hand is
unintelligible; but I can neither deny your accusation, nor remove the
cause of it.&mdash;It is a sad scrawl, certes.&mdash;A perilous quantity of
annotation hath been sent; I think almost <I>enough</I>, with the
specimens of Romaic I mean to annex.<br>
<br>
I will have nothing to say to your metaphysics, and allegories of rocks
and beaches; we shall all go to the bottom together, so "let us eat and
drink, for tomorrow," etc. I am as comfortable in my creed as others,
inasmuch as it is better to sleep than to be awake.<br>
<br>
I have heard nothing of Murray; I hope he is ashamed of himself. He sent
me a vastly complimentary epistle, with a request to alter the two, and
finish another canto. I sent him as civil an answer as if I had been
engaged to translate by the sheet, declining altering anything in
sentiment, but offered to tag rhymes, and mend them as long as he liked.<br>
<br>
I will write from Rochdale when I arrive, if my affairs allow me; but I
shall be so busy and savage all the time with the whole set, that my
letters will, perhaps, be as pettish as myself. If so, lay the blame on
coal and coal-heavers. Very probably I may proceed to town by way of
Newstead on my return from Lancs. I mean to be at Cambridge in November,
so that, at all events, we shall be nearer. I will not apologise for the
trouble I have given and do give you, though I ought to do so; but I
have worn out my politest periods, and can only say that I am much
obliged to you.<br>
<br>
Believe me, yours always,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;  <i>Childe Harold</i>, Canto I. stanza xviii.<br>
<a href="#frb11">return to footnote mark</a><br>
<br>
<br>
<a name="fb12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>i. e.</i> on Bedford (see <i>Letters</i>, vol. i. p. 228,
<i>note</i> 1 [Footnote 2 of Letter 125]; and <i>Childe Harold</i>, Canto I, stanza xxii.).<br>
<a href="#frb12">return</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L195">195&mdash;to James Wedderburn Webster</a></h3>
<br>
Newstead Abbey, Oct. 10th, 1811.<br>
<br><br>

<b>Dear Webster</b>,&mdash;I can hardly invite a gentleman to my house a second time
who walked out of it the first in so singular a mood, but if you had
thought proper to pay me a visit, you would have had a "Highland
Welcome."<br>
<br>
I am only just returned to it out of Lancashire, where I have been on
business to a Coal manor of mine near Rochdale, and shall leave it very
shortly for Cambridge and London. My companions, or rather companion,
(for Claridge alone has been with me) have not been very amusing, and,
as to their "<i>Sincerity</i>," they are doubtless sincere enough for a
man who will never put them to the trial. <a name="frb21">Besides</a> you talked so much of
your conjugal happiness, that an invitation from home would have seemed
like Sacrilege, and my rough Bachelor's Hall would have appeared to
little advantage after the "Bower of Armida"<a href="#fb21"><sup>1</sup></a> where you have been reposing.<br>
<br>
I cannot boast of my social powers at any time, and just at present they
are more stagnant than ever. <a name="frb22">Your</a> Brother-in-law<a href="#fb22"><sup>2</sup></a> means to stand for
Wexford, but I have reasons for thinking the Portsmouth interest will be
against him; however I wish him success. Do <i>you</i> mean to stand for
any place next election? What are your politics? I hope Valentia's Lord
is for the Catholics. You will find Hobhouse at Enniscorthy in the
contested County.<br>
<br>
Pray what has seized you? your last letter is the only one in which you
do not rave upon matrimony. Are there no symptoms of a young W.W.? and
shall I never be a Godfather? I believe I must be married myself soon,
but it shall be a secret and a Surprise. However, knowing your exceeding
discretion I shall probably entrust the secret to your silence at a
proper period. <a name="frb23">You</a> have, it is true, invited me repeatedly to Dean's
Court<a href="#fb23"><sup>3</sup></a> and now, when it is probable I might adventure there, you wish to be off. Be it so.<br>
<br>
If you address your letters to this place they will be forwarded
wherever I sojourn. I am about to meet some friends at Cambridge and on
to town in November.<br>
<br>
The <a name="frb24">papers</a> are full of Dalrymple's Bigamy<a href="#fb24"><sup>4</sup></a> (I know the man). What the
Devil will he do with his <i>Spare-rib</i>? He is no beauty, but as lame
as myself. He has more ladies than legs, what comfort to a cripple!
<i>Sto sempre umilissimo servitore</i>. .<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Armida is the Sorceress, the niece of Prince Idreotes, in
Tasso's <i>Jerusalem Delivered</i>, in whose palace Rinaldo forgets his
vow as a crusader. Byron, in <i>Don Juan</i> (Canto I. stanza lxxi.),
says:

 <blockquote> "But ne'er magician's wand<br>
  Wrought change, with all Armida's fairy art,<br>
  Like what this light touch left on Juan's heart."</blockquote>

In the Catalogue of Byron's books, sold April 5, 1816, appear four
editions of Tasso's <i>Gerusalemme Liberata</i>, being those of 1776,
1785, 1813, and one undated.<br>
<a href="#frb21">return</a><br>
<br>
<br>
<a name="fb22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For George Annesley, Lord Valentia, afterwards Earl of
Mountnorris (1769-1844), see <i>Poems</i>, ed. 1898, vol. i. p. 378, and
<i>note 5</i>.<br>
<a href="#frb22">return</a><br>
<br>
<br>
<a name="fb23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Near Wimborne, Dorset.<br>
<a href="#frb23">return</a><br>
<br>
<br>
<a name="fb24"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; The suit of <i>Dalrymple</i> v. <i>Dalrymple</i> was tried
before Sir William Scott, in the Consistory Court, Doctors' Commons,
July 16, 1811. The suit was brought by Mrs. Dalrymple (<i>née</i> Joanna
Gordon) against Captain John William Henry Dalrymple. By Scottish law he
was held to have been married to Miss Gordon, and his subsequent
marriage with Miss Manners, sister of the Duchess of St. Albans, was
held to be illegal.<br>
<a href="#frb24">return</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L196">196&mdash;to R.C. Dallas</a></h3>
<br>
Newstead Abbey, October 10th, 1811.<br><br>

<br>
<b>Dear Sir</b>,&mdash;<a name="frb31">Stanzas</a> 24, 26, 29<a href="#fb31"><sup>1</sup></a>, though <I>crossed</I> must
<I>stand</I>, with their <I>alterations</I>. The <a name="frb32">other</a> three<a href="#fb32"><sup>2</sup></a> are cut
out to meet your wishes. We must, however, have a repetition of the
proof, which is the first. I will write soon.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
P.S.&mdash;Yesterday I returned from Lancs.<br><br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The stanzas are xxiv., xxv., xxvi. of Canto I.<br>
<a href="#frb31">return to footnote mark</a><br>
<br>
<br>
<a name="fb32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The following are the three deleted stanzas:

<table summary="deleted stanzas" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><span style="font-size: 150%;">XXV</span></td>
	<td>"In golden characters, right well designed,<br>
  First on the list appeareth one 'Junot;'<br>
  Then certain other glorious names we find;<br>
  (Which rhyme compelleth me to place below&mdash;)<br>
  Dull victors! baffled by a vanquished foe,<br>
  Wheedled by conynge tongues of laurels due,<br>
  Stand, worthy of each other, in a row<br>
  Sirs Arthur, Harry, and the dizzard Hew<br>
  Dalrymple, seely wight, sore dupe of 'tother tew."</td>
</tr>
<tr align="left" valign="top">
	<td><span style="font-size: 150%;">XXVII</span></td>
	<td>"But when Convention sent his handy work,<br>
  Pens, tongues, feet, hands, combined in wild uproar;<br>
  Mayor, Alderman, laid down th' uplifted fork;<br>
  The bench of Bishops half forgot to snore;<br>
  Stern Cobbett, who for one whole week forbore<br>
  To question aught, once more with transport leapt,<br>
  And bit his dev'lish quill agen, and swore<br>
  With foe such treaty never should be kept.<br>
  Then burst the blatant beast, and roared and raged and&mdash;slept!!!"</td>
</tr>
<tr align="left" valign="top">
	<td><span style="font-size: 150%;">XXVIII</span></td>
	<td>"Thus unto heaven appealed the people; heaven,<br>
  Which loves the lieges of our gracious King,<br>
  Decreed that ere our generals were forgiven,<br>
  Inquiry should be held about the thing.<br>
But mercy cloaked the babes beneath her wing;<br>
And as they spared our foes so spared we them.<br>
(Where was the pity of our sires for Byng?)<br>
Yet knaves, not idiots, should the law condemn.<br>
Then live ye, triumph gallants! and bless your judges' phlegm."</td>
</tr>
</table><br>
<a href="#frb32">return</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L197">197&mdash;to R.C. Dallas</a></h3>
<br>
Newstead Abbey, Oct. 11, 1811.<br>
<br><br>

I have returned from Lancashire, and ascertained that my property there
may be made very valuable, but various circumstances very much
circumscribe my exertions at present. I shall be in town on business in
the beginning of November, and perhaps at Cambridge before the end of
this month; but of my movements you shall be regularly apprised. Your
objections I have in part done away by alterations, which I hope will
suffice; and I have sent two or three additional stanzas for both
<i>"Fyttes."</i> I <a name="frb41">have</a> been again shocked with a <i>death</i>, and have
lost one very dear to me in happier times<a href="#fb41"><sup>1</sup></a>; but "I have almost forgot
the taste of grief," and "supped full of horrors"<a href="#fb42"><sup>2</sup></a> till I have become
callous, nor have I a tear left for an event which, five years ago,
would have bowed down my head to the earth. It seems as though I were to
experience in my youth the greatest misery of age. My friends fall
around me, and I shall be left a lonely tree before I am withered. Other
men can always take refuge in their families; I have no resource but my
own reflections, and they present no prospect here or hereafter, except
the selfish satisfaction of surviving my betters. I am indeed very
wretched, and you will excuse my saying so, as you know I am not apt to
cant of sensibility.<br>
<br>
Instead of tiring yourself with <i>my</i> concerns, I should be glad to
hear <i>your</i> plans of retirement. I suppose you would not like to be
wholly shut out of society? Now I know a large village, or small town,
about twelve miles off, where your family would have the advantage of
very genteel society, without the hazard of being annoyed by mercantile
affluence; where <i>you</i> would meet with men of information and
independence; and where I have friends to whom I should be proud to
introduce you. There are, besides, a coffee-room, assemblies, etc.,
etc., which bring people together. My mother had a house there some
years, and I am well acquainted with the economy of Southwell, the name
of this little commonwealth. Lastly, you will not be very remote from
me; and though I am the very worst companion for young people in the
world, this objection would not apply to <i>you</i>, whom I could see
frequently. Your expenses, too, would be such as best suit your
inclinations, more or less, as you thought proper; but very little would
be requisite to enable you to enter into all the gaieties of a country
life. You could be as quiet or bustling as you liked, and certainly as
well situated as on the lakes of Cumberland, unless you have a
particular wish to be <i>picturesque</i>.<br>
<br>
Pray, is your Ionian friend in town? You have promised me an
introduction. You mention having consulted some friend on the MSS. Is
not this contrary to our usual way? <a name="frb43">Instruct</a> Mr. Murray not to allow his
shopman to call the work <i>Child of Harrow's Pilgrimage!!!!!<a href="#fb43"><sup>3</sup></a></i> as he
has done to some of my astonished friends, who wrote to inquire after my
<i>sanity</i> on the occasion, as well they might. I have heard nothing
of Murray, whom I scolded heartily. Must I write more notes? Are there
not enough? Cawthorn must be kept back with the <i>Hints</i>. I hope he
is getting on with Hobhouse's quarto. Good evening.<br>
<br>
Yours ever, etc.<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;The reference is to Edleston (see <i>Letters</i>, vol. i. p.
130, note 3 [Footnote 2 of Letter 74]), of whose death Miss Edleston had recently sent Byron an
account.<br>
<a href="#frb41">return to footnote mark</a><br>
<br>
<br>
<a name="fb42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"I have almost forgot the taste of fears: <br>
  ...<br>
  I have supp'd full with horrors."</blockquote>

<i>Macbeth</i>, act v. sc. 5.<br>
<a href="#frb41">return</a><br>
<br>
<br>
<a name="fb43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Francis Hodgson, writing to Byron, October 8, 1811, says,

 <blockquote> "Murray's shopman, taught, I presume, by himself, calls <i>Psyche</i>
  'Pishy,' <i>The Four Slaves of Cythera</i> 'The Four do. of Cythera,'
  and <i>Childe Harold's Pilgrimage</i> 'Child of Harrow's Pilgrimage.'
  This misnomering Vendor of Books must have been misbegotten in some
  portentous union of the Malaprops and the Slipslops."</blockquote>
<a href="#frb43">return</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L198"></a>198&mdash;To Francis Hodgson</h3>
<br>
Newstead Abbey, Oct. 13, 1811.<br>
<br><br>

You will begin to deem me a most liberal correspondent; but as my
letters are free, you will overlook their frequency. I have sent you
answers in prose and verse to all your late communications; and though I
am invading your ease again, I don't know why, or what to put down that
you are not acquainted with already. I am growing <i>nervous</i> (how
you will laugh!)&mdash;but it is true,&mdash;really, wretchedly, ridiculously,
fine-ladically <i>nervous</i>. Your climate kills me; I can neither
read, write, nor amuse myself, or any one else. My days are listless,
and my nights restless; I have very seldom any society, and when I have,
I run out of it. At "this present writing," there are in the next room
three <i>ladies</i>, and I have stolen away to write this grumbling
letter.&mdash;I don't know that I sha'n't end with insanity, for I find a
want of method in arranging my thoughts that perplexes me strangely; but
this looks more like silliness than madness, as Scrope Davies would
facetiously remark in his consoling manner. I must try the hartshorn of
your company; and a session of Parliament would suit me well,&mdash;any thing
to cure me of conjugating the accursed verb "<i>ennuyer</i>."<br>
<br>
When shall you be at Cambridge? <a name="frb51">You</a> have hinted, I think, that your
friend Bland<a href="#fb51"><sup>1</sup></a> is returned from Holland. I have always had a great
respect for his talents, and for all that I have heard of his character;
but of me, I believe he knows nothing, except that he heard my sixth
form repetitions ten months together at the average of two lines a
morning, and those never perfect. I remembered him and his <i>Slaves</i>
as I passed between Capes Matapan, St. Angelo, and his Isle of Ceriga,
and I always bewailed the absence of the <i>Anthology</i>. I <a name="frb52">suppose</a> he
will now translate Vondel, the Dutch Shakspeare, and <i>Gysbert van
Amsteli</i> <a href="#fb52"><sup>2</sup></a> will easily be accommodated to our stage in its present state; and I
presume he saw the Dutch poem, where the love of Pyramus and Thisbe is
compared to the passion of Christ; also the love of Lucifer for Eve, and
other varieties of Low Country literature.<br>
<br>
No doubt you will think me crazed to talk of such things, but they are
all in black and white and good repute on the banks of every canal from
Amsterdam to Alkmaar.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
My poesy is in the hands of its various publishers; but the <i>Hints
from Horace</i> (to <a name="frb53">which</a> I have subjoined some savage lines on
Methodism<a href="#fb53"><sup>3</sup></a>, and ferocious notes on the vanity of the triple Editory of the <i>Edin.
Annual Register</i><a href="#fb54"><sup>4</sup></a>), my <i>Hints</i>, I say, stand still, and
why?&mdash;I have not a friend in the world (but you and Drury) who can
construe Horace's Latin or my English well enough to adjust them for the
press, or to correct the proofs in a grammatical way. So that, unless
you have bowels when you return to town (I am too far off to do it for
myself), this ineffable work will be lost to the world for&mdash;I don't know
how many <i>weeks</i>.<br>
<br>
<i>Childe Harold's Pilgrimage</i> must wait till <i>Murray's</i> is
finished. He is making a tour in Middlesex, and is to return soon, when
high matter may be expected. He wants to have it in quarto, which is a
cursed unsaleable size; but it is pestilent long, and one must obey
one's bookseller. I trust Murray will pass the Paddington Canal without
being seduced by Payne and Mackinlay's example, &mdash;I say Payne and
Mackinlay, supposing that the partnership held good. Drury, the villain,
has not written to me; "I <a name="frb55">am</a> never (as Mrs. Lumpkin<a href="#fb55"><sup>5</sup></a> says to Tony) to be gratified with the monster's dear wild notes."<br>
<br>
So you are going (going indeed!) into orders. You must make your peace
with the Eclectic Reviewers&mdash;they accuse you of impiety, I fear, with
injustice. <a name="frb56">Demetrius</a>, the "Sieger of Cities," is here, with "Gilpin
Horner."<a href="#fb56"><sup>6</sup></a><br>
<br>
<br>
<a name="frb57">The</a> painter<a href="#fb57"><sup>7</sup></a> is not necessary, as the portraits he already painted
are (by anticipation) very like the new animals.&mdash;Write, and send me
your "Love Song"&mdash;but I want <i>paulo majora</i> from you. Make a dash
before you are a deacon, and try a <i>dry</i> publisher.<br>
<br>
Yours always,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; For Robert Bland, see <i>Letters</i>, vol. i. p. 271,
<i>note</i> 1 [Footnote 2 of Letter 137]. In his <i>Four Slaves of Cythera</i> (1809), Canto I.,
occur the following lines:

  <blockquote>"Now full in sight the Paphian gardens smile,<br>
  And thence by many a green and summer isle,<br>
  Whose ancient walls and temples seem to sleep,<br>
  Enshadowed on the mirror of the deep,<br>
  They coast along Cythera's happy ground,<br>
  Gem of the sea, for love's delight renown'd."</blockquote>
<a href="#frb51">return to footnote mark</a><br>
<br>
<br>
<a name="fb52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Bland had been acting as English Chaplain in Holland. Joost
Van Vondel (1587-1679), born at Cologne of Anabaptist parents, became a
Roman Catholic in 1641. Most of his thirty-two tragedies are on
classical or religious subjects, and in the latter may be traced his
gradual change of faith. <i>Gysbrecht van Amstel</i>(1637) is a play,
the action of which takes place on Christmas Day in the thirteenth
century. The scene is laid at Amsterdam, which is captured by a ruse
like that of the Greeks at Troy. The play appealed strongly to the
patriotic instincts of the Dutch by its prophecy of the future greatness
of Amsterdam. Vondel's <i>Lucifer</i> (1654) has been often compared to
<i>Paradise Lost</i>. It also bears some affinities to <i>Cain</i>. In
it the Archangel Lucifer rebels against God on learning the Divine
intention to take on Himself the nature, not of Angels, but of Man.<br>
<a href="#frb52">return</a><br>
<br>
<br>
<a name="fb53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;<i>Hints from Horace</i>, lines 371-382.<br>
<a href="#frb53">return</a><br>
<br>
<br>
<a name="fb54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;<i>The Edinburgh Annual Register</i> (1808-26) was
published by John Ballantyne and Co. The prospectus promised a general
history of Europe; a collection of State papers; a chronicle of events;
original essays on morality, literature, and science; and articles on
biography, the useful arts, and meteorology. The Editor was Scott, and
Southey was responsible for the historical department. The first two
parts, giving the history of 1808, did not appear till July, 1810, and
then with an editorial apology for the omission of the articles on
biography, the useful arts, and meteorology; also with an explanation
that the idea of original essays on morality, literature, and science
had been abandoned. The venture, thus unfortunately launched, never
succeeded. For Byron's attack, see <i>Hints from Horace</i>, line 657,
and his <i>note</i>.<br>
<a href="#frb53">return</a><br>
<br>
<br>
<a name="fb55"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;This is an obvious slip for "Mrs. Hardcastle," who, in <i>She
Stoops to Conquer</i> (act ii.), says, <blockquote>"I'm never to be delighted with
your agreeable wild notes, unfeeling monster!"</blockquote>
<a href="#frb55">return</a><br>
<br>
<br>
<a name="fb56"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;Probably Demetrius, his Greek servant, whom he nicknames
after Demetrius Poliorcetes, and Claridge, who had bored Byron
during a long stay of three weeks.<br>
<a href="#frb56">return</a><br>
<br>
<br>
<a name="fb57"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;Barber, whom he had brought down to Newstead to paint his
wolf and his bear.<br>
<a href="#frb57">return</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L199">199&mdash;to R. C. Dallas</a></h3>
<br>
Oct. 14, 1811.<br><br>

<br>
<b>Dear Sir</b>,&mdash;Stanza 9th, for Canto 2nd, somewhat altered, to avoid
recurrence in a former stanza.<br>
<br>
<table summary="stanza 9" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><span style="font-size: 150%;">IX</span></td>
	<td>There, thou! whose love and life together fled,<br>
  Have left me here to love and live in vain:&mdash;<br>
Twined with my heart, and can I deem thee dead,<br>
  When busy Memory flashes o'er my brain?<br>
Well&mdash;I will dream that we may meet again,<br>
  And woo the vision to my vacant breast;<br>
If aught of young Remembrance then remain,<br>
  Be as it may<br>
  Whate'er beside Futurity's behest;</td>
</tr>
<tr align="left" valign="top">
	<td><i>or</i></td>
	<td>Howe'er may be<br>
  For me 'twere bliss enough to see thy spirit blest!</td>
</tr>
</table><br>
<br>
I think it proper to state to you, that this stanza alludes to an event
which has taken place since my arrival here, and not to the death of any
<i>male</i> friend.
<br>
<br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L200">200&mdash;to R. C. Dallas</a></h3>
<br>
Newstead Abbey, Oct. 16, 1811.<br>
<br>
<br>
I am on the wing for Cambridge. Thence, after a short stay, to London.
Will you be good enough to keep an account of all the MSS. you receive,
for fear of omission? Have you adopted the three altered stanzas of the
latest proof? I can do nothing more with them. I am glad you like the
new ones. Of the last, and of the <i>two</i>, I sent for a new edition,
to-day a <i>fresh note</i>. The lines of the second sheet I fear must
stand; I will give you reasons when we meet.

Believe me, yours ever,
<br>
<br>
<b>Byron</b>
<br><br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L201">201&mdash;to R. C. Dallas</a></h3>
<br>
Cambridge, Oct. 25, 1811.<br>
<br><br>

<b>Dear Sir</b>, I send you a conclusion to the <i>whole</i>. In a stanza
towards the end of Canto I. in the line,

<blockquote>Oh, known the earliest and <i>beloved</i> the most,</blockquote>

I shall alter the epithet to "<i>esteemed</i> the most." The present
stanzas are for the end of Canto II. For the beginning of the week I
shall be at No. 8, my old lodgings, in St. James' Street, where I hope
to have the pleasure of seeing you.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L202"></a>202&mdash;To Thomas Moore<a href="#fb61"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Cambridge, October 27, 1811.<br>
<br><br>

<b>Sir</b>,&mdash;Your letter followed me from Notts, to this place, which will
account for the delay of my reply.<br>
<br>
Your former letter I never had the honour to receive;&mdash;be assured in
whatever part of the world it had found me, I should have deemed it my
duty to return and answer it in person.<br>
<br>
The advertisement you mention, I know nothing of.&mdash;At the time of your
meeting with Mr. Jeffrey, I had recently entered College, and remember
to have heard and read a number of squibs on the occasion; and from the
recollection of these I derived all my knowledge on the subject, without
the slightest idea of "giving the lie" to an address which I never
beheld. When I put my name to the production, which has occasioned this
correspondence, I became responsible to all whom it might concern,&mdash;to
explain where it requires explanation, and, where insufficiently or too
sufficiently explicit, at all events to satisfy. My situation leaves me
no choice; it rests with the injured and the angry to obtain reparation
in their own way.<br>
<br>
With regard to the passage in question, <i>you</i> were certainly
<i>not</i> the person towards whom I felt personally hostile. On the
contrary, my whole thoughts were engrossed by one, whom I had reason to
consider as my worst literary enemy, nor could I foresee that his former
antagonist was about to become his champion. You do not specify what you
would wish to have done: I can neither retract nor apologise for a
charge of falsehood which I never advanced.<br>
<br>
In the beginning of the week, I shall be at No. 8, St. James's
Street.&mdash;Neither the letter nor the friend to whom you stated your
intention ever made their appearance.<br>
<br>
<a name="frb62">Your</a> friend, Mr. Rogers<a href="#fb62"><sup>2</sup></a>, or any other gentleman delegated by you,
will find me most ready to adopt any conciliatory proposition which
shall not compromise my own honour,&mdash;or, failing in that, to make the
atonement you deem it necessary to require.<br>
<br>
I have the honour to be, Sir,<br>
<br>
Your most obedient, humble servant,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Thomas Moore (1779-1852), by his literary and social gifts,
had made his name several years before 1811, when he first became
personally acquainted with Byron. His precocity was as remarkable as his
versatility. The son of a Dublin grocer, for whom his political interest
secured the post of barrack-master, he went, like Sheridan, to Samuel
Whyte's school, and was afterwards at Trinity College, Dublin. Before he
was fifteen he had written verses, including lines to Whyte, himself a
poet, the publication of which, in the <i>Anthologia Hibernica</i>
(October, 1793; February, March, and June, 1794), gained him a local
reputation. Coming to London in 1799, he read law at the Middle Temple.
His <i>Odes</i> translated from Anacreon (1800), dedicated to the Prince
of Wales, opened to him the houses of the Whig aristocracy; and his
powers as a singer, an actor, a talker, and, later, as a satirist, made
him a favourite in society. In 1801 appeared his <i>Poems: by the late
Thomas Little</i>, amatory verses which Byron read, and imitated in some
of the silliest of his youthful lines.<br>
<br>
The review of Moore's <i>Odes, Epistles, and Other Poems</i> (1806),
which appeared in the <i>Edinburgh Review</i> for July, 1806, provoked
Moore to challenge Jeffrey. Their duel with "leadless pistols" led, not
only to Moore's friendship with Jeffrey, but, indirectly, as is seen
from the following letters, to Moore's acquaintance with Byron. Moore
himself contributed to the <i>Edinburgh</i>, between the years 1814 and
1834, essays on multifarious subjects, from poetry to German
Rationalism, from the Fathers to French official life. In 1807 the first
of the <i>Irish Melodies</i> was published; they continued to appear at
irregular intervals till 1834, when 122 had been printed. A master of
the art of versification, Moore sings, with graceful fancy, in a tone of
mingled mirth and melancholy, his love of his country, of the wine of
other countries, and the women of all countries. But, except in his
patriotism, he shows little depth of feeling. The <i>Melodies</i> are
the work of a brilliantly clever man, endowed with an exquisite musical
ear, and a temperament that is rather susceptible than intense. With
them may be classed his <i>National Airs</i> (1815) and <i>Sacred
Song</i> (1816).<br>
<br>
Moore had already found one field in which he excelled; it was not long
before he discovered another. His serious satires, <i>Corruption</i>
(1808), <i>Intolerance</i> (1808), and <i>The Sceptic</i> (1809),
failed. His nature was neither deep enough nor strong enough for success
in such themes. In the ephemeral strife of party politics he found his
real province. Nothing can be better of their kind than the metrical
lampoons collected in <i>Intercepted Letters, or the Twopenny Post-bag,
by Thomas Brown the Younger</i> (1813). In his hands the bow and arrows
of Cupid become formidable weapons of party warfare; nor do their
ornaments impede the movements of the archer. The shaft is gaily winged
and brightly polished; the barb sharp and dipped in venom; and the
missile hums music as it flies to its mark. Moore's satire is the satire
of the Clubs at its best; but it is scarcely the satire of literature.
<i>The Twopenny Post-bag</i> was the parent of many similar productions,
beginning with <i>The Fudge Family in Paris</i> (1818), and ending with
<i>Fables for the Holy Alliance</i> (1823), which he dedicated to Byron.<br>
<br>
As a serious poet, and the author of <i>Lalla Rookh</i> (1817), <i>The
Loves of the Angels</i> (1823), and <i>Alciphron</i> (1839), Moore was
perhaps overrated by his contemporaries. In spite of their brightness of
fancy, metrical skill, and brilliant cleverness, they lack the greater
elements of the highest poetry.<br>
<br>
Moore's prose work begins, apart from his contributions to periodical
literature, with the <i>Memoirs of Captain Rock</i> (1824), <i>The
Epicurean</i> (1827), <i>The Travels of an Irish Gentleman in Search of
a Religion</i> (1834), <i>The History of Ireland</i> (1846); and a
succession of biographies&mdash;the life of <i>Sheridan</i> (1825), of
<i>Byron</i> (1830), and <i>Lord Edward Fitzgerald</i> (1831)&mdash;complete
the list. In the midst of his biographical work, Moore was advised by
Lord Lansdowne to write nine lives at once, and print them together
under the title of <i>The Cat</i>. <br>
<br>
In 1811 Moore married Miss Elizabeth Dyke (born 1793), an actress who
fascinated him at the Kilkenny private theatricals in 1809. To the outer
world, Mrs. Moore's bird, as she called him, was a sprightly little
songster, who lived in a whirl of dinners, suppers, concerts, and
theatricals. These, as well as his private anxieties and misfortunes,
are recorded in the eight volumes of his <i>Memoirs, Journals, and
Correspondence</i>, which were edited by Lord John Russell, in 1853.
Moore was an excellent son, a good husband, an affectionate father, and
to Byron a loyal friend, neither envious nor subservient. Clare,
Hobhouse, and Moore were (Lady Blessington's <i>Conversations</i>, 2nd
edition, 1850, pp. 393, 394) the only persons whose friendship Byron
never disclaimed. He spoke of Moore (<i>ibid</i>., pp. 322, 323) as

<blockquote>"a delightful companion, gay without
being boisterous, witty without effort, comic without coarseness,
and sentimental without being lachrymose. He reminds one of the
fairy who, whenever she spoke, let diamonds fall from her lips.
My <i>tête-à-tête</i> suppers with Moore are among the most agreeable
impressions I retain of the hours passed in London."</blockquote>

In July, 1806, in consequence of the article in the <i>Edinburgh
Review</i> on his recent volume of <i>Poems</i>, Moore sent, through his
friend Hume, a challenge to Jeffrey, who was seconded by Francis
Horner, and a meeting was arranged. Moore, who had only once
in his life discharged a firearm of any kind, and then nearly blew
his thumb off, borrowed a case of pistols from William Spencer, and
bought in Bond Street enough powder and bullets for a score of
duels. The parties met at Chalk Farm; the seconds loaded the
pistols, placed the men at their posts, and were about to give the
signal to fire, when the police officers, rushing upon them from
behind a hedge, knocked Jeffrey's weapon from his hand, disarmed
Moore, and conveyed the whole party to Bow Street. They were
released on bail; but, on Moore returning to claim the borrowed
pistols, the officer refused to give them up, because only Moore's
pistol was loaded with ball. Horner, however, gave evidence that
he had seen both pistols loaded; and there, but for the reports circulated
in the newspapers, the affair would have ended. But the
joke was too good to be allowed to drop, and, in spite of Moore's
published letter, he was for months a target for the wits (<i>Memoirs,
Journals, and Correspondence</i>, vol. i. pp. 199-208).<br>
<br>
In <i>English Bards, etc.</i>, lines 466, 467, and his <i>note</i>, Byron made
merry over "Little's leadless pistol," with the result that, when the
second edition o£ the satire was published, with his name attached,
Moore sent him the following letter:

<blockquote>"Dublin, January 1, 1810.<br>
<br>
"My Lord,&mdash;Having just seen the name of 'Lord Byron' prefixed
to a work entitled <i>English Bards, and Scotch Reviewers</i>, in
which, as it appears to me, <i>the lie is given</i> to a public statement
of mine, respecting an affair with Mr. Jeffrey some years since, I
beg you will have the goodness to inform me whether I may consider
your Lordship as the author of this publication.<br>
<br>
"I shall not, I fear, be able to return to London for a week or
two; but, in the mean time, I trust your Lordship will not deny
me the satisfaction of knowing whether you avow the insult contained
in the passages alluded to.<br>
<br>
"It is needless to suggest to your Lordship the propriety of keeping
our correspondence secret.<br>
<br>
"I have the honour to be,<br>
<br>
"Your Lordship's very humble servant,<br>
<br>
"<b>Thomas Moore</b>.<br>
<br>
"22, Molesworth Street."</blockquote>

Owing to Byron's absence abroad, the letter never reached him;
it was, in fact, kept back by Hodgson. On his return to England,
Moore, who in the interval had married, sent him a second letter,
restating the nature of the insult he had received in <i>English Bards</i>.

<blockquote>"'It is now useless,' I continued (<i>Life</i>, p. 143), 'to speak of the
steps with which it was my intention to follow up that letter.
The time which has elapsed since then, though it has done away
neither the injury nor the feeling of it, has, in many respects,
materially altered my situation; and the only object which I have
now in writing to your Lordship is to preserve some consistency
with that former letter, and to prove to you that the injured feeling
still exists, however circumstances may compel me to be deaf
to its dictates, at present. When I say "injured feeling," let me
assure your Lordship that there is not a single vindictive sentiment
in my mind towards you. I mean but to express that uneasiness, under
(what I consider to be) a charge of falsehood,
which must haunt a man of any feeling to his grave, unless the
insult be retracted or atoned for; and which, if I did <i>not</i> feel, I
should, indeed, deserve far worse than your Lordship's satire could
inflict upon me.' In conclusion I added, that so far from being
influenced by any angry or resentful feeling towards him, it would
give me sincere pleasure if, by any satisfactory explanation, he
would enable me to seek the honour of being henceforward ranked
among his acquaintance."</blockquote>

Byron's <a href="#L202">letter</a> of October 27, 1811. was written in reply to this
second letter from Moore.<br>
<a href="#L202">return to footnote mark</a><br>
<br>
<br>
<a name="fb62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;For Samuel Rogers, see p. 67,<a href="#fc2"> <i>note</i></a> 1.<br>
<a href="#frb62">return</a>
<br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L203">203&mdash;to R. C. Dallas</a></h3>
<br>
8, St. James's Street, 29th October, 1811.<br>
<br><br>

<b>Dear Sir</b>,&mdash;I arrived in town last night, and shall be very glad to see
you when convenient.<br>
<br>
Yours very truly,<br>
<br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L204"></a>204&mdash;to Thomas Moore<a href="#fb71"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
8, St. James's Street, October 29, 1811.<br>
<br><br>

<b>Sir</b>,&mdash;Soon after my return to England, my friend, Mr. Hodgson, apprised
me that a letter for me was in his possession; but a domestic event
hurrying me from London immediately after, the letter (which may most
probably be your own) is still <i>unopened in his keeping</i>. If, on
examination of the address, the similarity of the handwriting should
lead to such a conclusion, it shall be opened in your presence, for the
satisfaction of all parties. Mr. H. is at present out of town;&mdash;on
Friday I shall see him, and request him to forward it to my address.<br>
<br>
With regard to the latter part of both your letters, until the principal
point was discussed between us, I felt myself at a loss in what manner
to reply. Was I to anticipate friendship from one, who conceived me to
have charged him with falsehood? Were not <i>advances</i>, under such
circumstances, to be misconstrued,&mdash;not, perhaps, by the person to whom
they were addressed, but by others? In <i>my</i> case such a step was
impracticable. If you, who conceived yourself to be the offended person,
are satisfied that you had no cause for offence, it will not be
difficult to convince me of it. My situation, as I have before stated,
leaves me no choice. I should have felt proud of your acquaintance, had
it commenced under other circumstances; but it must rest with you to
determine how far it may proceed after so <i>auspicious</i> a beginning.<br>
<br>
I have the honour to be, etc.<br><br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;
Moore had replied, accepting Byron's explanation, and adding,

  <blockquote>As your Lordship does not show any wish to proceed beyond the rigid
  formulary of explanation, it is not for me to make any further
  advances. We Irishmen, in businesses of this kind, seldom know any
  medium between decided hostility and decided friendship; but, as any
  approaches towards the latter alternative must now depend entirely on
  your Lordship, I have only to repeat that I am satisfied with your
  letter, and that I have the honour to be," etc., etc.</blockquote>
<a href="#L204">return to footnote mark</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L205"></a>205&mdash;to Thomas Moore<a href="#fb81"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
8, St. James's Street, October 30, 1811.<br>
<br><br>

<b>Sir</b>,&mdash;You must excuse my troubling you once more upon this very
unpleasant subject. It would be a satisfaction to me, and I should think
to yourself, that the unopened letter in Mr. Hodgson's possession
(supposing it to prove your own) should be returned <i>in statu quo</i>
to the writer; particularly as you expressed yourself "not quite easy
under the manner in which I had dwelt on its miscarriage."<br>
<br>
A few words more, and I shall not trouble you further. I felt, and still
feel, very much flattered by those parts of your correspondence, which
held out the prospect of our becoming acquainted. If I did not meet them
in the first instance as perhaps I ought, let the situation I was placed
in be my defence. You have <i>now</i> declared yourself
<i>satisfied</i>, and on that point we are no longer at issue. If,
therefore, you still retain any wish to do me the honour you hinted at,
I shall be most happy to meet you, when, where, and how you please, and
I presume you will not attribute my saying thus much to any unworthy
motive.<br>
<br>
I have the honour to remain, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Piqued," says Moore (<i>Life</i>, 144), "at the manner in which my
  efforts towards a more friendly understanding were received,"</blockquote>

he had briefly expressed his satisfaction at Byron's explanation, and
added that the correspondence might close.<br>
<a href="#L205">return to footnote mark</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L206">206&mdash;to R. C. Dallas</a></h3>
<br>
8, St. James's Street, October 31, 1811.<br>
<br><br>

<b>Dear Sir</b>,&mdash;I have already taken up so much of your time that there needs
no excuse on your part, but a great many on mine, for the present
interruption. I have altered the passages according to your wish. With
this note I send a few stanzas on a subject which has lately occupied
much of my thoughts. They refer to the death of one to whose name you
are a <i>stranger</i>, and, consequently, cannot be interested. I mean
them to complete the present volume. They relate to the same person whom
I have mentioned in Canto 2nd, and at the conclusion of the poem.<br>
<br>
I by no means intend to identify myself with <i>Harold</i>, but to
<i>deny</i> all connection with him. If in parts I may be thought to
have drawn from myself, believe me it is but in parts, and I shall not
own even to that. <a name="frb91">As</a> to the <i>Monastic dome</i>, etc.<a href="#fb91"><sup>1</sup></a>, I thought those circumstances would suit him as well as any other, and I
could describe what I had seen better than I could invent. I would not
be such a fellow as I have made my hero for all the world.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fb91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Childe Harold</i>, Canto II. stanza xlviii.<br>
<a href="#frb91">return to footnote mark</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L207">207&mdash;to Thomas Moore</a></h3>
<br>
8, St. James's Street, November 1, 1811.<br>
<br><br>

Sir,&mdash;As I should be very sorry to interrupt your Sunday's engagement,
if Monday, or any other day of the ensuing week, would be equally
convenient to <a name="frc1">yourself</a> and friend, I will then have the honour of
accepting his invitation<a href="#fc1"><sup>1</sup></a>.<br>
<br>
Of the professions of <a name="frc2">esteem</a> with which Mr. Rogers<a href="#fc2"><sup>2</sup></a> has honoured me,
I cannot but feel proud, though undeserving. I should be wanting to
myself, if insensible to the praise of such a man; and, should my
approaching interview with him and his friend lead to any degree of
intimacy with both or either, I shall regard our past correspondence as
one of the happiest events of my life. I have the honour to be,<br>
<br>
Your very sincere and obedient servant,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Rogers has left an account of this dinner.

  <blockquote>"Neither Moore nor myself had ever seen Byron when it was settled that
  he should dine at my house to meet Moore; nor was he known by sight to
  Campbell, who, happening to call upon me that morning, consented to
  join the party. I thought it best that I alone should  be in the
  drawing-room when Byron entered it; and Moore and Campbell accordingly
  withdrew. Soon after his arrival, they returned; and I introduced them
  to him severally, naming them as Adam named the beasts. When we sat
  down to dinner, I asked Byron if he would take soup? 'No; he never
  took soup.' 'Would he take some fish?' 'No; he never took fish.'
  Presently I asked if he would eat some mutton? 'No; he never ate
  mutton.' I then asked if he would take a glass of wine? 'No; he never
  tasted wine.' It was now necessary to inquire what he <i>did</i> eat
  and drink; and the answer was, 'Nothing but hard biscuits and
  soda-water.' Unfortunately, neither hard biscuits nor soda-water were
  at hand; and he dined upon potatoes bruised down on his plate and
  drenched with vinegar. My guests stayed very late, discussing the
  merits of Walter Scott and Joanna Baillie. Some days after, meeting
  Hobhouse, I said to him, 'How long will Lord Byron persevere in his
  present diet? 'He replied, 'Just as long as you continue to notice
  it.' I did not then know, what I now know to be a fact, that Byron,
  after leaving my house, had gone to a Club in St. James's Street and
  eaten a hearty meat-supper"</blockquote>

(<i>Table-Talk of Samuel Rogers</i>, pp.
  231, 232). Moore's (<i>Life</i>, p. 145) first impressions of Byron
  were <blockquote>"the nobleness of his air, his beauty, the gentleness of his
  voice and manners, and&mdash;what was naturally not the least
  attraction&mdash;his marked kindness to myself. Being in mourning for his
  mother, the colour, as well of his dress, as of his glossy, curling,
  and picturesque hair, gave more effect to the pure, spiritual paleness
  of his features, in the expression of which, when he spoke, there was
  a perpetual play of lively thought, though melancholy was their
  habitual character when in repose."</blockquote>
<a href="#frc1">return to footnote mark</a><br>
<br>
<br>
<a name="fc2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Samuel Rogers (1763-1855), the third son of a London
banker, was born at Stoke Newington. Shortly after his father's death,
in 1793, he withdrew from any active part in the management of the bank,
and devoted himself for the rest of his long life to literature, art,
and society. In 1803 he moved from chambers in the Temple to a house in
St. James's Place, overlooking the Green Park. Here he lived till his
death, in December, 1855, and here he gathered round him, at his
celebrated breakfasts, the most distinguished men and women of his time.
An excellent account of the "Town Mouse" entertaining the "Country
Mouse" is given by Dean Stanley (<i>Life</i>, vol. i. p. 298), who met
Wordsworth at breakfast with Rogers, in 1841, and describes

  <blockquote>"the town mouse a sleek, well-fed, sly, <i>white</i> mouse, and the
  country mouse with its rough, weather-worn face and grey hairs; the
  town mouse displaying its delicate little rolls and pyramids of
  glistening strawberries, the country mouse exulting in its hollow
  tree, its crust of bread and liberty, and rallying its brother on his
  late hours and frequent dinners." </blockquote>

One of his earliest recollections was the sight of a rebel's head  upon
a pole at Temple Bar. He had talked with a Thames boatman who remembered
Pope; had seen Garrick in <i>The Suspicious Husband</i>; had heard Sir
Joshua Reynolds deliver his last lecture as President of the Royal
Academy; had seen John Wesley "lying in state" in the City Road; had
gone to call on Dr. Johnson, but, when his hand was on the knocker,
found his courage fled. He lived to be offered the laureateship in 1850,
on the death of Wordsworth, and to decline it in favour of Tennyson.

 <blockquote> "Time was," wrote Mathias (<i>Pursuits of Literature</i>, note, p.
  360, ed. 1808), "when bankers were as stupid as their guineas could
  make them; they were neither orators, nor painters, nor poets. But
  now. .. Mr. Rogers dreams on Parnassus; and, if I am rightly informed,
  there is a great demand among his brethren for the <i>Pleasures of
  Memory</i>." </blockquote>

Rogers began to write poetry at an early age, and continued to write it
all his life. His <i>Ode to Superstition</i> was published in 1786; the
<i>Pleasures of Memory</i>, in 1792; the <i>Epistle to a Friend</i>, in
1798; <i>Columbus</i>, in 1812; <i>Jacqueline</i>, in 1813; <i>Human
Life</i>, in 1819; <i>Italy</i>, in 1822-34. His later years were
occupied in revising, correcting, or amplifying his published poems, and
in preparing the notes to <i>Italy</i>, which are admirable studies in
compactness and precision of language. A disciple of Pope, an imitator
of Goldsmith, Rogers was rather a skilful adapter than an original poet.
His chief talent was his taste; if he could not originate, he could
appreciate. The fastidious care which he lavished on his work has
preserved it. In his commonplace-book he has entered the number of years
which he spent in composing and revising his poems. His <i>Pleasures of
Memory</i> occupied seven years, <i>Columbus</i> fourteen, and
<i>Italy</i> fifteen. An excellent judge of art, he employed Flaxman,
Stothard, and Turner at a time when their powers were little appreciated
by his fellow-countrymen. Of his taste Byron speaks enthusiastically in
his Journal (see p. 331). But the following passage (hitherto
unpublished) from his <i>Detached Thoughts</i> (Ravenna, 1821) gives his
later opinion of the man:

  <blockquote>"When Sheridan was on his death-bed, Rogers aided him with purse and
  person. This was particularly kind of Rogers, who always spoke ill of
  Sheridan (to me, at least), but, indeed, he does that of everybody to
  anybody. Rogers is the reverse of the line:

   <blockquote> 'The <i>best good man</i> with the <i>worst</i> natured Muse,'</blockquote>

  being:

   <blockquote> 'The <i>worst</i> good man with the <i>best</i> natured Muse.'</blockquote>

  His Muse being all Sentiment and Sago and Sugar, while he himself is a
  venomous talker. I say 'worst good man' because he is (perhaps) a
  <i>good</i> man; at least he does good now and then, as well he may,
  to purchase himself a shilling's worth of salvation for his slanders.
  They are so <i>little</i>, too&mdash;small talk&mdash;and old Womanny, and he is
  malignant too&mdash;and envious&mdash;and&mdash;he be damned!"</blockquote>

In a manuscript note to these passages Sir Walter Scott writes,

 <blockquote> "I never heard Rogers say a single word against Byron, which is rather
  odd too. Byron wrote a bitter and undeserved satire on Rogers. This
  conduct must have been motived by something or other." </blockquote>

Speaking of Rogers and Sheridan, he says,

  <blockquote>"He certainly took pennyworths out of his friend's character. I sat
  three hours for my picture to Sir Thomas Lawrence, during which the
  whole conversation was filled up by Rogers with stories of Sheridan,
  for the least of which, if true, he deserved the gallows. One
  respected his committing a rape on his sister-in-law on the day of her
  husband's funeral. Others were worse."</blockquote>

In politics Rogers was a Whig, in religion a Presbyterian. But
he meddled little with either. In private life he was as kindly in
action as he was caustic in speech. A sensitive man himself, he
studied to be satirical to others. When Ward condemned <i>Columbus</i>
in the <i>Quarterly Review</i>, Rogers repaid his critic in the stinging
epigram:

  <blockquote>"Ward has no heart, they say; but I deny it;&mdash;<br>
  He has a heart, and gets his speeches by it."</blockquote>

Byron warmly admired Rogers's poetry. To him he dedicated <i>The
Giaour</i>, in

 <blockquote> "admiration for his genius, respect for his character, and gratitude
  for his friendship." </blockquote>

The <i>Quarterly Review</i>, in an article on <i>The Corsair</i> and
<i>Lara</i>, mentions

  <blockquote>"the highly refined, but somewhat insipid, pastoral tale of
  <i>Jacqueline</i>." </blockquote>

Byron, on reading the review, said to Lady Byron,

 <blockquote> "The man's a fool. <i>Jacqueline</i> is as superior to <i>Lara</i> as
  Rogers is to me" </blockquote>

(<i>Table-Talk of Samuel Rogers</i>, p. 154, <i>note</i>).

 <blockquote> "The <i>Pleasures of Memory</i>," he said (Lady Blessington's
  <i>Conversations</i>, p. 153), "is a very beautiful poem, harmonious,
  finished, and chaste; it contains not a single meretricious ornament.
  If Rogers has not fixed himself in the higher fields of Parnassus, he
  has, at least, cultivated a very pretty flower-garden at its base."</blockquote>
  But he goes on to speak of the poem (p. 354) as <blockquote>"a <i>hortus
  siccus</i> of pretty flowers," and an illustration of "the difference
  between inspiration and versification."</blockquote>

If Rogers ever saw Byron's <i>Question and Answer</i> (1818), he was
generous enough to forget the satire. In <i>Italy</i> he paid a noble
tribute to the genius of the dead poet&mdash;

  <blockquote>"He is now at rest;<br>
  And praise and blame fall on his ear alike,<br>
  Now dull in death. Yes, Byron, thou art gone,<br>
  Gone like a star that through the firmament<br>
  Shot and was lost, in its eccentric course<br>
  Dazzling, perplexing. Yet thy heart, methinks,<br>
  Was generous, noble&mdash;noble in its scorn<br>
  Of all things low or little; nothing there<br>
  Sordid or servile. If imagined wrongs<br>
  Pursued thee, urging thee sometimes to do<br>
  Things long regretted, oft, as many know,<br>
  None more than I, thy gratitude would build<br>
  On slight foundations; and, if in thy life<br>
  Not happy, in thy death thou surely wert,<br>
  Thy wish accomplished; dying in the land<br>
  Where thy young mind had caught ethereal fire,<br>
  Dying in Greece, and in a cause so glorious!<br>
    They in thy train&mdash;ah, little did they think,<br>
  As round we went, that they so soon should sit<br>
  Mourning beside thee, while a Nation mourned,<br>
  Changing her festal for her funeral song;<br>
  That they so soon should hear the minute-gun,<br>
  As morning gleamed on what remained of thee,<br>
  Roll o'er the sea, the mountains, numbering<br>
  Thy years of joy and sorrow.<br>
                                Thou art gone;<br>
  And he who would assail thee in thy grave,<br>
  Oh, let him pause! For who among us all,<br>
  Tried as thou wert&mdash;even from thy earliest years,<br>
  When wandering, yet unspoilt, a Highland boy&mdash;<br>
  Tried as thou wert, and with thy soul of flame;<br>
  Pleasure, while yet the down was on thy cheek,<br>
  Uplifting, pressing, and to lips like thine,<br>
  Her charmed cup&mdash;ah, who among us all<br>
  Could say he had not erred as much, and more?"</blockquote>
<a href="#frc2">return</a><br>
<a href="#fb62">cross-reference: return to Footnote 2 of Letter 202</a><br>

<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L208">208&mdash;to Francis Hodgson</a></h3>
<br>
8, St. James's Street, November 17, 1811.<br>
<br><br>

Dear Hodgson,&mdash;I <a name="frc11">have</a> been waiting for the letter<a href="#fc11"><sup>1</sup></a> which was to have
been sent by you <i>immediately</i>, and must again jog your memory on
the subject. I believe I wrote you a full and true account of poor &mdash;'s
proceedings. <a name="frc12">Since</a> his reunion to &mdash;,<a href="#fc12"><sup>2</sup></a> I have heard nothing further
from him. What a pity! a man of talent, past the heyday of life, and a
clergyman, to fall into such imbecility. I have heard from Hobhouse, who
has at last sent more copy to Cawthorn for his <i>Travels</i>. I franked
an enormous cover for you yesterday, seemingly to convey at least twelve
cantos on any given subject. I fear the I aspect of it was too
<i>epic</i> for the post. From this and other coincidences I augur a
publication on your part, but what, or when, or how much, you must
disclose immediately.<br>
<br>
I don't know what to say about coming down to Cambridge at present, but
live in hopes. I am so completely superannuated there, and besides feel
it something brazen in me to wear my magisterial habit, after all my
buffooneries, that I hardly think I shall venture again. And being now
an <img src="images/BG6.gif" width="189" height="30" border="1" alt="Greek: ariston men hydôr"> disciple I won't come within wine-shot of
such determined topers as your collegiates. I have not yet subscribed to
Bowen. I mean to cut Harrow "<i>enim unquam</i>" as somebody classically
said for a farewell sentence. I am superannuated there too, and, in
short, as old at twenty-three as many men at seventy.<br>
<br>
Do write and send this letter that hath been so long in your custody. It
is important that Moore should be certain that I never received it, if
it be <i>his</i>. Are you drowned in a bottle of Port? or a Kilderkin of
Ale? that I have never heard from you, or are you fallen into a fit of
perplexity? Cawthorn has declined, and the MS. is returned to him. This
is all at present from yours in the faith,<br>
<br>
<img src="images/BG7.gif" width="96" height="30" border="1" alt="Greek: Mpairon"><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; On November 17, 1811, Hodgson writes to Byron:

<blockquote>"I
enclose you the long-delayed letter, which, from the similarity of
hands alone, Davies and I will go shares in a bet of ten to one is
the cartel in question."</blockquote>
<a href="#frc11">return to footnote mark</a><br>
<br>
<br>
<a name="fc12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The names are carefully erased by Hodgson.<br>
<a href="#frc12">return</a><br>
<br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L209">209&mdash;to Francis Hodgson</a></h3>
<br>
8, St. James's Street, December 4, 1811.<br>
<br><br>

<b>My Dear Hodgson</b>,&mdash;I <a name="frc21">have</a> seen Miller<a href="#fc21"><sup>1</sup></a>, who will see Bland<a href="#fc22"><sup>2</sup></a>, but I have no great hopes of his obtaining the
translation from the crowd of candidates. Yesterday I wrote to Harness,
who will probably tell you what I said on the subject. Hobhouse has sent
me my Romaic MS., and I shall require your aid in correcting the press,
as your Greek eye is more correct than mine. But these will not come to
type this month, I dare say. I <a name="frc23">have</a> put some soft lines on ye Scotch in
the <I>Curse of Minerva</I>; take them;

<blockquote>"Yet Caledonia claims some native worth," etc.<a href="#fc23"><sup>3</sup></a></blockquote>

If you are not content now, I must say with the Irish drummer to the
deserter who called out,

 <blockquote> "Flog high, flog low"<br>
  <br>
  "The de'il burn ye, there's no pleasing you, flog where one will." </blockquote>

Have you given up wine, even British wine?<br>
<br>
I <a name="frc24">have</a> read Watson to Gibbon<a href="#fc24"><sup>4</sup></a>. He proves nothing, so I am where I
was, verging towards Spinoza; and yet it is a gloomy Creed, and I want a
better, but there is something Pagan in me that I cannot shake off. In
short, I deny nothing, but doubt everything. The post brings me to a
conclusion. Bland has just been here. Yours ever,<br>
<br>
BN.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See <i>Letters</I>, vol. i. p. 319, <i>note</i> 2 [Footnote 1 of
Letter 158].<br>
<a href="#frc21">return to footnote mark</a><br>
<br>
<br>
<a name="fc22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Byron was endeavouring to secure for Bland (see
<i>Letters</i>, vol. i. p. 271, <i>note</i> 1 [Footnote 2 of Letter 137]), the work of translating
Lucien Buonaparte's poem of <i>Charlemagne</i>. He did not succeed. The
poem, translated by Dr. Butler, Head-master of Shrewsbury, afterwards
Bishop of Lichfield, and Francis Hodgson, was published in 1815.<br>
<a href="#frc21">return</a><br>
<br>
<br>
<a name="fc23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Lines 149-156.<br>
<a href="#frc23">return</a><br>
<br>
<br>
<a name="fc24"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; <i>An Apology for Christianity, in a Series of Letters to
Edward Gibbon, Esq.</i>, by Richard Watson, D.D. (1776). Gibbon had a
great respect for Watson, at this time Professor of Divinity at
Cambridge, afterwards Bishop of Llandaff, whom he describes as "a
prelate of a large mind and liberal spirit." In a letter to Holroyd
(November 4, 1776), he speaks of the <i>Apology</i> as "feeble," but
"uncommingly genteel." To his stepmother he writes, November 29, 1776,
that Watson's answer is "civil" and "too dull to deserve your notice."<br>
<a href="#frc24">return</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L210"></a>210&mdash;to William Harness<a href="#fc31"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
8, St. James's Street, Dec. 6, 1811.<br>
<br><br>

My Dear Harness,&mdash;I write again, but don't suppose I mean to lay such a
tax on your pen and patience as to expect regular replies. When you are
inclined, write: when silent, I shall have the consolation of knowing
that you are much better employed. Yesterday, Bland and I called on Mr.
Miller, who, being then out, will call on Bland to-day or to-morrow. I
shall certainly endeavour to bring them together.&mdash;You are censorious,
child; when you are a little older, you will learn to dislike every
body, but abuse nobody.<br>
<br>
With regard to the person of whom you speak, your own good sense must
direct you. I never pretend to advise, being an implicit believer in the
old proverb. This present frost is detestable. It is the first I have
felt for these three years, though I longed for one in the oriental
summer, when no such thing is to be had, unless I had gone to the top of
Hymettus for it.<br>
<br>
I thank you most truly for the concluding part of your letter. I have
been of late not much accustomed to kindness from any quarter, and am
not the less pleased to meet with it again from one where I had known it
earliest. I have not changed in all my ramblings,&mdash; Harrow, and, of
course, yourself, never left me, and the

<blockquote>"<i>Dulces reminiscitur Argos</i>"</blockquote>

attended me to the very spot to which that sentence alludes in the mind
of the fallen Argive.&mdash;Our intimacy began before we began to date at
all, and it rests with you to continue it till the hour which must
number it and me with the things that <i>were</i>.<br>
<br>
Do read mathematics.&mdash;I <a name="frc32">should</a> think <i>X plus Y</i> at least as amusing
as the <i>Curse of Kehama</i><a href="#fc32"><sup>2</sup></a>,
and much more intelligible. Master Southey's poems <I>are</I>, in fact,
what parallel lines might be&mdash;viz. prolonged <I>ad infinitum</I> without
meeting anything half so absurd as themselves.

<blockquote>"What news, what news? Queen Orraca,<br>
What news of scribblers five?<br>
S&mdash;&mdash;, W&mdash;&mdash;, C&mdash;&mdash;, L&mdash;&mdash;d, and L&mdash;&mdash;e?<br>
All damn'd, though yet alive."</blockquote>

<a name="frc33">Coleridge</a> is lecturing<a href="#fc33"><sup>3</sup></a>.

 <blockquote>"<a name="frc34">Many</a> an old fool," said Hannibal to some such lecturer, "but such as
 this, never."<a href="#fc34"><sup>4</sup></a></blockquote>

Ever yours, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See <i>Letters</i>, vol. i. p. 177, <i>note</i> 1.
[Footnote 1 of Letter 92]<br>
<a href="#L210">return</a><br>
<br>
<br>
<a name="fc32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Robert Southey (1774-1843) published his <i>Curse of
Kehama</i> in 1810. It formed a part of a series of heroic poems in
which he intended to embody the chief mythologies of the world. In spite
of Byron's adverse opinion, it contains magnificent passages, and
disputes with <i>Roderick, the Last of the Goths </i> (1814), the claim
to be the finest of his longer poems. Southey's literary activity was
immense. He had already produced <i>Joan of Arc</i> (1796),
<i>Thalaba</i> (1801), <i>Madoc</i> (1805), and many other works in
prose and verse. At this time he was personally unknown to Byron, who
had ridiculed his "annual strains." They met for the first time at
Holland House, in September, 1813. (See Byron's <a href="#L335">letter</a> to Moore,
September 27, 1813, and <a href="#Cx2">Journal</a>, p. 331.) The animosity between the two
men belongs to a later date, and in its origin was partly political,
partly personal. Southey, in early life, had been a republican and a
Unitarian, if not a deist. He collaborated with Coleridge in the <i>Fall
of Robespierre</i> (1794), wrote a portion of the <i>Conciones ad
Populum</i> (1795), which the Government considered seditious; and,
according to Poole (<i>Thomas Pools and his Friends</i>, vol. i. chap,
vi.), wavered "between Deism and Atheism." He became a champion of
monarchical principles and of religious orthodoxy, and attacked the
views, which he had once held and expressed in <i>Wat Tyler</i> (written
in 1794, and piratically published in 1817), with the bitterness of a
reactionary. He had also, as Byron believed, circulated, if not
invented, a report that Byron and Shelley had formed "a league of
incest" at Geneva, in 1816-17, with "two girls," Mary Godwin (Mrs.
Shelley) and Jane Clairmont. Byron not only denied the charge, but
retorted upon him, in his "Observations upon an Article in <i>Blackwood's
Magazine</i>" (March 15, 1820), as the author of <i>Wat Tyler</i> and
poet laureate, the man who "wrote treason and serves the King," the
ex-pantisocrat who advocated "all things, including women, in common."
Southey's <i>Vision of Judgment</i>, an apotheosis of George III.,
published in 1821, gave Byron a second provocation and a second
opportunity, by speaking in the preface of his "Satanic spirit of pride
and audacious impiety." Byron again replied in prose; and Southey
(January 5, 1820), in a letter to the <i>London Courier</i>, invited him
to attack him in rhyme. In Byron's <i>Vision of Judgment</i> he found
his invitation accepted, and himself pilloried in that tremendous
satire. Southey overvalued his own narrative poetry. It is as a man, a
prominent figure in literary history, a leader in the romantic revival,
a master of prose, and the author of the best short biography in the
English language&mdash;the <I>Life of Nelson</I> (1813)&mdash;that he lives at the
present day. His name also deserves to be remembered with gratitude by
all who have read the nursery classic of "<I>The Three Bears</I>." Byron
parodies a stanza in Southey's "Queen Orraca and the Five Martyrs of
Morocco" (<I>Works</I>, vol. vi. pp. 166-173):

  <blockquote>"What news, O King Affonso,<br>
  What news of the Friars five?<br>
  Have they preached to the Miramamolin;<br>
  And are they still alive?"</blockquote>

The blanks stand for Scott or Southey, Wordsworth, Coleridge, Lloyd, and
Lamb(e), with the lines from <I>New Morality</I> in his mind:

  <blockquote>"Coleridge and Southey, Lloyd and Lamb and Co.,<br>
  Tune all your mystic harps to praise Lepaux."</blockquote>
<a href="#frc32">return</a><br>
<br>
<br>
<a name="fc33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Coleridge, beginning November 18, 1811, and ending January
27, 1812, delivered a course of seventeen lectures on Shakespeare and
Milton, "in illustration of the principles of poetry." The lectures were
given under the auspices of the London Philosophical Society, in the
Scot's Corporation Hall, Crane Court, Fleet Street. Single tickets for
the whole course were two guineas, or three guineas "with the privilege
of introducing a lady." J. Payne Collier took shorthand notes of the
lectures and published a portion of his material, the rest being lost
(<I>Lectures on Shakespear</I>, from notes by J. P. Collier), The notes,
with other contemporary reports from the <I>Times</I>, <I>Morning
Chronicle</I>, <I>Dublin Chronicle</I>, Crabb Robinson's <I>Diary</I>,
and other sources, were republished in 1883 by Mr. Ashe (<I>Lectures and
Notes on Shakspere and other English Poets</I>).<br>
<br>
Collier, in his notes of Coleridge's conversation (November I, 1811),
gives the substance, in all probability, of the attack on Campbell
alluded to in the next letter. Coleridge said that

<blockquote>"neither Southey,
Scott, nor Campbell would by their poetry survive much beyond the day
when they lived and wrote. Their works seemed to him not to have the
seeds of vitality, the real germs of long life. The two first were
entertaining as tellers of stories in verse; but the last, in his
<i>Pleasures of Hope</i>, obviously  had no fixed design, but when a
thought (of course, not a very original one) came into his head, he put
it down in couplets, and afterwards strung the <i>disjecta membra</i>
(not <i>poetæ</i>) together. Some of the best things in it were
borrowed; for instance the line:

 <blockquote> 'And freedom shriek'd when Kosciusko fell,'</blockquote>

was taken from a much-ridiculed piece by Dennis, a pindaric on William
III.:

  <blockquote>'Fair Liberty shriek'd out aloud, aloud Religion groaned.'</blockquote>

It is the same production in which the following much-laughed-at
specimen of bathos is found:

 <blockquote> 'Nor Alps nor Pyreneans keep him out,<br>
  Nor fortified redoubt.'</blockquote>

Coleridge had little toleration for Campbell, and considered him, as far
as he had gone, a mere verse-maker "</blockquote>(Ashe's Introduction to <i>Lectures
on Shakspere</i>, pp. 16, 17).<br>
<a href="#frc33">return</a><br>
<a href="#fc51">cross-reference: return to Footnote 1 of Letter 212</a><br>
<br>
<br>
<a name="fc34"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Hannibal, in exile at Ephesus, was taken to hear a lecture
by a peripatetic philosopher named Phormio. The lecturer (<i>homo
copiosus</i>) discoursed for some hours on the duties of a general, and
military subjects generally. The delighted audience asked Hannibal his
opinion of the lecture. He replied in Greek,

 <blockquote> "I have seen many old fools often, but such an old fool as Phormio,
  never <br>
<br>
(<i>Multos se deliros senes sæpe vidisse; sed qui magis, quam
  Phormio, deliraret, vidisse neminem</i>)" </blockquote>

(Cicero, <i>De Oratore</i>, ii. 18).<br>
<a href="#frc34">return</a><br>
<br>
<p><a href="#lp3">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L211">211&mdash;to James Wedderburn Webster</a></h3>
<br>
8, St. James's St., Dec. 7th, 1811.<br>
<br><br>

My Dear W.,&mdash;I was out of town during the arrival of your letters, but
forwarded all on my return.<br>
<br>
I hope you are going on to your satisfaction, and that her Ladyship is
about to produce an heir with all his mother's Graces and all his Sire's
good qualities. You know I am to be a Godfather. Byron Webster! a most
heroic name, say what you please.<br>
<br>
Don't be alarmed; my "<i>caprice</i>" won't lead me in to Dorset. No,
<i>Bachelors</i> for me! I consider you as dead to us, and all my future
<i>devoirs</i> are but tributes of respect to your <i>Memory</i>. Poor
fellow! he was a facetious companion and well respected by all who knew
him; but he is gone. Sooner or later we must all come to it.<br>
<br>
I see nothing of you in the <i>papers</i>, the only place where I don't
wish to see you; but you will be in town in the Winter. <a name="frc41">What</a> dost thou
do? shoot, hunt, and "wind up y'e Clock" as Caleb Quotem says<a href="#fc41"><sup>1</sup></a>?<br>
<br>
That thou art vastly happy, I doubt not.<br>
<br>
I see your brother in law at times, and like him much; but we miss you
much; I shall leave town in a fortnight to pass my Xmas in Notts.<br>
<br>
Good afternoon, Dear W. <br>
Believe me, Yours ever most truly, <br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Byron alludes to Caleb Quotem's song in <i>The Review, or
Wags of Windsor</i> (act ii. sc. 2), by George Colman the Younger:

 <blockquote> "I'm parish clerk and sexton here,<br>
  My name is Caleb Quotem,<br>
  I'm painter, glazier, auctioneer,<br>
  In short, I am factotum."<br>
  <br>
  ...<br>
  <br>
  "At night by the fire, like a good, jolly cock,<br>
  When my day's work is done and all over,<br>
  I tipple, I smoke, and I wind up the clock,<br>
  With my sweet Mrs. Quotem in clover.</blockquote>
<a href="#frc41">return to footnote mark</a>
  <br>
<br>
<p><a href="#lp4">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L212">212&mdash;to William Harness</a></h3>
<br>
 St. James's Street, Dec. 8, 1811.<br>
<br><br>

Behold a most formidable sheet, without gilt or black edging, and
consequently very vulgar and indecorous, particularly to one of your
precision; but this being Sunday, I can procure no better, and will
atone for its length by not filling it. Bland I have not seen since my
last letter; but on Tuesday he dines with me, and will meet Moore, the
epitome of all that is exquisite in poetical or personal
accomplishments. How Bland has settled with Miller, I know not. I have
very little interest with either, and they must arrange their concerns
according to their own gusto. I have done my endeavours, <i>at your request</i>, to bring them together, and hope they may agree to their
mutual advantage.<br>
<br>
<a name="frc51">Coleridge</a> has been lecturing against Campbell<a href="#fc51"><sup>1</sup></a>.<br>
<br>
Rogers was present, and from him I derive the information. We are going
to make a party to hear this Manichean of poesy. Pole<a href="#fc52"><sup>2</sup></a> is to <a name="frc52">marry</a>
Miss Long, and will be a very miserable dog for all that. The present
ministers are to continue, and his Majesty <i>does</i> continue in the
same state; so there's folly and madness for you, both in a breath.<br>
<br>
I <a name="frc53">never</a> heard but of one man truly fortunate, and he was Beaumarchais<a href="#fc53"><sup>3</sup></a>, the author of <i>Figaro</i>, who buried two wives and gained three
lawsuits before he was thirty.<br>
<br>
And now, child, what art thou doing? <i>Reading, I trust</i>. I want to
see you take a degree. Remember, this is the most important period of
your life; and don't disappoint your papa and your aunt, and all your
kin&mdash;besides myself. Don't you know that all male children are begotten
for the express purpose of being graduates? <a name="frc54">and</a> that even I am an A.M.<a href="#fc54"><sup>4</sup></a>, though how I became so the Public Orator only can resolve. <a name="frc55">Besides</a>,
you are to be a priest; and to confute Sir William Drummond's late book
about the Bible<a href="#fc55"><sup>5</sup></a> (printed, but not published), and all other infidels
whatever. Now leave Master H.'s gig, and Master S.'s Sapphics, and
become as immortal as Cambridge can make you.<br>
<br>
You see, <I>Mio Carissimo</I>, what a pestilent correspondent I am
likely to become; but then you shall be as quiet at Newstead as you
please, and I won't disturb your studies as I do now. When do you fix
the day, that I may take you up according to contract? Hodgson talks of
making a third in our journey; but we can't stow him, inside at least.
Positively you shall go with me as was agreed, and don't let me have any
of your <i>politesse</i> to H. on the occasion. I shall manage to
arrange for both with a little contrivance. I wish H. was not quite so
fat, and we should pack better. You will want to know what I am
doing&mdash;chewing tobacco.<br>
<br>
You see <a name="frc56">nothing</a> of my allies, Scrope Davies and Matthews<a href="#fc56"><sup>6</sup></a>&mdash;they don't
suit you; and how does it happen that I&mdash;who am a pipkin of the same
pottery&mdash;continue in your good graces? Good night,&mdash;I will go on in the
morning.<br>
<br>
Dec. 9th.&mdash;In a morning I am always sullen, and to-day is as sombre as
myself. Rain and mist are worse than a sirocco, particularly in a
beef-eating and beer-drinking country. My <a name="frc57">bookseller</a>, Cawthorne, has
just left me, and tells me, with a most important face, that he is in
treaty for a novel of Madame D'Arblay's, for which 1000 guineas are
asked<a href="#fc57"><sup>7</sup></a>! He <a name="frc58">wants</a> me to read the MS. (if he obtains it), which I shall
do with pleasure; but I should be very cautious in venturing an opinion
on her whose <i>Cecilia</i> Dr. Johnson superintended<a href="#fc58"><sup>8</sup></a>.<br>
<br>
If he lends it to me, I shall put it in the hands of Rogers and Moore,
who are truly men of taste. I have filled the sheet, and beg your
pardon; I will not do it again. I shall, perhaps, write again; but if
not, believe, silent or scribbling, that I am,<br>
<br>
My dearest William, ever, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See p. 75, <a href="#fc33"><i>note</i> 1</a>. In the application to Coleridge
of the phrase, "Manichean of poesy," Byron may allude to Cowper's
<i>Task</i> (bk. v. lines 444, 445):

  <blockquote>"As dreadful as the Manichean God,<br>
  Adored through fear, strong only to destroy."</blockquote>
<a href="#frc51">return</a><br>
<br>
<br>
<a name="fc52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;William Wellesley Pole Tylney Long Wellesley (1788-1857),
one of the most worthless of the bloods of the Regency, son of Lord
Maryborough, and nephew of the Duke of Wellington, became in 1845 the
fourth Earl of Mornington. He married in March, 1812, Catherine,
daughter and co-heir, with her brother, of Sir James Tylney Long, Bart.,
of Draycot, Wilts. On his marriage he added his wife's double name to
his own, and so gave a point to the authors of Rejected Addresses:

  <blockquote>"Long may Long-Tilney-Wellesley-Long-Pole live."</blockquote>

For Byron's allusion to him in <i>The Waltz</i>, see <i>Poems</i>, 1898,
vol. i. p. 484, note 1. Having run through his wife's large fortune by
his extravagant expenditure at Wanstead Park and elsewhere, he was
obliged, in 1822, to escape from his creditors to the Continent. There
(1823-25) he lived with Mrs. Bligh, wife of Captain Bligh, of the
Coldstream Guards. His wife died in 1825, after filing a bill for
divorce, and making her children wards of Chancery. Wellesley
subsequently (1828) married Mrs. Bligh; but the second wife was as ill
treated as the first, and he left her so destitute that she was a
frequent applicant for relief at the metropolitan police-courts. He died
of heart-disease in July, 1857, a pensioner on the charity of his
cousin, the second Duke of Wellington.<br>
<a href="#frc52">return</a><br>
<br>
<br>
<a name="fc53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Byron's statement is incorrect. Pierre-Auguste Caron de
Beaumarchais (1732-1799) married, in 1756, as his first wife,
Madeleine-Catherine Aubertin, widow of the sieur Franquet. She died in
1757. He married, in 1768, as his second wife, Geneviève-Magdaleine
Wattebled, widow of the sieur Lévêque. She died in 1770. The only
lawsuit which he won "before he was thirty," was that against Lepaute,
who claimed as his own invention the escapement for watches and clocks,
which Beaumarchais had discovered. The case was decided in favour of
Beaumarchais in 1754. Out of his second lawsuit&mdash;with Count de la
Blache, legatee of his patron Duverney, who died in 1770&mdash;sprang his
action against Goëzman, with which began the publication of his
<i>Mémoires</i>. (See Loménie, <i>Beaumarchais and his Times</i>, tr. by
H. S. Edwards, 4 vols., London, 1855-6.)<br>
<a href="#frc53">return</a><br>
<br>
<br>
<a name="fc54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Byron took his M. A. degree at Cambridge July 4, 1808.<br>
<a href="#frc54">return</a><br>
<br>
<br>
<a name="fc55"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; Sir William Drummond (1770-1828), Tory M.P. for St. Mawes
(1795-96) and for Lostwithiel (1796-1801), held from 1801 to 1809
several diplomatic posts: ambassador to the Court of Naples 1801-3; to
the Ottoman Porte 1803-6; to the Court of Naples for the second time,
1806-9. From 1809, at which date his political and diplomatic career
closed, he devoted himself to literature. He had already published
<i>Philosophical Sketches on the Principles of Society and
Government</i> (1793); <i>A Review of the Governments of Sparta and
Athens</i> (1795); <i>The Satires of Persius</i>, translated (1798);
<i>Byblis, a Tragedy</i>, in verse (1802); <i>Academical Questions</i>
(1805). In 1810 he published <i>Herculanensia</i>; and, in the following
year, printed for private circulation his <i>&OElig;dipus Judaicus</i>, a
bold attempt to explain many parts of the Old Testament as astronomical
allegories. In 1817 appeared the first part of his <i>Odin</i>, a poem
in blank verse; in 1824-29 his <i>Origines, or Remarks on the Origin of
several Empires, States, and Cities</i>, was published. Sir William, who
died at Rome in 1828, lived much of his later life abroad.

Drummond, as a member of the Alfred Club, is described in the
<I>Sexagenarian</I> (vol. ii. chap, xxiv.), where Beloe, speaking of the
(<I>&OElig;dipus Judaicus</I>), says that

  "he appeared to have employed his leisure in searching for objections
  and arguments as they related to Scripture, which had been so often
  refuted, that they were considered by the learned and wise as almost
  exploded."

He refers to <I>Byblis</I> as evidence of his "perverted and fantastical
taste" in poetry, praises his "spirited translation" of Persius,
commends the "sound sense and very extensive reading" of his
<I>Philosophical</I> <I>Sketches</I>, and scoffs at the "metaphysical
labyrinth" of his <I>Academical Questions</I>.

 <blockquote> "When you go to Naples," said Byron to Lady Blessington
  (<i>Conversations</i>, pp. 238, 239), "you must make acquaintance with
  Sir William Drummond, for he is certainly one of the most erudite men
  and admirable philosophers now living. He has all the wit of Voltaire,
  with a profundity that seldom appertains to wit, and writes so
  forcibly, and with such elegance and purity of style, that his works
  possess a peculiar charm. Have you read his <i>Academical
  Questions</i>? If not, get them directly, and I think you will agree
  with me, that the preface to that work alone would prove Sir William
  Drummond an admirable writer. He concludes it by the following
  sentence, which I think one of the best in our language:

   <blockquote> 'Prejudice may be trusted to guard the outworks for a short space of
    time, while Reason slumbers in the citadel; but if the latter sink
    into a lethargy, the former will quickly erect a standard for
    herself. Philosophy, wisdom, and liberty support each other; he who
    will not reason is a bigot; he who cannot is a fool; and he who
    dares not is a slave.' </blockquote>

  Is not the passage admirable? How few could have written it! and yet
  how few read Drummond's works! They are too good to be popular. His
  <i>Odin</i> is really a fine poem, and has some passages that are
  beautiful, but it is so little read that it may be said to have
  dropped still-born from the press&mdash;a mortifying proof of the bad taste
  of the age. His translation of Persius is not only very literal, but
  preserves much of the spirit of the original;... he has escaped all
  the defects of translators, and his Persius resembles the original as
  nearly, in feeling and sentiment, as two languages so dissimilar in
  idiom will admit."</blockquote>
<a href="#frc55">return</a><br>
<br>
<br>
<a name="fc56"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;Henry Matthews (1789-1828) of Eton and King's College,
Cambridge, younger brother of Charles Skinner Matthews, and author of
the <i>Diary of an Invalid</i> (1820).<br>
<a href="#frc56">return</a><br>
<br>
<br>
<a name="fc57"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;<i>The Wanderer, or Female Difficulties</i>, Madame
d'Arblay's fourth and last novel (<i>Evelina</i>, 1778; <i>Cecilia</i>,
1782; <i>Camilla</i>, 1796), was published in 1814.

 <blockquote> "I am indescribably occupied," she writes to Dr. Burney, October 12,
  1813, "in giving more and more last touches to my work, about which I
  begin to grow very anxious. I am to receive merely £500 upon delivery
  of the MS.; the two following £500 by instalments from nine months to
  nine months, that is, in a year and a half from the day of
  publication. If all goes well, the whole will be £3000, but only at
  the end of the sale of eight thousand copies." </blockquote>

The book failed; but rumour magnified the sum received by the writer.
Mrs. Piozzi, shortly after the publication of <i>The Wanderer</i> and of
Byron's lines, "Weep, daughter of a royal line," writes to Samuel
Lysons, February 17, 1814:

 <blockquote> "Come now, do send me a kind letter and tell me if Madame d'Arblaye
  gets £3000 for her book or no, and if Lord Byron is to be called over
  about some verses he has written, as the papers hint." </blockquote>

(<i>Autobiography, Letters, and Literary Remains</i>, vol. ii. p. 246).<br>
<a href="#frc57">return</a><br>
<br>
<br>
<a name="fc58"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp;Dr. Johnson never saw <i>Cecilia</i> (1782) till it was in print.
A day or two before publication, Miss Burney sent three copies to the
three persons who had the best claim to them&mdash;her father, Mrs. Thrale,
and Dr. Johnson.<br>
<a href="#frc58">return</a><br>
<br>
<p><a href="#lp4">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L213">213&mdash;to Francis Hodgson</a></h3>
<br>
London, Dec. 8, 1811.<br>
<br><br>

I sent you a sad <i>Tale of Three Friars</i> the other day, and now take a dose
in another style. I wrote it a day or two ago, on hearing a song of
former days.

  <blockquote>"<a name="frc61">Away</a>, away, ye notes of woe," etc., etc<a href="#fc61"><sup>1</sup></a>.</blockquote>

I <a name="frc62">have</a> gotten a book by Sir W. Drummond (printed, but not published),
entitled <i>&OElig;dipus Judaicus</i> in which he attempts to prove the
greater part of the Old Testament an allegory, particularly Genesis and
Joshua. He professes himself a theist in the preface, and handles the
literal interpretation very roughly. I wish you could see it. Mr. Ward<a href="#fc62"><sup>2</sup></a> has lent it me, and I confess to me it is worth fifty Watsons.<br>
<br>
You and Harness must fix on the time for your visit to Newstead; I can
command mine at your wish, unless any thing particular occurs in the
interim. Master William Harness and I have recommenced a most fiery
correspondence; I like him as Euripides liked Agatho, or Darby admired
Joan, as much for the past as the present. Bland dines with me on
Tuesday to meet Moore. <a name="frc63">Coleridge</a> has attacked the <i>Pleasures of
Hope</i>, and all other pleasures whatsoever. Mr. Rogers was present,
and heard himself indirectly <i>rowed</i> by the lecturer. We are going
in a party to hear the new Art of Poetry by this reformed schismatic<a href="#fc63"><sup>3</sup></a>; and were I one of these poetical luminaries, or of sufficient
consequence to be noticed by the man of lectures, I should not hear him
without an answer. <a name="frc64">For</a> you know,

<blockquote>"an a man will be beaten with brains,
he shall never keep a clean doublet."<a href="#fc64"><sup>4</sup></a></blockquote>

Campbell<a href="#fc65"><sup>5</sup></a> will <a name="frc65">be</a> desperately annoyed. I never saw a man (and of him
I have seen very little) so sensitive;&mdash;what a happy temperament! I am
sorry for it; what can <i>he</i> fear from criticism? I don't know if
Bland has seen Miller, who was to call on him yesterday.<br>
<br>
To-day is the Sabbath,&mdash;a day I never pass pleasantly, but at Cambridge;
and, even there, the organ is a sad remembrancer. Things are stagnant
enough in town; as long as they don't retrograde, 'tis all very well.
Hobhouse writes and writes and writes, and is an author. I <a name="frc66">do</a> nothing
but eschew tobacco<a href="#fc66"><sup>6</sup></a>. I wish parliament were assembled, that I may
hear, and perhaps some day be heard;&mdash;but on this point I am not very
sanguine. I have many plans;&mdash;sometimes I think of the East again, and
dearly beloved Greece. I am well, but weakly. <a name="frc67">Yesterday</a> Kinnaird<a href="#fc67"><sup>7</sup></a>
told me I looked very ill, and sent me home happy.<br>
<br>
You will never give up wine. See what it is to be thirty! if you were
six years younger, you might leave off anything. You drink and repent;
you repent and drink.<br>
<br>
Is Scrope still interesting and invalid? And how does Hinde with his
cursed chemistry? To Harness I have written, and he has written, and we
have all written, and have nothing now to do but write again, till Death
splits up the pen and the scribbler.<br>
<br>
<a name="frc68">The</a> Alfred<a href="#fc68"><sup>8</sup></a> has three hundred and fifty-four candidates for six
vacancies. The cook has run away and left us liable, which makes our
committee very plaintive. Master Brook, our head serving-man, has the
gout, and our new cook is none of the best. I speak from report,&mdash;for
what is cookery to a leguminous-eating Ascetic? So now you know as much
of the matter as I do. Books and quiet are still there, and they may
dress their dishes in their own way for me. Let me know your
determination as to Newstead, and believe me, Yours ever,<br>
<br>
<img src="images/BG7.gif" width="96" height="30" border="1" alt="Greek: Mpairon."><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Here follows one of the <i>Thyrza</i> poems.<br>
<a href="#frc61">return to footnote mark</a><br>
<br>
<br>
<a name="fc62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The Hon. John William Ward, afterwards fourth Earl of
Dudley. Byron said of him (Lady Blessington's <i>Conversations with Lord
Byron</i>, p. 197),

  <blockquote>"Ward is one of the best-informed men I know, and, in a
  <i>tête-à-tête</i>, is one of the most agreeable companions. He has
  great originality, and, being <i>très distrait</i>, it adds to the
  piquancy of his observations, which are sometimes somewhat <i>trop
  naïve</i>, though always amusing. This <i>naïveté</i> of his is the
  more piquant from his being really a good-natured man, who
  unconsciously thinks aloud. Interest Ward on a subject, and I know no
  one who can talk better. His expressions are concise without being
  poor, and terse and epigrammatic without being affected," etc. </blockquote>

Of somewhat the same opinion was Lady H. Leveson Gower (<i>Letters of
Harriet, Countess Granville</i>, vol. i. pp. 41, 42):

  <blockquote>"The charm of Mr. Ward's conversation is exactly what Mr. Luttrell
  wants, a sort of <i>abandon</i>, and being entertaining because it is
  his nature and he cannot help it. I only mean Mr. Ward in his happier
  hour, for what I have said of him is the very reverse of what he is
  when vanity or humour seize upon him."</blockquote>
<a href="#frc62">return</a><br>
<br>
<br>
<a name="fc63"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Crabb Robinson, in his <i>Diary</i> for January 20, 1812, has the
following entry:

  <blockquote>"In the evening at Coleridge's lecture. Conclusion of Milton. Not one
  of the happiest of Coleridge's efforts. Rogers was there, and with him
  was Lord Byron. He was wrapped up, but I recognized his club foot,
  and, indeed, his countenance and general appearance."</blockquote>
<a href="#frc63">return</a><br>
<br>
<br>
<a name="fc64"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;
<table summary="Benedict quotation" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><i>Benedict</i></td>
	<td> No; if a man will be beaten with brains, he shall wear nothing
  handsome about him.</td>
</tr>
</table><br>

 <i>Much Ado about Nothing</i>, act v. sc. 4.<br>
<a href="#frc64">return</a><br>
<br>
<br>
<a name="fc65"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; Thomas Campbell (1777-1844) lectured at the Royal
Institution in 1811 on poetry. The lectures were afterwards published in
the <i>New Monthly Magazine</i>, of which he was editor (1820-30).<br>
<br>
Campbell also apparently read his lectures aloud at private houses. Miss
Berry (<i>Journal</i>, vol. ii. p. 502) mentions a dinner-party on June
26, 1812, at the Princess of Wales's, where she heard him read his
"first discourse," delivered at the Institution. Again (<i>ibid</i>., vol. iii.
p. 6), she dined with Madame de Stael, March 9, 1814:

  <blockquote>"Nobody but Campbell the poet, Rocca, and her own daughter. After
  dinner, Campbell read to us a discourse of his upon English poetry,
  and upon some of the great poets. There are always signs of a poet and
  critic of genius in all he does, often encumbered by too ornate a
  style."</blockquote>

Campbell's best work was done between 1798 and 1810. Within that period
were published <i>The Pleasures of Hope</i> (1799), <i>Gertrude of
Wyoming</i> (1809), and such other shorter poems as <i>Hohenlinden</i>, <i>Ye
Mariners of England,</i> <i>The Battle of the Baltic,</i> and <i>O'Connor's Child.</i>
His <i>Ritter Bann,</i> a reminiscence of his sojourn abroad (1800-1), was
not published till later; both it and <i>The Last Man</i> were published in
the <i>New Monthly Magazine</i>, during the period of his editorship. An
excellent judge of verse, he collected <i>Specimens of the British
Poets</i> (1819), to which he added a valuable essay on poetry and short
biographies. His <i>Theodoric</i> (1824), <i>Pilgrim of Glencoe</i>
(1842), and Lives of Mrs. Siddons, Petrarch, and Shakespeare added
nothing to his reputation.<br>
<br>
The judgment of contemporary poets in the main agreed with Coleridge's
estimate of Campbell's work.

  <blockquote>"There are some of Campbell's lyrics," said Rogers (<i>Table-Talk</i>,
  etc., pp. 254, 255), which will never die. His <i>Pleasures of
  Hope</i> is no great favourite with me. The <i>feeling</i> throughout
  his <i>Gertrude</i> is very beautiful."</blockquote>

Wordsworth also thought the
  <i>Pleasures of Hope</i>

 <blockquote>"strangely over-rated; its fine words and
  sounding lines please the generality of readers, who never stop to ask
  themselves the meaning of a passage."</blockquote>

 Byron, who calls Campbell "a
  warm-hearted and honest man," thought that his

<blockquote>"'Lochiel' and
  'Mariners' are spirit-stirring productions; his <i>Gertrude of
  Wyoming</i> is beautiful; and some of the episodes in his <i>Pleasures
  of Hope</i> pleased me so much that I know them by heart"</blockquote>

(Lady Blessington's <i>Conversations with Lord Byron</i>, p. 353).<br>
<br>
George Ticknor, who met Campbell in 1815 (<i>Life</i>, vol. i. p. 63),
says,

  <blockquote>"He is a short, small man, and has one of the roundest and most lively
  faces I have seen amongst this grave people. His manners seemed as
  open as his countenance, and his conversation as spirited as his
  poetry. He could have kept me amused till morning." </blockquote>

Shortly afterwards, Ticknor went to see him at Sydenham (ibid., p. 65):

  <blockquote>"Campbell had the same good spirits and love of merriment as when I
  met him before,&mdash;the same desire to amuse everybody about him; but
  still I could see, as I partly saw then, that he labours under the
  burden of an extraordinary reputation, too easily acquired, and feels
  too constantly that it is necessary for him to make an exertion to
  satisfy expectation. The consequence is that, though he is always
  amusing, he is not always quite natural." </blockquote>

Sir Walter Scott made a similar remark about the numbing effect of
Campbell's reputation upon his literary work; his deference to critics
ruined his individuality. It was Scott's admiration for <i>Hohenlinden</i>
which induced Campbell to publish the poem. The two men, travelling in a
stage-coach alone, beguiled the way by repeating poetry. At last Scott
asked Campbell for something of his own. He replied that there was one
thing he had never printed, full of "drums and trumpets and
blunderbusses and thunder," and that he did not know if there was any
good in it. He then repeated <i>Hohenlinden</i>. When he had finished, Scott
broke out with,

  <blockquote>"But, do you know, that's devilish fine! Why, it's the finest thing
  you ever wrote, and it <i>must</i> be printed!"</blockquote>
<a href="#frc65">return</a><br>
<br>
<br>
<a name="fc66"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; See p. 31, <a href="#fa21">note 1.</a><br>
<a href="#frc66">return</a><br>
<br>
<br>
<a name="fc67"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; Douglas James William Kinnaird (1788-1830), fifth son of
the seventh Baron Kinnaird, was educated at Eton, Göttingen, and Trinity
College, Cambridge. He was an intimate friend of Hobhouse, with whom he
travelled on the Continent (1813-14), and was in political sympathy. He
represented Bishop's Castle from July, 1819, to March, 1820, but losing
his seat at the general election, did not again attempt to enter
Parliament. He was famous for his "mob dinners," to which Moore probably
refers when he writes to Byron, in an undated letter, of the
"Deipnosophist Kinnaird." He was a partner in the bank of Ransom and
Morland, a member of the committee for managing Drury Lane Theatre,
author of the acting version of <i>The Merchant of Bruges, or Beggar's
Bush</i> (acted at Drury Lane, December 14, 1815), and a member of the
Radical Rota Club. <br>
<br>
Kinnaird was Byron's "trusty and trustworthy trustee and banker, and
crown and sheet anchor." It was at his suggestion that Byron wrote the
<I>Hebrew Melodies</I> and the <I>Monody on the Death of Sheridan</I>.
Talking of Kinnaird to Lady Blessington (<I>Conversations</I>, p. 215),
Byron said,

 <blockquote> "My friend Dug is a proof that a good heart cannot compensate for an
  irritable temper; whenever he is named, people dwell on the last and
  pass over the first; and yet he really has an excellent heart, and a
  sound head, of which I, in common with many others of his friends,
  have had various proofs. He is clever, too, and well informed, and I
  do think would have made a figure in the world, were it not for his
  temper, which gives a dictatorial tone to his manner, that is
  offensive to the <i>amour propre</i> of those with whom he mixes."</blockquote>
<a href="#frc67">return</a><br>
<br>
<br>
<a name="fc68"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp;The Alfred Club (1808-55), established at 23, Albemarle
Street, was the Savile of the day. Beloe, in his <I>Sexagenarian</I>
(vol. ii. chaps, xx.-xxv.), describes among the members of the
Symposium, as he calls it, Sir James Mackintosh, George Ellis, William
Gifford, John Reeves, Sir W. Drummond, and himself. Byron, in his
<I>Detached Thoughts</I>, says,

 <blockquote> "I was a member of the Alfred. It was pleasant; a little too sober and
  literary, and bored with Sotheby and Sir Francis d'Ivernois; but one
  met Peel, and Ward, and Valentia, and many other pleasant or known
  people; and it was, upon the whole, a decent resource in a rainy day,
  in a dearth of parties, or parliament, or in an empty season." </blockquote>

It was, says Mr. Wheatley (<I>London Past and Present</I>), known as the
<I>Half-read</I>.<br>
<br>
In a manuscript note, now for the first time printed as written, on the
above passage from Byron's <I>Detached Thoughts</I>, Sir Walter Scott
writes,

  <blockquote>"The Alfred, like all other clubs, was much haunted with boars, a
  tusky monster which delights to range where men most do congregate. A
  boar, or bore, is always remarkable for something respectable, such as
  wealth, character, high birth, acknowledged talent, or, in short, for
  something that forbids people to turn him out by the shoulders, or, in
  other words, to cut him dead. Much of this respectability is supplied
  by the mere circumstance of belonging to a certain society of
  clubists, within whose districts the bore obtains free-warren, and may
  wallow or grunt at pleasure. Old stagers in the club know and avoid
  the fated corner and arm-chair which he haunts; but he often rushes
  from his lair on the inexperienced."</blockquote>
<a href="#frc68">return</a>
 <br>
<br>
<p><a href="#lp4">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L214">214&mdash;to Thomas Moore</a></h3>
<br>
December 11, 1811.<br><br>

<br>
My Dear Moore,&mdash;If you please, we will drop our former monosyllables,
and adhere to the appellations sanctioned by our godfathers and
godmothers. If you make it a point, I will withdraw your name; at the
same time there is no occasion, as I have this day postponed your
election <i>sine die</i>, till it shall suit your wishes to be amongst
us. I do not say this from any awkwardness the erasure of your proposal
would occasion to <i>me</i>, but simply such is the state of the case;
and, indeed, the longer your name is up, the stronger will become your
probability of success, and your voters more numerous. Of course you
will decide&mdash;your wish shall be my law. If my zeal has already outrun
discretion, pardon me, and attribute my officiousness to an excusable
motive.<br>
<br>
I wish you would go down with me to Newstead. Hodgson will be there, and
a young friend, named Harness, the earliest and dearest I ever had from
the third form at Harrow to this hour. I can promise you good wine, and,
if you like shooting, a manor of 4000 acres, fires, books, your own free
will, and my own very indifferent company. <i>Balnea, <a name="frc71">vina</a>, Venus</i><a href="#fc71"><sup>1</sup></a>.<br>
<br>
Hodgson will plague you, I fear, with verse;&mdash;for <a name="frc72">my</a> own part I will
conclude, with Martial, <i>nil recitabo tibi</i><a href="#fc72"><sup>2</sup></a>; and surely the
last inducement, is not the least. Ponder on my proposition, and believe
me, my dear Moore, <br>
Yours ever,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Balnea, vina, Venus  corrumpunt corpora nostra." </blockquote>

The words are thus given in Grüter (<i>Corpus Inscriptionum</i> (1603),
p. DCCCCXII. 10.<br>
<a href="#frc71">return to footnote mark</a><br>
<br>
<br>
<a name="fc72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Martial (xi. lii. 16), <i>Ad Julium Cerealem</i>:

 <blockquote> "Plus ego polliceor: nil recitabo tibi."</blockquote>

<a href="#frc72">return</a><br>
<br>
<p><a href="#lp4">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L215">215&mdash;to Francis Hodgson</a></h3>
<br>
8, St. James's Street, Dec. 12, 1811.<br><br>

<br>
Why, Hodgson! I fear you have left off wine and me at the same time,&mdash;I
have written and written and written, and no answer! <a name="frc81">My</a> dear Sir Edgar<a href="#fc81"><sup>1</sup></a>, water disagrees with you&mdash;drink sack and write. Bland did not come
to his appointment, being unwell, but Moore supplied all other vacancies
most delectably. I have hopes of his joining us at Newstead. I am sure
you would like him more and more as he developes,&mdash;at least I do.<br>
<br>
How Miller and Bland go on, I don't know. Cawthorne talks of being in
treaty for a novel of Madame D'Arblay's, and if he obtains it (at 1500
guineas!!) wishes me to see the MS. This I should read with pleasure,&mdash;
not that I should ever dare to venture a criticism on her whose writings
Dr. Johnson once revised, but for the pleasure of the thing. If my
worthy publisher wanted a sound opinion, I should send the MS. to Rogers
and Moore, as men most alive to true taste. I have had frequent letters
from Wm. Harness, and <i>you</i> are silent; certes, you are not a
schoolboy. However, I have the consolation of knowing that you are
better employed, viz. reviewing. You don't deserve that I should add
another syllable, and I won't.<br>
<br>
Yours, etc.<br>
<br>
P.S.&mdash;I only wait for your answer to fix our meeting. <br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Hodgson published, in 1810, <i>Sir Edgar, a Tale</i>.<br>
<a href="#frc81">return to footnote mark</a><br>
<br>
<p><a href="#lp4">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L216">216&mdash;to R. C. Dallas</a></h3>
<br>
[<a name="frc91">Undated</a>, Dec.? 1811]<a href="#fc91"><sup>1</sup></a><br>
<br><br>

<b>Dear Sir</b>,&mdash;I have only this scrubby paper to write on&mdash;excuse it. I am
certain that I sent some more notes on Spain and Portugal, particularly
one on the latter. Pray rummage, and don't mind my <i>politics</i>. I
believe I leave town next week. Are you better? I hope so.<br>
<br>
Yours ever, <br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fc91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Dallas's answer is dated December 14, 1811<br>
<a href="#frc91">return to footnote mark</a><br>
<br>
<p><a href="#lp4">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L217">217&mdash;to William Harness</a></h3>
<br>
8, St. James's Street, Dec. 15, 1811.<br>
<br><br>

I wrote you an answer to your last, which, on reflection, pleases me as
little as it probably has pleased yourself. I will not wait for your
rejoinder; but proceed to tell you, that I had just then been greeted
with an epistle of &mdash;&mdash;'s, full of his petty grievances, and this at the
moment when (from circumstances it is not necessary to enter upon) I was
bearing up against recollections to which <i>his</i> imaginary
sufferings are as a scratch to a cancer. These things combined, put me
out of humour with him and all mankind. The latter part of my life has
been a perpetual struggle against affections which embittered the
earliest portion; and though I flatter myself I have in a great measure
conquered them, yet there are moments (and this was one) when I am as
foolish as formerly. I never said so much before, nor had I said this
now, if I did not suspect myself of having been rather savage in my
letter, and wish to inform you this much of the cause. You know I am not
one of your dolorous gentlemen: so now let us laugh again.<br>
<br>
<a name="frd1">Yesterday</a> I went with Moore to Sydenham to visit Campbell<a href="#fd1"><sup>1</sup></a>. He was
not visible, so we jogged homeward merrily enough. To-morrow I dine with
Rogers, and am to hear Coleridge, who is a kind of rage at present. <a name="frd2">Last</a>
night I saw Kemble in <i>Coriolanus</i><a href="#fd2"><sup>2</sup></a>; &mdash;he <i>was glorious</i>, and
exerted himself wonderfully. By good luck I got an excellent place in
the best part of the house, which was more than overflowing. Clare<a href="#fd3"><sup>3</sup></a>
<a name="frd3">and</a> Delawarr<a href="#fd4"><sup>4</sup></a>, who were there on the same speculation, were less
fortunate. I saw them by accident,&mdash;we were not together. I wished for
you, to gratify your love of Shakspeare and of fine acting to its
fullest extent. Last week I saw an exhibition of a different kind in a
<a name="frd5">Mr</a>. Coates<a href="#fd5"><sup>5</sup></a>, at the Haymarket, who performed Lothario in a
<i>damned</i> and damnable manner.<br>
<br>
I told you the fate of B[land] and H[odgson] in my last. So much for
these sentimentalists, who console themselves in their stews for the
loss&mdash;the never to be recovered loss&mdash;the despair of the refined
attachment of a couple of drabs! You censure <i>my</i> life,
Harness,&mdash;when I compare myself with these men, my elders and my
betters, I really begin to conceive myself a monument of prudence &mdash;a
walking statue&mdash;without feeling or failing; and yet the world in general
hath given me a proud pre-eminence over them in profligacy. Yet I like
the men, and, God knows, ought not to condemn their aberrations. But I
own I feel provoked when they dignify all this by the name of
<i>love</i>&mdash;romantic attachments for things marketable for a dollar!<br>
<br>
Dec. 16th.&mdash;I have just received your letter;&mdash;I feel your kindness very
deeply. The foregoing part of my letter, written yesterday, will, I
hope, account for the tone of the former, though it cannot excuse it. I
do <i>like</i> to hear from you&mdash;more than <i>like</i>. Next to seeing
you, I have no greater satisfaction. But you have other duties, and
greater pleasures, and I should regret to take a moment from either. H&mdash;&mdash;was to call to-day, but I have not seen him. The circumstances you
mention at the close of your letter is another proof in favour of my
opinion of mankind. Such you will always find them&mdash; selfish and
distrustful. I except none. The cause of this is the state of society.
In the world, every one is to stir for himself&mdash;it is useless, perhaps
selfish, to expect any thing from his neighbour. But I do not think we
are born of this disposition; for you find <i>friendship</i> as a
schoolboy, and <i>love</i> enough before twenty.<br>
<br>
I went to see &mdash;&mdash;; he keeps me in town, where I don't wish to be at
present. He is a good man, but totally without conduct. And now, my
dearest William, I must wish you good morrow, and remain ever, <br>
Most
sincerely and affectionately yours, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Campbell lived at Sydenham from 1804 to 1820. Moore (<i>Life</i>,
p. 148) adds the following note:

 <blockquote> "On this occasion, another of the noble poet's peculiarities was,
  somewhat startlingly, introduced to my notice. When we were on the
  point of setting out from his lodgings in St. James's Street, it being
  then about midday, he said to the servant, who was shutting the door
  of the <i>vis-a-vis</i>, 'Have you put in the pistols?' and was
  answered in the affirmative. It was difficult,&mdash;more especially taking
  into account the circumstances under which we had just become
  acquainted,&mdash; to keep from smiling at this singular noonday
  precaution."</blockquote>
<a href="#frd1">return to footnote mark</a><br>
<br>
<br>
<a name="fd2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; On December 14, 1811, at Covent Garden, Kemble acted
"Coriolanus" with Mrs. Siddons as "Volumnia." It was Kemble's great
part, and in it he made his last appearance on the stage (June 23,
1817).<br>
<a href="#frd2">return</a><br>
<br>
<br>
<a name="fd3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; For Lord Clare, see <i>Letters</i>, vol. i. p. 116,
<i>note</i> 1. [Footnote 1 of Letter 65]<br>
<a href="#frd3">return</a><br>
<br>
<br>
<a name="fd4"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;For Lord Delawarr, see <i>Letters</i>, vol. i. p. 41, note 1 [Footnote 5 of Letter 13].<br>
<a href="#frd3">return</a><br>
<br>
<br>
<a name="fd5"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; Robert Coates, "the Amateur of Fashion," known as "Romeo"
Coates, sometimes as "Diamond" Coates, sometimes as "Cock-a-doodle-doo"
Coates (1772-1848), was the only surviving son of a wealthy West Indian
planter. He made his first appearance on the stage at Bath (February 9,
1810), as "Romeo." In the play-bill he was announced as "a Gentleman,
1st Appearance on any stage." Genest (<i>English Stage</i>, vol. viii.
p. 207) says,

  <blockquote>"Many gentlemen have been weak enough to fancy themselves actors, but
  no one ever persevered in obtruding himself for so long a time on the
  notice of the public in spite of laughter, hissing, etc." </blockquote>

On December 9, 1811, he appeared at the Haymarket as "Lothario" in
Rowe's <i>Fair Penitent</i>. Mathews, at Covent Garden, imitated his
performance, in Bate Dudley's <i>At Home</i>, as "Mr. Romeo Rantall,"
appearing in the

 <blockquote> "pink silk vest and cloak, white satin breeches and stockings, Spanish
  hat, with a rich high plume of ostrich feathers," </blockquote> in which Coates had
  played "Lothario".<br>
<br>
<i>Memoirs of Charles Mathews</i>, vol. ii. pp. 238, 239).<br>
<a href="#frd5">return</a><br>
<br>
<p><a href="#lp4">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L218"></a>218&mdash;to Robert Rushton<a href="#fd11"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
8, St. James's Street, Jan. 21, 1812.<br>
<br><br>

Though I have no objection to your refusal to carry <i>letters</i> to
Mealey's, you will take care that the letters are taken by <i>Spero</i>
at the proper time. I have also to observe, that Susan is to be treated
with civility, and not <i>insulted</i> by any person over whom I have
the smallest controul, or, indeed, by any one whatever, while I have the
power to protect her. I am truly sorry to have any subject of complaint
against <i>you</i>; I have too good an opinion of you to think I shall
have occasion to repeat it, after the care I have taken of you, and my
favourable intentions in your behalf. I see no occasion for any
communication whatever between <i>you</i> and the <i>women</i>, and wish
you to occupy yourself in preparing for the situation in which you will
be placed. If a common sense of decency cannot prevent you from
conducting yourself towards them with rudeness, I should at least hope
that your <i>own interest</i>, and regard for a master who has
<i>never</i> treated you with unkindness, will have some weight.<br>
<br>
Yours, etc., <b>Byron</b>.<br>
<br>
P.S.&mdash;I wish you to attend to your arithmetic, to occupy yourself in
surveying, measuring, and making yourself acquainted with every
particular relative to the <i>land</i> of Newstead, and you will
<i>write</i> to me <i>one letter every week</i>, that I may know how you
go on.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The two following letters, and a suppressed passage in the
letter to Moore of January 29, 1812, refer to a quarrel among his
dependents, in which Rushton, the "little page" of Childe Harold (see
<i>Letters</i>, vol. i. pp. 224, 242), played a part. The story is told
at considerable length in a letter to Hodgson, dated January 28, 1812.
To the same affair probably belong the following scrap and Byron's note:

 <blockquote> "Pray don't forget me, as I shall never cease thinking of you, my
  Dearest <i>and only Friend, (signed) S. H. V.</i>" </blockquote>

To this Byron has added this note:

 <blockquote> "This was written on the 11th of January, 1812; on the 28th I received
  ample proof that the Girl had forgotten <i>me</i> and <i>herself</i>
  too. Heigho! B." </blockquote>

The letters show, writes Moore (<i>Life</i>, p. 152),

 <blockquote> "how gravely and coolly the young lord could arbitrate on such an
  occasion, and with what considerate leaning towards the servant whose
  fidelity he had proved, in preference to any new liking or fancy by
  which it might be suspected he was actuated toward the other."</blockquote>

In a MS. book written by Mrs. Heath of Newstead (<i>née</i> Rebekah
Beardall), it is stated that the elder Rushton had as his farm-servant
Fletcher, afterwards Byron's valet. Byron watched Fletcher and young
Robert Rushton ploughing, took a fancy to both, and engaged them as his
servants. Rushton accompanied Byron to Geneva, but afterwards entered
the service of James Wedderburn Webster (see p. 2, <a href="#f21"><i>note</i></a> 1). In
1827 he married a woman of the name of Bagnall, and with her help kept a
school at Arnold, near Nottingham. Subsequently he took a farm on the
Newstead estate, named Hazelford, and shortly afterwards died, leaving a
widow and three children.<br>
<a href="#L218">return</a><br>
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<hr><br><br>
<h3><a name="L219"></a>219&mdash;to Robert Rushton</h3>
<br>
8, St. James's Street, January 25, 1812.<br>
<br><br>

Your refusal to carry the letter was not a subject of remonstrance: it
was not a part of your business; but the language you used to the girl
was (as <i>she</i> stated it) highly improper.<br>
<br>
You say, that you also have something to complain of; then state it to
me immediately: it would be very unfair, and very contrary to my
disposition, not to hear both sides of the question.<br>
<br>
If any thing has passed between you <i>before</i> or since my last visit
to Newstead, do not be afraid to mention it. I am sure <i>you</i> would
not deceive me, though <i>she</i> would. Whatever it is, <i>you</i>,
shall be forgiven. I have not been without some suspicions on the
subject, and am certain that, at your time of life, the blame could not
attach to you. You will not <i>consult</i>,  any one as to your answer,
but write to me immediately. I shall be more ready to hear what you have
to advance, as I do not remember ever to have heard a word from you
before <i>against</i>, any human being, which convinces me you would not
maliciously assert an untruth. There is not any one who can do the least
injury to you, while you conduct yourself properly. I shall expect your
answer immediately. Yours, etc.,<br>
<br>
<b>Byron</b>.<br>
<br>
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<hr><br><br>


<h3><a name="L220">220&mdash;to Thomas Moore</a></h3>
<br>
January 29, 1812.<br>
<br><br>

My Dear Moore,&mdash;I wish very much I could have seen you; I am in a state
of ludicrous tribulation. &mdash;&mdash;<br>
<br>
Why <a name="frd21">do</a> you say that I dislike your poesy<a href="#fd21"><sup>1</sup></a>? I have expressed no such
opinion, either in <i>print</i> or elsewhere. In scribbling myself, it
was necessary for me to find fault, and I fixed upon the trite charge of
immorality, because I could discover no other, and was so perfectly
qualified in the innocence of my heart, to "pluck that mote from my
neighbour's eye."<br>
<br>
I feel very, very much obliged by your approbation; but, at <i>this
moment</i>, praise, even <i>your</i> praise, passes by me like "the idle
wind." I meant and mean to send you a copy the moment of publication;
but now I can <a name="frd22">think</a> of nothing but damned, deceitful,&mdash;delightful woman,
as Mr. Liston says in the <i>Knight of Snowdon</i><a href="#fd22"><sup>2</sup></a>?<br> Believe me, my
dear Moore,<br>
<br>
Ever yours, most affectionately, <b>Byron</b>.<br><br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Of Moore's early poems Byron was an admirer. The influence
of "Little" and "Anacreon" is strongly marked throughout <i>Hours of
Idleness</i>. For the "trite charge of immorality," see <i>English
Bards, etc.</i>, lines 283-294; and <i>Letters</i>, vol. i. p. 113.
Byron's opinion of Moore's later poetry was thus stated by him to Lady
Blessington (<i>Conversations</i>, pp. 354, 355):

 <blockquote> "Having compared Rogers's poems to a flower-garden, to what shall I
  compare Moore's?&mdash;to the Valley of Diamonds, where all is brilliant
  and attractive, but where one is so dazzled by the sparkling on every
  side that one knows not where to fix, each gem beautiful in itself,
  but overpowering to the eye from their quantity."</blockquote>
<a href="#frd21">return to footnote mark</a><br>
<br>
<br>
<a name="fd22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>The Knight of Snowdoun</i>, a musical drama, written by Thomas
Morton (1764-1838), and founded on <i>The Lady of the Lake</i>, was
produced at Covent Garden, Feb. 5, 1811, and published the same
year. John Liston (1776-1846), the most famous comedian of the
century, played the part of "Macloon," his wife that of "Isabel."
In act iii. sc. 3 Macloon says,

  <blockquote>"Oh, woman! woman! deceitful, damnable, (<i>changing into a
  half-smile</i>) delightful woman! do all one can, there's nothing else
  worth thinking of."</blockquote>
<a href="#frd22">return</a><br>
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<hr><br><br>

<h3><a name="L221">221&mdash;to Francis Hodgson</a></h3>
<br>
8, St. James's Street, Feb. 1, 1812.<br><br>

<br>
<b>My Dear Hodgson</b>,&mdash;I am rather unwell with a vile cold, caught in the
House of Lords last night. Lord Sligo and myself, being tired, <i>paired
off</i>, being of opposite sides, so that nothing was gained or lost by
<i>our</i> votes. I did not speak: but I might as well, for nothing
could have been inferior to the Duke of Devonshire, Marquis of
Downshire, and the Earl of Fitzwilliam. The Catholic Question comes on
this month, and perhaps I may then commence. I must "screw my courage to
the sticking-place," and we'll <i>not</i> fail.<br>
<br>
Yours ever, B.<br>
<br>
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<hr><br><br>

<h3><a name="L222">222&mdash;to Samuel Rogers</a></h3>
<br>
February 4, 1812.<br>
<br><br>

<b>My Dear Sir</b>,&mdash;<a name="frd31">With</a> my best acknowledgments to Lord Holland<a href="#fd31"><sup>1</sup></a>, I have
to offer my perfect concurrence in the propriety of the question
previously to be put to ministers. If their answer is in the negative, I
shall, with his Lordship's approbation, give notice of a motion for a
Committee of Inquiry. I would also gladly avail myself of his most able
advice, and any information or documents with which he might be pleased
to intrust me, to bear me out in the statement of facts it may be
necessary to submit to the House.<br>
<br>
<a name="frd32">From</a> all that fell under my own observation during my Christmas visit to
Newstead, I feel convinced that, if <i>conciliatory</i> measures are not
very soon adopted, the most unhappy consequences may be apprehended<a href="#fd32"><sup>2</sup></a>.<br>
<br>
Nightly outrage and daily depredation are already at their height; and
not only the masters of frames, who are obnoxious on account of their
occupation, but persons in no degree connected with the malecontents or
their oppressors, are liable to insult and pillage.<br>
<br>
I am very much obliged to you for the trouble you have taken on my
account, and beg you to believe me,<br>
<br>
Ever your obliged and sincere, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; For Lord Holland, see <i>Letters</i>, vol. i. p. 184,
<i>note</i> I. He was Recorder of Nottingham; hence his special interest
in the proposed legislation against frame-breaking.<br>
<a href="#frd31">return to footnote mark</a><br>
<br>
<br>
<a name="fd32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Owing to the state of trade, numbers of stocking-weavers
had lost work. The discontent thus produced was increased by the
introduction of a wide frame for the manufacture of gaiters and
stockings, which, it was supposed, would further diminish the demand for
manual labour. In November, 1811, organized bands of men began to break
into houses and destroy machinery. For several days no serious effort
was made to check the riots, which extended to a considerable distance
round Nottingham. But on November 14 the soldiers were called out.
Between that date and December 9, 900 cavalry and 1000 infantry were
sent to Nottingham; and, on January 8, 1812, these forces were increased
by two additional regiments. The rioters assumed the name of Luddites,
and their leader was known as General Lud. The name is said to have
originated in 1779, in a Leicestershire village, where a half-witted
lad, named Ned Lud, broke a stocking-frame in a fit of passion; hence
the common saying, when machinery was broken, that "Ned Lud" did it. A
Bill was introduced in the House of Commons (February 14) increasing the
severity of punishments for frame-breaking. On the second reading
(February 17) Sir Samuel Romilly strongly opposed the measure, which
passed its third reading (February 20) without a division. The Bill, as
introduced into the Upper House by Lord Liverpool,
<ol type="1">
<li>rendered the
offence of frame-breaking punishable by death; and</li>
<li>compelled persons
in whose houses the frames were broken to give information to the
magistrates</li>
</ol>.
On the second reading of the Bill (February 27, 1812),
Byron spoke against it in his first speech in the House of Lords (see
<a href="#app2a">Appendix II. (1)</a>). The Bill passed its third reading on March 5, and
became law as 52 Geo. III. c. 16. Byron did not confine his opposition
to a speech in the House of Lords. He also addressed "An Ode to the
Framers of the Frame Bill," which appeared in the <i>Morning
Chronicle</i> on Monday, March 2, 1812. The following letter to Perry,
the editor, is published by permission of Messrs. Ellis and Elvey, in
whose possession is the original:

  <blockquote>"Sir,&mdash;I take the liberty of sending an alteration of the two last
  lines of Stanza 2'd which I wish to run as follows,

   <blockquote> 'Gibbets on Sherwood will <i>heighten</i> the Scenery <br>
Shewing how Commerce, <i>how</i> Liberty thrives!'</blockquote>

  I wish you could insert it tomorrow for a particular reason; but I
  feel much obliged by your inserting it at all. Of course, do not put
  <i>my name</i> to the thing. <br>
  Believe me, Your obliged and very obed't Serv't, <br>
  <b>Byron</b>.

  8, St. James Street, Sunday,<br>
  March 1st, 1812."</blockquote>
<a href="#frd32">return</a><br>
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<hr><br><br>

<h3><a name="L223"></a>223&mdash;To Master John Cowell<a href="#fd41"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
8, St. James's Street, February 12, 1812.<br>
<br>
<b>My Dear John</b>,&mdash;You have probably long ago forgotten the writer of these
lines, who would, perhaps, be unable to recognize <i>yourself</i>, from
the difference which must naturally have taken place in your stature and
appearance since he saw you last. I have been rambling through Portugal,
Spain, Greece, etc., etc., for some years, and have found so many
changes on my return, that it would be very unfair not to expect that
you should have had your share of alteration and improvement with the
rest. I write to request a favour of you: a little boy of eleven years,
the son of Mr. &mdash;&mdash;, my particular friend, is about to become an Etonian,
and I should esteem any act of protection or kindness to him as an
obligation to myself: let me beg of you then to take some little notice
of him at first, till he is able to shift for himself.<br>
<br>
I was happy to hear a very favourable account of you from a schoolfellow
a few weeks ago, and should be glad to learn that your family are as
well as I wish them to be. I presume you are in the upper school;&mdash;as an
<i>Etonian</i>, you will look down upon a <i>Harrow</i> man; but I
never, even in my boyish days, disputed your superiority, <a name="frd42">which</a> I once
experienced in a cricket match, where I had the honour of making one of
eleven, who were beaten to their hearts' content by your college in
<i>one innings</i><a href="#fd42"><sup>2</sup></a>.<br>
<br>
Believe me to be, with great truth, etc., etc.,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Breakfasted with Mr. Cowell," writes Moore, in his <i>Diary</i>, June 11,
  1828, "having made his acquaintance for the purpose of gaining
  information about Lord Byron. Knew Byron for the first time when he
  himself was a little boy, from being in the habit of playing with B.'s
  dogs. Byron wrote to him to school to bid him mind his prosody. Gave
  me two or three of his letters to him. Saw a good deal of B. at
  Hastings; mentioned the anecdote about the ink-bottle striking one of
  the lead Muses. These Muses had been brought from Holland; and there
  were, I think, only eight of them arrived safe. Fletcher had brought
  B. a large jar of ink, and, not thinking it was full, B. had thrust
  his pen down to the very bottom; his anger at finding it come out all
  besmeared with ink made him chuck the jar out of the window, when it
  knocked down one of the Muses in the garden, and deluged her with ink.
  In 1813, when B. was at Salt Hill, he had Cowell over from Eton, and
  <i>pouched</i> him no less than ten pounds. Cowell has ever since kept
  one of the notes. Told me a curious anecdote of Byron's mentioning to
  him, as if it had made a great impression on him, their seeing Shelley
  (as they thought) walking into a little wood at Lerici, when it was
  discovered afterwards that Shelley was at that time in quite another
  direction. 'This,' said Byron, in a sort of awe-struck voice, 'was
  about ten days before his death.' Cowell's imitation of his look and
  manner very striking. Thinks that in Byron's speech to Fletcher, when
  he was dying, threatening to appear to him, there was a touch of that
  humour and fun which he was accustomed to mix up with everything".</blockquote>

(<i>Memoirs, Journals, etc</i>., vol. v. pp. 302, 303).<br>
<a href="#L223">return to footnote mark</a><br>
<br>
<br>
<a name="fd42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; See <i>Letters</i>, vol. i. p. 70, and <i>note</i> 1 [Footnote 2 of Letter 30].<br>
<a href="#frd42">return</a>
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<h3><a name="L224">224&mdash;to Francis Hodgson</a></h3>
<br>
8, St. James's Street, February 16, 1812.<br>
<br><br>

Dear Hodgson,&mdash;I send you a proof. Last week I was very ill and confined
to bed with stone in the kidney, but I am now quite recovered. The women
are gone to their relatives, after many attempts to explain what was
already too clear. If the stone had got into my heart instead of my
kidneys, it would have been all the better. However, I have quite
recovered <i>that</i> also, and only wonder at my folly in excepting my
own strumpets from the general corruption,&mdash;albeit a two months'
weakness is better than ten years. I have one request to make, which is,
never mention a woman again in any letter to me, or even allude to the
existence of the sex. I won't even read a word of the feminine
gender;&mdash;it must all be <i>propria quæ maribus</i>.<br>
<br>
In the spring of 1813 I shall leave England for ever. Every thing in my
affairs tends to this, and my inclinations and health do not discourage
it. Neither my habits nor constitution are improved by your customs or
your climate. I shall find employment in making myself a good Oriental
scholar. I shall retain a mansion in one of the fairest islands, and
retrace, at intervals, the most interesting portions of the East. In the
mean time, I am adjusting my concerns, which will (when arranged) leave
me with wealth sufficient even for home, but enough for a principality
in Turkey. At present they are involved, but I hope, by taking some
necessary but unpleasant steps, to clear every thing. Hobhouse is
expected daily in London: we shall be very glad to see him; and,
perhaps, you will come up and "drink deep ere he depart," <a name="frd51">if</a> not,
"Mahomet must go to the mountain;"<a href="#fd51"><sup>1</sup></a>&mdash;but Cambridge will bring sad
recollections to him, and worse to me, though for very different
reasons. I believe the only human being, that ever loved me in truth and
entirely, was of, or belonging to, Cambridge, and, in that, no change
can now take place. There is one consolation in death&mdash;where he sets his
seal, the impression can neither be melted nor broken, but endureth for
ever.<br>
<br>
Yours always,<br>
<br>
B.<br>
<br>
P.S.&mdash;I almost rejoice when one I love dies young, for I could never
bear to see them old or altered.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See Bacon's <i>Essays</i> ("Of Boldness"):

  <blockquote>"Mahomet made the people believe that he would call a hill to him, and
  from the top of it offer up his prayers for the observers of his law.
  The people assembled; Mahomet called the hill to come to him, again
  and again; and when the hill stood still, he was never a whit abashed,
  but said, 'If the hill will not come to Mahomet, Mahomet will go to
  the hill.'"</blockquote>
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<hr><br><br>
<h3><a name="L225"></a>225&mdash;to Francis Hodgson</h3>
<br>
London, February 21, 1812.<br>
<br><br>

My Dear Hodgson,&mdash;<a name="frd61">There</a> is a book entituled <i>Galt, his Travels in ye
Archipelago</i><a href="#fd61"><sup>1</sup></a>, daintily printed by Cadell and Davies, ye which I
could desiderate might be criticised by you, inasmuch as ye author is a
well-respected esquire of mine acquaintance, but I fear will meet with
little mercy as a writer, unless a friend passeth judgment. Truth to
say, ye boke is ye boke of a cock-brained man, and is full of devises
crude and conceitede, but peradventure for my sake this grace may be
vouchsafed unto him. Review him myself I can not, will not, and if you
are likewize hard of heart, woe unto ye boke! ye which is a comely
quarto.<br>
<br>
<a name="frd62">Now</a> then! I have no objection to review, if it pleases Griffiths<a href="#fd62"><sup>2</sup></a> to
send books, or rather <i>you</i>, for you know the sort of things I like
to [play] with. You will find what I say very serious as to my
intentions. I have every reason to induce me to return to Ionia.<br>
<br>
Believe me, yours always,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; John Galt (1779-1839) published in 1812 his <i>Voyages and
Travels in the Years 1809, 1810, and 1811</i>. For his meeting with
Byron at Gibraltar in 1809, see <i>Letters</i>, vol. i. p. 243,
<i>note</i> 1 [Footnote 1 of Letter 130]; see also <i>ibid.</i>, p. 304, <i>note</i> 2 [Footnote 2 of Letter 131]. Galt's
novels were, in later years, liked by Byron, who

  <blockquote>"praised the <i>Annals of the Parish</i> very highly, as also <i>The
  Entail</i>,... some scenes of which, he said, had affected him very
  much.

<blockquote>'The characters in Mr. Galt's novels have an identity,' added
  Byron, 'that reminds me of Wilkie's pictures'"</blockquote> </blockquote>

(Lady Blessington's <i>Conversations with Lord Byron</i>, p. 74).

  <blockquote>"When I knew Galt, years ago," said Byron to Lady Blessington, I was
  not in a frame of mind to form an impartial opinion of him: his
  mildness and equanimity struck me even then; but, to say the truth,
  his manner had not deference enough for my then aristocratical taste,
  and finding I could not awe him into a respect sufficiently profound
  for my sublime self, either as a peer or an author, I felt a little
  grudge towards him that has now completely worn off," etc., etc.</blockquote>

(<i>ibid.</i>, p. 249).<br>
<a href="#frd61">return to footnote mark</a><br>
<a href="#fu11">cross-reference: return to Footnote 1 of Letter 374</a><br>
<br>
<br>
<a name="fd62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; George Edward Griffiths (circ. 1769-1829), son of Ralph
Griffiths, who founded, owned, and published the <i>Monthly Review</i>,
and boarded and lodged Oliver Goldsmith as a contributor, succeeded to
the management of the <i>Review</i> on the death of his father in 1803.
He edited it till 1825, when he sold the property. He lived at Linden
House, Turnham Green. Francis Hodgson wrote for the <i>Monthly
Review</i>, and, March 2, 1814, he writes to Byron,

 <blockquote> "I have already read a review of Safie in the <i>British Critic</i>,
  and will undertake it in the <i>Monthly</i> if Griffiths, with whom I
  am in very bad odour from my late shameful idleness, will allow me. Oh
  that you would write a good smart critique of something to get both
  <i>yourself and me</i> in high repute at Turnham Green!!!!"</blockquote>

In Byron's <i>Detached Thoughts</i> occurs the following passage:

  <blockquote>"I have been a reviewer. In the <i>Monthly Review</i> I wrote some
  articles which were inserted. This was in the latter part of 1811. In
  1807, in a Magazine called <i>Monthly Literary Recreations</i>, I
  reviewed Wordsworth's trash of that time.<br>
<br>
  Excepting these, I cannot accuse myself of anonymous Criticism (that I
  recollect), though I have been <i>offered</i> more than one review in
  our principal Journals."</blockquote>

In the Bodleian Library is a copy of the <i>Monthly Review</i>, in which
Griffiths has entered the initials of the authors of each article. Two
articles from the <i>Review</i>, attributed to Byron on this authority,
are given in <a href="#App1">Appendix I</a>.<br>
<a href="#frd62">return</a>
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<hr><br><br>
<h3><a name="L226"></a>226&mdash;to Lord Holland</h3>
<br>
8, St. James's Street, February 25, 1812.<br>
<br><br>

<b>My Lord</b>,&mdash;With my best thanks, I have the honour to return the Notts.
letter to your Lordship. I have read it with attention, but do not think
I shall venture to avail myself of its contents, as my view of the
question differs in some measure from Mr. Coldham's. I hope I do not
wrong him, but <i>his</i> objections to the bill appear to me to be
founded on certain apprehensions that he and his coadjutors might be
mistaken for the "<i>original advisers</i>" (to quote him) of the
measure. For my own part, I consider the manufacturers as a much injured
body of men, sacrificed to the views of certain individuals who have
enriched themselves by those practices which have deprived the
frame-workers of employment. For instance;&mdash;by the adoption of a certain
kind of frame, one man performs the work of seven&mdash;six are thus thrown
out of business. But it is to be observed that the work thus done is far
inferior in quality, hardly marketable at home, and hurried over with a
view to exportation. Surely, my Lord, however we may rejoice in any
improvement in the arts which may be beneficial to mankind, we must not
allow mankind to be sacrificed to improvements in mechanism. The
maintenance and well-doing of the industrious poor is an object of
greater consequence to the community than the enrichment of a few
monopolists by any improvement in the implements of trade, which
deprives the workman of his bread, and renders the labourer "unworthy of
his hire."<br>
<br>
My own motive for opposing the bill is founded on its palpable
injustice, and its certain inefficacy. I have seen the state of these
miserable men, and it is a disgrace to a civilized country. Their
excesses may be condemned, but cannot be subject of wonder. The effect
of the present bill would be to drive them into actual rebellion. The
few words I shall venture to offer on Thursday will be founded upon
these opinions formed from my own observations on the spot. By previous
inquiry, I am convinced these men would have been restored to
employment, and the county to tranquillity. It is, perhaps, not yet too
late, and is surely worth the trial. It can never be too late to employ
force in such circumstances. I believe your Lordship does not coincide
with me entirely on this subject, and most cheerfully and sincerely
shall I submit to your superior judgment and experience, and take some
other line of argument against the bill, or be silent altogether, should
you deem it more advisable. Condemning, as every one must condemn, the
conduct of these wretches, I believe in the existence of grievances
which call rather for pity than punishment. I have the honour to be,
with great respect, my Lord, your Lordship's<br>
<br>
Most obedient and obliged servant,<br>
<br>
<b>Byron</b>.<br>
<br>
P.S.&mdash;I am a little apprehensive that your Lordship will think me too
lenient towards these men, and half a <i>frame-breaker myself</i>.<br>
<br>
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<hr><br><br>
<h3><a name="L227">227&mdash;to Francis Hodgson</a></h3>
<br>
8, St. James's Street, March 5, 1812.<br>
<br><br>

<b>My Dear Hodgson</b>,&mdash;<i>We</i> are not answerable for reports of speeches
in the papers; they are always given incorrectly, and on this occasion
more so than usual, from the debate in the Commons on the same night.
The <i>Morning Post</i> should have said <i>eighteen years</i>. However,
you will find the speech, as spoken, in the Parliamentary Register, when
it comes out. Lords Holland and Grenville, particularly the latter, paid
me some high compliments in the course of their speeches, as you may
have seen in the papers, and Lords Eldon and Harrowby answered me. I
<a name="frd71">have</a> had many marvellous eulogies<a href="#fd71"><sup>1</sup></a> repeated to me since, in person
and by proxy, from divers persons <I>ministerial</I>&mdash;yea,
<I>ministerial!</I>&mdash;as well as oppositionists; of them I shall only
mention Sir F. Burdett. <I>He</I> says it is the best speech by a
<I>lord</I> since the "<I>Lord</I> knows when," probably from a
fellow-feeling in the sentiments. Lord H. tells me I shall beat them all
if I persevere; and Lord G. remarked that the construction of some of my
periods are very like <I>Burke's!!</I> And so much for vanity. I spoke
very violent sentences with a sort of modest impudence, abused every
thing and every body, and put the Lord Chancellor very much out of
humour: and if I may believe what I hear, have not lost any character by
the experiment. As to my delivery, loud and fluent enough, perhaps a
little theatrical. I <a name="frd72">could</a> not recognize myself or any one else in the
newspapers<a href="#fd72"><sup>2</sup></a>.<br>
<br>
I <a name="frd73">hire</a> myself unto Griffiths, and my poesy<a href="#fd73"><sup>3</sup></a> comes out on Saturday.
Hobhouse is here; I shall tell him to write. My stone is gone for the
present, but I fear is part of my habit. We <I>all</I> talk of a visit
to Cambridge.<br>
<br>
Yours ever,<br>
<br>
B.<br><br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; For Byron's speech, February 27, 1812, see <a href="#app2a">Appendix II.
(1)</a>.] Grenville said,

  <blockquote>"There never was a maxim of greater wisdom than that uttered by the
  noble lord [Byron] who had so ably addressed their lordships that
  night for the first time" </blockquote>

(<I>Hansard</I>, vol. xxi. p. 977). Moore quotes a passage from Byron's
<I>Detached Thoughts</I>:

 <blockquote> "Sheridan's liking for me (whether he was not mystifying me I do not
  know, but Lady Caroline Lamb and others told me that he said the same
  both before and after he knew me) was founded upon <i>English Bards,
  and Scotch Reviewers</i>. He told me that he did not care about poetry
  (or about mine&mdash;at least, any but <i>that</i> poem of mine), but he
  was sure, from <i>that</i> and other symptoms, I should make an
  orator, if I would but take to speaking, and grow a parliament man. He
  never ceased harping upon this to me to the last; and I remember my
  old tutor, Dr. Drury, had the same notion when I was a <i>boy</i>; but
  it never was my turn of inclination to try. I spoke once or twice, as
  all young peers do, as a kind of introduction into public life; but
  dissipation, shyness, haughty and reserved opinions, together with the
  short time I lived in England after my majority (only about five years
  in all), prevented me from resuming the experiment. As far as it went,
  it was not discouraging, particularly my <i>first</i> speech (I spoke
  three or four times in all); but just after it, my poem of <i>Childe
  Harold</i> was published, and nobody ever thought about my
  <i>prose</i> afterwards, nor indeed did I; it became to me a secondary
  and neglected object, though I sometimes wonder to myself if I should
  have succeeded."</blockquote>
<a href="#frd71">return to footnote mark</a><br>
<br>
<br>
<a name="fd72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Byron, writing to John Hanson, February 28, 1812, says:

  <blockquote>"Dear Sir,&mdash;In the report of my speech (which by the bye is given very
  incorrectly) in the <i>M[orning] Herald</i>, <i>Day</i>, and
  <i>B[ritish] Press</i>, they state that I mentioned <i>Bristol</i>, a
  place I never saw in my life and knew nothing of whatever, nor
  <i>mentioned</i> at all last night. Will you be good enough to send to
  these <i>papers</i> <i>immediately</i>, and have the mistake
  corrected, or I shall get into a scrape with the Bristol people?<br>
<br>
  "I am, yours very truly,<br>
<br>
  "B."</blockquote>
<a href="#frd72">return</a><br>
<br>
<br>
<a name="fd73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <I>Childe Harold</I>, Cantos I., II.<br>
<a href="#frd73">return</a><br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L228">228&mdash;to Lord Holland</a></h3>
<br>
St. James's Street, March 5, 1812.<br><br>

<br>
<b>My Lord</b>,&mdash;<a name="frd81">May</a> I request your Lordship to accept a copy of the thing
which accompanies this note<a href="#fd81"><sup>1</sup></a>?<br>
<br>
<a name="frd82">You</a> have already so fully proved the truth of the first line of Pope's
couplet<a href="#fd82"><sup>2</sup></a>,

<blockquote>"Forgiveness to the injured doth belong,"</blockquote>

that I long for an opportunity to give the lie to the verse that
follows. If I were not perfectly convinced that any thing I may have
formerly uttered in the boyish rashness of my misplaced resentment had
made as little impression as it deserved to make, I should hardly have
the confidence&mdash;perhaps your Lordship may give it a stronger and more
appropriate appellation&mdash;to send you a quarto of the same scribbler. But
your Lordship, I am sorry to observe to-day, is troubled with the gout;
if my book can produce a <I>laugh</I> against itself or the author, it
will be of some service. If it can set you to <I>sleep</I>, the benefit
will be yet greater; <a name="frd83">and</a> as some facetious personage observed half a
century ago, that "poetry is a mere drug,"<a href="#fd83"><sup>3</sup></a><br>
<br>
I offer you mine as a humble assistant to the <I>eau medicinale</I>. I
trust you will forgive this and all my other buffooneries, and believe
me to be, with great respect,<br>
<br>
Your Lordship's obliged and sincere servant,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fd81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <I>Childe Harold</I> was published March 1, 1812. Another
copy of <I>Childe Harold</I> was sent to Mrs. Leigh, with the following
inscription:

  <blockquote>"To Augusta, my dearest sister, and my best friend, who has ever loved
  me much better than I deserved, this volume is presented by her
  <i>father's</i> son, and most affectionate brother, B."</blockquote>

The effect which the poem instantly produced is best expressed in
Byron's own memorandum:

 <blockquote> "I awoke one morning and found myself famous." </blockquote>

He was only just twenty-three years old.

  <blockquote>"The subject," says Elizabeth, Duchess of Devonshire (<i>Two
  Duchesses</i>, pp. 375, 376), "of conversation, of curiosity, of
  enthusiasm almost, one might say, of the moment is not Spain or
  Portugal, Warriors or Patriots, but Lord Byron!" "He returned," she
  continues, "sorry for the severity of some of his lines (in the
  <i>English Bards</i>), and with a new poem, <i>Childe Harold</i>,
  which he published. This poem is on every table, and himself courted,
  visited, flattered, and praised whenever he appears. He has a pale,
  sickly, but handsome countenance, a bad figure, and, in short, he is
  really the only topic almost of every conversation&mdash;the men jealous of
  him, the women of each other." <br>
<br>
  "Lord Byron," writes Lady Harriet Leveson Gower to the Duke of
  Devonshire, May 10, 1812 (<i>Letters of Harriet, Countess
  Granville</i>, vol. i. p. 34), "is still upon a pedestal, and Caroline
  William doing homage. I have made acquaintance with him. He is
  agreeable, but I feel no wish for any further intimacy. His
  countenance is fine when it is in repose; but the moment it is in
  play, suspicious, malignant, and consequently repulsive. His manner is
  either remarkably gracious and conciliatory, with a tinge of
  affectation, or irritable and impetuous, and then, I am afraid,
  perfectly natural."
</blockquote>
Rogers (<I>Recollections of the Table-Talk of Samuel Rogers</I>, pp.
232, 233) says,

  <blockquote>"After Byron had become the <i>rage</i>, I was frequently amused at
  the manoeuvres of certain noble ladies to get acquainted with him by
  means of me; for instance, I would receive a note from Lady &mdash;&mdash;,
  requesting the pleasure of my company on a particular evening, with a
  postscript, 'Pray, could you not contrive to bring Lord Byron with
  you?' Once, at a great party given by Lady Jersey, Mrs. Sheridan ran
  up to me and said, 'Do, as a favour, try if you can place Lord Byron
  beside me at supper!'"</blockquote><br>
<a href="#frd81">return to footnote mark</a><br>
<br>
<br>
<a name="fd82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"Forgiveness to the injured does belong,<br>
  But they ne'er pardon, who have done the wrong."</blockquote>

Dryden's <I>Conquest of Grenada</I>, part ii. act i. sc. 2.<br>
<a href="#frd82">return</a><br>
<br>
<br>
<a name="fd83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;Murphy, in sc. 1 of <I>The Way to Keep Him</I> (1760), uses
the  word in the same sense;

 <blockquote> "A wife's a drug now; mere tar-water, with every virtue under heaven,
  but nobody takes it."</blockquote>
<a href="#frd83">return</a><br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h2><a name="section3"></a>Chapter VI&mdash;The Idol of Society&mdash;The Drury Lane Address&mdash;Second Speech in Parliament</h2>
<br>
<b>March, 1812-May, 1813</b><br>
<br>
<hr width="25%" align="left"><br>

<h3><a name="L229">229&mdash;to Thomas Moore</a></h3>
<br>
<a name="frd91">With</a> regard to the passage on Mr. Way's loss, no unfair play was hinted
at, as may be seen by referring to the book<a href="#fd91"><sup>1</sup></a>; and it is expressly
added that the managers <I>were ignorant</I> of that transaction. As to
the prevalence of play at the Argyle, it cannot be denied that there
were <I>billiards</I> and <I>dice</I>;&mdash;Lord B. has been a witness to
the use of both at the Argyle Rooms. These, it is presumed, come under
the denomination of play. If play be allowed, the President of the
Institution can hardly complain of being termed the "Arbiter of
Play,"&mdash;or what becomes of his authority?<br>
<br>
Lord B. has no personal animosity to Colonel Greville. A public
institution, to which he himself was a subscriber, he considered himself
to have a right to notice <I>publickly</I>. Of that institution Colonel
Greville was the avowed director;&mdash;it is too late to enter into the
discussion of its merits or demerits.<br>
<br>
Lord B. must leave the discussion of the reparation, for the real or
supposed injury, to Colonel G.'s friend and Mr. Moore, the friend of
Lord B.&mdash;begging them to recollect that, while they consider Colonel
G.'s honour, Lord B. must also maintain his own. If the business can be
settled amicably, Lord B. will do as much as can and ought to be done by
a man of honour towards conciliation;&mdash;if not, he must satisfy Colonel
G. in the manner most conducive to his further wishes.
<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>

<a name="fd91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Byron, in <i>English Bards, etc.</i> (lines 638-667), had
alluded to Colonel Greville, Manager of the Argyle Institution:

 <blockquote> "Or hail at once the patron and the pile<br>
  Of vice and folly, Greville and Argyle," etc.</blockquote>

In a note he had also referred to "Billy" Way's loss of several thousand
pounds in the Rooms. On his return from abroad, Colonel Greville
demanded satisfaction through his friend Gould Francis Leckie. Byron
referred Leckie to Moore, and sent Moore the above paper for his
guidance. The affair was amicably settled.<br>
<br>
In his <i>Detached Thoughts</i> occurs the following passage:&mdash;

  <blockquote>"I have been called in as mediator, or second, at least twenty times,
  in violent quarrels, and have always contrived to settle the business
  without compromising the honour of the parties, or leading them to
  mortal consequences, and this, too, sometimes in very difficult and
  delicate circumstances, and having to deal with very hot and haughty
  spirits,&mdash;Irishmen, gamesters, guardsmen, captains, and cornets of
  horse, and the like. This was, of course, in my youth, when I lived in
  hot-headed company. I have had to carry challenges from gentlemen to
  noblemen, from captains to captains, from lawyers to counsellors, and
  once from a clergyman to an officer in the Life Guards; but I found
  the latter by far the most difficult:

   <blockquote> 'to compose <br>
The bloody duel without blows,'</blockquote>

  the business being about a woman: I must add, too, that I never saw a
  <i>woman</i> behave so ill, like a cold-blooded, heartless b&mdash;&mdash;as she
  was,&mdash;but very handsome for all that. A certain Susan C&mdash;&mdash;was she
  called. I never saw her but once; and that was to induce her but to
  say two words (which in no degree compromised herself), and which
  would have had the effect of saving a priest or a lieutenant of
  cavalry. She would <i>not</i> say them, and neither Nepean nor myself
  (the son of Sir Evan Nepean, and a friend to one of the parties) could
  prevail upon her to say them, though both of us used to deal in some
  sort with womankind. At last I managed to quiet the combatants without
  her talisman, and, I believe, to her great disappointment: she was the
  damnedest b&mdash;&mdash; that I ever saw, and I have seen a great many. Though
  my clergyman was sure to lose either his life or his living, he was as
  warlike as the Bishop of Beauvais, and would hardly be pacified; but
  then he was in love, and that is a martial passion."</blockquote>

One challenge from a gentleman to a nobleman was that of Scrope Davies
to Lord Foley, in 1813; but Byron succeeded in arranging the matter.
That from a lawyer to a counsellor was in 1815, from John Hanson to
Serjeant Best, afterwards Lord Wynford, and arose out of the marriage of
Miss Hanson to Lord Portsmouth; this quarrel was also settled by Byron.
The case of the clergyman was that of the Rev. Robert Bland, whose
mistress, during his absence in Holland, left him for an officer in the
Guards (see <i>Letters</i>, vol. i. p. 197, end of <i>note</i> [Footnote 1 of Letter 102] on
Francis Hodgson). Byron was himself a fair shot with a pistol.

  <blockquote>"When in London," writes Gronow (<i>Reminiscences</i>, vol. i. p.
  152), "Byron used to go to Manton's shooting-gallery, in Davies
  Street, to try his hand, as he said, at a wafer. Wedderburn Webster
  was present when the poet, intensely delighted with his own skill,
  boasted to Joe Manton that he considered himself the best shot in
  London. 'No, my lord,' replied Manton, 'not the best; but your
  shooting to-day was respectable.' Whereupon Byron waxed wroth, and
  left the shop in a violent passion."</blockquote>
<a href="#frd91">return</a><br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L230">230&mdash;to William Bankes</a></h3>
<br>
My dear Bankes,&mdash;My eagerness to come to an explanation has, I trust,
convinced you that whatever my unlucky manner might inadvertently be,
the change was as unintentional as (if intended) it would have been
ungrateful. I really was not aware that, while we were together, I had
evinced such caprices; that we were not so much in each other's company
as I could have wished, I well know, but I think so <I>acute an
observer</I> as yourself must have perceived enough to <I>explain
this</I>, without supposing any slight to one in whose society I have
pride and pleasure. Recollect that I do not allude here to "extended" or
"extending" acquaintances, but to circumstances you will understand, I
think, on a little reflection.<br>
<br>
And now, my dear Bankes, do not distress me by supposing that I can
think of you, or you of me, otherwise than I trust we have long thought.
You told me not long ago that my temper was improved, and I should be
sorry that opinion should be revoked. Believe me, your friendship is of
more account to me than all those absurd vanities in which, I fear, you
conceive me to take too much interest. I have never disputed your
superiority, or doubted (seriously) your good will, and no one shall
ever "make mischief between us" without the sincere regret on the part
of your ever affectionate, etc.<br>
<br>
P.S.&mdash;I <a name="fre1">shall</a> see you, I hope, at Lady Jersey's<a href="#fe1"><sup>1</sup></a>.<br>
<br>
Hobhouse goes also.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; George Child-Villiers (1773-1859), "in manners and
appearance <I>le plus grand seigneur</I> of his time," succeeded his
father, "the Prince of Maccaronies," in 1805, as fifth Earl of Jersey.
He was twice Lord Chamberlain to William IV., and twice Master of the
Horse to Queen Victoria. He married, in 1804, Lady Sarah Sophia Fane,
eldest daughter of John, tenth Earl of Westmorland, and heiress, through
her mother, <I>née</I> Sarah Anne Child, of the fortune of her
grandfather, Robert Child, the banker.<br>
<br>
Lady Jersey for many years reigned supreme, by her beauty and wit, in
London society,

 <blockquote> "the veriest tyrant," said Byron, "that ever governed Fashion's fools,
  and compelled them to shake their caps and bells as she willed it." </blockquote>

At Almack's, where, according to Gronow (<I>Reminiscences</I>, vol. i.
p. 32), she introduced the quadrille after Waterloo, she was a despot.
<I>Almack's</I>, the very clever and personal picture of fashionable
life, published in 1826, is dedicated

 <blockquote> "To that most Distinguished and Despotic Conclave, composed of their
  High Mightinesses the Ladies Patronesses of the Balls at Almack's, the
  Rulers of Fashion, the Arbiters of Taste, the Leaders of <i>Ton</i>,
  and the Makers of Manners, whose Sovereign sway over 'the world' of
  London has long been established on the firmest basis, whose Decrees
  are Laws, and from whose judgment there is no appeal." </blockquote>

Over this "Willis Coalition Cabinet" Lady Jersey, as "Lady Hauton," is
described as reigning supreme.

  <blockquote>"She knew more than any person I ever met with, and both everything
  and everybody; she could quiz and she could flatter." <br>
<br>
  "Treat people like fools," she is supposed to say, "and they will
  worship you; stoop to make up to them, and they will directly tread
  you underfoot."</blockquote>

Ticknor (<I>Life</I>, vol. i. p. 269) speaks of her as a "beautiful
creature, with a great deal of talent, taste, and elegant knowledge." He
was at Almack's, in 1819, and standing close to Lady Jersey, then at the
height of beauty and brilliant talent, a leader in society, and with
decided political opinions, when she refused the Duke of Wellington
admittance. The lady patronesses had made a rule to admit no one after
eleven o'clock. When the rule first came into operation, Ticknor heard
one of the attendants announce that the Duke of Wellington was at the door.

 <blockquote> "What o'clock is it?" Lady Jersey asked. "Seven minutes after eleven,
  your ladyship." She paused a moment, and then said, with emphasis and
  distinctness, Give my compliments,&mdash;give Lady Jersey's compliments to
  the Duke of Wellington, and say that she is very glad that the first
  enforcement of the rule of exclusion is such that hereafter no one can
  complain of its application. He cannot be admitted."</blockquote>

(<i>ibid</i>., vol. i. pp. 296, 297).<br>
<br>
Politically, Lady Jersey was a power. Such an entry as the following
sounds strange to modern readers: Dining at Lord Holland's, in 1835, in
company with Lord Melbourne, Lord Grey, and other prominent politicians,
Ticknor notes that

 <blockquote> "public business was much talked about&mdash;the corporation bill, the
  motion for admitting Dissenters to the universities, etc., etc.; and
  as to the last, when the question arose whether it would be debated on
  Tuesday night, it was admitted to be doubtful whether Lady Jersey
  would not succeed in getting it postponed, as she has a grand dinner
  that evening." </blockquote>

(<i>Life</i>, vol. i. pp. 409, 410).<br>
<br>
Lady Jersey, whose mother-in-law, <i>née</i> Frances Twyden, had
been a bitter opponent of the Princess of Wales, provoked the wrath
of the Regent by espousing the cause of his wife. The Prince
was determined to break off this friendship with his wife's champion,
and sent a letter to her by the hand of Colonel Willis, announcing
his determination. Some time later they met at a great party given
by Henry Hope in Cavendish Square. Lady Jersey was walking
with Rogers in the gallery, when they met the Prince, who

  <blockquote>"stopped for a moment, and then, drawing himself up, marched past her
  with a look of the utmost disdain. Lady Jersey returned the look to
  the full; and, as soon as the Prince was gone, said to me, with a
  smile, 'Didn't I do it well?'" </blockquote>

(<i>Table Talk of Samuel Rogers</i>, pp. 267, 268).<br>
<br>
From this same change of feeling arose the incident which Byron
celebrated in his Condolatory Address "On the Occasion of the
Prince Regent Returning her Picture to Mrs. Mee." The lines
were enclosed with a letter which is printed at the date May 29,
1814. "Pegasus is, perhaps, the only horse of whose paces," said
Byron (<i>Conversations with Lady Blessington</i>, p. 51), "Lord [Jersey]
could not be a judge." Of Lady Jersey he says (<i>ibid</i>., p. 50),

 <blockquote> "Of all that coterie, Madame [de Stael], after Lady [Jersey], was the
  best; at least I thought so, for these two ladies were the only ones
  who ventured to protect me when all London was crying out against me
  on the separation, and they behaved courageously and kindly ... Poor
  dear Lady [Jersey]! Does she still retain her beautiful cream-coloured
  complexion and raven hair? I used to long to tell her that she spoiled
  her looks by her excessive animation; for eyes, tongue, head, and arms
  were all in movement at once, and were only relieved from their active
  service by want of respiration," etc., etc.</blockquote>
<a href="#fre1">return to footnote mark</a><br>
<a href="#fh12">cross-reference: return to Footnote 2 of Letter 256</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L231"></a>231&mdash;to Thomas Moore</h3>
<br>
March 25, 1812.<br>
<br><br>

<a name="fre11">Know</a> all men by these presents, that you, Thomas Moore, stand
indicted&mdash;no&mdash;invited, by special and particular solicitation, to Lady
Caroline Lamb's<a href="#fe11"><sup>1</sup></a> tomorrow evening, at half-past nine o'clock, where
you will meet with a civil reception and decent entertainment. Pray,
come&mdash;I was so examined after you this morning, that I entreat you to
answer in person.<br>
<br>
Believe me, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Lady Caroline Lamb (1785-1828), the "Calantha Avondale" of
her own <i>Glenarvon</i>, was the daughter of Frederick Ponsonby, third
Earl of Bessborough, by his wife, Lady Henrietta Frances Spencer, sister
of Georgiana, Duchess of Devonshire. She was brought up, partly in Italy
under the care of a servant, partly by her grandmother, the wife of
John, first Earl Spencer. She married, June 3, 1805, William Lamb,
afterwards Lord Melbourne.<br>
<br>
Her manuscript commonplace-book is in the possession of the Hon. G.
Ponsonby. A few pages are taken up with a printed copy of the <i>Essay
on the Progressive Improvement of Mankind</i>, with which her husband
won the declamation prize at Trinity, Cambridge, in 1798. The rest of
the volume consists of some 200 pages filled with prose, and verse, and
sketches. It begins with a list of her nicknames&mdash;"Sprite," "Young
Savage," "Ariel," "Squirrel," etc. Then follow the secret language of an
imaginary order; her first verses, written at the age of thirteen;
scraps of poetry, original and extracted, in French, Italian, and
English; a long fragment of a wild romantic story of a girl's seduction
by an infidel nobleman. A clever sketch in water-colour of William Lamb
and of herself, after their marriage, is followed by verses on the birth
of her son, "little "Augustus," August 23, 1807. The last stanza of a
poem, which has nothing to commend it except the feelings of the wife
and mother which it expresses, runs thus:

  <blockquote>"His little eyes like William's shine;<br>
  How great is then my joy,<br>
  For, while I call this darling mine,<br>
  I see 'tis William's boy!"</blockquote>

The most ambitious effort in the volume is a poem, illustrated with
pictures in water colours, such as <i>L'Amour se cache sous le voile
d'Amitié</i>, or <i>l'Innocence le recoit dans ses bras</i>; a third, in the style
of Blake, bears the inscription <i>le Désespoir met fin à ses jours</i>. The
poem opens with the following lines:

  <blockquote>"Winged with Hope and hushed with Joy,<br>
  See yon wanton, blue-eyed Boy,&mdash;<br>
  Arch his smile, and keen his dart,&mdash;<br>
  Aim at Laura's youthful heart!<br>
  How could he his wiles disguise?<br>
  How deceive such watchful eyes?<br>
  How so pure a breast inspire,<br>
  Set so young a Mind on fire?<br>
  'Twas because to raise the flame<br>
  Love bethought of friendship's name.<br>
  Under this false guise he told her<br>
  That he lived but to behold her.<br>
  How could she his fault discover<br>
  When he often vowed to love her?<br>
  How could she her heart defend<br>
  When he took the name of friend?"</blockquote>

Dates are seldom affixed to the compositions, and it is impossible to
say whether any are autobiographical. But, taken as a whole, they reveal
a clever, romantic, impulsive, imaginative woman, whose pet names
describe at once the charm of her character and the fascination of her
small, slight figure, "golden hair, large hazel eyes," and low musical
voice.<br>
<br>
Her marriage with William Lamb, June 3, seems to have been at first kept
secret. Lord Minto in August, 1805 (<i>Life and Letters</i>, vol. iii.
p. 361), speaks of her as unmarried, and adds that she is "a lively and
rather a pretty girl; they say she is very clever." Augustus Foster,
writing to his mother, Lady Elizabeth Foster, July 30, 1805 (<i>The Two
Duchesses</i>, p. 233), says, <blockquote>"I cannot fancy Lady Caroline married. I
cannot be glad of it. How changed she must be&mdash;the delicate Ariel, the
little Fairy Queen become a wife and soon perhaps a mother." </blockquote>Lady
Elizabeth replies, September 30, 1805 (<i>ibid</i>., p. 242): <blockquote>"You may
retract all your sorrow about Caro Ponsonby's marriage, for she is the
same wild, delicate, odd, delightful person, unlike everything."</blockquote>

Lady Caroline and William Lamb are described by Lady Elizabeth, three
months later, as "flirting all day long <i>è felice adesso</i>." The
phrase, perhaps, correctly expresses Lady Caroline's conception of love
as an episode; but no breach occurred till 1813. In the previous year,
when Byron had suddenly risen to the height of his fame, she had refused
to be introduced by Lady Westmorland to the man of whom she made the
famous entry in her Diary "mad, bad, and dangerous to know." But they
met, a few days later, at Holland House, and Byron called on her in
Whitehall, where for the next four months he was a daily visitor. On
blue-bordered paper, embossed at the corners with scallop-shells, she
wrote to Byron at an early stage in their acquaintance,<a href="#app3a"> the letter
numbered 1 in Appendix III</a>.<br>
<br>
<a name="CR2">For</a> the sequel to the story of their friendship, see Byron's <a href="#L232">letter</a>
to Lady Caroline, p. 135, <a href="#fg1"><i>note</i></a> 1, and <a href="#app3">Appendix III</a>.<br>
<a href="#fre11">return</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L232">232&mdash;to Lady Caroline Lamb</a></h3>
<br>
[Undated.]<br>
<br><br>

I never supposed you artful: we are all selfish,&mdash;nature did that for
us. But even when you attempt deceit occasionally, you cannot maintain
it, which is all the better; want of success will curb the tendency.
Every word you utter, every line you write, proves you to be either
<i>sincere</i> or a <i>fool</i>. Now as I know you are not the one, I
must believe you the other.<br>
<br>
I never knew a woman with greater or more pleasing talents,
<i>general</i> as in a woman they should be, something of everything,
and too much of nothing. <a name="fre21">But</a> these are unfortunately coupled with a
total want of common conduct<a href="#fe21"><sup>1</sup></a>. For instance, the <i>note</i> to your
<i>page</i>&mdash;do you suppose I delivered it? or did you mean that I
should? I did not of course.<br>
<br>
Then your heart, my poor Caro (what a little volcano!), that pours
<i>lava</i> through your veins; and yet I cannot wish it a bit colder,
to make a <i>marble slab</i> of, as you sometimes see (to understand my
foolish metaphor) brought in vases, tables, etc., from Vesuvius, when
hardened after an eruption. To drop my detestable tropes and figures,
you know I have always thought you the cleverest, most agreeable,
absurd, amiable, perplexing, dangerous, fascinating little being that
lives now, or ought to have lived 2000 years ago. I won't talk to you of
beauty; I am no judge. But our beauties cease to be so when near you,
and therefore you have either some, or something better. And now, Caro,
this nonsense is the first and last compliment (if it be such) I ever
paid you. You have often reproached me as wanting in that respect; but
others will make up the deficiency.<br>
<br>
Come to Lord Grey's; at least do not let me keep you away. All that you
so often <i>say</i>, I <i>feel</i>. Can more be said or felt? This same
prudence is tiresome enough; but one <i>must</i> maintain it, or what
<i>can</i> one do to be saved? Keep to it.<br>
<br>
<br>
<a name="fe21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The following letter from Lady Caroline to Fletcher,
Byron's valet, illustrates the statement in the text:

  <blockquote><b>Fletcher</b>,&mdash;Will you come and see me here some evening at 9, and no one
  will know of it. You may say you bring a letter, and wait the answer.
  I will send for you in. But I will let you know first, for I wish to
  speak with you. I also want you to take the little Foreign Page I
  shall send in to see Lord Byron. Do not tell him before-hand, but,
  when he comes with flowers, shew him in. I shall not come myself,
  unless just before he goes away; so do not think it is me. Besides,
  you will see this is quite a child, only I wish him to see my Lord if
  you can contrive it, which, if you tell me what hour is most
  convenient, will be very easy. I go out of Town to-morrow for a day or
  two, and I am now quite well&mdash;at least much better."</blockquote>
<a href="#fre21">return</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L233"></a>233&mdash;To William Bankes</h3>
<br>
<b>My Dear Bankes</b>,&mdash;I feel rather hurt (not savagely) at the speech you
made to me last night, and my hope is that it was only one of your
<i>profane</i> jests. I should be very sorry that any part of my
behaviour should give you cause to suppose that I think higher of
myself, or otherwise of you than I have always done. I can assure you
that I am as much the humblest of your servants as at Trin. Coll.; and
if I have not been at home when you favoured me with a call, the loss
was more mine than yours. In the bustle of buzzing parties, there is,
there can be, no rational conversation; but when I can enjoy it, there
is nobody's I can prefer to your own.<br>
<br>
Believe me, ever faithfully and most affectionately yours,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L234"></a>234&mdash;to Thomas Moore</h3>
<br>
Friday noon.<br>
<br><br>

I should have answered your note yesterday, but I hoped to have seen you
this morning. I <a name="fre31">must</a> consult with you about the day we dine with Sir
Francis<a href="#fe31"><sup>1</sup></a>. I <a name="fre32">suppose</a> we shall meet at Lady Spencer's<a href="#fe32"><sup>2</sup></a> to-night. I
<a name="fre33">did</a> not know that you were at Miss Berry's<a href="#fe33"><sup>3</sup></a> the other night, or I
should have certainly gone there.<br>
<br>
As usual, I am in all sorts of scrapes, though none, at present, of a
martial description.<br>
<br>
Believe me, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Probably with Sir Francis Burdett, at 77, Piccadilly.<br>
<a href="#fre31">return to footnote mark</a><br>
<br>
<br>
<a name="fe32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Grandmother of Lady Caroline Lamb.<br>
<a href="#fre32">return</a><br>
<br>
<br>
<a name="fe33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;Mary Berry (1763-1852), the friend and editor of Horace
Walpole, whom she might have married, lived at Little Strawberry Hill,
and in North Audley Street, London. In her <i>Journal</i> Miss Berry mentions
two occasions on which she met Byron. The first was Thursday, April 2,
1812, at Lord Glenbervie's.

  <blockquote>"I had a quarter of an hour's conversation, which, I own, gave me a
  great desire to know him better, and he seemed willing that I should
  do so." </blockquote>

The second occasion was May 7, 1812.

 <blockquote> "At the end of the evening I had half an hour's conversation with Lord
  Byron, principally on the subject of the Scotch Review, with which he
  is very much pleased. He is a singular man, and pleasant to me but I
  very much fear that his head begins to be turned by all the adoration
  of the world, especially the women" </blockquote>

(<i>Journal and Correspondence of Miss Berry</i>, vol. ii. pp. 496,
497).<br>
<a href="#fre33">return</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L235"></a>235&mdash;to Lady Caroline Lamb</h3>
<br>
May 1st, 1812.<br>
<br><br>

<b>My Dear Lady Caroline</b>,&mdash;I <a name="fre41">have</a> read over the few poems of Miss Milbank<a href="#fe41"><sup>1</sup></a> with attention. They display fancy, feeling, and a little practice
would very soon induce facility of expression. <a name="fre42">Though</a> I have an
abhorrence of Blank Verse, I like the lines on Dermody<a href="#fe42"><sup>2</sup></a> so much that
I wish they were in rhyme. The lines in the Cave at Seaham have a turn
of thought which I cannot sufficiently commend, and here I am at least
candid as my own opinions differ upon such subjects. The first stanza is
very good indeed, and the others, with a few slight alterations, might
be rendered equally excellent. The last are smooth and pretty. But these
are all, has she no others? She certainly is a very extraordinary girl;
who would imagine so much strength and variety of thought under that
placid Countenance? It is not necessary for Miss M. to be an authoress,
indeed I do not think publishing at all creditable either to men or
women, and (though you will not believe me) very often feel ashamed of
it myself; but I have no hesitation in saying that she has talents
which, were it proper or requisite to indulge, would have led to
distinction.<br>
<br>
A friend of mine (fifty years old, and an author, but not <i>Rogers</i>)
has just been here. As there is no name to the MSS. I shewed them to
him, and he was much more enthusiastic in his praises than I have been.
He thinks them beautiful; I shall content myself with observing that
they are better, much better, than anything of Miss M.'s protegée
(<i>sic</i>) Blacket. You will say as much of this to Miss M. as you
think proper. I say all this very sincerely. I have no desire to be
better acquainted with Miss Milbank; she is too good for a fallen spirit
to know, and I should like her more if she were less perfect. Believe
me, yours ever most truly, <br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; This letter refers to the future Lady Byron, the "Miss
Monmouth" of <i>Glenarvon</i> (see vol. iii. p. 100), who was first
brought to Byron's notice by Lady Caroline Lamb. Anna Isabella (often
shortened into Annabella) Milbanke (born May 17, 1792; died May 16,
1860) was the only child of Sir Ralph Milbanke, Bart., and the Hon.
Judith Noel, daughter of Lord Wentworth. Her childhood was passed at
Halnaby, or at Seaham, where her father had "a pretty villa on the
cliff." In 1808 Seaham

  <blockquote>"was the most primitive hamlet ever met with&mdash;a
dozen or so of cottages, no trade, no manufacture, no business doing
that we could see; the owners were mostly servants of Sir Ralph
Milbanke's." </blockquote>

(<i>Memoirs of a Highland Lady</i>, p. 71). It was here that
Blacket the poet (see <i>Letters</i>, vol. i. p. 314, <i>note</i> 2 [Footnote 2 of Letter 154]; p.
6, <a href="#f35"><i>note</i></a> 5, of the present volume; and <i>English Bards, etc</i>.,
line 770, and Byron's <i>note</i>) died, befriended by Miss Milbanke.<br>
<br>
Byron (Medwin's <i>Conversations with Lord Byron</i>, pp. 44, 45) thus
describes the personal appearance of his future wife:

 <blockquote> "There was something piquant and what we term pretty in Miss Milbanke.
  Her features were small and feminine, though not regular. She had the
  fairest skin imaginable. Her figure was perfect for her height; and
  there was a simplicity, a retired modesty, about her, which was very
  characteristic, and formed a happy contrast to the cold, artificial
  formality and studied stiffness which is called fashion." </blockquote>

The roundness of her face suggested to Byron the pet name of "Pippin."<br>
<br>
High-principled, guided by a strong sense of duty, imbued with deep
religious feeling, Miss Milbanke lived to impress F. W. Robertson as
"the noblest woman he ever knew" (<i>Diary of Crabb Robinson</i> (1852),
vol. iii. p. 405). She was also a clever, well-read girl, fond of
mathematics, a student of theology and of Greek, a writer of meritorious
verse, which, however, Byron only allowed to be "good by accident"
(Medwin, p. 60). Among her mother's friends were Mrs. Siddons, Joanna
Baillie, and Maria Edgeworth. The latter, writing, May, 1813, to Miss
Ruxton, says, "Lady Milbanke is very agreeable, and has a charming,
well-informed daughter." With all her personal charms, virtues, and
mental gifts, she shows, in many of her letters, a precision, formality,
and self-complacency, which suggest the female pedant. Byron says of her
that "she was governed by what she called fixed rules and principles,
squared mathematically," (Medwin, p. 60); at one time he used to speak of
her as his "Princess of Parallelograms," and at a later period he called
her his "Mathematical Medea."<br>
<br>
Before Miss Milbanke met Byron, she had a lover in Augustus Foster, son
of Lady Elizabeth Foster, afterwards Duchess of Devonshire. The duchess,
writing to her son, February 29, 1812, says that Mrs. George Lamb (?)
would sound Miss Milbanke as to her feelings:

 <blockquote> "Caro means to see <i>la bella</i> Annabelle before she writes to you
  ... I shall almost hate her if she is blind to the merits of one who
  would make her so happy"</blockquote>

(<i>The Two Duchesses</i>, p. 358). Apparently Mr. Foster's love was not
returned.

  <blockquote>"She persists in saying," writes the duchess, May 4, 1812
  (<i>ibid</i>., p. 362), "that she never suspected your attachment to
  her; but she is so odd a girl that, though she has for some time
  rather liked another, she has decidedly refused them, because she
  thinks she ought to marry a person with a good fortune; and this is
  partly, I believe, from generosity to her parents, and partly owning
  that fortune is an object to herself for happiness. In short, she is
  good, amiable, and sensible, but cold, prudent, and reflecting. Lord
  Byron makes up to her a little; but she don't seem to admire him
  except as a poet, nor he her except for a wife." </blockquote>

Again, June 2, 1812, she says,

  <blockquote>"Your Annabella is a mystery; liking, not liking; generous-minded, yet
  afraid of poverty; there is no making her out. I hope you don't make
  yourself unhappy about her; she is really an icicle."</blockquote>

Miss Milbanke's unaffected simplicity attracted Byron; even her coldness
was a charm. When he came to know her, he probably found her not only
agreeable, but the best woman he had ever met. Lady Melbourne, who knew
him most intimately, and was also Miss Milbanke's aunt, may well have
thought that, if her niece once gained control over Byron, her influence
would be the making of his character. She encouraged the match by every
means in her power. It is unnecessary to suppose that she did so to save
Lady Caroline Lamb; that danger was over. At some time before the autumn
of 1812, Byron proposed to Miss Milbanke, and was refused. He still,
however, continued to correspond with her, and his <a href="#section5"><i>Journal</i></a> shows
that his affection for her was steadily growing during the years
1813-14. In September, 1814, he proposed a second time, and was
accepted.<br>
<br>
Byron professed to believe (Medwin, p. 59) that Miss Milbanke was not in
love with him.

  <blockquote>"I was the fashion when she first came out; I had the character of
  being a great rake, and was a great dandy&mdash;both of which young ladies
  like. She married me from vanity, and the hope of reforming and fixing
  me." </blockquote>

Byron was not the man to unbosom himself to Medwin on such a subject.
Moore asked the same question&mdash;whether Lady Byron really loved Byron&mdash;of
Lady Holland, who

 <blockquote> "seemed to think she must. He was such a loveable person. I remember
  him (said she) sitting there with that light upon him, looking so
  beautiful!'"
  </blockquote>
(<i>Journals, etc.</i>, vol. ii. p. 324). The letters that will follow
seem to show beyond all question that the marriage was one of true
affection on both sides.<br>
<a href="#fre41">return to footnote mark</a><br>
<br>
<br>
<a name="fe42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Thomas Dermody (1775-1802), a precocious Irish lad, whose
dissipated habits weakened his mind and body, published poems in
1792, 1800, and 1802. His collected verses appeared in 1807 under
the title of <i>The Harp of Erin</i>, edited by J. G. Raymond, who had
published the previous year (1806) <i>The Life of Thomas Dermody</i> in
two volumes.<br>
<a href="#fre42">return</a><br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L236">236&mdash;to Thomas Moore</a></h3>
<br>
May 8, 1812.<br><br>

<br>
I am too proud of being your friend, to care with whom I am linked in
your estimation, and, God knows, I want friends more at this time than
at any other. I am "taking care of myself" to no great purpose. If you
knew my situation in every point of view, you would excuse apparent and
unintentional neglect. I shall leave town, I think; but do not you leave
it without seeing me. I wish you, from my soul, every happiness you can
wish yourself; and I think you have taken the road to secure it. Peace
be with you! I fear she has abandoned me. Ever, etc.<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L237">237&mdash;to Thomas Moore</a></h3>
<br>
May 20, 1812.<br><br>

<br>
On <a name="fre51">Monday</a>, after sitting up all night, I saw Bellingham launched into
eternity<a href="#fe51"><sup>1</sup></a>, and at three the same day I saw&mdash;&mdash; launched into the
country.<br>
<br>
I believe, in the beginning of June, I shall be down for a few days in
Notts. If so, I shall beat you up <i>en passant</i> with Hobhouse, who
is endeavouring, like you and every body else, to keep me out of
scrapes.<br>
<br>
I meant to have written you a long letter, but I find I cannot. If any
thing remarkable occurs, you will hear it from me&mdash;if good; if
<i>bad</i>, there are plenty to tell it. In the mean time, do you be
happy.<br>
<br>
Ever yours, etc.<br>
<br>
P.S.&mdash;My best wishes and respects to Mrs. Moore;&mdash; she is beautiful. I
may say so even to you, for I was never more struck with a countenance.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Bellingham, while engaged in the timber trade at Archangel,
fancied himself wronged by the Russian Government, and the British
Ambassador at St. Petersburg, Lord G. Leveson-Gower. Returning to
England, he set up in Liverpool as an insurance broker, continuing to
press his claims against Russia on the Ministry without success. On May
11, 1812, he shot Spencer Perceval, First Lord of the Treasury and
Chancellor of the Exchequer, dead in the lobby of the House of Commons.
Bellingham was hanged before Newgate on May 18. Byron took a window,
says Moore (<i>Life</i>, p. 164), to see the execution. He

 <blockquote> "was
accompanied on the occasion by his old schoolfellows, Mr. Bailey and Mr.
John Madocks. They went together from some assembly, and, on their
arriving at the spot, about three o'clock in the morning, not finding
the house that was to receive them open, Mr. Madocks undertook to rouse
the inmates, while Lord Byron and Mr. Bailey sauntered, arm in arm, up
the street. During this interval, rather a painful scene occurred.
Seeing an unfortunate woman lying on the steps of a door, Lord Byron,
with some expression of compassion, offered her a few shillings; but,
instead of accepting them, she violently pushed away his hand, and,
starting up with a yell of laughter, began to mimic the lameness of his
gait. He did not utter a word; but 'I could feel,' said Mr. Bailey, 'his
arm trembling within mine, as we left her.' "</blockquote>

In Byron's <i>Detached Thoughts</i> is an anecdote of Baillie, whose
name is here misspelt by Moore:

<blockquote>"Baillie (commonly called 'Long'
Baillie, a very clever man, but odd) complained in riding, to our friend
Scrope Davies, that he had a <i>stitch</i> in his side. 'I don't wonder
at it,' said Scrope, 'for you ride like a <i>tailor</i>.' Whoever has
seen B. on horseback, with his very tall figure on a small nag, would
not deny the justice of the repartee."</blockquote>
<a href="#fre51">return</a><br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L238"></a>238&mdash;to Bernard Barton<a href="#fe61"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
8, St. James's St., June 1, 1812.<br>
<br><br>

The most satisfactory answer to the concluding part of your letter is
that Mr. Murray will republish your volume, if you still retain your
inclination for the experiment, which I trust will be successful. Some
weeks ago my friend Mr. Rogers showed me some of the stanzas in MS., and
I then expressed my opinion of their merit, which a further perusal of
the printed volume has given me no reason to revoke. I mention this, as
it may not be disagreeable to you to learn that I entertained a very
favourable opinion of your powers, before I was aware that such
sentiments were reciprocal.<br>
<br>
Waiving your obliging expressions as to my own productions, for which I
thank you very sincerely, and assure you that I think not lightly of the
praise of one whose approbation is valuable, will you allow me to talk
to you candidly, not critically, on the subject of yours? You will not
suspect me of a wish to discourage, since I pointed out to the publisher
the propriety of complying with your wishes. I think more highly of your
poetical talents than it would, perhaps, gratify you to hear expressed,
for I believe, from what I observe of your mind, that you are above
flattery. To come to the point, you deserve success, but we know, before
Addison wrote his <i>Cato</i>, that desert does not always command it.
But, suppose it attained,&mdash;

 <blockquote> "<a name="fre62">You</a> know what ills the author's life assail,<br>
  Toil, envy, want, the patron and the jail."<a href="#fe62"><sup>2</sup></a></blockquote>

Do not renounce writing, but never trust entirely to authorship. If you
have a possession, retain it; <a name="fre63">it</a> will be, like Prior's fellowship<a href="#fe63"><sup>3</sup></a>, a
last and sure resource. Compare Mr. Rogers with other authors of the
day; assuredly he is amongst the first of living poets, but is it to
that he owes his station in society, and his intimacy in the best
circles? No, it is to his prudence and respectability; the world (a bad
one, I own) courts him because he has no occasion to court it. He is a
poet, nor is he less so because he was something more. <a name="fre64">I</a> am not sorry to
hear that you are not tempted by the vicinity of Capel Loft, Esq're.<a href="#fe64"><sup>4</sup></a>, though, if he had done for you what he has done for the
Bloomfields, I should never have laughed at his rage for patronising.
But a truly constituted mind will ever be independent. That you may be
so is my sincere wish, and, if others think as well of your poetry as I
do, you will have no cause to complain of your readers.<br>
<br>
Believe me, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Bernard Barton (1784-1849), the friend of Charles Lamb, and
the Quaker poet, to whose <i>Poems and Letters</i> (1849) Edward
FitzGerald prefixed a biographical introduction, published <i>Metrical
Effusions</i> (1812), <i>Poems by an Amateur</i> (1817), <i>Poems</i>
(1820), and several other works. He was for many years a clerk in a bank
at Woodbridge, in Suffolk. Byron's advice to him was that of Lamb: "Keep
to your bank, and your bank will keep you." Two letters, [<a href="#app4a">1</a>, <a href="#app4b">2</a>] written by him
to Byron in 1814, showing his admiration of the poet, and his
appreciation of the generosity of his character, and <a href="#app4c">part</a> of the draft
of Byron's answer, are given in <a href="#App4">Appendix IV</a>.<br>
<a href="#L238">return to footnote mark</a><br>
<br>
<br>
<a name="fe62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"There mark what ills the scholar's life assail,&mdash;<br>
  Toil, envy, want, the patron and the jail."</blockquote>

Johnson's <i>Vanity of Human Wishes</i>, line 159.<br>
<a href="#fre62">return</a><br>
<br>
<br>
<a name="fe63"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Matthew Prior (1664-1721) became a Fellow of St. John's
College, Cambridge, in 1688.<br>
<a href="#fre63">return</a><br>
<br>
<br>
<a name="fe64"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; For Capell Lofft and the Bloomfields, see <i>Letters</i>,
vol. i. p. 337, <i>notes</i> I and 2 [Footnotes 4 and 5 of Letter 167].<br>
<a href="#fre64">return</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L239">239&mdash;to Lord Holland</a></h3>
<br>
June 25, 1812.<br>
<br><br>

<b>My Dear Lord</b>,&mdash;I must appear very ungrateful, and have, indeed, been
very negligent, but till last night I was not apprised of Lady Holland's
restoration, and I shall call to-morrow to have the satisfaction, I
trust, of hearing that she is well.&mdash;I hope that neither politics nor
gout have assailed your Lordship since I last saw you, and that you also
are "as well as could be expected."<br>
<br>
<a name="fre71">The</a> other night, at a ball, I was presented by order to our gracious
Regent, who honoured me with some conversation, and professed a
predilection for poetry<a href="#fe71"><sup>1</sup></a>.&mdash;I confess it was a most unexpected honour,
and I thought of poor Brummell's<a href="#fe72"><sup>2</sup></a> adventure, with some apprehension
of a similar blunder. I <a name="fre73">have</a> now great hope, in the event of Mr. Pye's<a href="#fe73"><sup>3</sup></a> decease, of "warbling truth at court," like Mr. Mallet<a href="#fe74"><sup>4</sup></a> of
indifferent memory.&mdash;Consider, one hundred marks a year! besides the
wine and the disgrace; but then remorse would make me drown myself in my
own butt before the year's end, or the finishing of my first
dithyrambic.&mdash;So that, after all, I shall not meditate our laureate's
death by pen or poison.<br>
<br>
Will you present my best respects to Lady Holland? and believe me, hers
and yours very sincerely.<br>
<br>
  <b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The ball was given in June, 1812, at Miss Johnson's (see
<i>Memoir of John Murray</i>, vol. i. p. 212). In the words
"predilection for poetry" Byron probably refers to the phrase in the
Regent's letter to the Duke of York (February 13, 1812): "I have no
predilections to indulge, no resentments to gratify." Moore, in the
<i>Twopenny Post-bag</i>, twice fastens on the phrase. In "The
Insurrection of the Papers", a dream suggested by Lord Castlereagh's
speech&mdash; "It would be impossible for His Royal Highness to disengage his
person from the accumulating pile of papers that encompassed it"&mdash;he
writes:

 <blockquote> "But, oh, the basest of defections!<br>
  His Letter about 'predilections'&mdash;<br>
  His own dear Letter, void of grace,<br>
  Now flew up in its parent's face! "</blockquote>

And again, in the "Parody of a Celebrated Letter":

  <blockquote>"I am proud to declare I have no predilections,<br>
  My heart is a sieve, where some scatter'd affections<br>
  Are just danc'd about for a moment or two,<br>
  And the <i>finer</i> they are, the more sure to run through."</blockquote>
<a href="#fre71">return to footnote mark</a><br>
<br>
<br>
<a name="fe72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The grandfather of Beau Brummell, who was in business in
Bury Street, St. James's, also let lodgings. One of his lodgers, Charles
Jenkinson, afterwards Earl of Liverpool, obtained for his landlord's
son, William Brummell, a clerkship in the Treasury. The Treasury clerk
became so useful to Lord North that he obtained several lucrative
offices; and, dying in 1794, left £65,000 in the hands of trustees for
division among his three children. The youngest of these was George
Bryan Brummell (1788-1840), the celebrated Beau.<br>
<br>
George Brummell went from Eton to Oriel College, Oxford, where his
undergraduate career is traced in "Trebeck," a character in Lister's
<i>Granby</i> (1826). From Oxford Brummell entered the Tenth Hussars, a
favourite regiment of the Prince of Wales. Well-built and well-mannered,
possessed of admirable tact, witty and original in conversation,
inexhaustible in good temper and good stories, a master of impudence and
banter, the new cornet made himself so agreeable to the prince that, at
the latter's marriage, Brummell attended him, both at St. James's and to
Windsor, as "a kind of <i>chevalier d'honneur</i>." In 1798 Brummell left
the army with the rank of captain. A year later he came of age, and
settled at 4, Chesterfield Street, Mayfair.<br>
<br>
On his intimacy with the Prince Regent, Brummell founded the
extraordinary position which he achieved in society. Fashion was in
those days a power; and he was its dictator&mdash;the oracle, both for men
and women, of taste, manners, and dress. His ascendency rested in some
degree on solid foundations. He was not a mere fop, but conspicuous for
the quiet neatness of his dress&mdash;for "a certain exquisite propriety," as
Byron described it to Leigh Hunt&mdash;and, at a time when the opposite was
common, for the scrupulous cleanliness of his person and his linen. An
excellent dancer, clever at <i>vers de société</i>, an agreeable singer,
a talented artist, a judge of china, buhl, and other objects of
<i>virtù</i>, a collector of snuff-boxes, a connoisseur in canes, he had
gifts which might have raised him above the Bond Street <i>flaneur</i>,
or the idler at Watier's Club. Well-read in a desultory fashion, he
wrote verses which were not without merit in their class. The following
are the first and last stanzas of <i>The Butterfly's Funeral</i>, a poem
which was suggested by Mrs. Dorset's <i>Peacock at Home</i> and Roscoe's
<i>Butterfly's Ball</i>:&mdash;

  <blockquote>"Oh ye! who so lately were blythsome and gay,<br>
  At the Butterfly's banquet carousing away;<br>
  Your feasts and your revels of pleasure are fled,<br>
  For the soul of the banquet, the Butterfly's dead!<br><br>

   ...<br><br>

  And here shall the daisy and violet blow,<br>
  And the lily discover her bosom of snow;<br>
  While under the leaf, in the evenings of spring,<br>
  Still mourning his friend, shall the grasshopper sing."</blockquote>

In the days of his prosperity (1799-1816), Brummell knew everybody to
whose acquaintance he condescended. His Album, in which he collected 226
pieces of poetry, many by himself, others by celebrities of the day, is
a curious proof of his popularity. It contains contributions from such
persons as the Duchess of Devonshire, Erskine, Lord John Townshend,
Sheridan, General Fitzpatrick, William Lamb (afterwards Lord Melbourne)
and his brother George, and Byron. Lady Hester Stanhope (<i>Memoirs</i>,
vol. i. pp. 280-283) knew him well. She describes him "riding in Bond
Street, with his bridle between his fore-finger and thumb, as if he held
a pinch of snuff;" gives many instances of his audacious effrontery, and
yet concludes that "the man was no fool," and that she "should like to
see him again."<br>
<br>
The story that Brummell told the Prince Regent to ring the bell was
denied by him. A more probable version of the story is given in Jesse's
<i>Life of Beau Brummell</i> (vol. i. p. 255),

  <blockquote>"that one evening, when Brummell and Lord Moira were engaged in
  earnest conversation at Carlton House, the prince requested the former
  to ring the bell, and that he replied without reflection, 'Your Royal
  Highness is close to it,' upon which the prince rang the bell and
  ordered his friend's carriage, but that Lord Moira's intervention
  caused the unintentional liberty to be overlooked." </blockquote>

The rupture between them is attributed by Jesse to Mrs. Fitzherbert's
influence. Whatever the cause, the prince cut his former friend. A short
time afterwards, Brummell, walking with Lord Alvanley, met the prince
leaning on the arm of Lord Moira. As the prince, who stopped to speak to
Lord Alvanley, was moving on, Brummell said to his companion, "Alvanley,
who's your fat friend?" In the <i>Twopenny Postbag</i> Moore makes the
Regent say, in the "Parody of a Celebrated Letter":

  <blockquote>"Neither have I resentments, or wish there should come ill<br>
  To mortal&mdash;except, now I think on it, Beau Brummell,<br>
  Who threatened last year, in a superfine passion,<br>
  To cut me, and bring the old king into fashion."</blockquote>

Brummell's position withstood the loss of the Regent's friendship. He
became one of the most frequent visitors to the Duke and Duchess of
York, at Oatlands Park (<i>Journal of T. Raikes</i>, vol. i. p. 146);
and his friendship with the duchess lasted till her death. <br>
<br>
He was ruined by gambling at Watier's Club, of which he was perpetual
president. This club, which was in Piccadilly, at the corner of Bolton
Street, was originally founded, in 1807, by Lord Headfort, John Madocks,
and other young men, for musical gatherings. But glees and snatches soon
gave way to superlative dinners and gambling at macao. Byron, Moore, and
William Spencer belonged to Watier's&mdash;the only men of letters admitted
within its precincts. From 1814 to 1816 Brummell lost heavily; he could
obtain no further supplies, and was completely ruined. In his distress
he wrote to Scrope Davies, in May, 1816:

  <blockquote>"<b>My Dear Scrope</b>,&mdash;Lend me two hundred pounds; the banks are shut, and
  all my money is in the three per cents. It shall be repaid to-morrow
  morning.<br>
<br>
  Yours,<br>
  <b>George Brummell</b>.</blockquote>

The reply illustrates Byron's remark that

  <blockquote>"Scrope Davies is a wit, and a man of the world, and feels as much as
  such a character can do."<br>

<hr width="25%" align="left"><br>

  "<b>My Dear George</b>,&mdash;'Tis very unfortunate, but all my money is in the
  three per cents.<br>
<br>
  Yours,<br>
  <b>S. Davies</b>.</blockquote>

On May 17,

  <blockquote>"obliged," says Byron (<i>Detached Thoughts</i>), "by that affair of
  poor Meyler, who thence acquired the name of 'Dick the
  Dandykiller'&mdash;(it was about money and debt and all that)&mdash;to retire to
  France," </blockquote>

Brummell took flight to Dover, and crossed to Calais. Watier's Club died
a natural death, in 1819, from the ruin of most of its members.<br>
<br>
Amongst Brummell's effects at Chesterfield Street was a screen which he
was making for the Duchess of York. The sixth panel was occupied by
Byron and Napoleon, placed opposite each other; the former, surrounded
with flowers, had a wasp in his throat (Jesse's <i>Life</i>, vol. i. p.
361). At Calais Brummell bought a French grammar to study the language.
When Scrope Davies was asked, says Byron (<i>Detached Thoughts</i>),

 <blockquote> "what progress Brummell had made in French, he responded 'that
  Brummell had been stopped, like Buonaparte in Russia, by the
  <i>Elements</i>.' I have put this pun into <i>Beppo</i>, which is 'a
  fair exchange and no robbery;' for Scrope made his fortune at several
  dinners (as he owned himself) by repeating occasionally as his own
  some of the buffooneries with which I had encountered him in the
  morning."</blockquote>

Brummell died, in 1840, at Caen, after making acquaintance with the
inside of the debtor's prison in that town&mdash;imbecile, and in the asylum
of the <i>Bon Sauveur</i>. He is buried in the Protestant cemetery of
Caen. France has raised a more lasting monument to his fame in Barbey
d'Aurevilly's <i>Du Dandysme et de Georges Brummell</i> (1845).<br>
<a href="#fre71">return</a><br>
<br>
<br>
<a name="fe73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Henry James Pye (1745-1813) was, from 1790 to his death,
poet laureate, in which post he succeeded Thomas Warton, and was
followed by Southey. Mathias, in the <i>Pursuits of Literature</i>
(Dialogue ii. lines 69, 70), says:

  <blockquote>"With Spartan Pye lull England to repose,<br>
  Or frighten children with Lenora's woes;"</blockquote>

and again (<i>ibid</i>., lines 79, 80):

  <blockquote>"Why should I faint when all with patience hear,<br>
  And laureat Pye sings more than twice a year?"</blockquote>

His birthday odes were so full of "vocal groves and feathered choirs,"
that George Steevens broke out with the lines:

  <blockquote>"When the <i>pie</i> was opened," etc.</blockquote>

Pye's <i>magnum opus</i> was <i>Alfred</i> (1801), an epic poem in six
books.<br>
<a href="#fre73">return</a><br>
<br>
<br>
<a name="fe74"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;David Mallet, or Malloch (1705-1765), is best known for his
ballad of <i>William and Margaret</i>, his unsubstantiated claim to the
authorship of <i>Rule, Britannia</i>, and his edition of Bolingbroke's
works. He was appointed, in 1742, under-secretary to Frederick, Prince
of Wales.<br>
<a href="#fre73">return</a><br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L240"></a>240&mdash;to Professor Clarke<a href="#fe81"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
St. James's Street, June 26, 1812.<br>
<br>
Will you accept my very sincere congratulations on your second volume,
wherein I have retraced some of my old paths, adorned by you so
beautifully, that they afford me double delight? The part which pleases
me best, after all, is the preface, because it tells me you have not yet
closed labours, to yourself not unprofitable, nor without gratification,
for what is so pleasing as to give pleasure? I <a name="fre82">have</a> sent my copy to Sir
Sidney Smith, who will derive much gratification from your anecdotes of
Djezzar<a href="#fe82"><sup>2</sup></a>, his "energetic old man." I doat upon the Druses; but who
the deuce are they with their Pantheism? I shall never be easy till I
ask <i>them</i> the question. How much you have traversed! I must resume
my seven leagued boots and journey to Palestine, which your description
mortifies me not to have seen more than ever. I still sigh for the
Ægean. Shall not you always love its bluest of all waves, and brightest
of all skies? You have awakened all the gipsy in me. I long to be
restless again, and wandering; see what mischief you do, you won't allow
gentlemen to settle quietly at home. I will not wish you success and
fame, for you have both, but all the happiness which even these cannot
always give.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Edward Daniel Clarke (1769-1822), appointed Professor of
Mineralogy at Cambridge, in 1808, was the rival whose travels Hobhouse
was anxious to anticipate. He is described by Miss Edgeworth, in 1813
(<i>Letters</i>, vol. i. p. 205), as <blockquote>"a little, square, pale,
flat-faced, good-natured-looking, fussy man, with very intelligent eyes,
yet great credulity of countenance, and still greater benevolence."</blockquote>
Byron met Clarke at Cambridge in November, 1811, discussed Greece with
him, and was relieved to find that he knew "no Romaic." Clarke was an
indefatigable traveller, and, as he was a botanist, mineralogist,
antiquary, and numismatist, he made good use of his opportunities. The
marbles, including the Eleusinian Ceres, which he brought home, are in
the Fitzwilliam Museum. His mineralogical collections were purchased,
after his death, by the University of Cambridge; and his coins by Payne
Knight. His <i>Travels in Various Countries of Europe, Asia, and
Africa</i> appeared at intervals, from 1810 to 1823, in six quarto
volumes. The following letter was written by Clarke to Byron, after the
appearance of <i>Childe Harold</i>:

 <blockquote> "Trumpington, Wednesday morning.<br>
<br>
  <b>Dear Lord Byron</b>,&mdash;From the eagerness which I felt to make known my
  opinions of your poem before others had expressed <i>any</i> upon the
  subject, I waited upon you to deliver my hasty, although hearty,
  commendation. If it be worthy your acceptance, take it once more, in a
  more deliberate form! Upon my arrival in town I found that Mathias
  entirely coincided with me. 'Surely,' said I to him, 'Lord Byron, at
  this time of life, cannot have experienced such keen anguish as those
  exquisite allusions to what older men <i>may</i> have felt seem to
  denote!' This was his answer: '<i>I fear he has&mdash;he could not else
  have written such a poem</i>.' This morning I read the second canto with
  all the attention it so highly merits, in the peace and stillness of
  my study; and I am ready to confess I was never so much affected by
  any poem, passionately fond of poetry as I have been from my earliest
  youth....<br>
<br>
  "The eighth stanza, '<i>Yet if as holiest men</i>,' etc., has never
  been surpassed. In the twenty-third, the sentiment is at variance with
  Dryden:

  <blockquote> 'Strange cozenage! <i>none</i> would live past years again.'</blockquote>

And it is perhaps an instance wherein, for the first time, I found not
within my own breast an echo to your thought, for I would not '<i>be
once more a boy</i>;' but the generality of men will agree with you, and
wish to tread life's path again.<br>
<br>
In the twelfth stanza of the same canto, you might really add a very
curious note to these lines:

 <blockquote> 'Her sons too weak the sacred shrine to guard,<br>
  Yet felt some portion of their mother's pains,'</blockquote>

by stating this fact: When the last of the Metopes was taken from the
Parthenon, and, in moving it, a great part of the superstructure with
one of the triglyphs, was thrown down by the work men whom Lord Elgin
employed, the Disdar, who beheld the mischief done to the building, took
his pipe out of his mouth, dropped a tear, and, in a supplicating tone
of voice, said to Lusieri&mdash;<img src="images/BG8.gif" width="73" height="30" border="1" alt="Greek: Télos!"> I was present at the time.<br>
<br>
Once more I thank you for the gratification you have afforded me.<br>
<br>
Believe me, ever yours most truly, <br>
<b>E. D. Clarke</b>."</blockquote>
<a href="#L240">return to footnote mark</a><br>
<br>
<br>
<a name="fe82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; In Clarke's <i>Travels</i> (Part II. sect. i. chap, xii.,
"Greece, Egypt, and the Holy Land") will be found an account of Djezzar
Pasha, who fortified Acre in 1775, and with Sir Sidney Smith, defended
it against Buonaparte, March 16 to May 20, 1799. Clarke (<i>ibid</i>.)
mentions the Druses detained by Djezzar as hostages.<br>
<a href="#fre82">return</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L241"></a>241&mdash;To Walter Scott<a href="#fe91"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
St. James's Street, July 6, 1812.<br><br>

<br>
<b>Sir</b>,&mdash;I have just been honoured with your letter.&mdash;I feel sorry that you
should have thought it worth while to notice the "evil works of my
nonage," as the thing is suppressed <i>voluntarily</i>, and your
explanation is too kind not to give me pain. The Satire was written when
I was very young and very angry, and fully bent on displaying my wrath
and my wit, and now I am haunted by the ghosts of my wholesale
assertions. I cannot sufficiently thank you for your praise; and now,
waving myself, let me talk to you of the Prince Regent. He ordered me to
be presented to him at a ball; and after some sayings peculiarly
pleasing from royal lips, as to my own attempts, he talked to me of you
and your immortalities: he preferred you to every bard past and present,
and asked which of your works pleased me most. It was a difficult
question. I answered, I thought the <i>Lay</i>. He said his own opinion
was nearly similar. In speaking of the others, I told him that I thought
you more particularly the poet of <i>Princes</i>, as <i>they</i> never
appeared more fascinating than in <i>Marmion</i> and the <i>Lady of the
Lake</i>. He was pleased to coincide, and to dwell on the description of
your Jameses as no less royal than poetical. He spoke alternately of
Homer and yourself, and seemed well acquainted with both; so <a name="fre92">that</a> (with
the exception of the Turks<a href="#fe92"><sup>2</sup></a> and your humble servant) you were in very
good company. I defy Murray to have exaggerated his Royal Highness's
opinion of your powers, nor can I pretend to enumerate all he said on
the subject; but it may give you pleasure to hear that it was conveyed
in language which would only suffer by my attempting to transcribe it,
<a name="fre93">and</a> with a tone and taste which gave me a very high idea of his
abilities and accomplishments, which I had hitherto considered as
confined to <i>manners</i>, certainly superior to those of any living
<i>gentleman</i><a href="#fe93"><sup>3</sup></a>.<br>
<br>
This interview was accidental. I never went to the levée; for having
seen the courts of Mussulman and Catholic sovereigns, my curiosity was
sufficiently allayed; and my politics being as perverse as my rhymes, I
had, in fact, "no business there." To be thus praised by your Sovereign
must be gratifying to you; and if that gratification is not alloyed by
the communication being made through me, the bearer of it will consider
himself very fortunately and sincerely,<br>
<br>
Your obliged and obedient servant,<br>
<br>
<b>Byron</b>.<br>
<br>
P.S.&mdash;Excuse this scrawl, scratched in a great hurry, and just after a
journey.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fe91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The correspondence which begins with this letter laid the
foundation of a firm friendship between the two poets. Scott was
naturally annoyed by the attack upon him in <i>English Bards, etc</i>.
(lines 171-174), made by "a young whelp of a Lord Byron." Though
<i>Childe Harold</i> seemed to him "a clever poem," it did not raise his
opinion of Byron's character. Murray, hoping to heal the breach between
them, wrote to Scott, June 27, 1812 (<i>Memoir of John Murray</i>, vol.
i. p. 213), giving Byron's account of the conversation with the Prince
Regent.

 <blockquote> "But the Prince's great delight," says Murray, "was Walter Scott,
  whose name and writings he dwelt upon and recurred to incessantly. He
  preferred him far beyond any other poet of the time, repeated several
  passages with fervour, and criticized them faithfully.... Lord Byron
  called upon me, merely to let off the raptures of the Prince
  respecting you, thinking, as he said, that if I were likely to have
  occasion to write to you, it might not be ungrateful for you to hear
  of his praises."</blockquote>

Scott's answer (July 2) enclosed the following letter from himself to
Byron:

  <blockquote>"Edinburgh, July 3d, 1812.<br>
<br>
  "<b>My Lord</b>,&mdash;I am uncertain if I ought to profit by the apology which is
  afforded me, by a very obliging communication from our acquaintance,
  John Murray, of Fleet Street, to give your Lordship the present
  trouble. But my intrusion concerns a large debt of gratitude due to
  your Lordship, and a much less important one of explanation, which I
  think I owe to myself, as I dislike standing low in the opinion of any
  person whose talents rank so highly in my own, as your Lordship's most
  deservedly do.<br>
<br>
  "The first <i>count</i>, as our technical language expresses it,
  relates to the high pleasure I have received from the <i>Pilgrimage of
  Childe Harold</i>, and from its precursors; the former, with all its
  classical associations, some of which are lost on so poor a scholar as
  I am, possesses the additional charm of vivid and animated
  description, mingled with original sentiment; but besides this debt,
  which I owe your Lordship in common with the rest of the reading
  public, I have to acknowledge my particular thanks for your having
  distinguished by praise, in the work which your Lordship rather
  dedicated in general to satire, some of my own literary attempts. And
  this leads me to put your Lordship right in the circumstances
  respecting the sale of <i>Marmion</i>, which had reached you in a
  distorted and misrepresented form, and which, perhaps, I have some
  reason to complain, were given to the public without more particular
  inquiry. The poem, my Lord, was <i>not</i> written upon contract for a
  sum of money&mdash;though it is too true that it was sold and published in
  a very unfinished state (which I have since regretted), to enable me
  to extricate myself from some engagements which fell suddenly upon me
  by the unexpected misfortunes of a very near relation. So that, to
  quote statute and precedent, I really come under the case cited by
  Juvenal, though not quite in the extremity of the classic author:

   <blockquote> 'Esurit, intactam Paridi nisi vendit Agaven.'</blockquote>

  And so much for a mistake, into which your Lordship might easily fall,
  especially as I generally find it the easiest way of stopping
  sentimental compliments on the beauty, etc., of certain poetry, and
  the delights which the author must have taken in the composition, by
  assigning the readiest reason that will cut the discourse short, upon
  a subject where one must appear either conceited or affectedly rude
  and cynical.<br>
<br>
  "As for my attachment to literature, I sacrificed for the pleasure of
  pursuing it very fair chances of opulence and professional honours, at
  a time of life when I fully knew their value; and I am not ashamed to
  say, that in deriving advantages in compensation from the partial
  favour of the public, I have added some comforts and elegancies to a
  bare independence. I am sure your Lordship's good sense will easily
  put this unimportant egotism to the right account, for&mdash;though I do
  not know the motive would make me enter into controversy with a fair
  or an <i>unfair</i> literary critic&mdash;I may be well excused for a wish
  to clear my personal character from any tinge of mercenary or sordid
  feeling in the eyes of a contemporary of genius. Your Lordship will
  likewise permit me to add that you would have escaped the trouble of
  this explanation, had I not understood that the satire alluded to had
  been suppressed, not to be reprinted. For in removing a prejudice on
  your Lordship's own mind, I had no intention of making any appeal by
  or through you to the public, since my own habits of life have
  rendered my defence as to avarice or rapacity rather too easy.<br>
<br>
  "Leaving this foolish matter where it lies, I have to request your
  Lordship's acceptance of my best thanks for the flattering
  communication which you took the trouble to make Mr. Murray on my
  behalf, and which could not fail to give me the gratification which I
  am sure you intended. I dare say our worthy bibliopolist overcoloured
  his report of your Lordship's conversation with the Prince Regent, but
  I owe my thanks to him nevertheless, for the excuse he has given me
  for intruding these pages on your Lordship. Wishing you health,
  spirit, and perseverance, to continue your pilgrimage through the
  interesting countries which you have still to pass with <i>Childe
  Harold</i>, I have the honour to be, my Lord,<br>
<br>
  "Your Lordship's obedient servant,<br>
<br>
  "<b>Walter Scott</b>.<br>
<br>
  "P.S.&mdash;Will your Lordship permit me a verbal criticism on <i>Childe
  Harold</i>, were it only to show I have read his Pilgrimage with
  attention? <i>Nuestra Dama de la Pena</i> means, I suspect, not our
  Lady of Crime or Punishment, but our Lady of the Cliff; the difference
  is, I believe, merely in the accentuation of <i>peña</i>."</blockquote>

To Scott Byron replied with the letter given in the text. Scott's
answer, which followed in due course, will be found in <a href="#app5">Appendix V</a>.<br>
<br>
The Prince Regent, it may be added, showed his appreciation of Scott's
poetry by offering him, on the death of Pye, the post of poet laureate.
Scott refused, on the ground, apparently, that the office had been made
ridiculous by the previous holder.

  <blockquote>"At the time when Scott and Byron were the two <i>lions</i> of London,
  Hookham Frere observed, 'Great poets formerly (Homer and Milton) were
  blind; now they are lame'" </blockquote>

(<i>Table-Talk of Samuel Rogers</i>, P. 194).<br>
<a href="#L241">return to footnote mark</a><br>
<br>
<br>
<a name="fe92"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The Turkish ambassador and suite were at the ball.<br>
<a href="#fre92">return</a><br>
<br>
<br>
<a name="fe93"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Byron had already written his "Stanzas to a Lady Weeping,"
suggested by the rumour that Princess Charlotte had burst into tears, on
being told that there would be no change of Ministry when the Prince of
Wales assumed the Regency. They appeared anonymously in the <i>Morning
Chronicle</i> for March 7, 1812, under the title of a "Sympathetic
<i>Address</i> to a Young Lady." They were published, as Byron's work,
with <i>The Corsair</i>, in February, 1814. The verses rather betray the
influence of Moore than express his own feelings at the time. In <i>Don
Juan</i> (Canto XII. stanza lxxxiv.) he thus speaks of the Regent&mdash;

 <blockquote> "There, too, he saw (whate'er he may be now)<br>
    A Prince, the prince of princes at the time,<br>
  With fascination in his very bow,<br>
    And full of promise, as the spring of prime.<br>
  Though royalty was written on his brow,<br>
    He had <i>then</i> the grace, too, rare in every clime,<br>
  Of being, without alloy of fop or beau,<br>
  A finish'd gentleman from top to toe."</blockquote>

Dallas found him, shortly after his introduction to the prince, "in a
full-dress court suit of clothes, with his fine black hair in powder,"
prepared to attend a levee. But the levee was put off, and the
subsequent avowal of the authorship of the stanzas rendered it
impossible for him to go (<i>Recollections</i>, p. 234).<br>
<a href="#fre93">return</a><br>
<a href="#fw41">cross-reference: return to Footnote 1 of Journal entry for February 18th, 1814</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L242">242&mdash;to Lady Caroline Lamb</a></h3>
<br>
[August, 1812?]<br><br>

<br>
<b><a name="frg1">My</a> Dearest Caroline</b><a href="#fg1"><sup>1</sup></a>,&mdash;If tears which you saw and know I am not apt
to shed,&mdash;if the agitation in which I parted from you,&mdash;agitation which
you must have perceived through the <i>whole</i> of this most
<i>nervous</i> affair, did not commence until the moment of leaving you
approached,&mdash;if all I have said and done, and am still but too ready to
say and do, have not sufficiently proved what my real feelings are, and
must ever be towards you, my love, I have no other proof to offer. God
knows, I wish you happy, and when I quit you, or rather you, from a
sense of duty to your husband and mother, quit me, you shall acknowledge
the truth of what I again promise and vow, that no other in word or
deed, shall ever hold the place in my affections, which is, and shall
be, most sacred to you, till I am nothing. I never knew till <i>that
moment</i> the <i>madness</i> of my dearest and most beloved friend; I
cannot express myself; this is no time for words, but I shall have a
pride, a melancholy pleasure, in suffering what you yourself can
scarcely conceive, for you do not know me. I am about to go out with a
heavy heart, because my appearing this evening will stop any absurd
story which the event of the day might give rise to. Do you think
<i>now</i> I am <i>cold</i> and <i>stern</i> and <i>artful</i>? Will
even <i>others</i> think so? Will your <i>mother</i> ever&mdash;that mother
to whom we must indeed sacrifice much, more, much more on my part than
she shall ever know or can imagine? "Promise not to love you!" ah,
Caroline, it is past promising. But I shall attribute all concessions to
the proper motive, and never cease to feel all that you have already
witnessed, and more than can ever be known but to my own heart,&mdash;perhaps
to yours. May God protect, forgive, and bless you. Ever, and even more
than ever,<br>
<br>
Your most attached,<br>
<br>
<b>Byron</b>.<br>
<br>
P. S.&mdash;These taunts which have driven you to this, my dearest Caroline,
were it not for your mother and the kindness of your connections, is
there anything on earth or heaven that would have made me so happy as to
have made you mine long ago? and not less <i>now</i> than <i>then</i>,
but <i>more</i> than ever at this time. You know I would with pleasure
give up all here and all beyond the grave for you, and in refraining
from this, must my motives be misunderstood? I care not who knows this,
what use is made of it,&mdash;it is to <i>you</i> and to <i>you</i> only that
they are <i>yourself (sic)</i>. I was and am yours freely and most
entirely, to obey, to honour, love,&mdash;and fly with you when, where, and
how you yourself <i>might</i> and <i>may</i> determine.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Lady Caroline's infatuation for Byron, expressed in various
ways&mdash;once (in July, 1813) by a self-inflicted stab with a table-knife,
or a broken glass&mdash;became the talk of society.

 <blockquote> "Your little friend, Caro William," writes the Duchess of Devonshire,
  May 4, 1812, "as usual, is doing all sorts of imprudent things for him
  and with him." </blockquote>

Again she writes, six days later, of Byron:

  <blockquote>"The ladies, I hear, spoil him, and the gentlemen are jealous of him.
  He is going back to Naxos, and then the husbands may sleep in peace. I
  should not be surprised if Caro William were to go with him, she is so
  wild and imprudent" </blockquote>

(The <i>Two Duchesses</i>, pp. 362, 364). But Lady Caroline's
extravagant adoration wearied Byron, who felt that it made him
ridiculous; Lady Melbourne gave him sound advice about her
daughter-in-law; and he was growing attached to Miss Milbanke, and, when
rejected by her, at first to Lady Oxford, and later to Lady Frances
Wedderburn Webster. When Lady Bessborough endeavoured to persuade her
daughter to leave London for Ireland, Lady Caroline is said to have
forced herself into Byron's room, and implored him to fly with her.
Byron refused, conducted her back to Melbourne House, wrote her the
letter printed above, and, as she herself admits, kept the secret. In
December, 1812, Lady Caroline burned Byron in effigy, with "his book,
ring, and chain," at Brocket Hall. The lines which she wrote for the
ceremony are preserved in Mrs. Leigh's handwriting, and given in
<a href="#app3b">Appendix III, 2</a>.<br>
<br>
From Ireland Lady Caroline continued the siege, threatening to follow
him into Herefordshire, demanding interviews, and writing about him to
Lady Oxford. At length Byron sent her the letter, probably in November,
1812, which she professes to publish in <i>Glenarvon</i> (vol. iii.
chap. ix.). The words are acknowledged by Byron to have formed part at
least of the real document, which is here quoted as printed in the
novel:

 <blockquote> "Mortanville Priory, November the 9th.<br>
<br>
  "<b>Lady Avondale</b>,&mdash;I am no longer your lover; and since you oblige me to
  confess it, by this truly unfeminine persecution, ... learn, that I am
  attached to another; whose name it would, of course, be dishonourable
  to mention. I shall ever remember with gratitude the many instances I
  have received of the predilection you have shown in my favour. I shall
  ever continue your friend, if your ladyship will permit me so to style
  myself; and, as a first proof of my regard, I offer you this advice,
  correct your vanity, which is ridiculous; exert your absurd caprices
  upon others; and leave me in peace.<br>
<br>
  "Your most obedient servant,<br>
<br>
  "<b>Glenarvon</b>."</blockquote>

The first effect of this letter and her unrequited passion was, as she
told Lady Morgan, to deprive her temporarily of reason, and it may be
added that, when she was a child, her grandmother was so alarmed by her
eccentricities as to consult a doctor on the state of her mind. The
second effect was to render her temper so ungovernable that William Lamb
decided on a separation. All preliminaries were arranged; the solicitor
arrived with the documents; but the old charm reasserted itself, and she
was found seated by her husband, "feeding him with tiny scraps of
transparent bread and butter" (Torrens, <i>Memoirs of Lord
Melbourne</i>, vol. i. p. 112). The separation did not take place till
1825.<br>
<br>
Throughout 1812-14 Lady Caroline continued to write to Byron, at first
asking for interviews. Two of her last letters to him, written
apparently on the eve of his leaving England, in 1816, are worth
printing, though they increase the mystery of <i>Glenarvon</i>. (See
Appendix III., <a href="#app3d">4</a> and <a href="#app3e">5</a>.)<br>
<br>
In Isaac Nathan's <i>Fugitive Pieces</i> (1829), a section is devoted to
"Poetical Effusions, Letters, Anecdotes, and Recollections of Lady
Caroline Lamb."<br>
<br>
Lady Caroline wrote three novels: <i>Glenarvon</i> (1816); <i>Graham
Hamilton</i> (1822); and <i>Ada Reis; a Tale</i> (1823).
<i>Glenarvon</i>, apart from its biographical interest, is unreadable.

 <blockquote> "I do not know," writes C. Lemon to Lady H. Frampton (<i>Journal of
  Mary Frampton</i>, pp. 286, 287), "all the characters in
  <i>Glenarvon</i>, but I will tell you all I do know. I am not
  surprised at your being struck with a few detached passages; but
  before you have read one volume, I think you will doubt at which end
  of the book you began. There is no connection between any two ideas in
  the book, and it seems to me to have been written as the sages of
  Laputa composed their works. 'Glenarvon' is Lord Byron; 'Lady
  Augusta,' the late Duchess of Devonshire; 'Lady Mandeville'&mdash;I think
  it is Lady Mandeville, but the lady who dictated Glearvon's farewell
  letter to Calantha&mdash;is Lady Oxford. This letter she really dictated to
  Lord Byron to send to Lady Caroline Lamb, and is now very much
  offended that she has treated the matter so lightly as to introduce it
  into her book. The best character in it is the 'Princess of
  Madagascar' (Lady Holland), with all her Reviewers about her. The
  young Duke of Devonshire is in the book, but I forget under what name.
  I need not say that the heroine is Lady Caroline's own self."</blockquote>

In July, 1824, she was out riding, when she accidentally met Byron's
funeral on its way to Newstead. "I am sure," she wrote to Murray, July
13, 1824, "I am very sorry I ever said one unkind word against him." Her
mind never recovered the shock, and she died in January, 1828, in the
presence of her husband, at Melbourne House. (See also <a href="#app3f">Appendix III., 6</a>.)<br>
<a href="#frg1">return to footnote mark</a><br>
<a href="#CR2">cross-reference: return to Footnote 1 of Letter 231</a><br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L243">243&mdash;to John Murray</a></h3>
<br>
High Street, Cheltenham, Sept. 5, 1812.<br>
<br><br>

<b>Dear Sir</b>,&mdash;Pray have the goodness to send those despatches, and a No. of
the <i>E.R.</i> with the rest. I hope you have written to Mr. Thompson,
thanked him in my name for his present, and told him that I shall be
truly happy to comply with his request.&mdash;How do you go on? and when is
the graven image, "with <i>bays and wicked rhyme upon't</i>," to grace,
or disgrace, some of our tardy editions?<br>
<br>
<a name="frg11">Send</a> me "<i>Rokeby</i>"<a href="#fg11"><sup>1</sup></a> who the deuce is he?&mdash;no matter, he has good
connections, and will be well introduced. I thank you for your
inquiries: I am so so, but my thermometer is sadly below the poetical
point. <a name="frg12">What</a> will you give <i>me</i> or <i>mine</i> for a poem<a href="#fg12"><sup>2</sup></a> of six
cantos, (<i>when complete&mdash;no</i> rhyme, <i>no</i> recompense,) as like
the last two as I can make them? I have some ideas which one day may be
embodied, and till winter I shall have much leisure.<br>
<br>
Believe me, yours very sincerely,<br>
<br>
<b>Byron</b>.<br>
<br>
P. S.&mdash;My <a name="frg13">last</a> question is in the true style of Grub Street; but, like
<i>Jeremy Diddler</i><a href="#fg13"><sup>3</sup></a>, I only "ask for information."&mdash;Send me Adair
on <i>Diet and Regimen</i>, just republished by Ridgway<a href="#fg14"><sup>4</sup></a>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Rokeby</i>, completed December 31, 1812, was published
in the following year, with a dedication to John Morritt, to whom Rokeby
belonged. It was, as Scott admits in the Preface to the edition of 1830,
comparatively a failure. In the popularity of Byron he finds the chief
cause of the small success which his poem obtained.

 <blockquote> "To have kept his ground at the crisis when <i>Rokeby</i> appeared,"
  he writes, "its author ought to have put forth his utmost strength,
  and to have possessed all his original advantages, for a mighty and
  unexpected rival was advancing on the stage&mdash;a rival not in poetical
  powers only, but in that art of attracting popularity, in which the
  present writer had hitherto preceded better men than himself. The
  reader will easily see that Byron is here meant, who, after a little
  velitation of no great promise, now appeared as a serious candidate,
  in the first two cantos of <i>Childe Harold</i>."</blockquote>

On this rivalry Byron wrote the passage in his Diary for November 17,
1813. A further cause for the cold reception of <i>Rokeby</i> was its
inferiority both to the <i>Lay</i> and to <i>Marmion</i>. In Letter vii.
of the <i>Twopenny Post-bag</i>, Moore writes thus of <i>Rokeby</i>

 <blockquote> "Should you feel any touch of <i>poetical</i> glow,<br>
  We've a Scheme to suggest&mdash;Mr. Sc&mdash;tt, you must know,<br>
  (Who, we're sorry to say it, now works for the <i>Row</i>)<br>
  Having quitted the Borders, to seek new renown,<br>
  Is coming by long Quarto stages, to Town;<br>
  And beginning with Rokeby (the job's sure to pay)<br>
  Means to <i>do</i> all the Gentlemen's Seats on the way.<br>
  Now the Scheme is (though none of our hackneys can beat him)<br>
  To start a fresh Poet through Highgate to <i>meet</i> him;<br>
  Who, by means of quick proofs&mdash;no revises&mdash;long coaches&mdash;<br>
  May do a few Villas before Sc&mdash;tt approaches&mdash;<br>
  Indeed, if our Pegasus be not curst shabby,<br>
  He'll reach, without found'ring, at least Woburn Abbey."</blockquote>
<a href="#frg11">return to footnote mark</a><br>
<br>
<br>
<a name="fg12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>The Giaour</i>, published in 1813, for which Murray
paid, not Byron, but Dallas, 500 guineas.<br>
<a href="#frg12">return</a><br>
<br>
<br>
<a name="fg13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Kenney's <i>Raising the Wind</i>, act i. sc. 1:<br>
<br>
<table summary="Raising the Wind excerpt" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><i>Diddler</i></td>
	<td>O Sam, you haven't got such a thing as tenpence about
  you, have you?</td>
</tr>
<tr align="left" valign="top">
	<td><i>Sam</i></td>
	<td>Yes. <i>And I mean to keep it about me, you see</i>.</td>
</tr>
<tr align="left" valign="top">
	<td><i>Diddler</i></td>
	<td>Oh, aye, certainly. I only asked for information.</td>
</tr>
</table><br>
<br>
<a href="#frg13">return</a><br>
<br>
<br>
<a name="fg14"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;James MacKittrick (1728-1802), who assumed the name of
Adair, published, in 1804, <i>An Essay on Diet and Regimen, as
indispensable to the Recovery and Preservation of Firm Health,
especially to Indolent, Studious, Delicate and Invalid; with appropriate
cases</i>.<br>
<a href="#frg13">return</a>
<br>
<br>
<p><a href="#lp5">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L244">244&mdash;to Lord Holland</a></h3>
<br>
Cheltenham, September 10, 1812.<br>
<br><br>

My Dear Lord,&mdash;<a name="frg21">The</a> lines which I sketched off on your hint are still, or
rather <i>were</i>, in an unfinished state, for I have just committed
them to a flame more decisive than that of Drury<a href="#fg21"><sup>1</sup></a>.<br>
<br>
Under all circumstances, I should hardly wish a contest with
Philodrama&mdash;Philo-Drury&mdash;Asbestos, H&mdash;&mdash;, and all the anonymes and
synonymes of Committee candidates. Seriously, I think you have a chance
of something much better; for prologuising is not my forte, and, at all
events, <a name="frg22">either</a> my pride or my modesty won't let me incur the hazard of
having my rhymes buried in next month's Magazine, under "Essays on the
Murder of Mr. Perceval." and "Cures for the Bite of a Mad Dog," as poor
Goldsmith complained of the fate of far superior performances<a href="#fg22"><sup>2</sup></a>.<br>
<br>
I am still sufficiently interested to wish to know the successful
candidate; and, amongst so many, I have no doubt some will be excellent,
particularly in an age when writing verse is the easiest of all
attainments.<br>
<br>
I cannot answer your intelligence with the "like comfort," <a name="frg23">unless</a>, as
you are deeply theatrical, you may wish to hear of Mr. Betty<a href="#fg23"><sup>3</sup></a>, whose
acting is, I fear, utterly inadequate to the London engagement into
which the managers of Covent Garden have lately entered. <a name="frg24">His</a> figure is
fat, his features flat, his voice unmanageable, his action ungraceful,
and, as Diggory<a href="#fg24"><sup>4</sup></a>  says, "I defy him to extort that damned muffin face
of his into madness." I was very sorry to see him in the character of
the "Elephant on the slack rope;" for, when I last saw him, I was in
raptures with his performance. But then I was sixteen&mdash;an age to which
all London condescended to subside. After all, much better judges have
admired, and may again; but I venture to "prognosticate a prophecy" (see
the <i>Courier</i>) that he will not succeed.<br>
<br>
<a name="frg25">So</a>, poor dear Rogers has stuck fast on "the brow of the mighty
Helvellyn"<a href="#fg25"><sup>5</sup></a> I hope not for ever. My best respects to Lady H.:&mdash;her
departure, with that of my other friends, was a sad event for me, now
reduced to a state of the most cynical solitude.

  <blockquote>"By the waters of Cheltenham I sat down and <i>drank</i>, when I
  remembered thee, oh Georgiana Cottage! As for our <i>harps</i>, we
  hanged them up upon the willows that grew thereby. Then they said,
  Sing us a song of Drury Lane," etc.;</blockquote>

&mdash;but I am dumb and dreary as the Israelites. The waters have disordered
me to my heart's content&mdash;you <i>were</i> right, as you always are.<br>
<br>
Believe me, ever your obliged and affectionate servant,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Drury Lane Theatre was reopened, after the fire of February
24, 1809, on Saturday, October 10, 1812. In the previous August the
following advertisement was issued:

 <blockquote> "<i>Rebuilding of Drury-Lane Theatre.</i><br>
<br>
  "The Committee are desirous of promoting a fair and free competition
  for an Address, to be spoken upon the opening of the Theatre, which
  will take place on the 10th of October next: They have therefore
  thought fit to announce to the Public, that they will be glad to
  receive any such Compositions, addressed to their Secretary at the
  Treasury Office in Drury Lane, on or before the 10th of September,
  sealed up, with a distinguishing word, number, or motto, on the cover,
  corresponding with the inscription, on a separate sealed paper,
  containing the name of the Author, which will not be opened, unless
  containing the name of the successful Candidate.
  Theatre Royal, Drury-Lane,
  August 13, 1812.<br>
<br>
  Owing to an accidental delay in the publication of the above
  Advertisement, the Committee have thought proper to extend the time
  for receiving Addresses, from the last day of August to the 10th of
  September."</blockquote>

Byron, on the suggestion of Lord Holland, intended to send in an
<i>Address</i> in competition with other similar productions. He
afterwards changed his mind, and refused to compete. After all the
<i>Addresses</i> had been received and rejected, the Committee applied
to him to write an <i>Address</i>. This he consented to do.<br>
<a href="#frg21">return to footnote mark</a><br>
<br>
<br>
<a name="fg22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"The public were more importantly employed, than to observe the easy
  simplicity of my style, or the harmony of my periods. Sheet after
  sheet was thrown off to oblivion. My essays were buried among the
  essays upon liberty, Eastern tales, and cures for the bite of a mad
  dog."</blockquote>

<i>Vicar of Wakefield</i>, chap. xx.<br>
<a href="#frg22">return</a><br>
<br>
<br>
<a name="fg23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; See <i>Letters</i>, vol. i. p. 63, <i>note</i> 2 [Footnote 2 of Letter 24].<br>
<a href="#frg23">return</a><br>
<br>
<br>
<a name="fg24"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; "Diggory," one of Liston's parts, a character in Jackman's
<i>All the World's a Stage</i>, asks (act i. sc. 2), "But how can you
extort that damned pudding-face of yours to madness?"<br>
<a href="#frg24">return</a><br>
<br>
<br>
<a name="fg25"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; Rogers had gone for a tour in the North. Byron alludes to
Scott's poem <i>Helvellyn</i>:

 <blockquote> "I climb'd the dark brow of the mighty Helvellyn," etc., etc.</blockquote>

The poem was occasioned, as Scott's note states, by the death of "a
young gentleman of talents, and of a most amiable disposition," who was
killed on the mountain in 1805.<br>
<a href="#frg25">return</a>
<br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L245">245&mdash;to John Murray</a></h3>
<br>
Cheltenham, Sept. 14, 1812.<br>
<br><br>

<b>Dear Sir</b>,&mdash;The parcels contained some letters and verses, all (but one)
anonymous and complimentary, and very anxious for my conversion from
certain infidelities into which my good-natured correspondents conceive
me to have fallen. <a name="frg31">The</a> books were presents of a <i>convertible</i> kind
also,&mdash;<i>Christian Knowledge</i> and the <i>Bioscope</i><a href="#fg31"><sup>1</sup></a>, a
religious Dial of Life explained:&mdash;to the author of the former (Cadell,
publisher,) I beg you will forward my best thanks for his letter, his
present, and, above all, his good intentions. The <i>Bioscope</i>
contained an MS. copy of very excellent verses, from whom I know not,
but evidently the composition of some one in the habit of writing, and
of writing well. I do not know if he be the author of the
<i>Bioscope</i> which accompanied them; but whoever he is, if you can
discover him, thank him from me most heartily. The other letters were
from ladies, who are welcome to convert me when they please; and if I
can discover them, and they be young, as they say they are, I could
convince them perhaps of my devotion. I had also a letter from Mr.
Walpole on matters of this world, which I have answered.<br>
<br>
<a name="frg32">So</a> you are Lucien's publisher<a href="#fg32"><sup>2</sup></a>! I am promised an interview with him,
and think I shall ask <i>you</i> for a letter of introduction, as "the
gods have made him poetical." From whom could it come with a better
grace than from <i>his</i> publisher and mine? Is it not somewhat
treasonable in you to have to do with a relative of the "direful foe,"
as the <i>Morning Post</i> calls his brother?<br>
<br>
But my book on <i>Diet and Regimen</i>, where is it? I thirst for
Scott's <i>Rokeby</i>; let me have y'e first-begotten copy. <a name="frg33">The</a>
<i>Anti-Jacobin Review</i><a href="#fg33"><sup>3</sup></a> is all very well, and not a bit worse
than the <i>Quarterly</i>, and at least less harmless. By the by, have
you secured my books? I want all the Reviews, at least the Critiques,
quarterly, monthly, etc., Portuguese and English, extracted, and bound
up in one volume for my <i>old age</i>; and pray, sort my Romaic books,
and get the volumes lent to Mr. Hobhouse&mdash;he has had them now a long
time. If any thing occurs, you will favour me with a line, and in winter
we shall be nearer neighbours.<br>
<br>
Yours very truly,<br>
<br>
<b>Byron</b>.<br>
<br>
P. S.&mdash;I was applied to to write the <i>Address</i> for Drury Lane, but
the moment I heard of the contest, I gave up the idea of contending
against all Grub Street, and threw a few thoughts on the subject into
the fire. I did this out of respect to you, being sure you would have
turned off any of your authors who had entered the lists with such
scurvy competitors; to triumph would have been no glory, and to have
been defeated&mdash;'sdeath!&mdash;I <a name="frg34">would</a> have choked myself, like Otway, with a
quartern loaf<a href="#fg34"><sup>4</sup></a>; so, remember I had, and have, nothing to do with it,
upon <i>my Honour!</i><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Granville Penn (1761-1844) was the author of numerous works
on religious subjects. <i>The Bioscope, or Dial of Life Explained</i>
appeared in 1812. The other work referred to by Byron is probably Penn's
<i>Christian's Survey of all the Primary Events and Periods of the
World</i> (1811), of which a second edition was published in 1812.<br>
<a href="#frg31">return to footnote mark</a><br>
<br>
<br>
<a name="fg32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Lucien Buonaparte (1775-1840), Prince of Canino, since 1810
a landed proprietor in Shropshire, wrote an epic poem, <i>Charlemagne,
ou l'Église délivrée</i>. It was translated (1815) by Dr. Butler of
Shrewsbury and Francis Hodgson.<br>
<a href="#frg32">return</a><br>
<br>
<br>
<a name="fg33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <i>The Anti-Jacobin Review</i> criticized <i>Childe
Harold</i> in August, 1812; the <i>Quarterly</i>, in March, 1812.<br>
<a href="#frg33">return</a><br>
<br>
<br>
<a name="fg34"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;Otway died April, 1685, at the age of thirty-three, from a
fever contracted by drinking water when heated by running after an
assassin (Spence's <i>Anecdotes</i>, p. 44). Theophilus Cibber (<i>Lives
of the Poets</i>, ed. 1753, vol. ii. pp. 333, 334) gives another account
of his death, viz. that he begged a shilling of a gentleman, and, being
given a guinea, bought a roll, with which he was choked.<br>
<a href="#frg34">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>


<h3><a name="L246">246&mdash;to Lord Holland</a></h3>
<br>
September 22, 1812.<br>
<br><br>

My Dear Lord,&mdash;In a day or two I will send you something which you will
still have the liberty to reject if you dislike it. I should like to
have had more time, but will do my best,&mdash;but too happy if I can oblige
<i>you</i>, though I may offend a hundred scribblers and the discerning
public.<br>
<br>
Ever yours.<br>
<br>
Keep <i>my name</i> a <i>secret</i>; or I shall be beset by all the
rejected, and, perhaps, damned by a party.<br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L247">247&mdash;to Lord Holland</a></h3>
<br>
Cheltenham, September 23, 1812.<br>
<br><br>

Ecco!&mdash;I have marked some passages with <i>double</i> readings&mdash;choose
between them&mdash;<i>cut&mdash;add&mdash;reject</i>&mdash;or <i>destroy</i>&mdash;do with them
as you will&mdash;I leave it to you and the Committee&mdash;you cannot say so
called "a <i>non committendo</i>." <a name="frg41">What</a> will <i>they</i> do (and I do)
with the hundred and one rejected Troubadours<a href="#fg41"><sup>1</sup></a>?<br>
<br>
"With trumpets, yea, and with shawms," will you be assailed in the most
diabolical doggerel. I wish my name not to transpire till the day is
decided. I shall not be in town, so it won't much matter; but let us
have a <i>good deliverer</i>. I <a name="frg42">think</a> Elliston<a href="#fg42"><sup>2</sup></a> should be the man, or
Pope<a href="#fg43"><sup>3</sup></a>; not Raymond<a href="#fg44"><sup>4</sup></a>, I implore you, by the love of Rhythmus!<br>
<br>
The passages marked thus = =, above and below, are for you to choose
between epithets, and such like poetical furniture. Pray write me a
line, and believe me<br>
<br>
Ever, etc.<br>
<br>
My best remembrances to Lady H. Will you be good enough to decide
between the various readings marked, and erase the other; or our
<i>deliverer</i> may be as puzzled as a commentator, and belike repeat
both. If these <i>versicles</i> won't do, I will hammer out some more
endecasyllables.<br>
<br>
P.S.&mdash;Tell Lady H. I have had sad work to keep out the Ph&oelig;nix&mdash;I mean
the Fire Office of that name. It has insured the theatre, and why not
the Address?<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The genuine rejected addresses were advertised for by B.
McMillan, of Bow Street, Covent Garden, and forty-two of them were
published by him in November, 1812, with the following title: <i>The
Genuine Rejected Addresses presented to the Committee of Management for
Drury Lane Theatre; preceded by that written by Lord Byron and adopted
by the Committee</i>.<br>
<br>
The youngest competitor was "Anna, a young lady in the fifteenth year of
her age."<br>
<br>
The actual number sent in was 112, and sixty-nine of the competitors
invoked the Ph&oelig;nix. Among the competitors were Peter Pindar, whose
<i>Address</i> was printed in 1813; Whitbread, the manager, who gave the
"poulterer's description" of the Ph&oelig;nix; and Horace Smith, who
published his <i>Address without a Ph&oelig;nix</i>, By S. T. P., in
<i>Rejected Addresses</i>.<br>
<a href="#frg41">return to footnote mark</a><br>
<br>
<br>
<a name="fg42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Robert William Elliston (1774-1831), according to Genest
(<i>English Stage</i>, vol. ix. p. 338), made his first appearance at
Bath in April, 1791, as "Tressel" in <i>Richard III</i>., and from 1796
to 1803 Bath remained his head-quarters. An excellent actor both in
tragedy and comedy, he became in 1803 a member of the Haymarket Company.
From 1804 to 1809, and again from 1812 to 1815, he acted at Drury Lane.
Byron's Prologue was spoken by him on October 10, 1812, at the reopening
of the new theatre. It was at Drury Lane in April, 1821, while he was
lessee (1819-26), that Byron's <i>Marino Faliero</i> was acted. His last
appearance was as "Sheva" in <i>The Jew</i>, at the Surrey Theatre, of
which (1826-31) he was lessee. In spite of his drunken habits, he won
the enthusiastic praise of Charles Lamb as the "joyousest of once
embodied spirits" (see <i>Essays of Elia</i>, "To the Shade of
Elliston" and "Ellistoniana").<br>
<a href="#frg42">return</a><br>
<br>
<br>
<a name="fg43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Alexander Pope (1763-1835), miniaturist, <i>gourmand</i>,
and actor, was for years the principal tragedian at Covent Garden.
Opinion was divided as to his merits as an actor. He owed much to his
voice, which had a "mellow richness ... superior to any other performer
on the stage." Genest, who quotes the above (vol. ix. p. 377), adds that
"in his better days he had more pathos about him than any other actor."
He made his first appearance in Cork as "Oroonoko," and subsequently
(January, 1785) at Covent Garden in the same part. He ceased acting at
Covent Garden in June, 1827.<br>
<a href="#frg42">return</a><br>
<br>
<br>
<a name="fg44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;In the cast for <i>Hamlet</i>, with which Drury Lane
reopened, Raymond played the Ghost. Raymond was also the stage manager
of the theatre.<br>
<a href="#frg42">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L248">248&mdash;to Lord Holland</a></h3>
<br>
September 24.<br>
<br><br>

I send a recast of the four first lines of the concluding paragraph.

<blockquote>This greeting o'er, the ancient rule obey'd,<br>
The drama's homage by her Herald paid,<br>
Receive <i>our welcome too</i>, whose every tone<br>
Springs from our hearts, and fain would win your own.<br>
The curtain rises, etc., etc.</blockquote>

And do forgive all this trouble. See what it is to have to do even with
the <i>genteelest</i> of us.<br>
<br>
Ever, etc.
<br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L249"></a>249&mdash;to Lord Holland</h3>
<br>
Cheltenham, Sept. 25, 1812.<br>
<br><br>

<a name="frg51">Still</a> "more matter for a May morning."<a href="#fg51"><sup>1</sup></a> Having patched the middle and
end of the Address, I send one more couplet for a part of the beginning,
which, if not too turgid, you will have the goodness to add. <a name="frg52">After</a> that
flagrant image of the <i>Thames</i> (I hope no unlucky wag will say I
have set it on fire, though Dryden<a href="#fg52"><sup>2</sup></a>, in his <i>Annus Mirabilis</i>,
and Churchill<a href="#fg53"><sup>3</sup></a>, in his <i>Times</i>, did it before me), I mean to
insert this:

<blockquote>As flashing far the new Volcano shone<br>
  And swept the skies with {lightnings}/{<i>meteors</i>} not their own,<br>
  While thousands throng'd around the burning dome,<br>
  Etc., etc.</blockquote>

I think "thousands" less flat than "crowds collected"&mdash; <a name="frg54">but</a> don't let me
plunge into the bathos, or rise into Nat. Lee's <i>Bedlam metaphors</i><a href="#fg54"><sup>4</sup></a>.<br>
<br>
By the by, the best view of the said fire (which I myself saw from a
house-top in Covent-garden) was at Westminster Bridge, from the
reflection on the Thames.<br>
<br>
Perhaps the present couplet had better come in after "trembled for their
homes," the two lines after;&mdash;as otherwise the image certainly sinks,
and it will run just as well.<br>
<br>
The lines themselves, perhaps, may be better thus&mdash;("choose," or
"refuse"&mdash;but <a name="frg55">please</a> <i>yourself</i>, and don't mind "Sir Fretful"<a href="#fg55"><sup>5</sup></a>):

  <blockquote>As flash'd the volumed blaze, and {<i>sadly</i>}/{ghastly} shone<br>
  The skies with lightnings awful as their own.</blockquote>

The last <i>runs</i> smoothest, and, I think, best; but you know
<i>better</i> than <i>best</i>. "Lurid" is also a less indistinct
epithet than "livid wave," and, if you think so, a dash of the pen will
do.<br>
<br>
I expected one line this morning; in the mean time, I shall remodel and
condense, and, if I do not hear from you, shall send another copy.<br>
<br>
I am ever, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;<i>Twelfth Night</i>, act iii. sc. 4.<br>
<a href="#frg51">return to footnote mark</a><br>
<br>
<br>
<a name="fg52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Dryden's <i>Annus Mirabilis</i>, stanza 231:

  <blockquote>"A key of fire ran all along the shore,<br>
  And lightened all the river with a blaze;<br>
  The wakened tides began again to roar,<br>
  And wondering fish in shining waters gaze."</blockquote>
<a href="#frg52">return</a><br>
<br>
<br>
<a name="fg53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Churchill's <i>Times</i>, lines 701, 702:

 <blockquote> "Bidding in one grand pile this Town expire,<br>
  Her towers in dust, her Thames a Lake of fire."</blockquote>
<a href="#frg52">return</a><br>
<br>
<br>
<a name="fg54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Nathaniel Lee (circ. 1653-1692), the dramatist, wrote
<i>The Rival Queens</i> (1677), in which occurs the line:

  <blockquote>"When Greek join'd Greek then was the tug of war."</blockquote>

He collaborated with Dryden in <i>&OElig;dipus</i> (1679) and <i>The Duke of
Guise</i> (1682). His numerous dramas were distinguished, in his own
day, for extravagance and bombast. His mind failing, he was confined
from 1684 to 1688 in Bethlehem Hospital, where he is said to have
composed a tragedy in 25 acts.<br>
<a href="#frg54">return</a><br>
<br>
<br>
<a name="fg55"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; <i>The Critic</i>, act i. sc. I. "Sneer," speaking of "Sir
Fretful Plagiary," says,

  <blockquote>"He is as envious as an old maid verging on the desperation of six and
  thirty; and then the insidious humility with which he seduces you to
  give a free opinion on any of his works can be exceeded only by the
  petulant arrogance with which he is sure to reject your observations."</blockquote>
<a href="#frg55">return</a>
 <br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L250"></a>250&mdash;to Lord Holland</h3>
<br>
September 26, 1812.<br><br>

<br>
You will think there is no end to my villanous emendations. The fifth
and sixth lines I think to alter thus:

<blockquote>Ye who beheld&mdash;oh sight admired and mourn'd,<br>
Whose radiance mock'd the ruin it adorn'd;</blockquote>

because "night" is repeated the next line but one; and, as it now
stands, the conclusion of the paragraph, "worthy him (Shakspeare) and
<i>you</i>," appears to apply the "<i>you</i>" to those only who were
out of bed and in Covent Garden market on the night of conflagration,
instead of the audience or the discerning public at large, all of whom
are intended to be comprised in that comprehensive and, I hope,
comprehensible pronoun.<br>
<br>
By the by, one of my corrections in the fair copy sent yesterday has
dived into the bathos some sixty fathom:

<blockquote>When Garrick died, and Brinsley ceased to write.</blockquote>

<a name="frg61">Ceasing</a> to <i>live</i> is a much more serious concern, and ought not to
be first; therefore I will let the old couplet stand, with its half
rhymes "sought" and "wrote."<a href="#fg61"><sup>1</sup></a><br>
<br>
Second thoughts in every thing are best, but, in rhyme, third and fourth
don't come amiss. I am very anxious on this business, and I do hope that
the very trouble I occasion you will plead its own excuse, and that it
will tend to show my endeavour to make the most of the time allotted. I
wish I had known it months ago, for in that case I had not left one line
standing on another. I always scrawl in this way, and smooth as much as
I can, but never sufficiently; and, latterly, I can weave a nine-line
stanza faster than a couplet, for which measure I have not the cunning.
When I began <i>Childe Harold</i>, I had never tried Spenser's measure,
and now I cannot scribble in any other.<br>
<br>
<a name="frg62">After</a> all, my dear Lord, if you can get a decent <i>Address</i>
elsewhere, don't hesitate to put this aside<a href="#fg62"><sup>2</sup></a>.<br>
<br>
Why did you not trust your own Muse? I am very sure she would have been
triumphant, and saved the Committee their trouble&mdash;"'tis a joyful one"
to me, but I fear I shall not satisfy even myself. After the account you
sent me, 'tis no compliment to say you would have beaten your
candidates; but I mean that, in <i>that</i> case, there would have been
no occasion for their being beaten at all.<br>
<br>
<a name="frg63">There</a> are but two decent prologues in our tongue&mdash;Pope's to <i>Cato</i><a href="#fg63"><sup>3</sup></a>&mdash;Johnson's to Drury-Lane<a href="#fg64"><sup>4</sup></a>.<br>
<br>
<a name="frg65">These</a>, with the epilogue to <i>The Distrest Mother</i><a href="#fg65"><sup>5</sup></a> and, I think,
one of Goldsmith's<a href="#fg66"><sup>6</sup></a>, and a prologue of old Colman's to Beaumont and
Fletcher's <i>Philaster</i><a href="#fg67"><sup>7</sup></a>, are the best things of the kind we
have.<br>
<br>
P.S.&mdash;I am diluted to the throat with medicine for the stone; and
Boisragon wants me to try a warm climate for the winter&mdash;but I won't.
<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Such are the names that here your plaudits sought,<br>
  When Garrick acted, and when Brinsley wrote."</blockquote>

At present the couplet stands thus:

  <blockquote>"Dear are the days that made our annals bright,<br>
  Ere Garrick fled, or Brinsley ceased to write."</blockquote>
<a href="#frg61">return to footnote mark</a><br>
<br>
<br>
<a name="fg62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"I am almost ashamed," writes Lord Holland to Rogers, October 22, 1812
  (Clayden's <i>Rogers and his Contemporaries</i>, vol. i. p. 115), "of
  having induced Lord Byron to write on so ungrateful a theme
  (ungrateful in all senses) as the opening of a theatre; he was so
  good-humoured, took so much pains, corrected so good-humouredly, and
  produced, as I thought and think, a prologue so superior to the common
  run of that sort of trumpery, that it is quite vexatious to see him
  attacked for it. Some part of it is a little too much laboured, and
  the whole too long; but surely it is good and poetical.... You cannot
  imagine how I grew to like Lord Byron in my critical intercourse with
  him, and how much I am convinced that your friendship and judgment
  have contributed to improve both his understanding and his happiness."</blockquote>
<a href="#frg62">return</a><br>
<br>
<br>
<a name="fg63"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Pope wrote the Prologue to Addison's <i>Cato</i> when it
was acted at Drury Lane, April 13, 1713.<br>
<a href="#frg63">return</a><br>
<br>
<br>
<a name="fg64"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Johnson wrote the Prologue when Garrick opened Drury Lane,
September 15, 1747, with <i>The Merchant of Venice</i>. "It is," says
Genest (<i>English Stage</i>, vol. iv. p. 231), "the best Prologue that
was ever written." Johnson wrote the Prologue to Milton's <i>Comus</i>,
played at Drury Lane, April 5, 1750; to Goldsmith's <i>Good-Natured
Man</i>, played at Covent Garden, January 29, 1769; and to Hugh Kelly's
<i>A Word to the Wise</i>, played at Drury Lane, March 3, 1770.<br>
<a href="#frg63">return</a><br>
<br>
<br>
<a name="fg65"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;<i>The Distrest Mother</i>, adapted from Racine by Ambrose
Philips, was first played at Drury Lane, March 17, 1712. Addison is
supposed (Genest, <i>English Stage</i>, vol. ii. p. 496) to have written
the epilogue.<br>
<a href="#frg65">return</a><br>
<br>
<br>
<a name="fg66"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; It is impossible to say to which of Goldsmith's epilogues
Byron refers. A previous editor of Moore's <i>Life, etc</i>., identified
it with his epilogue to Charlotte Lennox's unsuccessful comedy, <i>The
Sister</i>, which was once played at Covent Garden, February 18, 1769,
and then withdrawn.<br>
<a href="#frg65">return</a><br>
<br>
<br>
<a name="fg67"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; George Colman the Elder, who edited an edition of Beaumont
and Fletcher (10 vols., 1778), wrote the prologue to <i>Philaster</i>,
when it was produced at Drury Lane, October 8, 1763.<br>
<a href="#frg65">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L251"></a>251&mdash;to Lord Holland</h3>
<br>
Sept. 27, 1812.<br>
<br><br>

I <a name="frg71">believe</a> this is the third scrawl since yesterday&mdash;all about epithets.
I think the epithet "intellectual" won't convey the meaning I intend;
and though I hate compounds, for the present I will try (<i>col'
permesso</i>) the word "genius gifted patriots of our line"<a href="#fg71"><sup>1</sup></a> instead.
Johnson has "many coloured life," a compound &mdash;&mdash; but they are always
best avoided. <a name="frg72">However</a>, it is the only one in ninety lines<a href="#fg72"><sup>2</sup></a>, but will
be happy to give way to a better. I am ashamed to intrude any more
remembrances on Lady H. or letters upon you; but you are, fortunately
for me, gifted with patience already too often tried by<br>
<br>
Your etc., etc.,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; This, as finally altered, stood thus:

  <blockquote>"Immortal names emblazon'd on our line."</blockquote>
<a href="#frg71">return to footnote mark</a><br>
<br>
<br>
<a name="fg72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Reduced to seventy-three lines.<br>
<a href="#frg72">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L252"></a>252&mdash;to Lord Holland</h3>
<br>
September 27, 1812.<br>
<br><br>

I have just received your very kind letter, and hope you have met with a
second copy corrected and addressed to Holland House, <a name="frg81">with</a> some
omissions and this new couplet,

  <blockquote>As glared each rising flash<a href="#fg81"><sup>1</sup></a>, and ghastly shone<br>
  The skies with lightnings awful as their own.</blockquote>

As to remarks, I can only say I will alter and acquiesce in any thing.
<a name="frg82">With</a> regard to the part which Whitbread<a href="#fg82"><sup>2</sup></a> wishes to omit, I believe
the <i>Address</i> will go off <i>quicker</i> without it, though, like
the agility of the Hottentot, at the expense of its vigour. I leave to
your choice entirely the different specimens of stucco-work; and a
<i>brick</i> of your own will also much improve my Babylonish turret. I
should like Elliston to have it, with your leave. "<a name="frg83">Adorn</a>" and "mourn"
are lawful rhymes in Pope's <i>Death of the Unfortunate Lady</i>.&mdash;Gray
has "forlorn" and "mourn"&mdash;and "torn" and "mourn" are in Smollett's
famous <i>Tears of Scotland</i><a href="#fg83"><sup>3</sup></a>.<br>
<br>
As there will probably be an outcry amongst the rejected, I hope the
Committee will testify (if it be needful) that I sent in nothing to the
congress whatever, with or without a name, as your Lordship well knows.
All I have to do with it is with and through you; and though I, of
course, wish to satisfy the audience, I do assure you my first object is
to comply with your request, and in so doing to show the sense I have of
the many obligations you have conferred upon me.<br>
Yours ever,<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; At present:

  <blockquote>"As glared the volumed blaze."</blockquote>
<a href="#frg81">return to footnote mark</a><br>
<br>
<br>
<a name="fg82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Samuel Whitbread (1758-1815) married, in 1789, Elizabeth,
daughter of General Sir Charles Grey, created (1806) Earl Grey, and
sister of the second Earl Grey, of Reform Bill fame. The son of a
wealthy brewer, whose fortune he inherited, he entered Parliament as
M.P. for Bedford in 1790. Raikes, in his <i>Journal</i> (vol. iv. PP.
50, 51), speaks of him, at the outset of his career, as a staunch
Foxite, and "much remarked in society." Comparing him with his
brother-in-law Grey, he says,

  <blockquote>"Mr. Whitbread was a more steady character; his appearance was heavy;
  he was fond of agriculture, and was very plain and simple in his
  tastes. Both were reckoned good debaters in the House, but Grey was
  the most eloquent." </blockquote>

An independent Whig, and an advocate for peace with France, Whitbread
supported Fox against Pitt throughout the Napoleonic War, strongly
opposed its renewal after the return of the emperor from Elba, and
interested himself in such measures as moderate Parliamentary reform,
the amendment of the poor law, national education, and retrenchment of
public expenditure. On April 8, 1805, he moved the resolutions which
ended in the impeachment of Lord Melville, and took the lead in the
inquiries, which were made, March, 1809, into the conduct of the Duke of
York. He was a plain, business-like speaker, and a man of such
unimpeachable integrity that Mr., afterwards Lord, Plunket, in a speech
on the Roman Catholic claims, February 28, 1821, called him "the
incorruptible sentinel of the constitution."<br>
<br>
When he moved the articles of impeachment against Lord Melville, Canning
scribbled the following impromptu parody of his speech (<i>Anecdotal
History of the British Parliament</i>, p. 222):

 <blockquote> "I'm like Archimedes for science and skill;<br>
  I'm like a young prince going straight up a hill;<br>
  I'm like&mdash;(with respect to the fair be it said)&mdash;<br>
  I'm like a young lady just bringing to bed.<br>
  If you ask why the 11th of June I remember<br>
  Much better than April, or May, or November,<br>
  On that day, my lords, with truth I assure ye,<br>
  My sainted progenitor set up his brewery;<br>
  On that day, in the morn, he began brewing beer;<br>
  On that day, too, commenced his connubial career;]<br>
  On that day he received and he issued his bills;<br>
  On that day he cleared out all the cash from his tills;<br>
  On that day he died, having finished his summing,<br>
  And the angels all cried, 'Here's old Whitbread a-coming!'<br>
  So that day still I hail with a smile and a sigh,<br>
  For his beer with an E, and his bier with an I;<br>
  And still on that day, in the hottest of weather,<br>
  The whole Whitbread family dine all together.&mdash;<br>
  So long as the beams of this house shall support<br>
  The roof which o'ershades this respectable Court,<br>
  Where Hastings was tried for oppressing the Hindoos;<br>
  So long as that sun shall shine in at those windows,<br>
  My name shall shine bright as my ancestor's shines,<br>
  <i>Mine</i> recorded in journals, <i>his</i> blazoned on signs!"</blockquote>

An active member of Parliament, a large landed proprietor, the manager
of his immense brewery in Chiswell Street, Whitbread also found time to
reduce to order the chaotic concerns of Drury Lane Theatre. He was, with
Lord Holland and Harvey Combe, responsible for the request to Byron to
write an address, having first rejected his own address with its
"poulterer's description of the Ph&oelig;nix." He was fond of private
theatricals, and Dibdin (<i>Reminiscences</i>, vol. ii. pp. 383, 384)
gives the play-bill of an entertainment given by him at Southill. In the
first play, <i>The Happy Return</i>, he took the part of "Margery;" and
in the second, <i>Fatal Duplicity</i>, that of "Eglantine," a very young
lady, loved by "Sir Buntybart" and "Sir Brandywine." In his capacity as
manager of Drury Lane, Whitbread is represented by the author of
<i>Accepted Addresses</i> (1813) as addressing "the M&mdash;s of H&mdash;d"&mdash;

 <blockquote> "My <b>Lord</b>,&mdash;<br><br>

  "As I now have the honour to be<br>
  By <i>Man'ging</i> a <i>Playhouse</i> a double M.P.,<br>
  In this my address I think fit to complain<br>
  Of certain encroachments on great Drury Lane," etc., etc.</blockquote>

Whitbread strongly supported the cause of the Princess of Wales. Miss
Berry (<i>Journal</i>, vol. iii. p. 25) says that he dictated the
letters which the Princess wrote to the Queen, who had desired that she
should not attend the two drawing-rooms to be held in June, 1814. "They
were good," she adds, "but too long, and sometimes marked by Whitbread's
want of taste."<br>
<br>
The strain of his multifarious activities affected both his health and
his mind, and he committed suicide July 6, 1815.<br>
<a href="#frg82">return</a><br>
<br>
<br>
<a name="fg83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

  <blockquote>"By foreign hands thy humble grave adorn'd,<br>
  By strangers honour'd, and by strangers mourn'd."</blockquote>

(Pope.)

  <blockquote>"Stay, oh stay! nor thus forlorn,<br>
  Leave me unbless'd, unpitied, here to mourn."</blockquote>

(Gray.)

  <blockquote>"Mourn, hapless Caledonia, mourn<br>
  Thy banish'd peace, thy laurels torn."</blockquote>

(Smollett.)<br>
<a href="#frg83">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L253">253&mdash;to John Murray</a></h3>
<br>
Cheltenham, September 27, 1812.<br>
<br><br>

Dear Sir,&mdash;I sent in no <i>Address</i> whatever to the Committee; but
out of nearly one hundred (this is <i>confidential</i>), none have been
deemed worth acceptance; and in consequence of their <i>subsequent</i>
application to <i>me</i>, I have written a prologue, which <i>has</i>
been received, and will be spoken. The MS. is now in the hands of Lord
Holland.<br>
<br>
I write this merely to say, that (however it is received by the
audience) you will publish it in the next edition of <i>Childe
Harold</i>; and I only beg you at present to keep my name secret till
you hear further from me, and as soon as possible I wish you to have a
correct copy, to do with as you think proper.<br>
<br>
I am, yours very truly, <br>
<b>Byron</b>.<br>
<br>
P. S.&mdash;I should wish a few copies printed off <i>before</i>, that the
Newspaper copies may be correct <i>after</i> the <i>delivery</i>.
<br><br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L254">254&mdash;to Lord Holland</a></h3>
<br>
September 28, 1812.<br><br>

<br>
Will this do better? The metaphor is more complete.

<blockquote>Till slowly ebb'd the {<i>lava of the</i>}/{spent volcanic} wave,<br>
  And blackening ashes mark'd the Muse's grave.</blockquote>

If not, we will say "burning wave," and instead of "burning clime," in
the line some couplets back, have "glowing."<br>
<br>
Is <a name="frg91">Whitbread</a> determined to castrate all my <i>cavalry</i> lines<a href="#fg91"><sup>1</sup></a>? I
<a name="frg92">don't</a> see why t'other house should be spared; besides it is the public,
who ought to know better; and you recollect Johnson's was against
similar buffooneries of Rich's&mdash;but, certes, I am not Johnson<a href="#fg92"><sup>2</sup></a>.<br>
<br>
Instead of "effects," say "labours"&mdash;"degenerate" will do, will it? Mr.
Betty is no longer a babe, therefore the line cannot be personal. <a name="frg93">Will</a>
this do?

<blockquote>Till ebb'd the lava of {<i>the burning</i>}/{that molten} wave<a href="#fg93"><sup>3</sup></a> </blockquote>

with "glowing dome," in case you prefer "burning" added to this "wave"
metaphorical. The word "fiery pillar" was suggested by the "pillar of
fire" in the book of <i>Exodus</i>, which went before the Israelites through
the Red Sea. I once thought of saying "like Israel's pillar," and making
it a simile, but I did not know,&mdash;the great temptation was leaving the
epithet "fiery" for the supplementary wave. I want to work up that
passage, as it is the only new ground us prologuizers can go upon:

  <blockquote>This is the place where, if a poet<br>
  Shined in description, he might show it.</blockquote>

If I part with the possibility of a future conflagration, we lessen the
compliment to Shakspeare. However, we will e'en mend it thus:

  <blockquote>Yes, it shall be&mdash;the magic of that name,<br>
  That scorns the scythe of Time, the torch of Flame,<br>
  On the same spot, etc., etc.</blockquote>

There&mdash;the deuce is in it, if that is not an improvement to Whitbread's
content. Recollect, it is the "name," and not the "magic," that has a
noble contempt for those same weapons. If it were the "magic," my
metaphor would be somewhat of the maddest&mdash;so the "name" is the
antecedent. But, my dear Lord, your patience is not quite so
immortal&mdash;therefore, with many and sincere thanks, I am,<br>
<br>
Yours ever most affectionately.<br>
<br>
P.S.&mdash;I foresee there will be charges of partiality in the papers; but
you know I sent in no <i>Address</i>; and glad both you and I must be
that I did not, for, in that case, their plea had been plausible. I
doubt the Pit will be testy; but conscious innocence (a novel and
pleasing sensation) makes me bold.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fg91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The lines which were omitted by the Committee ran thus:

 <blockquote> "<i>Nay, lower still, the Drama yet deplores<br>
  That late she deigned to crawl upon all-fours.<br>
  When Richard roars in Bosworth for a horse,<br>
  If you command, the steed must come in course.<br>
  If you decree, the Stage must condescend</i><br>
  To soothe the sickly taste we dare not mend.<br>
  <i>Blame not our judgment should we acquiesce,<br>
  And gratify you more by showing less</i>.<br>
  Oh, since your Fiat stamps the Drama's laws,<br>
  Forbear to mock us with misplaced applause;<br>
  <i>That public praise be ne'er again disgraced,<br>
  From</i> {brutes to man recall}/{<i>babes and brutes redeem} a nation's taste</i>;<br>
  Then pride shall doubly nerve the actor's powers,<br>
  When Reason's voice is echoed back by ours."</blockquote>

The last couplet but one was altered in a subsequent copy, thus:

  <blockquote>"<i>The past reproach let present scenes refute,<br>
  Nor shift from man to babe, from babe to brute</i>."</blockquote>

On February 18, 1811, at Covent Garden, a troop of horses were
introduced in <i>Bluebeard</i>. For the manager, Juvenal's words,
"<i>Lucri bonus est odor ex re Qualibet</i>" (<i>Sat</i>. xiv. 204) may
have been true; but, as the dressing-room of the equine comedians was
under the orchestra, the stench on the first night was to the audience
intolerable. At the same theatre, April 29, 1811, the horses were again
brought on the stage in Lewis's <i>Timour the Tartar</i>. At the same
theatre, on the following December 26, a live elephant appeared. The
novelty had, however, been anticipated in the Dublin Theatre during the
season of 1771-72 (Genest's <i>English Stage</i>, vol. viii. p. 287). At
the Haymarket, and Drury Lane, the introduction of live animals was
ridiculed. <i>The Quadrupeds of Quedlinburgh</i> was given at the
Haymarket, July 26, 1811, as a burlesque on <i>Timour the Tartar</i> and
the horses. The Prologue, by Colman the Younger, attacks the passion for
German plays and animal actors:

  <blockquote>"Your taste, recover'd half from foreign quacks,<br>
  Takes airings, now, on English horses' backs;<br>
  While every modern bard may raise his name,<br>
  If not on <i>lasting praise</i>, on <i>stable fame</i>."</blockquote>

At the Lyceum, during the season 1811-12, <i>Quadrupeds, or the
Manager's Last Kick</i>, in which the tailors were mounted on asses and
mules, was given by the Drury Lane Company with success. It was this
introduction of animal performers which Byron wished to attack.<br>
<a href="#frg91">return to footnote mark</a><br>
<a href="#CR3">cross-reference: return to Footnote 1 of Letter 255</a><br>
<br>
<br>
<a name="fg92"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The following are the lines in Johnson's <i>Prologue</i> to
which Byron refers:

 <blockquote> "Then crush'd by rules, and weaken'd as refined,<br>
  For years the power of Tragedy declined;<br>
  From bard to bard the frigid caution crept,<br>
  Till Declamation roared, whilst Passion slept.<br>
  Yet still did Virtue deign the stage to tread,<br>
  Philosophy remained though Nature fled.<br>
  But forced, at length, her ancient reign to quit,<br>
  She saw great Faustus lay the ghost of Wit;<br>
  Exulting Folly hailed the joyous Day,<br>
  And Pantomime and Song confirmed her sway.<br>
  But who the coming changes can presage,<br>
  And mark the future periods of the Stage?<br>
  Perhaps if skill could distant times explore,<br>
  New Behns, new Durfeys, yet remain in store;<br>
  Perhaps, where Lear has raved, and Hamlet died,<br>
  On flying cars new sorcerers may ride;<br>
  Perhaps (for who can guess th' effects of chance?)<br>
  Here Hunt may box, or Mahomet may dance."</blockquote>

John Rich (circ. 1682-1761) was the creator of pantomime in England,
which he introduced at Lincoln's Inn Fields in April, 1716, and in
which, under the stage name of Lun, he played the part of Harlequin. At
Lincoln's Inn Fields, January 29, 1728, he produced <i>The Beggar's
Opera</i>, which, after being refused at Drury Lane, made "Gay
<i>rich</i>, and Rich <i>gay</i>." "Great Faustus" probably alludes to
the war between the two theatres, and the rival productions of
<i>Harlequin Dr. Faustus</i> at Drury Lane in 1723, and of <i>The
Necromancer, or the History of Dr. Faustus</i> at Lincoln's Inn Fields
in December of the same year. On December 7, 1732, Rich opened the new
theatre at Covent Garden, of which he remained manager till his death in
1761.<br>
<a href="#frg92">return</a><br>
<a href="#CR4">cross-reference: return to Footnote 3 of Letter 255</a><br>
<br>
<br>
<a name="fg93"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;The form of this couplet, as printed, is as follows:

 <blockquote> "Till blackening ashes and lonely wall<br>
  Usurp'd the Muse's realm, and mark'd her fall."</blockquote>
<a href="#frg93">return</a>
<br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L255">255&mdash;to Lord Holland</a></h3>
<br>
September 28.<br>
<br><br>

I have altered the <i>middle</i> couplet, so as I hope partly to do away
with W.'s objection. I <a name="frh1">do</a> think, in the present state of the stage, it
had been unpardonable to pass over the horses and Miss Mudie<a href="#fh1"><sup>1</sup></a>, etc.
As Betty is no longer a boy, how can this be applied to him? He is now
to be judged as a man. If he acts still like a boy, the public will but
be more ashamed of their blunder. I have, you see, <i>now</i> taken it
for granted that these things are reformed. I confess, I wish that part
of the <i>Address</i> to stand; but if W. is inexorable, e'en let it go.
I have also new-cast the lines, and softened the hint of future
combustion, and sent them off this morning. Will you have the goodness
to add, or insert, the <i>approved</i> alterations as they arrive? <a name="frh2">They</a>
"come like shadows, so depart,"<a href="#fh2"><sup>2</sup></a> occupy me, and, I fear, disturb you.<br>
<br>
Do not let Mr. W. put his <i>Address</i> into Elliston's hands till you
have settled on these alterations. E. will think it too long:&mdash;much
depends on the speaking. I fear it will not bear much curtailing,
without <i>chasms</i> in the sense.<br>
<br>
It is certainly too long in the reading; but if Elliston exerts himself,
such a favourite with the public will not be thought tedious. <i>I</i>
should think it so, if <i>he</i> were not to speak it.<br>
<br>
Yours ever, etc.<br>
<br>
P.S.&mdash;On looking again, I doubt my idea of having obviated W.'s
objection. To the other House allusion is <i>non sequitur</i>&mdash;but I
wish to plead for this part, because the thing really is not to be
passed over. <a name="frh3">Many</a> afterpieces of the Lyceum by the <i>same company</i>
have already attacked this "Augean <i>Stable</i>"&mdash;and Johnson, in his
prologue against "Lunn" (the harlequin manager, Rich),&mdash;
"Hunt,"&mdash;"Mahomet," etc. is surely a fair precedent<a href="#fh3"><sup>3</sup></a>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <a name="CR3">For</a> the horses, see p. 156, <a href="#fg91"><i>note</i></a> 1. Miss Mudie,
another "Phenomenon," with whom the Covent Garden manager hoped to rival
the success of Master Betty, was announced in the <i>Morning Post</i>,
July 29, 1805, as the "Young Roscia of the Dublin Stage." She appeared
at Covent Garden, November 23, 1805, in the part of "Peggy" in <i>The
Country Girl</i>, Miss Brunton being "Alithea," C. Kemble "Harcourt,"
and Moody "Murray." Being hissed by the audience, she walked with great
composure to the front of the stage, and said, as reported in the
<i>Morning Post</i> (November 25, 1805)

  <blockquote>"Ladies and gentlemen,&mdash;I know nothing I have done to offend you, and
  has set (<i>sic</i>) those who are sent here to hiss me; I will be
  very much obliged to you to turn them out."</blockquote>

This unfortunate speech made matters worse; the audience refused
to hear her, and her part was finished by Miss Searle.<br>
<br>
Miss Mudie was said to be only eight years old. But J. Kemble, being
asked if she were really such a child, answered,

<blockquote>"<i>Child</i>! Why,
sir, when I was a very young actor in the York Company, that little
creature kept an inn at Tadcaster, and had a large family"</blockquote> (Clark
Russell's <i>Representative Actors</i>, p. 363, <i>note</i> 2). The
<i>Morning Post</i> (April 5, 1806) says that Miss Mudie afterwards
joined a children's troupe in Leicester Place, where,<blockquote> "though deservedly
discountenanced at a great theatre, she will, no doubt, prove an
acquisition to the infant establishment"</blockquote> (Ashton's <i>Dawn of the XIXth
Century in England</i>, pp. 333-336).<br>
<a href="#frh1">return to footnote mark</a><br>
<br>
<br>
<a name="fh2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>Macbeth</i>, act iv. sc. 1.<br>
<a href="#frh2">return</a><br>
<br>
<br>
<a name="fh3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <a name="CR4">For</a> Lun, or Rich, see p. 157, end of <a href="#fg92"><i>note</i></a> 1 [Footnote 2]. Hunt,
in the notes to Johnson's <i>Prologue</i> (Gilfillan's edition of
Johnson's <i>Poestical Works</i>, p. 38), is said to be "a famous
stage-boxer, Mahomet, a rope-dancer."<br>
<a href="#frh3">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L256"></a>256&mdash;to William Bankes</h3>
<br>
Cheltenham, September 28, 1812.<br><br>

<br>
<b>My Dear Bankes</b>,&mdash;When you point out to one how people can be intimate at
the distance of some seventy leagues, I will plead guilty to your
charge, and accept your farewell, but not <i>wittingly</i>, till you
give me some better reason than my silence, which merely proceeded from
a notion founded on your own declaration of <i>old</i>, that you hated
writing and receiving letters. Besides, how was I to find out a man of
many residences? If I had addressed you <i>now</i>, it had been to your
borough, where I must have conjectured you were amongst your
constituents. So now, in despite of Mr. N. and Lady W., you shall be as
"much better" as the Hexham post-office will allow me to make you. I do
assure you I am much indebted to you for thinking of me at all, and
can't spare you even from amongst the superabundance of friends with
whom you suppose me surrounded.<br>
<br>
<a name="frh11">You</a> heard that Newstead<a href="#fh11"><sup>1</sup></a> is sold&mdash;the sum £140,000; sixty to remain
in mortgage on the estate for three years, paying interest, of course.
Rochdale is also likely to do well&mdash;so my worldly matters are mending. I
have been here some time drinking the waters, simply because there are
waters to drink, and they are very medicinal, and sufficiently
disgusting. <a name="frh12">In</a> a few days I set out for Lord Jersey's<a href="#fh12"><sup>2</sup></a>, but return
here, where I am quite alone, go out very little, and enjoy in its
fullest extent the <i>dolce far niente</i>. What you are about I cannot
guess, even from your date;&mdash;not dauncing to the sound of the gitourney
in the Halls of the Lowthers? one of whom is here, ill, poor thing, with
a phthisic. I heard that you passed through here (at the sordid inn
where I first alighted) the very day before I arrived in these parts. <a name="frh13">We</a>
had a very pleasant set here; at first the Jerseys, Melbournes<a href="#fh13"><sup>3</sup></a>,
Cowpers<a href="#fh14"><sup>4</sup></a>, and Hollands, but all gone; and the only persons I know are
the Rawdons<a href="#fh15"><sup>5</sup></a> and Oxfords<a href="#fh16"><sup>6</sup></a>, with some later acquaintances of less brilliant descent.<br>
<br>
But I do not trouble them much; and as for your rooms and your
assemblies "they are not dreamed of in our philosophy!!"&mdash;<a name="frh17">Did</a> you read
of a sad accident in the Wye t'other day<a href="#fh17"><sup>7</sup></a>? A dozen drowned; and Mr.
Rossoe, a corpulent gentleman, preserved by a boat-hook or an eel-spear,
begged, when he heard his wife was saved &mdash;no&mdash;<i>lost</i>&mdash;to be thrown
in again!!&mdash;as if he could not have thrown himself in, had he wished it;
but this passes for a trait of sensibility. What strange beings men are,
in and out of the Wye!<br>
<br>
I have to ask you a thousand pardons for not fulfilling some orders
before I left town; but if you knew all the cursed entanglements I
<i>had</i> to wade through, it would be unnecessary to beg your
forgiveness.&mdash;<a name="frh18">When</a> will Parliament (the new one) meet<a href="#fh18"><sup>8</sup></a>?&mdash;in sixty
days, on account of Ireland, I presume: the Irish election will demand a
longer period for completion than the constitutional allotment. Yours,
of course, is safe, and all your side of the question. Salamanca is the
ministerial watchword, and all will go well with you. I hope you will
speak more frequently, I am sure at least you <i>ought</i>, and it will
be expected. I see Portman means to stand again. Good night.<br>
<br>
Ever yours most affectionately,<br>
<br>
<img src="images/BG7.gif" width="96" height="30" border="1" alt="Greek: Mpairon"><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Newstead was put up at Garraway's in the autumn of 1812;
but only £90,000 were bid, and the property was therefore withdrawn.
Subsequently it was privately sold to a Mr. Claughton, who found himself
unable to complete the purchase, and forfeited £25,000 on the contract.
Newstead was eventually sold, in November, 1817, to Colonel Wildman,
Byron's Harrow schoolfellow, for £94,500.<br>
<a href="#frh11">return to footnote mark</a><br>
<br>
<br>
<a name="fh12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For Lady Jersey, see p. 112, <a href="#fe1"><i>note</i></a> 1. The following
passage, from Byron's <i>Detached Thoughts</i>, gives an account of the
party at Middleton:

  <blockquote>"In 1812 at Middelton (Lord Jersey's), amongst a goodly company of
  Lords, Ladies, and wits, etc., there was poor old Vice Leach, the
  lawyer, attempting to play off the fine gentleman. His first
  exhibition, an attempt on horseback, I think, to escort the women&mdash;God
  knows where&mdash;in the month of November, ended in a fit of the
  Lumbago&mdash;as Lord Ogleby says, 'a grievous enemy to Gallantry and
  address'&mdash;and if he could have but heard Lady Jersey quizzing him (as
  I did) next day for the <i>cause</i> of his malady, I don't think that
  he would have turned a 'Squire of dames' in a hurry again. He seemed
  to me the greatest fool (in that line) I ever saw. This was the last I
  saw of old Vice Leach, except in town, where he was creeping into
  assemblies, and trying to look young&mdash;and gentlemanly.<br>
<br>
  Erskine too!&mdash;Erskine was there&mdash;good but intolerable. He jested, he
  talked, he did everything admirably, but then he <i>would</i> be
  applauded for the same thing twice over. He would read his own verses,
  his own paragraphs, and tell his own story again and again; and then
  'the trial by Jury!!!'&mdash;I almost wished it abolished, for I sate next
  him at dinner, and, as I had read his published speeches, there was no
  occasion to repeat them to me. Chester (the fox-hunter), surnamed
  'Cheek Chester,' and I sweated the Claret, being the only two who did
  so. Cheek, who loves his bottle, and had no notion of meeting with a
  'bonvivant' in a scribbler, in making my eulogy to somebody one
  evening, summed it up in 'by G-d, he <i>drinks like a Man</i>!'"</blockquote>
<a href="#frh12">return</a><br>
<br>
<br>
<a name="fh13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Sir Peniston Lamb, created an Irish baron as Lord
Melbourne in 1770, an Irish viscount in 1780, and an English peer in
1815, married, in 1769, Elizabeth, only daughter of Sir Ralph Milbanke,
of Halnaby, Yorkshire, one of the cleverest and most beautiful women of
the day. Horace Walpole, writing to Mason, May 12, 1778, mentions her
when she was at the height of her beauty.

  <blockquote>"On Tuesday," he says, "I supped, after the opera, at Mrs. Meynel's
  with a set of the most fashionable company, which, take notice, I very
  seldom do now, as I certainly am not of the age to mix often with
  young people. Lady Melbourne was standing before the fire, and
  adjusting her feathers in the glass. Says she, 'Lord, they say the
  stocks will blow up! That will be very comical.'"</blockquote>

Greville (<i>Memoirs</i>, ed. 1888, vol. vi. p. 248) associates her name
with that of Lord Egremont. Reynolds painted her with her eldest son in
his well-known picture <i>Maternal Affection</i>. Her second son,
William, afterwards Prime Minister, used to say,

 <blockquote> "Ah! my mother was a most remarkable woman; not merely clever and
  engaging, but the most sagacious woman I ever knew"</blockquote>

(<i>Memoirs of Viscount Melbourne</i>, vol. i. p. 135). Lady Melbourne,
whom Byron spoke of as

 <blockquote> "the best, the kindest, and ablest female I have ever known, old or
  young," </blockquote>

died in 1818, her husband in 1828. He thus described her to Lady
Blessington (<i>Conversations</i>, p. 225):

  <blockquote>"Lady M., who might have been my mother, excited an interest in my
  feelings that few young women have been able to awaken. She was a
  charming person&mdash;a sort of modern Aspasia, uniting the energy of a
  man's mind with the delicacy and tenderness of a woman's. She wrote
  and spoke admirably, because she felt admirably. Envy, malice, hatred,
  or uncharitableness, found no place in her feelings. She had all of
  philosophy, save its moroseness, and all of nature, save its defects
  and general <i>faiblesse</i>; or if some portion of <i>faiblesse</i>
  attached to her, it only served to render her more forbearing to the
  errors of others. I have often thought, that, with a little more
  youth, Lady M. might have turned my head, at all events she often
  turned my heart, by bringing me back to mild feelings, when the demon
  passion was strong within me. Her mind and heart were as fresh as if
  only sixteen summers had flown over her, instead of four times that
  number."</blockquote>
<a href="#frh13">return</a><br>
<br>
<br>
<a name="fh14"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Peter, fifth Earl Cowper (1778-1837), married, in 1805
Emily Mary Lamb, daughter of Lord Melbourne; she married, secondly, in
1839, Lord Palmerston.<br>
<a href="#frh13">return</a><br>
<br>
<br>
<a name="fh15"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;Francis Rawdon, second Earl of Moira (1754-1826), created
Lord Rawdon (1783), and Marquis of Hastings (1817), married, in 1804,
the Countess of Loudoun.<br>
<a href="#frh13">return</a><br>
<br>
<br>
<a name="fh16"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; Edward Harley (1773-1848) succeeded his uncle as fifth Earl
of Oxford in 1790, and married, in 1794, Jane Elizabeth, daughter of the
Rev. James Scott, Vicar of Itchin, Hants. It is probably of Lady Oxford,
whose picture was painted by Hoppner, that Byron spoke to Lady
Blessington (<i>Conversations</i>, p. 255),

  <blockquote>"Even now the autumnal charms of Lady &mdash;&mdash; are remembered by me with
  more than admiration. She resembled a landscape by Claude Lorraine,
  with a setting sun, her beauties enhanced by the knowledge that they
  were shedding their last dying beams, which threw a radiance around. A
  woman... is only grateful for her <i>first</i> and <i>last</i>
  conquest. The first of poor dear Lady &mdash;&mdash;'s was achieved before I
  entered on this world of care; but the <i>last</i>, I do flatter
  myself, was reserved for me, and a <i>bonne bouche</i> it was."</blockquote>

The following passage certainly relates to Lady Oxford:

 <blockquote> "There was a lady at that time," said Byron (Medwin's
  <i>Conversations</i>, pp. 93, 94), "double my own age, the mother of
  several children who were perfect angels, with whom I had formed a
  <i>liaison</i> that continued without interruption for eight months.
  The autumn of a beauty like her's is preferable to the spring in
  others. She told me she was never in love till she was thirty; and I
  thought myself so with her when she was forty. I never felt a stronger
  passion; which she returned with equal ardour.... She had been
  sacrificed, almost before she was a woman, to one whose mind and body
  were equally contemptible in the scale of creation; and on whom she
  bestowed a numerous family, to which the law gave him the right to be
  called father. Strange as it may seem, she gained (as all women do) an
  influence over me so strong, that I had great difficulty in breaking
  with her, even when I knew she had been inconstant to me: and once was
  on the point of going abroad with her, and narrowly escaped this
  folly."</blockquote>

To be near the Oxfords at Eywood, in Herefordshire, Byron took Kinsham
Court, a dower-house of the family, where Bishop Harley died in 1788. At
one time, as is evident from his correspondence with Hanson, he was bent
on going abroad with Lady Oxford. In the end he only accompanied her to
Portsmouth. Of Lady Oxford, Uvedale Price wrote thus to Rogers (Clayden,
<i>Rogers and his Contemporaries</i>, vol. i. pp. 397, 398):

 <blockquote> "This is a melancholy subject"&mdash;[the death, by consumption of Lord
  Aberdeen's children]&mdash;"and I must go to another. Poor Lady Oxford! I
  had heard with great concern of her dangerous illness, but hoped she
  might get through it, and was much, very much grieved to hear that it
  had ended fatally. I had, as you know, lived a great deal with her
  from the time she came into this country, immediately after her
  marriage; but for some years past, since she went abroad, had scarcely
  had any correspondence or intercourse with her, till I met her in town
  last spring. I then saw her twice, and both times she seemed so
  overjoyed to see an old friend, and expressed her joy so naturally and
  cordially, that I felt no less overjoyed at seeing her after so long
  an absence. She talked, with great satisfaction, of our meeting for a
  longer time this next spring, little thinking of an eternal
  separation. There could not, in all respects, be a more ill-matched
  pair than herself and Lord Oxford, or a stronger instance of the cruel
  sports of Venus, or, rather, of Hymen:

            <blockquote> 'Cui placet impares<br>
    Formas atque animos sub juga ahenea<br>
             Sævo mittere cum joco.'</blockquote>

  It has been said that she was, in some measure, forced into the match.
  Had she been united to a man whom she had loved, esteemed, and
  respected, she herself might have been generally respected and
  esteemed, as well as loved; but in her situation, to keep clear of all
  misconduct required a strong mind or a cold heart; perhaps both, and
  she had neither. Her failings were in no small degree the effect of
  circumstances; her amiable qualities all her own. There was something
  about her, in spite of her errors, remarkably attaching, and that
  something was not merely her beauty. 'Kindness has resistless charms,'
  and she was full of affectionate kindness to those she loved, whether
  as friends or as lovers. As a friend, I always found her the same,
  never at all changeful or capricious. As I am not a very rigid
  moralist, and am extremely open to kindness, 'I could have better
  spared a better woman.'"</blockquote>
<a href="#frh13">return</a><br>
<a href="#fn82">cross-reference: return to Footnote 2 of Letter 300</a><br>
<br>
<br>

<a name="fh17"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;An account of the accident is given in the Chronicle of the
<i>Annual Register</i>, September 21, 1812. The party consisted of ten
people, three of whom were saved. Among those rescued was Mr.
Rothery&mdash;not Rossoe, as Byron gives it.<br>
<a href="#frh17">return</a><br>
<br>
<br>
<a name="fh18"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp; The new Parliament met November 30, 1812. Wellington won
the battle of Salamanca on the previous July 22.<br>
<a href="#frh18">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L257"></a>257&mdash;to Lord Holland</h3>
<br>
September 29, 1812.<br>
<br><br>

<a name="frh21">Shakespeare</a> certainly ceased to reign in <i>one</i> of his kingdoms, as
George III. did in America, and George IV.<a href="#fh21"><sup>1</sup></a> may in Ireland? Now, we
have nothing to do out of our own realms, and when the monarchy was
gone, his majesty had but a barren sceptre. I have <i>cut away</i>, you
will see, and altered, but make it what you please; <a name="frh22">only</a> I do implore,
for my <i>own</i> gratification, one lash on those accursed
quadrupeds&mdash;"a long shot, Sir Lucius, if you love me."<a href="#fh22"><sup>2</sup></a> I have
altered "wave," etc., and the "fire," and so forth for the timid.<br>
<br>
Let me hear from you when convenient, and believe me, etc.<br>
<br>
P.S.&mdash;Do let <i>that</i> stand, and cut out elsewhere. I shall choke, if
we must overlook their damned menagerie.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Some objection, it appears, had been made to the passage,
"and Shakspeare <i>ceased to reign</i>."<br>
<a href="#frh21">return</a><br>
<br>
<br>
<a name="fh22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Bob Acres, in <i>The Rivals</i> (act v. se. 3), says, "A
long shot, Sir Lucius, if you love me."<br>
<a href="#frh22">return</a><br><br>

<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L258">258&mdash;to Lord Holland</a></h3>
<br>
September 30, 1812.<br>
<br><br>

I <a name="frh31">send</a> you the most I can make of it; for I am not so well as I was, and
find I "pull in resolution."<a href="#fh31"><sup>1</sup></a><br>
<br>
I wish much to see you, and will be at Tetbury by twelve on Saturday;
and from thence I go on to Lord Jersey's. It is impossible not to allude
to the degraded state of the Stage, but I have lightened <i>it</i>, and
endeavoured to obviate your <i>other</i> objections. <a name="frh32">There</a> is a new
couplet for Sheridan, allusive to his Monody<a href="#fh32"><sup>2</sup></a>. All the alterations I
have marked thus ],&mdash;as you will see by comparison with the other copy.
I have cudgelled my brains with the greatest willingness, and only wish
I had more time to have done better.<br>
<br>
<a name="frh33">You</a> will find a sort of clap-trap laudatory couplet inserted for the
quiet of the Committee<a href="#fh33"><sup>3</sup></a>, and I have added, towards the end, the
couplet you were pleased to <i>like</i>. The whole Address is
seventy-three lines, still perhaps too long; and, if shortened, you will
save time, but, I fear, a little of what I meant for sense also.<br>
<br>
With myriads of thanks, I am ever, etc.<br>
<br>
My sixteenth edition of respects to Lady H.&mdash;How she must laugh at all
this!<br>
<br>
I wish Murray, my publisher, to print off some copies as soon as your
Lordship returns to town&mdash;it will ensure correctness in the papers
afterwards.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Macbeth</i>, act v. sc. 5.<br>
<a href="#frh31">return</a><br>
<br>
<br>
<a name="fh32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Sheridan's <i>Monody on Garrick</i>.<br>
<a href="#frh32">return</a><br>
<br>
<br>
<a name="fh33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;The Committee of Selection consisted, says the
<i>Satirist</i> (November 1, 1812, p. 395),

 <blockquote> "of one peer and two commoners, one poet and two prosers, one Lord and
  two Brewers; and the only points in which they coincided were in being
  all three parliament men, all three politicians, all three in
  opposition to the Government of the country. Their names, as we
  understand, were Vassal Holland, Samuel Whitbread, and Harvey
  Christian Combe."</blockquote>
<a href="#frh33">return</a><br>
  <br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>


<h3><a name="L259"></a>259&mdash;to Lord Holland</h3>
<br>
<blockquote>Far be from him that hour which asks in vain<br>
Tears such as flow for Garrick in his strain;</blockquote>

<i>or</i>,

<blockquote>Far be that hour that vainly asks in turn<br>
Such verse for him as {<i>crown'd his</i>/wept o'er} Garrick's urn.</blockquote>
<br>

September 30, 1812.<br>
<br><br>

Will you <a name="frh41">choose</a> between these added to the lines on Sheridan<a href="#fh41"><sup>1</sup></a>?<br>
<br>
I think they will wind up the panegyric, and agree with the train of
thought preceding them.<br>
<br>
Now, one word as to the Committee&mdash;how could they resolve on a rough
copy of an <i>Address</i> never sent in, unless you had been good enough
to retain in memory, or on paper, the thing they have been good enough
to adopt? By the by, the circumstances of the case should make the
Committee less <i>avidus gloriæ</i>, for all praise of them would look
plaguy suspicious. If necessary to be stated at all, the simple facts
bear them out. They surely had a right to act as they pleased. My sole
object is one which, I trust, my whole conduct has shown; viz. that I
did nothing insidious&mdash;sent in no Address <i>whatever</i>&mdash;but, when
applied to, did my best for them and myself; but, above all, that there
was no undue partiality, which will be what the rejected will endeavour
to make out. Fortunately&mdash;most fortunately&mdash;I sent in no lines on the
occasion. For I am sure that had they, in that case, been preferred, it
would have been asserted that <i>I</i> was known, and owed the
preference to private friendship. This is what we shall probably have to
encounter; but, if once spoken and approved, we sha'n't be much
embarrassed by their brilliant conjectures; and, as to criticism, an
<i>old</i> author, like an old bull, grows cooler (or ought) at every
baiting.<br>
<br>
The only thing would be to avoid a party on the night of
delivery&mdash;afterwards, the more the better, and the whole transaction
inevitably tends to a good deal of discussion. <a name="frh42">Murray</a> tells me there are
myriads of ironical Addresses<a href="#fh42"><sup>2</sup></a> ready&mdash;<i>some</i>, in imitation of
what is called <i>my style</i>. If they are as good as the
<i>Probationary Odes</i><a href="#fh43"><sup>3</sup></a>, or Hawkins's <i>Pipe of Tobacco</i><a href="#fh44"><sup>4</sup></a>,
it will not be bad fun for the imitated.

Ever, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; These added lines, as may be seen by reference to the
printed Address, were not retained.<br>
<a href="#frh41">return to footnote mark</a><br>
<br>
<br>
<a name="fh42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Probably the reference is to <i>Rejected Addresses, or the
New Theatrum Poetarum</i> (1812), by James (1775-1839) and Horace
(1779-1849) Smith. "Cui Bono?" the parody on Byron, is the joint
composition of James and Horace. The manuscript was offered to Murray
for £20, but declined by him. It was afterwards published by John
Miller, of Bow Street, Covent Garden, who also published <i>Horace in
London</i>.<br>
<a href="#frh42">return</a><br>
<br>
<br>
<a name="fh43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <i>Probationary Odes</i>, which generally forms, with
<i>Political Eclogues</i>, the third portion of the <i>Rolliad</i>, is
really distinct from that work. It is the result of an imaginary contest
for the laureate-ship. Each candidate was to deliver a "Probationary
Birthday Ode," and among the candidates are Dr. Pretyman, Archbishop
Markham, Thomas and Joseph Warton, Sir Cecil Wray, Sir Joseph Mawbey,
Henry Dundas, Lord Thurlow, and other Tories of the day. The plan of the
work is said to have been suggested by Joseph Richardson (1755-1803),
who wrote Odes iv. (Sir Richard Hill) and xix. (Lord Mountmorres).<br>
<a href="#frh42">return</a><br>
<br>
<br>
<a name="fh44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;<i>In Praise of a Pipe of Tobacco</i> (1736), written by
Isaac Hawkins Browne (1705-1760), was an ode in imitation of Swift,
Pope, Thomson, and other contemporary poets. Browne represented Wenlock
in the Whig interest in the Parliaments of 1744 and 1747. Johnson spoke
of him (Boswell, <i>Johnson</i>, April 5, 1775) as "one of the first
wits of this country," who "got into Parliament, and never opened his
mouth."<br>
<a href="#frh42">return</a><br>
<br>
<p><a href="#lp6">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L260">260&mdash;to Lord Holland</a></h3>
<br>
October 2, 1812.<br>
<br><br>

A copy of this <i>still altered</i> is sent by the post, but this will
arrive first. It must be "humbler"&mdash;"<i>yet aspiring</i>" does away the
modesty, and, after all, <i>truth is truth</i>. Besides, there is a puff
direct altered, to please your <i>plaguy renters</i>.<br>
<br>
I shall be at Tetbury by 12 or 1&mdash;but send this for you to ponder over.
There are several little things marked thus / altered for your perusal.
I have dismounted the cavalry, and, I hope, arranged to your general
satisfaction.<br>
<br>
Ever, etc.<br>
<br>
At Tetbury by noon.&mdash;I hope, after it is sent, there will be no more
elisions. It is not now so long&mdash;73 lines&mdash;two less than allotted. I
will alter all Committee objections, but I hope you won't permit
<i>Elliston</i> to have any <i>voice</i> whatever,&mdash;except in speaking
it.<br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L261">261&mdash;to John Murray</a></h3>
<br>
Cheltenham, Oct. 12, 1812.<br><br>

<br>
<b>Dear Sir</b>,&mdash;I <a name="frh51">have</a> a <i>very strong objection</i> to the engraving of the
portrait<a href="#fh51"><sup>1</sup></a>, and request that it may, on no account, be prefixed; but
let <i>all</i> the proofs be burnt, and the plate broken. I will be at
the expense which has been incurred; it is but fair that <i>I</i>
should, since I cannot permit the publication. I beg, as a particular
favour, that you will lose no time in having this done, for which I have
reasons that I will state when I see you. Forgive all the trouble I have
occasioned you.<br>
<br>
I <a name="frh52">have</a> received no account of the reception of the <i>Address</i><a href="#fh52"><sup>2</sup></a>,
but see it is vituperated in the papers, which does not much embarrass
an <i>old author</i>. I leave it to your own judgment to add it, or not,
to your next edition when required. Pray comply <i>strictly</i> with my
wishes as to the engraving, and believe me, etc.<br>
<br>
Yours very truly,<br>
<br>
<b>Byron</b>.<br>
<br>
P.S.&mdash;Favour me with an answer, as I shall not be easy until I hear that
the <i>proofs</i>, etc., are destroyed. I <a name="frh53">hear</a> that the <i>Satirist</i>
has reviewed <i>Childe Harold</i><a href="#fh53"><sup>3</sup></a>, in what manner I need not ask;
but I wish to know if the old personalities are revived? I have a better
reason for asking this than any that merely concerns myself; but in
publications of that kind, others, particularly female names, are
sometimes introduced.<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; A miniature by Sanders. Besides this miniature, Sanders had
also painted a full-length of Byron, from which the portrait prefixed to
the quarto edition of Moore's <i>Life</i> is engraved. In reference to
the latter picture, Byron says, in a note to Rogers,

 <blockquote> "If you think the picture you saw at Murray's worth your acceptance,
  it is yours; and you may put a glove or mask on it, if you like"</blockquote>
  (Moore).<br>
<a href="#frh51">return to footnote mark</a><br>
<br>
<br>
<a name="fh52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; On Saturday, October 10, Drury Lane reopened with <i>The
Devil to Pay</i> and <i>Hamlet</i>. Then, after the whole body of actors
had sung "God save the King" and "Rule, Britannia," Elliston delivered
Byron's address.<br>
<a href="#frh52">return</a><br>
<br>
<br>
<a name="fh53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <i>The Satirist, a Monthly Meteor</i> (see <i>Letters</i>,
vol. i. p. 321, <i>note</i> 3 [Footnote 3 of Letter 159]), ran from October, 1807, to 1814. Up to
1812 it was the property of George Manners, who sold it in that year to
W. Jerdan. It reviewed <i>Childe Harold</i> in October, 1812 (pp.
344-358); and again in December of the same year (pp. 542-550). In the
first of the two notices, the <i>Satirist</i> quotes the "judgment of
our predecessors," that unless Byron "improved wonderfully, he could
never be a poet," and continues thus:

  <blockquote>"It is with unaffected satisfaction we find that he has improved
  wonderfully, and that he is a poet. Indeed, when we consider the
  comparatively short interval which has elapsed, and contrast the
  character of his recent with that of his early work, we confess
  ourselves astonished at the intellectual progress which Lord Byron has
  made, and are happy to hold him up as another example of the
  extraordinary effects of study and cultivation, <i>even</i> on minds
  apparently of the most unpromising description."</blockquote>

The reviewer severely condemns the morbid bitterness of the poet's
thought and feeling, but yet affirms that the poems

  <blockquote>"abound with beautiful imagery, clothed in a diction free, forcible,
  and various. <i>Childe Harold</i>, although avowedly a fragment,
  contains many fragments which would do honour to any poet, of any
  period, in any country."</blockquote>
<a href="#frh53">return</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L262">262&mdash;to Lord Holland.</a></h3>
<br>
Cheltenham, Oct. 14, 1812.<br>
<br><br>

<b>My Dear Lord</b>,&mdash;I <a name="frh61">perceive</a> that the papers, yea, even Perry's<a href="#fh61"><sup>1</sup></a>, are
somewhat ruffled at the injudicious preference of the Committee. My
friend Perry has, indeed, <i>et tu, Brute</i>-d me rather scurvily, for
which I will send him, for the <i>Morning Chronicle</i>, the next
epigram I scribble, as a token of my full forgiveness.<br>
<br>
Do the Committee mean to enter into no explanation of their proceedings?
You must see there is a leaning towards a charge of partiality. You
will, at least, acquit me of any great anxiety to push myself before so
many elder and better anonymous, to whom the twenty guineas (which I
take to be about two thousand pounds <i>Bank</i> currency) and the
honour would have been equally welcome. "Honour," I see, "hath skill in
paragraph-writing."<br>
<br>
I wish to know how it went off at the second reading, and whether any
one has had the grace to give it a glance of approbation. I have seen no
paper but Perry's and two Sunday ones. Perry is severe, and the others
silent. If, however, you and your Committee are not now dissatisfied
with your own judgments, I shall not much embarrass myself about the
brilliant remarks of the journals. My own opinion upon it is what it
always was, perhaps pretty near that of the public.<br>
<br>
Believe me, my dear Lord, etc., etc.<br>
<br>
P.S.&mdash;My best respects to Lady H., whose smiles will be very
consolatory, even at this distance.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; James Perry (1756-1821) purchased, in 1789, the <i>Morning
Chronicle</i>, originally established by Woodfall in 1769. In Perry's
hands the paper became the leading organ of the Whigs. He was the first
editor to introduce a succession of parliamentary reporters. He gathered
round him a remarkable staff of contributors, including Ricardo, Sir
James Mackintosh, Porson (who married his sister), Charles Lamb,
Sheridan, Coleridge, Hazlitt, Lord Campbell, Moore, Campbell, Byron, and
Burns. The <i>Morning Chronicle</i> (October 12, 1812) says:

 <blockquote> "Mr. Elliston then came forward and delivered the following
  <i>Prize</i> Address. We cannot boast of the eloquence of the
  delivery. It was neither gracefully nor correctly recited. The merits
  of the production itself we submit to the criticism of our readers. We
  cannot suppose that it was selected as the most poetical composition
  of all the scores that were submitted to the Committee. But, perhaps
  by its tenor, by its allusions to the fire, to Garrick, to Siddons,
  and to Sheridan, it was thought most applicable to the occasion,
  notwithstanding its being in parts unmusical, and in general tame."</blockquote>

Again (October 14), in a notice of <i>Rejected Addresses</i>, the
<i>Morning Chronicle</i> returns to the subject:

  <blockquote>"A wag has already published a small volume of <i>Addresses
  rejected</i>, in which, with admirable wit, all the poets of the day
  are assembled, contesting for the Prize Address at Drury Lane. And
  certainly he has assigned to the pen of Lord B. a superior <i>poem</i>
  to that which has gained the prize."</blockquote>

The Address was also severely handled in <i>A Critique on the Address
written by Lord Byron, which was Spoken at the opening of the New
Theatre Royal, Drury Lane, October</i> 10, 1812. By Lord&mdash;&mdash; (London, no date). The author is "astonished at the glaring faults and
general insipidity" of the address, and, after a detailed criticism,
concludes that "public indignation" will sympathize with the rejected
poets, and "pursue the rival patrons and the rival bard."<br>
<br>
Rogers, writing to Moore, October 22, 1812 (<i>Memoirs, etc., of Thomas
Moore</i>, vol. viii. p. 123), says, <blockquote>"Poor Byron! what I hear and read
of his prologue makes me very angry. Of such value is public favour! So
a man is to be tried by a copy of verses thrown off perhaps at hazard,
and <i>invitâ Minervâ!</i>"</blockquote>
<a href="#frh61">return to footnote mark</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L263"></a>263&mdash;to John Hanson</h3>
<br>
Cheltenham, Octr. 18th, 1812.<br><br>

<br>
Dear Sir,&mdash;With perfect confidence in you I sign the note; but is not
Claughton's delay very strange? let us take care what we are about. I
answered his letter, which I enclose to you, very <i>cautiously;</i> the
wines and China, etc., I will not demur much upon; but the <i>vase</i>
and cup (not the <i>skull cup</i>) and some little coffee things brought
from the East, or made for the purpose of containing relics brought from
thence, I will not part with, and if he refuses to ratify, I will take
such steps as the Law will allow on the form of the contract for
compelling him to ratify it.<br>
<br>
Pray write. I am invited to Lord O.'s and Lord H.'s; but if you wish
very much to meet me I can come to town.<br>
<br>
I suppose the tythe purchase will be made in my name. <a name="frh71">What</a> is to be done
with Deardon?<a href="#fh71"><sup>1</sup></a><br>
<br>
<a name="frh72">Mrs</a>. M[assingberd]<a href="#fh72"><sup>2</sup></a> is dead, and I would wish something settled for
the Daughter who is still responsible. Will you give a glance into that
business, and if possible first settle something about the Annuities.<br>
<br>
I shall perhaps draw within a £100 next week, but I will delay for your
answer on C.'s business.<br>
<br>
Ever yours, sincerely and affectionately,<br>
<br>
<b>Byron</b>.<br>
<br>
My love to all the family.<br>
<br>
I wish to do something for young Rushton, if practicable at
<i>Rochdale</i>; if not, think of some situation where he might occupy
himself to avoid Idleness, in the mean time.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Deardon was the lessee of the Rochdale coal-pits.

 <blockquote> "When Mr. France was here," writes Mrs. Byron to Hanson, July 13, 1811
  (Kölbing's <i>Englische Studien</i>, vol. xxv. p. I53), "he told me
  there had been an injunction procured to prevent Deardin from working
  the Coal Pits that was in dispute between Lord Byron and him, but
  since France was here, there has been a Man from Lancashire who says
  they are worked by Deardin the same as ever. I also heard that the
  Person you sent down to take an account of the Coals was bribed by
  Deardin, and did not give an account of half of what was got."</blockquote>
<a href="#frh71">return to footnote mark</a><br>
<br>
<br>
<a name="fh72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For Mrs. Massingberd, see <i>Letters</i>, vol. i. p. 100,
at end of <i>note</i> 3 [Footnote 1 of Letter 52]. Byron's pecuniary transactions, though not
unimportant in their influence on his career, are difficult to unravel.
The following statement, in his own handwriting, with regard to the
Annuities was apparently prepared for some legal proceedings, and is
dated January 16, 1812:

 <blockquote>"Lord Byron, to the best of his knowledge and recollection, in Dec.,
  1805-January, 1806 applied to King, in consequence of an
  advertisement in the papers, who acquainted Lord Byron that his
  minority prevented all money transactions without the security of
  competent persons. Through Mr. K. he became acquainted with Mr.
  Dellevelly, another of the tribe of Israel, and subsequently with a
  Mr. Howard of Golden Square.<br>
<br>
  "After many delays, during which Lord B. had interviews with Howard,
  once, he thinks, in Golden Square, but more frequently in Piccadilly,
  Mrs. M[assingberd] agreed to become security jointly with her
  daughter. Lord B. knows Howard's person perfectly well, has not seen
  him subsequent to the transaction, but recollects Howard's mentioning
  to him that he, Lord B., was acting imprudently, stating that he made
  it a rule to advise young men against such proceedings. Lord B.
  recollects, on the day on which the money was paid, that he remained
  in the next room till the papers were signed, Mrs. M[assingberd]
  having stated that the parties wished him to be kept out of sight
  during the business, and wished to avoid even mentioning his name.
  Mrs. M[assingberd] deducted the interest for two years and a half, and
  £100 for Howard's papers." </blockquote>

Two other Annuities were effected, in both of which Mrs. Massingberd
figured as a security, and in one the manager of Dorant's Hotel. It was
the interest on these minority loans which crippled Byron. Two were
still unpaid in 1817.<br>
<a href="#frh72">return</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L264">264&mdash;to John Murray</a></h3>
<br>
Cheltenham, Oct. 18, 1812,<br>
<br><br>

Dear Sir,&mdash;<a name="frh81">Will</a> you have the goodness to get this Parody of a peculiar
kind<a href="#fh81"><sup>1</sup></a> (for all the first lines are <i>Busby's</i> entire), inserted
in several of the papers (<i>correctly</i>&mdash;and copied <i>correctly; my
hand</i> is difficult)&mdash;particularly the <i>Morning Chronicle</i>? Tell
Mr. Perry I forgive him all he has said, and may say against <i>my
address</i>, but he will allow me to deal with the Doctor&mdash;(<i>audi
alteram partem</i>)&mdash;and not <i>betray</i> me. I cannot think what has
befallen Mr. Perry, for of yore we were very good friends;&mdash;but no
matter, only get this inserted.<br>
<br>
I have a poem on Waltzing for <i>you</i>, of which I make <i>you</i> a
present; but it must be anonymous. It is in the old style of <i>English
Bards, and Scotch Reviewers</i>.<br>
<br>
Ever yours,<br>
<br>
<b>Byron</b>.<br>
<br>
P. S.&mdash;<a name="frh82">With</a> the next edition of <i>Childe Harold</i> you may print the
first fifty or a hundred opening lines of the <i>Curse of Minerva</i><a href="#fh82"><sup>2</sup></a> down to the couplet beginning

<blockquote>Mortal ('twas thus she spake), etc.</blockquote>

Of course, the moment the Satire begins, there you will stop, and the
opening is the best part.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The <i>Parenthetical Address</i>, "By Dr. Plagiary," is a
parody by Byron of Dr, Busby's <i>Address</i>, the original of which
will be found in the <i>Genuine Rejected Addresses</i>, as well as
parodied in <i>Rejected Addresses</i> ("Architectural Atoms"). On
October 14 young Busby forced his way on to the stage of Drury Lane,
attempted to recite his father's address, and was taken into custody. On
the next night, Dr. Busby, speaking from one of the boxes, obtained a
hearing for his son, who could not, however, make his voice heard in the
theatre. Then another "rejected" author tried to recite his composition,
but was hooted down. Order was restored by Raymond reminding the
audience that the Chamberlain's licence was necessary for all stage
speeches. To the failure of the younger Busby (himself a competitor and
the author of an "Unalogue" of fifty-six lines) to make himself heard,
Byron alludes in the stage direction to the <i>Parenthetical
Address</i>&mdash;"to be spoken in an inarticulate voice by Master P." The
<i>Parenthetical Address</i> appeared in the <i>Morning Chronicle</i>
for October 23, 1812. In the same issue was printed a long statement by
Dr. Busby, in which, after paying a compliment to Byron's "poetical
genius," he insisted that the Committee of Drury Lane had broken faith
by not choosing one of the addresses sent in by competitors. (See
references to Dr. Busby in <i>Poems</i>, vol. i. pp. 481 and 485,
<i>note</i> 1.) Dr. Thomas Busby (1755-1838) composed the music for
Holcroft's <i>Tale of Mystery</i>, the first musical melodrama produced
on the English stage (Covent Garden, November 13, 1802). He was for some
time assistant editor of the <i>Morning Post</i>, and Parliamentary
reporter for the <i>London Courant</i>; wrote on musical subjects,
taught languages and music, and translated Lucretius into rhymed verse
(1813).<br>
<a href="#frh81">return to footnote mark</a><br>
<br>
<br>
<a name="fh82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;<i>The Curse of Minerva,</i> written at Athens, in 1811,
was not published as a whole till 1828. But the first fifty-four lines
appeared in Canto III of <i>The Corsair</i> (1814). (See <i>The Curse
of Minerva:</i> Introductory note, <i>Poems,</i> 1898, vol. i. p. 453.)<br>
<a href="#frh82">return</a><br>
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<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L265">265&mdash;to Robert Rushton</a></h3>
<br>
Cheltenham, Oct. 18th, 1812.<br>
<br>
<br>
Robert,&mdash;I hope you continue as much as possible to apply yourself to
<i>Accounts</i> and Land-Measurement, etc. Whatever change may take
place about Newstead, there will be none as to you and Mr. Murray. It is
intended to place you in a situation in Rochdale for which your
pursuance of the Studies I recommend will best fit you. Let me hear from
you; is your health improved since I was last at the Abbey? In the mean
time, if any accident occur to me, you are provided for in my will, and
if not, you will always find in your Master a sincere Friend. <br>
B.<br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L266">266&mdash;to John Murray</a></h3>
<br>
Oct. 19, 1812.<br>
<br><br>

Dear Sir,&mdash;Many thanks, but I <i>must</i> pay the <i>damage</i>, and
will thank you to tell me the amount for the engraving. I think the
<i>Rejected Addresses</i> by far the best thing of the kind since the
<i>Rolliad</i>, and wish <i>you</i> had published them. Tell the author
"I forgive him, were be twenty times our satirist;" and think his
imitations not at all inferior to the famous ones of Hawkins Browne. He
must be a man of very lively wit, and much less scurrilous than Wits
often are: altogether, I very much admire the performance, and wish it
all success. The <i>Satirist</i> has taken a <i>new</i> tone, as you
will see: we have now, I think, finished with <i>C. H.'s</i> critics. I
have in <i>hand</i> a <i>Satire</i> on <i>Waltzing</i>, which you must
publish anonymously: it is not long, not quite 200 lines, but will make
a very small boarded pamphlet. In a few days you shall have it.<br>
<br>
Ever yours,<br>
<br>
<b>Byron</b>.<br>
<br>
P.S.&mdash;The editor of the <i>Satirist</i> almost ought to be thanked for
his revocation; it is done handsomely, after five years' warfare.
<br>
<br>
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<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L267"></a>267&mdash;to John Hanson</h3>
<br>
Octr. 22d, 1812.<br><br>

<br>
<b>Dear Sir</b>,&mdash;I enclose you Mr. C[laughton]'s letter, from which you
yourself will judge of my own. I insisted on the <i>contract</i>, and
said, <i>if</i> I gave up the wines, etc., it would be as a <i>gift</i>.
He admits the validity, as you perceive. I told him that <i>I</i> wished
to avoid raising difficulties and in all respects to fulfil the bargain.<br>
<br>
I am going to Lord Oxford's, <i>Eywood, Presteigne, Hereford</i>. In my
way back I will take Farleigh, if you are not returned to London before.<br>
<br>
I wish to take a small <i>house</i> for the winter any where not remote
from St. James's. Will you arrange this for me?&mdash;and think of young
Rushton, whom I promised to provide for, and must begin to think of it;
he might be a <i>sub</i>-Tythe <i>collector</i>, or a Bailiff to our
agent at Rochdale, or many other things. He has had a fair education and
was well disposed; at all events, he must no longer remain in idleness.<br>
<br>
Let the Mule be sold and the dogs.<br>
<br>
Pray let me hear from you when convenient, and<br>
<br>
Believe me, ever yours truly,<br>
<br>
<b>Byron</b>.<br>
<br>
My best remembrances to all.<br>
<br>
I shall draw for <i>fifty</i> this week.<br>
<br>
Is anything done about Miss M[assingberd]? You have not mentioned her.<br>
<br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L268">268&mdash;to John Murray</a></h3>
<br>
Oct. 23, 1812.<br>
<br><br>

<b>Dear Sir</b>,&mdash;Thanks, as usual. You go on boldly; but have a care of
<i>glutting</i> the public, who have by this time had enough of <i>C.
H.</i> <i>Waltz</i> shall be prepared. It is rather above 200 lines,
with an introductory letter to the Publisher. I think of publishing,
with <i>C. H.</i>, the opening lines of the <i>Curse of Minerva</i>, as
far as the first speech of Pallas,&mdash;because some of the readers like
that part better than any I have ever written; and as it contains
nothing to affect the subject of the subsequent portion, it will find a
place as a <i>descriptive fragment</i>.<br>
<br>
The <i>plate</i> is <i>broken</i>? between ourselves, it was unlike the
picture; and besides, upon the whole, the frontispiece of an author's
visage is but a paltry exhibition. At all events, <i>this</i> would have
been no recommendation to the book. I am sure Sanders would not have
<i>survived</i> the engraving. By the by, the <i>picture</i> may remain
with <i>you</i> or <i>him</i> (which you please), till my return. The
<i>one</i> of two remaining copies is at your service till I can give
you a <i>better</i>; the other must be <i>burned peremptorily</i>.
Again, do not forget that I have an account with you, and <i>that</i>
this is <i>included</i>. I give you too much <b>Trouble</b> to allow you to
incur <b>Expense</b> also.<br>
<br>
You best know how far this "Address Riot" will affect the future sale of
<i>C. H.</i> I like the volume of "<i>rejected A.</i>" better and
better. The other parody which Perry has received is <i>mine</i> also (I
believe). It is Dr. Busby's speech versified. You are removing to
Albemarle Street, I find, and I rejoice that we shall be nearer
neighbours. I am going to Lord Oxford's, but letters here will be
forwarded. When at leisure, all communications from you will be
willingly received by the humblest of your scribes. <a name="frh91">Did</a> Mr. Ward write
the review of H. Tooke's Life<a href="#fh91"><sup>1</sup></a>? It is excellent.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fh91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See <i>Quarterly Review</i>, vol. vii. p. 313. The article
alluded to was written by the Hon. J. W. Ward, afterwards Earl of
Dudley.<br>
<a href="#frh91">return to footnote mark</a><br>
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<hr><br><br>

<h3><a name="L269">269&mdash;to John Hanson</a></h3>
<br>
Eywood, Presteign, Hereford, Octr. 31st, 1812.<br>
<br><br>

<b>Dear Sir</b>,&mdash;<a name="frm1">The</a> inclosed bill<a href="#fm1"><sup>1</sup></a> will convince you how anxious I must be
for the payment of Claughton's first instalment; though it has been sent
in without due notice, I cannot blame Mr. Davies who must feel very
anxious to get rid of the business. Press C., and let me have an answer
whenever you can to this Place.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
P.S.&mdash;I am at <i>Lord Oxford's</i>, Eywood, as above.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The bill was Byron's for £1500, and the enclosure ran as
follows:

  <blockquote>"Lord Byron.<br>
<br>
  A Bill for £1500, drawn by Scrope B. Davies, lies due at Sir <i>James
  Esdaile</i> and Co's., No. 21, <i>Lombard-Street</i>.<br>
<br>
  All Drafts intended for the Payment of Bills, to be brought before
  Half past Three o'Clock.<br>
<br>
  Please to call between 3 and Five o'Clock."</blockquote>

The same day Byron writes a second letter to Hanson:

  <blockquote>"Do pray press Claughton, as Mr. D.'s business must be settled at all
  events. I send you his letter, and I am more uncomfortable than I can
  possibly express myself upon the subject. Pray write."</blockquote>
<a href="#frm1">return to footnote mark</a><br>
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<hr><br><br>

<h3><a name="L270">270&mdash;to John Hanson</a></h3>
<br> <br>

Presteign, Novr. 8th, 1812.<br>
<br>
<b>Dear Sir</b>,&mdash;Not being able (and to-day being Sunday also) to procure a
stamp, as the Post town is very remote, I must request this letter to be
considered as an Order for paying fifteen hundred pounds to S. B. Davies,
Esq., and the same sum to your own account for the Tythe purchase. Mr.
D.'s receipt can be indorsed on the bond.<br>
<br>
I shall be in London the latter end of the week. I set out from this
place on the 12th. As to Mr. C., the Law must decide between us; I shall
abide by the Contract. Your answer will not reach me in time, so do not
write to me while here.<br>
<br>
<a name="frm11">Pray</a> let Mr. D. be paid and you also&mdash;come what may<a href="#fm11"><sup>1</sup></a>. I always foresaw
that C. would <i>shirk;</i> but he did it with his eyes open. What
question can arise as to the title? has it never been examined? I never
heard of it before, and surely, in all our law suits, that question must
have come to issue.<br>
<br>
I hope we shall meet in town. I will wait on you the moment I arrive.<br>
<br>
My best respects to your family; believe me, <br>
Ever yours sincerely,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Byron was prepared to make some sacrifices to extricate
himself from debt, or go abroad. The following letter to Hanson is dated
December 10, 1812:

 <blockquote> "<b>Dear Sir</b>,&mdash;I have to request that you will pay the bearer (my Groom)
  the wages due to him (12 pds. 10s.), and dismiss him immediately, as I
  have given up my horses, and place the sum to my account.<br>
<br>
  Ever yours,<br>
<br>
  <b>Byron</b>."</blockquote>

Four days later, December 14, 1812, he writes again to Hanson&mdash;

  <blockquote>"<b>Dear Sir,</b>&mdash;I request your attention to the enclosed. See what can be
  done with Howard, and urge Claughton. If this kind of thing continues,
  I must quit a country which my debts render uninhabitable,
  notwithstanding every sacrifice on my part.<br>
<br>
  Yours ever,<br>
<br>
  B."</blockquote>
<a href="#frm11">return to footnote mark</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L271">271&mdash;to John Hanson</a></h3>
<br>
Presteign, Novr. 16th, 1812.<br>
<br><br>

<b>Dear Sir</b>,&mdash;The floods having rendered the road impassable, I am detained
here, but trust by the latter end of the week to proceed to Cheltenham,
where I shall expect a letter from you to tell me if I am wanted in
town.<br>
<br>
I shall not be in time for the Prince's address; but I wish you to write
down for my <i>Parliamentary</i> robes (Mrs. Chaworth had them, at least
Mrs. Clarke the mother); though I rather think those were the Coronation
and not the House robes. At least enquire.<br>
<br>
I hope Mr. D. is paid; and, if Mr. C. demurs, we must bring an action
according to Contract.<br>
<br>
I trust you are well, and well doing in my behalf and your own.<br>
<br>
Ever yours most sincerely,<br>
<br>
B.<br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L272">272&mdash;to John Murray</a></h3>
<br>
Cheltenham, November 22, 1812.<br><br>

<br>
<b>Dear Sir</b>,&mdash;On my return here from Lord Oxford's, I found your obliging
note, and will thank you to retain the letters, and any other subsequent
ones to the same address, till I arrive in town to claim them, which
will probably be in a few days. I have in charge a curious and very long
MS. poem, written by Lord Brooke (the <i>friend</i> of Sir <i>Philip
Sidney</i>), which I wish to submit to the inspection of Mr. Gifford,
with the following queries: &mdash;first, whether it has ever been published,
and secondly (if not), whether it is worth publication? It is from Lord
Oxford's Library, and must have escaped or been overlooked amongst the
MSS. of the Harleian Miscellany. The writing is Lord Brooke's, except a
different hand towards the close. It is very long, and in the six-line
stanza. It is not for me to hazard an opinion upon its merits; but I
would take the Liberty, if not too troublesome, to submit it to Mr.
Gifford's judgment, which, from his excellent edition of Massinger, I
should conceive to be as decisive on the writings of that age as on
those of our own.<br>
<br>
<a name="frm21">Now</a> for a less agreeable and important topic.&mdash;How came Mr. Mac-Somebody<a href="#fm21"><sup>1</sup></a>, without consulting you or me, to prefix the Address to his volume
of "<i>dejected addresses?"</i> Is not this somewhat larcenous? I think
the ceremony of leave might have been asked, though I have no objection
to the thing itself; and leave the "hundred and eleven" to tire
themselves with "base comparisons." I should think the ingenuous public
tolerably sick of the subject, and, except the parodies, I have not
interfered, nor shall; <a name="frm22">indeed</a> I did not know that Dr. Busby had
published his apologetical letter and postscript<a href="#fm22"><sup>2</sup></a>, or I should have
recalled them. But, I confess, I looked upon his conduct in a different
light before its appearance. I <a name="frm23">see</a> some mountebank has taken Alderman
Birch's name<a href="#fm23"><sup>3</sup></a> to vituperate the Doctor; he had much better have
pilfered his pastry, which I should imagine the more valuable
ingredient&mdash;at least for a Puff. &mdash;<a name="frm24">Pray</a> secure me a copy of Woodfall's
new <i>Junius</i><a href="#fm24"><sup>4</sup></a>,<br>
<br>
and believe me,<br>
<br>
Dear Sir, yours very sincerely,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; B. McMillan.<br>
<a href="#frm21">return to footnote mark</a><br>
<br>
<br>
<a name="fm22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;This probably refers to Busby's apologetic letter in the
<i>Morning Chronicle</i> for October 23, 1812.<br>
<a href="#frm22">return</a><br>
<br>
<br>
<a name="fm23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Alderman Birch was a pastry-cook in Cornhill.<br>
<a href="#frm23">return</a><br>
<br>
<br>
<a name="fm24"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; In the Catalogue of Byron's books, sold April 5, 1816,
appear two copies of <i>Junius</i>:
<ul>

<li>"Junius's Letters, 2 vol. <i>russia</i>, 1806."</li>
<li>"Junius's Letters, by Woodfall, 3 vol., <i>Large Paper</i>, 1812."</li>
</ul><br>
<a href="#frm24">return</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L273">273&mdash;to William Bankes</a></h3>
<br>
December 26, [1812].<br>
<br><br>

The multitude of your recommendations has already superseded my humble
endeavours to be of use to you; and, indeed, most of my principal
friends are returned, Leake from Joannina, Canning and Adair from the
city of the Faithful, and at Smyrna no letter is necessary, as the
consuls are always willing to do every thing for personages of
respectability. I have sent you <i>three</i>; one to Gibraltar, which,
though of no great necessity, will, perhaps, put you on a more intimate
footing with a very pleasant family there. You will very soon find out
that a man of any consequence has very little occasion for any letters
but to ministers and bankers, and of them we have already plenty, I will
be sworn.<br>
<br>
It is by no means improbable that I shall go in the spring; and if you
will fix any place of rendezvous about August, I will <i>write</i> or
<i>join</i> you.&mdash;When in Albania, I wish you would inquire after
Dervise Tahiri and Vascillie (or Bazil), and make my respects to the
viziers, both there and in the Morea. If you mention my name to Suleyman
of Thebes, I think it will not hurt you; if I had my dragoman, or wrote
Turkish, I could have given you letters of <i>real service;</i> but to
the English they are hardly requisite, and the Greeks themselves can be
of little advantage. Liston<a href="#fm31"><sup>1</sup></a> you <a name="frm31">know</a> already, and I do not, as he
was not then minister. Mind you visit Ephesus and the Troad, and let me
hear from you when you please. I believe G. Forresti is now at Yanina;
but if not, whoever is there will be too happy to assist you. Be
particular about <i>firmauns;</i> never allow yourself to be bullied,
for you are better protected in Turkey than any where; trust not the
Greeks; and take some knicknackeries for <i>presents&mdash;watches,
pistols,</i> etc., etc., to the Beys and Pachas. If you find one
Demetrius, at Athens or elsewhere, I can recommend him as a good
dragoman. I hope to join you, however; but you will find swarms of
English now in the Levant.<br>
<br>
Believe me, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Robert Liston, afterwards Sir Robert Liston (1742-1836),
succeeded Adair as Ambassador at Constantinople in 1811.<br>
<a href="#frm31">return</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L274">274&mdash;to John Murray.</a></h3>
<br>
Eywood, Presteign, January 8, 1813.<br><br>

<br>
Dear Sir,&mdash;You have been imposed upon by a letter forged in my name to
obtain the picture left in your possession. <a name="frm41">This</a> I know by the
confession of the culprit<a href="#fm41"><sup>1</sup></a> and as she is a woman (and of rank), with
whom I have unfortunately been too much connected, you will for the
present say very little about it; but if you have the letter
<i>retain</i> it&mdash;write to me the particulars. You will also be more
cautious in future, and not allow anything of mine to pass from your
hands without my <i>Seal</i> as well as Signature.<br>
<br>
I have not been in town, nor have written to you since I left it. So I
presume the forgery was a skilful performance.&mdash;I shall endeavour to get
back the picture by fair means, if possible.<br>
<br>
Yours ever,<br>
<br>
<b>Byron</b>.<br>
<br>
P. S.&mdash;Keep the letter if you have it. I did not receive your parcel, and
it is now too late to send it on, as I shall be in town on the 17th. <a name="frm42">The</a>
<i>delinquent</i> is one of the first families in this kingdom; but, as
Dogberry says, this is "flat burglary."<a href="#fm42"><sup>2</sup></a><br>
<br>
Favour me with an answer. I hear I am scolded in the <i>Quarterly;</i>
but you and it are already forgiven. I suppose that made you bashful
about sending it.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The culprit was Lady Caroline Lamb, who imitated Byron's
handwriting with remarkable skill.<br>
<a href="#frm41">return to footnote mark</a><br>
<br>
<br>
<a name="fm42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;<i>Much Ado about Nothing</i>, act iv. sc. 2.<br>
<a href="#frm42">return</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L275">275&mdash;to Francis Hodgson</a></h3>
<br>
February 3, 1813.<br>
<br><br>

My Dear Hodgson,&mdash;I will join you in any bond for the money you require,
be it that or a larger sum. With regard to security, as Newstead is in a
sort of abeyance between sale and purchase, and my Lancashire property
very unsettled, I do not know how far I can give more than personal
security, but what I can I will. At any rate you can try, and as the sum
is not very considerable, the chances are favourable. I hear nothing of
my own concerns, but expect a letter daily. Let me hear from you where
you are and will be this month. I am a great admirer of the <i>R. A.</i>
[<i>Rejected Addresses</i>], though I have had so great a share in the
cause of their publication, <a name="frm51">and</a> I like the <i>C. H.</i> [<i>Childe
Harold</i>] imitation one of the best<a href="#fm51"><sup>1</sup></a>. Lady Oxford has heard me talk
much of you as a relative of the Cokes, etc., and desires me to say she
would be happy to have the pleasure of your acquaintance. You must come
and see me at K[insham]. I am sure you would like <i>all</i> here if you
knew them.<br>
<br>
The "Agnus" is furious. <a name="frm52">You</a> can have no idea of the horrible and absurd
things she has said and done<a href="#fm52"><sup>2</sup></a> since (really from the best motives) I
withdrew my homage. "<a name="frm53">Great</a> pleasure" is, certes, my object, but "<i>why
brief</i>, Mr. Wild?"<a href="#fm53"><sup>3</sup></a> I cannot answer for the future, but the past
is pretty secure; and in it I can number the last two months as worthy
of the gods in <i>Lucretius.</i> I cannot review in the
"<i>Monthly;</i>" in fact I can just now do nothing, at least with a
pen; and I really think the days of Authorship are over with me
altogether. I <a name="frm54">hear</a> and rejoice in Eland's and Merivale's intentions<a href="#fm54"><sup>4</sup></a>.<br>
<br>
<a name="frm55">Murray</a> has grown great, and has got him new premises in the fashionable
part of the town<a href="#fm55"><sup>5</sup></a>.<br>
<br>
We live here so shut out of the <i>monde</i> that I have nothing of
general import to communicate, and fill this up with a "happy new year,"
and drink to you and Drury.<br>
<br>
Ever yours, dear H., B.<br>
<br>
I have no intention of continuing "<i>Childe Harold.</i>" There are a
few additions in the "body of the book" of description, which will
merely add to the number of pages in the next edition. I have taken
Kinsham Court. <a name="frm56">The</a> business of last summer I broke off<a href="#fm56"><sup>6</sup></a>, and now the
amusement of the gentle fair is writing letters literally threatening my
life, and much in the style of "Miss Mathews" in "<i>Amelia</i>," or
"Lucy" in the "<i>Beggar's Opera</i>." Such is the reward of restoring a
woman to her family, who are treating her with the greatest kindness,
and with whom I am on good terms. I am still in <i>palatia Circes</i>,
and, being no Ulysses, cannot tell into what animal I may be converted;
as you are aware of the turn of both parties, your conjectures will be
very correct, I daresay, and, seriously, I am very much <i>attached</i>.
She has had her share of the denunciations of the brilliant Phryne, and
regards them as much as I do. I hope you will visit me at K. which will
not be ready before spring, and I am very sure you would like my
neighbours if you knew them. If <a name="frm57">you</a> come down now to Kington<a href="#fm57"><sup>7</sup></a>, pray
come and see me.<br>

<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Byron often talks of the authors of the <i>Rejected Addresses</i>,
  and always in terms of unqualified praise. He says that the
  imitations, unlike all other imitations, are full of genius.
  'Parodies,' he said, 'always give a bad impression of the original,
  but in the <i>Rejected Addresses</i> the reverse was the fact;' and he
  quoted the second and third stanzas, in imitation of himself, as
  admirable, and just what he could have wished to write on a similar
  subject"</blockquote>

(Lady Blessington's <i>Conversations</i>, p. 134).<br>
<a href="#frm51">return to footnote mark</a><br>
<br>
<br>
<a name="fm52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

 <blockquote> "The Bessboroughs," writes Lady H. Leveson Gower to Lady G. Morpeth,
  September 12, 1812 (<i>Letters of Harriet, Countess Granville</i>,
  vol. i. pp. 40, 41), "have been unpacked about a couple of hours. My
  aunt looks stout and well, but poor Caroline most terribly the
  contrary. She is worn to the bone, as pale as death and her eyes
  starting out of her head. She seems indeed in a sad way, alternately
  in tearing spirits and in tears. I hate her character, her feelings,
  and herself when I am away from her, but she interests me when I am
  with her, and to see her poor careworn face is dismal, in spite of
  reason and speculation upon her extraordinary conduct. She appears to
  me in a state very (little) short of insanity, and my aunt describes
  it as at times having been decidedly so."</blockquote>
<a href="#frm52">return</a><br>
<br>
<br>
<a name="fm53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; The context and allusion seem to require another word than
"<i>brief</i>;" but the sentence is written as printed. In Fielding's
<i>Life of Mr. Jonathan Wild</i> (Bk. III. chap. viii.) and in

  <blockquote>"a dialogue matrimonial, which passed between Jonathan Wild, Esquire,
  and Laetitia his wife" (<i>née</i> Laetitia Snap), "Laetitia asks,
  'But pray, Mr. Wild, why b&mdash;ch? Why did you suffer such a word to
  escape you?'"</blockquote>
<a href="#frm53">return</a><br>
<br>
<br>
<a name="fm54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; The republication of the <i>Anthology</i><br>
<a href="#frm54">return</a><br>
<br>
<br>
<a name="fm55"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;Murray's removal from 32, Fleet Street, to 50, Albemaile
Street.<br>
<a href="#frm55">return</a><br>
<br>
<br>
<a name="fm56"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;With Lady Caroline Lamb.<br>
<a href="#frm56">return</a><br>
<br>
<br>
<a name="fm57"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;Near Lower Moor, the residence of Hodgson's relatives, the
Cokes.<br>
<a href="#frm57">return</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L276">276&mdash;to John Hanson</a></h3>
<br>
3d Feb'y, 1813.<br>
<br><br>

Dear Sir,&mdash;<a name="frm61">Will</a> you forward the inclosed immediately to Corbet, whose
address I do not exactly remember? It is of consequence, relative to a
foolish woman<a href="#fm61"><sup>1</sup></a> I never saw, who fancies I want to marry her.<br>
<br>
Yours ever, B.<br>
<br>
P. S.&mdash;I wish you would see Corbet and talk to him about it, for she
plagues my soul out with her damned letters.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The lady in question seems to have been Lady Falkland (see
<i>Letters</i>, vol. 1, p. 216, <i>note</i> 1 [Footnote 1 of Letter 117], and <a href="#L281">the letter dated March 5, 1813</a>.<br>
<a href="#frm61">return to footnote mark</a><br>
<br>
<p><a href="#lp7">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L277">277&mdash;to John Murray</a></h3>
<br>
February 20, 1813.<br>
<br>
Dear Sir,&mdash;<a name="frm71">In</a> "<i>Horace in London</i>"<a href="#fm71"><sup>1</sup></a> I perceive some stanzas on Lord Elgin in which (waving the kind
compliment to myself<a href="#fm72"><sup>2</sup></a>) I heartily concur. I wish I had the pleasure
of Mr. Smith's acquaintance, as I could communicate the curious anecdote
you read in Mr. T.'s letter. If he would like it, he can have the
<i>substance</i> for his second Edition; if not, I shall add it to
<i>our</i> next, though I think we already have enough of Lord Elgin.<br>
<br>
What I have read of this work seems admirably done. My praise, however,
is not much worth the Author's having; but you may thank him in my name
for <i>his</i>. The idea is new&mdash;we have excellent imitations of the
Satires, etc. by Pope; but I remember but one imitative Ode in his
works, and <i>none</i> any where else. I <a name="frm73">can</a> hardly suppose that
<i>they</i> have lost any fame by the fate of the Farce<a href="#fm73"><sup>3</sup></a>; but even
should this be the case, the present publication will again place them
on their pinnacle.<br>
<br>
Yours truly,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Horace in London; consisting of Imitations of the First
Two Books of the Odes of Horace</i>, by James and Horace Smith (1813),
was a collection of imitations, the best of which are by James Smith,
republished from Hill's <i>Monthly Mirror</i>, where they originally
appeared.<br>
<a href="#frm71">return to footnote mark</a><br>
<br>
<br>
<a name="fm72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; In Book 1. ode xv. of <i>Horace in London</i>, entitled
"The Parthenon," Minerva thus speaks:

  <blockquote>"All who behold my mutilated pile<br>
  Shall brand its ravager with classic rage,<br>
  And soon a titled bard from Britain's Isle,<br>
  Thy country's praise and suffrage shall engage,<br>
  And fire with Athens' wrongs an angry age!"</blockquote>
<a href="#frm71">return</a><br>
<br>
<br>
<a name="fm73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Horace Smith's unsuccessful comedy, <i>First Impressions; or,
Trade in the West</i>, was performed at Drury Lane. The prologue,
spoken by Powell, beseeches a judgment from the audience:

  <blockquote>"Such as mild Justice might herself dispense,<br>
  To <i>Inexperience and a First Offence</i>."</blockquote>
<a href="#frm73">return</a><br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L278">278&mdash;to Robert Rushton</a></h3>
<br>
4, Bennet Street, St. James's, Feb. 24th, 1813.<br><br>

<br>
I feel rather surprised to have heard nothing from you or your father in
answer to Fletcher's last letter. I wish to know whether you intend
taking a share in a farm with your brother, or prefer to wait for some
other situation in Lancashire;&mdash;the first will be the best, because, at
your time of life, it is highly improper to remain idle. If this
<i>marriage</i> which is spoken of for you is at all advantageous, I can
have no objection; but I should suppose, after being in my service from
your infancy, you will at least let me know the name of your
<i>intended</i>, and her expectations. If at all respectable, nothing
can be better for your settlement in life, and a proper provision will
be made for you; at all events let me hear something on the subject,
for, as I have some intention of leaving England in the Summer, I wish
to make my arrangements with regard to yourself before that period. As
you and Mr. Murray have not received any money for some time, if you
will draw on <i>me</i> for <i>fifty</i> pounds (payable at Messrs.
Hoare's, Bankers, Fleet Street), and tell Mr. J[oseph] Murray to draw
for the <i>same sum</i> on his <i>own</i> account, both will be paid by
me.<br>
<br>
Etc., etc.,<br>
<br>
B.<br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L279">279&mdash;to John Hanson</a></h3>
<br>
F'y. 27th, 1813.<br>
<br><br>

Dear Sir,&mdash;I have called several times, and you may suppose am very
anxious to hear something from or of Mr. Claughton.<br>
<br>
It is my determination, on account of a malady to which I am subject,
and for other weighty reasons, to go abroad again almost immediately. To
this you will object; but, as my intention cannot be altered, I have
only to request that you will assist me as far as in your power to make
the necessary arrangements.<br>
<br>
I have every confidence in you, and will leave the fullest powers to act
in my absence. If this man still hesitates, I must sell my part of
Rochdale for what it will bring, even at a loss, and fight him out about
Newstead; without this, I have no funds to go on with, and I do not wish
to incur further debts if possible.<br>
<br>
Pray favour me with a short reply to this, and say when I can see you.
Excuse me to Mrs. H. for my non-appearance last night; I was detained in
the H. of L. till too late to dress for her party. Compliments to all.<br>
<br>
Ever yours,
<br>
<br>
B.<br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L280">280&mdash;to John Hanson</a></h3>
<br>
March 1st, 1813.<br><br>

<br>
Dear Sir,&mdash;I am sorry that I could not call today but will tomorrow.
Your objections I anticipated and can only repeat that I cannot act
otherwise; so pray hasten some arrangement&mdash;for with, or without, I must
go.<br>
<br>
A person told me yesterday there was one who would give within £10,000 of
C.'s price and take the title as it was. C. is a fool or is shuffling.<br>
<br>
Think of what I said about <i>Rochdale</i>, for I will sell it for what
I can get, and will not stay three months longer in this country. I
again repeat I will leave all with full powers to you. I commend your
objection which is a proof of an honourable mind&mdash;which however I did
not need to convince me of your character. If you have any news send a
few lines.<br>
<br>
Ever yours,<br>
<br>
BN.
    <br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L281">281&mdash;to&mdash;&mdash;Corbet</a></h3>
<br>
Mh. 5th, 1813.<br><br>

<br>
Dear Sir,&mdash;Lady F[alkland?] has returned by Mr. Hanson the only two
letters I ever wrote her, both some time ago, and neither containing the
least allusion which could make any person suppose that I had any
intention further than regards the children of her husband. My servant
returned the packet and letter of yesterday at the moment of receiving
them; by her letter to Mr. H. it should seem they have not been
redelivered. I am sorry for this, but it is not my fault, and they ought
never to have been sent. After her Ladyship's mistakes, so often
repeated, you will not blame me for declining all further interference
in her affairs, and I rely much upon your word in contradicting her
foolish assertions, and most absurd imaginations. She now says that "I
need not leave the country on her account." How the devil she knew that
I was about to leave it I cannot guess; but, however, for the first time
she has <i>dreamed</i> right. But <i>her</i> being the cause is still
more ludicrous than the rest. First, she would have it that I returned
here for love of a woman I <i>never saw</i>, and now that I am going,
for the same whom I <i>have never seen</i>, and certainly never wished,
nor wish, to see! The maddest <i>consistency</i> I ever heard of. I
trust that she has regained her senses, as she tells Mr. H. she will not
scribble any more, which will also save <i>you</i> from the troublesome
correspondence of<br>
<br>
Your obliged and obedient servant,<br>
<br>
<b>Byron</b>.
<br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a><br>
<a href="#fm61">cross-reference: return to Footnote 1 of Letter 276</a></p>
<hr><br><br>

<h3><a name="L282">282&mdash;to John Hanson</a></h3>
<br>
March 6th, 1813.<br>
<br><br>

Dear Sir,&mdash;I must be ready in April at whatever risk,&mdash;at whatever loss.
You will therefore advertize Rochdale; if you decline this, I will sell
it for what it will bring, even though but a few thousand pounds.<br>
<br>
With regard to Claughton, I shall only say that, if he knew the
ruin,&mdash;the misery, he occasions by his delay, he would be sorry for his
conduct, and I only hope that he and I may not meet, or I shall say
something he will not like to hear. I have called often. I shall call
today at three or between three and four; again and again, I can only
beg of you to forward my plans, for here no power on earth shall make me
remain six weeks longer.<br>
<br>
Ever yours,<br>
<br>
B.<br>
<br>
<p><a href="#lp8">List of Letters</a><br>
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<hr><br><br>

<h3><a name="L283">283&mdash;to Charles Hanson</a></h3>
<br>
Mh. 24th, 1813.<br><br>

<br>
My Dear Charles,&mdash;This is very evasive and dissatisfactory. What is to
be done I cannot tell, but your father had better see his letter and
this of mine. A long litigation neither suits my inclination nor
circumstances; it were better to take back the estate, and raise it to
what it will bear, which must be at least double, to dismantle the house
and sell the materials, and sell Rochdale. Something I must determine on
and that quickly. I want to go abroad immediately; it is utterly
impossible for me to remain here; every thing I have done to extricate
myself has been useless. Your father said "<i>sell</i>;" I have sold,
and see what has become of it! If I go to Law with this fellow, after
five years litigation at the present depreciation of money, the
<i>price</i> will not be worth the <i>property</i>; besides how much of
it will be spent in the contest! and how am I to live in the interim?
Every day land rises and money falls. I shall tell Mr. Cn. he is a
<i>scoundrel</i>, and have done with him, and I only hope he will have
spirit enough to resent the appellation, and defend his own rascally
conduct. In the interim of his delay in his journey, I shall leave town;
on Sunday I shall set out for Herefordshire, from whence, when wanted, I
will return.<br>
<br>
Pray tell your father to get the money on Rochdale, or I must sell it
directly. I must be ready by the last week in <i>May</i>, and am
consequently pressed for time.<br>
<br>
I go first to Cagliari in Sardinia, and on to the Levant.<br>
<br>
Believe me, dear Charles,<br>
<br>
Yours truly,<br>
<br>
B.
<br>
<br>
<p><a href="#lp8">List of Letters</a><br>
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<hr><br><br>

<h3><a name="L284"></a>284&mdash;to Samuel Rogers<a href="#fm81"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
March 25, 1813.<br>
<br><br>

I enclose you a draft for the usurious interest due to Lord
B[oringdon]'s <i>protégé</i>;&mdash;I also could wish you would state thus
much for me to his Lordship. Though the transaction speaks plainly in
itself for the borrower's folly and the lender's usury, it never was my
intention to <i>quash</i> the demand, as I <i>legally</i> might, nor to
withhold payment of principal, or, perhaps, even <i>unlawful</i>
interest. You know what my situation has been, and what it is. I have
parted with an estate (which has been in my family for nearly three
hundred years, and was never disgraced by being in possession of a
<i>lawyer</i>, a <i>churchman</i>, or a <i>woman</i>, during that
period,) to liquidate this and similar demands; and the payment of the
purchase is still withheld, and may be, perhaps, for years. If,
therefore, I am under the necessity of making those persons <i>wait</i>
for their money, (which, considering the terms, they can afford to
suffer,) it is my misfortune.<br>
<br>
When I arrived at majority in 1809,1 offered my own security on
<i>legal</i> interest, and it was refused. <i>Now</i>, I will not accede
to this. This man I may have seen, but I have no recollection of the
names of any parties but the <i>agents</i> and the securities. The
moment I can, it is assuredly my intention to pay my debts. This
person's case may be a hard one; but, under all circumstances, what is
mine? I could not foresee that the purchaser of my estate was to demur
in paying for it.<br>
<br>
I am glad it happens to be in my power so far to accommodate my
Israelite, and only wish I could do as much for the rest of the Twelve
Tribes.<br>
<br>
Ever yours, dear R.,<br>
<br>
BN.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The following was Rogers's reply:

  <blockquote>"Friday Morning.<br>
<br>
  "My Dearest Byron,&mdash;I have just received your note, but I <i>will
  not</i> execute your Commission; and, moreover, I will tell Lord
  Boringdon that I refused to do it. I know your situation; and I should
  never sleep again, if by any interference of mine, for by so harsh a
  word I must call it, you should be led by your generosity, your pride,
  or any other noble motive, to do more than you are called upon to do.<br>
<br>
  "I mentioned the thing to Lord Holland last night, and he entirely
  agreed with me, that you are not called upon to do it. The Principal
  and the legal interest are all that these extortioners are entitled
  to; and, you must forgive me, but I will not do as you require. I
  shall keep the draft till I see you.<br>
<br>
  "Yours ever and ever,<br>
<br>
  "<b>Saml. Rogers</b>."</blockquote>
<a href="#L284">return to footnote mark</a><br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L285">285&mdash;to the Hon. Augusta Leigh.</a></h3>
<br>
4, Bennet Street, St. James's, March 26th, 1813.<br>
<br><br>

My Dearest Augusta,&mdash;I did not answer your letter, because I could not
answer as I wished, but expected that every week would bring me some
tidings that might enable me to reply better than by apologies. But
Claughton has not, will not, and, I think, cannot pay his money, and
though, luckily, it was stipulated that he should never have possession
till the whole was paid, the estate is still on my hands, and your
brother consequently not less embarrassed than ever. This is the truth,
and is all the excuse I can offer for inability, but not unwillingness,
to serve you.<br>
<br>
I am going abroad again in June, but should wish to see you before my
departure. You have perhaps heard that I have been fooling away my time
with different "<i>regnantes</i>;" but what better can be expected from
me? I have but one <i>relative</i>, and her I never see. I have no
connections to domesticate with, and for marriage I have neither the
talent nor the inclination. I cannot fortune-hunt, nor afford to marry
without a fortune. <a name="frm91">My</a> parliamentary schemes are not much to my taste&mdash;I
spoke twice last Session<a href="#fm91"><sup>1</sup></a>, and was told it was well enough; but I
hate the thing altogether, and have no intention to "strut another hour"
on that stage. I am thus wasting the best part of life, daily repenting
and never amending.<br>
<br>
On Sunday, I set off for a fortnight for Eywood, near Presteign, in
Herefordshire&mdash;with the <i>Oxfords</i>. I see you put on a <i>demure</i>
look at the name, which is very becoming and matronly in you; but you
won't be sorry to hear that I am quite out of a more serious scrape with
another singular personage which threatened me last year, and trouble
enough I had to steer clear of it I assure you. I hope all my nieces are
well, and increasing in growth and number; but I wish you were not
always buried in that bleak common near Newmarket.<br>
<br>
I am very well in health, but not happy, nor even comfortable; but I
will not bore you with complaints. I am a fool, and deserve all the ills
I have met, or may meet with, but nevertheless very <i>sensibly</i>,
dearest Augusta,<br>
<br>
Your most affectionate brother<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fm91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; What is generally supposed to have been Byron's second
speech (see <a href="#app2b">Appendix II. (2)</a>) was made, April 21, 1813, on Lord
Donoughmore's motion for a Committee on Roman Catholic claims.<br>
<br>
The following impressions of his short parliamentary career are recorded
by Byron himself:

  <blockquote>"I have never heard any one who fulfilled my ideal of an orator.
  Grattan would have been near it, but for his harlequin delivery. Pitt
  I never heard. Fox but once, and then he struck me as a debater, which
  to me seems as different from an orator as an improvisatore, or a
  versifier, from a poet. Grey is great, but it is not oratory. Canning
  is sometimes very like one. Windham I did not admire, though all the
  world did; it seemed sad sophistry. Whitbread was the Demosthenes of
  bad taste and vulgar vehemence, but strong, and English. Holland is
  impressive from sense and sincerity. Lord Lansdowne good, but still a
  debater only. Grenville I like vastly, if he would prune his speeches
  down to an hour's delivery. Burdett is sweet and silvery as Belial
  himself, and I think the greatest favourite in Pandemonium; at least I
  always heard the country gentlemen and the ministerial devilry praise
  his speeches <i>up</i> stairs, and run down from Bellamy's when he was
  upon his legs. I heard Bob Milnes make his <i>second</i> speech; it
  made no impression. I like Ward&mdash;studied, but keen, and sometimes
  eloquent. Peel, my school and form fellow (we sat within two of each
  other), strange to say, I have never heard, though I often wished to
  do so; but, from what I remember of him at Harrow, he <i>is</i>, or
  <i>should</i> be, among the best of them. Now I do <i>not</i> admire
  Mr. Wilberforce's speaking; it is nothing but a flow of words&mdash;'words,
  words, alone.'<br>
<br>
  "I <a name="Cx1">doubt</a> greatly if the English <i>have</i> any eloquence, properly
  so called; and am inclined to think that the Irish <i>had</i> a great
  deal, and that the French <i>will</i> have, and have had in Mirabeau.
  Lord Chatham and Burke are the nearest approaches to orators in
  England. I don't know what Erskine may have been at the <i>bar</i>,
  but in the House, I wish him at the bar once more. Lauderdale is
  shrill, and Scotch, and acute. Of Brougham I shall say nothing, as I
  have a personal feeling of dislike to the man.<br>
<a href="#fx12">cross-reference: return to Footnote 2 of Journal entry for March 10th, 1814</a><br>

<br>
  "But amongst all these, good, bad, and indifferent, I never heard the
  speech which was not too long for the auditors, and not very
  intelligible, except here and there. The whole thing is a grand
  deception, and as tedious and tiresome as maybe to those who must be
  often present. I heard Sheridan only once, and that briefly, but I
  liked his voice, his manner, and his wit: and he is the only one of
  them I ever wished to hear at greater length.<br>
<br>
  "The impression of Parliament upon me was, that its members are not
  formidable as <i>speakers</i>, but very much so as an <i>audience</i>;
  because in so numerous a body there may be little eloquence, (after
  all, there were but <i>two</i> thorough orators in all antiquity, and
  I suspect still <i>fewer</i> in modern times,) but there must be a
  leaven of thought and good sense sufficient to make them <i>know</i>
  what is right, though they can't express it nobly.<br>
<br>
  "Horne Tooke and Roscoe both are said to have declared that they left
  Parliament with a higher opinion of its aggregate integrity and
  abilities than that with which they entered it. The general amount of
  both in most Parliaments is probably about the same, as also the
  number of <i>speakers</i> and their talent. I except <i>orators</i>,
  of course, because they are things of ages, and not of septennial or
  triennial reunions. Neither House ever struck me with more awe or
  respect than the same number of Turks in a divan, or of Methodists in
  a barn, would have done. Whatever diffidence or nervousness I felt
  (and I felt both, in a great degree) arose from the number rather than
  the quality of the assemblage, and the thought rather of the <i>public
  without</i> than the persons within,&mdash;knowing (as all know) that
  Cicero himself, and probably the Messiah, could never have altered the
  vote of a single lord of the bedchamber, or bishop. I thought
  <i>our</i> House dull, but the other animating enough upon great days.<br>
<br>
  "I have heard that when Grattan made his first speech in the English
  Commons, it was for some minutes doubtful whether to laugh at or cheer
  him. The <i>débût</i> of his predecessor, Flood, had been a complete
  failure, under nearly similar circumstances. But when the ministerial
  part of our senators had watched Pitt (their thermometer) for the cue,
  and saw him nod repeatedly his stately nod of approbation, they took
  the hint from their huntsman, and broke out into the most rapturous
  cheers. Grattan's speech, indeed, deserved them; it was a
  <i>chef-d'oeuvre</i>. I did not hear <i>that</i> speech of his (being
  then at Harrow), but heard most of his others on the same
  question&mdash;also that on the war of 1815. I differed from his opinions
  on the latter question, but coincided in the general admiration of his
  eloquence.<br>
<br>
  "When I met old Courtenay, the orator, at Rogers's the poet's, in
  1811-12, I was much taken with the portly remains of his fine figure,
  and the still acute quickness of his conversation. It was <i>he</i>
  who silenced Flood in the English House by a crushing reply to a hasty
  <i>débût</i> of the rival of Grattan in Ireland. I asked Courtenay
  (for I like to trace motives) if he had not some personal provocation;
  for the acrimony of his answer seemed to me, as I read it, to involve
  it. Courtenay said 'he had; that, when in Ireland (being an Irishman),
  at the bar of the Irish House of Commons, Flood had made a personal
  and unfair attack upon <i>himself</i>, who, not being a member of that
  House, could not defend himself, and that some years afterwards, the
  opportunity of retort offering in the English Parliament, he could not
  resist it.' He certainly repaid Flood with interest, for Flood never
  made any figure, and only a speech or two afterwards, in the English
  House of Commons. I must except, however, his speech on Reform in
  1790, which Fox called 'the best he ever heard upon that subject.'"</blockquote>
<a href="#frm91">return</a><br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L286">286&mdash;to John Murray</a></h3>
<br>
March 29th, 1813.<br>
<br><br>

Dear Sir,&mdash;<a name="frn1">Westall</a> has, I believe, agreed to illustrate your book<a href="#fn1"><sup>1</sup></a>,
and I fancy one of the engravings will be from the pretty little girl<a href="#fn2"><sup>2</sup></a> you saw the other day, though without her name, and merely as a
model for some sketch connected with the subject. I would also have the
portrait (which you saw to-day) of the friend who is mentioned in the
text at the close of Canto 1st, and in the notes,&mdash;which are subjects
sufficient to authorise that addition.<br>
<br>
Believe me, yours truly, B'N.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;An edition of the first two cantos of <i>Childe Harold</i>,
to be illustrated by Richard Westall (1765-1836), who painted Byron's
portrait in 1813-14.<br>
<a href="#frn1">return to footnote mark</a><br>
<br>
<br>
<a name="fn2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Lady Charlotte Harley, daughter of Lord Oxford, to whom,
under the name of Ianthe, the introductory lines to <i>Childe Harold</i>
were afterwards addressed. Lady Charlotte married, in 1820,
Brigadier-General Bacon.<br>
<a href="#frn1">return</a><br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L287"></a>287&mdash;to John Hanson</h3>
<br>
Presteigne, April 15th, 1813.<br>
<br><br>

Dear Sir,&mdash;I wrote to you requesting an answer last week, and again
apprising you of my determination of leaving England early in May, and
proceeding no further with Claughton.<br>
<br>
Now, having arrived, I shall write to that person immediately to give up
the whole business. I am sick of the delays attending it, and can wait
no longer, and I have had too much of <i>law</i> already at Rochdale to
place Newstead in the same predicament.<br>
<br>
I shall only be able to see you for a few days in town, as I shall sail
before the 20th of May.<br>
<br>
Believe me, yours ever, B.<br>
<br>
P. S.&mdash;My best compliments to Mrs. H. and the family.<br>
<br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L288">288&mdash;to John Hanson</a></h3>
<br>
Presteigne, April 17th, 1813.<br>
<br><br>

Dear Sir,&mdash;I shall follow your advice and say nothing to our shuffling
purchaser, but leave him to you, and the fullest powers of
<i>Attorney</i>, which I hope you will have ready on my arrival in town
early next week. I wish, if possible, the arrangement with Hoare to be
made immediately, as I must set off forthwith. I mean to remain
<i>incog</i>. in London for the short time previous to my embarkation.<br>
<br>
I have not written to Claughton, nor shall, of course, after your
counsel on the subject. I wish you would turn in your mind the
expediency of selling Rochdale. I shall never make any thing of it, as
it is.<br>
<br>
I beg you will provide (as before my last voyage) the fullest powers to
act in my absence, and bring my cursed concerns into some kind of order.
You must at least allow that I have acted according to your advice about
Newstead, and I shall take no step without your being previously
consulted.<br>
<br>
I hope I shall find you and Mrs. H., etc., well in London, and that you
have heard something from this dilatory gentleman.<br>
<br>
Believe me, ever yours truly, <br>
<br>
B.<br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L289">289&mdash;to John Murray</a></h3>
<br>
April 21, 1813.<br><br>

<br>
Dear Sir,&mdash;I shall be in town by Sunday next, and will call and have
some conversation on the subject of Westall's proposed designs. I <a name="frn11">am</a> to
sit to him for a picture at the request of a friend of mine<a href="#fn11"><sup>1</sup></a>; and as
Sanders's is not a good one, you will probably prefer the other. I wish
you to have Sanders's taken down and sent to my lodgings
immediately&mdash;before my arrival. I <a name="frn12">hear</a> that a certain malicious
publication on <i>Waltzing</i><a href="#fn12"><sup>2</sup></a> is attributed to me. This report, I suppose,
you will take care to contradict, as the Author, I am sure, will not
like that I should wear his cap and bells. Mr. Hobhouse's quarto will be
out immediately; pray send to the author for an early copy which I wish
to take abroad with me.<br>
<br>
Dear Sir, I am, yours very truly, B.<br>
<br>
P. S.&mdash;I <a name="frn13">see</a> the <i>Examiner</i><a href="#fn13"><sup>3</sup></a> threatens some observations upon you
next week. What can you have done to share the wrath which has
heretofore been principally expended upon the Prince? I <a name="frn14">presume</a> all your
Scribleri will be drawn up in battle array in defence of the modern
Tonson&mdash;Mr. Bucke<a href="#fn14"><sup>4</sup></a>, for instance. Send in my account to Bennet
Street, as I wish to settle it before sailing.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; This picture, exhibited at the Royal Academy in 1815, is
now in the possession of the Baroness Burdett-Coutts.<br>
<a href="#frn11">return to footnote mark</a><br>
<br>
<br>
<a name="fn12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Byron's <i>Waltz</i> was published anonymously in the
spring of 1813, not, apparently, by Murray, but by Sherwood, Neely, and
Jones, Paternoster Row.<br>
<a href="#frn12">return</a><br>
<br>
<br>
<a name="fn13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; In the <i>Examiner</i> for April, 1813, occurs the
paragraph: "A word or two on Mr. Murray's (the 'splendid bookseller')
judgment in the Fine Arts&mdash;next week, <i>if room</i>."<br>
<a href="#frn13">return</a><br>
<br>
<br>
<a name="fn14"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Charles Bucke (1781-1846), a voluminous writer of verse,
plays, and miscellaneous subjects, published, in 1813, his <i>Philosophy
of Nature; or, the Influence of Scenery on the Mind and Heart</i>. He
supported himself by his pen, and that indifferently. Byron seems to
suggest that he was a dependent of Murray's. In 1817 he sent to the
Committee of Management at Drury Lane his tragedy, <i>The Italians; or,
the Fatal Accusation</i>, and it was accepted. In February, 1819, he
withdrew the play, in consequence of a quarrel with Edmund Kean, and
published it with extracts from the correspondence and a Preface, which
sent it through numerous editions. The play itself was, after being
withdrawn, played at Drury Lane, April 3, 1819. Bucke and his Preface
were answered in <i>The Assailant Assailed</i>, and in <i>A Defence of
Edmund Kean, Esq</i>. (both in 1819), and the opinion of the town
condemned both him and his tragedy.<br>
<a href="#frn14">return</a><br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h2><a name="section4">Chapter VII&mdash;The <i>Giaour</i> and <i>Bride of Abydos</i></a></h2>
<br>
<b>May, 1812-December, 1813</b><br>
<hr width="25%" align="left"><br>


<h3><a name="L290">290&mdash;to John Murray</a></h3>
<br>
May 13, 1813.<br><br>

<br>
Dear Sir,&mdash;I <a name="frn21">send</a> a corrected, and, I hope, amended copy of the lines
for the "fragment" already sent this evening<a href="#fn21"><sup>1</sup></a>. Let the enclosed be
the copy that is sent to the Devil (the printers) and burn the other.<br>
<br>
Yours, etc., B'N.
<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>The Giaour</i>, which was now in the press, was expanded,
either in the course of printing, or in the successive editions, from
400 lines to 1400. It was published in May, 1813.<br>
<a href="#frn21">return to footnote mark</a>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>


<h3><a name="L291">291&mdash;to Thomas Moore</a></h3>
<br>
May 19, 1813.<br>



 <blockquote> Oh you, who in all names can tickle the town,<br>
  <a name="frn31">Anacreon</a>, Tom Little, Tom Moore, or Tom Brown<a href="#fn31"><sup>1</sup></a>,&mdash;<br>
  For hang me if I know of which you may most brag,<br>
  Your Quarto two-pounds, or your Twopenny Post Bag;<br><br>

        ...<br>
  <br>
  But now to my letter&mdash;to <i>yours</i> 'tis an answer&mdash;<br>
  To-morrow be with me, as soon as you can, sir,<br>
  All ready and dress'd for proceeding to spunge on<br>
  (<a name="frn32">According</a> to compact) the wit in the dungeon<a href="#fn32"><sup>2</sup></a>&mdash;<br>
  Pray Ph&oelig;bus at length our political malice<br>
  May not get us lodgings within the same palace!<br>
  I suppose that to-night you're engaged with some codgers,<br>
  <a name="frn33">And</a> for Sotheby's<a href="#fn33"><sup>3</sup></a> Blues have deserted Sam Rogers;<br>
  And I, though with cold I have nearly my death got,<br>
  Must put on my breeches, and wait on the Heathcote.<br>
  But to-morrow at four, we will both play the <i>Scurra</i>,<br>
  <a name="frn34">And</a> you'll be Catullus, the Regent, Mamurra<a href="#fn34"><sup>4</sup></a>.</blockquote>


Dear M.,&mdash;having got thus far, I am interrupted by &mdash;&mdash;. 10 o'clock.<br>
<br>
Half-past 11.&mdash;&mdash;is gone. I must dress for Lady Heathcote's.&mdash;Addio.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Moore's <i>Intercepted Letters, or the Twopenny Post-bag.
By Thomas Brown, the Younger</i>, was published in 1813.<br>
<a href="#frn31">return to footnote mark</a><br>
<br>
<br>
<a name="fn32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The "wit in the dungeon" was James Henry Leigh Hunt
(1784-1859), who was educated at Christ's Hospital, and began his
literary life with "a collection of poems, written between the ages of
twelve and sixteen," and published in 1801 as <i>Juvenilia</i>. In 1808
he and his brother John started a weekly newspaper called the
<i>Examiner</i>, which advocated liberal principles with remarkable
independence. On February 24, 1811, Hunt published an article in defence
of Peter Finnerty, convicted for a libel on Castlereagh, and exhorting
public writers to be bold in the cause of individual liberty. The same
number contained an article on the savagery of military floggings, for
which he was prosecuted, defended by Brougham, and acquitted. His
acquittal drew from Shelley a letter of congratulation, addressed to
Hunt as "one of the most fearless enlighteners of the public mind"
(Dowden's <i>Life of Shelley</i>, vol. i. p. 113).<br>
<br>
In March, 1812, the <i>Morning Post</i> printed a poem, speaking of the
Prince Regent as the "Mæcenas of the Age," the "Exciter of Desire," the
"Glory of the People," an "Adonis of Loveliness," etc. The
<i>Examiner</i> for March 12, 1812, thus translated this adulation into
"the language of truth:"

 <blockquote> "What person, unacquainted with the true state of the case, would
  imagine, in reading these astounding eulogies, that this 'Glory of the
  People' was the subject of millions of shrugs and reproaches!... that
  this "'Exciter of Desire' (bravo! Messieurs of the <i>Post</i>!), this
  'Adonis in Loveliness,' was a corpulent man of fifty!&mdash;in short, this
  <i>delightful, blissful, wise, pleasureable, honourable, virtuous,
  true</i>, and <i>immortal</i> prince was a violator of his word, a
  libertine over head and ears in disgrace, a despiser of domestic ties,
  the companion of gamblers and demireps, a man who has just closed half
  a century without one single claim on the gratitude of his country or
  the respect of posterity."</blockquote>

Crabb Robinson, who met Leigh Hunt, four days later, at Charles Lamb's,
says (<i>Diary</i>, vol. i. p. 376),

  <blockquote>"Leigh Hunt is an enthusiast, very well intentioned, and, I believe,
  prepared for the worst. He said, pleasantly enough, 'No one can accuse
  me of not writing a libel. Everything is a libel, as the law is now
  declared, and our security lies only in their shame.'" </blockquote>

For this libel John and Leigh Hunt were convicted in the Court of King's
Bench on December 9, 1812. In the following February they were sentenced
to two years' imprisonment and a fine of £500 a-piece. John was
imprisoned in Coldbath-fields, Leigh in the Surrey County Gaol. They
were released on February 2 or 3, 1815.<br>
<br>
Shelley, on reading the sentence, proposed a subscription for

 <blockquote> "the brave and enlightened man... to whom the public owes a debt as
  the champion of their liberties and virtues" </blockquote>

(Dowden, <i>Life of Shelley</i>, vol. i. p. 325). Keats wrote a sonnet
to Hunt on the day he left his prison, beginning:

  <blockquote>"What though for showing truth to flatter'd state,
  Kind Hunt was shut in prison."</blockquote>

A political alliance was thus cemented, which, for the time, was
disastrous to the literary prospects of Shelley and Keats. To Hunt
Shelley dedicated the <i>Cenci</i>, and Keats his first volume of
<i>Poems</i> (1817). He is the "gentlest of the wise" in Shelley's
<i>Adonais</i>; and, in a suppressed stanza of the same poem, the poet
speaks of Hunt's "sweet and earnest looks," "soft smiles," and "dark and
night-like eyes." The words inscribed on Shelley's tomb&mdash;"<i>Cor
Cordium</i>"&mdash;were Hunt's choice. In his various papers Hunt zealously
championed his friends. In the <i>Examiner</i> for September to October,
1819, he defended Shelley's personal character; in the same paper for
June to July, 1817, he praised Keats's first volume of <i>Poems</i>; he
reviewed "Lamia" in the <i>Indicator</i> for August 2-9, 1820, and "La
Belle Dame sans Merci" in that for May 10, 1820. In his <i>Foliage</i>
(1818) are three sonnets addressed to Keats.<br>
<br>
Shelley believed in Hunt to the end. It was mainly through him that Hunt
came to Pisa in June, 1822, to join with Byron in <i>The Liberal</i>.
But he doubted whether the alliance between the "wren and the eagle"
could continue (<i>Life of Shelley</i>, vol. ii. p. 519). Keats, on the
other hand, lost his faith in Hunt. In a letter to Haydon (May, 1817),
speaking of Hunt, he says,

 <blockquote> "There is no greater Sin after the seven deadly than to flatter
  oneself into an idea of being a great Poet." </blockquote>

Again (March, 1818) he writes,

  <blockquote>"It is a great Pity that People should, by associating themselves with
  the finest things, spoil them. Hunt has damned Hampstead, and masks,
  and sonnets, and Italian tales." </blockquote>

He writes still more severely (December, 1818-January, 1819),

 <blockquote> "If I were to follow my own inclinations, I should never meet any one
  of that set again, not even Hunt, who is certainly a pleasant fellow
  in the main when you are with him; but in reality he is vain,
  egotistical, and disgusting in matters of taste and morals. Hunt does
  one harm by making fine things petty, and beautiful things hateful.
  Through him I am indifferent to Mozart. I care not for white
  Busts&mdash;and many a glorious thing when associated with him becomes a
  nothing." </blockquote>

Haydon considered that Hunt was the "great unhinger" of Keats's best
dispositions (<i>Works of Keats</i>, ed. H. B. Forman, vol. iv. p. 359);
and Severn attributes Keats's temporary "mawkishness" to Hunt's society
(<i>ibid</i>., p. 376).<br>
<br>
Nathaniel Hawthorne (<i>Our Old Home</i>, p. 229, ed. 1884) says of
Hunt, and means it as high praise, that

  <blockquote>"there was not an English trait in him from head to foot&mdash;morally,
  intellectually, or physically. Beef, ale or stout, brandy or
  port-wine, entered not at all into his composition." </blockquote>

He was, in fact, a man of weak fibre, who allowed himself to sponge upon
his friends, such as Talfourd, Haydon, and Shelley. Though Dickens
denied (<i>All the Year Round</i>, Dec. 24, 1859) that "Harold Skimpole"
was intended for Hunt, the picture was recognized as a portrait. On the
other hand, Hunt was a man of kindly and genial disposition.

 <blockquote> "He loves everything," says Crabb Robinson (<i>Diary</i>, vol. ii. p.
  192), "he catches the sunny side of everything, and, excepting that he
  has a few polemical antipathies, finds everything beautiful." </blockquote>

In his essays, the best of which appeared in the <i>Indicator</i>
(1819-21), he communicates some of his own sense of enjoyment to those
of his readers who are content to take him as he is. His circle is
limited; but in it his observation is minute and suggestive. The Vale of
Health is to him, in a degree proportioned to their respective powers,
what the Temple was to Lamb. His style is neat, pretty, and would be
affected if it were not the man himself. As a literary journalist, a
dramatic critic, and an essayist, he has a place in literature. His
poetry is less successful; his affectations, innate vulgarity, and habit
of pawing his subjects repel even those who are attracted by its
sweetness. Yet his <i>Story of Rimini</i> (1816), which he dedicated to
Byron, was admired in its day. Byron, though he condemned its affected
style, thought the poem a "devilish good one." Moore held the same
opinion; and Jeffrey, writing to him May 28, 1816 (<i>Memoirs, etc., of
Thomas Moon,</i> vol. ii. p. 100), says,

  <blockquote>"I certainly shall not be ill-natured to <i>Rimini</i>. It is very
  sweet and very lively in many places, and is altogether piquant, as
  being by far the best imitation of Chaucer and some of his Italian
  contemporaries that modern times have produced."</blockquote>

No two men could be more unlike than Byron and Hunt, or have less in
common. Yet, with a singular capacity for self-delusion, Hunt told his
wife that the texture of Byron's mind resembled his to a thread
(<i>Correspondence of L. Hunt</i>, vol. i. p. 88). The friendship began
in political sympathy; but two years later (see Byron's letter to Moore,
June 1, 1818) it had, on one side at least, cooled. In June, 1822, Hunt
came to Pisa to launch <i>The Liberal</i>, with the aid of Shelley and Byron.
<i>The Liberal: Verse and Prose from the South</i>, started in 1822,
lived through four numbers, and died in July, 1823. During that time
Byron expressed to Lady Blessington (<i>Conversations</i>, p. 77)

  <blockquote>"a very good opinion of the talents and principle of Mr. Hunt, though,
  as he said, 'our tastes are so opposite that we are totally unsuited
  to each other ... in short, we are more formed to be friends at a
  distance, than near.'" </blockquote>

For the best part of two years Hunt was Byron's guest: he repaid his
hospitality by publishing his <i>Lord Byron and Some of his
Contemporaries</i> (1828). Though Lady Blessington said the book "gave,
in the main, a fair account" of Byron (Crabb Robinson's <i>Diary</i>,
vol. iii. p. 13), its publication was a breach of honour. As such it was
justly attacked by Moore in "The <i>Living Dog</i> and the <i>Dead Lion</i> ":

 <blockquote> "Next week will be published (as 'Lives' are the rage)<br>
  The whole Reminiscences, wondrous and strange,<br>
Of a small puppy-dog, that lived once in the cage<br>
  Of the late noble Lion at Exeter 'Change.<br><br>

"Though the dog is a dog of the kind they call 'sad,'<br>
  'Tis a puppy that much to good breeding pretends;<br>
And few dogs have such opportunities had<br>
  Of knowing how Lions behave&mdash;among friends.<br><br>

"How that animal eats, how he snores, how he drinks,<br>
  Is all noted down by this Boswell so small;<br>
And 'tis plain, from each sentence, the puppy-dog thinks<br>
  That the Lion was no such great things after all.<br><br>

"Though he roared pretty well&mdash;this the puppy allows&mdash;<br>
  It was all, he says, borrowed&mdash;all second-hand roar;<br>
And he vastly prefers his own little bow-wows<br>
  To the loftiest war-note the Lion could pour.<br><br>

"'Tis, indeed, as good fun as a <i>Cynic</i> could ask,<br>
  To see how this cockney-bred setter of rabbits<br>
Takes gravely the Lord of the Forest to task,<br>
  And judges of Lions by puppy-dog habits.<br><br>

"Nay, fed as he was (and this makes it a dark case)<br>
  With sops every day from the Lion's own pan,<br>
He lifts up his leg at the noble beast's carcass,<br>
  And&mdash;does all a dog, so diminutive, can.<br><br>

"However, the book's a good book, being rich in<br>
  Examples and warnings to lions high-bred,<br>
How they suffer small mongrelly curs in their kitchen,<br>
  Who'll feed on them living, and foul them when dead.</blockquote>

"<i>Exeter 'Change</i>. <br>
<br>
<b>T. Pidcock</b>."<br>
<br>
For the reply of Hunt or one of his friends, "The Giant and the Dwarf,"
see <a href="#app6">Appendix VI</a>.<br>
<a href="#frn32">return</a><br>
<br>
<br>
<a name="fn33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; William Sotheby (1757-1833), once a cavalry officer,
afterwards a man of letters and of fortune, published his <i>Oberon</i>
in 1798, and his <i>Georgics</i> in 1800 (see <i>English Bards,
etc.</i>, line 818, and <i>note</i>). The following passage from Byron's
<i>Detached Thoughts</i> (1821) refers to him:

 <blockquote> "Sotheby is a good man; rhymes well (if not wisely), but is a bore. He
  seizes you by the button. One night of a rout, at Mrs. Hope's, he had
  fastened upon me (something about Agamemnon or Orestes&mdash;or some of his
  plays), notwithstanding my symptoms of manifest distress, (for I was
  in love and had just nicked a minute when neither mothers, nor
  husbands, nor rivals, nor gossips, were near my then idol, who was
  beautiful as the Statues of the Gallery where we stood at the time).
  Sotheby, I say, had seized upon me by the button, and the
  heart-strings, and spared neither. W. Spencer, who likes fun, and
  don't dislike mischief, saw my case, and, coming up to us both, took
  me by the hand and pathetically bade me farewell, 'for,' said he, 'I
  see it is all over with you.' Sotheby then went away. <i>Sic me
  servavit Apollo.</i>"</blockquote>
<a href="#frn33">return</a><br>
<br>
<br>
<a name="fn34"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; See Catullus, xxix. 3:

  <blockquote>"Quis hoc potest videre, quis potest pati,<br>
  Nisi impudicus et vorax, et aleo,<br>
  Mamurram habere, quod Comata Gallia<br>
  Habebat uncti et ultima Britannia?"</blockquote>

See also xli. 4, xliii. 5 (compare Horace, <i>Sat</i>. i. 5. 37), and
lvii. 2.<br>
<a href="#frn34">return</a><br>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L292">292&mdash;to John Murray</a></h3>
<br>
May 22nd, 1813.<br>
<br><br>

Dear Sir,&mdash;I <a name="frn41">return</a> the "<i>Curiosities of Literature</i>."<a href="#fn41"><sup>1</sup></a> Pray is
it fair to ask if the "<i>Twopenny Postbag</i>" is to be reviewed in
this No.? because, if not, I should be glad to undertake it, and leave
it to Chance and the Editor for a reception into your pages.<br>
<br>
Yours truly,

B.<br>
<br>
P. S.&mdash;<a name="frn42">You</a> have not sent me Eustace's <i>Travels</i><a href="#fn42"><sup>2</sup></a>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The first volume of Isaac Disraeli's <i>Curiosities of
Literature</i> was published in 1791. The remaining volumes were
published at intervals: vol. ii., 1793; vol. iii., 1817; vols. iv. and
v., in 1823; vol. vi., 1834.<br>
<a href="#frn41">return to footnote mark</a><br>
<br>
<br>
<a name="fn42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;John Chetwode Eustace (<i>circ</i>. 1762-1815) published
his <i>Tour through Italy</i> in 1813.<br>
<a href="#frn42">return</a>
<br>
<p><a href="#lp8">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L293">293&mdash;to John Murray</a></h3>
<br>
May 23rd, 1813.<br>
<br><br>

Dear Sir,&mdash;I question whether ever author before received such a
compliment from his <i>master</i>. I am glad you think the thing is
tolerably <i>vamped</i> and will be <i>vendible</i>.<br>
<br>
Pray look over the proof again. I am but a careless reviser, and let me
have 12 struck off, and one or two for yourself to serve as MS. for the
thing when published in the body of the volume. If Lady Caroline Lamb
sends for it, do <i>not</i> let her have it, till the copies are all
ready, and then you can send her one.<br>
<br>
Yours truly,<br>
<br>
<img src="images/BG7.gif" width="96" height="30" border="1" alt="Greek: Mpairon"><br>
<br>
P. S.&mdash;H.'s book is out at last; I have my copy, which I have lent
already.<br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L294">294&mdash;to John Murray</a></h3>
<br>
June 2, 1813.<br>
<br><br>

Dear Sir,&mdash;I <a name="frn51">presented</a> a petition to the house yesterday<a href="#fn51"><sup>1</sup></a>, which gave
rise to some debate, and I wish you to favour me for a few minutes with
the <i>Times</i> and <i>Herald</i> to look on their hostile report.<br>
<br>
You will find, if you like to look at my <i>prose</i>, my words nearly
<i>verbatim</i> in the <i>M. Chronicle</i>.<br>
<br>
B'N.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The petition was from Major Cartwright, and was presented
June 1, 1813. (For Byron's speech, see <a href="#app2c">Appendix II. (3)</a>.) Returning from
the House, he called on Moore, and, while the latter was dressing for
dinner, walked up and down the next room,

  <blockquote>"spouting in a sort of mock heroic voice, detached sentences of the
  speech he had just been delivering. 'I told them,' he said, 'that it
  was a most flagrant violation of the Constitution&mdash;that, if such
  things were permitted, there was an end of English freedom, and
  that&mdash;' <br>
<br>
  'But what was this dreadful grievance?' asked Moore. <br>
<br>
  'The grievance?' he repeated, pausing as if to consider, 'oh,
  <i>that</i> I forget.'"</blockquote>
<a href="#frn51">return</a>
  <br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L295">295&mdash;to Thomas Moore</a></h3>
<br>
My Dear Moore,&mdash;"<a name="frn61">When</a> Rogers"<a href="#fn61"><sup>1</sup></a> must not see the inclosed, which I
send for your perusal. I am ready to fix any day you like for our visit.
<a name="frn62">Was</a> not Sheridan good upon the whole? The "Poulterer" was the first and
best<a href="#fn62"><sup>2</sup></a>.<br>
<br>
Ever yours, etc.<br>


<blockquote>1.<br><br>

When Thurlow this damn'd nonsense sent,<br>
(I hope I am not violent),<br>
Nor men nor gods knew what he meant.<br>
<br><br>

2.<br><br>

And since not ev'n our Rogers' praise<br>
To common sense his thoughts could raise&mdash;<br>
Why <i>would</i> they let him print his lays?<br>
<br><br>

3.<br><br>

      ...<br><br>

4.<br><br>

       ...<br><br>

5.<br><br>

To me, divine Apollo, grant&mdash;O!<br>
Hermilda's first and second canto,<br>
I'm fitting up a new portmanteau;<br>
<br>
6.<br><br>

And thus to furnish decent lining,<br>
My own and others' bays I'm twining&mdash;<br>
So, gentle Thurlow, throw me thine in.</blockquote>

<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; In the late spring or early summer of 1813, Byron and Moore
supped on bread and cheese with Rogers. Their host had just received
from Lord Thurlow a copy of his <i>Poems on Several Occasions</i>
(1813), and, in spite of protests by Rogers, Byron and Moore, in wild
spirits, hunted through the volume to find absurdities. Byron lighted
upon some lines to Rogers himself, "On the Poem of Mr. Rogers entitled
'An Epistle to a Friend.'" The first stanza ran thus:

 <blockquote> "When Rogers o'er this labour bent,<br>
  Their purest fire the Muses lent,<br>
  T' illustrate this sweet argument."</blockquote>

But when he began to read them aloud, he could not, for laughing, get
beyond the first two words. Two or three times he tried, but always
broke down, till he was joined by Moore in a fit of laughter which at
last infected Rogers himself. The three were, as Moore tells the story,

  <blockquote>"in such a state of inextinguishable laughter, that, had the author
  himself been of the party, I question much whether he could have
  resisted the infection." </blockquote>

A day or two afterwards, Byron sent Moore the lines given in Letter 295.
On the same day he again returned to the subject, with the following
additional lines, in which the last stanza of the same poem is the
text:

 <blockquote> "Then, thus, to form Apollo's crown,<br>
  (Let ev'ry other bring his own,)<br>
  I lay my branch of laurel down."</blockquote><br>
<br>



"To <b>Lord Thurlow</b>.<br>
<br>
<table summary="I lay my branch of laurel down" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><span style="font-size: 150%;">1</span></td>
	<td> "'<i>I lay my branch of laurel down</i>.'<br><br>

  "<i>Thou</i> 'lay thy branch of <i>laurel</i> down!'<br>
  Why, what thou'st stole is not enow;<br>
  And, were it lawfully thine own,<br>
  Does Rogers want it most, or thou?<br>
  Keep to thyself thy wither'd bough,<br>
  Or send it back to Dr. Donne&mdash;<br>
  Were justice done to both, I trow,<br>
  He'd have but little, and thou&mdash;none.</td>
</tr>
<tr align="left" valign="top">
	<td><span style="font-size: 150%;">2</span></td>
	<td> "'<i>Then thus to form Apollo's crown</i>.'<br><br>

  "A crown! why, twist it how you will,<br>
  Thy chaplet must be foolscap still.<br>
  When next you visit Delphi's town,<br>
  Inquire amongst your fellow-lodgers,<br>
  They'll tell you Ph&oelig;bus gave his crown,<br>
  Some years before your birth, to Rogers.</td>
</tr>
<tr align="left" valign="top">
	<td><span style="font-size: 150%;">3</span></td>
	<td> "'<i>Let every other bring his own</i>.'<br><br>

  "When coals to Newcastle are carried,<br>
  And owls sent to Athens as wonders,<br>
  From his spouse when the Regent's unmarried,<br>
  Or Liverpool weeps o'er his blunders;<br>
  When Tories and Whigs cease to quarrel,<br>
  When Castlereagh's wife has an heir,<br>
  Then Rogers shall ask us for laurel,<br>
  And thou shalt have plenty to spare."</td>
</tr>
</table>
<br>
<br>

Edward Hovell (1781-1829) succeeded his uncle in 1806 as second Baron
Thurlow. He published several volumes of poetry: <i>Poems on Several
Occasions</i> (1812); <i>Ariadne, a Poem</i> (1814); <i>Carmen
Britannicum, or the Song of Britain: written in honour of the Prince
Regent</i> (1814); <i>Moonlight, a Poem</i> (1814); <i>The Sonnets of
Edward, Lord Thurlow</i> (privately printed, 1821); <i>Angelica, or the
Rape of Proteus, a Poem</i> (1822).<br>
<a href="#frn61">return to footnote mark</a><br>
<br>
<br>
<a name="fn62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Byron had met Sheridan and Moore at dinner with Rogers. In
the course of the evening the conversation turned on the <i>Address</i>
which Whitbread had written and sent in for the opening of Drury Lane.
Like many of his competitors, he had introduced the Ph&oelig;nix. "But
Whitbread," said Sheridan, "made more of this bird than any of them; he
entered into particulars, and described its wings, beak, tail, etc.; in
short, it was a <i>poulterer's</i> description of a Phoenix."<br>
<a href="#frn62">return</a><br>
<br>
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<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L296">296&mdash;to John Hanson</a></h3>
<br>
June 3d, 1813.<br>
<br><br>

Dear Sir,&mdash;When you receive this I shall have left town for a week, and,
as it is perfectly right we should understand each other, I think you
will not be surprised at my persisting in my intention of going abroad.
If the Suit can be carried on in my absence,&mdash;<i>well</i>; if not, it
must be given up. One word, one letter, to Cn. would put an end to it;
but this I shall not do, at all events without acquainting you before
hand; nor at all, provided I am able to go abroad again. But at all
hazards, at all losses, on this last point I am as determined as I have
been for the last six months, and you have always told me that you would
endeavour to assist me in that intention. Every thing is ordered and
ready now. Do not trifle with me, for I am in very solid serious
earnest, and if utter ruin <i>were</i>, or <i>is</i> before me, on the
one hand&mdash;and wealth at home on the other,&mdash;I have made my choice, and
go I will.<br>
<br>
If you wish to write, address a line before Saturday to Salthill Post
Office; Maidenhead, I believe, but am not sure, is the Post town; but I
shall not be in town till Wednesday next.<br>
<br>
Believe me, yours ever,<br>
<br>
BN.<br>
<br>
P. S.&mdash;Let all the books go to Mr. Murray's immediately, and let the
plate, linen, etc., which I find <i>excepted</i> by the <i>contract</i>,
be sold, particularly a large silver vase&mdash;with the <i>contents</i> not
removed as they are curious, and a silver cup (not the skull) be sold
also&mdash;both are of value.<br>
<br>
The Pictures also, and every moveable that is mine, and can be converted
into cash; all I want is a few thousand pounds, and then adieu. You
shan't be troubled with me these ten years, if ever.<br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L297">297&mdash;to Francis Hodgson</a></h3>
<br>
June 6, 1813.<br>
<br><br>

<b>My Dear Hodgson</b>,&mdash;I write to you a few lines on business. <a name="frn71">Murray</a> has
thought proper at his own risk, and peril, and profit (if there be any)
to publish <i>The Giaour</i>; and it may possibly come under your ordeal
in the <i>Monthly</i><a href="#fn71"><sup>1</sup></a> I merely wish to state that in the published
copies there are additions to the amount of ten pages, <i>text</i> and
<i>margin</i> (<i>chiefly</i> the last), which render it a little less
unfinished (but more unintelligible) than before. If, therefore, you
review it, let it be from the published copies and not from the first
sketch. I shall not sail for this month, and shall be in town again next
week, when I shall be happy to hear from you but more glad to see you.
You know I have no time or turn for correspondence(!). But you also
know, I hope, that I am not the less<br>
<br>
Yours ever,<br>
<br>
<img src="images/BG7.gif" width="96" height="30" border="1" alt="Greek: Mpairon"><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;<i>The Giaour</i> was reviewed in the <i>Monthly Review</i>
for June, 1813 (N.S. vol. lxxi. p. 202). In the Editor's copy is added
in MS. at the end of the article, as indicating the author of the
review, the word "Den."<br>
<a href="#frn71">return</a><br>
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<hr><br><br>

<h3><a name="L298">298&mdash;to Francis Hodgson</a></h3>
<br>
June 8th, 1813.<br>
<br><br>

My dear Hodgson,&mdash;In town for a night I find your card. I had written to
you at Cambridge merely to say that Murray has thought it expedient to
publish <i>The Giaour</i> at his own risk (and reimbursement, if he
can), and that, as it will probably be in your department in the
<i>Monthly</i>, I wished to state that, in the published copies, there
are additions to the tune of 300 lines or so towards the end, and, if
reviewed, it should <i>not</i> be from the privately printed copy. So
much for scribbling.<br>
<br>
I shall manage to see you somewhere before I sail, which will be next
month; till then I am yours here, and afterwards any where and every
where,<br>
<br>
Dear H., <i>tutto tuo</i>,

BN.<br>
<br>
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<hr><br><br>

<h3><a name="L299">299&mdash;to John Murray</a></h3>
<br>
Je. 9, 1813.<br>
<br><br>

Dear Sir,&mdash;I regret much that I have no profane garment to array you
with for the masquerade. As my motions will be uncertain, you need not
write nor send the proofs till my return.<br>
<br>
Yours truly,<br>
<br>
BN.<br>
<br>
P. S.&mdash;My wardrobe is out of town&mdash;or I could have dressed you as an
Albanian&mdash;or a Turk&mdash;or an officer&mdash;or a Waggoner.<br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L300">300&mdash;to John Murray</a></h3>
<br>
June 12, 1813.<br>
<br><br>

Dear Sir,&mdash;Having occasion to send a servant to London, I will thank you
to inform me whether I left with the other things 3 miniatures in your
care (&mdash;if not&mdash;I know where to find them), and also to "report
progress" in unpacking the books? The bearer returns this evening.<br>
<br>
How does Hobhouse's work go on, or rather off&mdash;for that is the essential
part? In <a name="frn81">yesterday's</a> paper, immediately under an advertisement on
"Strictures in the Urethra," I see&mdash;most appropriately consequent&mdash;a
poem with "<i>strictures</i> on Ld B., Mr. Southey and others,"<a href="#fn81"><sup>1</sup></a>
though I am afraid neither "Mr. S.'s" poetical distemper, nor "mine,"
nor "others," is of the suppressive or stranguary kind. You may read me
the prescription of this kill or cure physician. The medicine is
compounded at White and Cochrane's, Fleet Street. As I have nothing else
to do, I may enjoy it like Sir Fretful, or the Archbishop of Grenada, or
any other personage in like predicament.<br>
<br>
<a name="frn82">Recollect</a> that my lacquey returns in the Evening, and that I set out for
Portsmouth<a href="#fn82"><sup>2</sup></a> to-morrow. All here are very well, and much pleased with
your politeness and attention during their stay in town.<br>
<br>
Believe me, yours truly,<br>
<br>
B.<br>
<br>
P. S.&mdash;Are there anything but books? If so, let those <i>extras</i>
remain untouched for the present. I trust you have not stumbled on any
more "Aphrodites," and have burnt those. I send you both the
advertisements, but don't send me the first treatise&mdash;as I have no
occasion for <i>Caustic</i> in that quarter.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;In the <i>Morning Chronicle</i> (June 10, 1813) appeared
advertisements of the two following books:
<ul>
<li><i>Practical Observations on
the best mode of curing Strictures, etc., with Remarks on Inefficacy,
etc., of Caustic Applications</i>. By William Wadd. Printed for J.
Callow, Soho.</li>
<li><i>Modern Poets; a Dialogue in Verse, containing some
Strictures on the Poetry of Lord Byron, Mr. Southey, and Others</i>.
Printed for White, Cochrane, and Co., Fleet Street.</li>
</ul>
In a note on <i>Modern Poets</i> (p. 7) occurs the following passage:

  <blockquote>"In <i>English Bards, and Scotch Reviewers</i> the same respectable
  corps of critics is successively exhibited, in the course of only ten
  lines, under the following significant but somewhat incongruous forms,
  viz. (1) Northern Wolves, (2) Harpies, (3) Bloodhounds." </blockquote>

In proof the writer quotes lines 426-437 of the Satire. Then follows a
long review of <i>Childe Harold</i>, in which the critic condemns
Harold, the hero, as "an uncouth incumbrance of this flighty Lord;" the
want of "plot ... action and fable, interest, order, end;" and asks:

  <blockquote>"Shall he immortal bays aspire to wear<br>
  Who immortality from man would tear,<br>
  Repress the sigh which hopes a happier home,<br>
  And chase the visions of a life to come?"</blockquote>
<a href="#frn81">return to footnote mark</a><br>
<br>
<br>
<a name="fn82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; For Byron's intention to go abroad with Lord and Lady
Oxford, see p. 164, <a href="#fh16"><i>note</i></a> 3.<br>
<a href="#frn82">return</a><br>
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<hr><br><br>
<h3><a name="L301">301&mdash;to John Murray</a></h3>
<br>
[Maidenhead], June 13, 1813.<br>
<br><br>

Dear Sir,&mdash;Amongst the books from Bennet St. is a small vol. of
abominable poems by the Earl of Haddington which must not be in ye
Catalogue on Sale&mdash;also&mdash;a vol. of French Epigrams in the same
predicament.<br>
<br>
On the title page of Meletius is an inscription in writing which must be
<i>erased</i> and made illegible.<br>
<br>
I have read the strictures, which are just enough, and not grossly
abusive, in very fair couplets. There is a note against Massinger near
the end, but one cannot quarrel with one's company, at any rate. The
author detects some incongruous figures in a passage of <i>E. Bds</i>., page
23., but which edition I do not know. In the <i>sole</i> copy in your
possession&mdash;I mean the <i>fifth</i> edition&mdash;you may make these alterations,
that I may profit (though a little too late) by his remarks:&mdash;For
"<i>hellish</i> instinct," substitute "<i>brutal</i> instinct;" "<i>harpies</i>" alter
to "<i>felons</i>;" and for "blood-hounds" write "hell-hounds." These be
"very bitter words, by my troth," and the alterations not much sweeter;
but as I shall not publish the thing, they can do no harm, but are a
satisfaction to me in the way of amendment. The passage is only 12
lines.<br>
<br>
You do not answer me about H.'s book; I want to write to him, and not to
say anything unpleasing. If you direct to Post Office, Portsmouth, till
<i>called</i> for, I will send and receive your letter. <a name="frn91">You</a> never told me of
the forthcoming critique on <i>Columbus</i><a href="#fn91"><sup>1</sup></a> which is not <i>too</i> fair; and
I do not think justice quite done to the <i>Pleasures</i>, which surely
entitles the author to a higher rank than that assigned to him in the
<i>Quarterly</i>. But I must not cavil at the decisions of the <i>invisible
infallibles</i>; and the article is very well written. The <a name="frn92">general</a> horror
of "<i>fragments</i>"<a href="#fn92"><sup>2</sup></a> makes me tremulous for "<i>The Giaour</i>;" but you
would publish it&mdash;I presume, by this time, to your repentance. But as I
consented, whatever be its fate, I won't now quarrel with you, even
though I detect it in my pastry; but I shall not open a pye without
apprehension for some weeks.<br>
<br>
The Books which may be marked G.O. I will carry out. <a name="frn93">Do</a> you know
Clarke's <i>Naufragia</i><a href="#fn93"><sup>3</sup></a>? I am told that he asserts the <i>first</i> volume of <i>Robinson Crusoe</i> was
written by the first Lord Oxford, when in the Tower, and
given by him to Defoe; if true, it is a curious anecdote.
Have you got back Lord Brooke's MS.? and what does
Heber say of it? Write to me at Portsmouth.<br>
<br>
Ever yours, etc.,<br>
<br>
Bn.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fn91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Rogers's <i>Columbus</i> was reviewed by Ward in the <i>Quarterly</i>
for March, 1813. The reviewer detects "evident marks of haste" in the
poem.<br>
<a href="#frn91">return to footnote mark</a><br>
<br>
<br>
<a name="fn92"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>The Giaour</i>, like <i>Columbus</i>, was written in fragments.<br>
<a href="#frn92">return</a><br>
<br>
<br>
<a name="fn93"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; James Stanier Clarke, a Navy Chaplain (1765-1834),
published, in 1805, <i>Naufragia, or Historical Memoirs of Shipwrecks</i>. In
that work he does not himself attribute the <i>first</i> volume of <i>Robinson
Crusoe</i> to Lord Oxford. The following is the passage to which Byron
refers (<i>Naufragia</i>, vol. i. pp. 12, 13):

  <blockquote>"But before I conclude this
Section, I wish to make the admirers of this Nautical Romance mindful of
a Report, which prevailed many years ago; that Defoe, after all, was not
the real author of <i>Robinson Crusoe</i>. This assertion is noticed in an
article in the seventh volume of the <i>Edinburgh Magazine</i> [vol. vii. p.
269]. Dr. Towers, in his <i>Life</i> of Defoe in the <i>Biographia</i>, is
inclined to pay no attention to it; but was that writer aware of the
following letter, which also appeared in the <i>Gentleman's Magazine</i> for
1788? (vol. lviii. part i. p. 208). At least no notice is taken of it in
his <i>Life</i> of Defoe:

 <blockquote> 'Dublin, February 25.<br>
<br>
  Mr. Urban,&mdash;In the course of a late conversation with a nobleman of
  the first consequence and information in this kingdom, he assured me,
  that Mr. Benjamin Holloway, of Middleton Stony, assured him, some time
  ago: that he knew for fact, that the celebrated Romance of 'Robinson
  Crusoe' was really written by the Earl of Oxford, when confined in the
  Tower of London: that his Lordship gave the manuscript to Daniel
  Defoe, who frequently visited him during his confinement: and that
  Defoe, having afterwards added the second volume, published the whole
  as his own production. This anecdote I would not venture to send to
  your valuable magazine, if I did not think my information good, and
  imagine it might be acceptable to your numerous readers,
  not-withstanding the work has heretofore been generally attributed to
  the latter. W. W.'" </blockquote>

It is impossible for me to enter on a discussion of this literary
subject; though I thought the circumstance ought to be more generally
known. And yet I must observe, that I always discerned a very striking
falling off between the composition of the first and second volumes of
this Romance&mdash;they seem to bear evident marks of having been the work of
different writers."</blockquote>

A volume of memoranda in the handwriting of Warton, the Laureate,
preserved in the British Museum, contains the following:

  <blockquote>"Mem. Jul. 10, 1774. In the year 1759, I was told by the Rev. Mr.
  Benjamin Holloway, rector of Middleton Stony, in Oxfordshire, then
  about 70 years old, and in the early part of his life domestic
  Chaplain to Lord Sunderland, that he had often heard Lord Sunderland
  say that Lord Oxford, while a prisoner in the Tower of London, wrote
  the first volume of the History of Robinson Crusoe, merely as an
  amusement under confinement; and gave it to Daniel De Foe, who
  frequently visited Lord Oxford in the Tower, and was one of his
  Pamphlet writers. That De Foe, by Lord Oxford's permission, printed it
  as his own, and, encouraged by its extraordinary success, added
  himself the second volume, the inferiority of which is generally
  acknowledged. Mr. Holloway also told me, from Lord Sunderland, that
  Lord Oxford dictated some parts of the manuscript to De Foe. Mr.
  Holloway was a grave conscientious clergyman, not vain of telling
  anecdotes, very learned, particularly a good orientalist, author of
  some theological tracts, bred at Eton School, and a Master of Arts at
  St. John's College, Cambridge. He lived many years with great respect
  in Lord Sunderland's family, and was like to the late Duke of
  Marlborough. He died, as I remember, about the year "1761."</blockquote>
<a href="#frn92">return</a>
<br>
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<hr><br><br>
<h3><a name="L138">138&mdash;To his Mother</a></h3>
<br>
Constantinople, May 18, 1810.<br>
<br><br>

Dear Madam,&mdash;I arrived here in an English frigate from Smyrna a few days
ago, without any events worth mentioning, except landing to view the
plains of Troy, and afterwards, when we were at anchor in the
Dardanelles, <i>swimming</i> from Sestos to Abydos, in imitation of
Monsieur Leander, whose story you, no doubt, know too well for me to add
anything on the subject except that I crossed the Hellespont without so
good a motive for the undertaking. As I am just going to visit the
Captain-Pacha, you will excuse the brevity of my letter. When Mr. Adair
takes leave I am to see the Sultan and the mosques, etc.<br>
<br>
Believe me, yours ever,<br>
<br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L302">302&mdash;to John Murray</a></h3>
<br>
June 18, 1813.<br>
<br><br>

Dear Sir,&mdash;Will you forward the enclosed answer to the kindest letter I
ever received in my life, my sense of which I can neither express to Mr.
Gifford himself nor to any one else?<br>
<br>
Ever yours,<br>
<br>
B'N.<br>
<br>
<p><a href="#lp9">List of Letters</a><br>
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<hr><br><br>
<h3><a name="L303">303&mdash;to W. Gifford</a></h3>
<br>
June 18, 1813.<br>
<br><br>

My Dear Sir,&mdash;I feel greatly at a loss how to write to you at all&mdash;still
more to thank you as I ought. If you knew the veneration with which I
have ever regarded you, long before I had the most distant prospect of
becoming your acquaintance, literary or personal, my embarrassment would
not surprise you.<br>
<br>
Any <a name="frp1">suggestion</a> of yours, even were it conveyed in the less tender shape
of the text of the <i>Baviad</i>, or a Monk Mason note in Massinger<a href="#fp1"><sup>1</sup></a>,
would have been obeyed; I should have endeavoured to improve myself by
your censure: judge then if I shall be less willing to profit by your
kindness. It is not for me to bandy compliments with my elders and my
betters: I receive your approbation with gratitude, and will not return
my brass for your Gold by expressing more fully those sentiments of
admiration, which, however sincere, would, I know, be unwelcome.<br>
<br>
To your advice on Religious topics, I shall equally attend. Perhaps the
best way will be by avoiding them altogether. The already published
objectionable passages have been much commented upon, but certainly have
been rather <i>strongly</i> interpreted. I am no Bigot to Infidelity,
and did not expect that, because I doubted the immortality of Man, I
should be charged with denying the existence of a God. It was the
comparative insignificance of ourselves and <i>our world</i>, when
placed in competition with the mighty whole, of which it is an atom,
that first led me to imagine that our pretensions to eternity might be
over-rated.<br>
<br>
This, and being early disgusted with a Calvinistic Scotch school, where
I was cudgelled to Church for the first ten years of my life, afflicted
me with this malady; for, after all, it is, I believe, a disease of the
mind as much as other kinds of hypochondria.<br>
<br>
I regret to hear you talk of ill-health. May you long exist! not only to
enjoy your own fame, but outlive that of fifty such ephemeral
adventurers as myself.<br>
<br>
As I do not sail quite so soon as Murray may have led you to expect (not
till July) I trust I have some chance of taking you by the hand before
my departure, and repeating in person how sincerely and affectionately I
am<br>
<br>
Your obliged servant,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See <i>Letters</i>, vol. i. p. 198 [Footnote 4 of Letter 192.].<br>
<a href="#frp1">return to footnote mark</a><br>
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<hr><br><br>
<h3><a name="L304">304&mdash;to John Murray</a></h3>
<br>
June 22, 1813.<br>
<br><br>

Dear Sir,&mdash;I send you a <i>corrected</i> copy of the lines with several
<i>important</i> alterations,&mdash;so many that this had better be sent for
proof rather than subject the other to so many blots.<br>
<br>
You will excuse the eternal trouble I inflict upon you. As you will see,
I have attended to your Criticism, and softened a passage you proscribed
this morning.<br>
<br>
Yours veritably,

B.<br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L305">305&mdash;to Thomas Moore</a></h3>
<br>
June 22, 1813.<br>
<br><br>

<a name="frp11">Yesterday</a> I dined in company with Stael, the "Epicene,"<a href="#fp11"><sup>1</sup></a> whose
politics are sadly changed. She is for the Lord of Israel and the Lord
of Liverpool&mdash;a vile antithesis of a Methodist and a Tory&mdash;talks of
nothing but devotion and the ministry, and, I presume, expects that God
and the government will help her to a pension.<br>
<br>
<a name="frp12">Murray</a>, the <img src="images/BG9.gif" width="51" height="30" border="1" alt="Greek: anax"> of publishers, the Anak of stationers, has a
design upon you in the paper line. He wants you to become the staple and
stipendiary editor of a periodical work. What say you? Will you be
bound, like "Kit Smart, to write for ninety-nine years in the
"<i>Universal Visitor?</i>"<a href="#fp12"><sup>2</sup></a><br>
<br>
Seriously, he talks of hundreds a year, and&mdash;though I hate prating of
the beggarly elements &mdash;his proposal may be to your honour and profit,
and, I am very sure, will be to our pleasure.<br>
<br>
I don't know what to say about "friendship." I never was in friendship
but once, in my nineteenth year, and then it gave me as much trouble as
love. I <a name="frp13">am</a> afraid, as Whitbread's sire said to the king, when he wanted
to knight him, that I am "too old;<a href="#fp13"><sup>3</sup></a> but nevertheless, no one wishes
you more friends, fame, and felicity, than<br>
<br>
Yours, etc.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"'And ah! what verse can grace thy stately mien,<br>
  Guide of the world, preferment's golden queen,<br>
  Neckar's fair daughter, Staël the <i>Epicene</i>!<br>
  Bright o'er whose flaming cheek and pumple nose<br>
  The bloom of young desire unceasing glows!<br>
  Fain would the Muse&mdash;but ah! she dares no more,<br>
  A mournful voice from lone <i>Guyana's</i> shore,<br>
  Sad Quatremer, the bold presumption checks,<br>
  Forbid to question thy ambiguous sex.'<br>
<br>
  "These lines contain the Secret History of Quatremer's deportation. He
  presumed, in the Council of Five Hundred, to arraign Madame de Staël's
  conduct, and even to hint a doubt of her sex. He was sent to
  <i>Guyana</i>. The transaction naturally brings to one's mind the
  dialogue between Falstaff and Hostess Quickly in Shakespeare's
  <i>Henry IV</i>."</blockquote>

<i>Canning's New Morality</i>, lines 293-301 (Edmonds' edition of the
<i>Poetry of the Anti-Jacobin</i>, pp. 282, 283).<br>
<br>
Anne Louise Germaine Necker (1766-1817), only child of the Minister
Necker and his wife Suzanne Curchod, Gibbon's early love, married, in
1786, the Swedish Ambassador Baron de Staël Holstein, who died in 1802.
She married, as her second husband, in 1811, M. de Rocca, a young French
officer, who had been severely wounded in Spain, but survived her by a
year (Madame de Récamier, <i>Souvenirs</i>, vol. i. p. 272). Her book,
<i>De l'Allemagne</i>, seized and destroyed by Napoleon, was brought out
in June, 1813, by John Murray. Byron thought her

  <blockquote>"certainly the cleverest, though not the most agreeable woman he had
  ever known. 'She declaimed to you instead of conversing with you,'
  said he, 'never pausing except to take breath; and if during that
  interval a rejoinder was put in, it was evident that she did not
  attend to it, as she resumed the thread of her discourse as though it
  had not been interrupted'".</blockquote>

(Lady Blessington's <i>Conversations</i>, p. 26). Croker (<i>Croker
Papers</i>, vol. i. p. 327) describes her as

  <blockquote>"ugly, and not of an intellectual ugliness. Her features were coarse,
  and the ordinary expression rather vulgar, she had an ugly mouth, and
  one or two irregularly prominent teeth, which perhaps gave her
  countenance an habitual gaiety. Her eye was full, dark, and
  expressive; and when she declaimed, which was almost whenever she
  spoke, she looked eloquent, and one forgot that she was plain."</blockquote>

Madame de Staël

  <blockquote>"did not affect to conceal her preference for the society of men to
  that of her own sex," </blockquote>

and was entirely above, or below, studying the feminine arts of
pleasing. In 1802 Miss Berry called on her in Paris.

 <blockquote> "Found her in an excessively dirty <i>cabinet</i>&mdash;sofa singularly so;
  her own dress, a loose spencer with a bare neck," </blockquote>

(<I>Journal</I>, vol. ii. p. 145). A similar experience is mentioned by
Crabb Robinson (<I>Diary</I>, 1804).

  <blockquote>"On the 28th of January," he writes, "I first waited on Madame de
  Staël. I was shown into her bedroom, for which, not knowing Parisian
  customs, I was unprepared. She was sitting, most decorously, <i>in</i>
  her bed, and writing. She had her night-cap on, and her face was not
  made up for the day. It was by no means a captivating spectacle; but I
  had a very cordial reception, and two bright black eyes smiled
  benignantly on me."</blockquote>

Of her political opinions Sir John Bowring (<I>Autobiographical
Recollections</I>, pp. 375, 376) has left a sketch.

 <blockquote> "Madame de Staël was a perfect aristocrat, and her sympathies were
  wholly with the great and prosperous. She saw nothing in England but
  the luxury, stupidity, and pride of the Tory aristocracy, and the
  intelligence and magnificence of the Whig aristocracy. These latter
  talked about truth, and liberty and herself, and she supposed it was
  all as it should be. As to the millions, the people, she never
  inquired into their situation. She had a horror of the
  <i>canaille</i>, but anything of <i>sangre asul</i> had a charm for
  her. When she was dying she said, 'Let me die in peace; let my last
  moments be undisturbed.' Yet she ordered the cards of every visitor to
  be brought to her. Among them was one from the Duc de Richelieu.
  'What!' exclaimed she indignantly, 'What! have you sent away the
  <i>Duke</i>? Hurry! Fly after him. Bring him back. Tell him that,
  though I die for all the world, I live for <i>him</i>.'"</blockquote>

Napoleon's hatred of her was intense. "Do not allow that jade, Madame de
Staël," he writes to Fouché, December 31, 1806 (<I>New Letters of
Napoleon I.</I>, p. 35), "to come near Paris." Again, March 15, 1807
(<I>ibid.</I>, p. 39), "You are not to allow Madame de Staël to come
within forty leagues of Paris. That wicked schemer ought to make up her
mind to behave herself at last." In a third letter, April 19, 1807
(<I>ibid.</I>, p. 40), he speaks of her as "paying court, one day to the
great&mdash;a patriot, a democrat, the next!... a fright, ... a worthless
woman" (Léon Lecestre's <I>Lettres inédites de Napoléon I'er</I>, 2nd
ed. vol. i. pp. 84, 88, 93).<br>
<a href="#frp11">return to footnote mark</a><br>
<br>
<br>
<a name="fp12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"Old Gardner the bookseller employed Rolt and Smart to write a monthly
  miscellany called the <i>Universal Visitor</i>. There was a formal
  written contract, which Allen the printer saw.... They were bound to
  write nothing else; they were to have, I think, a third of the profits
  of his sixpenny pamphlet; and the contract was for ninety-nine years" </blockquote>

(Boswell's <i>Life of Dr. Johnson</i>, ed. Birrell, vol. iii. p. 192).<br>
<a href="#frp12">return</a><br>
<br>
<br>
<a name="fp13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

 <blockquote> "But first the Monarch, so polite,<br>
  Ask'd Mister Whitbread if he'd be a <i>Knight</i>.<br>
  Unwilling in the list to be enroll'd,<br>
  Whitbread contemplated the Knights of <i>Peg</i>,<br>
  Then to his generous Sov'reign made a leg,<br>
  And said, 'He was afraid he was <i>too old</i>,'" etc.</blockquote>

Peter Pindar's <i>Instructions to a Laureat</i>.<br>
<a href="#frp13">return</a><br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L306">306&mdash;to the Hon. Augusta Leigh</a></h3>
<br>
4, Bennet Street, June 26th, 1813.<br>
<br><br>

<b>My Dearest Augusta</b>,&mdash;Let me know when you arrive, and when, and where,
and how, you would like to see me,&mdash;any where in short but at
<i>dinner</i>. I have put off going into ye country on purpose to
<i>waylay</i> you.<br>
<br>
Ever yours,<br>
<br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L307">307&mdash;to the Hon. Augusta Leigh</a></h3>
<br>
[June, 1813.]<br>
<br><br>

<b>My Dearest Augusta</b>,&mdash;And if you knew <i>whom</i> I had put off besides
my journey&mdash;you would think me grown strangely fraternal. However I
won't overwhelm you with my <i>own praises</i>.<br>
<br>
Between one and two be it&mdash;I shall, in course, prefer seeing you all to
myself without the incumbrance of third persons, <a name="frp21">even</a> of <i>your</i>
(for I won't own the relationship) fair cousin of <i>eleven page</i>
memory<a href="#fp21"><sup>1</sup></a>, who, by the bye, makes one of the finest busts I have seen
in the Exhibition, or out of it. Good night!<br>
<br>
Ever yours, <b>Byron</b>.<br>
<br>
P. S.&mdash;Your writing is grown like my Attorney's, and gave me a qualm,
till I found the remedy in your signature.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;<i>Letters</i>, vol. i. p. 54 [end of Footnote 3 of Letter 13.], Lady Gertrude Howard
married, in 1806, William Sloane Stanley, and died in 1870.<br>
<a href="#frp21">return to footnote mark</a><br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L308">308&mdash;to the Hon. Augusta Leigh</a></h3>
<br>
[Sunday], June 27th, 1813.<br>
<br><br>

<b>My Dearest Augusta</b>,&mdash;If <a name="frp31">you</a> like to go with me to ye Lady Davy's<a href="#fp31"><sup>1</sup></a>
to-night, I <i>have</i> an invitation for you.<br>
<br>
There you will see the <i>Stael</i>, some people whom you know, and
<i>me</i> whom you do <i>not</i> know,&mdash;and you can talk to which you
please, and I will watch over you as if you were unmarried and in danger
of always being so. Now do as you like; but if you chuse to array
yourself before or after half past ten, I will call for you. I think our
being together before 3d people will be a new <i>sensation</i> to
<i>both</i>.<br>
<br>
Ever yours,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Sir Humphry Davy (1778-1829), the son of a wood-carver of
Penzance, was apprenticed to John Borlase, a surgeon at Penzance, in
whose dispensary he became a chemist. He wrote poetry as a young man,
but soon abandoned the pursuit for science. Two poems on Byron by Davy,
one written in 1823, the other in 1824, will be found in Dr. Davy's
<i>Memoirs of the Life of Sir H. Davy</i>, vol. ii. pp. 168, 169. In
October, 1798, he joined Dr. Beddoes at Bristol, where he superintended
the laboratory at his Pneumatic Institution. His <i>Researches, Chemical
and Philosophical</i> (1799), made him famous. At the Royal Institution
in London, founded in 1799, Davy became assistant-lecturer in chemistry,
and director of the chemical laboratory. There his lecture-room was
crowded by some of the most distinguished men and women of the day.
Within the next few years his discoveries in electricity and galvanism,
(1806-7) brought him European celebrity; his lectures on agricultural
chemistry (1810) marked a fresh era in farming, and inaugurated the new
movement of "science with practice." His famous discovery of the Safety
Lamp was made in 1816. He was created a baronet in 1818. A skilful
fisherman, he wrote, when in declining health, <i>Salmonia, or Days of
Fly-fishing</i>, published in 1827. Ticknor (<i>Life</i>, vol. i. p.
57), speaking of Davy in 1815, says,

<blockquote>"He is now about thirty-three, but
with all the freshness and bloom of five-and-twenty, and one of the
handsomest men I have seen in England. He has a great deal of vivacity,
talks rapidly, though with great precision, and is so much interested in
conversation, that his excitement amounts to nervous impatience, and
keeps him in constant motion."</blockquote>

Davy married, in 1812, a rich widow, Jane Aprecce, <i>née</i> Kerr
(1780-1855). The marriage brought him wealth; but it also, it is said,
impaired the simplicity of his character, and made him ambitious of
social distinction. Miss Berry (<i>Journal</i>, vol. ii. p. 535) supped
with Lady Davy in May, 1813, to meet the Princess of Wales, and notes
that among the other guests was Byron. Lady Davy, who was so dark a
brunette that Sydney Smith said she was as brown as a dry toast, was for
many years a prominent figure in the society of London and Rome. It was
of her that Madame de Staël said that she had "all Corinne's talents
without her faults or extravagances." Ticknor, who called on her in
June, 1815,

<blockquote>"found her in her parlour, working on a dress, the contents
of her basket strewed about the table, and looking more like home than
anything since I left it. She is small, with black eyes and hair, a very
pleasant face, an uncommonly sweet smile, and, when she speaks, has much
spirit and expression in her countenance. Her conversation is agreeable,
particularly in the choice and variety of her phraseology, and has more
the air of eloquence than I have ever heard before from a lady."</blockquote>
(<i>Life of George Ticknor</i>, vol. i. P. 57).<br>
<a href="#frp31">return to footnote mark</a><br>
<br>
<p><a href="#lp9">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L309">309&mdash;to John Murray</a></h3>
<br>
July 1st, 1813.<br><br>

<br>
<b>Dear Sir</b>,&mdash;<a name="frp41">There</a> is an error in my dedication<a href="#fp41"><sup>1</sup></a>. The word "<i>my</i>"
must be struck out&mdash;"my" admiration, etc.; it is a false construction
and disagrees with the signature. I hope this will arrive in time to
prevent a <i>cancel</i> and serve for a proof; recollect it is only the
"my" to be erased throughout.<br>
<br>
<a name="frp42">There</a> is a critique in the <i>Satirist</i><a href="#fp42"><sup>2</sup></a>, which I have
read,&mdash;fairly written, and, though <i>vituperative</i>, very fair in
judgment. One part belongs to you, <i>viz</i>., the 4<i>s</i>. and
6<i>d</i> charge; it is unconscionable, but you have no conscience.<br>
<br>
Yours truly,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The dedication was originally printed thus:

<blockquote>"To Samuel
Rogers, Esq., as a slight but most sincere token of my admiration of his
genius."</blockquote>
<a href="#frp41">return to footnote mark</a><br>
<br>
<br>
<a name="fp42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>The Satirist</i> for July 1, 1813 (pp. 70-88), reviews the <i>Giaour</i>
at length. It condemns it for its fragmentary character and consequent obscurity, its carelessness and defects of style; but it also
admits that the poem "abounds with proofs of genius:"

 <blockquote> "A word in conclusion. The noble lord appears to have an
  aristocratical solicitude to be read only by the opulent. Four
  shillings and sixpence for forty-one octavo pages of poetry! and those
  pages verily happily answering to Mr. Sheridan's image of a rivulet of
  text flowing through a meadow of margin. My good Lord Byron, while you
  are revelling in all the sensual and intellectual luxury which the
  successful sale of Newstead Abbey has procured for you, you little
  think of the privations to which you have subjected us unfortunate
  Reviewers, ... in order to enable us to purchase your lordship's
  expensive publication."</blockquote>
<a href="#frp42">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L310">310&mdash;to Thomas Moore</a></h3>
<br>
4, Benedictine Street, St. James's, July 8, 1813.<br>
<br><br>

I presume by your silence that I have blundered into something noxious
in my reply to your letter, for the which I beg leave to send beforehand
a sweeping apology, which you may apply to any, or all, parts of that
unfortunate epistle. If I err in my conjecture, I expect the like from
you in putting our correspondence so long in quarantine. God he knows
what I have said; but he also knows (if he is not as indifferent to
mortals as the <i>nonchalant</i> deities of Lucretius), that you are the
last person I want to offend. So, if I have,&mdash;why the devil don't you
say it at once, and expectorate your spleen?<br>
<br>
<a name="frp51">Rogers</a> is out of town with Madame de Stael, who hath published an Essay
against Suicide<a href="#fp51"><sup>1</sup></a>, which, I presume, will make somebody shoot
himself;&mdash;as a sermon by Blenkinsop, in <i>proof</i> of Christianity,
sent a hitherto most orthodox acquaintance of mine out of a chapel of
ease a perfect atheist. Have you found or founded a residence yet? and
have you begun or finished a poem? If you won't tell me what <i>I</i>
have done, pray say what you have done, or left undone, yourself. I am
still in equipment for voyaging, and anxious to hear from, or of, you
<i>before</i> I go, which anxiety you should remove more readily, as you
think I sha'n't cogitate about you afterwards. I shall give the lie to
that calumny by fifty foreign letters, particularly from any place where
the plague is rife,&mdash;without a drop of vinegar or a whiff of sulphur to
save you from infection.<br>
<br>
The Oxfords have sailed almost a fortnight, and my sister is in town,
which is a great comfort,&mdash;for, never having been much together, we are
naturally more attached to each other. I <a name="frp52">presume</a> the illuminations have
conflagrated to Derby (or wherever you are) by this time<a href="#fp52"><sup>2</sup></a>. We are
just recovering from tumult and train oil, and transparent fripperies,
and all the noise and nonsense of victory. Drury Lane had a large
<i>M. W.</i>, which some thought was Marshal Wellington; others, that it
might be translated into Manager Whitbread; while the ladies of the
vicinity of the saloon conceived the last letter to be complimentary to
themselves. I leave this to the commentators to illustrate. If you don't
answer this, I sha'n't say what <i>you</i> deserve, but I think <i>I</i>
deserve a reply. <a name="frp53">Do</a> you conceive there is no Post-Bag but the Twopenny<a href="#fp53"><sup>3</sup></a>? Sunburn me, if you are not too bad.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

 <blockquote> "Madame de Stael treats me as the person whom she most delights to
  honour; I am generally ordered with her to dinner, as one orders beans
  and bacon: she is one of the few persons who surpass expectation; she
  has every sort of talent, and would be universally popular, if, in
  society, she were to confine herself to her inferior talents&mdash;
  pleasantry, anecdote, and literature. I have reviewed her <i>Essay on
  Suicide</i> in the last <i>Edinburgh Review</i>: it is not one of her best,
  and I have accordingly said more of the author and the subject than of
  the work."</blockquote>

Sir J. Mackintosh (<i>Life</i>, vol. ii. p. 269).<br>
<a href="#frp51">return to footnote mark</a><br>
<br>
<br>
<a name="fp52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; One result of the illuminations in honour of the battle of
Vittoria (June 21, 1813), which took place July 7, was a great fire at
Woolwich. Moore was at this time living at Mayfield Cottage near
Ashbourne, in Derbyshire.<br>
<a href="#frp52">return</a><br>
<br>
<br>
<a name="fp53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;Moore's <i>Intercepted Letters, or the Twopenny Post-bag</i>,
was published, without his name, in 1813.<br>
<a href="#frp53">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L311">311&mdash;to Thomas Moore</a></h3>
<br>
July 13, 1813.<br>
<br><br>

Your letter set me at ease; for I really thought (as I hear of your
susceptibility) that I had said&mdash;I know not what&mdash;but something I should
have been very sorry for, had it, or I, offended you;&mdash;though I don't
see how a man with a beautiful wife&mdash;<i>his own</i>
children,&mdash;quiet&mdash;fame&mdash;competency and friends, (I will vouch for a
thousand, which is more than I will for a unit in my own behalf,) can be
offended with any thing.<br>
<br>
Do <a name="frp61">you</a> know, Moore, I am amazingly inclined&mdash;remember I say but
<i>inclined</i>&mdash;to be seriously enamoured with Lady A[delaide] F[orbes]<a href="#fp61"><sup>1</sup></a>&mdash; but this&mdash;&mdash;has ruined all my prospects. However, you know her;
is she <i>clever</i>, or sensible, or good-tempered? either <i>would</i>
do&mdash;I scratch out the <i>will</i>. I don't ask as to her beauty&mdash;that I
see; but my circumstances are mending, and were not my other prospects
blackening, I would take a wife, and that should be the woman, had I a
chance. I do not yet know her much, but better than I did.<br>
<br>
I want to get away, but find difficulty in compassing a passage in a
ship of war. <a name="frp62">They</a> had better let me go; if I cannot, patriotism is the
word&mdash;"nay, an they'll mouth, I'll rant as well as they."<a href="#fp62"><sup>2</sup></a><br>
<br>
Now, what are you doing?&mdash;writing, we all hope, for our own sakes.
Remember you must edit my posthumous works, with a Life of the Author,
for which I will send you Confessions, dated "Lazaretto," Smyrna, Malta,
or Palermo&mdash;one can die any where.<br>
<br>
<a name="frp63">There</a> is to be a thing on Tuesday ycleped a national fête<a href="#fp63"><sup>3</sup></a>. The
Regent and &mdash;&mdash; are to be there, and every body else, who has shillings
enough for what was once a guinea. Vauxhall is the scene&mdash;there are six
tickets issued for the modest women, and it is supposed there will be
three to spare. The passports for the lax are beyond my arithmetic.<br>
<br>
P. S.&mdash;The Staël last night attacked me most furiously&mdash;said that I had
"no right to make love&mdash;that I had used&mdash;&mdash;barbarously&mdash;that I had no
feeling, and was totally <i>in</i>sensible to <i>la belle passion</i>,
and <i>had</i> been all my life." I am very glad to hear it, but did not
know it before. Let me hear from you anon.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Lady A. F&mdash;&mdash;  <i>was</i> also very handsome. It is melancholy to talk
  of women in the past tense. What a pity, that of all flowers, none
  fade so soon as beauty! Poor Lady A. F&mdash; has not got married. Do you
  know, I once had some thoughts of her as a wife; not that I was in
  love, as people call it, but I had argued myself into a belief that I
  ought to marry, and, meeting her very often in society, the notion
  came into my head, not heart, that she would suit me. Moore, too, told
  me so much of her good qualities&mdash;all which was, I believe, quite
  true&mdash;that I felt tempted to propose to her, but did not, whether
  <i>tant mieux</i> or <i>tant pis</i>, God knows, supposing my proposal
  accepted."</blockquote>

(Lady Blessington's <i>Conversations</i>, pp. 108, 109).<br>
<br>
Lady Adelaide Forbes, whom Byron in Rome compared to the "Belvedere
Apollo," was the daughter of George, sixth Earl of Granard, and his
wife, Lady Selina Rawdon, daughter of the first Earl of Moira. Born in
1789, she died at Dresden, in 1858, unmarried. Lord Moira was Moore's
patron, and, through this connection and political sympathies, Moore was
acquainted with Lord Granard and his family.<br>
<a href="#frp61">return to footnote mark</a><br>
<br>
<br>
<a name="fp62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Byron possibly quoted the actual words from <i>Hamlet</i>
(act v. sc. 1), referring to Moore's attack on the Regent in <i>The
Two-penny Post-bag</i>:

     <blockquote> "Nay, an thou'lt mouth,<br>
  I'll rant as well as thou."</blockquote>

But the letter is destroyed.<br>
<a href="#frp62">return</a><br>
<br>
<br>
<a name="fp63"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; The <i>Morning Chronicle</i> for July 12 contains the
announcement that "the Prince Regent has projected a <i>Grand National
Fête</i> in honour of the battle of Vittoria. It is to be held at
Vauxhall Gardens." The <i>fête</i> was held on Tuesday, July 20,
beginning with a banquet, at which such toasts were drunk as "The
Marquis of Wellington," "Sir Thomas Graham and the other officers
engaged," "The Spanish Armies and the brave Guerillas." The <i>báton</i>
of Marshal Jourdan was "disposed among the plate, so as to be obvious to
all." The proceedings ended with illuminations and dancing.<br>
<a href="#frp63">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L312">312&mdash;to John Hanson</a></h3>
<br>
Sunday, July 18th, 1813.<br><br>

<br>
<b>Dear Sir</b>,&mdash;A Report is in general circulation (which has distressed my
friends, and is not very pleasing to me), that the Purchaser of Newstead
is a <i>young</i> man, who has been over-reached, ill-treated, and
ruined, by me in this transaction of the sale, and that I take an unfair
advantage of the <i>law</i> to enforce the contract. This must be
contradicted by a true and open statement of the circumstances
attending, and subsequent to, the sale, and that immediately and
publicly. Surely, if anyone is ill treated it is myself. He bid his own
price; he took time before he bid at all, and now, when I am actually
granting him further time as a favour, I hear from all quarters that I
have acted unfairly. Pray do not delay on this point; see him, and let a
proper and true statement be drawn up of the sale, etc., and inserted in
the papers.<br>
<br>
Ever yours,<br>
<br>
B.<br>
<br>
P.S.&mdash;Mr. C. himself, if he has either honour or feeling, will be the
first to vindicate me from so unfounded an implication. It is surely not
for his credit to be supposed <i>ruined</i> or <i>over-reached</i>.<br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L313">313&mdash;to John Murray</a></h3>
<br>
July 22nd, 1813.<br>
<br><br>

Dear Sir,&mdash;I have great pleasure in accepting your invitation to meet
anybody or nobody as you like best.<br>
<br>
Pray what should you suppose the book in the inclosed advertisement to
be? is it anything relating to Buonaparte or Continental Concerns? If
so, it may be worth looking after, particularly if it should turn out to
be your purchase&mdash;Lucien's <i>Epic</i>.<br>
<br>
Believe me, very truly yours,<br>
<br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L314">314&mdash;to Thomas Moore</a></h3>
<br>
July 25, 1813.<br>
<br><br>

I am not well versed enough in the ways of single woman to make much
matrimonial progress.<br>
<br>
I <a name="frp71">have</a> been dining like the dragon of Wantley<a href="#fp71"><sup>1</sup></a> for this last week. My
head aches with the vintage of various cellars, and my brains are
muddled as their dregs. I met your friends the Daltons:&mdash;she sang one of
your best songs so well, that, but for the appearance of affectation, I
could have cried; he reminds me of Hunt, but handsomer, and more musical
in soul, perhaps. I wish to God he may conquer his horrible anomalous
complaint. The upper part of her face is beautiful, and she seems much
attached to her husband. He is right, nevertheless, in leaving this
nauseous town. The first winter would infallibly destroy her
complexion,&mdash;and the second, very probably, every thing else.<br>
<br>
I must tell you a story. Morris<a href="#fp72"><sup>2</sup></a>  (of <a name="frp72">indifferent</a> memory) was dining
out the other day, and complaining of the Prince's coldness to his old
wassailers. D'Israeli (a learned Jew) bored him with questions&mdash;why
this? and why that? "Why did the Prince act thus?"&mdash;"Why, sir, on
account of Lord &mdash;&mdash;, who ought to be ashamed of himself."&mdash;"And why
ought Lord&mdash;&mdash;  to be ashamed of himself?"&mdash;"Because the Prince, sir,
&mdash;&mdash;"&mdash;"And why, sir, did the Prince cut <i>you</i>?"&mdash;"Because,
G&mdash;d d&mdash;mme, sir, I stuck to my principles."&mdash;"And why did you stick to
your principles?"<br>
<br>
Is not this last question the best that was ever put, when you consider
to whom? It nearly killed Morris. <a name="frp73">Perhaps</a> you may think it stupid, but,
as Goldsmith said about the peas<a href="#fp73"><sup>3</sup></a>, it was a very good joke when I
heard it&mdash;as I did from an ear-witness&mdash;and is only spoilt in my
narration.<br>
<br>
The <a name="frp74">season</a> has closed with a dandy ball<a href="#fp74"><sup>4</sup></a>;&mdash;but I have dinners with
the Harrowbys, Rogers, and Frere and Mackintosh<a href="#fp75"><sup>5</sup></a>, where I shall drink your health in a silent bumper, and regret your absence till "too much
canaries" wash away my memory, or render it superfluous by a vision of
you at the opposite side of the table. <a name="frp76">Canning</a> has disbanded his party
by a speech from his [&mdash;&mdash;]&mdash; the true throne of a Tory<a href="#fp76"><sup>6</sup></a>.<br>
<br>
<a name="frp77">Conceive</a> his turning them off in a formal harangue, and bidding them
think for themselves. "I have led my ragamuffins where they are well
peppered. There are but three of the 150 left alive,"<a href="#fp77"><sup>7</sup></a> and they are
for the <i>Townsend</i> (<i>query</i>, might not Falstaff mean the Bow
Street officer? I dare say Malone's posthumous edition will have it so)
for life.<br>
<br>
Since I wrote last, I have been into the country. I journeyed by
night&mdash;no incident, or accident, but an alarm on the part of my valet on
the outside, who, in crossing Epping Forest, actually, I believe, flung
down his purse before a mile-stone, with a glow-worm in the second
figure of number XIX&mdash;mistaking it for a footpad and dark lantern. I can
only attribute his fears to a pair of new pistols wherewith I had armed
him; and he thought it necessary to display his vigilance by calling out
to me whenever we passed any thing&mdash;no matter whether moving or
stationary. Conceive ten miles, with a tremor every furlong. I have
scribbled you a fearfully long letter. This <a name="frp78">sheet</a> must be blank, and is
merely a wrapper, to preclude the tabellarians<a href="#fp78"><sup>8</sup></a> of the post from
peeping. You once complained of my <i>not</i> writing;&mdash;I will "heap
coals of fire upon your head" by <i>not</i> complaining of your
<i>not</i> reading. Ever, my dear Moore, your'n (isn't that the
Staffordshire termination?), <br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Under the title of "An excellent Ballad of a most dreadful
combat, fought between Moore of Moore-Hall and the Dragon of Wantley,"
this ballad forms (in the 12th edition) the Argument of <i>The Dragon of
Wantley, a Burlesque Opera</i>, performed at Covent Garden, the libretto
of which is by Sig. Carini, <i>i.e.</i> Henry Carey:

  <blockquote>"Have you not heard of the <i>Trojan</i> Horse;<br>
    With Seventy Men in his Belly?<br>
  This Dragon was not quite so big,<br>
    But very near, I'll tell you;<br>
  Devoured he poor Children three,<br>
    That could not with him grapple;<br>
  And at one sup he eat them up,<br>
    As one would eat an Apple.<br>
  <br>
  "All sorts of Cattle this Dragon did eat,<br>
    Some say he eat up Trees,<br>
  And that the Forest sure he would<br>
    Devour by degrees.<br>
  For Houses and Churches were to him Geese and Turkies;<br>
    He eat all, and left none behind,<br>
  But some Stones, dear Jack, which he could not crack,<br>
    Which on the Hills you'll find."</blockquote>
<a href="#frp71">return to footnote mark</a><br>
<br>
<br>
<a name="fp72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;Charles Morris (1745-1838) served in the 17th Foot, the
Royal Irish Dragoons, and finally in the Second Life Guards. He was
laureate and punch-maker to the Beef-steak Club, founded in 1735 by John
Rich, patentee of Covent Garden Theatre. The Prince of Wales became a
member of the Club in 1785, and Morris was a frequent guest at Carlton
House. Another member of the Club was the Duke of Norfolk, who gave
Morris the villa at Brockham, near Betchworth, where he lived and died.<br>
<br>
Morris, who was an admirable song-writer and singer, attached himself
politically to the Prince's party, and attacked Pitt in such popular
ballads as "Billy's too young to drive us," and "Billy Pitt and the
Farmer." He was, however, disappointed in his hope of reward from his
political patrons, and vented his spleen in his ode, "The Old Whig Poet
to his Old Buff Waistcoat"

 <blockquote> "Farewell, thou poor rag of the Muse!<br>
  In the bag of the clothesman go lie;<br>
  A farthing thou'lt fetch from the Jews,<br>
  Which the hard-hearted Christians deny," etc.</blockquote>

Some of his poems deserve the censure of <i>The Shade of Pope</i> (line
225):

 <blockquote> "There reeling Morris and his bestial songs."</blockquote>

But others, in their ease and vivacity, hold their own with all but the
best of Moore's songs. A collection of them was printed in two volumes
by Bentley, in 1840, under the title of <i>Lyra Urbanica</i>.<br>
<a href="#frp72">return</a><br>
<br>
<br>
<a name="fp73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; In Forster's <i>Life of Goldsmith</i> (vol. i. p. 34) it is
related that Goldsmith ran away from Trinity College, Dublin, because he
had been beaten by one of the Fellows. He started for Cork with a
shilling in his pocket, on which he lived for three days. He told
Reynolds that he thought

  <blockquote>"a handful of grey pease, given him by a girl at a wake (after fasting
  for twenty-four hours) the most comfortable repast he had ever made." </blockquote>

Byron may mean that any joke seems good to a man who had not heard one
for a day.<br>
<a href="#frp73">return</a><br>
<br>
<br>
<a name="fp74"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;

  <blockquote>"I liked the Dandies," says Byron, in his <i>Detached Thoughts</i>;
  "they were always very civil to <i>me</i>, though in general they
  disliked literary people, and persecuted and mystified Madme. de
  Staël, Lewis, Horace Twiss, and the like, damnably. They persuaded
  Madme. de Staël that Alvanley had a hundred thousand a year, etc.,
  etc., till she praised him to his <i>face</i> for his <i>beauty!</i>
  and made a set at him for Albertine (<i>Libertine</i>, as Brummell
  baptized her, though the poor girl was, and is, as correct as maid or
  wife can be, and very amiable withal), and a hundred other fooleries
  besides. The truth is, that, though I gave up the business early, I
  had a tinge of Dandyism in my minority, and probably retained enough
  of it to conciliate the great ones at four and twenty. I had gamed and
  drunk and taken my degrees in most dissipations, and, having no
  pedantry, and not being overbearing, we ran quietly together. I knew
  them all more or less, and they made me a member of Watier's (a superb
  club at that time), being, I take it, the only literary man (except
  <i>two</i> others, both men of the world, M[oore] and S[pencer] in it.
  Our Masquerade was a grand one; so was the Dandy Ball too&mdash;at the
  Argyle,&mdash;but <i>that</i> (the latter) was given by the four
  chiefs&mdash;B[rummel?], M[idmay?], A[lvanley?], and P[ierreoint?], if I
  err not."</blockquote>
<a href="#frp74">return</a><br>
<br>
<br>
<a name="fp75"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;Sir James Mackintosh (1765-1832), after studying medicine,
was called to the English Bar in 1795. Originally a supporter of the
French Revolution, he answered Burke's <i>Reflections</i> with his
<i>Vindiciæ Gallicæ</i> (1791). He is "Mr. Macfungus" in the <i>Anti-
Jacobin's</i> account of the "Meeting of the Friends of Freedom." But
his revolutionary sympathies rapidly cooled, and he publicly disavowed
them in his <i>Introductory Discourse on the Study of the Law of Nature
and Nations</i> (1799). He remained, however, throughout his life, a
Whig. His lectures on "<i>The Law of Nature and Nations</i>," delivered
at Lincoln's Inn, in 1799, brought him into prominence, both at the Bar
and in society. In 1803 he was knighted on accepting the Recordership of
Bombay. He returned to England in 1812, entered Parliament as member for
Nairn, advocated some useful measures, became a Privy Councillor in
1828, and held office in the Whig Ministry of 1830 as Commissioner of
the Board of Control. In politics, as well as in literature, he
disappointed expectation. His principal works, besides those mentioned
above, were his <i>Dissertation on the Progress of Ethical
Philosophy</i> (1830), and his <i>History of the Revolution in England
in 1688</i> (1834).<br>
<br>
His great intellectual powers were shown to most advantage in society.
Rogers (<i>Table-Talk</i>, pp. 197, 198) thought him one of the three
acutest men he had ever known.

 <blockquote> "He had a prodigious memory, and could repeat by heart more of Cicero
  than you could easily believe.... I never met a man with a fuller mind
  than Mackintosh,&mdash;such readiness on all subjects, such a talker." <br>
<br>
  "Till subdued by age and illness," wrote Sydney Smith (<i>Life of
  Mackintosh</i>, vol. ii. p. 500), "his conversation was more brilliant
  and instructive than that of any human being I ever had the good
  fortune to be acquainted with." </blockquote>

As in political life, so in society, he was too much of the lecturer.
Ticknor (<i>Life</i>, vol. i. p. 265) thought him "a little too precise,
a little too much made up in his manners and conversation." But on all
sides there is evidence to confirm the testimony of Rogers
(<i>Table-Talk</i>, p. 207) that he was a man "who had not a particle of
envy or jealousy in his nature."<br>
<a href="#frp74">return</a><br>
<br>
<br>
<a name="fp76"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; George Canning (1770-1827) had been offered the Foreign
Office in 1812 after the assassination of Perceval, on condition that
Castlereagh should lead the House of Commons. He refused the
offer. Elected M. P. for Liverpool in 1812, he had, in July, 1813,
disbanded his followers, and in 1814 left England. He supported
Lord Liverpool in carrying the repressive measures known as the
Six Acts (1817-20), and, on the death of Lord Londonderry, in
1822, entered the Government as Secretary for Foreign Affairs. It
is to the private speech to his followers, in July, 1813, that Byron
refers.<br>
<br>
The <i>Morning Chronicle</i> for July 29, 1813, has the following
paragraph:

 <blockquote> "Mr. Canning it seems has (to use a French phrase) <i>reformed</i> his
  political corps. He assembled them at the close of the Session, and
  with many expressions of regret for the failure of certain
  negociations, which might have been favourable to them as a body,
  relieved them from their oaths of allegiance, and recommended them to
  pursue in future their objects separately. The Right Honourable
  gentleman, perhaps, finds it more convenient for himself to act
  unencumbered; and both he and one or two others may find their
  interest in disbanding the squad; but some of them are turned off
  <i>without a character</i>."</blockquote>
The <i>Courier</i> for July 29, quoting
  the first part of the statement, adds, <blockquote>"We believe ... that Mr.
  Canning is not indisposed to join the present Cabinet, and may wish
  one or two of his particular friends to come in with him."</blockquote>
<a href="#frp76">return</a><br>
<br>
<br>
<a name="fp77"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;

  <blockquote>"I have led my ragamuffins where they are pepper'd: there's but three
  of my hundred and fifty left alive; and they are for the town's end,
  to beg during life." </blockquote>

(<i>Henry IV</i>., Part I. act v. sc. 3). <br>
<br>
Townshend, the Bow Street
officer, is described by Cronow (<i>Reminiscences</i>, vol. i. p. 286)
as

  <blockquote>"a little fat man with a flaxen wig, Kersey-mere breeches, a blue
  straight-cut coat, and a broad-brimmed white hat. To the most daring
  courage he added great dexterity and cunning; and was said, <i>in
  propria persona</i>, to have taken more thieves than all the other Bow
  Street officers put together."</blockquote>
<a href="#frp77">return</a><br>
<br>
<br>
<a name="fp78"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp;

  "Epistolam, quam attulerat Phileros tabellarius."

(Cic., <i>Fam</i>.,9, 15).<br>
<a href="#frp78">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L315">315&mdash;to Thomas Moore</a></h3>
<br>
July 27, 1813.<br>
<br><br>

When you next imitate the style of "Tacitus," pray add, <i>de moribus
Germannorum</i>;&mdash;this last was a piece of barbarous silence, and could
only be taken from the <i>Woods</i>, and, as such, I attribute it
entirely to your sylvan sequestration at Mayfield Cottage. You will
find, on casting up accounts, that you are my debtor by several sheets
and one epistle. I shall bring my action;&mdash;if you don't discharge,
expect to hear from my attorney. I <a name="frp81">have</a> forwarded your letter to
Ruggiero<a href="#fp81"><sup>1</sup></a>; but don't make a postman of me again, for fear I should be
tempted to violate your sanctity of wax or wafer.<br>
<br>
Believe me, ever yours <i> indignantly</i>, <br>
BN.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;<i>i. e.</i> Samuel Rogers.<br>
<a href="#frp81">return to footnote mark</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L316">316&mdash;to Thomas Moore</a></h3>
<br>
July 28, 1813.<br>
<br>

Can't you be satisfied with the pangs of my jealousy of Rogers, without
actually making me the pander of your epistolary intrigue? This is the
second letter you have enclosed to my address, notwithstanding a
miraculous long answer, and a subsequent short one or two of your own.
If you do so again, I can't tell to what pitch my fury may soar. I shall
send you verse or arsenic, as likely as any thing,&mdash;four thousand
couplets on sheets beyond the privilege of franking; that privilege,
sir, of which you take an undue advantage over a too susceptible
senator, by forwarding your lucubrations to every one but himself. I
won't frank <i>from</i> you, or <i>for</i> you, or <i>to</i> you&mdash;may I
be curst if I do, unless you mend your manners. I disown you&mdash;I disclaim
you&mdash;and by all the powers of Eulogy, I will write a panegyric upon you
&mdash;or dedicate a quarto&mdash;if you don't make me ample amends.<br>
<br>
P. S.&mdash;I <a name="frp91">am</a> in training to dine with Sheridan<a href="#fp91"><sup>1</sup></a> and Rogers this
evening. I have a <a name="frp92">little</a> spite against R., and will shed his "Clary
wines pottle-deep."<a href="#fp92"><sup>2</sup></a> This is nearly my ultimate or penultimate
letter; for I am quite equipped, and only wait a passage. Perhaps I may
wait a few weeks for Sligo, but not if I can help it.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fp91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;In his <i>Detached Thoughts</i> Byron has noted the
following impressions of Sheridan:

  <blockquote>"In society I have met Sheridan frequently: he was superb! He had a
  sort of liking for me, and never attacked me, at least to my face, as
  he did every body else&mdash;high names, and wits, and orators, some of
  them poets also. I have seen him cut up Whitbread, quiz Madame de
  Staël, annihilate Colman, and do little less by some others (whose
  names, as friends, I set not down) of good fame and ability. Poor
  fellow! he got drunk very thoroughly and very soon. It occasionally
  fell to my lot to pilot him home&mdash;no sinecure, for he was so tipsy
  that I was obliged to put on his cocked hat for him. To be sure, it
  tumbled off again, and I was not myself so sober as to be able to pick
  it up again.<br>
<br>
  "The last time I met him was, I think, at Sir Gilbert Elliot's, where
  he was as quick as ever&mdash;no, it was not the last time; the last time
  was at Douglas Kinnaird's. I have met him in all places and
  parties&mdash;at Whitehall with the Melbournes, at the Marquis of
  Tavistock's, at Robins's the auctioneer's, at Sir Humphry Davy's, at
  Sam Rogers's,&mdash;in short, in most kinds of company, and always found
  him very convivial and delightful.<br>
<br>
  "I have seen Sheridan weep two or three times. It may be that he was
  maudlin; but this only renders it more impressive, for who would see

   <blockquote> 'From Marlborough's eyes the tears of dotage flow,<br>
    And Swift expire a driveller and a show'?</blockquote>

  "Once I saw him cry at Robins's the auctioneer's, after a splendid
  dinner, full of great names and high spirits. I had the honour of
  sitting next to Sheridan. The occasion of his tears was some
  observation or other upon the subject of the sturdiness of the Whigs
  in resisting office and keeping to their principles: Sheridan turned
  round: 'Sir, it is easy for my Lord G. or Earl G. or Marquis B. or
  Lord H. with thousands upon thousands a year, some of it either
  <i>presently</i> derived, or <i>inherited</i> in sinecure or
  acquisitions from the public money, to boast of their patriotism and
  keep aloof from temptation; but they do not know from what temptation
  those have kept aloof who had equal pride, at least equal talents, and
  not unequal passions, and nevertheless knew not in the course of their
  lives what it was to have a shilling of their own.' And in saying this
  he wept.<br>
<br>
  "There was something odd about Sheridan. One day, at dinner, he was
  slightly praising that pert pretender and impostor, Lyttelton (the
  Parliamentary puppy, still alive, I believe). I took the liberty of
  differing from him; he turned round upon me, and said, 'Is that your
  real opinion?' I confirmed it. Then said he, 'Fortified by this
  concurrence, I beg leave to say that it, in fact, is <i>my</i> opinion
  also, and that he is a person whom I do absolutely and utterly
  despise, abhor, and detest.' He then launched out into a description
  of his despicable qualities, at some length, and with his usual wit,
  and evidently in earnest (for he hated Lyttelton). His former
  compliment had been drawn out by some preceding one, just as its
  reverse was by my hinting that it was unmerited.<br>
<br>
  "I have more than once heard him say, 'that he never had a shilling of
  his own.' To be sure, he contrived to extract a good many of other
  people's.<br>
<br>
  "In 1815 I had occasion to visit my lawyer in Chancery Lane; he was
  with Sheridan. After mutual greetings, etc., Sheridan retired first.
  Before recurring to my own business, I could not help inquiring
  <i>that</i> of Sheridan. 'Oh,' replied the attorney, 'the usual thing!
  to stave off an action from his wine-merchant, my client.'&mdash;'Well,'
  said I, 'and what do you mean to do?'&mdash;'Nothing at all for the
  present,' said he: 'would you have us proceed against old Sherry? what
  would be the use of it?' and here he began laughing, and going over
  Sheridan's good gifts of conversation.<br>
<br>
  "Now, from personal experience, I can vouch that my attorney is by no
  means the tenderest of men, or particularly accessible to any kind of
  impression out of the statute or record; and yet Sheridan, in half an
  hour, had found the way to soften and seduce him in such a manner,
  that I almost think he would have thrown his client (an honest man,
  with all the laws, and some justice, on his side) out of the window,
  had he come in at the moment.<br>
<br>
  "Such was Sheridan! he could soften an attorney! There has been
  nothing like it since the days of Orpheus.<br>
<br>
  "One day I saw him take up his own '<i>Monody on Garrick</i>.' He
  lighted upon the Dedication to the Dowager Lady Spencer. On seeing it,
  he flew into a rage, and exclaimed 'that it must be a forgery, that he
  had never dedicated any thing of his to such a damned canting bitch,'
  etc., etc.&mdash;and so went on for half an hour abusing his own
  dedication, or at least the object of it. If all writers were equally
  sincere, it would be ludicrous.<br>
<br>
  "He told me that, on the night of the grand success of his <i>School
  for Scandal</i> he was knocked down and put into the watch-house for
  making a row in the street, and being found intoxicated by the
  watchmen. Latterly, when found drunk one night in the kennel, and
  asked his name by the watchmen, he answered, 'Wilberforce.'<br>
<br>
  "When dying he was requested to undergo 'an operation.' He replied
  that he had already submitted to two, which were enough for one man's
  lifetime. Being asked what they were, he answered, 'having his hair
  cut, and sitting for his picture."<br>
<br>
  "I have met George Colman occasionally, and thought him extremely
  pleasant and convivial. Sheridan's humour, or rather wit, was always
  saturnine, and sometimes savage; he never laughed (at least that
  <i>I</i> saw, and I watched him), but Colman did. If I had to
  <i>choose</i> and could not have both at a time I should say, 'Let me
  begin the evening with Sheridan, and finish it with Colman.' Sheridan
  for dinner, Colman for supper; Sheridan for claret or port but Colman
  for every thing, from the madeira and champagne at dinner the claret
  with a <i>layer</i> of <i>port</i> between the glasses up to the punch
  of the night, and down to the grog, or gin and water, of
  daybreak;&mdash;all these I have threaded with both the same. Sheridan was a
  grenadier company of life guards, but Colman a whole regiment&mdash;of
  <i>light infantry</i>, to be sure, but still a regiment."</blockquote>
<a href="#frp91">return to footnote mark</a><br>
<br>
<br>
<a name="fp92"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

 <blockquote> "Potations pottle deep"</blockquote>

<i>Othello</i>, act ii. sc. 3, line 54.<br>
<a href="#frp92">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L317">317&mdash;to John Murray</a></h3>
<br>
July 31, 1813.<br><br>

<br>
Dear Sir&mdash;As I leave town early tomorrow, the proof must be sent
to-night, or many days will be lost. If you have any <i>reviews</i> of
the <i>Giaour</i> to send, let me have them now. I am not very well to
day. I <a name="frq1">thank</a> you for the <i>Satirist</i>, which is short but savage on
this unlucky affair, and <i>personally</i> facetious on me which is much
more to the purpose than a tirade upon other peoples' concerns<a href="#fq1"><sup>1</sup></a>.<br>
<br>
Ever yours, B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; In the <i>Satirist</i> (vol. xiii. pp. 150, 151) is an
article headed "Scandalum Magnatum," with the motto from <i>Rejected
Addresses</i>:

                  <blockquote>With horn-handled knife,<br>
    To kill a tender lamb as dead as mutton."<br>
<br>
  "A short time back (say the newspapers, and newspapers never say
  <i>the thing which is not</i>) Lady H. gave a ball and supper. Among
  the company were Lord B&mdash;n, Lady W&mdash;, and Lady C. L&mdash;b. Lord B., it
  would appear, is a favourite with the latter Lady; on this occasion,
  however, he seemed to lavish his attention on another fair object.
  This preference so enraged Lady C. L. that in a paroxysm of jealousy
  she took up a dessert-knife and stabbed herself. The gay circle was,
  of course, immediately plunged in confusion and dismay, which however,
  was soon succeeded by levity and scandal. The general cry for medical
  assistance was from Lady W&mdash;d: Lady W&mdash;d!!! And why? Because it was
  said that, early after her marriage, Lady W&mdash; also took a similar
  liberty with her person for a similar cause, and was therefore
  considered to have learned from experience the most efficacious remedy
  for the complaint. It was also whispered that the Lady's husband had
  most to grieve, that the attempt had not fully succeeded. Lady C. L.
  is still living.<br>
<br>
  "The poet has told us how 'Ladies wish to be who love their Lords;'
  but this is the first public demonstration in our times to show us how
  Ladies wish to be who love, not their own, but others' Lords. 'Better
  be with the dead than thus,' cried the jealous fair; and, casting a
  languishing look at Lord B&mdash;, who, Heaven knows, is more like Pan than
  Apollo, she whipt up as pretty a little dessert-knife as a Lady could
  desire to commit suicide with,

   <blockquote> 'And stuck it in her wizzard.'</blockquote>

  "The desperate Lady was carried out of the room, and the affair
  endeavoured to be hushed up, etc., etc." </blockquote>
<a href="#frq1">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L318"></a>318&mdash;to John Wilson Croker<a href="#fq11"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Bt. Str., August 2, 1813.<br>
<br><br>

Dear Sir,&mdash;I was honoured with your unexpected and very obliging letter,
when on the point of leaving London, which prevented me from
acknowledging my obligation as quickly as I felt it sincerely. I am
endeavouring all in my power to be ready before Saturday &mdash;and even if I
should not succeed, I can only blame my own tardiness, which will not
the less enhance the benefit I have lost. I have only to add my hope of
forgiveness for all my trespasses on your time and patience, and with my
best wishes for your public and private welfare, I have the honour to
be, most truly, Your obliged and most obedient servant, <br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; J. W. Croker (1780-1857),&mdash;the "Wenham" of Thackeray, the
"Rigby" of Disraeli, and the "Con Crawley" of Lady Morgan's <i>Florence
Macarthy</i>, had been made Secretary to the Admiralty in 1809. At his
request Captain Carlton of the <i>Boyne</i>, "just then ordered to
re-enforce Sir Edward Pellew" in the Mediterranean, had consented to
receive Byron into his cabin for the voyage,"<br>
<a href="#frq11">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L319">319&mdash;to John Murray</a></h3>
<br>
If you send more proofs, I shall never finish this infernal
story&mdash;"<i>Ecce signum</i>"&mdash;thirty-three more lines enclosed! to the
utter discomfiture of the printer, and, I fear, not to your advantage. <br>
B.<br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L320">320&mdash;to John Murray</a></h3>
<br>
Half-past two in the morning, Aug. 10, 1813.<br><br>

<br>
Dear Sir,&mdash;Pray suspend the <i>proofs</i>, for I am <i>bitten</i> again,
and have <i>quantities</i> for other parts of the bravura. Yours ever,<br>
B.<br>
<br>
P. S.&mdash;You shall have them in the course of the day.<br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L321"></a>321&mdash;To James Wedderburn Webster</h3>
<br>
August 12, 1813.<br>
<br><br>

My Dear Webster,&mdash;I am, you know, a detestable correspondent, and write
to no one person whatever; you therefore cannot attribute my silence to
any thing but want of good breeding or good taste, and not to any more
atrocious cause; and as I confess the fault to be entirely
mine&mdash;why&mdash;you will pardon it.<br>
<br>
I have ordered a copy of the <i>Giaour</i> (which is nearly doubled in
quantity in this edition) to be sent, and I will first scribble my name
in the title page. Many and sincere thanks for your good opinion of
book, and (I hope to add) author.<br>
<br>
Rushton shall attend you whenever you please, though I should like him
to stay a few weeks, and help my other people in forwarding my chattels.
Your taking him is no less a favor to me than him; and I trust he will
behave well. If not, your remedy is very simple; only don't let him be
idle; honest I am sure he is, and I believe good-hearted and quiet. No
pains has been spared, and a good deal of expense incurred in his
education; accounts and mensuration, etc., he ought to know, and I
believe he does.<br>
<br>
I write this near London, but your answer will reach me better in Bennet
Street, etc. (as before). I am going very soon, and if you would do the
same thing&mdash;as far as Sicily&mdash;I am sure you would not be sorry. My
sister, Mrs. L. goes with me&mdash;her spouse is obliged to retrench for a
few years (but <i>he</i> stays at home); so that his <i>link boy</i>
prophecy (if ever he made it) recoils upon himself.<br>
<br>
I am truly glad to hear of Lady Frances's good health. Have you added to
your family? Pray make my best respects acceptable to her Ladyship.<br>
<br>
Nothing will give me more pleasure than to hear from you as soon and as
fully as you please. Ever most truly yours,<br>
<br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L322">322&mdash;to Thomas Moore</a></h3>
<br>
Bennet Street, August 22, 1813.<br><br>

<br>
As our late&mdash;I might say, deceased&mdash;correspondence had too much of the
town-life leaven in it, we will now, <i>paulo majora</i>, prattle a
little of literature in all its branches; and first of the
first&mdash;criticism. The <a name="frq21">Prince</a> is at Brighton, and Jackson, the boxer,
gone to Margate, having, I believe, decoyed Yarmouth to see a milling in
that polite neighbourhood<a href="#fq21"><sup>1</sup></a>.<br>
<br>
<a name="frq22">Mad'e</a>. de Staël Holstein has lost one of her young barons<a href="#fq22"><sup>2</sup></a>, who has
been carbonadoed by a vile Teutonic adjutant,&mdash;kilt and killed in a
coffee-house at Scrawsenhawsen. Corinne is, of course, what all mothers
must be,&mdash;but will, I venture to prophesy, do what few mothers
could&mdash;write an Essay upon it. She cannot exist without a grievance&mdash;and
somebody to see, or read, how much grief becomes her. I have not seen
her since the event; but merely judge (not very charitably) from prior
observation.<br>
<br>
<a name="frq23">In</a> a "mail-coach copy" of the <i>Edinburgh</i><a href="#fq23"><sup>3</sup></a> I perceive <i>The Giaour</i> is second article. The numbers are still in
the Leith smack&mdash;<i>pray which way is the wind?</i> <a name="frq24">The</a> said article is
so very mild and sentimental, that it must be written by Jeffrey <i>in
love</i><a href="#fq24"><sup>4</sup></a>;&mdash;you know he is gone to America to marry some fair one, of
whom he has been, for several <i>quarters, éperdument amoureux</i>.
<a name="frq25">Seriously</a> &mdash;as Winifred Jenkins<a href="#fq25"><sup>5</sup></a> says of Lismahago&mdash;Mr. Jeffrey (or
his deputy) "has done the handsome thing by me," and I say
<i>nothing</i>. But this I will say, if you and I had knocked one
another on the head in this quarrel, how he would have laughed, and what
a mighty bad figure we should have cut in our posthumous works. By <a name="frq26">the</a>
by, I was call'd <i>in</i> the other day to mediate between two
gentlemen bent upon carnage, and&mdash;after a long struggle between the
natural desire of destroying one's fellow-creatures, and the dislike of
seeing men play the fool for nothing,&mdash;I got one to make an apology, and
the other to take it, and left them to live happy ever after<a href="#fq26"><sup>6</sup></a>.<br>
<br>
One was a peer, the other a friend untitled, and both fond of high
play;&mdash;and one, I can swear for, though very mild, "not fearful," and so
dead a shot, that, though the other is the thinnest of men, he would
have split him like a cane. They both conducted themselves very well,
and I put them out of <i>pain</i> as soon as I could.<br>
<br>
There <a name="frq27">is</a> an American <i>Life</i> of G. F. Cooke<a href="#fq27"><sup>7</sup></a>, <i>Scurra</i>
deceased, lately published. Such a <a name="frq28">book</a>!&mdash;I believe, since <i>Drunken
Barnaby's Journal</i><a href="#fq28"><sup>8</sup></a> nothing like it has drenched the press. All
green-room and tap-room&mdash;drams and the drama&mdash;brandy, whisky-punch, and,
<i>latterly</i>, toddy, overflow every page. Two things are rather
marvellous,&mdash;first, that a man should live so long drunk, and, next,
that he should have found a sober biographer. There are some very
laughable things in it, nevertheless;&mdash;but the pints he swallowed, and
the parts he performed, are too regularly registered.<br>
<br>
All this time you wonder I am not gone; so do I; but the accounts of the
plague are very perplexing&mdash;not so much for the thing itself as the
quarantine established in all ports, and from all places, even from
England. It is true, the forty or sixty days would, in all probability,
be as foolishly spent on shore as in the ship; but one likes to have
one's choice, nevertheless. Town is awfully empty; but not the worse for
that. I am really puzzled with my perfect ignorance of what I mean to
do;&mdash;not stay, if I can help it, but where to go? Sligo is for the
North;&mdash;a pleasant place, Petersburgh, in September, with one's ears and
nose in a muff, or else tumbling into one's neckcloth or
pocket-handkerchief! If the winter treated Buonaparte with so little
ceremony, what would it inflict upon your solitary traveller?&mdash;<a name="frq29">Give</a> me a
<i>sun</i>, I care not how hot, and sherbet, I care not how cool, and
<i>my</i> Heaven is as easily made as your Persian's<a href="#fq29"><sup>9</sup></a>.<br>
<br>
<i>The Giaour</i> is <a name="frq30">now</a> a thousand and odd lines. "Lord Fanny spins a
thousand such a day,"<a href="#fq30"><sup>10</sup></a> eh, Moore?&mdash;thou wilt needs be a wag, but I
forgive it. Yours ever,<br>
<br>
<b>Byron</b>.<br>
<br>
P. S.&mdash;I perceive I have written a flippant and rather cold-hearted
letter! let it go, however. I <a name="frq31">have</a> said nothing, either, of the
brilliant sex; but the fact is, I am at this moment in a far more
serious, and entirely new, scrape<a href="#fq31"><sup>11</sup></a> than any of the last twelve
months,&mdash;and that is saying a good deal. It is unlucky we can neither
live with nor without these women.<br>
<br>
I am now thinking of regretting that, just as I have left Newstead, you
reside near it. Did you ever see it? <i>do</i>&mdash;but don't tell me that
you like it. If I had known of such intellectual neighbourhood, I don't
think I should have quitted it. You could have come over so often, as a
bachelor,&mdash;for it was a thorough bachelor's mansion&mdash;plenty of wine and
such sordid sensualities&mdash;with books enough, room enough, and an air of
antiquity about all (except the lasses) that would have suited you, when
pensive, and served you to laugh at when in glee. I had built myself a
bath and a <i>vault</i>&mdash;and now I sha'n't even be buried in it. It is
odd that we can't even be certain of a <i>grave</i>, at least a
particular one. I remember, when about fifteen, reading your poems
there, which I can repeat almost now,&mdash;and asking all kinds of questions
about the author, when I heard that he was not dead according to the
preface; wondering if I should ever see him&mdash;and though, at that time,
without the smallest poetical propensity myself, very much taken, as you
may imagine, with that volume. Adieu&mdash;I commit you to the care of the
gods&mdash;Hindoo, Scandinavian, and Hellenic!<br>
<br>
P. S. 2d.&mdash;<a name="frq32">There</a> is an excellent review of Grimm's <i>Correspondence</i>
and Madame de Staël in this No. of the <i>E[dinburgh] R[eview]</i><a href="#fq32"><sup>12</sup></a>.
Jeffrey, himself, was my critic last year; but this is, I believe, by
another hand. I hope you are going on with your <i>grand coup</i>&mdash;pray
do&mdash;or that damned Lucien Buonaparte will beat us all. I have seen much
of his poem in MS., and he really surpasses every thing beneath Tasso.
Hodgson is translating him <i>against</i> another bard. You and (I
believe Rogers,) Scott, Gifford, and myself, are to be referred to as
judges between the twain,&mdash;that is, if you accept the office. Conceive
our different opinions! I think we, most of us (I am talking very
impudently, you will think &mdash;<i>us</i>, indeed!) have a way of our
own,&mdash;at least, you and Scott certainly have.<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The fight, in which Harry Harmer, "the Coppersmith" (1784-1834), beat Jack Ford, took place at St. Nicholas, near Margate, August
23, 1813.<br>
<br>
Francis Charles Seymour Conway, Earl of Yarmouth (1777-1842), succeeded
his father as second Marquis of Hertford in 1822. The colossal
libertinism and patrician splendour of his life inspired Disraeli to
paint him as "Monmouth" in <i>Coningsby</i>, and Thackeray as "Steyne"
in <i>Vanity Fair</i>. He married, in 1798, Maria Fagniani, claimed as a
daughter by George Selwyn and by "Old Q.," and enriched by both.
Yarmouth, as an intimate friend of the Regent, and the son of the
Prince's female favourite, was the butt of Moore and the Whig satirists.
Byron gibes at Yarmouth's red whiskers, which helped to gain him the
name of "Red Herrings" in the <i>Waltz</i>, line 142, <i>note</i> 1.
Yarmouth, like Byron, patronized the fancy, and, like him also, was a
frequenter of Manton's shooting-gallery in Davies Street; but there is
no record of their being acquainted, though the house, which Byron
occupied (13, Piccadilly Terrace) during his brief married life, was in
the occupation of Lord Yarmouth before Byron took it from the Duchess of
Devonshire.<br>
<a href="#frq21">return to footnote mark</a><br>
<br>
<br>
<a name="fq22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Albert de Staël

  <blockquote>"led an irregular life, and met a deplorable death at Doberan, a small
  city of the duchy of Mecklenburg-Schwerin, on the coast of the Baltic
  Sea, a favourite resort in summer for bathing, gambling, etc. Some
  officers of the état-major of Bernadotte had gone to try their luck in
  this place of play and pleasure. They quarrelled over some louis, and
  a duel immediately ensued. I well remember that the Grand-Duke Paul of
  Mecklenburg-Schwerin told me he was there at the time, and, while
  walking with his tutors in the park, suddenly heard the clinking of
  swords in a neighbouring thicket. They ran to the place, and reached
  it just in time to see the head of Albert fall, cleft by one of those
  long and formidable sabres which were carried by the Prussian cavalry." </blockquote>

The above passage is quoted from the unpublished <i>Souvenirs</i> of M.
Pictet de Sergy, given by A. Stevens in his <i>Life of Madame de
Staël</i>, vol. ii. pp. 204, 205.<br>
<a href="#frq22">return</a><br>
<br>
<br>
<a name="fq23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Only special copies of books published in Edinburgh came to
London by coach: the bulk was forwarded in Leith smacks.<br>
<br>
In the <i>Edinburgh Review</i> for July, 1813, the <i>Giaour</i> was
reviewed as a poem "full of spirit, character, and originality," and
producing an effect at once "powerful and pathetic." But the reviewer
considers that "energy of character and intensity of emotion...
presented in combination with worthlessness and guilt," are "most
powerful corrupters and perverters of our moral nature," and he deplores
Byron's exclusive devotion to gloomy and revolting subjects.<br>
<a href="#frq23">return</a><br>
<br>
<br>
<a name="fq24"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;Francis Jeffrey (1773-1850) succeeded Sidney Smith as
editor of the <i>Edinburgh Review</i> (founded 1802), and held the
editorship till 1829. The first number of the <i>Review</i>, says
Francis Horner, brought to light "the genius of that little man." During
the first six years of its existence, he wrote upwards of seventy
articles. At the same time, he was a successful lawyer. Called to the
Scottish Bar in 1794, he became successively Dean of the Faculty of
Advocates (1829), Lord Advocate (1830), and a Judge of the Court of
Sessions (1834) with the title of Lord Jeffrey. He married, as his
second wife, at New York, in October, 1813, Charlotte Wilkes, a
grandniece of John Wilkes.<br>
<br>
Jeffrey is described at considerable length by Ticknor, in a letter,
dated February 8, 1814 (<i>Life of G. Ticknor</i>, vol. i. pp. 43-47):

 <blockquote> "You are to imagine, then, before you a short, stout, little
  gentleman, about five and a half feet high, with a very red face,
  black hair, and black eyes. You are to suppose him to possess a very
  gay and animated countenance, and you are to see in him all the
  restlessness of a will-o'-wisp ... He enters a room with a countenance
  so satisfied, and a step so light and almost fantastic, that all your
  previous impressions of the dignity and severity of the <i>Edinburgh
  Review</i> are immediately put to flight ... It is not possible,
  however, to be long in his presence without understanding something of
  his real character, for the same promptness and assurance which mark
  his entrance into a room carry him at once into conversation. The
  moment a topic is suggested&mdash;no matter what or by whom&mdash;he comes
  forth, and the first thing you observe is his singular fluency," etc.,
  etc.</blockquote>

By the side of this description may be set that given of Jeffrey by
Francis Horner (<i>Life of Jeffrey</i>, 2nd edition, vol. i. p. 212):

 <blockquote> "His manner is not at first pleasing; what is worse, it is of that
  cast which almost irresistibly impresses upon strangers the idea of
  levity and superficial talents. Yet there is not any man whose real
  character is so much the reverse."</blockquote>

The secret of his success, both as editor and critic, is that he made
the <i>Review</i> the expression of the Whig character, both in its
excellences and its limitations. A man of clear, discriminating mind, of
cool and placid judgment, he refused to accept the existing state of
things, was persuaded that it might be safely improved, saw the
practical steps required, and had the courage of his convictions. He was
suspicious of large principles, somewhat callous to enthusiasm or
sentiment, intolerant of whatever was incapable of precise expression.
His intellectual strength lay not in the possession of one great gift,
but in the simultaneous exercise of several well-adjusted talents. His
literary taste was correct; but it consisted rather in recognizing
compliance with accepted rules of proved utility than  in the readiness
to appreciate novelties of thought and treatment. Hence his criticism,
though useful for his time, has not endured beyond his day. It may be
doubted whether more could be expected from a man who was eminently
successful in addressing a jury. "He might not know his subject, but he
knew his readers" (Bagehot's <i>Literary Studies</i>, vol. i. p. 30).<br>
<br>
Byron, believing him to have been the author of the famous article on
<i>Hours of Idleness</i>, attacked him bitterly in <i>English Bards, and
Scotch Reviewers</i>; (lines 460-528). He afterwards recognized his
error. <i>Don Juan</i> (Canto X. stanza xvi.) expresses his mature
opinion of a critic who, whatever may have been his faults, was as
absolutely honest as political prejudice would permit:

 <blockquote> "And all our little feuds, at least all <i>mine</i>,<br>
  Dear Jeffrey, once my most redoubted foe<br>
  (As far as rhyme and criticism combine<br>
  To make such puppets of us things below),<br>
  Are over; Here's a health to 'Auld Lang Syne!'<br>
  I do not know you, and may never know<br>
  Your face&mdash;but you have acted, on the whole,<br>
  Most nobly; and I own it from my soul."</blockquote>

Jeffrey reviewed <i>Childe Harold</i> in the <i>Edinburgh Review</i>,
No. 38, art. 10; the <i>Giaour</i>, No. 42, art. 2; the <i>Corsair</i>
and <i>Bride of Abydos</i>, No. 45, art. 9; Byron's <i>Poetry</i>, No.
54, art. I; <i>Manfred</i>, No. 56, art. 7; <i>Beppo</i>, No. 58, art.
2; <i>Marino Faliero</i>, No. 70, art. I; Byron's <i>Tragedies</i>, No.
72, art. 5.<br>
<a href="#frq24">return</a><br>
<br>
<br>
<a name="fq25"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; Winifred Jenkins is the maid to Miss Tabitha Bramble, who
marries Captain Lismahago, in Smollett's <i>Humphrey Clinker</i>.<br>
<a href="#frq25">return</a><br>
<br>
<br>
<a name="fq26"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; Lord Foley and Scrope Davies.<br>
<a href="#frq26">return</a><br>
<br>
<br>
<a name="fq27"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; G. F. Cooke (1755-1812), from 1794 to 1800 was the hero of
the Dublin stage, with the exception of an interval, during which he
served in the army. On October 31, 1800, he appeared at Covent Garden as
"Richard III," and afterwards played such parts in tragedy as "Iago"
and "Shylock" with great success. In comedy he was also a favourite,
especially as "Kitely" in <i>Every Man in his Humour</i>, and "Sir
Pertinax MacSycophant" in <i>The Man of the World</i>. His last
appearance on the London stage was as "Falstaff," June 5, 1810. In that year he sailed for New York, and,
September 26, 1812, died there from his "incorrigible habits of
drinking."<br>
<br>
Byron uses the word <i>scurra</i>, which generally means a "parasite,"
in its other sense of a "buffoon." <i>Memoirs of George Frederic Cooke,
late of the Theatre Royal, Covent Garden</i>, by W. Dunlap, in 2 vols.,
was published in 1813<br>
<a href="#frq27">return</a><br>
<br>
<br>
<a name="fq28"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp; The original edition of <i>Drunken Barnaby's Journal</i>, a
small square volume, without date, was probably printed about 1650. The
author was supposed to be Barnaby Harrington of Queen's College, Oxford.
But Joseph Haslewood, whose edition (1818) is the best, attributed it to
Richard Brathwait (circ. 1588-1673). The title of the second edition
(1716) runs as follows: <i>Drunken Barnaby's Four Journeys to the North
of England. In Latin and English Verse. Wittily and merrily (tho' near
one hundred years ago) composed; found among some old musty books, that
had a long time lain by in a corner; and now at last made publick. To
which is added, Bessy Bell</i>.<br>
<br>
"Drunken Barnaby" was also the burden of an old ballad quoted by
Haslewood:

  <blockquote>"Barnaby, Barnaby, thou'st been drinking,<br>
  I can tell by thy nose, and thy eyes winking;<br>
  Drunk at Richmond, drunk at Dover,<br>
  Drunk at Newcastle, drunk all over.<br>
  Hey, Barnaby! tak't for a warning,<br>
  Be no more drunk, nor dry in a morning!"</blockquote>
<a href="#frq28">return</a><br>
<br>
<br>
<a name="fq29"><span style="color: #FF0000;">Footnote 9:</span></a> &nbsp;

   <blockquote>"A Persian's Heav'n is easily made&mdash;<br>
  'Tis but black eyes and lemonade."</blockquote>
<a href="#frq29">return</a><br>
<br>
<br>
<a name="fq30"><span style="color: #FF0000;">Footnote 10:</span></a> &nbsp;Pope's <i>Imitations of Horace</i>, Satire I line 6.<br>
<a href="#frq30">return</a><br>
<br>
<br>
<a name="fq31"><span style="color: #FF0000;">Footnote 11:</span></a> &nbsp;With Lady Frances Wedderburn Webster.<br>
<a href="#frq31">return</a><br>
<br>
<br>
<a name="fq32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;The review of Madame de Staël's <i>Germany</i> was by
Mackintosh.<br>
<a href="#frq32">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L323">323&mdash;to John Murray</a></h3>
<br>
August 26, 1813.<br>
<br><br>

Dear Sir,&mdash;I have looked over and corrected one proof, but not so
carefully (God knows if you can read it through, but I can't) as to
preclude your eye from discovering some <i>o</i>mission of mine or
<i>com</i>mission of y'e Printer. If you have patience, look it over. Do
you know any body who can <i>stop</i>&mdash;I mean <i>point</i>-commas, and
so forth? for I am, I hear, a sad hand at your punctuation. I have, but
with some difficulty, <i>not</i> added any more to this snake of a poem,
which has been lengthening its rattles every month. It is now fearfully
long, being more than a canto and a half of <i>C. H</i>., which contains
but 882 lines per book, with all late additions inclusive.<br>
<br>
The last lines Hodgson likes&mdash;it is not often he does &mdash;and when he
don't, he tells me with great energy, and I fret and alter. I have
thrown them in to soften the ferocity of our Infidel, and, for a dying
man, have given him a good deal to say for himself.<br>
<br>
Do you think you shall get hold of the <i>female</i> MS. you spoke of to
day? if so, you will let me have a glimpse; but don't tell our
<i>master</i> (not W's), or we shall be buffeted.<br>
<br>
I was quite sorry to hear you say you stayed in town on my account, and
I hope sincerely you did not mean so superfluous a piece of politeness.<br>
<br>
Our <i>six</i> critiques!&mdash;they would have made half a <i>Quarterly</i>
by themselves; but this is the age of criticism.<br>
<br>
Ever yours,<br>
<br>
B.<br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L324">324&mdash;to Thomas Moore</a></h3>
<br>
August 28, 1813.<br><br>

<br>
Ay, <a name="frq41">my</a> dear Moore, "there <i>was</i> a time"&mdash;I have heard of your
tricks, when "you was campaigning at the "King of Bohemy."<a href="#fq41"><sup>1</sup></a><br>
<br>
I am much mistaken if, some fine London spring, about the year 1815,
that time does not come again. After all, we must end in marriage; and I
can conceive nothing more delightful than such a state in the country,
reading the county newspaper, etc., and kissing one's wife's maid.
Seriously, I would incorporate with any woman of decent demeanour
to-morrow&mdash;that is, I would a month ago, but, at present, &mdash;&mdash;<br>
<br>
Why <a name="frq42">don't</a> you "parody that Ode?"&mdash;Do you think<a href="#fq42"><sup>2</sup></a> I should be
<i>tetchy?</i> or have you done it, and won't tell me?&mdash;<a name="frq43">You</a> are quite
right about Giamschid, and I have reduced it to a dissyllable within
this half hour<a href="#fq43"><sup>3</sup></a>.<br>
<br>
I am <a name="frq44">glad</a> to hear you talk of Richardson<a href="#fq44"><sup>4</sup></a>, because it tells me what
you won't&mdash;that you are going to beat Lucien. At least tell me how far
you have proceeded. Do you think me less interested about your works, or
less sincere than our friend Ruggiero? I am not&mdash;and never was. In <a name="frq45">that</a>
thing of mine, the <i>English Bards</i>, at the time when I was angry
with all the world, I never "disparaged your parts," although I did not
know you personally;&mdash;and have always regretted that you don't give us
an <i>entire</i> work, and not sprinkle yourself in detached
pieces&mdash;beautiful, I allow, and quite <i>alone</i> in our language, but
still giving us a right to expect a <i>Shah Nameh</i><a href="#fq45"><sup>5</sup></a> (is that the
name?) as well as gazelles. Stick to the East;&mdash;the oracle, Staël, told
me it was the only poetical policy. The North, South, and West, have all
been exhausted; but from the East, we have nothing but Southey's
unsaleables,&mdash;and these he has contrived to spoil, by adopting only
their most outrageous fictions. His personages don't interest us, and
yours will. You will have no competitor; and, if you had, you ought to
be glad of it. The little I have done in that way is merely a "voice in
the wilderness" for you; and if it has had any success, that also will
prove that the public are orientalising, and pave the path for you.<br>
<br>
I <a name="frq46">have</a> been thinking of a story, grafted on the amours of a Peri and a
mortal&mdash;something like, only more <i>philanthropical</i> than, Cazotte's
<i>Diable Amoureux</i><a href="#fq46"><sup>6</sup></a>.<br>
<br>
It would require a good deal of poesy, and tenderness is not my forte.
For <a name="frq47">that</a>, and other reasons, I have given up the idea, and merely
suggest it to you, because, in intervals of your greater work, I think
it a subject you might make much of<a href="#fq47"><sup>7</sup></a>.<br>
<br>
If <a name="frq48">you</a> want any more books, there is "Castellan's <i>Moeurs des
Ottomans</i>," the best compendium of the kind I ever met with, in six
small tomes<a href="#fq48"><sup>8</sup></a>.<br>
<br>
I <a name="frq49">am</a> really taking a liberty by talking in this style to my "elders and
my betters;"&mdash;pardon it, and don't <i>Rochefoucault</i><a href="#fq49"><sup>9</sup></a> my motives.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Jerry Sneak, in Foote's <i>Mayor of Garratt</i> (act ii.),
says to Major Sturgeon, "I heard of your tricks at the King of Bohemy."<br>
<a href="#frq41">return to footnote mark</a><br>
<br>
<br>
<a name="fq42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

 <blockquote> "The Ode of Horace&mdash;

   <blockquote> 'Natis in usum lætitiæ,' etc.;</blockquote>

  some passages of which I told him might be parodied, in allusion to
  some of his late adventures:

    <blockquote>'Quanta laboras in Charybdi!<br>
    Digne puer meliore flammâ!'"</blockquote></blockquote>

(Moore.)<br>
<a href="#frq42">return</a><br>
<br>
<br>
<a name="fq43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

  <blockquote>"In his first edition of <i>The Giaour</i> he had used this word as a
  trisyllable&mdash;'Bright as the gem of Giamschid'&mdash;but on my remarking to
  him, upon the authority of Richardson's Persian Dictionary, that this
  was incorrect, he altered it to 'Bright as the ruby of Giamschid.' On
  seeing this, however, I wrote to him, 'that, as the comparison of his
  heroine's eye to a "ruby" might unluckily call up the idea of its
  being bloodshot, he had better change the line to "Bright as the jewel
  of Giamschid;"' which he accordingly did in the following edition"</blockquote>
  (Moore).<br>
<br>
In the <i>Sháh Námeh</i>, Giamschid is the fourth sovereign of the
ancient Persians, and ruled seven hundred years. His jewel was a green
chrysolite, the reflection of which gives to the sky its blue-green
colour. Byron probably changed to "ruby" on the authority of
<i>Vathek</i> (p. 58, ed. 1856), where Beckford writes,

 <blockquote> "Then all the riches this place contains, as well as the carbuncle of
  Giamschid, shall be hers."</blockquote>
<a href="#frq43">return</a><br>
<a href="#fq44">cross-reference: return to Footnote 4 of Letter 324</a><br>
<br>
<br>
<a name="fq44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Moore's reference (see <a href="#fq43"><i>note</i></a> 1) to John Richardson's
<i>Dictionary of Persian, Arabic, and English</i> (1777), suggests to
Byron that Moore was at work on an Oriental poem, probably <i>Lalla
Rookh</i>, which would surpass the <i>Charlemagne</i> of Lucien
Buonaparte.<br>
<a href="#frq44">return</a><br>
<br>
<br>
<a name="fq45"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; The <i>Sháh Námeh</i> is a rhymed history of Persia, in
which occurs the famous episode of Sohrab and Rustem. It was written in
thirty years by Abul Kásim Firdausí, the last name being given to him by
Sultan Mahmúd because he had shed over the court at Ghizni the delights
of "Paradise." Firdausí is said to have lived about 950 to 1030. (See
The <i>Sháh Námeh</i>, translated and abridged by James Atkinson.)<br>
<a href="#frq45">return</a><br>
<br>
<br>
<a name="fq46"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;Jacques Cazotte (1720-1792) wrote <i>La Patte du Chat</i>
(1741); <i>Mille et une Fadaises</i> (1742); <i>Observations sur la
lettre de Rousseau au sujet de la Musique Française</i> (1754); and
other works. <i>Le Diable Amoureux</i> appeared in 1772. Cazotte escaped
the September Massacres at the Abbaye in 1792, through the heroism of
his daughter, but was executed on the twenty-fifth of the same month.<br>
<a href="#frq46">return</a><br>
<br>
<br>
<a name="fq47"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;

  <blockquote>"I had already, singularly enough, anticipated this suggestion, by
  making the daughter of a Peri the heroine of one of my stories, and
  detailing the love adventures of her aërial parent in an episode. In
  acquainting Lord Byron with this circumstance, in my answer to the
  above letter, I added, 'All I ask of your friendship is&mdash;not that you
  will abstain from Peris on my account, for that is too much to ask of
  human (or, at least, author's) nature&mdash;but that, whenever you mean to
  pay your addresses to any of these aërial ladies, you will, at once,
  tell me so, frankly and instantly, and let me, at least, have my
  choice whether I shall be desperate enough to go on, with such a
  rival, or at once surrender the whole race into your hands, and take,
  for the future, to Antediluvians with Mr. Montgomery'"</blockquote>

(Moore).<br>
<a href="#frq47">return</a><br>
<br>
<br>
<a name="fq48"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp; Brunet, <i>s.v.</i> "Breton de la Martinière," gives the
title of the work: <i>Moeurs, usages costumes des Othomans, et abrégé de
leur histoire</i>. Par A. L. Castellan, Paris, 1812.<br>
<a href="#frq48">return</a><br>
<br>
<br>
<a name="fq49"><span style="color: #FF0000;">Footnote 9:</span></a> &nbsp; Maxime LXXXV.:

  <blockquote>"Nous nous persuadons souvent d'aimer les gens plus puissans que nous,
  et néanmoins c'est l'interêt seul qui produit notre amitié; nous ne
  nous donnons pas à eux pour le bien que nous leur voulons faire, mais
  pour celui que nous en voulons recevoir."</blockquote>
<a href="#frq49">return</a><br>
<br>
<p><a href="#lp10">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L325">325&mdash;to Thomas Moore</a></h3>
<br>
August&mdash;September, I mean&mdash;1, 1813.<br>
<br><br>

I <a name="frq51">send</a> you, begging your acceptance, Castellan, and three vols. on
Turkish literature<a href="#fq51"><sup>1</sup></a>, not yet looked into. The <i>last</i> I <a name="frq52">will</a>
thank you to read, extract what you want, and return in a week, as they
are lent to me by that brightest of Northern constellations, Mackintosh<a href="#fq52"><sup>2</sup></a>,&mdash;amongst many other kind things into which India has warmed him;
for I am sure your <i>home</i> Scotsman is of a less genial description.<br>
<br>
Your Peri, my dear M., is sacred and inviolable; I have no idea of
touching the hem of her petticoat. Your affectation of a dislike to
encounter me is so flattering, that I begin to think myself a very fine
fellow. <a name="frq53">But</a> you are laughing at me&mdash;"Stap my vitals, Tam! thou art a
very impudent person;"<a href="#fq53"><sup>3</sup></a> and, if you are not laughing at me, you
deserve to be laughed at. Seriously, what on earth can you, or have you,
to dread from any poetical flesh breathing? It really puts me out of
humour to hear you talk thus.<br>
<br>
<i>The Giaour</i> I have added to a good deal; but still in foolish
fragments. It contains about 1200 lines, or rather more&mdash;now printing.
You will allow me to send you a copy. You delight me much by telling me
that I am in your good graces, and more particularly as to temper; for,
unluckily, I have the reputation of a very bad one. But they say the
devil is amusing when pleased, and I must have been more venomous than
the old serpent, to have hissed or stung in your company. It may be, and
would appear to a third person, an incredible thing, but I know
<i>you</i> will believe me when I say, that I am as anxious for your
success as one human being can be for another's,&mdash;as much as if I had
never scribbled a line. Surely the field of fame is wide enough for all;
and if it were not, I would not willingly rob my neighbour of a rood of
it. Now you have a pretty property of some thousand acres there, and
when you have passed your present Inclosure Bill, your income will be
doubled, (there's a metaphor, worthy of a Templar, namely, pert and
low,) while my wild common is too remote to incommode you, and quite
incapable of such fertility. I <a name="frq54">send</a> you (which return per post, as the
printer would say) a curious letter from a friend of mine<a href="#fq54"><sup>4</sup></a>, which
will let you into the origin of <i>The Giaour</i>. Write soon.<br>
<br>
Ever, dear Moore, yours most entirely, etc.<br>
<br>
P.S.&mdash;This letter was written to me on account of a <i>different
story</i> circulated by some gentlewomen of our acquaintance, a little
too close to the text. The part erased contained merely some Turkish
names, and circumstantial evidence of the girl's detection, not very
important or decorous.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Giovanni Battista Toderini (1728-1799) published his work
<i>Della Letteratura Turchesca</i>, at Venice in 1787. Brunet says, "Cet
ouvrage curieux a été traduit en Français, par Cournand. Paris, 1789
(<i>De La Littérature des Turcs</i>)."<br>
<a href="#frq51">return to footnote mark</a><br>
<br>
<br>
<a name="fq52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

 <blockquote> "Yes, his manner was cold; his shake of the hand came under
the genus 'mortmain;' but his heart was overflowing with benevolence"</blockquote>
(Lady Holland's <i>Memoir of Sydney Smith</i>, 4th edition, vol. i. p.
440).<br>
<a href="#frq52">return</a><br>
<br>
<br>
<a name="fq53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; A reminiscence of Sheridan's <i>Trip to Scarborough</i>
(act v. sc. 2), itself borrowed from Vanbrugh's <i>Relapse</i> (act iv.
sc. 6), in both of which passages Lord Foppington says, "Strike me dumb,
Tam, thou art a very impudent fellow."<br>
<a href="#frq53">return</a><br>
<br>
<br>
<a name="fq54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; The following is the letter to which Byron refers:

  <blockquote>Albany, Monday, August 31, 1813.<br>
<br>
  "<b>My Dear Byron</b>,&mdash;You have requested me to tell you all that I heard at
  Athens about the affair of that girl who was so near being put an end
  to while you were there; you have asked me to remember every
  circumstance, in the remotest degree relating to it, which I heard. In
  compliance with your wishes, I write to you all I heard, and I cannot
  imagine it to be very far from the fact, as the circumstances happened
  only a day or two before I arrived at Athens, and, consequently, was a
  matter of common conversation at the time.<br>
<br>
  "The new governor, unaccustomed to have the same intercourse with the
  Christians as his predecessor, had, of course, the barbarous Turkish
  ideas with regard to women. In consequence, and in compliance with the
  strict letter of the Mohammedan law, he ordered this girl to be sewed
  up in a sack, and thrown into the sea&mdash;as is, indeed, quite customary
  at Constantinople. As you were returning from bathing in the Piræus,
  you met the procession going down to execute the sentence of the
  Waywode on this unhappy girl. Report continues to say, that on finding
  out what the object of their journey was, and who was the miserable
  sufferer, you immediately interfered; and on some delay in obeying
  your orders, you were obliged to inform the leader of the escort that
  force should make him comply; that, on further hesitation, you drew a
  pistol, and told him, that if he did not immediately obey your orders,
  and come back with you to the Aga's house, you would shoot him dead.
  On this the man turned about and went with you to the governor's
  house; here you succeeded, partly by personal threats, and partly by
  bribery and entreaty, in procuring her pardon, on condition of her
  leaving Athens. I was told that you then conveyed her in safety to the
  convent, and despatched her off at night to Thebes, where she found a
  safe asylum. Such is the story I heard, as nearly as I can recollect
  it at present. Should you wish to ask me any further questions about
  it, I shall be very ready and willing to answer them.<br>
<br>
  I remain, my dear Byron,<br>
<br>
  Yours very sincerely,<br>
<br>
  Sligo.</blockquote>
<a href="#frq54">return</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L326">326&mdash;to James Wedderburn Webster</a></h3>
<br>
September 2nd, 1813.<br><br>

<br>
My dear Webster,&mdash;<a name="frq61">You</a> are just the same generous and I fear careless
gentleman of the years of <i>indifferent</i> memory 1806&mdash;but I
must not burthen you with my entire household. Joe<a href="#fq61"><sup>1</sup></a> is, I believe,
necessary for the present as a fixture, to keep possession till every
thing is arranged; and were it otherwise, you don't know what a
perplexity he would prove&mdash;honest and faithful, but fearfully
superannuated: now <i>this</i> I ought and do bear, but as he has not
been fifty years in your family, it would be rather hard to convert your
mansion into a hospital for decayed domestics. Rushton is, or may be
made useful, and I am less <i>compunctious</i> on his account.<br>
<br>
"<a name="frq62">Will</a> I be Godfather?"<a href="#fq62"><sup>2</sup></a><br>
<br>
Yea, verily! I believe it is the only species of parentage I shall ever
encounter, for all my acquaintance, Powerscourt, Jocelyn, yourself,
Delawarr, Stanhope, with a long list of happy <i>etceteras</i>, are
married; most of them my juniors too, and I as single and likely to
remain so as, nay more than, if I were seventy.<br>
<br>
If it is a <i>girl</i> why not also? Georgina, or even <i>Byron</i> will
make a classical name for a spinster, if Mr. Richardson's <i>Sir Charles
Grandison</i> is any authority in your estimation.<br>
<br>
My ship is not settled. My passage in the <i>Boyne</i> was only for
<i>one</i> Servant, and would not do, of course. You ask after the
expense, a question no less interesting to the married than the single.
Unless things are much altered, no establishment in the Mediterranean
Countries could amount to the quarter of the expenditure requisite in
England for the same or an inferior household.<br>
<br>
I am interrupted, and have only time to offer my best thanks for all
your good wishes and intentions, and to beg you will believe me,<br>
<br>
Equally yours ever,<br>
<br>
B.<br>
<br>
P.S.&mdash;Rushton shall be sent on Saturday next.
<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>

<a name="fq61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Joseph Murray<br>
<a href="#frq61">return to footnote mark</a><br>
<br>
<br>
<a name="fq62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Webster's eldest son was christened "Byron Wedderburn." He
died young, and when his father told Byron of the child's death, the
godfather

 <blockquote> "almost chuckled with joy or irony," and said, "Well, I cautioned you,<br>
  and told you that my name would almost damn any thing or creature." </blockquote>

(<i>MS. note</i> by Wedderburn Webster.)<br>
<a href="#frq62">return</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L327">327&mdash;to Thomas Moore</a></h3>
<br>
Sept. 5, 1813.<br>
<br><br>

You need not tie yourself down to a day with Toderini, but send him at
your leisure, having anatomised him into such annotations as you want; I
do not believe that he has ever undergone that process before, which is
the best reason for not sparing him now.<br>
<br>
<a name="frq71">Rogers</a> has returned to town, but not yet recovered of the
<i>Quarterly</i>. What fellows these reviewers are! "these bugs do fear
us all."<a href="#fq71"><sup>1</sup></a><br>
<br>
They made you fight, and me (the milkiest of men) a satirist, and will
end by making Rogers madder than Ajax. I <a name="frq72">have</a> been reading <i>Memory</i>
again, the other day, and <i>Hope</i> together, and retain all my
preference of the former<a href="#fq72"><sup>2</sup></a>.<br>
<br>
His elegance is really wonderful&mdash;there is no such thing as a vulgar
line in his book.<br>
<br>
What say you to Buonaparte? Remember, I back him against the field,
barring catalepsy and the Elements. Nay, I almost wish him success
against all countries but this,&mdash;were it only to choke the <i>Morning
Post</i>, and his undutiful father-in-law, with that rebellious bastard
of Scandinavian adoption, Bernadotte. Rogers wants me to go with him on
a crusade to the Lakes, and to besiege you on our way. This last is a
great temptation, but I fear it will not be in my power, unless you
would go on with one of us somewhere&mdash;no matter where. It is too late
for Matlock, but we might hit upon some scheme, high life or low,&mdash;the
last would be much the best for amusement. I <a name="frq73">am</a> so sick of the other,
that I quite sigh for a cider-cellar<a href="#fq73"><sup>3</sup></a>, or a cruise in a smuggler's
sloop.<br>
<br>
You cannot wish more than I do that the Fates were a little more
accommodating to our parallel lines, which prolong <i>ad infinitum</i>
without coming a jot nearer. I almost wish I were married, too&mdash;which is
saying much. All my friends, seniors and juniors, are in for it, and ask
me to be godfather,&mdash;the only species of parentage which, I believe,
will ever come to my share in a lawful way; and, in an unlawful one, by
the blessing of Lucina, we can never be certain,&mdash;though the parish may.
I suppose I shall hear from you to-morrow. If not, this goes as it is;
but I leave room for a P.S., in case any thing requires an answer.<br>
<br>
Ever, etc.<br>
<br>
No letter&mdash;<i>n'importe</i>. Rogers thinks the <i>Quarterly</i> will be
at <i>me</i> this time; if so, it shall be a war of extermination&mdash;no
<i>quarter</i>. From the youngest devil down to the oldest woman of that
review, all shall perish by one fatal lampoon. The ties of nature shall
be torn asunder, for I will not even spare my bookseller; nay, if one
were to include readers also, all the better.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; "Warwick was a bug that feared us all" (<i>Henry VI</i>.,
Part III. act v. se. 2).<br>
<a href="#frq71">return to footnote mark</a><br>
<br>
<br>
<a name="fq72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Byron quoted to Lady Blessington "some passages from the
<i>Pleasures of Hope</i>, which he said was a poem full of beauties...
'The <i>Pleasures of Memory</i> is a very beautiful poem' (said Byron),
'harmonious, finished, and chaste; it contains not a single meretricious
ornament'" (<i>Conversations</i>, pp. 352, 353).<br>
<a href="#frq72">return</a><br>
<br>
<br>
<a name="fq73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; No. 20, Maiden Lane, Covent Garden, was a tavern called the
<i>Cider Cellars</i>. Over the entrance was the motto, <i>Honos erit
huic quoque homo</i>, supplied by Porson, who frequented the house.
There Lord Campbell heard him "recite from memory to delighted listeners
the whole of Anstey's <i>Pleader's Guide</i>" (<i>Lives of the Chief
Justices</i>, vol. iii. p. 271, note). Mr. Wheatley, in <i>London Past
and Present, sub voce</i> "Maiden Lane," says that the

 <blockquote> "tavern continued to be frequented by young men, and 'much in vogue
  for devilled kidneys, oysters, and Welch rabbits, cigars, "goes" of
  brandy, and great supplies of London stout' (also for comic songs),
  till it was absorbed in the extensions of the Adelphi Theatre."</blockquote>
<a href="#frq73">return</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L328">328&mdash;to Thomas Moore.</a></h3>
<br>
September 8, 1813.<br>
<br><br>

I am sorry to see Toderini again so soon, for fear your scrupulous
conscience should have prevented you from fully availing yourself of his
spoils. By this coach I send you a copy of that awful pamphlet <i>The
Giaour</i>, which has never procured me half so high a compliment as
your modest alarm. You will (if inclined in an evening) perceive that I
have added much in quantity,&mdash;a circumstance which may truly diminish
your modesty upon the subject.<br>
<br>
You stand certainly in great need of a "lift" with Mackintosh. My dear
Moore, you strangely under-rate yourself. I should conceive it an
affectation in any other; but I think I know you well enough to believe
that you don't know your own value. However, 'tis a fault that generally
mends; and, in your case, it really ought. I have heard him speak of you
as highly as your wife could wish; and enough to give all your friends
the jaundice.<br>
<br>
<a name="frq81">Yesterday</a> I had a letter from <i>Ali Pacha!</i> brought by Dr. Holland,
who is just returned from Albania<a href="#fq81"><sup>1</sup></a>. It is in Latin, and begins
"Excellentissime <i>nec non</i> Carissime," and ends about a gun he
wants made for him;&mdash;it is signed "Ali Vizir." What do you think he has
been about? H. <a name="frq82">tells</a> me that, last spring, he took a hostile town,
where, forty-two years ago, his mother and sisters were treated as Miss
Cunigunde<a href="#fq82"><sup>2</sup></a> was by the Bulgarian cavalry. He takes the town, selects
all the survivors of this exploit&mdash;children, grandchildren, etc. to the
tune of six hundred, and has them shot before his face. <a name="frq83">Recollect</a>, he
spared the rest of the city, and confined himself to the Tarquin
pedigree<a href="#fq83"><sup>3</sup></a>,&mdash;which is more than I would. So much for "dearest friend."<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; See <i>Letters</i>, vol. i. p. 246 [Letter 131], and <i>note</i> [Footnote 1 of Letter 131]. Dr.,
afterwards Sir Henry, Holland (1788-1873) published his <i>Travels in
the Ionian Islands, Albania, etc.</i>, in 1815.<br>
<a href="#frq81">return to footnote mark</a><br>
<br>
<br>
<a name="fq82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Voltaire's <i>Candide</i>, ch. vii.:

 <blockquote> "On ne vous a done pas violé? on ne vous a point fendu le ventre,
  comme le philosophe Pangloss me l'avait assuré? Si fait, dit la belle
  Cunégonde; mais on ne meurt pas toujours de ces deux accidents."</blockquote>
<a href="#frq82">return</a><br>
<br>
<br>
<a name="fq83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; The "false Sextus... that wrought the deed of shame," and
violated Lucretia.<br>
<a href="#frq83">return</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>

<h3><a name="L329">329 &mdash;to Thomas Moore</a></h3>
<br>
Sept. 9, 1813.<br><br>

<br>
I write to you from Mr. Murray's, and I may say, from Murray, who, if
you are not predisposed in favour of any other publisher, would be happy
to treat with you, at a fitting time, for your work. I can safely
recommend him as fair, liberal, and attentive, and certainly, in point
of reputation, he stands among the first of "the trade." I am sure he
would do you justice. I have written to you so much lately, that you
will be glad to see so little now.<br>
<br>
Ever, etc., etc.<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<p><a href="#toc">Contents</a></p>
<hr><br><br>
<h3><a name="L330">330&mdash;to James Wedderburn Webster</a></h3>
<br>
September 15th, 1813.<br>
<br><br>

My dear Webster,&mdash;I shall not resist your second invitation, and shortly
after the receipt of this you may expect me. You will excuse me from the
races. As a guest I have no "antipathies" and few preferences.... You
won't mind, however, my <i>not</i> dining with you&mdash;every day at least.
When we meet, we can talk over our respective plans: mine is very short
and simple; viz. to sail when I can get a passage. If I remained in
England I should live in the Country, and of course in the vicinity of
those whom I knew would be most agreeable.<br>
<br>
I <a name="frq91">did</a> not know that Jack's graven image<a href="#fq91"><sup>1</sup></a> was at Newstead. If it be,
pray transfer it to Aston. It is my hope to see you so shortly, tomorrow
or next day, that I will not now trouble you with my speculations.<br>
<br>
Ever yours very faithfully,<br>
<br>
<b>Byron</b>.<br>
<br>
P.S.&mdash;I don't know how I came to sign myself with the "i." It is the old
spelling, and I sometimes slip into it. When I say I can't <i>dine</i>
with you, I mean that sometimes I don't dine at all. Of course, when I
do, I conform to all hours and domestic arrangements.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fq91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; "Jack's graven image" means the portrait of John Jackson
the pugilist.<br>
<a href="#frq91">return</a>
<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L331"></a><h3>331&mdash;to the Hon. Augusta Leigh</h3>
<br>
[Wednesday], Sept'r. 15th, 1813.<br><br>

<br>
My dear Augusta,&mdash;I joined my friend Scrope about 8, and before eleven
we had swallowed six bottles of his burgundy and Claret, which left him
very unwell and me rather feverish; we were <i>tête à tête</i>. I
remained with him next day and set off last night for London, which I
reached at three in the morning. Tonight I shall leave it again, perhaps
for Aston or Newstead. I have not yet determined, nor does it much
matter. As you perhaps care more on the subject than I do, I will tell
you when I know myself.<br>
<br>
When my departure is arranged, and I can get this long-evaded passage,
you will be able to tell me whether I am to expect a visit or not, and I
can come for or meet you as you think best. If you write, address to
Bennet Street.<br>
<br>
Yours very truly,<br>
<br>
B.

<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L332"></a><h3>332&mdash;to John Murray</h3>
<br>
Sept. 15, 1813.<br>
<br><br>

Dear Sir,&mdash;Will you pray enquire after any ship with a convoy <i>taking
passengers</i> and get me one if possible? I mean not in a ship of war,
but anything that may be <i>paid</i> for. I have a friend and 3
servants&mdash;Gibraltar or Minorca&mdash;or Zante.<br>
<br>
Yours ever,<br>
<br>
B.
<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L333"></a><h3>333&mdash;to James Wedderburn Webster</h3>
<br>
Stilton, September 25th, 1813.<br><br>

<br>
My Dear W.,&mdash;Thus far can I "report progress," and as a solid token of
my remembrance I send you a <i>cheese</i> of 13 lbs. to enable your
digestion to go through the race week. It will go to night; pray let
your retainers enquire after it. The date of this letter will account
for so homely a present. On my arrival in town I will write more on our
different concerns. In the mean time I wish you and yours all the
gratification on Doncaster you can wish for yourselves. <a name="frs1">My</a> love to the
faithless Nettle<a href="#frs1"><sup>1</sup></a> (who I dare say is <i>wronging</i> me during my
absence), and my best Compliments to all in your house who will receive
them.<br>
<br>
Ever, dear W., yours truly,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="frs1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; A dog given by Webster to Byron. (<i>Note</i> by J. W. W.)<br>
<a href="#frs1">return to footnote mark</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L334"></a><h3>334&mdash;to Sir James Mackintosh</h3>
<br>
Sept. 27, 1813.<br><br>

<br>
Dear Sir James,&mdash;I was to have left London on Friday, but will certainly
remain a day longer (and believe I <i>would a year</i>) to have the
honour of meeting you. My best respects to Lady Mackintosh.<br>
<br>
Ever your obliged and faithful servant,<br>
<br>
<b>Byron</b>.<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L335"></a><h3>335&mdash;to Thomas Moore</h3>
<br>
September 27, 1813.<br>
<br><br>

<a name="frs11">Thomas</a> Moore,&mdash;(Thou wilt never be called "<i>true</i> Thomas,"<a href="#fs11"><sup>1</sup></a>
like he of Ercildoune,) why don't you write to me?&mdash;as you won't, I
must. I was near you at Aston the other day, and hope I soon shall be
again. If so, you must and shall meet me, and go to Matlock and
elsewhere, and take what, in <i>flash</i> dialect, is poetically termed
"a lark," with Rogers and me for accomplices. Yesterday, at Holland
House, I was introduced to Southey&mdash;the best-looking bard I have seen
for some time. To have that poet's head and shoulders, I would almost
have written his Sapphics. He is certainly a prepossessing person to
look on, and a man of talent, and all that, and&mdash;<i>there</i> is his
eulogy.<br>
<br>
&mdash;&mdash; read me <i>part</i> of a letter from you. By the foot of Pharaoh, I
believe there was abuse, for he stopped short, so he did, after a fine
saying about our correspondence, and <i>looked</i>&mdash;I wish I could
revenge myself by attacking you, or by telling you that I have
<i>had</i> to defend you&mdash;an agreeable way which one's friends have of
recommending themselves by saying&mdash;"Ay, ay, <i>I</i> gave it Mr.
Such-a-one for what he said about your being a plagiary, and a rake, and
so on." But do you know that you are one of the very few whom I never
have the satisfaction of hearing abused, but the reverse;&mdash;and do you
suppose I will forgive <i>that</i>?<br>
<br>
I have been in the country, and ran away from the Doncaster races. <a name="frs12">It</a> is
odd,&mdash;I was a visitor in the same house<a href="#fs12"><sup>2</sup></a> which came to my sire as a
residence with Lady Carmarthen (with whom he adulterated before his
majority&mdash;by the by, remember <i>she</i> was not my mamma),&mdash;and they
thrust me into an old room, with a nauseous picture over the chimney,
which I should suppose my papa regarded with due respect, and which,
inheriting the family taste, I looked upon with great satisfaction. I
stayed a week with the family, and behaved very well&mdash;though the lady of
the house is young, and religious, and pretty, and the master is my
particular friend. I felt no wish for any thing but a poodle dog, which
they kindly gave me. Now, for a man of my courses not even to have
<i>coveted</i>, is a sign of great amendment. <a name="frs13">Pray</a> pardon all this
nonsense, and don't "snub me when I'm in spirits."<a href="#fs13"><sup>3</sup></a><br>
<br>
Ever yours,<br>
<br>
BN.<br>
<br>
Here's an impromptu for you by a "person of quality," written last week,
on being reproached for low spirits:

<blockquote>When from the heart where Sorrow sits,<br>
  Her dusky shadow mounts too high,<br>
And o'er the changing aspect flits,<br>
  And clouds the brow, or fills the eye:<br>
Heed not that gloom, which soon shall sink;<br>
  My Thoughts their dungeon know too well&mdash;<br>
Back to my breast the wanderers shrink,<br>
  And bleed within their silent cell.</blockquote><br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Thomas Learmont, of Ercildoune, called "Thomas the
"Rhymer," is to reappear on earth when Shrove Tuesday and Good Friday
change places. He sleeps beneath the Eildon Hills.<br>
<a href="#frs11">return to footnote mark</a><br>
<br>
<br>
<a name="fs12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Aston Hall, Rotherham, at that time rented by J. Wedderburn
Webster.<br>
<a href="#frs12">return</a><br>
<br>
<br>
<a name="fs13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; In <i>She Stoops to Conquer</i> (act ii.) Tony Lumpkin says,

  <blockquote>"I wish you'd let me and my good alone, then&mdash;snubbing this way when
  I'm in spirits."</blockquote>
<a href="#frs13">return</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a><br>
<a href="#fc32">cross-reference: return to Footnote 2 of Letter 210</a></p>
<hr><br><br>

<a name="L336"></a><h3>336&mdash;to John Murray</h3>
<br>
Sept. 29, 1813.<br>
<br><br>

Dear Sir,&mdash;Pray suspend the <i>proofs</i> for I am bitten again and have
quantities for other parts of <i>The Giaour</i>.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
P. S.&mdash;You shall have these in the course of the day.<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L337"></a><h3>337&mdash;to James Wedderburn Webster</h3>
<br>
September 30th, 1813.<br>
<br><br>

My dear Webster,&mdash;Thanks for your letter. I had answered it by
<i>anticipation</i> last night, and this is but a postscript to my
reply. My yesterday's contained some advice, which I now see you don't
want, and hope you never will.<br>
<br>
So! Petersham<a href="#fs21"><sup>1</sup></a> has <a name="frs21">not</a> joined you. I pity the poor women. No one can
properly repair such a deficiency; but rather than such a chasm should
be left utterly unfathomable, I, even I, the most awkward of attendants
and deplorable of danglers, would have been of your forlorn hope, on
this expedition. Nothing but business, and the notion of my being
utterly superfluous in so numerous a party, would have induced me to
resign so soon my quiet apartments never interrupted but by the sound,
or the more harmonious barking of Nettle, and clashing of billiard
balls.<br>
<br>
On Sunday I shall leave town and mean to join you immediately. I have
not yet had my sister's answer to Lady Frances's very kind invitation,
but expect it tomorrow. Pray <a name="frs22">assure</a> Lady Frances that I never can forget
the obligation conferred upon me in this respect, and I trust that even
Lady Catherine<a href="#fs22"><sup>2</sup></a> will, in this instance, not question my "stability."<br>
<br>
I yesterday wrote you rather a long tirade about La Comptesse, but you
seem in no immediate peril; I will therefore burn it. Yet I don't know
why I should, as you may relapse: it shall e'en go.<br>
<br>
I have been passing my time with Rogers and Sir James Mackintosh; and
once at Holland House I met Southey; he is a person of very <i>epic</i>
appearance, and has a fine head&mdash;as far as the outside goes, and wants
nothing but taste to make the inside equally attractive.<br>
<br>
Ever, my dear W., yours,<br>
<br>
Biron.<br>
<br>
P.S.&mdash;I read your letter thus: "the Countess is <i>miserable</i>"
instead of which it is "<i>inexorable</i>" a very different thing. The
best way is to let her alone; she must be a <i>diablesse</i> by what you
told me. You have probably not <i>bid</i> high enough. <i>Now</i> you
are not, perhaps, of my opinion; but I would not give the tithe of a
Birmingham farthing for a woman who could or would be purchased, nor
indeed for any woman <i>quoad mere woman</i>; that is to say, unless I
loved her for something more than her sex. If she <i>loves</i>, a little
<i>pique</i> is not amiss, nor even if she don't; the next thing to a
woman's <i>love</i> in a man's favour is her <i>hatred</i>,&mdash;a seeming
paradox but true. Get them once out of <i>indifference</i> and
circumstance, and their passions will do wonders for a <i>dasher</i>
which I suppose you are, though I seldom had the impudence or patience
to follow them up.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Lord Petersham was one of the chief dandies of the day.
Gronow in 1814 (<i>Reminiscences</i>, vol. i. p. 285) found him

  <blockquote>"making a particular sort of blacking, which he said would eventually
  supersede every other."</blockquote>

His snuff-mixture was famous among tobacconists, and he gave his name to
a fashionable great-coat. In his collection of snuff-boxes, one of the
finest in England, he was supposed to have a box for every day in the
year. Gronow (<i>ibid</i>.)

 <blockquote> "heard him, on the occasion of a delightful old light-blue Sèvres box
  he was using being admired, say, in his lisping way, 'Yes, it is a
  nice summer box, but would not do for winter wear.'" </blockquote>

Lord Petersham, who never went out of doors before 6 p.m., was
celebrated for his brown carriages, brown horses, brown harness, and
brown liveries.<br>
<a href="#frs21">return to footnote mark</a><br>
<br>
<br>
<a name="fs22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;Lady Catherine Annesley, sister of Lady F. W. Webster,
afterwards Lady John Somerset.<br>
<a href="#frs22">return</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L338"></a><h3>338&mdash;to Francis Hodgson</h3>
<br>
October 1, 1813.<br>
<br><br>

My Dear H.,&mdash;I leave town again for Aston on Sunday, but have messages
for you. Lord Holland desired me repeatedly to bring you; he wants to
know you much, and begged me to say so: you will like him. I had an
invitation for you to dinner there this last Sunday, and Rogers is
perpetually screaming because you don't call, and wanted you also to
dine with him on Wednesday last. Yesterday we had Curran there&mdash;who is
beyond all conception! and Mackintosh and the wits are to be seen at
H. H. constantly, so that I think you would like their society. I will be
a judge between you and the attorneo. So B[utler] may mention me to
Lucien if he still adheres to his opinion. Pray let Rogers be one; he
has the best taste extant. Bland's nuptials delight me; if I had the
least hand in bringing them about it will be a subject of selfish
satisfaction to me these three weeks. Desire Drury&mdash;if he loves me&mdash;to
kick Dwyer thrice for frightening my horses with his flame-coloured
whiskers last July. Let the kicks be hard, etc.<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L339"></a><h3>339&mdash;to Thomas Moore</h3>
<br>
October 2, 1813.<br><br>

<br>
You have not answered some six letters of mine. This, therefore, is my
penultimate. I will write to you once more, but, after that&mdash;I swear by
all the saints&mdash;I am silent and supercilious. I <a name="frs31">have</a> met Curran<a href="#fs31"><sup>1</sup></a> at
Holland House&mdash;he beats every body;&mdash;his imagination is beyond human,
and his humour (it is difficult to define what is wit) perfect. Then he
has fifty faces, and twice as many voices, when he mimics&mdash;I never met
his equal. Now, <a name="frs32">were</a> I a woman, and eke a virgin, that is the man I
should make my Scamander<a href="#fs32"><sup>2</sup></a>.<br>
<br>
He is quite fascinating. Remember, I have met him but once; and you, who
have known him long, may probably deduct from my panegyric. I almost
fear to meet him again, lest the impression should be lowered. He talked
a great deal about you&mdash;a theme never tiresome to me, nor any body else
that I know. What a variety of expression he conjures into that
naturally not very fine countenance of his! He absolutely changes it
entirely. I have done&mdash;for I can't describe him, and you know him. On
Sunday I return to Aston, where I shall not be far from you. Perhaps I
shall hear from you in the mean time. Good night.<br>
<br>
Saturday morn.&mdash;Your letter has cancelled all my anxieties. I did <i>not
suspect</i> you in <i>earnest</i>. Modest again! Because I don't do a very
shabby thing, it seems, I "don't fear your competition." If it were
reduced to an alternative of preference, I <i>should</i> dread you, as
much as Satan does Michael. But is there not room enough in our
respective regions? Go on&mdash;it will soon be my turn to forgive. To-day I
dine with Mackintosh and Mrs. <i>Stale</i>&mdash;as John Bull may be pleased
to denominate Corinne&mdash;whom I saw last night, at Covent Garden, yawning
over the humour of Falstaff.<br>
<br>
The reputation of "gloom," if one's friends are not included in the
<i>reputants</i>, is of great service; as it saves one from a legion of
impertinents, in the shape of common-place acquaintance. But thou
know'st I can be a right merry and conceited fellow, and rarely
<i>larmoyant</i>. <a name="frs33">Murray</a> shall reinstate your line forthwith<a href="#fs33"><sup>3</sup></a>.<br>
<br>
I believe the blunder in the motto was mine;&mdash;and yet I have, in
general, a memory for you, and am sure it was rightly printed at first.<br>
<br>
I do "blush" very often, if I may believe Ladies H. and M.;&mdash;but
luckily, at present, no one sees me. Adieu.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Rogers (<i>Table-Talk, etc</i>., p. 161) regretted "that so
little of Curran's brilliant talk has been preserved." John Philpot
Curran (1750-1817), after accepting the Mastership of the Rolls in
Ireland (1806), spent much of his time in England. He retired from the
Bench, where he never shone, in 1814.<br>
<br>
In Byron's <i>Detached Thoughts</i> (1821) occurs the following passage:

  <blockquote>"I was much struck with the simplicity of Grattan's manners in private
  life. They were odd, but they were natural. Curran used to take him
  off, bowing to the very ground, and 'thanking God that he had no
  peculiarities of gesture or appearance,' in a way irresistibly
  ludicrous. Rogers used to call him a 'Sentimental Harlequin;' but
  Rogers backbites everybody, and Curran, who used to quiz his great
  friend Godwin to his very face, would hardly respect a fair mark of
  mimicry in another. To be sure, Curran <i>was</i> admirable! to hear
  his description of the examination of an Irish witness was next to
  hearing his own speeches; the latter I never heard, but I have the
  former." </blockquote>

Elsewhere (<i>ibid</i>.) he returns to the subject:

  <blockquote>"Curran! Curran's the man who struck me most&mdash;such imagination! There
  never was anything like it, that ever I saw or heard of. His
  <i>published</i> life&mdash;his published speeches&mdash;give you no idea of the
  man; none at all. He was a <i>Machine</i> of imagination, as some one
  said that Piron was an 'Epigrammatic Machine.' I did not see a great
  deal of Curran,&mdash;only in 1813; but I met him at home (for he used to
  call on me), and in society, at Mackintosh's, Holland House, etc.,
  etc. And he was wonderful, even to me, who had seen many remarkable
  men of the time."</blockquote>

The following notes on this passage are in the handwriting of Walter
Scott:

  <blockquote>"When Mathews first began to imitate Curran in Dublin&mdash;in society, I
  mean,&mdash;Curran sent for him and said, the moment he entered the room,
  'Mr. Mathews, you are a first-rate artist, and, since you are to do my
  picture, pray allow me to give you a sitting.' Everyone knows how
  admirably Mathews succeeded in furnishing at last the portraiture
  begun under these circumstances. No one was more aware of the truth
  than Curran himself. In his latter and feeble days, he was riding in
  Hyde Park one morning, bowed down over the saddle and bitterly
  dejected in his air. Mathews happened to observe and saluted him.
  Curran stopped his horse for a moment, squeezed Charles by the hand,
  and said in that deep whisper which the comedian so exquisitely
  mimics, 'Don't speak to me, my dear Mathews; you are the only Curran
  now!'"<br>
<br>
  "Did you know Curran?" asked Byron of Lady Blessington
  (<i>Conversations</i>, p. 176); "he was the most wonderful person I
  ever saw. In him was combined an imagination the most brilliant and
  profound, with a flexibility and wit that would have justified the
  observation applied to &mdash;&mdash;, that his heart was in his head."</blockquote>

Moore (<i>Journal, etc</i>., vol. i. p. 40) quotes a couplet by Mrs.
Battier upon Curran, which "commemorates in a small compass two of his
most striking peculiarities, namely, his very unprepossessing personal
appearance, and his great success, notwithstanding, in pursuits of
gallantry...:

 <blockquote> "'For though his monkey face might fail to woo her,<br>
  Yet, ah! his monkey tricks would quite undo her.'"</blockquote>
<a href="#frs31">return to footnote mark</a><br>
<br>
<br>
<a name="fs32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; In the spurious letters of Æschines (Letter x.) is a
passage which explains the allusion.

  <blockquote>"It is the custom of maidens, on the eve of their marriage, to wash in
  the waters of the Scamander, and then to utter this almost sacred
  formula,

   <blockquote> 'Take, O Scamander, my virginity' <br>
<br>
    <img src="images/BG10.gif" width="792" height="60" border="1" alt="Greek: to èpos toûto hosper hierón ti epilégein, Lhabé mou
    Scámandre tàen parthénian"></blockquote></blockquote>
<a href="#frs32">return</a><br>
<br>
<br>
<a name="fs33"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

<blockquote>  "The motto to <i>The Giaour</i>:

    <blockquote>One fatal remembrance&mdash;one sorrow that throws<br>
    Its bleak shade alike o'er our joys and our woes,' etc.</blockquote>

  which is taken from one of the <i>Irish Melodies</i>, had been quoted
  by him incorrectly in the first editions of the poem" (Moore).</blockquote>
<a href="#frs33">return</a><br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L340"></a><h3>340&mdash;to John Murray</h3>
<br>
Stilton, Oct. 3, 1813.<br><br>

<br>
Dear Sir,&mdash;I have just recollected an alteration you may make in the
proof to be sent to Aston.&mdash;Among the lines on Hassan's Serai, not far
from the beginning, is this:

<blockquote>Unmeet for Solitude to share.</blockquote>

Now to share implies more than <i>one</i>, and Solitude is a single
gentlewoman; it must be thus:

<blockquote>For many a gilded chamber's there,<br>
  Which Solitude might well forbear;</blockquote>

and so on.&mdash;My address is Aston Hall, Rotherham. Will you adopt this
correction? and pray accept a cheese from me for your trouble. <br>
Ever
yours, <br>
B.<br>
<br>
P. S.&mdash;I leave this to your discretion; if any body thinks the old line a
good one or the cheese a bad one, don't accept either. But, in that
case, the word <i>share</i> is repeated soon after in the line:

<blockquote>To share the Master's "bread and salt;"</blockquote>

and must be altered to:

<blockquote>To break the Master's bread and salt.</blockquote>

This is not so well, though&mdash;confound it! If the old line stands, let
the other run thus:

<blockquote>Nor there will weary traveller halt,<br>
  To bless the sacred "bread and salt."</blockquote>

<i>Note</i>.&mdash;To partake of food&mdash;to break bread and taste salt with
your host&mdash;ensures the safety of the guest; even though an enemy, his
person from that moment becomes sacred.<br>
<br>
There is another additional note sent yesterday&mdash;on the Priest in the
Confessional.<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L341"></a><h3>341&mdash;to John Hanson</h3>
<br>
Nottingham, Octr. 10th, 1813.<br>
<br><br>

Dear Sir,&mdash;I am disposed to advance a loan of £1000 to James Webster
Wedderburne Webster, Esqre., of Aston Hall, York County, and request you
will address to me <i>there a bond</i> and <i>judgement</i> to be signed
by the said as soon as possible. Of Claughton's payments I know nothing
further, and the demands on myself I know also; but W. is a very old
friend of mine, and a man of property, and, as I can command the money,
he shall have it. I do not at all wish to inconvenience you, and I also
know that, when we balance accounts, it will be much in your favour; but
if you could replace the sum at Hoare's from my advance of two thousand
eight hundred in July, it would be a favour; or, still better, if C.
makes further payments, which will render it unnecessary. Don't let the
first part of the last sentence embarrass you at all; the last part
about Claughton I would wish you to attend to. I have written this
day&mdash;about his opening the cellar.<br>
<br>
Pray send the bond and judgement to Aston as directed.<br>
<br>
Ever, dear Sir,<br>
<br>
B.<br>
<br>
P. S.&mdash;Many, many thanks for your kind invitation; but it was too late. I
was in this county before it arrived. My best remembrances to Mrs. H.
and all the family.<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L342"></a><h3>342&mdash;to the Hon. Augusta Leigh</h3>
<br>
[Sunday], October 10th, 1813.<br>
<br><br>

My dearest Augusta,&mdash;I have only time to say that I am not in the least
angry, and that my silence has merely arisen from several circumstances
which I cannot now detail. I trust you are better, and will continue
<i>best</i>. Ever, my dearest,<br>
<br>
Yours,<br>
<br>
B.<br>
<br>
<p><a href="#lp11">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L343"></a><h3>343&mdash;to John Murray</h3>
<br>
Oct. 12, 1813.<br>
<br><br>

Dear Sir,&mdash;You must look <i>The Giaour</i> again over carefully; there
are a few lapses, particularly in the last page,&mdash;"I <i>know</i> 'twas
false; she could not die;" it was, and ought to be&mdash;"<i>knew</i>." Pray
observe this and similar mistakes.<br>
<br>
I <a name="frs41">have</a> received and read the <i>British Review</i><a href="#fs41"><sup>1</sup></a>.<br>
<br>
I really think the writer in most parts very right. The only mortifying
thing is the accusation of imitation.<br>
<br>
<i>Crabbe's passage</i> I never saw; and Scott I no further meant to
follow than in his <i>lyric</i> measure, which is Gray's, Milton's, and
any one's who likes it. <i>The Giaour</i> is certainly a bad character,
but not dangerous: and I think his fate and his feelings will meet with
few proselytes. I shall be very glad to hear from or of you, when you
please; but don't put yourself out of your way on my account.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;<i>The British Review</i> (No. ix.) criticized <i>The
Giaour</i> severely (pp. 132-145). "Lord Byron," it says, "has had the
bad taste to imitate Mr. Walter Scott" (p. 135). Further on (p. 139) it
charges him with borrowing a simile from Crabbe's <i>Resentment</i>. The
passage to which the reviewer alludes will be found in lines 11-16 of
that poem:

  <blockquote>"Those are like wax&mdash;apply them to the fire,<br>
  Melting, they take th' impressions you desire:<br>
  Easy to mould, and fashion as you please,<br>
  And again moulded with an equal ease:<br>
  Like smelted iron these the forms retain;<br>
  But, once impress'd, will never melt again."</blockquote>
<a href="#frs41">return to footnote mark</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L344"></a><h3>344&mdash;to the Hon. Augusta Leigh</h3>
<br>
(Monday), Nov'r. 8th, 1813.<br><br>

<br>
My Dearest Augusta,&mdash;I have only time to say that I shall write
tomorrow, and that my present and long silence has been occasioned by a
thousand things (with which <i>you</i> are not concerned). It is not L'y
C. nor O.; but perhaps you may <i>guess</i>, and, if you do, do not
tell.<br>
<br>
You do not know what mischief your being with me might have prevented. You shall hear from me tomorrow; in the mean time don't be alarmed. I am
in <i>no immediate</i> peril.<br>
<br>
Believe me, ever yours,<br>
<br>
B.<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L345"></a><h3>345&mdash;to John Murray</h3>
<br><br>

(Nov. 12, 1813. With first proof of <i>Bride of Abydos</i> correct.)<br>
<br>
Dear Sir,&mdash;I have looked over&mdash;corrected&mdash;and added&mdash;<i>all</i> of which
you may do too&mdash;at least <i>certainly</i> the <i>two</i> first. There is
more MS. <i>within</i>. Let me know tomorrow at your leisure <i>how</i>
and <i>when</i> we shall proceed! It looks better than I thought at
first. <i>Look over</i> again. I suspect some omissions on my part and
on the printers'.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
Always print "een" "even." I utterly abhor "een"&mdash;if it must be
contracted, be it "ev'n."<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L346"></a><h3>346&mdash;to William Gifford</h3>
<br>
November 12, 1813.<br>
<br><br>

My Dear Sir,&mdash;I hope you will consider, when I venture on any request,
that it is the reverse of a certain Dedication, and is addressed,
<i>not</i> to "The Editor of the <i>Quarterly Review</i>" but to Mr.
Gifford. You will understand this, and on that point I need trouble you
no farther.<br>
<br>
You have been good enough to look at a thing of mine in MS.&mdash;a Turkish
story, and I should feel gratified if you would do it the same favour in
its probationary state of printing. It was <a name="frs51">written</a>, I cannot say for
amusement, nor "obliged by hunger and request of friends,"<a href="#fs51"><sup>1</sup></a> but in a
state of mind, from circumstances which occasionally occur to "us
youth," that rendered it necessary for me to apply my mind to something,
any thing but reality; and under this not very brilliant inspiration it
was composed. Being done, and having at least diverted me from myself, I
thought you would not perhaps be offended if Mr. Murray forwarded it to
you. He has done so, and to apologise for his doing so a second time is
the object of my present letter.<br>
<br>
I beg you will <i>not</i> send me any answer. I assure you very
sincerely I know your time to be occupied, and it is enough, more than
enough, if you read; you are not to be bored with the fatigue of
answers.<br>
<br>
A word to Mr. Murray will be sufficient, and send it either to the
flames or

<blockquote>    "A hundred hawkers' load,<br>
  On wings of wind to fly or fall abroad."</blockquote>

It <a name="frs52">deserves</a> no better than the first, as the work of a week, and
scribbled <i>stans pede in uno</i><a href="#fs52"><sup>2</sup></a>, (by the by, the only foot I have
to stand on); and I promise never to trouble you again under forty
cantos, and a voyage between each. Believe me ever,<br>
<br>
Your obliged and affectionate servant,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Pope, <i>Epistle to Arbuthnot</i>, l. 44.<br>
<a href="#frs51">return to footnote mark</a><br>
<br>
<br>
<a name="fs52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Horace, <i>Sat</i>. 1. iv. 10.<br>
<a href="#frs52">return</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L347"></a><h3>347&mdash;to John Murray</h3>
<br>
Nov. 12, 1813.<br>
<br><br>

Two friends of mine (Mr. Rogers and Mr. Sharpe) have advised me not to
risk at present any single publication separately, for various reasons.
As they have not seen the one in question, they can have no bias for or
against the merits (if it has any) or the faults of the present subject
of our conversation. You <a name="frs61">say</a> all the last of <i>The Giaour</i><a href="#fs61"><sup>1</sup></a> are
gone&mdash;at least out of your hands. <a name="frs62">Now</a>, if you think of publishing any
new edition with the last additions which have not yet been before the
reader (I mean distinct from the two-volume publication), we can add
"<i>The Bride of Abydos</i>," which will thus steal quietly into the
world<a href="#fs62"><sup>2</sup></a>: if liked, we can then throw off some copies for the
purchasers of former "Giaours;" and, if not, I can omit it in any future
publication. What think you? I really am no judge of those things; and,
with all my natural partiality for one's own productions, I would rather
follow any one's judgment than my own.<br>
<br>
P. S.&mdash;Pray let me have the proofs. I sent <i>all</i> to-night. I have
some alterations that I have thought of that I wish to make speedily. I
hope the proof will be on separate pages, and not all huddled together
on a mile-long, ballad-singing sheet, as those of <i>The Giaour</i>
sometimes are: for then I can't read them distinctly.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; In <i>Accepted Addresses; or, Premium Poetarum</i>, pp.
50-52 (1813), <i>Address</i> xvii. is from "Lord B&mdash;&mdash;n to J. M&mdash;&mdash;y,
Book- seller." The address itself runs as follows:

 <blockquote> "A Turkish tale I shall unfold,<br>
  A sweeter tale was never told;<br>
  But then the facts, I must allow,<br>
  Are in the east not common now;<br>
  Tho' in the 'olden time,' the scene<br>
  My Goaour (<i>sic</i>) describes had often been.<br>
  What is the cause! Perhaps the fair<br>
  Are now more cautious than they were;<br>
  Perhaps the Christians not so bold,<br>
  So enterprising as of old.<br>
  No matter what the cause may be,<br>
  It is a subject fit for me.<br>
  <br>
  "Take my disjointed fragments then,<br>
  The offspring of a willing pen.<br>
  And give them to the public, pray,<br>
  On or before the month of May.<br>
  Yes, my disjointed fragments take,<br>
  But do not ask <i>how much they'll make</i>.<br>
  Perhaps not fifty pages&mdash;well,<br>
  I in a little space can tell<br>
  Th' adventures of an infidel;<br>
  Of <i>quantity</i> I never boast,<br>
  For <i>quality</i>'s, approved of most.<br>
  <br>
  "It is a handsome sum to touch,<br>
  Induces authors to write much;<br>
  But in this much, alas! my friend,<br>
  How little is there to commend.<br>
  So, Mr. M&mdash;&mdash;y, I disdain,<br>
  To sacrifice my muse for gain.<br>
  I wish it to be understood,<br>
  The little which I write is good.<br>
  <br>
  "I do not like the quarto size,<br>
  Th' octavo, therefore, I advise.<br>
  Then do not, Mr. M&mdash;&mdash;y, fail,<br>
  To publish this, my Turkish Tale;<br>
  For tho' the volume may be thin,<br>
  A thousand readers it will win;<br>
  And when my pages they explore,<br>
  They'll gladly read them o'er and o'er;<br>
  And all the ladies, I engage,<br>
  With tears will moisten every page."</blockquote>
<a href="#frs61">return to footnote mark</a><br>
<br>
<br>
<a name="fs62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; John Murray writes, in an undated letter to Byron,

  <blockquote>"Mr. Canning returned the poem to-day with very warm expressions of
  delight. I told him your delicacy as to separate publication, of which
  he said you should remove every apprehension."</blockquote>
<a href="#frs62">return</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L348"></a><h3>348&mdash;to John Murray</h3>
<br>
Nov. 13, 1813.<br>
<br><br>

Will you forward the letter to Mr. Gifford with the proof? There is an
alteration I may make in Zuleika's speech, in second canto (the only one
of <i>hers</i> in that canto). It is now thus:

<blockquote>And curse&mdash;if I could curse&mdash;the day.</blockquote>

It must be:

<blockquote>And mourn&mdash;I dare not curse&mdash;the day,<br>
        That saw my solitary birth, etc., etc.</blockquote>

Ever yours, <br>
B.<br>
<br>
In the last MS. lines sent, instead of "living heart," correct to
"quivering heart." It is in line 9th of the MS. passage. <br>
Ever yours
again,<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L349"></a><h3>349&mdash;to John Murray</h3>
<br>
Alteration of a line in Canto 2nd.
Instead of:

<blockquote>And tints to-morrow with a <i>fancied</i> ray</blockquote>

Print:

<blockquote>And tints to-morrow with <i>prophetic</i> ray.<br>
  <br>
  The evening beam that smiles the clouds away,<br>
  And tints to-morrow with prophetic ray;</blockquote>

Or,

<blockquote>And {<i>gilds</i>/tints} the hope of Morning with its ray;</blockquote>

Or,

<blockquote>And gilds to-morrow's hope with heavenly ray.</blockquote><br>


Dear Sir,&mdash;I wish you would ask Mr. G. which of them is best, or rather
<i>not worst</i>.<br>
<br>
Ever yours, B.<br>
<br>
You can send the request contained in this at the same time with the
<i>revise, after</i> I have seen the <i>said revise</i>.<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L350"></a><h3>350&mdash;to John Murray</h3>
<br>
Nov. 13, 1813.<br>
<br><br>

Certainly. Do you <a name="frs71">suppose</a> that no one but the Galileans are acquainted
with <i>Adam</i>, and <i>Eve</i>, and <i>Cain,</i><a href="#fs71"><sup>1</sup></a> and
<i>Noah</i>?&mdash;Surely, I might have had Solomon, and Abraham, and David,
and even Moses, or the other. When you know that <i>Zuleika</i> is the
<i>Persian poetical</i> name for <i>Potiphar's</i> wife, on whom and
Joseph there is a long poem in the Persian, this will not surprise you.
If you want authority look at Jones, D'Herbelot, <i>Vathek</i>, or the
notes to the <i>Arabian Nights</i>; and, if you think it necessary,
model this into a <i>note</i>.<br>
<br>
Alter, in the inscription, "the most affectionate respect," to "with
every sentiment of regard and respect,"<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

 <blockquote> "Some doubt had been expressed by Murray as to the propriety of his
  putting the name of Cain into the mouth of a Mussulman." </blockquote>

(Moore).<br>
<a href="#frs71">return to footnote mark</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
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<hr><br><br>

<a name="L351"></a><h3>351&mdash;to John Murray</h3>
<br>
Nov. 14, 1813.<br>
<br><br>

I send you a note for the <i>ignorant</i>, but I really wonder at
finding <i>you</i> among them. I don't care one lump of Sugar for my
<i>poetry</i>; but for my <i>costume</i>, and my <i>correctness</i> on
those points (of which I think the <i>funeral</i> was a proof), I will
combat lustily.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L352"></a><h3>352&mdash;to John Murray</h3>
<br>
November 15, 1813.<br>
<br><br>

<b>Dear Sir</b>,&mdash;Mr. Hodgson has looked over and <i>stopped</i>, or rather
<i>pointed</i>, this revise, which must be the one to print from. He has
also made some suggestions, with most of which I have complied, as he
has always, for these ten years, been a very sincere, and by no means
(at times) flattering critic of mine. <i>He</i> likes it (you will think
<i>flatteringly</i>, in this instance) better than <i>The Giaour</i>,
but doubts (and so do I) its being so popular; but, contrary to some
others, advises a separate publication. On this we can easily decide. I
confess I like the <i>double</i> form better. Hodgson says, it is
<i>better versified</i> than any of the others; which is odd, if true,
as it has cost me less time (though more <i>hours</i> at a time) than
any attempt I ever made.<br>
<br>
Yours ever, B.<br>
<br>
P. S.&mdash;Do attend to the punctuation: I can't, for I don't know a
comma&mdash;at least where to place one.<br>
<br>
That Tory of a printer has omitted two lines of the opening, and
<i>perhaps more</i>, which were in the MS. Will you, pray, give him a
hint of accuracy? I have reinserted the 2, but they were in the
manuscript, I can swear.<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L353"></a><h3>353&mdash;to John Murray</h3>
<br>
November 17, 1813.<br>
<br><br>

My Dear Sir,&mdash;<a name="frs81">That</a> you and I may distinctly understand each other on a
subject, which, like "the dreadful reckoning when men smile no more,"<a href="#fs81"><sup>1</sup></a> makes conversation not very pleasant, I think it as well to
<i>write</i> a few lines on the topic.&mdash;Before I left town for
Yorkshire, you said that you were ready and willing to give five hundred
guineas for the copyright of <i>The Giaour</i>; and my answer was&mdash;from
which I do not mean to recede&mdash;that we would discuss the point at
Christmas. The new story may or may not succeed; the probability, under
present circumstances, seems to be, that it may at least pay its
expences&mdash;but even that remains to be proved, and till it is proved one
way or the other, we will say nothing about it. Thus then be it: I will
postpone all arrangement about it, and <i>The Giaour</i> also, till
Easter, 1814; and you shall then, according to your own notions of
fairness, make your own offer for the two. At <a name="frs82">the</a> same time, I do not
rate the last in my own estimation at half <i>The Giaour</i>; and
according to your own notions of its worth and its success within the
time mentioned, be the addition or deduction to or from whatever sum may
be your proposal for the first, which has already had its success<a href="#fs82"><sup>2</sup></a>.<br>
<br>
My account with you since my last payment (which I believe cleared it
off within five pounds) I presume has not <i>much</i> increased&mdash;but
whatever it is have the goodness to send it to me&mdash;that I may at least
meet you on even terms.<br>
<br>
The pictures of Phillips I consider as <i>mine</i>, all three; and the
one (not the Arnaut) of the two best is much at <i>your service</i>, if
you will accept it as a present, from Yours very truly, <b>Biron</b>.<br>
<br>
P. S.&mdash;The expence of engraving from the miniature send me in my account,
as it was destroyed by my desire; and have the goodness to burn that
detestable print from it immediately.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>The What d'ye call't?</i> by John Gay (act ii. sc. 9):

    <blockquote>"So comes a reckoning when the banquet's o'er,<br>
     The dreadful reckoning, and men smile no more."</blockquote>
<a href="#frs81">return to footnote mark</a><br>
<br>
<br>
<a name="fs82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Murray replies, November 18, 1813,

  <blockquote>"I restore the <i>Giaour</i> to your Lordship entirely, and for
  <i>it</i>, the <i>Bride of Abydos</i>, and the miscellaneous poems
  intended to fill up the volume of the small edition, I beg leave to
  offer you the sum of One Thousand Guineas, and I shall be happy if you
  perceive that my estimation of your talents in my character of a man
  of business is not much under my admiration of them as a man."</blockquote>
<a href="#frs82">return</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L354"></a><h3>354&mdash;to John Murray</h3>
<br>
November 20, 1813.<br><br>

<br>
More work for the <i>Row</i>. I am doing my best to beat "<i>The
Giaour</i>"&mdash;<i>no</i> difficult task for any one but the author. Yours
truly, <br>
B.<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L355"></a><h3>355&mdash;to John Murray</h3>
<br>
November 22, 1813.<br>
<br><br>

<b>Dear Sir</b>,&mdash;I have no time to <i>cross</i>-investigate, but I believe and
hope all is right. I care less than you will believe about its success,
but I can't survive a single <i>misprint</i>; it <i>choaks</i> me to see
words misused by the Printers. Pray look over, in case of some eyesore
escaping me. Ever yours, B.<br>
<br>
P. S.&mdash;Send the earliest copies to Mr. Frere, Mr. Canning, Mr. Heber, Mr.
Gifford, Lord Holland, Lady Melbourne (Whitehall), Lady C. L. (Brocket),
Mr. Hodgson (Cambridge), Mr. Merivale, Mr. Ward, from the author.<br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L356"></a><h3>356&mdash;to John Murray</h3>
<br>
November 23, 1813.<br><br>

<br>
<b>Dear Sir</b>,&mdash;You wanted some <i>reflections</i>, and I send you <i>per
Selim</i> (see his speech in Canto 2d, page 46.), eighteen lines in
decent couplets, of a pensive, if not an <i>ethical</i> tendency. One
more revise&mdash;poz. the <i>last</i>, if decently done&mdash;at any rate the
<i>pen</i>ultimate. Mr. <a name="frs91">Canning's</a> approbation (<i>if</i> he did approve)
I need not say makes me proud<a href="#fs91"><sup>1</sup></a>.<br>
<br>
As to printing, print as you will and how you will&mdash;by itself, if you
like; but let me have a few copies in <i>sheets</i>.<br>
<br>
Ever yours,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fs91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Canning wrote the following note to Murray:

  <blockquote>"I received the books, and, among them, <i>The Bride of Abydos</i>. It
  is very, very beautiful. Lord Byron (when I met him, one day, at
  dinner at Mr. Ward's) was so kind as to promise to give me a copy of
  it. I mention this, not to save my purchase, but because I should be
  really flattered by the present. I can now say that I have read enough
  of Mad. de Staël to be highly pleased and instructed by her. The
  second volume delights me particularly. I have not yet finished the
  third, but am taking it with me on my journey to Liverpool."</blockquote>
<a href="#frs91">return</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L357"></a><h3>357&mdash;to John Murray</h3>
<br>
November 24, 1813.<br><br>

<br>
You must pardon me once more, as it is all for your good: it must be
thus:

<blockquote>He makes a Solitude, and calls it Peace.</blockquote>

"<i>Makes</i>" is <a name="frt1">closer</a> to the passage of Tacitus<a href="#ft1"><sup>1</sup></a>, from which the
line is taken, and is, besides, a stronger word than "<i>leaves</i>."

<blockquote>Mark where his carnage and his conquests cease&mdash;<br>
  He makes a Solitude, and calls it&mdash;peace.</blockquote>

You will perceive that the sense is now clearer, the "<i>He</i>" refers
to "<i>Man</i>" in the preceding couplet.<br>
<br>
Yours ever,<br>
<br>
B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Solitudinem faciunt&mdash;pacem appellant."</blockquote>

Tacitus, <i>Agricola</i>, 30.<br>
<a href="#frt1">return to footnote mark</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L358"></a><h3>358&mdash;to John Murray</h3>
<br>
November 27, 1813.<br><br>

<br>
Dear Sir,&mdash;If you look over this carefully by the <i>last proof</i> with
my corrections, it is probably right; this <i>you</i> can <i>do</i> as
well or better;&mdash;I have not now time. The copies I mentioned to be sent
to different friends last night, I should wish to be made up with the
new Giaours, if it also is ready. If not, send <i>The Giaour</i>
afterwards.<br>
<br>
<a name="frt11">The</a> <i>Morning Post</i> says <i>I</i> am the author of <i>Nourjahad<a href="#ft11"><sup>1</sup></a>!!</i>

This comes of lending the drawings for their dresses; but it is not
worth a <i>formal contradiction</i>. Besides, the criticisms on the
<i>supposition</i> will, some of them, be quite amusing and furious. The
<i>Orientalism</i> &mdash;which I hear is very splendid&mdash;of the Melodrame
(whosever it is, and I am sure I don't know) is as good as an
Advertisement for your Eastern Stories, by filling their heads with
glitter. Yours ever, B.<br>
<br>
P. S.&mdash;You will of course <i>say</i> the truth, that I am <i>not</i> the
Melo-dramatist&mdash;if any one charges me in your presence with the
performance.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The same charge is made in the <i>Satirist</i> (vol. xiii.
p. 508). <i>Illusion, or the Trances of Nourjahad</i>, was acted at
Drury Lane, November 25, 1813. It is described by Genest (<i>The English
Stage</i>, vol. viii. p. 403) as "a Melo-dramatic spectacle in three
acts by an anonymous author." "Nourjahad" was acted by Elliston;
"Mandane," his wife, by Mrs. Horn.<br>
<a href="#frt11">return</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L359"></a><h3>359&mdash;to John Murray</h3>
<br>
November 28, 1813.<br>
<br><br>

Dear Sir,&mdash;<a name="frt21">Send</a> another copy (if not too much of a request) to Lady
Holland of the <i>Journal</i><a href="#ft21"><sup>1</sup></a>, in my name, when you receive this; it
is for <i>Earl Grey</i>&mdash;and I will relinquish my own. Also to Mr.
Sharpe, Lady Holland, and Lady Caroline Lamb, copies of <i>The
Bride</i>, as soon as convenient. <br>
Ever yours, <br>
<b>Biron</b>.<br>
<br>
P. S.&mdash;Mr. W. and myself still continue our purpose; but I shall not
trouble you on any arrangement on the score of <i>The Giaour</i> and
<i>The Bride</i> till our return,&mdash;or, at any rate, before <i>May</i>,
1814,&mdash;that is, six months from hence: and before that time you will be
able to ascertain how far your offer may be a losing one: if so, you can
deduct proportionably; and if not, I shall not at any rate allow you to
go higher than your present proposal, which is very handsome, and more
than fair.<br>
<br>
I <a name="frt22">have</a> had&mdash;but this must be <i>entre nous</i>&mdash;a very kind note, on the
subject of <i>The Bride</i>, from Sir James Mackintosh, and an
invitation to go there this evening, which it is now too late to accept<a href="#ft22"><sup>2</sup></a>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The Rev. John Eagles (1783-1855), scholar, artist, and
contributor (1831-55) to <i>Blackwood's Magazine</i>, edited <i>The Journal of
Llewellin Penrose, a Seaman</i>, which Murray published in 1815.<br>
<a href="#frt21">return to footnote mark</a><br>
<br>
<br>
<a name="ft22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

 <blockquote> "Lord Byron is the author of the day; six thousand of his <i>Bride of
  Abydos</i> have been sold within a month."</blockquote>

Sir James Mackintosh (<i>Life</i>, vol. ii. p. 271).<br>
<a href="#frt22">return</a><br>
<br>
<p><a href="#lp12">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L360"></a><h3>360&mdash;to John Murray.</h3>
<br>
November 29, 1813.<br>
<br><br>

Sunday&mdash;Monday morning&mdash;three o'clock&mdash;in my doublet and
hose,&mdash;<i>swearing</i>.<br>
<br>
Dear Sir,&mdash;I <a name="frt31">send</a> you in time an Errata page, containing an omission of
mine<a href="#ft31"><sup>1</sup></a>, which must be thus added, as it is too late for insertion in
the text. The passage is an imitation altogether from Medea in Ovid, and
is incomplete without these two lines. Pray let this be done, and
directly; it is necessary, will add one page to your book
(-<i>making</i>), and can do no harm, and is yet in time for the
<i>public</i>. Answer me, thou Oracle, in the affirmative. You can send
the loose pages to those who have copies already, if they like; but
certainly to all the <i>Critical</i> copyholders.<br>
<br>
Ever yours, <b>Biron</b>.<br>
<br>
P. S.&mdash;I have got out of my bed (in which, however, I could not sleep,
whether I had amended this or not), and so good morning. I am trying
whether <i>De l'Allemagne</i> will act as an opiate, but I doubt it.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>The Bride of Abydos</i>, Canto II. stanza xx. The lines were:

 <blockquote> "Then, if my lip once murmurs, it must be<br>
  No sigh for Safety, but a prayer for thee."</blockquote>
<a href="#frt31">return to footnote mark</a><br>
<br>
<p><a href="#lp13">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L361"></a><h3>361&mdash;to John Murray</h3>
<br>
November 29, 1813.<br>
<br>
<br>
"<i>You have looked at it!</i>" to much purpose, to allow so stupid a
blunder to stand; it is <i>not</i> "<i>courage</i>" but
"<i>carnage</i>;" and if you don't want me to cut my own throat, see it
altered.<br>
<br>
I am very sorry to hear of the fall of Dresden.<br>
<br>
<p><a href="#lp13">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L362"></a><h3>362&mdash;to John Murray</h3>
<br>
Nov. 29, 1813, Monday.<br>
<br><br>

Dear Sir,&mdash;You will act as you please upon that point; but whether I go
or stay, I shall not say another word on the subject till May&mdash;nor then,
unless quite convenient to yourself. I have many things I wish to leave
to your care, principally papers. The <i>vases</i> need not be now sent,
as Mr. W. is gone to Scotland. You are right about the Er[rata] page;
place it at the beginning. Mr. <a name="frt41">Perry</a> is a little premature in his
compliments<a href="#ft41"><sup>1</sup></a>: these may do harm by exciting expectation, and I think
<i>we</i> ought to be above it&mdash;<a name="frt42">though</a> I see the next paragraph is on
the <i>Journal</i><a href="#ft42"><sup>2</sup></a>, which makes me suspect <i>you</i> as the author
of both.<br>
<br>
Would it not have been as well to have said in 2 cantos in the
advertisement? they will else think of <i>fragments</i>, a species of
composition very well for <i>once</i>, like <i>one ruin</i> in a
<i>view</i>; but one would not build a town of them. <i>The Bride</i>,
such as it is, is my first <i>entire</i> composition of any length
(except the Satire, and be damned to it), for <i>The Giaour</i> is but a
string of passages, and <i>Childe Harold</i> is, and I rather think
always will be, unconcluded. I return Mr. Hay's note, with thanks to him
and you.<br>
<br>
There <a name="frt43">have</a> been some epigrams on Mr. W[ard]: one I see to-day<a href="#ft43"><sup>3</sup></a>.<br>
<br>
The first I did not see, but heard yesterday. The second seems very bad
and Mr. P[erry] has placed it over <i>your</i> puff. I only hope that
Mr. W. does not believe that I had any connection with either. The
Regent is the only person on whom I ever expectorated an epigram, or
ever should; and even if I were disposed that way, I like and value Mr.
W. too well to allow my politics to contract into spleen, or to admire
any thing intended to annoy him or his. You need not take the trouble to
answer this, as I shall see you in the course of the afternoon.<br>
<br>
Yours very truly, B.<br>
<br>
P. S.&mdash;I have said this much about the epigrams, because I live so much
in the <i>opposite camp</i>, and, from my post as an Engineer, might be
suspected as the flinger of these hand Grenadoes; but with a worthy foe
I am all for open war, and not this bush-fighting, and have [not] had,
nor will have, any thing to do with it. I do not know the author.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; In the <i>Morning Chronicle</i>, November 29, 1813,
appeared the following paragraph:

  <blockquote>"Lord Byron's muse is extremely fruitful. He has another poem coming
  out, entitled <i>The Bride of Abydos</i>, which is spoken of in terms
  of the highest encomium."</blockquote>
<a href="#frt41">return to footnote mark</a><br>
<br>
<br>
<a name="ft42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>Journal of Llewellin Penrose, a Seaman.</i><br>
<a href="#frt42">return</a><br>
<br>
<br>
<a name="ft43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

  <blockquote>"Ward has no heart, they say; but I deny it;&mdash;<br>
  He has a heart, and gets his speeches by it."</blockquote>
<a href="#frt43">return</a><br>
<br>
<p><a href="#lp13">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L363"></a><h3>363&mdash;to John Murray</h3>
<br>
Tuesday evening, Nov. 30, 1813.<br><br>

<br>
Dear Sir,&mdash;For the sake of correctness, particularly in an Errata page,
the alteration of the couplet I have just sent (half an hour ago) must
take place, in spite of delay or cancel; let me see the <i>proof</i>
early to-morrow. I found out <i>murmur</i> to be a neuter <i>verb</i>,
and have been obliged to alter the line so as to make it a substantive,
thus:

<blockquote>The deepest murmur of this life shall be<br>
  No sigh for Safety, but a prayer for thee!</blockquote>

Don't send the copies to the <i>country</i> till this is all right.<br>
<br>
Yours,<br>
B.<br>
<br>
<p><a href="#lp13">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L364"></a><h3>364&mdash;to Thomas Moore.</h3>
<br>
November 30, 1813.<br>
<br><br>

Since I last wrote to you, much has occurred, good, bad, and
indifferent,&mdash;not to make me forget you, but to prevent me from
reminding you of one who, nevertheless, has often thought of you, and to
whom <i>your</i> thoughts, in many a measure, have frequently been a
consolation. We were once very near neighbours this autumn; and a good
and bad neighbourhood it has proved to me. <a name="frt51">Suffice</a> it to say, that your
French quotation<a href="#ft51"><sup>1</sup></a> was confoundedly to the purpose,&mdash;though very
<i>unexpectedly</i> pertinent, as you may imagine by what I <i>said</i>
before, and my silence since. <a name="frt52">However</a>, "Richard's himself again,"<a href="#ft52"><sup>2</sup></a>
and except all night and some part of the morning, I don't think very
much about the matter.<br>
<br>
All <a name="frt53">convulsions</a> end with me in rhyme; and to solace my midnights, I have
scribbled another Turkish story<a href="#ft53"><sup>3</sup></a>&mdash;not a Fragment&mdash;which you will
receive soon after this. It does not trench upon your kingdom in the
least, and if it did, you would soon reduce me to my proper boundaries.
You will think, and justly, that I run some risk of losing the little I
have gained in fame, by this further experiment on public patience; but
I have really ceased to care on that head. I <a name="frt54">have</a> written this, and
published it, for the sake of the <i>employment</i>,&mdash;to wring my
thoughts from reality, and take refuge in "imaginings," however
"horrible;"<a href="#ft54"><sup>4</sup></a> and, as to success! those who succeed will console me
for a failure&mdash;excepting yourself and one or two more, whom luckily I
love too well to wish one leaf of their laurels a tint yellower. This is
the work of a week, and will be the reading of an hour to you, or even
less,&mdash;and so, let it go &mdash;&mdash;.<br>
<br>
P.S.&mdash;Ward and I <i>talk</i> of going to Holland. I want to see how a
Dutch canal looks after the Bosphorus. Pray respond.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Moore wrote to Byron in 1813 an undated letter, in which
the following passage occurs:

  <blockquote>"I am sorry I must wait till 'we are veterans' before you will open to
  me 'the story of your wandering life, wherein you find more hours
  <i>due to repentance</i> ... than time hath told you yet.' Is it so
  with you, or are you, like me, reprobate enough to look back with
  complacency on what you have done? I suppose repentance <i>must bring
  up the rear</i> with us all; but at present I should say with old
  Fontenelle, <i>Si je recommençais ma carrière, je ferais tout
  ce que j'ai fait</i>."</blockquote>
<a href="#frt51">return to footnote mark</a><br>
<br>
<br>
<a name="ft52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;Colley Cibber's <i>Richard III</i>, act v. sc. 3:

  <blockquote>"Conscience, avaunt! Richard's himself again."</blockquote>
<a href="#frt52">return</a><br>
<br>
<br>
<a name="ft53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <i>The Bride of Abydos</i> was published December, 1813.<br>
<a href="#frt53">return</a><br>
<br>
<br>
<a name="ft54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;

 <blockquote> "Horrible imaginings."</blockquote>

<i>Macbeth</i>, act i. sc. 3.<br>
<a href="#frt54">return</a><br>
<br>
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<hr><br><br>

<a name="L365"></a><h3>365&mdash;to Francis Hodgson</h3>
<br>
Nov'r&mdash;Dec'r 1st, 1813.<br><br>

<br>
I <a name="frt61">have</a> just heard that <i>Knapp</i> is acquainted with what I was but
too happy in being enabled to do for you<a href="#ft61"><sup>1</sup></a>.<br>
<br>
Now, my dear Hn., you, or Drury, must have told this, for, upon my own
honour, not even to Scrope, nor to one soul, (Drury knew it before) have
I said one syllable of the matter. So don't be out of humour with me
about it, but you can't be more so than I am. I am, however, glad of one
thing; if you ever conceived it to be in the least an obligation, this
disclosure most fairly and fully releases you from it:

<blockquote>"To John I owe some obligation,<br>
  But John unluckily thinks fit<br>
To publish it to all the nation,<br>
  So John and I are more than quit."</blockquote>

And so there's an end of the matter.<br>
<br>
Ward <i>wavers</i> a little about the Dutch, till matters are more
sedative, and the French more sedentary.<br>
<br>
The <i>Bride</i> will blush upon you in a day or two; there is
<i>much</i>, at least a <i>little</i> addition. I am happy to say that
Frere and Heber, and some other "good men and true," have been kind
enough to adopt the same opinion that you did.<br>
<br>
Pray write when you like, and believe me,<br>
<br>
Ever yours,<br>
<br>
<b>Byron</b>.<br>
<br>
P.S.&mdash;Murray has <i>offered</i> me a thousand guineas for the <i>two</i>
(<i>Giaour</i> and <i>Bride</i>), and told M'e. de Stael that he had
<i>paid</i> them to me!! I should be glad to be able to tell her so too.
But the truth is, he would; but I thought the fair way was to decline it
till May, and, at the end of 6 months, he can safely say whether he can
afford it or not&mdash;without running any risk by Speculation. If he paid
them now and lost by it, it would be hard. If he gains, it will be time
enough when he has already funded his profits. But he needed not have
told "<i>la Baronne</i>" such a devil of an uncalled for piece
of&mdash;premature <i>truth</i>, perhaps&mdash;but, nevertheless, a <i>lie</i> in
the mean time.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Hodgson, now engaged to Miss Tayler, was anxious to clear
off his father's liabilities. Byron gave him from first to last the sum
of £1500 for the purpose. Hodgson, in a letter to his uncle, thus
describes the gift (<i>Memoir of Rev. F. Hodgson</i>, vol. i. pp. 268,
269):

  <blockquote>"My noble-hearted friend, Lord Byron, after many offers of a similar
  kind, which I felt bound to refuse, has irresistibly in my present
  circumstances ... volunteered to pay all my debts, and within a few
  pounds it is done! Oh, if you knew (but <i>you</i> do know) the
  exultation of heart, aye, and of head too, I feel at being free from
  these depressing embarrassments, you would, as I do, bless my dearest
  friend and brother Byron."</blockquote>
<a href="#frt61">return</a><br>
<br>
<p><a href="#lp13">List of Letters</a><br>
<a href="#toc">Contents</a><br>
<a href="#fv63">cross-reference: return to Footnote 3 of Journal entry for December 1st, 1813</a></p>
<hr><br><br>

<a name="L366"></a><h3>366&mdash;to John Murray</h3>
<br>
Dec. 2, 1813.<br>
<br><br>


Dear Sir,&mdash;When you can, let the couplet enclosed be inserted either in
the page, or in the Errata page. I trust it is in time for some of the
copies. This alteration is in the same part&mdash;the page <i>but one</i>
before the last correction sent.<br>
<br>
Yours, etc.,<br>
<br>
B.<br>
<br>
P. S.&mdash;I am afraid, from all I hear, that people are rather inordinate in
their expectations, which is very unlucky, but cannot now be helped.
This comes of Mr. Perry and one's wise friends; but do not <i>you</i>
wind <i>your</i> hopes of success to the same pitch, for fear of
accidents, and I can assure you that my philosophy will stand the test
very fairly; and I have done every thing to ensure you, at all events,
from positive loss, which will be some satisfaction to both. <br>
<br>
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<hr><br><br>

<a name="L367"></a><h3>367&mdash;to Leigh Hunt</h3>
<br>
4, Bennet St., Dec. 2, 1813.<br><br>

<br>
My dear Sir,&mdash;Few things could be more welcome than your note, and on
Saturday morning I will avail myself of your permission to thank you for
it in person. My time has not been passed, since we met, either
profitably or agreeably. A very short period after my last visit, an
incident occurred with which, I fear, you are not unacquainted, as
report, in many mouths and more than one paper, was busy with the topic.
That, naturally, gave me much uneasiness. Then I nearly incurred a
lawsuit on the sale of an estate; but that is now arranged: next&mdash;but
why should I go on with a series of selfish and silly details? I merely
wish to assure you that it was not the frivolous forgetfulness of a
mind, occupied by what is called pleasure (<i>not</i> in the true sense
of Epicurus), that kept me away; but a perception of my, then, unfitness
to share the society of those whom I value and wish not to displease. I
hate being <i>larmoyant</i>, and making a serious face among those who
are cheerful.<br>
<br>
It is my wish that our acquaintance, or, if you please to accept it,
friendship, may be permanent. I have been lucky enough to preserve some
friends from a very early period, and I hope, as I do not (at least now)
select them lightly, I shall not lose them capriciously. I <a name="frt71">have</a> a
thorough esteem for that independence of spirit<a href="#ft71"><sup>1</sup></a> which you have
maintained with sterling talent, and at the expense of some suffering.
You have not, I trust, abandoned the poem you were composing, when Moore
and I partook of your hospitality in the summer. I hope a time will come
when he and I may be able to repay you in kind for the
<i>latter</i>&mdash;for the rhyme, at least in <i>quantity</i>, you are in
arrear to both.<br>
<br>
Believe me, very truly and affectionately yours,<br>
<br>
Byron.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The following is Leigh Hunt's answer:

  <blockquote>"My dear Lord,&mdash;I need not tell you how much your second letter has
  gratified me, for I am apt to speak as sincerely as I think (you must
  suffer me to talk in this way after what you have been kind enough to
  say of my independence), and it always rejoices me to find that those
  whom I wish to regard will take me at my word. But I shall grow
  egotistical upon the strength of your Lordship's good opinion. I shall
  be heartily glad to see you on Saturday morning, and perhaps shall
  prevail upon you to take a luncheon with us at our dinner-time (3). The
  nature of your letter would have brought upon you a long answer,
  filled perhaps with an enthusiasm that might have made you smile; but
  I am keeping your servant in the cold, and so, among other good
  offices, you see what he has done for you. However, I would not make a
  light thing of so good a matter as I mean my enthusiasm to be, and
  intend, before I have done, that you shall have as sound a regard for
  it, as I have for the feelings on your Lordship's part that have
  called it forth.<br>
<br>
  Yours, my dear Lord, most sincerely and cordially,<br>
<br>
  Leigh Hunt.<br>
<br>
  Surrey Jail, 2'd Dec'r., 1813."</blockquote>
<a href="#frt71">return to footnote mark</a><br>
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<hr><br><br>

<a name="L368"></a><h3>368&mdash;to John Murray</h3>
<br>
Dec. 3, 1813.<br><br>

<br>
I send you a <i>scratch</i> or <i>two</i>, the which <i>heal</i>. <a name="frt81">The</a>
<i>Christian Observer</i><a href="#ft81"><sup>1</sup></a> is very savage, but certainly uncommonly
well written&mdash;and quite uncomfortable at the naughtiness of book and
author. I rather suspect you won't much like the <i>present</i> to be
more moral, if it is to share also the usual fate of your virtuous
volumes.<br>
<br>
Let me see a proof of the <i>six</i> before <i>incorporation</i>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The <i>Christian Observer</i> for November, 1813 (pp.
731-737) felt compelled to review <i>The Giaour</i>, because of its
extraordinary popularity; but it found that some of the passages
savoured "too much of Newgate and Bedlam for our expurgated pages." It
acknowledged one obligation to Byron.

  <blockquote>"He never attempts to deceive the world by representing the profligate
  as happy.... And his testimony is of the more value, as his situation
  in life must have permitted him to see the experiment tried under the
  most favourable circumstances. He has probably seen more than one
  example of young men of high birth, talents, and expectancies, ...
  sink under the burden of unsubdued tempers, licentious alliances, and
  ennervating indulgence.... He has <i>seen</i> all this; nay,
  perhaps&mdash;But we check our pen," etc., etc.</blockquote>
<a href="#frt81">return to footnote mark</a><br>
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<hr><br><br>

<a name="L369"></a><h3>369&mdash;to John Murray</h3>
<br>
Dec. 3, 1813.<br>
<br><br>

My dear Sir,&mdash;Look out the Encyclopedia article <i>Mecca</i> whether it
is there or at <i>Medina</i> the Prophet is entombed, if at Medina the
first lines of my alteration must run:

<blockquote>Blest as the call which from Medina's dome<br>
  Invites Devotion to her Prophet's tomb, etc.</blockquote>

If at "Mecca" the lines may stand as before. Page 45, C°. 2nd, <i>Bride
of Abydos</i>. Yours, B.<br>
<br>
You will find this out either by Article <i>Mecca, Medina</i> or
<i>Mahommed</i>. I have no book of reference by me.<br>
<br>
<p><a href="#lp13">List of Letters</a><br>
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<hr><br><br>

<a name="L370"></a><h3>370&mdash;to John Murray</h3>
<br>
[No date.]<br><br>

<br>
Did you look out? is it <i>Medina</i> or <i>Mecca</i> that contains the
<i>holy</i> Sepulchre? don't make me blaspheme by your negligence. I
have no books of reference or I would save you the trouble. I
<i>blush</i> as a good Mussulman to have confused the point. Yours, B.<br>
<br>
<p><a href="#lp13">List of Letters</a><br>
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<hr><br><br>

<a name="L371"></a><h3>371&mdash;to John Murray</h3>
<br>
Dec. 4, 1813.<br>
<br><br>

Dear Sir,&mdash;I <a name="frt91">have</a> redde through your Persian Tales<a href="#ft91"><sup>1</sup></a>, and have taken
the liberty of making some remarks on the <i>blank</i> pages. There are
many beautiful passages, and an interesting story; and I cannot give you
a stronger proof that such is my opinion, than by the <i>date</i> of the
<i>hour&mdash;two o'clock</i>,&mdash;till which it has kept me awake <i>without a
yawn</i>.<br>
<br>
The conclusion is not quite correct in <i>costume</i>: there is no
<i>Mussulman suicide</i> on record&mdash;at least for <i>love</i>. But this
matters not. The tale must have been written by some one who has been on
the spot, and I wish him, and he deserves, success. Will you apologise
to the author for the liberties I have taken with his MS.? Had I been
less awake to, and interested in, his theme, I had been less obtrusive;
but you know <i>I</i> always take this in good part, and I hope he will.
It is difficult to say what <i>will</i> succeed, and still more to
pronounce what <i>will not</i>. <i>I</i> am at this moment in <i>that
uncertainty</i> (on your <i>own</i> score); and it is no small proof of
the author's powers to be able to <i>charm</i> and <i>fix</i> a
<i>mind's</i> attention on similar subjects and climates in such a
predicament. That he may have the same effect upon all his readers is
very sincerely the wish, and hardly the <i>doubt</i>, of<br>
<br>
Yours truly, B.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="ft91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Henry Gally Knight (1786-1846), who was with Byron at
Trinity, Cambridge, and afterwards distinguished himself by his
architectural writings (<i>e.g. The Normans in Sicily,</i> 1838), began
his literary career with <i>Ilderim, a Syrian Tale</i> (1816).
<i>Phrosyne, a Grecian Tale; Alashtar, an Arabian Tale</i> (1817), was
followed, after a considerable interval, by <i>Eastern Sketches</i>
(about 1829-30). If the manuscript of the first-mentioned volume is that
to which Byron refers, he seems to have changed his mind as to its
merits (March 25, 1817):

  <blockquote>"I tried at 'Ilderim;'<br>
              Ahem!"</blockquote>
<a href="#frt91">return to footnote mark</a><br>
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<hr><br><br>

<a name="L372"></a><h3>372&mdash;to John Murray</h3>
<br>
Dear Sir,&mdash;It is all very well, except that the lines are not numbered
properly, and a diabolical mistake, page 67., which <i>must</i> be
corrected with the <i>pen</i>, if no other way remains; it is the
omission of "<i>not</i>" before "<i>disagreeable</i>" in the <i>note</i>
on the <i>amber</i> rosary. This is really horrible, and nearly as bad
as the stumble of mine at the Threshold&mdash;I mean the <i>misnomer</i> of
bride. Pray do not let a copy go without the "<i>not</i>;" it is
nonsense, and worse than nonsense, as it now stands. I wish the printer
was saddled with a vampire.<br>
<br>
Yours ever, B.<br>
<br>
P. S.&mdash;It is still <i>hath</i> instead of <i>have</i> in page 20; never
was any one so <i>misused</i> as I am by your Devils of printers.<br>
<br>
P. S.&mdash;I hope and trust the "<i>not</i>" was inserted in the first
Edition. We must have something&mdash;any thing&mdash;to set it right. It is
enough to answer for one's own bulls, without other people's.<br>
<br>
<p><a href="#lp13">List of Letters</a><br>
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<hr><br><br>

<a name="L373"></a><h3>373&mdash;to Thomas Moore</h3>
<br>
December 8, 1813.<br>
<br><br>

Your letter, like all the best, and even kindest things in this world,
is both painful and pleasing. But, first, to what sits nearest. Do you
know I was actually about to dedicate to you,&mdash;not in a formal
inscription, as to one's <i>elders</i>,&mdash;but through a short prefatory
letter, in which I boasted myself your intimate, and held forth the
prospect of <i>your</i> poem; when, lo! the recollection of your strict
injunctions of secrecy as to the said poem, more than <i>once</i>
repeated by word and letter, flashed upon me, and marred my intents. I
could have no motive for repressing my own desire of alluding to you
(and not a day passes that I do not think and talk of you), but an idea
that you might, yourself, dislike it. You cannot doubt my sincere
admiration, waving personal friendship for the present, which, by the
by, is not less sincere and deep rooted. I have you by rote and by
heart; of which <i>ecce signum!</i> When I was at Aston, on my first
visit, I have a habit, in passing my time a good deal alone, of&mdash;I won't
call it singing, for that I never attempt except to myself&mdash;but of
uttering, to what I think tunes, your "Oh breathe not," "When the last
glimpse," and "When he who adores thee," with others of the same
minstrel;&mdash;they are my matins and vespers. I assuredly did not intend
them to be overheard, but, one morning, in comes, not <i>La Donna</i>,
but <i>Il Marito</i>, with a very grave face, saying, "Byron, I must
request you won't sing any more, at least of those songs." I stared, and
said, "Certainly, but why?"&mdash;"To tell you the truth," quoth he, "they
make my wife <i>cry</i>, and so melancholy, that I wish her to hear no
more of them."<br>
<br>
Now, my dear M., the effect must have been from your words, and
certainly not my music. I merely mention this foolish story to show you
how much I am indebted to you for even your pastimes. A man may praise
and praise, but no one recollects but that which pleases&mdash;at least, in
composition. Though I think no one equal to you in that department, or
in satire,&mdash;and surely no one was ever so popular in both,&mdash;I certainly
am of opinion that you have not yet done all <i>you</i> can do, though
more than enough for any one else. I want, and the world expects, a
longer work from you; and I see in you what I never saw in poet before,
a strange diffidence of your own powers, which I cannot account for, and
which must be unaccountable, when a <i>Cossac</i> like me can appal a
<i>cuirassier</i>. Your story I did not, could not, know,&mdash;I thought
only of a Peri. I <a name="fru1">wish</a> you had confided in me, not for your sake, but
mine, and to prevent the world from losing a much better poem than my
own, but which, I yet hope, this <i>clashing</i> will not even now
deprive them of<a href="#fu1"><sup>1</sup></a>.<br>
<br>
Mine is the work of a week, written, <i>why</i> I have partly told you,
and partly I cannot tell you by letter&mdash;some day I will.<br>
<br>
Go on&mdash;I shall really be very unhappy if I at all interfere with you.
The success of mine is yet problematical; though the public will
probably purchase a certain quantity, on the presumption of their own
propensity for <i>The Giaour</i> and such "horrid mysteries." The only
advantage I have is being on the spot; and that merely amounts to saving
me the trouble of turning over books which I had better read again. If
<i>your chamber</i> was furnished in the same way, you have no need to
<i>go there</i> to describe&mdash;I mean only as to <i>accuracy</i>&mdash;because
I drew it from recollection.<br>
<br>
This last thing of mine <i>may</i> have the same fate, and I assure you
I have great doubts about it. But, even if not, its little day will be
over before you are ready and willing. <a name="fru2">Come</a> out&mdash;"screw your courage to
the sticking-place."<a href="#fu2"><sup>2</sup></a><br>
<br>
Except the <i>Post Bag</i> (and surely you cannot complain of a want of
success there), you have not been <i>regularly</i> out for some years.
No man stands higher,&mdash;whatever you may think on a rainy day, in your
provincial retreat.

<blockquote>  "Aucun homme, dans aucune langue, n'a été, peut-être, plus
  complètement le poëte du coeur et le poëte des femmes. Les critiques
  lui reprochent de n'avoir représenté le monde ní tel qu'il est, ni tel
  qu'il doit être; <i>mais les femmes répondent qu'il l'a représenté tel
  qu'elles le désirent.</i>"</blockquote>

I <a name="fru3">should</a> have thought Sismondi<a href="#fu3"><sup>3</sup></a> had written this for you instead of
Metastasio.<br>
<br>
Write to me, and tell me of <i>yourself</i>. Do you remember what
Rousseau said to some one&mdash;"Have we quarrelled? you have talked to me
often, and never once mentioned yourself."<br>
<br>
P. S.&mdash;The last sentence is an indirect apology for my egotism,&mdash;but I
believe in letters it is allowed. I wish it was <i>mutual</i>. I <a name="fru4">have</a>
met with an odd reflection in Grimm; it shall not&mdash;at least the bad
part&mdash;be applied to you or me, though <i>one</i> of us has certainly an
indifferent name&mdash;but this it is:&mdash;"Many people have the reputation of
being wicked, with whom we should be too happy to pass our lives." I
need not add it is a woman's saying&mdash;a Mademoiselle de Sommery's<a href="#fu4"><sup>4</sup></a>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Among the stories intended to be introduced into <i>Lalla Rookh</i>,
  which I had begun, but, from various causes, never finished, there was
  one which I had made some progress in, at the time of the appearance
  of <i>The Bride</i>, and which, on reading that poem, I found to
  contain such singular coincidences with it, not only in locality and
  costume, but in plot and characters, that I immediately gave up my
  story altogether, and began another on an entirely new subject&mdash;the
  Fire-worshippers. To this circumstance, which I immediately
  communicated to him, Lord Byron alludes in this letter. In my hero (to
  whom I had even given the name of 'Zelim,' and who was a descendant of
  Ali, outlawed, with all his followers, by the reigning Caliph) it was
  my intention to shadow out, as I did afterwards in another form, the
  national cause of Ireland. To quote the words of my letter to Lord
  Byron on the subject: 'I chose this story because one writes best
  about what one feels most, and I thought the parallel with Ireland
  would enable me to infuse some vigour into my hero's character. But to
  aim at vigour and strong feeling after <i>you</i> is hopeless;&mdash;that
  region "was made for Cæsar."'" </blockquote>

(Moore).<br>
<a href="#fru1">return to footnote mark</a><br>
<br>
<br>
<a name="fu2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>Macbeth</i>, act i. sc. 7.<br>
<a href="#fru2">return</a><br>
<br>
<br>
<a name="fu3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <i>De la Littérature du Midi de l'Europe</i>, ed. 1813,
tom. ii. p. 436.<br>
<a href="#fru3">return</a><br>
<br>
<br>
<a name="fu4"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Grimm (<i>Correspondance Littéraire</i>, ed. 1813, part
iii. tom ii. p. 126) says of Mlle. de Sommery, who died of apoplexy in
1790,

  <blockquote>"Que de gens ont la réputation d'être méchans, avec lesquels on serait
  trop heureux de passer sa vie."</blockquote>

The <i>Biographie Universelle</i> says of her,

  <blockquote>"Elle avait du talent pour écrire; mais elle ne l'exerça que fort tard
  .... Le premier livre qu'elle publia, n'étant plus très jeune, fut un
  recueil de pensées détachées, dédié aux mânes de Saurin, qu'elle
  intitula <i>Doutes sur differentes Opinions reçues dans la
  Societé</i>. Ce recueil eut un véritable succés."</blockquote>

Mlle. de Sommery also published, besides the <i>Doutes</i> (1782),
<i>Lettres de Madame la Comtesse de L. à M. le Comte de R</i>. (1785);
<i>Lettres de Mlle. de Tourville à Madame la Comtesse de Lénoncourt</i>
(1788); <i>L'Oreille, conte Asiatique</i> (1789).<br>
<a href="#fru4">return</a><br>
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<hr><br><br>

<a name="L374"></a><h3>374&mdash;to John Galt<a href="#fu11"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Dec. 11, 1813.<br>
<br><br>

My dear Galt,&mdash;There was no offence&mdash;there <i>could</i> be none. I
thought it by no means impossible that we might have hit on something
similar, particularly as you are a dramatist, and was anxious to assure
you of the truth, viz., that I had not wittingly seized upon plot,
sentiment, or incident; and I am very glad that I have not in any
respect trenched upon your subjects. Something still more singular is,
that the <i>first</i> part, where you have found a coincidence in some
events within your observations on <i>life</i>, was <i>drawn</i> from
<i>observations</i> of mine also, and I meant to have gone on with the
story, but on <i>second</i> thoughts, I thought myself <i>two
centuries</i> at least too late for the subject; which, though admitting
of very powerful feeling and description, yet is not adapted for this
age, at least this country, though the finest works of the Greeks, one
of Schiller's and Alfieri's in modern times, besides several of our
<i>old</i> (and best) dramatists, have been grounded on incidents of a
similar cast. I therefore altered it as you perceive, and in so doing
have weakened the whole, by interrupting the train of thought: and in
composition I do not think <i>second</i> thoughts are the best, though
<i>second</i> expressions may improve the first ideas.<br>
<br>
I do not know how other men feel towards those they have met abroad, but
to me there seems a kind of tie established between all who have met
together in a foreign country, as if we had met in a state of
pre-existence, and were talking over a life that has ceased: but I
always look forward to renewing my travels; and though <i>you</i>, I
think, are now stationary, if I can at all forward your pursuits
<i>there</i> as well as here, I shall be truly glad in the opportunity.<br>
<br>
Ever yours very sincerely, B.<br>
<br>
P. S.&mdash;I leave town for a day or two on Monday, but after that I am
always at home, and happy to see you till half-past two.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; For John Galt, see <i>Letters</i>, vol. i. p. 243 [Footnote
1 of Letter 130], and vol. ii. p. 101, <a href="#fd61"><i>note</i></a> 1. Galt wrote to Byron in 1813, pointing out that "there was
a remarkable coincidence in the story" (of <i>The Bride of Abydos</i>)
"with a matter in which I had been interested" (<i>Life of Byron</i>, p.
180, ed. 1830). Byron, imagining himself charged with plagiarism, wrote
a somewhat angry reply, to which Gait answered by stating that the
coincidence was not one of ideas, sentiment, or story, but of real fact.
He received the above answer (<i>Life of Byron</i>, pp. 181, 182).<br>
<br>
On this poem Byron seems to have been particularly sensitive. He is
accused of borrowing the opening lines from Mignon's song in Goethe's
<i>Wilhelm Meister</i>:

 <blockquote> "Kennst du das Land wo die Citronen blühn?"</blockquote>

Cyrus Redding (<i>Yesterday and To-day</i>, vol. ii. pp. 14, 15)
suggests that Byron used the translation of the poem which he himself
had made and published in 1812 or 1813.<br>
<br>
Byron was also charged with pilfering them from Madame de Staël.

 <blockquote> "Do you know de Staël's lines?" he asked Lady Blessington
  (<i>Conversations</i>, pp. 326, 327); "for if I am a thief, she must
  be the plundered, as I don't read German and do French: yet I could
  almost swear that I never saw her verses when I wrote mine, nor do I
  even now remember them. I think the first began with 'Cette terre,'
  etc., etc.; but the rest I forget. As you have a good memory, perhaps
  you would repeat them."<br>
<br>
  "I did so," says Lady Blessington, "and they are as follows:

    <blockquote>'Cette terre, où les myrtes fleurissent,<br>
    Où les rayons des cieux tombent avec amour,<br>
    Où des sons enchanteurs dans les airs retentissent,<br>
    Où la plus douce nuit succéde au plus beau jour,' etc."</blockquote></blockquote>
<a href="#L374">return to footnote mark</a><br>
<br>
<p><a href="#lp13">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L375"></a><h3>375&mdash;to John Murray</h3>
<br>
Decr. y'r 14th, 1813.<br>
<br><br>

Deare Sir,&mdash;Send y'e E'r of ye new R'w a copy as he hath had y'e trouble
of two walks on y't acct.<br>
<br>
As to the man of the <i>Satirist</i>&mdash;I hope you have too much spirit to
allow a single Sheet to be offered as a peace offering to him or any
one. If you <i>do</i>, expect <i>never</i> to be <i>forgiven</i> by
me&mdash;if he is not personal he is quite welcome to his opinion&mdash;and if he
is, I have my own remedy.<br>
<br>
Send a copy <i>double</i> to Dr. Clarke (y'e traveller) Cambrigge by y'e
first opportunitie&mdash;and let me see you in y'e morninge y't I may mention
certain thinges y'e which require sundrie though slight alterations.<br>
<br>
Sir, your Servitor, <br>
Biroñ<br>
<br>
<p><a href="#lp13">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L376"></a><h3>376&mdash;to Thomas Ashe<a href="#fu21"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
4, Bennet Street, St. James's, Dec. 14, 1813.<br>
<br><br>

Sir,&mdash;I leave town for a few days to-morrow. On my return, I will answer
your letter more at length.<br>
<br>
Whatever may be your situation, I cannot but commend your resolution to
abjure and abandon the publication and composition of works such as
those to which you have alluded. Depend upon it they amuse <i>few</i>,
disgrace both <i>reader</i> and <i>writer</i>, and benefit <i>none</i>.
It will be my wish to assist you, as far as my limited means will admit,
to break such a bondage. In your answer, inform me what sum you think
would enable you to extricate yourself from the hands of your employers,
and to regain, at least, temporary independence, and I shall be glad to
contribute my mite towards it. At present, I must conclude. Your name is
not unknown to me, and I regret, for your own sake, that you have ever
lent it to the works you mention. In saying this, I merely repeat your
<i>own words</i> in your letter to me, and have no wish whatever to say
a single syllable that may appear to insult your misfortunes. If I have,
excuse me; it is unintentional.<br>
<br>
Yours, etc.,<br>
<br>
<b>Byron</b>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Thomas Ashe (1770-1835) had already written books of travel
in North and South America, and two novels&mdash;<i>The Spirit of "The
Book</i>"(1811), and <i>The Liberal Critic, or Henry Percy</i> (1812). He
was a man of more ability than character, but possessed little of
either. His <i>Memoirs</i> (1815) describe his literary undertakings,
one at least of which was of a blackmailing kind, and are interspersed
with protestations of his desire for independence, and of regrets for
the wretched stuff that dropped from his pen.<br>
<br>
His first novel, <i>The Spirit of "The Book,"</i> gained some success
from its subject. In 1806-7 Lady Douglas brought certain charges against
the Princess of Wales, which were answered on her behalf by Spencer
Perceval. The extraordinary secrecy with which this defence, called "The
Book," was printed, and its complete suppression, excited curiosity,
which was increased by the following advertisement in the <i>Times</i>
for March 27, 1809:

 <blockquote> "'A Book'&mdash;Any Person having in their possession a COPY of a CERTAIN
  BOOK, printed by Mr. Edwards, in 1807, but <i>never published</i>,
  with W. Lindsell's Name as the Seller of the same on the title page,
  and will bring it to W. Lindsell, Bookseller, Wimpole-Street, will
  receive a handsome gratuity."</blockquote>

The subject-matter of this book, then unknown to the public, Ashe
professes to embody in <i>The Spirit of "The Book;" or, Memoirs of
Caroline, Princess of Hasburgh, a Political and Amatory Romance</i> (3
vols., 1811). The letters, which purport to be written from Caroline to
Charlotte, and contain (vol. ii. pp. 152-181) an attack on the Lady
Jersey, who attended the princess, are absolutely dull, and scarcely
even indecent.<br>
<br>
Ashe's <i>Memoirs and Confessions</i> (3 vols., 1815) are dedicated to
the Duke of Northumberland and to Byron, to whom, in a preface written
at Havre, he acknowledges his "transcendent obligations."<br>
<a href="#L376">return to footnote mark</a><br>
<br>
<p><a href="#lp13">List of Letters</a><br>
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<hr><br><br>

<a name="L377"></a><h3>377&mdash;to Professor Clarke<a href="#fu31"><span style="font-size: 70%;"><sup>1</sup></span></a></h3>
<br>
Dec. 15, 1813.<br>
<br><br>

Your very kind letter is the more agreeable, because, setting aside
talents, judgment, and the <i>laudari a laudato</i>, etc., you have been
on the spot; you have seen and described more of the East than any of
your predecessors&mdash;I need not say how ably and successfully; and (excuse
the bathos) you are one of the very few men who can pronounce how far my
costume (to use an affected but expressive word) is correct. As to
poesy, that is, as "men, gods, and columns," please to decide upon it;
but I am sure that I am anxious to have an observer's, particularly a
famous observer's, testimony on the fidelity of my manners and dresses;
and, as far as memory and an oriental twist in my imagination have
permitted, it has been my endeavour to present to the Franks, a sketch
of that of which you have and will present them a complete picture. It
was with this notion, that I felt compelled to make my hero and heroine
relatives, as you well know that none else could there obtain that
degree of intercourse leading to genuine affection; I had nearly made
them rather too much akin to each other; and though the wild passions of
the East, and some great examples in Alfieri, Ford, and Schiller (to
stop short of antiquity), might have pleaded in favour of a copyist, yet
the time and the north (not Frederic, but our climate) induced me to
alter their consanguinity and confine them to cousinship. I also wished
to try my hand on a female character in Zuleika, and have endeavoured,
as far as the grossness of our masculine ideas will allow, to preserve
her purity without impairing the ardour of her attachment.<br>
<br>
As to criticism, I have been reviewed about a hundred and fifty
times&mdash;praised and abused. I will not say that I am become indifferent
to either eulogy or condemnation, but for some years at least I have
felt grateful for the former, and have never attempted to answer the
latter. For success equal to the first efforts, I had and have no hope;
the novelty was over, and the "Bride," like all other brides, must
suffer or rejoice for and with her husband. By the bye, I have used
"bride" Turkishly, as affianced, not married; and so far it is an
English bull, which, I trust, will be at least a comfort to all
Hibernians not bigotted to monopoly. You are good enough to mention your
quotations in your third volume. I shall not only be indebted to it for
a renewal of the high gratification received from the two first, but for
preserving my relics embalmed in your own spices, and ensuring me
readers to whom I could not otherwise have aspired.<br>
<br>
I called on you, as bounden by duty and inclination, when last in your
neighbourhood; but I shall always take my chance; you surely would not
have me inflict upon you a formal annunciation; I am proud of your
friendship, but not so fond of myself as to break in upon your better
avocations. I trust that Mrs. Clarke is well; I have never had the
honour of presentation, but I have heard so much of her in many
quarters, that any notice she is pleased to take of my productions is
not less gratifying than my thanks are sincere, both to her and you; by
all accounts I may safely congratulate you on the possession of "a
bride" whose mental and personal accomplishments are more than poetical.<br>
<br>
P. S.&mdash;Murray has sent, or will send, a double copy of the <i>Bride</i>
and <i>Giaour</i>; in the last one, some lengthy additions; pray accept
them, according to old custom, "from the author" to one of his better
brethren. Your Persian, or any memorial, will be a most agreeable, and
it is my fault if not an useful present. I trust your third will be out
before I sail next month; can I say or do anything for you in the
Levant? I <a name="fru32">am</a> now in all the agonies of equipment, and full of schemes,
some impracticable, and most of them improbable; but I mean to fly
"freely to the green earth's end,"<a href="#fu32"><sup>2</sup></a> though not quite so fast as
Milton´s sprite.<br>
<br>
P. S. 2nd.&mdash;I have so many things to say.&mdash;I want to show you Lord
Sligo's letter to me detailing, as he heard them on the spot, the
Athenian account of our adventure (a personal one), which certainly
first suggested to me the story of <i>The Giaour</i>. It was a strange
and not a very long story, and his report of the reports (he arrived
just after my departure, and I did not know till last summer that he
knew anything of the matter) is not very far from the truth. Don't be
alarmed. There was nothing that led further than to the water's edge;
but one part (as is often the case in life) was more singular than any
of the <i>Giaour's</i> adventures. I never have, and never should have,
alluded to it on my own authority, from respect to the ancient proverb
on Travellers.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Dr. Clark, in October, 1814, was a candidate for the
Professorship of Anatomy, and Byron went to Cambridge to vote for his
friend. Writing to Miss Tayler, Hodgson (<i>Memoir</i>, vol. i. p. 292)
adds a postscript:

  <blockquote>"I open my letter to say that when Lord Byron went to give his vote
  just now in the Senate House, the young men burst out into the most
  rapturous applause."</blockquote>

The next day he writes again:

 <blockquote> "I should add that as I was going to vote I met him coming away, and
  presently saw that something had happened, by his extreme paleness and
  agitation. Dr. Clark, who was with him, told me the cause, and I
  returned with B. to my room. There I begged him to sit down and write
  a letter and communicate this event, which he did not feel up to, but
  wished <i>I</i> would. So down I sate, and commenced my acquaintance
  with Miss Milbanke by writing her an account of this most pleasing
  event, which, although nothing at Oxford, is here very unusual indeed."</blockquote>

The following was Miss Milbanke's answer (<i>ibid</i>., pp. 296, 297),
dated, "Seaham, November 25, 1814:"

  <blockquote>"Dear Sir,&mdash;It will be easier for you to imagine than for me to
  express the pleasure which your very kind letter has given me. Not
  only on account of its gratifying intelligence, but also as
  introductory to an acquaintance which I have been taught to value, and
  have sincerely desired. Allow me to consider Lord Byron's friend as
  not 'a stranger,' and accept, with my sincerest thanks, my best wishes
  for your own happiness.<br>
<br>
  I am, dear sir, your faithful servant,<br>
<br>
  A. I. MlLBANKE."</blockquote>
<a href="#L377">return to footnote mark</a><br>
<br>
<br>
<a name="fu32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The Spirit in Milton´s <i>Comus, a Mask</i> (lines 1012,
1013), says:

 <blockquote> "I can fly, or I can run<br>
  Quickly to the green earth´s end."</blockquote>
<a href="#fru32">return</a><br>
<br>
<p><a href="#lp14">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L378"></a><h3>378&mdash;to Leigh Hunt</h3>
<br>
Dec. 22, 1813.<br><br>

<br>
My Dear Sir,&mdash;I am indeed "in your debt,"&mdash;and, what is still worse, am
obliged to follow <i>royal</i> example (he has just apprised <i>his</i>
creditors that they must wait till the next meeting), and intreat your
indulgence for, I hope, a very short time. The nearest relation and
almost the only friend I possess, has been in London for a week, and
leaves it tomorrow with me for her own residence. I return immediately;
but we meet so seldom, and are so <i>minuted</i> when we meet at all,
that I give up all engagements till <i>now</i>, without reluctance. On
my return, I must see you to console myself for my past disappointment.
I should feel highly honoured in Mr. B.'s permission to make his
acquaintance, and <i>there</i> you are in <i>my</i> debt; for it is a
promise of last summer which I still hope to see performed. Yesterday I
had a letter from Moore; you have probably heard from him lately; but if
not, you will be glad to learn that he is the same in heart, head, and
health.<br>
<br>
<p><a href="#lp14">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="L379"></a><h3>379&mdash;to John Murray</h3>
<br>
December 27, 1813.<br>
<br><br>

Lord Holland is laid up with the gout, and would feel very much obliged
if you could obtain, and send as soon as possible, Madame D'Arblay's (or
even Miss Edgeworth's) new work. I know they are not out; but it is
perhaps possible for your <i>Majesty</i> to command what we cannot with
much suing purchase, as yet. I need not say that when you are able or
willing to confer the same favour on me, I shall be obliged. I would
almost fall sick myself to get at Madame D'Arblay's writings.<br>
<br>
P. S.&mdash;<a name="fru41">You</a> were talking to-day of the American E'n of a certain
unquenchable memorial of my younger days<a href="#fu41"><sup>1</sup></a>. As it can't be helped now,
I own I have some curiosity to see a copy of transatlantic typography.
This you will perhaps obtain, and one for yourself; but I must beg that
you will not <i>import more</i>, because, <i>seriously</i>, I <i>do
wish</i> to have that thing forgotten as much as it has been forgiven.<br>
<br>
If you send to the <i>Globe</i> E'r, say that I want neither excuse nor
contradiction, but merely a discontinuance of a most ill-grounded
charge. I never was consistent in any thing but my politics; and as my
redemption depends on that solitary virtue, it is murder to carry away
my last anchor.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>English Bards, and Scotch Reviewers</i>.<br>
<a href="#fru41">return to footnote mark</a><br>
<br>
<p><a href="#lp14">List of Letters</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="section5"></a><h2>Chapter VIII&mdash;Journal: November 14, 1813-April 19, 1814</h2>
<br>
If this had been begun ten years ago, and faithfully kept!!!&mdash;heigho!
there are too many things I wish never to have remembered, as it is.
Well,&mdash;I have had my share of what are called the pleasures of this
life, and have seen more of the European and Asiatic world than I have
made a good use of. They say "Virtue is its own reward,"&mdash;it certainly
should be paid well for its trouble. At five-and-twenty, when the better
part of life is over, one should be <i>something</i>;&mdash;and what am I?
nothing but five-and-twenty&mdash;and the odd months. What have I seen? the
same man all over the world,&mdash;ay, and woman too. Give <i>me</i> a
Mussulman who never asks questions, and a she of the same race who saves
one the trouble of putting them. But for this same plague&mdash;yellow
fever&mdash;and Newstead delay, I should have been by this time a second time
close to the Euxine. If I can overcome the last, I don't so much mind
your pestilence; and, at any rate, the spring shall see me
there,&mdash;provided I neither marry myself, nor unmarry any one else in the
interval. I wish one was&mdash;I don't know what I wish. It is odd I never
set myself seriously to wishing without attaining it&mdash;and repenting. I
begin to believe with the good old Magi, that one should only pray for
the nation, and not for the individual;&mdash;but, on my principle, this
would not be very patriotic.<br>
<br>
No more reflections.&mdash;Let me see&mdash;last night I finished "Zuleika," my
second Turkish Tale. I <a name="fru51">believe</a> the composition of it kept me alive&mdash;for
it was written to drive my thoughts from the recollection of:

<blockquote>"Dear sacred name, rest ever unreveal'd."<a href="#fu51"><sup>1</sup></a></blockquote>

At least, even here, my hand would tremble to write it. This afternoon I
have burnt the scenes of my commenced comedy. I have some idea of
expectorating a romance, or rather a tale in prose;&mdash;<a name="fru52">but</a> what romance
could equal the events:

<blockquote>"quæque ipse......vidi,<br>
Et quorum pars magna fui."<a href="#fu52"><sup>2</sup></a></blockquote>

<a name="fru53">To-day</a> Henry Byron<a href="#fu53"><sup>3</sup></a> called on me with my little cousin Eliza. She
will grow up a beauty and a plague; but, in the mean time, it is the
prettiest child! dark eyes and eyelashes, black and long as the wing of
a raven. I think she is prettier even than my niece, Georgina,&mdash;yet I
don't like to think so neither: and though older, she is not so clever.<br>
<br>
Dallas <a name="fru54">called</a> before I was up, so we did not meet. Lewis<a href="#fu54"><sup>4</sup></a>, too,&mdash;who
seems out of humour with every thing.<br>
<br>
What can be the matter? he is not married&mdash;has he lost his own mistress,
or any other person's wife? Hodgson, too, came. He is going to be
married, and he is the kind of man who will be the happier. He has
talent, cheerfulness, every thing that can make him a pleasing
companion; and his intended is handsome and young, and all that. But I
never see any one much improved by matrimony. All my coupled
contemporaries are bald and discontented. W[ordsworth] and S[outhey]
have both lost their hair and good humour; and the last of the two had a
good deal to lose. But it don't much signify what falls <i>off</i> a
man's temples in that state.<br>
<br>
Mem. I must get a toy to-morrow for Eliza, and send the device for the
seals of myself and &mdash;&mdash;<a name="fru55">Mem</a>. too, to call on the Stael and Lady Holland
to-morrow, and on &mdash;&mdash;, who has advised me (without seeing it, by the
by) not to publish "Zuleika;"<a href="#fu55"><sup>5</sup></a> I believe he is right, but experience
might have taught him that not to print is <i>physically</i> impossible.
No one has seen it but Hodgson and Mr. Gifford. I never in my life
<i>read</i> a composition, save to Hodgson, as he pays me in kind. It is
a horrible thing to do too frequently;&mdash;better print, and they who like
may read, and if they don't like, you have the satisfaction of knowing
that they have, at least, <i>purchased</i> the right of saying so.<br>
<br>
I <a name="fru56">have</a> declined presenting the Debtors' Petition<a href="#fu56"><sup>6</sup></a>, being sick of
parliamentary mummeries. I have spoken thrice; but I doubt my ever
becoming an orator. My first was liked; the second and third&mdash;I don't
know whether they succeeded or not. I have never yet set to it <i>con
amore</i>;&mdash;one must have some excuse to one's self for laziness, or
inability, or both, and this is mine. "<a name="fru57">Company</a>, villanous company, hath
been the spoil of me;"<a href="#fu57"><sup>7</sup></a>&mdash;and then, I "have drunk medicines," not to
make me love others, but certainly enough to hate myself.<br>
<br>
Two nights ago I saw the tigers sup at Exeter 'Change. Except Veli
Pacha's lion in the Morea,&mdash;who followed the Arab keeper like a
dog,&mdash;the fondness of the hyæna for her keeper amused me most. Such a
conversazione! &mdash;There was a "hippopotamus," like Lord Liverpool in the
face; and the "Ursine Sloth" had the very voice and manner of my
valet&mdash;but the tiger talked too much. The elephant took and gave me my
money again&mdash;took off my hat&mdash;opened a door&mdash;<i>trunked</i> a whip&mdash;and
behaved so well, that I wish he was my butler. The handsomest animal on
earth is one of the panthers; but the poor antelopes were dead. I should
hate to see one <i>here:</i>&mdash; the sight of the <i>camel</i> made me
pine again for Asia Minor. <i>"Oh quando te aspiciam?</i>"<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Dear fatal name! rest ever unrevealed,<br>
  Nor pass these lips in holy silence sealed."</blockquote>

Pope's <i>Eloisa to Abelard</i>, lines 9, 10.<br>
<a href="#fru51">return to footnote mark</a><br>
<br>
<br>
<a name="fu52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Virgil, <i>Æneid</i>, ii. 5:

 <blockquote> ". ... qu&oelig;que ipse miserrima vidi<br>
  Et quorum pars magna fui."</blockquote>
<a href="#fru52">return</a><br>
<br>
<br>
<a name="fu53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; The Rev. Henry Byron, second son of the Rev. and Hon.
Richard Byron, and nephew of William, fifth Lord Byron, died in 1821.
His daughter Eliza married, in 1830, George Rochford Clarke. Byron's
"niece Georgina" was the daughter of Mrs. Leigh.<br>
<a href="#fru53">return</a><br>
<br>
<br>
<a name="fu54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;Matthew Gregory Lewis (1775-1818), intended by his father
for the diplomatic service, was educated at Westminster and Christ
Church, Weimar, and Paris. He soon showed his taste for literature. At
the age of seventeen he had translated a play from the French, and
written a farce, a comedy called <i>The East Indian</i> (acted at Drury
Lane, April 22, 1799), "two volumes of a novel, two of a romance,
besides numerous poems" (<i>Life, etc., of M. G. Lewis</i>, vol. i. p.
70). In 1794 he was attached to the British Embassy at the Hague. There,
stimulated (<i>ibid</i>., vol. i. p. 123) by reading Mrs. Radcliffe's
<i>Mysteries of Udolpho</i>, he wrote <i>Ambrosio, or the Monk</i>. The
book, published in 1795, made him famous in fashionable society, and
decided his career. Though he sat in Parliament for Hindon from 1796 to
1802, he took no part in politics, but devoted himself to literature.<br>
<br>
The moral and outline of <i>The Monk</i> are taken, as Lewis says in a
letter to his father (<i>Life, etc.</i>, vol. i. pp. 154-158), and as
was pointed out in the <i>Monthly Review</i> for August, 1797, from
Addison's "Santon Barsisa" in the <i>Guardian</i> (No. 148). The book
was severely criticized on the score of immorality. Mathias (<i>Pursuits
of Literature</i>, Dialogue iv.) attacks Lewis, whom he compares to John
Cleland, whose <i>Memoirs of a Woman of Pleasure</i> came under the
notice of the law courts:

  <blockquote>"Another Cleland see in Lewis rise.<br>
  Why sleep the ministers of truth and law?"</blockquote>

An injunction was, in fact, moved for against the book; but the
proceedings dropped.<br>
<br>
Lewis had a remarkable gift of catching the popular taste of the day,
both in his tales of horror and mystery, and in his ballads. In the
latter he was the precursor of Scott. Many of his songs were sung to
music of his own composition. His <i>Tales of Terror</i> (1799) were
dedicated to Lady Charlotte Campbell, afterwards Bury, with whom he was
in love. To his <i>Tales of Wonder</i> (1801) Scott, Southey, and others
contributed. His most successful plays were <i>The Castle Spectre</i>
(Drury Lane, December 14, 1797), and <i>Timour the Tartar</i> (Covent
Garden, April 29, 1811).<br>
<br>
In 1812, by the death of his father, "the Monk" became a rich man, and
the owner of plantations in the West Indies. He paid two visits to his
property, in 1815-16 and 1817-18. On the voyage home from the last visit
he died of yellow fever, and was buried at sea. His <i>Journal of a West
Indian Proprietor</i>, published in 1834, is written in sterling
English, with much quiet humour, and a graphic power of very high order.<br>
<br>
Among his <i>Detached Thoughts</i> Byron has the following notes on
Lewis:

  <blockquote>"Sheridan was one day offered a bet by M. G. Lewis: 'I will bet you,
  Mr. Sheridan, a very large sum&mdash;I will bet you what you owe me as
  Manager, for my <i>Castle Spectre</i>.'<br>
<br>
  'I never make <i>large bets</i>,' said Sheridan, 'but I will lay you a
  <i>very small</i> one. I will bet you <i>what it is</i> <b>worth</b>!'"<br>
<br>
  "Lewis, though a kind man, hated Sheridan, and we had some words upon
  that score when in Switzerland, in 1816. Lewis afterwards sent me the
  following epigram upon Sheridan from Saint Maurice:

   <blockquote> "'For worst abuse of finest parts<br>
    Was Misophil begotten;<br>
    There might indeed be <i>blacker</i> hearts,<br>
    But none could be more <i>rotten</i>.'"</blockquote>

  Lewis at Oatlands was observed one morning to have his eyes red, and
  his air sentimental; being asked why? he replied 'that when people
  said anything <i>kind</i> to him, it affected him deeply, and just now
  the Duchess had said something so kind to him' &mdash;here tears began to
  flow again. 'Never mind, Lewis,' said Col. Armstrong to him, 'never
  mind&mdash;don't cry, <i>she could not mean it</i>.'<br>
<br>
  "Lewis was a good man&mdash;a clever man, but a bore&mdash;a damned bore, one
  may say. My only revenge or consolation used to be setting him by the
  ears with some vivacious person who hated bores especially&mdash;Me. de
  Staël or Hobhouse, for example. But I liked Lewis; he was a Jewel of a
  Man had he been better set, I don't mean <i>personally</i>, but less
  <i>tiresome</i>, for he was tedious, as well as contradictory to
  everything and everybody. Being short-sighted, when we used to ride
  out together near the Brenta in the twilight in summer, he made me go
  <i>before</i> to pilot him. I am absent at times, especially towards
  evening, and the consequence of this pilotage was some narrow escapes
  to the Monk on horseback. Once I led him into a ditch, over which I
  had passed as usual, forgetting to warn my convoy; once I led him
  nearly into the river instead of on the <i>moveable</i> bridge which
  <i>in</i>commodes passengers; and twice did we both run against the
  diligence, which, being heavy and slow, did communicate less damage
  than it received in its leaders, who were <i>terrasséd</i> by the
  charge. Thrice did I lose him in the gray of the gloaming and was
  obliged to bring to, to his distant signals of distance and distress.
  All the time he went on talking without intermission, for he was a man
  of many words. Poor fellow, he died a martyr to his new riches&mdash; of a
  second visit to Jamaica.

    <blockquote>'I'd give the lands of Deloraine<br>
    Dark Musgrave were alive again!'<br>
      <i>that is</i><br>
    'I would give many a Sugar Cane<br>
    Monk Lewis were alive again!'</blockquote>

  "Lewis said to me, 'Why do you talk <i>Venetian</i> (such as I could
  talk, not very fine to be sure) to the Venetians, and not the usual
  Italian?' I answered, partly from habit and partly to be understood,
  if possible. 'It may be so,' said Lewis, 'but it sounds to me like
  talking with a <i>brogue</i> to an <i>Irishman</i>.'"</blockquote>

In a MS. note by Sir Walter Scott on these passages from Byron's
<i>Detached Thoughts</i>, he says,

  <blockquote>"Mat had queerish eyes; they projected like those of some insect, and
  were flattish in their orbit. His person was extremely small and
  boyish; he was, indeed, the least man I ever saw to be strictly well
  and neatly made. I remember a picture of him by Saunders being handed
  round at Dalkeith House. The artist had ungenerously flung a dark
  folding mantle round the form, under which was half hid a dagger, or
  dark lanthorn, or some such cut-throat appurtenance. With all this the
  features were preserved and ennobled. It passed from hand to hand into
  that of Henry, Duke of Buccleuch, who, hearing the general voice
  affirm that it was very like, said aloud, 'Like Mat Lewis? Why, that
  picture is like a <i>man</i>.' He looked, and lo! Mat Lewis's head was
  at his elbow. His boyishness went through life with him. He was a
  child, and a spoiled child, but a child of high imagination, so that
  he wasted himself in ghost stories and German nonsense. He had the
  finest ear for the rhythm of verse I ever heard&mdash;finer than Byron's.<br>
<br>
  Lewis was fonder of great people than he ought to have been, either as
  a man of talent or a man of fortune. He had always dukes and duchesses
  in his mouth, and was particularly fond of any one who had a title.
  You would have sworn he had been a <i>parvenu</i> of yesterday, yet he
  had been all his life in good society.<br>
<br>
  He was one of the kindest and best creatures that ever lived. His
  father and mother lived separately. Mr. Lewis allowed his son a
  handsome income; but reduced it more than one half when he found that
  he gave his mother half of it. He restricted himself in all his
  expenses, and shared the diminished income with his mother as before.
  He did much good by stealth, and was a most generous creature.<br>
<br>
  I had a good picture drawn me, I think by Thos. Thomson, of Fox, in
  his latter days, suffering the fatigue of an attack from Lewis. The
  great statesman was become bulky and lethargic, and lay like a fat ox
  which for sometime endures the persecution of a buzzing fly, rather
  than rise to get rid of it; and then at last he got up, and heavily
  plodded his way to the other side of the room."</blockquote>

Referring to Byron's story of Lewis near the Brenta, Scott adds,

  <blockquote>"I had a worse adventure with Mat Lewis. I had been his guide from the
  cottage I then had at Laswade to the Chapel of Roslin. We were to go
  up one side of the river and come down the other. In the return he was
  dead tired, and, like the Israelites, he murmured against his guide
  for leading him into the wilderness. I was then as strong as a poney,
  and took him on my back, dressed as he was in his shooting array of a
  close sky-blue jacket, and the brightest <i>red</i> pantaloons I ever
  saw on a human breech. He also had a kind of feather in his cap. At
  last I could not help laughing at the ridiculous figure we must both
  have made, at which my rider waxed wroth. It was an ill-chosen hour
  and place, for I could have served him as Wallace did Fawden&mdash;thrown
  him down and twisted his head off. We returned to the cottage weary
  wights, and it cost more than one glass of Noyau, which he liked in a
  decent way, to get Mat's temper on its legs again."</blockquote>
<a href="#fru54">return</a><br>
<br>
<br>
<a name="fu55"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; <i>The Bride of Abydos</i> was originally called
<i>Zuleika</i>. <br>
<a href="#fru55">return</a><br>
<br>
<br>
<a name="fu56"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; The petition, directed against Lord Redesdale's Insolvent
Debtors Act, was presented by Romilly in the House of Commons, November
11, 1813, and by Lord Holland in the House of Lords, November 15, 1813.<br>
<a href="#fru56">return</a><br>
<a href="#fv64">cross-reference: return to Footnote 4 of Journal entry for December 1st, 1813</a><br>
<br>
<br>
<a name="fu57"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; <i>Henry IV.</i>, Part I. act in. sc. 3.<br>
<a href="#fru57">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov161813"></a><h3>November 16th, 1813</h3>
<br>
<a name="fru51">Went</a> last night with Lewis to see the first of <i>Antony and
Cleopatra</i><a href="#fu51"><sup>1</sup></a>. It was admirably got up, and well acted &mdash;a salad of
Shakspeare and Dryden. Cleopatra strikes me as the epitome of her
sex&mdash;fond, lively, sad, tender, teasing, humble, haughty, beautiful, the
devil!&mdash;coquettish to the last, as well with the "asp" as with Antony.
After doing all she can to persuade him that&mdash;but why do they abuse him
for cutting off that poltroon Cicero's head? <a name="fru52">Did</a> not Tully tell Brutus
it was a pity to have spared Antony? and did he not speak the
Philippics? and are not "<i>words things</i>?"<a href="#fu52"><sup>2</sup></a> and such
"<i>words</i>" very pestilent "<i>things</i>" too? If he had had a
hundred heads, they deserved (from Antony) a rostrum (his was stuck up
there) apiece&mdash;though, after all, he might as well have pardoned him,
for the credit of the thing. But to resume&mdash;Cleopatra, after securing
him, says, "yet go&mdash;it is your interest," etc.&mdash;how like the sex! and
the questions about Octavia&mdash;it is woman all over.<br>
<br>
To-day received Lord Jersey's invitation to Middleton &mdash;to travel sixty
miles to meet Madame De Stael! I once travelled three thousand to get
among silent people; and this same lady writes octavos, and <i>talks</i>
folios. I have read her books&mdash;like most of them, and delight in the
last; so I won't hear it, as well as read.<br>
<br>
Read Burns to-day. What would he have been, if a patrician? We should
have had more polish&mdash;less force&mdash;just as much verse, but no
immortality&mdash;a divorce and a duel or two, the which had he survived, as
his potations must have been less spirituous, he might have lived as
long as Sheridan, and outlived as much as poor Brinsley. What a wreck is
that man! and all from bad pilotage; for no one had ever better gales,
though now and then a little too squally. Poor dear Sherry! I shall
never forget the day he and Rogers and Moore and I passed together; when
<i>he</i> talked, and <i>we</i> listened, without one yawn, from six
till one in the morning.<br>
<br>
Got my seals &mdash;&mdash;. Have again forgot a play-thing for <i>ma petite
cousine</i> Eliza; but I must send for it to-morrow. I hope Harry will
bring her to me. I sent Lord Holland the proofs of the last
"<i>Giaour</i>" and "<i>The Bride of Abydos</i>" He won't like the
latter, and I don't think that I shall long. It was written in four
nights to distract my dreams from &mdash;&mdash;. Were it not thus, it had never
been composed; and had I not done something at that time, I must have
gone mad, by eating my own heart,&mdash;bitter diet;&mdash;Hodgson likes it better
than "<i>The Giaour</i>" but nobody else will,&mdash;and he never liked the
Fragment. I am sure, had it not been for Murray, <i>that</i> would never
have been published, though the circumstances which are the ground-work
make it &mdash;&mdash; heigh-ho!<br>
<br>
To-night I saw both the sisters of &mdash;&mdash;; my God! the youngest so like! I
thought I should have sprung across the house, and am so glad no one was
with me in Lady H.'s box. I <a name="fru53">hate</a> those likenesses&mdash;the mock-bird, but
not the nightingale&mdash;so like as to remind, so different as to be painful<a href="#fu53"><sup>3</sup></a>.<br>
<br>
One quarrels equally with the points of resemblance and of distinction.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Antony and Cleopatra</i> was revived at Covent Garden,
November 15, 1813, with additions from Dryden's <i>All for Love, or the
World Well Lost</i>(1678). "Cleopatra" was acted by Mrs. Fawcit; "Marc
Antony" by Young. (See for the allusions, act v. se. 2, and act i. sc.
3.)<br>
<a href="#fru51">return to footnote mark</a><br>
<br>
<br>
<a name="fu52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"But words are things; and a small drop of ink,<br>
  Falling, like dew, upon a thought, produces<br>
  That which makes thousands, perhaps millions, think."</blockquote>

<i>Don Juan</i>, Canto III. stanza lxxxviii.<br>
<a href="#fru52">return</a><br>
<br>
<br>
<a name="fu53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

 <blockquote> "&mdash;&mdash;-my weal, my woe,<br>
  My hope on high&mdash;my all below;<br>
  Earth holds no other like to thee,<br>
  Or, if it doth, in vain for me:<br>
  For worlds I dare not view the dame<br>
  Resembling thee, yet not the same."</blockquote>

<i>The Giaour</i>.<br>
<a href="#fru53">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov171813"></a><h3>November 17th, 1813</h3>
<br>
No letter from &mdash;&mdash;; but I must not complain. <a name="fru61">The</a> respectable Job says,
"Why should a <i>living man</i> complain?"<a href="#fu61"><sup>1</sup></a> I really don't know,
except it be that a <i>dead man</i> can't; and he, the said patriarch,
<i>did</i> complain, nevertheless, till his friends were tired and his
wife recommended that pious prologue,"Curse&mdash;and die;" the only time, I
suppose, when but little relief is to be found in swearing. I have had a
most kind letter from Lord Holland on "<i>The Bride of Abydos</i>,"
which he likes, and so does Lady H. This is very good-natured in both,
from whom I don't deserve any quarter. Yet I <i>did</i> think, at the
time, that my cause of enmity proceeded from Holland House, and am glad
I was wrong, and wish I had not been in such a hurry with that
confounded satire, of which I would suppress even the memory;&mdash;but
people, now they can't get it, make a fuss, I verily believe, out of
contradiction.<br>
<br>
<a name="fru62">George</a> Ellis<a href="#fu62"><sup>2</sup></a> and Murray have been talking something about Scott and
me, George <i>pro Scoto</i>,&mdash;and very right too. If they want to depose
him, I only wish they would not set me up as a competitor. Even if I had
my choice, I would rather be the Earl of Warwick than all the
<i>kings</i> he ever made! Jeffrey and Gifford I take to be the
monarch-makers in poetry and prose. The <i>British Critic</i>, in their
Rokeby Review, have presupposed a comparison which I am sure my friends
never thought of, and W. Scott's subjects are injudicious in descending
to. I like the man&mdash;and admire his works to what Mr. Braham calls
<i>Entusymusy</i>. All such stuff can only vex him, and do me no good.
Many hate his politics&mdash;(I hate all politics); and, here, a man's
politics are like the Greek <i>soul</i>&mdash;an <img src="images/BG11.gif" width="88" height="30" border="1" alt="Greek: eidolon">, besides
God knows what <i>other soul</i>; but their estimate of the two
generally go together.<br>
<br>
Harry has not brought <i>ma petite cousine</i>. I want us to go to the
play together;&mdash;she has been but once. Another short note from Jersey,
inviting Rogers and me on the 23d. I must see my agent to-night. I
wonder when that Newstead business will be finished. It cost me more
than words to part with it&mdash;and to <i>have</i> parted with it! What
matters it what I do? or what becomes of me?&mdash;but let me remember Job's
saying, and console myself with being "a living man."<br>
<br>
I wish I could settle to reading again,&mdash;my life is monotonous, and yet
desultory. I take up books, and fling them down again. I began a comedy,
and burnt it because the scene ran into <i>reality</i>;&mdash;a novel, for
the same reason. In rhyme, I can keep more away from facts; but the
thought always runs through, through ... yes, yes, through. I have had a
letter from Lady Melbourne&mdash;the best friend I ever had in my life, and
the cleverest of women.<br>
<br>
Not a word from &mdash;&mdash;[Lady F. W. Webster], Have they set out from  &mdash;&mdash;?
or has my last precious epistle fallen into the lion's jaws? <a name="fru63">If</a> so&mdash;and
this silence looks suspicious&mdash;I must clap on my "musty morion" and
"hold out my iron."<a href="#fu63"><sup>3</sup></a><br>
<br>
I am out of practice&mdash;but I won't begin again at Manton's now. Besides,
I would not return his shot. I was once a famous wafer-splitter; but
then the bullies of society made it necessary. Ever since I began to
feel that I had a bad cause to support, I have left off the exercise.<br>
<br>
<a name="fru64">What</a> strange tidings from that Anakim of anarchy&mdash;Buonaparte<a href="#fu64"><sup>4</sup></a>!<br>
<br>
Ever since I defended my bust of him at Harrow against the rascally
time-servers, when the war broke out in 1803, he has been a <i>Héros de
Roman</i> of mine&mdash;on the Continent; I don't want him here. But I don't
like those same flights&mdash;leaving of armies, etc., etc. I am sure when I
fought for his bust at school, I did not think he would run away from
himself. But I should not wonder if he banged them yet. To be beat by
men would be something; but by three stupid, legitimate-old-dynasty
boobies of regular-bred sovereigns&mdash;O-hone-a-rie!&mdash;O-hone-a-rie! It must
be, as Cobbett says, his marriage with the thick-lipped and thick-headed
<i>Autrichienne</i> brood. He had better have kept to her who was kept
by Barras. I <a name="fru65">never</a> knew any good come of your young wife, and legal
espousals, to any but your "sober-blooded boy" who "eats fish" and
drinketh "no sack."<a href="#fu65"><sup>5</sup></a> Had he not the whole opera? all Paris? all
France? But a mistress is just as perplexing&mdash;that is, <i>one</i>&mdash;two
or more are manageable by division.<br>
<br>
I have begun, or had begun, a song, and flung it into the fire. <a name="fru66">It</a> was
in remembrance of Mary Duff<a href="#fu66"><sup>6</sup></a>, my first of flames, before most people
begin to burn. I wonder what the devil is the matter with me! I can do
nothing, and&mdash;fortunately there is nothing to do. It <a name="fru67">has</a> lately been in
my power to make two persons (and their connections) comfortable, <i>pro
tempore</i>, and one happy, <i>ex tempore</i>,&mdash;I rejoice in the last
particularly, as it is an excellent man<a href="#fu67"><sup>7</sup></a>. I wish there had been more
convenience and less gratification to my self-love in it, for then there
had been more merit. We are all selfish&mdash;and I believe, ye gods of
Epicurus! I <a name="fru68">believe</a> in Rochefoucault about <i>men</i>, and in Lucretius
(not Busby's translation) about yourselves<a href="#fu68"><sup>8</sup></a>. Your bard has made you
very <i>nonchalant</i> and blest; but as he has excused <i>us</i> from
damnation, I don't envy you your blessedness much&mdash;a little, to be sure.
I remember, last year, &mdash;&mdash; [Lady Oxford] said to me, at &mdash;&mdash; [Eywood],
"Have we not passed our last month like the gods of Lucretius?" And so
we had. She is an adept in the text of the original (which I like too);
and when that booby Bus. sent his translating prospectus, she
subscribed. But, the devil prompting him to add a specimen, she
transmitted him a subsequent answer, saying, that "after perusing it,
her conscience would not permit her to allow her name to remain on the
list of subscribblers." <a name="fru69">Last</a> night, at Lord H.'s&mdash;Mackintosh, the
Ossulstones, Puységur<a href="#fu69"><sup>9</sup></a>, etc., there&mdash;I was trying to recollect a
quotation (as <i>I</i> think) of Stael's, from some Teutonic sophist
about architecture. "Architecture," says this Macoronico Tedescho,
"reminds me of frozen music." It is somewhere&mdash;but where?&mdash;the demon of
perplexity must know and won't tell. I asked M., and he said it was not
in her: but Puységur said it must be <i>hers</i>, it was so <i>like</i>.
H. laughed, as he does at all "<i>De l'Allemagne</i>"&mdash;in which,
however, I think he goes a little too far. B., I hear, contemns it too.
But there are fine passages;&mdash;and, after all, what is a work&mdash;any&mdash;or
every work&mdash;but a desert with fountains, and, perhaps, a grove or two,
every day's journey? To be sure, in Madame, what we often mistake, and
"pant for," as the "cooling stream," turns out to be the "<i>mirage</i>"
(criticè <i>verbiage</i>); but we do, at last, get to something like the
temple of Jove Ammon, and then the waste we have passed is only
remembered to gladden the contrast.<br>
<br>
Called on C&mdash;, to explain &mdash;&mdash;. She is very beautiful, to my taste, at
least; for on coming home from abroad, I recollect being unable to look
at any woman but her&mdash;they were so fair, and unmeaning, and
<i>blonde</i>. The darkness and regularity of her features reminded me
of my "Jannat al Aden." But this impression wore off; and now I can look
at a fair woman, without longing for a Houri. She was very
good-tempered, and every thing was explained.<br>
<br>
To-day, great news&mdash;"the Dutch have taken Holland,"&mdash;which, I suppose,
will be succeeded by the actual explosion of the Thames. Five provinces
have declared for young Stadt, and there will be inundation,
conflagration, constupration, consternation, and every sort of nation
and nations, fighting away, up to their knees, in the damnable quags of
this will-o'-the-wisp abode of Boors. It is said Bernadotte is amongst
them, too; and, as Orange will be there soon, they will have (Crown)
Prince Stork and King Log in their Loggery at the same time. Two to one
on the new dynasty!<br>
<br>
Mr. Murray has offered me one thousand guineas for <i>The Giaour</i> and
<i>The Bride of Abydos</i>. I won't&mdash;it is too much, though I am
strongly tempted, merely for the <i>say</i> of it. No bad price for a
fortnight's (a week each) what?&mdash;the gods know&mdash;it was intended to be
called poetry.<br>
<br>
I <a name="fru70">have</a> dined regularly to-day, for the first time since Sunday
last&mdash;this being Sabbath, too. All the rest, tea and dry biscuits&mdash;six
<i>per diem</i>. I wish to God I had not dined now!&mdash;It kills me with
heaviness, stupor, and horrible dreams; and yet it was but a pint of
Bucellas, and fish<a href="#fu70"><sup>10</sup></a>. Meat I never touch,&mdash;nor much vegetable diet. I
wish I were in the country, to take exercise,&mdash;instead of being obliged
to <i>cool</i> by abstinence, in lieu of it. I should not so much mind a
little accession of flesh,&mdash;my bones can well bear it. But the worst is,
the devil always came with it,&mdash;till I starved him out,&mdash;and I will
<i>not</i> be the slave of <i>any</i> appetite. If I do err, it shall be
my heart, at least, that heralds the way. Oh, my head&mdash;how it
aches?&mdash;the horrors of digestion! I wonder how Buonaparte's dinner
agrees with him?<br>
<br>
<a name="fru71">Mem</a>. I must write to-morrow to "Master Shallow, who owes me a thousand
pounds,"<a href="#fu71"><sup>11</sup></a> and seems, in his letter, afraid I should ask him for it<a href="#fu72"><sup>12</sup></a>;&mdash;as if I would!&mdash;I don't want it (just now, at least,) to begin
with; and though I have often wanted that sum, I never asked for the
repayment of £10 in my life&mdash;from a friend. His bond is not due this
year, and I told him when it was, I should not enforce it. How often
must he make me say the same thing?<br>
<br>
I <a name="fru73">am</a> wrong&mdash;I did once ask &mdash;&mdash; <a href="#fu73"><sup>13</sup></a> to repay me. But it was under
circumstances that excused me <i>to him</i>, and would to any one. I
took no interest, nor required security. He paid me soon,&mdash;at least, his
<i>padre</i>. My head! I believe it was given me to ache with. Good even.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <blockquote>"Wherefore doth a living man complain?"</blockquote> (<i>Lam</i>. iii. 39).<br>
<a href="#fru61">return to footnote mark</a> <br>
<br>
<br>
<a name="fu62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; George Ellis (1753-1815), a contributor to the
<i>Rolliad</i> and the <i>Anti-Jacobin</i>, and "the first converser"
Walter Scott "ever knew."<br>
<a href="#fru62">return</a><br>
<br>
<br>
<a name="fu63"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

 <blockquote> "I dare not fight; but I will wink, and hold out mine iron."</blockquote>

<i>Henry V</i>., act ii. sc. I.<br>
<a href="#fru63">return</a><br>
<br>
<br>
<a name="fu64"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Byron was not always, even at Harrow, attached to
Buonaparte, for, if we may trust Harness, he "roared out" at a
Buonapartist schoolfellow:

  <blockquote>"Bold Robert Speer was Bony's bad precursor.<br>
  Bob was a bloody dog, but Bonaparte a worser."</blockquote>

His feeling for him was probably that which is expressed in the
following passage from an undated letter, written to him by Moore:

  <blockquote>"We owe great gratitude to this thunderstorm of a fellow for clearing
  the air of all the old legitimate fogs that have settled upon us, and
  I sincerely trust his task is not yet over." </blockquote>

Ticknor (<i>Life</i>, vol. i. p. 60) describes Byron's reception of the
news of the battle of Waterloo:

 <blockquote> "After an instant's pause, Lord Byron replied, 'I am damned sorry for
  it;' and then, after another slight pause, he added, 'I didn't know
  but I might live to see Lord Castlereagh's head on a pole. But I
  suppose I shan't now.'"</blockquote>

Byron's liking for Buonaparte was probably increased by his dislike of
Wellington and Blucher. The following passages are taken from the
<i>Detached Thoughts</i>(1821):

  <blockquote>"The vanity of Victories is considerable. Of all who fell at Waterloo
  or Trafalgar, ask any man in company to <i>name you ten off hand</i>.
  They will stick at Nelson: the other will survive himself. <i>Nelson
  was</i> a hero, the other is a mere Corporal, dividing with Prussians
  and Spaniards the luck which he never deserved. He even&mdash;but I hate
  the fool, and will be silent."<br>
<br>
  "The Miscreant Wellington is the Cub of Fortune, but she will never
  lick him into shape. If he lives, he will be beaten; that's certain.
  Victory was never before wasted upon such an unprofitable soil as this
  dunghill of Tyranny, whence nothing springs but Viper's eggs."<br>
<br>
  "I remember seeing Blucher in the London Assemblies, and never saw
  anything of his age less venerable. With the voice and manners of a
  recruiting Sergeant, he pretended to the honours of a hero; just as if
  a stone could be worshipped because a man stumbled over it."</blockquote>
<a href="#fru64">return</a><br>
<br>
<br>
<a name="fu65"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; <i>Henry IV</i>., Part II. act iv. se. 3.<br>
<a href="#fru65">return</a><br>
<br>
<br>
<a name="fu66"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; Mary Duff, his distant cousin, who lived not far from the
"Plain-Stanes" of Aberdeen, in Byron's childhood. She married Mr. Robert
Cockburn, a wine-merchant in Edinburgh and London.<br>
<a href="#fru66">return</a><br>
<br>
<br>
<a name="fu67"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; The first is, perhaps, Dallas; the second probably is
Francis Hodgson, to whom he gave, from first to last, £1500.<br>
<a href="#fru67">return</a><br>
<br>
<br>
<a name="fu68"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp;

  <blockquote>"L'intérêt est l'ame de l'amour-propre, de sorte que comme le corps,
  privé de son ame, est sans vue, sans ouïe, sans connoissance, sans
  sentiment, et sans mouvement; de même l'amour-propre, séparé, s'il le
  faut dire ainsi, de son intérêt, ne voit, n'entend, ne sent, et ne se
  remue plus," etc., etc. </blockquote>

(Rochefoucault, Lettre à Madame Sablé). The passage in Lucretius
probably is <i>De Rerum Naturâ</i>, i. 57-62.<br>
<a href="#fru68">return</a><br>
<br>
<br>
<a name="fu69"><span style="color: #FF0000;">Footnote 9:</span></a> &nbsp;

  <blockquote>"Monsieur de Puységur," says Lady H. Leveson Gower (<i>Letters of
  Harriet, Countess of Granville</i>, vol. i. p. 23), "is really
  <i>concentré</i> into one wrinkle. It is the oldest, gayest, thinnest,
  most withered, and most brilliant thing one can meet with. When there
  are so many young, fat fools going about the world, I wish for the
  transmigration of souls. Puységur might animate a whole family."</blockquote>

The phrase, of which Byron was in search, is Goethe's, <i>eine erstarrte
Musik</i> (Stevens's <i>Life of Madame de Staël</i>, vol. ii. p. 195).<br>
<a href="#fru69">return</a><br>
<br>
<br>
<a name="fu70"><span style="color: #FF0000;">Footnote 10:</span></a> &nbsp; That the poet sometimes dined seems evident from the
annexed bill:<br><br>
<br>


<table summary="dinner bill" cellspacing="0" cellpadding="5">
<tr align="left" valign="top">
	<td><b>Lord Byron</b></td>
	<td></td>
	<td><b>To M. Richold</b</td>
	<td></td>
	<td>></td>
</tr>
<tr align="left" valign="top">
	<td>1813</td>
	<td></td>
	<td>£</td>
	<td>s.</td>
	<td>d.</td>
</tr>
<tr align="left" valign="top">
	<td>Balance of last bill</td>
	<td></td>
	<td>0</td>
	<td>13</td>
	<td>10</td>
</tr>
<tr align="left" valign="top">
	<td>Aug.  9</td>
	<td>To dinner bill</td>
	<td>1</td>
	<td>6</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>10</td>
	<td>To do. do.</td>
	<td>4</td>
	<td>13</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>11</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>4</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>14</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>6</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>15</td>
	<td>To share of do.</td>
	<td>4</td>
	<td>4</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>16</td>
	<td>To dinner bill</td>
	<td>1</td>
	<td>6</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>17</td>
	<td>To do. do. </td>
	<td>1</td>
	<td>6</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>19</td>
	<td>To do. do. </td>
	<td>1</td>
	<td>2</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>20</td>
	<td>To share of do.</td>
	<td>4</td>
	<td>19</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>21</td>
	<td>To dinner bill</td>
	<td>1</td>
	<td>1</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>22</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>2</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>23</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>2</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>25</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>9</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>26</td>
	<td>To dinner bill</td>
	<td>1</td>
	<td>1</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>27</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>8</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>Sept. 2</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>4</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>3</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>2</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>4</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>11</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>5</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>6</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>7</td>
	<td>To do. do.</td>
	<td>5</td>
	<td>7</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>9</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>6</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>26</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>9</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td>Nov. 14</td>
	<td>To do. do.</td>
	<td>1</td>
	<td>0</td>
	<td>6</td>
</tr>
<tr align="left" valign="top">
	<td>21</td>
	<td>To do. do.</td>
	<td>0</td>
	<td>19</td>
	<td>0</td>
</tr>
<tr align="left" valign="top">
	<td><b>Total</b></td>
	<td></td>
	<td>44</td>
	<td>11</td>
	<td>10</td>
</tr>
</table>
<a href="#fru70">return</a><br>
<br>
<br>
<a name="fu71"><span style="color: #FF0000;">Footnote 11:</span></a> &nbsp; <i>Henry IV.</i>, Part II. act v. sc. 5.<br>
<a href="#fru71">return</a><br>
<br>
<br>
<a name="fu72"><span style="color: #FF0000;">Footnote 12:</span></a> &nbsp; James Wedderburn Webster (see p. 2, <a href="#f21"><i>note</i></a> 1).<br>
<a href="#fru71">return</a><br>
<br>
<br>
<a name="fu73"><span style="color: #FF0000;">Footnote 13:</span></a> &nbsp; Probably John Cam Hobhouse, whose expenses on the tour of
1809-10 were paid by Byron, and repaid by Sir Benjamin Hobhouse.<br>
<a href="#fru73">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov221813"></a><h3>November 22nd, 1813</h3>
<br>
"<a name="fru81">Orange</a> Boven!"<a href="#fu81"><sup>1</sup></a> So the bees have expelled the bear that broke open
their hive. Well,&mdash;if we are to have new De Witts and De Ruyters, God
speed the little republic! I should like to see the Hague and the
village of Brock, where they have such primitive habits. <a name="fru82">Yet</a>, I don't
know,&mdash;their canals would cut a poor figure by the memory of the
Bosphorus; and the Zuyder Zee look awkwardly after "Ak-Denizi"<a href="#fu82"><sup>2</sup></a>. No
matter,&mdash;the bluff burghers, puffing freedom out of their short
tobacco-pipes, might be worth seeing; though I prefer a cigar or a
hooka, with the rose-leaf mixed with the milder herb of the Levant. I
don't know what liberty means,&mdash;never having seen it,&mdash;but wealth is
power all over the world; and as a shilling performs the duty of a pound
(besides sun and sky and beauty for nothing) in the East,&mdash;<i>that</i>
is the country. <a name="fru83">How</a> I envy Herodes Atticus<a href="#fu83"><sup>3</sup></a>!&mdash;more than Pomponius.
And yet a little <i>tumult</i>, now and then, is an agreeable quickener
of sensation; such as a revolution, a battle, or an <i>aventure</i> of
any lively description. I <a name="fru84">think</a> I rather would have been Bonneval,
Ripperda, Alberoni, Hayreddin, or Horuc Barbarossa, or even Wortley
Montague, than Mahomet himself<a href="#fu84"><sup>4</sup></a>.<br>
<br>
Rogers will be in town soon?&mdash;the 23d is fixed for our Middleton visit.
Shall I go? umph!&mdash;In this island, where one can't ride out without
overtaking the sea, it don't much matter where one goes.<br>
<br>
I remember the effect of the <i>first Edinburgh Review</i> on me. I
heard of it six weeks before,&mdash;read it the day of its
denunciation,&mdash;dined and drank three bottles of claret, (with S. B.
Davies, I think,) neither ate nor slept the less, but, nevertheless, was
not easy till I had vented my wrath and my rhyme, in the same pages,
against every thing and every body. <a name="fru85">Like</a> George, in the <i>Vicar of
Wakefield</i>, -"the fate of my paradoxes"<a href="#fu85"><sup>5</sup></a> would allow me to
perceive no merit in another. I remembered only the maxim of my
boxing-master, which, in my youth, was found useful in all general
riots,&mdash;"Whoever is not for you is against you&mdash;<i>mill</i> away right
and left," and so I did;&mdash;like Ishmael, my hand was against all men, and
all men's anent me. I <a name="fru86">did</a> wonder, to be sure, at my own success:

<blockquote>"And marvels so much wit is all his own,"<a href="#fu86"><sup>6</sup></a></blockquote>

as Hobhouse sarcastically says of somebody (not unlikely myself, as we
are old friends);&mdash;but were it to come over again, I would <i>not</i>. I
have since redde the cause of my couplets, and it is not adequate to the
effect. C&mdash;&mdash; told me that it was believed I alluded to poor Lord
Carlisle's nervous disorder in one of the lines. I thank Heaven I did
not know it&mdash;and would not, could not, if I had. I must naturally be the
last person to be pointed on defects or maladies.<br>
<br>
Rogers is silent,&mdash;and, it is said, severe. When he does talk, he talks
well; and, on all subjects of taste, his delicacy of expression is pure
as his poetry. If you enter his house&mdash;his drawing-room&mdash;his
library&mdash;you of yourself say, this is not the dwelling of a common mind.
There is not a gem, a coin, a book thrown aside on his chimney-piece,
his sofa, his table, that does not bespeak an almost fastidious elegance
in the possessor. But this very delicacy must be the misery of his
existence. Oh the jarrings his disposition must have encountered through
life!<br>
<br>
<a name="Cx2">Southey</a>, I have not seen much of. His appearance is <i>Epic</i>; and he
is the only existing entire man of letters. All the others have some
pursuit annexed to their authorship. His manners are mild, but not those
of a man of the world, and his talents of the first order. His prose is
perfect. Of his poetry there are various opinions: there is, perhaps,
too much of it for the present generation; posterity will probably
select. He has <i>passages</i> equal to any thing. At present, he has
<i>a party</i>, but no <i>public</i>&mdash;except for his prose writings. The
life of Nelson is beautiful.<br>
<a href="#fc32">cross-reference: return to Footnote 2 of Letter 210</a><br>
<br>
Sotheby<a href="#fu87"><sup>7</sup></a> is <a name="fru87">a</a> <i>Littérateur</i>, the Oracle of the Coteries, of the
&mdash;&mdash;s<a href="#fu88"><sup>8</sup></a>, Lydia White (Sydney Smith's "Tory Virgin")<a href="#fu89"><sup>9</sup></a>, Mrs. Wilmot<a href="#fu90"><sup>10</sup></a>
(she, at least, is a swan, and might frequent a purer stream,) Lady
Beaumont<a href="#fu91"><sup>11</sup></a>, and all the Blues, with Lady Charlemont<a href="#fu92"><sup>12</sup></a> at their
head&mdash;but I say nothing of <i>her</i>&mdash;"look in her face and you forget
them all," and every thing else. Oh that face!&mdash;by <i>te, Diva potens
Cypri</i>, I would, to be beloved by that woman, build and burn another
Troy.<br>
<br>
Moore has a peculiarity of talent, or rather talents,&mdash;poetry, music,
voice, all his own; and an expression in each, which never was, nor will
be, possessed by another. But he is capable of still higher flights in
poetry. By the by, what humour, what&mdash;every thing, in the
"<i>Post-Bag!</i>" There is nothing Moore may not do, if he will but
seriously set about it. In society, he is gentlemanly, gentle, and,
altogether, more pleasing than any individual with whom I am acquainted.
For his honour, principle, and independence, his conduct to &mdash;&mdash; speaks
"trumpet-tongued." He has but one fault&mdash;and that one I daily regret&mdash;he
is not <i>here</i>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fu81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Holland, constituted a kingdom for Louis Napoleon (1806),
was (1810) incorporated with the French Empire. On November 15, 1813,
the people of Amsterdam raised the cry of "Orange Boven!", donned the
Orange colours, and expelled the French from the city. Their example was
followed in other provinces, and on November 21, deputies arrived in
London, asking the Prince of Orange to place himself at the head of the
movement. He landed in Holland, November 30, and entered Amsterdam the
next day in state.<br>
<br>
A play was announced at Drury Lane, December 8, 1813, under the title of
<i>Orange Boven</i>, but it was suppressed because no licence had been
obtained for its performance. It was produced December 10, 1813, and ran
about ten nights.<br>
<a href="#fru81">return to footnote mark</a><br>
<br>
<br>
<a name="fu82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The Lake of Ak-Deniz, north-east of Antioch, into and out
of which flows the Nahr-Ifrin to join the Nahr-el-Asy or Orontes.<br>
<a href="#fru82">return</a><br>
<br>
<br>
<a name="fu83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; A typically wealthy Greek, as Pomponius Atticus was a
typically wealthy Roman.<br>
<a href="#fru83">return</a><br>
<br>
<br>
<a name="fu84"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;Bonneval (1675-1747) was a French soldier of fortune, who
served successively in the Austrian, Russian, and Turkish armies.
Ripperda (died 1737) a Dutch adventurer, became Prime Minister of Spain
under Philip V., and after his fall turned Mohammedan. Alberoni
(1664-1752) was an Italian adventurer, who became Prime Minister of
Spain in 1714. Hayreddin (died 1547) and Horuc Barbarossa (died 1518)
were Algerine pirates. Edward Wortley Montague (1713-1776), son of Lady
Mary, saw the inside of several prisons, served at Fontenoy, sat in the
British Parliament, was received into the Roman Catholic Church at
Jerusalem (1764), lived at Rosetta as a Mohammedan with his mistress,
Caroline Dormer, till 1772, and died at Padua, from swallowing a
fish-bone.<br>
<a href="#fru84">return</a><br>
<br>
<br>
<a name="fu85"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;<i>Vicar of Wakefield</i> (chap. xx.). The Vicar's eldest
son, George,

 <blockquote> "resolved to write a book that should be wholly new. I therefore
  dressed up three paradoxes with some ingenuity.... 'Well,' asks the
  Vicar, 'and what did the learned world say to your paradoxes?' 'Sir,'
  replied my son, 'the learned world said nothing to my paradoxes,
  nothing at all.... I found that no genius in another could please me.
  My unfortunate paradoxes had entirely dried up that source of comfort.
  I could neither read nor write with satisfaction; for excellence in
  another was my aversion, and writing was my trade.'"</blockquote>
<a href="#fru85">return</a><br>
<br>
<br>
<a name="fu86"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; From Boileau (<i>Imitations, etc.</i>, by J.C. Hobhouse):

  <blockquote>"With what delight rhymes on the scribbling dunce.<br>
  He's ne'er perplex'd to choose, but right at once;<br>
  With rapture hails each work as soon as done,<br>
  And wonders so much wit was all his own."</blockquote>
<a href="#fru86">return</a><br>
<br>
<br>
<a name="fu87"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;At Sotheby's house, Miss Jane Porter, author of <i>The
Scottish Chiefs</i>, etc., etc., met Byron. She made the following note
of his appearance, and after his death sent it to his sister:

 <blockquote> "I once had the gratification of Seeing Lord Byron. He was at Evening
  party at the Poet Sotheby's. I was not aware of his being in the room,
  or even that he had been invited, when I was arrested from listening
  to the person conversing with me by the Sounds of the most melodious
  Speaking Voice I had ever heard. It was gentle and beautifully
  modulated. I turned round to look for the Speaker, and then saw a
  Gentleman in black of an Elegant form (for nothing of his lameness
  could be discovered), and with a face I never shall forget. The
  features of the finest proportions. The Eye deep set, but mildly
  lustrous; and the Complexion what I at the time described to my
  Sister as a Sort of moonlight paleness. It was so pale, yet with all
  so Softly brilliant.<br><br>

  I instantly asked my Companion who that Gentleman was. He replied,
  'Lord Byron.' I was astonished, for there was no Scorn, no disdain,
  nothing in that noble Countenance <i>then</i> of the proud Spirit
  which has since soared to Heaven, illuminating the Horizon far and
  wide."</blockquote>
<a href="#fru87">return</a><br>
<br>
<br>
<a name="fu88"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp;Probably the Berrys.<br>
<a href="#fru87">return</a><br>
<br>
<br>
<a name="fu89"><span style="color: #FF0000;">Footnote 9:</span></a> &nbsp; Miss Lydia White, the "Miss Diddle" of Byron's
<i>Blues</i>, of whom Ticknor speaks (<i>Life</i>, vol. i. p. 176) as
"the fashionable blue-stocking," was a wealthy Irishwoman, well known
for her dinners and conversaziones

 <blockquote> "in all the capitals of Europe. At one of her dinners in Park Street
  (all the company except herself being Whigs), the desperate prospects
  of the Whig party were discussed. Yes,' said Sydney Smith, who was
  present, 'we are in a most deplorable condition; we must do something
  to help ourselves. I think,' said he, looking at Lydia White, 'we had
  better sacrifice a Tory Virgin'" </blockquote>

(Lady Morgan's <i>Memoirs</i>, vol. ii. p. 236). Miss Berry, in her
<i>Journal</i> (vol. iii. p. 49, May 8, 1815), says,

<blockquote>"Lord and Lady Byron persuaded me to go with them to Miss White. Never
have I seen a more imposing convocation of ladies arranged in a circle
than when we entered, taking William Spencer with us. Lord Byron brought
me home. He stayed to supper." </blockquote>

Miss White's last years were passed in bad health. Moore called upon
Rogers, May 7, 1826:

  <blockquote>"Found him in high good humour. In talking of Miss White, he said,
  'How wonderfully she does hold out! They may say what they will, but
  Miss White and <i>Miss</i>olongi are the most remarkable things going"</blockquote>

(<i>Memoirs, etc.</i>, vol. v. p. 62). Lydia White died in February,
1827.<br>
<a href="#fru87">return</a><br>
<br>
<br>
<a name="fu90"><span style="color: #FF0000;">Footnote 10:</span></a> &nbsp;Barberina Ogle (1768-1854), daughter of Sir Chaloner Ogle,
widow of Valentia Wilmot, married, in 1819, Lord Dacre. Her tragedy,
<i>Ina</i>, was produced at Drury Lane, April 22, 1815. Her literary
work was, for the most part, privately printed: <i>Dramas, Translations,
and Occasional Poems</i> (1821); <i>Translations from the Italian</i>
(1836). She also edited her daughter's <i>Recollections of a
Chaperon</i> (1831), and <i>Tales of the Peerage and Peasantry</i>
(1835).<br>
<a href="#fru87">return</a><br>
<br>
<br>
<a name="fu91"><span style="color: #FF0000;">Footnote 11:</span></a> &nbsp;Margaret Willes, granddaughter of Chief Justice Willes,
married, in 1778, Sir George Beaumont, Bart. (1753-1827), the
landscape-painter, art critic, and picture-collector, who founded the
National Gallery, was a friend of Sir Joshua Reynolds, of Dr. Johnson,
and of Wordsworth, and is mentioned by Byron in the <i>Blues</i>:

  <blockquote>"Sir George thinks exactly with Lady Bluebottle."</blockquote>
<a href="#fru87">return</a><br>
<br>
<br>
<a name="fu92"><span style="color: #FF0000;">Footnote 12:</span></a> &nbsp; Francis William Caulfield, who succeeded his father, in
1799, as second Earl of Charlemont, married, in 1802, Anne, daughter of
William Bermingham, of Ross Hill, co. Galway. She died in 1876. Of Lady
Charlemont's beauty Byron was an enthusiastic admirer. In his <i>Letter
on the Rev. W.L. Bowles's Strictures on Pope</i> (February 7, 1821) he
says, <blockquote>"The head of Lady Charlemont (when I first saw her, nine years
ago) seemed to possess all that sculpture could require for its ideal."</blockquote>
Moore (<i>Journals, etc.</i>, vol. iii. p. 78) has the following entry
in his Diary for November 21, 1819:<blockquote> "Called upon Lady Charlemont, and
sat with her some time. Lady Mansfield told me that the effect she
produces here with her beauty is wonderful; last night, at the Comtesse
d'Albany's, the Italians were ready to fall down and worship her."</blockquote>

For the two quotations, see Horace, <i>Odes</i>, I. iii. 1, and <i>The
Rape of the Lock</i>, ii. 18.<br>
<a href="#fru87">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov231813"></a><h3>November 23rd, 1813</h3>
<br>
Ward&mdash;I like Ward. By Mahomet! I begin to think I like every body;&mdash;a
disposition not to be encouraged;&mdash; a sort of social gluttony that
swallows every thing set before it. But I like Ward. He is
<i>piquant</i>; and, in my opinion, will stand very <i>high</i> in the
House, and every where else, if he applies <i>regularly</i>. By the by,
I dine with him to-morrow, which may have some influence on my opinion.
It is as well not to trust one's gratitude <i>after</i> dinner. I have
heard many a host libelled by his guests, with his burgundy yet reeking
on their rascally lips.<br>
<br>
I have taken Lord Salisbury's box at Covent Garden for the season; and
now I must go and prepare to join Lady Holland and party, in theirs, at
Drury Lane, <i>questa sera</i>.<br>
<br>
Holland doesn't think the man is <i>Junius</i>; but that the yet
unpublished journal throws great light on the obscurities of that part
of George the Second's reign.&mdash;What is this to George the Third's? I
don't know what to think. Why should Junius be yet dead? If suddenly
apoplexed, would he rest in his grave without sending his <img src="images/BG11.gif" width="88" height="30" border="1" alt="Greek: eidolon"> to shout in the ears of posterity, "Junius was X.Y.Z., Esq.,
buried in the parish of &mdash;&mdash;. Repair his monument, ye churchwardens!
Print a new edition of his Letters, ye booksellers!" Impossible,&mdash;the
man must be alive, and will never die without the disclosure. I like
him;&mdash; he was a good hater.<br>
<br>
Came home unwell and went to bed,&mdash;not so sleepy as might be desirable.<br>
<br>
Tuesday morning. I awoke from a dream!&mdash;well! and have not others
dreamed?&mdash;Such a dream!&mdash;but she did not overtake me. I wish the dead
would rest, however. Ugh! how my blood chilled,&mdash;and I could not
wake&mdash;and&mdash;and&mdash; heigho!

<blockquote>"<a name="frv1">Shadows</a> to-night<br>
  Have struck more terror to the soul of Richard,<br>
  Than could the substance of ten thousand &mdash;&mdash; s,<br>
  Arm'd all in proof, and led by shallow &mdash;&mdash;."<a href="#fv1"><sup>1</sup></a></blockquote>

I do not like this dream,&mdash;I hate its "foregone conclusion." And am I to
be shaken by shadows? Ay, when they remind us of&mdash;no matter&mdash;but, if I
dream thus again, I will try whether <i>all</i> sleep has the like
visions. <a name="frv2">Since</a> I rose, I've been in considerable bodily pain also; but
it is gone, and now, like Lord Ogleby<a href="#fv2"><sup>2</sup></a>, I am wound up for the day.<br>
<br>
A <a name="frv3">note</a> from Mountnorris<a href="#fv3"><sup>3</sup></a>&mdash;I dine with Ward;&mdash;Canning is to be there,
Frere<a href="#fv4"><sup>4</sup></a> and Sharpe<a href="#fv5"><sup>5</sup></a>, perhaps Gifford. I am to be one of "the five"
(or rather six), as Lady &mdash;&mdash; said a little sneeringly yesterday. They
are all good to meet, particularly Canning, and&mdash;Ward, when he likes. I
wish I may be well enough to listen to these intellectuals.<br>
<br>
No letters to-day;&mdash;so much the better,&mdash;there are no answers. I must
not dream again;&mdash;it spoils even reality. I will go out of doors, and
see what the fog will do for me. <a name="frv6">Jackson</a> has been here: the boxing world
much as usual;&mdash;but the club increases. I shall dine at Crib's<a href="#fv6"><sup>6</sup></a>
to-morrow. I like energy&mdash;even animal energy&mdash;of all kinds; and I have
need of both mental and corporeal. I have not dined out, nor, indeed,
<i>at all</i>, lately: have heard no music&mdash;have seen nobody. Now for a
<i>plunge</i>&mdash;high life and low life. <i><a name="frv7">Amant</a></i> alterna
<i>Camoenæ!</i><a href="#fv7"><sup>7</sup></a>.<br>
<br>
I have burnt my <i>Roman</i>&mdash;as I did the first scenes and sketch of my
comedy&mdash;and, for aught I see, the pleasure of burning is quite as great
as that of printing. These two last would not have done. I ran into
<i>realities</i> more than ever; and some would have been recognised and
others guessed at.<br>
<br>
<a name="frv8">Redde</a> the <i>Ruminator</i>&mdash;a collection of Essays, by a strange, but
able, old man [Sir Egerton Brydges]<a href="#fv8"><sup>8</sup></a>, and a half-wild young one,
author of a poem on the Highlands, called <i>Childe Alarique</i><a href="#fv9"><sup>9</sup></a>.<br>
<br>
The word "sensibility" (always my aversion) occurs a thousand times in
these Essays; and, it seems, is to be an excuse for all kinds of
discontent. This young man can know nothing of life; and, if he
cherishes the disposition which runs through his papers, will become
useless, and, perhaps, not even a poet, after all, which he seems
determined to be. God help him! no one should be a rhymer who could be
any thing better. And this is what annoys one, to see Scott and Moore,
and Campbell and Rogers, who might have all been agents and leaders, now
mere spectators. For, though they may have other ostensible avocations,
these last are reduced to a secondary consideration. &mdash;&mdash;, too,
frittering away his time among dowagers and unmarried girls. If it
advanced any <i>serious</i> affair, it were some excuse; but, with the
unmarried, that is a hazardous speculation, and tiresome enough, too;
and, with the veterans, it is not much worth trying, unless, perhaps,
one in a thousand.<br>
<br>
If I <a name="frv10">had</a> any views in this country, they would probably be parliamentary<a href="#fv10"><sup>10</sup></a>.<br>
<br>
But I have no ambition; at least, if any, it would be <i>aut Cæsar aut
nihil</i>. My hopes are limited to the arrangement of my affairs, and
settling either in Italy or the East (rather the last), and drinking
deep of the languages and literature of both. Past events have unnerved
me; and all I can now do is to make life an amusement, and look on while
others play. After all, even the highest game of crowns and sceptres,
what is it? <i>Vide</i> Napoleon's last twelvemonth. It has completely
upset my system of fatalism. I <a name="frv11">thought</a>, if crushed, he would have
fallen, when <i>fractus illabitur orbis</i><a href="#fv11"><sup>11</sup></a>, and not have been
pared away to gradual insignificance; that all this was not a mere
<i>jeu</i> of the gods, but a prelude to greater changes and mightier
events. But men never advance beyond a certain point; and here we are,
retrograding, to the dull, stupid old system,&mdash;balance of
Europe&mdash;poising straws upon kings' noses, instead of wringing them off!
Give me a republic, or a despotism of one, rather than the mixed
government of one, two, three. A republic!&mdash;look in the history of the
Earth&mdash;Rome, Greece, Venice, France, Holland, America, our short
(<i>eheu!</i>) Commonwealth, and compare it with what they did under
masters. The Asiatics are not qualified to be republicans, but they have
the liberty of demolishing despots, which is the next thing to it. To be
the first man&mdash;not the Dictator&mdash;not the Sylla, but the Washington or
the Aristides&mdash;the leader in talent and truth&mdash;is next to the Divinity!
Franklin, Penn, and, next to these, either Brutus or Cassius&mdash;even
Mirabeau&mdash;or St. Just. I shall never be any thing, or rather always be
nothing. The most I can hope is, that some will say, "He might, perhaps,
if he would."<br>
<br>
<br>
12, midnight.<br>
<br>
Here are two confounded proofs from the printer. I have looked at the
one, but for the soul of me, I can't look over that <i>Giaour</i>
again,&mdash;at least, just now, and at this hour&mdash;and yet there is no moon.<br>
<br>
Ward talks of going to Holland, and we have partly discussed an
<i>ensemble</i> expedition. It must be in ten days, if at all, if we
wish to be in at the Revolution. And why not? &mdash;&mdash; is distant, and will
be at &mdash;&mdash;, still more distant, till spring. No one else, except
Augusta, cares for me; no ties&mdash;no trammels&mdash;<i>andiamo dunque&mdash;se
torniamo, bene&mdash;se non, ch' importa?</i> Old William of Orange talked of
dying in "the last ditch" of his dingy country. It is lucky I can swim,
or I suppose I should not well weather the first. But let us see. I have
heard hyeenas and jackalls in the ruins of Asia; and bull-frogs in the
marshes; besides wolves and angry Mussulmans. Now, I should like to
listen to the shout of a free Dutchman.<br>
<br>
Alla! Viva! For ever! Hourra! Huzza!&mdash;which is the most rational or
musical of these cries? "Orange Boven," according to the <i>Morning
Post</i>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"By the apostle Paul, shadows to-night<br>
  Have struck more terror to the soul of Richard<br>
  Than can the substance of ten thousand soldiers,<br>
  Armed in proof, and led by shallow Richmond."</blockquote>

<i>Richard III</i>., act v. sc. 3.<br>
<a href="#frv1">return to footnote mark</a><br>
<br>
<br>
<a name="fv2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; "Lord Ogleby" is a character in <i>The Clandestine
Marriage</i> (by Colman and Garrick, first acted at Drury Lane, February
20, 1766). "Brush," his valet, says (act ii.) of his master,

  <blockquote>"What with qualms, age, rheumatism, and a few surfeits in his youth,
  he must have a great deal of brushing, oyling, screwing, and winding
  up, to set him a-going for the day."</blockquote>
<a href="#frv2">return</a><br>
<br>
<br>
<a name="fv3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Viscount Valentia, created in 1793 Earl of Mountnorris, was
the father of Byron's friend, Viscount Valentia (afterwards second and
last Earl of Mountnorris, died in 1844); of Lady Frances Wedderburn
Webster; of Lady Catherine Annesley, who married Lord John Somerset, and
died in 1865; and of Lady Juliana Annesley, who married Robert Bayly, of
Ballyduff.<br>
<a href="#frv3">return</a><br>
<br>
<br>
<a name="fv4"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;  John Hookham Frere (1769-1846), educated at Eton, and
Caius College, Cambridge (Fellow, 1792), M.P. for West Loe (1796-1802),
was a clerk in the Foreign Office. A school-friend of Canning, he joined
with him in the <i>Anti-Jacobin</i> (November 20, 1797&mdash;July 9, 1798).
Among the pieces which he contributed, in whole or part, are "The Loves
of the Triangles," "The Friend of Humanity and the Knife-grinder,""The
Rovers, or the Double Arrangement," "<i>La Sainte Guillotine</i>" "New
Morality," and the "Meeting of the Friends of Freedom." He was British
Envoy at Lisbon (1800-1804) and to the Spanish Junta (October,
1808-April, 1809). From this post he was recalled, owing to the fatal
effects of his advice to Sir John Moore, and he never again held any
public appointment. From 1818 to 1846 he lived at Malta, where he died.<br>
<br>
His translations of "The Frogs" of Aristophanes (1839), and of "The
Acharnians, the Knights, and the Birds" (1840), are masterpieces of
spirit and fidelity. His <i>Prospectus and Specimen of an intended
National Work, by William and Robert Whistlecraft</i> (cantos i., ii.,
1817; cantos iii., iv., 1818), inspired Byron with <i>Beppo</i>.<br>
<br>
Ticknor describes him in 1819 (<i>Life</i>, vol. i. p. 267):

 <blockquote> "Frere is a slovenly fellow. His remarks on Homer, in the <i>Classical
  Journal</i>, prove how fine a Greek scholar he is; his <i>Quarterly
  Reviews</i>, how well he writes; his 'Rovers, or the Double
  Arrangement,' what humour he possesses; and the reputation he has left
  in Spain and Portugal, how much better he understood their literatures
  than they do themselves; while, at the same time, his books left in
  France, in Gallicia, at Lisbon, and two or three places in England;
  his manuscripts, neglected and lost to himself; his manners, lazy and
  careless; and his conversation, equally rich and negligent, show how
  little he cares about all that distinguishes him in the eyes of the
  world. He studies as a luxury, he writes as an amusement, and
  conversation is a kind of sensual enjoyment to him. If he had been
  born in Asia, he would have been the laziest man that ever lived."</blockquote>
<a href="#frv3">return</a><br>
<br>
<br>
<a name="fv5"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; For "Conversation" Sharp, see p. 341, <a href="#fv22"><i>note</i></a> 2.<br>
<a href="#frv3">return</a><br>
<br>
<br>
<a name="fv6"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; Thomas Cribb (1781-1848), born at Bitton, near Bristol,
began life as a bell-hanger, became first a coal-porter, then a sailor,
and finally found his vocation as a pugilist. In his profession he was
known, from one of his previous callings, as the "Black Diamond." His
first big fight was against George Maddox (January 7, 1805), whom he
defeated after seventy-six rounds. He twice beat the ex-champion, the
one-eyed Jem Belcher (April 8, 1807, and February 1, 1809), and with his
victory over Bob Gregson (October 25, 1808; see <i>Letters</i>, vol. i.
p. 207, <i>note</i> 1 [Footnote 2 of Letter 108]) became champion of England. His two defeats of
Molineaux, the black pugilist (December 18, 1810, and September 28,
1811), established his title, which was never again seriously
challenged, and in 1821 it was conferred upon him for life. Cribb was
one of the prize-fighters, who, dressed as pages, kept order at the
Coronation of George IV. In 1813 he was landlord of the King's Arms,
Duke Street, St. James's, and universally respected as the honest head
of the pugilistic profession. He died in 1848 at Woolwich; three years
later a monument was erected to his memory by public subscription in
Woolwich Churchyard. It represents "a British lion grieving over the
ashes of a British hero," and on the plinth is the inscription, "Respect
the ashes of the brave."<br>
<a href="#frv6">return</a><br>
<br>
<br>
<a name="fv7"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp;Virgil, <i>Eclogues</i>, iii. 59.<br>
<a href="#frv7">return</a><br>
<br>
<br>
<a name="fv8"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp; Sir Samuel Egerton Brydges (1762-1837), poet, novelist,
genealogist, and bibliographer, published, in 1813, <i>The Ruminator:
containing a series of moral, critical, and sentimental Essays</i>. Of
the 104 Essays, 72 appeared in the <i>Censura Literaria</i> between
January, 1807, and June, 1809. The remainder were by Gillies, except two
by the Rev. Francis Wrangham and two by the Rev. Montagu Pennington. No.
50 is a review of some original poems by Capell Lofft, including a Greek
ode on Eton College.<br>
<br>
Gillies, in his <i>Memoirs of a Literary Veteran</i> (vol. ii. p. 4),
says that in 1809 he addressed an anonymous letter to Brydges,
containing some thoughts on the advantages of retirement (the subject of
<i>Childe Alarique</i>). The letter, printed in <i>The Ruminator</i>,
began his literary career and introduced him to Brydges. <i>The
Ruminator</i>, 2 vols. (1813), and <i>Childe Alarique</i> (1813), are
among the books included in the sale catalogue of Byron's books, April
5, 1816.<br>
<a href="#frv8">return</a><br>
<br>
<br>
<a name="fv9"><span style="color: #FF0000;">Footnote 9:</span></a> &nbsp; Robert Pearse Gillies (1788-1858) wrote <i>Wallace, a
Fragment</i> (1813); <i>Childe Alarique, a Poet's Reverie, with other
Poems</i> (1813); <i>Confessions of Sir Henry Longueville, a Novel</i>
(1814); and numerous other works and translations. His <i>Memoirs of a
Literary Veteran</i> was published in 1851. He was the founder and first
editor of the <i>Foreign Quarterly Review</i> (1827).<br>
<a href="#frv8">return</a><br>
<br>
<br>
<a name="fv10"><span style="color: #FF0000;">Footnote 10:</span></a> &nbsp;The following additional notes on Byron's Parliamentary
career are taken from his <i>Detached Thoughts</i>:

  <blockquote>"At the Opposition meeting of the peers, in 1812, at Lord Grenville's,
  when Lord Grey and he read to us the correspondence upon Moira's
  negociation, I sate next to the present Duke of Grafton. When it was
  over, I turned to him and said, 'What is to be done next?' 'Wake the
  Duke of Norfolk' (who was snoring away near us), replied he. 'I don't
  think the Negociators have left anything else for us to do this
  turn.'"<br>
<br>
  "In the debate, or rather discussion, afterwards, in the House of
  Lords, upon that very question, I sate immediately behind Lord Moira,
  who was extremely annoyed at G.'s speech upon the subject, and while
  G. was speaking, turned round to me repeatedly and asked me whether I
  agreed with him? It was an awkward question to me, who had not heard
  both sides. Moira kept repeating to me, 'It was <i>not so</i>, it was
  so and so,' etc. I did not know very well what to think, but I
  sympathized with the acuteness of his feelings upon the subject."<br>
<br>
  "Lord Eldon affects an Imitation of two very different
  Chancellors&mdash;Thurlow and Loughborough&mdash;and can indulge in an oath now
  and then. On one of the debates on the Catholic question, when we were
  either equal or within one (I forget which), I had been sent for in
  great haste from a Ball, which I quitted, I confess somewhat
  reluctantly, to emancipate five Millions of people. I came in late,
  and did not go immediately into the body of the house, but stood just
  behind the Woolsack. Eldon turned round, and, catching my eye,
  immediately said to a peer (who had come to him for a few minutes on
  the Woolsack, as is the custom of his friends), 'Damn them! they'll
  have it now, by God!&mdash;the vote that is just come in will give it
  them.'"</blockquote>
<a href="#frv10">return</a><br>
<br>
<br>
<a name="fv11"><span style="color: #FF0000;">Footnote 11:</span></a> &nbsp; Horace, <i>Odes</i>, III. iii. 7.<br>
<a href="#frv11">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov241813"></a><h3>24th November, 1813</h3>
<br>
No <a name="frv21">dreams</a> last night of the dead, nor the living; so&mdash;I am "firm as the
marble, founded as the rock,"<a href="#fv21"><sup>1</sup></a> till the next earthquake.<br>
<br>
Ward's dinner went off well. There was not a disagreeable person
there&mdash;unless <i>I</i> offended any body, which I am sure I could not by
contradiction, for I said little, and opposed nothing. Sharpe<a href="#fv22"><sup>2</sup></a> (a <a name="frv22">man</a>
of elegant mind, and who has lived much with the best&mdash;Fox, Horne Tooke,
Windham, Fitzpatrick, and all the agitators of other times and tongues,)
told us the particulars of his last interview with Windham<a href="#fv23"><sup>3</sup></a>, a few
days before the fatal operation which sent "that gallant spirit to
aspire the skies."<a href="#fv24"><sup>4</sup></a> Windham,&mdash;the first in one department of oratory
and talent, whose only fault was his refinement beyond the intellect of
half his hearers,&mdash;Windham, half his life an active participator in the
events of the earth, and one of those who governed nations,&mdash;<i>he</i>
regretted,&mdash;and dwelt much on that regret, that "he had not entirely
devoted himself to literature and science!!!" His mind certainly would
have carried him to eminence there, as elsewhere;&mdash;but I cannot
comprehend what debility of that mind could suggest such a wish. I, who
have heard him, cannot regret any thing but that I shall never hear him
again. What! would he have been a plodder? a metaphysician?&mdash;perhaps a
rhymer? a scribbler? Such an exchange must have been suggested by
illness. But <a name="frv25">he</a> is gone, and Time "shall not look upon his like again."<a href="#fv25"><sup>5</sup></a><br>
<br>
I am tremendously in arrear with my letters,&mdash;except to &mdash;&mdash;, and to her
my thoughts overpower me:&mdash;my words never compass them. To Lady
Melbourne I write with most pleasure&mdash;and her answers, so sensible, so
<i>tactique</i>&mdash;I never met with half her talent. If she had been a few
years younger, what a fool she would have made of me, had she thought it
worth her while,&mdash;and I should have lost a valuable and most agreeable
<i>friend</i>. Mem. a mistress never is nor can be a friend. While you
agree, you are lovers; and, when it is over, any thing but friends.<br>
<br>
I have not answered W. Scott's last letter,&mdash;but I will. I regret to
hear from others, that he has lately been unfortunate in pecuniary
involvements. He is undoubtedly the Monarch of Parnassus, and the most
<i>English</i> of bards. I should place Rogers next in the living list
(I value him more as the last of the best school) &mdash;Moore and Campbell
both <i>third</i>&mdash;Southey and Wordsworth and Coleridge&mdash;the rest,
<img src="images/BG12.gif" width="92" height="30" border="1" alt="Greek: hoi polloi">&mdash;thus:<br>
<br>


<img src="images/BI1.gif" width="501" height="408" border="1" alt="pyramid of writers"><br>
<br>


There is a triangular <i>Gradus ad Parnassum</i>!&mdash;the names are too
numerous for the base of the triangle. Poor Thurlow has gone wild about
the poetry of Queen Bess's reign&mdash;<i>c'est dommage</i>. I have ranked
the names upon my triangle more upon what I believe popular opinion,
than any decided opinion of my own. For, to me, some of Moore's last
<i>Erin</i> sparks&mdash;"As a beam o'er the face of the waters"&mdash;"When he
who adores thee"&mdash;"Oh blame not"&mdash;and "Oh breathe not his name"&mdash;are
worth all the Epics that ever were composed.<br>
<br>
Rogers thinks the <i>Quarterly</i> will attack me next. Let them. I have
been "peppered so highly" in my time, <i>both</i> ways, that it must be
cayenne or aloes to make me taste. I can sincerely say, that I am not
very much alive <i>now</i> to criticism. But&mdash;in tracing this&mdash;I rather
believe that it proceeds from my not attaching that importance to
authorship which many do, and which, when young, I did also. "<a name="frv26">One</a> gets
tired of every thing, my angel," says Valmont<a href="#fv26"><sup>6</sup></a>.<br>
<br>
The "angels" are the only things of which I am not a little sick&mdash;but I
do think the preference of <i>writers</i> to <i>agents</i>&mdash;the mighty
stir made about scribbling and scribes, by themselves and others&mdash;a sign
of effeminacy, degeneracy, and weakness. Who would write, who had any
thing better to do? "Action&mdash;action&mdash;action"&mdash;said Demosthenes:
"Actions&mdash;actions," I say, and not writing,&mdash;least of all, rhyme. Look at
the querulous and monotonous lives of the "genus;"&mdash;except Cervantes,
Tasso, Dante, Ariosto, Kleist (who were brave and active citizens),
Æschylus, Sophocles, and some other of the antiques also&mdash;what a
worthless, idle brood it is!<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Macbeth, act iii. sc. 4&mdash;

  <blockquote>"Whole as the marble, founded as the rock."</blockquote>
<a href="#frv21">return to footnote mark</a><br>
<br>
<br>
<a name="fv22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Richard Sharp (1759-1835), a wealthy hat-manufacturer, was
a prominent figure in political and literary life. A consistent Whig, he
was one of the "Friends of the People," and in the House of Commons
(1806-12) was a recognized authority on questions of finance.
Essentially a "club-able man," he was a member of many clubs, both
literary and political. In Park Lane and at Mickleham he gathered round
him many friends&mdash;Rogers, Moore, Mackintosh, Macaulay, Coleridge,
Horner, Grattan, Horne Tooke, and Sydney Smith, who was so frequently
his guest in the country that he was called the "Bishop of Mickleham."
Horner (May 20, 1816) speaks of a visit paid to Sharp in Surrey, in
company with Grattan (<i>Memoirs</i>, vol. ii. p. 355). Ticknor, who, in
1815, breakfasted with Sharp in Park Lane (<i>Life</i>, vol. i. pp. 55,
56), says of a party of "men of letters:"

  <blockquote>"I saw little of them, excepting Mr. Sharp, formerly a Member of
  Parliament, and who, from his talents in society, has been called
  'Conversation Sharp.' He has been made an associate of most of the
  literary clubs in London, from the days of Burke down to the present
  time. He told me a great many amusing anecdotes of them, and
  particularly of Burke, Porson, and Grattan, with whom he had been
  intimate; and occupied the dinner-time as pleasantly as the same
  number of hours have passed with me in England.... <br>
<br>
<i>June
  7</i>.&mdash;This morning I breakfasted with Mr. Sharp, and had a
  continuation of yesterday,&mdash;more pleasant accounts of the great men of
  the present day, and more amusing anecdotes of the generation that has
  passed away." </blockquote>

Miss Berry, who met Sharp often, writes, in her Journal for March 26,
1808 (<i>Journal</i>, vol. ii. p. 344),

 <blockquote> "He is clever, but I should suspect of little real depth of intellect."</blockquote>

Sharp published anonymously a volume of <i>Epistles in Verse</i> (1828).
These were reproduced, with additions, in his <i>Letters and Essays</i>,
published with his name in 1834. His "Epistle to an Eminent Poet" is
evidently addressed to his lifelong friend, Samuel Rogers:

  <blockquote>"Yes! thou hast chosen well 'the better part,'<br>
  And, for the triumphs of the noblest art,<br>
  Hast wisely scorn'd the sordid cares of life."</blockquote>
<a href="#frv22">return</a><br>
<a href="#fv5">cross-reference: return to Footnote 5 of Journal entry for November 23, 1813</a><br>
<br>
<br>
<a name="fv23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; William Windham, of Felbrigg Hall (1750-1810), educated at
Eton, Glasgow, and University College, Oxford, became M.P. for Norwich
in 1784. In the following year he was made chief secretary to Lord
Northington, Lord-Lieutenant of Ireland. Expressing some doubts to Dr.
Johnson whether he possessed the arts necessary for Parliamentary
success, the Doctor said, "You will become an able negotiator; a very
pretty rascal." He resigned the secretaryship within the year, according
to Gibbon, on the plea of ill health. He was one of the managers of the
impeachment of Warren Hastings in 1788, Secretary at War from 1794 to
1801, and War and Colonial Secretary, 1806-7.<br>
<br>
Windham, a shrewd critic of other speakers, called Pitt's style a
"State-paper style," because of its combined dignity and poverty, and
"verily believed Mr. Pitt could speak a king's speech off-hand." As a
speaker he was himself remarkably effective, a master of illustration
and allusion, delighting in "homely Saxon," and affecting provincial
words and pronunciation. Lord Sheffield, writing to Gibbon, February 5,
1793, says, "As to Windham, I should think he is become the best, at
least the most sensible, speaker of the whole." His love of paradox,
combined with his political independence and irresolution, gained him
the name of "Weathercock Windham;" but he was respected by both sides as
an honest politician. Outside the house it was his ambition to be known
as a thorough Englishman&mdash;a patron of horse-racing, cock-fighting,
bull-baiting, pugilism, and football. He was also a scholar, a man of
wide reading, an admirable talker, and a friend of Miss Berry and of
Madame d'Arblay, in whose Diaries he is a prominent figure. His own
<i>Diary</i> (1784-1810) was published in 1866.<br>
<br>
On the 8th of July, 1809, he saw a fire in Conduit Street, which threatened to spread to the house of his friend North, who possessed a
valuable library. In his efforts to save the books, he fell and bruised
his hip. A tumour formed, which was removed; but he sank under the
operation, and died June 4, 1810.<br>
<a href="#frv22">return</a><br>
<br>
<br>
<a name="fv24"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;

  <blockquote>"O Romeo, Romeo, brave Mercutio's dead;<br>
  That gallant spirit hath aspired the clouds."</blockquote>

<i>Romeo and Juliet</i>, act iii. sc. 1.<br>
<a href="#frv23">return</a><br>
<br>
<br>
<a name="fv25"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;

  <blockquote>"He was a man, take him for all in all,<br>
  I shall not look upon his like again."</blockquote>

<i>Hamlet</i>, act i. sc. 2.<br>
<a href="#frv25">return</a><br>
<br>
<br>
<a name="fv26"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;The allusion probably is to <i>The Foundling of the
Forest</i> (1809), by William Dimond the Younger. But no passage exactly
corresponds to the quotation.<br>
<a href="#frv26">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="12mn"></a><h3>12, Mezza Notte</h3>
<br>
Just returned from dinner with Jackson (the Emperor of Pugilism) and
another of the select, at Crib's, the champion's. I drank more than I
like, and have brought away some three bottles of very fair claret&mdash;for
I have no headach. We had Tom Crib up after dinner;&mdash;very facetious,
though somewhat prolix. He don't like his situation&mdash;wants to fight
again&mdash;pray Pollux (or Castor, if he was the <i>miller</i>) he may! Tom
has been a sailor&mdash;a coal-heaver&mdash;and some other genteel profession,
before he took to the cestus. Tom has been in action at sea, and is now
only three-and-thirty. A great man! has a wife and a mistress, and
conversations well&mdash;bating some sad omissions and misapplications of the
aspirate. Tom is an old friend of mine; I have seen some of his best
battles in my nonage. He is now a publican, and, I fear, a sinner;&mdash;for
Mrs. Crib is on alimony, and Tom's daughter lives with the champion.
<i>This</i> Tom told me,&mdash;Tom, having an opinion of my morals, passed
her off as a legal spouse. Talking of her, he said, "she was the truest
of women"&mdash;from which I immediately inferred she could <i>not</i> be his
wife, and so it turned out.<br>
<br>
These panegyrics don't belong to matrimony;&mdash;for, if "true," a man don't
think it necessary to say so; and if not, the less he says the better.
Crib is the only man except &mdash;&mdash;, I ever heard harangue upon his wife's
virtue; and I listened to both with great credence and patience, and
stuffed my handkerchief into my mouth, when I found yawning
irresistible&mdash;<a name="frv31">By</a> the by, I am yawning now&mdash;so, good night to
thee.&mdash;<a href="#fv31"><img src="images/BG13.gif" width="106" height="30" border="1" alt="Greek: Noáiron"></a><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; It is doubtful whether this is not a mistake for <img src="images/BG14.gif" width="96" height="27" border="1" alt="Greek: Noáiron">, a variant of <img src="images/BG7.gif" width="96" height="30" border="1" alt="Greek: Mpairon">, which is the correct
transliteration into modern Greek of <i>Byron</i>, but the MS. is
destroyed.<br>
<a href="#frv31">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov261813"></a><h3>Thursday, November 26th [1813]</h3>
<br>
Awoke a little feverish, but no headach&mdash;no dreams neither, thanks to
stupor! Two letters; one from &mdash;&mdash;, the other from Lady Melbourne&mdash;both
excellent in their respective styles. &mdash;&mdash;'s contained also a very
pretty lyric on "concealed griefs;" if not her own, yet very like her.
Why did she not say that the stanzas were, or were not, of her own
composition? I do not know whether to wish them <i>hers</i> or not. I
have no great esteem for poetical persons, particularly women; they have
so much of the "ideal" in <i>practics</i>, as well as <i>ethics</i>.<br>
<br>
I have been thinking lately a good deal of Mary Duff. How very odd that
I should have been so utterly, devotedly fond of that girl, at an age
when I could neither feel passion, nor know the meaning of the word. And
the effect! My mother used always to rally me about this childish amour;
and, at last, many years after, when I was sixteen, she told me one day,
"Oh, Byron, I have had a letter from Edinburgh, from Miss Abercromby,
and your old sweetheart Mary Duff is married to a Mr. Co'e." And what
was my answer? I really cannot explain or account for my feelings at
that moment; but they nearly threw me into convulsions, and alarmed my
mother so much, that after I grew better, she generally avoided the
subject&mdash;to <i>me</i>&mdash;and contented herself with telling it to all her
acquaintance. Now, what could this be? I had never seen her since her
mother's <i>faux pas</i> at Aberdeen had been the cause of her removal
to her grandmother's at Banff; we were both the merest children. I had
and have been attached fifty times since that period; yet I recollect
all we said to each other, all our caresses, her features, my
restlessness, sleeplessness, my tormenting my mother's maid to write for
me to her, which she at last did, to quiet me. Poor Nancy thought I was
wild, and, as I could not write for myself, became my secretary. I
remember, too, our walks, and the happiness of sitting by Mary, in the
children's apartment, at their house not far from the Plain-stanes at
Aberdeen, while her lesser sister Helen played with the doll, and we sat
gravely making love, in our way.<br>
<br>
How the deuce did all this occur so early? where could it originate? I
certainly had no sexual ideas for years afterwards; and yet my misery,
my love for that girl were so violent, that I sometimes doubt if I have
ever been really attached since. Be that as it may, hearing of her
marriage several years after was like a thunder-stroke&mdash;it nearly choked
me&mdash;to the horror of my mother and the astonishment and almost
incredulity of every body. And it is a phenomenon in my existence (for I
was not eight years old) which has puzzled, and will puzzle me to the
latest hour of it; and lately, I know not why, the <i>recollection</i>
(<i>not</i> the attachment) has recurred as forcibly as ever. I wonder
if she can have the least remembrance of it or me? or remember her
pitying sister Helen for not having an admirer too? How very pretty is
the perfect image of her in my memory&mdash;her brown, dark hair, and hazel
eyes; her very dress! I should be quite grieved to see <i>her now</i>;
the reality, however beautiful, would destroy, or at least confuse, the
features of the lovely Peri which then existed in her, and still lives
in my imagination, at the distance of more than sixteen years. I am now
twenty-five and odd months....<br>
<br>
I think my mother told the circumstances (on my hearing of her marriage)
to the Parkynses, and certainly to the Pigot family, and probably
mentioned it in her answer to Miss A., who was well acquainted with my
childish <i>penchant</i>, and had sent the news on purpose for
<i>me</i>,&mdash;and thanks to her!<br>
<br>
Next to the beginning, the conclusion has often occupied my reflections,
in the way of investigation. That the facts are thus, others know as
well as I, and my memory yet tells me so, in more than a whisper. But,
the more I reflect, the more I am bewildered to assign any cause for
this precocity of affection.<br>
<br>
Lord Holland invited me to dinner to-day; but three days' dining would
destroy me. So, without eating at all since yesterday, I went to my box
at Covent Garden.<br>
<br>
Saw &mdash;&mdash; looking very pretty, though quite a different style of beauty
from the other two. She has the finest eyes in the world, out of which
she pretends <i>not</i> to see, and the longest eyelashes I ever saw,
since Leila's and Phannio's Moslem curtains of the light. She has much
beauty,&mdash;just enough,&mdash;but is, I think, <i>méchante</i>.<br>
<br>
I have been pondering on the miseries of separation, that&mdash;oh how seldom
we see those we love! yet we live ages in moments, <i>when met</i>. The
only thing that consoles me during absence is the reflection that no
mental or personal estrangement, from ennui or disagreement, can take
place; and when people meet hereafter, even though many changes may have
taken place in the mean time, still, unless they are <i>tired</i> of
each other, they are ready to reunite, and do not blame each other for
the circumstances that severed them.<br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov271813"></a><h3>Saturday 27th [November 1813]</h3>
<br>
(I believe or rather am in <i>doubt</i>, which is the <i>ne plus
ultra</i> of mortal faith.)<br>
<br>
I have missed a day; and, as the Irishman said, or Joe Miller says for
him, "have gained a loss," or <i>by</i> the loss. Every thing is settled
for Holland, and nothing but a cough, or a caprice of my
fellow-traveller's, can stop us. Carriage ordered, funds prepared, and,
probably, a gale of wind into the bargain. <i>N'importe</i>&mdash;I believe,
with Clym o' the Clow, or Robin Hood, "By our <a name="frv41">Mary</a>, (dear name!) thou
art both Mother and May, I think it never was a man's lot to die before
his day."<a href="#fv41"><sup>1</sup></a><br>
<br>
Heigh for Helvoetsluys, and so forth!<br>
<br>
To-night I went with young Henry Fox to see <i>Nourjahad</i>, a drama,
which the <i>Morning Post</i> hath laid to my charge, but of which I
cannot even guess the author. I wonder what they will next inflict upon
me. They cannot well sink below a melodrama; but that is better than a
satire, (at least, a personal one,) with which I stand truly arraigned,
and in atonement of which I am resolved to bear silently all criticisms,
abuses, and even praises, for bad pantomimes never composed by me,
without even a contradictory aspect. I suppose the root of this report
is my loan to the manager of my Turkish drawings for his dresses, to
which he was more welcome than to my name. I suppose the real author
will soon own it, as it has succeeded; if not, Job be my model, and
Lethe my beverage!<br>
<br>
&mdash;&mdash; has received the portrait safe; and, in answer, the only remark she
makes upon it is, "indeed it is like"&mdash;and again, "indeed it is like."
With her the likeness "covered a multitude of sins;" for I happen to
know that this portrait was not a flatterer, but dark and stern,&mdash;even
black as the mood in which my mind was scorching last July, when I sat
for it. All the others of me, like most portraits whatsoever, are, of
course, more agreeable than nature.<br>
<br>
Redde the <i>Edinburgh Review</i> of Rogers. He is ranked highly; but
where he should be. <a name="frv42">There</a> is a summary view of us all&mdash;<i>Moore</i> and
<i>me</i> among the rest<a href="#fv42"><sup>2</sup></a>; and both (the <i>first</i> justly)
praised&mdash;though, by implication (justly again) placed beneath our
memorable friend. Mackintosh is the writer, and also of the critique on
the Stael<a href="#fv43"><sup>3</sup></a>.<br>
<br>
His grand essay on Burke, I hear, is for the next number. But I know
nothing of the <i>Edinburgh</i>, or of any other <i>Review</i>, but from
rumour; and I have long ceased; indeed, I could not, in justice,
complain of any, even though I were to rate poetry, in general, and my
rhymes in particular, more highly than I really do. To withdraw
<i>myself</i> from <i>myself</i> (oh that cursed selfishness!) has ever
been my sole, my entire, my sincere motive in scribbling at all; and
publishing is also the continuance of the same object, by the action it
affords to the mind, which else recoils upon itself. If I valued fame, I
should flatter received opinions, which have gathered strength by time,
and will yet wear longer than any living works to the contrary. But, for
the soul of me, I cannot and will not give the lie to my own thoughts
and doubts, come what may. If I am a fool, it is, at least, a doubting
one; and I envy no one the certainty of his self-approved wisdom.<br>
<br>
All are inclined to believe what they covet, from a lottery-ticket up to
a passport to Paradise,&mdash;in which, from the description, I see nothing
very tempting. <a name="frv44">My</a> restlessness tells me I have something "within that
passeth show."<a href="#fv44"><sup>4</sup></a><br>
<br>
It is for Him, who made it, to prolong that spark of celestial fire
which illuminates, yet burns, this frail tenement; but I see no such
horror in a "dreamless sleep," and I have no conception of any existence
which duration would not render tiresome. How else "fell the angels,"
even according to your creed? <a name="frv45">They</a> were immortal, heavenly, and happy,
as their <I>apostate Abdiel</I><a href="#fv45"><sup>5</sup></a> is now by his treachery. Time must
decide; and eternity won't be the less agreeable or more horrible
because one did not expect it. In the mean time, I am grateful for some
good, and tolerably patient under certain evils&mdash;<I>grace à Dieu et mon
bon tempérament</I>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"Ah, deere ladye, said Robin Hood, thou<br>
  That art both Mother and May,<br>
  I think it was never man's destinye<br>
  To die before his day."</blockquote>

<i>Ballad of Robin Hood</i><br>
<a href="#frv41">return to footnote mark</a><br>
<br>
<br>
<a name="fv42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The following is the passage to which Byron alludes:

 <blockquote> "Greece, the mother of freedom and of poetry in the West, which had
  long employed only the antiquary, the artist, and the philologist, was
  at length destined, after an interval of many silent and inglorious
  ages, to awaken the genius of a poet. Full of enthusiasm for those
  perfect forms of heroism and liberty which his imagination had placed
  in the recesses of antiquity, he gave vent to his impatience of the
  imperfections of living men and real institutions, in an original
  strain of sublime satire, which clothes moral anger in imagery of an
  almost horrible grandeur; and which, though it cannot coincide with
  the estimate of reason, yet could only flow from that worship of
  perfection which is the soul of all true poetry."</blockquote>

<i>Edin. Rev</i>., vol. xxii. p. 37.<br>
<a href="#frv42">return</a><br>
<br>
<br>
<a name="fv43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

  <blockquote>"In the last <i>Edinburgh Review</i> you will find two articles of
  mine, one on Rogers, and the other on Madame de Staël: they are both,
  especially the first, thought too panegyrical. I like the praises
  which I have bestowed on Lord Byron and Thomas Moore. I am convinced
  of the justness of the praises given to Madame de
  Staël."</blockquote>

<i>Mackintosh's Life</i>, vol. ii. p. 271.<br>
<a href="#frv42">return</a><br>
<br>
<br>
<a name="fv44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;

  <blockquote>"I have that within which passeth show." </blockquote>

<i>Hamlet</i>, act i. sc. 2.<br>
<a href="#frv44">return</a><br>
<br>
<br>
<a name="fv45"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;

 <blockquote> " ... the seraph Abdiel, faithful found<br>
  Among the faithless."</blockquote>

Milton, <I>Paradise Lost</I>, v. 896.<br>
<a href="#frv45">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="nov301813"></a><h3>Tuesday 30th [November 1813]</h3>
<br>
Two days missed in my log-book;&mdash;<I>hiatus</I> haud <I>deflendus</I>.
They were as little worth recollection as the rest; and, luckily,
laziness or society prevented me from <I>notching</I> them.<br>
<br>
<a name="frv51">Sunday</a>, I dined with the Lord Holland in St. James's Square. Large
party&mdash;among them Sir S. Romilly<a href="#fv51"><sup>1</sup></a> and Lady R'y.&mdash;General Sir Somebody
Bentham<a href="#fv52"><sup>2</sup></a>, a man of science and talent, I am told&mdash;Horner<a href="#fv53"><sup>3</sup></a>&mdash;<i>the</i> Horner, an Edinburgh Reviewer, an excellent speaker in
the "Honourable House," very pleasing, too, and gentlemanly in company,
as far as I have seen&mdash;Sharpe&mdash; Philips of Lancashire<a href="#fv54"><sup>4</sup></a>&mdash;Lord John
Russell, and others, "good men and true." Holland's society is very
good; you always see some one or other in it worth knowing. Stuffed
myself with sturgeon, and exceeded in champagne and wine in general, but
not to confusion of head. When I <i>do</i> dine, I gorge like an Arab or
a Boa snake, on fish and vegetables, but no meat. I am always better,
however, on my tea and biscuit than any other regimen, and even
<i>that</i> sparingly.<br>
<br>
Why does Lady H. always have that damned screen between the whole room
and the fire? I, who bear cold no better than an antelope, and never yet
found a sun quite <i>done</i> to my taste, was absolutely petrified, and
could not even shiver. All the rest, too, looked as if they were just
unpacked, like salmon from an ice-basket, and set down to table for that
day only. When she retired, I watched their looks as I dismissed the
screen, and every cheek thawed, and every nose reddened with the
anticipated glow.<br>
<br>
Saturday, I went with Harry Fox to <i>Nourjahad</i>; and, I believe,
convinced him, by incessant yawning, that it was not mine. I wish the
precious author would own it, and release me from his fame. The dresses
are pretty, but not in costume;&mdash;Mrs. Horn's, all but the turban, and
the want of a small dagger (if she is a sultana), <i>perfect</i>. I
never saw a Turkish woman with a turban in my life&mdash;nor did any one
else. The sultanas have a small poniard at the waist. The dialogue is
drowsy&mdash;the action heavy&mdash;the scenery fine&mdash;the actors tolerable. I
can't say much for their seraglio&mdash;Teresa, Phannio, or &mdash;&mdash;, were worth
them all.<br>
<br>
Sunday, a very handsome note from Mackintosh, who is a rare instance of
the union of very transcendent talent and great good nature. <a name="frv55">To-day</a>
(Tuesday) a very pretty billet from M. la Baronne de Stael Holstein<a href="#fv55"><sup>5</sup></a>.
 She is pleased to be much pleased with my mention of her and her last
work in my notes. I spoke as I thought. Her works are my delight, and so
is she herself, for&mdash;half an hour. I don't like her politics&mdash;at least,
her <I>having changed</I> them; had she been <I>qualis ab incepto</I>,
it were nothing. But she is a woman by herself, and has done more than
all the rest of them together, intellectually;&mdash;she ought to have been a
man. She <I>flatters</I> me very prettily in her note;&mdash;but I
<I>know</I> it. The reason that adulation is not displeasing is, that,
though untrue, it shows one to be of consequence enough, in one way or
other, to induce people to lie, to make us their friend:&mdash;that is their
concern.<br>
<br>
&mdash;&mdash; <a name="frv56">is</a>, I hear, thriving on the repute of a <I>pun</I> which was
<I>mine</I> (at Mackintosh's dinner some time back), on Ward, who was
asking, "how much it would take to <I>re-whig</I> him?" I answered that,
probably, "he must first, before he was <I>re-whigged</I>, be
re-<I>warded</I>."<a href="#fv56"><sup>6</sup></a> This foolish quibble, before the Stael and
Mackintosh, and a number of conversationers, has been mouthed about, and
at last settled on the head of &mdash;&mdash;, where long may it remain!<br>
<br>
George<a href="#fv57"><sup>7</sup></a> is <a name="frv57">returned</a> from afloat to get a new ship. He looks thin, but
better than I expected. I like George much more than most people like
their heirs. He is a fine fellow, and every inch a sailor. I would do
any thing, <i>but apostatise</i>, to get him on in his profession.<br>
<br>
Lewis called. It is a <a name="frv58">good</a> and good-humoured man, but pestilently prolix
and paradoxical and <i>personal</i><a href="#fv58"><sup>8</sup></a>. If he would but talk half, and
reduce his visits to an hour, he would add to his popularity. As an
author he is very good, and his vanity is <I>ouverte</I>, like
Erskine's, and yet not offending.<br>
<br>
<a name="frv59">Yesterday</a>, a very pretty letter from Annabella<a href="#fv59"><sup>9</sup></a>, which I answered.
What an odd situation and friendship is ours!&mdash;without one spark of love
on either side, and produced by circumstances which in general lead to
coldness on one side, and aversion on the other. She is a very superior
woman, and very little spoiled, which is strange in an heiress&mdash;a girl
of twenty&mdash;a peeress that is to be, in her own right&mdash;an only child, and
a <I>savante</I>, who has always had her own way. She is a poetess&mdash;a
mathematician&mdash;a metaphysician, and yet, withal, very kind, generous,
and gentle, with very little pretension. Any other head would be turned
with half her acquisitions, and a tenth of her advantages.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Sir Samuel Romilly (1757-1818), Solicitor-General (1806-7),
distinguished himself in Parliament by his consistent advocacy of
Catholic Emancipation, the abolition of the slave-trade, Parliamentary
reform, and the mitigation of the harshness of the criminal law. Writing
of Romilly's <I>Observations on the Criminal Law of</I> <I>England</I>
(1810), Sir James Mackintosh says,

  <blockquote>"It does the very highest honour to his moral character, which, I
  think, stands higher than that of any other conspicuous Englishman now
  alive. Probity, independence, humanity, and liberality breathe through
  every word; considered merely as a composition, accuracy, perspicuity,
  discretion, and good taste are its chief merits; great originality and
  comprehension of thought, or remarkable vigour of expression, it does
  not possess."</blockquote>

The death of his wife, October 29, 1818, so affected Romilly's mind that
he committed suicide four days later.

 <blockquote> "Romilly," said Lord Lansdowne to Moore (<i>Memoirs, etc</i>., vol.
  ii. p. 211), "was a stern, reserved sort of man, and she was the only
  person in the world to whom he wholly unbent and unbosomed himself;
  when he lost her, therefore, the very vent of his heart was stopped
  up."</blockquote>
<a href="#frv51">return to footnote mark</a><br>
<br>
<br>
<a name="fv52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;Sir Samuel Bentham (1757-1831), naval architect and
engineer, like his brother Jeremy, was a strong reformer. He was a
Knight of the Russian Order of St. George, and, like Sir Samuel Egerton
Brydges, who was a Knight of the Swedish Order of St. Joachim before he
was created a baronet (1814), assumed the title in England.<br>
<a href="#frv51">return</a><br>
<br>
<br>
<a name="fv53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Francis Horner (1778-1817), called to the Scottish Bar in
1800, and to the English Bar in 1807, was one of the founders of the
<i>Edinburgh Review</i>, and acted as second to Jeffrey in his duel with
Moore. In the House of Commons (M.P. for St. Ives, 1806-7; Wendover,
1807-12; St. Mawes, 1812-17) he was one of the most impressive speakers
of the day, especially on financial questions. When Lord Morpeth moved
(March 3, 1817) for a new writ for the borough of St. Mawes, striking
tributes were paid to his character from both sides of the House
(<i>Memoirs and Correspondence of Francis Horner</i>, vol. ii. pp.
416-426), and further proof was given of public esteem by the statue
erected to his memory in Westminster Abbey. The speeches delivered in
the Lower House on March 3, 1817, were translated by Ugo Foscolo, and
published with a dedication <i>al nobile giovinetto, Enrico Fox, figlio
di Lord Holland</i>.<br>
<a href="#frv51">return</a><br>
<br>
<br>
<a name="fv54"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; George Philips, only son of Thomas Philips of Sedgley,
Lancashire (born March 24, 1766), was created a baronet in February,
1828. He sat for South Warwickshire in the first reformed House of
Commons.<br>
<a href="#frv51">return</a><br>
<br>
<br>
<a name="fv55"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; In a note to <i>The Bride of Abydos</i> (Canto I. st. vi.),
Byron had written,

 <blockquote> "For an eloquent passage in the latest work of the first female writer
  of this, perhaps of any, age, on the analogy (and the immediate
  comparison excited by that analogy) between 'painting and music,' see
  vol. iii. cap. 10, <i>De l'Allemagne</i>." </blockquote>

The passage is as follows (Part III. chap, x.):

 <blockquote> "Sans cesse nous comparons la peinture à la musique, et la musique à
  la peinture, parceque les émotions que nous eprouvons nous révèlent
  des analogies où l'observation froide ne verroit que des différences,"
  etc., etc.</blockquote>

The following is Madame de Staël's "very pretty billet:"

  <blockquote>"Argyll St., No. 31.<br>
<br>
  "Je ne saurais vous exprímer, my lord, à quel point je me trouve
  honorée d'être dans une note de votre poëme, et de quel poëme! il me
  semble que pour la première fois je me crois certaine d'un nom
  d'avenir et que vous avez disposé pour moi de cet empire de reputation
  qui vous sera tous les jours plus soumis. Je voudrais vous parler de
  ce poëme que tout le monde admire, mais j'avouerai que je suis trop
  suspecte en le louant, et je ne cache pas qu' une louage de vous m'a
  fait épreuver un sentiment de fierté et de réconaissance qui me
  rendrait incapable de vous juger; mais heureusement vous êtes au
  dessus du jugement.<br>
<br>
  "Donnez moi quelquefois le plaisir de vous voir; il-y-a un proverbe
  français qui dit qu'un bonheur ne va jamais sans d'autre.<br>
<br>
  "<b>de Staël</b>."</blockquote>
<a href="#frv55">return</a><br>
<br>
<br>
<a name="fv56"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;

 <blockquote> "Byron," writes Sir Walter Scott, in a hitherto unpublished note,
  "occasionally said what are called good things, but never studied for
  them. They came naturally and easily, and mixed with the comic or
  serious, as it happened. A professed wit is of all earthly companions
  the most intolerable. He is like a schoolboy with his pockets stuffed
  with crackers.<br>
<br>
  "No first-rate author was ever what is understood by a <i>great
  conversational wit</i>. Swift's wit in common society was either the
  strong sense of a wonderful man unconsciously exerting his powers, or
  that of the same being wilfully unbending, wilfully, in fact,
  degrading himself. Who ever heard of any fame for conversational wit
  lingering over the memory of a Shakespeare, a Milton, even of a Dryden
  or a Pope?<br>
<br>
  Johnson is, perhaps, a solitary exception. More shame to him. He was
  the most indolent great man that ever lived, and threw away in his
  talk more than he ever took pains to embalm in his writings.<br>
<br>
  It is true that Boswell has in great measure counteracted all this.
  But here is no defence. Few great men can expect to have a Boswell,
  and none <i>ought</i> to wish to have one, far less to trust to having
  one. A man should not keep fine clothes locked up in his chest only
  that his valet may occasionally show off in them; no, nor yet strut
  about in them in his chamber, only that his valet may puff him and his
  finery abroad.<br>
<br>
  What might not he have done, who wrote <i>Rasselas</i> in the evenings
  of eight days to get money enough for his mother's funeral expenses?
  As it is, what has Johnson done? Is it nothing to be the first
  intellect of <i>an age</i>? and who seriously talks even of Burke as
  having been more than a clever boy in the presence of old Samuel?"</blockquote>
<a href="#frv56">return</a><br>
<br>
<br>
<a name="fv57"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; George Anson Byron, R. N., afterwards Lord Byron.<br>
<a href="#frv57">return</a><br>
<br>
<br>
<a name="fv58"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp; Scott has this additional note on Lewis:

  <blockquote>"Nothing was more tiresome than Lewis when he began to harp upon any
  extravagant proposition. He would tinker at it for hours without
  mercy, and repeat the same thing in four hundred different ways. If
  you assented in despair, he resumed his reasoning in triumph, and you
  had only for your pains the disgrace of giving in. If you disputed,
  daylight and candle-light could not bring the discussion to an end,
  and Mat's arguments were always <i>ditto repeated</i>."</blockquote>
<a href="#frv58">return</a><br>
<br>
<br>
<a name="fv59"><span style="color: #FF0000;">Footnote 9:</span></a> &nbsp; Miss Milbanke, afterwards Lady Byron.<br>
<a href="#frv59">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec11813"></a><h3>Wednesday, December 1st, 1813</h3>
<br>
To-day responded to La Baronne de Stael Holstein, and sent to Leigh Hunt
(an acquisition to my acquaintance&mdash;through Moore&mdash;of last summer) a
copy of the two Turkish tales. Hunt is an extraordinary character, and
not exactly of the present age. He reminds me more of the Pym and
Hampden times&mdash;much talent, great independence of spirit, and an
austere, yet not repulsive, aspect. If he goes on <I>qualis ab
incepto</I>, I know few men who will deserve more praise or obtain it. I
must go and see him again;&mdash;the rapid succession of adventure, since
last summer, added to some serious uneasiness and business, have
interrupted our acquaintance; but he is a man worth knowing; and though,
for his own sake, I wish him out of prison, I like to study character in
such situations. He has been unshaken, and will continue so. I don't
think him deeply versed in life;&mdash;he <a name="frv61">is</a> the bigot of virtue (not
religion), and enamoured of the beauty of that "empty name," as the last
breath of Brutus pronounced<a href="#fv61"><sup>1</sup></a>, and every day proves it. He is,
perhaps, a little opinionated, as all men who are the <i>centre</i> of
<i>circles</i>, wide or narrow&mdash;the Sir Oracles, in whose name two or
three are gathered together&mdash;must be, and as even Johnson was; but,
withal, a valuable man, and less vain than success and even the
consciousness of preferring "the right to the expedient" might excuse.<br>
<br>
To-morrow there is a party of <i>purple</i> at the "blue" Miss Berry's.
Shall I go? um!&mdash;I don't much affect your blue-bottles;&mdash;but one ought
to be civil. There will be, "I guess now" (as the Americans say), the
Staels and Mackintoshes&mdash;good&mdash;the &mdash;&mdash; s and &mdash;&mdash; s&mdash;not so good&mdash;the
&mdash;&mdash; s, etc., etc.&mdash;good for nothing. <a name="frv62">Perhaps</a> that blue-winged
Kashmirian butterfly of book-learning<a href="#fv62"><sup>2</sup></a>, Lady Charlemont, will be
there. I hope so; it is a pleasure to look upon that most beautiful of
faces.<br>
<br>
<a name="frv63">Wrote</a> to H.:&mdash;he has been telling that I&mdash;&mdash;&mdash;<a href="#fv63"><sup>3</sup></a> I am sure, at least,
<i>I</i> did not mention it, and I wish he had not. He is a good fellow,
and I obliged myself ten times more by being of use than I did him,&mdash;and
there's an end on't.<br>
<br>
Baldwin<a href="#fv64"><sup>4</sup></a> is <a name="frv64">boring</a> me to present their King's Bench petition. I
presented Cartwright's last year; and Stanhope and I stood against the
whole House, and mouthed it valiantly&mdash;and had some fun and a little
abuse for our opposition. But "I <a name="frv65">am</a> not i' th' vein"<a href="#fv65"><sup>5</sup></a> for this
business. Now, had &mdash;&mdash; been here, she would have <i>made</i> me do it.
<i>There</i> is a woman, who, amid all her fascination, always urged a
man to usefulness or glory. Had she remained, she had been my tutelar
genius.<br>
<br>
<a name="frv66">Baldwin</a> is very importunate&mdash;but, poor fellow, "I can't get out, I can't
get out&mdash;said the starling."<a href="#fv66"><sup>6</sup></a> Ah, I am as <a name="frv67">bad</a> as that dog Sterne, who
preferred whining over "a dead ass to relieving a living mother"<a href="#fv67"><sup>7</sup></a>&mdash;villain&mdash;hypocrite&mdash;slave&mdash;sycophant! but <i>I</i> am no better.
Here I cannot stimulate myself to a speech for the sake of these
unfortunates, and three words and half a smile of &mdash;&mdash; had she been here
to urge it (and urge it she infallibly would&mdash;at least she always
pressed me on senatorial duties, and particularly in the cause of
weakness) would have made me an advocate, if not an orator. Curse on
Rochefoucault for being always right! In him a lie were virtue,&mdash;or, at
least, a comfort to his readers.<br>
<br>
George Byron has not called to-day; I hope he will be an admiral, and,
perhaps, Lord Byron into the bargain. If he would but marry, I would
engage never to marry myself, or cut him out of the heirship. He would
be happier, and I should like nephews better than sons.<br>
<br>
I shall soon be six-and-twenty (January 22d., 1814). Is there any thing
in the future that can possibly console us for not being always
<I>twenty-five</I>?

<blockquote>                "Oh Gioventu!<br>
Oh Primavera! gioventu dell' anno.<br>
Oh Gioventu! primavera della vita."</blockquote><br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;
<table summary="JC quotation" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><i>Strato</i></td>
	<td> For Brutus only overcame himself,
  And no man else hath honour by his death.</td>
</tr>
<tr align="left" valign="top">
	<td></td>
	<td>...</td>
</tr>
<tr align="left" valign="top">
	<td><i>Octavius</i></td>
	<td> According to his virtue let us use him,
  With all respect and rites of burial.</td>
</tr>
</table>
<i>Julius Cæsar</i>, act v. sc. 5.<br>
<a href="#frv61">return</a><br>
<br>
<br>
<a name="fv62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; In <i>The Giaour</i> (lines 388-392) occurs the following
passage:

  <blockquote>"As rising on its purple wing<br>
  The insect-queen of Eastern spring<br>
  O'er emerald meadows of Kashmeer<br>
  Invites the young pursuer near," etc.</blockquote>

To line 389 is appended this note:

 <blockquote> "The blue-winged butterfly of Kashmeer, the most rare and beautiful of
  the species."</blockquote>
<a href="#frv62">return</a><br>
<br>
<br>
<a name="fv63"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; See <a href="#L365">letter</a> to Francis Hodgson, p. 294.<br>
<a href="#frv63">return</a><br>
<br>
<br>
<a name="fv64"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; The letters which W.J. Baldwin, a debtor in the King's
Bench prison, wrote to Byron are preserved. Byron seems to have refused
to present the petition from diffidence, but he interested himself in
the subject, and probably induced Lord Holland to take up the question.
(See p. 318, <a href="#fu56"><i>note</i></a> 2.) In the list of abuses enumerated by Baldwin
is mentioned a "strong room,"  in which prisoners were confined, without
fires or glass to the windows, in the depth of winter.<br>
<a href="#frv64">return</a><br>
<br>
<br>
<a name="fv65"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;<i>Richard III</i>., act iv, sc. 2.<br>
<a href="#frv65">return</a><br>
<br>
<br>
<a name="fv66"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; <i>Sentimental Journey</i> (ed. 1819), vol. ii. p. 379.<br>
<a href="#frv66">return</a><br>
<br>
<br>
<a name="fv67"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; <i>Ibid.</i>, vol. ii. p. 337.<br>
<a href="#frv67">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec51813"></a><h3>Sunday, December 5th [1813]</h3>
<br>
Dallas's nephew (son to the American Attorney-general) is arrived in
this country, and tells Dallas that my rhymes are very popular in the
United States. These are the first tidings that have ever sounded like
<I>Fame</I> to my ears&mdash;to be redde on the banks of the Ohio! The
<a name="frv71">greatest</a> pleasure I ever derived, of this kind was from an extract, in
Cooke the actor's life, from his journal<a href="#fv71"><sup>1</sup></a>, stating that in the
reading-room at Albany, near Washington, he perused <I>English Bards,
and Scotch Reviewers</I>. To be popular in a rising and far country has
a kind of <I>posthumous feel</I>, very different from the ephemeral
<I>éclat</I> and fête-ing, buzzing and party-ing compliments of the
well-dressed multitude. I can safely say that, during my <I>reign</I> in
the spring of 1812, I regretted nothing but its duration of six weeks
instead of a fortnight, and was heartily glad to resign.<br>
<br>
Last night I supped with Lewis; and, as usual, though I neither exceeded
in solids nor fluids, have been half dead ever since. My stomach is
entirely destroyed by long abstinence, and the rest will probably
follow. Let it&mdash;I only wish the <I>pain</I> over. The "leap in the dark"
is the least to be dreaded.<br>
<br>
The Duke of &mdash;&mdash; called. I have told them forty times that, except to
half-a-dozen old and specified acquaintances, I am invisible. His Grace
is a good, noble, ducal person; but I am content to think so at a
distance, and so&mdash;I was not at home.<br>
<br>
Galt called.&mdash;Mem.&mdash;to ask some one to speak to Raymond in favour of his
play. We are old fellow-travellers, and, with all his eccentricities, he
has much strong sense, experience of the world, and is, as far as I have
seen, a good-natured philosophical fellow. I showed him Sligo's letter
on the reports of the Turkish girl's <I>aventure</I> at Athens soon
after it happened. He and Lord Holland, Lewis, and Moore, and Rogers,
and Lady Melbourne have seen it. Murray has a copy. I thought it had
been <I>unknown</I>, and wish it were; but Sligo arrived only some days
after, and the <I>rumours</I> are the subject of his letter. That I
shall preserve,&mdash;<I>it is as well</I>. Lewis and Gait were both
<I>horrified</I>; and L. wondered I did not introduce the situation into
<I>The Giaour</I>. He <I>may</I> wonder;&mdash;he might wonder more at that
production's being written at all. But to describe the <I>feelings</I>
of <I>that situation</I> were impossible&mdash;it is <I>icy</I> even
to recollect them.<br>
<br>
The <I>Bride of Abydos</I> was published on Thursday the second of
December; but how it is liked or disliked, I know not. Whether it
succeeds or not is no fault of the public, against whom I can have no
complaint. But I am much more indebted to the tale than I can ever be to
the most partial reader; as it wrung my thoughts from reality to
imagination&mdash;from selfish regrets to vivid recollections&mdash;and recalled
me to a country replete with the <I>brightest</I> and <I>darkest</I>,
but always most <I>lively</I> colours of my memory. Sharpe called, but
was not let in, which I regret.<br>
<br>
Saw [Rogers] yesterday. I have not kept my appointment at Middleton,
which has not pleased him, perhaps; and my projected voyage with [Ward]
will, perhaps, please him less. But I wish to keep well with both. They
are instruments that don't do in concert; but, surely, their separate
tones are very musical, and I won't give up either.<br>
<br>
It is well if I don't jar between these great discords. At present I
stand tolerably well with all, but I cannot adopt their
<I>dislikes</I>;&mdash;so many <I>sets</I>. Holland's is the first;&mdash;every
thing <I>distingué</I> is welcome there, and certainly the <I>ton</I> of
his society is the best. Then there is Madame de Stael's&mdash;there I never
go, though I might, had I courted it. It is <a name="frv72">composed</a> of the &mdash;&mdash;s and
the &mdash;&mdash; family, with a strange sprinkling,&mdash;orators, dandies, and all
kinds of <I>Blue</I>, from the regular Grub Street uniform, down to the
azure jacket of the <I>Littérateur</I><a href="#fv72"><sup>2</sup></a>?<br>
<br>
To see &mdash;&mdash; and &mdash;&mdash; sitting together, at dinner, always reminds me of
the grave, where all distinctions of friend and foe are levelled; and
they&mdash;the Reviewer and the Reviewée&mdash;the Rhinoceros and Elephant&mdash;the
Mammoth and Megalonyx&mdash;all will lie quietly together. They now
<i>sit</i> together, as silent, but not so quiet, as if they were
already immured.<br>
<br>
I did not go to the Berrys' the other night. The elder is a woman of
much talent, and both are handsome, and must have been beautiful.
To-night asked to Lord H.'s&mdash;shall I go? um!&mdash;perhaps.<br>
<br>
<br>
<b>Morning, two o'clock.</b><br>
<br>
Went to Lord H.'s&mdash;party numerous&mdash;<I>mi</I>lady in perfect good humour,
and consequently <I>perfect</I>. No one more agreeable, or perhaps so
much so, when she will. Asked for Wednesday to dine and meet the
Stael&mdash;asked particularly, I believe, out of mischief to see the first
interview after the <I>note</I>, with which Corinne professes herself to
be so much taken. I don't much like it; she always talks of
<I>my</I>self or <I>her</I>self, and I am not (except in soliloquy, as
now,) much enamoured of either subject&mdash;especially one's works. What the
devil shall I say about <I>De l'Allemagne</I>? I like it prodigiously;
but unless I can twist my admiration into some fantastical expression,
she won't believe me; and I know, by experience, I shall be overwhelmed
with fine things about rhyme, etc., etc. The lover, Mr.&mdash;&mdash; [Rocca], was
there to-night, and C&mdash;&mdash; said "it was the only proof <I>he</I> had seen
of her good taste." Monsieur L'Amant is remarkably handsome; but
<I>I</I> don't think more so than her book.<br>
<br>
C&mdash;&mdash; [Campbell] looks well,&mdash;seems pleased, and dressed to
<I>sprucery</I>. A blue coat becomes him,&mdash;so does his new wig. He
really looked as if Apollo had sent him a birthday suit, or a
wedding-garment, and was witty and lively. He abused Corinne's book,
which I regret; because, firstly, he understands German, and is
consequently a fair judge; and, secondly, he is <I>first-rate</I>, and,
consequently, the best of judges. I reverence and admire him; but I
won't give up my opinion&mdash;why should I? I read <I>her</I> again and
again, and there can be no affectation in this. I cannot be mistaken
(except in taste) in a book I read and lay down, and take up again; and
no book can be totally bad which finds <I>one</I>, even <i>one</i>
reader, who can say as much sincerely.<br>
<br>
Campbell talks of lecturing next spring; his last lectures were
eminently successful. Moore thought of it, but gave it up,&mdash;I don't know
why. &mdash;&mdash; had been prating <I>dignity</I> to him, and such stuff; as if
a man disgraced himself by instructing and pleasing at the same time.<br>
<br>
<a name="frv73">Introduced</a> to Marquis Buckingham&mdash;saw Lord Gower<a href="#fv73"><sup>3</sup></a>&mdash;he is going to
Holland; Sir J. and Lady Mackintosh and Horner, G. Lamb<a href="#fv74"><sup>4</sup></a>, with I know
not how many (Richard Wellesley, one&mdash;a clever man), grouped about the
room. Little Henry Fox, a very fine boy, and very promising in mind and
manner,&mdash;he went away to bed, before I had time to talk to him. I am
sure I had rather hear him than all the <I>savans</I>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; In Dunlap's <I>Memoirs of George Frederick Cooke</I> (vol.
ii. p. 313), the following passage is quoted from the actor's journal:

  <blockquote>"Read <i>English Bards, and Scotch Reviewers</i>, by Lord Byron. It is
  well written. His Lordship is rather severe, perhaps justly so, on
  Walter Scott, and most assuredly justly severe upon Monk Lewis."</blockquote>
<a href="#frv71">return to footnote mark</a><br>
<br>
<br>
<a name="fv72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;In Byron's <I>Detached Thoughts</I> (1821) occurs this
passage:

  <blockquote>"In general I do not draw well with literary men. Not that I dislike
  them, but I never know what to say to them after I have praised their
  last publication. There are several exceptions, to be sure; but then
  they have always been men of the world, such as Scott and Moore, etc.,
  or visionaries out of it, such as Shelley, etc. But your literary
  every-day man and I never went well in company, especially your
  foreigner, whom I never could abide,&mdash;except Giordani, and&mdash;and&mdash;and
  (I really can't name any other); I do not remember a man amongst them
  whom I ever wished to see twice, except, perhaps, Mezzophanti, who is
  a Monster of Languages, the Briareus of parts of speech, a walking
  Polyglott, and more&mdash;who ought to have existed at the time of the
  Tower of Babel as universal Interpreter. He is, indeed, a
  Marvel,&mdash;unassuming also. I tried him in all the tongues of which I
  have a single oath (or adjuration to the Gods against Postboys,
  Savages, Tartars, boatmen, sailors, pilots, Gondoliers, Muleteers,
  Cameldrivers, Vetturini, Postmasters, post-horses, post-houses,
  post-everything) and Egad! he astounded me even to my English."</blockquote>

On this passage Sir Walter Scott makes the following note:

 <blockquote> "I suspect Lord Byron of some self-deceit as to this matter. It
  appears that he liked extremely the only <i>first-rate</i> men of
  letters into whose society he happened to be thrown in England. They
  happened to be men of the world, it is true; but how few men of very
  great eminence in literature, how few intellectually Lord B.'s peers,
  have <i>not</i> been men of the world? Does any one doubt that the
  topics he had most pleasure in discussing with Scott or Moore were
  literary ones, or had at least some relation to literature?<br>
<br>
  "As for the foreign <i>literati</i>, pray what <i>literati</i>
  anything like his own rank did he encounter abroad? I have no doubt he
  would have been as much at home with an Alfieri, a Schiller, or a
  Goethe, or a Voltaire, as he was with Scott or Moore, and yet two of
  these were very little of men of the world in the sense in which he
  uses that phrase.<br>
<br>
  "As to 'every-day men of letters,' pray who does like their company?
  Would a clever man like a prosing 'captain, or colonel, or
  knight-in-arms' the <i>better</i> for happening to be himself the Duke
  of Wellington?"</blockquote>
<a href="#frv72">return</a><br>
<br>
<br>
<a name="fv73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; George Granville Leveson Gower (1786-1861) succeeded his
father in 1833 as second Duke of Sutherland.<br>
<a href="#frv73">return</a><br>
<br>
<br>
<a name="fv74"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;George Lamb (1784-1834), the fourth son of the first Lord
Melbourne, married, in 1809, Caroline Rosalie St. Jules. As one of the
early contributors to the <I>Edinburgh Review</I>, he was attacked by
Byron in <I>English Bards, and Scotch Reviewers</I>, lines 57 and 516
(see <I>Poems</I>, ed. 1898, vol. i. p. 301, <I>note</I> I). A clever
amateur actor, his comic opera <I>Whistle for It</I> was produced at
Covent Garden, April 10, 1807, and he was afterwards on the Drury Lane
Committee of Management. His translation of the <I>Poems of Catullus</I>
was published in 1821. In 1819, as the representative of the official
Whigs, he was elected for Westminster against Hobhouse; but was defeated
at the next election (1820).<br>
<a href="#frv73">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>
<a name="dec61813"></a><h3>Monday, December 6th [1813]</h3>
<br>
Murray tells me that Croker asked him why the thing was called the
<I>Bride</I> of Abydos? It is a cursed awkward question, being
unanswerable. <I>She</I> is not a <I>bride</I>, only about to be one;
but for, etc., etc., etc.<br>
<br>
I don't wonder at his finding out the <I>Bull</I>; but the detection
&mdash;&mdash; is too late to do any good. I was a great fool to make it, and am
ashamed of not being an Irishman.<br>
<br>
Campbell last night seemed a little nettled at something or other&mdash;I
know not what. We were standing in the ante-saloon, when Lord H. brought
out of the other room a vessel of some composition similar to that which
is used in Catholic churches, and, seeing us, he exclaimed, "Here is
some <I>incense</I> for you." Campbell answered&mdash;"Carry it to Lord
Byron, <I>he is used to it</I>."<br>
<br>
<a name="frv81">Now</a>, this comes of "bearing no brother near the throne."<a href="#fv81"><sup>1</sup></a><br>
<br>
I, who have no throne, nor wish to have one <I>now</I>, whatever I may
have done, am at perfect peace with all the poetical fraternity; or, at
least, if I dislike any, it is not <I>poetically</I>, but
<I>personally</I>. Surely the field of thought is infinite; what does it
signify who is before or behind in a race where there is no <I>goal</I>?
The temple of fame is like that of the Persians, the universe; our
altar, the tops of mountains. I should be equally content with Mount
Caucasus, or Mount Anything; and those who like it, may have Mount Blanc
or Chimborazo, without my envy of their elevation.<br>
<br>
I think I may <I>now</I> speak thus; for I have just published a poem,
and am quite ignorant whether it is <I>likely</I> to be <I>liked</I> or
not. I have hitherto heard little in its commendation, and no one can
<I>downright</I> abuse it to one's face, except in print. It can't be
good, or I should not have stumbled over the threshold, and blundered in
my very title. But I began it with my heart full of &mdash;&mdash;, and my head of
oriental<I>ities</I> (I can't call them <I>isms</I>), and wrote on
rapidly.<br>
<br>
This journal is a relief. When I am tired&mdash;as I generally am&mdash;out comes
this, and down goes every thing. But I can't read it over; and God knows
what contradictions it may contain. If I am sincere with myself (but I
fear one lies more to one's self than to any one else), every page
should confute, refute, and utterly abjure its predecessor.<br>
<br>
Another scribble from Martin Baldwin the petitioner; I have neither head
nor nerves to present it. That confounded supper at Lewis's has spoiled
my digestion and my philanthropy. I have no more charity than a cruet of
vinegar. Would I were an ostrich, and dieted on fire-irons, &mdash;or any
thing that my gizzard could get the better of.<br>
<br>
<a name="frv82">To-day</a> saw Ward. His uncle<a href="#fv82"><sup>2</sup></a>  is dying, and W. don't much affect our
Dutch determinations. I dine with him on Thursday, provided
<i>l'oncle</i> is not dined upon, or peremptorily bespoke by the
posthumous epicures before that day. I wish he may recover&mdash;not for
<i>our</i> dinner's sake, but to disappoint the undertaker, and the
rascally reptiles that may well wait, since they <i>will</i> dine at
last.<br>
<br>
Gell called&mdash;he of Troy&mdash;after I was out. Mem.&mdash; to return his visit.
But my Mems. are the very landmarks of forgetfulness;&mdash;something like a
light-house, with a ship wrecked under the nose of its lantern. I never
look at a Mem. without seeing that I have remembered to forget. Mem.&mdash;I
have forgotten to pay Pitt's taxes, and suppose I shall be surcharged.
"An I do not turn rebel when thou art king "&mdash;oons! I believe my very
biscuit is leavened with that impostor's imposts.<br>
<br>
Lady Melbourne returns from Jersey's to-morrow;&mdash; I must call. A Mr.
Thomson has sent a song, which I must applaud. I hate annoying them with
censure or silence;&mdash;and yet I hate <i>lettering</i>.<br>
<br>
<a name="frv83">Saw</a> Lord Glenbervie<a href="#fv83"><sup>3</sup></a> and this Prospectus, at Murray's, of a new
Treatise on Timber. Now here is a man more useful than all the
historians and rhymers ever planted. For, by preserving our woods and
forests, he furnishes materials for all the history of Britain worth
reading, and all the odes worth nothing.<br>
<br>
Redde a good deal, but desultorily. My head is crammed with the most
useless lumber. It is odd that when I do read, I can only bear the
chicken broth of&mdash; <i>any thing</i> but Novels. It is many a year since
I looked into one, (though they are sometimes ordered, by way of
experiment, but never taken,) till I looked yesterday at the worst parts
of the <i>Monk</i>. These descriptions ought to have been written by
Tiberius at Caprea&mdash;they are forced&mdash;the <i>philtered</i> ideas of a
jaded voluptuary. It is to me inconceivable how they could have been
composed by a man of only twenty&mdash;his age when he wrote them. They have
no nature&mdash;all the sour cream of cantharides. I should have suspected
Buffon of writing them on the death-bed of his detestable dotage. I had
never redde this edition, and merely looked at them from curiosity and
recollection of the noise they made, and the name they had left to
Lewis. But they could do no harm, except &mdash;&mdash;.<br>
<br>
Called this evening on my agent&mdash;my business as usual. Our strange
adventures are the only inheritances of our family that have not
diminished.<br>
<br>
I shall now smoke two cigars, and get me to bed. The cigars don't keep
well here. They get as old as a <i>donna di quaranti anni</i> in the sun
of Africa. The Havannah are the best;&mdash;but neither are so pleasant as a
hooka or chiboque. The Turkish tobacco is mild, and their horses
entire&mdash;two things as they should be. I am so far obliged to this
Journal, that it preserves me from verse,&mdash;at least from keeping it. I
have just thrown a poem into the fire (which it has relighted to my
great comfort), and have smoked out of my head the plan of another. I
wish I could as easily get rid of thinking, or, at least, the confusion
of thought.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Pope's <I>Epistle to Dr. Arbuthnot</I>, line 197.<br>
<a href="#frv81">return</a><br>
<br>
<br>
<a name="fv82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; William Bosville (1745-1813), called colonel, but really
only lieutenant in the Coldstream Guards, was a noted <i>bon vivant</i>,
whose maxim for life was "Better never than late." He was famous for his
hospitality in Welbeck Street. A friend of Horne Tooke, he dined with
him at Wimbledon every Sunday in the spring and autumn. See
<i>Diversions of Purley</i>, ed. 1805, ii. 490:

 <blockquote> "Your friend Bosville and I have entered into a strict engagement to
  belong for ever to the established government, to the Established
  Church, and to the established language of our country, because they
  are established."</blockquote>
<a href="#frv82">return</a><br>
<br>
<br>
<a name="fv83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Sylvester Douglas (1743-1823), created in 1800 Baron
Glenbervie, married, in September, 1789, Catherine, eldest daughter of
Lord North, afterwards Earl of Guildford. He was educated at Leyden for
the medical profession, a circumstance to which Sheridan alludes in the
lines:

  <blockquote>"Glenbervie, Glenbervie,<br>
  What's good for the scurvy?<br>
  For ne'er be your old trade forgot."</blockquote>

Gibbon writes of him, October 4, 1788 (<i>Letters</i>, vol. ii. p. 180),

 <blockquote> "He has been curious, attentive, agreeable; and in every place where
  he has resided some days, he has left acquaintance who esteem and
  regret him; I never knew so clear and general an impression."</blockquote>

Glenbervie was Surveyor-General of Woods and Forests, 1803-1806, and
again from 1807 to 1810. In that year he became First Commissioner of
Land Revenue and Woods and Forests, and held the appointment till
August, 1814.<br>
<a href="#frv83">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec71813"></a><h3>Tuesday, December 7th [1813]</h3>
<br>
Went to bed, and slept dreamlessly, but not refreshingly. Awoke, and up
an hour before being called; but dawdled three hours in dressing. When
one subtracts from life infancy (which is vegetation),&mdash;sleep, eating,
and swilling&mdash;buttoning and unbuttoning&mdash;how much remains of downright
existence? The summer of a dormouse.<br>
<br>
Redde the papers and <i>tea</i>-ed and soda-watered, and found out that
the fire was badly lighted. Lord Glenbervie wants me to go to
Brighton&mdash;um!<br>
<br>
This morning, a very pretty billet from the Stael about meeting her at
Ld. H.'s to-morrow. She has written, I dare say, twenty such this
morning to different people, all equally flattering to each. So much the
better for her and those who believe all she wishes them, or they wish
to believe. She has been pleased to be pleased with my slight eulogy in
the note annexed to <i>The Bride</i>. This is to be accounted for in
several ways,&mdash;firstly, all women like all, or any, praise; secondly,
this was unexpected, because I have never courted her; and, <a name="frv91">thirdly</a>, as
Scrub<a href="#fv91"><sup>1</sup></a> says, those who have been all their lives regularly praised,
by regular critics, like a little variety, and are glad when any one
goes out of his way to say a civil thing; and, fourthly, she is a very
good-natured creature, which is the best reason, after all, and,
perhaps, the only one.<br>
<br>
A knock&mdash;knocks single and double. Bland called. He says Dutch society
(he has been in Holland) is second-hand French; but the women are like
women every where else. This is a bore: I should like to see them a
little <i>un</i>like; but that can't be expected.<br>
<br>
Went out&mdash;came home&mdash;this, that, and the other&mdash; and "all is vanity,
saith the preacher," and so say I, as part of his congregation. <a name="frv92">Talking</a>
of vanity, whose praise do I prefer? Why, Mrs. Inchbald's<a href="#fv92"><sup>2</sup></a>, and that
of the Americans. The first, because her <i>Simple Story</i> and
<i>Nature and Art</i> are, to me, <i>true</i> to their <i>titles</i>;
and, consequently, her short note to Rogers about <i>The Giaour</i>
delighted me more than any thing, except the <i>Edinburgh Review</i>. I
like the Americans, because <i>I</i> happened to be in <i>Asia</i>, while
the <i>English Bards, and Scotch Reviewers</i> were redde in
<i>America</i>. If I <a name="frv93">could</a> have had a speech against the <i>Slave Trade
in Africa</i>, and an epitaph on a dog in <i>Europe</i> (i.e. in the
<i>Morning Post</i>), my <i>vertex sublimis</i><a href="#fv93"><sup>3</sup></a> would certainly have
displaced stars enough to overthrow the Newtonian system.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fv91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The reference is only to the form of the sentence. "Scrub,"
 in <i>The Beaux' Stratagem</i> (act iv. se. 2), says,

  <blockquote>"First, it must
be a plot, because there's a woman in't; secondly, it must be a plot,
because there's a priest in't; thirdly, it must be a plot, because
there's French gold in't; and fourthly, it must be a plot, because I
don't know what to make on't."</blockquote>
<a href="#frv91">return to footnote mark</a><br>
<br>
<br>
<a name="fv92"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;Elizabeth Simpson (1753-1821), daughter of a Suffolk
farmer, married (1772) Joseph Inchbald, actor and portrait-painter.
Actress, dramatist, and novelist, she was one of the most attractive
women of the day. Winning in manner, quick in repartee, an admirable
teller of stories, she always gathered all the men round her chair.

 <blockquote> "It was vain," said Mrs. Shelley, "for any other woman to attempt to
  gain attention." </blockquote>

Miss Edgeworth wished to see her first among living celebrities; her
charm fascinated Sheridan, and overcame the prejudice of Lamb; even
Peter Pindar wrote verse in her praise. From the age of eighteen she was
wooed on and off the stage, where her slight stammer hindered her
complete success; but no breath of scandal tarnished her name. Had John
Kemble, the hero of <i>A Simple Story</i>, proposed to her, she probably would
have married him. Mrs. Butler records that her uncle John once asked the
actress, when matrimony was the subject of green-room conversation,
"Well, Mrs. Inchbald, would you have had me?" "Dear heart," said the
stammering beauty, turning her sunny face up at him," I'd have
j-j-j-jumped at you." Mrs. Inchbald's <i>Simple Story</i> (1791) wears a
more modern air than any previously written novel. Her dramatic
experience stood her in good stead. "Dorriforth," the priest, educated,
like Kemble, at Douay, impressed himself upon Macaulay's mind as the
true type of the Roman Catholic peer. <i>Nature and Art</i> (1796) was
written when Mrs. Inchbald was most under the influence of the French
Revolution. Of two boys who come to London to seek their fortunes,
Nature makes one a musician, and Art raises the other into a dean. The
trial and condemnation of "Agnes" perhaps suggested to Lytton the scene
in <i>Paul Clifford</i>, where "Brandon" condemns his own son.<br>
<a href="#frv92">return</a><br>
<br>
<br>
<a name="fv93"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Horace, <i>Odes</i>, I. i. 36.<br>
<a href="#frv93">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec101813"></a><h3>Friday, December 10th, 1813</h3>
<br>
I am <i>ennuyé</i> beyond my usual tense of that yawning verb, which I
am always conjugating; and I don't find that society much mends the
matter. I am too lazy to shoot myself&mdash;and it would annoy Augusta, and
perhaps &mdash;&mdash;; but it would be a good thing for George, on the other
side, and no bad one for me; but I won't be tempted.<br>
<br>
I have had the kindest letter from Moore. I <i>do</i> think that man is
the best-hearted, the only <i>hearted</i> being I ever encountered; and,
then, his talents are equal to his feelings.<br>
<br>
<a name="frw1">Dined</a> on Wednesday at Lord H.'s&mdash;the Staffords, Staels, Cowpers,
Ossulstones, Melbournes, Mackintoshes, etc., etc.&mdash;and was introduced to
the Marquis and Marchioness of Stafford<a href="#fw1"><sup>1</sup></a>,&mdash;an unexpected event. My
quarrel with Lord Carlisle (their or his brother-in-law) having rendered
it improper, I suppose, brought it about. But, if it was to happen at
all, I wonder it did not occur before. She is handsome, and must have
been beautiful&mdash;and her manners are <i>princessly</i>.<br>
<br>
The Stael was at the other end of the table, and less loquacious than
heretofore. We are now very good friends; though she asked Lady
Melbourne whether I had really any <i>bonhommie</i>. She might as well
have asked that question before she told C. L. "<i>c'est un demon</i>."
True enough, but rather premature, for <i>she</i> could not have found
it out, and so&mdash;she wants me to dine there next Sunday.<br>
<br>
Murray prospers, as far as circulation. For my part, I adhere (in
liking) to my Fragment. It is no wonder that I wrote one&mdash;my mind is a
fragment.<br>
<br>
<a name="frw2">Saw</a> Lord Gower, Tierney<a href="#fw2"><sup>2</sup></a>, etc., in the square. Took leave of Lord
Gower, who is going to Holland and Germany. He tells me that he carries
with him a parcel of <i>Harolds</i> and <i>Giaours</i>, etc., for the
readers of Berlin, who, it seems, read English, and have taken a caprice
for mine. Um!&mdash;have I been <i>German</i> all this time, when I thought
myself <i>Oriental</i>?<br>
<br>
Lent Tierney my box for to-morrow; and received a new comedy sent by
Lady C. A.&mdash;but <i>not hers</i>. I must read it, and endeavour not to
displease the author. I hate annoying them with cavil; but a comedy I
take to be the most difficult of compositions, more so than tragedy.<br>
<br>
Galt says there is a coincidence between the first part of <I>The
Bride</I> and some story of his&mdash;whether published or not, I know not,
never having seen it. He is almost the last person on whom any one would
commit literary larceny, and I am not conscious of any <I>witting</I>
thefts on any of the genus. As to <a name="frw3">originality</a>, all pretensions are
ludicrous,&mdash;"there is nothing new under the sun."<a href="#fw3"><sup>3</sup></a><br>
<br>
Went last night to the play. Invited out to a party, but did not
go;&mdash;right. Refused to go to Lady &mdash;&mdash;'s on Monday;&mdash;right again. If I
must fritter away my life, I would rather do it alone. I was much
tempted;&mdash; C&mdash;&mdash; looked so Turkish with her red turban, and her regular,
dark, and clear features. Not that <I>she</I> and <I>I</I> ever were, or
could be, any thing; but I love any aspect that reminds me of the
"children of the sun."<br>
<br>
To dine to-day with Rogers and Sharpe, for which I have some appetite,
not having tasted food for the preceding forty-eight hours. I wish I
could leave off eating altogether.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; George Granville Leveson Gower (1758-1833) succeeded his
father, in 1803, as second Marquis of Stafford. He married, in 1785,
Elizabeth, Countess of Sutherland, and was created, in 1833, first Duke
of Sutherland. Lord Carlisle had married, in 1770 Margaret Caroline,
sister of the second Marquis of Stafford.<br>
<a href="#frw1">return to footnote mark</a><br>
<br>
<br>
<a name="fw2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; George Tierney (1761-1830) entered Parliament as Member for
Colchester in 1789. In 1796 he was returned for Southwark. A useful
speaker and political writer, he was Treasurer of the Navy in the
Addington administration, and President of the Board of Control in that
of "All the Talents." His drafting of the petition of the "Society of
the Friends of the People," his duel with Pitt in 1798, and his
leadership of the Opposition after 1817, are almost forgotten; but he is
remembered as the "Friend of Humanity" in <i>The Needy
Knife-Grinder</i>.<br>
<a href="#frw2">return</a><br>
<br>
<br>
<a name="fw3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <I>Eccles</I>. i. 9.<br>
<a href="#frw3">return</a><br>
<br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec121813"></a><h3>Sunday, December 12th, 1813</h3>
<br>
By Galt's answer, I find it is some story in <I>real life</I>, and not
any work with which my late composition coincides. It is still more
singular, for mine is drawn from <I>existence</I> also.<br>
<br>
I have sent an excuse to Madame de Stael. I do not feel sociable enough
for dinner to-day;&mdash;and I will not go to Sheridan's on Wednesday. Not
that I do not admire and prefer his unequalled conversation; but&mdash;that
"<I>but</I>" must only be intelligible to thoughts I cannot write.
Sheridan was in good talk at Rogers's the other night, but I only stayed
till <I>nine</I>. All the world are to be at the Stael's to-night, and I
am not sorry to escape any part of it. I only go out to get me a fresh
appetite for being alone. Went out&mdash;did not go to the Stael's but to Ld.
Holland's. Party numerous&mdash;conversation general. Stayed late&mdash;made a
blunder&mdash;got over it&mdash;came home and went to bed, not having eaten.
Rather empty, but <I>fresco</I>, which is the great point with me.<br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec131813"></a><h3>Monday, December 13th, 1813</h3>
<br>
Called at three places&mdash;read, and got ready to leave town to-morrow.
<a name="frw11">Murray</a> has had a letter from his brother bibliopole of Edinburgh, who
says, "he is lucky in having such a <I>poet</I>"&mdash;something as if one
was a packhorse, or "ass, or any thing that is his;" or, like Mrs.
Packwood<a href="#fw11"><sup>1</sup></a>, who replied to some inquiry after the Odes on
Razors,&mdash;"Laws, sir, we keeps a poet." The <a name="frw12">same</a> illustrious Edinburgh
bookseller once sent an order for books, poesy, and cookery, with this
agreeable postscript&mdash;"The <I>Harold and Cookery</I><a href="#fw12"><sup>2</sup></a> are much
wanted." Such is fame, and, after all, quite as good as any other "life
in others' breath." 'Tis much the same to divide purchasers with Hannah
Glasse or Hannah More.<br>
<br>
Some editor of some magazine has <I>announced</I> to Murray his
intention of abusing the thing "<I>without reading it</I>." So much the
better; if he redde it first, he would abuse it more.<br>
<br>
Allen<a href="#fw13"><sup>3</sup></a> (Lord <a name="frw13">Holland's</a> Allen&mdash;the best informed and one of the ablest
men I know&mdash;a perfect Magliabecchi<a href="#fw14"><sup>4</sup></a>&mdash;a devourer, a <I>Helluo</I> of
books, and an observer of men,) has lent me a quantity of Burns's<a href="#fw15"><sup>5</sup></a>
unpublished and never-to-be-published Letters. They are full of oaths
and obscene songs. What an antithetical mind!&mdash;tenderness,
roughness&mdash;delicacy, coarseness&mdash;sentiment, sensuality&mdash;soaring and
grovelling, dirt and deity&mdash;all mixed up in that one compound of
inspired clay!<br>
<br>
It seems strange; a true voluptuary will never abandon his mind to the
grossness of reality. It is by exalting the earthly, the material, the
<I>physique</I> of our pleasures, by veiling these ideas, by forgetting
them altogether, or, at least, never naming them hardly to one's self,
that we alone can prevent them from disgusting.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Mrs. Packwood is the wife of George Packwood, "the
celebrated Razor Strop Maker and Author of <I>The Goldfinch's Nest</I>,"
whose shop was at 16, Gracechurch Street. <I>Packwood's Whim; The
Goldfinch's Nest, or the Way to get Money and be Happy</I>, by George
Packwood, was published in 1796, and reached a second edition in 1807.
It is a collection of his advertisements in prose and verse. The poet,
whom Packwood kept, apparently lived in Soho (p. 21), from his verses
which appeared in the <I>True Briton</I> for November 9, 1795:

 <blockquote> "If you wish, Sir, to Shave&mdash;nay, pray look not grave,<br>
    Since nothing on earth can be worse,<br>
  To P&mdash;d repair, you're shaved to a hair,<br>
    Which I mean to exhibit in verse.<br>
  <br>
  "When in moving the beard&mdash;I wish to be heard&mdash;<br>
    The dull razor occasions a curse,<br>
  The strop that I view will its merits renew;<br>
    Behold I record it in verse.<br>
  <br>
  "Some in fashion's tontine disperse all their spleen,<br>
    And others their destinies curse;<br>
  But P&mdash;d's fine taste, with his Strops and his Paste,<br>
    Which I'll show you in Prose and in Verse.<br>
  <br>
  "I have taken this plan to comment on a man,<br>
    Whose merit I'm proud to rehearse;<br>
  For a razor and knife he will sharpen for life,<br>
    And deserves every praise in my verse.</blockquote>

"Soho, Nov. 6, 1795."<br>
<a href="#frw11">return to footnote mark</a><br>
<br>
<br>
<a name="fw12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;<I>The Art of Cookery Made Plain and Easy</I>, "By a Lady,"
was published anonymously in 1747. The 4th edition (1751) bears the name
of H. Glasse. The book was at one time supposed to be the work of Dr.
John Hill (1716-1775), and to contain the proverb, "First catch your
hare, then cook it." But Hill's claim is untenable, and the proverb is
not in the book.<br>
<br>
Mrs. Rundell's <I>Domestic Cookery</I> was one of Murray's most
successful publications. In Byron's lines, "To Mr. Murray" (March 25,
1818), occurs the following passage:

 <blockquote> "Along thy sprucest bookshelves shine<br>
  The works thou deemest most divine&mdash;<br>
  The 'Art of Cookery,' and mine,<br>
    My Murray."</blockquote>
<a href="#frw12">return</a><br>
<br>
<br>
<a name="fw13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; John Allen, M.D. (1771-1843), accompanied Lord Holland to
Spain (1801-5 and 1808-9), and lived with him at Holland House. His
<I>Inquiry into the Rise and Growth of the Royal Prerogative in
England</I>, his numerous articles in the <I>Edinburgh Review</I>, and
his life of Fox in the <I>Encyclopedia Britannica</I>, and many other
works, justify Byron's praise. In the social life of Holland House he
was a prominent figure, and to it, perhaps, he sacrificed his literary
powers and acquirements. He was Warden of Dulwich College (1811-20), and
Master (1820-43). Allen was the author of the article in the
<I>Edinburgh Review</I> on Payne Knight's <I>Taste</I>, in which he
severely criticized Pindar's Greek, and which Byron, probably trusting
to Hodgson (see <I>Letters</I>, vol. i. p. 196, <I>note</I> 1), or
possibly misled by similarity of sound (H. Crabb Robinson's
<I>Diary</I>, vol. i. p. 277), attributed to "classic Hallam, much
renowned for Greek" (<I>English Bards, etc.</I>, line 513).<br>
<a href="#frw13">return</a><br>
<br>
<br>
<a name="fw14"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;Antonio Magliabecchi (1633-1714) was appointed, in 1673,
Librarian to the Grand-Duke of Tuscany, to whom he bequeathed his
immense collection of 30,000 volumes. In Burton's <I>Book-hunter</I> (p.
229) it is said that Magliabecchi

  <blockquote>"could direct you to any book in any part of the world, with the
  precision with which the metropolitan policeman directs you to St.
  Paul's or Piccadilly. It is of him that the stories are told of
  answers to inquiries after books, in these terms: 'There is but one
  copy of that book in the world. It is in the Grand Seignior's library
  at Constantinople, and is the seventh book in the second shelf on the
  right hand as you go in.'"</blockquote>
<a href="#frw13">return</a><br>
<br>
<br>
<a name="fw15"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; Byron himself was "likened to Burns," and Sir Walter Scott,
commenting on the comparison in a manuscript note, says,

  <blockquote>"Burns, in depth of poetical feeling, in strong shrewd sense to
  balance and regulate this, in the <i>tact</i> to make his poetry tell
  by connecting it with the stream of public thought and the sentiment
  of the age, in <i>commanded</i> wildness of fancy and profligacy or
  recklessness as to moral and <i>occasionally</i> as to religious
  matters, was much more like Lord Byron than any other person to whom
  Lord B. says he had been compared.<br>
<br>
  "A gross blunder of the English public has been talking of Burns as if
  the character of his poetry ought to be estimated with an eternal
  recollection that he was a <i>peasant</i>. It would be just as proper
  to say that Lord Byron ought always to be thought of as a <i>Peer</i>.
  Rank in life was nothing to either in his true moments. Then, they
  were both great Poets. Some silly and sickly affectations connected
  with the accidents of birth and breeding may be observed in both, when
  they are not under the influence of 'the happier star.' Witness
  Burns's prate about independence, when he was an exciseman, and
  Byron's ridiculous pretence of Republicanism, when he never wrote
  sincerely about the Multitude without expressing or insinuating the
  very soul of scorn."</blockquote>
<a href="#frw13">return</a><br>
<a href="#fw50">cross-reference: return to Footnote 10 of Journal entry for February 18th, 1814</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec11415161813"></a><h3>December 14th, 15th, 16th, 1813</h3>
<br>
Much done, but nothing to record. It is quite enough to set down my
thoughts,&mdash;my actions will rarely bear retrospection.<br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="dec17181813"></a><h3>December 17th, 18th, 1813</h3>
<br>
Lord Holland told me a curious piece of sentimentality in Sheridan. The
other night we were all delivering our respective and various opinions
on him and other <I>hommes marquans</I>, and mine was this:&mdash;"Whatever
Sheridan has done or chosen to do has been, <I>par excellence</I>,
always the <I>best</I> of its kind. He has written the <I>best</I>
comedy (<I>School for Scandal</I>), the <I>best</I> drama (in my mind,
far before that St. Giles's lampoon, the <I>Beggar's Opera</I>), the
best farce (the <I>Critic</I>&mdash;it is only too good for a farce), and the
best Address (Monologue on Garrick), and, to crown all, delivered the
very best Oration (the famous Begum Speech) ever conceived or heard in
this country." Somebody told S. this the next day, and on hearing it he
burst into tears!<br>
<br>
Poor Brinsley! if they were tears of pleasure, I would rather have said
these few, but most sincere, words than have written the Iliad or made
his own celebrated Philippic. Nay, his own comedy never gratified me
more than to hear that he had derived a moment's gratification from any
praise of mine, humble as it must appear to "my elders and my betters."<br>
<br>
Went to my box at Covent Garden to-night; and my delicacy felt a little
shocked at seeing S&mdash;&mdash;'s mistress (who, to my certain knowledge, was
actually educated, from her birth, for her profession) sitting with her
mother, "a three-piled b&mdash;&mdash;d, b&mdash;&mdash;d Major to the army," in a private
box opposite. I <a name="frw21">felt</a> rather indignant; but, casting my eyes round the
house, in the next box to me, and the next, and the next, were the most
distinguished old and young Babylonians of quality;&mdash;so I burst out a
laughing. It was really odd; Lady &mdash;&mdash; <I>divorced</I>&mdash;Lady &mdash;&mdash; and
her daughter, Lady &mdash;&mdash;, both <I>divorceable</I>&mdash;Mrs. &mdash;&mdash;, in the next
the <I>like</I>, and still nearer &mdash;&mdash;&mdash;!<a href="#fw21"><sup>1</sup></a> What an assemblage to
<I>me</I>, who know all their histories. It was as if the house had been
divided between your public and your <I>understood</I> courtesans;&mdash;but
the intriguantes much outnumbered the regular mercenaries. On the other
side were only Pauline and <I>her</I> mother, and, next box to her,
three of inferior note. Now, where lay the difference between <I>her</I>
and <I>mamma</I>, and Lady &mdash;&mdash; and daughter? except that the two last
may enter Carleton and any <I>other house</I>, and the two first are
limited to the opera and b&mdash;&mdash; house. How I do delight in observing life
as it really is!&mdash;and myself, after all, the worst of any. But no
matter&mdash;I must avoid egotism, which, just now, would be no vanity.<br>
<br>
I <a name="frw22">have</a> lately written a wild, rambling, unfinished rhapsody, called
"<I>The Devil's Drive</I>" the notion of which I took from Person's
"<I>Devil's Walk</I>."<a href="#fw22"><sup>2</sup></a>

Redde some Italian, and wrote two Sonnets on &mdash;&mdash;. I never wrote but one
sonnet before, and that was not in earnest, and many years ago, as an
exercise&mdash;and I will never write another. They are the most puling,
petrifying, stupidly platonic compositions. I detest the Petrarch so
much, that I would not be the man even to have obtained his Laura, which
the metaphysical, whining dotard never could.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; "These names are all left blank in the original" (Moore).<br>
<a href="#frw21">return to footnote mark</a><br>
<br>
<br>
<a name="fw22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Richard Person did not write <I>The Devil's Walk</I>, which
was written by Coleridge and Southey, and published in the <I>Morning
Post</I> for September 6, 1799, under the title of <I>The Devil's
Thoughts</I>.<br>
<a href="#frw22">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="jan161814"></a><h3>January 16th, 1814</h3>
<br>
To-morrow I leave town for a few days. I saw Lewis to-day, who is just
returned from Oatlands, where he has been squabbling with Mad. de Stael
about himself, <i>Clarissa Harlowe</i>, Mackintosh, and me. My homage has never
been paid in that quarter, or we would have agreed still worse. I don't
talk&mdash;I can't flatter, and won't listen, except to a pretty or a foolish
woman. She bored Lewis with praises of himself till he sickened&mdash; found
out that <i>Clarissa</i> was perfection, and Mackintosh the first man in
England. There I agree, at least <I>one</I> of the first&mdash;but Lewis did
not. As to <i>Clarissa</i>, I leave to those who can read it to judge and
dispute. I could not do the one, and am, consequently, not qualified for
the other. She told Lewis wisely, he being my friend, that I was
affected, in the first place; and that, in the next place, I committed
the heinous offence of sitting at dinner with my <I>eyes</I> shut, or
half shut. I wonder if I really have this trick. I must cure myself of
it, if true. One insensibly acquires awkward habits, which should be
broken in time. If this is one, I wish I had been told of it before. It
would not so much signify if one was always to be checkmated by a plain
woman, but one may as well see some of one's neighbours, as well as the
plate upon the table.<br>
<br>
I should like, of all things, to have heard the Amabæan eclogue between
her and Lewis&mdash;both obstinate, clever, odd, garrulous, and shrill. In
fact, one could have heard nothing else. But they fell out, alas!&mdash;and
now they will never quarrel again. Could not one reconcile them for the
"nonce?" Poor Corinne&mdash;she will find that some of her fine sayings won't
suit our fine ladies and gentlemen.<br>
<br>
I am getting rather into admiration of [Lady C. Annesley] the youngest
sister of [Lady F. Webster]. A wife would be my salvation. I am sure the
wives of my acquaintances have hitherto done me little good. Catherine
is beautiful, but very young, and, I think, a fool. But I have not seen
enough to judge; besides, I hate an <i>esprit</i> in petticoats. That
she won't love me is very probable, nor shall I love her. But, on my
system, and the modern system in general, that don't signify. The
business (if it came to business) would probably be arranged between
papa and me. She would have her own way; I am good-humoured to women,
and docile; and, if I did not fall in love with her, which I should try
to prevent, we should be a very comfortable couple. As to conduct,
<i>that</i> she must look to. But <i>if</i> I love, I shall be
jealous;&mdash;and for that reason I will not be in love. Though, after all,
I doubt my temper, and fear I should not be so patient as becomes the
<i>bienséance</i> of a married man in my station. Divorce ruins the poor
<i>femme</i>, and damages are a paltry compensation. I do fear my temper
would lead me into some of our oriental tricks of vengeance, or, at any
rate, into a summary appeal to the court of twelve paces. So "I'll none
on't," but e'en remain single and solitary;&mdash;though I should like to
have somebody now and then to yawn with one.<br>
<br>
Ward, and, after him, &mdash;&mdash;, has stolen one of my buffooneries about Mde.
de Stael's Metaphysics and the Fog, and passed it, by speech and letter,
as their own. As <a name="frw31">Gibbet</a> says, "they are the most of a gentleman of any
on the road."<a href="#fw31"><sup>1</sup></a> W. is in <a name="frw32">sad</a> enmity with the Whigs about this Review
of Fox<a href="#fw32"><sup>2</sup></a> (if he <i>did</i> review him);&mdash;all the epigrammatists and
essayists are at him. I hate <i>odds</i>, and wish he may beat them. As
for me, by the blessing of indifference, I have simplified my politics
into an utter detestation of all existing governments; and, as it is the
shortest and most agreeable and summary feeling imaginable, the first
moment of an universal republic would convert me into an advocate for
single and uncontradicted despotism. The fact is, riches are power, and
poverty is slavery all over the earth, and one sort of establishment is
no better nor worse for a <i>people</i> than another. I shall adhere to
my party, because it would not be honourable to act otherwise; but, as
to <i>opinions</i>, I don't think politics <i>worth</i> an
<i>opinion</i>. <i>Conduct</i> is another thing:&mdash;if you begin with a
party, go on with them. I have no consistency, except in politics; and
<i>that</i> probably arises from my indifference on the subject
altogether.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;The <i>Beaux' Stratagem</i>, by George Farquhar (act iv.
sc. 3): <br>
<br>

<table summary="beaux/ stratagem" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><i>Gibbet</i></td>
	<td>And I can assure you, friend, there's a great
deal of address and good manners in robbing a lady: I am most a
gentleman that way that ever travelled the road.</td>
</tr>
</table>
<a href="#frw31">return to footnote mark</a><br>
<br>
<br>
<a name="fw32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; An article by Ward on <i>The Correspondence of Gilbert
Wakefield with Mr. Fox</i>, in the <i>Quarterly Review</i> for July,
1813.<br>
<a href="#frw32">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="feb181814"></a><h3>February 18th [1814]</h3>
<br>
Better than a month since I last journalised:&mdash;most of it out of London
and at Notts., but a busy one and a pleasant, at least three weeks of
it. On my <a name="frw41">return</a>, I find all the newspapers in hysterics, and town in an
uproar, on the avowal and republication of two stanzas on Princess
Charlotte's weeping at Regency's speech to Lauderdale in 1812<a href="#fw41"><sup>1</sup></a>. They
are daily at it still;&mdash;some of the abuse good, all of it hearty. They
talk of a motion in our House upon it&mdash;be it so.<br>
<br>
Got up&mdash;<a name="frw42">redde</a> the <i>Morning Post</i> containing the battle of
Buonaparte<a href="#fw42"><sup>2</sup></a>, the destruction of the Customhouse<a href="#fw43"><sup>3</sup></a>, and a paragraph
on me as long as my pedigree, and vituperative, as usual<a href="#fw44"><sup>4</sup></a>.<br>
<br>
Hobhouse is returned to England. He is my best friend, the most lively,
and a man of the most sterling talents extant.<br>
<br>
<i>The Corsair</i> has been conceived, written, published, etc., since I
last took up this journal. They tell me it has great success;&mdash;it was
written <i>con amore</i>, and much from <i>existence</i>. Murray is
satisfied with its progress; and if the public are equally so with the
perusal, there's an end of the matter.<br>
<br>
<br>
<b>Nine o'clock.</b><br>
<br>
Been to Hanson's on business. Saw Rogers, and had a note from Lady
Melbourne, who says, it is said I am "much out of spirits." I wonder if
I really am or not? I <a name="frw45">have</a> certainly enough of "that perilous stuff
which weighs upon the heart,"<a href="#fw45"><sup>5</sup></a> and it is better they should believe
it to be the result of these attacks than of the real cause; but&mdash;ay,
ay, always <i>but</i>, to the end of the chapter.<br>
<br>
Hobhouse has told me ten thousand anecdotes of Napoleon, all good and
true. My friend H. is the most entertaining of companions, and a fine
fellow to boot.<br>
<br>
Redde a little&mdash;wrote notes and letters, and am alone, which Locke says
is bad company. "<a name="frw46">Be</a> not solitary, be not idle."<a href="#fw46"><sup>6</sup></a>&mdash;Um!&mdash;the idleness
is troublesome; but I can't see so much to regret in the solitude. The
more I see of men, the less I like them. If I could but say so of women
too, all would be well. Why can't I? I am now six-and-twenty; my
passions have had enough to cool them; my affections more than enough to
wither them,&mdash;and yet&mdash;and yet&mdash;always <i>yet</i> and
<i>but</i>&mdash;"<a name="frw47">Excellent</a> well, you are a fishmonger&mdash;get thee to a
nunnery."<a href="#fw47"><sup>7</sup></a>&mdash;"They fool me to the top of my bent."<a href="#fw48"><sup>8</sup></a><br>
<br>
<br>
<b>Midnight.</b><br>
<br>
Began a letter, which I threw into the fire. Redde&mdash;but to little
purpose. Did not visit Hobhouse, as I promised and ought. No matter, the
loss is mine. Smoked cigars.<br>
<br>
Napoleon!&mdash;this week will decide his fate. All seems against him; but I
believe and hope he will win&mdash;at least, beat back the invaders. What
right have we to prescribe sovereigns to France? Oh for a Republic!
"<a name="frw49">Brutus</a>, thou sleepest."<a href="#fw49"><sup>9</sup></a> Hobhouse abounds in continental anecdotes
of this extraordinary man; all in favour of his intellect and courage,
but against his <i>bonhommie</i>. No wonder;&mdash;how should he, who knows
mankind well, do other than despise and abhor them?<br>
<br>
<a name="frw50">The</a> greater the equality, the more impartially evil is distributed, and
becomes lighter by the division among so many&mdash;therefore, a Republic!<a href="#fw50"><sup>10</sup></a><br>
<br>
<a name="frw51">More</a> notes from Madame de Stael unanswered&mdash;and so they shall remain.<a href="#fw51"><sup>11</sup></a> I admire her abilities, but really her society is overwhelming&mdash;an
avalanche that buries one in glittering nonsense&mdash;all snow and
sophistry.<br>
<br>
Shall I go to Mackintosh's on Tuesday? um!&mdash;I did not go to Marquis
Lansdowne's nor to Miss Berry's, though both are pleasant. So is Sir
James's,&mdash;but I don't know&mdash;I believe one is not the better for parties;
at least, unless some <i>regnante</i> is there.<br>
<br>
I wonder how the deuce any body could make such a world; for what
purpose dandies, for instance, were ordained&mdash;and kings&mdash;and fellows of
colleges&mdash;and women of "a certain age"&mdash;and many men of any age&mdash;and
myself, most of all!

<blockquote>"<a name="frw52">Divesne</a> prisco natus ab Inacho<br>
  Nil interest, an pauper et infimâ<br>
    De gente, sub dio (<i>sic</i>) moreris,<br>
      Victima nil miserantis Orci.<br>
  Omnes eodem cogimur," etc.<a href="#fw52"><sup>12</sup></a></blockquote>

Is there any thing beyond?&mdash;<I>who</I> knows? <I>He</I> that can't tell.
Who tells that there <I>is</I>? He who don't know. And when shall he
know? perhaps, when he don't expect, and generally when he don't wish
it. In this last respect, however, all are not alike: it depends a good
deal upon education,&mdash;something upon nerves and habits&mdash;but most upon
digestion.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;See p. 134, <a href="#fe93"><i>note</i></a> 2, and <a href="#app7">Appendix VII</a>.<br>
<a href="#frw41">return to footnote mark</a><br>
<br>
<br>
<a name="fw42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; The battle of Brienne was fought February 1, 1814.<br>
<a href="#frw42">return</a><br>
<br>
<br>
<a name="fw43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; By fire, on the 12th of February.<br>
<a href="#frw42">return</a><br>
<br>
<br>
<a name="fw44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;

  <blockquote>"We are informed from very good authority, that as soon as the House
  of Lords meet again, a Peer of very independent principles and
  character intends to give notice of a motion occasioned by a late
  spontaneous avowal of a copy of verses by Lord Byron, addressed to the
  Princess Charlotte of Wales, in which he has taken the most
  unwarrantable liberties with her august father's character and
  conduct: this motion being of a personal nature, it will be necessary
  to give the noble Satirist some days' notice, that he may prepare
  himself for his defence against a charge of so aggravated a nature,"
  etc.</blockquote>

<i>Morning Post</i>, February 18.<br>
<a href="#frw42">return</a><br>
<br>
<br>
<a name="fw45"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; <i>Macbeth</i>, act v. sc. 3.<br>
<a href="#frw45">return</a><br>
<br>
<br>
<a name="fw46"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;These words close the penultimate paragraph of Burton's
<i>Anatomy of Melancholy</i>.<br>
<a href="#frw46">return</a><br>
<br>
<br>
<a name="fw47"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; <i>Hamlet</i>, act ii. sc. 2, and act iii. sc. 1.<br>
<a href="#frw47">return</a><br>
<br>
<br>
<a name="fw48"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp;<i>Ibid</i>., sc. 2.<br>
<a href="#frw47">return</a><br>
<br>
<br>
<a name="fw49"><span style="color: #FF0000;">Footnote 9:</span></a> &nbsp;

  <blockquote>"Brutus, thou sleepest, awake."</blockquote>

<i>Julius Cæsar</i>, act ii. sc. 1.<br>
<a href="#frw49">return</a><br>
<br>
<br>
<a name="fw50"><span style="color: #FF0000;">Footnote 10:</span></a> &nbsp; The following extract from <i>Detached Thoughts</i> (1821)
implies that this expression of opinion was no passing thought (but see
Scott's <a href="#fw15">note</a>, p. 376):

  <blockquote>"There is nothing left for Mankind but a Republic, and I think that
  there are hopes of such. The two Americas (South and North) have it;
  Spain and Portugal approach it; all thirst for it. Oh Washington!"</blockquote>
<a href="#frw50">return</a><br>
<br>
<br>
<a name="fw51"><span style="color: #FF0000;">Footnote 11:</span></a> &nbsp; Here is one of Madame de Staël's notes:

  <blockquote>"Je renonce à vos visites, pourvu que vous acceptiez mes diners, car
  enfin à quoi servirait il de vivre dans le même tems que vous, si
  l'on ne vous voyait pas? Dinez chez moi dimanche avec vos amis,&mdash;je ne
  dirai pas vos admirateurs, car je n'ai rencontré que cela de touts
  parts.<br>
<br>
  "A dimanche,

  "<b>de Staël</b>.<br>
<br>
  "Mardi.<br>
<br>
  "Je prends le silence pour oui."</blockquote>
<a href="#frw51">return</a><br>
<br>
<br>
<a name="fw52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Horace, <I>Odes</I>, II. iii. 21, <I>et seqq.</I><br>
<a href="#frw52">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="feb191814"></a><h3>Saturday, February 19th [1814]</h3>
<br>
<a name="frw61">Just</a> returned from seeing Kean<a href="#fw61"><sup>1</sup></a> in Richard. By Jove, he is a soul!
Life&mdash;nature&mdash;truth without exaggeration or diminution. Kemble's Hamlet
is perfect;&mdash;but Hamlet is not Nature. Richard is a man; and Kean is
Richard. Now to my own concerns.<br>
<br>
Went to Waite's. Teeth are all right and white; but he says that I grind
them in my sleep and chip the edges. That same sleep is no friend of
mine, though I court him sometimes for half the twenty-four.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Edmund Kean (1787-1833), after acting in provincial
theatres, appeared at the Haymarket in June, 1806, as "Ganem" in <I>The
Mountaineers</I>, but again returned to the country. His performance of
"Shylock" in the <I>Merchant of Venice</I>, at Drury Lane, on January
26, 1814, made him famous. He appeared in "Richard III" on February 12,
and still further increased his reputation.<br>
<br>
In the <I>Courier</I>, February 26, 1814, appears this paragraph:

  <blockquote>"Mr. Kean's attraction is unprecedented in the annals of
  theatricals&mdash;even Cooke's performances are left at an immeasurable
  distance; his first three nights of <i>Richard</i> produced upwards of
  £1800, and on repeating that character on Thursday night for the
  fourthth (<i>sic</i>) time, the receipts were upwards of £700."</blockquote>

On March 1 the same paper says,

 <blockquote> "Drury Lane Theatre again overflowed last night, at an early hour.
  Such is the continued and increasing attraction of that truly great
  actor Mr. Kean."</blockquote>

After the retirement of John Kemble (June 23, 1817), he had no rival on
the stage, especially in such parts as "Othello," "Lear," "Hamlet," "Sir
Giles Overreach," and the two already mentioned. His last appearance on
the stage was in "Othello" at Covent Garden, March 25, 1833.

  <blockquote>"To see Kean act," said Coleridge, "is like reading Shakespeare by
  flashes of lightning." <br>
<br>
  "Garrick's nature," writes Leigh Hunt, in the <i>Tatler</i>, July 25,
  1831, "displaced Quin's formalism; and in precisely the same way did
  Kean displace Kemble. ... Everything with Kemble was literally a
  <i>personation</i>&mdash;it was a mask and a sounding-pipe. It was all
  external and artificial.... Kean's face is full of light and shade,
  his tones vary, his voice trembles, his eye glistens, sometimes with a
  withering scorn, sometimes with a tear." </blockquote>

It was the realism and nature of Kean which so strongly appealed to
Byron, and enabled the actor, to the last, in spite of his drunken
habits, poor figure, and weak voice, to sway his audiences. The same
qualities at first repelled more timid critics, and perhaps justified
Hazlitt's saying that Kean was "not much relished in the upper circles."
Miss Berry, for example, who saw him in all his principal parts in
1814&mdash;in "Richard III," "Hamlet," "Othello," and "Sir Giles
Overreach"&mdash;remained cold.

  <blockquote>"His 'Richard III.' pleased me, but I was not enthusiastic. His
  expression of the passions is natural and strong, but I do not like
  his declamation; his voice, naturally not agreeable, becomes
  monotonous" </blockquote>

(<I>Diary</I>, vol. iii. p. 7). Of his "Hamlet" she says,

  <blockquote>"To my mind he is without grace and without elevation of mind, because
  he never seems to rise with the poet in those sublime passages which
  abound in <i>Hamlet</i>" </blockquote>

(<I>ibid.</I>, p. 9). Miss Berry's criticism is supported by good
authority. Lewes (<I>On Actors and the Art of Acting</I>, pp. 6, 11),
while calling him "a consummate master of passionate expression," denies
his capacity for representing "the intellectual side of heroism."<br>
<br>
Kean preferred the Coal-Hole Tavern in the Strand, and the society of
the Wolf Club, to Lord Holland's dinner-parties. Though he never fell so
low as Cooke, his recklessness, irregularities, eccentricities, and
habits of drinking, in spite of the large sums of money that passed
through his hands, made his closing days neither prosperous nor
reputable.<br>
<br>
Such effect had the passionate energy of Kean's acting on Byron's mind,
that, once, in seeing him play "Sir Giles Overreach," he was so affected
as to be seized with a sort of convulsive fit. Some years later, in
Italy, when the representation of Alfieri's tragedy of <I>Mirra</I> had
agitated him in the same violent manner, he compared the two instances
as the only ones in his life when "any thing under reality" had been
able to move him so powerfully.

  <blockquote>"To such lengths," says Moore, "did he, at this time, carry his
  enthusiasm for Kean, that when Miss O'Neil appeared, and, by her
  matchless representation of feminine tenderness, attracted all eyes
  and hearts, he was not only a little jealous of her reputation, as
  interfering with that of his favourite, but, in order to guard himself
  against the risk of becoming a convert, refused to go to see her act.
  I endeavoured sometimes to persuade him into witnessing, at least, one
  of her performances; but his answer was (punning upon Shakspeare's
  word, 'unanealed'), 'No&mdash;I am resolved to continue <i>un-Oneiled</i>.'"</blockquote>

In his <I>Detached Thoughts</I> (1821) Byron says,

  <blockquote>"Of actors Cooke was the most natural, Kemble the most supernatural,
  Kean the medium between the two. But Mrs. Siddons was worth them all
  put together."</blockquote>
<a href="#frw61">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="feb201814"></a><h3>February 20th [1814]</h3>
<br>
Got up and tore out two leaves of this Journal&mdash;I don't know why.
Hodgson just called and gone. He has much <I>bonhommie</I> with his
other good qualities, and more talent than he has yet had credit for
beyond his circle.<br>
<br>
An invitation to dine at Holland House to meet Kean. He is worth
meeting; and I hope, by getting into good society, he will be prevented
from falling like Cooke. He is greater now on the stage, and off he
should never be less. There is a stupid and underrating criticism upon
him in one of the newspapers. I thought that, last night, though great,
he rather under-acted more than the first time. This may be the effect
of these cavils; but I hope he has more sense than to mind them. He
cannot expect to maintain his present eminence, or to advance still
higher, without the envy of his green-room fellows, and the nibbling of
their admirers. But, <a name="frw71">if</a> he don't beat them all, why then&mdash;merit hath no
purchase in "these coster-monger days."<a href="#fw71"><sup>1</sup></a><br>
<br>
I wish that I had a talent for the drama; I would write a tragedy
<I>now</I>. But no,&mdash;it is gone. Hodgson talks of one,&mdash;he will do it
well;&mdash;and I think M&mdash;-e [Moore] should try. He has wonderful powers,
and much variety; besides, he has lived and felt. To write so as to
bring home to the heart, the heart must have been tried,&mdash;but, perhaps,
ceased to be so. While you are under the influence of passions, you only
feel, but cannot describe them,&mdash;any more than, when in action, you
could turn round and tell the story to your next neighbour! When all is
over,&mdash;all, all, and irrevocable,&mdash;trust to memory&mdash;she is then but too
faithful.<br>
<br>
Went out, and answered some letters, yawned now and then, and redde the
<I>Robbers</I>. <a name="frw72">Fine</a>,&mdash;but <I>Fiesco</I> is better<a href="#fw72"><sup>2</sup></a>; and Alfieri, and
Monti's <I>Aristodemo</I><a href="#fw73"><sup>3</sup></a> <I>best</I>. They are more equal than the
Tedeschi dramatists.<br>
<br>
<a name="frw74">Answered</a>&mdash;or rather acknowledged&mdash;the receipt of young Reynolds's<a href="#fw74"><sup>4</sup></a>
poem, <I>Safie</I>. The lad is clever, but much of his thoughts are
borrowed,&mdash;whence, the Reviewers may find out. I hate discouraging a
young one; and I think,&mdash;though wild and more oriental than he would be,
had he seen the scenes where he has placed his tale,&mdash;that he has much
talent, and, certainly fire enough.<br>
<br>
Received a very singular epistle; and the mode of its conveyance,
through Lord H.'s hands, as curious as the letter itself. But it was
gratifying and pretty.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;<I>Henry IV.</I>, Part II. act i. sc. 2.<br>
<a href="#frw71">return to footnote mark</a><br>
<br>
<br>
<a name="fw72"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Schiller's <I>Robbers</I> was first produced at Mannheim,
January 13, 1782; his <I>Fiesco</I> was published in 1783. The
<I>Robbers</I> is included in Benjamin Thompson's <I>German Theatre</I>
(1801). <I>Fiesco</I> was translated by G. H. Noehden and John Stoddart
in 1798.<br>
<a href="#frw72">return</a><br>
<br>
<br>
<a name="fw73"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Monti's three tragedies, <I>Caio Gracco</I>,
<I>Aristodemo</I>, and <I>Manfredi</I>, were written in rivalry of
Alfieri's tragedies between the years 1788 and 1799.<br>
<a href="#frw72">return</a><br>
<br>
<br>
<a name="fw74"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; For John Hamilton Reynolds, see <I>Letters</I>, vol. iii.
(February 20, 1814, <I>note</I> 1).<br>
<a href="#frw74">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="feb271814"></a><h3>Sunday, February 27th [1814]</h3>
<br>
Here I am, alone, instead of dining at Lord H.'s, where I was
asked,&mdash;but not inclined to go any where. Hobhouse says I am growing a
<I>loup garou</I>,&mdash;a solitary hobgoblin. <a name="frw81">True</a>;&mdash;"I am myself alone."<a href="#fw81"><sup>1</sup></a><br>
<br>
The last week has been passed in reading&mdash;seeing plays&mdash;now and then
visitors&mdash;sometimes yawning and sometimes sighing, but no writing,&mdash;save
of letters. If I could always read, I should never feel the want of
society. Do I regret it?&mdash;um!&mdash;"<a name="frw82">Man</a> delights not me,"<a href="#fw82"><sup>2</sup></a> and only one
woman&mdash;at a time.<br>
<br>
There is something to me very softening in the presence of a
woman,&mdash;some strange influence, even if one is not in love with
them&mdash;which I cannot at all account for, having no very high opinion of
the sex. But yet,&mdash;I always feel in better humour with myself and every
thing else, if there is a woman within ken. <a name="frw83">Even</a> Mrs. Mule<a href="#fw83"><sup>3</sup></a>, my
firelighter,&mdash;the most ancient and withered of her kind,&mdash;and (except to
myself) not the best-tempered&mdash;always makes me laugh,&mdash;no difficult task
when I am "i' the vein."<br>
<br>
Heigho! I would I were in mine island!&mdash;I am not well; and yet I look in
good health. At <a name="frw84">times</a>, I fear, "I am not in my perfect mind;"<a href="#fw84"><sup>4</sup></a>&mdash;and
yet my heart and head have stood many a crash, and what should ail them
now? <a name="frw85">They</a> prey upon themselves, and I am sick&mdash;sick &mdash;"Prithee, undo
this button&mdash;why should a cat, a rat, a dog have life&mdash;and thou no life
at all?"<a href="#fw85"><sup>5</sup></a><br>
<br>
Six-and-twenty years, as they call them, why, I might and should have
been a Pasha by this time. "I '<a name="frw86">gin</a> to be a-weary of the sun."<a href="#fw86"><sup>6</sup></a><br>
<br>
<a name="frw87">Buonaparte</a> is not yet beaten; but has rebutted Blucher, and repiqued
Schwartzenburg<a href="#fw87"><sup>7</sup></a>. This it is to have a head. If he again wins, <I>Væ
victis!</I><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;

  <blockquote>"I am myself alone."</blockquote>

<I>Henry VI.</I>, Part III. act v. sc. 6.<br>
<a href="#frw81">return to footnote mark</a><br>
<br>
<br>
<a name="fw82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;<I>Hamlet</I>, act ii. sc. 2.<br>
<a href="#frw82">return</a><br>
<br>
<br>
<a name="fw83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

  <blockquote>"This ancient housemaid, of whose gaunt and witch-like appearance it
  would be impossible to convey any idea but by the pencil, furnished
  one among the numerous instances of Lord Byron's proneness to attach
  himself to any thing, however homely, that had once enlisted his good
  nature in its behalf, and become associated with his thoughts. He
  first found this old woman at his lodgings in Bennet Street, where,
  for a whole season, she was the perpetual scarecrow of his visitors.
  When, next year, he took chambers in Albany, one of the great
  advantages which his friends looked to in the change was, that they
  should get rid of this phantom. But, no,&mdash;there she was again&mdash;he had
  actually brought her with him from Bennet Street. The following year
  saw him married, and, with a regular establishment of servants, in
  Piccadilly; and here,&mdash;as Mrs. Mule had not made her appearance to any
  of the visitors,&mdash;it was concluded, rashly, that the witch had
  vanished. One of those friends, however, who had most fondly indulged
  in this persuasion, happening to call one day when all the male part
  of the establishment were abroad, saw, to his dismay, the door opened
  by the same grim personage, improved considerably in point of
  babiliments since he last saw her, and keeping pace with the increased
  scale of her master's household, as a new peruke, and other symptoms
  of promotion, testified. When asked 'how he came to carry this old
  woman about with him from place to place,' Lord Byron's only answer
  was, 'The poor old devil was so kind to me' " (Moore).</blockquote>
<a href="#frw83">return</a><br>
<br>
<br>
<a name="fw84"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; <I>King Lear</I>, act iv. sc. 7.<br>
<a href="#frw84">return</a><br>
<br>
<br>
<a name="fw85"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;

 <blockquote> "Why should a dog, a horse, a rat have life,<br>
  And thou no breath at all?"</blockquote>

<I>King Lear</I>, act v. sc. 3.<br>
<a href="#frw85">return</a><br>
<br>
<br>
<a name="fw86"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp;

 <blockquote> "I 'gin to be a-weary of the sun,<br>
  And wish the estate of the world were now undone."</blockquote>

<I>Macbeth</I>, act v. sc. 5.<br>
<a href="#frw86">return</a><br>
<br>
<br>
<a name="fw87"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; Napoleon fought the battle of Nangis against Blucher on the
17th of February, 1814, and that of Montereau against Prince
Schwartzenberg on the following day.<br>
<a href="#frw87">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar61814"></a><h3>Sunday, March 6th [1814]</h3>
<br>
<a name="frw91">On</a> Tuesday last dined with Rogers,&mdash;Madame de Staël, Mackintosh,
Sheridan, Erskine<a href="#fw91"><sup>1</sup></a>, and Payne Knight, Lady Donegal, and Miss R. there. Sheridan told a very good story of
himself and Madame de Recamier's handkerchief; Erskine a few stories of
himself only. <I>She</I> is going to write a big book about England, she
says;&mdash;I believe her. <a name="frw92">Asked</a> by her how I liked Miss Edgeworth's thing,
called <I>Patronage</i><a href="#fw92"><sup>2</sup></a>, and answered (very sincerely) that I
thought it very bad for <i>her</i>, and worse than any of the others.
<a name="frw93">Afterwards</a> thought it possible Lady Donegal<a href="#fw93"><sup>3</sup></a>, being Irish, might be a
patroness of Miss Edgeworth, and was rather sorry for my opinion, as I
hate putting people into fusses, either with themselves or their
favourites; it looks as if one did it on purpose. The party went off
very well, and the fish was very much to my gusto. But we got up too
soon after the women; and Mrs. Corinne always lingers so long after
dinner that we wish her in&mdash;the drawing-room.<br>
<br>
<a name="frw94">To-day</a> Campbell called, and while sitting here in came Merivale<a href="#fw94"><sup>4</sup></a>.
During our colloquy, C. (ignorant that Merivale was the writer) abused
the "mawkishness of the <i>Quarterly Review</i> of Grimm's
<i>Correspondence</i>." I (knowing the secret) changed the conversation
as soon as I could; and C. went away, quite convinced of having made the
most favourable impression on his new acquaintance. Merivale is luckily
a very good-natured fellow, or God he knows what might have been
engendered from such a malaprop. I did not look at him while this was
going on, but I felt like a coal&mdash;for I like Merivale, as well as the
article in question.<br>
<br>
<a name="frw95">Asked</a> to Lady Keith's<a href="#fw95"><sup>5</sup></a> to-morrow evening&mdash;I think I will go; but it
is the first party invitation I have accepted this "season," as the
learned Fletcher called it, when that youngest brat of Lady &mdash;&mdash;'s cut
my eye and cheek open with a misdirected pebble&mdash;"Never mind, my Lord,
the scar will be gone before the <i>season</i>;" as if one's eye was of
no importance in the mean time.<br>
<br>
Lord Erskine called, and gave me his famous pamphlet, with a marginal
note and corrections in his handwriting. Sent it to be bound superbly,
and shall treasure it.<br>
<br>
<a name="frw96">Sent</a> my fine print of Napoleon<a href="#fw96"><sup>6</sup></a> to be framed. It <i>is</i> framed;
and the Emperor becomes his robes as if he had been hatched in them.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fw91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Thomas, Lord Erskine (1750-1823), youngest son of the tenth
Earl of Buchan, a midshipman in the Royal Navy (1764-67), an ensign, and
subsequently a lieutenant in the First Foot (1767-75), was called to the
Bar in 1778, and became Lord Chancellor in 1806. As an advocate he was
unrivalled.

  <blockquote>"Even the great luminaries of the law," says Wraxall (<i>Posthumous
  Memoirs</i>, vol. i. p. 86), "when arrayed in their ermine, bent under
  his ascendancy, and seemed to be half subdued by his intelligence, or
  awed by his vehemence, pertinacity, and undaunted character." </blockquote>

With a jury he was particularly successful, though he lived to write the
lines quoted by Lord Campbell (<I>Lives of the Chancellors</I>, ed.
1868, vol. viii. p. 233):

  <blockquote>"The monarch's pale face was with blushes suffused,<br>
  To observe right and wrong by twelve villains confused,<br>
  And, kicking their &mdash;&mdash;s all round in a fury,<br>
  Cried, '<i>Curs'd be the day I invented a jury!</i>'"</blockquote>

A Whig in politics, and in sympathy with the doctrines of the French
Revolution, he defended Paine, Frost, Hardy, and other political
offenders, and did memorable service to the cause of constitutional
liberty. In the House of Commons, which he entered as M. P. for
Portsmouth in 1783, he was a failure; his maiden speech on Fox's India
Bill fell flat, and he was crushed by Pitt's contempt. As Lord
Chancellor (1806-7) he proved a better judge than was expected. At the
time when Byron made his acquaintance, he had practically retired from
public life, and devoted himself to literature, society, and farming,
writing on the services of rooks, and attending the Holkham
sheep-shearings. Lord Campbell has collected many of his verses and
jokes in vol. ix. chap. cxc. of his <I>Lives of the Chancellors</I>. His
famous pamphlet, <I>On the Causes and Consequences of the War with
France</I> (1797), was written, as he told Miss Berry (<I>Journal of
Miss Berry</I>, vol. ii. p. 340),

  <blockquote>"on slips of paper in the midst of all the business which I was
  engaged in at the time&mdash;not at home, but in open court, whilst the
  causes were trying. When it was not my turn to examine a witness, or
  to speak to the Jury, I wrote a little bit; and so on by snatches."</blockquote>

His <I>Armata</I> was published by Murray in 1817. In society Erskine
was widely known for his brilliancy, his puns, and his extraordinary
vanity. His egotism gained him such titles as Counsellor Ego, Baron Ego
of Eye, and supplied Mathias (<I>Pursuits of Literature</I>) with an
illustration:

  <blockquote>"A vain, pert prater, bred in Erskine's school."</blockquote>
<a href="#frw91">return to footnote mark</a><br>
<br>
<br>
<a name="fw92"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Miss Edgeworth's <I>Patronage</I> was published in 1813-4.
In 1813 she had been in London with her father and stepmother. The
following entries respecting the family are taken from Byron's
<I>Detached Thoughts</I>:

 <blockquote> "Old Edgeworth, the fourth or fifth Mrs. Edgeworth, and <i>the</i>
  Miss Edgeworth were in London, 1813. Miss Edgeworth liked, Mrs.
  Edgeworth not disliked, old Edgeworth a bore, the worst of bores&mdash;a
  boisterous Bore. I met them in Society&mdash;once at a breakfast of Sir
  H. D.'s. Old Edgeworth came in late, boasting that he had given 'Dr.
  Parr a dressing the night before' (no such easy matter by the way). I
  thought her pleasant. They all abused Anna Seward's memory. When on
  the road they heard of her brother's&mdash;and his son's&mdash;death. What was
  to be done? Their <i>London</i> apparel was all ordered and made! so
  they sunk his death for the six weeks of their sojourn, and went into
  mourning on their way back to Ireland. <i>Fact!</i><br>
<br>
  "While the Colony were in London, there was a book with a subscription
  for the 'recall of Mrs. Siddons to the Stage' going about for
  signatures. Moore moved for a similar subscription for the 'recall of
  <i>Mr. Edgeworth to Ireland!</i>'

  "Sir Humphry Davy told me that the scene of the French Valet and Irish
  postboy in <i>Ennui</i> was taken from his verbal description to the
  Edgeworths in Edgeworthtown of a similar fact on the road occurring to
  himself. So much the better&mdash;being <i>life</i>."</blockquote>
<a href="#frw92">return</a><br>
<br>
<br>
<a name="fw93"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;The Marquis of Donegal married, in 1795, Anna, daughter of
Sir Edward May, Bart.<br>
<a href="#frw93">return</a><br>
<br>
<br>
<a name="fw94"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; For J. H. Merivale, see <i>Letters</i>, vol. iii. (January,
1814. <i>note</i> 1).<br>
<a href="#frw94">return</a><br>
<br>
<br>
<a name="fw95"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; Hester Maria, eldest daughter and co-heir of Henry Thrale,
of Streatham, the friend of Dr. Johnson, married, in 1808, Viscount
Keith.<br>
<a href="#frw95">return</a><br>
<br>
<br>
<a name="fw96"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; Byron's "Portrait of Bonaparte, engraved by Morghen,
<i>very fine impression, in a gilt frame</i>," was sold at his sale,
April 5, 1816.<br>
<a href="#frw96">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar71814"></a><h3>March 7th [1814]</h3>
<br>
<a name="frx1">Rose</a> at seven&mdash;ready by half-past eight&mdash;went to Mr. Hanson's,
Bloomsbury Square&mdash;went to church with his eldest daughter, Mary Anne (a
good girl), and gave her away to the Earl of Portsmouth<a href="#fx1"><sup>1</sup></a>. Saw her
fairly a countess&mdash;congratulated the family and groom (bride)&mdash;drank a
bumper of wine (wholesome sherris) to their felicity, and all that&mdash;and
came home. Asked to stay to dinner, but could not. At three sat to
Phillips for faces. Called on Lady M. [Melbourne]&mdash;I like her so well,
that I always stay too long. (Mem. to mend of that.)<br>
<br>
Passed the evening with Hobhouse, who has begun a poem, which promises
highly;&mdash;wish he would go on with it. <a name="frx2">Heard</a> some curious extracts from a
life of Morosini<a href="#fx2"><sup>2</sup></a>, the blundering Venetian, who blew up the Acropolis
at Athens with a bomb, and be damned to him! Waxed sleepy&mdash;just come
home&mdash;must go to bed, and am engaged to meet Sheridan to-morrow at
Rogers's.<br>
<br>
Queer ceremony that same of marriage&mdash;saw many abroad, Greek and
Catholic&mdash;one, at <i>home</i>, many years ago. There be some strange
phrases in the prologue (the exhortation), which made me turn away, not
to laugh in the face of the surpliceman. Made one blunder, when I joined
the hands of the happy&mdash;rammed their left hands, by mistake, into one
another. Corrected it&mdash;bustled back to the altar-rail, and said "Amen."
Portsmouth responded as if he had got the whole by heart; and, if any
thing, was rather before the priest. It is now midnight and &mdash;&mdash;.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Lord Portsmouth (see <i>Letters</i>, vol. i. p. 9,
<i>note</i> 2 [Footnote 3 of Letter 3]), who had long known the Hansons, from whose house he
married his first wife, married, March 7, 1814, Mary Anne, eldest
daughter of John Hanson. A commission of lunacy was taken out by the
brother and next heir, the Hon. Newton Fellowes; but Lord Chancellor
Eldon decided that Lord Portsmouth was capable of entering into the
marriage contract and managing his own affairs. The commission was,
however, ultimately granted. Byron swore an affidavit on the first
occasion.

  <blockquote>"Denman mentioned Lord Byron's affidavit about Lord Portsmouth as a
  proof of the influence of Hanson over him; Lord B. swearing that Lord
  P. had 'rather a <i>superior</i> mind than otherwise'" </blockquote>

(<i>Memoirs, etc., of Thomas Moore</i>, vol. vi. p. 47).<br>
<br>
The following is the note which Byron sent Hanson to embody in
his affidavit:

 <blockquote> "I have been acquainted with Mr. Hanson and his family for many years.
  He is my solicitor. About the beginning of March last he sent to me to
  ask my opinion on the subject of Lord Portsmouth, who, as I understood
  from Mr. H., was paying great attention to his eldest daughter. He
  stated to me that Mr. Newton Fellowes (with whom I have no personal
  acquaintance) was particularly desirous that Lord Portsmouth should
  marry some 'elderly woman' of his (Mr. Fellowes's) selection&mdash;that the
  title and family estates might thereby devolve on Mr. F. or his
  children; but that Lord P. had expressed a dislike to old women, and a
  desire to choose for himself. I told Mr. Hanson that, if Miss Hanson's
  affections were not pre-engaged, and Lord Portsmouth appeared attached
  to her, there could be, in my opinion, no objection to the match. I
  think, but cannot be positive, that I saw Lord Portsmouth at Mr.
  Hanson's two or three times previous to the marriage; but I had no
  conversation with him upon it.<br>
<br>
  "The night before the ceremony, I received an invitation from Mr.
  Hanson, requesting me, as a friend of the family, to be present at the
  marriage, which was to take place next morning. I went next morning to
  Bloomsbury Square, where I found the parties. Lady Portsmouth, with
  her brother and sister and another gentleman, went in the carriage to
  St. George's Church; Lord Portsmouth and myself walked, as the
  carriage was full, and the distance short. On my way Lord Portsmouth
  told me that he had been partial to Miss Hanson from her childhood,
  and that, since she grew up, and more particularly subsequent to the
  decease of the late Lady P., this partiality had become attachment,
  and that he thought her calculated to make him an excellent wife. I
  was present at the ceremony and gave away the bride. Lord Portsmouth's
  behaviour seemed to me perfectly calm and rational on the occasion. He
  seemed particularly attentive to the priest, and gave the responses
  audibly and very distinctly. I remarked this because, in ordinary
  conversation, his Lordship has a hesitation in his speech. After the
  ceremony, we returned to Mr. Hanson's, whence, I believe, they went
  into the country&mdash;where I did not accompany them. Since their return I
  have occasionally seen Lord and Lady Portsmouth in Bloomsbury Square.
  They appeared very happy. I have never been very intimate with his
  Lordship, and am therefore unqualified to give a decided opinion of
  his general conduct. But had I considered him insane, I should have
  advised Mr. Hanson, when he consulted me on the subject, not to permit
  the marriage. His preference of a young woman to an old one, and of
  his own wishes to those of a younger brother, seemed to me neither
  irrational nor extraordinary."</blockquote>

There is nothing in the note itself, or in the draft affidavit, to bear
out Moore's report of Denman's statement.<br>
<br>
Byron, according to the account given by Newton Hanson, is wrong in
saying that Mrs. Hanson approved of the marriage. On the contrary, it
was the cause of her death, a fortnight later. In 1828 the marriage was
annulled, a jury having decided that Lord Portsmouth was <i>non compos
mentis</i> when he contracted it.<br>
<a href="#frx1">return to footnote mark</a><br>
<br>
<br>
<a name="fx2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Francesco Morosini (1618-1694) occupied the Morea for
Venice (1687), besieged Athens, and bombarded the Parthenon, which had
been made a powder-magazine. He became Doge of Venice in 1688.<br>
<a href="#frx2">return</a><br>
<br>
<p><a href="#section1a">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar101814"></a><h3>March 10th [1814]</h3>
<br>
<b>Thor's Day</b><br>
<br>
On Tuesday dined with Rogers,&mdash;Mackintosh, Sheridan, Sharpe,&mdash;much talk,
and good,&mdash;all, except my own little prattlement. Much of old
times&mdash;Horne Tooke&mdash;the Trials&mdash;evidence of Sheridan, and anecdotes of
those times, when <i>I</i>, alas! was an infant. If I had been a man, I
would have made an English Lord Edward Fitzgerald.<br>
<br>
Set down Sheridan at Brookes's,&mdash;where, by the by, he could not have
well set down himself, as he and I were the only drinkers. <a name="frx11">Sherry</a> means
to stand for Westminster, as Cochrane<a href="#fx11"><sup>1</sup></a> (the stock-jobbing hoaxer)
must vacate. Brougham<a href="#fx12"><sup>2</sup></a> is a <a name="frx12">candidate</a>. I fear for poor dear Sherry.
Both have talents of the highest order, but the youngster has <i>yet</i>
a character. We shall see, if he lives to Sherry's age, how he will pass
over the redhot plough-shares of public life. I don't know why, but I
hate to see the <i>old</i> ones lose; particularly Sheridan,
notwithstanding all his <i>méchanceté</i>.<br>
<br>
Received many, and the kindest, thanks from Lady Portsmouth, <i>père</i>
and <i>mère</i>, for my match-making. I don't regret it, as she looks
the countess well, and is a very good girl. It is odd how well she
carries her new honours. She looks a different woman, and high-bred,
too. I had no idea that I could make so good a peeress.<br>
<br>
Went to the play with Hobhouse. <a name="frx13">Mrs</a>. Jordan superlative in Hoyden<a href="#fx13"><sup>3</sup></a>,
and Jones well enough in Foppington. <i>What plays</i>! what
wit!&mdash;<i>hélas</i>! Congreve and Vanbrugh are your only comedy. Our
society is too insipid now for the like copy. Would <i>not</i> go to
Lady Keith's. Hobhouse thought it odd. I wonder <i>he</i> should like
parties. If one is in love, and wants to break a commandment and covet
any thing that is there, they do very well. But to go out amongst the
mere herd, without a motive, pleasure, or pursuit&mdash;'sdeath! "I'll none
of it." He told me an odd report,&mdash;that <i>I</i> am the actual Conrad,
the veritable Corsair, and that part of my travels are supposed to have
passed in privacy. Um!&mdash;people sometimes hit near the truth; but never
the whole truth. H. <a name="frx14">don't</a> know what I was about the year after he left
the Levant; nor does any one&mdash;nor &mdash;&mdash; nor&mdash;nor&mdash;however, it is a
lie&mdash;but, "I doubt the equivocation of the fiend that lies like truth!"<a href="#fx14"><sup>4</sup></a><br>
<br>
I shall have letters of importance to-morrow. Which, &mdash;&mdash;, &mdash;&mdash;, or
&mdash;&mdash;? heigho!&mdash; &mdash;&mdash; is in my heart, &mdash;&mdash; in my head, &mdash;&mdash; in my eye,
and the <i>single</i> one, Heaven knows where. All write, and will be
answered. "<a name="frx15">Since</a> I have crept in favour with myself, I must maintain
it;"<a href="#fx15"><sup>5</sup></a> but I never "mistook my person,"<a href="#fx16"><sup>6</sup></a> though I think others
have.<br>
<br>
&mdash;&mdash; called to-day in great despair about his mistress, who has taken a
freak of &mdash;&mdash;. He began a letter to her, but was obliged to stop
short&mdash;I finished it for him, and he copied and sent it. If <i>he</i>
holds out, and keeps to my instructions of affected indifference, she
will lower her colours. If she don't, he will, at least, get rid of her,
and she don't seem much worth keeping. But the poor lad is in love&mdash;if
that is the case, she will win. When they once discover their power,
<i>finita è la musica</i>.<br>
<br>
Sleepy, and must go to bed.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Thomas, Lord Cochrane (1775-1860), eldest son of the ninth
Earl of Dundonald, a captain in the Royal Navy, and M. P. for
Westminster, had done brilliant service in his successive commands&mdash;the
<i>Speedy, Pallas, Impérieuse</i>, and the flotilla of fire-ships at
Basque Roads in 1809. In the House of Commons he had been a strong
opponent of the Government, an advocate of Parliamentary Reform, and a
vigorous critic of naval administration. In February, 1814, he had been
appointed to the <i>Tonnant</i> for the American Station, and it was
while he was on a week's leave of absence in London, before sailing,
that the stock-jobbing hoax occurred.<br>
<br>
During the days February 8-26, 1814, it seemed possible that Napoleon
might defeat the Allied Armies, and the Funds were sensitive to every
rumour. At midnight on Sunday, February 20, a man calling himself Du
Bourg brought news to Admiral Foley, at Dover, that Napoleon had been
killed by a party of Cossacks. Hurrying towards London, Du Bourg, whose
real name was Berenger, spread the news as he went. Arrived in London
soon after daybreak, he went to Cochrane's house, and there changed his
uniform. When the Stock Exchange opened at ten on February 21, 1814, the
Funds rose rapidly, and among those who sold on the rise was Cochrane.
The next day, when the swindle had been discovered, the Stocks fell.<br>
<br>
A Stock Exchange Committee sat to investigate the case, and their report
(March 7) threw grave suspicion on Cochrane. He, his uncle, Cochrane
Johnstone, a Mr. Butt, and Berenger, were indicted for a conspiracy,
tried before Lord Ellenborough, June 8-9, and convicted. Cochrane was
sentenced to a year's imprisonment and a fine of £1000. On the back of
the note for £1000 (still kept in the Bank of England) with which he
paid his fine on July 3, 1815, he wrote:

 <blockquote> "My health having suffered by long and close confinement, and my
  oppressors being resolved to deprive me of property or life, I submit
  to robbery to protect myself from murder, in the hope that I shall
  live to bring the delinquents to justice."</blockquote>

Cochrane was also expelled from the House of Commons and from the Order
of the Bath. There is little doubt that the circumstances were extremely
suspicious. Those who wish to form an opinion as to Cochrane's guilt or
innocence will find the subject of the trial exhaustively treated in Mr.
J.B. Atlay's <i>Lord Cochrane's Trial before Lord Ellenborough</i>
(1897).<br>
<a href="#frx11">return to footnote mark</a><br>
<br>
<br>
<a name="fx12"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Henry, Lord Brougham (1778-1868) acknowledged that he wrote
the famous article on Byron's <i>Hours of Idleness</i> in the
<i>Edinburgh Review</i> (Sir M.E. Grant-Duff's <i>Notes from a
Diary</i>, vol. ii. p. 189). He lost his seat for Camelford in
September, 1812, and did not re-enter the House till July, 1815, when he
sat for Winchelsea. In the postscript of a letter written by him to
Douglas Kinnaird, December 9, 1814, he speaks of Byron thus:

  <blockquote>"Your friend, Lord B., is, in my opinion, a singularly agreeable
  person, which is very rarely the case with eminent men. His
  independent principles give him a great additional charm."</blockquote>

But the part which Brougham played in the separation, both as counsel
and in society, infuriated Byron, who wrote of him in his letters with
the utmost bitterness. (See also the passage, now for the first time
published, from Byron's <i>Detached Thoughts</i>, on his Parliamentary
experiences, p. 198, <a href="#Cx1">first paragraph</a> of <i>note</i>.)<br>
<a href="#frx12">return</a><br>
<br>
<br>
<a name="fx13"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Dorothy Jordan (1762-1816) first appeared as "Phoebe" in
<i>As You Like It</i> at the Crow Street Theatre, Dublin, in 1777. After
acting in provincial theatres, she made her <i>début</i> on the London
stage at Drury Lane (October 18, 1785) as "Peggy" in Garrick's
<i>Country Girl</i>, an expurgated version of Wycherley's <i>Country
Wife</i>. During the season she appeared also in six of her best parts:
"Miss Hoyden" in <i>The Trip to Scarborough</i>, "Priscilla Tomboy" in
<i>The Romp</i>, "Hypolita" in <i>She would and she would not</i>, "Mrs.
Brady" in <i>The Irish Widow</i>, "Viola" in <i>Twelfth Night</i>, and
"Rosalind" in <i>As You Like It</i>.  Her last appearance on the London
stage was as "Lady Teazle" in <i>The School for Scandal</i>, at Covent
Garden, June 1, 1814. A list of her principal characters is given by
Genest (<i>English Stage</i>, vol. viii. pp. 432-434). As a comic
actress, Mrs. Jordan was unrivalled; her voice was perfect; and her
natural gaiety irresistible. Sir Joshua Reynolds preferred her to all
other actresses as a being "who ran upon the stage as a playground, and
laughed from sincere wildness of delight." In genteel comedy, critics
like Genest (<i>English Stage</i>, vol. viii. p. 431) and Leigh Hunt
(<i>Dramatic Essays</i>, ed. 1894, p. 82) agree that she failed,
perhaps, as the latter suggests, because she was so "perpetually
employed" in "broad and romping characters."<br>
<br>
In private life Mrs. Jordan was chiefly known as the mistress of the
Duke of Clarence, to whom she bore ten children. She died at St. Cloud,
July 3, 1816.<br>
<br>
The play acted at Covent Garden, March 10, 1814, was Sheridan's <i>Trip
to Scarborough</i>, which is a close adaptation of Vanbrugh's
<i>Relapse</i>. The performance is thus described in the <i>Courier</i>,
March 11, 1814:

  <blockquote>"Mrs. Jordan, the only <i>Miss Hoyden</i> on the stage, supported that
  character with unabated spirit. In every scene, from her soliloquy on
  being locked up, which was delivered with extraordinary
  <i>naïveté</i>, both with reference to her tones, her emphasis, and
  her action, until the consummation of the piece, the house was shaken
  by loud and quick-succeeding peals of laughter. The style in which she
  expressed <i>Hoyden's</i> rustic arithmetic, 'Now, <i>Nursey</i>, if
  he gives me <i>six hundred pounds</i> a-year to buy <i>pins</i>, what
  will he give me to buy petticoats?' was uncommonly fine. The frock
  waving in her hand, the backward bound of two or three steps, the
  gravity of countenance, induced by a mental glance at the magnitude of
  the sum, all spoke expectation, delight, and astonishment."</blockquote>
<a href="#frx13">return</a><br>
<br>
<br>
<a name="fx14"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; <i>Macbeth</i>, act v. sc. 5.<br>
<a href="#frx14">return</a><br>
<br>
<br>
<a name="fx15"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;<i>Richard III</i>, act i. sc. 2, line 259.<br>
<a href="#frx15">return</a><br>
<br>
<br>
<a name="fx16"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; <i>Ibid.</i>, line 253.<br>
<a href="#frx15">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar151814"></a><h3>Tuesday, March 15th [1814]</h3>
<br>
Dined yesterday with Rogers, Mackintosh, and Sharpe. Sheridan could not
come. <a name="frx21">Sharpe</a> told several very amusing anecdotes of Henderson, the
actor<a href="#fx21"><sup>1</sup></a>. Stayed till late, and came home, having drunk so much
<i>tea</i>, that I did not get to sleep till six this morning. R. <a name="frx22">says</a> I
am to be in <i>this Quarterly</i>&mdash;cut up, I presume, as they "hate us
youth."<a href="#fx22"><sup>2</sup></a> <i>N'importe</i>. As Sharpe was passing by the doors of some
debating society (the Westminster Forum), in his way to dinner, he saw
rubricked on the wall <i>Scott's</i> name and <i>mine</i>&mdash;"Which the
best poet?" being the question of the evening; and I suppose all the
Templars and <i>would-bes</i> took our rhymes in vain in the course of
the controversy. Which had the greater show of hands, I neither know nor
care; but I feel the coupling of the names as a compliment&mdash;though I
think Scott deserves better company.<br>
<br>
Wedderburn Webster called&mdash;Lord Erskine, Lord Holland, etc., etc. Wrote
to &mdash;&mdash; <i>The Corsair</i> report. She says she don't wonder, since
"Conrad is so <i>like</i>." It is odd that one, who knows me so
thoroughly, should tell me this to my face. However, if she don't know,
nobody can.<br>
<br>
Mackintosh is, it seems, the writer of the defensive letter in the
<i>Morning Chronicle</i>. If so, it is very kind, and more than I did
for myself.<br>
<br>
Told <a name="frx23">Murray</a> to secure for me Bandello's Italian Novels<a href="#fx23"><sup>3</sup></a> at the sale
to-morrow. To me they will be <i>nuts</i>. Redde a satire on myself,
called "Anti-Byron," and told Murray to publish it if he liked. The
object of the author is to prove me an atheist and a systematic
conspirator against law and government. Some of the verse is good; the
prose I don't quite understand. He asserts that my "deleterious works"
have had "an effect upon civil society, which requires," etc., etc.,
etc., and his own poetry. It is a lengthy poem, and a long preface, with
an harmonious title-page. Like the fly in the fable, I seem to have got
upon a wheel which makes much dust; but, unlike the said fly, I do not
take it all for my own raising.<br>
<br>
A <a name="frx24">letter</a> from <i>Bella</i><a href="#fx24"><sup>4</sup></a>, which I answered. I shall be in love
with her again if I don't take care.<br>
<br>
I shall begin a more regular system of reading soon.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx21"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; John Henderson, the Bath Roscius (1747-1785), without any
great personal advantages, was, according to Mrs. Siddons, "a fine actor
... the soul of intelligence." Rogers (<i>Table-Talk</i>, ed. 1887,  p.
110) says,

 <blockquote> "Henderson was a truly great actor: his Hamlet and his Falstaff were
  equally good. He was a very fine reader too: in his comic readings,
  superior, of course, to Mrs. Siddons: his John Gilpin was marvellous." </blockquote>

In Sharp's <i>Letters and Essays</i> (ed. 1834, pp. 16-18) will be found
an interesting letter to Henderson, written a few days before his death,
giving an account of John Kemble's first appearance on the London
boards, in the character of "Hamlet."

 <blockquote> "There has not," says Sharp, "been such a first appearance since
  yours; yet Nature, though she has been bountiful to him in figure and
  feature, has denied him a voice.... You have been so long without a
  'brother near the throne,' that it will perhaps be serviceable to you
  to be obliged to bestir yourself in Hamlet, Macbeth, Lord Townley, and
  Maskwell; but in Lear, Richard, Falstaff, and Benedict, you have
  nothing to fear, not-withstanding the known fickleness of the public
  and its love of novelty."</blockquote>
<a href="#frx21">return to footnote mark</a><br>
<br>
<br>
<a name="fx22"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>Henry IV</i>, Part I. act ii. sc. 2.<br>
<a href="#frx22">return</a><br>
<br>
<br>
<a name="fx23"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Matteo Bandello (1480-1562), a native of Piedmont, became
in 1550 Bishop of Agen. His 214 tales, in the manner of Boccaccio, were
published at Milan (1554-73). In the Catalogue of Byron's books, "sold
by auction by Mr. Evans, at his house, No. 26, Pall Mall, on Friday,
April 5, 1816, and following day," appears "Bandello, <i>Novelle</i>, 8
vol., wanting vol. 9, <i>Livorn</i>, 1791."<br>
<a href="#frx23">return</a><br>
<br>
<br>
<a name="fx24"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Miss Milbanke, afterwards Lady Byron.<br>
<a href="#frx24">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar171814"></a><h3>Thursday, March 17th [1814]</h3>
<br>
I have been sparring with Jackson for exercise this morning; and mean to
continue and renew my acquaintance with the muffles. My chest, and arms,
and wind are in very good plight, and I am not in flesh. I used to be a
hard hitter, and my arms are very long for my height (5 feet 8 1/2
inches). At any rate, exercise is good, and this the severest of all;
fencing and the broad-sword never fatigued me half so much.<br>
<br>
<a name="frx31">Redde</a> the <i>Quarrels of Authors</i><a href="#fx31"><sup>1</sup></a> (another sort of
<i>sparring</i>)&mdash;a new work, by that most entertaining and researching
writer, Israeli. They seem to be an irritable set, and I wish myself
well out of it. "I'll <a name="frx32">not</a> march through Coventry with them, that's
flat."<a href="#fx32"><sup>2</sup></a> What the devil had I to do with scribbling? It is too late to
inquire, and all regret is useless. But, an it were to do again,&mdash;I
should write again, I suppose. Such is human nature, at least my share
of it;&mdash;though I shall think better of myself, if I have sense to stop
now. If I have a wife, and that wife has a son&mdash;by any body&mdash;I will
bring up mine heir in the most anti-poetical way&mdash;make him a lawyer, or
a pirate, or&mdash;any thing. But, if he writes too, I shall be sure he is
none of mine, and cut him off with a Bank token. Must write a
letter&mdash;three o'clock.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx31"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Disraeli's <i>Curiosities of Literature</i>, 2 vols.
(1807); <i>Calamities of Authors</i>, 2 vols. (1812); and <i>Quarrels of
Authors</i>, 3 vols. (1814), appear in the Sale Catalogue.<br>
<a href="#frx31">return to footnote mark</a><br>
<br>
<br>
<a name="fx32"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;<i>Henry IV</i>., Part I. act iv. sc. 2.<br>
<a href="#frx32">return</a>
<br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar201814"></a><h3>Sunday, March 20th [1814]</h3>
<br>
I <a name="frx41">intended</a> to go to Lady Hardwicke's<a href="#fx41"><sup>1</sup></a>, but won't. I always begin the
day with a bias towards going to parties; but, as the evening advances,
my stimulus fails, and I hardly ever go out&mdash;and, when I do, always
regret it. This might have been a pleasant one;&mdash;at least, the hostess
is a very superior woman. <a name="frx42">Lady</a> Lansdowne's<a href="#fx42"><sup>2</sup></a> to-morrow&mdash;Lady
Heathcote's<a href="#fx43"><sup>3</sup></a> Wednesday. Um!&mdash;I must spur myself into going to some of
them, or it will look like rudeness, and it is better to do as other
people do&mdash;confound them!<br>
<br>
<a name="frx44">Redde</a> Machiavel<a href="#fx44"><sup>4</sup></a>, parts of Chardin, and Sismondi, and Bandello&mdash;by
starts. Redde the <i>Edinburgh</i>, 44, just come out. <a name="frx45">In</a> the beginning
of the article on Edgeworth's <i>Patronage</i>, I have gotten a high
compliment, I perceive<a href="#fx45"><sup>5</sup></a>. Whether this is creditable to me, I know
not; but it does honour to the editor, because he once abused me. Many a
man will retract praise; none but a high-spirited mind will revoke its
censure, or <i>can</i> praise the man it has once attacked. I have
often, since my return to England, heard Jeffrey most highly commended
by those who know him for things independent of his talents. I admire
him for <i>this</i>&mdash;not because he has <i>praised me</i> (I have been
so praised elsewhere and abused, alternately, that mere habit has
rendered me as indifferent to both as a man at twenty-six can be to any
thing), but because he is, perhaps, the <i>only man</i> who, under the
relations in which he and I stand, or stood, with regard to each other,
would have had the liberality to act thus; none but a great soul dared
hazard it. The height on which he stands has not made him giddy;&mdash;a
little scribbler would have gone on cavilling to the end of the chapter.
As to the justice of his panegyric, that is matter of taste. There are
plenty to question it, and glad, too, of the opportunity.<br>
<br>
Lord Erskine called to-day. He means to carry down his reflections on
the war&mdash;or rather wars&mdash;to the present day. I trust that he will. Must
send to Mr. Murray to get the binding of my copy of his pamphlet
finished, as Lord E. has promised me to correct it, and add some
marginal notes to it. Any thing in his handwriting will be a treasure,
which will gather compound interest from years. <a name="frx46">Erskine</a> has high
expectations of Mackintosh's promised History. Undoubtedly it must be a
classic, when finished<a href="#fx46"><sup>6</sup></a>.<br>
<br>
Sparred with Jackson again yesterday morning, and shall to-morrow. I
feel all the better for it, in spirits, though my arms and shoulders are
very stiff from it. <a name="frx47">Mem</a>. to attend the pugilistic dinner:&mdash;Marquess
Huntley<a href="#fx47"><sup>7</sup></a> is in the chair.<br>
<br>
Lord Erskine thinks that ministers must be in peril of going out. So
much the better for him. To me it is the same who are in or out;&mdash;we
want something more than a change of ministers, and some day we will
have it.<br>
<br>
I remember, in riding from Chrisso to Castri (Delphos), along the sides
of Parnassus, I saw six eagles in the air. It is uncommon to see so many
together; and it was the number&mdash;not the species, which is common
enough&mdash;that excited my attention.<br>
<br>
The last bird I ever fired at was an <i>eaglet</i>, on the shore of the
Gulf of Lepanto, near Vostitza. It was only wounded, and I tried to save
it, the eye was so bright; but it pined, and died in a few days; and I
never did since, and never will, attempt the death of another bird. I
wonder what put these two things into my head just now? I have been
reading Sismondi, and there is nothing there that could induce the
recollection.<br>
<br>
I am mightily taken with Braccio di Montone, Giovanni Galeazzo, and
Eccelino. But the last is <i>not</i> Bracciaferro (of the same name),
Count of Ravenna, whose history I want to trace. There is a fine
engraving in Lavater, from a picture by Fuseli, of <i>that</i> Ezzelin,
over the body of Meduna, punished by him for a <i>hitch</i> in her
constancy during his absence in the Crusades. <a name="frx48">He</a> was right&mdash;but I want
to know the story<a href="#fx48"><sup>8</sup></a>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx41"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Philip Yorke, third Earl of Hardwicke, married, in 1782,
Elizabeth, daughter of the fifth Earl of Balcarres.<br>
<a href="#frx41">return to footnote mark</a><br>
<br>
<br>
<a name="fx42"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Louisa Emma, daughter of the second Earl of Ilchester, was
married, in 1808, to the Marquis of Lansdowne, at that time Lord Henry
Petty.<br>
<a href="#frx42">return</a><br>
<br>
<br>
<a name="fx43"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; Katherine Sophia, daughter of John Manners, of Grantham
Grange, co. Lincoln, was married, in 1793, to Sir Gilbert Heathcote.<br>
<a href="#frx42">return</a><br>
<br>
<br>
<a name="fx44"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp; Machiavelli's <i>Opere</i>, 13 vols., <i>in russia,
Milan</i> (1804); Sismondi's <i>De la Littérature du Midi</i>, 4 vols.,
<i>in russia</i>, Paris (1813); and Chardin's <i>Voyages en Perse</i>,
10 vols. and Atlas (1811), appear in the Catalogue of Sale.<br>
<a href="#frx44">return</a><br>
<br>
<br>
<a name="fx45"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp;

  <blockquote>"It is no slight consolation to us, while suffering under alternate
  reproaches for ill-timed severity, and injudicious praise, to reflect
  that no very mischievous effects have as yet resulted to the
  literature of the country, from this imputed misbehaviour on our part.
  Powerful genius, we are persuaded, will not be repressed even by
  unjust castigation; nor will the most excessive praise that can be
  lavished by sincere admiration ever abate the efforts that are fitted
  to attain to excellence. Our alleged severity upon a youthful
  production has not prevented the noble author from becoming the first
  poet of his time."</blockquote>

<i>Edinburgh Review</i>, vol. xxii. p. 416.<br>
<a href="#frx45">return</a><br>
<br>
<br>
<a name="fx46"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; Mackintosh wrote
<ol type="1">
<li>a <i>History of England</i> for
Lardner's <i>Cabinet Cyclopaedia</i> (1830);</li>
<li>a <i>History of the
Revolution in England</i> (1834).</li>
</ol><br>
<a href="#frx46">return</a><br>
<br>
<br>
<a name="fx47"><span style="color: #FF0000;">Footnote 7:</span></a> &nbsp; Afterwards fifth, and last, Duke of Gordon. He died in May,
1836.<br>
<a href="#frx47">return</a><br>
<br>
<br>
<a name="fx48"><span style="color: #FF0000;">Footnote 8:</span></a> &nbsp;

  <blockquote>"Fuseli's picture of Ezzelin Bracciaferro musing over Meduna, slain by
  him for disloyalty during his absence in the Holy Land, was exhibited
  at the Royal Academy in 1780. Mr. Knowles, in his <i>Life</i> of the
  painter, relates the following anecdote: 'Fuseli frequently invented
  the subject of his pictures without the aid of the poet or historian,
  as in his composition of Ezzelin, Belisaire, and some others: these he
  denominated "philosophical ideas intuitive, or sentiment personified."
  On one occasion he was much amused by the following inquiry of Lord
  Byron: "I have been looking in vain, Mr. Fuseli, for some months, in
  the poets and historians of Italy, for the subject of your picture of
  Ezzelin: pray where is it to be found?" "Only in my brain, my Lord,"
  was the answer: "for I invented it"' (vol. i. p. 403)" (Moore).</blockquote>
<a href="#frx48">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar221814"></a><h3>Tuesday, March 22nd [1814]</h3>
<br>
Last night, <i>party</i> at Lansdowne House. <a name="frx51">To-night</a>, <i>party</i> at
Lady Charlotte Greville's<a href="#fx51"><sup>1</sup></a>&mdash;deplorable waste of time, and something
of temper. Nothing imparted&mdash; nothing acquired&mdash;talking without
ideas:&mdash;if any thing like <i>thought</i> in my mind, it was not on the
subjects on which we were gabbling. Heigho!&mdash;and in this way half London
pass what is called life. To-morrow there is Lady Heathcote's&mdash;shall I
go? yes&mdash;to punish myself for not having a pursuit.<br>
<br>
Let me see&mdash;what did I see? The <a name="frx52">only</a> person who much struck me was Lady
S&mdash;d's [Stafford's] eldest daughter, Lady C. L.<a href="#fx52"><sup>2</sup></a> [Charlotte Leveson].
They say she is <i>not</i> pretty. I don't know&mdash;every thing is pretty
that pleases; but there is an air of <i>soul</i> about her&mdash;and her
colour changes&mdash;and there is that shyness of the antelope (which I
delight in) in her manner so much, that I observed her more than I did
any other woman in the rooms, and only looked at any thing else when I
thought she might perceive and feel embarrassed by my scrutiny. After
all, there may be something of association in this. She is a friend of
Augusta's, and whatever she loves I can't help liking.<br>
<br>
Her mother, the Marchioness, talked to me a little; and I was twenty
times on the point of asking her to introduce me to <i>sa fille</i>, but
I stopped short. This comes of that affray with the Carlisles.<br>
<br>
Earl <a name="frx53">Grey</a> told me laughingly of a paragraph in the last <i>Moniteur</i>,
which has stated, among other symptoms of rebellion, some particulars of
the <i>sensation</i> occasioned in all our government gazettes by the
"tear" lines,&mdash;<i>only</i> amplifying, in its re-statement, an epigram
(by the by, no epigram except in the <i>Greek</i> acceptation of the
word) into a <i>roman</i>. I wonder the <i>Couriers</i>, etc., etc.,
have not translated that part of the <i>Moniteur</i>, with additional
comments<a href="#fx53"><sup>3</sup></a>.<br>
<br>
The Princess of Wales has requested Fuseli to paint from <i>The
Corsair</i>&mdash;leaving to him the choice of any passage for the subject:
so Mr. Locke tells me. Tired, jaded, selfish, and supine&mdash;must go to
bed.<br>
<br>
<i>Roman</i>, at least <i>Romance</i>, means a song sometimes, as in the
Spanish. I suppose this is the <i>Moniteur's</i> meaning, unless he has
confused it with <i>The Corsair</i>.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx51"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp;Daughter of William Henry Cavendish, third Duke of
Portland, married, in 1793, to Charles Greville.<br>
<a href="#frx51">return to footnote mark</a><br>
<br>
<br>
<a name="fx52"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; Afterwards Countess of Surrey.<br>
<a href="#frx52">return</a><br>
<br>
<br>
<a name="fx53"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

 <blockquote> "Londres le 9 Mars... On vient de publier une caricature insolente et
  grossiere centre le mariage projeté (de la Princesse de Galles) et
  centre le Prince d'Orange. En commentant cette gravure, le <i>Town
  Talk</i> a osé avancer que la Princesse Charlotte détestait son époux
  futur, et que ses véritables affections étaient sacrifices à des vues
  politiques. Le Lord Byron a fait de ce bruit populaire le sujet d'une
  romance."</blockquote>

<i>Moniteur</i>, 17 Mars, 1814.<br>
<a href="#frx53">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="mar281814"></a><h3>March 28th [1814]</h3>
<br>
<b>Albany</b><br>
<br>
<a name="frx61">This</a> night got into my new apartments<a href="#fx61"><sup>1</sup></a>, rented of Lord Althorpe, on a
lease of seven years. Spacious, and room for my books and sabres.
<i>In</i> the <i>house</i>, too, another advantage. The last few days,
or whole week, have been very abstemious, regular in exercise, and yet
very <i>un</i>well.<br>
<br>
Yesterday, dined <i>tête-à-tête</i> at the Cocoa with Scrope Davies&mdash;sat
from six till midnight&mdash;drank between us one bottle of champagne and six
of claret, neither of which wines ever affect me. Offered to take Scrope
home in my carriage; but he was tipsy and pious, and I was obliged to
leave him on his knees praying to I know not what purpose or pagod. No
headach, nor sickness, that night nor to-day. Got up, if any thing,
earlier than usual&mdash;sparred with Jackson <i>ad sudorem</i>, and have
been much better in health than for many days. I have heard nothing more
from Scrope. Yesterday paid him four thousand eight hundred pounds, a
debt of some standing, and which I wished to have paid before. My mind
is much relieved by the removal of that <i>debit</i>.<br>
<br>
<a name="frx62">Augusta</a> wants me to make it up with Carlisle. I have refused
<i>every</i> body else, but I can't deny her any thing;&mdash;so I must e'en
do it, though I had as lief "drink up Eisel&mdash;eat a crocodile."<a href="#fx62"><sup>2</sup></a> Let
me see&mdash;Ward, the Hollands, the Lambs, Rogers, etc., etc.,&mdash;every body,
more or less, have been trying for the last two years to accommodate
this <i>couplet</i> quarrel, to no purpose. I shall laugh if Augusta
succeeds.<br>
<br>
Redde a little of many things&mdash;shall get in all my books to-morrow.
<a name="frx63">Luckily</a> this room will hold them&mdash; with "ample room and verge, etc., the
characters of hell to trace."<a href="#fx63"><sup>3</sup></a> I must set about some employment soon;
my heart begins to eat <i>itself</i> again.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx61"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; In 1804 Albany House, in Piccadilly, long occupied by the
Duke of York and Albany, was converted into sets of bachelor chambers,
and the gardens behind were also built over with additional suites of
rooms. Byron's were in the original house on the ground floor, No. 2.
Moore, writing to Rogers, April 12, 1814 (<i>Memoirs, etc</i>., vol.
viii. p. 176), says,

  <blockquote>"Lord Byron, as you know, has removed into Albany, and lives in an
  apartment, I should think thirty by forty feet."</blockquote>
<a href="#frx61">return to footnote mark</a><br>
<br>
<br>
<a name="fx62"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>Hamlet</i>, act v. sc. 1, line 299.<br>
<a href="#frx62">return</a><br>
<br>
<br>
<a name="fx63"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

  <blockquote>"Give ample room, and verge enough<br>
   The characters of hell to trace."</blockquote>

Gray, <i>The Bard</i>, lines 51, 52.<br>
<a href="#frx63">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="apr81814"></a><h3>April 8th [1814]</h3>
<br>
Out of town six days. <a name="frx71">On</a> my return, found my poor little pagod,
Napoleon, pushed off his pedestal;&mdash;the thieves are in Paris. It is his
own fault. Like Milo, he would rend the oak<a href="#fx71"><sup>1</sup></a>; but it closed again,
wedged his hands, and now the beasts&mdash;lion, bear, down to the dirtiest
jackal&mdash;may all tear him. That Muscovite winter <i>wedged</i> his
arms;&mdash;ever since, he has fought with his feet and teeth. The last may
still leave their marks; and "I guess now" (as the Yankees say) that he
will yet play them a pass. He is in their rear&mdash;between them and their
homes. Query&mdash;will they ever reach them?<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx71"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; He adopted this thought afterwards in his <i>Ode to
Napoleon</i>, as well as most of the historical examples in the
following paragraph:

  <blockquote>"He who of old would rend the oak,<br>
   Dream'd not of the rebound;<br>
  Chain'd by the trunk he vainly broke&mdash;<br>
   Alone&mdash;how look'd he round?"</blockquote>
<a href="#frx71">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="apr91814"></a><h3>Saturday, April 9th, 1814</h3>
<br>
I mark this day!<br>
<br>
Napoleon Buonaparte has abdicated the throne of the world. "Excellent
well." Methinks Sylla did better; for he revenged and resigned in the
height of his sway, red with the slaughter of his foes&mdash;the finest
instance of glorious contempt of the rascals upon record. Dioclesian did
well too&mdash;Amurath not amiss, had he become aught except a
dervise&mdash;Charles the Fifth but so so&mdash;but Napoleon, worst of all. What!
wait till they were in his capital, and then talk of his readiness to
give up what is already gone!! "<a name="frx81">What</a> whining monk art thou&mdash; what holy
cheat?"<a href="#fx81"><sup>1</sup></a> 'Sdeath!&mdash;Dionysius at Corinth was yet a king to this. The
"Isle of Elba" to retire to!&mdash;Well&mdash;if it had been Caprea, I should have
marvelled less. "I <a name="frx82">see</a> men's minds are but a parcel of their fortunes."<a href="#fx82"><sup>2</sup></a> I am utterly bewildered and confounded.<br>
<br>
I don't know&mdash;but I think <i>I</i>, even <i>I</i> (an insect compared
with this creature), have set my life on casts not a millionth part of
this man's. But, after all, a crown may be not worth dying for. Yet, to
outlive <i>Lodi</i> for this!!!<br>
<br>
Oh <a name="frx83">that</a> Juvenal or Johnson could rise from the dead! <i>Expende&mdash;quot
libras in duce summo invenies</i>?<a href="#fx83"><sup>3</sup></a> I knew they were light in the
balance of mortality; but I thought their living dust weighed more
<i>carats</i><a href="#fx84"><sup>4</sup></a>. Alas! this imperial diamond hath a flaw in it, and is
now hardly fit to stick in a glazier's pencil:&mdash;the pen of the historian
won't rate it worth a ducat.<br>
<br>
<a name="frx85">Psha</a>! "something too much of this."<a href="#fx85"><sup>5</sup></a> But I won't give him up even
now; though all his admirers have, "like the thanes, fallen from him."<a href="#fx86"><sup>6</sup></a><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx81"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; In Otway's <i>Venice Preserved</i> (act iv. sc. 2), Pierre
says to Jaffier, who had betrayed him:

  <blockquote>"What whining monk art thou? What holy cheat?<br>
  That would'st encroach upon my credulous ears,<br>
  And cant'st thus vilely! Hence! I know thee not!"</blockquote>
<a href="#frx81">return to footnote mark</a><br>
<br>
<br>
<a name="fx82"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp;

  <blockquote>"I see, men's judgements are a parcel of their fortunes."</blockquote>

<i>Antony and Cleopatra</i>, act iii. sc. II, line 32.<br>
<a href="#frx82">return</a><br>
<br>
<br>
<a name="fx83"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp;

  <blockquote>"Expende Hannibalem: quot libras in duce summo<br>
  Invenies?"</blockquote>

Juvenal, <i>Sat</i>. x. 147.


  <blockquote>"Produce the urn that Hannibal contains,<br>
  And weigh the mighty dust which yet remains:<br>
  <i>And is this all?</i>"</blockquote>

Gifford's <i>Juvenal</i> (ed. 1802), vol. ii. pp. 338, 339.<br>
<a href="#frx83">return</a><br>
<br>
<br>
<a name="fx84"><span style="color: #FF0000;">Footnote 4:</span></a> &nbsp;

  <blockquote>"In the Statistical Account of Scotland, I find that Sir John Paterson
  had the curiosity to collect, and weigh, the ashes of a person
  discovered a few years since in the parish of Eccles. Wonderful to
  relate, he found the whole did not exceed in weight one ounce and a
  half! <i>And is this all</i>!"</blockquote>

Gifford's <i>Juvenal, ut supra</i>.<br>
<a href="#frx83">return</a><br>
<br>
<br>
<a name="fx85"><span style="color: #FF0000;">Footnote 5:</span></a> &nbsp; <i>Hamlet</i>, act iii. sc. 2.<br>
<a href="#frx85">return</a><br>
<br>
<br>
<a name="fx86"><span style="color: #FF0000;">Footnote 6:</span></a> &nbsp; <i>Macbeth</i>, act v. sc. 3,

  <blockquote>"Doctor, the thanes fly from me!"</blockquote>
<a href="#frx85">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="apr101814"></a><h3>April 10th [1814]</h3>
<br>
I do not know that I am happiest when alone; but this I am sure of, that
I never am long in the society even of <i>her</i> I love, (God knows too
well, and the devil probably too,) without a yearning for the company of
my lamp and my utterly confused and tumbled-over library. Even in the
day, I send away my carriage oftener than I use or abuse it. <i>Per
esempio</i>,&mdash;I have not stirred out of these rooms for these four days
past: but I have sparred for exercise (windows open) with Jackson an
hour daily, to attenuate and keep up the ethereal part of me. The more
violent the fatigue, the better my spirits for the rest of the day; and
then, my evenings have that calm nothingness of languor, which I most
delight in. <a name="frx91">To-day</a> I have boxed an hour&mdash;written an ode to Napoleon
Buonaparte&mdash;copied it&mdash;eaten six biscuits&mdash;drunk four bottles of soda
water<a href="#fx91"><sup>1</sup></a>&mdash;redde away the rest of my time&mdash; besides giving poor [?
Webster] a world of advice about this mistress of his, who is plaguing
him into a phthisic and intolerable tediousness. I am a pretty fellow
truly to lecture about "the sect." No matter, my counsels are all thrown
away.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fx91"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; The following is one of Byron's bills for soda water:<br>
<br>
<img src="images/BI2.gif" width="492" height="372" border="1" alt="sodawater bill"><br>
<br>
<a href="#frx91">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br><a href="#toc">Contents</a></p>
<hr><br><br>

<a name="apr191814"></a><h3>April 19th, 1814</h3>
<br>
There is ice at both poles, north and south&mdash;all extremes are the
same&mdash;misery belongs to the highest and the lowest only, to the emperor
and the beggar, when unsixpenced and unthroned. There is, to be sure, a
damned insipid medium&mdash;an equinoctial line&mdash;no one knows where, except
upon maps and measurement.

<blockquote>"<a name="fry1">And</a> all our yesterdays have lighted fools<br>
  The way to dusty death."<a href="#fy1"><sup>1</sup></a></blockquote>

I <a name="fry2">will</a> keep no further journal of that same hesternal torch-light; and,
to prevent me from returning, like a dog, to the vomit of memory, I tear
out the remaining leaves of this volume, and write, in
<i>Ipecacuanha</i>,&mdash;"that the Bourbons are restored!!!"&mdash;"Hang up
philosophy."<a href="#fy2"><sup>2</sup></a> To be s<a name="fry3"></a>ure, I have long despised myself and man, but I
never spat in the face of my species before&mdash;"O fool! I shall go mad."<a href="#fy3"><sup>3</sup></a><br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fy1"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Macbeth</i>, act v. sc. 5, line 22.<br>
<a href="#fry1">return to footnote mark</a><br>
<br>
<br>
<a name="fy2"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; <i>Romeo and Juliet</i>, act iii. sc. 3.<br>
<a href="#fry2">return</a><br>
<br>
<br>
<a name="fy3"><span style="color: #FF0000;">Footnote 3:</span></a> &nbsp; <i>King Lear</i>, act ii. sc. 4.<br>
<a href="#fry3">return</a><br>
<br>
<p><a href="#jp2">List of Journal Entries</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>


<h2><a name="app1">APPENDIX I &mdash;Articles from <i>The Monthly Review</i></a></h2>
<br>
<a name="app1a"></a><h3>1. <i>Poems</i>, by W. R. Spencer. (vol. 67, 1812, pp. 54-60.)</h3>

<i>Art. VII. Poems by William Robert Spencer. 8vo. 10s. Boards. Cadell and
Davies. 1811.</i><br>
<br>
The author of this well-printed volume has more than once been
introduced to our readers, and is known to rank among that class of
poetical persons who have never been highly favoured by stern criticism.
The "mob of gentlemen who write with ease" has indeed of late years
(like other mobs) become so importunate, as to threaten an alarming
rivalry to the regular body of writers who are not fortunate enough to
be either easy or genteel. Hence the jaundiced eye with which the real
author regards the red Morocco binding of the presumptuous
"Littérateur;" we say, <i>the binding</i>, for into the book itself he
cannot condescend to look, at least not beyond the frontispiece.&mdash;Into
Mr. Spencer's volume, however, he may dip farther, and will find
sufficient to give him pleasure or pain, in proportion to his own
candour. It consists chiefly of "<i>Vers de Société</i>," calculated to
prove very delightful to a large circle of fashionable acquaintance, and
pleasing to a limited number of vulgar purchasers. These last, indeed,
may be rude enough to expect something more for their specie during the
present scarcity of change, than lines to "Young Poets and Poetesses,"
"Epitaphs upon Years," Poems "to my Grammatical Niece," "Epistle from
Sister Dolly in Cascadia to Sister Tanny in Snowdonia," etc.: but we
doubt not that a long list of persons of quality, wit, and honour, "in
town and country," who are here addressed, will be highly pleased with
themselves and with the poet who has <i>shewn them off</i> in a very
handsome volume: as will doubtless the "Butterfly at the end of Winter,"
provided that he is fortunate enough to survive the present
inclemencies. We are, however, by no means convinced that the Bellman
will relish Mr. S.'s usurpation of a "Christmas Carol;" which looks so
very like his own, that we advise him immediately to put in his claim,
and it will be universally allowed.<br>
<br>
With the exception of these and similar productions, the volume contains
poems eminently beautiful; some which have been already published, and
others that are well worthy of present publication. Of "Leonora," with
which it opens, we made our report many years ago (in vol. xx. N.S. p.
451): but our readers, perhaps, will not be sorry to see another short
extract. We presume that they are well acquainted with the story, and
therefore select one of the central passages:

<blockquote>"See, where fresh blood-gouts mat the green,<br>
  Yon wheel its reeking points advance;<br>
There, by the moon's wan light half seen,<br>
  Grim ghosts of tombless murderers dance.<br>
'Come, spectres of the guilty dead,<br>
  With us your goblin morris ply,<br>
Come all in festive dance to tread,<br>
  Ere on the bridal couch we lie.'<br><br>

"Forward th' obedient phantoms push,<br>
  Their trackless footsteps rustle near,<br>
In sound like autumn winds that rush<br>
  Through withering oak or beech-wood sere.<br>
With lightning's force the courser flies,<br>
  Earth shakes his thund'ring hoofs beneath,<br>
Dust, stones, and sparks, in whirlwind rise,<br>
  And horse and horseman heave for breath.<br><br>

"Swift roll the moon-light scenes away,<br>
  Hills chasing hills successive fly;<br>
E'en stars that pave th' eternal way,<br>
  Seem shooting to a backward sky.<br>
'Fear'st thou, my love? the moon shines clear;<br>
  Hurrah! how swiftly speed the dead!<br>
The dead does Leonora fear?<br>
  Oh God! oh leave, oh leave the dead!'"</blockquote>

Such a specimen of "the Terrible" will place the merit of the poem in a
proper point of view: but we do not think that some of the alterations
in this copy of <i>Leonora</i> are altogether so judicious as Mr. S.'s
well-known taste had led us to expect. "Reviving Friendship" (p. 5) is
perhaps less expressive than "Relenting," as it once stood; and the
phrase, "ten thousand <i>furlowed</i> heroes" (<i>ibid</i>.), throws a
new light on the heroic character. It is extremely proper that heroes
should have "furlows," since school-boys have holidays, and lawyers have
long vacations: but we very much question whether young gentlemen of the
scholastic, legal, or heroic calling, would be flattered by any epithet
derived from the relaxation of their respectable pursuits. We should
feel some hesitation in telling an interesting youth, of any given
battalion from Portugal, that he was a "furlowed hero," lest he should
prove to us that his "furlow" had by no means impaired his "heroism."
The old epithet, "war-worn," was more adapted to heroism and to poetry;
and, if we mistake not, it has very recently been superseded by an
epithet which precludes "otium cum dignitate" from the soldier, without
imparting either ease or dignity to the verse. Why is "horse and
horsemen <i>pant</i> for breath" changed to "<i>heave</i> for breath,"
unless for the alliteration of the too tempting aspirate? "Heaving" is
appropriate enough to coals and to sighs, but "panting" <i>belongs</i>
to successful lovers and spirited horses; and why should Mr. S.'s horse
and horseman not have panted as heretofore?<br>
<br>
The next poem in arrangement as well as in merit is the "Year of
Sorrow;" to which we offered a tribute of praise in our 45th vol. N. S.
p. 288.&mdash;We are sorry to observe that the compliment paid to Mr.
Wedgewood by a "late traveller" (see note, p. 50), viz. that "an
Englishman in journeying from Calais to Ispahan may have his dinner
served every day on Wedgewood's ware," is no longer a matter of fact. It
has lately been the good or evil fortune of one of our travelling
department to pass near to Calais, and to have journeyed through divers
Paynim lands to no very remote distance from Ispahan; and neither in the
palace of the Pacha nor in the caravanserai of the traveller, nor in the
hut of the peasant, was he so favoured as to masticate his pilaff from
that fashionable service. Such is, in this and numerous other instances,
the altered state of the continent and of Europe, since the annotation
of the "late traveller;" and on the authority of a <i>later</i>, we must
report that the ware has been all broken since the former passed that
way. We wish that we could efficiently exhort Mr. Wedgewood to send out
a fresh supply, on all the <i>turnpike roads</i> by the route of Bagdad,
for the convenience of the "latest travellers."<br>
<br>
Passing over the "Chorus from Euripides," which might as well have slept
in quiet with the rest of the author's school-exercises, we come to "the
Visionary," which we gladly extract as a very elegant specimen of the
lighter poems:

<blockquote>"When midnight o'er the moonless skies<br>
  Her pall of transient death has spread,<br>
When mortals sleep, when spectres rise,<br>
  And nought is wakeful but the dead!<br><br>

"No bloodless shape my way pursues,<br>
  No sheeted ghost my couch annoys.<br>
Visions more sad my fancy views,<br>
  Visions of long departed joys!<br><br>

"The shade of youthful hope is there,<br>
  That linger'd long, and latest died;<br>
Ambition all dissolved to air,<br>
  With phantom honours at her side.<br><br>

"What empty shadows glimmer nigh!<br>
  They once were friendship, truth, and love!<br>
Oh, die to thought, to mem'ry die,<br>
  Since lifeless to my heart ye prove!"</blockquote>

We cannot forbear adding the beautiful stanzas in pages 166, 167:

<blockquote>"To <b>The Lady Anne Hamilton.</b><br><br>

"Too late I staid, forgive the crime,<br>
  Unheeded flew the hours;<br>
How noiseless falls the foot of Time,<br>
  That only treads on flow'rs!<br><br>

"What eye with clear account remarks<br>
  The ebbing of his glass,<br>
When all its sands are di'mond sparks,<br>
  That dazzle as they pass?<br><br>

"Ah! who to sober measurement<br>
  Time's happy swiftness brings,<br>
When birds of Paradise have lent<br>
  Their plumage for his wings?"</blockquote>

The far greater part of the volume, however, contains pieces which can
be little gratifying to the public:&mdash;some are pretty; and all are
besprinkled with "gems," and "roses," and "birds," and "diamonds," and
such like cheap poetical adornments, as are always to be obtained at no
great expense of thought or of metre.&mdash;It is happy for the author that
these <i>bijoux</i> are presented to persons of high degree; countesses,
foreign and domestic; "Maids of Honour to Louisa Landgravine of Hesse
D'Armstadt;" Lady Blank, and Lady Asterisk, besides&mdash;-, and&mdash;-, and
others anonymous; who are exactly the kind of people to be best pleased
with these sparkling, shining, fashionable trifles. We will solace our
readers with three stanzas of the soberest of these odes:

<blockquote>"<b>Addressed to Lady Susan Fincastle, now Countess Of Dunmore</b>.<br><br>

"What ails you, Fancy? you're become<br>
  Colder than Truth, than Reason duller!<br>
Your wings are worn, your chirping's dumb,<br>
  And ev'ry plume has lost its colour.<br><br>

"You droop like geese, whose cacklings cease<br>
  When dire St. Michael they remember,<br>
Or like some <i>bird</i> who just has heard<br>
  That Fin's preparing for September?<br><br>

"Can you refuse your sweetest spell<br>
  When I for Susan's praise invoke you?<br>
What, sulkier still? you pout and swell<br>
  As if that lovely name would choke you."</blockquote>

We are to suppose that "Fin preparing for September" is the lady with
whose "lovely name" Fancy runs some risk of being "choked;" and, really,
if <i>killing partridges</i> formed a part of her Ladyship's
accomplishments, both "Fancy" and Feeling were in danger of a quinsey.
Indeed, the whole of these stanzas are couched in that most exquisite
irony, in which Mr. S. has more than once succeeded. All the songs to
"persons of quality" seem to be written on that purest model, "the song
by a person of quality;" whose stanzas have not been fabricated in vain.
This sedulous imitation extends even to the praise of things inanimate:

<blockquote>"When an Eden zephyr hovers<br>
  O'er a slumb'ring cherub's lyre,<br>
Or when sighs of seraph lovers<br>
  Breathe upon th' unfinger'd wire."</blockquote>

If namby-pamby still leads to distinction, Mr. S., like Ambrose
Phillips, will be "preferred for wit."

<blockquote>"Heav'n must hear&mdash;a bloom more tender<br>
  Seems to tint the wreath of May,<br>
Lovelier beams the noon-day splendour,<br>
  Brighter dew-drops gem the spray!<br><br>

"Is the breath of angels moving<br>
  O'er each flow'ret's heighten'd hue?<br>
Are their smiles the day improving,<br>
  Have their tears enrich'd the dew?"</blockquote>

Here we have "angels' tears," and "breath," and "smiles," and "Eden
zephyrs," "sighs of seraph lovers," and "lyres of slumbering cherubs,"
dancing away to "the Pedal Harp!" How strange it is that Thomson, in his
stanzas on the Æolian lyre (see the <i>Castle of Indolence</i>), never
dreamed of such things, but left all these prettinesses to the last of
the Cruscanti!<br>
<br>
One of the best pieces in the volume is an "Epistle to T. Moore, Esq.,"
which though disfigured with "Fiends on sulphur nurst," and "<i>Hell's
chillest Winter</i>" ("poor Tom's a'-cold!"), and some other vagaries of
the same sort, forms a pleasant specimen of poetical friendship.&mdash;We
give the last ten lines:

<blockquote>"The triflers think your varied powers<br>
Made only for life's gala bow'rs,<br>
To smooth Reflection's mentor-frown,<br>
Or Pillow joy on softer down.&mdash;<br>
Fools!&mdash;yon blest orb not only glows<br>
To chase the cloud, or paint the rose;<br>
<i>These</i> are the pastimes of his might,<br>
Earth's torpid bosom drinks his light;<br>
Find there his wondrous pow'r's true measure,<br>
Death turn'd to life, and dross to treasure!"</blockquote>

We have now arrived at Mr. Spencer's French and Italian poesy; the
former of which is written sometimes in new and sometimes in old French,
and, occasionally, in a kind of tongue neither old nor new. We offer a
sample of the two former:

<blockquote>"<b>'Qu'est ce que c'est que le Genie?</b>'<br><br>

"Brillant est cet esprit privé de sentiment;<br>
Mais ce n'est qu'un soleil trop vif et trop constant,<br>
Tendre est ce sentiment qu' aucun esprit n'anime,<br>
Mais ce n'est qu'un jour doux, que trop de pluie abime!<br>
Quand un brillant esprit de ses rares couleurs,<br>
Orne du sentiment les aimables douleurs,<br>
Un <i>Phenomêne</i> en nait, le plus beau de la vie!<br>
C'est alors que les ris en se mélant aux pleurs,<br>
Font ces <i>Iris de l'ame</i>, appellê le Genie!"<br><br>

"C'y gist un povre menestrel,<br>
Occis par maint enmiict cruel&mdash;<br>
Ne plains pas trop sa destinée&mdash;<br>
N'est icy que son corps mortel:<br>
Son ame est toujours à Gillwell,<br>
Et n'est ce pas là l'Elyséé?"</blockquote>

We think that Mr. Spencer's Italian rhymes are better finished than his
French; and indeed the facility of composing in that most poetical of
all languages must be obvious: but, as a composer in Italian, he and all
other Englishmen are much inferior to Mr. Mathias. It is very
perceptible in many of Mr. S.'s smaller pieces that he has suffered his
English versification to be vitiated with Italian <i>concetti</i>; and
we should have been better pleased with his compositions in a foreign
language, had they not induced him to corrupt his mother-tongue. Still
we would by no means utterly proscribe these excursions into other
languages; though they remind us occasionally of that aspiring Frenchman
who placed in his grounds the following inscription in honour of
Shenstone and the Leasowes:

<blockquote>"See this stone<br>
For William Shenstone&mdash;<br>
Who planted groves rural,<br>
And wrote verse natural!"</blockquote>

The above lines were displayed by the worthy proprietor, in the pride of
his heart, to all English travellers, as a tribute of respect for the
resemblance of his paternal chateau to the Leasowes, and a striking
coincidence between Shenstone's versification and his own.&mdash;We do not
mean to insinuate that Mr. Spencer's French verses ("<i>Cy gist un povre
menestrel,"</i> with an Urn inscribed W. R. S. at the top) are
<i>precisely</i> a return in kind for the quatrain above quoted: but we
place it as a beacon to all young gentlemen of poetical propensities on
the French Parnassus. Few would proceed better on the Gallic Pegasus,
than the Anglo-troubadour on ours.<br>
<br>
We now take our leave of Mr. Spencer, without being blind to his errors
or insensible to his merits. As a poet, he may be placed rather below
Mr. Moore and somewhat above Lord Strangford; and if his volume meet
with half their number of purchasers, he will have no reason to complain
either of our judgment or of his own success.<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app1b"></a><h3>2. <i>Neglected Genius</i>, by W. H. Ireland.</h3>

(Vol. 70, 1813, pp. 203-205.)<br>
<br>
Art. XV. <i>Neglected Genius:</i> a Poem. Illustrating the untimely and
unfortunate Fall of many British Poets; from the Period of Henry VIII.
to the Æra of the unfortunate Chatterton. Containing Imitations of their
different Styles, etc., etc. By W.H. Ireland, Author of the
<i>Fisher-Soy, Sailor-Boy, Cottage-Girl,</i> etc., etc., etc. 8vo. pp.
175. 8s. Boards. Sherwood &amp; Co. 1812.<br>
<br>
This volume, professing in a moderately long title-page to be
"illustrative of the untimely and unfortunate fate of <i>many</i>
British Poets," might with great propriety include the author among the
number; for if his "imitations of their different styles" resemble the
originals, the consequent starvation of "many British poets" is a doom
which is calculated to excite pity rather than surprize. The book opens
with a dedication to the present, and a Monody on the late Duke of
Devonshire (one of the neglected bards, we presume, on whom the author
holds his inquest), in which it were difficult to say whether the
"enlightened understanding" of the living or the "intellect" of the
deceased nobleman is more justly appreciated or more elegantly
eulogized. Lest the Monody should be mistaken for anything but itself,
of which there was little danger, it is dressed in marginal mourning,
like a dying speech, or an American Gazette after a defeat. The
following is a specimen&mdash;the poet is addressing the Duchess:

<blockquote>"Chaste widow'd Mourner, still with tears bedew<br>
  That sacred Urn, which can imbue<br>
Thy worldly thoughts, thus kindling mem'ry's glow:<br>
Each retrospective virtue, fadeless beam,<br>
  Embalms thy <i>Truth</i> in heavenly dream,<br>
To soothe the bosom's agonizing woe.<br><br>

"Yet soft&mdash;more poignantly to wake the soul,<br>
  And ev'ry pensive thought controul,<br>
Truth shall with energy his worth proclaim;<br>
Here I'll record his <i>philanthropic mind</i>,<br>
  Eager to bless all human kind,<br>
Yet <i>modest shrinking</i> from the voice of <i>Fame</i>.<br><br>

"As <i>Patriot</i> view him shun the courtly crew,<br>
  And dauntless ever keep in view<br>
That bright palladium, England's dear renown.<br>
The people's Freedom and the Monarch's good,<br>
  Purchas'd with Patriotic blood,<br>
The surest safeguard of the state and crown.<br><br>

"Or now behold his glowing soul extend,<br>
  To shine the polish'd social <i>friend</i>;<br>
His country's <i>matchless Prince</i> his worth rever'd;<br>
<i>Gigantic Fox</i>, true Freedom's darling child,<br>
  By kindred excellence beguil'd,<br>
To lasting <i>amity</i> the temple rear'd.<br><br>

"As <i>Critic</i> chaste, his judgment could explore<br>
  The beauties of poetic lore,<br>
Or classic strains mellifluent infuse;<br>
Yet glowing genius and expanded sense<br>
  Were crown'd with <i>innate diffidence</i>,<br>
The sure attendant of a genuine muse."</blockquote>

Page 9 contains, forsooth, a very correct imitation of Milton:

<blockquote>"To thee, gigantic genius, next I'll sound;<br>
The clarion string, and fill fame's vasty round;<br>
'Tis <i>Milton</i> beams upon the wond'ring sight,<br>
Rob'd in the splendour of Apollo's light;<br>
As when from ocean bursting on the view,<br>
His orb dispenses ev'ry brilliant hue,<br>
Crowns with resplendent gold th' horizon wide,<br>
And cloathes with countless gems the buoyant tide;<br>
While through the boundless realms of æther blaze,<br>
On spotless azure, streamy saffron rays:&mdash;<br>
So o'er the world of genius <i>Milton</i> shone,<br>
Profound in science&mdash;as the bard&mdash;alone."</blockquote>

We must not pass over the imitative specimen of "Nahum Tate," because in
this the author approximates nearest to the style of his original:

<blockquote>"Friend of great <i>Dryden</i>, though of humble fame,<br>
The Laureat Tate, shall here record his name;<br>
Whose sorrowing numbers breath'd a nation's pain,<br>
When death from mortal to immortal reign<br>
Translated royal <i>Anne</i>, our island's boast,<br>
Victorious sov'reign, dread of Gallia's host;<br>
Whose arms by land and sea with fame were crown'd,<br>
Whose statesmen grave for wisdom were renown'd,<br>
Whose reign with science dignifies the page;<br>
Bright noon of genius&mdash;<i>great Augustan age</i>.<br>
Such was thy Queen, and such th' illustrious time<br>
That nurs'd thy muse, and tun'd thy soul to rhyme;<br>
Yet wast thou fated sorrow's shaft to bear,<br>
Augmenting still this catalogue of care;<br>
The gripe of penury thy bosom knew,<br>
A gloomy jail obscur'd bright freedom's view;<br>
So life's gay visions faded to thy sight,<br>
Thy brilliant hopes enscarf'd in sorrow's night."</blockquote>

Where did Mr. Ireland learn that <i>hold fast</i> and <i>ballâst</i>,
<i>stir</i> and <i>hungêr</i>, <i>please</i> and <i>kidnêys</i>,
<i>plane</i> and <i>capstâne</i>, <i>expose</i> and <i>windôws</i>,
<i>forgot</i> and <i>pilôt</i>, <i>sail on</i> <i>and Deucalôn!</i>
(Lemprière would have saved him a scourging at school by telling him
that there was an <i>i</i> in the word), were legitimate Hudibrastic
rhymes? (see pp. 116, etc.). Chatterton is a great favourite of this
imitative gentleman; and Bristol, where he appears to have been held in
no greater estimation than Mr. Ireland himself deserves, is much
vituperated in some sad couplets, seemingly for this reason, "All for
love, and a little for the bottle," as Bannister's song runs,&mdash;"All for
Chatterton, and a little for myself," thinks Mr. Ireland.<br>
<br>
The notes communicate, among other novelties, the new title of "Sir
Horace" to the Honourable H. Walpole: surely a perusal of the life of
the unfortunate boy, whose fate Mr. I. deplores, might have prevented
this piece of ignorance, twice repeated in the same page; and we wonder
at the malicious fun of the printer's devil in permitting it to stand,
for <i>he</i> certainly knew better. We must be excused from a more
detailed notice of Mr. Ireland for the present; and indeed we hope to
hear no more of his lamentations, very sure that none but reviewers ever
will peruse them: unless, perhaps, the unfortunate persons of quality
whom he may henceforth single out as proper victims of future
dedication. Though his dedications are enough to kill the living, his
anticipated monodies, on the other hand, must add considerably to the
natural dread of death in such of his patrons as may be liable to common
sense or to chronic diseases.<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>
<h2><a name="app2">APPENDIX II &mdash;Parliamentary Speeches</a></h2>
<br>
<a name="app2a"></a><h3>1. Debate On The Frame-work Bill, In The House Of Lords, February 27,
1812.</h3><br>

The order of the day for the second reading of this Bill being read,<br>
<br>
Lord <b>Byron</b> rose, and (for the first time) addressed their Lordships as
follows:<br>
<br>
My Lords,&mdash;The subject now submitted to your Lordships for the first
time, though new to the House, is by no means new to the country. I
believe it had occupied the serious thoughts of all descriptions of
persons, long before its introduction to the notice of that legislature,
whose interference alone could be of real service. As a person in some
degree connected with the suffering county, though a stranger not only
to this House in general, but to almost every individual whose attention
I presume to solicit, I must claim some portion of your Lordships'
indulgence, whilst I offer a few observations on a question in which I
confess myself deeply interested.<br>
<br>
To enter into any detail of the riots would be superfluous: the House is
already aware that every outrage short of actual bloodshed has been
perpetrated, and that the proprietors of the frames obnoxious to the
rioters, and all persons supposed to be connected with them, have been
liable to insult and violence. During the short time I recently passed
in Nottinghamshire, not twelve hours elapsed without some fresh act of
violence; and on the day I left the county I was informed that forty
frames had been broken the preceding evening, as usual, without
resistance and without detection.<br>
<br>
Such was then the state of that county, and such I have reason to
believe it to be at this moment. But whilst these outrages must be
admitted to exist to an alarming extent, it cannot be denied that they
have arisen from circumstances of the most unparalleled distress: the
perseverance of these miserable men in their proceedings tends to prove
that nothing but absolute want could have driven a large, and once
honest and industrious, body of the people, into the commission of
excesses so hazardous to themselves, their families, and the community.
At the time to which I allude, the town and county were burdened with
large detachments of the military; the police was in motion, the
magistrates assembled; yet all the movements, civil and military, had
led to&mdash;nothing. Not a single instance had occurred of the apprehension
of any real delinquent actually taken in the fact, against whom there
existed legal evidence sufficient for conviction. But the police,
however useless, were by no means idle: several notorious delinquents
had been detected, &mdash;men, liable to conviction, on the clearest
evidence, of the capital crime of poverty; men, who had been nefariously
guilty of lawfully begetting several children, whom, thanks to the
times! they were unable to maintain. <br>
<br>
Considerable injury has been done
to the proprietors of the improved frames. These machines were to them
an advantage, inasmuch as they superseded the necessity of employing a
number of workmen, who were left in consequence to starve. By the
adoption of one species of frame in particular, one man performed the
work of many, and the superfluous labourers were thrown out of
employment. Yet it is to be observed, that the work thus executed was
inferior in quality; not marketable at home, and merely hurried over
with a view to exportation. It was called, in the cant of the trade, by
the name of "Spider-work." The rejected workmen, in the blindness of
their ignorance, instead of rejoicing at these improvements in arts so
beneficial to mankind, conceived themselves to be sacrificed to
improvements in mechanism. In the foolishness of their hearts they
imagined that the maintenance and well-doing of the industrious poor
were objects of greater consequence than the enrichment of a few
individuals by any improvement, in the implements of trade, which threw
the workmen out of employment, and rendered the labourer unworthy of his
hire. <br>
<br>
And it must be confessed that although the adoption of the
enlarged machinery in that state of our commerce which the country once
boasted might have been beneficial to the master without being
detrimental to the servant; yet, in the present situation of our
manufactures, rotting in warehouses, without a prospect of exportation,
with the demand for work and workmen equally diminished, frames of this
description tend materially to aggravate the distress and discontent of
the disappointed sufferers. But the real cause of these distresses and
consequent disturbances lies deeper. When we are told that these men are
leagued together not only for the destruction of their own comfort, but
of their very means of subsistence, can we forget that it is the bitter
policy, the destructive warfare of the last eighteen years, which has
destroyed their comfort, your comfort, all men's comfort? that policy,
which, originating with "great statesmen now no more," has survived the
dead to become a curse on the living, unto the third and fourth
generation! These men never destroyed their looms till they were become
useless, worse than useless; till they were become actual impediments to
their exertions in obtaining their daily bread. Can you, then, wonder
that in times like these, when bankruptcy, convicted fraud, and imputed
felony are found in a station not far beneath that of your Lordships,
the lowest, though once most useful portion of the people, should forget
their duty in their distresses, and become only less guilty than one of
their representatives? But while the exalted offender can find means to
baffle the law, new capital punishments must be devised, new snares of
death must be spread for the wretched mechanic, who is famished into
guilt. These men were willing to dig, but the spade was in other hands:
they were not ashamed to beg, but there was none to relieve them: their
own means of subsistence were cut off, all other employments
pre-occupied; and their excesses, however to be deplored and condemned,
can hardly be subject of surprise.<br>
<br>
It has been stated that the persons in the temporary possession of
frames connive at their destruction; if this be proved upon inquiry, it
were necessary that such material accessories to the crime should be
principals in the punishment. But I did hope, that any measure proposed
by his Majesty's government for your Lordships' decision, would have had
conciliation for its basis; or, if that were hopeless, that some
previous inquiry, some deliberation, would have been deemed requisite;
not that we should have been called at once, without examination and
without cause, to pass sentences by wholesale, and sign death-warrants
blindfold. But, admitting that these men had no cause of complaint; that
the grievances of them and their employers were alike groundless; that
they deserved the worst;&mdash;what inefficiency, what imbecility has been
evinced in the method chosen to reduce them! Why were the military
called out to be made a mockery of, if they were to be called out at
all? As far as the difference of seasons would permit, they have merely
parodied the summer campaign of Major Sturgeon; and, indeed, the whole
proceedings, civil and military, seemed on the model of those of the
mayor and corporation of Garratt.&mdash; Such marchings and
countermarchings!&mdash;from Nottingham to Bullwell, from Bullwell to
Banford, from Banford to Mansfield! And when at length the detachments
arrived at their destination, in all "the pride, pomp, and circumstance
of glorious war," they came just in time to witness the mischief which
had been done, and ascertain the escape of the perpetrators, to collect
the "<i>spolia opima</i>" in the fragments of broken frames, and return
to their quarters amidst the derision of old women, and the hootings of
children. <br>
<br>
Now, though, in a free country, it were to be wished that our
military should never be too formidable, at least to ourselves, I cannot
see the policy of placing them in situations where they can only be made
ridiculous. As the sword is the worst argument that can be used, so
should it be the last. In this instance it has been the first; but
providentially as yet only in the scabbard. The present measure will,
indeed, pluck it from the sheath; yet had proper meetings been held in
the earlier stages of these riots, had the grievances of these men and
their masters (for they also had their grievances) been fairly weighed
and justly examined, I do think that means might have been devised to
restore these workmen to their avocations, and tranquillity to the
county. At present the county suffers from the double infliction of an
idle military and a starving population. In what state of apathy have we
been plunged so long, that now for the first time the House has been
officially apprised of these disturbances? All this has been transacting
within 130 miles of London; and yet we, "good easy men, have deemed full
sure our greatness was a-ripening," and have sat down to enjoy our
foreign triumphs in the midst of domestic calamity. But all the cities
you have taken, all the armies which have retreated before your leaders,
are but paltry subjects of self-congratulation, if your land divides
against itself, and your dragoons and your executioners must be let
loose against your fellow-citizens.&mdash;You call these men a mob,
desperate, dangerous, and ignorant; and seem to think that the only way
to quiet the "<i>Bellua multorum capitum</i>" is to lop off a few of its
superfluous heads. But even a mob may be better reduced to reason by a
mixture of conciliation and firmness, than by additional irritation and
redoubled penalties. Are we aware of our obligations to a mob? It is the
mob that labour in your fields and serve in your houses,&mdash;that man your
navy, and recruit your army,&mdash;that have enabled you to defy all the
world, and can also defy you when neglect and calamity have driven them
to despair! You may call the people a mob; but do not forget that a mob
too often speaks the sentiments of the people. <br>
<br>
And here I must remark,
with what alacrity you are accustomed to fly to the succour of your
distressed allies, leaving the distressed of your own country to the
care of Providence or&mdash;the parish. When the Portuguese suffered under
the retreat of the French, every arm was stretched out, every hand was
opened, from the rich man's largess to the widow's mite, all was
bestowed, to enable them to rebuild their villages and replenish their
granaries. And at this moment, when thousands of misguided but most
unfortunate fellow-countrymen are struggling with the extremes of
hardships and hunger, as your charity began abroad it should end at
home. A much less sum, a tithe of the bounty bestowed on Portugal, even
if those men (which I cannot admit without inquiry) could not have been
restored to their employments, would have rendered unnecessary the
tender mercies of the bayonet and the gibbet. But doubtless our friends
have too many foreign claims to admit a prospect of domestic relief;
though never did such objects demand it. I have traversed the seat of
war in the Peninsula, I have been in some of the most oppressed
provinces of Turkey; but never under the most despotic of infidel
governments did I behold such squalid wretchedness as I have seen since
my return in the very heart of a Christian country. And what are your
remedies? After months of inaction, and months of action worse than
inactivity, at length comes forth the grand specific, the never-failing
nostrum of all state physicians, from the days of Draco to the present
time. After feeling the pulse and shaking the head over the patient,
prescribing the usual course of warm water and bleeding,&mdash;the warm water
of your mawkish police, and the lancets of your military,&mdash;these
convulsions must terminate in death, the sure consummation of the
prescriptions of all political Sangrados. Setting aside the palpable
injustice and the certain inefficiency of the Bill, are there not
capital punishments sufficient in your statutes? Is there not blood
enough upon your penal code, that more must be poured forth to ascend to
Heaven and testify against you? How will you carry the Bill into effect?
Can you commit a whole county to their own prisons? Will you erect a
gibbet in every field, and hang up men like scarecrows? or will you
proceed (as you must to bring this measure into effect) by decimation?
place the county under martial law? depopulate and lay waste all around
you? and restore Sherwood Forest as an acceptable gift to the crown, in
its former condition of a royal chase and an asylum for outlaws? Are
these the remedies for a starving and desperate populace? Will the
famished wretch who has braved your bayonets be appalled by your
gibbets? When death is a relief, and the only relief it appears that you
will afford him, will he be dragooned into tranquillity? Will that which
could not be effected by your grenadiers be accomplished by your
executioners? If you proceed by the forms of law, where is your
evidence?<br>
<br>
Those who have refused to impeach their accomplices when transportation
only was the punishment, will hardly be tempted to witness against them
when death is the penalty. With all due deference to the noble lords
opposite, I think a little investigation, some previous inquiry, would
induce even them to change their purpose. That most favourite state
measure, so marvellously efficacious in many and recent instances,
temporising, would not be without its advantages in this. When a
proposal is made to emancipate or relieve, you hesitate, you deliberate
for years, you temporise and tamper with the minds of men; but a
death-bill must be passed off-hand, without a thought of the
consequences. Sure I am, from what I have heard, and from what I have
seen, that to pass the Bill under all the existing circumstances,
without inquiry, without deliberation, would only be to add injustice to
irritation, and barbarity to neglect. The framers of such a bill must be
content to inherit the honours of that Athenian law-giver whose edicts
were said to be written not in ink but in blood. But suppose it passed;
suppose one of these men, as I have seen them,&mdash;meagre with famine,
sullen with despair, careless of a life which your Lordships are perhaps
about to value at something less than the price of a
stocking-frame;&mdash;suppose this man surrounded by the children for whom he
is unable to procure bread at the hazard of his existence, about to be
torn for ever from a family which he lately supported in peaceful
industry, and which it is not his fault that he can no longer so
support;&mdash;suppose this man&mdash;and there are ten thousand such from whom
you may select your victims&mdash;dragged into court, to be tried for this
new offence, by this new law; still, there are two things wanting to
convict and condemn him; and these are, in my opinion,&mdash;twelve butchers
for a jury, and a Jeffreys for a judge!
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app2b"></a><h3>2. Debate on the Earl of Donoughmore's Motion for a Committee on the Roman Catholic Claims, April 21, 1812. </h3><br>

[Byron's notes for a portion of his speech are in the possession of Mr.
Murray.]<br>
<br>
Lord <b>Byron</b> rose and said:<br>
<br>
My Lords,&mdash;The question before the House has been so frequently, fully,
and ably discussed, and never perhaps more ably than on this night, that
it would be difficult to adduce new arguments for or against it. But
with each discussion difficulties have been removed, objections have
been canvassed and refuted, and some of the former opponents of Catholic
emancipation have at length conceded to the expediency of relieving the
petitioners. In conceding thus much, however, a new objection is
started; it is not the time, say they, or it is an improper time, or
there is time enough yet. In some degree I concur with those who say it
is not the time exactly; that time is past; better had it been for the
country that the Catholics possessed at this moment their proportion of
our privileges, that their nobles held their due weight in our councils,
than that we should be assembled to discuss their claims. It had indeed
been better:

<blockquote>"Non tempore tali<br>
Cogere concilium cum muros obsidet hostis."</blockquote>

The enemy is without, and distress within. It is too late to cavil on
doctrinal points, when we must unite in defence of things more important
than the mere ceremonies of religion. It is indeed singular, that we are
called together to deliberate, not on the God we adore, for in that we
are agreed; not about the king we obey, for to him we are loyal; but how
far a difference in the ceremonials of worship, how far believing not
too little, but too much (the worst that can be imputed to the
Catholics), how far too much devotion to their God may incapacitate our
fellow-subjects from effectually serving their king.<br>
<br>
Much has been said, within and without doors, of church and state; and
although those venerable words have been too often prostituted to the
most despicable of party purposes, we cannot hear them too often: all, I
presume, are the advocates of church and state,&mdash;the church of Christ,
and the state of Great Britain; but not a state of exclusion and
despotism; not an intolerant church; not a church militant, which
renders itself liable to the very objection urged against the Romish
communion, and in a greater degree, for the Catholic merely withholds
its spiritual benediction (and even that is doubtful), but our church,
or rather our churchmen, not only refuse to the Catholic their spiritual
grace, but all temporal blessings whatsoever. It was an observation of
the great Lord Peterborough, made within these walls, or within the
walls where the Lords then assembled, that he was for a "parliamentary
king and a parliamentary constitution, but not a parliamentary God and a
parliamentary religion." The interval of a century has not weakened the
force of the remark. It is indeed time that we should leave off these
petty cavils on frivolous points, these Lilliputian sophistries, whether
our "eggs are best broken at the broad or narrow end."<br>
<br>
The opponents of the Catholics may be divided into two classes; those
who assert that the Catholics have too much already, and those who
allege that the lower orders, at least, have nothing more to require. We
are told by the former, that the Catholics never will be contented: by
the latter, that they are already too happy. The last paradox is
sufficiently refuted by the present as by all past petitions: it might
as well be said, that the negroes did not desire to be emancipated; but
this is an unfortunate comparison, for you have already delivered them
out of the house of bondage without any petition on their part, but many
from their taskmasters to a contrary effect; and for myself, when I
consider this, I pity the Catholic peasantry for not having the good
fortune to be born black. But the Catholics are contented, or at least
ought to be, as we are told; I shall, therefore, proceed to touch on a
few of those circumstances which so marvellously contribute to their
exceeding contentment. They are not allowed the free exercise of their
religion in the regular army; the Catholic soldier cannot absent himself
from the service of the Protestant clergyman; and unless he is quartered
in Ireland, or in Spain, where can he find eligible opportunities of
attending his own? The permission of Catholic chaplains to the Irish
militia regiments was conceded as a special favour, and not till after
years of remonstrance, although an Act, passed in 1793, established it
as a right. But are the Catholics properly protected in Ireland? Can the
church purchase a rood of land whereon to erect a chapel? No! all the
places of worship are built on leases of trust or sufferance from the
laity, easily broken, and often betrayed. The moment any irregular wish,
any casual caprice of the benevolent landlord meets with opposition, the
doors are barred against the congregation. This has happened
continually, but in no instance more glaringly than at the town of
Newton Barry, in the county of Wexford. The Catholics enjoying no
regular chapel, as a temporary expedient hired two barns; which, being
thrown into one, served for public worship. At this time, there was
quartered opposite to the spot an officer whose mind appears to have
been deeply imbued with those prejudices which the Protestant petitions
now on the table prove to have been fortunately eradicated from the more
rational portion of the people; and when the Catholics were assembled on
the Sabbath as usual, in peace and good-will towards men, for the
worship of their God and yours, they found the chapel door closed, and
were told that if they did not immediately retire (and they were told
this by a yeoman officer and a magistrate), the Riot Act should be read,
and the assembly dispersed at the point of the bayonet! This was
complained of to the middle-man of government, the secretary at the
Castle in 1806, and the answer was (in lieu of redress), that he would
cause a letter to be written to the colonel, to prevent, if possible,
the recurrence of similar disturbances. Upon this fact no very great
stress need be laid; but it tends to prove that while the Catholic
church has not power to purchase land for its chapels to stand upon, the
laws for its protection are of no avail. In the mean time, the Catholics
are at the mercy of every "pelting petty officer," who may choose to
play his "fantastic tricks before high heaven," to insult his God, and
injure his fellow-creatures.<br>
<br>
Every schoolboy, any footboy (such have held commissions in our
service), any footboy who can exchange his shoulder-knot for an
epaulette, may perform all this and more against the Catholic by virtue
of that very authority delegated to him by his sovereign for the express
purpose of defending his fellow-subjects to the last drop of his blood,
without discrimination or distinction between Catholic and Protestant.<br>
<br>
Have the Irish Catholics the full benefit of trial by jury? They have
not; they never can have until they are permitted to share the privilege
of serving as sheriffs and under-sheriffs. Of this a striking example
occurred at the last Enniskillen assizes. A yeoman was arraigned for the
murder of a Catholic named Macvournagh; three respectable,
uncontradicted witnesses, deposed that they saw the prisoner load, take
aim, fire at, and kill the said Macvournagh. This was properly commented
on by the judge; but, to the astonishment of the bar, and indignation of
the court, the Protestant jury acquitted the accused. So glaring was the
partiality, that Mr. Justice Osborne felt it his duty to bind over the
acquitted, but not absolved assassin, in large recognizances; thus for a
time taking away his licence to kill Catholics.<br>
<br>
Are the very laws passed in their favour observed? They are rendered
nugatory in trivial as in serious cases. By a late Act, Catholic
chaplains are permitted in gaols; but in Fermanagh county the grand jury
lately persisted in presenting a suspended clergyman for the office,
thereby evading the statute, notwithstanding the most pressing
remonstrances of a most respectable magistrate named Fletcher to the
contrary. Such is law, such is justice, for the happy, free, contented
Catholic!<br>
<br>
It has been asked, in another place, Why do not the rich Catholics endow
foundations for the education of the priesthood? Why do you not permit
them to do so? Why are all such bequests subject to the interference,
the vexatious, arbitrary, peculating interference of the Orange
commissioners for charitable donations?<br>
<br>
As to Maynooth college, in no instance, except at the time of its
foundation, when a noble Lord (Camden), at the head of the Irish
administration, did appear to interest himself in its advancement, and
during the government of a noble Duke (Bedford), who, like his
ancestors, has ever been the friend of freedom and mankind, and who has
not so far adopted the selfish policy of the day as to exclude the
Catholics from the number of his fellow-creatures; with these
exceptions, in no instance has that institution been properly
encouraged. There was indeed a time when the Catholic clergy were
conciliated, while the Union was pending, that Union which could not be
carried without them, while their assistance was requisite in procuring
addresses from the Catholic counties; then they were cajoled and
caressed, feared and flattered, and given to understand that "the Union
would do every thing"; but the moment it was passed, they were driven
back with contempt into their former obscurity.<br>
<br>
In the conduct pursued towards Maynooth college, every thing is done to
irritate and perplex&mdash;every thing is done to efface the slightest
impression of gratitude from the Catholic mind; the very hay made upon
the lawn, the fat and tallow of the beef and mutton allowed, must be
paid for and accounted upon oath. It is true, this economy in
miniature cannot sufficiently be commended, particularly at a time when
only the insect defaulters of the Treasury, your Hunts and your
Chinnerys, when only those "gilded bugs" can escape the microscopic eye
of ministers. But when you come forward, session after session, as your
paltry pittance is wrung from you with wrangling and reluctance, to
boast of your liberality, well might the Catholic exclaim, in the words
of Prior:

<blockquote>"To John I owe some obligation,<br>
  But John unluckily thinks fit<br>
To publish it to all the nation,<br>
  So John and I are more than quit."</blockquote>

Some persons have compared the Catholics to the beggar in <i>Gil
Blas</i>: who made them beggars? Who are enriched with the spoils of
their ancestors? And cannot you relieve the beggar when your fathers
have made him such? If you are disposed to relieve him at all, cannot
you do it without flinging your farthings in his face? As a contrast,
however, to this beggarly benevolence, let us look at the Protestant
Charter Schools; to them you have lately granted £41,000: thus are they
supported; and how are they recruited? Montesquieu observes on the
English constitution, that the model may be found in Tacitus, where the
historian describes the policy of the Germans, and adds, "This beautiful
system was taken from the woods;" so in speaking of the charter schools,
it may be observed, that this beautiful system was taken from the
gipsies. These schools are recruited in the same manner as the
Janissaries at the time of their enrolment under Amurath, and the
gipsies of the present day, with stolen children, with children decoyed
and kidnapped from their Catholic connections by their rich and powerful
Protestant neighbours: this is notorious, and one instance may suffice
to show in what manner:&mdash;The sister of a Mr. Carthy (a Catholic
gentleman of very considerable property) died, leaving two girls, who
were immediately marked out as proselytes, and conveyed to the charter
school of Coolgreny; their uncle, on being apprised of the fact, which
took place during his absence, applied for the restitution of his
nieces, offering to settle an independence on these his relations; his
request was refused, and not till after five years' struggle, and the
interference of very high authority, could this Catholic gentleman
obtain back his nearest of kindred from a charity charter school. In
this manner are proselytes obtained, and mingled with the offspring of
such Protestants as may avail themselves of the institution. And how are
they taught? A catechism is put into their hands, consisting of, I
believe, forty-five pages, in which are three questions relative to the
Protestant religion; one of these queries is, "Where was the Protestant
religion before Luther?" Answer: "In the Gospel." The remaining
forty-four pages and a half regard the damnable idolatry of Papists!<br>
<br>
Allow me to ask our spiritual pastors and masters, is this training up a
child in the way which he should go? Is this the religion of the Gospel
before the time of Luther? that religion which preaches "Peace on earth,
and glory to God"? Is it bringing up infants to be men or devils? Better
would it be to send them any where than teach them such doctrines;
better send them to those islands in the South Seas, where they might
more humanely learn to become cannibals; it would be less disgusting
that they were brought up to devour the dead, than persecute the living.
Schools do you call them? call them rather dung-hills, where the viper
of intolerance deposits her young, that when their teeth are cut and
their poison is mature, they may issue forth, filthy and venomous, to
sting the Catholic. But are these the doctrines of the Church of
England, or of churchmen? No, the most enlightened churchmen are of a
different opinion. What says Paley?

<blockquote>  "I perceive no reason why men of different religious persuasions
  should not sit upon the same bench, deliberate in the same council, or
  fight in the same ranks, as well as men of various religious opinions
  upon any controverted topic of natural history, philosophy, or ethics."</blockquote>

It may be answered, that Paley was not strictly orthodox; I know nothing
of his orthodoxy, but who will deny that he was an ornament to the
church, to human nature, to Christianity?<br>
<br>
I shall not dwell upon the grievance of tithes, so severely felt by the
peasantry; but it may be proper to observe, that there is an addition to
the burden, a percentage to the gatherer, whose interest it thus becomes
to rate them as highly as possible, and we know that in many large
livings in Ireland the only resident Protestants are the tithe proctor
and his family.<br>
<br>
Amongst many causes of irritation, too numerous for recapitulation,
there is one in the militia not to be passed over,&mdash;I mean the existence
of Orange lodges amongst the privates. Can the officers deny this? And
if such lodges do exist, do they, can they tend to promote harmony
amongst the men, who are thus individually separated in society,
although mingled in the ranks? And is this general system of persecution
to be permitted; or is it to be believed that with such a system the
Catholics can or ought to be contented? If they are, they belie human
nature; they are then, indeed, unworthy to be any thing but the slaves
you have made them. The facts stated are from most respectable
authority, or I should not have dared in this place, or any place, to
hazard this avowal. If exaggerated, there are plenty as willing, as I
believe them to be unable, to disprove them. Should it be objected that
I never was in Ireland, I beg leave to observe, that it is as easy to
know something of Ireland, without having been there, as it appears with
some to have been born, bred, and cherished there, and yet remain
ignorant of its best interests.<br>
<br>
But there are who assert that the Catholics have already been too much
indulged. See (cry they) what has been done: we have given them one
entire college; we allow them food and raiment, the full enjoyment of
the elements, and leave to fight for us as long as they have limbs and
lives to offer; and yet they are never to be satisfied!&mdash;Generous and
just declaimers! To this, and to this only, amount the whole of your
arguments, when stript of their sophistry. Those personages remind me of
a story of a certain drummer, who, being called upon in the course of
duty to administer punishment to a friend tied to the halberts, was
requested to flog high, he did&mdash;to flog low, he did&mdash;to flog in the
middle, he did,&mdash;high, low, down the middle, and up again, but all in
vain; the patient continued his complaints with the most provoking
pertinacity, until the drummer, exhausted and angry, flung down his
scourge, exclaiming, "The devil burn you, there's no pleasing you, flog
where one will!" Thus it is, you have flogged the Catholic high, low,
here, there, and every where, and then you wonder he is not pleased. It
is true that time, experience, and that weariness which attends even the
exercise of barbarity, have taught you to flog a little more gently; but
still you continue to lay on the lash, and will so continue, till
perhaps the rod may be wrested from your hands, and applied to the backs
of yourselves and your posterity.<br>
<br>
It was said by somebody in a former debate, (I forget by whom, and am
not very anxious to remember,) if the Catholics are emancipated, why not
the Jews? If this sentiment was dictated by compassion for the Jews, it
might deserve attention, but as a sneer against the Catholic, what is it
but the language of Shylock transferred from his daughter's marriage to
Catholic emancipation:

<blockquote>"Would any of the tribe of Barabbas<br>
  Should have it rather than a Christian!"</blockquote>

I presume a Catholic is a Christian, even in the opinion of him whose
taste only can be called in question for his preference of the Jews.<br>
<br>
It is a remark often quoted of Dr. Johnson, (whom I take to be almost as
good authority as the gentle apostle of intolerance, Dr. Duigenan,) that
he who could entertain serious apprehensions of danger to the church in
these times, would have "cried fire in the deluge." This is more than a
metaphor; for a remnant of these antediluvians appear actually to have
come down to us, with fire in their mouths and water in their brains, to
disturb and perplex mankind with their whimsical outcries. And as it is
an infallible symptom of that distressing malady with which I conceive
them to be afflicted (so any doctor will inform your Lordships), for the
unhappy invalids to perceive a flame perpetually flashing before their
eyes, particularly when their eyes are shut (as those of the persons to
whom I allude have long been), it is impossible to convince these poor
creatures that the fire against which they are perpetually warning us
and themselves is nothing but an <i>ignis fatuus</i> of their own
drivelling imaginations. What rhubarb, senna, or "what purgative drug
can scour that fancy thence?"&mdash;It is impossible, they are given
over,&mdash;theirs is the true

<blockquote>"Caput insanabile tribus Anticyris."</blockquote>

These are your true Protestants. Like Bayle, who protested against all
sects whatsoever, so do they protest against Catholic petitions,
Protestant petitions, all redress, all that reason, humanity, policy,
justice, and common sense can urge against the delusions of their absurd
delirium. These are the persons who reverse the fable of the mountain
that brought forth a mouse; they are the mice who conceive themselves in
labour with mountains.<br>
<br>
To return to the Catholics: suppose the Irish were actually contented
under their disabilities; suppose them capable of such a bull as not to
desire deliverance,&mdash;ought we not to wish it for ourselves? Have we
nothing to gain by their emancipation? What resources have been wasted?
What talents have been lost by the selfish system of exclusion? You
already know the value of Irish aid; at this moment the defence of
England is intrusted to the Irish militia; at this moment, while the
starving people are rising in the fierceness of despair, the Irish are
faithful to their trust. But till equal energy is imparted throughout by
the extension of freedom, you cannot enjoy the full benefit of the
strength which you are glad to interpose between you and destruction.
Ireland has done much, but will do more. At this moment the only triumph
obtained through long years of continental disaster has been achieved by
an Irish general: it is true he is not a Catholic; had he been so, we
should have been deprived of his exertions: but I presume no one will
assert that his religion would have impaired his talents or diminished
his patriotism; though, in that case, he must have conquered in the
ranks, for he never could have commanded an army.<br>
<br>
But he is fighting the battles of the Catholics abroad; his noble
brother has this night advocated their cause, with an eloquence which I
shall not depreciate by the humble tribute of my panegyric; whilst a
third of his kindred, as unlike as unequal, has been combating against
his Catholic brethren in Dublin, with circular letters, edicts,
proclamations, arrests, and dispersions;&mdash;all the vexatious implements
of petty warfare that could be wielded by the mercenary guerillas of
government, clad in the rusty armour of their obsolete statutes. Your
Lordships will doubtless divide new honours between the Saviour of
Portugal, and the Disperser of Delegates. It is singular, indeed, to
observe the difference between our foreign and domestic policy; if
Catholic Spain, faithful Portugal, or the no less Catholic and faithful
king of the one Sicily, (of which, by the by, you have lately deprived
him,) stand in need of succour, away goes a fleet and an army, an
ambassador and a subsidy, sometimes to fight pretty hardly, generally to
negotiate very badly, and always to pay very dearly for our Popish
allies. But let four millions of fellow-subjects pray for relief, who
fight and pay and labour in your behalf, they must be treated as aliens;
and although their "father's house has many mansions," there is no
resting-place for them. Allow me to ask, are you not fighting for the
emancipation of Ferdinand VII, who certainly is a fool, and,
consequently, in all probability a bigot? and have you more regard for a
foreign sovereign than your own fellow-subjects, who are not fools, for
they know your interest better than you know your own; who are not
bigots, for they return you good for evil; but who are in worse durance
than the prison of an usurper, inasmuch as the fetters of the mind are
more galling than those of the body?<br>
<br>
Upon the consequences of your not acceding to the claims of the
petitioners, I shall not expatiate; you know them, you will feel them,
and your children's children when you are passed away. Adieu to that
Union so called, as "<i>Lucus a non lucendo</i>" an Union from never
uniting, which in its first operation gave a death-blow to the
independence of Ireland, and in its last may be the cause of her eternal
separation from this country. If it must be called an Union, it is the
union of the shark with his prey; the spoiler swallows up his victim,
and thus they become one and indivisible. Thus has great Britain
swallowed up the Parliament, the constitution, the independence of
Ireland, and refuses to disgorge even a single privilege, although for
the relief of her swollen and distempered body politic.<br>
<br>
And now, my Lords, before I sit down, will his Majesty's ministers
permit me to say a few words, not on their merits, for that would be
superfluous, but on the degree of estimation in which they are held by
the people of these realms? The esteem in which they are held has been
boasted of in a triumphant tone on a late occasion within these walls,
and a comparison instituted between their conduct and that of noble
lords on this side of the House.<br>
<br>
What portion of popularity may have fallen to the share of my noble
friends (if such I may presume to call them), I shall not pretend to
ascertain; but that of his Majesty's ministers it were vain to deny. It
is, to be sure, a little like the wind, "no one knows whence it cometh
or whither it goeth;" but they feel it, they enjoy it, they boast of it.
Indeed, modest and unostentatious as they are, to what part of the
kingdom, even the most remote, can they flee to avoid the triumph which
pursues them? If they plunge into the midland counties, there will they
be greeted by the manufacturers, with spurned petitions in their hands,
and those halters round their necks recently voted in their behalf,
imploring blessings on the heads of those who so simply, yet
ingeniously, contrived to remove them from their miseries in this to a
better world. If they journey on to Scotland, from Glasgow to John o'
Groat's, every where will they receive similar marks of approbation. If
they take a trip from Portpatrick to Donaghadee, there will they rush at
once into the embraces of four Catholic millions, to whom their vote of
this night is about to endear them for ever. When they return to the
metropolis, if they can pass under Temple Bar without unpleasant
sensations at the sight of the greedy niches over that ominous gateway,
they cannot escape the acclamations of the livery, and the more
tremulous, but not less sincere, applause, the blessings, "not loud, but
deep," of bankrupt merchants and doubting stock-holders. If they look to
the army, what wreaths, not of laurel, but of nightshade, are preparing
for the heroes of Walcheren! It is true, there are few living deponents
left to testify to their merits on that occasion; but a "cloud of
witnesses" are gone above from that gallant army which they so
generously and piously despatched, to recruit the "noble army of
martyrs."<br>
<br>
What if in the course of this triumphal career (in which they will
gather as many pebbles as Caligula's army did on a similar triumph, the
prototype of their own,) they do not perceive any of those memorials
which a grateful people erect in honour of their benefactors; what
although not even a sign-post will condescend to depose the Saracen's
head in favour of the likeness of the conquerors of Walcheren, they will
not want a picture who can always have a caricature, or regret the
omission of a statue who will so often see themselves exalted into
effigy. But their popularity is not limited to the narrow bounds of an
island; there are other countries where their measures, and, above all,
their conduct to the Catholics, must render them pre-eminently popular.
If they are beloved here, in France they must be adored. There is no
measure more repugnant to the designs and feelings of Bonaparte than
Catholic emancipation; no line of conduct more propitious to his
projects than that which has been pursued, is pursuing, and, I fear,
will be pursued towards Ireland. What is England without Ireland, and
what is Ireland without the Catholics? It is on the basis of your
tyranny Napoleon hopes to build his own. So grateful must oppression of
the Catholics be to his mind, that doubtless (as he has lately permitted
some renewal of intercourse) the next cartel will convey to this country
cargoes of Sevres china and blue ribands, (things in great request, and
of equal value at this moment,) blue ribands of the Legion of Honour for
Dr. Duigenan and his ministerial disciples. Such is that well-earned
popularity, the result of those extraordinary expeditions, so expensive
to ourselves, and so useless to our allies; of those singular inquiries,
so exculpatory to the accused, and so dissatisfactory to the people; of
those paradoxical victories, so honourable, as we are told, to the
British name, and so destructive to the best interests of the British
nation: above all, such is the reward of the conduct pursued by
ministers towards the Catholics.<br>
<br>
I have to apologise to the House, who will, I trust, pardon one not
often in the habit of intruding upon their indulgence, for so long
attempting to engage their attention. My most decided opinion is, as my
vote will be, in favour of the motion.<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app2c"></a><h3>3. Debate on Major Cartwright's Petition. June 1,1813.</h3><br>

Lord <b>Byron</b> rose and said:<br>
<br>
My Lords,&mdash;he petition which I now hold for the purpose of presenting to
the House is one which, I humbly conceive, requires the particular
attention of your Lordships, inasmuch as, though signed but by a single
individual, it contains statements which (if not disproved) demand most
serious investigation. The grievance of which the petitioner complains
is neither selfish nor imaginary. It is not his own only, for it has
been and is still felt by numbers. No one without these walls, nor
indeed within, but may to-morrow be made liable to the same insult and
obstruction, in the discharge of an imperious duty for the restoration
of the true constitution of these realms, by petitioning for reform in
Parliament. The petitioner, my Lords, is a man whose long life has been
spent in one unceasing struggle for the liberty of the subject, against
that undue influence which has increased, is increasing, and ought to be
diminished; and whatever difference of opinion may exist as to his
political tenets, few will be found to question the integrity of his
intentions. Even now oppressed with years, and not exempt from the
infirmities attendant on his age, but still unimpaired in talent, and
unshaken in spirit&mdash;"<i>frangas non flectes</i>"&mdash;he has received many a
wound in the combat against corruption; and the new grievance, the fresh
insult, of which he complains, may inflict another scar, but no
dishonour. The petition is signed by John Cartwright; and it was in
behalf of the people and Parliament, in the lawful pursuit of that
reform in the representation which is the best service to be rendered
both to Parliament and people, that he encountered the wanton outrage
which forms the subject-matter of his petition to your Lordships. It is
couched in firm, yet respectful language&mdash;in the language of a man, not
regardless of what is due to himself, but at the same time, I trust,
equally mindful of the deference to be paid to this House. The
petitioner states, amongst other matter of equal, if not greater
importance, to all who are British in their feelings, as well as blood
and birth, that on the 21st January, 1813, at Huddersfield, himself and
six other persons, who, on hearing of his arrival, had waited on him
merely as a testimony of respect, were seized by a military and civil
force, and kept in close custody for several hours, subjected to gross
and abusive insinuation from the commanding officer, relative to the
character of the petitioner; that he (the petitioner) was finally
carried before a magistrate, and not released till an examination of his
papers proved that there was not only no just, but not even statutable
charge against him; and that, notwithstanding the promise and order from
the presiding magistrates of a copy of the warrant against your
petitioner, it was afterwards withheld on divers pretexts, and has never
until this hour been granted. The names and condition of the parties
will be found in the petition. To the other topics touched upon in the
petition I shall not now advert, from a wish not to encroach upon the
time of the House; but I do most sincerely call the attention of your
Lordships to its general contents&mdash;it is in the cause of the Parliament
and people that the rights of this venerable freeman have been violated,
and it is, in my opinion, the highest mark of respect that could be paid
to the House, that to your justice, rather than by appeal to any
inferior court, he now commits himself. Whatever may be the fate of his
remonstrance, it is some satisfaction to me, though mixed with regret
for the occasion, that I have this opportunity of publicly stating the
obstruction to which the subject is liable, in the prosecution of the
most lawful and imperious of his duties, the obtaining by petition
reform in Parliament. I have shortly stated his complaint; the
petitioner has more fully expressed it. Your Lordships will, I hope,
adopt some measure fully to protect and redress him, and not him alone,
but the whole body of the people, insulted and aggrieved in his person,
by the interposition of an abused civil and unlawful military force
between them and their right of petition to their own representatives.<br>
<br>
His Lordship then presented the petition from Major Cartwright, which
was read, complaining of the circumstances at Huddersfield, and of
interruptions given to the right of petitioning in several places in the
northern parts of the kingdom, and which his Lordship moved should be
laid on the table.<br>
<br>
Several lords having spoken on the question,<br>
<br>
Lord <b>Byron</b> replied, that he had, from motives of duty, presented this
petition to their Lordships' consideration. The noble Earl had contended
that it was not a petition, but a speech; and that, as it contained no
prayer, it should not be received. What was the necessity of a prayer?
If that word were to be used in its proper sense, their Lordships could
not expect that any man should pray to others. He had only to say, that
the petition, though in some parts expressed strongly perhaps, did not
contain any improper mode of address, but was couched in respectful
language towards their Lordships; he should therefore trust their
Lordships would allow the petition to be received.<br>
<br>
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<a href="#toc">Contents</a></p>
<hr><br><br>

<h2><a name="app3">APPENDIX III &mdash;Lady Caroline Lamb and Byron</a></h2>
<br>
<a name="app3a"></a><h4>1. The following letter is one of the first which Lady Caroline wrote to
Byron, in the spring of 1812:</h4><br>

"The Rose Lord Byron gave Lady Caroline Lamb died in despight of every
effort made to save it; probably from regret at its fallen Fortunes.
Hume, at least, who is no great believer in most things, says that many
more die of broken hearts than is supposed. When Lady Caroline returns
from Brocket Hall, she will dispatch the <i>Cabinet Maker</i> to Lord
Biron, with the Flower she wishes most of all others to resemble, as,
however deficient its beauty and even use, it has a noble and aspiring
mind, and, having once beheld in its full lustre the bright and
unclouded sun that for one moment condescended to shine upon it, never
while it exists could it think any lower object worthy of its worship
and Admiration. Yet the sunflower was punished for its temerity; but its
fate is more to be envied than that of many less proud flowers. It is
still permitted to gaze, though at the humblest distance, on him who is
superior to every other, and, though in this cold foggy atmosphere it
meets no doubt with many disappointments, and though it never could,
never will, have reason to boast of any peculiar mark of condescension
or attention from the bright star to whom it pays constant homage, yet
to behold it sometimes, to see it gazed at, to hear it admired, will
repay all. She hopes, therefore, when brought by the little Page, it
will be graciously received without any more Taunts and cuts about 'Love
of what is New.'<br>
<br>
"Lady Caroline does not plead guilty to this most unkind charge, at
least no further than is laudable, for that which is rare and is
distinguished and singular ought to be more prized and sought after than
what is commonplace and disagreeable. How can the other accusation, of
being easily pleased, agree with this? The very circumstance of seeking
out that which is of high value shows at least a mind not readily
satisfied. But to attempt excuses for faults would be impossible with
Lady Caroline. They have so long been rooted in a soil suited to their
growth that a far less penetrating eye than Lord Byron's might perceive
them&mdash;even on the shortest acquaintance. There is not one, however,
though long indulged, that shall not be instantly got rid of, if L'd
Byron thinks it worth while to name them. The reproof and abuse of some,
however severe and just, may be valued more than the easily gained
encomiums of the rest of the world.<br>
<br>
"Miss Mercer, were she here, would join with Lady Caroline in a last
request during their absence, that, besides not forgetting his new
acquaintances, he would eat and drink like an English man till their
return. The lines upon the only dog ever loved by L'd Byron are
beautiful. What wrong then, that, having such proof of the faith and
friendship of this animal, L'd Byron should censure the whole race by
the following unjust remarks:

<blockquote> "'Perchance my dog will whine in vain<br>
   Till fed by stranger hands;<br>
  But long e'er I come back again,<br>
   He'd tear me where he stands.'</blockquote>

"March 27th, 1812, <i>Good Friday</i>."<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr>
<br><br>

<a name="app3b"></a><h4>2. The following are the lines written by Lady Caroline when she burned
Byron in effigy at Brocket Hall (endorsed, in Mrs. Leigh's handwriting,
"December, 1812"):</h4><br>

<b>"Address Spoken by the Page at Brocket Hall, before the Bonfire.
</b><br>
<br>
<blockquote>"Is this Guy Faux you burn in effigy?<br>
Why bring the Traitor here? What is Guy Faux to me?<br>
Guy Faux betrayed his country, and his laws.<br>
England revenged the wrong; his was a public cause.<br>
But I have private cause to raise this flame.<br>
Burn also those, and be their fate the same.<br><br>

    [<i>Puts the Basket in the fire under the figure</i>.]<br><br>

See here are locks and braids of coloured hair<br>
Worn oft by me, to make the people stare;<br>
Rouge, feathers, flowers, and all those tawdry things,<br>
Besides those Pictures, letters, chains, and rings&mdash;<br>
All made to lure the mind and please the eye,<br>
And fill the heart with pride and vanity&mdash;<br>
Burn, fire, burn; these glittering toys destroy.<br>
While thus we hail the blaze with throats of joy.<br>
Burn, fire, burn, while wondering Boys exclaim,<br>
And gold and trinkets glitter in the flame.<br>
Ah! look not thus on me, so grave, so sad;<br>
Shake not your heads, nor say the Lady's mad.<br>
Judge not of others, for there is but one<br>
To whom the heart and feelings can be known.<br>
Upon my youthful faults few censures cast.<br>
Look to the future&mdash;and forgive the past.<br>
London, farewell; vain world, vain life, adieu!<br>
Take the last tears I e'er shall shed for you.<br>
Young tho' I seem, I leave the world for ever,<br>
Never to enter it again&mdash;no, never&mdash;never!"</blockquote>
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr>
<br><br>

<a name="app3c"></a><h4>3. The following letter was apparently written in the summer of 1812:
</h4><br>

"You have been very generous and kind if you have not betray'd me, and I
do <i>not think you have</i>. My remaining in Town and seeing you thus
is sacrificing the last chance I have left. I expose myself to every
eye, to every unkind observation. You think me weak, and selfish; you
think I do not struggle to withstand my own feelings, but indeed it is
exacting more than human nature can bear, and when I came out last
night, which was of itself an effort, and when I heard your name
announced, the moment after I saw nothing more, but seemed in a dream.
Miss Berry's very loud laugh and penetrating eyes did not restore me.
She, however, [was] good natur'd and remain'd near me, and Mr. Moor
(<i>sic</i>), though he really does not approve one feeling I have, had
kindness of heart to stay near me. Otherwise I felt so ill I could not
have struggled longer. Lady Cahir said, 'You are ill; shall we go away?'
which I [was] very glad to accept; but we could not get through, and so
I fear it caus'd you pain to see me intrude again. I sent a groom to
Holmes twice yesterday morning, to prevent his going to you, or giving
you a letter full of flippant jokes, written in one moment of gaiety,
which is quite gone since. I am so afraid he has been to you; if so, I
entreat you to forgive it, and to do just what you think right about the
Picture.<br>
<br>
"I have been drawing you Mad. de Staël, as the last I sent was not like.
If you do not approve this, give it Murray, and pray do not be angry
with me.<br>
<br>
"Do not marry yet, or, if you do, let me know it first. I shall not
suffer, if she you chuse be worth you, but she will never love you as I
did. I am going to the Chapple Royal at St. James. Do you ever go there?
It begins at 1/2 past 5, and lasts till six; it is the most beautiful
singing I ever heard; the choristers sing 'By the waters of Babylon.'<br>
<br>
"The Peers sit below; the Women quite apart. But for the evening service
very few go; I wonder that more do not,&mdash;it is really most beautiful,
for those who like that style of music. If you never heard it, go there
some day, but not when it is so cold as this. How very pale you are!
What a contrast with Moore! '<i>Mai io l'ho veduto piu bello che jeri,
ma e la belta della morte</i>,' or a statue of white marble so
colourless, and the dark brow and hair such a contrast. I never see you
without wishing to cry; if any painter could paint me that face as it
is, I would give them any thing I possess on earth,&mdash;not one has yet
given the countenance and complexion as it is. I only could, if I knew
how to draw and paint, because one must feel it to give it the real
expression."
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr>
<br><br>

<a name="app3d"></a><h4>4. The following letter was evidently written at the time when the
separation of Lord and Lady Byron was first rumoured:</h4><br>

"Melbourne House, Thursday.<br>
<br>
"When so many wiser and better surround you, it is not for me to presume
to hope that anything I can say will find favour in your sight; but yet
I must venture to intrude upon you, even though your displeasure against
me be all I gain for so doing. All others may have some object or
interest in their's; I have none, but the wish to save you. Will you
generously consent to what is for the peace of both parties? and will
you act in a manner worthy of yourself? I am sure in the end you will
consent. Even were everything now left to your own choice, you never
could bring yourself to live with a person who felt desirous of being
separated from you. I know you too well to believe this possible, and I
am sure that a separation nobly and generously arranged by you will at
once silence every report spread against either party. Believe me, Lord
Byron, you will feel happier when you act thus, and all the world will
approve your conduct, which I know is not a consideration with you, but
still should in some measure be thought of. They tell me that you have
accused me of having spread injurious reports against you. Had you the
heart to say this? I do not greatly believe it; but it is affirmed and
generally thought that you said so. You have often been unkind to me,
but never as unkind as this.<br>
<br>
"Those who are dear to you cannot feel more anxious for your happiness
than I do. They may fear to offend you more than I ever will, but they
cannot be more ready to serve you. I wish to God that I could see one so
superior in mind and talents and every grace and power that can
fascinate and delight, happier. You might still be so, Lord Byron, if
you would believe what some day you will find true. Have you ever
thought for one moment seriously? Do you wish to heap such misery upon
yourself that you will no longer be able to endure it? Return to virtue
and happiness, for God's sake, whilst it is yet time. Oh, Lord Byron,
let one who has loved you with a devotion almost profane find favour so
far as to incline you to hear her. Sometimes from the mouth of a sinner
advice may be received that a proud heart disdains to take from those
who are upon an equality with themselves. If this is so, may it now,
even now, have some little weight with you. Do not drive things to
desperate extremes. Do not, even though you may have the power, use it
to ill. God bless and sooth you, and preserve you. I cannot see all that
I once admired and loved so well ruining himself and others without
feeling it deeply. If what I have said is unwise, at least believe the
motive was a kind one; and would to God it might avail.<br>
<br>
"I cannot believe that you will not act generously in this instance.<br>
<br>
"Yours, unhappily as it has proved for me,<br>
<br>
"<b>Caroline</b>.<br>
<br>
"Those of my family who have seen Lady Byron have assured me that,
whatever her sorrow, she is the last in the world to reproach or speak
ill of you. She is most miserable. What regret will yours be evermore if
false friends or resentment impel you to act harshly on this occasion?
Whatever my feelings may be towards you or her, I have, with the most
scrupulous care for both your sakes, avoided either calling, or sending,
or interfering. To say that I have spread reports against either is,
therefore, as unjust as it is utterly false. I fear no enquiry."
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr>
<br><br>

<a name="app3e"></a><h4>5. The following letter probably refers to the publication of the lines, "Fare thee Well," in April, 1816:</h4><br>

"At a moment of such deep agony, and I may add shame&mdash;when utterly
disgraced, judge, Byron, what my feelings must be at Murray's shewing me
some beautiful verses of yours. I do implore you for God sake not to
publish them. Could I have seen you one moment, I would explain why. I
have only time to add that, however those who surround you may make you
disbelieve it, you will draw ruin on your own head and hers if at this
moment you shew these. I know not from what quarter the report
originates. You accused <i>me</i>, and falsely; but if you could hear
all that is said at this moment, you would believe one, who, though your
enemy, though for ever alienated from you, though resolved never more,
whilst she lives, to see or speak to or forgive you, yet would perhaps
die to save you.<br>
<br>
"Byron, hear me. My own misery I have scarce once thought of. What is
the loss of one like me to the world? But when I see such as you are
ruined for ever, and utterly insensible of it, I must [speak out]. Of
course, I cannot say to Murray what I think of those verses, but to you,
to you alone, I will say I think they will prove your ruin."
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr>
<br><br>

<a name="app3f"></a><h4>6. In 1824, after the death of Byron, and after the publication of
Captain Medwin's <i>Recollections of Lord Byron</i>, Lady Caroline Lamb
sent a letter to Mr. Henry Colburn, the publisher, enclosing one to be
given to Medwin and published. Both are given here, and the latter
should be read in substantiation or correction of what is stated in the
notes. The letter is printed <i>verbatim et literatim</i>.</h4><br>

<b>(1) Lady Caroline Lamb to Henry Colburn.</b><br>
<br>
"[November (?), 1824.]<br>
<br>
"<b>My Dear Sir</b>,&mdash;Walter who takes this will explain my wishes. Will you
enable him to deliver my letter to Captain Medwin, and will you publish
it? you are to give him ten pound for it; I will settle it with you. I
am on my death bed, do not fail to obey my wishes. I send you my
journals but do not publish them until I am dead.<br>
<br>
"Yours,<br>
<br>
"<b>Caroline Lamb</b>."<br>
<br>
<hr width="25%" align="left"><br>
<br>
<b>(2) Lady Caroline Lamb to Captain Thomas Medwin.</b><br>
<br>
[Endorsed, "This copy to be carefully preserved." Hy. Cn. (Henry
Colburn?).]<br>
<br>
"[November (?), 1824.]<br>
<br>
"<b>Sir</b>,&mdash;I hope you will excuse my intruding upon your time, with the most
intense interest I have just finished your book which does you credit as
to the manner in which it is executed and after the momentary pain in
part which it excites in many a bosom, will live in despight of
censure&mdash;and be gratefully accepted by the Public as long as Lord
Byron's name is remembered&mdash;yet as you have left to one who adored him a
bitter legacy, and as I feel secure the lines 'remember thee&mdash;thou false
to him thou fiend to me'&mdash;were his&mdash;and as I have been very ill &amp; am not
likely to trouble any one much longer&mdash;you will I am sure grant me one
favour&mdash;let me to you at least confide the truth of the past&mdash;you owe it
to me&mdash;you will not I know refuse me.<br>
<br>
"It was when the first Child Harold came out upon Lord Byron's return
from Greece that I first had the misfortune to be acquainted with
him&mdash;at that time I was the happiest and gayest of human beings I do
believe without exception&mdash;<i>I had married for love</i> and love the
most romantic and ardent&mdash;my husband and I were so fond of each other
that false as I too soon proved he never would part with me. Devonshire
House was at that time closed from my Uncle's death for one year&mdash;at
Melbourne House where I lived the Waltzes and Quadrilles were being
daily practised, Lady Jersey, Lady Cowper, the Duke of Devonshire, Miss
Milbanke and a number of foreigners coming there to learn&mdash;You may
imagine what forty or fifty people dancing from 12 in the morning until
near dinner time all young gay and noisy were&mdash;in the evenings we either
had opposition suppers or went out to Balls and routs&mdash;such was the life
I then led when Moore and Rogers introduced Lord Byron to me&mdash;What you
say of his falling upstairs and of Miss Milbanke is all true. Lord Byron
3 days after this brought me a Rose and Carnation and used the very
words I mentioned in Glenarvon&mdash;with a sort of half sarcastic
smile&mdash;saying, 'Your Ladyship I am told likes all that is new and rare
for a moment'&mdash;I have them still, and the woman who through many a trial
has kept these relics with the romance of former ages&mdash;deserves not that
you should speak of her as you do. Byron never never could say I had no
heart. He never could say, either, that I had not loved my husband. In
his letters to me he is perpetually telling me I love him the best of
the two; and my only charm, believe me, in his eyes was, that I was
innocent, affectionate, and enthusiastic.<br>
<br>
Recall those words, and let me not go down with your book as heartless.
Tell the truth; it is bad enough; but not what is worse. It makes me so
nervous to write that I must stop&mdash;will it tire you too much if I
continue? I was not a woman of the world. Had I been one of that sort,
why would he have devoted nine entire months almost entirely to my
society; have written perhaps ten times in a day; and lastly have
press'd me to leave all and go with him&mdash;and this at the very moment
when he was made an Idol of, and when, as he and you justly observe, I
had few personal attractions. Indeed, indeed I tell the truth. Byron did
not affect&mdash;but he loved me as never woman was loved. I have had one of
his letters copied in the stone press for you; one just before we
parted. See if it looks like a mere lesson. Besides, he was then very
good, to what he grew afterwards; &amp;, his health being delicate, he liked
to read with me &amp; stay with me out of the crowd. Not but what we went
about everywhere together, and were at last invited always as if we had
been married&mdash;It was a strange scene&mdash;but it was not vanity misled me. I
grew to love him better than virtue, Religion&mdash;all prospects here. He
broke my heart, &amp; still I love him&mdash;witness the agony I experienced at
his death &amp; the tears your book has cost me. Yet, sir, allow me to say,
although you have unintentionally given me pain, I had rather have
experienced it than not have read your book. Parts of it are beautiful;
and I can vouch for the truth of much, as I read his own Memoirs before
Murray burnt them. Keep Lord Byron's letter to me (I have the original)
&amp; some day add a word or two to your work from his own words, not to let
every one think I am heartless. The cause of my leaving Lord Byron was
this; my dearest Mother, now dead, grew so terrified about us&mdash;that upon
hearing a false report that we were gone off together she was taken
dangerously ill &amp; broke a blood vessel. Byron would not believe it, but
it was true. When he was convinced, we parted. I went to Ireland, &amp;
remained there 3 months. He wrote, every day, long kind entertaining
letters; it is these he asked Murray to look out, and extract from, when
he published the journal; but I would not part with them&mdash;I have them
now&mdash;they would only burn them, &amp; nothing of his should be burnt. At
Dublin, God knows why, he wrote me the cruel letter part of which he
acknowledges in Glenarvon (the 9th of November, 1812)&mdash;He knew it would
destroy my mind and all else&mdash;it did so&mdash;Lady Oxford was no doubt the
instigator. What will not a woman do to get rid of a rival? She knew
that he still loved me&mdash;I need not tire you with every particular. I was
brought to England a mere wreck; &amp; in due time, Lady Melbourne &amp; my
mother being seriously alarmed for me, brought me to town, and allowed
me to see Lord Byron. Our meeting was not what he insinuates&mdash;he asked
me to forgive him; he looked sorry for me; he cried. I adored him still,
but I felt as passionless as the dead may feel.&mdash;Would I had died
there!&mdash;I should have died pitied, &amp; still loved by him, &amp; with the
sympathy of all. I even should have pardoned myself&mdash;so deeply had I
suffered. But, unhappily, we continued occasionally to meet. Lord Byron
liked others, I only him&mdash;The scene at Lady Heathcote's is nearly
true&mdash;he had made me swear I was never to Waltz. Lady Heathcote said,
Come, Lady Caroline, you must begin, &amp; I bitterly answered&mdash;oh yes! I am
in a merry humour. I did so&mdash;but whispered to Lord Byron 'I conclude I
may waltz <i>now</i>' and he answered sarcastically, 'with every body in
turn&mdash;you always did it better than any one. I shall have a pleasure in
seeing you."&mdash;I did so you may judge with what feelings. After this,
feeling ill, I went into a small inner room where supper was prepared;
Lord Byron &amp; Lady Rancliffe entered after; seeing me, he said, 'I have
been admiring your dexterity.' I clasped a knife, not intending
anything. 'Do, my dear,' he said. 'But if you mean to act a Roman's
part, mind which way you strike with your knife&mdash;be it at your own
heart, not mine&mdash;you have struck there already.' 'Byron,' I said, and
ran away with the knife. I never stabbed myself. It is false. Lady
Rancliffe &amp; Tankerville screamed and said I would; people pulled to get
it from me; I was terrified; my hand got cut, &amp; the blood came over my
gown. I know not what happened after&mdash;but this is the very truth. After
this, long after, Ld. Byron abused by every one, made the theme of every
one's horror, yet pitied me enough to come &amp; see me; and still, in
spight of every one, William Lamb had the generosity to retain me. I
never held my head up after&mdash;never could. It was in all the papers, and
put not truly. It is true I burnt Lord Byron in Effigy, &amp; his book, ring
&amp; chain. It is true I went to see him as a Carman, after all that! But
it is also true, that, the last time we parted for ever, as he pressed
his lips on mine (it was in the Albany) he said 'poor Caro, if every one
hates me, you, I see, will never change&mdash;No, not with ill usage!' &amp; I
said, 'yes, I <i>am</i> changed, &amp; shall come near you no more.'&mdash;For
then he showed me letters, &amp; told me things I cannot repeat, &amp; all my
attachment went. This was our last parting scene&mdash;well I remember it. It
had an effect upon me not to be conceived&mdash;3 years I had
<i>worshipped</i> him.<br>
<br>
"Shortly after he married, once, Lady Melbourne took me to see his Wife
in Piccadilly. It was a cruel request, but Lord Byron himself made it.
It is to this wedding visit he alludes. Mrs. Leigh, myself, Lady
Melbourne, Lady Noel, &amp; Lady Byron, were in the room. I never looked up.
Annabella was very cold to me. Lord Byron came in &amp; seemed agitated&mdash;his
hand was cold, but he seemed kind. This was the last time upon this
earth I ever met him. Soon after, the battle of Waterloo took place. My
Brother was wounded, &amp; I went to Brussels. I had one letter while at
Paris from Ld. Byron; a jesting one; hoping I was as happy with the
regiment as he was with his 'Wife Bell.' When I returned, the parting
between them occurred&mdash;&amp; my page affair&mdash;&amp; Glenarvon. I wrote it in a
month under circumstances would surprise every body, but which I am not
at liberty to mention. Besides, it has nothing to do with your book and
would only tire you. Previous to this, I once met, &amp; once only, Lady
Byron. It was just after the separation occurred. She was so altered I
could hardly know her&mdash;she appeared heart broken. What she then said to
me <i>I may not repeat</i>&mdash;she was however sent away, she did not go
willingly.<br>
<br>
She accused me of knowing every thing, &amp; reproached me for not having
stopped the marriage. How could I! She had been shewn my letters, and
every one else. It is utterly false that she ever opened the desk&mdash;the
nurse had nothing to do with the separation&mdash;<br>
<br>
"From that hour, Lady Byron &amp; I met no more, &amp; it was after this, that,
indignant &amp; miserable, I wrote Glenarvon. Lady B. was more angry at it
than he was&mdash;From that time, I put the whole as much as I could from my
mind. Ld. Byron never once wrote to me&mdash;and always spoke of me with
contempt. I was taken ill in March this year&mdash;Mrs. Russell Hunter &amp; a
nurse sat up with me. In the middle of the night I fancied I saw Ld.
Byron&mdash;I screamed, jumped out of bed &amp; desired them to save me from him.
He looked horrible, &amp; ground his teeth at me; he did not speak; his hair
was straight; he was fatter than when I knew him, &amp; not near so
handsome. I felt convinced I was to die. This dream took possession of
my mind. I had not dreamed of him since we had parted. It was, besides,
like no other dream except one of my Mother that I ever had. I am glad
to think it occurred before his death as I never did &amp; hope I never
shall see a Ghost. I have even avoided enquiring about the exact day for
fear I should believe it&mdash;it made enough impression as it was. I told
William, and my Brother &amp; Murray at the time. Judge what my horror was,
as well as grief, when, long after, the news came of his death, it was
conveyed to me in two or 3 words&mdash;'Caroline, behave properly, I know it
will shock you&mdash;Lord Byron is dead'&mdash;This letter I received when
laughing at Brockett Hall. Its effect or some other cause produced a
fever from which I never yet have recovered&mdash;It was also singular that
the first day I could go out in an open Carriage, as I was slowly
driving up the hill here,&mdash;Lord Byron's Hearse was at that moment
passing under these very walls, and rested at Welwyn. William Lamb, who
was riding on before me, met the procession at the Turnpike, &amp; asked
whose funeral it was. He was very much affected and shocked&mdash;I of course
was not told; but, as I kept continually asking where &amp; when he was to
be buried, &amp; had read in the papers it was to be at Westminster Abbey, I
heard it too soon, &amp; it made me very ill again."
<br>
<br>
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<a href="#toc">Contents</a></p>
<hr>
<br><br>
<a name="app4"></a><h2>Appendix IV&mdash;Letters of Bernard Barton</h2><br>

<i>The two following letters were written to Byron in 1814, by
Bernard Barton, the Quaker poet (see Letter 238, <a href="#fe61"><i>note</i></a> 1):&mdash;</i><br>
<br>
<a name="app4a"></a><h4>I</h4><br>


"Woodbridge, Suffolk, Apl. 14th, 1814.<br>
<br>
"<b>My Lord</b>,&mdash;I received this morning the reply with which your Lordship
honour'd my last, and now avail myself of the permission you have so
kindly granted to state as briefly as I can the circumstances which have
induced me to make this application, and the extent of my wishes
respecting your Lordship's interference.<br>
<br>
"Eight years since, I went into business in this place as a Merchant. I
was then just of age, and, shortly after, married. The business in which
I was engaged was of a very precarious Nature; and after vainly trying
for 4 Years to make the best of it, I was compell'd to relinquish it
altogether. Just then, to add to my distress, I lost my best, my
firmest, my tenderest friend&mdash;the only being for whose sake I ever
desir'd wealth, and the only one who could have cheer'd the gloom of
Poverty. My Capital being a borrow'd one, I returned it as far as I
could to the person who had lent it. Since that time, my Lord, I have
been struggling to make the best of a Clerkship of £80 per ann., out of
which I have to meet every expence, and still to maintain a respectable
appearance in a Place where I have resided under different
circumstances. Had I enter'd my present Situation free of all debts, I
should have made it an inviolable rule to have limited my expenditure to
my Income; but beginning in debt, compell'd by peculiar circumstances to
mix with those much superior to myself, I have gone on till I find it
quite impossible to go on any longer, and I am compelled to seek for
some asylum where, by rigid frugality and indefatigable exertion, I may
free myself from my present humiliating embarrassments; but while I am
here the thing seems impracticable. Your Lordship will naturally inquire
why I do not avail myself of the influence of those friends by whom I am
known. As you have, my Lord, done me the honour to encourage me to state
my position frankly, I will, without hesitation, inform you. I am,
nominally at least, a Quaker. The persons to whom I should, in my
present difficulties, naturally look for assistance are among the most
respectable of that body; but my attachments to literary and
metaphysical studies, and a line of conduct not compatible with the
strictness of Quaker discipline, have, I am afraid, brought me into
disrepute with those to whom I should otherwise have confided my
situation. Were I to disclose it, it would only be consider'd as a fit
judgment on me for my scepticism and infidelity.<br>
<br>
"This, my Lord, is a brief but faithful statement of my present
situation; it is, as I before told your Lordship, in every respect an
untenable one. I must relinquish it, and throw myself an outcast on
society. <i>Can you, will you</i>, my Lord, exert <i>your influence</i>
to save me from irretrievable ruin? Can you, my Lord, in any possible
way, afford employment to me? Can you take me into your service&mdash;a young
man, not totally destitute of talents, eager to exert them, and willing
to do anything or be anything in his power? If you can, my Lord, I will
promise to serve you not servilely, but faithfully in any manner you
shall point out. Do not, I beg of you, my Lord, refuse my application
the moment you peruse it. The mouse, you know, once was able to show its
gratitude to the lion; and it may be in my power, if your Lordship will
but give me the opportunity, to evince my deep gratitude for any
kindness you may show me, not by <i>words</i>, but <i>deeds</i>. Be
assur'd you will not have cause to repent any interest you have taken or
may take in my concerns. For the civility you shewed me on a former
occasion, my Lord, I felt, as I ought, much indebted; but infinitely
more for the generosity of feeling and soundness of judgment which
dictated the letter you then did me the honour to address to me. Ever
since then I have entertain'd the highest opinion both of your head and
your heart. Is it, then, strange, my Lord, that, surrounded by
difficulties, perplexed at every step I take, I should look up to your
Lordship for <i>advice</i>, and, if possible, for assistance? Be the
consequences what they may, I have ventur'd on the presumption of doing
so. If I have taken too great a liberty, I beg you, my Lord, to forgive
me, and let the tale of my perplexities and my misfortunes, my
impertinence and its punishment, be alike forgotten; it can, at any
rate, only give your Lordship the trouble of reading a letter. If, on
the other hand, your Lordship can in any way realize the hopes I have
long enthusiastically cherished, why, the 'blessing of him who is ready
to perish shall fall on you.' Be the event what it may, '<i>Crede
Byron</i>' is, your Lordship sees, my motto.<br>
<br>
"I am, my Lord,<br>
<br>
"Your Lordship's very obt. servt,<br>
<br>
"<b>B. Barton</b>.<br>
<br>
"P. S.&mdash;I shall wait with no common anxiety to see whether your Lordship
will so far forgive this intrusion as to answer it."

<br>
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<a href="#toc">Contents</a></p>
<hr><br><br>
<a name="app4b"></a><h4>II</h4><br>

"Woodbridge, April 15th, 1814.<br>
<br>
"My Lord,&mdash;I should be truly sorry if my importunity should defeat its
own purpose, and, instead of interesting your Lordship on my behalf,
should make you regret the indulgence you have already granted me; but I
really feel as if I had staked every remaining hope on the cast of the
die, and, therefore, before it is thrown, I wish, my Lord, to make one
or two more observations.<br>
<br>
"Although in my last, which, as I before observed, was hastily written,
I express'd my wish to be allow'd, <i>in some capacity or other</i>, to
serve your Lordship, yet I am not so foolish as to think of fastening
myself on you, my Lord, <i>bon gré ou malgré</i>. One reason for my
expressing that wish, was an idea that your Lordship might go abroad
before long; and, added to my own wish to see something of the world on
which fate has thrown me, it occurred to me at the moment, that on such
an occasion the services of one who is warmly attach'd to you, perhaps
<i>romantically</i>, for I know nothing of your Lordship but by your
writings, might be acceptable.<br>
<br>
But, my Lord, although I have thus alluded to what would most gratify my
own wishes, it was not intended to dictate to you the manner in which
you might promote my interest. If your Lordship's superior judgment and
greater knowledge of the world can suggest anything else for my
consideration, it shall receive every attention.<br>
<br>
"One more remark, my Lord, and I have done. I am very sensible that in
this application to your Lordship I have been guilty of what would be
term'd by some a piece of great impertinence, and by most an act of
consummate folly. Will you allow me, my Lord, frankly to state to you
the arguments on which my resolutions were founded?<br>
<br>
"I have not address'd you, my Lord, on the impulse of the moment,
dictated by desperation, and adopted without reflection. No, my Lord; I
had, or, at least, I thought I had, better reasons. I remembered that
you had once condescended to address me <i>'candidly, not
critically,'</i> that you had even kindly interested yourself on my
behalf. I thought that, amid all the keenness and poignancy of your
habitual feelings, as powerfully pourtrayed in your writings, I could
discern the workings of a heart <i>truly noble</i>. I imagin'd that what
to a superficial observer appear'd only the overflowings of misanthropy,
were, in reality, the effusions of deep sensibility. I convinc'd myself,
by repeated perusals of your different productions, that though
disappointments the most painful, and sensations the most acute, might
have stung your heart to its very core, it had yet many feelings of the
most exalted kind. From these I hoped everything. Those hopes may be
disappointed, but the opinions which gave rise to them have not been
hastily form'd, nor will any selfish feeling of mortification be able to
alter them.<br>
<br>
"I do not, my Lord, intend the above as any idle complimentary apology
for what I have done. I am not, God knows, just now in a complimentary
mood; and if I were, you, my Lord, are one of the last persons on earth
on whom I should be tempted to play off such trash as idle panegyrics. I
esteem you, my Lord, not merely for your rank, still less for your
personal qualities. The former I respect as I ought; of the latter I
know nothing. But I feel something more than mere respect for your
genius and your talents; and from your past conduct towards myself I
cannot be insensible to your kindness. For these reasons, my Lord, I
acted as I have done. I before told you that I consider'd you <i>no
common character</i>, and I think your Lordship will admit that I have
not treated you as such.<br>
<br>
"Permit me once more, my Lord, to take my leave by assuring you that I
am,<br>
<br>
"With the truest esteem, "Your very obt. and humble servt., <br>
"<b>Bernard Barton.</b><br>
<br>
"P. S.&mdash;I hope your Lordship will find no difficulty in making out this
scrawl; but really, not being able to mend my pen, I am forced to write
with it backwards. When I have the good luck to find my pen-knife, I
will endeavour to furnish myself with a better tool."
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app4c"></a><h4><i>Part of the draft of Byron's answer to these two letters is in
existence, and runs as follows:</i></h4>
<br>
<br>
"Albany, April 16th, 1814.<br>
<br>
"Sir,&mdash;All offence is out of the question. My principal regret is that
it is not in my power to be of service. My own plans are very unsettled,
and at present, from a variety of circumstances, embarrassed, and, even
were it otherwise, I should be both to offer anything like dependence to
one, who, from education and acquirements, must doubly feel sensible of
such a situation, however I might be disposed to render it tolerable.<br>
<br>
"As an adviser I am rather qualified to point out what should be avoided
than what may be pursued, for my own life has been but a series of
imprudences and conflicts of all descriptions. From these I have only
acquired experience; if repentance were added, perhaps it might be all
the better, since I do not find the former of much avail without it."
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app5"></a><h2>Appendix V&mdash;Correspondence with Walter Scott</h2><br>

<a name="app5a"></a><h4><i>The following is Walter Scott's reply to Byron's <a href="#L241">letter</a> of July 6, 1812:</i></h4>
<br>

"Abbotsford, near Melrose, 16th July, 1812.<br>
<br>
"<b>My Lord</b>,&mdash;I am much indebted to your Lordship for your kind and
friendly letter; and much gratified by the Prince Regent's good opinion
of my literary attempts. I know so little of courts or princes, that any
success I may have had in hitting off the Stuarts is, I am afraid, owing
to a little old Jacobite leaven which I sucked in with the numerous
traditionary tales that amused my infancy. It is a fortunate thing for
the Prince himself that he has a literary turn, since nothing can so
effectually relieve the ennui of state, and the anxieties of power.<br>
<br>
"I hope your Lordship intends to give us more of <i>Childe Harold</i>. I
was delighted that my friend Jeffrey&mdash;for such, in despite of many a
feud, literary and political, I always esteem him&mdash;has made so
handsomely the <i>amende honorable</i> for not having discovered in the
bud the merits of the flower; and I am happy to understand that the
retractation so handsomely made was received with equal liberality.
These circumstances may perhaps some day lead you to revisit Scotland,
which has a maternal claim upon you, and I need not say what pleasure I
should have in returning my personal thanks for the honour you have done
me. I am labouring here to contradict an old proverb, and make a silk
purse out of a sow's ear, namely, to convert a bare <i>haugh</i> and
<i>brae</i>, of about 100 acres, into a comfortable farm. Now, although
I am living in a gardener's hut, and although the adjacent ruins of
Melrose have little to tempt one who has seen those of Athens, yet,
should you take a tour which is so fashionable at this season, I should
be very happy to have an opportunity of introducing you to anything
remarkable in my fatherland. My neighbour, Lord Somerville, would, I am
sure, readily supply the accommodations which I want, unless you prefer
a couch in a closet, which is the utmost hospitality I have at present
to offer. The fair, or shall I say the sage, Apreece that was, Lady Davy
that is, is soon to show us how much science she leads captive in Sir
Humphrey; so your Lordship sees, as the citizen's wife says in the
farce, 'Thread-needle Street has some charms,' since they procure us
such celebrated visitants. As for me, I would rather cross-question your
Lordship about the outside of Parnassus, than learn the nature of the
contents of all the other mountains in the world. Pray, when under 'its
cloudy canopy' did you hear anything of the celebrated Pegasus? Some say
he has been brought off with other curiosities to Britain, and now
covers at Tattersal's. I would fain have a cross from him out of my
little moss-trooper's Galloway, and I think your Lordship can tell one
how to set about it, as I recognise his true paces in the high-mettled
description of Ali Pacha's military court.<br>
<br>
"A wise man said&mdash;or, if not, I, who am no wise man, now say&mdash;that there
is no surer mark of regard than when your correspondent ventures to
write nonsense to you. Having, therefore, like Dogberry, bestowed all my
tediousness upon your Lordship, you are to conclude that I have given
you a convincing proof that I am very much<br>
<br>
"Your Lordship's obliged and very faithful servant,<br>
<br>
"<b>Walter Scott</b>."
<br>
<br>
<p><a href="#section1c">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app6"></a><h2>Appendix VI&mdash;The Giant and the Dwarf</h2><br>

<a name="app6a"></a><i>The reply of Leigh Hunt's friends to Moore's squib, "The 'Living Dog'
and the 'Dead Lion'" (see Letter 291, p. 205, <a href="#fn32"><i>note</i></a> 1), ran as
follows:</i><br>

"<b>The Giant and the Dwarf</b>.<br>
<br>
"<i>Humbly inscribed to T. Pidcock, Esq., of Exeter 'Change</i>.<br>

<blockquote>"A Giant that once of a Dwarf made a friend,<br>
  (And their friendship the Dwarf took care shouldn't be hid),<br>
Would now and then, out of his glooms, condescend<br>
  To laugh at his antics,&mdash;as every one did.<br><br>

"This Dwarf-an extremely diminutive Dwarf,&mdash;<br>
  In birth unlike G&mdash;y, though his pride was as big,<br>
Had been taken, when young, from the bogs of Clontarf,<br>
  And though born quite a Helot, had grown up a Whig.<br><br>

"He wrote little verses&mdash;and sung them withal,<br>
  And the Giant's dark visions they sometimes could charm,<br>
Like the voice of the lute which had pow'r over Saul,<br>
  And the song which could Hell and its legions disarm.<br><br>

"The Giant was grateful, and offered him gold,<br>
  But the Dwarf was indignant, and spurn'd at the offer:<br>
'No, never!' he cried, 'shall <i>my</i> friendship be sold<br>
  For the sordid contents of another man's coffer!<br><br>

"'What would Dwarfland, and Ireland, and every land say?<br>
  To what would so shocking a thing be ascribed?<br>
<i>My Lady</i> would think that I was in your pay,<br>
  And the <i>Quarterly</i> say that I must have been bribed.<br><br>

"'You see how I'm puzzled; I don't say it wouldn't<br>
  Be pleasant just now to have just that amount:<br>
But to take it in gold or in bank-notes!&mdash;I couldn't,<br>
  I <i>wouldn't</i> accept it&mdash;on any account.<br><br>

"'But couldn't you just write your Autobiography,<br>
  All fearless and personal, bitter and stinging?<br>
Sure <i>that</i>, with a few famous heads in lithography,<br>
  Would bring me far more than my Songs or my singing.<br><br>

"'You know what I did for poor Sheridan's Life;<br>
  <i>Your's</i> is sure of my very best superintendence;<br>
I'll expunge what might point at your sister or wife,&mdash;<br>
  And I'll thus keep my priceless, unbought independence!'<br><br>

"The Giant smiled grimly: he couldn't quite see<br>
  What diff'rence there was on the face of the earth,<br>
Between the Dwarf's taking the money in fee,<br>
  And his taking the same thing <i>in that money's worth</i>.<br><br>

"But to please him he wrote; and the business was done:<br>
  The Dwarf went immediately off to 'the Row;'<br>
And ere the next night had pass'd over the sun,<br>
  The <b>Memoirs</b> were purchas'd by Longman and Co.</blockquote><br>

"<b>W. Gyngell</b>, Showman, Bartholomew Fair."
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7"></a><h2>Appendix VII&mdash;Attacks on Lord Byron in the Newspapers for February and March, 1814</h2>
<br>
<a name="app7a"></a><h3>I: &nbsp;<i>The Courier</i></h3><br>

<a name="app7a1"></a><h4>(1) &nbsp;Lord Byron (<i>The Courier</i>, February 1, 1814).</h4>
<br>
A new Poem has just been published by the above Nobleman, and the
<i>Morning Chronicle</i> of to-day has favoured its readers with his
Lordship's Dedication of it to <b>Thomas Moore</b>, Esq., in what that paper
calls "an elegant eulogium." If the elegance of an eulogium consist in
its extravagance, the <i>Chronicle's</i> epithet is well chosen. But our
purpose is not with the Dedication, nor the main Poem, <i>The
Corsair</i>, but with one of the pieces called Poems, published at the
end of the <i>Corsair</i>. Nearly two years ago (in March, 1812), when
the <b>Regent</b> was attacked with a bitterness and rancour that disgusted the
whole country; when attempts were made day after day to wound every
feeling of the heart; there appeared in the <i>Morning Chronicle</i> an
anonymous <i>Address to a Young Lady weeping</i>, upon which we remarked
at the time (<i>Courier of March</i> 7, 1812), considering it as tending
to make the Princess <b>Charlotte</b> of <b>Wales</b> view the <b>Prince Regent</b> her
father as an object of suspicion and disgrace. Few of our readers have
forgotten the disgust which this address excited. The author of it,
however, unwilling that it should sleep in the oblivion to which it had
been consigned with the other trash of that day, has republished it,
and, placed the first of what are called Poems at the end of this newly
published work the Corsair, we find this very address:

<blockquote>"Weep daughter of a <i>royal</i> line,<br>
A Sire's disgrace, a realm's decay;"</blockquote>

<i>Lord Byron thus avows himself to be the Author.</i><br>
<br>
To be sure the Prince has been extremely <i>disgraced</i> by the policy
he has adopted, and the events which that policy has produced; and the
realm has experienced <i>great decay</i>, no doubt, by the occurrences
in the Peninsula, the resistance of Russia, the rising in Germany, the
counter-revolution in Holland, and the defeat, disgrace, and shame of
<b>Buonaparte</b>. But, instead of continuing our observations, suppose we
parody his Lordship's Address, and apply it to February 1814:<br>
<br>
<b>To a Young Lady.</b><br>
<br>
February, 1814.

<blockquote>"View! daughter of a royal line,<br>
   A father's fame, a realm's renown:<br>
 Ah! happy that that realm is thine,<br>
   And that its father is thine own!<br><br>

"View, and exulting view, thy fate,<br>
   Which dooms thee o'er these blissful Isles<br>
 To reign, (but distant be the date!)<br>
   And, like thy Sire, deserve thy People's smiles."</blockquote><br>
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a2"></a><h4>(2) &nbsp;<i>The Courier</i>, February 2, 1814.</h4>
<br>
Lord <b>Byron</b>, as we stated yesterday, has discovered and promulgated to
the world, in eight lines of choice doggrel, that the realm of England
is in decay, that her Sovereign is disgraced, and that the situation of
the country is one which claims the tears of all good patriots. To this
very indubitable statement, the <i>Morning Chronicle</i> of this day
exhibits an admirable companion picture, a <i>genuine</i> letter from
<i>Paris</i>, of the 25th ult.<br>
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a3"></a><h4>(3) &nbsp;<i>The Courier</i>, February 3, 1814</h4>
.<br>
<br>
<blockquote>  "<i>The Courier</i> is indignant," says the <i>Morning Chronicle</i>,
  "at the discovery now made by Lord BYRON, that he was the author of
  'the Verses to a Young Lady weeping,' which were inserted about a
  twelvemonth ago in the <i>Morning Chronicle</i>. The Editor thinks it
  audacious in a hereditary Counsellor of the <b>King</b> to admonish the
  <i>Heir Apparent</i>. It may not be <i>courtly</i> but it is certainly
  <i>British</i>, and we wish the kingdom had more such honest advisers."</blockquote>

The discovery of the author of the verses in question was not made by
Lord <b>Byron</b>. How could it be? When he sent them to the <i>Chronicle,
without</i> his name, he was just as well informed about the author as
he is now that he has published them in a pamphlet, <i>with</i> his
name. The discovery was made to the public. They did not know in March,
1812, what they know in February, 1814. They did not suspect then what
they now find avowed, that a Peer of the Realm was the Author of the
attack upon the <b>Prince</b>; of the attempt to induce the Princess <b>Charlotte</b>
of <b>Wales</b> to think that her father was an object not of reverence and
regard, but of disgrace.<br>
<br>
But we "think it audacious in an hereditary Counsellor of the <b>King</b> to
admonish the Heir Apparent." No! we do not think it audacious: it is
constitutional and proper. But are anonymous attacks the constitutional
duty of a Peer of the Realm? Is that the mode in which he should
admonish the Heir Apparent? If Lord <b>Byron</b> had desired to admonish the
<b>Prince</b>, his course was open, plain, and known&mdash;he could have demanded an
audience of the <b>Prince</b>; or, he could have given his admonition in
Parliament. But to level such an attack&mdash;What!&mdash;"Kill men i' the dark!"
This, however, is called by the <i>Chronicle</i> "certainly
<i>British</i>," though it might not be <i>courtly</i>, and a strong
wish is expressed that "the country had many more such honest advisers"
or admonishers.&mdash;Admonishers indeed! A pretty definition of admonition
this, which consists not in giving advice, but in imputing blame, not in
openly proffering counsel, but in secretly pointing censure.<br>
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a4"></a><h4>(4) &nbsp;Byroniana No. 1 (<i>The Courier</i>, February 5, 1814).</h4>
<br>
The Lord <b>Byron</b> has assumed such a poetico-political and such a
politico-poetical air and authority, that in our double capacity of men
of letters and politicians, he forces himself upon our recollection. We
say <i>recollection</i> for reasons which will bye and by, be obvious to
our readers, and will lead them to wonder why this young Lord, whose
greatest talent it is to forget, and whose best praise it would be to be
forgotten, should be such an enthusiastic admirer of Mr.<b> Sam Rogers's</b>
<i>Pleasures of Memory</i>.<br>
<br>
The most virulent satirists have ever been the most nauseous
panegyrists, and they are for the most part as offensive by the praise
as by the abuse which they scatter.<br>
<br>
His Lordship does not degenerate from the character of those worthy
persons, his poetical ancestors:

<blockquote>"The mob of Gentlemen who wrote with ease"</blockquote>

who of all authors dealt the most largely in the alternation of flattery
and filth. He is the severest satirical and the civilest dedicator of
our day; and what completes his reputation for candour, good feeling,
and honesty, is that the persons whom he most reviles, and to whom he
most fulsomely dedicates, are identically the same.<br>
<br>
We shall indulge our readers with a few instances:&mdash;the most obvious
case, because the most recent, is that of Mr. <b>Thomas Moore</b>, to whom he
has dedicated, as we have already stated, his last pamphlet; but as we
wish to proceed orderly, we shall postpone this and revert to some
instances prior in order of time; we shall afterwards show that his
Lordship strictly adheres to <b>Horace's</b> rule, in maintaining to the end
the ill character in which he appeared at the outset. His Lordship's
first dedication was to his guardian and relative, the Earl of <b>Carlisle</b>.
So late as the year 1808, we find that Lord <b>Byron</b> was that noble Lord's
"most affectionate kinsman, etc., etc."<br>
<br>
Hear how dutifully and affectionately this ingenuous young man
celebrates, in a few months after (1809), the praises of his friend:

<blockquote>"No Muse will cheer with renovating smile,<br>
The <i>paralytic puling</i> of <b>Carlisle</b>;<br>
What heterogeneous honours deck the Peer,<br>
Lord, rhymester, petit-maitre, pamphleteer!<br>
So <i>dull</i> in youth, so <i>drivelling</i> in age,<br>
<i>His</i> scenes alone had damn'd our sinking stage.<br>
But Managers, for once, cried 'hold, enough,'<br>
Nor drugg'd their audience with the tragic stuff.<br>
Yet at their judgment let his Lordship laugh,<br>
And case his volumes in <i>congenial calf</i>:<br>
Yes! doff that covering where Morocco shines,<br>
And hang a calf-skin on those recreant lines."</blockquote>


And in explanation of this affectionate effusion, our lordly dedicator
subjoins a note to inform us that Lord <b>Carlisle's</b> works are splendidly
bound, but that "the rest is all but leather and prunella," and a little
after, in a very laborious note, in which he endeavours to defend his
consistency, he out-Herods Herod, or to speak more forcibly, out-Byrons
Byron, in the virulence of his invective against "his guardian and
relative, to whom he dedicated his volume of puerile poems." Lord
<b>Carlisle</b> has, it seems, if we are to believe his word, for a series of
years, beguiled "the public with reams of most orthodox, imperial
<i>nonsense</i>," and Lord <b>Byron</b> concludes by asking,

<blockquote>"What can ennoble knaves, or <i>fools</i>, or cowards?<br>
 Alas! not all the blood of all the Howards."</blockquote>

"So says <b>Pope</b>," adds Lord <b>Byron</b>. But <b>Pope</b> does not say so; the words
"<i>knaves and fools</i>," are not in <b>Pope</b>, but interpolated by Lord
<b>Byron</b>, in favour of his "guardian and relative." Now, all this might
have slept in oblivion with Lord <b>Carlisle's</b> Dramas, and Lord <b>Byron's</b>
Poems; but if this young Gentleman chooses to erect himself into a
spokesman of the public opinion, it becomes worth while to consider to
what notice he is entitled; when he affects a tone of criticism and an
air of candour, he obliges us to enquire whether he has any just
pretensions to either, and when he arrogates the high functions of
public praise and public censure, we may fairly inquire what the praise
or censure of such a being is worth:

<blockquote>"Thus bad begins, but worse remains behind."</blockquote><br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a5"></a><h4>(5) &nbsp;Byroniana No. 2 (<i>The Courier</i>, February 8, 1814)</h4>
.<br>
"<i>Crede Byron</i>" is Lord Byron's armorial motto; <i>Trust Byron</i>
is the translation in the Red-book. We cannot but admire the ingenuity
with which his Lordship has converted the good faith of his ancestors
into a sarcasm on his own duplicity.

<blockquote>"Could nothing but your chief reproach,<br>
Serve for a motto on your coach?"</blockquote>

Poor Lord Carlisle; he, no doubt, <i>trusted</i> in his affectionate
ward and kinsman, and we have seen how the affectionate ward and kinsman
acknowledged, like <i>Macbeth</i>, "<i>the double trust</i>" only to
abuse it. We shall now show how much another Noble Peer, Lord Holland,
has to trust to from his <i>ingenuous</i> dedicator.<br>
<br>
Some time last year Lord Byron published a Poem, called <i>The Bride of
Abydos</i>, which was inscribed to Lord Holland, "<i>with every
sentiment of regard and respect by his gratefully obliged and sincere
friend</i>, <b>Byron</b>." "<i>Grateful and sincere!</i>" Alas! alas; 'tis not
even so good as what Shakespeare, in contempt, calls "the sincerity of a
cold heart." "<i>Regard and respect!"</i> Hear with what regard, and how
much respect, he treats this identical Lord Holland. In a tirade against
literary assassins (a class of men which Lord Byron may well feel
entitled to describe), we have these lines addressed to the Chief of the
Critical Banditti:

<blockquote>"Known be thy name, unbounded be thy sway,<br>
 Thy <i>Holland's</i> banquets shall each toil repay,<br>
 While grateful Britain yields the praise she owes,<br>
 <i>To Hollands hirelings</i>, and to <i>learnings foes!</i>"</blockquote>

By which it appears, that

<blockquote>"&mdash;These wolves that still in darkness prowl;<br>
 This coward brood, which mangle, as their prey,<br>
 By hellish instinct, all that cross their way;"</blockquote>

are hired by Lord Holland, and it follows, very naturally, that the
"<i>hirelings</i>" of Lord Holland must be the "<i>foes of
learning</i>."<br>
<br>
This seems sufficiently caustic; but hear, how our dedicator proceeds:

<blockquote>"Illustrious Holland! hard would be his lot,<br>
 His hirelings mention'd, and himself forgot!<br>
 Blest be the banquets spread at Holland House,<br>
 Where Scotchmen feed, and Critics may carouse!<br>
 Long, long, beneath that hospitable roof<br>
 Shall <i>Grub-street</i> dine, while duns are kept aloof,<br>
 And <i>grateful</i> to the founder of the feast<br>
 Declare the Landlord can <i>translate</i>, at least!"</blockquote>

Lord Byron has, it seems, very accurate notions of <i>gratitude</i>, and
the word "<i>grateful</i>" in these lines, and in his dedication of
<i>The Bride of Abydos</i>, has a delightful similarity of meaning. His
Lordship is pleased to add, in an explanatory note to this passage, that
Lord Holland's life of Lopez de Vega, and his translated specimens of
that author, are much "<b>Bepraised</b> <i>by these disinterested guests</i>."
Lord Byron well knows that <i>bepraise</i> and <i>bespatter</i> are
almost synonimous. There was but one point on which he could have any
hope of touching Lord Holland more nearly; and of course he avails
himself, in the most gentlemanly and generous manner, of the golden
opportunity.<br>
<br>
When his club of literary assassins is assembled at Lord Holland's
table, Lord Byron informs us

<blockquote>"That lest when heated with the unusual grape,<br>
 Some <i>glowing</i> thoughts should to the press escape,<br>
 And tinge with red the <i>female</i> reader's cheek,<br>
 My <b>Lady</b> skims the <i>cream</i> of each critique;<br>
 Breathes o'er each page <i>her purity</i> of soul,<br>
 Reforms each error, and refines the whole."</blockquote>

Our readers will, no doubt, duly appreciate the manliness and generosity
of these lines; but, to encrease their admiration, we beg to remind them
that the next time Lord Byron addresses Lord Holland, it is to dedicate
to him, in all friendship, <i>sincerity</i>, and gratitude, the story of
a young, a pure, an amiable, and an affectionate bride!<br>
<br>
The verses were bad enough, but what shall be said, after <i>such</i>
verses, of the insult of <i>such</i> a dedication!<br>
<br>
We forbear to extract any further specimens of this peculiar vein of
Lord Byron's satire; our "gorge rises at it," and we regret to have been
obliged to say so much. And yet Lord Byron is, "with all regard and
<i>respect</i>, Lord "Holland's sincere and grateful friend!" It reminds
us of the <i>respect</i> which Lear's daughters shewed their father, and
which the poor old king felt to be "worse than murder."<br>
<br>
Some of our readers may perhaps observe that, personally, Lord Holland
was not so ill-treated as Lord Carlisle; but let it be recollected, that
Lord Holland is only an acquaintance, while Lord Carlisle was "guardian
and relation," and had therefore <i>peculiar</i> claims to the
ingratitude of a mind like Lord Byron's.<br>
<br>
<i>Trust Byron</i>, indeed! "him," as Hamlet says
   <blockquote>"<i>Him</i>, I would trust as I would <i>adders</i> fang'd."</blockquote><br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a6"></a><h4>(6) &nbsp;Byroniana No. 3 (<i>The Courier</i>, February 12, 1814). <i>Crede
Byron</i>&mdash;"Trust Byron."</h4>
<br>
We have seen Lord Byron's past and present opinions of two Noble Persons
whom he has honoured with his satire, and vilified by his dedications;
let us now compare the evidence which he has given at different and yet
not distant times, on the merits of his third <i>Dedicatee</i>, Mr.
Thomas Moore. To him Lord Byron has inscribed his last poem as a person
"of unshaken <i>public principle</i>, and the most undoubted and various
talents; as the firmest of Irish <i>patriots</i>, and the first of Irish
bards."<br>
<br>
Before we proceed to give Lord Byron's own judgment of this "firmest of
patriots," and this "best of poets," we must be allowed to say, that
though we consider Mr. Moore as a very good writer of songs, we should
very much complain of the poetical supremacy assigned to him, if Lord
Byron had not qualified it by calling him the first only of <i>Irish</i>
poets, and, as we suppose his Lordship must mean, of <i>Irish</i> poets
of the <i>present</i> day. The title may be, for aught we know to the
contrary, perfectly appropriate; but we cannot conceive how Mr. Moore
comes by the high-sounding name of "<i>patriot</i>;" what pretence there
is for such an appellation; by what effort of intellect or of courage he
has placed his name above those idols of Irish worship, Messrs. Scully,
Connell, and Dromgoole. Mr. Moore has written words to Irish tunes; so
did Burns for <i>his</i> national airs; but who ever called Burns the
"firmest of patriots" on the score of his contributions to the <i>Scots
Magazine</i>?<br>
<br>
Mr. Moore, we are aware, has been accused of tuning his harpsichord to
the key-note of a faction, and of substituting, wherever he could, a
party spirit for the spirit of poetry: this, in the opinion of most
persons, would derogate even from his <i>poetical</i> character, but we
hope that Lord Byron stands alone in considering that such a
prostitution of the muse entitles him to the name of patriot. Mr. Moore,
it seems, is an Irishman, and, we believe, a Roman Catholic; he appears
to be, at least in his poetry, no great friend to the connexion of
Ireland with England. One or two of his ditties are quoted in Ireland as
<i>laments</i> upon certain worthy persons whose lives were terminated
by the hand of the law, in some of the unfortunate disturbances which
have afflicted that country; and one of his most admired songs begins
with a stanza, which we hope the Attorney-General will pardon us for
quoting:

<blockquote>"Let Erin remember the days of old,<br>
  Ere her <i>faithless sons betrayed her</i>,<br>
When Malachy wore the collar of gold,<br>
  Which he won from her proud Invader;<br>
When her Kings, with standard of green unfurl'd,<br>
  Led the Red Branch Knights to danger,<br>
Ere, the emerald gem of the western world,<br>
  <i>Was set in the crown of a Stranger</i>."</blockquote>

This will pretty well satisfy an English reader, that, if it be any
ingredient of patriotism to promote the affectionate connexion of the
English isles under the constitutional settlement made at the revolution
and at the union; and if the foregoing verses speak Mr. Moore's
sentiments, he has the same claims to the name of "<i>patriot</i>" that
Lord Byron has to the title of "trustworthy;" but if these and similar
verses do not speak Mr. Moore's political sentiments, then undoubtedly
he has never written, or at least published any thing relating to public
affairs; and Lord Byron has no kind of pretence for talking of the
political character and public principles of an humble individual who is
only known as the translator of Anacreon, and the writer, composer, and
singer of certain songs, which songs do not (<i>ex-hypothesi</i>) speak
the sentiments even of the writer himself.<br>
<br>
But, hold&mdash;we had forgot one circumstance: Mr. Moore has been said to be
one of the authors of certain verses on the highest characters of the
State, which appeared from time to time in the <i>Morning Chronicle</i>,
and which were afterwards collected into a little volume; this may,
probably, be in Lord Byron's opinion, a clear title to the name of
<i>patriot</i>, in which case, his Lordship has also his claim to the
same honour; and, indeed that sagacious and loyal person, the Editor of
the <i>Morning Chronicle</i>, seems to be of this notion; for when some
one ventured to express some, we think not unnatural, indignation at
Lord Byron's having been the author of some impudent doggrels, of the
same vein, which appeared anonymously in that paper reflecting on his
Royal Highness the Prince Regent, and her Royal Highness his daughter,
the Editor before-mentioned exclaimed&mdash;"What! and is not a Peer, an
hereditary councillor of the Crown, to be permitted to give his
constitutional advice?!!!"<br>
<br>
If writing such vile and anonymous stuff as one sometimes reads in the
<i>Morning Chronicle</i> be the duty of a good subject, or the privilege
of a Peer of Parliament, then indeed we have nothing to object to Mr.
Moore's title of Patriot, or Lord Byron's open, honourable, manly, and
constitutional method of advising the Crown.<br>
<br>
To return, however, to our main object, Lord Byron's <i>consistency,
truth</i>, and trustworthiness.<br>
<br>
His Lordship is pleased to call Mr. Moore not only Patriot and Poet, but
he acquaints us also, that "he is the delight alike of his readers and
his friends; the poet of all circles, and the idol of his own."<br>
<br>
Let us now turn to Lord Byron's thrice-recorded opinion of "<i>this Poet
of all Circles</i>." We shall quote from a Poem which was republished,
improved, amended, and reconsidered, not more than <i>three</i> years
ago; since which time Mr. Moore has published no Poem whatsoever;
therefore, Lord Byron's former and his present opinions are founded upon
the same data, and if they do not agree, it really is no fault of Mr.
Moore's, who has published nothing to alter them.

<blockquote>"Now look around and turn each <i>trifling</i> page,<br>
Survey the <i>precious</i> works that please the age,<br>
While Little's lyrics shine in hot-pressed twelves."</blockquote>

Here, by no great length of induction, we find Little's, <i>i.e.</i> Mr.
Thomas Moore's lyrics, are <i>trifling, "precious</i> works," his
Lordship ironically adds, that "please times from which," as his
Lordship says, "taste and reason are passed away!"<br>
<br>
Bye and by his Lordship delivers a still more plain opinion on Mr.
Moore's fitness to be the "<i>Poet of <b>All</b> circles</i>."

<blockquote>"Who in soft guise, surrounded by a quire<br>
Of virgins <i>melting</i>, not to <i>Vesta's</i> fire,<br>
With sparkling eyes, and cheek by <i>passion</i> flush'd,<br>
Strikes his wild lyre, while listening dames are hush'd?<br>
'Tis Little, young Catullus of his day,<br>
As sweet, but as immoral, in his lay;<br>
Griev'd to condemn, the Muse must yet be just,<br>
Nor spare melodious <i>advocates of lust!</i>"</blockquote>

"<i>O calum et terra!</i>" as <i>Lingo</i> says. What! this purest of
Patriots is <i>immoral?</i> What! "the Poet of <i>all</i> circles" is
"the advocate of lust"? Monstrous! But who can doubt Byron? And his
Lordship, in a subsequent passage, does not hesitate to speak still more
plainly, and to declare, in plain round terms (we shudder while we copy)
that Moore, the Poet, the Patriot "Moore, is lewd"!!!<br>
<br>
After this, we humbly apprehend that if we were to "trust Byron," Mr.
Moore, however he may be the idol of his own circle, would find some
little difficulty in obtaining admittance into any other.<br>
<br>
Lord Byron having thus disposed, as far as depended upon him, of the
moral character of the first of Patriots and Poets, takes an early
opportunity of doing justice to the personal honour of this dear
"friend;" one, as his Lordship expresses it, of "the magnificent and
fiery spirited" sons of Erin.<br>
<br>
"In 1806," says Lord Byron, "Messrs. Jeffery and Moore met at Chalk
Farm&mdash;the duel was prevented by the interference of the Magistracy, and
on examination, the balls of the pistols, <i>like the courage of the
combatants</i>, were found to have <i>evaporated!</i>"<br>
<br>
"Magnificent and fiery spirit," with a vengeance!<br>
<br>
We are far from thinking of Mr. Moore as Lord Byron either did or does;
not so degradingly as his Lordship did in 1810; not so extravagantly as
he does in 1813. But we think that Mr. Moore has grave reason of
complaint, and almost just cause, to exert "his fiery spirit" against
Lord Byron, who has the effrontery to drag him twice before the public,
and overwhelm him, one day with odium, and another with ridicule.<br>
<br>
We regret that Lord Byron, by obliging us to examine the value of his
censures, has forced us to contrast his past with his present judgments,
and to bring again before the public the objects of his lampoons and his
flatteries. We have, however, much less remorse in quoting his satire
than his dedications; for, by this time, we believe, the whole world is
inclined to admit that his Lordship can pay no compliment so valuable as
his censure, nor offer any insult so intolerable as his praise.<br>
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a7"></a><h4>(7) &nbsp;Byroniana No. 4 (<i>The Courier</i>, February 17, 1814)</h4>
.<br>
<table summary="something" cellspacing="0" cellpadding="20">
<tr align="left" valign="top">
	<td><i>Don Pedro.</i></td>
	<td>What offence have these men done?</td>
</tr>
<tr align="left" valign="top">
	<td><i>Dogberry.</i></td>
	<td>Many, Sir; they have committed false reports;
moreover they have spoken untruths; secondarily, they are slanders;
sixthly and lastly, they have belied a Lady; thirdly, they have
verified unjust things, and, to conclude, they are lying knaves."</td>
</tr>
</table>
<i>Much
Ado about Nothing.</i><br>
<br>
We have already seen how scurvily Lord Byron has treated <i>three</i> of
the four persons to whom he has successively dedicated his Poems; but
for the fourth he reserved a species of contumely, which we are
confident our readers will think more degrading than all the rest. <i>He
has uniformly praised him! and him alone!!!</i>&mdash;The exalted rank, the
gentle manners, the polished taste of his guardian and relation, Lord
Carlisle; the considerations due to Lord Holland, from his family, his
personal character, and his love of letters; the amiability of Mr.
Moore's society, the sweetness of his versification, and the vivacity of
his imagination;&mdash;all these could not save their possessors from the
<i>brutality</i> of Lord Byron's personal satire.<br>
<br>
It was, then, for a person only, who should have <i>none</i> of these
titles to his envy that his Lordship could be expected to reserve the
fullness and steadiness of his friendship; and if we had any respect or
regard for that small poet and very disagreeable person, Mr. Sam Rogers,
we should heartily pity him for being "<i>damned</i>" to such
"<i>fame</i>" as Lord Byron's uninterrupted praise can give.<br>
<br>
But Mr. Sam Rogers has another cause of complaint against Lord Byron,
and which he is of a taste to resent more. His Lordship has not deigned
to call <i>him</i> "the firmest of patriots," though we have heard that
his claims to that title are not much inferior to Mr. Moore's. Mr. Sam
Rogers is reported to have clubb'd with the Irish Anacreon in that
scurrilous collection of verses, which we have before mentioned, and
which were published under the title of the <i>Twopenny Post-bag</i>,
and the assumed name of "Thomas Brown." The rumour may be unfounded; if
it be, Messrs. Rogers and Moore will easily forgive us for saying that,
much as we are astonished at the effrontery with which Lord Byron has
acknowledged his lampoon, we infinitely prefer it to the cowardly
prudence of the author or authors of the <i>Twopenny Post-bag</i>
lurking behind a fictitious name, and "devising impossible slanders,"
which he or they have not the spirit to avow.<br>
<br>
But, to return to the more immediate subject of our lucubrations: It
seems almost like a fatality, that Lord Byron has hardly ever praised
any thing that he has not at some other period censured, or censured any
thing that he has not, by and bye, praised or <i>practised</i>.<br>
<br>
It does not often happen that booksellers are assailed for their too
great liberality to authors; yet, in Lord Byron's satire, while Mr.
Scott is abused, his publisher, Mr. Murray, is sneered at, in the
following lines:

<blockquote>"And think'st them, Scott, by vain conceit perchance,<br>
On public taste to foist thy stale romance;<br>
Though <i>Murray</i> with his Miller may combine,<br>
<i>To yield thy Muse just</i> <b>Half-a-crown a Line</b>?<br>
No! when the sons of song descend to trade,<br>
Their bays are sear, their former <i>laurels fade</i>.<br>
Let such forego the poet's sacred name,<br>
Who <i>rack</i> their <i>brains</i> for <i>lucre</i>, not for fame:<br>
Low may they sink to <i>merited contempt</i>,<br>
And <i>scorn</i> remunerate the <i>mean</i> attempt."</blockquote>

Now, is it not almost incredible that this very Murray (the only
remaining one of the booksellers whom his Lordship had attacked; Miller
has left the trade)&mdash;is it not, we say, almost incredible that this very
Murray should have been soon after selected, by this very Lord Byron, to
be his own publisher? But what will our readers say, when we assure
them, that not only was Murray so selected, but that this magnanimous
young Lord has actually <i>sold</i> his works to this same Murray? and,
what is a yet more singular circumstance, has received and pocketted,
for one of his own "stale romances," a sum amounting, not to
"<i>half-a-crown</i>," but to <i>a whole crown, a line!!!</i><br>
<br>
This fact, monstrous as it seems in the author of the foregoing lines,
is, we have the fullest reason to believe, accurately true. And the
"<i>faded laurel</i>," "<i>the brains rac'd for lucre</i>," "<i>the
merited contempt</i>," "<i>the scorn</i>," and the "<i>meanness</i>,"
which this impudent young man dared to attribute to Mr. Scott, appear to
have been a mere anticipation of his own future proceedings; and thus,

   <blockquote>       "&mdash;Even-handed Justice<br>
  Commends the ingredients of his <i>poison'd</i> chalice<br>
  To his own lips."</blockquote>

How he now likes the taste of it we do not know; about as much, we
suspect, as the "incestuous, murderous, damned Dane" did, when
<i>Hamlet</i> obliged him to "<i>drink off the potion</i>" which he had
treacherously drugged for the destruction of others.<br>
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a8"></a><h4>(8)&nbsp; Byroniana No. 5 (<i>The Courier</i>, February 19, 1814).</h4>


<blockquote>  "He professes no keeping oaths; in breaking them he is stronger than
  Hercules. He will lie, sir, with such volubility, that you would think
  truth were a fool."</blockquote>

<i>All's Well that ends Well</i>.<br>
<br>
We have, we should hope, sufficiently exposed the audacious levity and
waywardness of Lord Byron's mind, and yet there are a few touches which
we think will give a finish to the portrait, and add, if it be at all
wanting, to the strength of the resemblance.<br>
<br>
...<br>
<br>
It must be amusing to those who know anything of Lord Byron in the
circles of London, to find him magnanimously defying in very stout
heroics,

<blockquote>          "&mdash;all the din of <i>Melbourne</i> House<br>
And <i>Lambes'</i> resentment&mdash;"</blockquote>

and adding that he is "<i>unscared</i>" even by "<i>Holland's
spouse</i>."<br>
<br>
...<br>
<br>
To those who may be in the habit of hearing his Lordship's political
descants, the following extract will appear equally curious:

<blockquote>  "Mr. Brougham, in No. 25 of the <i>Edinburgh Review</i>, throughout
  the article concerning Don Pedro Cevallos, has displayed more politics
  than policy; many of the worthy burgesses of Edinburgh being so
  <i>incensed at the</i> <b>Infamous</b> <i>principles it evinces</i>, as to
  have withdrawn their subscriptions;" and in the text of this poem, to
  which the foregoing is a note, he advises the Editor of the Review to

<blockquote>"Beware, lest <i>blundering Brougham</i> destroy the sale;<br>
Turn beef to bannacks, cauliflower to kail."</blockquote></blockquote>

  Those who have attended to his Lordship's progress as an author, and
  observed that he has published <i>four</i> poems, in little more than
  two years, will start at the following lines:

              <blockquote>"&mdash;Oh cease thy song!<br>
A bard may chaunt too often and too long;<br>
As thou art strong in verse, in mercy spare;<br>
A <b>Fourth</b>, alas, were more than we could bear."</blockquote>

  And as the scene of each of these <i>four</i> Poems is laid in the
  Levant, it is curious to recollect, that when his Lordship informed
  the world that he was about to visit "Afric's coast," and "Calpe's
  height," and "Stamboul's minarets," and "Beauty's native clime," he
  enters into a voluntary and solemn engagement with the public,

<blockquote>"That should he back return, no letter'd rage<br>
Shall drag <i>his</i> common-place book on the stage;<br>
Of Dardan tours let Dilettanti tell,<br>
He'll leave topography to classic Cell,<br>
And, <i>quite content</i>, no more shall interpose,<br>
To <i>stun</i> mankind with <i>poetry or prose</i>."</blockquote>

And yet we have already had, growing out of this "Tour," four volumes of
<i>poetry</i>, enriched with copious notes in <i>prose</i>, selected
from his "<i>common-place book</i>." The whole interspersed every here
and there with the most convincing proofs that instead of being
"<i>quite content</i>," his Lordship has returned, as he went out, the
most discontented and peevish thing that breathes.<br>
<br>
But the passage of all others which gives us the most delight is that in
which his Lordship attacks his critics, and declares that

<blockquote>"Our men in buckram shall have blows enough,<br>
And feel they <i>too</i> are penetrable stuff."</blockquote>

and adds,

            <blockquote>"&mdash;I have&mdash;<br>
Learn'd to deride the Critic's stern decree,<br>
And <i>break him on the wheel he meant for me</i>."</blockquote>

  We should now, with all humility, ask his Lordship whether <i>he</i>
  yet feels that "he <i>too</i> is penetrable stuff;" and we should
  further wish to know how he likes being "<i>broken on the wheel he
  meant for others?</i>"<br>
<br>
  When his Lordship shall have sufficiently pondered on those questions,
  we may perhaps venture to propound one or two more.<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7a9"></a><h4>(9) &nbsp;From <i>The Courier</i> (March 15, 1814).</h4>
<br>
The republication of some <i>Satires</i>, which the humour of the moment
now disposes the writer to recall, was strenuously censured, the other
day, in a Morning Paper. It was there said, amongst other things, that
such a republication "contributes to exasperate and perpetuate the
divisions of those whom <i>nature</i> and friendship have joined!" This
is within six weeks after the deliberate <i>republication</i> of "Weep,
daughter," etc., etc.; and thus we are informed of the exact moment at
which all retort is to cease; at which misrepresentation towards the
public and outrage towards the Personages much more than insulted in
those lines, is to be no longer remembered. What privileges does this
writer claim for his friends! They are to live in all "the swill'd
insolence" of attack upon those on whose character, union, and welfare,
the public prosperity mainly depends; they are to instruct the <b>Daughter</b>
to hold the <b>Father</b> disgraced, because he does not surrender the prime
Offices of the State to their ambition. And if, after this, public
disgust make the author feel, in the midst of the little circle of
flatterers that remains to him, what an insight he has given into the
guilt of satire <i>before</i> maturity, <i>before</i> experience,
<i>before</i> knowledge; if the original unprovoked intruder upon the
peace of others be thus taught a love of privacy and a facility of
retraction; if Turnus have found the time,

 <blockquote>   "magno cum optaverit emptum<br>
Intactum Pallanta, et cum spolia ista, diemque<br>
Oderit;"</blockquote>

if triumphing arrogance be changed into a sentimental humility, O! then
<i>Liberality</i> is to call out for him in the best of her hacknied
tones; the contest is to cease at the instant when his humour changes
from mischief to melancholy; <i>affetuoso</i> is to be the only word;
and he is to be allowed his season of sacred torpidity, till the venom,
new formed in the shade, make him glisten again in the sunshine he
envies!
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b"></a><h3>II: &nbsp;<i>The Morning Post</i></h3><br>

<a name="app7b1"></a><h4>(1) &nbsp;Verses (<i>Morning Post</i>, February 5, 1814).</h4>
<br>
<br>
Suggested by reading some lines of Lord Byron's at the end of his newly
published work, entitled "<i>The Corsair</i>" which begin:

<blockquote>"<i>Weep, Daughter of a Royal Line.</i>"<br>
<br>
"'<a name="fry11">Far</a> better be the thing that crawls,<a href="#fy11"><sup>1</sup></a><br>
  Disgustful on a dungeon's walls;<br>
  Far better be the worm that creeps,<br>
  In icy rings o'er him who sleeps;'"</blockquote><br>
<hr width="25%" align="left"><br>


"Far better be the reptile scorn'd,<br>
Unseen, unheeded, unadorn'd,<br>
Than him, to whom indulgent heav'n,<br>
Has talents and has genius giv'n;<br>
If stung by envy, warp'd by pride,<br>
Such gifts, alas! are misapplied;<br>
Not all by nature's bounty blest<br>
In beauty's dazzling hues are drest;<br>
But who shall play the critic's part,<br>
If for the form atones the heart?<br>
But if the gloomiest thoughts prevail,<br>
And Atheist doctrines stain the tale;<br>
If calumny to pow'r addrest,<br>
Attempts to wound its Sovereign's breast;<br>
If impious it shall try to part,<br>
The Father from the Daughter's heart;<br>
If it shall aim to wield a brand,<br>
To fire our fair and native land;<br>
If hatred for the world and men,<br>
Shall dip in gall the ready pen:<br><br>

  "'Oh then far better 'tis to crawl,<br>
  Harmless upon a dungeon's wall;<br>
  And better far the worm that creeps,<br>
  In icy rings o'er him who sleeps.'"<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fy11"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>Vide</i> Lord Byron's works.<br>
<a href="#fry11">return to footnote mark</a><br>
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b2"></a><h4>(2)&nbsp; To Lord Byron (<i>Morning Post</i>, February 7, 1814).</h4>
<br>

"Bard of ungentle wayward mood!<br>
  'Tis said of thee, when in the lap,<br>
Thy nurse to tempt thee to thy food,<br>
  Would squeeze a <i>lemon</i> in thy pap.<br><br>

At <i>vinegar</i> how danc'd thine eyes,<br>
  Before thy tongue a want could utter,<br>
And oft the dame to stop thy cries,<br>
  Strew'd <i>wormwood</i> on thy bread and butter.<br><br>

And when in childhood's frolic hour,<br>
  Thou'dst plait a garland for thy hair;<br>
The <i>nettle</i> bloom'd a chosen flow'r,<br>
  And native thistles flourish'd there.<br><br>

For <i>sugar-plum</i> thou ne'er did'st pine,<br>
  Thy teeth no <i>sweet-meat</i> ever hurt&mdash;<br>
The <i>sloe's juice</i> was thy favourite wine,<br>
  And <i>bitter almonds</i> thy desert.<br><br>

Mustard, how strong so e'er the sort is,<br>
  Can draw no moisture from thine eye;<br>
Not vinegar nor aqua-fortis<br>
  Could ever set thy face awry.<br><br>

Thus train'd a Satirist&mdash;thy mind<br>
  Soon caught the bitter, sharp, and sour,<br>
And all their various pow'rs combin'd,<br>
  Produc'd <i>Childe Harold</i>, and the <i>Giaour</i>."
<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b3"></a><h4>(3)&nbsp; Lord Byron (<i>Morning Post</i>, February 8, 1814)</h4>
.<br>
<br>
We are very much surprized, and we are not the only persons who feel
disgust as well as astonishment, at the uncalled for avowal Lord Byron
has made of being the Author of some insolent lines, by inserting them
at the end of his new Poem, entitled "<i>The Corsair</i>." The lines we
allude to begin "<i>Weep, Daughter of a Royal Line</i>." Nothing can be
more repugnant to every good heart, as well as to the moral and
religious feelings of a country, which we are proud to say still
cherishes every right sentiment, than an attempt to lower a father in
the eyes of his child. Lord Byron is a young man, and from the tenor of
his writings, has, we fear, adopted principles very contrary to those of
Christianity. But as a man of honour and of <i>feeling</i>, which latter
character he affects <i>outrageously</i>, he ought never to have been
guilty of so unamiable and so unprovoked an attack. Should so gross an
insult to her Royal Father ever meet the eyes of the illustrious young
Lady, for whose perusal it was intended, we trust her own good sense and
good heart will teach her to consider it with the contempt and
abhorrence it so well merits. Will she <i>weep for the disgrace of a
Father</i> who has saved Europe from bondage, and has accumulated, in
the short space of two years, more glory than can be found in any other
period of British history? Will she "<i>weep for a realm's decay</i>,"
when that realm is hourly emerging under the Government of her father,
from the complicated embarrassments in which he found it involved? But
all this is too evident to need being particularised. What seems most
surprising is, that Lord Byron should chuse to avow Irish trash at a
moment when every thing conspires to give it the lie. It is for the
<i>organ of the Party</i> alone, or a few insane admirers of Bonaparte
and defamers of their own country and its rulers, to applaud him. We
know it is now the fashion for our young Gentlemen to become Poets, and
a very innocent amusement it is, while they confine themselves to
putting their travels into verse, like <i>Childe Harolde</i>, and Lord
Nugent's <i>Portugal</i>. Nor is there any harm in Turkish tales, nor
wonderful ditties, of ghosts and hobgoblins. We cannot say so much for
all Mr. Moore's productions, admired as he is by Lord Byron. In short,
the whole galaxy of minor poets, Lords Nugent and Byron, with Messrs.
Rogers, Lewis, and Moore, would do well to keep to rhyme, and not
presume to meddle with politics, for which they seem mighty little
qualified. We must repeat, that it is innocent to write tales and
travels in verse, but calumny can never be so, whether written by poets
in St. James's-street, Albany, or Grub-street.<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b4"></a><h4>(4) &nbsp;Lines (<i>Morning Post</i>, February 8, 1814).</h4>
<br>
Written on reading the insolent verses published by Lord Byron at the
end of his new poem, "<i>The Corsair</i>" beginning

<blockquote>"<i>Weep, Daughter of a Royal Line</i>."</blockquote><br>

"Unblest by nature in thy mien,<br>
  Pity might still have play'd her part,<br>
For oft compassion has been seen,<br>
  To soften into love the heart.<br><br>

But when thy gloomy lines we read,<br>
  And see display'd without controul,<br>
Th' ungentle thought, the Atheist creed,<br>
  And all the rancour of the soul.<br><br>

When bold and shameless ev'ry tie,<br>
  That <b>God</b> has twin'd around the heart,<br>
Thy malice teaches to defy,<br>
  And act on earth a Demon's part.<br><br>

Oh! then from misanthropic pride<br>
  We shrink&mdash;but pity too the fate<br>
Of youth and talents misapplied,<br>
  <a name="fry12">Which</a>, <i>if admired</i><a href="#fy12"><sup>1</sup></a>, we still must hate."<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fy12"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; We say, <i>if admired</i>, as there is a great variety of
opinions respecting Lord Byron's Poems. Some certainly extol them much,
but most of the best judges place his Lordship rather low in the list of
our minor Poets.<br>
<a href="#fry12">return to footnote mark</a><br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b5"></a><h4>(5) &nbsp;Lines (<i>Morning Post</i>, February 11, 1814)</h4>
.<br>
<br>
Suggested by perusing Lord Byron's small Poem, at the end of his
"<i>Corsair</i>" addressed to a Lady weeping, beginning:


<blockquote>"<i>Weep, Daughter of a Royal Line</i>."</blockquote><br>

"To <b>Lord Byron</b>.<br><br>

"Were he the man thy verse would paint,<br>
  '<i>A Sire's disgrace, a realm's decay</i>;'<br>
Art thou the meek, the pious saint,<br>
  That <i>prates</i> of feeling night and day?<br><br>

<a name="fry13">Stern</a> as the Pirate's<a href="#fy13"><sup>1</sup></a> heart is thine,<br>
  Without one ray to cheer its gloom;<br>
And shall that Daughter once repine,<br>
Because thy rude, unhallow'd line,<br>
  Would on her virtuous cause presume?<br><br>

Hide, <b>Byron</b>! in the shades of night&mdash;<br>
  Hide in thy own congenial cell<br>
The mind that would a fiend affright,<br>
  <i>And shock the dunnest realms of hell!</i><br><br>

No; she will never weep the tears<br>
  Which thou would'st Virtue's deign to call;<br>
Nor will they, in remoter years,<br>
  Molest her Father's heart at all.<br><br>

Dark-vision'd man! thy moody vein<br>
Tends only to thy mental pain,<br>
And cloud the talents Heav'n had meant<br>
To prove the source of true content;<br>
Much better were it for thy soul,<br>
  Both here and in the realms of bliss,<br>
To check the glooms that now controul<br>
Those talents, which might still repay<br>
The wrongs of many a luckless day,<br>
  In <a name="fry14">such</a> a <i>cheerless</i><a href="#fy14"><sup>2</sup></a> clime as this.<br><br>

But never strive to lure the heart<br>
  From <i>one</i> to which 'tis ever nearest,<br>
Lest from its duty it depart,<br>
  And shun the Pow'r which should be dearest:<br>
For heav'n may sting thy heart in turn,<br>
  And rob thee of thy sweetest treasure<br>
But, <b>Byron</b>! thou hast yet to learn,<br>
  <i>That Virtue is the source of pleasure!</i>"<br>
<br>
<b>Tyrtæus</b><br>
<br>
G&mdash;n-street, Feb. 9, 1814.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fy13"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; <i>The Corsair</i>.<br>
<a href="#fry13">return to footnote mark</a><br>
<br>
<br>
<a name="fy14"><span style="color: #FF0000;">Footnote 2:</span></a> &nbsp; In allusion to the general melancholy character of his
Lordship's poetical doctrines.<br>
<a href="#fry14">return</a><br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b6"></a><h4>(6)&nbsp; To Lord Byron (<i>Morning Post</i>, February 15, 1814)</h4>
.<br>

Occasioned by reading his Poem, at the end of <i>The Corsair</i>,
beginning:

<blockquote>"<i>Weep, Daughter of a Royal Line</i>."</blockquote><br>

Shame on the verse that dares intrude<br>
  On Virtue's uncorrupted way-<br>
That smiles upon Ingratitude,<br>
  And charms us only to betray!<br><br>

For this does <b>Byron's</b> muse employ<br>
  The calm unbroken hours of night?<br>
And wou'd she basely thus destroy<br>
  The source of all that's just-upright?<br><br>

Traitor to every moral law!<br>
  Think what thy own cold heart wou'd feel,<br>
If some insidious mind should draw<br>
  <a name="fry15">Thy</a> daughter<a href="#fy15"><sup>1</sup></a> from her filial zeal.<br><br>

"And dost thou bid the offspring shun<br>
  Its father's fond, incessant care?<br>
Why, every sister, sire, and son,<br>
  Must loathe thee as the poison'd air!<br><br>

<b>Byron</b>! thy dark, unhallow'd mind,<br>
  Stor'd as it is with Atheist writ,<br>
Will surely, never, never find,<br>
  One convert to admire its wit!<br><br>

Thou art a planet boding woe,<br>
  Attractive for thy novel mien&mdash;<br>
A calm, but yet a deadly foe,<br>
  Most baneful when thou'rt most serene!<br><br>

Tho' fortune on thy course may shine,<br>
  Strive not to lead the mind astray,<br>
Nor let one impious verse of thine,<br>
  The unsuspecting heart betray!<br><br>

But rather let thy talents aim<br>
  To lead incautious youth aright;<br>
Thus shall thy works acquire that fame,<br>
  Which ought to be thy chief delight.<br><br>

"The verse, however smooth it flow, <br>
   Must be abhorr'd, abjur'd, despis'd,<br>
 When Virtue feels a secret blow,<br>
   And order finds her course surpris'd."<br>
<br>
<b>Horatio</b><br>
<br>
Fitzroy-square, Feb. 13.<br>
<br>
<br>
<hr width="50%" align="left"><br>
<br>
<a name="fy15"><span style="color: #FF0000;">Footnote 1:</span></a> &nbsp; Supposing <b>Lord Byron</b> to have a daughter.<br>
<a href="#fry15">return to footnote mark</a><br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b7"></a><h4>(7)&nbsp; To Lord Byron (<i>Morning Post</i>, February 16, 1814)</h4>
.<br>

"Bard of the pallid front, and curling hair,<br>
  To London taste, and northern critics dear,<br>
 Friend of the dog, companion of the bear,<br>
  <b>Apollo</b> drest in trimmest Turkish gear.<br><br>

"'Tis thine to eulogize the fell Corsair,<br>
   Scorning all laws that God or man can frame;<br>
 And yet so form'd to please the gentle fair,<br>
   That reading misses wish their Loves the same.<br><br>

"Thou prov'st that laws are made to aid the strong,<br>
   That murderers and thieves alone are brave,<br>
 That all religion is an idle song,<br>
   Which troubles life, and leaves us at the grave.<br><br>

"That men and dogs have equal claims on Heav'n,<br>
   Though dogs but bark, and men more wisely prate,<br>
 That to thyself one friend alone was giv'n,<br>
   That Friend a Dog, now snatch'd away by Fate.<br><br>

"And last can tell how daughters best may shew<br>
   Their love and duty to their fathers dear,<br>
 By reckoning up what stream of filial woe<br>
   Will give to every crime a cleansing tear.<br><br>

"Long may'st thou please this wonder-seeking age,<br>
   By <b>Murray</b> purchas'd, and by <b>Moore</b> admir'd;<br>
 May fashion never quit thy classic page,<br>
   Nor e'er be with thy Turkomania tir'd."<br>
<br>
<b>Unus Multorum</b>.<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b8"></a><h4>(8) &nbsp;Verses Addressed To Lord Byron (<i>Morning Post</i>, February 16,
1814).</h4>
<br>
"Lord <i>Byron</i>! Lord <i>Byron</i>!<br>
 Your heart's made of iron,<br>
As hard and unfeeling as cold.<br>
 Half human, half bird,<br>
 From <i>Virgil</i> we've heard,<br>
Were form'd the fam'd harpies of old.<br><br>

"Like those monsters you chatter,<br>
  Friends and foes you bespatter,<br>
And dirty, like them, what you eat:<br>
  The <i>Hollands</i>, your muse<br>
  Does most grossly abuse,<br>
Tho' you feed on their wine and their meat.<br><br>

"Your friend, little <i>Moore</i>,<br>
  You have dirtied before,<br>
But you know that in safety you write:<br>
  You've declared in your lines,<br>
  That revenge he declines,<br>
For the poor little man will not fight.<br><br>

"At <i>Carlisle</i> you sneer,<br>
  That worthy old Peer,<br>
Though united by every tie;<br>
  But you act as you preach,<br>
  And do what you teach,<br>
And your <i>God</i> and your duty defy.<br><br>

"As long as your aim<br>
  Was alone to defame,<br>
The nearest relation you own;<br>
  At your malice he smil'd,<br>
  But he won't see defil'd,<br>
By your harpy bespatt'rings, the Throne."<br>

<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b9"></a><h4>(9) &nbsp;Patronage Extraordinary (<i>Morning Post</i>, February 17, 1814)</h4>
.<br>

<blockquote>"Procul este profani&mdash;!"</blockquote>

"A friendship subsisted, no friendship was closer,<br>
'Twixt the heir of a Peer and the son of a Grocer;<br>
'Tis <i>true</i>, though so wide was their difference of station,<br>
For, we <i>always</i> find <i>truth</i> in a <i>long dedication</i>.<br>
Atheistical doctrines in verse we are told,<br>
The former sold <i>wholesale</i>, was daring and bold;<br>
While the latter (whatever <i>he</i> offer'd for sale)<br>
Like papa, he disposed of&mdash;of course by <i>retail!</i><br>
First&mdash;<i>scraps</i> of <i>indecency</i>, next <i>disaffection</i>,<br>
Disguised by the knave from his fear of detection;<br>
To court <i>party favour</i>, then, sonnets he wrote;<br>
Set political squibs to the harpsichord's note.<br>
One, as <i>patron</i> was chosen by his brother Poet,<br>
The Peer, to be sure, from his rank we may know it;<br>
Not the low and indecent composer of jigs&mdash;<br>
Yes! yes! 'twas the son of the seller of Figs!!<br>
Did the Peer then possess <i>no respectable friend</i><br>
To add weight to his name, and his works recommend?!<br>
Atheistical writings we well may believe,<br>
None of <i>worth</i> from the Author would deign to receive;<br>
So&mdash;to cover the faults of his friend he essays,<br>
By <i>daubing</i> him <i>thickly all over with praise</i>.<br>
But, <i>parents</i>, attend! if your <i>daughters</i> you <i>love</i>,<br>
The works of <i>these serpents</i> take <i>care</i> to remove:<br>
Their <i>infernal attacks</i> from your <i>mansions</i> repel,<br>
Where <i>filial affection</i> and <i>modesty</i> dwell."<br>
<br>
<b>Verax</b>.<br>

<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7b10"></a><h4>(10)&nbsp; Lord Byron (<i>Morning Post</i>, February 18, 1814).</h4>
<br>

If it was the object of Lord <b>Byron</b> to stamp his character, and to bring
his name forward by a single act of his life into general notoriety, it
must be confessed that he has completely succeeded. We do not recollect
any former instance in which a Peer has stood forth as the libeller of
his Sovereign. If he disapproves the measures of his Ministers, the
House of Parliament, in which he has an hereditary right to sit, is the
place where his opinions may with propriety be uttered. If he thinks he
can avert any danger to his country by a personal conference with his
Sovereign, he has a right to demand it. The Peers are the natural
advisers of the Crown, but the Constitution which has granted them such
extraordinary privileges, makes it doubly criminal in them to attack the
authority from which it is derived, and to insult the power which it is
their peculiar province to uphold and protect. What then must we think
of the foolish vanity, or the bad taste of a titled Poet, who is the
first to proclaim himself the Author of a Libel, because he is fearful
it will not be sufficiently read without his avowal. We perfectly
remember having read the verses in question a year ago; but we could not
then suppose them the offspring of patrician bile, nor should we now
believe it without the Author's special authority. It seems by some late
quotations from his Lordship's works, which have been rescued from that
oblivion to which they were hastening with a rapid step, by one of our
co-equals, that this peerless Peer has already gone through a complete
course of private ingratitude. The inimitable Hogarth has traced the
gradual workings of an unfeeling heart in his progress of cruelty. He
has shewn, that malevolence is progressive in its operation, and that a
man who begins life by impaling flies, will find a delight in torturing
his fellow creatures before he closes it. We have heard that even at
school these poetical propensities were strongly manifested in Lord
<b>Byron</b>, and that he began his satirical career against those persons to
whom the formation of his mind was entrusted. From his schoolmaster he
turned the &oelig;strum of his opening genius to his guardian and uncle, the
Earl of <b>Carlisle</b>. We cannot believe that the Noble Person's conduct has
in this instance been a perfect contrast to the general tenor of his
life. We have heard, that during his guardianship he tripled the amount
of his nephew's fortune. If the Earl of <b>Carlisle</b> was satisfied with his
own <i>conscia mens recti</i>, if he wanted no thanks, he must at least
have been much surprised to find such attentions and services rewarded
with a libel, in which not only his literary accomplishments, but his
bodily infirmities, were made the subject of public ridicule. The Noble
Earl was certainly at liberty to treat such personal attacks with the
contempt which they deserve, but since his Sovereign is become the
object of a vile and unprovoked libel, he will no doubt draw the
attention of his Peers to a new case of outrage to good order and
government, which has been unfortunately furnished by his own nephew.<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7c"></a><h3>III: &nbsp;<i>The Sun</i></h3><br>

<a name="app7c1"></a><h4>(1) &nbsp;<i>The Sun</i>, February 4, 1814.</h4>
<br>
<br>
That poetical Peer, Lord <b>Byron</b>, knowing full well that anything
insulting to his Prince or injurious to his country would be most
thankfully received and published by the <i>Morning Chronicle</i>, did
in March, 1812, send the following loyal and patriotic lines to that
loyal and patriotic Paper, in which of course they appeared:

"To <b>a Lady Weeping.</b>

<blockquote>"Weep, daughter of a Royal line,<br>
  <i>A Sire's disgrace, a realm's decay:</i><br>
Ah! happy! if each tear of thine<br>
  Could wash a father's <i>fault</i> away!<br><br>

"Weep&mdash;for thy tears are Virtue's tears&mdash;<br>
  Auspicious to these suffering isles:<br>
And be each drop, in future years,<br>
  Repaid thee by thy people's smiles!"</blockquote>

These lines the <i>Morning Chronicle</i>, in the following paragraph of
yesterday, informs us were aimed at the <b>Prince Regent</b>, and addressed to
the Princess <b>Charlotte</b>:

<blockquote>  "<i>The Courier</i> is indignant at the discovery now made by Lord
  <b>Byron</b>, that he was the author of 'the Verses to a Young Lady weeping,'
  which were inserted about a twelvemonth ago in <i>the Morning
  Chronicle</i>. The Editor thinks it audacious in a hereditary
  Counsellor of the King to admonish the <i>Heir Apparent</i>. It may
  not be <i>courtly</i>, but it is certainly <i>British</i>, and we wish
  the kingdom had more such honest advisers."</blockquote>

No wonder the <i>Courier</i>, and every loyal man, should be indignant
at the discovery (made by the republication of these worthless lines, in
the Noble Lord's new Volume) that this gross insult came from the pen of
"a hereditary Counsellor of the <b>King</b>! "No wonder every good subject
should execrate this novel and disagreeable mode of "<i>admonishing</i>
the Heir Apparent," which is further from being British than it is from
being Courtly; for, from Courtier baseness may be expected, but from a
Briton no such infamous dereliction of his duty as is involved in a
malignant, <i>anonymous</i> attack by a Peer of the Realm upon the
person exercising the Sovereign Authority of his Country. But the
assertions of Lord <b>Byron</b> are as false as they are audacious. What was
the "Sire's Disgrace" to be thus bewept? He preferred the independence
of the Crown to the arrogant dictation of a haughty Aristocracy, who
desired to hold him in Leading-strings. It was then, amid a "Realm's
(fancied) decay," because this Faction were not admitted to supreme
power, that his Royal Highness's early friends drunk his health in
contemptuous silence, while their more vulgar partizans "at the lower
end of the Hall" hissed and hooted the royal name. But mark the reverse
since March, 1812, a reverse which it might have been thought would have
induced the Noble Lord, from prudent motives, to have withheld this
ill-timed publication! How is his Royal Highness's health toasted
<i>now</i>? With universal shouts and acclamations. Treason itself dare
not interpose a single discordant sound save in its own private orgies!
Where is <i>now</i> the realm's decay? oh short-sighted prognosticators
of the prophecies! look around, and dread the fate of the speakers of
falsehood among the Jews of old, who were stoned to death by the people!
The wide world furnishes the answer to your selfish croakings, and tells
Lord <b>Byron</b> that he is destitute of at least one of the qualities of an
inspired Bard.<br>
<br>
Perhaps we might add another, viz. honesty in acknowledging his
plagiarisms, one of which (as we have already said more than his silly
verse above quoted deserves, except from the rank of its author) we
shall take the liberty of stating to the Public.<br>
<br>
The <i>Bride of Abydos</i> begins, something in the stile of an old
ballad, thus:

<blockquote>"Know ye the land where the cypress and myrtle<br>
Are emblems of deeds that are done in their clime,<br>
Where the rage of the vulture&mdash;the love of the turtle&mdash;<br>
Now melt into sorrow&mdash;now madden to crime?&mdash;<br>
Know ye the land of the cedar and vine?<br>
Where the flowers ever blossom, the beams ever shine,<br>
Where the light wings of Zephyr, oppress'd with perfume,<br>
Wax faint o'er the gardens of Gúl in her bloom;<br>
Where the citron and olive are fairest of fruit,<br>
And the voice of the nightingale never is mute;<br>
Where the tints of the earth, and the hues of the sky,<br>
In colour though varied, in beauty may vie,<br>
And the purple of Ocean is deepest in dye."</blockquote>

The whole of which passage we take to be a paraphrase, and a bad
paraphrase too, of a song of the German of Göthe, of which the following
translation was published at Berlin in 1798:

<blockquote>"Know'st thou the land, where citrons scent the gale,<br>
Where glows the orange in the golden vale,<br>
Where softer breezes fan the azure skies,<br>
Where myrtles spring and prouder laurels rise?<br>
"Know'st them the pile, the colonnade sustains,<br>
Its splendid chambers and its rich domains,<br>
Where breathing statues stand in bright array,<br>
And seem, 'What ails thee, hapless maid?' to say?<br><br>

"Know'st thou the mount, where clouds obscure the day;<br>
Where scarce the mule can trace his misty way;<br>
Where lurks the dragon and her scaly brood;<br>
And broken rocks oppose the headlong flood?"</blockquote>

<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7c2"></a><h4>(2)&nbsp; Epigram (<i>The Sun</i>, February 8, 1814)</h4>
.<br>

On the Detection of Lord <b>Byron's</b> Plagiarism, in <i>The Sun</i> of Friday
last.

<blockquote>"That <b>Byron</b> <i>borrows verses</i> is well known,<br>
But his <i>misanthropy</i> is all his own."</blockquote>

<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7c3"></a><h4>(3)&nbsp; Lord Byron (<i>The Sun</i>, February 11, 1814).</h4>
<br>
<blockquote>We are informed from very good authority, that as soon as the House of
Lords meets again, a Peer of very independent principles and character
intends to give notice of a motion, occasioned by the late spontaneous
avowal of a copy of verses by Lord <b>Byron</b>, addressed to the Princess
<b>Charlotte</b> of <b>Wales</b>, in which he has taken the most unwarrantable
liberties with her august Father's character and conduct; this motion
being of a personal nature, it will be necessary to give the Noble
Satirist some days notice, that he may prepare himself for his defence
against a charge of so aggravated a nature, which may perhaps not be a
fit subject for a criminal prosecution, as the laws of the country, not
forseeing the probability of such a case ever occurring, under all the
present circumstances, have not made a provision against it; but we know
that each House of Parliament has a controul over its own members, and
that there are instances on the Journals of Parliament, where an
individual Peer has been suspended from all the privileges of the high
situation to which his birth entitled him, when by any flagrant offence
against good order and government, he has rendered himself unworthy of
exercising so important a trust.<br>
<br>
<i>Morning Post</i>.</blockquote>

<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>

<a name="app7c4"></a><h4>(4)&nbsp; Parody (<i>The Sun</i>, February 16, 1814)</h4>
.<br>
<br>
<blockquote>"'<b>Weep, Daughter of a Royal Line</b>!'<br><br>

"<b>Mourn</b>, dabbler in dull party rhyme,<br>
  Thy mind's disease, thy name's disgrace.<br>
Ah, lucky! if the hand of Time<br>
  Should all thy Muse's crimes efface!<br>
"<b>Mourn</b>&mdash;for thy lays are Rancour's lays&mdash;<br>
  Disgraceful to a Briton born;<br>
And hence each theme of factious praise<br>
  Consigns thee to thy Country's scorn."</blockquote>

<br>
<br>
<p><a href="#ap2">Detailed Contents of Appendices</a><br>
<a href="#toc">Contents</a></p>
<hr><br><br>
<br>
<br>
<b><i>end of text</i></b>
<br>
<br>
<hr><br><br>
<br>








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