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diff --git a/9905.txt b/9905.txt new file mode 100644 index 0000000..f6b473e --- /dev/null +++ b/9905.txt @@ -0,0 +1,5965 @@ +The Project Gutenberg EBook of A Deal in Wheat, by Frank Norris + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Deal in Wheat + And Other Stories of the New and Old West + +Author: Frank Norris + +Posting Date: November 15, 2011 [EBook #9905] +Release Date: February, 2006 +First Posted: October 29, 2003 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK A DEAL IN WHEAT *** + + + + +Produced by Eric Eldred, Elaine Nash and the Online +Distributed Proofreading Team. + + + + + + + + + + + +A DEAL IN WHEAT + + +And Other Stories Of The New And Old West + + +By FRANK NORRIS + + + +_Illustrated by Remington, Leyendecker, Hitchcock and Hooper_ + + + +1903 + + +[Illustration: "'Sell A Thousand May At One-Fifty,' Vociferated The Bear +Broker"] + + + + +CONTENTS + + +A Deal in Wheat + +The Wife of Chino + +A Bargain with Peg-Leg + +The Passing of Cock-Eye Blacklock + +A Memorandum of Sudden Death + +Two Hearts That Beat as One + +The Dual Personality of Slick Dick Nickerson + +The Ship That Saw a Ghost + +The Ghost in the Crosstrees + +The Riding of Felipe + + + + +LIST OF ILLUSTRATIONS + +"'Sell a Thousand May at One-Fifty,' Vociferated the Bear Broker" + +Caught in the Circle. The last stand of three troopers and a scout +overtaken by a band of hostile Indians. + +"'Ere's 'Ell to Pay!" + +"'My Curse Is on Her Who Next Kisses You'" + + + + +A DEAL IN WHEAT + + +I. THE BEAR--WHEAT AT SIXTY-TWO + +As Sam Lewiston backed the horse into the shafts of his backboard and +began hitching the tugs to the whiffletree, his wife came out from the +kitchen door of the house and drew near, and stood for some time at the +horse's head, her arms folded and her apron rolled around them. For a +long moment neither spoke. They had talked over the situation so long +and so comprehensively the night before that there seemed to be nothing +more to say. + +The time was late in the summer, the place a ranch in southwestern +Kansas, and Lewiston and his wife were two of a vast population of +farmers, wheat growers, who at that moment were passing through a +crisis--a crisis that at any moment might culminate in tragedy. Wheat +was down to sixty-six. + +At length Emma Lewiston spoke. + +"Well," she hazarded, looking vaguely out across the ranch toward the +horizon, leagues distant; "well, Sam, there's always that offer of +brother Joe's. We can quit--and go to Chicago--if the worst comes." + +"And give up!" exclaimed Lewiston, running the lines through the torets. +"Leave the ranch! Give up! After all these years!" + +His wife made no reply for the moment. Lewiston climbed into the +buckboard and gathered up the lines. "Well, here goes for the last try, +Emmie," he said. "Good-by, girl. Maybe things will look better in town +to-day." + +"Maybe," she said gravely. She kissed her husband good-by and stood for +some time looking after the buckboard traveling toward the town in a +moving pillar of dust. + +"I don't know," she murmured at length; "I don't know just how we're +going to make out." + +When he reached town, Lewiston tied the horse to the iron railing in +front of the Odd Fellows' Hall, the ground floor of which was occupied +by the post-office, and went across the street and up the stairway of a +building of brick and granite--quite the most pretentious structure of +the town--and knocked at a door upon the first landing. The door was +furnished with a pane of frosted glass, on which, in gold letters, was +inscribed, "Bridges & Co., Grain Dealers." + +Bridges himself, a middle-aged man who wore a velvet skull-cap and who +was smoking a Pittsburg stogie, met the farmer at the counter and the +two exchanged perfunctory greetings. + +"Well," said Lewiston, tentatively, after awhile. + +"Well, Lewiston," said the other, "I can't take that wheat of yours at +any better than sixty-two." + +"Sixty-_two_." + +"It's the Chicago price that does it, Lewiston. Truslow is bearing the +stuff for all he's worth. It's Truslow and the bear clique that stick +the knife into us. The price broke again this morning. We've just got a +wire." + +"Good heavens," murmured Lewiston, looking vaguely from side to side. +"That--that ruins me. I _can't_ carry my grain any longer--what with +storage charges and--and--Bridges, I don't see just how I'm going to +make out. Sixty-two cents a bushel! Why, man, what with this and with +that it's cost me nearly a dollar a bushel to raise that wheat, and now +Truslow--" + +He turned away abruptly with a quick gesture of infinite discouragement. + +He went down the stairs, and making his way to where his buckboard was +hitched, got in, and, with eyes vacant, the reins slipping and sliding +in his limp, half-open hands, drove slowly back to the ranch. His wife +had seen him coming, and met him as he drew up before the barn. + +"Well?" she demanded. + +"Emmie," he said as he got out of the buckboard, laying his arm across +her shoulder, "Emmie, I guess we'll take up with Joe's offer. We'll go +to Chicago. We're cleaned out!" + + +II. THE BULL--WHEAT AT A DOLLAR-TEN + +...----_and said Party of the Second Part further covenants and agrees to +merchandise such wheat in foreign ports, it being understood and agreed +between the Party of the First Part and the Party of the Second Part +that the wheat hereinbefore mentioned is released and sold to the Party +of the Second Part for export purposes only, and not for consumption or +distribution within the boundaries of the United States of America or of +Canada_. + +"Now, Mr. Gates, if you will sign for Mr. Truslow I guess that'll be +all," remarked Hornung when he had finished reading. + +Hornung affixed his signature to the two documents and passed them over +to Gates, who signed for his principal and client, Truslow--or, as he +had been called ever since he had gone into the fight against Hornung's +corner--the Great Bear. Hornung's secretary was called in and witnessed +the signatures, and Gates thrust the contract into his Gladstone bag and +stood up, smoothing his hat. + +"You will deliver the warehouse receipts for the grain," began Gates. + +"I'll send a messenger to Truslow's office before noon," interrupted +Hornung. "You can pay by certified check through the Illinois Trust +people." + +When the other had taken himself off, Hornung sat for some moments +gazing abstractedly toward his office windows, thinking over the whole +matter. He had just agreed to release to Truslow, at the rate of one +dollar and ten cents per bushel, one hundred thousand out of the two +million and odd bushels of wheat that he, Hornung, controlled, or +actually owned. And for the moment he was wondering if, after all, he +had done wisely in not goring the Great Bear to actual financial death. +He had made him pay one hundred thousand dollars. Truslow was good for +this amount. Would it not have been better to have put a prohibitive +figure on the grain and forced the Bear into bankruptcy? True, Hornung +would then be without his enemy's money, but Truslow would have been +eliminated from the situation, and that--so Hornung told himself--was +always a consummation most devoutly, strenuously and diligently to be +striven for. Truslow once dead was dead, but the Bear was never more +dangerous than when desperate. + +"But so long as he can't get _wheat_," muttered Hornung at the end of +his reflections, "he can't hurt me. And he can't get it. That I _know_." + +For Hornung controlled the situation. So far back as the February of +that year an "unknown bull" had been making his presence felt on the +floor of the Board of Trade. By the middle of March the commercial +reports of the daily press had begun to speak of "the powerful bull +clique"; a few weeks later that legendary condition of affairs implied +and epitomized in the magic words "Dollar Wheat" had been attained, and +by the first of April, when the price had been boosted to one dollar and +ten cents a bushel, Hornung had disclosed his hand, and in place of mere +rumours, the definite and authoritative news that May wheat had been +cornered in the Chicago pit went flashing around the world from +Liverpool to Odessa and from Duluth to Buenos Ayres. + +It was--so the veteran operators were persuaded--Truslow himself who had +made Hornung's corner possible. The Great Bear had for once over-reached +himself, and, believing himself all-powerful, had hammered the price +just the fatal fraction too far down. Wheat had gone to sixty-two--for +the time, and under the circumstances, an abnormal price. + +When the reaction came it was tremendous. Hornung saw his chance, seized +it, and in a few months had turned the tables, had cornered the product, +and virtually driven the bear clique out of the pit. + +On the same day that the delivery of the hundred thousand bushels was +made to Truslow, Hornung met his broker at his lunch club. + +"Well," said the latter, "I see you let go that line of stuff to +Truslow." + +Hornung nodded; but the broker added: + +"Remember, I was against it from the very beginning. I know we've +cleared up over a hundred thou'. I would have fifty times preferred to +have lost twice that and _smashed Truslow dead_. Bet you what you like +he makes us pay for it somehow." + +"Huh!" grunted his principal. "How about insurance, and warehouse +charges, and carrying expenses on that lot? Guess we'd have had to pay +those, too, if we'd held on." + +But the other put up his chin, unwilling to be persuaded. "I won't sleep +easy," he declared, "till Truslow is busted." + + +III. THE PIT + +Just as Going mounted the steps on the edge of the pit the great gong +struck, a roar of a hundred voices developed with the swiftness of +successive explosions, the rush of a hundred men surging downward to the +centre of the pit filled the air with the stamp and grind of feet, a +hundred hands in eager strenuous gestures tossed upward from out the +brown of the crowd, the official reporter in his cage on the margin of +the pit leaned far forward with straining ear to catch the opening bid, +and another day of battle was begun. + +Since the sale of the hundred thousand bushels of wheat to Truslow the +"Hornung crowd" had steadily shouldered the price higher until on this +particular morning it stood at one dollar and a half. That was Hornung's +price. No one else had any grain to sell. + +But not ten minutes after the opening, Going was surprised out of all +countenance to hear shouted from the other side of the pit these words: + +"Sell May at one-fifty." + +Going was for the moment touching elbows with Kimbark on one side and +with Merriam on the other, all three belonging to the "Hornung crowd." +Their answering challenge of "_Sold_" was as the voice of one man. They +did not pause to reflect upon the strangeness of the circumstance. (That +was for afterward.) Their response to the offer was as unconscious, as +reflex action and almost as rapid, and before the pit was well aware of +what had happened the transaction of one thousand bushels was down upon +Going's trading-card and fifteen hundred dollars had changed hands. But +here was a marvel--the whole available supply of wheat cornered, Hornung +master of the situation, invincible, unassailable; yet behold a man +willing to sell, a Bear bold enough to raise his head. + +"That was Kennedy, wasn't it, who made that offer?" asked Kimbark, as +Going noted down the trade--"Kennedy, that new man?" + +"Yes; who do you suppose he's selling for; who's willing to go short at +this stage of the game?" + +"Maybe he ain't short." + +"Short! Great heavens, man; where'd he get the stuff?" + +"Blamed if I know. We can account for every handful of May. Steady! Oh, +there he goes again." + +"Sell a thousand May at one-fifty," vociferated the bear-broker, +throwing out his hand, one finger raised to indicate the number of +"contracts" offered. This time it was evident that he was attacking the +Hornung crowd deliberately, for, ignoring the jam of traders that swept +toward him, he looked across the pit to where Going and Kimbark were +shouting _"Sold! Sold!"_ and nodded his head. + +A second time Going made memoranda of the trade, and either the Hornung +holdings were increased by two thousand bushels of May wheat or the +Hornung bank account swelled by at least three thousand dollars of some +unknown short's money. + +Of late--so sure was the bull crowd of its position--no one had even +thought of glancing at the inspection sheet on the bulletin board. But +now one of Going's messengers hurried up to him with the announcement +that this sheet showed receipts at Chicago for that morning of +twenty-five thousand bushels, and not credited to Hornung. Some one had +got hold of a line of wheat overlooked by the "clique" and was dumping +it upon them. + +"Wire the Chief," said Going over his shoulder to Merriam. This one +struggled out of the crowd, and on a telegraph blank scribbled: + +"Strong bear movement--New man--Kennedy--Selling in lots of five +contracts--Chicago receipts twenty-five thousand." + +The message was despatched, and in a few moments the answer came back, +laconic, of military terseness: + +"Support the market." + +And Going obeyed, Merriam and Kimbark following, the new broker fairly +throwing the wheat at them in thousand-bushel lots. + +"Sell May at 'fifty; sell May; sell May." A moment's indecision, an +instant's hesitation, the first faint suggestion of weakness, and the +market would have broken under them. But for the better part of four +hours they stood their ground, taking all that was offered, in constant +communication with the Chief, and from time to time stimulated and +steadied by his brief, unvarying command: + +"Support the market." + +At the close of the session they had bought in the twenty-five thousand +bushels of May. Hornung's position was as stable as a rock, and the +price closed even with the opening figure--one dollar and a half. + +But the morning's work was the talk of all La Salle Street. Who was back +of the raid? + +What was the meaning of this unexpected selling? For weeks the pit +trading had been merely nominal. Truslow, the Great Bear, from whom the +most serious attack might have been expected, had gone to his country +seat at Geneva Lake, in Wisconsin, declaring himself to be out of the +market entirely. He went bass-fishing every day. + + +IV. THE BELT LINE + +On a certain day toward the middle of the month, at a time when the +mysterious Bear had unloaded some eighty thousand bushels upon Hornung, +a conference was held in the library of Hornung's home. His broker +attended it, and also a clean-faced, bright-eyed individual whose name +of Cyrus Ryder might have been found upon the pay-roll of a rather +well-known detective agency. For upward of half an hour after the +conference began the detective spoke, the other two listening +attentively, gravely. + +"Then, last of all," concluded Ryder, "I made out I was a hobo, and +began stealing rides on the Belt Line Railroad. Know the road? It just +circles Chicago. Truslow owns it. Yes? Well, then I began to catch on. I +noticed that cars of certain numbers--thirty-one nought thirty-four, +thirty-two one ninety--well, the numbers don't matter, but anyhow, these +cars were always switched onto the sidings by Mr. Truslow's main +elevator D soon as they came in. The wheat was shunted in, and they were +pulled out again. Well, I spotted one car and stole a ride on her. Say, +look here, _that car went right around the city on the Belt, and came +back to D again, and the same wheat in her all the time_. The grain was +reinspected--it was raw, I tell you--and the warehouse receipts made out +just as though the stuff had come in from Kansas or Iowa." + +"The same wheat all the time!" interrupted Hornung. + +"The same wheat--your wheat, that you sold to Truslow." + +"Great snakes!" ejaculated Hornung's broker. "Truslow never took it +abroad at all." + +"Took it abroad! Say, he's just been running it around Chicago, like the +supers in 'Shenandoah,' round an' round, so you'd think it was a new +lot, an' selling it back to you again." + +"No wonder we couldn't account for so much wheat." + +"Bought it from us at one-ten, and made us buy it back--our own +wheat--at one-fifty." + +Hornung and his broker looked at each other in silence for a moment. +Then all at once Hornung struck the arm of his chair with his fist and +exploded in a roar of laughter. The broker stared for one bewildered +moment, then followed his example. + +"Sold! Sold!" shouted Hornung almost gleefully. "Upon my soul it's as +good as a Gilbert and Sullivan show. And we--Oh, Lord! Billy, shake on +it, and hats off to my distinguished friend, Truslow. He'll be President +some day. Hey! What? Prosecute him? Not I." + +"He's done us out of a neat hatful of dollars for all that," observed +the broker, suddenly grave. + +"Billy, it's worth the price." + +"We've got to make it up somehow." + +"Well, tell you what. We were going to boost the price to one +seventy-five next week, and make that our settlement figure." + +"Can't do it now. Can't afford it." + +"No. Here; we'll let out a big link; we'll put wheat at two dollars, and +let it go at that." + +"Two it is, then," said the broker. + + +V. THE BREAD LINE + +The street was very dark and absolutely deserted. It was a district on +the "South Side," not far from the Chicago River, given up largely to +wholesale stores, and after nightfall was empty of all life. The echoes +slept but lightly hereabouts, and the slightest footfall, the faintest +noise, woke them upon the instant and sent them clamouring up and down +the length of the pavement between the iron shuttered fronts. The only +light visible came from the side door of a certain "Vienna" bakery, +where at one o'clock in the morning loaves of bread were given away to +any who should ask. Every evening about nine o'clock the outcasts began +to gather about the side door. The stragglers came in rapidly, and the +line--the "bread line," as it was called--began to form. By midnight it +was usually some hundred yards in length, stretching almost the entire +length of the block. + +Toward ten in the evening, his coat collar turned up against the fine +drizzle that pervaded the air, his hands in his pockets, his elbows +gripping his sides, Sam Lewiston came up and silently took his place at +the end of the line. + +Unable to conduct his farm upon a paying basis at the time when Truslow, +the "Great Bear," had sent the price of grain down to sixty-two cents a +bushel, Lewiston had turned over his entire property to his creditors, +and, leaving Kansas for good, had abandoned farming, and had left his +wife at her sister's boarding-house in Topeka with the understanding +that she was to join him in Chicago so soon as he had found a steady +job. Then he had come to Chicago and had turned workman. His brother Joe +conducted a small hat factory on Archer Avenue, and for a time he found +there a meager employment. But difficulties had occurred, times were +bad, the hat factory was involved in debts, the repealing of a certain +import duty on manufactured felt overcrowded the home market with cheap +Belgian and French products, and in the end his brother had assigned and +gone to Milwaukee. + +Thrown out of work, Lewiston drifted aimlessly about Chicago, from +pillar to post, working a little, earning here a dollar, there a dime, +but always sinking, sinking, till at last the ooze of the lowest bottom +dragged at his feet and the rush of the great ebb went over him and +engulfed him and shut him out from the light, and a park bench became +his home and the "bread line" his chief makeshift of subsistence. + +He stood now in the enfolding drizzle, sodden, stupefied with fatigue. +Before and behind stretched the line. There was no talking. There was no +sound. The street was empty. It was so still that the passing of a +cable-car in the adjoining thoroughfare grated like prolonged rolling +explosions, beginning and ending at immeasurable distances. The drizzle +descended incessantly. After a long time midnight struck. + +There was something ominous and gravely impressive in this interminable +line of dark figures, close-pressed, soundless; a crowd, yet absolutely +still; a close-packed, silent file, waiting, waiting in the vast +deserted night-ridden street; waiting without a word, without a +movement, there under the night and under the slow-moving mists of rain. + +Few in the crowd were professional beggars. Most of them were workmen, +long since out of work, forced into idleness by long-continued "hard +times," by ill luck, by sickness. To them the "bread line" was a +godsend. At least they could not starve. Between jobs here in the end +was something to hold them up--a small platform, as it were, above the +sweep of black water, where for a moment they might pause and take +breath before the plunge. + +The period of waiting on this night of rain seemed endless to those +silent, hungry men; but at length there was a stir. The line moved. The +side door opened. Ah, at last! They were going to hand out the bread. + +But instead of the usual white-aproned under-cook with his crowded +hampers there now appeared in the doorway a new man--a young fellow who +looked like a bookkeeper's assistant. He bore in his hand a placard, +which he tacked to the outside of the door. Then he disappeared within +the bakery, locking the door after him. + +A shudder of poignant despair, an unformed, inarticulate sense of +calamity, seemed to run from end to end of the line. What had happened? +Those in the rear, unable to read the placard, surged forward, a sense +of bitter disappointment clutching at their hearts. + +The line broke up, disintegrated into a shapeless throng--a throng that +crowded forward and collected in front of the shut door whereon the +placard was affixed. Lewiston, with the others, pushed forward. On the +placard he read these words: + +"Owing to the fact that the price of grain has been increased to two +dollars a bushel, there will be no distribution of bread from this +bakery until further notice." + +Lewiston turned away, dumb, bewildered. Till morning he walked the +streets, going on without purpose, without direction. But now at last +his luck had turned. Overnight the wheel of his fortunes had creaked and +swung upon its axis, and before noon he had found a job in the +street-cleaning brigade. In the course of time he rose to be first +shift-boss, then deputy inspector, then inspector, promoted to the +dignity of driving in a red wagon with rubber tires and drawing a salary +instead of mere wages. The wife was sent for and a new start made. + +But Lewiston never forgot. Dimly he began to see the significance of +things. Caught once in the cogs and wheels of a great and terrible +engine, he had seen--none better--its workings. Of all the men who had +vainly stood in the "bread line" on that rainy night in early summer, +he, perhaps, had been the only one who had struggled up to the surface +again. How many others had gone down in the great ebb? Grim question; he +dared not think how many. + +He had seen the two ends of a great wheat operation--a battle between +Bear and Bull. The stories (subsequently published in the city's press) +of Truslow's countermove in selling Hornung his own wheat, supplied the +unseen section. The farmer--he who raised the wheat--was ruined upon one +hand; the working-man--he who consumed it--was ruined upon the other. +But between the two, the great operators, who never saw the wheat they +traded in, bought and sold the world's food, gambled in the nourishment +of entire nations, practised their tricks, their chicanery and oblique +shifty "deals," were reconciled in their differences, and went on +through their appointed way, jovial, contented, enthroned, and +unassailable. + + + + +THE WIFE OF CHINO + + +I. CHINO'S WIFE + +On the back porch of the "office," young Lockwood--his boots, stained +with the mud of the mines and with candle-drippings, on the rail--sat +smoking his pipe and looking off down the canyon. + +It was early in the evening. Lockwood, because he had heard the laughter +and horseplay of the men of the night shift as they went down the canyon +from the bunk-house to the tunnel-mouth, knew that it was a little after +seven. It would not be necessary to go indoors and begin work on the +columns of figures of his pay-roll for another hour yet. He knocked the +ashes out of his pipe, refilled and lighted it--stoppering with his +match-box--and shot a wavering blue wreath out over the porch railing. +Then he resettled himself in his tilted chair, hooked his thumbs into +his belt, and fetched a long breath. + +For the last few moments he had been considering, in that comfortable +spirit of relaxed attention that comes with the after-dinner tobacco, +two subjects: first, the beauty of the evening; second, the temperament, +character, and appearance of Felice Zavalla. + +As for the evening, there could be no two opinions about that. It was +charming. The Hand-over-fist Gravel Mine, though not in the higher +Sierras, was sufficiently above the level of the mere foot-hills to be +in the sphere of influence of the greater mountains. Also, it was +remote, difficult of access. Iowa Hill, the nearest post-office, was a +good eight miles distant, by trail, across the Indian River. It was +sixteen miles by stage from Iowa Hill to Colfax, on the line of the +Overland Railroad, and all of a hundred miles from Colfax to San +Francisco. + +To Lockwood's mind this isolation was in itself an attraction. Tucked +away in this fold of the Sierras, forgotten, remote, the little +community of a hundred souls that comprised the _personnel_ of the +Hand-over-fist lived out its life with the completeness of an +independent State, having its own government, its own institutions and +customs. Besides all this, it had its own dramas as well--little +complications that developed with the swiftness of whirlpools, and that +trended toward culmination with true Western directness. Lockwood, +college-bred--he was a graduate of the Columbia School of Mines--found +the life interesting. + +On this particular evening he sat over his pipe rather longer than +usual, seduced by the beauty of the scene and the moment. It was very +quiet. The prolonged rumble of the mine's stamp-mill came to his ears in +a ceaseless diapason, but the sound was so much a matter of course that +Lockwood no longer heard it. The millions of pines and redwoods that +covered the flanks of the mountains were absolutely still. No wind was +stirring in their needles. But the chorus of tree-toads, dry, staccato, +was as incessant as the pounding of the mill. Far-off--thousands of +miles, it seemed--an owl was hooting, three velvet-soft notes at exact +intervals. A cow in the stable near at hand lay down with a long breath, +while from the back veranda of Chino Zavalla's cabin came the clear +voice of Felice singing "The Spanish Cavalier" while she washed the +dishes. + +The twilight was fading; the glory that had blazed in cloudless +vermilion and gold over the divide was dying down like receding music. +The mountains were purple-black. From the canyon rose the night mist, +pale blue, while above it stood the smoke from the mill, a motionless +plume of sable, shot through by the last ruddiness of the afterglow. + +The air was full of pleasant odours--the smell of wood fires from the +cabins of the married men and from the ovens of the cookhouse, the +ammoniacal whiffs from the stables, the smell of ripening apples from +"Boston's" orchard--while over all and through all came the perfume of +the witch-hazel and tar-weed from the forests and mountain sides, as +pungent as myrrh, as aromatic as aloes. + + "And if I should fall, + In vain I would call," + +sang Felice. + +Lockwood took his pipe from his teeth and put back his head to listen. +Felice had as good a voice as so pretty a young woman should have had. +She was twenty-two or twenty-three years of age, and was incontestably +the beauty of the camp. She was Mexican-Spanish, tall and very slender, +black-haired, as lithe as a cat, with a cat's green eyes and with all of +a cat's purring, ingratiating insinuation. + +Lockwood could not have told exactly just how the first familiarity +between him and Felice had arisen. It had grown by almost imperceptible +degrees up to a certain point; now it was a chance meeting on the trail +between the office and the mill, now a fragment of conversation apropos +of a letter to be mailed, now a question as to some regulation of the +camp, now a detail of repairs done to the cabin wherein Felice lived. As +said above, up to a certain point the process of "getting acquainted" +had been gradual, and on Lockwood's part unconscious; but beyond that +point affairs had progressed rapidly. + +At first Felice had been, for Lockwood, a pretty woman, neither more nor +less; but by degrees she emerged from this vague classification: she +became a very pretty woman. Then she became a personality; she occupied +a place within the circle which Lockwood called his world, his life. For +the past months this place had, perforce, to be enlarged. Lockwood +allowed it to expand. To make room for Felice, he thrust aside, or +allowed the idea of Felice to thrust aside, other objects which long had +sat secure. The invasion of the woman into the sphere of his existence +developed at the end into a thing veritably headlong. Deep-seated +convictions, old-established beliefs and ideals, even the two landmarks +right and wrong, were hustled and shouldered about as the invasion +widened and penetrated. This state of affairs was further complicated by +the fact that Felice was the wife of Chino Zavalla, shift-boss of No. 4 +gang in the new workings. + + +II. MADNESS + +It was quite possible that, though Lockwood could not have told when and +how the acquaintance between him and Felice began and progressed, the +young woman herself could. But this is guesswork. Felice being a woman, +and part Spanish at that, was vastly more self-conscious, more +disingenuous, than the man, the Anglo-Saxon. Also she had that +fearlessness that very pretty women have. In her more refined and +city-bred sisters this fearlessness would be called poise, or, at the +most, "cheek." + +And she was quite capable of making young Lockwood, the superintendent, +her employer, and nominally the ruler of her little world, fall in love +with her. It is only fair to Felice to say that she would not do this +deliberately. She would be more conscious of the business than the man, +than Lockwood; but in affairs such as this, involving women like Felice, +there is a distinction between deliberately doing a thing and +consciously doing it. + +Admittedly this is complicated, but it must be understood that Felice +herself was complex, and she could no more help attracting men to her +than the magnet the steel filings. It made no difference whether the man +was the "breed" boy who split logging down by the engine-house or the +young superintendent with his college education, his white hands and +dominating position; over each and all who came within range of her +influence Felice, with her black hair and green eyes, her slim figure +and her certain indefinite "cheek"--which must not by any manner of +means be considered as "boldness"--cast the weird of her kind. + +If one understood her kind, knew how to make allowances, knew just how +seriously to take her eyes and her "cheek," no great harm was done. +Otherwise, consequences were very apt to follow. + +Hicks was one of those who from the very first had understood. Hicks was +the manager of the mine, and Lockwood's chief--in a word, _the boss_. He +was younger even than Lockwood, a boy virtually, but a wonderful boy--a +boy such as only America, western America at that, could produce, +masterful, self-controlled, incredibly capable, as taciturn as a sphinx, +strong of mind and of muscle, and possessed of a cold gray eye that was +as penetrating as chilled steel. + +To this person, impersonal as force itself, Felice had once, by some +mysterious feminine art, addressed, in all innocence, her little +maneuver of fascination. One lift of the steady eyelid, one quiet glint +of that terrible cold gray eye, that poniarded her every tissue of +complexity, inconsistency, and coquetry, had been enough. Felice had +fled the field from this young fellow, so much her junior, and then +afterward, in a tremor of discomfiture and distress, had kept her +distance. + +Hicks understood Felice. Also the great majority of the +miners--shift-bosses, chuck-tenders, bed-rock cleaners, and the +like--understood. Lockwood did not. + +It may appear difficult of belief that the men, the crude, simple +workmen, knew how to take Felice Zavalla, while Lockwood, with all his +education and superior intelligence, failed in his estimate of her. The +explanation lies no doubt in the fact that in these man-and-woman +affairs instinct is a surer guide than education and intelligence, +unless, indeed, the intelligence is preternaturally keen. Lockwood's +student life had benumbed the elemental instinct, which in the miners, +the "men," yet remained vigorous and unblunted, and by means of which +they assessed Felice and her harmless blandishments at their true worth. +For all Lockwood's culture, his own chuck-tenders, unlettered fellows, +cumbersome, slow-witted, "knew women"--at least, women of their own +world, like Felice--better than he. On the other hand, his intelligence +was no such perfected instrument as Hicks's, as exact as logarithms, as +penetrating as a scalpel, as uncoloured by emotions as a steel trap. + +Lockwood's life had been a narrow one. He had studied too hard at +Columbia to see much of the outside world, and he had come straight from +his graduation to take his first position. Since then his life had been +spent virtually in the wilderness, now in Utah, now in Arizona, now in +British Columbia, and now, at last, in Placer County, California. His +lot was the common lot of young mining engineers. It might lead one day +to great wealth, but meanwhile it was terribly isolated. + +Living thus apart from the world, Lockwood very easily allowed his +judgment to get, as it were, out of perspective. Class distinctions lost +their sharpness, and one woman--as, for instance, Felice--was very like +another--as, for instance, the girls his sisters knew "back home" in New +York. + +As a last result, the passions were strong. + +Things were done "for all they were worth" in Placer County, California. +When a man worked, he worked hard; when he slept, he slept soundly; when +he hated, he hated with primeval intensity; and when he loved he grew +reckless. + +It was all one that Felice was Chino's wife. Lockwood swore between his +teeth that she should be _his_ wife. He had arrived at this conclusion +on the night that he sat on the back porch of his office and watched the +moon coming up over the Hog Back. He stood up at length and thrust his +pipe into his pocket, and putting an arm across the porch pillar, leaned +his forehead against it and looked out far in the purple shadows. + +"It's madness," he muttered; "yet, I know it--sheer madness; but, by the +Lord! I _am_ mad--and I don't care." + + +III. CHINO GOES TO TOWN + +As time went on the matter became more involved. Hicks was away. Chino +Zavalla, stolid, easy-going, came and went about his work on the night +shift, always touching his cap to Lockwood when the two crossed each +other's paths, always good-natured, always respectful, seeing nothing +but his work. + +Every evening, when not otherwise engaged, Lockwood threw a saddle over +one of the horses and rode in to Iowa Hill for the mail, returning to +the mine between ten and eleven. On one of these occasions, as he drew +near to Chino's cabin, a slim figure came toward him down the road and +paused at his horse's head. Then he was surprised to hear Felice's voice +asking, "'Ave you a letter for me, then, Meester Lockwude?" + +Felice made an excuse of asking thus for her mail each night that +Lockwood came from town, and for a month they kept up appearances; but +after that they dropped even that pretense, and as often as he met her +Lockwood dismounted and walked by her side till the light in the cabin +came into view through the chaparral. + +At length Lockwood made a mighty effort. He knew how very far he had +gone beyond the point where between the two landmarks called right and +wrong a line is drawn. He contrived to keep away from Felice. He sent +one of the men into town for the mail, and he found reasons to be in the +mine itself whole half-days at a time. Whenever a moment's leisure +impended, he took his shotgun and tramped the mine ditch for leagues, +looking for quail and gray squirrels. For three weeks he so managed that +he never once caught sight of Felice's black hair and green eyes, never +once heard the sound of her singing. + +But the madness was upon him none the less, and it rode and roweled him +like a hag from dawn to dark and from dark to dawn again, till in his +complete loneliness, in the isolation of that simple, primitive life, +where no congenial mind relieved the monotony by so much as a word, +morbid, hounded, tortured, the man grew desperate--was ready for +anything that would solve the situation. + +Once every two weeks Lockwood "cleaned up and amalgamated"--that is to +say, the mill was stopped and the "ripples" where the gold was caught +were scraped clean. Then the ore was sifted out, melted down, and poured +into the mould, whence it emerged as the "brick," a dun-coloured +rectangle, rough-edged, immensely heavy, which represented anywhere from +two to six thousand dollars. This was sent down by express to the +smelting-house. + +But it was necessary to take the brick from the mine to the express +office at Iowa Hill. + +This duty devolved upon Lockwood and Chino Zavalla. Hicks had from the +very first ordered that the Spaniard should accompany the superintendent +upon this mission. Zavalla was absolutely trustworthy, as honest as the +daylight, strong physically, cool-headed, discreet, and--to Hicks's mind +a crowning recommendation--close-mouthed. For about the mine it was +never known when the brick went to town or who took it. Hicks had +impressed this fact upon Zavalla. He was to tell nobody that he was +delegated to this duty. "Not even"--Hicks had leveled a forefinger at +Chino, and the cold eyes drove home the injunction as the steam-hammer +drives the rivet--"not even your wife." And Zavalla had promised. He +would have trifled with dynamite sooner than with one of Hicks's orders. + +So the fortnightly trips to town in company with Lockwood were explained +in various fashions to Felice. She never knew that the mail-bag strapped +to her husband's shoulders on those occasions carried some five thousand +dollars' worth of bullion. + +On a certain Friday in early June Lockwood had amalgamated, and the +brick, duly stamped, lay in the safe in the office. The following night +he and Chino, who was relieved from mine duty on these occasions, were +to take it in to Iowa Hill. + +Late Saturday afternoon, however, the engineer's boy brought word to +Chino that the superintendent wanted him at once. Chino found Lockwood +lying upon the old lounge in the middle room of the office, his foot in +bandages. + +"Here's luck, Chino," he exclaimed, as the Mexican paused on the +threshold. "Come in and--shut the door," he added in a lower voice. + +"_Dios!_" murmured Chino. "An accident?" + +"Rather," growled Lockwood. "That fool boy, Davis's kid--the car-boy, +you know--ran me down in the mine. I yelled at him. Somehow he couldn't +stop. Two wheels went over my foot--and the car loaded, too." + +Chino shuddered politely. + +"Now here's the point," continued Lockwood. "Um--there's nobody round +outside there? Take a look, Chino, by the window there. All clear, eh? +Well, here's the point. That brick ought to go in to-night just the +same, hey?" + +"Oh--of a surety, of a surety." Chino spoke in Spanish. + +"Now I don't want to let any one else take my place--you never can +tell--the beggars will talk. Not all like you, Chino." + +"_Gracias, signor_. It is an honour." + +"Do you think you can manage alone? I guess you can, hey? No reason why +you couldn't." + +Chino shut his eyes tight and put up a palm. "Rest assured of that, +Signor Lockwude. Rest assured of that." + +"Well, get around here about nine." + +"It is understood, signor." + +Lockwood, who had a passable knowledge of telegraphy, had wired to the +Hill for the doctor. About suppertime one appeared, and Lockwood bore +the pain of the setting with such fortitude as he could command. He had +his supper served in the office. The doctor shared it with him and kept +him company. + +During the early hours of the evening Lockwood lay on the sofa trying to +forget the pain. There was no easier way of doing this than by thinking +of Felice. Inevitably his thoughts reverted to her. Now that he was +helpless, he could secure no diversion by plunging into the tunnel, +giving up his mind to his work. He could not now take down his gun and +tramp the ditch. Now he was supine, and the longing to break through the +mesh, wrestle free from the complication, gripped him and racked him +with all its old-time force. + +Promptly at nine o'clock the faithful Chino presented himself at the +office. He had one of the two horses that were used by Lockwood as +saddle animals, and as he entered he opened his coat and tapped the hilt +of a pistol showing from his trousers pocket, with a wink and a grin. +Lockwood took the brick from the safe, strapped it into the mail-bag, +and Chino, swinging it across his shoulders, was gone, leaving Lockwood +to hop back to the sofa, there to throw himself down and face once more +his trouble. + + +IV. A DESPATCH FROM THE EXPRESS MESSENGER + +What made it harder for Lockwood just now was that even on that very +day, in spite of all precaution, in spite of all good resolutions, he +had at last seen Felice. Doubtless the young woman herself had contrived +it; but, be that as it may, Lockwood, returning from a tour of +inspection along the ditch, came upon her not far from camp, but in a +remote corner, and she had of course demanded why he kept away from her. +What Lockwood said in response he could not now remember; nor, for that +matter, was any part of the conversation very clear to his memory. The +reason for this was that, just as he was leaving her, something of more +importance than conversation had happened. Felice had looked at him. + +And she had so timed her look, had so insinuated it into the little, +brief, significant silences between their words, that its meaning had +been very clear. Lockwood had left her with his brain dizzy, his teeth +set, his feet stumbling and fumbling down the trail, for now he knew +that Felice wanted him to know that she regretted the circumstance of +her marriage to Chino Zavalla; he knew that she wanted him to know that +the situation was as intolerable for her as for him. + +All the rest of the day, even at this moment, in fact, this new phase of +the affair intruded its pregnant suggestions upon his mind, to the +exclusion of everything else. He felt the drift strong around him; he +knew that in the end he would resign himself to it. At the same time he +sensed the abyss, felt the nearness of some dreadful, nameless +cataclysm, a thing of black shadow, bottomless, terrifying. + +"Lord!" he murmured, as he drew his hand across his forehead, "Lord! I +wonder where this thing is going to fetch up." + +As he spoke, the telegraph key on his desk, near at hand, began all at +once to click off his call. Groaning and grumbling, Lockwood heaved +himself up, and, with his right leg bent, hobbled from chair-back to +chair-back over to the desk. He rested his right knee on his desk chair, +reached for his key, opened the circuit, and answered. There was an +instant's pause, then the instrument began to click again. The message +was from the express messenger at Iowa Hill. + +Word by word Lockwood took it off as follows: + + "Reno--Kid--will--attempt--hold-up--of-- + brick--on--trail-to-night--do--not--send-- + till--advised--at--this--end."_ + +Lockwood let go the key and jumped back from the desk, lips compressed, +eyes alight, his fists clenched till the knuckles grew white. The whole +figure of him stiffened as tense as drawn wire, braced rigid like a +finely bred hound "making game." + +Chino was already half an hour gone by the trail, and the Reno Kid was a +desperado of the deadliest breed known to the West. How he came to turn +up here there was no time to inquire. He was on hand, that was the +point; and Reno Kid always "shot to kill." This would be no mere +hold-up; it would be murder. + +Just then, as Lockwood snatched open a certain drawer of his desk where +he kept his revolver, he heard from down the road, in the direction of +Chino's cabin, Felice's voice singing: + + "To the war I must go, + To fight for my country and you, dear." + +Lockwood stopped short, his arm at full stretch, still gripping tight +the revolver that he had half pulled from the drawer--stopped short and +listened. + +The solution of everything had come. + +He saw it in a flash. The knife hung poised over the knot--even at that +moment was falling. Nothing was asked of him--nothing but inertia. + +For an instant, alone there in that isolated mining-camp, high above the +world, lost and forgotten in the gloom of the canyons and redwoods, +Lockwood heard the crisis of his life come crashing through the air upon +him like the onslaught of a whirlwind. For an instant, and no more, he +considered. Then he cried aloud: + +"No, no; I can't, I _can't_--not this way!" And with the words he threw +the belt of the revolver about his hips and limped and scampered from +the room, drawing the buckle close. + +How he gained the stable he never knew, nor how he backed the horse from +the building, nor how, hopping on one leg, he got the headstall on and +drew the cinches tight. + +But the wrench of pain in his foot as, swinging up at last, he tried to +catch his off stirrup was reality enough to clear any confusion of +spirit. Hanging on as best he might with his knees and one foot, +Lockwood, threshing the horse's flanks with the stinging quirt that +tapered from the reins of the bridle, shot from the camp in a swirl of +clattering hoofs, flying pebbles and blinding clouds of dust. + + +V. THE TRAIL + +The night was black dark under the redwoods, so impenetrable that he +could not see his horse's head, and braced even as he was for greater +perils it required all his courage to ride top-speed at this vast slab +of black that like a wall he seemed to charge head down with every leap +of his bronco's hoofs. + +For the first half-hour the trail mounted steadily, then, by the old +gravel-pits, it topped the divide and swung down over more open slopes, +covered only with chaparral and second growths. Here it was lighter, and +Lockwood uttered a fervent "Thank God!" when, a few moments later, the +moon shouldered over the mountain crests ahead of him and melted the +black shadows to silver-gray. Beyond the gravel-pits the trail turned +and followed the flank of the slope, level here for nearly a mile. +Lockwood set his teeth against the agony of his foot and gave the bronco +the quirt with all his strength. + +In another half-hour he had passed Cold Canyon, and twenty minutes after +that had begun the descent into Indian River. He forded the river at a +gallop, and, with the water dripping from his very hat-brim, drove +labouring under the farther slope. + +Then he drew rein with a cry of bewilderment and apprehension. The +lights of Iowa Hill were not two hundred yards distant. He had covered +the whole distance from the mine, and where was Chino? + +There was but one answer: back there along the trail somewhere, at some +point by which Lockwood had galloped headlong and unheeding, lying up +there in the chaparral with Reno's bullets in his body. + +There was no time now to go on to the Hill. Chino, if he was not past +help, needed it without an instant's loss of time. Lockwood spun the +horse about. Once more the ford, once more the canyon slopes, once more +the sharp turn by Cold Canyon, once more the thick darkness under the +redwoods. Steadily he galloped on, searching the roadside. + +Then all at once he reined in sharply, bringing the horse to a +standstill, one ear turned down the wind. The night's silence was broken +by a multitude of sounds--the laboured breathing of the spent bronco, +the saddle creaking as the dripping flanks rose and fell, the touch of +wind in the tree-tops and the chorusing of the myriad tree-toads. But +through all these, distinct, as precise as a clock-tick, Lockwood had +heard, and yet distinguished, the click of a horse's hoof drawing near, +and the horse was at a gallop: Reno at last. + +Lockwood drew his pistol. He stood in thick shadow. Only some twenty +yards in front of him was there any faintest break in the darkness; but +at that point the blurred moonlight made a grayness across the trail, +just a tone less deep than the redwoods' shadows. + +With his revolver cocked and trained upon this patch of grayness, +Lockwood waited, holding his breath. + +The gallop came blundering on, sounding in the night's silence as loud +as the passage of an express train; and the echo of it, flung back from +the canyon side, confused it and distorted it till, to Lockwood's morbid +alertness, it seemed fraught with all the madness of flight, all the +hurry of desperation. + +Then the hoof-beats rose to a roar, and a shadow just darker than the +darkness heaved against the grayness that Lockwood held covered with his +pistol. Instantly he shouted aloud: + +"Halt! Throw up your hands!" + +His answer was a pistol shot. + +He dug his heels to his horse, firing as the animal leaped forward. The +horses crashed together, rearing, plunging, and Lockwood, as he felt the +body of a man crush by him on the trail, clutched into the clothes of +him, and, with the pistol pressed against the very flesh, fired again, +crying out as he did so: + +"Drop your gun, Reno! I know you. I'll kill you if you move again!" + +And then it was that a wail rose into the night, a wail of agony and +mortal apprehension: + +"Signor Lockwude, Signor Lockwude, for the love of God, don't shoot! +'Tis I--Chino Zavalla." + + +VI. THE DISCOVERY OF FELICE + +An hour later, Felice, roused from her sleep by loud knocking upon her +door, threw a blanket about her slim body, serape fashion, and opened +the cabin to two gaunt scarecrows, who, the one, half supported by the +other, himself far spent and all but swooning, lurched by her across the +threshold and brought up wavering and bloody in the midst of the cabin +floor. + +"_Por Dios! Por Dios!_" cried Felice. "Ah, love of God! what misfortune +has befallen Chino!" Then in English, and with a swift leap of surprise +and dismay: "Ah, Meester Lockwude, air you hurt? Eh, tell me-a! Ah, it +is too draidful!" + +"No, no," gasped Lockwood, as he dragged Chino's unconscious body to the +bed Felice had just left. "No; I--I've shot him. We met--there on the +trail." Then the nerves that had stood strain already surprisingly long +snapped and crisped back upon themselves like broken harp-strings. + +"_I've shot him! I've shot him!_" he cried. "Shot him, do you +understand? Killed him, it may be. Get the doctor, quick! He's at the +office. I passed Chino on the trail over to the Hill. He'd hid in the +bushes as he heard me coming from behind, then when I came back I took +him. Oh, I'll explain later. Get the doctor, quick." + +Felice threw on such clothes as came to her hand and ran over to the +office, returning with the doctor, half dressed and blinking in the +lantern-light. He went in to the wounded man at once, and Lockwood, at +the end of all strength, dropped into the hammock on the porch, +stretching out his leg to ease the anguish of his broken foot. He leaned +back and closed his eyes wearily, aware only of a hideous swirl of pain, +of intolerable anxiety as to Chino's wound, and, most of all, of a mere +blur of confusion wherein the sights and sounds of the last few hours +tore through his brain with the plunge of a wild galloping such as +seemed to have been in his ears for years and years. + +But as he lay thus he heard a step at his side. Then came the touch of +Felice's long brown hand upon his face. He sat up, opening his eyes. + +"You aisk me-a," she said, "eef I do onderstaind, eh? Yais, I +onderstaind. You--" her voice was a whisper--"you shoot Chino, eh? I +know. You do those thing' for me-a. I am note angri, no-a. You ver' +sharp man, eh? All for love oaf Felice, eh? Now we be happi, maybe; now +we git married soam day byne-by, eh? Ah, you one brave man, Signor +Lockwude!" + +She would have taken his hand, but Lockwood, the pain all forgot, the +confusion all vanishing, was on his feet. It was as though a curtain +that for months had hung between him and the blessed light of clear +understanding had suddenly been rent in twain by her words. The woman +stood revealed. All the baseness of her tribe, all the degraded savagery +of a degenerate race, all the capabilities for wrong, for sordid +treachery, that lay dormant in her, leaped to life at this unguarded +moment, and in that new light, that now at last she had herself let in, +stood pitilessly revealed, a loathsome thing, hateful as malevolence +itself. + +"What," shouted Lockwood, "you think--think that I--that I +_could_--oh-h, it's monstrous--_you_----" He could find no words to +voice his loathing. Swiftly he turned away from her, the last spark of +an evil love dying down forever in his breast. + +It was a transformation, a thing as sudden as a miracle, as conclusive +as a miracle, and with all a miracle's sense of uplift and power. In a +second of time the scales seemed to fall from the man's eyes, fetters +from his limbs; he saw, and he was free. + +At the door Lockwood met the doctor: + +"Well?" + +"He's all right; only a superficial wound. He'll recover. But you--how +about you? All right? Well, that is a good hearing. You've had a lucky +escape, my boy." + +"I _have_ had a lucky escape," shouted Lockwood. "You don't know just +how lucky it was." + + + + +A BARGAIN WITH PEG-LEG + + +"Hey, youse!" shouted the car-boy. He brought his trundling, jolting, +loose-jointed car to a halt by the face of the drift. "Hey, youse!" he +shouted again. + +Bunt shut off the Burly air-drill and nodded. + +"Chaw," he remarked to me. + +We clambered into the car, and, as the boy released the brake, rolled +out into the main tunnel of the Big Dipple, and banged and bumped down +the long incline that led to the mouth. + +"Chaw" was dinner. It was one o'clock in the morning, and the men on the +night shift were taking their midnight spell off. Bunt was back at his +old occupation of miner, and I--the one loafer of all that little world +of workers--had brought him a bottle of beer to go with the "chaw"; for +Bunt and I were ancient friends. + +As we emerged from the cool, cave-like dampness of the mine and ran out +into the wonderful night air of the Sierra foothills, warm, dry, +redolent of witch-hazel, the carboy began to cough, and, after we had +climbed out of the car and had sat down on the embankment to eat and +drink, Bunt observed: + +"D'ye hear that bark? That kid's a one-lunger for fair. Which ain't no +salubrious graft for him--this hiking cars about in the bowels of the +earth, Some day he'll sure up an' quit. Ought to go down to Yuma a +spell." + +The engineer in the mill was starting the stamps. They got under way +with broken, hiccoughing dislocations, bumping and stumbling like the +hoofs of a group of horses on the cattle-deck in a gale. Then they +jumped to a trot, then to a canter, and at last settled down to the +prolonged roaring gallop that reverberated far off over the entire +canyon. + +"I knew a one-lunger once," Bunt continued, as he uncorked the bottle, +"and the acquaintance was some distressful by reason of its bringing me +into strained relations with a cow-rustlin', hair-liftin', +only-one-born-in-captivity, man-eatin' brute of a one-legged Greaser +which he was named Peg-leg Smith. He was shy a leg because of a shotgun +that the other man thought wasn't loaded. And this here happens, lemme +tell you, 'way down in the Panamint country, where they wasn't no doctor +within twenty miles, and Peg-leg outs with his bowie and amputates that +leg hisself, then later makes a wood stump outa a ole halter and a +table-leg. I guess the whole jing-bang of it turned his head, for he +goes bad and loco thereafter, and begins shootin' and r'arin' up an' +down the hull Southwest, a-roarin' and a-bellerin' and a-takin' on +amazin'. We dasn't say boo to a yaller pup while he's round. I never see +such mean blood. Jus' let the boys know that Peg-leg was anyways +adjacent an' you can gamble they walked chalk. + +"Y'see, this Peg-leg lay it out as how he couldn't abide no cussin' an' +swearin'. He said if there was any tall talkin' done he wanted to do it. +And he sure could. I've seed him hold on for six minutes by the watch +an' never repeat hisself once. An' shoot! Say, lemme tell you he did for +two Greasers once in a barroom at La Paz, one in front o' him, t'other +straight behind, _him_ standing between with a gun in each hand, and +shootin' both guns _at the same time_. Well, he was just a terror," +declared Bunt, solemnly, "and when he was in real good form there wa'n't +a man south o' Leadville dared to call his hand. + +"Now, the way I met up with this skunkin' little dewdrop was this-like +It was at Yuma, at a time when I was a kid of about nineteen. It was a +Sunday mornin'; Peg-leg was in town. He was asleep on a lounge in the +back room o' Bud Overick's Grand Transcontinental Hotel. (I used to +guess Bud called it that by reason that it wa'n't grand, nor +transcontinental, nor yet a hotel--it was a bar.) This was twenty year +ago, and in those days I knowed a one-lunger in Yuma named Clarence. (He +couldn't help that--he was a good kid--but his name _was_ Clarence.) We +got along first-rate. Yuma was a great consumptive place at that time. +They used to come in on every train; yes, and go out, too--by freight. + +"Well, findin' that they couldn't do much else than jes' sit around an' +bark and keep their shawls tight, these 'ere chaps kinda drew together, +and lay it out to meet every Sunday morning at Bud's to sorta talk it +over and have a quiet game. One game they had that they played steady, +an' when I drifted into Bud's that morning they was about a dozen of 'em +at it--Clarence, too. When I came in, there they be, all sittin' in a +circle round a table with a cigar box on it. They'd each put four bits +into the box. That was the pot. + +"A stranger wouldn't 'a' made nothin' very excitin' out of that game, +nor yet would 'a' caught on to what it were. For them pore yaps jes' sat +there, each with his little glass thermometer in his mouth, a-waitin' +and a-waitin' and never sayin' a word. Then bime-by Bud, who's a-holdin' +of the watch on 'em, sings out 'Time!' an' they all takes their +thermometers out an' looks at 'em careful-like to see where they stand. + +"'Mine's ninety-nine,' says one. + +"An' another says: + +"'Mine's a hundred.' + +"An' Clarence pipes up--coughin' all the time: + +"'Mine's a hundred 'n one 'n 'alf.' + +"An', no one havin' a higher tempriture than that, Clarence captures the +pot. It was a queer kind o' game. + +"Well, on that particular Sunday morning they's some unpleasantness +along o' one o' the other one-lungers layin' it out as how Clarence had +done some monkey-business to make his tempriture so high. It was said as +how Clarence had took and drunk some hot tea afore comin' into the game +at Bud's. They all began to discuss that same p'int. + +"Naturally, they don't go at it polite, and to make their remarks +p'inted they says a cuss-word occasional, and Clarence, bein' a +high-steppin' gent as takes nobody's dust, slings it back some forceful. + +"Then all at once they hears Peg-leg beller from where's he layin' on +the lounge (they ain't figured on his bein' so contiguous), and he gives +it to be understood, does Peg-leg, as how the next one-lunger that +indulges in whatsoever profanity will lose his voice abrupt. + +"They all drops out at that, bar the chap who had the next highest +tempriture to Clarence. Him having missed the pot by only a degree or so +is considerable sore. + +"'Why,' says he, 'I've had a reg'lar _fever_ since yesterday afternoon, +an' only just dodged a hem'rage by a squeak. I'm all legitimate, I am; +an' if you-alls misdoubts as how my tempriture ain't normal you kin jes' +ask the doctor. I don't take it easy that a strappin', healthy gesabe +whose case ain't nowheres near the hopeless p'int yet steps in here with +a scalded mouth and plays it low.' + +"Clarence he r'ars right up at that an' forgits about Peg-leg an' +expresses doubts, not to say convictions, about the one-lunger's chances +of salvation. He puts it all into about three words, an' just as quick +as look at it we hears ol' Peg-leg's wooden stump a-comin'. We stampedes +considerable prompt, but Clarence falls over a chair, an' before he kin +get up Peg-leg has him by the windpipe. + +"Now I ain't billin' myself as a all-round star hero an' general +grand-stand man. But I was sure took with Clarence, an' I'd 'a' been +real disappointed if Peg-leg 'ud a-killed him that morning--which he +sure was tryin' to do when I came in for a few chips. + +"I don' draw on Peg-leg, him being down on his knees over Clarence, an' +his back turned, but without sensin' very much _what_ I'm a-doin' of I +grabs holt o' the first part o' Peg-leg that comes handy, which, so help +me, Bob, is his old wooden leg. I starts to pull him off o' Clarence, +but instead o' that I pulls off the wooden leg an' goes a-staggerin' +back agin the wall with the thing in my fist. + +"Y'know how it is now with a fightin' pup if you pull his tail while +he's a-chawin' up the other pup. Ye can bat him over the head till +you're tired, or kick him till you w'ars your boot out, an' he'll go +right on chawin' the harder. But monkey with his tail an' he's that +sensitive an' techy about it that he'll take a interest right off. + +"Well, it were just so with Peg-leg--though I never knew it. Just by +accident I'd laid holt of him where he was tender; an' when he felt that +leg go--say, lemme tell you, he was some excited. He forgits all about +Clarence, and he lines out for me, a-clawin' the air. Lucky he'd left +his gun in the other room. + +"Well, sir, y'ought to have seen him, a-hoppin' on one foot, and banging +agin the furniture, jes' naturally black in the face with rage, an' +doin' his darnedest to lay his hands on me, roarin' all the whiles like +a steer with a kinked tail. + +"Well, I'm skeered, and I remarks that same without shame. I'm skeered. +I don't want to come to no grapples with Peg-leg in his wrath, an' I +knows that so long as he can't git his leg he can't take after me very +fast. Bud's saloon backs right up agin the bluff over the river. So what +do I do but heave that same wooden leg through one o' the back windows, +an' down she goes (as I _thought_) mebbe seventy feet into the canyon o' +the Colorado? And then, mister man, _I skins out--fast_. + +"I takes me headlong flight by way o' the back room and _on-root_ +pitches Peg-leg's gun over into the canyon, too, an' then whips around +the corner of the saloon an' fetches out ag'in by the street in front. +With his gun gone an' his leg gone, Peg-leg--so long's y'ain't within +arm's reach--is as harmless as a horned toad. So I kinda hangs 'round +the neighbourhood jes' to see what-all mout turn up. + +"Peg-leg, after hoppin' back to find that his gun was gone, to look for +his leg, comes out by the front door, hoppin' from one chair to another, +an' seein' me standin' there across the street makes remarks; an' he +informs me that because of this same little turn-up this mornin' I ain't +never goin' to live to grow hair on my face. His observations are that +vigorous an' p'inted that I sure begin to see it that way, too, and I +says to myself: + +"'Now you, Bunt McBride, you've cut it out for yourself good and hard, +an' the rest o' your life ain't goin' to be free from nervousness. +Either y'ought to 'a' let this here hell-roarin' maverick alone or else +you should 'a' put him clean out o' business when you had holt o' his +shootin'-iron. An' I ain't a bit happy.' And then jes' at this stage o' +the proceedings occurs what youse 'ud call a diversion. + +"It seemed that that wood stump didn't go clean to the river as I first +figured, but stuck three-fourths the way down. An' a-course there's a +fool half-breed kid who's got to chase after it, thinkin' to do Peg-leg +a good turn. + +"I don't know nothin' about this, but jes' stand there talkin' back to +Peg-leg, an' pre-tendin' I ain't got no misgivings, when I sees this kid +comin' a-cavoortin' an' a-cayoodlin' down the street with the leg in his +hands, hollerin' out: + +"'Here's your leg, Mister Peg-leg! I went an' got it for you, Mister +Peg-leg!' + +"It ain't so likely that Peg-leg could 'a' caught me even if he'd had +his leg, but I wa'n't takin' no chances. An' as Peg-leg starts for the +kid I start, too--with my heart knockin' agin my front teeth, you can +bet. + +"I never knew how fast a man could hop till that mornin', an', lookin' +at Peg-leg with the tail o' my eye as I ran, it seemed to me as how he +was a-goin' over the ground like a ole he-kangaroo. But somehow he gets +off his balance and comes down all of a smash like a rickety table, an' +I reaches the kid first an' takes the leg away from him. + +"I guess Peg-leg must 'a' begun to lay it out by then that I held a +straight flush to his ace high, for he sits down on the edge of the +sidewalk an', being some winded, too, he just glares. Then byme-by he +says: + +"'You think you are some smart now, sonny, but I'm a-studyin' of your +face so's I'll know who to look for when I git a new leg; an' believe +me, I'll know it, m'son--yours and your friend's too' (he meant +Clarence)--'an' I guess you'll both be kind o' sick afore I'm done with +you. _You!_' he goes on, tremendous disgustful. 'You! an' them +one-lungers a-swearin' an' a-cussin' an' bedamnin' an' bedevilin' one +a-other. Ain't ye just ashamed o' yourselves ?' (he thought I was a +one-lunger, too); 'ain't ye ashamed--befoulin' your mouths, and +disturbin' the peace along of a quiet Sunday mornin', an' you-alls waist +over in your graves? I'm fair sick o' my job,' he remarks, goin' kind o' +thoughtful. 'Ten years now I've been range-ridin' all this yere ranch, +a-doin' o' my little feeble, or'nary best to clean out the mouths o' you +men an' purify the atmosphere o' God's own country, but I ain't made +_one_ convert. I've pounded 'em an' booted 'em, an' busted 'em an' shot +'em up, an' they go on cussin' each other out harder'n ever. I don't +know w'at all to do an' I sometimes gets plumb discouraged-like.' + +"Now, hearin' of him talk that-a-way, an' a-knowin' of his weakness, I +gits a idea. It's a chanst and mebbee it don't pan out, but I puts it up +as a bluff. I don't want, you see, to spend the rest o' my appointed +time in this yere vale o' tears a-dodgin' o' Peg-leg Smith, an' in the +end, after all, to git between the wind and a forty-eight caliber +do-good, sure not. So I puts up a deal. Says I: 'Peg-leg, I'll make a +bargint along o' you. You lays it out as how you ain't never converted +nobody out o' his swearin' habits. Now if you wants, 'ere's a chanst. +You gimmee your word as a gent and a good-man-an'-true, as how you won't +never make no play to shoot me up, in nowise whatsoever, so long as we +both do live, an' promise never to bust me, or otherwise, and promise +never to rustle me or interfere with my life, liberty and pursuit o' +happiness, an' thereunto you set your seal an' may Lord 'a' mercy on +your soul--you promise that, an' I will agree an' covenant with the +party o' the first part to abstain an' abjure, early or late, dry or +drinkin', in liquor or out, out o' luck or in, rangin' or roundin', from +all part an' parcel o' profanity, cuss-words, little or big, several and +separate, bar none; this yere agreement to be considered as bindin' an' +obligatory till the day o' your demise, decease or death. _There!_' says +I, 'there's a fair bargint put up between man an' man, an' I puts it to +you fair. You comes in with a strong ante an' you gets a genuine, +guaranteed an' high-grade convert--the real article. You stays out, an' +not only you loses a good chanst to cut off and dam up as vigorous a +stream o' profanity as is found between here and Laredo, but you loses a +handmade, copper-bound, steel-riveted, artificial limb--which in five +minutes o' time,' says I, windin' up, 'will sure feed the fire. There's +the bargint.' + +"Well, the ol' man takes out time for about as long as a thirsty +horse-rustler could put away half a dozen drinks an' he studies the +proposition sideways and endways an' down side up. Then at last he ups +and speaks out decided-like: + +"'Son,' he says, 'son, it's a bargint. Gimmee my leg.' + +"Somehow neither o' us misdoubts as how the other man won't keep his +word; an' I gives him his stump, an' he straps her on joyful-like, just +as if he'd got back a ole friend. Then later on he hikes out for Mojave +and I don' see him no more for mebbee three years." + +"And then?" I prompted. + +"Well, I'll tell you," continued Bunt, between mouthfuls of pie, "I'll +tell you. This yere prejudice agin profanity is the only thing about +this yere Peg-leg that ain't pizen bad, an' _that_ prejudice, you got to +know, was just along o' his being loco on that one subjeck. 'Twa'n't as +if he had any real principles or convictions about the thing. It was +just a loco prejudice. Just as some gesabes has feelin's agin cats an' +snakes, or agin seein' a speckled nigger. It was just on-reasonable. So +what I'm aimin' to have you understand is the fact that it was extremely +appropriate that Peg-leg should die, that it was a blame good thing, and +somethin' to be celebrated by free drinks all round. + +"You can say he treated me white, an' took my unsupported word. Well, so +he did; but that was in spite o' what he really was hisself, 'way on the +inside o' him. Inside o' him he was black-bad, an' it wa'n't a week +after we had made our bargint that he did for a little Mojave kid in a +way I don't like to think of. + +"So when he took an' died like as how I'm a-going to tell you of, I was +plumb joyful, not only because I could feel at liberty to relieve my +mind when necessary in a manner as is approved of and rightful among +gents--not only because o' that, but because they was one less bad egg +in the cow-country. + +"Now the manner o' Peg-leg's dying was sure hilarious-like. I didn't git +over laughin' about it for a month o' Sundays--an' I ain't done yet. It +was sure a joke on Peg-leg. The cutest joke that ever was played off on +him. + +"It was in Sonora--Sonora, Arizona, I mean. They'd a-been a kind o' gold +excitement there, and all the boys had rounded up. The town was +full--chock-a-block. Peg-leg he was there too, drunk all the time an' +bullyin' everybody, an' slambangin' around in his same old way. That +very day he'd used a friend o' his--his best friend--cruel hard: just +mean and nasty, you know. + +"Well, I'm sitting into a little game o' faro about twelve o'clock at +night, me an' about a dozen o' the boys. We're good an' interested, and +pretty much to the good o' the game, an' somebody's passin' drinks when +all at once there's a sure big rumpus out in the street, an' a gent +sticks his head thro' the door an' yells out: + +"'Hi, there, they's a fire! The Golden West Hotel is on fire!' + +"We draws the game as soon as convenient and hikes out, an', my word, +you'd 'a' thought from the looks o' things as how the whole town was +going. But it was only the hotel--the Golden West, where Peg-leg was +stayin'; an' when we got up we could hear the ol' murderer bellerin' an' +ragin', an' him drunk--of course. + +"Well, I'm some excited. Lord love you, I'd as soon 'a' seen Peg-leg +shot as I would eat, an' when I remembers the little Mojave kid I'm glad +as how his time is at hand. Saved us the trouble o' lynchin' that sooner +or later had to come. + +"Peg-leg's room was in the front o' the house on the fourth floor, but +the fire was all below, and what with the smoke comin' out the +third-story winders he couldn't see down into the street, no more'n the +boys could see him--only they just heard him bellerin'. + +"Then some one of 'em sings out: + +"'Hey, Peg-leg, jump! We got a blanket here.' + +"An' sure enough he does jump!" + +Here Bunt chuckled grimly, muttering, "Yes, sir, sure enough he did +jump." + +"I don't quite see," I observed, "where the laugh comes in. What was the +joke of it?" + +"The joke of it was," finished Bunt, "that they hadn't any blanket." + + + + +THE PASSING OF COCK-EYE BLACKLOCK + + +"Well, m'son," observed Bunt about half an hour after supper, "if your +provender has shook down comfortable by now, we might as well jar loose +and be moving along out yonder." + +We left the fire and moved toward the hobbled ponies, Bunt complaining +of the quality of the outfit's meals. "Down in the Panamint country," he +growled, "we had a Chink that was a sure frying-pan expert; but _this_ +Dago--my word! That ain't victuals, that supper. That's just a' +ingenious device for removing superfluous appetite. Next time I +assimilate nutriment in this camp I'm sure going to take chloroform +beforehand. Careful to draw your cinch tight on that pinto bronc' of +yours. She always swells up same as a horned toad soon as you begin to +saddle up." + +We rode from the circle of the camp-fire's light and out upon the +desert. It was Bunt's turn to ride the herd that night, and I had +volunteered to bear him company. + +Bunt was one of a fast-disappearing type. He knew his West as the +cockney knows his Piccadilly. He had mined with and for Ralston, had +soldiered with Crook, had turned cards in a faro game at Laredo, and had +known the Apache Kid. He had fifteen separate and different times driven +the herds from Texas to Dodge City, in the good old, rare old, wild old +days when Dodge was the headquarters for the cattle trade, and as near +to heaven as the cowboy cared to get. He had seen the end of gold and +the end of the buffalo, the beginning of cattle, the beginning of wheat, +and the spreading of the barbed-wire fence, that, in the end, will take +from him his occupation and his revolver, his chaparejos and his +usefulness, his lariat and his reason for being. He had seen the rise of +a new period, the successive stages of which, singularly enough, tally +exactly with the progress of our own world-civilization: first the nomad +and hunter, then the herder, next and last the husband-man. He had +passed the mid-mark of his life. His mustache was gray. He had four +friends--his horse, his pistol, a teamster in the Indian Territory +Panhandle named Skinny, and me. + +The herd--I suppose all told there were some two thousand head--we found +not far from the water-hole. We relieved the other watch and took up our +night's vigil. It was about nine o'clock. The night was fine, calm. + +There was no cloud. Toward the middle watches one could expect a moon. +But the stars, the stars! In Idaho, on those lonely reaches of desert +and range, where the shadow of the sun by day and the courses of the +constellations by night are the only things that move, these stars are a +different matter from those bleared pin-points of the city after dark, +seen through dust and smoke and the glare of electrics and the hot haze +of fire-signs. On such a night as that when I rode the herd with Bunt +_anything_ might have happened; one could have believed in fairies then, +and in the buffalo-ghost, and in all the weirds of the craziest Apache +"Messiah" that ever made medicine. + +One remembered astronomy and the "measureless distances" and the showy +problems, including the rapid moving of a ray of light and the long +years of its travel between star and star, and smiled incredulously. +Why, the stars were just above our heads, were not much higher than the +flat-topped hills that barred the horizons. Venus was a yellow lamp hung +in a tree; Mars a red lantern in a clock-tower. + +One listened instinctively for the tramp of the constellations. Orion, +Cassiopeia and Ursa Major marched to and fro on the vault like cohorts +of legionaries, seemingly within call of our voices, and all without a +sound. + +But beneath these quiet heavens the earth disengaged multitudinous +sounds--small sounds, minimized as it were by the muffling of the night. +Now it was the yap of a coyote leagues away; now the snapping of a twig +in the sage-brush; now the mysterious, indefinable stir of the +heat-ridden land cooling under the night. But more often it was the +confused murmur of the herd itself--the click of a horn, the friction of +heavy bodies, the stamp of a hoof, with now and then the low, +complaining note of a cow with a calf, or the subdued noise of a steer +as it lay down, first lurching to the knees, then rolling clumsily upon +the haunch, with a long, stertorous breath of satisfaction. + +Slowly at Indian trot we encircle the herd. Earlier in the evening a +prairie-wolf had pulled down a calf, and the beasts were still restless. + +Little eddies of nervousness at long intervals developed here and there +in the mass--eddies that not impossibly might widen at any time with +perilous quickness to the maelstrom of a stampede. So as he rode Bunt +sang to these great brutes, literally to put them to sleep--sang an old +grandmother's song, with all the quaint modulations of sixty, seventy, a +hundred years ago: + + "With her ogling winks + And bobbling blinks, + Her quizzing glass, + Her one eye idle, + Oh, she loved a bold dragoon, + With his broadsword, saddle, bridle. + _Whack_, fol-de-rol!" + +I remember that song. My grandmother--so they tell me--used to sing it +in Carolina, in the thirties, accompanying herself on a harp, if you +please: + + "Oh, she loved a bold dragoon, + With his broadsword, saddle, bridle." + +It was in Charleston, I remembered, and the slave-ships used to +discharge there in those days. My grandmother had sung it then to her +beaux; officers they were; no wonder she chose it--"Oh, she loved a bold +dragoon"--and now I heard it sung on an Idaho cattle-range to quiet two +thousand restless steers. + +Our talk at first, after the cattle had quieted down, ran upon all +manner of subjects. It is astonishing to note what strange things men +will talk about at night and in a solitude. That night we covered +religion, of course, astronomy, love affairs, horses, travel, history, +poker, photography, basket-making, and the Darwinian theory. But at last +inevitably we came back to cattle and the pleasures and dangers of +riding the herd. + +"I rode herd once in Nevada," remarked Bunt, "and I was caught into a +blizzard, and I was sure freezing to death. Got to where I couldn't keep +my eyes open, I was that sleepy. Tell you what I did. Had some +eating-tobacco along, and I'd chew it a spell, then rub the juice into +my eyes. Kept it up all night. Blame near blinded me, but I come +through. Me and another man named Blacklock--Cock-eye Blacklock we +called him, by reason of his having one eye that was some out of line. +Cock-eye sure ought to have got it that night, for he went bad +afterward, and did a heap of killing before he _did_ get it. He was a +bad man for sure, and the way he died is a story in itself." + +There was a long pause. The ponies jogged on. Rounding on the herd, we +turned southward. + +"He did 'get it' finally, you say," I prompted. + +"He certainly did," said Bunt, "and the story of it is what a man with +a' imaginary mind like you ought to make into one of your friction +tales." + +"Is it about a treasure?" I asked with apprehension. For ever since I +once made a tale (of friction) out of one of Bunt's stories of real +life, he has been ambitious for me to write another, and is forever +suggesting motifs which invariably--I say invariably--imply the +discovery of great treasures. With him, fictitious literature must +always turn upon the discovery of hidden wealth. + +"No," said he, "it ain't about no treasure, but just about the origin, +hist'ry and development--and subsequent decease--of as mean a Greaser as +ever stole stock, which his name was Cock-eye Blacklock. + +"You see, this same Blacklock went bad about two summers after our +meet-up with the blizzard. He worked down Yuma way and over into New +Mexico, where he picks up with a sure-thing gambler, and the two begin +to devastate the population. They do say when he and his running mate +got good and through with that part of the Land of the Brave, men used +to go round trading guns for commissary, and clothes for ponies, and +cigars for whisky and such. There just wasn't any money left _anywhere_. +Those sharps had drawed the landscape clean. Some one found a dollar in +a floor-crack in a saloon, and the barkeep' gave him a gallon of +forty-rod for it, and used to keep it in a box for exhibition, and the +crowd would get around it and paw it over and say: 'My! my! Whatever in +the world is this extremely cu-roos coin?' + +"Then Blacklock cuts loose from his running mate, and plays a lone hand +through Arizona and Nevada, up as far as Reno again, and there he stacks +up against a kid--a little tenderfoot kid so new he ain't cracked the +green paint off him--and _skins_ him. And the kid, being foolish and +impulsive-like, pulls out a peashooter. It was a _twenty-two_," said +Bunt, solemnly. "Yes, the kid was just that pore, pathetic kind to carry +a dinky twenty-two, and with the tears runnin' down his cheeks begins to +talk tall. Now what does that Cockeye do? Why, that pore kid that he had +skinned couldn't 'a' hurt him with his pore little bric-a-brac. Does +Cock-eye take his little parlour ornament away from him, and spank him, +and tell him to go home? No, he never. The kid's little tin pop-shooter +explodes right in his hand before he can crook his forefinger twice, and +while he's a-wondering what-all has happened Cock-eye gets his two guns +on him, slow and deliberate like, mind you, and throws forty-eights into +him till he ain't worth shooting at no more. Murders him like the +mud-eating, horse-thieving snake of a Greaser that he is; but being +within the law, the kid drawing on him first, he don't stretch hemp the +way he should. + +"Well, fin'ly this Blacklock blows into a mining-camp in Placer County, +California, where I'm chuck-tending on the night-shift. This here camp +is maybe four miles across the divide from Iowa Hill, and it sure is +named a cu-roos name, which it is Why-not. They is a barn contiguous, +where the mine horses are kep', and, blame me! if there ain't a +weathercock on top of that same--a golden trotting-horse--_upside down_. +When the stranger an' pilgrim comes in, says he first off: 'Why'n snakes +they got that weathercock horse upside down--why?' says he. 'Why-not,' +says you, and the drinks is on the pilgrim. + +"That all went very lovely till some gesabe opens up a placer drift on +the far side the divide, starts a rival camp, an' names her Because. The +Boss gets mad at that, and rights up the weathercock, and renames the +camp Ophir, and you don't work no more pilgrims. + +"Well, as I was saying, Cock-eye drifts into Why-not and begins +diffusing trouble. He skins some of the boys in the hotel over in town, +and a big row comes of it, and one of the bed-rock cleaners cuts loose +with both guns. Nobody hurt but a quarter-breed, who loses a' eye. But +the marshal don't stand for no short-card men, an' closes Cock-eye up +some prompt. Him being forced to give the boys back their money is +busted an' can't get away from camp. To raise some wind he begins +depredating. + +"He robs a pore half-breed of a cayuse, and shoots up a Chink who's +panning tailings, and generally and variously becomes too pronounced, +till he's run outen camp. He's sure stony-broke, not being able to turn +a card because of the marshal. So he goes to live in a ole cabin up by +the mine ditch, and sits there doing a heap o' thinking, and hatching +trouble like a' ole he-hen. + +"Well, now, with that deporting of Cock-eye comes his turn of bad luck, +and it sure winds his clock up with a loud report. I've narrated special +of the scope and range of this 'ere Blacklock, so as you'll understand +why it was expedient and desirable that he should up an' die. You see, +he always managed, with all his killings and robbings and general and +sundry flimflamming, to be just within the law. And if anybody took a +notion to shoot him up, why, his luck saw him through, and the other +man's shooting-iron missed fire, or exploded, or threw wild, or such +like, till it seemed as if he sure did bear a charmed life; and so he +did till a pore yeller tamale of a fool dog did for him what the law of +the land couldn't do. Yes, sir, a fool dog, a pup, a blame yeller pup +named Sloppy Weather, did for Cock-eye Blacklock, sporting character, +three-card-monte man, sure-thing sharp, killer, and general bedeviler. + +"You see, it was this way. Over in American Canyon, some five miles maybe +back of the mine, they was a creek called the American River, and it was +sure chock-a-block full of trouts. The Boss used for to go over there +with a dinky fish-pole like a buggy-whip about once a week, and scout +that stream for fish and bring back a basketful. He was sure keen on it, +and had bought some kind of privilege or other, so as he could keep +other people off. + +"Well, I used to go along with him to pack the truck, and one Saturday, +about a month after Cock-eye had been run outen camp, we hiked up over +the divide, and went for to round up a bunch o' trouts. When we got to +the river there was a mess for your life. Say, that river was full of +dead trouts, floating atop the water; and they was some even on the +bank. Not a scratch on 'em; just dead. The Boss had the papsy-lals. I +never _did_ see a man so rip-r'aring, snorting mad. _I_ hadn't a guess +about what we were up against, but he knew, and he showed down. He said +somebody had been shooting the river for fish to sell down Sacramento +way to the market. A mean trick; kill more fish in one shoot than you +can possibly pack. + +"Well, we didn't do much fishing that day--couldn't get a bite, for that +matter--and took on home about noon to talk it over. You see, the Boss, +in buying the privileges or such for that creek, had made himself +responsible to the Fish Commissioners of the State, and 'twasn't a week +before they were after him, camping on his trail incessant, and wanting +to know how about it. The Boss was some worried, because the fish were +being killed right along, and the Commission was making him weary of +living. Twicet afterward we prospected along that river and found the +same lot of dead fish. We even put a guard there, but it didn't do no +manner of good. + +"It's the Boss who first suspicions Cock-eye. But it don't take no +seventh daughter of no seventh daughter to trace trouble where +Black-lock's about. He sudden shows up in town with a bunch of +simoleons, buying bacon and tin cows [Footnote: Condensed milk.] and +such provender, and generally giving it away that he's come into money. +The Boss, who's watching his movements sharp, says to me one day: + +"'Bunt, the storm-centre of this here low area is a man with a cock-eye, +an' I'll back that play with a paint horse against a paper dime.' + +"'No takers,' says I. 'Dirty work and a cock-eyed man are two heels of +the same mule.' + +"'Which it's a-kicking of me in the stummick frequent and painful,' he +remarks, plenty wrathful. + +"'On general principles,' I said, 'it's a royal flush to a pair of +deuces as how this Blacklock bird ought to stop a heap of lead, and I +know the man to throw it. He's the only brother of my sister, and tends +chuck in a placer mine. How about if I take a day off and drop round to +his cabin and interview him on the fleetin' and unstable nature of human +life?' + +"But the Boss wouldn't hear of that. + +"'No,' says he; 'that's not the bluff to back in this game. You an' me +an' 'Mary-go-round'--that was what we called the marshal, him being so +much all over the country--'you an' me an' Mary-go-round will have to +stock a sure-thing deck against that maverick.' + +"So the three of us gets together an' has a talky-talk, an' we lays it +out as how Cock-eye must be watched and caught red-handed. + +"Well, let me tell you, keeping case on that Greaser sure did lack a +certain indefinable charm. We tried him at sun-up, an' again at sundown, +an' nights, too, laying in the chaparral an' tarweed, an' scouting up +an' down that blame river, till we were sore. We built surreptitious a +lot of shooting-boxes up in trees on the far side of the canyon, +overlooking certain an' sundry pools in the river where Cock-eye would +be likely to pursue operations, an' we took turns watching. I'll be a +Chink if that bad egg didn't put it on us same as previous, an' we'd +find new-killed fish all the time. I tell you we were _fitchered_; and +it got on the Boss's nerves. The Commission began to talk of withdrawing +the privilege, an' it was up to him to make good or pass the deal. We +_knew_ Blacklock was shooting the river, y' see, but we didn't have no +evidence. Y' see, being shut off from card-sharping, he was up against +it, and so took to pot-hunting to get along. It was as plain as red +paint. + +"Well, things went along sort of catch-as-catch-can like this for maybe +three weeks, the Greaser shooting fish regular, an' the Boss b'iling +with rage, and laying plans to call his hand, and getting bluffed out +every deal. + +"And right here I got to interrupt, to talk some about the pup dog, +Sloppy Weather. If he hadn't got caught up into this Blacklock game, no +one'd ever thought enough about him to so much as kick him. But after it +was all over, we began to remember this same Sloppy an' to recall what +he was; no big job. He was just a worthless fool pup, yeller at that, +everybody's dog, that just hung round camp, grinning and giggling and +playing the goat, as half-grown dogs will. He used to go along with the +car-boys when they went swimmin' in the resevoy, an' dash along in an' +yell an' splash round just to show off. He thought it was a keen stunt +to get some gesabe to throw a stick in the resevoy so's he could paddle +out after it. They'd trained him always to bring it back an' fetch it to +whichever party throwed it. He'd give it up when he'd retrieved it, an' +yell to have it throwed again. That was his idea of fun--just like a +fool pup. + +"Well, one day this Sloppy Weather is off chasing jack-rabbits an' don't +come home. Nobody thinks anything about that, nor even notices it. But +we afterward finds out that he'd met up with Blacklock that day, an' +stopped to visit with him--sorry day for Cockeye. Now it was the very +next day after this that Mary-go-round an' the Boss plans another scout. +I'm to go, too. It was a Wednesday, an' we lay it out that the Cockeye +would prob'ly shoot that day so's to get his fish down to the railroad +Thursday, so they'd reach Sacramento Friday--fish day, see. It wasn't +much to go by, but it was the high card in our hand, an' we allowed to +draw to it. + +"We left Why-not afore daybreak, an' worked over into the canyon about +sun-up. They was one big pool we hadn't covered for some time, an' we +made out we'd watch that. So we worked down to it, an' clumb up into our +trees, an' set out to keep guard. + +"In about an hour we heard a shoot some mile or so up the creek. They's +no mistaking dynamite, leastways not to miners, an' we knew that shoot +was dynamite an' nothing else. The Cock-eye was at work, an' we shook +hands all round. Then pretty soon a fish or so began to go by--big +fellows, some of 'em, dead an' floatin', with their eyes popped 'way out +same as knobs--sure sign they'd been shot. + +"The Boss took and grit his teeth when he see a three-pounder go by, an' +made remarks about Blacklock. + +"''Sh!' says Mary-go-round, sudden-like. 'Listen!' + +"We turned ear down the wind, an' sure there was the sound of some one +scrabbling along the boulders by the riverside. Then we heard a pup yap. + +"'That's our man,' whispers the Boss. + +"For a long time we thought Cock-eye had quit for the day an' had +coppered us again, but byne-by we heard the manzanita crack on the far +side the canyon, an' there at last we see Blacklock working down toward +the pool, Sloppy Weather following an' yapping and cayoodling just as a +fool dog will. + +"Blacklock comes down to the edge of the water quiet-like. He lays his +big scoop-net an' his sack--we can see it half full already--down behind +a boulder, and takes a good squinting look all round, and listens maybe +twenty minutes, he's that cute, same's a coyote stealing sheep. We lies +low an' says nothing, fear he might see the leaves move. + +"Then byne-by he takes his stick of dynamite out his hip pocket--he was +just that reckless kind to carry it that way--an' ties it careful to a +couple of stones he finds handy. Then he lights the fuse an' heaves her +into the drink, an' just there's where Cock-eye makes the mistake of his +life. He ain't tied the rocks tight enough, an' the loop slips off just +as he swings back his arm, the stones drop straight down by his feet, +and the stick of dynamite whirls out right enough into the pool. + +"Then the funny business begins. + +"Blacklock ain't made no note of Sloppy Weather, who's been sizing up +the whole game an' watchin' for the stick. Soon as Cock-eye heaves the +dynamite into the water, off goes the pup after it, just as he'd been +taught to do by the car-boys. + +"'Hey, you fool dog!' yells Blacklock. + +"A lot that pup cares. He heads out for that stick of dynamite same as +if for a veal cutlet, reaches it, grabs hold of it, an' starts back for +shore, with the fuse sputterin' like hot grease. Blacklock heaves rocks +at him like one possessed, capering an' dancing; but the pup comes right +on. The Cock-eye can't stand it no longer, but lines out. But the pup's +got to shore an' takes after him. Sure; why not? He think's it's all +part of the game. Takes after Cock-eye, running to beat a' express, +while we-all whoops and yells an' nearly falls out the trees for +laffing. Hi! Cock-eye did scratch gravel for sure. But 'tain't no manner +of use. He can't run through that rough ground like Sloppy Weather, an' +that fool pup comes a-cavartin' along, jumpin' up against him, an' him +a-kickin' him away, an' r'arin', an' dancin', an' shakin' his fists, an' +the more he r'ars the more fun the pup thinks it is. But all at once +something big happens, an' the whole bank of the canyon opens out like a +big wave, and slops over into the pool, an' the air is full of trees an' +rocks and cart-loads of dirt an' dogs and Blacklocks and rivers an' +smoke an' fire generally. The Boss got a clod o' river-mud spang in the +eye, an' went off his limb like's he was trying to bust a bucking bronc' +an' couldn't; and ol' Mary-go-round was shooting off his gun on general +principles, glarin' round wild-eyed an' like as if he saw a' Injun +devil. + +"When the smoke had cleared away an' the trees and rocks quit falling, +we clumb down from our places an' started in to look for Black-lock. We +found a good deal of him, but they wasn't hide nor hair left of Sloppy +Weather. We didn't have to dig no grave, either. They was a big enough +hole in the ground to bury a horse an' wagon, let alone Cock-eye. So we +planted him there, an' put up a board, an' wrote on it: + + Here lies most + of + C. BLACKLOCK, + who died of a' + entangling alliance with + a + stick of dynamite. + + Moral: A hook and line is good enough + fish-tackle for any honest man. + +"That there board lasted for two years, till the freshet of '82, when +the American River--Hello, there's the sun!" + +All in a minute the night seemed to have closed up like a great book. +The East flamed roseate. The air was cold, nimble. Some of the +sage-brush bore a thin rim of frost. The herd, aroused, the dew +glistening on flank and horn, were chewing the first cud of the day, and +in twos and threes moving toward the water-hole for the morning's drink. +Far off toward the camp the breakfast fire sent a shaft of blue smoke +straight into the moveless air. A jack-rabbit, with erect ears, limped +from the sage-brush just out of pistol-shot and regarded us a moment, +his nose wrinkling and trembling. By the time that Bunt and I, putting +our ponies to a canter, had pulled up by the camp of the Bar-circle-Z +outfit, another day had begun in Idaho. + + + + +A MEMORANDUM OF SUDDEN DEATH + + +The manuscript of the account that follows belongs to a harness-maker in +Albuquerque, Juan Tejada by name, and he is welcome to whatever of +advertisement this notice may bring him. He is a good fellow, and his +patented martingale for stage horses may be recommended. I understand he +got the manuscript from a man named Bass, or possibly Bass left it with +him for safe-keeping. I know that Tejada has some things of Bass's +now--things that Bass left with him last November: a mess-kit, a lantern +and a broken theodolite--a whole saddle-box full of contraptions. I +forgot to ask Tejada how Bass got the manuscript, and I wish I had done +so now, for the finding of it might be a story itself. The probabilities +are that Bass simply picked it up page by page off the desert, blown +about the spot where the fight occurred and at some little distance from +the bodies. Bass, I am told, is a bone-gatherer by profession, and one +can easily understand how he would come across the scene of the +encounter in one of his tours into western Arizona. My interest in the +affair is impersonal, but none the less keen. Though I did not know +young Karslake, I knew his stuff--as everybody still does, when you come +to that. For the matter of that, the mere mention of his pen-name, +"Anson Qualtraugh," recalls at once to thousands of the readers of a +certain world-famous monthly magazine of New York articles and stories +he wrote for it while he was alive; as, for instance, his admirable +descriptive work called "Traces of the Aztecs on the Mogolon Mesa," in +the October number of 1890. Also, in the January issue of 1892 there are +two specimens of his work, one signed Anson Qualtraugh and the other +Justin Blisset. Why he should have used the Blisset signature I do not +know. It occurs only this once in all his writings. In this case it is +signed to a very indifferent New Year's story. The Qualtraugh "stuff" of +the same number is, so the editor writes to me, a much shortened +transcript of a monograph on "Primitive Methods of Moki Irrigation," +which are now in the archives of the Smithsonian. The admirable novel, +"The Peculiar Treasure of Kings," is of course well known. Karslake +wrote it in 1888-89, and the controversy that arose about the incident +of the third chapter is still--sporadically and intermittently--continued. + +The manuscript that follows now appears, of course, for the first time +in print, and I acknowledge herewith my obligations to Karslake's +father, Mr. Patterson Karslake, for permission to publish. + +I have set the account down word for word, with all the hiatuses and +breaks that by nature of the extraordinary circumstances under which it +was written were bound to appear in it. I have allowed it to end +precisely as Karslake was forced to end it, in the middle of a sentence. +God knows the real end is plain enough and was not far off when the poor +fellow began the last phrase that never was to be finished. + +The value of the thing is self-apparent. Besides the narrative of +incidents it is a simple setting forth of a young man's emotions in the +very face of violent death. You will remember the distinguished victim +of the guillotine, a lady who on the scaffold begged that she might be +permitted to write out the great thoughts that began to throng her mind. +She was not allowed to do so, and the record is lost. Here is a case +where the record is preserved. But Karslake, being a young man not very +much given to introspection, his work is more a picture of things seen +than a transcription of things thought. However, one may read between +the lines; the very breaks are eloquent, while the break at the end +speaks with a significance that no words could attain. + +The manuscript in itself is interesting. It is written partly in pencil, +partly in ink (no doubt from a fountain pen), on sheets of manila paper +torn from some sort of long and narrow account-book. In two or three +places there are smudges where the powder-blackened finger and thumb +held the sheets momentarily. I would give much to own it, but Tejada +will not give it up without Bass's permission, and Bass has gone to the +Klondike. + +As to Karslake himself. He was born in Raleigh, in North Carolina, in +1868, studied law at the State University, and went to the Bahamas in +1885 with the members of a government coast survey commission. Gave up +the practice of law and "went in" for fiction and the study of the +ethnology of North America about 1887. He was unmarried. + +The reasons for his enlisting have long been misunderstood. It was known +that at the time of his death he was a member of B Troop of the Sixth +Regiment of United States Cavalry, and it was assumed that because of +this fact Karslake was in financial difficulties and not upon good terms +with his family. All this, of course, is untrue, and I have every reason +to believe that Karslake at this time was planning a novel of military +life in the Southwest, and, wishing to get in closer touch with the +_milieu_ of the story, actually enlisted in order to be able to write +authoritatively. He saw no active service until the time when his +narrative begins. The year of his death is uncertain. It was in the +spring probably of 1896, in the twenty-eighth year of his age. + +There is no doubt he would have become in time a great writer. A young +man of twenty-eight who had so lively a sense of the value of accurate +observation, and so eager a desire to produce that in the very face of +death he could faithfully set down a description of his surroundings, +actually laying down the rifle to pick up the pen, certainly was +possessed of extraordinary faculties. + + +"They came in sight early this morning just after we had had breakfast +and had broken camp. The four of us--'Bunt,' 'Idaho,' Estorijo and +myself--were jogging on to the southward and had just come up out of the +dry bed of some water-hole--the alkali was white as snow in the +crevices--when Idaho pointed them out to us, three to the rear, two on +one side, one on the other and--very far away--two ahead. Five minutes +before, the desert was as empty as the flat of my hand. They seemed +literally to have _grown_ out of the sage-brush. We took them in through +my field-glasses and Bunt made sure they were an outlying band of +Hunt-in-the-Morning's Bucks. I had thought, and so had all of us, that +the rest of the boys had rounded up the whole of the old man's hostiles +long since. We are at a loss to account for these fellows here. They +seem to be well mounted. + +"We held a council of war from the saddle without halting, but there +seemed very little to be done--but to go right along and wait for +developments. At about eleven we found water--just a pocket in the bed +of a dried stream--and stopped to water the ponies. I am writing this +during the halt. + +"We have one hundred and sixteen rifle cartridges. Yesterday was Friday, +and all day, as the newspapers say, 'the situation remained unchanged.' +We expected surely that the night would see some rather radical change, +but nothing happened, though we stood watch and watch till morning. Of +yesterday's eight only six are in sight and we bring up reserves. We now +have two to the front, one on each side, and two to the rear, all far +out of rifle-range. + +[_The following paragraph is in an unsteady script and would appear to +have been written in the saddle. The same peculiarity occurs from time +to time in the narrative, and occasionally the writing is so broken as +to be illegible_.] + +"On again after breakfast. It is about eight-fifteen. The other two have +come back--without 'reserves,' thank God. Very possibly they did not go +away at all, but were hidden by a dip in the ground. I cannot see that +any of them are nearer. I have watched one to the left of us steadily +for more than half an hour and I am sure that he has not shortened the +distance between himself and us. What their plans are Hell only knows, +but this silent, persistent escorting tells on the nerves. I do not +think I am afraid--as yet. It does not seem possible but that we will +ride into La Paz at the end of the fortnight exactly as we had planned, +meet Greenock according to arrangements and take the stage on to the +railroad. Then next month I shall be in San Antonio and report at +headquarters. Of course, all this is to be, of course; and this business +of to-day will make a good story to tell. It's an experience--good +'material.' Very naturally I cannot now see how I am going to get out of +this" [_the word "alive" has here been erased_], "but of course I +_will_. Why 'of course'? I don't know. Maybe I am trying to deceive +myself. Frankly, it looks like a situation insoluble; but the solution +will surely come right enough in good time. + +"Eleven o'clock.--No change. + +"Two-thirty P. M.--We are halted to tighten girths and to take a single +swallow of the canteens. One of them rode in a wide circle from the rear +to the flank, about ten minutes ago, conferred a moment with his fellow, +then fell back to his old position. He wears some sort of red cloth or +blanket. We reach no more water till day after to-morrow. But we have +sufficient. Estorijo has been telling funny stories en route. + +"Four o'clock P. M.--They have closed up perceptibly, and we have been +debating about trying one of them with Idaho's Winchester. No use; +better save the ammunition. It looks...." [_the next words are +undecipherable, but from the context they would appear to be_ "_as if +they would attack to-night_"]"...we have come to know certain of them +now by nicknames. We speak of the Red One, or the Little One, or the One +with the Feather, and Idaho has named a short thickset fellow on our +right 'Little Willie.' By God, I wish something would turn up--relief or +fight. I don't care which. How Estorijo can cackle on, reeling off his +senseless, pointless funny stories, is beyond me. Bunt is almost as bad. +They understand the fix we are in, I _know_, but how they can take it so +easily is the staggering surprise. I feel that I am as courageous as +either of them, but levity seems horribly inappropriate. I could kill +Estorijo joyfully. + +"Sunday morning.--Still no developments. We were so sure of something +turning up last night that none of us pretended to sleep. But nothing +stirred. There is no sneaking out of the circle at night. The moon is +full. A jack-rabbit could not have slipped by them unseen last night. + +"Nine o'clock (in the saddle).--We had coffee and bacon as usual at +sunrise; then on again to the southeast just as before. For half an hour +after starting the Red One and two others were well within rifle-shot, +nearer than ever before. They had worked in from the flank. But before +Idaho could get a chance at them they dipped into a shallow arroyo, and +when they came out on the other side were too far away to think of +shooting. + +"Ten o'clock.--All at once we find there are nine instead of eight; +where and when this last one joined the band we cannot tell. He wears a +sombrero and army trousers, but the upper part of his body is bare. +Idaho calls him 'Half-and-half.' He is riding a---- They're coming. + +"Later.--For a moment we thought it was the long-expected rush. The Red +One--he had been in the front--wheeled quick as a flash and came +straight for us, and the others followed suit. Great Heavens, how they +rode! We could hear them yelling on every side of us. We jumped off our +ponies and stood behind them, the rifles across the saddles. But at four +hundred yards they all pivoted about and cantered off again leisurely. +Now they followed us as before--three in the front, two in the rear and +two on either side. I do not think I am going to be frightened when the +rush does come. I watched myself just now. I was excited, and I remember +Bunt saying to me, 'Keep your shirt on, m'son'; but I was not afraid of +being killed. Thank God for that! It is something I've long wished to +find out, and now that I know it I am proud of it. Neither side fired a +shot. I was not afraid. It's glorious. Estorijo is all right. + +"Sunday afternoon, one-thirty.--No change. It is unspeakably hot. + +"Three-fifteen.--The One with the Feather is walking, leading his pony. +It seems to be lame." [_With this entry Karslake ended page five, and +the next page of the manuscript is numbered seven. It is very probable, +however, that he made a mistake in the numerical sequence of his pages, +for the narrative is continuous, and, at this point at least, unbroken. +There does not seem to be any sixth page_.] + +"Four o'clock.--Is it possible that we are to pass another night of +suspense? They certainly show no signs of bringing on the crisis, and +they surely would not attempt anything so late in the afternoon as this. +It is a relief to feel that we have nothing to fear till morning, but +the tension of watching all night long is fearful. + +"Later.--Idaho has just killed the Little One. + +"Later.--Still firing. + +"Later.--Still at it. + +"Later, about five.--A bullet struck within three feet of me. + +"Five-ten.--Still firing. + +"Seven-thirty P. M., in camp.--It happened so quickly that it was all +over before I realized. We had our first interchange of shots with them +late this afternoon. The Little One was riding from the front to the +flank. Evidently he did not think he was in range--nor did any of us. +All at once Idaho tossed up his rifle and let go without aiming--or so +it seemed to me. The stock was not at his shoulder before the report +came. About six seconds after the smoke had cleared away we could see +the Little One begin to lean backward in the saddle, and Idaho said +grimly, 'I guess I got _you_.' The Little One leaned farther and farther +till suddenly his head dropped back between his shoulder-blades. He held +to his pony's mane with both hands for a long time and then all at once +went off feet first. His legs bent under him like putty as his feet +touched the ground. The pony bolted. + +"Just as soon as Idaho fired the others closed right up and began riding +around us at top speed, firing as they went. Their aim was bad as a +rule, but one bullet came very close to me. At about half-past five they +drew off out of range again and we made camp right where we stood. +Estorijo and I are both sure that Idaho hit the Red One, but Idaho +himself is doubtful, and Bunt did not see the shot. I could swear that +the Red One all but went off his pony. However, he seems active enough +now. + +"Monday morning.--Still another night without attack. I have not slept +since Friday evening. The strain is terrific. At daybreak this morning, +when one of our ponies snorted suddenly, I cried out at the top of my +voice. I could no more have repressed it than I could have stopped my +blood flowing; and for half an hour afterward I could feel my flesh +crisping and pringling, and there was a sickening weakness at the pit of +my stomach. At breakfast I had to force down my coffee. They are still +in place, but now there are two on each side, two in the front, two in +the rear. The killing of the Little One seems to have heartened us all +wonderfully. I am sure we will get out--somehow. But oh! the suspense of +it. + +"Monday morning, nine-thirty.--Under way for over two hours. There is no +new development. But Idaho has just said that they seem to be edging in. +We hope to reach water to-day. Our supply is low, and the ponies are +beginning to hang their heads. It promises to be a blazing hot day. +There is alkali all to the west of us, and we just commence to see the +rise of ground miles to the southward that Idaho says is the San Jacinto +Mountains. Plenty of water there. The desert hereabout is vast and +lonesome beyond words; leagues of sparse sage-brush, leagues of +leper-white alkali, leagues of baking gray sand, empty, heat-ridden, the +abomination of desolation; and always--in whichever direction I turn my +eyes--always, in the midst of this pale-yellow blur, a single figure in +the distance, blanketed, watchful, solitary, standing out sharp and +distinct against the background of sage and sand. + +"Monday, about eleven o'clock.--No change. The heat is appalling. There +is just a---- + +"Later.--I was on the point of saying that there was just a mouthful of +water left for each of us in our canteens when Estorijo and Idaho both +at the same time cried out that they were moving in. It is true. They +are within rifle range, but do not fire. We, as well, have decided to +reserve our fire until something more positive happens. + +"Noon.--The first shot--for to-day--from the Red One. We are halted. The +shot struck low and to the left. We could see the sand spout up in a +cloud just as though a bubble had burst on the surface of the ground. + +"They have separated from each other, and the whole eight of them are +now in a circle around us. Idaho believes the Red One fired as a signal. +Estorijo is getting ready to take a shot at the One with the Feather. We +have the ponies in a circle around us. It looks as if now at last this +was the beginning of the real business. + +Later, twelve-thirty-five.--Estorijo missed. Idaho will try with the +Winchester as soon as the One with the Feather halts. He is galloping +toward the Red One. + +"All at once, about two o'clock, the fighting began. This is the first +let-up. It is now--God knows what time. They closed up suddenly and +began galloping about us in a circle, firing all the time. They rode +like madmen. I would not have believed that Indian ponies could run so +quickly. What with their yelling and the incessant crack of their rifles +and the thud of their ponies' feet our horses at first became very +restless, and at last Idaho's mustang bolted clean away. We all stood to +it as hard as we could. For about the first fifteen minutes it was hot +work. The Spotted One is hit. We are certain of that much, though we do +not know whose gun did the work. My poor old horse is bleeding +dreadfully from the mouth. He has two bullets in the stomach, and I do +not believe he can stand much longer. They have let up for the last few +moments, but are still riding around us, their guns at 'ready.' Every +now and then one of us fires, but the heat shimmer has come up over the +ground since noon and the range is extraordinarily deceiving. + +"Three-ten.--Estorijo's horse is down, shot clean through the head. Mine +has gone long since. We have made a rampart of the bodies. + +"Three-twenty.--They are at it again, tearing around us incredibly fast, +every now and then narrowing the circle. The bullets are striking +everywhere now. I have no rifle, do what I can with my revolver, and try +to watch what is going on in front of me and warn the others when they +press in too close on my side." [_Karslake nowhere accounts for the +absence of his carbine. That a U. S. trooper should be without his gun +while traversing a hostile country is a fact difficult to account for_.] + +"Three-thirty.--They have winged me--through the shoulder. Not bad, but +it is bothersome. I sit up to fire, and Bunt gives me his knee on which +to rest my right arm. When it hangs it is painful. + +"Quarter to four.--It is horrible. Bunt is dying. He cannot speak, the +ball having gone through the lower part of his face, but back, near the +neck. It happened through his trying to catch his horse. The animal was +struck in the breast and tried to bolt. He reared up, backing away, and +as we had to keep him close to us to serve as a bulwark Bunt followed +him out from the little circle that we formed, his gun in one hand, his +other gripping the bridle. I suppose every one of the eight fired at him +simultaneously, and down he went. The pony dragged him a little ways +still clutching the bridle, then fell itself, its whole weight rolling +on Bunt's chest. We have managed to get him in and secure his rifle, but +he will not live. None of us knows him very well. He only joined us +about a week ago, but we all liked him from the start. He never spoke of +himself, so we cannot tell much about him. Idaho says he has a wife in +Torreon, but that he has not lived with her for two years; they did not +get along well together, it seems. This is the first violent death I +have ever seen, and it astonishes me to note how _unimportant_ it seems. +How little anybody cares--after all. If I had been told of his +death--the details of it, in a story or in the form of fiction--it is +easily conceivable that it would have impressed me more with its +importance than the actual scene has done. Possibly my mental vision is +scaled to a larger field since Friday, and as the greater issues loom up +one man more or less seems to be but a unit--more or less--in an eternal +series. When he was hit he swung back against the horse, still holding +by the rein. His feet slid from under him, and he cried out, 'My _God_!' +just once. We divided his cartridges between us and Idaho passed me his +carbine. The barrel was scorching hot. + +"They have drawn off a little and for fifteen minutes, though they still +circle us slowly, there has been no firing. Forty cartridges left. +Bunt's body (I think he is dead now) lies just back of me, and already +the gnats--I can't speak of it." + +[_Karslake evidently made the next few entries at successive intervals +of time, but neglected in his excitement to note the exact hour as +above. We may gather that "They" made another attack and then repeated +the assault so quickly that he had no chance to record it properly. I +transcribe the entries in exactly the disjointed manner in which they +occur in the original. The reference to the "fire" is unexplainable_.] + +"I shall do my best to set down exactly what happened and what I do and +think, and what I see. + +"The heat-shimmer spoiled my aim, but I am quite sure that either + +"This last rush was the nearest. I had started to say that though the +heat-shimmer was bad, either Estorijo or myself wounded one of their +ponies. We saw him stumble. + +"Another rush---- + +"Our ammunition + +"Only a few cartridges left. + +"The Red One like a whirlwind only fifty yards away. + +"We fire separately now as they sneak up under cover of our smoke. + +"We put the fire out. Estorijo--" [_It is possible that Karslake had +begun here to chronicle the death of the Mexican_.] + +"I have killed the Spotted One. Just as he wheeled his horse I saw him +in a line with the rifle-sights and let him have it squarely. It took +him straight in the breast. I could _feel_ that shot strike. He went +down like a sack of lead weights. By God, it was superb! + +"Later.--They have drawn off out of range again, and we are allowed a +breathing-spell. Our ponies are either dead or dying, and we have +dragged them around us to form a barricade. We lie on the ground behind +the bodies and fire over them. There are twenty-seven cartridges left. + +"It is now mid-afternoon. Our plan is to stand them off if we can till +night and then to try an escape between them. But to what purpose? They +would trail us so soon as it was light. + +[Illustration: CAUGHT IN THE CIRCLE. + +The last stand of three troopers and a scout overtaken by a band of +hostile Indians + +_Drawn by Frederic Remington. Courtesy of Collier's Weekly._] + +"We think now that they followed us without attacking for so long +because they were waiting till the lay of the land suited them. They +wanted--no doubt--an absolutely flat piece of country, with no +depressions, no hills or stream-beds in which we could hide, but which +should be high upon the edges, like an amphitheatre. They would get us +in the centre and occupy the rim themselves. Roughly, this is the bit of +desert which witnesses our 'last stand.' On three sides the ground +swells a very little--the rise is not four feet. On the third side it is +open, and so flat that even lying on the ground as we do we can see +(leagues away) the San Jacinto hills--'from whence cometh no help.' It +is all sand and sage, forever and forever. Even the sage is sparse--a +bad place even for a coyote. The whole is flagellated with an +intolerable heat and--now that the shooting is relaxed--oppressed with a +benumbing, sodden silence--the silence of a primordial world. Such a +silence as must have brooded over the Face of the Waters on the Eve of +Creation--desolate, desolate, as though a colossal, invisible pillar--a +pillar of the Infinitely Still, the pillar of Nirvana--rose forever into +the empty blue, human life an atom of microscopic dust crushed under its +basis, and at the summit God Himself. And I find time to ask myself why, +at this of all moments of my tiny life-span, I am able to write as I do, +registering impressions, keeping a finger upon the pulse of the spirit. +But oh! if I had time now--time to write down the great thoughts that do +throng the brain. They are there, I feel them, know them. No doubt the +supreme exaltation of approaching death is the stimulus that one never +experiences in the humdrum business of the day-to-day existence. Such +mighty thoughts! Unintelligible, but if I had time I could spell them +out, _and how I could write then_! I feel that the whole secret of Life +is within my reach; I can almost grasp it; I seem to feel that in just +another instant I can see it all plainly, as the archangels see it all +the time, as the great minds of the world, the great philosophers, have +seen it once or twice, vaguely--a glimpse here and there, after years of +patient study. Seeing thus I should be the equal of the gods. But it is +not meant to be. There is a sacrilege in it. I almost seem to understand +why it is kept from us. But the very reason of this withholding is in +itself a part of the secret. If I could only, only set it down!--for +whose eyes? Those of a wandering hawk? God knows. But never mind. I +should have spoken--once; should have said the great Word for which the +World since the evening and the morning of the First Day has listened. +God knows. God knows. What a whirl is this? Monstrous incongruity. +Philosophy and fighting troopers. The Infinite and dead horses. There's +humour for you. The Sublime takes off its hat to the Ridiculous. Send a +cartridge clashing into the breech and speculate about the Absolute. +Keep one eye on your sights and the other on Cosmos. Blow the reek of +burned powder from before you so you may look over the edge of the abyss +of the Great Primal Cause. Duck to the whistle of a bullet and commune +with Schopenhauer. Perhaps I am a little mad. Perhaps I am supremely +intelligent. But in either case I am not understandable to myself. How, +then, be understandable to others? If these sheets of paper, this +incoherence, is ever read, the others will understand it about as much +as the investigating hawk. But none the less be it of record that I, +Karslake, SAW. It reads like Revelations: 'I, John, saw.' It is just +that. There is something apocalyptic in it all. I have seen a vision, +but cannot--there is the pitch of anguish in the impotence--bear record. +If time were allowed to order and arrange the words of description, this +exaltation of spirit, in that very space of time, would relax, and the +describer lapse back to the level of the average again before he could +set down the things he saw, the things he thought. The machinery of the +mind that could coin the great Word is automatic, and the very force +that brings the die near the blank metal supplies the motor power of the +reaction before the impression is made ... I stopped for an instant, +looking up from the page, and at once the great vague panorama faded. I +lost it all. Cosmos has dwindled again to an amphitheatre of sage and +sand, a vista of distant purple hills, the shimmer of scorching alkali, +and in the middle distance there, those figures, blanketed, beaded, +feathered, rifle in hand. + +"But for a moment I stood on Patmos. + +"The Ridiculous jostles the elbow of the Sublime and shoulders it from +place as Idaho announces that he has found two more cartridges in +Estorijo's pockets. + +"They rushed again. Eight more cartridges gone. Twenty-one left. They +rush in this manner--at first the circle, rapid beyond expression, one +figure succeeding the other so swiftly that the dizzied vision loses +count and instead of seven of them there appear to be seventy. Then +suddenly, on some indistinguishable signal, they contract this circle, +and through the jets of powder-smoke Idaho and I see them whirling past +our rifle-sights not one hundred yards away. Then their fire suddenly +slackens, the smoke drifts by, and we see them in the distance again, +moving about us at a slow canter. Then the blessed breathing-spell, +while we peer out to know if we have killed or not, and count our +cartridges. We have laid the twenty-one loaded shells that remain in a +row between us, and after our first glance outward to see if any of them +are down, our next is inward at that ever-shrinking line of brass and +lead. We do not talk much. This is the end. We know it now. All of a +sudden the conviction that I am to die here has hardened within me. It +is, all at once, absurd that I should ever have supposed that I was to +reach La Paz, take the east-bound train and report at San Antonio. It +seems to me that I _knew_, weeks ago, that our trip was to end thus. I +knew it--somehow--in Sonora, while we were waiting orders, and I tell +myself that if I had only stopped to really think of it I could have +foreseen today's bloody business. + +"Later.--The Red One got off his horse and bound up the creature's leg. +One of us hit him, evidently. A little higher, it would have reached the +heart. Our aim is ridiculously bad--the heat-shimmer---- + +"Later.--Idaho is wounded. This last time, for a moment, I was sure the +end had come. They were within revolver range and we could feel the +vibration of the ground under their ponies' hoofs. But suddenly they +drew off. I have looked at my watch; it is four o'clock. + +"Four o'clock.--Idaho's wound is bad--a long, raking furrow in the right +forearm. I bind it up for him, but he is losing a great deal of blood +and is very weak. + +"They seem to know that we are only two by now, for with each rush they +grow bolder. The slackening of our fire must tell them how scant is our +ammunition. + +"Later.--This last was magnificent. The Red One and one other with lines +of blue paint across his cheek galloped right at us. Idaho had been +lying with his head and shoulders propped against the neck of his dead +pony. His eyes were shut, and I thought he had fainted. But as he heard +them coming he struggled up, first to his knees and then to his feet--to +his full height--dragging his revolver from his hip with his left hand. +The whole right arm swung useless. He was so weak that he could only +lift the revolver half way--could not get the muzzle up. But though it +sagged and dropped in his grip, he _would_ die fighting. When he fired +the bullet threw up the sand not a yard from his feet, and then he fell +on his face across the body of the horse. During the charge I fired as +fast as I could, but evidently to no purpose. They must have thought +that Idaho was dead, for as soon as they saw him getting to his feet +they sheered their horses off and went by on either side of us. I have +made Idaho comfortable. He is unconscious; have used the last of the +water to give him a drink. He does not seem---- + +"They continue to circle us. Their fire is incessant, but very wild. So +long as I keep my head down I am comparatively safe. + +"Later.--I think Idaho is dying. It seems he was hit a second time when +he stood up to fire. Estorijo is still breathing; I thought him dead +long since. + +"Four-ten.--Idaho gone. Twelve cartridges left. Am all alone now. + +"Four-twenty-five.--I am very weak." [_Karslake was evidently wounded +sometime between ten and twenty-five minutes after four. His notes make +no mention of the fact_.] "Eight cartridges remain. I leave my library +to my brother, Walter Patterson Karslake; all my personal effects to my +parents, except the picture of myself taken in Baltimore in 1897, which +I direct to be" [_the next lines are undecipherable_] "...at +Washington, D. C., as soon as possible. I appoint as my literary-- + +"Four forty-five.--Seven cartridges. Very weak and unable to move lower +part of my body. Am in no pain. They rode in very close. The Red One +is---- An intolerable thirst---- + +"I appoint as my literary executor my brother, Patterson Karslake. The +notes on 'Coronado in New Mexico' should be revised. + +"My death occurred in western Arizona, April 15th, at the hands of a +roving band of Hunt-in-the-Morning's bucks. They have---- + +"Five o'clock.--The last cartridge gone. + +"Estorijo still breathing. I cover his face with my hat. Their fire is +incessant. Am much weaker. Convey news of death to Patterson Karslake, +care of Corn Exchange Bank, New York City. + +"Five-fifteen--about.--They have ceased firing, and draw together in a +bunch. I have four cartridges left" [_see conflicting note dated five +o'clock_], "but am extremely weak. Idaho was the best friend I had in +all the Southwest. I wish it to be known that he was a generous, +open-hearted fellow, a kindly man, clean of speech, and absolutely +unselfish. He may be known as follows: Sandy beard, long sandy hair, +scar on forehead, about six feet one inch in height. His real name is +James Monroe Herndon; his profession that of government scout. Notify +Mrs. Herndon, Trinidad, New Mexico. + +"The writer is Arthur Staples Karslake, dark hair, height five feet +eleven, body will be found near that of Herndon. + +"Luis Estorijo, Mexican---- + +"Later.--Two more cartridges. + +"Five-thirty.--Estorijo dead. + +"It is half-past five in the afternoon of April fifteenth. They followed +us from the eleventh--Friday--till to-day. It will + +[_The MS. ends here_.] + + + + +TWO HEARTS THAT BEAT AS ONE + + +"Which I puts it up as how you ain't never heard about that time that +Hardenberg and Strokher--the Englisher--had a friendly go with bare +knuckles--ten rounds it was--all along o' a feemale woman?" + +It is a small world and I had just found out that my friend, Bunt +McBride--horse-wrangler, miner, faro-dealer and bone-gatherer--whose +world was the plains and ranges of the Great Southwest, was known of the +Three Black Crows, Hardenberg, Strokher and Ally Bazan, and had even +foregathered with them on more than one of their ventures for Cyrus +Ryder's Exploitation Agency--ventures that had nothing of the desert in +them, but that involved the sea, and the schooner, and the taste of the +great-lunged canorous trades. + +"Ye ain't never crossed the trail o' that mournful history?" + +I professed my ignorance and said: + +"They fought?" + +"Mister Man," returned Bunt soberly, as one broaching a subject not to +be trifled with, "They sure did. Friendly-like, y'know--like as how two +high-steppin', sassy gents figures out to settle any little strained +relations--friendly-like but considerable keen." + +He took a pinch of tobacco from his pouch and a bit of paper and rolled +a cigarette in the twinkling of an eye, using only one hand, in true +Mexican style. + +"Now," he said, as he drew the first long puff to the very bottom of the +leathern valves he calls his lungs. "Now, I'm a-goin' for to relate that +same painful proceedin' to you, just so as you kin get a line on the +consumin' and devourin' foolishness o' male humans when they's a woman +in the wind. Woman," said Bunt, wagging his head thoughtfully at the +water, "woman is a weather-breeder. Mister Dixon, they is three things +I'm skeered of. The last two I don't just rightly call to mind at this +moment, but the first is woman. When I meets up with a feemale woman on +my trail, I sheers off some prompt, Mr. Dixon; I sheers off. An' +Hardenberg," he added irrelevantly, "would a-took an' married this +woman, so he would. Yes, an' Strokher would, too." + +"Was there another man?" I asked. + +"No," said Bunt. Then he began to chuckle behind his mustaches. "Yes, +they was." He smote a thigh. "They sure was another man for fair. Well, +now, Mr. Man, lemmee tell you the whole '_how_.' + +"It began with me bein' took into a wild-eyed scheme that that maverick, +Cy Ryder, had cooked up for the Three Crows. They was a row down +Gortamalar way. Same gesabe named Palachi--Barreto Palachi--findin' +times dull an' the boys some off their feed, ups an' says to hisself, +'Exercise is wot I needs. I will now take an' overthrow the blame +Gover'ment.' Well, this same Palachi rounds up a bunch o' _insurrectos_ +an' begins pesterin' an' badgerin' an' hectorin' the Gover'ment; an' +r'arin' round an' bellerin' an' makin' a procession of hisself, till he +sure pervades the landscape; an' before you knows what, lo'n beholt, +here's a reel live Revolution-Thing cayoodlin' in the scenery, an' the +Gover'ment is plum bothered. + +"They rounds up the gesabe at last at a place on the coast, but he +escapes as easy as how-do-you-do. He can't, howsomever, git back to his +_insurrectos_; the blame Gover'ment being in possession of all the +trails leadin' into the hinterland; so says he, 'What for a game would +it be for me to hyke up to 'Frisco an' git in touch with my financial +backers an' conspirate to smuggle down a load o' arms?' Which the same +he does, and there's where the Three Black Crows an' me begin to take a +hand. + +"Cy Ryder gives us the job o' taking the schooner down to a certain +point on the Gortamalar coast and there delivering to the agent o' the +gazabo three thousand stand o' forty-eight Winchesters. + +"When we gits this far into the game Ryder ups and says: + +"'Boys, here's where I cashes right in. You sets right to me for the +schooner and the cargo. But you goes to Palachi's agent over 'crost the +bay for instructions and directions.' + +"'But,' says the Englisher, Strokher, 'this bettin' a blind play don't +suit our hand. Why not' says he, 'make right up to Mister Palachi +hisself?' + +"'No,' says Ryder, 'No, boys. Ye can't. The Signor is lying as low as a +toad in a wheeltrack these days, because o' the pryin' and meddlin' +disposition o' the local authorities. No,' he says, 'ye must have your +palaver with the agent which she is a woman,' an' thereon I groans low +and despairin'. + +"So soon as he mentions 'feemale' I _knowed_ trouble was in the +atmosphere. An' right there is where I sure looses my presence o' mind. +What I should a-done was to say, 'Mister Ryder, Hardenberg and gents +all: You're good boys an' you drinks and deals fair, an' I loves you all +with a love that can never, never die for the terms o' your natural +lives, an' may God have mercy on your souls; _but_ I ain't keepin' case +on this 'ere game no longer. Woman and me is mules an' music. We ain't +never made to ride in the same go-cart Good-by.' That-all is wot I +should ha' said. But I didn't. I walked right plum into the sloo, like +the mudhead that I was, an' got mired for fair--jes as I might a-knowed +I would. + +"Well, Ryder gives us a address over across the bay an' we fair hykes +over there all along o' as crool a rain as ever killed crops. We finds +the place after awhile, a lodgin'-house all lorn and loony, set down all +by itself in the middle o' some real estate extension like a tepee in a +'barren'--a crazy 'modern' house all gimcrack and woodwork and frostin', +with never another place in so far as you could hear a coyote yelp. + +"Well, we bucks right up an' asks o' the party at the door if the +Signorita Esperanza Ulivarri--that was who Ryder had told us to ask +for--might be concealed about the premises, an' we shows Cy Ryder's +note. The party that opened the door was a Greaser, the worst looking I +ever clapped eyes on--looked like the kind wot 'ud steal the coppers off +his dead grandmother's eyes. Anyhow, he says to come in, gruff-like, an' +to wait, _poco tiempo_. + +"Well, we waited _moucho tiempo--muy moucho_, all a-settin' on the edge +of the sofy, with our hats on our knees, like philly-loo birds on a +rail, and a-countin' of the patterns in the wall-paper to pass the time +along. An' Hardenberg, who's got to do the talkin', gets the fidgets +byne-by; and because he's only restin' the toes o' his feet on the +floor, his knees begin jiggerin'; an' along o' watchin' him, _my_ knees +begin to go, an' then Strokher's and then Ally Bazan's. An' there we sat +all in a row and jiggered an' jiggered. Great snakes, it makes me sick +to the stummick to think o' the idjeets we were. + +"Then after a long time we hears a rustle o' silk petticoats, an' we all +grabs holt o' one another an' looks scared-like, out from under our +eyebrows. An' then--then, Mister Man, they walks into that bunk-house +parlour the loveliest-lookin' young feemale woman that ever wore hair. + +"She was lovelier than Mary Anderson; she was lovelier than Lotta. She +was tall, an' black-haired, and had a eye ... well, I dunno; when she +gave you the littlest flicker o' that same eye, you felt it was about +time to take an' lie right down an' say, 'I would esteem it, ma'am, a +sure smart favour if you was to take an' wipe your boots on my +waistcoat, jus' so's you could hear my heart a-beatin'. That's the kind +o' feemale woman _she_ was. + +"Well, when Hardenberg had caught his second wind, we begins to talk +business. + +"'An' you're to take a passenger back with you,' says Esperanza after +awhile. + +"'What for a passenger might it be?' says Hardenberg. + +"She fished out her calling-card at that and tore it in two an' gave +Hardenberg one-half. + +"'It's the party,' she says, 'that'll come aboard off San Diego on your +way down an' who will show up the other half o' the card--the half I +have here an' which the same I'm goin' to mail to him. An' you be sure +the halves fit before you let him come aboard. An' when that party comes +aboard,' she says, 'he's to take over charge.' + +"'Very good,' says Hardenberg, mincing an' silly like a chessy cat +lappin' cream. 'Very good, ma'am; your orders shall be obeyed.' He sure +said it just like that, as if he spoke out o' a story-book. An' I kicked +him under the table for it. + +"Then we palavers a whole lot an' settles the way the thing is to be +run, an' fin'ly, when we'd got as far as could be that day, the +Signorita stood up an' says: + +"'Now me good fellows.' 'Twas Spanish she spoke. 'Now, me good fellows, +you must drink a drink with me.' She herds us all up into the +dining-room and fetches out--not whisky, mind you--but a great, fat, +green-and-gold bottle o' champagne, an' when Ally Bazan has fired it +off, she fills our glasses--dinky little flat glasses that looked like +flower vases. Then she stands up there before us, fine an' tall, all in +black silk, an' puts her glass up high an' sings out---- + +"'To the Revolution!' + +"An' we all solemn-like says, 'To the Revolution,' an' crooks our +elbows. When we-all comes to, about half an hour later, we're in the +street outside, havin' jus' said good-by to the Signorita. We-all are +some quiet the first block or so, and then Hardenberg says--stoppin' +dead in his tracks: + +"'I pauses to remark that when a certain young feemale party havin' +black hair an' a killin' eye gets good an' ready to travel up the centre +aisle of a church, I know the gent to show her the way, which he is six +feet one in his stocking-feet, some freckled across the nose, an' shoots +with both hands.' + +"'Which the same observations,' speaks up Strokher, twirlin' his yeller +lady-killer, 'which the same observations,' he says, 'has my hearty +indorsement an' cooperation savin' in the particular of the description +o' the gent. The gent is five foot eleven high, three feet thick, is the +only son of my mother, an' has yeller mustaches and a buck tooth.' + +"'He don't qualify,' puts in Hardenberg. 'First, because he's a +Englisher, and second, because he's up again a American--and besides, he +has a tooth that's bucked.' + +"'Buck or no buck,' flares out Strokher, 'wot might be the meanin' o' +that remark consernin' being a Englisher?' + +"'The fact o' his bein' English,' says Hardenberg, 'is only half the +hoe-handle. 'Tother half being the fact that the first-named gent is all +American. No Yank ain't never took no dust from aft a Englisher, whether +it were war, walkin'-matches, or women.' + +"'But they's a Englisher,' sings out Strokher, 'not forty miles from +here as can nick the nose o' a freckled Yank if so be occasion require.' + +"Now ain't that plum foolish-like," observed Bunt, philosophically. +"Ain't it plum foolish-like o' them two gesabes to go flyin' up in the +air like two he-hens on a hot plate--for nothin' in the world but +because a neat lookin' feemale woman has looked at 'em some soft? + +"Well, naturally, we others--Ally Bazan an' me--we others throws it into +'em pretty strong about bein' more kinds of blame fools than a pup with +a bug; an' they simmers down some, but along o' the way home I kin see +as how they're a-glarin' at each other, an' a-drawin' theirselves up +proud-like an' presumptchoous, an' I groans again, not loud but deep, as +the Good Book says. + +"We has two or three more palavers with the Signorita Esperanza and +stacks the deck to beat the harbor police and the Customs people an' +all, an' to nip down the coast with our contraband. An' each time we +chins with the Signorita there's them two locoes steppin' and sidle'n' +around her, actin' that silly-like that me and Ally Bazan takes an' +beats our heads agin' the walls so soon as we're alone just because +we're that pizen mortified. + +"Fin'ly comes the last talky-talk an' we're to sail away next day an' +mebbee snatch the little Joker through or be took an' hung by the _Costa +Guardas_. + +"An' 'Good-by,' says Hardenberg to Esperanza, in a faintin', die-away +voice like a kitten with a cold. 'An' ain't we goin' to meet no more?' + +"'I sure hopes as much,' puts in Strokher, smirkin' so's you'd think he +was a he-milliner sellin' a bonnet. 'I hope,' says he, 'our delightful +acquaintanceship ain't a-goin' for to end abrupt this-a-way.' + +"'Oh, you nice, big Mister Men,' pipes up the Signorita in English, 'we +will meet down there in Gortamalar soon again, yes, because I go down by +the vapour carriages to-morrow.' + +"'Unprotected, too,' says Hardenberg, waggin' his fool head. 'An' so +young!' + +"Holy Geronimo! I don't know what more fool drivelin' they had, but they +fin'ly comes away. Ally Bazan and me rounds 'em up and conducts 'em to +the boat an' puts 'em to bed like as if they was little--or drunk, an' +the next day--or next night, rather--about one o'clock, we slips the +heel ropes and hobbles o' the schooner quiet as a mountain-lion stalking +a buck, and catches the out-tide through the gate o' the bay. Lord, we +was some keyed up, lemmee tell you, an' Ally Bazan and Hardenberg was at +the fore end o' the boat with their guns ready in case o' bein' asked +impert'nent questions by the patrol-boats. + +"Well, how-some-ever, we nips out with the little Jokers (they was writ +in the manifest as minin' pumps) an' starts south. This 'ere _pasear_ +down to Gortamalar is the first time I goes a-gallying about on what the +Three Crows calls 'blue water'; and when that schooner hit the bar I +begins to remember that my stummick and inside arrangements ain't made +o' no chilled steel, nor yet o' rawhide. First I gits plum sad, and +shivery, and I feels as mean an' pore as a prairie-dog w'ich 'as eat a +horned toad back'ards. I goes to Ally Bazan and gives it out as how I'm +going for to die, an' I puts it up that I'm sure sad and depressed-like; +an' don't care much about life nohow; an' that present surroundin's lack +that certain undescribable charm. I tells him that I _knows_ the ship is +goin' to sink afore we git over the bar. Waves!--they was higher'n the +masts; and I've rode some fair lively sun-fishers in my time, but I +ain't never struck anythin' like the r'arin' and buckin' and +high-an'-lofty tumblin' that that same boat went through with those +first few hours after we had come out. + +"But Ally Bazan tells me to go downstairs in the boat an' lie up quiet, +an' byne-by I do feel better. By next day I kin sit up and take solid +food again. An' then's when I takes special notice o' the everlastin' +foolishness o' Strokner and Hardenberg. + +"You'd a thought each one o' them two mush-heads was tryin' to act the +part of a ole cow which has had her calf took. They goes a-moonin' about +the boat that mournful it 'ud make you yell jus' out o' sheer +nervousness. First one 'ud up an' hold his head on his hand an' lean on +the fence-rail that ran around the boat, and sigh till he'd raise his +pants clean outa the top o' his boots. An' then the other 'ud go off in +another part o' the boat an' _he'd_ sigh an' moon an' take on fit to +sicken a coyote. + +"But byne-by--we're mebbee six days to the good o' 'Frisco--byne-by they +two gits kind o' sassy along o' each t'other, an' they has a +heart-to-heart talk and puts it up as how either one o' 'em 'ud stand to +win so only the t'other was out o' the game. + +"'It's double or nothing,' says Hardenberg, who is somethin' o' a card +sharp, 'for either you or me, Stroke; an' if you're agreeable I'll play +you a round o' jacks for the chance at the Signorita--the loser to pull +out o' the running for good an' all.' + +"No, Strokher don't come in on no such game, he says. He wins her, he +says, as a man, and not as no poker player. No, nor he won't throw no +dice for the chance o' winnin' Esperanza, nor he won't flip no coin, nor +yet 'rastle. 'But,' says he all of a sudden, 'I'll tell you which I'll +do. You're a big, thick, strappin' hulk o' a two-fisted dray-horse, +Hardie, an' I ain't no effete an' digenerate one-lunger myself. Here's +wot I propose--that we-all takes an' lays out a sixteen-foot ring on the +quarterdeck, an' that the raw-boned Yank and the stodgy Englisher strips +to the waist, an' all-friendly-like, settles the question by Queensbury +rules an' may the best man win.' + +"Hardenberg looks him over. + +"'An' wot might be your weight?' says he. 'I don't figure on hurtin' of +you, if so be you're below my class.' + +"'I fights at a hunder and seventy,' says Strokher. + +"'An' me,' says Hardenberg, 'at a hunder an' seventy-five. We're +matched.' + +"'Is it a go?' inquires Strokher. + +"'You bet your great-gran'mammy's tortis-shell chessy cat it's a go,' +says Hardenberg, prompt as a hop-frog catching flies. + +"We don't lose no time trying to reason with 'em, for they is sure keen +on havin' the go. So we lays out a ring by the rear end o' the deck, an' +runs the schooner in till we're in the lee o' the land, an' she ridin' +steady on her pins. + +"Then along o' about four o'clock on a fine still day we lays the boat +to, as they say, an' folds up the sail, an' havin' scattered resin in +the ring (which it ain't no ring, but a square o' ropes on posts), we +says all is ready. + +"Ally Bazan, he's referee, an' me, I'm the time-keeper which I has to +ring the ship's bell every three minutes to let 'em know to quit an' +that the round is over. + +"We gets 'em into the ring, each in his own corner, squattin' on a +bucket, the time-keeper bein' second to Hardenberg an' the referee being +second to Strokher. An' then, after they has shuk hands, I climbs up on' +the chicken-coop an' hollers 'Time' an' they begins. + +"Mister Man, I've saw Tim Henan at his best, an' I've saw Sayres when he +was a top-notcher, an' likewise several other irregler boxin' sharps +that were sure tough tarriers. Also I've saw two short-horn bulls +arguin' about a question o' leadership, but so help me Bob--the fight I +saw that day made the others look like a young ladies' quadrille. Oh, I +ain't goin' to tell o' that mill in detail, nor by rounds. Rounds! After +the first five minutes they _wa'n't_ no rounds. I rung the blame bell +till I rung her loose an' Ally Bazan yells 'break-away' an' 'time's up' +till he's black in the face, but you could no more separate them two +than you could put the brakes on a blame earthquake. + +"At about suppertime we pulled 'em apart. We could do it by then, they +was both so gone; an' jammed each one o' 'em down in their corners. I +rings my bell good an' plenty, an' Ally Bazan stands up on a bucket in +the middle o' the ring an' says: + +"'I declare this 'ere glove contest a draw.' + +"An' draw it sure was. They fit for two hours stiddy an' never a one got +no better o' the other. They give each other lick for lick as fast an' +as steady as they could stand to it. 'Rastlin', borin' in, boxin'--all +was alike. The one was just as good as t'other. An' both willin' to the +very last. + +"When Ally Bazan calls it a draw, they gits up and wobbles toward each +other an' shakes hands, and Hardenberg he says: + +"'Stroke, I thanks you a whole lot for as neat a go as ever I mixed in.' + +"An' Strokher answers up: + +"'Hardie, I loves you better'n ever. You'se the first man I've met up +with which I couldn't do for--an' I've met up with some scraggy +propositions in my time, too.' + +"Well, they two is a sorry-lookin' pair o' birds by the time we runs +into San Diego harbour next night. They was fine lookin' objects for +fair, all bruises and bumps. You remember now we was to take on a party +at San Diego who was to show t'other half o' Esperanza's card, an' +thereafterward to boss the job. + +"Well, we waits till nightfall an' then slides in an' lays to off a +certain pile o' stone, an' shows two green lights and one white every +three and a half minutes for half a hour--this being a signal. + +"They is a moon, an' we kin see pretty well. After we'd signaled about a +hour, mebbee, we gits the answer--a one-minute green flare, and +thereafterward we makes out a rowboat putting out and comin' towards us. +They is two people in the boat. One is the gesabe at the oars an' the +other a party sitting in the hinder end. + +"Ally Bazan an' me, an' Strokher an' Hardenberg, we's all leanin' over +the fence a-watchin'; when all to once I ups an' groans some sad. The +party in the hinder end o' the boat bein' feemale. + +"'Ain't we never goin' to git shut of 'em?' says I; but the words ain't +no more'n off my teeth when Strokher pipes up: + +"'It's _she_,' says he, gaspin' as though shot hard. + +"'Wot!' cries Hardenberg, sort of mystified, 'Oh, I'm sure a-dreamin'! +he says, just that silly-like. + +"'An' the mugs we've got!' says Strokher. + +"An' they both sets to swearin' and cussin' to beat all I ever heard. + +"'I can't let her see me so bunged up,' says Hardenberg, doleful-like, +'Oh, whatever is to be done?' + +"'An' _I_ look like a real genuine blown-in-the-bottle pug,' whimpers +Strokher. 'Never mind,' says he, 'we must face the music. We'll tell her +these are sure honourable scars, got because we fit for her.' + +"Well, the boat comes up an' the feemale party jumps out and comes up +the let-down stairway, onto the deck. Without sayin' a word she hands +Hardenberg the half o' the card and he fishes out his half an' matches +the two by the light o' a lantern. + +"By this time the rowboat has gone a little ways off, an' then at last +Hardenberg says: + +"'Welkum aboard, Signorita.' + +"And Strokher cuts in with---- + +"'We thought it was to be a man that 'ud join us here to take command, +but _you_,' he says--an' oh, butter wouldn't a-melted in his mouth--'But +_you_ he says, 'is always our mistress. + +"'Very right, _bueno_. Me good fellows,' says the Signorita, 'but don't +you be afraid that they's no man is at the head o' this business.' An' +with that the party chucks off hat an' skirts, _and I'll be Mexican if +it wa'n't a man after all!_ + +"'I'm the Signor Barreto Palachi, gentlemen,' says he. 'The gringo +police who wanted for to arrest me made the disguise necessary. +Gentlemen, I regret to have been obliged to deceive such gallant +_compadres_; but war knows no law.' + +"Hardenberg and Strokher gives one look at the Signor and another at +their own spiled faces, then: + +"'Come back here with the boat!' roars Hardenberg over the side, and +with that--(upon me word you'd a-thought they two both were moved with +the same spring)--over they goes into the water and strikes out hands +over hands for the boat as hard as ever they kin lay to it. The boat +meets 'em--Lord knows what the party at the oars thought--they climbs in +an' the last I sees of 'em they was puttin' for shore--each havin' taken +a oar from the boatman, an' they sure was makin' that boat _hum_. + +"Well, we sails away eventually without 'em; an' a year or more +afterward I crosses their trail again in Cy Ryder's office in 'Frisco." + +"Did you ask them about it all?" said I. + +"Mister Man," observed Bunt. "I'm several kinds of a fool; I know it. +But sometimes I'm wise. I wishes for to live as long as I can, an' die +when I can't help it. I does _not_, neither there, nor thereafterward, +ever make no joke, nor yet no alloosion about, or concerning the +Signorita Esperanza Palachi in the hearin' o' Hardenberg an' Strokher. +I've seen--(ye remember)--both those boys use their fists--an' likewise +Hardenberg, as he says hisself, shoots with both hands." + + + + +THE DUAL PERSONALITY OF SLICK DICK NICKERSON + + +I. + +On a certain morning in the spring of the year, the three men who were +known as the Three Black Crows called at the office of "The President of +the Pacific and Oriental Flotation Company," situated in an obscure +street near San Francisco's water-front. They were Strokher, the tall, +blond, solemn, silent Englishman; Hardenberg, the American, dry of +humour, shrewd, resourceful, who bargained like a Vermonter and sailed a +schooner like a Gloucester cod-fisher; and in their company, as ever +inseparable from the other two, came the little colonial, nicknamed, for +occult reasons, "Ally Bazan," a small, wiry man, excitable, vociferous, +who was without fear, without guile and without money. + +When Hardenberg, who was always spokesman for the Three Crows, had sent +in their names, they were admitted at once to the inner office of the +"President." The President was an old man, bearded like a prophet, with +a watery blue eye and a forehead wrinkled like an orang's. He spoke to +the Three Crows in the manner of one speaking to friends he has not seen +in some time. + +"Well, Mr. Ryder," began Hardenberg. "We called around to see if you had +anything fer us this morning. I don't mind telling you that we're at +liberty jus' now. Anything doing?" + +Ryder fingered his beard distressfully. "Very little, Joe; very little." + +"Got any wrecks?" + +"Not a wreck." + +Hardenberg turned to a great map that hung on the wall by Ryder's desk. +It was marked in places by red crosses, against which were written +certain numbers and letters. Hardenberg put his finger on a small island +south of the Marquesas group and demanded: "What might be H. 33, Mr. +President?" + +"Pearl Island," answered the President. "Davidson is on that job." + +"Or H. 125?" Hardenberg indicated a point in the Gilbert group. + +"Guano deposits. That's promised." + +"Hallo! You're up in the Aleutians. I make out. 20 A.--what's that?" + +"Old government telegraph wire--line abandoned--finest drawn-copper +wire. I've had three boys at that for months." + +"What's 301? This here, off the Mexican coast?" + +The President, unable to remember, turned to his one clerk: "Hyers, +what's 301? Isn't that Peterson?" + +The clerk ran his finger down a column: "No, sir; 301 is the Whisky +Ship." + +"Ah! So it is. I remember. _You_ remember, too, Joe. Little schooner, +the _Tropic Bird_--sixty days out from Callao--five hundred cases of +whisky aboard--sunk in squall. It was thirty years ago. Think of five +hundred cases of thirty-year-old whisky! There's money in that if I can +lay my hands on the schooner. Suppose you try that, you boys--on a +twenty per cent. basis. Come now, what do you say?" + +"Not for _five_ per cent.," declared Hardenberg. "How'd we raise her? +How'd we know how deep she lies? Not for Joe. What's the matter with +landing arms down here in Central America for Bocas and his gang?" + +"I'm out o' that, Joe. Too much competition." + +"What's doing here in Tahiti--No. 88? It ain't lettered." + +Once more the President consulted his books. + +"Ah!--88. Here we are. Cache o' illicit pearls. I had it looked up. +Nothing in it." + +"Say, Cap'n!"--Hardenberg's eye had traveled to the upper edge of the +map--"whatever did you strike up here in Alaska? At Point Barrow, s'elp +me Bob! It's 48 B." + +The President stirred uneasily in his place. "Well, I ain't quite worked +that scheme out, Joe. But I smell the deal. There's a Russian post along +there some'eres. Where they catch sea-otters. And the skins o' +sea-otters are selling this very day for seventy dollars at any port in +China." + +"I s'y," piped up Ally Bazan, "I knows a bit about that gyme. They's a +bally kind o' Lum-tums among them Chinese as sports those syme skins on +their bally clothes--as a mark o' rank, d'ye see." + +"Have you figured at all on the proposition, Cap'n?" inquired +Hardenberg. + +"There's risk in it, Joe; big risk," declared the President nervously. +"But I'd only ask fifteen per cent." + +"You _have_ worked out the scheme, then." + +"Well--ah--y'see, there's the risk, and--ah--" Suddenly Ryder leaned +forward, his watery blue eyes glinting: "Boys, it's a _jewel_. It's just +your kind. I'd a-sent for you, to try on this very scheme, if you hadn't +shown up. You kin have the _Bertha Millner_--I've a year's charter o' +her from Wilbur--and I'll only ask you fifteen per cent. of the _net_ +profits--_net_, mind you." + +"I ain't buyin' no dead horse, Cap'n," returned Hardenberg, "but I'll +say this: we pay no fifteen per cent." + +"Banks and the Ruggles were daft to try it and give me twenty-five." + +"An' where would Banks land the scheme? I know him. You put him on that +German cipher-code job down Honolulu way, an' it cost you about a +thousand before you could pull out. We'll give you seven an' a half." + +"Ten," declared Ryder, "ten, Joe, at the very least. Why, how much do +you suppose just the stores would cost me? And Point Barrow--why, Joe, +that's right up in the Arctic. I got to run the risk o' you getting the +_Bertha_ smashed in the ice." + +"What do _we_ risk?" retorted Hardenberg; and it was the monosyllabic +Strokher who gave the answer: + +"Chokee, by Jove!" + +"Ten is fair. It's ten or nothing," answered Hardenberg. + +"Gross, then, Joe. Ten on the gross--or I give the job to the Ruggles +and Banks." + +"Who's your bloomin' agent?" put in Ally Bazan. + +"Nickerson. I sent him with Peterson on that _Mary Archer_ wreck scheme. +An' you know what Peterson says of him--didn't give him no trouble at +all. One o' my best men, boys." + +"There have been," observed Strokher stolidly, "certain stories told +about Nickerson. Not that _I_ wish to seem suspicious, but I put it to +you as man to man." + +"Ay," exclaimed Ally Bazan. "He was fair nutty once, they tell me. Threw +some kind o' bally fit an' come aout all skew-jee'd in his mind. Forgot +his nyme an' all. I s'y, how abaout him, anyw'y?" + +"Boys," said Ryder, "I'll tell you. Nickerson--yes, I know the yarns +about him. It was this way--y'see, I ain't keeping anything from you, +boys. Two years ago he was a Methody preacher in Santa Clara. Well, he +was what they call a revivalist, and he was holding forth one blazin' +hot day out in the sun when all to once he goes down, _flat,_ an' don't +come round for the better part o' two days. When he wakes up he's +_another person;_ he'd forgot his name, forgot his job, forgot the whole +blamed shooting-match. _And he ain't never remembered them since._ The +doctors have names for that kind o' thing. It seems it does happen now +and again. Well, he turned to an' began sailoring first off--soon as the +hospitals and medicos were done with him--an' him not having any friends +as you might say, he was let go his own gait. He got to be third mate of +some kind o' dough-dish down Mexico way; and then I got hold o' him an' +took him into the Comp'ny. He's been with me ever since. He ain't got +the faintest kind o' recollection o' his Methody days, an' believes he's +always been a sailorman. Well, that's _his_ business, ain't it? If he +takes my orders an' walks chalk, what do I care about his Methody game? +There, boys, is the origin, history and development of Slick Dick +Nickerson. If you take up this sea-otter deal and go to Point Barrow, +naturally Nick has got to go as owner's agent and representative of the +Comp'ny. But I couldn't send a easier fellow to get along with. Honest, +now, I couldn't. Boys, you think over the proposition between now and +tomorrow an' then come around and let me know." + +And the upshot of the whole matter was that one month later the _Bertha +Millner_, with Nickerson, Hardenberg, Strokher and Ally Bazan on board, +cleared from San Francisco, bound--the papers were beautifully +precise--for Seattle and Tacoma with a cargo of general merchandise. + +As a matter of fact, the bulk of her cargo consisted of some odd +hundreds of very fine lumps of rock--which as ballast is cheap by the +ton--and some odd dozen cases of conspicuously labeled champagne. + +The Pacific and Oriental Flotation Company made this champagne out of +Rhine wine, effervescent salts, raisins, rock candy and alcohol. It was +from the same stock of wine of which Ryder had sold some thousand cases +to the Coreans the year before. + + +II + +"Not that I care a curse," said Strokher, the Englishman. "But I put it +to you squarely that this voyage lacks that certain indescribable +charm." + +The _Bertha Millner_ was a fortnight out, and the four adventurers--or, +rather, the three adventurers and Nickerson--were lame in every joint, +red-eyed from lack of sleep, half-starved, wholly wet and unequivocally +disgusted. They had had heavy weather from the day they bade farewell to +the whistling buoy off San Francisco Bay until the moment when even +patient, docile, taciturn Strokher had at last--in his own +fashion--rebelled. + +"Ain't I a dam' fool? Ain't I a proper lot? Gard strike me if I don't +chuck fer fair after this. Wot'd I come to sea fer--an' this 'ere go is +the worst I _ever_ knew--a baoat no bigger'n a bally bath-tub, head +seas, livin' gyles the clock 'round, wet food, wet clothes, wet bunks. +Caold till, by cricky! I've lost the feel o' mee feet. An' wat for? For +the bloomin' good chanst o' a slug in mee guts. That's wat for." At +little intervals the little vociferous colonial, Ally Bazan--he was +red-haired and speckled--capered with rage, shaking his fists. + +But Hardenberg only shifted his cigar to the other corner of his mouth. +He knew Ally Bazan, and knew that the little fellow would have jeered at +the offer of a first-cabin passage back to San Francisco in the +swiftest, surest, steadiest passenger steamer that ever wore paint. So +he remarked: "I ain't ever billed this promenade as a Coney Island +picnic, I guess." + +Nickerson--Slick Dick, the supercargo--was all that Hardenberg, who +captained the schooner, could expect. He never interfered, never +questioned; never protested in the name or interests of the Company when +Hardenberg "hung on" in the bleak, bitter squalls till the _Bertha_ was +rail under and the sails hard as iron. + +If it was true that he had once been a Methody revivalist no one, to +quote Alia Bazan, "could a' smelled it off'n him." He was a +black-bearded, scrawling six-footer, with a voice like a steam siren and +a fist like a sledge. He carried two revolvers, spoke of the Russians at +Point Barrow as the "Boomskys," and boasted if it came to _that_ he'd +engage to account for two of them, would shove their heads into their +boot-legs and give them the running scrag, by God so he would! + +Slowly, laboriously, beset in blinding fogs, swept with, icy rains, +buffeted and mauled and man-handled by the unending assaults of the sea, +the _Bertha Millner_ worked her way northward up that iron coast--till +suddenly she entered an elysium. + +Overnight she seemed to have run into it: it was a world of green, +wooded islands, of smooth channels, of warm and steady winds, of +cloudless skies. Coming on deck upon the morning of the _Bertha's_ first +day in this new region, Ally Bazan gazed open-mouthed. Then: "I s'y!" he +yelled. "Hey! By crickey! Look!" He slapped his thighs. "S'trewth! This +is 'eavenly." + +Strokher was smoking his pipe on the hatch combings. "Rather," he +observed. "An' I put it to you--we've deserved it." + +In the main, however, the northward flitting was uneventful. Every fifth +day Nickerson got drunk--on the Company's Corean champagne. Now that the +weather had sweetened, the Three Black Crows had less to do in the way +of handling and nursing the schooner. Their plans when the "Boomskys" +should be reached were rehearsed over and over again. Then came spells +of card and checker playing, story-telling, or hours of silent inertia +when, man fashion, they brooded over pipes in a patch of sun, somnolent, +the mind empty of all thought. + +But at length the air took on a keener tang; there was a bite to the +breeze, the sun lost his savour and the light of him lengthened till +Hardenberg could read off logarithms at ten in the evening. Great-coats +and sweaters were had from the chests, and it was no man's work to reef +when the wind came down from out the north. + +Each day now the schooner was drawing nearer the Arctic Circle. At +length snow fell, and two days later they saw their first iceberg. + +Hardenberg worked out their position on the chart and bore to the +eastward till he made out the Alaskan coast--a smudge on the horizon. +For another week he kept this in sight, the schooner dodging the bergs +that by now drove by in squadrons, and even bumping and butling through +drift and slush ice. + +Seals were plentiful, and Hardenberg and Strokher promptly revived the +quarrel of their respective nations. Once even they slew a mammoth bull +walrus--astray from some northern herd--and played poker for the tusks. +Then suddenly they pulled themselves sharply together, and, as it were, +stood "attention." + +For more than a week the schooner, following the trend of the +far-distant coast, had headed eastward, and now at length, looming out +of the snow and out of the mist, a somber bulwark, black, vast, ominous, +rose the scarps and crags of that which they came so far to see--Point +Barrow. + +Hardenberg rounded the point, ran in under the lee of the land and +brought out the chart which Ryder had given him. Then he shortened sail +and moved west again till Barrow was "hull down" behind him. To the +north was the Arctic, treacherous, nursing hurricanes, ice-sheathed; but +close aboard, not a quarter of a mile off his counter, stretched a gray +and gloomy land, barren, bleak as a dead planet, inhospitable as the +moon. + +For three days they crawled along the edge keeping their glasses trained +upon every bay, every inlet. Then at length, early one morning, Ally +Bazan, who had been posted at the bows, came scrambling aft to +Hardenberg at the wheel. He was gasping for breath in his excitement. + +"Hi! There we are," he shouted. "O Lord! Oh, I s'y! Now we're in fer it. +That's them! That's them! By the great jumpin' jimminy Christmas, that's +them fer fair! Strike me blind for a bleedin' gutter-cat if it eyent. O +Lord! S'y, I gotta to get drunk. S'y, what-all's the first jump in the +bally game now?" + +"Well, the first thing, little man," observed Hardenberg, "is for your +mother's son to hang the monkey onto the safety-valve. Keep y'r steam +and watch y'r uncle." + +"Scrag the Boomskys," said Slick Dick encouragingly. + +Strokher pulled the left end of his viking mustache with the fingers of +his right hand. + +"We must now talk," he said. + +A last conference was held in the cabin, and the various parts of the +comedy rehearsed. Also the three looked to their revolvers. + +"Not that I expect a rupture of diplomatic relations," commented +Strokher; "but if there's any shooting done, as between man and man, I +choose to do it." + +"All understood, then?" asked Hardenberg, looking from face to face. +"There won't be no chance to ask questions once we set foot ashore." + +The others nodded. + +It was not difficult to get in with the seven Russian sea-otter +fishermen at the post. Certain of them spoke a macerated English, and +through these Hardenberg, Ally Bazan and Nickerson--Strokher remained on +board to look after the schooner--told to the "Boomskys" a lamentable +tale of the reported wreck of a vessel, described by Hardenberg, with +laborious precision, as a steam whaler from San Francisco--the _Tiber_ +by name, bark-rigged, seven hundred tons burden, Captain Henry Ward +Beecher, mate Mr. James Boss Tweed. They, the visitors, were the +officers of the relief-ship on the lookout for castaways and survivors. + +But in the course of these preliminaries it became necessary to restrain +Nickerson--not yet wholly recovered from a recent incursion into the +store of Corean champagne. It presented itself to his consideration as +facetious to indulge (when speaking to the Russians) in strange and +elaborate distortions of speech. + +"And she sunk-avitch in a hundred fathom o' water-owski." + +"--All on board-erewski." + +"--hell of dam' bad storm-onavna." + +And he persisted in the idiocy till Hardenberg found an excuse for +taking him aside and cursing him into a realization of his position. + +In the end--inevitably--the schooner's company were invited to dine at +the post. + +It was a strange affair--a strange scene. The coast, flat, gray, dreary +beyond all power of expression, lonesome as the interstellar space, and +quite as cold, and in all that limitless vastness of the World's Edge, +two specks--the hut, its three windows streaming with light, and the +tiny schooner rocking in the offing. Over all flared the pallid +incandescence of the auroras. + +The Company drank steadily, and Strokher, listening from the schooner's +quarterdeck, heard the shouting and the songs faintly above the wash and +lapping under the counter. Two hours had passed since the moment he +guessed that the feast had been laid. A third went by. He grew uneasy. +There was no cessation of the noise of carousing. He even fancied he +heard pistol shots. Then after a long time the noise by degrees wore +down; a long silence followed. The hut seemed deserted; nothing stirred; +another hour went by. + +Then at length Strokher saw a figure emerge from the door of the hut and +come down to the shore. It was Hardenberg. Strokher saw him wave his arm +slowly, now to the left, now to the right, and he took down the wig-wag +as follows: "Stand--in--closer--we--have--the--skins." + + +III + +During the course of the next few days Strokher heard the different +versions of the affair in the hut over and over again till he knew its +smallest details. He learned how the "Boomskys" fell upon Ryder's +champagne like wolves upon a wounded buck, how they drank it from +"enameled-ware" coffee-cups, from tin dippers, from the bottles +themselves; how at last they even dispensed with the tedium of removing +the corks and knocked off the heads against the table-ledge and drank +from the splintered bottoms; how they quarreled over the lees and dregs, +how ever and always fresh supplies were forthcoming, and how at last +Hardenberg, Ally Bazan and Slick Dick stood up from the table in the +midst of the seven inert bodies; how they ransacked the place for the +priceless furs; how they failed to locate them; how the conviction grew +that this was the wrong place after all, and how at length Hardenberg +discovered the trap-door that admitted to the cellar, where in the dim +light of the uplifted lanterns they saw, corded in tiny bales and +packages, the costliest furs known to commerce. + +Ally Bazan had sobbed in his excitement over that vision and did not +regain the power of articulate speech till the "loot" was safely stowed +in the 'tween-decks and Hardenberg had given order to come about. + +"Now," he had observed dryly, "now, lads, it's Hongkong--or bust." + +The tackle had fouled aloft and the jib hung slatting over the sprit +like a collapsed balloon. + +"Cast off up there, Nick!" called Hardenberg from the wheel. + +Nickerson swung himself into the rigging, crying out in a mincing voice +as, holding to a rope's end, he swung around to face the receding hut: +"By-bye-skevitch. We've had _such_ a charming evening. _Do_ hope-sky +we'll be able to come again-off." And as he spoke the lurch of the +_Bertha_ twitched his grip from the rope. He fell some thirty feet to +the deck, and his head carromed against an iron cleat with a resounding +crack. + +"Here's luck," observed Hardenberg, twelve hours later, when Slick Dick, +sitting on the edge of his bunk, looked stolidly and with fishy eyes +from face to face. "We wa'n't quite short-handed enough, it seems." + +"Dotty for fair. Dotty for fair," exclaimed Ally Bazan; "clean off 'is +nut. I s'y, Dick-ol'-chap, wyke-up, naow. Buck up. Buck up. _'Ave_ a +drink." + +But Nickerson could only nod his head and murmur: "A few +more--consequently--and a good light----" Then his voice died down to +unintelligible murmurs. + +"We'll have to call at Juneau," decided Hardenberg two days later. "I +don't figure on navigating this 'ere bath-tub to no Hongkong whatsoever, +with three hands. We gotta pick up a couple o' A.B.'s in Juneau, if so +be we can." + +"How about the loot?" objected Strokher. "If one of those hands gets +between decks he might smell--a sea-otter, now. I put it to you he +might." + +"My son," said Hardenberg, "I've handled A.B.'s before;" and that +settled the question. + +During the first part of the run down, Nickerson gloomed silently over +the schooner, looking curiously about him, now at his comrades' faces, +now at the tumbling gray-green seas, now--and this by the hour--at his +own hands. He seemed perplexed, dazed, trying very hard to get his +bearings. But by and by he appeared, little by little, to come to +himself. One day he pointed to the rigging with an unsteady forefinger, +then, laying the same finger doubtfully upon his lips, said to Strokher: +"A ship?" + +"Quite so, quite so, me boy." + +"Yes," muttered Nickerson absently, "a ship--of course." + +Hardenberg expected to make Juneau on a Thursday. Wednesday afternoon +Slick Dick came to him. He seemed never more master of himself. "How did +I come aboard?" he asked. + +Hardenberg explained. + +"What have we been doing?" + +"Why, don't you remember?" continued Hardenberg. He outlined the voyage +in detail. "Then you remember," he went on, "we got up there to Point +Barrow and found where the Russian fellows had their post, where they +caught sea-otters, and we went ashore and got 'em all full and lifted +all the skins they had----" + +"'Lifted'? You mean _stole_ them." + +"Come here," said the other. Encouraged by Nickerson's apparent +convalescence, Hardenberg decided that the concrete evidence of things +done would prove effective. He led him down into the 'tween-decks. "See +now," he said. "See this packing-case"--he pried up a board--"see these +'ere skins. Take one in y'r hand. Remember how we found 'em all in the +cellar and hyked 'em out while the beggars slept?" + +"_Stole_ them? You say we got--that is _you_ did--got somebody +intoxicated and stole their property, and now you are on your way to +dispose of it." + +"Oh, well, if you want to put it thataway. Sure we did." + +"I understand----Well----Let's go back on deck. I want to think this +out." + +The _Bertha Millner_ crept into the harbour of Juneau in a fog, with +ships' bells tolling on every side, let go her anchor at last in +desperation and lay up to wait for the lifting. When this came the Three +Crows looked at one another wide-eyed. They made out the drenched town +and the dripping hills behind it. The quays, the custom house, the one +hotel, and the few ships in the harbour. There were a couple of whalers +from 'Frisco, a white, showily painted passenger boat from the same +port, a Norwegian bark, and a freighter from Seattle grimy with +coal-dust. These, however, the _Bertha's_ company ignored. Another boat +claimed all their attention. In the fog they had let go not a +pistol-shot from her anchorage. She lay practically beside them. She was +the United States revenue cutter _Bear._ + +"But so long as they can't _smell_ sea-otter skin," remarked Hardenberg, +"I don't know that we're any the worse." + +"All the syme," observed Ally Bazan, "I don't want to lose no bloomin' +tyme a-pecking up aour bloomin' A.B.'s." + +"I'll stay aboard and tend the baby," said Hardenberg with a wink. "You +two move along ashore and get what you can--Scoovies for choice. Take +Slick Dick with you. I reckon a change o' air might buck him up." + +When the three had gone, Hardenberg, after writing up the painfully +doctored log, set to work to finish a task on which the adventurers had +been engaged in their leisure moments since leaving Point Barrow. This +was the counting and sorting of the skins. The packing-case had been +broken open, and the scanty but precious contents littered an improvised +table in the hold. Pen in hand, Hardenberg counted and ciphered and +counted again. He could not forbear a chuckle when the net result was +reached. The lot of the skins--the pelt of the sea-otter is ridiculously +small in proportion to its value--was no heavy load for the average man. +But Hardenberg knew that once the "loot" was safely landed at the +Hongkong pierhead the Three Crows would share between them close upon +ten thousand dollars. Even--if they had luck, and could dispose of the +skins singly or in small lots--that figure might be doubled. + +"And I call it a neat turn," observed Hardenberg. He was aroused by the +noise of hurried feet upon the deck, and there was that in their sound +that brought him upright in a second, hand on hip. Then, after a second, +he jumped out on deck to meet Ally Bazan and Strokher, who had just +scrambled over the rail. + +"Bust. B-u-s-t!" remarked the Englishman. + +"'Ere's 'ell to pay," cried Ally Bazan in a hoarse whisper, glancing +over at the revenue cutter. + +"Where's Nickerson?" demanded Hardenberg. + +"That's it," answered the colonial. "That's where it's 'ell. Listen +naow. He goes ashore along o' us, quiet and peaceable like, never +battin' a eye, we givin' him a bit o' jolly, y' know, to keep him +chirked up as ye might s'y. But so soon as ever he sets foot on shore, +abaout faice he gaoes, plumb into the Custom's orfice. I s'ys, 'Wot all +naow, messmite? Come along aout o' that.' But he turns on me like a +bloomin' babby an s'ys he: 'Hands orf, wretch!' Ay, them's just his +words. Just like that, 'Hands orf, wretch!' And then he nips into the +orfice an' marches fair up to the desk an' sy's like this--we heerd him, +havin' followed on to the door--he s'ys, just like this: + +"'Orfficer, I am a min'ster o' the gospel, o' the Methodis' +denomineye-tion, an' I'm deteyined agin my will along o' a pirate ship +which has robbed certain parties o' val-able goods. Which syme I'm +pre-pared to attest afore a no'try publick, an' lodge informeye-tion o' +crime. An',' s'ys he, 'I demand the protection o' the authorities an' +arsk to be directed to the American consul.' + +"S'y, we never wyted to hear no more, but hyked awye hot foot. S'y, wot +all now. Oh, mee Gord! eyen't it a rum gao for fair? S'y, let's get +aout o' here, Hardy, dear." + +"Look there," said Hardenberg, jerking his head toward the cutter, "how +far'd we get before the customs would 'a' passed the tip to _her_ and +she'd started to overhaul us? That's what they feed her for--to round up +the likes o' us." + +"We got to do something rather soon," put in Strokher. "Here comes the +custom house dinghy now." + +As a matter of fact, a boat was putting off from the dock. At her stern +fluttered the custom house flag. + +"Bitched--bitched for fair!" cried Ally Bazan. + +[Illustration: "'ERE'S 'ELL TO PAY!" + +From a drawing by Lucius Hitchcock _Courtesy of Collier's Weekly_.] + +"Quick, now!" exclaimed Hardenberg. "On the jump! Overboard with that +loot!--or no. Steady! That won't do. There's that dam' cutter. They'd +see it go. Here!--into the galley. There's a fire in the stove. Get a +move on!" + +"Wot!" wailed Ally Bazan. "Burn the little joker. Gord, I _can't,_ +Hardy, I _can't._ It's agin human nature." + +"You can do time in San Quentin, then, for felony," retorted Strokher as +he and Hardenberg dashed by him, their arms full of the skins. "You can +do time in San Quentin else. Make your choice. I put it to you as +between man and man." + +With set teeth, and ever and again glancing over the rail at the +oncoming boat, the two fed their fortune to the fire. The pelts, +partially cured and still fatty, blazed like crude oil, the hair +crisping, the hides melting into rivulets of grease. For a minute the +schooner reeked of the smell and a stifling smoke poured from the galley +stack. Then the embers of the fire guttered and a long whiff of sea wind +blew away the reek. A single skin, fallen in the scramble, still +remained on the floor of the galley. Hardenberg snatched it up, tossed +it into the flames and clapped the door to. "Now, let him squeal," he +declared. "You fellows, when that boat gets here, let _me_ talk; keep +your mouths shut or, by God, we'll all wear stripes." + +The Three Crows watched the boat's approach in a silence broken only +once by a long whimper from Ally Bazan. "An' it was a-workin' out as +lovely as Billy-oh," he said, "till that syme underbred costermonger's +swipe remembered he was Methody--an' him who, only a few d'ys back, went +raound s'yin' 'scrag the "Boomskys"!' A couple o' thousand pounds gone +as quick as look at it. Oh, I eyn't never goin' to git over this." + +The boat came up and the Three Crows were puzzled to note that no +brass-buttoned personage sat in the stern-sheets, no harbour police +glowered at them from the bow, no officer of the law fixed them with the +eye of suspicion. The boat was manned only by a couple of +freight-handlers in woolen Jerseys, upon the breasts of which were +affixed the two letters "C.H." + +"Say," called one of the freight-handlers, "is this the _Bertha +Millner?"_ + +"Yes," answered Hardenberg, his voice at a growl. "An' what might you +want with her, my friend?" + +"Well, look here," said the other, "one of your hands came ashore mad as +a coot and broke into the house of the American Consul, and resisted +arrest and raised hell generally. The inspector says you got to send a +provost guard or something ashore to take him off. There's been several +mix-ups among ships' crews lately and the town----" + +The tide drifted the boat out of hearing, and Hardenberg sat down on the +capstan head, turning his back to his comrades. There was a long +silence. Then he said: + +"Boys, let's go home. I--I want to have a talk with President Ryder." + + + + +THE SHIP THAT SAW A GHOST + + +Very much of this story must remain untold, for the reason that if it +were definitely known what business I had aboard the tramp +steam-freighter _Glarus_, three hundred miles off the South American +coast on a certain summer's day, some few years ago, I would very likely +be obliged to answer a great many personal and direct questions put by +fussy and impertinent experts in maritime law--who are paid to be +inquisitive. Also, I would get "Ally Bazan," Strokher and Hardenberg +into trouble. + +Suppose on that certain summer's day, you had asked of Lloyds' agency +where the _Glarus_ was, and what was her destination and cargo. You +would have been told that she was twenty days out from Callao, bound +north to San Francisco in ballast; that she had been spoken by the bark +_Medea_ and the steamer _Benevento_; that she was reported to have blown +out a cylinder head, but being manageable was proceeding on her way +under sail. + +That is what Lloyds would have answered. + +If you know something of the ways of ships and what is expected of them, +you will understand that the _Glarus_, to be some half a dozen hundred +miles south of where Lloyds' would have her, and to be still going +south, under full steam, was a scandal that would have made her brothers +and sisters ostracize her finally and forever. + +And that is curious, too. Humans may indulge in vagaries innumerable, +and may go far afield in the way of lying; but a ship may not so much as +quibble without suspicion. The least lapse of "regularity," the least +difficulty in squaring performance with intuition, and behold she is on +the black list, and her captain, owners, officers, agents and +consignors, and even supercargoes, are asked to explain. + +And the _Glarus_ was already on the black list. From the beginning her +stars had been malign. As the _Breda_, she had first lost her +reputation, seduced into a filibustering escapade down the South +American coast, where in the end a plain-clothes United States +detective--that is to say, a revenue cutter--arrested her off Buenos +Ayres and brought her home, a prodigal daughter, besmirched and +disgraced. + +After that she was in some dreadful black-birding business in a far +quarter of the South Pacific; and after that--her name changed finally +to the _Glarus_--poached seals for a syndicate of Dutchmen who lived in +Tacoma, and who afterward built a club-house out of what she earned. + +And after that we got her. + +We got her, I say, through Ryder's South Pacific Exploitation Company. +The "President" had picked out a lovely little deal for Hardenberg, +Strokher and Ally Bazan (the Three Black Crows), which he swore would +make them "independent rich" the rest of their respective lives. It is a +promising deal (B. 300 it is on Ryder's map), and if you want to know +more about it you may write to ask Ryder what B. 300 is. If he chooses +to tell you, that is his affair. + +For B. 300--let us confess it--is, as Hardenberg puts it, as crooked as +a dog's hind leg. It is as risky as barratry. If you pull it off you +may--after paying Ryder his share--divide sixty-five, or possibly +sixty-seven, thousand dollars between you and your associates. If you +fail, and you are perilously like to fail, you will be sure to have a +man or two of your companions shot, maybe yourself obliged to pistol +certain people, and in the end fetch up at Tahiti, prisoner in a French +patrol-boat. + +Observe that B. 300 is spoken of as still open. It is so, for the reason +that the Three Black Crows did not pull it off. It still stands marked +up in red ink on the map that hangs over Ryder's desk in the San +Francisco office; and any one can have a chance at it who will meet +Cyrus Ryder's terms. Only he can't get the _Glarus_ for the attempt. + +For the trip to the island after B. 300 was the last occasion on which +the _Glarus_ will smell blue water or taste the trades. She will never +clear again. She is lumber. + +And yet the _Glarus_ on this very blessed day of 1902 is riding to her +buoys off Sausalito in San Francisco Bay, complete in every detail (bar +a broken propeller shaft), not a rope missing, not a screw loose, not a +plank started--a perfectly equipped steam-freighter. + +But you may go along the "Front" in San Francisco from Fisherman's Wharf +to the China steamships' docks and shake your dollars under the seamen's +noses, and if you so much as whisper _Glarus_ they will edge suddenly +off and look at you with scared suspicion, and then, as like as not, +walk away without another word. No pilot will take the _Glarus_ out; no +captain will navigate her; no stoker will feed her fires; no sailor will +walk her decks. The _Glarus_ is suspect. She has seen a ghost. + + * * * * * + +It happened on our voyage to the island after this same B. 300. We had +stood well off from shore for day after day, and Hardenberg had shaped +our course so far from the track of navigation that since the +_Benevento_ had hulled down and vanished over the horizon no stitch of +canvas nor smudge of smoke had we seen. We had passed the equator long +since, and would fetch a long circuit to the southard, and bear up +against the island by a circuitous route. This to avoid being spoken. It +was tremendously essential that the _Glarus_ should not be spoken. + +I suppose, no doubt, that it was the knowledge of our isolation that +impressed me with the dreadful remoteness of our position. Certainly the +sea in itself looks no different at a thousand than at a hundred miles +from shore. But as day after day I came out on deck at noon, after +ascertaining our position on the chart (a mere pin-point in a reach of +empty paper), the sight of the ocean weighed down upon me with an +infinitely great awesomeness--and I was no new hand to the high seas +even then. + +But at such times the _Glarus_ seemed to me to be threading a loneliness +beyond all worlds and beyond all conception desolate. Even in more +populous waters, when no sail notches the line of the horizon, the +propinquity of one's kind is nevertheless a thing understood, and to an +unappreciated degree comforting. Here, however, I knew we were out, far +out in the desert. Never a keel for years upon years before us had +parted these waters; never a sail had bellied to these winds. +Perfunctorily, day in and day out we turned our eyes through long habit +toward the horizon. But we knew, before the look, that the searching +would be bootless. Forever and forever, under the pitiless sun and cold +blue sky stretched the indigo of the ocean floor. The ether between the +planets can be no less empty, no less void. + +I never, till that moment, could have so much as conceived the +imagination of such loneliness, such utter stagnant abomination of +desolation. In an open boat, bereft of comrades, I should have gone mad +in thirty minutes. + +I remember to have approximated the impression of such empty immensity +only once before, in my younger days, when I lay on my back on a +treeless, bushless mountainside and stared up into the sky for the +better part of an hour. + +You probably know the trick. If you do not, you must understand that if +you look up at the blue long enough, the flatness of the thing begins +little by little to expand, to give here and there; and the eye travels +on and on and up and up, till at length (well for you that it lasts but +the fraction of a second), you all at once see space. You generally stop +there and cry out, and--your hands over your eyes--are only too glad to +grovel close to the good old solid earth again. Just as I, so often on +short voyage, was glad to wrench my eyes away from that horrid vacancy, +to fasten them upon our sailless masts and stack, or to lay my grip upon +the sooty smudged taffrail of the only thing that stood between me and +the Outer Dark. + +For we had come at last to that region of the Great Seas where no ship +goes, the silent sea of Coleridge and the Ancient One, the unplumbed, +untracked, uncharted Dreadfulness, primordial, hushed, and we were as +much alone as a grain of star-dust whirling in the empty space beyond +Uranus and the ken of the greater telescopes. + +So the _Glarus_ plodded and churned her way onward. Every day and all +day the same pale-blue sky and the unwinking sun bent over that moving +speck. Every day and all day the same black-blue water-world, untouched +by any known wind, smooth as a slab of syenite, colourful as an opal, +stretched out and around and beyond and before and behind us, forever, +illimitable, empty. Every day the smoke of our fires veiled the streaked +whiteness of our wake. Every day Hardenberg (our skipper) at noon +pricked a pin-hole in the chart that hung in the wheel-house, and that +showed we were so much farther into the wilderness. Every day the world +of men, of civilization, of newspapers, policemen and street-railways +receded, and we steamed on alone, lost and forgotten in that silent sea. + +"Jolly lot o' room to turn raound in," observed Ally Bazan, the +colonial, "withaout steppin' on y'r neighbour's toes." + +"We're clean, clean out o' the track o' navigation," Hardenberg told +him. "An' a blessed good thing for us, too. Nobody ever comes down into +these waters. Ye couldn't pick no course here. Everything leads to +nowhere." + +"Might as well be in a bally balloon," said Strokher. + +I shall not tell of the nature of the venture on which the _Glarus_ was +bound, further than to say it was not legitimate. It had to do with an +ill thing done more than two centuries ago. There was money in the +venture, but it was not to be gained by a violation of metes and bounds +which are better left intact. + +The island toward which we were heading is associated in the minds of +men with a Horror. + +A ship had called there once, two hundred years in advance of the +_Glarus_--a ship not much unlike the crank high-prowed caravel of +Hudson, and her company had landed, and having accomplished the evil +they had set out to do, made shift to sail away. And then, just after +the palms of the island had sunk from sight below the water's edge, the +unspeakable had happened. The Death that was not Death had arisen from +out the sea and stood before the ship, and over it, and the blight of +the thing lay along the decks like mould, and the ship sweated in the +terror of that which is yet without a name. + +Twenty men died in the first week, all but six in the second. These six, +with the shadow of insanity upon them, made out to launch a boat, +returned to the island and died there, after leaving a record of what +had happened. + +The six left the ship exactly as she was, sails all set, lanterns all +lit--left her in the shadow of the Death that was not Death. + +She stood there, becalmed, and watched them go. She was never heard of +again. + +Or was she--well, that's as may be. + +But the main point of the whole affair, to my notion, has always been +this. The ship was the last friend of those six poor wretches who made +back for the island with their poor chests of plunder. She was their +guardian, as it were, would have defended and befriended them to the +last; and also we, the Three Black Crows and myself, had no right under +heaven, nor before the law of men, to come prying and peeping into this +business--into this affair of the dead and buried past. There was +sacrilege in it. We were no better than body-snatchers. + + * * * * * + +When I heard the others complaining of the loneliness of our +surroundings, I said nothing at first. I was no sailor man, and I was on +board only by tolerance. But I looked again at the maddening sameness of +the horizon--the same vacant, void horizon that we had seen now for +sixteen days on end, and felt in my wits and in my nerves that same +formless rebellion and protest such as comes when the same note is +reiterated over and over again. + +It may seem a little thing that the mere fact of meeting with no other +ship should have ground down the edge of the spirit. But let the +incredulous--bound upon such a hazard as ours--sail straight into +nothingness for sixteen days on end, seeing nothing but the sun, hearing +nothing but the thresh of his own screw, and then put the question. + +And yet, of all things, we desired no company. Stealth was our one great +aim. But I think there were moments--toward the last--when the Three +Crows would have welcomed even a cruiser. + +Besides, there was more cause for depression, after all, than mere +isolation. + +On the seventh day Hardenberg and I were forward by the cat-head, +adjusting the grain with some half-formed intent of spearing the +porpoises that of late had begun to appear under our bows, and +Hardenberg had been computing the number of days we were yet to run. + +"We are some five hundred odd miles off that island by now," he said, +"and she's doing her thirteen knots handsome. All's well so far--but do +you know, I'd just as soon raise that point o' land as soon as +convenient." + +"How so?" said I, bending on the line. "Expect some weather?" + +"Mr. Dixon," said he, giving me a curious glance, "the sea is a queer +proposition, put it any ways. I've been a seafarin' man since I was big +as a minute, and I know the sea, and what's more, the Feel o' the sea. +Now, look out yonder. Nothin', hey? Nothin' but the same ol' skyline +we've watched all the way out. The glass is as steady as a steeple, and +this ol' hooker, I reckon, is as sound as the day she went off the ways. +But just the same if I were to home now, a-foolin' about Gloucester way +in my little dough-dish--d'ye know what? I'd put into port. I sure +would. Because why? Because I got the Feel o' the Sea, Mr. Dixon. I got +the Feel o' the Sea." + +I had heard old skippers say something of this before, and I cited to +Hardenberg the experience of a skipper captain I once knew who had +turned turtle in a calm sea off Trincomalee. I ask him what this Feel of +the Sea was warning him against just now (for on the high sea any +premonition is a premonition of evil, not of good). But he was not +explicit. + +"I don't know," he answered moodily, and as if in great perplexity, +coiling the rope as he spoke. "I don't know. There's some blame thing or +other close to us, I'll bet a hat. I don't know the name of it, but +there's a big Bird in the air, just out of sight som'eres, and," he +suddenly exclaimed, smacking his knee and leaning forward, +"I--don't--like--it--one--dam'--bit." + +The same thing came up in our talk in the cabin that night, after the +dinner was taken off and we settled down to tobacco. Only, at this time, +Hardenberg was on duty on the bridge. It was Ally Bazan who spoke +instead. + +"Seems to me," he hazarded, "as haow they's somethin' or other a-goin' +to bump up pretty blyme soon. I shouldn't be surprised, naow, y'know, if +we piled her up on some bally uncharted reef along o' to-night and went +strite daown afore we'd had a bloomin' charnce to s'y 'So long, +gen'lemen all.'" + +He laughed as he spoke, but when, just at that moment, a pan clattered +in the galley, he jumped suddenly with an oath, and looked hard about +the cabin. + +Then Strokher confessed to a sense of distress also. He'd been having it +since day before yesterday, it seemed. + +"And I put it to you the glass is lovely," he said, "so it's no blow. I +guess," he continued, "we're all a bit seedy and ship-sore." + +And whether or not this talk worked upon my own nerves, or whether in +very truth the Feel of the Sea had found me also, I do not know; but I +do know that after dinner that night, just before going to bed, a queer +sense of apprehension came upon me, and that when I had come to my +stateroom, after my turn upon deck, I became furiously angry with nobody +in particular, because I could not at once find the matches. But here +was a difference. The other man had been merely vaguely uncomfortable. + +I could put a name to my uneasiness. I felt that we were being watched. + + * * * * * + +It was a strange ship's company we made after that. I speak only of the +Crows and myself. We carried a scant crew of stokers, and there was also +a chief engineer. But we saw so little of him that he did not count. The +Crows and I gloomed on the quarterdeck from dawn to dark, silent, +irritable, working upon each other's nerves till the creak of a block +would make a man jump like cold steel laid to his flesh. We quarreled +over absolute nothings, glowered at each other for half a word, and each +one of us, at different times, was at some pains to declare that never +in the course of his career had he been associated with such a +disagreeable trio of brutes. Yet we were always together, and sought +each other's company with painful insistence. + +Only once were we all agreed, and that was when the cook, a Chinaman, +spoiled a certain batch of biscuits. Unanimously we fell foul of the +creature with so much vociferation as fishwives till he fled the cabin +in actual fear of mishandling, leaving us suddenly seized with noisy +hilarity--for the first time in a week. Hardenberg proposed a round of +drinks from our single remaining case of beer. We stood up and formed an +Elk's chain and then drained our glasses to each other's health with +profound seriousness. + +That same evening, I remember, we all sat on the quarterdeck till late +and--oddly enough--related each one his life's history up to date; and +then went down to the cabin for a game of euchre before turning in. + +We had left Strokher on the bridge--it was his watch--and had forgotten +all about him in the interest of the game, when--I suppose it was about +one in the morning--I heard him whistle long and shrill. I laid down my +cards and said: + +"Hark!" + +In the silence that followed we heard at first only the muffled lope of +our engines, the cadenced snorting of the exhaust, and the ticking of +Hardenberg's big watch in his waistcoat that he had hung by the arm-hole +to the back of his chair. Then from the bridge, above our deck, +prolonged, intoned--a wailing cry in the night--came Strokher's voice: + +"Sail oh-h-h." + +And the cards fell from our hands, and, like men turned to stone, we sat +looking at each other across the soiled red cloth for what seemed an +immeasurably long minute. + +Then stumbling and swearing, in a hysteria of hurry, we gained the deck. + +There was a moon, very low and reddish, but no wind. The sea beyond the +taffrail was as smooth as lava, and so still that the swells from the +cutwater of the _Glarus_ did not break as they rolled away from the +bows. + +I remember that I stood staring and blinking at the empty ocean--where +the moonlight lay like a painted stripe reaching to the horizon--stupid +and frowning, till Hardenberg, who had gone on ahead, cried: + +"Not here--on the bridge!" + +We joined Strokher, and as I came up the others were asking: + +"Where? Where?" + +And there, before he had pointed, I saw--we all of us saw--And I heard +Hardenberg's teeth come together like a spring trap, while Ally Bazan +ducked as though to a blow, muttering: + +"Gord 'a' mercy, what nyme do ye put to' a ship like that?" + +And after that no one spoke for a long minute, and we stood there, +moveless black shadows, huddled together for the sake of the blessed +elbow touch that means so incalculably much, looking off over our port +quarter. + +For the ship that we saw there--oh, she was not a half-mile distant--was +unlike any ship known to present day construction. + +She was short, and high-pooped, and her stern, which was turned a little +toward us, we could see, was set with curious windows, not unlike a +house. And on either side of this stern were two great iron cressets +such as once were used to burn signal-fires in. She had three masts with +mighty yards swung 'thwart ship, but bare of all sails save a few +rotting streamers. Here and there about her a tangled mass of rigging +drooped and sagged. + +And there she lay, in the red eye of the setting moon, in that solitary +ocean, shadowy, antique, forlorn, a thing the most abandoned, the most +sinister I ever remember to have seen. + +Then Strokher began to explain volubly and with many repetitions. + +"A derelict, of course. I was asleep; yes, I was asleep. Gross neglect +of duty. I say I was asleep--on watch. And we worked up to her. When I +woke, why--you see, when I woke, there she was," he gave a weak little +laugh, "and--and now, why, there she is, you see. I turned around and +saw her sudden like--when I woke up, that is." + +He laughed again, and as he laughed the engines far below our feet gave +a sudden hiccough. Something crashed and struck the ship's sides till we +lurched as we stood. There was a shriek of steam, a shout--and then +silence. + +The noise of the machinery ceased; the _Glarus_ slid through the still +water, moving only by her own decreasing momentum. + +Hardenberg sang, "Stand by!" and called down the tube to the +engine-room. + +"What's up?" + +I was standing close enough to him to hear the answer in a small, faint +voice: + +"Shaft gone, sir." + +"Broke?" + +"Yes, sir." + +Hardenberg faced about. + +"Come below. We must talk." I do not think any of us cast a glance at +the Other Ship again. Certainly I kept my eyes away from her. But as we +started down the companion-way I laid my hand on Strokher's shoulder. +The rest were ahead. I looked him straight between the eyes as I asked: + +"Were you asleep? Is that why you saw her so suddenly?" + +It is now five years since I asked the question. I am still waiting for +Strokher's answer. + +Well, our shaft was broken. That was flat. We went down into the +engine-room and saw the jagged fracture that was the symbol of our +broken hopes. And in the course of the next five minutes' conversation +with the chief we found that, as we had not provided against such a +contingency, there was to be no mending of it. We said nothing about the +mishap coinciding with the appearance of the Other Ship. But I know we +did not consider the break with any degree of surprise after a few +moments. + +We came up from the engine-room and sat down to the cabin table. + +"Now what?" said Hardenberg, by way of beginning. + +Nobody answered at first. + +It was by now three in the morning. I recall it all perfectly. The ports +opposite where I sat were open and I could see. The moon was all but +full set. The dawn was coming up with a copper murkiness over the edge +of the world. All the stars were yet out. The sea, for all the red moon +and copper dawn, was gray, and there, less than half a mile away, still +lay our consort. I could see her through the portholes with each slow +careening of the _Glarus_. + +"I vote for the island," cried Ally Bazan, "shaft or no shaft. We rigs a +bit o' syle, y'know----" and thereat the discussion began. + +For upward of two hours it raged, with loud words and shaken +forefingers, and great noisy bangings of the table, and how it would +have ended I do not know, but at last--it was then maybe five in the +morning--the lookout passed word down to the cabin: + +"Will you come on deck, gentlemen?" It was the mate who spoke, and the +man was shaken--I could see that--to the very vitals of him. We started +and stared at one another, and I watched little Ally Bazan go slowly +white to the lips. And even then no word of the ship, except as it might +be this from Hardenberg: + +"What is it? Good God Almighty, I'm no coward, but this thing is getting +one too many for me." + +Then without further speech he went on deck. + +The air was cool. The sun was not yet up. It was that strange, queer +mid-period between dark and dawn, when the night is over and the day not +yet come, just the gray that is neither light nor dark, the dim dead +blink as of the refracted light from extinct worlds. + +We stood at the rail. We did not speak; we stood watching. It was so +still that the drip of steam from some loosened pipe far below was +plainly audible, and it sounded in that lifeless, silent grayness +like--God knows what--a death tick. + +"You see," said the mate, speaking just above a whisper, "there's no +mistake about it. She is moving--this way." + +"Oh, a current, of course," Strokher tried to say cheerfully, "sets her +toward us." + +Would the morning never come? + +Ally Bazan--his parents were Catholic--began to mutter to himself. + +Then Hardenberg spoke aloud. + +"I particularly don't want--that--out--there--to cross our bows. I don't +want it to come to that. We must get some sails on her." + +"And I put it to you as man to man," said Strokher, "where might be your +wind." + +He was right. The _Glarus_ floated in absolute calm. On all that slab of +ocean nothing moved but the Dead Ship. + +She came on slowly; her bows, the high, clumsy bows pointed toward us, +the water turning from her forefoot. She came on; she was near at hand. +We saw her plainly--saw the rotted planks, the crumbling rigging, the +rust-corroded metal-work, the broken rail, the gaping deck, and I could +imagine that the clean water broke away from her sides in refluent +wavelets as though in recoil from a thing unclean. She made no sound. No +single thing stirred aboard the hulk of her--but she moved. + +We were helpless. The _Glarus_ could stir no boat in any direction; we +were chained to the spot. Nobody had thought to put out our lights, and +they still burned on through the dawn, strangely out of place in their +red-and-green garishness, like maskers surprised by daylight. + +And in the silence of that empty ocean, in that queer half-light between +dawn and day, at six o'clock, silent as the settling of the dead to the +bottomless bottom of the ocean, gray as fog, lonely, blind, soulless, +voiceless, the Dead Ship crossed our bows. + +I do not know how long after this the Ship disappeared, or what was the +time of day when we at last pulled ourselves together. But we came to +some sort of decision at last. This was to go on--under sail. We were +too close to the island now to turn back for--for a broken shaft. + +The afternoon was spent fitting on the sails to her, and when after +nightfall the wind at length came up fresh and favourable, I believe we +all felt heartened and a deal more hardy--until the last canvas went +aloft, and Hardenberg took the wheel. + +We had drifted a good deal since the morning, and the bows of the +_Glarus_ were pointed homeward, but as soon as the breeze blew strong +enough to get steerageway Hardenberg put the wheel over and, as the +booms swung across the deck, headed for the island again. + +We had not gone on this course half an hour--no, not twenty +minutes--before the wind shifted a whole quarter of the compass and took +the _Glarus_ square in the teeth, so that there was nothing for it but +to tack. And then the strangest thing befell. + +I will make allowance for the fact that there was no centre-board nor +keel to speak of to the _Glarus_. I will admit that the sails upon a +nine-hundred-ton freighter are not calculated to speed her, nor steady +her. I will even admit the possibility of a current that set from the +island toward us. All this may be true, yet the _Glarus_ should have +advanced. We should have made a wake. + +And instead of this, our stolid, steady, trusty old boat was--what shall +I say? + +I will say that no man may thoroughly understand a ship--after all. I +will say that new ships are cranky and unsteady; that old and seasoned +ships have their little crochets, their little fussinesses that their +skippers must learn and humour if they are to get anything out of them; +that even the best ships may sulk at times, shirk their work, grow +unstable, perverse, and refuse to answer helm and handling. And I will +say that some ships that for years have sailed blue water as soberly and +as docilely as a street-car horse has plodded the treadmill of the +'tween-tracks, have been known to balk, as stubbornly and as +conclusively as any old Bay Billy that ever wore a bell. I know this has +happened, because I have seen it. I saw, for instance, the _Glarus_ do +it. + +Quite literally and truly we could do nothing with her. We will say, if +you like, that that great jar and wrench when the shaft gave way shook +her and crippled her. It is true, however, that whatever the cause may +have been, we could not force her toward the island. Of course, we all +said "current"; but why didn't the log-line trail? + +For three days and three nights we tried it. And the _Glarus_ heaved and +plunged and shook herself just as you have seen a horse plunge and rear +when his rider tries to force him at the steam-roller. + +I tell you I could feel the fabric of her tremble and shudder from bow +to stern-post, as though she were in a storm; I tell you she fell off +from the wind, and broad-on drifted back from her course till the +sensation of her shrinking was as plain as her own staring lights and a +thing pitiful to see. + +We roweled her, and we crowded sail upon her, and we coaxed and bullied +and humoured her, till the Three Crows, their fortune only a plain sail +two days ahead, raved and swore like insensate brutes, or shall we say +like mahouts trying to drive their stricken elephant upon the tiger--and +all to no purpose. "Damn the damned current and the damned luck and the +damned shaft and all," Hardenberg would exclaim, as from the wheel he +would catch the _Glarus_ falling off. "Go on, you old hooker--you tub of +junk! My God, you'd think she was scared!" + +Perhaps the _Glarus_ was scared, perhaps not; that point is debatable. +But it was beyond doubt of debate that Hardenberg was scared. + +A ship that will not obey is only one degree less terrible than a +mutinous crew. And we were in a fair way to have both. The stokers, whom +we had impressed into duty as A.B.'s, were of course superstitious; and +they knew how the _Glarus_ was acting, and it was only a question of +time before they got out of hand. + +That was the end. We held a final conference in the cabin and decided +that there was no help for it--we must turn back. + +And back we accordingly turned, and at once the wind followed us, and +the "current" helped us, and the water churned under the forefoot of the +_Glarus_, and the wake whitened under her stern, and the log-line ran +out from the trail and strained back as the ship worked homeward. + +We had never a mishap from the time we finally swung her about; and, +considering the circumstances, the voyage back to San Francisco was +propitious. + +But an incident happened just after we had started back. We were perhaps +some five miles on the homeward track. It was early evening and Strokher +had the watch. At about seven o'clock he called me up on the bridge. + +"See her?" he said. + +And there, far behind us, in the shadow of the twilight, loomed the +Other Ship again, desolate, lonely beyond words. We were leaving her +rapidly astern. Strokher and I stood looking at her till she dwindled to +a dot. Then Strokher said: + +"She's on post again." + +And when months afterward we limped into the Golden Gate and cast anchor +off the "Front" our crew went ashore as soon as discharged, and in half +a dozen hours the legend was in every sailors' boarding-house and in +every seaman's dive, from Barbary Coast to Black Tom's. + +It is still there, and that is why no pilot will take the _Glarus_ out, +no captain will navigate her, no stoker feed her fires, no sailor walk +her decks. The _Glarus_ is suspect. She will never smell blue water +again, nor taste the trades. She has seen a Ghost. + + + + +THE GHOST IN THE CROSSTREES + + +I + +Cyrus Ryder, the President of the South Pacific Exploitation Company, +had at last got hold of a "proposition"--all Ryder's schemes were, in +his vernacular, "propositions"--that was not only profitable beyond +precedent or belief, but that also was, wonderful to say, more or less +legitimate. He had got an "island." He had not discovered it. Ryder had +not felt a deck under his shoes for twenty years other than the +promenade deck of the ferry-boat _San Rafael_, that takes him home to +Berkeley every evening after "business hours." He had not discovered it, +but "Old Rosemary," captain of the barkentine _Scottish Chief_, of +Blyth, had done that very thing, and, dying before he was able to +perfect the title, had made over his interest in it to his best friend +and old comrade, Cyrus Ryder. + +"Old Rosemary," I am told, first landed on the island--it is called +Paa--in the later '60's. + +He established its location and took its latitude and longitude, but as +minutes and degrees mean nothing to the lay reader, let it be said that +the Island of Paa lies just below the equator, some 200 miles west of +the Gilberts and 1,600 miles due east from Brisbane, in Australia. It is +six miles long, three wide, and because of the prevailing winds and +precipitous character of the coast can only be approached from the west +during December and January. + +"Old Rosemary" landed on the island, raised the American flag, had the +crew witness the document by virtue of which he made himself the +possessor, and then, returning to San Francisco, forwarded to the +Secretary of State, at Washington, application for title. This was +withheld till it could be shown that no other nation had a prior claim. +While "Old Rosemary" was working out the proof, he died, and the whole +matter was left in abeyance till Cyrus Ryder took it up. By then there +was a new Secretary in Washington and times were changed, so that the +Government of Ryder's native land was not so averse toward acquiring +Eastern possessions. The Secretary of State wrote to Ryder to say that +the application would be granted upon furnishing a bond for $50,000; and +you may believe that the bond was forthcoming. + +For in the first report upon Paa, "Old Rosemary" had used the magic word +"guano." + +He averred, and his crew attested over their sworn statements, that Paa +was covered to an average depth of six feet with the stuff, so that this +last and biggest of "Cy" Ryder's propositions was a vast slab of an +extremely marketable product six feet thick, three miles wide and six +miles long. + +But no sooner had the title been granted when there came a dislocation +in the proceedings that until then had been going forward so smoothly. +Ryder called the Three Black Crows to him at this juncture, one certain +afternoon in the month of April. They were his best agents. The plums +that the "Company" had at its disposal generally went to the trio, and +if any man could "put through" a dangerous and desperate piece of work, +Strokher, Hardenberg and Ally Bazan were those men. + +Of late they had been unlucky, and the affair of the contraband arms, +which had ended in failure of cataclysmic proportions, yet rankled in +Ryder's memory, but he had no one else to whom he could intrust the +present proposition and he still believed Hardenberg to be the best boss +on his list. + +If Paa was to be fought for, Hardenberg, backed by Strokher and Ally +Bazan, was the man of all men for the job, for it looked as though Ryder +would not get the Island of Paa without a fight after all, and nitrate +beds were worth fighting for. + +"You see, boys, it's this way," Ryder explained to the three as they sat +around the spavined table in the grimy back room of Ryder's "office." +"It's this way. There's a scoovy after Paa, I'm told; he says he was +there before 'Rosemary,' which is a lie, and that his Gov'ment has given +him title. He's got a kind of dough-dish up Portland way and starts for +Paa as soon as ever he kin fit out. He's got no title, in course, but if +he gits there afore we do and takes possession it'll take fifty years o' +lawing an' injunctioning to git him off. So hustle is the word for you +from the word 'go.' We got a good start o' the scoovy. He can't put to +sea within a week, while over yonder in Oakland Basin there's the _Idaho +Lass_, as good a schooner, boys, as ever wore paint, all ready but to +fit her new sails on her. Ye kin do it in less than no time. The stores +will be goin' into her while ye're workin', and within the week I expect +to see the _Idaho Lass_ showing her heels to the Presidio. You see the +point now, boys. If ye beat the scoovy--his name is Petersen, and his +boat is called the _Elftruda_--we're to the wind'ard of a pretty pot o' +money. If he gets away before you do--well, there's no telling; we +prob'ly lose the island." + + +II + +About ten days before the morning set for their departure I went over to +the Oakland Basin to see how the Three Black Crows were getting on. + +Hardenberg welcomed me as my boat bumped alongside, and extending a +great tarry paw, hauled me over the rail. The schooner was a wilderness +of confusion, with the sails covering, apparently, nine-tenths of the +decks, the remaining tenth encumbered by spars, cordage, tangled +rigging, chains, cables and the like, all helter-skeltered together in +such a haze of entanglements that my heart misgave me as I looked on it. +Surely order would not issue from this chaos in four days' time with +only three men to speed the work. + +But Hardenberg was reassuring, and little Ally Bazan, the colonial, told +me they would "snatch her shipshape in the shorter end o' two days, if +so be they must." + +I stayed with the Three Crows all that day and shared their dinner with +them on the quarterdeck when, wearied to death with the strain of +wrestling with the slatting canvas and ponderous boom, they at last +threw themselves upon the hamper of "cold snack" I had brought off with +me and pledged the success of the venture in tin dippers full of +Pilsener. + +"And I'm thinking," said Ally Bazan, "as 'ow ye might as well turn in +along o' us on board 'ere, instead o' hykin' back to town to-night. +There's a fairish set o' currents up and daown 'ere about this time o' +dye, and ye'd find it a stiff bit o' rowing." + +"We'll sling a hammick for you on the quarterdeck, m'son," urged +Hardenberg. + +And so it happened that I passed my first night aboard the _Idaho Lass_. + +We turned in early. The Three Crows were very tired, and only Ally Bazan +and I were left awake at the time when we saw the 8:30 ferryboat +negotiating for her slip on the Oakland side. Then we also went to bed. + +And now it becomes necessary, for a better understanding of what is to +follow, to mention with some degree of particularization the places and +manners in which my three friends elected to take their sleep, as well +as the condition and berth of the schooner _Idaho Lass_. + +Hardenberg slept upon the quarterdeck, rolled up in an army blanket and +a tarpaulin. Strokher turned in below in the cabin upon the fixed lounge +by the dining-table, while Ally Bazan stretched himself in one of the +bunks in the fo'c's'le. + +As for the location of the schooner, she lay out in the stream, some +three or four cables' length off the yards and docks of a ship-building +concern. No other ship or boat of any description was anchored nearer +than at least 300 yards. She was a fine, roomy vessel, three-masted, +about 150 feet in length overall. She lay head up stream, and from where +I lay by Hardenberg on the quarterdeck I could see her tops sharply +outlined against the sky above the Golden Gate before I went to sleep. + +I suppose it was very early in the morning--nearer two than three--when +I awoke. Some movement on the part of Hardenberg--as I afterward found +out--had aroused me. But I lay inert for a long minute trying to find +out why I was not in my own bed, in my own home, and to account for the +rushing, rippling sound of the tide eddies sucking and chuckling around +the _Lass's_ rudder-post. + +Then I became aware that Hardenberg was awake. I lay in my hammock, +facing the stern of the schooner, and as Hardenberg had made up his bed +between me and the wheel he was directly in my line of vision when I +opened my eyes, and I could see him without any other movement than that +of raising the eyelids. Just now, as I drifted more and more into +wakefulness, I grew proportionately puzzled and perplexed to account for +a singularly strange demeanour and conduct on the part of my friend. + +He was sitting up in his place, his knees drawn up under the blanket, +one arm thrown around both, the hand of the other arm resting on the +neck and supporting the weight of his body. He was broad awake. I could +see the green shine of our riding lantern in his wide-open eyes, and +from time to time I could hear him muttering to himself, "What is it? +What is it? What the devil is it, anyhow?" But it was not his attitude, +nor the fact of his being so broad awake at the unseasonable hour, nor +yet his unaccountable words, that puzzled me the most. It was the man's +eyes and the direction in which they looked that startled me. + +His gaze was directed not upon anything on the deck of the boat, nor +upon the surface of the water near it, but upon something behind me and +at a great height in the air. I was not long in getting myself broad +awake. + + +III + +I rolled out on the deck and crossed over to where Hardenberg sat +huddled in his blankets. + +"What the devil--" I began. + +He jumped suddenly at the sound of my voice, then raised an arm and +pointed toward the top of the foremast. + +"D'ye see it?" he muttered. "Say, huh? D'ye see it? I thought I saw it +last night, but I wasn't sure. But there's no mistake now. D'ye see it, +Mr. Dixon?" + +I looked where he pointed. The schooner was riding easily to anchor, the +surface of the bay was calm, but overhead the high white sea-fog was +rolling in. Against it the foremast stood out like the hand of an +illuminated town clock, and not a detail of its rigging that was not as +distinct as if etched against the sky. + +And yet I saw nothing. + +"Where?" I demanded, and again and again "where?" + +"In the crosstrees," whispered Hardenberg. "Ah, look there." + +He was right. Something was stirring there, something that I had +mistaken for the furled tops'l. At first it was but a formless bundle, +but as Hardenberg spoke it stretched itself, it grew upright, it assumed +an erect attitude, it took the outlines of a human being. From head to +heel a casing housed it in, a casing that might have been anything at +that hour of the night and in that strange place--a shroud, if you like, +a winding-sheet--anything; and it is without shame that I confess to a +creep of the most disagreeable sensation I have ever known as I stood at +Hardenberg's side on that still, foggy night and watched the stirring of +that nameless, formless shape standing gaunt and tall and grisly and +wrapped in its winding-sheet upon the crosstrees of the foremast of the +_Idaho Lass_. + +We watched and waited breathless for an instant. Then the creature on +the foremast laid a hand upon the lashings of the tops'l and undid them. +Then it turned, slid to the deck by I know not what strange process, +and, still hooded, still shrouded, still lapped about by its +mummy-wrappings, seized a rope's end. In an instant the jib was set and +stood on hard and billowing against the night wind. The tops'l followed. +Then the figure moved forward and passed behind the companionway of the +fo'c's'le. + +We looked for it to appear upon the other side, but looked in vain. We +saw it no more that night. + +What Hardenberg and I told each other between the time of the +disappearing and the hour of breakfast I am now ashamed to recall. But +at last we agreed to say nothing to the others--for the time being. Just +after breakfast, however, we two had a few words by the wheel on the +quarterdeck. Ally Bazan and Strokher were forward. + +"The proper thing to do," said I--it was a glorious, exhilarating +morning, and the sunlight was flooding every angle and corner of the +schooner--"the proper thing to do is to sleep on deck by the foremast +to-night with our pistols handy and interview the--party if it walks +again." + +"Oh, yes," cried Hardenberg heartily. "Oh, yes; that's the proper thing. +Of course it is. No manner o' doubt about that, Mr. Dixon. Watch for the +party--yes, with pistols. Of course it's the proper thing. But I know +one man that ain't going to do no such thing." + +"Well," I remember to have said reflectively, "well--I guess I know +another." + +But for all our resolutions to say nothing to the others about the +night's occurrences, we forgot that the tops'l and jib were both set and +both drawing. + +"An' w'at might be the bloomin' notion o' setting the bloomin' kite and +jib?" demanded Ally Bazan not half an hour after breakfast. Shamelessly +Hardenberg, at a loss for an answer, feigned an interest in the grummets +of the life-boat cover and left me to lie as best I might. + +But it is not easy to explain why one should raise the sails of an +anchored ship during the night, and Ally Bazan grew very suspicious. +Strokher, too, had something to say, and in the end the whole matter +came out. + +Trust a sailor to give full value to anything savouring of the +supernatural. Strokher promptly voted the ship a "queer old hooker +anyhow, and about as seaworthy as a hen-coop." He held forth at great +length upon the subject. + +"You mark my words, now," he said. "There's been some fishy doin's in +this 'ere vessel, and it's like somebody done to death crool hard, an' +'e wants to git away from the smell o' land, just like them as is killed +on blue water. That's w'y 'e takes an' sets the sails between dark an' +dawn." + +But Ally Bazan was thoroughly and wholly upset, so much so that at first +he could not speak. He went pale and paler while we stood talking it +over, and crossed himself--he was a Catholic--furtively behind the +water-butt. + +"I ain't never 'a' been keen on ha'nts anyhow, Mr. Dixon," he told me +aggrievedly at dinner that evening. "I got no use for 'em. I ain't never +known any good to come o' anything with a ha'nt tagged to it, an' we're +makin' a ill beginnin' o' this island business, Mr. Dixon--a blyme ill +beginnin'. I mean to stye awyke to-night." + +But if he was awake the little colonial was keeping close to his bunk at +the time when Strokher and Hardenberg woke me at about three in the +morning. + +I rolled out and joined them on the quarterdeck and stood beside them +watching. The same figure again towered, as before, gray and ominous in +the crosstrees. As before, it set the tops'l; as before, it came down to +the deck and raised the jib; as before, it passed out of sight amid the +confusion of the forward deck. + +But this time we all ran toward where we last had seen it, stumbling +over the encumbered decks, jostling and tripping, but keeping +wonderfully close together. It was not twenty seconds from the time the +creature had disappeared before we stood panting upon the exact spot we +had last seen it. We searched every corner of the forward deck in vain. +We looked over the side. The moon was up. This night there was no fog. +We could see for miles each side of us, but never a trace of a boat was +visible, and it was impossible that any swimmer could have escaped the +merciless scrutiny to which we subjected the waters of the bay in every +direction. + +Hardenberg and I dived down into the fo'c's'le. Ally Bazan was sound +asleep in his bunk and woke stammering, blinking and bewildered by the +lantern we carried. + +"I sye," he cried, all at once scrambling up and clawing at our arms, +"D'd the bally ha'nt show up agyne?" And as we nodded he went on more +aggrievedly than ever--"Oh, I sye, y' know, I daon't like this. I eyen't +shipping in no bloomin' 'ooker wot carries a ha'nt for supercargo. They +waon't no good come o' this cruise--no, they waon't. It's a sign, that's +wot it is. I eyen't goin' to buck again no signs--it eyen't human +nature, no it eyen't. You mark my words, 'Bud' Hardenberg, we clear this +port with a ship wot has a ha'nt an' we waon't never come back agyne, my +hearty." + +That night he berthed aft with us on the quarterdeck, but though we +stood watch and watch till well into the dawn, nothing stirred about the +foremast. So it was the next night, and so the night after that. When +three successive days had passed without any manifestation the keen edge +of the business became a little blunted and we declared that an end had +been made. + +Ally Bazan returned to his bunk in the fo'c's'le on the fourth night, +and the rest of us slept the hours through unconcernedly. + +But in the morning there were the jib and tops'l set and drawing as +before. + + +IV + +After this we began experimenting--on Ally Bazan. We bunked him forward +and we bunked him aft, for some one had pointed out that the "ha'nt" +walked only at the times when the colonial slept in the fo'c's'le. We +found this to be true. Let the little fellow watch on the quarterdeck +with us and the night passed without disturbance. As soon as he took up +his quarters forward the haunting recommenced. Furthermore, it began to +appear that the "ha'nt" carefully refrained from appearing to him. He of +us all had never seen the thing. He of us all was spared the chills and +the harrowings that laid hold upon the rest of us during these still +gray hours after midnight when we huddled on the deck of the _Idaho +Lass_ and watched the sheeted apparition in the rigging; for by now +there was no more charging forward in attempts to run the ghost down. We +had passed that stage long since. + +But so far from rejoicing in this immunity or drawing courage therefrom, +Ally Bazan filled the air with his fears and expostulations. Just the +fact that he was in some way differentiated from the others--that he was +singled out, if only for exemption--worked upon him. And that he was +unable to scale his terrors by actual sight of their object excited them +all the more. + +And there issued from this a curious consequence. He, the very one who +had never seen the haunting, was also the very one to unsettle what +little common sense yet remained to Hardenberg and Strokher. He never +allowed the subject to be ignored--never lost an opportunity of +referring to the doom that o'erhung the vessel. By the hour he poured +into the ears of his friends lugubrious tales of ships, warned as this +one was, that had cleared from port, never to be seen again. He recalled +to their minds parallel incidents that they themselves had heard; he +foretold the fate of the _Idaho Lass_ when the land should lie behind +and she should be alone in midocean with this horrid supercargo that +took liberties with the rigging, and at last one particular morning, two +days before that which was to witness the schooner's departure, he came +out flatfooted to the effect that "Gaw-blyme him, he couldn't stand the +gaff no longer, no he couldn't, so help him, that if the owners were +wishful for to put to sea" (doomed to some unnamable destruction) "he +for one wa'n't fit to die, an' was going to quit that blessed day." For +the sake of appearances, Hardenberg and Strokher blustered and fumed, +but I could hear the crack in Strokher's voice as plain as in a broken +ship's bell. I was not surprised at what happened later in the day, when +he told the others that he was a very sick man. A congenital stomach +trouble, it seemed--or was it liver complaint--had found him out again. +He had contracted it when a lad at Trincomalee, diving for pearls; it +was acutely painful, it appeared. Why, gentlemen, even at that very +moment, as he stood there talking--Hi, yi! O Lord !--talking, it was +a-griping of him something uncommon, so it was. And no, it was no manner +of use for him to think of going on this voyage; sorry he was, too, for +he'd made up his mind, so he had, to find out just what was wrong with +the foremast, etc. + +And thereupon Hardenberg swore a great oath and threw down the capstan +bar he held in his hand. + +"Well, then," he cried wrathfully, "we might as well chuck up the whole +business. No use going to sea with a sick man and a scared man." + +"An' there's the first word o' sense," cried Ally Bazan, "I've heard +this long day. 'Scared,' he says; aye, right ye are, me bully." + +"It's Cy Rider's fault," the three declared after a two-hours' talk. "No +business giving us a schooner with a ghost aboard. Scoovy or no scoovy, +island or no island, guano or no guano, we don't go to sea in the +haunted hooker called the _Idaho Lass_." + +No more they did. On board the schooner they had faced the supernatural +with some kind of courage born of the occasion. Once on shore, and no +money could hire, no power force them to go aboard a second time. + +The affair ended in a grand wrangle in Cy Rider's back office, and just +twenty-four hours later the bark _Elftruda_, Captain Jens Petersen, +cleared from Portland, bound for "a cruise to South Pacific ports--in +ballast." + + * * * * * + +Two years after this I took Ally Bazan with me on a duck-shooting +excursion in the "Toolies" back of Sacramento, for he is a handy man +about a camp and can row a boat as softly as a drifting cloud. + +We went about in a cabin cat of some thirty feet over all, the rowboat +towing astern. Sometimes we did not go ashore to camp, but slept aboard. +On the second night of this expedient I woke in my blankets on the floor +of the cabin to see the square of gray light that stood for the cabin +door darkened by--it gave me the same old start--a sheeted figure. It +was going up the two steps to the deck. Beyond question it had been in +the cabin. I started up and followed it. I was too frightened not to--if +you can see what I mean. By the time I had got the blankets off and had +thrust my head above the level of the cabin hatch the figure was already +in the bows, and, as a matter of course, hoisting the jib. + +I thought of calling Ally Bazan, who slept by me on the cabin floor, but +it seemed to me at the time that if I did not keep that figure in sight +it would elude me again, and, besides, if I went back in the cabin I was +afraid that I would bolt the door and remain under the bedclothes till +morning. I was afraid to go on with the adventure, but I was much more +afraid to go back. + +So I crept forward over the deck of the sloop. The "ha'nt" had its back +toward me, fumbling with the ends of the jib halyards. I could hear the +creak of new ropes as it undid the knot, and the sound was certainly +substantial and commonplace. I was so close by now that I could see +every outline of the shape. It was precisely as it had appeared on the +crosstrees of the _Idaho_, only, seen without perspective, and brought +down to the level of the eye, it lost its exaggerated height. + +It had been kneeling upon the deck. Now, at last, it rose and turned +about, the end of the halyards in its hand. The light of the earliest +dawn fell squarely on the face and form, and I saw, if you please, Ally +Bazan himself. His eyes were half shut, and through his open lips came +the sound of his deep and regular breathing. + +At breakfast the next morning I asked, "Ally Bazan, did you ever walk in +your sleep." + +"Aye," he answered, "years ago, when I was by wye o' being a lad, I used +allus to wrap the bloomin' sheets around me. An' crysy things I'd do the +times. But the 'abit left me when I grew old enough to tyke me whisky +strite and have hair on me fyce." + +I did not "explain away" the ghost in the crosstrees either to Ally +Bazan or to the other two Black Crows. Furthermore, I do not now refer +to the Island of Paa in the hearing of the trio. The claims and title of +Norway to the island have long since been made good and conceded--even +by the State Department at Washington--and I understand that Captain +Petersen has made a very pretty fortune out of the affair. + + + + +THE RIDING OF FELIPE + + +I. FELIPE + +As young Felipe Arillaga guided his pony out of the last intricacies of +Pacheco Pass, he was thinking of Rubia Ytuerate and of the scene he had +had with her a few days before. He reconstructed it now very vividly. +Rubia had been royally angry, and as she had stood before him, her arms +folded and her teeth set, he was forced to admit that she was as +handsome a woman as could be found through all California. + +There had been a time, three months past, when Felipe found no +compulsion in the admission, for though betrothed to Buelna Martiarena +he had abruptly conceived a violent infatuation for Rubia, and had +remained a guest upon her rancho many weeks longer than he had intended. + +For three months he had forgotten Buelna entirely. At the end of that +time he had remembered her--had awakened to the fact that his +infatuation for Rubia _was_ infatuation, and had resolved to end the +affair and go back to Buelna as soon as it was possible. + +But Rubia was quick to notice the cooling of his passion. First she +fixed him with oblique suspicion from under her long lashes, then +avoided him, then kept him at her side for days together. Then at +last--his defection unmistakable--turned on him with furious demands for +the truth. + +Felipe had snatched occasion with one hand and courage with the other. + +"Well," he had said, "well, it is not my fault. Yes, it is the truth. It +is played out." + +He had not thought it necessary to speak of Buelna; but Rubia divined +the other woman. + +"So you think you are to throw me aside like that. Ah, it is played out, +is it, Felipe Arillaga? You listen to me. Do not fancy for one moment +you are going back to an old love, or on to a new one. You listen to +me," she had cried, her fist over her head. "I do not know who she is, +but my curse is on her, Felipe Arillaga. My curse is on her who next +kisses you. May that kiss be a blight to her. From that moment may evil +cling to her, bad luck follow her; may she love and not be loved; may +friends desert her, enemies beset her, her sisters shame her, her +brothers disown her, and those whom she has loved abandon her. May her +body waste as your love for me has wasted; may her heart be broken as +your promises to me have been broken; may her joy be as fleeting as your +vows, and her beauty grow as dim as your memory of me. I have said it." + +[Illustration: "'My Curse Is On Her Who Next Kisses You'"] + +"So be it!" Felipe had retorted with vast nonchalance, and had flung out +from her presence to saddle his pony and start back to Buelna. + +But Felipe was superstitious. He half believed in curses, had seen +two-headed calves born because of them, and sheep stampeded over cliffs +for no other reason. + +Now, as he drew out of Pacheco Pass and came down into the valley the +idea of Rubia and her curse troubled him. At first, when yet three days' +journey from Buelna, it had been easy to resolve to brave it out. But +now he was already on the Rancho Martiarena (had been traveling over it +for the last ten hours, in fact), and in a short time would be at the +_hacienda_ of Martiarena, uncle and guardian of Buelna. He would see +Buelna, and she, believing always in his fidelity, would expect to kiss +him. + +"Well, this is to be thought about," murmured Felipe uneasily. He +touched up the pony with one of his enormous spurs. + +"Now I know what I will do," he thought. "I will go to San Juan Bautista +and confess and be absolved, and will buy candles. Then afterward will +go to Buelna." + +He found the road that led to the Mission and turned into it, pushing +forward at a canter. Then suddenly at a sharp turning reined up just in +time to avoid colliding with a little cavalcade. + +He uttered an exclamation under his breath. + +At the head of the cavalcade rode old Martiarena himself, and behind him +came a _peon_ or two, then Manuela, the aged housekeeper and--after a +fashion--duenna. Then at her side, on a saddle of red leather with +silver bosses, which was cinched about the body of a very small white +burro, Buelna herself. + +She was just turned sixteen, and being of the best blood of the mother +kingdom (the strain dating back to the Ostrogothic invasion), was fair. +Her hair was blond, her eyes blue-gray, her eyebrows and lashes dark +brown, and as he caught sight of her Felipe wondered how he ever could +have believed the swarthy Rubia beautiful. + +There was a jubilant meeting. Old Martiarena kissed both his cheeks, +patting him on the back. + +"Oh, ho!" he cried. "Once more back. We have just returned from the +feast of the Santa Cruz at the Mission, and Buelna prayed for your safe +return. Go to her, boy. She has waited long for this hour." + +Felipe, his eyes upon those of his betrothed, advanced. She was looking +at him and smiling. As he saw the unmistakable light in her blue eyes, +the light he knew she had kept burning for him alone, Felipe could have +abased himself to the very hoofs of her burro. Could it be possible he +had ever forgotten her for such a one as Rubia--have been unfaithful to +this dear girl for so much as the smallest fraction of a minute? + +"You are welcome, Felipe," she said. "Oh, very, very welcome." She gave +him her hand and turned her face to his. But it was her hand and not her +face the young man kissed. Old Martiarena, who looked on, shook with +laughter. + +"Hoh! a timid lover this," he called. "We managed different when I was a +lad. Her lips, Felipe. Must an old man teach a youngster gallantry?" + +Buelna blushed and laughed, but yet did not withdraw her hand nor turn +her face away. + +There was a delicate expectancy in her manner that she nevertheless +contrived to make compatible with her native modesty. Felipe had been +her acknowledged lover ever since the two were children. + +"Well?" cried Martiarena as Felipe hesitated. + +Even then, if Felipe could have collected his wits, he might have saved +the situation for himself. But no time had been allowed him to think. +Confusion seized upon him. All that was clear in his mind were the last +words of Rubia. It seemed to him that between his lips he carried a +poison deadly to Buelna above all others. Stupidly, brutally he +precipitated the catastrophe. + +"No," he exclaimed seriously, abruptly drawing his hand from Buelna's, +"no. It may not be. I cannot." + +Martiarena stared. Then: + +"Is this a jest, senor?" he demanded. "An ill-timed one, then." + +"No," answered Felipe, "it is not a jest." + +"But, Felipe," murmured Buelna. "But--why--I do not understand." + +"I think I begin to," cried Martiarena. "Senor, you do not," protested +Felipe. "It is not to be explained. I know what you believe. On my +honour, I love Buelna." + +"Your actions give you the lie, then, young man. Bah! Nonsense. What +fool's play is all this? Kiss him, Buelna, and have done with it." + +Felipe gnawed his nails. + +"Believe me, oh, believe me, Senor Martiarena, it must not be." + +"Then an explanation." + +For a moment Felipe hesitated. But how could he tell them the truth--the +truth that involved Rubia and his disloyalty, temporary though that was. +They could neither understand nor forgive. Here, indeed, was an +_impasse_. One thing only was to be said, and he said it. "I can give +you no explanation," he murmured. + +But Buelna suddenly interposed. + +"Oh, please," she said, pushing by Felipe, "uncle, we have talked too +long. Please let us go. There is only one explanation. Is it not enough +already?" + +"By God, it is not!" vociferated the old man, turning upon Felipe. "Tell +me what it means. Tell me what this means." + +"I cannot." + +"Then I will tell _you_!" shouted the old fellow in Felipe's face. "It +means that you are a liar and a rascal. That you have played with +Buelna, and that you have deceived me, who have trusted you as a father +would have trusted a son. I forbid you to answer me. For the sake of +what you were I spare you now. But this I will do. Off of my rancho!" he +cried. "Off my rancho, and in the future pray your God, or the devil, to +whom you are sold, to keep you far from me." + +"You do not understand, you do not understand," pleaded Felipe, the +tears starting to his eyes. "Oh, believe me, I speak the truth. I love +your niece. _I love Buelna_. Oh, never so truly, never so devoutly as +now. Let me speak to her; she will believe me." + +But Buelna, weeping, had ridden on. + + +II. UNZAR + +A fortnight passed. Soon a month had gone by. Felipe gloomed about his +rancho, solitary, taciturn, siding the sheep-walks and cattle-ranges for +days and nights together, refusing all intercourse with his friends. It +seemed as if he had lost Buelna for good and all. At times, as the +certainty of this defined itself more clearly, Felipe would fling his +hat upon the ground, beat his breast, and then, prone upon his face, his +head buried in his folded arms, would lie for hours motionless, while +his pony nibbled the sparse alfalfa, and the jack-rabbits limping from +the sage peered at him, their noses wrinkling. + +But about a month after the meeting and parting with Buelna, word went +through all the ranches that a hide-roger had cast anchor in Monterey +Bay. At once an abrupt access of activity seized upon the rancheros. +Rodeos were held, sheep slaughtered, and the great tallow-pits began to +fill up. + +Felipe was not behind his neighbours, and, his tallow once in hand, sent +it down to Monterey, and himself rode down to see about disposing of it. + +On his return he stopped at the wine shop of one Lopez Catala, on the +road between Monterey and his rancho. + +It was late afternoon when he reached it, and the wine shop was +deserted. Outside, the California August lay withering and suffocating +over all the land. The far hills were burnt to dry, hay-like grass and +brittle clods. The eucalyptus trees in front of the wine shop (the first +trees Felipe had seen all that day) were coated with dust. The plains of +sagebrush and the alkali flats shimmered and exhaled pallid mirages, +glistening like inland seas. Over all blew the trade-wind; prolonged, +insistent, harassing, swooping up the red dust of the road and the white +powder of the alkali beds, and flinging it--white-and-red banners in a +sky of burnt-out blue--here and there about the landscape. + +The wine shop, which was also an inn, was isolated, lonely, but it was +comfortable, and Felipe decided to lay over there that night, then in +the morning reach his rancho by an easy stage. + +He had his supper--an omelet, cheese, tortillas, and a glass of +wine--and afterward sat outside on a bench smoking innumerable +cigarettes and watching the sun set. + +While he sat so a young man of about his own age rode up from the +eastward with a great flourish, and giving over his horse to the +_muchacho_, entered the wine shop and ordered dinner and a room for the +night. Afterward he came out and stood in front of the inn and watched +the _muchacho_ cleaning his horse. + +Felipe, looking at him, saw that he was of his own age and about his own +build--that is to say, twenty-eight or thirty, and tall and lean. But in +other respects the difference was great. The stranger was flamboyantly +dressed: skin-tight pantaloons, fastened all up and down the leg with +round silver buttons; yellow boots with heels high as a girl's, set off +with silver spurs; a very short coat faced with galloons of gold, and a +very broad-brimmed and very high-crowned sombrero, on which the silver +braid alone was worth the price of a good horse. Even for a Spanish +Mexican his face was dark. Swart it was, the cheeks hollow; a tiny, +tight mustache with ends truculently pointed and erect helped out the +belligerency of the tight-shut lips. The eyes were black as bitumen, and +flashed continually under heavy brows. + +"Perhaps," thought Felipe, "he is a _toreador_ from Mexico." + +The stranger followed his horse to the barn, but, returning in a few +moments, stood before Felipe and said: + +"Senor, I have taken the liberty to put my horse in the stall occupied +by yours. Your beast the _muchacho_ turned into the _corrale_. Mine is +an animal of spirit, and in a _corrale_ would fight with the other +horses. I rely upon the senor's indulgence." + +At ordinary times he would not have relied in vain. But Felipe's nerves +were in a jangle these days, and his temper, since Buelna's dismissal of +him, was bitter. His perception of offense was keen. He rose, his eyes +upon the stranger's eyes. + +"My horse is mine," he observed. "Only my friends permit themselves +liberties with what is mine." + +The other smiled scornfully and drew from his belt a little pouch of +gold dust. + +"What I take I pay for," he remarked, and, still smiling, tendered +Felipe a few grains of the gold. + +Felipe struck the outstretched palm. + +"Am I a _peon_?" he vociferated. + +"Probably," retorted the other. + +"I _will_ take pay for that word," cried Felipe, his face blazing, "but +not in your money, senor." + +"In that case I may give you more than you ask." + +"No, by God, for I shall take all you have." + +But the other checked his retort. A sudden change came over him. + +"I ask the senor's pardon," he said, with grave earnestness, "for +provoking him. You may not fight with me nor I with you. I speak the +truth. I have made oath not to fight till I have killed one whom now I +seek." + +"Very well; I, too, spoke without reflection. You seek an enemy, then, +senor?" + +"My sister's, who is therefore mine. An enemy truly. Listen, you shall +judge. I am absent from my home a year, and when I return what do I +find? My sister betrayed, deceived, flouted by a fellow, a nobody, whom +she received a guest in her house, a fit return for kindness, for +hospitality! Well, he answers to me for the dishonour." + +"Wait. Stop!" interposed Felipe. "Your name, senor." + +"Unzar Ytuerate, and my enemy is called Arillaga. Him I seek and----" + +"Then you shall seek no farther!" shouted Felipe. "It is to Rubia +Ytuerate, your sister, whom I owe all my unhappiness, all my suffering. +She has hurt not me only, but one--but----Mother of God, we waste +words!" he cried. "Knife to knife, Unzar Ytuerate. I am Felipe Arillaga, +and may God be thanked for the chance that brings this quarrel to my +hand." + +"You! You!" gasped Unzar. Fury choked him; his hands clutched and +unclutched--now fists, now claws. His teeth grated sharply while a +quivering sensation as of a chill crisped his flesh. "Then the sooner +the better," he muttered between his set teeth, and the knives flashed +in the hands of the two men so suddenly that the gleam of one seemed +only the reflection of the other. + +Unzar held out his left wrist. + +"Are you willing?" he demanded, with a significant glance. + +"And ready," returned the other, baring his forearm. + +Catala, keeper of the inn, was called. + +"Love of the Virgin, not here, senors. My house--the _alcalde_--" + +"You have a strap there." Unzar pointed to a bridle hanging from a peg +by the doorway. "No words; quick; do as you are told." + +The two men held out their left arms till wrist touched wrist, and +Catala, trembling and protesting, lashed them together with a strap. + +"Tighter," commanded Felipe; "put all your strength to it." + +The strap was drawn up to another hole. + +"Now, Catala, stand back," commanded Unzar, "and count three slowly. At +the word 'three,' Senor Arillaga, we begin. You understand." + +"I understand." + +"Ready.... Count." + +"One." + +Felipe and Unzar each put his right hand grasping the knife behind his +back as etiquette demanded. + +"Two." + +They strained back from each other, the full length of their left arms, +till the nails grew bloodless. + +"_Three!_" called Lopez Catala in a shaking voice. + + +III. RUBIA + +When Felipe regained consciousness he found that he lay in an upper +chamber of Catala's inn upon a bed. His shoulder, the right one, was +bandaged, and so was his head. He felt no pain, only a little weak, but +there was a comfortable sense of brandy at his lips, an arm supported +his head, and the voice of Rubia Ytuerate spoke his name. He sat up on a +sudden. + +"Rubia, _you_!" he cried. "What is it? What happened? Oh, I remember, +Unzar--we fought. Oh, my God, how we fought! But you----What brought you +here?" + +"Thank Heaven," she murmured, "you are better. You are not so badly +wounded. As he fell he must have dragged you with him, and your head +struck the threshold of the doorway." + +"Is he badly hurt? Will he recover?" + +"I hope so. But you are safe." + +"But what brought you here?" + +"Love," she cried; "my love for you. What I suffered after you had gone! +Felipe, I have fought, too. Pride was strong at first, and it was pride +that made me send Unzar after you. I told him what had happened. I +hounded him to hunt you down. Then when he had gone my battle began. Ah, +dearest, dearest, it all came back, our days together, the life we led, +knowing no other word but love, thinking no thoughts that were not of +each other. And love conquered. Unzar was not a week gone before I +followed him--to call him back, to shield you, to save you from his +fury. I came all but too late, and found you both half dead. My brother +and my lover, your body across his, your blood mingling with his own. +But not too late to love you back to life again. Your life is mine now, +Felipe. I love you, I love you." She clasped her hands together and +pressed them to her cheek. "Ah, if you knew," she cried; "if you could +only look into my heart. Pride is nothing; good name is nothing; friends +are nothing. Oh, it is a glory to give them all for love, to give up +everything; to surrender, to submit, to cry to one's heart: 'Take me; I +am as wax. Take me; conquer me; lead me wherever you will. All is well +lost so only that love remains.' And I have heard all that has +happened--this other one, the Senorita Buelna, how that she for bade you +her lands. Let her go; she is not worthy of your love, cold, +selfish----" + +"Stop!" cried Felipe, "you shall say no more evil of her. It is enough." + +"Felipe, you love her yet?" + +"And always, always will." + +"She who has cast you off; she who disdains you, who will not suffer you +on her lands? And have you come to be so low, so base and mean as that?" + +"I have sunk no lower than a woman who could follow after a lover who +had grown manifestly cold." + +"Ah," she answered sadly, "if I could so forget my pride as to follow +you, do not think your reproaches can touch me now." Then suddenly she +sank at the bedside and clasped his hand in both of hers. Her beautiful +hair, unbound, tumbled about her shoulders; her eyes, swimming with +tears, were turned up to his; her lips trembled with the intensity of +her passion. In a voice low, husky, sweet as a dove's, she addressed +him. "Oh, dearest, come back to me; come back to me. Let me love you +again. Don't you see my heart is breaking? There is only you in all the +world for me. I was a proud woman once. See now what I have brought +myself to. Don't let it all be in vain. If you fail me now, think how it +will be for me afterward--to know that I--I, Rubia Ytuerate, have begged +the love of a man and begged in vain. Do you think I could live knowing +that?" Abruptly she lost control of herself. She caught him about the +neck with both her arms. Almost incoherently her words rushed from her +tight-shut teeth. + +"Ah, I can _make_ you love me. I can make you love me," she cried. "You +shall come back to me. You are mine, and you cannot help but come back." + +"_Por Dios_, Rubia," he ejaculated, "remember yourself. You are out of +your head." + +"Come back to me; love me." + +"No, no." + +"Come back to me." + +"No." + +"You cannot push me from you," she cried, for, one hand upon her +shoulder, he had sought to disengage himself. "No, I shall not let you +go. You shall not push me from you! Thrust me off and I will embrace you +all the closer. Yes, _strike_ me if you will, and I will kiss you." + +And with the words she suddenly pressed her lips to his. + +Abruptly Felipe freed himself. A new thought suddenly leaped to his +brain. + +"Let your own curse return upon you," he cried. "You yourself have freed +me; you yourself have broken the barrier you raised between me and my +betrothed. You cursed her whose lips should next touch mine, and you are +poisoned with your own venom." + +He sprang from off the bed, and catching up his _serape_, flung it about +his shoulders. + +"Felipe," she cried, "Felipe, where are you going?" + +"Back to Buelna," he shouted, and with the words rushed from the room. +Her strength seemed suddenly to leave her. She sank lower to the floor, +burying her face deep upon the pillows that yet retained the impress of +him she loved so deeply, so recklessly. + +Footsteps in the passage and a knocking at the door aroused her. A +woman, one of the escort who had accompanied her, entered hurriedly. + +"Senorita," cried this one, "your brother, the Senor Unzar, he is +dying." + +Rubia hurried to an adjoining room, where upon a mattress on the floor +lay her brother. + +"Put that woman out," he gasped as his glance met hers. "I never sent +for her," he went on. "You are no longer sister of mine. It was you who +drove me to this quarrel, and when I have vindicated you what do you do? +Your brother you leave to be tended by hirelings, while all your thought +and care are lavished on your paramour. Go back to him. I know how to +die alone, but as you go remember that in dying I hated and disowned +you." + +He fell back upon the pillows, livid, dead. + +Rubia started forward with a cry. + +"It is you who have killed him," cried the woman who had summoned her. +The rest of Rubia's escort, _vaqueros_, _peons_, and the old _alcalde_ +of her native village, stood about with bared heads. + +"That is true. That is true," they murmured. The old _alcalde_ stepped +forward. + +"Who dishonours my friend dishonours me," he said. "From this day, +Senorita Ytuerate, you and I are strangers." He went out, and one by +one, with sullen looks and hostile demeanour, Rubia's escort followed. +Their manner was unmistakable; they were deserting her. + +Rubia clasped her hands over her eyes. + +"Madre de Dios, Madre de Dios," she moaned over and over again. Then in +a low voice she repeated her own words: "May it be a blight to her. From +that moment may evil cling to her, bad luck follow her; may she love and +not be loved; may friends desert her, her sisters shame her, her +brothers disown her----" + +There was a clatter of horse's hoofs in the courtyard. + +"It is your lover," said her woman coldly from the doorway. "He is +riding away from you." + +"----and those," added Rubia, "whom she has loved abandon her." + + +IV. BELUNA + +Meanwhile Felipe, hatless, bloody, was galloping through the night, his +pony's head turned toward the _hacienda_ of Martiarena. The Rancho +Martiarena lay between his own rancho and the inn where he had met +Rubia, so that this distance was not great. He reached it in about an +hour of vigorous spurring. + +The place was dark though it was as yet early in the night, and an +ominous gloom seemed to hang about the house. Felipe, his heart sinking, +pounded at the door, and at last aroused the aged superintendent, who +was also a sort of _major-domo_ in the household, and who in Felipe's +boyhood had often ridden him on his knee. + +"Ah, it is you, Arillaga," he said very sadly, as the moonlight struck +across Felipe's face. "I had hoped never to see you again." + +"Buelna," demanded Felipe. "I have something to say to her, and to the +_padron_." + +"Too late, senor." + +"My God, dead?" + +"As good as dead." + +"Rafael, tell me all. I have come to set everything straight again. On +my honour, I have been misjudged. Is Buelna well?" + +"Listen. You know your own heart best, senor. When you left her our +little lady was as one half dead; her heart died within her. Ah, she +loved you, Arillaga, far more than you deserved. She drooped swiftly, +and one night all but passed away. Then it was that she made a vow that +if God spared her life she would become the bride of the church--would +forever renounce the world. Well, she recovered, became almost well +again, but not the same as before. She never will be that. So soon as +she was able to obtain Martiarena's consent she made all the +preparations--signed away all her lands and possessions, and spent the +days and nights in prayer and purifications. The Mother Superior of the +Convent of Santa Teresa has been a guest at the _hacienda_ this +fortnight past. Only to-day the party--that is to say, Martiarena, the +Mother Superior and Buelna--left for Santa Teresa, and at midnight of +this very night Buelna takes the veil. You know your own heart, Senor +Felipe. Go your way." + +"But not _till_ midnight!" cried Felipe. + +"What? I do not understand." + +"She will not take the veil till midnight." + +"No, not till then." + +"Rafael," cried Felipe, "ask me no questions now. Only _believe_ me. I +always have and always will love Buelna. I swear it. I can stop this +yet; only once let me reach her in time. Trust me. Ah, for this once +trust me, you who have known me since I was a lad." + +He held out his hand. The other for a moment hesitated, then impulsively +clasped it in his own. + +"_Bueno_, I trust you then. Yet I warn you not to fool me twice." + +"Good," returned Felipe. "And now _adios_. Unless I bring her back with +me you'll never see me again." + +"But, Felipe, lad, where away now?" + +"To Santa Teresa." + +"You are mad. Do you fancy you can reach it before midnight?" insisted +the _major-domo_. + +"I _will_, Rafael; I _will_." + +"Then Heaven be with you." + +But the old fellow's words were lost in a wild clatter of hoofs, as +Felipe swung his pony around and drove home the spurs. Through the night +came back a cry already faint: + +"_Adios, adios_." + +"_Adios_, Felipe," murmured the old man as he stood bewildered in the +doorway, "and your good angel speed you now." + +When Felipe began his ride it was already a little after nine. Could he +reach Santa Teresa before midnight? The question loomed grim before him, +but he answered only with the spur. Pepe was hardy, and, as Felipe well +knew, of indomitable pluck. But what a task now lay before the little +animal. He might do it, but oh! it was a chance! + +In a quarter of a mile Pepe had settled to his stride, the dogged, even +gallop that Felipe knew so well, and at half-past ten swung through the +main street of Piedras Blancas--silent, somnolent, dark. + +"Steady, little Pepe," said Felipe; "steady, little one. Soh, soh. +There." + +The little horse flung back an ear, and Felipe could feel along the +lines how he felt for the bit, trying to get a grip of it to ease the +strain on his mouth. + +The _De Profundis_ bell was sounding from the church tower as Felipe +galloped through San Anselmo, the next village, but by the time he +raised the lights of Arcata it was black night in very earnest. He set +his teeth. Terra Bella lay eight miles farther ahead, and here from the +town-hall clock that looked down upon the plaza he would be able to know +the time. + +"Hoopa, _Pepe; pronto_!" he shouted. + +The pony responded gallantly. His head was low; his ears in constant +movement, twitched restlessly back and forth, now laid flat on his neck, +now cocked to catch the rustle of the wind in the chaparral, the +scurrying of a rabbit or ground-owl through the sage. + +It grew darker, colder, the trade-wind lapsed away. Low in the sky upon +the right a pale, dim belt foretold the rising of the moon. The +incessant galloping of the pony was the only sound. + +The convent toward which he rode was just outside the few scattered huts +in the valley of the Rio Esparto that by charity had been invested with +the name of Caliente. From Piedras Blancas to Caliente between twilight +and midnight! What a riding! Could he do it? Would Pepe last under him? + +"Steady, little one. Steady, Pepe." + +Thus he spoke again and again, measuring the miles in his mind, +husbanding the little fellow's strength. + +Lights! Cart lanterns? No, Terra Bella. A great dog charged out at him +from a dobe, filling the night with outcry; a hayrick loomed by like a +ship careening through fog; there was a smell of chickens and farmyards. +Then a paved street, an open square, a solitary pedestrian dodging just +in time from under Pepe's hoofs. All flashed by. The open country again, +unbroken darkness again, and solitude of the fields again. Terra Bella +past. + +But through the confusion Felipe retained one picture, that of the +moon-faced clock with hands marking the hour of ten. On again with Pepe +leaping from the touch of the spur. On again up the long, shallow slope +that rose for miles to form the divide that overlooked the valley of the +Esparto. + +"Hold, there! Madman to ride thus. Mad or drunk. Only desperadoes gallop +at night. Halt and speak!" + +The pony had swerved barely in time, and behind him the Monterey stage +lay all but ditched on the roadside, the driver fulminating oaths. But +Felipe gave him but an instant's thought. Dobe huts once more abruptly +ranged up on either side the roadway, staggering and dim under the +night. Then a wine shop noisy with carousing _peons_ darted by. +Pavements again. A shop-front or two. A pig snoring in the gutter, a dog +howling in a yard, a cat lamenting on a rooftop. Then the smell of +fields again. Then darkness again. Then the solitude of the open +country. Cadenassa past. + +But now the country changed. The slope grew steeper; it was the last +lift of land to the divide. The road was sown with stones and scored +with ruts. Pepe began to blow; once he groaned. Perforce his speed +diminished. The villages were no longer so thickly spread now. The crest +of the divide was wild, desolate, forsaken. Felipe again and again +searched the darkness for lights, but the night was black. + +Then abruptly the moon rose. By that Felipe could guess the time. His +heart sank. He halted, recinched the saddle, washed the pony's mouth +with brandy from his flask, then mounted and spurred on. + +Another half-hour went by. He could see that Pepe was in distress; his +speed was by degrees slacking. Would he last! Would he last? Would the +minutes that raced at his side win in that hard race? + +Houses again. Plastered fronts. All dark and gray. No soul stirring. +Sightless windows stared out upon emptiness. The plaza bared its +desolation to the pitiless moonlight. Only from an unseen window a +guitar hummed and tinkled. All vanished. Open country again. The +solitude of the fields again; the moonlight sleeping on the vast sweep +of the ranchos. Calpella past. + +Felipe rose in his stirrups with a great shout. + +At Calpella he knew he had crossed the divide. The valley lay beneath +him, and the moon was turning to silver the winding courses of the Rio +Esparto, now in plain sight. + +It was between Calpella and Proberta that Pepe stumbled first. Felipe +pulled him up and ceased to urge him to his topmost speed. But five +hundred yards farther he stumbled again. The spume-flakes he tossed from +the bit were bloody. His breath came in labouring gasps. + +But by now Felipe could feel the rising valley-mists; he could hear the +piping of the frogs in the marshes. The ground for miles had sloped +downward. He was not far from the river, not far from Caliente, not far +from the Convent of Santa Teresa and Buelna. + +But the way to Caliente was roundabout, distant. If he should follow the +road thither he would lose a long half-hour. By going directly across +the country from where he now was, avoiding Proberta, he could save much +distance and precious time. But in this case Pepe, exhausted, stumbling, +weak, would have to swim the river. If he failed to do this Felipe would +probably drown. If he succeeded, Caliente and the convent would be close +at hand. + +For a moment Felipe hesitated, then suddenly made up his mind. He +wheeled Pepe from the road, and calling upon his last remaining +strength, struck off across the country. + +The sound of the river at last came to his ears. + +"Now, then, Pepe," he cried. + +For the last time the little horse leaped to the sound of his voice. +Still at a gallop, Felipe cut the cinches of the heavy saddle, shook his +feet clear of the stirrups, and let it fall to the ground; his coat, +belt and boots followed. Bareback, with but the headstall and bridle +left upon the pony, he rode at the river. + +Before he was ready for it Pepe's hoofs splashed on the banks. Then the +water swirled about his fetlocks; then it wet Felipe's bare ankles. In +another moment Felipe could tell by the pony's motion that his feet had +left the ground and that he was swimming in the middle of the current. + +He was carried down the stream more than one hundred yards. Once Pepe's +leg became entangled in a sunken root. Freed from that, his hoofs caught +in grasses and thick weeds. Felipe's knee was cut against a rock; but at +length the pony touched ground. He rose out of the river trembling, +gasping and dripping. Felipe put him at the steep bank. He took it +bravely, scrambled his way--almost on his knees--to the top, then +stumbled badly and fell prone upon the ground. Felipe twisted from under +him as he fell and regained his feet unhurt. He ran to the brave little +fellow's head. + +"Up, up, my Pepe. Soh, soh." + +Suddenly he paused, listening. Across the level fields there came to his +ears the sound of the bell of the convent of Santa Teresa tolling for +midnight. + + * * * * * + +Upon the first stroke of midnight the procession of nuns entered the +nave of the church. There were some thirty in the procession. The first +ranks swung censers; those in the rear carried lighted candles. The +Mother Superior and Buelna, the latter wearing a white veil, walked +together. The youngest nun followed these two, carrying upon her +outspread palms the black veil. + +Arrived before the altar the procession divided into halves, fifteen +upon the east side of the chancel, fifteen upon the west. The organ +began to drone and murmur, the censers swung and smoked, the +candle-flames flared and attracted the bats that lived among the rafters +overhead. Buelna knelt before the Mother Superior. She was pale and a +little thin from fasting and the seclusion of the cells. But, try as she +would, she could not keep her thoughts upon the solemn office in which +she was so important a figure. Other days came back to her. A little +girl gay and free once more, she romped through the hallways and kitchen +of the old _hacienda_ Martiarena with her playmate, the young Felipe; a +young schoolgirl, she rode with him to the Mission to the instruction of +the _padre_; a young woman, she danced with him at the _fete_ of All +Saints at Monterey. Why had it not been possible that her romance should +run its appointed course to a happy end? That last time she had seen him +how strangely he had deported himself. Untrue to her! Felipe! Her +Felipe; her more than brother! How vividly she recalled the day. They +were returning from the Mission, where she had prayed for his safe and +speedy return. Long before she had seen him she heard the gallop of a +horse's hoofs around the turn of the road. Yes, she remembered that--the +gallop of a horse. Ah! how he rode--how vivid it was in her fancy. +Almost she heard the rhythmic beat of the hoofs. They came nearer, +nearer. Fast, furiously fast hoof-beats. How swift he rode. Gallop, +gallop--nearer, on they came. They were close by. They swept swiftly +nearer, nearer. What--what was this? No fancy. Nearer, nearer. No fancy +this. Nearer, nearer. These--ah, Mother of God--are real hoof-beats. +They are coming; they are at hand; they are at the door of the church; +they are _here_! + +She sprang up, facing around. The ceremony was interrupted. The +frightened nuns were gathering about the Mother Superior. The organ +ceased, and in the stillness that followed all could hear that furious +gallop. On it came, up the hill, into the courtyard. Then a shout, +hurried footsteps, the door swung in, and Felipe Arillaga, ragged, +dripping, half fainting, hatless and stained with mud, sprang toward +Buelna. Forgetting all else, she ran to meet him, and, clasped in each +other's arms, they kissed one another upon the lips again and again. + +The bells of Santa Teresa that Felipe had heard that night on the blanks +of the Esparto rang for a wedding the next day. + +Two days after they tolled as passing bells. A beautiful woman had been +found drowned in a river not far from the house of Lopez Catala, on the +high road to Monterey. + + +THE END + + + + + + + + + + +End of the Project Gutenberg EBook of A Deal in Wheat, by Frank Norris + +*** END OF THIS PROJECT GUTENBERG EBOOK A DEAL IN WHEAT *** + +***** This file should be named 9905.txt or 9905.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/9/0/9905/ + +Produced by Eric Eldred, Elaine Nash and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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