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diff --git a/9898-h/9898-h.htm b/9898-h/9898-h.htm new file mode 100644 index 0000000..eaadd69 --- /dev/null +++ b/9898-h/9898-h.htm @@ -0,0 +1,2691 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> + <meta http-equiv="Content-Type" + content="text/html; charset=iso-8859-1"> + <title>The Project Gutenberg eBook of PUNCHINELLO Vol. 1, No. 4.</title> + <style type="text/css"> + <!-- + * { font-family: Times;} + HR { width: 33%; } + // --> + </style> +</head> +<body> + + +<pre> + +Project Gutenberg's Punchinello, Vol. 1, No. 4, April 23, 1870, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punchinello, Vol. 1, No. 4, April 23, 1870 + +Author: Various + +Posting Date: October 29, 2011 [EBook #9898] +Release Date: February, 2006 +First Posted: October 28, 2003 + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, APRIL 23, 1870 *** + + + + +Produced by Cornell University, Joshua Hutchinson, Steve +Schulze and PG Distributed Proofreaders + + + + + + +</pre> + + + +<table width="800" border="1" align="center" cellpadding="3" + cellspacing="0"> + <tbody> + <tr> + <td width="33%"> + <center> + <p>"The Printing House of the United States."</p> + <p><big><b>GEO.F.NESBITT & CO.,</b></big></p> + <p>General <b>JOB PRINTERS,</b></p> + <p>BLANK BOOK Manufacturers, +STATIONERS, Wholesale and Retail. +LITHOGRAPHIC Engravers and Printers, +COPPER-PLATE Engravers and Printers, +CARD Manufacturers, +FINE CUT and COLOR Printers.</p> + <p><b>163, 165,167,</b> and <b>169</b> PEARL ST., <b>73, 75, 77,</b> +and <b>79</b> PINE ST., New-York. +Advantages. --> All on the same premises, and under +the immediate supervision of the proprietors.</p> + </center> + </td> + <td width="33%"> + <center> + <p>TO NEWS-DEALERS.</p> + <p style="font-weight: bold;"><big>PUNCHINELLO'S MONTHLY.</big></p> + <p>THE FIVE NUMBERS FOR APRIL,</p> + <p>Bound in a Handsome Cover,</p> + <p>Will be ready Mar 3d. Price, Fifty Cents.</p> + <p>THE TRADE</p> + <p>Supplied by the</p> + <p>AMERICAN NEWS COMPANY,</p> + <p>Who are now prepared to receive Orders.</p> + </center> + </td> + <td width="33%"> + <center> + <p>HARRISON BRADFORD & CO.'S</p> + <p style="font-weight: bold;"><big>STEEL PENS.</big></p> + <p>These pens are of a finer quality, more durable, and cheaper +than any other Pen in the market. Special attention is called +to the following grades, as being better suited for business +purposes than any Pen manufactured. The</p> + <p><b>"505," "22,"</b> and the <b>"Anti-Corrosive."</b></p> + <p>We recommend for bank and office use.</p> + <p><b>D. APPLETON & CO.,</b> <b>Sole Agents for United +States.</b></p> + </center> + </td> + </tr> + </tbody> +</table> +<table width="800" border="0" align="center" cellpadding="3" + cellspacing="0"> + <tbody> + <tr> + <td> + <center><br> + <br> + <img src="images/001.jpg" alt="[Illustration: Vol. 1. No. 4.]"> + <h2>SATURDAY, APRIL 23, 1870.</h2> + <br> + <br> + <h3>PUBLISHED BY THE</h3> + <br> + <h3>PUNCHINELLO PUBLISHING COMPANY,</h3> + <br> + <br> + <h4>83 NASSAU STREET, NEW YORK.</h4> + <br> + <br> + <br> + </center> + </td> + </tr> + <tr> + <td align="center"> + <p><i>CONANT'S PATENT BINDERS for "Punchinello," to preserve +the paper for binding, will be sent, postpaid, on receipt +of One Dollar, by "Punchinello Publishing Company," +83 Nassau Street, New-York City.</i></p> + </td> + </tr> + <tr> + <td align="center"> + <p>PRANG'S WEEKLY BULLETIN OF CHROMOS.--"Easter +Morning," +"Family Scene in Pompeii," "Whittier's Birthplace." Illustrated +Catalog sent, on receipt of stamp by L. PRANG & CO., Boston.</p> + </td> + </tr> + </tbody> +</table> +<br> +<br> +<br> +<table width="800" border="1" align="center" cellpadding="3" + cellspacing="0"> + <tbody> + <tr> + <td align="center"> + <p>APPLICATIONS FOR ADVERTISING IN</p> + <p><b>"PUNCHINELLO"</b></p> + <p>SHOULD BE ADDRESSED TO</p> + <p>J. NICKINSON,</p> + <p>Room No. 4,</p> + <p>83 NASSAU STREET.</p> + </td> + <td rowspan="5" align="center"> + <h2>PUNCHINELLO.</h2> + <p>With a large and varied experience in the management and +publication of a paper of the class herewith submitted, and with +the still more positive advantage of an Ample Capital to justify +the undertaking, the</p> + <p><b>PUNCHINELLO PUBLISHING CO.</b></p> + <p>OF THE CITY OF NEW-YORK,</p> + <p>Presents to the public for approval, the</p> + <p><b>NEW ILLUSTRATED HUMOROUS AND SATIRICAL</b></p> + <p>WEEKLY PAPER,</p> + <p><big><big><b>PUNCHINELLO,</b></big></big></p> + <p>The first number of which will be issued under date of April +2, +1870, and thereafter weekly.</p> + <p>PUNCHINELLO will be <i>National</i>, and not <i>local</i>; +and will +endeavor to become a household word in all parts of the country; +and to that end has secured a</p> + <p>VALUABLE CORPS OF CONTRIBUTORS</p> + <p>in various sections of the Union, while its columns will +always be +open to appropriate first-class literary and artistic talent.</p> + <p>PUNCHINELLO will be entirely original; humorous and witty, +without +vulgarity, and satirical without malice. It will be printed on a +superior tinted paper of sixteen pages, size 13 by 9, and will be for +sale by all respectable newsdealers who have the judgment to know a +good +thing when they see it, or by subscription from this office.</p> + <p>The Artistic department will be in charge of Henry L. +Stephens, whose +celebrated cartoons in VANITY FAIR placed him in the front rank of +humorous artists, assisted by leading arists in their respective +specialties.</p> + <p>The management of the paper will be in the hands of WILLIAM A. +STEPHENS, +with whom is associated CHARLES DAWSON SHANLY, both of whom were +identified with VANITY FAIR.</p> + <p>ORIGINAL ARTICLES,</p> + <p>Suitable for the paper, and Original Designs, or suggestive +ideas +or sketches for illustrations, upon the topics of the day, are +always acceptable, and will be paid for liberally.</p> + <p>Rejected communications can not be returned, unless postage +stamps are inclosed.</p> + <p><b>TERMS:</b></p> + <p>One copy, per year, in advance $4.00</p> + <p>Single copies, ten cents.</p> + <p>A specimen copy will be mailed free upon the receipt of ten +cents.</p> + <p>One copy, with the Riverside Magazine, or any other +magazine or paper, price $2.50, for 5.50</p> + <p>One copy, with any magazine or paper, price $4, for 7.00</p> + <p>All communications, remittances, etc., to be addressed to</p> + <p>PUNCHINELLO PUBLISHING CO.,</p> + <p>No. 83 Nassau Street</p> + <p>NEW-YORK</p> + <p>P.O. Box, 2783.</p> + <p><i>(For terms to Clubs, see 16th page.)</i></p> + </td> + <td rowspan="2" align="center"> + <p><b>Mercantile Library,</b></p> + <p>Clinton Hall, Astor Place</p> + <p>New-York.</p> + <p>This is now the largest circulating Library In America, the +number of volumes on its shelves being 114,000. About +1000 volumes are added each month; and very large purchases +are made of all new and popular works.</p> + <p>Books are delivered at members' residences for five cents each +delivery.</p> + <p>TERMS OF MEMBERSHIP:</p> + <p>TO CLERKS,</p> + <p>$1 Initiation, $3 Annual Dues.</p> + <p>TO OTHERS, $5 a year.</p> + <p>SUBSCRIPTIONS TAKEN FOR +SIX MONTHS.</p> + <p><b>BRANCH OFFICES</b></p> + <p>NO. 76 CEDAR STREET, NEW-YORK,</p> + <p>AND AT</p> + <p>Yonkers, Norwalk, Stamford, and Elizabeth.</p> + </td> + </tr> + <tr> + <td align="center"> + <p>The Greatest Horse Book ever Published.</p> + <p>HIRAM WOODRUFF +on the <b>TROTTING HORSE OF AMERICA!</b></p> + <p><i>How to Train and Drive Him.</i></p> + <p>With Reminiscenses of the Trotting Turf. A handsome 12mo, +with a splendid steel-plate portrait of Hiram Woodruff. Price, +extra cloth, $2.25.</p> + <p>The New-York Tribune says: <i>"This is a Masterly Treatise +by the Master of his Profession</i>--the ripened product of +forty years' experience in Handling, Training, Riding, and +Driving the Trotting Horse. There is no book like it in any +language on the subject of which it treats."</p> + <p><b>Bonner</b> says in the <i>Ledger</i>, "It is a book for +which every +man who owns a horse ought to subscribe. The information +which it contains is worth ten times its cost." For sale by all +booksellers, or single copies sent postpaid on receipt of price.</p> + <p>Agents wanted.</p> + <p><b> J. B. FORD & CO,</b> +Printing-House Square, New-York.</p> + </td> + </tr> + <tr> + <td align="center"> + <p>Thomas J. Rayner & Co.,</p> + <p>29 LIBERTY STREET,</p> + <p>New-York,</p> + <p>MANUFACTURERS OF THE</p> + <p><i>Finest Cigars made in the United States.</i></p> + <p>All sizes and styles. Prices very moderate. Samples sent to +any responsible house. Also Importers of the</p> + + <p><b>"FUSBOS" BRAND,</b></p> + + <p>Equal in quality to the best of the Havana market, and from +ten +to twenty per cent cheaper.</p> + <p>Restaurant, Bar, Hotel, and Saloon trade will save money by +calling at</p> + <p><b>29 LIBERTY STREET</b></p> + </td> + <td align="center"> + <p>AMERICAN</p> + <p><b>BUTTONHOLE, OVERSEAMING,</b></p> + <p>AND</p> + <p><big>SEWING-MACHINE CO.,</big></p> + <p><b>563 Broadway, New-York.</b></p> + <p>This great combination machine is the last and greatest +improvement on all former machines, making, in addition to all +work done on best Lock-Stitch machines, beautiful</p> + <p>BUTTON AND EYELET HOLES;</p> + <p>in all fabrics.</p> + <p>Machine, with finely finished</p> + <p>OILED WALNUT TABLE AND COVER</p> + <p>complete, $75. Same machine, without the buttonhole parts, +$60. This last is beyond all question the simplest, easiest to +manage and to keep in order, of any machine in the market. +Machines warranted, and full instruction given to purchasers.</p> + </td> + </tr> + <tr> + <td align="center"> + <p><b>GEO. B. BOWLEND,</b></p> + <p><b>DRAUGHTSMAN AND DESIGNER,</b></p> + <p>160 FULTON STREET,</p> + <p>Room No. 11. NEW-YORK.</p> + </td> + <td align="center" rowspan="2"> + <p><b>HENRY SPEAR</b></p> + <p>STATIONER, PRINTER</p> + <p>AND</p> + <p><b>BLANK BOOK MANUFACTURER.</b></p> + <p>ACCOUNT BOOKS</p> + <p>MADE TO ORDER.</p> + <p><b>PRINTING OF EVERY DESCRIPTION.</b></p> + <p>82 Wall Street,</p> + <p>NEW-YORK.</p> + </td> + </tr> + <tr> + <td align="center"> + <p>WEVILL & HAMMAR,</p> + <p><b>Wood Engravers,</b></p> + <p>No. 208 BROADWAY,</p> + <p>NEW-YORK.</p> + </td> + </tr> + </tbody> +</table> +<br> +<br> +<br> +<table width="800" align="center"> + <tbody> + <tr> + <td> + <p><b>THE PLAYS AND SHOWS.</b></p> + + <p><img src="images/003.jpg" align="left" alt="B">ooth's Theatre has become famous as the place where Mr. +MOLLENHAUER +nightly leads his admirable orchestra, and plays with exquisite skill +and infinite tenderness his unrivalled violin solos.</p> + <p>Since this theatre opened, there have been several attempts to +add +dramatic entertainments to the attractive concerts given by Mr. +MOLLENHAUER. Two great actors, Mr. JEFFERSON and Mr. BOOTH, have at +different times appeared at this house, and in <i>Rip Van Winkle</i> +and <i>Hamlet</i> have given us the most perfect specimens of +dramatic monologue. +Lately, there was an attempt made to present <i>Macbeth</i> during the +intermissions in the performance of the orchestra. Had an actor been +engaged who was capable of playing <i>Macbeth</i>, and had a company +been +engaged to support him, the tragedy would doubtless have been well +played. There was really little else wanting to make it a meritorious +Shakespearean revival.</p> + <p>To visit this theatre is held to be a solemn duty by a large +class of +respectable and serious people. They don't go for amusement--they are +far too sensible for that--but they go to support the legitimate drama, +to testify their respect for SHAKESPEARE and for Mr. BOOTH'S classic +brow. The Worldly-Minded Persons who attended the representations of <i>Macbeth</i>, +found themselves assisting at a scene compared +with which a +funeral would have been jovial, and a hanging, a wild dissipation.</p> + <p>This is the sort of thing that presents itself to our memory +as we +recall the first night of <i>Macbeth</i>.</p> + <p>A large and elderly audience enters the portals with subdued +and +mournful mien. The ushers, who, in imitation of Mr. BOOTH, do a little +of the classic brow and curl business themselves, chew tobacco with an +air of resigned melancholy, and spit upon the carpet, as though +renouncing the pleasures of the world and the decencies of civilization.</p> + <p>At the first intermission of the orchestra, the curtain rises +upon the +three Weird Sisters. Mr. HIND is a Weird Sister, and he improves the +opportunity to howl with a weirdness that draws an involuntary laugh +from an irreverent young lady.</p> + <p><i>Respectable Father</i>. "Laughing in BOOTH'S, my dear! I am +astonished at +you. Sh."</p> + <p><i>Respectable Mother</i>. "Ellen, if you can't behave in +ch--in the theatre, +you ought not to come." <i>Irreverent young lady becomes an object of +scornful pity to every one in the neighborhood. She never smiles again</i>.</p> + <p>The play proceeds. An inarticulate person is brought in on a +litter, who +looks like a Tammany man whom some irate young Democrat has "put a head +on." He indulges in an inarticulate speech, which is warmly applauded +by +the gallery. Then the Weird Sisters meet MACBETH and BANQUO on the +heath, and Mr. HIND howls at them until the Worldly-Minded auditor +blesses the memory of the Salem witch-burners. Then the King brevets +MACBETH. Then Lady MACBETH reads a letter from her husband with the +demonstrative energy of a Chicago Wild Woman reading the decree that +divorces her from a kind and honorable husband. Then the King arrives, +and MACBETH and his wife agree to kill him. Then the curtain falls, and +Mr. MOLLENHAUER repays the Worldly-Minded Person for having stayed +through the first act. Conversation is indulged in by the audience in +subdued whispers.</p> + <p><i>All the Respectable Men in the house</i>. "Ah! there is +nothing like +SHAKESPEARE, and there is no theatre like BOOTH'S. This is indeed an +intellectual feast."</p> + <p><i>All the Middle-aged Ladies, wiping away the tear of +sensibility</i>. "This +is something worth seeing! How can people be so frivolous as to go to +see comedies?"</p> + <p><i>All the Young Ladies</i>. "Isn't BOOTH perfectly splendid? +Isn't he +magnificent? You should have seen his CLAUDE MELNOTTE; it was so +perfectly lovely."</p> + <p><i>All the Ushers, each to the other</i>. "Have another chew?"</p> + <p><i>Worldly-Minded Person to Congenial Reprobate</i>. "Let's +hear MOLLENHAUER +once more, and then go."</p> + <p>But MOLLENHAUER'S violin ceases to weep, and the curtain rises +again. +The remainder of the play proceeds in due solemnity. MACBETH has the +usual fit of <i>delirium tremens</i> at the banquet scene, where the +nobility +of Scotland--one of whom wears low shoes, Oxford tie pattern--drink +with +national ardor, and don't take the slightest interest in MACBETH'S +hallucinations. Lady MACBETH afterward enjoys her own little private +delirium in a gorgeous night-dress, and MACBETH is finally done for by +MACDUFF, who can outfight and outhowl him with perfect ease. The +tragedy +being at last over, the audience disperses with solemn steps and slow; +the men and elderly ladies still whispering their stereotyped chorus of +praise, and the young ladies adding to their panegyrics of BOOTH +ecstatic admiration of Lady MACBETH'S night-dress.</p> + <p>And the Worldly-Minded Person, walking homeward, soliloquizes +in some +such strain as this: "BOOTH can't play MACBETH; for he neither looks +nor +understands the character. FANNY MORANT can't play LADY MACBETH as +perfectly as it should be played; but she tries to do her best, and is +quite respectable. Nobody else plays any part with common decency. But +then the scenery is good; the Scottish nobility look sufficiently +hungry +and seedy, and MOLLENHAUER is superb."</p> + <p>"Didn't somebody say of WASHINGTON that "Providence made him +childless, +that the nation might call him father?" Somebody ought to say of Lady +MACBETH that she was made childless, that no one might call her +mother-in-law. Neat thing that! Somebody ought to send it to +PUNCHINELLO. By Jove! what a mother-in-law that woman would have made. +Or what a landlady; with the Weird Sisters to prepare the morning hash!"</p> + <p>"Well! BOOTH can't do every thing; and we ought not to expect +it. A man +who plays HAMLET as well as he does, can't possibly play MACBETH. As +well might we ask TENNYSON to turn Ward politician. We all owe him a +debt of gratitude for building MOLLENHAUER so splendid a theatre, and +for giving us the best IAGO and the best HAMLET that we have ever seen, +or ever shall see. And so, I for one am ready to forget and forgive +when +be fails as MACBETH, and does not succeed as ROMEO."</p> + <p>--MATADOR.</p> + </td> + </tr> + </tbody> +</table> +<br> +<br> +<hr style="width: 45%;"> +<br> +<br> +<table width="800" align="center"> + <tbody> + <tr> + <td> + <p><b>Grant on Cuba.</b></p> + <p>The President is really in favor of the recognition of Cuba, +with a view +of ultimate annexation. He wants to have his Havanas a home production.</p> + <hr style="width: 45%;"> + <p><b>Robbery at the Mines.</b></p> + <p>It is not strange that robberies are so frequent in the +California +mining regions, a country in which the mountains are full of Pyrites.</p> + <hr style="width: 45%;"> + <p><b>A TEMPERANCE SONG.</b></p> + <p>Strained Verses Dedicated to Unstrained Water.</p> + <p>By <i>A. FILTERER.</i></p> +Bring a glass of sparkling water,<br> + Fill the goblet to the brim,<br> +Let the microscopic critters<br> + Take in it a harmless swim.<br> + <br> +Here are meat and drink united,<br> + <i>Life</i>, indeed, in this we see;<br> +Who'd exchange so rich a fluid<br> + For the baser <i>eau de vie</i>?<br> + <br> +Give us, then, no ale nor porter,<br> + Logwood wine, nor other drugs;<br> +But a glass of sparkling water<br> + Filled with sportive little bugs.<br> + <br> + <br> + <hr style="width: 45%;"> + <p><b>Musical and Mechanical.</b></p> + <p>The coopers of New-York City intend to start an organ. It will +be +a hand-organ, of course, for hand-organs have been Barrel-organs from +time immemorial.</p> + </td> + </tr> + <tr> + <td align="center"> + <p><i>Entered, according to Act of Congress, in the year 1870, by +the +PUNCHINELLO PUBLISHING COMPANY, in the Clerk's Office of the District +Court of the United States, for the Southern District of New-York.</i></p> + </td> + </tr> + <tr> + <td align="center"> + <hr style="width: 45%;"><br> + <br> + <br> + <center><img src="images/004.jpg" alt="[Illustration: HO! HANGELINA, HANGELINA HADAMS, COME TO THE +HALLEY-WINDOW AND SEE A 'OSS WITH HIS 'OOFS TURNED UP!]"></center> + <br> + <br> + <br> + <hr style="width: 45%;"> </td> + </tr> + <tr> + <td><br> + <b>OUR FOREIGN CORRESPONDENCE.</b><br> +(<i>BY ATLANTIC CABLE.</i>)<br> +DOWNING STREET, LONDON, April 10, A.M.<br> + <br> + <p>I have, as ordered, made extensive arrangements for a +world-wide +correspondence for PUNCHINELLO. Knowing your want of confidence in the +party called, so truly and briefly, the "<i>Press Ass,</i>" who sends +over +accounts of horse-races, etc., with an occasional item of news, I have +wires connecting this office with Paris, Madrid, Rome, and other places +of consequence. A special delegate of PUNCHINELLO has been already +admitted to a seat in the OEcumenical Council. Pope Pius remarked +kindly +that he was the only person there who honestly told what he came for. +His Holiness enjoyed, also, a hearty laugh at his first interview; the +subject being the proper title and costume of our delegate. It was +concluded, as he was somewhat dark in complexion, to dub him Bishop of +'Ngami; which, you know, is one of those places that LIVINGSTONE (<i>is</i> +he living, though?) found out. When any body questioned him, the said +delegate was immediately to talk 'ngammon Latin; and His Holiness would +interpret it to the council, as being the African for infallibility. +It's wonderful how well this jolly dog gets on, with his dogmas and dog +Latin together.</p> + <p>Now for news. After all, the <i>most</i> remarkable event has +happened on +your side of the water; but as Philadelphia is further from New York +than New York is from Philadelphia, (the latter is <i>so</i> slow,) I +don't +believe you have heard it yet. There is a railroad, well known +thereabouts, going to <i>Germantown.</i> Well, the event is, that the +board +of directors of that road have--will you believe it? I hardly +do--ordered a <i>new car</i>--a palace-car! The way it happened was +that, +owing to the large use of cattle-cars on the Pacific Railroad, no more +second-hand cars could be got for a month or two, bad enough for the +directors to buy; and there wasn't a builder in the country willing to +make their kind of cars to order.</p> + <p>On this side of the "big pond" we have had nothing so +laughable as the +MORDAUNT case. The charge of the presiding judge to the Prince of Wales +has not been correctly reported. I am told that he spoke thus: "Your +Royal Highness is advised that, on this occasion, it is not expected +that your Royal Highness should tell the truth, unless your Royal +Highness pleases; indeed, your Royal Highness is rather advised not to +tell the truth. Now, will your Royal Highness, acting under this +advice, +please to say, whether he did, or did not, ever do any thing naughty?" +Some one said to me at the time--are there not <i>some</i> mordants +that will +dye beyond whitewashing? But I believe that Wales always was moral, is +moral, and always will he moral, (Balmoral!) Now, this last assertion I +call news! Is it reliable?</p> + <p>More about Yokohama. An English sailor, from Captain EYRE'S +vessel, is +said to have murdered a Japanese, in cold blood, to rob his house. A +court sat upon the case; and, after trial, pronounced this decision: +"We +regret to be obliged to find, that the man, CHAN-JUN, lost his life by +an incision of his throat; and that the knife which made the incision +was in the hand of the sailor called BILL BLINKS, of the Bombay. While, +therefore, it would have been, undoubtedly, much better if the man +CHAN-JUN, and his house, had been out of the way of the said BILL +BLINKS, who by their proximity was placed under a temptation, we are +unwillingly compelled to regret that BLINKS should have made an +unfortunate incision of this kind. We are therefore of the opinion that +the said WILLIAM BLINKS ought not to be allowed to have any grog for at +least six days." This very severe sentence was, we are told, afterward +remitted by request of Captain EYRE.</p> + <p>Our Roman delegate sends me word to-day, that, the Pope's +gardener at +the Vatican setting out a variety of early spring plants, every one of +them came up a Hyacinth! One after another was sent to pot; but, +hydra-headed, still they come! By the way, it is said that two newly +noted people in the church are Frère JONQUIL and Soeur DAFFODIL; +another +is a negro priest, black as two ravens, and he is called Father CROCUS.</p> + <p>ROCHEFORT, we learn, the other day refused to eat any thing, +because his +prison food was at the cost of the Emperor's government. M. OLLIVIER +forthwith sent him a polite autograph note of congratulation; telling +him that this was the first act of his, public or private, of which he +approved; and in the result of which the government, people, and world +would take satisfaction. ROCHEFORT, after reading the note, twisted it +up to light a cigarette, and then told his jailer to bring in his +dinner! You <i>can't</i> please that man.</p> + <p>M. CHASLES has just been appointed <i>Curator of Autographs</i> +at the +Bibliothèque Impériale at Paris, with VRAIN LUCAS as his +secretary. This +gives general satisfaction.</p> + <p>Miss ANNE B----, of Philadelphia, who lives at Rome, has just +written a +charming song, with music for the piano, entitled, "Liszt, O Liszt!" +The most famous <i>aria</i>, however, there now, is the malaria. Rome +is +sick. The people are sick of the Pope and his priests; the Pope is sick +of the Council; the bishops are sick of each other; and travellers are +sick of fever. <i>Sic transit!</i></p> + <p>Let me tell you of my experience, for one day, with the "Press +Ass" of +the Cable. On getting here, finding him to be amicable, I tried him on. +He gave me, for news, to send over to PUNCHINELLO, the following:</p> + <br> + <p><b>GREAT BRITAIN.</b></p> + <p>The <i>Times</i> has an article this morning upon the quality +of Virginia +tobacco. It speaks with great respect of the authority of Ex-Governor +HENRY A. WISE upon that subject.</p> + <p>Mr. GLADSTONE was affected last night with a severe pain in +his stomach. +On going to his place in the House, he was overheard to say, "It must +have been that cabbage." This morning he is better.</p> + <p>10 A.M. Mr. GLADSTONE did not say, "It was that cabbage;" but, +"It was +those beans."</p> + <p>12 A.M. Right Hon. Mr. GLADSTONE is not any better. It is now +doubtful +whether it was the beans or the cabbage.</p> + <p>2 P.M. The Right Hon. W.E. GLADSTONE is a little better, but +ate only a +light dinner. Mr. BRIGHT thinks it was the beans.</p> + <p>Now, my dear PUNCHINELLO, by this time I began to think it <i>must +be</i> the +beans, and so I sent word to my despi-telegraphic correspondent that <i>that +would do</i>. And so it will, also, from your +correspondent,</p> + <p>--PRIME.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Women's Rights, Again.</b></p> + <p>Denver is said to be all agog about a performer named ANNIE +CORELLA, who +plays solos on the cornet. This is the latest manifestation of the +Women's Rights movement, brass instruments having hitherto been played +exclusively by masculine lips and lungs. "Blowing" through brass is +very +characteristic of the advocates of Women's Emancipation; and the next +thing we shall hear, perhaps, is that the ladies of the <i>Revolution</i> +have organized themselves into a brass band, and taken to serenading +HORACE GREELEY.</p> + <br> + <br> + <hr style="width: 45%;"> <br> + <br> + <p><b>Latest Fashionable Intelligence from the Plains,</b></p> + <p>INDIANS' war-(w)hoops.</p> + <br> + <br> + <hr style="width: 45%;"> <br> + <br> + <center><img src="images/005a.jpg" alt="[Illustration: THE PNEUMATIC TUBE. EX-PRESSURE OF THE FUTURE. + THEY SAY THE SPHERES MUST BE TIGHTLY PACKED, AND THIS HOW IT + IS GOING TO BE--WHEN THEY CARRY PASSENGERS.]"></center> + <br> + <center><img src="images/005b.jpg" alt="[Illustration: PROPHETIC VIEW OF THE INTERIOR.]"></center> + <br> + <br> + <hr style="width: 45%;"> <br> + <p><b>Our Future.</b></p> + <p>PUNCHINELLO believes in a future. He believes in it first for +himself, +second for his country, and third for other people. He considers his +own +future very good and gorgeous, of course. He considers that of his +country as very hopeful. It has room to grow, and grows. It has +appetite +to eat by day and to sleep by night. It eats and sleeps. It rises in +the +morning refreshed and lively. It washes its face in the Atlantic, and +its feet in the Pacific. It raises great eagles, great lakes and +rivers, +and has a very large, and wise, and honest Congress. Its members of +Congress are all pure, unsullied men. Not a stain rests on their proud, +marble-like brows--not much. The future of PUNCHINELLO will be, to +borrow from the poet, a "big thing." Its genial, mellow, shining face +will continue to beam through uncounted ages--as long as beams can be +procured, at whatever cost. Its good things will be household words as +long as households are held. It will keep its temper very sweet, its +age +very green, and its flavor very sparkling. It will help the country to +get on in its future, and be always glad to give government a good +turn. +If government wants any money, it will be PUNCHINELLO'S pleasure and +privilege to launch it out. PUNCHINELLO has faith in countries and +governments, and thinks if such matters were not in existence, its own +prosperity would be affected. It therefore says to government, "Go +on--be good, and you'll be happy. Grow up in the way you are bent, and +when you get old, you'll be there." It sees a gigantic future for the +country. It sees the Polar sea running with warm water, the North Pole +maintaining a magnificent perpendicularity, and the Equinoctial Line +extended all around the earth, including Hoboken and Hull. It sees its +millions of people happy in their golden (greenback and currency) +prosperity, and also happy in a full supply of PUNCHINELLO to every +family. It sees its favorite Bird of Freedom spread its wings from +Maine +to Oregon; from Alaska to the Gulf, and it trusts its wings will not be +hurt or lose a single feather in the spread. It sees +itself--PUNCHINELLO, not COLUMBIA--enter upon its thousandth volume as +youthful and pretty as a June rose, and as vigorous as a colt. It sees +the time when one Fourth of July will not go round the national family, +and from two to half a dozen will have to be provided.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Mind your P's and Q's.</b></p> + <p>Committees of State Legislatures are apt to use very slip-shod +English +in drafting their bills. This should not be. How can they expect to +Parse a bill unless it is couched in grammatical language?</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Taking a Senator's Measure.</b></p> + <p>Apropos of a recent debate in the Senate at Washington, a +paragraph +states that "CARPENTER made SUMNER seem very small." The carpenter who +made SUMNER is not to blame for this. In the first place, Mr. SUMNER'S +Measures are very difficult to take. In the second place, the best +Cabinet-makers have failed to make Mr. SUMNER appear very large. In the +third and last place, Ebony, which is the only wood with which Mr. +SUMNER has any affinity, is a mighty hard material to work, even when +treated with the application of a Fifteenth Amendment.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>The Maine Question in Massachusetts.</b></p> + <br> + <p>If New-York has had but little skating during the past winter, +Massachusetts just now displays a good deal of backsliding. Her +legislators have "gone back on" their liquor-bill, which they have +modified to suit their habits, and, should it become law, the druggists +of the Bay State will be at liberty to sell Bay and every other kind of +rum in quantities to suit purchasers. <i>Sic semper</i> Massachusetts! +the +English of which is, that Massachusetts will always keep Sick so long +as +liquor is to be had for physic.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Trying to the Patients.</b></p> + <p>It is widely stated, though we cannot vouch for it as a fact, +that the +poultices used in St. Luke's Hospital are supplied from the too +celebrated pavement of Fifth Avenue.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>"Cometh up as a Flower."</b></p> + <p>It is stated that Père HYACINTHE is about to take a +wife.</p> + <p>That's right--Pair, HYACINTHE.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>THE EPISODE OF JACK HORNER.</b></p> + <p>Probably there is no choicer specimen of English literature +than the +familiar stanza which we herewith reproduce:</p> + <span style="margin-left: 2em;">"Little JACK HORNER sat in a +corner,</span><br> + <span style="margin-left: 2em;">Eating his Christmas-pie,</span><br> + <span style="margin-left: 2em;">He put in his thumb, and pulled +out a plum,</span><br> + <span style="margin-left: 2em;">And said, 'What a good boy am I!'"</span><br> + <p>Although comprised in merely four lines, it contains more +instructive +truths and rarer beauties than some volumes whose pages can be +enumerated by the hundred. The opening line is singularly beautiful:</p> + <span style="margin-left: 2em;">"Little JACK HORNER sat in a +corner."</span> + <p>Here we hare the subject gracefully introduced without +unnecessary +palaver or reference to family antecedents--the simple name given +without a long rigmarole of dazzling titles or senseless adjectives. +The +Muse is neither pathetically invoked nor anathematically abused, but +the +author proceeds at once to describe his hero's present situation, +which, +it strangely appears, is in "a corner." The indefiniteness of the +locality--<i>a</i> corner--is not of the slightest moment; for it does +not +concern the general reader to know in what corner little JACK was +stationed. Suffice it, as is apparent from the context, that it was not +a corner in Erie, nor in grain; but rather an angle formed by the +juxtaposition of two walls of an apartment or chamber.</p> + <p>Now, truly the subject of the poem must have been possessed +either of an +extraordinary modicum of modesty or of a bitter misanthropy; or +possibly +he had been guilty of a misdemeanor, and was cornered to expiate the +punishment justly due; yet conjecture is at once made certainty in the +second line, by which all doubts as to the reasons for his being in a +corner are immediately cleared up:</p> + <span style="margin-left: 2em;">"Eating his Christmas-pie."</span> + <p>The occasion was indubitably the universal annual holiday, and +his +object in going to the corner was manifestly to eat the pie. Perhaps +the +object had an antecedent. Perhaps he <i>stole</i> the pie, and +therefore +wished to avoid observation; or, more possibly, supreme selfishness was +his ruling passion, and he wished to eat it all by himself. As to this, +however, we are left slightly in the fog.</p> + <p>In the third line, we are afforded an insight into the manner +in which +he partook of the Christmas delicacy:</p> + <span style="margin-left: 2em;">"He put in his thumb, and pulled +out a plum."</span> + <p>Interesting scene! Here we have at least an inkling of the +hero's powers +of discrimination, and his regard for the little niceties of life. We +have also a beautiful metaphorical allusion to the postulate that +"fingers were made before forks," an assertion respecting the truth of +which some antiquarians have expressed a doubt. We are not prepared to +decide as to the propriety of leaving the substantial of life and +employing sweets and frivolities to pamper the appetite--and there are +other questions that naturally arise from the interesting circumstance +noted above by the poet, but we will not dwell upon them here.</p> + <p>We proceed to the concluding verse.</p> + <p>The descriptive part of the narrative is ended, and we +naturally expect +a catastrophe in the <i>denouement</i>. We may at least suppose that +HORNER +made himself sick, if he did not actually choke to death from one of +the +plums he was voraciously eating. By no means. We are spared so painful +a +recital. All we know is, that he made a remark, evidently in soliloquy,</p> + <span style="margin-left: 2em;">"And said, 'What a good boy am +I!'"</span> + <p>This concluding line, pointless as it may appear, partially +clears up +the mystery as to his being in a corner. He certainly was not there for +misdemeanor; for he was a "good boy," at least in his own estimation. +What a happy faculty it is, in this world, for a man to have a good +opinion of himself! It relieves life of much of its bitterness. We thus +perceive that, while JACK was tasting the sweets of a Christmas-pie, he +was also enjoying the sweets of self-contentment.</p> + <p>As we have seen, JACK HORNER is an historical personage; +Christmas-pies +are historical; and dainties with plums are historical. JACK was an old +man, doubtless, when our great-grandmothers were very young--certainly +before the war. The world has had full opportunity to profit by his +virtuous example. Numberless little boys have been quieted to sleep by +the rhyme of JACK HORNER judiciously applied, and numberless little +ones, clamorous for more pudding and enlarged privileges at the +dinner-table, owe the success of their appeals to this same HORNER. The +moral, which runs all through the narrative, is one by which the world +may profit, and should. It la a good thing; but like a great many +things +that are good, in the sense in which we use the word, not relished. We +much fear that the ancient, the historical JACK, is extinct. He was a +moderate JACK. He only put in his <i>thumb</i>, when he might as well +have +put in his whole hand. The latter-day JACK is the representative of a +numerous class possessing larger capacity and a greater dynamic +capability. His pie is larger--has more and bigger plums. When we +contrast the present JACK with the past, we blush for the comparison. +When we encounter him in civic office or in the revenue service, we +tremble for the plums. He is grasping, remorseless, ambitious. The old +JACK was satisfied to sit in his corner and eat his pie; but this one +seeks a pie of dimensions so extravagant as to fill the remotest +corners +of the globe; and, what is worse, he is--any thing but a Good Boy!</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>A Voice from "the Hub."</b></p> + <p>A GRATULATORY Bostonian writes us that PUNCHINELLO'S voice (a +Great +Organ, truly) has reached the "Hub," and actually silenced the Great +Organ of that pleasant rural town. So far, good; but he adds that +Massachusetts takes umbrage at the first syllable of our name, on +account of its being at variance with the prohibitory law of that +pleasant but Puritanical State. Certainly, in a moral point of view, it +is better to be in a Puritanical State than in a State of Punch; but +Massachusetts, it is said, is very sly about the liquor business, and +takes her "nips," regularly, behind the door. This may account, +probably, for the "nipping air" by which so many of her denizens are +characterized. The Bostonian further states of the inhabitants of the +"Hub," that "liquor finds little favor in their eyes." Now, we are +acquainted with three thousand four hundred and seventy-three +Bostonians +of the most solid "stripe," and we never yet knew one of them put +liquor +in his <i>eye</i>, wherever else he might stow it. That the great +Boston I +may be partially the result of liquor, is admissible; but then no true +Bostonian would call it liquor, you see--he would call it I water.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Why, Oh! Why?</b></p> + <p>Why has NAPOLEON III. a very salty taste just now? Because he +prefers +his hash with THIERS and without GRÈVY.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>An Established Fact.</b></p> + <p>The British Association have received £1055 toward a +practical and +comprehensive inquiry into the utilization of sewage. Bless your +British +associated hearts! The <i>Herald</i> has demonstrated that long +ago--made +editorials of it.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Rather Mixed.</b></p> + <p>The <i>Jersey City Journal</i> of April 1st, (appropriate +date,) contains the +following advertisement:</p> + <p>"A few gentlemen can be accommodated with good board, washing, +and +ironing; or a gentleman and wife. Terms, $6 per week; or two single +ladies. Apply at --, corner of Newark avenue."</p> + <p>According to this advertisement, it appears that in Jersey a +"gentleman +and wife" are legal substitutes for "board, washing, and ironing." Now, +it is bewildering to think how on earth a "gentleman and wife" could be +made available in lieu of washing and ironing; while, on the other +hand, +the idea of serving up a "gentleman and wife" as "board," suggests the +horrible idea that cannibalism is practised in New-Jersey. With regard +to the terms, "$6 per week" seems to be reasonable enough, though how +"two single ladies" can be made legal tender for six dollars is +absolutely maddening to the mind, inasmuch as average spinsters are far +more apt to be tough than tender.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>True.</b></p> + <p>The <i>World</i> moves with the <i>Sun</i>.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Classic Grease.</b></p> + <p>A Paris grocer ornaments his shop-windows with a bust of +ROCHEFORT, done +in lard, with prunes for eyes. After this, let us hear no more of the +sculptures of classic Greece. But why prunes? Why, to signify that +after +the funeral of VICTOR NOIR he dried his eyes.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>A Little Berlin Game.</b></p> + <p>Bismarck has sent Herr SILK to Pekin, to wind himself around +the +Celestial emperor's heart, and also to make a cocoon for the Tycoon of +Japan, after worming himself into his affections. Perhaps, for being +such a darin' man, he may be made a mandarin!</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>A NOTARY'S PROTEST.</b></p> + <p>MR. PUNCHINELLO: I protest against certain annoyances to which +a man in +my office is subjected. Whereby it must be understood that I refer to +myself and my official position, not to the nine by twelve apartment +where the wicked and perverse can always find my sign without much +seeking.</p> + <p>The drift of all this is, that I refer to Bores. It is not +new, I know; +if it were, a New Sense might be shown by telling whether it came from +me originally. I believe that in all walks of life man's inhumanity to +man is mainly manifested by boring. Sometimes this is said to have been +done in past time, because the greatest "blower" known to the ancients +was called Old Bore as we know, and POLYPHEMUS complained of having +been +bored by ULYSSES.</p> + <p>Let not the patient reader be alarmed now; for I am of a +retiring +disposition, and am here indisposed to tire by dilating upon a class of +people who always Die Late enough of themselves. But I will say that +the +worst bores with which a notary has to deal, are those who come to +swear, (and go out sworn,) and who either forget to pay or haven't the +change to pay right. Several such patronize me--changelessly. +Singularly +enough, all hail from Boston, so that it is no wonder that I cry, All +hail, Boston! Here comes General X------, who swears and tenders me an +X, and asks for change. Then I swear myself, and say, with HAMLET, that +I will change that word with him; whereupon he puts the bill in his +pocket and goes <i>da mit,</i> which conduct is both Germain to the +transaction and Dutch to me. Again, enters Mr, KOPPER, affably takes an +affidavit, and finds, to his grief and astonishment, that he has but +eleven cents in his pocket. Of course, he has coppered and won. But +why--tell me why, could he not have given me the sentiment, which I had +a right to expect from him? He bears the stamp of a bad Kopper; a +regular old Nick, and has done that unbecoming thing so often that it +is +becoming monotonous And General X------ and Mr. K------ are types of a +large class who come before me to take acknowledgments and the like, +for +whom I have no liking; who may as well acknowledge now, severally each +for himself, (the aforesaid Nick being for all of them,) that they do +take the same, and then, like men shunning fees, go without mentioning +fees once, which is surely misfeasance, in the eye of the law. The Dues +take them; why should men of means be so mean?</p> + <p>Then there is the man who stays; who is always the coming man, +but never +the going one. And there is the beggar woman, who enters my office like +a ghost, and is a very great bore indeed. But of course beggars are +bores of which every office has plenty. Every body knows these +characters, however, and owes them too--one, at least, does. Well, it +is +hard that because a man is bored dead at his boarding-house he can't +have peace in his office, and so I have made my protest against the +bores, as I said I would. --A NOTARY.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>A War of Castes.</b></p> + <p>The Michigan University has been unsuccessful in its search +for a +President, as it has not offered enough to induce acceptance on the +part +of those to whom it has tendered the honor. It seems to be a case where +the Hire and Lore classes come in conflict.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>An Old Story, even Here.</b></p> + <p>The papers tell of a dog-race which is to take place at San +Francisco, +and some of them add that a dog-race is a common thing in England, but +a +novelty here; as if the canine Race were something new in America!</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Shock-ing Intelligence.</b></p> + <p>Another earthquake in San Francisco.</p> + <br> + <hr style="width: 45%;"> + <br> +<center><img src="images/007.jpg" alt="[Illustration: SUN-STRUCK. + SHOWING HOW PARSEE DANA WORSHIPS HIS LUMINARY.]"></center> + <br> + <hr style="width: 45%;"> + <br> + <p><b>PUNCHINELLO ON THE JURY.</b></p> + + <p>PUNCHINELLO has been summoned on the jury. He is asked to try a +murderer. PUNCHINELLO is kind-hearted. He wishes neither to put himself +in suspense in a jury-box, nor a murderer so in a sheriff's box that +the +murderer shall finally be put in suspense. PUNCHINELLO is to be asked +whether he has formed or expressed an opinion upon the subject of the +guilt or the innocence of the murderer, or whether he feels any bias +against an accused. Such questions, in PUNCHINELLO'S opinion, are +nonsensical. Jurors nowadays are influenced more through their stomachs +than through their heads or their hearts. Let a juror, when he comes to +be challenged, be rather asked, "Had you a good or a bad breakfast?" +"Were you out late last night?" "Have you had the dyspepsia lately?" +"Are you bilious?" "Do you habitually eat fried bacon or Welsh +rarebit?" +"Do you afflict yourself with reading the Tribune?" "Can you digest +stewed lobster or apple-dumpling?" so that whenever a juror shall be +found freed from dyspepsia, or to be a good sleeper, or a man who can +digest even the new Tariff or the Income Tax, it is PUNCHINELLO'S +opinion that such a juror will make a capital chap to listen +complacently to lawyers, keep patience with witnesses, respect the +judge, laugh at the crier, smile at the reporters, give "true +deliverances," and contribute something toward redeeming our boasted +Anglo-Saxon jury system.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>The Difference.</b></p> + <p>Salt Lake City and Chicago represent the extreme ends of the +social +scale. In one place you get as many wives as you like; in the other it +is quite as easy to get rid of them.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Boston out of the Clouds.</b></p> + <p>There is talk of reviving the old ordinance in Boston against +smoking in +the streets. This will aim a blow at side stove-pipes as well as at +meerschaums; but, fortunately, it will not prevent the smoking of hams +or of perpendicular chimneys.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>"THIERS IDLE THIERS."</b></p> + <p>A newspaper item conveys the interesting intelligence that +THIERS, the +renowned statesman and historian, consumes snuff to the amount of a +quarter of a pound daily. That M. THIERS is thoroughly "up to snuff" +every body knows; but that he has so much idle time on his hands as to +be able to use a quarter of a pound of it daily, will be news to most +people. Let any one of our readers try it. Let him be ever so "good at +a +pinch," he will find that to feed his proboscis from a quarter of a +pound of snuff until he has reached the last pinch, would take up, at a +moderate computation, no less than eight hours at a stretch, allowing +reasonable intervals for sneezing and blowing his nose. Evidently the +story is an idle one--more idle than M. THIERS ever could have been. +Perhaps it was "pinching" poverty in the way of items that drove the +itemizer to invent it. At any rate, he has made a "mull" of it.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Apropos of Susan B. Anthony.</b></p> + <p>"Was ever woman in this humor One?"</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>A Gale Brewing.</b></p> + <p>Boston is agitating a reproduction of the Coliseum, and +GILMORE hints at +an orchestra of three thousand, with eighteen hundred <i>wind</i> +instruments. A gale far more disastrous than that memorable southeaster +of last autumn may therefore be expected.</p> + <br> + <hr style="width: 45%;"> <br> + <center><img src="images/008.jpg" alt="[Illustration: WOMAN IN WALL STREET Lady Broker, (to +applicant for stock.) O DEAR, DEAR! HOW CAN I ATTEND TO BUSINESS WHEN I'VE THE +BABY TO MIND?]"></center> + <br> + <hr style="width: 45%;"> <br> + <p><b>CHAT ABOUT RAILROADS.</b></p> + <p>PARTIES: <i>A Simpleton from the Wilderness, and a +Misanthropic Traveller.</i></p> + <p>[<i>The Simpleton asks for information.</i>]</p> + <span style="margin-left: 0.5em;">"They say that railroads now +an't safe.</span><br> + <span style="margin-left: 1em;">Say, mister, how is that?"</span><br> + <span style="margin-left: 0.5em;">It comes of "accidents," my +friend--</span><br> + <span style="margin-left: 1em;">Where cheap rails spread out flat,</span><br> + <span style="margin-left: 0.5em;">Cheap axles break, cheap +boilers burst,</span><br> + <span style="margin-left: 1em;">Cheap trestle-work gives way:</span><br> + <span style="margin-left: 0.5em;">No wonder, when you think of +that,</span><br> + <span style="margin-left: 1em;">They kill a man a day!</span><br> + <span style="margin-left: 0.5em;">Well, folks must travel; must +go fast;</span><br> + <span style="margin-left: 1em;">Must take the cars--and risk;</span><br> + <span style="margin-left: 0.5em;">They can't afford a Special +Train,</span><br> + <span style="margin-left: 1em;">Like VANDERBILT or FISK;</span><br> + <span style="margin-left: 0.5em;">They know a curve that's pretty +sharp,</span><br> + <span style="margin-left: 1em;">A bank that's pretty steep,</span><br> + <span style="margin-left: 0.5em;">Rocks that may roll upon the +track,</span><br> + <span style="margin-left: 1em;">"Sleepers" that never sleep;</span><br> + <span style="margin-left: 0.5em;">Here was a "smash-up" not long +since,</span><br> + <span style="margin-left: 1em;">That killed about a score;</span><br> + <span style="margin-left: 0.5em;">Two trains "collided" yesterday,</span><br> + <span style="margin-left: 1em;">And maimed a dozen more.</span><br> + <span style="margin-left: 0.5em;">But, go they must--by railroad, +too,</span><br> + <span style="margin-left: 1em;">And all its risks defy:</span><br> + <span style="margin-left: 0.5em;">For no American believes</span><br> + <span style="margin-left: 1em;">That <i>he</i> will ever die!</span><br> + <p>[<i>The Simpleton, with open mouth, further questions the +Traveller.</i>]</p> + <span style="margin-left: 0.5em;">"In God's name, citizen, pray +tell</span><br> + <span style="margin-left: 1em;">How this can go on, so!"</span><br> + <span style="margin-left: 0.5em;">You ask a simple thing, my +friend,</span><br> + <span style="margin-left: 1em;">As I will quickly show.</span><br> + <span style="margin-left: 0.5em;"><i>Directors know their +countrymen,</i></span><br> + <span style="margin-left: 1em;">And <i>that</i> is why we bleed:</span><br> + <span style="margin-left: 0.5em;">So long as nothing's done to +them,</span><br> + <span style="margin-left: 1em;">The slaughter will proceed.</span><br> + <span style="margin-left: 0.5em;">It's so in coal-mines, so in +mills;</span><br> + <span style="margin-left: 1em;">It's so on steamboats, too;</span><br> + <span style="margin-left: 0.5em;">We're killed by hundreds, every +year:</span><br> + <span style="margin-left: 1em;">But what's a man to do?</span><br> + <span style="margin-left: 0.5em;">These harpies make our laws for +us--</span><br> + <span style="margin-left: 1em;">Or do so through their tools:</span><br> + <span style="margin-left: 0.5em;">No doubt we seem to all the +world</span><br> + <span style="margin-left: 1em;">A wretched pack of fools!</span><br> + <span style="margin-left: 0.5em;">We are so busy! We've <i>no +time</i></span><br> + <span style="margin-left: 1em;">To see that all is right!</span><br> + <span style="margin-left: 0.5em;">We'll give the danger all our +thoughts--</span><br> + <span style="margin-left: 1em;">The moment its in sight!</span><br> + <span style="margin-left: 0.5em;">Cheap iron and cheap souls, my +friend,</span><br> + <span style="margin-left: 1em;">Have cursed us all along.</span><br> + <span style="margin-left: 0.5em;">But what possesses you, good +friend?</span><br> + <span style="margin-left: 1em;">I'm sure there's nothing wrong!</span><br> + <p>[<i>The Simpleton from the Wilderness is terribly excited.</i>]</p> + <span style="margin-left: 0.5em;">"I warn 'em not to serve <i>me</i> +so!</span><br> + <span style="margin-left: 1em;">They'll rue it, if they do!</span><br> + <span style="margin-left: 0.5em;">No axle, wheel, nor rail must +break;</span><br> + <span style="margin-left: 1em;">No bridge must let me through!</span><br> + <span style="margin-left: 0.5em;">No other train must smash up +ours;</span><br> + <span style="margin-left: 1em;">No culvert fall away;</span><br> + <span style="margin-left: 0.5em;">The scaly boiler mustn't burst;</span><br> + <span style="margin-left: 1em;">And here cows mustn't stray!</span><br> + <span style="margin-left: 0.5em;">"Conductors' watches <i>must</i> +keep time;</span><br> + <span style="margin-left: 1em;">Switch-'tenders <i>must</i> +"know beans,"</span><br> + <span style="margin-left: 0.5em;">And engineers keep wide awake</span><br> + <span style="margin-left: 1em;">And know what duty means:</span><br> + <span style="margin-left: 0.5em;">And (in particular) no fiend</span><br> + <span style="margin-left: 1em;">Must take into his head</span><br> + <span style="margin-left: 0.5em;">To throw my train off down a +bank</span><br> + <span style="margin-left: 1em;">For spite, or even bread!</span><br> + <span style="margin-left: 0.5em;">"What! do these dreadful things +go on</span><br> + <span style="margin-left: 1em;">That companies may thrive?</span><br> + <span style="margin-left: 0.5em;">Is <i>profit</i> the sole +living thing</span><br> + <span style="margin-left: 1em;">They care to keep alive?</span><br> + <span style="margin-left: 0.5em;">Then, fellow-citizen, rouse up!</span><br> + <span style="margin-left: 1em;">For you and I are kings!</span><br> + <span style="margin-left: 0.5em;">Let us decree-and straightway <i>have</i></span><br> + <span style="margin-left: 1em;">A different state of things!"</span><br> + <p>["Well, you 'decree' it; and when it's done, please let me +know," +remarks the <i>Misanthropic Traveller.</i>]</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Sugar-Cane.</b></p> + <p>The friends of WILLIAM TWEED, in presenting a cane to him the +other +evening, desired to show the Young Democracy how many there are who +Stick to him.</p> + <br> + <hr style="width: 45%;"> <br> + <br> + <center><img src="images/009.jpg" alt="[Illustration: THE GREAT NATIONAL GAME. + OUR COLORED BROTHER. HI YAH! STAN' BACK DAR; +IT'S DIS CHILE'S INNIN'S NOW]"></center> + <br> + <br> + <br> + <hr style="width: 45%;"> <br> + <p><b>TUTTI TREMANDO!</b></p> + <p><img src="images/011.jpg" align="left" alt="T">ruant Bards! where are the Triumphal Odes and the +Congratulatory Poems +which should have greeted Mr. PUNCHINELLO, who, after deserting his +beloved Italy, after a stormy voyage and unspeakable sea-sickness, has +arrived here with a view of settling and of becoming a citizen (having +already filed his first papers) of this magnificent Republic? Where are +the poets who should have greeted the venerable and illustrious +voyager? +Imbeciles! See you not that your congratulatory work would have been +easy? That PUNCHINELLO rhymes to fellow (good) and to mellow, +(decidedly,) to say nothing of bellow, (a proper word for singers,) and +to yellow, (although into this and the sear leaf we most decidedly have +not fallen, in spite of our three or four hundred years.) Had we but +been a Prince, and called VICTORIA R. our mother, we should ere this +have been invited to balls enough to ruin our small legs, and dinners +enough to destroy our great digestion. Yet, if it should come to the +comparison of pedigrees, the Signor PUNCHINELLO feels that he could +knock these princelings into a cocked hat, (or shall we say a cocked +coronet?) Mr. PUNCHINELLO proudly knows that he is His Own Ancestor and +the Perpetual Renewer of his own Patent of Nobility.</p> + <p>Gentlemen poets, it is too late! We will not now have your +melodious +ovations at any price! It would be a pretty piece of business indeed, +if, after sounding our own trumpet for ages, as we may say, we should +now succumb to an idiotic modesty. Do you not understand that we were +sonorously beating our own drum when the Onondaga Giant was a mere +baby? +We shall continue to play upon both these private instruments. If we +consider ourselves to be wise above our fellow-creatures, witty to a +degree most extraordinary, more Senatorial by nature and experience +than +most of the Potents and Graves in Washington; if we know ourselves (and +we hope we do) to be polished, polite, and profound, why should we go +hunting about for a bushel to put our light under? Away with modesty! +Can printer's ink blush? Who blames the <i>Tribunes</i> and the <i>Heralds</i> +and +the <i>Worlds</i> and the <i>Timeses</i> for vaunting a circulation +which seems to +defy mortal numeration? A pretty market we should have brought our fish +to, if we should now squeamishly decline to wind our own mellow horn!</p> + <p>If there be any poetical gentleman who desires to write an +Epic (in not +less than twenty-four Books) on the Life and Adventures of PUNCHINELLO, +to be printed on vellum paper, with profuse illustrations, and bound in +morocco, this ambitious and worthy person has our full permission to go +ahead, and may he find (which we do not believe he will) a publisher +sensible enough to produce his work!</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>New-England versus New-York.</b></p> + <p>An item of literary news states that--</p> + <p>"William R. Cutter, Esq., of Woburn, Mass., is preparing a +history of +the Cutter family of New-England."</p> + <p>This brings New-England directly into collision with New-York. +The +"Cutter family" was never, perhaps, so fully represented anywhere as it +now is in this city. Cutters are continually cutting each other down +with knives. Other Cutters--of a less harmful kind--are contented with +cutting their own throats, not always to the loss of the world, indeed, +but invariably to the profit of the Coroner. Then there are shoals of +Cutters who cut and run with funds belonging to others, and of such is +Collector BAILEY. Unfortunately, there are very few Cutters in New-York +who "cut their coats according to their cloth;" but, to compensate for +this, the "diamond cut diamond" variety of Cutter is very common +indeed. +Altogether it would take an ocean of ink and a promontory of paper to +write the history of the Cutter family of New-York.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>RELIGIOUS AMUSEMENTS.</b></p> + <p>The amusement-seeker must be thought of, even on a Sunday. For +life is a +most chillingly vaporous affair (reminding one of washing-day in +November) without a liberal sprinkling of liveliness. Recognizing this +truth, our religious brethren begin to impart zest to their Sunday +services by seizing on any passing incident of uncommon raciness, such +as a particularly enterprising murder or an exceptionably comprehensive +railroad accident, for the text of a sermon or the thrilling theme of +an +evening lecture. Any thing to fill the house. Thus, we find that "The +late Terrible Calamity which befell BANGMAN DONELEY and Family" was +advertised as the current attraction in the "West ----th Street United +Presbyterian Church," a Sunday or two since. A fine theme! Full of +nicely harrowing details. It must have drawn well. We are not informed +whether the reverend sensationist had a "real house" made with which to +illustrate the overwhelming incident; and some "real people," including +children, to be (apparently) crushed when it got blown over, (the +blowing being done by himself;) but here was a nice chance for dramatic +effect.</p> + <p>And the same Sunday a rival attraction was advertised in the +dedication +of a new Catholic Church, with "Music by a select choir and orchestra. +Admission, $1. Reserved seats, $1.50," Reduced admission fee to the +"Grand Dedication Vespers" in the evening. We do not know whether there +were opera-glasses on hire, but presume that the comfort of the +audience +was carefully attended to.</p> + <p>Really, Sunday is not so stupid a day, after all!</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Crispin's Last.</b></p> + <p>"About women's rights," says he, "there's a great deal of +useless talk. +And then nobody says any thing about women's lefts. Now, it's my +opinion +that lefts are as hard to fit as rights, especially with widows and +single women. And as for suffrage, women suffer most from having too +little sole, and too much heel. MILL, to be sure! He may be well enough +on the Floss, but he's not much on leather, believe that!"</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>A Western Boucicault.</b></p> + <p>The <i>Chicago Republican</i>, says a Dubuque author, has +written a drama +called "The Ten Squaws." There should be much Indianuity in the plot of +such a play.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>FABLE.</b></p> + <p>(BY OLD AESOP HIMSELF.)</p> + <p>Once there was a large city that had the same name as the +State to which +it belonged. The people of the State made laws for the city, because +some of the citizens of the city had declared that life and property +were not safe unless they did so. But the majority of the citizens +disliked this kind of government so much that they began to find +themselves very discontented and unhappy. At length they decided to +pray +to Fate (which meant the Voters of the State) to relieve them from the +burden under which they were groaning, and restore their power. Then +Fate heard their cries and lamentations, and was kind enough to come to +their relief. "Now, why don't you use your power?" she asked. "Oh!" +said +the late unhappy, and indeed wretched majority, "we only wanted a +chance +to quarrel a little among ourselves, and call each other hard names." +"Couldn't you have done that before?" asked Fate. "Why do you give me +all this trouble?" "To tell the truth," said the Majority, "when we +wash, we like to show our dirty linen; and we couldn't let enough +people +see it without getting you to help us." "Well," said Fate, "in future +you'll get no assistance from me in washing your foul linen. If you +like +to be known as dirty people, go on being dirty, and every body that has +nose and eyes will finally understand you."</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Punchinello in Erie.</b></p> + <p>In the <i>Tribune's</i> report of the arguments on the Erie +case before the +Assembly Committee on Railroads, Mr. BURT is said to have stated his +belief that Mr, CROUCH is a contributor to PUNCHINELLO. Our best +thanks are due to Mr. BURT for his "first-rate notice," though, at the +same time, we wish to inform him that no contributor of the name of +CROUCH has hitherto made his appearance in these columns. To speak +plainly, PUNCHINELLO never Crouches. As he has no "slouch" about +him, so he has no Crouch.</p> + <br> + <hr style="width: 45%;"> <br> + <br> + <center><img src="images/012.jpg" alt="[Illustration: PAT-RATIOCINATION. + First Political Economist. AFTHER ALL, THE BIG MASS OF +THE PEOPLE MUST FORM THE GREAT BULK OF THE POPULATION." Second ditto. +THRUE FOR YOU, BARRIN' THEY GET INTO THE +MINORITY BY THE OVER-WHELMIN' NUMBERS OF THE PRIVILEGED FEW.]"></center> + <br> + <br> + <br> + <hr style="width: 45%;"> <br> + <p><b>A Rather Flashy Idea.</b></p> + <p>With regard to heating the Hôtel Dieu Hospital, in +Paris, by +electricity, a contemporary has remarked, "Of course, we know nothing +of +the apparatus by which this result is accomplished in Paris; but we had +the opportunity of witnessing on Wednesday last, at the Winder +building, +the experiments of Dr. LEIGH BURTON in applying electricity for warming +railroad cars, which were entirely successful and satisfactory." Of +course, <i>we</i> know nothing about it either; but we hope the new +method is +a great improvement on the old one, as we have several times witnessed <i>from</i> +the Winder, buildings, barns especially, heated by +electricity in +a very <i>un</i>satisfactory manner.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>"On Two, Richmond!"</b></p> + <p>RICHARD III. fancied that there were "two RICHMONDS in the +field." +Singularly coincidental with this, and well worth the attention of +Shakespearean scholars, is the fact that Richmond, Va., is now running +two mayors. Of course, Richmond, Va., cannot now be looked upon as a +"one-horse" town.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Ritualistic.</b></p> + <p>One of the latest allurements held out by the managers of a +celebrated +"high" church in this city, is a "three hours' agony"--which is about +the most appropriate name for a long and tedious sermon we remember +ever +to have heard.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>BOYHOOD.</b></p> + <p>There can be no reason to doubt that METHUSELAH was blessed +with a +tolerably vigorous constitution. The ordeal through which we pass to +maturity, at present, probably did not belong to the Antediluvian +Epoch. +Whooping-cough, measles, scarlet fever, and croup are comparatively +modern inventions. They and the doctors came in after the flood; and +the +gracious law of compensation, in its rigorous inflexibility, sets these +over against the superior civilization of our golden age. At a time +when +the court-dress of our ancestors was composed of fig-leaves, or of +imperfectly dressed skins--nothing like the Astrachans of the +nineteenth +century--it would certainly have been very inconvenient to coddle +ailing +infantry through an attack of diphtheria, for example. So bountiful +Nature, then in the first blush of maidenhood, doubtless brought the +long-lived Patriarch through his nine hundred and sixty-nine years +without once calling in the family medical adviser. It is recorded, +however, that he was born and that he died, and he therefore certainly +passed through that stage of existence called Boyhood. And as he was +nearly two hundred years old at the birth of his first-born, it is +reasonable to suppose that the adolescent period was frightfully +prolonged in his case. Just imagine a youngster of a hundred and ten or +fifteen stealing apples or running to fires! The revelations of +ethnology, which is too youthful a science to reveal a great deal, do +not oppose the theory of all matured humanity, to wit, that the animal +boy is the same in all ages and in all races, an Ishmaelite, and Ara, +an +Outlaw, hedged in and restrained by laws and customs, it may be, but +innately antagonistic to society.</p> + <p>The Philosophers who have traced humanity through all stages +of its +development, from the Aphis creeping on the rose-leaf to the full-grown +specimen in the person of a Member of Congress, have wisely and +invariably omitted all notice of boyhood in their lists of gradations +and transitions. Any thing like a fair examination of this particular +development scatters their doctrines to the four winds. Because the +salient traits to the next higher development, could not part with +their +own identity, or send these distinguishing characteristics, in one fell +swoop, through many stages, only to reappear at last in the upper type, +and only between infancy and manhood, and only in one sex. This +argument +is overwhelming, and the present purpose is to elucidate it by more +particular examination.</p> + <p>It is proper, in the first place, to gather a blossom from the +negative +side of the discussion. Boys are not girls. While dogs, and foxes, +pigeons and ducks, have each a generic term applicable to both sexes, +there is a tacit understanding in civilized localities that boys +compose +a distinct genus. They are, in the eye of the law, considered human, +probably because they eventually pass from boyhood to humanity, There +is +an old nursery rhyme which marks the distinguishing characteristics of +juvenile members of society with remarkable accuracy:</p> + <span style="margin-left: 0.5em;">"What are little girls made of, +made of?</span><br> + <span style="margin-left: 0.5em;">What are little girls made of?</span><br> + <span style="margin-left: 0.5em;">Sugar and spice,</span><br> + <span style="margin-left: 0.5em;">And every thing nice,</span><br> + <span style="margin-left: 0.5em;">Such are little girls made of.</span><br> + <br> + <span style="margin-left: 0.5em;">What are little boys made of, +made of?</span><br> + <span style="margin-left: 0.5em;">What are little boys made of?</span><br> + <span style="margin-left: 0.5em;">Snaps and snails</span><br> + <span style="margin-left: 0.5em;">And puppy-dog tails,</span><br> + <span style="margin-left: 0.5em;">Such are little boys made of!"</span><br> + <p>There is so apparent an air of probability about this terse +statement of +the case, that it has satisfied the insatiable curiosity of infantile +minds for long ages. Little girls never doubt it, and little boys never +contradict it. If Paterfamilias has any thoughts upon the subject, he +probably thinks this expenditure of snaps and snails was a great waste +of raw material. Girls may be romps and hoydens, vixens and scolds, but +the sugar and spice will always be detected, and, with all drawbacks +allowed, the little girl is still entitled to Mr. MANTALINI'S cognomen +of "demnition sweetness." At least, this is the universal verdict of +society. From the time when she dons her first <i>chignon,</i> (which <i>never</i> +matches the native hair, by the by,) she is nearly angelic, with some +few exceptions, perhaps, <i>after</i> marriage.</p> + <p>In the way of direct proof, to return to the muttons, it may +be +observed that the next link to manhood, in the philosopher's chain, is +that highly attractive animal which M. DU CHAILLU has recently +introduced to the general public. The points of resemblance betwixt the +Gorilla and the Boy are numerous and striking. In most cases, the two +animals have an equally pleasing exterior. They both have the ability +to +climb giddy heights, inaccessible to any other wingless biped. Their +language is not dissimilar, the same unintelligible chatter being +characteristic of both. As the argument proceeds, it will be seen that +distinctive traits belonging to lower classes of the animal kingdom are +totally extinct in the Gorilla, while they are emphatically visible in +his successor.</p> + <p>Thus, taking the Laughing Hyena as the next illustration, it +will be +remembered by all students of GOLDSMITH'S <i>Animated Nature</i>, that +this +amiable quadruped invariably exercises his risibles when he is +crunching +the bones of some other less truculent quadruped. It is "solitary, +cruel, and untamable, digs its food out of graves," cachinnating the +while like a thousand or fifteen hundred of brick. There are other +ravenous beasts in the world; but this one is peculiar in that he +laughs +over his work, which is also his pastime. Now, if you wish to hear a +Boy +laugh--a horse-laugh, a giant-laugh--just put some other animal, human +or otherwise, through a course of torture. Twist a pig's tail until it +comes out; or, if you don't like the occupation, the Boy will +cheerfully +do it--and will drown the squeal of the porker in his own uproarious +merriment. What do you suppose were the age and sex of the inventor of +the game called "Tying a tin kettle to a dog's tail?" And do you +suppose +this inventor stood by, in silent gravity, to witness the success of +the +experiment? The yelp of the astounded dog, and the clatter of the +kitchen utensil so strangely misplaced, were doubtless swallowed up in +the loud guffaws of the Laughing Hyena on two legs.</p> + <p>Another link is discovered in the person of the useful and +ornamental +domestic animal who is popularly supposed to furnish the material for +sausages. The accidental discovery of a suspender-button, or the claw +of +a kitten, in the sausage, gave rise to some doubt as to the composition +of this favorite edible; but statisticians usually admit that hogmeat +forms the staple. Doctor KANE speaks in glowing terms of the excellence +of rats when mixed with due proportions of walrus blubber, and cut out +in frozen chunks, probably with a cold-chisel. Why this fierce rodent +should make more savory meat than the innocent kitten, does not appear. +The latter is certainly much nicer to play with, in the ante-mortem +state. But this is a digression. Returning, therefore, not to the +mutton, but to the pork, consider the distinctive habits of both pig +and +Boy at meal-time, and see how nearly identical they are. Watch the +innocent in bristles as he places his graceful right paw upon the ear +of +corn, while he shells and masticates. Turn to the innocent in +broadcloth, and notice how he clutches the succulent turkey-leg, and +how +rapidly he polishes the femoral bone. Throw a second ear of the cereal +in the trough, and observe how promptly the left paw secures it, lest +it +should be transformed into lard through the agency of a companion pig. +Place the other turkey-leg, both wings, three slices of breast, the +side-bone and plenty of "stuffin'" within reach of the other embryo, +and +notice the glare of his famished eye, if some other plate than his is +presented. You would fancy he had been exploring the route of another +ship-canal across the Isthmus of Darien, and had tasted no food for +twenty-two days.</p> + <p>Neither are the post-prandial habits of the two animals under +consideration dissimilar. The corn-cracker betakes himself to some +sunny +spot, where there is abundance of mud, and aids digestion by wallowing. +So does the Boy, especially if he is in dinner costume. If the +quadruped +can get into a garden and root up unreplaceable flowers and fruits, +before he retires to his lair, his bliss is perfect. So the Boy; if he +can manage to break two or three windows, tear his best clothes into +ribbons, chase the family cat up a tree with hound, whoop, and halloo, +and then stone her out of it, and, as she with thickened tail scampers +to some more secure retreat, follow her with hoots and missiles--he +also +retires, conscious that the day has not been wasted. And, finally, upon +this parallelism betwixt Pig and <i>Puer</i> one patent point of +resemblance +may be mentioned. Rouse up a pig, any hour of the day or night, with +his +maw full to the gullet, and offer him a little more, another ear of +corn, another bucket of swill, and you will be sure of his prompt +acceptance. And place before a boy, immediately after an astounding +dinner, if you choose, any thing edible, apples, cakes, pudding, or +cold +potatoes, and if <i>his</i> maw will not accommodate the additional +stowage, +you send for the doctor, knowing that the dear child is ill, that the +symptoms are novel, and that the case is urgent.</p> + <p>The reference to the history of METHUSELAH with which this +paper began +was not without a purpose. It was to suggest the inquiry whether or not +the <i>vim</i> which prolonged his days would have sufficed to bring +him +through <i>two</i> courses of Boyhood. It is not unusual to hear grown +people +talk of "living their youthful days over again;" but the examples of +those who have gone through this ordeal are very rare. The amount of +wear and tear, the expenditure of vital force, involved in the transit +from infancy to manhood cannot be estimated. The abrasions of later +life +do not compare with the rubs of Boyhood, because none of the aids of +experience and philosophy are attainable by the tyro, who lives upon +his +inherent <i>vis vitae</i>, as his kinsman in the frozen zone subsists +upon +his own fat during long intervals of torpidity.</p> + <br> + <hr style="width: 45%;"> <br> + <br> + <center><img src="images/013.jpg" alt="[Illustration: PERSONAL GOSSIP. +(From the daily press.) + ONE OF OUR BEST POETS AND MAGAZINE WRITERS IS A +CLERK IN A GROCERY OF THIS CITY.]"></center> + <br> + <br> + <br> + <hr style="width: 45%;"> <br> + <p><b>THE FOUR SEASONS.</b></p> + <p>[An ancient Scottish ballad written in America in 1870, to +show how much +may be said by the judicious and economical use of a very few words.]</p> + <br> + <p>Beneath the trees in sweet spring-time, +In sweet spring-time, in sweet spring-time, +Beneath the trees in sweet spring-time, +Vermonters turn the honest dime <span style="margin-left: 0.5em;">By +crystallizing sap.</span><br> + </p> + <p>Beneath the trees in summer-time, +In summer-time, in summer-time, +Beneath the trees in summer-time, +The poet cons the curious rhyme. <span style="margin-left: 0.5em;">Or +takes the tranquil nap.</span><br> + </p> + <p>Beneath the trees in autumn-tide, +In autumn-tide, in autumn-tide, +Beneath the trees in autumn-tide, +'Tis rather nice for two to ride <span style="margin-left: 0.5em;">Where +no one else is near.</span><br> + </p> + <p>Beneath the trees in winter wild, +In winter wild, in winter wild, +Beneath the trees in winter wild, +Ugh! Go home, you foolish child, <span style="margin-left: 0.5em;">What +are you doing here?</span><br> + <br> + </p> + <hr style="width: 45%;"><br> + <p><b>CONDENSED CONGRESS.</b></p> + <p><b>SENATE</b></p> + <p><img src="images/014.jpg" align="left" alt="B">land Mr. MORTON has been making one of his little jokes in +the shape of +a petition from some more or less imaginary Quakers. These hypothetical +persons pretend to have converted to Christianity and soap some +hundreds +of warriors of the wild and bounding Shawnee variety. Of course, for a +basis of evangelical operations on this scale, it is requisite to have +some land on which to erect buildings for moral quarantine. To +disinfect +one Shawnee, you need to wash him in at least six waters--to inject his +veins, as it were, with Christian creosote. All this, as Mr. MORTON +justly observed, cannot be done without cost. But perhaps it was worth +it, considering the number of human scalps which were still available +for applications of sweet hair restorer, and balmy magnolia, and which +would by this time have been decorating the lower limbs of members of +the Shawnee profession, if these good Quakers had not turned them from +the improper pursuit of extraneous hair, and read them the commandment +which enjoins them from coveting their neighbor's scalp. Therefore, and +in consideration of the good done by these Quakers, they and Mr. MORTON +thought they ought to have a grant of land to enable them to continue +their lavatory labors.</p> + <p>Mr. MORRILL protested in behalf of the wig-makers of America. +This +petition was an insidious blow at one of the most important of our +industries. How could wigs be made unless there were bald heads. And +how +wrong it was to divert any class of persons, under the shallow pretence +of making them wiser and better, from the making of bald heads. There +would be the deuce <i>toupée</i> if this kind of thing were to +be encouraged, +and their tonsorial constituents would bring them to the Scratch on +this +question. He was proud to say that he was an Old Wig. Others might hold +with the hair on this question. He would run with the Shampooers and +the +Shawnees.</p> + <p>Mr. CARPENTER, who can see as clearly through a ladder as +almost any +body in the Senate, suggested that there were no such Quakers, and that +he didn't believe there were any such Shawnees. It was an evident +little +"land-grab," got up by some of Mr. MORTON'S constituents, and the +Quakers were hypothecated to promote it. He did not object to Quakers +occupying lands, but he did object to a Christianized Shawnee. He had +found that a converted Shawnee would steal considerably more than an +unregenerate one, and that he would steal various articles of the +toilet +which the wild Shawnee had no use for.</p> + <p>Mr. CAMERON wanted some money for the Pennsylvania soldiers +who had come +first to defend the capital. He thought these men ought to be rewarded. +A good many of them had been re-Warded in Philadelphia on election day, +in order to express their political views with more frequency. That was +partly the cause of his being in the Senate, and he wanted something +done.</p> + <p>Mr. THURMAN knew a man in Ohio who had enlisted before any +Pennsylvanian.</p> + <p>Mr. CAMERON did not mean any disrespect to the Senator from +Ohio, but +that remark was a condemn lie.</p> + <p>Mr. THURMAN said Mr. CAMERON was another. His man enlisted for +the +Mexican war, it was true, and not for the other war. But that slight +error didn't affect the argument.</p> + <p>Mr. SUMNER knew a colored boy who had been attacked with colic +when +South-Carolina seceded, on account of his sorrow and shame. It was true +he had been eating green tomatoes, but patriotism was unquestionably +the +cause of his colic. He was the first to martyr of the war, and he ought +to have a monument. He regretted to see the accursed spirit of Caste +which confined honors to whites.</p> + <p>Mr. CONKLING said he thought he could suggest a compromise, on +a mulatto +from New-York who died in 1858.</p> + <p>Mr. SUMNER called the Eyes and Nose on Mr. CONKLING, and Mr. +CONKLING +said his eyes were blue, but his nose was very flat.</p> + <p>Mr. SUMNER thought this would be satisfactory.</p> + <br> + <p><b>HOUSE.</b></p> + <p>Mr. BINGHAM made a speech ostensibly upon the Tariff, but +really about +BUTLER. He said that BUTLER didn't take Fort Fisher. This is a favorite +joke of BINGHAM'S. As to Mr. BUTLER'S opinion of his treatment of Mrs. +SURRATT, he didn't care. He should continue to advocate protection to +home industry.</p> + <p>Mr. FERNANDO WOOD paid a beautiful tribute to General HOWARD. +He said +that officer had been absorbing public money at a rate far exceeding +any +thing even in the municipal annals of New-York. The gentle freedom +might +need a bureau, but it certainly was not essential to his happiness to +have General HOWARD enriched by managing it. Mrs. HOWARD was not a +freedman. The idea was absurd. The other members of General HOWARD'S +family were not freedmen. Neither were General HOWARD'S staff. Neither +were any of the people who had benefited by this money.</p> + <p>Mr. BUTLER didn't see the why of this constant row about the +misuse of +money. What was the use of a man's having an office if he couldn't make +money out of it? He was proud to say that he entered the army poor and +came out rich.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>The "Day" we don't Celebrate.</b></p> + <p>The Philadelphia one.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>"The Man who Laughs."</b></p> + <p>The man who reads PUNCHINELLO.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Wanted--A Sheriff.</b></p> + <p>The lovely city of Chicago, which needs about twenty sheriffs +to keep it +in order, at the latest date had none at all; for the gentleman holding +that office by law, in sheer despair (and some debt) has absconded, +actually leaving a man to be hung, who was not hung, do you see, +because +there was nobody to hang him. Plenty of rope there was, to be sure, and +a most beautiful gallows--but no sheriff! Of course, the thing came to +a +stand--perhaps it would not be proper to say a Dead stand--and the +embarrassed Governor was obliged to commute the sentence! The creditors +of the missing officer made a great complaint, but the Man who Wasn't +Hung did not find the least fault. This shows the different views which +the human mind may take of the same transaction.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Municipal Competition.</b></p> + <p>Poor New-York! We thought that there were some things in which +she could +not merely not be beaten, but in which also she was secure even from +competition. But the envious will never allow us to rest upon our +hardly-earned laurels. Will it be believed that they have actually +discovered and inaugurated a Wickedest Man in Cincinnati? He is called +COLLINS, and must be a descendant of the COLLINS who wrote an Ode on +the +Passions; for all the bad ones this Cincinnati COLLINS has in great +perfection. His Rage especially is beautiful. First, he knocks down his +fellow-creatures. Secondly, when the police are sent to capture him, he +knocks down the police. He is in jail, however; and we would suggest a +Convention of the Wickedest Men in all parts of the country to take +measures for his release.</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>Origin of the Mississippi.</b></p> + <p>The contests for supremacy between Chicago and St. Louis have +banished +every particle of modesty from both cities, and each now considers +itself to be the Centre of the Universe. Geographers may not heretofore +have understood the origin of the Mississippi River, but the St. Louis <i>Democrat</i> +throws a great deal of light upon it. "We have +been visited," +says that sheet, "by heavy showers. The rain poured down heavily all +night, flooding the gutters and adding to the volume of the river." It +thus appears that this noble stream depends mainly for its water upon +the gutters of St. Louis. Will these not, however, be rather damp +resting-places for Members of Congress, should the Capital be removed +to +St. Louis?</p> + <br> + <hr style="width: 45%;"> <br> + <p><b>The Repeater's Idea of Voting by Ballot.</b></p> + <p>All Stuff.</p> + <br> + <hr style="width: 45%;"> <br> + </td> + </tr> + </tbody> +</table> +<table + style="text-align: left; margin-left: auto; margin-right: auto; width: 800px; height: 2180px;" + border="1" cellpadding="2" cellspacing="0"> + <tbody> + <tr> + <td align="center" rowspan="3"> + <p>EXTRAORDINARY BARGAINS</p> + <p>IN</p> + <p><big><big><big><b>CARPETS.</b></big></big></big></p> + <p><b>A.T. Stewart & Co.</b></p> + <p>ARE OFFERING</p> + <p>THIRTY DIFFERENT PATTERNS</p> + <p>OF</p> + <p>FIVE-FRAME</p> + <p><big><b>ENGLISH BRUSSELS,</b></big></p> + <p>ONLY FROM THE</p> + <p>VERY BEST MANUFACTURERS IN ENGLAND.</p> + <p>Price, $2 Per Yard.</p> + <p>A LARGE ASSORTMENT OF +THE NEWEST AND HANDSOMEST +ENGLISH BRUSSELS,</p> + <p>At $2.25 Per Yard.</p> + <p><big><big><big>VELVETS, + </big></big></big><br> +$2.50 Per Yard.</p> + <p><big style="font-weight: bold;">Five-Frame Royal Wiltons, + </big><br> +$2.50 and $3 Per Yard.</p> + <p><span style="font-weight: bold;">MOQUETTES & AXMINSTERS,</span> +$3.50 and $4 Per Yard.</p> + <p>Ingrains, Three-Plys, Cocoa and Canton +Mattings, English and Domestic +Oil-Cloths, etc., +AT PROPORTIONATELY LOW PRICES.</p> + <p>BROADWAY, +4th Ave., 9th and 10th Sts.</p> + </td> + <td style="text-align: center;" rowspan="3"> + <p><i>The two great objects of a learner's ambition ought to be +to speak a +foreign language idiomatically, and to pronounce it correctly; and +these +are the objects which are most carefully provided for in the MASTERY +SYSTEM.</i></p> + <p style="font-weight: bold;">The Mastery of Languages;</p> + <p>OR,</p> + <p>THE ART OF SPEAKING LANGUAGES +IDIOMATICALLY.</p> + <p>BY THOMAS PRENDERGAST.</p> + <p><i>I. Hand-Book of the Mastery Series. +II. The Mastery Series. French. +III. The Mastery Series. German. +IV. The Mastery Series. Spanish.</i></p> + <p>PRICE 50 CENTS EACH.</p> + <p>From Professor E.M. Gallaudet, of the National Deaf +Mute College.</p> + <p>"The results which crowned the labor of the first week were +so astonishing that he fears to detail them fully, lest doubts +should be raised as to his credibility. But this much he does not +hesitate to claim, that, after a study of less than two weeks, be +was able to sustain conversation in the newly-acquired language +on a great variety of subjects."</p> + <p style="font-weight: bold;">FROM THE ENGLISH PRESS.</p> + <p>"The principle may be explained in a line--it is first +learning the +language, and then studying the grammar, and then learning (or trying +to +learn) the language."--<i>Morning Star</i></p> + <p>"We know that there are some who have given Mr. Prendergast's +plan a +trial, and discovered that in a few weeks its results had surpassed all +their expectations."--<i>Record</i>.</p> + <p>"A week's patient trial of the French Manual has convinced us +that the +method is sound."--<i>Papers for the Schoolmaster</i>.</p> + <p>"The simplicity and naturalness of the system are obvious."--<i>Herald</i> +(Birmingham.)</p> + <p>"We know of no other plan which will infallibly lead to the +result in a +reasonable time."--<i>Norfolk News</i>.</p> + <p style="font-weight: bold;">FROM THE AMERICAN PRESS.</p> + <p>"The system is as near as can be to the one in which a child +learns to +talk."--<i>Troy Whig</i>.</p> + <p>"We would advise all who are about to begin the study of +languages to +give it a trial."--<i>Rochester Democrat</i>.</p> + <p>"For European travelers this volume is invaluable."--<i>Worcester +Spy</i>.</p> + <p>Either of the above volumes sent by mail free to any part of +the United +States on receipt of price.</p> + <p>D. APPLETON & CO., Publishers, +90, 92, and 94 Grand Street, New-York.</p> + </td> + <td align="center"> + <p>BURCH'S</p> + <p><big><b>Merchant's Restaurant</b></big></p> + <p>AND</p> + <p><b>DINING-ROOM,</b></p> + <p>310 BROADWAY,</p> + <p>BETWEEN PEARL AND DUANE STREETS.</p> + <p><i>Breakfast from 7 to l0 A.M.</i></p> + <p><i>Lunch and Dinner from 12 to 3 P.M.</i></p> + <p><i>Supper from 4 to 7 P.M.</i></p> + <p>M.C. BURCH, of New-York.</p> + <p>A. STOW, of Alabama.</p> + <p>H.A. CARTER, of Massachusetts.</p> + </td> + </tr> + <tr> + <td align="center"> + <p style="font-weight: bold;">HENRY L. STEPHENS,</p> + <p style="font-weight: bold;">ARTIST.</p> + <p>No. 160 Fulton Street,</p> + <p>NEW-YORK.</p> + </td> + </tr> + <tr> + <td align="center"> + <p>Important to Newsdealers!</p> + <p>ALL ORDERS FOR</p> + <p><big><b>PUNCHINELLO</b></big></p> + <p>Will be supplied by</p> + <p>OUR SOLE AND EXCLUSIVE AGENTS,</p> + <p>American News Co.</p> + <p>NEW-YORK.</p> + </td> + </tr> + <tr> + <td align="center"> + <p>TO HOUSEKEEPERS.</p> + <p><big><b>A.T. STEWART & CO,</b></big></p> + <p>ARE OFFERING</p> + <p>Extraordinary Inducements +TO PURCHASERS IN</p> + <p><big><big>SATIN DAMASKS,</big></big></p> + <p style="font-weight: bold;"><big>BROCATELLES,</big></p> + <p style="font-weight: bold;"><big>Very Rich Tapestries,</big></p> + <p style="font-weight: bold;"><big><big>REPS,</big></big></p> + <p style="font-weight: bold;"><big>EMBROIDERED LACE CURTAINS,</big></p> + <p>NOTTINGHAM DO.,</p> + <p>Window Shades, Cornices, +Chintzes, Linens, Sheetings, +Damasks, Napkins, Towelings, +Flannels, Blankets, Quilts, +Counterpanes, etc., etc.</p> + <p style="font-weight: bold;"><big><big>BROADWAY,</big></big></p> + <p>Fourth Ave., Ninth and Tenth Sts.</p> + </td> + <td align="center"> + <p style="font-weight: bold;"><big>RED AS A ROSE IS SHE.</big></p> + <p><i>Third Edition.</i></p> + <p>D. APPLETON & CO., +90, 92, and 94 Grand Street, +Have now ready the Third Edition of</p> + <p style="font-weight: bold;"><big>RED AS A ROSE IS SHE.</big></p> + <p>By the Author of "Cometh up as a Flower."</p> + <p>1 vol. 8vo. Paper Covers, 60 cents.</p> + <p>From the New-York <i>Evening Express</i>. +"This is truly a charming novel; for half its contents +breathe the very odor of the flower it takes as its title."</p> + <p>From the Philadelphia <i>Inquirer</i>. +"The author can and does write well; the descriptions of +scenery are particularly effective, always graphic, and never +overstrained."</p> + <p>D.A. & Co. have just published:</p> + <p>A SEARCH FOR WINTER SUNBEAMS IN THE +RIVIERA, CORSICA, ALGIERS, AND SPAIN. +By Hon. S.S. Cox. Illustrated. Price, $3.</p> + <p>REPTILES AND BIRDS: A POPULAR ACCOUNT +OF THEIR VARIOUS ORDERS, WITH A +DESCRIPTION OF THE HABITS AND ECONOMY +OF THE MOST INTERESTING. +By Louis Figuler. Illustrated with 307 wood-cuts. 1 vol. +8vo, $6.</p> + <p>HEREDITARY GENIUS: AN INQUIRY INTO ITS +LAWS AND CONSEQUENCES. +By Francis Galton. 1 vol. 8vo. $3.50.</p> + <p>HAND-BOOK _ THE MASTERY SERIES _ +LEARNING LANGUAGES.</p> + <p>I. THE HAND-BOOK _ THE MASTERY SERIES. +II. THE MASTERY SERIES, FRENCH. +III. THE MASTERY SERIES, GERMAN. +IV. THE MASTERY SERIES, SPANISH. +Price, 50 cents each.</p> + <p>Either of the above sent free by mall to any address on +receipt of the price.</p> + </td> + <td align="center"> + <p>J. NICKINSON</p> + <p>BEGS TO ANNOUNCE TO FRIENDS OF</p> + <p><b>"PUNCHINELLO"</b></p> + <p>RESIDING IN THE COUNTRY, THAT,</p> + <p>FOR THEIR CONVENIENCE</p> + <p>HE HAS MADE ARRANGEMENTS BY WHICH, ON RECEIPT +OF THE PRICE OF</p> + <p style="font-weight: bold;">ANY STANDARD BOOK PUBLISHED,</p> + <p>THE SAME WILL BE FORWARDED, POSTAGE PAID.</p> + <p>Parties desiring Catalogues of any of our Publishing Houses, +can have the same forwarded by inclosing two stamps.</p> + <p>OFFICE OF</p> + <p>PUNCHINELLO PUBLISHING CO.,</p> + <p>83 Nassau Street.</p> + <p>[P.O. Box 2783.]</p> + <br> + <hr style="width: 45%;"> <br> + </td> + </tr> + </tbody> +</table> +<table width="800" align="center" border="1" cellpadding="2" + cellspacing="0"> + <tbody> + <tr> + <td align="center" rowspan="2" width="66%"><br> + <img src="images/016.jpg" alt="[Illustration: CHEERFUL FOR JURIES. + Cook HO, HO! THIS HERE PAPER SAYS THE WOMEN OF WYOMING +HAS TOOK TO SITTIN' ON JURIES. LAW SAKES! MARY ANN, WOULDN'T I LIKE TO SIT ON A +JURY!]"> + <br> + </td> + <td align="center"> + <p><b>WALTHAM WATCHES</b></p> + <p>3-4 PLATE.</p> + <p>16 and 20 Sizes.</p> + <p>To the manufacture of these fine Watches the Company have +devoted all +the science and skill in the art at their command, and confidently +claim +that, for fineness and beauty, no less than for the greater excellences +of mechanical and scientific correctness of design and execution, these +watches are unsurpassed anywhere.</p> + <p>In this country the manufacture of this fine grade of Watches +is not +even attempted except at Waltham.</p> + <p>FOR SALE BY ALL LEADING JEWELLERS.</p> + </td> + </tr> + <tr> + <td align="center"> + <p><b style="font-family: helvetica,arial,sans-serif;">Bowling +Green Savings-Bank,</b><span + style="font-family: helvetica,arial,sans-serif;"> + </span><br> +33 BROADWAY,</p> + <p>NEW-YORK.</p> + <p>Open Every Day from 10 A.M. to 3 P.M.</p> + <p>Deposits of any sum, from Ten Cents to Ten +Thousand Dollars, will be received.</p> + <p>Six Per Cent Interest, Free of +Government Tax.</p> + <p><span style="font-weight: bold;">INTEREST ON NEW DEPOSITS</span> +Commences on the first of every month.</p> + <p>HENRY SMITH, <i>President</i>. + <br> +REEVES E. SELMES, <i>Secretary</i>. +WALTER ROCHE, + <br> +EDWARD HOGAN, <i>Vice-Presidents.</i></p> + </td> + </tr> + <tr> + <td colspan="2"> + <center> + <h2>PUNCHINELLO:</h2> + <h1><b>TERMS TO CLUBS.</b></h1> + <p>WE OFFER AS PREMIUMS FOR CLUBS</p> + </center> + <center style="font-weight: bold;"> + <p><small><small>FIRST:</small></small></p> + </center> + <p><i>DANA BICKFORD'S PATENT FAMILY SPINNER,</i></p> + <p>The most complete and desirable machine ever yet introduced +for spinning +purposes.</p> + <center style="font-weight: bold;"> + <p><small><small>SECOND:</small></small></p> + </center> + <p><i>BICKFORD'S CROCHET AND FANCY WORK MACHINES.</i></p> + <p>These beautiful little machines are very fascinating, as well +as useful; +and every lady should have one, as they can make every conceivable kind +of crochet or fancy work upon them.</p> + <center style="font-weight: bold;"> + <p><small><small>THIRD:</small></small></p> + </center> + <p><i>BICKFORD'S AUTOMATIC FAMILY KNITTER.</i></p> + <p>This is the most perfect and complete machine in the world. It +knits +every thing.</p> + <center style="font-weight: bold;"> + <p><small><small>FOURTH:</small></small></p> + </center> + <p><i>AMERICAN BUTTONHOLE, OVERSEAMING, AND SEWING-MACHINE.</i></p> + <p>This great combination machine is the last and greatest +improvement on +all former machines. No. 1, with finely finished Oiled Walnut Table and +Cover, complete, price, $75. No. 2, same machine without the buttonhole +parts, etc., price, $60.</p> + <center style="font-weight: bold;"> + <p><small>WE WILL SEND THE</small></p> + </center> + <table align="center" border="0" cellpadding="6" cellspacing="0"> + <tbody> + <tr> + <td align="left" colspan="2">Family Spinner,</td> + <td align="left">price, $8,</td> + <td align="left">for 4 subscribers and $16.</td> + </tr> + <tr> + <td align="left" colspan="2">No.1 Crochet,</td> + <td align="left">price, $8,</td> + <td align="left">for 4 subscribers and $16.</td> + </tr> + <tr> + <td align="left" colspan="2">No.2 Crochet,</td> + <td align="left">price, $15,</td> + <td align="left">for 6 subscribers and $24.</td> + </tr> + <tr> + <td align="left" colspan="2">No.1 Automatic Knitter,<br> +72 needles,</td> + <td align="left">price, $30,</td> + <td align="left">for 12 subscribers and $48.</td> + </tr> + <tr> + <td align="left" colspan="2">No.2 Automatic Knitter,<br> +84 needles,</td> + <td align="left">price, $33,</td> + <td align="left">for 13 subscribers and $52.</td> + </tr> + <tr> + <td align="left" colspan="2">No.3 Automatic Knitter,<br> +100 needles,</td> + <td align="left">price, $37,</td> + <td align="left">for 15 subscribers and $60.</td> + </tr> + <tr> + <td align="left">No.4 Automatic Knitter,</td> + <td align="left">2 cylinders,<br> +72 needles<br> +1 100 needles</td> + <td align="left">price, $40.</td> + <td align="left">for 16 subscribers and $64.</td> + </tr> + <tr> + <td align="left" colspan="2">No. 1 American Buttonhole<br> +and Overseaming Machine,</td> + <td align="left">price, $75,</td> + <td align="left">for 30 subscribers and $120.</td> + </tr> + <tr> + <td align="left">No. 2 American Buttonhole<br> +and Overseaming Machine,</td> + <td align="left"> without buttonhole <br> +parts, etc., </td> + <td align="left">price, $60,</td> + <td align="left">for 25 subscribers and $100.</td> + </tr> + </tbody> + </table> + <p style="font-weight: bold;">Descriptive Circulars</p> + <p>Of all these machines will be sent upon application to this +office, and +full instructions for working them will be sent to purchasers.</p> + <p>Parties getting up Clubs preferring cash to premiums, may +deduct +seventy-five cents upon each full subscription sent for four +subscribers +and upward, and after the first remittance for four subscribers may +send +single names as they obtain them, deducting the commission.</p> + <p>Remittances should be made in Post-Office Orders, Bank Checks, +or Drafts +on New-York City; or if these can not be obtained, then by Registered +Letters, which any post-master will furnish.</p> + <p>Charges on money sent by express must be prepaid, or the net +amount only +will be credited.</p> + <p>Directions for shipping machines must be full and explicit, to +prevent +error. In sending subscriptions give address, with Town, County, and +State.</p> + <p>The postage on this paper will be twenty cents per year, +payable +quarterly in advance, at the place where it is received. Subscribers in +the British Provinces will remit twenty cants in addition to +subscription.</p> + <p>All communications, remittances, etc., to be addressed to +P.O. Box 2783.</p> + <br> + <p>PUNCHINELLO PUBLISHING COMPANY</p> + <p>No. 83 Nassau Street,</p> + <p>NEW-YORK</p> + <hr style="width: 45%;"> + <p style="text-align: center;"><small>S.W. GREEN, PRINTER, CORNER +JACOB AND FRANKFORT STREETS.</small></p> + </td> + </tr> + </tbody> +</table> +<br> +<br> + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 4, April 23, +1870, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, APRIL 23, 1870 *** + +***** This file should be named 9898-h.htm or 9898-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/8/9/9898/ + +Produced by Cornell University, Joshua Hutchinson, Steve +Schulze and PG Distributed Proofreaders + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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