summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/scwar10.txt1214
-rw-r--r--old/scwar10.zipbin0 -> 14718 bytes
-rw-r--r--old/scwar10h.htm1315
-rw-r--r--old/scwar10h.zipbin0 -> 668519 bytes
4 files changed, 2529 insertions, 0 deletions
diff --git a/old/scwar10.txt b/old/scwar10.txt
new file mode 100644
index 0000000..c24f7fa
--- /dev/null
+++ b/old/scwar10.txt
@@ -0,0 +1,1214 @@
+The Project Gutenberg EBook of War is Kind, by Stephen Crane
+#6 in our series by Stephen Crane
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: War is Kind
+
+Author: Stephen Crane
+
+Release Date: February, 2006 [EBook #9870]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on October 26, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK WAR IS KIND ***
+
+
+
+
+
+WAR IS KIND
+
+by Stephen Crane
+
+Drawings by Will Bradley
+
+1899
+
+
+
+Do not weep, maiden, for war is kind.
+Because your lover threw wild hands toward the sky
+And the affrighted steed ran on alone,
+Do not weep.
+War is kind.
+
+ Hoarse, booming drums of the
+ regiment,
+ Little souls who thirst for fight,
+ These men were born to drill and die.
+ The unexplained glory files above
+ them,
+ Great is the battle-god, great, and his
+ kingdom--
+ A field where a thousand corpses lie.
+
+Do not weep, babe, for war is kind.
+Because your father tumbled in the yellow
+ trenches,
+Raged at his breast, gulped and died,
+Do not weep.
+War is kind.
+
+ Swift blazing flag of the regiment,
+ Eagle with crest of red and gold,
+ These men were born to drill and die.
+ Point for them the virtue of the slaughter,
+ Make plain to them the excellence of killing
+ And a field where a thousand corpses
+ lie.
+
+Mother whose heart hung humble as a button
+On the bright splendid shroud of your son,
+Do not weep.
+War is kind.
+
+
+
+
+What says the sea, little shell?
+"What says the sea?
+"Long has our brother been silent to us,
+"Kept his message for the ships,
+"Awkward ships, stupid ships."
+
+"The sea bids you mourn, O Pines,
+"Sing low in the moonlight.
+"He sends tale of the land of doom,
+"Of place where endless falls
+"A rain of women's tears,
+"And men in grey robes--
+"Men in grey robes--
+"Chant the unknown pain."
+
+"What says the sea, little shell?
+"What says the sea?
+"Long has our brother been silent to us,
+"Kept is message for the ships,
+"Puny ships, silly ships."
+
+"The sea bids you teach, O Pines,
+"Sing low in the moonlight;
+"Teach the gold of patience,
+"Cry gospel of gentle hands,
+"Cry a brotherhood of hearts.
+"The sea bids you teach, O Pines."
+
+"And where is the reward, little shell?
+"What says the sea?
+"Long has our brother been silent to us,
+"Kept his message for the ships,
+"Puny ships, silly ships."
+
+"No word says the sea, O Pines,
+"No word says the sea.
+"Long will your brother be silent to you,
+"Keep his message for the ships,
+"O puny ships, silly pines."
+
+
+
+
+To the maiden
+The sea was blue meadow,
+Alive with little froth-people
+Singing.
+
+To the sailor, wrecked,
+The sea was dead grey walls
+Superlative in vacancy,
+Upon which nevertheless at fateful time
+Was written
+The grim hatred of nature.
+
+
+
+
+A little ink more or less!
+It surely can't matter?
+Even the sky and the opulent sea,
+The plains and the hills, aloof,
+Hear the uproar of all these books.
+But it is only a little ink more or less.
+
+What?
+You define me God with these trinkets?
+Can my misery meal on an ordered walking
+Of surpliced numskulls?
+And a fanfare of lights?
+Or even upon the measured pulpitings
+Of the familiar false and true?
+Is this God?
+Where, then is hell?
+Show me some bastard mushrooms
+Sprung from a pollution of blood.
+It is better.
+
+Where is God?
+
+
+
+
+"Have you ever made a just man?"
+"Oh, I have made three," answered
+ God,
+"But two of them are dead,
+"And the third--
+"Listen! Listen!
+"And you will hear the thud of his defeat."
+
+
+
+
+I explain the silvered passing of a ship
+ at night,
+The sweep of each sad lost wave,
+The dwindling boom of the steel thing's striving,
+The little cry of a man to a man,
+A shadow falling across the greyer night,
+And the sinking of the small star;
+
+Then the waste, the far waste of waters,
+And the soft lashing of black waves
+For long and in loneliness.
+
+Remember, thou, O ship of love,
+Thou leavest a far waste of waters,
+And the soft lashing of black waves
+For long and in loneliness.
+
+
+
+
+"I have heard the sunset song of the
+ birches,
+"A white melody in the silence,
+"I have seen a quarrel of the pines.
+"At nightfall
+"The little grasses have rushed by me
+"With the wind men.
+"These things have I lived," quoth the
+ maniac,
+"Possessing only eyes and ears.
+"But you--
+"You don green spectacles before you look at roses."
+
+
+
+
+Fast rode the knight
+With spurs, hot and reeking,
+Ever waving an eager sword,
+"To save my lady!"
+Fast rode the knight,
+And leaped from saddle to war.
+Men of steel flickered and gleamed
+Like riot of silver lights,
+And the gold of the knight's good banner
+Still waved on a castle wall.
+. . . . . . .
+A horse,
+Blowing, staggering, bloody thing,
+Forgotten at foot of castle wall.
+A horse
+Dead at foot of castle wall.
+
+
+
+
+Forth went the candid man
+And spoke freely to the wind--
+When he looked about him he was in a far
+ strange country.
+
+Forth went the candid man
+And spoke freely to the stars--
+Yellow light tore sight from his eye.
+
+"My good fool," said a learned bystander,
+"Your operations are mad."
+
+"You are too candid," cried the candid man.
+And when his stick left the head of the
+ learned bystander
+It was two sticks.
+
+
+
+
+You tell me this is God?
+I tell you this is a printed list,
+A burning candle and an ass.
+
+
+
+
+On the desert
+A silence from the moon's deepest
+ valley.
+Fire rays fall athwart the robes
+Of hooded men, squat and dumb.
+Before them, a woman
+Moves to the blowing of shrill whistles
+And distant thunder of drums,
+While mystic things, sinuous, dull with
+ terrible color,
+Sleepily fondle her body
+Or move at her will, swishing stealthily over
+ the sand.
+The snakes whisper softly;
+The whispering, whispering snakes,
+Dreaming and swaying and staring,
+But always whispering, softly whispering.
+The wind streams from the lone reaches
+Of Arabia, solemn with night,
+And the wild fire makes shimmer of blood
+Over the robes of the hooded men
+Squat and dumb.
+
+Bands of moving bronze, emerald, yellow,
+Circle the throat and arms of her,
+And over the sands serpents move warily
+Slow, menacing and submissive,
+Swinging to the whistles and drums,
+The whispering, whispering snakes,
+Dreaming and swaying and staring,
+But always whispering, softly whispering.
+The dignity of the accursed;
+The glory of slavery, despair, death,
+Is in the dance of the whispering snakes.
+
+
+
+
+A newspaper is a collection of half-injustices
+Which, bawled by boys from mile to mile,
+Spreads its curious opinion
+To a million merciful and sneering men,
+While families cuddle the joys of the fireside
+When spurred by tale of dire lone agony.
+A newspaper is a court
+Where every one is kindly and unfairly tried
+By a squalor of honest men.
+A newspaper is a market
+Where wisdom sells its freedom
+And melons are crowned by the crowd.
+A newspaper is a game
+Where his error scores the player victory
+While another's skill wins death.
+A newspaper is a symbol;
+It is fetless life's chronical,
+A collection of loud tales
+Concentrating eternal stupidities,
+That in remote ages lived unhaltered,
+Roaming through a fenceless world.
+
+
+
+
+The wayfarer,
+Perceiving the pathway to truth,
+Was struck with astonishment.
+It was thickly grown with weeds.
+"Ha," he said,
+"I see that none has passed here
+"In a long time."
+Later he saw that each weed
+Was a singular knife.
+"Well," he mumbled at last,
+"Doubtless there are other roads."
+
+
+
+
+A slant of sun on dull brown walls,
+A forgotten sky of bashful blue.
+
+Toward God a mighty hymn,
+A song of collisions and cries,
+Rumbling wheels, hoof-beats, bells,
+Welcomes, farewells, love-calls, final moans,
+Voices of joy, idiocy, warning, despair,
+The unknown appeals of brutes,
+The chanting of flowers,
+The screams of cut trees,
+The senseless babble of hens and wise men--
+A cluttered incoherency that says at the
+ stars;
+"O God, save us!"
+
+
+
+
+Once a man clambering to the housetops
+Appealed to the heavens.
+With a strong voice he called to the deaf
+ spheres;
+A warrior's shout he raised to the suns.
+Lo, at last, there was a dot on the clouds,
+And--at last and at last--
+--God--the sky was filled with armies.
+
+
+
+
+There was a man with tongue of wood
+Who essayed to sing,
+And in truth it was lamentable.
+But there was one who heard
+The clip-clapper of this tongue of wood
+And knew what the man
+Wished to sing,
+And with that the singer was content.
+
+
+
+
+The successful man has thrust himself
+Through the water of the years,
+Reeking wet with mistakes,--
+Bloody mistakes;
+Slimed with victories over the lesser,
+A figure thankful on the shore of money.
+Then, with the bones of fools
+He buys silken banners
+Limned with his triumphant face;
+With the skins of wise men
+He buys the trivial bows of all.
+Flesh painted with marrow
+Contributes a coverlet,
+A coverlet for his contented slumber.
+In guiltless ignorance, in ignorant guilt,
+He delivered his secrets to the riven multitude.
+ "Thus I defended: Thus I wrought."
+Complacent, smiling,
+He stands heavily on the dead.
+Erect on a pillar of skulls
+He declaims his trampling of babes;
+Smirking, fat, dripping,
+He makes speech in guiltless ignorance,
+Innocence.
+
+
+
+
+In the night
+Grey heavy clouds muffled the valleys,
+And the peaks looked toward God alone.
+ "O Master that movest the wind with a
+ finger,
+ "Humble, idle, futile peaks are we.
+ "Grant that we may run swiftly across
+ the world
+ "To huddle in worship at Thy feet."
+
+In the morning
+A noise of men at work came the clear blue miles,
+And the little black cities were apparent.
+ "O Master that knowest the meaning of raindrops,
+ "Humble, idle, futile peaks are we.
+ "Give voice to us, we pray, O Lord,
+ "That we may sing Thy goodness to the sun."
+In the evening
+The far valleys were sprinkled with tiny lights.
+ "O Master,
+ "Thou that knowest the value of kings and birds,
+ "Thou hast made us humble, idle, futile peaks.
+ "Thous only needest eternal patience;
+ "We bow to Thy wisdom, O Lord--
+ "Humble, idle, futile peaks."
+
+In the night
+Grey heavy clouds muffles the valleys,
+And the peaks looked toward God alone.
+
+
+
+The chatter of a death-demon from a tree-top.
+
+Blood--blood and torn grass--
+Had marked the rise of his agony--
+This lone hunter.
+The grey-green woods impassive
+Had watched the threshing of his limbs.
+
+A canoe with flashing paddle,
+A girl with soft searching eyes,
+A call: "John!"
+. . . . . . .
+Come, arise, hunter!
+Can you not hear?
+
+The chatter of a death-demon from a tree-
+ top.
+
+
+
+The impact of a dollar upon the heart
+ Smiles warm red light,
+Sweeping from the hearth rosily upon the
+ white table,
+With the hanging cool velvet shadows
+Moving softly upon the door.
+
+The impact of a million dollars
+Is a crash of flunkys,
+And yawning emblems of Persia
+Cheeked against oak, France and a sabre,
+The outcry of old beauty
+Whored by pimping merchants
+To submission before wine and chatter.
+Silly rich peasants stamp the carpets of men,
+Dead men who dreamed fragrance and light
+Into their woof, their lives;
+The rug of an honest bear
+Under the feet of a cryptic slave
+Who speaks always of baubles,
+Forgetting state, multitude, work, and state,
+Champing and mouthing of hats,
+Making ratful squeak of hats,
+Hats.
+
+
+
+A man said to the universe:
+ "Sir, I exist!"
+"However," replied the universe,
+"The fact has not created in me
+"A sense of obligation."
+
+
+
+When the prophet, a complacent fat
+ man,
+Arrived at the mountain-top,
+He cried: "Woe to my knowledge!
+"I intended to see good white lands
+"And bad black lands,
+"But the scene is grey."
+
+
+
+There was a land where lived no
+ violets.
+A traveller at once demanded: "Why?"
+The people told him:
+"Once the violets of this place spoke thus:
+"'Until some woman freely give her lover
+"'To another woman
+"'We will fight in bloody scuffle.'"
+Sadly the people added:
+"There are no violets here."
+
+
+
+There was one I met upon the road
+Who looked at me with kind eyes.
+He said: "Show me of your wares."
+And I did,
+Holding forth one,
+He said: "It is a sin."
+Then I held forth another.
+He said: "It is a sin."
+Then I held forth another.
+He said: "It is a sin."
+And so to the end.
+Always He said: "It is a sin."
+At last, I cried out:
+"But I have non other."
+He looked at me
+With kinder eyes.
+"Poor soul," he said.
+
+
+
+Aye, workman, make me a dream,
+A dream for my love.
+Cunningly weave sunlight,
+Breezes, and flowers.
+Let it be of the cloth of meadows.
+And--good workman--
+And let there be a man walking thereon.
+
+
+
+Each small gleam was a voice,
+A lantern voice--
+In little songs of carmine, violet, green, gold.
+A chorus of colors came over the water;
+The wondrous leaf-shadow no longer wavered,
+No pines crooned on the hills,
+The blue night was elsewhere a silence,
+When the chorus of colors came over the
+ water,
+Little songs of carmine, violet, green, gold.
+
+Small glowing pebbles
+Thrown on the dark plane of evening
+Sing good ballads of God
+And eternity, with soul's rest.
+Little priests, little holy fathers,
+None can doubt the truth of hour hymning.
+When the marvellous chorus comes over the
+ water,
+Songs of carmine, violet, green, gold.
+
+
+
+The trees in the garden rained flowers.
+Children ran there joyously.
+They gathered the flowers
+Each to himself.
+Now there were some
+Who gathered great heaps--
+Having opportunity and skill--
+Until, behold, only chance blossoms
+Remained for the feeble.
+Then a little spindling tutor
+Ran importantly to the father, crying:
+"Pray, come hither!
+"See this unjust thing in your garden!"
+But when the father had surveyed,
+He admonished the tutor:
+"Not so, small sage!
+"This thing is just.
+"For, look you,
+"Are not they who possess the flowers
+"Stronger, bolder, shrewder
+"Than they who have none?
+"Why should the strong--
+"The beautiful strong--
+"Why should they not have the flowers?
+
+Upon reflection, the tutor bowed to the
+ ground.
+"My lord," he said,
+"The stars are displaced
+"By this towering wisdom."
+
+
+
+
+INTRIGUE
+
+Thou art my love,
+And thou art the peace of sundown
+When the blue shadows soothe,
+And the grasses and the leaves sleep
+To the song of the little brooks,
+Woe is me.
+
+Thou art my love,
+And thou art a strorm
+That breaks black in the sky,
+And, sweeping headlong,
+Drenches and cowers each tree,
+And at the panting end
+There is no sound
+Save the melancholy cry of a single owl--
+Woe is me!
+
+Thou are my love,
+And thou art a tinsel thing,
+And I in my play
+Broke thee easily,
+And from the little fragments
+Arose my long sorrow--
+Woe is me.
+
+Thou art my love,
+And thou art a wary violet,
+Drooping from sun-caresses,
+Answering mine carelessly--
+Woe is me.
+
+Thou art my love,
+And thou art the ashes of other men's love,
+And I bury my face in these ashes,
+And I love them--
+Woe is me.
+
+Thou art my love,
+And thou art the beard
+On another man's face--
+Woe is me.
+
+Thou art my love,
+And thou art a temple,
+And in this temple is an altar,
+And on this altar is my heart--
+Woe is me.
+
+Thou art my love,
+And thou art a wretch.
+Let these sacred love-lies choke thee,
+From I am come to where I know your lies
+ as truth
+And you truth as lies--
+Woe is me.
+
+Thou art my love,
+And thou art a priestess,
+And in they hand is a bloody dagger,
+And my doom comes to me surely--
+Woe is me.
+
+Thou art my love,
+And thou art a skull with ruby eyes,
+And I love thee--
+Woe is me.
+
+Thou art my love,
+And I doubt thee.
+And if peace came with thy murder
+Then would I murder--
+Woe is me.
+
+Thou art my love,
+And thou art death,
+Aye, thou art death
+Black and yet black,
+But I love thee,
+I love thee--
+Woe, welcome woe, to me.
+
+
+
+
+Love, forgive me if I wish you grief,
+For in your grief
+You huddle to my breast,
+And for it
+Would I pay the price of your grief.
+
+You walk among men
+And all men do not surrender,
+And thus I understand
+That love reaches his hand
+In mercy to me.
+
+He had your picture in his room,
+A scurvy traitor picture,
+And he smiled
+--Merely a fat complacence of men who
+ know fine women--
+And thus I divided with him
+A part of my love.
+
+Fool, not to know that thy little shoe
+Can make men weep!
+--Some men weep.
+I weep and I gnash,
+And I love the little shoe,
+The little, little shoe.
+
+God give me medals,
+God give me loud honors,
+That I may strut before you, sweetheart,
+And be worthy of--
+The love I bear you.
+
+Now let me crunch you
+With full weight of affrighted love.
+I doubted you
+--I doubted you--
+And in this short doubting
+My love grew like a genie
+For my further undoing.
+
+Beware of my friends,
+Be not in speech too civil,
+For in all courtesy
+My weak heart sees spectres,
+Mists of desire
+Arising from the lips of my chosen;
+Be not civil.
+
+The flower I gave thee once
+Was incident to a stride,
+A detail of a gesture,
+But search those pale petals
+And see engraven thereon
+A record of my intention.
+
+
+
+
+Ah, God, the way your little finger moved,
+As you thrust a bare arm backward
+And made play with your hair
+And a comb, a silly gilt comb
+--Ah, God--that I should suffer
+Because of the way a little finger moved.
+
+
+
+
+Once I saw thee idly rocking
+--Idly rocking--
+And chattering girlishly to other girls,
+Bell-voiced, happy,
+Careless with the stout heart of unscarred
+ womanhood,
+And life to thee was all light melody.
+I thought of the great storms of love as I
+ knew it,
+Torn, miserable, and ashamed of my open
+ sorrow,
+I thought of the thunders that lived in my
+ head,
+And I wish to be an ogre,
+And hale and haul my beloved to a castle,
+And make her mourn with my mourning.
+
+
+
+
+Tell me why, behind thee,
+I see always the shadow of another lover?
+Is it real,
+Or is this the thrice damned memory of a
+ better happiness?
+Plague on him if he be dead,
+Plague on him if he be alive--
+A swinish numskull
+To intrude his shade
+Always between me and my peace!
+
+
+
+
+And yet I have seen thee happy with me.
+I am no fool
+To poll stupidly into iron.
+I have heard your quick breaths
+And seen your arms writhe toward me;
+At those times
+--God help us--
+I was impelled to be a grand knight,
+And swagger and snap my fingers,
+And explain my mind finely.
+Oh, lost sweetheart,
+I would that I had not been a grand knight.
+I said: "Sweetheart."
+Thou said'st: "Sweetheart."
+And we preserved an admirable mimicry
+Without heeding the drip of the blood
+From my heart.
+
+
+
+
+I heard thee laugh,
+And in this merriment
+I defined the measure of my pain;
+I knew that I was alone,
+Alone with love,
+Poor shivering love,
+And he, little sprite,
+Came to watch with me,
+And at midnight,
+We were like two creatures by a dead camp-fire.
+
+
+
+
+I wonder if sometimes in the dusk,
+When the brave lights that gild thy
+ evenings
+Have not yet been touched with flame,
+I wonder if sometimes in the dusk
+Thou rememberest a time,
+A time when thou loved me
+And our love was to thee thy all?
+Is the memory rubbish now?
+An old gown
+Worn in an age of other fashions?
+Woe is me, oh, lost one,
+For that love is now to me
+A supernal dream,
+White, white, white with many suns.
+
+
+
+
+Love met me at noonday,
+--Reckless imp,
+To leave his shaded nights
+And brave the glare,--
+And I saw him then plainly
+For a bungler,
+A stupid, simpering, eyeless bungler,
+Breaking the hearts of brave people
+As the snivelling idiot-boy cracks his bowl,
+And I cursed him,
+Cursed him to and fro, back and forth,
+Into all the silly mazes of his mind,
+But in the end
+He laughed and pointed to my breast,
+Where a heart still beat for thee, beloved.
+
+
+
+
+I have seen thy face aflame
+For love of me,
+Thy fair arms go mad,
+Thy lips tremble and mutter and rave.
+And--surely--
+This should leave a man content?
+Thou lovest not me now,
+But thou didst love me,
+And in loving me once
+Thou gavest me an eternal privilege,
+For I can think of thee.
+
+
+
+
+
+End of the Project Gutenberg EBook of War is Kind, by Stephen Crane
+
+*** END OF THE PROJECT GUTENBERG EBOOK WAR IS KIND ***
+
+This file should be named scwar10.txt or scwar10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, scwar11.txt
+VERSIONS based on separate sources get new LETTER, scwar10a.txt
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/scwar10.zip b/old/scwar10.zip
new file mode 100644
index 0000000..eb1c840
--- /dev/null
+++ b/old/scwar10.zip
Binary files differ
diff --git a/old/scwar10h.htm b/old/scwar10h.htm
new file mode 100644
index 0000000..9e3232b
--- /dev/null
+++ b/old/scwar10h.htm
@@ -0,0 +1,1315 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>The Project Gutenberg E-text of "War is Kind" by Stephen Crane</title>
+<meta HTTP-EQUIV="content-Type" CONTENT="text/html; charset=iso-8859-1">
+<style type="text/css">
+body {text-align: left;
+ font-size: 14pt}
+</style>
+</head>
+
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of War is Kind, by Stephen Crane
+#6 in our series by Stephen Crane
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: War is Kind
+
+Author: Stephen Crane
+
+Release Date: February, 2006 [EBook #9870]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on October 26, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK WAR IS KIND ***
+
+
+
+
+
+
+
+
+
+
+</pre>
+
+<h2>"War is Kind" by Stephen Crane </h2>
+<img alt="War is Kind, by Stephen Crane"
+ src="title.jpg"/>
+<p align="center"><font size=5> WAR IS KIND</font><br>
+by Stephen Crane<br><br>
+<br>
+Drawings by Will Bradley
+<br>
+<br>
+</p>
+<br>
+<img alt="(illustration--stylized corn)" align="bottom" src="p7corn.jpg"/>
+<img alt="(illustration--maiden with sword, arrows, and doves)" align="top" src="p8maiden.jpg"/>
+
+<br>
+<br>
+<br>
+<p>
+Do not weep, maiden, for war is kind.<br>
+Because your lover threw wild hands toward the sky<br>
+And the affrighted steed ran on alone,<br>
+Do not weep.<br>
+War is kind.<br>
+<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Hoarse, booming drums of the<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &emsp; &emsp; regiment,<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Little souls who thirst for fight,<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; These men were born to drill and die.<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The unexplained glory files above<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &emsp; &emsp; them,<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Great is the battle-god, great, and his<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &emsp; &emsp; kingdom&mdash;;<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; A field where a thousand corpses lie.<br>
+<br>
+Do not weep, babe, for war is kind.<br>
+Because your father tumbled in the yellow<br>
+&emsp; &emsp; trenches,<br>
+Raged at his breast, gulped and died,<br>
+Do not weep.<br>
+War is kind.<br>
+<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Swift blazing flag of the regiment,<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Eagle with crest of red and gold,<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; These men were born to drill and die.<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Point for them the virtue of the slaughter,<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Make plain to them the excellence of killing<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; And a field where a thousand corpses<br>
+&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &emsp; &emsp; lie.<br>
+<br>
+Mother whose heart hung humble as a button<br>
+On the bright splendid shroud of your son,<br>
+Do not weep.<br>
+War is kind.<br>
+</p>
+<br>
+<br>
+<br>
+<p>
+What says the sea, little shell?<br>
+&ldquo;What says the sea?<br>
+&ldquo;Long has our brother been silent to us,<br>
+&ldquo;Kept his message for the ships,<br>
+&ldquo;Awkward ships, stupid ships.&rdquo;<br>
+<br>
+&ldquo;The sea bids you mourn, O Pines,<br>
+&ldquo;Sing low in the moonlight.<br>
+&ldquo;He sends tale of the land of doom,<br>
+&ldquo;Of place where endless falls<br>
+&ldquo;A rain of women's tears,<br>
+&ldquo;And men in grey robes&mdash;<br>
+&ldquo;Men in grey robes&mdash;<br>
+&ldquo;Chant the unknown pain.&rdquo;</p>
+<p> </p>
+<img alt="(illustration--sea and wind)" align="bottom" src="seawind.jpg">
+<p> </p>
+<img alt="(illustration--tall vase)" align="bottom" src="p14vase.jpg">
+
+<p>&ldquo;What says the sea, little shell?<br>
+&ldquo;What says the sea?<br>
+&ldquo;Long has our brother been silent to us,<br>
+&ldquo;Kept is message for the ships,<br>
+&ldquo;Puny ships, silly ships.&rdquo;<br>
+<br>
+&ldquo;The sea bids you teach, O Pines,<br>
+&ldquo;Sing low in the moonlight;<br>
+&ldquo;Teach the gold of patience,<br>
+&ldquo;Cry gospel of gentle hands,<br>
+&ldquo;Cry a brotherhood of hearts.<br>
+&ldquo;The sea bids you teach, O Pines.&rdquo;<br>
+<br>
+&ldquo;And where is the reward, little shell?<br>
+&ldquo;What says the sea?<br>
+&ldquo;Long has our brother been silent to us,<br>
+&ldquo;Kept his message for the ships,<br>
+&ldquo;Puny ships, silly ships.&rdquo;<br></p>
+<br>
+<img alt="(illustration--birds)" align="bottom" src="p15birds.jpg"/>
+<p>&ldquo;No word says the sea, O Pines,<br>
+&ldquo;No word says the sea.<br>
+&ldquo;Long will your brother be silent to you,<br>
+&ldquo;Keep his message for the ships,<br>
+&ldquo;O puny ships, silly pines.&rdquo;</p>
+<br>
+<br>
+<br>
+<br>
+<p>To the maiden<br>
+The sea was blue meadow,<br>
+Alive with little froth-people<br>
+Singing.<br>
+<br>
+To the sailor, wrecked,<br>
+The sea was dead grey walls<br>
+Superlative in vacancy,<br>
+Upon which nevertheless at fateful time<br>
+Was written<br>
+The grim hatred of nature.<br></p>
+<img alt="(illustration--lyre)" align="bottom" src="p19lyre.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<p>A little ink more or less!<br>
+It surely can't matter?<br>
+Even the sky and the opulent sea,<br>
+The plains and the hills, aloof,<br>
+Hear the uproar of all these books.<br>
+But it is only a little ink more or less.<br>
+<br>
+What?<br>
+You define me God with these trinkets?<br>
+Can my misery meal on an ordered walking<br>
+Of surpliced numskulls?<br>
+And a fanfare of lights?<br>
+Or even upon the measured pulpitings<br>
+Of the familiar false and true?<br>
+Is this God?<br>
+Where, then is hell?<br>
+Show me some bastard mushrooms<br>
+Sprung from a pollution of blood.<br>
+It is better.<br>
+<br>
+Where is God?</p>
+<br>
+<br>
+<br>
+<br>
+<p>&ldquo;Have you ever made a just man?&rdquo;<br>
+&ldquo;Oh, I have made three,&rdquo; answered<br>
+&emsp; &emsp; God,<br>
+&ldquo;But two of them are dead,<br>
+&ldquo;And the third&mdash;<br>
+&ldquo;Listen! Listen!<br>
+&ldquo;And you will hear the thud of his defeat.&rdquo;</p>
+<br>
+<br>
+<br>
+<br>
+<p>I explain the silvered passing of a ship<br>
+&emsp; &emsp; at night,<br>
+The sweep of each sad lost wave,<br>
+The dwindling boom of the steel thing's striving,<br>
+The little cry of a man to a man,<br>
+A shadow falling across the greyer night,<br>
+And the sinking of the small star;<br>
+<br>
+Then the waste, the far waste of waters,<br>
+And the soft lashing of black waves<br>
+For long and in loneliness.<br>
+<br>
+Remember, thou, O ship of love,<br>
+Thou leavest a far waste of waters,<br>
+And the soft lashing of black waves<br>
+For long and in loneliness.</p>
+<br>
+<br>
+<br>
+<br>
+<p>&ldquo;I have heard the sunset song of the<br>
+&emsp; &emsp; birches,<br>
+&ldquo;A white melody in the silence,<br>
+&ldquo;I have seen a quarrel of the pines.<br>
+&ldquo;At nightfall<br>
+&ldquo;The little grasses have rushed by me<br>
+&ldquo;With the wind men.<br>
+&ldquo;These things have I lived,&rdquo; quoth the<br>
+&emsp; &emsp; maniac,<br>
+&ldquo;Possessing only eyes and ears.<br>
+&ldquo;But you&mdash;<br>
+&ldquo;You don green spectacles before you look at roses.&rdquo;</p>
+<br>
+<br>
+<br>
+<br>
+<p>Fast rode the knight<br>
+With spurs, hot and reeking,<br>
+Ever waving an eager sword,<br>
+&ldquo;To save my lady!&rdquo;<br>
+Fast rode the knight,<br>
+And leaped from saddle to war.<br>
+Men of steel flickered and gleamed<br>
+Like riot of silver lights,<br>
+And the gold of the knight's good banner<br>
+Still waved on a castle wall.<br>
+<b>. &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; .</b><br>
+A horse,<br>
+Blowing, staggering, bloody thing,<br>
+Forgotten at foot of castle wall.<br>
+A horse<br>
+Dead at foot of castle wall.</p>
+<img alt="(illustration--dead horse at foot of castle wall)" align="bottom" src="deadhors.jpg"/>
+<p> </p>
+<img alt="(illustration--sylized leaf" align="bottom" src="p30leaf.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>Forth went the candid man<br>
+And spoke freely to the wind&mdash;<br>
+When he looked about him he was in a far<br>
+&emsp; &emsp; strange country.<br>
+<br>
+Forth went the candid man<br>
+And spoke freely to the stars&mdash;<br>
+Yellow light tore sight from his eye.<br>
+<br>
+&ldquo;My good fool,&rdquo; said a learned bystander,<br>
+&ldquo;Your operations are mad.&rdquo;<br>
+<br>
+&ldquo;You are too candid,&rdquo; cried the candid man.<br>
+And when his stick left the head of the<br>
+&emsp; &emsp; learned bystander<br>
+It was two sticks.</p>
+<br>
+<br>
+<br>
+<br>
+<p>You tell me this is God?<br>
+I tell you this is a printed list,<br>
+A burning candle and an ass.</p>
+<img alt="illustration--a candle" align="bottom" src="p35candl.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>On the desert<br>
+A silence from the moon's deepest<br>
+&emsp; &emsp; valley.<br>
+Fire rays fall athwart the robes<br>
+Of hooded men, squat and dumb.<br>
+Before them, a woman<br>
+Moves to the blowing of shrill whistles<br>
+And distant thunder of drums,<br>
+While mystic things, sinuous, dull with<br>
+&emsp; &emsp; terrible color,<br>
+Sleepily fondle her body<br>
+Or move at her will, swishing stealthily over<br>
+&emsp; &emsp; the sand.<br>
+The snakes whisper softly;<br>
+The whispering, whispering snakes,<br>
+Dreaming and swaying and staring,<br>
+But always whispering, softly whispering.<br>
+The wind streams from the lone reaches<br>
+Of Arabia, solemn with night,<br>
+And the wild fire makes shimmer of blood<br>
+Over the robes of the hooded men<br>
+Squat and dumb.</p>
+<img alt="(illustration--a woman)" align="bottom" src="p37woman.jpg"/>
+<p> </p>
+<img alt="(illustration--stylized leaf)" align="bottom" src="p38leaf.jpg"/>
+<br>
+<p>Bands of moving bronze, emerald, yellow,<br>
+Circle the throat and arms of her,<br>
+And over the sands serpents move warily<br>
+Slow, menacing and submissive,<br>
+Swinging to the whistles and drums,<br>
+The whispering, whispering snakes,<br>
+Dreaming and swaying and staring,<br>
+But always whispering, softly whispering.<br>
+The dignity of the accursed;<br>
+The glory of slavery, despair, death,<br>
+Is in the dance of the whispering snakes.</p>
+<br>
+<br>
+<br>
+<br>
+<p>A newspaper is a collection of half-injustices<br>
+Which, bawled by boys from mile to mile,<br>
+Spreads its curious opinion<br>
+To a million merciful and sneering men,<br>
+While families cuddle the joys of the fireside<br>
+When spurred by tale of dire lone agony.<br>
+A newspaper is a court<br>
+Where every one is kindly and unfairly tried<br>
+By a squalor of honest men.<br>
+A newspaper is a market<br>
+Where wisdom sells its freedom<br>
+And melons are crowned by the crowd.<br>
+A newspaper is a game<br>
+Where his error scores the player victory<br>
+While another's skill wins death.<br>
+A newspaper is a symbol;<br>
+It is fetless life's chronical,<br>
+A collection of loud tales<br>
+Concentrating eternal stupidities,<br>
+That in remote ages lived unhaltered,<br>
+Roaming through a fenceless world.</p>
+<br>
+<br>
+<br>
+<br>
+<p>The wayfarer,<br>
+Perceiving the pathway to truth,<br>
+Was struck with astonishment.<br>
+It was thickly grown with weeds.<br>
+&ldquo;Ha,&rdquo; he said,<br>
+&ldquo;I see that none has passed here<br>
+&ldquo;In a long time.&rdquo;<br>
+Later he saw that each weed<br>
+Was a singular knife.<br>
+&ldquo;Well,&rdquo; he mumbled at last,<br>
+&ldquo;Doubtless there are other roads.&rdquo;</p>
+<br>
+<br>
+<br>
+<br>
+<p>A slant of sun on dull brown walls,<br>
+A forgotten sky of bashful blue.<br>
+<br>
+Toward God a mighty hymn,<br>
+A song of collisions and cries,<br>
+Rumbling wheels, hoof-beats, bells,<br>
+Welcomes, farewells, love-calls, final moans,<br>
+Voices of joy, idiocy, warning, despair,<br>
+The unknown appeals of brutes,<br>
+The chanting of flowers,<br>
+The screams of cut trees,<br>
+The senseless babble of hens and wise men&mdash;<br>
+A cluttered incoherency that says at the<br>
+&emsp; &emsp; stars;<br>
+&ldquo;O God, save us!&rdquo;</p>
+<br>
+<br>
+<br>
+<br>
+<p>Once a man clambering to the housetops<br>
+Appealed to the heavens.<br>
+With a strong voice he called to the deaf<br>
+&emsp; spheres;<br>
+A warrior's shout he raised to the suns.<br>
+Lo, at last, there was a dot on the clouds,<br>
+And&mdash;at last and at last&mdash;<br>
+&mdash;God&mdash;the sky was filled with armies.</p>
+<br>
+<br>
+<br>
+<br>
+<p>There was a man with tongue of wood<br>
+Who essayed to sing,<br>
+And in truth it was lamentable.<br>
+But there was one who heard<br>
+The clip-clapper of this tongue of wood<br>
+And knew what the man<br>
+Wished to sing,<br>
+And with that the singer was content.</p>
+<br>
+<br>
+<br>
+<br>
+<p>The successful man has thrust himself<br>
+Through the water of the years,<br>
+Reeking wet with mistakes,&mdash;<br>
+Bloody mistakes;<br>
+Slimed with victories over the lesser,<br>
+A figure thankful on the shore of money.<br>
+Then, with the bones of fools<br>
+He buys silken banners<br>
+Limned with his triumphant face;<br>
+With the skins of wise men<br>
+He buys the trivial bows of all.<br>
+Flesh painted with marrow<br>
+Contributes a coverlet,<br>
+A coverlet for his contented slumber.<br>
+In guiltless ignorance, in ignorant guilt,<br>
+He delivered his secrets to the riven multitude.<br>
+&emsp; &ldquo;Thus I defended: Thus I wrought.&rdquo;<br>
+Complacent, smiling,<br>
+He stands heavily on the dead.<br>
+Erect on a pillar of skulls<br>
+He declaims his trampling of babes;<br>
+Smirking, fat, dripping,<br>
+He makes speech in guiltless ignorance,<br>
+Innocence.</p>
+<br>
+<br>
+<br>
+<br>
+<p>In the night<br>
+Grey heavy clouds muffled the valleys,<br>
+And the peaks looked toward God alone.<br>
+&emsp; &ldquo;O Master that movest the wind with a<br>
+&emsp; &nbsp; finger,<br>
+&emsp; &ldquo;Humble, idle, futile peaks are we.<br>
+&emsp; &ldquo;Grant that we may run swiftly across<br>
+&emsp; &nbsp; the world<br>
+&emsp; &ldquo;To huddle in worship at Thy feet.&rdquo;<br>
+<br>
+In the morning<br>
+A noise of men at work came the clear blue miles,<br>
+And the little black cities were apparent.<br>
+&emsp; &ldquo;O Master that knowest the meaning of raindrops,<br>
+&emsp; &ldquo;Humble, idle, futile peaks are we.<br>
+&emsp; &ldquo;Give voice to us, we pray, O Lord,<br>
+&emsp; &ldquo;That we may sing Thy goodness to the sun.&rdquo;<br>
+<br>
+In the evening<br>
+The far valleys were sprinkled with tiny lights.<br>
+&emsp; &ldquo;O Master,<br>
+&emsp; &ldquo;Thou that knowest the value of kings and birds,<br>
+&emsp; &ldquo;Thou hast made us humble, idle, futile peaks.<br>
+&emsp; &ldquo;Thous only needest eternal patience;<br>
+&emsp; &ldquo;We bow to Thy wisdom, O Lord&mdash;<br>
+&emsp; &ldquo;Humble, idle, futile peaks.&rdquo;<br>
+<br>
+In the night<br>
+Grey heavy clouds muffles the valleys,<br>
+And the peaks looked toward God alone.</p>
+<p> </p>
+<img alt="(illustration--candles)" align="bottom" src="p49candl.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>The chatter of a death-demon from a tree-top.<br>
+<br>
+Blood&mdash;blood and torn grass&mdash;<br>
+Had marked the rise of his agony&mdash;<br>
+This lone hunter.<br>
+The grey-green woods impassive<br>
+Had watched the threshing of his limbs.<br>
+<br>
+A canoe with flashing paddle,<br>
+A girl with soft searching eyes,<br>
+A call: &ldquo;John!&rdquo;<br>
+<b>. &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; . &nbsp; &nbsp; &nbsp; .</b><br>
+Come, arise, hunter!<br>
+Can you not hear?<br>
+<br>
+The chatter of a death-demon from a tree-top.<br></p>
+<p> </p>
+<img alt="(illustration--burning sticks)" align="bottom" src="matches.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>The impact of a dollar upon the heart<br>
+Smiles warm red light,<br>
+Sweeping from the hearth rosily upon the<br>
+&emsp; &emsp; white table,<br>
+With the hanging cool velvet shadows<br>
+Moving softly upon the door.<br>
+<br>
+The impact of a million dollars<br>
+Is a crash of flunkys,<br>
+And yawning emblems of Persia<br>
+Cheeked against oak, France and a sabre,<br>
+The outcry of old beauty<br>
+Whored by pimping merchants<br>
+To submission before wine and chatter.<br>
+Silly rich peasants stamp the carpets of men,<br>
+Dead men who dreamed fragrance and light<br>
+Into their woof, their lives;<br>
+The rug of an honest bear<br>
+Under the feet of a cryptic slave<br>
+Who speaks always of baubles,<br>
+Forgetting state, multitude, work, and state,<br>
+Champing and mouthing of hats,<br>
+Making ratful squeak of hats,<br>
+Hats.</p>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>A man said to the universe:<br>
+ &ldquo;Sir, I exist!&rdquo;<br>
+&ldquo;However,&rdquo; replied the universe,<br>
+&ldquo;The fact has not created in me<br>
+&ldquo;A sense of obligation.&rdquo;<br>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>When the prophet, a complacent fat<br>
+&emsp; &emsp; man,<br>
+Arrived at the mountain-top,<br>
+He cried: &ldquo;Woe to my knowledge!<br>
+&ldquo;I intended to see good white lands<br>
+&ldquo;And bad black lands,<br>
+&ldquo;But the scene is grey.&rdquo;</p>
+<br>
+<br>
+<br>
+<p>There was a land where lived no<br>
+&emsp; &emsp; violets.<br>
+A traveller at once demanded: &ldquo;Why?&rdquo;<br>
+The people told him:<br>
+&ldquo;Once the violets of this place spoke thus:<br>
+&ldquo;&rsquo;Until some woman freely give her lover<br>
+&ldquo;&rsquo;To another woman<br>
+&ldquo;&rsquo;We will fight in bloody scuffle.&rsquo;&rdquo;<br>
+Sadly the people added:<br>
+&ldquo;There are no violets here.&rdquo;</p>
+<br>
+<br>
+<br>
+<br>
+<p>There was one I met upon the road<br>
+Who looked at me with kind eyes.<br>
+He said: &ldquo;Show me of your wares.&rdquo;<br>
+And I did,<br>
+Holding forth one,<br>
+He said: &ldquo;It is a sin.&rdquo;<br>
+Then I held forth another.<br>
+He said: &ldquo;It is a sin.&rdquo;<br>
+Then I held forth another.<br>
+He said: &ldquo;It is a sin.&rdquo;<br>
+And so to the end.<br>
+Always He said: &ldquo;It is a sin.&rdquo;<br>
+At last, I cried out:<br>
+&ldquo;But I have non other.&rdquo;<br>
+He looked at me<br>
+With kinder eyes.<br>
+&ldquo;Poor soul,&rdquo; he said.</p>
+<br>
+<br>
+<br>
+<p>Aye, workman, make me a dream,<br>
+A dream for my love.<br>
+Cunningly weave sunlight,<br>
+Breezes, and flowers.<br>
+Let it be of the cloth of meadows.<br>
+And&mdash;good workman&mdash;<br>
+And let there be a man walking thereon.</p>
+<img alt="(illustration--man walking)" align="bottom" src="manwalk.jpg"/>
+<p> </p>
+<img alt="(illustration--stylized leaf)" align="bottom" src="p62leaf.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>Each small gleam was a voice,<br>
+A lantern voice&mdash;<br>
+In little songs of carmine, violet, green, gold.<br>
+A chorus of colors came over the water;<br>
+The wondrous leaf-shadow no longer wavered,<br>
+No pines crooned on the hills,<br>
+The blue night was elsewhere a silence,<br>
+When the chorus of colors came over the<br>
+&emsp; &emsp; water,<br>
+Little songs of carmine, violet, green, gold.<br>
+<br>
+Small glowing pebbles<br>
+Thrown on the dark plane of evening<br>
+Sing good ballads of God<br>
+And eternity, with soul's rest.<br>
+Little priests, little holy fathers,<br>
+None can doubt the truth of hour hymning.<br>
+When the marvellous chorus comes over the<br>
+&emsp; &emsp; water,<br>
+Songs of carmine, violet, green, gold.</p>
+<br>
+<br>
+<br>
+<p>The trees in the garden rained flowers.<br>
+Children ran there joyously.<br>
+They gathered the flowers<br>
+Each to himself.<br>
+Now there were some<br>
+Who gathered great heaps&mdash;<br>
+Having opportunity and skill&mdash;<br>
+Until, behold, only chance blossoms<br>
+Remained for the feeble.<br>
+Then a little spindling tutor<br>
+Ran importantly to the father, crying:<br>
+&ldquo;Pray, come hither!<br>
+&ldquo;See this unjust thing in your garden!&rdquo;<br>
+But when the father had surveyed,<br>
+He admonished the tutor:<br>
+&ldquo;Not so, small sage!<br>
+&ldquo;This thing is just.<br>
+&ldquo;For, look you,<br>
+&ldquo;Are not they who possess the flowers<br>
+&ldquo;Stronger, bolder, shrewder<br>
+&ldquo;Than they who have none?<br>
+&ldquo;Why should the strong&mdash;<br>
+&ldquo;The beautiful strong&mdash;<br>
+&ldquo;Why should they not have the flowers?<br>
+<br>
+Upon reflection, the tutor bowed to the<br>
+&emsp; &emsp; ground.<br>
+&ldquo;My lord,&rdquo; he said,<br>
+&ldquo;The stars are displaced<br>
+&ldquo;By this towering wisdom.&rdquo;</p>
+<img alt="illustration--vase of flowers" align="bottom" src="p66vase.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<br>
+INTRIGUE<br>
+<br>
+<p>Thou art my love,<br>
+And thou art the peace of sundown<br>
+When the blue shadows soothe,<br>
+And the grasses and the leaves sleep<br>
+To the song of the little brooks,<br>
+Woe is me.<br>
+<br>
+Thou art my love,<br>
+And thou art a strorm<br>
+That breaks black in the sky,<br>
+And, sweeping headlong,<br>
+Drenches and cowers each tree,<br>
+And at the panting end<br>
+There is no sound<br>
+Save the melancholy cry of a single owl&mdash;<br>
+Woe is me!<br>
+<br>
+Thou are my love,<br>
+And thou art a tinsel thing,<br>
+And I in my play<br>
+Broke thee easily,<br>
+And from the little fragments<br>
+Arose my long sorrow&mdash;<br>
+Woe is me.<br>
+<br>
+Thou art my love,<br>
+And thou art a wary violet,<br>
+Drooping from sun-caresses,<br>
+Answering mine carelessly&mdash;<br>
+Woe is me.</p>
+<img alt="(illustration--stylized flower)" align="bottom" src="p70flwer.jpg"/>
+<br>
+<p>Thou art my love,<br>
+And thou art the ashes of other men's love,<br>
+And I bury my face in these ashes,<br>
+And I love them&mdash;<br>
+Woe is me.<br>
+<br>
+Thou art my love,<br>
+And thou art the beard<br>
+On another man's face&mdash;<br>
+Woe is me.<br>
+<br>
+Thou art my love,<br>
+And thou art a temple,<br>
+And in this temple is an altar,<br>
+And on this altar is my heart&mdash;<br>
+Woe is me.<br>
+<br>
+Thou art my love,<br>
+And thou art a wretch.<br>
+Let these sacred love-lies choke thee,<br>
+From I am come to where I know your lies<br>
+&emsp; &emsp; as truth<br>
+And you truth as lies&mdash;<br>
+Woe is me.</p>
+<br>
+<img alt="(illustration--cruel woman)" align="bottom" src="cruelwmn.jpg">
+<p> </p>
+<img alt="(illustration--column)" align="top" src="column.jpg">
+<br>
+<p>Thou art my love,<br>
+And thou art a priestess,<br>
+And in they hand is a bloody dagger,<br>
+And my doom comes to me surely&mdash;<br>
+Woe is me.<br>
+<br>
+Thou art my love,<br>
+And thou art a skull with ruby eyes,<br>
+And I love thee&mdash;<br>
+Woe is me.<br>
+<br>
+Thou art my love,<br>
+And I doubt thee.<br>
+And if peace came with thy murder<br>
+Then would I murder&mdash;<br>
+Woe is me.</p>
+<img alt="illustration--happy and sad masks" align="bottom" src="masks.jpg"/>
+<br>
+<p>Thou art my love,<br>
+And thou art death,<br>
+Aye, thou art death<br>
+Black and yet black,<br>
+But I love thee,<br>
+I love thee&mdash;<br>
+Woe, welcome woe, to me.</p>
+<br>
+<br>
+<br>
+<br>
+<p>Love, forgive me if I wish you grief,<br>
+For in your grief<br>
+You huddle to my breast,<br>
+And for it<br>
+Would I pay the price of your grief.<br>
+<br>
+You walk among men<br>
+And all men do not surrender,<br>
+And thus I understand<br>
+That love reaches his hand<br>
+In mercy to me.<br>
+<br>
+He had your picture in his room,<br>
+A scurvy traitor picture,<br>
+And he smiled<br>
+&mdash;Merely a fat complacence of men who<br>
+&emsp; &emsp; know fine women&mdash;<br>
+And thus I divided with him<br>
+A part of my love.<br>
+<br>
+Fool, not to know that thy little shoe<br>
+Can make men weep!<br>
+&mdash;Some men weep.<br>
+I weep and I gnash,<br>
+And I love the little shoe,<br>
+The little, little shoe.<br>
+<br>
+God give me medals,<br>
+God give me loud honors,<br>
+That I may strut before you, sweetheart,<br>
+And be worthy of&mdash;<br>
+The love I bear you.</p>
+<img alt="(illustration--sword" align="bottom" src="sword.jpg"/>
+<br>
+<p>Now let me crunch you<br>
+With full weight of affrighted love.<br>
+I doubted you<br>
+&mdash;I doubted you&mdash;<br>
+And in this short doubting<br>
+My love grew like a genie<br>
+For my further undoing.<br>
+<br>
+Beware of my friends,<br>
+Be not in speech too civil,<br>
+For in all courtesy<br>
+My weak heart sees spectres,<br>
+Mists of desire<br>
+Arising from the lips of my chosen;<br>
+Be not civil.<br>
+<br>
+The flower I gave thee once<br>
+Was incident to a stride,<br>
+A detail of a gesture,<br>
+But search those pale petals<br>
+And see engraven thereon<br>
+A record of my intention.</p>
+<img alt="(illustration--vase of flowers)" align="bottom" src="p88vase.jpg"/>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>Ah, God, the way your little finger moved,<br>
+As you thrust a bare arm backward<br>
+And made play with your hair<br>
+And a comb, a silly gilt comb<br>
+&mdash;Ah, God&mdash;that I should suffer<br>
+Because of the way a little finger moved.</p>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>Once I saw thee idly rocking<br>
+&mdash;Idly rocking&mdash;<br>
+And chattering girlishly to other girls,<br>
+Bell-voiced, happy,<br>
+Careless with the stout heart of unscarred<br>
+&emsp; &emsp; womanhood,<br>
+And life to thee was all light melody.<br>
+I thought of the great storms of love as I<br>
+&emsp; &emsp; knew it,<br>
+Torn, miserable, and ashamed of my open<br>
+&emsp; &emsp; sorrow,<br>
+I thought of the thunders that lived in my<br>
+&emsp; &emsp; head,<br>
+And I wish to be an ogre,<br>
+And hale and haul my beloved to a castle,<br>
+And make her mourn with my mourning.</p>
+<br>
+<br>
+<br>
+<br>
+<p>Tell me why, behind thee,<br>
+I see always the shadow of another lover?<br>
+Is it real,<br>
+Or is this the thrice damned memory of a<br>
+&emsp; &emsp; better happiness?<br>
+Plague on him if he be dead,<br>
+Plague on him if he be alive&mdash;<br>
+A swinish numskull<br>
+To intrude his shade<br>
+Always between me and my peace!</p>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>And yet I have seen thee happy with me.<br>
+I am no fool<br>
+To poll stupidly into iron.<br>
+I have heard your quick breaths<br>
+And seen your arms writhe toward me;<br>
+At those times<br>
+&mdash;God help us&mdash;<br>
+I was impelled to be a grand knight,<br>
+And swagger and snap my fingers,<br>
+And explain my mind finely.<br>
+Oh, lost sweetheart,<br>
+I would that I had not been a grand knight.<br>
+I said: &ldquo;Sweetheart.&rdquo;<br>
+Thou said'st: &ldquo;Sweetheart.&rdquo;<br>
+And we preserved an admirable mimicry<br>
+Without heeding the drip of the blood<br>
+From my heart.</p>
+<br>
+<br>
+<br>
+<br>
+<p>I heard thee laugh,<br>
+And in this merriment<br>
+I defined the measure of my pain;<br>
+I knew that I was alone,<br>
+Alone with love,<br>
+Poor shivering love,<br>
+And he, little sprite,<br>
+Came to watch with me,<br>
+And at midnight,<br>
+We were like two creatures by a dead camp-<br>
+&emsp; &emsp; fire.</p>
+<br>
+<br>
+<br>
+<br>
+<br>
+<p>I wonder if sometimes in the dusk,<br>
+When the brave lights that gild thy<br>
+&emsp; &emsp; evenings<br>
+Have not yet been touched with flame,<br>
+I wonder if sometimes in the dusk<br>
+Thou rememberest a time,<br>
+A time when thou loved me<br>
+And our love was to thee thy all?<br>
+Is the memory rubbish now?<br>
+An old gown<br>
+Worn in an age of other fashions?<br>
+Woe is me, oh, lost one,<br>
+For that love is now to me<br>
+A supernal dream,<br>
+White, white, white with many suns.</p>
+<br>
+<br>
+<br>
+<br>
+<p>Love met me at noonday,<br>
+&mdash;Reckless imp,<br>
+To leave his shaded nights<br>
+And brave the glare,&mdash;<br>
+And I saw him then plainly<br>
+For a bungler,<br>
+A stupid, simpering, eyeless bungler,<br>
+Breaking the hearts of brave people<br>
+As the snivelling idiot-boy cracks his bowl,<br>
+And I cursed him,<br>
+Cursed him to and fro, back and forth,<br>
+Into all the silly mazes of his mind,<br>
+But in the end<br>
+He laughed and pointed to my breast,<br>
+Where a heart still beat for thee, beloved.</p>
+<br>
+<br>
+<br>
+<br>
+<p>I have seen thy face aflame<br>
+For love of me,<br>
+Thy fair arms go mad,<br>
+Thy lips tremble and mutter and rave.<br>
+And&mdash;surely&mdash;<br>
+This should leave a man content?<br>
+Thou lovest not me now,<br>
+But thou didst love me,<br>
+And in loving me once<br>
+Thou gavest me an eternal privilege,<br>
+For I can think of thee.</p>
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of War is Kind, by Stephen Crane
+
+*** END OF THE PROJECT GUTENBERG EBOOK WAR IS KIND ***
+
+This file should be named scwar10h.htm or scwar10h.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, scwar11h.htm
+VERSIONS based on separate sources get new LETTER, scwar10ah.htm
+
+
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart hart@pobox.com
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/scwar10h.zip b/old/scwar10h.zip
new file mode 100644
index 0000000..74a3f7b
--- /dev/null
+++ b/old/scwar10h.zip
Binary files differ