diff options
Diffstat (limited to '9830-h/9830-h.htm')
| -rw-r--r-- | 9830-h/9830-h.htm | 600 |
1 files changed, 94 insertions, 506 deletions
diff --git a/9830-h/9830-h.htm b/9830-h/9830-h.htm index 47f15a0..c47b39b 100644 --- a/9830-h/9830-h.htm +++ b/9830-h/9830-h.htm @@ -1,12 +1,10 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<!DOCTYPE html> +<html lang="en"> <head> -<meta http-equiv="content-type" content="text/html; charset=utf-8" /> -<meta http-equiv="Content-Style-Type" content="text/css" /> -<title>The Project Gutenberg eBook of The Beautiful and Damned, by F. Scott Fitzgerald.</title> -<link rel="coverpage" href="images/cover.jpg" /> -<style type="text/css"> +<meta charset="utf-8"> +<title>The Beautiful and Damned | Project Gutenberg</title> +<link rel="coverpage" href="images/cover.jpg" > +<style> p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:1em;} @@ -83,48 +81,15 @@ div.fig { display:block; </style> </head> <body> - - -<pre> -Project Gutenberg's The Beautiful and Damned, by F. Scott Fitzgerald - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: The Beautiful and Damned - -Author: F. Scott Fitzgerald - -Release Date: October 22, 2003 [EBook #9830] -Last updated: January 29, 2020 - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL AND DAMNED *** - -Produced by Stan Goodman, Audrey Longhurst, and Project -Gutenberg Distributed Proofreaders - -html version by Chuck Greif - - - - - -</pre> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 9830 ***</div> <div class="fig" style="width:60%;"> -<img src="images/cover.jpg" style="width:100%;" alt="cover" /><br/><br/> +<img src="images/cover.jpg" style="width:100%;" alt="cover"><br><br> </div> -<h1>THE BEAUTIFUL<br /> AND DAMNED</h1> +<h1>THE BEAUTIFUL<br > AND DAMNED</h1> -<p class="cb">BY F. SCOTT FITZGERALD<br /> +<p class="cb">BY F. SCOTT FITZGERALD<br > 1922</p> <div class="blockquott"> @@ -175,24 +140,24 @@ by Arthur Mizener</i></p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">The victor belongs to the spoils.<br /></span> -<span class="i7">—ANTHONY PATCH<br /></span> +<span class="i0">The victor belongs to the spoils.<br ></span> +<span class="i7">—ANTHONY PATCH<br ></span> </div></div> </div> -<p class="cb">TO<br /> -SHANE LESLIE, GEORGE JEAN NATHAN<br /> -AND MAXWELL PERKINS<br /><br /> -IN APPRECIATION OF MUCH LITERARY HELP<br /> +<p class="cb">TO<br > +SHANE LESLIE, GEORGE JEAN NATHAN<br > +AND MAXWELL PERKINS<br ><br > +IN APPRECIATION OF MUCH LITERARY HELP<br > AND ENCOURAGEMENT</p> -<h3><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h3> +<h3><a id="CONTENTS"></a>CONTENTS</h3> -<table border="0" cellpadding="2" cellspacing="0" summary=""> -<tr><td colspan="2" align="center"><a href="#BOOK_ONE">BOOK ONE</a></td></tr> +<table style="border: none; padding: 2px; border-spacing: 0px;"> +<tr><td colspan="2" style="text-align: center;"><a href="#BOOK_ONE">BOOK ONE</a></td></tr> <tr><td class="r"><a href="#CHAPTER_Ia">I.</a></td><td>ANTHONY PATCH</td></tr> @@ -201,7 +166,7 @@ AND ENCOURAGEMENT</p> <tr><td class="r"><a href="#CHAPTER_IIIa">III.</a></td><td>THE CONNOISSEUR OF KISSES</td></tr> -<tr><td colspan="2" align="center"><a href="#BOOK_TWO">BOOK TWO</a></td></tr> +<tr><td colspan="2" style="text-align: center;"><a href="#BOOK_TWO">BOOK TWO</a></td></tr> <tr><td class="r"><a href="#CHAPTER_Ib">I.</a></td><td>THE RADIANT HOUR</td></tr> @@ -210,7 +175,7 @@ AND ENCOURAGEMENT</p> <tr><td class="r"><a href="#CHAPTER_IIIb">III.</a></td><td>THE BROKEN LUTE</td></tr> -<tr><td colspan="2" align="center"><a href="#BOOK_THREE">BOOK THREE</a></td></tr> +<tr><td colspan="2" style="text-align: center;"><a href="#BOOK_THREE">BOOK THREE</a></td></tr> <tr><td class="r"><a href="#CHAPTER_Ic">I.</a></td><td>A MATTER OF CIVILIZATION</td></tr> @@ -219,9 +184,9 @@ AND ENCOURAGEMENT</p> <tr><td class="r"><a href="#CHAPTER_IIIc">III.</a></td><td>NO MATTER!</td></tr> </table> -<h2><a name="BOOK_ONE" id="BOOK_ONE"></a>BOOK ONE</h2> +<h2><a id="BOOK_ONE"></a>BOOK ONE</h2> -<h3><a name="CHAPTER_Ia" id="CHAPTER_Ia"></a>CHAPTER I<br /><br /> +<h3><a id="CHAPTER_Ia"></a>CHAPTER I<br ><br > ANTHONY PATCH</h3> @@ -670,7 +635,7 @@ humming along the hall to his bath.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"To ... you ... beaut-if-ul lady,"<br /></span> +<span class="i0">"To ... you ... beaut-if-ul lady,"<br ></span> </div></div> </div> @@ -678,9 +643,9 @@ humming along the hall to his bath.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"I raise ... my ... eyes;<br /></span> -<span class="i0">To ... you ... beaut-if-ul la-a-dy<br /></span> -<span class="i0">My ... heart ... cries—"<br /></span> +<span class="i0">"I raise ... my ... eyes;<br ></span> +<span class="i0">To ... you ... beaut-if-ul la-a-dy<br ></span> +<span class="i0">My ... heart ... cries—"<br ></span> </div></div> </div> @@ -747,7 +712,7 @@ the bathroom and reparted his hair.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"To ... you ... beaut-if-ul lady,"<br /></span> +<span class="i0">"To ... you ... beaut-if-ul lady,"<br ></span> </div></div> </div> @@ -755,7 +720,7 @@ the bathroom and reparted his hair.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"I raise ... my ... eyes—"<br /></span> +<span class="i0">"I raise ... my ... eyes—"<br ></span> </div></div> </div> @@ -813,8 +778,8 @@ considered material but he'd forgotten it—so he had at me. He'd say do I remember?"</p> <p class="c"> -<i>(MAURY laughs noiselessly, by a sort of bland and appreciative widening<br /> -of his features.)</i><br /> +<i>(MAURY laughs noiselessly, by a sort of bland and appreciative widening<br > +of his features.)</i><br > </p> <p>MAURY: Dick doesn't necessarily see more than any one else. He merely @@ -831,7 +796,7 @@ there's something breathless in being with him.</p> <p>MAURY: Oh, yes.</p> <p class="c"> -<i>(Silence, and then:)</i><br /> +<i>(Silence, and then:)</i><br > </p> <p>ANTHONY: <i>(With his thin, somewhat uncertain face at its most convinced)</i> @@ -960,8 +925,8 @@ seize upon the findings of sophistication and adopt the pose of a moral freedom to which they are by no means entitled by their intelligences.</p> <p class="c"> -(<i>Here the soup arrives and what MAURY might have gone on to say is lost<br /> -for all time.</i>)<br /> +(<i>Here the soup arrives and what MAURY might have gone on to say is lost<br > +for all time.</i>)<br > </p> @@ -1167,15 +1132,15 @@ immobility of her lips</i>) And will I like being called a jazz-baby?</p> <p>THE VOICE: (<i>Soberly</i>) You will love it....</p> <p class="r"> -(<i>The dialogue ends here, with</i> BEAUTY <i>still sitting quietly, the stars<br /> -pausing in an ecstasy of appreciation, the wind, white and gusty,<br /> -blowing through her hair.</i><br /> +(<i>The dialogue ends here, with</i> BEAUTY <i>still sitting quietly, the stars<br > +pausing in an ecstasy of appreciation, the wind, white and gusty,<br > +blowing through her hair.</i><br > </p> <div class="blockquot"><p><i>All this took place seven years before</i> ANTHONY <i>sat by the front windows of his apartment and listened to the chimes of St. Anne's.</i>)</p></div> -<h3><a name="CHAPTER_IIa" id="CHAPTER_IIa"></a>CHAPTER II<br /><br /> +<h3><a id="CHAPTER_IIa"></a>CHAPTER II<br ><br > PORTRAIT OF A SIREN</h3> @@ -2732,9 +2697,9 @@ swayed his shoulders to the rhythm of the year's mellowest fox-trot:</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"Something—goes<br /></span> -<span class="i0">Ring-a-ting-a-ling-a-ling<br /></span> -<span class="i0">Right in-your ear—"<br /></span> +<span class="i0">"Something—goes<br ></span> +<span class="i0">Ring-a-ting-a-ling-a-ling<br ></span> +<span class="i0">Right in-your ear—"<br ></span> </div></div> </div> @@ -2775,7 +2740,7 @@ growing, gathering light and storing it—then after an eternity pouring it forth in a glance, the fragment of a sentence, to that part of him that cherished all beauty and all illusion.</p> -<h3><a name="CHAPTER_IIIa" id="CHAPTER_IIIa"></a>CHAPTER III<br /><br /> +<h3><a id="CHAPTER_IIIa"></a>CHAPTER III<br ><br > THE CONNOISSEUR OF KISSES</h3> @@ -3695,11 +3660,11 @@ words she knew—the words of the title—</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"He's a rag-picker,<br /></span> -<span class="i0">A rag-picker;<br /></span> -<span class="i0">A rag-time picking man,<br /></span> -<span class="i0">Rag-picking, picking, pick, pick,<br /></span> -<span class="i0">Rag-pick, pick, pick."<br /></span> +<span class="i0">"He's a rag-picker,<br ></span> +<span class="i0">A rag-picker;<br ></span> +<span class="i0">A rag-time picking man,<br ></span> +<span class="i0">Rag-picking, picking, pick, pick,<br ></span> +<span class="i0">Rag-pick, pick, pick."<br ></span> </div></div> </div> @@ -4391,7 +4356,7 @@ after two. He was down around Thirtieth Street somewhere, and after a moment he found and translated the</p> <div class="fig" style="width:60%;"> -<img src="images/childs.png" width="81" height="21" alt="The illustration shows the word “CHILD’s” in mirror" /><br/><br/> +<img src="images/childs.png" alt="The illustration shows the word “CHILD’s” in mirror" style="width: 81px; height: 21px"><br><br> </div> <p class="nind">in a white semicircle of letters upon the glass front. The place was @@ -4795,9 +4760,9 @@ over the intervening space, her arms rising in a premature caress as she came near. Together they crushed out the stiff folds of her dress in one triumphant and enduring embrace.</p> -<h2><a name="BOOK_TWO" id="BOOK_TWO"></a>BOOK TWO</h2> +<h2><a id="BOOK_TWO"></a>BOOK TWO</h2> -<h3><a name="CHAPTER_Ib" id="CHAPTER_Ib"></a>CHAPTER I<br /><br /> +<h3><a id="CHAPTER_Ib"></a>CHAPTER I<br ><br > THE RADIANT HOUR</h3> @@ -5690,9 +5655,9 @@ mice.</p> <p>OTIS: I was usher last month for old Charlie McIntyre and——</p> <p class="r"> -(<i>They move slowly toward the door as the chatter becomes a babel and<br /> -the practising preliminary to the overture issues in long pious groans<br /> -from ADAM PATCH'S organ.</i>)<br /> +(<i>They move slowly toward the door as the chatter becomes a babel and<br > +the practising preliminary to the overture issues in long pious groans<br > +from ADAM PATCH'S organ.</i>)<br > </p> @@ -6984,7 +6949,7 @@ congregation to his mind had ironically deserted him—just when he could not much longer have supported her. Never again would he be able so satisfactorily to bore and bully a human soul.</p> -<h3><a name="CHAPTER_IIb" id="CHAPTER_IIb"></a>CHAPTER II<br /><br /> +<h3><a id="CHAPTER_IIb"></a>CHAPTER II<br ><br > SYMPOSIUM</h3> @@ -8711,8 +8676,8 @@ Dear. The lines were:</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"The—pan-ic—has—come—over us,<br /></span> -<span class="i0">So <i>ha-a-as</i>—the moral de<i>cline</i>!"<br /></span> +<span class="i0">"The—pan-ic—has—come—over us,<br ></span> +<span class="i0">So <i>ha-a-as</i>—the moral de<i>cline</i>!"<br ></span> </div></div> </div> @@ -8766,8 +8731,8 @@ of tact and consideration....</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"The—pan-ic—has—come—over us,<br /></span> -<span class="i0">So <i>ha-a-as</i>—"<br /></span> +<span class="i0">"The—pan-ic—has—come—over us,<br ></span> +<span class="i0">So <i>ha-a-as</i>—"<br ></span> </div></div> </div> @@ -9520,7 +9485,7 @@ and the three men, pale as ghosts, were standing alone upon the platform while a grimy coal-heaver went down the road on top of a motor truck, carolling hoarsely at the summer morning.</p> -<h3><a name="CHAPTER_IIIb" id="CHAPTER_IIIb"></a>CHAPTER III<br /><br /> +<h3><a id="CHAPTER_IIIb"></a>CHAPTER III<br ><br > THE BROKEN LUTE</h3> @@ -9595,8 +9560,8 @@ sounds of music as I approached the house"?</p> <p>PARAMORE: One of the Japanese instruments.</p> <p class="c"> -(<i>He is quite obviously a subscriber to the "National Geographic<br /> -Magazine</i>.")<br /> +(<i>He is quite obviously a subscriber to the "National Geographic<br > +Magazine</i>.")<br > </p> <p>TANA: I play flu-u-ute, Japanese flu-u-ute.</p> @@ -9927,14 +9892,14 @@ and you refuse to be even a little pickled. Come on!</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"<i>Here's a health to King Charles,</i><br /></span> -<span class="i0"><i>Here's a health to King Charles,</i><br /></span> -<span class="i0"><i>Bring the bowl that you boast</i>——"<br /></span> +<span class="i0">"<i>Here's a health to King Charles,</i><br ></span> +<span class="i0"><i>Here's a health to King Charles,</i><br ></span> +<span class="i0"><i>Bring the bowl that you boast</i>——"<br ></span> </div></div> </div> <p class="c"> -(PARAMORE <i>joins in with a hearty voice.</i>)<br /> +(PARAMORE <i>joins in with a hearty voice.</i>)<br > </p> <p>MAURY: Fill the cup, Frederick. You know everything's subordinated to @@ -10093,7 +10058,7 @@ grotesquely appropriate to the scene:</i></p></div> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"One gaunt bleak blossom of scentless breath."<br /></span> +<span class="i0">"One gaunt bleak blossom of scentless breath."<br ></span> </div></div> </div> @@ -11294,9 +11259,9 @@ accused himself of drawing this sombre pattern through which they were tracing tragically and obscurely. At the last they were too far away for either to see the other's tears.</p> -<h2><a name="BOOK_THREE" id="BOOK_THREE"></a>BOOK THREE</h2> +<h2><a id="BOOK_THREE"></a>BOOK THREE</h2> -<h3><a name="CHAPTER_Ic" id="CHAPTER_Ic"></a>CHAPTER I<br /><br /> +<h3><a id="CHAPTER_Ic"></a>CHAPTER I<br ><br > A MATTER OF CIVILIZATION</h3> @@ -11852,9 +11817,9 @@ from time to time, raised their voices in a soft, bantering song.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"—<i>When you wa-ake</i><br /></span> -<span class="i2"><i>You shall ha-ave</i><br /></span> -<span class="i3"><i>All the pretty little hawsiz</i>—"<br /></span> +<span class="i0">"—<i>When you wa-ake</i><br ></span> +<span class="i2"><i>You shall ha-ave</i><br ></span> +<span class="i3"><i>All the pretty little hawsiz</i>—"<br ></span> </div></div> </div> @@ -12149,7 +12114,7 @@ splatter of the bullets overhead.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"When the hounds of spring ..."<br /></span> +<span class="i0">"When the hounds of spring ..."<br ></span> </div></div> </div> @@ -12157,7 +12122,7 @@ splatter of the bullets overhead.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"Are on winter's traces ..."<br /></span> +<span class="i0">"Are on winter's traces ..."<br ></span> </div></div> </div> @@ -12165,7 +12130,7 @@ splatter of the bullets overhead.</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"The mother of months ..."<br /></span> +<span class="i0">"The mother of months ..."<br ></span> </div></div> </div> @@ -12949,7 +12914,7 @@ an ecstatic monotone hushed as a song of bees.</p> <p>Her kiss was a cool rill flowing from her heart.</p> -<h3><a name="CHAPTER_IIc" id="CHAPTER_IIc"></a>CHAPTER II<br /><br /> +<h3><a id="CHAPTER_IIc"></a>CHAPTER II<br ><br > A MATTER OF AESTHETICS</h3> @@ -13586,10 +13551,10 @@ fell on an advertisement in the morning paper and in consequence he found at last the semblance of an occupation.</p> <p class="c"> -YOU CAN SELL!!!<br /> -<br /> -<i>Why not earn while you learn?</i><br /> -<i>Our salesmen make $50-$200 weekly</i>.<br /> +YOU CAN SELL!!!<br > +<br > +<i>Why not earn while you learn?</i><br > +<i>Our salesmen make $50-$200 weekly</i>.<br > </p> <p>There followed an address on Madison Avenue, and instructions to appear @@ -13677,7 +13642,7 @@ in every house-hold in the U.S.A. Listen to this one from Detroit:</p> <p class="nind"> -"DEAR MR. CARLETON:<br /> +"DEAR MR. CARLETON:<br > </p> <p><small>"I want to order three thousand more copies of 'Heart Talks' for @@ -13690,8 +13655,8 @@ country is founded is the problem of salesmanship. With many felicitations I am</small></p> <p class="r"> -<small>"Yours very cordially,</small><br /> -"HENRY W. TERRAL."<br /> +<small>"Yours very cordially,</small><br > +"HENRY W. TERRAL."<br > </p> <p> </p> @@ -14240,7 +14205,7 @@ telephone—with no result.</p> <p> </p> <p class="nind"> -<i>My dear Gloria:</i><br /> +<i>My dear Gloria:</i><br > </p> <p><i>Just by luck a matter came to my attention that I think will be just @@ -14262,7 +14227,7 @@ ten o'clock is suited to you I will meet you there at that time.</i></p> <p class="c"><i>Ever Faithfully</i></p> <p class="r"> -JOSEPH BLACK.<br /> +JOSEPH BLACK.<br > </p> <p> </p> @@ -14509,7 +14474,7 @@ upon the dirty tiles of the hall....</p> <p> </p> <p class="nind"> -<i>My dear Gloria:</i><br /> +<i>My dear Gloria:</i><br > </p> <p><small><i>We had the test run off yesterday afternoon, and Mr. Debris seemed to @@ -14542,7 +14507,7 @@ pretty face! Oh, I don't want to live without my pretty face! Oh, what's downward upon the floor—and lay there sobbing. It was the first awkward movement she had ever made.</p> -<h3><a name="CHAPTER_IIIc" id="CHAPTER_IIIc"></a>CHAPTER III<br /><br /> +<h3><a id="CHAPTER_IIIc"></a>CHAPTER III<br ><br > NO MATTER!</h3> @@ -15661,12 +15626,12 @@ check-girl near him was singing:</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0"><i>"Out in—the shimmee sanitarium</i><br /></span> -<span class="i0"><i>The jazz-mad nuts reside.</i><br /></span> -<span class="i0"><i>Out in—the shimmee sanitarium</i><br /></span> -<span class="i0"><i>I left my blushing bride.</i><br /></span> -<span class="i1"><i>She went and shook herself insane,</i><br /></span> -<span class="i1"><i>So let her shiver back again—"</i><br /></span> +<span class="i0"><i>"Out in—the shimmee sanitarium</i><br ></span> +<span class="i0"><i>The jazz-mad nuts reside.</i><br ></span> +<span class="i0"><i>Out in—the shimmee sanitarium</i><br ></span> +<span class="i0"><i>I left my blushing bride.</i><br ></span> +<span class="i1"><i>She went and shook herself insane,</i><br ></span> +<span class="i1"><i>So let her shiver back again—"</i><br ></span> </div></div> </div> @@ -16196,385 +16161,8 @@ up and I came through!"</p> -<hr class="full" /> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of The Beautiful and Damned, by F. Scott Fitzgerald - -*** END OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL AND DAMNED *** - -***** This file should be named 9830-h.htm or 9830-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/9/8/3/9830/ - -Produced by Html version by Chuck Greif - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> +<hr class="full" > +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 9830 ***</div> </body> </html> - |