path: root/9777.txt

The Project Gutenberg EBook of Riley Child-Rhymes, by James Whitcomb Riley

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Riley Child-Rhymes

Author: James Whitcomb Riley

Posting Date: November 3, 2011 [EBook #9777]
Release Date: January, 2006
First Posted: October 15, 2003

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK RILEY CHILD-RHYMES ***




Produced by Maria Cecilia Lim and PG Distributed Proofreaders









[Illustration: A-list'nin' to the witch-tales 'at Annie tells
abou--Frontispiece]




RILEY
CHILD-RHYMES

James Whitcomb Riley


WITH HOOSIER PICTURES BY

Will Vawter




Copyright 1890, 1896, 1898 and 1905




WITH HALE AFFECTION AND ABIDING FAITH
THESE RHYMES AND PICTURES
ARE INSCRIBED
TO THE CHILDREN EVERYWHERE




_He owns the bird-songs of the hills--
The laughter of the April rills;
And his are all the diamonds set
In Morning's dewy coronet,--
And his the Dusk's first minted stars
That twinkle through the pasture-bars
And litter all the skies at night
With glittering scraps of silver light;--
The rainbow's bar, from rim to rim,
In beaten gold, belongs to him._




CONTENTS

[Note from the transcriber: The Table of Contents below was taken from
the book and is an alphabetical list of the poems. A second Table of
Contents, listing the poems in the order they occur in this book, has
been provided by the transcriber.]

AT AUNTY'S HOUSE

BEAR STORY, THE

BOY LIVES ON OUR FARM, THE

BOYS' CANDIDATE, THE

BUMBLEBEE, THE

CIRCUS-DAY PARADE, THE

CURLY LOCKS

DAYS GONE BY, THE

DOWN AROUND THE RIVER

ENVOY

FUNNY LITTLE FELLOW, THE

GRANDFATHER SQUEERS

HAPPY LITTLE CRIPPLE, THE

HOME-MADE FAIRY-TALE, A

IMPETUOUS RESOLVE, AN

JOLLY MILLER, THE

LIFE-LESSON, A

LITTLE COAT, THE

LITTLE ORPHANT ANNIE

LUGUBRIOUS WHING-WHANG, THE

NAUGHTY CLAUDE

NINE LITTLE GOBLINS, THE

OLD AUNT MARY'S

OLD HAY-MOW, THE

OLD TRAMP, THE

ON THE SUNNY SIDE

OUR HIRED GIRL

PET COON, THE

PIXY PEOPLE, THE

RAGGEDY MAN, THE

RIDER OF THE KNEE, THE

RUNAWAY BOY, THE

SOUTH WIND AND THE SUN, THE

SQUIRTGUN UNCLE MAKED ME, THE

SUDDEN SHOWER, A

TIME OF CLEARER TWITTERINGS

WAITIN' FER THE CAT TO DIE

WHO SANTY-CLAUS WUZ

WINTER FANCIES




Contents (Listed in the Order They Appear)

LITTLE ORPHANT ANNIE

THE RAGGEDY MAN

CURLY LOCKS

THE FUNNY LITTLE FELLOW

THE HAPPY LITTLE CRIPPLE

THE RIDER OF THE KNEE

DOWN AROUND THE RIVER

AT AUNTY'S HOUSE

THE DAYS GONE BY

THE BUMBLEBEE

THE BOY LIVES ON OUR FARM

THE SQUIRTGUN UNCLE MAKED ME

THE OLD TRAMP

OLD AUNT MARY'S

WINTER FANCIES

THE RUNAWAY BOY

THE LITTLE COAT

AN IMPETUOUS RESOLVE

WHO SANTY-CLAUS WUZ

THE NINE LITTLE GOBLINS

TIME OF CLEARER TWITTERINGS

THE CIRCUS-DAY PARADE

THE LUGUBRIOUS WHING-WHANG

WAITIN' FER THE CAT TO DIE

NAUGHTY CLAUDE

THE SOUTH WIND AND THE SUN

THE JOLLY MILLER

OUR HIRED GIRL

THE BOYS' CANDIDATE

THE PET COON

THE OLD HAY-MOW

ON THE SUNNY SIDE

A SUDDEN SHOWER

GRANDFATHER SQUEERS

THE PIXY PEOPLE

A LIFE-LESSON

A HOME-MADE FAIRY-TALE

THE BEAR STORY

ENVOY




ILLUSTRATIONS

WITCH-TALES

THEY WAS TWO GREAT BIG BLACK THINGS A-STANDIN' BY HER SIDE

AN' WHEN THEY TURN'T THE KIVVERS DOWN

LITTLE ORPHANT ANNIE--TAILPIECE

THE RAGGEDY MAN--TITLE

HE SHOWED ME THE HOLE 'AT THE WUNKS IS GOT

CURLY LOCKS--TITLE

SIT ON A CUSHION AND SEW A FINE SEAM

THE FUNNY LITTLE FELLOW--TITLE

NEVER KNEW A BABY THAT WOULDN'T CROW FOR HIM

THE HAPPY LITTLE CRIPPLE--TITLE

AN' I PECK ON THE WINDER

AN' COOKS A' EGG FER ME

THE HAPPY LITTLE CRIPPLE--TAILPIECE

THE RIDER OF THE KNEE

DOWN AROUND THE RIVER--TITLE

NOON-TIME AND JUNE-TIME DOWN AROUND THE RIVER

DOWN AROUND THE RIVER--TAILPIECE

AT AUNTY'S HOUSE--TITLE

WE ET OUT ON THE PORCH

THE DAYS GONE BY--TITLE

IN THE ORCHARD

THE BUMBLEBEE

THE BOY LIVES ON OUR FARM--TITLE

STAND UP LIKE HIM AN' DRIVE

THE SQUIRTGUN UNCLE MAKED ME--TITLE

THE SQUIRTGUN--TAILPIECE

AN' NEN HE PEELED OFF THE BARK

THE OLD TRAMP

WE PATTER ALONG IN THE DUST AGAIN

OLD AUNT MARY'S--TAILPIECE

WINTER FANCIES--TITLE

WINTER WITHOUT AND WARMTH WITHIN

HERE IN MY ROOM I'M AS SNUGLY SHUT

AN' A GREA'-BIG PIG WENT "BOOH!"

HUG WITE CLOSE ROUND HER NECK

THE LITTLE COAT

THE LITTLE COAT--TAILPIECE

AN IMPETUOUS RESOLVE--TITLE

I'M GO' TO BE A BAKER

A-SLINGIN' PIE-CRUST 'LONG THE ROAD

WHO SANTY-CLAUS WUZ--TITLE

AN' QUAR'L WITH HIS FROSTED HEELS

WHO SANTY-CLAUS WUZ--TAILPIECE

THE NINE LITTLE GOBLINS

THE NINE LITTLE GOBLINS--TAILPIECE

TIME OF CLEARER TWITTERINGS--TITLE

WHERE THE SHELLBARK HICKORY TREE

THE CIRCUS-DAY PARADE

HOW THE CAGES JOLTED PAST

AND, LAST OF ALL, THE CLOWN

THE LUGUBRIOUS WHING-WHANG--TITLE

WAITIN' FER THE CAT TO DIE--TITLE

BAREFOOTED, HUNGRY, LEAN, ORNRY BOYS

WHY YOU ROCK SO SLOW?

NAUGHTY CLAUDE

THE SOUTH WIND AND THE SUN--TITLE

THIS PAIR OF MERRY FAYS

THE JOLLY MILLER--TITLE

THAT CAT O' YOURN I'D KILL HER

WUZ PARCHIN' CORN FER THE RAGGEDY MAN

THE BOYS' CANDIDATE

THE PET COON--TITLE

AN' NEN WHEN BILLY FIGHTED ME

THE OLD HAY-MOW--TITLE

IN OUR HAY-MOW WHERE I KEEP STORE

ON THE SUNNY SIDE--TITLE

AS A ROMPING BOY

A SUDDEN SHOWER--TITLE

SCHOOLGIRL FACES ... GLEAM FROM THE SHAWLS ABOUT THEIR HEADS

A SUDDEN SHOWER--TAILPIECE

GRANDFATHER SQUEERS--TITLE

AND SMOKE LEAF-TOBACCO

GRANDFATHER SQUEERS--TAILPIECE

THE PIXY PEOPLE--TITLE

WINGED ABOVE THE WALK

A LIFE-LESSON--TITLE

BUT HEAVEN HOLDS ALL FOR WHICH YOU SIGH

A HOME-MADE FAIRY-TALE--TITLE

A LITTLE DUDE-FAIRY

ENVOY




RILEY CHILD-RHYMES




LITTLE ORPHANT ANNIE

[Illustration: They was two great big black things a-standin' by her side]

Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board-an'-keep;
An' all us other childern, when the supper things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
  Ef you
    Don't
      Watch
        Out!

Onc't they was a little boy wouldn't say his prayers,--
So when he went to bed at night, away up stairs,
His Mammy heerd him holler, an' his Daddy heerd him bawl,
An' when they turn't the kivvers down, he wasn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'wheres, I guess;
But all they ever found was thist his pants an' roundabout:--
An' the Gobble-uns'll git you
  Ef you
    Don't
      Watch
        Out!

[Illustration: An' when they turn't the kivvers down]

An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever'one, an' all her blood an' kin;
An' onc't, when they was "company," an' ole folks was there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They was two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what she's about!
An' the Gobble-uns'll git you
  Ef you
    Don't
      Watch
        Out!

An' little Orphant Annie says when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes _woo-oo!_
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,--
You better mind yer parents, an' yer teachers fond an' dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns'll git you
  Ef you
    Don't
      Watch
        Out!

[Illustration: Little Orphant Annie--Tailpiece]




THE RAGGEDY MAN

[Illustration: The Raggedy Man--Title]

O The Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed--an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen--ef our hired girl says he can--
He milks the cow fer 'Lizabuth Ann.--
  Aint he a' awful good Raggedy Man?
    Raggedy! Raggedy! Raggedy Man!

W'y, The Raggedy Man--he's ist so good
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at _boys_ can't do!--
He clumbed clean up in our big tree
An' shooked a' apple down fer me--
An' nother'n', too, fer 'Lizabuth Ann--
An' nother'n', too, fer The Raggedy Man.--
  Aint he a' awful kind Raggedy Man?
    Raggedy! Raggedy! Raggedy Man!

[Illustration: He showed me the hole 'at the Wunks is got]

An' The Raggedy Man, he knows most rhymes
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
An' the Squidgicum-Squees 'at swallers therselves!
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can
Turn into me, er 'Lizabuth Ann!
  Aint he a funny old Raggedy Man?
    Raggedy! Raggedy! Raggedy Man!

The Raggedy Man--one time when he
Wuz makin' a little bow-'n'-orry fer me,
Says "When _you're_ big like your Pa is,
Air you go' to keep a fine store like his--
An' be a rich merchunt--an' wear fine clothes?--
Er what _air_ you go' to be, goodness knows!"
An' nen he laughed at 'Lizabuth Ann,
An' I says "'M go' to be a Raggedy Man!--
  I'm ist go' to be a nice Raggedy Man!"
    Raggedy! Raggedy! Raggedy Man!




CURLY LOCKS

[Illustration: Curly Locks--Title]

_Curly Locks! Curly Locks! wilt thou be mine?
Thou shalt not wash the dishes, nor yet feed the swine,--
But sit on a cushion and sew a fine seam,
And feast upon strawberries, sugar and cream._

Curly Locks! Curly Locks! wilt thou be mine?
The throb of my heart is in every line,
And the pulse of a passion as airy and glad
In its musical beat as the little Prince had!

[Illustration: Sit on a cushion and sew a fine seam]

Thou shalt not wash the dishes, nor yet feed the swine!--
O I'll dapple thy hands with these kisses of mine
Till the pink of the nail of each finger shall be
As a little pet blush in full blossom for me.

But sit on a cushion and sew a fine seam,
And thou shalt have fabric as fair as a dream,--
The red of my veins, and the white of my love,
And the gold of my joy for the braiding thereof.

And feast upon strawberries, sugar and cream
From a service of silver, with jewels agleam,--
At thy feet will I bide, at thy beck will I rise,
And twinkle my soul in the night of thine eyes!

_Curly Locks! Curly Locks! wilt thou be mine?
Thou shalt not wash the dishes, nor yet feed the swine.--
But sit on a cushion and sew a fine seam,
And feast upon strawberries, sugar and cream._




THE FUNNY LITTLE FELLOW

[Illustration: The Funny Little Fellow--Title]

'Twas a Funny Little Fellow
  Of the very purest type,
For he had a heart as mellow
  As an apple over-ripe;
And the brightest little twinkle
  When a funny thing occurred,
And the lightest little tinkle
  Of a laugh you ever heard!

His smile was like the glitter
  Of the sun in tropic lands,
And his talk a sweeter twitter
  Than the swallow understands;
Hear him sing--and tell a story--
  Snap a joke--ignite a pun,--
'Twas a capture--rapture--glory,
  And explosion--all in one!

Though he hadn't any money--
  That condiment which tends
To make a fellow "honey"
  For the palate of his friends;--
Sweet simples he compounded--
  Sovereign antidotes for sin
Or taint,--a faith unbounded
  That his friends were genuine.

He wasn't honored, may be--
  For his songs of praise were slim,--
Yet I never knew a baby
  That wouldn't crow for him;
I never knew a mother
  But urged a kindly claim
Upon him as a brother,
  At the mention of his name.

[Illustration: Never knew a baby that wouldn't crow for him]

The sick have ceased their sighing
  And have even found the grace
Of a smile when they were dying
  As they looked upon his face;
And I've seen his eyes of laughter
  Melt in tears that only ran
As though, swift dancing after,
  Came the Funny Little Man.

He laughed away the sorrow,
  And he laughed away the gloom
We are all so prone to borrow
  From the darkness of the tomb;
And he laughed across the ocean
  Of a happy life, and passed,
With a laugh of glad emotion,
  Into Paradise at last.

And I think the Angels knew him,
  And had gathered to await
His coming, and run to him
  Through the widely-opened Gate--
With their faces gleaming sunny
  For his laughter-loving sake,
And thinking, "What a funny
  Little Angel he will make!"




THE HAPPY LITTLE CRIPPLE

[Illustration: The Happy Little Cripple--Title]

I'm thist a little cripple boy, an' never goin' to grow
An' get a great big man at all!--'cause Aunty told me so.
When I was thist a baby onc't, I falled out of the bed
An' got "The Curv'ture of the Spine"--'at's what the Doctor said.
I never had no Mother nen--fer my Pa runned away
An' dassn't come back here no more--'cause he was drunk one day
An' stobbed a man in thish-ere town, an' couldn't pay his fine!
An' nen my Ma she died--an' I got "Curv'ture of the Spine!"

[Illustration: An' I peck on the winder]

I'm nine years old! An' you can't guess how much I weigh, I bet!--
Last birthday I weighed thirty-three!--An' I weigh thirty yet!
I'm awful little fer my size--I'm purt' nigh littler 'nan
Some babies is!--an' neighbers all calls me "The Little Man!"
An' Doc one time he laughed an' said: "I 'spect, first thing you know,
You'll have a little spike-tail coat an' travel with a show!"
An' nen I laughed--till I looked round an' Aunty was a-cryin'--
Sometimes she acts like that, 'cause I got "Curv'ture of the Spine."

I set--while Aunty's washin'--on my little long-leg stool,
An' watch the little boys an' girls a-skippin' by to school;
An' I peck on the winder, an' holler out an' say:
"Who wants to fight The Little Man 'at dares you all today?"
An', nen the boys climbs on the fence, an' little girls peeks through,
An' they all says: "Cause you're so big, you think we're 'feared o' you!"
An' nen they yell, an' shake their fist at me, like I shake mine--
They're thist in fun, you know, 'cause I got "Curv'ture of the Spine!"

At evening, when the ironin's done, an' Aunty's fixed the fire,
An' filled an' lit the lamp, an' trimmed the wick an' turned it higher,
An' fetched the wood all in fer night, an' locked the kitchen door,
An' stuffed the ole crack where the wind blows in up through the floor--
She sets the kittle on the coals, an' biles an' makes the tea,
An' fries the liver an' the mush, an' cooks a egg fer me;
An' sometimes--when I cough so hard--her elderberry wine
Don't go so bad fer little boys with "Curv'ture of the Spine!"

[Illustration: An' cooks a' egg fer me]

But Aunty's all so childish-like on my account, you see,
I'm 'most afeard she'll be took down--an' 'at's what bothers me!--
'Cause ef my good old Aunty ever would git sick an' die,
I don't know what she'd do in heaven--till _I_ come, by an' by:--
Fer she's so ust to all my ways, an' ever'thing, you know,
An' no one there like me, to nuss an' worry over so!--
'Cause all the little childerns there's so straight an' strong an' fine,
They's nary angel 'bout the place with "Curv'ture of the Spine!"

[Illustration: The Happy Little Cripple--Tailpiece]




THE RIDER OF THE KNEE

Knightly Rider of the Knee
Of Proud-prancing Unclery!
Gaily mount, and wave the sign
Of that mastery of thine.

Pat thy steed and turn him free,
Knightly Rider of the Knee!
Sit thy charger as a throne--
Lash him with thy laugh alone:

Sting him only with the spur
Of such wit as may occur,
Knightly Rider of the Knee,
In thy shriek of ecstasy.

Would, as now, we might endure,
Twain as one--thou miniature
Ruler, at the rein of me--
Knightly Rider of the Knee!

[Illustration: The Rider of the Knee]




DOWN AROUND THE RIVER

[Illustration: Down Around the River--Title]

Noon-time an' June-time, down around the river!
Have to furse with 'Lizey Ann--but lawzy! I fergive her!
Drives me off the place, an' says 'at all 'at she's a-wishin',
Land o' gracious! time'll come I'll git enough o' fishin'!
Little Dave, a-choppin' wood, never 'pears to notice;
Don't know where she's hid his hat, er keerin' where his coat is,--
Specalatin', more'n like, he haint a-goin' to mind me,
An' guessin' where, say twelve o'clock, a feller'd likely find me!

Noon-time an' June-time, down around the river!
Clean out o' sight o' home, an' skulkin' under kivver
Of the sycamores, jack-oaks, an' swamp-ash an' ellum--
Idies all so jumbled up, you kin hardly tell 'em!--
_Tired_, you know, but _lovin'_ it, an' smilin' jes' to think 'at
Any _sweeter_ tiredness you'd fairly want to _drink_ it!
Tired o' fishin'--tired o' fun--line out slack an' slacker--
All you want in all the world's a little more tobacker!

Hungry, but _a-hidin'_ it, er jes' a-not a-keerin':--
Kingfisher gittin' up an' skootin' out o' hearin';
Snipes on the t'other side, where the County Ditch is,
Wadin' up an' down the aidge like they'd rolled their britches!
Old turkle on the root kindo-sorto drappin'
Intoo th' worter like he don't know how it happen!
Worter, shade an' all so mixed, don't know which you'd orter
Say; th' _worter_ in the shadder--_shadder_ in the _worter!_

Somebody hollerin'--'way around the bend in
Upper Fork--where yer eye kin jes' ketch the endin'
Of the shiney wedge o' wake some muss-rat's a-makin'
With that pesky nose o' his! Then a sniff o' bacon,
Corn-bred an' 'dock-greens--an' little Dave a-shinnin'
'Crost the rocks an' mussel-shells, a-limpin' an' a-grinnin',
With yer dinner fer ye, an' a blessin' from the giver,
Noon-time an' June-time down around the river!

[Illustration: Noon-time and June-time down around the river]

[Illustration: Down Around The River--Tailpiece]




AT AUNTY'S HOUSE

[Illustration: At Aunty's House--Title]

One time, when we'z at Aunty's house--
  'Way in the country!--where
They's ist but woods--an' pigs, an' cows--
  An' all's out-doors an' air!--
An' orchurd-swing; an' churry-trees--
An' _churries_ in 'em!--Yes, an' these--
Here red-head birds steals all they please,
  An' tetch 'em ef you dare!--
W'y, wunst, one time, when we wuz there,
  _We et out on the porch!_

[Illustration: We et out on the porch]

Wite where the cellar-door wuz shut
  The table wuz; an' I
Let Aunty set by me an' cut
  My vittuls up--an' pie.
'Tuz awful funny!--I could see
The red-heads in the churry-tree;
An' bee-hives, where you got to be
  So keerful, goin' by;--
An' "Comp'ny" there an' all!--an' we--
  _We et out on the porch!_

An' I ist et _p'surves_ an' things
  'At Ma don't 'low me to--
An' _chickun-gizzurds_--(don't like _wings_
  Like _Parunts_ does! do _you?_)
An' all the time, the wind blowed there,
An' I could feel it in my hair,
An' ist smell clover _ever'_where!--
  An' a' old red-head flew
Purt' nigh wite over my high-chair,
  _When we et on the porch!_




THE DAYS GONE BY

[Illustration: The Days Gone By--Title]

O the days gone by! O the days gone by!
The apples in the orchard, and the pathway through the rye;
The chirrup of the robin, and the whistle of the quail
As he piped across the meadows sweet as any nightingale;
When the bloom was on the clover, and the blue was in the sky,
And my happy heart brimmed over, in the days gone by.

[Illustration: In the orchard]

In the days gone by, when my naked feet were tripped
By the honeysuckle tangles where the water-lilies dipped,
And the ripples of the river lipped the moss along the brink,
Where the placid-eyed and lazy-footed cattle came to drink,
And the tilting snipe stood fearless of the truant's wayward cry
And the splashing of the swimmer, in the days gone by.

O the days gone by! O the days gone by!
The music of the laughing lip, the lustre of the eye;
The childish faith in fairies, and Aladdin's magic ring--
The simple, soul-reposing, glad belief in everything,--
When life was like a story, holding neither sob nor sigh,
In the golden olden glory of the days gone by.




THE BUMBLEBEE

You better not fool with a Bumblebee!--
Ef you don't think they can sting--you'll see!
They're lazy to look at, an' kindo' go
Buzzin' an' bummin' aroun' so slow,
An' ac' so slouchy an' all fagged out,
Danglin' their legs as they drone about
The hollyhawks 'at they can't climb in
'Ithout ist a-tumble-un out agin!
Wunst I watched one climb clean 'way
In a jim'son-blossom, I did, one day,--
An' I ist grabbed it--an' nen let go--
An' "_Ooh-ooh! Honey! I told ye so!_"
Says The Raggedy Man; an' he ist run
An' pullt out the stinger, an' don't laugh none,
An' says: "They _has_ ben folks, I guess,
'At thought I wuz predjudust, more er less,--
Yit I still muntain 'at a Bumblebee
Wears out his welcome too quick fer me!"

[Illustration: The Bumblebee]




THE BOY LIVES ON OUR FARM

[Illustration: The Boy Lives on Our Farm--Title]

The boy lives on our Farm, he's not
  Afeard o' horses none!
An' he can make 'em lope, er trot,
  Er rack, er pace, er run.
Sometimes he drives two horses, when
  He comes to town an' brings
A wagon-full o' 'taters nen,
  An' roastin'-ears an' things.

Two horses is "a team," he says,
  An' when you drive er hitch,
The right-un's a "near-horse," I guess
  Er "off"--I don't know which--
The Boy lives on our Farm, he told
  Me, too, 'at he can see,
By lookin' at their teeth, how old
  A horse is, to a T!

I'd be the gladdest boy alive
  Ef I knowed much as that,
An' could stand up like him an' drive,
  An' ist push back my hat,
Like he comes skallyhootin' through
  Our alley, with one arm
A-wavin' Fare-ye-well! to you--
  The Boy lives on our Farm!

[Illustration: Stand up like him an' drive]




THE SQUIRTGUN UNCLE MAKED ME

[Illustration: The Squirtgun Uncle Maked Me--Title]

Uncle Sidney, when he wuz here,
  Maked me a squirtgun out o' some
Elder-bushes 'at growed out near
Where wuz the brickyard--'way out clear
    To where the toll-gate come!

So when we walked back home again,
  He maked it, out in our woodhouse where
Wuz the old workbench, an' the old jack-plane,
An' the old 'pokeshave, an' the tools all lay'n'
    Ist like he wants 'em there.

He sawed it first with the old hand-saw;
  An' nen he peeled off the bark, an' got
Some glass an' scraped it; an' told 'bout Pa,
When _he_ wuz a boy an' fooled his Ma,
    An' the whippin' 'at he caught.

Nen Uncle Sidney, he took an' filed
  A' old arn ramrod; an' one o' the ends
He screwed fast into the vise; an' smiled,
Thinkin', he said, o' when he wuz a child,
    'Fore him an' Pa wuz mens.

He punched out the peth, an' nen he put
  A plug in the end with a hole notched through;
Nen took the old drawey-knife an' cut
An' maked a handle 'at shoved clean shut
    But ist where yer hand held to.

An' he wropt th'uther end with some string an' white
  Piece o' the sleeve of a' old tored shirt;
An' nen he showed me to hold it tight,
An' suck in the water an' work it right
    An' it 'ud ist squirt an' squirt!

[Illustration: The Squirtgun--Tailpiece]

[Illustration: An' nen he peeled off the bark]




THE OLD TRAMP

[Illustration: The Old Tramp.]

A Old Tramp slep' in our stable wunst,
  An' The Raggedy Man he caught
An' roust him up, an' chased him off
  Clean out through our back lot!

An' th' Old Tramp hollered back an' said,--
  "You're a _purty_ man!--_You_ air!--
With a pair o' eyes like two fried eggs,
  An' a nose like a Bartlutt pear!"




OLD AUNT MARY'S

Wasn't it pleasant, O brother mine,
In those old days of the lost sunshine
Of youth--when the Saturday's chores were through,
And the "Sunday's wood" in the kitchen, too,
And we went visiting, "me and you,"
          Out to Old Aunt Mary's?

It all comes back so clear to-day!
Though I am as bald as you are gray--
Out by the barn-lot, and down the lane,
We patter along in the dust again,
As light as the tips of the drops of the rain,
          Out to Old Aunt Mary's!

We cross the pasture, and through the wood
Where the old gray snag of the poplar stood,
Where the hammering "red-heads" hopped awry,
And the buzzard "raised" in the "clearing" sky
And lolled and circled, as we went by
          Out to Old Aunt Mary's.

And then in the dust of the road again;
And the teams we met, and the countrymen;
And the long highway, with sunshine spread
As thick as butter on country bread,
Our cares behind, and our hearts ahead
          Out to Old Aunt Mary's.

[Illustration: We patter along in the dust again]

Why, I see her now in the open door,
Where the little gourds grew up the sides and o'er
The clapboard roof!--And her face--ah, me!
Wasn't it good for a boy to see--
And wasn't it good for a boy to be
          Out to Old Aunt Mary's?

And O my brother, so far away,
This is to tell you she waits to-day
To welcome us:--Aunt Mary fell
Asleep this morning, whispering, "Tell
The boys to come!" And all is well
          Out to Old Aunt Mary's.

[Illustration: Old Aunt Mary's--Tailpiece]




WINTER FANCIES

[Illustration: Winter Fancies--Title]

I

  Winter without
    And warmth within;
  The winds may shout
    And the storm begin;
  The snows may pack
    At the window pane,
  And the skies grow black,
    And the sun remain
  Hidden away
    The livelong day--
But here--in here is the warmth of May!

[Illustration: Winter without and warmth within]

II

  Swoop your spitefullest
      Up the flue,
      Wild Winds--do!
What in the world do I care for you?
  O delightfullest
      Weather of all,
      Howl and squall,
And shake the trees till the last leaves fall!

III

  The joy one feels,
      In an easy chair,
  Cocking his heels
      In the dancing air
That wreathes the rim of a roaring stove
Whose heat loves better than hearts can love,
  Will not permit
      The coldest day
          To drive away
The fire in his blood, and the bliss of it!

IV

Then blow, Winds, blow!
  And rave and shriek,
And snarl and snow
  Till your breath grows weak--
While here in my room
  I'm as snugly shut
As a glad little worm
  In the heart of a nut!

[Illustration: Here in my room I'm as snugly shut]




THE RUNAWAY BOY

Wunst I sassed my Pa, an' he
Won't stand that, an' punished me,--
Nen when he was gone that day,
I slipped out an' runned away.

I tooked all my copper-cents,
An' clumbed over our back fence
In the jimpson-weeds 'at growed
Ever'where all down the road.

Nen I got out there, an' nen
I runned some--an' runned again
When I met a man 'at led
A big cow 'at shooked her head.

I went down a long, long lane
Where was little pigs a-play'n';
An' a grea'-big pig went "Booh!"
An' jumped up, an' skeered me too.

Nen I scampered past, an' they
Was somebody hollered "Hey!"
An' I ist looked ever'where,
An' they was nobody there.

I _Want_ to, but I'm 'fraid to try
To go back.... An' by-an'-by
Somepin' hurts my throat inside--
An' I want my Ma--an' cried.

Nen a grea'-big girl come through
Where's a gate, an' telled me who
Am I? an' ef I tell where
My home's at she'll show me there.

But I couldn't ist but tell
What's my _name_; an' she says well,
An' she tooked me up an' says
_She_ know where I live, she guess.

[Illustration: An' a grea'-big pig went "Booh!"]

Nen she telled me hug wite close
Round her neck!--an' off she goes
Skippin' up the street! An' nen
Purty soon I'm home again.

An' my Ma, when she kissed me,
Kissed the _big girl_ too, an' _she_
Kissed me--ef I p'omise _shore_
I won't run away no more!

[Illustration: Hug wite close round her neck]




THE LITTLE COAT

Here's his ragged "roundabout";
Turn the pockets inside out:
See; his pen-knife, lost to use,
Rusted shut with apple-juice;
Here, with marbles, top and string,
Is his deadly "devil-sling,"
With its rubber, limp at last
As the sparrows of the past!
Beeswax--buckles--leather straps--
Bullets, and a box of caps,--
Not a thing of all, I guess,
But betrays some waywardness--
E'en these tickets, blue and red,
For the Bible-verses said--
Such as this his mem'ry kept--
                    "Jesus wept."

[Illustration: The Little Coat]

Here's a fishing hook-and-line,
Tangled up with wire and twine,
And dead angle-worms, and some
Slugs of lead and chewing-gum,
Blent with scents that can but come
From the oil of rhodium.
Here--a soiled, yet dainty note,
That some little sweetheart wrote,
Dotting,--"Vine grows round the stump,"
And--"My sweetest sugar lump!"
Wrapped in this--a padlock key
Where he's filed a touch-hole--see!
And some powder in a quill
Corked up with a liver pill;
And a spongy little chunk
                    Of "punk."

Here's the little coat--but O!
Where is he we've censured so!
Don't you hear us calling, dear?
Back! come back, and never fear.--
You may wander where you will,
Over orchard, field and hill;
You may kill the birds, or do
Anything that pleases you!
Ah, this empty coat of his!
Every tatter worth a kiss;
Every stain as pure instead
As the white stars overhead:
And the pockets--homes were they
Of the little hands that play
Now no more--but, absent, thus
                    Beckon us.

[Illustration: The Little Coat--Tailpiece]




AN IMPETUOUS RESOLVE

[Illustration: An Impetuous Resolve--Title]

When little Dickie Swope's a man,
  He's go' to be a Sailor;
An' little Hamey Tincher, he's
  A-go' to be a Tailor:
Bud Mitchell, he's a-go' to be
  A stylish Carriage-Maker;
An' when _I_ grow a grea'-big man,
  I'm go' to be a Baker!

An' Dick'll buy his sailor-suit
  O' Hame; and Hame'll take it
An' buy as fine a double-rigg
  As ever Bud can make it:
An' nen all three'll drive roun' fer me
  An' we'll drive off togevver,
A-slingin' pie-crust 'long the road
  Ferever an' ferever!

[Illustration: I'm go' to be a baker]

[Illustration: A-slingin' pie-crust 'long the road]




WHO SANTY-CLAUS WUZ

[Illustration: Who Santy-Claus Wuz--Title]

Jes' a little bit o' feller--I remember still--
Ust to almost cry fer Christmas, like a youngster will.
Fourth o' July's nothin' to it!--New Year's ain't a smell!
Easter-Sunday--Circus-day--jes' all dead in the shell!
Lawzy, though! at night, you know, to set around an' hear
The old folks work the story off about the sledge an' deer,
An' "Santy" skootin' round the roof, all wrapt in fur an' fuzz--
Long afore
                I knowed who
                                  "Santy-Claus" wuz!

Ust to wait, an' set up late, a week er two ahead;
Couldn't hardly keep awake, ner wouldn't go to bed;
Kittle stewin' on the fire, an' Mother settin' here
Darnin' socks, an' rockin' in the skreeky rockin'-cheer;
Pap gap', an' wonder where it wuz the money went,
An' quar'l with his frosted heels, an' spill his liniment;
An' me a-dreamin' sleigh-bells when the clock 'ud whir an' buzz,
Long afore
                I knowed who
                                  "Santy-Claus" wuz!

Size the fire-place up an' figger how "Ole Santy" could
Manage to come down the chimbly, like they said he would;
Wisht 'at I could hide an' see him--wunderd what he'd say
Ef he ketched a feller layin' fer him thataway!
But I _bet_ on him, an' _liked_ him, same as ef he had
Turned to pat me on the back an' say, "Look here, my lad,
Here's my pack,--jes' he'p yourse'f, like all good boys does!"
Long afore
                I knowed who
                                   "Santy-Claus" wuz!

[Illustration: An' quar'l with his frosted heels]

Wisht that yarn was true about him, as it 'peared to be--
Truth made out o' lies like that-un's good enough fer me!--
Wisht I still wuz so confidin' I could jes' go wild
Over hangin' up my stockin's, like the little child
Climbin' in my lap to-night, an' beggin' me to tell
'Bout them reindeers, and "Old Santy" that she loves so well
I'm half sorry fer this little-girl-sweetheart of his--
Long afore
                She knows who
                                  "Santy-Claus" is!

[Illustration: Who Santy-Claus Wuz--Tailpiece]




THE NINE LITTLE GOBLINS

They all climbed up on a high board-fence--
  Nine little Goblins, with green-glass eyes--
Nine little Goblins that had no sense,
  And couldn't tell coppers from cold mince pies;
    And they all climbed up on the fence, and sat--
    And I asked them what they were staring at.

And the first one said, as he scratched his head
  With a queer little arm that reached out of his ear
And rasped its claws in his hair so red--
  "This is what this little arm is fer!"
    And he scratched and stared, and the next one said,
    "How on earth do _you_ scratch your head?"

And he laughed like the screech of a rusty hinge--
  Laughed and laughed till his face grew black;
And when he choked, with a final twinge
  Of his stifling laughter, he thumped his back
    With a fist that grew on the end of his tail
    Till the breath came back to his lips so pale.

[Illustration: The Nine Little Goblins]

And the third little Goblin leered round at me--
  And there were no lids on his eyes at all--
And he clucked one eye, and he says, says he,
  "What is the style of your socks this fall?"
    And he clapped his heels--and I sighed to see
    That he had hands where his feet should be.

Then a bald-faced Goblin, gray and grim,
  Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
  And paste them over his upper lip;
    And then he moaned in remorseful pain--
    "Would--Ah, would I'd me brows again!"

And then the whole of the Goblin band
  Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
  Singing the songs that they used to know--
    Singing the songs that their grandsires sung
    In the goo-goo days of the Goblin-tongue.

And ever they kept their green-glass eyes
  Fixed on me with a stony stare--
Till my own grew glazed with a dread surmise,
  And my hat whooped up on my lifted hair,
    And I felt the heart in my breast snap to
    As you've heard the lid of a snuff-box do.

And they sang "You're asleep! There is no board-fence,
  And never a Goblin with green-glass eyes!--
'Tis only a vision the mind invents
  After a supper of cold mince-pies,--
And you're doomed to dream this way," they said,--
"_And you sha'n't wake up till you're clean plum dead!_"

[Illustration: The Nine Little Goblins--Tailpiece]




TIME OF CLEARER TWITTERINGS

[Illustration: Time of Clearer Twitterings--Title]

I.

Time of crisp and tawny leaves,
And of tarnished harvest sheaves,
And of dusty grasses--weeds--
Thistles, with their tufted seeds
Voyaging the Autumn breeze
Like as fairy argosies:
Time of quicker flash of wings,
And of clearer twitterings
In the grove, or deeper shade
Of the tangled everglade,--
Where the spotted water-snake
Coils him in the sunniest brake;
And the bittern, as in fright,
Darts, in sudden, slanting flight,
Southward, while the startled crane
Films his eyes in dreams again.

II

Down along the dwindled creek
We go loitering. We speak
Only with old questionings
Of the dear remembered things
Of the days of long ago,
When the stream seemed thus and so
In our boyish eyes:--The bank
Greener then, through rank on rank
Of the mottled sycamores,
Touching tops across the shores:
Here, the hazel thicket stood--
There, the almost pathless wood
Where the shellbark hickory tree
Rained its wealth on you and me.
Autumn! as you loved us then,
Take us to your heart again!

III

Season halest of the year!
How the zestful atmosphere
Nettles blood and brain, and smites
Into life the old delights
We have tasted in our youth,
And our graver years, forsooth!
How again the boyish heart
Leaps to see the chipmunk start
From the brush and sleek the sun
Very beauty, as he runs!
How again a subtle hint
Of crushed pennyroyal or mint,
Sends us on our knees, as when
We were truant boys of ten--
Brown marauders of the wood,
Merrier than Robin Hood!

[Illustration: Where the shellbark hickory tree]

IV

Ah! will any minstrel say,
In his sweetest roundelay,
What is sweeter, after all,
Than black haws, in early Fall--
Fruit so sweet the frost first sat,
Dainty-toothed, and nibbled at!
And will any poet sing
Of a lusher, richer thing
Than a ripe May-apple, rolled
Like a pulpy lump of gold
Under thumb and finger-tips,
And poured molten through the lips?
Go, ye bards of classic themes,
Pipe your songs by classic streams!
I would twang the redbird's wings
In the thicket while he sings!




THE CIRCUS-DAY PARADE

Oh, the Circus-Day parade! How the bugles played and played!
And how the glossy horses tossed their flossy manes, and neighed,
As the rattle and the rhyme of the tenor-drummer's time
Filled all the hungry hearts of us with melody sublime!

How the grand band-wagon shone with a splendor all its own,
And glittered with a glory that our dreams had never known!
And how the boys behind, high and low of every kind,
Marched in unconscious capture, with a rapture undefined!

How the horsemen, two and two, with their plumes of white and blue,
And crimson, gold and purple, nodding by at me and you.
Waved the banners that they bore, as the Knights in days of yore,
Till our glad eyes gleamed and glistened like the spangles that they wore!

[Illustration: The Circus-Day Parade]

How the graceless-graceful stride of the elephant was eyed,
And the capers of the little horse that cantered at his side!
How the shambling camels, tame to the plaudits of their fame,
With listless eyes came silent, masticating as they came.

[Illustration: How the cages jolted past]

How the cages jolted past, with each wagon battened fast,
And the mystery within it only hinted of at last
From the little grated square in the rear, and nosing there
The snout of some strange animal that sniffed the outer air!

And, last of all, The Clown, making mirth for all the town,
With his lips curved ever upward and his eyebrows ever down,
And his chief attention paid to the little mule that played
A tattoo on the dashboard with his heels, in the parade.

Oh! the Circus-Day parade! How the bugles played and played!
And how the glossy horses tossed their flossy manes and neighed.
As the rattle and the rhyme of the tenor-drummer's time
Filled all the hungry hearts of us with melody sublime!

[Illustration: And, last of all, the clown]




THE LUGUBRIOUS WHING-WHANG

[Illustration: The Lugubrious Whing-Whang--Title]

The rhyme o' The Raggedy Man's 'at's best
Is Tickle me, Love, in these Lonesome Ribs,--
'Cause that-un's the strangest of all o' the rest,
An' the worst to learn, an' the last one guessed,
An' the funniest one, an' the foolishest.--
  Tickle me, Love, in these Lonesome Ribs!

I don't know what in the world it means--
  Tickle me, Love, in these Lonesome Ribs!--
An' nen when I _tell_ him I don't, he leans
Like he was a-grindin' on some machines
An' says: Ef I _don't_, w'y, I don't know _beans!_
  Tickle me, Love, in these Lonesome Ribs!--

Out on the margin of Moonshine Land,
  Tickle me, Love, in these Lonesome Ribs!
Out where the Whing-Whang loves to stand,
Writing his name with his tail in the sand,
And swiping it out with his oogerish hand;
  Tickle me, Love, in these Lonesome Ribs!

Is it the gibber of Gungs or Keeks?
  Tickle me, Love, in these Lonesome Ribs!
Or what _is_ the sound that the Whing-Whang seeks?--
Crouching low by the winding creeks
And holding his breath for weeks and weeks!
  Tickle me, Love, in these Lonesome Ribs!

Aroint him the wraithest of wraithly things!
  Tickle me, Love, in these Lonesome Ribs!
'Tis a fair Whing-Whangess, with phosphor rings
And bridal-jewels of fangs and stings;
And she sits and as sadly and softly sings
As the mildewed whir of her own dead wings,--
  Tickle me, Dear,
      Tickle me here,
  Tickle me, Love, in these Lonesome Ribs!




WAITIN' FER THE CAT TO DIE

[Illustration: Waitin' Fer The Cat to Die--Title]

Lawzy! don't I rickollect
  That-'air old swing in the lane!
Right and proper, I expect,
  Old times _can't_ come back again;
But I want to state, ef they
_Could_ come back, and I could say
What _my_ pick 'ud be, i jing!
I'd say, Gimme the old swing
'Nunder the old locus'-trees
On the old place, ef you please!--
Danglin' there with half-shet eye,
Waitin' fer the cat to die!

I'd say, Gimme the old gang
  Of barefooted, hungry, lean,
Ornry boys you want to hang
  When you're growed up twic't as mean!
The old gyarden-patch, the old
Truants, and the stuff we stol'd!
The old stompin'-groun', where we
Wore the grass off, wild and free
As the swoop of the old swing,
Where we ust to climb and cling,
And twist roun', and fight, and lie--
Waitin' fer the cat to die!

'Pears like I 'most allus could
  Swing the highest of the crowd--
Jes sail up there tel I stood
  Downside-up, and screech out loud,--
Ketch my breath, and jes drap back
Fer to let the old swing slack,
Yit my tow-head dippin' still
In the green boughs, and the chill
Up my backbone taperin' down,
With my shadder on the ground'
Slow and slower trailin' by--
Waitin' fer the cat to die!

[Illustration: Barefooted, hungry, lean, ornry boys]

Now my daughter's little Jane's
  Got a kind o' baby-swing
On the porch, so's when it rains
  She kin play there--little thing!
And I'd limped out t'other day
With my old cheer this-a-way,
Swingin' _her_ and rockin' too,
Thinkin' how _I_ ust to do
At _her_ age, when suddently,
"Hey, Gran'pap!" she says to me,
"Why you rock so slow?" ... Says I,
"Waitin' fer the cat to die!"

[Illustration: Why you rock so slow?]




NAUGHTY CLAUDE

[Illustration: Naughty Claude]

When Little Claude was naughty wunst
  At dinner-time, an' said
He won't say "_Thank you_" to his Ma,
  She maked him go to bed
An' stay two hours an' not git up,--
  So when the clock struck Two,
Nen Claude says,--"Thank you, Mr. Clock,
  I'm much obleeged to you!"




THE SOUTH WIND AND THE SUN

[Illustration: The South Wind and The Sun--Title]

    O the South Wind and the Sun
    How each loved the other one--
Full of fancy--full of folly--
    Full of jollity and fun!
    How they romped and ran about,
    Like two boys when school is out,
With glowing face, and lisping lip,
    Low laugh, and lifted shout!

    And the South Wind--he was dressed
    With a ribbon round his breast
That floated, flapped and fluttered
    In a riotous unrest;
    And a drapery of mist,
    From the shoulder and the wrist
Flowing backward with the motion
    Of the waving hand he kissed.

    And the Sun had on a crown
    Wrought of gilded thistledown,
And a scarf of velvet vapor,
    And a raveled-rainbow gown;
    And his tinsel-tangled hair,
    Tossed and lost upon the air,
With glossier and flossier
    Than any anywhere.

    And the South Wind's eyes were two
    Little dancing drops of dew,
As he puffed his cheeks, and pursed his lips,
    And blew and blew and blew!
    And the Sun's--like diamond-stone,
    Brighter yet than ever known,
As he knit his brows and held his breath,
    And shone and shone and shone!

    And this pair of merry fays
    Wandered through the summer days;
Arm-in-arm they went together
    Over heights of morning haze--
    Over slanting slopes of lawn
    They went on and on and on,
Where the daisies looked like star-tracks
    Trailing up and down the dawn.

    And where'er they found the top
    Of a wheat-stalk droop and lop,
They chucked it underneath the chin
    And praised the lavish crop,
    Till it lifted with the pride
    Of the heads it grew beside,
And then the South Wind and the Sun
    Went onward satisfied.

    Over meadow-lands they tripped,
    Where the dandelions dipped
In crimson foam of clover bloom
    And dripped and dripped and dripped!
    And they clinched the bumble-stings,
    Gauming honey on their wings,
And bundling them in lily-bells,
    With maudlin murmurings.

    And the humming-bird, that hung
    Like a jewel up among
The tilted honeysuckle horns,
    They mesmerized and swung
    In the palpitating air,
    Drowsed with odors strange and rare,
And, with whispered laughter, slipped away,
    And left him hanging there.

    And they braided blades of grass
    Where the truant had to pass;
And they wriggled through the rushes
    And the reeds of the morass,
    Where they danced, in rapture sweet,
    O'er the leaves that laid a street
Of undulant mosaic for
    The touches of their feet.

    By the brook with mossy brink,
    Where the cattle came to drink,
They trilled and piped and whistled
    With the thrush and bobolink,
    Till the kine, in listless pause,
    Switched their tails in mute applause,
With lifted heads, and dreamy eyes,
    And bubble-dripping jaws.

    And where the melons grew,
    Streaked with yellow, green and blue,
These jolly sprites went wandering
    Through spangled paths of dew;
    And the melons, here and there,
    They made love to, everywhere,
Turning their pink souls to crimson
    With caresses fond and fair.

[Illustration: This pair of merry fays]

    Over orchard walls they went,
    Where the fruited boughs were bent
Till they brushed the sward beneath them
    Where the shine and shadow blent;
    And the great green pear they shook
    Till the sallow hue forsook
Its features, and the gleam of gold
    Laughed out in every look.

    And they stroked the downy cheek
    Of the peach, and smoothed it sleek,
And flushed it into splendor;
    And, with many an elfish freak,
    Gave the russet's rust a wipe--
    Prankt the rambo with a stripe,
And the winesap blushed its reddest
    As they spanked the pippins ripe.

    Through the woven ambuscade
    That the twining vines had made,
They found the grapes, in clusters,
    Drinking up the shine and shade--
    Plumpt, like tiny skins of wine,
    With a vintage so divine
That the tongue of Fancy tingled
    With the tang of muscadine.

    And the golden-banded bees,
    Droning o'er the flowery leas,
They bridled, reined, and rode away
    Across the fragrant breeze,
    Till in hollow oak and elm
    They had groomed and stabled them
In waxen stalls that oozed with dews
    Of rose and lily-stem.

    Where the dusty highway leads,
    High above the wayside weeds,
They sowed the air with butterflies
    Like blooming flower-seeds,
    Till the dull grasshopper sprung
    Half a man's-height up, and hung
Tranced in the heat, with whirring wings,
    And sung and sung and sung!

    And they loitered, hand in hand,
    Where the snipe along the sand
Of the river ran to meet them
    As the ripple meets the land,
    Till the dragonfly, in light
    Gauzy armor, burnished bright,
Came tilting down the waters
    In a wild, bewildered flight.

    And they heard the kildee's call,
    And afar, the waterfall,
But the rustle of a falling leaf
    They heard above it all;
    And the trailing willow crept
    Deeper in the tide that swept
The leafy shallop to the shore,
    And wept and wept and wept!

    And the fairy vessel veered
    From its moorings--tacked and steered
For the center of the current--
    Sailed away and disappeared:
    And the burthen that it bore
    From the long-enchanted shore--
"Alas! the South Wind and the Sun!"
    I murmur evermore.

    For the South Wind and the Sun,
    Each so loves the other one,
For all his jolly folly,
    And frivolity and fun,
    That our love for them they weigh
    As their fickle fancies may,
And when at last we love them most,
    They laugh and sail away.




THE JOLLY MILLER

[Illustration: The Jolly Miller--Title]

[Restored Romaunt.]

It was a Jolly Miller lived on the River Dee;
He looked upon his piller, and there he found a flea:
  "O Mr. Flea! you have bit' me,
    And you shall shorely die!"
  So he scrunched his bones against the stones--
    And there he let him lie!

Twas then the Jolly Miller he laughed and told his wife,
And _she_ laughed fit to kill her, and dropped her carvin'-knife!--
  "O Mr. Flea!" "Ho-ho!" "Tee-hee!"
    They _both_ laughed fit to kill,
  Until the sound did almost drownd
    The rumble of the mill!

_"Laugh on, my Jolly Miller! and Missus Miller, too!--
But there's a weeping-willer will soon wave over you!"_
  The voice was all so awful small--
    So very small and slim!--
  He durst' infer that it was her,
    Ner her infer 'twas him!

[Illustration: That cat o' yourn I'd kill her]

That night the Jolly Miller, says he, "It's Wifey dear,
That cat o' yourn, I'd kill her!--her actions is so queer,--
  She rubbin' 'ginst the grindstone-legs,
    And yowlin' at the sky--
  And I 'low the moon haint greener
    Than the yaller of her eye!"

And as the Jolly Miller went chuckle-un to bed,
Was _Somepin_ jerked his piller from underneath his head!
  "O Wife," says he, on-easi-lee,
    "Fetch here that lantern there!"
  But _Somepin_ moans in thunder tones,
    "_You tetch it ef you dare!_"

'Twas then the Jolly Miller he trimbled and he quailed--
And his wife choked until her breath come back, 'n' she _wailed!_
  And "_O!"_ cried she, "it is _the Flea_,
    All white and pale and wann--
  He's got you in his clutches, and
    _He's bigger than a man!_"

"_Ho! ho! my Jolly Miller," (fer 'twas the Flea, fer shore!)
"I reckon you'll not rack my bones ner scrunch 'em any more!_"
  And then _the Ghost_ he grabbed him clos't,
    With many a ghastly smile,
  And from the doorstep stooped and hopped
    About four hundred mile!




OUR HIRED GIRL

Our hired girl, she's 'Lizabuth Ann;
  An' she can cook best things to eat!
She ist puts dough in our pie-pan,
  An' pours in somepin' 'at's good and sweet,
An' nen she salts it all on top
With cinnamon; an' nen she'll stop
  An' stoop an' slide it, ist as slow,
In th' old cook-stove, so's 'twon't slop
  An' git all spilled; nen bakes it, so
  It's custard pie, first thing you know!
    An' nen she'll say:
  "Clear out o' my way!
  They's time fer work, an' time fer play!--
    Take yer dough, an' run, Child; run!
    Er I cain't git no cookin' done!"

When our hired girl 'tends like she's mad,
  An' says folks got to walk the chalk
When _she's_ around, er wisht they had,
  I play out on our porch an' talk
To th' Raggedy Man 'at mows our lawn;
An' he says "_Whew!"_ an' nen leans on
  His old crook-scythe, and blinks his eyes
An' sniffs all around an' says,--"I swawn!
  Ef my old nose don't tell me lies,
  It 'pears like I smell custard-pies!"
    An' nen _he'll_ say,--
  "'Clear out' o' my way!
  They's time fer work an' time fer play!
    Take yer dough, an' run, Child; run!
    Er _she_ cain't git no cookin' done!'"

[Illustration: Wuz parchin' corn fer the raggedy man]

Wunst our hired girl, one time when she
  Got the supper, an' we all et,
An' it was night, an' Ma an' me
  An' Pa went wher' the "Social" met,--
An' nen when we come home, an' see
A light in the kitchen-door, an' we
  Heerd a maccordeum, Pa says "Lan'--
O'Gracious! who can _her_ beau be?"
  An' I marched in, an' 'Lizabuth Ann
  Wuz parchin' corn fer the Raggedy Man!
    _Better_ say
  "Clear out o' the way!
  They's time fer work, an' time fer play!
    Take the hint, an' run, Child; run!
    Er we cain't git no _courtin_' done!'"




THE BOYS' CANDIDATE

[Illustration: The Boys' Candidate]

Las' time 'at Uncle Sidney come,
He bringed a watermelon home--
      An' half the boys in town,
Come taggin' after him.--An' he
Says, when we et it,--_"Gracious me!
      'S the boy-house fell down?"_




THE PET COON

[Illustration: The Pet Coon--Title]

Noey Bixler ketched him, and fetched him in to me
  When he's ist a little teenty-weenty baby-coon
'Bout as big as little pups, an' tied him to a tree;
  An' Pa gived Noey fifty cents, when he come home at noon.
Nen he buyed a chain fer him, an' little collar, too,
  An' sawed a hole in a' old tub an' turnt it upside-down;
An' little feller'd stay in there and won't come out fer you--
  'Tendin' like he's kindo' skeered o' boys 'at lives in town.

_Now_ he aint afeard a bit! he's ist so fat an' tame,
  We on'y chain him up at night, to save the little chicks.
Holler "Greedy! Greedy!" to him, an' he knows his name,
  An' here he'll come a-waddle-un, up fer any tricks!
He'll climb up my leg, he will, an' waller in my lap,
  An' poke his little black paws 'way in my pockets where
They's beechnuts, er chinkypins, er any little scrap
  Of anything, 'at's good to eat--an' _he_ don't care!

An' he's as spunky as you please, an' don't like dogs at all.--
  Billy Miller's black-an'-tan tackled him one day,
An' "Greedy" he ist kindo' doubled all up like a ball,
  An' Billy's dog he gived a yelp er two an' runned away!
An' nen when Billy fighted me, an' hit me with a bone,
  An' Ma she purt'nigh ketched him as he dodged an' skooted thro'
The fence, she says, "You better let my little boy alone,
  Er 'Greedy,' next he whips yer dog, shall whip you, too!"

[Illustration: An' nen when Billy fighted me]




THE OLD HAY-MOW

[Illustration: The Old Hay-Mow--Title]

The Old Hay-mow's the place to play
Fer boys, when it's a rainy day!
I good-'eal ruther be up there
Than down in town, er anywhere!

When I play in our stable-loft,
The good old hay's so dry an' soft,
An' feels so fine, an' smells so sweet,
I 'most ferget to go an' eat.

[Illustration: In our hay-mow where I keep store]

An' one time wunst I _did_ ferget
To go 'tel dinner was all et,--
An' they had short-cake--an'--Bud he
Hogged up the piece Ma saved fer me!

Nen I won't let him play no more
In our hay-mow where I keep store
An' got hen-eggs to sell,--an' shoo
The cackle-un old hen out, too!

An' nen, when Aunty she was here
A-visitun from Rensselaer,
An' bringed my little cousin,--_he_
Can come up there an' play with me.

But, after while--when Bud he bets
'At I can't turn no summersetts,--
I let him come up, ef he can
Ac' ha'f-way like a gentleman!




ON THE SUNNY SIDE

[Illustration: On The Sunny Side--Title]

Hi and whoop-hooray, boys!
  Sing a song of cheer!
Here's a holiday, boys,
  Lasting half a year!
Round the world, and half is
  Shadow we have tried;
Now we're where the laugh is,--
  On the sunny side!

Pigeons coo and mutter,
  Strutting high aloof
Where the sunbeans flutter
  Through the stable roof.
Hear the chickens cheep, boys,
  And the hen with pride
Clucking them to sleep, boys,
  On the sunny side!

[Illustration: As a romping boy]

Hear the clacking guinea;
  Hear the cattle moo;
Hear the horses whinny,
  Looking out at you!
On the hitching-block, boys,
  Grandly satisfied,
See the old peacock, boys,
  On the sunny side!

Robins in the peach-tree;
  Bluebirds in the pear;
Blossoms over each tree
  In the orchard there!
All the world's in joy, boys,
  Glad and glorified
As a romping boy, boys,
  On the sunny side!

Where's a heart as mellow?
  Where's a soul as free?
Where is any fellow
  We would rather be?
Just ourselves or none, boys,
  World around and wide,
Laughing in the sun, boys,
  On the sunny side!




A SUDDEN SHOWER

[Illustration: A Sudden Shower--Title]

Barefooted boys scud up the street
  Or skurry under sheltering sheds;
And schoolgirl faces, pale and sweet,
  Gleam from the shawls about their heads.

Doors bang; and mother-voices call
  From alien homes; and rusty gates
Are slammed; and high above it all,
  The thunder grim reverberates.

And then, abrupt,--the rain! the rain!--
  The earth lies gasping; and the eyes
Behind the streaming window-pane
  Smile at the trouble of the skies.

[Illustration: Schoolgirl faces ... gleam from the shawls about their
heads]

The highway smokes; sharp echoes ring;
  The cattle bawl and cowbells clank;
And into town comes galloping
  The farmer's horse, with streaming flank.

The swallow dips beneath the eaves,
  And flirts his plumes and folds his wings;
And under the catawba leaves
  The caterpillar curls and clings.

The bumble-bee is pelted down
  The wet stem of the hollyhock;
And sullenly, in spattered brown,
  The cricket leaps the garden walk.

Within, the baby claps his hands
  And crows with rapture strange and vague;
Without, beneath the rosebush stands
  A dripping rooster on one leg.

[Illustration: A Sudden Shower--Tailpiece]




GRANDFATHER SQUEERS

[Illustration: Grandfather Squeers--Title]

"My grandfather Squeers," said The Raggedy Man,
As he solemnly lighted his pipe and began--

"The most indestructible man, for his years,
And the grandest on earth, was my grandfather Squeers!

"He said, when he rounded his three-score-and-ten,
'I've the hang of it now and can do it again!'

"He had frozen his heels so repeatedly, he
Could tell by them just what the weather would be;

"And would laugh and declare, 'while the _Almanac_ would
Most falsely prognosticate, _he_ never could!'

"Such a hale constitution had grandfather Squeers
That, 'though he'd used '_navy_' for sixty odd years,

"He still chewed a dime's-worth six days of the week,
While the seventh he passed with a chew in each cheek:

"Then my grandfather Squeers had a singular knack
Of sitting around on the small of his back,

"With his legs like a letter Y stretched o'er the grate
Wherein 'twas his custom to ex-pec-tor-ate.

"He was fond of tobacco in _manifold_ ways,
And would sit on the door-step, of sunshiny days,

"And smoke leaf-tobacco he'd raised strictly for
The pipe he'd used all through The Mexican War."

And The Raggedy Man said, refilling the bowl
Of his own pipe and leisurely picking a coal

From the stove with his finger and thumb, "You can see
What a tee-nacious habit he's fastened on me!

"And my grandfather Squeers took a special delight
In pruning his corns every Saturday night

"With a horn-handled razor, whose edge he excused
By saying 'twas one that his grandfather used;

"And, though deeply etched in the haft of the same
Was the ever-euphonious Wostenholm's name,

"'Twas my grandfather's custom to boast of the blade
As 'A Seth Thomas razor--the best ever made!'

"No Old Settlers' Meeting, or Pioneers' Fair,
Was complete without grandfather Squeers in the chair

"To lead off the programme by telling folks how
'He used to shoot deer where the Court-House stands now'--

[Illustration: And smoke leaf-tobacco]

"How 'he felt, of a truth, to live over the past,
When the country was wild and unbroken and vast,

"'That the little log cabin was just plenty fine
For himself, his companion, and fambly of nine!--

"'When they didn't have even a pump, or a tin,
But drunk surface-water, year out and year in,

"'From the old-fashioned gourd that was sweeter, by odds,
Than the goblets of gold at the lips of the gods!'"

Then The Raggedy Man paused to plaintively say
It was clockin' along to'rds the close of the day--

And he'd _ought_ to get back to his work on the lawn,--
Then dreamily blubbered his pipe and went on:

"His teeth were imperfect--my grandfather owned
That he couldn't eat oysters unless they were 'boned';

"And his eyes were so weak, and so feeble of sight,
He couldn't sleep with them unless, every night,

"He put on his spectacles--all he possessed,--
Three pairs--with his goggles on top of the rest.

"And my grandfather always, retiring at night,
Blew down the lamp-chimney to put out the light;

"Then he'd curl up on edge like a shaving, in bed,
And puff and smoke pipes in his sleep, it is said:

"And would snore oftentimes as the legends relate,
Till his folks were wrought up to a terrible state,--

"Then he'd snort, and rear up, and roll over; and there,
In the subsequent hush they could hear him chew air.

"And so glaringly bald was the top of his head
That many's the time he has musingly said,

"As his eyes journeyed o'er its reflex in the glass,--
'I must set out a few signs of _Keep Off the Grass!_'

"So remarkably deaf was my grandfather Squeers
That he had to wear lightning-rods over his ears

"To even hear thunder--and oftentimes then
He was forced to request it to thunder again."

[Illustration: Grandfather Squeers--Tailpiece]




THE PIXY PEOPLE

[Illustration: The Pixy People--Title]

It was just a very
  Merry fairy dream!--
All the woods were airy
  With the gloom and gleam;
Crickets in the clover
  Clattered clear and strong,
And the bees droned over
  Their old honey-song.

In the mossy passes,
  Saucy grasshoppers
Leapt about the grasses
  And the thistle-burs;
And the whispered chuckle
  Of the katydid
Shook the honeysuckle
  Blossoms where he hid.

Through the breezy mazes
  Of the lazy June,
Drowsy with the hazes
  Of the dreamy noon,
Little Pixy people
  Winged above the walk,
Pouring from the steeple
  Of a mullein-stalk.

One--a gallant fellow--
  Evidently King,--
Wore a plume of yellow
  In a jewelled ring
On a pansy bonnet,
  Gold and white and blue,
With the dew still on it,
  And the fragrance, too.

One--a dainty lady,--
  Evidently Queen,--
Wore a gown of shady
  Moonshine and green,
With a lace of gleaming
  Starlight that sent
All the dewdrops dreaming
  Everywhere she went.

[Illustration: Winged above the walk]

One wore a waistcoat
  Of roseleaves, out and in,
And one wore a faced-coat
  Of tiger-lily-skin;
And one wore a neat coat
  Of palest galingale;
And one a tiny street-coat,
  And one a swallow-tail.

And Ho! sang the King of them,
  And Hey! sang the Queen;
And round and round the ring of them
  Went dancing o'er the green;
And Hey! sang the Queen of them,
  And Ho! sang the King--
And all that I had seen of them
  --Wasn't anything!

It was just a very
  Merry fairy dream!--
All the woods were airy
  With the gloom and gleam;
Crickets in the clover
  Clattered clear and strong,
And the bees droned over
  Their old honey-song!




A LIFE-LESSON

[Illustration: A Life-Lesson--Title]

There! little girl; don't cry!
  They have broken your doll, I know;
    And your tea-set blue,
    And your play-house, too,
  Are things of the long ago;
    But childish troubles will soon pass by.--
      There! little girl; don't cry!

There! little girl; don't cry!
  They have broken your slate, I know;
    And the glad, wild ways
    Of your school-girl days
  Are things of the long ago;
    But life and love will soon come by.--
      There! little girl; don't cry!

There! little girl; don't cry!
  They have broken your heart, I know;
    And the rainbow gleams
    Of your youthful dreams
  Are things of the long ago;
    But Heaven holds all for which you sigh.--
      There! little girl; don't cry!

[Illustration: But Heaven hold all for which you sigh]




A HOME-MADE FAIRY-TALE

[Illustration: A Home-made Fairy-Tale--Title]

Bud, come here to your Uncle a spell,
And I'll tell you something you mustn't tell--
For it's a secret and shore-nuff true,
And maybe I oughtn't to tell it to you!--
But out in the garden, under the shade
Of the apple-trees where we romped and played
Till the moon was up, and you thought I'd gone
Fast asleep.--That was all put on!
For I was a-watchin' something queer
Goin' on there in the grass, my dear!
'Way down deep in it, there I see
A little dude-Fairy who winked at me,
And snapped his fingers, and laughed as low
And fine as the whine of a mus-kee-to!
I kept still--watchin' him closer--and
I noticed a little guitar in his hand,
Which he leant 'ginst a little dead bee--and laid
His cigarette down on a clean grass-blade;
And then climbed up on the shell of a snail--
Carefully dusting his swallowtail--
And pulling up, by a waxed web-thread,
This little guitar, you remember, I said!
And there he trinkled and trilled a tune--
"My Love, so Fair, Tans in the Moon!"
Till presently, out of the clover-top
He seemed to be singing to, came k'pop!
The purtiest, daintiest Fairy face
In all this world, or any place!
Then the little ser'nader waved his hand,
As much as to say, "We'll excuse _you_!" and
I heard, as I squinted my eyelids to,
A kiss like the drip of a drop of dew!

[Illustration: A Little Dude-Fairy]




THE BEAR STORY

THAT ALEX "IST MAKED UP HIS-OWN-SE'F"

W'y, wunst they wuz a Little Boy went out
In the woods to shoot a Bear. So, he went out
'Way in the grea'-big woods--he did.--An' he
Wuz goin' along--an' goin' along, you know,
An' purty soon he heerd somepin' go "_Wooh!"_--
Ist thataway--"_Woo-ooh!"_ An' he wuz _skeered_,
He wuz. An' so he runned an' clumbed a tree--
A grea'-big tree, he did,--a sicka-_more_ tree.
An' nen he heerd it ag'in: an' he looked round,
An' _'t'uz a Bear!--a grea'-big shore-nuff Bear!_--
No: 't'uz _two_ Bears, it wuz--two grea'-big Bears--
_One_ of 'em wuz--ist _one's_ a _grea'-big_ Bear.--
But they ist _boff_ went "_Wooh!_"--An' here _they_ come
To climb the tree an' git the Little Boy
An' eat him up!

          An' nen the Little Boy
He 'uz skeered worse'n ever! An' here come
The grea'-big Bear a-climbin' th' tree to git
The Little Boy an' eat him up--Oh, _no!_--
It 'uzn't the _Big_ Bear 'at clumb the tree--
It 'uz the _Little_ Bear. So here _he_ come
Climbin' the tree--an' climbin' the tree! Nen when
He git wite _clos't_ to the Little Boy, w'y nen
The Little Boy he ist pulled up his gun
An' _shot_ the Bear, he did, an' killed him dead!
An' nen the Bear he falled clean on down out
The tree--away clean to the ground, he did--
_Spling-splung!_ he falled _plum_ down, an' killed him, too!
An' lit wite side o' where the _Big_ Bear's at.

An' nen the Big Bear's awful mad, you bet!--
'Cause--'cause the Little Boy he shot his gun
An' killed the _Little_ Bear.--'Cause the _Big_ Bear
He--he 'uz the Little Bear's Papa.--An' so here
_He_ come to climb the big old tree an' git
The Little Boy an' eat him up! An' when
The Little Boy he saw the _grea'-big Bear_
A-comin', he uz badder skeered, he wuz,
Than _any_ time! An' so he think he'll climb
Up _higher_--'way up higher in the tree
Than the old _Bear_ kin climb, you know.--But he--
He _can't_ climb higher 'an old _Bears_ kin climb,--
'Cause Bears kin climb up higher in the trees
Than any little Boys in all the Wo-r-r-ld!

An' so here come the grea'-big-Bear, he did,--
A-climbin' up--an' up the tree, to git
The Little Boy an' eat him up! An' so
The Little Boy he clumbed on higher, an' higher,
An' higher up the tree--an' higher--an' higher--
An' higher'n iss-here _house_ is!--An' here come
Th' old Bear--clos'ter to him all the time!--
An' nen--first thing you know,--when th' old Big Bear
Wuz wite clos't to him--nen the Little Boy
Ist jabbed his gun wite in the old Bear's mouf
An' shot an' killed him dead!--No; I _fergot_,--
He didn't shoot the grea'-big Bear at all--
'Cause _they 'uz no load in the gun_, you know--
'Cause when he shot the _Little_ Bear, w'y, nen
No load 'uz anymore nen _in_ the gun!

But th' Little Boy clumbed _higher_ up, he did--
He clumbed _lots_ higher--an' on up _higher_--an' higher
An' _higher_--tel he ist _can't_ climb no higher,
'Cause nen the limbs 'uz all so little, 'way
Up in the teeny-weeny tip-top of
The tree, they'd break down wiv him ef he don't
Be keerful! So he stop an' think: An' nen
He look around--An' here come th' old Bear!

An' so the Little Boy make up his mind
He's got to ist git out o' there _some_ way!--
'Cause here come the old Bear!--so clos't, his bref's
Purt 'nigh so's he kin feel how hot it is
Ag'inst his bare feet--ist like old "Ring's" bref
When he's ben out a-huntin' an's all tired.
So when th' old Bear's so clos't--the Little Boy
Ist gives a grea'-big jump fer '_nother_ tree--
No!--no he don't do that!--I tell you what
The Little Boy does:--W'y, nen--w'y, he--Oh, _yes_--
The Little Boy _he finds a hole up there
'At's in the tree_--an' climbs in there an' _hides_--
An' _nen_ th' old Bear can't find the Little Boy
At all!--But, purty soon th' old Bear finds
The Little Boy's _gun_ 'at's up there--'cause the _gun_
It's too _tall_ to tooked wiv him in the hole.
So, when the old Bear fin' the _gun_, he knows
The Little Boy's ist _hid_ 'round _somers_ there,--
An' th' old Bear 'gins to snuff an' sniff around,
An' sniff an' snuff around--so's he kin find
Out where the Little Boy's hid at.--An' nen--nen--
Oh, _yes!_--W'y, purty soon the old Bear climbs
'Way out on a big limb--a grea'-long limb,--
An' nen the Little Boy climbs out the hole
An' takes his ax an' chops the limb off!... Nen
The old Bear falls _k-splunge!_ clean to the ground
An' bust an' kill hisse'f plum dead, he did!

An' nen the Little Boy he git his gun
An' 'menced a-climbin' down the tree ag'in--
No!--no, he _didn't_ git his _gun_--'cause when
The _Bear_ falled, nen the _gun_ falled, too--An' broked
It all to pieces, too!--An' _nicest_ gun!--
His Pa ist buyed it!--An' the Little Boy
Ist cried, he did; an' went on climbin' down
The tree--an' climbin' down--an' climbin' down!--
_An'-sir!_ when he 'uz purt'-nigh down,--w'y, nen
_The old Bear he jumped up ag'in_--an' he
Ain't dead at all--ist _'tendin'_ thataway,
So he kin git the Little Boy an' eat
Him up! But the Little Boy he 'uz too smart
To climb clean _down_ the tree.--An' the old Bear
He can't climb _up_ the tree no more--'cause when
He fell, he broke one of his--he broke _all_
His legs!--an' nen he _couldn't_ climb! But he
Ist won't go'way an' let the Little Boy
Come down out of the tree. An' the old Bear
Ist growls 'round there, he does--ist growls an' goes
"_Wooh!--woo-ooh!"_ all the time! An' Little Boy
He haf to stay up in the tree--all night--
An' 'thout no _supper_ neether!--On'y they
Wuz _apples_ on the tree!--An' Little Boy
Et apples--ist all night--an' cried--an' cried!
Nen when 'tuz morning th' old Bear went _"Wooh!"_
Ag'in, an' try to climb up in the tree
An' git the Little Boy.--But he _can't_
Climb t'save his _soul_, he can't!--An' _oh!_ he's _mad!_--
He ist tear up the ground! an' go _"Woo-ooh!"_
An'--_Oh, yes!_--purty soon, when morning's come
All _light_--so's you kin _see_, you know,--w'y, nen
The old Bear finds the Little Boy's _gun_, you know,
'At's on the ground.--(An' it ain't broke at all--
I ist _said_ that!) An' so the old Bear think
He'll take the gun an' _shoot_ the Little Boy:--
But _Bears they_ don't know much 'bout shootin' guns;
So when he go to shoot the Little Boy,
The old Bear got the _other_ end the gun
Ag'in' his shoulder, 'stid o' _th' other_ end--
So when he try to shoot the Little Boy,
It shot _the Bear_, it did--an' killed him dead!
An' nen the Little Boy clumb down the tree
An' chopped his old woolly head off:--Yes, an' killed
The _other_ Bear ag'in, he did--an' killed
All _boff_ the bears, he did--an' tuk 'em home
An' _cooked_ 'em, too, an' _et_ 'em!
                    --An' that's all.

[Illustration: ENVOY]




ENVOY

Many pleasures of youth have been buoyantly sung--
  And, borne on the winds of delight, may they beat
With their palpitant wings at the hearts of the Young,
  And in bosoms of Age find as warm a retreat!--
Yet sweetest of all of the musical throng,
  Though least of the numbers that upward aspire,
Is the one rising now into wavering song,
  As I sit in the silence and gaze in the fire.

'Tis a Winter long dead that beleaguers my door
  And muffles his steps in the snows of the past:
And I see, in the embers I'm dreaming before,
  Lost faces of love as they looked on me last:--
The round, laughing eyes of the desk-mate of old
  Gleam out for a moment with truant desire--
Then fade and are lost in a City of Gold,
  As I sit in the silence and gaze in the fire.

And then comes the face, peering back in my own,
  Of a shy little girl, with her lids drooping low,
As she faltering tells, in a far-away tone,
  The ghost of a story of long, long ago.--
Then her dewy blue eyes they are lifted again;
  But I see their glad light slowly fail and expire,
As I reach and cry to her in vain, all in vain!--
  As I sit in the silence and gaze in the fire.

Then the face of a Mother looks back, through the mist
  Of tears that are welling; and, lucent with light,
I see the dear smile of the lips I have kissed
  As she knelt by my cradle at morning and night;
And my arms are outheld, with a yearning too wild
  For any but God in His love to inspire,
As she pleads at the foot of His throne for her child,--
  As I sit in the silence and gaze in the fire.

O pathos of rapture! O glorious pain!
  My heart is a blossom of joy over-run
With a shower of tears, as a lily with rain
  That weeps in the shadow and laughs in the sun.
The blight of the frost may descend on the tree,
  And the leaf and the flower may fall and expire,
But ever and ever love blossoms for me,
  As I sit in the silence and gaze in the fire.










End of Project Gutenberg's Riley Child-Rhymes, by James Whitcomb Riley

*** END OF THIS PROJECT GUTENBERG EBOOK RILEY CHILD-RHYMES ***

***** This file should be named 9777.txt or 9777.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/9/7/7/9777/

Produced by Maria Cecilia Lim and PG Distributed Proofreaders

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.