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diff --git a/9651-h/9651-h.htm b/9651-h/9651-h.htm new file mode 100644 index 0000000..0475f2b --- /dev/null +++ b/9651-h/9651-h.htm @@ -0,0 +1,4418 @@ +<?xml version="1.0" encoding="iso-8859-1"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta content="pg2html (binary v0.17)" name="linkgenerator" /> + <title> + A Child-world, by James W. Riley + </title> + <style type="text/css" xml:space="preserve"> + body { margin:15%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;} + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + .xx-small {font-size: 60%;} + .x-small {font-size: 75%;} + .small {font-size: 85%;} + .large {font-size: 115%;} + .x-large {font-size: 130%;} + .indent5 { margin-left: 5%;} + .indent10 { margin-left: 10%;} + .indent15 { margin-left: 15%;} + .indent20 { margin-left: 20%;} + .indent25 { margin-left: 25%;} + .indent30 { margin-left: 30%;} + .indent35 { margin-left: 35%;} + .indent40 { margin-left: 40%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {position: absolute; right: 1%; font-size: 0.6em; + font-variant: normal; font-style: normal; + text-align: right; background-color: #FFFACD; + border: 1px solid; padding: 0.3em;text-indent: 0em;} + .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em; + border-left: dashed thin; text-align: left; + text-indent: 0; font-weight: bold; font-style: italic; + font-weight: bold; color: black; background: #eeeeee; border: solid 1px;} + .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em; + border-left: dashed thin; text-align: center; + text-indent: 0; font-weight: bold; font-style: italic; + font-weight: bold; color: black; background: #eeeeee; border: solid 1px;} + p.pfirst, p.noindent {text-indent: 0} + span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 } + pre { font-family: Times New Roman; font-size: 100%; margin-left: 10%;} +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of A Child-World, by James Whitcomb Riley + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Child-World + +Author: James Whitcomb Riley + +Release Date: January, 2006 [EBook #9651] +First Posted: October 13, 2003 +Last Updated: December 29, 2018 + + + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK A CHILD-WORLD *** + + + + +Etext produced by David Starner, Maria Cecilia Lim and PG +Distributed Proofreaders + +HTML file produced by David Widger + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + A CHILD-WORLD + </h1> + <h2> + James Whitcomb Riley + </h2> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0001" id="link2H_4_0001"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + A CHILD-WORLD + </h2> +<pre xml:space="preserve"> + <i>The Child-World—long and long since lost to view— + A Fairy Paradise!— + How always fair it was and fresh and new— + How every affluent hour heaped heart and eyes + With treasures of surprise! + + Enchantments tangible: The under-brink + Of dawns that launched the sight + Up seas of gold: The dewdrop on the pink, + With all the green earth in it and blue height + Of heavens infinite: + + The liquid, dripping songs of orchard-birds— + The wee bass of the bees,— + With lucent deeps of silence afterwards; + The gay, clandestine whisperings of the breeze + And glad leaves of the trees. + +</i></pre> + <hr /> +<pre xml:space="preserve"> + O Child-World: After this world—just as when + I found you first sufficed + My soulmost need—if I found you again, + With all my childish dream so realised, + I should not be surprised. +</pre> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <p> + <b>CONTENTS</b> + </p> + <p class="toc"> + <a href="#link2H_4_0001"> A CHILD-WORLD </a> + </p> + <p class="toc"> + <a href="#link2H_4_0002"> THE CHILD-WORLD </a> + </p> + <p class="toc"> + <a href="#link2H_4_0003"> THE OLD-HOME FOLKS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0004"> ALMON KEEFER </a> + </p> + <p class="toc"> + <a href="#link2H_4_0005"> NOEY BIXLER </a> + </p> + <p class="toc"> + <a href="#link2H_4_0006"> "A NOTED TRAVELER" </a> + </p> + <p class="toc"> + <a href="#link2H_4_0007"> A PROSPECTIVE VISIT </a> + </p> + <p class="toc"> + <a href="#link2H_4_0008"> AT NOEY'S HOUSE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0009"> "THAT LITTLE DOG" </a> + </p> + <p class="toc"> + <a href="#link2H_4_0010"> THE LOEHRS AND THE HAMMONDS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0011"> THE HIRED MAN AND FLORETTY </a> + </p> + <p class="toc"> + <a href="#link2H_4_0012"> THE EVENING COMPANY </a> + </p> + <p class="toc"> + <a href="#link2H_4_0013"> MAYMIE'S STORY OF RED RIDING HOOD </a> + </p> + <p class="toc"> + <a href="#link2H_4_0014"> LIMITATIONS OF GENIUS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0015"> MR. HAMMOND'S PARABLE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0016"> FLORETTY'S MUSICAL CONTRIBUTION </a> + </p> + <p class="toc"> + <a href="#link2H_4_0017"> BUD'S FAIRY-TALE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0018"> A DELICIOUS INTERRUPTION </a> + </p> + <p class="toc"> + <a href="#link2H_4_0019"> NOEY'S NIGHT-PIECE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0020"> COUSIN RUFUS' STORY </a> + </p> + <p class="toc"> + <a href="#link2H_4_0021"> BEWILDERING EMOTIONS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0022"> THE BEAR-STORY </a> + </p> + <p class="toc"> + <a href="#link2H_4_0023"> THE PATHOS OF APPLAUSE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0024"> TOLD BY "THE NOTED TRAVELER" </a> + </p> + <p class="toc"> + <a href="#link2H_4_0025"> HEAT-LIGHTNING </a> + </p> + <p class="toc"> + <a href="#link2H_4_0026"> UNCLE MART'S POEM </a> + </p> + <p class="toc"> + <a href="#link2H_4_0027"> "LITTLE JACK JANITOR" </a> + </p> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0002" id="link2H_4_0002"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE CHILD-WORLD + </h2> +<pre xml:space="preserve"> + A Child-World, yet a wondrous world no less, + To those who knew its boundless happiness. + A simple old frame house—eight rooms in all— + Set just one side the center of a small + But very hopeful Indiana town,— + The upper-story looking squarely down + Upon the main street, and the main highway + From East to West,—historic in its day, + Known as The National Road—old-timers, all + Who linger yet, will happily recall + It as the scheme and handiwork, as well + As property, of "Uncle Sam," and tell + Of its importance, "long and long afore + Railroads wuz ever <i>dreamp</i>' of!"—Furthermore, + The reminiscent first Inhabitants + Will make that old road blossom with romance + Of snowy caravans, in long parade + Of covered vehicles, of every grade + From ox-cart of most primitive design, + To Conestoga wagons, with their fine + Deep-chested six-horse teams, in heavy gear, + High names and chiming bells—to childish ear + And eye entrancing as the glittering train + Of some sun-smitten pageant of old Spain. + And, in like spirit, haply they will tell + You of the roadside forests, and the yell + Of "wolfs" and "painters," in the long night-ride, + And "screechin' catamounts" on every side.— + Of stagecoach-days, highwaymen, and strange crimes, + And yet unriddled mysteries of the times + Called "Good Old." "And why 'Good Old'?" once a rare + Old chronicler was asked, who brushed the hair + Out of his twinkling eyes and said,—"Well John, + They're 'good old times' because they're dead and gone!" + + The old home site was portioned into three + Distinctive lots. The front one—natively + Facing to southward, broad and gaudy-fine + With lilac, dahlia, rose, and flowering vine— + The dwelling stood in; and behind that, and + Upon the alley north and south, left hand, + The old wood-house,—half, trimly stacked with wood, + And half, a work-shop, where a workbench stood + Steadfastly through all seasons.—Over it, + Along the wall, hung compass, brace-and-bit, + And square, and drawing-knife, and smoothing-plane— + And little jack-plane, too—the children's vain + Possession by pretense—in fancy they + Manipulating it in endless play, + Turning out countless curls and loops of bright, + Fine satin shavings—Rapture infinite! + Shelved quilting-frames; the toolchest; the old box + Of refuse nails and screws; a rough gun-stock's + Outline in "curly maple"; and a pair + Of clamps and old krout-cutter hanging there. + Some "patterns," in thin wood, of shield and scroll, + Hung higher, with a neat "cane-fishing-pole" + And careful tackle—all securely out + Of reach of children, rummaging about. + + Beside the wood-house, with broad branches free + Yet close above the roof, an apple-tree + Known as "The Prince's Harvest"—Magic phrase! + That was <i>a boy's own tree</i>, in many ways!— + Its girth and height meet both for the caress + Of his bare legs and his ambitiousness: + And then its apples, humoring his whim, + Seemed just to fairly <i>hurry</i> ripe for him— + Even in June, impetuous as he, + They dropped to meet him, halfway up the tree. + And O their bruised sweet faces where they fell!— + And ho! the lips that feigned to "kiss them <i>well</i>"! + + "The Old Sweet-Apple-Tree," a stalwart, stood + In fairly sympathetic neighborhood + Of this wild princeling with his early gold + To toss about so lavishly nor hold + In bounteous hoard to overbrim at once + All Nature's lap when came the Autumn months. + Under the spacious shade of this the eyes + Of swinging children saw swift-changing skies + Of blue and green, with sunshine shot between, + And "when the old cat died" they saw but green. + And, then, there was a cherry-tree.—We all + And severally will yet recall + From our lost youth, in gentlest memory, + The blessed fact—There was a cherry-tree. + + There was a cherry-tree. Its bloomy snows + Cool even now the fevered sight that knows + No more its airy visions of pure joy— + As when you were a boy. + + There was a cherry-tree. The Bluejay set + His blue against its white—O blue as jet + He seemed there then!—But <i>now</i>—Whoever knew + He was so pale a blue! + + There was a cherry-tree—Our child-eyes saw + The miracle:—Its pure white snows did thaw + Into a crimson fruitage, far too sweet + But for a boy to eat. + + There was a cherry-tree, give thanks and joy!— + There was a bloom of snow—There was a boy— + There was a Bluejay of the realest blue— + And fruit for both of you. + + Then the old garden, with the apple-trees + Grouped 'round the margin, and "a stand of bees" + By the "white-winter-pearmain"; and a row + Of currant-bushes; and a quince or so. + The old grape-arbor in the center, by + The pathway to the stable, with the sty + Behind it, and <i>upon</i> it, cootering flocks + Of pigeons, and the cutest "martin-box"!— + Made like a sure-enough house—with roof, and doors + And windows in it, and veranda-floors + And balusters all 'round it—yes, and at + Each end a chimney—painted red at that + And penciled white, to look like little bricks; + And, to cap all the builder's cunning tricks, + Two tiny little lightning-rods were run + Straight up their sides, and twinkled in the sun. + Who built it? Nay, no answer but a smile.— + It <i>may</i> be you can guess who, afterwhile. + Home in his stall, "Old Sorrel" munched his hay + And oats and corn, and switched the flies away, + In a repose of patience good to see, + And earnest of the gentlest pedigree. + With half pathetic eye sometimes he gazed + Upon the gambols of a colt that grazed + Around the edges of the lot outside, + And kicked at nothing suddenly, and tried + To act grown-up and graceful and high-bred, + But dropped, <i>k'whop!</i> and scraped the buggy-shed, + Leaving a tuft of woolly, foxy hair + Under the sharp-end of a gate-hinge there. + Then, all ignobly scrambling to his feet + And whinneying a whinney like a bleat, + He would pursue himself around the lot + And—do the whole thing over, like as not!... + Ah! what a life of constant fear and dread + And flop and squawk and flight the chickens led! + Above the fences, either side, were seen + The neighbor-houses, set in plots of green + Dooryards and greener gardens, tree and wall + Alike whitewashed, and order in it all: + The scythe hooked in the tree-fork; and the spade + And hoe and rake and shovel all, when laid + Aside, were in their places, ready for + The hand of either the possessor or + Of any neighbor, welcome to the loan + Of any tool he might not chance to own. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0003" id="link2H_4_0003"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE OLD-HOME FOLKS + </h2> +<pre xml:space="preserve"> + Such was the Child-World of the long-ago— + The little world these children used to know:— + Johnty, the oldest, and the best, perhaps, + Of the five happy little Hoosier chaps + Inhabiting this wee world all their own.— + Johnty, the leader, with his native tone + Of grave command—a general on parade + Whose each punctilious order was obeyed + By his proud followers. + + But Johnty yet— + After all serious duties—could forget + The gravity of life to the extent, + At times, of kindling much astonishment + About him: With a quick, observant eye, + And mind and memory, he could supply + The tamest incident with liveliest mirth; + And at the most unlooked-for times on earth + Was wont to break into some travesty + On those around him—feats of mimicry + Of this one's trick of gesture—that one's walk— + Or this one's laugh—or that one's funny talk,— + The way "the watermelon-man" would try + His humor on town-folks that wouldn't buy;— + How he drove into town at morning—then + At dusk (alas!) how he drove out again. + + Though these divertisements of Johnty's were + Hailed with a hearty glee and relish, there + Appeared a sense, on his part, of regret— + A spirit of remorse that would not let + Him rest for days thereafter.—Such times he, + As some boy said, "jist got too overly + Blame good fer common boys like us, you know, + To '<i>so</i>ciate with—less'n we 'ud go + And jine his church!" + + Next after Johnty came + His little tow-head brother, Bud by name.— + And O how white his hair was—and how thick + His face with freckles,—and his ears, how quick + And curious and intrusive!—And how pale + The blue of his big eyes;—and how a tale + Of Giants, Trolls or Fairies, bulged them still + Bigger and bigger!—and when "Jack" would kill + The old "Four-headed Giant," Bud's big eyes + Were swollen truly into giant-size. + And Bud was apt in make-believes—would hear + His Grandma talk or read, with such an ear + And memory of both subject and big words, + That he would take the book up afterwards + And feign to "read aloud," with such success + As caused his truthful elders real distress. + But he <i>must</i> have <i>big words</i>—they seemed to give + Extremer range to the superlative— + That was his passion. "My Gran'ma," he said, + One evening, after listening as she read + Some heavy old historical review— + With copious explanations thereunto + Drawn out by his inquiring turn of mind,— + "My Gran'ma she's read <i>all</i> books—ever' kind + They is, 'at tells all 'bout the land an' sea + An' Nations of the Earth!—An' she is the + Historicul-est woman ever wuz!" + (Forgive the verse's chuckling as it does + In its erratic current.—Oftentimes + The little willowy waterbrook of rhymes + Must falter in its music, listening to + The children laughing as they used to do.) + + Who shall sing a simple ditty all about the Willow, + Dainty-fine and delicate as any bending spray + That dandles high the happy bird that flutters there to trill a + Tremulously tender song of greeting to the May. + + Ah, my lovely Willow!—Let the Waters lilt your graces,— + They alone with limpid kisses lave your leaves above, + Flashing back your sylvan beauty, and in shady places + Peering up with glimmering pebbles, like the eyes of love. + + Next, Maymie, with her hazy cloud of hair, + And the blue skies of eyes beneath it there. + Her dignified and "little lady" airs + Of never either romping up the stairs + Or falling down them; thoughtful everyway + Of others first—The kind of child at play + That "gave up," for the rest, the ripest pear + Or peach or apple in the garden there + Beneath the trees where swooped the airy swing— + She pushing it, too glad for anything! + Or, in the character of hostess, she + Would entertain her friends delightfully + In her play-house,—with strips of carpet laid + Along the garden-fence within the shade + Of the old apple-trees—where from next yard + Came the two dearest friends in her regard, + The little Crawford girls, Ella and Lu— + As shy and lovely as the lilies grew + In their idyllic home,—yet sometimes they + Admitted Bud and Alex to their play, + Who did their heavier work and helped them fix + To have a "Festibul"—and brought the bricks + And built the "stove," with a real fire and all, + And stovepipe-joint for chimney, looming tall + And wonderfully smoky—even to + Their childish aspirations, as it blew + And swooped and swirled about them till their sight + Was feverish even as their high delight. + Then Alex, with his freckles, and his freaks + Of temper, and the peach-bloom of his cheeks, + And "<i>amber-colored</i> hair"—his mother said + 'Twas that, when others laughed and called it "<i>red</i>" + And Alex threw things at them—till they'd call + A truce, agreeing "'t'uz n't red <i>ut-tall</i>!" + + But Alex was affectionate beyond + The average child, and was extremely fond + Of the paternal relatives of his + Of whom he once made estimate like this:— + "<i>I'm</i> only got <i>two</i> brothers,—but my <i>Pa</i> + He's got most brothers'n you ever saw!— + He's got <i>seben</i> brothers!—Yes, an' they're all my + Seben Uncles!—Uncle John, an' Jim,—an' I' + Got Uncle George, an' Uncle Andy, too, + An' Uncle Frank, an' Uncle Joe.—An' you + <i>Know</i> Uncle <i>Mart</i>.—An', all but <i>him</i>, they're great + Big mens!—An' nen s Aunt Sarah—she makes eight!— + I'm got <i>eight</i> uncles!—'cept Aunt Sarah <i>can't</i> + Be ist my <i>uncle</i> 'cause she's ist my <i>aunt</i>!" + + Then, next to Alex—and the last indeed + Of these five little ones of whom you read— + Was baby Lizzie, with her velvet lisp,— + As though her Elfin lips had caught some wisp + Of floss between them as they strove with speech, + Which ever seemed just in yet out of reach— + Though what her lips missed, her dark eyes could say + With looks that made her meaning clear as day. + + And, knowing now the children, you must know + The father and the mother they loved so:— + The father was a swarthy man, black-eyed, + Black-haired, and high of forehead; and, beside + The slender little mother, seemed in truth + A very king of men—since, from his youth, + To his hale manhood <i>now</i>—(worthy as then,— + A lawyer and a leading citizen + Of the proud little town and county-seat— + His hopes his neighbors', and their fealty sweet)— + He had known outdoor labor—rain and shine— + Bleak Winter, and bland Summer—foul and fine. + So Nature had ennobled him and set + Her symbol on him like a coronet: + His lifted brow, and frank, reliant face.— + Superior of stature as of grace, + Even the children by the spell were wrought + Up to heroics of their simple thought, + And saw him, trim of build, and lithe and straight + And tall, almost, as at the pasture-gate + The towering ironweed the scythe had spared + For their sakes, when The Hired Man declared + It would grow on till it became a <i>tree</i>, + With cocoanuts and monkeys in—maybe! + + Yet, though the children, in their pride and awe + And admiration of the father, saw + A being so exalted—even more + Like adoration was the love they bore + The gentle mother.—Her mild, plaintive face + Was purely fair, and haloed with a grace + And sweetness luminous when joy made glad + Her features with a smile; or saintly sad + As twilight, fell the sympathetic gloom + Of any childish grief, or as a room + Were darkened suddenly, the curtain drawn + Across the window and the sunshine gone. + Her brow, below her fair hair's glimmering strands, + Seemed meetest resting-place for blessing hands + Or holiest touches of soft finger-tips + And little roseleaf-cheeks and dewy lips. + + Though heavy household tasks were pitiless, + No little waist or coat or checkered dress + But knew her needle's deftness; and no skill + Matched hers in shaping pleat or flounce or frill; + Or fashioning, in complicate design, + All rich embroideries of leaf and vine, + With tiniest twining tendril,—bud and bloom + And fruit, so like, one's fancy caught perfume + And dainty touch and taste of them, to see + Their semblance wrought in such rare verity. + + Shrined in her sanctity of home and love, + And love's fond service and reward thereof, + Restore her thus, O blessed Memory!— + Throned in her rocking-chair, and on her knee + Her sewing—her workbasket on the floor + Beside her,—Springtime through the open door + Balmily stealing in and all about + The room; the bees' dim hum, and the far shout + And laughter of the children at their play, + And neighbor-children from across the way + Calling in gleeful challenge—save alone + One boy whose voice sends back no answering tone— + The boy, prone on the floor, above a book + Of pictures, with a rapt, ecstatic look— + Even as the mother's, by the selfsame spell, + Is lifted, with a light ineffable— + As though her senses caught no mortal cry, + But heard, instead, some poem going by. + + The Child-heart is so strange a little thing— + So mild—so timorously shy and small.— + When <i>grown-up</i> hearts throb, it goes scampering + Behind the wall, nor dares peer out at all!— + It is the veriest mouse + That hides in any house— + So wild a little thing is any Child-heart! + + <i>Child-heart!—mild heart!— + Ho, my little wild heart!— + Come up here to me out o' the dark, + Or let me come to you!</i> + + So lorn at times the Child-heart needs must be. + With never one maturer heart for friend + And comrade, whose tear-ripened sympathy + And love might lend it comfort to the end,— + Whose yearnings, aches and stings. + Over poor little things + Were pitiful as ever any Child-heart. + + <i>Child-heart!—mild heart!— + Ho, my little wild heart!— + Come up here to me out o' the dark, + Or let me come to you!</i> + + Times, too, the little Child-heart must be glad— + Being so young, nor knowing, as <i>we</i> know. + The fact from fantasy, the good from bad, + The joy from woe, the—<i>all</i> that hurts us so! + What wonder then that thus + It hides away from us?— + So weak a little thing is any Child-heart! + + <i>Child-heart!—mild heart!— + Ho, my little wild heart!— + Come up here to me out o' the dark, + Or let me come to you!</i> + + Nay, little Child-heart, you have never need + To fear <i>us</i>,—we are weaker far than you— + Tis <i>we</i> who should be fearful—we indeed + Should hide us, too, as darkly as you do,— + Safe, as yourself, withdrawn, + Hearing the World roar on + Too willful, woful, awful for the Child-heart! + + <i>Child-heart!—mild heart!— + Ho, my little wild heart!— + Come up here to me out o' the dark, + Or let me come to you!</i> + + The clock chats on confidingly; a rose + Taps at the window, as the sunlight throws + A brilliant, jostling checkerwork of shine + And shadow, like a Persian-loom design, + Across the homemade carpet—fades,—and then + The dear old colors are themselves again. + Sounds drop in visiting from everywhere— + The bluebird's and the robin's trill are there, + Their sweet liquidity diluted some + By dewy orchard spaces they have come: + Sounds of the town, too, and the great highway— + The Mover-wagons' rumble, and the neigh + Of overtraveled horses, and the bleat + Of sheep and low of cattle through the street— + A Nation's thoroughfare of hopes and fears, + First blazed by the heroic pioneers + Who gave up old-home idols and set face + Toward the unbroken West, to found a race + And tame a wilderness now mightier than + All peoples and all tracts American. + Blent with all outer sounds, the sounds within:— + In mild remoteness falls the household din + Of porch and kitchen: the dull jar and thump + Of churning; and the "glung-glung" of the pump, + With sudden pad and skurry of bare feet + Of little outlaws, in from field or street: + The clang of kettle,—rasp of damper-ring + And bang of cookstove-door—and everything + That jingles in a busy kitchen lifts + Its individual wrangling voice and drifts + In sweetest tinny, coppery, pewtery tone + Of music hungry ear has ever known + In wildest famished yearning and conceit + Of youth, to just cut loose and eat and eat!— + The zest of hunger still incited on + To childish desperation by long-drawn + Breaths of hot, steaming, wholesome things that stew + And blubber, and up-tilt the pot-lids, too, + Filling the sense with zestful rumors of + The dear old-fashioned dinners children love: + Redolent savorings of home-cured meats, + Potatoes, beans, and cabbage; turnips, beets + And parsnips—rarest composite entire + That ever pushed a mortal child's desire + To madness by new-grated fresh, keen, sharp + Horseradish—tang that sets the lips awarp + And watery, anticipating all + The cloyed sweets of the glorious festival.— + Still add the cinnamony, spicy scents + Of clove, nutmeg, and myriad condiments + In like-alluring whiffs that prophesy + Of sweltering pudding, cake, and custard pie— + The swooning-sweet aroma haunting all + The house—upstairs and down—porch, parlor, hall + And sitting-room—invading even where + The Hired Man sniffs it in the orchard-air, + And pauses in his pruning of the trees + To note the sun minutely and to—sneeze. + + Then Cousin Rufus comes—the children hear + His hale voice in the old hall, ringing clear + As any bell. Always he came with song + Upon his lips and all the happy throng + Of echoes following him, even as the crowd + Of his admiring little kinsmen—proud + To have a cousin <i>grown</i>—and yet as young + Of soul and cheery as the songs he sung. + + He was a student of the law—intent + Soundly to win success, with all it meant; + And so he studied—even as he played,— + With all his heart: And so it was he made + His gallant fight for fortune—through all stress + Of battle bearing him with cheeriness + And wholesome valor. + + And the children had + Another relative who kept them glad + And joyous by his very merry ways— + As blithe and sunny as the summer days,— + Their father's youngest brother—Uncle Mart. + The old "Arabian Nights" he knew by heart— + "Baron Munchausen," too; and likewise "The + Swiss Family Robinson."—And when these three + Gave out, as he rehearsed them, he could go + Straight on in the same line—a steady flow + Of arabesque invention that his good + Old mother never clearly understood. + He <i>was</i> to be a <i>printer</i>—wanted, though, + To be an <i>actor</i>.—But the world was "show" + Enough for <i>him</i>,—theatric, airy, gay,— + Each day to him was jolly as a play. + And some poetic symptoms, too, in sooth, + Were certain.—And, from his apprentice youth, + He joyed in verse-quotations—which he took + Out of the old "Type Foundry Specimen Book." + He craved and courted most the favor of + The children.—They were foremost in his love; + And pleasing <i>them</i>, he pleased his own boy-heart + And kept it young and fresh in every part. + So was it he devised for them and wrought + To life his quaintest, most romantic thought:— + Like some lone castaway in alien seas, + He built a house up in the apple-trees, + Out in the corner of the garden, where + No man-devouring native, prowling there, + Might pounce upon them in the dead o' night— + For lo, their little ladder, slim and light, + They drew up after them. And it was known + That Uncle Mart slipped up sometimes alone + And drew the ladder in, to lie and moon + Over some novel all the afternoon. + And one time Johnty, from the crowd below,— + Outraged to find themselves deserted so— + Threw bodily their old black cat up in + The airy fastness, with much yowl and din. + Resulting, while a wild periphery + Of cat went circling to another tree, + And, in impassioned outburst, Uncle Mart + Loomed up, and thus relieved his tragic heart: + + "'<i>Hence, long-tailed, ebon-eyed, nocturnal ranger! + What led thee hither 'mongst the types and cases? + Didst thou not know that running midnight races + O'er standing types was fraught with imminent danger? + Did hunger lead thee—didst thou think to find + Some rich old cheese to fill thy hungry maw? + Vain hope! for none but literary jaw + Can masticate our cookery for the mind!</i>'" + + So likewise when, with lordly air and grace, + He strode to dinner, with a tragic face + With ink-spots on it from the office, he + Would aptly quote more "Specimen-poetry—" + Perchance like "'Labor's bread is sweet to eat, + (<i>Ahem!</i>) And toothsome is the toiler's meat.'" + + Ah, could you see them <i>all</i>, at lull of noon!— + A sort of <i>boisterous</i> lull, with clink of spoon + And clatter of deflecting knife, and plate + Dropped saggingly, with its all-bounteous weight, + And dragged in place voraciously; and then + Pent exclamations, and the lull again.— + The garland of glad faces 'round the board— + Each member of the family restored + To his or her place, with an extra chair + Or two for the chance guests so often there.— + The father's farmer-client, brought home from + The courtroom, though he "didn't <i>want</i> to come + Tel he jist saw he <i>hat</i> to!" he'd explain, + Invariably, time and time again, + To the pleased wife and hostess, as she pressed + Another cup of coffee on the guest.— + Or there was Johnty's special chum, perchance, + Or Bud's, or both—each childish countenance + Lit with a higher glow of youthful glee, + To be together thus unbrokenly,— + Jim Offutt, or Eck Skinner, or George Carr— + The very nearest chums of Bud's these are,— + So, very probably, <i>one</i> of the three, + At least, is there with Bud, or <i>ought</i> to be. + Like interchange the town-boys each had known— + His playmate's dinner better than his own— + <i>Yet</i> blest that he was ever made to stay + At <i>Almon Keefer's, any</i> blessed day, + For <i>any</i> meal!... Visions of biscuits, hot + And flaky-perfect, with the golden blot + Of molten butter for the center, clear, + Through pools of clover-honey—<i>dear-o-dear!</i>— + With creamy milk for its divine "farewell": + And then, if any one delectable + Might yet exceed in sweetness, O restore + The cherry-cobbler of the days of yore + Made only by Al Keefer's mother!—Why, + The very thought of it ignites the eye + Of memory with rapture—cloys the lip + Of longing, till it seems to ooze and drip + With veriest juice and stain and overwaste + Of that most sweet delirium of taste + That ever visited the childish tongue, + Or proved, as now, the sweetest thing unsung. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0004" id="link2H_4_0004"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + ALMON KEEFER + </h2> +<pre xml:space="preserve"> + Ah, Almon Keefer! what a boy you were, + With your back-tilted hat and careless hair, + And open, honest, fresh, fair face and eyes + With their all-varying looks of pleased surprise + And joyous interest in flower and tree, + And poising humming-bird, and maundering bee. + + The fields and woods he knew; the tireless tramp + With gun and dog; and the night-fisher's camp— + No other boy, save Bee Lineback, had won + Such brilliant mastery of rod and gun. + Even in his earliest childhood had he shown + These traits that marked him as his father's own. + Dogs all paid Almon honor and bow-wowed + Allegiance, let him come in any crowd + Of rabbit-hunting town-boys, even though + His own dog "Sleuth" rebuked their acting so + With jealous snarls and growlings. + + But the best + Of Almon's virtues—leading all the rest— + Was his great love of books, and skill as well + In reading them aloud, and by the spell + Thereof enthralling his mute listeners, as + They grouped about him in the orchard grass, + Hinging their bare shins in the mottled shine + And shade, as they lay prone, or stretched supine + Beneath their favorite tree, with dreamy eyes + And Argo-fandes voyaging the skies. + "Tales of the Ocean" was the name of one + Old dog's-eared book that was surpassed by none + Of all the glorious list.—Its back was gone, + But its vitality went bravely on + In such delicious tales of land and sea + As may not ever perish utterly. + Of still more dubious caste, "Jack Sheppard" drew + Full admiration; and "Dick Turpin," too. + And, painful as the fact is to convey, + In certain lurid tales of their own day, + These boys found thieving heroes and outlaws + They hailed with equal fervor of applause: + "The League of the Miami"—why, the name + Alone was fascinating—is the same, + In memory, this venerable hour + Of moral wisdom shorn of all its power, + As it unblushingly reverts to when + The old barn was "the Cave," and hears again + The signal blown, outside the buggy-shed— + The drowsy guard within uplifts his head, + And "'<i>Who goes there?</i>'" is called, in bated breath— + The challenge answered in a hush of death,— + "Sh!—'<i>Barney Gray!</i>'" And then "'<i>What do you seek?</i>'" + "'<i>Stables of The League!</i>'" the voice comes spent and weak, + For, ha! the <i>Law</i> is on the "Chieftain's" trail— + Tracked to his very lair!—Well, what avail? + The "secret entrance" opens—closes.—So + The "Robber-Captain" thus outwits his foe; + And, safe once more within his "cavern-halls," + He shakes his clenched fist at the warped plank-walls + And mutters his defiance through the cracks + At the balked Enemy's retreating backs + As the loud horde flees pell-mell down the lane, + And—<i>Almon Keefer</i> is himself again! + + Excepting few, they were not books indeed + Of deep import that Almon chose to read;— + Less fact than fiction.—Much he favored those— + If not in poetry, in hectic prose— + That made our native Indian a wild, + Feathered and fine-preened hero that a child + Could recommend as just about the thing + To make a god of, or at least a king. + Aside from Almon's own books—two or three— + His store of lore The Township Library + Supplied him weekly: All the books with "or"s— + Sub-titled—lured him—after "Indian Wars," + And "Life of Daniel Boone,"—not to include + Some few books spiced with humor,—"Robin Hood" + And rare "Don Quixote."—And one time he took + "Dadd's Cattle Doctor."... How he hugged the book + And hurried homeward, with internal glee + And humorous spasms of expectancy!— + All this confession—as he promptly made + It, the day later, writhing in the shade + Of the old apple-tree with Johnty and + Bud, Noey Bixler, and The Hired Hand— + Was quite as funny as the book was not.... + O Wonderland of wayward Childhood! what + An easy, breezy realm of summer calm + And dreamy gleam and gloom and bloom and balm + Thou art!—The Lotus-Land the poet sung, + It is the Child-World while the heart beats young.... + + While the heart beats young!—O the splendor of the Spring, + With all her dewy jewels on, is not so fair a thing! + The fairest, rarest morning of the blossom-time of May + Is not so sweet a season as the season of to-day + While Youth's diviner climate folds and holds us, close caressed, + As we feel our mothers with us by the touch of face and breast;— + Our bare feet in the meadows, and our fancies up among + The airy clouds of morning—while the heart beats young. + + While the heart beats young and our pulses leap and dance. + With every day a holiday and life a glad romance,— + We hear the birds with wonder, and with wonder watch their flight— + Standing still the more enchanted, both of hearing and of sight, + When they have vanished wholly,—for, in fancy, wing-to-wing + We fly to Heaven with them; and, returning, still we sing + The praises of this lower Heaven with tireless voice and tongue, + Even as the Master sanctions—while the heart beats young. + + While the heart beats young!—While the heart beats young! + O green and gold old Earth of ours, with azure overhung + And looped with rainbows!—grant us yet this grassy lap of thine— + We would be still thy children, through the shower and the shine! + So pray we, lisping, whispering, in childish love and trust + With our beseeching hands and faces lifted from the dust + By fervor of the poem, all unwritten and unsung, + Thou givest us in answer, while the heart beats young. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0005" id="link2H_4_0005"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + NOEY BIXLER + </h2> +<pre xml:space="preserve"> + Another hero of those youthful years + Returns, as Noey Bixler's name appears. + And Noey—if in any special way— + Was notably good-natured.—Work or play + He entered into with selfsame delight— + A wholesome interest that made him quite + As many friends among the old as young,— + So everywhere were Noey's praises sung. + + And he was awkward, fat and overgrown, + With a round full-moon face, that fairly shone + As though to meet the simile's demand. + And, cumbrous though he seemed, both eye and hand + Were dowered with the discernment and deft skill + Of the true artisan: He shaped at will, + In his old father's shop, on rainy days, + Little toy-wagons, and curved-runner sleighs; + The trimmest bows and arrows—fashioned, too. + Of "seasoned timber," such as Noey knew + How to select, prepare, and then complete, + And call his little friends in from the street. + "The very <i>best</i> bow," Noey used to say, + "Haint made o' ash ner hick'ry thataway!— + But you git <i>mulberry</i>—the <i>bearin</i>'-tree, + Now mind ye! and you fetch the piece to me, + And lem me git it <i>seasoned</i>; then, i gum! + I'll make a bow 'at you kin brag on some! + Er—ef you can't git <i>mulberry</i>,—you bring + Me a' old <i>locus</i>' hitch-post, and i jing! + I'll make a bow o' <i>that</i> 'at <i>common</i> bows + Won't dast to pick on ner turn up their nose!" + And Noey knew the woods, and all the trees, + And thickets, plants and myriad mysteries + Of swamp and bottom-land. And he knew where + The ground-hog hid, and why located there.— + He knew all animals that burrowed, swam, + Or lived in tree-tops: And, by race and dam, + He knew the choicest, safest deeps wherein + Fish-traps might flourish nor provoke the sin + Of theft in some chance peeking, prying sneak, + Or town-boy, prowling up and down the creek. + All four-pawed creatures tamable—he knew + Their outer and their inner natures too; + While they, in turn, were drawn to him as by + Some subtle recognition of a tie + Of love, as true as truth from end to end, + Between themselves and this strange human friend. + The same with birds—he knew them every one, + And he could "name them, too, without a gun." + No wonder <i>Johnty</i> loved him, even to + The verge of worship.—Noey led him through + The art of trapping redbirds—yes, and taught + Him how to keep them when he had them caught— + What food they needed, and just where to swing + The cage, if he expected them to <i>sing</i>. + + And <i>Bud</i> loved Noey, for the little pair + Of stilts he made him; or the stout old hair + Trunk Noey put on wheels, and laid a track + Of scantling-railroad for it in the back + Part of the barn-lot; or the cross-bow, made + Just like a gun, which deadly weapon laid + Against his shoulder as he aimed, and—"<i>Sping!</i>" + He'd hear the rusty old nail zoon and sing— + And <i>zip!</i> your Mr. Bluejay's wing would drop + A farewell-feather from the old tree-top! + And <i>Maymie</i> loved him, for the very small + But perfect carriage for her favorite doll— + A <i>lady's</i> carriage—not a <i>baby</i>-cab,— + But oilcloth top, and two seats, lined with drab + And trimmed with white lace-paper from a case + Of shaving-soap his uncle bought some place + At auction once. + + And <i>Alex</i> loved him yet + The best, when Noey brought him, for a pet, + A little flying-squirrel, with great eyes— + Big as a child's: And, childlike otherwise, + It was at first a timid, tremulous, coy, + Retiring little thing that dodged the boy + And tried to keep in Noey's pocket;—till, + In time, responsive to his patient will, + It became wholly docile, and content + With its new master, as he came and went,— + The squirrel clinging flatly to his breast, + Or sometimes scampering its craziest + Around his body spirally, and then + Down to his very heels and up again. + + And <i>Little Lizzie</i> loved him, as a bee + Loves a great ripe red apple—utterly. + For Noey's ruddy morning-face she drew + The window-blind, and tapped the window, too; + Afar she hailed his coming, as she heard + His tuneless whistling—sweet as any bird + It seemed to her, the one lame bar or so + Of old "Wait for the Wagon"—hoarse and low + The sound was,—so that, all about the place, + Folks joked and said that Noey "whistled bass"— + The light remark originally made + By Cousin Rufus, who knew notes, and played + The flute with nimble skill, and taste as wall, + And, critical as he was musical, + Regarded Noey's constant whistling thus + "Phenominally unmelodious." + Likewise when Uncle Mart, who shared the love + Of jest with Cousin Rufus hand-in-glove, + Said "Noey couldn't whistle '<i>Bonny Doon</i>' + Even! and, <i>he'd</i> bet, couldn't carry a tune + If it had handles to it!" + + —But forgive + The deviations here so fugitive, + And turn again to Little Lizzie, whose + High estimate of Noey we shall choose + Above all others.—And to her he was + Particularly lovable because + He laid the woodland's harvest at her feet.— + He brought her wild strawberries, honey-sweet + And dewy-cool, in mats of greenest moss + And leaves, all woven over and across + With tender, biting "tongue-grass," and "sheep-sour," + And twin-leaved beach-mast, prankt with bud and flower + Of every gypsy-blossom of the wild, + Dark, tangled forest, dear to any child.— + All these in season. Nor could barren, drear, + White and stark-featured Winter interfere + With Noey's rare resources: Still the same + He blithely whistled through the snow and came + Beneath the window with a Fairy sled; + And Little Lizzie, bundled heels-and-head, + He took on such excursions of delight + As even "Old Santy" with his reindeer might + Have envied her! And, later, when the snow + Was softening toward Springtime and the glow + Of steady sunshine smote upon it,—then + Came the magician Noey yet again— + While all the children were away a day + Or two at Grandma's!—and behold when they + Got home once more;—there, towering taller than + The doorway—stood a mighty, old Snow-Man! + + A thing of peerless art—a masterpiece + Doubtless unmatched by even classic Greece + In heyday of Praxiteles.—Alone + It loomed in lordly grandeur all its own. + And steadfast, too, for weeks and weeks it stood, + The admiration of the neighborhood + As well as of the children Noey sought + Only to honor in the work he wrought. + The traveler paid it tribute, as he passed + Along the highway—paused and, turning, cast + A lingering, last look—as though to take + A vivid print of it, for memory's sake, + To lighten all the empty, aching miles + Beyond with brighter fancies, hopes and smiles. + The cynic put aside his biting wit + And tacitly declared in praise of it; + And even the apprentice-poet of the town + Rose to impassioned heights, and then sat down + And penned a panegyric scroll of rhyme + That made the Snow-Man famous for all time. + + And though, as now, the ever warmer sun + Of summer had so melted and undone + The perishable figure that—alas!— + Not even in dwindled white against the grass— + Was left its latest and minutest ghost, + The children yet—<i>materially</i>, almost— + Beheld it—circled 'round it hand-in-hand— + (Or rather 'round the place it used to stand)— + With "Ring-a-round-a-rosy! Bottle full + O' posey!" and, with shriek and laugh, would pull + From seeming contact with it—just as when + It was the <i>real-est</i> of old Snow-Men. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0006" id="link2H_4_0006"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + "A NOTED TRAVELER" + </h2> +<pre xml:space="preserve"> + Even in such a scene of senseless play + The children were surprised one summer-day + By a strange man who called across the fence, + Inquiring for their father's residence; + And, being answered that this was the place, + Opened the gate, and with a radiant face, + Came in and sat down with them in the shade + And waited—till the absent father made + His noon appearance, with a warmth and zest + That told he had no ordinary guest + In this man whose low-spoken name he knew + At once, demurring as the stranger drew + A stuffy notebook out and turned and set + A big fat finger on a page and let + The writing thereon testify instead + Of further speech. And as the father read + All silently, the curious children took + Exacting inventory both of book + And man:—He wore a long-napped white fur-hat + Pulled firmly on his head, and under that + Rather long silvery hair, or iron-gray— + For he was not an old man,—anyway, + Not beyond sixty. And he wore a pair + Of square-framed spectacles—or rather there + Were two more than a pair,—the extra two + Flared at the corners, at the eyes' side-view, + In as redundant vision as the eyes + Of grasshoppers or bees or dragonflies. + Later the children heard the father say + He was "A Noted Traveler," and would stay + Some days with them—In which time host and guest + Discussed, alone, in deepest interest, + Some vague, mysterious matter that defied + The wistful children, loitering outside + The spare-room door. There Bud acquired a quite + New list of big words—such as "Disunite," + And "Shibboleth," and "Aristocracy," + And "Juggernaut," and "Squatter Sovereignty," + And "Anti-slavery," "Emancipate," + "Irrepressible conflict," and "The Great + Battle of Armageddon"—obviously + A pamphlet brought from Washington, D. C., + And spread among such friends as might occur + Of like views with "The Noted Traveler." +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0007" id="link2H_4_0007"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + A PROSPECTIVE VISIT + </h2> +<pre xml:space="preserve"> + While <i>any</i> day was notable and dear + That gave the children Noey, history here + Records his advent emphasized indeed + With sharp italics, as he came to feed + The stock one special morning, fair and bright, + When Johnty and Bud met him, with delight + Unusual even as their extra dress— + Garbed as for holiday, with much excess + Of proud self-consciousness and vain conceit + In their new finery.—Far up the street + They called to Noey, as he came, that they, + As promised, both were going back that day + To <i>his</i> house with him! + + And by time that each + Had one of Noey's hands—ceasing their speech + And coyly anxious, in their new attire, + To wake the comment of their mute desire,— + Noey seemed rendered voiceless. Quite a while + They watched him furtively.—He seemed to smile + As though he would conceal it; and they saw + Him look away, and his lips purse and draw + In curious, twitching spasms, as though he might + Be whispering,—while in his eye the white + Predominated strangely.—Then the spell + Gave way, and his pent speech burst audible: + "They wuz two stylish little boys, + and they wuz mighty bold ones, + Had two new pairs o' britches made + out o' their daddy's old ones!" + And at the inspirational outbreak, + Both joker and his victims seemed to take + An equal share of laughter,—and all through + Their morning visit kept recurring to + The funny words and jingle of the rhyme + That just kept getting funnier all the time. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0008" id="link2H_4_0008"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + AT NOEY'S HOUSE + </h2> +<pre xml:space="preserve"> + At Noey's house—when they arrived with him— + How snug seemed everything, and neat and trim: + The little picket-fence, and little gate— + It's little pulley, and its little weight,— + All glib as clock-work, as it clicked behind + Them, on the little red brick pathway, lined + With little paint-keg-vases and teapots + Of wee moss-blossoms and forgetmenots: + And in the windows, either side the door, + Were ranged as many little boxes more + Of like old-fashioned larkspurs, pinks and moss + And fern and phlox; while up and down across + Them rioted the morning-glory-vines + On taut-set cotton-strings, whose snowy lines + Whipt in and out and under the bright green + Like basting-threads; and, here and there between, + A showy, shiny hollyhock would flare + Its pink among the white and purple there.— + And still behind the vines, the children saw + A strange, bleached, wistful face that seemed to draw + A vague, indefinite sympathy. A face + It was of some newcomer to the place.— + In explanation, Noey, briefly, said + That it was "Jason," as he turned and led + The little fellows 'round the house to show + Them his menagerie of pets. And so + For quite a time the face of the strange guest + Was partially forgotten, as they pressed + About the squirrel-cage and rousted both + The lazy inmates out, though wholly loath + To whirl the wheel for them.—And then with awe + They walked 'round Noey's big pet owl, and saw + Him film his great, clear, liquid eyes and stare + And turn and turn and turn his head 'round there + The same way they kept circling—as though he + Could turn it one way thus eternally. + + Behind the kitchen, then, with special pride + Noey stirred up a terrapin inside + The rain-barrel where he lived, with three or four + Little mud-turtles of a size not more + In neat circumference than the tiny toy + Dumb-watches worn by every little boy. + + Then, back of the old shop, beneath the tree + Of "rusty-coats," as Noey called them, he + Next took the boys, to show his favorite new + Pet 'coon—pulled rather coyly into view + Up through a square hole in the bottom of + An old inverted tub he bent above, + Yanking a little chain, with "Hey! you, sir! + Here's <i>comp'ny</i> come to see you, Bolivur!" + Explanatory, he went on to say, + "I named him '<i>Bolivur</i>' jes thisaway,— + He looks so <i>round</i> and <i>ovalish</i> and <i>fat</i>, + 'Peared like no other name 'ud fit but that." + + Here Noey's father called and sent him on + Some errand. "Wait," he said—"I won't be gone + A half a' hour.—Take Bud, and go on in + Where Jason is, tel I git back agin." + + Whoever <i>Jason</i> was, they found him there + Still at the front-room window.—By his chair + Leaned a new pair of crutches; and from one + Knee down, a leg was bandaged.—"Jason done + That-air with one o' these-'ere tools <i>we</i> call + A '<i>shin-hoe</i>'—but a <i>foot-adz</i> mostly all + <i>Hardware</i>-store-keepers calls 'em."—(<i>Noey</i> made + This explanation later.) + + Jason paid + But little notice to the boys as they + Came in the room:—An idle volume lay + Upon his lap—the only book in sight— + And Johnty read the title,—"Light, More Light, + There's Danger in the Dark,"—though <i>first</i> and best— + In fact, the <i>whole</i> of Jason's interest + Seemed centered on a little <i>dog</i>—one pet + Of Noey's all uncelebrated yet— + Though <i>Jason</i>, certainly, avowed his worth, + And niched him over all the pets on earth— + As the observant Johnty would relate + The <i>Jason</i>-episode, and imitate + The all-enthusiastic speech and air + Of Noey's kinsman and his tribute there:— +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0009" id="link2H_4_0009"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + "THAT LITTLE DOG" + </h2> +<pre xml:space="preserve"> + "That little dog 'ud scratch at that door + And go on a-whinin' two hours before + He'd ever let up! <i>There!</i>—Jane: Let him in.— + (Hah, there, you little rat!) Look at him grin! + Come down off o' that!— + W'y, look at him! (<i>Drat + You! you-rascal-you!</i>)—bring me that hat! + Look <i>out!</i>—He'll snap <i>you!</i>—<i>He</i> wouldn't let + <i>You</i> take it away from him, now you kin bet! + That little rascal's jist natchurly mean.— + I tell you, I <i>never</i> (<i>Git out!! </i>) never seen + A <i>spunkier</i> little rip! (<i>Scratch to git in</i>, + And <i>now</i> yer a-scratchin' to git <i>out</i> agin! + Jane: Let him out!) Now, watch him from here + Out through the winder!—You notice one ear + Kindo' <i>in</i> side-<i>out</i>, like he holds it?—Well, + <i>He's</i> got a <i>tick</i> in it—<i>I</i> kin tell! + Yes, and he's cunnin'— + Jist watch him a-runnin', + <i>Sidelin'</i>—see!—like he ain't '<i>plum'd true</i>' + And legs don't 'track' as they'd ort to do:— + Plowin' his nose through the weeds—I jing! + Ain't he jist cuter'n anything! + + "W'y, that little dog's got <i>grown</i>-people's sense!— + See how he gits out under the fence?— + And watch him a-whettin' his hind-legs 'fore + His dead square run of a miled er more— + 'Cause <i>Noey</i>'s a-comin', and Trip allus knows + When <i>Noey</i>'s a-comin'—and off he goes!— + Putts out to meet him and—<i>There they come now!</i> + Well-sir! it's raially singalar how + That dog kin <i>tell</i>,— + But he knows as well + When Noey's a-comin' home!—Reckon his <i>smell</i> + 'Ud carry two miled?—You needn't to <i>smile</i>— + He runs to meet <i>him</i>, ever'-once-n-a-while, + Two miled and over—when he's slipped away + And left him at home here, as he's done to-day— + 'Thout ever knowin' where Noey wuz goin'— + But that little dog allus hits the right way! + Hear him a-whinin' and scratchin' agin?— + (<i>Little tormentin' fice!</i>) Jane: Let him in. + + "—You say he ain't <i>there?</i>— + Well now, I declare!— + Lem <i>me</i> limp out and look! ... I wunder where— + <i>Heuh</i>, Trip!—<i>Heuh</i>, Trip!—<i>Heuh</i>, Trip!... <i>There</i>— + <i>There</i> he is!—Little sneak!—What-a'-you-'bout?— + <i>There</i> he is—quiled up as meek as a mouse, + His tail turnt up like a teakittle-spout, + A-sunnin' hisse'f at the side o' the house! + <i>Next</i> time you scratch, sir, you'll haf to git in, + My fine little feller, the best way you kin! + —Noey <i>he</i> learns him sich capers!—And they— + <i>Both</i> of 'em's ornrier every day!— + <i>Both</i> tantalizin' and meaner'n sin— + Allus a—(<i>Listen there!</i>)—Jane: Let him in. + + "—O! yer so <i>innocent!</i> hangin' yer head!— + (Drat ye! you'd <i>better</i> git under the bed!) + —Listen at that!— + He's tackled the cat!— + Hah, there! you little rip! come out o' that!— + Git yer blame little eyes scratched out + 'Fore you know what yer talkin' about!— + <i>Here!</i> come away from there!—(Let him alone— + He'll snap <i>you</i>, I tell ye, as quick as a bone!) + <i>Hi</i>, Trip!—<i>Hey</i>, here!—What-a'-you-'bout!— + <i>Oo! ouch!</i> 'Ll I'll be blamed!—<i>Blast ye!</i> GIT OUT! + ... O, it ain't nothin'—jist <i>scratched</i> me, you see.— + Hadn't no idy he'd try to bite <i>me</i>! + <i>Plague take him!</i>—Bet he'll not try <i>that</i> agin!— + Hear him yelp.—(<i>Pore feller!</i>) Jane: Let him in." +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0010" id="link2H_4_0010"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE LOEHRS AND THE HAMMONDS + </h2> +<pre xml:space="preserve"> + "Hey, Bud! O Bud!" rang out a gleeful call,— + "<i>The Loehrs is come to your house!</i>" And a small + But very much elated little chap, + In snowy linen-suit and tasseled cap, + Leaped from the back-fence just across the street + From Bixlers', and came galloping to meet + His equally delighted little pair + Of playmates, hurrying out to join him there— + "<i>The Loehrs is come!—The Loehrs is come!</i>" his glee + Augmented to a pitch of ecstasy + Communicated wildly, till the cry + "<i>The Loehrs is come!</i>" in chorus quavered high + And thrilling as some paean of challenge or + Soul-stirring chant of armied conqueror. + And who this <i>avant courier</i> of "the Loehrs"?— + This happiest of all boys out-o'-doors— + Who but Will Pierson, with his heart's excess + Of summer-warmth and light and breeziness! + "From our front winder I 'uz first to see + 'Em all a-drivin' into town!" bragged he— + "An' seen 'em turnin' up the alley where + <i>Your</i> folks lives at. An' John an' Jake wuz there + Both in the wagon;—yes, an' Willy, too; + An' Mary—Yes, an' Edith—with bran-new + An' purtiest-trimmed hats 'at ever wuz!— + An' Susan, an' Janey.—An' the <i>Hammonds-uz</i> + In their fine buggy 'at they're ridin' roun' + So much, all over an' aroun' the town + An' <i>ever</i>'wheres,—them <i>city</i>-people who's + A-visutin' at Loehrs-uz!" + + Glorious news!— + Even more glorious when verified + In the boys' welcoming eyes of love and pride, + As one by one they greeted their old friends + And neighbors.—Nor until their earth-life ends + Will that bright memory become less bright + Or dimmed indeed. + + ... Again, at candle-light, + The faces all are gathered. And how glad + The Mother's features, knowing that she had + Her dear, sweet Mary Loehr back again.— + She always was so proud of her; and then + The dear girl, in return, was happy, too, + And with a heart as loving, kind and true + As that maturer one which seemed to blend + As one the love of mother and of friend. + From time to time, as hand-in-hand they sat, + The fair girl whispered something low, whereat + A tender, wistful look would gather in + The mother-eyes; and then there would begin + A sudden cheerier talk, directed to + The stranger guests—the man and woman who, + It was explained, were coming now to make + Their temporary home in town for sake + Of the wife's somewhat failing health. Yes, they + Were city-people, seeking rest this way, + The man said, answering a query made + By some well meaning neighbor—with a shade + Of apprehension in the answer.... No,— + They had no <i>children</i>. As he answered so, + The man's arm went about his wife, and she + Leant toward him, with her eyes lit prayerfully: + Then she arose—he following—and bent + Above the little sleeping innocent + Within the cradle at the mother's side— + He patting her, all silent, as she cried.— + Though, haply, in the silence that ensued, + His musings made melodious interlude. + + In the warm, health-giving weather + My poor pale wife and I + Drive up and down the little town + And the pleasant roads thereby: + Out in the wholesome country + We wind, from the main highway, + In through the wood's green solitudes— + Fair as the Lord's own Day. + + We have lived so long together. + And joyed and mourned as one, + That each with each, with a look for speech, + Or a touch, may talk as none + But Love's elect may comprehend— + Why, the touch of her hand on mine + Speaks volume-wise, and the smile of her eyes, + To me, is a song divine. + + There are many places that lure us:— + "The Old Wood Bridge" just west + Of town we know—and the creek below, + And the banks the boys love best: + And "Beech Grove," too, on the hill-top; + And "The Haunted House" beyond, + With its roof half off, and its old pump-trough + Adrift in the roadside pond. + + We find our way to "The Marshes"— + At least where they used to be; + And "The Old Camp Grounds"; and "The Indian Mounds," + And the trunk of "The Council Tree:" + We have crunched and splashed through "Flint-bed Ford"; + And at "Old Big Bee-gum Spring" + We have stayed the cup, half lifted up. + Hearing the redbird sing. + + And then, there is "Wesley Chapel," + With its little graveyard, lone + At the crossroads there, though the sun sets fair + On wild-rose, mound and stone ... + A wee bed under the willows— + My wife's hand on my own— + And our horse stops, too ... And we hear the coo + Of a dove in undertone. + + The dusk, the dew, and the silence. + "Old Charley" turns his head + Homeward then by the pike again, + Though never a word is said— + One more stop, and a lingering one— + After the fields and farms,— + At the old Toll Gate, with the woman await + With a little girl in her arms. +</pre> +<pre xml:space="preserve"> + The silence sank—Floretty came to call + The children in the kitchen, where they all + Went helter-skeltering with shout and din + Enough to drown most sanguine silence in,— + For well indeed they knew that summons meant + Taffy and popcorn—so with cheers they went. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0011" id="link2H_4_0011"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE HIRED MAN AND FLORETTY + </h2> +<pre xml:space="preserve"> + The Hired Man's supper, which he sat before, + In near reach of the wood-box, the stove-door + And one leaf of the kitchen-table, was + Somewhat belated, and in lifted pause + His dextrous knife was balancing a bit + Of fried mush near the port awaiting it. + + At the glad children's advent—gladder still + To find <i>him</i> there—"Jest tickled fit to kill + To see ye all!" he said, with unctious cheer.— + "I'm tryin'-like to he'p Floretty here + To git things cleared away and give ye room + Accordin' to yer stren'th. But I p'sume + It's a pore boarder, as the poet says, + That quarrels with his victuals, so I guess + I'll take another wedge o' that-air cake, + Florett', that you're a-<i>learnin</i>' how to bake." + He winked and feigned to swallow painfully.— + + "Jest 'fore ye all come in, Floretty she + Was boastin' 'bout her <i>biscuits</i>—and they <i>air</i> + As good—sometimes—as you'll find anywhere.— + But, women gits to braggin' on their <i>bread</i>, + I'm s'picious 'bout their <i>pie</i>—as Danty said." + This raillery Floretty strangely seemed + To take as compliment, and fairly beamed + With pleasure at it all. + + —"Speakin' o' <i>bread</i>— + When she come here to live," The Hired Man said,— + "Never ben out o' <i>Freeport</i> 'fore she come + Up here,—of course she needed '<i>sperience</i> some.— + So, one day, when yer Ma was goin' to set + The risin' fer some bread, she sent Florett + To borry <i>leaven</i>, 'crost at Ryans'—So, + She went and asked fer <i>twelve</i>.—She didn't <i>know</i>, + But thought, <i>whatever</i> 'twuz, that she could keep + <i>One</i> fer <i>herse'f</i>, she said. O she wuz deep!" + + Some little evidence of favor hailed + The Hired Man's humor; but it wholly failed + To touch the serious Susan Loehr, whose air + And thought rebuked them all to listening there + To her brief history of the <i>city</i>-man + And his pale wife—"A sweeter woman than + <i>She</i> ever saw!"—So Susan testified,— + And so attested all the Loehrs beside.— + So entertaining was the history, that + The Hired Man, in the corner where he sat + In quiet sequestration, shelling corn, + Ceased wholly, listening, with a face forlorn + As Sorrow's own, while Susan, John and Jake + Told of these strangers who had come to make + Some weeks' stay in the town, in hopes to gain + Once more the health the wife had sought in vain: + Their doctor, in the city, used to know + The Loehrs—Dan and Rachel—years ago,— + And so had sent a letter and request + For them to take a kindly interest + In favoring the couple all they could— + To find some home-place for them, if they would, + Among their friends in town. He ended by + A dozen further lines, explaining why + His patient must have change of scene and air— + New faces, and the simple friendships there + With <i>them</i>, which might, in time, make her forget + A grief that kept her ever brooding yet + And wholly melancholy and depressed,— + Nor yet could she find sleep by night nor rest + By day, for thinking—thinking—thinking still \ + Upon a grief beyond the doctor's skill,— + The death of her one little girl. + + "Pore thing!" + Floretty sighed, and with the turkey-wing + Brushed off the stove-hearth softly, and peered in + The kettle of molasses, with her thin + Voice wandering into song unconsciously— + In purest, if most witless, sympathy.— + + "'Then sleep no more: + Around thy heart + Some ten-der dream may i-dlee play. + But mid-night song, + With mad-jick art, + Will chase that dree muh-way!'" + + "That-air besetment of Floretty's," said + The Hired Man,—"<i>singin</i>—she <i>inhairited</i>,— + Her <i>father</i> wuz addicted—same as her— + To singin'—yes, and played the dulcimer! + But—gittin' back,—I s'pose yer talkin' 'bout + Them <i>Hammondses</i>. Well, Hammond he gits out + <i>Pattents</i> on things—inventions-like, I'm told— + And's got more money'n a house could hold! + And yit he can't git up no pattent-right + To do away with <i>dyin'</i>.—And he might + Be worth a <i>million</i>, but he couldn't find + Nobody sellin' <i>health</i> of any kind!... + But they's no thing onhandier fer <i>me</i> + To use than other people's misery.— + Floretty, hand me that-air skillet there + And lem me git 'er het up, so's them-air + Childern kin have their popcorn." + + It was good + To hear him now, and so the children stood + Closer about him, waiting. + + "Things to <i>eat</i>," + The Hired Man went on, "'s mighty hard to beat! + Now, when <i>I</i> wuz a boy, we was so pore, + My parunts couldn't 'ford popcorn no more + To pamper <i>me</i> with;—so, I hat to go + <i>Without</i> popcorn—sometimes a <i>year</i> er so!— + And <i>suffer'n' saints!</i> how hungry I would git + Fer jest one other chance—like this—at it! + Many and many a time I've <i>dreamp</i>', at night, + About popcorn,—all busted open white, + And hot, you know—and jest enough o' salt + And butter on it fer to find no fault— + <i>Oomh!</i>—Well! as I was goin' on to say,— + After a-<i>dreamin</i>' of it thataway, + <i>Then</i> havin' to wake up and find it's all + A <i>dream</i>, and hain't got no popcorn at-tall, + Ner haint <i>had</i> none—I'd think, '<i>Well, where's the use!</i>' + And jest lay back and sob the plaster'n' loose! + And I have <i>prayed</i>, what<i>ever</i> happened, it + 'Ud eether be popcorn er death!.... And yit + I've noticed—more'n likely so have you— + That things don't happen when you <i>want</i> 'em to." + + And thus he ran on artlessly, with speech + And work in equal exercise, till each + Tureen and bowl brimmed white. And then he greased + The saucers ready for the wax, and seized + The fragrant-steaming kettle, at a sign + Made by Floretty; and, each child in line, + He led out to the pump—where, in the dim + New coolness of the night, quite near to him + He felt Floretty's presence, fresh and sweet + As ... dewy night-air after kitchen-heat. + + There, still, with loud delight of laugh and jest, + They plied their subtle alchemy with zest— + Till, sudden, high above their tumult, welled + Out of the sitting-room a song which held + Them stilled in some strange rapture, listening + To the sweet blur of voices chorusing:— + + "'When twilight approaches the season + That ever is sacred to song, + Does some one repeat my name over, + And sigh that I tarry so long? + And is there a chord in the music + That's missed when my voice is away?— + And a chord in each heart that awakens + Regret at my wearisome stay-ay— + Regret at my wearisome stay.'" + + All to himself, The Hired Man thought—"Of course + <i>They'll</i> sing <i>Floretty</i> homesick!" + + ... O strange source + Of ecstasy! O mystery of Song!— + To hear the dear old utterance flow along:— + + "'Do they set me a chair near the table + When evening's home-pleasures are nigh?— + When the candles are lit in the parlor. + And the stars in the calm azure sky.'"... + + Just then the moonlight sliced the porch slantwise, + And flashed in misty spangles in the eyes + Floretty clenched—while through the dark—"I jing!" + A voice asked, "Where's that song '<i>you'd</i> learn to sing + Ef I sent you the <i>ballat</i>?'—which I done + Last I was home at Freeport.—S'pose you run + And git it—and we'll all go in to where + They'll know the notes and sing it fer ye there." + And up the darkness of the old stairway + Floretty fled, without a word to say— + Save to herself some whisper muffled by + Her apron, as she wiped her lashes dry. + + Returning, with a letter, which she laid + Upon the kitchen-table while she made + A hasty crock of "float,"—poured thence into + A deep glass dish of iridescent hue + And glint and sparkle, with an overflow + Of froth to crown it, foaming white as snow.— + And then—poundcake, and jelly-cake as rare, + For its delicious complement,—with air + Of Hebe mortalized, she led her van + Of votaries, rounded by The Hired Man. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0012" id="link2H_4_0012"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE EVENING COMPANY + </h2> +<pre xml:space="preserve"> + Within the sitting-room, the company + Had been increased in number. Two or three + Young couples had been added: Emma King, + Ella and Mary Mathers—all could sing + Like veritable angels—Lydia Martin, too, + And Nelly Millikan.—What songs they knew!— + + <i>"'Ever of Thee—wherever I may be, + Fondly I'm drea-m-ing ever of thee!</i>'" + + And with their gracious voices blend the grace + Of Warsaw Barnett's tenor; and the bass + Unfathomed of Wick Chapman—Fancy still + Can <i>feel</i>, as well as <i>hear</i> it, thrill on thrill, + Vibrating plainly down the backs of chairs + And through the wall and up the old hall-stairs.— + Indeed young Chapman's voice especially + Attracted <i>Mr. Hammond</i>—For, said he, + Waiving the most Elysian sweetness of + The <i>ladies</i>' voices—altitudes above + The <i>man's</i> for sweetness;—<i>but</i>—as <i>contrast</i>, would + Not Mr. Chapman be so very good + As, just now, to oblige <i>all</i> with—in fact, + Some sort of <i>jolly</i> song,—to counteract + In part, at least, the sad, pathetic trend + Of music <i>generally</i>. Which wish our friend + "The Noted Traveler" made second to + With heartiness—and so each, in review, + Joined in—until the radiant <i>basso</i> cleared + His wholly unobstructed throat and peered + Intently at the ceiling—voice and eye + As opposite indeed as earth and sky.— + Thus he uplifted his vast bass and let + It roam at large the memories booming yet: + + "'Old Simon the Cellarer keeps a rare store + Of Malmsey and Malvoi-sie, + Of Cyprus, and who can say how many more?— + But a chary old so-u-l is he-e-ee— + A chary old so-u-l is he! + Of hock and Canary he never doth fail; + And all the year 'round, there is brewing of ale;— + Yet he never aileth, he quaintly doth say, + While he keeps to his sober six flagons a day.'" + + ... And then the chorus—the men's voices all + <i>Warred</i> in it—like a German Carnival.— + Even <i>Mrs</i>. Hammond smiled, as in her youth, + Hearing her husband—And in veriest truth + "The Noted Traveler's" ever-present hat + Seemed just relaxed a little, after that, + As at conclusion of the Bacchic song + He stirred his "float" vehemently and long. + + Then Cousin Rufus with his flute, and art + Blown blithely through it from both soul and heart— + Inspired to heights of mastery by the glad, + Enthusiastic audience he had + In the young ladies of a town that knew + No other flutist,—nay, nor <i>wanted</i> to, + Since they had heard <i>his</i> "Polly Hopkin's Waltz," + Or "Rickett's Hornpipe," with its faultless faults, + As rendered solely, he explained, "by ear," + Having but heard it once, Commencement Year, + At "Old Ann Arbor." + + Little Maymie now + Seemed "friends" with <i>Mr. Hammond</i>—anyhow, + Was lifted to his lap—where settled, she— + Enthroned thus, in her dainty majesty, + Gained <i>universal</i> audience—although + Addressing him alone:—"I'm come to show + You my new Red-blue pencil; and <i>she</i> says"— + (Pointing to <i>Mrs.</i> Hammond)—"that she guess' + You'll make a <i>picture</i> fer me." + + "And what <i>kind</i> + Of picture?" Mr. Hammond asked, inclined + To serve the child as bidden, folding square + The piece of paper she had brought him there.— + "I don't know," Maymie said—"only ist make + A <i>little dirl</i>, like me!" + + He paused to take + A sharp view of the child, and then he drew— + Awhile with red, and then awhile with blue— + The outline of a little girl that stood + In converse with a wolf in a great wood; + And she had on a hood and cloak of red— + As Maymie watched—"<i>Red Riding Hood!</i>" she said. + "And who's '<i>Red Riding Hood'?</i>" + + "W'y, don't <i>you</i> know?" + Asked little Maymie— + + But the man looked so + All uninformed, that little Maymie could + But tell him <i>all about</i> Red Riding Hood. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0013" id="link2H_4_0013"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + MAYMIE'S STORY OF RED RIDING HOOD + </h2> +<pre xml:space="preserve"> + W'y, one time wuz a little-weenty dirl, + An' she wuz named Red Riding Hood, 'cause her— + Her <i>Ma</i> she maked a little red cloak fer her + 'At turnt up over her head—An' it 'uz all + Ist one piece o' red cardinal 'at 's like + The drate-long stockin's the store-keepers has.— + O! it 'uz purtiest cloak in all the world + An' <i>all</i> this town er anywheres they is! + An' so, one day, her Ma she put it on + Red Riding Hood, she did—one day, she did— + An' it 'uz <i>Sund'y</i>—'cause the little cloak + It 'uz too nice to wear ist <i>ever'</i> day + An' <i>all</i> the time!—An' so her Ma, she put + It on Red Riding Hood—an' telled her not + To dit no dirt on it ner dit it mussed + Ner nothin'! An'—an'—nen her Ma she dot + Her little basket out, 'at Old Kriss bringed + Her wunst—one time, he did. And nen she fill' + It full o' whole lots an' 'bundance o' good things t' eat + (Allus my Dran'ma <i>she</i> says ''bundance,' too.) + An' so her Ma fill' little Red Riding Hood's + Nice basket all ist full o' dood things t' eat, + An' tell her take 'em to her old Dran'ma— + An' not to <i>spill</i> 'em, neever—'cause ef she + 'Ud stump her toe an' spill 'em, her Dran'ma + She'll haf to <i>punish</i> her! + + An' nen—An' so + Little Red Riding Hood she p'omised she + 'Ud be all careful nen an' cross' her heart + 'At she wont run an' spill 'em all fer six— + Five—ten—two-hundred-bushel-dollars-gold! + An' nen she kiss her Ma doo'-bye an' went + A-skippin' off—away fur off frough the + Big woods, where her Dran'ma she live at.—No!— + She didn't do <i>a-skippin'</i>, like I said:— + She ist went <i>walkin'</i>—careful-like an' slow— + Ist like a little lady—walkin' 'long + As all polite an' nice—an' slow—an' straight— + An' turn her toes—ist like she's marchin' in + The Sund'y-School k-session! + + An'—an'—so + She 'uz a-doin' along—an' doin' along— + On frough the drate big woods—'cause her Dran'ma + She live 'way, 'way fur off frough the big woods + From <i>her</i> Ma's house. So when Red Riding Hood + She dit to do there, allus have most fun— + When she do frough the drate big woods, you know.— + 'Cause she ain't feared a bit o' anything! + An' so she sees the little hoppty-birds + 'At's in the trees, an' flyin' all around, + An' singin' dlad as ef their parunts said + They'll take 'em to the magic-lantern show! + An' she 'ud pull the purty flowers an' things + A-growin' round the stumps—An' she 'ud ketch + The purty butterflies, an' drasshoppers, + An' stick pins frough 'em—No!—I ist <i>said</i> that!— + 'Cause she's too dood an' kind an' 'bedient + To <i>hurt</i> things thataway.—She'd <i>ketch</i> 'em, though, + An' ist <i>play</i> wiv 'em ist a little while, + An' nen she'd let 'em fly away, she would, + An' ist skip on adin to her Dran'ma's. + + An' so, while she uz doin' 'long an' 'long, + First thing you know they 'uz a drate big old + Mean wicked Wolf jumped out 'at wanted t' eat + Her up, but <i>dassent</i> to—'cause wite clos't there + They wuz a Man a-choppin' wood, an' you + Could <i>hear</i> him.—So the old Wolf he 'uz <i>'feared</i> + Only to ist be <i>kind</i> to her.—So he + Ist 'tended like he wuz dood friends to her + An' says "Dood-morning, little Red Riding Hood!"— + All ist as kind! + + An' nen Riding Hood + She say "Dood-morning," too—all kind an' nice— + Ist like her Ma she learn'—No!—mustn't say + "Learn," cause "<i>Learn</i>" it's unproper.—So she say + It like her <i>Ma</i> she "<i>teached</i>" her.—An'—so she + Ist says "Dood-morning" to the Wolf—'cause she + Don't know ut-tall 'at he's a <i>wicked</i> Wolf + An' want to eat her up! + + Nen old Wolf smile + An' say, so kind: "Where air you doin' at?" + Nen little Red Riding Hood she says: "I'm doin' + To my Dran'ma's, 'cause my Ma say I might." + Nen, when she tell him that, the old Wolf he + Ist turn an' light out frough the big thick woods, + Where she can't see him any more. An so + She think he's went to <i>his</i> house—but he haint,— + He's went to her Dran'ma's, to be there first— + An' <i>ketch</i> her, ef she don't watch mighty sharp + What she's about! + + An' nen when the old Wolf + Dit to her Dran'ma's house, he's purty smart,— + An' so he 'tend-like <i>he's</i> Red Riding Hood, + An' knock at th' door. An' Riding Hood's Dran'ma + She's sick in bed an' can't come to the door + An' open it. So th' old Wolf knock <i>two</i> times. + An' nen Red Riding Hood's Dran'ma she says + "Who's there?" she says. An' old Wolf 'tends-like he's + Little Red Riding Hood, you know, an' make' + His voice soun' ist like hers, an' says: "It's me, + Dran'ma—an' I'm Red Riding Hood an' I'm + Ist come to see you." + + Nen her old Dran'ma + She think it <i>is</i> little Red Riding Hood, + An' so she say: "Well, come in nen an' make + You'se'f at home," she says, "'cause I'm down sick + In bed, and got the 'ralgia, so's I can't + Dit up an' let ye in." + + An' so th' old Wolf + Ist march' in nen an' shet the door adin, + An' <i>drowl</i>, he did, an' <i>splunge</i> up on the bed + An' et up old Miz Riding Hood 'fore she + Could put her specs on an' see who it wuz.— + An' so she never knowed <i>who</i> et her up! + + An' nen the wicked Wolf he ist put on + Her nightcap, an' all covered up in bed— + Like he wuz <i>her</i>, you know. + + Nen, purty soon + Here come along little Red Riding Hood, + An' <i>she</i> knock' at the door. An' old Wolf 'tend + Like <i>he's</i> her Dran'ma; an' he say, "Who's there?" + Ist like her Dran'ma say, you know. An' so + Little Red Riding Hood she say "It's <i>me</i>, + Dran'ma—an' I'm Red Riding Hood and I'm + Ist come to <i>see</i> you." + + An' nen old Wolf nen + He cough an' say: "Well, come in nen an' make + You'se'f at home," he says, "'cause I'm down sick + In bed, an' got the 'ralgia, so's I can't + Dit up an' let ye in." + + An' so she think + It's her Dran'ma a-talkin'.—So she ist + Open' the door an' come in, an' set down + Her basket, an' taked off her things, an' bringed + A chair an' clumbed up on the bed, wite by + The old big Wolf she thinks is her Dran'ma.— + Only she thinks the old Wolf's dot whole lots + More bigger ears, an' lots more whiskers, too, + Than her Dran'ma; an' so Red Riding Hood + She's kindo' skeered a little. So she says + "Oh, Dran'ma, what <i>big eyes</i> you dot!" An' nen + The old Wolf says: "They're ist big thataway + 'Cause I'm so dlad to see you!" + + Nen she says,— + "Oh, Dran'ma, what a drate big nose you dot!" + Nen th' old Wolf says: "It's ist big thataway + Ist 'cause I smell the dood things 'at you bringed + Me in the basket!" + + An' nen Riding Hood + She say "Oh-me-oh-<i>my</i>! Dran'ma! what big + White long sharp teeth you dot!" + + Nen old Wolf says: + "Yes—an' they're thataway," he says—an' drowled— + "They're thataway," he says, "to <i>eat</i> you wiv!" + An' nen he ist <i>jump</i>' at her.— + + But she <i>scream</i>'— + An' <i>scream</i>', she did—So's 'at the Man + 'At wuz a-choppin' wood, you know,—<i>he</i> hear, + An' come a-runnin' in there wiv his ax; + An', 'fore the old Wolf know' what he's about, + He split his old brains out an' killed him s'quick + It make' his head swim!—An' Red Riding Hood + She wuzn't hurt at all! + + An' the big Man + He tooked her all safe home, he did, an' tell + Her Ma she's all right an' ain't hurt at all + An' old Wolf's dead an' killed—an' ever'thing!— + So her Ma wuz so tickled an' so proud, + She divved <i>him</i> all the dood things t' eat they wuz + 'At's in the basket, an' she tell him 'at + She's much oblige', an' say to "call adin." + An' story's honest <i>truth</i>—an' all <i>so</i>, too! +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0014" id="link2H_4_0014"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + LIMITATIONS OF GENIUS + </h2> +<pre xml:space="preserve"> + The audience entire seemed pleased—indeed + <i>Extremely</i> pleased. And little Maymie, freed + From her task of instructing, ran to show + Her wondrous colored picture to and fro + Among the company. + + "And how comes it," said + Some one to Mr. Hammond, "that, instead + Of the inventor's life you did not choose + The <i>artist's?</i>—since the world can better lose + A cutting-box or reaper than it can + A noble picture painted by a man + Endowed with gifts this drawing would suggest"— + Holding the picture up to show the rest. + "<i>There now!</i>" chimed in the wife, her pale face lit + Like winter snow with sunrise over it,— + "That's what <i>I'm</i> always asking him.—But <i>he</i>— + <i>Well</i>, as he's answering <i>you</i>, he answers <i>me</i>,— + With that same silent, suffocating smile + He's wearing now!" + + For quite a little while + No further speech from anyone, although + All looked at Mr. Hammond and that slow, + Immutable, mild smile of his. And then + The encouraged querist asked him yet again + <i>Why was it</i>, and etcetera—with all + The rest, expectant, waiting 'round the wall,— + Until the gentle Mr. Hammond said + He'd answer with a "<i>parable</i>," instead— + About "a dreamer" that he used to know— + "An artist"—"master"—<i>all</i>—in <i>embryo</i>. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0015" id="link2H_4_0015"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + MR. HAMMOND'S PARABLE + </h2> +<pre xml:space="preserve"> + THE DREAMER + + I + + He was a Dreamer of the Days: + Indolent as a lazy breeze + Of midsummer, in idlest ways + Lolling about in the shade of trees. + The farmer turned—as he passed him by + Under the hillside where he kneeled + Plucking a flower—with scornful eye + And rode ahead in the harvest field + Muttering—"Lawz! ef that-air shirk + Of a boy was mine fer a week er so, + He'd quit <i>dreamin'</i> and git to work + And <i>airn</i> his livin'—er—Well! <i>I</i> know!" + And even kindlier rumor said, + Tapping with finger a shaking head,— + "Got such a curious kind o' way— + Wouldn't surprise me much, I say!" + + Lying limp, with upturned gaze + Idly dreaming away his days. + No companions? Yes, a book + Sometimes under his arm he took + To read aloud to a lonesome brook. + And school-boys, truant, once had heard + A strange voice chanting, faint and dim— + Followed the echoes, and found it him, + Perched in a tree-top like a bird, + Singing, clean from the highest limb; + And, fearful and awed, they all slipped by + To wonder in whispers if he could fly. + "Let him alone!" his father said + When the old schoolmaster came to say, + "He took no part in his books to-day— + Only the lesson the readers read.— + His mind seems sadly going astray!" + "Let him alone!" came the mournful tone, + And the father's grief in his sad eyes shone— + Hiding his face in his trembling hand, + Moaning, "Would I could understand! + But as heaven wills it I accept + Uncomplainingly!" So he wept. + + Then went "The Dreamer" as he willed, + As uncontrolled as a light sail filled + Flutters about with an empty boat + Loosed from its moorings and afloat: + Drifted out from the busy quay + Of dull school-moorings listlessly; + Drifted off on the talking breeze, + All alone with his reveries; + Drifted on, as his fancies wrought— + Out on the mighty gulfs of thought. +</pre> +<pre xml:space="preserve"> + II + + The farmer came in the evening gray + And took the bars of the pasture down; + Called to the cows in a coaxing way, + "Bess" and "Lady" and "Spot" and "Brown," + While each gazed with a wide-eyed stare, + As though surprised at his coming there— + Till another tone, in a higher key, + Brought their obeyance lothfully. + + Then, as he slowly turned and swung + The topmost bar to its proper rest, + Something fluttered along and clung + An instant, shivering at his breast— + A wind-scared fragment of legal cap, + Which darted again, as he struck his hand + On his sounding chest with a sudden slap, + And hurried sailing across the land. + But as it clung he had caught the glance + Of a little penciled countenance, + And a glamour of written words; and hence, + A minute later, over the fence, + "Here and there and gone astray + Over the hills and far away," + He chased it into a thicket of trees + And took it away from the captious breeze. + + A scrap of paper with a rhyme + Scrawled upon it of summertime: + A pencil-sketch of a dairy-maid, + Under a farmhouse porch's shade, + Working merrily; and was blent + With her glad features such sweet content, + That a song she sung in the lines below + Seemed delightfully <i>apropos</i>:— + + SONG + + "Why do I sing—Tra-la-la-la-la! + Glad as a King?—Tra-la-la-la-la! + Well, since you ask,— + I have such a pleasant task, + I can not help but sing! + + "Why do I smile—Tra-la-la-la-la! + Working the while?—Tra-la-la-la-la! + Work like this is play,— + So I'm playing all the day— + I can not help but smile! + + "So, If you please—Tra-la-la-la-la! + Live at your ease!—Tra-la-la-la-la! + You've only got to turn, + And, you see, its bound to churn— + I can not help but please!" + + The farmer pondered and scratched his head, + Reading over each mystic word.— + "Some o' the Dreamer's work!" he said— + "Ah, here's more—and name and date + In his hand-write'!"—And the good man read,— + "'Patent applied for, July third, + Eighteen hundred and forty-eight'!" + The fragment fell from his nerveless grasp— + His awed lips thrilled with the joyous gasp: + "I see the p'int to the whole concern,— + He's studied out a patent churn!" +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0016" id="link2H_4_0016"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + FLORETTY'S MUSICAL CONTRIBUTION + </h2> +<pre xml:space="preserve"> + All seemed delighted, though the elders more, + Of course, than were the children.—Thus, before + Much interchange of mirthful compliment, + The story-teller said <i>his</i> stories "went" + (Like a bad candle) <i>best</i> when they went <i>out</i>,— + And that some sprightly music, dashed about, + Would <i>wholly</i> quench his "glimmer," and inspire + Far brighter lights. + + And, answering this desire, + The flutist opened, in a rapturous strain + Of rippling notes—a perfect April-rain + Of melody that drenched the senses through;— + Then—gentler—gentler—as the dusk sheds dew, + It fell, by velvety, staccatoed halts, + Swooning away in old "Von Weber's Waltz." + Then the young ladies sang "Isle of the Sea"— + In ebb and flow and wave so billowy,— + Only with quavering breath and folded eyes + The listeners heard, buoyed on the fall and rise + Of its insistent and exceeding stress + Of sweetness and ecstatic tenderness ... + With lifted finger <i>yet</i>, Remembrance—List!— + "<i>Beautiful isle of the sea!</i>" wells in a mist + Of tremulous ... + + ... After much whispering + Among the children, Alex came to bring + Some kind of <i>letter</i>—as it seemed to be— + To Cousin Rufus. This he carelessly + Unfolded—reading to himself alone,— + But, since its contents became, later, known, + And no one "<i>plagued</i> so <i>awful</i> bad," the same + May here be given—of course without full name, + Fac-simile, or written kink or curl + Or clue. It read:— + + "Wild Roved an indian Girl + Brite al Floretty" + deer freind + I now take + *this* These means to send that <i>Song</i> to you & make + my Promus good to you in the Regards + Of doing What i Promust afterwards, + the <i>notes</i> & <i>Words</i> is both here <i>Printed</i> SOS + you *kin* can git <i>uncle Mart</i> to read you *them* those + & cousin Rufus you can git to <i>Play</i> + the <i>notes</i> fur you on eny Plezunt day + His Legul Work aint *Pressin* Pressing. + Ever thine + As shore as the Vine + doth the Stump intwine + thou art my Lump of Sackkerrine + Rinaldo Rinaldine + the Pirut in Captivity. + + ... There dropped + Another square scrap.—But the hand was stopped + That reached for it—Floretty suddenly + Had set a firm foot on her property— + Thinking it was the <i>letter</i>, not the <i>song</i>,— + But blushing to discover she was wrong, + When, with all gravity of face and air, + Her precious letter <i>handed</i> to her there + By Cousin Rufus left her even more + In apprehension than she was before. + But, testing his unwavering, kindly eye, + She seemed to put her last suspicion by, + And, in exchange, handed the song to him.— + + A page torn from a song-book: Small and dim + Both notes and words were—but as plain as day + They seemed to him, as he began to play— + And plain to <i>all</i> the singers,—as he ran + An airy, warbling prelude, then began + Singing and swinging in so blithe a strain, + That every voice rang in the old refrain: + From the beginning of the song, clean through, + Floretty's features were a study to + The flutist who "read <i>notes</i>" so readily, + Yet read so little of the mystery + Of that face of the girl's.—Indeed <i>one</i> thing + Bewildered him quite into worrying, + And that was, noticing, throughout it all, + The Hired Man shrinking closer to the wall, + She ever backing toward him through the throng + Of barricading children—till the song + Was ended, and at last he saw her near + Enough to reach and take him by the ear + And pinch it just a pang's worth of her ire + And leave it burning like a coal of fire. + He noticed, too, in subtle pantomime + She seemed to dust him off, from time to time; + And when somebody, later, asked if she + Had never heard the song before—"What! <i>me?</i>" + She said—then blushed again and smiled,— + "I've knowed that song sence <i>Adam</i> was a child!— + It's jes a joke o' this-here man's.—He's learned + To <i>read</i> and <i>write</i> a little, and its turned + His fool-head some—That's all!" + + And then some one + Of the loud-wrangling boys said—"<i>Course</i> they's none + No more, <i>these</i> days!—They's Fairies <i>ust</i> to be, + But they're all dead, a hunderd years!" said he. + + "Well, there's where you're <i>mustakened</i>!"—in reply + They heard Bud's voice, pitched sharp and thin and high.— + + "An' how you goin' to <i>prove</i> it!" + + "Well, I <i>kin</i>!" + Said Bud, with emphasis,—"They's one lives in + Our garden—and I <i>see</i> 'im wunst, wiv my + Own eyes—<i>one</i> time I did." + + "<i>Oh, what a lie</i>!" + —"'<i>Sh!</i>'" + + "Well, nen," said the skeptic—seeing there + The older folks attracted—"Tell us <i>where</i> + You saw him, an' all <i>'bout</i> him!' + + "Yes, my son.— + If you tell 'stories,' you may tell us one," + The smiling father said, while Uncle Mart, + Behind him, winked at Bud, and pulled apart + His nose and chin with comical grimace— + Then sighed aloud, with sanctimonious face,— + "'<i>How good and comely it is to see + Children and parents in friendship agree!</i>'— + You fire away, Bud, on your Fairy-tale— + Your <i>Uncle's</i> here to back you!" + + Somewhat pale, + And breathless as to speech, the little man + Gathered himself. And thus his story ran. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0017" id="link2H_4_0017"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BUD'S FAIRY-TALE + </h2> +<pre xml:space="preserve"> + Some peoples thinks they ain't no Fairies <i>now</i> + No more yet!—But they <i>is</i>, I bet! 'Cause ef + They <i>wuzn't</i> Fairies, nen I' like to know + Who'd w'ite 'bout Fairies in the books, an' tell + What Fairies <i>does</i>, an' how their <i>picture</i> looks, + An' all an' ever'thing! W'y, ef they don't + Be Fairies anymore, nen little boys + 'U'd ist <i>sleep</i> when they go to sleep an' wont + Have ist no dweams at all,—'Cause Fairies—<i>good</i> + Fairies—they're a-purpose to make dweams! + But they <i>is</i> Fairies—an' I <i>know</i> they is! + 'Cause one time wunst, when its all Summertime, + An' don't haf to be no fires in the stove + Er fireplace to keep warm wiv—ner don't haf + To wear old scwatchy flannen shirts at all, + An' aint no fweeze—ner cold—ner snow!—An'—an' + Old skweeky twees got all the gween leaves on + An' ist keeps noddin', noddin' all the time, + Like they 'uz lazy an' a-twyin' to go + To sleep an' couldn't, 'cause the wind won't quit + A-blowin' in 'em, an' the birds won't stop + A-singin' so's they <i>kin</i>.—But twees <i>don't</i> sleep, + I guess! But <i>little boys</i> sleeps—an' <i>dweams</i>, too.— + An' that's a sign they's Fairies. + + So, one time, + When I ben playin' "Store" wunst over in + The shed of their old stable, an' Ed Howard + He maked me quit a-bein' pardners, 'cause + I dwinked the 'tend-like sody-water up + An' et the shore-nuff cwackers.—W'y, nen I + Clumbed over in our garden where the gwapes + Wuz purt'-nigh ripe: An' I wuz ist a-layin' + There on th' old cwooked seat 'at Pa maked in + Our arber,—an' so I 'uz layin' there + A-whittlin' beets wiv my new dog-knife, an' + A-lookin' wite up through the twimbly leaves— + An' wuzn't 'sleep at all!—An'-sir!—first thing + You know, a little <i>Fairy</i> hopped out there! + A <i>leetle-teenty Fairy!—hope-may-die!</i> + An' he look' down at me, he did—An' he + Ain't bigger'n a <i>yellerbird!</i>—an' he + Say "Howdy-do!" he did—an' I could <i>hear</i> + Him—ist as <i>plain!</i> + + Nen <i>I</i> say "Howdy-do!" + An' he say "<i>I'm</i> all hunkey, Nibsey; how + Is <i>your</i> folks comin' on?" + + An' nen I say + "My name ain't '<i>Nibsey</i>,' neever—my name's <i>Bud</i>. + An' what's <i>your</i> name?" I says to him. + + An'he + Ist laugh an' say "'<i>Bud's</i>' awful <i>funny</i> name!" + An' he ist laid back on a big bunch o' gwapes + An' laugh' an' laugh', he did—like somebody + 'Uz tick-el-un his feet! + + An' nen I say— + "What's <i>your</i> name," nen I say, "afore you bust + Yo'-se'f a-laughin' 'bout <i>my</i> name?" I says. + An' nen he dwy up laughin'—kindo' mad— + An' say "W'y, <i>my</i> name's <i>Squidjicum</i>," he says. + An' nen <i>I</i> laugh an' say—"<i>Gee!</i> what a name!" + An' when I make fun of his name, like that, + He ist git awful mad an' spunky, an' + 'Fore you know, he ist gwabbed holt of a vine— + A big long vine 'at's danglin' up there, an' + He ist helt on wite tight to that, an' down + He swung quick past my face, he did, an' ist + Kicked at me hard's he could! + + But I'm too quick + Fer <i>Mr. Squidjicum!</i> I ist weached out + An' ketched him, in my hand—an' helt him, too, + An' <i>squeezed</i> him, ist like little wobins when + They can't fly yet an' git flopped out their nest. + An' nen I turn him all wound over, an' + Look at him clos't, you know—wite clos't,—'cause ef + He <i>is</i> a Fairy, w'y, I want to see + The <i>wings</i> he's got—But he's dwessed up so fine + 'At I can't <i>see</i> no wings.—An' all the time + He's twyin' to kick me yet: An' so I take + F'esh holts an' <i>squeeze</i> agin—an' harder, too; + An' I says, "<i>Hold up, Mr. Squidjicum!</i>— + You're kickin' the w'ong man!" I says; an' nen + I ist <i>squeeze' him</i>, purt'-nigh my <i>best</i>, I did— + An' I heerd somepin' bust!—An' nen he cwied + An' says, "You better look out what you're doin'!— + You' bust' my spiderweb-suspen'ners, an' + You' got my woseleaf-coat all cwinkled up + So's I can't go to old Miss Hoodjicum's + Tea-party, 's'afternoon!" + + An' nen I says— + "Who's 'old Miss Hoodjicum'?" I says + + An'he + Says "Ef you lemme loose I'll tell you." + + So + I helt the little skeezics 'way fur out + In one hand—so's he can't jump down t' th' ground + Wivout a-gittin' all stove up: an' nen + I says, "You're loose now.—Go ahead an' tell + 'Bout the 'tea-party' where you're goin' at + So awful fast!" I says. + + An' nen he say,— + "No use to <i>tell</i> you 'bout it, 'cause you won't + Believe it, 'less you go there your own se'f + An' see it wiv your own two eyes!" he says. + An' <i>he</i> says: "Ef you lemme <i>shore-nuff</i> loose, + An' p'omise 'at you'll keep wite still, an' won't + Tetch nothin' 'at you see—an' never tell + Nobody in the world—an' lemme loose— + W'y, nen I'll <i>take</i> you there!" + + But I says, "Yes + An' ef I let you loose, you'll <i>run!</i>" I says. + An' he says "No, I won't!—I hope may die!" + Nen I says, "Cwoss your heart you won't!" + + An'he + Ist cwoss his heart; an' nen I weach an' set + The little feller up on a long vine— + An' he 'uz so tickled to git loose agin, + He gwab' the vine wiv boff his little hands + An' ist take an' turn in, he did, an' skin + 'Bout forty-'leven cats! + + Nen when he git + Through whirlin' wound the vine, an' set on top + Of it agin, w'y nen his "woseleaf-coat" + He bwag so much about, it's ist all tored + Up, an' ist hangin' strips an' rags—so he + Look like his Pa's a dwunkard. An' so nen + When he see what he's done—a-actin' up + So smart,—he's awful mad, I guess; an' ist + Pout out his lips an' twis' his little face + Ist ugly as he kin, an' set an' tear + His whole coat off—an' sleeves an' all.—An' nen + He wad it all togevver an' ist <i>throw</i> + It at me ist as hard as he kin dwive! + + An' when I weach to ketch him, an' 'uz goin' + To give him 'nuvver squeezin', <i>he ist flewed + Clean up on top the arber!</i>—'Cause, you know, + They <i>wuz</i> wings on him—when he tored his <i>coat</i> + Clean off—they <i>wuz</i> wings <i>under there</i>. But they + Wuz purty wobbly-like an' wouldn't work + Hardly at all—'Cause purty soon, when I + Throwed clods at him, an' sticks, an' got him shooed + Down off o' there, he come a-floppin' down + An' lit k-bang! on our old chicken-coop, + An' ist laid there a-whimper'n' like a child! + An' I tiptoed up wite clos't, an' I says "What's + The matter wiv ye, Squidjicum?" + + An'he + Says: "Dog-gone! when my wings gits stwaight agin, + Where you all <i>cwumpled</i> 'em," he says, "I bet + I'll ist fly clean away an' won't take you + To old Miss Hoodjicum's at all!" he says. + An' nen I ist weach out wite quick, I did, + An' gwab the sassy little snipe agin— + Nen tooked my topstwing an' tie down his wings + So's he <i>can't</i> fly, 'less'n I want him to! + An' nen I says: "Now, Mr. Squidjicum, + You better ist light out," I says, "to old + Miss Hoodjicum's, an' show <i>me</i> how to git + There, too," I says; "er ef you don't," I says, + "I'll climb up wiv you on our buggy-shed + An' push you off!" I says. + + An nen he say + All wight, he'll show me there; an' tell me nen + To set him down wite easy on his feet, + An' loosen up the stwing a little where + It cut him under th' arms. An' nen he says, + "Come on!" he says; an' went a-limpin' 'long + The garden-path—an' limpin' 'long an' 'long + Tel—purty soon he come on 'long to where's + A grea'-big cabbage-leaf. An' he stoop down + An' say "Come on inunder here wiv me!" + So <i>I</i> stoop down an' crawl inunder there, + Like he say. + + An' inunder there's a grea' + Big clod, they is—a awful grea' big clod! + An' nen he says, "<i>Roll this-here clod away!</i>" + An' so I roll' the clod away. An' nen + It's all wet, where the dew'z inunder where + The old clod wuz,—an' nen the Fairy he + Git on the wet-place: Nen he say to me + "Git on the wet-place, too!" An' nen he say, + "Now hold yer breff an' shet yer eyes!" he says, + "Tel I say <i>Squinchy-winchy!</i>" Nen he say— + Somepin <i>in Dutch</i>, I guess.—An' nen I felt + Like we 'uz sinkin' down—an' sinkin' down!— + Tel purty soon the little Fairy weach + An' pinch my nose an' yell at me an' say, + "<i>Squinchy-winchy! Look wherever you please!</i>" + Nen when I looked—Oh! they 'uz purtyest place + Down there you ever saw in all the World!— + They 'uz ist <i>flowers</i> an' <i>woses</i>—yes, an' <i>twees</i> + Wiv <i>blossoms</i> on an' <i>big ripe apples</i> boff! + An' butterflies, they wuz—an' hummin'-birds— + An' <i>yellow</i>birds an' <i>blue</i>birds—yes, an' <i>red!</i>— + An' ever'wheres an' all awound 'uz vines + Wiv ripe p'serve-pears on 'em!—Yes, an' all + An' ever'thing 'at's ever gwowin' in + A garden—er canned up—all ripe at wunst!— + It wuz ist like a garden—only it + 'Uz <i>little</i> tit o' garden—'bout big wound + As ist our twun'el-bed is.—An' all wound + An' wound the little garden's a gold fence— + An' little gold gate, too—an' ash-hopper + 'At's all gold, too—an' ist full o' gold ashes! + An' wite in th' middle o' the garden wuz + A little gold house, 'at's ist 'bout as big + As ist a bird-cage is: An' <i>in</i> the house + They 'uz whole-lots <i>more</i> Fairies there—'cause I + Picked up the little house, an 'peeked in at + The winders, an' I see 'em all in there + Ist <i>buggin</i>' wound! An' Mr. Squidjicum + He twy to make me quit, but I gwab <i>him</i>, + An' poke him down the chimbly, too, I did!— + An' y'ort to see <i>him</i> hop out 'mongst 'em there! + Ist like he 'uz the boss an' ist got back!— + <i>"Hain't ye got on them-air dew-dumplin's yet?"</i> + He says. + + An' they says no. + + An' nen he says + "<i>Better git at 'em nen!</i>" he says, "<i>wite quick— + 'Cause old Miss Hoodjicum's a-comin'!</i>" + + Nen + They all set wound a little gold tub—an' + All 'menced a-peelin' dewdwops, ist like they + 'Uz <i>peaches</i>.—An', it looked so funny, I + Ist laugh' out loud, an' <i>dwopped</i> the little house,— + An' 't busted like a soap-bubble!—An't skeered + Me so, I—I—I—I,—it skeered me so, + I—ist <i>waked</i> up.—No! I <i>ain't</i> ben <i>asleep</i> + An' <i>dream</i> it all, like <i>you</i> think,—but it's shore + Fer-certain <i>fact</i> an' cwoss my heart it is! +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0018" id="link2H_4_0018"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + A DELICIOUS INTERRUPTION + </h2> +<pre xml:space="preserve"> + All were quite gracious in their plaudits of + Bud's Fairy; but another stir above + That murmur was occasioned by a sweet + Young lady-caller, from a neighboring street, + Who rose reluctantly to say good-night + To all the pleasant friends and the delight + Experienced,—as she had promised sure + To be back home by nine. Then paused, demure, + And wondered was it <i>very</i> dark.—Oh, <i>no!</i>— + She had <i>come</i> by herself and she could go + Without an <i>escort</i>. Ah, you sweet girls all! + What young gallant but comes at such a call, + Your most abject of slaves! Why, there were three + Young men, and several men of family, + Contesting for the honor—which at last + Was given to Cousin Rufus; and he cast + A kingly look behind him, as the pair + Vanished with laughter in the darkness there. + + As order was restored, with everything + Suggestive, in its way, of "romancing," + Some one observed that <i>now</i> would be the chance + For <i>Noey</i> to relate a circumstance + That <i>he</i>—the very specious rumor went— + Had been eye-witness of, by accident. + Noey turned pippin-crimson; then turned pale + As death; then turned to flee, without avail.— + "<i>There!</i> head him off! <i>Now!</i> hold him in his chair!— + Tell us the Serenade-tale, now, Noey.—<i>There!</i>" +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0019" id="link2H_4_0019"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + NOEY'S NIGHT-PIECE + </h2> +<pre xml:space="preserve"> + "They ain't much 'tale' about it!" Noey said.— + "K'tawby grapes wuz gittin' good-n-red + I rickollect; and Tubb Kingry and me + 'Ud kindo' browse round town, daytime, to see + What neighbers 'peared to have the most to spare + 'At wuz git-at-able and no dog there + When we come round to git 'em, say 'bout ten + O'clock at night when mostly old folks then + Wuz snorin' at each other like they yit + Helt some old grudge 'at never slep' a bit. + Well, at the <i>Pars'nige</i>—ef ye'll call to mind,— + They's 'bout the biggest grape-arber you'll find + 'Most anywheres.—And mostly there, we knowed + They wuz <i>k'tawbies</i> thick as ever growed— + And more'n they'd <i>p'serve</i>.—Besides I've heerd + Ma say k'tawby-grape-p'serves jes 'peared + A waste o' sugar, anyhow!—And so + My conscience stayed outside and lem me go + With Tubb, one night, the back-way, clean up through + That long black arber to the end next to + The house, where the k'tawbies, don't you know, + Wuz thickest. And t'uz lucky we went <i>slow</i>,— + Fer jest as we wuz cropin' tords the gray- + End, like, of the old arber—heerd Tubb say + In a skeered whisper, 'Hold up! They's some one + Jes slippin' in here!—and <i>looks like a gun</i> + He's carryin'!' I <i>golly!</i> we both spread + Out flat aginst the ground! + + "'What's that?' Tubb said.— + And jest then—'<i>plink! plunk! plink!</i>' we heerd something + Under the back-porch-winder.—Then, i jing! + Of course we rickollected 'bout the young + School-mam 'at wuz a-boardin' there, and sung, + And played on the melodium in the choir.— + And she 'uz 'bout as purty to admire + As any girl in town!—the fac's is, she + Jest <i>wuz</i>, them times, to a dead certainty, + The belle o' this-here bailywick!—But—Well,— + I'd best git back to what I'm tryin' to tell:— + It wuz some feller come to serenade + Miss Wetherell: And there he plunked and played + His old guitar, and sung, and kep' his eye + Set on her winder, blacker'n the sky!— + And black it <i>stayed</i>.—But mayby she wuz 'way + From home, er wore out—bein' <i>Saturday!</i> + + "It <i>seemed</i> a good-'eal <i>longer</i>, but I <i>know</i> + He sung and plunked there half a' hour er so + Afore, it 'peared like, he could ever git + His own free qualified consents to quit + And go off 'bout his business. When he went + I bet you could a-bought him fer a cent! + + "And now, behold ye all!—as Tubb and me + Wuz 'bout to raise up,—right in front we see + A feller slippin' out the arber, square + Smack under that-air little winder where + The <i>other</i> feller had been standin'.—And + The thing he wuz a-carryin' in his hand + Wuzn't no <i>gun</i> at all!—It wuz a <i>flute</i>,— + And <i>whoop-ee!</i> how it did git up and toot + And chirp and warble, tel a mockin'-bird + 'Ud dast to never let hisse'f be heerd + Ferever, after sich miracalous, high + Jim-cracks and grand skyrootics played there by + Yer Cousin Rufus!—Yes-sir; it wuz him!— + And what's more,—all a-suddent that-air dim + Dark winder o' Miss Wetherell's wuz lit + Up like a' oyshture-sign, and under it + We see him sort o' wet his lips and smile + Down 'long his row o' dancin' fingers, while + He kindo' stiffened up and kinked his breath + And everlastin'ly jest blowed the peth + Out o' that-air old one-keyed flute o' his. + And, bless their hearts, that's all the 'tale' they is!" + + And even as Noey closed, all radiantly + The unconscious hero of the history, + Returning, met a perfect driving storm + Of welcome—a reception strangely warm + And <i>unaccountable</i>, to <i>him</i>, although + Most <i>gratifying</i>,—and he told them so. + "I only urge," he said, "my right to be + Enlightened." And a voice said: "<i>Certainly:</i>— + During your absence we agreed that you + Should tell us all a story, old or new, + Just in the immediate happy frame of mind + We knew you would return in." + + So, resigned, + The ready flutist tossed his hat aside— + Glanced at the children, smiled, and thus complied. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0020" id="link2H_4_0020"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + COUSIN RUFUS' STORY + </h2> +<pre xml:space="preserve"> + My little story, Cousin Rufus said, + Is not so much a story as a fact. + It is about a certain willful boy— + An aggrieved, unappreciated boy, + Grown to dislike his own home very much, + By reason of his parents being not + At all up to his rigid standard and + Requirements and exactions as a son + And disciplinarian. + + So, sullenly + He brooded over his disheartening + Environments and limitations, till, + At last, well knowing that the outside world + Would yield him favors never found at home, + He rose determinedly one July dawn— + Even before the call for breakfast—and, + Climbing the alley-fence, and bitterly + Shaking his clenched fist at the woodpile, he + Evanished down the turnpike.—Yes: he had, + Once and for all, put into execution + His long low-muttered threatenings—He had + <i>Run off!</i>—He had—had run away from home! + + His parents, at discovery of his flight, + Bore up first-rate—especially his Pa,— + Quite possibly recalling his own youth, + And therefrom predicating, by high noon, + The absent one was very probably + Disporting his nude self in the delights + Of the old swimmin'-hole, some hundred yards + Below the slaughter-house, just east of town. + The stoic father, too, in his surmise + Was accurate—For, lo! the boy was there! + + And there, too, he remained throughout the day— + Save at one starving interval in which + He clad his sunburnt shoulders long enough + To shy across a wheatfield, shadow-like, + And raid a neighboring orchard—bitterly, + And with spasmodic twitchings of the lip, + Bethinking him how all the other boys + Had <i>homes</i> to go to at the dinner-hour— + While <i>he</i>—alas!—<i>he had no home!</i>—At least + These very words seemed rising mockingly, + Until his every thought smacked raw and sour + And green and bitter as the apples he + In vain essayed to stay his hunger with. + Nor did he join the glad shouts when the boys + Returned rejuvenated for the long + Wet revel of the feverish afternoon.— + Yet, bravely, as his comrades splashed and swam + And spluttered, in their weltering merriment, + He tried to laugh, too,—but his voice was hoarse + And sounded to him like some other boy's. + And then he felt a sudden, poking sort + Of sickness at the heart, as though some cold + And scaly pain were blindly nosing it + Down in the dreggy darkness of his breast. + The tensioned pucker of his purple lips + Grew ever chillier and yet more tense— + The central hurt of it slow spreading till + It did possess the little face entire. + And then there grew to be a knuckled knot— + An aching kind of core within his throat— + An ache, all dry and swallowless, which seemed + To ache on just as bad when he'd pretend + He didn't notice it as when he did. + It was a kind of a conceited pain— + An overbearing, self-assertive and + Barbaric sort of pain that clean outhurt + A boy's capacity for suffering— + So, many times, the little martyr needs + Must turn himself all suddenly and dive + From sight of his hilarious playmates and + Surreptitiously weep under water. + + Thus + He wrestled with his awful agony + Till almost dark; and then, at last—then, with + The very latest lingering group of his + Companions, he moved turgidly toward home— + Nay, rather <i>oozed</i> that way, so slow he went,— + With lothful, hesitating, loitering, + Reluctant, late-election-returns air, + Heightened somewhat by the conscience-made resolve + Of chopping a double-armful of wood + As he went in by rear way of the kitchen. + And this resolve he executed;—yet + The hired girl made no comment whatsoever, + But went on washing up the supper-things, + Crooning the unutterably sad song, "<i>Then think, + Oh, think how lonely this heart must ever be!</i>" + Still, with affected carelessness, the boy + Ranged through the pantry; but the cupboard-door + Was locked. He sighed then like a wet fore-stick + And went out on the porch.—At least the pump, + He prophesied, would meet him kindly and + Shake hands with him and welcome his return! + And long he held the old tin dipper up— + And oh, how fresh and pure and sweet the draught! + Over the upturned brim, with grateful eyes + He saw the back-yard, in the gathering night, + Vague, dim and lonesome, but it all looked good: + The lightning-bugs, against the grape-vines, blinked + A sort of sallow gladness over his + Home-coming, with this softening of the heart. + He did not leave the dipper carelessly + In the milk-trough.—No: he hung it back upon + Its old nail thoughtfully—even tenderly. + All slowly then he turned and sauntered toward + The rain-barrel at the corner of the house, + And, pausing, peered into it at the few + Faint stars reflected there. Then—moved by some + Strange impulse new to him—he washed his feet. + He then went in the house—straight on into + The very room where sat his parents by + The evening lamp.—The father all intent + Reading his paper, and the mother quite + As intent with her sewing. Neither looked + Up at his entrance—even reproachfully,— + And neither spoke. + + The wistful runaway + Drew a long, quavering breath, and then sat down + Upon the extreme edge of a chair. And all + Was very still there for a long, long while.— + Yet everything, someway, seemed <i>restful</i>-like + And <i>homey</i> and old-fashioned, good and kind, + And sort of <i>kin</i> to him!—Only too <i>still!</i> + If somebody would say something—just <i>speak</i>— + Or even rise up suddenly and come + And lift him by the ear sheer off his chair— + Or box his jaws—Lord bless 'em!—<i>any</i>thing!— + Was he not there to thankfully accept + Any reception from parental source + Save this incomprehensible <i>voicelessness</i>. + O but the silence held its very breath! + If but the ticking clock would only <i>strike</i> + And for an instant drown the whispering, + Lisping, sifting sound the katydids + Made outside in the grassy nowhere. + + Far + Down some back-street he heard the faint halloo + Of boys at their night-game of "Town-fox," + But now with no desire at all to be + Participating in their sport—No; no;— + Never again in this world would he want + To join them there!—he only wanted just + To stay in home of nights—Always—always— + Forever and a day! + + He moved; and coughed— + Coughed hoarsely, too, through his rolled tongue; and yet + No vaguest of parental notice or + Solicitude in answer—no response— + No word—no look. O it was deathly still!— + So still it was that really he could not + Remember any prior silence that + At all approached it in profundity + And depth and density of utter hush. + He felt that he himself must break it: So, + Summoning every subtle artifice + Of seeming nonchalance and native ease + And naturalness of utterance to his aid, + And gazing raptly at the house-cat where + She lay curled in her wonted corner of + The hearth-rug, dozing, he spoke airily + And said: "I see you've got the same old cat!" +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0021" id="link2H_4_0021"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BEWILDERING EMOTIONS + </h2> +<pre xml:space="preserve"> + The merriment that followed was subdued— + As though the story-teller's attitude + Were dual, in a sense, appealing quite + As much to sorrow as to mere delight, + According, haply, to the listener's bent + Either of sad or merry temperament.— + "And of your two appeals I much prefer + The pathos," said "The Noted Traveler,"— + "For should I live to twice my present years, + I know I could not quite forget the tears + That child-eyes bleed, the little palms nailed wide, + And quivering soul and body crucified.... + But, bless 'em! there are no such children here + To-night, thank God!—Come here to me, my dear!" + He said to little Alex, in a tone + So winning that the sound of it alone + Had drawn a child more lothful to his knee:— + "And, now-sir, <i>I'll</i> agree if <i>you'll</i> agree,— + <i>You</i> tell us all a story, and then <i>I</i> + Will tell one." + + "<i>But I can't.</i>" + + "Well, can't you <i>try?</i>" + "Yes, Mister: he <i>kin</i> tell <i>one</i>. Alex, tell + The one, you know, 'at you made up so well, + About the <i>Bear</i>. He allus tells that one," + Said Bud,—"He gits it mixed some 'bout the <i>gun</i> + An' <i>ax</i> the Little Boy had, an' <i>apples</i>, too."— + Then Uncle Mart said—"There, now! that'll do!— + Let <i>Alex</i> tell his story his own way!" + And Alex, prompted thus, without delay + Began. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0022" id="link2H_4_0022"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE BEAR-STORY + </h2> +<pre xml:space="preserve"> + THAT ALEX "IST MAKED UP HIS-OWN-SE'F" + + W'y, wunst they wuz a Little Boy went out + In the woods to shoot a Bear. So, he went out + 'Way in the grea'-big woods—he did.—An' he + Wuz goin'along—an'goin'along, you know, + An' purty soon he heerd somepin' go "<i>Wooh!</i>"— + Ist thataway—"<i>Woo-ooh!</i>" An' he wuz <i>skeered</i>, + He wuz. An' so he runned an' clumbed a tree— + A grea'-big tree, he did,—a sicka-<i>more</i> tree. + An' nen he heerd it agin: an' he looked round, + An' <i>'t'uz a Bear!—a grea'-big, shore-nuff Bear!</i>— + No: 't'uz <i>two</i> Bears, it wuz—two grea'-big Bears— + <i>One</i> of 'em wuz—ist <i>one's a grea'-big</i> Bear.— + But they ist <i>boff</i> went "<i>Wooh!</i> "—An' here <i>they</i> come + To climb the tree an' git the Little Boy + An'eat him up! + + An' nen the Little Boy + He 'uz skeered worse'n ever! An' here come + The grea'-big Bear a-climbin' th' tree to git + The Little Boy an' eat him up—Oh, <i>no!</i>— + It 'uzn't the <i>Big</i> Bear 'at clumb the tree— + It 'uz the <i>Little</i> Bear. So here <i>he</i> come + Climbin' the tree—an' climbin' the tree! Nen when + He git wite <i>clos't</i> to the Little Boy, w'y nen + The Little Boy he ist pulled up his gun + An' <i>shot</i> the Bear, he did, an' killed him dead! + An' nen the Bear he falled clean on down out + The tree—away clean to the ground, he did + <i>Spling-splung!</i> he falled <i>plum</i> down, an' killed him, too! + An' lit wite side o' where the' <i>Big</i> Bear's at. + + An' nen the Big Bear's awful mad, you bet!— + 'Cause—'cause the Little Boy he shot his gun + An' killed the <i>Little</i> Bear.—'Cause the <i>Big</i> Bear + He—he 'uz the Little Bear's Papa.—An' so here + <i>He</i> come to climb the big old tree an' git + The Little Boy an' eat him up! An' when + The Little Boy he saw the <i>grea'-big Bear</i> + A-comin', he 'uz badder skeered, he wuz, + Than <i>any</i> time! An' so he think he'll climb + Up <i>higher</i>—'way up higher in the tree + Than the old <i>Bear</i> kin climb, you know.—But he— + He <i>can't</i> climb higher 'an old <i>Bears</i> kin climb,— + 'Cause Bears kin climb up higher in the trees + Than any little Boys In all the Wo-r-r-ld! + + An' so here come the grea'-big Bear, he did,— + A-climbin' up—an' up the tree, to git + The Little Boy an' eat him up! An' so + The Little Boy he clumbed on higher, an' higher. + An' higher up the tree—an' higher—an' higher— + An' higher'n iss-here <i>house</i> is!—An' here come + Th' old Bear—clos'ter to him all the time!— + An' nen—first thing you know,—when th' old Big Bear + Wuz wite clos't to him—nen the Little Boy + Ist jabbed his gun wite in the old Bear's mouf + An' shot an' killed him dead!—No; I <i>fergot</i>,— + He didn't shoot the grea'-big Bear at all— + 'Cause <i>they 'uz no load in the gun</i>, you know— + 'Cause when he shot the <i>Little</i> Bear, w'y, nen + No load 'uz anymore nen <i>in</i> the gun! + + But th' Little Boy clumbed <i>higher</i> up, he did— + He clumbed <i>lots</i> higher—an' on up <i>higher</i>—an' higher + An' <i>higher</i>—tel he ist <i>can't</i> climb no higher, + 'Cause nen the limbs 'uz all so little, 'way + Up in the teeny-weeny tip-top of + The tree, they'd break down wiv him ef he don't + Be keerful! So he stop an' think: An' nen + He look around—An' here come th' old Bear! + An' so the Little Boy make up his mind + He's got to ist git out o' there <i>some</i> way!— + 'Cause here come the old Bear!—so clos't, his bref's + Purt 'nigh so's he kin feel how hot it is + Aginst his bare feet—ist like old "Ring's" bref + When he's ben out a-huntin' an's all tired. + So when th' old Bear's so clos't—the Little Boy + Ist gives a grea'-big jump fer '<i>nother</i> tree— + No!—no he don't do that!—I tell you what + The Little Boy does:—W'y, nen—w'y, he—Oh, <i>yes</i>— + The Little Boy <i>he finds a hole up there + 'At's in the tree</i>—an' climbs in there an' <i>hides</i>— + An' <i>nen</i> the old Bear can't find the Little Boy + Ut-tall!—But, purty soon th' old Bear finds + The Little Boy's <i>gun</i> 'at's up there—'cause the <i>gun</i> + It's too <i>tall</i> to tooked wiv him in the hole. + So, when the old Bear find' the <i>gun</i>, he knows + The Little Boy ist <i>hid</i> 'round <i>somers</i> there,— + An' th' old Bear 'gins to snuff an' sniff around, + An' sniff an' snuff around—so's he kin find + Out where the Little Boy's hid at.—An' nen—nen— + Oh, <i>yes!</i>—W'y, purty soon the old Bear climbs + 'Way out on a big limb—a grea'-long limb,— + An' nen the Little Boy climbs out the hole + An' takes his ax an' chops the limb off!... Nen + The old Bear falls <i>k-splunge!</i> clean to the ground + An' bust an' kill hisse'f plum dead, he did! + + An' nen the Little Boy he git his gun + An' 'menced a-climbin' down the tree agin— + No!—no, he <i>didn't</i> git his <i>gun</i>—'cause when + The <i>Bear</i> falled, nen the <i>gun</i> falled, too—An' broked + It all to pieces, too!—An' <i>nicest</i> gun!— + His Pa ist buyed it!—An' the Little Boy + Ist cried, he did; an' went on climbin' down + The tree—an' climbin' down—an' climbin' down!— + <i>An'-sir!</i> when he 'uz purt'-nigh down,—w'y, nen + <i>The old Bear he jumped up agin!</i>—an he + Ain't dead ut-tall—<i>ist</i> 'tendin' thataway, + So he kin git the Little Boy an' eat + Him up! But the Little Boy he 'uz too smart + To climb clean <i>down</i> the tree.—An' the old Bear + He can't climb <i>up</i> the tree no more—'cause when + He fell, he broke one of his—He broke <i>all</i> + His legs!—an' nen he <i>couldn't</i> climb! But he + Ist won't go 'way an' let the Little Boy + Come down out of the tree. An' the old Bear + Ist growls 'round there, he does—ist growls an' goes + "<i>Wooh! woo-ooh!</i>" all the time! An' Little Boy + He haf to stay up in the tree—all night— + An' 'thout no <i>supper</i> neever!—Only they + Wuz <i>apples</i> on the tree!—An' Little Boy + Et apples—ist all night—an' cried—an' cried! + Nen when 'tuz morning th' old Bear went "<i>Wooh!</i>" + Agin, an' try to climb up in the tree + An' git the Little Boy.—But he <i>can't</i> + Climb t'save his <i>soul</i>, he can't!—An' <i>oh!</i> he's <i>mad!</i>— + He ist tear up the ground! an' go "<i>Woo-ooh!</i>" + An'—<i>Oh,yes!</i>—purty soon, when morning's come + All <i>light</i>—so's you kin <i>see</i>, you know,—w'y, nen + The old Bear finds the Little Boy's <i>gun</i>, you know, + 'At's on the ground.—(An' it ain't broke ut-tall— + I ist <i>said</i> that!) An' so the old Bear think + He'll take the gun an' <i>shoot</i> the Little Boy:— + But <i>Bears they</i> don't know much 'bout shootin' guns: + So when he go to shoot the Little Boy, + The old Bear got the <i>other</i> end the gun + Agin his shoulder, 'stid o' <i>th'other</i> end— + So when he try to shoot the Little Boy, + It shot <i>the Bear</i>, it did—an' killed him dead! + An' nen the Little Boy dumb down the tree + An' chopped his old wooly head off:—Yes, an' killed + The <i>other</i> Bear agin, he did—an' killed + All <i>boff</i> the bears, he did—an' tuk 'em home + An' <i>cooked</i> 'em, too, an' <i>et</i> 'em! + + —An' that's +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0023" id="link2H_4_0023"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE PATHOS OF APPLAUSE + </h2> +<pre xml:space="preserve"> + The greeting of the company throughout + Was like a jubilee,—the children's shout + And fusillading hand-claps, with great guns + And detonations of the older ones, + Raged to such tumult of tempestuous joy, + It even more alarmed than pleased the boy; + Till, with a sudden twitching lip, he slid + Down to the floor and dodged across and hid + His face against his mother as she raised + Him to the shelter of her heart, and praised + His story in low whisperings, and smoothed + The "amber-colored hair," and kissed, and soothed + And lulled him back to sweet tranquillity— + "And 'ats a sign 'at you're the Ma fer me!" + He lisped, with gurgling ecstasy, and drew + Her closer, with shut eyes; and feeling, too, + If he could only <i>purr</i> now like a cat, + He would undoubtedly be doing that! + + "And now"—the serious host said, lifting there + A hand entreating silence;—"now, aware + Of the good promise of our Traveler guest + To add some story with and for the rest, + I think I favor you, and him as well, + Asking a story I have heard him tell, + And know its truth,in each minute detail:" + Then leaning on his guest's chair, with a hale + Hand-pat by way of full indorsement, he + Said, "Yes—the Free-Slave story—certainly." + + The old man, with his waddy notebook out, + And glittering spectacles, glanced round about + The expectant circle, and still firmer drew + His hat on, with a nervous cough or two: + And, save at times the big hard words, and tone + Of gathering passion—all the speaker's own,— + The tale that set each childish heart astir + Was thus told by "The Noted Traveler." +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0024" id="link2H_4_0024"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + TOLD BY "THE NOTED TRAVELER" + </h2> +<pre xml:space="preserve"> + Coming, clean from the Maryland-end + Of this great National Road of ours, + Through your vast West; with the time to spend, + Stopping for days in the main towns, where + Every citizen seemed a friend, + And friends grew thick as the wayside flowers,— + I found no thing that I might narrate + More singularly strange or queer + Than a thing I found in your sister-state + Ohio,—at a river-town—down here + In my notebook: <i>Zanesville—situate + On the stream Muskingum—broad and clear, + And navigable, through half the year, + North, to Coshocton; south, as far + As Marietta.</i>—But these facts are + Not of the <i>story</i>, but the <i>scene</i> + Of the simple little tale I mean + To tell <i>directly</i>—from this, straight through + To the <i>end</i> that is best worth listening to: + + Eastward of Zanesville, two or three + Miles from the town, as our stage drove in, + I on the driver's seat, and he + Pointing out this and that to me,— + On beyond us—among the rest— + A grovey slope, and a fluttering throng + Of little children, which he "guessed" + Was a picnic, as we caught their thin + High laughter, as we drove along, + Clearer and clearer. Then suddenly + He turned and asked, with a curious grin, + What were my views on <i>Slavery? "Why?"</i> + I asked, in return, with a wary eye. + "Because," he answered, pointing his whip + At a little, whitewashed house and shed + On the edge of the road by the grove ahead,— + "Because there are two slaves <i>there</i>," he said— + "Two Black slaves that I've passed each trip + For eighteen years.—Though they've been set free, + They have been slaves ever since!" said he. + And, as our horses slowly drew + Nearer the little house in view, + All briefly I heard the history + Of this little old Negro woman and + Her husband, house and scrap of land; + How they were slaves and had been made free + By their dying master, years ago + In old Virginia; and then had come + North here into a <i>free</i> state—so, + Safe forever, to found a home— + For themselves alone?—for they left South there + Five strong sons, who had, alas! + All been sold ere it came to pass + This first old master with his last breath + Had freed the <i>parents</i>.—(He went to death + Agonized and in dire despair + That the poor slave <i>children</i> might not share + Their parents' freedom. And wildly then + He moaned for pardon and died. Amen!) + + Thus, with their freedom, and little sum + Of money left them, these two had come + North, full twenty long years ago; + And, settling there, they had hopefully + Gone to work, in their simple way, + Hauling—gardening—raising sweet + Corn, and popcorn.—Bird and bee + In the garden-blooms and the apple-tree + Singing with them throughout the slow + Summer's day, with its dust and heat— + The crops that thirst and the rains that fail; + Or in Autumn chill, when the clouds hung low, + And hand-made hominy might find sale + In the near town-market; or baking pies + And cakes, to range in alluring show + At the little window, where the eyes + Of the Movers' children, driving past, + Grew fixed, till the big white wagons drew + Into a halt that would sometimes last + Even the space of an hour or two— + As the dusty, thirsty travelers made + Their noonings there in the beeches' shade + By the old black Aunty's spring-house, where, + Along with its cooling draughts, were found + Jugs of her famous sweet spruce-beer, + Served with her gingerbread-horses there, + While Aunty's snow-white cap bobbed 'round + Till the children's rapture knew no bound, + As she sang and danced for them, quavering clear + And high the chant of her old slave-days— + + "Oh, Lo'd, Jinny! my toes is so', + Dancin' on yo' sandy flo'!" + + Even so had they wrought all ways + To earn the pennies, and hoard them, too,— + And with what ultimate end in view?— + They were saving up money enough to be + Able, in time, to buy their own + Five children back. + + Ah! the toil gone through! + And the long delays and the heartaches, too, + And self-denials that they had known! + But the pride and glory that was theirs + When they first hitched up their shackly cart + For the long, long journey South.—The start + In the first drear light of the chilly dawn, + With no friends gathered in grieving throng,— + With no farewells and favoring prayers; + But, as they creaked and jolted on, + Their chiming voices broke in song— + + "'Hail, all hail! don't you see the stars a-fallin'? + Hail, all hail! I'm on my way. + Gideon [1] am + A healin' ba'm— + I belong to the blood-washed army. + Gideon am + A healin' ba'm— + On my way!'" + + And their <i>return!</i>—with their oldest boy + Along with them! Why, their happiness + Spread abroad till it grew a joy + <i>Universal</i>—It even reached + And thrilled the town till the <i>Church</i> was stirred + Into suspecting that wrong was wrong!— + And it stayed awake as the preacher preached + A <i>Real</i> "Love"-text that he had not long + To ransack for in the Holy Word. + + And the son, restored, and welcomed so, + Found service readily in the town; + And, with the parents, sure and slow, + <i>He</i> went "saltin' de cole cash down." + + So with the <i>next</i> boy—and each one + In turn, till <i>four</i> of the five at last + Had been bought back; and, in each case, + With steady work and good homes not + Far from the parents, <i>they</i> chipped in + To the family fund, with an equal grace. + Thus they managed and planned and wrought, + And the old folks throve—Till the night before + They were to start for the lone last son + In the rainy dawn—their money fast + Hid away in the house,—two mean, + Murderous robbers burst the door. + ...Then, in the dark, was a scuffle—a fall— + An old man's gasping cry—and then + A woman's fife-like shriek. + + ...Three men + Splashing by on horseback heard + The summons: And in an instant all + Sprung to their duty, with scarce a word. + And they were <i>in time</i>—not only to save + The lives of the old folks, but to bag + Both the robbers, and buck-and-gag + And land them safe in the county-jail— + Or, as Aunty said, with a blended awe + And subtlety,—"Safe in de calaboose whah + De dawgs caint bite 'em!" + + —So prevail + The faithful!—So had the Lord upheld + His servants of both deed and prayer,— + HIS the glory unparalleled— + <i>Theirs</i> the reward,—their every son + Free, at last, as the parents were! + And, as the driver ended there + In front of the little house, I said, + All fervently, "Well done! well done!" + At which he smiled, and turned his head + And pulled on the leaders' lines and—"See!" + He said,—"'you can read old Aunty's sign?" + And, peering down through these specs of mine + On a little, square board-sign, I read: + + "Stop, traveler, if you think it fit, + And quench your thirst for a-fip-and-a-bit. + The rocky spring is very clear, + And soon converted into beer." + + And, though I read aloud, I could + Scarce hear myself for laugh and shout + Of children—a glad multitude + Of little people, swarming out + Of the picnic-grounds I spoke about.— + And in their rapturous midst, I see + Again—through mists of memory— + A black old Negress laughing up + At the driver, with her broad lips rolled + Back from her teeth, chalk-white, and gums + Redder than reddest red-ripe plums. + He took from her hand the lifted cup + Of clear spring-water, pure and cold, + And passed it to me: And I raised my hat + And drank to her with a reverence that + My conscience knew was justly due + The old black face, and the old eyes, too— + The old black head, with its mossy mat + Of hair, set under its cap and frills + White as the snows on Alpine hills; + Drank to the old <i>black</i> smile, but yet + Bright as the sun on the violet,— + Drank to the gnarled and knuckled old + Black hands whose palms had ached and bled + And pitilessly been worn pale + And white almost as the palms that hold + Slavery's lash while the victim's wail + Fails as a crippled prayer might fail.— + Aye, with a reverence infinite, + I drank to the old black face and head— + The old black breast with its life of light— + The old black hide with its heart of gold. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0025" id="link2H_4_0025"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + HEAT-LIGHTNING + </h2> +<pre xml:space="preserve"> + There was a curious quiet for a space + Directly following: and in the face + Of one rapt listener pulsed the flush and glow + Of the heat-lightning that pent passions throw + Long ere the crash of speech.—He broke the spell— + The host:—The Traveler's story, told so well, + He said, had wakened there within his breast + A yearning, as it were, to know <i>the rest</i>— + That all unwritten sequence that the Lord + Of Righteousness must write with flame and sword, + Some awful session of His patient thought— + Just then it was, his good old mother caught + His blazing eye—so that its fire became + But as an ember—though it burned the same. + It seemed to her, she said, that she had heard + It was the <i>Heavenly</i> Parent never erred, + And not the <i>earthly</i> one that had such grace: + "Therefore, my son," she said, with lifted face + And eyes, "let no one dare anticipate + The Lord's intent. While <i>He</i> waits, <i>we</i> will wait" + And with a gust of reverence genuine + Then Uncle Mart was aptly ringing in— + + "'<i>If the darkened heavens lower, + Wrap thy cloak around thy form; + Though the tempest rise in power, + God is mightier than the storm!</i>'" + + Which utterance reached the restive children all + As something humorous. And then a call + For <i>him</i> to tell a story, or to "say + A funny piece." His face fell right away: + He knew no story worthy. Then he must + <i>Declaim</i> for them: In that, he could not trust + His memory. And then a happy thought + Struck some one, who reached in his vest and brought + Some scrappy clippings into light and said + There was a poem of Uncle Mart's he read + Last April in "<i>The Sentinel</i>." He had + It there in print, and knew all would be glad + To hear it rendered by the author. + + And, + All reasons for declining at command + Exhausted, the now helpless poet rose + And said: "I am discovered, I suppose. + Though I have taken all precautions not + To sign my name to any verses wrought + By my transcendent genius, yet, you see, + Fame wrests my secret from me bodily; + So I must needs confess I did this deed + Of poetry red-handed, nor can plead + One whit of unintention in my crime— + My guilt of rhythm and my glut of rhyme.— + + "Mænides rehearsed a tale of arms, + And Naso told of curious metat<i>mur</i>phoses; + Unnumbered pens have pictured woman's charms, + While crazy <i>I</i>'ve made poetry <i>on purposes!</i>" + + In other words, I stand convicted—need + I say—by my own doing, as I read. +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0026" id="link2H_4_0026"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + UNCLE MART'S POEM + </h2> +<pre xml:space="preserve"> + THE OLD SNOW-MAN + + Ho! the old Snow-Man + That Noey Bixler made! + He looked as fierce and sassy + As a soldier on parade!— + 'Cause Noey, when he made him, + While we all wuz gone, you see, + He made him, jist a-purpose, + Jist as fierce as he could be!— + But when we all got <i>ust</i> to him, + Nobody wuz afraid + Of the old Snow-Man + That Noey Bixler made! + + 'Cause Noey told us 'bout him + And what he made him fer:— + He'd come to feed, that morning + He found we wuzn't here; + And so the notion struck him, + When we all come taggin' home + 'Tud <i>s'prise</i> us ef a' old Snow-Man + 'Ud meet us when we come! + So, when he'd fed the stock, and milked, + And ben back home, and chopped + His wood, and et his breakfast, he + Jist grabbed his mitts and hopped + Right in on that-air old Snow-Man + That he laid out he'd make + Er bust a trace <i>a-tryin</i>'—jist + Fer old-acquaintance sake!— + But work like that wuz lots more fun. + He said, than when he played! + Ho! the old Snow-Man + That Noey Bixler made! + + He started with a big snow-ball, + And rolled it all around; + And as he rolled, more snow 'ud stick + And pull up off the ground.— + He rolled and rolled all round the yard— + 'Cause we could see the <i>track</i>, + All wher' the snow come off, you know, + And left it wet and black. + He got the Snow-Man's <i>legs-part</i> rolled— + In front the kitchen-door,— + And then he hat to turn in then + And roll and roll some more!— + He rolled the yard all round agin, + And round the house, at that— + Clean round the house and back to wher' + The blame legs-half wuz at! + He said he missed his dinner, too— + Jist clean fergot and stayed + There workin'. Ho! the old Snow-Man + That Noey Bixler made! + + And Noey said he hat to <i>hump</i> + To git the <i>top-half</i> on + The <i>legs-half!</i>—When he <i>did</i>, he said, + His wind wuz purt'-nigh gone.— + He said, I jucks! he jist drapped down + There on the old porch-floor + And panted like a dog!—And then + He up! and rolled some more!— + The <i>last</i> batch—that wuz fer his head,— + And—time he'd got it right + And clumb and fixed it on, he said— + He hat to quit fer night!— + And <i>then</i>, he said, he'd kep' right on + Ef they'd ben any <i>moon</i> + To work by! So he crawled in bed— + And <i>could</i> a-slep' tel <i>noon</i>, + He wuz so plum wore out! he said,— + But it wuz washin'-day, + And hat to cut a cord o' wood + 'Fore he could git away! + + But, last, he got to work agin,— + With spade, and gouge, and hoe, + And trowel, too—(All tools 'ud do + What <i>Noey</i> said, you know!) + He cut his eyebrows out like cliffs— + And his cheekbones and chin + Stuck <i>furder</i> out—and his old <i>nose</i> + Stuck out as fur-agin! + He made his eyes o' walnuts, + And his whiskers out o' this + Here buggy-cushion stuffin'—<i>moss</i>, + The teacher says it is. + And then he made a' old wood'-gun, + Set keerless-like, you know, + Acrost one shoulder—kindo' like + Big Foot, er Adam Poe— + Er, mayby, Simon Girty, + The dinged old Renegade! + <i>Wooh!</i> the old Snow-Man + That Noey Bixler made! + + And there he stood, all fierce and grim, + A stern, heroic form: + What was the winter blast to him, + And what the driving storm?— + What wonder that the children pressed + Their faces at the pane + And scratched away the frost, in pride + To look on him again?— + What wonder that, with yearning bold, + Their all of love and care + Went warmest through the keenest cold + To that Snow-Man out there! + + But the old Snow-Man— + What a dubious delight + He grew at last when Spring came on + And days waxed warm and bright.— + Alone he stood—all kith and kin + Of snow and ice were gone;— + Alone, with constant teardrops in + His eyes and glittering on + His thin, pathetic beard of black— + Grief in a hopeless cause!— + Hope—hope is for the man that <i>dies</i>— + What for the man that <i>thaws!</i> + O Hero of a hero's make!— + Let <i>marble</i> melt and fade, + But never <i>you</i>—you old Snow-Man + That Noey Bixler made! +</pre> + <p> + <br /><br /> + </p> + <hr /> + <p> + <a name="link2H_4_0027" id="link2H_4_0027"> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + "LITTLE JACK JANITOR" + </h2> +<pre xml:space="preserve"> + And there, in that ripe Summer-night, once more + A wintry coolness through the open door + And window seemed to touch each glowing face + Refreshingly; and, for a fleeting space, + The quickened fancy, through the fragrant air, + Saw snowflakes whirling where the roseleaves were, + And sounds of veriest jingling bells again + Were heard in tinkling spoons and glasses then. + + Thus Uncle Mart's old poem sounded young + And crisp and fresh and clear as when first sung, + Away back in the wakening of Spring + When his rhyme and the robin, chorusing, + Rumored, in duo-fanfare, of the soon + Invading johnny-jump-ups, with platoon + On platoon of sweet-williams, marshaled fine + To blooméd blarings of the trumpet-vine. + + The poet turned to whisperingly confer + A moment with "The Noted Traveler." + Then left the room, tripped up the stairs, and then + An instant later reappeared again, + Bearing a little, lacquered box, or chest, + Which, as all marked with curious interest, + He gave to the old Traveler, who in + One hand upheld it, pulling back his thin + Black lustre coat-sleeves, saying he had sent + Up for his "Magic Box," and that he meant + To test it there—especially to show + <i>The Children</i>. "It is <i>empty now</i>, you know."— + He humped it with his knuckles, so they heard + The hollow sound—"But lest it be inferred + It is not <i>really</i> empty, I will ask + <i>Little Jack Janitor</i>, whose pleasant task + It is to keep it ship-shape." + + Then he tried + And rapped the little drawer in the side, + And called out sharply "Are you in there, Jack?" + And then a little, squeaky voice came back,— + "<i>Of course I'm in here—ain't you got the key + Turned on me!</i>" + + Then the Traveler leisurely + Felt through his pockets, and at last took out + The smallest key they ever heard about!— + It,wasn't any longer than a pin: + And this at last he managed to fit in + The little keyhole, turned it, and then cried, + "Is everything swept out clean there inside?" + "<i>Open the drawer and see!—Don't talk to much; + Or else</i>," the little voice squeaked, "<i>talk in Dutch— + You age me, asking questions!</i>" + + Then the man + Looked hurt, so that the little folks began + To feel so sorry for him, he put down + His face against the box and had to frown.— + "Come, sir!" he called,—"no impudence to <i>me!</i>— + You've swept out clean?" + + "<i>Open the drawer and see!</i>" + And so he drew the drawer out: Nothing there, + But just the empty drawer, stark and bare. + He shoved it back again, with a shark click.— + + "<i>Ouch!</i>" yelled the little voice—"<i>un-snap it—quick!— + You've got my nose pinched in the crack!</i>" + + And then + The frightened man drew out the drawer again, + The little voice exclaiming, "<i>Jeemi-nee!— + Say what you want, but please don't murder me!</i>" + + "Well, then," the man said, as he closed the drawer + With care, "I want some cotton-batting for + My supper! Have you got it?" + + And inside, + All muffled like, the little voice replied, + "<i>Open the drawer and see!</i>" + + And, sure enough, + He drew it out, filled with the cotton stuff. + He then asked for a candle to be brought + And held for him: and tuft by tuft he caught + And lit the cotton, and, while blazing, took + It in his mouth and ate it, with a look + Of purest satisfaction. + + "Now," said he, + "I've eaten the drawer empty, let me see + What this is in my mouth:" And with both hands + He began drawing from his lips long strands + Of narrow silken ribbons, every hue + And tint;—and crisp they were and bright and new + As if just purchased at some Fancy-Store. + "And now, Bub, bring your cap," he said, "before + Something might happen!" And he stuffed the cap + Full of the ribbons. "<i>There</i>, my little chap, + Hold <i>tight</i> to them," he said, "and take them to + The ladies there, for they know what to do + With all such rainbow finery!" + + He smiled + Half sadly, as it seemed, to see the child + Open his cap first to his mother..... There + Was not a ribbon in it anywhere! + "<i>Jack Janitor!</i>" the man said sternly through + The Magic Box—"Jack Janitor, did <i>you</i> + Conceal those ribbons anywhere?" + + "<i>Well, yes,</i>" + The little voice piped—"<i>but you'd never guess + The place I hid 'em if you'd guess a year!</i>" + + "Well, won't you <i>tell</i> me?" + + "<i>Not until you clear + Your mean old conscience</i>" said the voice, "<i>and make + Me first do something for the Children's sake.</i>" + + "Well, then, fill up the drawer," the Traveler said, + "With whitest white on earth and reddest red!— + Your terms accepted—Are you satisfied?" + + "<i>Open the drawer and see!</i>" the voice replied. + + "<i>Why, bless my soul!</i>"—the man said, as he drew + The contents of the drawer into view— + "It's level-full of <i>candy!</i>—Pass it 'round— + Jack Janitor shan't steal <i>that</i>, I'll be bound!"— + He raised and crunched a stick of it and smacked + His lips.—"Yes, that <i>is</i> candy, for a fact!— + And it's all <i>yours!</i>" + + And how the children there + Lit into it!—O never anywhere + Was such a feast of sweetness! + + "And now, then," + The man said, as the empty drawer again + Slid to its place, he bending over it,— + "Now, then, Jack Janitor, before we quit + Our entertainment for the evening, tell + Us where you hid the ribbons—can't you?" + + "<i>Well,</i>" + The squeaky little voice drawled sleepily— + "<i>Under your old hat, maybe.—Look and see!</i>" + + All carefully the man took off his hat: + But there was not a ribbon under that.— + He shook his heavy hair, and all in vain + The old white hat—then put it on again: + "Now, tell me, <i>honest</i>, Jack, where <i>did</i> you hide + The ribbons?" + + "<i>Under your hat</i>" the voice replied.— + "<i>Mind! I said 'under' and not 'in' it.—Won't + You ever take the hint on earth?—or don't + You want to show folks where the ribbons at?— + Law! but I'm sleepy!—Under—unner your hat!</i>" + + Again the old man carefully took off + The empty hat, with an embarrassed cough, + Saying, all gravely to the children: "You + Must promise not to <i>laugh</i>—you'll all <i>want</i> to— + When you see where Jack Janitor has dared + To hide those ribbons—when he might have spared + My feelings.—But no matter!—Know the worst— + Here are the ribbons, as I feared at first."— + And, quick as snap of thumb and finger, there + The old man's head had not a sign of hair, + And in his lap a wig of iron-gray + Lay, stuffed with all that glittering array + Of ribbons ... "Take 'em to the ladies—Yes. + Good-night to everybody, and God bless + The Children." + + In a whisper no one missed + The Hired Man yawned: "He's a vantrilloquist" + +</pre> + <hr /> +<pre xml:space="preserve"> + So gloried all the night Each trundle-bed + And pallet was enchanted—each child-head + Was packed with happy dreams. And long before + The dawn's first far-off rooster crowed, the snore + Of Uncle Mart was stilled, as round him pressed + The bare arms of the wakeful little guest + That he had carried home with him.... + + "I think," + An awed voice said—"(No: I don't want a <i>dwink</i>.— + Lay still.)—I think 'The Noted Traveler' he + 'S the inscrutibul-est man I ever see!" +</pre> +<pre xml:space="preserve"> + [Footnote 1: <i>Gilead</i>—evidently.—[Editor.] +</pre> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + + +End of the Project Gutenberg EBook of A Child-World, by James Whitcomb Riley + +*** END OF THIS PROJECT GUTENBERG EBOOK A CHILD-WORLD *** + +***** This file should be named 9651-h.htm or 9651-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/6/5/9651/ + +Etext produced by David Starner, Maria Cecilia Lim and PG +Distributed Proofreaders + +HTML file produced by David Widger + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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