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-*Project Gutenberg's Etext of The Patchwork Girl of Oz by Baum*
-#7 in the L. Frank Baum's Wonderful World Of Oz Series
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-The Patchwork Girl of Oz
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-by L. Frank Baum
-
-June, 1997 [Etext #955]
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-
-
-THE PATCHWORK GIRL OF OZ
-
-by L. FRANK BAUM
-
-Affectionately dedicated to my young friend
-Sumner Hamilton Britton of Chicago
-
-
-Prologue
-
-Through the kindness of Dorothy Gale of Kansas,
-afterward Princess Dorothy of Oz, an humble writer
-in the United States of America was once appointed
-Royal Historian of Oz, with the privilege of
-writing the chronicle of that wonderful fairyland.
-But after making six books about the adventures of
-those interesting but queer people who live in the
-Land of Oz, the Historian learned with sorrow that
-by an edict of the Supreme Ruler, Ozma of Oz, her
-country would thereafter be rendered invisible to
-all who lived outside its borders and that all
-communication with Oz would, in the future, be cut off.
-
-
-The children who had learned to look for the
-books about Oz and who loved the stories about the
-gay and happy people inhabiting that favored
-country, were as sorry as their Historian that
-there would be no more books of Oz stories. They
-wrote many letters asking if the Historian did not
-know of some adventures to write about that had
-happened before the Land of Oz was shut out from
-all the rest of the world. But he did not know of
-any. Finally one of the children inquired why we
-couldn't hear from Princess Dorothy by wireless
-telegraph, which would enable her to communicate
-to the Historian whatever happened in the far-off
-Land of Oz without his seeing her, or even knowing
-just where Oz is.
-
-That seemed a good idea; so the Historian rigged
-up a high tower in his back yard, and took lessons
-in wireless telegraphy until he understood it,
-and then began to call "Princess Dorothy of Oz" by
-sending messages into the air.
-
-Now, it wasn't likely that Dorothy would be
-looking for wireless messages or would heed the
-call; but one thing the Historian was sure of, and
-that was that the powerful Sorceress, Glinda,
-would know what he was doing and that he desired
-to communicate with Dorothy. For Glinda has a big
-book in which is recorded every event that takes
-place anywhere in the world, just the moment that
-it happens, and so of course the book would tell
-her about the wireless message.
-
-And that was the way Dorothy heard that the
-Historian wanted to speak with her, and there was
-a Shaggy Man in the Land of Oz who knew how to
-telegraph a wireless reply. The result was that
-the Historian begged so hard to be told the latest
-news of Oz, so that he could write it down for the
-children to read, that Dorothy asked permission of
-Ozma and Ozma graciously consented.
-
-That is why, after two long years of waiting,
-another Oz story is now presented to the children
-of America. This would not have been possible had
-not some clever man invented the "wireless" and an
-equally clever child suggested the idea of
-reaching the mysterious Land of Oz by its means.
-
-L. Frank Baum.
-
-"OZCOT"
-at Hollywood
-in California
-
-
-
-LIST OF CHAPTERS
-1 - Ojo and Unc Nunkie
-2 - The Crooked Magician
-3 - The Patchwork Girl
-4 - The Glass Cat
-5 - A Terrible Accident
-6 - The Journey
-7 - The Troublesome Phonograph
-8 - The Foolish Owl and the Wise Donkey
-9 - They Meet the Woozy
-10 - Shaggy Man to the Rescue
-11 - A Good Friend
-12 - The Giant Porcupine
-13 - Scrapes and the Scarecrow
-14 - Ojo Breaks the Law
-15 - Ozma's Prisoner
-16 - Princess Dorothy
-17 - Ozma and Her Friends
-18 - Ojo is Forgiven
-19 - Trouble with the Tottenhots
-20 - The Captive Yoop
-21 - Hip Hopper the Champion
-22 - The Joking Horners
-23 - Peace is Declared
-24 - Ojo Finds the Dark Well
-25 - They Bribe the Lazy Quadling
-26 - The Trick River
-27 - The Tin Woodman Objects
-28 - The Wonderful Wizard of Oz
-
-
-
-
-
-The Patchwork Girl of Oz
-
-
-
-
-Chapter One
-
-Ojo and Unc Nunkie
-
-
-"Where's the butter, Unc Nunkie?" asked Ojo.
-
-Unc looked out of the window and stroked his
-long beard. Then he turned to the Munchkin boy and
-shook his head.
-
-"Isn't," said he.
-
-"Isn't any butter? That's too bad, Unc. Where's
-the jam then?" inquired Ojo, standing on a stool
-so he could look through all the shelves of the
-cupboard. But Unc Nunkie shook his head again.
-
-"Gone," he said.
-
-"No jam, either? And no cake--no jelly--no
-apples--nothing but bread?"
-
-"All," said Unc, again stroking his beard as he
-gazed from the window.
-
-The little boy brought the stool and sat be side
-his uncle, munching the dry bread slowly and
-seeming in deep thought.
-
-"Nothing grows in our yard but the bread
-tree," he mused, "and there are only two more
-loaves on that tree; and they're not ripe yet. Tell
-me, Unc; why are we so poor?"
-
-The old Munchkin turned and looked at Ojo. He
-had kindly eyes, but he hadn't smiled or laughed
-in so long that the boy had forgotten that Unc
-Nunkie could look any other way than solemn. And
-Unc never spoke any more words than he was obliged
-to, so his little nephew, who lived alone with
-him, had learned to understand a great deal from
-one word.
-
-"Why are we so poor, Unc?" repeated the
-
-"Not," said the old Munchkin.
-
-"I think we are," declared Ojo. "What have we
-got?"
-
-"House," said Unc Nunkie.
-
-"I know; but everyone in the Land of Oz
-has a place to live. What else, Unc?"
-
-"Bread."
-
-"I'm eating the last loaf that's ripe. There;
-I've put aside your share, Unc. It's on the table,
-so you can eat it when you get hungry. But when
-that is gone, what shall we eat, Unc?"
-
-The old man shifted in his chair but merely
-shook his head.
-
-"Of course," said Ojo, who was obliged to talk
-because his uncle would not, "no one starves in
-the Land of Oz, either. There is plenty for
-everyone, you know; only, if it isn't just where
-you happen to be, you must go where it is."
-
-The aged Munchkin wriggled again and stared at
-his small nephew as if disturbed by his argument.
-
-"By tomorrow morning," the boy went on, we must
-go where there is something to eat, or we shall
-grow very hungry and become very unhappy."
-
-"Where?" asked Unc.
-
-"Where shall we go? I don't know, I'm sure,"
-replied Ojo. "But you must know, Unc. You must
-have traveled, in your time, because you're so
-old. I don't remember it, because ever since I
-could remember anything we've lived right here in
-this lonesome, round house, with a little garden
-back of it and the thick woods all around. All
-I've ever seen of the great Land of Oz, Unc dear,
-is the view of that mountain over at the south,
-where they say the Hammerheads live--who won't let
-anybody go by them--and that mountain at the
-north, where they say nobody lives."
-
-"One," declared Unc, correcting him.
-
-"Oh, yes; one family lives there, I've heard.
-That's the Crooked Magician, who is named
-Dr. Pipt, and his wife Margolotte. One year you
-told me about them; I think it took you a whole
-year, Unc, to say as much as I've just said about
-the Crooked Magician and his wife. They live
-high up on the mountain, and the good Munchkin
-Country, where the fruits and flowers grow, is
-just the other side. It's funny you and I should
-live here all alone, in the middle of the forest,
-Isn't it?"
-
-"Yes," said Unc.
-
-"Then let's go away and visit the Munchkin
-Country and its jolly, good-natured people. I'd
-love to get a sight of something besides woods,
-Unc Nunkie."
-
-"Too little," said Unc.
-
-"Why, I'm not so little as I used to be,"
-answered the boy earnestly. "I think I can walk
-as far and as fast through the woods as you
-can, Unc. And now that nothing grows in our
-back yard that is good to eat, we must go where
-there is food."
-
-Unc Nunkie made no reply for a time. Then
-he shut down the window and turned his chair
-to face the room, for the sun was sinking behind
-the tree-tops and it was growing cool.
-
-By and by Ojo lighted the fire and the logs
-blazed freely in the broad fireplace. The two sat
-in the firelight a long time--the old, white-
-bearded Munchkin and the little boy. Both were
-thinking. When it grew quite dark out-side, Ojo
-said:
-
-"Eat your bread, Unc, and then we will go to
-bed."
-
-But Unc Nunkie did not eat the bread; neither
-did he go directly to bed. Long after his little
-nephew was sound asleep in the corner of the room
-the old man sat by the fire, thinking.
-
-
-
-
-Chapter Two
-
-The Crooked Magician
-
-
-Just at dawn next morning Unc Nunkie laid his hand
-tenderly on Ojo's head and awakened him.
-
-"Come," he said.
-
-Ojo dressed. He wore blue silk stockings, blue
-knee pants with gold buckles, a blue ruffled
-waist and a jacket of bright blue braided with
-gold. His shoes were of blue leather and turned up
-at the toes, which were pointed. His hat had a
-peaked crown and a flat brim, and around the brim
-was a row of tiny golden bells that tinkled when
-he moved. This was the native costume of those
-who inhabited the Munchkin Country of the Land of
-Oz, so Unc Nunkie's dress was much like that of
-his nephew. Instead of shoes, the old man wore
-boots with turnover tops and his blue coat had
-wide cuffs of gold braid.
-
-The boy noticed that his uncle had not eaten
-the bread, and supposed the old man had not
-been hungry. Ojo was hungry, though; so he
-divided the piece of bread upon the table and
-ate his half for breakfast, washing it down with
-fresh, cool water from the brook. Unc put the
-other piece of bread in his jacket pocket, after
-which he again said, as he walked out through
-the doorway: "Come."
-
-Ojo was well pleased. He was dreadfully
-tired of living all alone in the woods and wanted
-to travel and see people. For a long time he had
-wished to explore the beautiful Land of Oz
-in which they lived. When they were outside,
-Unc simply latched the door and started up the
-path. No one would disturb their little house,
-even if anyone came so far into the thick forest
-while they were gone.
-
-At the foot of the mountain that separated the
-Country of the Munchkins from the Country of the
-Gillikins, the path divided. One way led to the
-left and the other to the right--straight up the
-mountain. Unc Nunkie took this right--hand path and
-Ojo followed without asking why. He knew it would
-take them to the house of the Crooked Magician,
-whom he had never seen but who was their nearest
-neighbor.
-
-All the morning they trudged up the mountain path
-and at noon Unc and Ojo sat on a fallen tree-trunk
-and ate the last of the bread which the old
-Munchkin had placed in his pocket. Then they
-started on again and two hours later came in sight
-of the house of Dr. Pipt.
-
-It was a big house, round, as were all the
-Munchkin houses, and painted blue, which is the
-distinctive color of the Munchkin Country of Oz.
-There was a pretty garden around the house, where
-blue trees and blue flowers grew in abundance and
-in one place were beds of blue cabbages, blue
-carrots and blue lettuce, all of which were
-delicious to eat. In Dr. Pipt's garden grew bun-
-trees, cake-trees, cream-puff bushes, blue
-buttercups which yielded excellent blue butter and
-a row of chocolate-caramel plants. Paths of blue
-gravel divided the vegetable and flower beds and a
-wider path led up to the front door. The place was
-in a clearing on the mountain, but a little way
-off was the grim forest, which completely
-surrounded it.
-
-Unc knocked at the door of the house and
-a chubby, pleasant-faced woman, dressed all in
-blue, opened it and greeted the visitors with a
-smile.
-
-"Ah," said Ojo; "you must be Dame Margolotte,
-the good wife of Dr. Pipt."
-
-"I am, my dear, and all strangers are welcome
-to my home."
-
-"May we see the famous Magician, Madam?"
-
-"He is very busy just now," she said, shaking
-her head doubtfully. "But come in and let me
-give you something to eat, for you must have
-traveled far in order to get our lonely place."
-
-"We have," replied Ojo, as he and Unc entered
-the house. "We have come from a far lonelier place
-than this."
-
-"A lonelier place! And in the Munchkin Country?"
-she exclaimed. "Then it must be somewhere in the
-Blue Forest."
-
-"It is, good Dame Margolotte."
-
-"Dear me!" she said, looking at the man, "you
-must be Unc Nunkie, known as the Silent One." Then
-she looked at the boy. "And you must be Ojo the
-Unlucky," she added.
-
-"Yes," said Unc.
-
-"I never knew I was called the Unlucky,"
-said Ojo, soberly; "but it is really a good name
-for me."
-
-"Well," remarked the woman, as she bustled
-around the room and set the table and brought food
-from the cupboard, "you were unlucky to live all
-alone in that dismal forest, which is much worse
-than the forest around here; but perhaps your luck
-will change, now you are away from it. If, during
-your travels, you can manage to lose that 'Un' at
-the beginning of your name Unlucky,' you will
-then become Ojo the Lucky, which will be a great
-improvement."
-
-"How can I lose that 'Un,' Dame Margolotte?"
-
-"I do not know how, but you must keep the
-matter in mind and perhaps the chance will
-come to you," she replied.
-
-Ojo had never eaten such a fine meal in all
-his life. There was a savory stew, smoking hot,
-a dish of blue peas, a bowl of sweet milk of a
-delicate blue tint and a blue pudding with blue
-plums in it. When the visitors had eaten heartily
-of this fare the woman said to them:
-
-"Do you wish to see Dr. Pipt on business or
-for pleasure?"
-
-Unc shook his head.
-
-"We are traveling," replied Ojo, "and we
-stopped at your house just to rest and refresh
-ourselves. I do not think Unc Nunkie cares
-very much to see the famous Crooked Magician;
-but for my part I am curious to look at such
-a great man.
-
-The woman seemed thoughtful.
-
-"I remember that Unc Nunkie and my husband used
-to be friends, many years ago," she said, "so
-perhaps they will be glad to meet again. The
-Magician is very busy, as I said, but if you will
-promise not to disturb him you may come into his
-workshop and watch him prepare a wonderful charm."
-
-"Thank you," replied the boy, much pleased.
-"I would like to do that."
-
-She led the way to a great domed hall at the
-back of the house, which was the Magician's
-workshop. There was a row of windows extending
-nearly around the sides of the circular room,
-which rendered the place very light, and there was
-a back door in addition to the one leading to the
-front part of the house. Before the row of windows
-a broad seat was built and there were some chairs
-and benches in the room besides. At one end stood
-a great fireplace, in which a blue log was blazing
-with a blue flame, and over the fire hung four
-kettles in a row, all bubbling and steaming at a
-great rate. The Magician was stirring all four of
-these kettles at the same time, two with his
-hands and two with his feet, to the latter, wooden
-ladles being strapped, for this man was so very
-crooked that his legs were as handy as his arms.
-
-Unc Nunkie came forward to greet his old
-friend, but not being able to shake either his
-hands or his feet, which were all occupied in
-stirring, he patted the Magician's bald head and
-asked: "What?"
-
-"Ah, it's the Silent One," remarked Dr. Pipt,
-without looking up, "and he wants to know
-what I'm making. Well, when it is quite finished
-this compound will be the wonderful Powder
-of Life, which no one knows how to make but
-myself. Whenever it is sprinkled on anything,
-that thing will at once come to life, no matter
-what it is. It takes me several years to make this
-magic Powder, but at this moment I am pleased
-to say it is nearly done. You see, I am making it
-for my good wife Margolotte, who wants to use
-some of it for a purpose of her own. Sit down
-and make yourself comfortable, Unc Nunkie,
-and after I've finished my task I will talk to
-you.
-
-"You must know," said Margolottte, when they
-were all seated together on the broad window-seat,
-"that my husband foolishly gave away all the
-Powder of Life he first made to old Mombi the
-Witch, who used to live in the Country of the
-Gillikins, to the north of here. Mombi gave to Dr.
-Pipt a Powder of Perpetual Youth in exchange for
-his Powder of Life, but she cheated him wickedly,
-for the Powder of Youth was no good and could work
-no magic at all."
-
-"Perhaps the Powder of Life couldn't either,"
-said Ojo.
-
-"Yes; it is perfection," she declared. "The first
-lot we tested on our Glass Cat, which not only
-began to live but has lived ever since. She's
-somewhere around the house now."
-
-"A Glass Cat!" exclaimed Ojo, astonished.
-
-"Yes; she makes a very pleasant companion, but
-admires herself a little more than is considered
-modest, and she positively refuses to catch mice,"
-explained Margolotte. "My husband made the cat
-some pink brains, but they proved to be too high-
-bred and particular for a cat, so she thinks it is
-undignified in her to catch mice. Also she has a
-pretty blood-red heart, but it is made of stone--a
-ruby, I think--and so is rather hard and unfeeling.
-I think the next Class Cat the Magician makes will
-have neither brains nor heart, for then it will
-not object to catching mice and may prove of some
-use to us."
-
-"What did old Mombi the Witch do with the
-Powder of Life your husband gave her?" asked
-the boy.
-
-"She brought Jack Pumpkinhead to life, for
-one thing," was the reply. "I suppose you've
-heard of jack Pumpkinhead. He is now living
-near the Emerald City and is a great favorite
-with the Princess Ozma, who rules all the Land
-of Oz."
-
-"No; I've never heard of him," remarked
-Ojo. "I'm afraid I don't know much about the
-Land of Oz. You see, I've lived all my life with
-Unc Nunkie, the Silent One, and there was no
-one to tell me anything."
-
-"That is one reason you are Ojo the Unlucky,"
-said the woman, in a sympathetic tone. "The more
-one knows, the luckier he is, for knowledge is the
-greatest gift in life."
-
-"But tell me, please, what you intend to do
-With this new lot of the Powder of Life, which
-Dr. Pipt is making. He said his wife wanted it
-for some especial purpose.
-
-"So I do," she answered. "I want it to bring
-my Patchwork Girl to life."
-
-"Oh! A Patchwork Girl? What is that?" Ojo
-asked, for this seemed even more strange and
-unusual than a Glass Cat.
-
-"I think I must show you my Patchwork
-Girl," said Margolotte, laughing at the boy's
-astonishment, "for she is rather difficult to
-explain. But first I will tell you that for many
-years I have longed for a servant to help me with
-the housework and to cook the meals and wash the
-dishes. No servant will come here because the
-place is so lonely and out-of-the-way, so my
-clever husband, the Crooked Magician, proposed
-that I make a girl out of some sort of material
-and he would make her live by sprinkling over her
-the Powder of Life. This seemed an excellent
-suggestion and at once Dr. Pipt set to work to
-make a new batch of his magic powder. He has been
-at it a long, long while, and so I have had plenty
-of time to make the girl. Yet that task was not so
-easy as you may suppose. At first I couldn't think
-what to make her of, but finally in searching
-through a chest I came across an old patchwork
-quilt, which my grandmother once made when she was
-young.
-
-"What is a patchwork quilt?" asked Ojo.
-
-"A bed-quilt made of patches of different kinds
-and colors of cloth, all neatly sewed together.
-The patches are of all shapes and sizes, so a
-patchwork quilt is a very pretty and gorgeous
-thing to look at. Sometimes it is called a
-'crazyquilt,' because the patches and colors are
-so mixed up. We never have used my grand-mother's
-manycolored patchwork quilt, hand-some as it is,
-for we Munchkins do not care for any color other
-than blue, so it has been packed away in the chest
-for about a hundred years. When I found it, I said
-to myself that it would do nicely for my servant
-girl, for when she was brought to life she would
-not be proud nor haughty, as the Glass Cat is, for
-such a dreadful mixture of colors would discourage
-her from trying to, be as dignified as the blue
-Munchkins are.
-
-"Is blue the only respectable color, then?"
-inquired Ojo.
-
-"Yes, for a Munchkin. All our country is blue,
-you know. But in other parts of Oz the people
-favor different colors. At the Emerald City,
-where our Princess Ozma lives, green is the
-popular color. But all Munchkins prefer blue
-to anything else and when my housework girl
-is brought to life she will find herself to be of
-so many unpopular colors that she'll never dare
-be rebellious or impudent, as servants are
-sometimes liable to be when they are made the same
-way their mistresses are."
-
-Unc Nunkie nodded approval.
-
-"Good idea," he said; and that was a long
-speech for Unc Nunkie because it was two
-words.
-
-"So I cut up the quilt," continued Margolotte,
-"and made from it a very well-shaped girl,
-which I stuffed with cotton-wadding. I will
-show you what a good job I did," and she went
-to a tall cupboard and threw open the doors.
-
-Then back she came, lugging in her arms the
-Patchwork Girl, which she set upon the bench
-and propped up so that the figure would not
-tumble over.
-
-
-
-
-Chapter Three
-
-The Patchwork Girl
-
-
-Ojo examined this curious contrivance with wonder.
-The Patchwork Girl was taller than he, when she
-stood upright, and her body was plump and rounded
-because it had been so neatly stuffed with cotton.
-Margolotte had first made the girl's form from the
-patchwork quilt and then she had dressed it with a
-patchwork skirt and an apron with pockets in it--
-using the same gay material throughout. Upon the
-feet she had sewn a pair of red leather shoes with
-pointed toes. All the fingers and thumbs of the
-girl's hands had been carefully formed and stuffed
-and stitched at the edges, with gold plates at the
-ends to serve as finger-nails.
-
-"She will have to work, when she comes to
-life," said Marglotte.
-
-The head of the Patchwork Girl was the most
-curious part of her. While she waited for her
-husband to finish making his Powder of Life the
-woman had found ample time to complete the head as
-her fancy dictated, and she realized that a good
-servant's head must be properly constructed. The
-hair was of brown yarn and hung down on her neck
-in several neat braids. Her eyes were two silver
-suspender-buttons cut from a pair of the
-Magician's old trousers, and they were sewed on
-with black threads, which formed the pupils of the
-eyes. Margolotte had puzzled over the ears for
-some time, for these were important if the servant
-was to hear distinctly, but finally she had made
-them out of thin plates of gold and attached them
-in place by means of stitches through tiny holes
-bored in the metal. Gold is the most common metal
-in the Land of Oz and is used for many purposes
-because it is soft and pliable.
-
-The woman had cut a slit for the Patchwork
-Girl's mouth and sewn two rows of white pearls
-in it for teeth, using a strip of scarlet plush for
-a tongue. This mouth Ojo considered very artistic
-and lifelike, and Margolotte was pleased when the
-boy praised it. There were almost too many patches
-on the face of the girl for her to be considered
-strictly beautiful, for one cheek was yellow and
-the other red, her chin blue, her forehead purple
-and the center, where her nose had been formed and
-padded, a bright yellow.
-
-"You ought to have had her face all pink,"
-suggested the boy.
-
-"I suppose so; but I had no pink cloth," replied
-the woman. "Still, I cannot see as it matters
-much, for I wish my Patchwork Girl to be useful
-rather than ornamental. If I get tired looking at
-her patched face I can whitewash it."
-
-"Has she any brains?" asked Ojo.
-
-"No; I forgot all about the brains!" exclaimed
-the woman. "I am glad you reminded me of
-them, for it is not too late to supply them, by
-any means. Until she is brought to life I can
-do anything I please with this girl. But I must
-be careful not to give her too much brains, and
-those she has must be such as are fitted to the
-station she is to occupy in life. In other words,
-her brains mustn't be very good."
-
-"Wrong," said Unc Nunkie.
-
-"No; I am sure I am right about that," returned
-the woman.
-
-"He means," explained Ojo, "that unless your
-servant has good brains she won't know how to obey
-you properly, nor do the things you ask her to
-do."
-
-"Well, that may be true," agreed Margolotte;
-"but, on the contrary, a servant with too much
-brains is sure to become independent and high-
-and-mighty and feel above her work. This is a
-very delicate task, as I said, and I must take
-care to give the girl just the right quantity of
-the right sort of brains. I want her to know just
-enough, but not too much."
-
-With this she went to another cupboard which was
-filled With shelves. All the shelves were lined
-With blue glass bottles, neatly labeled by the
-Magician to show what they contained. One whole
-shelf was marked: "Brain Furniture," and the
-bottles on this shelf were labeled as follows:
-"Obedience," "Cleverness," "Judgment," "Courage,"
-"Ingenuity," "Amiability," "Learning," "Truth,"
-"Poesy," "Self Reliance."
-
-"Let me see," said Margolotte; "of those
-qualities she must have 'Obedience' first of all,"
-and she took down the bottle bearing that label
-and poured from it upon a dish several grains of
-the contents. "'Amiability' is also good and
-'Truth.'" She poured into the dish a quantity from
-each of these bottles. "I think that will do," she
-continued, "for the other qualities are not needed
-in a servant."
-
-Unc Nunkie, who with Ojo stood beside her,
-touched the bottle marked "Cleverness."
-
-"Little," said he.
-
-"A little 'Cleverness'? Well, perhaps you are
-right, sir," said she, and was about to take down
-the bottle when the Crooked Magician suddenly
-called to her excitedly from the fireplace.
-
-"Quick, Margolotte! Come and help me."
-
-She ran to her husband's side at once and
-helped him lift the four kettles from the fire.
-Their contents had all boiled away, leaving in
-the bottom of each kettle a few grains of fine
-white powder. Very carefully the Magician removed
-this powder, placing it all together in a golden
-dish, where he mixed it with a golden spoon. When
-the mixture was complete there was scarcely a
-handful, all told.
-
-"That," said Dr. Pipt, in a pleased and
-triumphant tone, "is the wonderful Powder of Life,
-which I alone in the world know how to make. It
-has taken me nearly six years to prepare these
-precious grains of dust, but the little heap on
-that dish is worth the price of a kingdom and many
-a king would give all he has to possess it. When
-it has become cooled I will place it in a small
-bottle; but meantime I must watch it carefully,
-lest a gust of wind blow it away or scatter it.'
-
-Unc Nunkie, Margolotte and the Magician
-all stood looking at the marvelous Powder, but
-Ojo was more interested just then in the Patchwork
-Girl's brains. Thinking it both unfair and unkind
-to deprive her of any good qualities that were
-handy, the boy took down every bottle on the shelf
-and poured some of the contents in Margolotte's
-dish. No one saw him do this, for all were looking
-at the Powder of Life; but soon the woman
-remembered what she had been doing, and came back
-to the cupboard.
-
-"Let's see," she remarked; "I was about to give
-my girl a little 'Cleverness,' which is the
-Doctor's substitute for 'Intelligence'--a quality
-he has not yet learned how to manufacture." Taking
-down the bottle of "Cleverness" she added some of
-the powder to the heap on the dish. Ojo became a
-bit uneasy at this, for he had already put quite
-a lot of the "Cleverness" powder in the dish; but
-he dared not interfere and so he comforted himself
-with the thought that one cannot have too much
-cleverness.
-
-Margolotte now carried the dish of brains to
-the bench. Ripping the seam of the patch on
-the girl's forehead, she placed the powder within
-the head and then sewed up the seam as neatly
-and securely as before.
-
-"My girl is all ready for your Powder of Life,
-my dear," she said to her husband. But the
-Magician replied:
-
-"This powder must not be used before tomorrow
-morning; but I think it is now cool enough to be
-bottled."
-
-He selected a small gold bottle with a pepper-
-box top, so that the powder might be sprinkled on
-any object through the small holes. Very carefully
-he placed the Powder of Life in the gold bottle
-and then locked it up in a drawer of his cabinet.
-
-"At last," said he, rubbing his hands together
-gleefully, "I have ample leisure for a good talk
-with my old friend Unc Nunkie. So let us sit
-down cosily and enjoy ourselves. After stirring
-those four kettles for six years I am glad to
-have a little rest."
-
-"You will have to do most of the talking,"
-said Ojo, "for Unc is called the Silent One and
-uses few words."
-
-"I know; but that renders your uncle a
-most agreeable companion and gossip," declared
-Dr. Pipt. "Most people talk too much, so it is
-a relief to find one who talks too little."
-
-Ojo looked at the Magician with much awe
-and curiosity.
-
-"Don't you find it very annoying to be so
-crooked?" he asked.
-
-"No; I am quite proud of my person," was
-the reply. "I suppose I am the only Crooked
-Magician in all the world. Some others are accused
-of being crooked, but I am the only genuine."
-
-He was really very crooked and Ojo wondered how
-he managed to do so many things with such a
-twisted body. When he sat down upon a crooked
-chair that had been made to fit him, one knee was
-under his chin and the other near the small of his
-back; but he was a cheerful man and his face bore
-a pleasant and agreeable expression.
-
-"I am not allowed to perform magic, except
-for my own amusement," he told his visitors,
-as he lighted a pipe with a crooked stem and
-began to smoke. "Too many people were working
-magic in the Land of Oz, and so our lovely
-Princess Ozma put a stop to it. I think she was
-quite right. There were several wicked Witches who
-caused a lot of trouble; but now they are all out
-of business and only the great Sorceress, Glinda
-the Good, is permitted to practice her arts, which
-never harm anybody. The Wizard of Oz, who used to
-be a humbug and knew no magic at all, has been
-taking lessons of Glinda, and I'm told he is
-getting to be a pretty good Wizard; but he is
-merely the assistant of the great Sorceress. I've
-the right to make a servant girl for my wife, you
-know, or a Glass Cat to catch our mice--which she
-refuses to do--but I am forbidden to work magic for
-others, or to use it as a profession."
-
-"Magic must be a very interesting study,"
-said Ojo.
-
-"It truly is," asserted the Magician. "In my
-time I've performed some magical feats that were
-worthy of the skill of Glinda the Good. For
-instance, there's the Powder of Life, and my
-Liquid of Petrifaction, which is contained in that
-bottle on the shelf yonder-over the window."
-
-"What does the Liquid of Petrifaction do?"
-inquired the boy.
-
-"Turns everything it touches to solid marble.
-It's an invention of my own, and I find it very
-useful. Once two of those dreadful Kalidahs,
-with bodies like bears and heads like tigers,
-came here from the forest to attack us; but I
-sprinkled some of that Liquid on them and
-instantly they turned to marble. I now use them
-as ornamental statuary in my garden. This table
-looks to you like wood, and once it really was
-wood; but I sprinkled a few drops of the Liquid
-of Petrifaction on it and now it is marble. It
-will never break nor wear out.
-
-"Fine!" said Unc Nunkie, wagging his head
-and stroking his long gray beard.
-
-"Dear me; what a chatterbox you're getting
-to be, Unc," remarked the Magician, who was
-pleased with the compliment. But just then
-there came a scratching at the back door and a
-shrill voice cried:
-
-"Let me in! Hurry up, can't you? Let me in!"
-
-Margolotte got up and went to the door.
-
-"Ask like a good cat, then," she said.
-
-"Meeee-ow-w-w! There; does that suit your
-royal highness?" asked the voice, in scornful
-accents.
-
-"Yes; that's proper cat talk," declared the
-woman, and opened the door. At once a cat entered,
-came to the center of the room and stopped short
-at the sight of strangers. Ojo and Unc Nunkie both
-stared at it with wide open eyes, for surely no
-such curious creature had ever existed before--
-even in the Land of Oz.
-
-
-
-
-Chapter Four
-
-The Glass Cat
-
-
-The cat was made of glass, so clear and
-transparent that you could see through it as
-easily as through a window. In the top of its
-head, however, Was a mass of delicate pink balls
-which looked like jewels, and it had a heart made
-of a blood-red ruby. The eyes were two large
-emeralds, but aside from these colors all the rest
-of the animal was clear glass, and it had a spun-
-glass tail that was really beautiful.
-
-"Well, Doc Pipt, do you mean to introduce us, or
-not?" demanded the cat, in a tone of annoyance.
-"Seems to me you are forgetting your manners."
-
-"Excuse me," returned the Magician. "This
-is Unc Nunkie, the descendant of the former
-kings of the Munchkins, before this country be
-came a part of the Land of Oz."
-
-"He needs a haircut," observed the cat,
-washing its face.
-
-"True," replied Unc, with a low chuckle of
-amusement.
-
-"But he has lived alone in the heart of the
-forest for many years," the Magician explained;
-"and, although that is a barbarous country,
-there are no barbers there."
-
-"Who is the dwarf?" asked the cat.
-
-"That is not a dwarf, but a boy," answered
-the Magician. "You have never seen a boy before.
-He is now small because he is young. With more
-years he will grow big and become as tall as Unc
-Nunkie."
-
-"Oh. Is that magic?" the glass animal inquired.
-
-"Yes; but it is Nature's magic, which is more
-wonderful than any art known to man. For
-instance, my magic made you, and made you
-live; and it was a poor job because you are
-useless and a bother to me; but I can't make you
-grow. You will always be the same size--and
-the same saucy, inconsiderate Glass Cat, with
-pink brains and a hard ruby heart."
-
-"No one can regret more than I the fact that you
-made me," asserted the cat, crouching upon the
-floor and slowly swaying its spun-glass tail from
-side to side. "Your world is a very uninteresting
-place. I've wandered through your gardens and in
-the forest until I'm tired of it all, and when I
-come into the house the conversation of your fat
-wife and of yourself bores me dreadfully."
-
-"That is because I gave you different brains
-from those we ourselves possess--and much too
-good for a cat," returned Dr. Pipt.
-
-"Can't you take 'em out, then, and replace
-em with pebbles, so that I won't feel above my
-station in life?" asked the cat, pleadingly.
-
-"Perhaps so. I'll try it, after I've brought the
-Patchwork Girl to life," he said.
-
-The cat walked up to the bench on which
-the Patchwork Girl reclined and looked at her
-attentively.
-
-"Are you going to make that dreadful thing
-live?" she asked.
-
-The Magician nodded.
-
-"It is intended to be my wife's servant maid,"
-he said. "When she is alive she will do all our
-work and mind the house. But you are not to
-order her around, Bungle, as you do us. You
-must treat the Patchwork Girl respectfully."
-
-"I won't. I couldn't respect such a bundle
-of scraps under any circumstances."
-
-"If you don't, there will be more scraps than
-you will like," cried Margolotte, angrily.
-
-"Why didn't you make her pretty to look at?"
-asked the cat. "You made me pretty--very pretty,
-indeed--and I love to watch my pink brains roll
-around when they're working, and to see my
-precious red heart beat." She went to a long
-mirror, as she said this, and stood before it,
-looking at herself with an air of much pride.
-"But that poor patched thing will hate herself,
-when she's once alive," continued the cat. "If
-I were you I'd use her for a mop, and make
-another servant that is prettier."
-
-"You have a perverted taste," snapped
-Margolotte, much annoyed at this frank criticism.
-"I think the Patchwork Girl is beautiful,
-considering what she's made of. Even the rainbow
-hasn't as many colors, and you must admit that the
-rainbow is a pretty thing."
-
-The Glass Cat yawned and stretched herself
-upon the floor.
-
-"Have your own way," she said. "I'm sorry
-for the Patchwork Girl, that's all."
-
-Ojo and Unc Nunkie slept that night in the
-Magician's house, and the boy was glad to stay
-because he was anxious to see the Patchwork
-Girl brought to life. The Glass Cat was also a
-wonderful creature to little Ojo, who had never
-seen or known anything of magic before, although
-he had lived in the Fairyland of Oz ever since he
-was born. Back there in the woods nothing unusual
-ever happened. Unc Nunkie, who might have been
-King of the Munchkins, had not his people united
-with all the other countries of Oz in
-acknowledging Ozma as their Sole ruler, had
-retired into this forgotten forest nook with his
-baby nephew and they had lived all alone there.
-Only that the neglected garden had failed to grow
-food for them, they would always have lived in the
-solitary Blue Forest; but now they had started out
-to mingle with other people, and the first place
-they came to proved so interesting that Ojo could
-scarcely sleep a wink all night.
-
-Margolotte was an excellent cook and gave
-them a fine breakfast. While they were all engaged
-in eating, the good woman said:
-
-"This is the last meal I shall have to cook
-for some time, for right after breakfast Dr. Pipt
-has promised to bring my new servant to life.
-I shall let her wash the breakfast dishes and
-sweep and dust the house. What a relief it
-will be!"
-
-"It will, indeed, relieve you of much drudgery,"
-said the Magician. "By the way, Margolotte, I
-thought I saw you getting some brains from the
-cupboard, while I was busy with my kettles. What
-qualities have you given your new servant?"
-
-"Only those that an humble servant requires,"
-she answered. "I do not wish her to feel above
-her station, as the Glass Cat does. That would
-make her discontented and unhappy, for of
-course she must always be a servant."
-
-Ojo was somewhat disturbed as he listened to
-this, and the boy began to fear he had done wrong
-in adding all those different qualities of brains
-to the lot Margolotte had prepared for the
-servant. But it was too late now for regret, since
-all the brains were securely sewn up inside the
-Patchwork Girl's head. He might have confessed
-what he had done and thus allowed Margolotte and
-her husband to change the brains; but he was
-afraid of incurring their anger. He believed that
-Unc had seen him add to the brains, and Unc had
-not said a word against it; but then, Unc never
-did say anything unless it was absolutely
-necessary.
-
-As soon as breakfast was over they all went
-into the Magician's big workshop, where the
-Glass Cat was lying before the mirror and the
-Patchwork Girl lay limp and lifeless upon the
-bench.
-
-"Now, then," said Dr. Pipt, in a brisk tone,
-"we shall perform one of the greatest feats of
-magic possible to man, even in this marvelous
-Land of Oz. In no other country could it be
-done at all. I think we ought to have a little
-music while the Patchwork Girl comes to life.
-It is pleasant to reflect that the first sounds her
-golden ears will hear will be delicious music.
-
-As he spoke he went to a phonograph, which
-screwed fast to a small table, and wound up
-the spring of the instrument and adjusted the
-big gold horn.
-
-"The music my servant will usually hear,"
-remarked Margolotte, "will be my orders to do
-her work. But I see no harm in allowing her to
-listen to this unseen band while she wakens to
-her first realization of life. My orders will beat
-the band, afterward."
-
-The phonograph was now playing a stirring
-march tune and the Magician unlocked his
-cabinet and took out the gold bottle containing
-the Powder of Life.
-
-They all bent over the bench on which the
-Patchwork Girl reclined. Unc Nunkie and Margolotte
-stood behind, near the windows, Ojo at one side
-and the Magician in front, where he would have
-freedom to sprinkle the powder. The Glass Cat came
-near, too, curious to watch the important scene.
-
-"All ready?" asked Dr. Pipt.
-
-"All is ready," answered his wife.
-
-So the Magician leaned over and shook from
-the bottle some grains of the wonderful Powder,
-and they fell directly on the Patchwork Girl's
-head and arms.
-
-
-
-
-Chapter Five
-
-A Terrible Accident
-
-
-
-"It will take a few minutes for this powder to
-do its work," remarked the Magician, sprinkling
-the body up and down with much care.
-
-But suddenly the Patchwork Girl threw up one
-arm, which knocked the bottle of powder from the
-crooked man's hand and sent it flying across the
-room. Unc Nunkie and Margolotte were so startled
-that they both leaped backward and bumped
-together, and Unc's head joggled the shelf above
-them and upset the bottle containing the Liquid of
-Petrifaction.
-
-The Magician uttered such a wild cry that Ojo
-jumped away and the Patchwork Girl sprang after
-him and clasped her stuffed arms around him in
-terror. The Glass Cat snarled and hid under the
-table, and so it was that when the powerful Liquid
-of Petrifaction was spilled it fell only upon the
-wife of the Magician and the uncle of Ojo. With
-these two the charm worked promptly. They stood
-motionless and stiff as marble statues, in exactly
-the positions they were in when the Liquid struck
-them.
-
-Ojo pushed the Patchwork Girl away and
-ran to Unc Nunkie, filled with a terrible fear
-for the only friend and protector he had ever
-known. When he grasped Unc's hand it was
-cold and hard. Even the long gray beard was
-solid marble. The Crooked Magician was
-dancing around the room in a frenzy of despair,
-calling upon his wife to forgive him, to speak
-to him, to come to life again!
-
-The Patchwork Girl, quickly recovering from her
-fright, now came nearer and looked from one to
-another of the people with deep interest. Then she
-looked at herself and laughed. Noticing the
-mirror, she stood before it and examined her
-extraordinary features with amazement--her button
-eyes, pearl bead teeth and puffy nose. Then,
-addressing her reflection in the glass, she exclaimed:
-
-
-"Whee, but there's a gaudy dame!
-Makes a paint-box blush with shame.
-Razzle-dazzle, fizzle-fazzle!
-Howdy-do, Miss What's-your-name?"
-
-
-
-She bowed, and the reflection bowed. Then
-she laughed again, long and merrily, and the
-Glass Cat crept out from under the table and said:
-
-"I don't blame you for laughing at yourself.
-Aren't you horrid?"
-
-"Horrid?" she replied. "Why, I'm thoroughly
-delightful. I'm an Original, if you please, and
-therefore incomparable. Of all the comic, absurd,
-rare and amusing creatures the world contains, I
-must be the supreme freak. Who but poor Margolotte
-could have managed to invent such an unreasonable
-being as I? But I'm glad--I'm awfully glad!--that
-I'm just what I am, and nothing else."
-
-"Be quiet, will you?" cried the frantic
-Magician; "be quiet and let me think! If I don't
-think I shall go mad."
-
-"Think ahead," said the Patchwork Girl, seating
-herself in a chair. "Think all you want to. I
-don't mind."
-
-"Gee! but I'm fired playing that tune," called
-the phonograph, speaking through its horn in
-a brazen, scratchy voice. "If you don't mind,
-Pipt, old boy, I'll cut it out and take a rest."
-
-The Magician looked gloomily at the music-
-machine.
-
-"What dreadful luck!" he wailed, despondently.
-"The Powder of Life must have fallen on the
-phonograph."
-
-He went up to it and found that the gold bottle
-that contained the precious powder had dropped
-upon the stand and scattered its life-giving
-grains over the machine. The phonograph was very
-much alive, and began dancing a jig with the legs
-of the table to which it was attached, and this
-dance so annoyed Dr. Pipt that he kicked the thing
-into a corner and pushed a bench against it, to
-hold it quiet.
-
-"You were bad enough before," said the Magician,
-resentfully; "but a live phonograph is enough to
-drive every sane person in the Land of Oz stark
-crazy."
-
-"No insults, please," answered the phonograph in
-a surly, tone. "You did it, my boy; don't blame
-me. "
-
-"You've bungled everything, Dr. Pipt," added
-the Glass Cat, contemptuously.
-
-"Except me," said the Patchwork Girl, jumping up
-to whirl merrily around the room.
-
-"I think," said Ojo, almost ready to cry
-through grief over Unc Nunkie's sad fate, "it
-must all be my fault, in some way. I'm called
-Ojo the Unlucky, you know."
-
-"That's nonsense, kiddie," retorted the
-Patchwork Girl cheerfully. "No one can be unlucky
-who has the intelligence to direct his own
-actions. The unlucky ones are those who beg for a
-chance to think, like poor Dr. Pipt here. What's
-the row about, anyway, Mr. Magic-maker?"
-
-"The Liquid of Petrifaction has accidentally
-fallen upon my dear wife and Unc Nunkie and
-turned them into marble," he sadly replied.
-
-"Well, why don't you sprinkle some of that
-powder on them and bring them to life again?"
-asked the Patchwork Girl.
-
-The Magician gave a jump.
-
-"Why, I hadn't thought of that!" he joyfully
-cried, and grabbed up the golden bottle, with
-which he ran to Margolotte.
-
-Said the Patchwork Girl:
-
-
-"Higgledy, piggledy, dee-
-What fools magicians be!
-His head's so thick
-He can't think quick,
-So he takes advice from me."
-
-
-
-Standing upon the bench, for he was so
-crooked he could not reach the top of his wife's
-head in any other way, Dr. Pipt began shaking
-the bottle. But not a grain of powder came out.
-He pulled off the cover, glanced within, and
-then threw the bottle from him with a wail of
-despair.
-
-"Gone-gone! Every bit gone," he cried.
-"Wasted on that miserable phonograph when
-it might have saved my dear wife!"
-
-Then the Magician bowed his head on his
-crooked arms and began to cry.
-
-Ojo was sorry for him. He went up to the
-sorrowful man and said softly:
-
-"You can make more Powder of Life, Dr. Pipt."
-
-"Yes; but it will take me six years--six long,
-weary years of stirring four kettles with both
-feet and both hands," was the agonized reply. "Six
-years! while poor Margolotte stands watching me as
-a marble image. "
-
-"Can't anything else be done?" asked the
-Patchwork Girl.
-
-The Magician shook his head. Then he seemed to
-remember something and looked up.
-
-"There is one other compound that would destroy
-the magic spell of the Liquid of Petrifaction and
-restore my wife and Unc Nunkie to life," said he.
-"It may be hard to find the things I need to make
-this magic compound, but if they were found I
-could do in an instant what will otherwise take
-six long, weary years of stirring kettles with
-both hands and both feet."
-
-"All right; let's find the things, then,"
-suggested the Patchwork Girl. "That seems a lot
-more sensible than those stirring times with the
-kettles."
-
-"That's the idea, Scraps," said the Glass Cat,
-approvingly. "I'm glad to find you have decent
-brains. Mine are exceptionally good. You can
-see em work; they're pink."
-
-"Scraps?" repeated the girl. "Did you call me
-'Scraps'? Is that my name?"
-
-"I--I believe my poor wife had intended to
-name you 'Angeline,'" said the Magician.
-
-"But I like 'Scraps' best," she replied with a
-laugh. "It fits me better, for my patchwork is
-all scraps, and nothing else. Thank you for
-naming me, Miss Cat. Have you any name of
-your own?"
-
-"I have a foolish name that Margolotte once
-gave me, but which is quite undignified for
-one of my importance," answered the cat. "She
-called me 'Bungle.'"
-
-"Yes," sighed the Magician; "you were a sad
-bungle, taken all in all. I was wrong to make
-you as I did, for a more useless, conceited and
-brittle thing never before existed."
-
-"I'm not so brittle as you think," retorted the
-cat. "I've been alive a good many years, for
-Dr. Pipt experimented on me with the first
-magic Powder of Life he ever made, and so
-far I've never broken or cracked or chipped any
-part of me."
-
-"You seem to have a chip on your shoulder,"
-laughed the Patchwork Girl, and the cat went
-to the mirror to see.
-
-"Tell me," pleaded Ojo, speaking to the
-Crooked Magician, "what must we find to make
-the compound that will save Unc Nunkie?"
-
-"First," was the reply, "I must have a six-
-leaved clover. That can only be found in the green
-country around the Emerald City, and six-leaved
-clovers are very scarce, even there."
-
-"I'll find it for you," promised Ojo.
-
-"The next thing," continued the Magician,
-"is the left wing of a yellow butterfly. That
-color can only be found in the yellow country
-of the Winkies, West of the Emerald City."
-
-"I'll find it," declared Ojo. "Is that all?"
-
-"Oh, no; I'll get my Book of Recipes and see
-what comes next."
-
-Saying this, the Magician unlocked a drawer
-of his cabinet and drew out a small book covered
-with blue leather. Looking through the pages
-he found the recipe he wanted and said: "I
-must have a gill of water from a dark well."
-
-"What kind of a well is that, sir?" asked the
-boy.
-
-"One where the light of day never penetrates.
-The water must be put in a gold bottle and brought
-to me without any light ever reaching it.
-
-"I'll get the water from the dark well," said
-Ojo.
-
-"Then I must have three hairs from the tip
-of a Woozy's tail, and a drop of oil from a live
-man's body."
-
-Ojo looked grave at this.
-
-"What is a Woozy, please?" he inquired.
-
-"Some sort of an animal. I've never seen one,
-so I can't describe it," replied the Magician.
-
-"If I can find a Woozy, I'll get the hairs from
-its tail," said Ojo. "But is there ever any oil in a
-man's body?"
-
-The Magician looked in the book again, to make
-sure.
-
-"That's what the recipe calls for," he replied,
-"and of course we must get everything that is
-called for, or the charm won't work. The book
-doesn't say 'blood'; it says 'oil,' and there must
-be oil somewhere in a live man's body or the
-book wouldn't ask for it."
-
-"All right," returned Ojo, trying not to feel
-discouraged; "I'll try to find it."
-
-The Magician looked at the little Munchkin
-boy in a doubtful way and said:
-
-"All this will mean a long journey for you;
-perhaps several long journeys; for you must search
-through several of the different countries of Oz
-in order to get the things I need."
-
-"I know it, sir; but I must do my best to save
-Unc Nunkie."
-
-"And also my poor wife Margolotte. If you save
-one you will save the other, for both stand there
-together and the same compound will restore them
-both to life. Do the best you can, Ojo, and while
-you are gone I shall begin the six years job of
-making a new batch of the Powder of Life. Then, if
-you should unluckily fail to secure any one of the
-things needed, I will have lost no time. But if
-you succeed you must return here as quickly as you
-can, and that will save me much tiresome stirring
-of four kettles with both feet and both hands."
-
-"I will start on my journey at once, sir," said
-the boy.
-
-"And I will go with you," declared the Patchwork
-Girl.
-
-"No, no!" exclaimed the Magician. "You have no
-right to leave this house. You are only a servant
-and have not been discharged."
-
-Scraps, who had been dancing up and down
-the room, stopped and looked at him.
-
-"What is a servant?" she asked.
-
-"One who serves. A--a Sort of slave," he
-explained.
-
-"Very well," said the Patchwork Girl, "I'm going
-to serve you and your wife by helping Ojo find the
-things you need. You need a lot, you know, such as
-are not easily found."
-
-"It is true," sighed Dr. Pipt. "I am well aware
-that Ojo has undertaken a serious task."
-
-Scraps laughed, and resuming her dance she said:
-
-
-"Here's a job for a boy of brains:
-A drop of oil from a live man's veins;
-A six-leaved clover; three nice hairs
-From a Woozy's tail, the book declares
-Are needed for the magic spell,
-And water from a pitch-dark well.
-The yellow wing of a butterfly
-To find must Ojo also try,
-And if he gets them without harm,
-Doc Pipt will make the magic charm;
-But if he doesn't get 'em, Unc
-Will always stand a marble chunk."
-
-
-The Magician looked at her thoughtfully.
-
-"Poor Margolotte must have given you some of the
-quality of poesy, by mistake," he said. "And, if
-that is true, I didn't make a very good article
-when I prepared it, or else you got an overdose or
-an underdose. However, I believe I shall let you
-go with Ojo, for my poor wife will not need your
-services until she is restored to life. Also I
-think you may be able to help the boy, for your
-head seems to contain some thoughts I did not
-expect to find in it. But be very careful of
-yourself, for you're a souvenir of my dear
-Margolotte. Try not to get ripped, or your
-stuffing may fall out. One of your eyes seems
-loose, and you may have to sew it on tighter. If
-you talk too much you'll wear out your scarlet
-plush tongue, which ought to have been hemmed on
-the edges. And remember you belong to me and must
-return here as soon as your mission is
-accomplished."
-
-"I'm going with Scraps and Ojo," announced
-the Glass Cat.
-
-"You can't," said the Magician.
-
-"Why not?"
-
-"You'd get broken in no time, and you
-couldn't be a bit of use to the boy and the
-Patchwork Girl."
-
-"I beg to differ with you," returned the cat,
-in a haughty tone. "Three heads are better
-than two, and my pink brains are beautiful.
-You can see em work."
-
-"Well, go along," said the Magician, irritably.
-"You're only an annoyance, anyhow, and I'm glad to
-get rid of you."
-
-"Thank you for nothing, then," answered the cat,
-stiffly.
-
-Dr. Pipt took a small basket from a cupboard
-and packed several things in it. Then he handed
-it to Ojo.
-
-"Here is some food and a bundle of charms," he
-said. "It is all I can give you, but I am sure you
-will find friends on your journey who will assist
-you in your search. Take care of the Patchwork
-Girl and bring her safely back, for she ought to
-prove useful to my wife. As for the Glass Cat--
-properly named Bungle--if she bothers you I now
-give you my permission to break her in two, for
-she is not respectful and does not obey me. I made
-a mistake in giving her the pink brains, you see.
-
-Then Ojo went to Unc Nunkie and kissed the old
-man's marble face very tenderly.
-
-"I'm going to try to save you, Unc," he said,
-just as if the marble image could hear him; and
-then he shook the crooked hand of the Crooked
-Magician, who was already busy hanging the four
-kettles in the fireplace, and picking up his
-basket left the house.
-
-The Patchwork Girl followed him, and after
-them came the Glass Cat.
-
-
-
-
-Chapter Six
-
-The Journey
-
-
-Ojo had never traveled before and so he only knew
-that the path down the mountainside led into the
-open Munchkin Country, where large numbers of
-people dwelt. Scraps was quite new and not
-supposed to know anything of the Land of Oz, while
-the Glass Cat admitted she had never wandered very
-far away from the Magician's house. There was only
-one path before them, at the beginning, so they
-could not miss their way, and for a time they
-walked through the thick forest in silent thought,
-each one impressed with the importance of the
-adventure they had undertaken.
-
-Suddenly the Patchwork Girl laughed. It was
-funny to see her laugh, because her cheeks
-wrinkled up, her nose tipped, her silver button
-eyes twinkled and her mouth curled at the
-corners in a comical way.
-
-"Has something pleased you?" asked Ojo, who was
-feeling solemn and joyless through thinking upon
-his uncle's sad fate.
-
-"Yes," she answered. "Your world pleases me, for
-it's a queer world, and life in it is queerer
-still. Here am I, made from an old bedquilt and
-intended to be a slave to Margolotte, rendered
-free as air by an accident that none of you could
-foresee. I am enjoying life and seeing the world,
-while the woman who made me is standing helpless
-as a block of wood. If that isn't funny enough to
-laugh at, I don't know what is."
-
-"You're not seeing much of the world yet,
-my poor, innocent Scraps," remarked the Cat.
-"The world doesn't consist wholly of the trees
-that are on all sides of us."
-
-"But they're part of it; and aren't they pretty
-trees?" returned Scraps, bobbing her head until
-her brown yarn curls fluttered in the breeze.
-"Growing between them I can see lovely ferns
-and wild-flowers, and soft green mosses. If the
-rest of your world is half as beautiful I shall be
-glad I'm alive."
-
-"I don't know what the rest of the world is
-like, I'm sure," said the cat; "but I mean to
-find out."
-
-"I have never been out of the forest," Ojo
-added; "but to me the trees are gloomy and sad
-and the wild-flowers seem lonesome. It must be
-nicer where there are no trees and there is room
-for lots of people to live together."
-
-"I wonder if any of the people we shall meet
-will be as splendid as I am," said the Patchwork
-Girl. "All I have seen, so far, have pale,
-colorless skins and clothes as blue as the country
-they live in, while I am of many gorgeous colors--
-face and body and clothes. That is why I am bright
-and contented, Ojo, while you are blue and sad."
-
-"I think I made a mistake in giving you so many
-sorts of brains," observed the boy. "Perhaps, as
-the Magician said, you have an over-dose, and they
-may not agree with you."
-
-"What had you to do with my brains?" asked
-Scraps.
-
-"A lot," replied Ojo. "Old Margolotte meant
-to give you only a few--just enough to keep
-you going--but when she wasn't looking I added
-a good many more, of the best kinds I could
-find in the Magician's cupboard."
-
-"Thanks," said the girl, dancing along the
-path ahead of Ojo and then dancing back to his
-side. "If a few brains are good, many brains
-must be better."
-
-"But they ought to be evenly balanced," said the
-boy, "and I had no time to be careful. From the
-way you're acting, I guess the dose was badly
-mixed."
-
-"Scraps hasn't enough brains to hurt her, so
-don't worry," remarked the cat, which was trotting
-along in a very dainty and graceful manner. "The
-only brains worth considering are mine, which are
-pink. You can see 'em work."
-
-After walking a long time they came to a little
-brook that trickled across the path, and here Ojo
-sat down to rest and eat something from his
-basket. He found that the Magician had given him
-part of a loaf of bread and a slice of cheese. He
-broke off some of the bread and was surprised to
-find the loaf just as large as it was before. It
-was the same way with the cheese: however much he
-broke off from the slice, it remained exactly the
-same size.
-
-"Ah," said he, nodding wisely; "that's magic.
-Dr. Pipt has enchanted the bread and the cheese,
-so it will last me all through my journey, however
-much I eat."
-
-"Why do you put those things into your mouth?"
-asked Scraps, gazing at him in astonishment. "Do
-you need more stuffing? Then why don't you use
-cotton, such as I am stuffed with?"
-
-"I don't need that kind," said Ojo.
-
-"But a mouth is to talk with, isn't it?"
-
-"It is also to eat with," replied the boy. "If I
-didn't put food into my mouth, and eat it, I would
-get hungry and starve.
-
-"Ah, I didn't know that," she said. "Give me
-some."
-
-Ojo handed her a bit of the bread and she put it
-in her mouth.
-
-"What next?" she asked, scarcely able to speak.
-
-"Chew it and swallow it," said the boy.
-
-Scraps tried that. Her pearl teeth were unable
-to chew the bread and beyond her mouth there was
-no opening. Being unable to swallow she threw away
-the bread and laughed.
-
-"I must get hungry and starve, for I can't eat,"
-she said.
-
-"Neither can I," announced the cat; "but I'm
-not fool enough to try. Can't you understand
-that you and I are superior people and not made
-like these poor humans?"
-
-"Why should I understand that, or anything
-else?" asked the girl. "Don't bother my head by
-asking conundrums, I beg of you. Just let me
-discover myself in my own way."
-
-With this she began amusing herself by leaping
-across the brook and hack again.
-
-"Be careful, or you'll fall in the water,"
-warned Ojo.
-
-"Never mind."
-
-"You'd better. If you get wet you'll be soggy
-and can't walk. Your colors might run, too,"
-he said.
-
-"Don't my colors run whenever I run?" she asked.
-
-"Not in the way I mean. If they get wet, the
-reds and greens and yellows and purples of your
-patches might run into each other and become
-just a blur--no color at all, you know."
-
-"Then," said the Patchwork Girl, "I'll be
-careful, for if I spoiled my splendid colors I
-would cease to be beautiful."
-
-"Pah!" sneered the Glass Cat, "such colors are
-not beautiful; they're ugly, and in bad taste.
-Please notice that my body has no color at all.
-I'm transparent, except for my exquisite red heart
-and my lovely pink brains--you can see 'em work."
-
-"Shoo-shoo-shoo!" cried Scraps, dancing
-around and laughing. "And your horrid green eyes,
-Miss Bungle! You can't see your eyes, but we can,
-and I notice you're very proud of what little
-color you have. Shoo, Miss Bungle, shoo-shoo-shoo!
-If you were all colors and many colors, as I am,
-you'd be too stuck up for anything." She leaped
-over the cat and back again, and the startled
-Bungle crept close to a tree to escape her. This
-made Scraps laugh more heartily than ever, and she
-said:
-
-
-"Whoop-tedoodle-doo!
-The cat has lost her shoe.
-Her tootsie's bare, but she don't care,
-So what's the odds to you?"
-
-
-
-"Dear me, Ojo," said the cat; "don't you think
-the creature is a little bit crazy?"
-
-"It may be," he answered, with a puzzled look.
-
-"If she continues her insults I'll scratch off
-her suspender-button eyes," declared the cat.
-
-"Don't quarrel, please," pleaded the boy, rising
-to resume the journey. "Let us be good comrades
-and as happy and cheerful as possible, for we are
-likely to meet with plenty of trouble on our way."
-
-It was nearly sundown when they came to the edge
-of the forest and saw spread out before them a
-delightful landscape. There were broad blue fields
-stretching for miles over the valley, which was
-dotted everywhere with pretty, blue domed houses,
-none of which, however, was very near to the place
-where they stood. Just at the point where the path
-left the forest stood a tiny house covered with
-leaves from the trees, and before this stood a
-Munchkin man with an axe in his hand. He seemed
-very much surprised when Ojo and Scraps and the
-Glass Cat came out of the woods, but as the
-Patchwork Girl approached nearer he sat down upon
-a bench and laughed so hard that he could not
-speak for a long time.
-
-This man was a woodchopper and lived all alone
-in the little house. He had bushy blue whiskers
-and merry blue eyes and his blue clothes were quite
-old and worn.
-
-"Mercy me!" exclaimed the woodchopper, when at
-last he could stop laughing. "Who would think such
-a funny harlequin lived in the Land of Oz? Where
-did you come from, Crazy-quilt?"
-
-"Do you mean me?" asked the Patchwork Girl.
-
-"Of course," he replied.
-
-"You misjudge my ancestry. I'm not a crazy-
-quilt; I'm patchwork," she said.
-
-"There's no difference," he replied, beginning
-to laugh again. "When my old grandmother sews such
-things together she calls it a crazy-quilt; but I
-never thought such a jumble could come to life."
-
-"It was the Magic Powder that did it," explained
-Ojo.
-
-"Oh, then you have come from the Crooked
-Magician on the mountain. I might have known it,
-for--Well, I declare! here's a glass cat. But the
-Magician will get in trouble for this; it's
-against the law for anyone to work magic except
-Glinda the Good and the royal Wizard of Oz. If you
-people--or things--or glass spectacles--or crazy-
-quilts--or whatever you are, go near the Emerald
-City, you'll be arrested."
-
-"We're going there, anyhow," declared
-Scraps, sitting upon the bench and swinging her
-stuffed legs.
-
-
-"If any of us takes a rest,
-We'll be arrested sure,
-And get no restitution
-'Cause the rest we must endure."
-
-
-"I see," said the woodchopper, nodding; "you're
-as crazy as the crazy-quilt you're made of."
-
-"She really is crazy," remarked the Glass Cat.
-"But that isn't to he wondered at when you
-remember how many different things she's made of.
-For my part, I'm made of pure glass--except my
-jewel heart and my pretty pink brains. Did you
-notice my brains, stranger? You can see em work."
-
-"So I can," replied the woodchopper; "but I
-can't see that they accomplish much. A glass cat
-is a useless sort of thing, but a Patchwork Girl
-is really useful. She makes me laugh, and laughter
-is the best thing in life. There was once a
-woodchopper, a friend of mine, who was made all of
-tin, and I used to laugh every time I saw him."
-
-"A tin woodchopper?" said Ojo. "That is
-strange."
-
-"My friend wasn't always tin," said the man,
-"but he was careless with his axe, and used to
-chop himself very badly. Whenever he lost an arm
-or a leg he had it replaced with tin; so after a
-while he was all tin."
-
-"And could he chop wood then?" asked the boy.
-
-"He could if he didn't rust his tin joints. But
-one day he met Dorothy in the forest and went with
-her to the Emerald City, where he made his
-fortune. He is now one of the favorites of
-Princess Ozma, and she has made him the Emperor of
-the Winkies--the Country where all is yellow."
-
-"Who is Dorothy?" inquired the Patchwork Girl.
-
-"A little maid who used to live in Kansas, but
-is now a Princess of Oz. She's Ozma's best
-friend, they say, and lives with her in the royal
-palace."
-
-"Is Dorothy made of tin?" inquired Ojo.
-
-"Is she patchwork, like me?" inquired Scraps.
-
-"No," said the man; "Dorothy is flesh, just as I
-am. I know of only one tin person, and that is
-Nick Chopper, the Tin Woodman; and there will
-never be but one Patchwork Girl, for any magician
-that sees you will refuse to make another one like
-you."
-
-"I suppose we shall see the Tin Woodman, for we
-are going to the Country of the Winkies," said the
-boy.
-
-"What for?" asked the woodchopper.
-
-"To get the left wing of a yellow butterfly."
-
-"It is a long journey," declared the man, "and
-you will go through lonely parts of Oz and cross
-rivers and traverse dark forests before you get
-there."
-
-"Suits me all right," said Scraps. "I'll get a
-chance to see the country."
-
-"You're crazy, girl. Better crawl into a rag-bag
-and hide there; or give yourself to some little
-girl to play with. Those who travel are likely to
-meet trouble; that's why I stay at home."
-
-The woodchopper then invited them all to
-stay the night at his little hut, but they were
-anxious to get on and so left him and continued
-along the path, which was broader, now, and
-more distinct.
-
-They expected to reach some other house before
-it grew dark, but the twilight was brief and Ojo
-soon began to fear they had made a mistake in
-leaving the woodchopper.
-
-"I can scarcely see the path," he said at last.
-"Can you see it, Scraps?"
-
-"No," replied the Patchwork Girl, who was
-holding fast to the boy's arm so he could
-guide her.
-
-"I can see," declared the Glass Cat. "My eyes
-are better than yours, and my pink brains--"
-
-"Never mind your pink brains, please," said
-Ojo hastily; "just run ahead and show us the
-way. Wait a minute and I'll tie a string to you;
-for then you can lead us."
-
-He got a string from his pocket and tied it
-around the cat's neck, and after that the creature
-guided them along the path. They had proceeded in
-this way for about an hour when a twinkling blue
-light appeared ahead of them.
-
-"Good! there's a house at last," cried Ojo.
-"When we reach it the good people will surely
-welcome us and give us a night's lodging." But
-however far they walked the light seemed to get
-no nearer, so by and by the cat stopped short,
-saying:
-
-"I think the light is traveling, too, and we
-shall never be able to catch up with it. But here
-is a house by the roadside, so why go farther?"
-
-"Where is the house, Bungle?"
-
-"Just here beside us, Scraps."
-
-Ojo was now able to see a small house near
-the pathway. It was dark and silent, but the boy
-was tired and wanted to rest, so he went up to
-the door and knocked.
-
-"Who is there?" cried a voice from within.
-
-"I am Ojo the Unlucky, and with me are
-Miss Scraps Patchwork and the Glass Cat," he
-replied.
-
-"What do you want?" asked the Voice.
-
-"A place to sleep," said Ojo.
-
-"Come in, then; but don't make any noise,
-and you must go directly to bed," returned the
-Voice.
-
-Ojo unlatched the door and entered. It was
-very dark inside and he could see nothing at all.
-But the cat exclaimed: "Why, there's no one
-here!"
-
-"There must be," said the boy. "Some one
-spoke to me."
-
-"I can see everything in the room," replied the
-cat, "and no one is present but ourselves. But
-here are three beds, all made up, so we may as
-well go to sleep."
-
-"What is sleep?" inquired the Patchwork Girl.
-
-"It's what you do when you go to bed," said Ojo.
-
-"But why do you go to bed?" persisted the
-Patchwork Girl.
-
-"Here, here! You are making altogether too
-much noise," cried the Voice they had heard
-before. "Keep quiet, strangers, and go to bed."
-
-The cat, which could see in the dark, looked
-sharply around for the owner of the Voice, hut
-could discover no one, although the Voice had
-seemed close beside them. She arched her back
-a little and seemed afraid. Then she whispered
-to Ojo: "Come!" and led him to a bed.
-
-With his hands the boy felt of the bed and
-found it was big and soft, with feather pillows
-and plenty of blankets. So he took off his shoes
-and hat and crept into the bed. Then the cat
-led Scraps to another bed and the Patchwork
-Girl was puzzled to know what to do with it.
-
-"Lie down and keep quiet," whispered the
-cat, warningly.
-
-"Can't I sing?" asked Scraps.
-
-"Can't I whistle?" asked Scraps.
-
-"Can't I dance till morning, if I want to?"
-asked Scraps.
-
-"You must keep quiet," said the cat, in a soft
-voice.
-
-"I don't want to," replied the Patchwork Girl,
-speaking as loudly as usual. "What right have you
-to order me around? If I want to talk, or yell, or
-whistle--"
-
-Before she could say anything more an unseen
-hand seized her firmly and threw her out of the
-door, which closed behind her with a sharp
-slam. She found herself bumping and rolling in
-the road and when she got up and tried to open
-the door of the house again she found it locked.
-
-"What has happened to Scraps?" asked Ojo.
-
-"Never mind. Let's go to sleep, or something
-will happen to us," answered the Glass Cat.
-
-So Ojo snuggled down in his bed and fell
-asleep, and he was so tired that he never
-wakened until broad daylight.
-
-
-
-
-Chapter Seven
-
-The Troublesome Phonograph
-
-
-
-When the boy opened his eyes next morning he
-looked carefully around the room. These small
-Munchkin houses seldom had more than one room in
-them. That in which Ojo now found himself had
-three beds, set all in a row on one side of it.
-The Glass Cat lay asleep on one bed, Ojo was in
-the second, and the third was neatly made up and
-smoothed for the day. On the other side of the
-room was a round table on which breakfast was
-already placed, smoking hot. Only one chair was
-drawn up to the table, where a place was set for
-one person. No one seemed to be in the room except
-the boy and Bungle.
-
-Ojo got up and put on his shoes. Finding a
-toilet stand at the head of his bed he washed his
-face and hands and brushed his hair. Then he
-went to the table and said:
-
-"I wonder if this is my breakfast?"
-
-"Eat it!" commanded a Voice at his side, so
-near that Ojo jumped; But no person could he
-see.
-
-He was hungry, and the breakfast looked
-good; so he sat down and ate all he wanted.
-Then, rising, he took his hat and wakened the
-Glass Cat.
-
-"Come on, Bungle," said he; "we must go.
-
-He cast another glance about the room and,
-speaking to the air, he said: "Whoever lives here
-has been kind to me, and I'm much obliged."
-
-There was no answer, so he took his basket
-and went out the door, the cat following him.
-In the middle of the path sat the Patchwork
-Girl, playing with pebbles she had picked up.
-
-"Oh, there you are!" she exclaimed cheerfully.
-"I thought you were never coming out. It has been
-daylight a long time."
-
-"What did you do all night?" asked the boy.
-
-"Sat here and watched the stars and the
-moon," she replied. "They're interesting. I never
-saw them before, you know."
-
-"Of course not," said Ojo.
-
-"You were crazy to act so badly and get
-thrown outdoors," remarked Bungle, as they
-renewed their journey.
-
-"That's all right," said Scraps. "If I hadn't
-been thrown out I wouldn't have seen the stars,
-nor the big gray wolf."
-
-"What wolf?" inquired Ojo.
-
-"The one that came to the door of the house
-three times during the night."
-
-"I don't see why that should be," said the
-boy, thoughtfully; "there was plenty to eat in
-that house, for I had a fine breakfast, and I
-slept in a nice bed."
-
-"Don't you feel tired?" asked the Patchwork
-Girl, noticing that the boy yawned.
-
-"Why, yes; I'm as tired as I was last night;
-and yet I slept very well."
-
-"And aren't you hungry?"
-
-"It's strange," replied Ojo. "I had a good
-breakfast, and yet I think I'll now eat some of
-my crackers and cheese."
-
-Scraps danced up and down the path. Then
-she sang:
-
-
-"Kizzle-kazzle-kore;
-The wolf is at the door,
-There's nothing to eat but a bone without meat,
-And a bill from the grocery store."
-
-
-
-"What does that mean?" asked Ojo.
-
-"Don't ask me," replied Scraps. "I say what
-comes into my head, but of course I know nothing
-of a grocery store or bones without meat or
-very much else."
-
-"No," said the cat; "she's stark, staring,
-raving crazy, and her brains can't be pink, for
-they don't work properly."
-
-"Bother the brains!" cried Scraps. "Who cares
-for 'em, anyhow? Have you noticed how beautiful my
-patches are in this sunlight?"
-
-Just then they heard a sound as of footsteps
-pattering along the path behind them and all three
-turned to see what was coming. To their
-astonishment they beheld a small round table
-running as fast as its four spindle legs could
-carry it, and to the top was screwed fast a
-phonograph with a big gold horn.
-
-"Hold on!" shouted the phonograph. "Wait for
-me!"
-
-"Goodness me; it's that music thing which the
-Crooked Magician scattered the Powder of Life
-over," said Ojo.
-
-"So it is," returned Bungle, in a grumpy tone of
-voice; and then, as the phonograph overtook them,
-the Glass Cat added sternly: "What are you doing
-here, anyhow?"
-
-"I've run away," said the music thing. "After
-you left, old Dr. Pipt and I had a dreadful
-quarrel and he threatened to smash me to pieces if
-I didn't keep quiet. Of course I wouldn't do that,
-because a talking-machine is supposed to talk and
-make a noise--and sometimes music. So I slipped out
-of the house while the Magician was stirring his
-four kettles and I've been running after you all
-night. Now that I've found such pleasant company,
-I can talk and play tunes all I want to."
-
-Ojo was greatly annoyed by this unwelcome
-addition to their party. At first he did not know
-what to say to the newcomer, but a little thought
-decided him not to make friends.
-
-"We are traveling on important business," he
-declared, "and you'll excuse me if I say we can't
-be bothered."
-
-"How very impolite!" exclaimed the phonograph.
-
-"I'm sorry; but it's true," said the boy. "You'll
-have to go somewhere else."
-
-"This is very unkind treatment, I must say,
-whined the phonograph, in an injured tone.
-"Everyone seems to hate me, and yet I was intended
-to amuse people."
-
-"It isn't you we hate, especially," observed
-the Glass Cat; "it's your dreadful music. When
-I lived in the same room with you I was much
-annoyed by your squeaky horn. It growls and
-grumbles and clicks and scratches so it spoils
-the music, and your machinery rumbles so that
-the racket drowns every tune you attempt."
-
-"That isn't my fault; it's the fault of my
-records. I must admit that I haven't a clear
-record," answered the machine.
-
-"Just the same, you'll have to go away," said
-Ojo.
-
-"Wait a minute," cried Scraps. "This music
-thing interests me. I remember to have heard
-music when I first came to life, and I would like
-to hear it again. What is your name, my poor
-abused phonograph?"
-
-"Victor Columbia Edison," it answered.
-
-"Well, I shall call you 'Vic' for short," said
-the Patchwork Girl. "Go ahead and play something."
-
-"It'll drive you crazy," warned the cat.
-
-"I'm crazy now, according to your statement.
-Loosen up and reel out the music, Vic."
-
-"The only record I have with me," explained
-the phonograph, "is one the Magician attached
-just before we had our quarrel. It's a highly
-classical composition."
-
-"A what?" inquired Scraps.
-
-"It is classical music, and is considered the
-best and most puzzling ever manufactured.
-You're supposed to like it, whether you do or
-not, and if you don't, the proper thing is to look
-as if you did. Understand?"
-
-"Not in the least," said Scraps.
-
-"Then, listen!"
-
-At once the machine began to play and in a
-few minutes Ojo put his hands to his ears to
-shut out the sounds and the cat snarled and
-Scraps began to Jaugh.
-
-"Cut it out, Vic," she said. "That's enough."
-
-But the phonograph continued playing the dreary
-tune, so Ojo seized the crank, jerked it free and
-threw it into the road. However, the moment the
-crank struck the ground it hounded back to the
-machine again and began winding it up. And still
-the music played.
-
-"Let's run!" cried Scraps, and they all started
-and ran down the path as fast as they could go.
-But the phonograph was right behind them
-and could run and play at the same time. It
-called out, reproachfully:
-
-"What's the matter? Don't you love classical
-music?"
-
-"No, Vic," said Scraps, halting. "We will
-passical the classical and preserve what joy we
-have left. I haven't any nerves, thank goodness,
-but your music makes my cotton shrink."
-
-"Then turn over my record. There's a rag-time
-tune on the other side," said the machine.
-
-"What's rag-time?"
-
-"The opposite of classical."
-
-"All right," said Scraps, and turned over the
-record.
-
-The phonograph now began to play a jerky jumble
-of sounds which proved so bewildering that after a
-moment Scraps stuffed her patchwork apron into the
-gold horn and cried: "Stop--stop! That's the other
-extreme. It's extremely bad!"
-
-Muffled as it was, the phonograph played on.
-
-"If you don't shut off that music I'll smash
-your record," threatened Ojo.
-
-The music stopped, at that, and the machine
-turned its horn from one to another and said
-with great indignation: "What's the matter
-now? Is it possible you can't appreciate rag-
-time?"
-
-"Scraps ought to, being rags herself," said
-the cat; "but I simply can't stand it; it makes
-my whiskers curl."
-
-"It is, indeed, dreadful!" exclaimed Ojo, with
-a shudder.
-
-"It's enough to drive a crazy lady mad,"
-murmured the Patchwork Girl. "I'll tell you what,
-Vic," she added as she smoothed out her apron and
-put it on again, "for some reason or other you've
-missed your guess. You're not a concert; you're a
-nuisance. "
-
-"Music hath charms to soothe the savage
-breast," asserted the phonograph sadly.
-
-"Then we're not savages. I advise you to go
-home and beg the Magician's pardon."
-
-"Never! He'd smash me."
-
-"That's what we shall do, if you stay here,"
-Ojo declared.
-
-"Run along, Vic, and bother some one else,"
-advised Scraps. "Find some one who is real
-wicked, and stay with him till he repents. In
-that way you can do some good in the world."
-
-The music thing turned silently away and
-trotted down a side path, toward a distant
-Munchkin village.
-
-"Is that the way we go?" asked Bungle anxiously.
-
-"No," said Ojo; "I think we shall keep straight
-ahead, for this path is the widest and best.
-When we come to some house we will inquire
-the way to the Emerald City."
-
-
-
-
-Chapter Eight
-
-The foolish Owl and the Wise Donkey
-
-
-On they went, and half an hour's steady walking
-brought them to a house somewhat better than the
-two they had already passed. It stood close to the
-roadside and over the door was a sign that read:
-"Miss Foolish Owl and Mr. Wise Donkey: Public
-Advisers."
-
-When Ojo read this sign aloud Scraps said
-laughingly: "Well, here is a place to get all the
-advice we want, maybe more than we need. Let's go
-in."
-
-The boy knocked at the door.
-
-"Come in!" called a deep bass voice.
-
-So they opened the door and entered the house,
-where a little light-brown donkey, dressed in a
-blue apron and a blue cap, was engaged in dusting
-the furniture with a blue cloth. On a shelf over
-the window sat a great blue owl with a blue
-sunbonnet on her head, blinking her big round
-eyes at the visitors.
-
-"Good morning," said the donkey, in his deep
-voice, which seemed bigger than he was. "Did
-you come to us for advice?"
-
-"Why, we came, anyhow," replied Scraps, "and now
-we are here we may as well have some advice. It's
-free, isn't it?"
-
-"Certainly," said the donkey. "Advice doesn't
-cost anything--unless you follow it. Permit me to
-say, by the way, that you are the queerest lot of
-travelers that ever came to my shop. Judging you
-merely by appearances, I think you'd better talk
-to the Foolish Owl yonder."
-
-They turned to look at the bird, which fluttered
-its wings and stared back at them with its big
-eyes.
-
-"Hoot-ti-toot-ti-toot!" cried the owl.
-
-
-"Fiddle-cum-foo,
-Howdy-do?
-Riddle-cum, tiddle-cum,
-Too-ra-la-loo!"
-
-
-"That beats your poetry, Scraps," said Ojo.
-
-"It's just nonsense!" declared the Glass Cat.
-
-"But it's good advice for the foolish," said
-the donkey, admiringly. "Listen to my partner,
-and you can't go wrong.
-
-Said the owl in a grumbling voice:
-
-
-"Patchwork Girl has come to life;
-No one's sweetheart, no one's wife;
-Lacking sense and loving fun,
-She'll be snubbed by everyone."
-
-
-"Quite a compliment! Quite a compliment, I
-declare," exclaimed the donkey, turning to look at
-Scraps. "You are certainly a wonder, my dear, and
-I fancy you'd make a splendid pincushion. If you
-belonged to me, I'd wear smoked glasses when I
-looked at you."
-
-"Why?" asked the Patchwork Girl.
-
-"Because you are so gay and gaudy."
-
-"It is my beauty that dazzles you," she
-asserted. "You Munchkin people all strut around in
-your stupid blue color, while I--"
-
-"You are wrong in calling me a Munchkin,"
-interrupted the donkey, "for I was born in the
-Land of Mo and came to visit the Land of Oz
-on the day it was shut off from all the rest of
-the world. So here I am obliged to stay, and I
-confess it is a very pleasant country to live in."
-
-"Hoot-ti-toot!" cried the owl;
-
-"Ojo's searching for a charm,
-'Cause Unc Nunkie's come to harm.
-Charms are scarce; they're hard to get;
-Ojo's got a job, you bet!"
-
-
-"Is the owl so very foolish?" asked the boy.
-
-"Extremely so," replied the donkey. "Notice what
-vulgar expressions she uses. But I admire the owl
-for the reason that she is positively foolish.
-Owls are supposed to be so very wise, generally,
-that a foolish one is unusual, and you perhaps
-know that anything or anyone unusual is sure to be
-interesting to the wise."
-
-The owl flapped its wings again, muttering
-these words:
-
-
-"It's hard to be a glassy cat--
-No cat can be more hard than that;
-She's so transparent, every act
-Is clear to us, and that's a fact."
-
-
-"Have you noticed my pink brains?" inquired
-Bungle, proudly. "You can see 'em work."
-
-"Not in the daytime," said the donkey. "She
-can't see very well by day, poor thing. But her
-advice is excellent. I advise you all to follow it."
-
-"The owl hasn't given us any advice, as yet,"
-the boy declared.
-
-"No? Then what do you call all those sweet
-poems?"
-
-"Just foolishness," replied Ojo. "Scraps does
-the same thing."
-
-"Foolishness! Of course! To be sure! The Foolish
-Owl must be foolish or she wouldn't be the Foolish
-Owl. You are very complimentary to my partner,
-indeed," asserted the donkey, rubbing his front
-hoofs together as if highly pleased.
-
-"The sign says that you are wise," remarked
-Scraps to the donkey. "I wish you would prove it."
-
-"With great pleasure," returned the beast.
-"Put me to the test, my dear Patches, and I'll
-prove my wisdom in the wink of an eye.
-
-"What is the best way to get to the Emerald
-City?" asked Ojo.
-
-"Walk," said the donkey.
-
-"I know; but what road shall I take?" was the
-boy's next question.
-
-"The road of yellow bricks, of course. It leads
-directly to the Emerald City."
-
-"And how shall we find the road of yellow
-bricks?"
-
-"By keeping along the path you have been
-following. You'll come to the yellow bricks pretty
-soon, and you'll know them when you see them
-because they're the only yellow things in the
-blue country."
-
-"Thank you," said the boy. "At last you have
-told me something."
-
-"Is that the extent of your wisdom?" asked
-Scraps.
-
-"No," replied the donkey; "I know many
-other things, but they wouldn't interest you.
-So I'll give you a last word of advice: move on,
-for the sooner you do that the sooner you'll
-get to the Emerald City of Oz."
-
-"Hoot-ti-toot-ti-toot-ti-too!" screeched the owl;
-
-
-"Off you go! fast or slow,
-Where you're going you don't know.
-Patches, Bungle, Muchkin lad,
-Facing fortunes good and bad,
-Meeting dangers grave and sad,
-Sometimes worried, sometimes glad--
-Where you're going you don't know,
-Nor do I, but off you go!"
-
-
-"Sounds like a hint, to me," said the Patchwork Girl.
-
-"Then let's take it and go," replied Ojo.
-
-They said good-bye to the Wise Donkey and the
-Foolish Owl and at once resumed their journey.
-
-
-
-
-Chapter Nine
-
-They Meet the Woozy
-
-
-
-"There seem to be very few houses around here,
-after all," remarked Ojo, after they had walked
-for a time in silence.
-
-"Never mind," said Scraps; "we are not looking
-for houses, but rather the road of yellow bricks.
-Won't it be funny to run across something yellow
-in this dismal blue country?"
-
-"There are worse colors than yellow in this
-country," asserted the Glass Cat, in a spiteful
-tone.
-
-"Oh; do you mean the pink pebbles you call
-your brains, and your red heart and green eyes?"
-asked the Patchwork Girl.
-
-"No; I mean you, if you must know it," growled
-the cat.
-
-"You're jealous!" laughed Scraps. "You'd give
-your whiskers for a lovely variegated complexion
-like mine."
-
-"I wouldn't!" retorted the cat. "I've the
-clearest complexion in the world, and I don't
-employ a beauty-doctor, either."
-
-"I see you don't," said Scraps.
-
-"Please don't quarrel," begged Ojo. "This is an
-important journey, and quarreling makes me
-discouraged. To be brave, one must be cheerful, so
-I hope you will be as good-tempered as possible."
-
-They had traveled some distance when suddenly
-they faced a high fence which barred any further
-progress straight ahead. It ran directly across
-the road and enclosed a small forest of tall
-trees, set close together. When the group of
-adventurers peered through the bars of the fence
-they thought this forest looked more gloomy and
-forbidding than any they had ever seen before.
-
-They soon discovered that the path they had
-been following now made a bend and passed
-around the enclosure, but what made Ojo stop
-and look thoughtful was a sign painted on the
-fence which read:
-
-
-"BEWARE OF THE WOOZY!"
-
-
-"That means," he said, "that there's a Woozy
-inside that fence, and the Woozy must be a
-dangerous animal or they wouldn't tell people
-to beware of it."
-
-"Let's keep out, then," replied Scraps. "That
-path is outside the fence, and Mr. Woozy may have
-all his little forest to himself, for all we care."
-
-"But one of our errands is to find a Woozy,"
-Ojo explained. "The Magician wants me to get
-three hairs from the end of a Woozy's tail."
-
-"Let's go on and find some other Woozy,"
-suggested the cat. "This one is ugly and
-dangerous, or they wouldn't cage him up. Maybe
-we shall find another that is tame and gentle."
-
-"Perhaps there isn't any other, at all,"
-answered Ojo. "The sign doesn't say: 'Beware a
-Woozy'; it says: 'Beware the Woozy,' which may,
-mean there's only one in all the Land of Oz.
-
-"Then," said Scraps, "suppose we go in and
-find him? Very likely if we ask him politely to
-let us pull three hairs out of the tip of his tail
-he won't hurt us."
-
-"It would hurt him, I'm sure, and that would
-make him cross," said the cat.
-
-"You needn't worry, Bungle," remarked the
-Patchwork Girl; "for if there is danger you can
-climb a tree. Ojo and I are not afraid; are we,
-Ojo?"
-
-"I am, a little," the boy admitted; "but this
-danger must be faced, if we intend to save poor
-
-Unc Nunkie. How shall we get over the fence?"
-
-"Climb," answered Scraps, and at once she began
-climbing up the rows of bars. Ojo followed and
-found it more easy than he had expected. When they
-got to the top of the fence they began to get down
-on the other side and soon were in the forest. The
-Glass Cat, being small, crept between the lower
-bars and joined them.
-
-Here there was no path of any sort, so they
-entered the woods, the boy leading the way,
-and wandered through the trees until they were
-nearly in the center of the forest. They now
-came upon a clear space in which stood a rocky
-cave.
-
-So far they had met no living creature, but
-when Ojo saw the cave he knew it must be the
-den of the Woozy.
-
-It is hard to face any savage beast without
-a sinking of the heart, but still more terrifying
-is it to face an unknown beast, which you have
-never seen even a picture of. So there is little
-wonder that the pulses of the Munchkin boy
-beat fast as he and his companions stood facing
-the cave. The opening was perfectly square,
-and about big enough to admit a goat.
-
-"I guess the Woozy is asleep," said Scraps.
-"Shall I throw in a stone, to waken him?"
-
-"No; please don't," answered Ojo, his voice
-trembling a little. "I'm in no hurry."
-
-But he had not long to wait, for the Woozy
-heard the sound of voices and came trotting out
-of his cave. As this is the only Woozy that has
-ever lived, either in the Land of Oz or out of
-it, I must describe it to you.
-
-The creature was all squares and flat surfaces
-and edges. Its head was an exact square, like
-one of the building-blocks a child plays with;
-therefore it had no ears, but heard sounds
-through two openings in the upper corners. Its
-nose, being in the center of a square surface,
-was flat, while the mouth was formed by the
-opening of the lower edge of the block. The
-body of the Woozy was much larger than its
-head, but was likewise block-shaped--being
-twice as long as it was wide and high. The tail
-was square and stubby and perfectly straight,
-and the four legs were made in the same way,
-each being four-sided. The animal was covered
-with a thick, smooth skin and had no hair at all
-except at the extreme end of its tail, where there
-grew exactly three stiff, stubby hairs. The beast
-was dark blue in color and his face was not
-fierce nor ferocious in expression, but rather
-good-humored and droll.
-
-Seeing the strangers, the Woozy folded his
-hind legs as if they Lad been hinged and sat
-down to look his visitors over.
-
-"Well, well," he exclaimed; "what a queer lot
-you are! at first I thought some of those
-miserable Munchkin farmers had come to annoy me,
-but I am relieved to find you in their stead. It
-is plain to me that you are a remarkable group--as
-remarkable in your way as I am in mine--and so you
-are welcome to my domain. Nice place, isn't it?
-But lonesome-dreadfully lonesome."
-
-"Why did they shut you up here?" asked
-Scraps, who was regarding the queer, square
-creature with much curiosity.
-
-"Because I eat up all the honey-bees which
-the Munchkin farmers who live around here
-keep to make them honey."
-
-"Are you fond of eating honey-bees?" inquired
-the boy.
-
-"Very. They are really delicious. But the
-farmers did not like to lose their bees and so
-they tried to destroy me. Of course they couldn't
-do that."
-
-"Why not?"
-
-"My skin is so thick and tough that nothing can
-get through it to hurt me. So, finding they could
-not destroy me, they drove me into this forest and
-built a fence around me. Unkind, wasn't it?"
-
-"But what do you eat now?" asked Ojo.
-
-"Nothing at all. I've tried the leaves from the
-trees and the mosses and creeping vines, but they
-don't seem to suit my taste. So, there being no
-honey-bees here, I've eaten nothing for years.
-
-"You must be awfully hungry," said the boy.
-"I've got some bread and cheese in my basket.
-Would you like that kind of food?"
-
-"Give me a nibble and I will try it; then I
-can tell you better whether it is grateful to my
-appetite," returned the Woozy.
-
-So the boy opened his basket and broke a
-piece off the loaf of bread. He tossed it toward
-the Woozy, who cleverly caught it in his mouth
-and ate it in a twinkling.
-
-"That's rather good," declared the animal.
-"Any more?"
-
-"Try some cheese," said Ojo, and threw down a
-piece.
-
-The Woozy ate that, too, and smacked its long,
-thin lips.
-
-"That's mighty good!" it exclaimed. "Any more?"
-
-"Plenty," replied Ojo. So he sat down on a Stump
-and fed the Woozy bread and cheese for a long
-time; for, no matter how much the boy broke off,
-the loaf and the slice remained just as big.
-
-"That'll do," said the Woozy, at last; "I'm
-quite full. I hope the strange food won't give
-me indigestion.
-
-"I hope not," said Ojo. "It's what I eat."
-
-"Well, I must say I'm much obliged, and
-I'm glad you came," announced the beast. "Is
-there anything I can do in return for your
-kindness?"
-
-"Yes," said Ojo earnestly, "you have it in
-your power to do me a great favor, if you will."
-
-"What is it?" asked the Woozy. "Name the
-favor and I will grant it."
-
-"I--I want three hairs from the tip of your
-tail," said Ojo, with some hesitation.
-
-"Three hairs! Why, that's all I have--on my
-tail or anywhere else," exclaimed the beast.
-
-"I know; but I want them very much."
-
-"They are my sole ornaments, my prettiest
-feature," said the Woozy, uneasily. "If I give
-up those three hairs I--I'm just a blockhead."
-
-"Yet I must have them," insisted the boy,
-firmly, and he then told the Woozy all about the
-accident to Unc Nunkie and Margolotte, and how the
-three hairs were to be a part of the magic charm
-that would restore them to life. The beast
-listened with attention and when Ojo had finished
-the recital it said, with a sigh.
-
-"I always keep my word, for I pride myself on
-being square. So you may have the three hairs, and
-welcome. I think, under such circumstances, it
-would be selfish in me to refuse you."
-
-"Thank you! Thank you very much," cried
-the boy, joyfully. "May I pull out the hairs
-now?"
-
-"Any time you like," answered the Woozy.
-
-So Ojo went up to the queer creature and
-taking hold of one of the hairs began to pull.
-He pulled harder. He pulled with all his might;
-but the hair remained fast.
-
-"What's the trouble?" asked the Woozy,
-which Ojo had dragged here and there all
-around the clearing in his endeavor to pull out
-the hair.
-
-"It won't come," said the boy, panting.
-
-"I was afraid of that," declared the beast.
-"You'll have to pull harder."
-
-"I'll help you," exclaimed Scraps, coming to
-the boy's side. "You pull the hair, and I'll pull
-you, and together we ought to get it out easily."
-
-"Wait a jiffy," called the Woozy, and then
-it went to a tree and hugged it with its front
-paws, so that its body couldn't be dragged
-around by the pull. "All ready, now. Go ahead!"
-
-Ojo grasped the hair with both hands and
-pulled with all his strength, while Scraps seized
-the boy around his waist and added her strength
-to his. But the hair wouldn't budge. Instead, it
-slipped out of Ojo's hands and he and Scraps
-both rolled upon the ground in a heap and never
-stopped until they bumped against the rocky
-cave.
-
-"Give it up," advised the Glass Cat, as the
-boy arose and assisted the Patchwork Girl to her
-feet. "A dozen strong men couldn't pull out
-those Hairs. I believe they're clinched on the
-under side of the Woozy's thick skin."
-
-"Then what shall I do?" asked the boy,
-despairingly. "If on our return I fail to take
-these three hairs to the Crooked Magician, the
-other things I have come to seek will be of no
-use at all, and we cannot restore Unc Nunkie
-and Margolotte to life."
-
-"They're goners, I guess," said the Patchwork
-Girl.
-
-"Never mind," added the cat. "I can't see that
-old Unc and Margolotte are worth all this trouble,
-anyhow."
-
-But Ojo did not feel that way. He was so
-disheartened that he sat down upon a stump and
-began to cry.
-
-The Woozy looked at the boy thoughtfully.
-
-"Why don't you take me with you?" asked the
-beast. "Then, when at last you get to the
-Magician's house, he can surely find some way to
-pull out those three hairs."
-
-Ojo was overjoyed at this suggestion.
-
-"That's it!" he cried, wiping away the tears
-and springing to his feet with a smile. "If I take
-the three hairs to the Magician, it won't matter
-if they are still in your body."
-
-"It can't matter in the least," agreed the
-Woozy.
-
-"Come on, then," said the boy, picking up his
-basket; "let us start at once. I have several other
-things to find, you know."
-
-But the Class Cat gave a little laugh and
-inquired in her scornful way:
-
-"How do you intend to get the beast out of this
-forest?"
-
-That puzzled them all for a time.
-
-"Let us go to the fence, and then we may find a
-way," suggested Scraps. So they walked through the
-forest to the fence, reaching it at a point
-exactly opposite that where they had entered the
-enclosure.
-
-"How did you get in?" asked the Woozy.
-
-"We climbed over," answered Ojo.
-
-"I can't do that," said the beast. "I'm a very
-swift runner, for I can overtake a honey-bee as
-it flies; and I can jump very high, which is the
-reason they made such a tall fence to keep me
-in. But I can't climb at all, and I'm too big to
-squeeze between the bars of the fence."
-
-Ojo tried to think what to do.
-
-"Can you dig?" he asked.
-
-"No," answered the Woozy, "for I have no
-claws. My feet are quite flat on the bottom of
-them. Nor can I gnaw away the boards, as I
-have no teeth."
-
-"You're not such a terrible creature, after all,"
-remarked Scraps.
-
-"You haven't heard me growl, or you wouldn't say
-that," declared the Woozy. "When I growl, the
-sound echoes like thunder all through the valleys
-and woodlands, and children tremble with fear, and
-women cover their heads with their aprons, and big
-men run and hide. I suppose there is nothing in
-the world so terrible to listen to as the growl of
-a Woosy."
-
-"Please don't growl, then," begged Ojo,
-earnestly.
-
-"There is no danger of my growling, for
-I am not angry. Only when angry do I utter
-my fearful, ear-splitting, soul-shuddering growl.
-Also, when I am angry, my eyes flash fire,
-whether I growl or not."
-
-"Real fire?" asked Ojo.
-
-"Of course, real fire. Do you suppose they'd
-flash imitation fire?" inquired the Woozy, in an
-injured tone.
-
-"In that case, I've solved the riddle," cried
-Scraps, dancing with glee. "Those fence-boards
-are made of wood, and if the Woozy stands
-close to the fence and lets his eyes flash fire,
-they might set fire to the fence and burn it up.
-Then he could walk away with us easily, being
-free."
-
-"Ah, I have never thought of that plan, or I
-would have been free long ago," said the Woozy.
-"But I cannot flash fire from my eyes unless I am
-very angry."
-
-"Can't you get angry 'bout something, please?"
-asked Ojo.
-
-"I'll try. You just say 'Krizzle-Kroo' to me."
-
-"Will that make you angry?" inquired the boy~.
-
-"Terribly angry."
-
-"What does it mean?" asked Scraps.
-
-"I don't know; that's what makes me so angry,"
-re-plied the Woozy.
-
-He then stood close to the fence, with his
-head near one of the boards, and Scraps called out
-"Krizzle-Kroo!" Then Ojo said "Krizzle-Kroo!"
-and the Glass Cat said "Krizzle-Kroo!" The Woozy
-began to tremble with anger and small sparks
-darted from his eyes. Seeing this, they all cried
-"Krizzle-Kroo!" together, and that made the
-beast's eyes flash fire so fiercely that the
-fence-board caught the sparks and began to smoke.
-Then it burst into flame, and the Woozy stepped
-back and said triumphantly:
-
-"Aha! That did the business, all right. It was
-a happy thought for you to yell all together, for
-that made me as angry as I have ever been.
-Fine sparks, weren't they?"
-
-"Reg'lar fireworks," replied Scraps, admiringly.
-
-In a few moments the board had burned to a
-distance of several feet, leaving an opening big
-enough for them all to pass through. Ojo broke
-some branches from a tree and with them
-whipped the fire until it was extinguished.
-
-"We don't want to burn the whole fence
-down," said he, "for the flames would attract
-the attention of the Munchkin farmers, who
-would then come and capture the Woozy again.
-I guess they'll be rather surprised when they
-find he's escaped."
-
-"So they will," declared the Woozy, chuckling
-gleefully. "When they find I'm gone the farmers
-will be badly scared, for they'll expect me to eat
-up their honey-bees, as I did before."
-
-"That reminds me," said the boy, "that you must
-promise not to eat honey-bees while you are in our
-company."
-
-"None at all?"
-
-"Not a bee. You would get us all into trouble,
-and we can't afford to have any more trouble than
-is necessary. I'll feed you all the bread and
-cheese you want, and that must satisfy you."
-
-"All right; I'll promise," said the Woozy,
-cheerfully. "And when I promise anything you
-can depend on it, 'cause I'm square."
-
-"I don't see what difference that makes,"
-observed the Patchwork Girl, as they found the
-path and continued their journey. "The shape
-doesn't make a thing honest, does it?"
-
-"Of course it does," returned the Woozy, very
-decidedly. "No one could trust that Crooked
-Magician, for instance, just because he is
-crooked; but a square Woozy couldn't do anything
-crooked if he wanted to."
-
-"I am neither square nor crooked," said
-Scraps, looking down at her plump body.
-
-"No; you're round, so you're liable to do
-anything," asserted the Woozy. "Do not blame me,
-Miss Gorgeous, if I regard you with suspicion.
-Many a satin ribbon has a cotton back."
-
-Scraps didn't understand this, but she had an
-uneasy misgiving that she had a cotton back
-herself. It would settle down, at times, and make
-her squat and dumpy, and then she had to roll
-herself in the road until her body stretched out again.
-
-
-
-
-Chapter Ten
-
-Shaggy Man to the Rescue
-
-
-They had not gone very far before Bungle, who had
-run on ahead, came bounding back to say that the
-road of yellow bricks was just before them. At
-once they hurried forward to see what this famous
-road looked like.
-
-It was a broad road, but not straight, for it
-wandered over hill and dale and picked out the
-easiest places to go. All its length and breadth
-was paved with smooth bricks of a bright yellow
-color, so it was smooth and level except in a few
-places where the bricks had crumbled or been
-removed, leaving holes that might cause the unwary
-to stumble.
-
-"I wonder," said Ojo, looking up and down the
-road, "which way to go."
-
-"Where are you bound for?" asked the Woozy.
-
-"The Emerald City," he replied.
-
-"Then go west," said the Woozy. "I know this
-road pretty well, for I've chased many a honey-bee
-over it."
-
-"Have you ever been to the Emerald City?"
-asked Scraps.
-
-"No. I am very shy by nature, as you may have
-noticed, so I haven't mingled much in society."
-
-"Are you afraid of men?" inquired the Patchwork
-Girl.
-
-"Me? With my heart-rending growl-my horrible,
-shudderful growl? I should say not. I am not
-afraid of anything," declared the Woozy.
-
-"I wish I could say the same," sighed Ojo. "I
-don't think we need be afraid when we get to the
-Emerald City, for Unc Nunkie has told me that
-Ozma, our girl Ruler, is very lovely and kind, and
-tries to help everyone who is in trouble. But they
-say there are many dangers lurking on the road to
-the great Fairy City, and so we must be very
-careful."
-
-"I hope nothing will break me," said the
-Glass Cat, in a nervous voice. "I'm a little brittle,
-you know, and can't stand many hard knocks."
-
-"If anything should fade the colors of my lovely
-patches it would break my heart," said the
-Patchwork Girl.
-
-"I'm not sure you have a heart," Ojo reminded
-her.
-
-"Then it would break my cotton," persisted
-Scraps. "Do you think they are all fast colors,
-Ojo?" she asked anxiously.
-
-"They seem fast enough when you run," he
-replied; and then, looking ahead of them, he
-exclaimed: "Oh, what lovely trees!"
-
-They were certainly pretty to look upon and
-the travelers hurried forward to observe them
-more closely.
-
-"Why, they are not trees at all," said Scraps;
-"they are just monstrous plants."
-
-That is what they really were: masses of great
-broad leaves which rose from the ground far into
-the air, until they towered twice as high as the
-top of the Patchwork Girl's head, who was a little
-taller than Ojo. The plants formed rows on both
-sides of the road and from each plant rose a dozen
-or more of the big broad leaves, which swayed
-continually from side to side, although no wind
-was blowing. But the most curious thing about the
-swaying leaves was their color. They seemed to
-have a general groundwork of blue, but here and
-there other colors glinted at times through the
-blue--gorgeous yellows, turning to pink, purple,
-orange and scarlet, mingled with more sober browns
-and grays--each appearing as a blotch or stripe
-anywhere on a leaf and then disappearing, to be
-replaced by some other color of a different shape.
-The changeful coloring of the great leaves was
-very beautiful, but it was bewildering, as well,
-and the novelty of the scene drew our travelers
-close to the line of plants, where they stood
-watching them with rapt interest.
-
-Suddenly a leaf bent lower than usual and
-touched the Patchwork Girl. Swiftly it enveloped
-her in its embrace, covering her completely in
-its thick folds, and then it swayed back upon its
-stem.
-
-"Why, she's gone!" gasped Ojo, in amazement, and
-listening carefully he thought he could hear the
-muffled screams of Scraps coming from the center
-of the folded leaf. But, before he could think
-what he ought to do to save her, another leaf bent
-down and captured the Glass Cat, rolling around
-the little creature until she was completely
-hidden, and then straightening up again upon its
-stem.
-
-"Look out," cried the Woozy. "Run! Run
-fast, or you are lost."
-
-Ojo turned and saw the Woozy running
-swiftly up the road. But the last leaf of the row
-of plants seized the beast even as he ran and
-instantly he disappeared from sight.
-
-The boy had no chance to escape. Half a dozen of
-the great leaves were bending toward him from
-different directions and as he stood hesitating
-one of them clutched him in its embrace. In a
-flash he was in the dark. Then he felt himself
-gently lifted until he was swaying in the air,
-with the folds of the leaf hugging him on all
-sides.
-
-At first he struggled hard to escape, crying
-out in anger: "Let me go! Let me go!" But
-neither struggles nor protests had any effect
-whatever. The leaf held him firmly and he was
-a prisoner."
-
-Then Ojo quieted himself and tried to think.
-Despair fell upon him when he remembered that all
-his little party had been captured, even as he
-was, and there was none to save them.
-
-"I might have expected it," he sobbed,
-miserably. "I'm Ojo the Unlucky, and something
-dreadful was sure to happen to me."
-
-He pushed against the leaf that held him and
-found it to be soft, but thick and firm. It was
-like a great bandage all around him and he
-found it difficult to move his body or limbs in
-order to change their position.
-
-The minutes passed and became hours. Ojo
-wondered how long one could live in such a
-condition and if the leaf would gradually sap
-his strength and even his life, in order to feed
-itself. The little Munchkin boy had never heard
-of any person dying in the Land of Oz, but he
-knew one could suffer a great deal of pain. His
-greatest fear at this time was that he would
-always remain imprisoned in the beautiful leaf
-and never see the light of day again.
-
-No sound came to him through the leaf; all
-around was intense silence. Ojo wondered if Scraps
-had stopped screaming, or if the folds of the leaf
-prevented his hearing her. By and by he thought he
-heard a whistle, as of some one whistling a tune.
-Yes; it really must be some one whistling, he
-decided, for he could follow the strains of a
-pretty Munchkin melody that Unc Nunkie used to
-sing to him. The sounds were low and sweet and,
-although they reached Ojo's ears very faintly,
-they were clear and harmonious.
-
-Could the leaf whistle, Ojo wondered? Nearer and
-nearer came the sounds and then they seemed to be
-just the other side of the leaf that was hugging
-him.
-
-Suddenly the whole leaf toppled and fell,
-carrying the boy with it, and while he sprawled at
-full length the folds slowly relaxed and set him
-free. He scrambled quickly to his feet and found
-that a strange man was standing before him--a man
-so curious in appearance that the boy stared with
-round eyes.
-
-He was a big man, with shaggy whiskers, shaggy
-eyebrows, shaggy hair--but kindly blue eyes that
-were gentle as those of a cow. On his head was a
-green velvet hat with a jeweled band, which was
-all shaggy around the brim. Rich but shaggy laces
-were at his throat; a coat with shaggy edges was
-decorated with diamond buttons; the velvet
-breeches had jeweled buckles at the knees and
-shags all around the bottoms. On his breast hung a
-medallion bearing a picture of Princess Dorothy of
-Oz, and in his hand, as he stood looking at Ojo,
-was a sharp knife shaped like a dagger.
-
-"Oh!" exclaimed Ojo, greatly astonished at the
-sight of this stranger; and then he added: "Who
-has saved me, sir?"
-
-"Can't you see?" replied the other, with a
-smile; "I'm the Shaggy Man."
-
-"Yes; I can see that," said the boy, nodding.
-"Was it you who rescued me from the leaf?"
-
-"None other, you may be sure. But take care,
-or I shall have to rescue you again."
-
-Ojo gave a jump, for he saw several broad
-leaves leaning toward him; but the Shaggy Man
-began to whistle again, and at the sound the
-leaves all straightened up on their stems and
-kept still.
-
-The man now took Ojo's arm and led him
-up the road, past the last of the great plants,
-and not till he was safely beyond their reach did
-he cease his whistling.
-
-"You see, the music charms 'em," said he.
-"Singing or whistling--it doesn't matter which--
-makes 'em behave, and nothing else will. I always
-whistle as I go by 'em and so they always let me
-alone. Today as I went by, whistling, I saw a leaf
-curled and knew there must be something inside it.
-I cut down the leaf with my knife and--out you
-popped. Lucky I passed by, wasn't it?"
-
-"You were very kind," said Ojo, "and I thank
-you. Will you please rescue my companions, also?"
-
-"What companions?" asked the Shaggy Man.
-
-"The leaves grabbed them all," said the boy.
-"There's a Patchwork Girl and--"
-
-"A what?"
-
-"A girl made of patchwork, you know. She's
-alive and her name is Scraps. And there's a
-Glass Cat--"
-
-"Glass?" asked the Shaggy Man.
-
-"All glass."
-
-"And alive?"
-
-"Yes," said Ojo; "she has pink brains. And
-there's a Woozy--"
-
-"What's a Woozy?" inquired the Shaggy Man.
-
-"Why, I--I--can't describe it," answered the
-boy, greatly perplexed. "But it's a queer animal
-with three hairs on the tip of its tail that won't
-come out and--"
-
-"What won't come out?" asked the Shaggy Man;
-"the tail?"
-
-"The hairs won't come out. But you'll see the
-Woozy, if you'll please rescue it, and then you'll
-know just what it is."
-
-"Of course," said the Shaggy Man, nodding his
-shaggy head. And then he walked back among the
-plants, still whistling, and found the three
-leaves which were curled around Ojo's traveling
-companions. The first leaf he cut down released
-Scraps, and on seeing her the Shaggy Man threw
-back his shaggy head, opened wide his mouth and
-laughed so shaggily and yet so merrily that Scraps
-liked him at once. Then he took off his hat and
-made her a low bow, saying:
-
-"My dear, you're a wonder. I must introduce
-you to my friend the Scarecrow."
-
-When he cut down the second leaf he rescued the
-Glass Cat, and Bungle was so frightened that she
-scampered away like a streak and soon had joined
-Ojo, when she sat beside him panting and
-trembling. The last plant of all the row had
-captured the Woozy, and a big bunch in the center
-of the curled leaf showed plainly where he was.
-With his sharp knife the Shaggy Man sliced off the
-stem of the leaf and as it fell and unfolded out
-trotted the Woozy and escaped beyond the reach of
-any more of the dangerous plants.
-
-
-
-
-Chapter Eleven
-
-A Good Friend
-
-
-Soon the entire party was gathered on the road of
-yellow bricks, quite beyond the reach of the
-beautiful but treacherous plants. The Shaggy Man,
-staring first at one and then at the other, seemed
-greatly pleased and interested.
-
-"I've seen queer things since I came to the Land
-of Oz," said he, "but never anything queerer than
-this band of adventurers. Let us sit down a while,
-and have a talk and get acquainted."
-
-"Haven't you always lived in the Land of Oz?"
-asked the Munchkin boy.
-
-"No; I used to live in the big, outside world.
-But I came here once with Dorothy, and Ozma
-let me stay."
-
-"How do you like Oz?" asked Scraps. "Isn't
-the country and the climate grand?"
-
-"It's the finest country in all the world, even
-if it is a fairyland. and I'm happy every minute I
-live in it," said the Shaggy Man. "But tell me
-something about yourselves."
-
-So Ojo related the story of his visit to the
-house of the Crooked Magician, and how he met
-there the Class Cat, and how the Patchwork Girl
-was brought to life and of the terrible accident
-to Unc Nunkie and Margdotte. Then he told how he
-had set out to find the five different things
-which the Magician needed to make a charm that
-would restore the marble figures to life, one
-requirement being three hairs from a Woozy's tail.
-
-"We found the Woozy," explained the boy,
-"and he agreed to give us the three hairs; but
-we couldn't pull them out. So we had to bring
-the Woozy along with us."
-
-"I see," returned the Shaggy Man, who had
-listened with interest to the story. "But perhaps
-I, who am big and strong, can pull those three
-hairs from the Woozy's tail."
-
-"Try it, if you like," said the Woozy.
-
-So the Shaggy Man tried it, but pull as hard
-as he could he failed to get the hairs out of the
-Woozy's tail. So he sat down again and wiped
-his shaggy face with a shaggy silk handkerchief
-and said:
-
-"It doesn't matter. If you can keep the Woozy
-until you get the rest of the things you need,
-you can take the beast and his three hairs to
-the Crooked Magician and let him find a way
-to extract 'em. What are the other things you are
-to find?"
-
-"One," said Ojo, "is a six-leaved clover."
-
-"You ought to find that in the fields around
-the Emerald City," said the Shaggy Man.
-"There is a Law against picking six-leaved
-clovers, but I think I can get Ozma to let you
-have one."
-
-"Thank you," replied Ojo. "The next thing
-is the left wing of a yellow butterfly."
-
-"For that you must go to the Winkle Country,"
-the Shaggy Man declared. "I've never noticed any
-butterflies there, but that is the yellow country
-of Oz and it's ruled, by a good friend of mine,
-the Tin Woodman."
-
-"Oh, I've heard of him!" exclaimed Ojo. "He
-must be a wonderful man."
-
-"So he is, and his heart is wonderfully kind.
-I'm sure the Tin Woodman will do all in his
-power to help you to save your Unc Nunkie
-and poor Margolotte."
-
-"The next thing I must find," said the
-Munchkin boy, "is a gill of water from a dark
-well."
-
-"Indeed! Well, that is more difficult," said
-the Shaggy Man, scratching his left ear in a
-puzzled way. "I've never heard of a dark well;
-have you?"
-
-"No," said Ojo.
-
-"Do you know where one may be found?" inquired
-the Shaggy Man.
-
-"I can't imagine," said Ojo.
-
-"Then we must ask the Scarecrow."
-
-"The Scarecrow! But surely, sir, a scarecrow
-can't know anything."
-
-"Most scarecrows don't, I admit," answered
-the Shaggy Man. "But this Scarecrow of whom
-I speak is very intelligent. He claims to possess
-the best brains in all Oz."
-
-"Better than mine?" asked Scraps.
-
-"Better than mine?" echoed the Glass Cat.
-"Mine are pink, and you can see 'em work."
-
-"Well, you can't see the Scarecrow's brains
-work, but they do a lot of clever thinking,"
-asserted the Shaggy Man. "If anyone knows where a
-dark well is, it's my friend the Scarecrow."
-
-"Where does he live?" inquired Ojo.
-
-"He has a splendid castle in the Winkle
-Country, near to the palace of his friend the
-Tin Woodman, and he is often to be found in
-the Emerald City, where he visits Dorothy at
-the royal palace."
-
-"Then we will ask him about the dark well,"
-said Ojo.
-
-"But what else does this Crooked Magician
-want?" asked the Shaggy Man.
-
-"A drop of oil from a live man's body."
-
-"Oh; but there isn't such a thing."
-
-"That is what I thought," replied Ojo; "but
-the Crooked Magician said it wouldn't be called
-for by the recipe if it couldn't be found, and
-therefore I must search until I find it."
-
-"I wish you good luck," said the Shaggy Man,
-shaking his head doubtfully; "but I imagine
-you'll have a hard job getting a drop of oil from
-a live man's body. There's blood in a body, but
-no oil."
-
-"There's cotton in mine," said Scraps, dancing
-a little jig.
-
-"I don't doubt it," returned the Shaggy Man
-admiringly. "You're a regular comforter and as
-sweet as patchwork can be. All you lack is
-dignity."
-
-"I hate dignity," cried Scraps, kicking a pebble
-high in the air and then trying to catch it as it
-fell. "Half the fools and all the wise folks are
-dignified, and I'm neither the one nor the other."
-
-"She's just crazy," explained the Glass Cat.
-
-The Shaggy Man laughed.
-
-"She's delightful, in her way," he said. "I'm
-sure Dorothy will be pleased with her, and the
-Scarecrow will dote on her. Did you say you
-were traveling toward the Emerald City?"
-
-"Yes," replied Ojo. "I thought that the best
-place to go, at first, because the six-leaved clover
-may be found there."
-
-"I'll go with you," said the Shaggy Man, "and
-show you the way."
-
-"Thank you," exclaimed Ojo. "I hope it won't
-put you out any."
-
-"No," said the other, "I wasn't going anywhere
-in particular. I've been a rover all my life, and
-although Ozma has given me a suite of beautiful
-rooms in her palace I still get the wandering
-fever once in a while and start out to roam the
-country over. I've been away from the Emerald City
-several weeks, this time, and now that I've met
-you and your friends I'm sure it will interest me
-to accompany you to the great city of Oz and
-introduce you to my friends."
-
-"That will be very nice," said the boy,
-gratefully.
-
-"I hope your friends are not dignified,"
-observed Scraps.
-
-"Some are, and some are not," he answered;
-"but I never criticise my friends. If they are
-really true friends; they may be anything they
-like, for all of me."
-
-"There's some sense in that," said Scraps,
-nodding her queer head in approval. "Come on, and
-let's get to the Emerald City as soon as
-possible." With this she ran up the path, skipping
-and dancing, and then turned to await them.
-
-"It is quite a distance from here to the Emerald
-City," remarked the Shaggy Man, "so we shall not
-get there to-day, nor to-morrow. Therefore let us
-take the jaunt in an easy manner. I'm an old
-traveler and have found that I never gain anything
-by being in a hurry. 'Take it easy' is my motto.
-If you can't take it easy, take it as easy as you
-can."
-
-After walking some distance over the road of
-yellow bricks Ojo said he was hungry and would
-stop to eat some bread and cheese. He offered a
-portion of the food to the Shaggy Man, who thanked
-him but refused it.
-
-"When I start out on my travels," said he,
-"I carry along enough square meals to last me
-several weeks. Think I'll indulge in one now,
-as long as we're stopping anyway."
-
-Saying this, he took a bottle from his pocket
-and shook from it a tablet about the size of one
-of Ojo's finger-nails.
-
-"That," announced the Shaggy Man, "is a square
-meal, in condensed form. Invention of the great
-Professor Woggle-Bug, of the Royal College of
-Athletics. It contains soup, fish, roast meat,
-salad, apple-dumplings, ice cream and chocolate-
-drops, all boiled down to this small size, so it
-can be conveniently carried and swallowed when you
-are hungry and need a square meal."
-
-"I'm square," said the Woozy. "Give me one,
-please."
-
-So the Shaggy Man gave the Woozy a tablet from
-his bottle and the beast ate it in a twinkling.
-
-"You have now had a six course dinner,"
-declared the Shaggy Man.
-
-"Pshaw!" said the Woozy, ungratefully, "I
-want to taste something. There's no fun in that
-sort of eating."
-
-"One should only eat to sustain life," replied
-the Shaggy Man, "and that tablet is equal to a
-peck of other food."
-
-"I don't care for it. I want something I can
-chew and taste," grumbled the Woozy.
-
-"You are quite wrong, my poor beast," said
-the Shaggy Man in a tone of pity. "Think how
-tired your jaws would get chewing a square
-meal like this, if it were not condensed to the
-size of a small tablet--which you can swallow
-in a jiffy."
-
-"Chewing isn't tiresome; it's fun, maintained
-the Woozy. "I always chew the honey-bees when I
-catch them. Give me some bread and cheese, Ojo."
-
-"No, no! You've already eaten a big dinner!"
-protested the Shaggy Man.
-
-"May be," answered the Woozy; "but I guess
-I'll fool myself by munching some bread and
-cheese. I may not be hungry, having eaten all
-those things you gave me, but I consider this
-eating business a matter of taste, and I like to
-realize what's going into me."
-
-Ojo gave the beast what he wanted, but the
-Shaggy Man shook his shaggy head reproachfully and
-said there was no animal so obstinate or hard to
-convince as a Woozy.
-
-At this moment a patter of footsteps was heard,
-and looking up they saw the live phonograph
-standing before them. It seemed to have passed
-through many adventures since Ojo and his comrades
-last saw the machine, for the varnish of its
-wooden case was all marred and dented and
-scratched in a way that gave it an aged and
-disreputable appearance.
-
-"Dear me!" exclaimed Ojo, staring hard.
-"What has happened to you?"
-
-"Nothing much," replied the phonograph in
-a sad and depressed voice. "I've had enough
-things thrown at me, since I left you, to stock
-a department store and furnish half a dozen
-bargain-counters."
-
-"Are you so broken up that you can't play?"
-asked Scraps.
-
-"No; I still am able to grind out delicious
-music. Just now I've a record on tap that is
-really superb," said the phonograph, growing more
-cheerful.
-
-"That is too bad," remarked Ojo. "We've no
-objection to you as a machine, you know; but
-as a music-maker we hate you."
-
-"Then why was I ever invented?" demanded
-the machine, in a tone of indignant protest.
-
-They looked at one another inquiringly, but
-no one could answer such a puzzling question.
-Finally the Shaggy Man said:
-
-"I'd like to hear the phonograph play."
-
-Ojo sighed. "We've been very happy since we
-met you, sir," he said.
-
-"I know. But a little misery, at times, makes
-one appreciate happiness more. Tell me, Phony,
-what is this record like, which you say you have
-on tap?"
-
-"It's a popular song, sir. In all civilized lands
-the common people have gone wild over it."
-
-"Makes civilized folks wild folks, eh? Then
-it's dangerous."
-
-"Wild with joy, I mean," explained the
-phonograph. "Listen. This song will prove a
-rare treat to you, I know. It made the author
-rich--for an author. It is called 'My Lulu.'"
-
-Then the phonograph began to play. A strain
-of odd, jerky sounds was followed by these
-words, sung by a man through his nose with
-great vigor of expression:
-
-
-"Ah wants mah Lulu, mah coal-black Lulu;
-Ah wants mah loo-loo, loo-loo, loo-loo, Lu!
-Ah loves mah Lulu, mah coal-black Lulu,
-There ain't nobody else loves loo-loo, Lu!"
-
-
-"Here-shut that off!" cried the Shaggy Man,
-springing to his feet. "What do you mean by
-such impertinence?"
-
-"It's the latest popular song," declared the
-phonograph, speaking in a sulky tone of voice.
-
-"A popular song?"
-
-"Yes. One that the feeble-minded can remember
-the words of and those ignorant of music can
-whistle or sing. That makes a popular song
-popular, and the time is coming when it will take
-the place of all other songs."
-
-"That time won't come to us, just yet," said
-the Shaggy Man, sternly: "I'm something of a
-singer myself, and I don't intend to be throttled
-by any Lulus like your coal-black one. I shall
-take you all apart, Mr. Phony, and scatter your
-pieces far and wide over the country, as a matter
-of kindness to the people you might meet if
-allowed to run around loose. Having performed
-this painful duty I shall--"
-
-But before he could say more the phonograph
-turned and dashed up the road as fast as its four
-table-legs could carry it, and soon it had entirely
-disappeared from their view.
-
-The Shaggy Man sat down again and seemed
-well pleased. "Some one else will save me the
-trouble of scattering that phonograph," said he;
-"for it is not possible that such a music-maker
-can last long in the Land of Oz. When you are
-rested, friends, let us go on our way."
-
-During the afternoon the travelers found
-themselves in a lonely and uninhabited part of the
-country. Even the fields were no longer cultivated
-and the country began to resemble a wilderness.
-The road of yellow bricks seemed to have been
-neglected and became uneven and more difficult to
-walk upon. Scrubby under-brush grew on either side
-of the way. while huge rocks were scattered around
-in abundance.
-
-But this did not deter Ojo and his friends from
-trudging on, and they beguiled the journey with
-jokes and cheerful conversation. Toward evening
-they reached a crystal spring which gushed from a
-tall rock by the roadside and near this spring
-stood a deserted cabin. Said the Shaggy Man,
-halting here:
-
-"We may as well pass the night here, where
-there is shelter for our heads and good water to
-drink. Road beyond here is pretty bad; worst
-we shall have to travel; so let's wait until
-morning before we tackle it."
-
-They agreed to this and Ojo found some brushwood
-in the cabin and made a fire on the hearth. The
-fire delighted Scraps, who danced before it until
-Ojo warned her she might set fire to herself and
-burn up. After that the Patchwork Girl kept at a
-respectful distance from the darting flames, but
-the Woozy lay down before the fire like a big dog
-and seemed to enjoy its warmth.
-
-For supper the Shaggy Man ate one of his
-tablets, but Ojo stuck to his bread and cheese as
-the most satisfying food. He also gave a portion
-to the Woozy.
-
-When darkness came on and they sat in a circle
-on the cabin floor, facing the firelight--there
-being no furniture of any sort in the place--Ojo
-said to the Shaggy Man:
-
-"Won't you tell us a story?"
-
-"I'm not good at stories," was the reply; "but
-I sing like a bird."
-
-"Raven, or crow?" asked the Glass Cat.
-
-"Like a song bird. I'll prove it. I'll sing a song
-I composed myself. Don't tell anyone I'm a poet;
-they might want me to write a book. Don't tell
-'em I can sing, or they'd want me to make
-records for that awful phonograph. Haven't
-time to be a public benefactor, so I'll just sing
-you this little song for your own amusement."
-
-They were glad enough to be entertained,
-and listened with interest while the Shaggy Man
-chanted the following verses to a tune that was
-not unpleasant:
-
-
-"I'll sing a song of Ozland, where wondrous creatures dwell
-And fruits and flowers and shady bowers abound in every dell,
-Where magic is a science and where no one shows surprise
-If some amazing thing takes place before his very eyes.
-
-Our Ruler's a bewitching girl whom fairies love to please;
-She's always kept her magic sceptre to enforce decrees
-To make her people happy, for her heart is kind and true
-And to aid the needy and distressed is what she longs to do.
-
-And then there's Princess Dorothy, as sweet as any rose,
-A lass from Kansas, where they don't grow fairies, I Suppose;
-And there's the brainy Scarecrow, with a body stuffed with straw,
-Who utters words of wisdom rare that fill us all with awe.
-
-I'll not forget Nick Chopper, the Woodman made of Tin,
-Whose tender heart thinks killing time is quite a dreadful sin,
-Nor old Professor Woggle-Bug, who's highly magnified
-And looks so big to everyone that he is filled with pride.
-
-Jack Pumpkinhead's a dear old chum who might be called a chump,
-But won renown by riding round upon a magic Gump;
-The Sawhorse is a splendid steed and though he's made of wood
-He does as many thrilling stunts as any meat horse could.
-
-And now I'll introduce a beast that ev'ryone adores--
-The Cowardly Lion shakes with fear 'most ev'ry time he roars,
-And yet he does the bravest things that any lion might,
-Because he knows that cowardice is not considered right.
-
-There's Tik-tok-he's a clockwork man and quite a funny sight--
-He talks and walks mechanically, when he's wound up tight;
-And we've a Hungry Tiger who would babies love to eat
-But never does because we feed him other kinds of meat.
-
-It's hard to name all of the freaks this noble Land's acquired;
-'Twould make my song so very long that you would soon be tired;
-But give attention while I mention one wise Yellow Hen
-And Nine fine Tiny Piglets living in a golden pen.
-
-Just search the whole world over--sail the seas from coast to coast--
-No other nation in creation queerer folk can boast;
-And now our rare museum will include a Cat of Glass,
-A Woozy, and--last but not least--a crazy Patchwork Lass."
-
-
-
-Ojo was so pleased with this song that he
-applauded the singer by clapping his hands, and
-Scraps followed suit by clapping her padded
-fingers together. although they made no noise.
-The cat pounded on the floor with her glass
-paws--gently, so as not to break them--and the
-Woozy. which had been asleep, woke up to ask
-what the row was about.
-
-"I seldom sing in public, for fear they might
-want me to start an opera company," remarked
-the Shaggy Man, who was pleased to know his
-effort was appreciated. "Voice, just now is a
-little out of training; rusty, perhaps."
-
-"Tell me," said the Patchwork Girl earnestly,
-"do all those queer people you mention really
-live in the Land of Oz?"
-
-"Every one of 'em. I even forgot one thing:
-Dorothy's Pink Kitten."
-
-"For goodness sake!" exclaimed Bungle, sitting
-up and looking interested. "A Pink Kitten? How
-absurd! Is it glass?"
-
-"No; just ordinary kitten."
-
-"Then it can't amount to much. I have pink
-brains, and you can see 'em work."
-
-"Dorothy's kitten is all pink--brains and all--
-except blue eyes. Name's Eureka. Great favorite at
-the royal palace," said the Shaggy Man, yawning.
-
-The Glass Cat seemed annoyed.
-
-"Do you think a pink kitten--common meat--is as
-pretty as I am?" she asked.
-
-"Can't say. Tastes differ, you know," replied
-the Shaggy Man, yawning again. "But here's a
-pointer that may be of service to you: make
-friends with Eureka and you'll be solid at the
-palace."
-
-"I'm solid now; solid glass."
-
-"You don't understand," rejoined the Shaggy
-Man, sleepily. "Anyhow, make friends with the
-Pink Kitten and you'll be all right. If the Pink
-Kitten despises you, look out for breakers."
-
-"Would anyone at the royal palace break a
-Glass Cat?"
-
-"Might. You never can tell. Advise you to purr
-soft and look humble--if you can. And now I'm
-going to bed."
-
-Bungle considered the Shaggy Man's advice
-so carefully that her pink brains were busy long
-after the others of the party were fast asleep.
-
-
-
-
-Chapter Twelve
-
-The Giant Porcupine
-
-
-Next morning they started out bright and early to
-follow the road of yellow bricks toward the
-Emerald City. The little Munchkin boy was
-beginning to feel tired from the long walk, and he
-had a great many things to think of and consider
-besides the events of the journey. At the
-wonderful Emerald City, which he would presently
-reach, were so many strange and curious people
-that he was half afraid of meeting them and
-wondered if they would prove friendly and kind.
-Above all else, he could not drive from his mind
-the important errand on which he had come, and he
-was determined to devote every energy to finding
-the things that were necessary to prepare
-the magic recipe. He believed that until dear
-Unc Nunkie was restored to life he could feel
-no joy in anything, and often he wished that
-Unc could be with him, to see all the astonishing
-things Ojo was seeing. But alas Unc Nunkie was now
-a marble statue in the house of the Crooked
-Magician and Ojo must not falter in his efforts to
-save him.
-
-The country through which they were passing was
-still rocky and deserted, with here and there a
-bush or a tree to break the dreary landscape. Ojo
-noticed one tree, especially, because it had such
-long, silky leaves and was so beautiful in shape.
-As he approached it he studied the tree earnestly,
-wondering if any fruit grew on it or if it bore
-pretty flowers.
-
-Suddenly he became aware that he had been
-looking at that tree a long time--at least for
-five minutes--and it had remained in the same
-position, although the boy had continued to
-walk steadily on. So he stopped short. and when
-he stopped, the tree and all the landscape, as
-well as his companions, moved on before him
-and left him far behind.
-
-Ojo uttered such a cry of astonishment that
-it aroused the Shaggy Man, who also halted.
-The others then stopped, too, and walked back
-to the boy.
-
-"What's wrong?" asked the Shaggy Man.
-
-"Why, we're not moving forward a bit, no
-matter how fast we walk," declared Ojo. "Now
-that we have stopped, we are moving backward!
-Can't you see? Just notice that rock."
-
-Scraps looked down at her feet and said:
-"The yellow bricks are not moving."
-
-"But the whole road is," answered Ojo.
-
-"True; quite true," agreed the Shaggy Man.
-"I know all about the tricks of this road, but I
-have been thinking of something else and didn't
-realize where we were."
-
-"It will carry us back to where we started
-from," predicted Ojo, beginning to be nervous.
-
-"No," replied the Shaggy Man; "it won't do
-that, for I know a trick to beat this tricky road.
-I've traveled this way before, you know. Turn
-around, all of you, and walk backward."
-
-"What good will that do?" asked the cat.
-
-"You'll find out, if you obey me," said the
-Shaggy Man.
-
-So they all turned their backs to the direction
-in which they wished to go and began walking
-backward. In an instant Ojo noticed they were
-gaining ground and as they proceeded in this
-curious way they soon passed the tree which had
-first attracted his attention to their difficulty.
-
-"How long must we keep this up, Shags?"
-asked Scraps, who was constantly tripping and
-tumbling down, only to get up again with a
-laugh at her mishap.
-
-"Just a little way farther," replied the Shaggy
-Man.
-
-A few minutes later he called to them to turn
-about quickly and step forward, and as they
-obeyed the order they found themselves treading
-solid ground.
-
-"That task is well over," observed the Shaggy
-Man. "It's a little tiresome to walk backward, but
-that is the only way to pass this part of the
-road, which has a trick of sliding back and
-carrying with it anyone who is walking upon it."
-
-With new courage and energy they now
-trudged forward and after a time came to a
-place where the road cut through a low hill,
-leaving high banks on either side of it. They
-were traveling along this cut, talking together,
-when the Shaggy Man seized Scraps with one
-arm and Ojo with another and shouted: "Stop!"
-
-"What's wrong now?" asked the Patchwork Girl.
-
-"See there!" answered the Shaggy Man, pointing
-with his finger.
-
-Directly in the center of the road lay a
-motionless object that bristled all over with
-sharp quills, which resembled arrows. The body was
-as big as a ten-bushel basket, but the projecting
-quills made it appear to be four times bigger.
-
-"Well, what of it?" asked Scraps.
-
-"That is Chiss, who causes a lot of trouble
-along this road," was the reply.
-
-"Chiss! What is Chiss?
-
-"I think it is merely an overgrown porcupine,
-but here in Oz they consider Chiss an evil spirit.
-He's different from a reg'lar porcupine, because
-he can throw his quills in any direction, which
-an American porcupine cannot do. That's what
-makes old Chiss so dangerous. If we get too
-near, he'll fire those quills at us and hurt us
-badly."
-
-"Then we will be foolish to get too near,
-said Scraps.
-
-"I'm not afraid," declared the Woozy. "The Chiss
-is cowardly, I'm sure, and if it ever heard my
-awful, terrible, frightful growl, it would be
-scared stiff."
-
-"Oh; can you growl?" asked the Shaggy Man.
-
-"That is the only ferocious thing about me,"
-asserted the Woozy with evident pride. "My growl
-makes an earthquake blush and the thunder ashamed
-of itself. If I growled at that creature you call
-Chiss, it would immediately think the world had
-cracked in two and bumped against the sun and
-moon, and that would cause the monster to run as
-far and as fast as its legs could carry it."
-
-"In that case," said the Shaggy Man, "you are
-now able to do us all a great favor. Please
-growl."
-
-"But you forget," returned the Woozy; "my
-tremendous growl would also frighten you, and
-if you happen to have heart disease you might
-expire."
-
-"True; but we must take that risk," decided
-the Shaggy Man, bravely. "Being warned of
-what is to occur we must try to bear the terrific
-noise of your growl; but Chiss won't expect it,
-and it will scare him away."
-
-The Woozy hesitated.
-
-"I'm fond of you all, and I hate to shock you,"
-it said.
-
-"Never mind," said Ojo.
-
-"You may be made deaf."
-
-"If so, we will forgive you.
-
-"Very well, then," said the Woozy in a
-determined voice, and advanced a few steps toward
-the giant porcupine. Pausing to look back, it
-asked: "All ready?"
-
-"All ready!" they answered.
-
-"Then cover up your ears and brace yourselves
-firmly. Now, then--look out!"
-
-The Woozy turned toward Chiss, opened wide its
-mouth and said:
-
-"Quee-ee-ee-eek."
-
-"Go ahead and growl," said Scraps.
-
-"Why, I--I did growl!" retorted the Woozy,
-who seemed much astonished.
-
-"What, that little squeak?" she cried.
-
-"It is the most awful growl that ever was heard,
-on land or sea, in caverns or in the sky,"
-protested the Woozy. "I wonder you stood the shock
-so well. Didn't you feel the ground tremble? I
-suppose Chiss is now quite dead with fright."
-
-The Shaggy Man laughed merrily.
-
-"Poor Wooz!" said he; "your growl wouldn't
-scare a fly."
-
-The Woozy seemed to be humiliated and surprised.
-It hung its head a moment, as if in shame or
-sorrow, but then it said with renewed confidence:
-"Anyhow, my eyes can flash fire; and good fire,
-too; good enough to set fire to a fence!"
-
-"That is true," declared Scraps; "I saw it
-done myself. But your ferocious growl isn't as
-loud as the tick of a beetle--or one of Ojo's
-snores when he's fast asleep."
-
-"Perhaps," said the Woozy, humbly, "I have
-been mistaken about my growl. It has always
-sounded very fearful to me, but that may, have
-been because it was so close to my ears."
-
-"Never mind," Ojo said soothingly; "it is a
-great talent to be able to flash fire from your
-eyes. No one else can do that."
-
-As they stood hesitating what to do Chiss
-stirred and suddenly a shower of quills came
-flying toward them, almost filling the air, they
-were so many. Scraps realized in an instant that
-they had gone too near to Chiss for safety, so
-she sprang in front of Ojo and shielded him
-from the darts, which stuck their points into her
-own body until she resembled one of those
-targets they shoot arrows at in archery games.
-The Shaggy Man dropped flat on his face to
-avoid the shower, but one quill struck him in
-the leg and went far in. As for the Glass Cat,
-the quills rattled off her body without making
-even a scratch, and the skin of the Woozy was
-so thick and tough that he was not hurt at all.
-
-When the attack was over they all ran to the
-Shaggy Man, who was moaning and groaning, and
-Scraps promptly pulled the quill out of his leg.
-Then up he jumped and ran over to Chiss, putting
-his foot on the monster's neck and holding it a
-prisoner. The body of the great porcupine was now
-as smooth as leather, except for the holes where
-the quills had been, for it had shot every single
-quill in that one wicked shower.
-
-"Let me go!" it shouted angrily. "How dare
-you put your foot on Chiss?"
-
-"I'm going to do worse than that, old boy,"
-replied the Shaggy Man. "You have annoyed
-travelers on this road long enough, and now
-I shall put an end to you."
-
-"You can't!" returned Chiss. "Nothing can
-kill me, as you know perfectly well."
-
-"Perhaps that is true," said the Shaggy Man
-in a tone of disappointment. "Seems to me I've
-been told before that you can't be killed. But if
-I let you go, what will you do?"
-
-"Pick up my quills again," said Chiss in a
-sulky voice.
-
-"And then shoot them at more travelers? No;
-that won't do. You must promise me to stop
-throwing quills at people."
-
-"I won't promise anything of the sort," declared
-Chiss.
-
-"Why not?"
-
-"Because it is my nature to throw quills, and
-every animal must do what Nature intends it
-to do. It isn't fair for you to blame me. If it were
-wrong for me to throw quills, then I wouldn't
-be made with quills to throw. The proper thing
-for you to do is to keep out of my way.
-
-"Why, there's some sense in that argument,
-admitted the Shaggy Man, thoughtfully; "but
-people who are strangers, and don't know you
-are here, won't be able to keep out of your way."
-
-"Tell you what," said Scraps, who was trying
-to pull the quills out of her own body, "let's
-gather up all the quills and take them away with
-us; then old Chiss won't have any left to throw
-at people."
-
-"Ah, that's a clever idea. You and Ojo must
-gather up the quills while I hold Chiss a
-prisoner; for, if I let him go he will get some of
-his quills and be able to throw them again."
-
-So Scraps and Ojo picked up all the quills
-and tied them in a bundle so they might easily
-be carried. After this the Shaggy Man released
-Chiss and let him go, knowing that he was
-harmless to injure anyone.
-
-"It's the meanest trick I ever heard of,"
-muttered the porcupine gloomily. "How would you
-like it, Shaggy Man, if I took all your shags away
-from you?"
-
-"If I threw my shags and hurt people, you would
-be welcome to capture them," was the reply.
-
-Then they walked on and left Chiss standing in
-the road sullen and disconsolate. The Shaggy Man
-limped as he walked, for his wound still hurt him,
-and Scraps was much annoyed be cause the quills
-had left a number of small holes in her patches.
-
-When they came to a flat stone by the roadside
-the Shaggy Man sat down to rest, and then Ojo
-opened his basket and took out the bundle of
-charms the Crooked Magician had given him.
-
-"I am Ojo the Unlucky," he said, "or we would
-never have met that dreadful porcupine. But I will
-see if I can find anything among these charms
-which will cure your leg."
-
-Soon he discovered that one of the charms
-was labelled: "For flesh wounds," and this the
-boy separated from the others. It was only a bit
-of dried root, taken from some unknown shrub,
-but the boy rubbed it upon the wound made by
-the quill and in a few moments the place was
-healed entirely and the Shaggy Man's leg was
-as good as ever.
-
-"Rub it on the holes in my patches," suggested
-Scraps, and Ojo tried it, but without any effect.
-
-"The charm you need is a needle and thread,"
-said the Shaggy Man. "But do not worry, my
-dear; those holes do not look badly, at all."
-
-"They'll let in the air, and I don't want people
-to think I'm airy, or that I've been stuck
-up," said the Patchwork Girl.
-
-"You were certainly stuck up until we pulled
-Out those quills," observed Ojo, with a laugh.
-
-So now they went on again and coming presently
-to a pond of muddy water they tied a heavy stone
-to the bundle of quills and sunk it to the bottom
-of the pond, to avoid carrying it farther.
-
-
-
-
-Chapter Thirteen
-
-Scraps and the Scarecrow
-
-
-From here on the country improved and the desert
-places began to give way to fertile spots; still
-no houses were yet to be seen near the road. There
-were some hills, with valleys between them, and on
-reaching the top of one of these hills the
-travelers found before them a high wall, running
-to the right and the left as far as their eyes
-could reach. Immediately in front of them, where
-the wall crossed the roadway, stood a gate having
-stout iron bars that extended from top to bottom.
-They found, on coming nearer, that this gate was
-locked with a great padlock, rusty through lack of
-use.
-
-"Well," said Scraps, "I guess we'll stop here."
-
-"It's a good guess," replied Ojo. "Our way is
-barred by this great wall and gate. It looks as if
-no one had passed through in many years.
-
-"Looks are deceiving," declared the Shaggy Man,
-laughing at their disappointed faces, "and this
-barrier is the most deceiving thing in all Oz."
-
-"It prevents our going any farther, anyhow,"
-said Scraps. "There is no one to mind the gate
-and let people through, and we've no key to
-the padlock."
-
-"True," replied Ojo, going a little nearer to
-peep through the bars of the gate. "What shall we
-do, Shaggy Man? If we had wings we might fly over
-the wall, but we cannot climb it and unless we get
-to the Emerald City I won't be able to find the
-things to restore Unc Nunkie to life."
-
-"All very true," answered the Shaggy Man,
-quietly; "but I know this gate, having passed
-through it many times."
-
-"How?" they all eagerly inquired.
-
-"I'll show you how," said he. He stood Ojo
-in the middle of the road and placed Scraps
-just behind him, with her padded hands on his
-shoulders. After the Patchwork Girl came the
-Woozy, who held a part of her skirt in his
-mouth. Then, last of all, was the Glass Cat,
-holding fast to the Woozy's tail with her glass
-jaws.
-
-"Now," said the Shaggy Man, "you must all
-shut your eyes tight, and keep them shut until
-I tell you to open them."
-
-"I can't," objected Scraps. "My eyes are but-
-tons, and they won't shut."
-
-So the Shaggy Man tied his red handkerchief over
-the Patchwork Girl's eyes and examined all the
-others to make sure they had their eyes fast shut
-and could see nothing.
-
-"What's the game, anyhow--blind-man's-buff?"
-asked Scraps.
-
-"Keep quiet!" commanded the Shaggy Man,
-sternly. "All ready? Then follow me."
-
-He took Ojo's hand and led him forward over the
-road of yellow bricks, toward the gate. Holding
-fast to one another they all followed in a row,
-expecting every minute to bump against the iron
-bars. The Shaggy Man also had his eyes closed, but
-marched straight ahead, nevertheless, and after
-he had taken one hundred steps, by actual count,
-he stopped and said:
-
-"Now you may open your eyes."
-
-They did so, and to their astonishment found
-the wall and the gateway far behind them,
-while in front the former Blue Country of the
-Munchkins had given way to green fields, with
-pretty farm-houses scattered among them.
-
-"That wall," explained the Shaggy Man, "is
-what is called an optical illusion. It is quite real
-while you have your eyes open, but if you are
-not looking at it the barrier doesn't exist at all.
-It's the same way with many other evils in life;
-they seem to exist, and yet it's all seeming and
-not true. You will notice that the wall--or what
-we thought was a wall--separates the Munchkin
-Country from the green country that surrounds
-the Emerald City, which lies exactly in the
-center of Oz. There are two roads of yellow
-bricks through the Munchkin Country, but the
-one we followed is the best of the two. Dorothy
-once traveled the other way, and met with more
-dangers than we did. But all our troubles are
-over for the present, as another day's journey
-will bring us to the great Emerald City."
-
-They were delighted to know this, and proceeded
-with new courage. In a couple of hours they
-stopped at a farmhouse, where the people were very
-hospitable and invited them to dinner. The farm
-folk regarded Scraps with much curiosity but no
-great astonishment, for they were accustomed to
-seeing extraordinary people in the Land of Oz.
-
-The woman of this house got her needle and
-thread and sewed up the holes made by the
-porcupine quills in the Patchwork Girl's body,
-after which Scraps was assured she looked as
-beautiful as ever.
-
-"You ought to have a hat to wear," remarked
-the woman, "for that would keep the sun from
-fading the colors of your face. I have some
-patches and scraps put away, and if you will
-wait two or three days I'll make you a lovely
-hat that will match the rest of you."
-
-"Never mind the hat," said Scraps, shaking
-her yarn braids; "it's a kind offer, but we can't
-stop. I can't see that my colors have faded a
-particle, as yet; can you?"
-
-"Not much," replied the woman. "You are still
-very gorgeous, in spite of your long journey."
-
-The children of the house wanted to keep the
-Class Cat to play with, so Bungle was offered
-a good home if she would remain; but the cat
-was too much interested in Ojo's adventures and
-refused to stop.
-
-"Children are rough playmates," she remarked to
-the Shaggy Man, "and although this home is more
-pleasant than that of the Crooked Magician I fear
-I would soon be smashed to pieces by the boys and
-girls."
-
-After they had rested themselves they renewed
-their journey, finding the road now smooth and
-pleasant to walk upon and the country growing more
-beautiful the nearer they drew to the Emerald
-City.
-
-By and by Ojo began to walk on the green
-grass, looking carefully around him.
-
-"What are you trying to find?" asked Scraps.
-
-"A six-leaved clover," said he.
-
-"Don't do that!" exclaimed the Shaggy Man,
-earnestly. "It's against the Law to pick a six-
-leaved clover. You must wait until you get Ozma's
-consent."
-
-"She wouldn't know it," declared the boy.
-
-"Ozma knows many things," said the Shaggy Man.
-"In her room is a Magic Picture that shows any
-scene in the Land of Oz where strangers or
-travelers happen to be. She may be watching the
-picture of us even now, and noticing everything
-that we do."
-
-"Does she always watch the Magic Picture?"
-asked Ojo.
-
-"Not always, for she has many other things
-to do; but, as I said, she may be watching us
-this very minute."
-
-"I don't care," said Ojo, in an obstinate tone
-of voice; "Ozma's only a girl."
-
-The Shaggy Man looked at him in surprise.
-
-"You ought to care for Ozma," said he, "if you
-expect to save your uncle. For, if you displease
-our powerful Ruler, your journey will surely prove
-a failure; whereas, if you make a friend of Ozma,
-she will gladly assist you. As for her being a
-girl, that is another reason why you should obey
-her laws, if you are courteous and polite.
-Everyone in Oz loves Ozma and hates her enemies,
-for she is as just as she is powerful."
-
-Ojo sulked a while, but finally returned to the
-road and kept away from the green clover. The
-boy was moody and bad tempered for an hour
-or two afterward, because he could really see
-no harm in picking a six-leaved clover, if he
-found one, and in spite of what the Shaggy
-Man had said he considered Ozma's law to be
-unjust.
-
-They presently came to a beautiful grove of tall
-and stately trees, through which the road wound in
-sharp curves--first one way and then another. As
-they were walking through this grove they heard
-some one in the distance singing, and the sounds
-grew nearer and nearer until they could
-distinguish the words, although the bend in the
-road still hid the singer. The song was something
-like this:
-
-
-"Here's to the hale old bale of straw
-That's cut from the waving grain,
-The sweetest sight man ever saw
-In forest, dell or plain.
-It fills me with a crunkling joy
-A straw-stack to behold,
-For then I pad this lucky boy
-With strands of yellow gold."
-
-
-"Ah!" exclaimed the Shaggy Man; "here comes my
-friend the Scarecrow.
-
-"What, a live Scarecrow?" asked Ojo.
-
-"Yes; the one I told you of. He's a splendid
-fellow, and very intelligent. You'll like him,
-I'm sure.
-
-Just then the famous Scarecrow of Oz came
-around the bend in the road, riding astride a
-wooden Sawhorse which was so small that its
-rider's legs nearly touched the ground.
-
-The Scarecrow wore the blue dress of the
-Munchkins, in which country he was made,
-and on his head was set a peaked hat with a flat
-brim trimmed with tinkling bells. A rope was
-tied around his waist to hold him in shape. for
-he was stuffed with straw in every part of him
-except the top of his head, where at one time
-the Wizard of Oz had placed sawdust, mixed
-with needles and pins, to sharpen his wits. The
-head itself was merely a bag of cloth, fastened
-to the body at the neck, and on the front of this
-bag was painted the face--ears, eyes, nose and
-mouth.
-
-The Scarecrow's face was very interesting, for
-it bore a comical and yet winning expression,
-although one eye was a bit larger than the other
-and ears were not mates. The Munchkin farmer who
-had made the Scarecrow had neglected to sew him
-together with close stitches and therefore some of
-the straw with which he was stuffed was inclined
-to stick out between the seams. His hands
-consisted of padded white gloves, with the fingers
-long and rather limp, and on his feet he wore
-Munchkin boots of blue leather with broad turns at
-the tops of them.
-
-The Sawhorse was almost as curious as its rider.
-It had been rudely made, in the beginning, to saw
-logs upon, so that its body was a short length of
-a log, and its legs were stout branches fitted
-into four holes made in the body. The tail was
-formed by a small branch that had been left on the
-log, while the head was a gnarled bump on one end
-of the body. Two knots of wood formed the eyes,
-and the mouth was a gash chopped in the log. When
-the Sawhorse first came to life it had no ears at
-all, and so could not hear; but the boy who then
-owned him had whittled two ears out of bark and
-stuck them in the head, after which the Sawhorse
-heard very distinctly.
-
-This queer wooden horse was a great favorite
-with Princess Ozma, who had caused the bottoms of
-its legs to be shod with plates of gold, so the
-wood would not wear away. Its saddle was made of
-cloth-of-gold richly encrusted with precious gems.
-It had never worn a bridle.
-
-As the Scarecrow came in sight of the party of
-travelers, he reined in his wooden steed and
-dismounted, greeting the Shaggy Man with a smiling
-nod. Then he turned to stare at the Patchwork Girl
-in wonder, while she in turn stared at him.
-
-"Shags," he whispered, drawing the Shaggy Man
-aside, "pat me into shape, there's a good fellow!"
-
-While his friend punched and patted the
-Scarecrow's body, to smooth out the humps, Scraps
-turned to Ojo and whispered: "Roll me out, please;
-I've sagged down dreadfully from walking so much
-and men like to see a stately figure."
-
-She then fell upon the ground and the boy rolled
-her back and forth like a rolling-pin, until the
-cotton had filled all the spaces in her patchwork
-covering and the body had lengthened to its
-fullest extent. Scraps and the Scarecrow both
-finished their hasty toilets at the same time, and
-again they faced each other.
-
-"Allow me, Miss Patchwork," said the Shaggy Man,
-"to present my friend, the Right Royal Scarecrow
-of Oz. Scarecrow, this is Miss Scraps Patches;
-Scraps, this is the Scarecrow. Scarecrow--Scraps;
-Scraps--Scarecrow."
-
-They both bowed with much dignity.
-
-"Forgive me for staring so rudely," said the
-Scarecrow, "but you are the most beautiful sight
-my eyes have ever beheld."
-
-"That is a high compliment from one who is
-himself so beautiful," murmured Scraps, casting
-down her suspender-button eyes by lowering her
-head. "But, tell me, good sir, are you not a
-trifle lumpy?"
-
-"Yes, of course; that's my straw, you know.
-It bunches up, sometimes, in spite of all my
-efforts to keep it even. Doesn't your straw ever
-bunch?"
-
-"Oh, I'm stuffed with cotton," said Scraps.
-"It never bunches, but it's inclined to pack down
-and make me sag."
-
-"But cotton is a high-grade stuffing. I may say
-it is even more stylish, not to say aristocratic,
-than straw," said the Scarecrow politely. "Still,
-it is but proper that one so entrancingly lovely
-should have the best stuffing there is going. I--
-er--I'm so glad I've met you, Miss Scraps!
-Introduce us again, Shaggy."
-
-"Once is enough," replied the Shaggy Man,
-laughing at his friend's enthusiasm.
-
-"Then tell me where you found her, and--Dear me,
-what a queer cat! What are you made of--gelatine?"
-
-"Pure glass," answered the cat, proud to have
-attracted the Scarecrow's attention. "I am much
-more beautiful than the Patchwork Girl. I'm
-transparent, and Scraps isn't; I've pink brains--
-you can see 'em work; and I've a ruby heart,
-finely polished, while Scraps hasn't any heart at
-all."
-
-"No more have I," said the Scarecrow, shaking
-hands with Scraps, as if to congratulate her on
-the fact. "I've a friend, the Tin Woodman, who has
-a heart, but I find I get along pretty well
-without one. And so--Well, well! here's a little
-Munchkin boy, too. Shake hands, my little man. How
-are you?"
-
-Ojo placed his hand in the flabby stuffed glove
-that served the Scarecrow for a hand, and the
-Scarecrow pressed it so cordially that the straw
-in his glove crackled.
-
-Meantime, the Woozy had approached the Sawhorse
-and begun to sniff at it. The Sawhorse resented
-this familiarity and with a sudden kick pounded
-the Woozy squarely on its Lead with one gold-shod
-foot.
-
-"Take that, you monster!" it cried angrily.
-
-The Woozy never even winked.
-
-"To be sure," he said; "I'll take anything I
-have to. But don't make me angry, you wooden
-beast, or my eyes will flash fire and burn you
-up."
-
-The Sawhorse rolled its knot eyes wickedly
-and kicked again, but the Woozy trotted away
-and said to the Scarecrow:
-
-"What a sweet disposition that creature has!
-I advise you to chop it up for kindling-wood
-and use me to ride upon. My back is flat and
-you can't fall off."
-
-"I think the trouble is that you haven't been
-properly introduced," said the Scarecrow,
-regarding the Woozy with much wonder, for he had
-never seen such a queer animal before.
-
-"The Sawhorse is the favorite steed of Princess
-Ozma, the Ruler of the Land of Oz, and he lives in
-a stable decorated with pearls and emeralds, at
-the rear of the royal palace. He is swift as the
-wind, untiring, and is kind to his friends. All
-the people of Oz respect the Sawhorse highly, and
-when I visit Ozma she sometimes allows me to ride
-him--as I am doing to-day. Now you know what an
-important personage the Sawhorse is, and if some
-one--perhaps your-self--will tell me your name,
-your rank and station, and your history, it will
-give me pleasure to relate them to the Sawhorse.
-This will lead to mutual respect and friendship."
-
-The Woozy was somewhat abashed by this speech
-and did not know how to reply. But Ojo said:
-
-"This square beast is called the Woozy, and he
-isn't of much importance except that he has three
-hairs growing on the tip of his tail."
-
-The Scarecrow looked and saw that this was true.
-
-"But," said he, in a puzzled way, "what makes
-those three hairs important? The Shaggy Man has
-thousands of hairs, but no one has ever accused
-him of being important."
-
-So Ojo related the sad story of Unc Nunkie's
-transformation into a marble statue, and told how
-he had set out to find the things the Crooked
-Magician wanted, in order to make a charm that
-would restore his uncle to life. One of the
-requirements was three hairs from a Woozy's tail,
-but not being able to pull out the hairs they had
-been obliged to take the Woozy with them.
-
-The Scarecrow looked grave as he listened and he
-shook his head several times, as if in
-disapproval.
-
-"We must see Ozma about this matter," he
-said. "That Crooked Magician is breaking the
-Law by practicing magic without a license, and
-I'm not sure Ozma will allow him to restore your
-uncle to life."
-
-"Already I have warned the boy of that,"
-declared the Shaggy Man.
-
-At this Ojo began to cry. "I want my Unc
-Nunkie!" he exclaimed. "I know how he can be
-restored to life, and I'm going to do it--Ozma or
-no Ozma! What right has this girl Ruler to keep my
-Unc Nunkie a statue forever?"
-
-"Don't worry about that just now," advised
-the Scarecrow. "Go on to the Emerald City,
-and when you reach it have the Shaggy Man
-take you to see Dorothy. Tell her your story and
-I'm sure she will help you. Dorothy is Ozma's
-best friend, and if you can win her to your side
-your uncle is pretty safe to live again." Then he
-turned to the Woozy and said: "I'm afraid you
-are not important enough to be introduced to
-the Sawhorse, after all."
-
-"I'm a better beast than he is," retorted the
-Woozy, indignantly. "My eyes can flash fire, and
-his can't."
-
-"Is this true?" inquired the Scarecrow, turning
-to the Munchkin boy.
-
-"Yes," said Ojo, and told how the Woozy had
-set fire to the fence.
-
-"Have you any other accomplishments?"
-asked the Scarecrow.
-
-"I have a most terrible growl--that is,
-sometimes," said the Woozy, as Scraps laughed
-merrily and the Shaggy Man smiled. But the Patch-
-work Girl's laugh made the Scarecrow forget all
-about the Woozy. He said to her:
-
-"What an admirable young lady you are, and
-what jolly good company! We must be better
-acquainted, for never before have I met a girl
-with such exquisite coloring or such natural,
-artless manners."
-
-"No wonder they call you the Wise Scarecrow,"
-replied Scraps.
-
-"When you arrive at the Emerald City I will see
-you again," continued the Scarecrow. "Just now I
-am going to call upon an old friend--an ordinary
-young lady named Jinjur--who has Promised to
-repaint my left ear for me. You may have noticed
-that the paint on my left ear has peeled off and
-faded, which affects my hearing on that side.
-Jinjur always fixes me up when I get weather-
-worn."
-
-"When do you expect to return to the Emerald
-City?" asked the Shaggy Man.
-
-"I'll be there this evening, for I'm anxious
-to have a long talk with Miss Scraps. How is it,
-Sawhorse; are you equal to a swift run?"
-
-"Anything that suits you suits me," returned
-the wooden horse.
-
-So the Scarecrow mounted to the jeweled
-saddle and waved his hat, when the Sawhorse
-darted away so swiftly that they were out of
-sight in an instant.
-
-
-
-
-Chapter Fourteen
-
-Ojo Breaks the Law
-
-
-"What a queer man," remarked the Munchkin boy,
-when the party had resumed its journey.
-
-"And so nice and polite," added Scraps, bobbing
-her Lead. "I think he is the handsomest man I've
-seen since I came to life."
-
-"Handsome is as handsome does," quoted the
-Shaggy Man; "but we must admit that no living
-scarecrow is handsomer. The chief merit of my
-friend is that he is a great thinker, and in Oz it
-is considered good policy to follow his advice."
-
-"I didn't notice any brains in his head,"
-observed the Glass Cat.
-
-"You can't see 'em work, but they're there, all
-right," declared the Shaggy Man. "I hadn't much
-confidence in his brains myself, when first I came
-to Oz, for a humbug Wizard gave them to him; but I
-was soon convinced that the Scarecrow is really
-wise; and, unless his brains make him so, such
-wisdom is unaccountable."
-
-"Is the Wizard of Oz a humbug?" asked Ojo.
-
-"Not now. He was once, but he has reformed
-and now assists Glinda the Good, who is the
-Royal Sorceress of Oz and the only one licensed
-to practice magic or sorcery. Glinda has taught
-our old Wizard a good many clever things, so
-he is no longer a humbug."
-
-They walked a little while in silence and
-then Ojo said:
-
-"If Ozma forbids the Crooked Magician to
-restore Unc Nunkie to life, what shall I do?"
-
-The Shaggy Man shook his head.
-
-"In that case you can't do anything," he said.
-"But don't be discouraged yet. We will go to
-Princess Dorothy and tell her your troubles, and
-then we will let her talk to Ozma. Dorothy has the
-kindest little heart in the world, and she has
-been through so many troubles herself that she is
-sure to sympathize with you."
-
-"Is Dorothy the little girl who came here from
-Kansas?" asked the boy.
-
-"Yes. In Kansas she was Dorothy Gale. I used to
-know her there, and she brought me to the Land of
-Oz. But now Ozma has made her a Princess, and
-Dorothy's Aunt Em and Uncle Henry are here, too."
-Here the Shaggy Man uttered a long sigh, and then
-he continued: "It's a queer country, this Land of
-Oz; but I like it, nevertheless."
-
-"What is queer about it?" asked Scraps.
-
-"You, for instance," said he.
-
-"Did you see no girls as beautiful as I am in
-your own country?" she inquired.
-
-"None with the same gorgeous, variegated
-beauty," he confessed. "In America a girl stuffed
-with cotton wouldn't be alive, nor would anyone
-think of making a girl out of a patchwork quilt."
-
-"What a queer country America must be!" she
-exclaimed in great surprise. "The Scarecrow, whom
-you say is wise, told me I am the most beautiful
-creature he has ever seen."
-
-"I know; and perhaps you are-from a scarecrow
-point of view," replied the Shaggy Man; but why he
-smiled as he said it Scraps could not imagine.
-
-As they drew nearer to the Emerald City the
-travelers were filled with admiration for the
-splendid scenery they beheld. Handsome houses
-stood on both sides of the road and each had a
-green lawn before it as well as a pretty flower
-garden.
-
-"In another hour," said the Shaggy Man, "we
-shall come in sight of the walls of the Royal
-City."
-
-He was walking ahead, with Scraps, and behind
-them came the Woozy and the Glass Cat. Ojo had
-lagged behind, for in spite of the warnings he
-had received the boy's eyes were fastened on the
-clover that bordered the road of yellow bricks and
-he was eager to discover if such a thing as a
-six-leaved clover really existed.
-
-Suddenly he stopped short and bent over to
-examine the ground more closely. Yes; here at last
-was a clover with six spreading leaves. He counted
-them carefully, to make sure. In an instant his
-heart leaped with joy, for this was one of the
-important things he had come for--one of the
-things that would restore dear Unc Nunkie to life.
-
-He glanced ahead and saw that none of his
-companions was looking back. Neither were any
-other people about, for it was midway between
-two houses. The temptation was too strong to
-be resisted.
-
-"I might search for weeks and weeks, and
-never find another six-leaved clover," he told
-himself, and quickly plucking the stem from the
-plant he placed the prized clover in his basket,
-covering it with the other things he carried
-there. Then, trying to look as if nothing had
-happened, he hurried forward and overtook his
-comrades.
-
-The Emerald City, which is the most splendid as
-well as the most beautiful city in any fairyland,
-is surrounded by a high, thick wall of green
-marble, polished smooth and set with glistening
-emeralds. There are four gates, one facing the
-Munchkin Country, one facing the Country of the
-Winkies, one facing the Country of the Quadlings
-and one facing the Country of the Gillikins. The
-Emerald City lies directly in the center of these
-four important countries of Oz. The gates had bars
-of pure gold, and on either side of each gateway
-were built high towers, from which floated gay
-banners. Other towers were set at distances along
-the walls, which were broad enough for four people
-to walk abreast upon.
-
-This enclosure, all green and gold and
-glittering with precious gems, was indeed a
-wonderful sight to greet our travelers, who first
-observed it from the top of a little hill; but
-beyond the wall was the vast city it surrounded,
-and hundreds of jeweled spires, domes and
-minarets, flaunting flags and banners, reared
-their crests far above the towers of the gateways.
-In the center of the city our friends could see
-the tops of many magnificent trees, some nearly as
-tall as the spires of the buildings, and the
-Shaggy Man told them that these trees were in the
-royal gardens of Princess Ozma.
-
-They stood a long time on the hilltop, feasting
-their eyes on the splendor of the Emerald City.
-
-"Whee!" exclaimed Scraps, clasping her padded
-hands in ecstacy, "that'll do for me to live in,
-all right. No more of the Munchkin Country for
-these patches--and no more of the Crooked
-Magician!"
-
-"Why, you belong to Dr. Pipt," replied Ojo,
-looking at her in amazement. "You were made for a
-servant, Scraps, so you are personal property and
-not your own mistress."
-
-"Bother Dr. Pipt! If he wants me, let him
-come here and get me. I'll not go back to his
-den of my own accord; that's certain. Only one
-place in the Land of Oz is fit to live in, and
-that's the Emerald City. It's lovely! It's almost
-as beautiful as I am, Ojo."
-
-"In this country," remarked the Shaggy Man,
-"people live wherever our Ruler tells them to. It
-wouldn't do to have everyone live in the Emerald
-City, you know, for some must plow the land and
-raise grains and fruits and vegetables, while
-others chop wood in the forests, or fish in the
-rivers, or herd the sheep and the cattle."
-
-"Poor things!" said Scraps.
-
-"I'm not sure they are not happier than the city
-people," replied the Shaggy Man. "There's a
-freedom and independence in country life that not
-even the Emerald City can give one. I know that
-lots of the city people would like to get back to
-the land. The Scarecrow lives in the country, and
-so do the Tin Woodman and Jack Pumpkinhead; yet
-all three would be welcome to live in Ozma's
-palace if they cared to. Too much splendor becomes
-tiresome, you know. But, if we're to reach the
-Emerald City before sundown, we must hurry, for it
-is yet a long way off."
-
-The entrancing sight of the city had put new
-energy into them all and they hurried forward
-with lighter steps than before. There was much
-to interest them along the roadway, for the
-houses were now set more closely together and
-they met a good many people who were coming
-or going from one place or another. All these
-seemed happy-faced, pleasant people, who
-nodded graciously to the strangers as they
-Passed, and exchanged words of greeting.
-
-At last they reached the great gateway, just
-as the sun was setting and adding its red glow
-to the glitter of the emeralds on the green walls
-and spires. Somewhere inside the city a band
-could be heard playing sweet music; a soft,
-subdued hum, as of many voices, reached their
-ears; from the neighboring yards came the low
-mooing of cows waiting to be milked.
-
-They were almost at the gate when the golden
-bars slid back and a tall soldier stepped out and
-faced them. Ojo thought he had never seen so
-tall a man before. The soldier wore a handsome
-green and gold uniform, with a tall hat in which
-was a waving plume, and he had a belt thickly
-encrusted with jewels. But the most peculiar
-thing about him was his long green beard,
-which fell far below his waist and perhaps
-made him seem taller than he really was.
-
-"Halt!" said the Soldier with the Green
-Whiskers, not in a stern voice but rather in a
-friendly tone.
-
-They halted before he spoke and stood looking at
-him.
-
-"Good evening, Colonel," said the Shaggy
-Man. "What's the news since I left? Anything
-important?"
-
-"Billina has hatched out thirteen new chickens,"
-replied the Soldier with the Green Whiskers, "and
-they're the cutest little fluffy yellow balls you
-ever saw. The Yellow Hen is mighty proud of those
-children, I can tell you."
-
-"She has a right to be," agreed the Shaggy
-Man. "Let me see; that's about seven thousand
-chicks she has hatched out; isn't it, General?"
-
-"That, at least," was the reply. "You will have
-to visit Billina and congratulate her."
-
-"It will give me pleasure to do that," said the
-Shaggy Man. "But you will observe that I have
-brought some strangers home with me. I am
-going to take them to see Dorothy."
-
-"One moment, please," said the soldier, barring
-their way as they started to enter the gate. "I am
-on duty, and I have orders to execute. Is anyone
-in your party named Ojo the Unlucky?"
-
-"Why, that's me!" cried Ojo, astonished at
-hearing his name on the lips of a stranger.
-
-The Soldier with the Green Whiskers nodded. "I
-thought so," said he, "and I am sorry to announce
-that it is my painful duty to arrest you."
-
-"Arrest me!" exclaimed the boy. "What for?"
-
-"I haven't looked to see," answered the soldier.
-Then he drew a paper from his breast pocket and
-glanced at it. "Oh, yes; you are to be arrested
-for willfully breaking one of the Laws of Oz."
-
-"Breaking a law!" said Scraps. "Nonsense,
-Soldier; you're joking."
-
-"Not this time," returned the soldier, with a
-sigh. "My dear child what are you, a rummage sale
-or a guess-me quick?--in me you be hold the Body
-Guard of our gracious Ruler, Princess Ozma, as
-well as the Royal Army of Oz and the Police Force
-of the Emerald City."
-
-"And only one man!" exclaimed the Patchwork Girl.
-
-"Only one, and plenty enough. In my official
-positions I've had nothing to do for a good many
-years--so long that I began to fear I was
-absolutely useless--until today. An hour ago I was
-called to the presence of her Highness, Ozma of
-Oz, and told to arrest a boy named Ojo the
-Unlucky, who was journeying from the Munchkin
-Country to the Emerald City and would arrive in a
-short time. This command so astonished me that I
-nearly fainted, for it is the first time anyone
-has merited arrest since I can remember. You are
-rightly named Ojo the Unlucky. my poor boy, since
-you have broken a Law of Oz.
-
-"But you are wrong," said Scraps. "Ozma is
-wrong--you are all wrong--for Ojo has broken no
-Law."
-
-"Then he will soon be free again," replied the
-Soldier with the Green Whiskers. "Anyone accused
-of crime is given a fair trial by our Ruler and
-has every chance to prove his innocence. But just
-now Ozma's orders must be obeyed."
-
-With this he took from his pocket a pair of
-handcuffs made of gold and set with rubies and
-diamonds, and these he snapped over Ojo's wrists.
-
-
-
-
-Chapter Fifteen
-
-Ozma's Prisoner
-
-
-The boy was so bewildered by this calamity that he
-made no resistance at all. He knew very well he
-was guilty, but it surprised him that Ozma also
-knew it. He wondered how she had found out so soon
-that he had picked the six-leaved clover. He
-handed his basket to Scraps and said:
-
-"Keep that, until I get out of prison. If I
-never get out, take it to the Crooked Magician, to
-whom it belongs."
-
-The Shaggy Man had been gazing earnestly in the
-boy's face, uncertain whether to defend him or
-not; but something he read in Ojo's expression
-made him draw back and refuse to interfere to save
-him. The Shaggy Man was greatly surprised and
-grieved, but he knew that Ozma never made mistakes
-and so Ojo must really have broken the Law of Oz.
-
-The Soldier with the Green Whiskers now led them
-all through the gate and into a little room built
-in the wall. Here sat a jolly little man, richly
-dressed in green and having around his neck a
-heavy gold chain to which a number of great golden
-keys were attached. This was the Guardian of the
-Gate and at the moment they entered his room he
-was playing a tune upon a mouth-organ.
-
-"Listen!" he said, holding up his hand for
-silence. "I've just composed a tune called 'The
-Speckled Alligator.' It's in patch-time, which is
-much superior to rag-time, and I've composed it in
-honor of the Patchwork Girl, who has just
-arrived."
-
-"How did you know I had arrived?" asked Scraps,
-much interested.
-
-"It's my business to know who's coming, for I'm
-the Guardian of the Gate. Keep quiet while I play
-you 'The Speckled Alligator.'"
-
-It wasn't a very bad tune, nor a very good one,
-but all listened respectfully while he shut his
-eyes and swayed his head from side to side and
-blew the notes from the little instrument. When it
-was all over the Soldier with the Green Whiskers
-said:
-
-"Guardian, I have here a prisoner."
-
-"Good gracious! A prisoner?" cried the little
-man, jumping up from his chair. "Which one? Not
-the Shaggy Man?"
-
-"No; this boy."
-
-"Ah; I hope his fault is as small as himself,"
-said the Guardian of the Gate. "But what can he
-have done, and what made him do it?"
-
-"Can't say," replied the soldier. "All I know
-is that he has broken the Law."
-
-"But no one ever does that!"
-
-"Then he must be innocent, and soon will be
-released. I hope you are right, Guardian. Just now
-I am ordered to take him to prison. Get me a
-prisoner's robe from your Official Wardrobe."
-
-The Guardian unlocked a closet and took
-from it a white robe, which the soldier threw
-over Ojo. It covered him from head to foot, but
-had two holes just in front of his eyes, so he
-could see where to go. In this attire the boy
-presented a very quaint appearance.
-
-As the Guardian unlocked a gate leading
-from his room into the streets of the Emerald
-City, the Shaggy Man said to Scraps:
-
-"I think I shall take you directly to Dorothy,
-as the Scarecrow advised, and the Glass Cat
-and the Woozy may come with us. Ojo must
-go to prison with the Soldier with the Green
-Whiskers, but he will he well treated and you
-need not worry about him."
-
-"What will they do with him?" asked Scraps.
-
-"That I cannot tell. Since I came to the Land of
-Oz no one has ever been arrested or imprisoned--
-until Ojo broke the Law."
-
-"Seems to me that girl Ruler of yours is making
-a big fuss over nothing," remarked Scraps, tossing
-her yarn hair out of her eyes with a jerk of her
-patched head. "I don't know what Ojo has done, but
-it couldn't be anything very, bad, for you and I
-were with him all the time."
-
-The Shaggy Man made no reply to this speech and
-presently the Patchwork Girl forgot all about Ojo
-in her admiration of the wonderful city she had
-entered.
-
-They soon separated from the Munchkin boy, who
-was led by the Soldier with the Green Whiskers
-down a side street toward the prison. Ojo felt
-very miserable and greatly ashamed of himself, but
-he was beginning to grow angry because he was
-treated in such a disgraceful manner. Instead of
-entering the splendid Emerald City as a
-respectable traveler who was entitled to a
-welcome and to hospitality, he was being brought
-in as a criminal, handcuffed and in a robe that
-told all he met of his deep disgrace.
-
-Ojo was by nature gentle and affectionate and if
-he had disobeyed the Law of Oz it was to restore
-his dear Unc Nunkie to life. His fault was more
-thoughtless than wicked, but that did not alter
-the fact that he had committed a fault. At first
-he had felt sorrow and remorse, but the more he
-thought about the unjust treatment he had
-received--unjust merely because he considered it
-so--the more he resented his arrest, blaming Ozma
-for making foolish laws and then punishing folks
-who broke them. Only a six-leaved clover! A tiny
-green plant growing neglected and trampled under
-foot. What harm could there be in picking it? Ojo
-began to think Ozma must be a very bad and
-oppressive Ruler for such a lovely fairyland as
-Oz. The Shaggy Man said the people loved her; but
-how could they?
-
-The little Munchkin boy was so busy thinking
-these things--which many guilty prisoners have
-thought before him--that he scarcely noticed all
-the splendor of the city streets through which
-they passed. Whenever they met any of the happy,
-smiling people, the boy turned his head away in
-shame, although none knew who was beneath the
-robe.
-
-By and by they reached a house built just beside
-the great city wall, but in a quiet, retired
-place. It was a pretty house, neatly painted and
-with many windows. Before it was a garden filled
-with blooming flowers. The Soldier with the Green
-Whiskers led Ojo up the gravel path to the front
-door, on which he knocked.
-
-A woman opened the door and, seeing Ojo
-in his white robe, exclaimed:
-
-"Goodness me! A prisoner at last. But what a
-small one, Soldier."
-
-"The size doesn't matter, Tollydiggle, my
-dear. The fact remains that he is a prisoner,"
-said the soldier. "And, this being the prison,
-and you the jailer, it is my duty to place the
-prisoner in your charge."
-
-"True. Come in, then, and I'll give you a
-receipt for him."
-
-They entered the house and passed through a hall
-to a large circular room, where the woman pulled
-the robe off from Ojo and looked at him with
-kindly interest. The boy, on his part, was gazing
-around him in amazement, for never had he dreamed
-of such a magnificent apartment as this in which
-he stood. The roof of the dome was of colored
-glass, worked into beautiful designs. The walls
-were paneled with plates of
-
-gold decorated with gems of great size and many
-colors, and upon the tiled floor were soft rags
-delightful to walk upon. The furniture was framed
-in gold and upholstered in satin brocade and it
-consisted of easy chairs, divans and stools in
-great variety. Also there were several tables with
-mirror tops and cabinets filled with rare and
-curious things. In one place a case filled with
-books stood against the wall, and elsewhere Ojo
-saw a cupboard containing all sorts of games.
-
-"May I stay here a little while before I go to
-prison?" asked the boy, pleadingly.
-
-"Why, this is your prison," replied Tollydiggle,
-"and in me behold your jailor. Take off those
-handcuffs, Soldier, for it is impossible for
-anyone to escape from this house."
-
-"I know that very well," replied the soldier and
-at once unlocked the handcuffs and released the
-prisoner.
-
-The woman touched a button on the wall and
-lighted a big chandelier that hung suspended from
-the ceiling, for it was growing dark outside. Then
-she seated herself at a desk and asked:
-
-"What name?"
-
-"Ojo the Unlucky," answered the Soldier
-with the Green Whiskers.
-
-"Unlucky? Ah, that accounts for it," said she.
-"What crime?"
-
-"Breaking a Law of Oz."
-
-"All right. There's your receipt, Soldier; and
-now I'm responsible for the prisoner. I'm glad
-of it, for this is the first time I've ever had
-anything to do, in my official capacity," remarked
-the jailer, in a pleased tone.
-
-"It's the same with me, Tollydiggle," laughed
-the soldier. "But my task is finished and I must
-go and report to Ozma that I've done my duty
-like a faithful Police Force, a loyal Army and
-an honest Body-Guard--as I hope I am."
-
-Saying this, be nodded farewell to Tollydiggle
-and Ojo and went away.
-
-"Now, then," said the woman briskly, "I must get
-you some supper, for you are doubtless hungry.
-What would you prefer: planked whitefish, omelet
-with jelly or mutton-chops with gravy?"
-
-Ojo thought about it. Then he said: "I'll take
-the chops, if you please."
-
-"Very well; amuse yourself while I'm gone;
-I won't be long," and then she went out by a
-door and left the prisoner alone.
-
-Ojo was much astonished, for not only was this
-unlike any prison he had ever heard of, but he was
-being treated more as a guest than a criminal.
-There were many windows and they bad no locks.
-There were three doors to the room and none were
-bolted. He cautiously opened one of the doors and
-found it led into a hallway. But he had no
-intention of trying to escape. If his jailor was
-willing to trust him in this way he would not
-betray her trust, and moreover a hot supper was
-being prepared for him and his prison was very
-pleasant and comfortable. So he took a book from
-the case and sat down in a big chair to look at
-the pictures.
-
-This amused him until the woman came in with a
-large tray and spread a cloth on one of the
-tables. Then she arranged his supper, which proved
-the most varied and delicious meal Ojo had ever
-eaten in his life.
-
-Tollydiggle sat near him while he ate, sewing
-on some fancy work she held in her lap. When
-he had finished she cleared the table and then
-read to him a story from one of the books.
-
-"Is this really a prison?" he asked, when she
-had finished reading.
-
-"Indeed it is," she replied. "It is the only
-prison in the Land of Oz."
-
-"And am I a prisoner?"
-
-"Bless the child! Of course."
-
-"Then why is the prison so fine, and why
-are you so kind to me?" he earnestly asked.
-
-Tollydiggle seemed surprised by the question,
-but she presently answered:
-
-"We consider a prisoner unfortunate. He is
-unfortunate in two ways--because he has done
-something wrong and because he is deprived of his
-liberty. Therefore we should treat him kindly,
-because of his misfortune, for otherwise he would
-become hard and bitter and would not be sorry he
-had done wrong. Ozma thinks that one who has
-committed a fault did so because he was not strong
-and brave; therefore she puts him in prison to
-make him strong and brave. When that is
-accomplished he is no longer a prisoner, but a
-good and loyal citizen and everyone is glad that
-he is now strong enough to resist doing wrong. You
-see, it is kindness that makes one strong and
-brave; and so we are kind to our prisoners."
-
-Ojo thought this over very carefully. "I had
-an idea," said he, "that prisoners were always
-treated harshly, to punish them."
-
-"That would be dreadful!" cried Tollydiggle.
-"Isn't one punished enough in knowing he has
-done wrong? Don't you wish, Ojo, with all your
-heart, that you had not been disobedient and
-broken a Law of Oz?"
-
-"I--I hate to be different from other people,"
-he admitted.
-
-"Yes; one likes to be respected as highly as his
-neighbors are," said the woman. "When you are
-tried and found guilty, you will be obliged to
-make amends, in some way. I don't know just
-what Ozma will do to you, because this is the
-first time one of us has broken a Law; but you
-may be sure she will be just and merciful. Here
-in the Emerald City people are too happy and
-contented ever to do wrong; but perhaps you
-came from some faraway corner of our land, and
-having no love for Ozma carelessly broke one
-of her Laws."
-
-"Yes," said Ojo, "I've lived all my life in the
-heart of a lonely forest, where I saw no one but
-dear Unc Nunkie."
-
-"I thought so," said Tollydiggle. "But now
-we have talked enough, so let us play a game
-until bedtime."
-
-
-
-
-Chapter Sixteen
-
-Princess Dorothy
-
-
-Dorothy Gale was sitting in one of her rooms in
-the royal palace, while curled up at her feet was
-a little black dog with a shaggy coat and very
-bright eyes. She wore a plain white frock, without
-any jewels or other ornaments except an emerald-
-green hair-ribbon, for Dorothy was a simple
-little girl and had not been in the least spoiled
-by the magnificence surrounding her. Once the
-child had lived on the Kansas prairies, but she
-seemed marked for adventure for she had made
-seven trips to the Land of Oz before she came to
-live there for good. Her very best friend was the
-beautiful Ozma of Oz, who loved Dorothy so well
-that she kept her in her own palace, so as to be
-near her. The girl's Uncle Henry and Aunt Em--the
-only relatives she had in the world--had also been
-brought here by Ozma and given a pleasant home.
-Dorothy knew almost everybody in Oz, and it was
-she who had discovered the Scarecrow, the Tin
-Woodman and the Cowardly Lion, as well as Tik-tok
-the Clockwork Man. Her life was very pleasant now,
-and although she had been made a Princess of Oz by
-her friend Ozma she did not care much to be a
-Princess and remained as sweet as when she had
-been plain Dorothy Gale of Kansas.
-
-Dorothy was reading in a book this evening
-when Jellia Jamb, the favorite servant-maid of
-the palace, came to say that the Shaggy Man
-wanted to see her.
-
-"All right," said Dorothy; "tell him to come
-right up."
-
-"But he has some queer creatures with him--some
-of the queerest I've ever laid eyes on," reported
-Jellia.
-
-"Never mind; let 'em all come up," replied
-Dorothy.
-
-But when the door opened to admit not only the
-Shaggy Man, but Scraps, the Woozy and the Glass
-Cat, Dorothy jumped up and looked at her strange
-visitors in amazement. The Patchwork Girl was the
-most curious of all and Dorothy was uncertain at
-first whether Scraps was really alive or only a
-dream or a nightmare. Toto, her dog, slowly
-uncurled himself and going to the Patchwork Girl
-sniffed at her inquiringly; but soon he lay down
-again, as if to say he had no interest in such an
-irregular creation.
-
-"You're a new one to me," Dorothy said
-reflectively, addressing the Patchwork Girl. "I
-can't imagine where you've come from."
-
-"Who, me?" asked Scraps, looking around the
-pretty room instead of at the girl. "Oh, I came
-from a bed-quilt, I guess. That's what they say,
-anyhow. Some call it a crazy-quilt and some a
-patchwork quilt. But my name is Scraps--and now
-you know all about me."
-
-"Not quite all," returned Dorothy with a smile.
-"I wish you'd tell me how you came to be alive."
-
-"That's an easy job," said Scraps, sitting upon
-a big upholstered chair and making the springs
-bounce her up and down. "Margolotte wanted a
-slave, so she made me out of an old bed-quilt she
-didn't use. Cotton stuffing, suspender-button
-eyes, red velvet tongue, pearl beads for teeth.
-The Crooked Magician made a Powder of Life,
-sprinkled me with it and--here I am. Perhaps
-you've noticed my different colors. A very refined
-and educated gentleman named the Scarecrow, whom I
-met, told me I am the most beautiful creature in
-all Oz, and I believe it."
-
-"Oh! Have you met our Scarecrow, then?" asked
-Dorothy, a little puzzled to understand the brief
-history related.
-
-"Yes; isn't he jolly?"
-
-"The Scarecrow has many good qualities," replied
-Dorothy. "But I'm sorry to hear all this 'bout the
-Crooked Magician. Ozma'll be mad as hops when she
-hears he's been doing magic again. She told him
-not to."
-
-"He only practices magic for the benefit of his
-own family," explained Bungle, who was keeping at
-a respectful distance from the little black dog.
-
-"Dear me," said Dorothy; "I hadn't noticed
-you before. Are you glass, or what?"
-
-"I'm glass, and transparent, too, which is more
-than can be said of some folks," answered the
-cat. "Also I have some lovely pink brains; you
-can see 'em work."
-
-"Oh; is that so? Come over here and let me see."
-
-The Class Cat hesitated, eyeing the dog.
-
-"Send that beast away and I will," she said.
-
-"Beast! Why, that's my dog Toto, an' he's the
-kindest dog in all the world. Toto knows a good
-many things, too; 'most as much as I do, I
-guess."
-
-"Why doesn't he say anything?" asked Bungle.
-
-"He can't talk, not being a fairy dog,"
-explained Dorothy. "He's just a common United
-States dog; but that's a good deal; and I
-understand him, and he understands me, just as
-well as if he could talk."
-
-Toto, at this, got up and rubbed his head
-softly against Dorothy's hand, which she held
-out to him, and he looked up into her face as if
-he had understood every word she had said.
-
-"This cat, Toto," she said to him, "is made
-of glass, so you mustn't bother it, or chase it,
-any more than you do my Pink Kitten. It's
-prob'ly brittle and might break if it bumped
-against anything."
-
-"Woof!" said Toto, and that meant he understood.
-
-The Glass Cat was so proud of her pink brains
-that she ventured to come close to Dorothy, in
-order that the girl might "see 'em work." This was
-really interesting, but when Dorothy patted the
-cat she found the glass cold and hard and
-unresponsive, so she decided at once that Bungle
-would never do for a pet.
-
-"What do you know about the Crooked Magician who
-lives on the mountain?" asked Dorothy.
-
-"He made me," replied the cat; "so I know all
-about him. The Patchwork Girl is new--three or
-four days old--but I've lived with Dr. Pipt for
-years; and, though I don't much care for him, I
-will say that he has always refused to work magic
-for any of the people who come to his house. He
-thinks there's no harm in doing magic things for
-his own family, and he made me out of glass
-because the meat cats drink too much milk. He also
-made Scraps come to life so she could do the
-housework for his wife Margolotte."
-
-"Then why did you both leave him?" asked
-Dorothy.
-
-"I think you'd better let me explain that,"
-interrupted the Shaggy Man, and then he told
-Dorothy all of Ojo's story and how Unc Nunkie and
-Margolotte had accidentally been turned to marble
-by the Liquid of Petrifaction. Then he related how
-the boy had started out in search of the things
-needed to make the magic charm, which would
-restore the unfortunates to life, and how he had
-found the Woozy and taken him along because he
-could not pull the three hairs out of its tail.
-Dorothy listened to all this with much interest,
-and thought that so far Ojo had acted very well.
-But when the Shaggy Man told her of the Munchkin
-boy's arrest by the Soldier with the Green
-Whiskers, because he was accused of wilfully
-breaking a Law of Oz, the little girl was greatly
-shocked.
-
-"What do you s'pose he's done?" she asked.
-
-"I fear he has picked a six-leaved clover,"
-answered the Shaggy Man, sadly. "I did not see him
-do it, and I warned him that to do so was against
-the Law; but perhaps that is what he did,
-nevertheless."
-
-"I'm sorry 'bout that," said Dorothy gravely,
-"for now there will be no one to help his poor
-uncle and Margolotte 'cept this Patchwork Girl,
-the Woozy and the Glass Cat."
-
-"Don't mention it," said Scraps. "That's no
-affair of mine. Margolotte and Unc Nunkie are
-perfect strangers to me, for the moment I came
-to life they came to marble."
-
-"I see," remarked Dorothy with a sigh of
-regret; "the woman forgot to give you a heart."
-
-"I'm glad she did," retorted the Patchwork Girl.
-"A heart must be a great annoyance to one. It
-makes a person feel sad or sorry or devoted or
-sympathetic--all of which sensations interfere with
-one's happiness."
-
-"I have a heart," murmured the Glass Cat.
-"It's made of a ruby; but I don't imagine I shall
-let it bother me about helping Unc Nunkie and
-Margolotte."
-
-"That's a pretty hard heart of yours," said
-Dorothy. "And the Woozy, of course--"
-
-"Why, as for me," observed the Woozy, who was
-reclining on the floor with his legs doubled under
-him, so that he looked much like a square box, "I
-have never seen those unfortunate people you are
-speaking of, and yet I am sorry for them, having
-at times been unfortunate myself. When I was shut
-up in that forest I longed for some one to help
-me, and by and by Ojo came and did help me. So I'm
-willing to help his uncle. I'm only a stupid
-beast, Dorothy, but I can't help that, and if
-you'll tell me what to do to help Ojo and his
-uncle, I'll gladly do it."
-
-Dorothy walked over and patted the Woozy on his
-square head.
-
-"You're not pretty," she said, "but I like you.
-What are you able to do; anything 'special?"
-
-"I can make my eyes flash fire--real fire--when
-I'm angry. When anyone says: 'Krizzle-Kroo' to me
-I get angry, and then my eyes flash fire."
-
-"I don't see as fireworks could help Ojo's
-uncle," remarked Dorothy. "Can you do anything
-else?"
-
-"I--I thought I bad a very terrifying growl,"
-said the Woozy, with hesitation; "but perhaps
-I was mistaken."
-
-"Yes," said the Shaggy Man, "you were certainly
-wrong about that." Then he turned to Dorothy and
-added: "What will become of the Munchkin boy?"
-
-"I don't know," she said, shaking her head
-thoughtfully. "Ozma will see him 'bout it, of
-course, and then she'll punish him. But how,
-I don't know, 'cause no one ever has been
-punished in Oz since I knew anything about
-the place. Too bad, Shaggy Man, isn't it?"
-
-While they were talking Scraps had been
-roaming around the room and looking at all
-the pretty things it contained. She had carried
-Ojo's basket in her hand, until now, when she
-decided to see what was inside it. She found
-the bread and cheese, which she had no use for,
-and the bundle of charms, which were curious
-but quite a mystery to her. Then, turning these
-over, she came upon the six-leaved clover which
-the boy had plucked.
-
-Scraps was quick-witted, and although she had no
-heart she recognized the fact that Ojo was her
-first friend. She knew at once that because the
-boy had taken the clover he bad been imprisoned,
-and she understood that Ojo had given her the
-basket so they would not find the clover in his
-possession and have proof of his crime. So,
-turning her head to see that no one noticed her,
-she took the clover from the basket and dropped it
-into a golden vase that stood on Dorothy's table.
-Then she came forward and said to Dorothy:
-
-"I wouldn't care to help Ojo's uncle, but I
-will help Ojo. He did not break the Law--no
-one can prove he did--and that green-whiskered
-soldier had no right to arrest him."
-
-"Ozma ordered the boy's arrest," said Dorothy,
-"and of course she knew what she was doing. But if
-you can prove Ojo is innocent they will set him
-free at once.
-
-"They'll have to prove him guilty, won't
-they?'' asked Scraps.
-
-"I s'pose so."
-
-"Well, they can't do that," declared the
-Patchwork Girl.
-
-As it was nearly time for Dorothy to dine with
-Ozma, which she did every evening, she rang for a
-servant and ordered the Woozy taken to a nice room
-and given plenty of such food as he liked best.
-
-"That's honey-bees," said the Woozy.
-
-"You can't eat honey-bees, but you'll be given
-something just as nice," Dorothy told him. Then
-she had the Glass Cat taken to another room for
-the night and the Patchwork Girl she kept in one
-of her own rooms, for she was much interested in
-the strange creature and wanted to talk with her
-again and try to understand her better.
-
-
-
-
-Chapter Seventeen
-
-Ozma and Her Friends
-
-
-The Shaggy Man had a room of his own in the royal
-palace, so there he went to change his shaggy suit
-of clothes for another just as shaggy but not so
-dusty from travel. He selected a costume of
-peagreen and pink satin and velvet, with
-embroidered shags on all the edges and iridescent
-pearls for ornaments. Then he bathed in an
-alabaster pool and brushed his shaggy hair and
-whiskers the wrong way to make them still more
-shaggy. This accomplished, and arrayed in his
-splendid shaggy garments, he went to Ozma's
-banquet hall and found the Scarecrow, the Wizard
-and Dorothy already assembled there. The Scarecrow
-had made a quick trip and returned to the Emerald
-City with his left ear freshly painted.
-
-A moment later, while they all stood in waiting,
-a servant threw open a door, the orchestra struck
-up a tune and Ozma of Oz entered.
-
-Much has been told and written concerning the
-beauty of person and character of this sweet girl
-Ruler of the Land of Oz--the richest, the happiest
-and most delightful fairyland of which we have any
-knowledge. Yet with all her queenly qualities Ozma
-was a real girl and enjoyed the things in life
-that other real girls enjoy. When she sat on her
-splendid emerald throne in the great Throne Room
-of her palace and made laws and settled disputes
-and tried to keep all her subjects happy and
-contented, she was as dignified and demure as any
-queen might be; but when she had thrown aside her
-jeweled robe of state and her sceptre, and had
-retired to her private apartments, the girl--
-joyous, light-hearted and free--replaced the
-sedate Ruler.
-
-In the banquet hall to-night were gathered
-only old and trusted friends, so here Ozma was
-herself--a mere girl. She greeted Dorothy with
-a kiss, the Shaggy Man with a smile, the little
-old Wizard with a friendly handshake and then
-she pressed the Scarecrow's stuffed arm and
-cried merrily:
-
-"What a lovely left ear! Why, it's a hundred
-times better than the old one."
-
-"I'm glad you like it," replied the Scarecrow,
-well pleased. "Jinjur did a neat job, didn't she?
-And my hearing is now perfect. Isn't it wonderful
-what a little paint will do, if it's properly
-applied?"
-
-"It really is wonderful," she agreed, as they
-all took their seats; "but the Sawhorse must
-have his legs twinkle to have carried you so far
-in one day. I didn't expect you back before
-tomorrow, at the earliest."
-
-"Well," said the Scarecrow, "I met a charming
-girl on the road and wanted to see more of her, so
-I hurried back."
-
-Ozma laughed.
-
-"I know," she returned; "it's the Patchwork
-Girl. She is certainly bewildering, if not strictly
-beautiful."
-
-"Have you seen her, then?" the straw man eagerly
-asked.
-
-"Only in my Magic Picture, which shows me all
-scenes of interest in the Land of Oz."
-
-"I fear the picture didn't do her justice," said
-the Scarecrow.
-
-"It seemed to me that nothing could be more
-gorgeous," declared Ozma. "Whoever made that
-patchwork quilt, from which Scraps was formed,
-must have selected the gayest and brightest bits
-of cloth that ever were woven.
-
-"I am glad you like her," said the Scarecrow
-in a satisfied tone. Although the straw man did
-not eat, not being made so he could, he often
-dined with Ozma and her companions, merely
-for the pleasure of talking with them. He sat at
-the table and had a napkin and plate, but the
-servants knew better than to offer him food.
-After a little while he asked: "Where is the
-Patchwork Girl now?"
-
-"In my room," replied Dorothy. "I've taken a
-fancy to her; she's so queer and-and-uncommon."
-
-"She's half crazy, I think," added the Shaggy
-Man.
-
-"But she is so beautiful!" exclaimed the
-Scarecrow, as if that fact disarmed all criticism.
-They all laughed at his enthusiasm, but the
-Scarecrow was quite serious. Seeing that he was
-interested in Scraps they forbore to say anything
-against her. The little band of friends Ozma had
-gathered around her was so quaintly assorted that
-much care must be exercised to avoid hurting their
-feelings or making any one of them unhappy. It was
-this considerate kindness that held them close
-friends and enabled them to enjoy one another's
-society.
-
-Another thing they avoided was conversing
-on unpleasant subjects, and for that reason Ojo
-and his troubles were not mentioned during the
-dinner. The Shaggy Man, however, related his
-adventures with the monstrous plants which
-had seized and enfolded the travelers, and told
-how he had robbed Chiss, the giant porcupine,
-of the quills which it was accustomed to throw
-at people. Both Dorothy and Ozma were pleased
-with this exploit and thought it served Chiss
-right.
-
-Then they talked of the Woozy, which was the
-most remarkable animal any of them had ever before
-seen--except, perhaps, the live Sawhorse. Ozma had
-never known that her dominions contained such a
-thing as a Woozy, there being but one in existence
-and this being confined in his forest for many
-years. Dorothy said she believed the Woozy was a
-good beast, honest and faithful; hut she added
-that she did not care much for the Glass Cat.
-
-"Still," said the Shaggy Man, "the Glass Cat
-is very pretty and if she were not so conceited
-over her pink brains no one would object to her
-as a companion.
-
-The Wizard had been eating silently until
-now, when he looked up and remarked:
-
-"That Powder of Life which is made by the
-Crooked Magician is really a wonderful thing.
-But Dr. Pipt does not know its true value and
-he uses it in the most foolish ways."
-
-"I must see about that," said Ozma, gravely.
-Then she smiled again and continued in a
-lighter tone: "It was Dr. Pipt's famous Powder
-of Life that enabled me to become the Ruler
-of Oz."
-
-"I've never heard that story," said the Shaggy
-Man, looking at Ozma questioningly.
-
-"Well, when I was a baby girl I was stolen by an
-old Witch named Mombi and transformed into a boy,"
-began the girl Ruler. "I did not know who I was
-and when I grew big enough to work, the Witch made
-me wait upon her and carry wood for the fire and
-hoe in the garden. One day she came back from a
-journey bringing some of the Powder of Life, which
-Dr. Pipt had given her. I had made a pumpkin-
-headed man and set it up in her path to frighten
-her, for I was fond of fun and hated the Witch.
-But she knew what the figure was and to test her
-Powder of Life she sprinkled some of it on the man
-I had made. It came to life and is now our dear
-friend Jack Pumpkinhead. That night I ran away
-with Jack to escape punishment, and I took old
-Mombi's Powder of Life with me. During our journey
-we came upon a wooden Sawhorse standing by the
-road and I used the magic powder to bring it to
-life. The Sawhorse has been with me ever since.
-When I got to the Emerald City the good Sorceress,
-Glinda, knew who I was and restored me to my
-proper person, when I became the rightful Ruler of
-this land. So you see had not old Mombi brought
-home the Powder of Life I might never have run
-away from her and become Ozma of Oz, nor would we
-have had Jack Pumpkinhead and the Sawhorse to
-comfort and amuse us."
-
-That story interested the Shaggy Man very much,
-as well as the others, who had often heard it
-before. The dinner being now concluded, they all
-went to Ozma's drawing-room, where they passed a
-pleasant evening before it came time to retire.
-
-
-
-
-Chapter Eighteen
-
-Ojo is Forgiven
-
-
-The next morning the Soldier with the Green
-Whiskers went to the prison and took Ojo away to
-the royal palace, where he was summoned to appear
-before the girl Ruler for judgment. Again the
-soldier put upon the boy the jeweled handcuffs and
-white prisoner's robe with the peaked top and
-holes for the eyes. Ojo was so ashamed, both of
-his disgrace and the fault he had committed, that
-he was glad to be covered up in this way, so that
-people could not see him or know who he was. He
-followed the Soldier with the Green Whiskers very
-willingly, anxious that his fate might be decided
-as soon as possible.
-
-The inhabitants of the Emerald City were polite
-people and never jeered at the unfortunate; but it
-was so long since they bad seen a prisoner that
-they cast many curious looks toward the boy and
-many of them hurried away to the royal palace to
-be present during the trial.
-
-When Ojo was escorted into the great Throne
-Room of the palace he found hundreds of people
-assembled there. In the magnificent emerald
-throne, which sparkled with countless jewels, sat
-Ozma of Oz in her Robe of State, which was
-embroidered with emeralds and pearls. On her
-right, but a little lower, was Dorothy, and on her
-left the Scarecrow. Still lower, but nearly in
-front of Ozma, sat the wonderful Wizard of Oz and
-on a small table beside him was the golden vase
-from Dorothy's room, into which Scraps had dropped
-the stolen clover.
-
-At Ozma's feet crouched two enormous beasts,
-each the largest and most powerful of its kind.
-Although these beasts were quite free, no one
-present was alarmed by them; for the Cowardly Lion
-and the Hungry Tiger were well known and respected
-in the Emerald City and they always guarded the
-Ruler when she held high court in the Throne Room.
-There was still another beast present, but this
-one Dorothy held in her arms, for it was her
-constant companion, the little dog Toto. Toto knew
-the Cowardly Lion and the Hungry Tiger and often
-played and romped with them, for they were good
-friends.
-
-Seated on ivory chairs before Ozma, with a clear
-space between them and the throne, were many of
-the nobility of the Emerald City, lords and ladies
-in beautiful costumes, and officials of the
-kingdom in the royal uniforms of Oz. Behind these
-courtiers were others of less importance, filling
-the great hall to the very doors.
-
-At the same moment that the Soldier with the
-Green Whiskers arrived with Ojo, the Shaggy Man
-entered from a side door, escorting the Patchwork
-Girl, the Woozy and the Glass Cat. All these came
-to the vacant space before the throne and stood
-facing the Ruler.
-
-"Hullo, Ojo," said Scraps; "how are you?"
-
-"All right," he replied; but the scene awed the
-boy and his voice trembled a little with fear.
-Nothing could awe the Patchwork Girl, and although
-the Woozy was somewhat uneasy in these splendid
-surroundings the Glass Cat was delighted with the
-sumptuousness of the court and the impressiveness
-of the occasion--pretty big words but quite
-expressive.
-
-At a sign from Ozma the soldier removed Ojo's
-white robe and the boy stood face to face with the
-girl who was to decide his punishment. He saw at a
-glance how lovely and sweet she was, and his heart
-gave a bound of joy, for he hoped she would be
-merciful.
-
-Ozma sat looking at the prisoner a long time.
-Then she said gently:
-
-"One of the Laws of Oz forbids anyone to
-pick a six-leaved clover. You are accused of
-having broken this Law, even after you had
-been warned not to do so.
-
-Ojo hung his head and while he hesitated how to
-reply the Patchwork Girl stepped forward and spoke
-for him.
-
-"All this fuss is about nothing at all," she
-said, facing Ozma unabashed. "You can't prove he
-picked the six-leaved clover, so you've no right
-to accuse him of it. Search him, if you like, but
-you won't find the clover; look in his basket and
-you'll find it's not there. He hasn't got it, so I
-demand that you set this poor Munchkin boy free."
-
-The people of Oz listened to this defiance in
-amazement and wondered at the queer Patchwork Girl
-who dared talk so boldly to their Ruler. But Ozma
-sat silent and motionless and it was the little
-Wizard who answered Scraps.
-
-"So the clover hasn't been picked, eh?" he said.
-"I think it has. I think the boy hid it in his
-basket, and then gave the basket to you. I also
-think you dropped the clover into this vase, which
-stood in Princess Dorothy's room, hoping to get
-rid of it so it would not prove the boy guilty.
-You're a stranger here, Miss Patches, and so you
-don't know that nothing can be hidden from our
-powerful Ruler's Magic Picture--nor from the
-watchful eyes of the humble Wizard of Oz. Look,
-all of you!" With these words he waved his hands
-toward the vase on the table, which Scraps now
-noticed for the first time.
-
-From the mouth of the vase a plant sprouted,
-slowly growing before their eyes until it became a
-beautiful bush, and on the topmost branch appeared
-the six-leaved clover which Ojo had unfortunately
-picked.
-
-The Patchwork Girl looked at the clover and
-said: "Oh, so you've found it. Very well; prove
-he picked it, if you can."
-
-Ozma turned to Ojo.
-
-"Did you pick the six-leaved clover?" she asked.
-
-"Yes," he replied. "I knew it was against the
-Law, but I wanted to save Unc Nunkie and I was
-afraid if I asked your consent to pick it you
-would refuse me."
-
-"What caused you to think that?" asked the
-Ruler.
-
-"Why, it seemed to me a foolish law, unjust and
-unreasonable. Even now I can see no harm in
-picking a six-leaved clover. And I--I had not seen
-the Emerald City, then, nor you, and I thought a
-girl who would make such a silly Law would not be
-likely to help anyone in trouble."
-
-Ozma regarded him musingly, her chin resting
-upon her hand; but she was not angry. On the
-contrary she smiled a little at her thoughts and
-then grew sober again.
-
-"I suppose a good many laws seem foolish to
-those people who do not understand them," she
-said; "but no law is ever made without some
-purpose, and that purpose is usually to protect
-all the people and guard their welfare. As you are
-a stranger, I will explain this Law which to you
-seems so foolish. Years ago there were many
-Witches and Magicians in the Land of Oz, and one
-of the things they often used in making their
-magic charms and transformations was a six-leaved
-clover. These Witches and Magicians caused so much
-trouble among my people, often using their powers
-for evil rather than good, that I decided to
-forbid anyone to practice magic or sorcery except
-Glinda the Good and her assistant, the Wizard of
-Oz, both of whom I can trust to use their arts
-only to benefit my people and to make them
-happier. Since I issued that Law the Land of Oz
-has been far more peaceful and quiet; but I
-learned that some of the Witches and Magicians
-were still practicing magic on the sly and using
-the six-leaved clovers to make their potions and
-charms. Therefore I made another Law forbidding
-anyone from plucking a six-leaved clover or from
-gathering other plants and herbs which the Witches
-boil in their kettles to work magic with. That has
-almost put an end to wicked sorcery in our land,
-so you see the Law was not a foolish one, but wise
-and just; and, in any event, it is wrong to
-disobey a Law."
-
-Ojo knew she was right and felt greatly
-mortified to realize he had acted and spoken so
-ridiculously. But he raised his head and looked
-Ozma in the face, saying:
-
-"I am sorry I have acted wrongly and broken
-your Law. I did it to save Unc Nunkie, and
-thought I would not be found out. But I am
-guilty of this act and whatever punishment you
-think I deserve I will suffer willingly."
-
-Ozma smiled more brightly, then, and nodded
-graciously.
-
-"You are forgiven," she said. "For, although
-you have committed a serious fault, you are now
-penitent and I think you have been punished
-enough. Soldier, release Ojo the Lucky and--"
-
-"I beg your pardon; I'm Ojo the Unlucky,"
-said the boy.
-
-"At this moment you are lucky," said she.
-"Release him, Soldier, and let him go free."
-
-The people were glad to hear Ozma's decree and
-murmured their approval. As the royal audience was
-now over, they began to leave the Throne Room and
-soon there were none remaining except Ojo and his
-friends and Ozma and her favorites.
-
-The girl Ruler now asked Ojo to sit down and
-tell her all his story, which he did, beginning
-at the time he had left his home in the forest
-and ending with his arrival at the Emerald City
-and his arrest. Ozma listened attentively and
-was thoughtful for some moments after the boy
-had finished speaking. Then she said:
-
-"The Crooked Magician was wrong to make the
-Glass Cat and the Patchwork Girl, for it was
-against the Law. And if he had not unlawfully kept
-the bottle of Liquid of Petrifaction standing on
-his shelf, the accident to his wife Margolotte and
-to Unc Nunkie could not have occurred. I can
-understand, however, that Ojo, who loves his
-uncle, will be unhappy unless he can save him.
-Also I feel it is wrong to leave those two victims
-standing as marble statues, when they ought to be
-alive. So I propose we allow Dr. Pipt to make the
-magic charm which will save them, and that we
-assist Ojo to find the things he is seeking. What
-do you think, Wizard?"
-
-"That is perhaps the best thing to do," replied
-the Wizard. "But after the Crooked Magician
-has restored those poor people to life you must
-take away his magic powers."
-
-"I will," promised Ozma.
-
-"Now tell me, please, what magic things must you
-find?" continued the Wizard, addressing Ojo.
-
-"The three hairs from the Woozy's tail I
-have," said the boy. "That is, I have the Woozy,
-and the hairs are in his tail. The six-leaved
-clover I--I--"
-
-"You may take it and keep it," said Ozma. "That
-will not be breaking the Law, for it is already
-picked, and the crime of picking it is forgiven."
-
-"Thank you!" cried Ojo gratefully. Then he
-continued: "The next thing, I must find is a gill
-of water from a dark well.'
-
-The Wizard shook his head. "That," said he,
-"will be a hard task, but if you travel far enough
-you may discover it."
-
-"I am willing to travel for years, if it will
-save Unc Nunkie," declared Ojo, earnestly.
-
-"Then you'd better begin your journey at
-once," advised the Wizard.
-
-Dorothy bad been listening with interest to
-this conversation. Now she turned to Ozma and
-asked: "May I go with Ojo, to help him?"
-
-"Would you like to?" returned Ozma.
-
-"Yes. I know Oz pretty well, but Ojo doesn't
-know it at all. I'm sorry for his uncle and poor
-Margolotte and I'd like to help save them. May
-I go?"
-
-"If you wish to," replied Ozma.
-
-"If Dorothy goes, then I must go to take care of
-her," said the Scarecrow, decidedly. "A dark well
-can only be discovered in some out-of-the-way
-place, and there may be dangers there."
-
-"You have my permission to accompany Dorothy,"
-said Ozma. "And while you are gone I will take
-care of the Patchwork Girl."
-
-"I'll take care of myself," announced Scraps,
-"for I'm going with the Scarecrow and Dorothy.
-I promised Ojo to help him find the things he
-wants and I'll stick to my promise."
-
-"Very well," replied Ozma. "But I see no need
-for Ojo to take the Glass Cat and the Woozy."
-
-"I prefer to remain here," said the cat. "I've
-nearly been nicked half a dozen times, already,
-and if they're going into dangers it's best for me
-to keep away from them."
-
-"Let Jellia Jamb keep her till Ojo returns,"
-suggested Dorothy. "We won't need to take the
-Woozy, either, but he ought to be saved because
-of the three hairs in his tail."
-
-"Better take me along," said the Woozy. "My eyes
-can flash fire, you know, and I can growl--a
-little."
-
-"I'm sure you'll be safer here," Ozma decided,
-and the Woozy made no further objection to the
-plan.
-
-After consulting together they decided that Ojo
-and his party should leave the very next day to
-search for the gill of water from a dark well, so
-they now separated to make preparations for the
-journey.
-
-Ozma gave the Munchkin boy a room in the palace
-for that night and the afternoon he passed with
-Dorothy--getting acquainted, as she said--and
-receiving advice from the Shaggy Man as to where
-they must go. The Shaggy Man had wandered in many
-parts of Oz, and so had Dorothy, for that matter,
-yet neither of them knew where a dark well was to
-be found.
-
-"If such a thing is anywhere in the settled
-parts of Oz," said Dorothy, "we'd prob'ly have
-heard of it long ago. If it's in the wild parts of
-the country, no one there would need a dark
-well. P'raps there isn't such a thing."
-
-"Oh, there must he!" returned Ojo, positively;
-"or else the recipe of Dr. Pipt wouldn't call
-for it."
-
-"That's true," agreed Dorothy; "and, if it's
-anywhere in the Land of Oz, we're bound to find
-it."
-
-"Well, we're bound to search for it, anyhow,"
-said the Scarecrow. "As for finding it, we must
-trust to luck."
-
-"Don't do that," begged Ojo, earnestly. "I'm
-called Ojo the Unlucky, you know."
-
-
-
-
-Chapter Nineteen
-
-Trouble with the Tottenhots
-
-
-A day's journey from the Emerald City brought the
-little band of adventurers to the home of Jack
-Pumpkinhead, which was a house formed from the
-shell of an immense pumpkin. Jack had made it
-himself and was very proud of it. There was a
-door, and several windows, and through the top was
-stuck a stovepipe that led from a small stove
-inside. The door was reached by a flight of three
-steps and there was a good floor on which was
-arranged some furniture that was quite
-comfortable.
-
-It is certain that Jack Pumpkinhead might
-have had a much finer house to live in bad he
-wanted it, for Ozma loved the stupid fellow,
-who had been her earliest companion; but Jack
-preferred his pumpkin house, as it matched
-himself very well, and in this he was not so
-stupid, after all.
-
-The body of this remarkable person was made of
-wood, branches of trees of various sizes having
-been used for the purpose. This wooden framework
-was covered by a red shirt--with white spots in
-it--blue trousers, a yellow vest, a jacket of
-green-and-gold and stout leather shoes. The neck
-was a sharpened stick on which the pumpkin head
-was set, and the eyes, ears, nose and mouth were
-carved on the skin of the pumpkin, very like a
-child's jack-o'-lantern.
-
-The house of this interesting creation stood
-in the center of a vast pumpkin-field, where the
-vines grew in profusion and bore pumpkins of
-extraordinary size as well as those which were
-smaller. Some of the pumpkins now ripening
-on the vines were almost as large as Jack's house,
-and he told Dorothy he intended to add another
-pumpkin to his mansion.
-
-The travelers were cordially welcomed to this
-quaint domicile and invited to pass the night
-there, which they had planned to do. The
-Patchwork Girl was greatly interested in Jack
-and examined him admiringly.
-
-"You are quite handsome," she said; "but not
-as really beautiful as the Scarecrow."
-
-Jack turned, at this, to examine the Scarecrow
-critically, and his old friend slyly winked one
-painted eye at him.
-
-"There is no accounting for tastes," remarked
-the Pumpkinhead, with a sigh. "An old crow
-once told me I was very fascinating, but of
-course the bird might have been mistaken. Yet
-I have noticed that the crows usually avoid the
-Scarecrow, who is a very honest fellow, in his
-way, but stuffed. I am not stuffed, you will
-observe; my body is good solid hickory."
-
-"I adore stuffing," said the Patchwork Girl.
-
-"Well, as for that, my head is stuffed with
-pumpkin-seeds," declared Jack. "I use them for
-brains, and when they are fresh I am intellectual.
-Just now, I regret to say, my seeds are rattling a
-bit, so I must soon get another head."
-
-"Oh; do you change your head?" asked Ojo.
-
-"To be sure. Pumpkins are not permanent, more's
-the pity, and in time they spoil. That is why I
-grow such a great field of pumpkins--that I may
-select a new head whenever necessary."
-
-"Who carves the faces on them?" inquired the
-boy.
-
-"I do that myself. I lift off my old head, place
-it on a table before me, and use the face for a
-pattern to go by. Sometimes the faces I carve are
-better than others--more expressive and cheerful,
-you know--but I think they average very well."
-
-Before she had started on the journey Dorothy
-had packed a knapsack with the things she might
-need, and this knapsack the Scarecrow carried
-strapped to his back. The little girl wore a plain
-gingham dress and a checked sunbonnet, as she knew
-they were best fitted for travel. Ojo also had
-brought along his basket, to which Ozma had added
-a bottle of "Square Meal Tablets" and some fruit.
-But Jack Pumpkinhead grew a lot of things in his
-garden besides pumpkins, so he cooked for them a
-fine vegetable soup and gave Dorothy, Ojo and
-Toto, the only ones who found it necessary to eat,
-a pumpkin pie and some green cheese. For beds they
-must use the sweet dried grasses which Jack had
-strewn along one side of the room, but that
-satisfied Dorothy and Ojo very well. Toto, of
-course, slept beside his little mistress.
-
-The Scarecrow, Scraps and the Pumpkinhead
-were tireless and had no need to sleep, so they
-sat up and talked together all night; but they
-stayed outside the house, under the bright stars,
-and talked in low tones so as not to disturb the
-sleepers. During the conversation the Scarecrow
-explained their quest for a dark well, and asked
-Jack's advice where to find it.
-
-The Pumpkinhead considered the matter gravely.
-
-"That is going to be a difficult task," said he,
-"and if I were you I'd take any ordinary well
-and enclose it, so as to make it dark."
-
-"I fear that wouldn't do," replied the
-Scarecrow. "The well must be naturally dark, and
-the water must never have seen the light of day,
-for otherwise the magic charm might not work at
-all."
-
-"How much of the water do you need?" asked Jack.
-
-"A gill."
-
-"How much is a gill?"
-
-"Why--a gill is a gill, of course," answered
-the Scarecrow, who did not wish to display his
-ignorance.
-
-"I know!" cried Scraps. "Jack and Jill went up
-the hill to fetch--"
-
-"No, no; that's wrong," interrupted the
-Scarecrow. "There are two kinds of gills, I think;
-one is a girl, and the other is--"
-
-"A gillyflower," said Jack.
-
-"No; a measure."
-
-"How big a measure?"
-
-"Well, I'll ask Dorothy."
-
-So next morning they asked Dorothy, and she
-said:
-
-"I don't just know how much a gill is, but I've
-brought along a gold flask that holds a pint.
-That's more than a gill, I'm sure, and the Crooked
-Magician may measure it to suit himself. But the
-thing that's bothering us most, Jack, is to find
-the well."
-
-Jack gazed around the landscape, for he was
-standing in the doorway of his house.
-
-"This is a flat country, so you won t find any
-dark wells here," said he. "You must go into the
-mountains, where rocks and caverns are.
-
-"And where is that?" asked Ojo.
-
-"In the Quadling Country, which lies south
-of here," replied the Scarecrow. "I've known all
-along that we must go to the mountains."
-
-"So have I," said Dorothy.
-
-"But--goodness me!--the Quadling Country is full
-of dangers," declared Jack. "I've never been there
-myself, but--"
-
-"I have," said the Scarecrow. "I've faced the
-dreadful Hammerheads, which have no arms and butt
-you like a goat; and I've faced the Fighting
-Trees, which bend down their branches to pound and
-whip you, and had many other adventures there."
-
-"It's a wild country," remarked Dorothy,
-soberly, "and if we go there we're sure to have
-troubles of our own. But I guess we'll have to go,
-if we want that gill of water from the dark well."
-
-So they said good-bye to the Pumpkinhead and
-resumed their travels, heading now directly toward
-the South Country, where mountains and rocks and
-caverns and forests of great trees abounded. This
-part of the Land of Oz, while it belonged to Ozma
-and owed her allegiance, was so wild and secluded
-that many queer peoples hid in its jungles and
-lived in their own way, without even a knowledge
-that they had a Ruler in the Emerald City. If they
-were left alone, these creatures never troubled
-the inhabitants of the rest of Oz, but those who
-invaded their domains encountered many dangers
-from them.
-
-It was a two days journey from Jack Pumkinhead's
-house to the edge of the Quadling Country, for
-neither Dorothy nor Ojo could walk very fast and
-they often stopped by the wayside to rest. The
-first night they slept on the broad fields, among
-the buttercups and daisies, and the Scarecrow
-covered the children with a gauze blanket taken
-from his knapsack, so they would not be chilled by
-the night air. Toward evening of the second day
-they reached a sandy plain where walking was
-difficult; but some distance before them they saw
-a group of palm trees, with many curious black
-dots under them; so they trudged bravely on to
-reach that place by dark and spend the night under
-the shelter of the trees.
-
-The black dots grew larger as they advanced and
-although the light was dim Dorothy thought they
-looked like big kettles turned upside down. Just
-beyond this place a jumble of huge, jagged rocks
-lay scattered, rising to the mountains behind
-them.
-
-Our travelers preferred to attempt to climb
-these rocks by daylight, and they realized that
-for a time this would be their last night on the
-plains.
-
-Twilight had fallen by the time they came to the
-trees, beneath which were the black, circular
-objects they had marked from a distance. Dozens of
-them were scattered around and Dorothy bent near
-to one, which was about as tall as she was, to
-examine it more closely. As she did so the top
-flew open and out popped a dusky creature, rising
-its length into the air and then plumping down
-upon the ground just beside the little girl.
-Another and another popped out of the circular,
-pot-like dwelling, while from all the other black
-objects came popping more creatures--very like
-jumping-jacks when their boxes are unhooked--until
-fully a hundred stood gathered around our little
-group of travelers.
-
-By this time Dorothy had discovered they
-were people, tiny and curiously formed, but still
-people. Their skins were dusky and their hair
-stood straight up, like wires, and was brilliant
-scarlet in color. Their bodies were bare except
-for skins fastened around their waists and they
-wore bracelets on their ankles and wrists, and
-necklaces, and great pendant earrings.
-
-Toto crouched beside his mistress and wailed
-as if he did not like these strange creatures a bit.
-Scraps began to mutter something about "hopity,
-poppity, jumpity, dump!" but no one paid any
-attention to her. Ojo kept close to the Scarecrow
-and the Scarecrow kept close to Dorothy; but the
-little girl turned to the queer creatures and
-asked:
-
-"Who are you?"
-
-They answered this question all together, in
-a sort of chanting chorus, the words being as follows:
-
-
-"We're the jolly Tottenhots;
-We do not like the day,
-But in the night 'tis our delight
-To gambol, skip and play.
-
-"We hate the sun and from it run,
-The moon is cool and clear,
-So on this spot each Tottenhot
-Waits for it to appear.
-
-"We're ev'ry one chock full of fun,
-And full of mischief, too;
-But if you're gay and with us play
-We'll do no harm to you.
-
-
-
-"Glad to meet you, Tottenhots," said the
-Scarecrow solemnly. "But you mustn't expect us
-to play with you all night, for we've traveled
-all day and some of us are tired."
-
-"And we never gamble," added the Patchwork Girl.
-"It's against the Law."
-
-These remarks were greeted with shouts of
-laughter by the impish creatures and one seized
-the Scarecrow's arm and was astonished to find the
-straw man whirl around so easily. So the Tottenhot
-raised the Scarecrow high in the air and tossed
-him over the heads of the crowd. Some one caught
-him and tossed him back, and so with shouts of
-glee they continued throwing the Scarecrow here
-and there, as if he had been a basket-ball.
-
-Presently another imp seized Scraps and began to
-throw her about, in the same way. They found her a
-little heavier than the Scarecrow but still light
-enough to be tossed like a sofa-cushion, and they
-were enjoying the sport immensely when Dorothy,
-angry and indignant at the treatment her friends
-were receiving, rushed among the Tottenhots and
-began slapping and pushing them until she had
-rescued the Scarecrow and the Patchwork Girl and
-held them close on either side of her. Perhaps she
-would not have accomplished this victory so easily
-had not Toto helped her, barking and snapping at
-the bare legs of the imps until they were glad to
-flee from his attack. As for Ojo, some of the
-creatures had attempted to toss him, also, but
-finding his body too heavy they threw him to the
-ground and a row of the imps sat on him and held
-him from assisting Dorothy in her battle.
-
-The little brown folks were much surprised
-at being attacked by the girl and the dog, and
-one or two who had been slapped hardest began
-to cry. Then suddenly they gave a shout, all
-together, and disappeared in a flash into their
-various houses, the tops of which closed with a
-series of pops that sounded like a bunch of
-firecrackers being exploded.
-
-The adventurers now found themselves alone,
-and Dorothy asked anxiously:
-
-"Is anybody hurt?"
-
-"Not me," answered the Scarecrow. "They have
-given my straw a good shaking up and taken all the
-lumps out of it. I am now in splendid condition
-and am really obliged to the Tottenhots for their
-kind treatment."
-
-"I feel much the same way," said Scraps.
-"My cotton stuffing had sagged a good deal with
-the day's walking and they've loosened it up
-until I feel as plump as a sausage. But the play
-was a little rough and I'd had quite enough of
-it when you interfered."
-
-"Six of them sat on me," said Ojo, "but as
-they are so little they didn't hurt me much."
-
-Just then the roof of the house in front of
-them opened and a Tottenhot stuck his head
-out, very cautiously, and looked at the strangers.
-
-"Can't you, take a joke?" he asked,
-reproachfully; "haven t you any fun in you at
-all?"
-
-"If I had such a quality," replied the
-Scarecrow, "your people would have knocked it out
-of me. But I don't bear grudges. I forgive you."
-
-"So do I," added Scraps. "That is, if you behave
-yourselves after this."
-
-"It was just a little rough-house, that's all,"
-said the Tottenhot. "But the question is not if
-we will behave, but if you will behave? We
-can't be shut up here all night, because this
-is our time to play; nor do we care to come out
-and be chewed up by a savage beast or slapped
-by an angry girl. That slapping hurts like sixty;
-some of my folks are crying about it. So here's
-the proposition: you let us alone and we'll let
-you alone."
-
-"You began it," declared Dorothy.
-
-"Well, you ended it, so we won't argue the
-matter. May we come out again? Or are you still
-cruel and slappy?"
-
-"Tell you what we'll do," said Dorothy. "We're
-all tired and want to sleep until morning. If
-you'll let us get into your house, and stay there
-until daylight, you can play outside all you want
-to."
-
-"That's a bargain!" cried the Tottenhot
-eagerly, and he gave a queer whistle that
-brought his people popping out of their houses
-on all sides. When the house before them was
-vacant, Dorothy and Ojo leaned over the hole
-and looked in, but could see nothing because
-it was so dark. But if the Tottenhots slept there
-all day the children thought they could sleep
-there at night, so Ojo lowered himself down
-and found it was not very deep."
-
-"There's a soft cushion all over," said he.
-"Come on in."
-
-Dorothy handed Toto to the boy and then climbed
-in herself. After her came Scraps and the
-Scarecrow, who did not wish to sleep but preferred
-to keep out of the way of the mischievous
-Tottenhots.
-
-There seemed no furniture in the round den, but
-soft cushions were strewn about the floor and
-these they found made very comfortable beds. They
-did not close the hole in the roof but left it
-open to admit air. It also admitted the shouts and
-ceaseless laughter of the impish Tottenhots as
-they played outside, but Dorothy and Ojo, being
-weary from their journey, were soon fast asleep.
-
-Toto kept an eye open, however, and uttered low,
-threatening growls whenever the racket made by the
-creatures outside became too boisterous; and the
-Scarecrow and the Patchwork Girl sat leaning
-against the wall and talked in whispers all night
-long. No one disturbed the travelers until
-daylight, when in popped the Tottenhot who owned
-the place and invited them to vacate his premises.
-
-
-
-
-Chapter Twenty
-
-The Captive Yoop
-
-
-As they were preparing to leave, Dorothy asked:
-"Can you tell us where there is a dark well?"
-
-"Never heard of such a thing," said the
-Tottenhot. "We live our lives in the dark, mostly,
-and sleep in the day-time; but we've never seen a
-dark well, or anything like one."
-
-"Does anyone live on those mountains beyond
-here?" asked the Scarecrow.
-
-"Lots of people. But you'd better not visit
-them. We never go there," was the reply.
-
-"What are the people like?" Dorothy inquired.
-
-"Can't say. We've been told to keep away
-from the mountain paths, and so we obey. This
-sandy desert is good enough for us, and we're
-not disturbed here," declared the Tottenhot.
-
-So they left the man snuggling down to sleep in
-his dusky dwelling, and went out into the
-sunshine, taking the path that led toward the
-rocky places. They soon found it hard climbing,
-for the rocks were uneven and full of sharp points
-and edges, and now there was no path at all.
-Clambering here and there among the boulders they
-kept steadily on, gradually rising higher and
-higher until finally they came to a great rift in
-a part of the mountain, where the rock seemed to
-have split in two and left high walls on either
-side.
-
-"S'pose we go this way," suggested Dorothy;
-it's much easier walking than to climb over
-the hills."
-
-"How about that sign?" asked Ojo.
-
-"What sign?" she inquired.
-
-The Munchkin boy pointed to some words
-painted on the wall of rock beside them, which
-Dorothy had not noticed. The words read:
-
-
-"LOOK OUT FOR YOOP."
-
-
-The girl eyed this sign a moment and turned to
-the Scarecrow, asking:
-
-"Who is Yoop; or what is Yoop?"
-
-The straw man shook his head. Then looked at
-Toto and the dog said "Woof!"
-
-"Only way to find out is to go on, Scraps."
-
-This being quite true, they went on. As they
-proceeded, the walls of rock on either side grew
-higher and higher. Presently they came upon
-another sign which read:
-
-
-"BEWARE THE CAPTIVE YOOP."
-
-
-"Why, as for that," remarked Dorothy, "if Yoop
-is a captive there's no need to beware of him.
-Whatever Yoop happens to be, I'd much rather have
-him a captive than running around loose."
-
-"So had I," agreed the Scarecrow, with a nod of
-his painted head.
-
-"Still," said Scraps, reflectively:
-
-
-"Yoop-te-hoop-te-loop-te-goop!
-Who put noodles in the soup?
-We may beware but we don't care,
-And dare go where we scare the Yoop."
-
-
-
-"Dear me! Aren't you feeling a little queer,
-just now?" Dorothy asked the Patchwork Girl.
-
-"Not queer, but crazy," said Ojo. "When she
-says those things I'm sure her brains get mixed
-somehow and work the wrong way.
-
-"I don't see why we are told to beware the Yoop
-unless he is dangerous," observed the Scarecrow in
-a puzzled tone.
-
-"Never mind; we'll find out all about him when
-we get to where he is," replied the little girl.
-
-The narrow canyon turned and twisted this way
-and that, and the rift was so small that they were
-able to touch both walls at the same time by
-stretching out their arms. Toto had run on ahead,
-frisking playfully, when suddenly he uttered a
-sharp bark of fear and came running back to them
-with his tail between his legs, as dogs do when
-they are frightened.
-
-"Ah," said the Scarecrow, who was leading
-the way, "we must be near Yoop."
-
-Just then, as he rounded a sharp turn, the
-Straw man stopped so suddenly that all the
-others bumped against him.
-
-"What is it?" asked Dorothy, standing on
-tip-toes to look over his shoulder. But then she
-saw what it was and cried "Oh!" in a tone of
-astonishment.
-
-In one of the rock walls--that at their left--
-was hollowed a great cavern, in front of which was
-a row of thick iron bars, the tops and bottoms
-being firmly fixed in the solid rock. Over this
-cavern was a big sign, which Dorothy read with
-much curiosity, speaking the words aloud that all
-might know what they said:
-
-
-"MISTER YOOP--HIS CAVE
-
-The Largest Untamed Giant in Captivity.
-Height, 21 Feet.--(And yet he has but 2 feet.)
-Weight, 1640 Pounds.--(But he waits all the time.)
-Age, 400 Years 'and Up' (as they say in the
-
- Department Store advertisements).
-Temper, Fierce and Ferocious.--(Except when asleep.)
-Appetite, Ravenous.--(Prefers Meat People and Orange Marmalade.)
-
-
-P. S.--Don't feed the Giant yourself."
-
-
-
-"Very well," said Ojo, with a sigh; "let's go back."
-
-"It's a long way back," declared Dorothy.
-
-"So it is," remarked the Scarecrow, "and it
-means a tedious climb over those sharp rocks if
-we can t use this passage. I think it will be best
-to run by the Giant's cave as fast as we can go.
-Mister Yoop seems to be asleep just now."
-
-But the Giant wasn't asleep. He suddenly
-appeared at the front of his cavern, seized the
-iron bars in his great hairy hands and shook
-them until they rattled in their sockets. Yoop
-was so tall that our friends had to tip their heads
-way back to look into his face, and they noticed
-he was dressed all in pink velvet, with silver
-buttons and braid. The Giant's boots were of
-pink leather and had tassels on them and his
-hat was decorated with an enormous pink ostrich
-feather, carefully curled.
-
-"Yo--ho!" he said in a deep bass voice; "I smell
-dinner."
-
-"I think you are mistaken," replied the
-Scarecrow. "There is no orange marmalade around
-here."
-
-"Ah, but I eat other things," asserted Mister
-Yoop. "That is, I eat them when I can get them.
-But this is a lonely place, and no good meat has
-passed by my cave for many years; so I'm hungry."
-
-"Haven't you eaten anything in many years?"
-asked Dorothy.
-
-"Nothing except six ants and a monkey. I thought
-the monkey would taste like meat people, but the
-flavor was different. I hope you will taste
-better, for you seem plump and tender."
-
-"Oh, I'm not going to be eaten," said Dorothy.
-
-"Why not?"
-
-"I shall keep out of your way," she answered.
-
-"How heartless!" wailed the Giant, shaking the
-bars again. "Consider how many years it is since
-I've eaten a single plump little girl! They tell
-me meat is going up, but if I can manage to catch
-you I'm sure it will soon be going down. And I'll
-catch you if I can."
-
-With this the Giant pushed his big arms,
-which looked like tree-trunks (except that tree-
-trunks don't wear pink velvet) between the iron
-bars, and the arms were so long that they
-touched the opposite wall of the rock passage.
-Then he extended them as far as he could reach
-toward our travelers and found he could almost
-touch the Scarecrow--but not quite.
-
-"Come a little nearer, please," begged the
-Giant.
-
-"I'm a Scarecrow."
-
-"A Scarecrow? Ugh! I don't care a straw for
-a scarecrow. Who is that bright-colored delicacy
-behind you?"
-
-"Me?" asked Scraps. "I'm a Patchwork Girl,
-and I'm stuffed with cotton."
-
-"Dear me," sighed the Giant in a disapointed
-tone; "that reduces my dinner from four to two--
-and the dog. I'll save the dog for dessert."
-
-Toto growled, keeping a good distance away.
-
-"Back up," said the Scarecrow to those behind
-him. "Let us go back a little way and talk this
-over.
-
-So they turned and went around the bend in
-the passage, where they were out of sight of the
-cave and Mister Yoop could not hear them.
-
-"My idea," began the Scarecrow, when they
-had halted, "is to make a dash past the cave,
-going on a run.
-
-"He'd grab us," said Dorothy.
-
-"Well, he can't grab but one at a time, and
-I'll go first. As soon as he grabs me the rest of
-you can slip past him, out of his reach, and he
-will soon let me go because I am not fit to eat."
-
-They decided to try this plan and Dorothy
-took Toto in her arms, so as to protect him. She
-followed just after the Scarecrow. Then came
-Ojo, with Scarps the last of the four. Their
-hearts beat a little faster than usual as they again
-approached the Giant's cave, this time moving
-swiftly forward.
-
-It turned out about the way the Scarecrow had
-planned. Mister Yoop was quite astonished to see
-them come flying toward him, and thrusting his
-arms between the bars he seized the Scarecrow in a
-firm grip. In the next instant he realized, from
-the way the straw crunched between his fingers,
-that he had captured the non-eatable man, but
-during that instant of delay Dorothy and Ojo had
-slipped by the Giant and were out of reach.
-Uttering a howl of rage the monster threw the
-Scarecrow after them with one hand and grabbed
-Scraps with the other.
-
-The poor Scarecrow went whirling through the air
-and so cleverly was he aimed that he struck Ojo's
-back and sent the boy tumbling head over heels,
-and he tripped Dorothy and sent her, also,
-sprawling upon the ground. Toto flew out of the
-little girl's arms and landed some distance ahead,
-and all were so dazed that it was a moment before
-they could scramble to their feet again. When they
-did so they turned to look toward the Giant's
-cave, and at that moment the ferocious Mister Yoop
-threw the Patchwork Girl at them.
-
-Down went all three again, in a heap, with
-Scraps on top. The Giant roared so terribly that
-for a time they were afraid he had broken loose;
-but he hadn't. So they sat in the road and looked
-at one another in a rather bewildered way, and
-then began to feel glad.
-
-"We did it!" exclaimed the Scarecrow, with
-satisfaction. "And now we are free to go on
-our way.
-
-"Mister Yoop is very impolite," declared
-Scraps. "He jarred me terribly. It's lucky my
-stitches are so fine and strong, for otherwise such
-harsh treatment might rip me up the back."
-
-"Allow me to apologize for the Giant," said
-the Scarecrow, raising the Patchwork Girl to
-her feet and dusting her skirt with his stuffed
-hands. "Mister Yoop is a perfect stranger to me,
-but I fear, from the rude manner in which he
-has acted, that he is no gentleman."
-
-Dorothy and Ojo laughed at this statement
-and Toto barked as if he understood the joke,
-after which they all felt better and resumed the
-journey in high spirits.
-
-"Of course," said the little girl, when they had
-walked a way along the passage, "it was lucky for
-us the Giant was caged; for, if he had happened to
-be loose, he--he--"
-
-"Perhaps, in that case, he wouldn't be hungry
-any more," said Ojo gravely.
-
-
-
-
-Chapter Twenty-One
-
-Hip Hopper the Champion
-
-
-They must have had good courage to climb all those
-rocks, for after getting out of the canyon they
-encountered more rock hills to he surmounted. Toto
-could jump from one rock to another quite easily,
-but the others had to creep and climb with care,
-so that after a whole day of such work Dorothy and
-Ojo found themselves very tired.
-
-As they gazed upward at the great mass of
-tumbled rocks that covered the steep incline,
-Dorothy gave a little groan and said:
-
-"That's going to be a ter'ble hard climb,
-Scarecrow. I wish we could find the dark well
-without so much trouble."
-
-"Suppose," said Ojo, "you wait here and let
-me do the climbing, for it's on my account
-we're searching for the dark well. Then, if I
-don't find anything, I'll come back and join
-you.
-
-"No," replied the little girl, shaking her head
-positively, "we'll all go together, for that way
-we can help each other. If you went alone,
-something might happen to you, Ojo."
-
-So they began the climb and found it indeed
-difficult, for a way. But presently, in creeping
-over the big crags, they found a path at their
-feet which wound in and out among the masses of
-rock and was quite smooth and easy to walk upon.
-As the path gradually ascended the mountain,
-although in a roundabout way, they decided to
-follow it.
-
-"This must be the road to the Country of
-the Hoppers," said the Scarecrow.
-
-"Who are the Hoppers?" asked Dorothy.
-
-"Some people Jack Pumpkinhead told me about," he
-replied.
-
-"I didn't hear him," replied the girl.
-
-"No; you were asleep," explained the Scarecrow.
-"But he told Scraps and me that the hoppers
-and the Horners live on this mountain."
-
-"He said in the mountain," declared Scraps;
-"but of course he meant on it."
-
-"Didn't he say what the Hoppers and Horners were
-like?" inquired Dorothy.
-
-"No; he only said they were two separate
-nations, and that the Horners were the most
-important."
-
-"Well, if we go to their country we'll find out
-all about 'em," said the girl. "But I've never
-heard Ozma mention those people, so they can't
-be very important."
-
-"Is this mountain in the Land of Oz?" asked
-Scraps.
-
-"Course it is," answered Dorothy. "It's in the
-South Country of the Quadlings. When one comes to
-the edge of Oz, in any direction, there is nothing
-more to be seen at all. Once you could see sandy
-desert all around Oz; but now it's diff'rent, and
-no other people can see us, any more than we can
-see them."
-
-"If the mountain is under Ozma's rule, why
-doesn't she know about the Hoppers and the
-Horners?" Ojo asked.
-
-"Why, it's a fairyland," explained Dorothy, "and
-lots of queer people live in places so tucked away
-that those in the Emerald City never even hear of
-'em. In the middle of the country it's diff'rent,
-but when you get around the edges you're sure to
-run into strange little corners that surprise you.
-I know, for I've traveled in Oz a good deal, and
-os has the Scarecrow."
-
-"Yes," admitted the straw man, "I've been
-considerable of a traveler, in my time, and I like
-to explore strange places. I find I learn much
-more by traveling than by staying at home."
-
-During this conversation they had been walking
-up the steep pathway and now found themselves well
-up on the mountain. They could see nothing around
-them, for the rocks beside their path were higher
-than their heads. Nor could they see far in front
-of them, because the path was so crooked. But
-suddenly they stopped, because the path ended and
-there was no place to go. Ahead was a big rock
-lying against the side of the mountain, and this
-blocked the way completely.
-
-"There wouldn't be a path, though, if it
-didn't go somewhere," said the Scarecrow,
-wrinkling his forehead in deep thought.
-
-"This is somewhere, isn't it?" asked the
-Patchwork Girl, laughing at the bewildered
-looks of the others.
-
-
-"The path is locked, the way is blocked,
-Yet here we've innocently flocked;
-And now we're here it's rather queer
-There's no front door that can be knocked."
-
-
-"Please don't, Scraps," said Ojo. "You make me nervous.
-
-"Well," said Dorothy, "I'm glad of a little
-rest, for that's a drea'ful steep path."
-
-As she spoke she leaned against the edge of
-the big rock that stood in their way. To her
-surprise it slowly swung backward and showed
-behind it a dark hole that looked like the mouth
-of a tunnel.
-
-"Why, here's where the path goes to!" she
-exclaimed.
-
-"So it is," answered the Scarecrow. "But the
-question is, do we want to go where the path
-does?"
-
-"It's underground; right inside the mountain,"
-said Ojo, peering into the dark hole. "perhaps
-there's a well there; and, if there is, it's sure
-to be a dark one."
-
-"Why, that's true enough!" cried Dorothy
-with eagerness. "Let's go in, Scarecrow; 'cause,
-if others have gone, we're pretty safe to go, too."
-
-Toto looked in and barked, but he did not
-venture to enter until the Scarecrow had bravely
-gone first. Scraps followed closely after the
-straw man and then Ojo and Dorothy timidly stepped
-inside the tunnel. As soon as all of them had
-passed the big rock, it slowly turned and filled
-up the opening again; but now they were no longer
-in the dark, for a soft, rosy light enabled them
-to see around them quite distinctly.
-
-It was only a passage, wide enough for two
-of them to walk abreast--with Toto in between
-them--and it had a high, arched roof. They
-could not see where the light which flooded the
-place so pleasantly came from, for there were
-no lamps anywhere visible. The passage ran
-straight for a little way and then made a bend
-to the right and another sharp turn to the left,
-after which it went straight again. But there
-were no side passages, so they could not lose
-their way.
-
-After proceeding some distance, Toto, who
-had gone on ahead, began to bark loudly. They
-ran around a bend to see what was the matter
-and found a man sitting on the floor of the
-passage and leaning his back against the wall.
-He had probably been asleep before Toto's barks
-aroused him, for he was now rubbing his eyes
-and staring at the little dog with all his might.
-
-There was something about this man that Toto
-objected to, and when he slowly rose to his foot
-they saw what it was. He had but one leg, set just
-below the middle of his round, fat body; but it
-was a stout leg and had a broad, flat foot at the
-bottom of it, on which the man seemed to stand
-very well. He had never had but this one leg,
-which looked something like a pedestal, and when
-Toto ran up and made a grab at the man's ankle he
-hopped first one way and then another in a very
-active manner, looking so frightened that Scraps
-laughed aloud.
-
-Toto was usually a well behaved dog, but this
-time he was angry and snapped at the man's leg
-again and again. This filled the poor fellow with
-fear, and in hopping out of Toto's reach he
-suddenly lost his balance and tumbled heel over
-head upon the floor. When he sat up he kicked Toto
-on the nose and made the dog howl angrily, but
-Dorothy now ran forward and caught Toto's collar,
-holding him back.
-
-"Do you surrender?" she asked the man.
-
-"Who? Me?" asked the Hopper.
-
-"Yes; you," said the little girl.
-
-"Am I captured?" he inquired.
-
-"Of course. My dog has captured you," she said.
-
-"Well," replied the man, "if I'm captured I must
-surrender, for it's the proper thing to do. I like
-to do everything proper, for it saves one a lot of
-trouble."
-
-"It does, indeed," said Dorothy. "Please tell us
-who you are.
-
-"I'm Hip Hopper--Hip Hopper, the Champion."
-
-"Champion what?" she asked in surprise.
-
-"Champion wrestler. I'm a very strong man,
-and that ferocious animal which you are so
-kindly holding is the first living thing that has
-ever conquered me."
-
-"And you are a Hopper?" she continued.
-
-"Yes. My people live in a great city not far
-from here. Would you like to visit it?"
-
-"I'm not sure," she said with hesitation. "Have
-you any dark wells in your city?"
-
-"I think not. We have wells, you know, hut
-they're all well lighted, and a well lighted well
-cannot well be a dark well. But there may be
-such a thing as a very dark well in the Horner
-Country, which is a black spot on the face of
-the earth."
-
-"Where is the Horner Country?" Ojo inquired.
-
-"The other side of the mountain. There's a
-fence between the Hopper Country and the
-Horner Country, and a gate in the fence; but
-you can't pass through just now, because we
-are at war with the Horners."
-
-"That's too bad," said the Scarecrow. "What
-seems to be the trouble?"
-
-"Why, one of them made a very insulting remark
-about my people. He said we were lacking in
-understanding, because we had only one leg to a
-person. I can't see that legs have anything to do
-with understanding things. The Homers each have
-two legs, just as you have. That's one leg too
-many, it seems to me."
-
-"No," declared Dorothy, "it's just the right
-number."
-
-"You don't need them," argued the Hopper,
-obstinately. "You've only one head, and one
-body, and one nose and mouth. Two legs are
-quite unnecessary, and they spoil one's shape."
-
-"But how can you walk, with only one leg?" asked
-Ojo.
-
-"Walk! Who wants to walk?" exclaimed the man.
-"Walking is a terribly awkward way to travel. I
-hop, and so do all my people. It's so much more
-graceful and agreeable than walking."
-
-"I don't agree with you," said the Scarecrow.
-"But tell me, is there any way to get to the
-Horner Country without going through the city of
-the Hoppers?"
-
-"Yes; there is another path from the rocky
-lowlands, outside the mountain, that leads
-straight to the entrance of the Horner Country.
-But it's a long way around, so you'd better come
-with me. Perhaps they will allow you to go
-through the gate; but we expect to conquer
-them this afternoon, if we get time, and then
-you may go and come as you please."
-
-They thought it best to take the Hopper's
-advice, and asked him to lead the way. This he
-did in a series of hops, and he moved so swiftly
-in this strange manner that those with two legs
-had to run to keep up with him.
-
-
-
-
-Chapter Twenty-Two
-
-The Joking Horners
-
-
-It was not long before they left the passage and
-came to a great cave, so high that it must have
-reached nearly to the top of the mountain within
-which it lay. It was a magnificent cave, illumined
-by the soft, invisible light, so that everything
-in it could be plainly seen. The walls were of
-polished marble, white with veins of delicate
-colors running through it, and the roof was arched
-and fantastic and beautiful.
-
-Built beneath this vast dome was a pretty
-village--not very large, for there seemed not more
-than fifty houses altogether--and the dwellings
-were of marble and artistically designed. No grass
-nor flowers nor trees grew in this cave, so the
-yards surrounding the houses carved in designs
-both were smooth and bare and had low walls around
-them to mark their boundaries.
-
-In the streets and the yards of the houses
-were many people all having one leg growing
-below their bodies and all hopping here and
-there whenever they moved. Even the children
-stood firmly upon their single legs and never
-lost their balance.
-
-"All hail, Champion!" cried a man in the first
-group of Hoppers they met; "whom have you
-captured?"
-
-"No one," replied the Champion in a gloomy
-voice; "these strangers have captured me."
-
-"Then," said another, "we will rescue you, and
-capture them, for we are greater in number."
-
-"No," answered the Champion, "I can't allow it.
-I've surrendered, and it isn't polite to capture
-those you've surrendered to."
-
-"Never mind that," said Dorothy. "We will give
-you your liberty and set you free."
-
-"Really?" asked the Champion in joyous tones.
-
-"Yes," said the little girl; "your people may
-need you to help conquer the Horners."
-
-At this all the Hoppers looked downcast and sad.
-Several more had joined the group by this time and
-quite a crowd of curious men, women and children
-surrounded the strangers.
-
-"This war with our neighbors is a terrible
-thing," remarked one of the women. "Some one is
-almost sure to get hurt."
-
-"Why do you say that, madam?" inquired the
-Scarecrow.
-
-"Because the horns of our enemies are sharp,
-and in battle they will try to stick those horns
-into our warriors," she replied.
-
-"How many horns do the Horners have?" asked
-Dorothy.
-
-"Each has one horn in the center of his fore
-head," was the answer.
-
-"Oh, then they're unicorns," declared the
-Scarecrow.
-
-"No; they're Horners. We never go to war with
-them if we can help it, on account of their
-dangerous horns; but this insult was so great and
-so unprovoked that our brave men decided to fight,
-in order to be revenged," said the woman.
-
-"What weapons do you fight with?" the Scarecrow
-asked.
-
-"We have no weapons," explained the Champion.
-"Whenever we fight the Horners, our plan is to
-push them back, for our arms are longer than
-theirs."
-
-"Then you are better armed," said Scraps.
-
-"Yes; but they have those terrible horns, and
-unless we are careful they prick us with the
-points," returned the Champion with a shudder.
-"That makes a war with them dangerous, and a
-dangerous war cannot be a pleasant one."
-
-"I see very clearly," remarked the Scarecrow,
-"that you are going to have trouble in conquering
-those Horners--unless we help you."
-
-"Oh!" cried the Hoppers in a chorus; "can
-you help us? Please do! We will be greatly
-obliged! It would please us very much!" and by
-these exclamations the Scarecrow knew that his
-speech had met with favor.
-
-"How far is it to the Horner Country?" he asked.
-
-"Why, it's just the other side of the fence,"
-they answered, and the Champion added:
-
-"Come with me, please, and I'll show you the
-Horners."
-
-So they followed the Champion and several
-others through the streets and just beyond the
-village came to a very high picket fence, built
-all of marble, which seemed to divide the great
-cave into two equal parts.
-
-But the part inhabited by the Horners was in no
-way as grand in appearance as that of the Hoppers.
-Instead of being marble, the walls and roof were
-of dull gray rock and the square houses were
-plainly made of the same material. But in extent
-the city was much larger than that of the Hoppers
-and the streets were thronged with numerous people
-who busied themselves in various ways.
-
-Looking through the open pickets of the fence
-our friends watched the Horners, who did not know
-they were being watched by strangers, and found
-them very unusual in appearance. They were little
-folks in size and had bodies round as balls and
-short legs and arms. Their heads were round, too,
-and they had long, pointed ears and a horn set in
-the center of the forehead. The horns did not seem
-very terrible, for they were not more than six
-inches long; but they were ivory white and sharp
-pointed, and no wonder the Hoppers feared them.
-
-The skins of the Horners were light brown, but
-they wore snow-white robes and were bare footed.
-Dorothy thought the most striking thing about them
-was their hair, which grew in three distinct
-colors on each and every head--red, yellow and
-green. The red was at the bottom and sometimes
-hung over their eyes; then came a broad circle of
-yellow and the green was at the top and formed a
-brush-shaped topknot.
-
-None of the Horners was yet aware of the
-presence of strangers, who watched the little
-brown people for a time and then went to the
-big gate in the center of the dividing fence. It
-was locked on both sides and over the latch was
-a sign reading:
-
-
-"WAR IS DECLARED"
-
-
-"Can't we go through?" asked Dorothy.
-
-"Not now," answered the Champion.
-
-"I think," said the Scarecrow, "that if I could
-talk with those Horners they would apologize to
-you, and then there would be no need to fight."
-
-"Can't you talk from this side?" asked the
-Champion.
-
-"Not so well," replied the Scarecrow. "Do you
-suppose you could throw me over that fence?
-It is high, but I am very light."
-
-"We can try it," said the Hopper. "I am perhaps
-the strongest man in my country, so I'll undertake
-to do the throwing. But I won't promise you will
-land on your feet."
-
-"No matter about that," returned the Scarecrow.
-"Just toss me over and I'll be satisfied."
-
-So the Champion picked up the Scarecrow
-and balanced him a moment, to see how much
-he weighed, and then with all his strength
-tossed him high into the air.
-
-Perhaps if the Scarecrow had been a trifle
-heavier he would have been easier to throw and
-would have gone a greater distance; but, as it
-was, instead of going over the fence he landed
-just on top of it, and one of the sharp pickets
-caught him in the middle of his back and held him
-fast prisoner. Had he been face downward the
-Scarecrow might have managed to free himself, but
-lying on his back on the picket his hands waved in
-the air of the Horner Country while his feet
-kicked the air of the Hopper Country; so there he
-was.
-
-"Are you hurt?" called the Patchwork Girl
-anxiously.
-
-"Course not," said Dorothy. "But if he wig-gles
-that way he may tear his clothes. How can we get
-him down, Mr. Champion?"
-
-The Champion shook his head.
-
-"I don't know," he confessed. "If he could
-scare Horners as well as he does crows, it might
-be a good idea to leave him there."
-
-"This is terrible," said Ojo, almost ready to
-cry. "I s'pose it's because I am Ojo the Unlucky
-that everyone who tries to help me gets into
-trouble."
-
-"You are lucky to have anyone to help you,"
-declared Dorothy. "But don't worry. We'll rescue
-the Scarecrow somehow."
-
-"I know how," announced Scraps. "Here, Mr.
-Champion; just throw me up to the Scarecrow. I'm
-nearly as light as he is, and when I'm on top the
-fence I'll pull our friend off the picket and toss
-him down to you."
-
-"All right," said the Champion, and he picked up
-the Patchwork Girl and threw her in the same
-manner he had the Scarecrow. He must have used
-more strength this time, however, for Scraps
-sailed far over the top of the fence and, without
-being able to grab the Scarecrow at all, tumbled
-to the ground in the Horner Country, where her
-stuffed body knocked over two men and a woman and
-made a crowd that had collected there run like
-rabbits to get away from her.
-
-Seeing the next moment that she was harmless,
-the people slowly returned and gathered around the
-Patchwork Girl, regarding her with astonishment.
-One of them wore a jeweled star in his hair, just
-above his horn, and this seemed a person of
-importance. He spoke for the rest of his people,
-who treated him with great respect.
-
-"Who are you, Unknown Being?" he asked.
-
-"Scraps," she said, rising to her feet and
-patting her cotton wadding smooth where it had
-bunched up.
-
-"And where did you come from?" he continued.
-
-"Over the fence. Don't be silly. There's no
-other place I could have come from," she replied.
-
-He looked at her thoughtfully.
-
-"You are not a Hopper," said he, "for you
-have two legs. They're not very well shaped,
-but they are two in number. And that strange
-creature on top the fence--why doesn't he stop
-kicking?--must be your brother, or father, or son,
-for he also has two legs."
-
-"You must have been to visit the Wise Donkey,"
-said Scraps, laughing so merrily that the crowd
-smiled with her, in sympathy. "But that reminds
-me, Captain--or King--"
-
-"I am Chief of the Horners, and my name is Jak."
-
-"Of course; Little Jack Horner; I might have
-known it. But the reason I volplaned over the
-fence was so I could have a talk with you about
-the Hoppers."
-
-"What about the Hoppers?" asked the Chief,
-frowning.
-
-"You've insulted them, and you'd better beg
-their pardon," said Scraps. "If you don't, they'll
-probably hop over here and conquer you.
-
-"We're not afraid--as long as the gate is
-locked," declared the Chief. "And we didn't insult
-them at all. One of us made a joke that the stupid
-Hoppers couldn't see."
-
-The Chief smiled as he said this and the smile
-made his face look quite jolly.
-
-"What was the joke?" asked Scraps.
-
-"A Horner said they have less understanding than
-we, because they've only one leg. Ha, ha! You see
-the point, don't you? If you stand on your legs,
-and your legs are under you, then--ha, ha, ha!--
-then your legs are your under-standing. Hee, bee,
-hee! Ho, ho! My, but that's a fine joke. And the
-stupid Hoppers couldn't see it! They couldn't see
-that with only one leg they must have less
-under-standing than we who have two legs. Ha, ha,
-ha! Hee, bee! Ho, ho!" The Chief wiped the tears
-of laughter from his eyes with the bottom hem of
-his white robe, and all the other Horners wiped
-their eyes on their robes, for they had laughed
-just as heartily as their Chief at the absurd
-joke.
-
-"Then," said Scraps, "their understanding of the
-understanding you meant led to the
-misunderstanding."
-
-"Exactly; and so there's no need for us to
-apologize," returned the Chief.
-
-"No need for an apology, perhaps, but much need
-for an explanation," said Scraps decidedly. "You
-don't want war, do you?"
-
-"Not if we can help it," admitted Jak Horner.
-"The question is, who's going to explain the joke
-to the Horners? You know it spoils any joke to be
-obliged to explain it, and this is the best joke I
-ever heard."
-
-"Who made the joke?" asked Scraps.
-
-"Diksey Horner. He is working in the mines, just
-now, but he'll be home before long. Suppose we
-wait and talk with him about it? Maybe he'll be
-willing to explain his joke to the Hoppers."
-
-"All right," said Scraps. "I'll wait, if Diksey
-isn't too long."
-
-"No, he's short; he's shorter than I am. Ha,
-ha, ha! Say! that's a better joke than Diksey's.
-He won't be too long, because he's short. Hee,
-hee, ho!"
-
-The other Horners who were standing by roared
-with laughter and seemed to like their Chief's
-joke as much as he did. Scraps thought it was odd
-that they could be so easily amused, but decided
-there could be little harm in people who laughed
-so merrily.
-
-
-
-
-Chapter Twenty-Three
-
-Peace Is Declared
-
-
-"Come with me to my dwelling and I'll introduce
-you to my daughters," said the Chief. "We're
-bringing them up according to a book of rules that
-was written by one of our leading old bachelors,
-and everyone says they're a remarkable lot of girls."
-
-So Scraps accompanied him along the street to a
-house that seemed on the outside exceptionally
-grimy and dingy. The streets of this city were not
-paved nor had any attempt been made to beautify
-the houses or their surroundings, and having
-noticed this condition Scraps was astonished when
-the Chief ushered her into his home.
-
-Here was nothing grimy or faded, indeed. On the
-contrary, the room was of dazzling brilliance and
-beauty, for it was lined throughout with an
-exquisite metal that resembled translucent frosted
-silver. The surface of this metal was highly
-ornamented in raised designs representing men,
-animals, flowers and trees, and from the metal
-itself was radiated the soft light which flooded
-the room. All the furniture was made of the same
-glorious metal, and Scraps asked what it was.
-
-"That's radium," answered the Chief. "We
-Horners spend all our time digging radium from
-the mines under this mountain, and we use it
-to decorate our homes and make them pretty and
-cosy. It is a medicine, too, and no one can ever
-be sick who lives near radium."
-
-"Have you plenty of it?" asked the Patchwork
-Girl.
-
-"More than we can use. All the houses in this
-city are decorated with it, just the same as mine
-is."
-
-don't you use it on your streets, then,
-and the outside of your houses, to make them as
-pretty as they are within?" she inquired.
-
-"Outside? Who cares for the outside of
-anything?" asked the Chief. "We Horners don't live
-on the outside of our homes; we live inside. Many
-people are like those stupid Hoppers, who love to
-make an outside show. I suppose you strangers
-thought their city more beautiful than ours,
-because you judged from appearances and they have
-handsome marble houses and marble streets; but if
-you entered one of their stiff dwellings you would
-find it bare and uncomfortable, as all their show
-is on the outside. They have an idea that what is
-not seen by others is not important, but with us
-the rooms we live in are our chief delight and
-care, and we pay no attention to outside show."
-
-"Seems to me," said Scraps, musingly, "it
-would be better to make it all pretty--inside
-and out."
-
-"Seems? Why, you're all seams, my girl!" said
-the Chief; and then he laughed heartily at his
-latest joke and a chorus of small voices echoed
-the chorus with "tee-hee-hee! ha, ha!"
-
-Scraps turned around and found a row of
-girls seated in radium chairs ranged along one
-wall of the room. There were nineteen of them,
-by actual count, and they were of all sizes from
-a tiny child to one almost a grown woman. All
-were neatly dressed in spotless white robes and
-had brown skins, horns on their foreheads and
-threecolored hair.
-
-"These," said the Chief, "are my sweet
-daughters. My dears, I introduce to you Miss
-Scraps Patchwork, a lady who is traveling in
-foreign parts to increase her store of wisdom."
-
-The nineteen Horner girls all arose and made
-a polite curtsey, after which they resumed their
-seats and rearranged their robes properly.
-
-"Why do they sit so still, and all in a row?"
-asked Scraps.
-
-"Because it is ladylike and proper," replied the
-Chief.
-
-"But some are just children, poor things!
-Don't they ever run around and play and laugh,
-and have a good time?"
-
-"No, indeed," said the Chief. "That would he
-improper in young ladies, as well as in those who
-will sometime become young ladies. My daughters
-are being brought up according to the rules and
-regulations laid down by a leading bachelor who
-has given the subject much study and is himself a
-man of taste and culture. Politeness is his great
-hobby, and he claims that if a child is allowed to
-do an impolite thing one cannot expect the grown
-person to do anything better."
-
-"Is it impolite to romp and shout and be jolly?"
-asked Scraps.
-
-"Well, sometimes it is, and sometimes it isn't,"
-replied the Horner, after considering the
-question. "By curbing such inclinations in my
-daughters we keep on the safe side. Once in a
-while I make a good joke, as you have heard, and
-then I permit my daughters to laugh decorously;
-but they are never allowed to make a joke
-themselves."
-
-"That old bachelor who made the rules ought
-to be skinned alive!" declared Scraps, and would
-have said more on the subject had not the door
-opened to admit a little Horner man whom the
-Chief introduced as Diksey.
-
-"What's up, Chief?" asked Diksey, winking
-nineteen times at the nineteen girls, who demurely
-cast down their eyes because their father was
-looking.
-
-The Chief told the man that his joke had not
-been understood by the dull Hoppers, who had
-become so angry that they had declared war. So the
-only way to avoid a terrible battle was to explain
-the joke so they could understand it.
-
-"All right," replied Diksey, who seemed a good-
-natured man; "I'll go at once to the fence and
-explain. I don't want any war with the Hoppers,
-for wars between nations always cause hard
-feelings."
-
-So the Chief and Diksey and Scraps left the
-house and went back to the marble picket fence.
-The Scarecrow was still stuck on the top of his
-picket but had now ceased to struggle. On the
-other side of the fence were Dorothy and Ojo,
-looking between the pickets; and there, also,
-were the Champion and many other Hoppers.
-
-Diksey went close to the fence and said:
-
-"My good Hoppers, I wish to explain that
-what I said about you was a joke. You have but
-one leg each, and we have two legs each. Our
-legs are under us, whether one or two, and we
-stand on them. So, when I said you had less
-understanding than we, I did not mean that you
-had less understanding, you understand, but
-that you had less standundering, so to speak.
-Do you understand that?"
-
-The Hoppers thought it over carefully. Then one
-said:
-
-"That is clear enough; but where does the joke
-come in?'"
-
-Dorothy laughed, for she couldn't help it,
-although all the others were solemn enough.
-
-"I'll tell you where the joke comes in," she
-said, and took the Hoppers away to a distance,
-where the Horners could not hear them. "You know,"
-she then explained, "those neighbors of yours are
-not very bright, poor things, and what they think
-is a joke isn't a joke at all--it's true, don't
-you see?"
-
-"True that we have less understanding?" asked
-the Champion.
-
-"Yes; it's true because you don't understand
-such a poor joke; if you did, you'd be no wiser
-than they are."
-
-"Ah, yes; of course," they answered, looking
-very wise.
-
-"So I'll tell you what to do," continued
-Dorothy. "Laugh at their poor joke and tell 'em
-it's pretty good for a Horner. Then they won't
-dare say you have less understanding, because you
-understand as much as they do."
-
-The Hoppers looked at one another questioningly
-and blinked their eyes and tried to think what it
-all meant; but they couldn't figure it out.
-
-"What do you think, Champion?" asked one of
-them.
-
-"I think it is dangerous to think of this thing
-any more than we can help," he replied. "Let us do
-as this girl says and laugh with the Horners, so
-as to make them believe we see the joke. Then
-there will be peace again and no need to fight."
-
-They readily agreed to this and returned to
-the fence laughing as loud and as hard as they
-could, although they didn't feel like laughing
-a bit. The Horners were much surprised.
-
-"That's a fine joke--for a Horner--and we are
-much pleased with it," said the Champion, speaking
-between the pickets. "But please don't do it
-again."
-
-"I won't," promised Diksey. "If I think of
-another such joke I'll try to forget it."
-
-"Good!" cried the Chief Horner. "The war is over
-and peace is declared."
-
-There was much joyful shouting on both sides of
-the fence and the gate was unlocked and thrown
-wide open, so that Scraps was able to rejoin her
-friends.
-
-"What about the Scarecrow?" she asked Dorothy.
-
-"We must get him down, somehow or other," was
-the reply.
-
-"Perhaps the Horners can find a way," suggested
-Ojo. So they all went through the gate and Dorothy
-asked the Chief Horner how they could get the
-Scarecrow off the fence. The Chief didn't know
-how, but Diksey said:
-
-"A ladder's the thing."
-
-"Have you one?" asked Dorothy.
-
-"To be sure. We use ladders in our mines,"
-said he. Then he ran away to get the ladder,
-and while he was gone the Horners gathered
-around and welcomed the strangers to their
-country, for through them a great war had been
-avoided.
-
-In a little while Diksey came back with a
-tall ladder which he placed against the fence. Ojo
-at once climbed to the top of the ladder and
-Dorothy went about halfway up and Scraps stood at
-the foot of it. Toto ran around it and barked.
-Then Ojo pulled the Scarecrow away from the picket
-and passed him down to Dorothy, who in turn
-lowered him to the Patchwork Girl.
-
-As soon as he was on his feet and standing
-on solid ground the Scarecrow said:
-
-"Much obliged. I feel much better. I'm not
-stuck on that picket any more."
-
-The Horners began to laugh, thinking this
-was a joke, but the Scarecrow shook himself and
-
-patted his straw a little and said to Dorothy:
-"Is there much of a hole in my back?"
-
-The little girl examined him carefully.
-
-"There's quite a hole," she said. "But I've got
-a needle and thread in the knapsack and I'll sew
-you up again."
-
-"Do so," he begged earnestly, and again the
-Hoppers laughed, to the Scarecrow's great
-annoyance.
-
-While Dorothy was sewing up the hole in
-the straw man's back Scraps examined the other
-parts of him.
-
-"One of his legs is ripped, too!" she exclaimed.
-
-"Oho!" cried little Diksey; "that's bad. Give
-him the needle and thread and let him mend
-his ways."
-
-"Ha, ha, ha!" laughed the Chief, and the
-other Homers at once roared with laughter.
-
-"What's funny?" inquired the Scarecrow sternly.
-
-"Don't you see?" asked Diksey, who had
-laughed even harder than the others. "That's a
-joke. It's by odds the best joke I ever made.
-You walk with your legs, and so that's the way
-you walk, and your legs are the ways. See? So,
-when you mend your legs, you mend your ways.
-Ho, ho, ho! hee, hee! I'd no idea I could make
-such a fine joke!"
-
-"Just wonderful!" echoed the Chief. "How do you
-manage to do it, Diksey?"
-
-"I don't know," said Diksey modestly. "Perhaps
-it's the radium, but I rather think it's my
-splendid intellect."
-
-If you don't quit it," the Scarecrow told him,
-"there'll be a worse war than the one you've
-escaped from."
-
-Ojo had been deep in thought, and now he
-asked the Chief: "Is there a dark well in any
-part of your country?"
-
-"A dark well? None that ever I heard of," was
-the answer.
-
-"Oh, yes," said Diksey, who overheard the
-boy's question. "There's a very dark well down
-in my radium mine."
-
-"Is there any water in it?" Ojo eagerly asked.
-
-"Can't say; I've never looked to see. But we
-can find out."
-
-So, as soon as the Scarecrow was mended,
-they decided to go with Diksey to the mine.
-When Dorothy had patted the straw man into
-shape again he declared he felt as good as new
-and equal to further adventures.
-
-"Still," said he, "I prefer not to do picket
-duty again. High life doesn't seem to agree with
-my constitution." And then they hurried away
-to escape the laughter of the Homers, who
-thought this was another joke.
-
-
-
-
-Chapter Twenty-Four
-
-Ojo Finds the Darkwell
-
-
-They now followed Diksey to the farther end of
-the great cave, beyond the Horner city, where
-there were several round, dark holes leading into
-the ground in a slanting direction. Diksey went to
-one of these holes and said:
-
-"Here is the mine in which lies the dark well
-you are seeking. Follow me and step care fully and
-I'll lead you to the place."
-
-He went in first and after him came Ojo, and
-then Dorothy, with the Scarecrow behind her.
-The Patchwork Girl entered last of all, for Toto
-kept close beside his little mistress.
-
-A few steps beyond the mouth of the opening it
-was pitch dark. "You won't lose your way, though,"
-said the Homer, "for there's only one way to go.
-The mine's mine and I know every step of the way.
-How's that for a joke, eh? The mine's mine." Then
-he chuckled gleefully as they followed him
-silently down the steep slant. The hole was just
-big enough to permit them to walk upright,
-although the Scarecrow, being much the taller of
-the party, often had to bend his head to keep from
-hitting the top.
-
-The floor of the tunnel was difficult to walk
-upon because it had been worn smooth as glass, and
-pretty soon Scraps, who was some distance behind
-the others, slipped and fell head foremost. At
-once she began to slide downward, so swiftly that
-when she came to the Scarecrow she knocked him off
-his feet and sent him tumbling against Dorothy,
-who tripped up Ojo. The boy fell against the
-Horner, so that all went tumbling down the slide
-in a regular mix-up, unable to see where they were
-going because of the darkness.
-
-Fortunately, when they reached the bottom the
-Scarecrow and Scraps were in front, and the others
-bumped against them, so that no one was hurt. They
-found themselves in a vast cave which was dimly
-lighted by the tiny grains of radium that lay
-scattered among the loose rocks.
-
-"Now," said Diksey, when they had all re
-gained their feet, "I will show you where the
-dark well is. This is a big place, but if we hold
-fast to each other we won't get lost."
-
-They took hold of hands and the Homer led
-them into a dark corner, where he halted.
-
-"Be careful," said he warningly. "The well is
-at your feet."
-
-"All right," replied Ojo, and kneeling down
-he felt in the well with his hand and found
-that it contained a quantity of water. "Where's
-the gold flask, Dorothy?" he asked, and the
-little girl handed him the flask, which she had
-brought with her.
-
-Ojo knelt again and by feeling carefully in
-the dark managed to fill the flask with the
-unseen water that was in the well. Then he
-screwed the top of the flask firmly in place and
-put the precious water in his pocket.
-
-"All right!" he said again, in a glad voice;
-"now we can go back."
-
-They returned to the mouth of the tunnel and
-began to creep cautiously up the incline. This
-time they made Scraps stay behind, for fear she
-would slip again; but they all managed to get up
-in safety and the Munchkin boy was very happy when
-he stood in the Horner city and realized that the
-water from the dark well, which he and his friends
-had traveled so far to secure, was safe in his
-jacket pocket.
-
-
-
-
-Chapter Twenty-Five
-
-They Bribe the Lazy Quadling
-
-
-"Now," said Dorothy, as they stood on the mountain
-path, having left behind them the cave in which
-dwelt the Hoppers and the Horners, "I think we
-must find a road into the Country of the Winkies,
-for there is where Ojo wants to go next."
-
-"Is there such a road?" asked the Scarecrow.
-
-"I don't know," she replied. "I s'pose we can go
-back the way we came, to Jack Pumpkinhead's house,
-and then turn into the Winkie Country; but that
-seems like running 'round a haystack, doesn't it?"
-
-"Yes," said the Scarecrow. "What is the next
-thing Ojo must get?"
-
-"A yellow butterfly," answered the boy.
-
-"That means the Winkie Country, all right,
-for it's the yellow country of Oz," remarked
-Dorothy. "I think, Scarecrow, we ought to take
-him to the Tin Woodman, for he's the Emp'ror
-of the Winkies and will help us to find what
-Ojo wants."
-
-"Of course," replied the Scarecrow, brightening
-at the suggestion. "The Tin Woodman will do
-anything we ask him, for he's one of my dearest
-friends. I believe we can take a crosscut into his
-country and so get to his castle a day sooner
-than if we travel back the way we came."
-
-"I think so, too," said the girl; "and that means
-we must keep to the left."
-
-They were obliged to go down the mountain before
-they found any path that led in the direction they
-wanted to go, but among the tumbled rocks at the
-foot of the mountain was a faint trail which they
-decided to follow. Two or three hours walk along
-this trail brought them to a clear, level country,
-where there were a few farms and some scattered
-houses. But they knew they were still in the
-Country of the Quadlings, because everything had a
-bright red color. Not that the trees and grasses
-were red, but the fences and houses were painted
-that color and all the wild-flowers that bloomed
-by the wayside had red blossoms. This part of the
-Quadling Country seemed peaceful and prosperous,
-if rather lonely, and the road was more distinct
-and easier to follow.
-
-But just as they were congratulating themselves
-upon the progress they had made they came upon a
-broad river which swept along between high banks,
-and here the road ended and there was no bridge of
-any sort to allow them to cross.
-
-"This is queer," mused Dorothy, looking at
-the water reflectively. "Why should there be
-any road, if the river stops everyone walking
-along it?"
-
-"Wow!" said Toto, gazing earnestly into her
-face.
-
-"That's the best answer you'll get," declared
-the Scarecrow, with his comical smile, "for no
-one knows any more than Toto about this road."
-
-Said Scraps:
-
-
-"Ev'ry time I see a river,
-I have chills that make me shiver,
-For I never can forget
-All the water's very wet.
-If my patches get a soak
-It will be a sorry joke;
-So to swim I'll never try
-Till I find the water dry."
-
-
-"Try to control yourself, Scraps," said Ojo;
-you re getting crazy again. No one intends to swim
-that river."
-
-"No," decided Dorothy, "we couldn't swim it
-if we tried. It's too big a river, and the water
-moves awful fast."
-
-"There ought to be a ferryman with a boat,"
-said the Scarecrow; "but I don't see any."
-
-"Couldn't we make a raft?" suggested Ojo.
-
-"There's nothing to make one of," answered
-Dorothy.
-
-"Wow!" said Toto again, and Dorothy saw he
-was looking along the bank of the river.
-
-"Why, he sees a house over there!" cried the
-little girl. "I wonder we didn't notice it
-ourselves. Let's go and ask the people how to
-get 'cross the river."
-
-A quarter of a mile along the bank stood a
-small, round house, painted bright red, and as
-it was on their side of the river they hurried
-toward it. A chubby little man, dressed all in
-red, came out to greet them, and with him were
-two children, also in red costumes. The man's
-eyes were big and staring as he examined the
-Scarecrow and the Patchwork Girl, and the
-children shyly hid behind him and peeked
-timidly at Toto.
-
-"Do you live here, my good man?" asked the
-Scarecrow.
-
-"I think I do, Most Mighty Magician," replied
-the Quadling, bowing low; "but whether I'm awake
-or dreaming I can't be positive, so I'm not sure
-where I live. If you'll kindly pinch me I'll find
-out all about it!'
-
-"You're awake," said Dorothy, "and this is no
-magician, but just the Scarecrow."
-
-"But he's alive," protested the man, "and he
-oughtn't to be, you know. And that other dreadful
-person--the girl who is all patches--seems to be
-alive, too."
-
-"Very much so," declared Scraps, making a
-face at him. "But that isn't your affair, you
-know."
-
-"I've a right to be surprised, haven't I?" asked
-the man meekly.
-
-"I'm not sure; but anyhow you've no right to say
-I'm dreadful. The Scarecrow, who is a gentleman of
-great wisdom, thinks I'm beautiful," retorted
-Scraps.
-
-"Never mind all that," said Dorothy. "Tell us,
-good Quadling, how we can get across the river."
-
-"I don't know," replied the Quadling.
-
-"Don't you ever cross it?" asked the girl.
-
-"Never."
-
-"Don't travelers cross it?"
-
-"Not to my knowledge," said he.
-
-They were much surprised to hear this, and
-the man added: "It's a pretty big river, and the
-current is strong. I know a man who lives on
-the opposite bank, for I've seen him there a good
-many years; but we've never spoken because
-neither of us has ever crossed over."
-
-"That's queer," said the Scarecrow. "Don't you
-own a boat?"
-
-The man shook his head.
-
-"Nor a raft?"
-
-"Where does this river go to?" asked Dorothy.
-
-"That way," answered the man, pointing with
-one hand, "it goes into the Country of the
-Winkies, which is ruled by the Tin Emperor,
-who must be a mighty magician because he's
-all made of tin, and yet he's alive. And that
-way," pointing with the other hand, "the river
-runs between two mountains where dangerous
-people dwell."
-
-The Scarecrow looked at the water before them.
-
-"The current flows toward the Winkie Country"'
-said he; "and so, if we had a boat, or a raft, the
-river would float us there more quickly and more
-easily than we could walk."
-
-"That is true," agreed Dorothy; and then they
-all looked thoughtful and wondered what could
-be done.
-
-"Why can't the man make us a raft?" asked Ojo.
-
-"Will you?" inquired Dorothy, turning to the
-Quadling.
-
-The chubby man shook his head.
-
-"I'm too lazy," he said. "My wife says I'm the
-laziest man in all Oz, and she is a truthful
-woman. I hate work of any kind, and making a raft
-is hard work."
-
-"I'll give you my em'rald ring," promised the
-girl.
-
-"No; I don't care for emeralds. If it were a
-ruby, which is the color I like best, I might work
-a little while."
-
-"I've got some Square Meal Tablets," said the
-Scarecrow. "Each one is the same as a dish of
-soup, a fried fish, a mutton pot-pie, lobster
-salad, charlotte russe and lemon jelly--all made
-into one little tablet that you can swallow
-without trouble."
-
-"Without trouble!" exclaimed the Quadling,
-much interested; "then those tablets would be
-fine for a lazy man. It's such hard work to chew
-when you eat."
-
-"I'll give you six of those tablets if you'll
-help us make a raft," promised the Scarecrow.
-"They're a combination of food which people who
-eat are very fond of. I never eat, you know, being
-straw; but some of my friends eat regularly. What
-do you say to my offer, Quadling?"
-
-"I'll do it," decided the man. "I'll help, and
-you can do most of the work. But my wife has
-gone fishing for red eels to-day, so some of you
-will have to mind the children."
-
-Scraps promised to do that, and the children
-were not so shy when the Patchwork Girl sat
-down to play with them. They grew to like
-Toto, too, and the little dog allowed them to
-pat him on his head, which gave the little ones
-much joy.
-
-There were a number of fallen trees near the
-house and the Quadling got his axe and chopped
-them into logs of equal length. He took his wife's
-clothesline to bind these logs together, so that
-they would form a raft, and Ojo found some strips
-of wood and nailed them along the tops of the
-logs, to render them more firm. The Scarecrow and
-Dorothy helped roll the logs together and carry
-the strips of wood, but it took so long to make
-the raft that evening came just as it was
-finished, and with evening the Quadling's wife
-returned from her fishing.
-
-The woman proved to be cross and bad-tempered,
-perhaps because she had only caught one red eel
-during all the day. When she found that her
-husband had used her clothesline, and the logs she
-had wanted for firewood, and the boards she had
-intended to mend the shed with, and a lot of gold
-nails, she became very angry. Scraps wanted to
-shake the woman, to make her behave, but Dorothy
-talked to her in a gentle tone and told the
-Quadling's wife she was a Princess of Oz and a
-friend of Ozma and that when she got back to the
-Emerald City she would send them a lot of things
-to repay them for the raft, including a new
-clothesline. This promise pleased the woman and
-she soon became more pleasant, saying they could
-stay the night at her house and begin their voyage
-on the river next morning.
-
-This they did, spending a pleasant evening
-with the Quadling family and being entertained
-with such hospitality as the poor people were
-able to offer them. The man groaned a good
-deal and said he had overworked himself by
-chopping the logs, but the Scarecrow gave him
-two more tablets than he had promised, which
-seemed to comfort the lazy fellow.
-
-
-
-
-Chapter Twenty-Six
-
-The Trick River
-
-
-Next morning they pushed the raft into the water
-and all got aboard. The Quadling man had to hold
-the log craft fast while they took their places,
-and the flow of the river was so powerful that it
-nearly tore the raft from his hands. As soon as
-they were all seated upon the logs he let go and
-away it floated and the adventurers had begun
-their voyage toward the Winkie Country.
-
-The little house of the Quadlings was out of
-sight almost before they had cried their good-
-byes, and the Scarecrow said in a pleased voice:
-"It won't take us long to get to the Winkie
-Country, at this rate."
-
-They had floated several miles down the stream
-and were enjoying the ride when suddenly the raft
-slowed up, stopped short, and then began to float
-back the way it had come.
-
-"Why, what's wrong?" asked Dorothy, in
-astonishment; but they were all just as bewildered
-as she was and at first no one could answer the
-question. Soon, however, they realized the truth:
-that the current of the river had reversed and the
-water was now flowing in the opposite direction--
-toward the mountains.
-
-They began to recognize the scenes they had
-passed, and by and by they came in sight of the
-little house of the Quadlings again. The man
-was standing on the river bank and he called
-to them:
-
-"How do you do? Glad to see you again. I forgot
-to tell you that the river changes its direction
-every little while. Sometimes it flows one way,
-and sometimes the other."
-
-They had no time to answer him, for the raft
-was swept past the house and a long distance on
-the other side of it.
-
-"We're going just the way we don't want to
-go," said Dorothy, "and I guess the best thing
-we can do is to get to land before we're carried
-any farther."
-
-But they could not get to land. They had
-no oars, nor even a pole to guide the raft with.
-The logs which bore them floated in the middle
-of the stream and were held fast in that position
-by the strong current.
-
-So they sat still and waited and, even while
-they were wondering what could be done, the raft
-slowed down, stopped, and began drifting the other
-way--in the direction it had first followed. After
-a time they repassed the Quadling house and the
-man was still standing on the bank. He cried out
-to them:
-
-"Good day! Glad to see you again. I expect
-I shall see you a good many times, as you go
-by, unless you happen to swim ashore."
-
-By that time they had left him behind and
-were headed once more straight toward the
-Winkie Country.
-
-"This is pretty hard luck," said Ojo in a
-discouraged voice. "The Trick River keeps
-changing, it seems, and here we must float back
-and forward forever, unless we manage in some way
-to get ashore."
-
-"Can you swim?" asked Dorothy.
-
-"No; I'm Ojo the Unlucky."
-
-"Neither can I. Toto can swim a little, but
-that won't help us to get to shore."
-
-"I don't know whether I could swim, or not,"
-remarked Scraps; "but if I tried it I'd surely ruin
-my lovely patches."
-
-"My straw would get soggy in the water and
-I would sink," said the Scarecrow.
-
-So there seemed no way out of their dilemma
-and being helpless they simply sat still. Ojo,
-who was on the front of the raft, looked over
-into the water and thought he saw some large
-fishes swimming about. He found a loose end
-of the clothesline which fastened the logs
-together, and taking a gold nail from his pocket
-he bent it nearly double, to form a hook, and
-tied it to the end of the line. Having baited the
-hook with some bread which he broke from his
-loaf, he dropped the line into the water and
-almost instantly it was seized by a great fish.
-
-They knew it was a great fish, because it
-pulled so hard on the line that it dragged the
-raft forward even faster than the current of the
-river had carried it. The fish was frightened,
-and it was a strong swimmer. As the other end
-of the clothesline was bound around the logs
-he could not get it away, and as he had greedily
-swallowed the gold hook at the first bite he
-could not get rid of that, either.
-
-When they reached the place where the current
-had before changed, the fish was still swimming
-ahead in its wild attempt to escape. The raft
-slowed down, yet it did not stop, because the fish
-would not let it. It continued to move in the same
-direction it had been going. As the current
-reversed and rushed backward on its course it
-failed to drag the raft with it. Slowly, inch by
-inch, they floated on, and the fish tugged and
-tugged and kept them going.
-
-"I hope he won't give up," said Ojo anxiously.
-"If the fish can hold out until the current
-changes again, we'll be all right."
-
-The fish did not give up, but held the raft
-bravely on its course, till at last the water in
-the river shifted again and floated them the way
-they wanted to go. But now the captive fish
-found its strength failing. Seeking a refuge, it
-began to drag the raft toward the shore. As they
-did not wish to land in this place the boy cut
-the rope with his pocket-knife and set the fish
-free, just in time to prevent the raft from
-grounding.
-
-The next time the river backed up the Scarecrow
-managed to seize the branch of a tree that
-overhung the water and they all assisted him to
-hold fast and prevent the raft from being carried
-backward. While they waited here, Ojo spied a long
-broken branch lying upon the bank, so he leaped
-ashore and got it. When he had stripped off the
-side shoots he believed he could use the branch as
-a pole, to guide the raft in case of emergency.
-
-They clung to the tree until they found the
-water flowing the right way, when they let go
-and permitted the raft to resume its voyage. In
-spite of these pauses they were really making
-good progress toward the Winkie Country and
-having found a way to conquer the adverse
-current their spirits rose considerably. They
-could see little of the country through which
-they were passing, because of the high banks,
-and they met with no boats or other craft upon
-the surface of the river.
-
-Once more the trick river reversed its current,
-but this time the Scarecrow was on guard and
-used the pole to push the raft toward a big
-rock which lay in the water. He believed the
-rock would prevent their floating backward with
-the current, and so it did. They clung to this
-anchorage until the water resumed its proper
-direction, when they allowed the raft to drift on.
-
-Floating around a bend they saw ahead a high
-bank of water, extending across the entire river,
-and toward this they were being irresistibly
-carried. There being no way to arrest the progress
-of the raft they clung fast to the logs and let
-the river sweep them on. Swiftly the raft climbed
-the bank of water and slid down on the other side,
-plunging its edge deep into the water and
-drenching them all with spray.
-
-As again the raft righted and drifted on,
-Dorothy and Ojo laughed at the ducking they had
-received; but Scraps was much dismayed and the
-Scarecrow took out his handkerchief and wiped the
-water off the Patchwork Girl's patches as well as
-he was able to. The sun soon dried her and the
-colors of her patches proved good, for they did
-not run together nor did they fade.
-
-After passing the wall of water the current did
-not change or flow backward any more but continued
-to sweep them steadily forward. The banks of the
-river grew lower, too, permitting them to see more
-of the country, and presently they discovered
-yellow buttercups and dandelions growing amongst
-the grass, from which evidence they knew they had
-reached the Winkie Country.
-
-"Don't you think we ought to land?" Dorothy
-asked the Scarecrow.
-
-"Pretty soon," he replied. "The Tin Woodman's
-castle is in the southern part of the Winkie
-Country, and so it can't be a great way from
-here."
-
-Fearing they might drift too far, Dorothy and
-Ojo now stood up and raised the Scarecrow in
-their arms, as high as they could, thus allowing
-him a good view of the country. For a time he
-saw nothing he recognized, but finally he cried:
-
-"There it is! There it is!"
-
-"What?" asked Dorothy.
-
-"The Tin Woodman's tin castle. I can see
-its turrets glittering in the sun. It's quite a way
-off, but we'd better land as quickly as we can."
-
-They let him down and began to urge the raft
-toward the shore by means of the pole. It obeyed
-very well, for the current was more sluggish
-now, and soon they had reached the bank and
-landed safely.
-
-The Winkie Country was really beautiful,
-and across the fields they could see afar the
-silvery sheen of the tin castle. With light hearts
-they hurried toward it, being fully rested by
-their long ride on the river.
-
-By and by they began to cross an immense
-field of splendid yellow lilies, the delicate
-fragrance of which was very delightful.
-
-"How beautiful they are!" cried Dorothy,
-stopping to admire the perfection of these
-exquisite flowers.
-
-"Yes," said the Scarecrow, reflectively, "but
-we must be careful not to crush or injure any
-of these lilies."
-
-"Why not?" asked Ojo.
-
-"The Tin Woodman is very kind-hearted,"
-was the reply, "and he hates to see any living
-thing hurt in any way.
-
-"Are flowers alive?" asked Scraps.
-
-"Yes, of course. And these flowers belong to
-the Tin Woodman. So, in order not to offend
-him, we must not tread on a single blossom."
-
-"Once," said Dorothy, "the Tin Woodman
-stepped on a beetle and killed the little creature.
-That made him very unhappy and he cried until
-his tears rusted his joints, so he couldn't move
-'em."
-
-"What did he do then?" asked Ojo.
-
-"Put oil on them, until the joints worked
-smooth again.
-
-"Oh!" exclaimed the boy, as if a great discovery
-had flashed across his mind. But he did not tell
-anybody what the discovery was and kept the idea
-to himself.
-
-It was a long walk, but a pleasant one, and
-they did not mind it a bit. Late in the afternoon
-they drew near to the wonderful tin castle of
-the Emperor of the Winkies, and Ojo and
-Scraps, who had never seen it before, were
-filled with amazement.
-
-Tin abounded in the Winkie Country and
-the Winkies were said to be the most skillful
-tinsmiths in all the world. So the Tin Woodman
-had employed them in building his magnificent
-castle, which was all of tin, from the ground to
-the tallest turret, and so brightly polished that
-it glittered in the sun's rays more gorgeously
-than silver. Around the grounds of the castle
-ran a tin wall, with tin gates; but the gates stood
-wide open because the Emperor had no enemies
-to disturb him.
-
-When they entered the spacious grounds our
-travelers found more to admire. Tin fountains sent
-sprays of clear water far into the air and there
-were many beds of tin flowers, all as perfectly
-formed as any natural flowers might be. There
-were tin trees, too, and here and there shady
-bowers of tin, with tin benches and chairs to sit
-upon. Also, on the sides of the pathway leading up
-to the front door of the castle, were rows of tin
-statuary, very cleverly executed. Among these Ojo
-recognized statues of Dorothy, Toto, the
-Scarecrow, the Wizard, the Shaggy Man, Jack
-Pumpkinhead and Ozma, all standing upon neat
-pedestals of tin.
-
-Toto was well acquainted with the residence of
-the Tin Woodman and, being assured a joyful
-welcome, he ran ahead and barked so loudly at the
-front door that the Tin Woodman heard him and came
-out in person to see if it were really his old
-friend Toto. Next moment the tin man had clasped
-the Scarecrow in a warm embrace and then turned
-to hug Dorothy. But now his eye was arrested by
-the strange sight of the Patchwork Girl, and he
-gazed upon her in mingled wonder and admiration.
-
-
-
-
-Chapter Twenty-Seven
-
-The Tin Woodman Objects
-
-
-The Tin Woodman was one of the most important
-personages in all Oz. Though Emperor of the
-Winkies, he owed allegiance to Ozma, who ruled all
-the land, and the girl and the tin man were warm
-personal friends. He was something of a dandy and
-kept his tin body brilliantly polished and his tin
-joints well oiled. Also he was very courteous in
-manner and so kind and gentle that everyone loved
-him. The Emperor greeted Ojo and Scraps with
-cordial hospitality and ushered the entire party
-into his handsome tin parlor, where all the
-furniture and pictures were made of tin. The walls
-were paneled with tin and from the tin ceiling
-hung tin chandeliers.
-
-The Tin Woodman wanted to know, first of
-all, where Dorothy had found the Patchwork
-Girl, so between them the visitors told the story
-of how Scraps was made, as well as the accident
-to Margolotte and Unc Nunkie and how Ojo
-had set out upon a journey to procure the things
-needed for the Crooked Magician's magic
-charm. Then Dorothy told of their adventures
-in the Quadling Country and how at last they
-succeeded in getting the water from a dark well.
-
-While the little girl was relating these
-adventures the Tin Woodman sat in an easy chair
-listening with intense interest, while the others
-sat grouped around him. Ojo, however, had kept his
-eyes fixed upon the body of the tin Emperor, and
-now he noticed that under the joint of his left
-knee a tiny drop of oil was forming. He watched
-this drop of oil with a fast-beating heart, and
-feeling in his pocket brought out a tiny vial of
-crystal, which he held secreted in his hand.
-
-Presently the Tin Woodman changed his
-position, and at once Ojo, to the astonishment
-of all, dropped to the floor and held his crystal
-vial under the Emperor's knee joint. Just then
-the drop of oil fell, and they boy caught it in
-his bottle and immediately corked it tight. Then,
-with a red face and embarrassed manner, he rose
-to confront the others.
-
-"What in the world were you doing?" asked
-the Tin Woodman.
-
-"I caught a drop of oil that fell from your
-knee-joint," confessed Ojo.
-
-"A drop of oil!" exclaimed the Tin Woodman.
-"Dear me, how careless my valet must have
-been in oiling me this morning. I'm afraid I
-shall have to scold the fellow, for I can't be
-dropping oil wherever I go."
-
-"Never mind," said Dorothy. Ojo seems glad
-to have the oil, for some reason."
-
-"Yes," declared the Munchkin boy, "I am
-glad. For one of the things the Crooked Magician
-sent me to get was a drop of oil from a live man's
-body. I had no idea, at first, that there was such
-a thing; but it's now safe in the little crystal
-vial."
-
-"You are very welcome to it, indeed," said
-the Tin Woodman. "Have you now secured all
-the things you were in search of?"
-
-"Not quite all," answered Ojo. "There were five
-things I had to get, and I have found four of
-them. I have the three hairs in the tip of a
-Woozy's tail, a six-leaved clover, a gill of water
-from a dark well and a drop of oil from a live
-man's body. The last thing is the easiest of all
-to get, and I'm sure that my dear Unc Nunkie--and
-good Margolotte, as well--will soon be restored to
-life."
-
-The Munchkin boy said this with much pride and
-pleasure.
-
-"Good!" exclaimed the Tin Woodman; "I
-congratulate you. But what is the fifth and last
-thing you need, in order to complete the magic
-charm?"
-
-"The left wing of a yellow butterfly," said
-Ojo. "In this yellow country, and with your
-kind assistance, that ought to be very easy to
-find."
-
-The Tin Woodman stared at him in amazement.
-
-"Surely you are joking!" he said.
-
-"No," replied Ojo, much surprised; "I am in
-earnest."
-
-"But do you think for a moment that I would
-permit you, or anyone else, to pull the left wing
-from a yellow butterfly?" demanded the Tin Woodman
-sternly.
-
-"Why not, sir?"
-
-"Why not? You ask me why not? It would be
-cruel--one of the most cruel and heartless deeds
-I ever heard of," asserted the Tin Woodman.
-"The butterflies are among the prettiest of all
-created things, and they are very sensitive to
-pain. To tear a wing from one would cause it
-exquisite torture and it would soon die in great
-agony. I would not permit such a wicked deed
-under any circumstances!"
-
-Ojo was astounded at hearing this. Dorothy, too,
-looked grave and disconcerted, but she knew in her
-heart that the Tin Woodman was right. The
-Scarecrow nodded his head in approval of his
-friend's speech, so it was evident that he agreed
-with the Emperor's decision. Scraps looked from
-one to another in perplexity.
-
-"Who cares for a butterfly?" she asked.
-
-"Don't you?" inquired the Tin Woodman.
-
-"Not the snap of a finger, for I have no heart,"
-said the Patchwork Girl. "But I want to help
-Ojo, who is my friend, to rescue the uncle whom
-he loves, and I'd kill a dozen useless butterflies
-to enable him to do that."
-
-The Tin Woodman sighed regretfully.
-
-"You have kind instincts," he said, "and with a
-heart you would indeed be a fine creature. I
-cannot blame you for your heartless remark, as you
-cannot understand the feelings of those who
-possess hearts. I, for instance, have a very neat
-and responsive heart which the wonderful Wizard
-of Oz once gave me, and so I shall never--never--
-never permit a poor yellow butterfly to be
-tortured by anyone."
-
-"The yellow country of the Winkies," said Ojo
-sadly, "is the only place in Oz where a yellow
-butterfly can be found."
-
-"I'm glad of that," said the Tin Woodman.
-"As I rule the Winkie Country, I can protect
-my butterflies."
-
-Unless I get the wing--just one left wing--"
-said Ojo miserably, "I can't save Unc Nunkie."
-
-"Then he must remain a marble statue forever,"
-declared the Tin Emperor, firmly.
-
-Ojo wiped his eyes, for he could not hold back
-the tears.
-
-"I'll tell you what to do," said Scraps. "We'll
-take a whole yellow butterfly, alive and well, to
-the Crooked Magician, and let him pull the left
-wing off."
-
-"No, you won't," said the Tin Woodman.
-"You can't have one of my dear little butterflies
-to treat in that way.
-
-"Then what in the world shall we do?" asked
-Dorothy.
-
-They all became silent and thoughtful. No
-one spoke for a long time. Then the Tin Woodman
-suddenly roused himself and said:
-
-"We must all go back to the Emerald City
-and ask Ozma's advice. She's a wise little girl,
-our Ruler, and she may find a way to help Ojo
-save his Unc Nunkie."
-
-So the following morning the party started
-on the journey to the Emerald City, which they
-reached in due time without any important
-adventure. It was a sad journey for Ojo, for
-without the wing of the yellow butterfly he saw
-no way to save Unc Nunkie--unless he waited
-six years for the Crooked Magician to make a
-new lot of the Powder of Life. The boy was
-utterly discouraged, and as he walked along he
-groaned aloud.
-
-"Is anything hurting you?" inquired the Tin
-Woodman in a kindly tone, for the Emperor
-was with the party.
-
-"I'm Ojo the Unlucky," replied the boy. "I
-might have known I would fail in anything
-I tried to do."
-
-"Why are you Ojo the Unlucky?" asked the tin
-man.
-
-"Because I was born on a Friday."
-
-"Friday is not unlucky," declared the Emperor.
-"It's just one of seven days. Do you suppose all
-the world becomes unlucky one-seventh of the
-time?"
-
-"It was the thirteenth day of the month," said
-Ojo.
-
-"Thirteen! Ah, that is indeed a lucky number,"
-replied the Tin Woodman. "All my good luck seems
-to happen on the thirteenth. I suppose most
-people never notice the good luck that comes to
-them with the number 13, and yet if the least bit
-of bad luck falls on that day, they blame it to
-the number, and not to the proper cause."
-
-"Thirteen's my lucky number, too," remarked the
-Scarecrow
-
-"And mine," said Scraps. "I've just thirteen
-patches on my head."
-
-"But," continued Ojo, "I'm left-handed."
-
-"Many of our greatest men are that way,"
-asserted the Emperor. "To be left-handed is
-usually to be two-handed; the right-handed people
-are usually one-handed."
-
-"And I've a wart under my right arm," said Ojo.
-
-"How lucky!" cried the Tin Woodman. "If
-it were on the end of your nose it might be
-unlucky, but under your arm it is luckily out
-of the way."
-
-"For all those reasons," said the Munchkin
-boy, "I have been called Ojo the Unlucky."
-
-"Then we must turn over a new leaf and call you
-henceforth Ojo the Lucky," declared the tin man.
-"Every reason you have given is absurd. But I have
-noticed that those who continually dread ill luck
-and fear it will overtake them, have no time to
-take advantage of any good fortune that comes
-their way. Make up your mind to be Ojo the
-Lucky."
-
-"How can I?" asked the boy, "when all my
-attempts to save my dear uncle have failed?"
-
-"Never give up, Ojo," advised Dorothy. "No
-one ever knows what's going to happen next."
-
-Ojo did not reply, but he was so dejected that
-even their arrival at the Emerald City failed to
-interest him.
-
-The people joyfully cheered the appearance of
-the Tin Woodman, the Scarecrow and Dorothy, who
-were all three general favorites, and on entering
-the royal palace word came to them from Ozma that
-she would at once grant them an audience.
-
-Dorothy told the girl Ruler how successful
-they had been in their quest until they came to
-the item of the yellow butterfly, which the Tin
-Woodman positively refused to sacrifice to the
-magic potion.
-
-"He is quite right," said Ozma, who did not seem
-a bit surprised. "Had Ojo told me that one of the
-things he sought was the wing of a yellow
-butterfly I would have informed him, before he
-started out, that he could never secure it. Then
-you would have been saved the troubles and
-annoyances of your long journey."
-
-"I didn't mind the journey at all," said
-Dorothy; "it was fun."
-
-"As it has turned out," remarked Ojo, "I can
-never get the things the Crooked Magician sent
-me for; and so, unless I wait the six years for
-him to make the Powder of Life, Unc Nunkie
-cannot be saved."
-
-Ozma smiled.
-
-"Dr. Pipt will make no more Powder of Life,
-I promise you," said she. "I have sent for him
-and had him brought to this palace, where he
-now is, and his four kettles have been destroyed
-and his book of recipes burned up. I have also
-had brought here the marble statues of your
-uncle and of Margolotte, which are standing in
-the next room.
-
-They were all greatly astonished at this
-announcement.
-
-"Oh, let me see Unc Nunkie! Let me see him
-at once, please!" cried Ojo eagerly.
-
-"Wait a moment," replied Ozma, "for I have
-something more to say. Nothing that happens
-in the Land of Oz escapes the notice of our wise
-Sorceress, Glinda the Good. She knew all about
-the magic-making of Dr. Pipt, and how he had
-brought the Glass Cat and the Patchwork Girl
-to life, and the accident to Unc Nunkie and
-Margolotte, and of Ojo's quest and his journey
-with Dorothy. Glinda also knew that Ojo would
-fail to find all the things he sought, so she sent
-for our Wizard and instructed him what to do.
-Something is going to happen in this palace,
-presently, and that 'something' will, I am sure,
-please you all. And now," continued the girl
-Ruler, rising from her chair, "you may follow
-me into the next room."
-
-
-
-
-Chapter Twenty-Eight
-
-The Wonderful Wizard of Oz
-
-
-When Ojo entered the room he ran quickly to
-the statue of Unc Nunkie and kissed the marble
-face affectionately.
-
-"I did my best, Unc," he said, with a sob, "but
-it was no use!"
-
-Then he drew back and looked around the room,
-and the sight of the assembled company quite
-amazed him.
-
-Aside from the marble statues of Unc Nunkie and
-Margolotte, the Glass Cat was there, curled up on
-a rug; and the Woozy was there, sitting on its
-square hind legs and looking on the scene with
-solemn interest; and there was the Shaggy Man, in
-a suit of shaggy pea-green satin, and at a table
-sat the little Wizard, looking quite important and
-as if he knew much more than he cared to tell.
-
-Last of all, Dr. Pipt was there, and the
-Crooked Magician sat humped up in a chair,
-seeming very dejected but keeping his eyes fixed
-on the lifeless form of his wife Margolotte,
-whom he fondly loved but whom he now feared
-was lost to him forever.
-
-Ozma took a chair which Jellia Jamb wheeled
-forward for the Ruler, and back of her stood the
-Scarecrow, the Tin Woodman and Dorothy, as
-well as the Cowardly Lion and the Hungry
-Tiger. The Wizard now arose and made a low
-bow to Ozma and another less deferent bow to
-the assembled company.
-
-"Ladies and gentlemen and beasts," he said,
-"I beg to announce that our Gracious Ruler has
-permitted me to obey the commands of the great
-Sorceress, Glinda the Good, whose humble Assistant
-I am proud to be. We have discovered that the
-Crooked Magician has been indulging in his magical
-arts contrary to Law, and therefore, by Royal
-Edict, I hereby deprive him of all power to work
-magic in the future. He is no longer a crooked
-magician, but a simple Munchkin; he is no longer
-even crooked, but a man like other men.
-
-As he pronounced these words the Wizard
-waved his hand toward Dr. Pipt and instantly
-every crooked limb straightened out and became
-perfect. The former magician, with a cry of joy,
-sprang to his feet, looked at himself in wonder,
-and then fell back in his chair and watched the
-Wizard with fascinated interest.
-
-"The Glass Cat, which Dr. Pipt lawlessly
-made," continued the Wizard, "is a pretty cat,
-but its pink brains made it so conceited that it
-was a disagreeable companion to everyone. So
-the other day I took away the pink brains and
-replaced them with transparent ones, and now
-the Glass Cat is so modest and well behaved
-that Ozma has decided to keep her in the palace
-as a pet."
-
-"I thank you," said the cat, in a soft voice.
-
-"The Woozy has proved himself a good Woozy and a
-faithful friend," the Wizard went on, "so we will
-send him to the Royal Menagerie, where he will
-have good care and plenty to eat all his life."
-
-"Much obliged," said the Woozy. "That beats
-being fenced up in a lonely forest and starved."
-
-"As for the Patchwork Girl," resumed the Wizard,
-"she is so remarkable in appearance, and so clever
-and good tempered, that our Gracious Ruler intends
-to preserve her carefully, as one of the
-curiosities of the curious Land of Oz. Scraps may
-live in the palace, or wherever she pleases, and
-be nobody's servant but her own."
-
-"That's all right," said Scraps.
-
-"We have all been interested in Ojo," the little
-Wizard continued, "because his love for his
-unfortunate uncle has led him bravely to face all
-sorts of dangers, in order that he might rescue
-him. The Munchkin boy has a loyal and generous
-heart and has done his best to restore Unc Nunkie
-to life. He has failed, but there are others more
-powerful than the Crooked Magician, and there are
-more ways than Dr. Pipt knew of to destroy the
-charm of the Liquid of Petrifaction. Glinda the
-Good has told me of one way, and you shall now
-learn how great is the knowledge and power of our
-peerless Sorceress."
-
-As he said this the Wizard advanced to the
-statue of Margolote and made a magic pass, at
-the same time muttering a magic word that
-none could hear distinctly. At once the woman
-moved, turned her head wonderingly this way
-and that, to note all who stood before her, and
-seeing Dr. Pipt, ran forward and threw herself
-into her husband's outstretched arms.
-
-Then the Wizard made the magic pass and
-spoke the magic word before the statue of Unc
-Nunkie. The old Munchkin immediately came
-to life and with a low bow to the Wizard said:
-"Thanks."
-
-But now Ojo rushed up and threw his arms
-joyfully about his uncle, and the old man
-hugged his little nephew tenderly and stroked
-his hair and wiped away the boy's tears with a
-handkerchief, for Ojo was crying from pure
-happiness.
-
-Ozma came forward to congratulate them.
-
-"I have given to you, my dear Ojo and Unc
-Nunkie, a nice house just outside the walls of
-the Emerald City," she said, "and there you
-shall make your future home and be under my
-protection."
-
-"Didn't I say you were Ojo the Lucky?"
-asked the Tin Woodman, as everyone crowded
-around to shake Ojo's hand.
-
-"Yes; and it is true!" replied Ojo, gratefully.
-
-
-
-
-
-The Wonderful Oz Books by L. Frank Baum
-
-THE WIZARD OF OZ
-THE LAND OF OZ
-OZMA OF OZ
-DOROTHY AND THE WIZARD IN OZ
-THE ROAD TO OZ
-THE EMERALD CITY OF OZ
-THE PATCHWORK GIRL OF OZ
-TIK-TOK OF OZ
-THE SCARECROW OF OZ
-RINKITINK IN OZ
-THE LOST PRINCESS OF OZ
-THE TIN WOODMAN OF OZ
-THE MAGIC OF OZ
-GLINDA OF OZ
-
-
-
-
-
-End of Project Gutenberg's Etext of The Patchwork Girl of Oz by Baum
-