diff options
Diffstat (limited to '9444.txt')
| -rw-r--r-- | 9444.txt | 980 |
1 files changed, 980 insertions, 0 deletions
diff --git a/9444.txt b/9444.txt new file mode 100644 index 0000000..bbb9d4d --- /dev/null +++ b/9444.txt @@ -0,0 +1,980 @@ +The Project Gutenberg EBook of Samantha Among the Brethren, Part 2. +by Josiah Allen's Wife (Marietta Holley) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Samantha Among the Brethren, Part 2. + +Author: Josiah Allen's Wife (Marietta Holley) + +Release Date: August 10, 2004 [EBook #9444] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SAMANTHA AMONG THE BRETHREN, *** + + + + +Produced by Juliet Sutherland, David Widger and PG Distributed +Proofreaders + + + + + + +SAMANTHA + +AMONG THE BRETHREN. + +By + +"Josiah Allen's Wife" + +(Marietta Holley) + + +Part 2 + + + + +CHAPTER IV. + + +Never knew a word about the threshin' machine a-comin' till about half +an hour before. Josiah Allen wuzn't to blame. It come just as onexpected +onto him as it did onto me. + +Solomon Gowdey wuz a-goin' to have 'em first, which would have left me +ample time to cook up for 'em. But he wuz took down bed sick, so they +had to come right onto us with no warnin' previous and beforehand. + +They wuz a drivin' up just as Josiah got the stove-pipe up. They had to +go right by the side of the house, right by the parlor winders, to get +to the side of the barn where they wanted to thresh; and just as they +wuz a-goin' by one of the horses got down, and of all the yellin' I ever +heard that was the cap sheaf. + +Steve Yerden is rough on his horses, dretful rough. He yells at 'em +enough to raise the ruff. His threshin' machine is one of the kind where +the horses walk up and look over the top. It is kinder skairful any way, +and it made it as bad agin when you expected to see the horse fall out +every minute. + +Wall, that very horse fell out of the machine three times that day. It +wuz a sick horse, I believe, and hadn't ort to have been worked. But +three times it fell, and each time the yellin' wuz such that it skairt +the author of "Peaceful Repose," and me, almost to death. + +The machine wuz in plain sight of the house, and every time we see the +horse's head come a mountin' up on top of the machine, we expected that +over it would go. But though it didn't fall out only three times, as I +said, it kep' us all nerved up and uneasy the hull of the time expectin' +it. And Steve Yerden kep' a-yellin' at his horses all the time; there +wuzn't no comfort to be took within a mile of him. + +I wuz awful sorry it happened so, on her account. + +[Illustration: "IT DIDN'T FALL OUT ONLY THREE TIMES."] + +Wall, I had to get dinner for nine men, and cook if all from the very +beginnin'. If you'll believe it, I had to begin back to bread. I hadn't +any bread in the house, but I had it a-risin', and I got two loaves out +by dinner time. But I had to stir round lively, I can tell you, to make +pies and cookies and fried cakes, and cook meat, and vegetables of all +kinds. + +The author of "Wedlock's Peaceful Repose" came out into the kitchen. I +told her she might, if she wanted to, for I see I wuzn't goin' to have a +minute's time to go into the parlor and visit with her. + +She looked pretty sober and thoughtful, and I didn't know as she liked +it, to think I couldn't do as I promised to do, accordin' to agreement, +to hear her lecture, and lift my hand up when I differed from her. + +But, good land! I couldn't help it. I couldn't get a minute's time to +lift my hand up. I could have heard the lecture, but I couldn't spare my +hands. + +And then Josiah would come a-rushin' in after one thing and another, +actin' as was natural, accordin' to the nater of man, more like a wild +man than a Christian Methodist. For he was so wrought up and excited by +havin' so much on his hands to do, and the onexpectedness of it, that he +couldn't help actin' jest as he did act. I don't believe he could. And +then Steve Yerden is enough to distract a leather-man, any way. + +[Illustration: "TO FIND A PIECE OF OLD ROPE TO TIE UP THE HARNESS."] + +Twice I had to drop everything and find cloths to do up the horse's +legs, where it had grazed 'em a-fallin' out of the machine. And once I +took my hands out of the pie-crust to find a piece of old rope to tie up +the harness. It seemed as if I left off every five minutes to wait on +Josiah Allen, to find somethin' that he wanted and couldn't find, or +else to do somethin' for him that he couldn't do. + +Truly, it was a wild and harrowin' time, and tegus. But I kept a firm +holt of my principles, and didn't groan--not when anybody could hear me. +I won't deny that I did, out in the buttery by myself, give vent to a +groan or two, and a few sithes. But immegiately, or a very little after, +I was calm again. + +Wall, worse things wuz a-comin' onto me, though I didn't know it. I owed +a tin peddler; had been owin' him for four weeks. I owed him twenty-five +pounds of paper rags, for a new strainer. I had been expectin' him for +over three weeks every day. But in all the three hundred and sixty-five +days of the year, there wuzn't another day that would satisfy him; he +had got to come on jest that day, jest as I wuz fryin' my nut cakes for +dinner. + +I tried to put him off till another day. But no! He said it wuz his last +trip, and he must have his rags. And so I had to put by my work, and lug +down my rag-bag. His steel-yards wuz broke, so he had to weigh 'em in +the house. It wuz a tegus job, for he wuz one of the perticuler kind, +and had to look 'em all over before he weighed 'em, and pick out every +little piece of brown paper, or full cloth--everything, he said, that +wouldn't make up into the nicest kind of writin' paper. + +And my steel-yards wuz out of gear any way, so they wouldn't weigh but +five pounds at a time, and he wuz dretful perticuler to have 'em just +right by the notch. + +And he would call on me to come and see just how the steel-yards stood +every time. (He wuz as honest as the day; I hain't a doubt of it.) + +But it wuz tegus, fearful tegus, and excitin'. Excitin', but not +exhileratin', to have the floor all covered with rags of different +shapes and sizes, no two of a kind. It wuz a curius time before he come, +and a wild time, but what must have been the wildness, and the curosity +when there wuz, to put a small estimate on it, nearly a billion of crazy +lookin' rags scattered round on the floor. + +[Illustration: "SHE LOOKED CURIUS, CURIUSER THAN THE FLOOR LOOKED."] + +But I kep' calm; I have got giant self-control, and I used every mite of +it, every atom of control I had by me, and kep' calm. I see I must--for +I see that Miss Fogg looked bad; yes, I see that the author of +"Wedlock's Peaceful Repose" wuz pretty much used up. She looked curius, +curiuser than the floor looked, and that is goin' to the complete end of +curosity, and metafor. + +Wall, I tussled along and got dinner ready. The tin peddler had to stay +to dinner, of course. I couldn't turn him out jest at dinner time. And +sometimes I almost think that he delayed matters and touzled 'round +amongst them rags jest a purpose to belate himself, so he would have to +stay to dinner. + +I am called a good cook. It is known 'way out beyend Loontown and +Zoar--it is talked about, I spoze. Wall, he stayed to dinner. But he +only made fourteen; there wuz only thirteen besides him, so I got along. +And I had a good dinner and enough of it. + +I had to wait on the table, of course--that is, the tea and coffee. And +I felt that a cup of good, strong tea would be a paneky. I wuz that wore +out and flustrated that I felt that I needed a paneky to soothe. + +And I got the rest all waited on and wuz jest a liftin' my cup to my +lips, the cup that cheers everybody but don't inebriate 'em--good, +strong Japan tea with cream in it. Oh, how good it smelt. But I hadn't +fairly got it to my mouth when I wuz called off sudden, before I had +drinked a drop, for the case demanded help at once. + +Miss Peedick had unexpected company come in, jest as they wuz a-settin' +down to the dinner-table, and she hadn't hardly anything for dinner, and +the company wuz very genteel--a minister and a Justice of the Peace--so +she wanted to borrow a loaf of bread and a pie. + +She is a good neighbor and is one that will put herself out for a +neighborin' female, and I went into the buttery, almost on the run, to +get 'em for her, for her girl said she wanted to get 'em into the house +and onto the table before Mr. Peedick come in with 'em from the horse +barn, for they knew that Mr. Peedick would lead 'em out to dinner the +very second they got into the house, and Miss Peedick didn't want her +husband to know that she had borrowed vittles, for he would be sure to +let the cat out of the bag, right at the table, by speakin' about 'em +and comparin' 'em with hern. + +I see the necessity for urgent haste, and the trouble wuz that I hurried +too much. In takin' down a pie in my awful hurry, I tipped over a pan of +milk right onto my dress. It wuz up high and I wuz right under the +shelf, so that about three tea-cupsful went down into my neck. But the +most went onto my dress, about five quarts, I should judge besides that +that wuz tricklin' down my backbone. + +[Illustration: "I SEE THE NECESSITY FOR URGENT HASTE."] + +Wall, I started Serintha Ann Peedick off with her ma's pie and bread, +and then wiped up the floor as well as I could, and then I had to go and +change my clothes. I had to change 'em clear through to my wrapper, for +I wuz wet as sop--as wet as if I had been takin' a milk swim. + + + + +CHAPTER V. + + +Wall, the author of "Wedlock's Peaceful Repose" wuz a-waitin' for me to +the table; the men had all got through and gone out. She sot right by +me, and she had missed me, I could see. Her eyes looked bigger than +ever, and more sad like. + +She said, "she was dretful sorry for me," and I believed her. + +She asked me in a awe-stricken tone, "if I had such trials every day?" + +And I told her "No, I didn't." I told her that things would run along +smooth and agreeable for days and days, but that when things got to +happenin', they would happen right along for weeks at a time, sometimes, +dretful curius. A hull batch of difficulties would rain down on anybody +to once. Sez I, "You know Mr. Shakespeare says that' Sorrows never come +a-spyin' along as single fighters, but they come in hull battles of +'em,' or words to that effect." + +Sez I, in reasonable axents, "Mebby I shall have a hull lot of good +things happen to me right along, one after another, some dretful +agreeable days, and easy." + +Sez she in the same sad axents, and wonderin', "Did you ever have +another day in your hull life as hard as this you are a-passin' +through?" + +"Oh, yes," sez I, "lots of'em--some worse ones, and," sez I, "the day +has only jest begun yet, I presume I shall have lots and lots of new +things happen to me before night. Because it is jest as I tell you, when +things get to happenin' there hain't no tellin' when they will ever +stop." + +Miss Fogg groaned, a low, deep groan, and that is every word she said, +only after a little while she spoke up, and sez: + +"You hain't eaten a bit of dinner; it all got cold while you wuz a +changin' your dress." + +"Oh, wall," sez I, "I can get along some way. And I must hurry up and +get the table cleared off any way, and get to my work agin', for I have +got to do a lot of cookin' this afternoon. It takes a sight of pies and +cakes and such to satisfy twelve or a dozen men." + +So I went to work vigorously agin. But well might I tell Miss Fogg "that +the day had only jest begun, and there wuz time for lots of things +to happen before night," for I had only jest got well to work on the +ingregiences of my pies when Submit Tewksbury sent over "to see if I +could let her have them sturchien seeds I had promised her--she wanted +'em to run up the inside of her bedroom winder, and shade her through +the winter. She wuz jest a-settin' out her winter stock of flower roots +and seeds, and wanted 'em immegiatly, and to once, that is, if it was +perfectly convenient," so the boy said. + +Submit is a good creeter, and she wouldn't have put that burden on me on +such a time for nothin', not if she had known my tribulations; but she +didn't, and I felt that one trial more wouldn't, as the poet hath well +said, "either make or break me." + +So I went to huntin' for the seeds. Wall, it wuz a good half-hour before +I could find 'em, for of course it wuz natural nater, accordin' to the +total deprivity of things, that I should find 'em in the bottom of the +last bag of seeds that I overhauled. + +But Submit had been disappointed, and I didn't want to make her burdens +any heavier, so I sent her the sturchien seeds. + +But it wuz a trial I do admit to look over more than forty bags of +garden and flower seeds in such a time as that. But I sent 'em. I sent +Submit the sturchien seeds, and then I laid to work again fast as I +possibly could. + +But I sez to the author of "Peaceful Repose," I sez to her, sez I: + +"I feel bad to think I hain't gettin' no time to hear you rehearse your +lecture, but you can see jest how it is; you see I hain't had a minute's +time today. Mebby I will get a few minutes' time before night; I will +try to," sez I. + +"Oh," sez she, "it hain't no matter about that; I--I--I somehow--I don't +feel like rehearsin' it as it was." Sez she, "I guess I shall make some +changes in it before I rehearse it agin." + +Sez I, "You lay out to make a more mean thing of it, more megum." + +"Yes," sez she, in faint axents, "I am a-thinkin' of it." + +[Illustration: "AS I STARTED FOR THE BUTTERY."] + +"Wall," sez I cheerfully, as I started for the buttery with a pile of +cups in one hand, the castor and pickle dish in the other, and a pile of +napkins under my arm, "I believe I shall like it as well again if you +do, any way," sez I, as I kicked away the cat that wuz a-clawin' my +dress, and opened the door with my foot, both hands bein' full. + +"Any way, there will be as much agin truth in it." + +Wall, I went to work voyalently, and in two hours' time I had got my +work quelled down some. But I had to strain nearly every nerve in the +effort. + +And I am afraid I didn't use the colporter just exactly right, who come +when I wuz right in the midst of puttin' the ingregiences into my tea +cakes. I didn't enter so deep into the argument about the Revised +New Testament as I should in easier and calmer times. I conversed +considerable, I argued some with him, but I didn't get so engaged as +mebby I had ort to. He acted disappointed, and he didn't stay and talk +more'n an hour and three quarters. + +He generally spends half a day with us. He is a master hand to talk; +he'll make your brain fairly spin round he talks so fast and handles +such large, curius words. He talked every minute, only when I wuz +a-answerin' his questions. + +[Illustration: "THERE WUZ SOMETHIN' WRONG ABOUT 'EM."] + +Wall, he had jest gone, the front gate had just clicked onto him, when +Miss Philander Dagget came in at the back door. She had her press-board +in her hand, and a coat over her arm, and I see in a minute that I had +got another trial onto me. I see I had got to set her right. + +I set her a chair, and she took off her sun-bonnet and hung it over the +back of her chair, and set down, and then she asked me if I could spend +time to put in the sleeves of her husband's coat. She said "there wuz +somethin' wrong about em', but she didn't know what." + +She said "she wouldn't have bothered me that day when I had so much +round, but Philander had got to go to a funeral the next day, as one of +the barriers, and he must have his coat." + +Wall, I wrung my hands out of the dish-water they was in at the time, +and took the coat and looked at it, and the minute I set my eyes on it +I see what ailed it I see she had got the sleeves sot in so the elbows +come right in front of his arms, and if he had wore it in that condition +to the funeral or anywhere else he would have had to fold up his arms +right acrost his back; there wuzn't no other possible way. + +And then I turned tailoress and helped her out of her trouble. I sot +the sleeves in proper, and fixed the collar. She had got it sot on as a +ruffle. I drawed it down smooth where it ort to be and pinned it--and +she went home feelin' first rate. + +I am very neighborly, and helpful, and am called so. Jonesville would +miss me if any thing should happen. + +[Illustration: "SHE IS APT TO GET THINGS WRONG."] + +I have often helped that woman a sight. She is a good, willin' creeter, +but she is apt to get things wrong, dretful apt. She made her little +boy's pantaloons once wrong side before, so it would seem that he would +have to set down from the front side, or else stand up. + +And twice she got her husband's pantaloons sewed up so there wuz no way +to get into em' only to crawl up into 'em through the bottom of the +legs. But I have always made a practice of rippin' and tearin' and +bastin', and settin' her right, and I did now. + +Wall, she hadn't hardly got out of the back door, when Josiah Allen came +in in awful distress, he had got a thorn in his foot, he had put on an +old pair of boots, and there wuz a hole in the side of one of 'em, and +the thorn had got in through the hole. It pained him dretfully, and he +wuz jest as crazy as a loon for the time bein'. And he hollered the +first thing that "he wanted some of Hall's salve." And I told him "there +wuzn't a mite in the house." + +And he hollered up and says, "There would be some if there wuz any sense +in the head of the house." + +[Illustration: "HE WANTED SOME OF HALL'S SALVE."] + +I glanced up mechanically at his bald head, but didn't say nothin', for +I see it wouldn't do. And he hollered out agin, "Why hain't there any +Hall's salve?" Sez I, "Because old Hall has been dead for years and +years, and hain't made any salve." + +"Wall, he wouldn't have been dead if he had had any care took of him," +he yelled out. + +"Why," sez I, "he wuz killed by lightnin'; struck down entirely +onexpected five years ago last summer." + +"Oh, argue and dispute with a dying man. Gracious Peter! what will +become of me!" he groaned out, a-holdin' his foot in his hand. + +Sez I, "Let me put some Pond's Extract on it, Josiah." + +"Pond's Extract!" he yelled, and then he called that good remedy words I +wuz ashamed to hear him utter. + +And he jumped round and pranced and kicked just as it is the nater of +man to act under bodily injury of that sort. And then he ordered me to +take a pin and get the thorn out, and then acted mad as a hen at me +all the time I wuz a-doin' it; acted jest as if I wuz a-prickin' him +a-purpose. + +He talked voyalent and mad. I tried to hush him down; I told him the +author of "Wedlock's Peaceful Repose" would hear him, and he hollered +back "he didn't care a cent who heard him. He wuz killed, and he +shouldn't live to trouble anybody long if that pain kept up." + +His acts and words wuz exceedingly skairful to anybody who didn't +understand the nater of a man. But I wuzn't moved by 'em so much as the +width of a horse hair. Good land! I knew that jest as soon as the pain +subsided he would be good as gold, so I kep' on, cool and collected, and +got the thorn out, and did up the suffering toe in Pond's Extract, and I +hadn't only jest got it done, when, for all the world! if I didn't see a +double team stop in front of the house, and I peeked through the winder +and see as it wuz the livery stable man from Jonesville, and he had +brung down the last straws to be lifted onto the camel's back--a hull +lot of onexpected company. A hull load of 'em. + +There wuz the Baptist minister and his wife and their three children, +and the minister's wife's sister-in-law from the West, who wuz there +a-visitin', and the editor of the _Augur'ses_ wife (she wuz related to +the visitor from the West by marriage) and three of the twins. And old +Miss Minkley, she wuz acquainted with the visitor's mother, used to go +to school with her. And Drusilly Sypher, she wuz the visitor from the +West's bosom friend, or used to be. + +Wall, they had all come down to spend the afternoon and visit with each +other, and with me and Josiah, and stay to supper. + + + + +CHAPTER VI. + + +The author of "Peaceful Repose" sez to me, and she looked pale and +skairt; she had heard every word Josiah had said, and she wuz dretful +skairt and shocked (not knowin' the ways of men, and not understandin', +as I said prior and before, that in two hours' time he would be jest as +good as the very best kind of pie, affectionate, and even spoony, if I +would allow spoons, which I will not the most of the time). Wall, she +proposed, Miss Fogg did, that she should ride back with the livery man. +And though I urged her to stay till night, I couldn't urge her as hard +as I would otherwise, for by that time the head of the procession of +visitors had reached the door-step, and I had to meet 'em with smiles. + +[Illustration: "SHE PROPOSED THAT SHE SHOULD RIDE BACK WITH THE LIVERY +MAN."] + +I smiled some, I thought I must. But they wuz curius smiles, very, +strange-lookin' smiles, sort o' gloomy ones, and mournful lookin'. I +have got lots of different smiles that I keep by me for different +occasions, every woman has, and this wuz one of my most mournfulest and +curiusest ones. + +Wall, the author of "Wedlock's Peaceful and Perfect Repose" insisted on +goin', and she went. And I sez to her as she went down the steps, "That +if she would come up some other day when I didn't have quite so much +work round, I would be as good as my word to her about hearin' her +rehearse the lecture." + +But she said, as she hurried out to the gate, lookin' pale an' wan (as +wan agin as she did when she came, if not wanner): "That she should make +_changes_ in it before she ever rehearsed it agin--_deep changes_!" + +And I should dare to persume to say that she did. Though, as I say, she +went off most awful sudden, and I hadn't seen nor heard from her sence +till I got this letter. + +Wall, jest as I got through with the authoresses letter, and Lodema +Trumble's, Josiah Allen came. And I hurried up the supper. I got it all +on the table while I wuz a steepin' my tea (it wuz good tea). And we sot +down to the table happy as a king and his queen. I don't s'pose queens +make a practice of steepin' tea, but mebby they would be better off if +they did--and have better appetites and better tea. Any way we felt +well, and the supper tasted good. And though Josiah squirmed some when I +told him Lodema wuz approachin' and would be there that very night or +the next day--still the cloud wore away and melted off in the glowin' +mellowness of the hot tea and cream, the delicious oysters and other +good things. + +[Illustration: "MY PARDNER ENJOYS GOOD VITTLES."] + +My pardner, though, as he often says, is not a epicack, still he duz +enjoy good vittles dretful well and appreciates 'em. And I make a stiddy +practice of doin' the best I can by him in this direction. + +And if more females would foller on and cipher out this simple rule, and +get the correct answer to it, the cramp in the right hands of divorce +lawyers would almost entirely disappear. + +For truly it seems that _no_ human man _could be_ more worrysome, and +curius, and hard to get along with than Josiah Allen is at times; still, +by stiddy keepin' of my table set out with good vittles from day to day, +and year to year, the golden cord of affection has bound him to me by +ties that can't never be broken into. + +He worships me! And the better vittles I get, the more he thinks on me. +For love, however true and deep it is, is still a tumultous sea; it has +its high tides, and its low ones, its whirlpools, and its calms. + +He loves me a good deal better some days than he does others; I see it +in his mean. And mark you! mark it well, female reader, these days are +the ones that I cook up sights and sights of good food, and with a +cheerful countenance and clean apron, set it before him in a bright +room, on a snowy table-cloth! + +Great--great is the mystery of men's love. + +I have often and often repeated this simple fact and truth that +underlies married life, and believe me, dear married sisters, too much +cannot be said about it, by those whose hearts beat for the good of +female and male humanity--and it _cannot_ be too closely followed up and +practised by female pardners. + +But I am a-eppisodin'; and to resoom. + +Wall, Lodema Trumble arrove the next mornin' bright and early--I mean +the mornin' wuz bright, not Lodema--oh no, fur from it; Lodema is never +bright and cheerful--she is the opposite and reverse always. + +She is a old maiden. I do think it sounds so much more respectful to +call 'em so rather than "old maid" (but I had to tutor Josiah dretful +sharp before I could get him into it). + +I guess Lodema is one of the regular sort. There is different kinds of +old maidens, some that could marry if they would, and some that +would but couldn't. And I ruther mistrust she is one of the +"would-but-couldn't's," though I wouldn't dast to let her know I said +so, not for the world. + +Josiah never could bear the sight of her, and he sort o' blamed her for +bein' a old maiden. But I put a stop to that sudden, for sez I: + +"She hain't to blame, Josiah." + +And she wuzn't. I hain't a doubt of it. + +Wall, how long she calculated to stay this time we didn't know. But we +had our fears and forebodin's about it; for she wuz in the habit of +makin' awful long visits. Why, sometimes she would descend right down +onto us sudden and onexpected, and stay fourteen weeks right along--jest +like a famine or a pestilence, or any other simely that you are a mind +to bring up that is tuckerin' and stiddy. + +And she wuz disagreeable, I'll confess, and she wuz tuckerin', but I +done well by her, and stood between her and Josiah all I could. He loved +to put on her, and she loved to impose on him. I don't stand up for +either on 'em, but they wuz at regular swords' pints all the time +a'most. And it come fearful tuff on me, fearful tuff, for I had to stand +the brunt on it. + +But she is a disagreeable creeter, and no mistake. She is one of them +that can't find one solitary thing or one solitary person in this wide +world to suit 'em. If the weather is cold she is pinin' for hot weather, +and if the weather is hot she is pantin' for zero. + +[Illustration: "BUT SHE IS A DISAGREEABLE CREETER."] + +If it is a pleasant day the sun hurts her eyes, and if it is cloudy she +groans aloud and says "she can't see." + +And no human bein' wuz ever known to suit her. She gets up early in the +mornin' and puts on her specs, and goes out (as it were) a-huntin' up +faults in folks. And she finds 'em, finds lots of 'em. And then she +spends the rest of the day a-drivin' 'em ahead of her, and groanin' at +'em. + +You know this world bein' such a big place and so many different sort o' +things in it that you can generally find in it the perticuler sort of +game you set out to hunt in the mornin'. + +If you set out to hunt beauty and goodness, if you take good aim and are +perseverin'--if you jest track 'em and foller 'em stiddy from mornin' +till night, and don't get led away a-follerin' up some other game, +such as meanness and selfishness and other such worthless head o' +cattle--why, at night you will come in with a sight of good game. You +will be a noble and happy hunter. + +[Illustration: "BUT FIT WITH THEIR TONGUES, FEARFUL."] + +At the same time, if you hunt all day for faults you will come in at +night with sights of pelts. You will find what you hunt for, track 'em +right along and chase 'em down. Wall, Lodema never got led away from +her perticuler chase. She just hunted faults from mornin' till night, +and done well at it. She brought in sights of skins. + +But oh! wuzn't it disagreeable in the extreme to Samantha, who had +always tried to bend her bow and bring down Beauty, to have her familiar +huntin' grounds turned into so different a warpath. It wuz disagreeable! +It wuz! It wuz! + +And then, havin' to stand between her and Josiah too, wuz fearful +wearin' on me. I had always stood there in the past, and now in this +visit it wuz jest the same; all the hull time, till about the middle of +the fifth week, I had to stand between their two tongues--they didn't +fight with their hands, but fit with their tongues, fearful. + + + + + +End of the Project Gutenberg EBook of Samantha Among the Brethren, Part 2. +by Josiah Allen's Wife (Marietta Holley) + +*** END OF THIS PROJECT GUTENBERG EBOOK SAMANTHA AMONG THE BRETHREN, *** + +***** This file should be named 9444.txt or 9444.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/4/4/9444/ + +Produced by Juliet Sutherland, David Widger and PG Distributed +Proofreaders + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
