summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--9399.txt1062
-rw-r--r--9399.zipbin0 -> 19095 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/roman10.txt1035
-rw-r--r--old/roman10.zipbin0 -> 18548 bytes
7 files changed, 2113 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/9399.txt b/9399.txt
new file mode 100644
index 0000000..77f2ffd
--- /dev/null
+++ b/9399.txt
@@ -0,0 +1,1062 @@
+The Project Gutenberg EBook of A Roman Lawyer in Jerusalem, by W. W. Story
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Roman Lawyer in Jerusalem
+ First Century
+
+Author: W. W. Story
+
+Posting Date: February 16, 2013 [EBook #9399]
+Release Date: November, 2005
+First Posted: September 29, 2003
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A ROMAN LAWYER IN JERUSALEM ***
+
+
+
+
+Produced by Ted Garvin, Danny Wool and PG Distributed Proofreaders
+
+
+
+
+
+
+
+
+
+ A Roman Lawyer in Jerusalem
+
+ First Century
+
+ By
+
+ W.W. Story
+
+
+
+
+
+ A ROMAN LAWYER IN JERUSALEM
+
+
+ Marcus, abiding in Jerusalem,
+ Greeting to Caius, his best friend in Rome!
+ _Salve!_ these presents will be borne to you
+ By Lucius, who is wearied with this place,
+ Sated with travel, looks upon the East
+ As simply hateful--blazing, barren, bleak,
+ And longs again to find himself in Rome,
+ After the tumult of its streets, its trains
+ Of slaves and clients, and its villas cool
+ With marble porticoes beside the sea,
+ And friends and banquets--more than all, its games--
+ This life seems blank and flat. He pants to stand
+ In its vast circus all alive with heads
+ And quivering arms and floating robes--the air
+ Thrilled by the roaring _fremitus_ of men--
+ The sunlit awning heaving overhead,
+ Swollen and strained against its corded veins
+ And flapping out its hem with loud report--
+ The wild beasts roaring from the pit below--
+ The wilder crowd responding from above
+ With one long yell that sends the startled blood
+ With thrill and sudden flush into the cheeks--
+ A hundred trumpets screaming--the dull thump
+ Of horses galloping across the sand--
+ The clang of sabbards, the sharp clash of steel--
+ Live swords, that whirl a circle of grey fire--
+ Brass helmets flashing 'neath their streaming hair--
+ A universal tumult--then a hush
+ Worse than the tumult--all eyes staining down
+ To the arena's pit--all lips set close--
+ All muscles strained--and then that sudden yell,
+ _Habet!_--That's Rome, says Lucius! so it is!
+ That is, 'tis _his_ Rome--'tis not yours and mine.
+
+ And yet, great Jupiter here at my side,
+ He stands with face aside as if he saw
+ The games he thus describes, and says, "That's life!
+ Life! life! my friend, and this is simply death!
+ Ah! for my Rome!" I jot his very words
+ Just as he utters them. I hate these games,
+ And Darius knows it, yet he will go on,
+ And all against my will he stirs my blood--
+ I suspend my letter for a while.
+
+ A walk has calmed me--I begin again--
+ Letting this last page, since it is written, stand.
+ Lucius is going: you will see him soon
+ In our great Forum, there with him will walk,
+ And hear him rail and rave against the East.
+ I stay behind--for these bare silences,
+ These hills that in the sunset melt and burn,
+ This proud stern people, these dead seas and lakes,
+ These sombre cedars, this intense still sky,
+ To me, o'erwearied with life's din and strain,
+ Are grateful as the solemn blank of night
+ After the fierce day's irritant excess;
+ Besides, a deep absorbing interest
+ Detains me here, fills up my mind, and sways
+ My inmost thoughts--has got, as 'twere a gripe
+ Upon my very life, as strange as new.
+ I scarcely know how well to speak of this,
+ Fearing your raillery at best--at worst
+ Even your contempt; yet, spite of all, I speak.
+
+ First, do not deem me to have lost my head,
+ Sunstruck, as that man Paulus was at Rome.
+ No, I am sane as ever, and my pulse
+ Beats even, with no fever in my blood.
+ And yet I half incline to think his words,
+ Wild as they were, were not entirely wild.
+ Nay, shall I dare avow it? I half tend,
+ Here in this place, surrounded by these men--
+ Despite the jeering natural at first,
+ And then the pressure of my life-long thought
+ Trained up against it--to excuse his faith,
+ And half admit the Christus he thinks God
+ Is, at the least, a most mysterious man.
+ Bear with me if I now avow so much:
+ When next we meet I will expose my mind,
+ But now the subject I must scarcely touch.
+
+ How many a time, while sauntering up and down
+ The Forum's space, or pausing 'neath the shade
+ Of some grand temple, arch, or portico,
+ Have we discussed some knotty point of law,
+ Some curious case, whose contradicting facts
+ Looked Janus-faced to innocence and guilt.
+ I see you now arresting me, to note
+ With quiet fervor and uplifted hand
+ Some subtle view or fact by me o'erlooked,
+ And urging me, who always strain my point
+ (Being too much, I know, a partisan),
+ To pause, and press not to the issue so,
+ But more apart, with less impetuous zeal,
+ Survey as from an upper floor the facts.
+
+ I need you now to rein me in, too quick
+ To ride a whim beyond the term of Truth,
+ For here a case comes up to which in vain
+ I seek a clue: you could clear up my mind,
+ But you are absent--so I send these notes.
+
+ The case is of one Judas, Simon's son,
+ Iscariot called--a Jew--and one of those
+ Who followed Christus, held by some a god,
+ But deemed by others to have preached and taught
+ A superstition vile, of which one point
+ Was worship of an ass; but this is false!
+ Judas, his follower, all the sect declare,
+ Bought by a bribe of thirty silver coins,
+ Basely betrayed his master unto death.
+ The question is--Did Judas, doing this,
+ Act from base motives and commit a crime?
+ Or, all things taken carefully in view,
+ Can he be justified in what he did?
+
+ Here on the spot, surrounded by the men
+ Who acted in the drama, I have sought
+ To study out this strange and tragic case.
+ Many are dead--as Herod, Caiaphas,
+ And also Pilate--a most worthy man,
+ Under whose rule, but all without his fault,
+ And, as I fancy, all against his will,
+ Christus was crucified. This I regret:
+ His words with me would have the greatest weight;
+ But Lysias still is living, an old man,
+ The chief of the Centurions, whose report
+ Is to be trusted, as he saw and heard,
+ Not once, but many a time and oft, this man.
+ His look and bearing, Lysias thus describes:
+ "Tall, slender, not erect, a little bent;
+ Brows arched and dark; a high-ridged lofty head;
+ Thin temples, veined and delicate; large eyes,
+ Sad, very serious, seeming as it were
+ To look beyond you, and whene'er he spoke
+ Illumined by an inner lamping light--
+ At times, too, gleaming with a strange wild fire
+ When taunted by the rabble in the streets;
+ A Jewish face, complexion pale but dark;
+ Thin, high-art nostrils, quivering constantly;
+ Long nose, full lips, hands tapering, full of veins;
+ His movements nervous; as he walked he seemed
+ Scarcely to heed the persons whom he passed,
+ And for the most part gazed upon the ground.
+
+ "As for his followers, I knew them all--
+ A strange mad set and full of fancies wild--
+ John, Peter, James--and Judas best of all--
+ All seemed to me good men without offence--
+ A little crazed--but who is wholly sane?
+ They went about and cured the sick and halt,
+ And gave away their money to the poor,
+ And all their talk was charity and peace.
+ If Christus thought and said he was a god,
+ 'Twas harmless madness, not deserving death.
+ What most aroused the wealthy Rabbis' rage
+ Was that he set the poor against the rich,
+ And cried that rich men all would go to hell,
+ And, worst of all, roundly denounced the priests,
+ With all their rich phylacteries and robes--
+ Said they were hypocrites who made long prayers,
+ And robbed poor widows and devoured their means;
+ And were at best but whited sepulchres:
+ And this it was that brought him to the Cross.
+
+ "Those who went with him and believed in him
+ Were mostly dull, uneducated men,
+ Simple and honest, dazed by what he did,
+ And misconceiving every word he said.
+ He led them with him in a spell-bound awe,
+ And all his cures they called miraculous.
+ They followed him like sheep where'er he went,
+ With feelings mixed of wonder, fear and love.
+ Yes! I suppose they loved him, though they fled
+ Stricken with fear when we arrested him."
+
+ "What! all--all fled?" I asked. "Did none remain?"
+ "Not one," he said--"all left him to his fate,
+ Not one dared own he was a follower--
+ Not one gave witness for him of them all.
+ Stop! When I say not one of them, I mean
+ No one but Judas--Judas whom they call
+ The traitor--who betrayed him to his death.
+ He rushed into the council-hall and cried,
+ ''Tis I have sinned--Christus is innocent.'"
+
+ And here I come to what of all I've heard
+ Most touched me--I for this my letter write.
+ Paulus, you know, had only for this man,
+ This Judas, words of scorn and bitter hate.
+ Mark now the different view that Lysias took,
+ When, urged by me, his story thus he told:
+
+ "Some say that Judas was a base, vile man
+ Who sold his master for the meanest bribe;
+ Others again insist he was most right,
+ Giving to justice one who merely sought
+ To overthrow the Church, subvert the law,
+ And on its ruins build himself a throne.
+ I, knowing Judas--and none better knew--
+ I, caring naught for Christus more than him,
+ But hating lies, the simple truth will tell,
+ No man can say I ever told a lie--
+ I am too old now to begin. Besides,
+ The truth is truth, and let the truth be told.
+ Judas, I say, alone of all the men
+ Who followed Christus thought that he was God.
+ Some feared him for his power of miracles;
+ Some were attracted by a sort of spell;
+ Some followed him to hear his sweet, clear voice
+ And gentle speaking, hearing with their ears,
+ And knowing not the sense of what he said--
+ But one alone believed he was the Lord,
+ The true Messiah of the Jews. That one
+ Was Judas--he alone of all the crowd.
+
+ "He to betray his master for a bribe!
+ He last of all. I say this friend of mine
+ Was brave when all the rest were cowards there.
+ His was a noble nature: frank and bold,
+ Almost to rashness bold, yet sensitive,
+ Who took his dreams for firm realities--
+ Who once believing, all in all believed--
+ Rushing at obstacles and scorning risk,
+ Ready to venture all to gain his end,
+ No compromise or subterfuge for him,
+ His act went from his thought straight to the butt;
+ Yet with this ardent and impatient mood
+ Was joined a visionary mind that took
+ Impressions quick and fine, yet deep as life.
+ Therefore it was that in this subtle soil
+ The master's words took root and grew and flowered.
+ He heard and followed and obeyed; his faith
+ was serious, earnest, real--winged to fly;
+ He doubted not, like some who walked with him--
+ Desired no first place, as did James and John--
+ Denied him not with Peter: not to him
+ His master said, 'Away! thou'rt an offence;
+ Get thee behind me, Satan!'--not to him,
+ 'Am I so long with ye who know me not?'
+ Fixed as a rock, untempted by desires
+ To gain the post of honor when his Lord
+ Should come to rule--chosen from out the midst
+ Of six-score men as his apostle--then
+ Again selected to the place of trust,
+ Unselfish, honest, he among them walked.
+
+ "That he was honest, and was so esteemed,
+ Is plain from this--they chose him out of all
+ To bear the common purse, and take and pay.
+ John says he was a thief, because he grudged
+ The price that for some ointment once was paid,
+ And urged 'twere better given to the poor.
+ But did not Christus ever for the poor
+ Lift up his voice--'Give all things to the poor!
+ Sell everything and give all to the poor!'
+ And Judas, who believed, not made believe,
+ Used his own words, and Christus, who excused
+ The gift because of love, rebuked him not.
+ Thief! ay, he 'twas, this very thief, they chose
+ To bear the purse and give alms to the poor.
+ I, for my part, see nothing wrong in this."
+
+ "But why, if Judas was a man like this,
+ Frank, noble, honest"--here I interposed--
+ "Why was it that he thus betrayed his Lord?"
+
+ "This question oft did I revolve," said he,
+ "When all the facts were fresh, and oft revolved
+ In latter days, and with no change of mind;
+ And this is my solution of the case:
+
+ "Daily he heard his master's voice proclaim,
+ 'I am the Lord! the Father lives in me!
+ Who knoweth me knows the eternal God!
+ He who believes in me shall never die!
+ No! he shall see me with my angels come
+ With power and glory here upon the earth
+ To judge the quick and dead! Among you here
+ Some shall not taste of death before I come
+ God's kingdom to establish on the earth!'
+
+ "What meant these words? They seethed in Judas' soul.
+ Here is my God--Messias, King of kings,
+ Christus, the Lord--the Saviour of us all.
+ How long shall he be taunted and reviled,
+ And threatened by this crawling scum of men?
+ Oh, who shall urge the coming of that day
+ When he in majesty shall clothe himself
+ And stand before the astounded world its King?'
+ Long brooding over this inflamed his soul,
+ And, ever rash in schemes as wild in thought,
+ At last he said, 'No longer will I bear
+ This ignominy heaped upon my Lord.
+ No man hath power to harm the Almighty One.
+ Ay, let men's hands be lifted, then at once,
+ Effulgent like the sun, swift like the sword,
+ The jagged lightning flashes from the cloud,
+ Shall he be manifest--the living God--
+ And prostrate all shall on the earth adore!'
+
+ "Such was his thought when at the passover
+ The Lord with his disciples met and supped:
+ And Christus saw the trouble in his mind,
+ And said 'Behold, among you here is one
+ That shall betray me--he to whom I give
+ This sop,' and he the sop to Judas gave;
+ And added--'That thou doest, quickly do;'
+ And Judas left him, hearing these last words--
+ 'Now shall the Son of man be glorified.'
+
+ "Ah yes! his master had divined his thought--
+ His master should be glorified through him.
+
+ "Straight unto me and the high priests he came,
+ Filled with this hope, and said, 'Behold me here,
+ Judas, a follower of Christus! Come!
+ I will point out my master whom you seek!'
+ And out at once they sent me with my band;
+ And as we went, I said, rebuking him,
+ 'How, Judas, is it you who thus betray
+ The Lord and master whom you love, to death?'
+ And, smiling, then he answered, 'Fear you not
+ Do you your duty; take no heed of me.'
+ 'Is not this vile?' I said; 'I had not deemed
+ Such baseness in you.' 'Though it seems so now,'
+ Still smiling he replied, 'wait till the end.'
+ Then turning round as to himself he said,
+ 'Now comes the hour that I have prayed to see--
+ The hour of joy to all who know the truth.'
+
+ "'Is this man mad?' I thought, and looked at him;
+ And, in the darkness creeping swiftly on,
+ His face was glowing, almost shone with light;
+ And rapt as if in visionary thought
+ He walked beside me, gazing at the sky.
+
+ "Passing at last beyond the Cedron brook
+ We reached a garden on whose open gate
+ Dark vines were loosely swinging. Here we paused
+ And lifted up our torches, and beheld
+ Against the blank white wall a shadowy group,
+ There waiting motionless, without a word;
+ A moment, and with rapid, nervous step
+ Judas alone advanced, and, as he reached
+ The tallest figure lifted quick his head;
+ And crying, 'Master! Master!' kissed his cheek.
+ We, knowing it was Christus, forward pressed.
+ Malchus was at my side, when suddenly
+ A sword flashed out from one among them there,
+ And sheared his ear. At once our swords flashed out,
+ But Christus, lifting up his hand, said, 'Peace,
+ Sheathe thy sword, Peter--I must drink the cup.'
+ And I cried also, 'Peace, and sheathe your swords,'
+ Then on his arm I placed my hand, and said,
+ 'In the law's name.' He nothing said, but reached
+ His arm out, and we bound his hands with cords.
+ This done I turned, but all the rest had fled,
+ And he alone was left to meet his fate.
+
+ "My men I ordered then to take and bear
+ Their prisoner to the city; and at once
+ They moved away, I, seeing not our guide,
+ Cried, 'Judas!' but no answer: then a groan
+ So sad and deep it startled me. I turned,
+ And there against the wall, with ghastly face,
+ And eyeballs starting in a frenzied glare,
+ As in a fit, lay Judas; his weak arms
+ Hung lifeless down, his mouth half open twitched,
+ His hands were clutched and clinched into his robes,
+ And now and then his breast heaved with a gasp.
+ Frightened I dashed some water in his face,
+ Spoke to him, lifted him, and rubbed his hands.
+ At last the sense came back into his eyes,
+ Then with a sudden spasm fled again,
+ And to the ground he dropped. I searched him o'er,
+ Fearing some mortal wound, yet none I found.
+ Then with a gasp again the life returned,
+ And stayed, but still with strong convulsion twitched.
+ 'Speak, Judas! Speak!' I cried. What does this mean?
+ No answer! 'Speak, man!' Then at last he groaned.
+ 'Go, leave me, leave me, Lysias. Oh, my God!
+ What have I done? Oh, Christus! Master, Lord.
+ Forgive me, oh, forgive me!' Then a cry
+ Of agony that pierced me to the heart,
+ As groveling on the ground he turned away
+ And hid his face, and shuddered in his robes.
+ Was this the man whose face an hour ago
+ Shone with a joy so strange? What means it all?
+ Is this a sudden madness? 'Speak!' I cried.
+ 'What means this, Judas? Be a man and speak?'
+ Yet there he lay, and neither moved nor spoke.
+ I thought that he had fainted, till at last,
+ Sudden he turned, grasped my arm, and cried,
+ 'Say, Lysias, is this true, or am I mad?'
+ 'What true?' I said. 'True that you seized the Lord!
+ You could not seize him--he is God the Lord!
+ I thought I saw you seize him. Yet I know
+ That was impossible, for he is God!
+ And yet you live--you live. He spared you, then.
+ Where am I? what has happened? A black cloud
+ Came o'er me when you laid your hands on him.
+ Where are they all? Where is he? Lysias, speak?'
+
+ "'Judas,' I said, 'what folly is all this?
+ Christus my men have bound and borne away!
+ The rest have fled. Rouse now and come with me;
+ My men await me, rouse yourself and come!'
+
+ "Throwing his arms up, in a fit he fell,
+ With a loud shriek that pierced the silent night.
+ I could not stay, but, calling instant aid,
+ We bore him quick to the adjacent house.
+ And placing him in kindly charge, I left,
+ Joining my men who stayed for me below.
+
+ "Straight to the high priest's house we hurried on,
+ And Christus in an inner room we placed,
+ Set at his door a guard, and then came out.
+ After a time there crept into the hall
+ Where round the blazing coals we sat, a man,
+ Who in the corner crouched. 'What man are you?'
+ Cried some one; and I turning, looked at him.
+ 'Twas Peter. ''Tis a fellow of that band
+ That followed Christus, and believed in him.'
+ ''Tis false!' cried Peter; and he cursed and swore.
+ 'I know him not--I never saw the man.'
+ But I said nothing. Soon he went away.
+
+ "That night I saw not Judas. The next day,
+ Ghastly, clay-white, a shadow of a man,
+ With robes all soiled and torn, and tangled beard,
+ Into the chamber where the council sat
+ Came feebly staggering: scarce should I have known
+ 'Twas Judas, with that haggard, blasted face:
+ So had that night's great horror altered him.
+ As one all blindly walking in a dream
+ He to the table came--against it leaned--
+ Glared wildly round a while; then, stretching forth,
+ from his torn robes, a trembling hand, flung down,
+ As if a snake had stung him, a small purse,
+ That broke and scattered its white coins about,
+ And, with a shrill voice, cried, 'Take back the purse
+ 'Twas not for that foul dross I did the deed--
+ 'Twas not for that--oh, horror! not for that!
+ But that I did believe he was the Lord;
+ And that he is the Lord I still believe.
+ But oh, the sin!--the sin! I have betrayed
+ The innocent blood, and I am lost!--am lost!'
+ So crying, round his face his robes he threw,
+ And blindly rushed away; and we, aghast,
+ Looked round--and no one for a moment spoke.
+
+ "Seeing that face, I could but fear the end;
+ For death was in it, looking through his eyes.
+ Nor could I follow to arrest the fate
+ That drove him madly on with scorpion whip.
+
+ "At last the duty of the day was done,
+ And night came on. Forth from the gates I went,
+ Anxious and pained by many a dubious thought,
+ To seek for Judas, and to comfort him.
+ The sky was dark with heavy lowering clouds;
+ A lifeless, stifling air weighed on the world;
+ A dreadful silence like a nightmare lay
+ Crouched on its bosom, waiting, grim and grey.
+ In horrible suspense of some dread thing.
+ A creeping sense of death, a sickening smell,
+ Infected the dull breathing of the wind.
+ A thrill of ghosts went by me now and then,
+ And made my flesh creep as I wandered on.
+ At last I came to where a cedar stretched
+ Its black arms out beneath a dusky rock,
+ And, passing through its shadow, all at once
+ I started; for against the dubious light
+ A dark and heavy mass that to and fro
+ Slung slowly with its weight, before me grew.
+ A sick dread sense came over me; I stopped--
+ I could not stir. A cold and clammy sweat
+ Oozed out all over me; and all my limbs,
+ Bending with tremulous weakness like a child's,
+ Gave way beneath me. Then a sense of shame
+ Aroused me. I advanced, stretched forth my hand
+ And pushed the shapeless mass; and at my touch
+ It yielding swung--the branch above it creaked--
+ And back returning struck against my face.
+ A human body! Was it dead or not?
+ Swiftly my sword I drew and cut it down,
+ And on the sand all heavily it dropped.
+ I plucked the robes away, exposed the face--
+ 'Twas Judas, as I feared, cold, stiff, and dead;
+ That suffering heart of his had ceased to beat."
+
+ Thus Lysias spoke, and ended. I confess
+ This story of poor Judas touched me much.
+ What horrible revulsions must have passed
+ Across that spirit in those few last hours!
+ What storms, that tore up life even to its roots!
+ Say what you will--grant all the guilt--and still
+ What pangs of dread remorse--what agonies
+ Of desperate repentance, all too late,
+ In that wild interval between the crime
+ And its last sad atonement!--life, the while,
+ Laden with horror all too great to bear,
+ And pressing madly on to death's abyss;
+ This was no common mind that thus could feel--
+ No vulgar villain sinning for reward!
+
+ _Was_ he a villain lost to sense of shame?
+ Ay, so say John and Peter and the rest;
+ And yet--and yet this tale that Lysias tells
+ Weighs with me more the more I ponder it;
+ For thus I put it: Either Judas was,
+ As John affirms, a villain and a thief,
+ A creature lost to shame and base at heart--
+ Or else, which is the view that Lysias takes,
+ He was a rash and visionary man
+ Whose faith was firm, who had no thought of crime,
+ But whom a terrible mistake drove mad.
+ Take but John's view, and all to me is blind.
+ Call him a villain who, with greed of gain,
+ For thirty silver pieces sold his Lord.
+ Does not the bribe seem all too small and mean?
+ He held the common purse, and, were he thief,
+ Had daily power to steal, and lay aside
+ A secret and accumulating fund;
+ So doing, he had nothing risked of fame,
+ While here he braved the scorn of all the world.
+ Besides, why chose they for their almoner
+ A man so lost to shame, so foul with greed?
+ Or why, from some five-score of trusted men,
+ Choose him as one apostle among twelve?
+ Or why, if he were known to be so vile,
+ (And who can hide his baseness at all times?)
+ Keep him in close communion to the last?
+ Naught in his previous life, or acts, or words,
+ Shows this consummate villain that, full-grown,
+ Leaps all at once to such a height of crime.
+
+ Again, how comes it that this wretch, whose heart
+ Is eased to shame, flings back the paltry bribe?
+ And, when he knows his master is condemned,
+ Rushes in horror out to seek his death?
+ Whose fingers pointed at him in the crowd?
+ Did all men flee his presence till he found
+ Life too intolerable? Nay; not so!
+ Death came too close upon the heels of crime,
+ He had but done what all his tribe deemed just:
+ All the great mass--I mean the upper class--
+ The Rabbis, all the Pharisees and Priests
+ Ay, and the lower mob as well who cried,
+ "Give us Barabbas! Christus to the cross!"
+ These men were all of them on Judas's side,
+ And Judas had done naught against the law.
+ Were he this villain, he had but to say,
+ "I followed Christus till I found at last
+ He aimed at power to overthrow the State.
+ I did the duty of an honest man.
+ I traitor! you are traitors who reprove."
+ Besides, such villains scorn the world's reproof.
+
+ Or he might say--"You call this act a crime?
+ What crime was it to say I know this man?
+ I said no ill of him. If crime there be,
+ 'Twas yours who doomed him unto death, not mine."
+ A villain was he? So Barabbas was!
+ But did Barabbas go and hang himself,
+ Weary of life--the murderer and thief?
+ This coarse and vulgar way will never do.
+ Grant him a villain, all his, acts must be
+ Acts of a villain; if you once admit
+ Remorse so bitter that it leads to death,
+ And death so instant on the heels of crime,
+ You grant a spirit sensitive to shame,
+ So sensitive that life can yield no joys
+ To counterbalance one bad act;--but then
+ A nature such as this, though led astray,
+ When greatly tempted, is no thorough wretch.
+ Was the temptation great? could such a bribe
+ Tempt such a nature to a crime like this?
+ I say, to me it simply seems absurd.
+ Peter at least was not so sensitive.
+ He cursed and swore, denying that he knew
+ Who the man Christus was; but after all
+ He only wept--he never hanged himself.
+
+ But take the other view that Lysias takes,
+ All is at once consistent, clear, complete.
+ Firm in the faith that Christus was his God
+ The great Messiah sent to save the world,
+ He, seeking for a sign--not for himself,
+ But to show proof to all that he was God
+ Conceived this plan, rash if you will, but grand.
+ "Thinking him man," he said, "mere mortal man,
+ They seek to seize him--I will make pretence
+ To take the public bribe and point him out,
+ And they shall go, all armed with swords and staves,
+ Strong with the power of law, to seize on him--
+ And at their touch he, God himself, shall stand
+ Revealed before them, and their swords drop,
+ And prostrate all before him shall adore,
+ And cry, 'Behold the Lord and King of all!'"
+ But when the soldiers laid their hands on him
+ And bound him as they would a prisoner vile,
+ With taunts, and mockery, and threats of death--
+ He all the while submitting--then his dream
+ Burst into fragments with a crash: aghast
+ The whole world reeled before him; the dread truth
+ Swooped like a sea upon him, bearing down
+ His thoughts in wild confusion. He who dreamed
+ To open the gates of glory to his Lord,
+ Opened in their stead the prison's jarring door,
+ And saw above him his dim dream of Love
+ Change to a Fury stained with blood and crime.
+ And then a madness seized him, and remorse
+ With pangs of torture drove him down to death.
+
+ Conceive with me that sad and suffering heart
+ If this be true that Lysias says--Conceive!
+ Alas! Orestes, not so sad thy fate,
+ For the Apollo pardoned, purified--
+ Thy Furies were appeased, thy peace returned,
+ But Judas perished tortured unto death,
+ Unpardoned, unappeased, unpurified.
+ And long as Christus shall be known of men
+ His name shall bear the brand of infamy,
+ The curse of generations still unborn.
+
+ Thus much of him: I leave the question here,
+ Touching on naught beyond, for Lucius waits--
+ I hear him fuming in the court below,
+ Cursing his servants and Jerusalem,
+ And giving them to the infernal gods.
+ The sun is sinking--all the sky's afire--
+ And vale and mountain glow like molten ore
+ In the intense full splendor of its rays.
+ A half-hour hence all will be dull and grey;
+ And Lucius only waits until the shade
+ Sweeps down the plain then mounts and makes his way
+ On through the blinding desert to the sea,
+ And thence his galley bears him on to Rome.
+
+ _Salve et vale!_--may good fortune wait
+ On you and all your household! Greet for me
+ Titus and Livia--in a word, all friends.
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's A Roman Lawyer in Jerusalem, by W. W. Story
+
+*** END OF THIS PROJECT GUTENBERG EBOOK A ROMAN LAWYER IN JERUSALEM ***
+
+***** This file should be named 9399.txt or 9399.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/9/3/9/9399/
+
+Produced by Ted Garvin, Danny Wool and PG Distributed Proofreaders
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/9399.zip b/9399.zip
new file mode 100644
index 0000000..97a54d5
--- /dev/null
+++ b/9399.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..fcc5a01
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #9399 (https://www.gutenberg.org/ebooks/9399)
diff --git a/old/roman10.txt b/old/roman10.txt
new file mode 100644
index 0000000..0ba7420
--- /dev/null
+++ b/old/roman10.txt
@@ -0,0 +1,1035 @@
+The Project Gutenberg EBook of A Roman Lawyer in Jerusalem, by W. W. Story
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: A Roman Lawyer in Jerusalem
+ First Century
+
+Author: W. W. Story
+
+Release Date: November, 2005 [EBook #9399]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on September 29, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK A ROMAN LAWYER IN JERUSALEM ***
+
+
+
+
+Produced by Ted Garvin, Danny Wool and PG Distributed Proofreaders
+
+
+
+
+ A Roman Lawyer in Jerusalem
+
+ First Century
+
+ By
+
+ W.W. Story
+
+
+
+
+
+A ROMAN LAWYER IN JERUSALEM
+
+
+Marcus, abiding in Jerusalem,
+Greeting to Caius, his best friend in Rome!
+_Salve!_ these presents will he borne to you
+By Lucius, who is wearied with this place,
+Sated with travel, looks upon the East
+As simply hateful--blazing, barren, bleak,
+And longs again to find himself in Rome,
+After the tumult of its streets, its trains
+Of slaves and clients, and its villas cool
+With marble porticoes beside the sea,
+And friends and banquets--more than all, its games--
+This life seems blank and flat. He pants to stand
+In its vast circus all alive with heads
+And quivering arms and floating robes--the air
+Thrilled by the roaring _fremitus_ of men--
+The sunlit awning heaving overhead,
+Swollen and strained against its corded veins
+And flapping out its hem with loud report--
+The wild beasts roaring from the pit below--
+The wilder crowd responding from above
+With one long yell that sends the startled blood
+With thrill and sudden flush into the cheeks--
+A hundred trumpets screaming--the dull thump
+Of horses galloping across the sand--
+The clang of sabbards, the sharp clash of steel--
+Live swords, that whirl a circle of grey fire--
+Brass helmets flashing 'neath their streaming hair--
+A universal tumult--then a hush
+Worse than the tumult--all eyes staining down
+To the arena's pit--all lips set close--
+All muscles strained--and then that sudden yell,
+_Habet!_--That's Rome, says Lucius! so it is!
+That is, 'tis _his_ Rome--'tis not yours and mine.
+
+And yet, great Jupiter here at my side,
+He stands with face aside as if he saw
+The games he thus describes, and says, "That's life!
+Life! life! my friend, and this is simply death!
+Ah! for my Rome!" I jot his very words
+Just as he utters them. I hate these games,
+And Darius knows it, yet he will go on,
+And all against my will he stirs my blood--
+I suspend my letter for a while.
+
+A walk has calmed me--I begin again--
+Letting this last page, since it is written, stand.
+Lucius is going: you will see him soon
+In our great Forum, there with him will walk,
+And hear him rail and rave against the East.
+I stay behind--for these bare silences,
+These hills that in the sunset melt and burn,
+This proud stern people, these dead seas and lakes,
+These sombre cedars, this intense still sky,
+To me, o'erwearied with life's din and strain,
+Are grateful as the solemn blank of night
+After the fierce day's irritant excess;
+Besides, a deep absorbing interest
+Detains me here, fills up my mind, and sways
+My inmost thoughts--has got, as 'twere a gripe
+Upon my very life, as strange as new.
+I scarcely know how well to speak of this,
+Fearing your raillery at best--at worst
+Even your contempt; yet, spite of all, I speak.
+
+First, do not deem me to have lost my head,
+Sunstruck, as that man Paulus was at Rome.
+No, I am sane as ever, and my pulse
+Beats even, with no fever in my blood.
+And yet I half incline to think his words,
+Wild as they were, were not entirely wild.
+Nay, shall I dare avow it? I half tend,
+Here in this place, surrounded by these men--
+Despite the jeering natural at first,
+And then the pressure of my life-long thought
+Trained up against it--to excuse his faith,
+And half admit the Christus he thinks God
+Is, at the least, a most mysterious man.
+Bear with me if I now avow so much:
+When next we meet I will expose my mind,
+But now the subject I must scarcely touch.
+
+How many a time, while sauntering up and down
+The Forum's space, or pausing 'neath the shade
+Of some grand temple, arch, or portico,
+Have we discussed some knotty point of law,
+Some curious case, whose contradicting facts
+Looked Janus-faced to innocence and guilt.
+I see you now arresting me, to note
+With quiet fervor and uplifted hand
+Some subtle view or fact by me o'erlooked,
+And urging me, who always strain my point
+(Being too much, I know, a partisan),
+To pause, and press not to the issue so,
+But more apart, with less impetuous zeal,
+Survey as from an upper floor the facts.
+
+I need you now to rein me in, too quick
+To ride a whim beyond the term of Truth,
+For here a case comes up to which in vain
+I seek a clue: you could clear up my mind,
+But you are absent--so I send these notes.
+
+The case is of one Judas, Simon's son,
+Iscariot called--a Jew--and one of those
+Who followed Christus, held by some a god,
+But deemed by others to have preached and taught
+A superstition vile, of which one point
+Was worship of an ass; but this is false!
+Judas, his follower, all the sect declare,
+Bought by a bribe of thirty silver coins,
+Basely betrayed his master unto death.
+The question is--Did Judas, doing this,
+Act from base motives and commit a crime?
+Or, all things taken carefully in view,
+Can he be justified in what he did?
+
+Here on the spot, surrounded by the men
+Who acted in the drama, I have sought
+To study out this strange and tragic case.
+Many are dead--as Herod, Caiaphas,
+And also Pilate--a most worthy man,
+Under whose rule, but all without his fault,
+And, as I fancy, all against his will,
+Christus was crucified. This I regret:
+His words with me would have the greatest weight;
+But Lysias still is living, an old man,
+The chief of the Centurions, whose report
+Is to be trusted, as he saw and heard,
+Not once, but many a time and oft, this man.
+His look and bearing, Lysias thus describes:
+"Tall, slender, not erect, a little bent;
+Brows arched and dark; a high-ridged lofty head;
+Thin temples, veined and delicate; large eyes,
+Sad, very serious, seeming as it were
+To look beyond you, and whene'er he spoke
+Illumined by an inner lamping light--
+At times, too, gleaming with a strange wild fire
+When taunted by the rabble in the streets;
+A Jewish face, complexion pale but dark;
+Thin, high-art nostrils, quivering constantly;
+Long nose, full lips, hands tapering, full of veins;
+His movements nervous; as he walked he seemed
+Scarcely to heed the persons whom he passed,
+And for the most part gazed upon the ground.
+
+"As for his followers, I knew them all--
+A strange mad set and full of fancies wild--
+John, Peter, James--and Judas best of all--
+All seemed to me good men without offence--
+A little crazed--but who is wholly sane?
+They went about and cured the sick and halt,
+And gave away their money to the poor,
+And all their talk was charity and peace.
+If Christus thought and said he was a god,
+'Twas harmless madness, not deserving death.
+What most aroused the wealthy Rabbis' rage
+Was that he set the poor against the rich,
+And cried that rich men all would go to hell,
+And, worst of all, roundly denounced the priests,
+With all their rich phylacteries and robes--
+Said they were hypocrites who made long prayers,
+And robbed poor widows and devoured their means;
+And were at best but whited sepulchres:
+And this it was that brought him to the Cross.
+
+"Those who went with him and believed in him
+Were mostly dull, uneducated men,
+Simple and honest, dazed by what he did,
+And misconceiving every word he said.
+He led them with him in a spell-bound awe,
+And all his cures they called miraculous.
+They followed him like sheep where'er he went,
+With feelings mixed of wonder, fear and love.
+Yes! I suppose they loved him, though they fled
+Stricken with fear when we arrested him."
+
+"What! all--all fled?" I asked. "Did none remain?"
+"Not one," he said--"all left him to his fate,
+Not one dared own he was a follower--
+Not one gave witness for him of them all.
+Stop! When I say not one of them, I mean
+No one but Judas--Judas whom they call
+The traitor--who betrayed him to his death.
+He rushed into the council-hall and cried,
+''Tis I have sinned--Christus is innocent.'"
+
+And here I come to what of all I've heard
+Most touched me--I for this my letter write.
+Paulus, you know, had only for this man,
+This Judas, words of scorn and bitter hate.
+Mark now the different view that Lysias took,
+When, urged by me, his story thus he told:
+
+"Some say that Judas was a base, vile man
+Who sold his master for the meanest bribe;
+Others again insist he was most right,
+Giving to justice one who merely sought
+To overthrow the Church, subvert the law,
+And on its ruins build himself a throne.
+I, knowing Judas--and none better knew--
+I, caring naught for Christus more than him,
+But hating lies, the simple truth will tell,
+No man can say I ever told a lie--
+I am too old now to begin. Besides,
+The truth is truth, and let the truth be told.
+Judas, I say, alone of all the men
+Who followed Christus thought that he was God.
+Some feared him for his power of miracles;
+Some were attracted by a sort of spell;
+Some followed him to hear his sweet, clear voice
+And gentle speaking, hearing with their ears,
+And knowing not the sense of what he said--
+But one alone believed he was the Lord,
+The true Messiah of the Jews. That one
+Was Judas--he alone of all the crowd.
+
+"He to betray his master for a bribe!
+He last of all. I say this friend of mine
+Was brave when all the rest were cowards there.
+His was a noble nature: frank and bold,
+Almost to rashness bold, yet sensitive,
+Who took his dreams for firm realities--
+Who once believing, all in all believed--
+Rushing at obstacles and scorning risk,
+Ready to venture all to gain his end,
+No compromise or subterfuge for him,
+His act went from his thought straight to the butt;
+Yet with this ardent and impatient mood
+Was joined a visionary mind that took
+Impressions quick and fine, yet deep as life.
+Therefore it was that in this subtle soil
+The master's words took root and grew and flowered.
+He heard and followed and obeyed; his faith
+was serious, earnest, real--winged to fly;
+He doubted not, like some who walked with him--
+Desired no first place, as did James and John--
+Denied him not with Peter: not to him
+His master said, 'Away! thou'rt an offence;
+Get thee behind me, Satan!'--not to him,
+'Am I so long with ye who know me not?'
+Fixed as a rock, untempted by desires
+To gain the post of honor when his Lord
+Should come to rule--chosen from out the midst
+Of six-score men as his apostle--then
+Again selected to the place of trust,
+Unselfish, honest, he among them walked.
+
+"That he was honest, and was so esteemed,
+Is plain from this--they chose him out of all
+To bear the common purse, and take and pay.
+John says he was a thief, because he grudged
+The price that for some ointment once was paid,
+And urged 'twere better given to the poor.
+But did not Christus ever for the poor
+Lift up his voice--'Give all things to the poor!
+Sell everything and give all to the poor!'
+And Judas, who believed, not made believe,
+Used his own words, and Christus, who excused
+The gift because of love, rebuked him not.
+Thief! ay, he 'twas, this very thief, they chose
+To bear the purse and give alms to the poor.
+I, for my part, see nothing wrong in this."
+
+"But why, if Judas was a man like this,
+Frank, noble, honest"--here I interposed--
+"Why was it that he thus betrayed his Lord?"
+
+"This question oft did I revolve," said he,
+"When all the facts were fresh, and oft revolved
+In latter days, and with no change of mind;
+And this is my solution of the case:
+
+"Daily he heard his master's voice proclaim,
+'I am the Lord! the Father lives in me!
+Who knoweth me knows the eternal God!
+He who believes in me shall never die!
+No! he shall see me with my angels come
+With power and glory here upon the earth
+To judge the quick and dead! Among you here
+Some shall not taste of death before I come
+God's kingdom to establish on the earth!'
+
+"What meant these words? They seethed in Judas' soul.
+Here is my God--Messias, King of kings,
+Christus, the Lord--the Saviour of us all.
+How long shall he be taunted and reviled,
+And threatened by this crawling scum of men?
+Oh, who shall urge the coming of that day
+When he in majesty shall clothe himself
+And stand before the astounded world its King?'
+Long brooding over this inflamed his soul,
+And, ever rash in schemes as wild in thought,
+At last he said, 'No longer will I bear
+This ignominy heaped upon my Lord.
+No man hath power to harm the Almighty One.
+Ay, let men's hands be lifted, then at once,
+Effulgent like the sun, swift like the sword,
+The jagged lightning flashes from the cloud,
+Shall he be manifest--the living God--
+And prostrate all shall on the earth adore!'
+
+"Such was his thought when at the passover
+The Lord with his disciples met and supped:
+And Christus saw the trouble in his mind,
+And said 'Behold, among you here is one
+That shall betray me--he to whom I give
+This sop,' and he the sop to Judas gave;
+And added--'That thou doest, quickly do;'
+And Judas left him, hearing these last words--
+'Now shall the Son of man be glorified.'
+
+"Ah yes! his master had divined his thought--
+His master should be glorified through him.
+
+"Straight unto me and the high priests he came,
+Filled with this hope, and said, 'Behold me here,
+Judas, a follower of Christus! Come!
+I will point out my master whom you seek!'
+And out at once they sent me with my band;
+And as we went, I said, rebuking him,
+'How, Judas, is it you who thus betray
+The Lord and master whom you love, to death?'
+And, smiling, then he answered, 'Fear you not
+Do you your duty; take no heed of me.'
+'Is not this vile?' I said; 'I had not deemed
+Such baseness in you.' 'Though it seems so now,'
+Still smiling he replied, 'wait till the end.'
+Then turning round as to himself he said,
+'Now comes the hour that I have prayed to see--
+The hour of joy to all who know the truth.'
+
+"'Is this man mad?' I thought, and looked at him;
+And, in the darkness creeping swiftly on,
+His face was glowing, almost shone with light;
+And rapt as if in visionary thought
+He walked beside me, gazing at the sky.
+
+"Passing at last beyond the Cedron brook
+We reached a garden on whose open gate
+Dark vines were loosely swinging. Here we paused
+And lifted up our torches, and beheld
+Against the blank white wall a shadowy group,
+There waiting motionless, without a word;
+A moment, and with rapid, nervous step
+Judas alone advanced, and, as he reached
+The tallest figure lifted quick his head;
+And crying, 'Master! Master!' kissed his cheek.
+We, knowing it was Christus, forward pressed.
+Malchus was at my side, when suddenly
+A sword flashed out from one among them there,
+And sheared his ear. At once our swords flashed out,
+But Christus, lifting up his hand, said, 'Peace,
+Sheathe thy sword, Peter--I must drink the cup.'
+And I cried also, 'Peace, and sheathe your swords,'
+Then on his arm I placed my hand, and said,
+'In the law's name.' He nothing said, but reached
+His arm out, and we bound his hands with cords.
+This done I turned, but all the rest had fled,
+And he alone was left to meet his fate.
+
+"My men I ordered then to take and bear
+Their prisoner to the city; and at once
+They moved away, I, seeing not our guide,
+Cried, 'Judas!' but no answer: then a groan
+So sad and deep it startled me. I turned,
+And there against the wall, with ghastly face,
+And eyeballs starting in a frenzied glare,
+As in a fit, lay Judas; his weak arms
+Hung lifeless down, his mouth half open twitched,
+His hands were clutched and clinched into his robes,
+And now and then his breast heaved with a gasp.
+Frightened I dashed some water in his face,
+Spoke to him, lifted him, and rubbed his hands.
+At last the sense came back into his eyes,
+Then with a sudden spasm fled again,
+And to the ground he dropped. I searched him o'er,
+Fearing some mortal wound, yet none I found.
+Then with a gasp again the life returned,
+And stayed, but still with strong convulsion twitched.
+'Speak, Judas! Speak!' I cried. What does this mean?
+No answer! 'Speak, man!' Then at last he groaned.
+'Go, leave me, leave me, Lysias. Oh, my God!
+What have I done? Oh, Christus! Master, Lord.
+Forgive me, oh, forgive me!' Then a cry
+Of agony that pierced me to the heart,
+As groveling on the ground he turned away
+And hid his face, and shuddered in his robes.
+Was this the man whose face an hour ago
+Shone with a joy so strange? What means it all?
+Is this a sudden madness? 'Speak!' I cried.
+'What means this, Judas? Be a man and speak?'
+Yet there he lay, and neither moved nor spoke.
+I thought that he had fainted, till at last,
+Sudden he turned, grasped my arm, and cried,
+'Say, Lysias, is this true, or am I mad?'
+'What true?' I said. 'True that you seized the Lord!
+You could not seize him--he is God the Lord!
+I thought I saw you seize him. Yet I know
+That was impossible, for he is God!
+And yet you live--you live. He spared you, then.
+Where am I? what has happened? A black cloud
+Came o'er me when you laid your hands on him.
+Where are they all? Where is he? Lysias, speak?'
+
+"'Judas,' I said, 'what folly is all this?
+Christus my men have bound and borne away!
+The rest have fled. Rouse now and come with me;
+My men await me, rouse yourself and come!'
+
+"Throwing his arms up, in a fit he fell,
+With a loud shriek that pierced the silent night.
+I could not stay, but, calling instant aid,
+We bore him quick to the adjacent house.
+And placing him in kindly charge, I left,
+Joining my men who stayed for me below.
+
+"Straight to the high priest's house we hurried on,
+And Christus in an inner room we placed,
+Set at his door a guard, and then came out.
+After a time there crept into the hall
+Where round the blazing coals we sat, a man,
+Who in the corner crouched. 'What man are you?'
+Cried some one; and I turning, looked at him.
+'Twas Peter. ''Tis a fellow of that band
+That followed Christus, and believed in him.'
+''Tis false!' cried Peter; and he cursed and swore.
+'I know him not--I never saw the man.'
+But I said nothing. Soon he went away.
+
+"That night I saw not Judas. The next day,
+Ghastly, clay-white, a shadow of a man,
+With robes all soiled and torn, and tangled beard,
+Into the chamber where the council sat
+Came feebly staggering: scarce should I have known
+'Twas Judas, with that haggard, blasted face:
+So had that night's great horror altered him.
+As one all blindly walking in a dream
+He to the table came--against it leaned--
+Glared wildly round a while; then, stretching forth,
+from his torn robes, a trembling hand, flung down,
+As if a snake had stung him, a small purse,
+That broke and scattered its white coins about,
+And, with a shrill voice, cried, 'Take back the purse
+'Twas not for that foul dross I did the deed--
+'Twas not for that--oh, horror! not for that!
+But that I did believe he was the Lord;
+And that he is the Lord I still believe.
+But oh, the sin!--the sin! I have betrayed
+The innocent blood, and I am lost!--am lost!'
+So crying, round his face his robes he threw,
+And blindly rushed away; and we, aghast,
+Looked round--and no one for a moment spoke.
+
+"Seeing that face, I could but fear the end;
+For death was in it, looking through his eyes.
+Nor could I follow to arrest the fate
+That drove him madly on with scorpion whip.
+
+"At last the duty of the day was done,
+And night came on. Forth from the gates I went,
+Anxious and pained by many a dubious thought,
+To seek for Judas, and to comfort him.
+The sky was dark with heavy lowering clouds;
+A lifeless, stifling air weighed on the world;
+A dreadful silence like a nightmare lay
+Crouched on its bosom, waiting, grim and grey.
+In horrible suspense of some dread thing.
+A creeping sense of death, a sickening smell,
+Infected the dull breathing of the wind.
+A thrill of ghosts went by me now and then,
+And made my flesh creep as I wandered on.
+At last I came to where a cedar stretched
+Its black arms out beneath a dusky rock,
+And, passing through its shadow, all at once
+I started; for against the dubious light
+A dark and heavy mass that to and fro
+Slung slowly with its weight, before me grew.
+A sick dread sense came over me; I stopped--
+I could not stir. A cold and clammy sweat
+Oozed out all over me; and all my limbs,
+Bending with tremulous weakness like a child's,
+Gave way beneath me. Then a sense of shame
+Aroused me. I advanced, stretched forth my hand
+And pushed the shapeless mass; and at my touch
+It yielding swung--the branch above it creaked--
+And back returning struck against my face.
+A human body! Was it dead or not?
+Swiftly my sword I drew and cut it down,
+And on the sand all heavily it dropped.
+I plucked the robes away, exposed the face--
+'Twas Judas, as I feared, cold, stiff, and dead;
+That suffering heart of his had ceased to beat."
+
+Thus Lysias spoke, and ended. I confess
+This story of poor Judas touched me much.
+What horrible revulsions must have passed
+Across that spirit in those few last hours!
+What storms, that tore up life even to its roots!
+Say what you will--grant all the guilt--and still
+What pangs of dread remorse--what agonies
+Of desperate repentance, all too late,
+In that wild interval between the crime
+And its last sad atonement!--life, the while,
+Laden with horror all too great to bear,
+And pressing madly on to death's abyss;
+This was no common mind that thus could feel--
+No vulgar villain sinning for reward!
+
+_Was_ he a villain lost to sense of shame?
+Ay, so say John and Peter and the rest;
+And yet--and yet this tale that Lysias tells
+Weighs with me more the more I ponder it;
+For thus I put it: Either Judas was,
+As John affirms, a villain and a thief,
+A creature lost to shame and base at heart--
+Or else, which is the view that Lysias takes,
+He was a rash and visionary man
+Whose faith was firm, who had no thought of crime,
+But whom a terrible mistake drove mad.
+Take but John's view, and all to me is blind.
+Call him a villain who, with greed of gain,
+For thirty silver pieces sold his Lord.
+Does not the bribe seem all too small and mean?
+He held the common purse, and, were he thief,
+Had daily power to steal, and lay aside
+A secret and accumulating fund;
+So doing, he had nothing risked of fame,
+While here he braved the scorn of all the world.
+Besides, why chose they for their almoner
+A man so lost to shame, so foul with greed?
+Or why, from some five-score of trusted men,
+Choose him as one apostle among twelve?
+Or why, if he were known to be so vile,
+(And who can hide his baseness at all times?)
+Keep him in close communion to the last?
+Naught in his previous life, or acts, or words,
+Shows this consummate villain that, full-grown,
+Leaps all at once to such a height of crime.
+
+Again, how comes it that this wretch, whose heart
+Is eased to shame, flings back the paltry bribe?
+And, when he knows his master is condemned,
+Rushes in horror out to seek his death?
+Whose fingers pointed at him in the crowd?
+Did all men flee his presence till he found
+Life too intolerable? Nay; not so!
+Death came too close upon the heels of crime,
+He had but done what all his tribe deemed just:
+All the great mass--I mean the upper class--
+The Rabbis, all the Pharisees and Priests
+Ay, and the lower mob as well who cried,
+"Give us Barabbas! Christus to the cross!"
+These men were all of them on Judas's side,
+And Judas had done naught against the law.
+Were he this villain, he had but to say,
+"I followed Christus till I found at last
+He aimed at power to overthrow the State.
+I did the duty of an honest man.
+I traitor! you are traitors who reprove."
+Besides, such villains scorn the world's reproof.
+
+Or he might say--"You call this act a crime?
+What crime was it to say I know this man?
+I said no ill of him. If crime there be,
+'Twas yours who doomed him unto death, not mine."
+A villain was he? So Barabbas was!
+But did Barabbas go and hang himself,
+Weary of life--the murderer and thief?
+This coarse and vulgar way will never do.
+Grant him a villain, all his, acts must be
+Acts of a villain; if you once admit
+Remorse so bitter that it leads to death,
+And death so instant on the heels of crime,
+You grant a spirit sensitive to shame,
+So sensitive that life can yield no joys
+To counterbalance one bad act;--but then
+A nature such as this, though led astray,
+When greatly tempted, is no thorough wretch.
+Was the temptation great? could such a bribe
+Tempt such a nature to a crime like this?
+I say, to me it simply seems absurd.
+Peter at least was not so sensitive.
+He cursed and swore, denying that he knew
+Who the man Christus was; but after all
+He only wept--he never hanged himself.
+
+But take the other view that Lysias takes,
+All is at once consistent, clear, complete.
+Firm in the faith that Christus was his God
+The great Messiah sent to save the world,
+He, seeking for a sign--not for himself,
+But to show proof to all that he was God
+Conceived this plan, rash if you will, but grand.
+"Thinking him man," he said, "mere mortal man,
+They seek to seize him--I will make pretence
+To take the public bribe and point him out,
+And they shall go, all armed with swords and staves,
+Strong with the power of law, to seize on him--
+And at their touch he, God himself, shall stand
+Revealed before them, and their swords drop,
+And prostrate all before him shall adore,
+And cry, 'Behold the Lord and King of all!'"
+But when the soldiers laid their hands on him
+And bound him as they would a prisoner vile,
+With taunts, and mockery, and threats of death--
+He all the while submitting--then his dream
+Burst into fragments with a crash: aghast
+The whole world reeled before him; the dread truth
+Swooped like a sea upon him, bearing down
+His thoughts in wild confusion. He who dreamed
+To open the gates of glory to his Lord,
+Opened in their stead the prison's jarring door,
+And saw above him his dim dream of Love
+Change to a Fury stained with blood and crime.
+And then a madness seized him, and remorse
+With pangs of torture drove him down to death.
+
+Conceive with me that sad and suffering heart
+If this be true that Lysias says--Conceive!
+Alas! Orestes, not so sad thy fate,
+For the Apollo pardoned, purified--
+Thy Furies were appeased, thy peace returned,
+But Judas perished tortured unto death,
+Unpardoned, unappeased, unpurified.
+And long as Christus shall be known of men
+His name shall bear the brand of infamy,
+The curse of generations still unborn.
+
+Thus much of him: I leave the question here,
+Touching on naught beyond, for Lucius waits--
+I hear him fuming in the court below,
+Cursing his servants and Jerusalem,
+And giving them to the infernal gods.
+The sun is sinking--all the sky's afire--
+And vale and mountain glow like molten ore
+In the intense full splendor of its rays.
+A half-hour hence all will be dull and grey;
+And Lucius only waits until the shade
+Sweeps down the plain then mounts and makes his way
+On through the blinding desert to the sea,
+And thence his galley bears him on to Rome.
+
+_Salve et vale!_--may good fortune wait
+On you and all your household! Greet for me
+Titus and Livia--in a word, all friends.
+
+
+
+
+
+End of Project Gutenberg's A Roman Lawyer in Jerusalem, by W. W. Story
+
+*** END OF THE PROJECT GUTENBERG EBOOK A ROMAN LAWYER IN JERUSALEM ***
+
+This file should be named roman10.txt or roman10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, roman11.txt
+VERSIONS based on separate sources get new LETTER, roman10a.txt
+
+Produced by Ted Garvin, Danny Wool and PG Distributed Proofreaders
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/roman10.zip b/old/roman10.zip
new file mode 100644
index 0000000..c3e02bd
--- /dev/null
+++ b/old/roman10.zip
Binary files differ