diff options
Diffstat (limited to '9372.txt')
| -rw-r--r-- | 9372.txt | 2909 |
1 files changed, 2909 insertions, 0 deletions
diff --git a/9372.txt b/9372.txt new file mode 100644 index 0000000..528a22a --- /dev/null +++ b/9372.txt @@ -0,0 +1,2909 @@ +The Project Gutenberg EBook of Songs Out of Doors, by Henry Van Dyke + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Songs Out of Doors + +Author: Henry Van Dyke + +Posting Date: August 31, 2012 [EBook #9372] +Release Date: November, 2005 +First Posted: September 26, 2003 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SONGS OUT OF DOORS *** + + + + +Produced by Patricia Peters, Tonya Allen, and Project +Gutenberg Distributed Proofreaders + + + + + + + + + + + +SONGS OUT OF DOORS + +BY + +HENRY VAN DYKE + +1923 + + + + + + + +CONTENTS + + +I + +OF BIRDS AND FLOWERS + + The Veery + The Song-Sparrow + The Maryland Yellow-Throat + The Whip-Poor-Will + Wings of a Dove + The Hermit Thrush + Sea-Gulls of Manhattan + The Ruby-Crowned Kinglet + The Angler's Reveille + A November Daisy + The Lily of Yorrow + + +II + +OF SKIES AND SEASONS + + If All the Skies + The After-Echo + Dulciora + Matins + The Parting and the Coming Guest + When Tulips Bloom + Spring in the North + Spring in the South + How Spring Comes to Shasta Jim + The First Bird o' Spring + A Bunch of Trout-Flies + A Noon-Song + Turn o' the Tide + Sierra Madre + School + Indian Summer + Light between the Trees + The Fall of the Leaves + Three Alpine Sonnets + A Snow-Song + Roslin and Hawthornden + The Heavenly Hills of Holland + Flood-Tide of Flowers + Salute to the Trees + + +III + +OF THE UNFAILING LIGHT + + The Grand Canyon + God of the Open Air + + +IV + +WAYFARING PSALMS IN PALESTINE + + The Distant Road + The Welcome Tent + The Great Cities + The Friendly Trees + The Pathway of Rivers + The Glory of Ruins + The Tribe of the Helpers + The Good Teacher + The Camp-Fires of My Friend + + + + + + I + + OF BIRDS AND FLOWERS + + + + + THE VEERY + + The moonbeams over Arno's vale in silver flood were pouring, + When first I heard the nightingale a long-lost love deploring. + So passionate, so full of pain, it sounded strange and eerie; + I longed to hear a simpler strain,--the woodnotes of the veery. + + The laverock sings a bonny lay above the Scottish heather; + It sprinkles down from far away like light and love together; + He drops the golden notes to greet his brooding mate, his dearie; + I only know one song more sweet,--the vespers of the veery. + + In English gardens, green and bright and full of fruity treasure, + I heard the blackbird with delight repeat his merry measure: + The ballad was a pleasant one, the tune was loud and cheery, + And yet, with every setting sun, I listened for the veery. + + But far away, and far away, the tawny thrush is singing; + New England woods, at close of day, with that clear chant are ringing: + And when my light of life is low, and heart and flesh are weary, + I fain would hear, before I go, the wood-notes of the veery. + + 1895. + + + + + THE SONG-SPARROW + + There is a bird I know so well, + It seems as if he must have sung + Beside my crib when I was young; + Before I knew the way to spell + The name of even the smallest bird, + His gentle-joyful song I heard. + Now see if you can tell, my dear, + What bird it is that, every year, + Sings _"Sweet--sweet--sweet--very merry cheer."_ + + He comes in March, when winds are strong, + And snow returns to hide the earth; + But still he warms his heart with mirth, + And waits for May. He lingers long + While flowers fade; and every day + Repeats his small, contented lay; + As if to say, we need not fear + The season's change, if love is here + With _"Sweet--sweet--sweet--very merry cheer."_ + + He does not wear a Joseph's-coat + Of many colours, smart and gay; + His suit is Quaker brown and gray, + With darker patches at his throat. + And yet of all the well-dressed throng + Not one can sing so brave a song. + It makes the pride of looks appear + A vain and foolish thing, to hear + His _"Sweet--sweet--sweet--very merry cheer."_ + + A lofty place he does not love, + But sits by choice, and well at ease, + In hedges, and in little trees + That stretch their slender arms above + The meadow-brook; and there he sings + Till all the field with pleasure rings; + And so he tells in every ear, + That lowly homes to heaven are near + In _"Sweet--sweet--sweet--very merry cheer."_ + + I like the tune, I like the words; + They seem so true, so free from art, + So friendly, and so full of heart, + That if but one of all the birds + Could be my comrade everywhere, + My little brother of the air, + I'd choose the song-sparrow, my dear, + Because he'd bless me, every year, + With _"Sweet--sweet--sweet--very merry cheer."_ + + 1895. + + + + + THE MARYLAND YELLOW-THROAT + + When May bedecks the naked trees + With tassels and embroideries, + And many blue-eyed violets beam + Along the edges of the stream, + I hear a voice that seems to say, + Now near at hand, now far away, + _"Witchery--witchery--witchery."_ + + An incantation so serene, + So innocent, befits the scene: + There's magic in that small bird's note-- + See, there he flits--the Yellow-throat; + A living sunbeam, tipped with wings, + A spark of light that shines and sings + _"Witchery--witchery--witchery."_ + + You prophet with a pleasant name, + If out of Mary-land you came, + You know the way that thither goes + Where Mary's lovely garden grows: + Fly swiftly back to her, I pray, + And try to call her down this way, + _"Witchery--witchery--witchery."_ + + Tell her to leave her cockle-shells, + And all her little silver bells + That blossom into melody, + And all her maids less fair than she. + She does not need these pretty things, + For everywhere she comes, she brings + _"Witchery--witchery--witchery."_ + + The woods are greening overhead, + And flowers adorn each mossy bed; + The waters babble as they run-- + One thing is lacking, only one: + If Mary were but here to-day, + I would believe your charming lay, + _"Witchery--witchery--witchery."_ + + Along the shady road I look-- + Who's coming now across the brook? + A woodland maid, all robed in white-- + The leaves dance round her with delight, + The stream laughs out beneath her feet-- + Sing, merry bird, the charm's complete, + "_Witchery--witchery--witchery!_" + + 1895. + + + + + THE WHIP-POOR-WILL + + Do you remember, father,-- + It seems so long ago,-- + The day we fished together + Along the Pocono? + At dusk I waited for you, + Beside the lumber-mill, + And there I heard a hidden bird + That chanted, "whip-poor-will," + "_Whippoorwill! whippoorwill!_" + Sad and shrill,--"_whippoorwill!_" + + The place was all deserted; + The mill-wheel hung at rest; + The lonely star of evening + Was throbbing in the west; + The veil of night was falling; + The winds were folded still; + And everywhere the trembling air + Re-echoed "whip-poor-will!" + "_Whippoorwill! whippoorwill!_" + Sad and shrill,--"_whippoorwill!_" + + You seemed so long in coming, + I felt so much alone; + The wide, dark world was round me, + And life was all unknown; + The hand of sorrow touched me, + And made my senses thrill + With all the pain that haunts the strain + Of mournful whip-poor-will. + "_Whippoorwill! whippoorwill!_" + Sad and shrill,--"_whippoorwill!_" + + What knew I then of trouble? + An idle little lad, + I had not learned the lessons + That make men wise and sad. + I dreamed of grief and parting, + And something seemed to fill + My heart with tears, while in my ears + Resounded "whip-poor-will." + "_Whippoorwill! whippoorwill!_" + Sad and shrill,--"_whippoorwill!_" + + 'Twas but a cloud of sadness, + That lightly passed away; + But I have learned the meaning + Of sorrow, since that day. + For nevermore at twilight, + Beside the silent mill, + I'll wait for you, in the falling dew, + And hear the whip-poor-will. + "_Whippoorwill! whippoorwill!_" + Sad and shrill,--"_whippoorwill!_" + + But if you still remember + In that fair land of light, + The pains and fears that touch us + Along this edge of night, + I think all earthly grieving, + And all our mortal ill, + To you must seem like a sad boy's dream + Who hears the whip-poor-will. + "_Whippoorwill! whippoorwill!_" + A passing thrill,--"_whippoorwill!_" + + 1894. + + + + + WINGS OF A DOVE + + + I + + At sunset, when the rosy light was dying + Far down the pathway of the west, + I saw a lonely dove in silence flying, + To be at rest. + + Pilgrim of air, I cried, could I but borrow + Thy wandering wings, thy freedom blest, + I'd fly away from every careful sorrow, + And find my rest. + + + II + + But when the filmy veil of dusk was falling, + Home flew the dove to seek his nest, + Deep in the forest where his mate was calling + To love and rest. + + Peace, heart of mine! no longer sigh to wander; + Lose not thy life in barren quest. + There are no happy islands over yonder; + Come home and rest. + + 1874. + + + + + THE HERMIT THRUSH + + O wonderful! How liquid clear + The molten gold of that ethereal tone, + Floating and falling through the wood alone, + A hermit-hymn poured out for God to hear! + + _O holy, holy! holy! Hyaline, + Long light, low light, glory of eventide! + Love far away, far up,--love divine! + Little love, too, for ever, ever near, + Warm love, earth love, tender love of mine, + In the leafy dark where you hide, + You are mine,--mine,--mine!_ + + Ah, my beloved, do you feel with me + The hidden virtue of that melody, + The rapture and the purity of love, + The heavenly joy that can not find the word? + + Then, while we wait again to hear the bird, + Come very near to me, and do not move,-- + Now, hermit of the woodland, fill anew + The cool, green cup of air with harmony, + And we will drink the wine of love with you. + + May, 1908. + + + + + SEA-GULLS OF MANHATTAN + + Children of the elemental mother, + Born upon some lonely island shore + Where the wrinkled ripples run and whisper, + Where the crested billows plunge and roar; + Long-winged, tireless roamers and adventurers, + Fearless breasters of the wind and sea, + In the far-off solitary places + I have seen you floating wild and free! + + Here the high-built cities rise around you; + Here the cliffs that tower east and west, + Honeycombed with human habitations, + Have no hiding for the sea-bird's nest: + Here the river flows begrimed and troubled; + Here the hurrying, panting vessels fume, + Restless, up and down the watery highway, + While a thousand chimneys vomit gloom. + + Toil and tumult, conflict and confusion, + Clank and clamour of the vast machine + Human hands have built for human bondage-- + Yet amid it all you float serene; + Circling, soaring, sailing, swooping lightly + Down to glean your harvest from the wave; + In your heritage of air and water, + You have kept the freedom Nature gave. + + Even so the wild-woods of Manhattan + Saw your wheeling flocks of white and gray; + Even so you fluttered, followed, floated, + Round the _Half-Moon_ creeping up the bay; + Even so your voices creaked and chattered, + Laughing shrilly o'er the tidal rips, + While your black and beady eyes were glistening + Round the sullen British prison-ships. + + Children of the elemental mother, + Fearless floaters 'mid the double blue, + From the crowded boats that cross the ferries + Many a longing heart goes out to you. + Though the cities climb and close around us, + Something tells us that our souls are free, + While the sea-gulls fly above the harbour, + While the river flows to meet the sea! + + December, 1905. + + + + + THE RUBY-CROWNED KINGLET + + + I + + Where's your kingdom, little king? + Where the land you call your own, + Where your palace and your throne? + Fluttering lightly on the wing + Through the blossom-world of May, + Whither lies your royal way, + Little king? + + _Far to northward lies a land + Where the trees together stand + Closely as the blades of wheat + When the summer is complete. + Rolling like an ocean wide + Over vale and mountainside, + Balsam, hemlock, spruce and pine,-- + All those mighty trees are mine. + There's a river flowing free,-- + All its waves belong to me. + There's a lake so clear and bright + Stars shine out of it all night; + Rowan-berries round it spread + Like a belt of coral red. + Never royal garden planned + Fair as my Canadian land! + There I build my summer nest, + There I reign and there I rest, + While from dawn to dark I sing, + Happy kingdom! Lucky king!_ + + + II + + Back again, my little king! + Is your happy kingdom lost + To the rebel knave, Jack Frost? + Have you felt the snow-flakes sting? + Houseless, homeless in October, + Whither now? Your plight is sober, + Exiled king! + + _Far to southward lie the regions + Where my loyal flower-legions + Hold possession of the year, + Filling every month with cheer. + Christmas wakes the winter rose; + New Year daffodils unclose; + Yellow jasmine through the wood + Flows in February flood, + Dropping from the tallest trees + Golden streams that never freeze. + Thither now I take my flight + Down the pathway of the night, + Till I see the southern moon + Glisten on the broad lagoon, + Where the cypress' dusky green, + And the dark magnolia's sheen, + Weave a shelter round my home. + There the snow-storms never come; + There the bannered mosses gray + Like a curtain gently sway, + Hanging low on every side + Round the covert inhere I bide, + Till the March azalea glows, + Royal red and heavenly rose, + Through the Carolina glade + Where my winter home is made. + There I hold my southern court, + Full of merriment and sport: + There I take my ease and sing, + Happy kingdom! Lucky king!_ + + + III + + Little boaster, vagrant king, + Neither north nor south is yours, + You've no kingdom that endures! + Wandering every fall and spring, + With your ruby crown so slender, + Are you only a Pretender, + Landless king? + + _Never king by right divine + Ruled a richer realm than mine! + What are lands and golden crowns, + Armies, fortresses and towns, + Jewels, sceptres, robes and rings,-- + What are these to song and wings? + Everywhere that I can fly, + There I own the earth and sky; + Everywhere that I can sing, + There I'm happy as a king._ + + 1900. + + + + + THE ANGLER'S REVEILLE + + What time the rose of dawn is laid across the lips of night, + And all the little watchman-stars have fallen asleep in light, + 'Tis then a merry wind awakes, and runs from tree to tree, + And borrows words from all the birds to sound the reveille. + + This is the carol the Robin throws + Over the edge of the valley; + Listen how boldly it flows, + Sally on sally: + _Tirra-lirra, + Early morn, + New born! + Day is near, + Clear, clear. + Down the river + All a-quiver, + Fish are breaking; + Time for waking, + Tup, tup, tup! + Do you hear? + All clear-- + Wake up!_ + + The phantom flood of dreams has ebbed and vanished with the dark, + And like a dove the heart forsakes the prison of the ark; + Now forth she fares thro' friendly woods and diamond-fields of dew, + While every voice cries out "Rejoice!" as if the world were new. + + This is the ballad the Bluebird sings, + Unto his mate replying, + Shaking the tune from his wings + While he is flying: + _Surely, surely, surely, + Life is dear + Even here. + Blue above, + You to love, + Purely, purely, purely._ + + There's wild azalea on the hill, and iris down the dell, + And just one spray of lilac still abloom beside the well; + The columbine adorns the rocks, the laurel buds grow pink, + Along the stream white arums gleam, and violets bend to drink. + + This is the song of the Yellow-throat, + Fluttering gaily beside you; + Hear how each voluble note + Offers to guide you: + + _Which way, sir? + I say, sir, + Let me teach you, + I beseech you! + Are you wishing + Jolly fishing? + This way, sir! + I'll teach you._ + + Then come, my friend, forget your foes and leave your fears behind, + And wander forth to try your luck, with cheerful, quiet mind; + For be your fortune great or small, you take what God will give, + And all the day your heart will say, "'Tis luck enough to live." + + This is the song the Brown Thrush flings + Out of his thicket of roses; + Hark how it bubbles and rings, + Mark how it closes: + + _Luck, luck, + What luck? + Good enough for me, + I'm alive, you see! + Sun shining, + No repining; + Never borrow + Idle sorrow; + Drop it! + Cover it up! + Hold your cup! + Joy will fill it, + Don't spill it, + Steady, be ready, + Good luck!_ + + 1899. + + + + + A NOVEMBER DAISY + + Afterthought of summer's bloom! + Late arrival at the feast, + Coming when the songs have ceased + And the merry guests departed, + Leaving but an empty room, + Silence, solitude, and gloom,-- + Are you lonely, heavy-hearted; + You, the last of all your kind, + Nodding in the autumn wind; + Now that all your friends are flown, + Blooming late and all alone? + + Nay, I wrong you, little flower, + Reading mournful mood of mine + In your looks, that give no sign + Of a spirit dark and cheerless! + You possess the heavenly power + That rejoices in the hour. + Glad, contented, free, and fearless, + Lift a sunny face to heaven + When a sunny day is given! + Make a summer of your own, + Blooming late and all alone! + + Once the daisies gold and white + Sea-like through the meadow rolled: + Once my heart could hardly hold + All its pleasures. I remember, + In the flood of youth's delight + Separate joys were lost to sight. + That was summer! Now November + Sets the perfect flower apart; + Gives each blossom of the heart + Meaning, beauty, grace unknown,-- + Blooming late and all alone. + + November, 1899. + + + + + THE LILY OF YORROW + + Deep in the heart of the forest the lily of Yorrow is growing; + Blue is its cup as the sky, and with mystical odour o'erflowing; + Faintly it falls through the shadowy glades when the south wind is blowing. + + Sweet are the primroses pale and the violets after a shower; + Sweet are the borders of pinks and the blossoming grapes on the bower; + Sweeter by far is the breath of that far-away woodland flower. + + Searching and strange in its sweetness, it steals like a perfume enchanted + Under the arch of the forest, and all who perceive it are haunted, + Seeking and seeking for ever, till sight of the lily is granted. + + Who can describe how it grows, with its chalice of lazuli leaning + Over a crystalline spring, where the ferns and the mosses are greening? + Who can imagine its beauty, or utter the depth of its meaning? + + Calm of the journeying stars, and repose of the mountains olden, + Joy of the swift-running rivers, and glory of sunsets golden, + Secrets that cannot be told in the heart of the flower are holden. + + Surely to see it is peace and the crown of a lifelong endeavour; + Surely to pluck it is gladness,--but they who have found it can never + Tell of the gladness and peace: they are hid from our vision for ever. + + 'Twas but a moment ago that a comrade was walking near me: + Turning aside from the pathway he murmured a greeting to cheer me,-- + Then he was lost in the shade, and I called but he did not hear me. + + Why should I dream he is dead, and bewail him with passionate sorrow? + Surely I know there is gladness in finding the lily of Yorrow: + He has discovered it first, and perhaps I shall find it to-morrow. + + 1894. + + + + + II + + + OF SKIES AND SEASONS + + + + + IF ALL THE SKIES + + If all the skies were sunshine, + Our faces would be fain + To feel once more upon them + The cooling plash of rain. + + If all the world were music, + Our hearts would often long + For one sweet strain of silence, + To break the endless song. + + If life were always merry, + Our souls would seek relief, + And rest from weary laughter + In the quiet arms of grief. + + + + + THE AFTER-ECHO + + How long the echoes love to play + Around the shore of silence, as a wave + Retreating circles down the sand! + One after one, with sweet delay, + The mellow sounds that cliff and island gave, + Have lingered in the crescent bay, + Until, by lightest breezes fanned, + They float far off beyond the dying day + And leave it still as death. + But hark,-- + Another singing breath + Comes from the edge of dark; + A note as clear and slow + As falls from some enchanted bell, + Or spirit, passing from the world below, + That whispers back, Farewell. + So in the heart, + When, fading slowly down the past, + Fond memories depart, + And each that leaves it seems the last; + Long after all the rest are flown, + Returns a solitary tone,-- + The after-echo of departed years,-- + And touches all the soul to tears. + + 1871. + + + + + DULCIORA + + A tear that trembles for a little while + Upon the trembling eyelid, till the world + Wavers within its circle like a dream, + Holds more of meaning in its narrow orb + Than all the distant landscape that it blurs. + + A smile that hovers round a mouth beloved, + Like the faint pulsing of the Northern Light, + And grows in silence to an amber dawn + Born in the sweetest depths of trustful eyes, + Is dearer to the soul than sun or star. + + A joy that falls into the hollow heart + From some far-lifted height of love unseen, + Unknown, makes a more perfect melody + Than hidden brooks that murmur in the dusk, + Or fall athwart the cliff with wavering gleam. + + Ah, not for their own sake are earth and sky + And the fair ministries of Nature dear, + But as they set themselves unto the tune + That fills our life; as light mysterious + Flows from within and glorifies the world. + + For so a common wayside blossom, touched + With tender thought, assumes a grace more sweet + Than crowns the royal lily of the South; + And so a well-remembered perfume seems + The breath of one who breathes in Paradise. + + 1872. + + + + + MATINS + + Flowers rejoice when night is done, + Lift their heads to greet the sun; + Sweetest looks and odours raise, + In a silent hymn of praise. + + So my heart would turn away + From the darkness to the day; + Lying open in God's sight + Like a flower in the light. + + + + + THE PARTING AND THE COMING GUEST + + Who watched the worn-out Winter die? + Who, peering through the window-pane + At nightfall, under sleet and rain + Saw the old graybeard totter by? + Who listened to his parting sigh, + The sobbing of his feeble breath, + His whispered colloquy with Death, + And when his all of life was done + Stood near to bid a last good-bye? + Of all his former friends not one + Saw the forsaken Winter die. + + Who welcomed in the maiden Spring? + Who heard her footfall, swift and light + As fairy-dancing in the night? + Who guessed what happy dawn would bring + The flutter of her bluebird's wing, + The blossom of her mayflower-face + To brighten every shady place? + One morning, down the village street, + "Oh, here am I," we heard her sing,-- + And none had been awake to greet + The coming of the maiden Spring. + + But look, her violet eyes are wet + With bright, unfallen, dewy tears; + And in her song my fancy hears + A note of sorrow trembling yet. + Perhaps, beyond the town, she met + Old Winter as he limped away + To die forlorn, and let him lay + His weary head upon her knee, + And kissed his forehead with regret + For one so gray and lonely,--see, + Her eyes with tender tears are wet. + + And so, by night, while we were all at rest, + I think the coming sped the parting guest. + + 1873. + + + + + WHEN TULIPS BLOOM + + + I + + When tulips bloom in Union Square, + And timid breaths of vernal air + Go wandering down the dusty town, + Like children lost in Vanity Fair; + + When every long, unlovely row + Of westward houses stands aglow, + And leads the eyes to sunset skies + Beyond the hills where green trees grow; + + Then weary seems the street parade, + And weary books, and weary trade: + I'm only wishing to go a-fishing; + For this the month of May was made. + + + II + + I guess the pussy-willows now + Are creeping out on every bough + Along the brook; and robins look + For early worms behind the plough. + + The thistle-birds have changed their dun, + For yellow coats, to match the sun; + And in the same array of flame + The Dandelion Show's begun. + + The flocks of young anemones + Are dancing round the budding trees: + Who can help wishing to go a-fishing + In days as full of joy as these? + + + III + + I think the meadow-lark's clear sound + Leaks upward slowly from the ground, + While on the wing the bluebirds ring + Their wedding-bells to woods around. + + The flirting chewink calls his dear + Behind the bush; and very near, + Where water flows, where green grass grows, + Song-sparrows gently sing, "Good cheer." + + And, best of all, through twilight's calm + The hermit-thrush repeats his psalm. + How much I'm wishing to go a-fishing + In days so sweet with music's balm! + + + IV + + 'Tis not a proud desire of mine; + I ask for nothing superfine; + No heavy weight, no salmon great, + To break the record, or my line. + + Only an idle little stream, + Whose amber waters softly gleam, + Where I may wade through woodland shade, + And cast the fly, and loaf, and dream: + + Only a trout or two, to dart + From foaming pools, and try my art: + 'Tis all I'm wishing--old-fashioned fishing, + And just a day on Nature's heart. + + 1894. + + + + + SPRING IN THE NORTH + + + I + + Ah, who will tell me, in these leaden days, + Why the sweet Spring delays, + And where she hides,--the dear desire + Of every heart that longs + For bloom, and fragrance, and the ruby fire + Of maple-buds along the misty hills, + And that immortal call which fills + The waiting wood with songs? + The snow-drops came so long ago, + It seemed that Spring was near! + But then returned the snow + With biting winds, and earth grew sere, + And sullen clouds drooped low + To veil the sadness of a hope deferred: + Then rain, rain, rain, incessant rain + Beat on the window-pane, + + Through which I watched the solitary bird + That braved the tempest, buffeted and tossed + With rumpled feathers down the wind again. + Oh, were the seeds all lost + When winter laid the wild flowers in their tomb? + I searched the woods in vain + For blue hepaticas, and trilliums white, + And trailing arbutus, the Spring's delight, + Starring the withered leaves with rosy bloom. + But every night the frost + To all my longing spoke a silent nay, + And told me Spring was far away. + Even the robins were too cold to sing, + Except a broken and discouraged note,-- + Only the tuneful sparrow, on whose throat + Music has put her triple finger-print, + Lifted his head and sang my heart a hint,-- + "Wait, wait, wait! oh, wait a while for Spring!" + + + II + + But now, Carina, what divine amends + For all delay! What sweetness treasured up, + What wine of joy that blends + A hundred flavours in a single cup, + Is poured into this perfect day! + For look, sweet heart, here are the early flowers + That lingered on their way, + Thronging in haste to kiss the feet of May, + Entangled with the bloom of later hours,-- + Anemones and cinque-foils, violets blue + And white, and iris richly gleaming through + The grasses of the meadow, and a blaze + Of butter-cups and daisies in the field, + Filling the air with praise, + As if a chime of golden bells had pealed! + The frozen songs within the breast + Of silent birds that hid in leafless woods, + Melt into rippling floods + Of gladness unrepressed. + Now oriole and bluebird, thrush and lark, + Warbler and wren and vireo, + Mingle their melody; the living spark + Of love has touched the fuel of desire, + And every heart leaps up in singing fire. + + It seems as if the land + Were breathing deep beneath the sun's caress, + Trembling with tenderness, + While all the woods expand, + In shimmering clouds of rose and gold and green, + To veil a joy too sacred to be seen. + + + III + + Come, put your hand in mine, + True love, long sought and found at last, + And lead me deep into the Spring divine + That makes amends for all the wintry past. + For all the flowers and songs I feared to miss + Arrive with you; + And in the lingering pressure of your kiss + My dreams come true; + And in the promise of your generous eyes + I read the mystic sign + Of joy more perfect made + Because so long delayed, + And bliss enhanced by rapture of surprise. + + Ah, think not early love alone is strong; + He loveth best whose heart has learned to wait: + Dear messenger of Spring that tarried long, + You're doubly dear because you come so late. + + + + + SPRING IN THE SOUTH + + Now in the oak the sap of life is welling, + Tho' to the bough the rusty leafage clings; + Now on the elm the misty buds are swelling; + Every little pine-wood grows alive with wings; + Blue-jays are fluttering, yodeling and crying, + Meadow-larks sailing low above the faded grass, + Red-birds whistling clear, silent robins flying,-- + Who has waked the birds up? What has come to pass? + + Last year's cotton-plants, desolately bowing, + Tremble in the March-wind, ragged and forlorn, + Red are the hillsides of the early ploughing, + Gray are the lowlands, waiting for the corn. + Earth seems asleep, but she is only feigning; + Deep in her bosom thrills a sweet unrest; + Look where the jasmine lavishly is raining + Jove's golden shower into Danaee's breast! + + Now on the plum-tree a snowy bloom is sifted, + Now on the peach-tree, the glory of the rose, + Far o'er the hills a tender haze is drifted, + Full to the brim the yellow river flows. + Dark cypress boughs with vivid jewels glisten, + Greener than emeralds shining in the sun. + Whence comes the magic? Listen, sweetheart, listen! + The mocking-bird is singing: Spring is begun. + + Hark, in his song no tremor of misgiving! + All of his heart he pours into his lay,-- + "Love, love, love, and pure delight of living: + Winter is forgotten: here's a happy day!" + Fair in your face I read the flowery presage, + Snowy on your brow and rosy on your mouth: + Sweet in your voice I hear the season's message,-- + Love, love, love, and Spring in the South! + + 1904. + + + + + HOW SPRING COMES TO SHASTA JIM + + I never seen no "red gods"; I dunno wot's a "lure"; + But if it's sumpin' takin', then Spring has got it sure; + An' it doesn't need no Kiplins, ner yet no London Jacks, + To make up guff about it, w'ile settin' in their shacks. + + It's sumpin' very simple 'at happens in the Spring, + But it changes all the lookin's of every blessed thing; + The buddin' woods look bigger, the mounting twice as high, + But the house looks kindo smaller, tho I couldn't tell ye why. + + It's cur'ous wot a show-down the month of April makes, + Between the reely livin', an' the things 'at's only fakes! + Machines an' barns an' buildin's, they never give no sign; + But the livin' things look lively w'en Spring is on the line. + + She doesn't come too suddin, ner she doesn't come too slow; + Her gaits is some cayprishus, an' the next ye never know,-- + A single-foot o' sunshine, a buck o' snow er hail-- + But don't be disapp'inted, fer Spring ain't goin' ter fail. + + She's loopin' down the hillside,--the driffs is fadin' out. + She's runnin' down the river,--d'ye see them risin' trout? + She's loafin' down the canyon,--the squaw-bed's growin' blue, + An' the teeny Johnny-jump-ups is jest a-peekin' thru. + + A thousan' miles o' pine-trees, with Douglas firs between, + Is waitin' fer her fingers to freshen up their green; + With little tips o' brightness the firs 'ill sparkle thick, + An' every yaller pine-tree, a giant candlestick! + + The underbrush is risin' an' spreadin' all around, + Jest like a mist o' greenness 'at hangs above the ground; + A million manzanitas 'ill soon be full o' pink; + So saddle up, my sonny,--it's time to ride, I think! + + We'll ford er swim the river, becos there ain't no bridge; + We'll foot the gulches careful, an' lope along the ridge; + We'll take the trail to Nowhere, an' travel till we tire, + An' camp beneath a pine-tree, an' sleep beside the fire. + + We'll see the blue-quail chickens, an' hear 'em pipin' clear; + An' p'raps we'll sight a brown-bear, er else a bunch o' deer; + But nary a heathen goddess or god 'ill meet our eyes; + For why? There isn't any! They're jest a pack o' lies! + + Oh, wot's the use o' "red gods," an' "Pan," an' all that stuff? + The natcheral facts o' Springtime is wonderful enuff! + An' if there's Someone made 'em' I guess He understood, + To be alive in Springtime would make a man feel good. + + California, 1913. + + + + + THE FIRST BIRD O' SPRING + + TO OLIVE WHEELER + + Winter on Mount Shasta, + April down below; + Golden hours of glowing sun + Sudden showers of snow! + Under leafless thickets + Early wild-flowers cling; + But, oh, my dear, I'm fain to hear + The first bird o' Spring! + + Alders are in tassel, + Maples are in bud; + Waters of the blue McCloud + Shout in joyful flood; + Through the giant pine-trees + Flutters many a wing; + But, oh, my dear, I long to hear + The first bird o' Spring! + + Candle-light and fire-light + Mingle at "the Bend"; + 'Neath the roof of Bo-hai-pan + Light and shadow blend. + Sweeter than a wood-thrush + A maid begins to sing; + And, oh, my dear, I'm glad to hear + The first bird o' Spring! + + The Bend, California, April 29, 1913. + + + + + A BUNCH OF TROUT-FLIES + + FOR ARCHIE RUTLEDGE + + Here's a half-a-dozen flies, + Just about the proper size + For the trout of Dickey's Run,-- + Luck go with them every one! + + Dainty little feathered beauties, + Listen now, and learn your duties: + Not to tangle in the box; + Not to catch on logs or rocks, + Boughs that wave or weeds that float, + Nor in the angler's "pants" or coat! + Not to lure the glutton frog + From his banquet in the bog; + Nor the lazy chub to fool, + Splashing idly round the pool; + Nor the sullen horned pout + From the mud to hustle out! + + None of this vulgarian crew, + Dainty flies, is game for you. + Darting swiftly through the air + Guided by the angler's care, + Light upon the flowing stream + Like a winged fairy dream; + Float upon the water dancing, + Through the lights and shadows glancing, + Till the rippling current brings you, + And with quiet motion swings you, + Where a speckled beauty lies + Watching you with hungry eyes. + + Here's your game and here's your prize! + Hover near him, lure him, tease him, + Do your very best to please him, + Dancing on the water foamy, + Like the frail and fair Salome, + Till the monarch yields at last, + Rises, and you have him fast! + Then remember well your duty,-- + Do not lose, but land, your booty; + For the finest fish of all is + _Salvelinus Fontinalis_. + + So, you plumed illusions, go, + Let my comrade Archie know + Every day he goes a-fishing + I'll be with him in well-wishing. + Most of all when lunch is laid + In the dappled orchard shade, + With Will, Corinne, and Dixie too, + Sitting as we used to do + Round the white cloth on the grass + While the lazy hours pass, + And the brook's contented tune + Lulls the sleepy afternoon,-- + Then's the time my heart will be + With that pleasant company! + + June 17, 1913. + + + + + A NOON-SONG + + There are songs for the morning and songs for the night, + For sunrise and sunset, the stars and the moon; + But who will give praise to the fulness of light, + And sing us a song of the glory of noon? + Oh, the high noon, the clear noon, + The noon with golden crest; + When the blue sky burns, and the great sun turns + With his face to the way of the west! + + How swiftly he rose in the dawn of his strength! + How slowly he crept as the morning wore by! + Ah, steep was the climbing that led him at length + To the height of his throne in the wide summer sky. + Oh, the long toil, the slow toil, + The toil that may not rest, + Till the sun looks down from his journey's crown, + To the wonderful way of the west! + + Then a quietness falls over meadow and hill, + The wings of the wind in the forest are furled, + The river runs softly, the birds are all still, + The workers are resting all over the world. + Oh, the good hour, the kind hour, + The hour that calms the breast! + Little inn half-way on the road of the day, + Where it follows the turn to the west! + + There's a plentiful feast in the maple-tree shade, + The lilt of a song to an old-fashioned tune, + The talk of a friend, or the kiss of a maid, + To sweeten the cup that we drink to the noon. + Oh, the deep noon, the full noon, + Of all the day the best! + When the blue sky burns, and the great sun turns + To his home by the way of the west! + + 1906. + + + + + TURN O' THE TIDE + + The tide flows in to the harbour,-- + The bold tide, the gold tide, the flood o' the sunlit sea,-- + And the little ships riding at anchor, + Are swinging and slanting their prows to the ocean, panting + To lift their wings to the wide wild air, + And venture a voyage they know not where,-- + To fly away and be free! + + The tide runs out of the harbour,-- + The low tide, the slow tide, the ebb o' the moonlit bay,-- + And the little ships rocking at anchor, + Are rounding and turning their bows to the landward, yearning + To breathe the breath of the sun-warmed strand, + To rest in the lee of the high hill land,-- + To hold their haven and stay! + + My heart goes round with the vessels,-- + My wild heart, my child heart, in love with the sea and the land,-- + And the turn o' the tide passes through it, + In rising and falling with mystical currents, calling + At morn, to range where the far waves foam, + At night, to a harbour in love's true home, + With the hearts that understand! + + Seal Harbour, August 12, 1911. + + + + + SIERRA MADRE + + O mother mountains! billowing far to the snowlands, + Robed in aerial amethyst, silver, and blue, + Why do ye look so proudly down on the lowlands? + What have their groves and gardens to do with you? + + Theirs is the languorous charm of the orange and myrtle, + Theirs are the fruitage and fragrance of Eden of old,-- + Broad-boughed oaks in the meadows fair and fertile, + Dark-leaved orchards gleaming with globes of gold. + + You, in your solitude standing, lofty and lonely, + Bear neither garden nor grove on your barren breasts; + Rough is the rock-loving growth of your canyons, and only + Storm-battered pines and fir-trees cling to your crests. + + Why are ye throned so high, and arrayed in splendour + Richer than all the fields at your feet can claim? + What is your right, ye rugged peaks, to the tender + Queenly promise and pride of the mother-name? + + Answered the mountains, dim in the distance dreaming: + "Ours are the forests that treasure the riches of rain; + Ours are the secret springs and the rivulets gleaming + Silverly down through the manifold bloom of the plain. + + "Vain were the toiling of men in the dust of the dry land, + Vain were the ploughing and planting in waterless fields, + Save for the life-giving currents we send from the sky land, + Save for the fruit our embrace with the storm-cloud yields." + + O mother mountains, Madre Sierra, I love you! + Rightly you reign o'er the vale that your bounty fills,-- + Kissed by the sun, or with big, bright stars above you,-- + I murmur your name and lift up mine eyes to the hills. + + Pasadena, March, 1913. + + + + + SCHOOL + + I put my heart to school + In the world where men grow wise: + "Go out," I said, "and learn the rule; + 'Come back when you win a prize.'" + + My heart came back again: + "Now where is the prize?" I cried.-- + "The rule was false, and the prize was pain, + And the teacher's name was Pride." + + I put my heart to school + In the woods where veeries sing + And brooks run clear and cool, + In the fields where wild flowers spring. + + "And why do you stay so long + My heart, and where do you roam?" + The answer came with a laugh and a song,-- + "I find this school is home." + + April, 1901. + + + + + INDIAN SUMMER + + A silken curtain veils the skies, + And half conceals from pensive eyes + The bronzing tokens of the fall; + A calmness broods upon the hills, + And summer's parting dream distils + A charm of silence over all. + + The stacks of corn, in brown array, + Stand waiting through the tranquil day, + Like tattered wigwams on the plain; + The tribes that find a shelter there + Are phantom peoples, forms of air, + And ghosts of vanished joy and pain. + + At evening when the crimson crest + Of sunset passes down the West, + I hear the whispering host returning; + On far-off fields, by elm and oak, + I see the lights, I smell the smoke,-- + The Camp-fires of the Past are burning. + + _Tertius and Henry van Dyke_. + + November, 1903. + + + + + LIGHT BETWEEN THE TREES + + Long, long, long the trail + Through the brooding forest-gloom, + Down the shadowy, lonely vale + Into silence, like a room + Where the light of life has fled, + And the jealous curtains close + Round the passionless repose + Of the silent dead. + + Plod, plod, plod away, + Step by step in mouldering moss; + Thick branches bar the day + Over languid streams that cross + Softly, slowly, with a sound + Like a smothered weeping, + In their aimless creeping + Through enchanted ground. + + "Yield, yield, yield thy quest," + Whispers through the woodland deep: + "Come to me and be at rest; + I am slumber, I am sleep." + Then the weary feet would fail, + But the never-daunted will + Urges "Forward, forward still! + Press along the trail!" + + Breast, breast, breast the slope + See, the path is growing steep. + Hark! a little song of hope + Where the stream begins to leap. + Though the forest, far and wide, + Still shuts out the bending blue, + We shall finally win through, + Cross the long divide. + + On, on, on we tramp! + Will the journey never end? + Over yonder lies the camp; + Welcome waits us there, my friend, + Can we reach it ere the night? + Upward, upward, never fear! + Look, the summit must be near; + See the line of light! + + Red, red, red the shine + Of the splendour in the west, + Glowing through the ranks of pine, + Clear along the mountain-crest! + Long, long, long the trail + Out of sorrow's lonely vale; + But at last the traveller sees + Light between the trees! + + March, 1904. + + + + + THE FALL OF THE LEAVES + + + I + + In warlike pomp, with banners flowing, + The regiments of autumn stood: + I saw their gold and scarlet glowing + From every hillside, every wood. + + Above the sea the clouds were keeping + Their secret leaguer, gray and still; + They sent their misty vanguard creeping + With muffled step from hill to hill. + + All day the sullen armies drifted + Athwart the sky with slanting rain; + At sunset for a space they lifted, + With dusk they settled down again. + + + II + + At dark the winds began to blow + With mutterings distant, low; + From sea and sky they called their strength, + Till with an angry, broken roar, + Like billows on an unseen shore, + Their fury burst at length. + + I heard through the night + The rush and the clamour; + The pulse of the fight + Like blows of Thor's hammer; + The pattering flight + Of the leaves, and the anguished + Moan of the forest vanquished. + + At daybreak came a gusty song: + "Shout! the winds are strong. + The little people of the leaves are fled. + Shout! The Autumn is dead!" + + + III + + The storm is ended! The impartial sun + Laughs down upon the battle lost and won, + And crowns the triumph of the cloudy host + In rolling lines retreating to the coast. + + But we, fond lovers of the woodland shade, + And grateful friends of every fallen leaf, + Forget the glories of the cloud-parade, + And walk the ruined woods in quiet grief. + + For ever so our thoughtful hearts repeat + On fields of triumph dirges of defeat; + And still we turn on gala-days to tread + Among the rustling memories of the dead. + + 1874. + + + + + THREE ALPINE SONNETS + + + I + + THE GLACIER + + At dawn in silence moves the mighty stream, + The silver-crested waves no murmur make; + But far away the avalanches wake + The rumbling echoes, dull as in a dream; + Their momentary thunders, dying, seem + To fall into the stillness, flake by flake, + And leave the hollow air with naught to break + The frozen spell of solitude supreme. + + At noon unnumbered rills begin to spring + Beneath the burning sun, and all the walls + Of all the ocean-blue crevasses ring + With liquid lyrics of their waterfalls; + As if a poet's heart had felt the glow + Of sovereign love, and song began to flow. + + Zermatt, 1872. + + + II + + THE SNOW-FIELD + + White Death had laid his pall upon the plain, + And crowned the mountain-peaks like monarchs + dead; + The vault of heaven was glaring overhead + With pitiless light that filled my eyes with pain; + And while I vainly longed, and looked in vain + For sign or trace of life, my spirit said, + "Shall any living thing that dares to tread + This royal lair of Death escape again?" + + But even then I saw before my feet + A line of pointed footprints in the snow: + Some roving chamois, but an hour ago, + Had passed this way along his journey fleet, + And left a message from a friend unknown + To cheer my pilgrim-heart, no more alone. + + Zermatt, 1872. + + + III + + MOVING BELLS + + I love the hour that comes, with dusky hair + And dewy feet, along the Alpine dells, + To lead the cattle forth. A thousand bells + Go chiming after her across the fair + And flowery uplands, while the rosy flare + Of sunset on the snowy mountain dwells, + And valleys darken, and the drowsy spells + Of peace are woven through the purple air. + + Dear is the magic of this hour: she seems + To walk before the dark by falling rills, + And lend a sweeter song to hidden streams; + She opens all the doors of night, and fills + With moving bells the music of my dreams, + That wander far among the sleeping hills. + + Gstaad, August, 1909. + + + + + A SNOW-SONG + + Does the snow fall at sea? + Yes, when the north winds blow, + When the wild clouds fly low, + Out of each gloomy wing, + Silently glimmering, + Over the stormy sea + Falleth the snow. + + Does the snow hide the sea? + Nay, on the tossing plains + Never a flake remains; + Drift never resteth there; + Vanishing everywhere, + Into the hungry sea + Falleth the snow. + + What means the snow at sea? + Whirled in the veering blast, + Thickly the flakes drive past; + Each like a childish ghost + Wavers, and then is lost; + In the forgetful sea + Fadeth the snow. + + 1875. + + + + + ROSLIN AND HAWTHORNDEN + + Fair Roslin Chapel, how divine + The art that reared thy costly shrine! + Thy carven columns must have grown + By magic, like a dream in stone. + + Yet not within thy storied wall + Would I in adoration fall, + So gladly as within the glen + That leads to lovely Hawthornden. + + A long-drawn aisle, with roof of green + And vine-clad pillars, while between, + The Esk runs murmuring on its way, + In living music night and day. + + Within the temple of this wood + The martyrs of the covenant stood, + And rolled the psalm, and poured the prayer, + From Nature's solemn altar-stair. + + Edinburgh, 1877. + + + + + THE HEAVENLY HILLS OF HOLLAND + + The heavenly hills of Holland,-- + How wondrously they rise + Above the smooth green pastures + Into the azure skies! + With blue and purple hollows, + With peaks of dazzling snow, + Along the far horizon + The clouds are marching slow. + + No mortal foot has trodden + The summits of that range, + Nor walked those mystic valleys + Whose colours ever change; + Yet we possess their beauty, + And visit them in dreams, + While ruddy gold of sunset + From cliff and canyon gleams. + + In days of cloudless weather + They melt into the light; + When fog and mist surround us + They're hidden from our sight; + But when returns a season + Clear shining after rain, + While the northwest wind is blowing, + We see the hills again. + + The old Dutch painters loved them, + Their pictures show them fair,-- + Old Hobbema and Ruysdael, + Van Goyen and Vermeer. + Above the level landscape, + Rich polders, long-armed mills, + Canals and ancient cities,-- + Float Holland's heavenly hills. + + The Hague, November, 1916. + + + + + FLOOD-TIDE OF FLOWERS + + IN HOLLAND + + The laggard winter ebbed so slow + With freezing rain and melting snow, + It seemed as if the earth would stay + Forever where the tide was low, + In sodden green and watery gray. + + But now from depths beyond our sight, + The tide is turning in the night, + And floods of colour long concealed + Come silent rising toward the light, + Through garden bare and empty field. + + And first, along the sheltered nooks, + The crocus runs in little brooks + Of joyance, till by light made bold + They show the gladness of their looks + In shining pools of white and gold. + + The tiny scilla, sapphire blue, + Is gently seeping in, to strew + The earth with heaven; and sudden rills + Of sunlit yellow, sweeping through, + Spread into lakes of daffodils. + + The hyacinths, with fragrant heads, + Have overflowed their sandy beds, + And fill the earth with faint perfume, + The breath that Spring around her she + And now the tulips break in bloom! + + A sea, a rainbow-tinted sea, + A splendour and a mystery, + Floods o'er the fields of faded gray: + The roads are full of folks in glee, + For lo,--to-day is Easter Day! + + April, 1916. + + + + + SALUTE TO THE TREES + + Many a tree is found in the wood + And every tree for its use is good: + Some for the strength of the gnarled root, + Some for the sweetness of flower or fruit; + Some for shelter against the storm, + And some to keep the hearth-stone warm; + Some for the roof, and some for the beam, + And some for a boat to breast the stream;-- + In the wealth of the wood since the world began + The trees have offered their gifts to man. + + But the glory of trees is more than their gifts: + 'Tis a beautiful wonder of life that lifts, + From a wrinkled seed in an earth-bound clod, + A column, an arch in the temple of God, + A pillar of power, a dome of delight, + A shrine of song, and a joy of sight! + Their roots are the nurses of rivers in birth; + Their leaves are alive with the breath of the earth; + They shelter the dwellings of man; and they bend + O'er his grave with the look of a loving friend. + + I have camped in the whispering forest of pines, + I have slept in the shadow of olives and vines; + In the knees of an oak, at the foot of a palm + I have found good rest and slumber's balm. + And now, when the morning gilds the boughs + Of the vaulted elm at the door of my house, + I open the window and make salute: + "God bless thy branches and feed thy root! + Thou hast lived before, live after me, + Thou ancient, friendly, faithful tree." + + February, 1920. + + + + + III + + OF THE UNFAILING LIGHT + + + + + THE GRAND CANYON + + DAYBREAK + + What makes the lingering Night so cling to + thee? + Thou vast, profound, primeval hiding-place + Of ancient secrets,--gray and ghostly gulf + Cleft in the green of this high forest land, + And crowded in the dark with giant forms! + Art thou a grave, a prison, or a shrine? + + A stillness deeper than the dearth of sound + Broods over thee: a living silence breathes + Perpetual incense from thy dim abyss. + The morning-stars that sang above the bower + Of Eden, passing over thee, are dumb + With trembling bright amazement; and the + Dawn + Steals through the glimmering pines with naked + feet, + Her hand upon her lips, to look on thee! + + She peers into thy depths with silent prayer + For light, more light, to part thy purple veil. + O Earth, swift-rolling Earth, reveal, reveal,-- + Turn to the East, and show upon thy breast + The mightiest marvel in the realm of Time! + 'Tis done,--the morning miracle of light,-- + The resurrection of the world of hues + That die with dark, and daily rise again + With every rising of the splendid Sun! + + Be still, my heart! Now Nature holds her breath + To see the solar flood of radiance leap + Across the chasm, and crown the western rim + Of alabaster with a far-away + Rampart of pearl, and flowing down by walls + Of changeful opal, deepen into gold + Of topaz, rosy gold of tourmaline, + Crimson of garnet, green and gray of jade, + Purple of amethyst, and ruby red, + Beryl, and sard, and royal porphyry; + Until the cataract of colour breaks + Upon the blackness of the granite floor. + + How far below! And all between is cleft + And carved into a hundred curving miles + Of unimagined architecture! Tombs, + Temples, and colonnades are neighboured there + By fortresses that Titans might defend, + And amphitheatres where Gods might strive. + Cathedrals, buttressed with unnumbered tiers + Of ruddy rock, lift to the sapphire sky + A single spire of marble pure as snow; + And huge aerial palaces arise + Like mountains built of unconsuming flame. + Along the weathered walls, or standing deep + In riven valleys where no foot may tread, + Are lonely pillars, and tall monuments + Of perished aeons and forgotten things. + My sight is baffled by the wide array + Of countless forms: my vision reels and swims + Above them, like a bird in whirling winds. + Yet no confusion fills the awful chasm; + But spacious order and a sense of peace + Brood over all. For every shape that looms + Majestic in the throng, is set apart + From all the others by its far-flung shade, + Blue, blue, as if a mountain-lake were there. + + How still it is! Dear God, I hardly dare + To breathe, for fear the fathomless abyss + Will draw me down into eternal sleep. + + What force has formed this masterpiece of awe? + What hands have wrought these wonders in the waste? + O river, gleaming in the narrow rift + Of gloom that cleaves the valley's nether deep,-- + Fierce Colorado, prisoned by thy toil, + And blindly toiling still to reach the sea,-- + Thy waters, gathered from the snows and springs + Amid the Utah hills, have carved this road + Of glory to the California Gulf. + But now, O sunken stream, thy splendour lost, + 'Twixt iron walls thou rollest turbid waves, + Too far away to make their fury heard! + + At sight of thee, thou sullen labouring slave + Of gravitation,--yellow torrent poured + From distant mountains by no will of thine, + Through thrice a hundred centuries of slow + Fallings and liftings of the crust of Earth,-- + At sight of thee my spirit sinks and fails. + Art thou alone the Maker? Is the blind + Unconscious power that drew thee dumbly down + To cut this gash across the layered globe, + The sole creative cause of all I see? + Are force and matter all? The rest a dream? + + Then is thy gorge a canyon of despair, + A prison for the soul of man, a grave + Of all his dearest daring hopes! The world + Wherein we live and move is meaningless, + No spirit here to answer to our own! + The stars without a guide: The chance-born + Earth + Adrift in space, no Captain on the ship: + Nothing in all the universe to prove + Eternal wisdom and eternal love! + And man, the latest accident of Time,-- + Who thinks he loves, and longs to understand, + Who vainly suffers, and in vain is brave, + Who dupes his heart with immortality,-- + Man is a living lie,--a bitter jest + Upon himself,--a conscious grain of sand + Lost in a desert of unconsciousness, + Thirsting for God and mocked by his own thirst. + + Spirit of Beauty, mother of delight, + Thou fairest offspring of Omnipotence + Inhabiting this lofty lone abode, + Speak to my heart again and set me free + From all these doubts that darken earth and + heaven! + Who sent thee forth into the wilderness + To bless and comfort all who see thy face? + Who clad thee in this more than royal robe + Of rainbows? Who designed these jewelled + thrones + For thee, and wrought these glittering palaces? + Who gave thee power upon the soul of man + To lift him up through wonder into joy? + God! let the radiant cliffs bear witness, God! + Let all the shining pillars signal, God! + He only, on the mystic loom of light, + Hath woven webs of loveliness to clothe + His most majestic works: and He alone + Hath delicately wrought the cactus-flower + To star the desert floor with rosy bloom. + + O Beauty, handiwork of the Most High, + Where'er thou art He tells his Love to man, + And lo, the day breaks, and the shadows flee! + + Now, far beyond all language and all art + In thy wild splendour, Canyon marvellous, + The secret of thy stillness lies unveiled + In worldless worship! This is holy ground; + Thou art no grave, no prison, but a shrine. + Garden of Temples filled with Silent Praise, + If God were blind thy Beauty could not be! + + February 24-26, 1913. + + + + + GOD OF THE OPEN AIR + + + I + + Thou who hast made thy dwelling fair + With flowers below, above with starry lights + And set thine altars everywhere,-- + On mountain heights, + In woodlands dim with many a dream, + In valleys bright with springs, + And on the curving capes of every stream: + Thou who hast taken to thyself the wings + Of morning, to abide + Upon the secret places of the sea, + And on far islands, where the tide + Visits the beauty of untrodden shores, + Waiting for worshippers to come to thee + In thy great out-of-doors! + To thee I turn, to thee I make my prayer, + God of the open air. + + + II + + Seeking for thee, the heart of man + Lonely and longing ran, + In that first, solitary hour, + When the mysterious power + To know and love the wonder of the morn + Was breathed within him, and his soul was born; + And thou didst meet thy child, + Not in some hidden shrine, + But in the freedom of the garden wild, + And take his hand in thine,-- + There all day long in Paradise he walked, + And in the cool of evening with thee talked. + + + III + + Lost, long ago, that garden bright and pure, + Lost, that calm day too perfect to endure, + And lost the child-like love that worshipped + and was sure! + For men have dulled their eyes with sin, + And dimmed the light of heaven with doubt, + And built their temple walls to shut thee in, + And framed their iron creeds to shut thee out. + But not for thee the closing of the door, + O Spirit unconfined! + Thy ways are free + As is the wandering wind, + And thou hast wooed thy children, to restore + Their fellowship with thee, + In peace of soul and simpleness of mind. + + + IV + + Joyful the heart that, when the flood rolled by, + Leaped up to see the rainbow in the sky; + And glad the pilgrim, in the lonely night, + For whom the hills of Haran, tier on tier, + Built up a secret stairway to the height + Where stars like angel eyes were shining clear. + From mountain-peaks, in many a land and + age, + Disciples of the Persian seer + Have hailed the rising sun and worshipped + thee; + And wayworn followers of the Indian sage + Have found the peace of God beneath a spreading + tree. + + + V + + But One, but One,--ah, Son most dear, + And perfect image of the Love Unseen,-- + Walked every day in pastures green, + And all his life the quiet waters by, + Reading their beauty with a tranquil eye. + To him the desert was a place prepared + For weary hearts to rest; + The hillside was a temple blest; + The grassy vale a banquet-room + Where he could feed and comfort many a + guest. + With him the lily shared + The vital joy that breathes itself in bloom; + And every bird that sang beside the nest + Told of the love that broods o'er every living + thing. + + He watched the shepherd bring + His flock at sundown to the welcome fold, + The fisherman at daybreak fling + His net across the waters gray and cold, + And all day long the patient reaper swing + His curving sickle through the harvest gold. + So through the world the foot-path way he trod, + Breathing the air of heaven in every breath; + And in the evening sacrifice of death + Beneath the open sky he gave his soul to God. + Him will I trust, and for my Master take; + Him will I follow; and for his dear sake, + God of the open air, + To thee I make my prayer. + + + VI + + From the prison of anxious thought that greed has builded, + From the fetters that envy has wrought and pride has gilded, + From the noise of the crowded ways and the fierce confusion, + From the folly that wastes its days in a world of illusion, + (Ah, but the life is lost that frets and languishes there!) + I would escape and be free in the joy of the open air. + By the breadth of the blue that shines in silence o'er me, + By the length of the mountain-lines that stretch before me, + By the height of the cloud that sails, with rest in motion, + Over the plains and the vales to the measureless ocean, + (Oh, how the sight of the greater things enlarges the eyes!) + Draw me away from myself to the peace of the hills and skies. + + While the tremulous leafy haze on the woodland is spreading, + And the bloom on the meadow betrays where May has been treading; + While the birds on the branches above, and the brooks flowing under, + Are singing together of love in a world full of wonder, + (Lo, in the magic of Springtime, dreams are changed into truth!) + Quicken my heart, and restore the beautiful hopes of youth. + + By the faith that the wild-flowers show when they bloom unbidden, + By the calm of the river's flow to a goal that is hidden, + By the strength of the tree that clings to its deep foundation, + By the courage of birds' light wings on the long migration, + (Wonderful spirit of trust that abides in Nature's breast!) + Teach me how to confide, and live my life, and rest. + + For the comforting warmth of the sun that my body embraces, + For the cool of the waters that run through the shadowy places, + For the balm of the breezes that brush my face with their fingers, + For the vesper-hymn of the thrush when the twilight lingers, + For the long breath, the deep breath, the breath of a heart without care,-- + I will give thanks and adore thee, God of the open air! + + + VII + + These are the gifts I ask + Of thee, Spirit serene: + Strength for the daily task, + Courage to face the road, + Good cheer to help me bear the traveller's load, + And, for the hours of rest that come between, + An inward joy in all things heard and seen. + These are the sins I fain + Would have thee take away: + Malice, and cold disdain, + Hot anger, sullen hate, + Scorn of the lowly, envy of the great, + And discontent that casts a shadow gray + On all the brightness of the common day. + These are the things I prize + And hold of dearest worth: + Light of the sapphire skies, + Peace of the silent hills, + Shelter of forests, comfort of the grass, + Music of birds, murmur of little rills, + Shadows of cloud that swiftly pass, + And, after showers, + The smell of flowers + And of the good brown earth,-- + And best of all, along the way, friendship and mirth. + So let me keep + These treasures of the humble heart + In true possession, owning them by love; + And when at last I can no longer move + Among them freely, but must part + From the green fields and from the waters clear, + Let me not creep + Into some darkened room and hide + From all that makes the world so bright and dear; + But throw the windows wide + To welcome in the light; + And while I clasp a well-beloved hand, + Let me once more have sight + Of the deep sky and the far-smiling land,-- + Then gently fall on sleep, + And breathe my body back to Nature's care, + My spirit out to thee, God of the open air. + + 1904. + + + + + IV + + WAYFARING PSALMS IN PALESTINE + + + + + THE DISTANT ROAD + + Blessed is the man that beholdeth the face of a friend in a far country, + The darkness of his heart is melted by the dawning of day within him, + + It is like the sound of a sweet music heard long ago and half forgotten: + It is like the coming back of birds to a wood when the winter is ended. + + I knew not the sweetness of the fountain till I found it flowing in the + desert, + Nor the value of a friend till we met in a land that was crowded and + lonely. + + The multitude of mankind had bewildered me and oppressed me, + And I complained to God, Why hast thou made the world so wide? + + But when my friend came the wideness of the world had no more terror, + Because we were glad together among men to whom we were strangers. + + It seemed as if I had been reading a book in a foreign language, + And suddenly I came upon a page written in the tongue of my childhood. + + This was the gentle heart of my friend who quietly understood me, + The open and loving heart whose meaning was clear without a word. + + O thou great Companion who carest for all thy pilgrims and strangers, + I thank thee heartily for the comfort of a comrade on the distant road. + + + + + THE WELCOME TENT + + This is the thanksgiving of the weary, + The song of him that is ready to rest. + + It is good to be glad when the day is declining, + And the setting of the sun is like a word of peace. + + The stars look kindly on the close of a journey, + The tent says welcome when the day's march is done. + + For now is the time of the laying down of burdens, + And the cool hour cometh to them that have borne the heat. + + I have rejoiced greatly in labour and adventure; + My heart hath been enlarged in the spending of my strength. + + Now it is all gone, yet I am not impoverished, + For thus only I inherit the treasure of repose. + + Blessed be the Lord that teacheth my fingers to loosen, + And cooleth my feet with water after the dust of the way. + + Blessed be the Lord that giveth me hunger at nightfall, + And filleth my evening cup with the wine of good cheer. + + Blessed be the Lord that maketh me happy to be quiet, + Even as a child that cometh softly to his mother's lap. + + O God, thy strength is never worn away with labour: + But it is good for us to be weary and receive thy gift of rest. + + + + + THE GREAT CITIES + + How wonderful are the cities that man hath builded: + Their walls are compacted of heavy stones, + And their lofty towers rise above the tree-tops. + + Rome, Jerusalem, Cairo, Damascus,-- + Venice, Constantinople, Moscow, Pekin,-- + London, New York, Berlin, Paris, Vienna,-- + + These are the names of mighty enchantments, + They have called to the ends of the earth, + They have secretly summoned a host of servants. + + They shine from far sitting beside great waters, + They are proudly enthroned upon high hills, + They spread out their splendour along the rivers. + + Yet are they all the work of small patient fingers, + Their strength is in the hand of man, + He hath woven his flesh and blood into their glory. + + The cities are scattered over the world like anthills, + Every one of them is full of trouble and toil, + And their makers run to and fro within them. + + Abundance of riches is laid up in their treasuries, + But they are tormented with the fear of want, + The cry of the poor in their streets is exceeding bitter. + + Their inhabitants are driven by blind perturbations, + They whirl sadly in the fever of haste, + Seeking they know not what, they pursue it fiercely. + + The air is heavy-laden with their breathing, + The sound of their coming and going is never still, + Even in the night I hear them whispering and crying. + + Beside every ant-hill I behold a monster crouching: + This is the ant-lion Death, + He thrusteth forth his tongue and the people perish. + + O God of wisdom thou hast made the country: + Why hast thou suffered man to make the town? + + Then God answered, Surely I am the maker of man: + And in the heart of man I have set the city. + + + + + THE FRIENDLY TREES + + I will sing of the bounty of the big trees, + They are the green tents of the Almighty, + He hath set them up for comfort and for shelter. + + Their cords hath he knotted in the earth, + He hath driven their stakes securely, + Their roots take hold of the rocks like iron. + + He sendeth into their bodies the sap of life, + They lift themselves lightly toward the heavens. + They rejoice in the broadening of their branches. + + Their leaves drink in the sunlight and the air, + They talk softly together when the breeze bloweth, + Their shadow in the noon-day is full of coolness. + + The tall palm-trees of the plain are rich in fruit, + While the fruit ripeneth the flower unfoldeth, + The beauty of their crown is renewed on high forever. + + The cedars of Lebanon are fed by the snow, + Afar on the mountain they grow like giants, + In their layers of shade a thousand years are dreaming. + + How fair are the trees that befriend the home of man, + The oak, and the terebinth, and the sycamore, + The broad-leaved fig-tree and the delicate silvery olive. + + In them the Lord is loving to his little birds, + The linnets and the finches and the nightingales, + They people his pavilions with nests and with music. + + The cattle also are very glad of a great tree, + They chew the cud beneath it while the sun is burning, + And there the panting sheep lie down around their shepherd. + + He that planteth a tree is a servant of God, + He provideth a kindness for many generations, + And faces that he hath not seen shall bless him. + + Lord, when my spirit shall return to thee, + At the foot of a friendly tree let my body be buried, + That this dust may rise and rejoice among the branches. + + + + + THE PATHWAY OF RIVERS + + The rivers of God are full of water, + They are wonderful in the renewal of their strength, + He poureth them out from a hidden fountain. + + They are born among the hills in the high places, + Their cradle is in the bosom of the rocks, + The mountain is their mother and the forest is their father. + + They are nourished among the long grasses, + They receive the tribute of a thousand springs, + The rain and the snow provide their inheritance. + + They are glad to be gone from their birthplace, + With a joyful noise they hasten away, + They are going forever and never departed. + + The courses of the rivers are all appointed; + They roar loudly but they follow the road, + For the finger of God hath marked their pathway. + + The rivers of Damascus rejoice among their gardens; + The great river of Egypt is proud of his ships; + The Jordan is lost in the Lake of Bitterness. + + Surely the Lord guideth them every one in his wisdom, + In the end he gathereth all their drops on high, + And sendeth them forth again in the clouds of mercy. + + O my God, my life floweth away like a river: + Guide me, I beseech thee, in a pathway of good: + Let me run in blessing to my rest in thee. + + + + + THE GLORY OF RUINS + + The lizard rested on the rock while I sat among the ruins, + And the pride of man was like a vision of the night. + + Lo, the lords of the city have disappeared into darkness, + The ancient wilderness hath swallowed up all their work. + + There is nothing left of the city but a heap of fragments; + The bones of a vessel broken by the storm. + + Behold the waves of the desert wait hungrily for man's dwellings, + And the tides of desolation return upon his toil. + + All that he hath painfully built up is shaken down in a moment, + The memory of his glory is buried beneath the billows of sand. + + Then a voice said, Look again upon the ruins, + These broken arches have taught generations to build. + + Moreover the name of this city shall be remembered, + For here a poor man spoke a word that shall not die. + + This is the glory that is stronger than the desert; + God hath given eternity to the thought of man. + + + + + THE TRIBE OF THE HELPERS + + The ways of the world are full of haste and turmoil; + I will sing of the tribe of the helpers who travel in peace. + + He that turneth from the road to rescue another, + Turneth toward his goal: + He shall arrive in time by the foot-path of mercy, + God will be his guide. + + He that taketh up the burden of the fainting, + Lighteneth his own load: + The Almighty will put his arms underneath him, + He shall lean upon the Lord. + + He that speaketh comfortable words to mourners, + Healeth his own hurt; + In the time of grief they will come to his remembrance. + God will use them for balm. + + He that careth for a wounded brother, + Watcheth not alone: + There are three in the darkness together, + And the third is the Lord. + + Blessed is the way of the helpers, + The companions of the Christ. + + + + + GOOD TEACHER + + The Lord is my teacher, + I shall not lose the way. + + He leadeth me in the lowly path of learning, + He prepareth a lesson for me every day; + He bringeth me to the clear fountains of instruction, + Little by little he showeth me the beauty of truth. + + The world is a great book that he hath written, + He turneth the leaves for me slowly; + They are inscribed with images and letters, + He poureth light on the pictures and the words. + + He taketh me by the hand to the hill-top of vision, + And my soul is glad when I perceive his meaning; + In the valley also he walketh beside me, + In the dark places he whispereth to my heart. + + Even though my lesson be hard it is not hopeless, + For the Lord is patient with his slow scholar; + He will wait awhile for my weakness, + And help me to read the truth through tears. + + + + + THE CAMP-FIRES OF MY FRIEND + + Thou hast taken me into thy tent of the world, O God, + Beneath thy blue canopy I have found shelter, + Therefore thou wilt not deny me the right of a guest. + + Naked and poor I arrived at thy door before sunset: + Thou hast refreshed me with beautiful bowls of milk, + As a great chief thou hast set forth food in abundance. + + I have loved the daily delights of thy dwelling, + Thy moon and thy stars have lighted me to my bed, + In the morning I have made merry with thy servants. + + Surely thou wilt not send me away in the darkness? + There the enemy Death is lying in wait for my soul: + Thou art the host of my life and I claim thy protection. + + Then the Lord of the tent of the world made answer: + _The right of a guest endureth for a certain time, + After three days and nights cometh the day of departure._ + + _Yet hearken to me since thou fearest to go in the dark: + I will make with thee a new covenant of hospitality, + Behold I will come unto thee as a stranger and be thy guest._ + + _Poor and needy will I come that thou mayest entertain me, + Meek and lowly will I come that thou mayest find a friend, + With mercy and with truth will I come to give thee comfort._ + + _Therefore open thy heart to me and bid me welcome, + In this tent of the world I will be thy brother of the bread, + And when thou farest forth I will be thy companion forever._ + + Then my soul rested in the word of the Lord; + And I saw that the curtains of the world were shaken, + But I looked beyond them to the stars, + The camp-fires of my eternal friend. + + + + + + + + + + + +End of the Project Gutenberg EBook of Songs Out of Doors, by Henry Van Dyke + +*** END OF THIS PROJECT GUTENBERG EBOOK SONGS OUT OF DOORS *** + +***** This file should be named 9372.txt or 9372.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/9/3/7/9372/ + +Produced by Patricia Peters, Tonya Allen, and Project +Gutenberg Distributed Proofreaders + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License available with this file or online at + www.gutenberg.org/license. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation information page at www.gutenberg.org + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at 809 +North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email +contact links and up to date contact information can be found at the +Foundation's web site and official page at www.gutenberg.org/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit www.gutenberg.org/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: www.gutenberg.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For forty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |