diff options
Diffstat (limited to '9319-h')
| -rw-r--r-- | 9319-h/9319-h.htm | 1081 | ||||
| -rw-r--r-- | 9319-h/images/001.jpg | bin | 0 -> 158923 bytes | |||
| -rw-r--r-- | 9319-h/images/001.png | bin | 0 -> 86255 bytes | |||
| -rw-r--r-- | 9319-h/images/141.jpg | bin | 0 -> 70326 bytes | |||
| -rw-r--r-- | 9319-h/images/141.png | bin | 0 -> 37865 bytes | |||
| -rw-r--r-- | 9319-h/images/143.jpg | bin | 0 -> 57031 bytes | |||
| -rw-r--r-- | 9319-h/images/143.png | bin | 0 -> 47436 bytes | |||
| -rw-r--r-- | 9319-h/images/145.jpg | bin | 0 -> 87589 bytes | |||
| -rw-r--r-- | 9319-h/images/145.png | bin | 0 -> 61823 bytes | |||
| -rw-r--r-- | 9319-h/images/147.jpg | bin | 0 -> 61283 bytes | |||
| -rw-r--r-- | 9319-h/images/147.png | bin | 0 -> 43699 bytes | |||
| -rw-r--r-- | 9319-h/images/148.jpg | bin | 0 -> 71305 bytes | |||
| -rw-r--r-- | 9319-h/images/148.png | bin | 0 -> 42511 bytes | |||
| -rw-r--r-- | 9319-h/images/151.jpg | bin | 0 -> 65687 bytes | |||
| -rw-r--r-- | 9319-h/images/151.png | bin | 0 -> 45650 bytes | |||
| -rw-r--r-- | 9319-h/images/153.jpg | bin | 0 -> 53476 bytes | |||
| -rw-r--r-- | 9319-h/images/153.png | bin | 0 -> 48658 bytes | |||
| -rw-r--r-- | 9319-h/images/156.jpg | bin | 0 -> 53771 bytes | |||
| -rw-r--r-- | 9319-h/images/156.png | bin | 0 -> 36821 bytes | |||
| -rw-r--r-- | 9319-h/images/159.jpg | bin | 0 -> 85787 bytes | |||
| -rw-r--r-- | 9319-h/images/159.png | bin | 0 -> 51760 bytes | |||
| -rw-r--r-- | 9319-h/images/164.jpg | bin | 0 -> 104714 bytes | |||
| -rw-r--r-- | 9319-h/images/164.png | bin | 0 -> 79356 bytes | |||
| -rw-r--r-- | 9319-h/images/165.jpg | bin | 0 -> 70015 bytes | |||
| -rw-r--r-- | 9319-h/images/165.png | bin | 0 -> 63369 bytes | |||
| -rw-r--r-- | 9319-h/images/168.jpg | bin | 0 -> 62283 bytes | |||
| -rw-r--r-- | 9319-h/images/168.png | bin | 0 -> 45810 bytes | |||
| -rw-r--r-- | 9319-h/images/169.jpg | bin | 0 -> 123850 bytes | |||
| -rw-r--r-- | 9319-h/images/169.png | bin | 0 -> 80227 bytes | |||
| -rw-r--r-- | 9319-h/images/174.jpg | bin | 0 -> 65455 bytes | |||
| -rw-r--r-- | 9319-h/images/174.png | bin | 0 -> 44177 bytes | |||
| -rw-r--r-- | 9319-h/images/Frontispiece.jpg | bin | 0 -> 89775 bytes | |||
| -rw-r--r-- | 9319-h/images/Frontispiece.png | bin | 0 -> 59004 bytes |
33 files changed, 1081 insertions, 0 deletions
diff --git a/9319-h/9319-h.htm b/9319-h/9319-h.htm new file mode 100644 index 0000000..1470b9a --- /dev/null +++ b/9319-h/9319-h.htm @@ -0,0 +1,1081 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<title>A DOCTOR OF THE OLD SCHOOL, Part 5</title> +<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"> + +<style type="text/css"> + <!-- + body {margin:15%; text-align:justify} + P { text-indent: 1em; + margin-top: .75em; + margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; } + HR { width: 33%; text-align: center; } + img {border: 0;} + blockquote {font-size: 97%; } + .figleft {float: left;} + .figright {float: right;} + .toc { margin-left: 15%; margin-bottom: 0em;} + CENTER { padding: 10px;} + PRE { font-family: Times; font-size: 97%; margin-left: 15%;} + // --> +</style> + +</head> +<body> + +<h1>A Doctor of the Old School, Part 5</h1> +<pre> + +Project Gutenberg's A Doctor of the Old School, Part 5, by Ian Maclaren + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Doctor of the Old School, Part 5 + +Author: Ian Maclaren + +Release Date: August 9, 2004 [EBook #9319] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, PART 5 *** + + + + +Produced by Juliet Sutherland, David Widger and PG Distributed +Proofreaders + + + + + + +</pre> + + + + + +<center> +<h1>A DOCTOR OF THE OLD SCHOOL</h1> + +<h2>by Ian Maclaren</h2> +<a name="Frontispiece"></a> + +<a href="images/Frontispiece.png"><img alt="Frontispiece.jpg (87K)" src="images/Frontispiece.jpg" height="693" width="598"></a> + +<a href="images/001.png"><img alt="001.jpg (155K)" src="images/001.jpg" height="817" width="503"></a> +</center> +<br><br><br><br> +<center> +<h1> +Part 5 +<br><br>THE MOURNING OF THE GLEN +</h1></center> + +<br><br><br><br> + +<h2>ILLUSTRATIONS</h2> +<center> +<table summary=""> +<tr><td> + + +[A click on the face of any illustration<br> +will enlarge it to full size.] +<br><br> +<a href="#Frontispiece">DR. MacLURE</a><br> +<a href="#141">BOOK V. THE MOURNING OF THE GLEN</a><br> +<a href="#143">The Tochty Ran with Black, Swollen Stream</a><br> +<a href="#145">Toiled Across the Glen</a><br> +<a href="#147">There was Nae Use Trying tae Dig Oot the Front Door</a><br> +<a href="#148">Ane of Them Gied Ower the Head in a Drift</a><br> +<a href="#151">Two Men in Plaids were Descending the Hill</a><br> +<a href="#153">Jined Hands and Cam ower Fine</a><br> +<a href="#156">Twa Horses, Ane afore the Ither</a><br> +<a href="#159">He had Left His Overcoat, and was in Black</a><br> +<a href="#164">Death after All was Victor</a><br> +<a href="#165">She Began to Neigh</a><br> +<a href="#168">They had Set to Work</a><br> +<a href="#169">Standing at the Door</a><br> +<a href="#174">Finis</a><br> + +</td></tr> +</table> +</center> + + +<br><br><br><br> + +<h2> +PREFACE</h2> + +<p>It is with great good will that I write this short preface to the +edition of "A Doctor of the Old School" (which has been illustrated by +Mr. Gordon after an admirable and understanding fashion) because there +are two things that I should like to say to my readers, being also my +friends.</p> + +<p>One, is to answer a question that has been often and fairly asked. Was +there ever any doctor so self-forgetful and so utterly Christian as +William MacLure? To which I am proud to reply, on my conscience: Not one +man, but many in Scotland and in the South country. I will dare prophecy +also across the sea.</p> + +<p>It has been one man's good fortune to know four country doctors, not one +of whom was without his faults—Weelum was not perfect—but who, each +one, might have sat for my hero. Three are now resting from their +labors, and the fourth, if he ever should see these lines, would never +identify himself.</p> + +<p>Then I desire to thank my readers, and chiefly the medical profession +for the reception given to the Doctor of Drumtochty.</p> + +<p>For many years I have desired to pay some tribute to a class whose +service to the community was known to every countryman, but after the +tale had gone forth my heart failed. For it might have been despised +for the little grace of letters in the style and because of the outward +roughness of the man. But neither his biographer nor his circumstances +have been able to obscure MacLure who has himself won all honest hearts, +and received afresh the recognition of his more distinguished brethren. +From all parts of the English-speaking world letters have come in +commendation of Weelum MacLure, and many were from doctors who had +received new courage. It is surely more honor than a new writer could +ever have deserved to receive the approbation of a profession whose +charity puts us all to shame.</p> + +<p>May I take this first opportunity to declare how deeply my heart has +been touched by the favor shown to a simple book by the American people, +and to express my hope that one day it may be given me to see you face +to face.</p> + +<p>IAN MACLAREN. Liverpool, Oct. 4, 1895.</p> + +<br><br> + + + +<a name="V"></a> +<br><br> +<center> +<h1>THE MOURNING OF THE GLEN</h1> +</center> + + + + + +<a name="141"></a> +<br><br> +<center> +<a href="images/141.png"><img alt="141.jpg (68K)" src="images/141.jpg" height="596" width="543"></a> +</center> + + + +<br><br> +<p>Dr. MacLure was buried during the great snowstorm which is still spoken +of, and will remain the standard of snowfall in Drumtochty for the +century. The snow was deep on the Monday, and the men that gave notice +of his funeral had hard work to reach the doctor's distant patients. +On Tuesday morning it began to fall again in heavy, fleecy flakes, and +continued till Thursday, and then on Thursday the north wind rose and +swept the snow into the hollows of the roads that went to the upland +farms, and built it into a huge bank at the mouth of Glen Urtach, and +laid it across our main roads in drifts of every size and the most +lovely shapes, and filled up crevices in the hills to the depth of fifty +feet.</p> + +<p>On Friday morning the wind had sunk to passing gusts that powdered +your coat with white, and the sun was shining on one of those winter +landscapes no townsman can imagine and no countryman ever forgets. The +Glen, from end to end and side to side, was clothed in a glistering +mantle white as no fuller on earth could white it, that flung its skirts +over the clumps of trees and scattered farmhouses, and was only divided +where the Tochty ran with black, swollen stream. The great moor rose and +fell in swelling billows of snow that arched themselves over the burns, +running deep in the mossy ground, and hid the black peat bogs with a +thin, treacherous crust.</p> + + +<a name="143"></a> +<br><br> +<center> +<a href="images/143.png"><img alt="143.jpg (55K)" src="images/143.jpg" height="496" width="484"></a> +</center> +<br><br> + + +<p>Beyond, the hills northwards and westwards stood high in white majesty, +save where the black crags of Glen Urtach broke the line, and, above our +lower Grampians, we caught glimpses of the distant peaks that lifted +their heads in holiness unto God.</p> + +<p>It seemed to me a fitting day for William MacLure's funeral, rather than +summer time, with its flowers and golden corn. He had not been a soft +man, nor had he lived an easy life, and now he was to be laid to rest +amid the austere majesty of winter, yet in the shining of the sun. Jamie +Soutar, with whom I toiled across the Glen, did not think with me, but +was gravely concerned.</p> + +<p>"Nae doot it's a graund sicht; the like o't is no gien tae us twice in +a generation, an' nae king wes ever carried tae his tomb in sic a +cathedral.</p> + +<p>"But it's the fouk a'm conseederin', an' hoo they'll win through; it's +hard eneuch for them 'at's on the road, an' it's clean impossible for +the lave.</p> + + +<a name="145"></a> +<br><br> +<center> +<a href="images/145.png"><img alt="145.jpg (85K)" src="images/145.jpg" height="698" width="470"></a> +</center> +<br><br> + + +<p>"They 'ill dae their best, every man o' them, ye may depend on that, +an' hed it been open weather there wudna hev been six able-bodied +men missin'.</p> + +<p>"A' wes mad at them, because they never said onything when he wes +leevin', but they felt for a' that what he hed dune, an', a' think, he +kent it afore he deed.</p> + +<p>"He hed juist ae faut, tae ma thinkin', for a' never jidged the waur +o' him for his titch of rochness—guid trees hae gnarled bark—but he +thotched ower little o' himsel'.</p> + +<p>"Noo, gin a' hed asked him hoo mony fouk wud come tae his beerial, he +wud hae said, 'They 'ill be Drumsheugh an' yersel', an' may be twa or +three neeburs besides the minister,' an' the fact is that nae man in oor +time wud hae sic a githerin' if it werena for the storm.</p> + + + +<a name="147"></a> +<br><br> +<center> +<a href="images/147.png"><img alt="147.jpg (59K)" src="images/147.jpg" height="572" width="464"></a> +</center> +<br><br> + + +<p>"Ye see," said Jamie, who had been counting heads all morning, "there's +six shepherds in Glen Urtaeh—they're shut up fast; an' there micht hae +been a gude half dizen frae Dunleith wy, an' a'm telt there's nae road; +an' there's the heich Glen, nae man cud cross the muir the day, an' it's +aucht mile round;" and Jamie proceeded to review the Glen in every +detail of age, driftiness of road and strength of body, till we arrived +at the doctor's cottage, when he had settled on a reduction of fifty +through stress of weather.</p> + + + +<a name="148"></a> +<br><br> +<center> +<a href="images/148.png"><img alt="148.jpg (69K)" src="images/148.jpg" height="759" width="478"></a> +</center> +<br><br> + + +<p>Drumsheugh was acknowledged as chief mourner by the Glen, and received +us at the gate with a labored attempt at everyday manners.</p> + +<p>"Ye've hed heavy traivellin', a' doot, an' ye 'ill be cauld. It's hard +weather for the sheep an' a'm thinkin' this 'ill be a feeding storm.</p> + +<p>"There wes nae use trying tae dig oot the front door yestreen, for it +wud hae been drifted up again before morning. We've cleared awa the snow +at the back for the prayer; ye 'ill get in at the kitchen door.</p> + +<p>"There's a puckle Dunleith men——-"</p> + +<p>"Wha?" cried Jamie in an instant.</p> + +<p>"Dunleith men," said Drumsheugh.</p> + +<p>"Div ye mean they're here, whar are they?"</p> + +<p>"Drying themsels at the fire, an' no withoot need; ane of them gied +ower the head in a drift, and his neeburs hed tae pu' him oot.</p> + +<p>"It took them a gude fower oors tae get across, an' it wes coorse wark; +they likit him weel doon that wy, an', Jamie, man"—here Drumsheugh's +voice changed its note, and his public manner disappeared—"what div ye +think o' this? every man o' them has on his blacks."</p> + +<p>"It's mair than cud be expeckit" said Jamie; "but whar dae yon men come +frae, Drumsheugh?"</p> + +<p>Two men in plaids were descending the hill behind the doctor's cottage, +taking three feet at a stride, and carrying long staffs in their hands.</p> + +<p>"They're Glen Urtach men, Jamie, for are o' them wes at Kildrummie fair +wi' sheep, but hoo they've wun doon passes me."</p> + +<p>"It canna be, Drumsheugh," said Jamie, greatly excited. "Glen Urtach's steikit up +wi' sna like a locked door.</p> + + +<a name="151"></a> +<br><br> +<center> +<a href="images/151.png"><img alt="151.jpg (64K)" src="images/151.jpg" height="645" width="512"></a> +</center> +<br><br> + + +<p>"Ye're no surely frae the Glen, lads?" as the men leaped the dyke and +crossed to the back door, the snow falling from their plaids as they +walked.</p> + +<p>"We're that an' nae mistak, but a' thocht we wud be lickit ae place, eh, +Charlie? a'm no sae weel acquant wi' the hill on this side, an' there +wes some kittle (hazardous) drifts."</p> + +<p>"It wes grand o' ye tae mak the attempt," said Drumsheugh, "an' a'm gled +ye're safe."</p> + +<p>"He cam through as bad himsel' tae help ma wife," was Charlie's reply.</p> + +<p>"They're three mair Urtach shepherds 'ill come in by sune; they're frae +Upper Urtach an' we saw them fording the river; ma certes it took them +a' their time, for it wes up tae their waists and rinnin' like a mill +lade, but they jined hands and cam ower fine." And the Urtach men went +in to the fire. The Glen began to arrive in twos and threes, and Jamie, +from a point of vantage at the gate, and under an appearance of utter +indifference, checked his roll till even he was satisfied.</p> + + +<a name="153"></a> +<br><br> +<center> +<a href="images/153.png"><img alt="153.jpg (52K)" src="images/153.jpg" height="365" width="497"></a> +</center> +<br><br> + + +<p>"Weelum MacLure 'ill hae the beerial he deserves in spite o' sna and +drifts; it passes a' tae see hoo they've githered frae far an' near.</p> + +<p>"A'm thinkin' ye can colleck them for the minister noo, Drumsheugh. +A'body's here except the heich Glen, an' we mauna luke for them."</p> + +<p>"Dinna be sae sure o' that, Jamie. Yon's terrible like them on the road, +wi' Whinnie at their head;" and so it was, twelve in all, only old Adam +Ross absent, detained by force, being eighty-two years of age.</p> + +<p>"It wud hae been temptin' Providence tae cross the muir," Whinnie +explained, "and it's a fell stap roond; a' doot we're laist."</p> + +<p>"See, Jamie," said Drumsheugh, as he went to the house, "gin there be +ony antern body in sicht afore we begin; we maun mak allooances the day +wi' twa feet o' sna on the grund, tae say naethin' o' drifts."</p> + +<p>"There's something at the turnin', an' it's no fouk; it's a machine o' +some kind or ither—maybe a bread cart that's focht its wy up."</p> + +<p>"Na, it's no that; there's twa horses, are afore the ither; if it's no a +dogcairt wi' twa men in the front; they 'ill be comin' tae the beerial." +"What wud ye sae, Jamie," Hillocks suggested, "but it micht be some o' +thae Muirtown doctors? they were awfu' chief wi' MacLure."</p> + +<p>"It's nae Muirtown doctors," cried Jamie, in great exultation, "nor ony +ither doctors. A' ken thae horses, and wha's ahind them. Quick, man, +Hillocks, stop the fouk, and tell Drumsheugh tae come oot, for Lord +Kilspindie hes come up frae Muirtown Castle."</p> + +<p>Jamie himself slipped behind, and did not wish to be seen.</p> + +<p>"It's the respeck he's gettin' the day frae high an' low," was Jamie's +husky apology; "tae think o' them fetchin' their wy doon frae Glen +Urtach, and toiling roond frae the heich Glen, an' his Lordship driving +through the drifts a' the road frae Muirtown, juist tae honour Weelum +MacLure's beerial.</p> + + +<a name="156"></a> +<br><br> +<center> +<a href="images/156.png"><img alt="156.jpg (52K)" src="images/156.jpg" height="598" width="409"></a> +</center> +<br><br> + + +<p>"It's nae ceremony the day, ye may lippen tae it; it's the hert brocht +the fouk, an' ye can see it in their faces; ilka man hes his ain +reason, an' he's thinkin' on't though he's speakin' o' naethin' but the +storm; he's mindin' the day Weelum pued him out frae the jaws o' death, +or the nicht he savit the gude wife in her oor o' tribble.</p> + +<p>"That's why they pit on their blacks this mornin' afore it wes licht, +and wrastled through the sna drifts at risk o' life. Drumtochty fouk +canna say muckle, it's an awfu' peety, and they 'ill dae their best tae +show naethin', but a' can read it a' in their een.</p> + +<p>"But wae's me"—and Jamie broke down utterly behind a fir tree, so +tender a thing is a cynic's heart—"that fouk 'ill tak a man's best wark +a' his days without a word an' no dae him honour till he dees. Oh, if +they hed only githered like this juist aince when he wes livin', an' lat +him see he hedna laboured in vain. His reward has come ower late".</p> + +<p>During Jamie's vain regret, the castle trap, bearing the marks of a wild +passage in the snow-covered wheels, a broken shaft tied with rope, a +twisted lamp, and the panting horses, pulled up between two rows of +farmers, and Drumsheugh received his lordship with evident emotion.</p> + +<p>"Ma lord ... we never thocht o' this ... an' sic a road."</p> + +<p>"How are you, Drumsheugh? and how are you all this wintry day? That's +how I'm half an hour late; it took us four hours' stiff work for sixteen +miles, mostly in the drifts, of course."</p> + +<p>"It wes gude o' yir lordship, tae mak sic an effort, an' the hale Glen +wull be gratefu' tae ye, for ony kindness tae him is kindness tae us."</p> + + + +<a name="159"></a> +<br><br> +<center> +<a href="images/159.png"><img alt="159.jpg (83K)" src="images/159.jpg" height="739" width="392"></a> +</center> +<br><br> + + +<p>"You make too much of it, Drumsheugh," and the clear, firm voice was +heard of all; "it would have taken more than a few snow drifts to keep +me from showing my respect to William MacLure's memory." When all had +gathered in a half circle before the kitchen door, Lord Kilspindie came +out—every man noticed he had left his overcoat, and was in black, like +the Glen—and took a place in the middle with Drumsheugh and Burnbrae, +his two chief tenants, on the right and left, and as the minister +appeared every man bared his head.</p> + +<p>The doctor looked on the company—a hundred men such as for strength +and gravity you could hardly have matched in Scotland—standing out in +picturesque relief against the white background, and he said:</p> + +<p>"It's a bitter day, friends, and some of you are old; perhaps it might +be wise to cover your heads before I begin to pray."</p> + +<p>Lord Kilspindie, standing erect and grey-headed between the two old men, +replied:</p> + +<p>"We thank you, Dr. Davidson, for your thoughtfulness; but he endured +many a storm in our service, and we are not afraid of a few minutes' +cold at his funeral."</p> + +<p>A look flashed round the stern faces, and was reflected from the +minister, who seemed to stand higher.</p> + +<p>His prayer, we noticed with critical appreciation, was composed for the +occasion, and the first part was a thanksgiving to God for the life work +of our doctor, wherein each clause was a reference to his services and +sacrifices. No one moved or said Amen—it had been strange with us—but +when every man had heard the gratitude of his dumb heart offered to +heaven, there was a great sigh.</p> + +<p>After which the minister prayed that we might have grace to live as this +man had done from youth to old age, not for himself, but for others, +and that we might be followed to our grave by somewhat of "that love +wherewith we mourn this day Thy servant departed." Again the same sigh, +and the minister said Amen. The "wricht" stood in the doorway without +speaking, and four stalwart men came forward. They were the volunteers +that would lift the coffin and carry it for the first stage. One was +Tammas, Annie Mitchell's man; and another was Saunders Baxter, for whose +life MacLure had his great fight with death; and the third was the Glen +Urtach shepherd for whose wife's sake MacLure suffered a broken leg and +three fractured ribs in a drift; and the fourth, a Dunleith man, had his +own reasons of remembrance.</p> + +<p>"He's far lichter than ye wud expeck for sae big a man—there wesna +muckle left o' him, ye see—but the road is heavy, and a'il change ye +aifter the first half mile."</p> + +<p>"Ye needna tribble yersel, wricht," said the man from Glen Urtach; +"the'll be nae change in the cairryin' the day," and Tammas was thankful +some one had saved him speaking.</p> + +<p>Surely no funeral is like unto that of a doctor for pathos, and a +peculiar sadness fell on that company as his body was carried out who +for nearly half a century had been their help in sickness, and had +beaten back death time after time from their door. Death after all +was victor, for the man that had saved them had not been able to save +himself.</p> + +<p>As the coffin passed the stable door a horse nieghed within, and every +man looked at his neighbour. It was his old mare crying to her master.</p> + +<p>Jamie slipped into the stable, and went up into the stall.</p> + +<p>"Puir lass, ye're no gaen' wi' him the day, an' ye 'ill never see him +again; ye've hed yir last ride thegither, an' ye were true tae the end."</p> + + + +<a name="164"></a> +<br><br> +<center> +<a href="images/164.png"><img alt="164.jpg (102K)" src="images/164.jpg" height="709" width="473"></a> +</center> +<br><br> + + +<p>After the funeral Drumsheugh came himself for Jess, and took her to his +farm. Saunders made a bed for her with soft, dry straw, and prepared for +her supper such things as horses love. Jess would neither take food nor +rest, but moved uneasily in her stall, and seemed to be waiting for some +one that never came. No man knows what a horse or a dog understands and +feels, for God hath not given them our speech. If any footstep was heard +in the courtyard, she began to neigh, and was always looking round as +the door opened. But nothing would tempt her to eat, and in the +night-time Drumsheugh heard her crying as if she expected to be taken out for +some sudden journey. The Kildrummie veterinary came to see her, and said +that nothing could be done when it happened after this fashion with an +old horse.</p> + + + +<a name="165"></a> +<br><br> +<center> +<a href="images/165.png"><img alt="165.jpg (68K)" src="images/165.jpg" height="378" width="448"></a> +</center> +<br><br> + + +<p>"A've seen it aince afore," he said. "Gin she were a Christian instead +o' a horse, ye micht say she wes dying o' a broken hert."</p> + +<p>He recommended that she should be shot to end her misery, but no man +could be found in the Glen to do the deed and Jess relieved them of the +trouble. When Drumsheugh went to the stable on Monday morning, a week +after Dr. MacLure fell on sleep, Jess was resting at last, but her eyes +were open and her face turned to the door.</p> + +<p>"She wes a' the wife he hed," said Jamie, as he rejoined the procession, +"an' they luved ane anither weel."</p> + +<p>The black thread wound itself along the whiteness of the Glen, the +coffin first, with his lordship and Drumsheugh behind, and the others as +they pleased, but in closer ranks than usual, because the snow on either +side was deep, and because this was not as other funerals. They could +see the women standing at the door of every house on the hillside, and +weeping, for each family had some good reason in forty years to remember +MacLure. When Bell Baxter saw Saunders alive, and the coffin of the +doctor that saved him on her man's shoulder, she bowed her head on the +dyke, and the bairns in the village made such a wail for him they loved +that the men nearly disgraced themselves.</p> + +<p>"A'm gled we're through that, at ony rate," said Hillocks; "he wes awfu' +taen up wi' the bairns, conseederin' he hed nane o' his ain."</p> + +<p>There was only one drift on the road between his cottage and the +kirkyard, and it had been cut early that morning. Before daybreak +Saunders had roused the lads in the bothy, and they had set to work by +the light of lanterns with such good will that, when Drumsheugh came +down to engineer a circuit for the funeral, there was a fair passage, +with walls of snow twelve feet high on either side.</p> + + +<a name="168"></a> +<br><br> +<center> +<a href="images/168.png"><img alt="168.jpg (60K)" src="images/168.jpg" height="348" width="480"></a> +</center> +<br><br> + + +<p>"Man, Saunders," he said, "this wes a kind thocht, and rael weel dune."</p> + +<p>But Saunders' only reply was this: "Mony a time he's hed tae gang +round; he micht as weel hae an open road for his last traivel."</p> + + + +<a name="169"></a> +<br><br> +<center> +<a href="images/169.png"><img alt="169.jpg (120K)" src="images/169.jpg" height="721" width="516"></a> +</center> +<br><br> + + +<p>When the coffin was laid down at the mouth of the grave, the only +blackness in the white kirkyard, Tammas Mitchell did the most beautiful +thing in all his life. He knelt down and carefully wiped off the snow +the wind had blown upon the coffin, and which had covered the name, +and when he had done this he disappeared behind the others, so that +Drumsheugh could hardly find him to take a cord. For these were the +eight that buried Dr. MacLure—Lord Kilspindie at the head as landlord +and Drumsheugh at his feet as his friend; the two ministers of the +parish came first on the right and left; then Burnbrae and Hillocks of +the farmers, and Saunders and Tammas for the plowmen. So the Glen he +loved laid him to rest.</p> + +<p>When the bedrel had finished his work and the turf had been spread, Lord +Kilspindie spoke:</p> + +<p>"Friends of Drumtochty, it would not be right that we should part in +silence and no man say what is in every heart. We have buried the +remains of one that served this Glen with a devotion that has known no +reserve, and a kindliness that never failed, for more than forty years. +I have seen many brave men in my day, but no man in the trenches of +Sebastopol carried himself more knightly than William MacLure. You will +never have heard from his lips what I may tell you to-day, that my +father secured for him a valuable post in his younger days, and he +preferred to work among his own people; and I wished to do many things +for him when he was old, but he would have nothing for himself. He will +never be forgotten while one of us lives, and I pray that all doctors +everywhere may share his spirit. If it be your pleasure, I shall erect +a cross above his grave, and shall ask my old friend and companion Dr. +Davidson, your minister, to choose the text to be inscribed."</p> + +<p>"We thank you, Lord Kilspindie," said the doctor, "for your presence +with us in our sorrow and your tribute to the memory of William MacLure, +and I choose this for his text:</p> + +<center> +<table summary="poem"> +<tr><td> +<p> "'Greater love hath no man than this,<br> + that a man lay down his life for his friends.'"</p> +</td></tr> +</table> +</center> + +<p>Milton was, at that time, held in the bonds of a very bitter theology, +and his indignation was stirred by this unqualified eulogium.</p> + +<p>"No doubt Dr. MacLure hed mony natural virtues, an' he did his wark +weel, but it wes a peety he didna mak mair profession o' releegion."</p> + +<p>"When William MacLure appears before the Judge, Milton," said Lachlan +Campbell, who that day spoke his last words in public, and they were in +defence of charity, "He will not be asking him about his professions, +for the doctor's judgment hass been ready long ago; and it iss a good +judgment, and you and I will be happy men if we get the like of it.</p> + +<p>"It is written in the Gospel, but it iss William MacLure that will not +be expecting it."</p> + +<p>"What is't Lachlan?" asked Jamie Soutar eagerly.</p> + +<p>The old man, now very feeble, stood in the middle of the road, and his +face, once so hard, was softened into a winsome tenderness.</p> +<center> +<table summary="poem"> +<tr><td> +<p> "'Come, ye blessed of My Father <br> + ... I was sick and ye visited Me.'"</p> +</td></tr> +</table> + </center> + + +<br><br> +<a name="174"></a> +<br><br> +<center> +<a href="images/174.png"><img alt="174.jpg (63K)" src="images/174.jpg" height="468" width="521"></a> +</center> + + + + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's A Doctor of the Old School, Part 5, by Ian Maclaren + +*** END OF THIS PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, PART 5 *** + +***** This file should be named 9319-h.htm or 9319-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/3/1/9319/ + +Produced by Juliet Sutherland, David Widger and PG Distributed +Proofreaders + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> + diff --git a/9319-h/images/001.jpg b/9319-h/images/001.jpg Binary files differnew file mode 100644 index 0000000..ec810de --- /dev/null +++ b/9319-h/images/001.jpg diff --git a/9319-h/images/001.png b/9319-h/images/001.png Binary files differnew file mode 100644 index 0000000..ac83a0e --- /dev/null +++ b/9319-h/images/001.png diff --git a/9319-h/images/141.jpg b/9319-h/images/141.jpg Binary files differnew file mode 100644 index 0000000..c364de5 --- /dev/null +++ b/9319-h/images/141.jpg diff --git a/9319-h/images/141.png b/9319-h/images/141.png Binary files differnew file mode 100644 index 0000000..cde2273 --- /dev/null +++ b/9319-h/images/141.png diff --git a/9319-h/images/143.jpg b/9319-h/images/143.jpg Binary files differnew file mode 100644 index 0000000..5b21f5e --- /dev/null +++ b/9319-h/images/143.jpg diff --git a/9319-h/images/143.png b/9319-h/images/143.png Binary files differnew file mode 100644 index 0000000..07697fc --- /dev/null +++ b/9319-h/images/143.png diff --git a/9319-h/images/145.jpg b/9319-h/images/145.jpg Binary files differnew file mode 100644 index 0000000..162e161 --- /dev/null +++ b/9319-h/images/145.jpg diff --git a/9319-h/images/145.png b/9319-h/images/145.png Binary files differnew file mode 100644 index 0000000..23456af --- /dev/null +++ b/9319-h/images/145.png diff --git a/9319-h/images/147.jpg b/9319-h/images/147.jpg Binary files differnew file mode 100644 index 0000000..abb773d --- /dev/null +++ b/9319-h/images/147.jpg diff --git a/9319-h/images/147.png b/9319-h/images/147.png Binary files differnew file mode 100644 index 0000000..77e36f8 --- /dev/null +++ b/9319-h/images/147.png diff --git a/9319-h/images/148.jpg b/9319-h/images/148.jpg Binary files differnew file mode 100644 index 0000000..3e87558 --- /dev/null +++ b/9319-h/images/148.jpg diff --git a/9319-h/images/148.png b/9319-h/images/148.png Binary files differnew file mode 100644 index 0000000..a419522 --- /dev/null +++ b/9319-h/images/148.png diff --git a/9319-h/images/151.jpg b/9319-h/images/151.jpg Binary files differnew file mode 100644 index 0000000..0b1e63a --- /dev/null +++ b/9319-h/images/151.jpg diff --git a/9319-h/images/151.png b/9319-h/images/151.png Binary files differnew file mode 100644 index 0000000..a61be5d --- /dev/null +++ b/9319-h/images/151.png diff --git a/9319-h/images/153.jpg b/9319-h/images/153.jpg Binary files differnew file mode 100644 index 0000000..d5895ea --- /dev/null +++ b/9319-h/images/153.jpg diff --git a/9319-h/images/153.png b/9319-h/images/153.png Binary files differnew file mode 100644 index 0000000..176edbf --- /dev/null +++ b/9319-h/images/153.png diff --git a/9319-h/images/156.jpg b/9319-h/images/156.jpg Binary files differnew file mode 100644 index 0000000..814637f --- /dev/null +++ b/9319-h/images/156.jpg diff --git a/9319-h/images/156.png b/9319-h/images/156.png Binary files differnew file mode 100644 index 0000000..71e542e --- /dev/null +++ b/9319-h/images/156.png diff --git a/9319-h/images/159.jpg b/9319-h/images/159.jpg Binary files differnew file mode 100644 index 0000000..a98e465 --- /dev/null +++ b/9319-h/images/159.jpg diff --git a/9319-h/images/159.png b/9319-h/images/159.png Binary files differnew file mode 100644 index 0000000..b7d47eb --- /dev/null +++ b/9319-h/images/159.png diff --git a/9319-h/images/164.jpg b/9319-h/images/164.jpg Binary files differnew file mode 100644 index 0000000..97f7d4d --- /dev/null +++ b/9319-h/images/164.jpg diff --git a/9319-h/images/164.png b/9319-h/images/164.png Binary files differnew file mode 100644 index 0000000..7693be3 --- /dev/null +++ b/9319-h/images/164.png diff --git a/9319-h/images/165.jpg b/9319-h/images/165.jpg Binary files differnew file mode 100644 index 0000000..7e0f1f8 --- /dev/null +++ b/9319-h/images/165.jpg diff --git a/9319-h/images/165.png b/9319-h/images/165.png Binary files differnew file mode 100644 index 0000000..46d9839 --- /dev/null +++ b/9319-h/images/165.png diff --git a/9319-h/images/168.jpg b/9319-h/images/168.jpg Binary files differnew file mode 100644 index 0000000..a3099a9 --- /dev/null +++ b/9319-h/images/168.jpg diff --git a/9319-h/images/168.png b/9319-h/images/168.png Binary files differnew file mode 100644 index 0000000..3383c1f --- /dev/null +++ b/9319-h/images/168.png diff --git a/9319-h/images/169.jpg b/9319-h/images/169.jpg Binary files differnew file mode 100644 index 0000000..81cdce4 --- /dev/null +++ b/9319-h/images/169.jpg diff --git a/9319-h/images/169.png b/9319-h/images/169.png Binary files differnew file mode 100644 index 0000000..7fde895 --- /dev/null +++ b/9319-h/images/169.png diff --git a/9319-h/images/174.jpg b/9319-h/images/174.jpg Binary files differnew file mode 100644 index 0000000..e338069 --- /dev/null +++ b/9319-h/images/174.jpg diff --git a/9319-h/images/174.png b/9319-h/images/174.png Binary files differnew file mode 100644 index 0000000..c4680e6 --- /dev/null +++ b/9319-h/images/174.png diff --git a/9319-h/images/Frontispiece.jpg b/9319-h/images/Frontispiece.jpg Binary files differnew file mode 100644 index 0000000..9172a31 --- /dev/null +++ b/9319-h/images/Frontispiece.jpg diff --git a/9319-h/images/Frontispiece.png b/9319-h/images/Frontispiece.png Binary files differnew file mode 100644 index 0000000..10007b7 --- /dev/null +++ b/9319-h/images/Frontispiece.png |
